summaryrefslogtreecommitdiff
path: root/old/44690.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/44690.txt')
-rw-r--r--old/44690.txt1768
1 files changed, 1768 insertions, 0 deletions
diff --git a/old/44690.txt b/old/44690.txt
new file mode 100644
index 0000000..2620948
--- /dev/null
+++ b/old/44690.txt
@@ -0,0 +1,1768 @@
+The Project Gutenberg EBook of Punch, or the London Charivari, Vol. 109,
+July 27, 1895, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Punch, or the London Charivari, Vol. 109, July 27, 1895
+
+Author: Various
+
+Editor: Francis Burnand
+
+Release Date: January 17, 2014 [EBook #44690]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
+
+
+
+
+Produced by Punch, or the London Charivari, Malcolm Farmer
+and the Online Distributed Proofreading Team at
+http://www.pgdp.net
+
+
+
+
+
+
+
+PUNCH, OR THE LONDON CHARIVARI.
+
+VOL. 109.
+
+JULY 27, 1895.
+
+
+
+
+THE LOST RECORD.
+
+(_The Wail of a Wiped-out Wheelman._)
+
+AIR--"_The Lost Chord._"
+
+ Reading one day in our "Organ,"
+ I was happy and quite at ease.
+ A band was playing the "_Lost Chord_,"
+ Outside--in three several keys.
+ But _I_ cared not how they were playing,
+ Those puffing Teutonic men;
+ For I'd "cut the record" at cycling,
+ And was ten-mile champion then!
+
+ It flooded my cheeks with crimson,
+ The praise of my pluck and calm;
+ Though that band seemed blending "Kafoozleum"
+ With a touch of the Hundredth Psalm.
+ But my joy soon turned into sorrow,
+ My calm into mental strife;
+ For my Record was "cut" on the morrow,
+ And it cut _me_, like a knife.
+ A fellow had done the distance
+ In the tenth of a second less!
+ And henceforth my name in silence
+ Was dropt by the Cycling Press.
+
+ I have sought--but I seek it vainly--
+ With that Record again to shine.
+ Midst crack names in our Cycling Organ,
+ But they never mention mine
+ It may be some day at the Oval
+ I may cut that Record again,
+ But at present the Cups are given
+ To better--_or_ luckier--men!
+
+ * * * * *
+
+[Illustration: CONCLUSIVE.
+
+SCENE--_Hibernian Table d'hote._
+
+_Guest._ "WAITER! I SAY--THIS IS PORK! I WANT MUTTON!"
+
+_Waiter_ (_rather bustled_). "YES SOR IT'S MUTTON YE _WANT_--BUT
+IT'S PORK YE'LL _HAVE!_"]
+
+ * * * * *
+
+OF COURSE.--Directly it was known that Sir WILLIAM
+HARCOURT had accepted an invitation to contest West Monmouthshire,
+and that Mr. WARMINGTON had generously offered to retire
+in his favour, there was a rush for the evident joke of styling
+the self-effacing Q.C. "Mr. WARMINGPAN." It is uncertain
+which paper was the first to get the Warmingpan into its sheets. Sir
+WILLIAM did not find the vacated seat too hot to hold him.
+Just nice.
+
+ * * * * *
+
+NEW TITLES.--Sir HENRY LOCH is created Baron
+LOCH of Drylaw. The title will be appropriately written out
+on parchment. For was there ever a more dry-as-dust title than that of
+a Barren Loch and Dry Law!! Mr. STERN comes to the front as
+Baron WANDSWORTH: not of Wandsworth Common, "and so," as a
+Shakspearian clown might say, "the title is uncommon." Finally
+
+ Cock a doodle doo!
+ Lord HOUGHTON'S Earl of Crewe!
+
+being, evidently, the living representative of SHAKSPEARE'S
+"Early Village Cock."
+
+ * * * * *
+
+SCRAPS FROM CHAPS.
+
+BALLOTERY.--The Cork Agricultural Society had before it a
+proposal of the County Board to rent their ground for holding sports.
+The Chairman said,
+
+ "It was to be understood that the grounds would only be let on the
+ understanding that no drink would be sold, and that _no political
+ meetings or gambling_ would be allowed."
+
+Rather hard on politicians this, to bracket their patriotic endeavours
+with pitch-and-toss and alcoholic indulgence! If politics are like
+strong drink, nobody at any rate can call them a form of "refreshment"!
+But defeated candidates will quite agree that the game of "_bleu et
+jaune_" is a good deal worse than "_rouge et noir_."
+
+ * * * * *
+
+A DAY SHIFT.--From the _North British Daily Mail_ comes news
+of a daring electoral outrage. The Liberal candidate wanted to address
+the colliers in one of the Lanarkshire towns; but his meeting was very
+poorly attended. The cause was that the colliers were all waiting at
+the bottom of the pit ready to be drawn up, but "it was found necessary
+to send down an extra quantity of wood at that particular time"; so
+that the colliers could not get to the surface for an hour, when the
+political meeting was over! Smart man, the Conservative agent in that
+division! The pitmen could not be wound up, so the meeting was. It
+isn't only in Lanark that the Liberal Party wants a lift!
+
+ * * * * *
+
+"LITTERAL" TRUTH.--The effects of the General Election on the
+Press seem to be most marked in Ireland. An Irish contemporary has the
+following:--
+
+ "IRELAND. THE VICEROYALTY TO BE ABOLILHED.--Colonel
+ SAUNDERSON, addressing the Orangemen of Diamond, near Armagh,
+ said that Lord LALISBURY'S Government would bring in a Bil to
+ obolieh the office of Irish Viceroy."
+
+What is really to happen to the Irish Viceroy is rather mysterious.
+Is he to be "abolilhed," or only "oboliehed"? Perhaps "Lord
+LALISBURY" will kindly explain.
+
+ * * * * *
+
+DRINKING SCENE OF THE FUTURE.
+
+(_In consequence of the Growing Demand for Lighter Liquors._)
+
+ SCENE--_The interior of a Dining-room. The ladies have just
+ left, and the gentlemen are discussing their beverages._
+
+_Smith._ I say, BROWN, if it is not an impertinent question,
+where _did_ you get that toast-and-water?
+
+_Brown._ I thought you would be deceived! It was a cup, not the pure
+article! My butler is a first-rate hand at it. I will give you the
+recipe if you like.
+
+_Smith._ Do. It was excellent. What _is_ the secret?
+
+_Brown._ Something, I fancy, to do with watercress.
+
+_Jones._ I say, BROWN, that was really very nice sherbet.
+Turkish or Persian?
+
+_Brown._ Neither. Came from the Stores. Home-made.
+
+_Jones._ Well, it certainly was capital. I could have sworn that it had
+been manufactured East of the Levant.
+
+_Brown._ More likely East of Temple Bar. And now shall we have a
+whitewash before we join the ladies?
+
+_Six Guests._ No, thanks! Really not!
+
+_Half-a-dozen more of the Company._ Really not! No, thanks!
+
+_Brown._ Nonsense! (_Produces a pint bottle of lemonade._) Nonsense,
+I repeat! Look here, my boys. (_Locks door._) Not one of you fellows
+shall leave the room until you have finished _this!_
+
+ [_Draws cork of pint bottle, and distributes the lemonade amidst the
+ good-natured protestations of the revellers. Scene closes in upon the
+ Temperance orgy._
+
+ * * * * *
+
+_NOT IN THE "NEWCASTLE PROGRAMME."--Last week Sir CHARLES
+FREEMANTLE, K.C.B., was presented with his portrait painted by
+Hon. JOHN COLLIER, in Hon. JOHN'S best style; and so,
+for this work, COLLIER cannot be "hauled over the coals." _A
+propos_, evidently _the_ artist to paint the present Ministry should
+be a Collier, as it is a _Coal_ition Cabinet. If the Collier were a
+Radical, how coal-black the portraits would come out!
+
+ * * * * *
+
+[Illustration: "GENTLEMAN JOE."
+
+_Joe Ch-mb-rl-n_ (_the Driver, to his fare Lord S-l-sb-ry, with A. J.
+B-lf-r_). "ALL RIGHT, GOVERNOR! _I_ KNOW THE WAY!"]
+
+ * * * * *
+
+'ARRY ON THE ELECTIONS.
+
+ Dear CHARLIE,--O 'ip, 'ip, 'ooray, an' three more, and a tiger! Great
+ Scott!
+ I'm as 'appy as ten on 'em, CHARLIE, though thusty and thundering 'ot.
+ I've bin up to my eyes in it this time, and now these 'ere Polling
+ Returns
+ Are a-sending me slap off my chump, though I'm sorry they didn't chuck
+ BURNS.
+
+ Oh! I'm feeling O K and a arf; I could stand on my 'ed with delight,
+ For the Rads are knocked out in three rounds, 'Ome Rule's smashed, and
+ Old England's all right.
+ And although it is late, and I'm tired, I'm so full of our Glorious Win,
+ That I feel I _must_ sit down and drop yer a line, mate, afore I turn in.
+
+ I'm the Pet of the Primrosers, CHARLIE, and, 'ang it, I've earned it all
+ round,
+ For I've worked like a nig, and no error. It suits me right down to the
+ ground.
+ I've canvassed and posted tremenjous, I'm 'usky with cheer and chi-ike,
+ And I've mounted the Unionist colours, and blazed round the streets on a
+ bike.
+
+ There was full arf a mile on us, CHARLIE, a scarlet percession on wheels;
+ With Japanese lanterns a-flying, and 'underds o' kids at our 'eels.
+ I felt I was "charging the guns," like that brave Ballyclava Brigade,
+ With shouts for "Lord MUNGO and Malt!" and a little one in for "The
+ Trade."
+
+ I tell yer, old man, 'twos hexciting. We dashed along Mulberry Scrubs.
+ And up the 'igh street a rare buster, 'ocrayed by the bhoys at the Pubs.
+ We scooted around for ten mile, the 'ole distance one thunderin' cheer;
+ And _when_ we pulled up at the "Crown," if you'd just seen me lower the
+ beer!
+
+ I lapped off a quart in one quencher. "_That_'s rippin'!" sez I to the
+ Bung.
+ "I felt liked a dashed wooden 'orse, with a lump o' red leather for
+ tongue."
+ "Ah!" sez 'e, "and jest fancy, old man, if them Vetoers 'ad their vile
+ way,
+ Wy, _I_ couldn't sell you a tankard, and _you_ wouldn't 'ave any say!"
+
+ But jimminy-whizz, _'ow_ we squelched 'em! We got our man in two to one,
+ Though our neighbourhood used to vote Rad, and a Tory was not in the run.
+ Wot beans it must be to old 'ARCOURT, wot toko to LAWSON and CAINE!
+ Well, they've got their fair arnser this time; let us 'ope they won't
+ try it again.
+
+ _Workin'-men_ on the _Radical_ ramp? You should jest 'ear wot _I_ 'ear,
+ old pal.
+ Let big pots make the round o' the pubs, and they won't talk that footy
+ fal-lal.
+ Labour wants steddy work and good wyges, and likes to see England look
+ big;
+ And then, with its baccy and beer, it's all one to it, Tory _or_ Whig.
+
+ Wot's it care for Welsh Churches, or Scotch 'uns, as don't 'ardly enter
+ its own?
+ And as to 'Ome Rule--for yer worker there's dashed little meat on _that_
+ bone.
+ Talk of Betterment, Progress, Peer-smashing, and such-like, may do for
+ the Clubs;
+ But all Labour _gits_ is 'igh rates, shocking trade, and a raid on its
+ pubs.
+
+ Workman sez it's too good enough, CHARLIE; believes as it's better by far
+ To vote for Old SOL, a big Navy, an' maybe a olly good war.
+ He's sick of the bloomin' old forriners copping our trade and our tin,
+ And 'e's game for Protection _and_ Peers--_anythink_, so Old England may
+ win!
+
+ If the Rads wont his vote for the future, they've got somethink _solid_
+ to do!
+ Village Councils and Vetoes won't work it, for all BILLY 'ARCOURT'S
+ boohoo!
+ 'E don't wont less beer, but more beer-money, ah! and 'e don't care a
+ blow
+ If 'e gits it from ROSEBERY and 'ARCOURT, or SOLSBURY, BALFOUR and JOE!
+
+ But 'ang it, I'm preaching, old oyster, and giving them Rads the straight
+ tip.
+ One thing, they won't take it, this lot won't; they ain't got no savvy,
+ no grip.
+ Bin sloppin' all over the place like, a-fillin' their cup, and that rot,
+ And now, arter tackling the pewter, they find as they've all gone to pot.
+
+ O ain't it ske-rumptious, my pippin? I feel I could washup Brum JOE,
+ And I'm bound to admit, next to Bung, us true Tories must thank _him_
+ this go.
+ He's crumped 'is old pals a fair knock-out. If SOLSBURY'S saddle 'e'll
+ carry,
+ And run straight in 'arness with ARTHUR, _'e_'ll do! Yours, tolbobbishly,
+
+ 'ARRY.
+
+ * * * * *
+
+NOT THE ONLY DIFFERENCE BETWEEN THEM.--Lord ROSEBERY
+the Derby Winner; Sir W. V. HARCOURT the Derby Loser.
+
+ * * * * *
+
+[Illustration: UNLUCKY SPEECHES.
+
+_She_ (_giving him a flower_). "SWEET AS THE GIVER?"
+
+_He_ (_wishing to be very complimentary indeed_). "OH--SWEETER FAR!"]
+
+ * * * * *
+
+DISSOLVING VIEWS.
+
+(_A Reminiscence of the Recent Elections._)
+
+ SCENE--_The corner of Northumberland Avenue, opposite the
+ National Liberal Club, where a screen is erected, on which the latest
+ results of the second day's pollings, together with photographs of
+ prominent Liberal politicians, and scathing caricatures of Unionist
+ leaders, are being exhibited by a magic lantern for the benefit of a
+ large and good-humoured crowd. The sympathies of the majority are, as
+ might perhaps be expected, with the winning side, but the minority
+ is very fairly represented, while in "booing" and "brayvo"-ing they
+ are incontestably the stronger party._ TIME--_Between 10
+ P.M. and 12.30 A.M._
+
+_Spectators_ (_as the portrait of_ Sir WILLIAM HARCOURT
+_is displayed_). Yah! Tike 'im down! 'Ow about Durby?... Brayvo!...
+Three cheers fur 'AR-COURT! 'E'll come back yet! (_Lord_
+ROSEBERY'S _likeness follows_.) Good ole _Ladas!_ Cheer up!
+Put a _smile_ on 'im!
+
+ [Mr. GLADSTONE'S _face, leonine and benignant, is next shown_.
+
+_A Chivalrous Conservative_ (_magnanimously_). 'E's a grand old chap,
+any'ow; _I_ ain't goin' to chevy 'im.
+
+ [_Which, to the credit of the assembly, seems to be the general
+ sentiment, as conveyed by unanimous applause._
+
+_A Sanguine Radical._ We shall 'ave the results in soon now; it's past
+ten. We shall do better to-day than what we did Saturday, you _see_....
+Ah, here's the first--"Hereford. Unionist Majority, 313. No change."
+You can't _expeck_ none in a rotten place like that! You _wait_ a
+bit.... "Croydon. Increased Unionist majority of 835. No change."
+Well, 'UTCHINSON done very well; it's a strong Tory seat, is
+Croydon. They're on'y 'olding their own so far--that's all.
+
+_Radical Group_ (_as a series of cartoons is next displayed_).
+Hor-hor! There's JOEY, d'ye see? Boo-oo. "'E tiles not
+now!"... 'Oo's _that?_ The ole Dook o' CAMBRIDGE? No, it's
+Lord SOLSBURY, that is. So it is. That's a good 'it, eh? Look
+at the size of 'is _boots!_ What's written on them? "_Comfort_," or
+somethink! "_Chuck-out_," is it? Oh, I couldn't make the writing out.
+Hor-hor; got 'im there, they 'ave. Garn. King BOMBA!... Look
+at ole GOSHIN. 'E _'ave_ give 'im a _'at_, ain't 'e? I arsk
+_you_, is _that_ a fice, as orter be in Parliment?... 'Ave they 'ad
+BALFOUR up yet? Yuss, they did _'im_ with 'is trousers shrunk
+up to 'is knees. Kepital it was. Harhar! that's the way to show _that_
+lot up, and no mistake! (_&c., &c._)
+
+_The Crowd_ (_as several results are announced in succession_).
+Comin' in quick now, ain't they? Look there! "Boston. Unionist gain!"
+'Oo-ra-ay! bo-oo-oo! "North Lambeth. Unionist gain." .... "Rochdale.
+Unionist gain!".... "Bristol (South), increased Conservative majority.
+No change."
+
+_The Sanguine Radical._ Tell ye what 'tis, they're putting in all the
+Conservative wins _first_. And them bigoted beggars at Bristol, they
+dunno what they're votin' _for_, they don't. We shall pull up afore
+long. There, what did I _tell_ you? Look a' _that_. "Durham. Liberal
+majority, 1--Objection raised." Hooray! we're beginning ter buck up
+_now_, ye see! (_Radical groups cheer in a spirit of thankfulness
+for small mercies._) "Pontefract. Liberal majority, 57. No change."
+(_Frantic Radical enthusiasm and cries of_ "Good ole Pontefrack!")
+"Huddersfield. Radical gain." (_Roars of delight from Radicals._) 'Ave
+a few more like _that_, and we shall do.... "Oldham. Conservative gain
+o' two seats." (_Tremendous cheering from Conservatives._) Well, after
+_that_, I'm prepared for anythink, I am!
+
+_Elderly Radical Solon._ It's jes _this_ way, them Conservatives, they
+ain't got no _prinserples_, o' course, but they do stick together, and
+that's 'ow they git the advantage over _us_. But it jes serves the
+Govment right fur not parsin' the Second Ballot. They _could_ ha' done
+it, and they _orter_ ha' done it!
+
+_His Companion_ (_disguising a slight vagueness as to the precise
+nature of this measure_). I dessay, I dessay; but it's these 'ere
+Labour Kendidates as are playin' the dooce with us. Lost us several
+seats a'ready, they 'ave.
+
+_The R. S._ My argument on that is this--the ole question o' the Labour
+was concocted four year ago at Devonshire 'Ouse.
+
+_His Companion_ (_guardedly_). It _might_ ha' bin, but I don't foller
+yer, John.
+
+_An Independent._ Anyway, you can't say as the Labour Candidate made
+any difference _'ere_--he on'y polled twelve 'undred and fifty-one
+votes, and the Unionist had neely five thousand!
+
+_His Neighbour._ No difference? 'Ow d' yer make _that_ out? Why, the
+Radical was on'y four'underd or so be'ind, and it stands to reason, as
+if arf the Labour votes 'ad bin given to 'im, he'd 'a won easy!
+
+_The Independent_ (_hastily_). Yes, yes; jesso, jesso; but that wasn't
+my _point_. And KEIR 'ARDIE sez there'll be three 'underd
+Labour Kendidates next elections. Ah, and they'll _find_ 'em, too!
+
+_A Unionist._ I 'ope they may. More on 'em the merrier--for _our_ side!
+
+_The Independent._ Any'ow, KEIR 'ARDIE'S safe for West 'Am.
+Majority o' twelve 'underd and thirty-two last time. Take a _lot_ o'
+pulling down, that will! (_Polling at West Ham (South) announced._
+KEIR HARDIE _defeated by 775. Impartial joy of Tories and
+Liberals._) What? Chucked? _'Im!_ The on'y man with the morril courage
+to wear a deerstalker in the 'Ouse! They ain't fit to _'ave_ a vote!
+
+ [_Exit disgustedly._
+
+[Illustration: "'E's a reg'lar tinker's cuss, as I 'appen to know!"]
+
+_A Red-hot Radical._ Ah, what I ses is, it don't matter which you
+fetch a man out of--whether it's Newgit, or whether it's a mad 'ouse,
+'e's good enough to make a Tory of! Look at 'im as 'as got in agen for
+West Puddlesford, 'e's a beauty--the 'ottest member in the 'Ouse, 'e
+is--_that_ feller, why, 'e's a reg'lar tinker's cuss, as I 'appen to
+know! (_Another result is exhibited. A Conservative Brewer gets in for
+Worcester. No change._) Good ole Bung'ole! It's the beer as _does_ it!
+
+_First Mechanic_ (_after a Radical majority at Devonport has been
+announced_). Well, I can't understand a dockyard town voting for a
+Radical; they get twice the amount o' work under a Tory government,
+that's a matter of common knowledge.
+
+_Second Mechanic._ What's the good o' that when others have got none at
+all? I'm all for _ekalizing_ the work--let 'em have 'alf the work and
+give others a chance.
+
+_First Mech._ You wouldn't accept 'alf the work _you_'ve got, I'll lay.
+You _would?_ Well, yer _missis_ wouldn't, then!
+
+_Second Mech._ She'd 'ave to. And why should 'alf of us starve?
+
+_First Mech._ Why should _all_ of us? But there's no use o' you and me
+_argufying_ about it.
+
+ [_Which, of course, they continue to do notwithstanding; there is a
+ lull in the returns, and the photographs and caricatures are once more
+ in request_; Mr. CHAMBERLAIN'S _being exhibited upside down
+ by way of variety_.
+
+_A Radical._ What d' yer think o' JOE _now?_ 'E's met with a
+reverse, eh!
+
+_A Tory._ _That_'s all right, mate; it on'y means as 'e's a goin' to do
+it on 'is 'ed!
+
+_An elderly and excited Irishwoman._ Ah, bad luck to 'im, the
+murtherin' scounthril! wants a _toitle_, dees he? Jist th' loike of all
+thim Saxon opprissors, th' toirant. What does _he_ care hwhat becomes
+o' th' poor Oirish, so long as he gets his billyfull?
+
+ [_She pours a stream of denunciation into the ears of the nearest
+ Radical._
+
+_The Radical_ (_soothingly_). Good 'ole BRIDGET. But look
+'ere, you needn't come and talk to _me_ about it. (_Indicating a Tory
+neighbour._ You go an' tell '_im!_
+
+ [_Which_ BRIDGET _does, volubly; more portraits are
+ exhibited. One of_ Mr. JUSTIN MCCARTHY _being hailed with
+ cries of "Brayvo_, LABBY!" and _"Our Cartoonist" being
+ instantly recognised as the late_ Mr. PARNELL.
+
+_Radical Spectators_ (_after results of polling at Deptford, Halifax,
+Hartlepool, Bristol (North), (&c._). Oh dear, oh dear, oh _dear_. Well,
+I'm sure! MACNAMARA, the man 'oo polled the 'ighest votes
+in the School Board Election--and look at him _now!_ If SIDNEY
+WEBB 'ud ha' contested that, 'e'd a' _won_ it!... There's
+_another_ seat we've lost. Well, I was 'appier standing 'ere this time
+three years ago, blow'd if I wasn't!... Oh lor, my brother-in-law 'll
+go wild over this. My ole uncle 'll go arf orf his 'ed. (_&c., &c._)
+
+_An Irrelevant Person._ Tork about Tories! Why, I'll lay anybody a
+shillin' JEM SMITH, the fighting man, 's a Tory, and _all_ o'
+them prize-fighters are--and that's 'ow it's _done!_
+
+_First Lounger._ _'Oo_ ain't a workin' man? I lay I work as 'ard as
+what _you_ do, come now!
+
+_Second Lounger._ What _are_ yer then? A mat-seller?
+
+_First Lounger_ (_indignantly_). Garn! A mat-seller? I'm a bloomin'
+toe-walker, I am. Lean up agin the doors o' public-'ouses, I do, and
+work _'ard_ at it!
+
+ [_His claim is reluctantly admitted._
+
+_The Sanguine Radical._ Twelve Unionist gains to three Radical! Well,
+there's no denying things ain't gone quite as well as I expected. But
+there, there's no telling; by this time to-morrow we shall all know
+more than what we do now. I shall turn in to LOCKHART'S and
+'ave a large cocoa after this. I _want_ it, I can tell yer!
+
+ * * * * *
+
+OPERATIC NOTES.
+
+_MONDAY, July 15._--_Tannhaeuser_ Combination Company
+night. Made in Germany, brought into England, and sung in French.
+ALBANI unexpectedly out, like HARCOURT;
+EAMES in as Liberal-Unionist. "Miss EAMES and miss
+ALBANI," quoth WAGSTAFF. MAUREL unwell:
+apologised for EAMES, distantly related to "'Eames Ancient and
+Modern," (which superseded TATE and BRADY,) nervous
+but charming. Protean Mlle. BAUERMEISTER as _Little-Bo-Peep_,
+the shepherd's boy, excellent. _Venus-Adini_ fine and large, offering
+to excellent _Tannhaeuser-Alvarez_ a great contrast to beloved
+_Elizabeth-Eames_. House crammed.
+
+[Illustration]
+
+_Saturday._--Peacefully comical and classical _Philemon et Baucis_
+followed by warlike, modern, and tragical _La Navarraise_. Bang go the
+drums and cannons. CALVE to the front! _C'est magnifique!_
+Literally stunning! DRURIOLANUS must get an opera written
+with a naval engagement in it (he can easily add this to his other
+engagements for next season), ending with general explosion and
+Admiral's cocked hat going off. No charge for suggestion. Bombardier
+BEVIGNANI or Marine MANCINELLI might revel in it.
+_Vive la Guerre!_
+
+ * * * * *
+
+Breach of Promise Couplet.
+
+ [Last week Miss EDMAN sued JAKOBOWSKI for breach of
+ promise and won her case with L700 damages.]
+
+ O JAKOBOWSKI many tears you'll shed man,
+ You lost your money when you lost your 'Ed-man!
+
+ * * * * *
+
+Election Notes from the West.
+
+_Plymouth._--CLARKE secures seat, but HUBBARD, like
+dog of celebrated ancestress, has none.
+
+_Falmouth._--HORNIMAN in. "_Fabula narratur de Tea._"
+
+_Camborne Division._--STRAUSS conducting great campaign in a
+Miner key. Key to situation.
+
+_Ashburton Division._--Radicals fighting nix or nothing. Unionist
+war-cry, "Nix my dolly, pals, vote away!"
+
+_Torquay Division._--Electors continue policy of filling up the cup by
+returning PHILLPOTTS.
+
+ * * * * *
+
+COUPLET, JUST OUT.
+
+ On faults only two in our rule I can touch:
+ We gave 'em too little and promised too much.
+
+ _Sir Henry Campbell Balladman._
+
+ * * * * *
+
+"GOODE GOODS."--"The Goode Collection" sold at Christie's
+Tuesday and Thursday last. Goode enough, of course; but because it was
+the Goode Collection it evidently could not have been the Best.
+
+ * * * * *
+
+RECIPROCITY.
+
+SCENE--_A London Dinner Party._
+
+Mr. LAMBERT _and_ Mrs. CRUMPINGTON (_chance
+partners_).
+
+_Mr. Lambert_ (_feeling his way_). Been to the Opera often this season,
+Mrs. CRUMPINGTON?
+
+_Mrs. Crumpington._ Oh, very often. I am so devoted to music, you know,
+that I go whenever I can. And, talking of music, have you heard that
+new pianist, Herr--what _is_ his name?--oh yes, Herr WIDOWSKI?
+He's too delicious for words!
+
+_Mr. L._ No; I can't say that I go to concerts much. You should talk to
+my daughter ETHEL--she's devoted to music, and they tell me
+that she's got a really fine voice. I'm sure she practises enough.
+
+_Mrs. C._ Indeed? Well, I've no voice, I'm sorry to say; but I play the
+piano a little--only a _very_ little, you know.
+
+_Mr. L._ Wonderful what a lot of people _do_ play in these
+days--(_hastily_)--not like _you_, of course; but one hears pianos and
+fiddles going in every house, and most of them are simply instruments
+of torture.
+
+_Mrs. C._ (_smiling_). Rather a rash remark--isn't it? You've never
+heard me play, you see! (Mr. L. _endeavours to protest_.) Oh, but
+I assure you I quite agree with you. For instance, my next-door
+neighbours are always making the most awful noises--playing and singing
+morning, noon, and night. The wall is very thin, and I am nearly driven
+crazy.
+
+_Mr. L._ (_warmly_). My dear Madam, I can sympathise with you entirely.
+I've often thought that Parliament ought to pass a Bill for enforcing
+a close-time in domestic music. Of course it only matters to me in the
+evening, but we're troubled exactly in the same way as yourself. And
+my poor ETHEL finds her singing constantly interrupted by the
+disgusting row made by our next-door neighbour. I suppose he must take
+a pleasure in annoying us--anyhow he's jammed his wretched piano right
+up against our drawing-room wall, and bangs and thumps on it for about
+six hours a day. Of course it would be bad enough if the fellow played
+well; but you never heard such ghastly noises as he makes!
+
+_Mrs. C._ How sorry I am for your poor daughter! Yes; people complain
+in the papers and grumble about street-bands and piano-organs; but at
+least one can send them away--which, unfortunately, one can't do in the
+case of next-door neighbours! However, I suppose I ought to be grateful
+that the people on the other side don't play at all.
+
+_Mr. L._ Ah! I live in a corner-house. But I think a little opposition
+noise would almost be a relief--a kind of homeopathic cure, you know.
+
+_Mrs. C._ One's quite enough for _me_. It's been getting worse, too,
+these last few weeks, and I'm delighted to meet a fellow-sufferer.
+Come; can't we concoct some joint scheme of deliverance? Do
+you think it would answer if I sent round a polite note--"Mrs.
+CRUMPINGTON presents her compliments to Mr."--whatever their
+name is--"and would be extremely obliged,"--and so on. How would that
+do?
+
+_Mr. L._ (_decisively_). Wouldn't be the least use, I assure you, or
+I'd have tried that plan myself long ago. The only result would be that
+they'd make more row than ever, on purpose to score off you. No, I
+fancy I've got a better plan than that.
+
+_Mrs. C._ (_eagerly_). Oh, do tell me what it is!
+
+_Mr. L._ Well, I happened to notice in a shop in Holborn the other day
+one of these new American toys, it's a kind of small fog-horn, driven
+by a pair of bellows. And the noise it makes is something terrific, I
+assure you--loud enough to drown half-a-dozen pianos. So I've ordered
+one of these, and as soon as ever that scoundrel strikes up next door,
+I shall turn on the horn; then, directly he stops, I'll stop too, you
+see. Rather a good idea, don't you think?
+
+_Mrs. C._ (_much amused_). It is, _indeed!_ If only the poor wretch
+next door knew what was in store for him! Oh, if only I could silence
+_my_ enemy in that way! But then, of course, I can't a blow a horn.
+
+_Mr. L._ That isn't necessary; all you have to do is to work the
+bellows, and the thing goes by itself. Really, I strongly recommend you
+to invest in one.
+
+_Mrs. C._ It would be a good plan, wouldn't it? Where did you say they
+are to be had?
+
+_Mr. L._ I'll write down the address, if I can find a scrap of paper.
+
+ [_Takes out a card-case from his pocket, pencils address on back of
+ visiting card, and hands it to_ Mrs. C.
+
+_Mrs. C._ Thank you _so_ much, I'll certainly think about getting one
+(_looks absently at the other side of the card_) if they're not too
+dear, and----(_Gasping._) Good gracious heavens!
+
+_Mr. L._ (_anxiously_). What's the matter? Are you ill?
+
+_Mrs. C._ (_pointing to the printed side of the card in her hand_). Is
+this your real address?
+
+_Mr. L._ (_much astonished_). "No. 1, Yarborough Gardens?" Yes,
+certainly it is. Why do you ask?
+
+_Mrs. C._ (_faintly_). Because--because _I_ live next door at No. 3!!
+
+ [_Tableau! Curtain._
+
+ * * * * *
+
+[Illustration: WHAT THE NEW WOMAN WILL MAKE OF THE NEW MAN!
+
+"IF YOU WANT ME TO KEEP THE NEXT DANCE FOR YOU, YOU MUST WAIT UNDER
+THIS DOOR. I CAN'T GO RUSHING ALL OVER THE ROOM TO _LOOK_ FOR YOU, YOU
+KNOW!"]
+
+ * * * * *
+
+THE OLLENDORF GUIDE TO KNOWLEDGE.
+
+THE CARETAKER.
+
+Is it time to leave town? Yes, it is time to leave town, because the
+good neighbours have put up their shutters (_i.e._, the shutters of the
+good neighbours). Do all the good neighbours put up their shutters?
+Yes, all put up their shutters, but one of them stays in town at
+the back of the house. Why does one of the good neighbours stay in
+town at the back of the house? To escape the expense of leaving town
+incurred by the other good neighbours who have put up their shutters.
+Is that expense a great one? Yes, a very great one. Have they any
+other drawbacks? Yes, they have the annoyances of a caretaker. What
+are the annoyances of a caretaker? The annoyances of a caretaker are
+her husband, her children, her cat, her dog, her mother, and all
+her relations. When a caretaker enters the house of one of the good
+neighbours, is she accompanied by her annoyances? Yes, the caretaker is
+accompanied by her annoyances. Does the caretaker lead a happy life in
+the house of one of the good neighbours? Yes, she leads a happy life,
+and so do her husband, her children, her cat, her dog, her mother, and
+all her relations. What do the relations of the caretaker do in the
+house of one of the good neighbours? They smoke in the drawing-room in
+the house of one of the good neighbours. If anyone calls to see the
+good neighbour, what does the caretaker do? The caretaker generally
+refuses to attend to the bell. Should the caretaker attend to the
+bell, what does she do? She tells the caller who wishes to see the
+good neighbour that she knows nothing of the master of the house's
+movements (_i.e._, the movements of the master of the house). Does the
+caller then retire under the impression that the house has been sold
+up, and that the good neighbour has entered the Court of Bankruptcy
+(_i.e._, the Bankruptcy Court)? The caller does leave the house under
+that impression. While this impression is being created in London,
+is the good neighbour unconsciously attempting to enjoy himself in
+Switzerland? Yes, the good neighbour is undoubtedly attempting to
+enjoy himself in Switzerland, in spite of the cookery, the lack of
+accommodation, the expense, and the weather. If the good neighbour
+ceased to be unconscious, and became aware of the damage that was being
+done to his credit by the caretaker, what would that good neighbour do?
+The good neighbour would probably swear. Then would the good language
+of the good neighbour change in its character? Yes; for it would
+become the bad language of the bad neighbour. Would the bad language
+of the bad neighbour have any immediate effect upon the caretaker,
+her husband, her children, her cat, her dog, her mother, and all her
+relatives? No, for the bad language would be uttered in Switzerland,
+and the caretaker, her husband, her children, her cat, her dog, her
+mother, and all her relatives would be in London. Then what would the
+caretaker, her husband, her children, her cat, her dog, her mother, and
+all her relatives do in the house of one of the good neighbours during
+the protracted absence of the good neighbour on the Continent? They
+would continue to smoke in the drawing-room.
+
+ * * * * *
+
+"HONOURS EASY."
+
+Mr. TRELOAR wrote to the _Times_ the other day _a propos_
+of Mr. WILLIAMSON'S peerage. Messrs. TRELOAR and
+WILLIAMSON are in the same business, _i.e._ the linoleum
+trade, and Mr. TRELOAR suggested that "_Lord LINOLEUM
+would not be a bad title_." Quite agree with him. Let persons take
+titles from some specialty of their trade or calling. Suppose peerages
+granted to
+
+ Chiropedist Marquis of CUTACORN.
+ Soda-water Manufacturer Lord SODA AND BANG.
+ Tailor Viscount VEST.
+ Butcher (_Irish title_) Baron O'BEEF.
+ Jeweller Duke of DIAMONDS.
+ Grocer Lord SUGAR AND SANDS.
+ Draper Earl of SUMMERGOODS AND WINTERSALES.
+ Ditto Lord REMNANTS OF UNDERWEAR.
+ Bootmaker (_with French polish_) Marquis DE SHOES ET AUTRES.
+
+Numerous variations will occur to readers. They can be forwarded to our
+office as probably useful when the next "honours easy" are dealt out.
+
+ * * * * *
+
+"OH, THE IRONY OF IT!"--Last week, whilst reports of Tory
+successes in the boroughs daily reached London, the leading Liberal
+paper, regardless of expense, had the walls covered with large placards
+announcing that "the _Daily News_ has the best election intelligence."
+"If this is the best," said Sir WILLIAM HARCOURT, observing
+one of the placards on his way back from Derby, "I shouldn't like to
+know the worst."
+
+ * * * * *
+
+[Illustration: THE SPILL!
+
+ JACK AND JILL WENT UP THE HILL
+ TO FETCH A PAIL OF WATER,
+ JACK FELL DOWN AND BROKE HIS CROWN,
+ AND JILL CAME TUMBLING AFTER.]
+
+ * * * * *
+
+OUR BOOKING-OFFICE.
+
+_The Variety Stage_, by CHARLES DOUGLAS STUART and A. J.
+PARK (FISHER UNWIN), is a history of the Music-halls from the
+earliest period to the present time. And a very interesting history it
+is, admirably told withal. One comes upon names familiar in boyhood,
+and is a little shocked to find that the Great VANCE was
+really named ALFRED PECK STEVENS. The pages glow with pleasant
+peeps of London at midnight, as _Pendennis_ saw it, and as, once at
+least, it was looked upon by _Colonel Newcome_. It is sad to find how
+many of the old favourites of the music-hall fall upon evil times, and
+even die in the workhouse. SAM COLLINS was more fortunate. He
+was sumptuously buried in Kensal Green, where a marble pedestal carries
+his portrait and his epitaph. This last is notable as containing what,
+as far as my Baronite knows, is the most audacious rhyme in the English
+language. As it was admitted to consecrated ground, it may perhaps be
+quoted here. "A loving husband," so it runs--
+
+ "A loving husband and a faithful friend,
+ Ever the first a helping hand to lend:
+ Farewell, good-natured, honest-hearted SAM,
+ Until we meet before the great I AM."
+
+ _Pro_ BARON DE B.-W.
+
+ * * * * *
+
+DIPLOMATIC INTELLIGENCE.--Mr. CHAUNCY DEPEW has
+arrived. On business, of course. De-pew-ted by American Government.
+
+ * * * * *
+
+[Illustration: ON THE TRACK IN BATTERSEA PARK.
+
+"WHERE THERE'S A WHEEL THERE'S A WAY."]
+
+ * * * * *
+
+THE LABOUR GALLIO.
+
+ Bah! Politics are a bad joke.
+ To get up steam about 'em's silly.
+ The Tory pabulum is stale "toke,"
+ The Liberal beverage sloppy "skilly."
+ _My_ business, whilst they storm and splutter,
+ Is to earn beer and bread-and-butter.
+
+ * * * * *
+
+THURSDAY, JULY 18. FOR TWO KNIGHTS ONLY!--Sir HENRY
+IRVING and _Sir John Falstaff_. Hitherto Windsor Shakspearianly
+associated with Merry Wives and washtubbing (with "brown Windsor") of
+Fat Knight. Henceforth memorable for Royal reception and dubbing (also
+with the best Windsor) of Thin Knight. Reported that Sir HENRY
+was invited to represent a Constituency! He _has_ represented two
+single gentlemen rolled into one, such as _Corsican Brothers_, and
+_Dubosc_ and _Lesurques_. But to represent a Constituency of some
+thousands!! No rapid act of "quickest change" could effect it. _Vive_
+Sir HENRY!
+
+ * * * * *
+
+"IN NUBIBUS."--WRIGHT, the convict and ex-solicitor
+of the Liberator Building Society, said in the course of examination at
+the London Bankruptcy Court that he was "formerly tenant of Cloughton
+Castle in Ireland. That was only a small place, but it was customary in
+Ireland to call almost everything a castle." Quite Wright. Home Rule is
+now one of these _Chateaux d' Espagne_ in Ireland, and "to let."
+
+ * * * * *
+
+THE GENERAL ELECTION.
+
+ Oh pity an unhappy man
+ Reduced to desperate dejection!
+ There's nothing happening but an Election.
+
+ Eternally it worries me,
+ Inducing cerebral affection,
+ This never-ending topic the Election.
+
+ I don't love politics, or care
+ A pin for Liberal defection,
+ Or if the Tories gained in their Election.
+
+ Unworthy citizen, perhaps
+ I need reproof and stern correction,
+ Indifferent to any chap's Election.
+
+ Unless I flew beyond the sea,
+ I'm certain that in no direction
+ Could I escape at all from the Election.
+
+ For no one writes, and no one speaks,
+ Of anything but in connection
+ With some loquacious man who seeks Election.
+
+ I try my club; though men may come
+ And men may go, there's this objection
+ To all alike--they talk of some Election.
+
+ I go to bed; no rest for me,
+ I'm roused by yells, with shrill inflection
+ Of "Extry midnight speshul, the Election!"
+
+ The papers, taking any side,
+ Of any party, any section,
+ One sort of news alike provide--Election.
+
+ I'll go to see my love, and kiss
+ Her pretty face, her sweet complexion,
+ At least she will not talk of this Election.
+
+ * * * * *
+
+"YOU ARE MOST APT TO PLAY THE SIR."
+
+_Othello_, Act ii., Sc. i.
+
+Friday, July 19, 1895, memorable in annals of British stage as a day
+set apart for one of the greatest triumphs of the Drama. Sir HENRY
+IRVING, fresh from the honours of Royal Windsor, received a
+further distinction at the hands and hearts of his "brothers and
+sisters" in that profession for which he has done so much. Squire
+BANCROFT was the eloquent spokesman for the enthusiastic
+audience of comedians and tragedians which filled the Lyceum; yet
+before and behind the footlights there was not a suggestion of
+histrionics. Unlike, too, the great unpaying, who have the dulness of
+their _order_, the guests of Friday were remarkable for the tremendous
+energy of their goodwill. If this theatre had not long been seasoned
+to the sounds of vociferous cheering, the demonstration might "have
+brought down the house" literally. _Mr. Punch_ takes this opportunity
+of joining in the demonstration, and drinks to Sir HENRY
+IRVING. May the Knight of the cheerful countenance prosper
+according to his deserts. And, if that wish is realised, the lessee of
+the Lyceum will be one of the happiest men on record.
+
+ * * * * *
+
+STAMBULOFF.
+
+ Grim mockery of fate! The assassin's knife
+ Once more hath power upon a patriot's life.
+ One steel-armed miscreant, with one felon blow,
+ May lay the moulder of a nation low.
+ Masterful man and fiery patriot, still
+ Is that strong heart, relaxed that iron will.
+ Yet there's more honour for the brave at rest,
+ After vain struggle and abortive quest,
+ Than for the ungrateful herd who dare not rise
+ To the full height of perilous destinies,
+ The Northern Bear his distant quarry nosing,
+ Or the Coburger in gay Carlsbad glosing.
+
+ * * * * *
+
+R. PEEL FROM MR. G.--Mr. GLADSTONE, writing to Sir
+ROBERT PEEL, who had been addressing the Fazeley branch Lodge
+of Oddfellows, said, "_In our small community we have four separate
+lodges, and I have associated myself with them all._" Mr. G. may now
+adopt as his signature, not the initials "G. O. M.," but the new one of
+"O. F. O.," or "Odd Fellow Out." No doubt, with his love of retirement
+and study, the Grand Old Odd-Fellow often says, sighingly, to himself,
+"O for a Lodge in some great Wilderness!"
+
+ * * * * *
+
+To Dr. W. G. Grace on his 47th Birthday.
+
+ Many happy returns of the day!
+ Old Time on his record should nick it,
+ Long, long may he umpire your play.
+ Here's wishing you luck at the wicket,
+ Long life,--for one "century," say,--
+ And a hundred more of 'em at Cricket!
+
+ * * * * *
+
+[Illustration: BLASE.
+
+"WELL, PAPA, HOW DID YOU ENJOY THE PLAY TO-NIGHT?"
+
+"OH, I THINK I ENJOYED IT FAIRLY WELL, MY DEAR. I'VE GOT A GENERAL
+SORT OF IDEA THAT I DIDN'T GO TO SLEEP OVER IT!"]
+
+ * * * * *
+
+HOW THE TOPERS CAME DOWN TO THE POLLS.
+
+(_A Song for the Drouthy, someway after Southey._)
+
+_How did the Topers come down to the Polls?_
+
+ Here they came shouting,
+ And there they came flouting,
+ Teetotalers scouting, and HARCOURT mis-doubting,
+ With banners, and big bills, and trumpets and song.
+ With pint-pots and flagons,
+ In drags, brakes and wagons,
+ As valiant as lions, as fiery as dragons,
+ They hastened along united and strong!
+ 'Midst braying of brass and 'midst clouds of tobacco,
+ With jubiliant shouts for "The Union Jack, O!"
+ With jovial manners, and patriot banners,
+ 'Midst bung-lauding boasters, with big scarlet posters,
+ In Sunday-best garments superbly arrayed;
+ 'Midst shoutings from "cadgers," with scarves and with badges,
+ With rubicund faces, limp collars, loose braces,
+ With dry-as-dust throttles, and handy case-bottles,
+ With blonde buxom Beauty to aid 'em in duty,
+ And bystanders funning, and little boys running,
+ And stentor-toned shouts for "The Cause" and "The Trade"!!!
+ All florid and torrid,
+ Damp shirts and moist forehead,
+ From near slum and far court,
+ With railings at HARCOURT,
+ And wit-aping WILFRID, and truculent CAINE.
+ With shouts for Sir MICHAEL,
+ By 'bus, and by cycle,
+ Afoot, and well-mounted, by tram and by train.
+ All glowing and blowing,
+ Red cards about throwing,
+ And rushing, and crushing, and flushing,
+ And laughing, and chaffing, and quaffing;
+ And jeering, and sneering, and "beering,"
+ And skipping, and tripping, and "nipping,"
+ And hasting, and pasting, and tasting;
+ And hopping, and popping, and mopping,
+ Perspiring, and wiring.
+ But ever untiring.
+ And drinking, and chinking, and blinking, and winking,
+ And sometimes unthinking, but ever unshrinking,
+ And gladdening, and maddening,
+ And t'other side saddening,
+ Friends brightening, foes frightening, interiors tightening,
+ And warming, and forming, and storming;
+ And flattering, and clattering, and battering, and shattering;
+ Arising, surprising, all foes pulverising,
+ And giving them "toko" on temperance "boko."
+ And flashing, and dashing, and crashing, and smashing, and hashing,
+ And propping, and stopping, and copping, and lopping, and topping, and
+ whopping;
+ And backing, and tracking, and blacking, and hacking, and smacking, and
+ whacking,
+ And "giving 'em beans."
+ (You know what _that_ means!)
+ And shouting, "We vote all against Cant Teetotal!
+ We'll beat up each _Bardolph_, and _Pistol_, and _Peto_,
+ To give its quietus to villainous Veto.
+ And kick out the duffers The Trade who would queer
+ And rob (big caps., please!) THE POOR MAN OF HIS BEER!!!
+ Out, out on the foes of our Freedom--and Liquor!
+ They'll follow their Leader--the sooner the quicker!
+ The Lords they may floor, and the Church may assault,
+ But they've met with their match in the Champions of Malt!
+ All together, brave souls!
+ See, our phalanx on-rolls!!!"
+
+ And _that_'s how the Topers came down to the Polls!
+
+ * * * * *
+
+MAINTAINING THE UNION.--The _Sheffield Daily Telegraph_, in
+referring to the success of Mr. G. H. ALLSOPP at Worcester,
+just prior to that eminent Unionist taking unto himself a wife,
+suggests that the newly-elected M.P. should follow the precedent set
+by Mr. GRIFFITH-BOSCAWEN in 1892, and give to each of his
+bridesmaids a brooch with the amount of his majority engraved upon it.
+This is all very well in its way. But the total at Tunbridge was 933,
+while that of Worcester extended to four figures. So to give room for
+labelling, the brooch should be changed to a bracelet. A man bearing
+the honoured name of ALLSOPP should be appropriately equal to
+the XX's.
+
+ * * * * *
+
+A QUESTION TO OUTSIDERS.--"Won't you come round?" was the
+invitation (as reported in the _Daily Graphic_) given by Sir HENRY
+IRVING (after his speech on Friday afternoon) to his "friends in
+front." But it is a question addressed to many outside the theatre and
+the theatrical profession; to all sorts and conditions of men and women
+who still regard the stage askance, and who look upon the ultimate
+fate of theatre-goers and actors as a melancholy certainty. To these
+persons, whether a minority or a majority,--in either case a "narrow"
+one,--Sir HENRY'S kindly invitation is publicly addressed, and
+it is "Won't you come round?"
+
+ * * * * *
+
+[Illustration: A SUNDAY DINNER.
+
+_Father of Family_ (_who has accidentally shot the leg of a Fowl under
+the table_). "MIND T'DOG DOESN'T GET IT!"
+
+_Young Hopeful_ (_triumphantly_). "ALL RIGHT, FEYTHER! I'VE GOTTEN
+ME FOOT ON IT!"]
+
+ * * * * *
+
+ROUNDABOUT READINGS.
+
+To the philosophical mind of a Roundabout Reader the General Election
+ought to offer many points of interest, not because he is a politician,
+but because, in the interest of his reading, he has to occupy a
+position of detachment, and therefore perhaps sees more of the humours
+and absurdities which crowd the animated scene. Yet here, for instance,
+am I, a diligent turner over of every possible kind of newspaper,
+metropolitan and provincial, and all that I have carried away from my
+careful investigations is a confused sense that if electors on either
+side only "stand shoulder to shoulder," "leave no stone unturned,"
+and "work as one man from now till the polling-day," why each tide is
+positively certain that "another nail will be driven into the coffin"
+of the other side, that "a resounding blow will be struck for the
+good cause," and that "the banner under which we have secured many a
+brilliant victory will once more float triumphantly in the breeze." As
+for the "moral victories" gained, they are almost overwhelming both in
+number and in result.
+
+ * * * * *
+
+Indeed, there is nothing so dangerously attractive to speaker and to
+audience as a fine old crusted political tag. Policies and programmes
+are as dust in the balance. As you listen to a speaker and watch his
+hearers, you may see a smile of perfect confidence and satisfaction
+spreading over the faces of the latter while the former winds himself
+up to the well-known, fondly-loved, and long-expected tag, which is the
+inevitable conclusion of the fiery oratorical period. "That," they say
+to themselves, "is the man for us. He says exactly what we should have
+said in the only appropriate words." Result--_Loud and enthusiastic
+cheers, amidst which_ Mr. PLATTIT-EWD _resumed his seat,
+having spoken for three-quarters of an hour._
+
+ * * * * *
+
+And the old familiar funny stories, the humorous allusions, the
+sparkling gibes, have they not been trotted out from Land's End to
+John o' Groat's House? Welcome have you been, oh ye kittens, born
+blind as Liberal (or Conservative) kittens, and converted, through the
+opening of your eyes, into Conservative (or Liberal) kittens; welcome
+also, ye hounds, who have devoured all your labels, and know not your
+destination. Many a time have I hunted with your sporting pack, and
+seen my friends ride gallantly at your tails. Also there is a wolf, and
+there is a lamb; and there was once a Sibyl who dealt in books, and
+there is an Italian who, having performed the most coruscating solos on
+the barrel-organ, failed miserably when asked to oblige upon the piano.
+All these have played their parts nobly. Not for long do I bid them
+farewell. They will return, I know they will, with the first mutterings
+of the next election.
+
+ * * * * *
+
+ Pray consider my verse, which, if learnt by heart pat, forms
+ The best of all tips for political platforms.
+ With a slight dash of MILL you may burden your speeches,
+ You may tell the great tale of O'BRIEN, his breeches.
+ On the one side you'll tear WILLIAM HARCOURT to tatters;
+ He's out for a time, but I don't think it matters.
+ Then, in talking of JOE, what will help very much is
+ A delicate hint at a Duke or a Duchess;
+ A suggestion that coats are the garments, if any,
+ That mustn't be turned when their colours are many:
+ And that programmes (you'll pause ere you flatly refuse 'em)
+ Are Brummagem goods, which will break when you use 'em.
+ Then, whether your hearers be Whig or be Tory,
+ By the scruff of its neck you must drag in a story.
+ Adjure them, my friend, lest their zeal should grow colder,
+ To fight for the Cause, standing shoulder to shoulder.
+ And, whether you battle for that chief or this chief,
+ Inform them that stones, if unturned, are the mischief.
+ And, last but not least, no opponent will quarrel,
+ When all that you claim is a win _plus_ a moral.
+
+ * * * * *
+
+As an example of how political conflicts ought to be carried on take
+the case of West Fife. While Mr. AUGUSTINE BIRRELL, the
+Radical Candidate, was speaking in Thornton School, "the door of
+the room was opened, and Mr. WEMYSS, the Liberal Unionist
+candidate for the constituency, asked 'May I come in,' to which Mr.
+BIRRELL replied 'Yes, certainly.' Mr. WEMYSS, who
+was followed by a large number of supporters, then entered the hall,
+and took a seat on one of the front benches, which he occupied until
+the close of the address, when he was greeted with loud calls for
+a speech. In response to the call, he remarked that he had already
+made eight or nine speeches that day, and must be excused from making
+another. He had, however, enjoyed Mr. BIRRELL'S speech very
+much. It was not for him to criticise it at that meeting, but he might
+only say that he felt sure the electors of West Fife would vote for
+whom they considered the best man and the man they believed would do
+his duty. He then called for three hearty cheers for his opponent,
+Mr. BIRRELL. Votes of confidence were then put for both
+candidates, when that in favour of Mr. BIRRELL was declared
+carried. The opposing candidates then shook hands, and departed
+evidently the best of friends."
+
+ * * * * *
+
+A totally different picture comes to us from Aston Manor, as I judge
+from the following letter in the BIRMINGHAM DAILY GAZETTE.
+
+WHAT HAS BECOME OF IKE WARD?
+
+_To the Editor of the Daily Gazette._
+
+ SIR,--My attention has been drawn to an attack made by
+ Captain GRICE-HUTCHINSON on a very respectable member of the
+ National Society of Amalgamated Brassworkers, Mr. IKE WARD.
+ In your yesterday's issue Captain GRICE-HUTCHINSON is
+ reported to have said: "The last authentic account he had of Mr.
+ IKE WARD was that he was 'bones' in some nigger troupe on
+ the sands of Scarborough." Mr. WARD has been for some time
+ engaged as an organiser, and is a member of the Executive of the
+ Railway Workers' Union, has never been in a nigger troupe on the sands
+ of Scarborough or anywhere else.
+
+ As the statement is calculated to damage the reputation of my friend
+ Mr. WARD, I am sure that the candidate for Aston will at
+ once either give his authority for the damaging statement or withdraw
+ the aspersions on the character of a respected labour leader.--Yours
+ faithfully,
+
+ W. J. DAVIS.
+
+ _70, Lionel Street, Birmingham, July 13._
+
+ * * * * *
+
+But after all, even if Mr. IKE WARD had chosen to employ
+his leisure in performing on the bones in a nigger troupe on the
+sands at Scarborough or elsewhere he would have done nothing to be
+ashamed of. Obviously, however, Captain GRICE-HUTCHINSON'S
+account was anything but authentic, and he had no business to cork Mr.
+WARD'S face in so gratuitous a manner.
+
+ 'Tis a manifest error, this tale about bones--
+ (You may like what I say, or, if not, you may lump it).
+ For a worker in brass must produce the best tones
+ If--I don't say he did it--he blew his own trumpet.
+
+ * * * * *
+
+In any record of electoral humour Mr. MUNTZ, the member for
+Tamworth, must hold a distinguished place. Here is a report of some of
+the remarks made by him at meetings in the Nuneaton Division:--
+
+ Mr. MUNTZ, in the course of his remarks, characterised Lord
+ SALISBURY'S Government as the most able Administration
+ that had ever held office in any Parliament the world over. It was
+ composed of all the great intellect which, prior to the introduction
+ of the Home Rule Bill, was divided between the two great parties
+ of the State. Now all that was left to the Liberal party was the
+ tagrag and bobtail. The late Radical Administration was a failure
+ under Mr. GLADSTONE, great man as he was, and a still
+ greater failure under Lord ROSEBERY, to whom Her Majesty
+ had presented the Thistle. (_Laughter._) As to agriculture, he said
+ that he had a conversation with Mr. CHAMBERLAIN on the
+ subject just before the dissolution. Mr. CHAMBERLAIN said
+ to him, "MUNTZ, what are we to do for agriculture?" and
+ he replied, "That's a big question. You have all the great talent
+ and all the great landed interest in the country represented in the
+ present Government; and if the present Government can do nothing
+ for agriculture, there is nothing to be done for agriculture."
+ (_Applause._)
+
+After reading this I feel that the question of agricultural distress
+is settled. Mr. CHAMBERLAIN must, indeed, be a proud man at
+having obtained so much valuable information in answer to a question
+which, as reported, sounds familiar almost to the verge of rashness.
+
+ * * * * *
+
+Can pigs be kept at a profit? This was the question which confronted
+the Devonport Guardians only the other day. The following extract from
+their proceedings will be read with breathless interest:--
+
+ Mr. H. W. BRYANT moved "That the Guardians give up pig
+ keeping, either at the house or otherwise."
+
+ Mr. HEALY seconded.--Mr. OLIVER supported, and said
+ they could buy the pork cheaper than keep pigs, and that every pig
+ they had kept cost them 1_s._ per lb.
+
+ Mr. J. GOODMAN said he was a "piggery man." (_Laughter._) He
+ liked the pig, he liked the pork, and he liked the profit that the pig
+ brought. He was surprised to hear Mr. OLIVER say that the
+ pigs cost 1_s._ per lb. He said it did not cost them 2-1/2_d._ per lb.
+
+ Mr. CHEW pointed out that the profit on pig keeping last year
+ in the house was L39.
+
+ Mr. PENBERTHY said the master entered in his books that it
+ cost them 6_d._ per lb., and Mr. J. MOORE maintained that
+ they could buy pork at 4-1/2_d._ per lb. The motion was lost, 8 voting
+ for, and 18 against.
+
+ "I'm a piggery man," said GOODMAN, J., "though pigs are a wee bit
+ squealy;
+ But I won't sit still to hear pigs denounced by BRYANT and scorned by
+ HEALY.
+ Let those who prefer it till the fields, and see what a year's hard
+ dig brings;
+ _I_ like the pig, and I like the pork, and I like the profit the pig
+ brings."
+ Then CHEW, he chawed Mr. BRYANT up, Mr. HEALY to dust he ground, Sir;
+ And MOORE maintained you could purchase pork at fourpence halfpenny a
+ pound, Sir.
+ But the piggery men prevailed by ten, a majority quite on the big side,
+ Since eighteen voted for pigs that day, and eight on the anti-pig side.
+
+ * * * * *
+
+BROWN AND ME.
+
+Me and BROWN has bin a having a lot of differences of opinion
+all about the County Counsellers, which sumhows we carnt get to agree
+together about em, not by no manner of means. And now, quite lately, we
+has been a having a lot of quarrells about the members of Parlement in
+the Citty, and all round about it, and, fortunetly, me and my frends
+has wun nearly ewery place where there has bin any think like a jolly
+good fight, and has now wun nearly the hole blooming lot on em! So that
+the poor County Counsellors has hardly got a single member of Parlement
+left among the whole blooming lot, and is obliged to have long rambling
+speeches among theirselves jest to fill up their idle time. How they
+can manage to keep things agoing jest while they makes their old long
+speeches, I carnt for the life of me make out; but I am told that they
+all agrees that its the only means they has of keeping up their old
+Charter; and altho it isnt werry much to brag about, they all agrees
+its sumthink better than nothink.
+
+[Illustration]
+
+Lots of the poor chaps who has been acustomed to go about different
+parts of London a braggin about the werry great figgers they cuts, or
+was used to cut, afore the new changes as took place in making amost
+everybody members of Parlement, is now obleeged to do their werry best
+to keep things a going cumfertably, if possibel; but its but poor work
+for em, and but a werry poor change for things as was afore they was as
+they is.
+
+Why, I'm litterelly told as how there is now lots of Gents as was
+once Members of Parlement who aint now members for nothink! that it
+to say, not for nothink as is worth having. Why, I'm ewen told as the
+County Counsellers, as belongs to the Tems Conserwency, is now so ardly
+treated, that they werry offen carnt get enuff to do to keep their time
+well employed, or to get enuff monney to pay them their werry modderate
+wages; so eny boddy can werry easily emadgin what poor work it must now
+be for poor fellers as was once Members of Parlement, and now aint not
+members of not nothink!
+
+Sum of the old members tells me as they doesnot despair ewen yet! for
+they are quite sure as how as numbers of the grand old Tories will
+stick to em as long as theres any left; but I thinks as I knows a trick
+worth too of that, and that is, to make the best of the things as is,
+and hope the best for all the changes as time and hoppertoonity will
+aford em of putting a few things together as their long xperience has
+tort em is easily turned to good account.
+
+ ROBERT.
+
+ * * * * *
+
+ENTERTAINERS ENTERTAINED.--The DALY Co., headed by Mr. AUGUSTIN DALY
+and Miss ADA REHAN, were lunch'd by the LORD MAYOR, July 16, at the
+Munching House. LORD MAYOR paid sincere tribute to the American
+Company, and AUGUSTIN DALY heartily thanked the City of London. The
+U.S. Minister found a Link between the two countries in the great
+Dramatic Light SHAKSPEARE. "And so say all of U.S." Manager DALY forgot
+to mention, that, as he has to leave England in the autumn, he ought to
+change the termination of his name to suit the term of his stay here,
+and be "AUGUST-OUT DALY" instead of "AUGUST-IN."
+
+ * * * * *
+
+MRS. R. wants to know if "The Hardwicke Society" has anything
+to do with the improvement of candles and candle-lamps?
+
+ * * * * *
+
+ANOTHER HONOUR FOR DR. GRACE!--The eminent batsman is to be
+invited to the next "_Court Ball_."
+
+
+
+
+
+End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol.
+109, July 27, 1895, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
+
+***** This file should be named 44690.txt or 44690.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/4/4/6/9/44690/
+
+Produced by Punch, or the London Charivari, Malcolm Farmer
+and the Online Distributed Proofreading Team at
+http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License available with this file or online at
+ www.gutenberg.org/license.
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation information page at www.gutenberg.org
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at 809
+North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
+contact links and up to date contact information can be found at the
+Foundation's web site and official page at www.gutenberg.org/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: www.gutenberg.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For forty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+