summaryrefslogtreecommitdiff
path: root/old/mgots10.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/mgots10.txt')
-rw-r--r--old/mgots10.txt3153
1 files changed, 0 insertions, 3153 deletions
diff --git a/old/mgots10.txt b/old/mgots10.txt
deleted file mode 100644
index 76e6d97..0000000
--- a/old/mgots10.txt
+++ /dev/null
@@ -1,3153 +0,0 @@
-*The Project Gutenberg Etext of Maggie: A Girl of the Streets*
-#2 in our series by Stephen Crane
-
-
-Warning: this original version was missing Chapter 18
-See mgots11.* which includes it.
-
-Copyright laws are changing all over the world, be sure to check
-the copyright laws for your country before posting these files!
-
-Please take a look at the important information in this header.
-We encourage you to keep this file on your own disk, keeping an
-electronic path open for the next readers. Do not remove this.
-
-
-**Welcome To The World of Free Plain Vanilla Electronic Texts**
-
-**Etexts Readable By Both Humans and By Computers, Since 1971**
-
-*These Etexts Prepared By Hundreds of Volunteers and Donations*
-
-Information on contacting Project Gutenberg to get Etexts, and
-further information is included below. We need your donations.
-
-
-Maggie: A Girl of the Streets
-
-by Stephen Crane
-
-February, 1996 [Etext #447]
-
-
-***The Project Gutenberg Etext of Maggie, by Stephen Crane***
-****This file should be named mgots10.txt or mgots10.zip*****
-
-Corrected EDITIONS of our etexts get a new NUMBER, mgots11.txt.
-VERSIONS based on separate sources get new LETTER, mgots10a.txt.
-
-
-This etext was created by Judith Boss, Omaha, Nebraska.
-
-
-We are now trying to release all our books one month in advance
-of the official release dates, for time for better editing.
-
-Please note: neither this list nor its contents are final till
-midnight of the last day of the month of any such announcement.
-The official release date of all Project Gutenberg Etexts is at
-Midnight, Central Time, of the last day of the stated month. A
-preliminary version may often be posted for suggestion, comment
-and editing by those who wish to do so. To be sure you have an
-up to date first edition [xxxxx10x.xxx] please check file sizes
-in the first week of the next month. Since our ftp program has
-a bug in it that scrambles the date [tried to fix and failed] a
-look at the file size will have to do, but we will try to see a
-new copy has at least one byte more or less.
-
-
-Information about Project Gutenberg (one page)
-
-We produce about two million dollars for each hour we work. The
-fifty hours is one conservative estimate for how long it we take
-to get any etext selected, entered, proofread, edited, copyright
-searched and analyzed, the copyright letters written, etc. This
-projected audience is one hundred million readers. If our value
-per text is nominally estimated at one dollar then we produce $4
-million dollars per hour this year as we release some eight text
-files per month: thus upping our productivity from $2 million.
-
-The Goal of Project Gutenberg is to Give Away One Trillion Etext
-Files by the December 31, 2001. [10,000 x 100,000,000=Trillion]
-This is ten thousand titles each to one hundred million readers,
-which is 10% of the expected number of computer users by the end
-of the year 2001.
-
-We need your donations more than ever!
-
-All donations should be made to "Project Gutenberg/IBC", and are
-tax deductible to the extent allowable by law ("IBC" is Illinois
-Benedictine College). (Subscriptions to our paper newsletter go
-to IBC, too)
-
-For these and other matters, please mail to:
-
-Project Gutenberg
-P. O. Box 2782
-Champaign, IL 61825
-
-When all other email fails try our Michael S. Hart,
-Executive Director: hart@pobox.com
-
-
-We would prefer to send you this information by email
-(Internet, Bitnet, Compuserve, ATTMAIL or MCImail).
-
-******
-If you have an FTP program (or emulator), please
-FTP directly to the Project Gutenberg archives:
-[Mac users, do NOT point and click. . .type]
-
-ftp uiarchive.cso.uiuc.edu
-login: anonymous
-password: your@login
-cd etext/etext90 through /etext96
-or cd etext/articles [get suggest gut for more information]
-dir [to see files]
-get or mget [to get files. . .set bin for zip files]
-GET INDEX?00.GUT
-for a list of books
-and
-GET NEW GUT for general information
-and
-MGET GUT* for newsletters.
-
-**Information prepared by the Project Gutenberg legal advisor**
-(Three Pages)
-
-
-***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
-Why is this "Small Print!" statement here? You know: lawyers.
-They tell us you might sue us if there is something wrong with
-your copy of this etext, even if you got it for free from
-someone other than us, and even if what's wrong is not our
-fault. So, among other things, this "Small Print!" statement
-disclaims most of our liability to you. It also tells you how
-you can distribute copies of this etext if you want to.
-
-*BEFORE!* YOU USE OR READ THIS ETEXT
-By using or reading any part of this PROJECT GUTENBERG-tm
-etext, you indicate that you understand, agree to and accept
-this "Small Print!" statement. If you do not, you can receive
-a refund of the money (if any) you paid for this etext by
-sending a request within 30 days of receiving it to the person
-you got it from. If you received this etext on a physical
-medium (such as a disk), you must return it with your request.
-
-ABOUT PROJECT GUTENBERG-TM ETEXTS
-This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-
-tm etexts, is a "public domain" work distributed by Professor
-Michael S. Hart through the Project Gutenberg Association at
-Illinois Benedictine College (the "Project"). Among other
-things, this means that no one owns a United States copyright
-on or for this work, so the Project (and you!) can copy and
-distribute it in the United States without permission and
-without paying copyright royalties. Special rules, set forth
-below, apply if you wish to copy and distribute this etext
-under the Project's "PROJECT GUTENBERG" trademark.
-
-To create these etexts, the Project expends considerable
-efforts to identify, transcribe and proofread public domain
-works. Despite these efforts, the Project's etexts and any
-medium they may be on may contain "Defects". Among other
-things, Defects may take the form of incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged
-disk or other etext medium, a computer virus, or computer
-codes that damage or cannot be read by your equipment.
-
-LIMITED WARRANTY; DISCLAIMER OF DAMAGES
-But for the "Right of Replacement or Refund" described below,
-[1] the Project (and any other party you may receive this
-etext from as a PROJECT GUTENBERG-tm etext) disclaims all
-liability to you for damages, costs and expenses, including
-legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
-UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
-INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
-OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
-POSSIBILITY OF SUCH DAMAGES.
-
-If you discover a Defect in this etext within 90 days of
-receiving it, you can receive a refund of the money (if any)
-you paid for it by sending an explanatory note within that
-time to the person you received it from. If you received it
-on a physical medium, you must return it with your note, and
-such person may choose to alternatively give you a replacement
-copy. If you received it electronically, such person may
-choose to alternatively give you a second opportunity to
-receive it electronically.
-
-THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
-TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
-PARTICULAR PURPOSE.
-
-Some states do not allow disclaimers of implied warranties or
-the exclusion or limitation of consequential damages, so the
-above disclaimers and exclusions may not apply to you, and you
-may have other legal rights.
-
-INDEMNITY
-You will indemnify and hold the Project, its directors,
-officers, members and agents harmless from all liability, cost
-and expense, including legal fees, that arise directly or
-indirectly from any of the following that you do or cause:
-[1] distribution of this etext, [2] alteration, modification,
-or addition to the etext, or [3] any Defect.
-
-DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
-You may distribute copies of this etext electronically, or by
-disk, book or any other medium if you either delete this
-"Small Print!" and all other references to Project Gutenberg,
-or:
-
-[1] Only give exact copies of it. Among other things, this
- requires that you do not remove, alter or modify the
- etext or this "small print!" statement. You may however,
- if you wish, distribute this etext in machine readable
- binary, compressed, mark-up, or proprietary form,
- including any form resulting from conversion by word pro-
- cessing or hypertext software, but only so long as
- *EITHER*:
-
- [*] The etext, when displayed, is clearly readable, and
- does *not* contain characters other than those
- intended by the author of the work, although tilde
- (~), asterisk (*) and underline (_) characters may
- be used to convey punctuation intended by the
- author, and additional characters may be used to
- indicate hypertext links; OR
-
- [*] The etext may be readily converted by the reader at
- no expense into plain ASCII, EBCDIC or equivalent
- form by the program that displays the etext (as is
- the case, for instance, with most word processors);
- OR
-
- [*] You provide, or agree to also provide on request at
- no additional cost, fee or expense, a copy of the
- etext in its original plain ASCII form (or in EBCDIC
- or other equivalent proprietary form).
-
-[2] Honor the etext refund and replacement provisions of this
- "Small Print!" statement.
-
-[3] Pay a trademark license fee to the Project of 20% of the
- net profits you derive calculated using the method you
- already use to calculate your applicable taxes. If you
- don't derive profits, no royalty is due. Royalties are
- payable to "Project Gutenberg Association / Illinois
- Benedictine College" within the 60 days following each
- date you prepare (or were legally required to prepare)
- your annual (or equivalent periodic) tax return.
-
-WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
-The Project gratefully accepts contributions in money, time,
-scanning machines, OCR software, public domain etexts, royalty
-free copyright licenses, and every other sort of contribution
-you can think of. Money should be paid to "Project Gutenberg
-Association / Illinois Benedictine College".
-
-*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
-
-
-
-
-
-MAGGIE: A GIRL OF THE STREETS
-BY STEPHEN CRANE
-
-
-
-
-
-Chapter I
-
-
-A very little boy stood upon a heap of gravel for the honor of
-Rum Alley. He was throwing stones at howling urchins from Devil's
-Row who were circling madly about the heap and pelting at him.
-
-His infantile countenance was livid with fury. His small body
-was writhing in the delivery of great, crimson oaths.
-
-"Run, Jimmie, run! Dey'll get yehs," screamed a retreating
-Rum Alley child.
-
-"Naw," responded Jimmie with a valiant roar, "dese micks can't
-make me run."
-
-Howls of renewed wrath went up from Devil's Row throats.
-Tattered gamins on the right made a furious assault on the gravel
-heap. On their small, convulsed faces there shone the grins of
-true assassins. As they charged, they threw stones and cursed in
-shrill chorus.
-
-The little champion of Rum Alley stumbled precipitately down
-the other side. His coat had been torn to shreds in a scuffle, and
-his hat was gone. He had bruises on twenty parts of his body, and
-blood was dripping from a cut in his head. His wan features wore
-a look of a tiny, insane demon.
-
-On the ground, children from Devil's Row closed in on their
-antagonist. He crooked his left arm defensively about his head and
-fought with cursing fury. The little boys ran to and fro, dodging,
-hurling stones and swearing in barbaric trebles.
-
-From a window of an apartment house that upreared its form
-from amid squat, ignorant stables, there leaned a curious woman.
-Some laborers, unloading a scow at a dock at the river, paused for
-a moment and regarded the fight. The engineer of a passive tugboat
-hung lazily to a railing and watched. Over on the Island, a worm
-building and crawled slowly along the river's bank.
-
-A stone had smashed into Jimmie's mouth. Blood was bubbling
-over his chin and down upon his ragged shirt. Tears made furrows
-on his dirt-stained cheeks. His thin legs had begun to tremble and
-turn weak, causing his small body to reel. His roaring curses of
-the first part of the fight had changed to a blasphemous chatter.
-
-In the yells of the whirling mob of Devil's Row children
-there were notes of joy like songs of triumphant savagery.
-The little boys seemed to leer gloatingly at the blood upon
-the other child's face.
-
-Down the avenue came boastfully sauntering a lad of sixteen
-years, although the chronic sneer of an ideal manhood already sat
-upon his lips. His hat was tipped with an air of challenge over
-his eye. Between his teeth, a cigar stump was tilted at the angle
-of defiance. He walked with a certain swing of the shoulders which
-appalled the timid. He glanced over into the vacant lot in which
-the little raving boys from Devil's Row seethed about the shrieking
-and tearful child from Rum Alley.
-
-"Gee!" he murmured with interest. "A scrap. Gee!"
-
-He strode over to the cursing circle, swinging his shoulders
-in a manner which denoted that he held victory in his fists.
-He approached at the back of one of the most deeply engaged
-of the Devil's Row children.
-
-"Ah, what deh hell," he said, and smote the deeply-engaged one
-on the back of the head. The little boy fell to the ground and
-gave a hoarse, tremendous howl. He scrambled to his feet, and
-perceiving, evidently, the size of his assailant, ran quickly off,
-shouting alarms. The entire Devil's Row party followed him. They
-came to a stand a short distance away and yelled taunting oaths at
-the boy with the chronic sneer. The latter, momentarily, paid no
-attention to them.
-
-"What deh hell, Jimmie?" he asked of the small champion.
-
-Jimmie wiped his blood-wet features with his sleeve.
-
-"Well, it was dis way, Pete, see! I was goin' teh lick dat
-Riley kid and dey all pitched on me."
-
-Some Rum Alley children now came forward. The party stood for
-a moment exchanging vainglorious remarks with Devil's Row. A few
-stones were thrown at long distances, and words of challenge passed
-between small warriors. Then the Rum Alley contingent turned
-slowly in the direction of their home street. They began to give,
-each to each, distorted versions of the fight. Causes of retreat
-in particular cases were magnified. Blows dealt in the fight were
-enlarged to catapultian power, and stones thrown were alleged to
-have hurtled with infinite accuracy. Valor grew strong again,
-and the little boys began to swear with great spirit.
-
-"Ah, we blokies kin lick deh hull damn Row," said a child, swaggering.
-
-Little Jimmie was striving to stanch the flow of blood from
-his cut lips. Scowling, he turned upon the speaker.
-
-"Ah, where deh hell was yeh when I was doin' all deh fightin?"
-he demanded. "Youse kids makes me tired."
-
-"Ah, go ahn," replied the other argumentatively.
-
-Jimmie replied with heavy contempt. "Ah, youse can't fight,
-Blue Billie! I kin lick yeh wid one han'."
-
-"Ah, go ahn," replied Billie again.
-
-"Ah," said Jimmie threateningly.
-
-"Ah," said the other in the same tone.
-
-They struck at each other, clinched, and rolled over on the
-cobble stones.
-
-"Smash 'im, Jimmie, kick deh damn guts out of 'im," yelled Pete,
-the lad with the chronic sneer, in tones of delight.
-
-The small combatants pounded and kicked, scratched and tore.
-They began to weep and their curses struggled in their throats with
-sobs. The other little boys clasped their hands and wriggled their
-legs in excitement. They formed a bobbing circle about the pair.
-
-A tiny spectator was suddenly agitated.
-
-"Cheese it, Jimmie, cheese it! Here comes yer fader," he yelled.
-
-The circle of little boys instantly parted. They drew away
-and waited in ecstatic awe for that which was about to happen.
-The two little boys fighting in the modes of four thousand years ago,
-did not hear the warning.
-
-Up the avenue there plodded slowly a man with sullen eyes.
-He was carrying a dinner pail and smoking an apple-wood pipe.
-
-As he neared the spot where the little boys strove, he
-regarded them listlessly. But suddenly he roared an oath and
-advanced upon the rolling fighters.
-
-"Here, you Jim, git up, now, while I belt yer life out,
-you damned disorderly brat."
-
-He began to kick into the chaotic mass on the ground. The boy
-Billie felt a heavy boot strike his head. He made a furious effort
-and disentangled himself from Jimmie. He tottered away, damning.
-
-Jimmie arose painfully from the ground and confronting his
-father, began to curse him. His parent kicked him. "Come home,
-now," he cried, "an' stop yer jawin', er I'll lam the everlasting
-head off yehs."
-
-They departed. The man paced placidly along with the apple-
-wood emblem of serenity between his teeth. The boy followed a
-dozen feet in the rear. He swore luridly, for he felt that it was
-degradation for one who aimed to be some vague soldier, or a man of
-blood with a sort of sublime license, to be taken home by a father.
-
-
-
-
-Chapter II
-
-
-Eventually they entered into a dark region where, from a
-careening building, a dozen gruesome doorways gave up loads of
-babies to the street and the gutter. A wind of early autumn raised
-yellow dust from cobbles and swirled it against an hundred windows.
-Long streamers of garments fluttered from fire-escapes. In all
-unhandy places there were buckets, brooms, rags and bottles. In
-the street infants played or fought with other infants or sat
-stupidly in the way of vehicles. Formidable women, with uncombed
-hair and disordered dress, gossiped while leaning on railings, or
-screamed in frantic quarrels. Withered persons, in curious
-postures of submission to something, sat smoking pipes in obscure
-corners. A thousand odors of cooking food came forth to the
-street. The building quivered and creaked from the weight of
-humanity stamping about in its bowels.
-
-A small ragged girl dragged a red, bawling infant along the
-crowded ways. He was hanging back, baby-like, bracing his
-wrinkled, bare legs.
-
-The little girl cried out: "Ah, Tommie, come ahn.
-Dere's Jimmie and fader. Don't be a-pullin' me back."
-
-She jerked the baby's arm impatiently. He fell on his face,
-roaring. With a second jerk she pulled him to his feet, and they
-went on. With the obstinacy of his order, he protested against
-being dragged in a chosen direction. He made heroic endeavors to
-keep on his legs, denounce his sister and consume a bit of orange
-peeling which he chewed between the times of his infantile
-orations.
-
-As the sullen-eyed man, followed by the blood-covered boy,
-drew near, the little girl burst into reproachful cries.
-"Ah, Jimmie, youse bin fightin' agin."
-
-The urchin swelled disdainfully.
-
-"Ah, what deh hell, Mag. See?"
-
-The little girl upbraided him, "Youse allus fightin', Jimmie,
-an' yeh knows it puts mudder out when yehs come home half dead,
-an' it's like we'll all get a poundin'."
-
-She began to weep. The babe threw back his head and roared at
-his prospects.
-
-"Ah, what deh hell!" cried Jimmie. Shut up er I'll smack yer mout'. See?"
-
-As his sister continued her lamentations, he suddenly swore
-and struck her. The little girl reeled and, recovering herself,
-burst into tears and quaveringly cursed him. As she slowly
-retreated her brother advanced dealing her cuffs. The father heard
-and turned about.
-
-"Stop that, Jim, d'yeh hear? Leave yer sister alone on the
-street. It's like I can never beat any sense into yer damned
-wooden head."
-
-The urchin raised his voice in defiance to his parent and
-continued his attacks. The babe bawled tremendously, protesting
-with great violence. During his sister's hasty manoeuvres, he was
-dragged by the arm.
-
-Finally the procession plunged into one of the gruesome doorways.
-They crawled up dark stairways and along cold, gloomy halls.
-At last the father pushed open a door and they entered a lighted room
-in which a large woman was rampant.
-
-She stopped in a career from a seething stove to a pan-covered table.
-As the father and children filed in she peered at them.
-
-"Eh, what? Been fightin' agin, by Gawd!" She threw herself
-upon Jimmie. The urchin tried to dart behind the others and in the
-scuffle the babe, Tommie, was knocked down. He protested with his
-usual vehemence, because they had bruised his tender shins against
-a table leg.
-
-The mother's massive shoulders heaved with anger. Grasping the
-urchin by the neck and shoulder she shook him until he rattled.
-She dragged him to an unholy sink, and, soaking a rag in water,
-began to scrub his lacerated face with it. Jimmie screamed in pain
-and tried to twist his shoulders out of the clasp of the huge arms.
-
-The babe sat on the floor watching the scene, his face in contortions
-like that of a woman at a tragedy. The father, with a newly-ladened
-pipe in his mouth, crouched on a backless chair near the stove.
-Jimmie's cries annoyed him. He turned about and bellowed at his wife:
-
-"Let the damned kid alone for a minute, will yeh, Mary? Yer allus
-poundin' 'im. When I come nights I can't git no rest 'cause
-yer allus poundin' a kid. Let up, d'yeh hear? Don't be allus
-poundin' a kid."
-
-The woman's operations on the urchin instantly increased in violence.
-At last she tossed him to a corner where he limply lay cursing and weeping.
-
-The wife put her immense hands on her hips and with a
-chieftain-like stride approached her husband.
-
-"Ho," she said, with a great grunt of contempt. "An' what in
-the devil are you stickin' your nose for?"
-
-The babe crawled under the table and, turning, peered out
-cautiously. The ragged girl retreated and the urchin in the corner
-drew his legs carefully beneath him.
-
-The man puffed his pipe calmly and put his great mudded boots
-on the back part of the stove.
-
-"Go teh hell," he murmured, tranquilly.
-
-The woman screamed and shook her fists before her husband's
-eyes. The rough yellow of her face and neck flared suddenly
-crimson. She began to howl.
-
-He puffed imperturbably at his pipe for a time, but finally
-arose and began to look out at the window into the darkening chaos
-of back yards.
-
-"You've been drinkin', Mary," he said. "You'd better let up
-on the bot', ol' woman, or you'll git done."
-
-"You're a liar. I ain't had a drop," she roared in reply.
-
-They had a lurid altercation, in which they damned each
-other's souls with frequence.
-
-The babe was staring out from under the table, his small face
-working in his excitement.
-
-The ragged girl went stealthily over to the corner where the
-urchin lay.
-
-"Are yehs hurted much, Jimmie?" she whispered timidly.
-
-"Not a damn bit! See?" growled the little boy.
-
-"Will I wash deh blood?"
-
-"Naw!"
-
-"Will I--"
-
-"When I catch dat Riley kid I'll break 'is face! Dat's right! See?"
-
-He turned his face to the wall as if resolved to grimly bide
-his time.
-
-In the quarrel between husband and wife, the woman was victor.
-The man grabbed his hat and rushed from the room, apparently
-determined upon a vengeful drunk. She followed to the door and
-thundered at him as he made his way down stairs.
-
-She returned and stirred up the room until her children were
-bobbing about like bubbles.
-
-"Git outa deh way," she persistently bawled, waving feet
-with their dishevelled shoes near the heads of her children.
-She shrouded herself, puffing and snorting, in a cloud of steam
-at the stove, and eventually extracted a frying-pan full of potatoes
-that hissed.
-
-She flourished it. "Come teh yer suppers, now," she cried
-with sudden exasperation. "Hurry up, now, er I'll help yeh!"
-
-The children scrambled hastily. With prodigious clatter they
-arranged themselves at table. The babe sat with his feet dangling
-high from a precarious infant chair and gorged his small stomach.
-Jimmie forced, with feverish rapidity, the grease-enveloped pieces
-between his wounded lips. Maggie, with side glances of fear of
-interruption, ate like a small pursued tigress.
-
-The mother sat blinking at them. She delivered reproaches,
-swallowed potatoes and drank from a yellow-brown bottle.
-After a time her mood changed and she wept as she carried
-little Tommie into another room and laid him to sleep
-with his fists doubled in an old quilt of faded red
-and green grandeur. Then she came and moaned by the stove.
-She rocked to and fro upon a chair, shedding tears
-and crooning miserably to the two children about their
-"poor mother" and "yer fader, damn 'is soul."
-
-The little girl plodded between the table and the chair with
-a dish-pan on it. She tottered on her small legs beneath burdens
-of dishes.
-
-Jimmie sat nursing his various wounds. He cast furtive glances
-at his mother. His practised eye perceived her gradually emerge
-from a muddled mist of sentiment until her brain burned in
-drunken heat. He sat breathless.
-
-Maggie broke a plate.
-
-The mother started to her feet as if propelled.
-
-"Good Gawd," she howled. Her eyes glittered on her child with
-sudden hatred. The fervent red of her face turned almost to
-purple. The little boy ran to the halls, shrieking like a monk in
-an earthquake.
-
-He floundered about in darkness until he found the stairs. He stumbled,
-panic-stricken, to the next floor. An old woman opened a door.
-A light behind her threw a flare on the urchin's quivering face.
-
-"Eh, Gawd, child, what is it dis time? Is yer fader beatin'
-yer mudder, or yer mudder beatin' yer fader?"
-
-
-
-
-Chapter III
-
-
-Jimmie and the old woman listened long in the hall. Above the
-muffled roar of conversation, the dismal wailings of babies at
-night, the thumping of feet in unseen corridors and rooms, mingled
-with the sound of varied hoarse shoutings in the street and the
-rattling of wheels over cobbles, they heard the screams of the
-child and the roars of the mother die away to a feeble moaning and
-a subdued bass muttering.
-
-The old woman was a gnarled and leathery personage who could
-don, at will, an expression of great virtue. She possessed a small
-music-box capable of one tune, and a collection of "God bless yehs"
-pitched in assorted keys of fervency. Each day she took a position
-upon the stones of Fifth Avenue, where she crooked her legs under
-her and crouched immovable and hideous, like an idol. She received
-daily a small sum in pennies. It was contributed, for the most
-part, by persons who did not make their homes in that vicinity.
-
-Once, when a lady had dropped her purse on the sidewalk, the
-gnarled woman had grabbed it and smuggled it with great dexterity
-beneath her cloak. When she was arrested she had cursed the lady
-into a partial swoon, and with her aged limbs, twisted from
-rheumatism, had almost kicked the stomach out of a huge policeman
-whose conduct upon that occasion she referred to when she said:
-"The police, damn 'em."
-
-"Eh, Jimmie, it's cursed shame," she said. "Go, now, like a dear
-an' buy me a can, an' if yer mudder raises 'ell all night yehs
-can sleep here."
-
-Jimmie took a tendered tin-pail and seven pennies and departed.
-He passed into the side door of a saloon and went to the bar.
-Straining up on his toes he raised the pail and pennies as high
-as his arms would let him. He saw two hands thrust down and take them.
-Directly the same hands let down the filled pail and he left.
-
-In front of the gruesome doorway he met a lurching figure.
-It was his father, swaying about on uncertain legs.
-
-"Give me deh can. See?" said the man, threateningly.
-
-"Ah, come off! I got dis can fer dat ol' woman an' it 'ud be
-dirt teh swipe it. See?" cried Jimmie.
-
-The father wrenched the pail from the urchin. He grasped it
-in both hands and lifted it to his mouth. He glued his lips to the
-under edge and tilted his head. His hairy throat swelled until it
-seemed to grow near his chin. There was a tremendous gulping
-movement and the beer was gone.
-
-The man caught his breath and laughed. He hit his son on the
-head with the empty pail. As it rolled clanging into the street,
-Jimmie began to scream and kicked repeatedly at his father's shins.
-
-"Look at deh dirt what yeh done me," he yelled. "Deh ol'
-woman 'ill be raisin' hell."
-
-He retreated to the middle of the street, but the man did not
-pursue. He staggered toward the door.
-
-"I'll club hell outa yeh when I ketch yeh," he shouted, and
-disappeared.
-
-During the evening he had been standing against a bar drinking
-whiskies and declaring to all comers, confidentially: "My home
-reg'lar livin' hell! Damndes' place! Reg'lar hell! Why do I come
-an' drin' whisk' here thish way? 'Cause home reg'lar livin' hell!"
-
-Jimmie waited a long time in the street and then crept warily
-up through the building. He passed with great caution the door of
-the gnarled woman, and finally stopped outside his home and listened.
-
-He could hear his mother moving heavily about among the
-furniture of the room. She was chanting in a mournful voice,
-occasionally interjecting bursts of volcanic wrath at the father,
-who, Jimmie judged, had sunk down on the floor or in a corner.
-
-"Why deh blazes don' chere try teh keep Jim from fightin'?
-I'll break her jaw," she suddenly bellowed.
-
-The man mumbled with drunken indifference. "Ah, wha' deh
-hell. W'a's odds? Wha' makes kick?"
-
-"Because he tears 'is clothes, yeh damn fool," cried the woman
-in supreme wrath.
-
-The husband seemed to become aroused. "Go teh hell," he
-thundered fiercely in reply. There was a crash against the door
-and something broke into clattering fragments. Jimmie partially
-suppressed a howl and darted down the stairway. Below he paused
-and listened. He heard howls and curses, groans and shrieks,
-confusingly in chorus as if a battle were raging. With all was the
-crash of splintering furniture. The eyes of the urchin glared in
-fear that one of them would discover him.
-
-Curious faces appeared in doorways, and whispered comments
-passed to and fro. "Ol' Johnson's raisin' hell agin."
-
-Jimmie stood until the noises ceased and the other inhabitants
-of the tenement had all yawned and shut their doors. Then he
-crawled upstairs with the caution of an invader of a panther den.
-Sounds of labored breathing came through the broken door-panels.
-He pushed the door open and entered, quaking.
-
-A glow from the fire threw red hues over the bare floor, the cracked
-and soiled plastering, and the overturned and broken furniture.
-
-In the middle of the floor lay his mother asleep. In one
-corner of the room his father's limp body hung across the seat
-of a chair.
-
-The urchin stole forward. He began to shiver in dread of
-awakening his parents. His mother's great chest was heaving
-painfully. Jimmie paused and looked down at her. Her face was
-inflamed and swollen from drinking. Her yellow brows shaded eye-
-lids that had brown blue. Her tangled hair tossed in waves over
-her forehead. Her mouth was set in the same lines of vindictive
-hatred that it had, perhaps, borne during the fight. Her bare,
-red arms were thrown out above her head in positions of exhaustion,
-something, mayhap, like those of a sated villain.
-
-The urchin bended over his mother. He was fearful lest she
-should open her eyes, and the dread within him was so strong,
-that he could not forbear to stare, but hung as if fascinated
-over the woman's grim face.
-
-Suddenly her eyes opened. The urchin found himself looking
-straight into that expression, which, it would seem, had the power
-to change his blood to salt. He howled piercingly and fell
-backward.
-
-The woman floundered for a moment, tossed her arms about her
-head as if in combat, and again began to snore.
-
-Jimmie crawled back in the shadows and waited. A noise in the
-next room had followed his cry at the discovery that his mother was
-awake. He grovelled in the gloom, the eyes from out his drawn face
-riveted upon the intervening door.
-
-He heard it creak, and then the sound of a small voice came to
-him. "Jimmie! Jimmie! Are yehs dere?" it whispered. The urchin
-started. The thin, white face of his sister looked at him from the
-door-way of the other room. She crept to him across the floor.
-
-The father had not moved, but lay in the same death-like
-sleep. The mother writhed in uneasy slumber, her chest wheezing as
-if she were in the agonies of strangulation. Out at the window a
-florid moon was peering over dark roofs, and in the distance the
-waters of a river glimmered pallidly.
-
-The small frame of the ragged girl was quivering. Her
-features were haggard from weeping, and her eyes gleamed from fear.
-She grasped the urchin's arm in her little trembling hands and they
-huddled in a corner. The eyes of both were drawn, by some force,
-to stare at the woman's face, for they thought she need only to
-awake and all fiends would come from below.
-
-They crouched until the ghost-mists of dawn appeared at the
-window, drawing close to the panes, and looking in at the
-prostrate, heaving body of the mother.
-
-
-
-
-Chapter IV
-
-
-The babe, Tommie, died. He went away in a white,
-insignificant coffin, his small waxen hand clutching a flower that
-the girl, Maggie, had stolen from an Italian.
-
-She and Jimmie lived.
-
-The inexperienced fibres of the boy's eyes were hardened at an
-early age. He became a young man of leather. He lived some red
-years without laboring. During that time his sneer became chronic.
-He studied human nature in the gutter, and found it no worse than
-he thought he had reason to believe it. He never conceived a
-respect for the world, because he had begun with no idols that it
-had smashed.
-
-He clad his soul in armor by means of happening hilariously in
-at a mission church where a man composed his sermons of "yous."
-While they got warm at the stove, he told his hearers just where he
-calculated they stood with the Lord. Many of the sinners were
-impatient over the pictured depths of their degradation. They were
-waiting for soup-tickets.
-
-A reader of words of wind-demons might have been able to see
-the portions of a dialogue pass to and fro between the exhorter and
-his hearers.
-
-"You are damned," said the preacher. And the reader of sounds
-might have seen the reply go forth from the ragged people: "Where's
-our soup?"
-
-Jimmie and a companion sat in a rear seat and commented upon
-the things that didn't concern them, with all the freedom of
-English gentlemen. When they grew thirsty and went out their minds
-confused the speaker with Christ.
-
-Momentarily, Jimmie was sullen with thoughts of a hopeless
-altitude where grew fruit. His companion said that if he
-should ever meet God he would ask for a million dollars and a
-bottle of beer.
-
-Jimmie's occupation for a long time was to stand on streetcorners
-and watch the world go by, dreaming blood-red dreams at the passing
-of pretty women. He menaced mankind at the intersections of streets.
-
-On the corners he was in life and of life. The world was
-going on and he was there to perceive it.
-
-He maintained a belligerent attitude toward all well-dressed
-men. To him fine raiment was allied to weakness, and all good
-coats covered faint hearts. He and his order were kings, to a
-certain extent, over the men of untarnished clothes, because these
-latter dreaded, perhaps, to be either killed or laughed at.
-
-Above all things he despised obvious Christians and ciphers
-with the chrysanthemums of aristocracy in their button-holes. He
-considered himself above both of these classes. He was afraid of
-neither the devil nor the leader of society.
-
-When he had a dollar in his pocket his satisfaction with existence
-was the greatest thing in the world. So, eventually, he felt
-obliged to work. His father died and his mother's years were
-divided up into periods of thirty days.
-
-He became a truck driver. He was given the charge of a painstaking
-pair of horses and a large rattling truck. He invaded the turmoil
-and tumble of the down-town streets and learned to breathe maledictory
-defiance at the police who occasionally used to climb up, drag him
-from his perch and beat him.
-
-In the lower part of the city he daily involved himself in
-hideous tangles. If he and his team chanced to be in the rear he
-preserved a demeanor of serenity, crossing his legs and bursting
-forth into yells when foot passengers took dangerous dives beneath
-the noses of his champing horses. He smoked his pipe calmly for he
-knew that his pay was marching on.
-
-If in the front and the key-truck of chaos, he entered
-terrifically into the quarrel that was raging to and fro among the
-drivers on their high seats, and sometimes roared oaths and
-violently got himself arrested.
-
-After a time his sneer grew so that it turned its glare upon
-all things. He became so sharp that he believed in nothing. To
-him the police were always actuated by malignant impulses and the
-rest of the world was composed, for the most part, of despicable
-creatures who were all trying to take advantage of him and with
-whom, in defense, he was obliged to quarrel on all possible
-occasions. He himself occupied a down-trodden position that
-had a private but distinct element of grandeur in its isolation.
-
-The most complete cases of aggravated idiocy were, to his mind,
-rampant upon the front platforms of all the street cars. At first
-his tongue strove with these beings, but he eventually was superior.
-He became immured like an African cow. In him grew a majestic contempt
-for those strings of street cars that followed him like intent bugs.
-
-He fell into the habit, when starting on a long journey, of
-fixing his eye on a high and distant object, commanding his horses
-to begin, and then going into a sort of a trance of observation.
-Multitudes of drivers might howl in his rear, and passengers might
-load him with opprobrium, he would not awaken until some blue
-policeman turned red and began to frenziedly tear bridles and beat
-the soft noses of the responsible horses.
-
-When he paused to contemplate the attitude of the police
-toward himself and his fellows, he believed that they were the only
-men in the city who had no rights. When driving about, he felt
-that he was held liable by the police for anything that might occur
-in the streets, and was the common prey of all energetic officials.
-In revenge, he resolved never to move out of the way of anything,
-until formidable circumstances, or a much larger man than himself
-forced him to it.
-
-Foot-passengers were mere pestering flies with an insane
-disregard for their legs and his convenience. He could not
-conceive their maniacal desires to cross the streets. Their
-madness smote him with eternal amazement. He was continually
-storming at them from his throne. He sat aloft and denounced their
-frantic leaps, plunges, dives and straddles.
-
-When they would thrust at, or parry, the noses of his champing
-horses, making them swing their heads and move their feet,
-disturbing a solid dreamy repose, he swore at the men as fools,
-for he himself could perceive that Providence had caused it clearly
-to be written, that he and his team had the unalienable right to stand
-in the proper path of the sun chariot, and if they so minded,
-obstruct its mission or take a wheel off.
-
-And, perhaps, if the god-driver had an ungovernable desire to
-step down, put up his flame-colored fists and manfully dispute the
-right of way, he would have probably been immediately opposed by a
-scowling mortal with two sets of very hard knuckles.
-
-It is possible, perhaps, that this young man would have
-derided, in an axle-wide alley, the approach of a flying ferry
-boat. Yet he achieved a respect for a fire engine. As one charged
-toward his truck, he would drive fearfully upon a sidewalk,
-threatening untold people with annihilation. When an engine would
-strike a mass of blocked trucks, splitting it into fragments, as a
-blow annihilates a cake of ice, Jimmie's team could usually be
-observed high and safe, with whole wheels, on the sidewalk.
-The fearful coming of the engine could break up the most intricate
-muddle of heavy vehicles at which the police had been swearing for
-the half of an hour.
-
-A fire engine was enshrined in his heart as an appalling thing
-that he loved with a distant dog-like devotion. They had been
-known to overturn street-cars. Those leaping horses, striking
-sparks from the cobbles in their forward lunge, were creatures
-to be ineffably admired. The clang of the gong pierced his breast
-like a noise of remembered war.
-
-When Jimmie was a little boy, he began to be arrested.
-Before he reached a great age, he had a fair record.
-
-He developed too great a tendency to climb down from his truck
-and fight with other drivers. He had been in quite a number of
-miscellaneous fights, and in some general barroom rows that had
-become known to the police. Once he had been arrested for
-assaulting a Chinaman. Two women in different parts of the city,
-and entirely unknown to each other, caused him considerable
-annoyance by breaking forth, simultaneously, at fateful intervals,
-into wailings about marriage and support and infants.
-
-Nevertheless, he had, on a certain star-lit evening, said wonderingly
-and quite reverently: "Deh moon looks like hell, don't it?"
-
-
-
-
-Chapter V
-
-
-The girl, Maggie, blossomed in a mud puddle. She grew to be
-a most rare and wonderful production of a tenement district,
-a pretty girl.
-
-None of the dirt of Rum Alley seemed to be in her veins.
-The philosophers up-stairs, down-stairs and on the same floor,
-puzzled over it.
-
-When a child, playing and fighting with gamins in the street,
-dirt disguised her. Attired in tatters and grime, she went unseen.
-
-There came a time, however, when the young men of the vicinity
-said: "Dat Johnson goil is a puty good looker." About this period
-her brother remarked to her: "Mag, I'll tell yeh dis! See?
-Yeh've edder got teh go teh hell or go teh work!" Whereupon she
-went to work, having the feminine aversion of going to hell.
-
-By a chance, she got a position in an establishment where they
-made collars and cuffs. She received a stool and a machine in a
-room where sat twenty girls of various shades of yellow discontent.
-She perched on the stool and treadled at her machine all day,
-turning out collars, the name of whose brand could be noted for its
-irrelevancy to anything in connection with collars. At night she
-returned home to her mother.
-
-Jimmie grew large enough to take the vague position of head of
-the family. As incumbent of that office, he stumbled up-stairs
-late at night, as his father had done before him. He reeled about
-the room, swearing at his relations, or went to sleep on the floor.
-
-The mother had gradually arisen to that degree of fame that
-she could bandy words with her acquaintances among the police-
-justices. Court-officials called her by her first name. When she
-appeared they pursued a course which had been theirs for months.
-They invariably grinned and cried out: "Hello, Mary, you here
-again?" Her grey head wagged in many a court. She always besieged
-the bench with voluble excuses, explanations, apologies and
-prayers. Her flaming face and rolling eyes were a sort of familiar
-sight on the island. She measured time by means of sprees, and was
-eternally swollen and dishevelled.
-
-One day the young man, Pete, who as a lad had smitten the
-Devil's Row urchin in the back of the head and put to flight the
-antagonists of his friend, Jimmie, strutted upon the scene.
-He met Jimmie one day on the street, promised to take him to
-a boxing match in Williamsburg, and called for him in the evening.
-
-Maggie observed Pete.
-
-He sat on a table in the Johnson home and dangled his checked
-legs with an enticing nonchalance. His hair was curled down over
-his forehead in an oiled bang. His rather pugged nose seemed to
-revolt from contact with a bristling moustache of short, wire-like
-hairs. His blue double-breasted coat, edged with black braid,
-buttoned close to a red puff tie, and his patent-leather shoes
-looked like murder-fitted weapons.
-
-His mannerisms stamped him as a man who had a correct sense of
-his personal superiority. There was valor and contempt for
-circumstances in the glance of his eye. He waved his hands like a
-man of the world, who dismisses religion and philosophy, and says
-"Fudge." He had certainly seen everything and with each curl of
-his lip, he declared that it amounted to nothing. Maggie
-thought he must be a very elegant and graceful bartender.
-
-He was telling tales to Jimmie.
-
-Maggie watched him furtively, with half-closed eyes, lit with
-a vague interest.
-
-"Hully gee! Dey makes me tired," he said. "Mos' e'ry day
-some farmer comes in an' tries teh run deh shop. See? But dey
-gits t'rowed right out! I jolt dem right out in deh street before
-dey knows where dey is! See?"
-
-"Sure," said Jimmie.
-
-"Dere was a mug come in deh place deh odder day wid an idear
-he wus goin' teh own deh place! Hully gee, he wus goin' teh own
-deh place! I see he had a still on an' I didn' wanna giv 'im no
-stuff, so I says: 'Git deh hell outa here an' don' make no
-trouble,' I says like dat! See? 'Git deh hell outa here an' don'
-make no trouble'; like dat. 'Git deh hell outa here,' I says. See?"
-
-Jimmie nodded understandingly. Over his features played an
-eager desire to state the amount of his valor in a similar crisis,
-but the narrator proceeded.
-
-"Well, deh blokie he says: 'T'hell wid it! I ain' lookin' for
-no scrap,' he says (See?), 'but' he says, 'I'm 'spectable cit'zen
-an' I wanna drink an' purtydamnsoon, too.' See? 'Deh hell,' I
-says. Like dat! 'Deh hell,' I says. See? 'Don' make no
-trouble,' I says. Like dat. 'Don' make no trouble.' See? Den
-deh mug he squared off an' said he was fine as silk wid his dukes
-(See?) an' he wanned a drink damnquick. Dat's what he said. See?"
-
-"Sure," repeated Jimmie.
-
-Pete continued. "Say, I jes' jumped deh bar an' deh way I
-plunked dat blokie was great. See? Dat's right! In deh jaw!
-See? Hully gee, he t'rowed a spittoon true deh front windee. Say,
-I taut I'd drop dead. But deh boss, he comes in after an' he says,
-'Pete, yehs done jes' right! Yeh've gota keep order an' it's all
-right.' See? 'It's all right,' he says. Dat's what he said."
-
-The two held a technical discussion.
-
-"Dat bloke was a dandy," said Pete, in conclusion, "but he
-hadn' oughta made no trouble. Dat's what I says teh dem: 'Don'
-come in here an' make no trouble,' I says, like dat. 'Don' make no
-trouble.' See?"
-
-As Jimmie and his friend exchanged tales descriptive of their
-prowess, Maggie leaned back in the shadow. Her eyes dwelt
-wonderingly and rather wistfully upon Pete's face. The broken
-furniture, grimey walls, and general disorder and dirt of her home
-of a sudden appeared before her and began to take a
-potential aspect. Pete's aristocratic person looked as if it might
-soil. She looked keenly at him, occasionally, wondering if he was
-feeling contempt. But Pete seemed to be enveloped in reminiscence.
-
-"Hully gee," said he, "dose mugs can't phase me. Dey knows I
-kin wipe up deh street wid any t'ree of dem."
-
-When he said, "Ah, what deh hell," his voice was burdened with
-disdain for the inevitable and contempt for anything that fate
-might compel him to endure.
-
-Maggie perceived that here was the beau ideal of a man. Her
-dim thoughts were often searching for far away lands where, as God
-says, the little hills sing together in the morning. Under the
-trees of her dream-gardens there had always walked a lover.
-
-
-
-
-Chapter VI
-
-
-Pete took note of Maggie.
-
-"Say, Mag, I'm stuck on yer shape. It's outa sight," he said,
-parenthetically, with an affable grin.
-
-As he became aware that she was listening closely, he grew
-still more eloquent in his descriptions of various happenings in
-his career. It appeared that he was invincible in fights.
-
-"Why," he said, referring to a man with whom he had had a
-misunderstanding, "dat mug scrapped like a damn dago. Dat's right.
-He was dead easy. See? He tau't he was a scrapper. But he foun'
-out diff'ent! Hully gee."
-
-He walked to and fro in the small room, which seemed then to
-grow even smaller and unfit to hold his dignity, the attribute of
-a supreme warrior. That swing of the shoulders that had frozen the
-timid when he was but a lad had increased with his growth and
-education at the ratio of ten to one. It, combined with the sneer
-upon his mouth, told mankind that there was nothing in space which
-could appall him. Maggie marvelled at him and surrounded him with
-greatness. She vaguely tried to calculate the altitude of the
-pinnacle from which he must have looked down upon her.
-
-"I met a chump deh odder day way up in deh city," he said. "I
-was goin' teh see a frien' of mine. When I was a-crossin' deh
-street deh chump runned plump inteh me, an' den he turns aroun' an'
-says, 'Yer insolen' ruffin,' he says, like dat. 'Oh, gee,' I says,
-'oh, gee, go teh hell and git off deh eart',' I says, like dat.
-See? 'Go teh hell an' git off deh eart',' like dat. Den deh
-blokie he got wild. He says I was a contempt'ble scoun'el,
-er somet'ing like dat, an' he says I was doom' teh everlastin'
-pe'dition an' all like dat. 'Gee,' I says, 'gee! Deh hell I am,'
-I says. 'Deh hell I am,' like dat. An' den I slugged 'im. See?"
-
-With Jimmie in his company, Pete departed in a sort of a blaze
-of glory from the Johnson home. Maggie, leaning from the window,
-watched him as he walked down the street.
-
-Here was a formidable man who disdained the strength of a
-world full of fists. Here was one who had contempt for brass-
-clothed power; one whose knuckles could defiantly ring against the
-granite of law. He was a knight.
-
-The two men went from under the glimmering street-lamp and
-passed into shadows.
-
-Turning, Maggie contemplated the dark, dust-stained walls, and
-the scant and crude furniture of her home. A clock, in a
-splintered and battered oblong box of varnished wood, she suddenly
-regarded as an abomination. She noted that it ticked raspingly.
-The almost vanished flowers in the carpet-pattern, she conceived to
-be newly hideous. Some faint attempts she had made with blue
-ribbon, to freshen the appearance of a dingy curtain, she now saw
-to be piteous.
-
-She wondered what Pete dined on.
-
-She reflected upon the collar and cuff factory. It began to
-appear to her mind as a dreary place of endless grinding. Pete's
-elegant occupation brought him, no doubt, into contact with people
-who had money and manners. it was probable that he had a large
-acquaintance of pretty girls. He must have great sums of money to
-spend.
-
-To her the earth was composed of hardships and insults. She
-felt instant admiration for a man who openly defied it. She
-thought that if the grim angel of death should clutch his heart,
-Pete would shrug his shoulders and say: "Oh, ev'ryt'ing goes."
-
-She anticipated that he would come again shortly. She spent
-some of her week's pay in the purchase of flowered cretonne for a
-lambrequin. She made it with infinite care and hung it to the
-slightly-careening mantel, over the stove, in the kitchen. She
-studied it with painful anxiety from different points in the room.
-She wanted it to look well on Sunday night when, perhaps, Jimmie's
-friend would come. On Sunday night, however, Pete did not appear.
-
-Afterward the girl looked at it with a sense of humiliation.
-She was now convinced that Pete was superior to admiration for
-lambrequins.
-
-A few evenings later Pete entered with fascinating innovations
-in his apparel. As she had seen him twice and he had different
-suits on each time, Maggie had a dim impression that his
-wardrobe was prodigiously extensive.
-
-"Say, Mag," he said, "put on yer bes' duds Friday night an'
-I'll take yehs teh deh show. See?"
-
-He spent a few moments in flourishing his clothes and then
-vanished, without having glanced at the lambrequin.
-
-Over the eternal collars and cuffs in the factory Maggie spent
-the most of three days in making imaginary sketches of Pete and his
-daily environment. She imagined some half dozen women in love with
-him and thought he must lean dangerously toward an indefinite one,
-whom she pictured with great charms of person, but with an
-altogether contemptible disposition.
-
-She thought he must live in a blare of pleasure. He had friends,
-and people who were afraid of him.
-
-She saw the golden glitter of the place where Pete was to take
-her. An entertainment of many hues and many melodies where she was
-afraid she might appear small and mouse-colored.
-
-Her mother drank whiskey all Friday morning. With lurid face
-and tossing hair she cursed and destroyed furniture all Friday
-afternoon. When Maggie came home at half-past six her mother lay
-asleep amidst the wreck of chairs and a table. Fragments of
-various household utensils were scattered about the floor.
-She had vented some phase of drunken fury upon the lambrequin.
-It lay in a bedraggled heap in the corner.
-
-"Hah," she snorted, sitting up suddenly, "where deh hell yeh
-been? Why deh hell don' yeh come home earlier? Been loafin'
-'round deh streets. Yer gettin' teh be a reg'lar devil."
-
-When Pete arrived Maggie, in a worn black dress, was waiting
-for him in the midst of a floor strewn with wreckage. The curtain
-at the window had been pulled by a heavy hand and hung by one tack,
-dangling to and fro in the draft through the cracks at the sash.
-The knots of blue ribbons appeared like violated flowers. The fire
-in the stove had gone out. The displaced lids and open doors
-showed heaps of sullen grey ashes. The remnants of a meal,
-ghastly, like dead flesh, lay in a corner. Maggie's red mother,
-stretched on the floor, blasphemed and gave her daughter a bad name.
-
-
-
-
-Chapter VII
-
-
-An orchestra of yellow silk women and bald-headed men on an
-elevated stage near the centre of a great green-hued hall, played
-a popular waltz. The place was crowded with people grouped
-about little tables. A battalion of waiters slid among the throng,
-carrying trays of beer glasses and making change from the
-inexhaustible vaults of their trousers pockets. Little boys, in
-the costumes of French chefs, paraded up and down the irregular
-aisles vending fancy cakes. There was a low rumble of conversation
-and a subdued clinking of glasses. Clouds of tobacco smoke rolled
-and wavered high in air about the dull gilt of the chandeliers.
-
-The vast crowd had an air throughout of having just quitted
-labor. Men with calloused hands and attired in garments that
-showed the wear of an endless trudge for a living, smoked their
-pipes contentedly and spent five, ten, or perhaps fifteen cents for
-beer. There was a mere sprinkling of kid-gloved men who smoked
-cigars purchased elsewhere. The great body of the crowd was
-composed of people who showed that all day they strove with their
-hands. Quiet Germans, with maybe their wives and two or three
-children, sat listening to the music, with the expressions of happy
-cows. An occasional party of sailors from a war-ship, their faces
-pictures of sturdy health, spent the earlier hours of the evening
-at the small round tables. Very infrequent tipsy men, swollen with
-the value of their opinions, engaged their companions in earnest
-and confidential conversation. In the balcony, and here and there
-below, shone the impassive faces of women. The nationalities of
-the Bowery beamed upon the stage from all directions.
-
-Pete aggressively walked up a side aisle and took seats with
-Maggie at a table beneath the balcony.
-
-"Two beehs!"
-
-Leaning back he regarded with eyes of superiority the scene
-before them. This attitude affected Maggie strongly. A man who
-could regard such a sight with indifference must be accustomed to
-very great things.
-
-It was obvious that Pete had been to this place many times
-before, and was very familiar with it. A knowledge of this fact
-made Maggie feel little and new.
-
-He was extremely gracious and attentive. He displayed the
-consideration of a cultured gentleman who knew what was due.
-
-"Say, what deh hell? Bring deh lady a big glass! What deh
-hell use is dat pony?"
-
-"Don't be fresh, now," said the waiter, with some warmth, as
-he departed.
-
-"Ah, git off deh eart'," said Pete, after the other's
-retreating form.
-
-Maggie perceived that Pete brought forth all his elegance and
-all his knowledge of high-class customs for her benefit. Her heart
-warmed as she reflected upon his condescension.
-
-The orchestra of yellow silk women and bald-headed men gave
-vent to a few bars of anticipatory music and a girl, in a pink
-dress with short skirts, galloped upon the stage. She smiled upon
-the throng as if in acknowledgment of a warm welcome, and began to
-walk to and fro, making profuse gesticulations and singing, in
-brazen soprano tones, a song, the words of which were inaudible.
-When she broke into the swift rattling measures of a chorus some
-half-tipsy men near the stage joined in the rollicking refrain and
-glasses were pounded rhythmically upon the tables. People leaned
-forward to watch her and to try to catch the words of the song.
-When she vanished there were long rollings of applause.
-
-Obedient to more anticipatory bars, she reappeared amidst the
-half-suppressed cheering of the tipsy men. The orchestra plunged
-into dance music and the laces of the dancer fluttered and flew in
-the glare of gas jets. She divulged the fact that she was attired
-in some half dozen skirts. It was patent that any one of them
-would have proved adequate for the purpose for which skirts are
-intended. An occasional man bent forward, intent upon the pink
-stockings. Maggie wondered at the splendor of the costume and lost
-herself in calculations of the cost of the silks and laces.
-
-The dancer's smile of stereotyped enthusiasm was turned for
-ten minutes upon the faces of her audience. In the finale she fell
-into some of those grotesque attitudes which were at the time
-popular among the dancers in the theatres up-town, giving to the
-Bowery public the phantasies of the aristocratic theatre-going
-public, at reduced rates.
-
-"Say, Pete," said Maggie, leaning forward, "dis is great."
-
-"Sure," said Pete, with proper complacence.
-
-A ventriloquist followed the dancer. He held two fantastic
-dolls on his knees. He made them sing mournful ditties and say
-funny things about geography and Ireland.
-
-"Do dose little men talk?" asked Maggie.
-
-"Naw," said Pete, "it's some damn fake. See?"
-
-Two girls, on the bills as sisters, came forth and sang a duet
-that is heard occasionally at concerts given under church auspices.
-They supplemented it with a dance which of course can never
-be seen at concerts given under church auspices.
-
-After the duettists had retired, a woman of debatable age sang
-a negro melody. The chorus necessitated some grotesque waddlings
-supposed to be an imitation of a plantation darkey, under the
-influence, probably, of music and the moon. The audience was just
-enthusiastic enough over it to have her return and sing a sorrowful
-lay, whose lines told of a mother's love and a sweetheart who
-waited and a young man who was lost at sea under the most harrowing
-circumstances. From the faces of a score or so in the crowd, the
-self-contained look faded. Many heads were bent forward with
-eagerness and sympathy. As the last distressing sentiment of the
-piece was brought forth, it was greeted by that kind of applause
-which rings as sincere.
-
-As a final effort, the singer rendered some verses which
-described a vision of Britain being annihilated by America, and
-Ireland bursting her bonds. A carefully prepared crisis was
-reached in the last line of the last verse, where the singer threw
-out her arms and cried, "The star-spangled banner." Instantly a
-great cheer swelled from the throats of the assemblage of the
-masses. There was a heavy rumble of booted feet thumping the
-floor. Eyes gleamed with sudden fire, and calloused hands waved
-frantically in the air.
-
-After a few moments' rest, the orchestra played crashingly,
-and a small fat man burst out upon the stage. He began to roar a
-song and stamp back and forth before the foot-lights, wildly waving
-a glossy silk hat and throwing leers, or smiles, broadcast. He
-made his face into fantastic grimaces until he looked like a
-pictured devil on a Japanese kite. The crowd laughed gleefully.
-His short, fat legs were never still a moment. He shouted and
-roared and bobbed his shock of red wig until the audience broke out
-in excited applause.
-
-Pete did not pay much attention to the progress of events upon
-the stage. He was drinking beer and watching Maggie.
-
-Her cheeks were blushing with excitement and her eyes were
-glistening. She drew deep breaths of pleasure. No thoughts of the
-atmosphere of the collar and cuff factory came to her.
-
-When the orchestra crashed finally, they jostled their way to
-the sidewalk with the crowd. Pete took Maggie's arm and pushed a
-way for her, offering to fight with a man or two.
-
-They reached Maggie's home at a late hour and stood for a
-moment in front of the gruesome doorway.
-
-"Say, Mag," said Pete, "give us a kiss for takin' yeh teh deh
-show, will yer?"
-
-Maggie laughed, as if startled, and drew away from him.
-
-"Naw, Pete," she said, "dat wasn't in it."
-
-"Ah, what deh hell?" urged Pete.
-
-The girl retreated nervously.
-
-"Ah, what deh hell?" repeated he.
-
-Maggie darted into the hall, and up the stairs. She turned
-and smiled at him, then disappeared.
-
-Pete walked slowly down the street. He had something of an
-astonished expression upon his features. He paused under a lamp-
-post and breathed a low breath of surprise.
-
-"Gawd," he said, "I wonner if I've been played fer a duffer."
-
-
-
-
-Chapter VIII
-
-
-As thoughts of Pete came to Maggie's mind, she began to have
-an intense dislike for all of her dresses.
-
-"What deh hell ails yeh? What makes yeh be allus fixin' and
-fussin'? Good Gawd," her mother would frequently roar at her.
-
-She began to note, with more interest, the well-dressed women
-she met on the avenues. She envied elegance and soft palms. She
-craved those adornments of person which she saw every day on the
-street, conceiving them to be allies of vast importance to women.
-
-Studying faces, she thought many of the women and girls she
-chanced to meet, smiled with serenity as though forever cherished
-and watched over by those they loved.
-
-The air in the collar and cuff establishment strangled her.
-She knew she was gradually and surely shrivelling in the hot,
-stuffy room. The begrimed windows rattled incessantly from the
-passing of elevated trains. The place was filled with a whirl of
-noises and odors.
-
-She wondered as she regarded some of the grizzled women in the
-room, mere mechanical contrivances sewing seams and grinding out,
-with heads bended over their work, tales of imagined or real
-girlhood happiness, past drunks, the baby at home, and unpaid wages.
-She speculated how long her youth would endure. She began to see
-the bloom upon her cheeks as valuable.
-
-She imagined herself, in an exasperating future, as a scrawny
-woman with an eternal grievance. Too, she thought Pete to be
-a very fastidious person concerning the appearance of women.
-
-She felt she would love to see somebody entangle their fingers
-in the oily beard of the fat foreigner who owned the establishment.
-He was a detestable creature. He wore white socks with low shoes.
-When he tired of this amusement he would go to the mummies and
-moralize over them.
-
-Usually he submitted with silent dignity to all which he had
-to go through, but, at times, he was goaded into comment.
-
-"What deh hell," he demanded once. "Look at all dese little
-jugs! Hundred jugs in a row! Ten rows in a case an' 'bout a
-t'ousand cases! What deh blazes use is dem?"
-
-Evenings during the week he took her to see plays in which the
-brain-clutching heroine was rescued from the palatial home of her
-guardian, who is cruelly after her bonds, by the hero with the
-beautiful sentiments. The latter spent most of his time out at
-soak in pale-green snow storms, busy with a nickel-plated revolver,
-rescuing aged strangers from villains.
-
-Maggie lost herself in sympathy with the wanderers swooning in
-snow storms beneath happy-hued church windows. And a choir within
-singing "Joy to the World." To Maggie and the rest of the audience
-this was transcendental realism. Joy always within, and they, like
-the actor, inevitably without. Viewing it, they hugged themselves
-in ecstatic pity of their imagined or real condition.
-
-The girl thought the arrogance and granite-heartedness of the
-magnate of the play was very accurately drawn. She echoed the
-maledictions that the occupants of the gallery showered on this
-individual when his lines compelled him to expose his extreme
-selfishness.
-
-Shady persons in the audience revolted from the pictured
-villainy of the drama. With untiring zeal they hissed vice and
-applauded virtue. Unmistakably bad men evinced an apparently
-sincere admiration for virtue.
-
-The loud gallery was overwhelmingly with the unfortunate and the
-oppressed. They encouraged the struggling hero with cries, and
-jeered the villain, hooting and calling attention to his whiskers.
-When anybody died in the pale-green snow storms, the gallery mourned.
-They sought out the painted misery and hugged it as akin.
-
-In the hero's erratic march from poverty in the first act, to
-wealth and triumph in the final one, in which he forgives all the
-enemies that he has left, he was assisted by the gallery, which
-applauded his generous and noble sentiments and confounded the
-speeches of his opponents by making irrelevant but very sharp
-remarks. Those actors who were cursed with villainy parts were
-confronted at every turn by the gallery. If one of them rendered
-lines containing the most subtile distinctions between right and
-wrong, the gallery was immediately aware if the actor meant
-wickedness, and denounced him accordingly.
-
-The last act was a triumph for the hero, poor and of the
-masses, the representative of the audience, over the villain
-and the rich man, his pockets stuffed with bonds, his heart packed
-with tyrannical purposes, imperturbable amid suffering.
-
-Maggie always departed with raised spirits from the showing
-places of the melodrama. She rejoiced at the way in which the poor
-and virtuous eventually surmounted the wealthy and wicked. The
-theatre made her think. She wondered if the culture and refinement
-she had seen imitated, perhaps grotesquely, by the heroine on the
-stage, could be acquired by a girl who lived in a tenement house
-and worked in a shirt factory.
-
-
-
-
-Chapter IX
-
-
-A group of urchins were intent upon the side door of a saloon.
-Expectancy gleamed from their eyes. They were twisting their
-fingers in excitement.
-
-"Here she comes," yelled one of them suddenly.
-
-The group of urchins burst instantly asunder and its
-individual fragments were spread in a wide, respectable half circle
-about the point of interest. The saloon door opened with a crash,
-and the figure of a woman appeared upon the threshold. Her grey
-hair fell in knotted masses about her shoulders. Her face was
-crimsoned and wet with perspiration. Her eyes had a rolling glare.
-
-"Not a damn cent more of me money will yehs ever get, not a damn cent.
-I spent me money here fer t'ree years an' now yehs tells me yeh'll
-sell me no more stuff! T'hell wid yeh, Johnnie Murckre! 'Disturbance'?
-Disturbance be damned! T'hell wid yeh, Johnnie--"
-
-The door received a kick of exasperation from within and the
-woman lurched heavily out on the sidewalk.
-
-The gamins in the half-circle became violently agitated.
-They began to dance about and hoot and yell and jeer.
-Wide dirty grins spread over each face.
-
-The woman made a furious dash at a particularly outrageous
-cluster of little boys. They laughed delightedly and scampered off
-a short distance, calling out over their shoulders to her. She
-stood tottering on the curb-stone and thundered at them.
-
-"Yeh devil's kids," she howled, shaking red fists. The little boys
-whooped in glee. As she started up the street they fell in behind
-and marched uproariously. Occasionally she wheeled about and made
-charges on them. They ran nimbly out of reach and taunted her.
-
-In the frame of a gruesome doorway she stood for a moment cursing them.
-Her hair straggled, giving her crimson features a look of insanity.
-Her great fists quivered as she shook them madly in the air.
-
-The urchins made terrific noises until she turned and
-disappeared. Then they filed quietly in the way they had come.
-
-The woman floundered about in the lower hall of the tenement house
-and finally stumbled up the stairs. On an upper hall a door was
-opened and a collection of heads peered curiously out, watching her.
-With a wrathful snort the woman confronted the door, but it was
-slammed hastily in her face and the key was turned.
-
-She stood for a few minutes, delivering a frenzied challenge at the panels.
-
-"Come out in deh hall, Mary Murphy, damn yeh, if yehs want a row.
-Come ahn, yeh overgrown terrier, come ahn."
-
-She began to kick the door with her great feet. She shrilly
-defied the universe to appear and do battle. Her cursing trebles
-brought heads from all doors save the one she threatened. Her eyes
-glared in every direction. The air was full of her tossing fists.
-
-"Come ahn, deh hull damn gang of yehs, come ahn," she roared at
-the spectators. An oath or two, cat-calls, jeers and bits of
-facetious advice were given in reply. Missiles clattered
-about her feet.
-
-"What deh hell's deh matter wid yeh?" said a voice in the
-gathered gloom, and Jimmie came forward. He carried a tin dinner-
-pail in his hand and under his arm a brown truckman's apron done in
-a bundle. "What deh hell's wrong?" he demanded.
-
-"Come out, all of yehs, come out," his mother was howling.
-"Come ahn an' I'll stamp her damn brains under me feet."
-
-"Shet yer face, an' come home, yeh damned old fool," roared
-Jimmie at her. She strided up to him and twirled her fingers in
-his face. Her eyes were darting flames of unreasoning rage and her
-frame trembled with eagerness for a fight.
-
-"T'hell wid yehs! An' who deh hell are yehs? I ain't givin' a snap
-of me fingers fer yehs," she bawled at him. She turned her huge back
-in tremendous disdain and climbed the stairs to the next floor.
-
-Jimmie followed, cursing blackly. At the top of the flight he
-seized his mother's arm and started to drag her toward the door of
-their room.
-
-"Come home, damn yeh," he gritted between his teeth.
-
-"Take yer hands off me! Take yer hands off me," shrieked his mother.
-
-She raised her arm and whirled her great fist at her son's
-face. Jimmie dodged his head and the blow struck him in the back
-of the neck. "Damn yeh," gritted he again. He threw out his left
-hand and writhed his fingers about her middle arm. The mother and
-the son began to sway and struggle like gladiators.
-
-"Whoop!" said the Rum Alley tenement house. The hall filled
-with interested spectators.
-
-"Hi, ol' lady, dat was a dandy!"
-
-"T'ree to one on deh red!"
-
-"Ah, stop yer damn scrappin'!"
-
-The door of the Johnson home opened and Maggie looked out.
-Jimmie made a supreme cursing effort and hurled his mother
-into the room. He quickly followed and closed the door.
-The Rum Alley tenement swore disappointedly and retired.
-
-The mother slowly gathered herself up from the floor.
-Her eyes glittered menacingly upon her children.
-
-"Here, now," said Jimmie, "we've had enough of dis. Sit down,
-an' don' make no trouble."
-
-He grasped her arm, and twisting it, forced her into a
-creaking chair.
-
-"Keep yer hands off me," roared his mother again.
-
-"Damn yer ol' hide," yelled Jimmie, madly. Maggie shrieked
-and ran into the other room. To her there came the sound of a
-storm of crashes and curses. There was a great final thump and
-Jimmie's voice cried: "Dere, damn yeh, stay still." Maggie opened
-the door now, and went warily out. "Oh, Jimmie."
-
-He was leaning against the wall and swearing. Blood stood
-upon bruises on his knotty fore-arms where they had scraped against
-the floor or the walls in the scuffle. The mother lay screeching
-on the floor, the tears running down her furrowed face.
-
-Maggie, standing in the middle of the room, gazed about her.
-The usual upheaval of the tables and chairs had taken place.
-Crockery was strewn broadcast in fragments. The stove had been
-disturbed on its legs, and now leaned idiotically to one side.
-A pail had been upset and water spread in all directions.
-
-The door opened and Pete appeared. He shrugged his shoulders.
-"Oh, Gawd," he observed.
-
-He walked over to Maggie and whispered in her ear. "Ah, what
-deh hell, Mag? Come ahn and we'll have a hell of a time."
-
-The mother in the corner upreared her head and shook her
-tangled locks.
-
-"Teh hell wid him and you," she said, glowering at her
-daughter in the gloom. Her eyes seemed to burn balefully. "Yeh've
-gone teh deh devil, Mag Johnson, yehs knows yehs have gone teh deh
-devil. Yer a disgrace teh yer people, damn yeh. An' now, git out
-an' go ahn wid dat doe-faced jude of yours. Go teh hell wid him,
-damn yeh, an' a good riddance. Go teh hell an' see how yeh likes
-it."
-
-Maggie gazed long at her mother.
-
-"Go teh hell now, an' see how yeh likes it. Git out. I won't
-have sech as yehs in me house! Get out, d'yeh hear! Damn yeh,
-git out!"
-
-The girl began to tremble.
-
-At this instant Pete came forward. "Oh, what deh hell, Mag, see,"
-whispered he softly in her ear. "Dis all blows over. See? Deh ol'
-woman 'ill be all right in deh mornin'. Come ahn out wid me!
-We'll have a hell of a time."
-
-The woman on the floor cursed. Jimmie was intent upon his
-bruised fore-arms. The girl cast a glance about the room filled with
-a chaotic mass of debris, and at the red, writhing body of her mother.
-
-"Go teh hell an' good riddance."
-
-She went.
-
-
-
-
-Chapter X
-
-
-Jimmie had an idea it wasn't common courtesy for a friend to
-come to one's home and ruin one's sister. But he was not sure how
-much Pete knew about the rules of politeness.
-
-The following night he returned home from work at rather a
-late hour in the evening. In passing through the halls he came
-upon the gnarled and leathery old woman who possessed the music
-box. She was grinning in the dim light that drifted through dust-
-stained panes. She beckoned to him with a smudged forefinger.
-
-"Ah, Jimmie, what do yehs t'ink I got onto las' night. It was
-deh funnies' t'ing I ever saw," she cried, coming close to him and
-leering. She was trembling with eagerness to tell her tale. "I
-was by me door las' night when yer sister and her jude feller came
-in late, oh, very late. An' she, the dear, she was a-cryin' as if
-her heart would break, she was. It was deh funnies' t'ing I ever
-saw. An' right out here by me door she asked him did he love her,
-did he. An' she was a-cryin' as if her heart would break, poor
-t'ing. An' him, I could see by deh way what he said it dat she had
-been askin' orften, he says: 'Oh, hell, yes,' he says, says he,
-'Oh, hell, yes.'"
-
-Storm-clouds swept over Jimmie's face, but he turned from the
-leathery old woman and plodded on up-stairs.
-
-"Oh, hell, yes," called she after him. She laughed a laugh
-that was like a prophetic croak. "'Oh, hell, yes,' he says, says
-he, 'Oh, hell, yes.'"
-
-There was no one in at home. The rooms showed that attempts
-had been made at tidying them. Parts of the wreckage of the day
-before had been repaired by an unskilful hand. A chair or two and
-the table, stood uncertainly upon legs. The floor had been newly
-swept. Too, the blue ribbons had been restored to the curtains,
-and the lambrequin, with its immense sheaves of yellow wheat
-and red roses of equal size, had been returned, in a worn and sorry
-state, to its position at the mantel. Maggie's jacket and hat were
-gone from the nail behind the door.
-
-Jimmie walked to the window and began to look through the
-blurred glass. It occurred to him to vaguely wonder, for an
-instant, if some of the women of his acquaintance had brothers.
-
-Suddenly, however, he began to swear.
-
-"But he was me frien'! I brought 'im here! Dat's deh hell of it!"
-
-He fumed about the room, his anger gradually rising to the
-furious pitch.
-
-"I'll kill deh jay! Dat's what I'll do! I'll kill deh jay!"
-
-He clutched his hat and sprang toward the door. But it opened
-and his mother's great form blocked the passage.
-
-"What deh hell's deh matter wid yeh?" exclaimed she, coming
-into the rooms.
-
-Jimmie gave vent to a sardonic curse and then laughed heavily.
-
-"Well, Maggie's gone teh deh devil! Dat's what! See?"
-
-"Eh?" said his mother.
-
-"Maggie's gone teh deh devil! Are yehs deaf?" roared Jimmie,
-impatiently.
-
-"Deh hell she has," murmured the mother, astounded.
-
-Jimmie grunted, and then began to stare out at the window.
-His mother sat down in a chair, but a moment later sprang erect and
-delivered a maddened whirl of oaths. Her son turned to look at her
-as she reeled and swayed in the middle of the room, her fierce face
-convulsed with passion, her blotched arms raised high in imprecation.
-
-"May Gawd curse her forever," she shrieked. "May she eat
-nothin' but stones and deh dirt in deh street. May she sleep in
-deh gutter an' never see deh sun shine agin. Deh damn--"
-
-"Here, now," said her son. "Take a drop on yourself."
-
-The mother raised lamenting eyes to the ceiling.
-
-"She's deh devil's own chil', Jimmie," she whispered. "Ah,
-who would t'ink such a bad girl could grow up in our fambly,
-Jimmie, me son. Many deh hour I've spent in talk wid dat girl an'
-tol' her if she ever went on deh streets I'd see her damned. An'
-after all her bringin' up an' what I tol' her and talked wid her,
-she goes teh deh bad, like a duck teh water."
-
-The tears rolled down her furrowed face. Her hands trembled.
-
-"An' den when dat Sadie MacMallister next door to us was sent
-teh deh devil by dat feller what worked in deh soap-factory,
-didn't I tell our Mag dat if she--"
-
-"Ah, dat's annuder story," interrupted the brother. "Of
-course, dat Sadie was nice an' all dat--but--see--it ain't dessame
-as if--well, Maggie was diff'ent--see--she was diff'ent."
-
-He was trying to formulate a theory that he had always
-unconsciously held, that all sisters, excepting his own, could
-advisedly be ruined.
-
-He suddenly broke out again. "I'll go t'ump hell outa deh mug
-what did her deh harm. I'll kill 'im! He t'inks he kin scrap,
-but when he gits me a-chasin' 'im he'll fin' out where he's wrong,
-deh damned duffer. I'll wipe up deh street wid 'im."
-
-In a fury he plunged out of the doorway. As he vanished the
-mother raised her head and lifted both hands, entreating.
-
-"May Gawd curse her forever," she cried.
-
-In the darkness of the hallway Jimmie discerned a knot of women
-talking volubly. When he strode by they paid no attention to him.
-
-"She allus was a bold thing," he heard one of them cry in an
-eager voice. "Dere wasn't a feller come teh deh house but she'd
-try teh mash 'im. My Annie says deh shameless t'ing tried teh
-ketch her feller, her own feller, what we useter know his fader."
-
-"I could a' tol' yehs dis two years ago," said a woman, in a
-key of triumph. "Yessir, it was over two years ago dat I says
-teh my ol' man, I says, 'Dat Johnson girl ain't straight,' I says.
-'Oh, hell,' he says. 'Oh, hell.' 'Dat's all right,' I says,
-'but I know what I knows,' I says, 'an' it 'ill come out later.
-You wait an' see,' I says, 'you see.'"
-
-"Anybody what had eyes could see dat dere was somethin' wrong
-wid dat girl. I didn't like her actions."
-
-On the street Jimmie met a friend. "What deh hell?" asked the
-latter.
-
-Jimmie explained. "An' I'll t'ump 'im till he can't stand."
-
-"Oh, what deh hell," said the friend. "What's deh use!
-Yeh'll git pulled in! Everybody 'ill be onto it! An' ten plunks!
-Gee!"
-
-Jimmie was determined. "He t'inks he kin scrap, but he'll
-fin' out diff'ent."
-
-"Gee," remonstrated the friend. "What deh hell?"
-
-
-
-
-Chapter XI
-
-
-On a corner a glass-fronted building shed a yellow glare upon
-the pavements. The open mouth of a saloon called seductively to
-passengers to enter and annihilate sorrow or create rage.
-
-The interior of the place was papered in olive and bronze tints
-of imitation leather. A shining bar of counterfeit massiveness
-extended down the side of the room. Behind it a great
-mahogany-appearing sideboard reached the ceiling. Upon its
-shelves rested pyramids of shimmering glasses that were never
-disturbed. Mirrors set in the face of the sideboard multiplied
-them. Lemons, oranges and paper napkins, arranged with
-mathematical precision, sat among the glasses. Many-hued decanters
-of liquor perched at regular intervals on the lower shelves.
-A nickel-plated cash register occupied a position in the exact
-centre of the general effect. The elementary senses of it all
-seemed to be opulence and geometrical accuracy.
-
-Across from the bar a smaller counter held a collection of plates
-upon which swarmed frayed fragments of crackers, slices of boiled ham,
-dishevelled bits of cheese, and pickles swimming in vinegar.
-An odor of grasping, begrimed hands and munching mouths pervaded.
-
-Pete, in a white jacket, was behind the bar bending
-expectantly toward a quiet stranger. "A beeh," said the man.
-Pete drew a foam-topped glassful and set it dripping upon the bar.
-
-At this moment the light bamboo doors at the entrance swung
-open and crashed against the siding. Jimmie and a companion
-entered. They swaggered unsteadily but belligerently toward the
-bar and looked at Pete with bleared and blinking eyes.
-
-"Gin," said Jimmie.
-
-"Gin," said the companion.
-
-Pete slid a bottle and two glasses along the bar. He bended
-his head sideways as he assiduously polished away with a napkin at
-the gleaming wood. He had a look of watchfulness upon his
-features.
-
-Jimmie and his companion kept their eyes upon the bartender
-and conversed loudly in tones of contempt.
-
-"He's a dindy masher, ain't he, by Gawd?" laughed Jimmie.
-
-"Oh, hell, yes," said the companion, sneering widely. "He's
-great, he is. Git onto deh mug on deh blokie. Dat's enough to
-make a feller turn hand-springs in 'is sleep."
-
-The quiet stranger moved himself and his glass a trifle
-further away and maintained an attitude of oblivion.
-
-"Gee! ain't he hot stuff!"
-
-"Git onto his shape! Great Gawd!"
-
-"Hey," cried Jimmie, in tones of command. Pete came along
-slowly, with a sullen dropping of the under lip.
-
-"Well," he growled, "what's eatin' yehs?"
-
-"Gin," said Jimmie.
-
-"Gin," said the companion.
-
-As Pete confronted them with the bottle and the glasses, they
-laughed in his face. Jimmie's companion, evidently overcome with
-merriment, pointed a grimy forefinger in Pete's direction.
-
-"Say, Jimmie," demanded he, "what deh hell is dat behind deh
-bar?"
-
-"Damned if I knows," replied Jimmie. They laughed loudly.
-Pete put down a bottle with a bang and turned a formidable face
-toward them. He disclosed his teeth and his shoulders heaved
-restlessly.
-
-"You fellers can't guy me," he said. "Drink yer stuff an' git
-out an' don' make no trouble."
-
-Instantly the laughter faded from the faces of the two men and
-expressions of offended dignity immediately came.
-
-"Who deh hell has said anyt'ing teh you," cried they in the
-same breath.
-
-The quiet stranger looked at the door calculatingly.
-
-"Ah, come off," said Pete to the two men. "Don't pick me up
-for no jay. Drink yer rum an' git out an' don' make no trouble."
-
-"Oh, deh hell," airily cried Jimmie.
-
-"Oh, deh hell," airily repeated his companion.
-
-"We goes when we git ready! See!" continued Jimmie.
-
-"Well," said Pete in a threatening voice, "don' make no
-trouble."
-
-Jimmie suddenly leaned forward with his head on one side.
-He snarled like a wild animal.
-
-"Well, what if we does? See?" said he.
-
-Dark blood flushed into Pete's face, and he shot a lurid
-glance at Jimmie.
-
-"Well, den we'll see whose deh bes' man, you or me," he said.
-
-The quiet stranger moved modestly toward the door.
-
-Jimmie began to swell with valor.
-
-"Don' pick me up fer no tenderfoot. When yeh tackles me yeh
-tackles one of deh bes' men in deh city. See? I'm a scrapper,
-I am. Ain't dat right, Billie?"
-
-"Sure, Mike," responded his companion in tones of conviction.
-
-"Oh, hell," said Pete, easily. "Go fall on yerself."
-
-The two men again began to laugh.
-
-"What deh hell is dat talkin'?" cried the companion.
-
-"Damned if I knows," replied Jimmie with exaggerated contempt.
-
-Pete made a furious gesture. "Git outa here now, an' don' make
-no trouble. See? Youse fellers er lookin' fer a scrap an' it's
-damn likely yeh'll fin' one if yeh keeps on shootin' off yer mout's.
-I know yehs! See? I kin lick better men dan yehs ever saw in yer lifes.
-Dat's right! See? Don' pick me up fer no stuff er yeh might be jolted
-out in deh street before yeh knows where yeh is. When I comes from behind
-dis bar, I t'rows yehs bote inteh deh street. See?"
-
-"Oh, hell," cried the two men in chorus.
-
-The glare of a panther came into Pete's eyes. "Dat's what I said!
-Unnerstan'?"
-
-He came through a passage at the end of the bar and swelled down upon
-the two men. They stepped promptly forward and crowded close to him.
-
-They bristled like three roosters. They moved their heads
-pugnaciously and kept their shoulders braced. The nervous muscles
-about each mouth twitched with a forced smile of mockery.
-
-"Well, what deh hell yer goin' teh do?" gritted Jimmie.
-
-Pete stepped warily back, waving his hands before him to keep
-the men from coming too near.
-
-"Well, what deh hell yer goin' teh do?" repeated Jimmie's ally.
-They kept close to him, taunting and leering. They strove
-to make him attempt the initial blow.
-
-"Keep back, now! Don' crowd me," ominously said Pete.
-
-Again they chorused in contempt. "Oh, hell!"
-
-In a small, tossing group, the three men edged for positions
-like frigates contemplating battle.
-
-"Well, why deh hell don' yeh try teh t'row us out?" cried Jimmie
-and his ally with copious sneers.
-
-The bravery of bull-dogs sat upon the faces of the men.
-Their clenched fists moved like eager weapons.
-
-The allied two jostled the bartender's elbows, glaring at him
-with feverish eyes and forcing him toward the wall.
-
-Suddenly Pete swore redly. The flash of action gleamed from
-his eyes. He threw back his arm and aimed a tremendous, lightning-
-like blow at Jimmie's face. His foot swung a step forward and the
-weight of his body was behind his fist. Jimmie ducked his head,
-Bowery-like, with the quickness of a cat. The fierce, answering
-blows of him and his ally crushed on Pete's bowed head.
-
-The quiet stranger vanished.
-
-The arms of the combatants whirled in the air like flails.
-The faces of the men, at first flushed to flame-colored anger, now
-began to fade to the pallor of warriors in the blood and heat of a
-battle. Their lips curled back and stretched tightly over the gums
-in ghoul-like grins. Through their white, gripped teeth struggled
-hoarse whisperings of oaths. Their eyes glittered with murderous fire.
-
-Each head was huddled between its owner's shoulders, and arms
-were swinging with marvelous rapidity. Feet scraped to and fro
-with a loud scratching sound upon the sanded floor. Blows left
-crimson blotches upon pale skin. The curses of the first quarter
-minute of the fight died away. The breaths of the fighters came
-wheezingly from their lips and the three chests were straining and
-heaving. Pete at intervals gave vent to low, labored hisses, that
-sounded like a desire to kill. Jimmie's ally gibbered at times like
-a wounded maniac. Jimmie was silent, fighting with the face
-of a sacrificial priest. The rage of fear shone in all their
-eyes and their blood-colored fists swirled.
-
-At a tottering moment a blow from Pete's hand struck the ally
-and he crashed to the floor. He wriggled instantly to his feet and
-grasping the quiet stranger's beer glass from the bar, hurled it at
-Pete's head.
-
-High on the wall it burst like a bomb, shivering fragments
-flying in all directions. Then missiles came to every man's hand.
-The place had heretofore appeared free of things to throw, but
-suddenly glass and bottles went singing through the air. They were
-thrown point blank at bobbing heads. The pyramid of shimmering
-glasses, that had never been disturbed, changed to cascades as
-heavy bottles were flung into them. Mirrors splintered to nothing.
-
-The three frothing creatures on the floor buried themselves in
-a frenzy for blood. There followed in the wake of missiles and
-fists some unknown prayers, perhaps for death.
-
-The quiet stranger had sprawled very pyrotechnically out on
-the sidewalk. A laugh ran up and down the avenue for the half
-of a block.
-
-"Dey've trowed a bloke inteh deh street."
-
-People heard the sound of breaking glass and shuffling feet
-within the saloon and came running. A small group, bending down to
-look under the bamboo doors, watching the fall of glass, and three
-pairs of violent legs, changed in a moment to a crowd.
-
-A policeman came charging down the sidewalk and bounced
-through the doors into the saloon. The crowd bended and surged in
-absorbing anxiety to see.
-
-Jimmie caught first sight of the on-coming interruption. On his feet
-he had the same regard for a policeman that, when on his truck,
-he had for a fire engine. He howled and ran for the side door.
-
-The officer made a terrific advance, club in hand. One comprehensive
-sweep of the long night stick threw the ally to the floor and forced
-Pete to a corner. With his disengaged hand he made a furious effort
-at Jimmie's coat-tails. Then he regained his balance and paused.
-
-"Well, well, you are a pair of pictures. What in hell yeh
-been up to?"
-
-Jimmie, with his face drenched in blood, escaped up a side street,
-pursued a short distance by some of the more law-loving, or excited
-individuals of the crowd.
-
-Later, from a corner safely dark, he saw the policeman, the
-ally and the bartender emerge from the saloon. Pete locked the
-doors and then followed up the avenue in the rear of the crowd-
-encompassed policeman and his charge.
-
-On first thoughts Jimmie, with his heart throbbing at battle heat,
-started to go desperately to the rescue of his friend, but he halted.
-
-"Ah, what deh hell?" he demanded of himself.
-
-
-
-
-Chapter XII
-
-
-In a hall of irregular shape sat Pete and Maggie drinking
-beer. A submissive orchestra dictated to by a spectacled man with
-frowsy hair and a dress suit, industriously followed the bobs of
-his head and the waves of his baton. A ballad singer, in a dress
-of flaming scarlet, sang in the inevitable voice of brass. When
-she vanished, men seated at the tables near the front applauded
-loudly, pounding the polished wood with their beer glasses. She
-returned attired in less gown, and sang again. She received
-another enthusiastic encore. She reappeared in still less gown and
-danced. The deafening rumble of glasses and clapping of hands that
-followed her exit indicated an overwhelming desire to have her come
-on for the fourth time, but the curiosity of the audience was not
-gratified.
-
-Maggie was pale. From her eyes had been plucked all look of
-self-reliance. She leaned with a dependent air toward her
-companion. She was timid, as if fearing his anger or displeasure.
-She seemed to beseech tenderness of him.
-
-Pete's air of distinguished valor had grown upon him until it
-threatened stupendous dimensions. He was infinitely gracious to
-the girl. It was apparent to her that his condescension was a marvel.
-
-He could appear to strut even while sitting still and he showed that
-he was a lion of lordly characteristics by the air with which he spat.
-
-With Maggie gazing at him wonderingly, he took pride in commanding
-the waiters who were, however, indifferent or deaf.
-
-"Hi, you, git a russle on yehs! What deh hell yehs lookin' at?
-Two more beehs, d'yeh hear?"
-
-He leaned back and critically regarded the person of a girl
-with a straw-colored wig who upon the stage was flinging her heels
-in somewhat awkward imitation of a well-known danseuse.
-
-At times Maggie told Pete long confidential tales of her
-former home life, dwelling upon the escapades of the other members
-of the family and the difficulties she had to combat in order to
-obtain a degree of comfort. He responded in tones of philanthropy.
-He pressed her arm with an air of reassuring proprietorship.
-
-"Dey was damn jays," he said, denouncing the mother and brother.
-
-The sound of the music which, by the efforts of the frowsy-
-headed leader, drifted to her ears through the smoke-filled
-atmosphere, made the girl dream. She thought of her former
-Rum Alley environment and turned to regard Pete's strong protecting
-fists. She thought of the collar and cuff manufactory and the
-eternal moan of the proprietor: "What een hell do you sink I pie
-fife dolla a week for? Play? No, py damn." She contemplated
-Pete's man-subduing eyes and noted that wealth and prosperity was
-indicated by his clothes. She imagined a future, rose-tinted,
-because of its distance from all that she previously had experienced.
-
-As to the present she perceived only vague reasons to be
-miserable. Her life was Pete's and she considered him worthy of
-the charge. She would be disturbed by no particular apprehensions,
-so long as Pete adored her as he now said he did. She did not feel
-like a bad woman. To her knowledge she had never seen any better.
-
-At times men at other tables regarded the girl furtively.
-Pete, aware of it, nodded at her and grinned. He felt proud.
-
-"Mag, yer a bloomin' good-looker," he remarked, studying her
-face through the haze. The men made Maggie fear, but she blushed
-at Pete's words as it became apparent to her that she was the apple
-of his eye.
-
-Grey-headed men, wonderfully pathetic in their dissipation,
-stared at her through clouds. Smooth-cheeked boys, some of them
-with faces of stone and mouths of sin, not nearly so pathetic as
-the grey heads, tried to find the girl's eyes in the smoke wreaths.
-Maggie considered she was not what they thought her. She confined
-her glances to Pete and the stage.
-
-The orchestra played negro melodies and a versatile drummer
-pounded, whacked, clattered and scratched on a dozen machines to
-make noise.
-
-Those glances of the men, shot at Maggie from under half-closed lids,
-made her tremble. She thought them all to be worse men than Pete.
-
-"Come, let's go," she said.
-
-As they went out Maggie perceived two women seated at a table
-with some men. They were painted and their cheeks had lost their
-roundness. As she passed them the girl, with a shrinking movement,
-drew back her skirts.
-
-
-
-
-Chapter XIII
-
-
-Jimmie did not return home for a number of days after the
-fight with Pete in the saloon. When he did, he approached with
-extreme caution.
-
-He found his mother raving. Maggie had not returned home.
-The parent continually wondered how her daughter could come to such
-a pass. She had never considered Maggie as a pearl dropped
-unstained into Rum Alley from Heaven, but she could not conceive
-how it was possible for her daughter to fall so low as to bring
-disgrace upon her family. She was terrific in denunciation of the
-girl's wickedness.
-
-The fact that the neighbors talked of it, maddened her. When
-women came in, and in the course of their conversation casually
-asked, "Where's Maggie dese days?" the mother shook her fuzzy head
-at them and appalled them with curses. Cunning hints inviting
-confidence she rebuffed with violence.
-
-"An' wid all deh bringin' up she had, how could she?"
-moaningly she asked of her son. "Wid all deh talkin' wid her I did
-an' deh t'ings I tol' her to remember? When a girl is bringed up
-deh way I bringed up Maggie, how kin she go teh deh devil?"
-
-Jimmie was transfixed by these questions. He could not
-conceive how under the circumstances his mother's daughter and his
-sister could have been so wicked.
-
-His mother took a drink from a squdgy bottle that sat on the
-table. She continued her lament.
-
-"She had a bad heart, dat girl did, Jimmie. She was wicked
-teh deh heart an' we never knowed it."
-
-Jimmie nodded, admitting the fact.
-
-"We lived in deh same house wid her an' I brought her up an'
-we never knowed how bad she was."
-
-Jimmie nodded again.
-
-"Wid a home like dis an' a mudder like me, she went teh deh
-bad," cried the mother, raising her eyes.
-
-One day, Jimmie came home, sat down in a chair and began to
-wriggle about with a new and strange nervousness. At last he spoke
-shamefacedly.
-
-"Well, look-a-here, dis t'ing queers us! See? We're queered!
-An' maybe it 'ud be better if I--well, I t'ink I kin look 'er up
-an'--maybe it 'ud be better if I fetched her home an'--"
-
-The mother started from her chair and broke forth into a storm
-of passionate anger.
-
-"What! Let 'er come an' sleep under deh same roof wid her
-mudder agin! Oh, yes, I will, won't I? Sure? Shame on yehs,
-Jimmie Johnson, for sayin' such a t'ing teh yer own mudder--teh yer
-own mudder! Little did I t'ink when yehs was a babby playin' about
-me feet dat ye'd grow up teh say sech a t'ing teh yer mudder--yer
-own mudder. I never taut--"
-
-Sobs choked her and interrupted her reproaches.
-
-"Dere ain't nottin' teh raise sech hell about," said Jimmie.
-"I on'y says it 'ud be better if we keep dis t'ing dark, see?
-It queers us! See?"
-
-His mother laughed a laugh that seemed to ring through the
-city and be echoed and re-echoed by countless other laughs.
-"Oh, yes, I will, won't I! Sure!"
-
-"Well, yeh must take me fer a damn fool," said Jimmie,
-indignant at his mother for mocking him. "I didn't say we'd make
-'er inteh a little tin angel, ner nottin', but deh way it is now
-she can queer us! Don' che see?"
-
-"Aye, she'll git tired of deh life atter a while an' den
-she'll wanna be a-comin' home, won' she, deh beast! I'll let 'er
-in den, won' I?"
-
-"Well, I didn' mean none of dis prod'gal bus'ness anyway,"
-explained Jimmie.
-
-"It wasn't no prod'gal dauter, yeh damn fool," said the
-mother. "It was prod'gal son, anyhow."
-
-"I know dat," said Jimmie.
-
-For a time they sat in silence. The mother's eyes gloated on
-a scene her imagination could call before her. Her lips were set
-in a vindictive smile.
-
-"Aye, she'll cry, won' she, an' carry on, an' tell how Pete,
-or some odder feller, beats 'er an' she'll say she's sorry an' all
-dat an' she ain't happy, she ain't, an' she wants to come home agin,
-she does."
-
-With grim humor, the mother imitated the possible wailing
-notes of the daughter's voice.
-
-"Den I'll take 'er in, won't I, deh beast. She kin cry 'er two eyes out
-on deh stones of deh street before I'll dirty deh place wid her.
-She abused an' ill-treated her own mudder--her own mudder what
-loved her an' she'll never git anodder chance dis side of hell."
-
-Jimmie thought he had a great idea of women's frailty, but he
-could not understand why any of his kin should be victims.
-
-"Damn her," he fervidly said.
-
-Again he wondered vaguely if some of the women of his acquaintance
-had brothers. Nevertheless, his mind did not for an instant
-confuse himself with those brothers nor his sister with theirs.
-After the mother had, with great difficulty, suppressed the
-neighbors, she went among them and proclaimed her grief.
-"May Gawd forgive dat girl," was her continual cry. To attentive
-ears she recited the whole length and breadth of her woes.
-
-"I bringed 'er up deh way a dauter oughta be bringed up an'
-dis is how she served me! She went teh deh devil deh first chance
-she got! May Gawd forgive her."
-
-When arrested for drunkenness she used the story of her
-daughter's downfall with telling effect upon the police justices.
-Finally one of them said to her, peering down over his spectacles:
-"Mary, the records of this and other courts show that you are the
-mother of forty-two daughters who have been ruined. The case
-is unparalleled in the annals of this court, and this court
-thinks--"
-
-The mother went through life shedding large tears of sorrow.
-Her red face was a picture of agony.
-
-Of course Jimmie publicly damned his sister that he might
-appear on a higher social plane. But, arguing with himself,
-stumbling about in ways that he knew not, he, once, almost came to
-a conclusion that his sister would have been more firmly good had
-she better known why. However, he felt that he could not hold such
-a view. He threw it hastily aside.
-
-
-
-
-Chapter XIV
-
-
-In a hilarious hall there were twenty-eight tables and twenty-
-eight women and a crowd of smoking men. Valiant noise was made on
-a stage at the end of the hall by an orchestra composed of men who
-looked as if they had just happened in. Soiled waiters ran to and
-fro, swooping down like hawks on the unwary in the throng;
-clattering along the aisles with trays covered with glasses;
-stumbling over women's skirts and charging two prices for
-everything but beer, all with a swiftness that blurred the view of
-the cocoanut palms and dusty monstrosities painted upon the walls
-of the room. A bouncer, with an immense load of business upon his
-hands, plunged about in the crowd, dragging bashful strangers to
-prominent chairs, ordering waiters here and there and quarreling
-furiously with men who wanted to sing with the orchestra.
-
-The usual smoke cloud was present, but so dense that heads and
-arms seemed entangled in it. The rumble of conversation was
-replaced by a roar. Plenteous oaths heaved through the air.
-The room rang with the shrill voices of women bubbling o'er with
-drink-laughter. The chief element in the music of the orchestra
-was speed. The musicians played in intent fury. A woman was
-singing and smiling upon the stage, but no one took notice of her.
-The rate at which the piano, cornet and violins were going, seemed
-to impart wildness to the half-drunken crowd. Beer glasses were
-emptied at a gulp and conversation became a rapid chatter.
-The smoke eddied and swirled like a shadowy river hurrying toward
-some unseen falls. Pete and Maggie entered the hall and took chairs
-at a table near the door. The woman who was seated there made
-an attempt to occupy Pete's attention and, failing, went away.
-
-Three weeks had passed since the girl had left home. The air of
-spaniel-like dependence had been magnified and showed its direct
-effect in the peculiar off-handedness and ease of Pete's ways toward her.
-
-She followed Pete's eyes with hers, anticipating with smiles
-gracious looks from him.
-
-A woman of brilliance and audacity, accompanied by a mere boy,
-came into the place and took seats near them.
-
-At once Pete sprang to his feet, his face beaming with glad surprise.
-
-"By Gawd, there's Nellie," he cried.
-
-He went over to the table and held out an eager hand to the woman.
-
-"Why, hello, Pete, me boy, how are you," said she, giving him her fingers.
-
-Maggie took instant note of the woman. She perceived that her
-black dress fitted her to perfection. Her linen collar and cuffs
-were spotless. Tan gloves were stretched over her well-shaped
-hands. A hat of a prevailing fashion perched jauntily upon her
-dark hair. She wore no jewelry and was painted with no apparent
-paint. She looked clear-eyed through the stares of the men.
-
-"Sit down, and call your lady-friend over," she said cordially to Pete.
-At his beckoning Maggie came and sat between Pete and the mere boy.
-
-"I thought yeh were gone away fer good," began Pete, at once.
-"When did yeh git back? How did dat Buff'lo bus'ness turn out?"
-
-The woman shrugged her shoulders. "Well, he didn't have as
-many stamps as he tried to make out, so I shook him, that's all."
-
-"Well, I'm glad teh see yehs back in deh city," said Pete,
-with awkward gallantry.
-
-He and the woman entered into a long conversation, exchanging
-reminiscences of days together. Maggie sat still, unable to
-formulate an intelligent sentence upon the conversation and
-painfully aware of it.
-
-She saw Pete's eyes sparkle as he gazed upon the handsome
-stranger. He listened smilingly to all she said. The woman was
-familiar with all his affairs, asked him about mutual friends,
-and knew the amount of his salary.
-
-She paid no attention to Maggie, looking toward her once or
-twice and apparently seeing the wall beyond.
-
-The mere boy was sulky. In the beginning he had welcomed with
-acclamations the additions.
-
-"Let's all have a drink! What'll you take, Nell? And you,
-Miss what's-your-name. Have a drink, Mr. -----, you, I mean."
-
-He had shown a sprightly desire to do the talking for the company
-and tell all about his family. In a loud voice he declaimed
-on various topics. He assumed a patronizing air toward Pete.
-As Maggie was silent, he paid no attention to her. He made a
-great show of lavishing wealth upon the woman of brilliance
-and audacity.
-
-"Do keep still, Freddie! You gibber like an ape, dear," said the
-woman to him. She turned away and devoted her attention to Pete.
-
-"We'll have many a good time together again, eh?"
-
-"Sure, Mike," said Pete, enthusiastic at once.
-
-"Say," whispered she, leaning forward, "let's go over to
-Billie's and have a heluva time."
-
-"Well, it's dis way! See?" said Pete. I got dis lady frien' here."
-
-"Oh, t'hell with her," argued the woman.
-
-Pete appeared disturbed.
-
-"All right," said she, nodding her head at him. "All right for you!
-We'll see the next time you ask me to go anywheres with you."
-
-Pete squirmed.
-
-"Say," he said, beseechingly, "come wid me a minit an' I'll tell yer why."
-
-The woman waved her hand.
-
-"Oh, that's all right, you needn't explain, you know. You wouldn't
-come merely because you wouldn't come, that's all there is of it."
-
-To Pete's visible distress she turned to the mere boy,
-bringing him speedily from a terrific rage. He had been debating
-whether it would be the part of a man to pick a quarrel with Pete,
-or would he be justified in striking him savagely with his beer
-glass without warning. But he recovered himself when the woman
-turned to renew her smilings. He beamed upon her with an
-expression that was somewhat tipsy and inexpressibly tender.
-
-"Say, shake that Bowery jay," requested he, in a loud whisper.
-
-"Freddie, you are so droll," she replied.
-
-Pete reached forward and touched the woman on the arm.
-
-"Come out a minit while I tells yeh why I can't go wid yer.
-Yer doin' me dirt, Nell! I never taut ye'd do me dirt, Nell.
-Come on, will yer?" He spoke in tones of injury.
-
-"Why, I don't see why I should be interested in your
-explanations," said the woman, with a coldness that seemed to
-reduce Pete to a pulp.
-
-His eyes pleaded with her. "Come out a minit while I tells yeh."
-
-The woman nodded slightly at Maggie and the mere boy, "'Scuse me."
-
-The mere boy interrupted his loving smile and turned a shrivelling
-glare upon Pete. His boyish countenance flushed and he spoke,
-in a whine, to the woman:
-
-"Oh, I say, Nellie, this ain't a square deal, you know. You aren't
-goin' to leave me and go off with that duffer, are you? I should think--"
-
-"Why, you dear boy, of course I'm not," cried the woman,
-affectionately. She bended over and whispered in his ear.
-He smiled again and settled in his chair as if resolved
-to wait patiently.
-
-As the woman walked down between the rows of tables, Pete was
-at her shoulder talking earnestly, apparently in explanation.
-The woman waved her hands with studied airs of indifference.
-The doors swung behind them, leaving Maggie and the mere boy
-seated at the table.
-
-Maggie was dazed. She could dimly perceive that something
-stupendous had happened. She wondered why Pete saw fit to
-remonstrate with the woman, pleading for forgiveness with his eyes.
-She thought she noted an air of submission about her leonine Pete.
-She was astounded.
-
-The mere boy occupied himself with cock-tails and a cigar. He
-was tranquilly silent for half an hour. Then he bestirred himself
-and spoke.
-
-"Well," he said, sighing, "I knew this was the way it would be."
-There was another stillness. The mere boy seemed to be musing.
-
-"She was pulling m'leg. That's the whole amount of it," he
-said, suddenly. "It's a bloomin' shame the way that girl does.
-Why, I've spent over two dollars in drinks to-night. And she goes
-off with that plug-ugly who looks as if he had been hit in the face
-with a coin-die. I call it rocky treatment for a fellah like me.
-Here, waiter, bring me a cock-tail and make it damned strong."
-
-Maggie made no reply. She was watching the doors. "It's a
-mean piece of business," complained the mere boy. He explained to
-her how amazing it was that anybody should treat him in such a
-manner. "But I'll get square with her, you bet. She won't get far
-ahead of yours truly, you know," he added, winking. "I'll tell her
-plainly that it was bloomin' mean business. And she won't come it
-over me with any of her 'now-Freddie-dears.' She thinks my name is
-Freddie, you know, but of course it ain't. I always tell these
-people some name like that, because if they got onto your right name
-they might use it sometime. Understand? Oh, they don't fool me much."
-
-Maggie was paying no attention, being intent upon the doors.
-The mere boy relapsed into a period of gloom, during which he
-exterminated a number of cock-tails with a determined air, as if
-replying defiantly to fate. He occasionally broke forth into
-sentences composed of invectives joined together in a long string.
-
-The girl was still staring at the doors. After a time
-the mere boy began to see cobwebs just in front of his nose.
-He spurred himself into being agreeable and insisted upon her
-having a charlotte-russe and a glass of beer.
-
-"They's gone," he remarked, "they's gone." He looked at her
-through the smoke wreaths. "Shay, lil' girl, we mightish well make
-bes' of it. You ain't such bad-lookin' girl, y'know. Not half
-bad. Can't come up to Nell, though. No, can't do it! Well, I
-should shay not! Nell fine-lookin' girl! F--i--n--ine. You look
-damn bad longsider her, but by y'self ain't so bad. Have to do
-anyhow. Nell gone. On'y you left. Not half bad, though."
-
-Maggie stood up.
-
-"I'm going home," she said.
-
-The mere boy started.
-
-"Eh? What? Home," he cried, struck with amazement.
-"I beg pardon, did hear say home?"
-
-"I'm going home," she repeated.
-
-"Great Gawd, what hava struck," demanded the mere boy of himself, stupefied.
-
-In a semi-comatose state he conducted her on board an up-town car,
-ostentatiously paid her fare, leered kindly at her through the
-rear window and fell off the steps.
-
-
-
-
-Chapter XV
-
-
-A forlorn woman went along a lighted avenue. The street was
-filled with people desperately bound on missions. An endless crowd
-darted at the elevated station stairs and the horse cars were
-thronged with owners of bundles.
-
-The pace of the forlorn woman was slow. She was apparently
-searching for some one. She loitered near the doors of saloons and
-watched men emerge from them. She scanned furtively the faces in
-the rushing stream of pedestrians. Hurrying men, bent on catching
-some boat or train, jostled her elbows, failing to notice her,
-their thoughts fixed on distant dinners.
-
-The forlorn woman had a peculiar face. Her smile was no
-smile. But when in repose her features had a shadowy look that was
-like a sardonic grin, as if some one had sketched with cruel
-forefinger indelible lines about her mouth.
-
-Jimmie came strolling up the avenue. The woman encountered
-him with an aggrieved air.
-
-"Oh, Jimmie, I've been lookin' all over fer yehs--," she began.
-
-Jimmie made an impatient gesture and quickened his pace.
-
-"Ah, don't bodder me! Good Gawd!" he said, with the
-savageness of a man whose life is pestered.
-
-The woman followed him along the sidewalk in somewhat the
-manner of a suppliant.
-
-"But, Jimmie," she said, "yehs told me ye'd--"
-
-Jimmie turned upon her fiercely as if resolved to make a last
-stand for comfort and peace.
-
-"Say, fer Gawd's sake, Hattie, don' foller me from one end of
-deh city teh deh odder. Let up, will yehs! Give me a minute's
-res', can't yehs? Yehs makes me tired, allus taggin' me. See?
-Ain' yehs got no sense. Do yehs want people teh get onto me?
-Go chase yerself, fer Gawd's sake."
-
-The woman stepped closer and laid her fingers on his arm.
-"But, look-a-here--"
-
-Jimmie snarled. "Oh, go teh hell."
-
-He darted into the front door of a convenient saloon and a
-moment later came out into the shadows that surrounded the side
-door. On the brilliantly lighted avenue he perceived the forlorn
-woman dodging about like a scout. Jimmie laughed with an air of
-relief and went away.
-
-When he arrived home he found his mother clamoring.
-Maggie had returned. She stood shivering beneath the torrent
-of her mother's wrath.
-
-"Well, I'm damned," said Jimmie in greeting.
-
-His mother, tottering about the room, pointed a quivering
-forefinger.
-
-"Lookut her, Jimmie, lookut her. Dere's yer sister, boy.
-Dere's yer sister. Lookut her! Lookut her!"
-
-She screamed in scoffing laughter.
-
-The girl stood in the middle of the room. She edged about as
-if unable to find a place on the floor to put her feet.
-
-"Ha, ha, ha," bellowed the mother. "Dere she stands! Ain'
-she purty? Lookut her! Ain' she sweet, deh beast? Lookut her!
-Ha, ha, lookut her!"
-
-She lurched forward and put her red and seamed hands upon her
-daughter's face. She bent down and peered keenly up into the eyes
-of the girl.
-
-"Oh, she's jes' dessame as she ever was, ain' she? She's her
-mudder's purty darlin' yit, ain' she? Lookut her, Jimmie! Come
-here, fer Gawd's sake, and lookut her."
-
-The loud, tremendous sneering of the mother brought the
-denizens of the Rum Alley tenement to their doors. Women came in
-the hallways. Children scurried to and fro.
-
-"What's up? Dat Johnson party on anudder tear?"
-
-"Naw! Young Mag's come home!"
-
-"Deh hell yeh say?"
-
-Through the open door curious eyes stared in at Maggie.
-Children ventured into the room and ogled her, as if they formed
-the front row at a theatre. Women, without, bended toward each
-other and whispered, nodding their heads with airs of profound
-philosophy. A baby, overcome with curiosity concerning this object
-at which all were looking, sidled forward and touched her dress,
-cautiously, as if investigating a red-hot stove. Its mother's
-voice rang out like a warning trumpet. She rushed forward and
-grabbed her child, casting a terrible look of indignation at the girl.
-
-Maggie's mother paced to and fro, addressing the doorful of
-eyes, expounding like a glib showman at a museum. Her voice rang
-through the building.
-
-"Dere she stands," she cried, wheeling suddenly and pointing
-with dramatic finger. "Dere she stands! Lookut her! Ain' she a
-dindy? An' she was so good as to come home teh her mudder, she
-was! Ain' she a beaut'? Ain' she a dindy? Fer Gawd's sake!"
-
-The jeering cries ended in another burst of shrill laughter.
-
-The girl seemed to awaken. "Jimmie--"
-
-He drew hastily back from her.
-
-"Well, now, yer a hell of a t'ing, ain' yeh?" he said, his
-lips curling in scorn. Radiant virtue sat upon his brow and his
-repelling hands expressed horror of contamination.
-
-Maggie turned and went.
-
-The crowd at the door fell back precipitately. A baby falling
-down in front of the door, wrenched a scream like a wounded animal
-from its mother. Another woman sprang forward and picked it up,
-with a chivalrous air, as if rescuing a human being from an
-oncoming express train.
-
-As the girl passed down through the hall, she went before open
-doors framing more eyes strangely microscopic, and sending broad
-beams of inquisitive light into the darkness of her path. On the
-second floor she met the gnarled old woman who possessed the music box.
-
-"So," she cried, "'ere yehs are back again, are yehs? An'
-dey've kicked yehs out? Well, come in an' stay wid me teh-night.
-I ain' got no moral standin'."
-
-From above came an unceasing babble of tongues, over all of
-which rang the mother's derisive laughter.
-
-
-
-
-Chapter XVI
-
-
-Pete did not consider that he had ruined Maggie. If he had
-thought that her soul could never smile again, he would have
-believed the mother and brother, who were pyrotechnic over the
-affair, to be responsible for it.
-
-Besides, in his world, souls did not insist upon being able to smile.
-"What deh hell?"
-
-He felt a trifle entangled. It distressed him. Revelations
-and scenes might bring upon him the wrath of the owner of the
-saloon, who insisted upon respectability of an advanced type.
-
-"What deh hell do dey wanna raise such a smoke about it fer?"
-demanded he of himself, disgusted with the attitude of the family.
-He saw no necessity for anyone's losing their equilibrium merely
-because their sister or their daughter had stayed away from home.
-
-Searching about in his mind for possible reasons for their conduct,
-he came upon the conclusion that Maggie's motives were correct,
-but that the two others wished to snare him. He felt pursued.
-
-The woman of brilliance and audacity whom he had met in the
-hilarious hall showed a disposition to ridicule him.
-
-"A little pale thing with no spirit," she said. "Did you note
-the expression of her eyes? There was something in them about
-pumpkin pie and virtue. That is a peculiar way the left corner
-of her mouth has of twitching, isn't it? Dear, dear, my cloud-
-compelling Pete, what are you coming to?"
-
-Pete asserted at once that he never was very much interested
-in the girl. The woman interrupted him, laughing.
-
-"Oh, it's not of the slightest consequence to me, my dear young man.
-You needn't draw maps for my benefit. Why should I be concerned about it?"
-
-But Pete continued with his explanations. If he was laughed
-at for his tastes in women, he felt obliged to say that they were
-only temporary or indifferent ones.
-
-The morning after Maggie had departed from home, Pete stood
-behind the bar. He was immaculate in white jacket and apron and
-his hair was plastered over his brow with infinite correctness.
-No customers were in the place. Pete was twisting his napkined
-fist slowly in a beer glass, softly whistling to himself and
-occasionally holding the object of his attention between his eyes
-and a few weak beams of sunlight that had found their way over
-the thick screens and into the shaded room.
-
-With lingering thoughts of the woman of brilliance and
-audacity, the bartender raised his head and stared through the
-varying cracks between the swaying bamboo doors. Suddenly
-the whistling pucker faded from his lips. He saw Maggie walking
-slowly past. He gave a great start, fearing for the previously-
-mentioned eminent respectability of the place.
-
-He threw a swift, nervous glance about him, all at once
-feeling guilty. No one was in the room.
-
-He went hastily over to the side door. Opening it and looking
-out, he perceived Maggie standing, as if undecided, on the corner.
-She was searching the place with her eyes.
-
-As she turned her face toward him Pete beckoned to her
-hurriedly, intent upon returning with speed to a position behind
-the bar and to the atmosphere of respectability upon which the
-proprietor insisted.
-
-Maggie came to him, the anxious look disappearing from her
-face and a smile wreathing her lips.
-
-"Oh, Pete--," she began brightly.
-
-The bartender made a violent gesture of impatience.
-
-"Oh, my Gawd," cried he, vehemently. "What deh hell do yeh
-wanna hang aroun' here fer? Do yeh wanna git me inteh trouble?"
-he demanded with an air of injury.
-
-Astonishment swept over the girl's features. "Why, Pete! yehs tol' me--"
-
-Pete glanced profound irritation. His countenance reddened
-with the anger of a man whose respectability is being threatened.
-
-"Say, yehs makes me tired. See? What deh hell deh yeh wanna
-tag aroun' atter me fer? Yeh'll git me inteh trouble wid deh ol'
-man an' dey'll be hell teh pay! If he sees a woman roun' here
-he'll go crazy an' I'll lose me job! See? Yer brudder come in
-here an' raised hell an' deh ol' man hada put up fer it! An' now
-I'm done! See? I'm done."
-
-The girl's eyes stared into his face. "Pete, don't yeh remem--"
-
-"Oh, hell," interrupted Pete, anticipating.
-
-The girl seemed to have a struggle with herself. She was apparently
-bewildered and could not find speech. Finally she asked in a low voice:
-"But where kin I go?"
-
-The question exasperated Pete beyond the powers of endurance.
-It was a direct attempt to give him some responsibility in a matter
-that did not concern him. In his indignation he volunteered information.
-
-"Oh, go teh hell," cried he. He slammed the door furiously
-and returned, with an air of relief, to his respectability.
-
-Maggie went away.
-
-She wandered aimlessly for several blocks. She stopped once
-and asked aloud a question of herself: "Who?"
-
-A man who was passing near her shoulder, humorously took the
-questioning word as intended for him.
-
-"Eh? What? Who? Nobody! I didn't say anything,"
-he laughingly said, and continued his way.
-
-Soon the girl discovered that if she walked with such
-apparent aimlessness, some men looked at her with calculating eyes.
-She quickened her step, frightened. As a protection, she adopted
-a demeanor of intentness as if going somewhere.
-
-After a time she left rattling avenues and passed between rows
-of houses with sternness and stolidity stamped upon their features.
-She hung her head for she felt their eyes grimly upon her.
-
-Suddenly she came upon a stout gentleman in a silk hat and a
-chaste black coat, whose decorous row of buttons reached from his
-chin to his knees. The girl had heard of the Grace of God and she
-decided to approach this man.
-
-His beaming, chubby face was a picture of benevolence and
-kind-heartedness. His eyes shone good-will.
-
-But as the girl timidly accosted him, he gave a convulsive
-movement and saved his respectability by a vigorous side-step.
-He did not risk it to save a soul. For how was he to know that
-there was a soul before him that needed saving?
-
-
-
-
-Chapter XVII
-
-Upon a wet evening, several months after the last chapter,
-two interminable rows of cars, pulled by slipping horses,
-jangled along a prominent side-street. A dozen cabs, with coat-enshrouded
-drivers, clattered to and fro. Electric lights, whirring softly,
-shed a blurred radiance. A flower dealer, his feet tapping
-impatiently, his nose and his wares glistening with rain-drops,
-stood behind an array of roses and chrysanthemums. Two or three
-theatres emptied a crowd upon the storm-swept pavements. Men
-pulled their hats over their eyebrows and raised their collars to
-their ears. Women shrugged impatient shoulders in their warm
-cloaks and stopped to arrange their skirts for a walk through the
-storm. People having been comparatively silent for two hours burst
-into a roar of conversation, their hearts still kindling from the
-glowings of the stage.
-
-The pavements became tossing seas of umbrellas. Men stepped
-forth to hail cabs or cars, raising their fingers in varied forms
-of polite request or imperative demand. An endless procession
-wended toward elevated stations. An atmosphere of pleasure and
-prosperity seemed to hang over the throng, born, perhaps, of good
-clothes and of having just emerged from a place of forgetfulness.
-
-In the mingled light and gloom of an adjacent park,
-a handful of wet wanderers, in attitudes of chronic dejection,
-was scattered among the benches.
-
-A girl of the painted cohorts of the city went along the street.
-She threw changing glances at men who passed her, giving smiling
-invitations to men of rural or untaught pattern and usually seeming
-sedately unconscious of the men with a metropolitan seal upon their faces.
-
-Crossing glittering avenues, she went into the throng emerging
-from the places of forgetfulness. She hurried forward through the
-crowd as if intent upon reaching a distant home, bending forward in
-her handsome cloak, daintily lifting her skirts and picking for her
-well-shod feet the dryer spots upon the pavements.
-
-The restless doors of saloons, clashing to and fro, disclosed
-animated rows of men before bars and hurrying barkeepers.
-
-A concert hall gave to the street faint sounds of swift,
-machine-like music, as if a group of phantom musicians were
-hastening.
-
-A tall young man, smoking a cigarette with a sublime air,
-strolled near the girl. He had on evening dress, a moustache, a
-chrysanthemum, and a look of ennui, all of which he kept carefully
-under his eye. Seeing the girl walk on as if such a young man as
-he was not in existence, he looked back transfixed with interest.
-He stared glassily for a moment, but gave a slight convulsive start
-when he discerned that she was neither new, Parisian, nor theatrical.
-He wheeled about hastily and turned his stare into the air,
-like a sailor with a search-light.
-
-A stout gentleman, with pompous and philanthropic whiskers,
-went stolidly by, the broad of his back sneering at the girl.
-
-A belated man in business clothes, and in haste to catch a
-car, bounced against her shoulder. "Hi, there, Mary, I beg your
-pardon! Brace up, old girl." He grasped her arm to steady her,
-and then was away running down the middle of the street.
-
-The girl walked on out of the realm of restaurants and
-saloons. She passed more glittering avenues and went into darker
-blocks than those where the crowd travelled.
-
-A young man in light overcoat and derby hat received a glance
-shot keenly from the eyes of the girl. He stopped and looked at
-her, thrusting his hands in his pockets and making a mocking smile
-curl his lips. "Come, now, old lady," he said, "you don't mean to
-tell me that you sized me up for a farmer?"
-
-A laboring man marched along with bundles under his arms.
-To her remarks, he replied: "It's a fine evenin', ain't it?"
-
-She smiled squarely into the face of a boy who was hurrying by
-with his hands buried in his overcoat, his blonde locks bobbing on
-his youthful temples, and a cheery smile of unconcern upon his
-lips. He turned his head and smiled back at her, waving his hands.
-him. "He's all right! He didn't mean anything! Let it go!
-He's a good fellah!"
-
-"Din' he insul' me?" asked the man earnestly.
-
-"No," said they. "Of course he didn't! He's all right!"
-
-"Sure he didn' insul' me?" demanded the man, with deep anxiety
-in his voice.
-
-"No, no! We know him! He's a good fellah. He didn't mean anything."
-
-"Well, zen," said the man, resolutely, "I'm go' 'pol'gize!"
-
-When the waiter came, the man struggled to the middle of the floor.
-
-"Girlsh shed you insul' me! I shay damn lie! I 'pol'gize!"
-
-"All right," said the waiter.
-
-The man sat down. He felt a sleepy but strong desire to straighten
-things out and have a perfect understanding with everybody.
-
-"Nell, I allus trea's yeh shquare, din' I? Yeh likes me, don' yehs, Nell?
-I'm goo' f'ler?"
-
-"Sure," said the woman of brilliance and audacity.
-
-"Yeh knows I'm stuck on yehs, don' yehs, Nell?"
-
-"Sure," she repeated, carelessly.
-
-Overwhelmed by a spasm of drunken adoration, he drew two or
-three bills from his pocket, and, with the trembling fingers of an
-offering priest, laid them on the table before the woman.
-
-"Yehs knows, damn it, yehs kin have all got, 'cause I'm stuck on yehs,
-Nell, damn't, I--I'm stuck on yehs, Nell--buy drinksh--damn't--we're havin'
-heluva time--w'en anyone trea's me ri'--I--damn't, Nell--we're havin'
-heluva--time."
-
-Shortly he went to sleep with his swollen face fallen forward on his chest.
-
-The women drank and laughed, not heeding the slumbering man in the corner.
-Finally he lurched forward and fell groaning to the floor.
-
-The women screamed in disgust and drew back their skirts.
-
-"Come ahn," cried one, starting up angrily, "let's get out of here."
-
-The woman of brilliance and audacity stayed behind, taking up
-the bills and stuffing them into a deep, irregularly-shaped pocket.
-A guttural snore from the recumbent man caused her to turn and look
-down at him.
-
-She laughed. "What a damn fool," she said, and went.
-
-The smoke from the lamps settled heavily down in the little
-compartment, obscuring the way out. The smell of oil, stifling in
-its intensity, pervaded the air. The wine from an overturned glass
-dripped softly down upon the blotches on the man's neck.
-
-
-
-
-Chapter XIX
-
-
-In a room a woman sat at a table eating like a fat monk in a picture.
-
-A soiled, unshaven man pushed open the door and entered.
-
-"Well," said he, "Mag's dead."
-
-"What?" said the woman, her mouth filled with bread.
-
-"Mag's dead," repeated the man.
-
-"Deh hell she is," said the woman. She continued her meal.
-When she finished her coffee she began to weep.
-
-"I kin remember when her two feet was no bigger dan yer t'umb,
-and she weared worsted boots," moaned she.
-
-"Well, whata dat?" said the man.
-
-"I kin remember when she weared worsted boots," she cried.
-
-The neighbors began to gather in the hall, staring in at the
-weeping woman as if watching the contortions of a dying dog. A
-dozen women entered and lamented with her. Under their busy hands
-the rooms took on that appalling appearance of neatness and order
-with which death is greeted.
-
-Suddenly the door opened and a woman in a black gown rushed in
-with outstretched arms. "Ah, poor Mary," she cried, and tenderly
-embraced the moaning one.
-
-"Ah, what ter'ble affliction is dis," continued she. Her vocabulary
-was derived from mission churches. "Me poor Mary, how I feel fer yehs!
-Ah, what a ter'ble affliction is a disobed'ent chil'."
-
-Her good, motherly face was wet with tears. She trembled in
-eagerness to express her sympathy. The mourner sat with bowed head,
-rocking her body heavily to and fro, and crying out in a high,
-strained voice that sounded like a dirge on some forlorn pipe.
-
-"I kin remember when she weared worsted boots an' her two
-feets was no bigger dan yer t'umb an' she weared worsted boots,
-Miss Smith," she cried, raising her streaming eyes.
-
-"Ah, me poor Mary," sobbed the woman in black. With low,
-coddling cries, she sank on her knees by the mourner's chair,
-and put her arms about her. The other women began to groan
-in different keys.
-
-"Yer poor misguided chil' is gone now, Mary, an' let us hope
-it's fer deh bes'. Yeh'll fergive her now, Mary, won't yehs, dear,
-all her disobed'ence? All her t'ankless behavior to her mudder an'
-all her badness? She's gone where her ter'ble sins will be judged."
-
-The woman in black raised her face and paused. The inevitable
-sunlight came streaming in at the windows and shed a ghastly
-cheerfulness upon the faded hues of the room. Two or three of the
-spectators were sniffling, and one was loudly weeping. The
-mourner arose and staggered into the other room. In a moment she
-emerged with a pair of faded baby shoes held in the hollow of her hand.
-
-"I kin remember when she used to wear dem," cried she.
-The women burst anew into cries as if they had all been stabbed.
-The mourner turned to the soiled and unshaven man.
-
-"Jimmie, boy, go git yer sister! Go git yer sister an' we'll
-put deh boots on her feets!"
-
-"Dey won't fit her now, yeh damn fool," said the man.
-
-"Go git yer sister, Jimmie," shrieked the woman, confronting
-him fiercely.
-
-The man swore sullenly. He went over to a corner and slowly
-began to put on his coat. He took his hat and went out, with a
-dragging, reluctant step.
-
-The woman in black came forward and again besought the mourner.
-
-"Yeh'll fergive her, Mary! Yeh'll fergive yer bad, bad,
-chil'! Her life was a curse an' her days were black an' yeh'll
-fergive yer bad girl? She's gone where her sins will be judged."
-
-"She's gone where her sins will be judged," cried the other
-women, like a choir at a funeral.
-
-"Deh Lord gives and deh Lord takes away," said the woman in
-black, raising her eyes to the sunbeams.
-
-"Deh Lord gives and deh Lord takes away," responded the others.
-
-"Yeh'll fergive her, Mary!" pleaded the woman in black. The
-mourner essayed to speak but her voice gave way. She shook her
-great shoulders frantically, in an agony of grief. Hot tears
-seemed to scald her quivering face. Finally her voice came and
-arose like a scream of pain.
-
-"Oh, yes, I'll fergive her! I'll fergive her!"
-
-
-
-
-End of The Project Gutenberg Etext of Maggie: A Girl of the Streets
-