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diff --git a/old/ffnt110.txt b/old/ffnt110.txt new file mode 100644 index 0000000..3350f35 --- /dev/null +++ b/old/ffnt110.txt @@ -0,0 +1,4147 @@ +The Project Gutenberg Etext of Famous Affinities of History V1, by Lyndon Orr +#1 in our series by Lyndon Orr + +Copyright laws are changing all over the world. Be sure to check the +copyright laws for your country before downloading or redistributing +this or any other Project Gutenberg file. + +We encourage you to keep this file, exactly as it is, on your own disk, +thereby keeping an electronic path open for future readers. + +Please do not remove this. + +This header should be the first thing seen when anyone starts to +view the etext. Do not change or edit it without written permission. +The words are carefully chosen to provide users with the information +they need to understand what they may and may not do with the etext. +To encourage this, we have moved most of the information to the end, +rather than having it all here at the beginning. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**Etexts Readable By Both Humans and By Computers, Since 1971** + +*****These Etexts Were Prepared By Thousands of Volunteers!***** + +Information on contacting Project Gutenberg to get etexts, and +further information, is included below. We need your donations. + +The Project Gutenberg Literary Archive Foundation is a 501(c)(3) +organization with EIN [Employee Identification Number] 64-6221541 +Find out about how to make a donation at the bottom of this file. + + + +Title: Famous Affinities of History V1 + The Romance of Devotion +ŒFú‰^øëeÄ^ø&€uN&Ä_&ƒ +Author: Lyndon Orr + +Release Date: November, 2003 [Etext #4689] +[Yes, we are more than one year ahead of schedule] +[This file was first posted on March 3, 2002] + +Edition: 10 + +Language: English + +Character set encoding: ASCII + +The Project Gutenberg Etext of Famous Affinities of History V1, by Lyndon Orr +This file should be named ffnt110.txt or ffnt110.zip + +Corrected EDITIONS of our etexts get a new NUMBER, ffnt111.txt +VERSIONS based on separate sources get new LETTER, ffnt110a.txt + +This text was produced by Robert Rowe, Charles Franks +and the Online Distributed Proofreading Team. + + +Project Gutenberg Etexts are often created from several printed +editions, all of which are confirmed as Public Domain in the US +unless a copyright notice is included. Thus, we usually do not +keep etexts in compliance with any particular paper edition. + +The "legal small print" and other information about this book +may now be found at the end of this file. Please read this +important information, as it gives you specific rights and +tells you about restrictions in how the file may be used. + + + + + + + + + + +FAMOUS AFFINITIES OF HISTORY + +THE ROMANCE OF DEVOTION + +BY LYNDON ORR + +VOLUME I OF IV. + + + + + +CONTENTS + + +THE STORY OF ANTONY AND CLEOPATRA +ABELARD AND HELOISE +QUEEN ELIZABETH AND THE EARL OF LEICESTER +MARY QUEEN OF SCOTS AND LORD BOTHWELL +QUEEN CHRISTINA OF SWEDEN AND THE MARQUIS MONALDESCHI +KING CHARLES II. AND NELL GWYN +MAURICE OF SAXONY AND ADRIENNE LECOUVREUR +THE STORY OF PRINCE CHARLES EDWARD STUART + + + + + +THE STORY OF ANTONY AND CLEOPATRA + + +Of all love stories that are known to human history, the love +story of Antony and Cleopatra has been for nineteen centuries the +most remarkable. It has tasked the resources of the plastic and +the graphic arts. It has been made the theme of poets and of prose +narrators. It has appeared and reappeared in a thousand forms, and +it appeals as much to the imagination to-day as it did when Antony +deserted his almost victorious troops and hastened in a swift +galley from Actium in pursuit of Cleopatra. + +The wonder of the story is explained by its extraordinary nature. +Many men in private life have lost fortune and fame for the love +of woman. Kings have incurred the odium of their people, and have +cared nothing for it in comparison with the joys of sense that +come from the lingering caresses and clinging kisses. Cold-blooded +statesmen, such as Parnell, have lost the leadership of their +party and have gone down in history with a clouded name because of +the fascination exercised upon them by some woman, often far from +beautiful, and yet possessing the mysterious power which makes the +triumphs of statesmanship seem slight in comparison with the +swiftly flying hours of pleasure. + +But in the case of Antony and Cleopatra alone do we find a man +flinging away not merely the triumphs of civic honors or the +headship of a state, but much more than these--the mastery of what +was practically the world--in answer to the promptings of a +woman's will. Hence the story of the Roman triumvir and the +Egyptian queen is not like any other story that has yet been told. +The sacrifice involved in it was so overwhelming, so +instantaneous, and so complete as to set this narrative above all +others. Shakespeare's genius has touched it with the glory of a +great imagination. Dryden, using it in the finest of his plays, +expressed its nature in the title "All for Love." + +The distinguished Italian historian, Signor Ferrero, the author of +many books, has tried hard to eliminate nearly all the romantic +elements from the tale, and to have us see in it not the triumph +of love, but the blindness of ambition. Under his handling it +becomes almost a sordid drama of man's pursuit of power and of +woman's selfishness. Let us review the story as it remains, even +after we have taken full account of Ferrero's criticism. Has the +world for nineteen hundred years been blinded by a show of +sentiment? Has it so absolutely been misled by those who lived and +wrote in the days which followed closely on the events that make +up this extraordinary narrative? + +In answering these questions we must consider, in the first place, +the scene, and, in the second place, the psychology of the two +central characters who for so long a time have been regarded as +the very embodiment of unchecked passion. + +As to the scene, it must be remembered that the Egypt of those +days was not Egyptian as we understand the word, but rather Greek. +Cleopatra herself was of Greek descent. The kingdom of Egypt had +been created by a general of Alexander the Great after that +splendid warrior's death. Its capital, the most brilliant city of +the Greco-Roman world, had been founded by Alexander himself, who +gave to it his name. With his own hands he traced out the limits +of the city and issued the most peremptory orders that it should +be made the metropolis of the entire world. The orders of a king +cannot give enduring greatness to a city; but Alexander's keen eye +and marvelous brain saw at once that the site of Alexandria was +such that a great commercial community planted there would live +and flourish throughout out succeeding ages. He was right; for +within a century this new capital of Egypt leaped to the forefront +among the exchanges of the world's commerce, while everything that +art could do was lavished on its embellishment. + +Alexandria lay upon a projecting tongue of land so situated that +the whole trade of the Mediterranean centered there. Down the Nile +there floated to its gates the barbaric wealth of Africa. To it +came the treasures of the East, brought from afar by caravans-- +silks from China, spices and pearls from India, and enormous +masses of gold and silver from lands scarcely known. In its harbor +were the vessels of every country, from Asia in the East to Spain +and Gaul and even Britain in the West. + +When Cleopatra, a young girl of seventeen, succeeded to the throne +of Egypt the population of Alexandria amounted to a million souls. +The customs duties collected at the port would, in terms of modern +money, amount each year to more than thirty million dollars, even +though the imposts were not heavy. The people, who may be +described as Greek at the top and Oriental at the bottom, were +boisterous and pleasure-loving, devoted to splendid spectacles, +with horse-racing, gambling, and dissipation; yet at the same time +they were an artistic people, loving music passionately, and by no +means idle, since one part of the city was devoted to large and +prosperous manufactories of linen, paper, glass, and muslin. + +To the outward eye Alexandria was extremely beautiful. Through its +entire length ran two great boulevards, shaded and diversified by +mighty trees and parterres of multicolored flowers, amid which +fountains plashed and costly marbles gleamed. One-fifth of the +whole city was known as the Royal Residence. In it were the +palaces of the reigning family, the great museum, and the famous +library which the Arabs later burned. There were parks and gardens +brilliant with tropical foliage and adorned with the masterpieces +of Grecian sculpture, while sphinxes and obelisks gave a +suggestion of Oriental strangeness. As one looked seaward his eye +beheld over the blue water the snow-white rocks of the sheltering +island, Pharos, on which was reared a lighthouse four hundred feet +in height and justly numbered among the seven wonders of the +world. Altogether, Alexandria was a city of wealth, of beauty, of +stirring life, of excitement, and of pleasure. Ferrero has aptly +likened it to Paris--not so much the Paris of to-day as the Paris +of forty years ago, when the Second Empire flourished in all its +splendor as the home of joy and strange delights. + +Over the country of which Alexandria was the capital Cleopatra +came to reign at seventeen. Following the odd custom which the +Greek dynasty of the Ptolemies had inherited from their Egyptian +predecessors, she was betrothed to her own brother. He, however, +was a mere child of less than twelve, and was under the control of +evil counselors, who, in his name, gained control of the capital +and drove Cleopatra into exile. Until then she had been a mere +girl; but now the spirit of a woman who was wronged blazed up in +her and called out all her latent powers. Hastening to Syria, she +gathered about herself an army and led it against her foes. + +But meanwhile Julius Caesar, the greatest man of ancient times, +had arrived at Alexandria backed by an army of his veterans. +Against him no resistance would avail. Then came a brief moment +during which the Egyptian king and the Egyptian queen each strove +to win the favor of the Roman imperator. The king and his advisers +had many arts, and so had Cleopatra. One thing, however, she +possessed which struck the balance in her favor, and this was a +woman's fascination. + +According to the story, Caesar was unwilling to receive her. There +came into his presence, as he sat in the palace, a group of slaves +bearing a long roll of matting, bound carefully and seeming to +contain some precious work of art. The slaves made signs that they +were bearing a gift to Caesar. The master of Egypt bade them +unwrap the gift that he might see it. They did so, and out of the +wrapping came Cleopatra--a radiant vision, appealing, +irresistible. Next morning it became known everywhere that +Cleopatra had remained in Caesar's quarters through the night and +that her enemies were now his enemies. In desperation they rushed +upon his legions, casting aside all pretense of amity. There +ensued a fierce contest, but the revolt was quenched in blood. + +This was a crucial moment in Cleopatra's life. She had sacrificed +all that a woman has to give; but she had not done so from any +love of pleasure or from wantonness. She was queen of Egypt, and +she had redeemed her kingdom and kept it by her sacrifice. One +should not condemn her too severely. In a sense, her act was one +of heroism like that of Judith in the tent of Holofernes. But +beyond all question it changed her character. It taught her the +secret of her own great power. Henceforth she was no longer a mere +girl, nor a woman of the ordinary type. Her contact with so great +a mind as Caesar's quickened her intellect. Her knowledge that, by +the charms of sense, she had mastered even him transformed her +into a strange and wonderful creature. She learned to study the +weaknesses of men, to play on their emotions, to appeal to every +subtle taste and fancy. In her were blended mental power and that +illusive, indefinable gift which is called charm. + +For Cleopatra was never beautiful. Signor Ferrero seems to think +this fact to be discovery of his own, but it was set down by +Plutarch in a very striking passage written less than a century +after Cleopatra and Antony died. We may quote here what the Greek +historian said of her: + +Her actual beauty was far from being so remarkable that none could +be compared with her, nor was it such that it would strike your +fancy when you saw her first. Yet the influence of her presence, +if you lingered near her, was irresistible. Her attractive +personality, joined with the charm of her conversation, and the +individual touch that she gave to everything she said or did, were +utterly bewitching. It was delightful merely to hear the music of +her voice, with which, like an instrument of many strings, she +could pass from one language to another. + +Caesar had left Cleopatra firmly seated on the throne of Egypt. +For six years she reigned with great intelligence, keeping order +in her dominions, and patronizing with discrimination both arts +and letters. But ere long the convulsions of the Roman state once +more caused her extreme anxiety. Caesar had been assassinated, and +there ensued a period of civil war. Out of it emerged two striking +figures which were absolutely contrasted in their character. One +was Octavian, the adopted son of Caesar, a man who, though still +quite young and possessed of great ability, was cunning, cold- +blooded, and deceitful. The other was Antony, a soldier by +training, and with all a soldier's bluntness, courage, and +lawlessness. + +The Roman world was divided for the time between these two men, +Antony receiving the government of the East, Octavian that of the +West. In the year which had preceded this division Cleopatra had +wavered between the two opposite factions at Rome. In so doing she +had excited the suspicion of Antony, and he now demanded of her an +explanation. + +One must have some conception of Antony himself in order to +understand the events that followed. He was essentially a soldier, +of excellent family, being related to Caesar himself. As a very +young man he was exceedingly handsome, and bad companions led him +into the pursuit of vicious pleasure. He had scarcely come of age +when he found that he owed the enormous sum of two hundred and +fifty talents, equivalent to half a million dollars in the money +of to-day. But he was much more than a mere man of pleasure, given +over to drinking and to dissipation. Men might tell of his +escapades, as when he drove about the streets of Rome in a common +cab, dangling his legs out of the window while he shouted forth +drunken songs of revelry. This was not the whole of Antony. +Joining the Roman army in Syria, he showed himself to be a soldier +of great personal bravery, a clever strategist, and also humane +and merciful in the hour of victory. + +Unlike most Romans, Antony wore a full beard. His forehead was +large, and his nose was of the distinctive Roman type. His look +was so bold and masculine that people likened him to Hercules. His +democratic manners endeared him to the army. He wore a plain tunic +covered with a large, coarse mantle, and carried a huge sword at +his side, despising ostentation. Even his faults and follies added +to his popularity. He would sit down at the common soldiers' mess +and drink with them, telling them stories and clapping them on the +back. He spent money like water, quickly recognizing any daring +deed which his legionaries performed. In this respect he was like +Napoleon; and, like Napoleon, he had a vein of florid eloquence +which was criticized by literary men, but which went straight to +the heart of the private soldier. In a word, he was a powerful, +virile, passionate, able man, rough, as were nearly all his +countrymen, but strong and true. + +It was to this general that Cleopatra was to answer, and with a +firm reliance on the charms which had subdued Antony's great +commander, Caesar, she set out in person for Cilicia, in Asia +Minor, sailing up the river Cydnus to the place where Antony was +encamped with his army. Making all allowance for the exaggeration +of historians, there can be no doubt that she appeared to him like +some dreamy vision. Her barge was gilded, and was wafted on its +way by swelling sails of Tyrian purple. The oars which smote the +water were of shining silver. As she drew near the Roman general's +camp the languorous music of flutes and harps breathed forth a +strain of invitation. + +Cleopatra herself lay upon a divan set upon the deck of the barge +beneath a canopy of woven gold. She was dressed to resemble Venus, +while girls about her personated nymphs and Graces. Delicate +perfumes diffused themselves from the vessel; and at last, as she +drew near the shore, all the people for miles about were gathered +there, leaving Antony to sit alone in the tribunal where he was +dispensing justice. + +Word was brought to him that Venus had come to feast with Bacchus. +Antony, though still suspicious of Cleopatra, sent her an +invitation to dine with him in state. With graceful tact she sent +him a counter-invitation, and he came. The magnificence of his +reception dazzled the man who had so long known only a soldier's +fare, or at most the crude entertainments which he had enjoyed in +Rome. A marvelous display of lights was made. Thousands upon +thousands of candles shone brilliantly, arranged in squares and +circles; while the banquet itself was one that symbolized the +studied luxury of the East. + +At this time Cleopatra was twenty-seven years of age--a period of +life which modern physiologists have called the crisis in a +woman's growth. She had never really loved before, since she had +given herself to Caesar, not because she cared for him, but to +save her kingdom. She now came into the presence of one whose +manly beauty and strong passions were matched by her own subtlety +and appealing charm. + +When Antony addressed her he felt himself a rustic in her +presence. Almost resentful, he betook himself to the coarse +language of the camp. Cleopatra, with marvelous adaptability, took +her tone from his, and thus in a moment put him at his ease. +Ferrero, who takes a most unfavorable view of her character and +personality, nevertheless explains the secret of her fascination: + +Herself utterly cold and callous, insensitive by nature to the +flame of true devotion, Cleopatra was one of those women gifted +with an unerring instinct for all the various roads to men's +affections. She could be the shrinking, modest girl, too shy to +reveal her half-unconscious emotions of jealousy and depression +and self-abandonment, or a woman carried away by the sweep of a +fiery and uncontrollable passion. She could tickle the esthetic +sensibilities of her victims by rich and gorgeous festivals, by +the fantastic adornment of her own person and her palace, or by +brilliant discussions on literature and art; she could conjure up +all their grossest instincts with the vilest obscenities of +conversation, with the free and easy jocularity of a woman of the +camps. + +These last words are far too strong, and they represent only +Ferrero's personal opinion; yet there is no doubt that she met +every mood of Antony's so that he became enthralled with her at +once. No such woman as this had ever cast her eyes on him before. +He had a wife at home--a most disreputable wife--so that he cared +little for domestic ties. Later, out of policy, he made another +marriage with the sister of his rival, Octavian, but this wife he +never cared for. His heart and soul were given up to Cleopatra, +the woman who could be a comrade in the camp and a fount of +tenderness in their hours of dalliance, and who possessed the keen +intellect of a man joined to the arts and fascinations of a woman. + +On her side she found in Antony an ardent lover, a man of vigorous +masculinity, and, moreover, a soldier whose armies might well +sustain her on the throne of Egypt. That there was calculation +mingled with her love, no one can doubt. That some calculation +also entered into Antony's affection is likewise certain. Yet this +does not affect the truth that each was wholly given to the other. +Why should it have lessened her love for him to feel that he could +protect her and defend her? Why should it have lessened his love +for her to know that she was queen of the richest country in the +world--one that could supply his needs, sustain his armies, and +gild his triumphs with magnificence? + +There are many instances in history of regnant queens who loved +and yet whose love was not dissociated from the policy of state. +Such were Anne of Austria, Elizabeth of England, and the +unfortunate Mary Stuart. Such, too, we cannot fail to think, was +Cleopatra. + +The two remained together for ten years. In this time Antony was +separated from her only during a campaign in the East. In +Alexandria he ceased to seem a Roman citizen and gave himself up +wholly to the charms of this enticing woman. Many stories are told +of their good fellowship and close intimacy. Plutarch quotes Plato +as saying that there are four kinds of flattery, but he adds that +Cleopatra had a thousand. She was the supreme mistress of the art +of pleasing. + +Whether Antony were serious or mirthful, she had at the instant +some new delight or some new charm to meet his wishes. At every +turn she was with him both day and night. With him she threw dice; +with him she drank; with him she hunted; and when he exercised +himself in arms she was there to admire and applaud. + +At night the pair would disguise themselves as servants and wander +about the streets of Alexandria. In fact, more than once they were +set upon in the slums and treated roughly by the rabble who did +not recognize them. Cleopatra was always alluring, always tactful, +often humorous, and full of frolic. + +Then came the shock of Antony's final breach with Octavian. Either +Antony or his rival must rule the world. Cleopatra's lover once +more became the Roman general, and with a great fleet proceeded to +the coast of Greece, where his enemy was encamped. Antony had +raised a hundred and twelve thousand troops and five hundred +ships--a force far superior to that commanded by Octavian. +Cleopatra was there with sixty ships. + +In the days that preceded the final battle much took place which +still remains obscure. It seems likely that Antony desired to +become again the Roman, while Cleopatra wished him to thrust Rome +aside and return to Egypt with her, to reign there as an +independent king. To her Rome was almost a barbarian city. In it +she could not hold sway as she could in her beautiful Alexandria, +with its blue skies and velvet turf and tropical flowers. At Rome +Antony would be distracted by the cares of state, and she would +lose her lover. At Alexandria she would have him for her very own. + +The clash came when the hostile fleets met off the promontory of +Actium. At its crisis Cleopatra, prematurely concluding that the +battle was lost, of a sudden gave the signal for retreat and put +out to sea with her fleet. This was the crucial moment. Antony, +mastered by his love, forgot all else, and in a swift ship started +in pursuit of her, abandoning his fleet and army to win or lose as +fortune might decide. For him the world was nothing; the dark- +browed Queen of Egypt, imperious and yet caressing, was +everything. Never was such a prize and never were such great hopes +thrown carelessly away. After waiting seven days Antony's troops, +still undefeated, finding that their commander would not return to +them, surrendered to Octavian, who thus became the master of an +empire. + +Later his legions assaulted Alexandria, and there Antony was twice +defeated. At last Cleopatra saw her great mistake. She had made +her lover give up the hope of being Rome's dictator, but in so +doing she had also lost the chance of ruling with him tranquilly +in Egypt. She shut herself behind the barred doors of the royal +sepulcher; and, lest she should be molested there, she sent forth +word that she had died. Her proud spirit could not brook the +thought that she might be seized and carried as a prisoner to +Rome. She was too much a queen in soul to be led in triumph up the +Sacred Way to the Capitol with golden chains clanking on her +slender wrists. + +Antony, believing the report that she was dead, fell upon his +sword; but in his dying moments he was carried into the presence +of the woman for whom he had given all. With her arms about him, +his spirit passed away; and soon after she, too, met death, +whether by a poisoned draught or by the storied asp no one can +say. + +Cleopatra had lived the mistress of a splendid kingdom. She had +successively captivated two of the greatest men whom Rome had ever +seen. She died, like a queen, to escape disgrace. Whatever modern +critics may have to say concerning small details, this story still +remains the strangest love story of which the world has any +record. + + + + + +ABELARD AND HELOISE + +Many a woman, amid the transports of passionate and languishing +love, has cried out in a sort of ecstasy: + +"I love you as no woman ever loved a man before!" + +When she says this she believes it. Her whole soul is aflame with +the ardor of emotion. It really seems to her that no one ever +could have loved so much as she. + +This cry--spontaneous, untaught, sincere--has become almost one +of those conventionalities of amorous expression which belong to +the vocabulary of self-abandonment. Every woman who utters it, +when torn by the almost terrible extravagance of a great love, +believes that no one before her has ever said it, and that in her +own case it is absolutely true. + +Yet, how many women are really faithful to the end? Very many, +indeed, if circumstances admit of easy faithfulness. A high- +souled, generous, ardent nature will endure an infinity of +disillusionment, of misfortune, of neglect, and even of ill +treatment. Even so, the flame, though it may sink low, can be +revived again to burn as brightly as before. But in order that +this may be so it is necessary that the object of such a wonderful +devotion be alive, that he be present and visible; or, if he be +absent, that there should still exist some hope of renewing the +exquisite intimacy of the past. + +A man who is sincerely loved may be compelled to take long +journeys which will separate him for an indefinite time from the +woman who has given her heart to him, and she will still be +constant. He may be imprisoned, perhaps for life, yet there is +always the hope of his release or of his escape; and some women +will be faithful to him and will watch for his return. But, given +a situation which absolutely bars out hope, which sunders two +souls in such a way that they can never be united in this world, +and there we have a test so terribly severe that few even of the +most loyal and intensely clinging lovers can endure it. + +Not that such a situation would lead a woman to turn to any other +man than the one to whom she had given her very life; but we might +expect that at least her strong desire would cool and weaken. She +might cherish his memory among the precious souvenirs of her love +life; but that she should still pour out the same rapturous, +unstinted passion as before seems almost too much to believe. The +annals of emotion record only one such instance; and so this +instance has become known to all, and has been cherished for +nearly a thousand years. It involves the story of a woman who did +love, perhaps, as no one ever loved before or since; for she was +subjected to this cruel test, and she met the test not alone +completely, but triumphantly and almost fiercely. + +The story is, of course, the story of Abelard and Heloise. It has +many times been falsely told. Portions of it have been omitted, +and other portions of it have been garbled. A whole literature has +grown up around the subject. It may well be worth our while to +clear away the ambiguities and the doubtful points, and once more +to tell it simply, without bias, and with a strict adherence to +what seems to be the truth attested by authentic records. + +There is one circumstance connected with the story which we must +specially note. The narrative does something more than set forth +the one quite unimpeachable instance of unconquered constancy. It +shows how, in the last analysis, that which touches the human +heart has more vitality and more enduring interest than what +concerns the intellect or those achievements of the human mind +which are external to our emotional nature. + +Pierre Abelard was undoubtedly the boldest and most creative +reasoner of his time. As a wandering teacher he drew after him +thousands of enthusiastic students. He gave a strong impetus to +learning. He was a marvelous logician and an accomplished orator. +Among his pupils were men who afterward became prelates of the +church and distinguished scholars. In the Dark Age, when the +dictates of reason were almost wholly disregarded, he fought +fearlessly for intellectual freedom. He was practically the +founder of the University of Paris, which in turn became the +mother of medieval and modern universities. + +He was, therefore, a great and striking figure in the history of +civilization. Nevertheless he would to-day be remembered only by +scholars and students of the Middle Ages were it not for the fact +that he inspired the most enduring love that history records. If +Heloise had never loved him, and if their story had not been so +tragic and so poignant, he would be to-day only a name known to +but a few. His final resting-place, in the cemetery of Pere +Lachaise, in Paris, would not be sought out by thousands every +year and kept bright with flowers, the gift of those who have +themselves both loved and suffered. + +Pierre Abelard--or, more fully, Pierre Abelard de Palais--was a +native of Brittany, born in the year 1079. His father was a +knight, the lord of the manor; but Abelard cared little for the +life of a petty noble; and so he gave up his seigniorial rights to +his brothers and went forth to become, first of all a student, and +then a public lecturer and teacher. + +His student days ended abruptly in Paris, where he had enrolled +himself as the pupil of a distinguished philosopher, Guillaume de +Champeaux; but one day Abelard engaged in a disputation with his +master. His wonderful combination of eloquence, logic, and +originality utterly routed Champeaux, who was thus humiliated in +the presence of his disciples. He was the first of many enemies +that Abelard was destined to make in his long and stormy career. +From that moment the young Breton himself set up as a teacher of +philosophy, and the brilliancy of his discourses soon drew to him +throngs of students from all over Europe. + +Before proceeding with the story of Abelard it is well to +reconstruct, however slightly, a picture of the times in which he +lived. It was an age when Western Europe was but partly civilized. +Pedantry and learning of the most minute sort existed side by side +with the most violent excesses of medieval barbarism. The Church +had undertaken the gigantic task of subduing and enlightening the +semi-pagan peoples of France and Germany and England. + +When we look back at that period some will unjustly censure Rome +for not controlling more completely the savagery of the medievals. +More fairly should we wonder at the great measure of success which +had already been achieved. The leaven of a true Christianity was +working in the half-pagan populations. It had not yet completely +reached the nobles and the knights, or even all the ecclesiastics +who served it and who were consecrated to its mission. Thus, amid +a sort of political chaos were seen the glaring evils of +feudalism. Kings and princes and their followers lived the lives +of swine. Private blood-feuds were regarded lightly. There was as +yet no single central power. Every man carried his life in his +hand, trusting to sword and dagger for protection. + +The cities were still mere hamlets clustered around great castles +or fortified cathedrals. In Paris itself the network of dark +lanes, ill lighted and unguarded, was the scene of midnight murder +and assassination. In the winter-time wolves infested the town by +night. Men-at-arms, with torches and spears, often had to march +out from their barracks to assail the snarling, yelping packs of +savage animals that hunger drove from the surrounding forests. + +Paris of the twelfth century was typical of France itself, which +was harried by human wolves intent on rapine and wanton plunder. +There were great schools of theology, but the students who +attended them fought and slashed one another. If a man's life was +threatened he must protect it by his own strength or by gathering +about him a band of friends. No one was safe. No one was tolerant. +Very few were free from the grosser vices. Even in some of the +religious houses the brothers would meet at night for unseemly +revels, splashing the stone floors with wine and shrieking in a +delirium of drunkenness. The rules of the Church enjoined +temperance, continence, and celibacy; but the decrees of Leo IX. +and Nicholas II. and Alexander II. and Gregory were only partially +observed. + +In fact, Europe was in a state of chaos--political and moral and +social. Only very slowly was order emerging from sheer anarchy. We +must remember this when we recall some facts which meet us in the +story of Abelard and Heloise. + +The jealousy of Champeaux drove Abelard for a time from Paris. He +taught and lectured at several other centers of learning, always +admired, and yet at the same time denounced by many for his +advocacy of reason as against blind faith. During the years of his +wandering he came to have a wide knowledge of the world and of +human nature. If we try to imagine him as he was in his thirty- +fifth year we shall find in him a remarkable combination of +attractive qualities. + +It must be remembered that though, in a sense, he was an +ecclesiastic, he had not yet been ordained to the priesthood, but +was rather a canon--a person who did not belong to any religious +order, though he was supposed to live according to a definite set +of religious rules and as a member of a religious community. +Abelard, however, made rather light of his churchly associations. +He was at once an accomplished man of the world and a profound +scholar. There was nothing of the recluse about him. He mingled +with his fellow men, whom he dominated by the charm of his +personality. He was eloquent, ardent, and persuasive. He could +turn a delicate compliment as skilfully as he could elaborate a +syllogism. His rich voice had in it a seductive quality which was +never without its effect. + +Handsome and well formed, he possessed as much vigor of body as of +mind. Nor were his accomplishments entirely those of the scholar. +He wrote dainty verses, which he also set to music, and which he +sang himself with a rare skill. Some have called him "the first of +the troubadours," and many who cared nothing for his skill in +logic admired him for his gifts as a musician and a poet. +Altogether, he was one to attract attention wherever he went, for +none could fail to recognize his power. + +It was soon after his thirty-fifth year that he returned to Paris, +where he was welcomed by thousands. With much tact he reconciled +himself to his enemies, so that his life now seemed to be full of +promise and of sunshine. + +It was at this time that he became acquainted with a very +beautiful young girl named Heloise. She was only eighteen years of +age, yet already she possessed not only beauty, but many +accomplishments which were then quite rare in women, since she +both wrote and spoke a number of languages, and, like Abelard, was +a lover of music and poetry. Heloise was the illegitimate daughter +of a canon of patrician blood; so that she is said to have been a +worthy representative of the noble house of the Montmorencys-- +famous throughout French history for chivalry and charm. + +Up to this time we do not know precisely what sort of life Abelard +had lived in private. His enemies declared that he had squandered +his substance in vicious ways. His friends denied this, and +represented him as strict and chaste. The truth probably lies +between these two assertions. He was naturally a pleasure-loving +man of the world, who may very possibly have relieved his severer +studies by occasional revelry and light love. It is not at all +likely that he was addicted to gross passions and low practices. + +But such as he was, when he first saw Heloise he conceived for her +a violent attachment. Carefully guarded in the house of her uncle, +Fulbert, it was difficult at first for Abelard to meet her save in +the most casual way; yet every time that he heard her exquisite +voice and watched her graceful manners he became more and more +infatuated. His studies suddenly seemed tame and colorless beside +the fierce scarlet flame which blazed up in his heart. + +Nevertheless, it was because of these studies and of his great +reputation as a scholar that he managed to obtain access to +Heloise. He flattered her uncle and made a chance proposal that he +should himself become an inmate of Fulbert's household in order +that he might teach this girl of so much promise. Such an offer +coming from so brilliant a man was joyfully accepted. + +From that time Abelard could visit Heloise without restraint. He +was her teacher, and the two spent hours together, nominally in +the study of Greek and Hebrew; but doubtless very little was said +between them upon such unattractive subjects. On the contrary, +with all his wide experience of life, his eloquence, his perfect +manners, and his fascination, Abelard put forth his power to +captivate the senses of a girl still in her teens and quite +ignorant of the world. As Remusat says, he employed to win her the +genius which had overwhelmed all the great centers of learning in +the Western world. + +It was then that the pleasures of knowledge, the joys of thought, +the emotions of eloquence, were all called into play to charm and +move and plunge into a profound and strange intoxication this +noble and tender heart which had never known either love or +sorrow. ... One can imagine that everything helped on the +inevitable end. Their studies gave them opportunities to see each +other freely, and also permitted them to be alone together. Then +their books lay open between them; but either long periods of +silence stilled their reading, or else words of deepening intimacy +made them forget their studies altogether. The eyes of the two +lovers turned from the book to mingle their glances, and then to +turn away in a confusion that was conscious. + +Hand would touch hand, apparently by accident; and when +conversation ceased, Abelard would often hear the long, quivering +sigh which showed the strange, half-frightened, and yet exquisite +joy which Heloise experienced. + +It was not long before the girl's heart had been wholly won. +Transported by her emotion, she met the caresses of her lover with +those as unrestrained as his. Her very innocence deprived her of +the protection which older women would have had. All was given +freely, and even wildly, by Heloise; and all was taken by Abelard, +who afterward himself declared: + +"The pleasure of teaching her to love surpassed the delightful +fragrance of all the perfumes in the world." + +Yet these two could not always live in a paradise which was +entirely their own. The world of Paris took notice of their close +association. Some poems written to Heloise by Abelard, as if in +letters of fire, were found and shown to Fulbert, who, until this +time, had suspected nothing. Angrily he ordered Abelard to leave +his house. He forbade his niece to see her lover any more. + +But the two could not be separated; and, indeed, there was good +reason why they should still cling together. Secretly Heloise left +her uncle's house and fled through the narrow lanes of Paris to +the dwelling of Abelard's sister, Denyse, where Abelard himself +was living. There, presently, the young girl gave birth to a son, +who was named Astrolabe, after an instrument used by astronomers, +since both the father and the mother felt that the offspring of so +great a love should have no ordinary name. + +Fulbert was furious, and rightly so. His hospitality had been +outraged and his niece dishonored. He insisted that the pair +should at once be married. Here was revealed a certain weakness in +the character of Abelard. He consented to the marriage, but +insisted that it should be kept an utter secret. + +Oddly enough, it was Heloise herself who objected to becoming the +wife of the man she loved. Unselfishness could go no farther. She +saw that, were he to marry her, his advancement in the Church +would be almost impossible; for, while the very minor clergy +sometimes married in spite of the papal bulls, matrimony was +becoming a fatal bar to ecclesiastical promotion. And so Heloise +pleaded pitifully, both with her uncle and with Abelard, that +there should be no marriage. She would rather bear all manner of +disgrace than stand in the way of Abelard's advancement. + +He has himself given some of the words in which she pleaded with +him: + +What glory shall I win from you, when I have made you quite +inglorious and have humbled both of us? What vengeance will the +world inflict on me if I deprive it of one so brilliant? What +curses will follow such a marriage? How outrageous would it be +that you, whom nature created for the universal good, should be +devoted to one woman and plunged into such disgrace? I loathe the +thought of a marriage which would humiliate you. + +Indeed, every possible effort which another woman in her place +would employ to make him marry her she used in order to dissuade +him. Finally, her sweet face streaming with tears, she uttered +that tremendous sentence which makes one really think that she +loved him as no other woman ever loved a man. She cried out, in an +agony of self-sacrifice: + +"I would rather be your mistress than the wife even of an +emperor!" + +Nevertheless, the two were married, and Abelard returned to his +lecture-room and to his studies. For months they met but seldom. +Meanwhile, however, the taunts and innuendos directed against +Heloise so irritated Fulbert that he broke his promise of secrecy, +and told his friends that Abelard and Heloise were man and wife. +They went to Heloise for confirmation. Once more she showed in an +extraordinary way the depth of her devotion. + +"I am no wife," she said. "It is not true that Abelard has married +me. My uncle merely tells you this to save my reputation." + +They asked her whether she would swear to this; and, without a +moment's hesitation, this pure and noble woman took an oath upon +the Scriptures that there had been no marriage. + +Fulbert was enraged by this. He ill-treated Heloise, and, +furthermore, he forbade Abelard to visit her. The girl, therefore, +again left her uncle's house and betook herself to a convent just +outside of Paris, where she assumed the habit of a nun as a +disguise. There Abelard continued from time to time to meet her. + +When Fulbert heard of this he put his own interpretation on it. He +believed that Abelard intended to ignore the marriage altogether, +and that possibly he might even marry some other woman. In any +case, he now hated Abelard with all his heart; and he resolved to +take a fearful and unnatural vengeance which would at once prevent +his enemy from making any other marriage, while at the same time +it would debar him from ecclesiastical preferment. + +To carry out his plot Fulbert first bribed a man who was the body- +servant of Abelard, watching at the door of his room each night. +Then he hired the services of four ruffians. After Abelard had +retired and was deep in slumber the treacherous valet unbarred the +door. The hirelings of Fulbert entered and fell upon the sleeping +man. Three of them bound him fast, while the fourth, with a razor, +inflicted on him the most shameful mutilation that is possible. +Then, extinguishing the lights, the wretches slunk away and were +lost in darkness, leaving behind their victim bound to his couch, +uttering cries of torment and bathed in his own blood. + +It is a shocking story, and yet it is intensely characteristic of +the lawless and barbarous era in which it happened. Early the next +morning the news flew rapidly through Paris. The city hummed like +a bee-hive. Citizens and students and ecclesiastics poured into +the street and surrounded the house of Abelard. + +"Almost the entire city," says Fulques, as quoted by McCabe, "went +clamoring toward his house. Women wept as if each one had lost her +husband." + +Unmanned though he was, Abelard still retained enough of the +spirit of his time to seek vengeance. He, in his turn, employed +ruffians whom he set upon the track of those who had assaulted +him. The treacherous valet and one of Fulbert's hirelings were run +down, seized, and mutilated precisely as Abelard had been; and +their eyes were blinded. A third was lodged in prison. Fulbert +himself was accused before one of the Church courts, which alone +had power to punish an ecclesiastic, and all his goods were +confiscated. + +But, meantime, how did it fare with Heloise? Her grief was greater +than his own, while her love and her devotion were absolutely +undiminished. But Abelard now showed a selfishness--and indeed, a +meanness--far beyond any that he had before exhibited. Heloise +could no more be his wife. He made it plain that he put no trust +in her fidelity. He was unwilling that she should live in the +world while he could not; and so he told her sternly that she must +take the veil and bury herself for ever in a nunnery. + +The pain and shame which she experienced at this came wholly from +the fact that evidently Abelard did not trust her. Long afterward +she wrote: + +God knows I should not have hesitated, at your command, to precede +or to follow you to hell itself! + +It was his distrust that cut her to the heart. Still, her love for +him was so intense that she obeyed his order. Soon after she took +the vows; and in the convent chapel, shaken with sobs, she knelt +before the altar and assumed the veil of a cloistered nun. Abelard +himself put on the black tunic of a Benedictine monk and entered +the Abbey of St. Denis. + +It is unnecessary here to follow out all the details of the lives +of Abelard and Heloise after this heart-rendering scene. Abelard +passed through many years of strife and disappointment, and even +of humiliation; for on one occasion, just as he had silenced +Guillaume de Champeaux, so he himself was silenced and put to rout +by Bernard of Clairvaux--"a frail, tense, absorbed, dominant +little man, whose face was white and worn with suffering," but in +whose eyes there was a light of supreme strength. Bernard +represented pure faith, as Abelard represented pure reason; and +the two men met before a great council to match their respective +powers. + +Bernard, with fiery eloquence, brought a charge of heresy against +Abelard in an oration which was like a charge of cavalry. When he +had concluded Abelard rose with an ashen face, stammered out a few +words, and sat down. He was condemned by the council, and his +works were ordered to be burned. + +All his later life was one of misfortune, of humiliation, and even +of personal danger. The reckless monks whom he tried to rule rose +fiercely against him. His life was threatened. He betook himself +to a desolate and lonely place, where he built for himself a hut +of reeds and rushes, hoping to spend his final years in +meditation. But there were many who had not forgotten his ability +as a teacher. These flocked by hundreds to the desert place where +he abode. His hut was surrounded by tents and rude hovels, built +by his scholars for their shelter. + +Thus Abelard resumed his teaching, though in a very different +frame of mind. In time he built a structure of wood and stone, +which he called the Paraclete, some remains of which can still be +seen. + +All this time no word had passed between him and Heloise. But +presently Abelard wrote and gave to the world a curious and +exceedingly frank book, which he called The Story of My +Misfortunes. A copy of it reached the hands of Heloise, and she at +once sent to Abelard the first of a series of letters which have +remained unique in the literature of love. + +Ten years had passed, and yet the woman's heart was as faithful +and as full of yearning as on the day when the two had parted. It +has been said that the letters are not genuine, and they must be +read with this assertion in mind; yet it is difficult to believe +that any one save Heloise herself could have flung a human soul +into such frankly passionate utterances, or that any imitator +could have done the work. + +In her first letter, which was sent to Abelard written upon +parchment, she said: + +At thy command I would change, not merely my costume, but my very +soul, so entirely art thou the sole possessor of my body and my +spirit. Never, God is my witness, never have I sought anything in +thee but thyself; I have sought thee, and not thy gifts. I have +not looked to the marriage-bond or dowry. + +She begged him to write to her, and to lead her to God, as once he +had led her into the mysteries of pleasure. Abelard answered in a +letter, friendly to be sure, but formal--the letter of a priest to +a cloistered nun. The opening words of it are characteristic of +the whole: + +To Heloise, his sister in Christ, from Abelard, her brother in +Him. + +The letter was a long one, but throughout the whole of it the +writer's tone was cold and prudent. Its very coldness roused her +soul to a passionate revolt. Her second letter bursts forth in a +sort of anguish: + +How hast thou been able to frame such thoughts, dearest? How hast +thou found words to convey them? Oh, if I dared but call God cruel +to me! Oh, most wretched of all creatures that I am! So sweet did +I find the pleasures of our loving days that I cannot bring myself +to reject them or to banish them from my memory. Wheresoever I go, +they thrust themselves upon my vision, and rekindle the old +desire. + +But Abelard knew only too well that not in this life could there +be anything save spiritual love between himself and Heloise. He +wrote to her again and again, always in the same remote and +unimpassioned way. He tells her about the history of monasticism, +and discusses with her matters of theology and ethics; but he +never writes one word to feed the flame that is consuming her. The +woman understood at last; and by degrees her letters became as +calm as his--suffused, however, with a tenderness and feeling +which showed that in her heart of hearts she was still entirely +given to him. + +After some years Abelard left his dwelling at the Paraclete, and +there was founded there a religious house of which Heloise became +the abbess. All the world respected her for her sweetness, her +wisdom, and the purity of her character. She made friends as +easily as Abelard made enemies. Even Bernard, who had overthrown +her husband, sought out Heloise to ask for her advice and counsel. + +Abelard died while on his way to Rome, whither he was journeying +in order to undergo a penalty; and his body was brought back to +the Paraclete, where it was entombed. Over it for twenty-two years +Heloise watched with tender care; and when she died, her body was +laid beside that of her lover. + +To-day their bones are mingled as she would have desired them to +be mingled. The stones of their tomb in the great cemetery of Pere +Lachaise were brought from the ruins of the Paraclete, and above +the sarcophagus are two recumbent figures, the whole being the +work of the artist Alexandra Lenoir, who died in 1836. The figure +representing Heloise is not, however, an authentic likeness. The +model for it was a lady belonging to a noble family of France, and +the figure itself was brought to Pere Lachaise from the ancient +College de Beauvais. + +The letters of Heloise have been read and imitated throughout the +whole of the last nine centuries. Some have found in them the +utterances of a woman whose love of love was greater than her love +of God and whose intensity of passion nothing could subdue; and so +these have condemned her. But others, like Chateaubriand, have +more truly seen in them a pure and noble spirit to whom fate had +been very cruel; and who was, after all, writing to the man who +had been her lawful husband. + +Some of the most famous imitations of her letters are those in the +ancient poem entitled, "The Romance of the Rose," written by Jean +de Meung, in the thirteenth century; and in modern times her first +letter was paraphrased by Alexander Pope, and in French by +Colardeau. There exist in English half a dozen translations of +them, with Abelard's replies. It is interesting to remember that +practically all the other writings of Abelard remained unpublished +and unedited until a very recent period. He was a remarkable +figure as a philosopher and scholar; but the world cares for him +only because he was loved by Heloise. + + + + + +QUEEN ELIZABETH AND THE EARL OF LEICESTER + + +History has many romantic stories to tell of the part which women +have played in determining the destinies of nations. Sometimes it +is a woman's beauty that causes the shifting of a province. Again +it is another woman's rich possessions that incite invasion and +lead to bloody wars. Marriages or dowries, or the refusal of +marriages and the lack of dowries, inheritance through an heiress, +the failure of a male succession--in these and in many other ways +women have set their mark indelibly upon the trend of history. + +However, if we look over these different events we shall find that +it is not so much the mere longing for a woman--the desire to have +her as a queen--that has seriously affected the annals of any +nation. Kings, like ordinary men, have paid their suit and then +have ridden away repulsed, yet not seriously dejected. Most royal +marriages are made either to secure the succession to a throne by +a legitimate line of heirs or else to unite adjoining states and +make a powerful kingdom out of two that are less powerful. But, as +a rule, kings have found greater delight in some sheltered bower +remote from courts than in the castled halls and well-cared-for +nooks where their own wives and children have been reared with all +the appurtenances of legitimacy. + +There are not many stories that hang persistently about the love- +making of a single woman. In the case of one or another we may +find an episode or two--something dashing, something spirited or +striking, something brilliant and exhilarating, or something sad. +But for a woman's whole life to be spent in courtship that meant +nothing and that was only a clever aid to diplomacy--this is +surely an unusual and really wonderful thing. + +It is the more unusual because the woman herself was not intended +by nature to be wasted upon the cold and cheerless sport of +chancellors and counselors and men who had no thought of her +except to use her as a pawn. She was hot-blooded, descended from a +fiery race, and one whose temper was quick to leap into the +passion of a man. + +In studying this phase of the long and interesting life of +Elizabeth of England we must notice several important facts. In +the first place, she gave herself, above all else, to the +maintenance of England--not an England that would be half Spanish +or half French, or even partly Dutch and Flemish, but the Merry +England of tradition--the England that was one and undivided, with +its growing freedom of thought, its bows and bills, its nut-brown +ale, its sturdy yeomen, and its loyalty to crown and Parliament. +She once said, almost as in an agony: + +"I love England more than anything!" + +And one may really hold that this was true. + +For England she schemed and planned. For England she gave up many +of her royal rights. For England she descended into depths of +treachery. For England she left herself on record as an arrant +liar, false, perjured, yet successful; and because of her success +for England's sake her countrymen will hold her in high +remembrance, since her scheming and her falsehood are the offenses +that one pardons most readily in a woman. + +In the second place, it must be remembered that Elizabeth's +courtships and pretended love-makings were almost always a part of +her diplomacy. When not a part of her diplomacy they were a mere +appendage to her vanity. To seem to be the flower of the English +people, and to be surrounded by the noblest, the bravest, and the +most handsome cavaliers, not only of her own kingdom, but of +others--this was, indeed, a choice morsel of which she was fond of +tasting, even though it meant nothing beyond the moment. + +Finally, though at times she could be very cold, and though she +made herself still colder in order that she might play fast and +loose with foreign suitors who played fast and loose with her--the +King of Spain, the Duc d'Alencon, brother of the French king, with +an Austrian archduke, with a magnificent barbarian prince of +Muscovy, with Eric of Sweden, or any other Scandinavian suitor-- +she felt a woman's need for some nearer and more tender +association to which she might give freer play and in which she +might feel those deeper emotions without the danger that arises +when love is mingled with diplomacy. + +Let us first consider a picture of the woman as she really was in +order that we may understand her triple nature--consummate +mistress of every art that statesmen know, and using at every +moment her person as a lure; a vain-glorious queen who seemed to +be the prey of boundless vanity; and, lastly, a woman who had all +a woman's passion, and who could cast suddenly aside the check and +balance which restrained her before the public gaze and could +allow herself to give full play to the emotion that she inherited +from the king, her father, who was himself a marvel of fire and +impetuosity. That the daughter of Henry VIII. and Anne Boleyn +should be a gentle, timid maiden would be to make heredity a +farce. + +Elizabeth was about twenty-five years of age when she ascended the +throne of England. It is odd that the date of her birth cannot be +given with precision. The intrigues and disturbances of the +English court, and the fact that she was a princess, made her +birth a matter of less account than if there had been no male heir +to the throne. At any rate, when she ascended it, after the deaths +of her brother, King Edward VI., and her sister, Queen Mary, she +was a woman well trained both in intellect and in physical +development. + +Mr. Martin Hume, who loves to dwell upon the later years of Queen +Elizabeth, speaks rather bitterly of her as a "painted old +harridan"; and such she may well have seemed when, at nearly +seventy years of age, she leered and grinned a sort of skeleton +smile at the handsome young courtiers who pretended to see in her +the queen of beauty and to be dying for love of her. + +Yet, in her earlier years, when she was young and strong and +impetuous, she deserved far different words than these. The +portrait of her by Zucchero, which now hangs in Hampton Court, +depicts her when she must have been of more than middle age; and +still the face is one of beauty, though it be a strange and almost +artificial beauty--one that draws, attracts, and, perhaps, lures +you on against your will. + +It is interesting to compare this painting with the frank word- +picture of a certain German agent who was sent to England by his +emperor, and who seems to have been greatly fascinated by Queen +Elizabeth. She was at that time in the prime of her beauty and her +power. Her complexion was of that peculiar transparency which is +seen only in the face of golden blondes. Her figure was fine and +graceful, and her wit an accomplishment that would have made a +woman of any rank or time remarkable. The German envoy says: + +She lives a life of such magnificence and feasting as can hardly +be imagined, and occupies a great portion of her time with balls, +banquets, hunting, and similar amusements, with the utmost +possible display, but nevertheless she insists upon far greater +respect being shown her than was exacted by Queen Mary. She +summons Parliament, but lets them know that her orders must be +obeyed in any case. + +If any one will look at the painting by Zucchero he will see how +much is made of Elizabeth's hands--a distinctive feature quite as +noble with the Tudors as is the "Hapsburg lip" among the +descendants of the house of Austria. These were ungloved, and were +very long and white, and she looked at them and played with them a +great deal; and, indeed, they justified the admiration with which +they were regarded by her flatterers. + +Such was the personal appearance of Elizabeth. When a young girl, +we have still more favorable opinions of her that were written by +those who had occasion to be near her. Not only do they record +swift glimpses of her person, but sometimes in a word or two they +give an insight into certain traits of mind which came out +prominently in her later years. + +It may, perhaps, be well to view her as a woman before we regard +her more fully as a queen. It has been said that Elizabeth +inherited many of the traits of her father--the boldness of +spirit, the rapidity of decision, and, at the same time, the fox- +like craft which often showed itself when it was least expected. + +Henry had also, as is well known, a love of the other sex, which +has made his reign memorable. And yet it must be noted that while +he loved much, it was not loose love. Many a king of England, from +Henry II. to Charles II., has offended far more than Henry VIII. +Where Henry loved, he married; and it was the unfortunate result +of these royal marriages that has made him seem unduly fond of +women. If, however, we examine each one of the separate espousals +we shall find that he did not enter into it lightly, and that he +broke it off unwillingly. His ardent temperament, therefore, was +checked by a certain rational or conventional propriety, so that +he was by no means a loose liver, as many would make him out to +be. + +We must remember this when we recall the charges that have been +made against Elizabeth, and the strange stories that were told of +her tricks--by no means seemly tricks--which she used to play with +her guardian, Lord Thomas Seymour. The antics she performed with +him in her dressing-room were made the subject of an official +inquiry; yet it came out that while Elizabeth was less than +sixteen, and Lord Thomas was very much her senior, his wife was +with him on his visits to the chamber of the princess. + +Sir Robert Tyrwhitt and his wife were also sent to question her, +Tyrwhitt had a keen mind and one well trained to cope with any +other's wit in this sort of cross-examination. Elizabeth was only +a girl of fifteen, yet she was a match for the accomplished +courtier in diplomacy and quick retort. He was sent down to worm +out of her everything that she knew. Threats and flattery and +forged letters and false confessions were tried on her; but they +were tried in vain. She would tell nothing of importance. She +denied everything. She sulked, she cried, she availed herself of a +woman's favorite defense in suddenly attacking those who had +attacked her. She brought counter charges against Tyrwhitt, and +put her enemies on their own defense. Not a compromising word +could they wring out of her. + +She bitterly complained of the imprisonment of her governess, Mrs. +Ashley, and cried out: + +"I have not so behaved that you need put more mistresses upon me!" + +Altogether, she was too much for Sir Robert, and he was wise +enough to recognize her cleverness. + +"She hath a very good wit," said he, shrewdly; "and nothing is to +be gotten of her except by great policy." And he added: "If I had +to say my fancy, I think it more meet that she should have two +governesses than one." + +Mr. Hume notes the fact that after the two servants of the +princess had been examined and had told nothing very serious they +found that they had been wise in remaining friends of the royal +girl. No sooner had Elizabeth become queen than she knighted the +man Parry and made him treasurer of the household, while Mrs. +Ashley, the governess, was treated with great consideration. Thus, +very naturally, Mr. Hume says: "They had probably kept back far +more than they told." + +Even Tyrwhitt believed that there was a secret compact between +them, for he said, quaintly: "They all sing one song, and she hath +set the note for them." + +Soon after this her brother Edward's death brought to the throne +her elder sister, Mary, who has harshly become known as Bloody +Mary. During this time Elizabeth put aside her boldness, and +became apparently a shy and simple-minded virgin. Surrounded on +every side by those who sought to trap her, there was nothing in +her bearing to make her seem the head of a party or the young +chief of a faction. Nothing could exceed her in meekness. She +spoke of her sister in the humblest terms. She exhibited no signs +of the Tudor animation that was in reality so strong a part of her +character. + +But, coming to the throne, she threw away her modesty and brawled +and rioted with very little self-restraint. The people as a whole +found little fault with her. She reminded them of her father, the +bluff King Hal; and even those who criticized her did so only +partially. They thought much better of her than they had of her +saturnine sister, the first Queen Mary. + +The life of Elizabeth has been very oddly misunderstood, not so +much for the facts in it as for the manner in which these have +been arranged and the relation which they have to one another. We +ought to recollect that this woman did not live in a restricted +sphere, that her life was not a short one, and that it was crowded +with incidents and full of vivid color. Some think of her as +living for a short period of time and speak of the great +historical characters who surrounded her as belonging to a single +epoch. To them she has one set of suitors all the time--the Duc +d'Alencon, the King of Denmark's brother, the Prince of Sweden, +the russian potentate, the archduke sending her sweet messages +from Austria, the melancholy King of Spain, together with a number +of her own brilliant Englishmen--Sir William Pickering, Sir Robert +Dudley, Lord Darnley, the Earl of Essex, Sir Philip Sidney, and +Sir Walter Raleigh. + +Of course, as a matter of fact, Elizabeth lived for nearly seventy +years--almost three-quarters of a century--and in that long time +there came and went both men and women, those whom she had used +and cast aside, with others whom she had also treated with +gratitude, and who had died gladly serving her. But through it all +there was a continual change in her environment, though not in +her. The young soldier went to the battle-field and died; the wise +counselor gave her his advice, and she either took it or cared +nothing for it. She herself was a curious blending of forwardness +and folly, of wisdom and wantonness, of frivolity and unbridled +fancy. But through it all she loved her people, even though she +often cheated them and made them pay her taxes in the harsh old +way that prevailed before there was any right save the king's +will. + +At the same time, this was only by fits and starts, and on the +whole she served them well. Therefore, to most of them she was +always the good Queen Bess. What mattered it to the ditcher and +yeoman, far from the court, that the queen was said to dance in +her nightdress and to swear like a trooper? + +It was, indeed, largely from these rustic sources that such +stories were scattered throughout England. Peasants thought them +picturesque. More to the point with them were peace and prosperity +throughout the country, the fact that law was administered with +honesty and justice, and that England was safe from her deadly +enemies--the swarthy Spaniards and the scheming French. + +But, as I said, we must remember always that the Elizabeth of one +period was not the Elizabeth of another, and that the England of +one period was not the England of another. As one thinks of it, +there is something wonderful in the almost star-like way in which +this girl flitted unharmed through a thousand perils. Her own +countrymen were at first divided against her; a score of greedy, +avaricious suitors sought her destruction, or at least her hand to +lead her to destruction; all the great powers of the Continent +were either demanding an alliance with England or threatening to +dash England down amid their own dissensions. + +What had this girl to play off against such dangers? Only an +undaunted spirit, a scheming mind that knew no scruples, and +finally her own person and the fact that she was a woman, and, +therefore, might give herself in marriage and become the mother of +a race of kings. + +It was this last weapon, the weapon of her sex, that proved, +perhaps, the most powerful of all. By promising a marriage or by +denying it, or by neither promising nor denying but withholding +it, she gave forth a thousand wily intimations which kept those +who surrounded her at bay until she had made still another deft +and skilful combination, escaping like some startled creature to a +new place of safety. + +In 1583, when she was fifty years of age, she had reached a point +when her courtships and her pretended love-making were no longer +necessary. She had played Sweden against Denmark, and France +against Spain, and the Austrian archduke against the others, and +many suitors in her own land against the different factions which +they headed. She might have sat herself down to rest; for she +could feel that her wisdom had led her up into a high place, +whence she might look down in peace and with assurance of the +tranquillity that she had won. Not yet had the great Armada rolled +and thundered toward the English shores. But she was certain that +her land was secure, compact, and safe. + +It remains to see what were those amatory relations which she may +be said to have sincerely held. She had played at love-making with +foreign princes, because it was wise and, for the moment, best. +She had played with Englishmen of rank who aspired to her hand, +because in that way she might conciliate, at one time her Catholic +and at another her Protestant subjects. But what of the real and +inward feeling of her heart, when she was not thinking of +political problems or the necessities of state! + +This is an interesting question. One may at least seek the answer, +hoping thereby to solve one of the most interesting phases of this +perplexing and most remarkable woman. + +It must be remembered that it was not a question of whether +Elizabeth desired marriage. She may have done so as involving a +brilliant stroke of policy. In this sense she may have wished to +marry one of the two French princes who were among her suitors. +But even here she hesitated, and her Parliament disapproved; for +by this time England had become largely Protestant. Again, had she +married a French prince and had children, England might have +become an appanage of France. + +There is no particular evidence that she had any feeling at all +for her Flemish, Austrian, or Russian suitors, while the Swede's +pretensions were the laughing-stock of the English court. So we +may set aside this question of marriage as having nothing to do +with her emotional life. She did desire a son, as was shown by her +passionate outcry when she compared herself with Mary of Scotland. + +"The Queen of Scots has a bonny son, while I am but a barren +stock!" + +She was too wise to wed a subject; though. had she married at all, +her choice would doubtless have been an Englishman. In this +respect, as in so many others, she was like her father, who chose +his numerous wives, with the exception of the first, from among +the English ladies of the court; just as the showy Edward IV. was +happy in marrying "Dame Elizabeth Woodville." But what a king may +do is by no means so easy for a queen; and a husband is almost +certain to assume an authority which makes him unpopular with the +subjects of his wife. + +Hence, as said above, we must consider not so much whom she would +have liked to marry, but rather to whom her love went out +spontaneously, and not as a part of that amatory play which amused +her from the time when she frisked with Seymour down to the very +last days, when she could no longer move about, but when she still +dabbled her cheeks with rouge and powder and set her skeleton face +amid a forest of ruffs. + +There were many whom she cared for after a fashion. She would not +let Sir Walter Raleigh visit her American colonies, because she +could not bear to have him so long away from her. She had great +moments of passion for the Earl of Essex, though in the end she +signed his death-warrant because he was as dominant in spirit as +the queen herself. + +Readers of Sir Walter Scott's wonderfully picturesque novel, +Kenilworth, will note how he throws the strongest light upon +Elizabeth's affection for Robert Dudley, Earl of Leicester. +Scott's historical instinct is united here with a vein of +psychology which goes deeper than is usual with him. We see +Elizabeth trying hard to share her favor equally between two +nobles; but the Earl of Essex fails to please her because he +lacked those exquisite manners which made Leicester so great a +favorite with the fastidious queen. + +Then, too, the story of Leicester's marriage with Amy Robsart is +something more than a myth, based upon an obscure legend and an +ancient ballad. The earl had had such a wife, and there were +sinister stories about the manner of her death. But it is Scott +who invents the villainous Varney and the bulldog Anthony Foster; +just as he brought the whole episode into the foreground and made +it occur at a period much later than was historically true. Still, +Scott felt--and he was imbued with the spirit and knowledge of +that time--a strong conviction that Elizabeth loved Leicester as +she really loved no one else. + +There is one interesting fact which goes far to convince us. Just +as her father was, in a way, polygamous, so Elizabeth was even +more truly polyandrous. It was inevitable that she should surround +herself with attractive men, whose love-locks she would caress and +whose flatteries she would greedily accept. To the outward eye +there was very little difference in her treatment of the handsome +and daring nobles of her court; yet a historian of her time makes +one very shrewd remark when he says: "To every one she gave some +power at times--to all save Leicester." + +Cecil and Walsingham in counsel and Essex and Raleigh in the field +might have their own way at times, and even share the sovereign's +power, but to Leicester she intrusted no high commands and no +important mission. Why so? Simply because she loved him more than +any of the rest; and, knowing this, she knew that if besides her +love she granted him any measure of control or power, then she +would be but half a queen and would be led either to marry him or +else to let him sway her as he would. + +For the reason given, one may say with confidence that, while +Elizabeth's light loves were fleeting, she gave a deep affection +to this handsome, bold, and brilliant Englishman and cherished him +in a far different way from any of the others. This was as near as +she ever came to marriage, and it was this love at least which +makes Shakespeare's famous line as false as it is beautiful, when +he describes "the imperial votaress" as passing by "in maiden +meditation, fancy free." + + + + + +MARY QUEEN OF SCOTS AND LORD BOTHWELL + + +Mary Stuart and Cleopatra are the two women who have most +attracted the fancy of poets, dramatists, novelists, and painters, +from their own time down to the present day. + +In some respects there is a certain likeness in their careers. +Each was queen of a nation whose affairs were entangled with those +of a much greater one. Each sought for her own ideal of love until +she found it. Each won that love recklessly, almost madly. Each, +in its attainment, fell from power and fortune. Each died before +her natural life was ended. One caused the man she loved to cast +away the sovereignty of a mighty state. The other lost her own +crown in order that she might achieve the whole desire of her +heart. + +There is still another parallel which may be found. Each of these +women was reputed to be exquisitely beautiful; yet each fell short +of beauty's highest standards. They are alike remembered in song +and story because of qualities that are far more powerful than any +physical charm can be. They impressed the imagination of their own +contemporaries just as they had impressed the imagination of all +succeeding ages, by reason of a strange and irresistible +fascination which no one could explain, but which very few could +experience and resist. + +Mary Stuart was born six days before her father's death, and when +the kingdom which was her heritage seemed to be almost in its +death-throes. James V. of Scotland, half Stuart and half Tudor, +was no ordinary monarch. As a mere boy he had burst the bonds with +which a regency had bound him, and he had ruled the wild Scotland +of the sixteenth century. He was brave and crafty, keen in +statesmanship, and dissolute in pleasure. + +His first wife had given him no heirs; so at her death he sought +out a princess whom he pursued all the more ardently because she +was also courted by the burly Henry VIII. of England. This girl +was Marie of Lorraine, daughter of the Duc de Guise. She was fit +to be the mother of a lion's brood, for she was above six feet in +height and of proportions so ample as to excite the admiration of +the royal voluptuary who sat upon the throne of England. + +"I am big," said he, "and I want a wife who is as big as I am." + +But James of Scotland wooed in person, and not by embassies, and +he triumphantly carried off his strapping princess. Henry of +England gnawed his beard in vain; and, though in time he found +consolation in another woman's arms, he viewed James not only as a +public but as a private enemy. + +There was war between the two countries. First the Scots repelled +an English army; but soon they were themselves disgracefully +defeated at Solway Moss by a force much their inferior in numbers. +The shame of it broke King James's heart. As he was galloping from +the battle-field the news was brought him that his wife had given +birth to a daughter. He took little notice of the message; and in +a few days he had died, moaning with his last breath the +mysterious words: + +"It came with a lass--with a lass it will go!" + +The child who was born at this ill-omened crisis was Mary Stuart, +who within a week became, in her own right, Queen of Scotland. Her +mother acted as regent of the kingdom. Henry of England demanded +that the infant girl should be betrothed to his young son, Prince +Edward, who afterward reigned as Edward VI., though he died while +still a boy. The proposal was rejected, and the war between +England and Scotland went on its bloody course; but meanwhile the +little queen was sent to France, her mother's home, so that she +might be trained in accomplishments which were rare in Scotland. + +In France she grew up at the court of Catherine de' Medici, that +imperious intriguer whose splendid surroundings were tainted with +the corruption which she had brought from her native Italy. It +was, indeed, a singular training-school for a girl of Mary +Stuart's character. She saw about her a superficial chivalry and a +most profound depravity. Poets like Ronsard graced the life of the +court with exquisite verse. Troubadours and minstrels sang sweet +music there. There were fetes and tournaments and gallantry of +bearing; yet, on the other hand, there was every possible +refinement and variety of vice. Men were slain before the eyes of +the queen herself. The talk of the court was of intrigue and lust +and evil things which often verged on crime. Catherine de' Medici +herself kept her nominal husband at arm's-length; and in order to +maintain her grasp on France she connived at the corruption of her +own children, three of whom were destined in their turn to sit +upon the throne. + +Mary Stuart grew up in these surroundings until she was sixteen, +eating the fruit which gave a knowledge of both good and evil. Her +intelligence was very great. She quickly learned Italian, French, +and Latin. She was a daring horsewoman. She was a poet and an +artist even in her teens. She was also a keen judge of human +motives, for those early years of hers had forced her into a +womanhood that was premature but wonderful. It had been proposed +that she should marry the eldest son of Catherine, so that in time +the kingdom of Scotland and that of France might be united, while +if Elizabeth of England were to die unmarried her realm also would +fall to this pair of children. + +And so Mary, at sixteen, wedded the Dauphin Francis, who was a +year her junior. The prince was a wretched, whimpering little +creature, with a cankered body and a blighted soul. Marriage with +such a husband seemed absurd. It never was a marriage in reality. +The sickly child would cry all night, for he suffered from +abscesses in his ears, and his manhood had been prematurely taken +from him. Nevertheless, within a twelvemonth the French king died +and Mary Stuart was Queen of France as well as of Scotland, +hampered only by her nominal obedience to the sick boy whom she +openly despised. At seventeen she showed herself a master spirit. +She held her own against the ambitious Catherine de' Medici, whom +she contemptuously nicknamed "the apothecary's daughter." For the +brief period of a year she was actually the ruler of France; but +then her husband died and she was left a widow, restless, +ambitious, and yet no longer having any of the power she loved. + +Mary Stuart at this time had become a woman whose fascination was +exerted over all who knew her. She was very tall and very slim, +with chestnut hair, "like a flower of the heat, both lax and +delicate." Her skin was fair and pale, so clear and so transparent +as to make the story plausible that when she drank from a flask of +wine, the red liquid could be seen passing down her slender +throat. + +Yet with all this she was not fine in texture, but hardy as a man. +She could endure immense fatigue without yielding to it. Her +supple form had the strength of steel. There was a gleam in her +hazel eyes that showed her to be brimful of an almost fierce +vitality. Young as she was, she was the mistress of a thousand +arts, and she exhaled a sort of atmosphere that turned the heads +of men. The Stuart blood made her impatient of control, careless +of state, and easy-mannered. The French and the Tudor strain gave +her vivacity. She could be submissive in appearance while still +persisting in her aims. She could be languorous and seductive +while cold within. Again, she could assume the haughtiness which +belonged to one who was twice a queen. + +Two motives swayed her, and they fought together for supremacy. +One was the love of power, and the other was the love of love. The +first was natural to a girl who was a sovereign in her own right. +The second was inherited, and was then forced into a rank +luxuriance by the sort of life that she had seen about her. At +eighteen she was a strangely amorous creature, given to fondling +and kissing every one about her, with slight discrimination. From +her sense of touch she received emotions that were almost +necessary to her existence. With her slender, graceful hands she +was always stroking the face of some favorite--it might be only +the face of a child, or it might be the face of some courtier or +poet, or one of the four Marys whose names are linked with hers-- +Mary Livingstone, Mary Fleming, Mary Beaton, and Mary Seton, the +last of whom remained with her royal mistress until her death. + +But one must not be too censorious in thinking of Mary Stuart. She +was surrounded everywhere by enemies. During her stay in France +she was hated by the faction of Catherine de' Medici. When she +returned to Scotland she was hated because of her religion by the +Protestant lords. Her every action was set forth in the worst +possible light. The most sinister meaning was given to everything +she said or did. In truth, we must reject almost all the stories +which accuse her of anything more than a certain levity of +conduct. + +She was not a woman to yield herself in love's last surrender +unless her intellect and heart alike had been made captive. She +would listen to the passionate outpourings of poets and courtiers, +and she would plunge her eyes into theirs, and let her hair just +touch their faces, and give them her white hands to kiss--but +that was all. Even in this she was only following the fashion of +the court where she was bred, and she was not unlike her royal +relative, Elizabeth of England, who had the same external +amorousness coupled with the same internal self-control. + +Mary Stuart's love life makes a piteous story, for it is the life +of one who was ever seeking--seeking for the man to whom she +could look up, who could be strong and brave and ardent like +herself, and at the same time be more powerful and more steadfast +even than she herself in mind and thought. Whatever may be said of +her, and howsoever the facts may be colored by partisans, this +royal girl, stung though she was by passion and goaded by desire, +cared nothing for any man who could not match her in body and mind +and spirit all at once. + +It was in her early widowhood that she first met the man, and when +their union came it brought ruin on them both. In France there +came to her one day one of her own subjects, the Earl of Bothwell. +He was but a few years older than she, and in his presence for the +first time she felt, in her own despite, that profoundly moving, +indescribable, and never-to-be-forgotten thrill which shakes a +woman to the very center of her being, since it is the recognition +of a complete affinity. + +Lord Bothwell, like Queen Mary, has been terribly maligned. Unlike +her, he has found only a few defenders. Maurice Hewlett has drawn +a picture of him more favorable than many, and yet it is a picture +that repels. Bothwell, says he, was of a type esteemed by those +who pronounce vice to be their virtue. He was "a galliard, flushed +with rich blood, broad-shouldered, square-jawed, with a laugh so +happy and so prompt that the world, rejoicing to hear it, thought +all must be well wherever he might be. He wore brave clothes, sat +a brave horse, and kept brave company bravely. His high color, +while it betokened high feeding, got him the credit of good +health. His little eyes twinkled so merrily that you did not see +they were like a pig's, sly and greedy at once, and bloodshot. His +tawny beard concealed a jaw underhung, a chin jutting and +dangerous. His mouth had a cruel twist; but his laughing hid that +too. The bridge of his nose had been broken; few observed it, or +guessed at the brawl which must have given it to him. Frankness +was his great charm, careless ease in high places." + +And so, when Mary Stuart first met him in her eighteenth year, +Lord Bothwell made her think as she had never thought of any other +man, and as she was not to think of any other man again. She grew +to look eagerly for the frank mockery "in those twinkling eyes, in +that quick mouth"; and to wonder whether it was with him always-- +asleep, at prayers, fighting, furious, or in love. + +Something more, however, must be said of Bothwell. He was +undoubtedly a roisterer, but he was very much a man. He made easy +love to women. His sword leaped quickly from its sheath. He could +fight, and he could also think. He was no brawling ruffian, no +ordinary rake. Remembering what Scotland was in those days, +Bothwell might well seem in reality a princely figure. He knew +Italian; he was at home in French; he could write fluent Latin. He +was a collector of books and a reader of them also. He was perhaps +the only Scottish noble of his time who had a book-plate of his +own. Here is something more than a mere reveler. Here is a man of +varied accomplishments and of a complex character. + +Though he stayed but a short time near the queen in France, he +kindled her imagination, so that when she seriously thought of men +she thought of Bothwell. And yet all the time she was fondling the +young pages in her retinue and kissing her maids of honor with her +scarlet lips, and lying on their knees, while poets like Ronsard +and Chastelard wrote ardent love sonnets to her and sighed and +pined for something more than the privilege of kissing her two +dainty hands. + +In 1561, less than a year after her widowhood, Mary set sail for +Scotland, never to return. The great high-decked ships which +escorted her sailed into the harbor of Leith, and she pressed on +to Edinburgh. A depressing change indeed from the sunny terraces +and fields of France! In her own realm were fog and rain and only +a hut to shelter her upon her landing. When she reached her +capital there were few welcoming cheers; but as she rode over the +cobblestones to Holyrood, the squalid wynds vomited forth great +mobs of hard-featured, grim-visaged men and women who stared with +curiosity and a half-contempt at the girl queen and her retinue of +foreigners. + +The Scots were Protestants of the most dour sort, and they +distrusted their new ruler because of her religion and because she +loved to surround herself with dainty things and bright colors and +exotic elegance. They feared lest she should try to repeal the law +of Scotland's Parliament which had made the country Protestant. + +The very indifference of her subjects stirred up the nobler part +of Mary's nature. For a time she was indeed a queen. She governed +wisely. She respected the religious rights of her Protestant +subjects. She strove to bring order out of the chaos into which +her country had fallen. And she met with some success. The time +came when her people cheered her as she rode among them. Her +subtle fascination was her greatest source of strength. Even John +Knox, that iron-visaged, stentorian preacher, fell for a time +under the charm of her presence. She met him frankly and pleaded +with him as a woman, instead of commanding him as a queen. The +surly ranter became softened for a time, and, though he spoke of +her to others as "Honeypot," he ruled his tongue in public. She +had offers of marriage from Austrian and Spanish princes. The new +King of France, her brother-in-law, would perhaps have wedded her. +It mattered little to Mary that Elizabeth of England was hostile. +She felt that she was strong enough to hold her own and govern +Scotland. + +But who could govern a country such as Scotland was? It was a land +of broils and feuds, of clan enmities and fierce vendettas. Its +nobles were half barbarous, and they fought and slashed at one +another with drawn dirks almost in the presence of the queen +herself. No matter whom she favored, there rose up a swarm of +enemies. Here was a Corsica of the north, more savage and untamed +than even the other Corsica. + +In her perplexity Mary felt a woman's need of some man on whom she +would have the right to lean, and whom she could make king +consort. She thought that she had found him in the person of her +cousin, Lord Darnley, a Catholic, and by his upbringing half an +Englishman. Darnley came to Scotland, and for the moment Mary +fancied that she had forgotten Bothwell. Here again she was in +love with love, and she idealized the man who came to give it to +her. Darnley seemed, indeed, well worthy to be loved, for he was +tall and handsome, appearing well on horseback and having some of +the accomplishments which Mary valued. + +It was a hasty wooing, and the queen herself was first of all the +wooer. Her quick imagination saw in Darnley traits and gifts of +which he really had no share. Therefore, the marriage was soon +concluded, and Scotland had two sovereigns, King Henry and Queen +Mary. So sure was Mary of her indifference to Bothwell that she +urged the earl to marry, and he did marry a girl of the great +house of Gordon. + +Mary's self-suggested love for Darnley was extinguished almost on +her wedding-night. The man was a drunkard who came into her +presence befuddled and almost bestial. He had no brains. His +vanity was enormous. He loved no one but himself, and least of all +this queen, whom he regarded as having thrown herself at his empty +head. + +The first-fruits of the marriage were uprisings among the +Protestant lords. Mary then showed herself a heroic queen. At the +head of a motley band of soldiery who came at her call--half- +clad, uncouth, and savage--she rode into the west, sleeping at +night upon the bare ground, sharing the camp food, dressed in +plain tartan, but swift and fierce as any eagle. Her spirit ran +like fire through the veins of those who followed her. She crushed +the insurrection, scattered its leaders, and returned in triumph +to her capital. + +Now she was really queen, but here came in the other motive which +was interwoven in her character. She had shown herself a man in +courage. Should she not have the pleasures of a woman? To her +court in Holyrood came Bothwell once again, and this time Mary +knew that he was all the world to her. Darnley had shrunk from the +hardships of battle. He was steeped in low intrigues. He roused +the constant irritation of the queen by his folly and utter lack +of sense and decency. Mary felt she owed him nothing, but she +forgot that she owed much to herself. + +Her old amorous ways came back to her, and she relapsed into the +joys of sense. The scandal-mongers of the capital saw a lover in +every man with whom she talked. She did, in fact, set convention +at defiance. She dressed in men's clothing. She showed what the +unemotional Scots thought to be unseemly levity. The French poet, +Chastelard, misled by her external signs of favor, believed +himself to be her choice. At the end of one mad revel he was found +secreted beneath her bed, and was driven out by force. A second +time he ventured to secrete himself within the covers of the bed. +Then he was dragged forth, imprisoned, and condemned to death. He +met his fate without a murmur, save at the last when he stood upon +the scaffold and, gazing toward the palace, cried in French: + +"Oh, cruel queen! I die for you!" + +Another favorite, the Italian, David Rizzio, or Riccio, in like +manner wrote love verses to the queen, and she replied to them in +kind; but there is no evidence that she valued him save for his +ability, which was very great. She made him her foreign secretary, +and the man whom he supplanted worked on the jealousy of Darnley; +so that one night, while Mary and Rizzio were at dinner in a small +private chamber, Darnley and the others broke in upon her. Darnley +held her by the waist while Rizzio was stabbed before her eyes +with a cruelty the greater because the queen was soon to become a +mother. + +From that moment she hated Darnley as one would hate a snake. She +tolerated him only that he might acknowledge her child as his son. +This child was the future James VI. of Scotland and James I. of +England. It is recorded of him that never throughout his life +could he bear to look upon drawn steel. + +After this Mary summoned Bothwell again and again. It was revealed +to her as in a blaze of light that, after all, he was the one and +only man who could be everything to her. His frankness, his +cynicism, his mockery, his carelessness, his courage, and the +power of his mind matched her moods completely. She threw away all +semblance of concealment. She ignored the fact that he had married +at her wish. She was queen. She desired him. She must have him at +any cost. + +"Though I lose Scotland and England both," she cried in a passion +of abandonment, "I shall have him for my own!" + +Bothwell, in his turn, was nothing loath, and they leaped at each +other like two flames. + +It was then that Mary wrote those letters which were afterward +discovered in a casket and which were used against her when she +was on trial for her life. These so-called Casket Letters, though +we have not now the originals, are among the most extraordinary +letters ever written. All shame, all hesitation, all innocence, +are flung away in them. The writer is so fired with passion that +each sentence is like a cry to a lover in the dark. As De Peyster +says: "In them the animal instincts override and spur and lash the +pen." Mary was committing to paper the frenzied madness of a woman +consumed to her very marrow by the scorching blaze of unedurable +desire. + +Events moved quickly. Darnley, convalescent from an attack of +smallpox, was mysteriously destroyed by an explosion of gunpowder. +Bothwell was divorced from his young wife on curious grounds. A +dispensation allowed Mary to wed a Protestant, and she married +Bothwell three months after Darnley's death. + +Here one sees the consummation of what had begun many years before +in France. From the moment that she and Bothwell met, their union +was inevitable. Seas could not sunder them. Other loves and other +fancies were as nothing to them. Even the bonds of marriage were +burst asunder so that these two fiery, panting souls could meet. + +It was the irony of fate that when they had so met it was only to +be parted. Mary's subjects, outraged by her conduct, rose against +her. As she passed through the streets of Edinburgh the women +hurled after her indecent names. Great banners were raised with +execrable daubs representing the murdered Darnley. The short and +dreadful monosyllable which is familiar to us in the pages of the +Bible was hurled after her wherever she went. + +With Bothwell by her side she led a wild and ragged horde of +followers against the rebellious nobles, whose forces met her at +Carberry Hill. Her motley followers melted away, and Mary +surrendered to the hostile chieftains, who took her to the castle +at Lochleven. There she became the mother of twins--a fact that is +seldom mentioned by historians. These children were the fruit of +her union with Bothwell. From this time forth she cared but little +for herself, and she signed, without great reluctance, a document +by which she abdicated in favor of her infant son. + +Even in this place of imprisonment, however, her fascination had +power to charm. Among those who guarded her, two of the Douglas +family--George Douglas and William Douglas--for love of her, +effected her escape. The first attempt failed. Mary, disguised as +a laundress, was betrayed by the delicacy of her hands. But a +second attempt was successful. The queen passed through a postern +gate and made her way to the lake, where George Douglas met her +with a boat. Crossing the lake, fifty horsemen under Lord Claude +Hamilton gave her their escort and bore her away in safety. + +But Mary was sick of Scotland, for Bothwell could not be there. +She had tasted all the bitterness of life, and for a few months +all the sweetness; but she would have no more of this rough and +barbarous country. Of her own free will she crossed the Solway +into England, to find herself at once a prisoner. + +Never again did she set eyes on Bothwell. After the battle of +Carberry Hill he escaped to the north, gathered some ships +together, and preyed upon English merchantmen, very much as a +pirate might have done. Ere long, however, when he had learned of +Mary's fate, he set sail for Norway. King Frederick of Denmark +made him a prisoner of state. He was not confined within prison +walls, however, but was allowed to hunt and ride in the vicinity +of Malmo Castle and of Dragsholm. It is probably in Malmo Castle +that he died. In 1858 a coffin which was thought to be the coffin +of the earl was opened, and a Danish artist sketched the head-- +which corresponds quite well with the other portraits of the ill- +fated Scottish noble. + +It is a sad story. Had Mary been less ambitious when she first met +Bothwell, or had he been a little bolder, they might have reigned +together and lived out their lives in the plenitude of that great +love which held them both in thrall. But a queen is not as other +women; and she found too late that the teaching of her heart was, +after all, the truest teaching. She went to her death as Bothwell +went to his, alone, in a strange, unfriendly land. + +Yet, even this, perhaps, was better so. It has at least touched +both their lives with pathos and has made the name of Mary Stuart +one to be remembered throughout all the ages. + + + + + +QUEEN CHRISTINA OF SWEDEN AND THE MARQUIS MONALDESCHI + + +Sweden to-day is one of the peaceful kingdoms of the world, whose +people are prosperous, well governed, and somewhat apart from the +clash and turmoil of other states and nations. Even the secession +of Norway, a few years ago, was accomplished without bloodshed, +and now the two kingdoms exist side by side as free from strife as +they are with Denmark, which once domineered and tyrannized over +both. + +It is difficult to believe that long ago, in the Middle Ages, the +cities of southern Sweden were among the great commercial centers +of the world. Stockholm and Lund ranked with London and Paris. +They absorbed the commerce of the northern seas, and were the +admiration of thousands of travelers and merchants who passed +through them and trafficked with them. + +Much nearer to our own time, Sweden was the great military power +of northern Europe. The ambassadors of the Swedish kings were +received with the utmost deference in every court. Her soldiers +won great battles and ended mighty wars. The England of Cromwell +and Charles II. was unimportant and isolated in comparison with +this northern kingdom, which could pour forth armies of gigantic +blond warriors, headed by generals astute as well as brave. + +It was no small matter, then, in 1626, that the loyal Swedes were +hoping that their queen would give birth to a male heir to succeed +his splendid father, Gustavus Adolphus, ranked by military +historians as one of the six great generals whom the world had so +far produced. The queen, a German princess of Brandenburg, had +already borne two daughters, who died in infancy. The expectation +was wide-spread and intense that she should now become the mother +of a son; and the king himself was no less anxious. + +When the event occurred, the child was seen to be completely +covered with hair, and for this reason the attendants at first +believed that it was the desired boy. When their mistake was +discovered they were afraid to tell the king, who was waiting in +his study for the announcement to be made. At last, when no one +else would go to him, his sister, the Princess Caroline, +volunteered to break the news. + +Gustavus was in truth a chivalrous, high-bred monarch. Though he +must have been disappointed at the advent of a daughter, he showed +no sign of dissatisfaction or even of surprise; but, rising, he +embraced his sister, saying: + +"Let us thank God. I hope this girl will be as good as a boy to +me. May God preserve her now that He has sent her!" + +It is customary at almost all courts to pay less attention to the +birth of a princess than to that of a prince; but Gustavus +displayed his chivalry toward this little daughter, whom he named +Christina. He ordered that the full royal salute should be fired +in every fortress of his kingdom and that displays of fireworks, +balls of honor, and court functions should take place; "for," as +he said, "this is the heir to my throne." And so from the first he +took his child under his own keeping and treated her as if she +were a much-loved son as well as a successor. + +He joked about her looks when she was born, when she was mistaken +for a boy. + +"She will be clever," he said, "for she has taken us all in!" + +The Swedish people were as delighted with their little princess as +were the people of Holland when the present Queen Wilhelmina was +born, to carry on the succession of the House of Orange. On one +occasion the king and the small Christina, who were inseparable +companions, happened to approach a fortress where they expected to +spend the night. The commander of the castle was bound to fire a +royal salute of fifty cannon in honor of his sovereign; yet he +dreaded the effect upon the princess of such a roaring and +bellowing of artillery. He therefore sent a swift horseman to meet +the royal party at a distance and explain his perplexity. Should +he fire these guns or not? Would the king give an order? + +Gustavus thought for a moment, and then replied: + +"My daughter is the daughter of a soldier, and she must learn to +lead a soldier's life. Let the guns be fired!" + +The procession moved on. Presently fire spurted from the +embrasures of the fort, and its batteries thundered in one great +roar. The king looked down at Christina. Her face was aglow with +pleasure and excitement; she clapped her hands and laughed, and +cried out: + +"More bang! More! More! More!" + +This is only one of a score of stories that were circulated about +the princess, and the Swedes were more and more delighted with the +girl who was to be their queen. + +Somewhat curiously, Christina's mother, Queen Maria, cared little +for the child, and, in fact, came at last to detest her almost as +much as the king loved her. It is hard to explain this dislike. +Perhaps she had a morbid desire for a son and begrudged the honors +given to a daughter. Perhaps she was a little jealous of her own +child, who took so much of the king's attention. Afterward, in +writing of her mother, Christina excuses her, and says quite +frankly: + +She could not bear to see me, because I was a girl, and an ugly +girl at that. And she was right enough, for I was as tawny as a +little Turk. + +This candid description of herself is hardly just. Christina was +never beautiful, and she had a harsh voice. She was apt to be +overbearing even as a little girl. Yet she was a most interesting +child, with an expressive face, large eyes, an aquiline nose, and +the blond hair of her people. There was nothing in this to account +for her mother's intense dislike for her. + +It was currently reported at the time that attempts were made to +maim or seriously injure the little princess. By what was made to +seem an accident, she would be dropped upon the floor, and heavy +articles of furniture would somehow manage to strike her. More +than once a great beam fell mysteriously close to her, either in +the palace or while she was passing through the streets. None of +these things did her serious harm, however. Most of them she +luckily escaped; but when she had grown to be a woman one of her +shoulders was permanently higher than the other. + +"I suppose," said Christina, "that I could be straightened if I +would let the surgeons attend to it; but it isn't worth while to +take the trouble." + +When Christina was four, Sweden became involved in the great war +that had been raging for a dozen years between the Protestant and +the Catholic states of Germany. Gradually the neighboring powers +had been drawn into the struggle, either to serve their own ends +or to support the faith to which they adhered. Gustavus Adolphus +took up the sword with mixed motives, for he was full of +enthusiasm for the imperiled cause of the Reformation, and at the +same time he deemed it a favorable opportunity to assert his +control over the shores of the Baltic. + +The warrior king summoned his army and prepared to invade Germany. +Before departing he took his little daughter by the hand and led +her among the assembled nobles and councilors of state. To them he +intrusted the princess, making them kneel and vow that they would +regard her as his heir, and, if aught should happen to him, as his +successor. Amid the clashing of swords and the clang of armor this +vow was taken, and the king went forth to war. + +He met the ablest generals of his enemies, and the fortunes of +battle swayed hither and thither; but the climax came when his +soldiers encountered those of Wallenstein--that strange, +overbearing, arrogant, mysterious creature whom many regarded with +a sort of awe. The clash came at Lutzen, in Saxony. The Swedish +king fought long and hard, and so did his mighty opponent; but at +last, in the very midst of a tremendous onset that swept all +before him, Gustavus received a mortal wound and died, even while +Wallenstein was fleeing from the field of battle. + +The battle of Lutzen made Christina Queen of Sweden at the age of +six. Of course, she could not yet be crowned, but a council of +able ministers continued the policy of the late king and taught +the young queen her first lessons in statecraft. Her intellect +soon showed itself as more than that of a child. She understood +all that was taking place, and all that was planned and arranged. +Her tact was unusual. Her discretion was admired by every one; and +after a while she had the advice and training of the great Swedish +chancellor, Oxenstierna, whose wisdom she shared to a remarkable +degree. + +Before she was sixteen she had so approved herself to her +counselors, and especially to the people at large, that there was +a wide-spread clamor that she should take the throne and govern in +her own person. To this she gave no heed, but said: + +"I am not yet ready." + +All this time she bore herself like a king. There was nothing +distinctly feminine about her. She took but slight interest in her +appearance. She wore sword and armor in the presence of her +troops, and often she dressed entirely in men's clothes. She would +take long, lonely gallops through the forests, brooding over +problems of state and feeling no fatigue or fear. And indeed why +should she fear, who was beloved by all her subjects? + +When her eighteenth year arrived, the demand for her coronation +was impossible to resist. All Sweden wished to see a ruling queen, +who might marry and have children to succeed her through the royal +line of her great father. Christina consented to be crowned, but +she absolutely refused all thought of marriage. She had more +suitors from all parts of Europe than even Elizabeth of England; +but, unlike Elizabeth, she did not dally with them, give them +false hopes, or use them for the political advantage of her +kingdom. + +At that time Sweden was stronger than England, and was so situated +as to be independent of alliances. So Christina said, in her +harsh, peremptory voice: + +"I shall never marry; and why should you speak of my having +children! I am just as likely to give birth to a Nero as to an +Augustus." + +Having assumed the throne, she ruled with a strictness of +government such as Sweden had not known before. She took the reins +of state into her own hands and carried out a foreign policy of +her own, over the heads of her ministers, and even against the +wishes of her people. The fighting upon the Continent had dragged +out to a weary length, but the Swedes, on the whole, had scored a +marked advantage. For this reason the war was popular, and every +one wished it to go on; but Christina, of her own will, decided +that it must stop, that mere glory was not to be considered +against material advantages. Sweden had had enough of glory; she +must now look to her enrichment and prosperity through the +channels of peace. + +Therefore, in 1648, against Oxenstierna, against her generals, and +against her people, she exercised her royal power and brought the +Thirty Years' War to an end by the so-called Peace of Westphalia. +At this time she was twenty-two, and by her personal influence she +had ended one of the greatest struggles of history. Nor had she +done it to her country's loss. Denmark yielded up rich provinces, +while Germany was compelled to grant Sweden membership in the +German diet. + +Then came a period of immense prosperity through commerce, through +economies in government, through the improvement of agriculture +and the opening of mines. This girl queen, without intrigue, +without descending from her native nobility to peep and whisper +with shady diplomats, showed herself in reality a great monarch, a +true Semiramis of the north, more worthy of respect and reverence +than Elizabeth of England. She was highly trained in many arts. +She was fond of study, spoke Latin fluently, and could argue with +Salmasius, Descartes, and other accomplished scholars without +showing any inferiority to them. + +She gathered at her court distinguished persons from all +countries. She repelled those who sought her hand, and she was +pure and truthful and worthy of all men's admiration. Had she died +at this time history would rank her with the greatest of women +sovereigns. Naude, the librarian of Cardinal Mazarin, wrote of her +to the scientist Gassendi in these words: + +To say truth, I am sometimes afraid lest the common saying should +be verified in her, that short is the life and rare the old age of +those who surpass the common limits. Do not imagine that she is +learned only in books, for she is equally so in painting, +architecture, sculpture, medals, antiquities, and all curiosities. +There is not a cunning workman in these arts but she has him +fetched. There are as good workers in wax and in enamel, +engravers, singers, players, dancers here as will be found +anywhere. + +She has a gallery of statues, bronze and marble, medals of gold, +silver, and bronze, pieces of ivory, amber, coral, worked crystal, +steel mirrors, clocks and tables, bas-reliefs and other things of +the kind; richer I have never seen even in Italy; finally, a great +quantity of pictures. In short, her mind is open to all +impressions. + +But after she began to make her court a sort of home for art and +letters it ceased to be the sort of court that Sweden was prepared +for. Christina's subjects were still rude and lacking in +accomplishments; therefore she had to summon men of genius from +other countries, especially from France and Italy. Many of these +were illustrious artists or scholars, but among them were also +some who used their mental gifts for harm. + +Among these latter was a French physician named Bourdelot--a man +of keen intellect, of winning manners, and of a profound cynicism, +which was not apparent on the surface, but the effect of which +last lasting. To Bourdelot we must chiefly ascribe the mysterious +change which gradually came over Queen Christina. With his +associates he taught her a distaste for the simple and healthy +life that she had been accustomed to lead. She ceased to think of +the welfare of the state and began to look down with scorn upon +her unsophisticated Swedes. Foreign luxury displayed itself at +Stockholm, and her palaces overflowed with beautiful things. + +By subtle means Bourdelot undermined her principles. Having been a +Stoic, she now became an Epicurean. She was by nature devoid of +sentiment. She would not spend her time in the niceties of love- +making, as did Elizabeth; but beneath the surface she had a sort +of tigerish, passionate nature, which would break forth at +intervals, and which demanded satisfaction from a series of +favorites. It is probable that Bourdelot was her first lover, but +there were many others whose names are recorded in the annals of +the time. + +When she threw aside her virtue Christina ceased to care about +appearances. She squandered her revenues upon her favorites. What +she retained of her former self was a carelessness that braved the +opinion of her subjects. She dressed almost without thought, and +it is said that she combed her hair not more than twice a month. +She caroused with male companions to the scandal of her people, +and she swore like a trooper when displeased. + +Christina's philosophy of life appears to have been compounded of +an almost brutal licentiousness, a strong love of power, and a +strange, freakish longing for something new. Her political +ambitions were checked by the rising discontent of her people, who +began to look down upon her and to feel ashamed of her shame. +Knowing herself as she did, she did not care to marry. + +Yet Sweden must have an heir. Therefore she chose out her cousin +Charles, declared that he was to be her successor, and finally +caused him to be proclaimed as such before the assembled estates +of the realm. She even had him crowned; and finally, in her +twenty-eighth year, she abdicated altogether and prepared to leave +Sweden. When asked whither she would go, she replied in a Latin +quotation: + +"The Fates will show the way." + +In her act of abdication she reserved to herself the revenues of +some of the richest provinces in Sweden and absolute power over +such of her subjects as should accompany her. They were to be her +subjects until the end. + +The Swedes remembered that Christina was the daughter of their +greatest king, and that, apart from personal scandals, she had +ruled them well; and so they let her go regretfully and accepted +her cousin as their king. Christina, on her side, went joyfully +and in the spirit of a grand adventuress. With a numerous suite +she entered Germany, and then stayed for a year at Brussels, where +she renounced Lutheranism. After this she traveled slowly into +Italy, where she entered Borne on horseback, and was received by +the Pope, Alexander VII., who lodged her in a magnificent palace, +accepted her conversion, and baptized her, giving her a new name, +Alexandra. + +In Rome she was a brilliant but erratic personage, living +sumptuously, even though her revenues from Sweden came in slowly, +partly because the Swedes disliked her change of religion. She was +surrounded by men of letters, with whom she amused herself, and +she took to herself a lover, the Marquis Monaldeschi. She thought +that at last she had really found her true affinity, while +Monaldeschi believed that he could count on the queen's fidelity. + +He was in attendance upon her daily, and they were almost +inseparable. He swore allegiance to her and thereby made himself +one of the subjects over whom she had absolute power. For a time +he was the master of those intense emotions which, in her, +alternated with moods of coldness and even cruelty. + +Monaldeschi was a handsome Italian, who bore himself with a fine +air of breeding. He understood the art of charming, but he did not +know that beyond a certain time no one could hold the affections +of Christina. + +However, after she had quarreled with various cardinals and +decided to leave Rome for a while, Monaldeschi accompanied her to +France, where she had an immense vogue at the court of Louis XIV. +She attracted wide attention because of her eccentricity and utter +lack of manners. It gave her the greatest delight to criticize the +ladies of the French court--their looks, their gowns, and their +jewels. They, in return, would speak of Christina's deformed +shoulder and skinny frame; but the king was very gracious to her +and invited her to his hunting-palace at Fontainebleau. + +While she had been winning triumphs of sarcasm the infatuated +Monaldeschi had gradually come to suspect, and then to know, that +his royal mistress was no longer true to him. He had been +supplanted in her favor by another Italian, one Sentanelli, who +was the captain of her guard. + +Monaldeschi took a tortuous and roundabout revenge. He did not let +the queen know of his discovery; nor did he, like a man, send a +challenge to Sentanelli. Instead he began by betraying her secrets +to Oliver Cromwell, with whom she had tried to establish a +correspondence. Again, imitating the hand and seal of Sentanelli, +he set in circulation a series of the most scandalous and +insulting letters about Christina. By this treacherous trick he +hoped to end the relations between his rival and the queen; but +when the letters were carried to Christina she instantly +recognized their true source. She saw that she was betrayed by her +former favorite and that he had taken a revenge which might +seriously compromise her. + +This led to a tragedy, of which the facts were long obscure. They +were carefully recorded, however, by the queen's household +chaplain, Father Le Bel; and there is also a narrative written by +one Marco Antonio Conti, which confirms the story. Both were +published privately in 1865, with notes by Louis Lacour. + +The narration of the priest is dreadful in its simplicity and +minuteness of detail. It may be summed up briefly here, because it +is the testimony of an eye-witness who knew Christina. + +Christina, with the marquis and a large retinue, was at +Fontainebleau in November, 1657. A little after midnight, when all +was still, the priest, Father Le Bel, was aroused and ordered to +go at once to the Galerie des Cerfs, or Hall of Stags, in another +part of the palace. When he asked why, he was told: + +"It is by the order of her majesty the Swedish queen." + +The priest, wondering, hurried on his garments. On reaching the +gloomy hall he saw the Marquis Monaldeschi, evidently in great +agitation, and at the end of the corridor the queen in somber +robes. Beside the queen, as if awaiting orders, stood three +figures, who could with some difficulty be made out as three +soldiers of her guard. + +The queen motioned to Father Le Bel and asked him for a packet +which she had given him for safe-keeping some little time before. +He gave it to her, and she opened it. In it were letters and other +documents, which, with a steely glance, she displayed to +Monaldeschi. He was confused by the sight of them and by the +incisive words in which Christina showed how he had both insulted +her and had tried to shift the blame upon Sentanelli. + +Monaldeschi broke down completely. He fell at the queen's feet and +wept piteously, begging for pardon, only to be met by the cold +answer: + +"You are my subject and a traitor to me. Marquis, you must prepare +to die!" + +Then she turned away and left the hall, in spite of the cries of +Monaldeschi, to whom she merely added the advice that he should +make his peace with God by confessing to Father Le Bel. + +After she had gone the marquis fell into a torrent of self- +exculpation and cried for mercy. The three armed men drew near and +urged him to confess for the good of his soul. They seemed to have +no malice against him, but to feel that they must obey the orders +given them. At the frantic urging of the marquis their leader even +went to the queen to ask whether she would relent; but he returned +shaking his head, and said: + +"Marquis, you must die." + +Father Le Bel undertook a like mission, but returned with the +message that there was no hope. So the marquis made his confession +in French and Latin, but even then he hoped; for he did not wait +to receive absolution, but begged still further for delay or +pardon. + +Then the three armed men approached, having drawn their swords. +The absolution was pronounced; and, following it, one of the +guards slashed the marquis across the forehead. He stumbled and +fell forward, making signs as if to ask that he might have his +throat cut. But his throat was partly protected by a coat of mail, +so that three or four strokes delivered there had slight effect. +Finally, however, a long, narrow sword was thrust into his side, +after which the marquis made no sound. + +Father Le Bel at once left the Galerie des Cerfs and went into the +queen's apartment, with the smell of blood in his nostrils. He +found her calm and ready to justify herself. Was she not still +queen over all who had voluntarily become members of her suite? +This had been agreed to in her act of abdication. Wherever she set +her foot, there, over her own, she was still a monarch, with full +power to punish traitors at her will. This power she had +exercised, and with justice. What mattered it that she was in +France? She was queen as truly as Louis XIV. was king. + +The story was not long in getting out, but the truth was not +wholly known until a much later day. It was said that Sentanelli +had slapped the marquis in a fit of jealousy, though some added +that it was done with the connivance of the queen. King Louis, the +incarnation of absolutism, knew the truth, but he was slow to act. +He sympathized with the theory of Christina's sovereignty. It was +only after a time that word was sent to Christina that she must +leave Fontainebleau. She took no notice of the order until it +suited her convenience, and then she went forth with all the +honors of a reigning monarch. + +This was the most striking episode in all the strange story of her +private life. When her cousin Charles, whom she had made king, +died without an heir she sought to recover her crown; but the +estates of the realm refused her claim, reduced her income, and +imposed restraints upon her power. She then sought the vacant +throne of Poland; but the Polish nobles, who desired a weak ruler +for their own purposes, made another choice. So at last she +returned to Rome, where the Pope received her with a splendid +procession and granted her twelve thousand crowns a year to make +up for her lessened Swedish revenue. + +From this time she lived a life which she made interesting by her +patronage of learning and exciting by her rather unseemly quarrels +with cardinals and even with the Pope. Her armed retinue marched +through the streets with drawn swords and gave open protection to +criminals who had taken refuge with her. She dared to criticize +the pontiff, who merely smiled and said: + +"She is a woman!" + +On the whole, the end of her life was pleasant. She was much +admired for her sagacity in politics. Her words were listened to +at every court in Europe. She annotated the classics, she made +beautiful collections, and she was regarded as a privileged person +whose acts no one took amiss. She died at fifty-three, and was +buried in St. Peter's. + +She was bred a man, she was almost a son to her great father; and +yet, instead of the sonorous epitaph that is inscribed beside her +tomb, perhaps a truer one would be the words of the vexed Pope: + +"E DONNA!" + + + + + +KING CHARLES II. AND NELL GWYN + + +One might classify the kings of England in many ways. John was +undoubtedly the most unpopular. The impetuous yet far-seeing Henry +II., with the other two great warriors, Edward I. and Edward III., +and William of Orange, did most for the foundation and development +of England's constitutional law. Some monarchs, such as Edward II. +and the womanish Henry VI., have been contemptible. Hard-working, +useful kings have been Henry VII., the Georges, William IV., and +especially the last Edward. + +If we consider those monarchs who have in some curious way touched +the popular fancy without reference to their virtues we must go +back to Richard of the Lion Heart, who saw but little of England, +yet was the best essentially English king, and to Henry V., +gallant soldier and conqueror of France. Even Henry VIII. had a +warm place in the affection of his countrymen, few of whom saw him +near at hand, but most of whom made him a sort of regal +incarnation of John Bull--wrestling and tilting and boxing, eating +great joints of beef, and staying his thirst with flagons of ale-- +a big, healthy, masterful animal, in fact, who gratified the +national love of splendor and stood up manfully in his struggle +with the Pope. + +But if you look for something more than ordinary popularity-- +something that belongs to sentiment and makes men willing to +become martyrs for a royal cause--we must find these among the +Stuart kings. It is odd, indeed, that even at this day there are +Englishmen and Englishwomen who believe their lawful sovereign to +be a minor Bavarian princess in whose veins there runs the Stuart +blood. Prayers are said for her at English shrines, and toasts are +drunk to her in rare old wine. + +Of course, to-day this cult of the Stuarts is nothing but a fad. +No one ever expects to see a Stuart on the English throne. But it +is significant of the deep strain of romance which the six Stuarts +who reigned in England have implanted in the English heart. The +old Jacobite ballads still have power to thrill. Queen Victoria +herself used to have the pipers file out before her at Balmoral to +the "skirling" of "Bonnie Dundee," "Over the Water to Charlie," +and "Wha'll Be King but Charlie!" It is a sentiment that has never +died. Her late majesty used to say that when she heard these tunes +she became for the moment a Jacobite; just as the Empress Eugenie +at the height of her power used pertly to remark that she herself +was the only Legitimist left in France. + +It may be suggested that the Stuarts are still loved by many +Englishmen because they were unfortunate; yet this is hardly true, +after all. Many of them were fortunate enough. The first of them, +King James, an absurd creature, speaking broad Scotch, timid, +foolishly fond of favorites, and having none of the dignity of a +monarch, lived out a lengthy reign. The two royal women of the +family--Anne and Mary--had no misfortunes of a public nature. +Charles II. reigned for more than a quarter of a century, lapped +in every kind of luxury, and died a king. + +The first Charles was beheaded and afterward styled a "saint"; yet +the majority of the English people were against his arrogance, or +else he would have won his great struggle against Parliament. The +second James was not popular at all. Nevertheless, no sooner had +he been expelled, and been succeeded by a Dutchman gnawing +asparagus and reeking of cheeses, than there was already a Stuart +legend. Even had there been no pretenders to carry on the cult, +the Stuarts would still have passed into history as much loved by +the people. + +It only shows how very little in former days the people expected +of a regnant king. Many monarchs have had just a few popular +traits, and these have stood out brilliantly against the darkness +of the background. + +No one could have cared greatly for the first James, but Charles +I. was indeed a kingly personage when viewed afar. He was +handsome, as a man, fully equaling the French princess who became +his wife. He had no personal vices. He was brave, and good to look +upon, and had a kingly mien. Hence, although he sought to make his +rule over England a tyranny, there were many fine old cavaliers to +ride afield for him when he raised his standard, and who, when he +died, mourned for him as a "martyr." + +Many hardships they underwent while Cromwell ruled with his iron +hand; and when that iron hand was relaxed in death, and poor, +feeble Richard Cromwell slunk away to his country-seat, what +wonder is it that young Charles came back to England and caracoled +through the streets of London with a smile for every one and a +happy laugh upon his lips? What wonder is it that the cannon in +the Tower thundered a loud welcome, and that all over England, at +one season or another, maypoles rose and Christmas fires blazed? +For Englishmen at heart are not only monarchists, but they are +lovers of good cheer and merrymaking and all sorts of mirth. + +Charles II. might well at first have seemed a worthier and wiser +successor to his splendid father. As a child, even, he had shown +himself to be no faint-hearted creature. When the great Civil War +broke out he had joined his father's army. It met with disaster at +Edgehill, and was finally shattered by the crushing defeat of +Naseby, which afterward inspired Macaulay's most stirring ballad. + +Charles was then only a child of twelve, and so his followers did +wisely in hurrying him out of England, through the Scilly isles +and Jersey to his mother's place of exile. Of course, a child so +very young could be of no value as a leader, though his presence +might prove an inspiration. + +In 1648, however, when he was eighteen years of age, he gathered a +fleet of eighteen ships and cruised along the English coast, +taking prizes, which he carried to the Dutch ports. When he was at +Holland's capital, during his father's trial, he wrote many +messages to the Parliamentarians, and even sent them a blank +charter, which they might fill in with any stipulations they +desired if only they would save and restore their king. + +When the head of Charles rolled from the velvet-covered block his +son showed himself to be no loiterer or lover of an easy life. He +hastened to Scotland, skilfully escaping an English force, and was +proclaimed as king and crowned at Scone, in 1651. With ten +thousand men he dashed into England, where he knew there were many +who would rally at his call. But it was then that Cromwell put +forth his supreme military genius and with his Ironsides crushed +the royal troops at Worcester. + +Charles knew that for the present all was lost. He showed courage +and address in covering the flight of his beaten soldiers; but he +soon afterward went to France, remaining there and in the +Netherlands for eight years as a pensioner of Louis XIV. He knew +that time would fight for him far more surely than infantry and +horse. England had not been called "Merry England" for nothing; +and Cromwell's tyranny was likely to be far more resented than the +heavy hand of one who was born a king. So Charles at Paris and +Liege, though he had little money at the time, managed to maintain +a royal court, such as it was. + +Here there came out another side of his nature. As a child he had +borne hardship and privation and had seen the red blood flow upon +the battlefield. Now, as it were, he allowed a certain sensuous, +pleasure-loving ease to envelop him. The red blood should become +the rich red burgundy; the sound of trumpets and kettledrums +should give way to the melody of lutes and viols. He would be a +king of pleasure if he were to be king at all. And therefore his +court, even in exile, was a court of gallantry and ease. The Pope +refused to lend him money, and the King of France would not +increase his pension, but there were many who foresaw that Charles +would not long remain in exile; and so they gave him what he +wanted and waited until he could give them what they would ask for +in their turn. + +Charles at this time was not handsome, like his father. His +complexion was swarthy, his figure by no means imposing, though +always graceful. When he chose he could bear himself with all the +dignity of a monarch. He had a singularly pleasant manner, and a +word from him could win over the harshest opponent. + +The old cavaliers who accompanied their master in exile were like +Napoleon's veterans in Elba. With their tall, powerful forms they +stalked about the courtyards, sniffing their disapproval at these +foreign ways and longing grimly for the time when they could once +more smell the pungent powder of the battle-field. But, as Charles +had hoped, the change was coming. Not merely were his own subjects +beginning to long for him and to pray in secret for the king, but +continental monarchs who maintained spies in England began to know +of this. To them Charles was no longer a penniless exile. He was a +king who before long would take possession of his kingdom. + +A very wise woman--the Queen Regent of Portugal--was the first to +act on this information. Portugal was then very far from being a +petty state. It had wealth at home and rich colonies abroad, while +its flag was seen on every sea. The queen regent, being at odds +with Spain, and wishing to secure an ally against that power, made +overtures to Charles, asking him whether a match might not be made +between him and the Princess Catharine of Braganza. It was not +merely her daughter's hand that she offered, but a splendid dowry. +She would pay Charles a million pounds in gold and cede to England +two valuable ports. + +The match was not yet made, but by 1659 it had been arranged. The +Spaniards were furious, for Charles's cause began to appear +successful. + +She was a quaint and rather piteous little figure, she who was +destined to be the wife of the Merry Monarch. Catharine was dark, +petite, and by no means beautiful; yet she had a very sweet +expression and a heart of utter innocence. She had been wholly +convent-bred. She knew nothing of the world. She was told that in +marriage she must obey in all things, and that the chief duty of a +wife was to make her husband happy. + +Poor child! It was a too gracious preparation for a very graceless +husband. Charles, in exile, had already made more than one +discreditable connection and he was already the father of more +than one growing son. + +First of all, he had been smitten by the bold ways of one Lucy +Walters. Her impudence amused the exiled monarch. She was not +particularly beautiful, and when she spoke as others did she was +rather tiresome; but her pertness and the inexperience of the king +when he went into exile made her seem attractive. She bore him a +son, in the person of that brilliant adventurer whom Charles +afterward created Duke of Monmouth. Many persons believe that +Charles had married Lucy Walters, just as George IV. may have +married Mrs. Fitzherbert; yet there is not the slightest proof of +it, and it must be classed with popular legends. + +There was also one Catherine Peg, or Kep, whose son was afterward +made Earl of Plymouth. It must be confessed that in his +attachments to English women Charles showed little care for rank +or station. Lucy Walters and Catherine Peg were very illiterate +creatures. + +In a way it was precisely this sort of preference that made +Charles so popular among the people. He seemed to make rank of no +account, but would chat in the most familiar and friendly way with +any one whom he happened to meet. His easy, democratic manner, +coupled with the grace and prestige of royalty, made friends for +him all over England. The treasury might be nearly bankrupt; the +navy might be routed by the Dutch; the king himself might be too +much given to dissipation; but his people forgave him all, because +everybody knew that Charles would clap an honest citizen on the +back and joke with all who came to see him feed the swans in +Regent's Park. + +The popular name for him was "Rowley," or "Old Rowley"--a nickname +of mysterious origin, though it is said to have been given him +from a fancied resemblance to a famous hunter in his stables. +Perhaps it is the very final test of popularity that a ruler +should have a nickname known to every one. + +Cromwell's death roused all England to a frenzy of king-worship. +The Roundhead, General Monk, and his soldiers proclaimed Charles +King of England and escorted him to London in splendid state. That +was a day when national feeling reached a point such as never has +been before or since. Oughtred, the famous mathematician, died of +joy when the royal emblems were restored. Urquhart, the translator +of Rabelais, died, it is said, of laughter at the people's wild +delight--a truly Rabelaisian end. + +There was the king once more; and England, breaking through its +long period of Puritanism, laughed and danced with more vivacity +than ever the French had shown. All the pipers and the players and +panderers to vice, the mountebanks, the sensual men, and the +lawless women poured into the presence of the king, who had been +too long deprived of the pleasure that his nature craved. +Parliament voted seventy thousand pounds for a memorial to +Charles's father, but the irresponsible king spent the whole sum +on the women who surrounded him. His severest counselor, Lord +Clarendon, sent him a remonstrance. + +"How can I build such a memorial," asked Charles, "when I don't +know where my father's remains are buried!" + +He took money from the King of France to make war against the +Dutch, who had befriended him. It was the French king, too, who +sent him that insidious, subtle daughter of Brittany, Louise de +Keroualle--Duchess of Portsmouth--a diplomat in petticoats, who +won the king's wayward affections, and spied on what he did and +said, and faithfully reported all of it to Paris. She became the +mother of the Duke of Lenox, and she was feared and hated by the +English more than any other of his mistresses. They called her +"Madam Carwell," and they seemed to have an instinct that she was +no mere plaything of his idle hours, but was like some strange +exotic serpent, whose poison might in the end sting the honor of +England. + +There is a pitiful little episode in the marriage of Charles with +his Portuguese bride, Catharine of Braganza. The royal girl came +to him fresh from the cloisters of her convent. There was +something about her grace and innocence that touched the dissolute +monarch, who was by no means without a heart. For a time he +treated her with great respect, and she was happy. At last she +began to notice about her strange faces--faces that were evil, +wanton, or overbold. The court became more and more a seat of +reckless revelry. + +Finally Catharine was told that the Duchess of Cleveland--that +splendid termagant, Barbara Villiers--had been appointed lady of +the bedchamber. She was told at the same time who this vixen was-- +that she was no fit attendant for a virtuous woman, and that her +three sons, the Dukes of Southampton, Grafton, and Northumberland, +were also the sons of Charles. + +Fluttered and frightened and dismayed, the queen hastened to her +husband and begged him not to put this slight upon her. A year or +two before, she had never dreamed that life contained such things +as these; but now it seemed to contain nothing else. Charles spoke +sternly to her until she burst into tears, and then he petted her +and told her that her duty as a queen compelled her to submit to +many things which a lady in private life need not endure. + +After a long and poignant struggle with her own emotions the +little Portuguese yielded to the wishes of her lord. She never +again reproached him. She even spoke with kindness to his +favorites and made him feel that she studied his happiness alone. +Her gentleness affected him so that he always spoke to her with +courtesy and real friendship. When the Protestant mobs sought to +drive her out of England he showed his courage and manliness by +standing by her and refusing to allow her to be molested. + +Indeed, had Charles been always at his best he would have had a +very different name in history. He could be in every sense a king. +He had a keen knowledge of human nature. Though he governed +England very badly, he never governed it so badly as to lose his +popularity. + +The epigram of Rochester, written at the king's own request, was +singularly true of Charles. No man relied upon his word, yet men +loved him. He never said anything that was foolish, and he very +seldom did anything that was wise; yet his easy manners and +gracious ways endeared him to those who met him. + +One can find no better picture of his court than that which Sir +Walter Scott has drawn so vividly in Peveril of the Peak; or, if +one wishes first-hand evidence, it can be found in the diaries of +Evelyn and of Samuel Pepys. In them we find the rakes and dicers, +full of strange oaths, deep drunkards, vile women and still viler +men, all striving for the royal favor and offering the filthiest +lures, amid routs and balls and noisy entertainments, of which it +is recorded that more than once some woman gave birth to a child +among the crowd of dancers. + +No wonder that the little Portuguese queen kept to herself and did +not let herself be drawn into this swirling, roaring, roistering +saturnalia. She had less influence even than Moll Davis, whom +Charles picked out of a coffee-house, and far less than "Madam +Carwell," to whom it is reported that a great English nobleman +once presented pearls to the value of eight thousand pounds in +order to secure her influence in a single stroke of political +business. + +Of all the women who surrounded Charles there was only one who +cared anything for him or for England. The rest were all either +selfish or treacherous or base. This one exception has been so +greatly written of, both in fiction and in history, as to make it +seem almost unnecessary to add another word; yet it may well be +worth while to separate the fiction from the fact and to see how +much of the legend of Eleanor Gwyn is true. + +The fanciful story of her birthplace is most surely quite +unfounded. She was not the daughter of a Welsh officer, but of two +petty hucksters who had their booth in the lowest precincts of +London. In those days the Strand was partly open country, and as +it neared the city it showed the mansions of the gentry set in +their green-walled parks. At one end of the Strand, however, was +Drury Lane, then the haunt of criminals and every kind of wretch, +while nearer still was the notorious Coal Yard, where no citizen +dared go unarmed. + +Within this dreadful place children were kidnapped and trained to +various forms of vice. It was a school for murderers and robbers +and prostitutes; and every night when the torches flared it +vomited forth its deadly spawn. Here was the earliest home of +Eleanor Gwyn, and out of this den of iniquity she came at night to +sell oranges at the entrance to the theaters. She was stage- +struck, and endeavored to get even a minor part in a play; but +Betterton, the famous actor, thrust her aside when she ventured to +apply to him. + +It must be said that in everything that was external, except her +beauty, she fell short of a fastidious taste. She was intensely +ignorant even for that time. She spoke in a broad Cockney dialect. +She had lived the life of the Coal Yard, and, like Zola's Nana, +she could never remember the time when she had known the meaning +of chastity. + +Nell Gwyn was, in fact, a product of the vilest slums of London; +and precisely because she was this we must set her down as +intrinsically a good woman--one of the truest, frankest, and most +right-minded of whom the history of such women has anything to +tell. All that external circumstances could do to push her down +into the mire was done; yet she was not pushed down, but emerged +as one of those rare souls who have in their natures an +uncontaminated spring of goodness and honesty. Unlike Barbara +Villiers or Lucy Walters or Louise de Keroualle, she was neither a +harpy nor a foe to England. + +Charles is said first to have met her when he, incognito, with +another friend, was making the rounds of the theaters at night. +The king spied her glowing, nut-brown face in one of the boxes, +and, forgetting his incognito, went up and joined her. She was +with her protector of the time, Lord Buckhurst, who, of course, +recognized his majesty. + +Presently the whole party went out to a neighboring coffee-house, +where they drank and ate together. When it came time to pay the +reckoning the king found that he had no money, nor had his friend. +Lord Buckhurst, therefore, paid the bill, while Mistress Nell +jeered at the other two, saying that this was the most poverty- +stricken party that she had ever met. + +Charles did not lose sight of her. Her frankness and honest manner +pleased him. There came a time when she was known to be a mistress +of the king, and she bore a son, who was ennobled as the Duke of +St. Albans, but who did not live to middle age. Nell Gwyn was much +with Charles; and after his tempestuous scenes with Barbara +Villiers, and the feeling of dishonor which the Duchess of +Portsmouth made him experience, the girl's good English bluntness +was a pleasure far more rare than sentiment. + +Somehow, just as the people had come to mistrust "Madam Carwell," +so they came to like Nell Gwyn. She saw enough of Charles, and she +liked him well enough, to wish that he might do his duty by his +people; and she alone had the boldness to speak out what she +thought. One day she found him lolling in an arm-chair and +complaining that the people were not satisfied. + +"You can very easily satisfy them," said Nell Gwyn. "Dismiss your +women and attend to the proper business of a king." + +Again, her heart was touched at the misfortunes of the old +soldiers who had fought for Charles and for his father during the +Civil War, and who were now neglected, while the treasury was +emptied for French favorites, and while the policy of England +itself was bought and sold in France. Many and many a time, when +other women of her kind used their lures to get jewels or titles +or estates or actual heaps of money, Nell Gwyn besought the king +to aid these needy veterans. Because of her efforts Chelsea +Hospital was founded. Such money as she had she shared with the +poor and with those who had fought for her royal lover. + +As I have said, she is a historical type of the woman who loses +her physical purity, yet who retains a sense of honor and of +honesty which nothing can take from her. There are not many such +examples, and therefore this one is worth remembering. + +Of anecdotes concerning her there are many, but not often has +their real import been detected. If she could twine her arms about +the monarch's neck and transport him in a delirium of passion, +this was only part of what she did. She tried to keep him right +and true and worthy of his rank; and after he had ceased to care +much for her as a lover he remembered that she had been faithful +in many other things. + +Then there came the death-bed scene, when Charles, in his +inimitable manner, apologized to those about him because he was so +long in dying. A far sincerer sentence was that which came from +his heart, as he cried out, in the very pangs of death: + +"Do not let poor Nelly starve!" + + + + + +MAURICE OF SAXONY AND ADRIENNE LECOUVREUR + + +It is an old saying that to every womanly woman self-sacrifice is +almost a necessity of her nature. To make herself of small account +as compared with the one she loves; to give freely of herself, +even though she may receive nothing in return; to suffer, and yet +to feel an inner poignant joy in all this suffering--here is a +most wonderful trait of womanhood. Perhaps it is akin to the +maternal instinct; for to the mother, after she has felt the throb +of a new life within her, there is no sacrifice so great and no +anguish so keen that she will not welcome it as the outward sign +and evidence of her illimitable love. + +In most women this spirit of self-sacrifice is checked and kept +within ordinary bounds by the circumstances of their lives. In +many small things they do yield and they do suffer; yet it is not +in yielding and in suffering that they find their deepest joy. + +There are some, however, who seem to have been born with an +abnormal capacity for enduring hardship and mental anguish; so +that by a sort of contradiction they find their happiness in +sorrow. Such women are endowed with a remarkable degree of +sensibility. They feel intensely. In moments of grief and +disappointment, and even of despair, there steals over them a sort +of melancholy pleasure. It is as if they loved dim lights and +mournful music and scenes full of sad suggestion. + +If everything goes well with them, they are unwilling to believe +that such good fortune will last. If anything goes wrong with +them, they are sure that this is only the beginning of something +even worse. The music of their lives is written in a minor key. + +Now, for such women as these, the world at large has very little +charity. It speaks slightingly of them as "agonizers." It believes +that they are "fond of making scenes." It regards as an +affectation something that is really instinctive and inevitable. +Unless such women are beautiful and young and charming they are +treated badly; and this is often true in spite of all their +natural attractiveness, for they seem to court ill usage as if +they were saying frankly: + +"Come, take us! We will give you everything and ask for nothing. +We do not expect true and enduring love. Do not be constant or +generous or even kind. We know that we shall suffer. But, none the +less, in our sorrow there will be sweetness, and even in our +abasement we shall feel a sort of triumph." + +In history there is one woman who stands out conspicuously as a +type of her melancholy sisterhood, one whose life was full of +disappointment even when she was most successful, and of indignity +even when she was most sought after and admired. This woman was +Adrienne Lecouvreur, famous in the annals of the stage, and still +more famous in the annals of unrequited--or, at any rate, unhappy +--love. + +Her story is linked with that of a man no less remarkable than +herself, a hero of chivalry, a marvel of courage, of fascination, +and of irresponsibility. + +Adrienne Lecouvreur--her name was originally Couvreur--was born +toward the end of the seventeenth century in the little French +village of Damery, not far from Rheims, where her aunt was a +laundress and her father a hatter in a small way. Of her mother, +who died in childbirth, we know nothing; but her father was a man +of gloomy and ungovernable temper, breaking out into violent fits +of passion, in one of which, long afterward, he died, raving and +yelling like a maniac. + +Adrienne was brought up at the wash-tub, and became accustomed to +a wandering life, in which she went from one town to another. What +she had inherited from her mother is, of course, not known; but +she had all her father's strangely pessimistic temper, softened +only by the fact that she was a girl. From her earliest years she +was unhappy; yet her unhappiness was largely of her own choosing. +Other girls of her own station met life cheerfully, worked away +from dawn till dusk, and then had their moments of amusement, and +even jollity, with their companions, after the fashion of all +children. But Adrienne Lecouvreur was unhappy because she chose to +be. It was not the wash-tub that made her so, for she had been +born to it; nor was it the half-mad outbreaks of her father, +because to her, at least, he was not unkind. Her discontent sprang +from her excessive sensibility. + +Indeed, for a peasant child she had reason to think herself far +more fortunate than her associates. Her intelligence was great. +Ambition was awakened in her before she was ten years of age, when +she began to learn and to recite poems--learning them, as has been +said, "between the wash-tub and the ironing-board," and reciting +them to the admiration of older and wiser people than she. Even at +ten she was a very beautiful child, with great lambent eyes, an +exquisite complexion, and a lovely form, while she had the further +gift of a voice that thrilled the listener and, when she chose, +brought tears to every eye. She was, indeed, a natural +elocutionist, knowing by instinct all those modulations of tone +and varied cadences which go to the hearer's heart. + +It was very like Adrienne Lecouvreur to memorize only such poems +as were mournful, just as in after life she could win success upon +the stage only in tragic parts. She would repeat with a sort of +ecstasy the pathetic poems that were then admired; and she was +soon able to give up her menial work, because many people asked +her to their houses so that they could listen to the divinely +beautiful voice charged with the emotion which was always at her +command. + +When she was thirteen her father moved to Paris, where she was +placed at school--a very humble school in a very humble quarter of +the city. Yet even there her genius showed itself at that early +age. A number of children and young people, probably influenced by +Adrienne, formed themselves into a theatrical company from the +pure love of acting. A friendly grocer let them have an empty +store-room for their performances, and in this store-room Adrienne +Lecouvreur first acted in a tragedy by Corneille, assuming the +part of leading woman. + +Her genius for the stage was like the genius of Napoleon for war. +She had had no teaching. She had never been inside of any theater; +and yet she delivered the magnificent lines with all the power and +fire and effectiveness of a most accomplished actress. People +thronged to see her and to feel the tempest of emotion which shook +her as she sustained her part, which for the moment was as real to +her as life itself. + +At first only the people of the neighborhood knew anything about +these amateur performances; but presently a lady of rank, one Mme. +du Gue, came out of curiosity and was fascinated by the little +actress. Mme. du Gue offered the spacious courtyard of her own +house, and fitted it with some of the appurtenances of a theater. +From that moment the fame of Adrienne spread throughout all Paris. +The courtyard was crowded by gentlemen and ladies, by people of +distinction from the court, and at last even by actors and +actresses from the Comedie Franchise. + +It is, in fact, a remarkable tribute to Adrienne that in her +thirteenth year she excited so much jealousy among the actors of +the Comedie that they evoked the law against her. Theaters +required a royal license, and of course poor little Adrienne's +company had none. Hence legal proceedings were begun, and the most +famous actresses in Paris talked of having these clever children +imprisoned! Upon this the company sought the precincts of the +Temple, where no legal warrant could be served without the express +order of the king himself. + +There for a time the performances still went on. Finally, as the +other children were not geniuses, but merely boys and girls in +search of fun, the little company broke up. Its success, however, +had determined for ever the career of Adrienne. With her beautiful +face, her lithe and exquisite figure, her golden voice, and her +instinctive art, it was plain enough that her future lay upon the +stage; and so at fourteen or fifteen she began where most +actresses leave off--accomplished and attractive, and having had a +practical training in her profession. + +Diderot, in that same century, observed that the truest actor is +one who does not feel his part at all, but produces his effects by +intellectual effort and intelligent observation. Behind the figure +on the stage, torn with passion or rollicking with mirth, there +must always be the cool and unemotional mind which directs and +governs and controls. This same theory was both held and practised +by the late Benoit Constant Coquelin. To some extent it was the +theory of Garrick and Fechter and Edwin Booth; though it was +rejected by the two Keans, and by Edwin Forrest, who entered so +throughly into the character which he assumed, and who let loose +such tremendous bursts of passion that other actors dreaded to +support him on the stage in such parts as Spartacus and Metamora. + +It is needless to say that a girl like Adrienne Lecouvreur flung +herself with all the intensity of her nature into every role she +played. This was the greatest secret of her success; for, with +her, nature rose superior to art. On the other hand, it fixed her +dramatic limitations, for it barred her out of comedy. Her +melancholy, morbid disposition was in the fullest sympathy with +tragic heroines; but she failed when she tried to represent the +lighter moods and the merry moments of those who welcome mirth. +She could counterfeit despair, and unforced tears would fill her +eyes; but she could not laugh and romp and simulate a gaiety that +was never hers. + +Adrienne would have been delighted to act at one of the theaters +in Paris; but they were closed to her through jealousy. She went +into the provinces, in the eastern part of France, and for ten +years she was a leading lady there in many companies and in many +towns. As she blossomed into womanhood there came into her life +the love which was to be at once a source of the most profound +interest and of the most intense agony. + +It is odd that all her professional success never gave her any +happiness. The life of the actress who traveled from town to town, +the crude and coarse experiences which she had to undergo, the +disorder and the unsettled mode of living, all produced in her a +profound disgust. She was of too exquisite a fiber to live in such +a way, especially in a century when the refinements of existence +were for the very few. + +She speaks herself of "obligatory amusements, the insistence of +men, and of love affairs." Yet how could such a woman as Adrienne +Lecouvreur keep herself from love affairs? The motion of the stage +and its mimic griefs satisfied her only while she was actually +upon the boards. Love offered her an emotional excitement that +endured and that was always changing. It was "the profoundest +instinct of her being"; and she once wrote: "What could one do in +the world without loving?" + +Still, through these ten years she seems to have loved only that +she might be unhappy. There was a strange twist in her mind. Men +who were honorable and who loved her with sincerity she treated +very badly. Men who were indifferent or ungrateful or actually +base she seemed to choose by a sort of perverse instinct. Perhaps +the explanation of it is that during those ten years, though she +had many lovers, she never really loved. She sought excitement, +passion, and after that the mournfulness which comes when passion +dies. Thus, one man after another came into her life--some of them +promising marriage--and she bore two children, whose fathers were +unknown, or at least uncertain. But, after all, one can scarcely +pity her, since she had not yet in reality known that great +passion which comes but once in life. So far she had learned only +a sort of feeble cynicism, which she expressed in letters and in +such sayings as these: + +"There are sweet errors which I would not venture to commit again. +My experiences, all too sad, have served to illumine my reason." + +"I am utterly weary of love and prodigiously tempted to have no +more of it for the rest of my life; because, after all, I don't +wish either to die or to go mad." + +Yet she also said: "I know too well that no one dies of grief." + +She had had, indeed, some very unfortunate experiences. Men of +rank had loved her and had then cast her off. An actor, one +Clavel, would have married her, but she would not accept his +offer. A magistrate in Strasburg promised marriage; and then, when +she was about to accept him, he wrote to her that he was going to +yield to the wishes of his family and make a more advantageous +alliance. And so she was alternately caressed and repulsed--a +mere plaything; and yet this was probably all that she really +needed at the time--something to stir her, something to make her +mournful or indignant or ashamed. + +It was inevitable that at last Adrienne Lecouvreur should appear +in Paris. She had won such renown throughout the provinces that +even those who were intensely jealous of her were obliged to give +her due consideration. In 1717, when she was in her twenty-fifth +year, she became a member of the Comedie Franchise. There she made +an immediate and most brilliant impression. She easily took the +leading place. She was one of the glories of Paris, for she became +the fashion outside the theater. For the first time the great +classic plays were given, not in the monotonous singsong which had +become a sort of theatrical convention, but with all the fire and +naturalness of life. + +Being the fashion, Mlle. Lecouvreur elevated the social rank of +actors and of actresses. Her salon was thronged by men and women +of rank. Voltaire wrote poems in her honor. To be invited to her +dinners was almost like receiving a decoration from the king. She +ought to have been happy, for she had reached the summit of her +profession and something more. + +Yet still she was unhappy. In all her letters one finds a +plaintive tone, a little moaning sound that shows how slightly her +nature had been changed. No longer, however, did she throw herself +away upon dullards or brutes. An English peer--Lord Peterborough-- +not realizing that she was different from other actresses of that +loose-lived age, said to her coarsely at his first introduction: + +"Come now! Show me lots of wit and lots of love." + +The remark was characteristic of the time. Yet Adrienne had +learned at least one thing, and that was the discontent which came +from light affairs. She had thrown herself away too often. If she +could not love with her entire being, if she could not give all +that was in her to be given, whether of her heart or mind or soul, +then she would love no more at all. + +At this time there came to Paris a man remarkable in his own +century, and one who afterward became almost a hero of romance. +This was Maurice, Comte de Saxe, as the French called him, his +German name and title being Moritz, Graf von Sachsen, while we +usually term him, in English, Marshal Saxe. Maurice de Saxe was +now, in 1721, entering his twenty-fifth year. Already, though so +young, his career had been a strange one; and it was destined to +be still more remarkable. He was the natural son of Duke Augustus +II. of Saxony, who later became King of Poland, and who is known +in history as Augustus the Strong. + +Augustus was a giant in stature and in strength, handsome, daring, +unscrupulous, and yet extremely fascinating. His life was one of +revelry and fighting and display. When in his cups he would often +call for a horseshoe and twist it into a knot with his powerful +fingers. Many were his mistresses; but the one for whom he cared +the most was a beautiful and high-spirited Swedish girl of rank, +Aurora von Konigsmarck. She was descended from a rough old field- +marshal who in the Thirty Years' War had slashed and sacked and +pillaged and plundered to his heart's content. From him Aurora von +Konigsmarck seemed to have inherited a high spirit and a sort of +lawlessness which charmed the stalwart Augustus of Poland. + +Their son, Maurice de Saxe, inherited everything that was good in +his parents, and a great deal that was less commendable. As a mere +child of twelve he had insisted on joining the army of Prince +Eugene, and had seen rough service in a very strenuous campaign. +Two years later he showed such daring on the battle-field that +Prince Eugene summoned him and paid him a compliment under the +form of a rebuke. + +"Young man," he said, "you must not mistake mere recklessness for +valor." + +Before he was twenty he had attained the stature and strength of +his royal father; and, to prove it, he in his turn called for a +horseshoe, which he twisted and broke in his fingers. He fought on +the side of the Russians and Poles, and again against the Turks, +everywhere displaying high courage and also genius as a commander; +for he never lost his self-possession amid the very blackest +danger, but possessed, as Carlyle says, "vigilance, foresight, and +sagacious precaution." + +Exceedingly handsome, Maurice was a master of all the arts that +pleased, with just a touch of roughness, which seemed not +unfitting in so gallant a soldier. His troops adored him and would +follow wherever he might choose to lead them; for he exercised +over these rude men a magnetic power resembling that of Napoleon +in after years. In private life he was a hard drinker and fond of +every form of pleasure. Having no fortune of his own, a marriage +was arranged for him with the Countess von Loben, who was +immensely wealthy; but in three years he had squandered all her +money upon his pleasures, and had, moreover, got himself heavily +in debt. + +It was at this time that he first came to Paris to study military +tactics. He had fought hard against the French in the wars that +were now ended; but his chivalrous bearing, his handsome person, +and his reckless joviality made him at once a universal favorite +in Paris. To the perfumed courtiers, with their laces and +lovelocks and mincing ways, Maurice de Saxe came as a sort of +knight of old--jovial, daring, pleasure-loving. Even his broken +French was held to be quite charming; and to see him break a +horseshoe with his fingers threw every one into raptures. + +No wonder, then, that he was welcomed in the very highest circles. +Almost at once he attracted the notice of the Princesse de Conti, +a beautiful woman of the blood royal. Of her it has been said that +she was "the personification of a kiss, the incarnation of an +embrace, the ideal of a dream of love." Her chestnut hair was +tinted with little gleams of gold. Her eyes were violet black. Her +complexion was dazzling. But by the king's orders she had been +forced to marry a hunchback--a man whose very limbs were so +weakened by disease and evil living that they would often fail to +support him, and he would fall to the ground, a writhing, +screaming mass of ill-looking flesh. + +It is not surprising that his lovely wife should have shuddered +much at his abuse of her and still more at his grotesque +endearments. When her eyes fell on Maurice de Saxe she saw in him +one who could free her from her bondage. By a skilful trick he led +the Prince de Conti to invade the sleeping-room of the princess, +with servants, declaring that she was not alone. The charge proved +quite untrue, and so she left her husband, having won the sympathy +of her own world, which held that she had been insulted. But it +was not she who was destined to win and hold the love of Maurice +de Saxe. + +Not long after his appearance in the French capital he was invited +to dine with the "Queen of Paris," Adrienne Lecouvreur. Saxe had +seen her on the stage. He knew her previous history. He knew that +she was very much of a soiled dove; but when he met her these two +natures, so utterly dissimilar, leaped together, as it were, +through the indescribable attraction of opposites. He was big and +powerful; she was small and fragile. He was merry, and full of +quips and jests; she was reserved and melancholy. Each felt in the +other a need supplied. + +At one of their earliest meetings the climax came. Saxe was not +the man to hesitate; while she already, in her thoughts, had made +a full surrender. In one great sweep he gathered her into his +arms. It appeared to her as if no man had ever laid his hand upon +her until that moment. She cried out: + +"Now, for the first time in my life, I seem to live!" + +It was, indeed, the very first love which in her checkered career +was really worthy of the name. She had supposed that all such +things were passed and gone, that her heart was closed for ever, +that she was invulnerable; and yet here she found herself clinging +about the neck of this impetuous soldier and showing him all the +shy fondness and the unselfish devotion of a young girl. From this +instant Adrienne Lecouvreur never loved another man and never even +looked at any other man with the slightest interest. For nine long +years the two were bound together, though there were strange +events to ruffle the surface of their love. + +Maurice de Saxe had been sired by a king. He had the lofty +ambition to be a king himself, and he felt the stirrings of that +genius which in after years was to make him a great soldier, and +to win the brilliant victory of Fontenoy, which to this very day +the French are never tired of recalling. Already Louis XV. had +made him a marshal of France; and a certain restlessness came over +him. He loved Adrienne; yet he felt that to remain in the +enjoyment of her witcheries ought not to be the whole of a man's +career. + +Then the Grand Duchy of Courland--at that time a vassal state of +Poland, now part of Russia--sought a ruler. Maurice de Saxe was +eager to secure its throne, which would make him at least semi- +royal and the chief of a principality. He hastened thither and +found that money was needed to carry out his plans. The widow of +the late duke--the Grand Duchess Anna, niece of Peter the Great, +and later Empress of Russia--as soon as she had met this dazzling +genius, offered to help him to acquire the duchy if he would only +marry her. He did not utterly refuse. Still another woman of high +rank, the Grand Duchess Elizabeth of Russia, Peter the Great's +daughter, made him very much the same proposal. + +Both of these imperial women might well have attracted a man like +Maurice de Saxe, had he been wholly fancy-free, for the second of +them inherited the high spirit and the genius of the great Peter, +while the first was a pleasure-seeking princess, resembling some +of those Roman empresses who loved to stoop that they might +conquer. She is described as indolent and sensual, and she once +declared that the chief good in the world was love. Yet, though +she neglected affairs of state and gave them over to favorites, +she won and kept the affections of her people. She was +unquestionably endowed with the magnetic gift of winning hearts. + +Adrienne, who was left behind in Paris, knew very little of what +was going on. Only two things were absolutely clear to her. One +was that if her lover secured the duchy he must be parted from +her. The other was that without money his ambition must be +thwarted, and that he would then return to her. Here was a test to +try the soul of any woman. It proved the height and the depth of +her devotion. Come what might, Maurice should be Duke of Courland, +even though she lost him. She gathered together her whole fortune, +sold every jewel that she possessed, and sent her lover the sum of +nearly a million francs. + +This incident shows how absolutely she was his. But in fact, +because of various intrigues, he failed of election to the ducal +throne of Courland, and he returned to Adrienne with all her money +spent, and without even the grace, at first, to show his +gratitude. He stormed and raged over his ill luck. She merely +soothed and petted him, though she had heard that he had thought +of marrying another woman to secure the dukedom. In one of her +letters she bursts out with the pitiful exclamation: + +I am distracted with rage and anguish. Is it not natural to cry +out against such treachery? This man surely ought to know me--he +ought to love me. Oh, my God! What are we--what ARE we? + +But still she could not give him up, nor could he give her up, +though there were frightful scenes between them--times when he +cruelly reproached her and when her native melancholy deepened +into outbursts of despair. Finally there occurred an incident +which is more or less obscure in parts. The Duchesse de Bouillon, +a great lady of the court--facile, feline, licentious, and eager +for delights--resolved that she would win the love of Maurice de +Saxe. She set herself to win it openly and without any sense of +shame. Maurice himself at times, when the tears of Adrienne proved +wearisome, flirted with the duchess. + +Yet, even so, Adrienne held the first place in his heart, and her +rival knew it. Therefore she resolved to humiliate Adrienne, and +to do so in the place where the actress had always reigned +supreme. There was to be a gala performance of Racine's great +tragedy, "Phedre," with Adrienne, of course, in the title-role. +The Duchesse de Bouillon sent a large number of her lackeys with +orders to hiss and jeer, and, if possible, to break off the play. +Malignantly delighted with her plan, the duchess arrayed herself +in jewels and took her seat in a conspicuous stage-box, where she +could watch the coming storm and gloat over the discomfiture of +her rival. + +When the curtain rose, and when Adrienne appeared as Phedre, an +uproar began. It was clear to the great actress that a plot had +been devised against her. In an instant her whole soul was afire. +The queen-like majesty of her bearing compelled silence throughout +the house. Even the hired lackeys were overawed by it. Then +Adrienne moved swiftly across the stage and fronted her enemy, +speaking into her very face the three insulting lines which came +to her at that moment of the play: + + I am not of those women void of shame, + Who, savoring in crime the joys of peace, + Harden their faces till they cannot blush! + +The whole house rose and burst forth into tremendous applause. +Adrienne had won, for the woman who had tried to shame her rose in +trepidation and hurried from the theater. + +But the end was not yet. Those were evil times, when dark deeds +were committed by the great almost with impunity. Secret poisoning +was a common trade. To remove a rival was as usual a thing in the +eighteenth century as to snub a rival is usual in the twentieth. + +Not long afterward, on the night of March 15, 1730, Adrienne +Lecouvreur was acting in one of Voltaire's plays with all her +power and instinctive art when suddenly she was seized with the +most frightful pains. Her anguish was obvious to every one who saw +her, and yet she had the courage to go through her part. Then she +fainted and was carried home. + +Four days later she died, and her death was no less dramatic than +her life had been. Her lover and two friends of his were with her, +and also a Jesuit priest. He declined to administer extreme +unction unless she would declare that she repented of her +theatrical career. She stubbornly refused, since she believed that +to be the greatest actress of her time was not a sin. Yet still +the priest insisted. + +Then came the final moment. + +"Weary and revolting against this death, this destiny, she +stretched her arms with one of the old lovely gestures toward a +bust which stood near by and cried--her last cry of passion: + +"'There is my world, my hope--yes, and my God!'" + +The bust was one of Maurice de Saxe. + + + + + +THE STORY OF PRINCE CHARLES EDWARD STUART + + +The royal families of Europe are widely known, yet not all of them +are equally renowned. Thus, the house of Romanoff, although +comparatively young, stands out to the mind with a sort of +barbaric power, more vividly than the Austrian house of Hapsburg, +which is the oldest reigning family in Europe, tracing its +beginnings backward until they are lost in the Dark Ages. The +Hohenzollerns of Prussia are comparatively modern, so far as +concerns their royalty. The offshoots of the Bourbons carry on a +very proud tradition in the person of the King of Spain, although +France, which has been ruled by so many members of the family, +will probably never again behold a Bourbon king. The deposed +Braganzas bear a name which is ancient, but which has a somewhat +tinsel sound. + +The Bonapartes, of course, are merely parvenus, and they have had +the good taste to pretend to no antiquity of birth. The first +Napoleon, dining at a table full of monarchs, when he heard one of +them deferentially alluding to the Bonaparte family as being very +old and noble, exclaimed: + +"Pish! My nobility dates from the day of Marengo!" + +And the third Napoleon, in announcing his coming marriage with +Mlle. de Montijo, used the very word "parvenu" in speaking of +himself and of his family. His frankness won the hearts of the +French people and helped to reconcile them to a marriage in which +the bride was barely noble. + +In English history there are two great names to conjure by, at +least to the imaginative. One is Plantagenet, which seems to +contain within itself the very essence of all that is patrician, +magnificent, and royal. It calls to memory at once the lion- +hearted Richard, whose short reign was replete with romance in +England and France and Austria and the Holy Land. + +But perhaps a name of greater influence is that which links the +royal family of Britain today with the traditions of the past, and +which summons up legend and story and great deeds of history. This +is the name of Stuart, about which a whole volume might be written +to recall its suggestions and its reminiscences. + +The first Stuart (then Stewart) of whom anything is known got his +name from the title of "Steward of Scotland," which remained in +the family for generations, until the sixth of the line, by +marriage with Princess Marjory Bruce, acquired the Scottish crown. +That was in the early years of the fourteenth century; and +finally, after the death of Elizabeth of England, her rival's son, +James VI. of Scotland and I. of England, united under one crown +two kingdoms that had so long been at almost constant war. + +It is almost characteristic of the Scot that, having small +territory, little wealth, and a seat among his peers that is +almost ostentatiously humble, he should bit by bit absorb the +possessions of all the rest and become their master. Surely, the +proud Tudors, whose line ended with Elizabeth, must have despised +the "Stewards," whose kingdom was small and bleak and cold, and +who could not control their own vassals. + +One can imagine also, with Sir Walter Scott, the haughty nobles of +the English court sneering covertly at the awkward, shambling +James, pedant and bookworm. Nevertheless, his diplomacy was almost +as good as that of Elizabeth herself; and, though he did some +foolish things, he was very far from being a fool. + +In his appearance James was not unlike Abraham Lincoln--an +unkingly figure; and yet, like Lincoln, when occasion required it +he could rise to the dignity which makes one feel the presence of +a king. He was the only Stuart who lacked anything in form or +feature or external grace. His son, Charles I., was perhaps one of +the worst rulers that England has ever had; yet his uprightness of +life, his melancholy yet handsome face, his graceful bearing, and +the strong religious element in his character, together with the +fact that he was put to death after being treacherously +surrendered to his enemies--all these have combined to make almost +a saint of him. There are Englishmen to-day who speak of him as +"the martyr king," and who, on certain days of the year, say +prayers that beg the Lord's forgiveness because of Charles's +execution. + +The members of the so-called League of the White Rose, founded to +perpetuate English allegiance to the direct line of Stuarts, do +many things that are quite absurd. They refuse to pray for the +present King of England and profess to think that the Princess +Mary of Bavaria is the true ruler of Great Britain. All this +represents that trace of sentiment which lingers among the English +to-day. They feel that the Stuarts were the last kings of England +to rule by the grace of God rather than by the grace of +Parliament. As a matter of fact, the present reigning family in +England is glad to derive its ancient strain of royal blood +through a Stuart--descended on the distaff side from James I., +and winding its way through Hanover. + +This sentiment for the Stuarts is a thing entirely apart from +reason and belongs to the realm of poetry and romance; yet so +strong is it that it has shown itself in the most inconsistent +fashion. For instance, Sir Walter Scott was a devoted adherent of +the house of Hanover. When George IV. visited Edinburgh, Scott was +completely carried away by his loyal enthusiasm. He could not see +that the man before him was a drunkard and braggart. He viewed him +as an incarnation of all the noble traits that ought to hedge +about a king. He snatched up a wine-glass from which George had +just been drinking and carried it away to be an object of +reverence for ever after. Nevertheless, in his heart, and often in +his speech, Scott seemed to be a high Tory, and even a Jacobite. + +There are precedents for this. The Empress Eugenie used often to +say with a laugh that she was the only true royalist at the +imperial court of France. That was well enough for her in her days +of flightiness and frivolity. No one, however, accused Queen +Victoria of being frivolous, and she was not supposed to have a +strong sense of humor. None the less, after listening to the +skirling of the bagpipes and to the romantic ballads which were +sung in Scotland she is said to have remarked with a sort of sigh: + +"Whenever I hear those ballads I feel that England belongs really +to the Stuarts!" + +Before Queen Victoria was born, when all the sons of George III. +were childless, the Duke of Kent was urged to marry, so that he +might have a family to continue the succession. In resenting the +suggestion he said many things, and among them this was the most +striking: + +"Why don't you call the Stuarts back to England? They couldn't +possibly make a worse mess of it than our fellows have!" + +But he yielded to persuasion and married. From this marriage came +Victoria, who had the sacred drop of Stuart blood which gave +England to the Hanoverians; and she was to redeem the blunders and +tyrannies of both houses. + +The fascination of the Stuarts, which has been carried overseas to +America and the British dominions, probably began with the +striking history of Mary Queen of Scots. Her brilliancy and +boldness and beauty, and especially the pathos of her end, have +made us see only her intense womanliness, which in her own day was +the first thing that any one observed in her. So, too, with +Charles I., romantic figure and knightly gentleman. One regrets +his death upon the scaffold, even though his execution was +necessary to the growth of freedom. + +Many people are no less fascinated by Charles II., that very +different type, with his gaiety, his good-fellowship, and his +easy-going ways. It is not surprising that his people, most of +whom never saw him, were very fond of him, and did not know that +he was selfish, a loose liver, and almost a vassal of the king of +France. + +So it is not strange that the Stuarts, with all their arts and +graces, were very hard to displace. James II., with the aid of the +French, fought hard before the British troops in Ireland broke the +backs of both his armies and sent him into exile. Again in 1715--an +episode perpetuated in Thackeray's dramatic story of Henry Esmond +--came the son of James to take advantage of the vacancy caused by +the death of Queen Anne. But it is perhaps to this claimant's son, +the last of the militant Stuarts, that more chivalrous feeling has +been given than to any other. + +To his followers he was the Young Chevalier, the true Prince of +Wales; to his enemies, the Whigs and the Hanoverians, he was "the +Pretender." One of the most romantic chapters of history is the +one which tells of that last brilliant dash which he made upon the +coast of Scotland, landing with but a few attendants and rejecting +the support of a French army. + +"It is not with foreigners," he said, "but with my own loyal +subjects, that I wish to regain the kingdom for my father." + +It was a daring deed, and the spectacular side of it has been +often commemorated, especially in Sir Walter Scott's Waverley. +There we see the gallant prince moving through a sort of military +panorama. Most of the British troops were absent in Flanders, and +the few regiments that could be mustered to meet him were appalled +by the ferocity and reckless courage of the Highlanders, who +leaped down like wildcats from their hills and flung themselves +with dirk and sword upon the British cannon. + +We see Sir John Cope retiring at Falkirk, and the astonishing +victory of Prestonpans, where disciplined British troops fled in +dismay through the morning mist, leaving artillery and supplies +behind them. It is Scott again who shows us the prince, master of +Edinburgh for a time, while the white rose of Stuart royalty held +once more the ancient keep above the Scottish capital. Then we see +the Chevalier pressing southward into England, where he hoped to +raise an English army to support his own. But his Highlanders +cared nothing for England, and the English--even the Catholic +gentry--would not rise to support his cause. + +Personally, he had every gift that could win allegiance. Handsome, +high-tempered, and brave, he could also control his fiery spirit +and listen to advice, however unpalatable it might be. + +The time was favorable. The British troops had been defeated on +the Continent by Marshal Saxe, of whom I have already written, and +by Marshal d'Estrees. George II. was a king whom few respected. He +could scarcely speak anything but German. He grossly ill-treated +his wife. It is said that on one occasion, in a fit of temper, he +actually kicked the prime minister. Not many felt any personal +loyalty to him, and he spent most of his time away from England in +his other domain of Hanover. + +But precisely here was a reason why Englishmen were willing to put +up with him. As between him and the brilliant Stuart there would +have been no hesitation had the choice been merely one of men; but +it was believed that the return of the Stuarts meant the return of +something like absolute government, of taxation without sanction +of law, and of religious persecution. Under the Hanoverian George +the English people had begun to exercise a considerable measure of +self-government. Sharp opposition in Parliament compelled him time +and again to yield; and when he was in Hanover the English were +left to work out the problem of free government. + +Hence, although Prince Charles Edward fascinated all who met him, +and although a small army was raised for his support, still the +unromantic, common-sense Englishmen felt that things were better +than in the days gone by, and most of them refused to take up arms +for the cause which sentimentally they favored. Therefore, +although the Chevalier stirred all England and sent a thrill +through the officers of state in London, his soldiers gradually +deserted, and the Scots insisted on returning to their own +country. Although the Stuart troops reached a point as far south +as Derby, they were soon pushed backward into Scotland, pursued by +an army of about nine thousand men under the Duke of Cumberland, +son of George II. + +Cumberland was no soldier; he had been soundly beaten by the +French on the famous field of Fontenoy. Yet he had firmness and a +sort of overmastering brutality, which, with disciplined troops +and abundant artillery, were sufficient to win a victory over the +untrained Highlanders. + +When the battle came five thousand of these mountaineers went +roaring along the English lines, with the Chevalier himself at +their head. For a moment there was surprise. The Duke of +Cumberland had been drinking so heavily that he could give no +verbal orders. One of his officers, however, is said to have come +to him in his tent, where he was trying to play cards. + +"What disposition shall we make of the prisoners?" asked the +officer. + +The duke tried to reply, but his utterance was very thick. + +"No quarter!" he was believed to say. + +The officer objected and begged that such an order as that should +be given in writing. The duke rolled over and seized a sheaf of +playing-cards. Pulling one out, he scrawled the necessary order, +and that was taken to the commanders in the field. + +The Highlanders could not stand the cannon fire, and the English +won. Then the fury of the common soldiery broke loose upon the +country. + +There was a reign of fantastic and fiendish brutality. One provost +of the town was violently kicked for a mild remonstrance about the +destruction of the Episcopalian meeting-house; another was +condemned to clean out dirty stables. Men and women were whipped +and tortured on slight suspicion or to extract information. +Cumberland frankly professed his contempt and hatred of the people +among whom he found himself, but he savagely punished robberies +committed by private soldiers for their own profit. + +"Mild measures will not do," he wrote to Newcastle. + +When leaving the North in July, he said: + +"All the good we have done is but a little blood-letting, which +has only weakened the madness, but not at all cured it; and I +tremble to fear that this vile spot may still be the ruin of this +island and of our family." + +Such was the famous battle of Culloden, fought in 1746, and +putting a final end to the hopes of all the Stuarts. As to +Cumberland's order for "No quarter," if any apology can be made +for such brutality, it must be found in the fact that the Highland +chiefs had on their side agreed to spare no captured enemy. + +The battle has also left a name commonly given to the nine of +diamonds, which is called "the curse of Scotland," because it is +said that on that card Cumberland wrote his bloodthirsty order. + +Such, in brief, was the story of Prince Charlie's gallant attempt +to restore the kingdom of his ancestors. Even when defeated, he +would not at once leave Scotland. A French squadron appeared off +the coast near Edinburgh. It had been sent to bring him troops and +a large supply of money, but he turned his back upon it and made +his way into the Highlands on foot, closely pursued by English +soldiers and Lowland spies. + +This part of his career is in reality the most romantic of all. He +was hunted closely, almost as by hounds. For weeks he had only +such sleep as he could snatch during short periods of safety, and +there were times when his pursuers came within an inch of +capturing him. But never in his life were his spirits so high. + +It was a sort of life that he had never seen before, climbing the +mighty rocks, and listening to the thunder of the cataracts, among +which he often slept, with only one faithful follower to guard +him. The story of his escape is almost incredible, but he laughed +and drank and rolled upon the grass when he was free from care. He +hobnobbed with the most suspicious-looking caterans, with whom he +drank the smoky brew of the North, and lived as he might on fish +and onions and bacon and wild fowl, with an appetite such as he +had never known at the luxurious court of Versailles or St.-Germain. + +After the battle of Culloden the prince would have been captured +had not a Scottish girl named Flora Macdonald met him, caused him +to be dressed in the clothes of her waiting-maid, and thus got +him off to the Isle of Skye. + +There for a time it was impossible to follow him; and there the +two lived almost alone together. Such a proximity could not fail +to stir the romantic feeling of one who was both a youth and a +prince. On the other hand, no thought of love-making seems to have +entered Flora's mind. If, however, we read Campbell's narrative +very closely we can see that Prince Charles made every advance +consistent with a delicate remembrance of her sex and services. + +It seems to have been his thought that if she cared for him, then +the two might well love; and he gave her every chance to show him +favor. The youth of twenty-five and the girl of twenty-four +roamed together in the long, tufted grass or lay in the sunshine +and looked out over the sea. The prince would rest his head in her +lap, and she would tumble his golden hair with her slender fingers +and sometimes clip off tresses which she preserved to give to +friends of hers as love-locks. But to the last he was either too +high or too low for her, according to her own modest thought. He +was a royal prince, the heir to a throne, or else he was a boy +with whom she might play quite fancy-free. A lover he could not +be--so pure and beautiful was her thought of him. + +These were perhaps the most delightful days of all his life, as +they were a beautiful memory in hers. In time he returned to +France and resumed his place amid the intrigues that surrounded +that other Stuart prince who styled himself James III., and still +kept up the appearance of a king in exile. As he watched the +artifice and the plotting of these make-believe courtiers he may +well have thought of his innocent companion of the Highland wilds. + +As for Flora, she was arrested and imprisoned for five months on +English vessels of war. After her release she was married, in +1750; and she and her husband sailed for the American colonies +just before the Revolution. In that war Macdonald became a British +officer and served against his adopted countrymen. Perhaps because +of this reason Flora returned alone to Scotland, where she died at +the age of sixty-eight. + +The royal prince who would have given her his easy love lived a +life of far less dignity in the years that followed his return to +France. There was no more hope of recovering the English throne. +For him there were left only the idle and licentious diversions of +such a court as that in which his father lived. + +At the death of James III., even this court was disintegrated, and +Prince Charles led a roving life under the title of Earl of +Albany. In his wanderings he met Louise Marie, the daughter of a +German prince, Gustavus Adolphus of Stolberg. She was only +nineteen years of age when she first felt the fascination that he +still possessed; but it was an unhappy marriage for the girl when +she discovered that her husband was a confirmed drunkard. + +Not long after, in fact, she found her life with him so utterly +intolerable that she persuaded the Pope to allow her a formal +separation. The pontiff intrusted her to her husband's brother, +Cardinal York, who placed her in a convent and presently removed +her to his own residence in Rome. + +Here begins another romance. She was often visited by Vittorio +Alfieri, the great Italian poet and dramatist. Alfieri was a man +of wealth. In early years he divided his time into alternate +periods during which he either studied hard in civil and canonical +law, or was a constant attendant upon the race-course, or rushed +aimlessly all over Europe without any object except to wear out +the post-horses which he used in relays over hundreds of miles of +road. His life, indeed, was eccentric almost to insanity; but when +he had met the beautiful and lonely Countess of Albany there came +over him a striking change. She influenced him for all that was +good, and he used to say that he owed her all that was best in his +dramatic works. + +Sixteen years after her marriage her royal husband died, a worn- +out, bloated wreck of one who had been as a youth a model of +knightliness and manhood. During his final years he had fallen to +utter destitution, and there was either a touch of half contempt +or a feeling of remote kinship in the act of George III., who +bestowed upon the prince an annual pension of four thousand +pounds. It showed most plainly that England was now consolidated +under Hanoverian rule. + +When Cardinal York died, in 1807, there was no Stuart left in the +male line; and the countess was the last to bear the royal +Scottish name of Albany. + +After the prince's death his widow is said to have been married to +Alfieri, and for the rest of her life she lived in Florence, +though Alfieri died nearly twenty-one years before her. + +Here we have seen a part of the romance which attaches itself to +the name of Stuart--in the chivalrous young prince, leading his +Highlanders against the bayonets of the British, lolling idly +among the Hebrides, or fallen, at the last, to be a drunkard and +the husband of an unwilling consort, who in her turn loved a +famous poet. But it is this Stuart, after all, of whom we think +when we hear the bagpipes skirling "Over the Water to Charlie" or +"Wha'll be King but Charlie?" + +THE END + + + + + + +The Project Gutenberg Etext of Famous Affinities of History V1, by Lyndon Orr +This file should be named ffnt110.txt or ffnt110.zip + +Corrected EDITIONS of our etexts get a new NUMBER, ffnt111.txt +VERSIONS based on separate sources get new LETTER, ffnt110a.txt + +This text was produced by Robert Rowe, Charles Franks +and the Online Distributed Proofreading Team. + +More information about this book is at the top of this file. + +We are now trying to release all our etexts one year in advance +of the official release dates, leaving time for better editing. +Please be encouraged to tell us about any error or corrections, +even years after the official publication date. + +Please note neither this listing nor its contents are final til +midnight of the last day of the month of any such announcement. +The official release date of all Project Gutenberg Etexts is at +Midnight, Central Time, of the last day of the stated month. 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