summaryrefslogtreecommitdiff
path: root/48619.txt
diff options
context:
space:
mode:
Diffstat (limited to '48619.txt')
-rw-r--r--48619.txt2283
1 files changed, 0 insertions, 2283 deletions
diff --git a/48619.txt b/48619.txt
deleted file mode 100644
index 76a0584..0000000
--- a/48619.txt
+++ /dev/null
@@ -1,2283 +0,0 @@
- BLACKIE & SON'S ILLUSTRATED STORY BOOKS CATALOGUE, 1889
-
-
-
-
-This ebook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this ebook or online at
-http://www.gutenberg.org/license. If you are not located in the United
-States, you'll have to check the laws of the country where you are
-located before using this ebook.
-
-
-
-Title: Blackie & Son's Illustrated Story Books Catalogue, 1889
-Author: Blackie & Son
-Release Date: March 31, 2015 [EBook #48619]
-Language: English
-Character set encoding: US-ASCII
-
-
-*** START OF THIS PROJECT GUTENBERG EBOOK BLACKIE & SON'S ILLUSTRATED
-STORY BOOKS CATALOGUE, 1889 ***
-
-
-
-
-Produced by Al Haines.
-
-
-
-
-
- *Blackie & Son's
- Illustrated Story Books*
-
- 1889
-
-
-
-
- _*HISTORICAL TALES BY*_
-
-
-*G. A. HENTY*
-
-*With Kitchener in the Soudan:*
-
-A Tale of Atbara and Omdurman.
-
-With 10 Illustrations by W. RAINEY, R.I., and 3 Maps. 6s.
-
-In carrying out various special missions with which he is entrusted the
-hero displays so much dash and enterprise that he soon attains an
-exceptionally high rank for his age. In all the operations he takes a
-distinguished part, and adventure follows so close on adventure that the
-end of the story is reached all too soon.
-
- "Mr. Henty has collected a vast amount of information about the
- reconquest of the Soudan, and he succeeds in impressing it upon
- his reader's mind at the very time when he is interesting him
- most."--_Literary World_.
-
-
-*With the British Legion:*
-
-*A Story of the Carlist Wars.*
-
-With 10 Illustrations by WAL PAGET. 6s.
-
-The hero joins the British Legion, which was raised by Sir de Lacy Evans
-to support the cause of Queen Christina and the infant Queen Isabella,
-and as soon as he sets foot on Spanish soil his adventures begin. Arthur
-is one of Mr. Henty's most brilliant heroes, and the tale of his
-experiences is thrilling and breathless from first to last.
-
- "It is a rattling story told with verve and spirit."--_Pall Mall
- Gazette_.
-
-
-*The Treasure of the Incas:*
-
-*A Tale of Adventure in Peru.*
-
-With 8 Illustrations by WAL PAGET, and a Map. 5s.
-
-The heroes of this powerful story go to Peru to look for the treasure
-which the Incas hid when the Spaniards invaded the country. Their task
-is both arduous and dangerous, but though they are often disappointed,
-their courage and perseverance are at last amply rewarded.
-
- "The interest never flags for one moment, and the story is told
- with vigour."--_World_.
-
-
- (1)
-
-
- * * * * *
-
-[Illustration: _From WITH THE BRITISH LEGION_
-by G. A. Henty (See page 1)]
-
-
- (2)
-
-
- * * * * *
-
-
-*G. A. HENTY*
-
-*With Roberts to Pretoria:*
-
-A Tale of the South African War.
-
-With 12 Illustrations by WILLIAM RAINEY, R.I., and a Map. 6s.
-
-
-The hero takes part in the series of battles that end in the disaster at
-Magersfontein, is captured and imprisoned in the race-course at
-Pretoria, but escapes in time to fight at Paardeberg and march with the
-victorious army to Bloemfontein. He rides with Colonel Mahon's column
-to the relief of Mafeking, and accomplishes the return journey with such
-despatch as to be able to join in the triumphant advance to Pretoria.
-
- "In this story of the South African war Mr. Henty proves once
- more his incontestable pre-eminence as a writer for
- boys."--_Standard_.
-
-
-*Both Sides the Border:*
-
-A Tale of Hotspur and Glendower.
-
-With 12 page Illustrations by RALPH PEACOCK. 6s.
-
-The hero casts in his lot with the Percys, and becomes esquire to Sir
-Henry, the gallant Hotspur. He is sent on several dangerous and
-important missions in which he acquits himself with great valour.
-
- "With boys the story should rank among Mr. Henty's
- best."--_Standard_.
-
- "A vivid picture of that strange past ... when England and
- Scotland ... were torn by faction and civil war."--_Onward_.
-
-
-*Through Russian Snows:*
-
-or, Napoleon's Retreat from Moscow.
-
-With 8 page Illustrations by W. H. OVEREND. 5s.
-
-Julian Wyatt becomes, quite innocently, mixed up with smugglers, who
-carry him to France, and hand him over as a prisoner to the French. He
-subsequently regains his freedom by joining Napoleon's army in the
-campaign against Russia.
-
- "The story of the campaign is very graphically told."--_St.
- James's Gazette_.
-
- "One of Mr. Henty's best books, which will be hailed with joy by
- his many eager readers."--_Journal of Education_.
-
- "Is full of life and action."--_Journal of Education_.
-
-
-*Out with Garibaldi:*
-
-A Story of the Liberation of Italy.
-
-With 8 page Illustrations by W. RAINEY, R.I., and two Maps. 5s.
-
-Mr. Henty makes the liberation of Italy by Garibaldi the groundwork of
-an exciting tale of adventure. The hero is an English lad who joins the
-expedition and takes a prominent part in the extraordinary series of
-operations that ended in the fall of the Neapolitan kingdom.
-
- "A first-rate story of stirring deeds."--_Daily Chronicle_.
-
- "Full of hard fighting, gallant rescues, and narrow
- escapes."--_Graphic_.
-
-
- (3)
-
-
- * * * * *
-
-*G. A. HENTY*
-
-*At the Point of the Bayonet:*
-
-A Tale of the Mahratta War.
-
-With 12 Illustrations by WAL PAGET, and 2 Maps. 6s.
-
-Harry Lindsay is carried off to the hills and brought up as a Mahratta.
-At the age of sixteen he becomes an officer in the service of the
-Mahratta prince at Poona, and afterwards receives a commission in the
-army of the East India Company. His courage and enterprise are rewarded
-by quick promotion, and at the end of the war he sails for England,
-where he succeeds in establishing his right to the family estates.
-
- "A brisk, dashing narrative."--_Bookman_.
-
-
-*Under Wellington's Command:*
-
-A Tale of the Peninsular War.
-
-With 12 page Illustrations by WAL PAGET. 6s.
-
-In this stirring romance Mr. Henty gives us the further adventures of
-Terence O'Connor, the hero of _With Moore at Corunna_. We are told how,
-in alliance with a small force of Spanish guerrillas, the gallant
-regiment of Portuguese levies commanded by Terence keeps the whole of
-the French army in check at a critical period of the war, rendering
-invaluable service to the Iron Duke and his handful of British troops.
-
- "An admirable exposition of Mr. Henty's masterly method of
- combining instruction with amusement."--_World_.
-
-
-*To Herat and Cabul:*
-
-A Story of the First Afghan War.
-
-With 8 full-page Illustrations by C. M. SHELDON, and Map. 5s.
-
-The hero takes a distinguished part in the defence of Herat, and
-subsequently obtains invaluable information for the British army during
-the first Afghan war. He is fortunately spared the horrors of the
-retreat from Cabul, and shares in the series of operations by which that
-most disastrous blunder was retrieved.
-
- "We can heartily commend it to boys, old and
- young."--_Spectator_.
-
-
-*With Cochrane the Dauntless:*
-
-A Tale of his Exploits.
-
-With 12 page Illustrations by W. H. MARGETSON. 6s.
-
-It would be hard to find, even in sensational fiction, a more daring
-leader than Lord Cochrane, or a career which supplies so many thrilling
-exploits. The manner in which, almost single-handed, he scattered the
-French fleet in the Basque Roads is one of the greatest feats in English
-naval history.
-
- "As rousing and interesting a book as boys could wish
- for."--_Saturday Review_.
-
- "This tale we specially recommend."--_St. James's Gazette_.
-
-
- (4)
-
-
- * * * * *
-
-*G. A. HENTY*
-
-*Redskin and Cow-Boy:*
-
-A Tale of the Western Plains
-
-With 12 page Illustrations by ALFRED PEARSE. 6s.
-
-Hugh Tunstall accompanies a frontiersman on a hunting expedition on the
-Plains, and then seeks employment as a cow-boy on a cattle ranch. His
-experiences during a "round up" present in picturesque form the
-toilsome, exciting, adventurous life of a cow-boy; while the perils of a
-frontier settlement are vividly set forth. Subsequently, the hero joins
-a wagon-team, and the interest is sustained in a fight with, and capture
-of, brigands.
-
- "A strong interest of open-air life and movement pervades the
- whole book."--_Scotsman_.
-
-
-*With Buller in Natal:*
-
-or, A Born Leader.
-
-With 10 page Illustrations by W. RAINEY, R.I., and a Map. 6s.
-
-The heroic story of the relief of Ladysmith forms the theme of one of
-the most powerful romances that have come from Mr. Henty's pen. When the
-war breaks out, the hero, Chris King, and his friends band themselves
-together under the title of the Maritzburg Scouts. From first to last
-the boy scouts are constantly engaged in perilous and exciting
-enterprises, from which they always emerge triumphant, thanks to their
-own skill and courage, and the dash and ingenuity of their leader.
-
- "Just the sort of book to inspire an enterprising boy."--_Army
- and Navy Gazette_.
-
-
-*By England's Aid:*
-
-or, The Freeing of the Netherlands (1585-1604).
-
-With 10 page Illustrations by ALFRED PEARSE, and 4 Maps. 6s.
-
-Two English lads go to Holland in the service of one of "the fighting
-Veres". After many adventures one of the lads finds himself on board a
-Spanish ship at the defeat of the Armada, and escapes from Spain only to
-fall into the hands of the Corsairs. He is successful, however, in
-getting back to Spain, and regains his native country after the capture
-of Cadiz.
-
- "Boys know and love Mr. Henty's books of adventure, and will
- welcome his tale of the freeing of the
- Netherlands."--_Athaeneum_.
-
-
-*Condemned as a Nihilist:*
-
-A Story of Escape from Siberia.
-
-With 8 page Illustrations by WAL PAGET. 5s.
-
-Godfrey Bullen, a young Englishman resident in St. Petersburg, becomes
-involved in various political plots, resulting in his seizure and exile
-to Siberia. After an unsuccessful attempt to escape, he gives himself
-up to the Russian authorities. Eventually he escapes, and reaches home,
-having safely accomplished a perilous journey which lasts nearly two
-years.
-
- "The escape from Siberia is well told and the description of
- prison life is very graphic."--_Academy_.
-
-
- (5)
-
-
- * * * * *
-
-[Illustration: _From THE TREASURE OF THE INCAS_
-By G. A. HENTY (See page 1)]
-
-
- (6)
-
-
- * * * * *
-
-*G. A. HENTY*
-
-*Maori and Settler:*
-
-A Story of the New Zealand War
-
-With 8 page Illustrations by ALFRED PEARSE. 5s.
-
-The Renshaws lose their property and emigrate to New Zealand. Wilfrid,
-a strong, self-reliant lad, is the mainstay of the household. The odds
-seem hopelessly against the party, but they succeed in establishing
-themselves happily in one of the pleasantest of the New Zealand valleys.
-
- "A book which all young people, but especially boys, will read
- with avidity."--_Athaeneum_.
-
-
-*Beric the Briton:*
-
-A Story of the Roman Invasion of Britain
-
-With 12 page Illustrations by W. PARKINSON. 6s.
-
-Beric is a boy-chief of a British tribe which takes a prominent part in
-the insurrection under Boadicea: and after the defeat of that heroic
-queen he continues the struggle in the fen-country. Ultimately Beric is
-defeated and carried captive to Rome, where he succeeds in saving a
-Christian man by slaying a lion in the arena, and is rewarded by being
-made the personal protector of Nero. Finally, he escapes and returns to
-Britain, where he becomes a wise ruler of his own people.
-
- "He is a hero of the most attractive kind.... One of the most
- spirited and well-imagined stories Mr. Henty has
- written."--_Saturday Review_.
-
- "His conflict with a lion in the arena is a thrilling
- chapter."--_School Beard Chronicle_.
-
- "Full of every form of heroism and pluck."--_Christian World_.
-
-
-*The Dash for Khartoum:*
-
-A Tale of the Nile Expedition.
-
-With 10 page Illustrations by JOHN SCHOeNBERG and J. NASH. 6s.
-
-In the record of recent British history there is no more captivating
-page for boys than the story of the Nile campaign, and the attempt to
-rescue General Gordon. For, in the difficulties which the expedition
-encountered, and in the perils which it overpassed, are found all the
-excitement of romance, as well as the fascination which belongs to real
-events.
-
- "_The Dash for Khartoum_ is your ideal boys' book."--_Tablet_.
-
- "It is literally true that the narrative never flags a
- moment."--_Academy_.
-
- "Thec Dash for Khartoum will be appreciated even by those who
- don't ordinarily care a dash for anything."--_Punch_.
-
-
-*With Wolfe in Canada:*
-
-or, The Winning of a Continent.
-
-With 12 page Illustrations by GORDON BROWNE. 6s.
-
-Mr. Henty tells the story of the struggle between Britain and France for
-supremacy on the North American continent. The fall of Quebec decided
-that the Anglo-Saxon race should predominate in the New World; that
-Britain, and not France, should take the lead among the nations.
-
- "A moving tale of military exploit and thrilling
- adventure."--_Daily News_.
-
-
- (7)
-
-
- * * * * *
-
-*G. A. HENTY*
-
-*Held Fast for England:*
-
-A Tale of the Siege of Gibraltar.
-
-With 8 page Illustrations by GORDON BROWNE. 5s.
-
-The story deals with one of the most memorable sieges in history. The
-hero, a young Englishman resident in Gibraltar, takes a brave and worthy
-part in the long defence, and we learn with what bravery,
-resourcefulness, and tenacity the Rock was held for England.
-
- "There is no cessation of exciting incident throughout the
- story."--_Athaeneum_.
-
-
-
-*In the Irish Brigade:*
-
-A Tale of War in Flanders and Spain.
-
-With 12 page Illustrations by CHARLES M. SHELDON. 6s.
-
-The hero is a young officer in the Irish Brigade, which for many years
-after the siege of Limerick formed the backbone of the French army. He
-goes through many stirring adventures, successfully carries out
-dangerous missions in Spain, saves a large portion of the French army at
-Oudenarde, and even has the audacity to kidnap the Prime Minister of
-England.
-
- A stirring book of military adventure."--_Scotsman_.
-
-
-
-*At Agincourt:*
-
-A Tale of the White Hoods of Paris.
-
-With 12 page Illustrations by WAL PAGET. 6s.
-
-Sir Eustace de Villeroy, in journeying from Hampshire to his castle in
-France, made young Guy Aylmer one of his escort. Soon thereafter the
-castle was attacked, and the English youth displayed such valour that
-his liege-lord made him commander of a special mission to Paris. This
-he accomplished, returning in time to take part in the campaign against
-the French which ended in the glorious victory for England at Agincourt.
-
- "Cannot fail to commend itself to boys of all
- ages."--_Manchester Courier_.
-
-
-*A Final Reckoning:*
-
-A Tale of Bush Life in Australia.
-
-With 8 page Illustrations by W. B. WOLLEN. 5s.
-
-The hero, a young Englishman, emigrates to Australia, where he gets
-employment as an officer in the mounted police. A few years of active
-work gain him promotion to a captaincy. In that post he greatly
-distinguishes himself, and finally leaves the service and settles down
-as a squatter.
-
- "A stirring story capitally told."--_Guardian_.
-
-
- (8)
-
-
- * * * * *
-
- *Blackie & Son's
- Story Books for Boys*
-
-
-*G. MANVILLE FENN*
-
-*Dick o' the Fens:*
-
-A Romance of the Great East Swamp.
-
-With 12 page Illustrations by FRANK DADD. 6s.
-
-Dick o' the Fens and Tom o' Grimsey are the sons of a squire and a
-farmer living in Lincolnshire. Many sketches of their shooting and
-fishing experiences are related, while the record of the fenmen's
-stealthy resistance to the great draining scheme is full of keen
-interest. The ambushes and shots in the mist and dark, and the
-long-baffled attempts to trace the lurking foe, are described with Mr.
-Fenn's wonted skill.
-
- "Mr. Fenn has here very nearly attained perfection. Life in the
- Fens in the old ante-drainage days is admirably reproduced. We
- have not of late come across a historical fiction, whether
- intended for boys or for men, which deserves to be so heartily
- praised as regards plot, incidents, and spirit. It is its
- author's masterpiece as yet."--_Spectator_.
-
-
-*Nat the Naturalist:*
-
-A Boy's Adventures in the Eastern Seas.
-
-With 8 page Pictures by GORDON BROWNE. 5s.
-
-The boy Nat and his uncle go on a voyage to the islands of the Eastern
-seas to seek specimens in natural history, and their adventures there
-are full of interest and excitement. The descriptions of Mr. Ebony,
-their black comrade, and of the scenes of savage life sparkle with
-genuine humour.
-
- "This book encourages independence of character, develops
- resource, and teaches a boy to keep his eyes open."--_Saturday
- Review_.
-
-
-*The Golden Magnet:*
-
-A Tale of the Land of the Incas.
-
-With 12 page Illustrations by GORDON BROWNE. 3s.
-
-The tale is of a romantic youth, who leaves home to seek his fortune in
-South America. He is accompanied by a faithful companion, who, in the
-capacity both of comrade and henchman, does true service, and shows the
-dogged courage of an English lad during their strange adventures.
-
- "There could be no more welcome present for a boy. There is not
- a dull page, and many will be read with breathless
- interest."--_Journal of Education_.
-
-
- (9)
-
-
- * * * * *
-
-[Illustration: _From THE DIAMOND SEEKERS_
-By ERNEST GLANVILLE (See page 11)]
-
-
- (10)
-
-
- * * * * *
-
-*Dr. GORDON STABLES, R.N.*
-
-*In the Great White Land:*
-
-A Tale of the Antarctic Ocean.
-
-With 6 Illustrations by J. A. WALTON. 3s. 6d.
-
-This is a most fascinating story from beginning to end. It is a true
-picture of what daring healthful British men and boys can do, written by
-an author whose name is a household word wherever the English language
-is spoken. All is described with a master's hand, and the plot is just
-such as boys love.
-
- "The narrative goes with a swing and a dash from start to
- finish."--_Public Opinion_.
-
-
-
-*ERNEST GLANVILLE*
-
-*The Diamond Seekers:*
-
-A Story of Adventure in South Africa.
-
-With 8 Illustrations by WILLIAM RAINEY, R.I. 6s.
-
-The discovery of the plan of the diamond mine, the dangers incurred in
-reaching the wild, remote spot in an armoured wagon, and the many
-incidents of farm and veldt life, are vividly described by an author who
-knows the country well.
-
- "We have seldom seen a better story for boys."--_Guardian_.
-
-
-
-*Capt. F. S. BRERETON, R.A.M.C.*
-
-*One of the Fighting Scouts:*
-
-A Tale of Guerrilla Warfare in South Africa.
-
-With 8 Illustrations by STANLEY L. WOOD, and a Map. 5s.
-
-This story deals with the guerrilla aspect of the Boer War, and shows
-how George Ransome is compelled to leave his father's farm and take
-service with the British. He is given the command of a band of scouts
-as a reward for gallantry, and with these he punishes certain rebels for
-a piece of rascality, and successfully attacks Botha's commando. Thanks
-to his knowledge of the veldt he is of signal service to his country,
-and even outwits the redoubtable De Wet.
-
- "Altogether an unusually good story."--_Yorkshire Post_.
-
-
-*Under the Spangled Banner:*
-
-A Tale of the Spanish-American War.
-
-With 8 Illustrations by PAUL HARDY. 5s.
-
-Hal Marchant is in Cuba before the commencement of hostilities. A
-Spaniard who has been frustrated in an attempt to rob Hal's employer
-attacks the hacienda and is defeated, but turns the tables by denouncing
-Hal as a spy. The hero makes good his escape from Santiago, and
-afterwards fights for America both on land and at sea. The story gives
-a vivid and at the same time accurate account of this memorable
-struggle.
-
- "Just the kind of book that a boy would delight
- in."--_Schoolmaster_.
-
-
- (11)
-
-
- * * * * *
-
-*FREDERICK HARRISON*
-
-*The Boys of Wynport College.*
-
-With 6 Illustrations by HAROLD COPPING. 3s. _New Edition_.
-
-The hero and his chums differ as widely in character as in personal
-appearance. We have Patrick O'Fflahertie, the good-natured Irish boy;
-Jack Brookes, the irrepressible humorist; Davie Jackson, the
-true-hearted little lad, on whose haps and mishaps the plot to a great
-extent turns; and the hero himself, who finds in his experiences at
-Wynport College a wholesome corrective of a somewhat lax home training.
-
- "A book which no well-regulated school-boy should be
- without."--_Whitehall Review_.
-
-
-
-*LEON GOLSCHMANN*
-
-*Boy Crusoes:*
-
-A Story of the Siberian Forest.
-
-Adapted from the Russian by LEON GOLSCHMANN.
-
-With 6 page Illustrations by J. FINNEMORE, R.I. 3s. 6d.
-
-Two Russian lads are so deeply impressed by reading Robinson Crusoe that
-they run away from home. They lose their way in a huge trackless forest,
-and for two years are kept busy hunting for food, fighting against
-wolves and other enemies, and labouring to increase their comforts,
-before they are rescued.
-
- "This is a story after a boy's own heart."--_Nottingham
- Guardian_.
-
-
-
-*MEREDITH FLETCHER*
-
-Every Inch a Briton:
-
-A School story
-
-With 6 page Illustrations by SYDNEY COWELL. 3s. 6d.
-
-This story is written from the point of view of an ordinary boy, who
-gives an animated account of a young public-schoolboy's life. No moral
-is drawn; yet the story indicates a kind of training that goes to
-promote veracity, endurance, and enterprise; and of each of several of
-the characters it might be truly said, he is worthy to be called, "Every
-Inch a Briton".
-
- "In _Every Inch a Briton_ Mr. Meredith Fletcher has scored a
- success."--_Manchester Guardian_.
-
-
-
-*EDGAR PICKERING*
-
-*In Press-Gang Days.*
-
-With 4 illustrations by W. S. STACEY. 2s. 6d. _New Edition_.
-
-In this story Harry Waring is caught by the Press-gang and carried on
-board His Majesty's ship _Sandwich_. He takes part in the mutiny of the
-Nore, and shares in some hard fighting on board the _Phoenix_. He is
-with Nelson, also, at the storming of Santa Cruz, and the battle of the
-Nile.
-
- "It is of Marryat, that friend of our boyhood, we think as we
- read this delightful story; for it is not only a story of
- adventure, with incidents well-conceived and arranged, but the
- characters are interesting and well-distinguished."--_Academy_.
-
-
- (12)
-
-
- * * * * *
-
-*FRED SMITH*
-
-*The Boyhood of a Naturalist.*
-
-With 6 page Illustrations. 3s. 6d. _New Edition_.
-
-Few lovers of Nature have given to the world a series of recollections
-so entertaining, so vigorous, and so instinct with life as these
-delightful reminiscences. The author takes the reader with him in the
-rambles in which he spent the happiest hours of his boyhood, a humble
-observer of the myriad forms of life in field and copse, by stream and
-hedgerow.
-
- "We cannot too highly recommend the book to all
- readers."--_Guardian_.
-
-
-*The World of Animal Life.*
-
-Edited by Fred Smith. Profusely Illustrated with Engravings after F.
-SPECHT and other eminent artists. 5s.
-
-The aim of _The World of Animal Life_ is to give in non-scientific
-language an account of those inhabitants of the land, sea, and sky with
-whose names we are all familiar, but concerning whose manner of life the
-majority of us have only the haziest conceptions.
-
- "An admirable volume for the young mind enquiring after
- Nature.--_Birmingham Gazette_.
-
-
-
-*EDGAR PICKERING*
-
-_An Old-Time Yarn:*_
-
-Adventures in the West Indies and Mexico with Hawkins and Drake.
-
-With 6 page Illustrations by ALFRED PEARSE. 3s. 6d.
-
-The hero sails from Plymouth in the flagship of Master John Hawkins.
-Divers are the perils through which he passes. Chief of these are the
-destruction of the English ships by the treacherous Spaniards, the fight
-round the burning vessels, the journey of the prisoners to the city of
-Mexico, the horrors of the Inquisition, and the final escape to England.
-
- "An excellent story of adventure.... The book is thoroughly to
- be recommended."--_Guardian_.
-
-
-
-*CLIVE PHILLIPPS-WOLLEY*
-
-*Gold, Gold in Cariboo:*
-
-A Story of Adventure in British Columbia.
-
-With 4 Illustrations by G. C. HINDLEY. 1s. 6d. _New Edition_.
-
-Ned Corbett, a young Englishman, and his companion set out with a
-pack-train in order to obtain gold on the upper reaches of the Fraser
-River. After innumerable adventures, and a life-and-death struggle with
-the Arctic weather of that wild region, they find the secret gold-mines
-for which they have toilsomely searched.
-
- "It would be difficult to say too much in favour of _Gold, Gold
- in Cariboo_. We have seldom read a more exciting tale of wild
- mining adventure in a singularly inaccessible country. There is
- a capital plot, and the interest is sustained to the last
- page."--_The Times_.
-
-
- (13)
-
-
- * * * * *
-
-*ROBERT LEIGHTON*
-
-*The Golden Galleon.*
-
-With 6 Illustrations by W. RAINEY, R.I. 3s. _New Edition_.
-
-Gilbert Oglander, and his friend, Timothy Trollope, join in Lord Thomas
-Howard's expedition to intercept the Spanish treasure-fleet from the
-West Indies, and are on board _The Revenge_ in the memorable fight
-between that one little man-of-war and fifty-three great galleons of
-Spain. After the battle come storm and shipwreck, and the lads, having
-drifted for days, find refuge on board a derelict galleon, whence they
-are rescued and brought home to England.
-
- "A well-constructed and lively historical
- romance."--_Spectator_.
-
-
-
-*S. BARING-GOULD*
-
-*Grettir the Outlaw:*
-
-A Story of Iceland in the days of the Vikings.
-
-With 6 page Illustrations by M. ZENO DIEMER. 3s.
-
-A narrative of adventure of the most romantic kind. No boy will be able
-to withstand the magic of such scenes as the fight of Grettir with the
-twelve bearserks, the wrestle with Karr the Old in the chamber of the
-dead, the combat with the spirit of Glam the thrall, and the defence of
-the dying Grettir by his younger brother.
-
- "Has a freshness, a freedom, a sense of sun and wind and the
- open air, which make it irresistible."--_National Observer_.
-
-
-
-*C. J. CUTCLIFFE HYNE*
-
-*The Captured Cruiser:*
-
-or, Two Years from Land.
-
-With 6 page Illustrations by F. BRANGWYN. 3s. 6d.
-
-The central incidents deal with the capture, during the war between
-Chili and Peru, of an armed cruiser. The heroes and their companions
-break from prison in Valparaiso, board this warship in the night,
-overpower the watch, escape to sea under the fire of the forts, and
-finally, after marvellous adventures, lose the cruiser among the
-icebergs near Cape Horn.
-
- "The two lads and the two skippers are admirably drawn. Mr. Hyne
- has now secured a position in the first rank of writers of
- fiction for boys."--_Spectator_.
-
-
-*Stimson's Reef:*
-
-With 4 page illustrations by W. S. STACEY. 2s. 6d.
-
-This is the extended log of a cutter which sailed from the Clyde to the
-Amazon in search of a gold reef. It relates how they discovered the
-buccaneer's treasure in the Spanish Main, fought the Indians, turned
-aside the river Jamary by blasting, and so laid bare the gold of
-Stimson's Reef.
-
- "Few stories come within hailing distance of _Stimson's Reef_ in
- startling incidents and hairbreadth escapes. It may almost vie
- with Mr. R. L. Stevenson's _Treasure Island_."--_Guardian_.
-
-
- (14)
-
-
- * * * * *
-
-[Illustration: _From ONE OF THE FIGHTING SCOUTS_
-BY CAPT. F. S. BRERETON. (See page 11)]
-
-
- (15)
-
-
- * * * * *
-
-*R. STEAD*
-
-*Grit Will Tell:*
-
-The Adventures of a Barge-boy.
-
-With 4 Illustrations by D. CARLETON SMYTH. Cloth, 2s. 6d.
-
-A lad whose name has been lost amidst early buffetings by hard fortune
-suffers many hardships at the hands of a bargeman, his master, and runs
-away. The various adventures and experiences with which he meets on the
-road to success, the bear-hunt in which he takes part, and the battle at
-which he acts as war correspondent, form a story of absorbing interest
-and after a boy's own heart.
-
- "A thoroughly wholesome and attractive book."--_Graphic_.
-
-
-
-*HARRY COLLINGWOOD*
-
-*The Pirate Island.*
-
-With 6 page Illustrations by C. J. STANILAND and J. R. WELLS. 3s. _New
-Edition_.
-
-By a deed of true gallantry the hero's whole destiny is charmed, and,
-going to sea, he forms one of a party who, after being burned out of
-their ship in the South Pacific, are picked up by a pirate brig and
-taken to the "Pirate Island". After many thrilling adventures, they
-ultimately succeed in effecting their escape.
-
- "A capital story of the sea; indeed in our opinion the author is
- superior in some respects as a marine novelist to the
- better-known Mr. Clark Russell."--_Times_.
-
-
-
-*FLORENCE COOMBE*
-
-*Boys of the Priory School.*
-
-With 4 page Illustrations by HAROLD COPPING. 2s. 6d.
-
-The interest centres in the relations of Raymond and Hal Wentworth, and
-the process by which Raymond, the hero of the school, learns that in the
-person of his ridiculed cousin there beats a heart more heroic than his
-own.
-
- "It is an excellent work of its class, cleverly illustrated with
- 'real boys' by Mr. Harold Copping."--_Literature_.
-
-
-
-*JOHN C. HUTCHESON*
-
-*Afloat at Last:*
-
-A Sailor Boy's Log
-
-With 6 Page Illustrations by W. H. OVEREND. 3s. 6d.
-
-From the stowing of the vessel in the Thames to her recovery from the
-Pratas Reef on which she is stranded, everything is described with the
-accuracy of perfect practical knowledge of ships and sailors; and the
-incidents of the story range from the broad humours of the fo'c's'le to
-the perils of flight from, and fight with, the pirates of the China
-Seas.
-
- "As healthy and breezy a book as one could wish."--_Academy_.
-
-
- (16)
-
-
- * * * * *
-
-
- *Blackie & Son's
- Story Books for Girls*
-
-
-*ETHEL F. HEDDLE*
-
-*A Mystery of St. Rule's.*
-
-With 8 Illustrations by G. DEMAIN HAMMOND, R.I. 6s. _Illustrated
-Edition_.
-
- "The author has been amazingly successful in keeping her secret
- almost to the end. Yet the mystery attending a stolen diamond
- of great value is so skilfully handled that several perfectly
- innocent persons seem all but hopelessly identified with the
- disappearance of the gem. Cleverly, however, as this aspect of
- the story has been managed, it has other sources of
- strength."--_Scotsman_.
-
- "The chief interest ... lies in the fascinating young
- adventuress, who finds a temporary nest in the old professor's
- family, and wins all hearts in St. Rules by her beauty and her
- sweetness."--_Morning Leader_.
-
- "Into the dignified atmosphere of a northerly academic town,
- Miss Ethel Heddle introduces a coil of events worthy of Wilkie
- Collins."--_Manchester Guardian_.
-
-
-
-*KATHARINE TYNAN*
-
-Girl of Galway.
-
-With 8 full-page Illustrations by JOHN H. BACON. 6s.
-
-When Bertha Grace is on the threshold of young womanhood, she goes to
-stay with her grandfather in Ireland, with the trust from her mother of
-reconciling him and his son, Bertha's father. Bertha finds her
-grandfather a recluse and a miser, and in the hands of an underling, who
-is his evil genius. How she keeps faith with her mother and finds her
-own fate, through many strange adventures, is the subject of the story.
-
- "Full of the poetic charm we are accustomed to find in the works
- of that gifted writer."--_World_.
-
-
-
-*CAROLINE AUSTIN*
-
-*Cousin Geoffrey and I.*
-
-With 6 full-page Illustrations by W. PARKINSON. 3s.
-
-The only daughter of a country gentleman finds herself unprovided for at
-her father's death, and for some time lives as a dependant upon her
-kinsman. Life is saved from being unbearable to her by her young cousin
-Geoffrey, who at length meets with a serious accident for which she is
-held responsible. She makes a brave attempt to earn her own livelihood,
-until a startling event brings her cousin Geoffrey and herself together
-again.
-
- "Miss Austin's story is bright, clever, and well
- developed."--_Saturday Review_.
-
-
- (17)
-
-
- * * * * *
-
-*ELLINOR DAVENPORT ADAMS*
-
-*A Queen among Girls.*
-
-With 6 Illustrations by HAROLD COPPING. Cloth, 3s. 6d.
-
-Augusta Pembroke is the head of her school, the favourite of her
-teachers and fellow-pupils, who are attracted by her fearless and
-independent nature and her queenly bearing. She dreams of a
-distinguished professional career; but the course of her life is changed
-suddenly by pity for her timid little brother Adrian, the victim of his
-guardian-uncle's harshness. The story describes the daring means adopted
-by Augusta for Adrian's relief.
-
- "An interesting and well-written narrative, in which humour and
- a keen eye for character unite to produce a book happily adapted
- for modern maidens."--_Globe_.
-
-
-*A Girl of To-Day.*
-
-With 6 page Illustrations by G. D. HAMMOND, R.I. 3s. 6d.
-
-"What are Altruists?" humbly asks a small boy. "They are only people who
-try to help others," replies the Girl of To-Day. To help their poorer
-neighbours, the boys and girls of Woodend band themselves together into
-the Society of Altruists. That they have plenty of fun is seen in the
-shopping expedition and in the successful Christmas entertainment.
-
- "It is a spirited story. The characters are true to nature and
- carefully developed. Such a book as this is exactly what is
- needed to give a school-girl an interest in the development of
- character."--_Educational Times_.
-
-
-
-*FRANCES ARMSTRONG*
-
-*A Girl's Loyalty.*
-
-With 6 Illustrations by JOHN H. BACON. Cloth, 3s. 6d. _New Edition_.
-
-When she was still but a child, Helen Grant received from her
-grandfather, on his death-bed, a secret message. The brief words
-remained fast in her memory, and dominated her whole career. She was
-loyal to her trust, however, and to her friends in the hour of their
-need. For the girl was possessed of that quick courage which leaps up
-in a shy nature when evil-doers have to be unmasked, and wrongs made
-right.
-
- "The one book for girls that stands out this year is Miss
- Frances Armstrong's _A Girl's Loyalty_."--_Review of Reviews_.
-
-
-
-*G. NORWAY*
-
-*A True Cornish Maid.*
-
-With 6 page Illustrations by J. FINNEMORE. 3s. 6d.
-
-The heroine of the tale is sister to a young fellow who gets into
-trouble in landing a contraband cargo on the Cornish coast. In his
-extremity the girl stands by her brother bravely, and by means of her
-daring scheme he manages to escape.
-
- "The success of the year has fallen, we think, to Mrs. Norway,
- whose _True Cornish Maid_ is really an admirable piece of
- work."--_Review of Reviews_.
-
-
- (18)
-
-
- * * * * *
-
-[Illustration: _From A MYSTERY OF ST. RULE'S_
-By ETHEL F. HEDDLE. (See page 17)]
-
-
- (19)
-
-
- * * * * *
-
-*ROSA MULHOLLAND* (LADY GILBERT)
-
-*The Girls of Banshee Castle.*
-
-With 6 Illustrations by JOHN H. BACON. Cloth, 3s. 6d. _New Edition_.
-
-Three girls, with an old governess, migrate from Kensington to the West
-of Ireland. Belonging as they do to "the ould family", the girls are
-made heartily welcome in the cabins of the peasantry, where they learn
-many weird and curious tales from the folk-lore of the district. An
-interesting plot runs through the narrative, but the charm of the story
-lies in its happy mingling of Irish humour and pathos.
-
- "Is told with grace, and brightened by a knowledge of Irish
- folk-lore, making it a perfect present for a girl in her
- teens."--_Truth_.
-
-
-*Gianetta:*
-
-A Girl's Story of Herself.
-
-With 6 full-page illustrations by LOCKHART BOGLE. 3s.
-
-The story of a changeling who is suddenly transferred to the position of
-a rich English heiress. She develops into a good and accomplished woman,
-and has gained too much love and devotion to be a sufferer by the
-surrender of her estates.
-
-
-
-*ANNIE E. ARMSTRONG*
-
-Violet Vereker's Vanity.
-
-With 6 full-page Illustrations by G. DEMAIN HAMMOND, R.I. 3s. 6d.
-
-The heroine was an excellent girl in most respects. But she had one
-small weakness, which expressed itself in a snobbish dislike of her
-neighbours, the Sugdens, whose social position she deemed beneath her
-own. In the end, however, the girl acknowledged her folly, with results
-which are sure to delight the reader.
-
- "A book for girls that we can heartily recommend, for it is
- bright, sensible, and with a right tone of thought and
- feeling."--_Sheffield Independent_.
-
-
-
-*ALICE CORKRAN*
-
-*Margery Merton's Girlhood.*
-
-With 6 full-page Illustrations by GORDON BROWNE. 3s. 6d.
-
-The experiences of an orphan girl who in infancy is left by her
-father--an officer in India--to the care of an elderly aunt residing
-near Paris. The accounts of the various persons who have an after
-influence on the story are singularly vivid.
-
- "_Margery Merton's Girlhood_ is a piece of true literature, as
- dainty as it is delicate, and as sweet as it is
- simple."--_Woman's World_.
-
-
- (20)
-
-
- * * * * *
-
-*ELIZA F. POLLARD*
-
-*For the Red Rose.*
-
-With 4 Illustrations by JAMES DURDEN. 2s. 6d.
-
-A gipsy finds a little girl in the forest of Wimbourne, after the
-sacking of the castle by the Yorkists. He carries her to the camp and
-she is adopted by the tribe. The story tells how, when some years later
-Margaret of Anjou and her son are wrecked on the coast of England, the
-gipsy girl follows the fortunes of the exiled queen, and by what curious
-chain of events her own origin is discovered.
-
- "This is a good story, and of special interest to lovers of
- historical romance."--_Court Circular_.
-
-
-
-*MRS. E. J. LYSAGHT*
-
-*Brother and Sister:*
-
-With 6 page Illustrations by GORDON BROWNE. 3s. 6d.
-
-A story showing, by the narrative of the vicissitudes and struggles of a
-family which has "come down in the world", and of the brave endeavours
-of its two younger members, how the pressure of adversity is mitigated
-by domestic affection, mutual confidence, and hopeful honest effort.
-
- "A pretty story, and well told. The plot is cleverly
- constructed, and the moral is excellent."--_Athaeneum_.
-
-
-
-*ANNE BEALE*
-
-*The Heiress of Courtleroy.*
-
-With 8 full-page Illustrations by T. C. H. CASTLE. 5s.
-
-Mimica, the heroine, comes to England as an orphan, and is coldly
-received by her uncle. The girl has a brave nature, however, and
-succeeds in saving the estate from ruin and in reclaiming her uncle from
-the misanthropical disregard of his duties as a landlord.
-
- "One of the very best of girl's books we have seen."--_Sheffield
- Telegraph_.
-
-
-
-*SARAH TYTLER*
-
-*A Loyal Little Maid.*
-
-With 4 page Illustrations by PAUL HARDY. 2s. 6d.
-
-This pretty story is founded on a romantic episode of Mar's rebellion. A
-little girl has information which concerns the safety of her father in
-hiding, and this she firmly refuses to divulge to a king's officer. She
-is lodged in the Tolbooth, where she finds a boy champion, whom in
-future years she rescues in Paris from the _lettre de cachet_ which
-would bury him in the Bastille.
-
- "Has evidently been a pleasure to write, and makes very
- enjoyable reading."--_Literature_.
-
-
- (21)
-
-
- * * * * *
-
-[Illustration: _From THE FAIRCLOUGH FAMILY_
-By MRS. HENRY CLARKE. (See page 24)]
-
-
- (22)
-
-
- * * * * *
-
-*GERALDINE MOCKLER*
-
-*The Four Miss Whittingtons:*
-
-A Story for Girls.
-
-With 8 full-page Illustrations by CHARLES M. SHELDON. 5s.
-
-This story tolls how four sisters, left alone in the world, went to
-London to seek their fortunes. They had between them L400, and this
-they resolved to spend on training themselves for the different careers
-for which they were severally most fitted. On their limited means this
-was hard work, but their courageous experiment was on the whole very
-successful.
-
- "A story of endeavour, industry, and independence of
- spirit."--_World_.
-
-
-
-*ALICE STRONACH*
-
-*A Newnham Friendship.*
-
-With 6 full-page Illustrations by HAROLD COPPING. 3s. 6d.
-
-A sympathetic description of life at Newnham College. After the tripos
-excitements, some of the students leave their dream-world of study and
-talk of "cocoas" and debates and athletics to begin their work in the
-real world. Men students play their part in the story, and in the
-closing chapters it is suggested that marriage has its place in a girl
-graduate's life.
-
- "Foremost among all the gift-books suitable for school-girls
- this season stands Miss Alice Stronach's _A Newnham
- Friendship_."--_Daily Graphic_.
-
-
-
-*BESSIE MARCHANT*
-
-*The Secret of the Everglades.*
-
-With 4 Illustrations by A. A. DIXON. 2s. 6d.
-
-The father of the Osneys is supposed to have been killed whilst trapping
-in the Everglades of Florida. The family organize a series of
-expeditions to search for their father; but the secret of the swamp is
-hard to solve, and the end of the book is reached before the mystery is
-made clear.
-
- "A fresh and original story of incident and adventure in the
- mysterious Florida swamps. An excellent and engrossing
- story."--_St. James's Gazette_.
-
-
-*Three Girls on a Ranch:*
-
-A Story of New Mexico.
-
-With 4 page Illustrations by W. E. WEBSTER. 2s. 6d.
-
-The Lovell family emigrate from England to New Mexico, where they settle
-on a ranch. Mr. Lovell is delicate and unfit for farming, but the three
-eldest girls take upon themselves the burden of working the ranch. They
-have adventures of a perilous kind, and the story of their mishaps and
-how they overcame them is throughout both exciting and stimulating.
-
- "A story with a fresh, bright theme, well handled."--_Nottingham
- Guardian_.
-
- "A rousing book for young people."--_Queen_.
-
-
- (23)
-
-
- * * * * *
-
-*MRS. HENRY CLARKE*
-
-*The Fairclough Family.*
-
-With 6 Illustrations by G. D. HAMMOND, R.I. Cloth, 3s. 6d.
-
-It was matter for amazement when Ronald Hammersley fell in love with
-Kathy Fairclough, who was considered a blue-stocking, instead of with
-her younger sister Nell, whom Mrs. Hammersley had chosen for him. Why
-Mrs. Hammersley desired her wealthy stepson to marry one of Dr.
-Fairclough's penniless daughters was a secret. How the secret became
-known, and nearly wrecked the happiness of Kathy and Ronald, is told in
-the story. But all ends well, and to the sound of marriage bells.
-
- "One of those stories which all girls enjoy."--_World_.
-
-
-
-*J. M. CALLWELL*
-
-*A Little Irish Girl.*
-
-Illustrated by H. COPPING. 2s. 6s.
-
-An orphaned family inherit a small property on the coast of Clare. The
-two youngest members of the party have some thrilling adventures in
-their western home. They encounter seals, smugglers, and a ghost, and
-lastly, by most startling means, they succeed in restoring their eldest
-brother to his rightful place as heir to the ancestral estates.
-
- "Sure to prove of thrilling interest to both boys and
- girls."--_Literary World_.
-
-
-
-*E. EVERETT-GREEN*
-
-*Miriam's Ambition.*
-
-With Illustrations. 2s. 6d.
-
-Miriam's ambition is to make someone happy, and her endeavour carries
-with it a train of incident, solving a mystery which had thrown a shadow
-over several lives. A charming foil to her grave elder sister is to be
-found in Miss Babs, a small coquette of five, whose humorous child-talk
-is so attractive.
-
- "Miss Everett-Green's children are real British boys and girls,
- not small men and women. Babs is a charming little
- one."--_Liverpool Mercury_.
-
-
-
-*EMMA LESLIE*
-
-*Gytha's Message*
-
-A Tale of Saxon England.
-
-With Illustrations. 2s. 6d.
-
-We get a glimpse of the stirring events taking place at that period; and
-both boys and girls will delight to read of the home life of Hilda and
-Gytha, and of the brave deeds of the impulsive Gurth and the faithful
-Leofric.
-
- "This is a charmingly told story. It is the sort of book that
- all girls and some boys like, and can only get good
- from."--_Journal of Education_.
-
-
- (24)
-
-
- * * * * *
-
- *Blackie & Son's
- Finely Illustrated Books for
- Children*
-
-
-*STEWART ORR--JOHN BRYMER*
-
-*Two Merry Mariners.*
-
-Pictures by STEWART ORR; Verses by JOHN BRYMER. Cover design and 24
-pages in full colour. Picture boards, cloth back, 6s.
-
-This delightful volume tells in picture and verse how Dick and his
-friend the Hare sailed to the Downy Isle, the adventures they met with
-in that strange country, their encounter with the Dragon, and their
-remarkable voyage home. Mr. Orr exhibits in these designs a rare
-combination of humorous invention with brilliant draughtsmanship and
-command of colour, and the author supports him with a series of racy
-verses.
-
- "The illustrations are masterpieces of drollery."--_Manchester
- Courier_.
-
- "The verses are very funny and original."--_World_.
-
-
-
-*JOHN HASSALL--CLIFTON BINGHAM*
-
-*Six and Twenty Boys and Girls.*
-
-Pictures by JOHN HASSALL; Verses by CLIFTON BINGHAM. 25 pages in full
-colour, and 24 pages of letterpress. Picture boards, 9 inches by 11-1/4
-inches, cloth back, 3s. 6d.; also cloth elegant, 5s.
-
-Most of us know some at least of the little girls and boys portrayed by
-Mr. Hassall in this amusing picture-book. As depicted with Mr. Hassall's
-inimitable skill, and described in humorous verse by Mr. Bingham, they
-may challenge comparison with the classic Struwwelpeter. Each picture
-is not only attractive and amusing in itself, but furnishes a hint of
-virtues to be imitated or faults to be avoided.
-
- "Exactly hits the mark."--_Scotsman_.
-
- "A most original picture-book."--_World_.
-
-
-
-*MRS. PERCY DEARMER*
-
-*Roundabout Rhymes.*
-
-With 20 full-page Illustrations in colour by Mrs. PERCY DEARMER.
-Imperial 8vo, cloth extra, 2s. 6d.
-
-A charming volume of verses and colour pictures for little folk--rhymes
-and pictures about most of the everyday events of nursery life.
-
- "The best verses written for children since Stevenson's _Child's
- Garden_."--_The Guardian_.
-
-
- (25)
-
-
- * * * * *
-
-*STEWART ORR--JOHN BRYMER*
-
-*Gammon and Spinach:*
-
-Pictures by STEWART ORR. Verses by JOHN BRYMER. Cover design and 24
-pages in Full Colour. Picture boards, cloth back, 6s.
-
-In _Gammon and Spinach_ Mr. Stewart Orr has produced a picture-book
-unique of its kind. Nothing could be more droll than the situations in
-which he represents the frog, the pig, the mouse, the elephant, and the
-other well-known characters who appear in his pages. Little folk will
-find in these pictures a source of endless delight, and the artistic
-skill which they display will have a special appeal to children of an
-older growth.
-
- "Merry and handsome enough to make thousands of friends among
- little folk, what with its original verses and its amusing
- pictures."--_Literary World_.
-
- "The book should attain a wide popularity in the
- nursery."--_Morning Post_.
-
-
-
-*H. B. NEILSON--JOHN BRYMER*
-
-*Games and Gambols.*
-
-Illustrated by HARRY B. NEILSON; with Verses by JOHN BRYMER. 26 pages
-in colour, and 24 pages of letterpress. Picture boards, 9 inches by
-11-1/4 inches, cloth back, 2s. 6d.; also cloth elegant, 3s. 6d.
-
-Mr. Neilson surpasses himself in these irresistible colour pictures
-representing the animal world at play. The great test match between the
-Lions and the Kangaroos, Mrs. Mouse's Ping-Pong Party, Mr. Bruin playing
-Golf, Towser's Bicycle Tour, and the Kittens _v._ Bunnies Football
-Match, are a few among the many droll subjects illustrated in this
-amusing and original series.
-
- "Mr. Neilson has a positive genius for making animals
- comic."--_Academy_.
-
- Children will revel in his work."--_Daily Graphic_.
-
-
-
-*FRED SMITH*
-
-*The Animal Book.*
-
-A Natural History for Little Folk.
-
-With a Coloured Frontispiece and 34 full-page Illustrations by F.
-SPECHT. Crown quarto, 11-1/4 inches by 9-1/2 inches, picture boards,
-cloth back, 2s. 6d.
-
-This book consists of a series of bright and instructive sketches of the
-better-known wild beasts, describing their appearance, character and
-habits, and the position they hold in the animal kingdom. The text is
-printed in a large, clear type, and is admirably illustrated with
-powerful, realistic pictures of the various creatures in their native
-state by that eminent animal artist F. Specht.
-
- "A work of the greatest value to the young."--_Eastern Morning
- News_.
-
-
- (26)
-
-
- * * * * *
-
-[Illustration: _From SIX AND TWENTY BOYS AND GIRLS_
-BY JOHN HASSALL--CLIFTON BINGHAM. (See page 25)]
-
-
- (27)
-
-
- * * * * *
-
-*OUR DARLING'S FIRST BOOK*
-
-*Bright Pictures and Easy Lessons for Little Folk*
-
-Quarto, 10-1/8 inches by 7-3/4 inches, picture boards, 1s.; cloth, gilt
-edges, 2s.
-
-An interesting and instructive picture lesson-book for very little folk.
-Beginning with an illustrated alphabet of large letters, the little
-reader goes forward by easy stages to word-making, reading, counting,
-writing, and finally to the most popular nursery rhymes and tales.
-
- "The very perfection of a child's alphabet and
- spelling-book."--_St. James's Budget_.
-
-
-
-*ELLINOR DAVENPORT ADAMS*
-
-*Those Twins!*
-
-With a Frontispiece and 28 Illustrations by S. B. PEARSE. Cloth
-elegant, 2s. 6d.
-
-Two little rogues are the twins, Horatio and Tommy; but loyal-hearted
-and generous to boot, and determined to resist the stern decree of their
-aunt that they shall forsake the company of their scapegrace grown-up
-cousin Algy. So they deliberately set to work to "reform" the
-scapegrace; and succeed so well that he wins back the love of his aunt,
-and delights the twins by earning a V.C. in South Africa.
-
- "A merry story for young and old."--_World_.
-
-
-
-*A. B. ROMNEY*
-
-*Little Village Folk.*
-
-With 37 Illustrations by ROBERT HOPE. 2s. 6d.
-
-A series of delightful stories of Irish village children. Miss Romney
-opens up a new field in these beautiful little tales, which have the
-twofold charm of humour and poetic feeling.
-
- "A story-book that will be welcomed wherever it makes its
- way."-_Literary World_.
-
-
-
-*MY NEW STORY-BOOK*
-
-*Stories, Verses, and Pictures for the Little Ones*
-
-290 pages, of which 48 are in colour. Cloth, 2s. 6d.
-
-A treasury of entertainment for the nursery. The contents are extremely
-varied both as regards the text and the illustrations, and carefully
-designed to meet the tastes of the little ones. The many bright colour
-pictures will be in themselves a never-failing source of delight.
-
- "A fascinating little volume, well filled with stories and
- quaint and pretty illustrations."--_Guardian_.
-
- (28)
-
-
- * * * * *
-
- *STORIES BY GEORGE MAC DONALD*
-
- (NEW AND UNIFORM EDITION)
-
-
-*A Rough Shaking.*
-
-With 12 page Illustrations by W. PARKINSON. Crown 8vo, cloth elegant,
-3s. 6d.
-
-Clare, the hero of the story, is a boy whose mother is killed at his
-side by the fall of a church during an earthquake. The kindly clergyman
-and his wife, who adopt him, die while he is still very young, and he is
-thrown upon the world a second time. The narrative of his wanderings is
-full of interest and novelty, the boy's unswerving honesty and his
-passion for children and animals leading him into all sorts of
-adventures. He works on a farm, supports a baby in an old deserted
-house, finds employment in a menagerie, becomes a bank clerk, is
-kidnapped, and ultimately discovers his father on board the ship to
-which he has been conveyed.
-
-
-*At the Back of the North Wind.*
-
-With 75 Illustrations by ARTHUR HUGHES, and a Frontispiece by LAURENCE
-HOUSMAN. Crown 8vo, cloth elegant, 3s. 6d.
-
- "In _At the Back of the North Wind_ we stand with one foot in
- fairyland and one on common earth. The story is thoroughly
- original, full of fancy and pathos."--_The Times_.
-
-
-*Ranald Bannerman's Boyhood.*
-
-ARTHUR HUGHES. Crown 8vo, cloth elegant, 3s. 6d.
-
- "Dr. Mac Donald has a real understanding of boy nature, and he
- has in consequence written a capital story, judged from their
- stand-point, with a true ring all through which ensures its
- success."--_The Spectator_.
-
-
-*The Princess and the Goblin.*
-
-With 30 Illustrations by ARTHUR HUGHES, and a Frontispiece by LAURENCE
-HOUSMAN. Crown 8vo, cloth elegant, 3s. 6d.
-
-In the sphere of fantasy George Mac Donald has very few equals, and his
-rare touch of many aspects of life invariably gives to his stories a
-deeper meaning of the highest value. His _Princess and Goblin_
-exemplifies both gifts. A line thread of allegory runs through the
-narrative of the adventures of the young miner, who, amongst other
-marvellous experiences, finds his way into the caverns of the gnomes,
-and achieves a final victory over them.
-
-
-*The Princess and Curdie.*
-
-With Frontispiece and 30 Illustrations by HELEN STRATTON. Crown 8vo,
-cloth elegant, 3s. 6d.
-
-A sequel to _The Princess and the Goblin_, tracing the history of the
-young miner and the princess after the return of the latter to her
-father's court, where more terrible foes have to be encountered than the
-grotesque earth-dwellers.
-
-
- (29)
-
-
- * * * * *
-
-[Illustration: SOME CHILDREN'S PICTURE-BOOKS (See page 32)]
-
- (30)
-
-
- * * * * *
-
- *NEW "GRADUATED" SERIES*
-
- _With coloured frontispiece and black-and-white illustrations_
-
-
-No child of six or seven should have any difficulty in reading and
-understanding _unaided_ the pretty stories in the 6d. series. In the
-9s. series the language used is slightly more advanced, but is well
-within the capacity of children of seven and upwards, while the 1s.
-series is designed for little folk of somewhat greater attainments. If
-the stories are read _to_ and not _by_ children, it will be found that
-the 6s. 9d. and 1s. series are equally suitable for little folk of all
-ages.
-
-
-*"GRADUATED" STORIES AT A SHILLING*
-
-Holidays at Sunnycroft. By ANNIE S. SWAN. New Edition.
-At Lathom's Siege. By SARAH TYTLER.
-Fleckie. By BESSIE MARCHANT.
-Elsie "Wins." By ELLINOR DAVENPORT ADAMS.
-Bears and Dacoits. By G. A. HENTY.
-Crusoes of the Frozen North. By Dr. GORDON STABLES.
-A Saxon Maid. By ELIZA F. POLLARD.
-Uncle Bob. By MEREDITH FLETCHER.
-Jack of Both Sides. By FLORENCE COOMBE.
-Do Your Duty! By G. A. HENTY.
-Terry. By ROSA MULHOLLAND (Lady Gilbert).
-
-
-*"GRADUATED" STORIES AT NINEPENCE*
-
-Gipsy Dick. By Mrs. HENRY CLARKE.
-Two to One. By FLORENCE COOMBE.
-Cherrythorpe Fair. By MABEL MACKNESS.
-Little Greycoat. By ELLINOR DAVENPORT ADAMS.
-Tommy's Trek. By BESSIE MARCHANT.
-That Boy Jim. By Mrs. HENRY CLARKE.
-The Adventures of Carlo. By KATHARINE TYNAN.
-The Shoeblack's Cat. By W. L. ROOPER.
-Three Troublesome Monkeys. By A. B. ROMNEY.
-The Little Red Purse. By JENNIE CHAPPELL.
-
-
-*"GRADUATED" STORIES AT SIXPENCE*
-
-Hi-Tum, Ti-Tum, and Scrub. By JENNIE CHAPPELL.
-Edie's Adventures. By GERALDINE MOCKLER.
-Two Little Crusoes. By A. B. ROMNEY.
-The Lost Doll. By JENNIE CHAPPELL.
-Bunny and Furry. By GERALDINE MOCKLER.
-Bravest of All. By MABEL MACKNESS.
-Winnie's White Frock. By JENNIE CHAPPELL.
-Lost Toby. By M. S. HAYCRAFT.
-A Boy Cousin. By GERALDINE MOCKLER.
-Travels of Fuzz and Buzz. By GERALDINE MOCKLER.
-Teddy's Adventures. By Mrs. HENRY CLARKE.
-
-
- (30)
-
-
- * * * * *
-
- *NEW CHILDREN'S PICTURE-BOOKS*
-
-
-Each of these books contains many full-page and other illustrations, a
-number of which are in colour. The text is printed in bold type, and
-comprises bright and humorous stories and rhymes, specially written for
-the purpose.
-
-
- *IN DOORS AND OUT*
-
- *STORY-BOOK TIME*
-
-Each contains 38 colour pages, over 40 full-page black-and-white
-Illustrations, and a large number of Vignettes. Quarto, 10-1/8 inches by
-7-3/4 inches, picture boards, 2s. 6d. each; cloth, gilt edges, 3s. 6d.
-each.
-
-
- *TWO SHILLING SERIES*
-
- _Quarto, 10-1/8 inches by 7-3/4 inches_
-
-Faithful Friends.
-My Book of Nursery Stories.
-My Very Best Book.
-Arm-chair Stories.
-My Very Own Picture-Book.
-Cosy Corner Stories.
-Our Darling's First Book
-
- Twenty pages in colour. Cloth, gilt edges, 2s.; picture boards, 1s.
-
-
- *EIGHTEENPENNY SERIES*
-
- _Cloth, 5-1/2 inches by 6-7/8 inches_
-
-My Pretty Picture-Book.
-Sunbeams.
-
-
- *SIXPENNY SERIES*
-
- _Quarto. 10-1/8 inches by 7-3/4 inches_
-
-Bow-Wow Picture-Book.
-Cats and Kits.
-Friends at the Farm.
-Once upon a Time.
-Long, Long Ago.
-Fairy Tales for Little Folk.
-Smiles and Dimples.
-Little Bright-Eyes.
-For Kittie and Me.
-
-As Nice as Nice Can Be.
-Round the Mulberry Bush.
-Little Rosebud.
-For My Little Darling.
-For Dolly and Me.
-My Own Story-Book.
-Play-time Pictures.
-Bed-time Stories.
-For Little Chicks.
-
- The cover and seven pages in colour. Picture boards.
-
-
- *ONE SHILLING SCRIPTURE SERIES*
-
- _Picture boards. Quarto, 10-1/8 inches by 7-3/4 inches_
-
- Stories from the Life of Christ
-
- Twenty pages in colour. Picture boards, 1s.; cloth, gilt edges, 2s.
-
-
- *SIXPENNY SCRIPTURE SERIES*
-
-Glad Tidings
-The Good Shepherd
-Gentle Jesus
-
-
- (32)
-
-
- * * * * *
-
-
-
-
-
-
-*** END OF THIS PROJECT GUTENBERG EBOOK BLACKIE & SON'S ILLUSTRATED
-STORY BOOKS CATALOGUE, 1889 ***
-
-
-
-
-A Word from Project Gutenberg
-
-
-We will update this book if we find any errors.
-
-This book can be found under: http://www.gutenberg.org/ebooks/48619
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works, so
-the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright royalties.
-Special rules, set forth in the General Terms of Use part of this
-license, apply to copying and distributing Project Gutenberg(tm)
-electronic works to protect the Project Gutenberg(tm) concept and
-trademark. Project Gutenberg is a registered trademark, and may not be
-used if you charge for the eBooks, unless you receive specific
-permission. If you do not charge anything for copies of this eBook,
-complying with the rules is very easy. You may use this eBook for nearly
-any purpose such as creation of derivative works, reports, performances
-and research. They may be modified and printed and given away - you may
-do practically _anything_ in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-
-
-
-The Full Project Gutenberg License
-
-
-_Please read this before you distribute or use this work._
-
-To protect the Project Gutenberg(tm) mission of promoting the free
-distribution of electronic works, by using or distributing this work (or
-any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg(tm) License available with this file or online at
-http://www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use & Redistributing Project Gutenberg(tm)
-electronic works
-
-
-*1.A.* By reading or using any part of this Project Gutenberg(tm)
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all the
-terms of this agreement, you must cease using and return or destroy all
-copies of Project Gutenberg(tm) electronic works in your possession. If
-you paid a fee for obtaining a copy of or access to a Project
-Gutenberg(tm) electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-*1.B.* "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few things
-that you can do with most Project Gutenberg(tm) electronic works even
-without complying with the full terms of this agreement. See paragraph
-1.C below. There are a lot of things you can do with Project
-Gutenberg(tm) electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg(tm) electronic
-works. See paragraph 1.E below.
-
-*1.C.* The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection of
-Project Gutenberg(tm) electronic works. Nearly all the individual works
-in the collection are in the public domain in the United States. If an
-individual work is unprotected by copyright law in the United States and
-you are located in the United States, we do not claim a right to prevent
-you from copying, distributing, performing, displaying or creating
-derivative works based on the work as long as all references to Project
-Gutenberg are removed. Of course, we hope that you will support the
-Project Gutenberg(tm) mission of promoting free access to electronic
-works by freely sharing Project Gutenberg(tm) works in compliance with
-the terms of this agreement for keeping the Project Gutenberg(tm) name
-associated with the work. You can easily comply with the terms of this
-agreement by keeping this work in the same format with its attached full
-Project Gutenberg(tm) License when you share it without charge with
-others.
-
-
-*1.D.* The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg(tm) work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-*1.E.* Unless you have removed all references to Project Gutenberg:
-
-*1.E.1.* The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg(tm) License must appear
-prominently whenever any copy of a Project Gutenberg(tm) work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United
- States and most other parts of the world at no cost and with
- almost no restrictions whatsoever. You may copy it, give it away
- or re-use it under the terms of the Project Gutenberg License
- included with this eBook or online at http://www.gutenberg.org .
- If you are not located in the United States, you'll have to
- check the laws of the country where you are located before using
- this ebook.
-
-*1.E.2.* If an individual Project Gutenberg(tm) electronic work is
-derived from texts not protected by U.S. copyright law (does not contain
-a notice indicating that it is posted with permission of the copyright
-holder), the work can be copied and distributed to anyone in the United
-States without paying any fees or charges. If you are redistributing or
-providing access to a work with the phrase "Project Gutenberg"
-associated with or appearing on the work, you must comply either with
-the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission
-for the use of the work and the Project Gutenberg(tm) trademark as set
-forth in paragraphs 1.E.8 or 1.E.9.
-
-*1.E.3.* If an individual Project Gutenberg(tm) electronic work is
-posted with the permission of the copyright holder, your use and
-distribution must comply with both paragraphs 1.E.1 through 1.E.7 and
-any additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg(tm) License for all works posted
-with the permission of the copyright holder found at the beginning of
-this work.
-
-*1.E.4.* Do not unlink or detach or remove the full Project
-Gutenberg(tm) License terms from this work, or any files containing a
-part of this work or any other work associated with Project
-Gutenberg(tm).
-
-*1.E.5.* Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg(tm) License.
-
-*1.E.6.* You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg(tm) work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg(tm) web site
-(http://www.gutenberg.org), you must, at no additional cost, fee or
-expense to the user, provide a copy, a means of exporting a copy, or a
-means of obtaining a copy upon request, of the work in its original
-"Plain Vanilla ASCII" or other form. Any alternate format must include
-the full Project Gutenberg(tm) License as specified in paragraph 1.E.1.
-
-*1.E.7.* Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg(tm) works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-*1.E.8.* You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg(tm) electronic works
-provided that
-
- - You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg(tm) works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg(tm) trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
- - You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg(tm)
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg(tm)
- works.
-
- - You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
- - You comply with all other terms of this agreement for free
- distribution of Project Gutenberg(tm) works.
-
-
-*1.E.9.* If you wish to charge a fee or distribute a Project
-Gutenberg(tm) electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg(tm)
-trademark. Contact the Foundation as set forth in Section 3. below.
-
-*1.F.*
-
-*1.F.1.* Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg(tm) collection. Despite these efforts, Project Gutenberg(tm)
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by your
-equipment.
-
-*1.F.2.* LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg(tm) trademark, and any other party distributing a Project
-Gutenberg(tm) electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal fees.
-YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY,
-BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN
-PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND
-ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR
-ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES
-EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
-
-*1.F.3.* LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-*1.F.4.* Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-*1.F.5.* Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-*1.F.6.* INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg(tm) electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg(tm) electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg(tm)
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg(tm) work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg(tm)
-
-
-Project Gutenberg(tm) is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, is critical to reaching Project Gutenberg(tm)'s
-goals and ensuring that the Project Gutenberg(tm) collection will remain
-freely available for generations to come. In 2001, the Project Gutenberg
-Literary Archive Foundation was created to provide a secure and
-permanent future for Project Gutenberg(tm) and future generations. To
-learn more about the Project Gutenberg Literary Archive Foundation and
-how your efforts and donations can help, see Sections 3 and 4 and the
-Foundation web page at http://www.pglaf.org .
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the state
-of Mississippi and granted tax exempt status by the Internal Revenue
-Service. The Foundation's EIN or federal tax identification number is
-64-6221541. Its 501(c)(3) letter is posted at
-http://www.gutenberg.org/fundraising/pglaf . Contributions to the
-Project Gutenberg Literary Archive Foundation are tax deductible to the
-full extent permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its volunteers
-and employees are scattered throughout numerous locations. Its business
-office is located at 809 North 1500 West, Salt Lake City, UT 84116,
-(801) 596-1887, email business@pglaf.org. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at http://www.pglaf.org
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg Literary
-Archive Foundation
-
-
-Project Gutenberg(tm) depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations where
-we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular state
-visit http://www.gutenberg.org/fundraising/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make any
-statements concerning tax treatment of donations received from outside
-the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other ways
-including checks, online payments and credit card donations. To donate,
-please visit: http://www.gutenberg.org/fundraising/donate
-
-
-Section 5. General Information About Project Gutenberg(tm) electronic
-works.
-
-
-Professor Michael S. Hart is the originator of the Project Gutenberg(tm)
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg(tm) eBooks with only a loose network of volunteer support.
-
-Project Gutenberg(tm) eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper edition.
-
-Each eBook is in a subdirectory of the same number as the eBook's eBook
-number, often in several formats including plain vanilla ASCII,
-compressed (zipped), HTML and others.
-
-Corrected _editions_ of our eBooks replace the old file and take over
-the old filename and etext number. The replaced older file is renamed.
-_Versions_ based on separate sources are treated as new eBooks receiving
-new filenames and etext numbers.
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg(tm),
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.