summaryrefslogtreecommitdiff
path: root/5078-h
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:24:47 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:24:47 -0700
commit37ecbb90f6ce6924211423cf12421dbd6827c0d3 (patch)
treee3f4eeee1d01c9b9800d55847f6995c0bdcdf21f /5078-h
initial commit of ebook 5078HEADmain
Diffstat (limited to '5078-h')
-rw-r--r--5078-h/5078-h.htm1028
-rw-r--r--5078-h/images/cover.jpgbin0 -> 251508 bytes
2 files changed, 1028 insertions, 0 deletions
diff --git a/5078-h/5078-h.htm b/5078-h/5078-h.htm
new file mode 100644
index 0000000..56d22b5
--- /dev/null
+++ b/5078-h/5078-h.htm
@@ -0,0 +1,1028 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+<head>
+<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
+<meta http-equiv="Content-Style-Type" content="text/css" />
+<title>The Project Gutenberg eBook of When a Man Comes to Himself, by Woodrow Wilson</title>
+<link rel="coverpage" href="images/cover.jpg" />
+<style type="text/css">
+
+body { margin-left: 20%;
+ margin-right: 20%;
+ text-align: justify; }
+
+h1, h2, h3, h4, h5 {text-align: center; font-style: normal; font-weight:
+normal; line-height: 1.5; margin-top: .5em; margin-bottom: .5em;}
+
+h1 {font-size: 300%;
+ margin-top: 0.6em;
+ margin-bottom: 0.6em;
+ letter-spacing: 0.12em;
+ word-spacing: 0.2em;
+ text-indent: 0em;}
+h2 {font-size: 150%; margin-top: 2em; margin-bottom: 1em;}
+h3 {font-size: 130%; margin-top: 1em;}
+h4 {font-size: 120%;}
+h5 {font-size: 110%;}
+
+.no-break {page-break-before: avoid;} /* for epubs */
+
+div.chapter {page-break-before: always; margin-top: 4em;}
+
+hr {width: 80%; margin-top: 2em; margin-bottom: 2em;}
+
+p {text-indent: 1em;
+ margin-top: 0.25em;
+ margin-bottom: 0.25em; }
+
+p.center {text-align: center;
+ text-indent: 0em;
+ margin-top: 1em;
+ margin-bottom: 1em; }
+
+div.fig { display:block;
+ margin:0 auto;
+ text-align:center;
+ margin-top: 1em;
+ margin-bottom: 1em;}
+
+a:link {color:blue; text-decoration:none}
+a:visited {color:blue; text-decoration:none}
+a:hover {color:red}
+
+</style>
+
+</head>
+
+<body>
+
+<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of When a Man Comes to Himself, by Woodrow Wilson</div>
+<div style='display:block; margin:1em 0'>
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online
+at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+are not located in the United States, you will have to check the laws of the
+country where you are located before using this eBook.
+</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: When a Man Comes to Himself</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Woodrow Wilson</div>
+<div style='display:block; margin:1em 0'>Release Date: April 16, 2002 [eBook #5078]<br />
+[Most recently updated: October 17, 2021]</div>
+<div style='display:block; margin:1em 0'>Language: English</div>
+<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div>
+<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Jennifer Godwin and Jose Menendez</div>
+<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK WHEN A MAN COMES TO HIMSELF ***</div>
+
+<div class="fig" style="width:55%;">
+<img src="images/cover.jpg" style="width:100%;" alt="[Illustration]" />
+</div>
+
+<h1>When a Man Comes to Himself</h1>
+
+<h2 class="no-break">by Woodrow Wilson</h2>
+
+<h4>Ph.D., Litt.D., LL.D.<br />
+President of the United States<br />
+<br />
+1901.</h4>
+
+<hr />
+
+<h2>Contents</h2>
+
+<table summary="" style="margin-left: auto; margin-right: auto">
+
+<tr>
+<td> <a href="#chap01">I.</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap02">II.</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap03">III.</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap04">IV.</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap05">V.</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap06">VI.</a></td>
+</tr>
+
+</table>
+
+<div class="chapter">
+
+<h2><a name="chap01"></a>I</h2>
+
+<p>
+It is a very wholesome and regenerating change which a man undergoes when he
+&ldquo;comes to himself.&rdquo; It is not only after periods of recklessness or
+infatuation, when he has played the spendthrift or the fool, that a man comes
+to himself. He comes to himself after experiences of which he alone may be
+aware: when he has left off being wholly preoccupied with his own powers and
+interests and with every petty plan that centers in himself; when he has
+cleared his eyes to see the world as it is, and his own true place and function
+in it.
+</p>
+
+<p>
+It is a process of disillusionment. The scales have fallen away. He sees
+himself soberly, and knows under what conditions his powers must act, as well
+as what his powers are. He has got rid of earlier prepossessions about the
+world of men and affairs, both those which were too favorable and those which
+were too unfavorable&mdash;both those of the nursery and those of a young
+man&rsquo;s reading. He has learned his own paces, or, at any rate, is in a
+fair way to learn them; has found his footing and the true nature of the
+&ldquo;going&rdquo; he must look for in the world; over what sorts of roads he
+must expect to make his running, and at what expenditure of effort; whither his
+goal lies, and what cheer he may expect by the way. It is a process of
+disillusionment, but it disheartens no soundly made man. It brings him into a
+light which guides instead of deceiving him; a light which does not make the
+way look cold to any man whose eyes are fit for use in the open, but which
+shines wholesomely, rather upon the obvious path, like the honest rays of the
+frank sun, and makes traveling both safe and cheerful.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap02"></a>II</h2>
+
+<p>
+There is no fixed time in a man&rsquo;s life at which he comes to himself, and
+some men never come to themselves at all. It is a change reserved for the
+thoroughly sane and healthy, and for those who can detach themselves from tasks
+and drudgery long and often enough to get, at any rate once and again, a view
+of the proportions of life and of the stage and plot of its action. We speak
+often with amusement, sometimes with distaste and uneasiness, of men who
+&ldquo;have no sense of humor,&rdquo; who take themselves too seriously, who
+are intense, self-absorbed, over-confident in matters of opinion, or else go
+plumed with conceit, proud of we cannot tell what, enjoying, appreciating,
+thinking of nothing so much as themselves. These are men who have not suffered
+that wholesome change. They have not come to themselves. If they be serious
+men, and real forces in the world, we may conclude that they have been too much
+and too long absorbed; that their tasks and responsibilities long ago rose
+about them like a flood, and have kept them swimming with sturdy stroke the
+years through, their eyes level with the troubled surface&mdash;no horizon in
+sight, no passing fleets, no comrades but those who struggled in the flood like
+themselves. If they be frivolous, light-headed men without purpose or
+achievement, we may conjecture, if we do not know, that they were born so, or
+spoiled by fortune, or befuddled by self-indulgence. It is no great matter what
+we think of them.
+</p>
+
+<p>
+It is enough to know that there are some laws which govern a man&rsquo;s
+awakening to know himself and the right part to play. A man <i>is</i> the part
+he plays among his fellows. He is not isolated; he cannot be. His life is made
+up of the relations he bears to others&mdash;is made or marred by those
+relations, guided by them, judged by them, expressed in them. There is nothing
+else upon which he can spend his spirit&mdash;nothing else that we can see. It
+is by these he gets his spiritual growth; it is by these we see his character
+revealed, his purpose and his gifts. Some play with a certain natural passion,
+an unstudied directness, without grace, without modulation, with no study of
+the masters or consciousness of the pervading spirit of the plot; others give
+all their thought to their costume and think only of the audience; a few act as
+those who have mastered the secrets of a serious art, with deliberate
+subordination of themselves to the great end and motive of the play, spending
+themselves like good servants, indulging no wilfulness, obtruding no
+eccentricity, lending heart and tone and gesture to the perfect progress of the
+action. These have &ldquo;found themselves,&rdquo; and have all the ease of a
+perfect adjustment.
+</p>
+
+<p>
+Adjustment is exactly what a man gains when he comes to himself. Some men gain
+it late, some early; some get it all at once, as if by one distinct act of
+deliberate accommodation; others get it by degrees and quite imperceptibly. No
+doubt to most men it comes by slow processes of experience&mdash;at each stage
+of life a little. A college man feels the first shock of it at graduation, when
+the boy&rsquo;s life has been lived out and the man&rsquo;s life suddenly
+begins. He has measured himself with boys; he knows their code and feels the
+spur of their ideals of achievement. But what the world expects of him he has
+yet to find out, and it works, when he has discovered, a veritable revolution
+in his ways both of thought and of action. He finds a new sort of fitness
+demanded of him, executive, thorough-going, careful of details, full of
+drudgery and obedience to orders. Everybody is ahead of him. Just now he was a
+senior, at the top of the world he knows and reigned in, a finished product and
+pattern of good form. Of a sudden he is a novice again, as green as in his
+first school year, studying a thing that seems to have no rules&mdash;at sea
+amid crosswinds, and a bit seasick withal. Presently, if he be made of stuff
+that will shake into shape and fitness, he settles to his tasks and is
+comfortable. He has come to himself: understands what capacity is, and what it
+is meant for; sees that his training was not for ornament or personal
+gratification, but to teach him how to use himself and develop faculties worth
+using. Henceforth there is a zest in action, and he loves to see his strokes
+tell.
+</p>
+
+<p>
+The same thing happens to the lad come from the farm into the city, a big and
+novel field, where crowds rush and jostle, and a rustic boy must stand puzzled
+for a little how to use his placid and unjaded strength. It happens, too,
+though in a deeper and more subtle way, to the man who marries for love, if the
+love be true and fit for foul weather. Mr. Bagehot used to say that a bachelor
+was &ldquo;an amateur at life,&rdquo; and wit and wisdom are married in the
+jest. A man who lives only for himself has not begun to live&mdash;has yet to
+learn his use, and his real pleasure, too, in the world. It is not necessary he
+should marry to find himself out, but it is necessary he should love. Men have
+come to themselves serving their mothers with an unselfish devotion, or their
+sisters, or a cause for whose sake they forsook ease and left off thinking of
+themselves. It is unselfish action, growing slowly into the high habit of
+devotion, and at last, it may be, into a sort of consecration, that teaches a
+man the wide meaning of his life, and makes of him a steady professional in
+living, if the motive be not necessity, but love. Necessity may make a mere
+drudge of a man, and no mere drudge ever made a professional of himself; that
+demands a higher spirit and a finer incentive than his.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap03"></a>III</h2>
+
+<p>
+Surely a man has come to himself only when he has found the best that is in
+him, and has satisfied his heart with the highest achievement he is fit for. It
+is only then that he knows of what he is capable and what his heart demands.
+And, assuredly, no thoughtful man ever came to the end of his life, and had
+time and a little space of calm from which to look back upon it, who did not
+know and acknowledge that it was what he had done unselfishly and for others,
+and nothing else, that satisfied him in the retrospect, and made him feel that
+he had played the man. That alone seems to him the real measure of himself, the
+real standard of his manhood. And so men grow by having responsibility laid
+upon them, the burden of other people&rsquo;s business. Their powers are put
+out at interest, and they get usury in kind. They are like men multiplied. Each
+counts manifold. Men who live with an eye only upon what is their own are
+dwarfed beside them&mdash;seem fractions while they are integers. The
+trustworthiness of men trusted seems often to grow with the trust.
+</p>
+
+<p>
+It is for this reason that men are in love with power and greatness: it affords
+them so pleasurable an expansion of faculty, so large a run for their minds, an
+exercise of spirit so various and refreshing; they have the freedom of so wide
+a tract of the world of affairs. But if they use power only for their own ends,
+if there be no unselfish service in it, if its object be only their personal
+aggrandizement, their love to see other men tools in their hands, they go out
+of the world small, disquieted, beggared, no enlargement of soul vouchsafed
+them, no usury of satisfaction. They have added nothing to themselves. Mental
+and physical powers alike grow by use, as every one knows; but labor for
+oneself is like exercise in a gymnasium. No healthy man can remain satisfied
+with it, or regard it as anything but a preparation for tasks in the open, amid
+the affairs of the world&mdash;not sport, but business&mdash;where there is no
+orderly apparatus, and every man must devise the means by which he is to make
+the most of himself. To make the most of himself means the multiplication of
+his activities, and he must turn away from himself for that. He looks about
+him, studies the facts of business or of affairs, catches some intimation of
+their larger objects, is guided by the intimation, and presently finds himself
+part of the motive force of communities or of nations. It makes no difference
+how small a part, how insignificant, how unnoticed. When his powers begin to
+play outward, and he loves the task at hand, not because it gains him a
+livelihood, but because it makes him a life, he has come to himself.
+</p>
+
+<p>
+Necessity is no mother to enthusiasm. Necessity carries a whip. Its method is
+compulsion, not love. It has no thought to make itself attractive; it is
+content to drive. Enthusiasm comes with the revelation of true and satisfying
+objects of devotion; and it is enthusiasm that sets the powers free. It is a
+sort of enlightenment. It shines straight upon ideals, and for those who see it
+the race and struggle are henceforth toward these. An instance will point the
+meaning. One of the most distinguished and most justly honored of our great
+philanthropists spent the major part of his life absolutely absorbed in the
+making of money&mdash;so it seemed to those who did not know him. In fact, he
+had very early passed the stage at which he looked upon his business as a means
+of support or of material comfort. Business had become for him an intellectual
+pursuit, a study in enterprise and increment. The field of commerce lay before
+him like a chess-board; the moves interested him like the manoeuvers of a game.
+More money was more power, a great advantage in the game, the means of shaping
+men and events and markets to his own ends and uses. It was his will that set
+fleets afloat and determined the havens they were bound for; it was his
+foresight that brought goods to market at the right time; it was his suggestion
+that made the industry of unthinking men efficacious; his sagacity saw itself
+justified at home not only, but at the ends of the earth. And as the money
+poured in, his government and mastery increased, and his mind was the more
+satisfied. It is so that men make little kingdoms for themselves, and an
+international power undarkened by diplomacy, undirected by parliaments.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap04"></a>IV</h2>
+
+<p>
+It is a mistake to suppose that the great captains of industry, the great
+organizers and directors of manufacture and commerce and monetary exchange, are
+engrossed in a vulgar pursuit of wealth. Too often they suffer the vulgarity of
+wealth to display itself in the idleness and ostentation of their wives and
+children, who &ldquo;devote themselves,&rdquo; it may be, &ldquo;to expense
+regardless of pleasure&rdquo;; but we ought not to misunderstand even that, or
+condemn it unjustly. The masters of industry are often too busy with their own
+sober and momentous calling to have time or spare thought enough to govern
+their own households. A king may be too faithful a statesman to be a watchful
+father. These men are not fascinated by the glitter of gold: the appetite for
+power has got hold upon them. They are in love with the exercise of their
+faculties upon a great scale; they are organizing and overseeing a great part
+of the life of the world. No wonder they are captivated. Business is more
+interesting than pleasure, as Mr. Bagehot said, and when once the mind has
+caught its zest, there&rsquo;s no disengaging it. The world has reason to be
+grateful for the fact.
+</p>
+
+<p>
+It was this fascination that had got hold upon the faculties of the man whom
+the world was afterward to know, not as a prince among merchants&mdash;for the
+world forgets merchant princes&mdash;but as a prince among benefactors; for
+beneficence breeds gratitude, gratitude admiration, admiration fame, and the
+world remembers its benefactors. Business, and business alone, interested him,
+or seemed to him worthwhile. The first time he was asked to subscribe money for
+a benevolent object he declined. Why <i>should</i> he subscribe? What affair
+would be set forward, what increase of efficiency would the money buy, what
+return would it bring in? Was good money to be simply given away, like water
+poured on a barren soil, to be sucked up and yield nothing? It was not until
+men who understood benevolence on its sensible, systematic, practical, and
+really helpful side explained it to him as an investment that his mind took
+hold of it and turned to it for satisfaction. He began to see that education
+was a thing of infinite usury; that money devoted to it would yield a singular
+increase to which there was no calculable end, an increase in
+perpetuity&mdash;increase of knowledge, and therefore of intelligence and
+efficiency, touching generation after generation with new impulses, adding to
+the sum total of the world&rsquo;s fitness for affairs&mdash;an invisible but
+intensely real spiritual usury beyond reckoning, because compounded in an
+unknown ratio from age to age. Henceforward beneficence was as interesting to
+him as business&mdash;was, indeed, a sort of sublimated business in which money
+moved new forces in a commerce which no man could bind or limit.
+</p>
+
+<p>
+He had come to himself&mdash;to the full realization of his powers, the true
+and clear perception of what it was his mind demanded for its satisfaction. His
+faculties were consciously stretched to their right measure, were at last
+exercised at their best. He felt the keen zest, not of success merely, but also
+of honor, and was raised to a sort of majesty among his fellow-men, who
+attended him in death like a dead sovereign. He had died dwarfed had he not
+broken the bonds of mere money-getting; would never have known himself had he
+not learned how to spend it; and ambition itself could not have shown him a
+straighter road to fame.
+</p>
+
+<p>
+This is the positive side of a man&rsquo;s discovery of the way in which his
+faculties are to be made to fit into the world&rsquo;s affairs, and released
+for effort in a way that will bring real satisfaction. There is a negative side
+also. Men come to themselves by discovering their limitations no less than by
+discovering their deeper endowments and the mastery that will make them happy.
+It is the discovery of what they can <i>not</i> do, and ought not to attempt,
+that transforms reformers into statesmen; and great should be the joy of the
+world over every reformer who comes to himself. The spectacle is not rare; the
+method is not hidden. The practicability of every reform is determined
+absolutely and always by &ldquo;the circumstances of the case,&rdquo; and only
+those who put themselves into the midst of affairs, either by action or by
+observation, can know what those circumstances are or perceive what they
+signify. No statesman dreams of doing whatever he pleases; he knows that it
+does not follow that because a point of morals or of policy is obvious to him
+it will be obvious to the nation, or even to his own friends; and it is the
+strength of a democratic polity that there are so many minds to be consulted
+and brought to agreement, and that nothing can be wisely done for which the
+thought, and a good deal more than the thought, of the country, its sentiment
+and its purpose, have not been prepared. Social reform is a matter of
+cooperation, and if it be of a novel kind, requires an infinite deal of
+converting to bring the efficient majority to believe in it and support it.
+Without their agreement and support it is impossible.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap05"></a>V</h2>
+
+<p>
+It is this that the more imaginative and impatient reformers find out when they
+come to themselves, if that calming change ever comes to them. Oftentimes the
+most immediate and drastic means of bringing them to themselves is to elect
+them to legislative or executive office. That will reduce over-sanguine persons
+to their simplest terms. Not because they find their fellow-legislators or
+officials incapable of high purpose or indifferent to the betterment of the
+communities which they represent. Only cynics hold that to be the chief reason
+why we approach the millennium so slowly, and cynics are usually very
+ill-informed persons. Nor is it because under our modern democratic
+arrangements we so subdivide power and balance parts in government that no one
+man can tell for much or turn affairs to his will. One of the most instructive
+studies a politician could undertake would be a study of the infinite
+limitations laid upon the power of the Russian Czar, notwithstanding the
+despotic theory of the Russian constitution&mdash;limitations of social habit,
+of official prejudice, of race jealousies, of religious predilections, of
+administrative machinery even, and the inconvenience of being himself only one
+man, caught amidst a rush of duties and responsibilities which never halt or
+pause. He can do only what can be done with the Russian people. He cannot
+change them at will. He is himself of their own stuff, and immersed in the life
+which forms them, as it forms him. He is simply the leader of the Russians.
+</p>
+
+<p>
+An English or American statesman is better off. He leads a thinking nation, not
+a race of peasants topped by a class of revolutionists and a caste of nobles
+and officials. He can explain new things to men able to understand, persuade
+men willing and accustomed to make independent and intelligent choices of their
+own. An English statesman has an even better opportunity to lead than an
+American statesman, because in England executive power and legislative
+initiative are both intrusted to the same grand committee, the ministry of the
+day. The ministers both propose what shall be law and determine how it shall be
+enforced when enacted. And yet English reformers, like American, have found
+office a veritable cold-water bath for their ardor for change. Many a man who
+has made his place in affairs as the spokesman of those who see abuses and
+demand their reformation has passed from denunciation to calm and moderate
+advice when he got into Parliament, and has turned veritable conservative when
+made a minister of the crown. Mr. Bright was a notable example. Slow and
+careful men had looked upon him as little better than a revolutionist so long
+as his voice rang free and imperious from the platforms of public meetings.
+They greatly feared the influence he should exercise in Parliament, and would
+have deemed the constitution itself unsafe could they have foreseen that he
+would some day be invited to take office and a hand of direction in affairs.
+But it turned out that there was nothing to fear. Mr. Bright lived to see
+almost every reform he had urged accepted and embodied in legislation; but he
+assisted at the process of their realization with greater and greater
+temperateness and wise deliberation as his part in affairs became more and more
+prominent and responsible, and was at the last as little like an agitator as
+any man that served the queen.
+</p>
+
+<p>
+It is not that such men lose courage when they find themselves charged with the
+actual direction of the affairs concerning which they have held and uttered
+such strong, unhesitating, drastic opinions. They have only learned discretion.
+For the first time they see in its entirety what it was that they were
+attempting. They are at last at close quarters with the world. Men of every
+interest and variety crowd about them; new impressions throng them; in the
+midst of affairs the former special objects of their zeal fall into new
+environments, a better and truer perspective; seem no longer so susceptible to
+separate and radical change. The real nature of the complex stuff of life they
+were seeking to work in is revealed to them&mdash;its intricate and delicate
+fiber, and the subtle, secret interrelationship of its parts&mdash;and they
+work circumspectly, lest they should mar more than they mend. Moral enthusiasm
+is not, uninstructed and of itself, a suitable guide to practicable and lasting
+reformation; and if the reform sought be the reformation of others as well as
+of himself, the reformer should look to it that he knows the true relation of
+his will to the wills of those he would change and guide. When he has
+discovered that relation, he has come to himself: has discovered his real use
+and planning part in the general world of men; has come to the full command and
+satisfying employment of his faculties. Otherwise he is doomed to live for ever
+in a fool&rsquo;s paradise, and can be said to have come to himself only on the
+supposition that he is a fool.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap06"></a>VI</h2>
+
+<p>
+Every man&mdash;if I may adopt and paraphrase a passage from Dr.
+South&mdash;every man hath both an absolute and a relative capacity: an
+absolute in that he hath been endued with such a nature and such parts and
+faculties; and a relative in that he is part of the universal community of men,
+and so stands in such a relation to the whole. When we say that a man has come
+to himself, it is not of his absolute capacity that we are thinking, but of his
+relative. He has begun to realize that he is part of a whole, and to know
+<i>what</i> part, suitable for what service and achievement.
+</p>
+
+<p>
+It was once fashionable&mdash;and that not a very long time ago&mdash;to speak
+of political society with a certain distaste, as a necessary evil, an
+irritating but inevitable restriction upon the &ldquo;natural&rdquo;
+sovereignty and entire self-government of the individual. That was the dream of
+the egotist. It was a theory in which men were seen to strut in the proud
+consciousness of their several and &ldquo;absolute&rdquo; capacities. It would
+be as instructive as it would be difficult to count the errors it has bred in
+political thinking. As a matter of fact, men have never dreamed of wishing to
+do without the &ldquo;trammels&rdquo; of organized society, for the very good
+reason that those trammels are in reality but no trammels at all, but
+indispensable aids and spurs to the attainment of the highest and most
+enjoyable things man is capable of. Political society, the life of men in
+states, is an abiding natural relationship. It is neither a mere convenience
+nor a mere necessity. It is not a mere voluntary association, not a mere
+corporation. It is nothing deliberate or artificial, devised for a special
+purpose. It is in real truth the eternal and natural expression and embodiment
+of a form of life higher than that of the individual&mdash;that common life of
+mutual helpfulness, stimulation, and contest which gives leave and opportunity
+to the individual life, makes it possible, makes it full and complete.
+</p>
+
+<p>
+It is in such a scene that man looks about to discover his own place and force.
+In the midst of men organized, infinitely cross-related, bound by ties of
+interest, hope, affection, subject to authorities, to opinion, to passion, to
+visions and desires which no man can reckon, he casts eagerly about to find
+where he may enter in with the rest and be a man among his fellows. In making
+his place he finds, if he seek intelligently and with eyes that see, more than
+ease of spirit and scope for his mind. He finds himself&mdash;as if mists had
+cleared away about him and he knew at last his neighborhood among men and
+tasks.
+</p>
+
+<p>
+What every man seeks is satisfaction. He deceives himself so long as he
+imagines it to lie in self-indulgence, so long as he deems himself the center
+and object of effort. His mind is spent in vain upon itself. Not in action
+itself, not in &ldquo;pleasure,&rdquo; shall it find its desires satisfied, but
+in consciousness of right, of powers greatly and nobly spent. It comes to know
+itself in the motives which satisfy it, in the zest and power of rectitude.
+Christianity has liberated the world, not as a system of ethics, not as a
+philosophy of altruism, but by its revelation of the power of pure and
+unselfish love. Its vital principle is not its code, but its motive. Love,
+clear-sighted, loyal, personal, is its breath and immortality. Christ came, not
+to save Himself, assuredly, but to save the world. His motive, His example, are
+every man&rsquo;s key to his own gifts and happiness. The ethical code he
+taught may no doubt be matched, here a piece and there a piece, out of other
+religions, other teachings and philosophies. Every thoughtful man born with a
+conscience must know a code of right and of pity to which he ought to conform;
+but without the motive of Christianity, without love, he may be the purest
+altruist and yet be as sad and as unsatisfied as Marcus Aurelius.
+</p>
+
+<p>
+Christianity gave us, in the fullness of time, the perfect image of right
+living, the secret of social and of individual well-being; for the two are not
+separable, and the man who receives and verifies that secret in his own living
+has discovered not only the best and only way to serve the world, but also the
+one happy way to satisfy himself. Then, indeed, has he come to himself.
+Henceforth he knows what his powers mean, what spiritual air they breathe, what
+ardors of service clear them of lethargy, relieve them of all sense of effort,
+put them at their best. After this fretfulness passes away, experience mellows
+and strengthens and makes more fit, and old age brings, not senility, not
+satiety, not regret, but higher hope and serene maturity.
+</p>
+
+<p class="center">
+THE END
+</p>
+
+</div><!--end chapter-->
+
+<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK A MAN COMES TO HIMSELF ***</div>
+<div style='text-align:left'>
+
+<div style='display:block; margin:1em 0'>
+Updated editions will replace the previous one&#8212;the old editions will
+be renamed.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the United
+States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for an eBook, except by following
+the terms of the trademark license, including paying royalties for use
+of the Project Gutenberg trademark. If you do not charge anything for
+copies of this eBook, complying with the trademark license is very
+easy. You may use this eBook for nearly any purpose such as creation
+of derivative works, reports, performances and research. Project
+Gutenberg eBooks may be modified and printed and given away--you may
+do practically ANYTHING in the United States with eBooks not protected
+by U.S. copyright law. Redistribution is subject to the trademark
+license, especially commercial redistribution.
+</div>
+
+<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br />
+<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br />
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span>
+</div>
+
+<div style='display:block; margin:1em 0'>
+To protect the Project Gutenberg&#8482; mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &#8220;Project
+Gutenberg&#8221;), you agree to comply with all the terms of the Full
+Project Gutenberg&#8482; License available with this file or online at
+www.gutenberg.org/license.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.A. By reading or using any part of this Project Gutenberg&#8482;
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg&#8482; electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg&#8482; electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the person
+or entity to whom you paid the fee as set forth in paragraph 1.E.8.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg&#8482; electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg&#8482; electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg&#8482;
+electronic works. See paragraph 1.E below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
+Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg&#8482; electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg&#8482; mission of promoting
+free access to electronic works by freely sharing Project Gutenberg&#8482;
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg&#8482; name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg&#8482; License when
+you share it without charge with others.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg&#8482; work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country other than the United States.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E. Unless you have removed all references to Project Gutenberg:
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg&#8482; License must appear
+prominently whenever any copy of a Project Gutenberg&#8482; work (any work
+on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
+phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+</div>
+
+<blockquote>
+ <div style='display:block; margin:1em 0'>
+ This eBook is for the use of anyone anywhere in the United States and most
+ other parts of the world at no cost and with almost no restrictions
+ whatsoever. You may copy it, give it away or re-use it under the terms
+ of the Project Gutenberg License included with this eBook or online
+ at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+ are not located in the United States, you will have to check the laws
+ of the country where you are located before using this eBook.
+ </div>
+</blockquote>
+
+<div style='display:block; margin:1em 0'>
+1.E.2. If an individual Project Gutenberg&#8482; electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase &#8220;Project
+Gutenberg&#8221; associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg&#8482;
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg&#8482; License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg&#8482;.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg&#8482; License.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg&#8482; work in a format
+other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
+version posted on the official Project Gutenberg&#8482; website
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original &#8220;Plain
+Vanilla ASCII&#8221; or other form. Any alternate format must include the
+full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg&#8482; works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg&#8482; electronic works
+provided that:
+</div>
+
+<div style='margin-left:0.7em;'>
+ <div style='text-indent:-0.7em'>
+ &bull; You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg&#8482; works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg&#8482; trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, &#8220;Information about donations to the Project Gutenberg
+ Literary Archive Foundation.&#8221;
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &bull; You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg&#8482;
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg&#8482;
+ works.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &bull; You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &bull; You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg&#8482; works.
+ </div>
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg&#8482; electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from the Project Gutenberg Literary Archive Foundation, the manager of
+the Project Gutenberg&#8482; trademark. Contact the Foundation as set
+forth in Section 3 below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
+electronic works, and the medium on which they may be stored, may
+contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
+of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg&#8482; trademark, and any other party distributing a Project
+Gutenberg&#8482; electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg&#8482; electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg&#8482;
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg&#8482; work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg&#8482; work, and (c) any
+Defect you cause.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 2. Information about the Mission of Project Gutenberg&#8482;
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg&#8482;&#8217;s
+goals and ensuring that the Project Gutenberg&#8482; collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg&#8482; and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 3. Information about the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Project Gutenberg Literary Archive Foundation is a non-profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&#8217;s EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state&#8217;s laws.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation&#8217;s business office is located at 809 North 1500 West,
+Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
+to date contact information can be found at the Foundation&#8217;s website
+and official page at www.gutenberg.org/contact
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; depends upon and cannot survive without widespread
+public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine-readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular state
+visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+</div>
+
+<div style='display:block; margin:1em 0'>
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Please check the Project Gutenberg web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 5. General Information About Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+Professor Michael S. Hart was the originator of the Project
+Gutenberg&#8482; concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg&#8482; eBooks with only a loose network of
+volunteer support.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Most people start at our website which has the main PG search
+facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+This website includes information about Project Gutenberg&#8482;,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+</div>
+
+</div>
+
+</body>
+
+</html>
+
+
diff --git a/5078-h/images/cover.jpg b/5078-h/images/cover.jpg
new file mode 100644
index 0000000..87445d8
--- /dev/null
+++ b/5078-h/images/cover.jpg
Binary files differ