summaryrefslogtreecommitdiff
path: root/old/51575-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/51575-0.txt')
-rw-r--r--old/51575-0.txt5974
1 files changed, 0 insertions, 5974 deletions
diff --git a/old/51575-0.txt b/old/51575-0.txt
deleted file mode 100644
index a1e90d9..0000000
--- a/old/51575-0.txt
+++ /dev/null
@@ -1,5974 +0,0 @@
-The Project Gutenberg EBook of Poems, 1908-1919, by John Drinkwater
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-
-Title: Poems, 1908-1919
-
-Author: John Drinkwater
-
-Release Date: March 27, 2016 [EBook #51575]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK POEMS, 1908-1919 ***
-
-
-
-
-Produced by MWS, Bryan Ness, Chuck Greif and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/Canadian Libraries)
-
-
-
-
-
-
-
-
-
-
-
- POEMS
- 1908-1919
-
- [Illustration: _John Drinkwater_
-
- _From a drawing by William Rothenstein_
-
- _1917_
-
- _Emery Walker ph. sc._]
-
-
-
-
- POEMS
- 1908-1919
-
- BY
- JOHN DRINKWATER
-
- [Illustration: colophon]
-
- BOSTON AND NEW YORK
- HOUGHTON MIFFLIN COMPANY
- The Riverside Press Cambridge
-
- COPYRIGHT, 1919, BY JOHN DRINKWATER
-
- ALL RIGHTS RESERVED
-
- TO
- MY WIFE
-
-
-
-
-CONTENTS
-
-
-RECIPROCITY 1
-
-THE HOURS 2
-
-A TOWN WINDOW 4
-
-MYSTERY 5
-
-THE COMMON LOT 7
-
-PASSAGE 8
-
-THE WOOD 9
-
-HISTORY 10
-
-THE FUGITIVE 12
-
-CONSTANCY 13
-
-SOUTHAMPTON BELLS 15
-
-THE NEW MIRACLE 17
-
-REVERIE 18
-
-PENANCES 26
-
-LAST CONFESSIONAL 27
-
-BIRTHRIGHT 29
-
-ANTAGONISTS 30
-
-HOLINESS 31
-
-THE CITY 32
-
-TO THE DEFILERS 33
-
-A CHRISTMAS NIGHT 34
-
-INVOCATION 35
-
-IMMORTALITY 36
-
-THE CRAFTSMEN 38
-
-SYMBOLS 39
-
-SEALED 40
-
-A PRAYER 43
-
-THE BUILDING 45
-
-THE SOLDIER 48
-
-THE FIRES OF GOD 49
-
-CHALLENGE 60
-
-TRAVEL TALK 61
-
-THE VAGABOND 66
-
-OLD WOMAN IN MAY 67
-
-THE FECKENHAM MEN 68
-
-THE TRAVELLER 70
-
-IN LADY STREET 71
-
-ANTHONY CRUNDLE 75
-
-MAD TOM TATTERMAN 76
-
-FOR CORIN TO-DAY 78
-
-THE CARVER IN STONE 79
-
-ELIZABETH ANN 91
-
-THE COTSWOLD FARMERS 92
-
-A MAN’S DAUGHTER 93
-
-THE LIFE OF JOHN HERITAGE 95
-
-THOMAS YARNTON OF TARLTON 98
-
-MRS. WILLOW 99
-
-ROUNDELS OF THE YEAR 101
-
-LIEGEWOMAN 105
-
-LOVERS TO LOVERS 106
-
-LOVE’S PERSONALITY 107
-
-PIERROT 108
-
-RECKONING 110
-
-DERELICT 112
-
-WED 113
-
-FORSAKEN 115
-
-DEFIANCE 116
-
-LOVE IN OCTOBER 117
-
-TO THE LOVERS THAT COME AFTER US 118
-
-DERBYSHIRE SONG 119
-
-LOVE’S HOUSE 120
-
-COTSWOLD LOVE 124
-
-WITH DAFFODILS 125
-
-FOUNDATIONS 126
-
-DEAR AND INCOMPARABLE 127
-
-A SABBATH DAY 128
-
-A DEDICATION 134
-
-RUPERT BROOKE 136
-
-ON READING FRANCIS LEDWIDGE’S LAST SONGS 137
-
-IN THE WOODS 138
-
-LATE SUMMER 139
-
-JANUARY DUSK 140
-
-AT GRAFTON 141
-
-DOMINION 142
-
-THE MIRACLE 144
-
-MILLERS DALE 145
-
-WRITTEN AT LUDLOW CASTLE 146
-
-WORDSWORTH AT GRASMERE 147
-
-SUNRISE ON RYDAL WATER 148
-
-SEPTEMBER 150
-
-OLTON POOLS 151
-
-OF GREATHAM 152
-
-MAMBLE 154
-
-OUT OF THE MOON 155
-
-MOONLIT APPLES 156
-
-COTTAGE SONG 157
-
-THE MIDLANDS 158
-
-OLD CROW 160
-
-VENUS IN ARDEN 162
-
-ON A LAKE 163
-
-HARVEST MOON 164
-
-AT AN EARTHWORKS 165
-
-INSTRUCTION 166
-
-HABITATION 167
-
-WRITTEN IN WINTERBORNE CAME CHURCH 169
-
-BUDS 171
-
-BLACKBIRD 172
-
-MAY GARDEN 173
-
-AT AN INN 174
-
-PERSPECTIVE 176
-
-CROCUSES 177
-
-RIDDLES R.F.C. 179
-
-THE SHIPS OF GRIEF 180
-
-NOCTURNE 181
-
-THE PATRIOT 182
-
-EPILOGUE FOR A MASQUE 184
-
-THE GUEST 185
-
-TREASON 186
-
-POLITICS 187
-
-FOR A GUEST ROOM 189
-
-DAY 190
-
-DREAMS 191
-
-RESPONSIBILITY 192
-
-PROVOCATIONS 193
-
-TRIAL 194
-
-CHARGE TO THE PLAYERS 195
-
-CHARACTER 196
-
-REALITY 197
-
-EPILOGUE 198
-
-MOONRISE 200
-
-DEER 201
-
-TO ONE I LOVE 202
-
-TO ALICE MEYNELL 205
-
-PETITION 206
-
-HARVESTING 208
-
-
-
-
- POEMS
-
- 1908-1919
-
-
-
-
-RECIPROCITY
-
-
- I do not think that skies and meadows are
- Moral, or that the fixture of a star
- Comes of a quiet spirit, or that trees
- Have wisdom in their windless silences.
- Yet these are things invested in my mood
- With constancy, and peace, and fortitude,
- That in my troubled season I can cry
- Upon the wide composure of the sky,
- And envy fields, and wish that I might be
- As little daunted as a star or tree.
-
-
-
-
-THE HOURS
-
-
- Those hours are best when suddenly
- The voices of the world are still,
- And in that quiet place is heard
- The voice of one small singing bird,
- Alone within his quiet tree;
-
- When to one field that crowns a hill,
- With but the sky for neighbourhood,
- The crowding counties of my brain
- Give all their riches, lake and plain,
- Cornland and fell and pillared wood;
- When in a hill-top acre, bare
- For the seed’s use, I am aware
- Of all the beauty that an age
- Of earth has taught my eyes to see;
-
- When Pride and Generosity
- The Constant Heart and Evil Rage,
- Affection and Desire, and all
- The passions of experience
- Are no more tabled in my mind,
- Learning’s idolatry, but find
- Particularity of sense
- In daily fortitudes that fall
- From this or that companion,
- Or in an angry gossip’s word;
- When one man speaks for Every One,
- When Music lives in one small bird,
- When in a furrowed hill we see
- All beauty in epitome--
- Those hours are best; for those belong
- To the lucidity of song.
-
-
-
-
-A TOWN WINDOW
-
-
- Beyond my window in the night
- Is but a drab inglorious street,
- Yet there the frost and clean starlight
- As over Warwick woods are sweet.
-
- Under the grey drift of the town
- The crocus works among the mould
- As eagerly as those that crown
- The Warwick spring in flame and gold.
-
- And when the tramway down the hill
- Across the cobbles moans and rings,
- There is about my window-sill
- The tumult of a thousand wings.
-
-
-
-
-MYSTERY
-
-
- Think not that mystery has place
- In the obscure and veilèd face,
- Or when the midnight watches are
- Uncompanied of moon or star,
- Or where the fields and forests lie
- Enfolded from the loving eye
- By fogs rebellious to the sun,
- Or when the poet’s rhymes are spun
- From dreams that even in his own
- Imagining are half-unknown.
-
- These are not mystery, but mere
- Conditions that deny the clear
- Reality that lies behind
- The weak, unspeculative mind,
- Behind contagions of the air
- And screens of beauty everywhere,
- The brooding and tormented sky,
- The hesitation of an eye.
-
- Look rather when the landscapes glow
- Through crystal distances as though
- The forty shires of England spread
- Into one vision harvested,
- Or when the moonlit waters lie
- In silver cold lucidity;
- Those countenances search that bear
- Witness to very character,
- And listen to the song that weighs
- A life’s adventure in a phrase--
- These are the founts of wonder, these
- The plainer miracles to please
- The brain that reads the world aright;
- Here is the mystery of light.
-
-
-
-
-THE COMMON LOT
-
-
- When youth and summer-time are gone,
- And age puts quiet garlands on,
- And in the speculative eye
- The fires of emulation die,
- But as to-day our time shall be
- Trembling upon eternity,
- While, still inconstant in debate,
- We shall on revelation wait,
- And age as youth will daily plan
- The sailing of the caravan.
-
-
-
-
-PASSAGE
-
-
- When you deliberate the page
- Of Alexander’s pilgrimage,
- Or say--“It is three years, or ten,
- Since Easter slew Connolly’s men,”
- Or prudently to judgment come
- Of Antony or Absalom,
- And think how duly are designed
- Case and instruction for the mind,
- Remember then that also we,
- In a moon’s course, are history.
-
-
-
-
-THE WOOD
-
-
- I walked a nut-wood’s gloom. And overhead
- A pigeon’s wing beat on the hidden boughs,
- And shrews upon shy tunnelling woke thin
- Late winter leaves with trickling sound. Across
- My narrow path I saw the carrier ants
- Burdened with little pieces of bright straw.
- These things I heard and saw, with senses fine
- For all the little traffic of the wood,
- While everywhere, above me, underfoot,
- And haunting every avenue of leaves,
- Was mystery, unresting, taciturn.
-
- * * * * *
-
- And haunting the lucidities of life
- That are my daily beauty, moves a theme,
- Beating along my undiscovered mind.
-
-
-
-
-HISTORY
-
-
- Sometimes, when walls and occupation seem
- A prison merely, a dark barrier
- Between me everywhere
- And life, or the larger province of the mind,
- As dreams confined,
- As the trouble of a dream,
- I seek to make again a life long gone,
- To be
- My mind’s approach and consolation,
- To give it form’s lucidity,
- Resilient form, as porcelain pieces thrown
- In buried China by a wrist unknown,
- Or mirrored brigs upon Fowey sea.
-
- Then to my memory comes nothing great
- Of purpose, or debate,
- Or perfect end,
- Pomp, nor love’s rapture, nor heroic hours to spend--
- But most, and strangely, for long and so much have I seen,
- Comes back an afternoon
- Of a June
- Sunday at Elsfield, that is up on a green
- Hill, and there,
- Through a little farm parlour door,
- A floor
- Of red tiles and blue,
- And the air
- Sweet with the hot June sun cascading through
- The vine-leaves under the glass, and a scarlet fume
- Of geranium flower, and soft and yellow bloom
- Of musk, and stains of scarlet and yellow glass.
-
- Such are the things remain
- Quietly, and for ever, in the brain,
- And the things that they choose for history-making pass.
-
-
-
-
-THE FUGITIVE
-
-
- Beauty has come to make no longer stay
- Than the bright buds of May
- In May-time do.
-
- Beauty is with us for one hour, one hour,
- Life is so brief a flower;
- Thoughts are so few.
-
- Thoughts are so few with mastery to give
- Shape to these fugitive
- Dear brevities,
-
- That even in its hour beauty is blind,
- Because the shallow mind
- Not sees, not sees.
-
- And in the mind of man only can be
- Alert prosperity
- For beauty brief.
-
- So, what can be but little comes to less
- Upon the wilderness
- Of unbelief.
-
- And beauty that has but an hour to spend
- With you for friend,
- Goes outcast by.
-
- But know, but know--for all she is outcast--
- It is not she at last,
- But you that die.
-
-
-
-
-CONSTANCY
-
-
- The shadows that companion me
- From chronicles and poetry
- More constant and substantial are
- Than these my men familiar,
- Who draw with me uncertain breath
- A little while this side of death;
- For you, my friend, may fail to keep
- To-morrow’s tryst, so darkly deep
- The motions mutable that give
- To flesh its brief prerogative,
- And in the pleasant hours we make
- Together for devotion’s sake,
- Always the testament I see
- That is our twin mortality.
- But those from the recorded page
- Keep an eternal pilgrimage.
- They stedfastly inhabit here
- With no mortality to fear,
- And my communion with them
- Ails not in the mind’s stratagem
- Against the sudden blow, the date
- That once must fall unfortunate.
- They fret not nor persuade, and when
- These graduates I entertain,
- I grieve not that I too must fall
- As you, my friend, to funeral,
- But rather find example there
- That, when my boughs of time are bare,
- And nothing more the body’s chance
- Governs my careful circumstance,
- I shall, upon that later birth,
- Walk in immortal fields of earth.
-
-
-
-
-SOUTHAMPTON BELLS
-
-
-I
-
- Long ago some builder thrust
- Heavenward in Southampton town
- His spire and beamed his bells,
- Largely conceiving from the dust
- That pinnacle for ringing down
- Orisons and Noëls.
-
- In his imagination rang,
- Through generations challenging
- His peal on simple men,
- Who, as the heart within him sang,
- In daily townfaring should sing
- By year and year again.
-
-
-II
-
- Now often to their ringing go
- The bellmen with lean Time at heel,
- Intent on daily cares;
- The bells ring high, the bells ring low,
- The ringers ring the builder’s peal
- Of tidings unawares.
-
- And all the bells’ might well be dumb
- For any quickening in the street
- Of customary ears;
- And so at last proud builders come
- With dreams and virtues to defeat
- Among the clouding years.
-
-
-III
-
- Now, waiting on Southampton sea
- For exile, through the silver night
- I hear Noël! Noël!
- Through generations down to me
- Your challenge, builder, comes aright,
- Bell by obedient bell.
-
- You wake an hour with me; then wide
- Though be the lapses of your sleep
- You yet shall wake again;
- And thus, old builder, on the tide
- Of immortality you keep
- Your way from brain to brain.
-
-
-
-
-THE NEW MIRACLE
-
-
- Of old men wrought strange gods for mystery,
- Implored miraculous tokens in the skies,
- And lips that most were strange in prophecy
- Were most accounted wise.
-
- The hearthstone’s commerce between mate and mate,
- Barren of wonder, prospered in content,
- And still the hunger of their thought was great
- For sweet astonishment.
-
- And so they built them altars of retreat
- Where life’s familiar use was overthrown,
- And left the shining world about their feet,
- To travel worlds unknown.
-
- * * * * *
-
- We hunger still. But wonder has come down
- From alien skies upon the midst of us;
- The sparkling hedgerow and the clamorous town
- Have grown miraculous.
-
- And man from his far travelling returns
- To find yet stranger wisdom than he sought,
- Where in the habit of his threshold burns
- Unfathomable thought.
-
-
-
-
-REVERIE
-
-
- Here in the unfrequented noon,
- In the green hermitage of June,
- While overhead a rustling wing
- Minds me of birds that do not sing
- Until the cooler eve rewakes
- The service of melodious brakes,
- And thoughts are lonely rangers, here,
- In shelter of the primrose year,
- I curiously meditate
- Our brief and variable state.
-
- I think how many are alive
- Who better in the grave would thrive,
- If some so long a sleep might give
- Better instruction how to live;
- I think what splendours had been said
- By darlings now untimely dead
- Had death been wise in choice of these,
- And made exchange of obsequies.
-
- I think what loss to government
- It is that good men are content--
- Well knowing that an evil will
- Is folly-stricken too, and still
- Itself considers only wise
- For all rebukes and surgeries--
- That evil men should raise their pride
- To place and fortune undefied.
- I think how daily we beguile
- Our brains, that yet a little while
- And all our congregated schemes
- And our perplexity of dreams,
- Shall come to whole and perfect state.
- I think, however long the date
- Of life may be, at last the sun
- Shall pass upon campaigns undone.
-
- I look upon the world and see
- A world colonial to me,
- Whereof I am the architect,
- And principal and intellect,
- A world whose shape and savour spring
- Out of my lone imagining,
- A world whose nature is subdued
- For ever to my instant mood,
- And only beautiful can be
- Because of beauty is in me.
- And then I know that every mind
- Among the millions of my kind
- Makes earth his own particular
- And privately created star,
- That earth has thus no single state,
- Being every man articulate.
- Till thought has no horizon then
- I try to think how many men
- There are to make an earth apart
- In symbol of the urgent heart,
- For there are forty in my street,
- And seven hundred more in Greet,
- And families at Luton Hoo,
- And there are men in China, too.
-
- And what immensity is this
- That is but a parenthesis
- Set in a little human thought,
- Before the body comes to naught.
- There at the bottom of the copse
- I see a field of turnip tops,
- I see the cropping cattle pass
- There in another field, of grass.
- And fields and fields, with seven towns,
- A river, and a flight of downs,
- Steeples for all religious men,
- Ten thousand trees, and orchards ten,
- A mighty span that curves away
- Into blue beauty, and I lay
- All this as quartered on a sphere
- Hung huge in space, a thing of fear
- Vast as the circle of the sky
- Completed to the astonished eye;
- And then I think that all I see,
- Whereof I frame immensity
- Globed for amazement, is no more
- Than a shire’s corner, and that four
- Great shires being ten times multiplied
- Are small on the Atlantic tide
- As an emerald on a silver bowl ...
- And the Atlantic to the whole
- Sweep of this tributary star
- That is our earth is but ... and far
- Through dreadful space the outmeasured mind
- Seeks to conceive the unconfined.
-
- I think of Time. How, when his wing
- Composes all our quarrelling
- In some green corner where May leaves
- Are loud with blackbirds on all eves,
- And all the dust that was our bones
- Is underneath memorial stones,
- Then shall old jealousies, while we
- Lie side by side most quietly,
- Be but oblivion’s fools, and still
- When curious pilgrims ask--“What skill
- Had these that from oblivion saves?”--
- My song shall sing above our graves.
-
- I think how men of gentle mind,
- And friendly will, and honest kind,
- Deny their nature and appear
- Fellows of jealousy and fear;
- Having single faith, and natural wit
- To measure truth and cherish it,
- Yet, strangely, when they build in thought,
- Twisting the honesty that wrought
- In the straight motion of the heart,
- Into its feigning counterpart
- That is the brain’s betrayal of
- The simple purposes of love;
- And what yet sorrier decline
- Is theirs when, eager to confine
- No more within the silent brain
- Its habit, thought seeks birth again
- In speech, as honesty has done
- In thought; then even what had won
- From heart to brain fades and is lost
- In this pretended pentecost,
- This their forlorn captivity
- To speech, who have not learnt to be
- Lords of the word, nor kept among
- The sterner climates of the tongue ...
- So truth is in their hearts, and then
- Falls to confusion in the brain,
- And, fading through this mid-eclipse,
- It perishes upon the lips.
-
- I think how year by year I still
- Find working in my dauntless will
- Sudden timidities that are
- Merely the echo of some far
- Forgotten tyrannies that came
- To youth’s bewilderment and shame;
- That yet a magisterial gown,
- Being worn by one of no renown
- And half a generation less
- In years than I, can dispossess
- Something my circumspecter mood
- Of excellence and quietude,
- And if a Bishop speaks to me
- I tremble with propriety.
-
- I think how strange it is that he
- Who goes most comradely with me
- In beauty’s worship, takes delight
- In shows that to my eager sight
- Are shadows and unmanifest,
- While beauty’s favour and behest
- To me in motion are revealed
- That is against his vision sealed;
- Yet is our hearts’ necessity
- Not twofold, but a common plea
- That chaos come to continence,
- Whereto the arch-intelligence
- Richly in divers voices makes
- Its answer for our several sakes.
-
- I see the disinherited
- And long procession of the dead,
- Who have in generations gone
- Held fugitive dominion
- Of this same primrose pasturage
- That is my momentary wage.
- I see two lovers move along
- These shadowed silences of song,
- With spring in blossom at their feet
- More incommunicably sweet
- To their hearts’ more magnificence,
- Than to the common courts of sense,
- Till joy his tardy closure tells
- With coming of the curfew bells.
- I see the knights of spur and sword
- Crossing the little woodland ford,
- Riding in ghostly cavalcade
- On some unchronicled crusade.
- I see the silent hunter go
- In cloth of yeoman green, with bow
- Strung, and a quiver of grey wings.
- I see the little herd who brings
- His cattle homeward, while his sire
- Makes bivouac in Warwickshire
- This night, the liege and loyal man
- Of Cavalier or Puritan.
- And as they pass, the nameless dead,
- Unsung, uncelebrate, and sped
- Upon an unremembered hour
- As any twelvemonth fallen flower,
- I think how strangely yet they live
- For all their days were fugitive.
-
- I think how soon we too shall be
- A story with our ancestry.
-
- I think what miracle has been
- That you whose love among this green
- Delightful solitude is still
- The stay and substance of my will,
- The dear custodian of my song,
- My thrifty counsellor and strong,
- Should take the time of all time’s tide
- That was my season, to abide
- On earth also; that we should be
- Charted across eternity
- To one elect and happy day
- Of yellow primroses in May.
-
- The clock is calling five o’clock,
- And Nonesopretty brings her flock
- To fold, and Tom comes back from town
- With hose and ribbons worth a crown,
- And duly at The Old King’s Head
- They gather now to daily bread,
- And I no more may meditate
- Our brief and variable state.
-
-
-
-
-PENANCES
-
-
- These are my happy penances. To make
- Beauty without a covenant; to take
- Measure of time only because I know
- That in death’s market-place I still shall owe
- Service to beauty that shall not be done;
- To know that beauty’s doctrine is begun
- And makes a close in sacrifice; to find
- In beauty’s courts the unappeasable mind.
-
-
-
-
-LAST CONFESSIONAL
-
-
- For all ill words that I have spoken,
- For all clear moods that I have broken,
- For all despite and hasty breath,
- Forgive me, Love, forgive me, Death.
-
- Death, master of the great assize,
- Love, falling now to memories,
- You two alone I need to prove,
- Forgive me, Death, forgive me, Love.
-
- For every tenderness undone,
- For pride when holiness was none
- But only easy charity,
- O Death, be pardoner to me.
-
- For stubborn thought that would not make
- Measure of love’s thought for love’s sake,
- But kept a sullen difference,
- Take, Love, this laggard penitence.
-
- For cloudy words too vainly spent
- To prosper but in argument,
- When truth stood lonely at the gate,
- On your compassion, Death, I wait.
-
- For all the beauty that escaped
- This foolish brain, unsung, unshaped,
- For wonder that was slow to move,
- Forgive me, Death, forgive me, Love.
-
- For love that kept a secret cruse,
- For life defeated of its dues,
- This latest word of all my breath--
- Forgive me, Love, forgive me, Death.
-
-
-
-
-BIRTHRIGHT
-
-
- Lord Rameses of Egypt sighed
- Because a summer evening passed;
- And little Ariadne cried
- That summer fancy fell at last
- To dust; and young Verona died
- When beauty’s hour was overcast.
-
- Theirs was the bitterness we know
- Because the clouds of hawthorn keep
- So short a state, and kisses go
- To tombs unfathomably deep,
- While Rameses and Romeo
- And little Ariadne sleep.
-
-
-
-
-ANTAGONISTS
-
-
- Green shoots, we break the morning earth
- And flourish in the morning’s breath;
- We leave the agony of birth
- And soon are all midway to death.
-
- While yet the summer of her year
- Brings life her marvels, she can see
- Far off the rising dust, and hear
- The footfall of her enemy.
-
-
-
-
-HOLINESS
-
-
- If all the carts were painted gay,
- And all the streets swept clean,
- And all the children came to play
- By hollyhocks, with green
- Grasses to grow between,
-
- If all the houses looked as though
- Some heart were in their stones,
- If all the people that we know
- Were dressed in scarlet gowns,
- With feathers in their crowns,
-
- I think this gaiety would make
- A spiritual land.
- I think that holiness would take
- This laughter by the hand,
- Till both should understand.
-
-
-
-
-THE CITY
-
-
- A shining city, one
- Happy in snow and sun,
- And singing in the rain
- A paradisal strain....
- Here is a dream to keep,
- O Builders, from your sleep.
-
- O foolish Builders, wake,
- Take your trowels, take
- The poet’s dream, and build
- The city song has willed,
- That every stone may sing
- And all your roads may ring
- With happy wayfaring.
-
-
-
-
-TO THE DEFILERS
-
-
- Go, thieves, and take your riches, creep
- To corners out of honest sight;
- We shall not be so poor to keep
- One thought of envy or despite.
-
- But know that in sad surety when
- Your sullen will betrays this earth
- To sorrows of contagion, then
- Beelzebub renews his birth.
-
- When you defile the pleasant streams
- And the wild bird’s abiding-place,
- You massacre a million dreams
- And cast your spittle in God’s face.
-
-
-
-
-A CHRISTMAS NIGHT
-
-
- Christ for a dream was given from the dead
- To walk one Christmas night on earth again,
- Among the snow, among the Christmas bells.
- He heard the hymns that are his praise: _Noël_,
- And _Christ is Born_, and _Babe of Bethlehem_.
- He saw the travelling crowds happy for home,
- The gathering and the welcome, and the set
- Feast and the gifts, because he once was born,
- Because he once was steward of a word.
- And so he thought, “The spirit has been kind;
- So well the peoples might have fallen from me,
- My way of life being difficult and spare.
- It is beautiful that a dream in Galilee
- Should prosper so. They crucified me once,
- And now my name is spoken through the world,
- And bells are rung for me and candles burnt.
- They might have crucified my dream who used
- My body ill; they might have spat on me
- Always as in one hour on Golgotha.” ...
- And the snow fell, and the last bell was still,
- And the poor Christ again was with the dead.
-
-
-
-
-INVOCATION
-
-
- As pools beneath stone arches take
- Darkly within their deeps again
- Shapes of the flowing stone, and make
- Stories anew of passing men,
-
- So let the living thoughts that keep,
- Morning and evening, in their kind,
- Eternal change in height and deep,
- Be mirrored in my happy mind.
-
- Beat, world, upon this heart, be loud
- Your marvel chanted in my blood,
- Come forth, O sun, through cloud on cloud
- To shine upon my stubborn mood.
-
- Great hills that fold above the sea,
- Ecstatic airs and sparkling skies,
- Sing out your words to master me,
- Make me immoderately wise.
-
-
-
-
-IMMORTALITY
-
-
-I
-
- When other beauty governs other lips,
- And snowdrops come to strange and happy springs,
- When seas renewed bear yet unbuilded ships,
- And alien hearts know all familiar things,
- When frosty nights bring comrades to enjoy
- Sweet hours at hearths where we no longer sit,
- When Liverpool is one with dusty Troy,
- And London famed as Attica for wit ...
- How shall it be with you, and you, and you,
- How with us all who have gone greatly here
- In friendship, making some delight, some true
- Song in the dark, some story against fear?
- Shall song still walk with love, and life be brave,
- And we, who were all these, be but the grave?
-
-
-II
-
- No; lovers yet shall tell the nightingale
- Sometimes a song that we of old time made,
- And gossips gathered at the twilight ale
- Shall say, “Those two were friends,” or, “Unafraid
- Of bitter thought were those because they loved
- Better than most.” And sometimes shall be told
- How one, who died in his young beauty, moved,
- As Astrophel, those English hearts of old.
- And the new seas shall take the new ships home
- Telling how yet the Dymock orchards stand,
- And you shall walk with Julius at Rome,
- And Paul shall be my fellow in the Strand;
- There in the midst of all those words shall be
- Our names, our ghosts, our immortality.
-
-
-
-
-THE CRAFTSMEN
-
-
- Confederate hand and eye
- Work to the chisel’s blade,
- Setting the grain aglow
- Of porch and sturdy beam--
- So the strange gods may ply
- Strict arms till we are made
- Quick as the gods who know
- What builds behind this dream.
-
-
-
-
-SYMBOLS
-
-
- I saw history in a poet’s song,
- In a river-reach and a gallows-hill,
- In a bridal bed, and a secret wrong,
- In a crown of thorns: in a daffodil.
-
- I imagined measureless time in a day,
- And starry space in a waggon-road,
- And the treasure of all good harvests lay
- In the single seed that the sower sowed.
-
- My garden-wind had driven and havened again
- All ships that ever had gone to sea,
- And I saw the glory of all dead men
- In the shadow that went by the side of me.
-
-
-
-
-SEALED
-
-
- The doves call down the long arcades of pine,
- The screaming swifts are tiring towards their eaves,
- And you are very quiet, O lover of mine.
-
- No foot is on your ploughlands now, the song
- Fails and is no more heard among your leaves
- That wearied not in praise the whole day long.
-
- I have watched with you till this twilight-fall,
- The proud companion of your loveliness;
- Have you no word for me, no word at all?
-
- The passion of my thought I have given you,
- Striving towards your passion, nevertheless,
- The clover leaves are deepening to the dew,
-
- And I am still unsatisfied, untaught.
- You lie guarded in mystery, you go
- Into your night, and leave your lover naught.
-
- Would I were Titan with immeasurable thews
- To hold you trembling, lover of mine, and know
- To the full the secret savour that you use
-
- Now to my tormenting. I would drain
- Your beauty to the last sharp glory of it;
- You should work mightily through me, blood and brain.
-
- Your heart in my heart’s mastery should burn,
- And you before my swift and arrogant wit
- Should be no longer proudly taciturn.
-
- You should bend back astonished at my kiss,
- Your wisdom should be armourer to my pride,
- And you, subdued, should yet be glad of this.
-
- The joys of great heroic lovers dead
- Should seem but market-gossiping beside
- The annunciation of our bridal bed.
-
- And now, my lover earth, I am a leaf,
- A wave of light, a bird’s note, a blade sprung
- Towards the oblivion of the sickled sheaf;
-
- A mere mote driven against your royal ease,
- A tattered eager traveller among
- The myriads beating on your sanctuaries.
-
- I have no strength to crush you to my will,
- Your beauty is invulnerably zoned,
- Yet I, your undefeated lover still,
-
- Exulting in your sap am clear of shame,
- And biding with you patiently am throned
- Above the flight of desolation’s aim.
-
- You may be mute, bestow no recompense
- On all the thriftless leaguers of my soul--
- I am at your gates, O lover of mine, and thence
-
- Will I not turn for any scorn you send,
- Rebuked, bemused, yet is my purpose whole,
- I shall be striving towards you till the end.
-
-
-
-
-A PRAYER
-
-
- Lord, not for light in darkness do we pray,
- Not that the veil be lifted from our eyes,
- Nor that the slow ascension of our day
- Be otherwise.
-
- Not for a clearer vision of the things
- Whereof the fashioning shall make us great,
- Not for remission of the peril and stings
- Of time and fate.
-
- Not for a fuller knowledge of the end
- Whereto we travel, bruised yet unafraid,
- Nor that the little healing that we lend
- Shall be repaid.
-
- Not these, O Lord. We would not break the bars
- Thy wisdom sets about us; we shall climb
- Unfettered to the secrets of the stars
- In Thy good time.
-
- We do not crave the high perception swift
- When to refrain were well, and when fulfil,
- Nor yet the understanding strong to sift
- The good from ill.
-
- Not these, O Lord. For these Thou hast revealed,
- We know the golden season when to reap
- The heavy-fruited treasure of the field,
- The hour to sleep.
-
- Not these. We know the hemlock from the rose,
- The pure from stained, the noble from the base
- The tranquil holy light of truth that glows
- On Pity’s face.
-
- We know the paths wherein our feet should press,
- Across our hearts are written Thy decrees,
- Yet now, O Lord, be merciful to bless
- With more than these.
-
- Grant us the will to fashion as we feel,
- Grant us the strength to labour as we know,
- Grant us the purpose, ribbed and edged with steel,
- To strike the blow.
-
- Knowledge we ask not--knowledge Thou hast lent,
- But, Lord, the will--there lies our bitter need,
- Give us to build above the deep intent
- The deed, the deed.
-
-
-
-
-THE BUILDING
-
-
- Whence these hods, and bricks of bright red clay,
- And swart men climbing ladders in the night?
-
- Stilled are the clamorous energies of day,
- The streets are dumb, and, prodigal of light,
- The lamps but shine upon a city of sleep.
- A step goes out into the silence; far
- Across the quiet roofs the hour is tolled
- From ghostly towers; the indifferent earth may keep
- That ragged flotsam shielded from the cold
- In earth’s good time: not, moving among men,
- Shall he compel so fortunate a star.
- Pavements I know, forsaken now, are strange,
- Alien walks not beautiful, that then,
- In the familiar day, are part of all
- My breathless pilgrimage, not beautiful, but dear;
- The monotony of sound has suffered change,
- The eddies of wanton sound are spent, and clear
- To bleak monotonies of silence fall.
-
- And, while the city sleeps, in the central poise
- Of quiet, lamps are flaming in the night,
- Blown to long tongues by winds that moan between
- The growing walls, and throwing misty light
- On swart men bearing bricks of bright red clay
- In laden hods; and ever the thin noise
- Of trowels deftly fashioning the clean
- Long lines that are the shaping of proud thought.
- Ghost-like they move between the day and day,
- These men whose labour strictly shall be wrought
- Into the captive image of a dream.
- Their sinews weary not, the plummet falls
- To measured use from steadfast hands apace,
- And momently the moist and levelled seam
- Knits brick to brick and momently the walls
- Bestow the wonder of form on formless space.
-
- And whence all these? The hod and plummet-line,
- The trowels tapping, and the lamps that shine
- In long, dust-heavy beams from wall to wall,
- The mortar and the bricks of bright red clay,
- Ladder and corded scaffolding, and all
- The gear of common traffic--whence are they?
- And whence the men who use them?
- When he came,
- God upon chaos, crying in the name
- Of all adventurous vision that the void
- Should yield up man, and man, created, rose
- Out of the deep, the marvel of all things made,
- Then in immortal wonder was destroyed
- All worth of trivial knowledge, and the close
- Of man’s most urgent meditation stayed
- Even as his first thought--“Whence am I sprung?”
- What proud ecstatic mystery was pent
- In that first act for man’s astonishment,
- From age to unconfessing age, among
- His manifold travel. And in all I see
- Of common daily usage is renewed
- This primal and ecstatic mystery
- Of chaos bidden into many-hued
- Wonders of form, life in the void create,
- And monstrous silence made articulate.
-
- Not the first word of God upon the deep
- Nor the first pulse of life along the day
- More marvellous than these new walls that sweep
- Starward, these lines that discipline the clay,
- These lamps swung in the wind that send their light
- On swart men climbing ladders in the night.
- No trowel-tap but sings anew for men
- The rapture of quickening water and continent,
- No mortared line but witnesses again
- Chaos transfigured into lineament.
-
-
-
-
-THE SOLDIER
-
-
- The large report of fame I lack,
- And shining clasps and crimson scars,
- For I have held my bivouac
- Alone amid the untroubled stars.
-
- My battle-field has known no dawn
- Beclouded by a thousand spears;
- I’ve been no mounting tyrant’s pawn
- To buy his glory with my tears.
-
- It never seemed a noble thing
- Some little leagues of land to gain
- From broken men, nor yet to fling
- Abroad the thunderbolts of pain.
-
- Yet I have felt the quickening breath
- As peril heavy peril kissed--
- My weapon was a little faith,
- And fear was my antagonist.
-
- Not a brief hour of cannonade,
- But many days of bitter strife,
- Till God of His great pity laid
- Across my brow the leaves of life.
-
-
-
-
-THE FIRES OF GOD
-
-
-I
-
- Time gathers to my name;
- Along the ways wheredown my feet have passed
- I see the years with little triumph crowned,
- Exulting not for perils dared, downcast
- And weary-eyed and desolate for shame
- Of having been unstirred of all the sound
- Of the deep music of the men that move
- Through the world’s days in suffering and love.
-
- Poor barren years that brooded over-much
- On your own burden, pale and stricken years--
- Go down to your oblivion, we part
- With no reproach or ceremonial tears.
- Henceforth my hands are lifted to the touch
- Of hands that labour with me, and my heart
- Hereafter to the world’s heart shall be set
- And its own pain forget.
- Time gathers to my name--
- Days dead are dark; the days to be, a flame
- Of wonder and of promise, and great cries
- Of travelling people reach me--I must rise.
-
-
-II
-
- Was I not man? Could I not rise alone
- Above the shifting of the things that be,
- Rise to the crest of all the stars and see
- The ways of all the world as from a throne?
- Was I not man, with proud imperial will
- To cancel all the secrets of high heaven?
- Should not my sole unbridled purpose fill
- All hidden paths with light when once was riven
- God’s veil by my indomitable will?
-
- So dreamt I, little man of little vision,
- Great only in unconsecrated pride;
- Man’s pity grew from pity to derision,
- And still I thought, “Albeit they deride,
- Yet is it mine uncharted ways to dare
- Unknown to these,
- And they shall stumble darkly, unaware
- Of solemn mysteries
- Whereof the key is mine alone to bear.”
-
- So I forgot my God, and I forgot
- The holy sweet communion of men,
- And moved in desolate places, where are not
- Meek hands held out with patient healing when
- The hours are heavy with uncharitable pain;
- No company but vain
- And arrogant thoughts were with me at my side.
- And ever to myself I lied.
- Saying “Apart from all men thus I go
- To know the things that they may never know.”
-
-
-III
-
- Then a great change befell;
- Long time I stood
- In witless hardihood
- With eyes on one sole changeless vision set--
- The deep disturbèd fret
- Of men who made brief tarrying in hell
- On their earth travelling.
- It was as though the lives of men should be
- See circle-wise, whereof one little span
- Through which all passed was blackened with the wing
- Of perilous evil, bateless misery.
- But all beyond, making the whole complete
- O’er which the travelling feet
- Of every man
- Made way or ever he might come to death,
- Was odorous with the breath
- Of honey-laden flowers, and alive
- With sacrificial ministrations sweet
- Of man to man, and swift and holy loves,
- And large heroic hopes, whereby should thrive
- Man’s spirit as he moves
- From dawn of life to the great dawn of death.
-
- It was as though mine eyes were set alone
- Upon that woeful passage of despair,
- Until I held that life had never known
- Dominion but in this most troubled place
- Where many a ruined grace
- And many a friendless care
- Ran to and fro in sorrowful unrest.
- Still in my hand I pressed
- Hope’s fragile chalice, whence I drew deep draughts
- That heartened me that even yet should grow
- Out of this dread confusion, as of broken crafts
- Driven along ungovernable seas,
- Prosperous order, and that I should know
- After long vigil all the mysteries
- Of human wonder and of human fate.
-
- O fool, O only great
- In pride unhallowed, O most blind of heart!
- Confusion but more dark confusion bred,
- Grief nurtured grief, I cried aloud and said,
- “Through trackless ways the soul of man is hurled,
- No sign upon the forehead of the skies,
- No beacon, and no chart
- Are given to him, and the inscrutable world
- But mocks his scars and fills his mouth with dust.”
-
- _And lies bore lies_
- _And lust bore lust,_
- _And the world was heavy with flowerless rods,_
- _And pride outran_
- _The strength of a man_
- _Who had set himself in the place of gods._
-
-
-IV
-
- Soon was I then to gather bitter shame
- Of spirit; I had been most wildly proud--
- Yet in my pride had been
- Some little courage, formless as a cloud,
- Unpiloted save by a vagrant wind,
- But still an earnest of the bonds that tame
- The legionary hates, of sacred loves that lean
- From the high soul of man towards his kind.
- And all my grief
- Had been for those I watched go to and fro
- In uncompassioned woe
- Along that little span my unbelief
- Had fashioned in my vision as all life.
- Now even this so little virtue waned,
- For I became caught up into the strife
- That I had pitied, and my soul was stained
- At last by that most venomous despair,
- Self-pity.
- I no longer was aware
- Of any will to heal the world’s unrest,
- I suffered as it suffered, and I grew
- Troubled in all my daily trafficking,
- Not with the large heroic trouble known
- By proud adventurous men who would atone
- With their own passionate pity for the sting
- And anguish of a world of peril and snares,
- It was the trouble of a soul in thrall
- To mean despairs,
- Driven about a waste where neither fall
- Of words from lips of love, nor consolation
- Of grave eyes comforting, nor ministration
- Of hand or heart could pierce the deadly wall
- Of self--of self,--I was a living shame--
- A broken purpose. I had stood apart
- With pride rebellious and defiant heart,
- And now my pride had perished in the flame.
- I cried for succour as a little child
- Might supplicate whose days are undefiled,--
- For tutored pride and innocence are one.
-
- _To the gloom has won_
- _A gleam of the sun_
- _And into the barren desolate ways_
- _A scent is blown_
- _As of meadows mown_
- _By cooling rivers in clover days._
-
-
-V
-
- I turned me from that place in humble wise,
- And fingers soft were laid upon mine eyes,
- And I beheld the fruitful earth, with store
- Of odorous treasure, full and golden grain,
- Ripe orchard bounty, slender stalks that bore
- Their flowered beauty with a meek content,
- The prosperous leaves that loved the sun and rain,
- Shy creatures unreproved that came and went
- In garrulous joy among the fostering green.
- And, over all, the changes of the day
- And ordered year their mutable glory laid--
- Expectant winter soberly arrayed,
- The prudent diligent spring whose eyes have seen
- The beauty of the roses uncreate,
- Imperial June, magnificent, elate
- Beholding all the ripening loves that stray
- Among her blossoms, and the golden time
- Of the full ear and bounty of the boughs,--
- And the great hills and solemn chanting seas
- And prodigal meadows, answering to the chime
- Of God’s good year, and bearing on their brows
- The glory of processional mysteries
- From dawn to dawn, the woven leaves and light
- Of the high noon, the twilight secrecies,
- And the inscrutable wonder of the stars
- Flung out along the reaches of the night.
-
- _And the ancient might_
- _Of the binding bars_
- _Waned as I woke to a new desire_
- _For the choric song_
- _Of exultant, strong_
- _Earth-passionate men with souls of fire._
-
-
-VI
-
- ’T was given me to hear. As I beheld--
- With a new wisdom, tranquil, asking not
- For mystic revelation--this glory long forgot,
- This re-discovered triumph of the earth
- In high creative will and beauty’s pride
- Establishèd beyond the assaulting years,
- It came to me, a music that compelled
- Surrender of all tributary fears,
- Full-throated, fierce, and rhythmic with the wide
- Beat of the pilgrim winds and labouring seas,
- Sent up from all the harbouring ways of earth
- Wherein the travelling feet of men have trod,
- Mounting the firmamental silences
- And challenging the golden gates of God.
-
- _We bear the burden of the years_
- _Clean limbed, clear-hearted, open-browed,_
- _Albeit sacramental tears_
- _Have dimmed our eyes, we know the proud_
- _Content of men who sweep unbowed_
- _Before the legionary fears;_
- _In sorrow we have grown to be_
- _The masters of adversity._
-
- _Wise of the storied ages we,_
- _Of perils dared and crosses borne,_
- _Of heroes bound by no decree_
- _Of laws defiled or faiths outworn,_
- _Of poets who have held in scorn_
- _All mean and tyrannous things that be;_
- _We prophesy with lips that sped_
- _The songs of the prophetic dead._
-
- _Wise of the brief belovèd span_
- _Of this our glad earth-travelling,_
- _Of beauty’s bloom and ordered plan,_
- _Of love and loves compassioning,_
- _Of all the dear delights that spring_
- _From man’s communion with man;_
- _We cherish every hour that strays_
- _Adown the cataract of the days._
-
- _We see the clear untroubled skies,_
- _We see the summer of the rose_
- _And laugh, nor grieve that clouds will rise_
- _And wax with every wind that blows,_
- _Nor that the blossoming time will close,_
- _For beauty seen of humble eyes_
- _Immortal habitation has_
- _Though beauty’s form may pale and pass._
-
- _Wise of the great unshapen age,_
- _To which we move with measured tread_
- _All girt with passionate truth to wage_
- _High battle for the word unsaid,_
- _The song unsung, the cause unled,_
- _The freedom that no hope can gauge;_
- _Strong-armed, sure-footed, iron-willed_
- _We sift and weave, we break and build._
-
- _Into one hour we gather all_
- _The years gone down, the years unwrought_
- _Upon our ears brave measures fall_
- _Across uncharted spaces brought,_
- _Upon our lips the words are caught_
- _Wherewith the dead the unborn call;_
- _From love to love, from height to height_
- _We press and none may curb our might._
-
-
-VII
-
- O blessed voices, O compassionate hands,
- Calling and healing, O great-hearted brothers!
- I come to you. Ring out across the lands
- Your benediction, and I too will sing
- With you, and haply kindle in another’s
- Dark desolate hour the flame you stirred in me.
- O bountiful earth, in adoration meet
- I bow to you; O glory of years to be,
- I too will labour to your fashioning.
- Go down, go down, unweariable feet,
- Together we will march towards the ways
- Wherein the marshalled hosts of morning wait
- In sleepless watch, with banners wide unfurled
- Across the skies in ceremonial state,
- To greet the men who lived triumphant days,
- And stormed the secret beauty of the world.
-
-
-
-
-CHALLENGE
-
-
- You fools behind the panes who peer
- At the strong black anger of the sky,
- Come out and feel the storm swing by,
- Aye, take its blow on your lips, and hear
- The wind in the branches cry.
-
- No. Leave us to the day’s device,
- Draw to your blinds and take your ease,
- Grow peak’d in the face and crook’d in the knees;
- Your sinews could not pay the price
- When the storm goes through the trees.
-
-
-
-
-TRAVEL TALK
-
-LADYWOOD, 1912. (TO E. DE S.)
-
-
- To the high hills you took me, where desire,
- Daughter of difficult life, forgets her lures,
- And hope’s eternal tasks no longer tire,
- And only peace endures.
- Where anxious prayer becomes a worthless thing
- Subdued by muted praise,
- And asking nought of God and life we bring
- The conflict of long days
- Into a moment of immortal poise
- Among the scars and proud unbuilded spires,
- Where, seeking not the triumphs and the joys
- So treasured in the world, we kindle fires
- That shall not burn to ash, and are content
- To read anew the eternal argument.
-
- Nothing of man’s intolerance we know
- Here, far from man, among the fortressed hills,
- Nor of his querulous hopes.
- To what may we attain? What matter, so
- We feel the unwearied virtue that fulfils
- These cloudy crests and rifts and heathered slopes
- With life that is and seeks not to attain,
- For ever spends nor ever asks again?
-
- To the high hills you took me. And we saw
- The everlasting ritual of sky
- And earth and the waste places of the air,
- And momently the change of changeless law
- Was beautiful before us, and the cry
- Of the great winds was as a distant prayer
- From a massed people, and the choric sound
- Of many waters moaning down the long
- Veins of the hills was as an undersong;
- And in that hour we moved on holy ground.
-
- To the high hills you took me. Far below
- Lay pool and tarn locked up in shadowy sleep;
- Above we watched the clouds unhasting go
- From hidden crest to crest; the neighbour sheep
- Cropped at our side, and swift on darkling wings
- The hawks went sailing down the valley wind,
- The rock-bird chattered shrilly to its kind;
- And all these common things were holy things.
-
- From ghostly Skiddaw came the wind in flight.
- By Langdale Pikes to Coniston’s broad brow,
- From Coniston to proud Helvellyn’s height,
- The eloquent wind, the wind that even now
- Whispers again its story gathered in
- For seasons of much traffic in the ways
- Where men so straitly spin
- The garment of unfathomable days.
-
- To the high hills you took me. And we turned
- Our feet again towards the friendly vale,
- And passed the banks whereon the bracken burned
- And the last foxglove bells were spent and pale,
- Down to a hallowed spot of English land
- Where Rotha dreams its way from mere to mere,
- Where one with undistracted vision scanned
- Life’s far horizons, he who sifted clear
- Dust from the grain of being, making song
- Memorial of simple men and minds
- Not bowed to cunning by deliberate wrong,
- And conversed with the spirit of the winds,
- And knew the guarded secrets that were sealed
- In pool and pine, petal and vagrant wing,
- Throning the shepherd folding from the field,
- Robing anew the daffodils of spring.
-
- We crossed the threshold of his home and stood
- Beside his cottage hearth where once was told
- The day’s adventure drawn from fell and wood,
- And wisdom’s words and love’s were manifold,
- Where, in the twilight, gossip poets met
- To read again their peers of older time,
- And quiet eyes of gracious women set
- A bounty to the glamour of the rhyme.
-
- There is a wonder in a simple word
- That reinhabits fond and ghostly ways,
- And when within the poet’s walls we heard
- One white with ninety years recall the days
- When he upon his mountain paths was seen,
- We answered her strange bidding and were made
- One with the reverend presence who had been
- Steward of kingly charges unbetrayed.
-
- And to the little garden-close we went,
- Where he at eventide was wont to pass
- To watch the willing day’s last sacrament,
- And the cool shadows thrown along the grass,
- To read again the legends of the flowers,
- Lighten with song th’ obscure heroic plan,
- To contemplate the process of the hours,
- And think on that old story which is man.
- The lichened apple-boughs that once had spent
- Their blossoms at his feet, in twisted age
- Yet knew the wind, and the familiar scent
- Of heath and fern made sweet his hermitage.
- And, moving so beneath his cottage-eaves,
- His song upon our lips, his life a star,
- A sign, a storied peace among the leaves,
- Was he not with us then? He was not far.
-
- To the high hills you took me. We had seen
- Much marvellous traffic in the cloudy ways,
- Had laughed with the white waters and the green,
- Had praised and heard the choric chant of praise,
- Communed anew with the undying dead,
- Resung old songs, retold old fabulous things,
- And, stripped of pride, had lost the world and led
- A world refashioned as unconquered kings.
-
- And the good day was done, and there again
- Where in your home of quietness we stood,
- Far from the sight and sound of travelling men,
- And watched the twilight climb from Lady-wood
- Above the pines, above the visible streams,
- Beyond the hidden sources of the rills,
- Bearing the season of uncharted dreams
- Into the silent fastness of the hills.
-
- Peace on the hills, and in the valleys peace;
- And Rotha’s moaning music sounding clear;
- The passing-song of wearied winds that cease,
- Moving among the reeds of Rydal Mere;
- The distant gloom of boughs that still unscarred
- Beside their poet’s grave due vigil keep--
- With us were these, till night was throned and starred
- And bade us to the benison of sleep.
-
-
-
-
-THE VAGABOND
-
-
- I know the pools where the grayling rise,
- I know the trees where the filberts fall,
- I know the woods where the red fox lies,
- The twisted elms where the brown owls call.
- And I’ve seldom a shilling to call my own,
- And there’s never a girl I’d marry,
- I thank the Lord I’m a rolling stone
- With never a care to carry.
-
- I talk to the stars as they come and go
- On every night from July to June,
- I’m free of the speech of the winds that blow,
- And I know what weather will sing what tune.
- I sow no seed and I pay no rent,
- And I thank no man for his bounties,
- But I’ve a treasure that’s never spent,
- I’m lord of a dozen counties.
-
-
-
-
-OLD WOMAN IN MAY
-
-
- “Old woman by the hedgerow
- In gown of withered black,
- With beads and pins and buttons
- And ribbons in your pack--
- How many miles do you go?
- To Dumbleton and back?”
-
- “To Dumbleton and back, sir,
- And round by Cotsall Hill,
- I count the miles at morning,
- At night I count them still,
- A Jill without a Jack, sir,
- I travel with a will.”
-
- “It’s little men are paying
- For such as you can do,
- You with the grey dust in your hair
- And sharp nails in your shoe,
- The young folks go a-Maying,
- But what is May to you?”
-
- “I care not what they pay me
- While I can hear the call
- Of cattle on the hillside,
- And watch the blossoms fall
- In a churchyard where maybe
- There’s company for all.”
-
-
-
-
-THE FECKENHAM MEN
-
-
- The jolly men at Feckenham
- Don’t count their goods as common men,
- Their heads are full of silly dreams
- From half-past ten to half-past ten,
- They’ll tell you why the stars are bright,
- And some sheep black and some sheep white.
-
- The jolly men at Feckenham
- Draw wages of the sun and rain,
- And count as good as golden coin
- The blossoms on the window-pane,
- And Lord! they love a sinewy tale
- Told over pots of foaming ale.
-
- Now here’s a tale of Feckenham
- Told to me by a Feckenham man,
- Who, being only eighty years,
- Ran always when the red fox ran,
- And looked upon the earth with eyes
- As quiet as unclouded skies.
-
- These jolly men of Feckenham
- One day when summer strode in power
- Went down, it seems, among their lands
- And saw their bean fields all in flower--
- “Wheat-ricks,” they said, “be good to see;
- What would a rick of blossoms be?”
-
- So straight they brought the sickles out
- And worked all day till day was done,
- And builded them a good square rick
- Of scented bloom beneath the sun.
- And was not this I tell to you
- A fiery-hearted thing to do?
-
-
-
-
-THE TRAVELLER
-
-
- When March was master of furrow and fold,
- And the skies kept cloudy festival
- And the daffodil pods were tipped with gold
- And a passion was in the plover’s call,
- A spare old man went hobbling by
- With a broken pipe and a tapping stick,
- And he mumbled--“Blossom before I die,
- Be quick, you little brown buds, be quick.
-
- “I ’ve weathered the world for a count of years--
- Good old years of shining fire--
- And death and the devil bring no fears,
- And I ’ve fed the flame of my last desire;
- I ’m ready to go, but I ’d pass the gate
- On the edge of the world with an old heart sick
- If I missed the blossoms. I may not wait--
- The gate is open--be quick, be quick.”
-
-
-
-
-IN LADY STREET
-
-
- All day long the traffic goes
- In Lady Street by dingy rows
- Of sloven houses, tattered shops--
- Fried fish, old clothes and fortune-tellers--
- Tall trams on silver-shining rails,
- With grinding wheels and swaying tops,
- And lorries with their corded bales,
- And screeching cars. “Buy, buy!” the sellers
- Of rags and bones and sickening meat
- Cry all day long in Lady Street.
-
- And when the sunshine has its way
- In Lady Street, then all the grey
- Dull desolation grows in state
- More dull and grey and desolate,
- And the sun is a shamefast thing,
- A lord not comely-housed, a god
- Seeing what gods must blush to see,
- A song where it is ill to sing,
- And each gold ray despiteously
- Lies like a gold ironic rod.
-
- Yet one grey man in Lady Street
- Looks for the sun. He never bent
- Life to his will, his travelling feet
- Have scaled no cloudy continent,
- Nor has the sickle-hand been strong.
- He lives in Lady Street; a bed,
- Four cobwebbed walls.
-
- But all day long
- A time is singing in his head
- Of youth in Gloucester lanes. He hears
- The wind among the barley-blades,
- The tapping of the woodpeckers
- On the smooth beeches, thistle-spades
- Slicing the sinewy roots; he sees
- The hooded filberts in the copse
- Beyond the loaded orchard trees,
- The netted avenues of hops;
- He smells the honeysuckle thrown
- Along the hedge. He lives alone,
- Alone--yet not alone, for sweet
- Are Gloucester lanes in Lady Street.
-
- Aye, Gloucester lanes. For down below
- The cobwebbed room this grey man plies
- A trade, a coloured trade. A show
- Of many-coloured merchandise
- Is in his shop. Brown filberts there,
- And apples red with Gloucester air,
- And cauliflowers he keeps, and round
- Smooth marrows grown on Gloucester ground,
- Fat cabbages and yellow plums,
- And gaudy brave chrysanthemums.
- And times a glossy pheasant lies
- Among his store, not Tyrian dyes
- More rich than are the neck-feathers;
- And times a prize of violets,
- Or dewy mushrooms satin-skinned
- And times an unfamiliar wind
- Robbed of its woodland favour stirs
- Gay daffodils this grey man sets
- Among his treasure.
-
- All day long
- In Lady Street the traffic goes
- By dingy houses, desolate rows
- Of shops that stare like hopeless eyes.
- Day long the sellers cry their cries,
- The fortune-tellers tell no wrong
- Of lives that know not any right,
- And drift, that has not even the will
- To drift, toils through the day until
- The wage of sleep is won at night.
- But this grey man heeds not at all
- The hell of Lady Street. His stall
- Of many-coloured merchandise
- He makes a shining paradise,
- As all day long chrysanthemums
- He sells, and red and yellow plums
- And cauliflowers. In that one spot
- Of Lady Street the sun is not
- Ashamed to shine and send a rare
- Shower of colour through the air;
- The grey man says the sun is sweet
- On Gloucester lanes in Lady Street.
-
-
-
-
-ANTHONY CRUNDLE
-
-
- CENTER
- _Here lies the body of
- ANTHONY CRUNDLE,
- Farmer, of this parish,
- Who died in 1849 at the age of 82.
- “He delighted in music.”
- R. I. P.
- And of
- SUSAN,
- For fifty-three years his wife,
- Who died in 1860, aged 86._
-
- ANTHONY CRUNDLE of Dorrington Wood
- Played on a piccolo. Lord was he,
- For seventy years, of sheaves that stood
- Under the perry and cider tree;
- _Anthony Crundle, R.I.P._
-
- And because he prospered with sickle and scythe,
- With cattle afield and labouring ewe,
- Anthony was uncommonly blithe,
- And played of a night to himself and Sue;
- _Anthony Crundle, eighty-two_.
-
- The earth to till, and a tune to play,
- And Susan for fifty years and three,
- And Dorrington Wood at the end of day ...
- May providence do no worse by me;
- _Anthony Crundle, R.I.P._
-
-
-
-
-MAD TOM TATTERMAN
-
-
- “Old man, grey man, good man scavenger,
- Bearing is it eighty years upon your crumpled back?
- What is it you gather in the frosty weather,
- Is there any treasure here to carry in your sack?”
-
- * * * * *
-
- “I’ve a million acres and a thousand head of cattle,
- And a foaming river where the silver salmon leap;
- But I’ve left fat valleys to dig in sullen alleys
- Just because a twisted star rode by me in my sleep.
-
- “I’ve a brain is dancing to an old forgotten music
- Heard when all the world was just a crazy flight of dreams,
- And don’t you know I scatter in the dirt along the gutter
- Seeds that little ladies nursed by Babylonian streams?
-
- “Mad Tom Tatterman, that is how they call me.
- Oh, they know so much, so much, all so neatly dressed;
- I’ve a tale to tell you--come and listen, will you?--
- One as ragged as the twigs that make a magpie’s nest.
-
- “Ragged, oh, but very wise. You and this and that man,
- All of you are making things that none of you would lack,
- And so your eyes grow dusty, and so your limbs grow rusty--
- But mad Tom Tatterman puts nothing in his sack.
-
- “Nothing in my sack, sirs, but the Sea of Galilee
- Was walked for mad Tom Tatterman, and when I go to sleep
- They’ll know that I have driven through the acres of broad heaven
- Flocks are whiter than the flocks that all your shepherds keep.”
-
-
-
-
-FOR CORIN TO-DAY
-
-
- Old shepherd in your wattle cote,
- I think a thousand years are done
- Since first you took your pipe of oat
- And piped against the risen sun,
- Until his burning lips of gold
- Sucked up the drifting scarves of dew
- And bade you count your flocks from fold
- And set your hurdle stakes anew.
-
- And then as now at noon you ’ld take
- The shadow of delightful trees,
- And with good hands of labour break
- Your barley bread with dairy cheese,
- And with some lusty shepherd mate
- Would wind a simple argument,
- And bear at night beyond your gate
- A loaded wallet of content.
-
- O Corin of the grizzled eye,
- A thousand years upon your down
- You’ve seen the ploughing teams go by
- Above the bells of Avon’s town;
- And while there’s any wind to blow
- Through frozen February nights,
- About your lambing pens will go
- The glimmer of your lanthorn lights.
-
-
-
-
-THE CARVER IN STONE
-
-
- He was a man with wide and patient eyes,
- Grey, like the drift of twitch-fires blown in June
- That, without fearing, searched if any wrong
- Might threaten from your heart. Grey eyes he had
- Under a brow was drawn because he knew
- So many seasons to so many pass
- Of upright service, loyal, unabased
- Before the world seducing, and so, barren
- Of good words praising and thought that mated his.
- He carved in stone. Out of his quiet life
- He watched as any faithful seaman charged
- With tidings of the myriad faring sea,
- And thoughts and premonitions through his mind
- Sailing as ships from strange and storied lands
- His hungry spirit held, till all they were
- Found living witness in the chiselled stone.
- Slowly out of the dark confusion, spread
- By life’s innumerable venturings
- Over his brain, he would triumph into the light
- Of one clear mood, unblemished of the blind
- Legions of errant thought that cried about
- His rapt seclusion: as a pearl unsoiled,
- Nay, rather washed to lonelier chastity,
- In gritty mud. And then would come a bird,
- A flower, or the wind moving upon a flower,
- A beast at pasture, or a clustered fruit,
- A peasant face as were the saints of old,
- The leer of custom, or the bow of the moon
- Swung in miraculous poise--some stray from the world
- Of things created by the eternal mind
- In joy articulate. And his perfect mood
- Would dwell about the token of God’s mood,
- Until in bird or flower or moving wind
- Or flock or shepherd or the troops of heaven
- It sprang in one fierce moment of desire
- To visible form.
- Then would his chisel work among the stone,
- Persuading it of petal or of limb
- Or starry curve, till risen anew there sang
- Shape out of chaos, and again the vision
- Of one mind single from the world was pressed
- Upon the daily custom of the sky
- Or field or the body of man.
-
- His people
- Had many gods for worship. The tiger-god,
- The owl, the dewlapped bull, the running pard,
- The camel and the lizard of the slime,
- The ram with quivering fleece and fluted horn,
- The crested eagle and the doming bat
- Were sacred. And the king and his high priests
- Decreed a temple, wide on columns huge,
- Should top the cornlands to the sky’s far line.
- They bade the carvers carve along the walls
- Images of their gods, each one to carve
- As he desired, his choice to name his god....
- And many came; and he among them, glad
- Of three leagues’ travel through the singing air
- Of dawn among the boughs yet bare of green,
- The eager flight of the spring leading his blood
- Into swift lofty channels of the air,
- Proud as an eagle riding to the sun....
- An eagle, clean of pinion--there’s his choice.
-
- Daylong they worked under the growing roof,
- One at his leopard, one the staring ram,
- And he winning his eagle from the stone,
- Until each man had carved one image out,
- Arow beyond the portal of the house.
- They stood arow, the company of gods,
- Camel and bat, lizard and bull and ram,
- The pard and owl, dead figures on the wall,
- Figures of habit driven on the stone
- By chisels governed by no heat of the brain
- But drudges of hands that moved by easy rule.
- Proudly recorded mood was none, no thought
- Plucked from the dark battalions of the mind
- And throned in everlasting sight. But one
- God of them all was witness of belief
- And large adventure dared. His eagle spread
- Wide pinions on a cloudless ground of heaven,
- Glad with the heart’s high courage of that dawn
- Moving upon the ploughlands newly sown,
- Dead stone the rest. He looked, and knew it so.
-
- Then came the king with priests and counsellors
- And many chosen of the people, wise
- With words weary of custom, and eyes askew
- That watched their neighbour face for any news
- Of the best way of judgment, till, each sure
- None would determine with authority,
- All spoke in prudent praise. One liked the owl
- Because an owl blinked on the beam of his barn.
- One, hoarse with crying gospels in the street,
- Praised most the ram, because the common folk
- Wore breeches made of ram’s wool. One declared
- The tiger pleased him best,--the man who carved
- The tiger-god was halt out of the womb--
- A man to praise, being so pitiful.
- And one, whose eyes dwelt in a distant void,
- With spell and omen pat upon his lips,
- And a purse for any crystal prophet ripe,
- A zealot of the mist, gazed at the bull--
- A lean ill-shapen bull of meagre lines
- That scarce the steel had graved upon the stone--
- Saying that here was very mystery
- And truth, did men but know. And one there was
- Who praised his eagle, but remembering
- The lither pinion of the swift, the curve
- That liked him better of the mirrored swan.
- And they who carved the tiger-god and ram,
- The camel and the pard, the owl and bull,
- And lizard, listened greedily, and made
- Humble denial of their worthiness,
- And when the king his royal judgment gave
- That all had fashioned well, and bade that each
- Re-shape his chosen god along the walls
- Till all the temple boasted of their skill,
- They bowed themselves in token that as this
- Never had carvers been so fortunate.
-
- Only the man with wide and patient eyes
- Made no denial, neither bowed his head.
- Already while they spoke his thought had gone
- Far from his eagle, leaving it for a sign
- Loyally wrought of one deep breath of life,
- And played about the image of a toad
- That crawled among his ivy leaves. A queer
- Puff-bellied toad, with eyes that always stared
- Sidelong at heaven and saw no heaven there,
- Weak-hammed, and with a throttle somehow twisted
- Beyond full wholesome draughts of air, and skin
- Of wrinkled lips, the only zest or will
- The little flashing tongue searching the leaves.
- And king and priest, chosen and counsellor,
- Babbling out of their thin and jealous brains,
- Seemed strangely one; a queer enormous toad
- Panting under giant leaves of dark,
- Sunk in the loins, peering into the day.
- Their judgment wry he counted not for wrong
- More than the fabled poison of the toad
- Striking at simple wits; how should their thought
- Or word in praise or blame come near the peace
- That shone in seasonable hours above
- The patience of his spirit’s husbandry?
- They foolish and not seeing, how should he
- Spend anger there or fear--great ceremonies
- Equal for none save great antagonists?
- The grave indifference of his heart before them
- Was moved by laughter innocent of hate,
- Chastising clean of spite, that moulded them
- Into the antic likeness of his toad
- Bidding for laughter underneath the leaves.
-
- He bowed not, nor disputed, but he saw
- Those ill-created joyless gods, and loathed,
- And saw them creeping, creeping round the walls,
- Death breeding death, wile witnessing to wile,
- And sickened at the dull iniquity
- Should be rewarded, and for ever breathe
- Contagion on the folk gathered in prayer.
- His truth should not be doomed to march among
- This falsehood to the ages. He was called,
- And he must labour there; if so the king
- Would grant it, where the pillars bore the roof
- A galleried way of meditation nursed
- Secluded time, with wall of ready stone
- In panels for the carver set between
- The windows--there his chisel should be set,--
- It was his plea. And the king spoke of him,
- Scorning, as one lack-fettle, among all these
- Eager to take the riches of renown;
- One fearful of the light or knowing nothing
- Of light’s dimension, a witling who would throw
- Honour aside and praise spoken aloud
- All men of heart should covet. Let him go
- Grubbing out of the sight of these who knew
- The worth of substance; there was his proper trade.
-
- A squat and curious toad indeed.... The eyes,
- Patient and grey, were dumb as were the lips,
- That, fixed and governed, hoarded from them all
- The larger laughter lifting in his heart.
- Straightway about his gallery he moved,
- Measured the windows and the virgin stone,
- Till all was weighed and patterned in his brain.
- Then first where most the shadow struck the wall,
- Under the sills, and centre of the base,
- From floor to sill out of the stone was wooed
- Memorial folly, as from the chisel leapt
- His chastening laughter searching priest and king--
- A huge and wrinkled toad, with legs asplay,
- And belly loaded, leering with great eyes
- Busily fixed upon the void.
- All days
- His chisel was the first to ring across
- The temple’s quiet; and at fall of dusk
- Passing among the carvers homeward, they
- Would speak of him as mad, or weak against
- The challenge of the world, and let him go
- Lonely, as was his will, under the night
- Of stars or cloud or summer’s folded sun,
- Through crop and wood and pastureland to sleep.
- None took the narrow stair as wondering
- How did his chisel prosper in the stone,
- Unvisited his labour and forgot.
- And times when he would lean out of his height
- And watch the gods growing along the walls,
- The row of carvers in their linen coats
- Took in his vision a virtue that alone
- Carving they had not nor the thing they carved.
- Knowing the health that flowed about his close
- Imagining, the daily quiet won
- From process of his clean and supple craft,
- Those carvers there, far on the floor below,
- Would haply be transfigured in his thought
- Into a gallant company of men
- Glad of the strict and loyal reckoning
- That proved in the just presence of the brain
- Each chisel-stroke. How surely would he prosper
- In pleasant talk at easy hours with men
- So fashioned if it might be--and his eyes
- Would pass again to those dead gods that grew
- In spreading evil round the temple walls;
- And, one dead pressure made, the carvers moved
- Along the wall to mould and mould again
- The self-same god, their chisels on the stone
- Tapping in dull precision as before,
- And he would turn, back to his lonely truth.
-
- He carved apace. And first his people’s gods,
- About the toad, out of their sterile time,
- Under his hand thrilled and were recreate.
- The bull, the pard, the camel and the ram,
- Tiger and owl and bat--all were the signs
- Visibly made body on the stone
- Of sightless thought adventuring the host
- That is mere spirit; these the bloom achieved
- By secret labour in the flowing wood
- Of rain and air and wind and continent sun....
- His tiger, lithe, immobile in the stone,
- A swift destruction for a moment leashed,
- Sprang crying from the jealous stealth of men
- Opposed in cunning watch, with engines hid
- Of torment and calamitous desire.
- His leopard, swift on lean and paltry limbs,
- Was fear in flight before accusing faith.
- His bull, with eyes that often in the dusk
- Would lift from the sweet meadow grass to watch
- Him homeward passing, bore on massy beam
- The burden of the patient of the earth.
- His camel bore the burden of the damned,
- Being gaunt, with eyes aslant along the nose.
- He had a friend, who hammered bronze and iron
- And cupped the moonstone on a silver ring,
- One constant like himself, would come at night
- Or bid him as a guest, when they would make
- Their poets touch a starrier height, or search
- Together with unparsimonious mind
- The crowded harbours of mortality.
- And there were jests, wholesome as harvest ale
- Of homely habit, bred of hearts that dared
- Judgment of laughter under the eternal eye:
- This frolic wisdom was his carven owl.
- His ram was lordship on the lonely hills,
- Alert and fleet, content only to know
- The wind mightily pouring on his fleece,
- With yesterday and all unrisen suns
- Poorer than disinherited ghosts. His bat
- Was ancient envy made a mockery,
- Cowering below the newer eagle carved
- Above the arches with wide pinion spread,
- His faith’s dominion of that happy dawn.
-
- And so he wrought the gods upon the wall,
- Living and crying out of his desire,
- Out of his patient incorruptible thought,
- Wrought them in joy was wages to his faith.
- And other than the gods he made. The stalks
- Of bluebells heavy with the news of spring,
- The vine loaded with plenty of the year,
- And swallows, merely tenderness of thought
- Bidding the stone to small and fragile flight;
- Leaves, the thin relics of autumnal boughs,
- Or massed in June....
- All from their native pressure bloomed and sprang
- Under his shaping hand into a proud
- And governed image of the central man,--
- Their moulding, charts of all his travelling.
- And all were deftly ordered, duly set
- Between the windows, underneath the sills,
- And roofward, as a motion rightly planned,
- Till on the wall, out of the sullen stone,
- A glory blazed, his vision manifest,
- His wonder captive. And he was content.
-
- And when the builders and the carvers knew
- Their labour done, and high the temple stood
- Over the cornlands, king and counsellor
- And priest and chosen of the people came
- Among a ceremonial multitude
- To dedication. And, below the thrones
- Where king and archpriest ruled above the throng,
- Highest among the ranked artificers
- The carvers stood. And when, the temple vowed
- To holy use, tribute and choral praise
- Given as was ordained, the king looked down
- Upon the gathered folk, and bade them see
- The comely gods fashioned about the walls,
- And keep in honour men whose precious skill
- Could so adorn the sessions of their worship,
- Gravely the carvers bowed them to the ground.
- Only the man with wide and patient eyes
- Stood not among them; nor did any come
- To count his labour, where he watched alone
- Above the coloured throng. He heard, and looked
- Again upon his work, and knew it good,
- Smiled on his toad, passed down the stair unseen
- And sang across the teeming meadows home.
-
-
-
-
-ELIZABETH ANN
-
-
- This is the tale of Elizabeth Ann,
- Who went away with her fancy man.
-
- Ann was a girl who hadn’t a gown
- As fine as the ladies who walk the town.
-
- All day long from seven to six
- Ann was polishing candlesticks,
-
- For Bishops and crapulous Millionaires
- To buy for their altars or bed-chambers.
-
- And youth in a year and a year will pass,
- But there’s never an end of polishing brass.
-
- All day long from seven to six--
- Seventy thousand candlesticks.
-
- So frail and lewd Elizabeth Ann
- Went away with her fancy man.
-
- You Bishops and crapulous Millionaires,
- Give her your charity, give her your prayers.
-
-
-
-
-THE COTSWOLD FARMERS
-
-
- Sometimes the ghosts forgotten go
- Along the hill-top way,
- And with long scythes of silver mow
- Meadows of moonlit hay,
- Until the cocks of Cotswold crow
- The coming of the day.
-
- There’s Tony Turkletob who died
- When he could drink no more,
- And Uncle Heritage, the pride
- Of eighteen-twenty-four,
- And Ebenezer Barleytide,
- And others half a score.
-
- They fold in phantom pens, and plough
- Furrows without a share,
- And one will milk a faery cow,
- And one will stare and stare,
- And whistle ghostly tunes that now
- Are not sung anywhere.
-
- The moon goes down on Oakridge lea,
- The other world’s astir,
- The Cotswold farmers silently
- Go back to sepulchre,
- The sleeping watchdogs wake, and see
- No ghostly harvester.
-
-
-
-
-A MAN’S DAUGHTER
-
-
- There is an old woman who looks each night
- Out of the wood.
- She has one tooth, that isn’t too white.
- She isn’t too good.
-
- She came from the north looking for me,
- About my jewel.
- Her son, she says, is tall as can be;
- But, men say, cruel.
-
- My girl went northward, holiday making,
- And a queer man spoke
- At the woodside once when night was breaking,
- And her heart broke.
-
- For ever since she has pined and pined,
- A sorry maid;
- Her fingers are slack as the wool they wind,
- Or her girdle-braid.
-
- So now shall I send her north to wed,
- Who here may know
- Only the little house of the dead
- To ease her woe?
-
- Or keep her for fear of that old woman,
- As a bird quick-eyed,
- And her tall son who is hardly human,
- At the woodside?
-
- She is my babe and my daughter dear,
- How well, how well.
- Her grief to me is a fourfold fear,
- Tongue cannot tell.
-
- And yet I know that far in that wood
- Are crumbling bones,
- And a mumble mumble of nothing that’s good,
- In heathen tones.
-
- And I know that frail ghosts flutter and sigh
- In brambles there,
- And never a bird or beast to cry--
- Beware, beware,--
-
- While threading the silent thickets go
- Mother and son,
- Where scrupulous berries never grow,
- And airs are none.
-
- And her deep eyes peer at eventide
- Out of the wood,
- And her tall son waits by the dark woodside
- For maidenhood.
-
- And the little eyes peer, and peer, and peer;
- And a word is said.
- And some house knows, for many a year,
- But years of dread.
-
-
-
-
-THE LIFE OF JOHN HERITAGE
-
-
- Born in the Cotswolds in eighteen-forty or so,
- Bred on a hill-top that seemed the most of the world
- Until he travelled the valleys, and found what a wonder
- Of leagues from Gloucester lay to Stroud or Ciceter,
- John Heritage was a tiler. He split the stone,
- After the frosts, and learnt the laying of tiles,
- And was famous about the shire. And he was friendly
- With Cotswold nature, hearing the hidden rooks
- In Golden Vale, and the thin bleat of goats,
- And the rattling harness of Trilly’s teams at plough,
- And Richard Parker’s scythe for many years,
- As he went upon his tiling; and the great landmarks,
- As loops of the Severn seen from Bisley Hill,
- Were his familiars, something of his religion.
-
- And he prospered, as men do. His little wage
- Yet left a little over his wedded needs,
- And here a cottage he bought, and there another,
- About the Cotswolds, built of the royallest stone
- That’s quarried in England, until he could think of age
- With an easy mind; and an acre of land was his
- Where at hay-harvest he worked a little from tiling,
- Making his rick maturely or damning the wind
- That scattered the swathes beyond his fork’s controlling.
- And he trotted ajog to the town on market Thursdays,
- Driving a stout succession of good black geldings,
- That cropped his acre some twenty years apiece.
- And he was an honest neighbour; and so he grew old,
- And five strong sons, grizzled and middle-aged,
- Carried him down the hill, and on a stone
- The mason cut--“John Heritage, who died,
- Fearing the Lord, at the age of seventy-six.”
-
- And I know that some of us shatter our hearts on earth,
- With mightier aims than ever John Heritage knew,
- And think such things as never the tiler thought,
- Because of our pride and our eagerness of mind ...
- But a life complete is a great nobility,
- And there’s a wisdom biding in Cotswold stone,
- While we in our furious intellectual travel
- Fall in with strange foot-fellows on the road.
-
-
-
-
-THOMAS YARNTON OF TARLTON
-
-
- One of those old men fearing no man,
- Two hundred broods his eaves have known
- Since they cut on a Sapperton churchyard stone--
- “Thomas Yarnton of Tarlton, Yeoman.”
-
- At dusk you can hear the yeomen calling
- The cattle still to Sapperton stalls,
- And still the stroke of the woodman falls
- As Thomas of Tarlton heard it falling.
-
- I walked these meadows in seventeen-hundred,
- Seed of his loins, a dream that stirred
- Beyond the shape of a yeoman’s word,
- So faint that but unawares he wondered.
-
- And now, from the weeds of his tomb uncomely,
- I travel again the tracks he made,
- And walks at my side the yeoman shade
- Of Thomas Yarnton of Tarlton dumbly.
-
-
-
-
-MRS. WILLOW
-
-
- Mrs. Thomas Willow seems very glum.
- Her life, perhaps, is very lonely and hum-drum,
- Digging up potatoes, cleaning out the weeds,
- Doing the little for a lone woman’s needs.
- Who was her husband? How long ago?
- What does she wonder? What does she know?
- Why does she listen over the wall,
- Morning and noon-time and twilight and all,
- As though unforgotten were some footfall?
-
- “Good morning, Mrs. Willow.” “Good morning, sir,”
- Is all the conversation I can get from her.
- And her path-stones are white as lilies of the wood,
- And she washes this and that till she must be very good.
- She sends no letters, and no one calls,
- And she doesn’t go whispering beyond her walls;
- Nothing in her garden is secret, I think--
- That’s all sun-bright with foxglove and pink,
- And she doesn’t hover around old cupboards and shelves
- As old people do who have buried themselves;
- She has no late lamps, and she digs all day
- And polishes and plants in a common way,
- But glum she is, and she listens now and then
- For a footfall, a footfall, a footfall again,
- And whether it’s hope, or whether it’s dread,
- Or a poor old fancy in her head,
- I shall never be told; it will never be said.
-
-
-
-
-ROUNDELS OF THE YEAR
-
-
- _I caught the changes of the year_
- _In soft and fragile nets of song,_
- _For you to whom my days belong._
-
- _For you to whom each day is dear_
- _Of all the high processional throng,_
- _I caught the changes of the year_
- _In soft and fragile nets of song._
-
- _And here some sound of beauty, here_
- _Some note of ancient, ageless wrong_
- _Reshaping as my lips were strong,_
- _I caught the changes of the year_
- _In soft and fragile nets of song,_
- _For you to whom my days belong._
-
-
-I
-
- The spring is passing through the land
- In web of ghostly green arrayed,
- And blood is warm in man and maid.
-
- The arches of desire have spanned
- The barren ways, the debt is paid,
- The spring is passing through the land
- In web of ghostly green arrayed.
-
- Sweet scents along the winds are fanned
- From shadowy wood and secret glade
- Where beauty blossoms unafraid,
- The spring is passing through the land
- In web of ghostly green arrayed
- And blood is warm in man and maid.
-
-
-II
-
- Proud insolent June with burning lips
- Holds riot now from sea to sea,
- And shod in sovran gold is she.
-
- To the full flood of reaping slips
- The seeding-tide by God’s decree,
- Proud insolent June with burning lips
- Holds riot now from sea to sea.
-
- And all the goodly fellowships
- Of bird and bloom and beast and tree
- Are gallant of her company--
- Proud insolent June with burning lips
- Holds riot now from sea to sea,
- And shod in sovran gold is she.
-
-
-III
-
- The loaded sheaves are harvested,
- The sheep are in the stubbled fold,
- The tale of labour crowned is told.
-
- The wizard of the year has spread
- A glory over wood and wold,
- The loaded sheaves are harvested,
- The sheep are in the stubbled fold.
-
- The yellow apples and the red
- Bear down the boughs, the hazels hold
- No more their fruit in cups of gold.
- The loaded sheaves are harvested,
- The sheep are in the stubbled fold,
- The tale of labour crowned is told.
-
-
-IV
-
- The year is lapsing into time
- Along a deep and songless gloom,
- Unchapleted of leaf or bloom.
-
- And mute between the dusk and prime
- The diligent earth resets her loom,--
- The year is lapsing into time
- Along a deep and songless gloom.
-
- While o’er the snows the seasons chime
- Their golden hopes to reillume
- The brief eclipse about the tomb,
- The year is lapsing into time
- Along a deep and songless gloom
- Unchapleted of leaf or bloom.
-
-
-V
-
- _Not wise as cunning scholars are,_
- _With curious words upon your tongue,_
- _Are you for whom my song is sung._
-
- _But you are wise of cloud and star,_
- _And winds and boughs all blossom-hung,_
- _Not wise as cunning scholars are,_
- _With curious words upon your tongue._
-
- _Surely, clear child of earth, some far_
- _Dim Dryad-haunted groves among,_
- _Your lips to lips of knowledge clung--_
- _Not wise as cunning scholars are,_
- _With curious words upon your tongue,_
- _Are you for whom my song is sung._
-
-
-
-
-LIEGEWOMAN
-
-
- You may not wear immortal leaves
- Nor yet go laurelled in your days,
- But he believes
- Who loves you with most intimate praise
- That none on earth has ever gone,
- In whom a cleanlier spirit shone.
-
- You may be unremembered when
- Our chronicles are piled in dust:
- No matter than--
- None ever bore a lordlier lust
- To know the savour sweet or sour
- Down to the dregs of every hour.
-
- And this your epitaph shall be--
- “Within life’s house her eager words
- Continually
- Lightened as wings of arrowy birds:
- She was life’s house-fellow, she knew
- The passion of him, soul and thew.”
-
-
-
-
-LOVERS TO LOVERS
-
-
- Our love forsworn
- Was very love upon a day,
- Bitterness now, forlorn,
- This tattered love once went as proud a way
- As any born.
-
- You well have kept
- Your love from all corrupting things,
- Your house of love is swept
- And bright for use; whatso each season brings
- You may accept
-
- In pride. But we?
- Our date of love is dead. Our blind
- Brief moment was to be
- The sum, yet was it signed as yours, and signed
- Indelibly.
-
-
-
-
-LOVE’S PERSONALITY
-
-
- If I had never seen
- Thy sweet grave face,
- If I had never known
- Thy pride as of a queen,
- Yet would another’s grace
- Have led me to her throne.
-
- I should have loved as well
- Not loving thee,
- My faith had been as strong
- Wrought by another spell;
- Her love had grown to be
- As thine for fire and song.
-
- Yet is our love a thing
- Alone, austere,
- A new and sacred birth
- That we alone could bring
- Through flames of faith and fear
- To pass upon the earth.
-
- As one who makes a rhyme
- Of his fierce thought,
- With momentary art
- May challenge change and time,
- So is the love we wrought
- Not greatest, but apart.
-
-
-
-
-PIERROT
-
-
- _Pierrot alone,_
- _And then Pierrette,_
- _And then a story to forget._
-
- _Pierrot alone._
- Pierrette among the apple boughs
- Come down and take a Pierrot’s kiss,
- The moon is white upon your brows,
- Pierrette among the apple boughs,
- Your lips are cold, and I would set
- A rose upon your lips, Pierrette,
- A rosy kiss,
- Pierrette, Pierrette.
-
- _And then Pierrette._
- I’ve left my apple boughs, Pierrot,
- A shadow now is on my face,
- But still my lips are cold, and O
- No rose is on my lips, Pierrot,
- You laugh, and then you pass away
- Among the scented leaves of May,
- And on my face
- The shadows stay.
-
- _And then a story to forget._
- The petals fall upon the grass,
- And I am crying in the dark,
- The clouds above the white moon pass--
- My tears are falling on the grass;
- Pierrot, Pierrot, I heard your vows
- And left my blossomed apple boughs,
- And sorrows dark
- Are on my brows.
-
-
-
-
-RECKONING
-
-
- I heard my love go laughing
- Beyond the bolted door,
- I saw my love go riding
- Across the windy moor,
- And I would give my love no word
- Because of evil tales I heard.
-
- Let fancy men go laughing,
- Let light men ride away,
- Bruised corn is not for my mill,
- What’s paid I will not pay,--
- And so I thought because of this
- Gossip that poisoned clasp and kiss.
-
- Four hundred men went riding,
- And he the best of all,
- A jolly man for labour,
- A sinewy man and tall;
- I watched him go beyond the hill,
- And shaped my anger with my will.
-
- At night my love came riding
- Across the dusky moor,
- And other two rode with him
- Who knocked my bolted door,
- And called me out and bade me see
- How quiet a man a man could be.
-
- And now the tales that stung me
- And gave my pride its rule,
- Are worth a beggar’s broken shoe
- Or the sermon of a fool,
- And all I know and all I can
- Is, false or true, he was my man.
-
-
-
-
-DERELICT
-
-
- The cloudy peril of the seas,
- The menace of mid-winter days,
- May break the scented boughs of ease
- And lock the lips of praise,
- But every sea its harbour knows,
- And every winter wakes to spring,
- And every broken song the rose
- Shall yet resing.
-
- But comfortable love once spent
- May not re-shape its broken trust,
- Or find anew the old content,
- Dishonoured in the dust;
- No port awaits those tattered sails,
- No sun rides high above that gloom,
- Unchronicled those half-told tales
- Shall time entomb.
-
-
-
-
-WED
-
-
- I married him on Christmas morn,--
- Ah woe betide, ah woe betide,
- Folk said I was a comely bride,--
- Ah me forlorn.
-
- All braided was my golden hair,
- And heavy then, and shining then,
- My limbs were sweet to madden men,--
- O cunning snare.
-
- My beauty was a thing they say
- Of large renown,--O dread renown,--
- Its rumour travelled through the town,
- Alas the day.
-
- His kisses burn my mouth and brows,--
- O burning kiss, O barren kiss,--
- My body for his worship is,
- And so he vows.
-
- But daily many men draw near
- With courtly speech and subtle speech;
- I gather from the lips of each
- A deadly fear.
-
- As he grows sullen I grow cold,
- And whose the blame? Not mine the blame;
- Their passions round me as a flame
- All fiercely fold.
-
- And oh, to think that he might be
- So proudly set, above them set,
- If he might but awaken yet
- The soul of me.
-
- Will no man seek and seeking find
- The soul of me, the soul of me?
- Nay, even as they are, so is he,
- And all are blind.
-
- On Christmas morning we were wed,
- Ah me the morn, the luckless morn;
- Now poppies burn along the corn,
- Would I were dead.
-
-
-
-
-FORSAKEN
-
-
- The word is said, and I no more shall know
- Aught of the changing story of her days,
- Nor any treasure that her lips bestow.
-
- And I, who loving her was wont to praise
- All things in love, now reft of music go
- With silent step down unfrequented ways.
-
- My soul is like a lonely market-place,
- Where late were laughing folk and shining steeds
- And many things of comeliness and grace;
-
- And now between the stones are twisting weeds,
- No sound there is, nor any friendly face,
- Save for a bedesman telling o’er his beads.
-
-
-
-
-DEFIANCE
-
-
- O wide the way your beauty goes,
- For all its feigned indifference,
- And every folly’s path it knows,
- And every humour of pretence.
-
- But I can be as false as are
- The rainbow loves which are your days,
- And I will gladly go and far,
- Content with your immediate praise.
-
- Your lips, the shyer lover’s bane,
- I take with disputation none,
- And am your kinsman in disdain
- When all is excellently done.
-
-
-
-
-LOVE IN OCTOBER
-
-
- The fields, the clouds, the farms and farming gear,
- The drifting kine, the scarlet apple trees ...
- Not of the sun but separate are these,
- And individual joys, and very dear;
- Yet when the sun is folded, they are here
- No more, the drifting skies: the argosies
- Of wagoned apples: still societies
- Of elms: red cattle on the stubbled year.
-
- So are you not love’s whole estate. I owe
- In many hearts more dues than I shall pay;
- Yet is your heart the spring of all love’s light,
- And should your love weary of me and go
- With all its thriving beams out of my day,
- These many loves would founder in that night.
-
-
-
-
-TO THE LOVERS THAT COME AFTER US
-
-
- Lovers, a little of this your happy time
- Give to the thought of us who were as you,
- That we, whose dearest passion in your prime
- Is but a winter garment, may renew
- Our love in yours, our flesh in your desire,
- Our tenderness in your discovering kiss,
- For we are half the fuel of your fire,
- As ours was fed by Marc and Beatrice.
- Remember us, and, when you too are dead,
- Our prayer with yours shall fall upon love’s spring
- That all our ghostly loves be comforted
- In those yet later lover’s love-making;
- So shall oblivion bring his dust to spill
- On brain and limbs, and we be lovers still.
-
-
-
-
-DERBYSHIRE SONG
-
-
- Come loving me to Darley Dale
- In spring time or sickle time,
- And we will make as proud a tale
- As lovers in the antique prime
- Of Harry or Elizabeth.
-
- With kirtle green and nodding flowers
- To deck my hair and little waist,
- I ’ll be worth a lover’s hours....
- Come, fellow, thrive, there is no haste
- But soon is worn away in death.
-
- Soon shall the blood be tame, and soon
- Our bodies lie in Darley Dale,
- Unreckoning of jolly June,
- With tongues past telling any tale;
- My man, come loving me to-day.
-
- I have a wrist is smooth and brown,
- I have a shoulder smooth and white,
- I have my grace in any gown
- By sun or moon or candle-light....
- Come Darley way, come Darley way.
-
-
-
-
-LOVE’S HOUSE
-
-
-I
-
- I know not how these men or those may take
- Their first glad measure of love’s character,
- Or whether one should let the summer make
- Love’s festival, and one the falling year.
-
- I only know that in my prime of days
- When my young branches came to blossoming,
- You were the sign that loosed my lips in praise,
- You were the zeal that governed all my spring.
-
-
-II
-
- In prudent counsel many gathered near,
- Forewarning us of deft and secret snares
- That are love’s use. We heard them as we hear
- The ticking of a clock upon the stairs.
-
- The troops of reason, careful to persuade,
- Blackened love’s name, but love was more than these,
- For we had wills to venture unafraid
- The trouble of unnavigable seas.
-
-
-III
-
- Their word was but a barren seed that lies
- Undrawn of the sun’s health and undesired,
- Because the habit of their hearts was wise,
- Because the wisdom of their tongues was tired.
-
- For in the smother of contentious pride,
- And in the fear of each tumultuous mood,
- Our love has kept serenely fortified
- And unusurped one stedfast solitude.
-
-
-IV
-
- Dark words, and hasty humours of the blood
- Have come to us and made no longer stay
- Than footprints of a bird upon the mud
- That in an hour the tide will take away.
-
- But not March weather over ploughlands blown,
- Nor cresses green upon their gravel bed,
- Are beautiful with the clean rigour grown
- Of quiet thought our love has piloted.
-
-
-V
-
- I sit before the hearths of many men,
- When speech goes gladly, eager to withhold
- No word at all, yet when I pass again
- The last of words is captive and untold.
-
- We talk together in love’s house, and there
- No thought but seeks what counsel you may give,
- And every secret trouble from its lair
- Comes to your hand, no longer fugitive.
-
-
-VI
-
- I woo the world, with burning will to be
- Delighted in all fortune it may find,
- And still the strident dogs of jealousy
- Go mocking down the tunnels of my mind.
-
- Only for you my contemplation goes
- Clean as a god’s, undarkened of pretence,
- Most happy when your garner overflows,
- Achieving in your prosperous diligence.
-
-
-VII
-
- When from the dusty corners of my brain
- Comes limping some ungainly word or deed,
- I know not if my dearest friend’s disdain
- Be durable or brief, spent husk or seed.
-
- But your rebuke and that poor fault of mine
- Go straitly outcast, and we close the door,
- And I, no promise asking and no sign,
- Stand blameless in love’s presence as before.
-
-
-VIII
-
- A beggar in the ditch, I stand and call
- My questions out upon the queer parade
- Of folk that hurry by, and one and all
- Go down the road with never answer made.
-
- I do not question love. I am a lord
- High at love’s table, and the vigilant king,
- Unquestioned, from the hubbub at the board
- Leans down to me and tells me everything.
-
-
-
-
-COTSWOLD LOVE
-
-
- Blue skies are over Cotswold
- And April snows go by,
- The lasses turn their ribbons
- For April’s in the sky,
- And April is the season
- When Sabbath girls are dressed,
- From Rodboro’ to Campden,
- In all their silken best.
-
- An ankle is a marvel
- When first the buds are brown,
- And not a lass but knows it
- From Stow to Gloucester town.
- And not a girl goes walking
- Along the Cotswold lanes
- But knows men’s eyes in April
- Are quicker than their brains.
-
- It’s little that it matters,
- So long as you’re alive,
- If you’re eighteen in April,
- Or rising sixty-five,
- When April comes to Amberley
- With skies of April blue,
- And Cotswold girls are briding
- With slyly tilted shoe.
-
-
-
-
-WITH DAFFODILS
-
-
- I send you daffodils, my dear,
- For these are emperors of spring,
- And in my heart you keep so clear
- So delicate an empery,
- That none but emperors could be
- Ambassadors endowed to bring
- My messages of honesty.
-
- My mind makes faring to and fro,
- Deft or bewildered, dark or kind,
- That not the eye of God may know
- Which motion is of true estate
- And which a twisted runagate
- Of all the farings of my mind,
- And which has honesty for mate.
-
- Only my love for you is clean
- Of scandal’s use, and though, may be,
- Far rangers have my passions been,--
- Since thus the word of Eden went,--
- Yet of the springs of my content,
- My very wells of honesty
- Are you the only firmament.
-
-
-
-
-FOUNDATIONS
-
-
- Those lovers old had rare conceits
- To make persuasion beautiful,
- Or rail upon the pretty fool
- Who would not share those wanton sweets
- That, guarded, soon are bitterness.
-
- But we, my love, can look on these
- Old tournaments of wit, and say
- What novices of love were they,
- Who loved by seasons and degrees,
- And in the rate of more and less.
-
- We will not make of love a stale
- For deft and nimble argument,
- Nor shall denial and consent
- Be processes whereof shall fail
- One surety that we possess.
-
-
-
-
-DEAR AND INCOMPARABLE
-
-
- Dear and incomparable
- Is that love to me
- Flowing out of the woodlands,
- Out of the sea;
- Out of the firmament breathing
- Between pasture and sky,
- For no reward is cherished here
- To reckon by.
-
- It is not of my earning,
- Nor forfeit I can
- This love that flows upon
- The poverty of man,
- Though faithless and unkind
- I sleep and forget
- This love that asks no wage of me
- Waits my waking yet.
-
- Of such is the love, dear,
- That you fold me in,
- It knows no governance
- Of virtue or sin;
- From nothing of my achieving
- Shall it enrichment take,
- And the glooms of my unworthiness
- It will not forsake.
-
-
-
-
-A SABBATH DAY
-
-IN FIVE WATCHES
-
-
-I. MORNING
-
-(TO M. C.)
-
- You were three men and women two,
- And well I loved you, all of you,
- And well we kept the Sabbath day.
- The bells called out of Malvern town,
- But never bell could call us down
- As we went up the hill away.
-
- Was it a thousand years ago
- Or yesterday that men were so
- Zealous of creed and argument?
- Here wind is brother to the rain,
- And the hills laugh upon the plain,
- And the old brain-gotten feuds are spent.
-
- Bring lusty laughter, lusty jest,
- Bring each the song he names the best,
- Bring eager thought and speech that’s keen,
- Tell each his tale and tell it out,
- The only shame be prudent doubt,
- Bring bodies where the lust is clean.
-
-
-II. FULL DAY
-
-(TO K. D.)
-
- We moved along the gravelled way
- Between the laurels and the yews,
- Some touch of old enchantment lay
- About us, some remembered news
- Of men who rode among the trees
- With burning dreams of Camelot,
- Whose names are beauty’s litanies,
- As Galahad and Launcelot.
-
- We looked along the vaulted gloom
- Of boughs unstripped of winter’s bane,
- As for some pride of scarf and plume
- And painted shield and broidered rein,
- And through the cloven laurel walls
- We searched the darkling pines and pale
- Beech-boles and woodbine coronals,
- As for the passing of the Grail.
-
- But Launcelot no travel keeps,
- For brother Launcelot is dead,
- And brother Galahad he sleeps
- This long while in his quiet bed,
- And we are all the knights that pass
- Among the yews and laurels now.
- They are but fruit among the grass,
- And we but fruit upon the bough.
-
- No coloured blazon meets us here
- Of all that courtly company;
- Elaine is not, nor Guenevere,
- The dream is but of dreams that die.
-
- But yet the purple violet lies
- Beside the golden daffodil,
- And women strong of limb and wise
- And fierce of blood are with us still.
-
- And never through the woodland goes
- The Grail of that forgotten quest,
- But still about the woodland flows
- The sap of God made manifest
- In boughs that labour to their time,
- And birds that gossip secret things,
- And eager lips that seek to rhyme
- The latest of a thousand springs.
-
-
-III. DUSK
-
-(TO E. S. V.)
-
- We come from the laurels and daffodils
- Down to the homestead under the fell,
- We’ve gathered our hunger upon the hills,
- And that is well.
-
- Howbeit to-morrow gives or takes,
- And leads to barren or flowering ways,
- We’ve a linen cloth and wheaten cakes,
- For which be praise.
-
- Here in the valley at lambing-time
- The shepherd folk of their watching tell
- While the shadows up to the beacon climb,
- And that is well.
- Let be what may when we make an end
- Of the laughter and labour of all our days
- We’ve men to friend and women to friend,
- For whom be praise.
-
-
-IV. EVENSONG
-
-(TO B. M.)
-
- Come, let us tell it over,
- Each to each by the fireside,
- How that earth has been a swift adventure for us,
- And the watches of the day as a gay song and a right song,
- And now the traveller wind has found a bed,
- And the sheep crowd under the thorn.
-
- Good was the day and our travelling,
- And now there is evensong to sing.
-
- Night, and along the valleys
- Watch the eyes of the homesteads.
- The dark hills are very still and still are the stars.
- Patiently under the ploughlands the wheat moves and the barley.
- The secret hour of love is upon the sky,
- And our thought in praise is aflame.
-
- Sing evensong as well we may
- For our travel upon this Sabbath day.
-
- Earth, we have known you truly,
- Heard your mutable music,
- Have been your lovers and felt the savour of you,
- And you have quickened in us the blood’s fire and the heart’s fire.
- We have wooed and striven with you and made you ours
- By the strength sprung out of your loins.
-
- Lift the latch on its twisted thong,
- And an end be made of our evensong.
-
-
-V. NIGHT
-
-(TO H. S. S.)
-
- The barriers of sleep are crossed
- And I alone am yet awake,
- Keeping another Pentecost
- For that new visitation’s sake
- Of life descending on the hills
- In blackthorn bloom and daffodils.
-
- At peace upon my pillow lain
- I celebrate the spirit come
- In spring’s immutable youth again
- Across the lands of Christendom;
- I hear in all the choral host
- The coming of the Holy Ghost.
-
- The sacrament of bough and blade,
- Of populous folds and building birds
- I take, till now an end is made
- Of praise and ceremonial words,
- And I too turn myself to keep
- The quiet festival of sleep.
-
-_March 1913._
-
-
-
-
-A DEDICATION
-
-(TO E. G.)
-
-
-I
-
- Sometimes youth comes to age and asks a blessing,
- Or counsel, or a tale of old estate,
- Yet youth will still be curiously guessing
- The old man’s thought when death is at his gate;
- For all their courteous words they are not one,
- This youth and age, but civil strangers still,
- Age with the best of all his seasons done,
- Youth with his face towards the upland hill.
- Age looks for rest while youth runs far and wide,
- Age talks with death, which is youth’s very fear,
- Age knows so many comrades who have died,
- Youth burns that one companion is so dear.
- So, with good will, and in one house, may dwell
- These two, and talk, and all be yet to tell.
-
-
-II
-
- But there are men who, in the time of age,
- Sometimes remember all that age forgets:
- The early hope, the hardly compassed wage,
- The change of corn, and snow, and violets;
- They are glad of praise; they know this morning brings
- As true a song as any yesterday;
- Their labour still is set to many things,
- They cry their questions out along the way.
- They give as who may gladly take again
- Some gift at need; they move with gallant ease
- Among all eager companies of men;
- And never signed of age are such as these.
- They speak with youth, and never speak amiss;
- Of such are you; and what is youth but this?
-
-
-
-
-RUPERT BROOKE
-
-(DIED APRIL 23, 1915)
-
-
- To-day I have talked with old Euripides;
- Shakespeare this morning sang for my content
- Of chimney-sweepers; through the Carian trees
- Comes beating still the nightingales’ lament;
- The Tabard ales to-day are freshly brewed;
- Wordsworth is with me, mounting Loughrigg Fell;
- All timeless deaths in Lycid are renewed,
- And basils blossom yet for Isabel.
-
- Quick thoughts are these; they do not pass; they gave
- Only to death such little, casual things
- As are the noteless levies of the grave,--
- Sad flesh, weak verse, and idle marketings.
- So my mortality for yours complains,
- While our immortal fellowship remains.
-
-
-
-
-ON READING FRANCIS LEDWIDGE’S LAST SONGS
-
-
- At April’s end, when blossoms break
- To birth upon my apple-tree,
- I know the certain year will take
- Full harvest of this infancy.
-
- At April’s end, when comes the dear
- Occasion of your valley tune,
- I know your beauty’s arc is here,
- A little ghostly morning moon.
-
- Yet are these fosterlings of rhyme
- As fortunately born to spend
- Happy conspiracies with time
- As apple flowers at April’s end.
-
-
-
-
-IN THE WOODS
-
-
- I was in the woods to-day,
- And the leaves were spinning there,
- Rich apparelled in decay,--
- In decay more wholly fair
- Than in life they ever were.
-
- Gold and rich barbaric red
- Freakt with pale and sapless vein,
- Spinning, spinning, spun and sped
- With a little sob of pain
- Back to harbouring earth again.
-
- Long in homely green they shone
- Through the summer rains and sun,
- Now their humbleness is gone,
- Now their little season run,
- Pomp and pageantry begun.
-
- Sweet was life, and buoyant breath,
- Lovely too; but for a day
- Issues from the house of death
- Yet more beautiful array:
- Hark, a whisper--“Come away.”
-
- One by one they spin and fall,
- But they fall in regal pride:
- Dying, do they hear a call
- Rising from an ebbless tide,
- And, hearing, are beatified?
-
-
-
-
-LATE SUMMER
-
-
- Though summer long delayeth
- Her blue and golden boon,
- Yet now at length she stayeth
- Her wings above the noon;
- She sets the waters dreaming
- To murmurous leafy tones,
- The weeded waters gleaming
- Above the stepping-stones.
-
- Where fern and ivied willow
- Lean o’er the seaward brook,
- I read a volume mellow--
- A poet’s fairy-book;
- The seaward brook is narrow,
- The hazel spans its pride,
- And like a painted arrow
- The king-bird keeps the tide.
-
-
-
-
-JANUARY DUSK
-
-
- Austere and clad in sombre robes of grey,
- With hands upfolded and with silent wings,
- In unimpassioned mystery the day
- Passes; a lonely thrush its requiem sings.
-
- The dust of night is tangled in the boughs
- Of leafless lime and lilac, and the pine
- Grows blacker, and the star upon the brows
- Of sleep is set in heaven for a sign.
-
- Earth’s little weary peoples fall on peace
- And dream of breaking buds and blossoming,
- Of primrose airs, of days of large increase,
- And all the coloured retinue of spring.
-
-
-
-
-AT GRAFTON
-
-
- God laughed when he made Grafton
- That’s under Bredon Hill,
- A jewel in a jewelled plain.
- The seasons work their will
- On golden thatch and crumbling stone,
- And every soft-lipped breeze
- Makes music for the Grafton men
- In comfortable trees.
-
- God’s beauty over Grafton
- Stole into roof and wall,
- And hallowed every pavèd path
- And every lowly stall,
- And to a woven wonder
- Conspired with one accord
- The labour of the servant,
- The labour of the Lord.
-
- And momently to Grafton
- Comes in from vale and wold
- The sound of sheep unshepherded,
- The sound of sheep in fold,
- And, blown along the bases
- Of lands that set their wide
- Frank brows to God, comes chanting
- The breath of Bristol tide.
-
-
-
-
-DOMINION
-
-
- I went beneath the sunny sky
- When all things bowed to June’s desire,--
- The pansy with its steadfast eye,
- The blue shells on the lupin spire,
-
- The swelling fruit along the boughs,
- The grass grown heady in the rain,
- Dark roses fitted for the brows
- Of queens great kings have sung in vain;
-
- My little cat with tiger bars,
- Bright claws all hidden in content;
- Swift birds that flashed like darkling stars
- Across the cloudy continent;
-
- The wiry-coated fellow curled
- Stump-tailed upon the sunny flags;
- The bees that sacked a coloured world
- Of treasure for their honey-bags.
-
- And all these things seemed very glad,
- The sun, the flowers, the birds on wing,
- The jolly beasts, the furry-clad
- Fat bees, the fruit, and everything.
-
- But gladder than them all was I,
- Who, being man, might gather up
- The joy of all beneath the sky,
- And add their treasure to my cup,
-
- And travel every shining way,
- And laugh with God in God’s delight,
- Create a world for every day,
- And store a dream for every night.
-
-
-
-
-THE MIRACLE
-
-
- Come, sweetheart, listen, for I have a thing
- Most wonderful to tell you--news of spring.
-
- Albeit winter still is in the air,
- And the earth troubled, and the branches bare,
-
- Yet down the fields to-day I saw her pass--
- The spring--her feet went shining through the grass.
-
- She touched the ragged hedgerows--I have seen
- Her finger-prints, most delicately green;
-
- And she has whispered to the crocus leaves,
- And to the garrulous sparrows in the eaves.
-
- Swiftly she passed and shyly, and her fair
- Young face was hidden in her cloudy hair.
-
- She would not stay, her season is not yet,
- But she has reawakened, and has set
-
- The sap of all the world astir, and rent
- Once more the shadows of our discontent.
-
- Triumphant news--a miracle I sing--
- The everlasting miracle of spring.
-
-
-
-
-MILLERS DALE
-
-
- Barefoot we went by Millers Dale
- When meadowsweet was golden gloom
- And happy love was in the vale
- Singing upon the summer bloom
- Of gipsy crop and branches laid
- Of willows over chanting pools,
- Barefoot by Millers Dale we made
- Our summer festival of fools.
-
- Folly bright-eyed, and quick, and young
- Was there with all his silly plots,
- And trotty wagtail stepped among
- The delicate forget-me-nots,
- And laughter played with us above
- The rocky shelves and weeded holes
- And we had fellowship to love
- The pigeons and the water-voles.
-
- Time soon shall be when we are all
- Stiller than ever runs the Wye,
- And every bitterness shall fall
- To-morrow in obscurity,
- And wars be done, and treasons fail,
- Yet shall new friends go down to greet
- The singing rocks of Millers Dale,
- And willow pools and meadowsweet.
-
-
-
-
-WRITTEN AT LUDLOW CASTLE
-
-(IN THE HALL WHERE COMUS WAS FIRST PERFORMED)
-
-
- Where wall and sill and broken window-frame
- Are bright with flowers unroofed against the skies,
- And nothing but the nesting jackdaws’ cries
- Breaks the hushed even, once imperial came
- The muse that moved transfiguring the name
- Of Puritan, and beautiful and wise
- The verses fell, forespeaking Paradise,
- And poetry set all this hall aflame.
-
- Now silence has come down upon the place
- Where life and song so wonderfully went,
- And the mole’s afoot now where that passion rang,
- Yet Comus now first moves his laurelled pace,
- For song and life for ever are unspent,
- And they are more than ghosts who lived and sang.
-
-
-
-
-WORDSWORTH AT GRASMERE
-
-
- These hills and waters fostered you
- Abiding in your argument
- Until all comely wisdom drew
- About you, and the years were spent.
-
- Now over hill and water stays
- A world more intimately wise,
- Built of your dedicated days,
- And seen in your beholding eyes.
-
- So, marvellous and far, the mind,
- That slept among them when began
- Waters and hills, leaps up to find
- Its kingdom in the thought of man.
-
-
-
-
-SUNRISE ON RYDAL WATER
-
-(TO E. DE S.)
-
-
- Come down at dawn from windless hills
- Into the valley of the lake,
- Where yet a larger quiet fills
- The hour, and mist and water make
- With rocks and reeds and island boughs
- One silence and one element,
- Where wonder goes surely as once
- It went
- By Galilean prows.
-
- Moveless the water and the mist,
- Moveless the secret air above,
- Hushed, as upon some happy tryst
- The poised expectancy of love;
- What spirit is it that adores
- What mighty presence yet unseen?
- What consummation works apace
- Between
- These rapt enchanted shores?
-
- Never did virgin beauty wake
- Devouter to the bridal feast
- Than moves this hour upon the lake
- In adoration to the east;
- Here is the bride a god may know,
- The primal will, the young consent,
- Till surely upon the appointed mood
- Intent
- The god shall leap--and, lo,
-
- Over the lake’s end strikes the sun,
- White, flameless fire; some purity
- Thrilling the mist, a splendour won
- Out of the world’s heart. Let there be
- Thoughts, and atonements, and desires,
- Proud limbs, and undeliberate tongue,
- Where now we move with mortal oars
- Among
- Immortal dews and fires.
-
- So the old mating goes apace,
- Wind with the sea, and blood with thought,
- Lover with lover; and the grace
- Of understanding comes unsought
- When stars into the twilight steer,
- Or thrushes build among the may,
- Or wonder moves between the hills,
- And day
- Comes up on Rydal mere.
-
-
-
-
-SEPTEMBER
-
-
- Wind and the robin’s note to-day
- Have heard of autumn and betray
- The green long reign of summer.
- The rust is falling in the leaves,
- September stands beside the sheaves,
- The new, the happy comer.
-
- Not sad my season of the red
- And russet orchards gaily spread
- From Cholesbury to Cooming,
- Nor sad when twilit valley trees
- Are ships becalmed on misty seas,
- And beetles go abooming.
-
- Now soon shall come the morning crowds
- Of starlings, soon the coloured clouds
- From oak and ash and willow,
- And soon the thorn and briar shall be
- Rich in their crimson livery,
- In scarlet and in yellow.
-
- Spring laughed and thrilled a million veins,
- And summer shone above her rains
- To fill September’s faring;
- September talks as kings who know
- The world’s way and superbly go
- In robes of wisdom’s wearing.
-
-
-
-
-OLTON POOLS
-
-(TO G. C. G.)
-
-
- Now June walks on the waters,
- And the cuckoo’s last enchantment
- Passes from Olton pools.
-
- Now dawn comes to my window
- Breathing midsummer roses,
- And scythes are wet with dew.
-
- Is it not strange for ever
- That, bowered in this wonder,
- Man keeps a jealous heart?...
-
- That June and the June waters,
- And birds and dawn-lit roses,
- Are gospels in the wind,
-
- Fading upon the deserts,
- Poor pilgrim revelations?...
- Hist ... over Olton pools!
-
-
-
-
-OF GREATHAM
-
-(TO THOSE WHO LIVE THERE)
-
-
- For peace, than knowledge more desirable
- Into your Sussex quietness I came,
- When summer’s green and gold and azure fell
- Over the world in flame.
-
- And peace upon your pasture-lands I found,
- Where grazing flocks drift on continually,
- As little clouds that travel with no sound
- Across a windless sky.
-
- Out of your oaks the birds call to their mates
- That brood among the pines, where hidden deep
- From curious eyes a world’s adventure waits
- In columned choirs of sleep.
-
- Under the calm ascension of the night
- We heard the mellow lapsing and return
- Of night-owls purring in their groundling flight
- Through lanes of darkling fern.
-
- Unbroken peace when all the stars were drawn
- Back to their lairs of light, and ranked along
- From shire to shire the downs out of the dawn
- Were risen in golden song.
-
- * * * * *
-
- I sing of peace who have known the large unrest
- Of men bewildered in their travelling,
- And I have known the bridal earth unblest
- By the brigades of spring.
-
- I have known that loss. And now the broken thought
- Of nations marketing in death I know,
- The very winds to threnodies are wrought
- That on your downlands blow.
-
- I sing of peace. Was it but yesterday
- I came among your roses and your corn?
- Then momently amid this wrath I pray
- For yesterday reborn.
-
-
-
-
-MAMBLE
-
-
- I never went to Mamble
- That lies above the Teme,
- So I wonder who’s in Mamble,
- And whether people seem
- Who breed and brew along there
- As lazy as the name,
- And whether any song there
- Sets alehouse wits aflame.
-
- The finger-post says Mamble,
- And that is all I know
- Of the narrow road to Mamble,
- And should I turn and go
- To that place of lazy token
- That lies above the Teme,
- There might be a Mamble broken
- That was lissom in a dream.
-
- So leave the road to Mamble
- And take another road
- To as good a place as Mamble
- Be it lazy as a toad;
- Who travels Worcester county
- Takes any place that comes
- When April tosses bounty
- To the cherries and the plums.
-
-
-
-
-OUT OF THE MOON
-
-
- Merely the moonlight
- Piercing the boughs of my may-tree,
- Falling upon my ferns;
- Only the night
- Touching my ferns with silver bloom
- Of sea-flowers here in the sleeping city--
- And suddenly the imagination burns
- With knowledge of many a dark significant doom
- Out of antiquity,
- Sung to hushed halls by troubadours
- Who knew the ways of the heart because they had seen
- The moonlight washing the garden’s deeper green
- To silver flowers,
- Falling with tidings out of the moon, as now
- It falls on the ferns under my may-tree bough.
-
-
-
-
-MOONLIT APPLES
-
-
- At the top of the house the apples are laid in rows,
- And the skylight lets the moonlight in, and those
- Apples are deep-sea apples of green. There goes
- A cloud on the moon in the autumn night.
-
- A mouse in the wainscot scratches, and scratches, and then
- There is no sound at the top of the house of men
- Or mice; and the cloud is blown, and the moon again
- Dapples the apples with deep-sea light.
-
- They are lying in rows there, under the gloomy beams;
- On the sagging floor; they gather the silver streams
- Out of the moon, those moonlit apples of dreams,
- And quiet is the steep stair under.
-
- In the corridors under there is nothing but sleep.
- And stiller than ever on orchard boughs they keep
- Tryst with the moon, and deep is the silence, deep
- On moon-washed apples of wonder.
-
-
-
-
-COTTAGE SONG
-
-
- Morning and night I bring
- Clear water from the spring,
- And through the lyric noon
- I hear the larks in tune,
- And when the shadows fall
- There’s providence for all.
-
- My garden is alight
- With currants red and white;
- And my blue curtains peep
- On starry courses deep,
- When down her silver tides
- The moon on Cotswold rides.
-
- My path of paven grey
- Is thoroughfare all day
- For fellowship, till time
- Bids us with candles climb
- The little whitewashed stair
- Above my lavender.
-
-
-
-
-THE MIDLANDS
-
-
- Black in the summer night my Cotswold hill
- Aslant my window sleeps, beneath a sky
- Deep as the bedded violets that fill
- March woods with dusky passion. As I lie
- Abed between cool walls I watch the host
- Of the slow stars lit over Gloucester plain,
- And drowsily the habit of these most
- Beloved of English lands moves in my brain,
- While silence holds dominion of the dark,
- Save when the foxes from the spinneys bark.
-
- I see the valleys in their morning mist
- Wreathed under limpid hills in moving light,
- Happy with many a yeoman melodist:
- I see the little roads of twinkling white
- Busy with fieldward teams and market gear
- Of rosy men, cloth-gaitered, who can tell
- The many-minded changes of the year,
- Who know why crops and kine fare ill or well;
- I see the sun persuade the mist away,
- Till town and stead are shining to the day.
-
- I see the wagons move along the rows
- Of ripe and summer-breathing clover-flower,
- I see the lissom husbandman who knows
- Deep in his heart the beauty of his power,
- As, lithely pitched, the full-heaped fork bids on
- The harvest home. I hear the rickyard fill
- With gossip as in generations gone,
- While wagon follows wagon from the hill.
- I think how, when our seasons all are sealed,
- Shall come the unchanging harvest from the field.
-
- I see the barns and comely manors planned
- By men who somehow moved in comely thought,
- Who, with a simple shippon to their hand,
- As men upon some godlike business wrought;
- I see the little cottages that keep
- Their beauty still where since Plantagenet
- Have come the shepherds happily to sleep,
- Finding the loaves and cups of cider set;
- I see the twisted shepherds, brown and old,
- Driving at dusk their glimmering sheep to fold.
-
- And now the valleys that upon the sun
- Broke from their opal veils, are veiled again,
- And the last light upon the wolds is done,
- And silence falls on flocks and fields and men;
- And black upon the night I watch my hill,
- And the stars shine, and there an owly wing
- Brushes the night, and all again is still,
- And, from this land of worship that I sing,
- I turn to sleep, content that from my sires
- I draw the blood of England’s midmost shires.
-
-
-
-
-OLD CROW
-
-
- The bird in the corn
- Is a marvellous crow.
- He was laid and was born
- In the season of snow;
- And he chants his old catches
- Like a ghost under hatches.
-
- He comes from the shades
- Of his wood very early,
- And works in the blades
- Of the wheat and the barley,
- And he’s happy, although
- He’s a grumbleton crow.
-
- The larks have devices
- For sunny delight,
- And the sheep in their fleeces
- Are woolly and white;
- But these things are the scorn
- Of the bird in the corn.
-
- And morning goes by,
- And still he is there,
- Till a rose in the sky
- Calls him back to his lair
- In the boughs where the gloom
- Is a part of his plume.
-
- But the boy in the lane
- With his gun, by and by,
- To the heart of the grain
- Will narrowly spy,
- And the twilight will come,
- And no crow will fly home.
-
-
-
-
-VENUS IN ARDEN
-
-
- Now Love, her mantle thrown,
- Goes naked by,
- Threading the woods alone,
- Her royal eye
- Happy because the primroses again
- Break on the winter continence of men.
-
- I saw her pass to-day
- In Warwickshire,
- With the old imperial way,
- The old desire,
- Fresh as among those other flowers they went
- More beautiful for Adon’s discontent.
-
- Those other years she made
- Her festival
- When the blue eggs were laid
- And lambs were tall,
- By the Athenian rivers while the reeds
- Made love melodious for the Ganymedes.
-
- And now through Cantlow brakes,
- By Wilmcote hill,
- To Avon-side, she makes
- Her garlands still,
- And I who watch her flashing limbs am one
- With youth whose days three thousand years are done.
-
-
-
-
-ON A LAKE
-
-
- Sweet in the rushes
- The reed-singers make
- A music that hushes
- The life of the lake;
- The leaves are dumb,
- And the tides are still,
- And no calls come
- From the flocks on the hill.
-
- Forgotten now
- Are nightingales,
- And on his bough
- The linnet fails,--
- Midway the mere
- My mirrored boat
- Shall rest and hear
- A slenderer note.
-
- Though, heart, you measure
- But one proud rhyme,
- You build a treasure
- Confounding time--
- Sweet in the rushes
- The reed-singers make
- A music that hushes
- The life of the lake.
-
-
-
-
-HARVEST MOON
-
-
- “Hush!” was my whisper
- At the stair-top
- When the waggoners were down below
- Home from the barley-crop.
- Through the high window
- Looked the harvest moon,
- While the waggoners sang
- A harvest tune,--
- “Hush!” was my whisper when
- Marjory stept
- Down from her attic-room,
- A true-love-adept.
-
- “Fill a can, fill a can,”
- Waggoners of heart were they,
- “Harvest-home, harvest-home,
- Barleycorn is home to-day.” ...
- “Marjory, hush now--
- Harvest--you hear?”--
- Red was the moon’s rose
- On the full year,
- The cobwebs shook, so well
- Did the waggoners sing--
- “Hush!”--there was beauty at
- That harvesting.
-
-
-
-
-AT AN EARTHWORKS
-
-
- Ringed high with turf the arena lies,
- The neighbouring world unseen, unheard,
- Here are but unhorizoned skies,
- And on the skies a passing bird,
-
- The conies and a wandering sheep,
- The castings of the chambered mole,--
- These, and the haunted years that keep
- Lost agonies of blood and soul.
-
- They say that in the midnight moon
- The ghostly legions gather yet,
- And hear a ghostly timbrel-tune,
- And see a ghostly combat met.
-
- These are but yeoman’s tales. And here
- No marvel on the midnight falls,
- But starlight marvellously clear,
- Being girdled in these shadowy walls.
-
- Yet now strange glooms of ancestry
- Creep on me through this morning light,
- Some spectral self is seeking me ...
- I will not parley with the night.
-
-
-
-
-INSTRUCTION
-
-
- I have a place in a little garden,
- That laurel-leaf and fern
- Keep a cool place though fires of summer
- All the green grasses burn.
- Little cool winds creep there about
- When winds all else are dead,
- And tired limbs there find gentle keeping,
- And humours of sloth are shed.
-
- So do your songs come always to me,
- Poets of age and age,
- Clear and cool as rivers of wind
- Threading my hermitage,
- Stilling my mind from tribulation
- Of life half-seen, half-heard,
- With images made in the brain’s quietness,
- And the leaping of a word.
-
-
-
-
-HABITATION
-
-
- High up in the sky there, now, you know,
- In this May twilight, our cottage is asleep,
- Tenantless, and no creature there to go
- Near it but Mrs. Fry’s fat cows, and sheep
- Dove-coloured, as is Cotswold. No one hears
- Under that cherry-tree the night-jars yet,
- The windows are uncurtained; on the stairs
- Silence is but by tip-toe silence met.
- All doors are fast there. It is a dwelling put by
- From use for a little, or long, up there in the sky.
-
- Empty; a walled-in silence, in this twilight of May--
- A home for lovers, and friendly withdrawing, and sleep,
- With none to love there, nor laugh, nor climb from the day
- To the candles and linen.... Yet in the silence creep,
- This minute, I know, little ghosts, little virtuous lives,
- Breathing upon that still, insensible place,
- Touching the latches, sorting the napkins and knives,
- And such for the comfort of being, and bowls for the grace,
- That roses will brim; they are creeping from that room to this,
- One room, and two, till the four are visited ... they,
- Little ghosts, little lives, are our thoughts in this twilight of May,
- Signs that even the curious man would miss,
- Of travelling lovers to Cotswold, signs of an hour,
- Very soon, when up from the valley in June will ride
- Lovers by Lynch to Oakridge up in the wide
- Bow of the hill, to a garden of lavender flower....
-
- The doors are locked; no foot falls; the hearths are dumb--
- But we are there--we are waiting ourselves who come.
-
-
-
-
-WRITTEN IN WINTERBORNE CAME CHURCH
-
-(William Barnes, 1801-1886)
-
-_To Mrs. Thomas Hardy_
-
-
- I do not use to listen well
- At sermon time,
- I ’ld rather hear the plainest rhyme
- Than tales the parsons tell;
-
- The homespun of experience
- They will not wear,
- But walk a transcendental air
- In dusty rags of sense.
-
- But humbly in your little church
- Alone I watch;
- Old rector, lift again the latch,
- Here is a heart to search.
-
- Come, with a simple word and wise
- Quicken my brain,
- And while upon the painted pane
- The painted butterflies
-
- Beat in the early April beams,
- You shall instruct
- My spirit in the knowledge plucked
- From your still Dorset dreams.
-
- Your word shall strive with no obscure
- Debated text,
- Your vision being unperplexed,
- Your loving purpose pure.
-
- I know you’ll speak of April flowers,
- Or lambs in pen,
- Or happy-hearted maids and men
- Weaving their April hours.
-
- Or rising to your thought will come,
- For lessoning,
- Those lovers of an older spring,
- That now in tombs are dumb.
-
- And brooding in your theme shall be,
- Half said, half heard,
- The presage of a poet’s word
- To mock mortality.
-
- * * * * *
-
- The years are on your grave the while,
- And yet, almost,
- I think to see your surpliced ghost
- Stand hesitant in the aisle,
-
- Find me sole congregation there,
- Assess my mood,
- Know mine a kindred solitude,
- And climb the pulpit-stair.
-
-
-
-
-BUDS
-
-
- The raining hour is done,
- And, threaded on the bough,
- The May-buds in the sun
- Are shining emeralds now.
-
- As transitory these
- As things of April will,
- Yet, trembling in the trees,
- Is briefer beauty still.
-
- For, flowering from the sky
- Upon an April day,
- Are silver buds that lie
- Amid the buds of May.
-
- The April emeralds now,
- While thrushes fill the lane,
- Are linked along the bough
- With silver buds of rain.
-
- And, straightly though to earth
- The buds of silver slip,
- The green buds keep the mirth
- Of that companionship.
-
-
-
-
-BLACKBIRD
-
-
- He comes on chosen evenings,
- My blackbird bountiful, and sings
- Over the gardens of the town
- Just at the hour the sun goes down.
- His flight across the chimneys thick,
- By some divine arithmetic,
- Comes to his customary stack,
- And couches there his plumage black,
- And there he lifts his yellow bill,
- Kindled against the sunset, till
- These suburbs are like Dymock woods
- Where music has her solitudes,
- And while he mocks the winter’s wrong
- Rapt on his pinnacle of song,
- Figured above our garden plots
- Those are celestial chimney-pots.
-
-
-
-
-MAY GARDEN
-
-
- A shower of green gems on my apple-tree
- This first morning of May
- Has fallen out of the night, to be
- Herald of holiday--
- Bright gems of green that, fallen there,
- Seem fixed and glowing on the air.
-
- Until a flutter of blackbird wings
- Shakes and makes the boughs alive,
- And the gems are now no frozen things,
- But apple-green buds to thrive
- On sap of my May garden, how well
- The green September globes will tell.
-
- Also my pear-tree has its buds,
- But they are silver yellow,
- Like autumn meadows when the floods
- Are silver under willow,
- And here shall long and shapely pears
- Be gathered while the autumn wears.
-
- And there are sixty daffodils
- Beneath my wall....
- And jealousy it is that kills
- This world when all
- The spring’s behaviour here is spent
- To make the world magnificent.
-
-
-
-
-AT AN INN
-
-
- We are talkative proud, and assured, and self-sufficient,
- The quick of the earth this day;
- This inn is ours, and its courtyard, and English history,
- And the Post Office up the way.
-
- The stars in their changes, and heavenly speculation,
- The habits of birds and flowers,
- And character bred of poverty and riches,
- All these are ours.
-
- The world is ours, and these its themes and its substance,
- And of these we are free men and wise;
- Among them all we move in possession and judgment,
- For a day, till it dies.
-
- But in eighteen-hundred-and-fifty, who were the tenants,
- Sure and deliberate as we?
- They knew us not in the time of their ascension,
- Their self-sufficiency.
-
- And in nineteen-hundred-and-fifty this inn shall flourish,
- And history still be told,
- And the heat of blood shall thrive, and speculation,
- When we are cold.
-
-
-
-
-PERSPECTIVE
-
-
- In the Wheatsheaf parlour I sat to see
- The story of Chippington street go by,
- The squire, and dames of little degree,
- And drovers with cattle and flocks to cry.
-
- And these were all as my creatures there,
- Twinkling to and fro in the sun,
- And placidly I had joy, had care,
- Of all their labours and dealings done.
-
- Into the parlour strode me then
- Two fellows fiercely set at odds,
- To whom the difference of men
- Gave the sufficiency of God.
-
- They saw me, and they stept beyond
- To a chamber within earshot still,
- And each on each of broken bond,
- And honour, and inflexible will,
-
- Railed. And loud the little inn grew,
- But nothing I cared their quarrel to learn,
- Though the issue tossing between the two
- They deemed the bait of the world’s concern.
-
- Only I thought how most are men
- Fantastic when they most are proud,
- And out of my laughter I looked again
- On the flowing figures of Chippington crowd.
-
-
-
-
-CROCUSES
-
-TO E. H. C.
-
-
- Desires,
- Little determined desires,
- Gripped by the mould,
- Moving so hardly among
- The earth, of whose heart they were bred,
- That is old; it is old,
- Not gracious to little desires such as these,
- But apter for work on the bases of trees,
- Whose branches are hung
- Overhead,
- Very mightily, there overhead.
-
- Through the summer they stirred,
- They strove to the bulbs after May,
- Until harvest and song of the bird
- Went together away;
- And ever till coming of snows
- They worked in the mould, for undaunted were those
- Swift little determined desires, in the earth
- Without sign, any day,
- Ever shaping to marvels of birth,
- Far away.
-
- And we went
- Without heed
- On our way,
- Never knowing what virtue was spent,
- Day by day,
- By those little desires that were gallant to breed
- Such beauty as fortitude may.
- Not once in our mind
- Was that corner of earth under trees,
- Very mighty and tall,
- As we travelled the roads and the seas,
- And gathered the wage of our kind,
- And were laggard or trim to the call
- Of the duties that lengthen the hours
- Into seasons that flourish and fall.
-
- And blind,
- In the womb of the flowers,
- Unresting they wrought,
- In the bulbs, in the depth of the year,
- Buried far from our thought;
- Till one day, when the thrushes were clear
- In their note it was spring--and they know--
- Unheeding we came into sight
- Of that corner forgotten, and lo,
- They had won through the meshes of mould,
- And treasuries lay in the light,
- Of ivory, purple, and gold.
-
-
-
-
-RIDDLES, R.F.C.[1]
-
-(1916)
-
-
- He was a boy of April beauty; one
- Who had not tried the world; who, while the sun
- Flamed yet upon the eastern sky, was done.
-
- Time would have brought him in her patient ways--
- So his young beauty spoke--to prosperous days,
- To fulness of authority and praise.
-
- He would not wait so long. A boy, he spent
- His boy’s dear life for England. Be content:
- No honour of age had been more excellent.
-
- [1] Lieutenant Stewart G. Ridley, Royal Flying Corps, sacrificed his
- life in the Egyptian desert in an attempt to save a comrade. He was
- twenty years of age.
-
-
-
-
-THE SHIPS OF GRIEF
-
-
- On seas where every pilot fails
- A thousand thousand ships to-day
- Ride with a moaning in their sails,
- Through winds grey and waters grey.
-
- They are the ships of grief. They go
- As fleets are derelict and driven,
- Estranged from every port they know,
- Scarce asking fortitude of heaven.
-
- No, do not hail them. Let them ride
- Lonely as they would lonely be ...
- There is an hour will prove the tide,
- There is a sun will strike the sea.
-
-
-
-
-NOCTURNE
-
-
- O royal night, under your stars that keep
- Their golden troops in charted motion set,
- The living legions are renewed in sleep
- For bloodier battle yet.
-
- O royal death, under your boundless sky
- Where unrecorded constellations throng,
- Dispassionate those other legions lie,
- Invulnerably strong.
-
-
-
-
-THE PATRIOT
-
-
- Scarce is my life more dear to me,
- Brief tutor of oblivion,
- Than fields below the rookery
- That comfortably looks upon
- The little street of Piddington.
-
- I never think of Avon’s meadows,
- Ryton woods or Rydal mere,
- Or moon-tide moulding Cotswold shadows,
- But I know that half the fear
- Of death’s indifference is here.
-
- I love my land. No heart can know
- The patriot’s mystery, until
- It aches as mine for woods ablow
- In Gloucestershire with daffodil,
- Or Bicester brakes that violets fill.
-
- No man can tell what passion surges
- For the house of his nativity
- In the patriot’s blood, until he purges
- His grosser mood of jealousy,
- And comes to meditate with me
-
- Of gifts of earth that stamp his brain
- As mine the pools of Ludlow mill,
- The hazels fencing Trilly’s Lane,
- And Forty Acres under Brill,
- The ferry under Elsfield hill.
-
- These are what England is to me,
- Not empire, nor the name of her
- Ranging from pole to tropic sea.
- These are the soil in which I bear
- All that I have of character.
-
- That men my fellows near and far
- May live in like communion,
- Is all I pray; all pastures are
- The best beloved beneath the sun;
- I have my own; I envy none.
-
-
-
-
-EPILOGUE FOR A MASQUE
-
-
- A little time they lived again, and lo!
- Back to the quiet night the shadows go,
- And the great folds of silence once again
- Are over fools and kings and fighting-men.
-
- A little while they went with stumbling feet,
- With spears of hate, and love all flowery sweet,
- With wondering hearts and bright adventurous wills,
- And now their dust is on a thousand hills.
-
- We dream of them, as men unborn shall dream
- Of us, who strive a little with the stream
- Before we too go out beyond the day,
- And are as much a memory as they.
-
- And Death, so coming, shall not seem a thing
- Of any fear, nor terrible his wing.
- We too shall be a tale on earth, and time
- Shall shape our pilgrimage into a rhyme.
-
-
-
-
-THE GUEST
-
-
- Sometimes I feel that death is very near,
- And, with half-lifted hand,
- Looks in my eyes, and tells me not to fear,
- But walk his friendly land,
- Comrade with him, and wise
- As peace is wise.
-
- Then, greatly though my heart with pity moves
- For dear imperilled loves,
- I somehow know
- That death is friendly so,
- A comfortable spirit; one who takes
- Long thought for all our sakes.
-
- I wonder; will he come that friendly way,
- That guest, or roughly in the appointed day?
- And will, when the last drops of life are spilt,
- My soul be torn from me,
- Or, like a ship truly and trimly built,
- Slip quietly to sea?
-
-
-
-
-TREASON
-
-
- What time I write my roundelays,
- I am as proud as princes gone,
- Who built their empires in old days,
- As Tamburlaine or Solomon;
- And wisely though companions then
- Say well it is and well I sing,
- Assured above the praise of men
- I am a solitary king.
-
- But when I leave that straiter mood,
- That lonely hour, and put aside
- The continence of solitude,
- I fall in treason to my pride,
- And if a witling’s word be spent
- Upon my song in jealousy,
- In anger and in argument
- I am as derelict as he.
-
-
-
-
-POLITICS
-
-
- You say a thousand things,
- Persuasively,
- And with strange passion hotly I agree,
- And praise your zest,
- And then
- A blackbird sings
- On April lilac, or fieldfaring men,
- Ghostlike, with loaded wain,
- Come down the twilit lane
- To rest,
- And what is all your argument to me?
-
- Oh, yes--I know, I know,
- It must be so--
- You must devise
- Your myriad policies,
- For we are little wise,
- And must be led and marshalled, lest we keep
- Too fast a sleep
- Far from the central world’s realities.
- Yes, we must heed--
- For surely you reveal
- Life’s very heart; surely with flaming zeal
- You search our folly and our secret need;
- And surely it is wrong
- To count my blackbird’s song,
- My cones of lilac, and my wagon team,
- More than a world of dream.
-
- But still
- A voice calls from the hill--
- I must away--
- I cannot hear your argument to-day.
-
-
-
-
-FOR A GUEST ROOM
-
-
- All words are said,
- And may it fall
- That, crowning these,
- You here shall find
- A friendly bed,
- A sheltering wall,
- Your body’s ease,
- A quiet mind.
-
- May you forget
- In happy sleep
- The world that still
- You hold as friend,
- And may it yet
- Be ours to keep
- Your friendly will
- To the world’s end.
-
- For he is blest
- Who, fixed to shun
- All evil, when
- The worst is known,
- Counts, east and west,
- When life is done,
- His debts to men
- In love alone.
-
-
-
-
-DAY
-
-
- Dawn is up at my window, and in the May-tree
- The finches gossip, and tits, and beautiful sparrows
- With feathers bright and brown as September hazels.
-
- The sunlight is here, filtered through rosy curtains,
- Docile and disembodied, a ghost of sunlight,
- A gentle light to greet the dreamer returning.
-
- Part the curtains. I give you salutation
- Day, clear day; let us be friendly fellows.
- Come.... I hear the Liars about the city.
-
-
-
-
-DREAMS
-
-
- We have our dreams; not happiness.
- Great cities are upon the hill
- To lighten all our dream, and still
- We have no cities to possess
- But cities built of bitterness.
-
- We see gay fellows top to toe,
- And girls in rainbow beauty bright--
- ’Tis but of silly dreams I write,
- For up and down the streets we know,
- The scavengers and harlots go.
-
- Give me a dozen men whose theme
- Is honesty, and we will set
- On high the banner of dreams ... and yet
- Thousands will pass us in a stream,
- Nor care a penny what we dream.
-
-
-
-
-RESPONSIBILITY
-
-
- You ploughmen at the gate,
- All that you are for me
- Is of my mind create,
- And in my brain to be
- A figure newly won
- From the world’s confusion.
-
- And if you are of grace,
- That’s honesty for me,
- And if of evil face,
- Recorded then shall be
- Dishonour that I saw
- Not beauty, but the flaw.
-
-
-
-
-PROVOCATIONS
-
-
- I am no merry monger when
- I see the slatterns of the town:
- I hate to think of docile men
- Whose angers all are driven down;
- For sluts make joy a thing obscene,
- And in contempt is nothing clean.
-
- I like to see the ladies walk
- With heels to set their chins atilt:
- I like to hear the clergy talk
- Of other clergy’s people’s guilt;
- For happy is the amorous eye,
- And indignation clears the sky.
-
-
-
-
-TRIAL
-
-
- Beauty of old and beauty yet to be,
- Stripped of occasion, have security;
- This hour it is searches the judgment through,
- When masks of beauty walk with beauty too.
-
-
-
-
-CHARGE TO THE PLAYERS
-
-THE TROJAN WOMEN, BIRMINGHAM REPERTORY THEATRE, APRIL 1918
-
-
- Shades, that our town-fellows have come
- To hear rewake for Christendom
- This cleansing of a Pagan wrong
- In flowing tides of tragic song,--
- You shadows that the living call
- To walk again the Trojan wall,--
- You lips and countenance renewed
- Of an immortal fortitude,--
- Know that, among the silent rows
- Of these our daily town-fellows,
- Watching the shades with these who bring
- But mortal ears to this you sing,
- There somewhere sits the Greek who made
- This gift of song, himself a shade.
-
-
-
-
-CHARACTER
-
-
- If one should tell you that in such a spring
- The hawthorn boughs into the blackbird’s nest
- Poured poison, or that once at harvesting
- The ears were stony, from so manifest
- Slander of proven faith in tree and corn
- You would turn unheeding, knowing him forsworn.
-
- Yet now, when one whose life has never known
- Corruption, as you know: whose days have been
- As daily tidings in your heart of lone
- And gentle courage, suffers the word unclean
- Of envious tongues, doubting you dare not cry--
- “I have been this man’s familiar, and you lie.”
-
-
-
-
-REALITY
-
-
- It is strange how we travel the wide world over,
- And see great churches and foreign streets,
- And armies afoot and kings of wonder,
- And deeds a-doing to fill the sheets
- That grave historians will pen
- To ferment the brains of simple men.
-
- And all the time the heart remembers
- The quiet habit of one far place,
- The drawings and books, the turn of a passage,
- The glance of a dear familiar face,
- And there is the true cosmopolis,
- While the thronging world a phantom is.
-
-
-
-
-EPILOGUE
-
-
- Come tell us, you that travel far
- With brave or shabby merchandise,
- Have you saluted any star
- That goes uncourtiered in the skies?
-
- Do you remember leaf or wing
- Or brook the willows leant along,
- Or any small familiar thing
- That passed you as you went along?
-
- Or does the trade that is your lust
- Drive you as yoke-beasts driven apace,
- Making the world a road of dust
- From market-place to market-place?
-
- Your traffic in the grain, the wine,
- In purple and in cloth of gold,
- In treasure of the field and mine,
- In fables of the poets told,--
-
- But have you laughed the wine-cups dry
- And on the loaves of plenty fed,
- And walked, with all your banners high,
- In gold and purple garmented?
-
- And do you know the songs you sell
- And cry them out along the way?
- And is the profit that you tell
- After your travel day by day
-
- Sinew and sap of life, or husk--
- Dead coffer-ware or kindled brain?
- And do you gather in the dusk
- To make your heroes live again?
-
- If the grey dust is over all,
- And stars and leaves and wings forgot,
- And your blood holds no festival--
- Go out from us; we need you not.
-
- But if you are immoderate men,
- Zealots of joy, the salt and sting
- And savour of life upon you--then
- We call you to our counselling.
-
- And we will hew the holy boughs
- To make us level rows of oars,
- And we will set our shining prows
- For strange and unadventured shores.
-
- Where the great tideways swiftliest run
- We will be stronger than the strong
- And sack the cities of the sun
- And spend our booty in a song.
-
-
-
-
-MOONRISE
-
-
- Where are you going, you pretty riders?--
- To the moon’s rising, the rising of death’s moon,
- Where the waters move not, and birds are still and songless,
- Soon, very soon.
-
- Where are you faring to, you proud Hectors?
- Through battle, out of battle, under the grass,
- Dust behind your hoof-beats rises, and into dust,
- Clouded, you pass.
-
- I’m a pretty rider, I’m a proud Hector,
- I as you a little am pretty and proud;
- I with you am riding, riding to the moonrise,
- So sing we loud--
-
- “Out beyond the dust lies mystery of moonrise,
- We go to chiller learning than is bred in the sun,
- Hectors, and riders, and a simple singer,
- Riding as one.”
-
-
-
-
-DEER
-
-
- Shy in their herding dwell the fallow deer.
- They are spirits of wild sense. Nobody near
- Comes upon their pastures. There a life they live,
- Of sufficient beauty, phantom, fugitive,
- Treading as in jungles free leopards do,
- Printless as evelight, instant as dew.
- The great kine are patient, and home-coming sheep
- Know our bidding. The fallow deer keep
- Delicate and far their counsels wild,
- Never to be folded reconciled
- To the spoiling hand as the poor flocks are:
- Lightfoot, and swift, and unfamiliar,
- These you may not hinder, unconfined
- Beautiful flocks of the mind.
-
-
-
-
-TO ONE I LOVE
-
-
- As I walked along the passage, in the night, beyond the stairs,
- In the dark,
- I was afraid,
- Suddenly,
- As will happen you know, my dear, it will often happen.
- I knew the walls at my side,
- Knew the drawings hanging there, the order of their placing,
- And the door where my bed lay beyond,
- And the window on the landing--
- There was even a little ray of moonlight through it--
- All was known, familiar, my comfortable home;
- And yet I was afraid,
- Suddenly,
- In the dark, like a child, of nothing,
- Of vastness, of eternity, of the queer pains of thought,
- Such as used to trouble me when I heard,
- When I was little, the people talk
- On Sundays of “As it was in the Beginning,
- Is Now, and Ever Shall Be....”
- I am thirty-six years old,
- And folk are friendly to me,
- And there are no ghosts that should have reason to haunt me,
- And I have tempted no magical happenings
- By forsaking the clear noons of thought
- For the wizardries that the credulous take
- To be golden roads to revelation.
- I knew all was simplicity there,
- Without conspiracy, without antagonism,
- And yet I was afraid,
- Suddenly,
- A child, in the dark, forlorn....
- And then, as suddenly,
- I was aware of a profound, a miraculous understanding,
- Knowledge that comes to a man
- But once or twice, as a bird’s note
- In the still depth of the night
- Striking upon the silence ...
- I stood at the door, and there
- Was mellow candle-light,
- And companionship, and comfort,
- And I knew
- That it was even so,
- That it must be even so
- With death.
- I knew
- That no harm could have touched me out of my fear,
- Because I had no grudge against anything,
- Because I had desired
- In the darkness, when fear came,
- Love only, and pity, and fellowship,
- And it would have been a thing monstrous,
- Something defying nature
- And all the simple universal fitness
- For any force there to have come evilly
- Upon me, who had no evil in my heart,
- But only trust, and tenderness
- For every presence about me in the air,
- For the very shadow about me,
- Being a little child for no one’s envy.
- And I knew that God
- Must understand that we go
- To death as little children,
- Desiring love so simply, and love’s defence,
- And that he would be a barren God, without humour,
- To cheat so little, so wistful, a desire,
- That he created
- In us, in our childishness ...
- And I may never again be sure of this,
- But there, for a moment,
- In the candle-light,
- Standing at the door,
- I knew.
-
-
-
-
-TO ALICE MEYNELL
-
-
- I too have known my mutinies,
- Played with improvident desires,
- Gone indolently vain as these
- Whose lips from undistinguished choirs
- Mock at the music of our sires.
-
- I too have erred in thought. In hours
- When needy life forbade me bring
- To song the brain’s unravished powers,
- Then had it been a temperate thing
- Loosely to pluck an easy string.
-
- Yet thought has been, poor profligate,
- Sin’s period. Through dear and long
- Obedience I learn to hate
- Unhappy lethargies that wrong
- The larger loyalties of song.
-
- And you upon your slender reed,
- Most exquisitely tuned, have made
- For every singing heart a creed.
- And I have heard; and I have played
- My lonely music unafraid,
-
- Knowing that still a friendly few,
- Turning aside from turbulence,
- Cherish the difficult phrase, the due
- Bridals of disembodied sense
- With the new word’s magnificence.
-
-
-
-
-PETITION
-
-
- O Lord, I pray: that for each happiness
- My housemate brings I may give back no less
- Than all my fertile will;
-
- That I may take from friends but as the stream
- Creates again the hawthorn bloom adream
- Above the river sill;
-
- That I may see the spurge upon the wall
- And hear the nesting birds give call to call,
- Keeping my wonder new;
-
- That I may have a body fit to mate
- With the green fields, and stars, and streams in spate,
- And clean as clover-dew;
-
- That I may have the courage to confute
- All fools with silence when they will dispute,
- All fools who will deride;
-
- That I may know all strict and sinewy art
- As that in man which is the counterpart,
- Lord, of Thy fiercest pride;
-
- That somehow this beloved earth may wear
- A later grace for all the love I bear,
- For some song that I sing;
- That, when I die, this word may stand for me--
- He had a heart to praise, an eye to see,
- And beauty was his king.
-
-
-
-
-HARVESTING
-
-
- Pale sheaves of oats, pocked by untimely rain,
- Under October skies,
- Teased and forlorn,
- Ungathered lie where still the tardy wain
- Comes not to seal
- The seasons of the corn,
- From prime to June, with running barns of grain.
-
- Now time with me is at the middle year,
- The register of youth
- Is now to sing ...
- My thoughts are ripe, my moods are in full ear;
- That they should fail
- Of harvesting,
- Uncarried on cold fields, is all my fear.
-
- * * * * *
-
- The Riverside Press
- CAMBRIDGE. MASSACHUSETTS
- U. S. A.
-
-
-
-
-
-End of the Project Gutenberg EBook of Poems, 1908-1919, by John Drinkwater
-
-*** END OF THIS PROJECT GUTENBERG EBOOK POEMS, 1908-1919 ***
-
-***** This file should be named 51575-0.txt or 51575-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/1/5/7/51575/
-
-Produced by MWS, Bryan Ness, Chuck Greif and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/Canadian Libraries)
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-http://gutenberg.org/license).
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at http://www.pglaf.org.
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-http://pglaf.org/fundraising. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at http://pglaf.org
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit http://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: http://pglaf.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart is the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.