summaryrefslogtreecommitdiff
path: root/old/51592-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/51592-0.txt')
-rw-r--r--old/51592-0.txt3037
1 files changed, 0 insertions, 3037 deletions
diff --git a/old/51592-0.txt b/old/51592-0.txt
deleted file mode 100644
index e538b10..0000000
--- a/old/51592-0.txt
+++ /dev/null
@@ -1,3037 +0,0 @@
-The Project Gutenberg EBook of Poems in Many Lands, by Rennell Rodd
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-
-Title: Poems in Many Lands
-
-Author: Rennell Rodd
-
-Release Date: March 29, 2016 [EBook #51592]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK POEMS IN MANY LANDS ***
-
-
-
-
-Produced by Larry B. Harrison, Chuck Greif and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive)
-
-
-
-
-
-
-
-
-
-
- POEMS IN MANY LANDS
-
- Ballantyne Press
- BALLANTYNE, HANSON AND CO., EDINBURGH
- CHANDOS STREET, LONDON
-
-
-
-
- POEMS IN MANY LANDS
-
- BY
-
- RENNELL RODD
-
- [Illustration]
-
- LONDON
- DAVID BOGUE, 3, ST. MARTIN’S PLACE
- TRAFALGAR SQUARE, W.C.
- 1883.
-
-
-
-
-PREFACE.
-
-
-The kind reception my first small volume of “Songs in the South” met
-with, has induced me to include a few of those poems in this more
-complete volume of early lyrics.
-
-I have to acknowledge the permission to reprint one or two poems which
-have been previously published in magazines, or as songs.
-
-R. R.
-
-_December, 1882._
-
-
-
-
-CONTENTS.
-
-
-
- PAGE
-
-A STAR-DREAM 1
-
-THE DAISY 3
-
-“THOSE DAYS ARE LONG DEPARTED” 4
-
-IN APRIL 6
-
-IN THE WOODS 7
-
-A SUMMER SONG 8
-
-THE BURDEN OF AUTUMN 10
-
-“TO WONDER AND BE STILL” 11
-
-AN ANSWER 13
-
-THE POET 14
-
-VICTORY 15
-
-“AH! WILD SWANS” 16
-
-DAY’S END 19
-
-FROM THE ROADSIDE 20
-
-A DIRGE FOR LOVE 22
-
-NOS COLLINES D’AUTREFOIS 24
-
-THE TWO GATES 25
-
-GETTATI AL VENTO 26
-
-THE SEA-KING’S GRAVE 29
-
-DISILLUSION 33
-
-ON THE BORDER HILLS 35
-
-WHEN HE HAD FINISHED 36
-
-THE LONELY BAY 37
-
-MUSIC 40
-
-WHAT HOLDS THEE BACK 41
-
-WORDS FOR MUSIC 42
-
-BELLA DONNA 47
-
-JOSEPH BARA 46
-
-IN CHARTRES CATHEDRAL 53
-
-BY THE ANNIO 55
-
-BY THE CRUCIFIX 58
-
-“UNE HEURE VIENDRA QUI TOUT PAIERA” 60
-
-IN THE ALPS 61
-
-IN NÔTRE DAME DE 62
-
-TWO SONNETS 67
-
-AT LANUVIUM 69
-
-A ROMAN MIRROR 71
-
-THE SONG OF THE DEAD CHILD 73
-
-NIGHT AT AVIGNON 78
-
-WHERE THE RHONE GOES DOWN TO THE SEA 80
-
-AT TIBER MOUTH 82
-
-GARIBALDI IN ROME 88
-
-ἙΡΑΝ ΤΩΝ ἉΔΥΝΑΤΩΝ 89
-
-TRANSLATIONS 92
-
-AVE ATQUE VALE 96
-
-“IF ANY ONE RETURN” 99
-
-HIC JACET 101
-
-“WHEN I AM DEAD” 103
-
-ST. CATHARINE OF EGYPT 105
-
-ATALANTA 109
-
-THEORETIKOS 111
-
-ROME--I. FROM THE HILL OF GARDENS 114
-
- II. IN THE COLISEUM 116
-
- III. IN A CHURCH 117
-
-SEA-PICTURES--FRANCE.
-
- I. SUNSET 120
-
- II. TWILIGHT 121
-
- III. STORM 122
-
-A LAST WORD 124
-
-
-
-
- A STAR-DREAM.
-
-
- There was a night when you and I
- Looked up from where we lay,
- When we were children, and the sky
- Was not so far away.
-
- We looked towards the deep dark blue
- Beyond our window bars,
- And into all our dreaming drew
- The spirit of the stars.
-
- We did not see the world asleep--
- We were already there!
- We did not find the way so steep
- To climb that starry stair.
-
- And faint at first and fitfully,
- Then sweet and shrill and near,
- We heard the eternal harmony
- That only angels hear;
-
- And many a hue of many a gem
- We found for you to wear,
- And many a shining diadem
- To bind about your hair.
-
- We saw beneath us faint and far
- The little cloudlets strewn,
- And I became a wandering star,
- And you became my moon.
-
- Ah! have you found our starry skies?
- Where are you all the years?
- Oh, moon of many memories!
- Oh, star of many tears!
-
-
-
-
- THE DAISY.
-
-
- With little white leaves in the grasses,
- Spread wide for the smile of the sun,
- It waits till the daylight passes,
- And closes them one by one.
-
- I have asked why it closed at even,
- And I know what it wished to say:
- There are stars all night in the heaven,
- And I am the star of day.
-
-
-
-
-“THOSE DAYS ARE LONG DEPARTED.”
-
-
- Those days are long departed,
- Gone where the dead dreams are,
- Since we two children started
- To look for the morning star.
-
- We asked our way of the swallow
- In his language that we knew,
- We were sad we could not follow
- So swift the dark bird flew.
-
- We set our wherry drifting
- Between the poplar trees,
- And the banks of meadows shifting
- Were the shores of unknown seas.
-
- We talked of the white snow prairies
- That lie by the Northern lights,
- And of woodlands where the fairies
- Are seen in the moonlit nights.
-
- Till one long day was over
- And we grew too tired to roam,
- And through the corn and clover
- We slowly wandered home.
-
- Ah child! with love and laughter
- We had journeyed out so far;
- We who went in the big years after
- To look for another star;
-
- But I go unbefriended
- Through wind and rain and foam,--
- One day was hardly ended
- When the angel took you home.
-
-
-
-
- IN APRIL.
-
-
- The diamond dew lies cool
- In the violet cups athirst,
- The buds are ready to burst,
- The heart of the spring is full;
- Great clouds dream over the sky,
- The drops on the grass-blades glisten,
- The daffodil droops to listen
- As the wind from the South goes by,
- For it came through the sea cliffs hollow,
- With the dawning over the bay,
- And the swallow, it said, the swallow,
- The swallow comes home to-day.
-
-
-
-
- IN THE WOODS.
-
-
- This is a simple song
- That the world sings every day,
- Hark! as ye pass along
- Ye that go by the way!
- For the nightingale up in the oak-bough sings,
- “_Be loyal, be true, true, true_,”
- And the wood-dove sits with its folded wings,
- And answers “_to you, to you_.”
- And the thrush in the hedge, “_I am glad, be glad_,”
- And the linnet, “_let love, let live_,”
- And the wind in the rushes says, “_why so sad!_”
- And the wind in the trees “_forgive!_”
- While ever so high in the skies above
- The heart of the lark o’erflows,
- And “_I love, I love, and I love_,”
- Is the only song he knows.
- Hark! as ye pass along
- Ye that go by the way!
- This is the simple song
- That the world sings every day.
-
-
-
-
- A SUMMER SONG.
-
-
- Summer in the world and morning, the far hills were in the mist,
- And we watched the river borders, how the rush and ripple kist,
- While the bird sang “Whither, whither,” and the wind said,
- “Where I list.”
-
- And we saw the yellow kingcup, and the arrowhead look through,
- From the silent, shallow waters, where the mirrored skies were blue,
- And the flags about the swan’s nest kept the secret that we knew.
-
- In the hedge a thrush was singing, where the wild hopclusters are,
- And the lowly ragged-robin, with its frailly fretted star,
- While a soft wind brought the fragrance of the meadow-sweet from far.
-
- All its blushing bells a’ ringing, on a bank the foxglove grows,
- Where the honeysuckle tangles in the thorns of the wild rose,
- And a sudden sea of blue-bells from the wood-side overflows.
-
- And we watched the silver crescent of the wings of the wild dove
- Circle swiftly in the sunlight through the aspen tops above,
- And we felt the great world’s heart beat, in the gladness of our love.
-
-
-
-
- THE BURDEN OF AUTUMN.
-
-
- We are dying, said the flowers,
- All the days are out of tune,
- Spent are all the sungold hours,
- And the glory that was June,
- Dying, dying said the flowers.
- The snow will hide the garden bed
- While they sleep underground,
- Wild winds will drift it overhead,
- But they will slumber sound.
-
- We are going, said the swallows,
- All the singing days are done,
- Summer’s over, winter follows,
- And we seek a warmer sun,
- Going southward, said the swallows.
- And I must watch them all depart
- And find no song to sing,
- Oh take the autumn from my heart
- And give me back the spring!
-
-
-
-
-“TO WONDER AND BE STILL.”
-
-
- Oft in the starry middle night
- I vex my heart in vain,
- To set its mystic music right,
- And find the hidden strain.
-
- To-night the summer moon is strong,
- The little clouds drift past,--
- The wonder is too deep for song--
- The silence speaks at last.
-
- “Thou canst not match those harmonies
- On moon-enamoured lute,
- Serenely silent arch the skies,
- And the great stars are mute;
-
- “Thou canst not tune to thine unrest
- Their solemn calm above;
- In silence thou shalt worship best,
- And reverently love.
-
- “Beyond this night in which thou art,
- There is a voice of spheres,
- Which the eternal in thine heart
- Remembers and reveres.
-
- “But how they sing in unison
- Earth’s ear hath never heard,
- So only in thine heart rings on
- The song that has no word.”
-
-
-
-
- AN ANSWER.
-
-
- Take again thy shallow hearted reason
- Groping dimly through the night in which thou art!
- Very harmless fall the arrows of thy treason
- On the worship and the wonder in my heart.
-
- I have drunk the everlasting fountains
- Flowing downward from the infinite to me,
- Seen the wonder of the moonrise in the mountains
- And the glory of the sunset on the sea.
-
-
-
-
- THE POET.
-
-
- HE will come again as oft of old among you,
- With his burden to fulfil;--
- Did ye hearken ever to the songs they sung you
- Till the song was still?
-
- HE will bear again the scorn, the idle wonder,
- And heart-hunger and love’s need;
- You will drown the sound of music in your thunder,
- And he will not heed.
-
- Singing unperplexed above the mocking laughter
- Till his day be overpast;
- Till the music dies, and silence follows after
- And ye turn at last,--
-
- Then when all the echoes breathe it and ye know it,
- Ye will seek him to revere;
- Cry aloud, and call him, master, lover, poet!
- And he will not hear.
-
-
-
-
- VICTORY.
-
-
- This then--to live and have no joy thereof,
- To thirst and hunger and be very tired,
- To walk unloved, or know if one should love
- It were a bitter thing that he desired,
- To have no home in all the earth, to be
- Mocked and derided and outcast of men,
- To squander love and labour, and to see
- No fruit of it, and yet to love, and then
- Bearing all slander silently alway,
- Serenely when the last reproach is hurled
- To look Death in the face alone, and say
- “Be of good cheer for I have overcome the world.”
-
-
-
-
-“AH! WILD SWANS!”
-
-
- “Ah! wild swans winging southward, I would fly with you to-night;
- Southward, ever swiftly southward, through the autumn grey twilight.
-
- “You will leave these downs and gullies, and the white cliffs far behind,
- Sailing on above the waters in the music of the wind.
-
- “And the seamen on their highway looking up will see you fly,
- Like a misty shadow moving o’er the moon-illumined sky.
-
- “Day and night and all things changing,--sunny skies and overcast,--
- Till the cloud-engirdled mountains and the snowy peaks are passed.
-
- “We should near the lands of laughter and the vines and olive trees,
- Watch the little sails at sundown sparkle out on summer seas;
-
- “Day and night and ever flying till we reached the wonderland,
- And the seaward branching river, and the desert ways of sand;
-
- “Saw beneath us standing lonely that grave bird that never sings,
- Like a solemn sentry guarding by the giant tombs of kings.
-
- “And I think it would be sunset when our journeying was done,
- And the silver of your plumage would be crimsoned in the sun;
-
- “In a pleasant land of palm-trees, where the lotus lilies grow,
- And the fruits of many flood-tides by the river borders blow;
-
- “There forgetting and forgotten, and not any one to hear,
- I would sing to you, that sing not, all the winter of the year.”
-
- Brighter burn the stars and colder, twilight deepens into night,
- Moans the wind among the willows, and the swans fade out of sight.
-
-
-
-
- DAY’S END.
-
-
- We watched how robed in royal red
- The slow sun sailed to rest,
- Through crimson cloud streaks islandèd
- In seas of glory o’er the west,
- I held your hand, and I heard you say,
- “What have we done for the world to-day?”
-
- While still the mountain-heather glowed
- All songs were hushed, and through
- The twilight east the young moon showed
- Her frail white crescent in the blue;
- The silence sank profound and deep,
- The ways of earth were full of sleep;
- And the spirit of silence seemed to say,
- “What have ye done for the world to-day?”
-
-
-
-
- FROM THE ROADSIDE.
-
-
- Peace be with the little red-roofed church out yonder,
- With its quiet English village gathered round;
- With shade of great beech-trees on the grave-mounds under,
- And leaves of the Autumn over all the ground!
-
- There go the rooks at even homeward flying!
- The sweet sense of home lies over all that land;
- The glow is on the tower of the daylight dying,
- And lovers in the shadow are walking hand-in-hand.
-
- Here comes no voice from the middle world to move them,
- All the year round no memorable thing;
- Yet the great skies arch as beautiful above them,
- All the year through there are birds with them that sing.
-
- Ah! well with you who calm and little knowing,
- Here in submission to your uneventful days,
- Leave the mad world to its coming and its going,
- Safe with God’s shadow on your evening ways!
-
-
-
-
- A DIRGE FOR LOVE.
-
-
- “What is this pitiful song ye sing,
- Shades of the passing hours?
- What is this beautiful young dead thing,
- Borne on a bier of flowers?”
-
- “This is dead Love who, all night through,
- Beat at the fast-closed door;
- Wept his heart out waiting for you,
- Now he will beat no more!
-
- “Here he dwelt for a night and day,
- Longer he might not wait;
- Never again will he pass this way,
- Therefore we sing ‘too late!’”
-
- “Ah, but the door of my heart within,
- Was it not alway wide?
- Had he not wings to have entered in,
- Why did he beat outside?”
-
- “Once he came, though his eyes were blind,
- Up to the outer door;
- The way within was too hard to find,
- Peace! For he wakes no more.”
-
- “Yet ye knew I had waited long,
- Was I not always true?
- How could I will sweet Love this wrong--
- Where do ye bear him to?”
-
- “Back to the land where he lives again,
- Over the westward strand;
- Over the waves and the cloud domain,
- Into the rainbow land!”
-
- “Then, sweet spirits, do this for grace,
- Set my heart on his bier;
- So, when he comes to his resting-place,
- Love may awake and hear!”
-
-
-
-
- NOS COLLINES D’AUTREFOIS.
-
-
- Can you remember when we dwelt together,
- In the golden land of childhood long ago;
- Up on our mountain heights in the clear weather,
- How we longed to see the valleys down below?
-
- Lands so lovely never found we after,--
- Oh, our winters with the wonder of their snows;
- Oh, the swallows of our spring-time, and the laughter,
- Oh, the starnight of our summers and the rose!
-
- Well-belovèd in that land were all the faces,
- None are like them of these dwellers in the plain;
- Oh, why did we come down from our high places!
- We can never climb the bitter hills again!
-
-
-
-
- THE TWO GATES.
-
-
- Two gates--and one was morning’s, gold with gleams
- Of sudden sunlight, and clear skies above
- Ways where the air is musical with love,
- And summer singing in a land of streams:
-
- One sad with twilight and low sound that seems
- Like the marred song-voice of a broken heart,
- Where life and love sit evermore apart,
- And look back longing to the gate of dreams.
-
- Time was, I wandered in those sunlit lands,
- And felt the glamour in my wakening eyes;
- But now with sword aflame the angel stands,
- Pointing the threshold of the gate of gloom;
- While through the monotone of human cries,
- Upsoars this pitiless, “fulfil thy doom!”
-
-
-
-
- GETTATI AL VENTO.
-
-
- I.
-
- The sea swallows wheel and fly
- To their homes in the grey cliff-side;
- And the silent ships drift by,
- The world and its ways are wide!
-
- Oh, which of you wandering sails
- Will carry a word from me?
- Spread all your wings in the gales,
- Fly fast to her northern sea!
-
- Go say to my heart’s desired,
- Too long from her side I roam,
- And say I am tired, tired,
- And I would she would call me home!
-
-
- II.
-
- I thought that I wandered, wandered,
- All night till the dawn of day,
- And I came to the house she dwells in,
- A hundred miles away:
-
- So I watched the hills grow golden,
- I heard the birds begin,
- And she came to open her window,
- And let the morning in.
-
- But when she would not greet me,
- And I called to her all in vain,
- I awoke, and knew I was dreaming,
- But I could not sleep again.
-
- * * * * *
-
-I.
-
- What shadow is this of dead delight,
- That thou art dreaming of?
- Oh, heart, what ails thee in the evenlight,
- And is it thine old burden love,
- That wistful-eyed, like one who roams,
- I stand and watch from far,
- The peace of sunset over quiet homes,
- And the belovéd evening star?
-
-
- II.
-
- Are not the heavens wide? And yet,
- Until all journeyings be done,
- No star shall change the orbit set,
- That marks its journey round the sun.
-
- And, sweet, we travel down our days,
- As the stars wander in their sky;
- We cannot change our fated ways,
- But meet and greet and hasten by.
-
-
- III.
-
- I breathed a name once and again,
- I said a bitter thing in my pain,
- “I gave you all my love, and I spent it all in vain!”
-
- Then I saw a form across the night
- Glide down the stars in a veil of light,
- And I said, “Who are you, dweller of the Infinite?”
-
- And I heard a voice on the stilly air,
- “You chide amiss in your own despair;
- Lo, I am the soul of her love, and I follow you everywhere!”
-
-
-
-
- THE SEA-KING’S GRAVE.
-
-
- High over the wild sea-border, on the furthest downs to the west,
- Is the green grave-mound of the Norseman, with the yew-tree
- grove on its crest.
- And I heard in the winds his story, as they leapt up salt from the wave,
- And tore at the creaking branches that grow from the sea-king’s grave.
- Some son of the old-world Vikings, the wild sea-wandering lords,
- Who sailed in a snake-prowed galley, with a terror of twenty swords.
- From the fiords of the sunless winter, they came on an icy blast,
- Till over the whole world’s sea-board the shadow of Odin passed,
- Till they sped to the inland waters and under the South-land skies,
- And stared on the puny princes, with their blue victorious eyes.
- And they said he was old and royal, and a warrior all his days,
- But the king who had slain his brother lived yet in the island ways;
- And he came from a hundred battles, and died in his last wild quest,
- For he said, “I will have my vengeance, and then I will take my rest.”
-
- He had passed on his homeward journey, and the king of the
- isles was dead;
- He had drunken the draught of triumph, and his cup was the
- And he spoke of the song and feasting, and the gladness of things to be,
- And three days over the waters they rowed on a waveless sea;
- Till a small cloud rose to the shoreward, and a gust broke
- out of the cloud,
- And the spray beat over the rowers, and the murmur of winds was loud
- With the voice of the far-off thunders, till the shuddering
- air grew warm,
- And the day was as dark as at even, and the wild god rode on the storm.
- But the old man laughed in the thunder as he set his casque on his brow,
- And he waved his sword in the lightning and clung to the painted prow.
- And a shaft from the storm-god’s quiver flashed out from the
- flame-flushed skies,
- Rang down on his war-worn harness and gleamed in his fiery eyes,
- And his mail and his crested helmet, and his hair, and his
- beard burned red;
- And they said, “It is Odin calls;” and he fell, and they found him dead.
-
- So here, in his war-guise armoured, they laid him down to his rest,
- In his casque with the rein-deer antlers, and the long grey beard
- on his breast;
- His bier was the spoil of the islands, with a sail for a shroud beneath,
- And an oar of his blood-red galley, and his battle-brand in the sheath;
- And they buried his bow beside him, and planted the grove of yew,
- For the grave of a mighty archer, one tree for each of his crew;
- Where the flowerless cliffs are sheerest, where the sea-birds
- circle and swarm,
- And the rocks are at war with the waters, with their jagged
- grey teeth in the storm;
- And the huge Atlantic billows sweep in, and the mists enclose
- The hill with the grass-grown mound where the Norseman’s yew-tree grows.
-
-
-
-
- DISILLUSION.
-
-
- Ah! what would youth be doing
- To hoist his crimson sails,
- To leave the wood-doves cooing,
- The song of nightingales;
- To leave this woodland quiet
- For murmuring winds at strife,
- For waves that foam and riot
- About the seas of life?
-
- From still bays, silver sanded,
- Wild currents hasten down
- To rocks where ships are stranded
- And eddies where men drown.
- Far out, by hills surrounded,
- Is the golden haven gate,
- And all beyond unbounded
- Are shoreless seas of fate.
-
- They steer for those far highlands
- Across the summer tide
- And dream of fairy islands
- Upon the further side.
- They only see the sunlight,
- The flashing of gold bars;
- But the other side is moonlight
- And glimmer of pale stars.
-
- They will not heed the warning
- Blown back on every wind,
- For hope is born with morning,
- The secret is behind.
- Whirled through in wild confusion,
- They pass the narrow strait,
- To the sea of disillusion
- That lies beyond the gate.
-
-
-
-
- ON THE BORDER HILLS.
-
-
- So the dark shadows deepen in the trees
- That crown the border mountains, all the air
- Is filled with mist-begotten phantasies
- Shaped and transfigured in the sunset glare.
- What wildly spurring warrior-wraiths are these?
- What tossing headgear, and what red-gold hair?
- What lances flashing, what far trumpet’s blare,
- That dies along the desultory breeze?
-
- Slow night comes creeping with her misty wings
- Up to the hill’s crest, where the yew trees grow;
- About their shadow-haunted circle clings
- The rumour of an unrecorded woe,
- Old as the battle of those border kings
- Slain in the darkling hollow-lands below.
-
-
-
-
- WHEN HE HAD FINISHED.
-
-
- When He had finished, first his orbèd sun
- Blazed through the startled firmament, and all
- His hosts cried glory, and the stars each one
- Sang joy together,--then did there not fall
- A peace of solemn silence on His world,
- A moment’s hush before one leaf was stirred
- Or one wave o’er the ocean mirror curled!
- Lo! then it was the carol of a bird
- Gave the joy-note of being, up the sky
- Some lark’s song mounted and the young greenwood
- Woke to a matin of wild melody,--
- And He looked down and saw that it was good.
-
-
-
-
- THE LONELY BAY.
-
-
- Hollowed and worn by tide on tide
- The rocks are steep, to the water’s side;
- Never a swimmer might hope to land
- With the sheer, sheer rocks upon either hand;
- Never a ship dare enter in
- For the sunken reefs are cruel and thin;
- Only at times a plaintive moan
- Comes from yon arch in the caverned stone,
- When the seals that dwell in the ocean cave
- Rise to look through the lifting wave;
- Only the gulls as they float or fly
- Answer the waves with their wind-borne cry.
-
- Weeds of the waste uptossed lie there
- On the sandy space that the tide leaves bare,
- Ever at ebb some waif or stray
- That ever the flood wave washes away,
- And round and round in the lonely bay.
-
- And one dwells there in the caves below
- That only the seals and the seagulls know,
- And the haunting spirit is passing fair
- With sea-flowers set in her grey-green hair,
- But she looks not oft to the daylight skies
- For the sunshine dazzles her ocean eyes;
- But now and again the sea-winds say,
- In the twilight hour of after-day,
- They have seen her look through her veil of spray.
-
- Stilled are the waves when she lies asleep
- And the stars are mirrored along the deep,
- The gulls are at rest on the rifted rocks
- And slumbering round are the ocean flocks,
- Where the waving oarweeds lull and lull
- And the calm of the water is beautiful.
-
- But ever and aye in the moonless night,
- When the waves are at war and the surf is white,
- When the storm-wind howls in the dreary sky,
- And the storm-clouds break as it whirls them by;
- When it tears the boughs from the churchyard tree
- And they think in the world of the folk at sea,
- When the great cliffs quake in the thunder’s crash
- And the gulls are scared at the lightning flash,
- You will hear her laugh in the depths below,
- Where the moving swell is a sheet of snow,
- Mocking the mariner’s shriek of woe.
-
- Let us away, for the sky grows wild
- And the wind has the voice of a moaning child!
- And if she looked through her veil of spray,
- And called and beckoned, you might not stay;
- You would leap from the height to her cold embrace
- And drown in the smile of her wanton face!
- She would carry you under the mazy waves
- From deep to deep of her ocean caves,
- Hold you fast with the things that be
- Held in the drifts of the drifting sea,
- Round and round for eternity!
- The sun goes under, away, away!
- It’s dark and weird by the lonely bay.
-
-
-
-
- MUSIC.
-
-
- What angel viol, effortless and sure,
- Speaks through the straining silence, whence, ah whence
- That tremulous low joy, so keen, so pure
- That all existence narrows to one sense,
- Lapped round and round
- In rapture of sweet sound?
- Oh, how it wins along the steep, and loud and loud,
- Over the chasm and the cloud,
- Swells in its lordly tide
- Higher and higher, and undenied,
- Full throated to the star!--
- Then lowlier, softer, dreaming dies and dies
- Over the closing eyes,
- Dies with my spirit away, afar,
- Swayed as on ocean’s breast
- Dies into rest.
-
-
-
-
-“WHAT HOLDS THEE BACK?”
-
-
- What holds thee back then? Hast thou aught to do,
- And fearest for the venture, art thou too,
- So light a thing that every wind blows through?
-
- What hast thou envied in the lives of these,
- That thou should’st heed to please them or displease
- And fill thine own with mirrored mockeries?
-
- This arm of thine is thine alone, and strong
- To thy free service through thy whole life long,
- Hear thine heart’s voice, it will not lead thee wrong!
-
-
-
-
- WORDS FOR MUSIC.
-
-
- I.
-
- The autumn wind goes sighing
- Through the quivering aspen tree,
- The swallows will be flying
- Toward their summer sea;
- The grapes begin to sweeten
- On the trellised vine above,
- And on my brows have beaten
- The little wings of love.
- Oh wind if you should meet her
- You will whisper all I sing!
- Oh swallow fly to greet her,
- And bring me word in spring!
-
-
- II.
-
- I see your white arms gliding,
- In music o’er the keys,
- Long drooping lashes hiding
- A blue like summer seas:
- The sweet lips wide asunder,
- That tremble as you sing,
- I could not choose but wonder,
- You seemed so fair a thing.
-
- For all these long years after
- The dream has never died,
- I still can hear your laughter,
- Still see you at my side;
- One lily hiding under
- The waves of golden hair;
- I could not choose but wonder,
- You were so strangely fair.
-
- I keep the flower you braided
- Among those waves of gold,
- The leaves are sere and faded,
- And like our love grown old.
- Our lives have lain asunder,
- The years are long, and yet,
- I could not choose but wonder.
- I cannot quite forget.
-
-
- III.
-
- All through the golden weather
- Until the autumn fell,
- Our lives went by together
- So wildly and so well.--
-
- But autumn’s wind uncloses
- The heart of all your flowers,
- I think as with the roses,
- So hath it been with ours.
-
- Like some divided river
- Your ways and mine will be,
- --To drift apart for ever,
- For ever till the sea.
-
- And yet for one word spoken,
- One whisper of regret,
- The dream had not been broken
- And love were with us yet.
-
-
- IV.
-
- I remember low on the water
- They hung from the dripping moss,
- In the broken shrine of some streamgod’s daughter
- Where the north and south roads cross;
- And I plucked some sprays for my love to wear,
- Some tangled sprays of maidenhair.
-
- So you went north with the swallow
- Away from this southern shore,
- And the summers pass, and the winters follow,
- And the years, but you come no more,
- You have roses now in your breast to wear,
- And you have forgotten the maidenhair.
-
- And the sound of the echoing laughter,
- The songs that we used to sing,
- To remember these in the years long after
- May seem but a foolish thing,--
- Yet I know to me they are always fair
- My withered sprays of maidenhair.
-
-
- V.
-
- The wide seas lay before us
- The moon was late to rise,
- The skies were starry o’er us
- And Love was in our eyes;
- And “like those stars, abiding,”
- You whispered “Love shall be,”
- Then one great star went gliding
- Right down into the sea.
-
- Since then beyond recalling
- How many moons have set!
- And still the stars keep falling,
- But the sky is starry yet:
- And I look up and wonder
- If they can hear and know,
- For still we walk asunder,
- And that was years ago.
-
-
-
-
- BELLA DONNA.
-
-
- Two tear-drops of the bluest seas
- Were prisoned in those laughing eyes,
- And soft as wind in summer trees
- The music of her low replies;
- A sunbeam caught entangled there
- Makes light in all her golden hair;
-
- The wild rose where the wild bees sip
- Is not so delicate as this,
- And yet that little rose-curled lip
- Is very poisonous to kiss,
- And they were stars of wintry skies
- That lit the lustre in her eyes.
-
- And she will smile and bid you stay
- And love a little at her will,
- And love a little--and betray
- But smile as ever sweetly still;
- She knows that roses fade away,
- To-morrows turn to yesterday.
-
- She walks the smooth and easy ways
- Apparelled in her queenly dress,
- She hears no word that is not praise,
- And ever of her loveliness;
- And she will kill, that cannot hate,
- Dispassionately passionate.
-
-
-
-
- JOSEPH BARA.
-
-
- In the year of battles, ninety-three,
- In Vendée, by the westward sea,
- The word was whispered--_Liberty_.
-
- There was a child that would not stay,
- When he watched them arm and ride away,
- For the sword was bared in la Vendée.
-
- Thirteen years, and girl-like fair,
- With blue wide eyes and yellow hair--
- And the word had moved him unaware.
-
- “Mother,” he said, “if I were old,
- My arm should win the young ones gold--
- A boy’s life may be dearly sold.
-
- “Mother, the hearts of the children bleed,
- There are lips enough for one hand to feed,
- And the youngest born have the greater need.”
-
- In the year of battles, ninety-three,
- In Vendée by the westward sea,
- He rode to fight for liberty.
-
- They wondered how his stedfast eye
- Could see the strong men bleed and die,
- His shrill lips shape the battle cry.
-
- At Chollet, in the month Frimaire
- They found the lion in his lair,
- And long the struggle wavered there.
-
- Till wide and scattered, man with man,
- The bloody waves of battle ran,
- The boy was leading in the van.
-
- His bugle at his waist he wore,
- His sword-arm pointing straight before,
- And on his brow the tricolore.
-
- Horse and rider overthrown,
- Lay about him stark as stone,
- The bugle boy stood all alone.
-
- They closed about him menacing,
- To strike him seemed a murderous thing;
- “Take life, cry homage to the King!”
-
- Fearless their bayonets he eyed,
- The dead he loved were at his side,
- And “Vive la République,” he cried.
-
- Sword thrust and bayonet
- In his young heart’s-blood met,
- The groan died in his lips hard set,
- And through his eyes shone life’s regret.
-
- O’er his torn and bleeding breast
- All the storm of battle pressed,--
- He lay lowly with the rest.
-
- When the bitter fight was done
- There they found their little one,
- Stark and staring at the sun.
-
- Freedom, let thy banners wave,
- Where he lies among the brave,
- For that young fresh life he gave!
-
- Song above the names that die
- Shrine his name in memory!
-
-
-
-
- IN CHARTRES CATHEDRAL.
-
-
- Through yonder windows stained and old,
- Four level rays of red and gold
- Strike down the twilight dim,
- Four lifted heads are aureoled
- Of the sculptured cherubim,
- And soft like sounds on faint winds blown
- Of voices dying far away,
- The organ’s dreamy undertone,
- The murmur while they pray;
- And I sit here alone, alone,
- And have no word to say;
- Cling closer shadows, darker yet,
- And heart be happy to forget.
-
- And now, the mystic silence--and they kneel,
- A young priest lifts a star of gold,--
- And then the sudden organ peal!
- Ave and Ave! and the music rolled
- Along the carven wonder of the choir,
- Thrilled canopy and spire,
- Up till the echoes mingled with the song;
- And now a boy’s flute note that rings
- Shrill sweet and long,
- Ave and Ave, louder and more loud,
- Rises the strain he sings,
- Upon the angel’s wings!
- Right up to God!
-
- And you that sit there in the lowliest place,
- With lips that hardly dare to move;
- You with the old sad furrowed face,
- Dream on your dream of love!
- For you, glide down the music’s swell
- The folding arms of peace,
- For me wild thoughts, I dare not tell
- Desires that never cease.
- For you the calm, the angel’s breast,
- Whose dim foreknowledge is at rest;
- For me the beat of broken wings,
- The old unanswered questionings.
-
-
-
-
- BY THE ANNIO.
-
-(PASTORAL.)
-
-
- Here where shallows ripple by,
- And the woody banks are high,
- Every little wind that frets
- Waves the scent of violets;
- Here the greening beech has made
- Such a palace of cool shade,
- You and I would rather sit
- Silent in the shade of it,
- Seeking questions and replies
- Only through each other’s eyes.
- Sweet, than climb the thorny ways
- Up their barren hills of praise.
- In the gloom of yonder glen
- Hides the crimson cyclamen,
- And the tall narcissus still
- Lingers near the reedy rill,
- In the ooze the rushes grow
- Pipes for merry lips to blow;
- Here the songs that we shall sing
- Shall be all of love or spring;
- Here the emerald dragon-fly
- Flits and stays and passes by,
- While the bird that overhead
- Mocked our song, grows unafraid,
- Splashing till his breast be cool
- At the margin of the pool.
- In my hand the hand I hold
- Lies more daintily than gold;
- On your lips is all the praise
- I would barter for my lays,
- In your eyes I look to see
- Witness of my sovereignty.
- They that long for high estate
- Turn to look for love too late,
- Climbing on at last they find
- Love has long been left behind;
- Sweet, we do not envy these
- In our riverland of trees.
-
- Seldom feet of mortals pass
- Here along the dewy grass;
- Only in the loneliest spot,
- Where the woodman enters not,
- Spirits of these groves and springs
- Make their nightly wanderings.
- Never now they walk at day
- Since the Satyrs fled away,
- Only when the fireflies gleam
- Up the winding wooded stream,
- You may hear low silver tones,
- Like the ripple on the stones,
- Asking some familiar star
- Where their olden lovers are.
- Listen, listen, up above
- All the branches sing of love!
- When the world is tired of May,
- When the springtide fades away,
- When the clouds draw over head,
- And the moon of love is dead,
- When the joy is no more new,
- Seek we other work to do!
- Only while the heart is young
- Let no other song be sung!
-
-
-
-
- BY THE CRUCIFIX.
-
-
- He tells his story with his young sad eyes,
- The rags are drooping from his sunburnt breast,
- He had sat down a little while to rest,
- Far off the country of his longing lies;
-
- He sits there looking at his bare bruised feet
- And sees the rich man and the priest pass by,
- There where the crucifix is planted high
- On the grass bank outside the village street.
-
- Beside him lies his little flageolet--
- The children danced that morning when he played,
- Laughed loud to hear the music that he made;--
- Now the day closes and he wanders yet.
-
- Oh, if some one of all the folk who pass,
- Would turn and speak one word and hear him though,
- And help! It were so small a thing to do;
- And all they see him lying in the grass.
-
- So the day ended, and the evening sun
- Cast the long shadows down; he turned and saw
- The crucifix blood-red, and in mute awe,
- He crossed himself, and shuddered, and went on.
-
- And then, it seemed that the pale form above
- Moved slowly, lifting up the thorn-crowned head,
- And the drooped eyelids opened, and he said,
- “Oh, ye who make profession of your love,
-
- “With voices echoing a hollow cry,
- My name is ever on your lips, and yet
- I wander wearily and ye forget,
- I am as nothing to you passers by,
-
- “I had no heed of any shame or loss,
- And will ye leave me tired and homeless still
- Oh, call my name by any name ye will,
- But leave me not for ever on my cross!”
-
-
-
-
-“UNE HEURE VIENDRA QUI TOUT PAIERA.”
-
-
- It was a tomb in Flanders, old and grey,
- A knight in armour, lying dead, unknown
- Among the long-forgotten, yet the stone
- Cried out for vengeance where the dead man lay;
-
- No name was chiselled at his side to say
- What wrongs his spirit thirsted to atone,
- Only the armour with green moss o’ergrown,
- And those grim words no years had worn away.
-
- It may be haply in the songs of old
- His deeds were wonders to sweet music set,
- His name the thunder of a battle call,
- Among the things forgotten and untold;
- His only record is the dead man’s threat--
- “An hour will come that shall atone for all!”
-
-
-
-
- IN THE ALPS.
-
-
- It is spring by now in the world, but here
- The doom of winter on all the year;
- A little brown bird flits to and fro,
- Watching perhaps for a rift of blue
- Where the mists divide and the sky looks through,
- Or a crocus-bell in the half-thawed snow.
-
- Little brown bird, have you no nest here
- When winds blow cold in the long starlight?
- Never a tree, and the fields so white--
- And are you ever a wayfarer?
- It is spring by now in the vales below,
- And why do you stay in the world of snow?
-
-
-
-
- IN NOTRE DAME DE....
-
-
- There were two had died one day
- So they told me by the way;
- “One, ah well, poor soul,” they said,
- “Better off that he is dead,
- Such a poor man!--but the other
- He was our good prefect’s brother;
- Rich! And surely of great worth;--”
- Both at one now--earth and earth!--
- “Half the town is deep in prayer;
- Round him at our Lady’s there;
- But the poor man’s funeral
- Is in the church outside the wall;
- Aye, our Lady’s nave is wide,
- Would you lay them side by side?”
- So I followed both these dead;--
- Where the poor man’s pall was spread,
- Boarded in his box of deal,
- There were only six to kneel,
- And a priest that hurried through
- Such quick office as would do.
- _Requiem æternam dona ei, Domine,
- Et lux perpetua luceat ei._
-
- Oh, but here how good to see
- The great sable canopy!
- All the columns shrouded o’er,
- The rich curtains at the door,
- And the purple velvet pall,
- And the high catafalque o’er all,
- Where a hundred tapers glow
- On the same pale face of death below.--
- All the good town’s folk are there,
- Some to weep and some to stare;
- Little recks _he_ how ye weep,
- Very sound he lies asleep;
- Little recks _he_ how ye pray,
- For his ears are sealed alway!
- Many a monk to thumb his beads,
- Chant his canticles and creeds;
- Aye and here with quivering lips
- O’er his meagre finger-tips
- Prays the priest, and all the while
- Drones the deep organ thrill; and then
- Along the gloomy curtained aisle,
- Swells the full chant again;
- _Requiem æternam dona ei, Domine,
- Et lux perpetua luceat ei._
-
- Now beyond the city wall
- Winds his pomp of funeral;
- Feebly do those tapers flare
- In the sunshine’s summer glare,
- Loud above their chanting swells
- The horror of the tolling bells,
- Tapers burn where light is needed
- For the living, not the dead!
- Aye, and if your chants be heeded,
- For the living be they said!
- Where were all this folk who pray
- When the poor man passed this way?
-
- Long ago the spirit fled,
- All of him that was of worth,
- In his sojourning on earth;
- Wherefore o’er a body dead,
- Need long litanies be said?
-
- Shall the jewelled cross he presses
- In those bony hands of his,
- Aught avail, when death caresses
- With his equal mouldering kiss?
- Shall the rosary they twined
- Round and round his stiffened wrists,
- Hold his body sanctified
- From the worms, the socialists?
- _Gaudea sempiterna possideat!_
-
- So the two that died one day
- Travelled down the selfsame way,
- One in simple coffin board
- Painted cross along it scored,
- One with all his high estate
- Graven on the silver plate,
- All the pomp that he could save
- To adorn him in the grave,
- Lily wreaths of eucharis
- To cover those poor bones of his,
- From the graveyard’s mouldy sod,--
- But the poor man’s soul and this
- Went the same way up to God!
- _In Paradisum deducant te angeli,
- Æternam habeas requiem!_
- By the sable shrouded door,
- Of our Lady’s church once more!
- Softly came low music floating from above,
- And a voice seemed to breathe its cadence through;
- “Peace, peace! Lo this we did it of our love,
- There was so little we could do!”
- _Requiem æternam dona iis, Domine,
- Et lux æterna luceat iis._
-
-
-
-
- TWO SONNETS.
-
-
- I.--ACTEA.
-
- When the last bitterness was past, she bore
- Her singing Cæsar to the Garden Hill,
- Her fallen pitiful dead emperor.
- She lifted up the beggar’s cloak he wore
- --The one thing living that he would not kill--
- And on those lips of his that sang no more,
- That world-loathed head which she found lovely still,
- Her cold lips closed, in death she had her will.
-
- Oh wreck of the lost human soul left free
- To gorge the beast thy mask of manhood screened!
- Because one living thing, albeit a slave,
- Shed those hot tears on thy dishonoured grave,
- Although thy curse be as the shoreless sea,
- Because she loved, thou art not wholly fiend.
-
-
- II.--IMPERATOR AUGUSTUS.
-
- Is this the man by whose decree abide
- The lives of countless nations, with the trace
- Of fresh tears wet upon the hard cold face?
- --He wept, because a little child had died.
-
- They set a marble image by his side,
- A sculptured Eros, ready for the chase;
- It wore the dead boy’s features, and the grace
- Of pretty ways that were the old man’s pride.
-
- And so he smiled, grown softer now, and tired
- Of too much empire, and it seemed a joy
- Fondly to stroke and pet the curly head,
- The smooth round limbs so strangely like the dead,
- To kiss the white lips of his marble boy
- And call by name his little heart’s-desired.
-
-
-
-
- AT LANUVIUM.
-
- “_Festo quid potius die
- Neptuni faciam._”
- HORACE, _Odes_, iii. 28.
-
-
- Spring grew to perfect summer in one day,
- And we lay there among the vines, to gaze
- Where Circe’s isle floats purple, far away
- Above the golden haze;
-
- And on our ears there seemed to rise and fall
- The burden of an old world song we knew,
- That sang, “To-day is Neptune’s festival,
- And we, what shall we do?”
-
- Go down brown-armed Campagna maid of mine,
- And bring again the earthen jar that lies
- With three years’ dust above the mellow wine;
- And while the swift day dies.
-
- You first shall sing a song of waters blue,
- Paphos and Cnidos in the summer seas,
- And one who guides her swan-drawn chariot through
- The white-shored Cyclades;
-
- And I will take the second turn of song,
- Of floating tresses in the foam and surge
- Where Nereid maids about the sea-god throng;
- And night shall have her dirge.
-
-
-
-
- A ROMAN MIRROR.
-
-
- They found it in her hollow marble bed,
- There where the numberless dead cities sleep,
- They found it lying where the spade struck deep,
- A broken mirror by a maiden dead.
-
- These things--the beads she wore about her throat
- Alternate blue and amber all untied,
- A lamp to light her way, and on one side
- The toll-men pay to that strange ferry-boat.
-
- No trace to-day of what in her was fair!
- Only the record of long years grown green
- Upon the mirror’s lustreless dead sheen,
- Grown dim at last, when all else withered there.
-
- Dead, broken, lustreless! It keeps for me
- One picture of that immemorial land,
- For oft as I have held thee in my hand
- The dull bronze brightens, and I dream to see
-
- A fair face gazing in thee wondering wise,
- And o’er one marble shoulder all the while
- Strange lips that whisper till her own lips smile,
- And all the mirror laughs about her eyes.
-
- It was well thought to set thee there, so she
- Might smooth the windy ripples of her hair
- And knot their tangled waywardness, or ere
- She stood before the queen Persephone.
-
- And still it may be where the dead folk rest
- She holds a shadowy mirror to her eyes,
- And looks upon the changelessness and sighs,
- And sets the dead land lilies in her breast.
-
-
-
-
- THE SONG OF THE DEAD CHILD.
-
- FLORENCE, ’81.
-
-
- By the light of their waxen tapers, I saw not ever a tear,
- For the child in its bridal garment, the little dead child on the bier.
-
- Some child of the poor;--I wonder, was it glad that the years were done,
- This flower that fell in spring tide, and had hardly looked on the sun?
-
- They have decked her in burial raiment, they have twined a
- wreath for her hair;
- Ah child, you had never in life such delicate dress to wear!
-
- And the man in the pilgrim’s habit has covered the marble head,
- And carried it out for ever to the sleeping place of the dead.
-
- Rest, little one, have no fear, you will hardly turn in your sleep,
- Though the moon and the stars are clouded, and the grave they
- have made be deep!
-
- But an hour before the dawning there will come one down on the night,
- With the wings and the brows of an angel, in wonder-robes of white.
-
- He will smile in your eyes of wonder, he will take your hand in his hand,
- And gather you up in his arms and pass from the sleeping land.
-
- Then after a while, at morning, you will come to the lands that lie
- On the other side of the sunrise between the cloud and the sky,
-
- And here is the place of resting with the wings of your angel furled,
- For the feet that are tired with travel in the dusty ways of the world.
-
- And here is the children’s meeting, the length of a summer’s day,
- You will gather you crowns of roses, in the deep meadow lands at play.
-
- While up through the clouds dividing, like a sweet bewildering dream,
- You will watch the wings of the angels drift by in an endless stream;
-
- Such marvellous robes are o’er them, and whiter are some than snows,
- And some like the April blossom, and some like the pale primrose.
-
- For these are the hues of day-dawn that you saw from the world of old,
- And the first light over the mountains was shed from their
- crowns of gold;
-
- And many go by with weeping, for ever, the long night through,
- The tears of the sorrowing angels fall over the earth in dew;
-
- Till your eyes grow weary of wonder as you sit in the long cool grass,
- And many will bend and kiss you of the wonderful forms that pass;
-
- With your head on the breast of the angel there will steal down
- over your eyes
- The sleep of the long forgetting, and the dream where memory dies,
-
- As the flowers are washed in the night-time, when the dew drops
- down from above,
- You will reck no more of the winter, and hunger, and want of love.
-
- Then at last it will seem like even when you waken, and hand in hand
- You will pass with your angels guiding, to the utmost verge of the land;
-
- And I think you will hear far voices growing musical there, and loud,
- As you pass, with an unfelt swiftness, from luminous cloud to cloud;
-
- Till the light shall turn to a glory, that seemed but a lone faint star,
- That will be the gate of Heaven, where the souls of the children are.
-
-
-
-
- NIGHT AT AVIGNON.
-
-
- No cloud between the myriad stars and me,--
- Soft music moving o’er a sleeping land
- Of winds that fret about the cypress tree,
- And Rhone’s swift rapids rippling past the sand.
- Arch over arch, and tower on battled wall,
- Against the violet deepness of the skies;--
- And one grey spire set high above them all,
- Where round the hill the moon begins to rise.
- An hour’s knell rings softly out once more
- From unseen cloisters, where the misty bridge
- Fades in the distance of the further shore,
- And nearer spires repeat it o’er and o’er;
- One great blue star peers through the seaward ridge;
-
- A hollow footfall up the echoing street
- Goes wandering out to silence, and the breeze
- Drops faint and fainter, here beneath my feet
- The grass is all with violets overstrewn;
- Oh listen, listen; in yon garden trees
- Do you not hear the lute that lovers use!
- One sets the discord of its strings atune;--
- And in the dreamland of the risen moon
- They sing some olden love-song of Vaucluse.
-
-
-
-
-“WHERE THE RHONE GOES DOWN TO THE SEA.”
-
-
- A sweet still night of the vintage time,
- Where the Rhone goes down to the sea;
- The distant sound of a midnight chime
- Comes over the wave to me.
- Only the hills and the stars o’erhead
- Bring back dreams of the days long dead,
- While the Rhone goes down to the sea.
-
- The years are long, and the world is wide,
- And we all went down to the sea;
- The ripples splash as we onward glide,
- And I dream they are here with me--
- All lost friends whom we all loved so,
- In the old mad life of long ago,
- Who all went down to the sea.
-
- So we passed in the golden days
- With the summer down to the sea.
- They wander still over weary ways,
- And come not again to me.
- I am here alone with the night wind’s sigh,
- The fading stars, and a dream gone by,
- And the Rhone going down to the sea.
-
-
-
-
- AT TIBER MOUTH.
-
-
- The low plains stretch to the west with a glimmer of rustling weeds,
- Where the waves of a golden river wind home by the marshy meads;
- And the fresh wind born of the sea grows faint with a sickly breath,
- As it stays in the fretting rushes and blows on the dews of death.
- We came to the silent city, in the glare of the noontide heat,
- When the sound of a whisper rang through the length of the lonely street;
- No tree in the clefted ruin, no echo of song nor sound,
- But the dust of a world forgotten lay under the barren ground.
- There are shrines under these green hillocks to the beautiful
- gods that sleep,
- Where they prayed in the stormy season for lives gone out on the deep;
- And here in the grave street sculptured, old record of loves and tears,
- By the dust of the nameless slave, forgotten a thousand years.
- Not ever again at even shall ship sail in on the breeze,
- Where the hulls of their gilded galleys came home from a hundred seas,
- For the marsh plants grow in her haven, the marsh birds breed in her bay,
- And a mile to the shoreless westward the water has passed away.
- But the sea-folk gathering rushes come up from the windy shore,
- So the song that the years have silenced grows musical there once more;
- And now and again unburied, like some still voice from the dead,
- They light on the fallen shoulder and the lines of a marble head.
- But we went from the sorrowful city and wandered away at will,
- And thought of the breathing marble and the words that are music still.
- How full were their lives that laboured, in their fetterless
- strength and far
- From the ways that our feet have chosen as the sunlight is from the star,
- They clung to the chance and promise that once while the years are free
- Look over our life’s horizon as the sun looks over the sea,
- But we wait for a day that dawns not, and cry for unclouded skies,
- And while we are deep in dreaming the light that was o’er us dies;
- We know not what of the present we shall stretch out our hand to save
- Who sing of the life we long for, and not of the life we have;
- And yet if the chance were with us to gather the days misspent,
- Should we change the old resting-places, the wandering ways we went?
- They were strong, but the years are stronger; they are grown
- but a name that thrills,
- And the wreck of their marble glory lies ghost-like over their hills.
- So a shadow fell o’er our dreaming for the weary heart of the past,
- For the seed that the years have scattered, to reap so little at last.
- And we went to the sea-shore forest, through a long colonnade of pines,
- Where the skies peep in and the sea, with a flitting of silver lines.
- And we came on an open place in the green deep heart of the wood
- Where I think in the years forgotten an altar of Faunus stood;
- From a spring in the long dark grasses two rivulets rise and run
- By the length of their sandy borders where the snake lies
- coiled in the sun.
- And the stars of the white narcissus lie over the grass like snow,
- And beyond in the shadowy places the crimson cyclamens grow;
- Far up from their wave home yonder the sea-winds murmuring pass,
- The branches quiver and creak and the lizard starts in the grass.
- And we lay in the untrod moss and pillowed our cheeks with flowers,
- While the sun went over our heads, and we took no count of the hours;
- From the end of the waving branches and under the cloudless blue,
- Like sunbeams chained for a banner, the thread-like gossamers flew.
- And the joy of the woods came o’er us, and we felt that our
- world was young
- With the gladness of years unspent and the sorrow of life unsung.
- So we passed with a sound of singing along to the seaward way,
- Where the sails of the fishermen folk came homeward over the bay;
- For a cloud grew over the forest and darkened the sea-god’s shrine,
- And the hills of the silent city were only a ruby line.
- But the sun stood still on the waves as we passed from the fading shores,
- And shone on our boat’s red bulwarks and the golden blades of the oars,
- And it seemed as we steered for the sunset that we passed
- through a twilight sea,
- From the gloom of a world forgotten to the light of a world to be.
-
-
-
-
- GARIBALDI IN ROME.
-
-JUNE 29-30, 1849.
-
-
- St. Peter’s eve, from dim Janiculum
- The battle’s thunder drowned the bells that tolled,
- The great guns flashed, but that night as of old
- We kept St. Peter’s vigil, and the dome
- Blazed with its myriad little lamps of gold,
- And all the river ran with yellow foam,
- While on the torchlit Capitol unrolled
- The banner blew of our Republic, Rome,
-
- Then silence fell with treacherous midnight,--
- An hour ere dawn we heard a wild alarm,
- The blast of bugles, the swift call to arm,
- We sang his war hymn and fell in to fight;
- Then as dawn gathered on the Esquiline
- Our grand old lion gave the battle sign.
-
-
-
-
-ἙΡΑΝ ΤΩΝ ἉΔΥΝΑΤΩΝ.
-
-
- So now I know we shall not any more,
- As we have done in these last golden days,
- Go hand in hand along life’s pleasant ways,
- Walk heart with heart together as before.
-
- It seems we cannot choose but wear the chain
- Fate winds about our little lives. Ah sweet,
- What wall is set between us that your feet
- Must wander alway where I gaze in vain!
-
- Could we have climbed together! How these bars
- Had melted in the fire of love; the road
- Had known our footsteps where the wise men trod,
- And our sure ways had ended with the stars!
-
- We had atoned for passion!--passed above
- All fleeting shadows of the world’s desire,
- Made pure our spirits at a holier fire,
- And in the lap of morning laid our love.
-
- One law I knew, one right, one starward way,
- One hope to make our lives divine, one love
- In this one life, one star of truth above,
- And one great desert where the rest go stray.
-
- Life had no more to give, if that we two
- Had let the world go gladly, grasp and reach
- Strained ever upward, leaning each on each,
- Had seen one star-ray of the pure and true.
-
- Had we but climbed together! Oh my light,
- My star, my moon, and art thou clouded o’er?
- And we that were together, evermore
- Must stand apart and stare across the night!
-
- One life it seems must take its tale of days,
- And as it may make service of its own,
- But ah! the infinite help of love!--alone
- The heart grows faint and weary of dispraise.
-
- I shall be braver on the way I go,
- Hearing that voice forever, for whose sake,
- What burthen had I not bowed down to take,
- What shame or peril, had it helped you so!
-
- This must content me, to have loved, who lose
- In this hard world where little loves live on,
- No man will love you as I might have done,
- Sweet heart, too holy for the world to choose!
-
- Therefore be strong, remembering love’s past,
- Climb on for ever in the steep old way
- That haply so a moment’s space we may
- Meet on the verge of changes at the last.
-
- That at the end of all these journeyings,
- Crossing the borderland of time and space
- We two may stand together face to face,
- Whose hearts were set upon abiding things,
- And through the cloud-veil of Eternity
- Our eyes may meet at last in the full light, and see.
-
-
-
-
- TRANSLATIONS.
-
-_From the Italian of Stecchetti._
-
-
- I.
-
- When the sere leaves fall and you come one
- To find me under the graveyard stone,
- It will be in a corner hidden away,
- With beds of flowers about it grown.
-
- Then gather and wreathe in your golden hair
- The flowers that grow from my heart laid there.
-
- They will be love’s message I might not bring,
- And the rest of the songs that I meant to sing.
-
-
- II.
-
- Floweret born in the hedge-row shade
- Set out of sight alone,
- Love like thee must hide his head
- Love like thee must live unknown.
-
- No smile of the sun, and thou wilt die,
- Thorns round thee and above,
- No smile of hope, and love will die,
- And none take heed.--Poor love! Poor love!
-
- * * * * *
-
-
-_From the German of Heine._
-
-
- I.
-
- How the mirrored moonbeams quiver
- On the waters’ fall and rise,
- Yet the moon serene as ever
- Wanders through the quiet skies.
-
- Like the mirrored moonlight’s fretting
- Are the dreams I have of you,
- For my heart will beat, forgetting
- You are ever calm and true.
-
-
- II.
-
- So fair and pure and holy,
- So flowerlike thou art,
- And while I gaze the shadow
- Grows deeper on my heart;
- I want my hands to rest on
- That head of thine in prayer,
- That God will keep thee alway
- So holy pure and fair.
-
-
- III.
-
- The leaves are falling, falling,
- The yellow treetops wave,
- Ah, all delight and beauty
- Is drawing to the grave.
-
- About the wood’s crest flicker
- The wan sun’s laggard rays,
- They are the parting kisses
- Of fleeting summer days.
-
- Meseems I should be shedding
- The heart’s-tears from my eyes,
- The day will keep recalling
- The time of our good-byes.
-
- I knew that you were dying
- And I must pass away,
- Oh I was the waning summer,
- And you were the wood’s decay.
-
-
- IV.
-
- From my tears that have fallen a flower
- Is springing along the vale,
- And the sighs I have sighed endower
- The song of a nightingale.
-
- And, child, if you’ll be my lover,
- The flowers shall all be yours,
- And the bird with its song shall hover
- For ever before your doors.
-
-
-
-
- AVE ATQUE VALE.
-
-
- I.
-
- And he is gone!--like strain of viols parted--
- Back to the infinite from whence he came,
- And we sit here, bereft and weary hearted,
- New songs may wake, but not again the same.
-
- Our hearts were lutes, whereon he used to play,
- Now evermore is silence on that key,
- And thought grows chilly like a sunless day
- That greys the ripple on the haggard sea.
-
- Those lips were cold that lingering we kissed,
- There came no pressure from the old true hand,
- A little while and through the twilight mist
- We scarce shall trace his footprints in the sand.
-
-
- II.
-
- This was the end love made,--the hard-drawn breath,
- The last long sigh that ever man sighs here;
- And then for us, the great unanswered fear,
- Will love live on,--the other side of death?
-
- Only a year, and I had hoped to spend
- A life of pleasant communing, to be
- A kindred spirit holding fast to thee,
- We never thought that love had such an end.
-
- This was the end love made, for our delight,
- For one sweet year he cannot take away;--
- Those tapers burning in the dim half-light,
- Those kneeling women with a cross that pray,
- And there, beneath green leaves and lilies white,
- Beyond the reach of love, our loved one lay.
-
-
- III.
-
- He had the poet’s eyes,
- --Sing to him sleeping,--
- Sweet grace of low replies,
- --Why are we weeping?
-
- He had the gentle ways,
- --Fair dreams befall him!--
- Beauty through all his days,
- --Then why recall him?--
-
- That which in him was fair
- Still shall be ours:
- Yet, yet my heart lies there
- Under the flowers.
-
-
-
-
-“IF ANY ONE RETURN.”
-
-
- I would we had carried him far away
- To the light of this south sun land,
- Where the hills lean down to some red-rocked bay
- And the sea’s blue breaks into snow-white spray
- As the wave dies out on the sand.
-
- Not there, not there, where the winds deface!
- Where the storm and the cloud race by!
- But far away in this flowerful place
- Where endless summers retouch, retrace,
- What flowers find heart to die.
-
- And if ever the souls of the loved, set free,
- Come back to the souls that stay,
- I could dream he would sit for a while with me,
- Where I sit by this wonderful tideless sea,
- And look to the red-rocked bay,
-
- By the high cliff’s edge where the wild weeds twine,
- And he would not speak or move,
- But his eyes would gaze from his soul at mine,--
- My eyes that would answer without one sign,
- And that were enough for love.
-
- And I think I should feel as the sun went round
- That he was not there any more,
- But dews were wet on the grass-grown mound
- On the bed of my love lying underground,
- And evening pale on the shore.
-
-
-
-
- HIC JACET.
-
-
- Did you play here, child,
- The whole spring through,
- And smiled and smiled
- And never knew?--
- Where the shade is cool
- And the grass grows deep,
- One that was beautiful
- Lies in his sleep.
-
- Ah no, child, never
- Will he arise;
- The sleep was for ever
- That closed his eyes.
- And his bed is strewn
- Deep underground,
- He was tired so soon,
- And now sleeps sound.
-
- When the first birds sing
- We can hear them, dear,
- And in early spring
- There are snowdrops here;
- For the flowers love him
- That lies below,
- And ever above him
- The daisies grow.
-
- “Shall we look down deep
- Where he hides away?
- Shall we find him asleep?”
- Yes, child, some day.
- But his palace gate
- Is so hard to see,
- We two must wait
- For the angel’s key.
-
-
-
-
-“WHEN I AM DEAD.”
-
-
- When I am dead, my spirit
- Shall wander far and free
- Through realms the dead inherit
- Of earth, and sky, and sea;
- Through morning dawn and gloaming,
- By midnight moons at will,
- By shores where the waves are foaming,
- By seas where the waves are still.
- I, following late behind you,
- In wingless sleepless flight,
- Will wander till I find you,
- In sunshine or twilight;
- With silent kiss for greeting
- On lips, and eyes, and head,
- In that strange after-meeting
- Shall love be perfected.
- We shall lie in summer breezes,
- And pass where whirlwinds go,
- And the Northern blast that freezes
- Shall bear us with the snow.
- We shall stand above the thunder,
- And watch the lightnings hurled
- At the misty mountains under,
- Of the dim forsaken world,
- We shall find our footsteps’ traces,
- And passing hand in hand
- By old familiar places,
- We shall laugh, and understand.
-
-
-
-
- ST. CATHARINE OF EGYPT.
-
-
- There was a king’s one daughter long ago,
- In ways of summer, where the swallows go,
- For whom no prince was found in any land
- Fair lived and clean to wed so white a hand;
- Who lying wakeful on a moonless night
- Saw the dim ways grow tremulous with light,
- As the sun’s dawning glory, and was aware
- Of a pale woman standing shrouded there,
- With hands locked in another’s hands, whose eyes
- Shone like the starriest wonder of the skies.
-
- And the pale woman bending o’er her bed
- Unveiled the pity in her eyes, and said,
- “Lo this is he whose blameless days were sweet,
- If thou could’st love him, and thy love was meet.”
- And yet he turned those lustrous brows away,
- And a sad voice seemed evermore to say
- Across the stillness of a world that slept,
- “Not mine, not mine,”--so all night through she wept
- And never heard the singing nightingales.
-
- Then awhile after when the cloudy sails
- Of many a day had winged across the sky,
- And she had gathered all the mystery
- From a lone hermit in a desert wood,
- He came once more in the night-time and stood
- And set a bridal ring upon her hand
- To be his lady in his father’s land.
- So in a little while her rumour grew
- Till the rough Roman angered--her they slew
- Being too sweet and wise for that rude time
- That murdered pity and made love a crime.
-
- And the wise men were glad when she was dead,
- For they had failed of reason--she had said,
- “When I come up into my kingdom there
- And my Lord greets me, and I speak him fair,
- Then will I take him by the hand with me
- And lead him down, how far so e’er it be,
- Until we find the old man, Socrates,
- And the fair souls who followed, for all these
- Will be together, and I will bid him take
- Their hands in his and love them for my sake,
- Because of old they brought me near his side.”
-
- It was the time of even when she died;
- And a fair choir of angels swept along
- The dying afterglow, before their song
- The gates were loosed and through the broken bars
- They bore her skyward under the chill stars,
- Westward--but once alighting as they flew.
- In a deep meadow-land, with soft night-dew,
- They washed the tender wounded throat, and kissed
- The cords that bound her delicate soft wrist,
- And at their kiss the fetters fell in twain
- And the white robe grew faultless of one stain.
- Then onward, ever onward, all night through,
- Till lustreless the moon of morning grew
- In the pale sky where one star lingered yet.
-
- Some dark-browed fisher, as he cast his net
- And woke a ripple on the waveless calm,
- Looked up and heard the passing angels’ psalm,
- And through the ripple of the water-rings
- He saw the gleam of rainbow-tinted wings
- Drift o’er the glassing bosom of the sea.
-
- There where the grave of innocence should be,
- High up between the rock ridge and the sky,
- Upon the holy summit Sinai,
- Above the red sea’s summer-tranced wave
- They laid their burden in a marble grave.
- And there her beauty fleeteth not, decay
- Can never steal her loveliness away,
- But like a carven image evermore
- Sleeps on now with her still hands folded o’er
- The saint’s white lily ever blossoming,--
- All that was earthly of so fair a thing.
-
-
-
-
- ATALANTA.
-
-
- Wait not along the shore, they will not come;
- The suns go down beyond the windy seas,
- Those weary sails shall never wing them home
- O’er this white foam;
- No voice from these
- On any landward wind that dies among the trees.
-
- Gone south, it may be, rudderless, astray,
- Gone where the winds and ocean currents bore,
- Out of all tracks along the sea’s highway
- This many a day,
- To some far shore
- Where never wild seas break, or any fierce winds roar.
-
- For there are lands ye never recked of yet
- Between the blue of stormless sea and sky,
- Beyond where any suns of yours have set,
- Or these waves fret;
- And loud winds die
- In cloudless summertide, where those far islands lie.
-
- They will not come! for on the coral shore
- The good ship lies, by little waves caressed,
- All stormy ways and wanderings are o’er,
- No more, no more!
- But long sweet rest,
- In cool green meadow-lands, that lie along the West.
-
- Or if beneath far fathom depths of waves
- She lies heeled over by the slow tide’s sweep,
- Deep down where never any swift sea raves,
- Through ocean caves,
- A dreaming deep
- Of softly gliding forms, a glimmering world of sleep.
-
- Then have they passed beyond the outer gate
- Through death to knowledge of all things, and so
- From out the silence of their unkown fate
- They bid us wait,
- Who only know
- That twixt their loves and ours the great seas ebb and flow.
-
-
-
-
- THEORETIKOS.
-
-A THOUGHT OF DARWIN.
-
-
- He dwelt unblinded with eternal truth,
- Through long communion perfected, not once
- Did he misdeem the prelude for the song,
- And looking onward, to his ample view
- That long to-come when he should be no more
- Outweighed the moment of his passing here.
- And he was happy, and his peace was full,
- Having outlived the struggle--not as those
- Who take the world on faith, and rest content
- With the old verdicts, question, wonder not,
- But feeling trusting loving are at peace.
- He sought and found one little germ of truth,
- Made pure his spirit of all chance and change,
- Held fast on things abiding, learned to stand
- On ever loftier summits-till at last
- TI is brow grew starry and his searching eyes
- Blue with the mirrored distance, and he heard
- The everlasting music, Time and space
- Were part with every heart-beat, and almost
- God seemed to whisper in his listening ear.
- What need for him of all your wonder world?
- He made the wonder visible--enough
- This little handful of the common clay
- A seed to sow therein, and then to watch
- The hidden forces quicken into life,
- Till leaf by leaf some flower-star unfolds,
- One flower of all the flowers, because the sun
- Is in the skies, one sun of all the suns.
- Search but the structure of one daisy’s heart
- Your lore has no such miracle as this!--
- And look at all the infinite device,
- The texture of the leaves of all the trees--
- Is there not marvel here enough? And yet
- Ye crave new signs and wonders to convince
- And wander lost upon your devious ways.
- Ye will but gaze upon a part, and grow
- In little wisdom overwise, therefore
- Your partial grasp is barren to conceive
- The thought Infinity, Time wilders yet
- Because ye measure with your finite gauge,
- And Motion maddens through your own unrest.
- He let the world go gladly, hand in hand
- He walked with Reason, till thought strained away
- And God grew nearer,--so he built his mind
- A bridge to span from sun to sun of all
- The starry systems;--like a faint far dream
- The changing pageant of men’s lives unrolled,
- And he stood by serenely,--but with him
- The calm was struggle in a lordlier way,
- Absorbed and dwelling with eternal truth,
- Whose star o’ershone him; till it seemed that life
- And death were one, and from the throbbing brow
- The craving died away,--and now he rests
- With that fair choir from many times whose souls
- Have earned the right of knowledge after death.
-
-
-
-
- ROME.
-
-
- I.--FROM THE HILL OF GARDENS.
-
- The outline of a shadowy city spread
- Between the garden and the distant hill--
- And o’er yon dome the flame-ring lingers still,
- Set like the glory on an angel’s head:
- The light fades quivering into evening blue
- Behind the pine-tops on Ianiculum;
- The swallow whispered to the swallow “come!”
- And took the sunset on her wings, and flew.
-
- One rift of cloud the wind caught up suspending
- A ruby path between the earth and sky;
- Those shreds of gold are angel wings ascending
- From where the sorrows of our singers lie;
- They have not found those wandering spirits yet,
- But seek for ever in the red sunset.
-
- Pass upward angel wings! Seek not for these,
- They sit not in the cypress-planted graves;
- Their spirits wander over moonlit waves,
- And sing in all the singing of the seas;
- And by green places in the spring-tide showers,
- And in the re-awakening of flowers.
-
- Some pearl-lipped shell still dewy with sea foam
- Bear back to whisper where their feet have trod;
- They are the earth’s for evermore; fly home!
- And lay a daisy at the feet of God.
-
-
- II.--IN THE COLISEUM.
-
- Night wanes; I sit in the ruin alone;
- Beneath, the shadow of arches falls
- From the dim outline of the broken walls;
- And the half-light steals o’er the age-worn stone
- From a midway arch where the moon looks through
- A silver shield in the deep, deep blue.
-
- This is the hour of ghosts that rise;--
- Line on line of the noiseless dead--
- The clouds above are their awning spread;
- Look into the shadow with moon-dazed eyes,
- You will see the writhing of limbs in pain,
- And the whole red tragedy over again.
-
- The ghostly galleys ride out and meet,
- The Cæsar sits in his golden chair,
- His fingers toy with his women’s hair,
- The water is blood-red under his feet,--
- Till the owl’s long cry dies down with the night,
- And one star waits for the dawning light.
-
-
- III.--IN A CHURCH.
-
- This was the first shrine lit for Queen Marie;
- And I will sit a little at her feet,
- For winds without howl down the narrow street
- And storm-clouds gather from the westward sea.
-
- Sweet here to watch the peasant people pray,
- While through the crimson shrouded-window falls
- Low light of even, and the golden walls
- Grow dim and dreamful at the end of day.
-
- Till from these columns fades their marble sheen,
- And lines grow soft and mystical,--these wraiths
- That watch the service of the changing faiths,
- To Mary mother from the Cyprian queen.
-
- But aye for me this old-word colonnade
- Seems open to blue summer skies once more,
- These altars pass, and on the polished floor
- I see the lines of chequered light and shade;
-
- I seem to see the dark-browed Lybian lean
- To cool the tortured burning of the lash,
- I see the fountains as they leap and flash,
- The rustling sway of cypress set between.
-
- And now yon friar with the bare feet there,
- Is grown the haunting spirit of the place;
- Ah! brown-robed friar with the shaven face,
- The saints are weary of thy mumbled prayer.
-
- From matins’ bell to the slow day’s decline
- He sits and thumbs his endless round of beads,
- Draws out the dreary cadence of his creeds,
- And nods assent to each familiar line.
-
- But she the goddess whose white star is set,
- Whose fane was pillaged for this sombre shrine,
- Could she look down upon those lips of thine,
- And hear thee mutter, would she still regret?
-
- There came a sound of singing on my ear,
- And slowly glided through the far-off door
- A glimmer of grey forms like ghosts, they bore
- A dead man lying on his purple bier.
-
- Some poor man’s soul, so little candle smoke
- Went curling upwards by the uncased shroud,
- And then a sudden thunder-clap broke loud,
- And drowned the droning of the priest who spoke.
-
- So all the shuffling feet passed out again
- To lightnings flashing through the wet and wind,
- And while I lingered in the gate behind
- The dead man travelled through the storm and rain.
-
-
-
-
- SEA PICTURES--FRANCE.
-
-
- I. SUNSET.
-
- One autumn evening from the west-most steep
- I watched the daylight passing o’er the deep;--
- Down from the setting sun the great waves rolled
- Along its seaward path of molten gold,
- All the dark ocean rocks like capes of brass
- Gleamed where the foam had washed them, and the grass
- Grew glorious with that light, and the long swell
- Line after line that followed, rose and fell
- And shattered into frosted gold, the sky
- Arched splendour over splendour,--isles that lie
- Of crimson cloudland in pale seas of blue
- Red bars of flame with one star peeping through,
- Silent for glory; and the sea’s monotone
- Grew part with silence;--the great world rolled on
- And the sun watched along the waves, until
- The glow died upwards on the western hill,
- And the shade saddened over all the sea
- Reaching away, starward away from me
- Into the twilight and Eternity.
-
-
- II. TWILIGHT.
-
- Late evening now, and overclouded skies
- To-night we shall not see the young moon rise;
- The twilight deepens, and on either hand
- The cliffs are lost in mystic shadowland.
- Only low sound of breakers as they die
- Pale shimmer of waters and a pale still sky
- Where darkness gathers on the moving sea,
- And yet the child laughs light of heart with me!
-
- Still deeper now;--one little brown-sailed bark
- Glides past us seaward, drifting into dark,
- The only light is on the white sea-foam
- And the lamp by the crucifix: Come home!
-
-
- III. STORM.
-
- Night grows on the heaving ocean
- With its ominous white foam flakes,
- And the dizzy eternal motion
- Where the crest of the wave line breaks,
- With surge and swirl on the shingle
- Blown on by the keen sea wind,
- Surf waves that recoil and mingle
- With the hurrying surf behind.
-
- Low over the sea line yonder
- The gathering cloud-ranks form,
- With a gleam of the sunset under
- The fringe of the boding storm.
- Along the dim cliffs hollows
- The voice of the water moans,
- Where the wave as it follows follows
- Tears on at the yielding stones.
-
- The last day gleam departed,
- Wild gusts of a storm blast came,
- And out of the cloud gloom darted
- The flash of the lightning flame,
-
- And the pale, pale sea grew haggard
- A moment under the flash,
- And the line of the dark rocks staggered
- And reeled from the thunder-crash:
-
- Long loudly sullenly pealing
- It died in the cliffs afar,--
- And I saw that a woman was kneeling
- At the cross by the harbour bar.
-
-
-
-
- A LAST WORD.
-
-
- Time now to close these pages, far away
- And fainter the old hills of childhood fade,
- The very graves where the young dreams are laid
- Are hidden deep in autumn leaves to-day.
-
- It may be they have brought thee nearer truth,
- These hasting years, but fain wouldst thou have stayed
- In the old land where trust was unbetrayed,
- And love was honest in the eyes of youth.
-
- And now it’s winter, and the moon of snow
- Blind mists of doubt, and chill unfriendly rain,
- But somewhere, sometime in the year, we know
- It must be spring and flowertime again.
- Do thou but keep, though winter days be long,
- Thy young love loyal, and thy young faith strong.
-
-
- PRINTED BY BALLANTYNE, HANSON AND CO
- LONDON AND EDINBURGH
-
-
-
-
-
-
-
-
-End of the Project Gutenberg EBook of Poems in Many Lands, by Rennell Rodd
-
-*** END OF THIS PROJECT GUTENBERG EBOOK POEMS IN MANY LANDS ***
-
-***** This file should be named 51592-0.txt or 51592-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/1/5/9/51592/
-
-Produced by Larry B. Harrison, Chuck Greif and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive)
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-http://gutenberg.org/license).
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at http://www.pglaf.org.
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-http://pglaf.org/fundraising. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at http://pglaf.org
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit http://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: http://pglaf.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart is the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.