diff options
| author | nfenwick <nfenwick@pglaf.org> | 2025-02-05 18:49:23 -0800 |
|---|---|---|
| committer | nfenwick <nfenwick@pglaf.org> | 2025-02-05 18:49:23 -0800 |
| commit | df9acdc519cf53ca5024e462d2ef2f261dc8990c (patch) | |
| tree | 7963cacc1954804dee90243b554d1802355058fa | |
| parent | 538943db2e457dad1d18ec09c1187771e8024967 (diff) | |
As captured February 6, 2025
| -rw-r--r-- | 51841-0.txt | 1819 | ||||
| -rw-r--r-- | 51841-h/51841-h.htm | 5571 | ||||
| -rw-r--r-- | old/51841-8.txt (renamed from 51841-8.txt) | 4434 | ||||
| -rw-r--r-- | old/51841-8.zip (renamed from 51841-8.zip) | bin | 48405 -> 48405 bytes | |||
| -rw-r--r-- | old/51841-h.zip (renamed from 51841-h.zip) | bin | 273030 -> 273030 bytes | |||
| -rw-r--r-- | old/51841-h/51841-h.htm | 2996 | ||||
| -rw-r--r-- | old/51841-h/images/cover.jpg | bin | 0 -> 191307 bytes | |||
| -rw-r--r-- | old/51841-h/images/header.png | bin | 0 -> 30781 bytes |
8 files changed, 9607 insertions, 5213 deletions
diff --git a/51841-0.txt b/51841-0.txt new file mode 100644 index 0000000..b6a6e4d --- /dev/null +++ b/51841-0.txt @@ -0,0 +1,1819 @@ +*** START OF THE PROJECT GUTENBERG EBOOK 51841 *** + +[Illustration: CHAMBERS'S JOURNAL + +OF + +POPULAR + +LITERATURE, SCIENCE, AND ART. + +Fourth Series + +CONDUCTED BY WILLIAM AND ROBERT CHAMBERS. + +NO. 730. SATURDAY, DECEMBER 22, 1877. PRICE 1½_d._] + + + + +CHRISTMAS-TIME. + + +'So many men so many minds' has been a proverb long before our days, +and will be to the end of time and human history; and uniformity of +sentiment is the one thing which men need never hope to attain. + +Christmas-time is one of these battle-fields of feeling. To some it is +just the consecration of so many circumstances of torture; to others +the meeting-point of so many facts of pleasure. From the conventional +greeting to the orthodox dinner--from the 'seasonable gifts' that are +more obligatory than voluntary, to the toast that heralds the punch, +and the dreams that follow on that last glass--all is so much pain to +the flesh and weariness to the spirit; and they wonder how any one +can find it otherwise. What is there in Christmas-time to make it +pleasurable? they say. The gathering together of the family? A lot +of rough boys home from school, who spoil the furniture and tease +the dogs, lame the horses and ravage the garden, make the servants +cross, the girls rude, and the younger children insubordinate; who +upset all the order of the house, destroy its comfort like its quiet, +and to whose safe return to discipline and your own restoration to +tranquillity you look forward with impatient longing from the first +hour of their arrival to the last of their stay? Or the advent of your +married daughter with her two spoilt babies, who cry if they are looked +at and want everything that they see, and that very objectionable young +man her husband, with his ultra opinions and passion for argument, +whom she would marry in spite of all that you could say, but to whom +you can scarcely force yourself to be decently civil, not to speak of +cordial, and whose presence is a perpetual blister while it lasts? Is +this the family gathering about which you are expected to gush?--this +with the addition of your son's fine-lady wife who snubs his mother +and sisters with as little breeding as reserve, finds nothing at your +table that she can eat, lives with her smelling-bottle to her nose and +propped up with cushions on the sofa, and gives you to understand that +she considers herself humiliated by her association with your family, +and your son as much exalted as she is degraded? This is the domestic +aspect of Christmas-time which is to make you forget all the ordinary +troubles of life, creating in their stead a Utopia where ill-feeling +is as little known as _ennui_, and family jars are as impossible as +personal discomfort and dissent. Holding this picture in your hand, you +decline to subscribe your name to the Io pæan universally chanted in +praise of Christmas, and wrap yourself up in sullen silence when your +neighbour congratulates you on having all your family about you, and +wishes you a merry Christmas as if he meant it. + +If the domestic aspect is disagreeable, what is the social?--A round +of dinners of which the _menu_ is precisely the same from Alpha to +Omega:--turbot and thick lobster-sauce; roast-beef and boiled turkey; +indigestible plum-pudding and murderous mince-pies; with sour oranges +and sweet sherry to keep the balance even, and by the creation of two +acids perhaps neutralise each other and the third. This is the food +set before unoffending citizens under the name and style of Christmas +dinners for the month or six weeks during which the idiotic custom of +Christmas dinners at all is supposed to last. You are expected to live +in this monotony of dyspepsia and antipathetic diet till you loathe the +very sight of the familiar food, and long for a change with a vehemence +which makes you ashamed of yourself, and more than half afraid that you +are developing into a gourmand of the worst kind. + +As if your nights were not sufficiently broken by the horrible +compounds which trouble your digestion and disturb your brain, +torturers known as the 'waits' prowl through the streets from midnight +to dawn, causing you agonies beyond those which even the hurdy-gurdy +men inflict. You are just falling to sleep--painfully courted and +hardly won--when a hideous discord worse than the wailings of cats +startles you into a nervous wakefulness which banishes all hope for +that night. What can you do? They are too far off for that jug of +water to take effect, and you must not fire; anathemas do not hurt +them, and if said aloud only waken up your wife and make her cry if +she does not preach. You have nothing for it then but to lie still +and groan inwardly, devoting to the infernal gods all the idiotic +circumstances by which your life is rendered wretched, and your health, +already frail, set still further wrong. In the morning, when wearied +and nervously feverish from want of sleep, you go into the garden for +a little quiet and delectation, you find your greenhouses stripped of +the flowers which you had been lovingly watching for weeks, and your +evergreens as ridiculously cropped as a shaved poodle. This is the day +for the decoration of the church, and you, having made an expensive +hobby of your garden, have to contribute what has cost months and good +money to rear, for the childish satisfaction of John and Joan, lasting +just two hours and five minutes. Not only have you lost your flowers +and your evergreens--that splendid holly, which yesterday glowed like a +flame, today nothing but a bundle of chopped ends!--but you know that +your favourite daughter is flirting with the curate, and that a great +deal is going on under cover of wreaths and crosses, laurustinus and +chrysanthemum, of which you strongly disapprove yet cannot check. It is +Christmas-time; decorating the church has become in these later days a +kind of religious duty; and as a conscript father of your village, you +must not forbid your daughter this pious pleasure any more than you can +refuse your costly contribution in kind. + +Turn to the financial side of the time; and what have you?--bills +coming in that you neither expected nor knew of, and every one looking +for a Christmas-box, and insolent or irritated if they do not get it. +The servants obsequious to the worth of half a sovereign--tradesmen +and their lads punctual in anticipation of half-crowns--postmen +levying blackmail, and watermen and dustmen demanding as their +right that they should be fee'd for their persistent neglect of +duty--every one making a dead set at your pocket and trying to get +your money for themselves--the very children more caressing and +affectionate because it is Christmas and papa always gives them +something on Christmas-day:--You groan as you ask yourself where is +disinterestedness on this earth?--and you groan still more as you draw +your cheques and reduce your balance and wonder by what law of right it +is that you should be the pipe by which other folks are to be supplied. + +No; you see no good or pleasure in this boasted Christmas-time as +we keep it up in our benighted country. Its mirth is a sham and its +inflictions are only too real. A time of tumult and expense, of +indigestion and discomfort, you wait, grimly or fretfully as your mood +may be, till it has passed and the current of your life is allowed +to flow evenly as before. When you hear people sing its praises you +long to stop their mouths, as you longed to silence the waits who +woke you up out of your first sleep and spoilt your rest for the +night. What manner of men are these, you think, who can find cause of +congratulation in so much absurdity, if the fun is real to them--so +much dreary make-believe, if it is unreal? You despise your genial, +laughing, merry-hearted neighbour who goes into everything _con amore_, +and accepts it all, from forfeits and snapdragon to plum-pudding and +Christmas-boxes, as if he really liked it. You think what a fool he +must be to be pleased with a rattle, tickled with a straw like this. +But for the most part you do not believe in his mirth; and then you +despise him still more as a hypocrite as well. For a hypocrite shamming +folly is an offender against reason as well as truth, whom you find it +hard to forgive, let the motive of his mummery be what it may. + +This is one side of the question; your neighbour takes the other. + +Who on earth, he says with his hands in his pockets, his back to the +fire and his kindly smiling face to the room, who on earth can grumble +at the facts of Christmas-time? For his part he finds it the jolliest +season of the year, and he finds each season as jolly as the other, +and all perfect in their own appointed way. He is none of your crying +philosophers who go through life bewailing its miseries and oppressed +by its misfortunes. Not he! He thinks the earth beautiful, men and +women pleasant, and God very good; and of all occasions wherein he can +transact his cheerful philosophy, Christmas is the best. The boys are +home for their holidays; and it is a pleasure to him to take them out +hunting and shooting, and initiate them into the personal circumstances +belonging to English country gentlemen. He looks forward to the time +when they will take his place and carry on the traditions of the +family, and he wishes them to be worthy of their name and an honour +to their country. He is not one of those nervous self-centred men who +live by rule and measure and cannot have a line of the day's ordering +disturbed. He likes his own way certainly; and he has it; but he can +press his elbows to his sides on occasions, and give room for others +to expand. He does not find it such an unbearable infliction that his +boys should come home and racket about the place, even though they are +a little upsetting, and do not leave everything quite as smooth and +straight as they found it. He remembers his own youth and how happy it +made him to come home and racket; and he supposes that his lads are +very much the same as he was at their age. He thinks too that they do +the girls good--wake them up a little--and while not making them rough +or rude--the mother takes care of that--yet that they prevent them from +becoming prim and missy, as girls are apt to be who have no brothers +and are left too much to themselves. Certainly he does not approve of +the flood of slang which is let loose in the house during their stay; +but school-boy slang at the worst is not permanent, and in a week's +time will be forgotten. + +As for the married daughter's children, they are the merriest little +rogues in the world; and his wife looks ten years younger since they +came. She was always fond of babies; and her grandchildren seem to +renew her own past nursery with all the pleasure and none of the +anxiety of the olden time. He rather wonders at his girl's taste in +the matter of her husband--most fathers do--and cannot for the life of +him see what there is to love in him. But if not an Alcibiades he is +a good fellow in the main, and makes his young wife happy; which is +the principal thing. And if his daughter-in-law is a trifle stiff, and +fond of giving herself fine-lady airs, he for his part never stands +that kind of nonsense, and will laugh her out of it before she has +been twenty-four hours in the house. He finds good-humour and taking no +offence the best weapons in the world against folly and ill-temper; and +prefers them as curative agents to any other. The girl is a nice girl +enough, but she has been badly brought up--had a lot of false ideas +instilled into her by a foolish mother--but when she has been away +from the old influences, and associated with themselves for a little +while, she will open her eyes and see things in their right light. +Who indeed could resist the sweet sensible influence of his wife, her +mother-in-law?--and are not his girls the very perfection of honest +wholesome English ladies? It will all come right in time; he has no +doubt of that; and meanwhile they must be patient and forbearing for +Dick's sake, and not make matters worse than they are by their own want +of self-control. + +Then as to the Christmas-boxes and the tips sacred to the season--well! +well! after all they do not amount to much in the year, and see what +pleasure they give! A man must be but a poor-spirited surly kind of +hound who does not like to see his fellow-creatures happy; and a very +little kindness goes a great way in that direction. He takes care to +live within his income, and therefore he has always a margin to go on; +and he does not object to use it. The servants have been very good on +the whole, and do their duty fairly enough. And when they fail--as +they do at times--why, to fail is human, and are they alone of all +mankind to be blameless and never swerving in the right way? And are +they alone of all mankind to be judged of by their worst and not by +their best?--to be blamed for failure, but not praised for well-doing? +He does not think so; and not thinking this, his half-sovereigns are +given freely without the grudging which makes them an ungracious +tax instead of a kindly voluntary gift. The tradespeople, too, do +fairly well, and--they must have their profit like any one else! +Those Christmas-boxes to their lads may be the nest-eggs for future +savings; and even if they do go in a little finery or personal pleasure +instead--young people will be young, and his own boys are fond of being +smart and amused: so why not these others? You grumble at the waits? If +you in your warm bed, well fed, well clothed, prosperous altogether, +fret at the loss of an hour's sleep, what must these poor fellows feel, +out in the cold frosty night, with the wind blowing and the sleet +falling fast, and they not half fed nor a quarter clothed? For his own +part he would like to give them a glass of hot grog all round; and as +for grumbling at the few coppers which they brave all this physical +discomfort to earn, he makes it shillings, and hopes it will do them +good. We must live and let live, he says with his broad smile; and +if we are sometimes a little inconvenienced by the efforts made by +the poor to accomplish the art of living for their own parts--we must +remember that our loss is their gain, and that they are men and women +like ourselves--fathers of families who want to keep the pot boiling +and the fire alight--mothers who love their children, and are anxious +to do the best for them that nature and man will allow. + +You complain of indigestion and grumble at the monotony of your +Christmas fare?--That is strange! Who can grumble at good plain +succulent meat?--and why do you eat the sweets if they disagree with +you? Neither pudding nor mince-pie comes into the eternal necessities +of things, and you would do very well if only you would refrain. He +does not eat things that he cannot digest, and in consequence he sleeps +well, and when he wakes has neither regret nor remorse. Surely that is +not such a painful trial--to forbear eating what is hurtful to your +health, and in touching your health corroding your happiness as well. + +In a word, the whole difference of the spirit in which we meet the +facts of Christmas depends on the good or ill humour with which we are +naturally endowed, and which we have cultivated by common-sense on the +one hand, or suffered to ride rough-shod over our reason on the other. +If we are unselfish and sympathetic, Christmas-time is as pleasant +to us as popular tradition would make it; if we are egotistical and +peevish, it is a wearisome infliction and a sham which no honest man +can pretend to believe in, nor any sensible one to admire. + +For our own part we believe in Christmas, because we believe in the +kindness of man to man, in genial good-humour, in unselfishness, and +the liking of wholesome natures to give happiness; and so far as we +have gone yet we have seen no reason to change our views. A merry +Christmas then to you all, friends, readers, and countrymen; and a +happy New Year to follow after; and may God bless the rich and care +for the poor, and lead us all in the right way while the day lasts and +before the night has come! + + + + +A CAST OF THE NET. + +THE STORY OF A DETECTIVE OFFICER. + + +CHAPTER IV. + +Long after it had grown quite dark, all remained quiet, and at last +I resolved upon making a move. I had determined upon fetching Peter +Tilley. I had plenty of assistance, but I thought I should like to have +Peter with me. So I went down to the ferry; a gas-light which burned at +the corner shewed me before I left my post that the bony ferryman was +not there; and choosing a pretty good boat, with a strong young fellow +to pull, I got in. It was a most unpleasant night; as dark as pitch, +which was bad enough, but every now and then it lightened, which was +worse, as it dazzled my eyes, and made me think we were running smash +on board some great vessel which I had not seen a moment before, and +couldn't see a moment after. However, the boatman was used to all kinds +of weather, I suppose, and knew the river thoroughly; so through the +darkness and the rain, which never left off for a moment, we reached +the other side. + +I left the boat to wait for me, and ran up to the _Yarmouth Smack_. I +looked in, and saw Peter leaning against the bar and smoking a short +pipe, as a labourer ought to do; and he was talking in a friendly way +to some rough-looking fellows. I slipped in, and using the name we had +agreed upon, spoke to him. He knew my voice of course; but seeing me +so changed, for my make-up was really splendid (it was, although I say +so that shouldn't), it gave him such a shock that he was obliged to +put the pewter down he was going to drink from and look steadily at me +before he answered. 'I'm acoming,' he said at last, and we got outside; +when, as we walked down to the ferry, I gave him a sort of idea of what +was going on, and how I expected to make a great catch that night. +Peter of course was very glad to be in for such a big thing as this, +for he had never been mixed up with anything so important. + +Not to trust the boatman too much, I kept Peter back a few yards from +the water while I finished my story, standing a little on one side, so +as to be out of the way of the people who came and went to and from the +ferry. While I was talking to him, a wherry ran in; we heard her grate +on the pebbles and the sculls rattle as the man laid 'em in; but that +we had heard before. It's a part of my habit to notice little things +however, and I looked to see who had come in by this boat. There was +only one passenger, a woman, and she passed us walking quickly; but +quick as she walked, I saw her, and she saw me. Blessed if it wasn't +Miss Doyle! My being there was no odds to Miss Doyle, nor could it have +signified to her if she had seen me fifty times; yet I felt I would +rather not have met her just then; it looked unlucky, and she was such +an uncommonly sharp one too. Sharp or not, I couldn't see what she +could make out of my standing under a wall on a wet night talking to +another labourer. + +Having finished my explanation, we both got into the wherry, and I +asked the man if he would like a good long job, which might perhaps +last all night. + +'The longer the better, governor,' he says, 'if the pay is accordin'.' + +'The pay _will_ be accordin',' I answered; 'and so you are engaged.' + +The first thing I made him do was to row round that oyster-smack, for +the tide had risen enough to take us round her. I shewed no light, but +we went inside her twice; and the fellow on the watch was very sharp, +so he was leaning over the side when we came round the second time, and +I could say quite quiet-like: 'I am in this boat now--watch the river.' +That was quite enough; he knew he would not now have to look to the +_Anchor_ for signals. + +After this began what I believe was the most disagreeable sort of +patrol I ever had. There was a time when I used to envy the Thames +police; but I can't say I ever did after that night. We were obliged +to be in motion almost continually, because we did not know from which +side of the river the paper might come, and we weren't quite sure that +it would come at all, especially on that night; and I don't know, +speaking from my own experience, that there is anything more trying to +the spirits than the pulling backwards and forwards and loitering about +on the river Thames in a raw October night with a small thick rain +falling. Twice we landed, and went once to the _Smack_ and once to the +_Anchor_. I couldn't grudge the men a glass of hot grog; in fact I was +obliged to have some myself, even if I missed my capture through it. + +It grew later and later; the flashes of lightning still came at long +intervals; but the lights on the shore went out, and excepting the +gas-lamps which burnt at street-corners, ferries, and wharfs, all was +dark. The traffic on the river had long ceased, no shouts or rattle +of wheels came from the shore; and the rain still falling, it was, +I give you my word, most horribly miserable, dull and sloppy beyond +description. Twelve o'clock had struck, and one, and perhaps half an +hour beyond it. I had cautioned my companions to speak very low; so the +boatman only whispered when he said: 'It's as quiet as it is likely +to be, governor, if you've got anything to run. I have just seen the +police galley creep along on the other side; I see her under that lamp. +Now's your time.' + +He thought we were smugglers! Perhaps he didn't care if we were +thieves. I told him to be patient; when at that very instant, just as +we were creeping along under the lee of a coal-barge, a wherry shot +very silently by, right in front of us, going across stream, and not +six feet from our bows. In her sat the sulky ferryman; I knew him at a +glance, dark as it was. 'Pull after that wherry,' I said. + +'Peter Tilley, my lad,' I continued, turning to Peter, 'the time's +acoming, I think.' + +'I'm precious glad of it,' says Peter; 'for I'm catching a cold in my +head every minute I sit in this confounded boat; and it's all soaking +wet where I'm sitting.' + +Our man pulled on; he was a very strong fellow, as I have said, and +we could have overtaken the other boat directly; but this of course I +did not want. I knew where to look for the old scamp; and sure enough, +after a few strokes across stream, he bent to the left and ran under +the bows of the Dutch trader. + +All was dark and silent as the grave aboard the ship; but that didn't +deceive the old boatman, nor did it deceive me. I stopped our man in +the shade of the next vessel, if you can call anywhere a shade, when +it was all pitch dark. We had not been there a minute before I heard a +slight noise--it was impossible to see any one unless he stood between +you and the sky--and then I could tell by the sound that a man had +dropped into the wherry. There was no need to tell me what man it was. +With an almost noiseless dip, the ferryman dropped his sculls into the +river again and rowed on, we still after him. I took it for granted he +was going to the other side of the ferry; but he suddenly bore off to +the right, and rowed on for some little time, then striking in between +two vessels, he went straight for the land. + +'Where is he going to?' I whispered. + +'To the landing at Byrle's wharf,' says the boatman in the same tone. + +So he was; and it appeared this landing-place was at the farther side +of the wharf; that is, lower down the river. + +It was so dark we could hardly see them--for we could just make out +there were now two persons in the boat--but as they reached the shore, +a lamp that was burning on the wharf helped us a little. We could not +clearly see what they were doing; but they certainly got out of the +boat, and as certainly there were then more than two figures moving +about, and seemingly engaged in placing parcels in the wherry. But it +was very gloomy there; they were in the shade of the wharf, and the +lamp glimmered weak and faint through the thick rain. It was the more +difficult to see what was being done, because there were several boats +tied up to the landing-place, making some confusion in the darkness. At +last, however, we could see that they were pushing off from the shore; +so it was time for us to move. We pulled back for a while (there was no +doubt as to which way the others would come), and then sheering off, +lay between two colliers until we saw the wherry we had watched go by, +and then we once more pulled after them. + +'I'm blest if I don't think there's another boat following _us_,' says +Peter Tilley, staring as hard as he could behind us. I looked, but +couldn't see anything; and Peter owned he might have been mistaken. + +We could not make out how many there were in the foremost boat. There +was only one man rowing, that was plain; and he pulled short round +at the proper place, as I knew he would, and rowed towards the Dutch +trader. As he did so, we lost him for a second, a big steamer lying +between us; but the hull of this vessel did not obstruct the view up +the river. I seized the moment, and waved my lantern twice. It was all +right. As quick as thought the light on board the oyster-smack was +moved twice also, and then we too were pulling across the stream. I +wanted to capture my men on board the trader, as otherwise the paper +might be got rid of, because I couldn't be positively certain that it +was not already on board. In fact, Mr Edmund Byrle was my chief aim, +not the skipper. + +The wherry pulled under the bows of the vessel; we followed just in +time to see, by a very convenient flash of lightning, two packages +handed up; then a figure, which we had recognised by the same flash as +the bony ferryman, got into the ship. As he disappeared, our wherry +touched the vessel; and at the same instant, to my great relief, a +long black Thames police galley came alongside us, and its crew, five +constables, with Barney Wilkins, who was there as guide, clambered +up like cats. I and Peter imitated them, but not quite so quickly; +and when I looked over the bulwark, I saw by the light of a couple of +lanterns, screened from the outside, four or five men, the boatman +and the skipper being two, lifting up a great lid which fitted in +the deck--the hatches I heard it called--while by their side lay the +packages of paper. I could not see Mr Byrle; but there was no time to +consider; we all jumped in at once, the men looking round in amazement +at the noise. I fancied that just then I heard a shout from the boat. + +'What do you all want here?' said the skipper angrily. + +'We hold a warrant'--I began. + +'Oh, it is _you_, is it?' he screeched, like a hyena, or something of +that sort. 'I owe you a little for a past score, and you shall have +it.' As quick as lightning he pulled a long straight knife from the +side of his trousers, where it must have been in some sort of sheath, +and jumped at me with such suddenness that he would have stabbed me, +only Barney Wilkins snatched a handspike from the deck, and dashing +between us, hit him down with such a blow, that the skipper fell with a +crash like a bullock when it is killed, the blood pouring from his head +instantly. + +It was all as quick as thought. The other men were all seized in a +breath. So quick was it all done, that I had no idea Barney was hurt, +until he reeled, made a wild clutch as if he caught at something for +support, and then pitched forward on his hands and knees. + +'Hollo, Barney!' I said, stooping down to him. 'What's the matter, old +fellow?' + +'It's all up, Mr Nickham,' he gasped; 'he's done me. I only hope I've +killed him. Where's the other?' + +'Oh, never mind the other, Barney,' I says. 'Where are you hurt?' + +But as I spoke, one of the men came with a lantern, and Barney had +no occasion to answer me, for I could see a straight stream of blood +running from his chest on to the deck; and his hands giving way from +weakness, he fell over on his side. + +'Pull in for the shore, you, sir!' said the sergeant of the Thames +police to my waterman. 'You know Marigold Street? Knock up Mr Gartley, +and tell him what has happened. Say we are afraid to move the man to +his house, so he had better come aboard.' + +'Send one of your own men, will you?' answers the boatman. 'I've got +something to tell the governor' (that was me), 'as I think he ought to +know.' + +'Cut away then, Bill,' says the sergeant to a constable; 'these fellows +are ironed, and we can manage all that are aboard this craft.' + +So the man went off in my wherry; and the Thames men tried to make poor +Barney a little more comfortable, while I undid his waistcoat, hoping +to stop the bleeding. + +'It ain't no use,' he said; but in that short time his voice was almost +gone, and we could tell that he was dying. 'I'm done for, Mr Nickham. +If there's a reward, you'll act fair and square, I know; you always was +a gentleman--let my sister have'---- And with that he gave a gasp, and +was dead. + +I rose up, dreadfully vexed for the poor chap. The sergeant and one of +his men were looking after the skipper, when I felt myself touched on +the arm. + +'I say, sir,' said the boatman, 'when I'm in for a thing, I go through +with it honourable. Did you know as you was followed?' + +'Followed? no!' I said. + +'I thought we was!' said Peter Tilley. + +'We was followed, sir, by a light wherry with two people in it,' +continues the boatman; 'and when they see our boats, they held hard; +and as you all boarded the ship and the noise began, they rowed away as +hard as they could go.' + +'Which way did they go?' I said. + +'Down river,' says the man. 'But it's of no use thinking of looking +after them now. They are ashore long afore this.' + +This was likely enough; and it was quite certain that Mr Edmund Byrle +was one of the two in the boat, and I had lost him for the present. +Well, it couldn't be helped; so we set to work to question the men and +search the ship, till the doctor came. The men knew nothing more about +the business than that they were going to have two passengers, a lady +and a gentleman, this voyage. One of the Thames men understood Dutch, +or we should not have heard even this scrap of information. The sulky +boatman never uttered a word, except that once he said as I passed him, +and he said it with a bitter curse: 'I always had my doubts of _you_.' + +The doctor came off; but poor Barney was stone-dead, while the +skipper's skull was badly fractured. However, the paper was all there; +so I supposed, and so it proved; and I shouldn't have cared if the +skipper's head had been broken fifty times over. + +We got our prisoners to the shore, leaving the craft in charge of a +Thames police galley that came in answer to our signals; and late as +it was, I drove with Peter Tilley in a cab to the City. Our people +there were immensely glad, I can tell you; and when I went over to the +Bank (for there was no need for secrecy or dodging now), I thought the +gentlemen never would have left off paying me compliments. Poor Barney +Wilkins that was dead deserved most credit; but it could not do him +any good to say so now, so I let them go on. The paper was examined, +and found to be exactly the quantity required; enough, I believe, to +have made about twenty thousand bank-notes. Ah! if they _had_ got into +circulation! + +I hope you will understand, however, that I did act fair and square; +and when the reward was paid (and the Bank people did come down most +liberal; I bought my house at Pentonville with my share), I told the +gentlemen about poor Barney and his wishes; and I'm proud to say they +found his sister out and took her away; and after a time she went +abroad with kind people who looked after her, and took care of her +money till she got married, and did well. Why, she sent me a snuff-box +made out of pure Australian gold, with a letter signed by herself and +her husband, who was a butcher in a great way of business out there; +and they sent it as an acknowledgment of my having acted all fair and +square. I promised so to do, and I did. + +Edmund Byrle was never caught, and so far as we were concerned, was +never heard of; and if it hadn't been for his father, I should never +have understood a lot of things that puzzled me. I had given a pretty +good guess as to how Miss Doyle came in the first place to inquire +about Mr Byrle and the detective; a very clever idea in itself, but +like many other clever things, it lost her the game. Mr Byrle had +talked with his friends about employing detectives; and Miss Doyle +knowing about the Bank paper, and being always on the watch, had got +hold of just enough to mislead her. She went out with Edmund Byrle to +Turkey, I think, and was married to him; and old Mr Byrle sent out +a friend to see them; and it was in this way I got the particulars. +It appears she knew me again--only as the limping labourer, of +course--when she saw me talking at the ferry to Tilley. But she knew +_him_ as the detective at the _Yarmouth Smack_, and she thought that +although it might be all right, yet a detective was a dangerous +customer, and his acquaintances might be dangerous also. Consequently +she tried to persuade Edmund to put off his journey; but he wanted +the money for the paper, and wouldn't listen to her. But he agreed at +last to go aboard in another boat, which satisfied her, as she felt so +certain the skipper's boat would be attacked. As I have explained, her +precaution saved him from fifteen years' 'penal,' which is the least +he would have had. The skipper was sent for life, having killed a man +in his arrest; but he didn't live six months in prison; he never got +over the tremendous blow he received from Barney. All the reports spoke +of his being a receiver of 'stolen goods.' The Bank paper was never +mentioned, for the authorities did not want to unsettle the public +again, or let them see what a narrow escape they had had. + +And now comes about the queerest part of my story. Call me names if I +didn't stop the thieving at Byrle's factory as well as recover the Bank +paper, killing two birds with one stone. + +It was all through my catching the bony ferryman. Finding that things +was going hard with him, and hoping to make them easier, and being +disappointed that those who were concerned with him did not come +forward with money to provide for his defence, he 'rounded' on them; he +split on them all, and owned how he was the means of taking the metal +over to a fence on his side of the water, the things being stolen by a +mechanic and a watchman who were in league. (I see I have used the word +'fence;' this means a receiver of stolen goods; but though I have been +warned by the editor of this magazine, we can't do without _some_ slang +words.) + +Peter Tilley got a tidy present, and was noted for promotion through +this business. I was glad of it, for Peter was a capital chap--never +wanted to play first-fiddle; and I admire people of that disposition. I +tell you what I did: I got the newest five-pound note of all what the +Bank gave me, and they were all very clean and crisp, and I wrapped old +Bob the gatekeeper's own sixpence in it; and I went to the factory and +I stood a pint of ale, and says: 'Bob, here's your sixpence!' He hadn't +known exactly who I was till then, for I had made excuses as usual; and +then I'm blessed if he didn't quite cry over his luck. Mr Byrle too +thought a lot of Bob's kindness, for I told the old gent about it; and +I heard that on that very account he put six shillings a week on Bob's +wages, and I was glad to hear it. + +They couldn't keep me off the detective staff after this; and although +I am free to confess--now I am on my pension and nothing matters to +me--that I only stumbled upon these discoveries by accident, I was +praised to the skies by those for whom I worked. However, it all +died away, as such things do; but I had managed to get my house at +Pentonville, as I have hinted; and a pleasanter neighbourhood I don't +know, or one more convenient for getting about. I have had some rather +odd adventures since I have lived in my street; you can't help seeing +strange things, if you keep your eyes open in London. But I didn't +begin to tell about _them_. I have finished my account of the robberies +at Byrle & Co.'s and my story finishes in consequence. + + + + +FEATS OF ENDURANCE. + + +London, which has witnessed many strange doings in its day, was +lately the scene of the most wonderful feats of pedestrianism ever +accomplished within a given period. + +Every hour, day and night, for six weary weeks a man plodded on his way +round a measured track, until the grand total of fifteen hundred miles +in one thousand hours had been made up, finishing his self-imposed task +with his physical and mental faculties apparently unimpaired. + +The task of walking fifteen hundred miles in a thousand hours had never +before been attempted, and henceforth the new achievement will throw +into the cold shade of obscurity even the marvellous act of walking a +thousand miles in as many hours, which was once accomplished in 1809 +by Captain Robert Barclay of Ury, a Scotchman, who proposed to perform +the then incredible task of walking a thousand miles in a thousand +consecutive hours. The proposition was received with every sign of +incredulity, though, when the affair was finally arranged to take +place, many thousands of pounds were staked on the event. Newmarket +Heath was selected as the scene of the exploit, and the famous walk +began on the 1st of June 1809, at midnight. It is unnecessary to +repeat the details of this feat; it will suffice to mention that the +enterprising captain completed his task on the 12th July, at four +o'clock in the afternoon. + +Since then, an attempt has, we believe, been made to walk the same +distance _backwards_; and within the past twelve months, Weston, the +American pedestrian, has performed some remarkable exploits of the +kind; being however at last beaten by an Irishman named Kelly. + +The hero of the lately completed task (fifteen hundred miles in a +thousand hours) is a little Welshman of not more than five feet three +and a half inches in height, and about forty-two years of age; while +in personal appearance and general _physique_ he presents anything but +what is usually supposed to be the characteristic of a good pedestrian. +His name is William Gale, and he is a bookbinder by trade, living at +Clerkenwell. + +At the commencement of his task on Sunday the 26th of August, he +weighed no more than eight stone four pounds (8 st. 4 lbs.); and from +that day until Saturday the 6th October, during a portion of every hour +day and night, he pursued his monotonous way around the inclosure at +Lillie Bridge grounds, Brompton. When the attempt was first announced, +even those most acquainted with pedestrian feats where great endurance +was required, expressed themselves dubious as to the result; and in +order to have a reliable record of his proceedings, Gale requested the +different sporting papers to appoint competent men as judges--a request +which was at once generously complied with. + +Thus we have an official report of his great exploit, and the public +are enabled to judge for themselves on the nature of the feat +performed. Gale's average pace appears to have been about four miles +an hour; but when he had reached his thousandth mile he assumed a +brave spurt, and footed it in ten minutes, or at the rate of six miles +an hour. During the last few days of his walking he started rather +stiffly at first, owing to the pain caused by the swelling of some +varicose veins in his left leg; but undaunted by so great and manifest +a disadvantage, and other disadvantages which we shall presently +refer to, the gallant little Welshman 'plodded his weary way' with a +determined pluck that won the admiration and applause of every one +present. + +On Friday the 5th October, the day before the finish of the tramp, +Dr Gant of the Royal Free Hospital was called in to see this +extraordinary walker, and after examining his legs, he pronounced +Gale to be in excellent condition so far as his physical powers were +concerned; there being no fever, the pulse only seventy, no murmur +at the heart; and the varicose veins which had been the cause of so +much pain to him, were rather better than worse, having considerably +decreased in size. Perhaps the most remarkable part of the performance +is, that it has been accomplished on a system of training which +entirely sets at variance all athletic rules, for Gale partook of no +fixed refreshment, neither did he have his meals at stated hours. His +chief food was plain mutton-chops; and as an instance of how he varied +his dishes, his afternoon meal on Friday the 5th October, which might +have been either breakfast, dinner, or supper (so irregular had he been +in this respect), consisted of a lobster and bread and butter, followed +by a fried sole, and one or two cups of ordinarily strong tea. During +the walk he also drank a good deal of beer--not strong beer, but the +ale which is usually sold at fourpence per quart, which he seemed to +prefer to any other kind, probably on account of its freedom from that +tendency to increase rather than assuage thirst, so remarkably apparent +in the stronger beers. + +Many strange incidents occurred in the course of the six weeks, which +were calculated to while away the time, and occasionally to bring a +smile to the pedestrian's lips. For instance, a certain illustrated +sheet, notorious for its very sensational cartoons, published a picture +of Gale on the track followed by Old Time with the conventional scythe +on his shoulder; and many people it would seem actually paid their +money with the idea that they were going to see the two figures as +thus represented. One man, who had evidently gone to the grounds for +this purpose, had watched Gale go round the track several times, when +he could no longer control his disappointment. He shouted aloud, +angrily demanding his money back, because, as he said with the greatest +_naïveté_ possible, 'the beggar with the scythe hadn't turned up!' + +As the last week of the great walking match wore on, signs of weariness +in the indomitable pedestrian became painfully apparent, and many +persons began to fear that the task he had set himself would after all +remain unaccomplished. On several of the rounds he fell asleep whilst +walking, and dropped to the ground; but this contact with mother earth +seemed to revive him instantly, and he plodded on as pluckily as before. + +At length success crowned his efforts; and at seventeen minutes past +five o'clock (less a second) on Saturday afternoon the 6th October +1877, Gale terminated his long and dreary walk in the presence of a +large, fashionable, and enthusiastic assemblage, who rewarded his +efforts with several rounds of hearty applause. + +From the commencement of his task to the finish Gale bore up against +all obstacles with extraordinary pluck and determination, his last mile +being performed in _ten minutes and eight seconds_. He was at once +removed to the tent or pavilion under which he had snatched so many +brief half-hours' rest, and was examined by three medical men, who +found that his heart was quite natural in its movements, and that the +temperature of his body did not exceed one hundred and six degrees. + +The great feat which has thus been accomplished without the aid of +artificial training, is a marvellous instance of what human endurance, +allied with courage and determination, can effect; though of what +particular benefit it may be to the world at large it is utterly +impossible to imagine. + + * * * * * + +Since the preceding account was written, Gale has accomplished a +still more extraordinary feat, and one which for strength of will +and physical endurance far surpasses his previous efforts. We still +fail, however, to see the benefit which can accrue from exhibitions +of this kind, and well might he have been contented with the laurels +he had already won. He had scarcely allowed himself time to recover +from his former task, when he once more appeared at a public place of +entertainment, namely the Agricultural Hall at Islington, to walk four +thousand quarter-miles under the astounding condition, that it was to +be done in four thousand consecutive periods of ten minutes. + +This of course deprived him of the half-hour's rest which he could +obtain at one time in the former race, and only allowed him a few +minutes between each round to get a little sleep. Despite these +drawbacks, however, Gale finished his task at eleven o'clock P.M. +on the 17th November, after a dreary walk of nearly four weeks. By +accomplishing his task, he has placed himself at the head of all the +famous pedestrians the world has known; and we trust that this fact +will be sufficient to satisfy his craving after what is at best but +ephemeral fame. + +Men have on many occasions attempted walking feats which required a +vast amount of physical endurance, and have failed from their utter +inability to go without the natural quantum of sleep; but Gale has not +only shewn himself to be possessed of the former, but to be altogether +independent of the latter. This, however, instead of indicating 'pluck' +merely, would rather seem to point to a peculiarity in the man's +constitution; as there are doubtless many persons whose courage would +enable them to perform the same or even a greater task if, like Gale, +they could walk about in a state of somnolency or semi-sleep--a state +in which, to use his own words, he was as one in a dream, unconscious +of all that was going on around him, and believing himself to be +walking in forests and other places of silvan beauty; and the truth of +this was made evident by the fact that he would have often exceeded the +limit of his walk had not the voice of his attendant aroused him from +his stupor. + +The average time occupied by this extraordinary walker was by day +about three minutes for each quarter of a mile, and by night about +five minutes; and the fastest round recorded was done in two minutes +and forty-two seconds. His pulse was always found to indicate a +perfect state of health, and was as regular when he left off as when +he commenced his task. His food consisted principally of fish, fowl, +chops, eggs, and light puddings; and his drink was, with only one +exception during the whole time, tea. + +Perhaps the most remarkable thing about the whole affair was the fact +that, although he sank into a deep sleep directly he reached his chair +behind the curtain, which hid him from view between his walks, the +moment the bell rang the second time, he would appear as fresh as ever +and begin trudging away again. + +When the feat was accomplished, Sir John Astley stepped forward, and +amid a scene of great enthusiasm, presented the undaunted Welshman with +a silver belt of the value of a hundred guineas, bearing the following +inscription: 'This belt was presented to WILLIAM GALE of Cardiff, on +the 17th November 1877, by some of the nobility and gentry of Great +Britain, in commemoration of his hitherto unprecedented feat, namely +walking one thousand five hundred miles in one thousand hours at Lillie +Bridge Grounds, August 26th to October 6th, 1877; and four thousand +quarter-miles in four thousand consecutive periods of ten minutes, at +the Agricultural Hall, London, October 21st to November 17th, 1877.' +The belt is of lion's skin, mounted on velvet, the metal portion of it +weighing one hundred ounces of sterling silver. + +None will begrudge Gale his well-earned reward; but it is to be hoped +that such exhibitions will in future be discountenanced by the general +public, as they not only detract from the dignity of man, but are +needless and unwarrantable in a country which, we trust, will ever +pride itself on a nobler civilisation than that which is founded upon +mere physical endurance. + + + + +A DIFFICULT QUESTION. + +THE STORY OF TWO CHRISTMAS EVES. + + +IN TWO CHAPTERS.--PROLOGUE. + +In the gray light of an Indian dawn, with the cool breeze blowing +through the curtains of the tent, and his friend's sorrowful eyes +looking down on him, a soldier lay on his rough couch--waiting for +death. They were soon to be parted those two, who had lived and fought +together; but the face of the one who was starting on that journey +of which none has measured the distance, was smilingly calm, while +the eyes of the other glistened with regretful tears as he spoke low, +faltering, remorseful words. + +'Hush, Ralph, hush!' the other said at last. 'Don't you think, dear +old fellow, I would sooner lose my life in having saved yours, than in +any other way? After all, a few days or years sooner or later, what +does it signify? My fate is perhaps the happiest, though I hope it is +not. I don't think life is so very desirable,' he continued; 'I am only +twenty-six; but mine has not been a happy one. It was my own fault, +though. Take my advice, Ralph; don't marry young. There is only one +thing that troubles me'---- + +'Your little girl,' Ralph interrupted. 'Wrayworth, let me take care +of her; if I can make her happy, it will be some slight atonement, +some'---- + +'You would take care of her, Ralph? would you?' The dying man's eyes +shone gratefully as he looked up in his friend's face. 'She has +nothing, poor little thing,' he went on sadly--'motherless, fatherless, +scarcely more than a baby either. It would be a heavy charge to leave +you, Ralph.' + +'Wrayworth! how can you speak so; you will drive me mad! You--you'---- +He broke down utterly; it was something so terrible to see this friend +dying there--for him. 'Anything on earth that I can do'---- he murmured. + +'You will do for her,' said Wrayworth. 'Thank you. I have no friends to +send her to. I meant to have made her very happy.' + +'She shall be; I swear it!' Ralph answered fervently, thankful for +this charge, which might in some degree help him to pay that debt of +gratitude, and forgetful that he had no control of fate, that the +promise he gave of happiness was a fearfully presumptuous one. But he +made it willingly, gladly, solemnly, before God; and as far as lay in +his power it should sacredly be kept; any sacrifice he would make for +this child. + +His friend's eyes rested on him searchingly for a moment. 'I trust +you,' he said--'I trust you.' + +The hours passed on, the blazing sun arose, and Ralph went out into +the burning glare with bent head and staggering footsteps, while words +he had heard long since seemed floating round him in letters of fire: +'Greater love hath no man than this, that a man lay down his life for +his friend.'--'Is there _none_ greater?' he thought. 'Is there nothing +_I_ can do to repay--nothing?' + + +CHAPTER I.--ASKED. + +The years were well on in their teens since that melancholy scene was +enacted in the Indian tent--since Wrayworth consigned his only child +to the guardianship of the friend whose life, at the expense of his +own, he had saved on the battle-field. A carriage rolled along the +snowy high-road through the cold clear air; the short winter's day +was drawing to its close, and up in the darkening sky the stars were +beginning to shine upon the world's most joyful season, upon Christmas +eve. The world's most joyful season? We call it so, this festival, more +than eighteen hundred years old; but does the world think it so?--the +world, with its thousand cares and crosses, its deep and hidden +sorrows, its partings and its tears? Of those amongst the myriads who +keep the Yule-tide feast, how many hold it with a chastened joy! For +on that day most of all our thoughts go back to other years, to other +faces, to other lips that have wished us 'a merry Christmas;' to other +hands, which have clasped ours so loyally, to those who have loved us +so long ago! + +But Major Loraine had no sad memories connected with the season as he +drove up to the old house, from which duty had so frequently called +him, and which he had not seen for five years. In the wide, dark, +panelled hall his step-mother stood waiting to welcome him, as gladly +as though he had been her own son. He was only a boy when she first +came there, when the pink was fresh on her cheek and the gold bright in +her hair; they had been drawn to each other then; and through the long +years of her widowhood his loving care had helped to lighten her load +of sorrow; so it was not wonderful that for months past she had been +eagerly looking forward to his return. + +The greetings over, they sat down side by side, talking, as those +talk after long separation, of past, present, and future; of their +acquaintances married, dead, or far away; of things on the estate, +prosperous or failures; of the ball to be given next month, of the one +they were going to, to-night; of how much Emma was improved since she +'came out,' how Katharine was considered one of the handsomest girls +in the place, and how she might marry Sir Michael Leyland with thirty +thousand a year if she liked. + +'But why ever doesn't she like?' asked the Major, astonished at this +new phase in the character of his worldly-minded sister. + +'That is just what troubles me,' answered Mrs Loraine. 'They are all at +the church now, helping to decorate. Louise wanted to stay at home to +welcome you, but I sent them all off, so as to have you to myself for +an hour. You will see a great alteration in Louise, Ralph.' + +'Shall I, mother?' he said smiling. 'I think not. Her letters are the +same always; they have altered in style a little of course in the last +year or two, but it is the same spirit--the same creature.' + +'But not the same face, Ralph. Remember you have not seen her for five +years, which have not altered you, but which have changed her from an +unformed girl of fourteen to a lovely woman; with that bright changing +beauty, which has more charm for a man than regularity of feature. It +is a very difficult question.' + +'What is a difficult question?' asked Ralph, as his mother paused. + +'What to do with Louise.' + +'You hinted something of the kind in your last letter, mother,' he said +gravely. 'I am sorry, but I must confess this house seems large enough +for four women. You know how I am situated; you know the promise which +binds me. But tell me,' he added smiling, 'what has Louise done? She +seemed to me gentle and tractable enough when I was last at home.' + +'I have not the slightest fault to find,' Mrs Loraine replied; 'you +know I am very fond of her. You will think my difficulty very womanish; +simply, Louise is too pretty.' + +'And some one has told her so,' said Ralph, laughing. 'Go on.' + +'It is not that; but I cannot bear to see my own child's happiness +destroyed by another, who, if not a stranger, has at least no claim +upon her.' + +Ralph frowned slightly. 'Perhaps not,' he answered; 'the claim is upon +me, and it is a sacred one. So,' he continued, 'it is a case of rivals, +I see.' + +'Simply this, Ralph. You remember the Levesons of Leigh Court, where +we are going to-night? Their eldest son is in the --th Dragoons, and +has been home on leave. Louise was away when he first came here, and he +appeared very much struck with Katharine; and no wonder; she is very +handsome. Well--don't laugh at me; I don't like match-making as a rule; +but I thought as she seemed interested in him, there was no harm in +inviting him sometimes. But as soon as Louise came home, he transferred +his attentions to her. Katharine says nothing; but it makes a kind +of awkwardness between them. I know she feels it, poor child; though +indeed I believe Vere Leveson is simply flirting with Louise.' + +Major Loraine laughed. 'Poor mother!' he said, 'you will have enough to +do if you take all your children's love affairs to heart so seriously. +These things always right themselves, you know. But I confess I am +surprised to hear of Katharine going in for sentiment; I should have +thought Sir Michael more in her line. Is that all, mother?' + +'No; only the first of my difficulties,' she answered half sadly. 'You +know what my health has been for the last few years; you know---- Well, +you do not wish me to speak of that; but it is better to look in the +face of possibility. Suppose anything happened to me, Ralph, what would +become of Louise?' + +'You speak of what I hope may be far distant, mother,' he answered +tenderly. 'But why should you be uneasy about her? In the event of her +not marrying, she would always have a home here with me.' + +Mrs Loraine shook her head. 'Turn round and look in the glass,' she +said; 'thirty-nine is not such a very formidable age.' + +He turned, and contemplated his bronzed face in the glass; such a +handsome, noble face, telling of a nature that could not act falsely or +meanly. The broad square forehead, marred by a sabre-cut, and the dark +hair flecked here and there, by the Indian sun, with gray; nothing else +to find fault with in the frank kind smile, the fine regular features, +the dark true eyes. + +'I think there is no fear of my being taken for younger than I am, +mother,' he said, smiling. + +'It is an awkward position for you, though,' she answered; 'and as +I said, a difficult question what to do. We must hope for the best, +Ralph. You are going to join the others now, I suppose?' + +'Yes; I think I can find my way.' + +He went out into the keen frosty air, walking slowly, though it was +unpleasantly cold to one accustomed to tropical climates. He was +thinking over his mother's words, and knew she was right as to the +awkwardness of the position. He saw the peace of the household was +troubled, without knowing how to set matters right, and he thought +of the old friend who had trusted his child to him. He had vowed she +should be happy, and now it seemed a difficult vow to keep; but for the +sake of the man who had died for him sixteen long years ago, the pledge +then given must be redeemed. + +Louise Wrayworth's life had been a bright one hitherto; her guardian's +home was the only one she could remember, and he had striven to fill in +some degree her father's place. To him, from infancy to womanhood, she +had looked up with loving grateful reverence, regarding him, present or +absent, as the noblest of created beings. + +He reached the old church, and made his way round to the open vestry +door. The steps were encumbered with bundles of evergreens; the voices +of the workers, who had finished their task, were audible. He pushed +the door further open, and went in. The floor was covered with boughs, +and around the pillars were wreathed holly and other evergreens in +honour of the joyous season. Some of the choristers stood waiting +for the choir-practice, and the organist was softly playing _Adeste +Fideles_. + +'Ralph!' cried a young fresh voice; and a slight fair girl with a merry +face sprang up from the floor, with her hands full of the scarlet +berries, which fell hither and thither in bright-hued rain, as with +complete indifference to the by-standers, she gave the returned soldier +a sisterly embrace. 'You dear old thing to come for us!' she exclaimed. + +'Emma, Emma!' exclaimed Ralph, laughing and disengaging himself; 'you +have not learned to behave any better in five years.' + +But his young sister had vanished, and he turned to greet the vicar; +and one or two of the ladies he recognised. In a few minutes Emma +reappeared; and behind her came a tall fair girl with masses of golden +hair, and great beautiful cold blue eyes. She greeted Major Loraine +affectionately, but with the quiet stately grace habitual to her. Five +years had not changed Katharine Loraine; at twenty-four she was still +the same majestic Queen Katharine as at nineteen, with whom he had +always had so little sympathy, whose nature he had found so difficult +to understand. + +'Where is Louise?' he asked presently. 'Is she not here?' + +'She went into the churchyard just now,' answered Emma, 'to put a +wreath on Nellie Bryant's grave. You remember her, Ralph?' + +'Louise's friend? Yes.' + +'A _triste_ employment for Christmas eve,' observed one of the +gentlemen decorators to Katharine, as he stooped to disentangle her +dress from a long sprig of ivy. + +'Oh, Mr Leveson went to hold a lantern for her,' Katharine answered, +with the slightest possible shade of contempt in the silvery tones of +her voice; 'and Louise is never _triste_, unless she is by herself.' + +The choir was now fully assembled; the organist struck up the anthem, +the rest were silent to listen, and Ralph Loraine went out to look +for his ward. He came round the east end of the old church, and stood +still for a moment in the shadow. There were two people standing at +the edge of the path, looking down on the grave at their feet, where +the lantern's light shewed the shining holly upon the upright marble +cross. It shewed too the face of his friend's child; a beautiful face, +as his step-mother had said, with large dark eyes and wavy dusky hair, +a clear delicate complexion with a little rose-flush on the cheeks, and +full red lips half-parted by the sweetest smile he had ever seen; with +the same erect carriage of the head, the same fearless straight regard +which had characterised her father. + +It was so strange to see her there a woman, whom he had left a mere +girl; and as he looked on the fair face, something seemed to whisper +that the ideal beauty he had so often dreamed of was before him at +last. They moved away, and came slowly nearer, and paused again where +he could see her companion; and for a moment he almost hated the man +for his youth, and his handsome face, and the deep-blue eyes aflame +with passion-fire as they rested on the child of his dead friend; and +another whisper which silenced the first, told him how fitted was each +for the other. + +'If _I_ were lying there,' said Vere Leveson, and Ralph could hear +every one of the foolish, softly spoken words, 'would you ever make +wreaths for _me_, I wonder?' + +'I don't know.' + +'Don't you? I wish you did; for I thought just now I should be glad to +be lying there, if you would remember me.' + +Ralph had heard enough, and tried to slip away unseen; but the gravel +crunched under his feet and betrayed him. + +Louise started, and a bright vivid blush covered her face as she sprang +forward. 'Lorrie! Oh, how glad I am to see you again!' she cried, as +she took both his hands in hers and lifted her cheek for his kiss. + +He felt half sorry she had done so; that and the old childish name put +him immediately in his place as guardian, and made him ashamed of his +thoughts. 'How you are altered, Louise!' he said, looking down at her +admiringly. 'I think I should hardly have known you!' + +'I should have known you, Lorrie, anywhere,' she said reproachfully. + +'That is rather different,' he said; 'when we once get old, we don't +change so quickly.' + +'You would not like it if I said you were old, Lorrie. But tell me, am +_I_ altered for the worse? or'---- + +'You have no need to come to me for compliments, surely,' he said +smiling. + +'I should think more of yours than of any one's,' she whispered, with +that sweet dangerous smile; a smile which a man like Ralph Loraine +should have taken as a warning not to feel its influence too often. + +'How rude I am!' she said at last.--'Mr Leveson, do you know my +guardian?' She turned to her companion, who stood holding the lantern a +few yards from them. + +'I had the honour of dining in your company once, Major Loraine,' he +answered, stepping forward. 'It is some time ago, when I first joined +at Madras; but I well remember my anxiety to see such a distinguished +soldier as yourself.' + +There was a ring of truth and honest admiration in the words, which +raised them above an ordinary compliment, and which made Ralph hold out +his hand and answer cordially: 'I have a bad memory for faces, or I +think I should have remembered yours.' + +'Thanks,' said Vere, laughing. 'We shall have the pleasure of seeing +you to-night, I hope?' + +'Yes; my mother told me of the invitation.' + +'Of course he is coming,' said Louise. 'And you will dance with me all +the evening, Lorrie; won't you?' + +'Not quite all, Miss Wrayworth; please, don't forget my waltzes,' said +Vere, holding out his hand. 'I must be off now; so good-bye for the +present. You won't forget?' + +She looked up quickly. 'Perhaps,' the lips said laughingly; but the +dark eyes gave a sweet silent answer Ralph did not see, though he was +watching them. But after Vere Leveson had gone, he walked home beneath +the Christmas stars, with Louise's hand resting on his arm, dreaming as +he went, a fair, fond, foolish dream. + + * * * * * + +The Christmas-eve ball at Leigh Park was a regular institution, one +which Sir Harry Leveson had kept up for years. It was a pretty sight, +Ralph thought, as he stood leaning against a window, and looking round +to select a partner. And amongst all the fair women, the one he thought +the fairest was his young ward Louise Wrayworth, in her white floating +dress, with its wreaths of holly, and the red clustering berries in her +dark hair. + +Ralph had been watching Vere Leveson, trying to decide in his own +mind whether Mrs Loraine's verdict of flirtation was a just one; +and he judged that it was; for the attentions of the young officer +were apparently equally divided between Louise and Katharine. Ralph +did not happen to be near when, later on, he led Louise to one of +the cool empty rooms, where through the open window could be heard +the merry Christmas bells. He did not see the hand-clasp or the +light that flashed in the eyes of each. He did not hear the hurried +whisper: 'Louise, you won't forget me, you will trust me till next +Christmas-time?' + +The ball was over, the rooms were dark and silent; the whole world +waited for the sun to rise on Christmas-day. + + + + +IS THE TELEPHONE A PRACTICAL SUCCESS? + + +In September last appeared in this _Journal_ an article entitled +'Singing and Talking by Telegraph;' and in that paper we attempted +to describe the mechanism of that wonderful little instrument the +telephone. It is now our purpose to say something regarding the +progress that has been made towards perfecting the invention; but in +order to make the article as clear as possible, we venture once more +upon a few words explanatory of the instrument. + +The telephone as it is now made is an exceedingly simple-looking +apparatus similar in appearance to a stethoscope; to the handle of a +girl's skipping-rope; or better still, to a large-sized penny wooden +trumpet. Inside this hollow cylinder, and within an inch or so of the +wider end, is fixed a plate of iron as thin as a well-worn sixpence, +and about the size of a half-crown piece. This is called the diaphragm. +Behind the diaphragm, nearly touching it, and extending to the narrower +end of the cylinder, is a piece of 'soft' iron enveloped in wire +coils, with a permanent magnet beyond. Outside the narrower end of +the cylinder, and communicating with the coils that surround the iron +inside, are attached two screws or 'terminals,' which are 'joined up' +to a main wire, communicating with the distant or receiving telephone +wherever that may be, and which is precisely similar to the one we +have described. When we apply our mouth to the bell-shaped end of the +apparatus, and speak or shout or sing, we set the diaphragm vibrating +as in a tuning-fork; the vibrations thus created are electrically +communicated through the wire to a distant telephone, and are repeated +on its diaphragm with more or less distinctness. + +It is known that the motion of an iron plate contiguous to the poles +of a magnet creates a disturbance of electricity in coils surrounding +those poles; and the duration of this current will coincide with the +vibratory motion of the plate or diaphragm. When, therefore, the human +voice (or any other suitable sound) impinges through the tube against +this diaphragm, the diaphragm begins to vibrate, and awakens, so to +speak, electrical action in the coils of wire surrounding the poles +of the magnet; not a current, but a series of undulations, something +like those produced by the voice in the air around us. In short the +telephone is an apparatus designed to transmit sound through a wire +of indefinite length; the voice being, so to speak, 'converted into +electricity at one end, the electricity becoming voice at the other.' + +With these few explanatory remarks, we now proceed to offer to our +readers the following interesting experiments made by a gentleman well +skilled in telegraphy. + +'Journalists,' he says, 'with no special knowledge of the difficulties +the invention has to encounter as a telegraph instrument, have +expatiated in such enthusiastic terms upon the results said to have +been achieved by the telephone, that a somewhat exaggerated notion of +its powers and capabilities has been accepted by the general public. +It appears, therefore, to the writer of those lines that a statement +of the experiences of a person practically engaged in the work of +telegraphy may assist in placing the phenomena of the telephone on a +proper footing. + +'Scientifically, the telephone is a great and undoubted success; and +a person would be grievously in error if, because of some undoubted +hindrances to its practical use, he pronounced it unworthy of further +experiment. The emergence of telegraphy from the domain of experiment +into that of daily practical use is a fact so undoubted, and one with +which we are now so familiar, that it is impossible to say at what +moment the telephone, at present a scientific toy, may become a daily +necessity not only of telegraphic but of ordinary commercial work. + +'Being engaged in daily contact with a large telegraphic centre, and +in association with men who have the command of every means of testing +the invention in a practical work-a-day manner, the writer was able to +gauge pretty accurately the range within which the telephone can work. +It must be understood, however, that in recording the effects observed +by him and his associates, he has no desire to invalidate, or even to +call in question the experiences of others who may have been able to +arrive at better results. The telephone is in the hands of some of +the first electricians and telegraphists of the day, and differences +of conditions (not to speak of differences of capacity on the part +of the operator) may give variety in the observations made. The very +difficulties and drawbacks now to be recorded will no doubt some day +suggest to a master-mind the method by which they may be overcome. But +till that day arrives, the telephone must be content to remain where +the writer leaves it, an undoubted success from a scientific point of +view, but overwhelmed with obstacles to its practical use, in this +country at least, in general telegraphy. + +'When a telegraphist first gets into his hand this beautifully simple +and electrically delicate instrument, his first inclination is to test +its carrying-power. This is of course a closet experiment, not working +with actual telegraph line, but with "resistance" equivalent to a +telegraph line of stated length. An experiment of this nature gives +better results than could be obtained by a veritable line, because the +insulation is, so to speak, perfect. No leakage at undesigned points of +contact, or disturbance from unfavourable atmospheric conditions, is +felt, and the experiment is entirely under the observer's control. The +apparatus used is designed to offer the same labour for the electric +current to overcome, as would be offered by a stated length of outside +telegraph line. This artificial resistance is nicely graduated, and +as the method of testing was suggested by Ohm, a German electrician, +the unit of resistance is, as we once previously explained, termed an +"ohm." Removing the telephone to such a distance that the two observers +were "out of earshot," the test with resistance was tried, and with a +resistance of one thousand ohms--roughly speaking, equal to seventy +miles of a well-constructed line--the sound was perfect, although not +very loud. Every articulation of the speaker at the other end could be +distinguished so long as silence was maintained in the room, or so long +as no heavy lorry rumbling over the stones outside sent in harsh noises +which drowned the faint whisper of the instrument. The resistance +was gradually raised to four thousand ohms--nearly three hundred +miles--with like favourable results; and for some little distance +beyond, articulation could still be made out. But by the time ten +thousand ohms had been applied, putting the speaker at a distance of, +say, seven hundred miles, sound only, but not articulate sound, reached +the ear. The tone was there, and every inflection of the voice could +be followed; but articulation was absent, although the listener strove +every nerve to catch the sound, which the speaker, as was afterwards +ascertained, was shouting in a loud clear voice. The prolonged notes +of an air sung could be heard with the resistance named, but again +no words could be distinguished. The voice, whether in speaking or +singing, has a weird curious sound in the telephone. It is in a measure +ventriloqual in character; and with the telephone held an inch or two +from the ear, it has the effect as if some one were singing far off +in the building, or the sound were coming up from a vaulted cellar or +through a massive stone wall. + +'Proceeding to our next experiment, we joined up the telephones in one +office to several wires in succession, putting ourselves in circuit +with lines going to various distances and working with different +instruments. When this was done, the real obstacle to telephonic +progress at once asserted itself in the shape of "induction." The first +wire experimented with was partly "overhouse" and partly underground, +and the offices upon it were working Wheatstone A B C instruments. It +is difficult to render clear to the person ignorant of telegraphic +phenomena the idea expressed by the word _induction_. Briefly it may +be put thus, that when a strong electric current is passing on a wire, +it has the faculty of setting up a current of opposite character in +any wire not then working, or working with a feebler current, that may +be in its vicinity. The why or the wherefore cannot be explained, but +there is the fact. + +'In various recent articles on the telephone, mention has been made of +"contact" as the cause of disturbance. This word, however, although it +has been used by telegraphists, is misleading, and can only be used +as an endeavour to express popularly an electric fact. Actual contact +of one wire with another would spoil the business altogether. A wire +bearing an electric current seems to be for the time surrounded, to an +undefined distance, by an electric atmosphere, and all wires coming +within this atmosphere have a current in an opposite direction set up +in them. This is as near an explanation of the phenomena of induction +as the state of telegraph science at present affords. Now the telephone +works with a very delicate magnetic current, and is easily overpowered +by the action of a stronger current in any wire near which the +telephone wire may come. To work properly it "requires a silent line." + +'In the place where the observations were made, there are a large +number of wires, travelling under the floor, through the test-box, +along passages to the battery-room and to a pole on the outside, +whence they radiate, or out to a pipe underground, where many +gutta-percha-covered wires lie side by side. On applying the ear to a +telephone joined into a circuit working in such an office a curious +sound is heard, comparable most nearly to the sound of a pot boiling. +But the practised ear could soon separate the boiling into distinct +sounds. There was one masterful Morse instrument--probably on the wire +lying nearest the one on which we were joined up--whose peremptory +"click, cli-i-i-ck, click," representing "dot, dash, dot" on the +printed slip we read from, could be heard over all. Then there was the +rapid whir of a Wheatstone fast-speed transmitter, sending dots and +dashes at express speed by mechanical means; the sharp well-pronounced +rattle in sounds of equal length of a needle instrument; and most +curious of all, the "rrrrr-op, rr-op, rrrrrrrrrrrrr-op, rrrrr-op, +rr-op" of the A B C, the deadliest foe to the telephone in its +endeavours to gain admission into the family of telegraph instruments. +There may be reason in this, for as the Wheatstone A B C is the +instrument used for private telegraphy, or for the least important +public offices, because it requires no "code" to be learned by the +manipulator, so it would likely be the first to be displaced if an +acoustic telegraph permanently took the field. So the sentient little +A B C opens its mitrailleuse fire on the intruder, on whose delicate +currents, in the words of an accomplished electrician, it plays "old +harry." The peculiar character of the sounds we borrow on the telephone +from this instrument arises from the fact that as the needle flies +round the dial, a distinct current or pulsation passes for each letter, +and the final "op" we have tried to represent shews the stoppage of the +needle at the letters as words were spelled out. + +'It must not be understood that the _sounds_ of those various +instruments are actually heard in the telephone. What happens is, that +the currents stealing along the telephone wire by induction produce +vibrations in the diaphragm of that instrument, the little metal +membrane working on the magnet in ready response to every current set +up in the latter. When it is remembered that the principle of the +telephone is that the sound-caused vibrations in the filmy diaphragm +at one end create similar but magnetically-caused vibrations in the +diaphragm at the other end, and so reproduce the sound, it will be +obvious why the rapid roll of the A B C currents, or the swift sending +of the fast-speed transmitter, when brought by induction into the +telephone wire, cause disturbances in the sound vibrations, and thereby +cripple the instrument. One instrument of either kind named would have +a certain effect, but one Morse or single needle would not have any +greatly prejudicial effect. But a number of Morses or needles going +together, such as were heard in our experiments, would combine to be +nearly as bad as one A B C or fast-speed Morse. So delicate is the +diaphragm to sound (and necessarily so), that in all experiments with +the telephone itself, such as those with "resistance," or those made +at home to test the instrument apart from telegraphic considerations, +every sound from without broke in, giving an effect like the well-known +"murmur of the shell." + +'Joining up our wire now to a more distant station at some miles +along the railway, and having on its poles a number of what are known +as "heavy" circuits, the pot-boiling sound assumed even more marked +characteristics. The A B C no longer affected us; but a number of Morse +instruments were in full gear, and the fast-speed transmitter was also +at work. While we were listening, the circuit to which we were joined +began to work, and the effect was literally electrical. Hitherto we had +only borrowed currents--or, seeing they were so unwelcome, we might +call them currents thrust upon us--and the sounds, though sharp and +incessant, were gentle and rather low. But when the strong current was +set up in the wire itself, the listener who held one of our telephones +nearly jumped from the floor when an angry "pit-_pat_, pit-_pat_, +pit-_pat_-pit" assailed his ear, causing him to drop the instrument as +if he had been shot! It was a result none of us had expected, for it +did not seem possible that the delicate metal diaphragm and the little +magnet of the telephone could produce a sound so intense. Of course +it was only intense when the ear was held close to the orifice of the +instrument. Held in the hand away from the ear, the telephone now made +a first-rate "sounder," and we could tell without difficulty not only +the signals that were passing, but found in it a more comfortable tone +than that given by the Morse sounder in common use. + +'Other experiments of a like character led to results so similar, +that they may be left unnoticed; and we proceed now to describe one +of a different character, designed to test the telephone itself. +At a distance of about half a mile, access was obtained to a Morse +instrument in private use, and joined to the office by "overhouse" +wire. Dividing our party and arranging a programme of operations, two +remained with a telephone in the office, while other two, of whom the +writer was one, proceeded with the second telephone to the distant +instrument. By an arrangement which a practical telegraphist will +understand, the key of the Morse was kept in circuit, so that signals +could be exchanged in that way. It may be noticed, however, that this +was hardly necessary, as the diaphragm of the telephone can be used as +a key, with the finger or a blunt point, so that dot and dash signals +are interchangeable, should the voice fail to be heard. As the wire in +this instance travelled almost alone over part of its course, we were +in hopes that induced currents would be conspicuous by their absence. +In this we were, however, disappointed, for the pot was boiling away, +rather more faintly, but with the "plop-plop-plop" distinctly audible, +and once more a sharp masterful Morse click was heard coming in now and +again. The deadly A B C was, however, absent, so that our experiment +proved highly successful. For some reason or another--probably an +imperfect condition of the wire, or the effects of "induction" over and +above what made itself audible to us--the spoken sounds were deficient +in distinctness; but songs sung at either end were very beautifully +heard, and indeed the sustained note of sung words had always a better +carrying-power than rapidly spoken words. Every syllable, and every +turn of melody of such a song as _My Mother bids me bind my Hair_, sung +by a lady at one end, or _When the Heart of a Man_, sung at the other, +could be distinctly heard, but with the effect before noticed, that the +voice was muffled or shut in, as if the singer were in a cellar, while +it was not always possible to say at once whether the voice was that of +a man or a woman. + +'In the course of some domestic experiments, it was remarked that in +playing the scale downwards from C in alt. on the piano, the result +to the listener was a "tit" only for the four upper notes, although +all below that had a clear "ting," and the octaves below were mostly +distinct, although at the low notes of the piano the sound was again +lost. The ringing notes of a musical box were not so successful, but +with close attention, its rapid execution of _Tommy Dodd_ could be well +enough made out. An endeavour was made to catch the ticking of a watch, +but this was not successful, and the experiment is not recommended, +as the near presence of a watch to a magnet is not desirable; and the +watch exposed to it in this instance was, it is thought, affected for a +short time thereafter, although it received no permanent damage. + +'The observations made in the course of these experiments convinced +those present that the telephone presents facilities for the dangerous +practice of "tapping the wires," which may make it useful or dangerous, +according as it is used for proper or improper purposes. It might be +an important addition for a military commander to make to his flying +cavalry; as an expert sound-reader, accompanying a column sent to +cut off the enemy's telegraph connections, might precede the act of +destruction by robbing him of some of his secrets. The rapidity and +simplicity of the means by which a wire could be "milked," without +being cut or put out of circuit, struck the whole of the party engaged +in the various trials that are described above. Of course the process +of tapping by telephone could not be carried out if the instrument in +use was an A B C or single needle, or if the wire was being worked +duplex or with a fast-speed Morse, for in these cases the sounds are +too rapid or too indefinite to be read by ear. The danger is thus +limited to ordinary sounder or Morse telegraphs; but these still form +the mainstay of every public system. + +'Since the trials above described were made, the newspapers have +recorded a beautiful application by Sir William Thomson, of the +electric part of the telephone to exhibit at a distance the motions +of an anemometer; the object being to shew the force of air-currents +in coal-mines. This is a useful application of an electric fact, and +doubtless points the way to further discoveries. But it is to be +noticed that the experiment, interesting as it is, hardly comes under +the head of a tele_phone_, what is reproduced at a distance being not +sound but motion. + +'Obviously the invention cannot rest where it is; and no one more +readily than the practical telegraphist will welcome an instrument +at once simple, direct, and reliable. Even in its present form the +telephone may be successfully used where its wire is absolutely +_isolated_ from all other telegraph wires. But the general impression +is that its power of reproducing the sound must be intensified before +its use can become general even as a substitute in works or offices for +the speaking-tube.' + + + + +SINGING MICE. + + +These interesting animals are said to be smaller than ordinary mice, +to be usually of a brownish colour, and to have long ears. Naturalists +have not come to any exact reason as to why they sing. Some persons +impute the singing to disease, as in the wheezing of any one from a +cold. Others attribute it to an internal parasite. But these seem +unsatisfactory explanations; for when the little creatures sing they +are as lively as common domestic mice. The faculty of singing in a +small way with various modulations appears to be quite natural to the +animals. It has been noticed that during their musical performances +there is a throbbing in the throat, and that the snout is elevated +in giving play to the voice, as in the warbling of birds. The song +or warble of these mice is said to be sweet and varied. Hitherto not +much attention has been given by zoologists to the phenomenon; but we +observe by various notices in _Land and Water_ and in _Nature_, two +periodicals devoted to pleasant discussions on subjects of natural +history, &c., that singing mice are becoming objects of careful +investigation. + +An amusing account of a singing mouse appears in _Nature_, Nov. 9, from +the pen of Mr Joseph Sidebotham, dating from Menton, south of France. + +'Last winter we occupied the rooms we now do at Menton. Early in +February we heard as we thought the song of a canary, and fancied it +was outside our balcony; however, we soon discovered that the singing +was in our _salon_, and that the songster was a mouse. At that time the +weather was rather cold, and we had a little fire, and the mouse spent +most of the day under the fender, where we kept it supplied with bits +of biscuit. In a few days it became quite tame, and would come on the +hearth in an evening and sing for several hours. Sometimes it would +climb up the chiffonier and ascend a vase of flowers to drink at the +water, and then sit and sing on the edge of the table and allow us to +go quite near to it without ceasing its warble. One of its favourite +haunts was the wood-basket, and it would often sit and sing on the +edge of it. On February 12, the last night of the Carnival, we had +a number of friends in our _salon_, and the little mouse sang most +vigorously, much to their delight and astonishment, and was not in the +least disturbed by the talking. In the evening the mouse would often +run about the room and under the door into the corridor and adjoining +rooms, and then return to its own hearth. After amusing us for nearly +a month, it disappeared; and we suspect it was caught in a trap set in +one of the rooms beyond. The mouse was small and had very large ears, +which it moved about much whilst singing. The song was not unlike that +of the canary in many of its trills, and it sang quite as beautifully +as any canary, but it had more variety, and some of its notes were +much lower, more like those of the bullfinch. One great peculiarity +was a sort of double song, which we had now and then--an air with an +accompaniment. The air was loud and full, the notes being low and the +accompaniment quite subdued. Some of our party were sure that there was +more than one mouse, until we had the performance from the edge of the +wood-basket and were within a yard or two of it. My son has suggested +that many or all mice may have the same power, but that the notes are +usually so much higher in the scale that, like the cry of the dormouse +and the bat, they are at the verge of the pitch to which the human ear +is sensitive. This may be so; but the notes of our mouse were so low, +and even the highest so far within the limits of the human ear, that I +am inclined to think the gift of singing in mice is but of very rare +occurrence.' + +In the same periodical, the following additional particulars as regards +singing mice are presented by Mr George J. Romanes, Regent's Park. + +'Several years ago I received some of these animals from a friend, and +kept them in confinement for one or two months. The description which +your correspondent gives of their performance leaves very little to +be added by me, as in all respects this description agrees perfectly +with my own observations. I write, however, to remark one curious +fact about the singing of these mice, namely, that it seemed to be +evoked by two very opposite sets of conditions. When undisturbed, the +little animals used for the most part to remain quiet during the day, +and begin to sing at night; but if at any time they were alarmed, by +handling them or otherwise, whether during the day or night, they were +sure to sing vigorously. Thus the action seemed to be occasioned either +by contentment or by fear. The character of the song, however, was +slightly different in the two cases. + +'That these mice did not learn this art from singing birds there can +be no doubt, for they were captured in a house where no such birds +were kept. It may be worth while to add that this house (a London one) +seemed to have been suddenly invaded, so to speak, by a number of these +animals, for although my friend has lived in this house since the year +1862, it was only during a few months that singing mice were heard +in it, and during these few months they were heard in considerable +numbers.' + +As corroborative of the foregoing notices, we give the following very +interesting account of a singing mouse, obligingly sent to us by a +correspondent, Mr Alfred Wright. + +'In the early spring of last year I was invited by an old widow lady +to see a singing mouse, which she had at night heard singing and +scratching beneath the floor of her bed, and been so fortunate as to +catch in a trap. I went, and found the little animal in a cage with +a revolving wheel, similar to that in which a squirrel is usually +confined. Whether the mouse was shy at the presence of a stranger, I +do not know. It remained silent; but at length, after my patience had +been nearly exhausted, it began to sing in clear warbling notes like +those of a bird. When I called the next evening to hear the mouse +again, I heard him to perfection; and was so filled with interest in +the novelty, that I begged permission to bring any friend who was +a sceptic of the fact, or who might desire to see the phenomenon. +My request was readily granted. One friend of course had heard of +a singing mouse, but he certainly would not allow that a prolonged +squeak was a song--not he! Another friend of course had heard a mouse +sing when he was a boy; but he was told, he perfectly well remembered, +that the _noise_ produced by the mouse was the result of some internal +disease. Well, both of these went with me to hear the little creature. +Unfortunately, at first it was again shy; but after an interval of +silence it commenced to sing--sweetly, like the low notes, the jug, of +the nightingale. My friends had come, had heard, and were conquered! +The one acknowledged it was really a song and not a squeak; the other, +that the noise was certainly dulcet; but still he thought it possibly +might be the result of disease, and not natural to the little animal. +We suggested that this wonderful natural curiosity (as we deemed it) +should be sent to an eminent naturalist who resided near. Great, +therefore, was my astonishment and pleasure when it was presented to +me, who could only treat it like a schoolboy would his white mouse--as +a pet. And truly it became a great pet to both my wife and myself. + +'In form, the singing mouse did not differ from his humbler brethren; +but in colour he was of a darkish brown, and had very bright eyes. It +soon became used to the presence of my wife, and sang constantly while +revolving the wheel of his cage. The notes proceeded from the throat. +He became exceedingly gentle, and was pleased at being caressed. + +'I deemed him so rare a curiosity that I ventured to offer to exhibit +him to the distinguished naturalist referred to above, and in my letter +described the little creature and its peculiarities, as I have done +here. The naturalist most courteously replied: "The case of the singing +mouse is very extraordinary, but the fact is now well established.... +The best account which has ever been published is by an American +naturalist, and I have given an abstract of his account in my _Descent +of Man_. + +"The American referred to is the Rev. S. Lockwood, author of _The +American Naturalist_, and he gives an account of his observations of +the _Hesperomys cognatus_, an American species, belonging to a genus +distinct from that of the English mouse. This little animal gave two +chief songs. Mr Lockwood gives both songs in musical notation; and +adds, that though this mouse 'had no ear for time,' yet she would keep +to the key of B (two flats) and strictly in the major key.... Her soft +clear voice falls an octave with all the precision possible; then at +the wind up it rises again into a very quick trill in C sharp and D." +I have made this quotation, as it far better describes the peculiar +qualifications of a singing mouse, than my inexperienced observations +could announce. + +'My mouse remained in contented confinement upwards of a year, feeding +upon a little sopped bread and canary-seed; and great was the grief of +my wife (who was his keeper) and myself when he was found dead in his +little nest. During the previous evening he had been heard singing with +more than usual ardour.' + +We shall probably return to this interesting subject. + + + + +USING UP WASTE SUBSTANCES. + + +The subject denoted by the above title, more than once treated in the +_Journal_, is adverted to by an obliging Lancashire correspondent +who, surrounded by one of the busiest and most ingenious clusters +of townsmen in England, has had his attention drawn to various +substances waiting (as it were), for application to useful purposes. +His suggestions are not wholly new, having to some extent been already +anticipated; but they are sufficiently valuable to call for notice here. + +One relates to the waste that presents itself in the processes of +manufacturing cotton. A residue known technically as _willowings_, +that falls into a receptacle during the preparatory beating and +disentangling of raw cotton-wool, consists of a dusty heap of +seed-husks and short broken fibres. It is used by farmers to absorb the +liquid manure of their cowsheds and middens or dung-heaps. Although +some of the cottony fibre may be separated through a sieve, so much +adheres to the seed-husk as to render it unsuitable for paper-making, +for which it has often been tried. The suggestion now made is, that +though unfitted for paper, this refuse may possibly be found useful +in the manufacture of _millboard_. Large quantities of this tough and +durable product are employed for bookbinding, for making the discs of +railway wheels, &c.; and as colour is not a matter of moment, the idea +is that the mingled residue of cottony fibre and seed-husk might be +rendered available. It is known that millboard made from wood-pulp is +imported to a considerable extent from abroad; and we are told that +'a large portion of the private income of the great German Chancellor +Prince Bismarck is derived from the manufacture of wood-millboard on +his Varzin estate.' Many hundred tons of willowings could be obtained +in Lancashire at a very cheap rate, even as low as two shillings per +hundredweight. + +Another suggestion bears relation to the utilisation of refuse from +the manufacture of prussiate of potash, a most valuable product in +the hands of the manufacturing chemist. The prussiate is obtained in +large ratio from woollen rags, after the separation of all the pieces +that can be worked up into shoddy for cheap cloth. The refuse is +calcined in cast-iron retorts, lixiviated with water, and drained off +for subsequent treatment: leaving behind it a thick black sediment of +impure animal charcoal. The suggestion relates to the application of +this residue to the manufacture of blacking--a humble but valuable +agent for those who appreciate tidiness in the appearance of boots and +shoes and economy in the preservation of leather. If useful for this +purpose, it might be found advantageous and economical as an ingredient +in printers' ink. Whether this carbon residue is at present applied to +any other useful purpose, we are not fully informed. + +A third suggestion relates to the preparation of animal size for the +carpet-manufacture and for that of many kinds of woollen and worsted +goods. This size is made from the clippings and scrapings of skins +and hides, from rejected scraps of parchment and vellum, and from +the worn-out buffalo skin pickers and skips largely used in textile +manufactures; also from the pith of cattle-horns, which contain a large +amount of valuable gelatine. The suggestion is, to utilise the refuse +left after making this size. One large carpet factory in Yorkshire +rejects as utterly useless a ton or more of this refuse every week. +The horn-pith contains as one of its components phosphate of lime, and +is on that account recommended to the notice of the manufacturers of +chemical manures on a large scale. + +One more suggestion comes from our ingenious correspondent. Old corks +are applicable to a greater number of purposes than we are generally +in the habit of supposing. That many of them are ground up to make +cork-stuffing for cushions, padding, &c. is well known; but there are +other uses for them as corks or half corks, besides making floating +buoys and life-preservers. A taverner in a Lancashire town covered the +floor of his lobby and bar with very open rope-matting, and filled up +the openings with old corks cut down to the level of the surface of +the mats. This combination is found to be almost indestructible under +the feet; while it gives a good grip or foothold. As the making of +rope-mats is one of the trades carried on in reformatories and some +other large establishments, it is suggested that the managers should +take into consideration the feasibility of adding old corks to their +store of manufacturing materials. + +As this _Journal_ finds its way into every corner of the busy hives +of industry, it may possibly be that some of our readers are already +acquainted with such applications of waste refuse to useful purposes as +those which our esteemed correspondent suggests. But this is a point +of minor importance. The primary question is, not whether an idea is +absolutely new, but whether it is practicably susceptible of useful +application. The history of manufactures teaches us that apparently +humble trifles like these have proved to be worth millions sterling to +the country. + + + + +LET BYGONES BE BYGONES. + + + Let bygones be bygones; if bygones were clouded + By aught that occasioned a pang of regret, + Oh, let them in darkest oblivion be shrouded; + 'Tis wise and 'tis kind to forgive and forget. + + Let bygones be bygones, and good be extracted + From ill over which it is folly to fret; + The wisest of mortals have foolishly acted-- + The kindest are those who forgive and forget. + + Let bygones be bygones; oh, cherish no longer + The thought that the sun of Affection has set; + Eclipsed for a moment, its rays will be stronger, + If you, like a Christian, forgive and forget. + + Let bygones be bygones; your heart will be lighter, + When kindness of yours with reception has met; + The flame of your love will be purer and brighter + If, Godlike, you strive to forgive and forget. + + Let bygones be bygones; oh, purge out the leaven + Of malice, and try an example to set + To others, who craving the mercy of heaven, + Are sadly too slow to forgive and forget. + + Let bygones be bygones; remember how deeply + To heaven's forbearance we all are in debt; + They value God's infinite goodness too cheaply + Who heed not the precept, 'Forgive and forget.' + + * * * * * + +Printed and Published by W. & R. CHAMBERS, 47 Paternoster Row, LONDON, +and 339 High Street, EDINBURGH. + + * * * * * + +_All rights reserved._ + + + + + +End of the Project Gutenberg EBook of Chambers's Journal of Popular +Literature, Science, and Art, No. 730, by Various + +*** END OF THE PROJECT GUTENBERG EBOOK 51841 *** diff --git a/51841-h/51841-h.htm b/51841-h/51841-h.htm index 91d3635..c016f83 100644 --- a/51841-h/51841-h.htm +++ b/51841-h/51841-h.htm @@ -1,2996 +1,2575 @@ -<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
- "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
- <head>
- <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
- <meta http-equiv="Content-Style-Type" content="text/css" />
- <title>
- The Project Gutenberg eBook of Chambers's Journal, by Various.
- </title>
- <link rel="coverpage" href="images/cover.jpg" />
- <style type="text/css">
-
-body {
- margin-left: 10%;
- margin-right: 10%;
-}
-
- h1,h2,h3,h4,h5,h6 {
- text-align: center; /* all headings centered */
- clear: both;
-}
-
-p {
- margin-top: .51em;
- text-align: justify;
- margin-bottom: .49em;
-}
-
-.ph3{
- text-align: center;
- font-size: large;
- font-weight: bold;
-}
-
-.p2{
- margin-top: 2em;
-}
-
-hr {
- width: 33%;
- margin-top: 2em;
- margin-bottom: 2em;
- margin-left: auto;
- margin-right: auto;
- clear: both;
-}
-
-hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;}
-
-hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;}
-hr.full {width: 95%; margin-left: 2.5%; margin-right: 2.5%;}
-
-table {
- margin-left: auto;
- margin-right: auto;
-}
-
-.pagenum { /* uncomment the next line for invisible page numbers */
- /* visibility: hidden; */
- position: absolute;
- left: 92%;
- font-size: smaller;
- text-align: right;
-} /* page numbers */
-
-.center {text-align: center;}
-
-.smcap {font-variant: small-caps;}
-
-.lowercase {text-transform: lowercase;}
-
-/* Images */
-.figcenter {
- margin: auto;
- text-align: center;
-}
-
-
-/* Poetry */
-.poem {
- margin-left:10%;
- margin-right:10%;
- text-align: left;
-}
-
-.poem br {display: none;}
-
-.poem .stanza {margin: 1em 0em 1em 0em;}
-
- .poem span.i0 {display: block; margin-left: 0em; padding-left: 3em; text-indent: -3em;}
- .poem span.i2 {display: block; margin-left: 1em; padding-left: 3em; text-indent: -3em;}
-
-@media handheld
-{
-
- lowercase {text-transform: uppercase}
-}
-
- </style>
- </head>
-<body>
-
-
-<pre>
-
-The Project Gutenberg EBook of Chambers's Journal of Popular Literature,
-Science, and Art, No. 730, by Various
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-
-Title: Chambers's Journal of Popular Literature, Science, and Art, No. 730
- December 22, 1877
-
-Author: Various
-
-Editor: William Chambers
- Robert Chambers
-
-Release Date: April 23, 2016 [EBook #51841]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK CHAMBERS'S JOURNAL, DECEMBER 22, 1877 ***
-
-
-
-
-Produced by Susan Skinner and the Online Distributed
-Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-</pre>
-
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_801" id="Page_801">{801}</a></span></p>
-
-<h1>CHAMBERS'S JOURNAL<br />
-OF<br />
-POPULAR<br />
-LITERATURE, SCIENCE, AND ART.</h1>
-
-<div>
-<h2>CONTENTS</h2>
-
-<p class='center'>
-
-<!-- Autogenerated TOC. Modify or delete as required. -->
-
-<a href="#CHRISTMAS-TIME">CHRISTMAS-TIME.</a><br />
-<a href="#A_CAST_OF_THE_NET">A CAST OF THE NET.</a><br />
-<a href="#FEATS_OF_ENDURANCE">FEATS OF ENDURANCE.</a><br />
-<a href="#A_DIFFICULT_QUESTION">A DIFFICULT QUESTION.</a><br />
-<a href="#IS_THE_TELEPHONE_A_PRACTICAL">IS THE TELEPHONE A PRACTICAL SUCCESS?</a><br />
-<a href="#SINGING_MICE">SINGING MICE.</a><br />
-<a href="#USING_UP_WASTE_SUBSTANCES">USING UP WASTE SUBSTANCES.</a><br />
-<a href="#LET_BYGONES_BE_BYGONES">LET BYGONES BE BYGONES.</a><br />
-
-<!-- End Autogenerated TOC. -->
-
-</p>
-
-
-
-
-
-<hr class="full" />
-
-<div class="figcenter">
-<img src="images/header.png" width="600" height="294" alt="Chambers's Journal of Popular Literature, Science, and Art. Fourth Series. Conducted by William and Robert Chambers." />
-</div>
-
-
-<hr class="full" />
-<div class="center">
-<table border="0" cellpadding="4" cellspacing="0" summary="" width="85%">
-<tr><td align="left"><b><span class="smcap">No.</span> 730.</b></td><td align="center"><b>SATURDAY, DECEMBER 22, 1877.</b></td><td align="right"><b><span class="smcap">Price</span> 1½<i>d.</i></b></td></tr>
-</table></div></div>
-
-<hr class="full" />
-
-<div>
-
-<h2><a name="CHRISTMAS-TIME" id="CHRISTMAS-TIME">CHRISTMAS-TIME.</a></h2>
-
-
-<p>'<span class="smcap">So</span> many men so many minds' has been a proverb
-long before our days, and will be to the end
-of time and human history; and uniformity of
-sentiment is the one thing which men need never
-hope to attain.</p>
-
-<p>Christmas-time is one of these battle-fields of
-feeling. To some it is just the consecration of
-so many circumstances of torture; to others the
-meeting-point of so many facts of pleasure. From
-the conventional greeting to the orthodox dinner—from
-the 'seasonable gifts' that are more obligatory
-than voluntary, to the toast that heralds the
-punch, and the dreams that follow on that last
-glass—all is so much pain to the flesh and weariness
-to the spirit; and they wonder how any one
-can find it otherwise. What is there in Christmas-time
-to make it pleasurable? they say. The
-gathering together of the family? A lot of rough
-boys home from school, who spoil the furniture
-and tease the dogs, lame the horses and ravage
-the garden, make the servants cross, the girls
-rude, and the younger children insubordinate; who
-upset all the order of the house, destroy its comfort
-like its quiet, and to whose safe return to
-discipline and your own restoration to tranquillity
-you look forward with impatient longing
-from the first hour of their arrival to the last
-of their stay? Or the advent of your married
-daughter with her two spoilt babies, who cry if
-they are looked at and want everything that they
-see, and that very objectionable young man her
-husband, with his ultra opinions and passion for
-argument, whom she would marry in spite of all
-that you could say, but to whom you can scarcely
-force yourself to be decently civil, not to speak of
-cordial, and whose presence is a perpetual blister
-while it lasts? Is this the family gathering about
-which you are expected to gush?—this with the
-addition of your son's fine-lady wife who snubs his
-mother and sisters with as little breeding as
-reserve, finds nothing at your table that she can
-eat, lives with her smelling-bottle to her nose and
-propped up with cushions on the sofa, and gives
-you to understand that she considers herself
-humiliated by her association with your family,
-and your son as much exalted as she is degraded?
-This is the domestic aspect of Christmas-time
-which is to make you forget all the ordinary
-troubles of life, creating in their stead a Utopia
-where ill-feeling is as little known as <i>ennui</i>, and
-family jars are as impossible as personal discomfort
-and dissent. Holding this picture in your
-hand, you decline to subscribe your name to the
-Io pæan universally chanted in praise of Christmas,
-and wrap yourself up in sullen silence when
-your neighbour congratulates you on having all
-your family about you, and wishes you a merry
-Christmas as if he meant it.</p>
-
-<p>If the domestic aspect is disagreeable, what is
-the social?—A round of dinners of which the
-<i>menu</i> is precisely the same from Alpha to Omega:—turbot
-and thick lobster-sauce; roast-beef and
-boiled turkey; indigestible plum-pudding and
-murderous mince-pies; with sour oranges and
-sweet sherry to keep the balance even, and by the
-creation of two acids perhaps neutralise each
-other and the third. This is the food set before
-unoffending citizens under the name and style
-of Christmas dinners for the month or six weeks
-during which the idiotic custom of Christmas dinners
-at all is supposed to last. You are expected
-to live in this monotony of dyspepsia and antipathetic
-diet till you loathe the very sight of the
-familiar food, and long for a change with a
-vehemence which makes you ashamed of yourself,
-and more than half afraid that you are developing
-into a gourmand of the worst kind.</p>
-
-<p>As if your nights were not sufficiently broken by
-the horrible compounds which trouble your digestion
-and disturb your brain, torturers known as
-the 'waits' prowl through the streets from midnight
-to dawn, causing you agonies beyond those which
-even the hurdy-gurdy men inflict. You are just
-falling to sleep—painfully courted and hardly won—when
-a hideous discord worse than the wailings
-of cats startles you into a nervous wakefulness
-which banishes all hope for that night. What can
-you do? They are too far off for that jug of<span class="pagenum"><a name="Page_802" id="Page_802">{802}</a></span>
-water to take effect, and you must not fire;
-anathemas do not hurt them, and if said aloud
-only waken up your wife and make her cry if
-she does not preach. You have nothing for it
-then but to lie still and groan inwardly, devoting
-to the infernal gods all the idiotic circumstances
-by which your life is rendered wretched, and
-your health, already frail, set still further wrong.
-In the morning, when wearied and nervously
-feverish from want of sleep, you go into the
-garden for a little quiet and delectation, you find
-your greenhouses stripped of the flowers which you
-had been lovingly watching for weeks, and your
-evergreens as ridiculously cropped as a shaved
-poodle. This is the day for the decoration of the
-church, and you, having made an expensive hobby
-of your garden, have to contribute what has cost
-months and good money to rear, for the childish
-satisfaction of John and Joan, lasting just two
-hours and five minutes. Not only have you lost
-your flowers and your evergreens—that splendid
-holly, which yesterday glowed like a flame, today
-nothing but a bundle of chopped ends!—but
-you know that your favourite daughter is flirting
-with the curate, and that a great deal is going on
-under cover of wreaths and crosses, laurustinus and
-chrysanthemum, of which you strongly disapprove
-yet cannot check. It is Christmas-time; decorating
-the church has become in these later days a kind
-of religious duty; and as a conscript father of
-your village, you must not forbid your daughter
-this pious pleasure any more than you can refuse
-your costly contribution in kind.</p>
-
-<p>Turn to the financial side of the time; and
-what have you?—bills coming in that you neither
-expected nor knew of, and every one looking for a
-Christmas-box, and insolent or irritated if they
-do not get it. The servants obsequious to the
-worth of half a sovereign—tradesmen and their
-lads punctual in anticipation of half-crowns—postmen
-levying blackmail, and watermen and
-dustmen demanding as their right that they should
-be fee'd for their persistent neglect of duty—every
-one making a dead set at your pocket and trying
-to get your money for themselves—the very
-children more caressing and affectionate because it
-is Christmas and papa always gives them something
-on Christmas-day:—You groan as you ask
-yourself where is disinterestedness on this earth?—and
-you groan still more as you draw your cheques
-and reduce your balance and wonder by what law
-of right it is that you should be the pipe by which
-other folks are to be supplied.</p>
-
-<p>No; you see no good or pleasure in this boasted
-Christmas-time as we keep it up in our benighted
-country. Its mirth is a sham and its inflictions
-are only too real. A time of tumult and expense,
-of indigestion and discomfort, you wait, grimly or
-fretfully as your mood may be, till it has passed
-and the current of your life is allowed to flow
-evenly as before. When you hear people sing its
-praises you long to stop their mouths, as you
-longed to silence the waits who woke you up out
-of your first sleep and spoilt your rest for the
-night. What manner of men are these, you think,
-who can find cause of congratulation in so much
-absurdity, if the fun is real to them—so much
-dreary make-believe, if it is unreal? You despise
-your genial, laughing, merry-hearted neighbour
-who goes into everything <i>con amore</i>, and accepts it
-all, from forfeits and snapdragon to plum-pudding
-and Christmas-boxes, as if he really liked it. You
-think what a fool he must be to be pleased with a
-rattle, tickled with a straw like this. But for the
-most part you do not believe in his mirth; and
-then you despise him still more as a hypocrite as
-well. For a hypocrite shamming folly is an
-offender against reason as well as truth, whom you
-find it hard to forgive, let the motive of his mummery
-be what it may.</p>
-
-<p>This is one side of the question; your neighbour
-takes the other.</p>
-
-<p>Who on earth, he says with his hands in his
-pockets, his back to the fire and his kindly smiling
-face to the room, who on earth can grumble at the
-facts of Christmas-time? For his part he finds
-it the jolliest season of the year, and he finds each
-season as jolly as the other, and all perfect in their
-own appointed way. He is none of your crying
-philosophers who go through life bewailing its
-miseries and oppressed by its misfortunes. Not
-he! He thinks the earth beautiful, men and
-women pleasant, and God very good; and of
-all occasions wherein he can transact his cheerful
-philosophy, Christmas is the best. The
-boys are home for their holidays; and it is
-a pleasure to him to take them out hunting
-and shooting, and initiate them into the personal
-circumstances belonging to English country
-gentlemen. He looks forward to the time when
-they will take his place and carry on the
-traditions of the family, and he wishes them to
-be worthy of their name and an honour to their
-country. He is not one of those nervous self-centred
-men who live by rule and measure and
-cannot have a line of the day's ordering disturbed.
-He likes his own way certainly; and he
-has it; but he can press his elbows to his sides
-on occasions, and give room for others to expand.
-He does not find it such an unbearable infliction
-that his boys should come home and racket about
-the place, even though they are a little upsetting,
-and do not leave everything quite as smooth and
-straight as they found it. He remembers his own
-youth and how happy it made him to come home
-and racket; and he supposes that his lads are very
-much the same as he was at their age. He thinks
-too that they do the girls good—wake them up a
-little—and while not making them rough or rude—the
-mother takes care of that—yet that they prevent
-them from becoming prim and missy, as
-girls are apt to be who have no brothers and are
-left too much to themselves. Certainly he does
-not approve of the flood of slang which is let loose
-in the house during their stay; but school-boy
-slang at the worst is not permanent, and in a
-week's time will be forgotten.</p>
-
-<p>As for the married daughter's children, they are
-the merriest little rogues in the world; and his
-wife looks ten years younger since they came. She
-was always fond of babies; and her grandchildren
-seem to renew her own past nursery with all the
-pleasure and none of the anxiety of the olden time.
-He rather wonders at his girl's taste in the matter
-of her husband—most fathers do—and cannot for
-the life of him see what there is to love in him.
-But if not an Alcibiades he is a good fellow in the
-main, and makes his young wife happy; which is
-the principal thing. And if his daughter-in-law is
-a trifle stiff, and fond of giving herself fine-lady
-airs, he for his part never stands that kind of
-nonsense, and will laugh her out of it before she<span class="pagenum"><a name="Page_803" id="Page_803">{803}</a></span>
-has been twenty-four hours in the house. He
-finds good-humour and taking no offence the best
-weapons in the world against folly and ill-temper;
-and prefers them as curative agents to any other.
-The girl is a nice girl enough, but she has been
-badly brought up—had a lot of false ideas instilled
-into her by a foolish mother—but when she has
-been away from the old influences, and associated
-with themselves for a little while, she will open
-her eyes and see things in their right light. Who
-indeed could resist the sweet sensible influence of
-his wife, her mother-in-law?—and are not his girls
-the very perfection of honest wholesome English
-ladies? It will all come right in time; he has no
-doubt of that; and meanwhile they must be patient
-and forbearing for Dick's sake, and not make
-matters worse than they are by their own want of
-self-control.</p>
-
-<p>Then as to the Christmas-boxes and the tips
-sacred to the season—well! well! after all they
-do not amount to much in the year, and see what
-pleasure they give! A man must be but a poor-spirited
-surly kind of hound who does not like to
-see his fellow-creatures happy; and a very little
-kindness goes a great way in that direction. He
-takes care to live within his income, and therefore
-he has always a margin to go on; and he does not
-object to use it. The servants have been very good
-on the whole, and do their duty fairly enough.
-And when they fail—as they do at times—why, to
-fail is human, and are they alone of all mankind
-to be blameless and never swerving in the right
-way? And are they alone of all mankind to be
-judged of by their worst and not by their best?—to
-be blamed for failure, but not praised for
-well-doing? He does not think so; and not
-thinking this, his half-sovereigns are given freely
-without the grudging which makes them an
-ungracious tax instead of a kindly voluntary gift.
-The tradespeople, too, do fairly well, and—they
-must have their profit like any one else! Those
-Christmas-boxes to their lads may be the nest-eggs
-for future savings; and even if they do go
-in a little finery or personal pleasure instead—young
-people will be young, and his own boys
-are fond of being smart and amused: so why not
-these others? You grumble at the waits? If you
-in your warm bed, well fed, well clothed, prosperous
-altogether, fret at the loss of an hour's sleep,
-what must these poor fellows feel, out in the cold
-frosty night, with the wind blowing and the sleet
-falling fast, and they not half fed nor a quarter
-clothed? For his own part he would like to give
-them a glass of hot grog all round; and as for
-grumbling at the few coppers which they brave
-all this physical discomfort to earn, he makes it
-shillings, and hopes it will do them good. We
-must live and let live, he says with his broad
-smile; and if we are sometimes a little inconvenienced
-by the efforts made by the poor to
-accomplish the art of living for their own parts—we
-must remember that our loss is their gain, and
-that they are men and women like ourselves—fathers
-of families who want to keep the pot boiling
-and the fire alight—mothers who love their
-children, and are anxious to do the best for them
-that nature and man will allow.</p>
-
-<p>You complain of indigestion and grumble at
-the monotony of your Christmas fare?—That is
-strange! Who can grumble at good plain succulent
-meat?—and why do you eat the sweets if they
-disagree with you? Neither pudding nor mince-pie
-comes into the eternal necessities of things,
-and you would do very well if only you would
-refrain. He does not eat things that he cannot
-digest, and in consequence he sleeps well, and when
-he wakes has neither regret nor remorse. Surely
-that is not such a painful trial—to forbear eating
-what is hurtful to your health, and in touching
-your health corroding your happiness as well.</p>
-
-<p>In a word, the whole difference of the spirit in
-which we meet the facts of Christmas depends
-on the good or ill humour with which we are
-naturally endowed, and which we have cultivated
-by common-sense on the one hand, or suffered to
-ride rough-shod over our reason on the other. If
-we are unselfish and sympathetic, Christmas-time
-is as pleasant to us as popular tradition would
-make it; if we are egotistical and peevish, it
-is a wearisome infliction and a sham which no
-honest man can pretend to believe in, nor any
-sensible one to admire.</p>
-
-<p>For our own part we believe in Christmas,
-because we believe in the kindness of man to man,
-in genial good-humour, in unselfishness, and the
-liking of wholesome natures to give happiness;
-and so far as we have gone yet we have seen no
-reason to change our views. A merry Christmas
-then to you all, friends, readers, and countrymen;
-and a happy New Year to follow after; and may
-God bless the rich and care for the poor, and lead
-us all in the right way while the day lasts and
-before the night has come!</p>
-
-
-
-<hr class="chap" /></div><div>
-<h2><a name="A_CAST_OF_THE_NET" id="A_CAST_OF_THE_NET">A CAST OF THE NET.</a></h2>
-
-<p class='ph3'>THE STORY OF A DETECTIVE OFFICER.</p>
-
-
-<h3>CHAPTER IV.</h3>
-
-<p><span class="smcap">Long</span> after it had grown quite dark, all remained
-quiet, and at last I resolved upon making a move.
-I had determined upon fetching Peter Tilley. I
-had plenty of assistance, but I thought I should
-like to have Peter with me. So I went down to
-the ferry; a gas-light which burned at the corner
-shewed me before I left my post that the bony
-ferryman was not there; and choosing a pretty
-good boat, with a strong young fellow to pull, I got
-in. It was a most unpleasant night; as dark as
-pitch, which was bad enough, but every now and
-then it lightened, which was worse, as it dazzled
-my eyes, and made me think we were running
-smash on board some great vessel which I had not
-seen a moment before, and couldn't see a moment
-after. However, the boatman was used to all
-kinds of weather, I suppose, and knew the river
-thoroughly; so through the darkness and the rain,
-which never left off for a moment, we reached the
-other side.</p>
-
-<p>I left the boat to wait for me, and ran up to the
-<i>Yarmouth Smack</i>. I looked in, and saw Peter
-leaning against the bar and smoking a short pipe,
-as a labourer ought to do; and he was talking in
-a friendly way to some rough-looking fellows. I
-slipped in, and using the name we had agreed
-upon, spoke to him. He knew my voice of course;
-but seeing me so changed, for my make-up was
-really splendid (it was, although I say so that
-shouldn't), it gave him such a shock that he was<span class="pagenum"><a name="Page_804" id="Page_804">{804}</a></span>
-obliged to put the pewter down he was going to
-drink from and look steadily at me before he
-answered. 'I'm acoming,' he said at last, and we
-got outside; when, as we walked down to the ferry,
-I gave him a sort of idea of what was going on, and
-how I expected to make a great catch that night.
-Peter of course was very glad to be in for such a
-big thing as this, for he had never been mixed up
-with anything so important.</p>
-
-<p>Not to trust the boatman too much, I kept Peter
-back a few yards from the water while I finished
-my story, standing a little on one side, so as to be
-out of the way of the people who came and went
-to and from the ferry. While I was talking to
-him, a wherry ran in; we heard her grate on the
-pebbles and the sculls rattle as the man laid 'em
-in; but that we had heard before. It's a part of my
-habit to notice little things however, and I looked
-to see who had come in by this boat. There was
-only one passenger, a woman, and she passed us
-walking quickly; but quick as she walked, I saw
-her, and she saw me. Blessed if it wasn't Miss
-Doyle! My being there was no odds to Miss Doyle,
-nor could it have signified to her if she had seen
-me fifty times; yet I felt I would rather not have
-met her just then; it looked unlucky, and she was
-such an uncommonly sharp one too. Sharp or not,
-I couldn't see what she could make out of my
-standing under a wall on a wet night talking to
-another labourer.</p>
-
-<p>Having finished my explanation, we both got
-into the wherry, and I asked the man if he would
-like a good long job, which might perhaps last
-all night.</p>
-
-<p>'The longer the better, governor,' he says, 'if
-the pay is accordin'.'</p>
-
-<p>'The pay <i>will</i> be accordin',' I answered; 'and so
-you are engaged.'</p>
-
-<p>The first thing I made him do was to row
-round that oyster-smack, for the tide had risen
-enough to take us round her. I shewed no light,
-but we went inside her twice; and the fellow on
-the watch was very sharp, so he was leaning over
-the side when we came round the second time, and
-I could say quite quiet-like: 'I am in this boat
-now—watch the river.' That was quite enough;
-he knew he would not now have to look to the
-<i>Anchor</i> for signals.</p>
-
-<p>After this began what I believe was the most
-disagreeable sort of patrol I ever had. There was
-a time when I used to envy the Thames police;
-but I can't say I ever did after that night. We
-were obliged to be in motion almost continually,
-because we did not know from which side of the
-river the paper might come, and we weren't quite
-sure that it would come at all, especially on that
-night; and I don't know, speaking from my own
-experience, that there is anything more trying to
-the spirits than the pulling backwards and forwards
-and loitering about on the river Thames
-in a raw October night with a small thick rain
-falling. Twice we landed, and went once to the
-<i>Smack</i> and once to the <i>Anchor</i>. I couldn't grudge
-the men a glass of hot grog; in fact I was obliged
-to have some myself, even if I missed my capture
-through it.</p>
-
-<p>It grew later and later; the flashes of lightning
-still came at long intervals; but the lights on the
-shore went out, and excepting the gas-lamps which
-burnt at street-corners, ferries, and wharfs, all
-was dark. The traffic on the river had long
-ceased, no shouts or rattle of wheels came from the
-shore; and the rain still falling, it was, I give you
-my word, most horribly miserable, dull and sloppy
-beyond description. Twelve o'clock had struck,
-and one, and perhaps half an hour beyond it. I
-had cautioned my companions to speak very low;
-so the boatman only whispered when he said:
-'It's as quiet as it is likely to be, governor, if
-you've got anything to run. I have just seen the
-police galley creep along on the other side; I see
-her under that lamp. Now's your time.'</p>
-
-<p>He thought we were smugglers! Perhaps he
-didn't care if we were thieves. I told him to be
-patient; when at that very instant, just as we were
-creeping along under the lee of a coal-barge, a
-wherry shot very silently by, right in front of us,
-going across stream, and not six feet from our
-bows. In her sat the sulky ferryman; I knew
-him at a glance, dark as it was. 'Pull after that
-wherry,' I said.</p>
-
-<p>'Peter Tilley, my lad,' I continued, turning to
-Peter, 'the time's acoming, I think.'</p>
-
-<p>'I'm precious glad of it,' says Peter; 'for I'm
-catching a cold in my head every minute I sit in
-this confounded boat; and it's all soaking wet
-where I'm sitting.'</p>
-
-<p>Our man pulled on; he was a very strong fellow,
-as I have said, and we could have overtaken the
-other boat directly; but this of course I did not
-want. I knew where to look for the old scamp;
-and sure enough, after a few strokes across stream,
-he bent to the left and ran under the bows of the
-Dutch trader.</p>
-
-<p>All was dark and silent as the grave aboard the
-ship; but that didn't deceive the old boatman,
-nor did it deceive me. I stopped our man in the
-shade of the next vessel, if you can call anywhere
-a shade, when it was all pitch dark. We had not
-been there a minute before I heard a slight noise—it
-was impossible to see any one unless he stood
-between you and the sky—and then I could tell by
-the sound that a man had dropped into the wherry.
-There was no need to tell me what man it was.
-With an almost noiseless dip, the ferryman dropped
-his sculls into the river again and rowed on, we
-still after him. I took it for granted he was going
-to the other side of the ferry; but he suddenly bore
-off to the right, and rowed on for some little time,
-then striking in between two vessels, he went
-straight for the land.</p>
-
-<p>'Where is he going to?' I whispered.</p>
-
-<p>'To the landing at Byrle's wharf,' says the boatman
-in the same tone.</p>
-
-<p>So he was; and it appeared this landing-place
-was at the farther side of the wharf; that is, lower
-down the river.</p>
-
-<p>It was so dark we could hardly see them—for
-we could just make out there were now two
-persons in the boat—but as they reached the shore,
-a lamp that was burning on the wharf helped us a
-little. We could not clearly see what they were
-doing; but they certainly got out of the boat, and
-as certainly there were then more than two figures
-moving about, and seemingly engaged in placing
-parcels in the wherry. But it was very gloomy
-there; they were in the shade of the wharf, and
-the lamp glimmered weak and faint through the
-thick rain. It was the more difficult to see what
-was being done, because there were several boats
-tied up to the landing-place, making some confusion
-in the darkness. At last, however, we could see that<span class="pagenum"><a name="Page_805" id="Page_805">{805}</a></span>
-they were pushing off from the shore; so it was
-time for us to move. We pulled back for a while
-(there was no doubt as to which way the others
-would come), and then sheering off, lay between
-two colliers until we saw the wherry we had
-watched go by, and then we once more pulled
-after them.</p>
-
-<p>'I'm blest if I don't think there's another boat
-following <i>us</i>,' says Peter Tilley, staring as hard as
-he could behind us. I looked, but couldn't see
-anything; and Peter owned he might have been
-mistaken.</p>
-
-<p>We could not make out how many there were
-in the foremost boat. There was only one man rowing,
-that was plain; and he pulled short round at
-the proper place, as I knew he would, and rowed
-towards the Dutch trader. As he did so, we lost
-him for a second, a big steamer lying between us;
-but the hull of this vessel did not obstruct the
-view up the river. I seized the moment, and
-waved my lantern twice. It was all right. As
-quick as thought the light on board the oyster-smack
-was moved twice also, and then we too
-were pulling across the stream. I wanted to
-capture my men on board the trader, as otherwise
-the paper might be got rid of, because I
-couldn't be positively certain that it was not
-already on board. In fact, Mr Edmund Byrle
-was my chief aim, not the skipper.</p>
-
-<p>The wherry pulled under the bows of the vessel;
-we followed just in time to see, by a very convenient
-flash of lightning, two packages handed
-up; then a figure, which we had recognised by the
-same flash as the bony ferryman, got into the ship.
-As he disappeared, our wherry touched the vessel;
-and at the same instant, to my great relief, a long
-black Thames police galley came alongside us, and
-its crew, five constables, with Barney Wilkins, who
-was there as guide, clambered up like cats. I and
-Peter imitated them, but not quite so quickly; and
-when I looked over the bulwark, I saw by the
-light of a couple of lanterns, screened from the
-outside, four or five men, the boatman and the
-skipper being two, lifting up a great lid which
-fitted in the deck—the hatches I heard it called—while
-by their side lay the packages of paper.
-I could not see Mr Byrle; but there was no time to
-consider; we all jumped in at once, the men looking
-round in amazement at the noise. I fancied
-that just then I heard a shout from the boat.</p>
-
-<p>'What do you all want here?' said the skipper
-angrily.</p>
-
-<p>'We hold a warrant'—I began.</p>
-
-<p>'Oh, it is <i>you</i>, is it?' he screeched, like a
-hyena, or something of that sort. 'I owe you a
-little for a past score, and you shall have it.' As
-quick as lightning he pulled a long straight
-knife from the side of his trousers, where it must
-have been in some sort of sheath, and jumped at
-me with such suddenness that he would have
-stabbed me, only Barney Wilkins snatched a
-handspike from the deck, and dashing between us,
-hit him down with such a blow, that the skipper
-fell with a crash like a bullock when it is killed,
-the blood pouring from his head instantly.</p>
-
-<p>It was all as quick as thought. The other men
-were all seized in a breath. So quick was it all
-done, that I had no idea Barney was hurt, until
-he reeled, made a wild clutch as if he caught at
-something for support, and then pitched forward
-on his hands and knees.</p>
-
-<p>'Hollo, Barney!' I said, stooping down to him.
-'What's the matter, old fellow?'</p>
-
-<p>'It's all up, Mr Nickham,' he gasped; 'he's
-done me. I only hope I've killed him. Where's
-the other?'</p>
-
-<p>'Oh, never mind the other, Barney,' I says.
-'Where are you hurt?'</p>
-
-<p>But as I spoke, one of the men came with a
-lantern, and Barney had no occasion to answer
-me, for I could see a straight stream of blood
-running from his chest on to the deck; and
-his hands giving way from weakness, he fell over
-on his side.</p>
-
-<p>'Pull in for the shore, you, sir!' said the sergeant
-of the Thames police to my waterman. 'You
-know Marigold Street? Knock up Mr Gartley, and
-tell him what has happened. Say we are afraid
-to move the man to his house, so he had better
-come aboard.'</p>
-
-<p>'Send one of your own men, will you?' answers
-the boatman. 'I've got something to tell the
-governor' (that was me), 'as I think he ought
-to know.'</p>
-
-<p>'Cut away then, Bill,' says the sergeant to a
-constable; 'these fellows are ironed, and we can
-manage all that are aboard this craft.'</p>
-
-<p>So the man went off in my wherry; and the
-Thames men tried to make poor Barney a little
-more comfortable, while I undid his waistcoat,
-hoping to stop the bleeding.</p>
-
-<p>'It ain't no use,' he said; but in that short
-time his voice was almost gone, and we could tell
-that he was dying. 'I'm done for, Mr Nickham.
-If there's a reward, you'll act fair and square, I
-know; you always was a gentleman—let my sister
-have'—— And with that he gave a gasp, and
-was dead.</p>
-
-<p>I rose up, dreadfully vexed for the poor chap.
-The sergeant and one of his men were looking
-after the skipper, when I felt myself touched on
-the arm.</p>
-
-<p>'I say, sir,' said the boatman, 'when I'm in for
-a thing, I go through with it honourable. Did
-you know as you was followed?'</p>
-
-<p>'Followed? no!' I said.</p>
-
-<p>'I thought we was!' said Peter Tilley.</p>
-
-<p>'We was followed, sir, by a light wherry with two
-people in it,' continues the boatman; 'and when
-they see our boats, they held hard; and as you all
-boarded the ship and the noise began, they rowed
-away as hard as they could go.'</p>
-
-<p>'Which way did they go?' I said.</p>
-
-<p>'Down river,' says the man. 'But it's of no use
-thinking of looking after them now. They are
-ashore long afore this.'</p>
-
-<p>This was likely enough; and it was quite certain
-that Mr Edmund Byrle was one of the two in the
-boat, and I had lost him for the present. Well,
-it couldn't be helped; so we set to work to question
-the men and search the ship, till the doctor came.
-The men knew nothing more about the business
-than that they were going to have two passengers,
-a lady and a gentleman, this voyage. One of the
-Thames men understood Dutch, or we should not
-have heard even this scrap of information. The
-sulky boatman never uttered a word, except that
-once he said as I passed him, and he said it with a
-bitter curse: 'I always had my doubts of <i>you</i>.'</p>
-
-<p>The doctor came off; but poor Barney was stone-dead,
-while the skipper's skull was badly fractured.
-However, the paper was all there; so I supposed,<span class="pagenum"><a name="Page_806" id="Page_806">{806}</a></span>
-and so it proved; and I shouldn't have cared if the
-skipper's head had been broken fifty times over.</p>
-
-<p>We got our prisoners to the shore, leaving the
-craft in charge of a Thames police galley that
-came in answer to our signals; and late as it was,
-I drove with Peter Tilley in a cab to the City.
-Our people there were immensely glad, I can tell
-you; and when I went over to the Bank (for there
-was no need for secrecy or dodging now), I thought
-the gentlemen never would have left off paying
-me compliments. Poor Barney Wilkins that was
-dead deserved most credit; but it could not do
-him any good to say so now, so I let them go on.
-The paper was examined, and found to be exactly
-the quantity required; enough, I believe, to have
-made about twenty thousand bank-notes. Ah! if
-they <i>had</i> got into circulation!</p>
-
-<p>I hope you will understand, however, that I
-did act fair and square; and when the reward
-was paid (and the Bank people did come down
-most liberal; I bought my house at Pentonville
-with my share), I told the gentlemen about
-poor Barney and his wishes; and I'm proud
-to say they found his sister out and took her
-away; and after a time she went abroad with
-kind people who looked after her, and took care
-of her money till she got married, and did well.
-Why, she sent me a snuff-box made out of pure
-Australian gold, with a letter signed by herself
-and her husband, who was a butcher in a great
-way of business out there; and they sent it as an
-acknowledgment of my having acted all fair and
-square. I promised so to do, and I did.</p>
-
-<p>Edmund Byrle was never caught, and so far as
-we were concerned, was never heard of; and if
-it hadn't been for his father, I should never have
-understood a lot of things that puzzled me. I had
-given a pretty good guess as to how Miss Doyle
-came in the first place to inquire about Mr Byrle
-and the detective; a very clever idea in itself,
-but like many other clever things, it lost her the
-game. Mr Byrle had talked with his friends about
-employing detectives; and Miss Doyle knowing
-about the Bank paper, and being always on the
-watch, had got hold of just enough to mislead
-her. She went out with Edmund Byrle to Turkey,
-I think, and was married to him; and old Mr
-Byrle sent out a friend to see them; and it was
-in this way I got the particulars. It appears she
-knew me again—only as the limping labourer, of
-course—when she saw me talking at the ferry to
-Tilley. But she knew <i>him</i> as the detective at
-the <i>Yarmouth Smack</i>, and she thought that although
-it might be all right, yet a detective was a dangerous
-customer, and his acquaintances might be
-dangerous also. Consequently she tried to persuade
-Edmund to put off his journey; but he wanted
-the money for the paper, and wouldn't listen to
-her. But he agreed at last to go aboard in another
-boat, which satisfied her, as she felt so certain
-the skipper's boat would be attacked. As I have
-explained, her precaution saved him from fifteen
-years' 'penal,' which is the least he would have had.
-The skipper was sent for life, having killed a
-man in his arrest; but he didn't live six months
-in prison; he never got over the tremendous blow
-he received from Barney. All the reports spoke
-of his being a receiver of 'stolen goods.' The Bank
-paper was never mentioned, for the authorities
-did not want to unsettle the public again, or let
-them see what a narrow escape they had had.</p>
-
-<p>And now comes about the queerest part of my
-story. Call me names if I didn't stop the thieving
-at Byrle's factory as well as recover the Bank
-paper, killing two birds with one stone.</p>
-
-<p>It was all through my catching the bony ferryman.
-Finding that things was going hard with him,
-and hoping to make them easier, and being disappointed
-that those who were concerned with him
-did not come forward with money to provide for
-his defence, he 'rounded' on them; he split on
-them all, and owned how he was the means of
-taking the metal over to a fence on his side of the
-water, the things being stolen by a mechanic and a
-watchman who were in league. (I see I have used
-the word 'fence;' this means a receiver of stolen
-goods; but though I have been warned by the
-editor of this magazine, we can't do without <i>some</i>
-slang words.)</p>
-
-<p>Peter Tilley got a tidy present, and was noted
-for promotion through this business. I was glad of
-it, for Peter was a capital chap—never wanted to
-play first-fiddle; and I admire people of that disposition.
-I tell you what I did: I got the newest
-five-pound note of all what the Bank gave me, and
-they were all very clean and crisp, and I wrapped
-old Bob the gatekeeper's own sixpence in it; and
-I went to the factory and I stood a pint of ale, and
-says: 'Bob, here's your sixpence!' He hadn't
-known exactly who I was till then, for I had
-made excuses as usual; and then I'm blessed if
-he didn't quite cry over his luck. Mr Byrle too
-thought a lot of Bob's kindness, for I told the old
-gent about it; and I heard that on that very
-account he put six shillings a week on Bob's
-wages, and I was glad to hear it.</p>
-
-<p>They couldn't keep me off the detective staff
-after this; and although I am free to confess—now
-I am on my pension and nothing matters to me—that
-I only stumbled upon these discoveries by
-accident, I was praised to the skies by those for
-whom I worked. However, it all died away, as
-such things do; but I had managed to get my
-house at Pentonville, as I have hinted; and a
-pleasanter neighbourhood I don't know, or one
-more convenient for getting about. I have had
-some rather odd adventures since I have lived in
-my street; you can't help seeing strange things, if
-you keep your eyes open in London. But I didn't
-begin to tell about <i>them</i>. I have finished my
-account of the robberies at Byrle & Co.'s and my
-story finishes in consequence.</p>
-
-
-
-<hr class="chap" /></div><div>
-<h2><a name="FEATS_OF_ENDURANCE" id="FEATS_OF_ENDURANCE">FEATS OF ENDURANCE.</a></h2>
-
-
-<p><span class="smcap">London</span>, which has witnessed many strange doings
-in its day, was lately the scene of the most
-wonderful feats of pedestrianism ever accomplished
-within a given period.</p>
-
-<p>Every hour, day and night, for six weary weeks
-a man plodded on his way round a measured
-track, until the grand total of fifteen hundred
-miles in one thousand hours had been made up,
-finishing his self-imposed task with his physical
-and mental faculties apparently unimpaired.</p>
-
-<p>The task of walking fifteen hundred miles in a
-thousand hours had never before been attempted,
-and henceforth the new achievement will throw
-into the cold shade of obscurity even the marvellous
-act of walking a thousand miles in as many<span class="pagenum"><a name="Page_807" id="Page_807">{807}</a></span>
-hours, which was once accomplished in 1809 by
-Captain Robert Barclay of Ury, a Scotchman, who
-proposed to perform the then incredible task of
-walking a thousand miles in a thousand consecutive
-hours. The proposition was received with
-every sign of incredulity, though, when the affair
-was finally arranged to take place, many thousands
-of pounds were staked on the event. Newmarket
-Heath was selected as the scene of the exploit, and
-the famous walk began on the 1st of June 1809, at
-midnight. It is unnecessary to repeat the details
-of this feat; it will suffice to mention that the
-enterprising captain completed his task on the 12th
-July, at four o'clock in the afternoon.</p>
-
-<p>Since then, an attempt has, we believe, been
-made to walk the same distance <i>backwards</i>; and
-within the past twelve months, Weston, the American
-pedestrian, has performed some remarkable
-exploits of the kind; being however at last beaten
-by an Irishman named Kelly.</p>
-
-<p>The hero of the lately completed task (fifteen
-hundred miles in a thousand hours) is a
-little Welshman of not more than five feet three
-and a half inches in height, and about forty-two
-years of age; while in personal appearance
-and general <i>physique</i> he presents anything but
-what is usually supposed to be the characteristic
-of a good pedestrian. His name is William Gale,
-and he is a bookbinder by trade, living at Clerkenwell.</p>
-
-<p>At the commencement of his task on Sunday
-the 26th of August, he weighed no more than
-eight stone four pounds (8 st. 4 lbs.); and from
-that day until Saturday the 6th October, during
-a portion of every hour day and night, he pursued
-his monotonous way around the inclosure at Lillie
-Bridge grounds, Brompton. When the attempt
-was first announced, even those most acquainted
-with pedestrian feats where great endurance was
-required, expressed themselves dubious as to the
-result; and in order to have a reliable record of
-his proceedings, Gale requested the different sporting
-papers to appoint competent men as judges—a
-request which was at once generously complied
-with.</p>
-
-<p>Thus we have an official report of his great
-exploit, and the public are enabled to judge for
-themselves on the nature of the feat performed.
-Gale's average pace appears to have been about
-four miles an hour; but when he had reached his
-thousandth mile he assumed a brave spurt, and
-footed it in ten minutes, or at the rate of six
-miles an hour. During the last few days of his
-walking he started rather stiffly at first, owing
-to the pain caused by the swelling of some
-varicose veins in his left leg; but undaunted by
-so great and manifest a disadvantage, and other
-disadvantages which we shall presently refer to,
-the gallant little Welshman 'plodded his weary
-way' with a determined pluck that won the
-admiration and applause of every one present.</p>
-
-<p>On Friday the 5th October, the day before the
-finish of the tramp, Dr Gant of the Royal Free
-Hospital was called in to see this extraordinary
-walker, and after examining his legs, he pronounced
-Gale to be in excellent condition so far as
-his physical powers were concerned; there being
-no fever, the pulse only seventy, no murmur at
-the heart; and the varicose veins which had been
-the cause of so much pain to him, were rather
-better than worse, having considerably decreased
-in size. Perhaps the most remarkable part of the
-performance is, that it has been accomplished on a
-system of training which entirely sets at variance
-all athletic rules, for Gale partook of no fixed
-refreshment, neither did he have his meals at
-stated hours. His chief food was plain mutton-chops;
-and as an instance of how he varied his
-dishes, his afternoon meal on Friday the 5th
-October, which might have been either breakfast,
-dinner, or supper (so irregular had he been in this
-respect), consisted of a lobster and bread and
-butter, followed by a fried sole, and one or two
-cups of ordinarily strong tea. During the walk he
-also drank a good deal of beer—not strong beer,
-but the ale which is usually sold at fourpence per
-quart, which he seemed to prefer to any other
-kind, probably on account of its freedom from that
-tendency to increase rather than assuage thirst, so
-remarkably apparent in the stronger beers.</p>
-
-<p>Many strange incidents occurred in the course
-of the six weeks, which were calculated to while
-away the time, and occasionally to bring a smile
-to the pedestrian's lips. For instance, a certain
-illustrated sheet, notorious for its very sensational
-cartoons, published a picture of Gale on the track
-followed by Old Time with the conventional
-scythe on his shoulder; and many people it would
-seem actually paid their money with the idea that
-they were going to see the two figures as thus
-represented. One man, who had evidently gone
-to the grounds for this purpose, had watched Gale
-go round the track several times, when he could
-no longer control his disappointment. He shouted
-aloud, angrily demanding his money back, because,
-as he said with the greatest <i>naïveté</i> possible, 'the
-beggar with the scythe hadn't turned up!'</p>
-
-<p>As the last week of the great walking match
-wore on, signs of weariness in the indomitable
-pedestrian became painfully apparent, and many
-persons began to fear that the task he had set
-himself would after all remain unaccomplished.
-On several of the rounds he fell asleep whilst
-walking, and dropped to the ground; but this contact
-with mother earth seemed to revive him
-instantly, and he plodded on as pluckily as before.</p>
-
-<p>At length success crowned his efforts; and at
-seventeen minutes past five o'clock (less a second)
-on Saturday afternoon the 6th October 1877, Gale
-terminated his long and dreary walk in the presence
-of a large, fashionable, and enthusiastic
-assemblage, who rewarded his efforts with several
-rounds of hearty applause.</p>
-
-<p>From the commencement of his task to the
-finish Gale bore up against all obstacles with extraordinary
-pluck and determination, his last mile
-being performed in <i>ten minutes and eight seconds</i>.
-He was at once removed to the tent or pavilion
-under which he had snatched so many brief half-hours'
-rest, and was examined by three medical
-men, who found that his heart was quite natural
-in its movements, and that the temperature of his
-body did not exceed one hundred and six degrees.</p>
-
-<p><span class="pagenum"><a name="Page_808" id="Page_808">{808}</a></span></p>
-
-<p>The great feat which has thus been accomplished
-without the aid of artificial training, is a marvellous
-instance of what human endurance, allied with
-courage and determination, can effect; though of
-what particular benefit it may be to the world at
-large it is utterly impossible to imagine.</p>
-
-
-<p class='p2'>Since the preceding account was written, Gale
-has accomplished a still more extraordinary feat,
-and one which for strength of will and physical
-endurance far surpasses his previous efforts. We
-still fail, however, to see the benefit which
-can accrue from exhibitions of this kind, and
-well might he have been contented with the
-laurels he had already won. He had scarcely
-allowed himself time to recover from his former
-task, when he once more appeared at a public
-place of entertainment, namely the Agricultural
-Hall at Islington, to walk four thousand quarter-miles
-under the astounding condition, that it was
-to be done in four thousand consecutive periods
-of ten minutes.</p>
-
-<p>This of course deprived him of the half-hour's
-rest which he could obtain at one time in the
-former race, and only allowed him a few minutes
-between each round to get a little sleep. Despite
-these drawbacks, however, Gale finished his task
-at eleven o'clock <span class="smcap lowercase">P.M.</span> on the 17th November, after
-a dreary walk of nearly four weeks. By accomplishing
-his task, he has placed himself at the head
-of all the famous pedestrians the world has known;
-and we trust that this fact will be sufficient to
-satisfy his craving after what is at best but
-ephemeral fame.</p>
-
-<p>Men have on many occasions attempted walking
-feats which required a vast amount of physical
-endurance, and have failed from their utter inability
-to go without the natural quantum of sleep;
-but Gale has not only shewn himself to be possessed
-of the former, but to be altogether independent
-of the latter. This, however, instead of
-indicating 'pluck' merely, would rather seem to
-point to a peculiarity in the man's constitution;
-as there are doubtless many persons whose courage
-would enable them to perform the same or even a
-greater task if, like Gale, they could walk about
-in a state of somnolency or semi-sleep—a state in
-which, to use his own words, he was as one in a
-dream, unconscious of all that was going on
-around him, and believing himself to be walking
-in forests and other places of silvan beauty; and
-the truth of this was made evident by the fact that
-he would have often exceeded the limit of his
-walk had not the voice of his attendant aroused
-him from his stupor.</p>
-
-<p>The average time occupied by this extraordinary
-walker was by day about three minutes for each
-quarter of a mile, and by night about five minutes;
-and the fastest round recorded was done in two
-minutes and forty-two seconds. His pulse was
-always found to indicate a perfect state of health,
-and was as regular when he left off as when he
-commenced his task. His food consisted principally
-of fish, fowl, chops, eggs, and light puddings;
-and his drink was, with only one exception during
-the whole time, tea.</p>
-
-<p>Perhaps the most remarkable thing about the
-whole affair was the fact that, although he sank
-into a deep sleep directly he reached his chair
-behind the curtain, which hid him from view
-between his walks, the moment the bell rang
-the second time, he would appear as fresh as
-ever and begin trudging away again.</p>
-
-<p>When the feat was accomplished, Sir John
-Astley stepped forward, and amid a scene of great
-enthusiasm, presented the undaunted Welshman
-with a silver belt of the value of a hundred guineas,
-bearing the following inscription: 'This belt was
-presented to <span class="smcap">William Gale</span> of Cardiff, on the 17th
-November 1877, by some of the nobility and gentry
-of Great Britain, in commemoration of his hitherto
-unprecedented feat, namely walking one thousand
-five hundred miles in one thousand hours at Lillie
-Bridge Grounds, August 26th to October 6th, 1877;
-and four thousand quarter-miles in four thousand
-consecutive periods of ten minutes, at the Agricultural
-Hall, London, October 21st to November 17th,
-1877.' The belt is of lion's skin, mounted on
-velvet, the metal portion of it weighing one hundred
-ounces of sterling silver.</p>
-
-<p>None will begrudge Gale his well-earned reward;
-but it is to be hoped that such exhibitions will in
-future be discountenanced by the general public,
-as they not only detract from the dignity of man,
-but are needless and unwarrantable in a country
-which, we trust, will ever pride itself on a nobler
-civilisation than that which is founded upon mere
-physical endurance.</p>
-
-
-
-<hr class="chap" /></div><div>
-<h2><a name="A_DIFFICULT_QUESTION" id="A_DIFFICULT_QUESTION">A DIFFICULT QUESTION.</a></h2>
-
-<p class='ph3'>THE STORY OF TWO CHRISTMAS EVES.</p>
-
-
-<h3 title='PROLOGUE.'>IN TWO CHAPTERS.—PROLOGUE.</h3>
-
-<p><span class="smcap">In</span> the gray light of an Indian dawn, with the
-cool breeze blowing through the curtains of the
-tent, and his friend's sorrowful eyes looking down on
-him, a soldier lay on his rough couch—waiting for
-death. They were soon to be parted those two, who
-had lived and fought together; but the face of
-the one who was starting on that journey of which
-none has measured the distance, was smilingly
-calm, while the eyes of the other glistened with
-regretful tears as he spoke low, faltering, remorseful
-words.</p>
-
-<p>'Hush, Ralph, hush!' the other said at last.
-'Don't you think, dear old fellow, I would sooner
-lose my life in having saved yours, than in any
-other way? After all, a few days or years sooner
-or later, what does it signify? My fate is perhaps
-the happiest, though I hope it is not. I don't
-think life is so very desirable,' he continued; 'I
-am only twenty-six; but mine has not been a
-happy one. It was my own fault, though. Take
-my advice, Ralph; don't marry young. There is
-only one thing that troubles me'——</p>
-
-<p>'Your little girl,' Ralph interrupted. 'Wrayworth,
-let me take care of her; if I can make
-her happy, it will be some slight atonement,
-some'——</p>
-
-<p>'You would take care of her, Ralph? would
-you?' The dying man's eyes shone gratefully as
-he looked up in his friend's face. 'She has nothing,
-poor little thing,' he went on sadly—'motherless,
-fatherless, scarcely more than a baby either. It
-would be a heavy charge to leave you, Ralph.'</p>
-
-<p>'Wrayworth! how can you speak so; you will
-drive me mad! You—you'—— He broke down<span class="pagenum"><a name="Page_809" id="Page_809">{809}</a></span>
-utterly; it was something so terrible to see this
-friend dying there—for him. 'Anything on earth
-that I can do'—— he murmured.</p>
-
-<p>'You will do for her,' said Wrayworth. 'Thank
-you. I have no friends to send her to. I meant
-to have made her very happy.'</p>
-
-<p>'She shall be; I swear it!' Ralph answered
-fervently, thankful for this charge, which might
-in some degree help him to pay that debt of gratitude,
-and forgetful that he had no control of fate,
-that the promise he gave of happiness was a
-fearfully presumptuous one. But he made it
-willingly, gladly, solemnly, before God; and as
-far as lay in his power it should sacredly be kept;
-any sacrifice he would make for this child.</p>
-
-<p>His friend's eyes rested on him searchingly for
-a moment. 'I trust you,' he said—'I trust you.'</p>
-
-<p>The hours passed on, the blazing sun arose, and
-Ralph went out into the burning glare with
-bent head and staggering footsteps, while words
-he had heard long since seemed floating round
-him in letters of fire: 'Greater love hath no man
-than this, that a man lay down his life for his
-friend.'—'Is there <i>none</i> greater?' he thought. 'Is
-there nothing <i>I</i> can do to repay—nothing?'</p>
-
-
-<h3>CHAPTER I.—ASKED.</h3>
-
-<p>The years were well on in their teens since
-that melancholy scene was enacted in the Indian
-tent—since Wrayworth consigned his only child
-to the guardianship of the friend whose life, at
-the expense of his own, he had saved on the
-battle-field. A carriage rolled along the snowy
-high-road through the cold clear air; the short
-winter's day was drawing to its close, and up in
-the darkening sky the stars were beginning to
-shine upon the world's most joyful season, upon
-Christmas eve. The world's most joyful season?
-We call it so, this festival, more than eighteen
-hundred years old; but does the world think it so?—the
-world, with its thousand cares and crosses,
-its deep and hidden sorrows, its partings and its
-tears? Of those amongst the myriads who keep
-the Yule-tide feast, how many hold it with a
-chastened joy! For on that day most of all our
-thoughts go back to other years, to other faces, to
-other lips that have wished us 'a merry Christmas;'
-to other hands, which have clasped ours so
-loyally, to those who have loved us so long ago!</p>
-
-<p>But Major Loraine had no sad memories connected
-with the season as he drove up to the old
-house, from which duty had so frequently called
-him, and which he had not seen for five years. In
-the wide, dark, panelled hall his step-mother
-stood waiting to welcome him, as gladly as though
-he had been her own son. He was only a boy
-when she first came there, when the pink was
-fresh on her cheek and the gold bright in her
-hair; they had been drawn to each other then;
-and through the long years of her widowhood his
-loving care had helped to lighten her load of
-sorrow; so it was not wonderful that for months
-past she had been eagerly looking forward to his
-return.</p>
-
-<p>The greetings over, they sat down side by side,
-talking, as those talk after long separation, of past,
-present, and future; of their acquaintances married,
-dead, or far away; of things on the estate, prosperous
-or failures; of the ball to be given next month,
-of the one they were going to, to-night; of how
-much Emma was improved since she 'came out,'
-how Katharine was considered one of the handsomest
-girls in the place, and how she might
-marry Sir Michael Leyland with thirty thousand
-a year if she liked.</p>
-
-<p>'But why ever doesn't she like?' asked the
-Major, astonished at this new phase in the character
-of his worldly-minded sister.</p>
-
-<p>'That is just what troubles me,' answered Mrs
-Loraine. 'They are all at the church now, helping
-to decorate. Louise wanted to stay at home to
-welcome you, but I sent them all off, so as to have
-you to myself for an hour. You will see a great
-alteration in Louise, Ralph.'</p>
-
-<p>'Shall I, mother?' he said smiling. 'I think
-not. Her letters are the same always; they have
-altered in style a little of course in the last year
-or two, but it is the same spirit—the same
-creature.'</p>
-
-<p>'But not the same face, Ralph. Remember you
-have not seen her for five years, which have not
-altered you, but which have changed her from an
-unformed girl of fourteen to a lovely woman;
-with that bright changing beauty, which has
-more charm for a man than regularity of feature.
-It is a very difficult question.'</p>
-
-<p>'What is a difficult question?' asked Ralph, as
-his mother paused.</p>
-
-<p>'What to do with Louise.'</p>
-
-<p>'You hinted something of the kind in your last
-letter, mother,' he said gravely. 'I am sorry, but
-I must confess this house seems large enough for
-four women. You know how I am situated; you
-know the promise which binds me. But tell me,'
-he added smiling, 'what has Louise done? She
-seemed to me gentle and tractable enough when I
-was last at home.'</p>
-
-<p>'I have not the slightest fault to find,' Mrs
-Loraine replied; 'you know I am very fond of
-her. You will think my difficulty very womanish;
-simply, Louise is too pretty.'</p>
-
-<p>'And some one has told her so,' said Ralph,
-laughing. 'Go on.'</p>
-
-<p>'It is not that; but I cannot bear to see my own
-child's happiness destroyed by another, who, if not
-a stranger, has at least no claim upon her.'</p>
-
-<p>Ralph frowned slightly. 'Perhaps not,' he
-answered; 'the claim is upon me, and it is a sacred
-one. So,' he continued, 'it is a case of rivals, I see.'</p>
-
-<p>'Simply this, Ralph. You remember the Levesons
-of Leigh Court, where we are going to-night?
-Their eldest son is in the —th Dragoons, and
-has been home on leave. Louise was away when
-he first came here, and he appeared very much
-struck with Katharine; and no wonder; she is
-very handsome. Well—don't laugh at me; I don't
-like match-making as a rule; but I thought as she
-seemed interested in him, there was no harm in
-inviting him sometimes. But as soon as Louise
-came home, he transferred his attentions to her.
-Katharine says nothing; but it makes a kind of
-awkwardness between them. I know she feels it,
-poor child; though indeed I believe Vere Leveson
-is simply flirting with Louise.'</p>
-
-<p>Major Loraine laughed. 'Poor mother!' he
-said, 'you will have enough to do if you take all
-your children's love affairs to heart so seriously.
-These things always right themselves, you know.
-But I confess I am surprised to hear of Katharine
-going in for sentiment; I should have thought Sir
-Michael more in her line. Is that all, mother?'</p>
-
-<p><span class="pagenum"><a name="Page_810" id="Page_810">{810}</a></span></p>
-
-<p>'No; only the first of my difficulties,' she
-answered half sadly. 'You know what my health
-has been for the last few years; you know—— Well,
-you do not wish me to speak of that; but it is
-better to look in the face of possibility. Suppose
-anything happened to me, Ralph, what would
-become of Louise?'</p>
-
-<p>'You speak of what I hope may be far distant,
-mother,' he answered tenderly. 'But why should
-you be uneasy about her? In the event of her not
-marrying, she would always have a home here
-with me.'</p>
-
-<p>Mrs Loraine shook her head. 'Turn round and
-look in the glass,' she said; 'thirty-nine is not
-such a very formidable age.'</p>
-
-<p>He turned, and contemplated his bronzed face in
-the glass; such a handsome, noble face, telling of a
-nature that could not act falsely or meanly. The
-broad square forehead, marred by a sabre-cut, and
-the dark hair flecked here and there, by the Indian
-sun, with gray; nothing else to find fault with in
-the frank kind smile, the fine regular features, the
-dark true eyes.</p>
-
-<p>'I think there is no fear of my being taken for
-younger than I am, mother,' he said, smiling.</p>
-
-<p>'It is an awkward position for you, though,' she
-answered; 'and as I said, a difficult question
-what to do. We must hope for the best, Ralph.
-You are going to join the others now, I suppose?'</p>
-
-<p>'Yes; I think I can find my way.'</p>
-
-<p>He went out into the keen frosty air, walking
-slowly, though it was unpleasantly cold to one
-accustomed to tropical climates. He was thinking
-over his mother's words, and knew she was right
-as to the awkwardness of the position. He saw
-the peace of the household was troubled, without
-knowing how to set matters right, and he thought
-of the old friend who had trusted his child to him.
-He had vowed she should be happy, and now it
-seemed a difficult vow to keep; but for the sake of
-the man who had died for him sixteen long years
-ago, the pledge then given must be redeemed.</p>
-
-<p>Louise Wrayworth's life had been a bright one
-hitherto; her guardian's home was the only one she
-could remember, and he had striven to fill in some
-degree her father's place. To him, from infancy
-to womanhood, she had looked up with loving
-grateful reverence, regarding him, present or
-absent, as the noblest of created beings.</p>
-
-<p>He reached the old church, and made his way
-round to the open vestry door. The steps were
-encumbered with bundles of evergreens; the voices
-of the workers, who had finished their task, were
-audible. He pushed the door further open, and
-went in. The floor was covered with boughs, and
-around the pillars were wreathed holly and other
-evergreens in honour of the joyous season. Some
-of the choristers stood waiting for the choir-practice,
-and the organist was softly playing <i>Adeste
-Fideles</i>.</p>
-
-<p>'Ralph!' cried a young fresh voice; and a
-slight fair girl with a merry face sprang up from
-the floor, with her hands full of the scarlet berries,
-which fell hither and thither in bright-hued rain,
-as with complete indifference to the by-standers,
-she gave the returned soldier a sisterly embrace.
-'You dear old thing to come for us!' she exclaimed.</p>
-
-<p>'Emma, Emma!' exclaimed Ralph, laughing and
-disengaging himself; 'you have not learned to
-behave any better in five years.'</p>
-
-<p>But his young sister had vanished, and he
-turned to greet the vicar; and one or two of the
-ladies he recognised. In a few minutes Emma
-reappeared; and behind her came a tall fair
-girl with masses of golden hair, and great beautiful
-cold blue eyes. She greeted Major Loraine
-affectionately, but with the quiet stately grace
-habitual to her. Five years had not changed
-Katharine Loraine; at twenty-four she was still
-the same majestic Queen Katharine as at nineteen,
-with whom he had always had so little
-sympathy, whose nature he had found so difficult
-to understand.</p>
-
-<p>'Where is Louise?' he asked presently. 'Is she
-not here?'</p>
-
-<p>'She went into the churchyard just now,'
-answered Emma, 'to put a wreath on Nellie
-Bryant's grave. You remember her, Ralph?'</p>
-
-<p>'Louise's friend? Yes.'</p>
-
-<p>'A <i>triste</i> employment for Christmas eve,' observed
-one of the gentlemen decorators to Katharine,
-as he stooped to disentangle her dress from a
-long sprig of ivy.</p>
-
-<p>'Oh, Mr Leveson went to hold a lantern for her,'
-Katharine answered, with the slightest possible
-shade of contempt in the silvery tones of her
-voice; 'and Louise is never <i>triste</i>, unless she is
-by herself.'</p>
-
-<p>The choir was now fully assembled; the organist
-struck up the anthem, the rest were silent to
-listen, and Ralph Loraine went out to look for his
-ward. He came round the east end of the old
-church, and stood still for a moment in the
-shadow. There were two people standing at the
-edge of the path, looking down on the grave at
-their feet, where the lantern's light shewed the
-shining holly upon the upright marble cross. It
-shewed too the face of his friend's child; a beautiful
-face, as his step-mother had said, with large
-dark eyes and wavy dusky hair, a clear delicate
-complexion with a little rose-flush on the cheeks,
-and full red lips half-parted by the sweetest smile
-he had ever seen; with the same erect carriage of
-the head, the same fearless straight regard which
-had characterised her father.</p>
-
-<p>It was so strange to see her there a woman,
-whom he had left a mere girl; and as he looked
-on the fair face, something seemed to whisper that
-the ideal beauty he had so often dreamed of was
-before him at last. They moved away, and came
-slowly nearer, and paused again where he could
-see her companion; and for a moment he almost
-hated the man for his youth, and his handsome
-face, and the deep-blue eyes aflame with passion-fire
-as they rested on the child of his dead friend;
-and another whisper which silenced the first, told
-him how fitted was each for the other.</p>
-
-<p>'If <i>I</i> were lying there,' said Vere Leveson, and
-Ralph could hear every one of the foolish, softly
-spoken words, 'would you ever make wreaths for
-<i>me</i>, I wonder?'</p>
-
-<p>'I don't know.'</p>
-
-<p>'Don't you? I wish you did; for I thought just
-now I should be glad to be lying there, if you
-would remember me.'</p>
-
-<p>Ralph had heard enough, and tried to slip away
-unseen; but the gravel crunched under his feet
-and betrayed him.</p>
-
-<p>Louise started, and a bright vivid blush covered
-her face as she sprang forward. 'Lorrie! Oh, how
-glad I am to see you again!' she cried, as she<span class="pagenum"><a name="Page_811" id="Page_811">{811}</a></span>
-took both his hands in hers and lifted her cheek
-for his kiss.</p>
-
-<p>He felt half sorry she had done so; that and
-the old childish name put him immediately in
-his place as guardian, and made him ashamed of
-his thoughts. 'How you are altered, Louise!' he
-said, looking down at her admiringly. 'I think I
-should hardly have known you!'</p>
-
-<p>'I should have known you, Lorrie, anywhere,'
-she said reproachfully.</p>
-
-<p>'That is rather different,' he said; 'when we
-once get old, we don't change so quickly.'</p>
-
-<p>'You would not like it if I said you were old,
-Lorrie. But tell me, am <i>I</i> altered for the worse?
-or'——</p>
-
-<p>'You have no need to come to me for compliments,
-surely,' he said smiling.</p>
-
-<p>'I should think more of yours than of any one's,'
-she whispered, with that sweet dangerous smile;
-a smile which a man like Ralph Loraine should
-have taken as a warning not to feel its influence
-too often.</p>
-
-<p>'How rude I am!' she said at last.—'Mr Leveson,
-do you know my guardian?' She turned to her
-companion, who stood holding the lantern a few
-yards from them.</p>
-
-<p>'I had the honour of dining in your company
-once, Major Loraine,' he answered, stepping forward.
-'It is some time ago, when I first joined at Madras;
-but I well remember my anxiety to see such a
-distinguished soldier as yourself.'</p>
-
-<p>There was a ring of truth and honest admiration
-in the words, which raised them above an
-ordinary compliment, and which made Ralph
-hold out his hand and answer cordially: 'I have
-a bad memory for faces, or I think I should have
-remembered yours.'</p>
-
-<p>'Thanks,' said Vere, laughing. 'We shall have
-the pleasure of seeing you to-night, I hope?'</p>
-
-<p>'Yes; my mother told me of the invitation.'</p>
-
-<p>'Of course he is coming,' said Louise. 'And
-you will dance with me all the evening, Lorrie;
-won't you?'</p>
-
-<p>'Not quite all, Miss Wrayworth; please, don't
-forget my waltzes,' said Vere, holding out his
-hand. 'I must be off now; so good-bye for the
-present. You won't forget?'</p>
-
-<p>She looked up quickly. 'Perhaps,' the lips said
-laughingly; but the dark eyes gave a sweet silent
-answer Ralph did not see, though he was watching
-them. But after Vere Leveson had gone, he
-walked home beneath the Christmas stars, with
-Louise's hand resting on his arm, dreaming as he
-went, a fair, fond, foolish dream.</p>
-
-
-<p class='p2'>The Christmas-eve ball at Leigh Park was a
-regular institution, one which Sir Harry Leveson
-had kept up for years. It was a pretty sight,
-Ralph thought, as he stood leaning against a
-window, and looking round to select a partner.
-And amongst all the fair women, the one he
-thought the fairest was his young ward Louise
-Wrayworth, in her white floating dress, with its
-wreaths of holly, and the red clustering berries in
-her dark hair.</p>
-
-<p>Ralph had been watching Vere Leveson, trying
-to decide in his own mind whether Mrs Loraine's
-verdict of flirtation was a just one; and he
-judged that it was; for the attentions of the young
-officer were apparently equally divided between
-Louise and Katharine. Ralph did not happen to
-be near when, later on, he led Louise to one of
-the cool empty rooms, where through the open
-window could be heard the merry Christmas bells.
-He did not see the hand-clasp or the light that
-flashed in the eyes of each. He did not hear the
-hurried whisper: 'Louise, you won't forget me,
-you will trust me till next Christmas-time?'</p>
-
-<p>The ball was over, the rooms were dark and
-silent; the whole world waited for the sun to
-rise on Christmas-day.</p>
-
-
-
-<hr class="chap" /></div><div>
-<h2><a name="IS_THE_TELEPHONE_A_PRACTICAL" id="IS_THE_TELEPHONE_A_PRACTICAL">IS THE TELEPHONE A PRACTICAL
-SUCCESS?</a></h2>
-
-
-<p><span class="smcap">In</span> September last appeared in this <i>Journal</i> an
-article entitled 'Singing and Talking by Telegraph;'
-and in that paper we attempted to describe
-the mechanism of that wonderful little instrument
-the telephone. It is now our purpose to say something
-regarding the progress that has been made
-towards perfecting the invention; but in order to
-make the article as clear as possible, we venture
-once more upon a few words explanatory of the
-instrument.</p>
-
-<p>The telephone as it is now made is an exceedingly
-simple-looking apparatus similar in appearance
-to a stethoscope; to the handle of a girl's
-skipping-rope; or better still, to a large-sized
-penny wooden trumpet. Inside this hollow cylinder,
-and within an inch or so of the wider end, is
-fixed a plate of iron as thin as a well-worn sixpence,
-and about the size of a half-crown piece.
-This is called the diaphragm. Behind the diaphragm,
-nearly touching it, and extending to the
-narrower end of the cylinder, is a piece of 'soft'
-iron enveloped in wire coils, with a permanent
-magnet beyond. Outside the narrower end of the
-cylinder, and communicating with the coils that
-surround the iron inside, are attached two screws
-or 'terminals,' which are 'joined up' to a main
-wire, communicating with the distant or receiving
-telephone wherever that may be, and which is
-precisely similar to the one we have described.
-When we apply our mouth to the bell-shaped
-end of the apparatus, and speak or shout or sing,
-we set the diaphragm vibrating as in a tuning-fork;
-the vibrations thus created are electrically
-communicated through the wire to a distant
-telephone, and are repeated on its diaphragm
-with more or less distinctness.</p>
-
-<p>It is known that the motion of an iron plate
-contiguous to the poles of a magnet creates a
-disturbance of electricity in coils surrounding
-those poles; and the duration of this current
-will coincide with the vibratory motion of the
-plate or diaphragm. When, therefore, the human
-voice (or any other suitable sound) impinges
-through the tube against this diaphragm, the
-diaphragm begins to vibrate, and awakens, so
-to speak, electrical action in the coils of wire
-surrounding the poles of the magnet; not a current,
-but a series of undulations, something like
-those produced by the voice in the air around us.
-In short the telephone is an apparatus designed
-to transmit sound through a wire of indefinite
-length; the voice being, so to speak, 'converted<span class="pagenum"><a name="Page_812" id="Page_812">{812}</a></span>
-into electricity at one end, the electricity becoming
-voice at the other.'</p>
-
-<p>With these few explanatory remarks, we now
-proceed to offer to our readers the following interesting
-experiments made by a gentleman well
-skilled in telegraphy.</p>
-
-<p>'Journalists,' he says, 'with no special knowledge
-of the difficulties the invention has to
-encounter as a telegraph instrument, have expatiated
-in such enthusiastic terms upon the results
-said to have been achieved by the telephone, that
-a somewhat exaggerated notion of its powers
-and capabilities has been accepted by the general
-public. It appears, therefore, to the writer of those
-lines that a statement of the experiences of a
-person practically engaged in the work of telegraphy
-may assist in placing the phenomena of
-the telephone on a proper footing.</p>
-
-<p>'Scientifically, the telephone is a great and
-undoubted success; and a person would be grievously
-in error if, because of some undoubted
-hindrances to its practical use, he pronounced it
-unworthy of further experiment. The emergence
-of telegraphy from the domain of experiment
-into that of daily practical use is a fact so
-undoubted, and one with which we are now so
-familiar, that it is impossible to say at what
-moment the telephone, at present a scientific toy,
-may become a daily necessity not only of telegraphic
-but of ordinary commercial work.</p>
-
-<p>'Being engaged in daily contact with a large
-telegraphic centre, and in association with men
-who have the command of every means of testing
-the invention in a practical work-a-day manner,
-the writer was able to gauge pretty accurately the
-range within which the telephone can work. It
-must be understood, however, that in recording
-the effects observed by him and his associates, he
-has no desire to invalidate, or even to call in question
-the experiences of others who may have been
-able to arrive at better results. The telephone is
-in the hands of some of the first electricians and
-telegraphists of the day, and differences of conditions
-(not to speak of differences of capacity on
-the part of the operator) may give variety in
-the observations made. The very difficulties and
-drawbacks now to be recorded will no doubt some
-day suggest to a master-mind the method by which
-they may be overcome. But till that day arrives,
-the telephone must be content to remain where
-the writer leaves it, an undoubted success from
-a scientific point of view, but overwhelmed with
-obstacles to its practical use, in this country at
-least, in general telegraphy.</p>
-
-<p>'When a telegraphist first gets into his hand
-this beautifully simple and electrically delicate instrument,
-his first inclination is to test its carrying-power.
-This is of course a closet experiment,
-not working with actual telegraph line, but
-with "resistance" equivalent to a telegraph line of
-stated length. An experiment of this nature gives
-better results than could be obtained by a veritable
-line, because the insulation is, so to speak, perfect.
-No leakage at undesigned points of contact, or
-disturbance from unfavourable atmospheric conditions,
-is felt, and the experiment is entirely under
-the observer's control. The apparatus used is
-designed to offer the same labour for the electric
-current to overcome, as would be offered by a
-stated length of outside telegraph line. This
-artificial resistance is nicely graduated, and as
-the method of testing was suggested by Ohm, a
-German electrician, the unit of resistance is, as
-we once previously explained, termed an "ohm."
-Removing the telephone to such a distance that
-the two observers were "out of earshot," the test
-with resistance was tried, and with a resistance of
-one thousand ohms—roughly speaking, equal to
-seventy miles of a well-constructed line—the sound
-was perfect, although not very loud. Every articulation
-of the speaker at the other end could be distinguished
-so long as silence was maintained in the
-room, or so long as no heavy lorry rumbling over
-the stones outside sent in harsh noises which
-drowned the faint whisper of the instrument. The
-resistance was gradually raised to four thousand
-ohms—nearly three hundred miles—with like
-favourable results; and for some little distance
-beyond, articulation could still be made out. But
-by the time ten thousand ohms had been applied,
-putting the speaker at a distance of, say, seven
-hundred miles, sound only, but not articulate
-sound, reached the ear. The tone was there, and
-every inflection of the voice could be followed;
-but articulation was absent, although the listener
-strove every nerve to catch the sound, which the
-speaker, as was afterwards ascertained, was shouting
-in a loud clear voice. The prolonged notes of
-an air sung could be heard with the resistance
-named, but again no words could be distinguished.
-The voice, whether in speaking or singing, has a
-weird curious sound in the telephone. It is in
-a measure ventriloqual in character; and with
-the telephone held an inch or two from the ear,
-it has the effect as if some one were singing far
-off in the building, or the sound were coming up
-from a vaulted cellar or through a massive stone
-wall.</p>
-
-<p>'Proceeding to our next experiment, we joined
-up the telephones in one office to several wires
-in succession, putting ourselves in circuit with
-lines going to various distances and working with
-different instruments. When this was done, the
-real obstacle to telephonic progress at once asserted
-itself in the shape of "induction." The first wire
-experimented with was partly "overhouse" and
-partly underground, and the offices upon it were
-working Wheatstone A B C instruments. It is
-difficult to render clear to the person ignorant of
-telegraphic phenomena the idea expressed by the
-word <i>induction</i>. Briefly it may be put thus, that
-when a strong electric current is passing on a
-wire, it has the faculty of setting up a current of
-opposite character in any wire not then working,
-or working with a feebler current, that may be in
-its vicinity. The why or the wherefore cannot be
-explained, but there is the fact.</p>
-
-<p>'In various recent articles on the telephone,
-mention has been made of "contact" as the cause
-of disturbance. This word, however, although it
-has been used by telegraphists, is misleading, and
-can only be used as an endeavour to express popularly
-an electric fact. Actual contact of one wire
-with another would spoil the business altogether.
-A wire bearing an electric current seems to be for
-the time surrounded, to an undefined distance, by
-an electric atmosphere, and all wires coming
-within this atmosphere have a current in an opposite
-direction set up in them. This is as near an
-explanation of the phenomena of induction as the
-state of telegraph science at present affords. Now
-the telephone works with a very delicate magnetic<span class="pagenum"><a name="Page_813" id="Page_813">{813}</a></span>
-current, and is easily overpowered by the action of
-a stronger current in any wire near which the telephone
-wire may come. To work properly it
-"requires a silent line."</p>
-
-<p>'In the place where the observations were made,
-there are a large number of wires, travelling
-under the floor, through the test-box, along
-passages to the battery-room and to a pole on
-the outside, whence they radiate, or out to
-a pipe underground, where many gutta-percha-covered
-wires lie side by side. On applying
-the ear to a telephone joined into a circuit
-working in such an office a curious sound is heard,
-comparable most nearly to the sound of a pot
-boiling. But the practised ear could soon separate
-the boiling into distinct sounds. There was one
-masterful Morse instrument—probably on the wire
-lying nearest the one on which we were joined up—whose
-peremptory "click, cli-i-i-ck, click," representing
-"dot, dash, dot" on the printed slip we read
-from, could be heard over all. Then there was
-the rapid whir of a Wheatstone fast-speed transmitter,
-sending dots and dashes at express speed
-by mechanical means; the sharp well-pronounced
-rattle in sounds of equal length of a needle instrument;
-and most curious of all, the "rrrrr-op, rr-op,
-rrrrrrrrrrrrr-op, rrrrr-op, rr-op" of the A B C, the
-deadliest foe to the telephone in its endeavours to
-gain admission into the family of telegraph instruments.
-There may be reason in this, for as the
-Wheatstone A B C is the instrument used for
-private telegraphy, or for the least important
-public offices, because it requires no "code" to
-be learned by the manipulator, so it would likely
-be the first to be displaced if an acoustic telegraph
-permanently took the field. So the sentient little
-A B C opens its mitrailleuse fire on the intruder,
-on whose delicate currents, in the words of an
-accomplished electrician, it plays "old harry." The
-peculiar character of the sounds we borrow on the
-telephone from this instrument arises from the
-fact that as the needle flies round the dial, a
-distinct current or pulsation passes for each letter,
-and the final "op" we have tried to represent shews
-the stoppage of the needle at the letters as words
-were spelled out.</p>
-
-<p>'It must not be understood that the <i>sounds</i>
-of those various instruments are actually heard
-in the telephone. What happens is, that the
-currents stealing along the telephone wire by
-induction produce vibrations in the diaphragm
-of that instrument, the little metal membrane
-working on the magnet in ready response to
-every current set up in the latter. When it
-is remembered that the principle of the telephone
-is that the sound-caused vibrations in the
-filmy diaphragm at one end create similar but
-magnetically-caused vibrations in the diaphragm
-at the other end, and so reproduce the sound, it
-will be obvious why the rapid roll of the A B C
-currents, or the swift sending of the fast-speed
-transmitter, when brought by induction into the
-telephone wire, cause disturbances in the sound
-vibrations, and thereby cripple the instrument.
-One instrument of either kind named would have
-a certain effect, but one Morse or single needle
-would not have any greatly prejudicial effect. But
-a number of Morses or needles going together,
-such as were heard in our experiments, would
-combine to be nearly as bad as one A B C or fast-speed
-Morse. So delicate is the diaphragm to
-sound (and necessarily so), that in all experiments
-with the telephone itself, such as those with "resistance,"
-or those made at home to test the instrument
-apart from telegraphic considerations, every
-sound from without broke in, giving an effect like
-the well-known "murmur of the shell."</p>
-
-<p>'Joining up our wire now to a more distant
-station at some miles along the railway, and
-having on its poles a number of what are
-known as "heavy" circuits, the pot-boiling sound
-assumed even more marked characteristics. The
-A B C no longer affected us; but a number of
-Morse instruments were in full gear, and the fast-speed
-transmitter was also at work. While we
-were listening, the circuit to which we were joined
-began to work, and the effect was literally electrical.
-Hitherto we had only borrowed currents—or,
-seeing they were so unwelcome, we might
-call them currents thrust upon us—and the
-sounds, though sharp and incessant, were gentle
-and rather low. But when the strong current was
-set up in the wire itself, the listener who held
-one of our telephones nearly jumped from the
-floor when an angry "pit-<i>pat</i>, pit-<i>pat</i>, pit-<i>pat</i>-pit"
-assailed his ear, causing him to drop the instrument
-as if he had been shot! It was a result none
-of us had expected, for it did not seem possible
-that the delicate metal diaphragm and the little
-magnet of the telephone could produce a sound so
-intense. Of course it was only intense when the
-ear was held close to the orifice of the instrument.
-Held in the hand away from the ear, the telephone
-now made a first-rate "sounder," and we could tell
-without difficulty not only the signals that were passing,
-but found in it a more comfortable tone than
-that given by the Morse sounder in common use.</p>
-
-<p>'Other experiments of a like character led to
-results so similar, that they may be left unnoticed;
-and we proceed now to describe one of a different
-character, designed to test the telephone itself. At
-a distance of about half a mile, access was obtained
-to a Morse instrument in private use, and joined
-to the office by "overhouse" wire. Dividing our
-party and arranging a programme of operations,
-two remained with a telephone in the office, while
-other two, of whom the writer was one, proceeded
-with the second telephone to the distant instrument.
-By an arrangement which a practical telegraphist
-will understand, the key of the Morse
-was kept in circuit, so that signals could be exchanged
-in that way. It may be noticed, however,
-that this was hardly necessary, as the diaphragm
-of the telephone can be used as a key, with the
-finger or a blunt point, so that dot and dash signals
-are interchangeable, should the voice fail to be
-heard. As the wire in this instance travelled
-almost alone over part of its course, we were in
-hopes that induced currents would be conspicuous
-by their absence. In this we were, however, disappointed,
-for the pot was boiling away, rather more
-faintly, but with the "plop-plop-plop" distinctly
-audible, and once more a sharp masterful Morse
-click was heard coming in now and again. The
-deadly A B C was, however, absent, so that our
-experiment proved highly successful. For some
-reason or another—probably an imperfect condition
-of the wire, or the effects of "induction" over and
-above what made itself audible to us—the spoken
-sounds were deficient in distinctness; but songs
-sung at either end were very beautifully heard,
-and indeed the sustained note of sung words had<span class="pagenum"><a name="Page_814" id="Page_814">{814}</a></span>
-always a better carrying-power than rapidly spoken
-words. Every syllable, and every turn of melody
-of such a song as <i>My Mother bids me bind my Hair</i>,
-sung by a lady at one end, or <i>When the Heart of
-a Man</i>, sung at the other, could be distinctly
-heard, but with the effect before noticed, that the
-voice was muffled or shut in, as if the singer
-were in a cellar, while it was not always possible
-to say at once whether the voice was that of a
-man or a woman.</p>
-
-<p>'In the course of some domestic experiments,
-it was remarked that in playing the scale downwards
-from C in alt. on the piano, the result
-to the listener was a "tit" only for the four
-upper notes, although all below that had a clear
-"ting," and the octaves below were mostly distinct,
-although at the low notes of the piano the sound
-was again lost. The ringing notes of a musical
-box were not so successful, but with close attention,
-its rapid execution of <i>Tommy Dodd</i> could be
-well enough made out. An endeavour was made
-to catch the ticking of a watch, but this was
-not successful, and the experiment is not recommended,
-as the near presence of a watch to
-a magnet is not desirable; and the watch exposed
-to it in this instance was, it is thought, affected
-for a short time thereafter, although it received
-no permanent damage.</p>
-
-<p>'The observations made in the course of these
-experiments convinced those present that the
-telephone presents facilities for the dangerous
-practice of "tapping the wires," which may make
-it useful or dangerous, according as it is used
-for proper or improper purposes. It might be an
-important addition for a military commander to
-make to his flying cavalry; as an expert sound-reader,
-accompanying a column sent to cut off
-the enemy's telegraph connections, might precede
-the act of destruction by robbing him of some
-of his secrets. The rapidity and simplicity of the
-means by which a wire could be "milked," without
-being cut or put out of circuit, struck the
-whole of the party engaged in the various trials
-that are described above. Of course the process of
-tapping by telephone could not be carried out
-if the instrument in use was an A B C or single
-needle, or if the wire was being worked duplex
-or with a fast-speed Morse, for in these cases
-the sounds are too rapid or too indefinite to be
-read by ear. The danger is thus limited to
-ordinary sounder or Morse telegraphs; but these
-still form the mainstay of every public system.</p>
-
-<p>'Since the trials above described were made, the
-newspapers have recorded a beautiful application
-by Sir William Thomson, of the electric part of
-the telephone to exhibit at a distance the motions
-of an anemometer; the object being to shew the
-force of air-currents in coal-mines. This is a
-useful application of an electric fact, and doubtless
-points the way to further discoveries. But
-it is to be noticed that the experiment, interesting
-as it is, hardly comes under the head of a tele<i>phone</i>,
-what is reproduced at a distance being not sound
-but motion.</p>
-
-<p>'Obviously the invention cannot rest where it
-is; and no one more readily than the practical
-telegraphist will welcome an instrument at once
-simple, direct, and reliable. Even in its present
-form the telephone may be successfully used
-where its wire is absolutely <i>isolated</i> from all other
-telegraph wires. But the general impression is
-that its power of reproducing the sound must be
-intensified before its use can become general even
-as a substitute in works or offices for the speaking-tube.'</p>
-
-
-
-<hr class="chap" /></div><div>
-<h2><a name="SINGING_MICE" id="SINGING_MICE">SINGING MICE.</a></h2>
-
-
-<p><span class="smcap">These</span> interesting animals are said to be smaller
-than ordinary mice, to be usually of a brownish
-colour, and to have long ears. Naturalists have
-not come to any exact reason as to why they
-sing. Some persons impute the singing to
-disease, as in the wheezing of any one from
-a cold. Others attribute it to an internal parasite.
-But these seem unsatisfactory explanations;
-for when the little creatures sing they are as
-lively as common domestic mice. The faculty
-of singing in a small way with various modulations
-appears to be quite natural to the animals.
-It has been noticed that during their musical performances
-there is a throbbing in the throat, and
-that the snout is elevated in giving play to the
-voice, as in the warbling of birds. The song or
-warble of these mice is said to be sweet and varied.
-Hitherto not much attention has been given by
-zoologists to the phenomenon; but we observe by
-various notices in <i>Land and Water</i> and in <i>Nature</i>,
-two periodicals devoted to pleasant discussions on
-subjects of natural history, &c., that singing mice
-are becoming objects of careful investigation.</p>
-
-<p>An amusing account of a singing mouse appears
-in <i>Nature</i>, Nov. 9, from the pen of Mr Joseph
-Sidebotham, dating from Menton, south of France.</p>
-
-<p>'Last winter we occupied the rooms we now do
-at Menton. Early in February we heard as we
-thought the song of a canary, and fancied it was
-outside our balcony; however, we soon discovered
-that the singing was in our <i>salon</i>, and that the
-songster was a mouse. At that time the weather
-was rather cold, and we had a little fire, and the
-mouse spent most of the day under the fender,
-where we kept it supplied with bits of biscuit. In
-a few days it became quite tame, and would come
-on the hearth in an evening and sing for several
-hours. Sometimes it would climb up the chiffonier
-and ascend a vase of flowers to drink at the water,
-and then sit and sing on the edge of the table and
-allow us to go quite near to it without ceasing its
-warble. One of its favourite haunts was the wood-basket,
-and it would often sit and sing on the edge
-of it. On February 12, the last night of the
-Carnival, we had a number of friends in our <i>salon</i>,
-and the little mouse sang most vigorously, much
-to their delight and astonishment, and was not in
-the least disturbed by the talking. In the evening
-the mouse would often run about the room and
-under the door into the corridor and adjoining
-rooms, and then return to its own hearth. After
-amusing us for nearly a month, it disappeared;
-and we suspect it was caught in a trap set in one
-of the rooms beyond. The mouse was small and
-had very large ears, which it moved about much
-whilst singing. The song was not unlike that of
-the canary in many of its trills, and it sang quite<span class="pagenum"><a name="Page_815" id="Page_815">{815}</a></span>
-as beautifully as any canary, but it had more
-variety, and some of its notes were much lower,
-more like those of the bullfinch. One great
-peculiarity was a sort of double song, which we
-had now and then—an air with an accompaniment.
-The air was loud and full, the notes
-being low and the accompaniment quite subdued.
-Some of our party were sure that there
-was more than one mouse, until we had the
-performance from the edge of the wood-basket
-and were within a yard or two of it. My son
-has suggested that many or all mice may have
-the same power, but that the notes are usually
-so much higher in the scale that, like the cry
-of the dormouse and the bat, they are at the
-verge of the pitch to which the human ear is
-sensitive. This may be so; but the notes of our
-mouse were so low, and even the highest so far
-within the limits of the human ear, that I am
-inclined to think the gift of singing in mice is but
-of very rare occurrence.'</p>
-
-<p>In the same periodical, the following additional
-particulars as regards singing mice are presented
-by Mr George J. Romanes, Regent's Park.</p>
-
-<p>'Several years ago I received some of these animals
-from a friend, and kept them in confinement for
-one or two months. The description which your
-correspondent gives of their performance leaves
-very little to be added by me, as in all respects this
-description agrees perfectly with my own observations.
-I write, however, to remark one curious
-fact about the singing of these mice, namely, that
-it seemed to be evoked by two very opposite
-sets of conditions. When undisturbed, the little
-animals used for the most part to remain quiet
-during the day, and begin to sing at night; but if
-at any time they were alarmed, by handling them
-or otherwise, whether during the day or night,
-they were sure to sing vigorously. Thus the
-action seemed to be occasioned either by contentment
-or by fear. The character of the song, however,
-was slightly different in the two cases.</p>
-
-<p>'That these mice did not learn this art from
-singing birds there can be no doubt, for they were
-captured in a house where no such birds were kept.
-It may be worth while to add that this house
-(a London one) seemed to have been suddenly
-invaded, so to speak, by a number of these animals,
-for although my friend has lived in this house
-since the year 1862, it was only during a few
-months that singing mice were heard in it, and
-during these few months they were heard in considerable
-numbers.'</p>
-
-<p>As corroborative of the foregoing notices, we
-give the following very interesting account of a
-singing mouse, obligingly sent to us by a correspondent,
-Mr Alfred Wright.</p>
-
-<p>'In the early spring of last year I was invited
-by an old widow lady to see a singing mouse,
-which she had at night heard singing and scratching
-beneath the floor of her bed, and been so fortunate
-as to catch in a trap. I went, and found the
-little animal in a cage with a revolving wheel,
-similar to that in which a squirrel is usually confined.
-Whether the mouse was shy at the presence
-of a stranger, I do not know. It remained silent;
-but at length, after my patience had been nearly
-exhausted, it began to sing in clear warbling notes
-like those of a bird. When I called the next
-evening to hear the mouse again, I heard him to
-perfection; and was so filled with interest in the
-novelty, that I begged permission to bring any
-friend who was a sceptic of the fact, or who might
-desire to see the phenomenon. My request was
-readily granted. One friend of course had heard
-of a singing mouse, but he certainly would not
-allow that a prolonged squeak was a song—not
-he! Another friend of course had heard a mouse
-sing when he was a boy; but he was told, he
-perfectly well remembered, that the <i>noise</i> produced
-by the mouse was the result of some
-internal disease. Well, both of these went with
-me to hear the little creature. Unfortunately, at
-first it was again shy; but after an interval of
-silence it commenced to sing—sweetly, like the
-low notes, the jug, of the nightingale. My friends
-had come, had heard, and were conquered! The
-one acknowledged it was really a song and not
-a squeak; the other, that the noise was certainly
-dulcet; but still he thought it possibly might be
-the result of disease, and not natural to the little
-animal. We suggested that this wonderful natural
-curiosity (as we deemed it) should be sent to
-an eminent naturalist who resided near. Great,
-therefore, was my astonishment and pleasure when
-it was presented to me, who could only treat it
-like a schoolboy would his white mouse—as a
-pet. And truly it became a great pet to both
-my wife and myself.</p>
-
-<p>'In form, the singing mouse did not differ from
-his humbler brethren; but in colour he was of
-a darkish brown, and had very bright eyes. It
-soon became used to the presence of my wife,
-and sang constantly while revolving the wheel
-of his cage. The notes proceeded from the throat.
-He became exceedingly gentle, and was pleased
-at being caressed.</p>
-
-<p>'I deemed him so rare a curiosity that I ventured
-to offer to exhibit him to the distinguished naturalist
-referred to above, and in my letter described
-the little creature and its peculiarities, as I have
-done here. The naturalist most courteously
-replied: "The case of the singing mouse is very
-extraordinary, but the fact is now well established....
-The best account which has ever been published
-is by an American naturalist, and I have given
-an abstract of his account in my <i>Descent of Man</i>.</p>
-
-<p>"The American referred to is the Rev. S. Lockwood,
-author of <i>The American Naturalist</i>, and he
-gives an account of his observations of the <i>Hesperomys
-cognatus</i>, an American species, belonging to a
-genus distinct from that of the English mouse. This
-little animal gave two chief songs. Mr Lockwood
-gives both songs in musical notation; and adds,
-that though this mouse 'had no ear for time,' yet
-she would keep to the key of B (two flats) and
-strictly in the major key.... Her soft clear
-voice falls an octave with all the precision possible;
-then at the wind up it rises again into a very
-quick trill in C sharp and D." I have made this
-quotation, as it far better describes the peculiar
-qualifications of a singing mouse, than my inexperienced
-observations could announce.</p>
-
-<p>'My mouse remained in contented confinement
-upwards of a year, feeding upon a little sopped
-bread and canary-seed; and great was the grief of
-my wife (who was his keeper) and myself when
-he was found dead in his little nest. During the
-previous evening he had been heard singing with
-more than usual ardour.'</p>
-
-<p>We shall probably return to this interesting
-subject.</p>
-
-<hr class="chap" /></div><div>
-
-<p><span class="pagenum"><a name="Page_816" id="Page_816">{816}</a></span></p>
-
-
-
-
-<h2><a name="USING_UP_WASTE_SUBSTANCES" id="USING_UP_WASTE_SUBSTANCES">USING UP WASTE SUBSTANCES.</a></h2>
-
-
-<p><span class="smcap">The</span> subject denoted by the above title, more
-than once treated in the <i>Journal</i>, is adverted to
-by an obliging Lancashire correspondent who,
-surrounded by one of the busiest and most ingenious
-clusters of townsmen in England, has had
-his attention drawn to various substances waiting
-(as it were), for application to useful purposes.
-His suggestions are not wholly new, having to
-some extent been already anticipated; but they
-are sufficiently valuable to call for notice here.</p>
-
-<p>One relates to the waste that presents itself in
-the processes of manufacturing cotton. A residue
-known technically as <i>willowings</i>, that falls into
-a receptacle during the preparatory beating and
-disentangling of raw cotton-wool, consists of a
-dusty heap of seed-husks and short broken fibres.
-It is used by farmers to absorb the liquid manure
-of their cowsheds and middens or dung-heaps.
-Although some of the cottony fibre may be
-separated through a sieve, so much adheres to
-the seed-husk as to render it unsuitable for paper-making,
-for which it has often been tried. The
-suggestion now made is, that though unfitted for
-paper, this refuse may possibly be found useful
-in the manufacture of <i>millboard</i>. Large quantities
-of this tough and durable product are employed for
-bookbinding, for making the discs of railway wheels,
-&c.; and as colour is not a matter of moment,
-the idea is that the mingled residue of cottony
-fibre and seed-husk might be rendered available.
-It is known that millboard made from wood-pulp
-is imported to a considerable extent from abroad;
-and we are told that 'a large portion of the
-private income of the great German Chancellor
-Prince Bismarck is derived from the manufacture
-of wood-millboard on his Varzin estate.' Many
-hundred tons of willowings could be obtained in
-Lancashire at a very cheap rate, even as low as
-two shillings per hundredweight.</p>
-
-<p>Another suggestion bears relation to the utilisation
-of refuse from the manufacture of prussiate
-of potash, a most valuable product in the hands
-of the manufacturing chemist. The prussiate is
-obtained in large ratio from woollen rags, after the
-separation of all the pieces that can be worked up
-into shoddy for cheap cloth. The refuse is calcined
-in cast-iron retorts, lixiviated with water,
-and drained off for subsequent treatment: leaving
-behind it a thick black sediment of impure animal
-charcoal. The suggestion relates to the application
-of this residue to the manufacture of blacking—a
-humble but valuable agent for those who appreciate
-tidiness in the appearance of boots and shoes
-and economy in the preservation of leather. If
-useful for this purpose, it might be found advantageous
-and economical as an ingredient in printers'
-ink. Whether this carbon residue is at present
-applied to any other useful purpose, we are not
-fully informed.</p>
-
-<p>A third suggestion relates to the preparation of
-animal size for the carpet-manufacture and for
-that of many kinds of woollen and worsted goods.
-This size is made from the clippings and scrapings
-of skins and hides, from rejected scraps of parchment
-and vellum, and from the worn-out buffalo
-skin pickers and skips largely used in textile
-manufactures; also from the pith of cattle-horns,
-which contain a large amount of valuable gelatine.
-The suggestion is, to utilise the refuse left after
-making this size. One large carpet factory in
-Yorkshire rejects as utterly useless a ton or more
-of this refuse every week. The horn-pith contains
-as one of its components phosphate of lime, and is
-on that account recommended to the notice of the
-manufacturers of chemical manures on a large
-scale.</p>
-
-<p>One more suggestion comes from our ingenious
-correspondent. Old corks are applicable to a
-greater number of purposes than we are generally
-in the habit of supposing. That many of them
-are ground up to make cork-stuffing for cushions,
-padding, &c. is well known; but there are other
-uses for them as corks or half corks, besides
-making floating buoys and life-preservers. A
-taverner in a Lancashire town covered the floor of
-his lobby and bar with very open rope-matting,
-and filled up the openings with old corks cut
-down to the level of the surface of the mats. This
-combination is found to be almost indestructible
-under the feet; while it gives a good grip or foothold.
-As the making of rope-mats is one of the
-trades carried on in reformatories and some other
-large establishments, it is suggested that the
-managers should take into consideration the feasibility
-of adding old corks to their store of manufacturing
-materials.</p>
-
-<p>As this <i>Journal</i> finds its way into every corner
-of the busy hives of industry, it may possibly be
-that some of our readers are already acquainted
-with such applications of waste refuse to useful
-purposes as those which our esteemed correspondent
-suggests. But this is a point of minor importance.
-The primary question is, not whether
-an idea is absolutely new, but whether it is
-practicably susceptible of useful application. The
-history of manufactures teaches us that apparently
-humble trifles like these have proved to be worth
-millions sterling to the country.</p>
-
-
-
-<hr class="chap" /></div><div>
-<h2><a name="LET_BYGONES_BE_BYGONES" id="LET_BYGONES_BE_BYGONES">LET BYGONES BE BYGONES.</a></h2>
-
-
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">Let</span> bygones be bygones; if bygones were clouded<br /></span>
-<span class="i2">By aught that occasioned a pang of regret,<br /></span>
-<span class="i0">Oh, let them in darkest oblivion be shrouded;<br /></span>
-<span class="i2">'Tis wise and 'tis kind to forgive and forget.<br /></span>
-</div><div class="stanza">
-<span class="i0">Let bygones be bygones, and good be extracted<br /></span>
-<span class="i2">From ill over which it is folly to fret;<br /></span>
-<span class="i0">The wisest of mortals have foolishly acted—<br /></span>
-<span class="i2">The kindest are those who forgive and forget.<br /></span>
-</div><div class="stanza">
-<span class="i0">Let bygones be bygones; oh, cherish no longer<br /></span>
-<span class="i2">The thought that the sun of Affection has set;<br /></span>
-<span class="i0">Eclipsed for a moment, its rays will be stronger,<br /></span>
-<span class="i2">If you, like a Christian, forgive and forget.<br /></span>
-</div><div class="stanza">
-<span class="i0">Let bygones be bygones; your heart will be lighter,<br /></span>
-<span class="i2">When kindness of yours with reception has met;<br /></span>
-<span class="i0">The flame of your love will be purer and brighter<br /></span>
-<span class="i2">If, Godlike, you strive to forgive and forget.<br /></span>
-</div><div class="stanza">
-<span class="i0">Let bygones be bygones; oh, purge out the leaven<br /></span>
-<span class="i2">Of malice, and try an example to set<br /></span>
-<span class="i0">To others, who craving the mercy of heaven,<br /></span>
-<span class="i2">Are sadly too slow to forgive and forget.<br /></span>
-</div><div class="stanza">
-<span class="i0">Let bygones be bygones; remember how deeply<br /></span>
-<span class="i2">To heaven's forbearance we all are in debt;<br /></span>
-<span class="i0">They value God's infinite goodness too cheaply<br /></span>
-<span class="i2">Who heed not the precept, 'Forgive and forget.'<br /></span>
-</div></div></div>
-
-<hr class="full" />
-
-<p class='center'>Printed and Published by <span class="smcap">W. & R. Chambers</span>, 47 Paternoster
-Row, <span class="smcap">London</span>, and 339 High Street, <span class="smcap">Edinburgh</span>.</p>
-
-<hr class="chap" />
-
-<p class='center'><i>All rights reserved.</i></p>
-
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of the Project Gutenberg EBook of Chambers's Journal of Popular
-Literature, Science, and Art, No. 730, by Various
-
-*** END OF THIS PROJECT GUTENBERG EBOOK CHAMBERS'S JOURNAL, DECEMBER 22, 1877 ***
-
-***** This file should be named 51841-h.htm or 51841-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/1/8/4/51841/
-
-Produced by Susan Skinner and the Online Distributed
-Proofreading Team at http://www.pgdp.net
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-http://gutenberg.org/license).
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at http://www.pglaf.org.
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-http://pglaf.org/fundraising. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at http://pglaf.org
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit http://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: http://pglaf.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart is the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-</pre>
-
-</body>
-</html>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> +<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> + <meta http-equiv="Content-Style-Type" content="text/css" /> + <title> + The Project Gutenberg eBook of Chambers's Journal, by Various. + </title> + <link rel="coverpage" href="images/cover.jpg" /> + <style type="text/css"> + +body { + margin-left: 10%; + margin-right: 10%; +} + + h1,h2,h3,h4,h5,h6 { + text-align: center; /* all headings centered */ + clear: both; +} + +p { + margin-top: .51em; + text-align: justify; + margin-bottom: .49em; +} + +.ph3{ + text-align: center; + font-size: large; + font-weight: bold; +} + +.p2{ + margin-top: 2em; +} + +hr { + width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: auto; + margin-right: auto; + clear: both; +} + +hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;} + +hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;} +hr.full {width: 95%; margin-left: 2.5%; margin-right: 2.5%;} + +table { + margin-left: auto; + margin-right: auto; +} + +.pagenum { /* uncomment the next line for invisible page numbers */ + /* visibility: hidden; */ + position: absolute; + left: 92%; + font-size: smaller; + text-align: right; +} /* page numbers */ + +.center {text-align: center;} + +.smcap {font-variant: small-caps;} + +.lowercase {text-transform: lowercase;} + +/* Images */ +.figcenter { + margin: auto; + text-align: center; +} + + +/* Poetry */ +.poem { + margin-left:10%; + margin-right:10%; + text-align: left; +} + +.poem br {display: none;} + +.poem .stanza {margin: 1em 0em 1em 0em;} + + .poem span.i0 {display: block; margin-left: 0em; padding-left: 3em; text-indent: -3em;} + .poem span.i2 {display: block; margin-left: 1em; padding-left: 3em; text-indent: -3em;} + +@media handheld +{ + + lowercase {text-transform: uppercase} +} + + </style> + </head> +<body> +<div>*** START OF THE PROJECT GUTENBERG EBOOK 51841 ***</div> + +<hr class="chap" /> + +<p><span class="pagenum"><a name="Page_801" id="Page_801">{801}</a></span></p> + +<h1>CHAMBERS'S JOURNAL<br /> +OF<br /> +POPULAR<br /> +LITERATURE, SCIENCE, AND ART.</h1> + +<div> +<h2>CONTENTS</h2> + +<p class='center'> + +<!-- Autogenerated TOC. Modify or delete as required. --> + +<a href="#CHRISTMAS-TIME">CHRISTMAS-TIME.</a><br /> +<a href="#A_CAST_OF_THE_NET">A CAST OF THE NET.</a><br /> +<a href="#FEATS_OF_ENDURANCE">FEATS OF ENDURANCE.</a><br /> +<a href="#A_DIFFICULT_QUESTION">A DIFFICULT QUESTION.</a><br /> +<a href="#IS_THE_TELEPHONE_A_PRACTICAL">IS THE TELEPHONE A PRACTICAL SUCCESS?</a><br /> +<a href="#SINGING_MICE">SINGING MICE.</a><br /> +<a href="#USING_UP_WASTE_SUBSTANCES">USING UP WASTE SUBSTANCES.</a><br /> +<a href="#LET_BYGONES_BE_BYGONES">LET BYGONES BE BYGONES.</a><br /> + +<!-- End Autogenerated TOC. --> + +</p> + + + + + +<hr class="full" /> + +<div class="figcenter"> +<img src="images/header.png" width="600" height="294" alt="Chambers's Journal of Popular Literature, Science, and Art. Fourth Series. Conducted by William and Robert Chambers." /> +</div> + + +<hr class="full" /> +<div class="center"> +<table border="0" cellpadding="4" cellspacing="0" summary="" width="85%"> +<tr><td align="left"><b><span class="smcap">No.</span> 730.</b></td><td align="center"><b>SATURDAY, DECEMBER 22, 1877.</b></td><td align="right"><b><span class="smcap">Price</span> 1½<i>d.</i></b></td></tr> +</table></div></div> + +<hr class="full" /> + +<div> + +<h2><a name="CHRISTMAS-TIME" id="CHRISTMAS-TIME">CHRISTMAS-TIME.</a></h2> + + +<p>'<span class="smcap">So</span> many men so many minds' has been a proverb +long before our days, and will be to the end +of time and human history; and uniformity of +sentiment is the one thing which men need never +hope to attain.</p> + +<p>Christmas-time is one of these battle-fields of +feeling. To some it is just the consecration of +so many circumstances of torture; to others the +meeting-point of so many facts of pleasure. From +the conventional greeting to the orthodox dinner—from +the 'seasonable gifts' that are more obligatory +than voluntary, to the toast that heralds the +punch, and the dreams that follow on that last +glass—all is so much pain to the flesh and weariness +to the spirit; and they wonder how any one +can find it otherwise. What is there in Christmas-time +to make it pleasurable? they say. The +gathering together of the family? A lot of rough +boys home from school, who spoil the furniture +and tease the dogs, lame the horses and ravage +the garden, make the servants cross, the girls +rude, and the younger children insubordinate; who +upset all the order of the house, destroy its comfort +like its quiet, and to whose safe return to +discipline and your own restoration to tranquillity +you look forward with impatient longing +from the first hour of their arrival to the last +of their stay? Or the advent of your married +daughter with her two spoilt babies, who cry if +they are looked at and want everything that they +see, and that very objectionable young man her +husband, with his ultra opinions and passion for +argument, whom she would marry in spite of all +that you could say, but to whom you can scarcely +force yourself to be decently civil, not to speak of +cordial, and whose presence is a perpetual blister +while it lasts? Is this the family gathering about +which you are expected to gush?—this with the +addition of your son's fine-lady wife who snubs his +mother and sisters with as little breeding as +reserve, finds nothing at your table that she can +eat, lives with her smelling-bottle to her nose and +propped up with cushions on the sofa, and gives +you to understand that she considers herself +humiliated by her association with your family, +and your son as much exalted as she is degraded? +This is the domestic aspect of Christmas-time +which is to make you forget all the ordinary +troubles of life, creating in their stead a Utopia +where ill-feeling is as little known as <i>ennui</i>, and +family jars are as impossible as personal discomfort +and dissent. Holding this picture in your +hand, you decline to subscribe your name to the +Io pæan universally chanted in praise of Christmas, +and wrap yourself up in sullen silence when +your neighbour congratulates you on having all +your family about you, and wishes you a merry +Christmas as if he meant it.</p> + +<p>If the domestic aspect is disagreeable, what is +the social?—A round of dinners of which the +<i>menu</i> is precisely the same from Alpha to Omega:—turbot +and thick lobster-sauce; roast-beef and +boiled turkey; indigestible plum-pudding and +murderous mince-pies; with sour oranges and +sweet sherry to keep the balance even, and by the +creation of two acids perhaps neutralise each +other and the third. This is the food set before +unoffending citizens under the name and style +of Christmas dinners for the month or six weeks +during which the idiotic custom of Christmas dinners +at all is supposed to last. You are expected +to live in this monotony of dyspepsia and antipathetic +diet till you loathe the very sight of the +familiar food, and long for a change with a +vehemence which makes you ashamed of yourself, +and more than half afraid that you are developing +into a gourmand of the worst kind.</p> + +<p>As if your nights were not sufficiently broken by +the horrible compounds which trouble your digestion +and disturb your brain, torturers known as +the 'waits' prowl through the streets from midnight +to dawn, causing you agonies beyond those which +even the hurdy-gurdy men inflict. You are just +falling to sleep—painfully courted and hardly won—when +a hideous discord worse than the wailings +of cats startles you into a nervous wakefulness +which banishes all hope for that night. What can +you do? They are too far off for that jug of<span class="pagenum"><a name="Page_802" id="Page_802">{802}</a></span> +water to take effect, and you must not fire; +anathemas do not hurt them, and if said aloud +only waken up your wife and make her cry if +she does not preach. You have nothing for it +then but to lie still and groan inwardly, devoting +to the infernal gods all the idiotic circumstances +by which your life is rendered wretched, and +your health, already frail, set still further wrong. +In the morning, when wearied and nervously +feverish from want of sleep, you go into the +garden for a little quiet and delectation, you find +your greenhouses stripped of the flowers which you +had been lovingly watching for weeks, and your +evergreens as ridiculously cropped as a shaved +poodle. This is the day for the decoration of the +church, and you, having made an expensive hobby +of your garden, have to contribute what has cost +months and good money to rear, for the childish +satisfaction of John and Joan, lasting just two +hours and five minutes. Not only have you lost +your flowers and your evergreens—that splendid +holly, which yesterday glowed like a flame, today +nothing but a bundle of chopped ends!—but +you know that your favourite daughter is flirting +with the curate, and that a great deal is going on +under cover of wreaths and crosses, laurustinus and +chrysanthemum, of which you strongly disapprove +yet cannot check. It is Christmas-time; decorating +the church has become in these later days a kind +of religious duty; and as a conscript father of +your village, you must not forbid your daughter +this pious pleasure any more than you can refuse +your costly contribution in kind.</p> + +<p>Turn to the financial side of the time; and +what have you?—bills coming in that you neither +expected nor knew of, and every one looking for a +Christmas-box, and insolent or irritated if they +do not get it. The servants obsequious to the +worth of half a sovereign—tradesmen and their +lads punctual in anticipation of half-crowns—postmen +levying blackmail, and watermen and +dustmen demanding as their right that they should +be fee'd for their persistent neglect of duty—every +one making a dead set at your pocket and trying +to get your money for themselves—the very +children more caressing and affectionate because it +is Christmas and papa always gives them something +on Christmas-day:—You groan as you ask +yourself where is disinterestedness on this earth?—and +you groan still more as you draw your cheques +and reduce your balance and wonder by what law +of right it is that you should be the pipe by which +other folks are to be supplied.</p> + +<p>No; you see no good or pleasure in this boasted +Christmas-time as we keep it up in our benighted +country. Its mirth is a sham and its inflictions +are only too real. A time of tumult and expense, +of indigestion and discomfort, you wait, grimly or +fretfully as your mood may be, till it has passed +and the current of your life is allowed to flow +evenly as before. When you hear people sing its +praises you long to stop their mouths, as you +longed to silence the waits who woke you up out +of your first sleep and spoilt your rest for the +night. What manner of men are these, you think, +who can find cause of congratulation in so much +absurdity, if the fun is real to them—so much +dreary make-believe, if it is unreal? You despise +your genial, laughing, merry-hearted neighbour +who goes into everything <i>con amore</i>, and accepts it +all, from forfeits and snapdragon to plum-pudding +and Christmas-boxes, as if he really liked it. You +think what a fool he must be to be pleased with a +rattle, tickled with a straw like this. But for the +most part you do not believe in his mirth; and +then you despise him still more as a hypocrite as +well. For a hypocrite shamming folly is an +offender against reason as well as truth, whom you +find it hard to forgive, let the motive of his mummery +be what it may.</p> + +<p>This is one side of the question; your neighbour +takes the other.</p> + +<p>Who on earth, he says with his hands in his +pockets, his back to the fire and his kindly smiling +face to the room, who on earth can grumble at the +facts of Christmas-time? For his part he finds +it the jolliest season of the year, and he finds each +season as jolly as the other, and all perfect in their +own appointed way. He is none of your crying +philosophers who go through life bewailing its +miseries and oppressed by its misfortunes. Not +he! He thinks the earth beautiful, men and +women pleasant, and God very good; and of +all occasions wherein he can transact his cheerful +philosophy, Christmas is the best. The +boys are home for their holidays; and it is +a pleasure to him to take them out hunting +and shooting, and initiate them into the personal +circumstances belonging to English country +gentlemen. He looks forward to the time when +they will take his place and carry on the +traditions of the family, and he wishes them to +be worthy of their name and an honour to their +country. He is not one of those nervous self-centred +men who live by rule and measure and +cannot have a line of the day's ordering disturbed. +He likes his own way certainly; and he +has it; but he can press his elbows to his sides +on occasions, and give room for others to expand. +He does not find it such an unbearable infliction +that his boys should come home and racket about +the place, even though they are a little upsetting, +and do not leave everything quite as smooth and +straight as they found it. He remembers his own +youth and how happy it made him to come home +and racket; and he supposes that his lads are very +much the same as he was at their age. He thinks +too that they do the girls good—wake them up a +little—and while not making them rough or rude—the +mother takes care of that—yet that they prevent +them from becoming prim and missy, as +girls are apt to be who have no brothers and are +left too much to themselves. Certainly he does +not approve of the flood of slang which is let loose +in the house during their stay; but school-boy +slang at the worst is not permanent, and in a +week's time will be forgotten.</p> + +<p>As for the married daughter's children, they are +the merriest little rogues in the world; and his +wife looks ten years younger since they came. She +was always fond of babies; and her grandchildren +seem to renew her own past nursery with all the +pleasure and none of the anxiety of the olden time. +He rather wonders at his girl's taste in the matter +of her husband—most fathers do—and cannot for +the life of him see what there is to love in him. +But if not an Alcibiades he is a good fellow in the +main, and makes his young wife happy; which is +the principal thing. And if his daughter-in-law is +a trifle stiff, and fond of giving herself fine-lady +airs, he for his part never stands that kind of +nonsense, and will laugh her out of it before she<span class="pagenum"><a name="Page_803" id="Page_803">{803}</a></span> +has been twenty-four hours in the house. He +finds good-humour and taking no offence the best +weapons in the world against folly and ill-temper; +and prefers them as curative agents to any other. +The girl is a nice girl enough, but she has been +badly brought up—had a lot of false ideas instilled +into her by a foolish mother—but when she has +been away from the old influences, and associated +with themselves for a little while, she will open +her eyes and see things in their right light. Who +indeed could resist the sweet sensible influence of +his wife, her mother-in-law?—and are not his girls +the very perfection of honest wholesome English +ladies? It will all come right in time; he has no +doubt of that; and meanwhile they must be patient +and forbearing for Dick's sake, and not make +matters worse than they are by their own want of +self-control.</p> + +<p>Then as to the Christmas-boxes and the tips +sacred to the season—well! well! after all they +do not amount to much in the year, and see what +pleasure they give! A man must be but a poor-spirited +surly kind of hound who does not like to +see his fellow-creatures happy; and a very little +kindness goes a great way in that direction. He +takes care to live within his income, and therefore +he has always a margin to go on; and he does not +object to use it. The servants have been very good +on the whole, and do their duty fairly enough. +And when they fail—as they do at times—why, to +fail is human, and are they alone of all mankind +to be blameless and never swerving in the right +way? And are they alone of all mankind to be +judged of by their worst and not by their best?—to +be blamed for failure, but not praised for +well-doing? He does not think so; and not +thinking this, his half-sovereigns are given freely +without the grudging which makes them an +ungracious tax instead of a kindly voluntary gift. +The tradespeople, too, do fairly well, and—they +must have their profit like any one else! Those +Christmas-boxes to their lads may be the nest-eggs +for future savings; and even if they do go +in a little finery or personal pleasure instead—young +people will be young, and his own boys +are fond of being smart and amused: so why not +these others? You grumble at the waits? If you +in your warm bed, well fed, well clothed, prosperous +altogether, fret at the loss of an hour's sleep, +what must these poor fellows feel, out in the cold +frosty night, with the wind blowing and the sleet +falling fast, and they not half fed nor a quarter +clothed? For his own part he would like to give +them a glass of hot grog all round; and as for +grumbling at the few coppers which they brave +all this physical discomfort to earn, he makes it +shillings, and hopes it will do them good. We +must live and let live, he says with his broad +smile; and if we are sometimes a little inconvenienced +by the efforts made by the poor to +accomplish the art of living for their own parts—we +must remember that our loss is their gain, and +that they are men and women like ourselves—fathers +of families who want to keep the pot boiling +and the fire alight—mothers who love their +children, and are anxious to do the best for them +that nature and man will allow.</p> + +<p>You complain of indigestion and grumble at +the monotony of your Christmas fare?—That is +strange! Who can grumble at good plain succulent +meat?—and why do you eat the sweets if they +disagree with you? Neither pudding nor mince-pie +comes into the eternal necessities of things, +and you would do very well if only you would +refrain. He does not eat things that he cannot +digest, and in consequence he sleeps well, and when +he wakes has neither regret nor remorse. Surely +that is not such a painful trial—to forbear eating +what is hurtful to your health, and in touching +your health corroding your happiness as well.</p> + +<p>In a word, the whole difference of the spirit in +which we meet the facts of Christmas depends +on the good or ill humour with which we are +naturally endowed, and which we have cultivated +by common-sense on the one hand, or suffered to +ride rough-shod over our reason on the other. If +we are unselfish and sympathetic, Christmas-time +is as pleasant to us as popular tradition would +make it; if we are egotistical and peevish, it +is a wearisome infliction and a sham which no +honest man can pretend to believe in, nor any +sensible one to admire.</p> + +<p>For our own part we believe in Christmas, +because we believe in the kindness of man to man, +in genial good-humour, in unselfishness, and the +liking of wholesome natures to give happiness; +and so far as we have gone yet we have seen no +reason to change our views. A merry Christmas +then to you all, friends, readers, and countrymen; +and a happy New Year to follow after; and may +God bless the rich and care for the poor, and lead +us all in the right way while the day lasts and +before the night has come!</p> + + + +<hr class="chap" /></div><div> +<h2><a name="A_CAST_OF_THE_NET" id="A_CAST_OF_THE_NET">A CAST OF THE NET.</a></h2> + +<p class='ph3'>THE STORY OF A DETECTIVE OFFICER.</p> + + +<h3>CHAPTER IV.</h3> + +<p><span class="smcap">Long</span> after it had grown quite dark, all remained +quiet, and at last I resolved upon making a move. +I had determined upon fetching Peter Tilley. I +had plenty of assistance, but I thought I should +like to have Peter with me. So I went down to +the ferry; a gas-light which burned at the corner +shewed me before I left my post that the bony +ferryman was not there; and choosing a pretty +good boat, with a strong young fellow to pull, I got +in. It was a most unpleasant night; as dark as +pitch, which was bad enough, but every now and +then it lightened, which was worse, as it dazzled +my eyes, and made me think we were running +smash on board some great vessel which I had not +seen a moment before, and couldn't see a moment +after. However, the boatman was used to all +kinds of weather, I suppose, and knew the river +thoroughly; so through the darkness and the rain, +which never left off for a moment, we reached the +other side.</p> + +<p>I left the boat to wait for me, and ran up to the +<i>Yarmouth Smack</i>. I looked in, and saw Peter +leaning against the bar and smoking a short pipe, +as a labourer ought to do; and he was talking in +a friendly way to some rough-looking fellows. I +slipped in, and using the name we had agreed +upon, spoke to him. He knew my voice of course; +but seeing me so changed, for my make-up was +really splendid (it was, although I say so that +shouldn't), it gave him such a shock that he was<span class="pagenum"><a name="Page_804" id="Page_804">{804}</a></span> +obliged to put the pewter down he was going to +drink from and look steadily at me before he +answered. 'I'm acoming,' he said at last, and we +got outside; when, as we walked down to the ferry, +I gave him a sort of idea of what was going on, and +how I expected to make a great catch that night. +Peter of course was very glad to be in for such a +big thing as this, for he had never been mixed up +with anything so important.</p> + +<p>Not to trust the boatman too much, I kept Peter +back a few yards from the water while I finished +my story, standing a little on one side, so as to be +out of the way of the people who came and went +to and from the ferry. While I was talking to +him, a wherry ran in; we heard her grate on the +pebbles and the sculls rattle as the man laid 'em +in; but that we had heard before. It's a part of my +habit to notice little things however, and I looked +to see who had come in by this boat. There was +only one passenger, a woman, and she passed us +walking quickly; but quick as she walked, I saw +her, and she saw me. Blessed if it wasn't Miss +Doyle! My being there was no odds to Miss Doyle, +nor could it have signified to her if she had seen +me fifty times; yet I felt I would rather not have +met her just then; it looked unlucky, and she was +such an uncommonly sharp one too. Sharp or not, +I couldn't see what she could make out of my +standing under a wall on a wet night talking to +another labourer.</p> + +<p>Having finished my explanation, we both got +into the wherry, and I asked the man if he would +like a good long job, which might perhaps last +all night.</p> + +<p>'The longer the better, governor,' he says, 'if +the pay is accordin'.'</p> + +<p>'The pay <i>will</i> be accordin',' I answered; 'and so +you are engaged.'</p> + +<p>The first thing I made him do was to row +round that oyster-smack, for the tide had risen +enough to take us round her. I shewed no light, +but we went inside her twice; and the fellow on +the watch was very sharp, so he was leaning over +the side when we came round the second time, and +I could say quite quiet-like: 'I am in this boat +now—watch the river.' That was quite enough; +he knew he would not now have to look to the +<i>Anchor</i> for signals.</p> + +<p>After this began what I believe was the most +disagreeable sort of patrol I ever had. There was +a time when I used to envy the Thames police; +but I can't say I ever did after that night. We +were obliged to be in motion almost continually, +because we did not know from which side of the +river the paper might come, and we weren't quite +sure that it would come at all, especially on that +night; and I don't know, speaking from my own +experience, that there is anything more trying to +the spirits than the pulling backwards and forwards +and loitering about on the river Thames +in a raw October night with a small thick rain +falling. Twice we landed, and went once to the +<i>Smack</i> and once to the <i>Anchor</i>. I couldn't grudge +the men a glass of hot grog; in fact I was obliged +to have some myself, even if I missed my capture +through it.</p> + +<p>It grew later and later; the flashes of lightning +still came at long intervals; but the lights on the +shore went out, and excepting the gas-lamps which +burnt at street-corners, ferries, and wharfs, all +was dark. The traffic on the river had long +ceased, no shouts or rattle of wheels came from the +shore; and the rain still falling, it was, I give you +my word, most horribly miserable, dull and sloppy +beyond description. Twelve o'clock had struck, +and one, and perhaps half an hour beyond it. I +had cautioned my companions to speak very low; +so the boatman only whispered when he said: +'It's as quiet as it is likely to be, governor, if +you've got anything to run. I have just seen the +police galley creep along on the other side; I see +her under that lamp. Now's your time.'</p> + +<p>He thought we were smugglers! Perhaps he +didn't care if we were thieves. I told him to be +patient; when at that very instant, just as we were +creeping along under the lee of a coal-barge, a +wherry shot very silently by, right in front of us, +going across stream, and not six feet from our +bows. In her sat the sulky ferryman; I knew +him at a glance, dark as it was. 'Pull after that +wherry,' I said.</p> + +<p>'Peter Tilley, my lad,' I continued, turning to +Peter, 'the time's acoming, I think.'</p> + +<p>'I'm precious glad of it,' says Peter; 'for I'm +catching a cold in my head every minute I sit in +this confounded boat; and it's all soaking wet +where I'm sitting.'</p> + +<p>Our man pulled on; he was a very strong fellow, +as I have said, and we could have overtaken the +other boat directly; but this of course I did not +want. I knew where to look for the old scamp; +and sure enough, after a few strokes across stream, +he bent to the left and ran under the bows of the +Dutch trader.</p> + +<p>All was dark and silent as the grave aboard the +ship; but that didn't deceive the old boatman, +nor did it deceive me. I stopped our man in the +shade of the next vessel, if you can call anywhere +a shade, when it was all pitch dark. We had not +been there a minute before I heard a slight noise—it +was impossible to see any one unless he stood +between you and the sky—and then I could tell by +the sound that a man had dropped into the wherry. +There was no need to tell me what man it was. +With an almost noiseless dip, the ferryman dropped +his sculls into the river again and rowed on, we +still after him. I took it for granted he was going +to the other side of the ferry; but he suddenly bore +off to the right, and rowed on for some little time, +then striking in between two vessels, he went +straight for the land.</p> + +<p>'Where is he going to?' I whispered.</p> + +<p>'To the landing at Byrle's wharf,' says the boatman +in the same tone.</p> + +<p>So he was; and it appeared this landing-place +was at the farther side of the wharf; that is, lower +down the river.</p> + +<p>It was so dark we could hardly see them—for +we could just make out there were now two +persons in the boat—but as they reached the shore, +a lamp that was burning on the wharf helped us a +little. We could not clearly see what they were +doing; but they certainly got out of the boat, and +as certainly there were then more than two figures +moving about, and seemingly engaged in placing +parcels in the wherry. But it was very gloomy +there; they were in the shade of the wharf, and +the lamp glimmered weak and faint through the +thick rain. It was the more difficult to see what +was being done, because there were several boats +tied up to the landing-place, making some confusion +in the darkness. At last, however, we could see that<span class="pagenum"><a name="Page_805" id="Page_805">{805}</a></span> +they were pushing off from the shore; so it was +time for us to move. We pulled back for a while +(there was no doubt as to which way the others +would come), and then sheering off, lay between +two colliers until we saw the wherry we had +watched go by, and then we once more pulled +after them.</p> + +<p>'I'm blest if I don't think there's another boat +following <i>us</i>,' says Peter Tilley, staring as hard as +he could behind us. I looked, but couldn't see +anything; and Peter owned he might have been +mistaken.</p> + +<p>We could not make out how many there were +in the foremost boat. There was only one man rowing, +that was plain; and he pulled short round at +the proper place, as I knew he would, and rowed +towards the Dutch trader. As he did so, we lost +him for a second, a big steamer lying between us; +but the hull of this vessel did not obstruct the +view up the river. I seized the moment, and +waved my lantern twice. It was all right. As +quick as thought the light on board the oyster-smack +was moved twice also, and then we too +were pulling across the stream. I wanted to +capture my men on board the trader, as otherwise +the paper might be got rid of, because I +couldn't be positively certain that it was not +already on board. In fact, Mr Edmund Byrle +was my chief aim, not the skipper.</p> + +<p>The wherry pulled under the bows of the vessel; +we followed just in time to see, by a very convenient +flash of lightning, two packages handed +up; then a figure, which we had recognised by the +same flash as the bony ferryman, got into the ship. +As he disappeared, our wherry touched the vessel; +and at the same instant, to my great relief, a long +black Thames police galley came alongside us, and +its crew, five constables, with Barney Wilkins, who +was there as guide, clambered up like cats. I and +Peter imitated them, but not quite so quickly; and +when I looked over the bulwark, I saw by the +light of a couple of lanterns, screened from the +outside, four or five men, the boatman and the +skipper being two, lifting up a great lid which +fitted in the deck—the hatches I heard it called—while +by their side lay the packages of paper. +I could not see Mr Byrle; but there was no time to +consider; we all jumped in at once, the men looking +round in amazement at the noise. I fancied +that just then I heard a shout from the boat.</p> + +<p>'What do you all want here?' said the skipper +angrily.</p> + +<p>'We hold a warrant'—I began.</p> + +<p>'Oh, it is <i>you</i>, is it?' he screeched, like a +hyena, or something of that sort. 'I owe you a +little for a past score, and you shall have it.' As +quick as lightning he pulled a long straight +knife from the side of his trousers, where it must +have been in some sort of sheath, and jumped at +me with such suddenness that he would have +stabbed me, only Barney Wilkins snatched a +handspike from the deck, and dashing between us, +hit him down with such a blow, that the skipper +fell with a crash like a bullock when it is killed, +the blood pouring from his head instantly.</p> + +<p>It was all as quick as thought. The other men +were all seized in a breath. So quick was it all +done, that I had no idea Barney was hurt, until +he reeled, made a wild clutch as if he caught at +something for support, and then pitched forward +on his hands and knees.</p> + +<p>'Hollo, Barney!' I said, stooping down to him. +'What's the matter, old fellow?'</p> + +<p>'It's all up, Mr Nickham,' he gasped; 'he's +done me. I only hope I've killed him. Where's +the other?'</p> + +<p>'Oh, never mind the other, Barney,' I says. +'Where are you hurt?'</p> + +<p>But as I spoke, one of the men came with a +lantern, and Barney had no occasion to answer +me, for I could see a straight stream of blood +running from his chest on to the deck; and +his hands giving way from weakness, he fell over +on his side.</p> + +<p>'Pull in for the shore, you, sir!' said the sergeant +of the Thames police to my waterman. 'You +know Marigold Street? Knock up Mr Gartley, and +tell him what has happened. Say we are afraid +to move the man to his house, so he had better +come aboard.'</p> + +<p>'Send one of your own men, will you?' answers +the boatman. 'I've got something to tell the +governor' (that was me), 'as I think he ought +to know.'</p> + +<p>'Cut away then, Bill,' says the sergeant to a +constable; 'these fellows are ironed, and we can +manage all that are aboard this craft.'</p> + +<p>So the man went off in my wherry; and the +Thames men tried to make poor Barney a little +more comfortable, while I undid his waistcoat, +hoping to stop the bleeding.</p> + +<p>'It ain't no use,' he said; but in that short +time his voice was almost gone, and we could tell +that he was dying. 'I'm done for, Mr Nickham. +If there's a reward, you'll act fair and square, I +know; you always was a gentleman—let my sister +have'—— And with that he gave a gasp, and +was dead.</p> + +<p>I rose up, dreadfully vexed for the poor chap. +The sergeant and one of his men were looking +after the skipper, when I felt myself touched on +the arm.</p> + +<p>'I say, sir,' said the boatman, 'when I'm in for +a thing, I go through with it honourable. Did +you know as you was followed?'</p> + +<p>'Followed? no!' I said.</p> + +<p>'I thought we was!' said Peter Tilley.</p> + +<p>'We was followed, sir, by a light wherry with two +people in it,' continues the boatman; 'and when +they see our boats, they held hard; and as you all +boarded the ship and the noise began, they rowed +away as hard as they could go.'</p> + +<p>'Which way did they go?' I said.</p> + +<p>'Down river,' says the man. 'But it's of no use +thinking of looking after them now. They are +ashore long afore this.'</p> + +<p>This was likely enough; and it was quite certain +that Mr Edmund Byrle was one of the two in the +boat, and I had lost him for the present. Well, +it couldn't be helped; so we set to work to question +the men and search the ship, till the doctor came. +The men knew nothing more about the business +than that they were going to have two passengers, +a lady and a gentleman, this voyage. One of the +Thames men understood Dutch, or we should not +have heard even this scrap of information. The +sulky boatman never uttered a word, except that +once he said as I passed him, and he said it with a +bitter curse: 'I always had my doubts of <i>you</i>.'</p> + +<p>The doctor came off; but poor Barney was stone-dead, +while the skipper's skull was badly fractured. +However, the paper was all there; so I supposed,<span class="pagenum"><a name="Page_806" id="Page_806">{806}</a></span> +and so it proved; and I shouldn't have cared if the +skipper's head had been broken fifty times over.</p> + +<p>We got our prisoners to the shore, leaving the +craft in charge of a Thames police galley that +came in answer to our signals; and late as it was, +I drove with Peter Tilley in a cab to the City. +Our people there were immensely glad, I can tell +you; and when I went over to the Bank (for there +was no need for secrecy or dodging now), I thought +the gentlemen never would have left off paying +me compliments. Poor Barney Wilkins that was +dead deserved most credit; but it could not do +him any good to say so now, so I let them go on. +The paper was examined, and found to be exactly +the quantity required; enough, I believe, to have +made about twenty thousand bank-notes. Ah! if +they <i>had</i> got into circulation!</p> + +<p>I hope you will understand, however, that I +did act fair and square; and when the reward +was paid (and the Bank people did come down +most liberal; I bought my house at Pentonville +with my share), I told the gentlemen about +poor Barney and his wishes; and I'm proud +to say they found his sister out and took her +away; and after a time she went abroad with +kind people who looked after her, and took care +of her money till she got married, and did well. +Why, she sent me a snuff-box made out of pure +Australian gold, with a letter signed by herself +and her husband, who was a butcher in a great +way of business out there; and they sent it as an +acknowledgment of my having acted all fair and +square. I promised so to do, and I did.</p> + +<p>Edmund Byrle was never caught, and so far as +we were concerned, was never heard of; and if +it hadn't been for his father, I should never have +understood a lot of things that puzzled me. I had +given a pretty good guess as to how Miss Doyle +came in the first place to inquire about Mr Byrle +and the detective; a very clever idea in itself, +but like many other clever things, it lost her the +game. Mr Byrle had talked with his friends about +employing detectives; and Miss Doyle knowing +about the Bank paper, and being always on the +watch, had got hold of just enough to mislead +her. She went out with Edmund Byrle to Turkey, +I think, and was married to him; and old Mr +Byrle sent out a friend to see them; and it was +in this way I got the particulars. It appears she +knew me again—only as the limping labourer, of +course—when she saw me talking at the ferry to +Tilley. But she knew <i>him</i> as the detective at +the <i>Yarmouth Smack</i>, and she thought that although +it might be all right, yet a detective was a dangerous +customer, and his acquaintances might be +dangerous also. Consequently she tried to persuade +Edmund to put off his journey; but he wanted +the money for the paper, and wouldn't listen to +her. But he agreed at last to go aboard in another +boat, which satisfied her, as she felt so certain +the skipper's boat would be attacked. As I have +explained, her precaution saved him from fifteen +years' 'penal,' which is the least he would have had. +The skipper was sent for life, having killed a +man in his arrest; but he didn't live six months +in prison; he never got over the tremendous blow +he received from Barney. All the reports spoke +of his being a receiver of 'stolen goods.' The Bank +paper was never mentioned, for the authorities +did not want to unsettle the public again, or let +them see what a narrow escape they had had.</p> + +<p>And now comes about the queerest part of my +story. Call me names if I didn't stop the thieving +at Byrle's factory as well as recover the Bank +paper, killing two birds with one stone.</p> + +<p>It was all through my catching the bony ferryman. +Finding that things was going hard with him, +and hoping to make them easier, and being disappointed +that those who were concerned with him +did not come forward with money to provide for +his defence, he 'rounded' on them; he split on +them all, and owned how he was the means of +taking the metal over to a fence on his side of the +water, the things being stolen by a mechanic and a +watchman who were in league. (I see I have used +the word 'fence;' this means a receiver of stolen +goods; but though I have been warned by the +editor of this magazine, we can't do without <i>some</i> +slang words.)</p> + +<p>Peter Tilley got a tidy present, and was noted +for promotion through this business. I was glad of +it, for Peter was a capital chap—never wanted to +play first-fiddle; and I admire people of that disposition. +I tell you what I did: I got the newest +five-pound note of all what the Bank gave me, and +they were all very clean and crisp, and I wrapped +old Bob the gatekeeper's own sixpence in it; and +I went to the factory and I stood a pint of ale, and +says: 'Bob, here's your sixpence!' He hadn't +known exactly who I was till then, for I had +made excuses as usual; and then I'm blessed if +he didn't quite cry over his luck. Mr Byrle too +thought a lot of Bob's kindness, for I told the old +gent about it; and I heard that on that very +account he put six shillings a week on Bob's +wages, and I was glad to hear it.</p> + +<p>They couldn't keep me off the detective staff +after this; and although I am free to confess—now +I am on my pension and nothing matters to me—that +I only stumbled upon these discoveries by +accident, I was praised to the skies by those for +whom I worked. However, it all died away, as +such things do; but I had managed to get my +house at Pentonville, as I have hinted; and a +pleasanter neighbourhood I don't know, or one +more convenient for getting about. I have had +some rather odd adventures since I have lived in +my street; you can't help seeing strange things, if +you keep your eyes open in London. But I didn't +begin to tell about <i>them</i>. I have finished my +account of the robberies at Byrle & Co.'s and my +story finishes in consequence.</p> + + + +<hr class="chap" /></div><div> +<h2><a name="FEATS_OF_ENDURANCE" id="FEATS_OF_ENDURANCE">FEATS OF ENDURANCE.</a></h2> + + +<p><span class="smcap">London</span>, which has witnessed many strange doings +in its day, was lately the scene of the most +wonderful feats of pedestrianism ever accomplished +within a given period.</p> + +<p>Every hour, day and night, for six weary weeks +a man plodded on his way round a measured +track, until the grand total of fifteen hundred +miles in one thousand hours had been made up, +finishing his self-imposed task with his physical +and mental faculties apparently unimpaired.</p> + +<p>The task of walking fifteen hundred miles in a +thousand hours had never before been attempted, +and henceforth the new achievement will throw +into the cold shade of obscurity even the marvellous +act of walking a thousand miles in as many<span class="pagenum"><a name="Page_807" id="Page_807">{807}</a></span> +hours, which was once accomplished in 1809 by +Captain Robert Barclay of Ury, a Scotchman, who +proposed to perform the then incredible task of +walking a thousand miles in a thousand consecutive +hours. The proposition was received with +every sign of incredulity, though, when the affair +was finally arranged to take place, many thousands +of pounds were staked on the event. Newmarket +Heath was selected as the scene of the exploit, and +the famous walk began on the 1st of June 1809, at +midnight. It is unnecessary to repeat the details +of this feat; it will suffice to mention that the +enterprising captain completed his task on the 12th +July, at four o'clock in the afternoon.</p> + +<p>Since then, an attempt has, we believe, been +made to walk the same distance <i>backwards</i>; and +within the past twelve months, Weston, the American +pedestrian, has performed some remarkable +exploits of the kind; being however at last beaten +by an Irishman named Kelly.</p> + +<p>The hero of the lately completed task (fifteen +hundred miles in a thousand hours) is a +little Welshman of not more than five feet three +and a half inches in height, and about forty-two +years of age; while in personal appearance +and general <i>physique</i> he presents anything but +what is usually supposed to be the characteristic +of a good pedestrian. His name is William Gale, +and he is a bookbinder by trade, living at Clerkenwell.</p> + +<p>At the commencement of his task on Sunday +the 26th of August, he weighed no more than +eight stone four pounds (8 st. 4 lbs.); and from +that day until Saturday the 6th October, during +a portion of every hour day and night, he pursued +his monotonous way around the inclosure at Lillie +Bridge grounds, Brompton. When the attempt +was first announced, even those most acquainted +with pedestrian feats where great endurance was +required, expressed themselves dubious as to the +result; and in order to have a reliable record of +his proceedings, Gale requested the different sporting +papers to appoint competent men as judges—a +request which was at once generously complied +with.</p> + +<p>Thus we have an official report of his great +exploit, and the public are enabled to judge for +themselves on the nature of the feat performed. +Gale's average pace appears to have been about +four miles an hour; but when he had reached his +thousandth mile he assumed a brave spurt, and +footed it in ten minutes, or at the rate of six +miles an hour. During the last few days of his +walking he started rather stiffly at first, owing +to the pain caused by the swelling of some +varicose veins in his left leg; but undaunted by +so great and manifest a disadvantage, and other +disadvantages which we shall presently refer to, +the gallant little Welshman 'plodded his weary +way' with a determined pluck that won the +admiration and applause of every one present.</p> + +<p>On Friday the 5th October, the day before the +finish of the tramp, Dr Gant of the Royal Free +Hospital was called in to see this extraordinary +walker, and after examining his legs, he pronounced +Gale to be in excellent condition so far as +his physical powers were concerned; there being +no fever, the pulse only seventy, no murmur at +the heart; and the varicose veins which had been +the cause of so much pain to him, were rather +better than worse, having considerably decreased +in size. Perhaps the most remarkable part of the +performance is, that it has been accomplished on a +system of training which entirely sets at variance +all athletic rules, for Gale partook of no fixed +refreshment, neither did he have his meals at +stated hours. His chief food was plain mutton-chops; +and as an instance of how he varied his +dishes, his afternoon meal on Friday the 5th +October, which might have been either breakfast, +dinner, or supper (so irregular had he been in this +respect), consisted of a lobster and bread and +butter, followed by a fried sole, and one or two +cups of ordinarily strong tea. During the walk he +also drank a good deal of beer—not strong beer, +but the ale which is usually sold at fourpence per +quart, which he seemed to prefer to any other +kind, probably on account of its freedom from that +tendency to increase rather than assuage thirst, so +remarkably apparent in the stronger beers.</p> + +<p>Many strange incidents occurred in the course +of the six weeks, which were calculated to while +away the time, and occasionally to bring a smile +to the pedestrian's lips. For instance, a certain +illustrated sheet, notorious for its very sensational +cartoons, published a picture of Gale on the track +followed by Old Time with the conventional +scythe on his shoulder; and many people it would +seem actually paid their money with the idea that +they were going to see the two figures as thus +represented. One man, who had evidently gone +to the grounds for this purpose, had watched Gale +go round the track several times, when he could +no longer control his disappointment. He shouted +aloud, angrily demanding his money back, because, +as he said with the greatest <i>naïveté</i> possible, 'the +beggar with the scythe hadn't turned up!'</p> + +<p>As the last week of the great walking match +wore on, signs of weariness in the indomitable +pedestrian became painfully apparent, and many +persons began to fear that the task he had set +himself would after all remain unaccomplished. +On several of the rounds he fell asleep whilst +walking, and dropped to the ground; but this contact +with mother earth seemed to revive him +instantly, and he plodded on as pluckily as before.</p> + +<p>At length success crowned his efforts; and at +seventeen minutes past five o'clock (less a second) +on Saturday afternoon the 6th October 1877, Gale +terminated his long and dreary walk in the presence +of a large, fashionable, and enthusiastic +assemblage, who rewarded his efforts with several +rounds of hearty applause.</p> + +<p>From the commencement of his task to the +finish Gale bore up against all obstacles with extraordinary +pluck and determination, his last mile +being performed in <i>ten minutes and eight seconds</i>. +He was at once removed to the tent or pavilion +under which he had snatched so many brief half-hours' +rest, and was examined by three medical +men, who found that his heart was quite natural +in its movements, and that the temperature of his +body did not exceed one hundred and six degrees.</p> + +<p><span class="pagenum"><a name="Page_808" id="Page_808">{808}</a></span></p> + +<p>The great feat which has thus been accomplished +without the aid of artificial training, is a marvellous +instance of what human endurance, allied with +courage and determination, can effect; though of +what particular benefit it may be to the world at +large it is utterly impossible to imagine.</p> + + +<p class='p2'>Since the preceding account was written, Gale +has accomplished a still more extraordinary feat, +and one which for strength of will and physical +endurance far surpasses his previous efforts. We +still fail, however, to see the benefit which +can accrue from exhibitions of this kind, and +well might he have been contented with the +laurels he had already won. He had scarcely +allowed himself time to recover from his former +task, when he once more appeared at a public +place of entertainment, namely the Agricultural +Hall at Islington, to walk four thousand quarter-miles +under the astounding condition, that it was +to be done in four thousand consecutive periods +of ten minutes.</p> + +<p>This of course deprived him of the half-hour's +rest which he could obtain at one time in the +former race, and only allowed him a few minutes +between each round to get a little sleep. Despite +these drawbacks, however, Gale finished his task +at eleven o'clock <span class="smcap lowercase">P.M.</span> on the 17th November, after +a dreary walk of nearly four weeks. By accomplishing +his task, he has placed himself at the head +of all the famous pedestrians the world has known; +and we trust that this fact will be sufficient to +satisfy his craving after what is at best but +ephemeral fame.</p> + +<p>Men have on many occasions attempted walking +feats which required a vast amount of physical +endurance, and have failed from their utter inability +to go without the natural quantum of sleep; +but Gale has not only shewn himself to be possessed +of the former, but to be altogether independent +of the latter. This, however, instead of +indicating 'pluck' merely, would rather seem to +point to a peculiarity in the man's constitution; +as there are doubtless many persons whose courage +would enable them to perform the same or even a +greater task if, like Gale, they could walk about +in a state of somnolency or semi-sleep—a state in +which, to use his own words, he was as one in a +dream, unconscious of all that was going on +around him, and believing himself to be walking +in forests and other places of silvan beauty; and +the truth of this was made evident by the fact that +he would have often exceeded the limit of his +walk had not the voice of his attendant aroused +him from his stupor.</p> + +<p>The average time occupied by this extraordinary +walker was by day about three minutes for each +quarter of a mile, and by night about five minutes; +and the fastest round recorded was done in two +minutes and forty-two seconds. His pulse was +always found to indicate a perfect state of health, +and was as regular when he left off as when he +commenced his task. His food consisted principally +of fish, fowl, chops, eggs, and light puddings; +and his drink was, with only one exception during +the whole time, tea.</p> + +<p>Perhaps the most remarkable thing about the +whole affair was the fact that, although he sank +into a deep sleep directly he reached his chair +behind the curtain, which hid him from view +between his walks, the moment the bell rang +the second time, he would appear as fresh as +ever and begin trudging away again.</p> + +<p>When the feat was accomplished, Sir John +Astley stepped forward, and amid a scene of great +enthusiasm, presented the undaunted Welshman +with a silver belt of the value of a hundred guineas, +bearing the following inscription: 'This belt was +presented to <span class="smcap">William Gale</span> of Cardiff, on the 17th +November 1877, by some of the nobility and gentry +of Great Britain, in commemoration of his hitherto +unprecedented feat, namely walking one thousand +five hundred miles in one thousand hours at Lillie +Bridge Grounds, August 26th to October 6th, 1877; +and four thousand quarter-miles in four thousand +consecutive periods of ten minutes, at the Agricultural +Hall, London, October 21st to November 17th, +1877.' The belt is of lion's skin, mounted on +velvet, the metal portion of it weighing one hundred +ounces of sterling silver.</p> + +<p>None will begrudge Gale his well-earned reward; +but it is to be hoped that such exhibitions will in +future be discountenanced by the general public, +as they not only detract from the dignity of man, +but are needless and unwarrantable in a country +which, we trust, will ever pride itself on a nobler +civilisation than that which is founded upon mere +physical endurance.</p> + + + +<hr class="chap" /></div><div> +<h2><a name="A_DIFFICULT_QUESTION" id="A_DIFFICULT_QUESTION">A DIFFICULT QUESTION.</a></h2> + +<p class='ph3'>THE STORY OF TWO CHRISTMAS EVES.</p> + + +<h3 title='PROLOGUE.'>IN TWO CHAPTERS.—PROLOGUE.</h3> + +<p><span class="smcap">In</span> the gray light of an Indian dawn, with the +cool breeze blowing through the curtains of the +tent, and his friend's sorrowful eyes looking down on +him, a soldier lay on his rough couch—waiting for +death. They were soon to be parted those two, who +had lived and fought together; but the face of +the one who was starting on that journey of which +none has measured the distance, was smilingly +calm, while the eyes of the other glistened with +regretful tears as he spoke low, faltering, remorseful +words.</p> + +<p>'Hush, Ralph, hush!' the other said at last. +'Don't you think, dear old fellow, I would sooner +lose my life in having saved yours, than in any +other way? After all, a few days or years sooner +or later, what does it signify? My fate is perhaps +the happiest, though I hope it is not. I don't +think life is so very desirable,' he continued; 'I +am only twenty-six; but mine has not been a +happy one. It was my own fault, though. Take +my advice, Ralph; don't marry young. There is +only one thing that troubles me'——</p> + +<p>'Your little girl,' Ralph interrupted. 'Wrayworth, +let me take care of her; if I can make +her happy, it will be some slight atonement, +some'——</p> + +<p>'You would take care of her, Ralph? would +you?' The dying man's eyes shone gratefully as +he looked up in his friend's face. 'She has nothing, +poor little thing,' he went on sadly—'motherless, +fatherless, scarcely more than a baby either. It +would be a heavy charge to leave you, Ralph.'</p> + +<p>'Wrayworth! how can you speak so; you will +drive me mad! You—you'—— He broke down<span class="pagenum"><a name="Page_809" id="Page_809">{809}</a></span> +utterly; it was something so terrible to see this +friend dying there—for him. 'Anything on earth +that I can do'—— he murmured.</p> + +<p>'You will do for her,' said Wrayworth. 'Thank +you. I have no friends to send her to. I meant +to have made her very happy.'</p> + +<p>'She shall be; I swear it!' Ralph answered +fervently, thankful for this charge, which might +in some degree help him to pay that debt of gratitude, +and forgetful that he had no control of fate, +that the promise he gave of happiness was a +fearfully presumptuous one. But he made it +willingly, gladly, solemnly, before God; and as +far as lay in his power it should sacredly be kept; +any sacrifice he would make for this child.</p> + +<p>His friend's eyes rested on him searchingly for +a moment. 'I trust you,' he said—'I trust you.'</p> + +<p>The hours passed on, the blazing sun arose, and +Ralph went out into the burning glare with +bent head and staggering footsteps, while words +he had heard long since seemed floating round +him in letters of fire: 'Greater love hath no man +than this, that a man lay down his life for his +friend.'—'Is there <i>none</i> greater?' he thought. 'Is +there nothing <i>I</i> can do to repay—nothing?'</p> + + +<h3>CHAPTER I.—ASKED.</h3> + +<p>The years were well on in their teens since +that melancholy scene was enacted in the Indian +tent—since Wrayworth consigned his only child +to the guardianship of the friend whose life, at +the expense of his own, he had saved on the +battle-field. A carriage rolled along the snowy +high-road through the cold clear air; the short +winter's day was drawing to its close, and up in +the darkening sky the stars were beginning to +shine upon the world's most joyful season, upon +Christmas eve. The world's most joyful season? +We call it so, this festival, more than eighteen +hundred years old; but does the world think it so?—the +world, with its thousand cares and crosses, +its deep and hidden sorrows, its partings and its +tears? Of those amongst the myriads who keep +the Yule-tide feast, how many hold it with a +chastened joy! For on that day most of all our +thoughts go back to other years, to other faces, to +other lips that have wished us 'a merry Christmas;' +to other hands, which have clasped ours so +loyally, to those who have loved us so long ago!</p> + +<p>But Major Loraine had no sad memories connected +with the season as he drove up to the old +house, from which duty had so frequently called +him, and which he had not seen for five years. In +the wide, dark, panelled hall his step-mother +stood waiting to welcome him, as gladly as though +he had been her own son. He was only a boy +when she first came there, when the pink was +fresh on her cheek and the gold bright in her +hair; they had been drawn to each other then; +and through the long years of her widowhood his +loving care had helped to lighten her load of +sorrow; so it was not wonderful that for months +past she had been eagerly looking forward to his +return.</p> + +<p>The greetings over, they sat down side by side, +talking, as those talk after long separation, of past, +present, and future; of their acquaintances married, +dead, or far away; of things on the estate, prosperous +or failures; of the ball to be given next month, +of the one they were going to, to-night; of how +much Emma was improved since she 'came out,' +how Katharine was considered one of the handsomest +girls in the place, and how she might +marry Sir Michael Leyland with thirty thousand +a year if she liked.</p> + +<p>'But why ever doesn't she like?' asked the +Major, astonished at this new phase in the character +of his worldly-minded sister.</p> + +<p>'That is just what troubles me,' answered Mrs +Loraine. 'They are all at the church now, helping +to decorate. Louise wanted to stay at home to +welcome you, but I sent them all off, so as to have +you to myself for an hour. You will see a great +alteration in Louise, Ralph.'</p> + +<p>'Shall I, mother?' he said smiling. 'I think +not. Her letters are the same always; they have +altered in style a little of course in the last year +or two, but it is the same spirit—the same +creature.'</p> + +<p>'But not the same face, Ralph. Remember you +have not seen her for five years, which have not +altered you, but which have changed her from an +unformed girl of fourteen to a lovely woman; +with that bright changing beauty, which has +more charm for a man than regularity of feature. +It is a very difficult question.'</p> + +<p>'What is a difficult question?' asked Ralph, as +his mother paused.</p> + +<p>'What to do with Louise.'</p> + +<p>'You hinted something of the kind in your last +letter, mother,' he said gravely. 'I am sorry, but +I must confess this house seems large enough for +four women. You know how I am situated; you +know the promise which binds me. But tell me,' +he added smiling, 'what has Louise done? She +seemed to me gentle and tractable enough when I +was last at home.'</p> + +<p>'I have not the slightest fault to find,' Mrs +Loraine replied; 'you know I am very fond of +her. You will think my difficulty very womanish; +simply, Louise is too pretty.'</p> + +<p>'And some one has told her so,' said Ralph, +laughing. 'Go on.'</p> + +<p>'It is not that; but I cannot bear to see my own +child's happiness destroyed by another, who, if not +a stranger, has at least no claim upon her.'</p> + +<p>Ralph frowned slightly. 'Perhaps not,' he +answered; 'the claim is upon me, and it is a sacred +one. So,' he continued, 'it is a case of rivals, I see.'</p> + +<p>'Simply this, Ralph. You remember the Levesons +of Leigh Court, where we are going to-night? +Their eldest son is in the —th Dragoons, and +has been home on leave. Louise was away when +he first came here, and he appeared very much +struck with Katharine; and no wonder; she is +very handsome. Well—don't laugh at me; I don't +like match-making as a rule; but I thought as she +seemed interested in him, there was no harm in +inviting him sometimes. But as soon as Louise +came home, he transferred his attentions to her. +Katharine says nothing; but it makes a kind of +awkwardness between them. I know she feels it, +poor child; though indeed I believe Vere Leveson +is simply flirting with Louise.'</p> + +<p>Major Loraine laughed. 'Poor mother!' he +said, 'you will have enough to do if you take all +your children's love affairs to heart so seriously. +These things always right themselves, you know. +But I confess I am surprised to hear of Katharine +going in for sentiment; I should have thought Sir +Michael more in her line. Is that all, mother?'</p> + +<p><span class="pagenum"><a name="Page_810" id="Page_810">{810}</a></span></p> + +<p>'No; only the first of my difficulties,' she +answered half sadly. 'You know what my health +has been for the last few years; you know—— Well, +you do not wish me to speak of that; but it is +better to look in the face of possibility. Suppose +anything happened to me, Ralph, what would +become of Louise?'</p> + +<p>'You speak of what I hope may be far distant, +mother,' he answered tenderly. 'But why should +you be uneasy about her? In the event of her not +marrying, she would always have a home here +with me.'</p> + +<p>Mrs Loraine shook her head. 'Turn round and +look in the glass,' she said; 'thirty-nine is not +such a very formidable age.'</p> + +<p>He turned, and contemplated his bronzed face in +the glass; such a handsome, noble face, telling of a +nature that could not act falsely or meanly. The +broad square forehead, marred by a sabre-cut, and +the dark hair flecked here and there, by the Indian +sun, with gray; nothing else to find fault with in +the frank kind smile, the fine regular features, the +dark true eyes.</p> + +<p>'I think there is no fear of my being taken for +younger than I am, mother,' he said, smiling.</p> + +<p>'It is an awkward position for you, though,' she +answered; 'and as I said, a difficult question +what to do. We must hope for the best, Ralph. +You are going to join the others now, I suppose?'</p> + +<p>'Yes; I think I can find my way.'</p> + +<p>He went out into the keen frosty air, walking +slowly, though it was unpleasantly cold to one +accustomed to tropical climates. He was thinking +over his mother's words, and knew she was right +as to the awkwardness of the position. He saw +the peace of the household was troubled, without +knowing how to set matters right, and he thought +of the old friend who had trusted his child to him. +He had vowed she should be happy, and now it +seemed a difficult vow to keep; but for the sake of +the man who had died for him sixteen long years +ago, the pledge then given must be redeemed.</p> + +<p>Louise Wrayworth's life had been a bright one +hitherto; her guardian's home was the only one she +could remember, and he had striven to fill in some +degree her father's place. To him, from infancy +to womanhood, she had looked up with loving +grateful reverence, regarding him, present or +absent, as the noblest of created beings.</p> + +<p>He reached the old church, and made his way +round to the open vestry door. The steps were +encumbered with bundles of evergreens; the voices +of the workers, who had finished their task, were +audible. He pushed the door further open, and +went in. The floor was covered with boughs, and +around the pillars were wreathed holly and other +evergreens in honour of the joyous season. Some +of the choristers stood waiting for the choir-practice, +and the organist was softly playing <i>Adeste +Fideles</i>.</p> + +<p>'Ralph!' cried a young fresh voice; and a +slight fair girl with a merry face sprang up from +the floor, with her hands full of the scarlet berries, +which fell hither and thither in bright-hued rain, +as with complete indifference to the by-standers, +she gave the returned soldier a sisterly embrace. +'You dear old thing to come for us!' she exclaimed.</p> + +<p>'Emma, Emma!' exclaimed Ralph, laughing and +disengaging himself; 'you have not learned to +behave any better in five years.'</p> + +<p>But his young sister had vanished, and he +turned to greet the vicar; and one or two of the +ladies he recognised. In a few minutes Emma +reappeared; and behind her came a tall fair +girl with masses of golden hair, and great beautiful +cold blue eyes. She greeted Major Loraine +affectionately, but with the quiet stately grace +habitual to her. Five years had not changed +Katharine Loraine; at twenty-four she was still +the same majestic Queen Katharine as at nineteen, +with whom he had always had so little +sympathy, whose nature he had found so difficult +to understand.</p> + +<p>'Where is Louise?' he asked presently. 'Is she +not here?'</p> + +<p>'She went into the churchyard just now,' +answered Emma, 'to put a wreath on Nellie +Bryant's grave. You remember her, Ralph?'</p> + +<p>'Louise's friend? Yes.'</p> + +<p>'A <i>triste</i> employment for Christmas eve,' observed +one of the gentlemen decorators to Katharine, +as he stooped to disentangle her dress from a +long sprig of ivy.</p> + +<p>'Oh, Mr Leveson went to hold a lantern for her,' +Katharine answered, with the slightest possible +shade of contempt in the silvery tones of her +voice; 'and Louise is never <i>triste</i>, unless she is +by herself.'</p> + +<p>The choir was now fully assembled; the organist +struck up the anthem, the rest were silent to +listen, and Ralph Loraine went out to look for his +ward. He came round the east end of the old +church, and stood still for a moment in the +shadow. There were two people standing at the +edge of the path, looking down on the grave at +their feet, where the lantern's light shewed the +shining holly upon the upright marble cross. It +shewed too the face of his friend's child; a beautiful +face, as his step-mother had said, with large +dark eyes and wavy dusky hair, a clear delicate +complexion with a little rose-flush on the cheeks, +and full red lips half-parted by the sweetest smile +he had ever seen; with the same erect carriage of +the head, the same fearless straight regard which +had characterised her father.</p> + +<p>It was so strange to see her there a woman, +whom he had left a mere girl; and as he looked +on the fair face, something seemed to whisper that +the ideal beauty he had so often dreamed of was +before him at last. They moved away, and came +slowly nearer, and paused again where he could +see her companion; and for a moment he almost +hated the man for his youth, and his handsome +face, and the deep-blue eyes aflame with passion-fire +as they rested on the child of his dead friend; +and another whisper which silenced the first, told +him how fitted was each for the other.</p> + +<p>'If <i>I</i> were lying there,' said Vere Leveson, and +Ralph could hear every one of the foolish, softly +spoken words, 'would you ever make wreaths for +<i>me</i>, I wonder?'</p> + +<p>'I don't know.'</p> + +<p>'Don't you? I wish you did; for I thought just +now I should be glad to be lying there, if you +would remember me.'</p> + +<p>Ralph had heard enough, and tried to slip away +unseen; but the gravel crunched under his feet +and betrayed him.</p> + +<p>Louise started, and a bright vivid blush covered +her face as she sprang forward. 'Lorrie! Oh, how +glad I am to see you again!' she cried, as she<span class="pagenum"><a name="Page_811" id="Page_811">{811}</a></span> +took both his hands in hers and lifted her cheek +for his kiss.</p> + +<p>He felt half sorry she had done so; that and +the old childish name put him immediately in +his place as guardian, and made him ashamed of +his thoughts. 'How you are altered, Louise!' he +said, looking down at her admiringly. 'I think I +should hardly have known you!'</p> + +<p>'I should have known you, Lorrie, anywhere,' +she said reproachfully.</p> + +<p>'That is rather different,' he said; 'when we +once get old, we don't change so quickly.'</p> + +<p>'You would not like it if I said you were old, +Lorrie. But tell me, am <i>I</i> altered for the worse? +or'——</p> + +<p>'You have no need to come to me for compliments, +surely,' he said smiling.</p> + +<p>'I should think more of yours than of any one's,' +she whispered, with that sweet dangerous smile; +a smile which a man like Ralph Loraine should +have taken as a warning not to feel its influence +too often.</p> + +<p>'How rude I am!' she said at last.—'Mr Leveson, +do you know my guardian?' She turned to her +companion, who stood holding the lantern a few +yards from them.</p> + +<p>'I had the honour of dining in your company +once, Major Loraine,' he answered, stepping forward. +'It is some time ago, when I first joined at Madras; +but I well remember my anxiety to see such a +distinguished soldier as yourself.'</p> + +<p>There was a ring of truth and honest admiration +in the words, which raised them above an +ordinary compliment, and which made Ralph +hold out his hand and answer cordially: 'I have +a bad memory for faces, or I think I should have +remembered yours.'</p> + +<p>'Thanks,' said Vere, laughing. 'We shall have +the pleasure of seeing you to-night, I hope?'</p> + +<p>'Yes; my mother told me of the invitation.'</p> + +<p>'Of course he is coming,' said Louise. 'And +you will dance with me all the evening, Lorrie; +won't you?'</p> + +<p>'Not quite all, Miss Wrayworth; please, don't +forget my waltzes,' said Vere, holding out his +hand. 'I must be off now; so good-bye for the +present. You won't forget?'</p> + +<p>She looked up quickly. 'Perhaps,' the lips said +laughingly; but the dark eyes gave a sweet silent +answer Ralph did not see, though he was watching +them. But after Vere Leveson had gone, he +walked home beneath the Christmas stars, with +Louise's hand resting on his arm, dreaming as he +went, a fair, fond, foolish dream.</p> + + +<p class='p2'>The Christmas-eve ball at Leigh Park was a +regular institution, one which Sir Harry Leveson +had kept up for years. It was a pretty sight, +Ralph thought, as he stood leaning against a +window, and looking round to select a partner. +And amongst all the fair women, the one he +thought the fairest was his young ward Louise +Wrayworth, in her white floating dress, with its +wreaths of holly, and the red clustering berries in +her dark hair.</p> + +<p>Ralph had been watching Vere Leveson, trying +to decide in his own mind whether Mrs Loraine's +verdict of flirtation was a just one; and he +judged that it was; for the attentions of the young +officer were apparently equally divided between +Louise and Katharine. Ralph did not happen to +be near when, later on, he led Louise to one of +the cool empty rooms, where through the open +window could be heard the merry Christmas bells. +He did not see the hand-clasp or the light that +flashed in the eyes of each. He did not hear the +hurried whisper: 'Louise, you won't forget me, +you will trust me till next Christmas-time?'</p> + +<p>The ball was over, the rooms were dark and +silent; the whole world waited for the sun to +rise on Christmas-day.</p> + + + +<hr class="chap" /></div><div> +<h2><a name="IS_THE_TELEPHONE_A_PRACTICAL" id="IS_THE_TELEPHONE_A_PRACTICAL">IS THE TELEPHONE A PRACTICAL +SUCCESS?</a></h2> + + +<p><span class="smcap">In</span> September last appeared in this <i>Journal</i> an +article entitled 'Singing and Talking by Telegraph;' +and in that paper we attempted to describe +the mechanism of that wonderful little instrument +the telephone. It is now our purpose to say something +regarding the progress that has been made +towards perfecting the invention; but in order to +make the article as clear as possible, we venture +once more upon a few words explanatory of the +instrument.</p> + +<p>The telephone as it is now made is an exceedingly +simple-looking apparatus similar in appearance +to a stethoscope; to the handle of a girl's +skipping-rope; or better still, to a large-sized +penny wooden trumpet. Inside this hollow cylinder, +and within an inch or so of the wider end, is +fixed a plate of iron as thin as a well-worn sixpence, +and about the size of a half-crown piece. +This is called the diaphragm. Behind the diaphragm, +nearly touching it, and extending to the +narrower end of the cylinder, is a piece of 'soft' +iron enveloped in wire coils, with a permanent +magnet beyond. Outside the narrower end of the +cylinder, and communicating with the coils that +surround the iron inside, are attached two screws +or 'terminals,' which are 'joined up' to a main +wire, communicating with the distant or receiving +telephone wherever that may be, and which is +precisely similar to the one we have described. +When we apply our mouth to the bell-shaped +end of the apparatus, and speak or shout or sing, +we set the diaphragm vibrating as in a tuning-fork; +the vibrations thus created are electrically +communicated through the wire to a distant +telephone, and are repeated on its diaphragm +with more or less distinctness.</p> + +<p>It is known that the motion of an iron plate +contiguous to the poles of a magnet creates a +disturbance of electricity in coils surrounding +those poles; and the duration of this current +will coincide with the vibratory motion of the +plate or diaphragm. When, therefore, the human +voice (or any other suitable sound) impinges +through the tube against this diaphragm, the +diaphragm begins to vibrate, and awakens, so +to speak, electrical action in the coils of wire +surrounding the poles of the magnet; not a current, +but a series of undulations, something like +those produced by the voice in the air around us. +In short the telephone is an apparatus designed +to transmit sound through a wire of indefinite +length; the voice being, so to speak, 'converted<span class="pagenum"><a name="Page_812" id="Page_812">{812}</a></span> +into electricity at one end, the electricity becoming +voice at the other.'</p> + +<p>With these few explanatory remarks, we now +proceed to offer to our readers the following interesting +experiments made by a gentleman well +skilled in telegraphy.</p> + +<p>'Journalists,' he says, 'with no special knowledge +of the difficulties the invention has to +encounter as a telegraph instrument, have expatiated +in such enthusiastic terms upon the results +said to have been achieved by the telephone, that +a somewhat exaggerated notion of its powers +and capabilities has been accepted by the general +public. It appears, therefore, to the writer of those +lines that a statement of the experiences of a +person practically engaged in the work of telegraphy +may assist in placing the phenomena of +the telephone on a proper footing.</p> + +<p>'Scientifically, the telephone is a great and +undoubted success; and a person would be grievously +in error if, because of some undoubted +hindrances to its practical use, he pronounced it +unworthy of further experiment. The emergence +of telegraphy from the domain of experiment +into that of daily practical use is a fact so +undoubted, and one with which we are now so +familiar, that it is impossible to say at what +moment the telephone, at present a scientific toy, +may become a daily necessity not only of telegraphic +but of ordinary commercial work.</p> + +<p>'Being engaged in daily contact with a large +telegraphic centre, and in association with men +who have the command of every means of testing +the invention in a practical work-a-day manner, +the writer was able to gauge pretty accurately the +range within which the telephone can work. It +must be understood, however, that in recording +the effects observed by him and his associates, he +has no desire to invalidate, or even to call in question +the experiences of others who may have been +able to arrive at better results. The telephone is +in the hands of some of the first electricians and +telegraphists of the day, and differences of conditions +(not to speak of differences of capacity on +the part of the operator) may give variety in +the observations made. The very difficulties and +drawbacks now to be recorded will no doubt some +day suggest to a master-mind the method by which +they may be overcome. But till that day arrives, +the telephone must be content to remain where +the writer leaves it, an undoubted success from +a scientific point of view, but overwhelmed with +obstacles to its practical use, in this country at +least, in general telegraphy.</p> + +<p>'When a telegraphist first gets into his hand +this beautifully simple and electrically delicate instrument, +his first inclination is to test its carrying-power. +This is of course a closet experiment, +not working with actual telegraph line, but +with "resistance" equivalent to a telegraph line of +stated length. An experiment of this nature gives +better results than could be obtained by a veritable +line, because the insulation is, so to speak, perfect. +No leakage at undesigned points of contact, or +disturbance from unfavourable atmospheric conditions, +is felt, and the experiment is entirely under +the observer's control. The apparatus used is +designed to offer the same labour for the electric +current to overcome, as would be offered by a +stated length of outside telegraph line. This +artificial resistance is nicely graduated, and as +the method of testing was suggested by Ohm, a +German electrician, the unit of resistance is, as +we once previously explained, termed an "ohm." +Removing the telephone to such a distance that +the two observers were "out of earshot," the test +with resistance was tried, and with a resistance of +one thousand ohms—roughly speaking, equal to +seventy miles of a well-constructed line—the sound +was perfect, although not very loud. Every articulation +of the speaker at the other end could be distinguished +so long as silence was maintained in the +room, or so long as no heavy lorry rumbling over +the stones outside sent in harsh noises which +drowned the faint whisper of the instrument. The +resistance was gradually raised to four thousand +ohms—nearly three hundred miles—with like +favourable results; and for some little distance +beyond, articulation could still be made out. But +by the time ten thousand ohms had been applied, +putting the speaker at a distance of, say, seven +hundred miles, sound only, but not articulate +sound, reached the ear. The tone was there, and +every inflection of the voice could be followed; +but articulation was absent, although the listener +strove every nerve to catch the sound, which the +speaker, as was afterwards ascertained, was shouting +in a loud clear voice. The prolonged notes of +an air sung could be heard with the resistance +named, but again no words could be distinguished. +The voice, whether in speaking or singing, has a +weird curious sound in the telephone. It is in +a measure ventriloqual in character; and with +the telephone held an inch or two from the ear, +it has the effect as if some one were singing far +off in the building, or the sound were coming up +from a vaulted cellar or through a massive stone +wall.</p> + +<p>'Proceeding to our next experiment, we joined +up the telephones in one office to several wires +in succession, putting ourselves in circuit with +lines going to various distances and working with +different instruments. When this was done, the +real obstacle to telephonic progress at once asserted +itself in the shape of "induction." The first wire +experimented with was partly "overhouse" and +partly underground, and the offices upon it were +working Wheatstone A B C instruments. It is +difficult to render clear to the person ignorant of +telegraphic phenomena the idea expressed by the +word <i>induction</i>. Briefly it may be put thus, that +when a strong electric current is passing on a +wire, it has the faculty of setting up a current of +opposite character in any wire not then working, +or working with a feebler current, that may be in +its vicinity. The why or the wherefore cannot be +explained, but there is the fact.</p> + +<p>'In various recent articles on the telephone, +mention has been made of "contact" as the cause +of disturbance. This word, however, although it +has been used by telegraphists, is misleading, and +can only be used as an endeavour to express popularly +an electric fact. Actual contact of one wire +with another would spoil the business altogether. +A wire bearing an electric current seems to be for +the time surrounded, to an undefined distance, by +an electric atmosphere, and all wires coming +within this atmosphere have a current in an opposite +direction set up in them. This is as near an +explanation of the phenomena of induction as the +state of telegraph science at present affords. Now +the telephone works with a very delicate magnetic<span class="pagenum"><a name="Page_813" id="Page_813">{813}</a></span> +current, and is easily overpowered by the action of +a stronger current in any wire near which the telephone +wire may come. To work properly it +"requires a silent line."</p> + +<p>'In the place where the observations were made, +there are a large number of wires, travelling +under the floor, through the test-box, along +passages to the battery-room and to a pole on +the outside, whence they radiate, or out to +a pipe underground, where many gutta-percha-covered +wires lie side by side. On applying +the ear to a telephone joined into a circuit +working in such an office a curious sound is heard, +comparable most nearly to the sound of a pot +boiling. But the practised ear could soon separate +the boiling into distinct sounds. There was one +masterful Morse instrument—probably on the wire +lying nearest the one on which we were joined up—whose +peremptory "click, cli-i-i-ck, click," representing +"dot, dash, dot" on the printed slip we read +from, could be heard over all. Then there was +the rapid whir of a Wheatstone fast-speed transmitter, +sending dots and dashes at express speed +by mechanical means; the sharp well-pronounced +rattle in sounds of equal length of a needle instrument; +and most curious of all, the "rrrrr-op, rr-op, +rrrrrrrrrrrrr-op, rrrrr-op, rr-op" of the A B C, the +deadliest foe to the telephone in its endeavours to +gain admission into the family of telegraph instruments. +There may be reason in this, for as the +Wheatstone A B C is the instrument used for +private telegraphy, or for the least important +public offices, because it requires no "code" to +be learned by the manipulator, so it would likely +be the first to be displaced if an acoustic telegraph +permanently took the field. So the sentient little +A B C opens its mitrailleuse fire on the intruder, +on whose delicate currents, in the words of an +accomplished electrician, it plays "old harry." The +peculiar character of the sounds we borrow on the +telephone from this instrument arises from the +fact that as the needle flies round the dial, a +distinct current or pulsation passes for each letter, +and the final "op" we have tried to represent shews +the stoppage of the needle at the letters as words +were spelled out.</p> + +<p>'It must not be understood that the <i>sounds</i> +of those various instruments are actually heard +in the telephone. What happens is, that the +currents stealing along the telephone wire by +induction produce vibrations in the diaphragm +of that instrument, the little metal membrane +working on the magnet in ready response to +every current set up in the latter. When it +is remembered that the principle of the telephone +is that the sound-caused vibrations in the +filmy diaphragm at one end create similar but +magnetically-caused vibrations in the diaphragm +at the other end, and so reproduce the sound, it +will be obvious why the rapid roll of the A B C +currents, or the swift sending of the fast-speed +transmitter, when brought by induction into the +telephone wire, cause disturbances in the sound +vibrations, and thereby cripple the instrument. +One instrument of either kind named would have +a certain effect, but one Morse or single needle +would not have any greatly prejudicial effect. But +a number of Morses or needles going together, +such as were heard in our experiments, would +combine to be nearly as bad as one A B C or fast-speed +Morse. So delicate is the diaphragm to +sound (and necessarily so), that in all experiments +with the telephone itself, such as those with "resistance," +or those made at home to test the instrument +apart from telegraphic considerations, every +sound from without broke in, giving an effect like +the well-known "murmur of the shell."</p> + +<p>'Joining up our wire now to a more distant +station at some miles along the railway, and +having on its poles a number of what are +known as "heavy" circuits, the pot-boiling sound +assumed even more marked characteristics. The +A B C no longer affected us; but a number of +Morse instruments were in full gear, and the fast-speed +transmitter was also at work. While we +were listening, the circuit to which we were joined +began to work, and the effect was literally electrical. +Hitherto we had only borrowed currents—or, +seeing they were so unwelcome, we might +call them currents thrust upon us—and the +sounds, though sharp and incessant, were gentle +and rather low. But when the strong current was +set up in the wire itself, the listener who held +one of our telephones nearly jumped from the +floor when an angry "pit-<i>pat</i>, pit-<i>pat</i>, pit-<i>pat</i>-pit" +assailed his ear, causing him to drop the instrument +as if he had been shot! It was a result none +of us had expected, for it did not seem possible +that the delicate metal diaphragm and the little +magnet of the telephone could produce a sound so +intense. Of course it was only intense when the +ear was held close to the orifice of the instrument. +Held in the hand away from the ear, the telephone +now made a first-rate "sounder," and we could tell +without difficulty not only the signals that were passing, +but found in it a more comfortable tone than +that given by the Morse sounder in common use.</p> + +<p>'Other experiments of a like character led to +results so similar, that they may be left unnoticed; +and we proceed now to describe one of a different +character, designed to test the telephone itself. At +a distance of about half a mile, access was obtained +to a Morse instrument in private use, and joined +to the office by "overhouse" wire. Dividing our +party and arranging a programme of operations, +two remained with a telephone in the office, while +other two, of whom the writer was one, proceeded +with the second telephone to the distant instrument. +By an arrangement which a practical telegraphist +will understand, the key of the Morse +was kept in circuit, so that signals could be exchanged +in that way. It may be noticed, however, +that this was hardly necessary, as the diaphragm +of the telephone can be used as a key, with the +finger or a blunt point, so that dot and dash signals +are interchangeable, should the voice fail to be +heard. As the wire in this instance travelled +almost alone over part of its course, we were in +hopes that induced currents would be conspicuous +by their absence. In this we were, however, disappointed, +for the pot was boiling away, rather more +faintly, but with the "plop-plop-plop" distinctly +audible, and once more a sharp masterful Morse +click was heard coming in now and again. The +deadly A B C was, however, absent, so that our +experiment proved highly successful. For some +reason or another—probably an imperfect condition +of the wire, or the effects of "induction" over and +above what made itself audible to us—the spoken +sounds were deficient in distinctness; but songs +sung at either end were very beautifully heard, +and indeed the sustained note of sung words had<span class="pagenum"><a name="Page_814" id="Page_814">{814}</a></span> +always a better carrying-power than rapidly spoken +words. Every syllable, and every turn of melody +of such a song as <i>My Mother bids me bind my Hair</i>, +sung by a lady at one end, or <i>When the Heart of +a Man</i>, sung at the other, could be distinctly +heard, but with the effect before noticed, that the +voice was muffled or shut in, as if the singer +were in a cellar, while it was not always possible +to say at once whether the voice was that of a +man or a woman.</p> + +<p>'In the course of some domestic experiments, +it was remarked that in playing the scale downwards +from C in alt. on the piano, the result +to the listener was a "tit" only for the four +upper notes, although all below that had a clear +"ting," and the octaves below were mostly distinct, +although at the low notes of the piano the sound +was again lost. The ringing notes of a musical +box were not so successful, but with close attention, +its rapid execution of <i>Tommy Dodd</i> could be +well enough made out. An endeavour was made +to catch the ticking of a watch, but this was +not successful, and the experiment is not recommended, +as the near presence of a watch to +a magnet is not desirable; and the watch exposed +to it in this instance was, it is thought, affected +for a short time thereafter, although it received +no permanent damage.</p> + +<p>'The observations made in the course of these +experiments convinced those present that the +telephone presents facilities for the dangerous +practice of "tapping the wires," which may make +it useful or dangerous, according as it is used +for proper or improper purposes. It might be an +important addition for a military commander to +make to his flying cavalry; as an expert sound-reader, +accompanying a column sent to cut off +the enemy's telegraph connections, might precede +the act of destruction by robbing him of some +of his secrets. The rapidity and simplicity of the +means by which a wire could be "milked," without +being cut or put out of circuit, struck the +whole of the party engaged in the various trials +that are described above. Of course the process of +tapping by telephone could not be carried out +if the instrument in use was an A B C or single +needle, or if the wire was being worked duplex +or with a fast-speed Morse, for in these cases +the sounds are too rapid or too indefinite to be +read by ear. The danger is thus limited to +ordinary sounder or Morse telegraphs; but these +still form the mainstay of every public system.</p> + +<p>'Since the trials above described were made, the +newspapers have recorded a beautiful application +by Sir William Thomson, of the electric part of +the telephone to exhibit at a distance the motions +of an anemometer; the object being to shew the +force of air-currents in coal-mines. This is a +useful application of an electric fact, and doubtless +points the way to further discoveries. But +it is to be noticed that the experiment, interesting +as it is, hardly comes under the head of a tele<i>phone</i>, +what is reproduced at a distance being not sound +but motion.</p> + +<p>'Obviously the invention cannot rest where it +is; and no one more readily than the practical +telegraphist will welcome an instrument at once +simple, direct, and reliable. Even in its present +form the telephone may be successfully used +where its wire is absolutely <i>isolated</i> from all other +telegraph wires. But the general impression is +that its power of reproducing the sound must be +intensified before its use can become general even +as a substitute in works or offices for the speaking-tube.'</p> + + + +<hr class="chap" /></div><div> +<h2><a name="SINGING_MICE" id="SINGING_MICE">SINGING MICE.</a></h2> + + +<p><span class="smcap">These</span> interesting animals are said to be smaller +than ordinary mice, to be usually of a brownish +colour, and to have long ears. Naturalists have +not come to any exact reason as to why they +sing. Some persons impute the singing to +disease, as in the wheezing of any one from +a cold. Others attribute it to an internal parasite. +But these seem unsatisfactory explanations; +for when the little creatures sing they are as +lively as common domestic mice. The faculty +of singing in a small way with various modulations +appears to be quite natural to the animals. +It has been noticed that during their musical performances +there is a throbbing in the throat, and +that the snout is elevated in giving play to the +voice, as in the warbling of birds. The song or +warble of these mice is said to be sweet and varied. +Hitherto not much attention has been given by +zoologists to the phenomenon; but we observe by +various notices in <i>Land and Water</i> and in <i>Nature</i>, +two periodicals devoted to pleasant discussions on +subjects of natural history, &c., that singing mice +are becoming objects of careful investigation.</p> + +<p>An amusing account of a singing mouse appears +in <i>Nature</i>, Nov. 9, from the pen of Mr Joseph +Sidebotham, dating from Menton, south of France.</p> + +<p>'Last winter we occupied the rooms we now do +at Menton. Early in February we heard as we +thought the song of a canary, and fancied it was +outside our balcony; however, we soon discovered +that the singing was in our <i>salon</i>, and that the +songster was a mouse. At that time the weather +was rather cold, and we had a little fire, and the +mouse spent most of the day under the fender, +where we kept it supplied with bits of biscuit. In +a few days it became quite tame, and would come +on the hearth in an evening and sing for several +hours. Sometimes it would climb up the chiffonier +and ascend a vase of flowers to drink at the water, +and then sit and sing on the edge of the table and +allow us to go quite near to it without ceasing its +warble. One of its favourite haunts was the wood-basket, +and it would often sit and sing on the edge +of it. On February 12, the last night of the +Carnival, we had a number of friends in our <i>salon</i>, +and the little mouse sang most vigorously, much +to their delight and astonishment, and was not in +the least disturbed by the talking. In the evening +the mouse would often run about the room and +under the door into the corridor and adjoining +rooms, and then return to its own hearth. After +amusing us for nearly a month, it disappeared; +and we suspect it was caught in a trap set in one +of the rooms beyond. The mouse was small and +had very large ears, which it moved about much +whilst singing. The song was not unlike that of +the canary in many of its trills, and it sang quite<span class="pagenum"><a name="Page_815" id="Page_815">{815}</a></span> +as beautifully as any canary, but it had more +variety, and some of its notes were much lower, +more like those of the bullfinch. One great +peculiarity was a sort of double song, which we +had now and then—an air with an accompaniment. +The air was loud and full, the notes +being low and the accompaniment quite subdued. +Some of our party were sure that there +was more than one mouse, until we had the +performance from the edge of the wood-basket +and were within a yard or two of it. My son +has suggested that many or all mice may have +the same power, but that the notes are usually +so much higher in the scale that, like the cry +of the dormouse and the bat, they are at the +verge of the pitch to which the human ear is +sensitive. This may be so; but the notes of our +mouse were so low, and even the highest so far +within the limits of the human ear, that I am +inclined to think the gift of singing in mice is but +of very rare occurrence.'</p> + +<p>In the same periodical, the following additional +particulars as regards singing mice are presented +by Mr George J. Romanes, Regent's Park.</p> + +<p>'Several years ago I received some of these animals +from a friend, and kept them in confinement for +one or two months. The description which your +correspondent gives of their performance leaves +very little to be added by me, as in all respects this +description agrees perfectly with my own observations. +I write, however, to remark one curious +fact about the singing of these mice, namely, that +it seemed to be evoked by two very opposite +sets of conditions. When undisturbed, the little +animals used for the most part to remain quiet +during the day, and begin to sing at night; but if +at any time they were alarmed, by handling them +or otherwise, whether during the day or night, +they were sure to sing vigorously. Thus the +action seemed to be occasioned either by contentment +or by fear. The character of the song, however, +was slightly different in the two cases.</p> + +<p>'That these mice did not learn this art from +singing birds there can be no doubt, for they were +captured in a house where no such birds were kept. +It may be worth while to add that this house +(a London one) seemed to have been suddenly +invaded, so to speak, by a number of these animals, +for although my friend has lived in this house +since the year 1862, it was only during a few +months that singing mice were heard in it, and +during these few months they were heard in considerable +numbers.'</p> + +<p>As corroborative of the foregoing notices, we +give the following very interesting account of a +singing mouse, obligingly sent to us by a correspondent, +Mr Alfred Wright.</p> + +<p>'In the early spring of last year I was invited +by an old widow lady to see a singing mouse, +which she had at night heard singing and scratching +beneath the floor of her bed, and been so fortunate +as to catch in a trap. I went, and found the +little animal in a cage with a revolving wheel, +similar to that in which a squirrel is usually confined. +Whether the mouse was shy at the presence +of a stranger, I do not know. It remained silent; +but at length, after my patience had been nearly +exhausted, it began to sing in clear warbling notes +like those of a bird. When I called the next +evening to hear the mouse again, I heard him to +perfection; and was so filled with interest in the +novelty, that I begged permission to bring any +friend who was a sceptic of the fact, or who might +desire to see the phenomenon. My request was +readily granted. One friend of course had heard +of a singing mouse, but he certainly would not +allow that a prolonged squeak was a song—not +he! Another friend of course had heard a mouse +sing when he was a boy; but he was told, he +perfectly well remembered, that the <i>noise</i> produced +by the mouse was the result of some +internal disease. Well, both of these went with +me to hear the little creature. Unfortunately, at +first it was again shy; but after an interval of +silence it commenced to sing—sweetly, like the +low notes, the jug, of the nightingale. My friends +had come, had heard, and were conquered! The +one acknowledged it was really a song and not +a squeak; the other, that the noise was certainly +dulcet; but still he thought it possibly might be +the result of disease, and not natural to the little +animal. We suggested that this wonderful natural +curiosity (as we deemed it) should be sent to +an eminent naturalist who resided near. Great, +therefore, was my astonishment and pleasure when +it was presented to me, who could only treat it +like a schoolboy would his white mouse—as a +pet. And truly it became a great pet to both +my wife and myself.</p> + +<p>'In form, the singing mouse did not differ from +his humbler brethren; but in colour he was of +a darkish brown, and had very bright eyes. It +soon became used to the presence of my wife, +and sang constantly while revolving the wheel +of his cage. The notes proceeded from the throat. +He became exceedingly gentle, and was pleased +at being caressed.</p> + +<p>'I deemed him so rare a curiosity that I ventured +to offer to exhibit him to the distinguished naturalist +referred to above, and in my letter described +the little creature and its peculiarities, as I have +done here. The naturalist most courteously +replied: "The case of the singing mouse is very +extraordinary, but the fact is now well established.... +The best account which has ever been published +is by an American naturalist, and I have given +an abstract of his account in my <i>Descent of Man</i>.</p> + +<p>"The American referred to is the Rev. S. Lockwood, +author of <i>The American Naturalist</i>, and he +gives an account of his observations of the <i>Hesperomys +cognatus</i>, an American species, belonging to a +genus distinct from that of the English mouse. This +little animal gave two chief songs. Mr Lockwood +gives both songs in musical notation; and adds, +that though this mouse 'had no ear for time,' yet +she would keep to the key of B (two flats) and +strictly in the major key.... Her soft clear +voice falls an octave with all the precision possible; +then at the wind up it rises again into a very +quick trill in C sharp and D." I have made this +quotation, as it far better describes the peculiar +qualifications of a singing mouse, than my inexperienced +observations could announce.</p> + +<p>'My mouse remained in contented confinement +upwards of a year, feeding upon a little sopped +bread and canary-seed; and great was the grief of +my wife (who was his keeper) and myself when +he was found dead in his little nest. During the +previous evening he had been heard singing with +more than usual ardour.'</p> + +<p>We shall probably return to this interesting +subject.</p> + +<hr class="chap" /></div><div> + +<p><span class="pagenum"><a name="Page_816" id="Page_816">{816}</a></span></p> + + + + +<h2><a name="USING_UP_WASTE_SUBSTANCES" id="USING_UP_WASTE_SUBSTANCES">USING UP WASTE SUBSTANCES.</a></h2> + + +<p><span class="smcap">The</span> subject denoted by the above title, more +than once treated in the <i>Journal</i>, is adverted to +by an obliging Lancashire correspondent who, +surrounded by one of the busiest and most ingenious +clusters of townsmen in England, has had +his attention drawn to various substances waiting +(as it were), for application to useful purposes. +His suggestions are not wholly new, having to +some extent been already anticipated; but they +are sufficiently valuable to call for notice here.</p> + +<p>One relates to the waste that presents itself in +the processes of manufacturing cotton. A residue +known technically as <i>willowings</i>, that falls into +a receptacle during the preparatory beating and +disentangling of raw cotton-wool, consists of a +dusty heap of seed-husks and short broken fibres. +It is used by farmers to absorb the liquid manure +of their cowsheds and middens or dung-heaps. +Although some of the cottony fibre may be +separated through a sieve, so much adheres to +the seed-husk as to render it unsuitable for paper-making, +for which it has often been tried. The +suggestion now made is, that though unfitted for +paper, this refuse may possibly be found useful +in the manufacture of <i>millboard</i>. Large quantities +of this tough and durable product are employed for +bookbinding, for making the discs of railway wheels, +&c.; and as colour is not a matter of moment, +the idea is that the mingled residue of cottony +fibre and seed-husk might be rendered available. +It is known that millboard made from wood-pulp +is imported to a considerable extent from abroad; +and we are told that 'a large portion of the +private income of the great German Chancellor +Prince Bismarck is derived from the manufacture +of wood-millboard on his Varzin estate.' Many +hundred tons of willowings could be obtained in +Lancashire at a very cheap rate, even as low as +two shillings per hundredweight.</p> + +<p>Another suggestion bears relation to the utilisation +of refuse from the manufacture of prussiate +of potash, a most valuable product in the hands +of the manufacturing chemist. The prussiate is +obtained in large ratio from woollen rags, after the +separation of all the pieces that can be worked up +into shoddy for cheap cloth. The refuse is calcined +in cast-iron retorts, lixiviated with water, +and drained off for subsequent treatment: leaving +behind it a thick black sediment of impure animal +charcoal. The suggestion relates to the application +of this residue to the manufacture of blacking—a +humble but valuable agent for those who appreciate +tidiness in the appearance of boots and shoes +and economy in the preservation of leather. If +useful for this purpose, it might be found advantageous +and economical as an ingredient in printers' +ink. Whether this carbon residue is at present +applied to any other useful purpose, we are not +fully informed.</p> + +<p>A third suggestion relates to the preparation of +animal size for the carpet-manufacture and for +that of many kinds of woollen and worsted goods. +This size is made from the clippings and scrapings +of skins and hides, from rejected scraps of parchment +and vellum, and from the worn-out buffalo +skin pickers and skips largely used in textile +manufactures; also from the pith of cattle-horns, +which contain a large amount of valuable gelatine. +The suggestion is, to utilise the refuse left after +making this size. One large carpet factory in +Yorkshire rejects as utterly useless a ton or more +of this refuse every week. The horn-pith contains +as one of its components phosphate of lime, and is +on that account recommended to the notice of the +manufacturers of chemical manures on a large +scale.</p> + +<p>One more suggestion comes from our ingenious +correspondent. Old corks are applicable to a +greater number of purposes than we are generally +in the habit of supposing. That many of them +are ground up to make cork-stuffing for cushions, +padding, &c. is well known; but there are other +uses for them as corks or half corks, besides +making floating buoys and life-preservers. A +taverner in a Lancashire town covered the floor of +his lobby and bar with very open rope-matting, +and filled up the openings with old corks cut +down to the level of the surface of the mats. This +combination is found to be almost indestructible +under the feet; while it gives a good grip or foothold. +As the making of rope-mats is one of the +trades carried on in reformatories and some other +large establishments, it is suggested that the +managers should take into consideration the feasibility +of adding old corks to their store of manufacturing +materials.</p> + +<p>As this <i>Journal</i> finds its way into every corner +of the busy hives of industry, it may possibly be +that some of our readers are already acquainted +with such applications of waste refuse to useful +purposes as those which our esteemed correspondent +suggests. But this is a point of minor importance. +The primary question is, not whether +an idea is absolutely new, but whether it is +practicably susceptible of useful application. The +history of manufactures teaches us that apparently +humble trifles like these have proved to be worth +millions sterling to the country.</p> + + + +<hr class="chap" /></div><div> +<h2><a name="LET_BYGONES_BE_BYGONES" id="LET_BYGONES_BE_BYGONES">LET BYGONES BE BYGONES.</a></h2> + + +<div class="poem"><div class="stanza"> +<span class="i0"><span class="smcap">Let</span> bygones be bygones; if bygones were clouded<br /></span> +<span class="i2">By aught that occasioned a pang of regret,<br /></span> +<span class="i0">Oh, let them in darkest oblivion be shrouded;<br /></span> +<span class="i2">'Tis wise and 'tis kind to forgive and forget.<br /></span> +</div><div class="stanza"> +<span class="i0">Let bygones be bygones, and good be extracted<br /></span> +<span class="i2">From ill over which it is folly to fret;<br /></span> +<span class="i0">The wisest of mortals have foolishly acted—<br /></span> +<span class="i2">The kindest are those who forgive and forget.<br /></span> +</div><div class="stanza"> +<span class="i0">Let bygones be bygones; oh, cherish no longer<br /></span> +<span class="i2">The thought that the sun of Affection has set;<br /></span> +<span class="i0">Eclipsed for a moment, its rays will be stronger,<br /></span> +<span class="i2">If you, like a Christian, forgive and forget.<br /></span> +</div><div class="stanza"> +<span class="i0">Let bygones be bygones; your heart will be lighter,<br /></span> +<span class="i2">When kindness of yours with reception has met;<br /></span> +<span class="i0">The flame of your love will be purer and brighter<br /></span> +<span class="i2">If, Godlike, you strive to forgive and forget.<br /></span> +</div><div class="stanza"> +<span class="i0">Let bygones be bygones; oh, purge out the leaven<br /></span> +<span class="i2">Of malice, and try an example to set<br /></span> +<span class="i0">To others, who craving the mercy of heaven,<br /></span> +<span class="i2">Are sadly too slow to forgive and forget.<br /></span> +</div><div class="stanza"> +<span class="i0">Let bygones be bygones; remember how deeply<br /></span> +<span class="i2">To heaven's forbearance we all are in debt;<br /></span> +<span class="i0">They value God's infinite goodness too cheaply<br /></span> +<span class="i2">Who heed not the precept, 'Forgive and forget.'<br /></span> +</div></div></div> + +<hr class="full" /> + +<p class='center'>Printed and Published by <span class="smcap">W. & R. Chambers</span>, 47 Paternoster +Row, <span class="smcap">London</span>, and 339 High Street, <span class="smcap">Edinburgh</span>.</p> + +<hr class="chap" /> + +<p class='center'><i>All rights reserved.</i></p> + +<div>*** END OF THE PROJECT GUTENBERG EBOOK 51841 ***</div> +</body> +</html> diff --git a/51841-8.txt b/old/51841-8.txt index b731c1b..5b9dc2e 100644 --- a/51841-8.txt +++ b/old/51841-8.txt @@ -1,2217 +1,2217 @@ -The Project Gutenberg EBook of Chambers's Journal of Popular Literature,
-Science, and Art, No. 730, by Various
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-
-Title: Chambers's Journal of Popular Literature, Science, and Art, No. 730
- December 22, 1877
-
-Author: Various
-
-Editor: William Chambers
- Robert Chambers
-
-Release Date: April 23, 2016 [EBook #51841]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK CHAMBERS'S JOURNAL, DECEMBER 22, 1877 ***
-
-
-
-
-Produced by Susan Skinner and the Online Distributed
-Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-
-
-
-
-[Illustration: CHAMBERS'S JOURNAL
-
-OF
-
-POPULAR
-
-LITERATURE, SCIENCE, AND ART.
-
-Fourth Series
-
-CONDUCTED BY WILLIAM AND ROBERT CHAMBERS.
-
-NO. 730. SATURDAY, DECEMBER 22, 1877. PRICE 1½_d._]
-
-
-
-
-CHRISTMAS-TIME.
-
-
-'So many men so many minds' has been a proverb long before our days,
-and will be to the end of time and human history; and uniformity of
-sentiment is the one thing which men need never hope to attain.
-
-Christmas-time is one of these battle-fields of feeling. To some it is
-just the consecration of so many circumstances of torture; to others
-the meeting-point of so many facts of pleasure. From the conventional
-greeting to the orthodox dinner--from the 'seasonable gifts' that are
-more obligatory than voluntary, to the toast that heralds the punch,
-and the dreams that follow on that last glass--all is so much pain to
-the flesh and weariness to the spirit; and they wonder how any one
-can find it otherwise. What is there in Christmas-time to make it
-pleasurable? they say. The gathering together of the family? A lot
-of rough boys home from school, who spoil the furniture and tease
-the dogs, lame the horses and ravage the garden, make the servants
-cross, the girls rude, and the younger children insubordinate; who
-upset all the order of the house, destroy its comfort like its quiet,
-and to whose safe return to discipline and your own restoration to
-tranquillity you look forward with impatient longing from the first
-hour of their arrival to the last of their stay? Or the advent of your
-married daughter with her two spoilt babies, who cry if they are looked
-at and want everything that they see, and that very objectionable young
-man her husband, with his ultra opinions and passion for argument,
-whom she would marry in spite of all that you could say, but to whom
-you can scarcely force yourself to be decently civil, not to speak of
-cordial, and whose presence is a perpetual blister while it lasts? Is
-this the family gathering about which you are expected to gush?--this
-with the addition of your son's fine-lady wife who snubs his mother
-and sisters with as little breeding as reserve, finds nothing at your
-table that she can eat, lives with her smelling-bottle to her nose and
-propped up with cushions on the sofa, and gives you to understand that
-she considers herself humiliated by her association with your family,
-and your son as much exalted as she is degraded? This is the domestic
-aspect of Christmas-time which is to make you forget all the ordinary
-troubles of life, creating in their stead a Utopia where ill-feeling
-is as little known as _ennui_, and family jars are as impossible as
-personal discomfort and dissent. Holding this picture in your hand, you
-decline to subscribe your name to the Io pæan universally chanted in
-praise of Christmas, and wrap yourself up in sullen silence when your
-neighbour congratulates you on having all your family about you, and
-wishes you a merry Christmas as if he meant it.
-
-If the domestic aspect is disagreeable, what is the social?--A round
-of dinners of which the _menu_ is precisely the same from Alpha to
-Omega:--turbot and thick lobster-sauce; roast-beef and boiled turkey;
-indigestible plum-pudding and murderous mince-pies; with sour oranges
-and sweet sherry to keep the balance even, and by the creation of two
-acids perhaps neutralise each other and the third. This is the food
-set before unoffending citizens under the name and style of Christmas
-dinners for the month or six weeks during which the idiotic custom of
-Christmas dinners at all is supposed to last. You are expected to live
-in this monotony of dyspepsia and antipathetic diet till you loathe the
-very sight of the familiar food, and long for a change with a vehemence
-which makes you ashamed of yourself, and more than half afraid that you
-are developing into a gourmand of the worst kind.
-
-As if your nights were not sufficiently broken by the horrible
-compounds which trouble your digestion and disturb your brain,
-torturers known as the 'waits' prowl through the streets from midnight
-to dawn, causing you agonies beyond those which even the hurdy-gurdy
-men inflict. You are just falling to sleep--painfully courted and
-hardly won--when a hideous discord worse than the wailings of cats
-startles you into a nervous wakefulness which banishes all hope for
-that night. What can you do? They are too far off for that jug of
-water to take effect, and you must not fire; anathemas do not hurt
-them, and if said aloud only waken up your wife and make her cry if
-she does not preach. You have nothing for it then but to lie still
-and groan inwardly, devoting to the infernal gods all the idiotic
-circumstances by which your life is rendered wretched, and your health,
-already frail, set still further wrong. In the morning, when wearied
-and nervously feverish from want of sleep, you go into the garden for
-a little quiet and delectation, you find your greenhouses stripped of
-the flowers which you had been lovingly watching for weeks, and your
-evergreens as ridiculously cropped as a shaved poodle. This is the day
-for the decoration of the church, and you, having made an expensive
-hobby of your garden, have to contribute what has cost months and good
-money to rear, for the childish satisfaction of John and Joan, lasting
-just two hours and five minutes. Not only have you lost your flowers
-and your evergreens--that splendid holly, which yesterday glowed like a
-flame, today nothing but a bundle of chopped ends!--but you know that
-your favourite daughter is flirting with the curate, and that a great
-deal is going on under cover of wreaths and crosses, laurustinus and
-chrysanthemum, of which you strongly disapprove yet cannot check. It is
-Christmas-time; decorating the church has become in these later days a
-kind of religious duty; and as a conscript father of your village, you
-must not forbid your daughter this pious pleasure any more than you can
-refuse your costly contribution in kind.
-
-Turn to the financial side of the time; and what have you?--bills
-coming in that you neither expected nor knew of, and every one looking
-for a Christmas-box, and insolent or irritated if they do not get it.
-The servants obsequious to the worth of half a sovereign--tradesmen
-and their lads punctual in anticipation of half-crowns--postmen
-levying blackmail, and watermen and dustmen demanding as their
-right that they should be fee'd for their persistent neglect of
-duty--every one making a dead set at your pocket and trying to get
-your money for themselves--the very children more caressing and
-affectionate because it is Christmas and papa always gives them
-something on Christmas-day:--You groan as you ask yourself where is
-disinterestedness on this earth?--and you groan still more as you draw
-your cheques and reduce your balance and wonder by what law of right it
-is that you should be the pipe by which other folks are to be supplied.
-
-No; you see no good or pleasure in this boasted Christmas-time as
-we keep it up in our benighted country. Its mirth is a sham and its
-inflictions are only too real. A time of tumult and expense, of
-indigestion and discomfort, you wait, grimly or fretfully as your mood
-may be, till it has passed and the current of your life is allowed
-to flow evenly as before. When you hear people sing its praises you
-long to stop their mouths, as you longed to silence the waits who
-woke you up out of your first sleep and spoilt your rest for the
-night. What manner of men are these, you think, who can find cause of
-congratulation in so much absurdity, if the fun is real to them--so
-much dreary make-believe, if it is unreal? You despise your genial,
-laughing, merry-hearted neighbour who goes into everything _con amore_,
-and accepts it all, from forfeits and snapdragon to plum-pudding and
-Christmas-boxes, as if he really liked it. You think what a fool he
-must be to be pleased with a rattle, tickled with a straw like this.
-But for the most part you do not believe in his mirth; and then you
-despise him still more as a hypocrite as well. For a hypocrite shamming
-folly is an offender against reason as well as truth, whom you find it
-hard to forgive, let the motive of his mummery be what it may.
-
-This is one side of the question; your neighbour takes the other.
-
-Who on earth, he says with his hands in his pockets, his back to the
-fire and his kindly smiling face to the room, who on earth can grumble
-at the facts of Christmas-time? For his part he finds it the jolliest
-season of the year, and he finds each season as jolly as the other,
-and all perfect in their own appointed way. He is none of your crying
-philosophers who go through life bewailing its miseries and oppressed
-by its misfortunes. Not he! He thinks the earth beautiful, men and
-women pleasant, and God very good; and of all occasions wherein he can
-transact his cheerful philosophy, Christmas is the best. The boys are
-home for their holidays; and it is a pleasure to him to take them out
-hunting and shooting, and initiate them into the personal circumstances
-belonging to English country gentlemen. He looks forward to the time
-when they will take his place and carry on the traditions of the
-family, and he wishes them to be worthy of their name and an honour
-to their country. He is not one of those nervous self-centred men who
-live by rule and measure and cannot have a line of the day's ordering
-disturbed. He likes his own way certainly; and he has it; but he can
-press his elbows to his sides on occasions, and give room for others
-to expand. He does not find it such an unbearable infliction that his
-boys should come home and racket about the place, even though they are
-a little upsetting, and do not leave everything quite as smooth and
-straight as they found it. He remembers his own youth and how happy it
-made him to come home and racket; and he supposes that his lads are
-very much the same as he was at their age. He thinks too that they do
-the girls good--wake them up a little--and while not making them rough
-or rude--the mother takes care of that--yet that they prevent them from
-becoming prim and missy, as girls are apt to be who have no brothers
-and are left too much to themselves. Certainly he does not approve of
-the flood of slang which is let loose in the house during their stay;
-but school-boy slang at the worst is not permanent, and in a week's
-time will be forgotten.
-
-As for the married daughter's children, they are the merriest little
-rogues in the world; and his wife looks ten years younger since they
-came. She was always fond of babies; and her grandchildren seem to
-renew her own past nursery with all the pleasure and none of the
-anxiety of the olden time. He rather wonders at his girl's taste in
-the matter of her husband--most fathers do--and cannot for the life of
-him see what there is to love in him. But if not an Alcibiades he is
-a good fellow in the main, and makes his young wife happy; which is
-the principal thing. And if his daughter-in-law is a trifle stiff, and
-fond of giving herself fine-lady airs, he for his part never stands
-that kind of nonsense, and will laugh her out of it before she has
-been twenty-four hours in the house. He finds good-humour and taking no
-offence the best weapons in the world against folly and ill-temper; and
-prefers them as curative agents to any other. The girl is a nice girl
-enough, but she has been badly brought up--had a lot of false ideas
-instilled into her by a foolish mother--but when she has been away
-from the old influences, and associated with themselves for a little
-while, she will open her eyes and see things in their right light.
-Who indeed could resist the sweet sensible influence of his wife, her
-mother-in-law?--and are not his girls the very perfection of honest
-wholesome English ladies? It will all come right in time; he has no
-doubt of that; and meanwhile they must be patient and forbearing for
-Dick's sake, and not make matters worse than they are by their own want
-of self-control.
-
-Then as to the Christmas-boxes and the tips sacred to the season--well!
-well! after all they do not amount to much in the year, and see what
-pleasure they give! A man must be but a poor-spirited surly kind of
-hound who does not like to see his fellow-creatures happy; and a very
-little kindness goes a great way in that direction. He takes care to
-live within his income, and therefore he has always a margin to go on;
-and he does not object to use it. The servants have been very good on
-the whole, and do their duty fairly enough. And when they fail--as
-they do at times--why, to fail is human, and are they alone of all
-mankind to be blameless and never swerving in the right way? And are
-they alone of all mankind to be judged of by their worst and not by
-their best?--to be blamed for failure, but not praised for well-doing?
-He does not think so; and not thinking this, his half-sovereigns are
-given freely without the grudging which makes them an ungracious
-tax instead of a kindly voluntary gift. The tradespeople, too, do
-fairly well, and--they must have their profit like any one else!
-Those Christmas-boxes to their lads may be the nest-eggs for future
-savings; and even if they do go in a little finery or personal pleasure
-instead--young people will be young, and his own boys are fond of being
-smart and amused: so why not these others? You grumble at the waits? If
-you in your warm bed, well fed, well clothed, prosperous altogether,
-fret at the loss of an hour's sleep, what must these poor fellows feel,
-out in the cold frosty night, with the wind blowing and the sleet
-falling fast, and they not half fed nor a quarter clothed? For his own
-part he would like to give them a glass of hot grog all round; and as
-for grumbling at the few coppers which they brave all this physical
-discomfort to earn, he makes it shillings, and hopes it will do them
-good. We must live and let live, he says with his broad smile; and
-if we are sometimes a little inconvenienced by the efforts made by
-the poor to accomplish the art of living for their own parts--we must
-remember that our loss is their gain, and that they are men and women
-like ourselves--fathers of families who want to keep the pot boiling
-and the fire alight--mothers who love their children, and are anxious
-to do the best for them that nature and man will allow.
-
-You complain of indigestion and grumble at the monotony of your
-Christmas fare?--That is strange! Who can grumble at good plain
-succulent meat?--and why do you eat the sweets if they disagree with
-you? Neither pudding nor mince-pie comes into the eternal necessities
-of things, and you would do very well if only you would refrain. He
-does not eat things that he cannot digest, and in consequence he sleeps
-well, and when he wakes has neither regret nor remorse. Surely that is
-not such a painful trial--to forbear eating what is hurtful to your
-health, and in touching your health corroding your happiness as well.
-
-In a word, the whole difference of the spirit in which we meet the
-facts of Christmas depends on the good or ill humour with which we are
-naturally endowed, and which we have cultivated by common-sense on the
-one hand, or suffered to ride rough-shod over our reason on the other.
-If we are unselfish and sympathetic, Christmas-time is as pleasant
-to us as popular tradition would make it; if we are egotistical and
-peevish, it is a wearisome infliction and a sham which no honest man
-can pretend to believe in, nor any sensible one to admire.
-
-For our own part we believe in Christmas, because we believe in the
-kindness of man to man, in genial good-humour, in unselfishness, and
-the liking of wholesome natures to give happiness; and so far as we
-have gone yet we have seen no reason to change our views. A merry
-Christmas then to you all, friends, readers, and countrymen; and a
-happy New Year to follow after; and may God bless the rich and care
-for the poor, and lead us all in the right way while the day lasts and
-before the night has come!
-
-
-
-
-A CAST OF THE NET.
-
-THE STORY OF A DETECTIVE OFFICER.
-
-
-CHAPTER IV.
-
-Long after it had grown quite dark, all remained quiet, and at last
-I resolved upon making a move. I had determined upon fetching Peter
-Tilley. I had plenty of assistance, but I thought I should like to have
-Peter with me. So I went down to the ferry; a gas-light which burned at
-the corner shewed me before I left my post that the bony ferryman was
-not there; and choosing a pretty good boat, with a strong young fellow
-to pull, I got in. It was a most unpleasant night; as dark as pitch,
-which was bad enough, but every now and then it lightened, which was
-worse, as it dazzled my eyes, and made me think we were running smash
-on board some great vessel which I had not seen a moment before, and
-couldn't see a moment after. However, the boatman was used to all kinds
-of weather, I suppose, and knew the river thoroughly; so through the
-darkness and the rain, which never left off for a moment, we reached
-the other side.
-
-I left the boat to wait for me, and ran up to the _Yarmouth Smack_. I
-looked in, and saw Peter leaning against the bar and smoking a short
-pipe, as a labourer ought to do; and he was talking in a friendly way
-to some rough-looking fellows. I slipped in, and using the name we had
-agreed upon, spoke to him. He knew my voice of course; but seeing me
-so changed, for my make-up was really splendid (it was, although I say
-so that shouldn't), it gave him such a shock that he was obliged to
-put the pewter down he was going to drink from and look steadily at me
-before he answered. 'I'm acoming,' he said at last, and we got outside;
-when, as we walked down to the ferry, I gave him a sort of idea of what
-was going on, and how I expected to make a great catch that night.
-Peter of course was very glad to be in for such a big thing as this,
-for he had never been mixed up with anything so important.
-
-Not to trust the boatman too much, I kept Peter back a few yards from
-the water while I finished my story, standing a little on one side, so
-as to be out of the way of the people who came and went to and from the
-ferry. While I was talking to him, a wherry ran in; we heard her grate
-on the pebbles and the sculls rattle as the man laid 'em in; but that
-we had heard before. It's a part of my habit to notice little things
-however, and I looked to see who had come in by this boat. There was
-only one passenger, a woman, and she passed us walking quickly; but
-quick as she walked, I saw her, and she saw me. Blessed if it wasn't
-Miss Doyle! My being there was no odds to Miss Doyle, nor could it have
-signified to her if she had seen me fifty times; yet I felt I would
-rather not have met her just then; it looked unlucky, and she was such
-an uncommonly sharp one too. Sharp or not, I couldn't see what she
-could make out of my standing under a wall on a wet night talking to
-another labourer.
-
-Having finished my explanation, we both got into the wherry, and I
-asked the man if he would like a good long job, which might perhaps
-last all night.
-
-'The longer the better, governor,' he says, 'if the pay is accordin'.'
-
-'The pay _will_ be accordin',' I answered; 'and so you are engaged.'
-
-The first thing I made him do was to row round that oyster-smack, for
-the tide had risen enough to take us round her. I shewed no light, but
-we went inside her twice; and the fellow on the watch was very sharp,
-so he was leaning over the side when we came round the second time, and
-I could say quite quiet-like: 'I am in this boat now--watch the river.'
-That was quite enough; he knew he would not now have to look to the
-_Anchor_ for signals.
-
-After this began what I believe was the most disagreeable sort of
-patrol I ever had. There was a time when I used to envy the Thames
-police; but I can't say I ever did after that night. We were obliged
-to be in motion almost continually, because we did not know from which
-side of the river the paper might come, and we weren't quite sure that
-it would come at all, especially on that night; and I don't know,
-speaking from my own experience, that there is anything more trying to
-the spirits than the pulling backwards and forwards and loitering about
-on the river Thames in a raw October night with a small thick rain
-falling. Twice we landed, and went once to the _Smack_ and once to the
-_Anchor_. I couldn't grudge the men a glass of hot grog; in fact I was
-obliged to have some myself, even if I missed my capture through it.
-
-It grew later and later; the flashes of lightning still came at long
-intervals; but the lights on the shore went out, and excepting the
-gas-lamps which burnt at street-corners, ferries, and wharfs, all was
-dark. The traffic on the river had long ceased, no shouts or rattle
-of wheels came from the shore; and the rain still falling, it was,
-I give you my word, most horribly miserable, dull and sloppy beyond
-description. Twelve o'clock had struck, and one, and perhaps half an
-hour beyond it. I had cautioned my companions to speak very low; so the
-boatman only whispered when he said: 'It's as quiet as it is likely
-to be, governor, if you've got anything to run. I have just seen the
-police galley creep along on the other side; I see her under that lamp.
-Now's your time.'
-
-He thought we were smugglers! Perhaps he didn't care if we were
-thieves. I told him to be patient; when at that very instant, just as
-we were creeping along under the lee of a coal-barge, a wherry shot
-very silently by, right in front of us, going across stream, and not
-six feet from our bows. In her sat the sulky ferryman; I knew him at a
-glance, dark as it was. 'Pull after that wherry,' I said.
-
-'Peter Tilley, my lad,' I continued, turning to Peter, 'the time's
-acoming, I think.'
-
-'I'm precious glad of it,' says Peter; 'for I'm catching a cold in my
-head every minute I sit in this confounded boat; and it's all soaking
-wet where I'm sitting.'
-
-Our man pulled on; he was a very strong fellow, as I have said, and
-we could have overtaken the other boat directly; but this of course I
-did not want. I knew where to look for the old scamp; and sure enough,
-after a few strokes across stream, he bent to the left and ran under
-the bows of the Dutch trader.
-
-All was dark and silent as the grave aboard the ship; but that didn't
-deceive the old boatman, nor did it deceive me. I stopped our man in
-the shade of the next vessel, if you can call anywhere a shade, when
-it was all pitch dark. We had not been there a minute before I heard a
-slight noise--it was impossible to see any one unless he stood between
-you and the sky--and then I could tell by the sound that a man had
-dropped into the wherry. There was no need to tell me what man it was.
-With an almost noiseless dip, the ferryman dropped his sculls into the
-river again and rowed on, we still after him. I took it for granted he
-was going to the other side of the ferry; but he suddenly bore off to
-the right, and rowed on for some little time, then striking in between
-two vessels, he went straight for the land.
-
-'Where is he going to?' I whispered.
-
-'To the landing at Byrle's wharf,' says the boatman in the same tone.
-
-So he was; and it appeared this landing-place was at the farther side
-of the wharf; that is, lower down the river.
-
-It was so dark we could hardly see them--for we could just make out
-there were now two persons in the boat--but as they reached the shore,
-a lamp that was burning on the wharf helped us a little. We could not
-clearly see what they were doing; but they certainly got out of the
-boat, and as certainly there were then more than two figures moving
-about, and seemingly engaged in placing parcels in the wherry. But it
-was very gloomy there; they were in the shade of the wharf, and the
-lamp glimmered weak and faint through the thick rain. It was the more
-difficult to see what was being done, because there were several boats
-tied up to the landing-place, making some confusion in the darkness. At
-last, however, we could see that they were pushing off from the shore;
-so it was time for us to move. We pulled back for a while (there was no
-doubt as to which way the others would come), and then sheering off,
-lay between two colliers until we saw the wherry we had watched go by,
-and then we once more pulled after them.
-
-'I'm blest if I don't think there's another boat following _us_,' says
-Peter Tilley, staring as hard as he could behind us. I looked, but
-couldn't see anything; and Peter owned he might have been mistaken.
-
-We could not make out how many there were in the foremost boat. There
-was only one man rowing, that was plain; and he pulled short round
-at the proper place, as I knew he would, and rowed towards the Dutch
-trader. As he did so, we lost him for a second, a big steamer lying
-between us; but the hull of this vessel did not obstruct the view up
-the river. I seized the moment, and waved my lantern twice. It was all
-right. As quick as thought the light on board the oyster-smack was
-moved twice also, and then we too were pulling across the stream. I
-wanted to capture my men on board the trader, as otherwise the paper
-might be got rid of, because I couldn't be positively certain that it
-was not already on board. In fact, Mr Edmund Byrle was my chief aim,
-not the skipper.
-
-The wherry pulled under the bows of the vessel; we followed just in
-time to see, by a very convenient flash of lightning, two packages
-handed up; then a figure, which we had recognised by the same flash as
-the bony ferryman, got into the ship. As he disappeared, our wherry
-touched the vessel; and at the same instant, to my great relief, a
-long black Thames police galley came alongside us, and its crew, five
-constables, with Barney Wilkins, who was there as guide, clambered
-up like cats. I and Peter imitated them, but not quite so quickly;
-and when I looked over the bulwark, I saw by the light of a couple of
-lanterns, screened from the outside, four or five men, the boatman
-and the skipper being two, lifting up a great lid which fitted in
-the deck--the hatches I heard it called--while by their side lay the
-packages of paper. I could not see Mr Byrle; but there was no time to
-consider; we all jumped in at once, the men looking round in amazement
-at the noise. I fancied that just then I heard a shout from the boat.
-
-'What do you all want here?' said the skipper angrily.
-
-'We hold a warrant'--I began.
-
-'Oh, it is _you_, is it?' he screeched, like a hyena, or something of
-that sort. 'I owe you a little for a past score, and you shall have
-it.' As quick as lightning he pulled a long straight knife from the
-side of his trousers, where it must have been in some sort of sheath,
-and jumped at me with such suddenness that he would have stabbed me,
-only Barney Wilkins snatched a handspike from the deck, and dashing
-between us, hit him down with such a blow, that the skipper fell with a
-crash like a bullock when it is killed, the blood pouring from his head
-instantly.
-
-It was all as quick as thought. The other men were all seized in a
-breath. So quick was it all done, that I had no idea Barney was hurt,
-until he reeled, made a wild clutch as if he caught at something for
-support, and then pitched forward on his hands and knees.
-
-'Hollo, Barney!' I said, stooping down to him. 'What's the matter, old
-fellow?'
-
-'It's all up, Mr Nickham,' he gasped; 'he's done me. I only hope I've
-killed him. Where's the other?'
-
-'Oh, never mind the other, Barney,' I says. 'Where are you hurt?'
-
-But as I spoke, one of the men came with a lantern, and Barney had
-no occasion to answer me, for I could see a straight stream of blood
-running from his chest on to the deck; and his hands giving way from
-weakness, he fell over on his side.
-
-'Pull in for the shore, you, sir!' said the sergeant of the Thames
-police to my waterman. 'You know Marigold Street? Knock up Mr Gartley,
-and tell him what has happened. Say we are afraid to move the man to
-his house, so he had better come aboard.'
-
-'Send one of your own men, will you?' answers the boatman. 'I've got
-something to tell the governor' (that was me), 'as I think he ought to
-know.'
-
-'Cut away then, Bill,' says the sergeant to a constable; 'these fellows
-are ironed, and we can manage all that are aboard this craft.'
-
-So the man went off in my wherry; and the Thames men tried to make poor
-Barney a little more comfortable, while I undid his waistcoat, hoping
-to stop the bleeding.
-
-'It ain't no use,' he said; but in that short time his voice was almost
-gone, and we could tell that he was dying. 'I'm done for, Mr Nickham.
-If there's a reward, you'll act fair and square, I know; you always was
-a gentleman--let my sister have'---- And with that he gave a gasp, and
-was dead.
-
-I rose up, dreadfully vexed for the poor chap. The sergeant and one of
-his men were looking after the skipper, when I felt myself touched on
-the arm.
-
-'I say, sir,' said the boatman, 'when I'm in for a thing, I go through
-with it honourable. Did you know as you was followed?'
-
-'Followed? no!' I said.
-
-'I thought we was!' said Peter Tilley.
-
-'We was followed, sir, by a light wherry with two people in it,'
-continues the boatman; 'and when they see our boats, they held hard;
-and as you all boarded the ship and the noise began, they rowed away as
-hard as they could go.'
-
-'Which way did they go?' I said.
-
-'Down river,' says the man. 'But it's of no use thinking of looking
-after them now. They are ashore long afore this.'
-
-This was likely enough; and it was quite certain that Mr Edmund Byrle
-was one of the two in the boat, and I had lost him for the present.
-Well, it couldn't be helped; so we set to work to question the men and
-search the ship, till the doctor came. The men knew nothing more about
-the business than that they were going to have two passengers, a lady
-and a gentleman, this voyage. One of the Thames men understood Dutch,
-or we should not have heard even this scrap of information. The sulky
-boatman never uttered a word, except that once he said as I passed him,
-and he said it with a bitter curse: 'I always had my doubts of _you_.'
-
-The doctor came off; but poor Barney was stone-dead, while the
-skipper's skull was badly fractured. However, the paper was all there;
-so I supposed, and so it proved; and I shouldn't have cared if the
-skipper's head had been broken fifty times over.
-
-We got our prisoners to the shore, leaving the craft in charge of a
-Thames police galley that came in answer to our signals; and late as
-it was, I drove with Peter Tilley in a cab to the City. Our people
-there were immensely glad, I can tell you; and when I went over to the
-Bank (for there was no need for secrecy or dodging now), I thought the
-gentlemen never would have left off paying me compliments. Poor Barney
-Wilkins that was dead deserved most credit; but it could not do him
-any good to say so now, so I let them go on. The paper was examined,
-and found to be exactly the quantity required; enough, I believe, to
-have made about twenty thousand bank-notes. Ah! if they _had_ got into
-circulation!
-
-I hope you will understand, however, that I did act fair and square;
-and when the reward was paid (and the Bank people did come down most
-liberal; I bought my house at Pentonville with my share), I told the
-gentlemen about poor Barney and his wishes; and I'm proud to say they
-found his sister out and took her away; and after a time she went
-abroad with kind people who looked after her, and took care of her
-money till she got married, and did well. Why, she sent me a snuff-box
-made out of pure Australian gold, with a letter signed by herself and
-her husband, who was a butcher in a great way of business out there;
-and they sent it as an acknowledgment of my having acted all fair and
-square. I promised so to do, and I did.
-
-Edmund Byrle was never caught, and so far as we were concerned, was
-never heard of; and if it hadn't been for his father, I should never
-have understood a lot of things that puzzled me. I had given a pretty
-good guess as to how Miss Doyle came in the first place to inquire
-about Mr Byrle and the detective; a very clever idea in itself, but
-like many other clever things, it lost her the game. Mr Byrle had
-talked with his friends about employing detectives; and Miss Doyle
-knowing about the Bank paper, and being always on the watch, had got
-hold of just enough to mislead her. She went out with Edmund Byrle to
-Turkey, I think, and was married to him; and old Mr Byrle sent out
-a friend to see them; and it was in this way I got the particulars.
-It appears she knew me again--only as the limping labourer, of
-course--when she saw me talking at the ferry to Tilley. But she knew
-_him_ as the detective at the _Yarmouth Smack_, and she thought that
-although it might be all right, yet a detective was a dangerous
-customer, and his acquaintances might be dangerous also. Consequently
-she tried to persuade Edmund to put off his journey; but he wanted
-the money for the paper, and wouldn't listen to her. But he agreed at
-last to go aboard in another boat, which satisfied her, as she felt so
-certain the skipper's boat would be attacked. As I have explained, her
-precaution saved him from fifteen years' 'penal,' which is the least
-he would have had. The skipper was sent for life, having killed a man
-in his arrest; but he didn't live six months in prison; he never got
-over the tremendous blow he received from Barney. All the reports spoke
-of his being a receiver of 'stolen goods.' The Bank paper was never
-mentioned, for the authorities did not want to unsettle the public
-again, or let them see what a narrow escape they had had.
-
-And now comes about the queerest part of my story. Call me names if I
-didn't stop the thieving at Byrle's factory as well as recover the Bank
-paper, killing two birds with one stone.
-
-It was all through my catching the bony ferryman. Finding that things
-was going hard with him, and hoping to make them easier, and being
-disappointed that those who were concerned with him did not come
-forward with money to provide for his defence, he 'rounded' on them; he
-split on them all, and owned how he was the means of taking the metal
-over to a fence on his side of the water, the things being stolen by a
-mechanic and a watchman who were in league. (I see I have used the word
-'fence;' this means a receiver of stolen goods; but though I have been
-warned by the editor of this magazine, we can't do without _some_ slang
-words.)
-
-Peter Tilley got a tidy present, and was noted for promotion through
-this business. I was glad of it, for Peter was a capital chap--never
-wanted to play first-fiddle; and I admire people of that disposition. I
-tell you what I did: I got the newest five-pound note of all what the
-Bank gave me, and they were all very clean and crisp, and I wrapped old
-Bob the gatekeeper's own sixpence in it; and I went to the factory and
-I stood a pint of ale, and says: 'Bob, here's your sixpence!' He hadn't
-known exactly who I was till then, for I had made excuses as usual; and
-then I'm blessed if he didn't quite cry over his luck. Mr Byrle too
-thought a lot of Bob's kindness, for I told the old gent about it; and
-I heard that on that very account he put six shillings a week on Bob's
-wages, and I was glad to hear it.
-
-They couldn't keep me off the detective staff after this; and although
-I am free to confess--now I am on my pension and nothing matters to
-me--that I only stumbled upon these discoveries by accident, I was
-praised to the skies by those for whom I worked. However, it all
-died away, as such things do; but I had managed to get my house at
-Pentonville, as I have hinted; and a pleasanter neighbourhood I don't
-know, or one more convenient for getting about. I have had some rather
-odd adventures since I have lived in my street; you can't help seeing
-strange things, if you keep your eyes open in London. But I didn't
-begin to tell about _them_. I have finished my account of the robberies
-at Byrle & Co.'s and my story finishes in consequence.
-
-
-
-
-FEATS OF ENDURANCE.
-
-
-London, which has witnessed many strange doings in its day, was
-lately the scene of the most wonderful feats of pedestrianism ever
-accomplished within a given period.
-
-Every hour, day and night, for six weary weeks a man plodded on his way
-round a measured track, until the grand total of fifteen hundred miles
-in one thousand hours had been made up, finishing his self-imposed task
-with his physical and mental faculties apparently unimpaired.
-
-The task of walking fifteen hundred miles in a thousand hours had never
-before been attempted, and henceforth the new achievement will throw
-into the cold shade of obscurity even the marvellous act of walking a
-thousand miles in as many hours, which was once accomplished in 1809
-by Captain Robert Barclay of Ury, a Scotchman, who proposed to perform
-the then incredible task of walking a thousand miles in a thousand
-consecutive hours. The proposition was received with every sign of
-incredulity, though, when the affair was finally arranged to take
-place, many thousands of pounds were staked on the event. Newmarket
-Heath was selected as the scene of the exploit, and the famous walk
-began on the 1st of June 1809, at midnight. It is unnecessary to
-repeat the details of this feat; it will suffice to mention that the
-enterprising captain completed his task on the 12th July, at four
-o'clock in the afternoon.
-
-Since then, an attempt has, we believe, been made to walk the same
-distance _backwards_; and within the past twelve months, Weston, the
-American pedestrian, has performed some remarkable exploits of the
-kind; being however at last beaten by an Irishman named Kelly.
-
-The hero of the lately completed task (fifteen hundred miles in a
-thousand hours) is a little Welshman of not more than five feet three
-and a half inches in height, and about forty-two years of age; while
-in personal appearance and general _physique_ he presents anything but
-what is usually supposed to be the characteristic of a good pedestrian.
-His name is William Gale, and he is a bookbinder by trade, living at
-Clerkenwell.
-
-At the commencement of his task on Sunday the 26th of August, he
-weighed no more than eight stone four pounds (8 st. 4 lbs.); and from
-that day until Saturday the 6th October, during a portion of every hour
-day and night, he pursued his monotonous way around the inclosure at
-Lillie Bridge grounds, Brompton. When the attempt was first announced,
-even those most acquainted with pedestrian feats where great endurance
-was required, expressed themselves dubious as to the result; and in
-order to have a reliable record of his proceedings, Gale requested the
-different sporting papers to appoint competent men as judges--a request
-which was at once generously complied with.
-
-Thus we have an official report of his great exploit, and the public
-are enabled to judge for themselves on the nature of the feat
-performed. Gale's average pace appears to have been about four miles
-an hour; but when he had reached his thousandth mile he assumed a
-brave spurt, and footed it in ten minutes, or at the rate of six miles
-an hour. During the last few days of his walking he started rather
-stiffly at first, owing to the pain caused by the swelling of some
-varicose veins in his left leg; but undaunted by so great and manifest
-a disadvantage, and other disadvantages which we shall presently
-refer to, the gallant little Welshman 'plodded his weary way' with a
-determined pluck that won the admiration and applause of every one
-present.
-
-On Friday the 5th October, the day before the finish of the tramp,
-Dr Gant of the Royal Free Hospital was called in to see this
-extraordinary walker, and after examining his legs, he pronounced
-Gale to be in excellent condition so far as his physical powers were
-concerned; there being no fever, the pulse only seventy, no murmur
-at the heart; and the varicose veins which had been the cause of so
-much pain to him, were rather better than worse, having considerably
-decreased in size. Perhaps the most remarkable part of the performance
-is, that it has been accomplished on a system of training which
-entirely sets at variance all athletic rules, for Gale partook of no
-fixed refreshment, neither did he have his meals at stated hours. His
-chief food was plain mutton-chops; and as an instance of how he varied
-his dishes, his afternoon meal on Friday the 5th October, which might
-have been either breakfast, dinner, or supper (so irregular had he been
-in this respect), consisted of a lobster and bread and butter, followed
-by a fried sole, and one or two cups of ordinarily strong tea. During
-the walk he also drank a good deal of beer--not strong beer, but the
-ale which is usually sold at fourpence per quart, which he seemed to
-prefer to any other kind, probably on account of its freedom from that
-tendency to increase rather than assuage thirst, so remarkably apparent
-in the stronger beers.
-
-Many strange incidents occurred in the course of the six weeks, which
-were calculated to while away the time, and occasionally to bring a
-smile to the pedestrian's lips. For instance, a certain illustrated
-sheet, notorious for its very sensational cartoons, published a picture
-of Gale on the track followed by Old Time with the conventional scythe
-on his shoulder; and many people it would seem actually paid their
-money with the idea that they were going to see the two figures as
-thus represented. One man, who had evidently gone to the grounds for
-this purpose, had watched Gale go round the track several times, when
-he could no longer control his disappointment. He shouted aloud,
-angrily demanding his money back, because, as he said with the greatest
-_naïveté_ possible, 'the beggar with the scythe hadn't turned up!'
-
-As the last week of the great walking match wore on, signs of weariness
-in the indomitable pedestrian became painfully apparent, and many
-persons began to fear that the task he had set himself would after all
-remain unaccomplished. On several of the rounds he fell asleep whilst
-walking, and dropped to the ground; but this contact with mother earth
-seemed to revive him instantly, and he plodded on as pluckily as before.
-
-At length success crowned his efforts; and at seventeen minutes past
-five o'clock (less a second) on Saturday afternoon the 6th October
-1877, Gale terminated his long and dreary walk in the presence of a
-large, fashionable, and enthusiastic assemblage, who rewarded his
-efforts with several rounds of hearty applause.
-
-From the commencement of his task to the finish Gale bore up against
-all obstacles with extraordinary pluck and determination, his last mile
-being performed in _ten minutes and eight seconds_. He was at once
-removed to the tent or pavilion under which he had snatched so many
-brief half-hours' rest, and was examined by three medical men, who
-found that his heart was quite natural in its movements, and that the
-temperature of his body did not exceed one hundred and six degrees.
-
-The great feat which has thus been accomplished without the aid of
-artificial training, is a marvellous instance of what human endurance,
-allied with courage and determination, can effect; though of what
-particular benefit it may be to the world at large it is utterly
-impossible to imagine.
-
- * * * * *
-
-Since the preceding account was written, Gale has accomplished a
-still more extraordinary feat, and one which for strength of will
-and physical endurance far surpasses his previous efforts. We still
-fail, however, to see the benefit which can accrue from exhibitions
-of this kind, and well might he have been contented with the laurels
-he had already won. He had scarcely allowed himself time to recover
-from his former task, when he once more appeared at a public place of
-entertainment, namely the Agricultural Hall at Islington, to walk four
-thousand quarter-miles under the astounding condition, that it was to
-be done in four thousand consecutive periods of ten minutes.
-
-This of course deprived him of the half-hour's rest which he could
-obtain at one time in the former race, and only allowed him a few
-minutes between each round to get a little sleep. Despite these
-drawbacks, however, Gale finished his task at eleven o'clock P.M.
-on the 17th November, after a dreary walk of nearly four weeks. By
-accomplishing his task, he has placed himself at the head of all the
-famous pedestrians the world has known; and we trust that this fact
-will be sufficient to satisfy his craving after what is at best but
-ephemeral fame.
-
-Men have on many occasions attempted walking feats which required a
-vast amount of physical endurance, and have failed from their utter
-inability to go without the natural quantum of sleep; but Gale has not
-only shewn himself to be possessed of the former, but to be altogether
-independent of the latter. This, however, instead of indicating 'pluck'
-merely, would rather seem to point to a peculiarity in the man's
-constitution; as there are doubtless many persons whose courage would
-enable them to perform the same or even a greater task if, like Gale,
-they could walk about in a state of somnolency or semi-sleep--a state
-in which, to use his own words, he was as one in a dream, unconscious
-of all that was going on around him, and believing himself to be
-walking in forests and other places of silvan beauty; and the truth of
-this was made evident by the fact that he would have often exceeded the
-limit of his walk had not the voice of his attendant aroused him from
-his stupor.
-
-The average time occupied by this extraordinary walker was by day
-about three minutes for each quarter of a mile, and by night about
-five minutes; and the fastest round recorded was done in two minutes
-and forty-two seconds. His pulse was always found to indicate a
-perfect state of health, and was as regular when he left off as when
-he commenced his task. His food consisted principally of fish, fowl,
-chops, eggs, and light puddings; and his drink was, with only one
-exception during the whole time, tea.
-
-Perhaps the most remarkable thing about the whole affair was the fact
-that, although he sank into a deep sleep directly he reached his chair
-behind the curtain, which hid him from view between his walks, the
-moment the bell rang the second time, he would appear as fresh as ever
-and begin trudging away again.
-
-When the feat was accomplished, Sir John Astley stepped forward, and
-amid a scene of great enthusiasm, presented the undaunted Welshman with
-a silver belt of the value of a hundred guineas, bearing the following
-inscription: 'This belt was presented to WILLIAM GALE of Cardiff, on
-the 17th November 1877, by some of the nobility and gentry of Great
-Britain, in commemoration of his hitherto unprecedented feat, namely
-walking one thousand five hundred miles in one thousand hours at Lillie
-Bridge Grounds, August 26th to October 6th, 1877; and four thousand
-quarter-miles in four thousand consecutive periods of ten minutes, at
-the Agricultural Hall, London, October 21st to November 17th, 1877.'
-The belt is of lion's skin, mounted on velvet, the metal portion of it
-weighing one hundred ounces of sterling silver.
-
-None will begrudge Gale his well-earned reward; but it is to be hoped
-that such exhibitions will in future be discountenanced by the general
-public, as they not only detract from the dignity of man, but are
-needless and unwarrantable in a country which, we trust, will ever
-pride itself on a nobler civilisation than that which is founded upon
-mere physical endurance.
-
-
-
-
-A DIFFICULT QUESTION.
-
-THE STORY OF TWO CHRISTMAS EVES.
-
-
-IN TWO CHAPTERS.--PROLOGUE.
-
-In the gray light of an Indian dawn, with the cool breeze blowing
-through the curtains of the tent, and his friend's sorrowful eyes
-looking down on him, a soldier lay on his rough couch--waiting for
-death. They were soon to be parted those two, who had lived and fought
-together; but the face of the one who was starting on that journey
-of which none has measured the distance, was smilingly calm, while
-the eyes of the other glistened with regretful tears as he spoke low,
-faltering, remorseful words.
-
-'Hush, Ralph, hush!' the other said at last. 'Don't you think, dear
-old fellow, I would sooner lose my life in having saved yours, than in
-any other way? After all, a few days or years sooner or later, what
-does it signify? My fate is perhaps the happiest, though I hope it is
-not. I don't think life is so very desirable,' he continued; 'I am only
-twenty-six; but mine has not been a happy one. It was my own fault,
-though. Take my advice, Ralph; don't marry young. There is only one
-thing that troubles me'----
-
-'Your little girl,' Ralph interrupted. 'Wrayworth, let me take care
-of her; if I can make her happy, it will be some slight atonement,
-some'----
-
-'You would take care of her, Ralph? would you?' The dying man's eyes
-shone gratefully as he looked up in his friend's face. 'She has
-nothing, poor little thing,' he went on sadly--'motherless, fatherless,
-scarcely more than a baby either. It would be a heavy charge to leave
-you, Ralph.'
-
-'Wrayworth! how can you speak so; you will drive me mad! You--you'----
-He broke down utterly; it was something so terrible to see this friend
-dying there--for him. 'Anything on earth that I can do'---- he murmured.
-
-'You will do for her,' said Wrayworth. 'Thank you. I have no friends to
-send her to. I meant to have made her very happy.'
-
-'She shall be; I swear it!' Ralph answered fervently, thankful for
-this charge, which might in some degree help him to pay that debt of
-gratitude, and forgetful that he had no control of fate, that the
-promise he gave of happiness was a fearfully presumptuous one. But he
-made it willingly, gladly, solemnly, before God; and as far as lay in
-his power it should sacredly be kept; any sacrifice he would make for
-this child.
-
-His friend's eyes rested on him searchingly for a moment. 'I trust
-you,' he said--'I trust you.'
-
-The hours passed on, the blazing sun arose, and Ralph went out into
-the burning glare with bent head and staggering footsteps, while words
-he had heard long since seemed floating round him in letters of fire:
-'Greater love hath no man than this, that a man lay down his life for
-his friend.'--'Is there _none_ greater?' he thought. 'Is there nothing
-_I_ can do to repay--nothing?'
-
-
-CHAPTER I.--ASKED.
-
-The years were well on in their teens since that melancholy scene was
-enacted in the Indian tent--since Wrayworth consigned his only child
-to the guardianship of the friend whose life, at the expense of his
-own, he had saved on the battle-field. A carriage rolled along the
-snowy high-road through the cold clear air; the short winter's day
-was drawing to its close, and up in the darkening sky the stars were
-beginning to shine upon the world's most joyful season, upon Christmas
-eve. The world's most joyful season? We call it so, this festival, more
-than eighteen hundred years old; but does the world think it so?--the
-world, with its thousand cares and crosses, its deep and hidden
-sorrows, its partings and its tears? Of those amongst the myriads who
-keep the Yule-tide feast, how many hold it with a chastened joy! For
-on that day most of all our thoughts go back to other years, to other
-faces, to other lips that have wished us 'a merry Christmas;' to other
-hands, which have clasped ours so loyally, to those who have loved us
-so long ago!
-
-But Major Loraine had no sad memories connected with the season as he
-drove up to the old house, from which duty had so frequently called
-him, and which he had not seen for five years. In the wide, dark,
-panelled hall his step-mother stood waiting to welcome him, as gladly
-as though he had been her own son. He was only a boy when she first
-came there, when the pink was fresh on her cheek and the gold bright in
-her hair; they had been drawn to each other then; and through the long
-years of her widowhood his loving care had helped to lighten her load
-of sorrow; so it was not wonderful that for months past she had been
-eagerly looking forward to his return.
-
-The greetings over, they sat down side by side, talking, as those
-talk after long separation, of past, present, and future; of their
-acquaintances married, dead, or far away; of things on the estate,
-prosperous or failures; of the ball to be given next month, of the one
-they were going to, to-night; of how much Emma was improved since she
-'came out,' how Katharine was considered one of the handsomest girls
-in the place, and how she might marry Sir Michael Leyland with thirty
-thousand a year if she liked.
-
-'But why ever doesn't she like?' asked the Major, astonished at this
-new phase in the character of his worldly-minded sister.
-
-'That is just what troubles me,' answered Mrs Loraine. 'They are all at
-the church now, helping to decorate. Louise wanted to stay at home to
-welcome you, but I sent them all off, so as to have you to myself for
-an hour. You will see a great alteration in Louise, Ralph.'
-
-'Shall I, mother?' he said smiling. 'I think not. Her letters are the
-same always; they have altered in style a little of course in the last
-year or two, but it is the same spirit--the same creature.'
-
-'But not the same face, Ralph. Remember you have not seen her for five
-years, which have not altered you, but which have changed her from an
-unformed girl of fourteen to a lovely woman; with that bright changing
-beauty, which has more charm for a man than regularity of feature. It
-is a very difficult question.'
-
-'What is a difficult question?' asked Ralph, as his mother paused.
-
-'What to do with Louise.'
-
-'You hinted something of the kind in your last letter, mother,' he said
-gravely. 'I am sorry, but I must confess this house seems large enough
-for four women. You know how I am situated; you know the promise which
-binds me. But tell me,' he added smiling, 'what has Louise done? She
-seemed to me gentle and tractable enough when I was last at home.'
-
-'I have not the slightest fault to find,' Mrs Loraine replied; 'you
-know I am very fond of her. You will think my difficulty very womanish;
-simply, Louise is too pretty.'
-
-'And some one has told her so,' said Ralph, laughing. 'Go on.'
-
-'It is not that; but I cannot bear to see my own child's happiness
-destroyed by another, who, if not a stranger, has at least no claim
-upon her.'
-
-Ralph frowned slightly. 'Perhaps not,' he answered; 'the claim is upon
-me, and it is a sacred one. So,' he continued, 'it is a case of rivals,
-I see.'
-
-'Simply this, Ralph. You remember the Levesons of Leigh Court, where
-we are going to-night? Their eldest son is in the --th Dragoons, and
-has been home on leave. Louise was away when he first came here, and he
-appeared very much struck with Katharine; and no wonder; she is very
-handsome. Well--don't laugh at me; I don't like match-making as a rule;
-but I thought as she seemed interested in him, there was no harm in
-inviting him sometimes. But as soon as Louise came home, he transferred
-his attentions to her. Katharine says nothing; but it makes a kind
-of awkwardness between them. I know she feels it, poor child; though
-indeed I believe Vere Leveson is simply flirting with Louise.'
-
-Major Loraine laughed. 'Poor mother!' he said, 'you will have enough to
-do if you take all your children's love affairs to heart so seriously.
-These things always right themselves, you know. But I confess I am
-surprised to hear of Katharine going in for sentiment; I should have
-thought Sir Michael more in her line. Is that all, mother?'
-
-'No; only the first of my difficulties,' she answered half sadly. 'You
-know what my health has been for the last few years; you know---- Well,
-you do not wish me to speak of that; but it is better to look in the
-face of possibility. Suppose anything happened to me, Ralph, what would
-become of Louise?'
-
-'You speak of what I hope may be far distant, mother,' he answered
-tenderly. 'But why should you be uneasy about her? In the event of her
-not marrying, she would always have a home here with me.'
-
-Mrs Loraine shook her head. 'Turn round and look in the glass,' she
-said; 'thirty-nine is not such a very formidable age.'
-
-He turned, and contemplated his bronzed face in the glass; such a
-handsome, noble face, telling of a nature that could not act falsely or
-meanly. The broad square forehead, marred by a sabre-cut, and the dark
-hair flecked here and there, by the Indian sun, with gray; nothing else
-to find fault with in the frank kind smile, the fine regular features,
-the dark true eyes.
-
-'I think there is no fear of my being taken for younger than I am,
-mother,' he said, smiling.
-
-'It is an awkward position for you, though,' she answered; 'and as
-I said, a difficult question what to do. We must hope for the best,
-Ralph. You are going to join the others now, I suppose?'
-
-'Yes; I think I can find my way.'
-
-He went out into the keen frosty air, walking slowly, though it was
-unpleasantly cold to one accustomed to tropical climates. He was
-thinking over his mother's words, and knew she was right as to the
-awkwardness of the position. He saw the peace of the household was
-troubled, without knowing how to set matters right, and he thought
-of the old friend who had trusted his child to him. He had vowed she
-should be happy, and now it seemed a difficult vow to keep; but for the
-sake of the man who had died for him sixteen long years ago, the pledge
-then given must be redeemed.
-
-Louise Wrayworth's life had been a bright one hitherto; her guardian's
-home was the only one she could remember, and he had striven to fill in
-some degree her father's place. To him, from infancy to womanhood, she
-had looked up with loving grateful reverence, regarding him, present or
-absent, as the noblest of created beings.
-
-He reached the old church, and made his way round to the open vestry
-door. The steps were encumbered with bundles of evergreens; the voices
-of the workers, who had finished their task, were audible. He pushed
-the door further open, and went in. The floor was covered with boughs,
-and around the pillars were wreathed holly and other evergreens in
-honour of the joyous season. Some of the choristers stood waiting
-for the choir-practice, and the organist was softly playing _Adeste
-Fideles_.
-
-'Ralph!' cried a young fresh voice; and a slight fair girl with a merry
-face sprang up from the floor, with her hands full of the scarlet
-berries, which fell hither and thither in bright-hued rain, as with
-complete indifference to the by-standers, she gave the returned soldier
-a sisterly embrace. 'You dear old thing to come for us!' she exclaimed.
-
-'Emma, Emma!' exclaimed Ralph, laughing and disengaging himself; 'you
-have not learned to behave any better in five years.'
-
-But his young sister had vanished, and he turned to greet the vicar;
-and one or two of the ladies he recognised. In a few minutes Emma
-reappeared; and behind her came a tall fair girl with masses of golden
-hair, and great beautiful cold blue eyes. She greeted Major Loraine
-affectionately, but with the quiet stately grace habitual to her. Five
-years had not changed Katharine Loraine; at twenty-four she was still
-the same majestic Queen Katharine as at nineteen, with whom he had
-always had so little sympathy, whose nature he had found so difficult
-to understand.
-
-'Where is Louise?' he asked presently. 'Is she not here?'
-
-'She went into the churchyard just now,' answered Emma, 'to put a
-wreath on Nellie Bryant's grave. You remember her, Ralph?'
-
-'Louise's friend? Yes.'
-
-'A _triste_ employment for Christmas eve,' observed one of the
-gentlemen decorators to Katharine, as he stooped to disentangle her
-dress from a long sprig of ivy.
-
-'Oh, Mr Leveson went to hold a lantern for her,' Katharine answered,
-with the slightest possible shade of contempt in the silvery tones of
-her voice; 'and Louise is never _triste_, unless she is by herself.'
-
-The choir was now fully assembled; the organist struck up the anthem,
-the rest were silent to listen, and Ralph Loraine went out to look
-for his ward. He came round the east end of the old church, and stood
-still for a moment in the shadow. There were two people standing at
-the edge of the path, looking down on the grave at their feet, where
-the lantern's light shewed the shining holly upon the upright marble
-cross. It shewed too the face of his friend's child; a beautiful face,
-as his step-mother had said, with large dark eyes and wavy dusky hair,
-a clear delicate complexion with a little rose-flush on the cheeks, and
-full red lips half-parted by the sweetest smile he had ever seen; with
-the same erect carriage of the head, the same fearless straight regard
-which had characterised her father.
-
-It was so strange to see her there a woman, whom he had left a mere
-girl; and as he looked on the fair face, something seemed to whisper
-that the ideal beauty he had so often dreamed of was before him at
-last. They moved away, and came slowly nearer, and paused again where
-he could see her companion; and for a moment he almost hated the man
-for his youth, and his handsome face, and the deep-blue eyes aflame
-with passion-fire as they rested on the child of his dead friend; and
-another whisper which silenced the first, told him how fitted was each
-for the other.
-
-'If _I_ were lying there,' said Vere Leveson, and Ralph could hear
-every one of the foolish, softly spoken words, 'would you ever make
-wreaths for _me_, I wonder?'
-
-'I don't know.'
-
-'Don't you? I wish you did; for I thought just now I should be glad to
-be lying there, if you would remember me.'
-
-Ralph had heard enough, and tried to slip away unseen; but the gravel
-crunched under his feet and betrayed him.
-
-Louise started, and a bright vivid blush covered her face as she sprang
-forward. 'Lorrie! Oh, how glad I am to see you again!' she cried, as
-she took both his hands in hers and lifted her cheek for his kiss.
-
-He felt half sorry she had done so; that and the old childish name put
-him immediately in his place as guardian, and made him ashamed of his
-thoughts. 'How you are altered, Louise!' he said, looking down at her
-admiringly. 'I think I should hardly have known you!'
-
-'I should have known you, Lorrie, anywhere,' she said reproachfully.
-
-'That is rather different,' he said; 'when we once get old, we don't
-change so quickly.'
-
-'You would not like it if I said you were old, Lorrie. But tell me, am
-_I_ altered for the worse? or'----
-
-'You have no need to come to me for compliments, surely,' he said
-smiling.
-
-'I should think more of yours than of any one's,' she whispered, with
-that sweet dangerous smile; a smile which a man like Ralph Loraine
-should have taken as a warning not to feel its influence too often.
-
-'How rude I am!' she said at last.--'Mr Leveson, do you know my
-guardian?' She turned to her companion, who stood holding the lantern a
-few yards from them.
-
-'I had the honour of dining in your company once, Major Loraine,' he
-answered, stepping forward. 'It is some time ago, when I first joined
-at Madras; but I well remember my anxiety to see such a distinguished
-soldier as yourself.'
-
-There was a ring of truth and honest admiration in the words, which
-raised them above an ordinary compliment, and which made Ralph hold out
-his hand and answer cordially: 'I have a bad memory for faces, or I
-think I should have remembered yours.'
-
-'Thanks,' said Vere, laughing. 'We shall have the pleasure of seeing
-you to-night, I hope?'
-
-'Yes; my mother told me of the invitation.'
-
-'Of course he is coming,' said Louise. 'And you will dance with me all
-the evening, Lorrie; won't you?'
-
-'Not quite all, Miss Wrayworth; please, don't forget my waltzes,' said
-Vere, holding out his hand. 'I must be off now; so good-bye for the
-present. You won't forget?'
-
-She looked up quickly. 'Perhaps,' the lips said laughingly; but the
-dark eyes gave a sweet silent answer Ralph did not see, though he was
-watching them. But after Vere Leveson had gone, he walked home beneath
-the Christmas stars, with Louise's hand resting on his arm, dreaming as
-he went, a fair, fond, foolish dream.
-
- * * * * *
-
-The Christmas-eve ball at Leigh Park was a regular institution, one
-which Sir Harry Leveson had kept up for years. It was a pretty sight,
-Ralph thought, as he stood leaning against a window, and looking round
-to select a partner. And amongst all the fair women, the one he thought
-the fairest was his young ward Louise Wrayworth, in her white floating
-dress, with its wreaths of holly, and the red clustering berries in her
-dark hair.
-
-Ralph had been watching Vere Leveson, trying to decide in his own
-mind whether Mrs Loraine's verdict of flirtation was a just one;
-and he judged that it was; for the attentions of the young officer
-were apparently equally divided between Louise and Katharine. Ralph
-did not happen to be near when, later on, he led Louise to one of
-the cool empty rooms, where through the open window could be heard
-the merry Christmas bells. He did not see the hand-clasp or the
-light that flashed in the eyes of each. He did not hear the hurried
-whisper: 'Louise, you won't forget me, you will trust me till next
-Christmas-time?'
-
-The ball was over, the rooms were dark and silent; the whole world
-waited for the sun to rise on Christmas-day.
-
-
-
-
-IS THE TELEPHONE A PRACTICAL SUCCESS?
-
-
-In September last appeared in this _Journal_ an article entitled
-'Singing and Talking by Telegraph;' and in that paper we attempted
-to describe the mechanism of that wonderful little instrument the
-telephone. It is now our purpose to say something regarding the
-progress that has been made towards perfecting the invention; but in
-order to make the article as clear as possible, we venture once more
-upon a few words explanatory of the instrument.
-
-The telephone as it is now made is an exceedingly simple-looking
-apparatus similar in appearance to a stethoscope; to the handle of a
-girl's skipping-rope; or better still, to a large-sized penny wooden
-trumpet. Inside this hollow cylinder, and within an inch or so of the
-wider end, is fixed a plate of iron as thin as a well-worn sixpence,
-and about the size of a half-crown piece. This is called the diaphragm.
-Behind the diaphragm, nearly touching it, and extending to the narrower
-end of the cylinder, is a piece of 'soft' iron enveloped in wire
-coils, with a permanent magnet beyond. Outside the narrower end of
-the cylinder, and communicating with the coils that surround the iron
-inside, are attached two screws or 'terminals,' which are 'joined up'
-to a main wire, communicating with the distant or receiving telephone
-wherever that may be, and which is precisely similar to the one we
-have described. When we apply our mouth to the bell-shaped end of the
-apparatus, and speak or shout or sing, we set the diaphragm vibrating
-as in a tuning-fork; the vibrations thus created are electrically
-communicated through the wire to a distant telephone, and are repeated
-on its diaphragm with more or less distinctness.
-
-It is known that the motion of an iron plate contiguous to the poles
-of a magnet creates a disturbance of electricity in coils surrounding
-those poles; and the duration of this current will coincide with the
-vibratory motion of the plate or diaphragm. When, therefore, the human
-voice (or any other suitable sound) impinges through the tube against
-this diaphragm, the diaphragm begins to vibrate, and awakens, so to
-speak, electrical action in the coils of wire surrounding the poles
-of the magnet; not a current, but a series of undulations, something
-like those produced by the voice in the air around us. In short the
-telephone is an apparatus designed to transmit sound through a wire
-of indefinite length; the voice being, so to speak, 'converted into
-electricity at one end, the electricity becoming voice at the other.'
-
-With these few explanatory remarks, we now proceed to offer to our
-readers the following interesting experiments made by a gentleman well
-skilled in telegraphy.
-
-'Journalists,' he says, 'with no special knowledge of the difficulties
-the invention has to encounter as a telegraph instrument, have
-expatiated in such enthusiastic terms upon the results said to have
-been achieved by the telephone, that a somewhat exaggerated notion of
-its powers and capabilities has been accepted by the general public.
-It appears, therefore, to the writer of those lines that a statement
-of the experiences of a person practically engaged in the work of
-telegraphy may assist in placing the phenomena of the telephone on a
-proper footing.
-
-'Scientifically, the telephone is a great and undoubted success; and
-a person would be grievously in error if, because of some undoubted
-hindrances to its practical use, he pronounced it unworthy of further
-experiment. The emergence of telegraphy from the domain of experiment
-into that of daily practical use is a fact so undoubted, and one with
-which we are now so familiar, that it is impossible to say at what
-moment the telephone, at present a scientific toy, may become a daily
-necessity not only of telegraphic but of ordinary commercial work.
-
-'Being engaged in daily contact with a large telegraphic centre, and
-in association with men who have the command of every means of testing
-the invention in a practical work-a-day manner, the writer was able to
-gauge pretty accurately the range within which the telephone can work.
-It must be understood, however, that in recording the effects observed
-by him and his associates, he has no desire to invalidate, or even to
-call in question the experiences of others who may have been able to
-arrive at better results. The telephone is in the hands of some of
-the first electricians and telegraphists of the day, and differences
-of conditions (not to speak of differences of capacity on the part
-of the operator) may give variety in the observations made. The very
-difficulties and drawbacks now to be recorded will no doubt some day
-suggest to a master-mind the method by which they may be overcome. But
-till that day arrives, the telephone must be content to remain where
-the writer leaves it, an undoubted success from a scientific point of
-view, but overwhelmed with obstacles to its practical use, in this
-country at least, in general telegraphy.
-
-'When a telegraphist first gets into his hand this beautifully simple
-and electrically delicate instrument, his first inclination is to test
-its carrying-power. This is of course a closet experiment, not working
-with actual telegraph line, but with "resistance" equivalent to a
-telegraph line of stated length. An experiment of this nature gives
-better results than could be obtained by a veritable line, because the
-insulation is, so to speak, perfect. No leakage at undesigned points of
-contact, or disturbance from unfavourable atmospheric conditions, is
-felt, and the experiment is entirely under the observer's control. The
-apparatus used is designed to offer the same labour for the electric
-current to overcome, as would be offered by a stated length of outside
-telegraph line. This artificial resistance is nicely graduated, and
-as the method of testing was suggested by Ohm, a German electrician,
-the unit of resistance is, as we once previously explained, termed an
-"ohm." Removing the telephone to such a distance that the two observers
-were "out of earshot," the test with resistance was tried, and with a
-resistance of one thousand ohms--roughly speaking, equal to seventy
-miles of a well-constructed line--the sound was perfect, although not
-very loud. Every articulation of the speaker at the other end could be
-distinguished so long as silence was maintained in the room, or so long
-as no heavy lorry rumbling over the stones outside sent in harsh noises
-which drowned the faint whisper of the instrument. The resistance
-was gradually raised to four thousand ohms--nearly three hundred
-miles--with like favourable results; and for some little distance
-beyond, articulation could still be made out. But by the time ten
-thousand ohms had been applied, putting the speaker at a distance of,
-say, seven hundred miles, sound only, but not articulate sound, reached
-the ear. The tone was there, and every inflection of the voice could
-be followed; but articulation was absent, although the listener strove
-every nerve to catch the sound, which the speaker, as was afterwards
-ascertained, was shouting in a loud clear voice. The prolonged notes
-of an air sung could be heard with the resistance named, but again
-no words could be distinguished. The voice, whether in speaking or
-singing, has a weird curious sound in the telephone. It is in a measure
-ventriloqual in character; and with the telephone held an inch or two
-from the ear, it has the effect as if some one were singing far off
-in the building, or the sound were coming up from a vaulted cellar or
-through a massive stone wall.
-
-'Proceeding to our next experiment, we joined up the telephones in one
-office to several wires in succession, putting ourselves in circuit
-with lines going to various distances and working with different
-instruments. When this was done, the real obstacle to telephonic
-progress at once asserted itself in the shape of "induction." The first
-wire experimented with was partly "overhouse" and partly underground,
-and the offices upon it were working Wheatstone A B C instruments. It
-is difficult to render clear to the person ignorant of telegraphic
-phenomena the idea expressed by the word _induction_. Briefly it may
-be put thus, that when a strong electric current is passing on a wire,
-it has the faculty of setting up a current of opposite character in
-any wire not then working, or working with a feebler current, that may
-be in its vicinity. The why or the wherefore cannot be explained, but
-there is the fact.
-
-'In various recent articles on the telephone, mention has been made of
-"contact" as the cause of disturbance. This word, however, although it
-has been used by telegraphists, is misleading, and can only be used
-as an endeavour to express popularly an electric fact. Actual contact
-of one wire with another would spoil the business altogether. A wire
-bearing an electric current seems to be for the time surrounded, to an
-undefined distance, by an electric atmosphere, and all wires coming
-within this atmosphere have a current in an opposite direction set up
-in them. This is as near an explanation of the phenomena of induction
-as the state of telegraph science at present affords. Now the telephone
-works with a very delicate magnetic current, and is easily overpowered
-by the action of a stronger current in any wire near which the
-telephone wire may come. To work properly it "requires a silent line."
-
-'In the place where the observations were made, there are a large
-number of wires, travelling under the floor, through the test-box,
-along passages to the battery-room and to a pole on the outside,
-whence they radiate, or out to a pipe underground, where many
-gutta-percha-covered wires lie side by side. On applying the ear to a
-telephone joined into a circuit working in such an office a curious
-sound is heard, comparable most nearly to the sound of a pot boiling.
-But the practised ear could soon separate the boiling into distinct
-sounds. There was one masterful Morse instrument--probably on the wire
-lying nearest the one on which we were joined up--whose peremptory
-"click, cli-i-i-ck, click," representing "dot, dash, dot" on the
-printed slip we read from, could be heard over all. Then there was the
-rapid whir of a Wheatstone fast-speed transmitter, sending dots and
-dashes at express speed by mechanical means; the sharp well-pronounced
-rattle in sounds of equal length of a needle instrument; and most
-curious of all, the "rrrrr-op, rr-op, rrrrrrrrrrrrr-op, rrrrr-op,
-rr-op" of the A B C, the deadliest foe to the telephone in its
-endeavours to gain admission into the family of telegraph instruments.
-There may be reason in this, for as the Wheatstone A B C is the
-instrument used for private telegraphy, or for the least important
-public offices, because it requires no "code" to be learned by the
-manipulator, so it would likely be the first to be displaced if an
-acoustic telegraph permanently took the field. So the sentient little
-A B C opens its mitrailleuse fire on the intruder, on whose delicate
-currents, in the words of an accomplished electrician, it plays "old
-harry." The peculiar character of the sounds we borrow on the telephone
-from this instrument arises from the fact that as the needle flies
-round the dial, a distinct current or pulsation passes for each letter,
-and the final "op" we have tried to represent shews the stoppage of the
-needle at the letters as words were spelled out.
-
-'It must not be understood that the _sounds_ of those various
-instruments are actually heard in the telephone. What happens is, that
-the currents stealing along the telephone wire by induction produce
-vibrations in the diaphragm of that instrument, the little metal
-membrane working on the magnet in ready response to every current set
-up in the latter. When it is remembered that the principle of the
-telephone is that the sound-caused vibrations in the filmy diaphragm
-at one end create similar but magnetically-caused vibrations in the
-diaphragm at the other end, and so reproduce the sound, it will be
-obvious why the rapid roll of the A B C currents, or the swift sending
-of the fast-speed transmitter, when brought by induction into the
-telephone wire, cause disturbances in the sound vibrations, and thereby
-cripple the instrument. One instrument of either kind named would have
-a certain effect, but one Morse or single needle would not have any
-greatly prejudicial effect. But a number of Morses or needles going
-together, such as were heard in our experiments, would combine to be
-nearly as bad as one A B C or fast-speed Morse. So delicate is the
-diaphragm to sound (and necessarily so), that in all experiments with
-the telephone itself, such as those with "resistance," or those made
-at home to test the instrument apart from telegraphic considerations,
-every sound from without broke in, giving an effect like the well-known
-"murmur of the shell."
-
-'Joining up our wire now to a more distant station at some miles
-along the railway, and having on its poles a number of what are known
-as "heavy" circuits, the pot-boiling sound assumed even more marked
-characteristics. The A B C no longer affected us; but a number of Morse
-instruments were in full gear, and the fast-speed transmitter was also
-at work. While we were listening, the circuit to which we were joined
-began to work, and the effect was literally electrical. Hitherto we had
-only borrowed currents--or, seeing they were so unwelcome, we might
-call them currents thrust upon us--and the sounds, though sharp and
-incessant, were gentle and rather low. But when the strong current was
-set up in the wire itself, the listener who held one of our telephones
-nearly jumped from the floor when an angry "pit-_pat_, pit-_pat_,
-pit-_pat_-pit" assailed his ear, causing him to drop the instrument as
-if he had been shot! It was a result none of us had expected, for it
-did not seem possible that the delicate metal diaphragm and the little
-magnet of the telephone could produce a sound so intense. Of course
-it was only intense when the ear was held close to the orifice of the
-instrument. Held in the hand away from the ear, the telephone now made
-a first-rate "sounder," and we could tell without difficulty not only
-the signals that were passing, but found in it a more comfortable tone
-than that given by the Morse sounder in common use.
-
-'Other experiments of a like character led to results so similar,
-that they may be left unnoticed; and we proceed now to describe one
-of a different character, designed to test the telephone itself.
-At a distance of about half a mile, access was obtained to a Morse
-instrument in private use, and joined to the office by "overhouse"
-wire. Dividing our party and arranging a programme of operations, two
-remained with a telephone in the office, while other two, of whom the
-writer was one, proceeded with the second telephone to the distant
-instrument. By an arrangement which a practical telegraphist will
-understand, the key of the Morse was kept in circuit, so that signals
-could be exchanged in that way. It may be noticed, however, that this
-was hardly necessary, as the diaphragm of the telephone can be used as
-a key, with the finger or a blunt point, so that dot and dash signals
-are interchangeable, should the voice fail to be heard. As the wire in
-this instance travelled almost alone over part of its course, we were
-in hopes that induced currents would be conspicuous by their absence.
-In this we were, however, disappointed, for the pot was boiling away,
-rather more faintly, but with the "plop-plop-plop" distinctly audible,
-and once more a sharp masterful Morse click was heard coming in now and
-again. The deadly A B C was, however, absent, so that our experiment
-proved highly successful. For some reason or another--probably an
-imperfect condition of the wire, or the effects of "induction" over and
-above what made itself audible to us--the spoken sounds were deficient
-in distinctness; but songs sung at either end were very beautifully
-heard, and indeed the sustained note of sung words had always a better
-carrying-power than rapidly spoken words. Every syllable, and every
-turn of melody of such a song as _My Mother bids me bind my Hair_, sung
-by a lady at one end, or _When the Heart of a Man_, sung at the other,
-could be distinctly heard, but with the effect before noticed, that the
-voice was muffled or shut in, as if the singer were in a cellar, while
-it was not always possible to say at once whether the voice was that of
-a man or a woman.
-
-'In the course of some domestic experiments, it was remarked that in
-playing the scale downwards from C in alt. on the piano, the result
-to the listener was a "tit" only for the four upper notes, although
-all below that had a clear "ting," and the octaves below were mostly
-distinct, although at the low notes of the piano the sound was again
-lost. The ringing notes of a musical box were not so successful, but
-with close attention, its rapid execution of _Tommy Dodd_ could be well
-enough made out. An endeavour was made to catch the ticking of a watch,
-but this was not successful, and the experiment is not recommended,
-as the near presence of a watch to a magnet is not desirable; and the
-watch exposed to it in this instance was, it is thought, affected for a
-short time thereafter, although it received no permanent damage.
-
-'The observations made in the course of these experiments convinced
-those present that the telephone presents facilities for the dangerous
-practice of "tapping the wires," which may make it useful or dangerous,
-according as it is used for proper or improper purposes. It might be
-an important addition for a military commander to make to his flying
-cavalry; as an expert sound-reader, accompanying a column sent to
-cut off the enemy's telegraph connections, might precede the act of
-destruction by robbing him of some of his secrets. The rapidity and
-simplicity of the means by which a wire could be "milked," without
-being cut or put out of circuit, struck the whole of the party engaged
-in the various trials that are described above. Of course the process
-of tapping by telephone could not be carried out if the instrument in
-use was an A B C or single needle, or if the wire was being worked
-duplex or with a fast-speed Morse, for in these cases the sounds are
-too rapid or too indefinite to be read by ear. The danger is thus
-limited to ordinary sounder or Morse telegraphs; but these still form
-the mainstay of every public system.
-
-'Since the trials above described were made, the newspapers have
-recorded a beautiful application by Sir William Thomson, of the
-electric part of the telephone to exhibit at a distance the motions
-of an anemometer; the object being to shew the force of air-currents
-in coal-mines. This is a useful application of an electric fact, and
-doubtless points the way to further discoveries. But it is to be
-noticed that the experiment, interesting as it is, hardly comes under
-the head of a tele_phone_, what is reproduced at a distance being not
-sound but motion.
-
-'Obviously the invention cannot rest where it is; and no one more
-readily than the practical telegraphist will welcome an instrument
-at once simple, direct, and reliable. Even in its present form the
-telephone may be successfully used where its wire is absolutely
-_isolated_ from all other telegraph wires. But the general impression
-is that its power of reproducing the sound must be intensified before
-its use can become general even as a substitute in works or offices for
-the speaking-tube.'
-
-
-
-
-SINGING MICE.
-
-
-These interesting animals are said to be smaller than ordinary mice,
-to be usually of a brownish colour, and to have long ears. Naturalists
-have not come to any exact reason as to why they sing. Some persons
-impute the singing to disease, as in the wheezing of any one from a
-cold. Others attribute it to an internal parasite. But these seem
-unsatisfactory explanations; for when the little creatures sing they
-are as lively as common domestic mice. The faculty of singing in a
-small way with various modulations appears to be quite natural to the
-animals. It has been noticed that during their musical performances
-there is a throbbing in the throat, and that the snout is elevated
-in giving play to the voice, as in the warbling of birds. The song
-or warble of these mice is said to be sweet and varied. Hitherto not
-much attention has been given by zoologists to the phenomenon; but we
-observe by various notices in _Land and Water_ and in _Nature_, two
-periodicals devoted to pleasant discussions on subjects of natural
-history, &c., that singing mice are becoming objects of careful
-investigation.
-
-An amusing account of a singing mouse appears in _Nature_, Nov. 9, from
-the pen of Mr Joseph Sidebotham, dating from Menton, south of France.
-
-'Last winter we occupied the rooms we now do at Menton. Early in
-February we heard as we thought the song of a canary, and fancied it
-was outside our balcony; however, we soon discovered that the singing
-was in our _salon_, and that the songster was a mouse. At that time the
-weather was rather cold, and we had a little fire, and the mouse spent
-most of the day under the fender, where we kept it supplied with bits
-of biscuit. In a few days it became quite tame, and would come on the
-hearth in an evening and sing for several hours. Sometimes it would
-climb up the chiffonier and ascend a vase of flowers to drink at the
-water, and then sit and sing on the edge of the table and allow us to
-go quite near to it without ceasing its warble. One of its favourite
-haunts was the wood-basket, and it would often sit and sing on the
-edge of it. On February 12, the last night of the Carnival, we had
-a number of friends in our _salon_, and the little mouse sang most
-vigorously, much to their delight and astonishment, and was not in the
-least disturbed by the talking. In the evening the mouse would often
-run about the room and under the door into the corridor and adjoining
-rooms, and then return to its own hearth. After amusing us for nearly
-a month, it disappeared; and we suspect it was caught in a trap set in
-one of the rooms beyond. The mouse was small and had very large ears,
-which it moved about much whilst singing. The song was not unlike that
-of the canary in many of its trills, and it sang quite as beautifully
-as any canary, but it had more variety, and some of its notes were
-much lower, more like those of the bullfinch. One great peculiarity
-was a sort of double song, which we had now and then--an air with an
-accompaniment. The air was loud and full, the notes being low and the
-accompaniment quite subdued. Some of our party were sure that there was
-more than one mouse, until we had the performance from the edge of the
-wood-basket and were within a yard or two of it. My son has suggested
-that many or all mice may have the same power, but that the notes are
-usually so much higher in the scale that, like the cry of the dormouse
-and the bat, they are at the verge of the pitch to which the human ear
-is sensitive. This may be so; but the notes of our mouse were so low,
-and even the highest so far within the limits of the human ear, that I
-am inclined to think the gift of singing in mice is but of very rare
-occurrence.'
-
-In the same periodical, the following additional particulars as regards
-singing mice are presented by Mr George J. Romanes, Regent's Park.
-
-'Several years ago I received some of these animals from a friend, and
-kept them in confinement for one or two months. The description which
-your correspondent gives of their performance leaves very little to
-be added by me, as in all respects this description agrees perfectly
-with my own observations. I write, however, to remark one curious
-fact about the singing of these mice, namely, that it seemed to be
-evoked by two very opposite sets of conditions. When undisturbed, the
-little animals used for the most part to remain quiet during the day,
-and begin to sing at night; but if at any time they were alarmed, by
-handling them or otherwise, whether during the day or night, they were
-sure to sing vigorously. Thus the action seemed to be occasioned either
-by contentment or by fear. The character of the song, however, was
-slightly different in the two cases.
-
-'That these mice did not learn this art from singing birds there can
-be no doubt, for they were captured in a house where no such birds
-were kept. It may be worth while to add that this house (a London one)
-seemed to have been suddenly invaded, so to speak, by a number of these
-animals, for although my friend has lived in this house since the year
-1862, it was only during a few months that singing mice were heard
-in it, and during these few months they were heard in considerable
-numbers.'
-
-As corroborative of the foregoing notices, we give the following very
-interesting account of a singing mouse, obligingly sent to us by a
-correspondent, Mr Alfred Wright.
-
-'In the early spring of last year I was invited by an old widow lady
-to see a singing mouse, which she had at night heard singing and
-scratching beneath the floor of her bed, and been so fortunate as to
-catch in a trap. I went, and found the little animal in a cage with
-a revolving wheel, similar to that in which a squirrel is usually
-confined. Whether the mouse was shy at the presence of a stranger, I
-do not know. It remained silent; but at length, after my patience had
-been nearly exhausted, it began to sing in clear warbling notes like
-those of a bird. When I called the next evening to hear the mouse
-again, I heard him to perfection; and was so filled with interest in
-the novelty, that I begged permission to bring any friend who was
-a sceptic of the fact, or who might desire to see the phenomenon.
-My request was readily granted. One friend of course had heard of
-a singing mouse, but he certainly would not allow that a prolonged
-squeak was a song--not he! Another friend of course had heard a mouse
-sing when he was a boy; but he was told, he perfectly well remembered,
-that the _noise_ produced by the mouse was the result of some internal
-disease. Well, both of these went with me to hear the little creature.
-Unfortunately, at first it was again shy; but after an interval of
-silence it commenced to sing--sweetly, like the low notes, the jug, of
-the nightingale. My friends had come, had heard, and were conquered!
-The one acknowledged it was really a song and not a squeak; the other,
-that the noise was certainly dulcet; but still he thought it possibly
-might be the result of disease, and not natural to the little animal.
-We suggested that this wonderful natural curiosity (as we deemed it)
-should be sent to an eminent naturalist who resided near. Great,
-therefore, was my astonishment and pleasure when it was presented to
-me, who could only treat it like a schoolboy would his white mouse--as
-a pet. And truly it became a great pet to both my wife and myself.
-
-'In form, the singing mouse did not differ from his humbler brethren;
-but in colour he was of a darkish brown, and had very bright eyes. It
-soon became used to the presence of my wife, and sang constantly while
-revolving the wheel of his cage. The notes proceeded from the throat.
-He became exceedingly gentle, and was pleased at being caressed.
-
-'I deemed him so rare a curiosity that I ventured to offer to exhibit
-him to the distinguished naturalist referred to above, and in my letter
-described the little creature and its peculiarities, as I have done
-here. The naturalist most courteously replied: "The case of the singing
-mouse is very extraordinary, but the fact is now well established....
-The best account which has ever been published is by an American
-naturalist, and I have given an abstract of his account in my _Descent
-of Man_.
-
-"The American referred to is the Rev. S. Lockwood, author of _The
-American Naturalist_, and he gives an account of his observations of
-the _Hesperomys cognatus_, an American species, belonging to a genus
-distinct from that of the English mouse. This little animal gave two
-chief songs. Mr Lockwood gives both songs in musical notation; and
-adds, that though this mouse 'had no ear for time,' yet she would keep
-to the key of B (two flats) and strictly in the major key.... Her soft
-clear voice falls an octave with all the precision possible; then at
-the wind up it rises again into a very quick trill in C sharp and D."
-I have made this quotation, as it far better describes the peculiar
-qualifications of a singing mouse, than my inexperienced observations
-could announce.
-
-'My mouse remained in contented confinement upwards of a year, feeding
-upon a little sopped bread and canary-seed; and great was the grief of
-my wife (who was his keeper) and myself when he was found dead in his
-little nest. During the previous evening he had been heard singing with
-more than usual ardour.'
-
-We shall probably return to this interesting subject.
-
-
-
-
-USING UP WASTE SUBSTANCES.
-
-
-The subject denoted by the above title, more than once treated in the
-_Journal_, is adverted to by an obliging Lancashire correspondent
-who, surrounded by one of the busiest and most ingenious clusters
-of townsmen in England, has had his attention drawn to various
-substances waiting (as it were), for application to useful purposes.
-His suggestions are not wholly new, having to some extent been already
-anticipated; but they are sufficiently valuable to call for notice here.
-
-One relates to the waste that presents itself in the processes of
-manufacturing cotton. A residue known technically as _willowings_,
-that falls into a receptacle during the preparatory beating and
-disentangling of raw cotton-wool, consists of a dusty heap of
-seed-husks and short broken fibres. It is used by farmers to absorb the
-liquid manure of their cowsheds and middens or dung-heaps. Although
-some of the cottony fibre may be separated through a sieve, so much
-adheres to the seed-husk as to render it unsuitable for paper-making,
-for which it has often been tried. The suggestion now made is, that
-though unfitted for paper, this refuse may possibly be found useful
-in the manufacture of _millboard_. Large quantities of this tough and
-durable product are employed for bookbinding, for making the discs of
-railway wheels, &c.; and as colour is not a matter of moment, the idea
-is that the mingled residue of cottony fibre and seed-husk might be
-rendered available. It is known that millboard made from wood-pulp is
-imported to a considerable extent from abroad; and we are told that
-'a large portion of the private income of the great German Chancellor
-Prince Bismarck is derived from the manufacture of wood-millboard on
-his Varzin estate.' Many hundred tons of willowings could be obtained
-in Lancashire at a very cheap rate, even as low as two shillings per
-hundredweight.
-
-Another suggestion bears relation to the utilisation of refuse from
-the manufacture of prussiate of potash, a most valuable product in
-the hands of the manufacturing chemist. The prussiate is obtained in
-large ratio from woollen rags, after the separation of all the pieces
-that can be worked up into shoddy for cheap cloth. The refuse is
-calcined in cast-iron retorts, lixiviated with water, and drained off
-for subsequent treatment: leaving behind it a thick black sediment of
-impure animal charcoal. The suggestion relates to the application of
-this residue to the manufacture of blacking--a humble but valuable
-agent for those who appreciate tidiness in the appearance of boots and
-shoes and economy in the preservation of leather. If useful for this
-purpose, it might be found advantageous and economical as an ingredient
-in printers' ink. Whether this carbon residue is at present applied to
-any other useful purpose, we are not fully informed.
-
-A third suggestion relates to the preparation of animal size for the
-carpet-manufacture and for that of many kinds of woollen and worsted
-goods. This size is made from the clippings and scrapings of skins
-and hides, from rejected scraps of parchment and vellum, and from
-the worn-out buffalo skin pickers and skips largely used in textile
-manufactures; also from the pith of cattle-horns, which contain a large
-amount of valuable gelatine. The suggestion is, to utilise the refuse
-left after making this size. One large carpet factory in Yorkshire
-rejects as utterly useless a ton or more of this refuse every week.
-The horn-pith contains as one of its components phosphate of lime, and
-is on that account recommended to the notice of the manufacturers of
-chemical manures on a large scale.
-
-One more suggestion comes from our ingenious correspondent. Old corks
-are applicable to a greater number of purposes than we are generally
-in the habit of supposing. That many of them are ground up to make
-cork-stuffing for cushions, padding, &c. is well known; but there are
-other uses for them as corks or half corks, besides making floating
-buoys and life-preservers. A taverner in a Lancashire town covered the
-floor of his lobby and bar with very open rope-matting, and filled up
-the openings with old corks cut down to the level of the surface of
-the mats. This combination is found to be almost indestructible under
-the feet; while it gives a good grip or foothold. As the making of
-rope-mats is one of the trades carried on in reformatories and some
-other large establishments, it is suggested that the managers should
-take into consideration the feasibility of adding old corks to their
-store of manufacturing materials.
-
-As this _Journal_ finds its way into every corner of the busy hives
-of industry, it may possibly be that some of our readers are already
-acquainted with such applications of waste refuse to useful purposes as
-those which our esteemed correspondent suggests. But this is a point
-of minor importance. The primary question is, not whether an idea is
-absolutely new, but whether it is practicably susceptible of useful
-application. The history of manufactures teaches us that apparently
-humble trifles like these have proved to be worth millions sterling to
-the country.
-
-
-
-
-LET BYGONES BE BYGONES.
-
-
- Let bygones be bygones; if bygones were clouded
- By aught that occasioned a pang of regret,
- Oh, let them in darkest oblivion be shrouded;
- 'Tis wise and 'tis kind to forgive and forget.
-
- Let bygones be bygones, and good be extracted
- From ill over which it is folly to fret;
- The wisest of mortals have foolishly acted--
- The kindest are those who forgive and forget.
-
- Let bygones be bygones; oh, cherish no longer
- The thought that the sun of Affection has set;
- Eclipsed for a moment, its rays will be stronger,
- If you, like a Christian, forgive and forget.
-
- Let bygones be bygones; your heart will be lighter,
- When kindness of yours with reception has met;
- The flame of your love will be purer and brighter
- If, Godlike, you strive to forgive and forget.
-
- Let bygones be bygones; oh, purge out the leaven
- Of malice, and try an example to set
- To others, who craving the mercy of heaven,
- Are sadly too slow to forgive and forget.
-
- Let bygones be bygones; remember how deeply
- To heaven's forbearance we all are in debt;
- They value God's infinite goodness too cheaply
- Who heed not the precept, 'Forgive and forget.'
-
- * * * * *
-
-Printed and Published by W. & R. CHAMBERS, 47 Paternoster Row, LONDON,
-and 339 High Street, EDINBURGH.
-
- * * * * *
-
-_All rights reserved._
-
-
-
-
-
-End of the Project Gutenberg EBook of Chambers's Journal of Popular
-Literature, Science, and Art, No. 730, by Various
-
-*** END OF THIS PROJECT GUTENBERG EBOOK CHAMBERS'S JOURNAL, DECEMBER 22, 1877 ***
-
-***** This file should be named 51841-8.txt or 51841-8.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/1/8/4/51841/
-
-Produced by Susan Skinner and the Online Distributed
-Proofreading Team at http://www.pgdp.net
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-http://gutenberg.org/license).
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at http://www.pglaf.org.
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-http://pglaf.org/fundraising. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at http://pglaf.org
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit http://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: http://pglaf.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart is the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
+The Project Gutenberg EBook of Chambers's Journal of Popular Literature, +Science, and Art, No. 730, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org/license + + +Title: Chambers's Journal of Popular Literature, Science, and Art, No. 730 + December 22, 1877 + +Author: Various + +Editor: William Chambers + Robert Chambers + +Release Date: April 23, 2016 [EBook #51841] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK CHAMBERS'S JOURNAL, DECEMBER 22, 1877 *** + + + + +Produced by Susan Skinner and the Online Distributed +Proofreading Team at http://www.pgdp.net + + + + + + + + + + +[Illustration: CHAMBERS'S JOURNAL + +OF + +POPULAR + +LITERATURE, SCIENCE, AND ART. + +Fourth Series + +CONDUCTED BY WILLIAM AND ROBERT CHAMBERS. + +NO. 730. SATURDAY, DECEMBER 22, 1877. PRICE 1½_d._] + + + + +CHRISTMAS-TIME. + + +'So many men so many minds' has been a proverb long before our days, +and will be to the end of time and human history; and uniformity of +sentiment is the one thing which men need never hope to attain. + +Christmas-time is one of these battle-fields of feeling. To some it is +just the consecration of so many circumstances of torture; to others +the meeting-point of so many facts of pleasure. From the conventional +greeting to the orthodox dinner--from the 'seasonable gifts' that are +more obligatory than voluntary, to the toast that heralds the punch, +and the dreams that follow on that last glass--all is so much pain to +the flesh and weariness to the spirit; and they wonder how any one +can find it otherwise. What is there in Christmas-time to make it +pleasurable? they say. The gathering together of the family? A lot +of rough boys home from school, who spoil the furniture and tease +the dogs, lame the horses and ravage the garden, make the servants +cross, the girls rude, and the younger children insubordinate; who +upset all the order of the house, destroy its comfort like its quiet, +and to whose safe return to discipline and your own restoration to +tranquillity you look forward with impatient longing from the first +hour of their arrival to the last of their stay? Or the advent of your +married daughter with her two spoilt babies, who cry if they are looked +at and want everything that they see, and that very objectionable young +man her husband, with his ultra opinions and passion for argument, +whom she would marry in spite of all that you could say, but to whom +you can scarcely force yourself to be decently civil, not to speak of +cordial, and whose presence is a perpetual blister while it lasts? Is +this the family gathering about which you are expected to gush?--this +with the addition of your son's fine-lady wife who snubs his mother +and sisters with as little breeding as reserve, finds nothing at your +table that she can eat, lives with her smelling-bottle to her nose and +propped up with cushions on the sofa, and gives you to understand that +she considers herself humiliated by her association with your family, +and your son as much exalted as she is degraded? This is the domestic +aspect of Christmas-time which is to make you forget all the ordinary +troubles of life, creating in their stead a Utopia where ill-feeling +is as little known as _ennui_, and family jars are as impossible as +personal discomfort and dissent. Holding this picture in your hand, you +decline to subscribe your name to the Io pæan universally chanted in +praise of Christmas, and wrap yourself up in sullen silence when your +neighbour congratulates you on having all your family about you, and +wishes you a merry Christmas as if he meant it. + +If the domestic aspect is disagreeable, what is the social?--A round +of dinners of which the _menu_ is precisely the same from Alpha to +Omega:--turbot and thick lobster-sauce; roast-beef and boiled turkey; +indigestible plum-pudding and murderous mince-pies; with sour oranges +and sweet sherry to keep the balance even, and by the creation of two +acids perhaps neutralise each other and the third. This is the food +set before unoffending citizens under the name and style of Christmas +dinners for the month or six weeks during which the idiotic custom of +Christmas dinners at all is supposed to last. You are expected to live +in this monotony of dyspepsia and antipathetic diet till you loathe the +very sight of the familiar food, and long for a change with a vehemence +which makes you ashamed of yourself, and more than half afraid that you +are developing into a gourmand of the worst kind. + +As if your nights were not sufficiently broken by the horrible +compounds which trouble your digestion and disturb your brain, +torturers known as the 'waits' prowl through the streets from midnight +to dawn, causing you agonies beyond those which even the hurdy-gurdy +men inflict. You are just falling to sleep--painfully courted and +hardly won--when a hideous discord worse than the wailings of cats +startles you into a nervous wakefulness which banishes all hope for +that night. What can you do? They are too far off for that jug of +water to take effect, and you must not fire; anathemas do not hurt +them, and if said aloud only waken up your wife and make her cry if +she does not preach. You have nothing for it then but to lie still +and groan inwardly, devoting to the infernal gods all the idiotic +circumstances by which your life is rendered wretched, and your health, +already frail, set still further wrong. In the morning, when wearied +and nervously feverish from want of sleep, you go into the garden for +a little quiet and delectation, you find your greenhouses stripped of +the flowers which you had been lovingly watching for weeks, and your +evergreens as ridiculously cropped as a shaved poodle. This is the day +for the decoration of the church, and you, having made an expensive +hobby of your garden, have to contribute what has cost months and good +money to rear, for the childish satisfaction of John and Joan, lasting +just two hours and five minutes. Not only have you lost your flowers +and your evergreens--that splendid holly, which yesterday glowed like a +flame, today nothing but a bundle of chopped ends!--but you know that +your favourite daughter is flirting with the curate, and that a great +deal is going on under cover of wreaths and crosses, laurustinus and +chrysanthemum, of which you strongly disapprove yet cannot check. It is +Christmas-time; decorating the church has become in these later days a +kind of religious duty; and as a conscript father of your village, you +must not forbid your daughter this pious pleasure any more than you can +refuse your costly contribution in kind. + +Turn to the financial side of the time; and what have you?--bills +coming in that you neither expected nor knew of, and every one looking +for a Christmas-box, and insolent or irritated if they do not get it. +The servants obsequious to the worth of half a sovereign--tradesmen +and their lads punctual in anticipation of half-crowns--postmen +levying blackmail, and watermen and dustmen demanding as their +right that they should be fee'd for their persistent neglect of +duty--every one making a dead set at your pocket and trying to get +your money for themselves--the very children more caressing and +affectionate because it is Christmas and papa always gives them +something on Christmas-day:--You groan as you ask yourself where is +disinterestedness on this earth?--and you groan still more as you draw +your cheques and reduce your balance and wonder by what law of right it +is that you should be the pipe by which other folks are to be supplied. + +No; you see no good or pleasure in this boasted Christmas-time as +we keep it up in our benighted country. Its mirth is a sham and its +inflictions are only too real. A time of tumult and expense, of +indigestion and discomfort, you wait, grimly or fretfully as your mood +may be, till it has passed and the current of your life is allowed +to flow evenly as before. When you hear people sing its praises you +long to stop their mouths, as you longed to silence the waits who +woke you up out of your first sleep and spoilt your rest for the +night. What manner of men are these, you think, who can find cause of +congratulation in so much absurdity, if the fun is real to them--so +much dreary make-believe, if it is unreal? You despise your genial, +laughing, merry-hearted neighbour who goes into everything _con amore_, +and accepts it all, from forfeits and snapdragon to plum-pudding and +Christmas-boxes, as if he really liked it. You think what a fool he +must be to be pleased with a rattle, tickled with a straw like this. +But for the most part you do not believe in his mirth; and then you +despise him still more as a hypocrite as well. For a hypocrite shamming +folly is an offender against reason as well as truth, whom you find it +hard to forgive, let the motive of his mummery be what it may. + +This is one side of the question; your neighbour takes the other. + +Who on earth, he says with his hands in his pockets, his back to the +fire and his kindly smiling face to the room, who on earth can grumble +at the facts of Christmas-time? For his part he finds it the jolliest +season of the year, and he finds each season as jolly as the other, +and all perfect in their own appointed way. He is none of your crying +philosophers who go through life bewailing its miseries and oppressed +by its misfortunes. Not he! He thinks the earth beautiful, men and +women pleasant, and God very good; and of all occasions wherein he can +transact his cheerful philosophy, Christmas is the best. The boys are +home for their holidays; and it is a pleasure to him to take them out +hunting and shooting, and initiate them into the personal circumstances +belonging to English country gentlemen. He looks forward to the time +when they will take his place and carry on the traditions of the +family, and he wishes them to be worthy of their name and an honour +to their country. He is not one of those nervous self-centred men who +live by rule and measure and cannot have a line of the day's ordering +disturbed. He likes his own way certainly; and he has it; but he can +press his elbows to his sides on occasions, and give room for others +to expand. He does not find it such an unbearable infliction that his +boys should come home and racket about the place, even though they are +a little upsetting, and do not leave everything quite as smooth and +straight as they found it. He remembers his own youth and how happy it +made him to come home and racket; and he supposes that his lads are +very much the same as he was at their age. He thinks too that they do +the girls good--wake them up a little--and while not making them rough +or rude--the mother takes care of that--yet that they prevent them from +becoming prim and missy, as girls are apt to be who have no brothers +and are left too much to themselves. Certainly he does not approve of +the flood of slang which is let loose in the house during their stay; +but school-boy slang at the worst is not permanent, and in a week's +time will be forgotten. + +As for the married daughter's children, they are the merriest little +rogues in the world; and his wife looks ten years younger since they +came. She was always fond of babies; and her grandchildren seem to +renew her own past nursery with all the pleasure and none of the +anxiety of the olden time. He rather wonders at his girl's taste in +the matter of her husband--most fathers do--and cannot for the life of +him see what there is to love in him. But if not an Alcibiades he is +a good fellow in the main, and makes his young wife happy; which is +the principal thing. And if his daughter-in-law is a trifle stiff, and +fond of giving herself fine-lady airs, he for his part never stands +that kind of nonsense, and will laugh her out of it before she has +been twenty-four hours in the house. He finds good-humour and taking no +offence the best weapons in the world against folly and ill-temper; and +prefers them as curative agents to any other. The girl is a nice girl +enough, but she has been badly brought up--had a lot of false ideas +instilled into her by a foolish mother--but when she has been away +from the old influences, and associated with themselves for a little +while, she will open her eyes and see things in their right light. +Who indeed could resist the sweet sensible influence of his wife, her +mother-in-law?--and are not his girls the very perfection of honest +wholesome English ladies? It will all come right in time; he has no +doubt of that; and meanwhile they must be patient and forbearing for +Dick's sake, and not make matters worse than they are by their own want +of self-control. + +Then as to the Christmas-boxes and the tips sacred to the season--well! +well! after all they do not amount to much in the year, and see what +pleasure they give! A man must be but a poor-spirited surly kind of +hound who does not like to see his fellow-creatures happy; and a very +little kindness goes a great way in that direction. He takes care to +live within his income, and therefore he has always a margin to go on; +and he does not object to use it. The servants have been very good on +the whole, and do their duty fairly enough. And when they fail--as +they do at times--why, to fail is human, and are they alone of all +mankind to be blameless and never swerving in the right way? And are +they alone of all mankind to be judged of by their worst and not by +their best?--to be blamed for failure, but not praised for well-doing? +He does not think so; and not thinking this, his half-sovereigns are +given freely without the grudging which makes them an ungracious +tax instead of a kindly voluntary gift. The tradespeople, too, do +fairly well, and--they must have their profit like any one else! +Those Christmas-boxes to their lads may be the nest-eggs for future +savings; and even if they do go in a little finery or personal pleasure +instead--young people will be young, and his own boys are fond of being +smart and amused: so why not these others? You grumble at the waits? If +you in your warm bed, well fed, well clothed, prosperous altogether, +fret at the loss of an hour's sleep, what must these poor fellows feel, +out in the cold frosty night, with the wind blowing and the sleet +falling fast, and they not half fed nor a quarter clothed? For his own +part he would like to give them a glass of hot grog all round; and as +for grumbling at the few coppers which they brave all this physical +discomfort to earn, he makes it shillings, and hopes it will do them +good. We must live and let live, he says with his broad smile; and +if we are sometimes a little inconvenienced by the efforts made by +the poor to accomplish the art of living for their own parts--we must +remember that our loss is their gain, and that they are men and women +like ourselves--fathers of families who want to keep the pot boiling +and the fire alight--mothers who love their children, and are anxious +to do the best for them that nature and man will allow. + +You complain of indigestion and grumble at the monotony of your +Christmas fare?--That is strange! Who can grumble at good plain +succulent meat?--and why do you eat the sweets if they disagree with +you? Neither pudding nor mince-pie comes into the eternal necessities +of things, and you would do very well if only you would refrain. He +does not eat things that he cannot digest, and in consequence he sleeps +well, and when he wakes has neither regret nor remorse. Surely that is +not such a painful trial--to forbear eating what is hurtful to your +health, and in touching your health corroding your happiness as well. + +In a word, the whole difference of the spirit in which we meet the +facts of Christmas depends on the good or ill humour with which we are +naturally endowed, and which we have cultivated by common-sense on the +one hand, or suffered to ride rough-shod over our reason on the other. +If we are unselfish and sympathetic, Christmas-time is as pleasant +to us as popular tradition would make it; if we are egotistical and +peevish, it is a wearisome infliction and a sham which no honest man +can pretend to believe in, nor any sensible one to admire. + +For our own part we believe in Christmas, because we believe in the +kindness of man to man, in genial good-humour, in unselfishness, and +the liking of wholesome natures to give happiness; and so far as we +have gone yet we have seen no reason to change our views. A merry +Christmas then to you all, friends, readers, and countrymen; and a +happy New Year to follow after; and may God bless the rich and care +for the poor, and lead us all in the right way while the day lasts and +before the night has come! + + + + +A CAST OF THE NET. + +THE STORY OF A DETECTIVE OFFICER. + + +CHAPTER IV. + +Long after it had grown quite dark, all remained quiet, and at last +I resolved upon making a move. I had determined upon fetching Peter +Tilley. I had plenty of assistance, but I thought I should like to have +Peter with me. So I went down to the ferry; a gas-light which burned at +the corner shewed me before I left my post that the bony ferryman was +not there; and choosing a pretty good boat, with a strong young fellow +to pull, I got in. It was a most unpleasant night; as dark as pitch, +which was bad enough, but every now and then it lightened, which was +worse, as it dazzled my eyes, and made me think we were running smash +on board some great vessel which I had not seen a moment before, and +couldn't see a moment after. However, the boatman was used to all kinds +of weather, I suppose, and knew the river thoroughly; so through the +darkness and the rain, which never left off for a moment, we reached +the other side. + +I left the boat to wait for me, and ran up to the _Yarmouth Smack_. I +looked in, and saw Peter leaning against the bar and smoking a short +pipe, as a labourer ought to do; and he was talking in a friendly way +to some rough-looking fellows. I slipped in, and using the name we had +agreed upon, spoke to him. He knew my voice of course; but seeing me +so changed, for my make-up was really splendid (it was, although I say +so that shouldn't), it gave him such a shock that he was obliged to +put the pewter down he was going to drink from and look steadily at me +before he answered. 'I'm acoming,' he said at last, and we got outside; +when, as we walked down to the ferry, I gave him a sort of idea of what +was going on, and how I expected to make a great catch that night. +Peter of course was very glad to be in for such a big thing as this, +for he had never been mixed up with anything so important. + +Not to trust the boatman too much, I kept Peter back a few yards from +the water while I finished my story, standing a little on one side, so +as to be out of the way of the people who came and went to and from the +ferry. While I was talking to him, a wherry ran in; we heard her grate +on the pebbles and the sculls rattle as the man laid 'em in; but that +we had heard before. It's a part of my habit to notice little things +however, and I looked to see who had come in by this boat. There was +only one passenger, a woman, and she passed us walking quickly; but +quick as she walked, I saw her, and she saw me. Blessed if it wasn't +Miss Doyle! My being there was no odds to Miss Doyle, nor could it have +signified to her if she had seen me fifty times; yet I felt I would +rather not have met her just then; it looked unlucky, and she was such +an uncommonly sharp one too. Sharp or not, I couldn't see what she +could make out of my standing under a wall on a wet night talking to +another labourer. + +Having finished my explanation, we both got into the wherry, and I +asked the man if he would like a good long job, which might perhaps +last all night. + +'The longer the better, governor,' he says, 'if the pay is accordin'.' + +'The pay _will_ be accordin',' I answered; 'and so you are engaged.' + +The first thing I made him do was to row round that oyster-smack, for +the tide had risen enough to take us round her. I shewed no light, but +we went inside her twice; and the fellow on the watch was very sharp, +so he was leaning over the side when we came round the second time, and +I could say quite quiet-like: 'I am in this boat now--watch the river.' +That was quite enough; he knew he would not now have to look to the +_Anchor_ for signals. + +After this began what I believe was the most disagreeable sort of +patrol I ever had. There was a time when I used to envy the Thames +police; but I can't say I ever did after that night. We were obliged +to be in motion almost continually, because we did not know from which +side of the river the paper might come, and we weren't quite sure that +it would come at all, especially on that night; and I don't know, +speaking from my own experience, that there is anything more trying to +the spirits than the pulling backwards and forwards and loitering about +on the river Thames in a raw October night with a small thick rain +falling. Twice we landed, and went once to the _Smack_ and once to the +_Anchor_. I couldn't grudge the men a glass of hot grog; in fact I was +obliged to have some myself, even if I missed my capture through it. + +It grew later and later; the flashes of lightning still came at long +intervals; but the lights on the shore went out, and excepting the +gas-lamps which burnt at street-corners, ferries, and wharfs, all was +dark. The traffic on the river had long ceased, no shouts or rattle +of wheels came from the shore; and the rain still falling, it was, +I give you my word, most horribly miserable, dull and sloppy beyond +description. Twelve o'clock had struck, and one, and perhaps half an +hour beyond it. I had cautioned my companions to speak very low; so the +boatman only whispered when he said: 'It's as quiet as it is likely +to be, governor, if you've got anything to run. I have just seen the +police galley creep along on the other side; I see her under that lamp. +Now's your time.' + +He thought we were smugglers! Perhaps he didn't care if we were +thieves. I told him to be patient; when at that very instant, just as +we were creeping along under the lee of a coal-barge, a wherry shot +very silently by, right in front of us, going across stream, and not +six feet from our bows. In her sat the sulky ferryman; I knew him at a +glance, dark as it was. 'Pull after that wherry,' I said. + +'Peter Tilley, my lad,' I continued, turning to Peter, 'the time's +acoming, I think.' + +'I'm precious glad of it,' says Peter; 'for I'm catching a cold in my +head every minute I sit in this confounded boat; and it's all soaking +wet where I'm sitting.' + +Our man pulled on; he was a very strong fellow, as I have said, and +we could have overtaken the other boat directly; but this of course I +did not want. I knew where to look for the old scamp; and sure enough, +after a few strokes across stream, he bent to the left and ran under +the bows of the Dutch trader. + +All was dark and silent as the grave aboard the ship; but that didn't +deceive the old boatman, nor did it deceive me. I stopped our man in +the shade of the next vessel, if you can call anywhere a shade, when +it was all pitch dark. We had not been there a minute before I heard a +slight noise--it was impossible to see any one unless he stood between +you and the sky--and then I could tell by the sound that a man had +dropped into the wherry. There was no need to tell me what man it was. +With an almost noiseless dip, the ferryman dropped his sculls into the +river again and rowed on, we still after him. I took it for granted he +was going to the other side of the ferry; but he suddenly bore off to +the right, and rowed on for some little time, then striking in between +two vessels, he went straight for the land. + +'Where is he going to?' I whispered. + +'To the landing at Byrle's wharf,' says the boatman in the same tone. + +So he was; and it appeared this landing-place was at the farther side +of the wharf; that is, lower down the river. + +It was so dark we could hardly see them--for we could just make out +there were now two persons in the boat--but as they reached the shore, +a lamp that was burning on the wharf helped us a little. We could not +clearly see what they were doing; but they certainly got out of the +boat, and as certainly there were then more than two figures moving +about, and seemingly engaged in placing parcels in the wherry. But it +was very gloomy there; they were in the shade of the wharf, and the +lamp glimmered weak and faint through the thick rain. It was the more +difficult to see what was being done, because there were several boats +tied up to the landing-place, making some confusion in the darkness. At +last, however, we could see that they were pushing off from the shore; +so it was time for us to move. We pulled back for a while (there was no +doubt as to which way the others would come), and then sheering off, +lay between two colliers until we saw the wherry we had watched go by, +and then we once more pulled after them. + +'I'm blest if I don't think there's another boat following _us_,' says +Peter Tilley, staring as hard as he could behind us. I looked, but +couldn't see anything; and Peter owned he might have been mistaken. + +We could not make out how many there were in the foremost boat. There +was only one man rowing, that was plain; and he pulled short round +at the proper place, as I knew he would, and rowed towards the Dutch +trader. As he did so, we lost him for a second, a big steamer lying +between us; but the hull of this vessel did not obstruct the view up +the river. I seized the moment, and waved my lantern twice. It was all +right. As quick as thought the light on board the oyster-smack was +moved twice also, and then we too were pulling across the stream. I +wanted to capture my men on board the trader, as otherwise the paper +might be got rid of, because I couldn't be positively certain that it +was not already on board. In fact, Mr Edmund Byrle was my chief aim, +not the skipper. + +The wherry pulled under the bows of the vessel; we followed just in +time to see, by a very convenient flash of lightning, two packages +handed up; then a figure, which we had recognised by the same flash as +the bony ferryman, got into the ship. As he disappeared, our wherry +touched the vessel; and at the same instant, to my great relief, a +long black Thames police galley came alongside us, and its crew, five +constables, with Barney Wilkins, who was there as guide, clambered +up like cats. I and Peter imitated them, but not quite so quickly; +and when I looked over the bulwark, I saw by the light of a couple of +lanterns, screened from the outside, four or five men, the boatman +and the skipper being two, lifting up a great lid which fitted in +the deck--the hatches I heard it called--while by their side lay the +packages of paper. I could not see Mr Byrle; but there was no time to +consider; we all jumped in at once, the men looking round in amazement +at the noise. I fancied that just then I heard a shout from the boat. + +'What do you all want here?' said the skipper angrily. + +'We hold a warrant'--I began. + +'Oh, it is _you_, is it?' he screeched, like a hyena, or something of +that sort. 'I owe you a little for a past score, and you shall have +it.' As quick as lightning he pulled a long straight knife from the +side of his trousers, where it must have been in some sort of sheath, +and jumped at me with such suddenness that he would have stabbed me, +only Barney Wilkins snatched a handspike from the deck, and dashing +between us, hit him down with such a blow, that the skipper fell with a +crash like a bullock when it is killed, the blood pouring from his head +instantly. + +It was all as quick as thought. The other men were all seized in a +breath. So quick was it all done, that I had no idea Barney was hurt, +until he reeled, made a wild clutch as if he caught at something for +support, and then pitched forward on his hands and knees. + +'Hollo, Barney!' I said, stooping down to him. 'What's the matter, old +fellow?' + +'It's all up, Mr Nickham,' he gasped; 'he's done me. I only hope I've +killed him. Where's the other?' + +'Oh, never mind the other, Barney,' I says. 'Where are you hurt?' + +But as I spoke, one of the men came with a lantern, and Barney had +no occasion to answer me, for I could see a straight stream of blood +running from his chest on to the deck; and his hands giving way from +weakness, he fell over on his side. + +'Pull in for the shore, you, sir!' said the sergeant of the Thames +police to my waterman. 'You know Marigold Street? Knock up Mr Gartley, +and tell him what has happened. Say we are afraid to move the man to +his house, so he had better come aboard.' + +'Send one of your own men, will you?' answers the boatman. 'I've got +something to tell the governor' (that was me), 'as I think he ought to +know.' + +'Cut away then, Bill,' says the sergeant to a constable; 'these fellows +are ironed, and we can manage all that are aboard this craft.' + +So the man went off in my wherry; and the Thames men tried to make poor +Barney a little more comfortable, while I undid his waistcoat, hoping +to stop the bleeding. + +'It ain't no use,' he said; but in that short time his voice was almost +gone, and we could tell that he was dying. 'I'm done for, Mr Nickham. +If there's a reward, you'll act fair and square, I know; you always was +a gentleman--let my sister have'---- And with that he gave a gasp, and +was dead. + +I rose up, dreadfully vexed for the poor chap. The sergeant and one of +his men were looking after the skipper, when I felt myself touched on +the arm. + +'I say, sir,' said the boatman, 'when I'm in for a thing, I go through +with it honourable. Did you know as you was followed?' + +'Followed? no!' I said. + +'I thought we was!' said Peter Tilley. + +'We was followed, sir, by a light wherry with two people in it,' +continues the boatman; 'and when they see our boats, they held hard; +and as you all boarded the ship and the noise began, they rowed away as +hard as they could go.' + +'Which way did they go?' I said. + +'Down river,' says the man. 'But it's of no use thinking of looking +after them now. They are ashore long afore this.' + +This was likely enough; and it was quite certain that Mr Edmund Byrle +was one of the two in the boat, and I had lost him for the present. +Well, it couldn't be helped; so we set to work to question the men and +search the ship, till the doctor came. The men knew nothing more about +the business than that they were going to have two passengers, a lady +and a gentleman, this voyage. One of the Thames men understood Dutch, +or we should not have heard even this scrap of information. The sulky +boatman never uttered a word, except that once he said as I passed him, +and he said it with a bitter curse: 'I always had my doubts of _you_.' + +The doctor came off; but poor Barney was stone-dead, while the +skipper's skull was badly fractured. However, the paper was all there; +so I supposed, and so it proved; and I shouldn't have cared if the +skipper's head had been broken fifty times over. + +We got our prisoners to the shore, leaving the craft in charge of a +Thames police galley that came in answer to our signals; and late as +it was, I drove with Peter Tilley in a cab to the City. Our people +there were immensely glad, I can tell you; and when I went over to the +Bank (for there was no need for secrecy or dodging now), I thought the +gentlemen never would have left off paying me compliments. Poor Barney +Wilkins that was dead deserved most credit; but it could not do him +any good to say so now, so I let them go on. The paper was examined, +and found to be exactly the quantity required; enough, I believe, to +have made about twenty thousand bank-notes. Ah! if they _had_ got into +circulation! + +I hope you will understand, however, that I did act fair and square; +and when the reward was paid (and the Bank people did come down most +liberal; I bought my house at Pentonville with my share), I told the +gentlemen about poor Barney and his wishes; and I'm proud to say they +found his sister out and took her away; and after a time she went +abroad with kind people who looked after her, and took care of her +money till she got married, and did well. Why, she sent me a snuff-box +made out of pure Australian gold, with a letter signed by herself and +her husband, who was a butcher in a great way of business out there; +and they sent it as an acknowledgment of my having acted all fair and +square. I promised so to do, and I did. + +Edmund Byrle was never caught, and so far as we were concerned, was +never heard of; and if it hadn't been for his father, I should never +have understood a lot of things that puzzled me. I had given a pretty +good guess as to how Miss Doyle came in the first place to inquire +about Mr Byrle and the detective; a very clever idea in itself, but +like many other clever things, it lost her the game. Mr Byrle had +talked with his friends about employing detectives; and Miss Doyle +knowing about the Bank paper, and being always on the watch, had got +hold of just enough to mislead her. She went out with Edmund Byrle to +Turkey, I think, and was married to him; and old Mr Byrle sent out +a friend to see them; and it was in this way I got the particulars. +It appears she knew me again--only as the limping labourer, of +course--when she saw me talking at the ferry to Tilley. But she knew +_him_ as the detective at the _Yarmouth Smack_, and she thought that +although it might be all right, yet a detective was a dangerous +customer, and his acquaintances might be dangerous also. Consequently +she tried to persuade Edmund to put off his journey; but he wanted +the money for the paper, and wouldn't listen to her. But he agreed at +last to go aboard in another boat, which satisfied her, as she felt so +certain the skipper's boat would be attacked. As I have explained, her +precaution saved him from fifteen years' 'penal,' which is the least +he would have had. The skipper was sent for life, having killed a man +in his arrest; but he didn't live six months in prison; he never got +over the tremendous blow he received from Barney. All the reports spoke +of his being a receiver of 'stolen goods.' The Bank paper was never +mentioned, for the authorities did not want to unsettle the public +again, or let them see what a narrow escape they had had. + +And now comes about the queerest part of my story. Call me names if I +didn't stop the thieving at Byrle's factory as well as recover the Bank +paper, killing two birds with one stone. + +It was all through my catching the bony ferryman. Finding that things +was going hard with him, and hoping to make them easier, and being +disappointed that those who were concerned with him did not come +forward with money to provide for his defence, he 'rounded' on them; he +split on them all, and owned how he was the means of taking the metal +over to a fence on his side of the water, the things being stolen by a +mechanic and a watchman who were in league. (I see I have used the word +'fence;' this means a receiver of stolen goods; but though I have been +warned by the editor of this magazine, we can't do without _some_ slang +words.) + +Peter Tilley got a tidy present, and was noted for promotion through +this business. I was glad of it, for Peter was a capital chap--never +wanted to play first-fiddle; and I admire people of that disposition. I +tell you what I did: I got the newest five-pound note of all what the +Bank gave me, and they were all very clean and crisp, and I wrapped old +Bob the gatekeeper's own sixpence in it; and I went to the factory and +I stood a pint of ale, and says: 'Bob, here's your sixpence!' He hadn't +known exactly who I was till then, for I had made excuses as usual; and +then I'm blessed if he didn't quite cry over his luck. Mr Byrle too +thought a lot of Bob's kindness, for I told the old gent about it; and +I heard that on that very account he put six shillings a week on Bob's +wages, and I was glad to hear it. + +They couldn't keep me off the detective staff after this; and although +I am free to confess--now I am on my pension and nothing matters to +me--that I only stumbled upon these discoveries by accident, I was +praised to the skies by those for whom I worked. However, it all +died away, as such things do; but I had managed to get my house at +Pentonville, as I have hinted; and a pleasanter neighbourhood I don't +know, or one more convenient for getting about. I have had some rather +odd adventures since I have lived in my street; you can't help seeing +strange things, if you keep your eyes open in London. But I didn't +begin to tell about _them_. I have finished my account of the robberies +at Byrle & Co.'s and my story finishes in consequence. + + + + +FEATS OF ENDURANCE. + + +London, which has witnessed many strange doings in its day, was +lately the scene of the most wonderful feats of pedestrianism ever +accomplished within a given period. + +Every hour, day and night, for six weary weeks a man plodded on his way +round a measured track, until the grand total of fifteen hundred miles +in one thousand hours had been made up, finishing his self-imposed task +with his physical and mental faculties apparently unimpaired. + +The task of walking fifteen hundred miles in a thousand hours had never +before been attempted, and henceforth the new achievement will throw +into the cold shade of obscurity even the marvellous act of walking a +thousand miles in as many hours, which was once accomplished in 1809 +by Captain Robert Barclay of Ury, a Scotchman, who proposed to perform +the then incredible task of walking a thousand miles in a thousand +consecutive hours. The proposition was received with every sign of +incredulity, though, when the affair was finally arranged to take +place, many thousands of pounds were staked on the event. Newmarket +Heath was selected as the scene of the exploit, and the famous walk +began on the 1st of June 1809, at midnight. It is unnecessary to +repeat the details of this feat; it will suffice to mention that the +enterprising captain completed his task on the 12th July, at four +o'clock in the afternoon. + +Since then, an attempt has, we believe, been made to walk the same +distance _backwards_; and within the past twelve months, Weston, the +American pedestrian, has performed some remarkable exploits of the +kind; being however at last beaten by an Irishman named Kelly. + +The hero of the lately completed task (fifteen hundred miles in a +thousand hours) is a little Welshman of not more than five feet three +and a half inches in height, and about forty-two years of age; while +in personal appearance and general _physique_ he presents anything but +what is usually supposed to be the characteristic of a good pedestrian. +His name is William Gale, and he is a bookbinder by trade, living at +Clerkenwell. + +At the commencement of his task on Sunday the 26th of August, he +weighed no more than eight stone four pounds (8 st. 4 lbs.); and from +that day until Saturday the 6th October, during a portion of every hour +day and night, he pursued his monotonous way around the inclosure at +Lillie Bridge grounds, Brompton. When the attempt was first announced, +even those most acquainted with pedestrian feats where great endurance +was required, expressed themselves dubious as to the result; and in +order to have a reliable record of his proceedings, Gale requested the +different sporting papers to appoint competent men as judges--a request +which was at once generously complied with. + +Thus we have an official report of his great exploit, and the public +are enabled to judge for themselves on the nature of the feat +performed. Gale's average pace appears to have been about four miles +an hour; but when he had reached his thousandth mile he assumed a +brave spurt, and footed it in ten minutes, or at the rate of six miles +an hour. During the last few days of his walking he started rather +stiffly at first, owing to the pain caused by the swelling of some +varicose veins in his left leg; but undaunted by so great and manifest +a disadvantage, and other disadvantages which we shall presently +refer to, the gallant little Welshman 'plodded his weary way' with a +determined pluck that won the admiration and applause of every one +present. + +On Friday the 5th October, the day before the finish of the tramp, +Dr Gant of the Royal Free Hospital was called in to see this +extraordinary walker, and after examining his legs, he pronounced +Gale to be in excellent condition so far as his physical powers were +concerned; there being no fever, the pulse only seventy, no murmur +at the heart; and the varicose veins which had been the cause of so +much pain to him, were rather better than worse, having considerably +decreased in size. Perhaps the most remarkable part of the performance +is, that it has been accomplished on a system of training which +entirely sets at variance all athletic rules, for Gale partook of no +fixed refreshment, neither did he have his meals at stated hours. His +chief food was plain mutton-chops; and as an instance of how he varied +his dishes, his afternoon meal on Friday the 5th October, which might +have been either breakfast, dinner, or supper (so irregular had he been +in this respect), consisted of a lobster and bread and butter, followed +by a fried sole, and one or two cups of ordinarily strong tea. During +the walk he also drank a good deal of beer--not strong beer, but the +ale which is usually sold at fourpence per quart, which he seemed to +prefer to any other kind, probably on account of its freedom from that +tendency to increase rather than assuage thirst, so remarkably apparent +in the stronger beers. + +Many strange incidents occurred in the course of the six weeks, which +were calculated to while away the time, and occasionally to bring a +smile to the pedestrian's lips. For instance, a certain illustrated +sheet, notorious for its very sensational cartoons, published a picture +of Gale on the track followed by Old Time with the conventional scythe +on his shoulder; and many people it would seem actually paid their +money with the idea that they were going to see the two figures as +thus represented. One man, who had evidently gone to the grounds for +this purpose, had watched Gale go round the track several times, when +he could no longer control his disappointment. He shouted aloud, +angrily demanding his money back, because, as he said with the greatest +_naïveté_ possible, 'the beggar with the scythe hadn't turned up!' + +As the last week of the great walking match wore on, signs of weariness +in the indomitable pedestrian became painfully apparent, and many +persons began to fear that the task he had set himself would after all +remain unaccomplished. On several of the rounds he fell asleep whilst +walking, and dropped to the ground; but this contact with mother earth +seemed to revive him instantly, and he plodded on as pluckily as before. + +At length success crowned his efforts; and at seventeen minutes past +five o'clock (less a second) on Saturday afternoon the 6th October +1877, Gale terminated his long and dreary walk in the presence of a +large, fashionable, and enthusiastic assemblage, who rewarded his +efforts with several rounds of hearty applause. + +From the commencement of his task to the finish Gale bore up against +all obstacles with extraordinary pluck and determination, his last mile +being performed in _ten minutes and eight seconds_. He was at once +removed to the tent or pavilion under which he had snatched so many +brief half-hours' rest, and was examined by three medical men, who +found that his heart was quite natural in its movements, and that the +temperature of his body did not exceed one hundred and six degrees. + +The great feat which has thus been accomplished without the aid of +artificial training, is a marvellous instance of what human endurance, +allied with courage and determination, can effect; though of what +particular benefit it may be to the world at large it is utterly +impossible to imagine. + + * * * * * + +Since the preceding account was written, Gale has accomplished a +still more extraordinary feat, and one which for strength of will +and physical endurance far surpasses his previous efforts. We still +fail, however, to see the benefit which can accrue from exhibitions +of this kind, and well might he have been contented with the laurels +he had already won. He had scarcely allowed himself time to recover +from his former task, when he once more appeared at a public place of +entertainment, namely the Agricultural Hall at Islington, to walk four +thousand quarter-miles under the astounding condition, that it was to +be done in four thousand consecutive periods of ten minutes. + +This of course deprived him of the half-hour's rest which he could +obtain at one time in the former race, and only allowed him a few +minutes between each round to get a little sleep. Despite these +drawbacks, however, Gale finished his task at eleven o'clock P.M. +on the 17th November, after a dreary walk of nearly four weeks. By +accomplishing his task, he has placed himself at the head of all the +famous pedestrians the world has known; and we trust that this fact +will be sufficient to satisfy his craving after what is at best but +ephemeral fame. + +Men have on many occasions attempted walking feats which required a +vast amount of physical endurance, and have failed from their utter +inability to go without the natural quantum of sleep; but Gale has not +only shewn himself to be possessed of the former, but to be altogether +independent of the latter. This, however, instead of indicating 'pluck' +merely, would rather seem to point to a peculiarity in the man's +constitution; as there are doubtless many persons whose courage would +enable them to perform the same or even a greater task if, like Gale, +they could walk about in a state of somnolency or semi-sleep--a state +in which, to use his own words, he was as one in a dream, unconscious +of all that was going on around him, and believing himself to be +walking in forests and other places of silvan beauty; and the truth of +this was made evident by the fact that he would have often exceeded the +limit of his walk had not the voice of his attendant aroused him from +his stupor. + +The average time occupied by this extraordinary walker was by day +about three minutes for each quarter of a mile, and by night about +five minutes; and the fastest round recorded was done in two minutes +and forty-two seconds. His pulse was always found to indicate a +perfect state of health, and was as regular when he left off as when +he commenced his task. His food consisted principally of fish, fowl, +chops, eggs, and light puddings; and his drink was, with only one +exception during the whole time, tea. + +Perhaps the most remarkable thing about the whole affair was the fact +that, although he sank into a deep sleep directly he reached his chair +behind the curtain, which hid him from view between his walks, the +moment the bell rang the second time, he would appear as fresh as ever +and begin trudging away again. + +When the feat was accomplished, Sir John Astley stepped forward, and +amid a scene of great enthusiasm, presented the undaunted Welshman with +a silver belt of the value of a hundred guineas, bearing the following +inscription: 'This belt was presented to WILLIAM GALE of Cardiff, on +the 17th November 1877, by some of the nobility and gentry of Great +Britain, in commemoration of his hitherto unprecedented feat, namely +walking one thousand five hundred miles in one thousand hours at Lillie +Bridge Grounds, August 26th to October 6th, 1877; and four thousand +quarter-miles in four thousand consecutive periods of ten minutes, at +the Agricultural Hall, London, October 21st to November 17th, 1877.' +The belt is of lion's skin, mounted on velvet, the metal portion of it +weighing one hundred ounces of sterling silver. + +None will begrudge Gale his well-earned reward; but it is to be hoped +that such exhibitions will in future be discountenanced by the general +public, as they not only detract from the dignity of man, but are +needless and unwarrantable in a country which, we trust, will ever +pride itself on a nobler civilisation than that which is founded upon +mere physical endurance. + + + + +A DIFFICULT QUESTION. + +THE STORY OF TWO CHRISTMAS EVES. + + +IN TWO CHAPTERS.--PROLOGUE. + +In the gray light of an Indian dawn, with the cool breeze blowing +through the curtains of the tent, and his friend's sorrowful eyes +looking down on him, a soldier lay on his rough couch--waiting for +death. They were soon to be parted those two, who had lived and fought +together; but the face of the one who was starting on that journey +of which none has measured the distance, was smilingly calm, while +the eyes of the other glistened with regretful tears as he spoke low, +faltering, remorseful words. + +'Hush, Ralph, hush!' the other said at last. 'Don't you think, dear +old fellow, I would sooner lose my life in having saved yours, than in +any other way? After all, a few days or years sooner or later, what +does it signify? My fate is perhaps the happiest, though I hope it is +not. I don't think life is so very desirable,' he continued; 'I am only +twenty-six; but mine has not been a happy one. It was my own fault, +though. Take my advice, Ralph; don't marry young. There is only one +thing that troubles me'---- + +'Your little girl,' Ralph interrupted. 'Wrayworth, let me take care +of her; if I can make her happy, it will be some slight atonement, +some'---- + +'You would take care of her, Ralph? would you?' The dying man's eyes +shone gratefully as he looked up in his friend's face. 'She has +nothing, poor little thing,' he went on sadly--'motherless, fatherless, +scarcely more than a baby either. It would be a heavy charge to leave +you, Ralph.' + +'Wrayworth! how can you speak so; you will drive me mad! You--you'---- +He broke down utterly; it was something so terrible to see this friend +dying there--for him. 'Anything on earth that I can do'---- he murmured. + +'You will do for her,' said Wrayworth. 'Thank you. I have no friends to +send her to. I meant to have made her very happy.' + +'She shall be; I swear it!' Ralph answered fervently, thankful for +this charge, which might in some degree help him to pay that debt of +gratitude, and forgetful that he had no control of fate, that the +promise he gave of happiness was a fearfully presumptuous one. But he +made it willingly, gladly, solemnly, before God; and as far as lay in +his power it should sacredly be kept; any sacrifice he would make for +this child. + +His friend's eyes rested on him searchingly for a moment. 'I trust +you,' he said--'I trust you.' + +The hours passed on, the blazing sun arose, and Ralph went out into +the burning glare with bent head and staggering footsteps, while words +he had heard long since seemed floating round him in letters of fire: +'Greater love hath no man than this, that a man lay down his life for +his friend.'--'Is there _none_ greater?' he thought. 'Is there nothing +_I_ can do to repay--nothing?' + + +CHAPTER I.--ASKED. + +The years were well on in their teens since that melancholy scene was +enacted in the Indian tent--since Wrayworth consigned his only child +to the guardianship of the friend whose life, at the expense of his +own, he had saved on the battle-field. A carriage rolled along the +snowy high-road through the cold clear air; the short winter's day +was drawing to its close, and up in the darkening sky the stars were +beginning to shine upon the world's most joyful season, upon Christmas +eve. The world's most joyful season? We call it so, this festival, more +than eighteen hundred years old; but does the world think it so?--the +world, with its thousand cares and crosses, its deep and hidden +sorrows, its partings and its tears? Of those amongst the myriads who +keep the Yule-tide feast, how many hold it with a chastened joy! For +on that day most of all our thoughts go back to other years, to other +faces, to other lips that have wished us 'a merry Christmas;' to other +hands, which have clasped ours so loyally, to those who have loved us +so long ago! + +But Major Loraine had no sad memories connected with the season as he +drove up to the old house, from which duty had so frequently called +him, and which he had not seen for five years. In the wide, dark, +panelled hall his step-mother stood waiting to welcome him, as gladly +as though he had been her own son. He was only a boy when she first +came there, when the pink was fresh on her cheek and the gold bright in +her hair; they had been drawn to each other then; and through the long +years of her widowhood his loving care had helped to lighten her load +of sorrow; so it was not wonderful that for months past she had been +eagerly looking forward to his return. + +The greetings over, they sat down side by side, talking, as those +talk after long separation, of past, present, and future; of their +acquaintances married, dead, or far away; of things on the estate, +prosperous or failures; of the ball to be given next month, of the one +they were going to, to-night; of how much Emma was improved since she +'came out,' how Katharine was considered one of the handsomest girls +in the place, and how she might marry Sir Michael Leyland with thirty +thousand a year if she liked. + +'But why ever doesn't she like?' asked the Major, astonished at this +new phase in the character of his worldly-minded sister. + +'That is just what troubles me,' answered Mrs Loraine. 'They are all at +the church now, helping to decorate. Louise wanted to stay at home to +welcome you, but I sent them all off, so as to have you to myself for +an hour. You will see a great alteration in Louise, Ralph.' + +'Shall I, mother?' he said smiling. 'I think not. Her letters are the +same always; they have altered in style a little of course in the last +year or two, but it is the same spirit--the same creature.' + +'But not the same face, Ralph. Remember you have not seen her for five +years, which have not altered you, but which have changed her from an +unformed girl of fourteen to a lovely woman; with that bright changing +beauty, which has more charm for a man than regularity of feature. It +is a very difficult question.' + +'What is a difficult question?' asked Ralph, as his mother paused. + +'What to do with Louise.' + +'You hinted something of the kind in your last letter, mother,' he said +gravely. 'I am sorry, but I must confess this house seems large enough +for four women. You know how I am situated; you know the promise which +binds me. But tell me,' he added smiling, 'what has Louise done? She +seemed to me gentle and tractable enough when I was last at home.' + +'I have not the slightest fault to find,' Mrs Loraine replied; 'you +know I am very fond of her. You will think my difficulty very womanish; +simply, Louise is too pretty.' + +'And some one has told her so,' said Ralph, laughing. 'Go on.' + +'It is not that; but I cannot bear to see my own child's happiness +destroyed by another, who, if not a stranger, has at least no claim +upon her.' + +Ralph frowned slightly. 'Perhaps not,' he answered; 'the claim is upon +me, and it is a sacred one. So,' he continued, 'it is a case of rivals, +I see.' + +'Simply this, Ralph. You remember the Levesons of Leigh Court, where +we are going to-night? Their eldest son is in the --th Dragoons, and +has been home on leave. Louise was away when he first came here, and he +appeared very much struck with Katharine; and no wonder; she is very +handsome. Well--don't laugh at me; I don't like match-making as a rule; +but I thought as she seemed interested in him, there was no harm in +inviting him sometimes. But as soon as Louise came home, he transferred +his attentions to her. Katharine says nothing; but it makes a kind +of awkwardness between them. I know she feels it, poor child; though +indeed I believe Vere Leveson is simply flirting with Louise.' + +Major Loraine laughed. 'Poor mother!' he said, 'you will have enough to +do if you take all your children's love affairs to heart so seriously. +These things always right themselves, you know. But I confess I am +surprised to hear of Katharine going in for sentiment; I should have +thought Sir Michael more in her line. Is that all, mother?' + +'No; only the first of my difficulties,' she answered half sadly. 'You +know what my health has been for the last few years; you know---- Well, +you do not wish me to speak of that; but it is better to look in the +face of possibility. Suppose anything happened to me, Ralph, what would +become of Louise?' + +'You speak of what I hope may be far distant, mother,' he answered +tenderly. 'But why should you be uneasy about her? In the event of her +not marrying, she would always have a home here with me.' + +Mrs Loraine shook her head. 'Turn round and look in the glass,' she +said; 'thirty-nine is not such a very formidable age.' + +He turned, and contemplated his bronzed face in the glass; such a +handsome, noble face, telling of a nature that could not act falsely or +meanly. The broad square forehead, marred by a sabre-cut, and the dark +hair flecked here and there, by the Indian sun, with gray; nothing else +to find fault with in the frank kind smile, the fine regular features, +the dark true eyes. + +'I think there is no fear of my being taken for younger than I am, +mother,' he said, smiling. + +'It is an awkward position for you, though,' she answered; 'and as +I said, a difficult question what to do. We must hope for the best, +Ralph. You are going to join the others now, I suppose?' + +'Yes; I think I can find my way.' + +He went out into the keen frosty air, walking slowly, though it was +unpleasantly cold to one accustomed to tropical climates. He was +thinking over his mother's words, and knew she was right as to the +awkwardness of the position. He saw the peace of the household was +troubled, without knowing how to set matters right, and he thought +of the old friend who had trusted his child to him. He had vowed she +should be happy, and now it seemed a difficult vow to keep; but for the +sake of the man who had died for him sixteen long years ago, the pledge +then given must be redeemed. + +Louise Wrayworth's life had been a bright one hitherto; her guardian's +home was the only one she could remember, and he had striven to fill in +some degree her father's place. To him, from infancy to womanhood, she +had looked up with loving grateful reverence, regarding him, present or +absent, as the noblest of created beings. + +He reached the old church, and made his way round to the open vestry +door. The steps were encumbered with bundles of evergreens; the voices +of the workers, who had finished their task, were audible. He pushed +the door further open, and went in. The floor was covered with boughs, +and around the pillars were wreathed holly and other evergreens in +honour of the joyous season. Some of the choristers stood waiting +for the choir-practice, and the organist was softly playing _Adeste +Fideles_. + +'Ralph!' cried a young fresh voice; and a slight fair girl with a merry +face sprang up from the floor, with her hands full of the scarlet +berries, which fell hither and thither in bright-hued rain, as with +complete indifference to the by-standers, she gave the returned soldier +a sisterly embrace. 'You dear old thing to come for us!' she exclaimed. + +'Emma, Emma!' exclaimed Ralph, laughing and disengaging himself; 'you +have not learned to behave any better in five years.' + +But his young sister had vanished, and he turned to greet the vicar; +and one or two of the ladies he recognised. In a few minutes Emma +reappeared; and behind her came a tall fair girl with masses of golden +hair, and great beautiful cold blue eyes. She greeted Major Loraine +affectionately, but with the quiet stately grace habitual to her. Five +years had not changed Katharine Loraine; at twenty-four she was still +the same majestic Queen Katharine as at nineteen, with whom he had +always had so little sympathy, whose nature he had found so difficult +to understand. + +'Where is Louise?' he asked presently. 'Is she not here?' + +'She went into the churchyard just now,' answered Emma, 'to put a +wreath on Nellie Bryant's grave. You remember her, Ralph?' + +'Louise's friend? Yes.' + +'A _triste_ employment for Christmas eve,' observed one of the +gentlemen decorators to Katharine, as he stooped to disentangle her +dress from a long sprig of ivy. + +'Oh, Mr Leveson went to hold a lantern for her,' Katharine answered, +with the slightest possible shade of contempt in the silvery tones of +her voice; 'and Louise is never _triste_, unless she is by herself.' + +The choir was now fully assembled; the organist struck up the anthem, +the rest were silent to listen, and Ralph Loraine went out to look +for his ward. He came round the east end of the old church, and stood +still for a moment in the shadow. There were two people standing at +the edge of the path, looking down on the grave at their feet, where +the lantern's light shewed the shining holly upon the upright marble +cross. It shewed too the face of his friend's child; a beautiful face, +as his step-mother had said, with large dark eyes and wavy dusky hair, +a clear delicate complexion with a little rose-flush on the cheeks, and +full red lips half-parted by the sweetest smile he had ever seen; with +the same erect carriage of the head, the same fearless straight regard +which had characterised her father. + +It was so strange to see her there a woman, whom he had left a mere +girl; and as he looked on the fair face, something seemed to whisper +that the ideal beauty he had so often dreamed of was before him at +last. They moved away, and came slowly nearer, and paused again where +he could see her companion; and for a moment he almost hated the man +for his youth, and his handsome face, and the deep-blue eyes aflame +with passion-fire as they rested on the child of his dead friend; and +another whisper which silenced the first, told him how fitted was each +for the other. + +'If _I_ were lying there,' said Vere Leveson, and Ralph could hear +every one of the foolish, softly spoken words, 'would you ever make +wreaths for _me_, I wonder?' + +'I don't know.' + +'Don't you? I wish you did; for I thought just now I should be glad to +be lying there, if you would remember me.' + +Ralph had heard enough, and tried to slip away unseen; but the gravel +crunched under his feet and betrayed him. + +Louise started, and a bright vivid blush covered her face as she sprang +forward. 'Lorrie! Oh, how glad I am to see you again!' she cried, as +she took both his hands in hers and lifted her cheek for his kiss. + +He felt half sorry she had done so; that and the old childish name put +him immediately in his place as guardian, and made him ashamed of his +thoughts. 'How you are altered, Louise!' he said, looking down at her +admiringly. 'I think I should hardly have known you!' + +'I should have known you, Lorrie, anywhere,' she said reproachfully. + +'That is rather different,' he said; 'when we once get old, we don't +change so quickly.' + +'You would not like it if I said you were old, Lorrie. But tell me, am +_I_ altered for the worse? or'---- + +'You have no need to come to me for compliments, surely,' he said +smiling. + +'I should think more of yours than of any one's,' she whispered, with +that sweet dangerous smile; a smile which a man like Ralph Loraine +should have taken as a warning not to feel its influence too often. + +'How rude I am!' she said at last.--'Mr Leveson, do you know my +guardian?' She turned to her companion, who stood holding the lantern a +few yards from them. + +'I had the honour of dining in your company once, Major Loraine,' he +answered, stepping forward. 'It is some time ago, when I first joined +at Madras; but I well remember my anxiety to see such a distinguished +soldier as yourself.' + +There was a ring of truth and honest admiration in the words, which +raised them above an ordinary compliment, and which made Ralph hold out +his hand and answer cordially: 'I have a bad memory for faces, or I +think I should have remembered yours.' + +'Thanks,' said Vere, laughing. 'We shall have the pleasure of seeing +you to-night, I hope?' + +'Yes; my mother told me of the invitation.' + +'Of course he is coming,' said Louise. 'And you will dance with me all +the evening, Lorrie; won't you?' + +'Not quite all, Miss Wrayworth; please, don't forget my waltzes,' said +Vere, holding out his hand. 'I must be off now; so good-bye for the +present. You won't forget?' + +She looked up quickly. 'Perhaps,' the lips said laughingly; but the +dark eyes gave a sweet silent answer Ralph did not see, though he was +watching them. But after Vere Leveson had gone, he walked home beneath +the Christmas stars, with Louise's hand resting on his arm, dreaming as +he went, a fair, fond, foolish dream. + + * * * * * + +The Christmas-eve ball at Leigh Park was a regular institution, one +which Sir Harry Leveson had kept up for years. It was a pretty sight, +Ralph thought, as he stood leaning against a window, and looking round +to select a partner. And amongst all the fair women, the one he thought +the fairest was his young ward Louise Wrayworth, in her white floating +dress, with its wreaths of holly, and the red clustering berries in her +dark hair. + +Ralph had been watching Vere Leveson, trying to decide in his own +mind whether Mrs Loraine's verdict of flirtation was a just one; +and he judged that it was; for the attentions of the young officer +were apparently equally divided between Louise and Katharine. Ralph +did not happen to be near when, later on, he led Louise to one of +the cool empty rooms, where through the open window could be heard +the merry Christmas bells. He did not see the hand-clasp or the +light that flashed in the eyes of each. He did not hear the hurried +whisper: 'Louise, you won't forget me, you will trust me till next +Christmas-time?' + +The ball was over, the rooms were dark and silent; the whole world +waited for the sun to rise on Christmas-day. + + + + +IS THE TELEPHONE A PRACTICAL SUCCESS? + + +In September last appeared in this _Journal_ an article entitled +'Singing and Talking by Telegraph;' and in that paper we attempted +to describe the mechanism of that wonderful little instrument the +telephone. It is now our purpose to say something regarding the +progress that has been made towards perfecting the invention; but in +order to make the article as clear as possible, we venture once more +upon a few words explanatory of the instrument. + +The telephone as it is now made is an exceedingly simple-looking +apparatus similar in appearance to a stethoscope; to the handle of a +girl's skipping-rope; or better still, to a large-sized penny wooden +trumpet. Inside this hollow cylinder, and within an inch or so of the +wider end, is fixed a plate of iron as thin as a well-worn sixpence, +and about the size of a half-crown piece. This is called the diaphragm. +Behind the diaphragm, nearly touching it, and extending to the narrower +end of the cylinder, is a piece of 'soft' iron enveloped in wire +coils, with a permanent magnet beyond. Outside the narrower end of +the cylinder, and communicating with the coils that surround the iron +inside, are attached two screws or 'terminals,' which are 'joined up' +to a main wire, communicating with the distant or receiving telephone +wherever that may be, and which is precisely similar to the one we +have described. When we apply our mouth to the bell-shaped end of the +apparatus, and speak or shout or sing, we set the diaphragm vibrating +as in a tuning-fork; the vibrations thus created are electrically +communicated through the wire to a distant telephone, and are repeated +on its diaphragm with more or less distinctness. + +It is known that the motion of an iron plate contiguous to the poles +of a magnet creates a disturbance of electricity in coils surrounding +those poles; and the duration of this current will coincide with the +vibratory motion of the plate or diaphragm. When, therefore, the human +voice (or any other suitable sound) impinges through the tube against +this diaphragm, the diaphragm begins to vibrate, and awakens, so to +speak, electrical action in the coils of wire surrounding the poles +of the magnet; not a current, but a series of undulations, something +like those produced by the voice in the air around us. In short the +telephone is an apparatus designed to transmit sound through a wire +of indefinite length; the voice being, so to speak, 'converted into +electricity at one end, the electricity becoming voice at the other.' + +With these few explanatory remarks, we now proceed to offer to our +readers the following interesting experiments made by a gentleman well +skilled in telegraphy. + +'Journalists,' he says, 'with no special knowledge of the difficulties +the invention has to encounter as a telegraph instrument, have +expatiated in such enthusiastic terms upon the results said to have +been achieved by the telephone, that a somewhat exaggerated notion of +its powers and capabilities has been accepted by the general public. +It appears, therefore, to the writer of those lines that a statement +of the experiences of a person practically engaged in the work of +telegraphy may assist in placing the phenomena of the telephone on a +proper footing. + +'Scientifically, the telephone is a great and undoubted success; and +a person would be grievously in error if, because of some undoubted +hindrances to its practical use, he pronounced it unworthy of further +experiment. The emergence of telegraphy from the domain of experiment +into that of daily practical use is a fact so undoubted, and one with +which we are now so familiar, that it is impossible to say at what +moment the telephone, at present a scientific toy, may become a daily +necessity not only of telegraphic but of ordinary commercial work. + +'Being engaged in daily contact with a large telegraphic centre, and +in association with men who have the command of every means of testing +the invention in a practical work-a-day manner, the writer was able to +gauge pretty accurately the range within which the telephone can work. +It must be understood, however, that in recording the effects observed +by him and his associates, he has no desire to invalidate, or even to +call in question the experiences of others who may have been able to +arrive at better results. The telephone is in the hands of some of +the first electricians and telegraphists of the day, and differences +of conditions (not to speak of differences of capacity on the part +of the operator) may give variety in the observations made. The very +difficulties and drawbacks now to be recorded will no doubt some day +suggest to a master-mind the method by which they may be overcome. But +till that day arrives, the telephone must be content to remain where +the writer leaves it, an undoubted success from a scientific point of +view, but overwhelmed with obstacles to its practical use, in this +country at least, in general telegraphy. + +'When a telegraphist first gets into his hand this beautifully simple +and electrically delicate instrument, his first inclination is to test +its carrying-power. This is of course a closet experiment, not working +with actual telegraph line, but with "resistance" equivalent to a +telegraph line of stated length. An experiment of this nature gives +better results than could be obtained by a veritable line, because the +insulation is, so to speak, perfect. No leakage at undesigned points of +contact, or disturbance from unfavourable atmospheric conditions, is +felt, and the experiment is entirely under the observer's control. The +apparatus used is designed to offer the same labour for the electric +current to overcome, as would be offered by a stated length of outside +telegraph line. This artificial resistance is nicely graduated, and +as the method of testing was suggested by Ohm, a German electrician, +the unit of resistance is, as we once previously explained, termed an +"ohm." Removing the telephone to such a distance that the two observers +were "out of earshot," the test with resistance was tried, and with a +resistance of one thousand ohms--roughly speaking, equal to seventy +miles of a well-constructed line--the sound was perfect, although not +very loud. Every articulation of the speaker at the other end could be +distinguished so long as silence was maintained in the room, or so long +as no heavy lorry rumbling over the stones outside sent in harsh noises +which drowned the faint whisper of the instrument. The resistance +was gradually raised to four thousand ohms--nearly three hundred +miles--with like favourable results; and for some little distance +beyond, articulation could still be made out. But by the time ten +thousand ohms had been applied, putting the speaker at a distance of, +say, seven hundred miles, sound only, but not articulate sound, reached +the ear. The tone was there, and every inflection of the voice could +be followed; but articulation was absent, although the listener strove +every nerve to catch the sound, which the speaker, as was afterwards +ascertained, was shouting in a loud clear voice. The prolonged notes +of an air sung could be heard with the resistance named, but again +no words could be distinguished. The voice, whether in speaking or +singing, has a weird curious sound in the telephone. It is in a measure +ventriloqual in character; and with the telephone held an inch or two +from the ear, it has the effect as if some one were singing far off +in the building, or the sound were coming up from a vaulted cellar or +through a massive stone wall. + +'Proceeding to our next experiment, we joined up the telephones in one +office to several wires in succession, putting ourselves in circuit +with lines going to various distances and working with different +instruments. When this was done, the real obstacle to telephonic +progress at once asserted itself in the shape of "induction." The first +wire experimented with was partly "overhouse" and partly underground, +and the offices upon it were working Wheatstone A B C instruments. It +is difficult to render clear to the person ignorant of telegraphic +phenomena the idea expressed by the word _induction_. Briefly it may +be put thus, that when a strong electric current is passing on a wire, +it has the faculty of setting up a current of opposite character in +any wire not then working, or working with a feebler current, that may +be in its vicinity. The why or the wherefore cannot be explained, but +there is the fact. + +'In various recent articles on the telephone, mention has been made of +"contact" as the cause of disturbance. This word, however, although it +has been used by telegraphists, is misleading, and can only be used +as an endeavour to express popularly an electric fact. Actual contact +of one wire with another would spoil the business altogether. A wire +bearing an electric current seems to be for the time surrounded, to an +undefined distance, by an electric atmosphere, and all wires coming +within this atmosphere have a current in an opposite direction set up +in them. This is as near an explanation of the phenomena of induction +as the state of telegraph science at present affords. Now the telephone +works with a very delicate magnetic current, and is easily overpowered +by the action of a stronger current in any wire near which the +telephone wire may come. To work properly it "requires a silent line." + +'In the place where the observations were made, there are a large +number of wires, travelling under the floor, through the test-box, +along passages to the battery-room and to a pole on the outside, +whence they radiate, or out to a pipe underground, where many +gutta-percha-covered wires lie side by side. On applying the ear to a +telephone joined into a circuit working in such an office a curious +sound is heard, comparable most nearly to the sound of a pot boiling. +But the practised ear could soon separate the boiling into distinct +sounds. There was one masterful Morse instrument--probably on the wire +lying nearest the one on which we were joined up--whose peremptory +"click, cli-i-i-ck, click," representing "dot, dash, dot" on the +printed slip we read from, could be heard over all. Then there was the +rapid whir of a Wheatstone fast-speed transmitter, sending dots and +dashes at express speed by mechanical means; the sharp well-pronounced +rattle in sounds of equal length of a needle instrument; and most +curious of all, the "rrrrr-op, rr-op, rrrrrrrrrrrrr-op, rrrrr-op, +rr-op" of the A B C, the deadliest foe to the telephone in its +endeavours to gain admission into the family of telegraph instruments. +There may be reason in this, for as the Wheatstone A B C is the +instrument used for private telegraphy, or for the least important +public offices, because it requires no "code" to be learned by the +manipulator, so it would likely be the first to be displaced if an +acoustic telegraph permanently took the field. So the sentient little +A B C opens its mitrailleuse fire on the intruder, on whose delicate +currents, in the words of an accomplished electrician, it plays "old +harry." The peculiar character of the sounds we borrow on the telephone +from this instrument arises from the fact that as the needle flies +round the dial, a distinct current or pulsation passes for each letter, +and the final "op" we have tried to represent shews the stoppage of the +needle at the letters as words were spelled out. + +'It must not be understood that the _sounds_ of those various +instruments are actually heard in the telephone. What happens is, that +the currents stealing along the telephone wire by induction produce +vibrations in the diaphragm of that instrument, the little metal +membrane working on the magnet in ready response to every current set +up in the latter. When it is remembered that the principle of the +telephone is that the sound-caused vibrations in the filmy diaphragm +at one end create similar but magnetically-caused vibrations in the +diaphragm at the other end, and so reproduce the sound, it will be +obvious why the rapid roll of the A B C currents, or the swift sending +of the fast-speed transmitter, when brought by induction into the +telephone wire, cause disturbances in the sound vibrations, and thereby +cripple the instrument. One instrument of either kind named would have +a certain effect, but one Morse or single needle would not have any +greatly prejudicial effect. But a number of Morses or needles going +together, such as were heard in our experiments, would combine to be +nearly as bad as one A B C or fast-speed Morse. So delicate is the +diaphragm to sound (and necessarily so), that in all experiments with +the telephone itself, such as those with "resistance," or those made +at home to test the instrument apart from telegraphic considerations, +every sound from without broke in, giving an effect like the well-known +"murmur of the shell." + +'Joining up our wire now to a more distant station at some miles +along the railway, and having on its poles a number of what are known +as "heavy" circuits, the pot-boiling sound assumed even more marked +characteristics. The A B C no longer affected us; but a number of Morse +instruments were in full gear, and the fast-speed transmitter was also +at work. While we were listening, the circuit to which we were joined +began to work, and the effect was literally electrical. Hitherto we had +only borrowed currents--or, seeing they were so unwelcome, we might +call them currents thrust upon us--and the sounds, though sharp and +incessant, were gentle and rather low. But when the strong current was +set up in the wire itself, the listener who held one of our telephones +nearly jumped from the floor when an angry "pit-_pat_, pit-_pat_, +pit-_pat_-pit" assailed his ear, causing him to drop the instrument as +if he had been shot! It was a result none of us had expected, for it +did not seem possible that the delicate metal diaphragm and the little +magnet of the telephone could produce a sound so intense. Of course +it was only intense when the ear was held close to the orifice of the +instrument. Held in the hand away from the ear, the telephone now made +a first-rate "sounder," and we could tell without difficulty not only +the signals that were passing, but found in it a more comfortable tone +than that given by the Morse sounder in common use. + +'Other experiments of a like character led to results so similar, +that they may be left unnoticed; and we proceed now to describe one +of a different character, designed to test the telephone itself. +At a distance of about half a mile, access was obtained to a Morse +instrument in private use, and joined to the office by "overhouse" +wire. Dividing our party and arranging a programme of operations, two +remained with a telephone in the office, while other two, of whom the +writer was one, proceeded with the second telephone to the distant +instrument. By an arrangement which a practical telegraphist will +understand, the key of the Morse was kept in circuit, so that signals +could be exchanged in that way. It may be noticed, however, that this +was hardly necessary, as the diaphragm of the telephone can be used as +a key, with the finger or a blunt point, so that dot and dash signals +are interchangeable, should the voice fail to be heard. As the wire in +this instance travelled almost alone over part of its course, we were +in hopes that induced currents would be conspicuous by their absence. +In this we were, however, disappointed, for the pot was boiling away, +rather more faintly, but with the "plop-plop-plop" distinctly audible, +and once more a sharp masterful Morse click was heard coming in now and +again. The deadly A B C was, however, absent, so that our experiment +proved highly successful. For some reason or another--probably an +imperfect condition of the wire, or the effects of "induction" over and +above what made itself audible to us--the spoken sounds were deficient +in distinctness; but songs sung at either end were very beautifully +heard, and indeed the sustained note of sung words had always a better +carrying-power than rapidly spoken words. Every syllable, and every +turn of melody of such a song as _My Mother bids me bind my Hair_, sung +by a lady at one end, or _When the Heart of a Man_, sung at the other, +could be distinctly heard, but with the effect before noticed, that the +voice was muffled or shut in, as if the singer were in a cellar, while +it was not always possible to say at once whether the voice was that of +a man or a woman. + +'In the course of some domestic experiments, it was remarked that in +playing the scale downwards from C in alt. on the piano, the result +to the listener was a "tit" only for the four upper notes, although +all below that had a clear "ting," and the octaves below were mostly +distinct, although at the low notes of the piano the sound was again +lost. The ringing notes of a musical box were not so successful, but +with close attention, its rapid execution of _Tommy Dodd_ could be well +enough made out. An endeavour was made to catch the ticking of a watch, +but this was not successful, and the experiment is not recommended, +as the near presence of a watch to a magnet is not desirable; and the +watch exposed to it in this instance was, it is thought, affected for a +short time thereafter, although it received no permanent damage. + +'The observations made in the course of these experiments convinced +those present that the telephone presents facilities for the dangerous +practice of "tapping the wires," which may make it useful or dangerous, +according as it is used for proper or improper purposes. It might be +an important addition for a military commander to make to his flying +cavalry; as an expert sound-reader, accompanying a column sent to +cut off the enemy's telegraph connections, might precede the act of +destruction by robbing him of some of his secrets. The rapidity and +simplicity of the means by which a wire could be "milked," without +being cut or put out of circuit, struck the whole of the party engaged +in the various trials that are described above. Of course the process +of tapping by telephone could not be carried out if the instrument in +use was an A B C or single needle, or if the wire was being worked +duplex or with a fast-speed Morse, for in these cases the sounds are +too rapid or too indefinite to be read by ear. The danger is thus +limited to ordinary sounder or Morse telegraphs; but these still form +the mainstay of every public system. + +'Since the trials above described were made, the newspapers have +recorded a beautiful application by Sir William Thomson, of the +electric part of the telephone to exhibit at a distance the motions +of an anemometer; the object being to shew the force of air-currents +in coal-mines. This is a useful application of an electric fact, and +doubtless points the way to further discoveries. But it is to be +noticed that the experiment, interesting as it is, hardly comes under +the head of a tele_phone_, what is reproduced at a distance being not +sound but motion. + +'Obviously the invention cannot rest where it is; and no one more +readily than the practical telegraphist will welcome an instrument +at once simple, direct, and reliable. Even in its present form the +telephone may be successfully used where its wire is absolutely +_isolated_ from all other telegraph wires. But the general impression +is that its power of reproducing the sound must be intensified before +its use can become general even as a substitute in works or offices for +the speaking-tube.' + + + + +SINGING MICE. + + +These interesting animals are said to be smaller than ordinary mice, +to be usually of a brownish colour, and to have long ears. Naturalists +have not come to any exact reason as to why they sing. Some persons +impute the singing to disease, as in the wheezing of any one from a +cold. Others attribute it to an internal parasite. But these seem +unsatisfactory explanations; for when the little creatures sing they +are as lively as common domestic mice. The faculty of singing in a +small way with various modulations appears to be quite natural to the +animals. It has been noticed that during their musical performances +there is a throbbing in the throat, and that the snout is elevated +in giving play to the voice, as in the warbling of birds. The song +or warble of these mice is said to be sweet and varied. Hitherto not +much attention has been given by zoologists to the phenomenon; but we +observe by various notices in _Land and Water_ and in _Nature_, two +periodicals devoted to pleasant discussions on subjects of natural +history, &c., that singing mice are becoming objects of careful +investigation. + +An amusing account of a singing mouse appears in _Nature_, Nov. 9, from +the pen of Mr Joseph Sidebotham, dating from Menton, south of France. + +'Last winter we occupied the rooms we now do at Menton. Early in +February we heard as we thought the song of a canary, and fancied it +was outside our balcony; however, we soon discovered that the singing +was in our _salon_, and that the songster was a mouse. At that time the +weather was rather cold, and we had a little fire, and the mouse spent +most of the day under the fender, where we kept it supplied with bits +of biscuit. In a few days it became quite tame, and would come on the +hearth in an evening and sing for several hours. Sometimes it would +climb up the chiffonier and ascend a vase of flowers to drink at the +water, and then sit and sing on the edge of the table and allow us to +go quite near to it without ceasing its warble. One of its favourite +haunts was the wood-basket, and it would often sit and sing on the +edge of it. On February 12, the last night of the Carnival, we had +a number of friends in our _salon_, and the little mouse sang most +vigorously, much to their delight and astonishment, and was not in the +least disturbed by the talking. In the evening the mouse would often +run about the room and under the door into the corridor and adjoining +rooms, and then return to its own hearth. After amusing us for nearly +a month, it disappeared; and we suspect it was caught in a trap set in +one of the rooms beyond. The mouse was small and had very large ears, +which it moved about much whilst singing. The song was not unlike that +of the canary in many of its trills, and it sang quite as beautifully +as any canary, but it had more variety, and some of its notes were +much lower, more like those of the bullfinch. One great peculiarity +was a sort of double song, which we had now and then--an air with an +accompaniment. The air was loud and full, the notes being low and the +accompaniment quite subdued. Some of our party were sure that there was +more than one mouse, until we had the performance from the edge of the +wood-basket and were within a yard or two of it. My son has suggested +that many or all mice may have the same power, but that the notes are +usually so much higher in the scale that, like the cry of the dormouse +and the bat, they are at the verge of the pitch to which the human ear +is sensitive. This may be so; but the notes of our mouse were so low, +and even the highest so far within the limits of the human ear, that I +am inclined to think the gift of singing in mice is but of very rare +occurrence.' + +In the same periodical, the following additional particulars as regards +singing mice are presented by Mr George J. Romanes, Regent's Park. + +'Several years ago I received some of these animals from a friend, and +kept them in confinement for one or two months. The description which +your correspondent gives of their performance leaves very little to +be added by me, as in all respects this description agrees perfectly +with my own observations. I write, however, to remark one curious +fact about the singing of these mice, namely, that it seemed to be +evoked by two very opposite sets of conditions. When undisturbed, the +little animals used for the most part to remain quiet during the day, +and begin to sing at night; but if at any time they were alarmed, by +handling them or otherwise, whether during the day or night, they were +sure to sing vigorously. Thus the action seemed to be occasioned either +by contentment or by fear. The character of the song, however, was +slightly different in the two cases. + +'That these mice did not learn this art from singing birds there can +be no doubt, for they were captured in a house where no such birds +were kept. It may be worth while to add that this house (a London one) +seemed to have been suddenly invaded, so to speak, by a number of these +animals, for although my friend has lived in this house since the year +1862, it was only during a few months that singing mice were heard +in it, and during these few months they were heard in considerable +numbers.' + +As corroborative of the foregoing notices, we give the following very +interesting account of a singing mouse, obligingly sent to us by a +correspondent, Mr Alfred Wright. + +'In the early spring of last year I was invited by an old widow lady +to see a singing mouse, which she had at night heard singing and +scratching beneath the floor of her bed, and been so fortunate as to +catch in a trap. I went, and found the little animal in a cage with +a revolving wheel, similar to that in which a squirrel is usually +confined. Whether the mouse was shy at the presence of a stranger, I +do not know. It remained silent; but at length, after my patience had +been nearly exhausted, it began to sing in clear warbling notes like +those of a bird. When I called the next evening to hear the mouse +again, I heard him to perfection; and was so filled with interest in +the novelty, that I begged permission to bring any friend who was +a sceptic of the fact, or who might desire to see the phenomenon. +My request was readily granted. One friend of course had heard of +a singing mouse, but he certainly would not allow that a prolonged +squeak was a song--not he! Another friend of course had heard a mouse +sing when he was a boy; but he was told, he perfectly well remembered, +that the _noise_ produced by the mouse was the result of some internal +disease. Well, both of these went with me to hear the little creature. +Unfortunately, at first it was again shy; but after an interval of +silence it commenced to sing--sweetly, like the low notes, the jug, of +the nightingale. My friends had come, had heard, and were conquered! +The one acknowledged it was really a song and not a squeak; the other, +that the noise was certainly dulcet; but still he thought it possibly +might be the result of disease, and not natural to the little animal. +We suggested that this wonderful natural curiosity (as we deemed it) +should be sent to an eminent naturalist who resided near. Great, +therefore, was my astonishment and pleasure when it was presented to +me, who could only treat it like a schoolboy would his white mouse--as +a pet. And truly it became a great pet to both my wife and myself. + +'In form, the singing mouse did not differ from his humbler brethren; +but in colour he was of a darkish brown, and had very bright eyes. It +soon became used to the presence of my wife, and sang constantly while +revolving the wheel of his cage. The notes proceeded from the throat. +He became exceedingly gentle, and was pleased at being caressed. + +'I deemed him so rare a curiosity that I ventured to offer to exhibit +him to the distinguished naturalist referred to above, and in my letter +described the little creature and its peculiarities, as I have done +here. The naturalist most courteously replied: "The case of the singing +mouse is very extraordinary, but the fact is now well established.... +The best account which has ever been published is by an American +naturalist, and I have given an abstract of his account in my _Descent +of Man_. + +"The American referred to is the Rev. S. Lockwood, author of _The +American Naturalist_, and he gives an account of his observations of +the _Hesperomys cognatus_, an American species, belonging to a genus +distinct from that of the English mouse. This little animal gave two +chief songs. Mr Lockwood gives both songs in musical notation; and +adds, that though this mouse 'had no ear for time,' yet she would keep +to the key of B (two flats) and strictly in the major key.... Her soft +clear voice falls an octave with all the precision possible; then at +the wind up it rises again into a very quick trill in C sharp and D." +I have made this quotation, as it far better describes the peculiar +qualifications of a singing mouse, than my inexperienced observations +could announce. + +'My mouse remained in contented confinement upwards of a year, feeding +upon a little sopped bread and canary-seed; and great was the grief of +my wife (who was his keeper) and myself when he was found dead in his +little nest. During the previous evening he had been heard singing with +more than usual ardour.' + +We shall probably return to this interesting subject. + + + + +USING UP WASTE SUBSTANCES. + + +The subject denoted by the above title, more than once treated in the +_Journal_, is adverted to by an obliging Lancashire correspondent +who, surrounded by one of the busiest and most ingenious clusters +of townsmen in England, has had his attention drawn to various +substances waiting (as it were), for application to useful purposes. +His suggestions are not wholly new, having to some extent been already +anticipated; but they are sufficiently valuable to call for notice here. + +One relates to the waste that presents itself in the processes of +manufacturing cotton. A residue known technically as _willowings_, +that falls into a receptacle during the preparatory beating and +disentangling of raw cotton-wool, consists of a dusty heap of +seed-husks and short broken fibres. It is used by farmers to absorb the +liquid manure of their cowsheds and middens or dung-heaps. Although +some of the cottony fibre may be separated through a sieve, so much +adheres to the seed-husk as to render it unsuitable for paper-making, +for which it has often been tried. The suggestion now made is, that +though unfitted for paper, this refuse may possibly be found useful +in the manufacture of _millboard_. Large quantities of this tough and +durable product are employed for bookbinding, for making the discs of +railway wheels, &c.; and as colour is not a matter of moment, the idea +is that the mingled residue of cottony fibre and seed-husk might be +rendered available. It is known that millboard made from wood-pulp is +imported to a considerable extent from abroad; and we are told that +'a large portion of the private income of the great German Chancellor +Prince Bismarck is derived from the manufacture of wood-millboard on +his Varzin estate.' Many hundred tons of willowings could be obtained +in Lancashire at a very cheap rate, even as low as two shillings per +hundredweight. + +Another suggestion bears relation to the utilisation of refuse from +the manufacture of prussiate of potash, a most valuable product in +the hands of the manufacturing chemist. The prussiate is obtained in +large ratio from woollen rags, after the separation of all the pieces +that can be worked up into shoddy for cheap cloth. The refuse is +calcined in cast-iron retorts, lixiviated with water, and drained off +for subsequent treatment: leaving behind it a thick black sediment of +impure animal charcoal. The suggestion relates to the application of +this residue to the manufacture of blacking--a humble but valuable +agent for those who appreciate tidiness in the appearance of boots and +shoes and economy in the preservation of leather. If useful for this +purpose, it might be found advantageous and economical as an ingredient +in printers' ink. Whether this carbon residue is at present applied to +any other useful purpose, we are not fully informed. + +A third suggestion relates to the preparation of animal size for the +carpet-manufacture and for that of many kinds of woollen and worsted +goods. This size is made from the clippings and scrapings of skins +and hides, from rejected scraps of parchment and vellum, and from +the worn-out buffalo skin pickers and skips largely used in textile +manufactures; also from the pith of cattle-horns, which contain a large +amount of valuable gelatine. The suggestion is, to utilise the refuse +left after making this size. One large carpet factory in Yorkshire +rejects as utterly useless a ton or more of this refuse every week. +The horn-pith contains as one of its components phosphate of lime, and +is on that account recommended to the notice of the manufacturers of +chemical manures on a large scale. + +One more suggestion comes from our ingenious correspondent. Old corks +are applicable to a greater number of purposes than we are generally +in the habit of supposing. That many of them are ground up to make +cork-stuffing for cushions, padding, &c. is well known; but there are +other uses for them as corks or half corks, besides making floating +buoys and life-preservers. A taverner in a Lancashire town covered the +floor of his lobby and bar with very open rope-matting, and filled up +the openings with old corks cut down to the level of the surface of +the mats. This combination is found to be almost indestructible under +the feet; while it gives a good grip or foothold. As the making of +rope-mats is one of the trades carried on in reformatories and some +other large establishments, it is suggested that the managers should +take into consideration the feasibility of adding old corks to their +store of manufacturing materials. + +As this _Journal_ finds its way into every corner of the busy hives +of industry, it may possibly be that some of our readers are already +acquainted with such applications of waste refuse to useful purposes as +those which our esteemed correspondent suggests. But this is a point +of minor importance. The primary question is, not whether an idea is +absolutely new, but whether it is practicably susceptible of useful +application. The history of manufactures teaches us that apparently +humble trifles like these have proved to be worth millions sterling to +the country. + + + + +LET BYGONES BE BYGONES. + + + Let bygones be bygones; if bygones were clouded + By aught that occasioned a pang of regret, + Oh, let them in darkest oblivion be shrouded; + 'Tis wise and 'tis kind to forgive and forget. + + Let bygones be bygones, and good be extracted + From ill over which it is folly to fret; + The wisest of mortals have foolishly acted-- + The kindest are those who forgive and forget. + + Let bygones be bygones; oh, cherish no longer + The thought that the sun of Affection has set; + Eclipsed for a moment, its rays will be stronger, + If you, like a Christian, forgive and forget. + + Let bygones be bygones; your heart will be lighter, + When kindness of yours with reception has met; + The flame of your love will be purer and brighter + If, Godlike, you strive to forgive and forget. + + Let bygones be bygones; oh, purge out the leaven + Of malice, and try an example to set + To others, who craving the mercy of heaven, + Are sadly too slow to forgive and forget. + + Let bygones be bygones; remember how deeply + To heaven's forbearance we all are in debt; + They value God's infinite goodness too cheaply + Who heed not the precept, 'Forgive and forget.' + + * * * * * + +Printed and Published by W. & R. CHAMBERS, 47 Paternoster Row, LONDON, +and 339 High Street, EDINBURGH. + + * * * * * + +_All rights reserved._ + + + + + +End of the Project Gutenberg EBook of Chambers's Journal of Popular +Literature, Science, and Art, No. 730, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK CHAMBERS'S JOURNAL, DECEMBER 22, 1877 *** + +***** This file should be named 51841-8.txt or 51841-8.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/5/1/8/4/51841/ + +Produced by Susan Skinner and the Online Distributed +Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org/license + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/51841-8.zip b/old/51841-8.zip Binary files differindex b8a6bda..b8a6bda 100644 --- a/51841-8.zip +++ b/old/51841-8.zip diff --git a/51841-h.zip b/old/51841-h.zip Binary files differindex 4f9cb90..4f9cb90 100644 --- a/51841-h.zip +++ b/old/51841-h.zip diff --git a/old/51841-h/51841-h.htm b/old/51841-h/51841-h.htm new file mode 100644 index 0000000..d0778eb --- /dev/null +++ b/old/51841-h/51841-h.htm @@ -0,0 +1,2996 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> +<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <meta http-equiv="Content-Style-Type" content="text/css" /> + <title> + The Project Gutenberg eBook of Chambers's Journal, by Various. + </title> + <link rel="coverpage" href="images/cover.jpg" /> + <style type="text/css"> + +body { + margin-left: 10%; + margin-right: 10%; +} + + h1,h2,h3,h4,h5,h6 { + text-align: center; /* all headings centered */ + clear: both; +} + +p { + margin-top: .51em; + text-align: justify; + margin-bottom: .49em; +} + +.ph3{ + text-align: center; + font-size: large; + font-weight: bold; +} + +.p2{ + margin-top: 2em; +} + +hr { + width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: auto; + margin-right: auto; + clear: both; +} + +hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;} + +hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;} +hr.full {width: 95%; margin-left: 2.5%; margin-right: 2.5%;} + +table { + margin-left: auto; + margin-right: auto; +} + +.pagenum { /* uncomment the next line for invisible page numbers */ + /* visibility: hidden; */ + position: absolute; + left: 92%; + font-size: smaller; + text-align: right; +} /* page numbers */ + +.center {text-align: center;} + +.smcap {font-variant: small-caps;} + +.lowercase {text-transform: lowercase;} + +/* Images */ +.figcenter { + margin: auto; + text-align: center; +} + + +/* Poetry */ +.poem { + margin-left:10%; + margin-right:10%; + text-align: left; +} + +.poem br {display: none;} + +.poem .stanza {margin: 1em 0em 1em 0em;} + + .poem span.i0 {display: block; margin-left: 0em; padding-left: 3em; text-indent: -3em;} + .poem span.i2 {display: block; margin-left: 1em; padding-left: 3em; text-indent: -3em;} + +@media handheld +{ + + lowercase {text-transform: uppercase} +} + + </style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of Chambers's Journal of Popular Literature, +Science, and Art, No. 730, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org/license + + +Title: Chambers's Journal of Popular Literature, Science, and Art, No. 730 + December 22, 1877 + +Author: Various + +Editor: William Chambers + Robert Chambers + +Release Date: April 23, 2016 [EBook #51841] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK CHAMBERS'S JOURNAL, DECEMBER 22, 1877 *** + + + + +Produced by Susan Skinner and the Online Distributed +Proofreading Team at http://www.pgdp.net + + + + + + +</pre> + + +<hr class="chap" /> + +<p><span class="pagenum"><a name="Page_801" id="Page_801">{801}</a></span></p> + +<h1>CHAMBERS'S JOURNAL<br /> +OF<br /> +POPULAR<br /> +LITERATURE, SCIENCE, AND ART.</h1> + +<div> +<h2>CONTENTS</h2> + +<p class='center'> + +<!-- Autogenerated TOC. Modify or delete as required. --> + +<a href="#CHRISTMAS-TIME">CHRISTMAS-TIME.</a><br /> +<a href="#A_CAST_OF_THE_NET">A CAST OF THE NET.</a><br /> +<a href="#FEATS_OF_ENDURANCE">FEATS OF ENDURANCE.</a><br /> +<a href="#A_DIFFICULT_QUESTION">A DIFFICULT QUESTION.</a><br /> +<a href="#IS_THE_TELEPHONE_A_PRACTICAL">IS THE TELEPHONE A PRACTICAL SUCCESS?</a><br /> +<a href="#SINGING_MICE">SINGING MICE.</a><br /> +<a href="#USING_UP_WASTE_SUBSTANCES">USING UP WASTE SUBSTANCES.</a><br /> +<a href="#LET_BYGONES_BE_BYGONES">LET BYGONES BE BYGONES.</a><br /> + +<!-- End Autogenerated TOC. --> + +</p> + + + + + +<hr class="full" /> + +<div class="figcenter"> +<img src="images/header.png" width="600" height="294" alt="Chambers's Journal of Popular Literature, Science, and Art. Fourth Series. Conducted by William and Robert Chambers." /> +</div> + + +<hr class="full" /> +<div class="center"> +<table border="0" cellpadding="4" cellspacing="0" summary="" width="85%"> +<tr><td align="left"><b><span class="smcap">No.</span> 730.</b></td><td align="center"><b>SATURDAY, DECEMBER 22, 1877.</b></td><td align="right"><b><span class="smcap">Price</span> 1½<i>d.</i></b></td></tr> +</table></div></div> + +<hr class="full" /> + +<div> + +<h2><a name="CHRISTMAS-TIME" id="CHRISTMAS-TIME">CHRISTMAS-TIME.</a></h2> + + +<p>'<span class="smcap">So</span> many men so many minds' has been a proverb +long before our days, and will be to the end +of time and human history; and uniformity of +sentiment is the one thing which men need never +hope to attain.</p> + +<p>Christmas-time is one of these battle-fields of +feeling. To some it is just the consecration of +so many circumstances of torture; to others the +meeting-point of so many facts of pleasure. From +the conventional greeting to the orthodox dinner—from +the 'seasonable gifts' that are more obligatory +than voluntary, to the toast that heralds the +punch, and the dreams that follow on that last +glass—all is so much pain to the flesh and weariness +to the spirit; and they wonder how any one +can find it otherwise. What is there in Christmas-time +to make it pleasurable? they say. The +gathering together of the family? A lot of rough +boys home from school, who spoil the furniture +and tease the dogs, lame the horses and ravage +the garden, make the servants cross, the girls +rude, and the younger children insubordinate; who +upset all the order of the house, destroy its comfort +like its quiet, and to whose safe return to +discipline and your own restoration to tranquillity +you look forward with impatient longing +from the first hour of their arrival to the last +of their stay? Or the advent of your married +daughter with her two spoilt babies, who cry if +they are looked at and want everything that they +see, and that very objectionable young man her +husband, with his ultra opinions and passion for +argument, whom she would marry in spite of all +that you could say, but to whom you can scarcely +force yourself to be decently civil, not to speak of +cordial, and whose presence is a perpetual blister +while it lasts? Is this the family gathering about +which you are expected to gush?—this with the +addition of your son's fine-lady wife who snubs his +mother and sisters with as little breeding as +reserve, finds nothing at your table that she can +eat, lives with her smelling-bottle to her nose and +propped up with cushions on the sofa, and gives +you to understand that she considers herself +humiliated by her association with your family, +and your son as much exalted as she is degraded? +This is the domestic aspect of Christmas-time +which is to make you forget all the ordinary +troubles of life, creating in their stead a Utopia +where ill-feeling is as little known as <i>ennui</i>, and +family jars are as impossible as personal discomfort +and dissent. Holding this picture in your +hand, you decline to subscribe your name to the +Io pæan universally chanted in praise of Christmas, +and wrap yourself up in sullen silence when +your neighbour congratulates you on having all +your family about you, and wishes you a merry +Christmas as if he meant it.</p> + +<p>If the domestic aspect is disagreeable, what is +the social?—A round of dinners of which the +<i>menu</i> is precisely the same from Alpha to Omega:—turbot +and thick lobster-sauce; roast-beef and +boiled turkey; indigestible plum-pudding and +murderous mince-pies; with sour oranges and +sweet sherry to keep the balance even, and by the +creation of two acids perhaps neutralise each +other and the third. This is the food set before +unoffending citizens under the name and style +of Christmas dinners for the month or six weeks +during which the idiotic custom of Christmas dinners +at all is supposed to last. You are expected +to live in this monotony of dyspepsia and antipathetic +diet till you loathe the very sight of the +familiar food, and long for a change with a +vehemence which makes you ashamed of yourself, +and more than half afraid that you are developing +into a gourmand of the worst kind.</p> + +<p>As if your nights were not sufficiently broken by +the horrible compounds which trouble your digestion +and disturb your brain, torturers known as +the 'waits' prowl through the streets from midnight +to dawn, causing you agonies beyond those which +even the hurdy-gurdy men inflict. You are just +falling to sleep—painfully courted and hardly won—when +a hideous discord worse than the wailings +of cats startles you into a nervous wakefulness +which banishes all hope for that night. What can +you do? They are too far off for that jug of<span class="pagenum"><a name="Page_802" id="Page_802">{802}</a></span> +water to take effect, and you must not fire; +anathemas do not hurt them, and if said aloud +only waken up your wife and make her cry if +she does not preach. You have nothing for it +then but to lie still and groan inwardly, devoting +to the infernal gods all the idiotic circumstances +by which your life is rendered wretched, and +your health, already frail, set still further wrong. +In the morning, when wearied and nervously +feverish from want of sleep, you go into the +garden for a little quiet and delectation, you find +your greenhouses stripped of the flowers which you +had been lovingly watching for weeks, and your +evergreens as ridiculously cropped as a shaved +poodle. This is the day for the decoration of the +church, and you, having made an expensive hobby +of your garden, have to contribute what has cost +months and good money to rear, for the childish +satisfaction of John and Joan, lasting just two +hours and five minutes. Not only have you lost +your flowers and your evergreens—that splendid +holly, which yesterday glowed like a flame, today +nothing but a bundle of chopped ends!—but +you know that your favourite daughter is flirting +with the curate, and that a great deal is going on +under cover of wreaths and crosses, laurustinus and +chrysanthemum, of which you strongly disapprove +yet cannot check. It is Christmas-time; decorating +the church has become in these later days a kind +of religious duty; and as a conscript father of +your village, you must not forbid your daughter +this pious pleasure any more than you can refuse +your costly contribution in kind.</p> + +<p>Turn to the financial side of the time; and +what have you?—bills coming in that you neither +expected nor knew of, and every one looking for a +Christmas-box, and insolent or irritated if they +do not get it. The servants obsequious to the +worth of half a sovereign—tradesmen and their +lads punctual in anticipation of half-crowns—postmen +levying blackmail, and watermen and +dustmen demanding as their right that they should +be fee'd for their persistent neglect of duty—every +one making a dead set at your pocket and trying +to get your money for themselves—the very +children more caressing and affectionate because it +is Christmas and papa always gives them something +on Christmas-day:—You groan as you ask +yourself where is disinterestedness on this earth?—and +you groan still more as you draw your cheques +and reduce your balance and wonder by what law +of right it is that you should be the pipe by which +other folks are to be supplied.</p> + +<p>No; you see no good or pleasure in this boasted +Christmas-time as we keep it up in our benighted +country. Its mirth is a sham and its inflictions +are only too real. A time of tumult and expense, +of indigestion and discomfort, you wait, grimly or +fretfully as your mood may be, till it has passed +and the current of your life is allowed to flow +evenly as before. When you hear people sing its +praises you long to stop their mouths, as you +longed to silence the waits who woke you up out +of your first sleep and spoilt your rest for the +night. What manner of men are these, you think, +who can find cause of congratulation in so much +absurdity, if the fun is real to them—so much +dreary make-believe, if it is unreal? You despise +your genial, laughing, merry-hearted neighbour +who goes into everything <i>con amore</i>, and accepts it +all, from forfeits and snapdragon to plum-pudding +and Christmas-boxes, as if he really liked it. You +think what a fool he must be to be pleased with a +rattle, tickled with a straw like this. But for the +most part you do not believe in his mirth; and +then you despise him still more as a hypocrite as +well. For a hypocrite shamming folly is an +offender against reason as well as truth, whom you +find it hard to forgive, let the motive of his mummery +be what it may.</p> + +<p>This is one side of the question; your neighbour +takes the other.</p> + +<p>Who on earth, he says with his hands in his +pockets, his back to the fire and his kindly smiling +face to the room, who on earth can grumble at the +facts of Christmas-time? For his part he finds +it the jolliest season of the year, and he finds each +season as jolly as the other, and all perfect in their +own appointed way. He is none of your crying +philosophers who go through life bewailing its +miseries and oppressed by its misfortunes. Not +he! He thinks the earth beautiful, men and +women pleasant, and God very good; and of +all occasions wherein he can transact his cheerful +philosophy, Christmas is the best. The +boys are home for their holidays; and it is +a pleasure to him to take them out hunting +and shooting, and initiate them into the personal +circumstances belonging to English country +gentlemen. He looks forward to the time when +they will take his place and carry on the +traditions of the family, and he wishes them to +be worthy of their name and an honour to their +country. He is not one of those nervous self-centred +men who live by rule and measure and +cannot have a line of the day's ordering disturbed. +He likes his own way certainly; and he +has it; but he can press his elbows to his sides +on occasions, and give room for others to expand. +He does not find it such an unbearable infliction +that his boys should come home and racket about +the place, even though they are a little upsetting, +and do not leave everything quite as smooth and +straight as they found it. He remembers his own +youth and how happy it made him to come home +and racket; and he supposes that his lads are very +much the same as he was at their age. He thinks +too that they do the girls good—wake them up a +little—and while not making them rough or rude—the +mother takes care of that—yet that they prevent +them from becoming prim and missy, as +girls are apt to be who have no brothers and are +left too much to themselves. Certainly he does +not approve of the flood of slang which is let loose +in the house during their stay; but school-boy +slang at the worst is not permanent, and in a +week's time will be forgotten.</p> + +<p>As for the married daughter's children, they are +the merriest little rogues in the world; and his +wife looks ten years younger since they came. She +was always fond of babies; and her grandchildren +seem to renew her own past nursery with all the +pleasure and none of the anxiety of the olden time. +He rather wonders at his girl's taste in the matter +of her husband—most fathers do—and cannot for +the life of him see what there is to love in him. +But if not an Alcibiades he is a good fellow in the +main, and makes his young wife happy; which is +the principal thing. And if his daughter-in-law is +a trifle stiff, and fond of giving herself fine-lady +airs, he for his part never stands that kind of +nonsense, and will laugh her out of it before she<span class="pagenum"><a name="Page_803" id="Page_803">{803}</a></span> +has been twenty-four hours in the house. He +finds good-humour and taking no offence the best +weapons in the world against folly and ill-temper; +and prefers them as curative agents to any other. +The girl is a nice girl enough, but she has been +badly brought up—had a lot of false ideas instilled +into her by a foolish mother—but when she has +been away from the old influences, and associated +with themselves for a little while, she will open +her eyes and see things in their right light. Who +indeed could resist the sweet sensible influence of +his wife, her mother-in-law?—and are not his girls +the very perfection of honest wholesome English +ladies? It will all come right in time; he has no +doubt of that; and meanwhile they must be patient +and forbearing for Dick's sake, and not make +matters worse than they are by their own want of +self-control.</p> + +<p>Then as to the Christmas-boxes and the tips +sacred to the season—well! well! after all they +do not amount to much in the year, and see what +pleasure they give! A man must be but a poor-spirited +surly kind of hound who does not like to +see his fellow-creatures happy; and a very little +kindness goes a great way in that direction. He +takes care to live within his income, and therefore +he has always a margin to go on; and he does not +object to use it. The servants have been very good +on the whole, and do their duty fairly enough. +And when they fail—as they do at times—why, to +fail is human, and are they alone of all mankind +to be blameless and never swerving in the right +way? And are they alone of all mankind to be +judged of by their worst and not by their best?—to +be blamed for failure, but not praised for +well-doing? He does not think so; and not +thinking this, his half-sovereigns are given freely +without the grudging which makes them an +ungracious tax instead of a kindly voluntary gift. +The tradespeople, too, do fairly well, and—they +must have their profit like any one else! Those +Christmas-boxes to their lads may be the nest-eggs +for future savings; and even if they do go +in a little finery or personal pleasure instead—young +people will be young, and his own boys +are fond of being smart and amused: so why not +these others? You grumble at the waits? If you +in your warm bed, well fed, well clothed, prosperous +altogether, fret at the loss of an hour's sleep, +what must these poor fellows feel, out in the cold +frosty night, with the wind blowing and the sleet +falling fast, and they not half fed nor a quarter +clothed? For his own part he would like to give +them a glass of hot grog all round; and as for +grumbling at the few coppers which they brave +all this physical discomfort to earn, he makes it +shillings, and hopes it will do them good. We +must live and let live, he says with his broad +smile; and if we are sometimes a little inconvenienced +by the efforts made by the poor to +accomplish the art of living for their own parts—we +must remember that our loss is their gain, and +that they are men and women like ourselves—fathers +of families who want to keep the pot boiling +and the fire alight—mothers who love their +children, and are anxious to do the best for them +that nature and man will allow.</p> + +<p>You complain of indigestion and grumble at +the monotony of your Christmas fare?—That is +strange! Who can grumble at good plain succulent +meat?—and why do you eat the sweets if they +disagree with you? Neither pudding nor mince-pie +comes into the eternal necessities of things, +and you would do very well if only you would +refrain. He does not eat things that he cannot +digest, and in consequence he sleeps well, and when +he wakes has neither regret nor remorse. Surely +that is not such a painful trial—to forbear eating +what is hurtful to your health, and in touching +your health corroding your happiness as well.</p> + +<p>In a word, the whole difference of the spirit in +which we meet the facts of Christmas depends +on the good or ill humour with which we are +naturally endowed, and which we have cultivated +by common-sense on the one hand, or suffered to +ride rough-shod over our reason on the other. If +we are unselfish and sympathetic, Christmas-time +is as pleasant to us as popular tradition would +make it; if we are egotistical and peevish, it +is a wearisome infliction and a sham which no +honest man can pretend to believe in, nor any +sensible one to admire.</p> + +<p>For our own part we believe in Christmas, +because we believe in the kindness of man to man, +in genial good-humour, in unselfishness, and the +liking of wholesome natures to give happiness; +and so far as we have gone yet we have seen no +reason to change our views. A merry Christmas +then to you all, friends, readers, and countrymen; +and a happy New Year to follow after; and may +God bless the rich and care for the poor, and lead +us all in the right way while the day lasts and +before the night has come!</p> + + + +<hr class="chap" /></div><div> +<h2><a name="A_CAST_OF_THE_NET" id="A_CAST_OF_THE_NET">A CAST OF THE NET.</a></h2> + +<p class='ph3'>THE STORY OF A DETECTIVE OFFICER.</p> + + +<h3>CHAPTER IV.</h3> + +<p><span class="smcap">Long</span> after it had grown quite dark, all remained +quiet, and at last I resolved upon making a move. +I had determined upon fetching Peter Tilley. I +had plenty of assistance, but I thought I should +like to have Peter with me. So I went down to +the ferry; a gas-light which burned at the corner +shewed me before I left my post that the bony +ferryman was not there; and choosing a pretty +good boat, with a strong young fellow to pull, I got +in. It was a most unpleasant night; as dark as +pitch, which was bad enough, but every now and +then it lightened, which was worse, as it dazzled +my eyes, and made me think we were running +smash on board some great vessel which I had not +seen a moment before, and couldn't see a moment +after. However, the boatman was used to all +kinds of weather, I suppose, and knew the river +thoroughly; so through the darkness and the rain, +which never left off for a moment, we reached the +other side.</p> + +<p>I left the boat to wait for me, and ran up to the +<i>Yarmouth Smack</i>. I looked in, and saw Peter +leaning against the bar and smoking a short pipe, +as a labourer ought to do; and he was talking in +a friendly way to some rough-looking fellows. I +slipped in, and using the name we had agreed +upon, spoke to him. He knew my voice of course; +but seeing me so changed, for my make-up was +really splendid (it was, although I say so that +shouldn't), it gave him such a shock that he was<span class="pagenum"><a name="Page_804" id="Page_804">{804}</a></span> +obliged to put the pewter down he was going to +drink from and look steadily at me before he +answered. 'I'm acoming,' he said at last, and we +got outside; when, as we walked down to the ferry, +I gave him a sort of idea of what was going on, and +how I expected to make a great catch that night. +Peter of course was very glad to be in for such a +big thing as this, for he had never been mixed up +with anything so important.</p> + +<p>Not to trust the boatman too much, I kept Peter +back a few yards from the water while I finished +my story, standing a little on one side, so as to be +out of the way of the people who came and went +to and from the ferry. While I was talking to +him, a wherry ran in; we heard her grate on the +pebbles and the sculls rattle as the man laid 'em +in; but that we had heard before. It's a part of my +habit to notice little things however, and I looked +to see who had come in by this boat. There was +only one passenger, a woman, and she passed us +walking quickly; but quick as she walked, I saw +her, and she saw me. Blessed if it wasn't Miss +Doyle! My being there was no odds to Miss Doyle, +nor could it have signified to her if she had seen +me fifty times; yet I felt I would rather not have +met her just then; it looked unlucky, and she was +such an uncommonly sharp one too. Sharp or not, +I couldn't see what she could make out of my +standing under a wall on a wet night talking to +another labourer.</p> + +<p>Having finished my explanation, we both got +into the wherry, and I asked the man if he would +like a good long job, which might perhaps last +all night.</p> + +<p>'The longer the better, governor,' he says, 'if +the pay is accordin'.'</p> + +<p>'The pay <i>will</i> be accordin',' I answered; 'and so +you are engaged.'</p> + +<p>The first thing I made him do was to row +round that oyster-smack, for the tide had risen +enough to take us round her. I shewed no light, +but we went inside her twice; and the fellow on +the watch was very sharp, so he was leaning over +the side when we came round the second time, and +I could say quite quiet-like: 'I am in this boat +now—watch the river.' That was quite enough; +he knew he would not now have to look to the +<i>Anchor</i> for signals.</p> + +<p>After this began what I believe was the most +disagreeable sort of patrol I ever had. There was +a time when I used to envy the Thames police; +but I can't say I ever did after that night. We +were obliged to be in motion almost continually, +because we did not know from which side of the +river the paper might come, and we weren't quite +sure that it would come at all, especially on that +night; and I don't know, speaking from my own +experience, that there is anything more trying to +the spirits than the pulling backwards and forwards +and loitering about on the river Thames +in a raw October night with a small thick rain +falling. Twice we landed, and went once to the +<i>Smack</i> and once to the <i>Anchor</i>. I couldn't grudge +the men a glass of hot grog; in fact I was obliged +to have some myself, even if I missed my capture +through it.</p> + +<p>It grew later and later; the flashes of lightning +still came at long intervals; but the lights on the +shore went out, and excepting the gas-lamps which +burnt at street-corners, ferries, and wharfs, all +was dark. The traffic on the river had long +ceased, no shouts or rattle of wheels came from the +shore; and the rain still falling, it was, I give you +my word, most horribly miserable, dull and sloppy +beyond description. Twelve o'clock had struck, +and one, and perhaps half an hour beyond it. I +had cautioned my companions to speak very low; +so the boatman only whispered when he said: +'It's as quiet as it is likely to be, governor, if +you've got anything to run. I have just seen the +police galley creep along on the other side; I see +her under that lamp. Now's your time.'</p> + +<p>He thought we were smugglers! Perhaps he +didn't care if we were thieves. I told him to be +patient; when at that very instant, just as we were +creeping along under the lee of a coal-barge, a +wherry shot very silently by, right in front of us, +going across stream, and not six feet from our +bows. In her sat the sulky ferryman; I knew +him at a glance, dark as it was. 'Pull after that +wherry,' I said.</p> + +<p>'Peter Tilley, my lad,' I continued, turning to +Peter, 'the time's acoming, I think.'</p> + +<p>'I'm precious glad of it,' says Peter; 'for I'm +catching a cold in my head every minute I sit in +this confounded boat; and it's all soaking wet +where I'm sitting.'</p> + +<p>Our man pulled on; he was a very strong fellow, +as I have said, and we could have overtaken the +other boat directly; but this of course I did not +want. I knew where to look for the old scamp; +and sure enough, after a few strokes across stream, +he bent to the left and ran under the bows of the +Dutch trader.</p> + +<p>All was dark and silent as the grave aboard the +ship; but that didn't deceive the old boatman, +nor did it deceive me. I stopped our man in the +shade of the next vessel, if you can call anywhere +a shade, when it was all pitch dark. We had not +been there a minute before I heard a slight noise—it +was impossible to see any one unless he stood +between you and the sky—and then I could tell by +the sound that a man had dropped into the wherry. +There was no need to tell me what man it was. +With an almost noiseless dip, the ferryman dropped +his sculls into the river again and rowed on, we +still after him. I took it for granted he was going +to the other side of the ferry; but he suddenly bore +off to the right, and rowed on for some little time, +then striking in between two vessels, he went +straight for the land.</p> + +<p>'Where is he going to?' I whispered.</p> + +<p>'To the landing at Byrle's wharf,' says the boatman +in the same tone.</p> + +<p>So he was; and it appeared this landing-place +was at the farther side of the wharf; that is, lower +down the river.</p> + +<p>It was so dark we could hardly see them—for +we could just make out there were now two +persons in the boat—but as they reached the shore, +a lamp that was burning on the wharf helped us a +little. We could not clearly see what they were +doing; but they certainly got out of the boat, and +as certainly there were then more than two figures +moving about, and seemingly engaged in placing +parcels in the wherry. But it was very gloomy +there; they were in the shade of the wharf, and +the lamp glimmered weak and faint through the +thick rain. It was the more difficult to see what +was being done, because there were several boats +tied up to the landing-place, making some confusion +in the darkness. At last, however, we could see that<span class="pagenum"><a name="Page_805" id="Page_805">{805}</a></span> +they were pushing off from the shore; so it was +time for us to move. We pulled back for a while +(there was no doubt as to which way the others +would come), and then sheering off, lay between +two colliers until we saw the wherry we had +watched go by, and then we once more pulled +after them.</p> + +<p>'I'm blest if I don't think there's another boat +following <i>us</i>,' says Peter Tilley, staring as hard as +he could behind us. I looked, but couldn't see +anything; and Peter owned he might have been +mistaken.</p> + +<p>We could not make out how many there were +in the foremost boat. There was only one man rowing, +that was plain; and he pulled short round at +the proper place, as I knew he would, and rowed +towards the Dutch trader. As he did so, we lost +him for a second, a big steamer lying between us; +but the hull of this vessel did not obstruct the +view up the river. I seized the moment, and +waved my lantern twice. It was all right. As +quick as thought the light on board the oyster-smack +was moved twice also, and then we too +were pulling across the stream. I wanted to +capture my men on board the trader, as otherwise +the paper might be got rid of, because I +couldn't be positively certain that it was not +already on board. In fact, Mr Edmund Byrle +was my chief aim, not the skipper.</p> + +<p>The wherry pulled under the bows of the vessel; +we followed just in time to see, by a very convenient +flash of lightning, two packages handed +up; then a figure, which we had recognised by the +same flash as the bony ferryman, got into the ship. +As he disappeared, our wherry touched the vessel; +and at the same instant, to my great relief, a long +black Thames police galley came alongside us, and +its crew, five constables, with Barney Wilkins, who +was there as guide, clambered up like cats. I and +Peter imitated them, but not quite so quickly; and +when I looked over the bulwark, I saw by the +light of a couple of lanterns, screened from the +outside, four or five men, the boatman and the +skipper being two, lifting up a great lid which +fitted in the deck—the hatches I heard it called—while +by their side lay the packages of paper. +I could not see Mr Byrle; but there was no time to +consider; we all jumped in at once, the men looking +round in amazement at the noise. I fancied +that just then I heard a shout from the boat.</p> + +<p>'What do you all want here?' said the skipper +angrily.</p> + +<p>'We hold a warrant'—I began.</p> + +<p>'Oh, it is <i>you</i>, is it?' he screeched, like a +hyena, or something of that sort. 'I owe you a +little for a past score, and you shall have it.' As +quick as lightning he pulled a long straight +knife from the side of his trousers, where it must +have been in some sort of sheath, and jumped at +me with such suddenness that he would have +stabbed me, only Barney Wilkins snatched a +handspike from the deck, and dashing between us, +hit him down with such a blow, that the skipper +fell with a crash like a bullock when it is killed, +the blood pouring from his head instantly.</p> + +<p>It was all as quick as thought. The other men +were all seized in a breath. So quick was it all +done, that I had no idea Barney was hurt, until +he reeled, made a wild clutch as if he caught at +something for support, and then pitched forward +on his hands and knees.</p> + +<p>'Hollo, Barney!' I said, stooping down to him. +'What's the matter, old fellow?'</p> + +<p>'It's all up, Mr Nickham,' he gasped; 'he's +done me. I only hope I've killed him. Where's +the other?'</p> + +<p>'Oh, never mind the other, Barney,' I says. +'Where are you hurt?'</p> + +<p>But as I spoke, one of the men came with a +lantern, and Barney had no occasion to answer +me, for I could see a straight stream of blood +running from his chest on to the deck; and +his hands giving way from weakness, he fell over +on his side.</p> + +<p>'Pull in for the shore, you, sir!' said the sergeant +of the Thames police to my waterman. 'You +know Marigold Street? Knock up Mr Gartley, and +tell him what has happened. Say we are afraid +to move the man to his house, so he had better +come aboard.'</p> + +<p>'Send one of your own men, will you?' answers +the boatman. 'I've got something to tell the +governor' (that was me), 'as I think he ought +to know.'</p> + +<p>'Cut away then, Bill,' says the sergeant to a +constable; 'these fellows are ironed, and we can +manage all that are aboard this craft.'</p> + +<p>So the man went off in my wherry; and the +Thames men tried to make poor Barney a little +more comfortable, while I undid his waistcoat, +hoping to stop the bleeding.</p> + +<p>'It ain't no use,' he said; but in that short +time his voice was almost gone, and we could tell +that he was dying. 'I'm done for, Mr Nickham. +If there's a reward, you'll act fair and square, I +know; you always was a gentleman—let my sister +have'—— And with that he gave a gasp, and +was dead.</p> + +<p>I rose up, dreadfully vexed for the poor chap. +The sergeant and one of his men were looking +after the skipper, when I felt myself touched on +the arm.</p> + +<p>'I say, sir,' said the boatman, 'when I'm in for +a thing, I go through with it honourable. Did +you know as you was followed?'</p> + +<p>'Followed? no!' I said.</p> + +<p>'I thought we was!' said Peter Tilley.</p> + +<p>'We was followed, sir, by a light wherry with two +people in it,' continues the boatman; 'and when +they see our boats, they held hard; and as you all +boarded the ship and the noise began, they rowed +away as hard as they could go.'</p> + +<p>'Which way did they go?' I said.</p> + +<p>'Down river,' says the man. 'But it's of no use +thinking of looking after them now. They are +ashore long afore this.'</p> + +<p>This was likely enough; and it was quite certain +that Mr Edmund Byrle was one of the two in the +boat, and I had lost him for the present. Well, +it couldn't be helped; so we set to work to question +the men and search the ship, till the doctor came. +The men knew nothing more about the business +than that they were going to have two passengers, +a lady and a gentleman, this voyage. One of the +Thames men understood Dutch, or we should not +have heard even this scrap of information. The +sulky boatman never uttered a word, except that +once he said as I passed him, and he said it with a +bitter curse: 'I always had my doubts of <i>you</i>.'</p> + +<p>The doctor came off; but poor Barney was stone-dead, +while the skipper's skull was badly fractured. +However, the paper was all there; so I supposed,<span class="pagenum"><a name="Page_806" id="Page_806">{806}</a></span> +and so it proved; and I shouldn't have cared if the +skipper's head had been broken fifty times over.</p> + +<p>We got our prisoners to the shore, leaving the +craft in charge of a Thames police galley that +came in answer to our signals; and late as it was, +I drove with Peter Tilley in a cab to the City. +Our people there were immensely glad, I can tell +you; and when I went over to the Bank (for there +was no need for secrecy or dodging now), I thought +the gentlemen never would have left off paying +me compliments. Poor Barney Wilkins that was +dead deserved most credit; but it could not do +him any good to say so now, so I let them go on. +The paper was examined, and found to be exactly +the quantity required; enough, I believe, to have +made about twenty thousand bank-notes. Ah! if +they <i>had</i> got into circulation!</p> + +<p>I hope you will understand, however, that I +did act fair and square; and when the reward +was paid (and the Bank people did come down +most liberal; I bought my house at Pentonville +with my share), I told the gentlemen about +poor Barney and his wishes; and I'm proud +to say they found his sister out and took her +away; and after a time she went abroad with +kind people who looked after her, and took care +of her money till she got married, and did well. +Why, she sent me a snuff-box made out of pure +Australian gold, with a letter signed by herself +and her husband, who was a butcher in a great +way of business out there; and they sent it as an +acknowledgment of my having acted all fair and +square. I promised so to do, and I did.</p> + +<p>Edmund Byrle was never caught, and so far as +we were concerned, was never heard of; and if +it hadn't been for his father, I should never have +understood a lot of things that puzzled me. I had +given a pretty good guess as to how Miss Doyle +came in the first place to inquire about Mr Byrle +and the detective; a very clever idea in itself, +but like many other clever things, it lost her the +game. Mr Byrle had talked with his friends about +employing detectives; and Miss Doyle knowing +about the Bank paper, and being always on the +watch, had got hold of just enough to mislead +her. She went out with Edmund Byrle to Turkey, +I think, and was married to him; and old Mr +Byrle sent out a friend to see them; and it was +in this way I got the particulars. It appears she +knew me again—only as the limping labourer, of +course—when she saw me talking at the ferry to +Tilley. But she knew <i>him</i> as the detective at +the <i>Yarmouth Smack</i>, and she thought that although +it might be all right, yet a detective was a dangerous +customer, and his acquaintances might be +dangerous also. Consequently she tried to persuade +Edmund to put off his journey; but he wanted +the money for the paper, and wouldn't listen to +her. But he agreed at last to go aboard in another +boat, which satisfied her, as she felt so certain +the skipper's boat would be attacked. As I have +explained, her precaution saved him from fifteen +years' 'penal,' which is the least he would have had. +The skipper was sent for life, having killed a +man in his arrest; but he didn't live six months +in prison; he never got over the tremendous blow +he received from Barney. All the reports spoke +of his being a receiver of 'stolen goods.' The Bank +paper was never mentioned, for the authorities +did not want to unsettle the public again, or let +them see what a narrow escape they had had.</p> + +<p>And now comes about the queerest part of my +story. Call me names if I didn't stop the thieving +at Byrle's factory as well as recover the Bank +paper, killing two birds with one stone.</p> + +<p>It was all through my catching the bony ferryman. +Finding that things was going hard with him, +and hoping to make them easier, and being disappointed +that those who were concerned with him +did not come forward with money to provide for +his defence, he 'rounded' on them; he split on +them all, and owned how he was the means of +taking the metal over to a fence on his side of the +water, the things being stolen by a mechanic and a +watchman who were in league. (I see I have used +the word 'fence;' this means a receiver of stolen +goods; but though I have been warned by the +editor of this magazine, we can't do without <i>some</i> +slang words.)</p> + +<p>Peter Tilley got a tidy present, and was noted +for promotion through this business. I was glad of +it, for Peter was a capital chap—never wanted to +play first-fiddle; and I admire people of that disposition. +I tell you what I did: I got the newest +five-pound note of all what the Bank gave me, and +they were all very clean and crisp, and I wrapped +old Bob the gatekeeper's own sixpence in it; and +I went to the factory and I stood a pint of ale, and +says: 'Bob, here's your sixpence!' He hadn't +known exactly who I was till then, for I had +made excuses as usual; and then I'm blessed if +he didn't quite cry over his luck. Mr Byrle too +thought a lot of Bob's kindness, for I told the old +gent about it; and I heard that on that very +account he put six shillings a week on Bob's +wages, and I was glad to hear it.</p> + +<p>They couldn't keep me off the detective staff +after this; and although I am free to confess—now +I am on my pension and nothing matters to me—that +I only stumbled upon these discoveries by +accident, I was praised to the skies by those for +whom I worked. However, it all died away, as +such things do; but I had managed to get my +house at Pentonville, as I have hinted; and a +pleasanter neighbourhood I don't know, or one +more convenient for getting about. I have had +some rather odd adventures since I have lived in +my street; you can't help seeing strange things, if +you keep your eyes open in London. But I didn't +begin to tell about <i>them</i>. I have finished my +account of the robberies at Byrle & Co.'s and my +story finishes in consequence.</p> + + + +<hr class="chap" /></div><div> +<h2><a name="FEATS_OF_ENDURANCE" id="FEATS_OF_ENDURANCE">FEATS OF ENDURANCE.</a></h2> + + +<p><span class="smcap">London</span>, which has witnessed many strange doings +in its day, was lately the scene of the most +wonderful feats of pedestrianism ever accomplished +within a given period.</p> + +<p>Every hour, day and night, for six weary weeks +a man plodded on his way round a measured +track, until the grand total of fifteen hundred +miles in one thousand hours had been made up, +finishing his self-imposed task with his physical +and mental faculties apparently unimpaired.</p> + +<p>The task of walking fifteen hundred miles in a +thousand hours had never before been attempted, +and henceforth the new achievement will throw +into the cold shade of obscurity even the marvellous +act of walking a thousand miles in as many<span class="pagenum"><a name="Page_807" id="Page_807">{807}</a></span> +hours, which was once accomplished in 1809 by +Captain Robert Barclay of Ury, a Scotchman, who +proposed to perform the then incredible task of +walking a thousand miles in a thousand consecutive +hours. The proposition was received with +every sign of incredulity, though, when the affair +was finally arranged to take place, many thousands +of pounds were staked on the event. Newmarket +Heath was selected as the scene of the exploit, and +the famous walk began on the 1st of June 1809, at +midnight. It is unnecessary to repeat the details +of this feat; it will suffice to mention that the +enterprising captain completed his task on the 12th +July, at four o'clock in the afternoon.</p> + +<p>Since then, an attempt has, we believe, been +made to walk the same distance <i>backwards</i>; and +within the past twelve months, Weston, the American +pedestrian, has performed some remarkable +exploits of the kind; being however at last beaten +by an Irishman named Kelly.</p> + +<p>The hero of the lately completed task (fifteen +hundred miles in a thousand hours) is a +little Welshman of not more than five feet three +and a half inches in height, and about forty-two +years of age; while in personal appearance +and general <i>physique</i> he presents anything but +what is usually supposed to be the characteristic +of a good pedestrian. His name is William Gale, +and he is a bookbinder by trade, living at Clerkenwell.</p> + +<p>At the commencement of his task on Sunday +the 26th of August, he weighed no more than +eight stone four pounds (8 st. 4 lbs.); and from +that day until Saturday the 6th October, during +a portion of every hour day and night, he pursued +his monotonous way around the inclosure at Lillie +Bridge grounds, Brompton. When the attempt +was first announced, even those most acquainted +with pedestrian feats where great endurance was +required, expressed themselves dubious as to the +result; and in order to have a reliable record of +his proceedings, Gale requested the different sporting +papers to appoint competent men as judges—a +request which was at once generously complied +with.</p> + +<p>Thus we have an official report of his great +exploit, and the public are enabled to judge for +themselves on the nature of the feat performed. +Gale's average pace appears to have been about +four miles an hour; but when he had reached his +thousandth mile he assumed a brave spurt, and +footed it in ten minutes, or at the rate of six +miles an hour. During the last few days of his +walking he started rather stiffly at first, owing +to the pain caused by the swelling of some +varicose veins in his left leg; but undaunted by +so great and manifest a disadvantage, and other +disadvantages which we shall presently refer to, +the gallant little Welshman 'plodded his weary +way' with a determined pluck that won the +admiration and applause of every one present.</p> + +<p>On Friday the 5th October, the day before the +finish of the tramp, Dr Gant of the Royal Free +Hospital was called in to see this extraordinary +walker, and after examining his legs, he pronounced +Gale to be in excellent condition so far as +his physical powers were concerned; there being +no fever, the pulse only seventy, no murmur at +the heart; and the varicose veins which had been +the cause of so much pain to him, were rather +better than worse, having considerably decreased +in size. Perhaps the most remarkable part of the +performance is, that it has been accomplished on a +system of training which entirely sets at variance +all athletic rules, for Gale partook of no fixed +refreshment, neither did he have his meals at +stated hours. His chief food was plain mutton-chops; +and as an instance of how he varied his +dishes, his afternoon meal on Friday the 5th +October, which might have been either breakfast, +dinner, or supper (so irregular had he been in this +respect), consisted of a lobster and bread and +butter, followed by a fried sole, and one or two +cups of ordinarily strong tea. During the walk he +also drank a good deal of beer—not strong beer, +but the ale which is usually sold at fourpence per +quart, which he seemed to prefer to any other +kind, probably on account of its freedom from that +tendency to increase rather than assuage thirst, so +remarkably apparent in the stronger beers.</p> + +<p>Many strange incidents occurred in the course +of the six weeks, which were calculated to while +away the time, and occasionally to bring a smile +to the pedestrian's lips. For instance, a certain +illustrated sheet, notorious for its very sensational +cartoons, published a picture of Gale on the track +followed by Old Time with the conventional +scythe on his shoulder; and many people it would +seem actually paid their money with the idea that +they were going to see the two figures as thus +represented. One man, who had evidently gone +to the grounds for this purpose, had watched Gale +go round the track several times, when he could +no longer control his disappointment. He shouted +aloud, angrily demanding his money back, because, +as he said with the greatest <i>naïveté</i> possible, 'the +beggar with the scythe hadn't turned up!'</p> + +<p>As the last week of the great walking match +wore on, signs of weariness in the indomitable +pedestrian became painfully apparent, and many +persons began to fear that the task he had set +himself would after all remain unaccomplished. +On several of the rounds he fell asleep whilst +walking, and dropped to the ground; but this contact +with mother earth seemed to revive him +instantly, and he plodded on as pluckily as before.</p> + +<p>At length success crowned his efforts; and at +seventeen minutes past five o'clock (less a second) +on Saturday afternoon the 6th October 1877, Gale +terminated his long and dreary walk in the presence +of a large, fashionable, and enthusiastic +assemblage, who rewarded his efforts with several +rounds of hearty applause.</p> + +<p>From the commencement of his task to the +finish Gale bore up against all obstacles with extraordinary +pluck and determination, his last mile +being performed in <i>ten minutes and eight seconds</i>. +He was at once removed to the tent or pavilion +under which he had snatched so many brief half-hours' +rest, and was examined by three medical +men, who found that his heart was quite natural +in its movements, and that the temperature of his +body did not exceed one hundred and six degrees.</p> + +<p><span class="pagenum"><a name="Page_808" id="Page_808">{808}</a></span></p> + +<p>The great feat which has thus been accomplished +without the aid of artificial training, is a marvellous +instance of what human endurance, allied with +courage and determination, can effect; though of +what particular benefit it may be to the world at +large it is utterly impossible to imagine.</p> + + +<p class='p2'>Since the preceding account was written, Gale +has accomplished a still more extraordinary feat, +and one which for strength of will and physical +endurance far surpasses his previous efforts. We +still fail, however, to see the benefit which +can accrue from exhibitions of this kind, and +well might he have been contented with the +laurels he had already won. He had scarcely +allowed himself time to recover from his former +task, when he once more appeared at a public +place of entertainment, namely the Agricultural +Hall at Islington, to walk four thousand quarter-miles +under the astounding condition, that it was +to be done in four thousand consecutive periods +of ten minutes.</p> + +<p>This of course deprived him of the half-hour's +rest which he could obtain at one time in the +former race, and only allowed him a few minutes +between each round to get a little sleep. Despite +these drawbacks, however, Gale finished his task +at eleven o'clock <span class="smcap lowercase">P.M.</span> on the 17th November, after +a dreary walk of nearly four weeks. By accomplishing +his task, he has placed himself at the head +of all the famous pedestrians the world has known; +and we trust that this fact will be sufficient to +satisfy his craving after what is at best but +ephemeral fame.</p> + +<p>Men have on many occasions attempted walking +feats which required a vast amount of physical +endurance, and have failed from their utter inability +to go without the natural quantum of sleep; +but Gale has not only shewn himself to be possessed +of the former, but to be altogether independent +of the latter. This, however, instead of +indicating 'pluck' merely, would rather seem to +point to a peculiarity in the man's constitution; +as there are doubtless many persons whose courage +would enable them to perform the same or even a +greater task if, like Gale, they could walk about +in a state of somnolency or semi-sleep—a state in +which, to use his own words, he was as one in a +dream, unconscious of all that was going on +around him, and believing himself to be walking +in forests and other places of silvan beauty; and +the truth of this was made evident by the fact that +he would have often exceeded the limit of his +walk had not the voice of his attendant aroused +him from his stupor.</p> + +<p>The average time occupied by this extraordinary +walker was by day about three minutes for each +quarter of a mile, and by night about five minutes; +and the fastest round recorded was done in two +minutes and forty-two seconds. His pulse was +always found to indicate a perfect state of health, +and was as regular when he left off as when he +commenced his task. His food consisted principally +of fish, fowl, chops, eggs, and light puddings; +and his drink was, with only one exception during +the whole time, tea.</p> + +<p>Perhaps the most remarkable thing about the +whole affair was the fact that, although he sank +into a deep sleep directly he reached his chair +behind the curtain, which hid him from view +between his walks, the moment the bell rang +the second time, he would appear as fresh as +ever and begin trudging away again.</p> + +<p>When the feat was accomplished, Sir John +Astley stepped forward, and amid a scene of great +enthusiasm, presented the undaunted Welshman +with a silver belt of the value of a hundred guineas, +bearing the following inscription: 'This belt was +presented to <span class="smcap">William Gale</span> of Cardiff, on the 17th +November 1877, by some of the nobility and gentry +of Great Britain, in commemoration of his hitherto +unprecedented feat, namely walking one thousand +five hundred miles in one thousand hours at Lillie +Bridge Grounds, August 26th to October 6th, 1877; +and four thousand quarter-miles in four thousand +consecutive periods of ten minutes, at the Agricultural +Hall, London, October 21st to November 17th, +1877.' The belt is of lion's skin, mounted on +velvet, the metal portion of it weighing one hundred +ounces of sterling silver.</p> + +<p>None will begrudge Gale his well-earned reward; +but it is to be hoped that such exhibitions will in +future be discountenanced by the general public, +as they not only detract from the dignity of man, +but are needless and unwarrantable in a country +which, we trust, will ever pride itself on a nobler +civilisation than that which is founded upon mere +physical endurance.</p> + + + +<hr class="chap" /></div><div> +<h2><a name="A_DIFFICULT_QUESTION" id="A_DIFFICULT_QUESTION">A DIFFICULT QUESTION.</a></h2> + +<p class='ph3'>THE STORY OF TWO CHRISTMAS EVES.</p> + + +<h3 title='PROLOGUE.'>IN TWO CHAPTERS.—PROLOGUE.</h3> + +<p><span class="smcap">In</span> the gray light of an Indian dawn, with the +cool breeze blowing through the curtains of the +tent, and his friend's sorrowful eyes looking down on +him, a soldier lay on his rough couch—waiting for +death. They were soon to be parted those two, who +had lived and fought together; but the face of +the one who was starting on that journey of which +none has measured the distance, was smilingly +calm, while the eyes of the other glistened with +regretful tears as he spoke low, faltering, remorseful +words.</p> + +<p>'Hush, Ralph, hush!' the other said at last. +'Don't you think, dear old fellow, I would sooner +lose my life in having saved yours, than in any +other way? After all, a few days or years sooner +or later, what does it signify? My fate is perhaps +the happiest, though I hope it is not. I don't +think life is so very desirable,' he continued; 'I +am only twenty-six; but mine has not been a +happy one. It was my own fault, though. Take +my advice, Ralph; don't marry young. There is +only one thing that troubles me'——</p> + +<p>'Your little girl,' Ralph interrupted. 'Wrayworth, +let me take care of her; if I can make +her happy, it will be some slight atonement, +some'——</p> + +<p>'You would take care of her, Ralph? would +you?' The dying man's eyes shone gratefully as +he looked up in his friend's face. 'She has nothing, +poor little thing,' he went on sadly—'motherless, +fatherless, scarcely more than a baby either. It +would be a heavy charge to leave you, Ralph.'</p> + +<p>'Wrayworth! how can you speak so; you will +drive me mad! You—you'—— He broke down<span class="pagenum"><a name="Page_809" id="Page_809">{809}</a></span> +utterly; it was something so terrible to see this +friend dying there—for him. 'Anything on earth +that I can do'—— he murmured.</p> + +<p>'You will do for her,' said Wrayworth. 'Thank +you. I have no friends to send her to. I meant +to have made her very happy.'</p> + +<p>'She shall be; I swear it!' Ralph answered +fervently, thankful for this charge, which might +in some degree help him to pay that debt of gratitude, +and forgetful that he had no control of fate, +that the promise he gave of happiness was a +fearfully presumptuous one. But he made it +willingly, gladly, solemnly, before God; and as +far as lay in his power it should sacredly be kept; +any sacrifice he would make for this child.</p> + +<p>His friend's eyes rested on him searchingly for +a moment. 'I trust you,' he said—'I trust you.'</p> + +<p>The hours passed on, the blazing sun arose, and +Ralph went out into the burning glare with +bent head and staggering footsteps, while words +he had heard long since seemed floating round +him in letters of fire: 'Greater love hath no man +than this, that a man lay down his life for his +friend.'—'Is there <i>none</i> greater?' he thought. 'Is +there nothing <i>I</i> can do to repay—nothing?'</p> + + +<h3>CHAPTER I.—ASKED.</h3> + +<p>The years were well on in their teens since +that melancholy scene was enacted in the Indian +tent—since Wrayworth consigned his only child +to the guardianship of the friend whose life, at +the expense of his own, he had saved on the +battle-field. A carriage rolled along the snowy +high-road through the cold clear air; the short +winter's day was drawing to its close, and up in +the darkening sky the stars were beginning to +shine upon the world's most joyful season, upon +Christmas eve. The world's most joyful season? +We call it so, this festival, more than eighteen +hundred years old; but does the world think it so?—the +world, with its thousand cares and crosses, +its deep and hidden sorrows, its partings and its +tears? Of those amongst the myriads who keep +the Yule-tide feast, how many hold it with a +chastened joy! For on that day most of all our +thoughts go back to other years, to other faces, to +other lips that have wished us 'a merry Christmas;' +to other hands, which have clasped ours so +loyally, to those who have loved us so long ago!</p> + +<p>But Major Loraine had no sad memories connected +with the season as he drove up to the old +house, from which duty had so frequently called +him, and which he had not seen for five years. In +the wide, dark, panelled hall his step-mother +stood waiting to welcome him, as gladly as though +he had been her own son. He was only a boy +when she first came there, when the pink was +fresh on her cheek and the gold bright in her +hair; they had been drawn to each other then; +and through the long years of her widowhood his +loving care had helped to lighten her load of +sorrow; so it was not wonderful that for months +past she had been eagerly looking forward to his +return.</p> + +<p>The greetings over, they sat down side by side, +talking, as those talk after long separation, of past, +present, and future; of their acquaintances married, +dead, or far away; of things on the estate, prosperous +or failures; of the ball to be given next month, +of the one they were going to, to-night; of how +much Emma was improved since she 'came out,' +how Katharine was considered one of the handsomest +girls in the place, and how she might +marry Sir Michael Leyland with thirty thousand +a year if she liked.</p> + +<p>'But why ever doesn't she like?' asked the +Major, astonished at this new phase in the character +of his worldly-minded sister.</p> + +<p>'That is just what troubles me,' answered Mrs +Loraine. 'They are all at the church now, helping +to decorate. Louise wanted to stay at home to +welcome you, but I sent them all off, so as to have +you to myself for an hour. You will see a great +alteration in Louise, Ralph.'</p> + +<p>'Shall I, mother?' he said smiling. 'I think +not. Her letters are the same always; they have +altered in style a little of course in the last year +or two, but it is the same spirit—the same +creature.'</p> + +<p>'But not the same face, Ralph. Remember you +have not seen her for five years, which have not +altered you, but which have changed her from an +unformed girl of fourteen to a lovely woman; +with that bright changing beauty, which has +more charm for a man than regularity of feature. +It is a very difficult question.'</p> + +<p>'What is a difficult question?' asked Ralph, as +his mother paused.</p> + +<p>'What to do with Louise.'</p> + +<p>'You hinted something of the kind in your last +letter, mother,' he said gravely. 'I am sorry, but +I must confess this house seems large enough for +four women. You know how I am situated; you +know the promise which binds me. But tell me,' +he added smiling, 'what has Louise done? She +seemed to me gentle and tractable enough when I +was last at home.'</p> + +<p>'I have not the slightest fault to find,' Mrs +Loraine replied; 'you know I am very fond of +her. You will think my difficulty very womanish; +simply, Louise is too pretty.'</p> + +<p>'And some one has told her so,' said Ralph, +laughing. 'Go on.'</p> + +<p>'It is not that; but I cannot bear to see my own +child's happiness destroyed by another, who, if not +a stranger, has at least no claim upon her.'</p> + +<p>Ralph frowned slightly. 'Perhaps not,' he +answered; 'the claim is upon me, and it is a sacred +one. So,' he continued, 'it is a case of rivals, I see.'</p> + +<p>'Simply this, Ralph. You remember the Levesons +of Leigh Court, where we are going to-night? +Their eldest son is in the —th Dragoons, and +has been home on leave. Louise was away when +he first came here, and he appeared very much +struck with Katharine; and no wonder; she is +very handsome. Well—don't laugh at me; I don't +like match-making as a rule; but I thought as she +seemed interested in him, there was no harm in +inviting him sometimes. But as soon as Louise +came home, he transferred his attentions to her. +Katharine says nothing; but it makes a kind of +awkwardness between them. I know she feels it, +poor child; though indeed I believe Vere Leveson +is simply flirting with Louise.'</p> + +<p>Major Loraine laughed. 'Poor mother!' he +said, 'you will have enough to do if you take all +your children's love affairs to heart so seriously. +These things always right themselves, you know. +But I confess I am surprised to hear of Katharine +going in for sentiment; I should have thought Sir +Michael more in her line. Is that all, mother?'</p> + +<p><span class="pagenum"><a name="Page_810" id="Page_810">{810}</a></span></p> + +<p>'No; only the first of my difficulties,' she +answered half sadly. 'You know what my health +has been for the last few years; you know—— Well, +you do not wish me to speak of that; but it is +better to look in the face of possibility. Suppose +anything happened to me, Ralph, what would +become of Louise?'</p> + +<p>'You speak of what I hope may be far distant, +mother,' he answered tenderly. 'But why should +you be uneasy about her? In the event of her not +marrying, she would always have a home here +with me.'</p> + +<p>Mrs Loraine shook her head. 'Turn round and +look in the glass,' she said; 'thirty-nine is not +such a very formidable age.'</p> + +<p>He turned, and contemplated his bronzed face in +the glass; such a handsome, noble face, telling of a +nature that could not act falsely or meanly. The +broad square forehead, marred by a sabre-cut, and +the dark hair flecked here and there, by the Indian +sun, with gray; nothing else to find fault with in +the frank kind smile, the fine regular features, the +dark true eyes.</p> + +<p>'I think there is no fear of my being taken for +younger than I am, mother,' he said, smiling.</p> + +<p>'It is an awkward position for you, though,' she +answered; 'and as I said, a difficult question +what to do. We must hope for the best, Ralph. +You are going to join the others now, I suppose?'</p> + +<p>'Yes; I think I can find my way.'</p> + +<p>He went out into the keen frosty air, walking +slowly, though it was unpleasantly cold to one +accustomed to tropical climates. He was thinking +over his mother's words, and knew she was right +as to the awkwardness of the position. He saw +the peace of the household was troubled, without +knowing how to set matters right, and he thought +of the old friend who had trusted his child to him. +He had vowed she should be happy, and now it +seemed a difficult vow to keep; but for the sake of +the man who had died for him sixteen long years +ago, the pledge then given must be redeemed.</p> + +<p>Louise Wrayworth's life had been a bright one +hitherto; her guardian's home was the only one she +could remember, and he had striven to fill in some +degree her father's place. To him, from infancy +to womanhood, she had looked up with loving +grateful reverence, regarding him, present or +absent, as the noblest of created beings.</p> + +<p>He reached the old church, and made his way +round to the open vestry door. The steps were +encumbered with bundles of evergreens; the voices +of the workers, who had finished their task, were +audible. He pushed the door further open, and +went in. The floor was covered with boughs, and +around the pillars were wreathed holly and other +evergreens in honour of the joyous season. Some +of the choristers stood waiting for the choir-practice, +and the organist was softly playing <i>Adeste +Fideles</i>.</p> + +<p>'Ralph!' cried a young fresh voice; and a +slight fair girl with a merry face sprang up from +the floor, with her hands full of the scarlet berries, +which fell hither and thither in bright-hued rain, +as with complete indifference to the by-standers, +she gave the returned soldier a sisterly embrace. +'You dear old thing to come for us!' she exclaimed.</p> + +<p>'Emma, Emma!' exclaimed Ralph, laughing and +disengaging himself; 'you have not learned to +behave any better in five years.'</p> + +<p>But his young sister had vanished, and he +turned to greet the vicar; and one or two of the +ladies he recognised. In a few minutes Emma +reappeared; and behind her came a tall fair +girl with masses of golden hair, and great beautiful +cold blue eyes. She greeted Major Loraine +affectionately, but with the quiet stately grace +habitual to her. Five years had not changed +Katharine Loraine; at twenty-four she was still +the same majestic Queen Katharine as at nineteen, +with whom he had always had so little +sympathy, whose nature he had found so difficult +to understand.</p> + +<p>'Where is Louise?' he asked presently. 'Is she +not here?'</p> + +<p>'She went into the churchyard just now,' +answered Emma, 'to put a wreath on Nellie +Bryant's grave. You remember her, Ralph?'</p> + +<p>'Louise's friend? Yes.'</p> + +<p>'A <i>triste</i> employment for Christmas eve,' observed +one of the gentlemen decorators to Katharine, +as he stooped to disentangle her dress from a +long sprig of ivy.</p> + +<p>'Oh, Mr Leveson went to hold a lantern for her,' +Katharine answered, with the slightest possible +shade of contempt in the silvery tones of her +voice; 'and Louise is never <i>triste</i>, unless she is +by herself.'</p> + +<p>The choir was now fully assembled; the organist +struck up the anthem, the rest were silent to +listen, and Ralph Loraine went out to look for his +ward. He came round the east end of the old +church, and stood still for a moment in the +shadow. There were two people standing at the +edge of the path, looking down on the grave at +their feet, where the lantern's light shewed the +shining holly upon the upright marble cross. It +shewed too the face of his friend's child; a beautiful +face, as his step-mother had said, with large +dark eyes and wavy dusky hair, a clear delicate +complexion with a little rose-flush on the cheeks, +and full red lips half-parted by the sweetest smile +he had ever seen; with the same erect carriage of +the head, the same fearless straight regard which +had characterised her father.</p> + +<p>It was so strange to see her there a woman, +whom he had left a mere girl; and as he looked +on the fair face, something seemed to whisper that +the ideal beauty he had so often dreamed of was +before him at last. They moved away, and came +slowly nearer, and paused again where he could +see her companion; and for a moment he almost +hated the man for his youth, and his handsome +face, and the deep-blue eyes aflame with passion-fire +as they rested on the child of his dead friend; +and another whisper which silenced the first, told +him how fitted was each for the other.</p> + +<p>'If <i>I</i> were lying there,' said Vere Leveson, and +Ralph could hear every one of the foolish, softly +spoken words, 'would you ever make wreaths for +<i>me</i>, I wonder?'</p> + +<p>'I don't know.'</p> + +<p>'Don't you? I wish you did; for I thought just +now I should be glad to be lying there, if you +would remember me.'</p> + +<p>Ralph had heard enough, and tried to slip away +unseen; but the gravel crunched under his feet +and betrayed him.</p> + +<p>Louise started, and a bright vivid blush covered +her face as she sprang forward. 'Lorrie! Oh, how +glad I am to see you again!' she cried, as she<span class="pagenum"><a name="Page_811" id="Page_811">{811}</a></span> +took both his hands in hers and lifted her cheek +for his kiss.</p> + +<p>He felt half sorry she had done so; that and +the old childish name put him immediately in +his place as guardian, and made him ashamed of +his thoughts. 'How you are altered, Louise!' he +said, looking down at her admiringly. 'I think I +should hardly have known you!'</p> + +<p>'I should have known you, Lorrie, anywhere,' +she said reproachfully.</p> + +<p>'That is rather different,' he said; 'when we +once get old, we don't change so quickly.'</p> + +<p>'You would not like it if I said you were old, +Lorrie. But tell me, am <i>I</i> altered for the worse? +or'——</p> + +<p>'You have no need to come to me for compliments, +surely,' he said smiling.</p> + +<p>'I should think more of yours than of any one's,' +she whispered, with that sweet dangerous smile; +a smile which a man like Ralph Loraine should +have taken as a warning not to feel its influence +too often.</p> + +<p>'How rude I am!' she said at last.—'Mr Leveson, +do you know my guardian?' She turned to her +companion, who stood holding the lantern a few +yards from them.</p> + +<p>'I had the honour of dining in your company +once, Major Loraine,' he answered, stepping forward. +'It is some time ago, when I first joined at Madras; +but I well remember my anxiety to see such a +distinguished soldier as yourself.'</p> + +<p>There was a ring of truth and honest admiration +in the words, which raised them above an +ordinary compliment, and which made Ralph +hold out his hand and answer cordially: 'I have +a bad memory for faces, or I think I should have +remembered yours.'</p> + +<p>'Thanks,' said Vere, laughing. 'We shall have +the pleasure of seeing you to-night, I hope?'</p> + +<p>'Yes; my mother told me of the invitation.'</p> + +<p>'Of course he is coming,' said Louise. 'And +you will dance with me all the evening, Lorrie; +won't you?'</p> + +<p>'Not quite all, Miss Wrayworth; please, don't +forget my waltzes,' said Vere, holding out his +hand. 'I must be off now; so good-bye for the +present. You won't forget?'</p> + +<p>She looked up quickly. 'Perhaps,' the lips said +laughingly; but the dark eyes gave a sweet silent +answer Ralph did not see, though he was watching +them. But after Vere Leveson had gone, he +walked home beneath the Christmas stars, with +Louise's hand resting on his arm, dreaming as he +went, a fair, fond, foolish dream.</p> + + +<p class='p2'>The Christmas-eve ball at Leigh Park was a +regular institution, one which Sir Harry Leveson +had kept up for years. It was a pretty sight, +Ralph thought, as he stood leaning against a +window, and looking round to select a partner. +And amongst all the fair women, the one he +thought the fairest was his young ward Louise +Wrayworth, in her white floating dress, with its +wreaths of holly, and the red clustering berries in +her dark hair.</p> + +<p>Ralph had been watching Vere Leveson, trying +to decide in his own mind whether Mrs Loraine's +verdict of flirtation was a just one; and he +judged that it was; for the attentions of the young +officer were apparently equally divided between +Louise and Katharine. Ralph did not happen to +be near when, later on, he led Louise to one of +the cool empty rooms, where through the open +window could be heard the merry Christmas bells. +He did not see the hand-clasp or the light that +flashed in the eyes of each. He did not hear the +hurried whisper: 'Louise, you won't forget me, +you will trust me till next Christmas-time?'</p> + +<p>The ball was over, the rooms were dark and +silent; the whole world waited for the sun to +rise on Christmas-day.</p> + + + +<hr class="chap" /></div><div> +<h2><a name="IS_THE_TELEPHONE_A_PRACTICAL" id="IS_THE_TELEPHONE_A_PRACTICAL">IS THE TELEPHONE A PRACTICAL +SUCCESS?</a></h2> + + +<p><span class="smcap">In</span> September last appeared in this <i>Journal</i> an +article entitled 'Singing and Talking by Telegraph;' +and in that paper we attempted to describe +the mechanism of that wonderful little instrument +the telephone. It is now our purpose to say something +regarding the progress that has been made +towards perfecting the invention; but in order to +make the article as clear as possible, we venture +once more upon a few words explanatory of the +instrument.</p> + +<p>The telephone as it is now made is an exceedingly +simple-looking apparatus similar in appearance +to a stethoscope; to the handle of a girl's +skipping-rope; or better still, to a large-sized +penny wooden trumpet. Inside this hollow cylinder, +and within an inch or so of the wider end, is +fixed a plate of iron as thin as a well-worn sixpence, +and about the size of a half-crown piece. +This is called the diaphragm. Behind the diaphragm, +nearly touching it, and extending to the +narrower end of the cylinder, is a piece of 'soft' +iron enveloped in wire coils, with a permanent +magnet beyond. Outside the narrower end of the +cylinder, and communicating with the coils that +surround the iron inside, are attached two screws +or 'terminals,' which are 'joined up' to a main +wire, communicating with the distant or receiving +telephone wherever that may be, and which is +precisely similar to the one we have described. +When we apply our mouth to the bell-shaped +end of the apparatus, and speak or shout or sing, +we set the diaphragm vibrating as in a tuning-fork; +the vibrations thus created are electrically +communicated through the wire to a distant +telephone, and are repeated on its diaphragm +with more or less distinctness.</p> + +<p>It is known that the motion of an iron plate +contiguous to the poles of a magnet creates a +disturbance of electricity in coils surrounding +those poles; and the duration of this current +will coincide with the vibratory motion of the +plate or diaphragm. When, therefore, the human +voice (or any other suitable sound) impinges +through the tube against this diaphragm, the +diaphragm begins to vibrate, and awakens, so +to speak, electrical action in the coils of wire +surrounding the poles of the magnet; not a current, +but a series of undulations, something like +those produced by the voice in the air around us. +In short the telephone is an apparatus designed +to transmit sound through a wire of indefinite +length; the voice being, so to speak, 'converted<span class="pagenum"><a name="Page_812" id="Page_812">{812}</a></span> +into electricity at one end, the electricity becoming +voice at the other.'</p> + +<p>With these few explanatory remarks, we now +proceed to offer to our readers the following interesting +experiments made by a gentleman well +skilled in telegraphy.</p> + +<p>'Journalists,' he says, 'with no special knowledge +of the difficulties the invention has to +encounter as a telegraph instrument, have expatiated +in such enthusiastic terms upon the results +said to have been achieved by the telephone, that +a somewhat exaggerated notion of its powers +and capabilities has been accepted by the general +public. It appears, therefore, to the writer of those +lines that a statement of the experiences of a +person practically engaged in the work of telegraphy +may assist in placing the phenomena of +the telephone on a proper footing.</p> + +<p>'Scientifically, the telephone is a great and +undoubted success; and a person would be grievously +in error if, because of some undoubted +hindrances to its practical use, he pronounced it +unworthy of further experiment. The emergence +of telegraphy from the domain of experiment +into that of daily practical use is a fact so +undoubted, and one with which we are now so +familiar, that it is impossible to say at what +moment the telephone, at present a scientific toy, +may become a daily necessity not only of telegraphic +but of ordinary commercial work.</p> + +<p>'Being engaged in daily contact with a large +telegraphic centre, and in association with men +who have the command of every means of testing +the invention in a practical work-a-day manner, +the writer was able to gauge pretty accurately the +range within which the telephone can work. It +must be understood, however, that in recording +the effects observed by him and his associates, he +has no desire to invalidate, or even to call in question +the experiences of others who may have been +able to arrive at better results. The telephone is +in the hands of some of the first electricians and +telegraphists of the day, and differences of conditions +(not to speak of differences of capacity on +the part of the operator) may give variety in +the observations made. The very difficulties and +drawbacks now to be recorded will no doubt some +day suggest to a master-mind the method by which +they may be overcome. But till that day arrives, +the telephone must be content to remain where +the writer leaves it, an undoubted success from +a scientific point of view, but overwhelmed with +obstacles to its practical use, in this country at +least, in general telegraphy.</p> + +<p>'When a telegraphist first gets into his hand +this beautifully simple and electrically delicate instrument, +his first inclination is to test its carrying-power. +This is of course a closet experiment, +not working with actual telegraph line, but +with "resistance" equivalent to a telegraph line of +stated length. An experiment of this nature gives +better results than could be obtained by a veritable +line, because the insulation is, so to speak, perfect. +No leakage at undesigned points of contact, or +disturbance from unfavourable atmospheric conditions, +is felt, and the experiment is entirely under +the observer's control. The apparatus used is +designed to offer the same labour for the electric +current to overcome, as would be offered by a +stated length of outside telegraph line. This +artificial resistance is nicely graduated, and as +the method of testing was suggested by Ohm, a +German electrician, the unit of resistance is, as +we once previously explained, termed an "ohm." +Removing the telephone to such a distance that +the two observers were "out of earshot," the test +with resistance was tried, and with a resistance of +one thousand ohms—roughly speaking, equal to +seventy miles of a well-constructed line—the sound +was perfect, although not very loud. Every articulation +of the speaker at the other end could be distinguished +so long as silence was maintained in the +room, or so long as no heavy lorry rumbling over +the stones outside sent in harsh noises which +drowned the faint whisper of the instrument. The +resistance was gradually raised to four thousand +ohms—nearly three hundred miles—with like +favourable results; and for some little distance +beyond, articulation could still be made out. But +by the time ten thousand ohms had been applied, +putting the speaker at a distance of, say, seven +hundred miles, sound only, but not articulate +sound, reached the ear. The tone was there, and +every inflection of the voice could be followed; +but articulation was absent, although the listener +strove every nerve to catch the sound, which the +speaker, as was afterwards ascertained, was shouting +in a loud clear voice. The prolonged notes of +an air sung could be heard with the resistance +named, but again no words could be distinguished. +The voice, whether in speaking or singing, has a +weird curious sound in the telephone. It is in +a measure ventriloqual in character; and with +the telephone held an inch or two from the ear, +it has the effect as if some one were singing far +off in the building, or the sound were coming up +from a vaulted cellar or through a massive stone +wall.</p> + +<p>'Proceeding to our next experiment, we joined +up the telephones in one office to several wires +in succession, putting ourselves in circuit with +lines going to various distances and working with +different instruments. When this was done, the +real obstacle to telephonic progress at once asserted +itself in the shape of "induction." The first wire +experimented with was partly "overhouse" and +partly underground, and the offices upon it were +working Wheatstone A B C instruments. It is +difficult to render clear to the person ignorant of +telegraphic phenomena the idea expressed by the +word <i>induction</i>. Briefly it may be put thus, that +when a strong electric current is passing on a +wire, it has the faculty of setting up a current of +opposite character in any wire not then working, +or working with a feebler current, that may be in +its vicinity. The why or the wherefore cannot be +explained, but there is the fact.</p> + +<p>'In various recent articles on the telephone, +mention has been made of "contact" as the cause +of disturbance. This word, however, although it +has been used by telegraphists, is misleading, and +can only be used as an endeavour to express popularly +an electric fact. Actual contact of one wire +with another would spoil the business altogether. +A wire bearing an electric current seems to be for +the time surrounded, to an undefined distance, by +an electric atmosphere, and all wires coming +within this atmosphere have a current in an opposite +direction set up in them. This is as near an +explanation of the phenomena of induction as the +state of telegraph science at present affords. Now +the telephone works with a very delicate magnetic<span class="pagenum"><a name="Page_813" id="Page_813">{813}</a></span> +current, and is easily overpowered by the action of +a stronger current in any wire near which the telephone +wire may come. To work properly it +"requires a silent line."</p> + +<p>'In the place where the observations were made, +there are a large number of wires, travelling +under the floor, through the test-box, along +passages to the battery-room and to a pole on +the outside, whence they radiate, or out to +a pipe underground, where many gutta-percha-covered +wires lie side by side. On applying +the ear to a telephone joined into a circuit +working in such an office a curious sound is heard, +comparable most nearly to the sound of a pot +boiling. But the practised ear could soon separate +the boiling into distinct sounds. There was one +masterful Morse instrument—probably on the wire +lying nearest the one on which we were joined up—whose +peremptory "click, cli-i-i-ck, click," representing +"dot, dash, dot" on the printed slip we read +from, could be heard over all. Then there was +the rapid whir of a Wheatstone fast-speed transmitter, +sending dots and dashes at express speed +by mechanical means; the sharp well-pronounced +rattle in sounds of equal length of a needle instrument; +and most curious of all, the "rrrrr-op, rr-op, +rrrrrrrrrrrrr-op, rrrrr-op, rr-op" of the A B C, the +deadliest foe to the telephone in its endeavours to +gain admission into the family of telegraph instruments. +There may be reason in this, for as the +Wheatstone A B C is the instrument used for +private telegraphy, or for the least important +public offices, because it requires no "code" to +be learned by the manipulator, so it would likely +be the first to be displaced if an acoustic telegraph +permanently took the field. So the sentient little +A B C opens its mitrailleuse fire on the intruder, +on whose delicate currents, in the words of an +accomplished electrician, it plays "old harry." The +peculiar character of the sounds we borrow on the +telephone from this instrument arises from the +fact that as the needle flies round the dial, a +distinct current or pulsation passes for each letter, +and the final "op" we have tried to represent shews +the stoppage of the needle at the letters as words +were spelled out.</p> + +<p>'It must not be understood that the <i>sounds</i> +of those various instruments are actually heard +in the telephone. What happens is, that the +currents stealing along the telephone wire by +induction produce vibrations in the diaphragm +of that instrument, the little metal membrane +working on the magnet in ready response to +every current set up in the latter. When it +is remembered that the principle of the telephone +is that the sound-caused vibrations in the +filmy diaphragm at one end create similar but +magnetically-caused vibrations in the diaphragm +at the other end, and so reproduce the sound, it +will be obvious why the rapid roll of the A B C +currents, or the swift sending of the fast-speed +transmitter, when brought by induction into the +telephone wire, cause disturbances in the sound +vibrations, and thereby cripple the instrument. +One instrument of either kind named would have +a certain effect, but one Morse or single needle +would not have any greatly prejudicial effect. But +a number of Morses or needles going together, +such as were heard in our experiments, would +combine to be nearly as bad as one A B C or fast-speed +Morse. So delicate is the diaphragm to +sound (and necessarily so), that in all experiments +with the telephone itself, such as those with "resistance," +or those made at home to test the instrument +apart from telegraphic considerations, every +sound from without broke in, giving an effect like +the well-known "murmur of the shell."</p> + +<p>'Joining up our wire now to a more distant +station at some miles along the railway, and +having on its poles a number of what are +known as "heavy" circuits, the pot-boiling sound +assumed even more marked characteristics. The +A B C no longer affected us; but a number of +Morse instruments were in full gear, and the fast-speed +transmitter was also at work. While we +were listening, the circuit to which we were joined +began to work, and the effect was literally electrical. +Hitherto we had only borrowed currents—or, +seeing they were so unwelcome, we might +call them currents thrust upon us—and the +sounds, though sharp and incessant, were gentle +and rather low. But when the strong current was +set up in the wire itself, the listener who held +one of our telephones nearly jumped from the +floor when an angry "pit-<i>pat</i>, pit-<i>pat</i>, pit-<i>pat</i>-pit" +assailed his ear, causing him to drop the instrument +as if he had been shot! It was a result none +of us had expected, for it did not seem possible +that the delicate metal diaphragm and the little +magnet of the telephone could produce a sound so +intense. Of course it was only intense when the +ear was held close to the orifice of the instrument. +Held in the hand away from the ear, the telephone +now made a first-rate "sounder," and we could tell +without difficulty not only the signals that were passing, +but found in it a more comfortable tone than +that given by the Morse sounder in common use.</p> + +<p>'Other experiments of a like character led to +results so similar, that they may be left unnoticed; +and we proceed now to describe one of a different +character, designed to test the telephone itself. At +a distance of about half a mile, access was obtained +to a Morse instrument in private use, and joined +to the office by "overhouse" wire. Dividing our +party and arranging a programme of operations, +two remained with a telephone in the office, while +other two, of whom the writer was one, proceeded +with the second telephone to the distant instrument. +By an arrangement which a practical telegraphist +will understand, the key of the Morse +was kept in circuit, so that signals could be exchanged +in that way. It may be noticed, however, +that this was hardly necessary, as the diaphragm +of the telephone can be used as a key, with the +finger or a blunt point, so that dot and dash signals +are interchangeable, should the voice fail to be +heard. As the wire in this instance travelled +almost alone over part of its course, we were in +hopes that induced currents would be conspicuous +by their absence. In this we were, however, disappointed, +for the pot was boiling away, rather more +faintly, but with the "plop-plop-plop" distinctly +audible, and once more a sharp masterful Morse +click was heard coming in now and again. The +deadly A B C was, however, absent, so that our +experiment proved highly successful. For some +reason or another—probably an imperfect condition +of the wire, or the effects of "induction" over and +above what made itself audible to us—the spoken +sounds were deficient in distinctness; but songs +sung at either end were very beautifully heard, +and indeed the sustained note of sung words had<span class="pagenum"><a name="Page_814" id="Page_814">{814}</a></span> +always a better carrying-power than rapidly spoken +words. Every syllable, and every turn of melody +of such a song as <i>My Mother bids me bind my Hair</i>, +sung by a lady at one end, or <i>When the Heart of +a Man</i>, sung at the other, could be distinctly +heard, but with the effect before noticed, that the +voice was muffled or shut in, as if the singer +were in a cellar, while it was not always possible +to say at once whether the voice was that of a +man or a woman.</p> + +<p>'In the course of some domestic experiments, +it was remarked that in playing the scale downwards +from C in alt. on the piano, the result +to the listener was a "tit" only for the four +upper notes, although all below that had a clear +"ting," and the octaves below were mostly distinct, +although at the low notes of the piano the sound +was again lost. The ringing notes of a musical +box were not so successful, but with close attention, +its rapid execution of <i>Tommy Dodd</i> could be +well enough made out. An endeavour was made +to catch the ticking of a watch, but this was +not successful, and the experiment is not recommended, +as the near presence of a watch to +a magnet is not desirable; and the watch exposed +to it in this instance was, it is thought, affected +for a short time thereafter, although it received +no permanent damage.</p> + +<p>'The observations made in the course of these +experiments convinced those present that the +telephone presents facilities for the dangerous +practice of "tapping the wires," which may make +it useful or dangerous, according as it is used +for proper or improper purposes. It might be an +important addition for a military commander to +make to his flying cavalry; as an expert sound-reader, +accompanying a column sent to cut off +the enemy's telegraph connections, might precede +the act of destruction by robbing him of some +of his secrets. The rapidity and simplicity of the +means by which a wire could be "milked," without +being cut or put out of circuit, struck the +whole of the party engaged in the various trials +that are described above. Of course the process of +tapping by telephone could not be carried out +if the instrument in use was an A B C or single +needle, or if the wire was being worked duplex +or with a fast-speed Morse, for in these cases +the sounds are too rapid or too indefinite to be +read by ear. The danger is thus limited to +ordinary sounder or Morse telegraphs; but these +still form the mainstay of every public system.</p> + +<p>'Since the trials above described were made, the +newspapers have recorded a beautiful application +by Sir William Thomson, of the electric part of +the telephone to exhibit at a distance the motions +of an anemometer; the object being to shew the +force of air-currents in coal-mines. This is a +useful application of an electric fact, and doubtless +points the way to further discoveries. But +it is to be noticed that the experiment, interesting +as it is, hardly comes under the head of a tele<i>phone</i>, +what is reproduced at a distance being not sound +but motion.</p> + +<p>'Obviously the invention cannot rest where it +is; and no one more readily than the practical +telegraphist will welcome an instrument at once +simple, direct, and reliable. Even in its present +form the telephone may be successfully used +where its wire is absolutely <i>isolated</i> from all other +telegraph wires. But the general impression is +that its power of reproducing the sound must be +intensified before its use can become general even +as a substitute in works or offices for the speaking-tube.'</p> + + + +<hr class="chap" /></div><div> +<h2><a name="SINGING_MICE" id="SINGING_MICE">SINGING MICE.</a></h2> + + +<p><span class="smcap">These</span> interesting animals are said to be smaller +than ordinary mice, to be usually of a brownish +colour, and to have long ears. Naturalists have +not come to any exact reason as to why they +sing. Some persons impute the singing to +disease, as in the wheezing of any one from +a cold. Others attribute it to an internal parasite. +But these seem unsatisfactory explanations; +for when the little creatures sing they are as +lively as common domestic mice. The faculty +of singing in a small way with various modulations +appears to be quite natural to the animals. +It has been noticed that during their musical performances +there is a throbbing in the throat, and +that the snout is elevated in giving play to the +voice, as in the warbling of birds. The song or +warble of these mice is said to be sweet and varied. +Hitherto not much attention has been given by +zoologists to the phenomenon; but we observe by +various notices in <i>Land and Water</i> and in <i>Nature</i>, +two periodicals devoted to pleasant discussions on +subjects of natural history, &c., that singing mice +are becoming objects of careful investigation.</p> + +<p>An amusing account of a singing mouse appears +in <i>Nature</i>, Nov. 9, from the pen of Mr Joseph +Sidebotham, dating from Menton, south of France.</p> + +<p>'Last winter we occupied the rooms we now do +at Menton. Early in February we heard as we +thought the song of a canary, and fancied it was +outside our balcony; however, we soon discovered +that the singing was in our <i>salon</i>, and that the +songster was a mouse. At that time the weather +was rather cold, and we had a little fire, and the +mouse spent most of the day under the fender, +where we kept it supplied with bits of biscuit. In +a few days it became quite tame, and would come +on the hearth in an evening and sing for several +hours. Sometimes it would climb up the chiffonier +and ascend a vase of flowers to drink at the water, +and then sit and sing on the edge of the table and +allow us to go quite near to it without ceasing its +warble. One of its favourite haunts was the wood-basket, +and it would often sit and sing on the edge +of it. On February 12, the last night of the +Carnival, we had a number of friends in our <i>salon</i>, +and the little mouse sang most vigorously, much +to their delight and astonishment, and was not in +the least disturbed by the talking. In the evening +the mouse would often run about the room and +under the door into the corridor and adjoining +rooms, and then return to its own hearth. After +amusing us for nearly a month, it disappeared; +and we suspect it was caught in a trap set in one +of the rooms beyond. The mouse was small and +had very large ears, which it moved about much +whilst singing. The song was not unlike that of +the canary in many of its trills, and it sang quite<span class="pagenum"><a name="Page_815" id="Page_815">{815}</a></span> +as beautifully as any canary, but it had more +variety, and some of its notes were much lower, +more like those of the bullfinch. One great +peculiarity was a sort of double song, which we +had now and then—an air with an accompaniment. +The air was loud and full, the notes +being low and the accompaniment quite subdued. +Some of our party were sure that there +was more than one mouse, until we had the +performance from the edge of the wood-basket +and were within a yard or two of it. My son +has suggested that many or all mice may have +the same power, but that the notes are usually +so much higher in the scale that, like the cry +of the dormouse and the bat, they are at the +verge of the pitch to which the human ear is +sensitive. This may be so; but the notes of our +mouse were so low, and even the highest so far +within the limits of the human ear, that I am +inclined to think the gift of singing in mice is but +of very rare occurrence.'</p> + +<p>In the same periodical, the following additional +particulars as regards singing mice are presented +by Mr George J. Romanes, Regent's Park.</p> + +<p>'Several years ago I received some of these animals +from a friend, and kept them in confinement for +one or two months. The description which your +correspondent gives of their performance leaves +very little to be added by me, as in all respects this +description agrees perfectly with my own observations. +I write, however, to remark one curious +fact about the singing of these mice, namely, that +it seemed to be evoked by two very opposite +sets of conditions. When undisturbed, the little +animals used for the most part to remain quiet +during the day, and begin to sing at night; but if +at any time they were alarmed, by handling them +or otherwise, whether during the day or night, +they were sure to sing vigorously. Thus the +action seemed to be occasioned either by contentment +or by fear. The character of the song, however, +was slightly different in the two cases.</p> + +<p>'That these mice did not learn this art from +singing birds there can be no doubt, for they were +captured in a house where no such birds were kept. +It may be worth while to add that this house +(a London one) seemed to have been suddenly +invaded, so to speak, by a number of these animals, +for although my friend has lived in this house +since the year 1862, it was only during a few +months that singing mice were heard in it, and +during these few months they were heard in considerable +numbers.'</p> + +<p>As corroborative of the foregoing notices, we +give the following very interesting account of a +singing mouse, obligingly sent to us by a correspondent, +Mr Alfred Wright.</p> + +<p>'In the early spring of last year I was invited +by an old widow lady to see a singing mouse, +which she had at night heard singing and scratching +beneath the floor of her bed, and been so fortunate +as to catch in a trap. I went, and found the +little animal in a cage with a revolving wheel, +similar to that in which a squirrel is usually confined. +Whether the mouse was shy at the presence +of a stranger, I do not know. It remained silent; +but at length, after my patience had been nearly +exhausted, it began to sing in clear warbling notes +like those of a bird. When I called the next +evening to hear the mouse again, I heard him to +perfection; and was so filled with interest in the +novelty, that I begged permission to bring any +friend who was a sceptic of the fact, or who might +desire to see the phenomenon. My request was +readily granted. One friend of course had heard +of a singing mouse, but he certainly would not +allow that a prolonged squeak was a song—not +he! Another friend of course had heard a mouse +sing when he was a boy; but he was told, he +perfectly well remembered, that the <i>noise</i> produced +by the mouse was the result of some +internal disease. Well, both of these went with +me to hear the little creature. Unfortunately, at +first it was again shy; but after an interval of +silence it commenced to sing—sweetly, like the +low notes, the jug, of the nightingale. My friends +had come, had heard, and were conquered! The +one acknowledged it was really a song and not +a squeak; the other, that the noise was certainly +dulcet; but still he thought it possibly might be +the result of disease, and not natural to the little +animal. We suggested that this wonderful natural +curiosity (as we deemed it) should be sent to +an eminent naturalist who resided near. Great, +therefore, was my astonishment and pleasure when +it was presented to me, who could only treat it +like a schoolboy would his white mouse—as a +pet. And truly it became a great pet to both +my wife and myself.</p> + +<p>'In form, the singing mouse did not differ from +his humbler brethren; but in colour he was of +a darkish brown, and had very bright eyes. It +soon became used to the presence of my wife, +and sang constantly while revolving the wheel +of his cage. The notes proceeded from the throat. +He became exceedingly gentle, and was pleased +at being caressed.</p> + +<p>'I deemed him so rare a curiosity that I ventured +to offer to exhibit him to the distinguished naturalist +referred to above, and in my letter described +the little creature and its peculiarities, as I have +done here. The naturalist most courteously +replied: "The case of the singing mouse is very +extraordinary, but the fact is now well established.... +The best account which has ever been published +is by an American naturalist, and I have given +an abstract of his account in my <i>Descent of Man</i>.</p> + +<p>"The American referred to is the Rev. S. Lockwood, +author of <i>The American Naturalist</i>, and he +gives an account of his observations of the <i>Hesperomys +cognatus</i>, an American species, belonging to a +genus distinct from that of the English mouse. This +little animal gave two chief songs. Mr Lockwood +gives both songs in musical notation; and adds, +that though this mouse 'had no ear for time,' yet +she would keep to the key of B (two flats) and +strictly in the major key.... Her soft clear +voice falls an octave with all the precision possible; +then at the wind up it rises again into a very +quick trill in C sharp and D." I have made this +quotation, as it far better describes the peculiar +qualifications of a singing mouse, than my inexperienced +observations could announce.</p> + +<p>'My mouse remained in contented confinement +upwards of a year, feeding upon a little sopped +bread and canary-seed; and great was the grief of +my wife (who was his keeper) and myself when +he was found dead in his little nest. During the +previous evening he had been heard singing with +more than usual ardour.'</p> + +<p>We shall probably return to this interesting +subject.</p> + +<hr class="chap" /></div><div> + +<p><span class="pagenum"><a name="Page_816" id="Page_816">{816}</a></span></p> + + + + +<h2><a name="USING_UP_WASTE_SUBSTANCES" id="USING_UP_WASTE_SUBSTANCES">USING UP WASTE SUBSTANCES.</a></h2> + + +<p><span class="smcap">The</span> subject denoted by the above title, more +than once treated in the <i>Journal</i>, is adverted to +by an obliging Lancashire correspondent who, +surrounded by one of the busiest and most ingenious +clusters of townsmen in England, has had +his attention drawn to various substances waiting +(as it were), for application to useful purposes. +His suggestions are not wholly new, having to +some extent been already anticipated; but they +are sufficiently valuable to call for notice here.</p> + +<p>One relates to the waste that presents itself in +the processes of manufacturing cotton. A residue +known technically as <i>willowings</i>, that falls into +a receptacle during the preparatory beating and +disentangling of raw cotton-wool, consists of a +dusty heap of seed-husks and short broken fibres. +It is used by farmers to absorb the liquid manure +of their cowsheds and middens or dung-heaps. +Although some of the cottony fibre may be +separated through a sieve, so much adheres to +the seed-husk as to render it unsuitable for paper-making, +for which it has often been tried. The +suggestion now made is, that though unfitted for +paper, this refuse may possibly be found useful +in the manufacture of <i>millboard</i>. Large quantities +of this tough and durable product are employed for +bookbinding, for making the discs of railway wheels, +&c.; and as colour is not a matter of moment, +the idea is that the mingled residue of cottony +fibre and seed-husk might be rendered available. +It is known that millboard made from wood-pulp +is imported to a considerable extent from abroad; +and we are told that 'a large portion of the +private income of the great German Chancellor +Prince Bismarck is derived from the manufacture +of wood-millboard on his Varzin estate.' Many +hundred tons of willowings could be obtained in +Lancashire at a very cheap rate, even as low as +two shillings per hundredweight.</p> + +<p>Another suggestion bears relation to the utilisation +of refuse from the manufacture of prussiate +of potash, a most valuable product in the hands +of the manufacturing chemist. The prussiate is +obtained in large ratio from woollen rags, after the +separation of all the pieces that can be worked up +into shoddy for cheap cloth. The refuse is calcined +in cast-iron retorts, lixiviated with water, +and drained off for subsequent treatment: leaving +behind it a thick black sediment of impure animal +charcoal. The suggestion relates to the application +of this residue to the manufacture of blacking—a +humble but valuable agent for those who appreciate +tidiness in the appearance of boots and shoes +and economy in the preservation of leather. If +useful for this purpose, it might be found advantageous +and economical as an ingredient in printers' +ink. Whether this carbon residue is at present +applied to any other useful purpose, we are not +fully informed.</p> + +<p>A third suggestion relates to the preparation of +animal size for the carpet-manufacture and for +that of many kinds of woollen and worsted goods. +This size is made from the clippings and scrapings +of skins and hides, from rejected scraps of parchment +and vellum, and from the worn-out buffalo +skin pickers and skips largely used in textile +manufactures; also from the pith of cattle-horns, +which contain a large amount of valuable gelatine. +The suggestion is, to utilise the refuse left after +making this size. One large carpet factory in +Yorkshire rejects as utterly useless a ton or more +of this refuse every week. The horn-pith contains +as one of its components phosphate of lime, and is +on that account recommended to the notice of the +manufacturers of chemical manures on a large +scale.</p> + +<p>One more suggestion comes from our ingenious +correspondent. Old corks are applicable to a +greater number of purposes than we are generally +in the habit of supposing. That many of them +are ground up to make cork-stuffing for cushions, +padding, &c. is well known; but there are other +uses for them as corks or half corks, besides +making floating buoys and life-preservers. A +taverner in a Lancashire town covered the floor of +his lobby and bar with very open rope-matting, +and filled up the openings with old corks cut +down to the level of the surface of the mats. This +combination is found to be almost indestructible +under the feet; while it gives a good grip or foothold. +As the making of rope-mats is one of the +trades carried on in reformatories and some other +large establishments, it is suggested that the +managers should take into consideration the feasibility +of adding old corks to their store of manufacturing +materials.</p> + +<p>As this <i>Journal</i> finds its way into every corner +of the busy hives of industry, it may possibly be +that some of our readers are already acquainted +with such applications of waste refuse to useful +purposes as those which our esteemed correspondent +suggests. But this is a point of minor importance. +The primary question is, not whether +an idea is absolutely new, but whether it is +practicably susceptible of useful application. The +history of manufactures teaches us that apparently +humble trifles like these have proved to be worth +millions sterling to the country.</p> + + + +<hr class="chap" /></div><div> +<h2><a name="LET_BYGONES_BE_BYGONES" id="LET_BYGONES_BE_BYGONES">LET BYGONES BE BYGONES.</a></h2> + + +<div class="poem"><div class="stanza"> +<span class="i0"><span class="smcap">Let</span> bygones be bygones; if bygones were clouded<br /></span> +<span class="i2">By aught that occasioned a pang of regret,<br /></span> +<span class="i0">Oh, let them in darkest oblivion be shrouded;<br /></span> +<span class="i2">'Tis wise and 'tis kind to forgive and forget.<br /></span> +</div><div class="stanza"> +<span class="i0">Let bygones be bygones, and good be extracted<br /></span> +<span class="i2">From ill over which it is folly to fret;<br /></span> +<span class="i0">The wisest of mortals have foolishly acted—<br /></span> +<span class="i2">The kindest are those who forgive and forget.<br /></span> +</div><div class="stanza"> +<span class="i0">Let bygones be bygones; oh, cherish no longer<br /></span> +<span class="i2">The thought that the sun of Affection has set;<br /></span> +<span class="i0">Eclipsed for a moment, its rays will be stronger,<br /></span> +<span class="i2">If you, like a Christian, forgive and forget.<br /></span> +</div><div class="stanza"> +<span class="i0">Let bygones be bygones; your heart will be lighter,<br /></span> +<span class="i2">When kindness of yours with reception has met;<br /></span> +<span class="i0">The flame of your love will be purer and brighter<br /></span> +<span class="i2">If, Godlike, you strive to forgive and forget.<br /></span> +</div><div class="stanza"> +<span class="i0">Let bygones be bygones; oh, purge out the leaven<br /></span> +<span class="i2">Of malice, and try an example to set<br /></span> +<span class="i0">To others, who craving the mercy of heaven,<br /></span> +<span class="i2">Are sadly too slow to forgive and forget.<br /></span> +</div><div class="stanza"> +<span class="i0">Let bygones be bygones; remember how deeply<br /></span> +<span class="i2">To heaven's forbearance we all are in debt;<br /></span> +<span class="i0">They value God's infinite goodness too cheaply<br /></span> +<span class="i2">Who heed not the precept, 'Forgive and forget.'<br /></span> +</div></div></div> + +<hr class="full" /> + +<p class='center'>Printed and Published by <span class="smcap">W. & R. Chambers</span>, 47 Paternoster +Row, <span class="smcap">London</span>, and 339 High Street, <span class="smcap">Edinburgh</span>.</p> + +<hr class="chap" /> + +<p class='center'><i>All rights reserved.</i></p> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Chambers's Journal of Popular +Literature, Science, and Art, No. 730, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK CHAMBERS'S JOURNAL, DECEMBER 22, 1877 *** + +***** This file should be named 51841-h.htm or 51841-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/5/1/8/4/51841/ + +Produced by Susan Skinner and the Online Distributed +Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org/license + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> diff --git a/old/51841-h/images/cover.jpg b/old/51841-h/images/cover.jpg Binary files differnew file mode 100644 index 0000000..e692474 --- /dev/null +++ b/old/51841-h/images/cover.jpg diff --git a/old/51841-h/images/header.png b/old/51841-h/images/header.png Binary files differnew file mode 100644 index 0000000..a93e37b --- /dev/null +++ b/old/51841-h/images/header.png |
