summaryrefslogtreecommitdiff
path: root/old/52044-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/52044-0.txt')
-rw-r--r--old/52044-0.txt5783
1 files changed, 0 insertions, 5783 deletions
diff --git a/old/52044-0.txt b/old/52044-0.txt
deleted file mode 100644
index 8c62403..0000000
--- a/old/52044-0.txt
+++ /dev/null
@@ -1,5783 +0,0 @@
-The Project Gutenberg EBook of The Wide Awake Third Reader, by Clara Murray
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: The Wide Awake Third Reader
-
-Author: Clara Murray
-
-Release Date: May 11, 2016 [EBook #52044]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE WIDE AWAKE THIRD READER ***
-
-
-
-
-Produced by Emmy, MWS and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images generously made available by The
-Internet Archive)
-
-
-
-
-
-
-
-
-
-
-THE WIDE AWAKE THIRD READER
-
-
-
-
-The Wide Awake Series
-
-
- THE WIDE AWAKE PRIMER, 30 cents
- THE WIDE AWAKE FIRST READER, 30 cents
- THE WIDE AWAKE SECOND READER, 35 cents
- THE WIDE AWAKE THIRD READER, 40 cents
-
-[Illustration: THE CHILDREN SCRUB THEIR WOODEN SHOES.
-
-(From “Dutch Children.”)]
-
-
-
-
- THE WIDE AWAKE
-
- THIRD READER
-
-
- BY
-
- CLARA MURRAY
-
- AUTHOR OF “THE WIDE AWAKE PRIMER,” “THE WIDE AWAKE FIRST
- READER,” “THE WIDE AWAKE SECOND READER,” ETC.
-
-
- [Illustration]
-
-
- BOSTON
- LITTLE, BROWN, AND COMPANY
- 1912
-
-
-
-
- COPYRIGHT, 1908,
- BY LITTLE, BROWN, AND COMPANY.
-
- _All rights reserved._
-
-
- Printers
- S. J. PARKHILL & CO., BOSTON, U.S.A.
-
-
-
-
-PREFACE
-
-
-IN this, the third reader of the series, great care has been taken,
-not only in selecting material suited to the needs and ability of the
-pupil, but also to arrange the selections so that he may develop the
-habit of acquiring interesting facts as he reads.
-
-In the first two grades the children need to learn the mechanics of
-reading,—the recognition of words, the ability to find out _new_ words
-for themselves by means of phonics, correct pronunciation, enunciation,
-inflection, expression, etc., but in this grade especial stress may be
-laid on _learning by reading_,—getting the fact and remembering it.
-This prepares the pupil for the actual work of studying, when he is
-given a book and asked for the first time to “learn the lessons.” The
-questions at the end of many of the lessons should be read and answered
-by the pupil after he has read the selection. His answers should be
-thoughtfully prepared and correctly stated.
-
-Especial attention is called to the fact that the selections in this
-book are almost exclusively copyrighted material, and have never been
-and cannot be used in other series of readers. This avoids the tiresome
-repetition of stories, read first in one book and then again and again
-in others.
-
-Many of the selections are valuable from a literary standpoint, and the
-pupils will read with real enjoyment stories by Laura Richards, Mary E.
-Wilkins, Anna von Rydingsvärd, Helen Hunt Jackson, and other authors,
-noted for their skill in writing stories for children.
-
-The selections which deal especially with child life and interests in
-other countries will broaden the child’s view of the world, prepare him
-for the study of geography, and help him to be a wide awake child, just
-the child whom this Wide Awake Series is intended to develop.
-
- * * * * *
-
-The selections, “Little Grandmother’s Shoes,” “Children of
-a Sunny Land,” “The Little Plant,” “The Little Goatherds,”
-“Great-Great-Grandma’s Christmas in England,” “The Whipping Boy,”
-“The Christmas Spruce Tree,” “The Eve of St. Nicholas,” “The Little
-Turkeys,” “The Children of Armenia,” “Ahmow,—the Wolf,” “The Emperor
-and the Peasant,” and “The Christmas Monks,” are used by arrangement
-with the Lothrop, Lee and Shepard Company.
-
-
-
-
-CONTENTS
-
-
- PAGE
- ALL THE CHILDREN OF ALL THE WORLD 9
- THE SONG SPARROW’S WORK _Etta Austin Blaisdell_ 15
- DUTCH CHILDREN 20
- A LITTLE DUTCH GIRL _Edith Colby Banfield_ 25
- THE GREAT FEAST _Laura E. Richards_ 26
- LITTLE GRANDMOTHER’S SHOES 30
- LITTLE-FOLK LAND _Edith Colby Banfield_ 33
- CHILDREN OF A SUNNY LAND
- A STRANGE MILK WAGON 35
- A RIDE IN A CHAIR 36
- THE CARNIVAL 39
- THE LITTLE PLANT _Anna von Rydingsvärd_ 42
- TWO WAYS _Laura E. Richards_ 44
- A SONG IN THE WOODS _Louise C. Moulton_ 46
- HOW THE CORN GREW _Julia Dalrymple_ 47
- “DO YOU KNOW?” _Edith Colby Banfield_ 51
- THE LITTLE GOATHERDS 52
- SWISS CHILDREN 56
- LULLABY-LAND _Edith Colby Banfield_ 60
- THE STONE BLOCKS _Laura E. Richards_ 61
- GREAT-GREAT-GRANDMA’S CHRISTMAS IN ENGLAND 63
- THE WHIPPING BOY 69
- THE CHRISTMAS SPRUCE TREE _Anna von Rydingsvärd_ 72
- A ROSE _Emily Dickinson_ 76
- THE EVE OF ST. NICHOLAS 77
- ROBIN REDBREAST _William Allingham_ 81
- “THE LITTLE TURKEYS”
- IN SCHOOL 83
- AT HOME 88
- “GILLYFLOWER GENTLEMAN” _Laura E. Richards_ 91
- THE RULER _Laura E. Richards_ 93
- THE MOON _Edith Colby Banfield_ 95
- THE CHILDREN OF ARMENIA 96
- ARMENIAN HOMES 100
- THE NEST _Helen Hunt Jackson_ 104
- AHMOW—THE WOLF _Frederick Schwatka_ 106
- ESKIMO CHILDREN 113
- THE DREAM-SHIP _Blanche M. Channing_ 117
- A TRIP TO JAPAN _Charlotte Chaffee Gibson_ 118
- URASHIMA _Charlotte Chaffee Gibson_ 125
- A DAY _Emily Dickinson_ 130
- THE ANTS’ MONDAY DINNER _Helen Hunt Jackson_ 131
- MY ANT’S COW _Helen Hunt Jackson_ 139
- COLORADO SNOW-BIRDS _Helen Hunt Jackson_ 148
- THE PETERKINS’ EXCURSION AFTER MAPLE SYRUP _Lucretia P. Hale_ 153
- THE GRASS _Emily Dickinson_ 164
- SUNSET _Emily Dickinson_ 165
- THE BABY SQUIRRELS _Julia A. Schwartz_ 166
- THE BABY THAT SLEEPS IN A POCKET _Julia A. Schwartz_ 180
- THE EMPEROR AND THE PEASANT _Anna von Rydingsvärd_ 194
- THE CHRISTMAS MONKS _Mary E. Wilkins_
- THE GARDEN 203
- PETER AND THE PRINCE 206
- THE PRETTIEST DOLL 210
- CHRISTMAS GIFTS 214
-
-
-
-
-THE WIDE AWAKE THIRD READER
-
-
-
-
-ALL THE CHILDREN OF ALL THE WORLD
-
-
-I wish you would try to think this morning about all the children in
-all the world.
-
-[Illustration]
-
-There are thousands and thousands of them, and they are doing all sorts
-of things this very minute.
-
-Some of them are wide awake and some are in bed and fast asleep. Some
-are in school and some are playing out of doors.
-
-Some live in such hot countries that they lie in the shade of big palm
-trees to keep cool. Others are in such a cold country that they see
-nothing but ice and snow, and they are dressed in furs from head to
-foot.
-
-When you read stories about the children in other lands, do they seem
-to you like fairy stories?
-
-I want you to know that all these children are real boys and girls, and
-they work and play and have happy times together, just as you do.
-
-Perhaps when you read about the children in the far North you will wish
-that you were an Eskimo boy, living in a snow hut, wearing thick furs,
-and riding over the fields of snow in a sled drawn by dogs.
-
-Or perhaps you would rather be a little Indian and live in a wigwam in
-the forest, learning to paddle a canoe, and to fish and hunt.
-
-While you are here in this beautiful schoolroom, learning to read and
-write and draw and sing, there are thousands of other children who
-never saw a schoolhouse, and who will grow up to be men and women
-without even learning to read.
-
-You can read stories about these people, and as you grow older perhaps
-you will know more about them, but they will probably never hear of you.
-
-Of course, there are many thousands of children everywhere who are in
-school this morning.
-
-Think of all the boys and girls in every town in the whole United
-States, who see the flag with its stars and stripes floating over their
-schoolhouses, and who learn to sing “America.”
-
-In France the children wave a flag of red, white and blue, and learn
-a song about their country, but their flag is not like yours, and you
-could not understand one word of their French song.
-
-The little English children sing a song about their country and their
-king which you could understand, and they read in books like yours. But
-then, there are the children who live in Germany, and learn to read in
-German, and the children who live in Italy and read Italian books, and
-many, many others.
-
-Oh, there are so many children in the world!
-
-In Japan and China the children use the queerest books that you ever
-saw. The words go up and down the page, and the stories begin at the
-end of the book, and at the bottom of the page. The words look like
-this:—
-
-[Illustration]
-
-Did you ever see such funny words?
-
-The boys and girls in these other countries do not go to school all of
-the time. They have holidays and vacations, and they play out of doors
-in the long summer days and the cold winter weather, just as you do.
-
-You would enjoy playing with these children, even if you could not talk
-with them. I know you would like to fly big kites with the boys in
-Japan, or skate down the canals with the little Dutch boys.
-
-And as for dolls! I am sure there are as many dolls in the world as
-there are little girls, and perhaps more, because some little girls
-have so many dolls that they cannot play with all of them.
-
-[Illustration]
-
-You would like to play with the queer Chinese dolls in their beautiful
-silken robes, or with the Eskimo dolls that are carved out of bone and
-are dressed in furs and sealskin.
-
-The Indian girl has wooden dolls dressed in bright blankets, with beads
-and feathers. The little French girl has a big wax doll, with blue eyes
-that shut when she lies down, and pop open when she sits up again. She
-wears beautiful gowns and big hats with feathers and ribbons.
-
-Wouldn’t it be fun to have a dolls’ party to-day, if the dolls from all
-over the world could come?
-
-These dolls might be dressed in furs, or silks, or blankets; they might
-be made of wax, or bone, or wood. But if they could talk they would
-tell you that the little girl who owns them loves them, and that,
-whether she lives in a snow hut or a tent in the desert, she has a
-loving father and mother and a happy childhood.
-
- * * * * *
-
-Are there many children in all the world?
-
-What are some of them doing this very minute?
-
-If you should go to school in Germany, what would you have to do first?
-
-What does a little German child have to do when he first goes to school
-in our country?
-
-Tell all the things you can that all the children in the world do
-almost every day.
-
-
-
-
-THE SONG SPARROW’S WORK
-
-
-In the forest where the birds live there is always work to do.
-
-[Illustration]
-
-The woodpecker is a carpenter. He climbs up and down the trees and
-chops a hole in the trunk of one of them to make his home.
-
-The crow flies down to the ground, and walks about in the fields.
-
-He is the birds’ farmer. Toward evening, when he cries, “Caw! Caw!” he
-means that the earth needs rain.
-
-The owl is the night policeman. He watches the rats and mice, and keeps
-them out of the farmer’s fields.
-
-The kingbirds are the soldiers. They fight the birds that come over
-from the next forest, and drive them away.
-
-The hawks have sharp eyes, and can see a long way. They are the scouts,
-and tell the soldiers when the enemy is coming.
-
-The whip-poor-wills can see in the night, so they are the birds’ night
-watchmen.
-
-The orioles are weavers. They weave their nests, and hang them in the
-tallest trees.
-
-One of the birds is a thief, and steals eggs from the nests of the
-other birds, but I shall not tell you _his_ name.
-
-So all of the birds have work to do in the forest.
-
-What do the song birds do? Ah! they have their work, too. They sing
-cheerfully while the other birds work, and make the hours short and the
-day happy.
-
-They sing of the goodness of God, and of the beauty in the forest and
-sky.
-
-If there were no song birds, the workers might forget all of these
-lovely things. Then their hearts would be as hard as the tree the
-woodpecker is chopping.
-
-One spring morning the song birds were singing so beautifully that
-every one listened.
-
-The woodpeckers cried, “Plitt! plitt!” The crows screamed, “Rah! rah!”
-and the blackbirds laughed with glee. This meant that they liked the
-songs.
-
-In the nests were many baby birds. They liked to hear the songs, too,
-so they stretched up their little heads.
-
-But _they_ could not understand the songs about the sky and the forest.
-You see, they had not seen these things yet, and they did not know
-what the songs meant.
-
-The poor babies drooped their heads and were very sad.
-
-[Illustration]
-
-There was one bird who thought of the babies in the nests, for he had a
-kind heart, and loved little things.
-
-“I will fly down and sing for them,” he thought; “perhaps it will make
-them happy.”
-
-So he flew into a little bush, quite near the ground, and sang the
-sweetest song he knew. Over and over again he sang it, and the babies
-in the nests listened all the time.
-
-“He is singing about the warm sunshine,” said the baby robins.
-
-“He is singing about rocking in this beautiful cradle,” said the baby
-orioles.
-
-Then, as the song grew sweeter and sweeter, “Listen, listen!” they
-cried. “Now he is singing about our mother. That is the best song of
-all.”
-
-So the song sparrow sang in the little bush, telling the babies about
-the sun and the breezes and their mothers’ love.
-
-He waked them in the morning; he sang them to sleep at night.
-
-Have you never heard him singing, “Sweet, sweet, sweet, loving little
-mother, sweet”?
-
- —_Etta Austin Blaisdell._
-
-
-
-
-DUTCH CHILDREN
-
-
-How would you like to go to Holland with me to visit the little Dutch
-children?
-
-First we must go to New York City in a railroad train and then get on
-board of one of the big ships that cross the ocean.
-
-We shall have to travel over the water five or six days and nights in
-this big ship, and then ride a long way, after we come to land.
-
-When the Pilgrims came to this country, nearly three hundred years ago,
-they crossed the same ocean, but it took them many weeks. They were in
-a small sailing vessel, and had to come very slowly.
-
-On board of this big ship you will find a great many things to do
-and see. There are several hundred people on the vessel, and it is
-interesting to watch them. There are books to read, and games to play,
-and the days will go very swiftly.
-
-Most of the time you will not be able to see land in any direction.
-All you can see is the sun and the sky and the ocean with big waves
-rolling and tossing about.
-
-I wonder what you will notice the very first thing when you reach
-Holland.
-
-[Illustration]
-
-Perhaps you will see a group of children running down the street with
-their wooden shoes clacking on the stone walks.
-
-Or perhaps you will see some girls standing at a corner knitting
-stockings, or a boy driving a dog harnessed to a little cart.
-
-If you take a train and ride through the country you will see many
-strange things.
-
-There are big windmills everywhere, with long arms, and sails to catch
-the wind. These mills turn wheels to pump water and grind corn and saw
-wood. In Holland there are no rivers with falls and swift currents to
-turn the mill wheels.
-
-In some towns there are canals instead of streets, with bridges for the
-people to cross from one side to the other.
-
-In summer there are many boats going up and down the canals, but in
-winter the water in the canals freezes, and then everybody skates.
-Think what fun it must be to skate to church, to skate to market, to
-skate to school, and then skate home again!
-
-A great many of the poor children in Holland wear wooden shoes when
-they are out of doors. When they go into the house they take off their
-shoes and leave them at the door. You can tell, by counting the pairs
-of shoes at the door, how many children there are in the house.
-
-Every week the children scrub their wooden shoes with soap and water
-until they are almost as white as snow; then they dry them in the sun,
-or before the fire in the big open fireplace.
-
-These wooden shoes make fine boats, and sometimes the boys take them
-off and sail them in the canals. The little girls use them for doll
-carriages, or play they are beds, and tuck their dolls into them for a
-nap.
-
-If you were walking down a village street in Holland you might see a
-red silk ball, or a pink silk one, hanging at the front door of one
-of the houses. This is to show that there is a little new baby in the
-house. If the ball is red, the baby is a boy; if it is pink, the baby
-is a girl.
-
-There are very good schools in Holland, and all the children go to
-school and learn to read and write and sing, just as you do. But their
-reading and singing would sound very strange to you, and you could not
-read one word of their writing.
-
-The Dutch children have vacations and holidays, of course. The holiday
-they like best of all is Santa Claus Day. It comes on the sixth day of
-December, and is very much like our Christmas Day.
-
-The boys and girls put their wooden shoes in front of the fireplace,
-on the hearth, just as you hang your stocking near the chimney, and
-Santa Claus rides over the roofs of the houses on a big horse and drops
-presents down the chimney into the little shoes.
-
- * * * * *
-
-How would you go from your home to New York City? How long would it
-take?
-
-What would you like to see in Holland?
-
-What would you see that you never saw before?
-
-Why do the people in Holland build windmills?
-
-What kind of shoes do many of the children wear?
-
-What season would you like best if you were in Holland? Why?
-
-
-
-
-A LITTLE DUTCH GIRL
-
-
- Were you a little Dutch girl
- You’d be, perhaps, as sweet
- As now you are, my darling,
- And very much more neat!
-
- You’d be a little housewife,
- And even at your play
- You’d take your knitting needles,
- And knit and knit away!
-
- You’d never be forgetting
- To feed your pussy-cat,
- And she, like Holland pussies,
- Would grow so sleek and fat.
-
- But were you, dear, a Gretchen,
- You’d live across the sea,
- And so would be, my dearie,
- No kind of use to me.
- —_Edith Colby Banfield._
-
-
-
-
-THE GREAT FEAST
-
-
-Once the Play Angel came into a nursery where four little children sat
-on the floor with sad and troubled faces.
-
-“What is the matter, children?” asked the Play Angel.
-
-“We wanted to have a great feast,” said the child whose nursery it was.
-
-“Yes, that would be delightful,” said the Play Angel.
-
-“But there is only one cooky!” said the child whose nursery it was.
-
-“And it is a very small cooky!” said his little cousin.
-
-“Not big enough for me!” said the child whose nursery it was.
-
-The other two children said nothing, but they looked at the cooky with
-big round eyes, and their mouths went up in the middle and down at the
-sides.
-
-“Well,” said the Play Angel, “let us have the feast just the same. I
-think we can manage it.”
-
-She broke the cooky into four pieces, and gave one piece to the
-littlest child.
-
-[Illustration]
-
-“See,” she said. “This is a roast chicken. It is just as brown and
-crisp as it can be. There is cranberry sauce on one side, and on the
-other a little mountain of mashed potato. It must be a volcano, it
-smokes so. Do you see?”
-
-“Yes,” said the littlest child, and his mouth went down in the middle
-and up at the corners.
-
-The Play Angel gave a piece to the next child.
-
-“Here,” she said, “is a little pie. Outside, as you see, it is brown
-and crusty, and inside it is all chicken, and ham, and jelly, and
-hard-boiled eggs. Did you ever see such a pie?”
-
-“No, I never did,” said the child.
-
-“Now here,” said the Angel to the third child, “is a round cake. The
-frosting is half an inch thick, and inside there are chopped nuts and
-raisins. It is the prettiest cake I ever saw, and the best.”
-
-“So it is,” said the third child.
-
-Then the Angel gave the last piece to the child whose nursery it was.
-
-“My dear,” she said, “just look! Here is an ice-cream rabbit. He is
-snowy white outside, with eyes of red sugar; see his long ears, and his
-little tail. Inside, I think you will find he is pink.
-
-“Now, when I clap my hands and count one, two, three, you must eat the
-feast all up. One—two,—three!”
-
-So the children ate the feast all up.
-
-“There,” said the Angel, “did you ever see such a grand feast?”
-
-“No, we never did!” said all the four children together.
-
-“And there are some crumbs left over,” said the Angel. “Come, and we
-will give them to the brother birds.”
-
-“But you didn’t have any,” said the child whose nursery it was.
-
-“Oh, yes!” said the Angel, “I had it all.”
-
- —_Laura E. Richards._
-
- * * * * *
-
- Small service is true service while it lasts.
- Of humblest friends, bright creature, scorn not one.
- The daisy, by the shadow that it casts,
- Protects the lingering dewdrop from the sun.
- —_William Wordsworth._
-
-
-
-
-LITTLE GRANDMOTHER’S SHOES
-
-
-“But, Grandmother,” said little May, holding up the tiny pair of
-calf-skin shoes, “were these your very _best_ shoes? Didn’t you have
-any shiny black ones, with a tassel on, like mine?
-
-[Illustration]
-
-“And where did you buy them, Grandmother? Did Columbus bring them with
-him in his ship?”
-
-“No, dear; Columbus didn’t bring Grandma’s shoes in his ship. He sailed
-back to Spain again three hundred years before these shoes were made.
-
-“Bring your chair and sit down by me. I will tell you all about these
-little worn-out shoes of mine.
-
-“When I was a little girl,” began Grandmother, “children did not wear
-shoes all the time. They went barefoot in the summer, except when they
-were dressed up. One pair of shoes had to last a whole year.
-
-“When we went to church we used to go barefoot, carrying our shoes in
-our hands. At the foot of the hill we washed our feet in the brook and
-put on our shoes and stockings.
-
-“Our shoes did not wear out very fast; and if we lost a shoe, we had to
-go barefoot till the shoemaker came again.”
-
-“Oh, dear!” sighed May, “how dreadful! Who was the shoemaker,
-Grandmother, and when did he come?”
-
-“The shoemaker,” Grandmother replied, “was a very important man when I
-was a little girl. ‘Shoe week’ was a busy week in the family.
-
-“I can remember how glad we all were when father said, ‘The shoemaker
-will be here to-morrow.’
-
-“That night the shoe bench was brought down from the attic and placed
-in a warm corner of the kitchen.
-
-“Father and mother made a list of the shoes that were needed. We
-children talked about our new shoes and the shoemaker until we fell
-asleep.
-
-“Early in the morning the shoemaker appeared. He carried his bag of
-tools and a roll of leather on his back. By seven o’clock he was seated
-at his bench, hard at work.
-
-“We children used to sit on the floor beside him and watch him work.
-First he measured our feet and drew some paper patterns. Then he cut
-out the leather.
-
-“He punched holes along the edges of the leather with a sharp awl; then
-the shoe was ready to sew.
-
-“For his sewing he used a long waxed thread, with a stiff bristle at
-each end for a needle. All day long he would sit at his bench, putting
-the needles into the holes and pulling the thread through, till the
-shoe was sewed firmly.
-
-“When all our shoes were made, he packed his bag and said good-by for
-another year.”
-
-
-
-
-LITTLE-FOLK LAND
-
-
- The children all go looking
- In vain for Fairyland,
- Where little folk have dwelling,
- And wander hand in hand;
- Where silvery small voices
- Ring clear upon the air,
- Where magic little whispers
- Work wonders everywhere;
-
- Where flower fields are forests,
- For tiny feet to tread;
- Where one has lived a life-time
- Before the day is fled.
- For this dear wondrous country
- The children look in vain;
- They find but empty flowers,
- Through sun and summer rain.
-
- It is the grown folks only
- Have eyes for Fairyland,
- Where little people wander,
- And toddle hand in hand;
- Where happy voices prattle,
- And whisper secrets strange;
- Where tiny sprites by magic
- To bigger fairies change;
-
- Where dancing little figures
- Get lost amid the flowers;
- Where days as years are measured,
- And minutes count for hours.
- It is the grown folk only
- Can find the land of elves;
- How could the children guess it?
- The fairies are themselves.
- —_Edith Colby Banfield._
-
-
-
-
-CHILDREN OF A SUNNY LAND
-
-
-I—A STRANGE MILK WAGON
-
-Domingo and his sister Marikena live in a warm, sunny land. It is the
-land of Brazil, where there are fruits and flowers all the year, and it
-is always summer.
-
-Domingo and Marikena love the sunshine, and the birds and flowers.
-
-They like to play out of doors in the early morning and at night, but
-at noon it is too hot, and every one takes a nap.
-
-When they go to the woods they do not see crows and blue jays and
-woodpeckers. Instead, there are gorgeous parrots and beautiful
-humming-birds that are almost as large as robins.
-
-Perhaps they see monkeys in the palm trees; and, instead of acorns,
-they find cocoanuts.
-
-In their schoolroom they sing all their lessons. Is not that a merry
-way? But it would seem strange to you because you could not understand
-one word they say. You see, they do not speak English, and they could
-not talk with you.
-
-Every morning the two children are up very early and out on the balcony
-watching for something. Soon they call out, “_leite, leite_,” which
-means, “milk, milk.”
-
-And what do you suppose they see? Not a wagon filled with glass jars or
-tin cans. Oh, no! It is only two or three cows being driven down the
-street by a woman.
-
-The woman stops the cows in front of Domingo’s house, and milks one of
-them while the children watch her. How sweet and fresh this milk is! I
-wish you could have some every morning, too!
-
-
-II—A RIDE IN A CHAIR
-
-Domingo and Marikena are going with their mother to visit their cousin.
-
-They have had their afternoon nap and it is not too hot out of doors
-now, as it is nearly four o’clock.
-
-If you were going to pay a visit you would walk or ride in a car or
-carriage, would you not?
-
-But Domingo and Marikena are not going in either of those ways. It is
-too hot to walk, and the streetcars do not go up the hill where their
-aunt lives, so they will ride in a chair.
-
-[Illustration]
-
-The chairs are large and have big, soft cushions. They have a cover
-overhead and curtains on all sides, and are carried by four men.
-
-The two children ride in one chair; their mother in another. The
-curtains are drawn down, but Domingo peeps out as they ride through the
-city streets.
-
-When they reach the cousin’s house they do not rap on the door or ring
-a bell. The mother claps her hands, and when the aunt sees them she
-says, “Enter and welcome. The house and all it contains is yours.”
-
-Is not that a strange way of saying, “I am glad to see you. Will you
-come in?”
-
-They sit in the parlor and while they talk they sip coffee from tiny
-cups. Before they come away they walk in the garden, where there are
-beautiful flowers and fountains, tall palm trees, and rubber trees with
-blossoms like yellow lilies.
-
-The chair-men wait and the children ride home again, but it is dark,
-and they can see only the lights in the houses. The chair swings back
-and forth like a cradle as the men trot down the hill into the city.
-
-They sing as they go, and the song is a low, sweet tune like a lullaby.
-Marikena puts her head on the cushions and almost falls asleep.
-
-Domingo nods and dreams of the fruit and the flowers and the funny pet
-monkey his cousin had in the garden. Oh! the days are long and happy in
-Brazil, and the children have merry times.
-
-
-III—THE CARNIVAL
-
-“The Carnival, the Carnival,” shouted Domingo one morning. “This is the
-first day of the Carnival.”
-
-Then he ran to find Marikena. “Look, Sister,” he cried, “I am a clown
-this year. What are you?”
-
-“I am a fairy,” she replied. “See my cap and wand. And here is a bag
-full of sugarplums and sweetmeats. I can hang the bag over my shoulder.”
-
-“See these big pockets,” said her brother. “They are bigger than a bag
-and they are just full of goodies. I like to be a clown, because I can
-have such big pockets. Take that!” and he threw a handful of sugarplums
-into her lap.
-
-Just then there was a clapping of hands at the door and the children
-ran to the balcony.
-
-In Brazil the Carnival is held on the three days before Lent, and
-every one has a holiday. The cities are beautifully decorated, and men,
-women and children wear odd costumes and masks.
-
-Some of them are dressed to look like monkeys, some like parrots, and
-some like clowns. Some wear gay dresses and funny masks, and others
-wear ugly skins of animals and hideous masks.
-
-[Illustration]
-
-The children often carry wreaths and garlands of flowers; and there is
-always music and feasting and dancing in the streets.
-
-Every one has pockets, bags, or baskets full of sugarplums, sweetmeats,
-bonbons and flowers.
-
-These they throw at every one they meet, laughing merrily if they make
-a good hit.
-
-The children think it is great fun to pelt each other with sugarplums
-and flowers. It is as good as snow-balling, only they can never have
-snow battles because they never have any snow.
-
-The Carnival is the best time of all the year in Brazil, or at least
-Domingo and Marikena think so.
-
- * * * * *
-
-Where do Domingo and Marikena live?
-
-When do they play out of doors?
-
-What do they see in the woods?
-
-How is the milk brought to their house?
-
-When they go visiting, what do they ride in?
-
-What did their aunt say when they went to call on her? What did they do
-at their aunt’s house?
-
-What do some of the people wear on Carnival days?
-
-What do they carry in their pockets? What do they throw at each other?
-
-
-
-
-THE LITTLE PLANT
-
-
-On the edge of the forest stood a tiny plant. It was only six inches
-tall.
-
-The ground around it was so cold and hard that it could not grow
-taller. It had stood there many years, sad and sorrowful.
-
-“Grow and be beautiful,” said the forest sternly, but the plant did not
-grow.
-
-“Do you not wish to grow?” said the blue jay. Then he began to tell the
-little plant how lazy and useless it was. But his words went into one
-ear and out of the other.
-
-Still the plant did not grow.
-
-“Grow! grow!” roared the wind. “Grow tall and straight. I will teach
-you to obey. Grow! grow!”
-
-Then the wind lashed the tiny plant with its cold wings, and beat its
-branches to the ground. But the poor thing came near dying and did not
-grow at all.
-
-“Do grow,” said the sun. “Grow and be beautiful. I will help you.”
-
-Then the sun warmed the earth around the plant, and gentle showers fell
-on it from the clouds.
-
-[Illustration]
-
-Now the little twigs began to grow, and the tiny plant became a
-beautiful birch tree, with green leaves and snow-white bark.
-
- —_Anna von Rydingsvärd._
-
-
-
-
-TWO WAYS
-
-
-Two little weeds grew on a bank by the roadside.
-
-All summer they had been drinking the dew and sunshine, and had been
-very happy.
-
-But now autumn had come, with gray skies and winds that nipped and
-pinched them.
-
-[Illustration]
-
-“We shall die soon,” said one little weed.
-
-“I should like to do something pleasant before I die, just to show what
-a happy time I have had. I think I will turn red, and then people will
-see how I feel.”
-
-“You will be very foolish to waste your strength in any such nonsense!”
-said the other little weed. “I shall live as long as I can, and hug
-the brown bank here.”
-
-So the first little weed turned bright scarlet, and was so pretty that
-every one looked at it.
-
-By and by there came down the road a most beautiful maiden.
-
-When she saw the scarlet leaves she picked them and put them in her
-hair.
-
-This made the little weed so happy that he died for pure joy.
-
-The second little weed lived on, and turned slowly brown, like the bank.
-
-“He was so foolish!” he said, speaking of the weed that turned scarlet.
-“He put all his strength into turning red, and so he died.”
-
-“I was proud of him,” said the brown bank. “He did what he could, and
-people loved him.”
-
-“Yes, but I am alive, and stay with you!” said the weed.
-
-“Much I care!” said the bank.
-
- —_Laura E. Richards._
-
-
-
-
-A SONG IN THE WOOD
-
-
- I found a shy little violet root
- Half hid in the woods, on a day of spring,
- And a bird flew over, and looked at it, too,
- And for joy, as he looked, he began to sing.
-
- The sky was the tenderest blue above,—
- And the flower like a bit of the sky below;
- And between them the wonderful winds of God
- On heavenly errands went to and fro.
-
- Away from the summer, and out of the South
- The bird had followed a whisper true,
- As out from the brown and desolate sod
- Stepped the shy little blossom, with eyes of blue.
-
- And he sang to her, in the young spring day,
- Of all the joy in the world astir;
- And her beauty and fragrance answered him,
- While the spring and he bent over her.
-
- —_Louise Chandler Moulton._
-
-
-
-
-HOW THE CORN GREW
-
-
-Little Me Too walked to the right, then to the left, along the sidewalk
-in front of the house.
-
-As he walked he sang with all his might about the ocean, and the summer
-time, and any other pleasant thing that came into his head.
-
-He made it up as he went along, and grew quite out of breath at last,
-and had to stop.
-
-Just as he had got his breath and was meaning to begin all over again,
-he saw something very small and yellow on the edge of the walk.
-
-Then he began to sing the song of whatever it might be that was so
-small and yellow.
-
-This is what he sang:—
-
- “I wonder what this is.
- I guess it is a kernel of corn.
- I wonder how it came here
- All alone by itself.
- I guess I don’t know.
- I wonder if it can be planted
- In the grass in our yard.
- Yes!”
-
-When he said “Yes!” he stooped down and dug a hole in the ground in the
-dooryard with his fingers.
-
-Then he put the kernel of corn in the hole and covered it over with
-dirt.
-
-Afterwards he stood up and sang at the top of his voice, “Now I guess
-it will grow!”
-
-Of course it grew!
-
-After a few days it poked itself up through the earth to make Little Me
-Too remember. For Little Me Too had forgotten all about it.
-
-When he saw it poking its head up through the grass, he didn’t remember
-even then that it was the kernel of corn.
-
-It had changed.
-
-When he put it into the ground and covered it with dirt, it was yellow
-and hard.
-
-Now it was green and soft. It looked somewhat like the rest of the
-grass,—but not _just_ like it, or Little Me Too wouldn’t have noticed
-it.
-
-[Illustration]
-
-When he saw it he said, “There’s a grass that wants to be different.
-Perhaps it’s the grandfather grass.”
-
-He let it alone, and he got the man with the lawn mower to let it
-alone. That gave it a good chance to grow.
-
-It grew just as fast as it could, and as soon as it was big enough it
-showed Little Me Too that it was no grandfather grass, but a cornstalk.
-
-The man with the lawn mower said so.
-
-Then it was that Little Me Too remembered. When he remembered, he said,
-“Yes, it grew.”
-
-When it had grown to be taller than Little Me Too, people walking along
-the sidewalk would look at it, and say, “What a fine garden!”
-
-The mother said, “I am glad it is something that can’t find its way
-into the nursery.”
-
-Little Me Too it was who first saw the ear of corn growing on the stalk.
-
-He showed it to some people, and there were others who saw it without
-having it shown to them.
-
-Each of them asked for a bite from it when it should be ripe.
-
-Little Me Too said “yes,” to them all.
-
-When he had said “yes” to thirty-one people, his mother said, “Don’t
-say ‘yes’ to any more people; you won’t have corn enough for them all.”
-
-Little Me Too promised not to say “yes” again, but sometimes he
-forgot, and by the time the corn was ripe he had said “yes” to fifty
-people.
-
-But he had plenty of corn, for it was an ear of pop corn.
-
-After it was popped over the nursery fire it filled a big, big bowl.
-
- —_Julia Dalrymple._
-
-
-
-
-“DO YOU KNOW?”
-
-
- Do you know
- That you can go
- In the early morning light
- When the dew is on the grass
- And find the little cobweb tents
- The fairies sleep in all the night?
-
- But, alas, you’ll find no traces
- Of their little fairy faces!
-
- —_Edith Colby Banfield._
-
-
-
-
-THE LITTLE GOATHERDS
-
-
-Louis and Marie live among the mountains in Switzerland. These
-mountains are very high and are called the Swiss Alps.
-
-The cold winds sweep down the mountain-side and rush through the
-valleys. Sometimes it blows so hard that it almost blows the thatched
-roofs off the houses.
-
-But the mountain people know all about these strong winds. What do you
-suppose they do to keep the roof from blowing away? They lay heavy
-stones on the roof to keep it in place.
-
-The winters are long and cold; and it snows and snows! You never saw
-such deep drifts nor such big fields of ice.
-
-But the summer is beautiful,—the sky is blue and the sun is bright; and
-far away the mountain peaks are capped with glistening snow.
-
-Then the grass is green and the flowers blossom everywhere. These are
-happy days for the children.
-
-In summer Louis and Marie go out every morning with the goats. Marie
-is just a tiny bit of a girl only four years old, but Louis is a big
-boy. He is almost nine, and that is very old when one has such a little
-sister.
-
-Louis lets the goats out of their yard. They jump and run and caper
-about, and Marie hides behind her mother’s dress. She is afraid of the
-goats at first.
-
-One of the big goats always runs to the vineyard, he is so fond of
-grapes. Louis drives him out with a long stick.
-
-Then the whole herd runs to the wheat field, and Louis runs after them,
-shouting at them and driving them away toward the mountain pasture.
-
-Marie runs along with him and Patte Blanche goes, too. Patte Blanche is
-their dog, and his name means White Foot.
-
-When the goats reach the pasture land they clamber over the rocks and
-eat the moss and the bushes and the sweet, green grass.
-
-Louis and Marie pick the flowers that grow on the mountain-side, and
-play little games with the stones. They watch the goats, too, and talk
-about them. Sometimes a goat wanders too far away and then Louis sends
-White Foot to drive her back to the others.
-
-[Illustration]
-
-At noon the children eat their lunch of barley-bread and cheese, and
-White Foot sits beside them and eats the bits they give him.
-
-There is always so much to do and so much to see that the days seem
-very short. Soon it is time for White Foot to drive the goats down
-from the rocks and the little company starts for home.
-
-One night a very funny thing happened when they were on their way home.
-
-The goats were wandering along, nibbling at the green grass, and the
-children were following them down the path, when they saw a strange
-man sitting on a log. The man was fast asleep and his head nodded and
-bobbed up and down.
-
-Just as Louis saw him, one of the goats spied him, too, and what do
-you think she did? She trotted along, ran up behind him and butted him
-right off the log. Of course the man waked up and I think he was going
-to be very angry, but the goat put her fore feet up on the log and
-looked as if she wanted to laugh.
-
-The children laughed, and so the man laughed, too. Then he walked home
-with them and helped them drive the goats into their yard.
-
-Louis and Marie will never forget how funny the goat looked trying to
-laugh at the man, and they like to tell the story over and over again.
-
-
-
-
-SWISS CHILDREN
-
-
-You have just read a story about Louis and Marie, who live among the
-mountains of Switzerland.
-
-Switzerland is a land of mountains and valleys and many beautiful lakes
-and rivers.
-
-Most of the people live in the valleys and keep cattle, sheep, and
-goats.
-
-In the springtime thousands of cattle are driven up into the mountains
-to stay all summer.
-
-Many of the people go up into the mountains, too, and live in little
-huts. The men and boys take care of the cattle, and the women make
-butter and cheese.
-
-The cows wear bells which tinkle as they walk, and the music of all the
-bells, in the stillness of the mountains, is very beautiful.
-
-In the fall the men drive the cattle down into the valleys again. When
-they reach the villages their friends come out to meet them, and every
-one has a holiday. The children think this is one of the best days in
-all the year. They like to hear the bells ring out their welcome;
-they like to see the flags and banners waving from the windows and the
-house-tops. They sing and dance and shout and are very merry.
-
-[Illustration]
-
-At night there is a feast in the village square, and perhaps they like
-this best of all.
-
-Many of the houses in Switzerland are very small and are made of wood.
-These little houses are called chalets.
-
-Louis and Marie live in a tiny chalet on the side of a steep mountain.
-Their father owns a farm and has cows and sheep and goats, and ever so
-many geese.
-
-You never saw such a farm in all your life. The mountain is so steep
-that the fields and pastures seem to be tipped up on edge, and it looks
-as if the horses would fall off when the farmer is plowing the fields,
-but they never do.
-
-Louis has a pet dog. He harnesses his dog to a little wagon and drives
-him up and down the road. Sometimes he gives Marie a ride in the wagon.
-
-Louis goes to the village school, and Marie will have to go as soon as
-she is six years old. There are very good schools in Switzerland, and
-the children learn the same things that you learn in your school.
-
-These children have many odd playthings and toys carved out of wood.
-They have wooden whistles and horns, and little wooden goats and bears.
-Marie has a tiny chalet, almost like the one she lives in, which she
-calls her “playhouse.”
-
-The toys the children like best are the ones that have a music box
-in them. The Swiss people make all kinds of music boxes and put them
-in all kinds of things, in chairs and tables and clocks, and even in
-plates.
-
-While the boys are learning to carve, the girls learn to embroider on
-linen and to make lace.
-
-Very often the Swiss girls sit outside the door of their chalet making
-lace which they sell to the people who are travelling through the
-mountains.
-
- * * * * *
-
-Where do Louis and Marie live?
-
-What does their father do?
-
-Where do the cattle live in the summer?
-
-Who takes care of them?
-
-What do the women make, up in the mountains?
-
-Which holiday do the Swiss children like best?
-
-What do they do on this day?
-
-What is a Swiss cottage called?
-
-Why do people like to travel in Switzerland?
-
-If you should go there, what would you like to see?
-
-What would you like to buy?
-
-
-
-
-LULLABY-LAND
-
-
- Where is the road to Lullaby-land?
- Where is the ferry to Dreamland-shore?
- Here, little wanderer, take my hand,
- Mother will show thee to Lullaby-land,
- Mother will ferry her darling o’er
- The sweet rocking waters to Dreamland-shore.
-
- Soft lie the shadows in Lullaby-land,
- Soft lap the waters by Dreamland-shore,
- Sweet is the sound on that far-away strand
- Of little keels grating along the sand,
- And tenderly stealeth the moonlight o’er
- The dear little children on Dreamland-shore.
-
- Here, little weary one, take my hand,
- Soon shall my dearie be far afloat;
- Mother’s lap is Lullaby-land,
- Mother’s arms are the empty boat,
- Waiting to carry her darling o’er
- The sweet rocking waters to Dreamland-shore.
-
- —_Edith Colby Banfield._
-
-
-
-
-THE STONE BLOCKS
-
-
-“Why is your little sister crying, dear?” asked the Play Angel. “I
-thought you were taking care of her.”
-
-[Illustration]
-
-“So I am, taking beautiful care of her,” said the child. “But the more
-beautiful care I take, the more she cries. She does not like to have me
-take care of her.”
-
-“Let me see,” said the Play Angel, and she sat down on the nursery
-floor. “Now show me what you have been doing.”
-
-“Look,” said the child. “First I showed her all my dolls, and then all
-my dolls’ dresses. Now I have given her my new stone blocks to play
-with, but she will not play with them. She puts them in her mouth and
-cries.”
-
-“Perhaps she is hungry!” said the Play Angel.
-
-So she took a piece of bread and gave it to the baby. The baby stopped
-crying and ate the bread, and laughed and crowed.
-
-“See!” said the Angel. “Now she is happy. Remember, dear, that when
-babies are hungry, stone blocks do them no good.”
-
-“You are a very clever angel to know that,” said the child.
-
-“You are a rather foolish child,” said the Angel, “or you would have
-found it out for yourself.”
-
- —_Laura E. Richards._
-
-
-
-
-GREAT-GREAT-GRANDMA’S CHRISTMAS IN ENGLAND
-
-
-Betty and Percy sat up until eleven o’clock that Christmas Eve. It was
-such a merry time!
-
-They saw the men bring in the Yule log. It was so big that it took
-three men to carry it, and then they had to bring it in on their
-shoulders.
-
-[Illustration]
-
-At one end of the hall was a large fireplace. I think you never saw one
-like it. Pots and kettles hung over the fire, and on each side were
-seats where the children could sit and eat apples and tell stories. You
-see, it was a very big fireplace.
-
-The men rolled the Yule log into the fireplace and lighted the fire.
-How the sparks flew! How the fire roared up the chimney!
-
-It lighted the great hall. It shone on the oak table where the supper
-was laid.
-
-On the supper table were two wax candles. These candles were almost as
-tall as you are. They were wreathed with holly.
-
-These were the Christmas candles and they burned the whole evening. The
-hall was trimmed with holly and mistletoe. The holly had bright green
-leaves and red berries, and the mistletoe had white berries.
-
-A big bunch of mistletoe hung down from the ceiling before the fire. If
-anyone happened to stand under the mistletoe, she was kissed.
-
-How many times Betty was kissed! First her father caught her under the
-mistletoe, then Uncle Edward, and then Grandpa.
-
-At eleven o’clock Nurse said that Betty and Percy must go to bed. They
-did not like to go one bit.
-
-There was a fire in the fireplace in Betty’s bedroom, but it was very
-cold. In Great-Great-Grandma’s time there were no such things as stoves
-and furnaces.
-
-Nurse undressed Betty, and then the little girl climbed up the steps
-into her bed. It was so big and high that she had to climb up five
-steps to get into it.
-
-Then Nurse drew the curtains of the bed to keep out the cold.
-
-Betty was almost asleep when she heard the Waits singing. The Waits
-always sang under the windows on Christmas Eve.
-
-“Open the lattice, please, Nurse,” she said.
-
-So Nurse opened one of the windows. It opened like a door, and had
-panes of glass which were small and diamond-shaped.
-
-The house Betty lived in was very, very large, and was called a castle.
-
-This is what the Waits were singing:—
-
- “God rest ye, merry gentlemen,
- Let nothing you dismay,
- For Jesus Christ our Saviour
- Was born upon this day.”
-
-Betty did not hear the next verse, because her eyes were shut and she
-was fast asleep.
-
-When she waked up in the morning, the first thing she heard was another
-Christmas carol.
-
-She slid down the side of the bed and ran to the window.
-
-It was a lovely Christmas morning. The trees and ground and walks were
-covered with snow. How it glistened in the sunshine!
-
-The singers were standing in a row under the window. There were seven
-of them, and they were all children from the village whom Betty had
-seen when she was driving with her mother.
-
-How they were bundled up, and their cheeks were as red as roses!
-
-They were singing this Christmas carol:—
-
- “I saw three ships come sailing in,
- On Christmas Day, on Christmas Day;
- I saw three ships come sailing in,
- On Christmas Day in the morning.”
-
-“Quick, quick, Nurse,” said Betty. “Please dress me as quickly as you
-can. I must run down with the Christmas boxes.”
-
-[Illustration: PLEASE DRESS ME AS QUICKLY AS YOU CAN.]
-
-So Nurse hurried, and Betty hurried, and in a little while she was
-ready, with a sprig of holly in her dress, and a bit of mistletoe in
-her hair.
-
-Percy was ready, too, and they ran down the long staircase into the
-wide hall.
-
-The Yule log was still burning,—it had burned all night. The door was
-opened, and the little singers came in to warm themselves by the fire.
-
-Betty and Percy gave each of them a “Christmas box.” It wasn’t a box,
-it was a gift; but a Christmas gift was called a Christmas box in those
-days.
-
-After the singers had looked at their gifts and had eaten a slice of
-plum cake, they went home.
-
-I cannot tell you everything that Betty and Percy did that day, but you
-may be sure they had a good time.
-
-I must tell you about the Christmas dinner. It was served in the hall,
-on the big oak table that stood before the fire.
-
-When dinner was ready they did not ring a bell, but the cook knocked
-three times with his rolling-pin on the door.
-
-Two men stood in the hall, and when they heard the three knocks they
-sounded their trumpets, the doors were opened, and all the family
-marched in to dinner.
-
-I do not know just what they had to eat, but I know they had roast
-goose, and a plum pudding just as you do at Christmas time.
-
-After dinner the children played games. And what do you think they
-played? First they played “Puss-puss-in-the-corner,” and then
-“Blind-man’s-buff.”
-
-Isn’t it strange that Great-Great-Grandma should have played the very
-games you play, on that Christmas night more than two hundred years
-ago?
-
-
-
-
-THE WHIPPING BOY
-
-
-Many years ago there was a little boy living in England whose name was
-Edward. Of course there have been many boys in England by the name of
-Edward, but they are not so well known as this boy, for he was the son
-of a king.
-
-[Illustration]
-
-Edward’s father was King Henry the Eighth, and Edward was called Edward
-the Sixth when he became King of England.
-
-King Henry was very fond of his children and did not like to have them
-punished, so he had a little “whipping boy” for each one of them.
-
-Whenever one of the Princes or Princesses did anything naughty, the
-whipping boy was punished.
-
-Sometimes he had to stand in the corner for a whole hour. Sometimes
-he was sent to bed without any supper, and sometimes he had to have a
-whipping.
-
-Prince Edward’s whipping boy was Edward Brown. He lived in the castle
-and played with the Prince every day. The two boys were very fond of
-each other, and the Prince did not like to have his friend punished.
-
-So he tried to be good, but there are so many things a Prince must not
-do!
-
-A Prince must not throw his toys out of the castle window. He must
-never get angry at his brothers and sisters and quarrel with them. He
-must learn his lessons every day.
-
-He must be polite and obedient to the King and Queen, to all the
-Gentlemen in Waiting and Ladies in Waiting, to the Head Nurse and all
-the Under Nurses, and to his Tutor and all his teachers.
-
-Oh! it is very hard to be a good Prince!
-
-Sometimes Edward Brown had to be punished more than once while the
-boys were at play, and sometimes Prince Edward was quite good all day
-long.
-
-One day the Prince did something that was very wrong; and when his
-Tutor would have punished the whipping boy, Edward took the cane from
-his hand and said, “Sir, you shall whip me for this. It is my command.
-I did wrong. I should be punished.”
-
-When Prince Edward was nine years old, his father died, and the Prince
-was made King of England.
-
-Perhaps you would like to know how he was dressed when he went to be
-crowned. He wore a suit of white velvet, embroidered with diamonds,
-pearls, and rubies. His cap was white velvet, and his coat was cloth of
-silver.
-
-He rode on a white horse through the city and the people shouted, “Long
-live King Edward.”
-
-
-
-
-THE CHRISTMAS SPRUCE TREE
-
-
-Among the tall trees in the forest grew a little spruce tree. It was no
-taller than a man, and that is very short for a tree.
-
-The other trees near it grew so tall and had such large branches that
-the poor little tree could not grow at all.
-
-She liked to listen when the other trees were talking, but it often
-made her sad.
-
-“I am king of the forest,” said the oak. “Look at my huge trunk and my
-branches. How they reach up toward heaven! I furnish planks for men
-from which they build their ships. Then I defy the storm on the ocean
-as I did the thunder in the forest.”
-
-“And I go with you over the foaming waves,” said the tall straight
-pine. “I hold up the flapping sails when the ships fly over the ocean.”
-
-“And we warm the houses when winter comes and the cold north wind
-drives the snow before him,” said the birches.
-
-“We have the same work to do,” said a tall fir tree, and she bowed
-gracefully, drooping her branches toward the ground.
-
-[Illustration]
-
-The little spruce tree heard the other trees talking about their work
-in the world. This made her sad, and she thought, “What work can I do?
-What will become of me?”
-
-But she could not think of any way in which she could be useful. She
-decided to ask the other trees in the forest.
-
-So she asked the oak, the pine and the fir, but they were so proud and
-stately they did not even hear her.
-
-Then she asked the beautiful white birch that stood near by. “You have
-no work to do,” said the birch, “because you can never grow large
-enough. Perhaps you might be a Christmas tree, but that is all.”
-
-“What is a Christmas tree?” asked the little spruce.
-
-“I do not know exactly,” replied the birch. “Sometimes when the days
-are short and cold, and the ground is covered with snow, men come out
-here into the forest. They look at all the little spruce trees and
-choose the prettiest, saying, ‘This will do for a Christmas tree.’
-
-“Then they chop it down and carry it away. What they do with it I
-cannot tell.”
-
-The little spruce asked the rabbit that hopped over the snow, the owls
-that slept in the pines, and the squirrels that came to find nuts and
-acorns.
-
-But no one knew more than the birch tree. No one could tell what men
-did with the Christmas trees.
-
-Then the little spruce tree wept because she had no work to do and
-could not be of any use in the world.
-
-The tears hardened into clear, round drops, which we call gum.
-
-At last a boy came into the forest with an axe in his hand. He looked
-the little tree all over. “Perhaps this will do for a Christmas tree,”
-he said. So he chopped it down, laid it on a sled, and dragged it home.
-
-The next day the boy sold the tree, and it was taken into a large room
-and dressed up with pop corn and gilded nuts and candles. Packages of
-all sizes and shapes, and tiny bags filled with candy, were tied on its
-branches.
-
-The tree was trembling with the excitement, but she stood as still as
-she could. “What if I should drop some of this fruit,” she thought.
-
-When it began to grow dark, every one left the room and the tree was
-alone. It began to feel lonely and to think sad thoughts.
-
-Soon the door opened and a lady came in. She lighted all the candles.
-
-How light and glowing it was then!
-
-The tree had never even dreamed of anything so beautiful!
-
-Then the children came and danced about the tree, singing a Christmas
-song. The father played on his violin, and the baby sat in her mother’s
-arms, smiling and cooing.
-
-“Now I know what I was made for,” thought the spruce tree; “I was
-intended to give joy to the little ones, because I, myself, am so small
-and humble.”
-
- —_Anna von Rydingsvärd._
-
-
-
-
-A ROSE
-
-
- A sepal, petal, and a thorn
- Upon a common summer’s morn,
- A flash of dew, a bee or two,
- A breeze
- A caper in the trees,—
- And I’m a rose!
-
- —_Emily Dickinson._
-
-
-
-
-THE EVE OF ST. NICHOLAS
-
-
-It was the Eve of St. Nicholas. In Germany St. Nicholas’s Day comes on
-the sixth of December.
-
-The children were in the nursery. On the hearth before the fireplace,
-were five little sugar shoes.
-
-Thekla was filling her shoe with oats. Max put rye in his shoe. Hans
-put an apple in his, and Gretchen filled hers with lumps of sugar.
-
-Betty, the poor little girl who sometimes helped in the kitchen, had
-only a bit of brown bread to put in her shoe.
-
-The children were expecting St. Nicholas, who always comes on a white
-horse, and the things in the shoes were for the horse to eat.
-
-As the clock struck six there was a loud knock at the door.
-
-Aunt Hilda opened the door, and in came St. Nicholas. He was very tall
-and had a long white beard. He wore a long black robe and a red and
-white cap, with a big red tassel.
-
-“Dear little children,” he said, “it will soon be Christmas. I have
-come to find the good children. I shall bring gifts to them on
-Christmas Eve. Has Thekla learned to knit?”
-
-[Illustration]
-
-“Yes, indeed,” said her mother. “See this pair of stockings she has
-knit for Hans.”
-
-“They are very well made,” said St. Nicholas. “I shall surely bring a
-gift for Thekla. Has Hans learned to get up early?”
-
-“We have not had to call him for six weeks,” said his father.
-
-“Good,” said St. Nicholas. “Has Max learned his multiplication tables?”
-
-“Max is trying very hard,” said Aunt Hilda. “He knows all but the nines
-and twelves.”
-
-“And the dear little Gretchen?” said St. Nicholas, patting the baby’s
-golden curls.
-
-They all smiled, and the mother said, “The dear little Gretchen is
-always sweet and good.”
-
-“Well, well, I shall certainly bring many beautiful gifts to this
-house,” said St. Nicholas.
-
-“And don’t forget little Betty,” said Aunt Hilda.
-
-So the good Saint took the oats, the rye and the apple, the lumps of
-sugar, and the bit of brown bread out of the sugar shoes and went out
-into the night. I suppose he gave them to his horse.
-
-“St. Nicholas has eyes like Uncle Max,” said Thekla.
-
-“He smiled like Uncle Max, too,” said her brother.
-
-St. Nicholas kept his word. On Christmas Eve there was a Christmas tree
-in the parlor. On it there were many beautiful gifts, and little Betty
-was not forgotten.
-
-The next night the children hung gifts on the same tree for father,
-mother, Uncle Max, Aunt Hilda, and the dear Grandfather.
-
-Each one of the children had something of his very own for Grandfather.
-
-Thekla had knit a warm scarf for him. Max can carve in wood, so he had
-made a stout cane and had carved it very handsomely.
-
-Hans drew a picture for him, and the dear little Gretchen gave him two
-of her very best kisses.
-
-Oh, it was a very happy Christmas!
-
-
-
-
-ROBIN REDBREAST
-
-
- Good-by, good-by to summer!
- For summer’s nearly done;
- The garden smiling faintly,
- Cool breezes in the sun;
- Our thrushes now are silent,
- Our swallows flown away,—
- But Robin’s here, in coat of brown,
- And ruddy breast-knot gay,
- Robin, Robin Redbreast,
- O Robin dear!
- Robin sings so sweetly
- In the falling of the year.
-
- Bright yellow, red, and orange,
- The leaves come down in hosts;
- The trees are Indian princes,
- But soon they’ll turn to ghosts;
- The leathery pears and apples
- Hang russet on the bough;
- It’s autumn, autumn, autumn late,
- ’Twill soon be winter now.
- Robin, Robin Redbreast,
- O Robin dear!
- And what will this poor Robin do?
- For pinching days are near.
-
- The fireside for the cricket,
- The wheat stack for the mouse,
- When trembling night-winds whistle
- And moan all round the house.
- The frosty ways like iron,
- The branches plumed with snow,—
- Alas! in winter dead and dark,
- Where can poor Robin go?
- Robin, Robin Redbreast,
- O Robin dear!
- And a crumb of bread for Robin,
- His little heart to cheer!
-
- —_William Allingham._
-
-
-
-
-“THE LITTLE TURKEYS”
-
-IN SCHOOL
-
-
-The “little Turkeys” that I am going to tell you about are the children
-that live in a far away land called Turkey.
-
-To reach this land you would have to travel many hundreds of miles in
-railroad trains and big ships.
-
-In fact it is almost as far away as China, and that, you know, is
-farther away than you can imagine.
-
-The “little Turkeys” are very interesting, and they would think your
-way of living just as strange as you will think theirs is.
-
-To begin at the very beginning, the tiny baby doesn’t wear any dresses.
-He is wrapped round and round, body, legs, and arms, with cloths, until
-he looks like a dry-goods bundle.
-
-Every baby wears a gay little bonnet, usually bright green, because the
-favorite color of the Turks is green.
-
-The Turkish baby is often hung up in a little cloth hammock, but
-sometimes he is rocked to sleep in a wooden cradle.
-
-The cradle is a long wooden box on low rockers with high carved ends.
-
-In the Sultan’s treasure house is a cradle of solid gold, decorated
-with pearls, diamonds, and rubies. This is the cradle in which the baby
-princes are rocked; and it is very beautiful, as you can easily imagine.
-
-When the boy baby is about a year old he is placed in charge of a man
-nurse, if the father is not too poor. This man takes care of him until
-he is six years old.
-
-Then the boy is given a new suit of clothes and a pony, and he is ready
-to go to school. Almost all of the boys in Turkey ride on horse-back. I
-think you would like that.
-
-The new suit may be big baggy trousers, with an embroidered shirt and
-short jacket. Or it may be long full trousers of gay striped calico,
-and a little jacket, quilted in puffy squares.
-
-Every boy wears on his head a red fez with a black tassel.
-
-In his new suit, the boy starts off for school on his pony, and his
-brothers go with him. The bells on the pony jingle, the boys shout and
-sing, and it is a very merry procession.
-
-[Illustration]
-
-The schoolhouse stands near the church. Inside, it is very plain. There
-is a blackboard hung from the ceiling, a shelf for books and slates,
-and one for a water jar.
-
-There is a little shelf for the teacher’s pipe, and a place where he
-makes coffee over a tiny lamp. For the teacher smokes and sips coffee
-while the children study their lessons.
-
-The children sit cross-legged on mats on the floor, and study out loud,
-bending their bodies back and forth all the time. Perhaps they think
-this helps them to remember.
-
-They learn their letters, and very queer letters you would think them,
-out of the Koran. They have no other book until they know this one by
-heart, and can repeat it and write it.
-
-Then they learn a little arithmetic and a very little geography.
-
-In olden times the girls did not go to school at all, but stayed at
-home learning to keep house, sew, and embroider. They were also taught
-to weave cloth and to make beautiful rugs.
-
-Now there are many schools for girls, as well as high schools and
-colleges for both girls and boys.
-
-The noise of the studying is stopped once during the day. At noon the
-time for prayer is called out from the tower of the church. Then all
-is quiet for a few minutes while teacher and pupils kneel to say the
-midday prayer.
-
-Then the candy-man appears with all sorts of sweets on trays. The
-candies are called “Turkish delights.” They are “pasty, creamy, crackly
-things, made from rose-leaves, violets, nuts, dates and grapes, mixed
-with honey, sugar, syrup and spices.”
-
-Doesn’t that sound good enough to eat?
-
- * * * * *
-
-Where do the “little Turkeys” live?
-
-How would you reach their country?
-
-Describe the Turkish baby’s cradle.
-
-Describe the princes’ cradle.
-
-How does the Turkish boy go to school?
-
-Tell what you can about the school.
-
-What does the candy-man sell?
-
-What are the candies made of, and what are they called?
-
-
-
-
-“THE LITTLE TURKEYS”
-
-AT HOME
-
-
-Little boys who like to lie in bed in the morning would not like to
-live in Turkey.
-
-All the grown people and all the children have to get up twice every
-day.
-
-[Illustration]
-
-They get up first at day-break, wash their faces and hands, and repeat
-their morning prayer. Then they go back to bed.
-
-Two hours later they rise, wash, and have their coffee. Breakfast is
-served two hours later still.
-
-After breakfast the father goes to work and the mother gets the
-children ready for school.
-
-The children have their lunch at school, as I told you. Dinner is
-served at night. If there are gentlemen to dine with the father, only
-the sons sit at the table. The mother and daughters dine in another
-room.
-
-After dinner every one has a good time. The children play games, and
-sometimes the older people play with them. They are also fond of story
-telling, and tell wonderful stories of battle and adventure.
-
-Then the family goes to bed on the floor. That is, they lay mattresses
-on the floor and cover themselves with blankets.
-
-Every one goes to church on Friday. The boys sit with their father, and
-the girls sit with their mother in a gallery where they cannot be seen.
-At the entrance to the church they wash their hands and feet and put on
-a pair of slippers.
-
-After church the children play games of tag, or hide-and-seek. They
-have few toys. The girls have dolls, and the boys have marbles or
-balls. The marbles are nothing but a kind of round nut.
-
-They do not have the holidays you do, but there are a few feast days,
-when they have a very good time. One of the feasts is like our Easter,
-only it lasts three days. Then there are merry-go-rounds in the
-squares, and ponies to ride on for a penny.
-
-The girls have new dresses of red, blue and yellow silk, and the boys
-have gay little uniforms.
-
-The candy-men walk the streets with big trays piled high with sweets,
-and every one eats a great deal too much candy.
-
-Should you like to live in Turkey, or do you like your own country best?
-
- * * * * *
-
-Tell what the “Little Turkeys” do in the morning.
-
-What do the children do after dinner?
-
-What toys do they have? What games do they play?
-
-Where do the Turkish people sleep?
-
-Would you like to live in Turkey? Why?
-
-
-
-
-“GILLYFLOWER GENTLEMAN”
-
-
-“Why do you play alone, dear,” asked the Play Angel, “and look so sadly
-over your shoulder at the other children?”
-
-[Illustration]
-
-“Because they are so selfish!” said the child. “They will not play with
-me.”
-
-“Oh, what a pity!” said the Angel. “Tell me all about it.”
-
-“I want to play one game, and they all want to play another!” said the
-child. “It is very unkind of them.”
-
-“Did you ever play Gillyflower Gentleman?” asked the Angel.
-
-“No,” said the child. “What is it?”
-
-“You shall see,” said the Angel. “Let us ask the others if they know
-it.”
-
-The other children did not know it, but they were eager to learn, and
-soon they were all playing Gillyflower Gentleman. They played till all
-their breath was gone, and they had to sit down on the haycocks to rest.
-
-“That was a fine game!” said the first child. “I will play yours now,
-if you wish me to.”
-
-“We were just going to tell you that we would play yours,” said the
-other children. So they played both the games, and the Play Angel went
-back to her work.
-
- —_Laura E. Richards._
-
-
-
-
-THE RULER
-
-
-It was time for the Child to have lessons. The father gave him a sheet
-of paper, smooth and white; a pencil, and a ruler.
-
-[Illustration]
-
-“Write as well as you can,” he said, “and be sure you keep the lines
-straight!”
-
-The Child admired the ruler very much. “I will put it up on the wall,”
-he said, “where I can see it always.”
-
-So he put it up on the wall, and the sunbeams sparkled on it.
-
-“It must be pure gold,” said the Child; “there is nothing else so
-beautiful in the world.” And then he began his task.
-
-By and by the lesson time was over, and the father came to see what had
-been done.
-
-The Child showed him the paper on which he had written his task. Up and
-down went the lines, here and there, from side to side of the sheet,
-which was covered with sprawling, straggling letters. There were spots,
-too, where he had tried to rub out something. It was not a pretty page.
-
-“What is this?” asked the father. “Where is your ruler?”
-
-“There it is,” said the Child. “It is up on the wall. It was so
-beautiful that I put it up there where I could see it all the time. See
-where it hangs! But it does not seem as bright as it was.”
-
-“No,” said the father. “It would have been brighter if you had used it.”
-
-“But I admired it very much,” said the Child.
-
-“But your lines are crooked,” said the father.
-
- —_Laura E. Richards (Adapted)._
-
-
-
-
-THE MOON
-
-
- There’s a throne in the east and a throne in the west,
- And the royal heavens lie between.
- For the golden sun is a sceptred king,
- And the moon is his crownéd queen.
- A lonely queen is the silver moon,
- Though the dimpling stars her maidens are;
- She passes among them silently
- As she follows her lord afar.
- —_Edith Colby Banfield._
-
-
-
-
-THE CHILDREN OF ARMENIA
-
-
-When you were a very little boy did you have a “Noah’s Ark” for a
-plaything? And do you remember the story of “Noah and his Ark?”
-
-This story tells, you remember, about a severe storm, when it rained
-forty days and forty nights and all the land was flooded.
-
-But Noah had built an ark and invited two animals of every kind, and a
-few persons, to live in his ark during the flood.
-
-When the storms were over, the ark rested on a mountain, and this was
-Mount Ararat.
-
-Mount Ararat is in the country of Armenia, and in this country lives a
-very interesting people.
-
-Armenia is a mountainous country and Mount Ararat is the highest of all
-the mountains. It is so high that it has a snow cap all the year round,
-even during the hottest part of the summer.
-
-The Armenian children are often very pretty, with black hair, black
-eyes, and round, red cheeks. They are bright and anxious to learn, and
-they often ride a long way on donkey-back to get to the church schools.
-
-[Illustration]
-
-The schools are not free like the school you go to, and often the
-parents have to pay the school with grain and cheese because they have
-no money.
-
-There is a free school near every church, and the priest is the
-teacher. Here the little boys and girls learn the Armenian alphabet,
-and also study reading, writing, geography, and grammar.
-
-The mirigs (mothers) of the little Armenians have to wake them very
-early, for they have to go to school at seven.
-
-They sit cross-legged on the floor, and study their lessons aloud. All
-the children carry a lunch from home, and they eat together in another
-little room, still sitting on the floor.
-
-Boys and girls go to the same school until they are ten or twelve
-years old; then the girls go to a different school. Here they learn
-dressmaking and embroidery. The materials are supplied by the school,
-and at the end of the year the articles are sold and the money goes to
-the school.
-
-The boys do not earn money for the school, but they have to sing in the
-church on Sunday.
-
-When school closes at night the children form in line, with their hands
-folded, and march to their homes. The line stops at each house where a
-child lives, while the little one bids his friends good-night.
-
-In winter there are deep snows, and then Hagop (Jacob) and Garabet
-(George) and the other boys build snowmen and have snowball battles.
-
-But in summer they work more than they play, for they have to go up to
-the mountains with herds of goats. A few women go to cook for them, and
-they all live in huts built of boughs.
-
-The girls have rag dolls, with painted eyes, nose and mouth, and very
-red cheeks. These dolls are dressed just like the little girls, with
-gaily colored dresses of red, green, purple, or yellow. Their hair is
-braided in long braids, and strung with beads and coins.
-
- * * * * *
-
-Where is Mount Ararat?
-
-Tell the story of Noah and his Ark.
-
-What is the highest mountain in Armenia?
-
-What covers the top of this mountain?
-
-What is the Armenian word for “mamma?”
-
-What do the children learn in the church schools?
-
-How do the children go home from school?
-
-What do the boys do in winter? In summer?
-
-
-
-
-ARMENIAN HOMES
-
-
-Hagop and Garabet live at the foot of Mount Ararat in a small village.
-
-Their father is very poor and cannot afford to build a house, so they
-live in a hut, built of mud, with walls three feet thick.
-
-The inside of the house is plastered with chopped straw and mud mixed
-together. The mud roof is flat and is kept smooth by rolling it often
-with a stone, or treading it with bare feet. Hagop and Garabet think it
-is great fun to go up on the roof after it rains and tread the soft mud
-with their bare feet. Then their father rolls it with a big round stone
-until it is smooth and firm.
-
-There are many huts like this in Armenia, and they are often half under
-ground, with the earth that has been dug out piled up around them. A
-village of such dwellings looks a good deal like a village of huge
-ant-hills.
-
-There is only one door for the people and animals. Animals? Yes,
-animals. For in winter the poor people let the animals come into the
-room with them, and almost every family has at least a few goats.
-
-There is a fireplace in the middle of the earth floor for cooking, but
-there is no chimney, and the room is very smoky.
-
-The mother makes big thin sheets of blanket bread and bakes it before
-the fire. Sometimes she makes little cakes of the bread and spreads
-them with thick cream.
-
-The children drink goats’ milk with their bread, and once in a long
-while they have a few raisins.
-
-There are no windows in the hut, instead there are a few holes for
-light; and there are no tables, no chairs, no beds, no bureaus. In fact
-there is no furniture except some mats and blankets. Hagop’s mother
-weaves the mats and blankets herself. The children like to watch the
-patterns grow on the rugs as the mother weaves the colored threads back
-and forth.
-
-The people sit on the mats in the daytime and at night they roll
-themselves in the blankets and sleep on these same mats.
-
-Of course the rich people in the towns and cities have much more
-comfortable houses, and they often have beautiful carved furniture and
-handsome rugs. But these houses have flat roofs, too, and in summer
-every one, rich or poor, lives on the roofs.
-
-[Illustration]
-
-There all the work is done; the women weave rugs or make beautiful
-lace; the little girls play with their dolls; and at night the mats are
-spread and the family sleep under the stars.
-
-I do not believe I should like to live in Armenia, but I should enjoy
-sleeping out of doors on the warm summer nights, watching the twinkling
-stars until I fell asleep.
-
- * * * * *
-
-Describe the house where Hagop and Garabet live.
-
-What does a village of these huts look like?
-
-Where do the goats live?
-
-What makes the house smoky?
-
-What do the children have to eat and drink?
-
-Describe the inside of the house where Hagop and Garabet live.
-
-Where do the people live in the summer time?
-
-Where do they sleep in summer? In winter?
-
-Tell all the things you can that Hagop’s mother has to do.
-
-
-
-
-THE NEST
-
-
- Under the apple tree, somebody said,
- “Look at that robin’s nest overhead!
- All of sharp sticks, and of mud, and clay—
- What a rough home for a summer day!”
- Gaunt stood the apple tree, gaunt and bare,
- And creaked in the winds which blustered there.
- The nest was wet with the April rain;
- The clay ran down in an ugly stain;
- Little it looked, I must truly say,
- Like a lovely home for a summer day.
-
- Up in the apple tree, somebody laughed,
- “Little you know of the true home-craft.
- Laugh if you like, at my sticks and clay;
- They’ll make a good home for a summer day.
- May turns the apple tree pink and white,
- Sunny all day, and fragrant all night.
- My babies will never feel the showers,
- For rain can’t get through these feathers of ours.
- Snug under my wings they will cuddle and creep,
- The happiest babies awake or asleep,”
- Said the robin-mother, flying away
- After more of the sticks and mud and clay.
-
- Under the apple tree somebody sighed,
- “Ah me, the blunder of folly and pride!
- The roughest small house of mud or clay
- Might be a sweet home for a summer day,
- Sunny and fragrant all day, all night,
- With only good cheer for fragrance and light;
- And the bitterest storms of grief and pain
- Will beat and break on that home in vain,
- Where a true-hearted mother broods alway,
- And makes the whole year like a summer day.”
- —_Helen Hunt Jackson._
-
-
-
-
-AHMOW—THE WOLF
-
-
-I
-
-Little Ahmow was an Eskimo boy. He lived with his parents on the bleak
-northern shore of Hudson Bay.
-
-During the long Arctic winter these Eskimos kill the walrus which live
-at the edge of the ice. In the short summer they hunt them on the
-islands near the shore.
-
-The walrus meat is cut into strips and sewed up in bags made of the
-walrus skin. This is to keep the dogs from stealing and eating it.
-
-The walrus oil is put into casks to be used in the dark winter months
-for heat and light.
-
-Ahmow’s father killed many walrus every summer and stored the meat and
-oil on the islands. Then in the winter he rode over on the ice to get
-it.
-
-One cold winter day, when Ahmow was ten years old, his father said,
-“To-morrow I shall go to the island for oil.”
-
-“We need meat, too,” said his wife, “and food for the dogs.”
-
-“May I go with you, father?” said Ahmow. “I will help you all I can.”
-
-[Illustration]
-
-“No,” answered Nannook. “It is far and you are only a boy.”
-
-Ahmow begged so hard that at last his father said he might go.
-
-“But it will be a long cold ride, and there are often bears and wolves
-on the island.”
-
-So Ahmow dressed himself in his new reindeer suit that his mother had
-made, and pulled his sealskin cap well over his ears.
-
-He helped his father get ready for the long, cold journey. First they
-put a thick coating of ice on the sledge-runners. Then they filled two
-sealskin bags with food and water.
-
-They called the dogs and harnessed them to the sledge. There were eight
-of them, and they could run like the wind.
-
-Last of all Ahmow crawled into the house, bade his mother good-by, and
-brought out the long whip.
-
-Nannook wrapped his little boy in a bearskin, cracked his whip over the
-dogs, and away they flew over the ice. Oh, how happy Ahmow was!
-
-
-II
-
-After a while the dogs stopped running and began to trot, and Ahmow
-looked about over the vast fields of ice.
-
-Not a tree, not a house, not a person was in sight. As far as he could
-see there was nothing but ice and snow. Everything was still and white
-in the dim light.
-
-When they had nearly reached the island, what did they see but a huge
-polar bear! He was prowling around the oil casks, looking for something
-to eat.
-
-Nannook unharnessed the dogs at once. “Go,” he cried, and they raced
-across the ice after the bear.
-
-The bear was so big and clumsy that he could not run fast. The dogs
-soon surrounded him, and held him until Nannook came running up to
-shoot him.
-
-Ahmow helped his father skin the bear and cut up the meat. Then they
-loaded the sledge with a cask of oil, some walrus meat, the bearskin,
-and part of the bear meat.
-
-After eating their luncheon, Ahmow was again rolled up in the bear rug,
-and they started for home. Nannook walked beside the sledge. The dogs
-walked too, because the load was so heavy.
-
-When they were nearly halfway home, Nannook saw some reindeer.
-
-“Watch the dogs, Ahmow,” he said, “and I will try to shoot one of
-those reindeer. Then we can have a fine dinner.”
-
-So he took the gun and ran swiftly over the snow. Soon he was out of
-sight, and Ahmow was alone with the dogs.
-
-The little boy played with the dogs at first, but after a while they
-curled up and went to sleep.
-
-Ahmow was sleepy, too, and it was so warm in the bear rug that he
-almost went to sleep.
-
-All at once he heard a growl, then a dog barked. Ahmow was wide awake
-and listening. “What is it, Naka?” he said to the dog that barked.
-
-Naka barked again, and the hair stood up straight on his back.
-
-Ahmow stood up and looked about. There was a fierce, hungry-looking
-wolf coming toward him! He looked again! One, two, three, four wolves
-were leaping over the snow!
-
-The boy threw off the rug, and seized his father’s whip and walrus
-spear. “Come here,” he called to the dogs. “Come here to the sledge.”
-
-Then, as the wolves came nearer, he jumped into the cask of meat.
-
-[Illustration]
-
-One big wolf ran up to the sledge. Ahmow leaned over and struck him
-with the whip with all his might. The wolf howled and turned back.
-
-Another wolf would have killed one of the dogs, but Ahmow threw out a
-big piece of bear meat. The wolf seized the meat and began to eat it.
-
-Now a third wolf came up to the sledge. Just then Ahmow saw his father
-running toward him.
-
-“He will drive the wolves away,” he thought, “but I should like to kill
-one if I can.”
-
-So he held the spear as he had seen his father hold it. As the wolf
-came nearer, he raised it. As the wolf jumped, he threw it with all his
-might right into the wide-open mouth. There was a howl, a growl, and
-then the wolf tried to run away. But Ahmow wound the spear line around
-the sledge post and held it tight.
-
-Nannook shot two of the wolves, but the one that had the meat got away
-with it.
-
-Then as he ran to the sledge, “Look, father,” cried Ahmow. “See this
-fine wolf, with the sharp nose, and the bushy tail. He is held fast
-with the walrus line, and he has eaten the walrus spear.”
-
-“Well done, lad,” said his father. “You will be a good hunter. Now,
-you shall have a spear of your own and you shall go with me on the big
-hunts.”
-
-So from that day the boy was a hunter, and the people in the village
-called him “Ahmow,” which means, “little wolf.”
-
- —_Frederick Schwatka._
-
-
-
-
-ESKIMO CHILDREN
-
-
-The Eskimos live in Greenland. I am sure you would wonder why it is
-called “Greenland,” for it is almost never “green.” Nearly all the year
-round the ground is covered with ice and snow, so that it seems as if
-“Whiteland” would be a better name.
-
-[Illustration]
-
-It is so cold in Greenland that the Eskimos have to wear very warm
-clothing. The boys and girls and men and women dress very much alike.
-They wear trousers made of bearskin and coats made of sealskin. Their
-stockings are like leggings and are made of birdskin, with soft
-feathers inside to keep their feet warm. Over these they wear sealskin
-boots, which are long enough to cover their knees.
-
-It is so cold in Greenland that trees cannot grow. If you think of all
-the ways in which we use the wood from our forest trees you will wonder
-what the Eskimos can do without them.
-
-We build houses of wood, but the Eskimos make theirs of blocks of ice
-and snow.
-
-We burn wood in our stoves. The Eskimos burn oil and fat which they get
-from the walrus and the seal. They burn this oil in a lamp which gives
-them all the light and heat they have.
-
-Our beds, chairs and tables are made of wood. The Eskimos have no beds.
-They sleep on bearskin rugs.
-
-They have no tables and no chairs. A big bowl made of bone is set on
-the floor, and the family sit around the bowl on bearskins, and eat out
-of it.
-
-There are no stores in Greenland, no churches, and no schools.
-Everything that a family needs has to be provided by the father or
-the mother. The father goes hunting and fishing, to get food to eat,
-and oil to burn, and skins to wear. He catches fish, and kills bears,
-seals, walrus, and reindeer. Sometimes in the summer he kills a few
-birds.
-
-The mother helps cut up the meat, and sometimes she cooks it, but much
-of the meat and fat is eaten raw. From the skins and furs she makes all
-the clothing for her family.
-
-As there are no schools the Eskimo children never learn to read or
-write, but they like to hear their mother and father tell stories, and
-they learn these stories so that they can tell them to their children.
-
-Every one in Greenland has a sled. The runners are made of bone, and
-the top is made of sealskin. Dogs draw these sleds over the snow, and
-they can run very fast and very far.
-
-The boys and girls have very few toys, but they like to play games, and
-they have many good times.
-
-The girls have dolls made of bone, and the boys play a game with a ball
-and stick made of bone.
-
-But the boys like to hunt and fish. They have small boats made of bone
-and sealskin, and paddles made of bone. Of course they can use these
-boats only in the short summer time, as the water is frozen the rest of
-the year. When they go hunting they carry spears, and a bow and arrows.
-
- * * * * *
-
-Do you think you would like to live in Greenland?
-
-Name ten things that you have that the Eskimo children have never seen.
-
-Tell five things that you can do that the little Eskimos cannot do.
-
-What do we have to eat that the Eskimos cannot have?
-
-Why do the Eskimos build their houses of snow? How is the house heated?
-
-Of what is their clothing made?
-
-How do they cook and eat their food?
-
-What do the Eskimo children do for fun?
-
-
-
-
-THE DREAM-SHIP
-
-
- The Dream-ship minds no stormy gales,
- Her masts are all of gold,
- With splendor of wide silken sails,
- Red-rosy, fold on fold.
- They spread below, they spread aloft,
- They’re never reefed nor furled,
- And they will bear us safe and soft,
- The other side the world.
-
- We shall not see the shadow crew
- That work among the spars,
- But watch the topmast sailing through
- The shoals of shining stars.
- From point to point of silver light,
- Through purple gulfs and bays,
- As we below a-gliding go
- Along the water-ways.
- —_Blanche M. Channing._
-
-
-
-
-A TRIP TO JAPAN
-
-
-There are so many things to tell you about “Nippon,” as the Japanese
-call their country, that I do not know where to begin.
-
-But first of all I must tell you how we landed. There were six of
-us,—Charlotte and Alice and Fred, their father and mother, and I,—and
-we had come all the way across the Pacific Ocean in a big ship.
-
-Our ship was anchored out in the harbor, and we were told we might go
-ashore.
-
-We wondered if we were expected to swim, but it seemed too far for that.
-
-You can imagine how glad we were when we looked over the side of the
-ship and saw a great many little boats waiting for us.
-
-A stairway was hung out over the side of the ship, and we walked down
-into the little boats, just as we walk down stairs in our houses.
-
-Then the trunks were lowered by ropes into little Japanese rowboats,
-called sampans, and we waved “good-by” to the captain and all our
-friends on the ship.
-
-[Illustration]
-
-Did you ever go to sleep and dream you were in a doll’s country, where
-you seemed like a giant? Alice said she knew now just how that other
-Alice felt in her visit to Wonderland, for she never saw such tiny
-little people, and such tiny little houses, and even such tiny little
-trees.
-
-When we got on shore we found queer little two-wheeled carriages, drawn
-by men instead of horses. The carriages are called jinrikishas, and are
-just big enough for one person.
-
-We each got into one of these carriages and the jinrikisha boys picked
-up the shafts and trotted off like nice little ponies.
-
-These boys wear dark-blue trousers that fit their legs very tightly,
-and a short blue jacket with flowing sleeves, and on their back is a
-Chinese letter painted in white, which is their employer’s name.
-
-On their feet they wear straw sandals which they kick off, when they
-are worn out, as a horse casts his shoe. The hat is a funny round straw
-disk, covered with white, which makes them look like toadstools.
-
-The houses, as I said, are very tiny, not much larger than your
-playhouses, and the walls are all made of sliding screens that can be
-pushed aside, leaving the house open.
-
-The floors are covered with matting, which is as soft as cushions, but
-there is no furniture anywhere to be seen, for the Japanese sit on the
-floor and sleep on the floor, and their tables are tiny little trays.
-
-The houses are spotlessly clean, for no Japanese would think of going
-into a house with his shoes on, any more than you would walk over your
-mother’s chairs and cushions in your shoes.
-
-One day we went to see a wonderful image. We rode out to it in
-jinrikishas, and we each had two ’rikisha boys to pull us. We sped
-along at a rapid pace, for the boys are so well trained that they make
-nearly as good time as a horse, and a day’s run is sometimes as much as
-forty miles.
-
-We had a regular Japanese “tiffin,” or lunch, at a little Japanese inn
-that had a pretty garden all around it. We took off our shoes at the
-door just as the Japanese do, and walked across the soft, matted floor.
-
-A screen was drawn aside for us to enter, and then closed again,
-leaving us in a little room. Here we all squatted on our heels, as
-nearly like a Japanese as our stiff muscles would let us, for, without
-being trained, it is hard to shut up like a jackknife.
-
-[Illustration]
-
-Then pretty little Japanese girls stole in noiselessly, bringing us
-trays of food, one for each person, and knelt down beside us to uncover
-our dishes and wait on us.
-
-In one tiny bowl was some vegetable soup, in another some rice, and in
-a third some fish, which was cooked for us, though to have been truly
-Japanese we should have eaten it raw.
-
-Of course there was tea. Everywhere you go they give you tea in wee
-cups without handles; just about a thimbleful, without cream and
-without sugar; not at all as we drink it at home.
-
-But with all this feast before us, there was nothing to eat it with but
-two funny little chopsticks, and terrible times we had trying to manage
-those little sticks that serve the Japanese so well, but which seemed
-bewitched the minute we got them between our fingers.
-
-After trying a long time we would get a mouthful, as we thought, firmly
-fixed between the chopsticks, but just as we would open our mouths to
-take it in, the bewitched chopsticks would give a twitch, and down the
-whole thing would fall again.
-
-So, though we spent much time over it, we ate very little, and we all
-agreed that it is better to eat with forks as we do in America.
-
-After tiffin we went to a silk factory, for a great deal of silk is
-manufactured in Japan. There we found over three thousand girls and
-women busy unrolling the cocoons. The silk is woven in another place,
-and rolled in neat rolls, ready for sale.
-
-Most of the way we rode along the beach, where we could see the
-fishermen in their boats, and in one boat was a boy we called Urashima,
-for when we looked for him a second time he had disappeared.
-
- —_Charlotte Chaffee Gibson._
-
- * * * * *
-
-What do the Japanese call their country?
-
-Where was the big ship anchored?
-
-How did the passengers get from the ship to the shore?
-
-What is a jinrikisha? How is it drawn?
-
-Describe a Japanese house.
-
-What is the Japanese word for lunch?
-
-What did the children have to eat at the inn?
-
-What did they have to eat it with?
-
-Where did they go after “tiffin?”
-
-What would you like to do if you should go to Japan?
-
-
-
-
-URASHIMA
-
-
-Urashima was a fisher-boy who lived long ago in Japan.
-
-One day he went out in his boat, and after he had been fishing a little
-while, he felt something very heavy tugging at his line.
-
-He gave a hard pull and got it up into his boat. Then he found that it
-was a big tortoise with such a funny old wrinkled face that he burst
-out laughing when he saw it.
-
-In Japan a tortoise lives a thousand years, so Urashima thought it
-would be a shame to kill this funny old fellow, when he might have so
-long to live. Besides, a small fish would suit him just as well for
-dinner, so he threw the tortoise back into the sea, and meant to go on
-fishing.
-
-But somehow the air seemed too heavy and drowsy, just as it does on a
-summer’s day, and Urashima fell asleep.
-
-While he was sleeping a beautiful maiden rose out of the water and got
-into the boat with him. Urashima waked, and when he saw her he thought
-she was the most beautiful creature he had ever seen.
-
-The maiden spoke to him. “Urashima,” she said, “you thought you caught
-a tortoise a little while ago, but it was really me. My father had sent
-me in disguise to see if you were a good, kind boy.
-
-“We know now that you are kind-hearted, as you spared the life of the
-old tortoise. So I am going to take you with me to the Dragon Palace,
-where my father, the Sea King, and I live. There you shall marry me,
-and we shall be very happy.”
-
-[Illustration: I AM GOING TO TAKE YOU WITH ME TO THE DRAGON PALACE.]
-
-Urashima gladly consented, and they floated away till they came to a
-wonderful palace at the bottom of the sea.
-
-This palace was all built of the most beautiful pink and white coral,
-and was studded with diamonds and pearls.
-
-The leaves of the trees were emeralds, with berries of rubies and
-sapphires; and the fishes’ scales were of pure silver and gold.
-
-All this was given to Urashima, and the beautiful princess became his
-wife. Any boy would be happy in such a palace, and Urashima was happy
-for three years.
-
-Then he said to the princess, “I must go to see my father and mother,
-and my brothers and sisters, but I will return again to you.”
-
-This made the poor princess very sad, for she did not wish to have
-Urashima go away.
-
-But when she saw how much he wished to go, she gave him a little box to
-take with him, telling him under no conditions to open it, for if he
-did he could never return to her.
-
-So Urashima started off, and soon found himself on the shore where he
-had lived. But everything seemed strangely different. Even the people
-were different and looked at him in a curious way.
-
-He could not seem to find his way home, so he asked two men whom he met
-if they could tell him how to reach the house of Urashima’s parents.
-
-“Urashima!” they cried. “Why, he was drowned out fishing about four
-hundred years ago, and not even his body was found. His father and
-mother are buried over there.”
-
-Then they moved away hastily, for they thought he must be insane.
-
-[Illustration]
-
-Poor Urashima could not think what to do. He began to think that the
-Dragon Palace must be a part of Fairyland, where a day is the same as a
-year on earth, and he wished to return to it. But how could he find the
-way?
-
-He could not remember how he had come.
-
-Suddenly he thought of the box that the princess had given him, and
-forgetting that he had promised not to open it, he pulled open the lid,
-hoping to learn the way back.
-
-There was nothing in the box but a fleecy white cloud that floated
-softly up into the blue sky.
-
-Then, too late, he remembered what the princess had said, and he called
-and called the cloud to come back. He even ran along the beach trying
-to catch it.
-
-But soon he could not call, for his breath came shorter and shorter,
-his hair turned white, and his back became weak and bent.
-
-Finally he fell down on the beach, crushed by the weight of his four
-hundred years.
-
- —_Charlotte Chaffee Gibson._
-
-
-
-
-A DAY
-
-
- I’ll tell you how the sun rose,—
- A ribbon at a time.
- The steeples swam in amethyst,
- The news like squirrels ran.
-
- The hills untied their bonnets,
- The bobolinks begun,
- Then I said softly to myself,
- “That must have been the sun!”
-
- * * * * *
-
- But how he set, I know not.
- There seemed a purple stile
- Which little yellow boys and girls
- Were climbing all the while.
-
- Till when they reached the other side,
- A dominie in gray
- Put gently up the evening bars,
- And led the flock away.
- —_Emily Dickinson._
-
-
-
-
-THE ANTS’ MONDAY DINNER
-
-
-How did I know what the ants had for dinner last Monday? It is odd that
-I should have known, but I’ll tell you how it happened.
-
-I was sitting under a big pine tree, high up on a hillside. The
-hillside was more than seven thousand feet above the sea, and that
-is higher than many mountains which people travel hundreds of miles
-to look at. But this hillside was in Colorado, so there was nothing
-wonderful in being up so high.
-
-I had been watching the great mountains with snow on them, and the
-great forests of pine trees—miles and miles of them—so close together
-that it looks as if you could lie down on their tops and not fall
-through; and my eyes were tired with looking at such great, grand
-things, so many miles off.
-
-So I looked down on the ground where I was sitting, and watched the
-ants which were running about everywhere, as busy and restless as if
-they had the whole world on their shoulders.
-
-Suddenly I saw a tiny caterpillar, which seemed to be bounding along in
-a very strange way. In a second more I saw an ant seize hold of him and
-begin to drag him off.
-
-The caterpillar was three times as long as the ant, and his body was
-more than twice as large round as the biggest part of the ant’s body.
-
-“Ho! ho! Mr. Ant,” said I, “you needn’t think you’re going to be strong
-enough to drag that fellow very far.”
-
-Why, it was about the same thing as if you or I should drag off a
-calf, which was kicking and struggling all the time; only that the
-calf hasn’t half so many legs to catch hold of things with as the
-caterpillar had.
-
-Poor caterpillar! how he did try to get away! But the ant never gave
-him a second’s time to take a good grip of anything; and he was cunning
-enough, too, to drag him on his side, so that he couldn’t use his legs
-very well.
-
-Up and down, and under and over stones and sticks; in and out of
-tufts of grass; up to the very top of the tallest blades, and then
-down again; over gravel and sand, and across bridges of pine needles
-from stone to stone; backward all the way ran that ant, dragging the
-caterpillar after him.
-
-I watched him very closely, thinking, of course, he must be going
-toward his house. Presently he darted up the trunk of a pine tree.
-
-“Dear me!” said I, “ants don’t live in trees! What does this mean?”
-
-The bark of the tree was all broken and jagged, and full of seams
-twenty times as deep as the height of the ant’s body. But he didn’t
-mind; down one side and up the other he went.
-
-They must have been awful chasms to him, and yet he never once stopped
-or went a bit slower. I had to watch the ant very closely, not to lose
-sight of him altogether.
-
-I began to think that he was merely trying to kill the caterpillar;
-that, perhaps, he didn’t mean to eat him, after all. How did I know but
-some ants might hunt caterpillars, just as some men hunt deer, for
-fun, and not at all because they need food?
-
-If I had been sure of this, I would have spoiled Mr. Ant’s sport for
-him very soon, you may be sure, and set the poor caterpillar free. But
-I never heard of an ant’s being cruel; and if it were really for dinner
-for his family that he was working so hard, I thought he ought to be
-helped, and not hindered.
-
-[Illustration]
-
-Just then I heard a sharp cry overhead. I looked up, and there was an
-enormous hawk, sailing round in circles, with two small birds flying
-after him. They were pouncing down on his head, and then darting away,
-and all the time making shrill cries of fright and hatred.
-
-I knew very well what that meant. Mr. Hawk was also out trying to do
-some marketing for his dinner. He had his eye on some little birds in
-their nest, and there were the father and mother birds driving him away.
-
-You wouldn’t have believed that two such little birds could drive off
-such a big creature as the hawk, but they did. They seemed to fairly
-buzz round his head just as flies buzz round a horse’s head.
-
-At last he gave up the quest and flew off so far that he vanished in
-the blue sky, and the little birds came skimming home again into the
-forest.
-
-“Well, well,” said I, “the little people are stronger than the big
-ones, after all! Where has my ant gone?”
-
-Sure enough! It hadn’t been two minutes that I had been watching
-the hawk and the birds, but in that two minutes the ant and the
-caterpillar had disappeared. At last I found them,—where do you think?
-In a fold of my coat, on which I was sitting!
-
-The ant was running round and round the caterpillar. I shook the fold
-out, and as soon as the cloth lay straight and smooth, the ant fastened
-his nippers into his prey and started off as fast as ever.
-
-I suppose if I could have seen his face, and had understood the
-language of ants’ features, I should have seen plainly written there,
-“Dear me, what sort of a country was that I tumbled into?”
-
-By this time the caterpillar had had the breath pretty well knocked out
-of his body, and was so limp and helpless that the ant was not afraid
-of his getting away from him. So he stopped now and then to rest.
-
-Sometimes he would spring on the caterpillar’s back, and stretch
-himself out there; sometimes he would stand still on one side and look
-at him sharply, keeping one nipper on his head.
-
-All the time he was working steadily in one direction; he was headed
-for home I felt certain.
-
-It astonished me very much, at first, that none of the ants he met took
-any notice of him; they all went on their own way, and never took so
-much as a sniff at the caterpillar.
-
-But pretty soon I said to myself, “You stupid woman, not to suppose
-that ants can be as well behaved as people! When you passed Mr. Jones
-yesterday, you didn’t peep into his market-basket, nor touch the
-cabbage he had under his arm.”
-
-Presently the ant dropped the caterpillar, and ran on a few steps—I
-mean inches—to meet another ant who was coming towards him. They put
-their heads close together for a second.
-
-I could not hear what they said, but I could easily imagine, for they
-both ran quickly back to the caterpillar, and one took him by the head
-and the other by the tail, and then they lugged him along finely. It
-was only a few steps, however, to the ant’s house; that was the reason
-he happened to meet this friend just coming out.
-
-The door was a round hole in the ground, about as big as my little
-finger. Several ants were standing in the doorway, watching these
-two come up with the caterpillar. They all took hold as soon as the
-caterpillar was on the doorstep, and almost before I knew he was there,
-they had tumbled him down, heels over head, into the ground, and that
-was the last I saw of him.
-
-The oddest thing was, how the ants came running home from all
-directions. I don’t believe there was any dinner bell rung, though
-there might have been one too fine for my ears to hear; but in a
-minute, I counted thirty-three ants running down that hole. I fancied
-they looked as hungry as wolves.
-
-I had a great mind to dig down into the hole with a stick, and see what
-had become of the caterpillar. But I thought it wasn’t quite fair to
-take the roof off a man’s house to find out how he cooks his beef for
-dinner; so I sat still and wondered whether they would eat him all up
-or whether they would leave any for Tuesday; then I went home to my own
-dinner.
-
- —_Helen Hunt Jackson._
-
-
-
-
-MY ANT’S COW
-
-
-My Ant lives in the country and keeps a cow. I am ashamed to say that,
-although I have always known she was a most interesting person, I never
-went to see her until last week.
-
-I am afraid I should not have gone then, if I had not found an account
-of her, and her house, and her cow, in a book which I was reading.
-
-“Dear me,” said I, “and there she has been living so near me all this
-time, and I never have been to call on her.”
-
-To tell the truth, it was much worse than that; I had often met her in
-the street, and had taken such a dislike to her looks that I always
-brushed by as quickly as possible without speaking to her.
-
-I had great difficulty in finding her house, though it is quite large.
-She belongs to a very peculiar family; they prefer to live in the dark;
-so they have no windows in their houses, only doors; and the doors are
-nothing but holes in the roof.
-
-The houses are built in the shape of a mound, and are not more than
-ten inches high. They are built out of old bits of wood, dead leaves,
-straw, old bones; in short, every sort of old thing that they find,
-they stick in the walls of their houses. Their best rooms are all down
-cellar; and dark enough they must be on a rainy day, when the doors are
-always kept shut tight.
-
-But I ought to have told you about my Ant herself before I told you
-about her house. When you hear what an odd person she is, you will not
-be surprised that she lives in such an outlandish house.
-
-To begin with, I must tell you that she belongs to a family that never
-does any work.
-
-You’d never suppose so, to see her. I really think she is the
-queerest-looking creature I ever met.
-
-In the first place, her skin is of a dark brown color, darker than an
-Indian’s, and she has six legs. Of course she can walk three times as
-fast as if she had only two,—but I would rather go slower and be more
-like other people.
-
-She has frightful jaws, with which she does all sorts of things besides
-eating. She uses them for scissors, tweezers, pickaxes, knife and fork,
-and in case of a battle, for swords.
-
-[Illustration]
-
-Then she has growing out of the front part of her head two long slender
-horns, which she keeps moving about all the time, and with which she
-touches everything she wishes to understand.
-
-The first thing she does, when she meets you, is to bend both
-these horns straight towards you, and feel of you. It is quite
-disagreeable,—almost as bad as shaking hands with strangers.
-
-My Ant’s name is Fornica Rufa. If I knew her better I should call her
-Ant Ru, for short. But I do not expect ever to know her very well. She
-evidently does not like to be intimate with anybody but her own family;
-and I am not surprised, for I was never in any house so overrun with
-people as hers is. I wondered how they knew themselves apart.
-
-When I went to see her last week I found her just going out, and I
-thought perhaps that was one reason that she didn’t take any more
-notice of me.
-
-“How do you do, Ant?” said I. “I am spending the summer near by, and
-thought I would like to become acquainted with you. I hear you have a
-very curious cow, and I have a great desire to see it.”
-
-“Humph!” said she, and snapped her horns up and down, as she always
-does when she is displeased, I find.
-
-“I hope it will not give you any trouble to show her to me. You must
-be very proud of having such a fine cow. Perhaps you are on the way to
-milking now, and if so I should be most happy to go with you.”
-
-“Humph!” said my Ant again. At least I think that was what she said. It
-looked like it, but I can’t say that I heard any sound.
-
-But she turned short on her heels (I suppose she has heels), and
-plunged into the woods at the right, stopping and looking back at me as
-if she expected me to follow. So I stepped along after her as fast as I
-could, and said, “Thank you; I suppose this is the way to the pasture.”
-
-My Ant said nothing, but went ahead, snapping her horns furiously.
-
-“Oh, well,” thought I to myself, “you are an uncivil Ant. Even if I
-have come simply out of curiosity, you might be a little more polite
-in your own house, or at least on your own grounds, which is the same
-thing. I sha’n’t speak to you again.”
-
-That’s about all the conversation I have ever had with my Ant. But she
-took me to the pasture, and I saw her cow.
-
-I am almost afraid to tell you where the pasture was, and what the cow
-was; but if you don’t believe me, you can look in books written about
-such things, and they will prove to you that every word I say is true.
-
-The pasture was the stalk of a green brier; and there stood, not only
-my Ant’s cow, but as many as five hundred others, all feeding away upon
-it. You have seen millions of them in your lives, for you must know
-that they are nothing but little green plant-lice, like those that we
-find on our rosebushes, and that we try in every possible way to get
-rid of.
-
-Who would ever suppose there could be anything for which these little
-green plant-lice could serve as cows! I assure you it is true, and if
-you live in the country you can see it for yourself; but you will have
-to look through a magnifying glass to see them milked.
-
-Think of looking through a magnifying glass at anybody’s cow! I looked
-at my Ant’s for an hour, and it seemed to me I hardly winked, I was so
-much interested in the curious sight.
-
-Its skin was smooth as satin and of a most beautiful light green color.
-It had six legs, and little hooks at the end, instead of hoofs. The
-oddest thing of all was that the horns were not on its head, but at the
-other end of its body, where the tail would have been if it had had a
-tail like any other cow.
-
-The horns were hollow tubes, and it is out of them that the milk comes,
-a drop at a time. The milk is meant for the little plant-lice to drink
-before they are old enough to hook their six legs on to stalks and
-leaves, and feed on sap.
-
-But I think that in any place where there are many of my Ant’s race,
-the little plant-lice must fare badly, for the Ants are so fond of this
-milk that sometimes they carry off whole herds of the plant-lice and
-shut them up in chambers in their houses. There they feed them as we do
-cows in barns, and go and milk them whenever they please.
-
-“Oh, dear Ant,” said I to my Ant, “do pray milk your cow! I have such a
-desire to see how you do it.”
-
-She did not appear to understand me, and I dare say if she had she
-would not have done it any sooner. But presently I saw her go up behind
-her cow, and begin to tap her gently on her back, just at the place
-where the horns grew out.
-
-The cow did not look round nor stop eating, but in a moment out came a
-tiny drop of liquid from the tip of each tube. My Ant picked it up with
-her wonderful horns and whisked it into her mouth as quickly as you
-would a sugarplum.
-
-Then she went on to the next cow and milked that in the same manner,
-and then to a third one. She took only two drops from each one. Perhaps
-that is all that this kind of a cow can give at a time.
-
-There were several of her friends there at the same time doing their
-milking; and I could not help thinking how easy it would be for the
-great herd of cows to kill my Ant and all her race, if they chose. But
-it is thought by wise people who have studied these wonderful things
-that the cows are fond of being milked in this way, and would be sorry
-to be left alone by themselves.
-
-After my Ant had finished her supper, she stood still watching the cows
-for some time. I thought perhaps she would be in a better humor after
-having had so much to eat, and might possibly feel like talking with
-me. But she never once opened her mouth, though I sat there an hour and
-a half.
-
-At last it began to grow dark, and as I had quite a long walk to take,
-I knew I must go, or I should not get home in time for my own supper of
-milk.
-
-“Good-night, Ant,” said I. “I have had a charming visit. I am very
-much obliged to you for showing me your cow. I think she is the most
-wonderful creature I ever saw. I should be very happy to see you at my
-house.”
-
-“Humph!” said my Ant.
-
- —_Helen Hunt Jackson._
-
-
-
-
-COLORADO SNOW-BIRDS
-
-
- I’ll tell you how the snow-birds come,
- Here in our Winter days;
- They make me think of chickens,
- With their cunning little ways.
-
-[Illustration]
-
- We go to bed at night, and leave
- The ground all bare and brown,
- And not a single snow-bird
- To be seen in all the town.
-
- But when we wake at morning
- The ground with snow is white,
- And with the snow, the snow-birds
- Must have travelled all the night;
-
- For the streets and yards are full of them,
- The dainty little things,
- With snow-white breasts, and soft brown heads,
- And speckled russet wings.
-
- Not here and there a snow-bird,
- As we see them at the East,
- But in great flocks, like grasshoppers,
- By hundreds, at the least,
-
- They push and crowd and jostle,
- And twitter as they feed,
- And hardly lift their heads up,
- For fear to miss a seed.
-
- What ’tis they eat, nobody seems
- To know or understand;
- The seeds are much too fine to see,
- All sifted in the sand.
-
- But winds last Summer scattered them,
- All thickly on these plains;
- The little snow-birds have no barns,
- But God protects their grains.
-
- . . . . . . .
-
- Some flocks count up to thousands,
- I know, and when they fly,
- Their tiny wings make rustle,
- As if a wind went by.
-
- They go as quickly as they come,
- Go in a night or day;
- Soon as the snow has melted off,
- The darlings fly away,
-
- But come again, again, again,
- All winter with each snow;
- Brave little armies, through the cold;
- Swift back and forth they go.
-
- I always wondered where they lived
- In summer, till last year
- I stumbled on them in their home,
- High in the upper air;
-
- ’Way up among the clouds it was,
- A many thousand feet,
- But on the mountain-side gay flowers
- Were blooming fresh and sweet.
-
-[Illustration]
-
- Great pine trees’ swaying branches
- Gave cool and fragrant shade;
- And here, we found, the snow-birds
- Their summer home had made.
-
- “Oh, lucky little snow-birds!”
- We said, “to know so well,
- In summer time and winter time,
- Your destined place to dwell—
-
- “To journey, nothing doubting,
- Down to the barren plains,
- Where harvests are all over,
- To find your garnered grains!
-
- “Oh, precious little snow-birds!
- If we were half as wise,
- If we were half as trusting
- To the Father in the skies,—
-
- “He would feed us, though the harvests
- Had ceased throughout the land,
- And hold us, all our lifetime,
- In the hollow of his hand!”
- —_Helen Hunt Jackson._
-
-
-
-
-THE PETERKINS’ EXCURSION AFTER MAPLE SYRUP
-
-
-The Peterkins had decided not to go to Egypt.
-
-Of course the little boys were very much disappointed, so Mr. Peterkin
-said that he would take them out into the woods to get some maple syrup
-instead. But it was almost as difficult to arrange an excursion for
-maple sugar as to arrange for a trip to Egypt.
-
-You see, sugar can not be made until it is warm enough to make the sap
-run. On the other hand, it must be cold enough for snow, as you can
-only reach the woods on snow-sleds.
-
-Now, if there were sun enough for the sap to rise, it would melt the
-snow; and if it were cold enough for sledding, it must be too cold for
-the syrup. The little boys, however, said there always had been maple
-sugar every spring,—they had eaten it; why shouldn’t there be this
-spring?
-
-Elizabeth Eliza said that this was probably old sugar they had
-eaten,—you never could tell in the shops.
-
-Mrs. Peterkin thought there must be fresh sugar once in a while, as
-the old sugar would be eaten up. She felt the same about chickens. She
-never could understand why there were only the old, tough ones in the
-market, when there were certainly fresh young broods to be seen around
-the farmhouses every year.
-
-She supposed the market-men had begun with the old, tough fowls, and so
-they had to go on so. She wished they had begun the other way; and she
-had done her best to have the family eat up the old fowls, hoping they
-might, some day, get down to the young ones.
-
-As to the weather, she suggested they should go to Grandfather’s the
-day before. But how can you go the day before, when you don’t know the
-day?
-
-All were much delighted, therefore, when Hiram appeared with the
-wood-sled, one evening, to take them, as early as possible the next
-day, to their grandfather’s.
-
-He said that the sap had started, the kettles had been on some time,
-there had been a slight snow for sleighing, and to-morrow promised to
-be a fine day.
-
-[Illustration]
-
-It was decided that he should take the little boys and Elizabeth Eliza
-in the wood-sled; the others would follow later, in the carryall.
-
-Mrs. Peterkin thought it would be safer to have some of the party go on
-wheels, in case of a thaw the next day.
-
-A brilliant sun awoke them in the morning. The wood-sled was filled
-with hay, to make it warm and comfortable, and an armchair was tied in
-for Elizabeth Eliza.
-
-The little boys put on their India-rubber boots and their red mittens.
-Elizabeth Eliza took a shawl, a hot brick, and a big bag of cookies,
-and they started off.
-
-In passing the school-house the little boys saw five of their friends,
-who had reached the school door a full hour before the time. They asked
-these five boys to go with them, but Elizabeth Eliza thought they ought
-to inquire if their parents would be willing they should go, as they
-all expected to spend the night at Grandfather’s.
-
-Hiram thought it would take too much time to ask all the parents; if
-the sun kept on shining so brightly, the snow would be gone before they
-would reach the woods.
-
-But the little boys said that most of these boys lived in a row, and
-Elizabeth Eliza felt she ought not to take the boys away for all night
-without asking their parents.
-
-At each place they were obliged to stop for tippets and great-coats
-and India-rubber boots for the little boys. At the Harrimans’, too, the
-Harriman girls insisted on dressing up the wood-sled with evergreens,
-and made one of the boys bring the Christmas tree that was leaning up
-against the barn, to set it up in the back of the sled, over Elizabeth
-Eliza.
-
-All this took a good deal of time; and when they reached the highroad
-again, the snow was indeed fast melting. Elizabeth Eliza thought they
-ought to turn back, but Hiram said they would find the sleighing better
-farther up among the hills.
-
-The armchair joggled about a good deal, and the Christmas tree creaked
-and swayed, and Hiram was obliged to stop once in a while and tie in
-the chair and the tree more firmly.
-
-But the warm sun was very pleasant, the eight little boys were very
-lively, and the sleigh bells jingled gaily as they went on.
-
-It was so late when they reached the wood-road that Hiram decided they
-had better not go up the hill to their grandfather’s, but turn off into
-the woods.
-
-“Your grandfather will be up at the sugar camp by this time,” he
-declared.
-
-Elizabeth Eliza was afraid the carryall would miss them, and thought
-they had better wait. Hiram did not like to wait longer, and said that
-one or two of the little boys could stop to show the way.
-
-But it was so difficult to decide which little boys should stay that he
-gave it up. So he explained that there was a lunch hidden somewhere in
-the straw; and the little boys thought this was a good time to eat it,
-so they decided to stop in the sun at the corner of the road.
-
-Elizabeth Eliza felt a little jounced in the armchair, and was glad of
-a rest; and the boys soon discovered a good lunch,—just what might have
-been expected from Grandfather’s,—apple pie and doughnuts, and plenty
-of them! “It is lucky we brought so many little boys!” they exclaimed.
-
-Hiram, however, began to grow impatient. “There’ll be no snow left,” he
-exclaimed, “and no afternoon for the syrup!”
-
-But far in the distance the Peterkin carryall was seen slowly
-approaching through the snow, Solomon John waving a red handkerchief.
-The little boys waved back, and Hiram turned the sled into the
-wood-road, but he drove slowly, as Elizabeth Eliza still feared that by
-some accident the family might miss them.
-
-[Illustration]
-
-It was difficult for the carryall to follow in the deep but soft snow,
-in among the trunks of the trees and over piles of leaves hidden in the
-snow.
-
-At last they reached the edge of a meadow. On the high bank above it
-stood a row of maples, and back of which was a little shanty with smoke
-coming out of its chimney. The little boys screamed with delight, but
-there was no reply. Nobody there!
-
-“The folks all gone!” exclaimed Hiram; “then we must be late.” And he
-proceeded to pull out a large silver watch from a side pocket. It was
-so large that he seldom was at the pains to pull it out, as it took
-time; but when he had succeeded at last, and looked at it, he started.
-
-“Late, indeed! It is four o’clock, and we were to have been here by
-eleven; they have given you up.”
-
-The little boys wanted to force in the door; but Hiram said it was no
-use,—they wouldn’t understand what to do, and he should have to see to
-the horses,—and it was too late, and very likely the men had carried
-off all the syrup.
-
-But he thought a minute, as they all stood in silence and gloom; and
-then he guessed they might find some sugar at Deacon Spear’s, close
-by, on the back road, and that would be better than nothing.
-
-Mrs. Peterkin was pretty cold, and glad not to wait in the darkening
-wood; so the eight little boys walked through the wood-path, Hiram
-leading the way; and slowly the carryall followed.
-
-They reached Deacon Spear’s at length; but only Mrs. Spear was at home.
-She was very deaf, but could explain that the family had taken all
-their syrup to the sugar festival.
-
-“We might go to the festival,” exclaimed the boys.
-
-“It would be very well,” said Mrs. Peterkin, “to eat our fresh syrup
-there.”
-
-But Mrs. Spear could not tell where the festival was to be, as she had
-not heard; perhaps they might know at Squire Ramsay’s.
-
-Squire Ramsay’s was on their way to Grandfather’s, so they stopped
-there. They were told that the “Squire’s folks” had all gone with their
-syrup to the festival. The man who was chopping wood did not know where
-the festival was to be.
-
-“They’ll know at your grandfather’s,” said Mrs. Peterkin, from the
-carryall.
-
-“Yes, go on to your grandfather’s,” advised Mr. Peterkin, “for I
-think I felt a drop of rain.” So they made the best of their way to
-Grandfather’s.
-
-At the moment they reached the door of the house, a party of young
-people whom Elizabeth Eliza knew came by in sleighs. She had met them
-all when visiting at her grandfather’s.
-
-“Come along with us,” they shouted; “we are all going down to the sugar
-festival.”
-
-“That is what we have come for,” said Mr. Peterkin.
-
-“Where is it?” asked Solomon John.
-
-“It is down your way,” was the reply.
-
-“It is in your own New Hall,” said another. “We have sent down all our
-syrup. The Spears and Ramsays and Doolittles have gone on with theirs.
-No time to stop; there’s good sleighing on the old road.”
-
-Hiram said he could take them back with the wood-sled, when he heard
-there was sleighing on the old road. So it was decided that the whole
-party should go in the wood-sled, with the exception of Mr. Peterkin,
-who would follow on with the carryall.
-
-Mrs. Peterkin would take the armchair, and cushions were put in for
-Elizabeth Eliza, and more apple pie for all. No more drops of rain
-appeared, though the clouds were thickening over the setting sun.
-
-“All the way back again,” sighed Mrs. Peterkin, “when we might have
-stayed at home all day, and gone quietly out to the New Hall!” But the
-little boys thought the sledding was great fun,—and the apple pie! “And
-we did see the kettle through the cracks of the shanty!”
-
- —_Lucretia P. Hale._
-
-
-
-
-THE GRASS
-
-
- The grass so little has to do,—
- A sphere of simple green,
- With only butterflies to brood,
- And bees to entertain,
-
- And stir all day to pretty tunes
- The breezes fetch along,
- And hold the sunshine in its lap,
- And bow to everything;
-
-[Illustration]
-
- And thread the dews all night, like pearls,
- And make itself so fine,—
- A duchess were too common
- For such a noticing.
-
- And even when it dies, to pass
- In odors so divine,
- As lowly spices gone to sleep,
- Or amulets of pine.
-
- And then to dwell in sovereign barns,
- And dream the days away,—
- The grass so little has to do,
- I wish I were the hay.
- —_Emily Dickinson._
-
-
-
-
-SUNSET
-
-
- Where ships of purple gently toss
- On seas of daffodil,
- Fantastic sailors mingle,
- And then—the wharf is still.
- —_Emily Dickinson._
-
-
-
-
-THE BABY SQUIRRELS
-
-
-The four baby squirrels were tired of staying in their soft nest in the
-hollow tree. They wanted to find out what was going on in the world
-outside.
-
-As they cuddled together in the shadowy hole they could hear the
-queerest sounds. They cocked their heads curiously at the rustling
-and whispering of the wind among the leaves. They heard chirping and
-singing, and a silvery tinkle, tinkle from the brook.
-
-Once a bee flew buzzing right over their heads, and made them clutch
-one another in terror.
-
-One morning, when the old mother squirrel was away hunting for birds’
-eggs to eat, the smallest baby crept to the mouth of the hole and
-peeped out with his round bright eyes.
-
-All around and above him there were wonderful green things flickering
-and fluttering. Twinkles of sunlight danced through the leaves and
-dazzled him. Something soft and cool blew back the new bristles on his
-lips and ruffled his satiny red fur.
-
-He was so much interested that he sat there, staring and staring, till
-the other little ones began to squeak and scold him for shutting out
-the light.
-
-[Illustration]
-
-After he crept down again to the nest the others climbed up, one by
-one, and looked out. They blinked and winked at each wonderful sight;
-they sniffed the strange odors, and twitched their eager little heads
-at every new sound.
-
-The scream of a blue jay in the tree-top above them sent them
-scampering inside again, to cuddle close together in the darkest
-corner. It was fun to see something new and exciting, even if it did
-make them shiver all over.
-
-Soon the mother squirrel came springing from branch to branch to reach
-the hollow.
-
-How the babies squeaked and chattered in welcome! Very likely they told
-her about the wonderful sights and sounds in the strange world outside
-the hole.
-
-The smallest one clasped his fore paws around her neck, and coaxed her
-to let them all go out to find more interesting things. It was stupid
-there in the dark nest, with nothing to watch except the patch of light
-across the opening above them.
-
-The old squirrel knew that the little ones were not strong enough yet
-to leave the nest.
-
-To be sure, they had grown and changed very much since the first days.
-Then they had been ugly little creatures, like tiny pug dogs, with big
-heads, no fur, and their eyes tight shut.
-
-Now they were half as big as she was herself. Their eyes were like
-jewels, and their red fur was smooth as satin.
-
-But their tails, with only fringes of hair along the sides, were not
-nearly so fluffy as the mother’s. Her tail was long and plumy. It
-curved so gracefully over her back that she seemed to be sitting in its
-shadow. One name of the squirrel is “shadow-tail.”
-
-For a few weeks longer the four babies scrambled about the doorway and
-looked longingly out at the wonderful green tree-world. They did not
-dare to step out upon the slender branches, for fear of falling off.
-
-It made them feel dizzy to look away down to the ground below. They did
-not know how to cling to the limbs with their feet while they balanced
-themselves with their tails.
-
-When the young squirrels were almost strong enough to learn to run and
-climb in the tree, the mother began to build another home higher up the
-trunk. The old nest was growing too warm for comfort, as summer brought
-the long sunny hours.
-
-The squirrel father was not there to help his mate.
-
-The mother squirrel thought the tree belonged to her, and that she
-needed all the room in the hollow for her little ones. She chased him
-off to live in the woods with all the other squirrel fathers till the
-babies were big enough to take care of themselves.
-
-The mother squirrel worked on the new nest in the early morning. She
-bit off leafy twigs and carried them to the top of the tree. There,
-where two branches forked, she packed the sticks and leaves together in
-a loose ball.
-
-Then she pushed a doorway through, at one side or another, just as she
-happened to be standing.
-
-This was not such a neat home as one in the next tree. That other
-mother squirrel built her new nest of strips of bark tied together with
-ribbons of soft fibre. Over the doorway she hung a curtain of bark, and
-lifted it up carefully whenever she went inside.
-
-At last the new home was ready. The old mother hurried down to the
-hollow and called the babies to come out and follow her. They stepped
-out, one after another, just as carefully as they could.
-
-The smallest baby came last. He dug his claws into the bark and hung
-on. The branch seemed so narrow that he trembled from fear of falling.
-
-The tree swayed in the wind. The branch bounced up and down, and a
-leaf blew in his face. The poor little fellow shut his eyes, because
-everything seemed to be whirling round and round.
-
-When he opened his eyes again he saw the three other little ones
-climbing up the trunk above him. They clutched the bark with their
-claws, and moved forward, one paw at a time.
-
-The mother was running on ahead of them. Every few steps she turned
-around to coax them on faster.
-
-Finally they reached a narrow branch which led over to the new nest.
-They crawled out on it, lifting one foot and then setting it down
-before lifting another.
-
-The farther they crept the narrower the branch grew under them. Their
-little paws began to slip over the smoother bark. The one in front
-tried to turn around, but he was afraid of falling. So they all three
-scrambled backwards to the safe trunk.
-
-[Illustration]
-
-The mother ran back to them, and chattered and scolded. Again and again
-they started out over the branch, and then went scrambling back.
-
-When at last the mother had coaxed them across to the nest she looked
-around for the smallest baby. There he was, away down at the door of
-the old nest.
-
-The old squirrel was tired out. Her fur was ruffled and her ears
-drooped. She ran down to the nest and began to scold the little
-fellow. He sat up and put his paws around her to let him stay there.
-
-But she started him up the trunk and pushed him along to the branch.
-Then she took hold of him by the neck and carried him across to the new
-home.
-
-After that the little ones were taken out every morning to practise
-climbing. Little by little they learned to balance themselves on the
-branches. Their tails were fluffy enough by this time to be of use in
-balancing.
-
-First to one side, then to the other, each baby tilted his tail as he
-crept along, step by step. Every day they could move a little faster.
-Finally they were able to chase one another up and down, from branch to
-branch.
-
-They went running around the trunks, skipping and leaping from twig to
-twig, and jumping from one tree to another, even through the air.
-
-Sometimes one or another missed his footing after a reckless jump.
-Often he caught hold of a branch below by a single toe and lifted
-himself up to a firmer foothold.
-
-Or, if there was no branch within reach, he spread out his fur, and
-flattened his tail, and went sailing down to the ground, almost as if
-he could fly. They never seemed to get hurt.
-
-The little squirrels seemed to be always doing something. They turned
-somersaults in the grass, or swung by one paw from the tip of a tough
-branch.
-
-There was always something to do or to see. Now they chattered at a
-blue jay, or chased a toad for the fun of watching him hop. Now they
-caught beetles or scolded at a fox slinking along through the woods.
-And every day there was the excitement of finding something to eat.
-
-The babies lived on milk till they were almost as heavy as their
-mother. Then she began to feed them with fruit and buds and grubs,
-which she first chewed for them.
-
-Like the beavers and the hares and rabbits, each had four chisel teeth
-in the front of its mouth. They needed to gnaw hard nuts or bark every
-day to keep these teeth from growing too long.
-
-The young squirrels were three months old in July and were then big
-enough to take care of themselves. Away they scampered from the old
-home tree and found new homes in stumps and hollows. The smallest one
-used to curl up in an old robin’s nest to sleep at night.
-
-All day long they were as busy as they could be. There were cones to be
-gathered from the evergreens. The little squirrels ran up the trees in
-a hurry, and, cutting off the cones with their sharp teeth, tossed them
-over their shoulders to the ground. Every few minutes they scurried
-down to bury the cones under the pine needles for the winter.
-
-Sometimes a drop of sticky pitch from the cut stems was rubbed against
-their fur. That made them so uncomfortable that they had to stop and
-lick it off.
-
-The squirrels loved to be clean. Ever since they were tiny babies, with
-their new red fur, they always helped one another with washing their
-faces and combing their tails with their claws.
-
-They were careful to run along logs over a muddy spot. If one happened
-to get wet he dried himself with his fluffy tail.
-
-When they were tired of eating seeds and twigs they hunted for grubs.
-Clinging to the bark of a dead tree, they listened till they heard
-something gnawing beneath the surface. Then, tearing off the bark in
-ragged pieces, they pounced upon the flat whitish grub beneath and ate
-him up.
-
-But the best time of all came in the autumn when nuts were ripe. Then
-what fun the little squirrels had! Early every morning out popped
-the little heads from the hollow stumps and logs. The big round eyes
-twinkled eagerly in every direction. Then, whisk! they were out, with a
-bark and a squeak!
-
-Scampering to the top of a tree, each one took a flying leap to the
-next tree. Up and down they followed the squirrel-paths through the
-woods till they reached the grove, where the nuts were ripening.
-
-It was a busy place, with little wings fluttering and little feet
-pattering, and yellow leaves drifting down in the sunshine. All the
-squirrels scurried to and fro, picking one nut here, and another there.
-
-They sat on the branches, with their bushy tails curving over their
-backs, and held the nuts in their fore paws to nibble. The smallest
-baby could open the hardest walnut and clean it out in less than a
-minute.
-
-All the while the blue jays and the thrifty chipmunks were gathering
-nuts and corn, and hiding their stores for the winter. That seemed so
-interesting that the squirrels gathered some, too.
-
-Autumn passed away, and the days grew colder. In the woods the leaves
-were all fallen and the branches were stripped bare of nuts.
-
-Every morning when the squirrels poked out their heads the air nipped
-their noses. Frost sparkled on the dead grass. The chipmunks had crept
-into their holes for the winter, and most of the birds had flown away
-south.
-
-The squirrels were not quite so gay now as in the autumn days, when
-they danced upon the branches and whistled and chuckled over the good
-things to eat and the curious sights to see. They slept with their warm
-tails wrapped over their noses.
-
-[Illustration]
-
-They still ran busily through the tree-tops, except when snow or icy
-rain kept them shut within their holes. They ate all the nuts they
-could find, and dug up the buried pine cones. They climbed the hemlock
-trees and ate the seeds.
-
-Once the smallest squirrel happened to dig up a heap of nuts from
-between two stones under the snow. He could not remember whether he had
-hidden them himself or not. How he squealed when he saw them!
-
-Late in the winter the squirrels had eaten all the nuts and cones
-within reach. They were so hungry on many a day that they tried to
-creep into a chipmunk’s hole and steal his store of food. But he was
-smaller than they were, and he had wisely made one bend in his tunnel
-too small for them to pass.
-
-Then they had to live on bark and seeds till spring started the tender
-green plants to growing.
-
-The squirrels gnawed the bark of the maple trees and drank the sweet
-sap that came oozing out. Later there were elm buds to nibble and
-birds’ eggs to suck. The woods were once more green with juicy leaves.
-
-All the squirrels went to housekeeping. Soon in almost every tree there
-was a family of squirrels peeping out with their round, bright eyes.
-
- —_Julia A. Schwartz._
-
-
-
-
-THE BABY THAT SLEEPS IN A POCKET
-
-
-For days and days the baby opossums lay crowded close together in their
-mother’s furry pocket. They slept and drank milk, and grew and grew
-till their eyes began to open.
-
-It was dark all around them, but above their heads a gray line showed
-where light was stealing in over the edge of the pocket.
-
-The biggest baby opossum looked up with his little bright eyes. He
-wanted to see more. So he crawled up, clambering over the soft tiny
-bodies of the eleven other babies.
-
-Some of them wriggled and squirmed under his little bare feet. After
-slipping back once or twice he reached the edge and poked his pointed
-white snout outside.
-
-He could not see anything because he was under his mother, and her long
-fur hung down over him. She was lying on a nest of grasses in a hollow
-tree.
-
-That was where she stayed all day long while the sun was shining. Every
-night at dusk she climbed down the rough trunk and went to hunt for
-something to eat.
-
-When she felt the tiny claws of her baby clutching her fur she looked
-down between her fore paws at the little mouse-like fellow.
-
-Then with her smooth pink hands she gently pushed him back into the
-pocket and closed the opening. He was not big enough yet to come out of
-the warm dark nursery.
-
-So for a week longer he cuddled down beside the others, while they all
-slept and drank more milk and grew stronger every hour.
-
-The biggest baby was so restless that he scrambled around and crowded
-the others. Once he caught hold of a tiny tail between the thumbs and
-fingers of his hind feet, and pulled till the little one squeaked. His
-fore feet were like tiny hands without any thumbs.
-
-At last, one day, he saw the edge of the pocket open a crack. He was
-so glad that he climbed up as fast as he could scramble, and pushed
-outside. He held on to his mother’s fur with all four feet.
-
-When she reached down to smell him the bristles on her lips tickled his
-nose. Then he climbed around upon her back and twisted his tail about
-hers to hold him steady.
-
-He looked like a mouse with his long tail, his black ears, his bright
-eyes twinkling in his little white face, and his pointed nose.
-
-In a few minutes another and another baby followed the big brother and
-clung there on the mother’s furry back. It must have seemed a noisy
-place to them, for in the pocket they had heard only the soft rustling
-and scratching of the mother’s feet on the nest.
-
-Now they could hear a chirping, and a squeaking, and a rattling of
-branches. They crowded close together in fright at the scream of a blue
-jay, as it chased a chattering red squirrel through the tree-top.
-
-Then a sudden loud thump—thump—thump of a woodpecker hammering on the
-bark of the tree sent them tumbling back to the nursery in a hurry.
-
-After this the whole family climbed out every day to play about on the
-mother’s back. The biggest baby liked to curl his small tail about her
-large one, and then swing off head downward.
-
-Sometimes he pushed the others down just for the fun of seeing them
-scramble up again, hand over hand, clutching the long fur.
-
-Of course he was the first one to poke his head out every day. Once he
-woke from a nap in the pocket and started to climb outside.
-
-But he stopped halfway, hanging to the edge with both fore feet. It
-was nearly evening, and the mother opossum was clambering down the
-tree-trunk to go hunting for her supper.
-
-The baby held on tightly while she trotted away through the woods. Now
-and then a leaf rustled or a stick cracked under her feet. Sleepy birds
-were twittering in their nests.
-
-The mother pricked her ears and listened, for she ate eggs and young
-birds whenever she could find them. She had not tasted an egg this
-spring, because she could not climb very nimbly with her pocket full
-of babies.
-
-Soon she came to a swamp, and splash, splash, splash! the mud went
-flying. It spattered the baby’s face and made him cough.
-
-[Illustration]
-
-Then he heard the croakings of dozens of frogs, and it frightened him
-so that he slid back into the nursery with his brothers.
-
-The mother was trying to catch a frog to eat. Now she jumped this way,
-and now she jumped that way. Such a jounce as the babies felt when she
-gave a spring for a big green fellow sitting on a log.
-
-She caught him, too, but the jounce almost knocked the breath out of
-the twelve soft bodies in her pocket.
-
-Every day the babies stayed outside the nursery for a longer time,
-though they were always ready to hurry back at the mother’s first
-warning grunt.
-
-They kept growing bigger, too, till one night they could not all crowd
-into the pocket. Then they cuddled together on her back, with their
-tails twisted around hers.
-
-In this way they rode through the woods when she went hunting. They
-watched with their bright eyes while she turned over rotting logs with
-her snout to catch the grubs underneath.
-
-Sometimes she rooted in the ground for sprouting acorns, or nipped off
-mouthfuls of tender grass. Once she caught a young rabbit. Then how
-excited the little opossums were! And how they all squeaked and hissed
-together as they rode trotting home.
-
-By this time they had cut their teeth,—fifty sharp little teeth in
-each hungry mouth. Then the mother picked some sweet red berries, and
-taught the hungry babies how to eat them. They learned to chew the
-juicy roots that she dug in the field.
-
-The babies were greedy little things. She was a good and patient
-mother. Of course, as long as they were small enough to stay in her
-pocket she carried them everywhere with her. Even when they grew as
-large as rats they rode on her back through the woods. These twelve fat
-babies were so heavy that sometimes she staggered and stumbled under
-the load.
-
-One night when all the babies were trotting along on their own feet
-they saw gleaming red eyes in the dark bushes before them. Something
-round and furry snarled and sprang at them.
-
-They all ran under their mother as quick as a wink. She ruffled her
-long grayish hair above them. When the animal jumped at her she
-growled, and hissed, and scratched, and bit, till he ran limping away.
-
-On another evening a big dog came galloping up before they could
-scramble into a tree. His red tongue was hanging out of his mouth
-between his white teeth. As soon as he caught sight of the opossums he
-made a dash to catch them. Instantly they all fell down and rolled over
-just as if they were dead.
-
-There they lay, with their eyes shut, their paws limber, their tails
-limp. They seemed to stop breathing. The dog smelled them and pushed
-them with his cold nose.
-
-But they kept perfectly still and did not move even an eyelash. They
-were pretending to be dead. It was one trick that they all knew without
-being taught.
-
-The minute the dog walked away they all jumped up and scampered into a
-tree. When the dog turned his head and saw them he ran back and leaped
-up to reach them.
-
-But all the opossums were safe enough now. While he was jumping and
-barking below they clung fast in the tree with their hand-like feet.
-They wound their tails about the branches above to hold more securely.
-
-The little opossums learned to climb all sorts of trees, rough or
-smooth. It was easier to climb the rough trees because they could dig
-their nails farther into the bark.
-
-[Illustration]
-
-The biggest baby could walk along the springiest limb, even if it kept
-teetering up and down in the wind. When he felt like it he swung by his
-tail the longest time without getting dizzy.
-
-All summer long the twelve little opossums stayed with their mother.
-During the day they slept cuddled in the hollow tree. Every night,
-after sunset, the mother and her twelve children set off on their
-hunting.
-
-Down through the marsh they trotted. Some waded into the mud to catch
-frogs, while others chased mud turtles over the shore. Some hunted for
-berries and others nosed for acorns under the oaks.
-
-It was beautiful there in the woods at night. When the stars twinkled
-overhead and the soft wind rustled in the tree-tops the little ones
-frisked and frolicked.
-
-They hid under the shadowy bushes or jumped hither and thither to snap
-at the fluttering moths.
-
-But on stormy evenings they plodded on in the rain, their wet fur
-drooping. With their noses close to the ground they hunted till they
-found a few mouthfuls to eat. Then they went back to the cosy hollow
-for a longer nap, after licking their pink hands and washing their
-faces, just as kittens do.
-
-One night, in autumn, the old mother opossum felt the nip of frost in
-the air. Then she knew that the persimmons were ready to be eaten.
-Away through the woods she hurried, with the young ones trotting after
-her.
-
-She led the way past the marsh and over the hill to a thicket of
-trees tangled with wild grapevines. There on the branches the round
-persimmons were shining yellow in the moonlight.
-
-Up the trees eleven of the babies scrambled hungrily, and, hanging by
-their tails, stuffed the fruit into their wide mouths. Ah! But wasn’t
-it delicious! Better than anything they had ever tasted before in all
-their short lives.
-
-Then the biggest baby, who had stopped to gobble ripe grapes, heard
-them munching so greedily. One look sent him hurrying after the others.
-He was sorry enough that he had wasted any time eating wild grapes.
-
-Night after night, till the little persimmons were gone, the opossums
-hurried away to the thicket, and ate and ate till they could eat no
-longer. They grew so fat that they puffed and panted when trotting home
-again in the gray light of the frosty dawn.
-
-Soon the ground was frozen hard over the juicy roots. All the fruit
-left in the woods hung wrinkled and frost-bitten. The worms and toads
-crawled into their holes for the winter. The beetles disappeared, and
-the spiders curled up in their hiding places to sleep through the cold
-weather. Most of the birds flew away south.
-
-[Illustration]
-
-One by one each little opossum wandered off by himself, and made a nest
-in a cosy hole or a hollow stump. There he dozed all day and often
-slept through the night without stirring out.
-
-Now and then one of them caught a mouse or dug up a frozen root to
-nibble. Sometimes they tore rotten logs apart to get at the grubs.
-
-In the beginning of the winter the little opossums were so fat that
-they could live three or four weeks without eating or drinking. When
-the cold winds blew, and the snow fell, they cuddled down in their warm
-nests and slept the time away. But many a night they woke up hungry.
-And every day their round furry bodies were a little thinner, till at
-last, spring melted the snow and ice everywhere.
-
-There was plenty to eat by that time, with all the green things
-growing. There were buds to nibble and beetles to catch. There were
-frogs croaking in the marsh, and berries were ripening in the field.
-
-The twelve little opossums were grown up now, and knew how to take care
-of themselves. Their mother had another family of babies in her furry
-pocket.
-
-Sometimes she met her other children roaming beside the marsh to catch
-frogs. One evening they saw a little pointed nose, and two twinkling
-bright eyes, peeping over the edge of her pocket.
-
- —_Julia A. Schwartz._
-
- * * * * *
-
- Will there really be a morning?
- Is there such a thing as day?
- Could I see it from the mountains
- If I were as tall as they?
-
- Has it feet like water lilies?
- Has it feathers like a bird?
- Is it brought from famous countries
- Of which I have never heard?
-
- Oh, some scholar! Oh, some sailor!
- Oh, some wise man from the skies!
- Please to tell a little pilgrim
- Where the place called morning lies!
- —_Emily Dickinson._
-
-
-
-
-THE EMPEROR AND THE PEASANT
-
-
-I
-
-Once upon a time there was an Emperor of China, named Lee Wong. He
-would have been a very good Emperor if he had not been spoiled by
-kindness.
-
-If he cried when he was a baby, his nurse called all the nurses in the
-palace.
-
-They called the attendants, and the attendants called the musicians.
-The musicians played, the attendants danced, and the nurses walked up
-and down wheeling the baby in his carriage until he stopped crying.
-Sometimes this happened many times in one day.
-
-When Lee was a boy he had his own way in everything. If he played
-soldier he was always the general. If he went to fly kites, he had the
-ones that would fly the highest.
-
-Sometimes he wished to fly his kites when the wind did not blow. Then
-the poor attendants had to blow with a huge bellows to make the kites
-sail up into the air.
-
-[Illustration]
-
-If he wished it were summer in the winter-time, they filled his
-playroom with beautiful plants and brought canaries and nightingales to
-sing to him.
-
-In the hot summer days, if he longed for winter, they brought evergreen
-trees to the playroom. They covered the branches with cotton sprinkled
-with diamond dust to look like snow. They brought cakes of ice and
-made a skating rink and jingled sleigh bells all day long while he
-played.
-
-When he was a young man it was still worse. If he said anything, like,
-“This is a sunny morning,” or “I think it will rain to-night,” every
-one cried, “How wise!” “How wonderfully wise!”
-
-So you see the Emperor was spoiled, and this was very unfortunate.
-
-In China, just as in other places, every one longs for spring to come.
-
-One year the Emperor wanted the spring to come more than ever. He had
-had a dull winter in his city palace and he wanted to go to his country
-palace.
-
-“Command my brother, the Sun, to shine to-morrow,” he said, to his
-attendants. “Command the spring to come, also. And be ready, all of
-you, to go to the country to-morrow.”
-
-One of the attendants wrote the Emperor’s commands on the finest
-Chinese paper and then burned it in the garden. He thought in this way
-the commands might reach the sun.
-
-Perhaps they did; for the sun shone beautifully the next day, and the
-Emperor and his attendants went to the country palace.
-
-
-II
-
-The next morning the Emperor waked up very early. A little bird was
-singing in the garden. It was a lovely day.
-
-The Emperor thought he would go out into the garden to hear the little
-bird sing.
-
-He put on his silk dressing-gown, his silver shoes, and his gold crown.
-It was only six o’clock, so no one was awake in the palace.
-
-When the Emperor went into the garden the bird flew into the forest and
-sang still more sweetly.
-
-“How stupid I was,” thought the Emperor, “I ought to have commanded it
-to stay here. Now I must go into the woods to see it.”
-
-So he opened the gate and went across the field.
-
-At the edge of the woods a peasant was plowing.
-
-“Good morning, peasant,” said the Emperor, “That must be an Emperor
-bird singing in the forest, because it sings so sweetly.”
-
-“No, my lord,” said the peasant, taking off his cap, “that is a
-blackbird.”
-
-“You may call it so,” said the Emperor; “but it is an Emperor bird if
-I say so, because I am always right. It is as large as a swan, and its
-feathers are like shining gold.”
-
-“No, my lord,” said the peasant, “it is small and black.”
-
-Just then the blackbird lighted on a post in the fence and began to
-sing. It was easy to see that the peasant was right.
-
-“There must surely be something wrong,” said the Emperor, “because I
-never make a mistake.”
-
-“But, my lord, the Emperor can make a mistake. Every one does that.
-Your attendants may say that you are always right because they wish to
-please you. Perhaps they even praise what you do, when it is wrong and
-foolish.”
-
-“I can never believe that,” said the Emperor.
-
-“If you will do as I say,” replied the peasant, “I will prove that I
-have told you the truth.”
-
-
-III
-
-The Emperor promised to do this, although he could not believe he had
-been deceived.
-
-Just then all the attendants came running across the field, for they
-had waked up and missed the Emperor.
-
-Tears ran down their cheeks. They wished to have the Emperor think they
-were weeping because he was gone. He did not know each one had an onion
-in his handkerchief.
-
-“Command them to stop where they are,” the peasant whispered.
-
-The Emperor made them stop about twenty feet away, right in the middle
-of a ditch.
-
-“We are weeping because of your absence, beloved Emperor,” said the
-chief attendant. He wiped his eyes with his handkerchief, and all the
-others did the same thing.
-
-“How do you dare to stand beside the Emperor, you peasant,” said the
-Lord Marshal. “Go back to your plow!”
-
-[Illustration]
-
-“Say that I am standing beside my plow,” whispered the peasant. He was
-really standing beside the Emperor, and the plow was thirty feet away.
-
-“Do you not see,” said the Emperor, “that he is standing beside the
-plow?”
-
-“Oh, yes,” said one, “he is holding the plow with one hand.”
-
-“Yes, yes,” said another, “he is surely driving his oxen.”
-
-“Ask them,” whispered the peasant, “if they ever saw such white oxen.”
-
-Now the peasant’s oxen were coal black, without a single white spot on
-them.
-
-“Have you ever seen such beautiful white oxen?” said the Emperor,
-pointing to the black ones.
-
-“No, never,” said one, “they are indeed snow white.”
-
-“Yes,” said another, “they are whiter than snow. It hurts my eyes to
-look at them, they are so white.”
-
-The Emperor knew now that they were not telling the truth, and he
-decided to punish them.
-
-“Come here,” he called to some peasants who were plowing in the next
-field.
-
-“There is nothing so pleasant as plowing,” he said to his attendants.
-
-“It is a great pleasure,” said one.
-
-“I enjoy it more than anything in the world,” said another.
-
-“I would rather plow than dance,” said a third.
-
-“I am very glad you think so, my lords,” said the Emperor. “These
-peasants will be glad to have you plow for them. This is my command.
-Begin at once!”
-
-There was no help for it. The courtiers did not dare to disobey, so
-they took hold of the plows and tried to drive the oxen across the long
-fields.
-
-I do not believe they plowed very well, for they had never touched a
-plow before, and did not know how to drive oxen.
-
-But the peasant went to the palace and became the Emperor’s chief
-counsellor.
-
-The Emperor had this story written on a block of marble in golden
-letters, but few people can read it because it is written in Chinese,
-and it is very hard to have to read Chinese.
-
- —_Anna von Rydingsvärd._
-
-
-
-
-THE CHRISTMAS MONKS
-
-
-I—THE GARDEN
-
-Have you always wondered where the Christmas presents come from? Well,
-I am going to tell you.
-
-Of course, every one knows that Santa Claus brings them. He comes in
-a sleigh, driving eight reindeer, and carries the presents down the
-chimney in a pack on his back.
-
-But where does _he_ get them? That is the question. And the answer
-is,—in the garden of the Christmas Monks.
-
-This garden is in a beautiful valley far away. But I must not tell you
-the name of the valley, for if I did you would all want to go there to
-live.
-
-The Christmas Monks live in a stone castle covered with ivy and
-evergreen vines. There are holly wreaths in every window, and over the
-door is an arch, with “Merry Christmas” in evergreen letters.
-
-The Christmas Monks wear white robes embroidered with gold, and they
-never go without a Christmas wreath on their heads. Every morning they
-sing a Christmas carol, and every evening they ring a Christmas chime
-on the bells.
-
-For dinner every day they have roast goose and plum pudding and mince
-pie, and at night they set lighted candles in all of the windows.
-
-But the best place of all is the garden, for that is where the
-Christmas presents grow.
-
-It is a very large garden and is divided into beds, just like our
-vegetable gardens. Every spring the Monks go out to plow the ground and
-plant the Christmas present seeds.
-
-There is one big bed for rocking-horses, another for drums, and another
-for sleds. The bed for the balls is not so large, and the top bed is
-quite small, because tops do not need much room when they are growing.
-
-The rocking-horse seed looks like tiny rocking-horses. The Monks drop
-these seeds quite far apart, then they cover them up neatly with earth,
-and put up a signpost with “Rocking-horses” on it in evergreen letters.
-
-Just so with the penny-trumpet seed, and the toy-furniture seed, the
-sled seed, and all the others.
-
-Perhaps the prettiest part of the garden is the wax-doll bed. There are
-other beds for the rag dolls and the china dolls, and the rubber dolls,
-but, of course, wax dolls look much handsomer growing.
-
-Wax dolls have to be planted very early in the season. The Monks sow
-them in rows in April and they begin to come up by the middle of May.
-
-First there is a glimmer of gold, or brown, or black hair. Then the
-snowy foreheads appear, and the blue eyes and black eyes, and at last
-all the pretty heads are out of the ground and nodding and smiling to
-each other.
-
-With their pink cheeks and bright eyes and curly hair, there is nothing
-so pretty as these little wax-doll heads peeping out of the ground.
-
-Slowly the dolls grow taller and taller, and by Christmas they are all
-ready to gather. There they stand, swaying to and fro, their dresses
-of pink or blue or white fluttering in the breeze.
-
-Just about the prettiest sight in the world is the bed of wax dolls in
-the garden of the Christmas Monks at Christmas time.
-
-
-II—PETER AND THE PRINCE
-
-All the children for miles around knew about this garden, of course,
-but they had never seen it. There is a thick hedge of Christmas trees
-all around it, and the gate where Santa Claus drives out is always
-locked with a golden key the moment he goes through.
-
-So you can imagine what excitement there was among the boys when this
-notice was hung out on the hedge of Christmas trees:—
-
- _Wanted_:—By the Christmas Monks, two _good_ boys to
- help in garden work. Apply at the garden on April tenth.
-
-The notice was hung out about five o’clock in the evening, one day in
-February. By noon the next day all the neighborhood had seen it and
-read it.
-
-Oh, what fun it would be to work in the garden of the Christmas Monks!
-There would be the dinner of roast goose and plum pudding every day.
-There would be the Christmas bells and the Christmas candles every
-night. And, of course, one could have all the toys he wanted, and pick
-them out himself.
-
-So, from that very minute until the tenth of April, the boys were as
-good,—as good as gold.
-
-Then, on the tenth of April, the big Santa Claus gate was opened, and
-_such_ a crowd poured into the garden! The ground was plowed, but the
-seed had not been planted, so they could walk about everywhere.
-
-Two of the Christmas Monks sat on a throne trimmed so thick with
-evergreens that it looked like a bird’s nest. They wore Christmas
-wreaths on their heads, and their eyes twinkled merrily.
-
-The little boys stood in a long row before them, and the fathers,
-mothers, uncles, aunts, grandmothers, and grandfathers looked on.
-
-It was very sad! One boy had taken eggs from a bird’s nest; and
-another had frightened a cat. One boy didn’t help his mother, and
-another didn’t take good care of his little brother.
-
-At last there were only two boys left,—Peter and the Prince.
-
-Now Peter was really and truly a good boy, and always had been. And of
-course every one said the Prince was a good boy, because a King’s son
-must be good. So the Monks chose Peter and the Prince to work in the
-garden.
-
-The next morning the two boys were dressed in white robes and green
-wreaths like the Monks. Then the Prince was sent to plant Noah’s-Ark
-seed and Peter was given picture-book seed.
-
-Up and down they went, scattering the seeds. Peter sang a little song
-to himself, but the Prince grumbled because they had not given him
-gold-watch seed.
-
-By noon Peter had planted all his picture books and fastened up the
-card to mark them, but the Prince had planted only two rows of Noah’s
-Arks.
-
-“We are going to have trouble with this boy,” said the Monks to each
-other. “We shall have to punish him.”
-
-[Illustration]
-
-So that day the Prince had no Christmas dinner, and the next morning he
-finished planting the Noah’s-Ark seed.
-
-But the very next day he was cross because he had to sow harmonicas
-instead of toy pianos, and had to be punished again. And so it was
-every other day through the whole summer.
-
-So the Prince was very unhappy and wished he could run away, but Peter
-had never been so happy in his life. He worked like a bee all day, and
-loved to watch the Christmas gifts grow and blossom.
-
-“They grow so slowly,” the Prince would say. “I thought I should have
-a bushel of new toys every month and not one have I had yet.” Then he
-would cry, and Peter would try to comfort him.
-
-At last one day the Prince found a ladder in the tool house. The Monks
-were in the chapel, singing Christmas carols, and Peter was tuning the
-penny trumpets. It was a fine chance to run away. The Prince put the
-ladder against the Santa Claus gate, climbed up to the top, and slid
-down on the outside.
-
-
-III—THE PRETTIEST DOLL
-
-It was nearly Christmas now, and most of the toys had been gathered.
-The rocking-horses were still growing, and a few of the largest dolls;
-but the tops, balls, guns, blocks, and drums were all packed in baskets
-ready for Santa Claus.
-
-One morning Peter was in the wax-doll bed, dusting the dolls. All of a
-sudden he heard a sweet voice saying, “Oh, Peter!”
-
-He thought at first it was one of the dolls, but they could only say
-“Papa!” and “Mamma!”
-
-“Here I am, Peter,” said the voice again, and what do you suppose Peter
-saw? It was his own dear little lame sister.
-
-She was not any taller than the dolls around her, and she looked just
-like one of them with her pink cheeks and yellow hair. She stood there
-on her crutches, poor little thing, smiling lovingly at Peter.
-
-“Oh, you darling,” cried Peter, catching her up in his arms. “How did
-you get in here?”
-
-“I saw one of the Monks going past our house, so I ran out and followed
-him. When he came through the gate I came in, too, but he did not see
-me.”
-
-“Well,” said Peter, “I don’t see what I can do with you. I can’t let
-you out, because the gate is locked, and I don’t know what the Monks
-will say.”
-
-“Oh, I know!” cried the little girl. “I’ll stay out here in the
-garden. I can sleep every night in one of those beautiful dolls’
-cradles over there, and you can bring me something to eat.”
-
-“But the Monks come out every morning to look at the Christmas gifts,
-and they will see you,” said her brother.
-
-“No, I’ll hide! Oh, Peter, here is a place where there isn’t any doll.”
-
-“Yes, that doll didn’t come up.”
-
-“Well, I’ll tell you what I’ll do! I’ll stand here where the doll
-didn’t come up and try to look like one.”
-
-“Perhaps you can do that,” said Peter. He was such a good boy that he
-didn’t want to do anything wrong, but he couldn’t help being glad to
-see his dear little sister.
-
-He took food out to her every day, and she helped him in the garden. At
-night he tucked her into one of the dolls’ cradles with lace pillows
-and a quilt of rose-colored silk.
-
-So they went on, day after day, and they were just as happy as they
-could be. Finally the day came for gathering the very last of the
-Christmas gifts, because in six days it would be Christmas, and Santa
-Claus had to start out in a day or two.
-
-[Illustration]
-
-So the Monks went into the garden to be sure that everything was
-perfect, and one of them wore his spectacles. When he came to the bed
-where the biggest dolls were growing, there stood Peter’s sister,
-smiling and swinging on her crutches.
-
-“Why, what is that!” said the Monk. “I thought that doll didn’t come
-up. There is a doll there—and a doll on crutches, too.”
-
-Then he put out his hand to touch the doll and she jumped,—she couldn’t
-help it. The Monk jumped too, and his Christmas wreath fell off his
-head.
-
-“The doll is alive!” he exclaimed. “I will pick her and show her to my
-brothers.”
-
-[Illustration: THE GOOD FATHER TOOK PETER’S LITTLE SISTER, CRUTCHES AND
-ALL, IN HIS ARMS.]
-
-Then the good father put on his Christmas wreath, took Peter’s little
-sister, crutches and all, in his arms, and carried her into the chapel.
-
-
-IV—CHRISTMAS GIFTS
-
-Soon the Monks came into the chapel to practise singing some new
-Christmas carols. There sat the near-sighted Monk, holding the big doll
-in his arms.
-
-“Behold a miracle,” he said, holding up the doll. “Thou wilt remember
-that there was one doll planted which did not come up. Behold, in her
-place I have found this doll on crutches, which is—alive!”
-
-“It is indeed a miracle,” said the Monk who was a doctor. He took the
-child in his arms and looked at the twisted ankle. “I think I can
-cure this lameness,” he said.
-
-“Take her, then,” said the abbot, “and we will sing our Christmas
-carols joyously in her honor.”
-
-Peter, of course, heard the Monks talking about the miracle, and he
-knew what it meant. He was very unhappy to think that he was deceiving
-them. At the same time he did not dare to tell them for fear the doctor
-would not try to cure his sister.
-
-He worked hard picking the Christmas presents, and getting them ready
-for Santa Claus.
-
-On Christmas Eve he was called into the chapel. The walls were covered
-with evergreen, and Christmas candles shone everywhere. There were
-Christmas wreaths in all the windows, and the Monks were singing a
-Christmas carol.
-
-On a chair covered with green branches sat Peter’s little sister,
-dressed in white, with a wreath of holly berries on her head.
-
-When the carol was ended, the Monks formed in a line with the abbot at
-the head. Each one had his hands full of the most beautiful Christmas
-presents. The abbot held a wax doll, the biggest and prettiest that
-grew in the garden.
-
-When he held it out to the little girl, she drew back, and said in her
-sweet little voice, “Please, I’m not a miracle; I’m only Peter’s little
-sister.”
-
-“Peter?” said the abbot; “the Peter who works in our garden?”
-
-“Yes,” said the little sister.
-
-The Monks looked at each other in dismay. This was not a miracle, it
-was only Peter’s little sister!
-
-But the abbot of the Christmas Monks spoke to them. “This little girl
-did not come up in the place of the wax doll, and she is not a miracle.
-But she is sweet and beautiful, and we all love her.”
-
-“Yes,” said the Christmas Monks, and they laid their presents down
-before her.
-
-Peter was so happy he danced for joy. And when he found his little
-sister was cured of her lameness, he did not know what to do.
-
-In the afternoon he took his sister and went home to see his father
-and mother. Santa Claus filled his sleigh with gifts and drove his
-reindeer down to the cottage.
-
-Oh! it was such a happy day. There was so much to tell that they all
-talked at once. There was so much to see that their eyes ached with
-looking.
-
-But in the palace of the King it was very different. The Prince was
-cross and unhappy. His old toys were broken. He was tired of his old
-games. There was no one for him to play with, and he didn’t have one
-single Christmas gift.
-
- —_Mary E. Wilkins (abridged and adapted)._
-
-
-
-
-PRONOUNCING KEY AND WORD LIST
-
-
-The words in this list are divided into syllables and marked according
-to Webster’s International Dictionary. The list includes all the more
-difficult words which occur in the text.
-
- ā gāte
- ă băt
- ä cär
- [a:] b[a:]ll
- â câre
- ȧ ȧsk
- ạ whạt
- [a=] anim[a=]l
- [+a] sen[+a]te
-
- ē wē
- ĕ gĕt
- ẽ hẽr
- [+e] [+e] vent
- ê=ă thêre
- [e=]=ā th[e=]y
-
- ī pīne
- ĭ pĭn
- ĩ sĩr
-
- ō nōte
- ŏ nŏt
- [o:] d[o:]
- ọ wọlf
- ȯ sȯn
- ô ôr
- [+o] [+o] bey
-
- ū ūse
- ŭ cŭp
- ṳ frṳit
- û fûr
- ụ fụll
- [+u] [+u] nite
-
- ȳ mȳ
- [)y] cit[)y]
-
- [=oo] b[=oo]t
- [)oo] f[)oo]t
- [oi)] [oi)]l
- [oy)] b[oy)]
- [ou)] [ou)]t
- [ow)] c[ow)]
-
- c can
- ç çent
- g get
- ġ ġem
- s so
- [s+] a[s+]
- ṉ iṉk
- th think
- [th)] [th)]em
-
- The silent letters are printed in italic.
-
-
- ăb´bȯt
- ăc c[ou)]nt´
- ăc quā_i_nt´ĕd
- ăd mīr_e_d´
- ăd vĕn´t[+u]r_e_
- ăd vī[s+]_e_d´
- ȧ fär´
- ăf fōrd´
- ȧ flō_a_t´
- ȧ frā_i_d´
- ȧft´ẽr wards (wẽrdz)
- ȧ gainst´ (gĕnst)
- Ä_h_´mō_w_
- ȧ līv_e_´
- [a:]l´mōst
- ȧ lŏft´
- ȧ lōn_e_´
- ăl´pha bĕt (fȧ)
- [)A]lps
- [a:]l thō_ugh_´
- [a:]l t[o:] gĕth´ẽr
- ăm´[+e] th[)y]st
- ăm´[+u] lĕts
- ăṉ´chored (kẽrd)
- ān´ġĕl
- ăn ȯth´ẽr
- ăn´s_w_ẽred
- anx´ious (ăṉk´shŭs)
- ăp prō_a_ch´ĭng
- [)A]r´[+a] răt
- Ärc´tĭc
- ȧ rĭth´m[+e] tĭc
- Är mē´nĭ ȧ
- är´tĭ cl_e_[s+]
- ȧ shām_e_d´
- ȧ shōr_e_
- ȧs sur_e_´ (shṳr)
- ȧ stĩr´
- ăs tŏn´ĭsh_e_d
- ăt´tĭc
- [a:]_w_l
-
-
- băck´ward (wẽrd)
- băl´[a=]nç_e_d
- băl´c[+o] n[)y]
- băn´nẽr[s+]
- bâr_e_´f[)oo]t
- bär´l_e_[)y]
- băr´ren
- b[+e] l_i_ēv_e_d´
- bĕnt
- b[+e] wĭ_t_ch_e_d´
- bĩrch
- blăck´bō_a_rd
- blād_e_[s+]
- blē_a_k
- blŏs´sȯm[s+]
- blŭn´dẽr
- blŭs´tẽr_e_d
- bŏb´[+o] lĭṉk
- bôn´bôn[s+]
- brā_i_d´ĕd
- Brȧ zĭl´
- brĕ_a_k´f[a=]st
- brĕ_a_st´_k_nŏt
- brĕ_a_th
- br[=ee]z_e_
- brĭ_d_ġ_e_
- brī´ẽr
- brĭs´_t_l_e_
- br[=oo]d[s+]
- bū´reau (rō)
- bûrst
- bŭt´tĕd
-
-
- cä_l_f
- căl´ĭ c[+o]
- cȧ năl´
- cȧ nā´r[)y]
- cȧ n[o:]_e_´
- cā´pẽr
- cär´nĭ v[a=]l
- căr´ȯl
- cär´pĕn tĕr
- căr´r[)y] [a:]ll
- cärv_e_
- cȧsk
- căs´_t_l_e_
- căt´ẽr pĭl lar
- (lẽr)
- căt´_t_le
- çē_a_s_e_d
- çē_i_l´ĭng
- çĕl´lar (lẽr)
- çẽr´t_a_ĭn l[)y]
- cha let (shȧ l[+a]´)
- chām´bẽr[s+]
- chȧnç_e_
- chăp´ĕl
- c_h_ă[s+]m
- chăt´tẽr_e_d
- chē_e_r´fụl l[)y]
- chĭm´n_e_[)y]
- Chī nē[s+]_e_´
- chĭp´mŭṉk
- chĭ[s+]´ĕl
- ch[=oo][s+]_e_
- chŏp´stĭcks
- clăck´ĭng
- clăm´bẽr
- cl[a:]_w_[s+]
- clā_y_
- clĕv´ẽr
- cl[ow)]n
- clŭm´[s+][)y]
- clŭ_t_ch
- cō_a_x
- cŏb´wĕb
- cō´c[+o]_a_ nŭt
- c[+o] c[=oo]n´
- c[oi)]n[s+]
- cŏl´lĕġ_e_
- Cŏl [+o] rä´dō
- C[+o] lŭm´bŭs
- cȯm´fort ȧ bl_e_ (fẽrt)
- cŏm mȧnd´
- cȯm´pȧ n[)y]
- cŏn di´tion (dĭsh´ŭn)
- cŏn sĕnt´
- cŏn tā_i_n[s+]´
- cŏn vẽr sā´tion (shŭn)
- c[=oo]´ĭng
- côrn´st[a:]_l_k
- cŏs´tūm_e_
- cō´[s+][)y]
- c[ou)]n´sĕl or(ẽr)
- cō_u_rt´ier (yẽr)
- crā´dl_e_
- crăn´bĕr r[)y]
- crē_a_´t[+u]r_e_
- crĭck´ĕt
- crō_a_k
- cr[)oo]k´ĕd
- crō_w_ed
- cr[ow)]n_e_d
- crṳ´ĕl
- crŭm_b_
- crŭ_t_ch´ĕs
- cŭd´dl_e_
- cū rĭ ŏs´ĭ t[)y]
- cū´rĭ _o_ŭs
- cûrl_e_d
- cŭr´r_e_nt
- cûr´t_a_ĭn
- cụ´sh_i_ȯn
-
-
- dăf´f[+o] dĭl
- dā_i_n´t[)y]
- därk´_e_n ĭng
- därt´ĕd
- d[a:]_ugh_´tẽr
- dē_a_´c_o_n
- d[+e] çē_i_v´ĭng
- D[+e] çĕm´bẽr
- d[+e] çīd´ĕd
- dĕc´[+o] rāt ĕd
- dē fȳ´
- d[+e] li´cious (lĭsh´ŭs)
- d[+e] lī_gh_t´fụl
- d[e+] mūr_e_´
- dĕ[s+]´ẽrt
- dĕs´[+o] l[+a]t_e_
- dĕs´tĭn_e_d
- dĭm´plĭng
- dĭ rĕc´tion (shŭn)
-
-
- ē_a_´gẽr
- ē_a_´gẽr l[)y]
- ẽ_a_r´l[)y]
- ẽ_a_rn
- ē_a_´[s+]ĭ l[)y]
- [=E]´ġ[)y]pt
- [+e] lĕv´_e_n
- ĕlv_e_[s+]
- ĕm br[oi)]d´ẽr
- ĕm´er [a=]ld
- ĕm´pẽr or (ẽr)
- ĕm pl[oy)]´er
- ĕn´[+e] m[)y]
- Eng´land (ĭṉ´gl[a=]nd)
- Eng´lish (ĭṉ´glĭsh)
- ĕn j[oy)]´
- [+e] nôr´m_o_ŭs
- ē nough´ (nŭf)
- ĕn´tẽr
- ĕn tẽr tā_i_n´
- ĕr´r[a=]nd
- [)E]s´kĭ mō
- ĕv´ẽr [)y] where (hwâr)
- ĕv´ĭ dĕnt l[)y]
- ex ăct´l[)y] (ĕgz)
- ĕx çĕpt´
- ĕx çīt_e_´m_e_nt
- ĕx cûr´sion (shŭn)
- ĕx pĕct´ĕd
- ĕx plā_i_ned´
- eye´lȧsh (ī)
-
-
- făc´t[+o] r[)y]
- fā_i_nt´l[)y]
- fâ_i_r´[)y]
- făm´ĭ l[)y]
- făn tȧs´tĭc
- fā´vor ĭt_e_ (vẽr)
- fē_a_st
- fĕr´r[)y]
- fĕs´tĭ v[a=]l
- fĕ_t_ch
- fĕz
- fī´bre (bẽr)
- f_i_ērç_e_
- fī´n[a=]l l[)y]
- fīr_e_´plāç_e_
- fīrm´ẽr
- fl[=ee]´çy
- flĭck´ẽr ĭng
- flȯ_o_d
- flŭf´f[)y]
- flŭt´tẽr ĭng
- fō_l_k
- fŏl´l[)y]
- f[=oo]l´ĭsh
- fŏnd
- fōr_e_
- fŏr gŏt´t_e_n
- Fôr´nĭ cȧ Rṳ´fȧ
- fôr´ward (wẽrd)
- f[ou)]n´t_a_ĭn
- frā´gr[a=]nç_e_
- Frȧnç_e_
- frī_gh_t´_e_n
- frī_gh_t´fụl
- frŏst´ĭng
- frō´z_e_n
- fū´rĭ _o_ŭs l[)y]
- fûrl_e_d
- fûr´n[+a]ç_e_
- fûr´nĭsh
- fûr´nĭ t[+u]r_e_
- fûr´r[)y]
-
-
- gāl_e_[s+]
- găl´lẽr [)y]
- Găr´[+a] bĕt
- gär´l[a=]nd
- gär´nẽr_e_d
- gä_u_nt
- gā_y_´l[)y]
- ġĕn´ẽr [a=]l
- ġĕn´tl_e_ m[a=]n
- ġ[+e] ŏg´rȧ phy (f[)y])
- Ġẽr´m[a=]n [)y]
- g_h_ōsts
- ġī´[a=]nt
- gĭfts
- gĭld´ĕd
- ġĭl´l[)y] fl[ow)]´ẽr
- glăd´l[)y]
- glē_a_m´ĭng
- gl[=ee]
- glĭm´mẽr
- glĭs´_te_n ĭng
- gl[=oo]m
- gŏb´bl_e_
- gôr´ġ_eo_ŭs
- g[ow)]n[s+]
- Grĕt´chĕn
-
-
- Hā´gŏp
- hăm´mŏck
- hănd´sȯm_e_
- Hăn[s+]
- hăr´bor (bẽr)
- härd´_e_n_e_d
- här mŏn´ĭ cȧ
- här´nĕss
- hās´tĭ l[)y]
- hā´trĕd
- h[a:]_w_k
- hā_y_´cŏck
- h_e_ärth
- hĕ_a_v´[)y]
- hẽrd
- hĭd´[+e] _o_ŭs
- Hŏl´l[a=]nd
- hŏl´l[)y]
- hōm_e_´-crȧft
- hōst
- h[ou)]s_e_´wīf_e_
- h[ow)]l
- hūġ_e_
- hŭm´bl_e_
- hū´mor (mẽr)
- humph (hŭmf)
- hŭn´drĕd
- hŭṉ´gr[)y]
- hŭn´tẽr
-
-
- ĭm´[+a]ġ_e_
- ĭm ăġ´ĭn_e_
- ĭm pā´tient (sh_e_nt)
- ĭm pôr´t[a=]nt
- ĭn quīr_e_´
- ĭn sān_e_´
- ĭn´st[a=]nt l[)y]
- ĭn stĕ_a_d´
- ĭn tĕnd´ĕd
- ĭn´tẽr ĕst ĭng
- ĭn´tĭ m[+a]t_e_
- [)I]´t[a=]l [)y]
- [)I] tăl´ian (y[a=]n)
-
-
- jăck´ĕt
- jăg´gĕd
- J[+a] păn´
- jĭn rĭk´ĭ shȧ
- jŏg´gl_e_d
- j[ou)]nç_e_
- j_o_ûr´n_e_[)y]
- j[oy)]
-
-
- k[=ee]l[s+]
- kẽr´nĕl
- _k_n[=ee]l
- _k_nŏck
- Kō´r[a=]n
-
-
- lăṉ´guag_e_ (gw[+a]j)
- lăsh_e_d
- lăt´tĭç_e_
- l[a:]_w_n
- lā´z[)y]
- lĕ_a_th´ẽr
- lĕg´gĭng[s+]
- l_e_ī´t[+e]
- lĭd
- liq´uid (lĭk´wĭd)
- lĭṉ´gẽr ĭng
- lĭmp
- lĭs´_te_n
- lōn_e_´l[)y]
- l[ow)]´ẽr_e_d
- lŭl´lȧ bȳ
- lŭnch´_e_ȯn
-
-
- măġ´ĭc
- măg´nĭ fȳ ĭng
- măn´[+a]ġ_e_
- măn [+u] făc´t[+u]r_e_
- mär´bl_e_
- Mâr ĭ k[e=]´nȧ
- măsk
- mȧ tē´rĭ [a=]l
- măt´trĕss
- mĕ_a_nt
- meas´[+u]r_e_ (mĕzh)
- mĭd´dā_y_
- mĭṉ´gl_e_
- mĭn´ute (ĭt)
- mĭr´ȧ cl_e_
- mĭr´ĭg
- mĭ[s+]´_t_le tō_e_
- mō_a_n
- mȯṉ´k_e_[)y]
- mȯṉk
- m[ou)]n´t_a_ĭn _o_ŭs
- m[ou)]th´fụl
- mō_w_´ẽr
- mŭl tĭ plĭ cā´tion (shŭn)
- mŭnch´ĭng
- mū [s+]ĭ´cian (sh[a=]n)
- mŭs´_c_l_e_
-
-
- Nȧ´kȧ
- Năn n[)oo]k´
- năr´rō_w_
- n[a:]_ugh_´t[)y]
- nē_a_r´l[)y]
- n[e=]_igh_´bor h[)oo]d (bẽr)
- nī_gh_t´ĭn gāl_e_
- nĭm´bl[)y]
- nĭp´pẽr[s+]
- Nĭp´p[+o]n
- Nō´ȧ_h_
- n[oi)][s+]_e_´lĕss l[)y]
- nŏn´sĕns_e_
- nō´tĭç_e_
- nûr´sẽr [)y]
-
-
- [+o] bē´dĭ _e_nt
- [+o] b[e=]_y_´
- ō´dor (dẽr)
- ŏf´_te_n
- [+o] pŏs´sŭm
- ō´rĭ ōl_e_
- [ou)]t lănd´ĭsh
- ō vẽr hĕ_a_d´
- ō vẽr rŭn´
-
-
- pāç_e_
- Pȧ çĭf´ĭc
- păck´[+a]ġ_e_
- păd´_d_l_e_
- păl´[+a]ç_e_
- pä_l_m
- pān_e_
- pâr´_e_nt
- păr´rȯt
- pā´tient (sh_e_nt)
- păt´tẽr ĭng
- păt´tẽrn
- pē_a_k
- pẽ_a_rl
- pẽ_a_[s+]´[a=]nt
- p[+e] cūl´iar (yẽr)
- pĕlt
- pĕn´çĭl
- pẽr hăps´
- pẽr sĭm´mȯn
- pẽr´sȯn
- Pĭl´grĭm[s+]
- pĭnch_e_d
- plăṉk
- plȧs´tẽr_e_d
- plĕa[s+]´[a=]nt
- plŏd´dĕd
- plūm_e_d
- plŭnġ_e_d
- pō´lar (lẽr)
- p[+o] lic_e_´m[a=]n (lēs)
- p[+o] līt_e_´
- pō´n[)y]
- p[ou)]nç´ĭng
- prăc´tĭç_e_
- prā_i_[s+]_e_
- prăt´_t_le
- pre´cious (prĕsh´ŭs)
- pr[+e] fẽr´
- prĕ[s+]´_e_nt l[)y]
- pr[+e] tĕnd´ĭng
- prīd_e_
- pr_i_ēst
- prĭnç_e_
- prĭn´çĕss
- prŏb´ȧ bl[)y]
- prŏm´ĭs_e_d
- pr[+o] tĕcts´
- pr[ou)]d
- pr[ow)]´lĭng
- pŭn´ĭsh_e_d
- pûr´pl_e_
-
-
- qu[a:]r´rĕl
- qu[=ee]r´ĕst
- quĭlt´ĕd
-
-
- rā_i_´[s+]_i_n
- răp´ĭd
- r[a:]_w_
- rē´[a=]l l[)y]
- rē_a_´[s+]_o_n
- rĕck´lĕss
- r[=ee]f_e_d
- r[e=]_i_n´d[=ee]r
- r[+e] mĕm´bẽr
- r[+e] pē_a_t´
- rĕst´lĕss
- rō_a_r_e_d
- rŏck´ẽr[s+]
- rough´ĕst (rŭf)
- r[oy)]´[a=]l
- rṳ´bĭ_e_[s+]
- rŭd´d[)y]
- rṳl´ẽr
- rŭs´sĕt
- rŭs´_t_l_e_
-
-
- săm´păn[s+]
- săn´d[a=]l
- sap´phire (săf´īr)
- scăm´pẽr_e_d
- scärf
- scär´lĕt
- s_c_ĕp´tẽr_e_d
- scôrn
- sc[ou)]t
- scrăm´bl_e_d
- scr[=ee]n
- scrŭb
- scŭr´rĭ_e_d
- sē_a_l´skĭn
- sē_a_m[s+]
- s[+e] cūr_e_´l[)y]
- sē_i_z_e_
- sĕlf´ĭsh
- sē´p[a=]l
- sẽrv_e_d
- sẽr´vĭç_e_
- sĕv´ẽr [a=]l
- s[+e] vēr_e_´
- shȧfts
- shăn´t[)y]
- shō_a_l[s+]
- sh[o:]_e_´māk ẽr
- shōn_e_
- sīd_e_´w[a:]_l_k
- sī_gh_
- sī´l_e_nt l[)y]
- sĭlk´_e_n
- sĭl´vẽr [)y]
- skĭm´mĭng
- slĕ_d_ġ_e_
- sl[e=]_igh_
- slīç_e_
- snärl_e_d
- snĭff
- sn[ou)]t
- snŭg
- sōl´dier (jẽr)
- sȯm´ẽr s[a:]_u_lt
- sȯm_e_´what (hwŏt)
- sŏr´r[+o]_w_ fụl
- sȯv´er _e_ĭ_g_n
- Spā_i_n
- spär´kl_e_d
- spär[s+]
- spē_a_r
- spĕc´tȧ cl_e_[s+]
- spī_e_d
- splȧsh
- splĕn´dor (dẽr)
- spŏt´lĕss l[)y]
- spr[a:]_w_l´ĭng
- sprĭg
- sprīt_e_s
- spr[ou)]t´ĭng
- sprṳç_e_
- squ[a:]t´tĕd
- squē_a_k
- squīr_e_
- squĩrm_e_d
- stā_i_n
- stâ_i_r´cās_e_
- stâ_i_r´wā_y_
- st[a:]_l_k
- stāt_e_´l[)y]
- stĕ_a_d´ĭ l[)y]
- stĕ_a_lth
- stẽrn´l[)y]
- St. Nich´[+o] l[a=]s (sānt nĭk)
- st[ou)]t
- străg´glĭng
- strā_igh_t
- strănd
- strānġ_e_
- strānġ_e_´l[)y]
- strĕngth
- strīp_e_s
- strĭp´p_e_d
- strŭg´glĭng
- stŭd´dĕd
- sŭd´dĕn ly
- sŭg ġĕst´ĕd
- sŭn´bē_a_m
- sŭp plī_e_d´
- sŭp pō[s+]_e_´
- sŭr r[ou)]nd´ĕd
- sw[a:]n
- sw[a:]rm
- swā_ye_d
- swĭft´l[)y]
- Swĭss
- Switz´ẽr l[a=]nd (swĭts)
- s[)y]r´ŭp
-
-
- tȧsk
- tăs´s_e_l
- t[a:]_ugh_t
- tĕn´dẽr l[)y]
- thă_t_ch_e_d
- th[a:]_w_
- Thĕk´lȧ
- there´fōr_e_ ([th)]âr)
- th_i_ēf
- thĭck´ĕt
- thĭm´bl_e_ fụl
- th[ou)]´s[a=]nd
- thrĕ_a_d
- thrĭf´t[)y]
- thrōn_e_
- thrŭsh´ĕ[s+]
- tĭf´fĭn
- tĭlt´ĕd
- tĭṉ´kl_e_
- tī´n[)y]
- tĭp´pĕt
- tŏd´dl_e_
- tŏp´mȧst
- tôr´t_o_ĭs_e_
- tō´ward (ẽrd)
- t[ow)]´ẽr
- trĕ_a_d´ĭng
- trĕm´bl_e_d
- trou´bled (trŭb´l_e_d)
- tr[ou)]´[s+]ẽr[s+]
- trŭm´pĕt
- trṳth
- tŭg´gĭng
- Tûr´k_e_[)y]
- Tûr´kĭsh
- tū´tor (tẽr)
- tw[=ee]´zẽr[s+]
- twĭṉ´klĭng
- twĭ_t_ch_e_d
-
-
- ŭg´l[)y]
- ŭn çĭv´ĭl
- ŭn cȯv´ẽr
- ŭn dẽr stănd´
- ŭn fôr´t[+u] n[+a]t_e_
- ŭn hăp´p[)y]
- ŭn här´nĕss_e_d
- ūn´ĭ fôrm
- ŭn kīnd´
- [=U] rȧ shi´mȧ (shē)
- ūs_e_´fụl
- ūs_e_´lĕss
-
-
- vā cā´tion
- vā_i_n
- vȧst
- vĕġ´[+e] tȧ bl_e_
- vĕl´vĕt
- vĭl´l[+a]ġ_e_
- vĭn_e_´yard (yẽrd)
- vī´ō lĕt
- vŏl cā´nō
-
-
- wā_i_t
- w[a:]l´nŭt
- w[a:]l´rŭs
- w[a:]nd
- w[a:]n´dẽr ẽr
- wē_a_´r[)y]
- wē_a_v_e_
- wĕl´cȯm_e_
- wĕpt
- wharf (hw[a:]rf)
- what ĕv´ẽr (hwŏt)
- wheth´ẽr (hwĕth)
- whirl´ĭng (hwĩrl)
- whis´pẽr_e_d (hwĭs)
- wĭg´w[a:]m
- wī[s+]_e_´l[)y]
- wọlv_e_[s+]
- wȯn´dẽr fụl
- wȯn´dẽr l[a=]nd
- wȯn´dr_o_ŭs
- w[)oo]d´pĕck ẽr
- worse (wûrs)
- wound (w[=oo]nd)
- wō´v_e_n
- _w_rē_a_th[s+]
- _w_rĭg´gl_e_d
- _w_rĭṉ´kl_e_d
-
-
- yĕs´tẽr dā_y_
- yūl_e_
-
- * * * * *
-
-Transcriber’s Notes:
-
-Page 210, [on)] changed to [ou)]
-
-Page 219, the final “e” was made italic to match form of silent letters
-(ȧs sur_e_´)
-
-Page 219, italics removed from e as it is not silent (băr´ren)
-
-Page 221, the final “e” was made italic to match form of silent letters
-(lăṉ´guag_e_)
-
-Page 222, the final “e” was made italic to match form of silent letters
-(p[+o] lic_e_´m[a=]n)
-
-
-
-
-
-End of Project Gutenberg's The Wide Awake Third Reader, by Clara Murray
-
-*** END OF THIS PROJECT GUTENBERG EBOOK THE WIDE AWAKE THIRD READER ***
-
-***** This file should be named 52044-0.txt or 52044-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/2/0/4/52044/
-
-Produced by Emmy, MWS and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images generously made available by The
-Internet Archive)
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-