summaryrefslogtreecommitdiff
path: root/old/52138-8.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/52138-8.txt')
-rw-r--r--old/52138-8.txt5004
1 files changed, 0 insertions, 5004 deletions
diff --git a/old/52138-8.txt b/old/52138-8.txt
deleted file mode 100644
index ce73c7e..0000000
--- a/old/52138-8.txt
+++ /dev/null
@@ -1,5004 +0,0 @@
-Project Gutenberg's Motor Matt's Engagement, by Stanley R. Matthews
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: Motor Matt's Engagement
- or, On The Road With A Show
-
-Author: Stanley R. Matthews
-
-Release Date: May 23, 2016 [EBook #52138]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK MOTOR MATT'S ENGAGEMENT ***
-
-
-
-
-Produced by David Edwards, Demian Katz and the Online
-Distributed Proofreading Team at http://www.pgdp.net (Images
-courtesy of the Digital Library@Villanova University
-(http://digital.library.villanova.edu/))
-
-
-
-
-
-
-
-
-
- MOTOR STORIES
-
- THRILLING
- ADVENTURE
-
- MOTOR
- FICTION
-
- NO. 27
- AUG. 28, 1909
-
- FIVE
- CENTS
-
-
- MOTOR MATT'S
- ENGAGEMENT
-
- OR ON THE ROAD
- WITH A SHOW
-
- _STREET & SMITH
- PUBLISHERS
- NEW YORK_
-
-[Illustration: _Motor Matt, as he coaxed the last ounce of speed
-from the motor, shouted encouragingly to the terrified girl on the
-trapeze._]
-
-
-
-
-MOTOR STORIES
-
-THRILLING ADVENTURE MOTOR FICTION
-
-_Issued Weekly. By subscription $2.50 per year. Copyright, 1909, by_
-STREET & SMITH, _79-89 Seventh Avenue, New York, N. Y._
-
- No. 27. NEW YORK, August 28, 1909. Price Five Cents.
-
-
-
-
-Motor Matt's Engagement;
-
-OR,
-
-ON THE ROAD WITH A SHOW.
-
-By the author of "MOTOR MATT."
-
-
-
-
-CONTENTS
-
-
- CHAPTER I. "ON THE BANKS OF THE WABASH."
- CHAPTER II. IN THE CALLIOPE TENT.
- CHAPTER III. AN EAVESDROPPER.
- CHAPTER IV. QUEER PROCEEDINGS.
- CHAPTER V. MOTOR MATT PROTESTS.
- CHAPTER VI. ABLAZE IN THE AIR.
- CHAPTER VII. WAS IT TREACHERY?
- CHAPTER VIII. A CALL FOR HELP.
- CHAPTER IX. BLACK MAGIC.
- CHAPTER X. THE MAHOUT'S FLIGHT.
- CHAPTER XI. THE PAPER TRAIL.
- CHAPTER XII. CARL TURNS A TRICK.
- CHAPTER XIII. THE LACQUERED BOX.
- CHAPTER XIV. THE HYPNOTIST'S VICTIM.
- CHAPTER XV. "FOR THE SAKE OF HAIDEE!"
- CHAPTER XVI. THE RAJAH'S NIECE.
- SAVED BY A FALLING TREE.
- How They Captured the Python.
- ON THE ROAD TO MANDALAY.
-
-
-
-
-CHARACTERS THAT APPEAR IN THIS STORY.
-
-
- =Motor Matt King.=
-
- =Joe McGlory=, a young cowboy who proves himself a lad of worth and
- character, and whose eccentricities are all on the humorous side. A
- good chum to tie to--a point Motor Matt is quick to perceive.
-
- =Ping=, a Chinese boy who insists on working for Motor Matt, and who
- contrives to make himself valuable, perhaps invaluable.
-
- =Carl Pretzel=, an old chum who flags Motor Matt and more trouble
- than he can manage, at about the same time. In the rôle of detective,
- he makes many blunders, wise and otherwise, finding success only to
- wonder how he did it.
-
- =Ben Ali=, an elephant driver; a Hindoo gifted in the arts for which
- his country is famous and infamous. The uncle of Margaret Manners, he
- revenges himself upon his brother, the rajah, in a way that proves
- his own undoing.
-
- =Aurung Zeeb=, another elephant driver, and a friend of Ben Ali,
- assisting in his scoundrelly work.
-
- =Haidee=, whose real name is Margaret Manners, a girl from India, who
- becomes the hypnotic subject of Ben Ali, and is saved from him by
- Motor Matt and Carl.
-
- =Boss Burton=, manager and proprietor of the Big Consolidated Shows.
- A man who tries to be "square," in his own remarkable way.
-
-
-
-
-CHAPTER I.
-
-"ON THE BANKS OF THE WABASH."
-
-
-Strange, how a few harmless ingredients, thrown together and mixed,
-will set the trouble pot a-boiling.
-
-Saltpeter is an innocent and useful product, and so is charcoal and
-sulphur; but seventy-five per cent. of the first, fifteen per cent. of
-the second, and ten per cent. of the third, when properly mixed, will
-make gunpowder--an explosive that has slain millions, made kingdoms
-over into republics, and changed the map of the world again and again.
-
-So, on this beautiful morning, with the banks of the Wabash River for a
-setting, fate was juggling with a few trifling elements for the purpose
-of combining them and manufacturing trouble.
-
-The Big Consolidated Shows were pitching their tents near that part of
-the river, and two of the ingredients that helped form the dangerous
-mixture were connected with the "tented aggregation."
-
-One was the big elephant, Rajah, who had a tremendous thirst and was
-wabbling along toward the river for a drink; the other was a Chinese
-boy, dipping a couple of pails of water from the stream for the steam
-calliope. The third element--the one having no connection with the
-show--was a German youth with a weakness for bursting into song.
-
-The elephant, dryer than the desert of Sahara, was making big and rapid
-tracks for the brightly gleaming water, the Chinaman was leisurely
-filling his pails, and the German was strolling along the bank, dusty
-from a long tramp and with a stick over his shoulder from which swung a
-bundle bound up in a knotted handkerchief.
-
-If the German had known how to sing he would not have attracted the
-attention of the Chinaman; and if the Chinaman had not looked and
-grunted his disgust, the German would not have become hostile; and if
-Rajah, the elephant, had not possessed such a playful disposition, the
-German and the Chinaman would probably have separated with no more than
-a few mongrel words of personal opinion. But fate was working overtime
-that day, and had an eye for weird combinations.
-
- "Ach, der moon vas shining pright upon der Vabash,
- From der fieldts dere comes some shmells oof new-mown hay,
- Droo der candlelight der sycamores vas gleaming,
- On der panks oof der Vabash, righdt avay!"
-
-This was the German's song, and it sounded as though it had been played
-on a fish horn. The Chinaman could be seen to shiver as he deposited
-a pailful of water on the bank, straightened erect, and looked at the
-singer. There was that in his slant eyes which brought the German to a
-halt.
-
-"Don'd you like der song, shink?" demanded the Dutchman, pushing out
-his chin in an irritating way.
-
-"Woosh!" snorted the Chinaman, "you makee sing all same like poodle dog
-makee howl."
-
-"Py shiminy," cried the Dutchman, "I fight pedder as I sing. I don'd
-let no monkey mit a pigdail make some foolishness mit me."
-
-"Dutchy boy clazy," declared the Celestial.
-
-"I nefer liked der shinks anyways," went on the other, dropping his
-stick and his bundle. "Dey vas sheap skates, you bet you, und vas
-alvays taking avay goot shobs from American fellers. I vill tie you oop
-in some bowknots mit your pigdail und trop you py der rifer. Yah, so."
-
-"Dutchy boy makee spell 'able,'" and the Chinaman, with supreme
-contempt, picked up his empty pail.
-
-"You peen afraidt mit yourseluf!" shouted the Dutchman.
-
-"My plenty busy; makee cally water fo' calliope. No gottee time to
-fight. Come 'lound after palade, China boy makee Dutchy boy suppa' fo'
-lion."
-
-"Dot's me," breathed the Dutchman, picking up his stick and bundle.
-"I'll be aroundt after dot barade, you bed my life, und I don'd make
-some subber for der lion, neider."
-
-He started on slowly.
-
-Unnoticed by either of the boys, the mahout on Rajah's neck had kept
-the elephant close to the river bank. The mahout was dozing, and Rajah
-was filling the piece of hose, more generally known as his trunk, with
-Wabash water and squirting it into his open mouth.
-
-Now, Rajah was an eccentric elephant. There were times when he was full
-of mischief and playful, and other times when the wild jungle blood got
-the upper hand of him and he became dangerous.
-
-On two or three occasions, when Old Ben, the African lion, had tried
-to mix things with the royal Bengal tiger, Rajah had been called in to
-separate the fighters with a well-directed stream, hurled with catapult
-force from his trunk.
-
-Rajah's cunning little eyes had been taking in the quarrel between the
-Dutchman and the Chinaman. Something prompted him to elevate his trunk
-and throw a stream after the retreating Dutch boy.
-
-The lad was knocked off his feet, his stick going one way and his
-bundle the other. He jumped to his feet, spluttering, and whirled
-around.
-
-Rajah was innocently squirting a dozen or more gallons of the river
-into his capacious throat, but the Chinaman, the empty pail still in
-his hand, was laughing so that he almost fell off the bank.
-
-It was the most natural thing in the world for the Dutch boy, in the
-excitement of the moment, to lay the whole blame on the Chinese boy's
-shoulders.
-
-The Dutchman had not seen Rajah use his trunk, and the Chinaman had. It
-was very laughable, and the Chinaman's cackling mirth was unrestrained.
-
-The Dutchman saw only the empty bucket in the Chinaman's hand, and it
-seemed certain the deluge of water had come from the bucket.
-
-"I gif you fits for dot, py shiminy!" whooped the Teuton.
-
-"No can do!" declared the Celestial.
-
-The Dutchman came on with a bound, his dripping clothes sprinkling
-everything in his vicinity.
-
-The Chinaman threw the bucket. The other dodged. The bucket sailed on
-through the air and struck Delhi, Rajah's mate, a sharp rap on her big,
-fanning ear. Delhi trumpeted loudly and started furiously after the
-boys.
-
-Both the Chinaman and the Dutchman, their faculties completely wrapped
-up in their quarrel, gave no attention to the elephants. Coming
-together like a thousand of brick, they clinched and wrestled back and
-forth on the bank.
-
-Delhi, wild with anger, gave no heed to the fierce prodding of her
-mahout, but rushed onward, her trunk stretched eagerly ahead of her
-and twitching and curving in its desire to lay hold of the struggling
-youngsters.
-
-For a second the prospect was very dark for the Teuton and the
-Celestial. What would have happened to them is problematical if Delhi
-had had her way. But the big brute was not allowed to work her will.
-Rajah interfered; not out of any desire to be of help to the boys, but
-rather to assist his mate in securing vengeance.
-
-Quickly Rajah aimed his trunk and hurled a stream of water. The jet
-struck the two boys, lifted them from their feet, and hurled them into
-the river. The lads were tossed from the bank in just the nick of time.
-Hardly were they clear of the spot where they had been wrestling when
-Delhi's disappointed trunk swept over it.
-
-Rajah's mahout, of course, had aroused himself, and he and the other
-man got busy bringing the elephants into subjection.
-
-The Dutchman and the Chinaman had fallen into deep water. It was
-necessary to disentangle themselves from each other in order to swim
-and keep from being drowned.
-
-As Delhi backed away from the water's edge, under the blows of her
-mahout's sharp, steel prod, she flung the Dutchman's bundle and stick
-at the thrashing forms in the water, and followed these with the
-buckets.
-
-"I can do oop a shink mit vone hand," gurgled the Dutchman, as his
-dripping head appeared above the surface of the river; "aber ven a
-goople oof elephants iss rung indo der game, den I don'd---- Wow!"
-
-The handkerchief bundle, hurled with terrific force, struck him on the
-head and sent him under.
-
-"Dutchy boy no good!" spluttered the Chinaman. "Him velly fine false
-alarm---- Woosh!"
-
-One of the buckets hit the Celestial in the small of the back and
-he vanished in a flurry of bubbles. When he and the Dutchman again
-reappeared, Delhi and Rajah were under control and no further danger
-threatened.
-
-"What's the matter with you two kids?" cried Delhi's mahout, excited
-and angry.
-
-"Der shink drew some vater on me," answered the Dutchman, "und made
-more monkey-doodle pitzness dan I vould shtand for."
-
-"Him no savvy," declared the Chinese. "El'fant makee thlow water."
-
-Rajah's mahout was a Hindoo. In a queer jargon of broken English, he
-described the way Rajah had hosed down the Dutchman as the latter was
-walking off.
-
-The other mahout lost his wrath in a flood of merriment.
-
-"It's all a mistake!" he called. "Come out o' the wet and stop your
-foolishness. If ye try to do any more fightin', I'll set Delhi onto you
-ag'in."
-
-The Dutchman labored ashore with his stick and his bundle, and the
-Chinaman followed with his buckets.
-
-"What do you s'pose Motor Matt would think of this, Ping?" went on the
-mahout. "If he----"
-
-But what the mahout was intending to say was lost in a roar of
-amazement and delight from the Dutchman.
-
-"Vat's dot? Modor Matt? Vere he iss, anyvay? Say, I vas his bard, und I
-peen looking for him efery blace, longer as I can dell. Shpeak, vonce!
-Vere iss Modor Matt?"
-
-"China boy Motol Matt's pard," spoke up the dripping Ping. "My workee
-fo' Motol Matt; Dutchy boy no workee."
-
-"Py shiminy, I dell you some more dot I peen Carl Pretzel," shouted
-the Dutchman, "und dot I vas looking for der show, und ditn't know I
-vould findt Modor Matt at der same dime. Vere iss he, misder?" and Carl
-appealed anxiously to the mahout.
-
-"He's travelin' with the show, youngster," answered the mahout, "an'
-doin' a flyin'-machine stunt twice a day. If ye want to find him, hike
-for the show grounds."
-
-Without paying any further attention to Ping or the elephants, Carl
-gathered in his cap--which lay at the water's edge, and was the only
-thing belonging to him that was not dripping wet--and laid a rapid
-course for the top of the bank.
-
-Ping, filling the pails, started after Carl, worrying not a little over
-this new pard of Motor Matt's who had appeared so unexpectedly on the
-scene.
-
-
-
-
-CHAPTER II.
-
-IN THE CALLIOPE TENT.
-
-
-"I don't like it, pard, and you can bet your moccasins on that," said
-Joe McGlory.
-
-"There are a whole lot of things about this business I don't fancy,"
-returned Motor Matt; "but we're under contract, Joe, and Boss Burton
-says he'll give us an extra fifty a week if we do the trick."
-
-"But the girl! What's her notion about it? Hanging to a trapeze under
-the aëroplane isn't a stunt to be sneezed at."
-
-"She's anxious to do the trick. She'll get fifty dollars a week for it,
-and the money looks good to her."
-
-"There's the danger, pard. Her neck's worth more than fifty plunks a
-week."
-
-"She's a little brick, that Haidee--pure grit. I'll see that she's not
-placed in much danger."
-
-"You'll have your hands full looking after yourself and the aëroplane.
-Sufferin' whirligigs! You know how hard it is to manage the _Comet_
-when there's a weight suspended beneath."
-
-"I can do it," declared Matt.
-
-"Of course you can do, old socks--you can do anything when you set your
-mind to it. But, tell me this, what has that old elephant driver, Ben
-Ali, got to do with Haidee? Ben Ali's a Hindoo, and Haidee is almost as
-white as an American girl."
-
-"Ben Ali's her uncle, Joe. Haidee's mother was Ben Ali's sister, and
-Haidee's father was an English officer living in Bombay. The girl told
-me all this yesterday at the time she begged me to do what Boss Burton
-wanted and let her trail the _Comet_ aloft on the trapeze."
-
-"Funny combination," muttered Joe.
-
-McGlory was in his overclothes, and had just finished getting the
-aëroplane ready for the parade. The "animal top"--that is, the
-menagerie tent--had been hoisted, and the small canvas lean-to that
-housed the steam calliope had been put in place alongside. The calliope
-was not in the lean-to, but was out on the grounds, being put in shape
-for the parade.
-
-Matt and Joe usually came to the calliope tent to make themselves
-ready for the street procession. They, together with Ping, had been
-three weeks with the Big Consolidated, Matt making ascensions in the
-aëroplane twice daily, following the parade and just before the evening
-performance--wind and weather permitting. So proficient had Matt become
-in handling the flying machine that nothing short of a stiff gale or
-a hard rain kept him from carrying out his engagements for a double
-exhibition each day.
-
-The aëroplane had caught the popular fancy, and had proved the biggest
-kind of a card for Boss Burton, proprietor of the show. Under its
-own motive power, the machine formed a star feature of the parade,
-traveling slowly on the bicycle wheels which were necessary in giving
-it a start when flights were made.
-
-From tip to tip, the wings of the aëroplane measured more than thirty
-feet. Of course it could not travel in the parade with such a stretch
-of surface across the streets, so Matt had arranged the bicycle wheels
-in such a manner that the _Comet_ moved sideways in the procession,
-the king of the motor boys, his cowboy pard, and his Chinese comrade
-occupying positions in the seats on the lower wing.
-
-When Matt and his friends first joined the outfit, Boss Burton had
-supplied them with bespangled apparel, which, if they had worn it,
-would, according to McGlory, have made them "a holy show."
-
-Matt and McGlory balked at the glittering costumes, but Ping had hung
-to his beadwork and gilt trimmings with a fierce determination there
-was no shaking.
-
-McGlory compromised with Burton by getting into a swell cowboy rig, but
-for Matt there was no such thing as compromise. This engagement with
-the show was purely a business proposition, and he refused to make a
-spectacle out of himself. He looked well, too, in his unostentatious
-blue cap and clothes, and was given many a cheer as the aëroplane
-pitched and shivered along in the procession.
-
-Boss Burton was a shrewd manager, and it was said that he lay awake
-nights while section two of the show train was making its jumps between
-stands, thinking up new acts that would thrill the patrons of the Big
-Consolidated. His last idea was to hitch a trapeze to the bottom of the
-aëroplane, and have Haidee, Ben Ali's pretty niece, perform on the
-flying bar while Matt was manoeuvring the _Comet_ over the show grounds.
-
-It was this new wrinkle that had drawn objections from McGlory when he
-and Matt had retired to the calliope tent to make ready for the parade.
-
-About all Matt had to do to get ready was to wash and brush himself.
-McGlory, on the other hand, had to get into a blue shirt, corduroy
-trousers, "chaps," tight, high-heeled boots, and a broad-brimmed
-sombrero.
-
-"What's become of Ping?" asked Matt, stepping to the tent flap and
-looking off over the busy grounds.
-
-It would be an hour before the parade could start, and the bright
-sun glowed over a scene of feverish activity. The side-show tents,
-the stable tents, and cook tent were already up. A small army of men
-was working on the circus "top," and the rhythmical thump of mauls
-on tent stakes could be heard on every hand. Horses in two, four,
-six, and eight-horse teams were moving about; band wagons, cages, and
-chariots were being dusted and cleaned; the painted banners in front
-of the side-show were being laced to their guys; the candy "butchers"
-were getting their places in readiness, and throughout the various
-occupations of the men ran an orderly disorder, everywhere noticeable.
-
-But Matt could see nothing of Ping, and he turned away to where
-McGlory, his foot on an overturned bucket, was buckling a big-roweled
-Mexican spur to his heel.
-
-"Ping is always promptness itself in getting into his tinsel frills and
-furbelows," remarked Matt, "and I can't understand what's keeping the
-boy so late this morning."
-
-"He's been put on the steam calliope, pard," laughed McGlory, dropping
-his foot from the bucket and stamping until the rowel jingled.
-"Little Squinch-eye seems to have fallen in love with that bunch
-of steam whistles. He tried to play 'Yankee Doodle' on the pipes,
-in Indianapolis, and had almost stampeded the elephants before the
-calliope man could choke him off. Sufferin' jangles, pard, you never
-heard such a sound."
-
-Before Matt could make any response, a soft voice called from outside:
-
-"Motor Matt! Can I come in a minute?"
-
-"Sure," replied Matt heartily.
-
-A lithe, graceful form, in velvet and spangles, leaped lightly through
-the opening.
-
-"Haidee!" exclaimed Matt, staring.
-
-The girl bowed laughingly and threw a kiss, just as she was in the
-habit of doing after her trapeze work in the "big top."
-
-"Yes, friends," she answered; "Haidee, the Flying Marvel, who is to do
-a turn on Motor Matt's flying machine just before the doors open. I am
-also to ride on the top wing of the _Comet_ during the parade. Will I
-do?"
-
-Lifting her arms, she pirouetted around for the observation of the
-boys, then paused and smiled bewitchingly.
-
-"Do?" cried McGlory. "Why, sis, you'll be the hit of the piece. All I
-hope"--and McGlory's face went rather long--"is that you and Matt come
-through your trip in the air without any trouble."
-
-"I'm not afraid!" declared Haidee.
-
-"No more you're not, sis. If you were riding on the lower wing with
-Matt the whole game would be different; but you're to hang under the
-machine, and there'll be more pitching and plunging than if you were
-aboard a bucking bronk. Hang on, that's all, and don't try to hang by
-your heels."
-
-"I'll get an extra fifty dollars a week!" cried the girl.
-
-It was plain to be seen that she placed great store on that "fifty
-dollars a week."
-
-"What does your uncle, Ben Ali, think of it, Haidee?" asked Matt.
-
-A barely perceptible frown crossed the girl's face. What was passing in
-her mind? Whatever her thoughts were, they found no echo in her answer.
-
-"Uncle Ben is glad to have me do it," and Haidee retreated toward the
-door.
-
-"Have you seen Ping, Haidee?" inquired Matt.
-
-"When I saw him last," was the response, "he was walking toward the
-river with a couple of buckets. I'll be going, now. I'll see you again
-when the parade starts. That trapeze act on the aëroplane will make a
-great hit, don't you think?"
-
-"It ought to," said Matt.
-
-The girl vanished.
-
-"I'll walk over to the steam music box," remarked McGlory, "and see if
-I can spot our pigtail friend."
-
-"All right," returned Matt, dropping down on an overturned bucket and
-pulling a pencil and memorandum book from his pocket.
-
-Before he could begin to figure, he heard a voice addressing McGlory at
-the tent door--and it was a voice that brought him up rigidly erect and
-staring.
-
-"Say, misder, iss dis der shteam cantalope tent?"
-
-McGlory laughed.
-
-"Well, yes, Dutchy, you've made a bull's-eye first clatter. Here's
-where they keep the 'cantalope.' What's the matter with you? Look like
-you'd gone in swimming and forgotten to take off your clothes."
-
-"I tropped in der rifer mit meinseluf, und id vas vetter as I t'ought.
-Say, vonce, iss Modor Matt aroundt der blace?"
-
-"He's inside, and---- Sufferin' whirlwinds, but you're in a hurry!"
-
-A bedraggled form, with a dripping bundle in one hand and a stick in
-the other, hurled itself through the opening with a yell.
-
-"Matt! Mein olt pard, Matt!"
-
-The next instant Carl Pretzel had rushed forward and twined his
-water-soaked arms about the king of the motor boys. The Dutchman's
-delight was of the frantic kind, and he gurgled and whooped, and
-blubbered, and wrestled with Matt in a life-and-death grip.
-
-McGlory, in amazement, watched from the entrance.
-
-"Carl!" exclaimed Matt. "By all that's good, if it isn't Carl! Great
-spark plugs, old chap, where did you drop from?"
-
-"Ach, from novere und eferyvere. Vat a habbiness! I peen so dickled mit
-meinseluf I feel like I vas going to pust! My olt raggie, Matt, vat I
-ain'd seen alreddy for a t'ousant years!"
-
-Just then there was a rush behind McGlory, and some one nearly knocked
-him over getting into the tent.
-
-"My workee fo' Motol Matt!" shrilled a high, angry voice. "Dutchy boy
-no workee!"
-
-Ping was terribly hostile, but McGlory caught and held him.
-
-Carl tore himself loose from Matt and would have rushed at Ping had he
-not been restrained.
-
-"Looks like they'd both been in the river," remarked McGlory.
-
-"What's the trouble here, boys?" asked Matt.
-
-
-
-
-CHAPTER III.
-
-AN EAVESDROPPER.
-
-
-Both Carl and Ping tried to explain matters at the same time. Each
-talked loud, in the hope of drowning out the other, and the jargon was
-terrific. Finally McGlory got a hand over the Chinaman's mouth, and
-Carl was able to give his side of the question. After that, Ping had
-his say.
-
-"There's been no cause whatever for this flare-up," said Matt.
-"Everybody knows that Carl can't sing, but everybody who's acquainted
-with him, too, knows that he's got more pluck to the square inch than
-any fellow of his size. Carl's all right, Ping. He went around South
-America with Dick Ferral and me on that submarine, and we parted
-company in San Francisco just before I met up with Joe. Shake hands,"
-and Matt pushed Carl toward the Chinaman.
-
-"My workee fo' Motol Matt," whispered Ping, who had likewise been given
-a push by the cowboy; "Dutchy boy no workee, huh?"
-
-"You're both pards of mine," said Matt, "and you've got to be friends.
-Now, shake hands."
-
-The shaking was done--rather hesitatingly, it is true, but nevertheless
-it was done.
-
-"Now," went on Matt, "you get into your regalia, Ping. Carl, you can
-get out of your wet clothes and put on Joe's working suit. While you're
-about it, tell me how you happen to be here. You stay and listen, Joe,"
-the young motorist added. "I want you to like Carl as well as I do."
-
-"That's me, pard," laughed McGlory, taking a seat on one of the
-buckets. "There's plenty of ginger in the Dutchman, and that's what
-cuts the ice with me."
-
-Ping, covertly watching and listening, moved over to his bag of clothes
-and began rigging himself out in his gorgeous raiment. Carl, talking as
-he worked, removed his water-logged costume.
-
-"I vas a tedectif, Matt," said he gravely.
-
-"What's that?" demanded McGlory.
-
-"Detective," smiled the king of the motor boys. "My Dutch pard has been
-making a sleuth out of himself."
-
-"Yah, so," pursued Carl. "Tick Verral vent off mit his uncle, in
-Tenver, und I run avay to San Francisco looking for Matt. He don'd
-vas dere some more, und I can't find oudt nodding aboudt vere he vas
-gone. I haf to do somet'ing vile vaiting for him to turn oop, und so I
-go indo der tedectif pitzness. Dot's great vork, I bed you. You findt
-somet'ing for somepody, und dey gif you all kindts oof money. Fine!"
-
-"How much have you made at the business, Carl?" queried Matt.
-
-"Vell, nodding, so far as I haf gone, Matt. Aber I don'd haf no luck
-mit it. I vas schust learning der ropes. A feller hat his money took
-avay in 'Frisco. I ged oudt oof dot mit a proken headt, und don'd findt
-der money. Vell, next a olt laty in Salt Lake City loses her parrot,
-und say she gif ten tollar vould I findt him. I ketch der parrot off
-a push schust ven anodder feller lays holt oof him. Ve fight for der
-pird, der pird iss kilt, und some more I don'd ged nodding, only a
-plack eye und some fierce talk from der olt laty. Aber I don'd ged
-tiscouraged, nod at all. I vork on mit meinseluf.
-
-"Pympy, I peen in Chicago--der blace vere ve vas, Matt, mit der air
-ship. Dot's a great town for der tedectif pitzness, I bed you. I try to
-hire oudt by a prifate tedectif achency, aber dey don'd vant me. I keep
-afder dose fellers, und afder I was t'rown from der office a gouple oof
-times I valked in on dem by der fire escape. Den dey gif me some chobs."
-
-"What sort of a job did they give you, Carl?"
-
-By that time the Dutch boy had stripped and put on McGlory's clothes.
-Reaching for his water-logged bundle, he untied it, and fished a folded
-newspaper from an assortment of rubber collars, socks, and red cotton
-handkerchiefs.
-
-The newspaper was very damp, and had to be handled with care.
-
-"Dis iss some English papers, Matt," explained Carl. "Id vas brinted in
-Lonton, und dose tedectif fellers had him py deir office. How mooch iss
-a t'ousant pounds in Unidet Shtates money, hey?"
-
-"Five thousand dollars."
-
-"Veil, dot's der chob--making dot fife t'ousant. I bet you I get rich
-vone oof dose tays."
-
-"You have to do something, don't you, before you get the money?"
-queried McGlory, with a wink at Matt.
-
-"Ach, dot's nodding," answered Carl, in a large, offhand manner. "Readt
-dot, Matt."
-
-Matt took the wet newspaper and read a marked paragraph, which ran as
-follows:
-
- "£1,000 Reward! This sum will be paid for any information concerning
- one Margaret Manners, last known to be in Calcutta, India. Miss
- Manners is about eighteen years of age, and is the only daughter of
- the late Captain Lionel Manners, of the English Army, stationed at
- Bombay. Miss Manners disappeared from her home, under mysterious
- circumstances, and it is possible she went to America and engaged in
- the circus business. Any one with knowledge concerning the missing
- person, and desirous of obtaining the reward, will please communicate
- with Arthur Hoppleson, Solicitor, 10 Kent's Road, London, W. C.
- Further information, which cannot be publicly printed, will be
- cheerfully furnished."
-
-Motor Matt, after reading the paragraph to himself, read it aloud.
-
-"Why," grinned McGlory, "that outfit of detectives was working your
-German friend, Matt. They gave him that and sent him on a wild-goose
-chase, just to get rid of him."
-
-"Dot's a misdake," declared Carl. "Dose fellers saw I meant pitzness,
-py shinks, und dey gif me der hardest case dey hat. Yah, so. Since den
-I haf peen looking for shows. Eferyvere I hear aboudt some shows I hike
-avay. Aber I don'd findt Miss Manners. She don'd vas in der mooseums,
-oder in der Vild Vest shows, or in Rinklings; und oof she vasn't in
-der Pig Gonsolidated, den I vas oop some shtumps. My money has blayed
-oudt, und I hat to rite in a pox car to Lafayette, Intiana. Here I vas
-shdrolling along tovard der show groundts ven I see dot shink mit der
-puckets, und hat sooch a scrap. Afder der scrap vas ofer, a man on a
-elephant shpeak about Motor Matt. Den I don'd t'ink oof nodding more. I
-come, so kevick as bossiple, to findt my olt raggie. Und here ve vas,
-togedder like ve used to be." A broad smile covered Carl's face. "Now
-I don'd care for nodding. Oof you t'ink you could help me findt Miss
-Manners, den I vill be opliged, und gif you part oof der revard--a
-gouple oof pounds oof id, anyvay."
-
-"It looks to me, Carl," said Matt, handing back the paper, "as though
-the men in that detective office were trying to have some fun with you.
-Have you written to London to secure further information?"
-
-Carl looked startled.
-
-"Vell," he admitted, "I ditn't t'ink oof dat."
-
-"You're a fine detective, you are," said Matt. "You might as well hunt
-for a needle in a haystack as to hunt for this English girl. Can't you
-see? You've got a pretty wide field to cover, and it is only _supposed_
-that she came to America and engaged in the circus business."
-
-Carl ran his fingers through his carroty hair.
-
-"Meppy dot's right," he mused. "Oof dose fellers in Chicago vas making
-some monkey-doodle pitzness mit me, you bed you I vould like to fool
-dem. Meppy I findt der girl. Den vat? V'y, dose tedectif fellers feel
-like t'irty cent. You vas vorking for der show, Matt?"
-
-"We've an engagement with the manager for making flights in our
-aëroplane."
-
-"Vat's dose?"
-
-"What's an aëroplane? Why, Carl, it's a heavier-than-air flying
-machine."
-
-"So? Und you go oop in id?"
-
-"Yes."
-
-Carl sat on a bucket and ruminated for a space.
-
-"You know pooty near efery vone dot vorks for der show, hey?" he asked.
-
-"Yes, I know every one."
-
-"Iss dere a girl mit der name oof Markaret Manners?"
-
-"No. But she'd have a different name if she was with a show, Carl.
-Performers hardly ever use their real names."
-
-"Dot's righdt, too." Once more Carl ran his fingers through his mop of
-hair. "Iss der any vone connected mit der show vat has a shtrawperry
-mark on der arm?" he asked, brightening.
-
-"Strawberry mark on the arm?" repeated Matt. "Why, Carl, that
-advertisement doesn't say anything about such a thing."
-
-"I know dot, aber efery young laty you read aboudt vat's lost has der
-shtrawperry mark on der----"
-
-McGlory let off a roar of laughter. Carl straightened up with a pained
-look on his fat face.
-
-"Carl," cried McGlory, "you're a great sleuth, and no mistake! You jump
-at too many conclusions."
-
-"Dere don'd vas anyt'ing else to chump ad," returned Carl. "Dis vas a
-dark case, you bed you, und dere has to be some guessings. Dot's vat I
-make now, der guessings."
-
-"Pretty woolly guessing, at that, and----"
-
-McGlory broke off abruptly to follow a sudden movement on Matt's part.
-The canvas forming the side of the menagerie tent had shaken, as though
-there was some one on the other side of it. Matt, seeing the shiver
-of the canvas, leaped for the wall. The next moment he had lifted the
-canvas and was looking into the other tent.
-
-A tall, brown-faced man, wearing a turban and an embroidered jacket,
-was just vanishing through the tent entrance. Matt dropped the canvas
-and turned away, a thoughtful look taking the place of the smile with
-which he had listened to Carl's talk.
-
-"What was it, pard?" asked McGlory.
-
-"An eavesdropper," replied Matt.
-
-"Speak to me about that!" exclaimed McGlory. "If some one thought the
-Dutchman's yarn worth listening to, then perhaps there's something in
-it."
-
-"Perhaps." Motor Matt's brow wrinkled perplexedly.
-
-"Who was the fellow? Could you recognize him?"
-
-"It was Ben Ali."
-
-McGlory bounded up, excited, and his own face reflecting some of the
-perplexity that shone in his friend's.
-
-Before the conversation could be continued, however, a man thrust his
-head into the calliope tent.
-
-"They're waiting for you fellows," he announced. "Hustle!"
-
-
-
-
-CHAPTER IV.
-
-QUEER PROCEEDINGS.
-
-
-The place occupied by the aëroplane in the procession was almost at the
-end, and just behind the herd of four elephants. Rajah, owing to his
-freakish disposition, was always the fourth elephant of the string,
-Delhi his mate, immediately preceding him. With peaceable brutes ahead,
-Rajah might usually be depended upon not to cut any capers.
-
-It will be seen from this that the _Comet_ followed on the heels of
-Rajah.
-
-The parade was almost in readiness for the start when Matt, McGlory,
-and Ping reached the aëroplane. Hostlers were running about placing
-plumes in the head-stalls of the horses, drivers were climbing to their
-seats, the wild animal trainer was getting into the open cage, and the
-members of the band were tinkering with their instruments.
-
-Haidee was standing by the aëroplane when Matt, McGlory, and Ping
-reached the machine.
-
-"All ready, Haidee?" asked Matt.
-
-The girl turned and looked at him blankly. Her face was unusually
-white, and there was a vacant stare in her eyes.
-
-"What's to pay, sis?" asked McGlory, with a surprised look at Matt.
-"Don't you feel well?"
-
-"I am well."
-
-The words came in an unnatural voice and with parrot-like precision.
-
-Boss Burton came hustling down the line in his runabout.
-
-"Hurry up, Matt," he called. "Help Haidee to a place on the upper wing
-of the _Comet_."
-
-Matt stepped over to the runabout.
-
-"What's the matter with the girl?" he asked, in a low tone.
-
-"Matter?" echoed Burton, fixing a keen look on the girl. "By Jupiter,
-she's got one of her spells again! She hasn't had one of those for a
-month, now, and I thought they'd about left her for good."
-
-"Is she subject to spells of that kind?"
-
-"She used to be. There's something queer about them, but they don't
-last long."
-
-"We shouldn't put her on the upper wing, then. There's no seat there,
-and nothing to hold on to."
-
-The sharp, impatient notes of a trumpet came from the head of the line.
-
-"Well, put her somewhere," said Burton impatiently, and whirled his
-horse.
-
-"Get on the top plane, Ping," said Matt, hurrying back to the _Comet_.
-"Haidee is going to ride on the lower wing with us."
-
-"Awri'," chirped Ping, and McGlory gave him a leg up.
-
-Haidee, moving like an automaton, made no objection to this
-arrangement. She took her place obediently on the lower wing of the
-machine, between Matt and McGlory, and the engine was started.
-
-When the elephants began to move, Matt switched the power into the
-bicycle wheels, and the aëroplane lurched over the uneven ground.
-Reaching the road, the _Comet_ went more steadily; and when the
-procession wound into the paved thoroughfares, the movement was
-comparatively easy.
-
-Ben Ali, from the neck of Rajah, kept turning around and looking back
-at the three on the lower plane of the _Comet_.
-
-Matt, McGlory, and Haidee, on account of the wings of the aëroplane
-being turned lengthwise of the street, rode facing the sidewalk on the
-left. In order to see them, Ben Ali was obliged to keep Rajah somewhat
-out of the line.
-
-"What's the matter with Ben Ali?" asked McGlory, leaning forward and
-talking in front of Haidee. "He's showing a heap more interest in the
-_Comet_ than he ever did before."
-
-Matt shook his head, and met steadily the piercing eyes of the Hindoo
-until they were turned forward again.
-
-"What is your uncle looking this way for, Haidee?" he asked.
-
-"I don't know."
-
-The girl expressed herself in the same mechanical way she had done
-before.
-
-"Haidee isn't herself," said Matt, "and I guess her uncle is worried.
-Change seats with her, Joe."
-
-Matt wanted to talk with his cowboy chum and did not want to be under
-the necessity of passing his words around the girl.
-
-"Move over, sis," requested McGlory, standing up and balancing himself
-on the foot-rest.
-
-The girl quietly slipped along the plane.
-
-Cheer after cheer greeted the aëroplane and the king of the motor boys
-as soon as the crowded thoroughfares were reached. Ping, on the upper
-wing, and clad in all his barbaric finery, was as proud as a peacock.
-Haidee, on the other hand, paid absolutely no attention to the crowds.
-She sat rigidly in her place, like a girl carved from stone, keeping
-her unblinking eyes straight ahead of her.
-
-"I'm plumb beat, and no mistake," breathed McGlory, in Matt's ear. "I
-never saw Haidee like this before. She acts to me like she was locoed."
-
-"Boss Burton told me, just before we started," answered Matt, in a low
-tone, "that she was subject to 'spells.' This is the first one she has
-had in a month, Burton says."
-
-"Can you savvy it?"
-
-"No."
-
-"Ben Ali seems worried out of his wits. Watch how he keeps Rajah
-zigzagging back and forth across the trail, so he can get a look at the
-girl every now and then. I wonder if Haidee knows what she's about?"
-
-"She must. If she didn't she wouldn't be riding in the aëroplane."
-
-The bands played, the crowds waved hands and handkerchiefs and cheered,
-the clowns carried out all their funny stunts, and the procession moved
-on through the city of Lafayette. Students from Purdue University
-followed the paraders and blew long blasts through tin horns. Rajah
-showed signs of becoming restless, and Ben Ali's attention had to be
-given entirely to the big brute.
-
-Matt, with one hand on the steering lever, kept the unwieldy machine
-moving in a straight track.
-
-"What do you suppose Ben Ali was listening to Carl's talk for, there on
-the inside of the menagerie tent?" inquired the cowboy, his voice so
-low it could not possibly reach Haidee. "I had a notion that----"
-
-"Sh-h-h!" Matt interrupted. "I had the same notion, Joe, but it was
-only a wild guess, at the most. He's a prying chap, that Ben Ali, and
-he might have had only a casual interest in what Carl was saying."
-
-"I'll bet a ten-dollar bill against a chink wash ticket that there was
-something more to it than that."
-
-"Well, if there was, it's bound to come out, sooner or later. Say
-nothing, but keep your eyes open."
-
-"I've always felt that there was a mystery about the girl and Ben Ali,
-and that----"
-
-McGlory broke off suddenly. Haidee, with the quickness of lightning,
-had leaned over behind him and jerked one of the levers at Matt's side.
-
-The next instant the big aëroplane took a wild jump forward. The king
-of the motor boys was alive to the danger in an instant.
-
-"Hold the girl!" he cried, and instantly flung the lever back.
-
-The front ends of the two great wings had hurled themselves against
-Rajah. The huge animal trumpeted wildly and swung about on his hind
-legs with trunk uplifted.
-
-It seemed as though he would surely charge the _Comet_, wreck the
-machine, and kill or maim the four who were riding in it.
-
-McGlory, with Haidee in his arms, leaped from the foot-rest into the
-road. Ping rolled off the opposite side of the upper plane.
-
-Had Matt deserted his post, the _Comet_ would certainly have been
-seriously damaged, if not totally wrecked. But, in spite of the danger
-that threatened him, he kept his seat.
-
-Quick as a flash, he threw in the reverse. The bulky machine began
-wabbling away on the back track, the clown in the donkey cart behind,
-and the acrobatic "haymakers" in their trick wagon, driving frantically
-out of the way.
-
-Ben Ali was using his sharp prod with apparent frenzy, but the jabbing
-point had not the least effect. Rajah started for Matt and the _Comet_.
-
-Then, had not Delhi's mahout been self-possessed and quick, the worst
-would have happened.
-
-People in the street jumped for the walk, and those on the walk pushing
-into the open doors of shops. Shrieks and cries went up from the women,
-and men yelled in consternation.
-
-Across Rajah's path, with a rush, charged Delhi, coming to a halt
-and blocking the way. Rajah tried to go around, but Delhi backed and
-continued to cut off his retreat.
-
-By that time Boss Burton had whirled to the scene in the runabout,
-and half a dozen men, from the forward wagons, were all around Rajah,
-belaboring the brute with cudgels, whips, and whatever they could get
-their hands on.
-
-Rajah's incipient rage was soon quelled by this heroic treatment.
-
-"What happened?" demanded Burton, drawing up beside the aëroplane.
-
-"The machine made a jump," answered Matt, not wishing to put the blame
-on the girl. "Rajah was too close. Tell Ben Ali to pay more attention
-to the elephant and less to us, and to keep in the centre of the road."
-
-Burton was angry. The fault seemed to lie with Matt, but Ben Ali caught
-the brunt of the showman's ire.
-
-Ping, his yellow face like a piece of old cheese, got back on the upper
-wing, and McGlory led Haidee to the _Comet_ and helped her to her seat.
-
-"Speak to me about that!" gulped the cowboy. "I'm a Piegan if I didn't
-think you and the old _Comet_ were done for. What possessed the girl?"
-
-"Give it up," answered Matt grimly. "As you said a while ago, pard,
-these are queer proceedings. Just watch Haidee every minute."
-
-"She didn't know what she was doing, and you can gamble a blue stack on
-that."
-
-"Of course she didn't. That's why I didn't tell Burton the real cause
-of the trouble. Keep it to yourself, Joe."
-
-
-
-
-CHAPTER V.
-
-MOTOR MATT PROTESTS.
-
-
-The parade was finished without further incident worthy of note, a
-huge crowd following it back to the show grounds to see the aëroplane
-flight. As soon as the grounds were reached, Ben Ali came for Haidee.
-There was a burning light in his black eyes, and he was shaking like a
-man with the ague.
-
-"Just a minute, Ben Ali," said Matt, catching the Hindoo by the sleeve
-of his embroidered coat and leading him apart. "What's the matter with
-your niece?"
-
-"Salaam, sahib," chattered Ben Ali. "Haidee all right soon."
-
-"She can't make an ascension with me, Ben Ali. She was the cause of
-that trouble, and it would be sheer madness to take her aloft on that
-trapeze."
-
-"Yis, sahib, _such baht_" (that is true). Ben Ali drew a quivering hand
-over his forehead. "But she be well like ever soon, sahib."
-
-Ben Ali whirled away, took Haidee by the hand, and vanished among the
-wagons.
-
-Boss Burton strode to the scene.
-
-"What ails that brown rascal?" he asked, staring after Ben Ali. "He's
-in as bad a taking as the girl. What did he say about her? I've never
-been able to get him to tell me anything about her spells."
-
-"He tells me that she will be all right in a little while," answered
-Matt.
-
-"Then we'll delay the flight. It will be half an hour yet before all
-the people get here."
-
-Matt peered at the showman as though he thought him out of his senses.
-
-"You don't mean to say that you want the girl to ride a trapeze under
-the _Comet_?" he demanded.
-
-"Why not?" Burton answered. "You said you'd take her, and she's willing
-to go--she wants to go."
-
-"When I said I'd take her," returned Matt, "I didn't know anything
-about her spells. Suppose she were to have one while we're in the air?
-Why, Burton, she might throw herself from the trapeze."
-
-"No," declared the other, "she wouldn't do that. After she has one
-spell, I understand she doesn't have another for days, or weeks. It's
-been a month since she had the last. Why, in St. Paul, she had one ten
-minutes before she went to the ring for her trapeze work--and she never
-did better. If Ben Ali says she'll be all right in a little while he
-ought to know."
-
-"I protest against allowing her to go up in the aëroplane," said Matt
-firmly. "When the machine is off the ground it has to have my whole
-attention. I won't be able to look after Haidee without endangering
-both our lives."
-
-A hard look came into Burton's face.
-
-"I'm paying you five hundred a week for the stunt you pull off with the
-flying machine, ain't I?" he demanded harshly.
-
-"You are," was the young motorist's calm response.
-
-"And I'm giving the fifty on top of that for taking the girl up with
-you?"
-
-"That was your proposition."
-
-"And you agreed to it?"
-
-"That was before I knew Haidee was afflicted in this way, Burton."
-
-"Bosh!" scoffed the showman. "The thing has got on your nerves."
-
-"So it has," acknowledged Matt. "I'm not going to place Haidee in any
-danger, if I can help it."
-
-"And that shot goes as it lays, Burton," spoke up McGlory, who had been
-taking a deep interest in the talk. "If you think Motor Matt is going
-to risk the girl's neck, or his own, for a little fifty a week, you've
-got another guess coming."
-
-Boss Burton had set his heart on that trapeze act. It was a decided
-novelty, and he could not cut it out of his calculations.
-
-"Am I to understand," he went on, taking a look at the gathering
-crowds, "that you'll break your contract rather than take Haidee up
-with you?"
-
-"That's what you're to understand!" snapped McGlory. "We'll not hem,
-and haw, and side-step, not for a holy minute."
-
-"It's this way, Burton," continued Matt. "Haidee can't go up on the
-trapeze--we have to take a running start, you know, and it would be
-impossible. She'll have to ride up on the lower plane; then, after we
-are well clear of the ground, she'll have to drop from the footboard
-with the trapeze in her hands. If she's not entirely herself, the drop
-from the footboard to the end of the trapeze ropes will be too much for
-her. She'll fall."
-
-"But I told you that after she comes out of these things she's as fit
-as ever," cried Burton. "It's a still day--the best we've had for
-flying since you joined the show. I don't want to give up the idea."
-
-"And you don't want to see Haidee killed before your eyes, do you?"
-asked Matt coldly.
-
-"Oh, splash! There'll be nothing of that kind. Ah, look! Here she
-comes, and she's just as well as ever."
-
-Matt and McGlory turned. Haidee, ready for the ascent, was hurrying
-toward the machine from the direction of the tent. She moved swiftly
-and gracefully, and there was nothing mechanical in her actions--as
-there had been during the parade. The pallor had left her cheeks and
-the vacant look was gone from her eyes. Matt and McGlory were astounded
-at the sudden change in her.
-
-"Are you all ready for me, Motor Matt?" she asked eagerly.
-
-The trapeze was ready. That had been attached to the under plane of the
-_Comet_ and the bar lashed to the foot-rest before the parade. But Matt
-was not ready.
-
-"How are you feeling, Haidee?" asked Matt kindly.
-
-"Fine!" she declared.
-
-"Do you remember what happened during the parade?"
-
-A puzzled look crossed her face.
-
-"I can't remember a thing about that," she declared. "In fact,
-everything has been a blank almost from the time I left the calliope
-tent, where I was talking with you, until I came to myself in the
-menagerie tent with Uncle Ben."
-
-Matt bowed his head thoughtfully.
-
-"What's the matter?" asked the girl, in a quivering voice. "Aren't you
-going to take me up with the _Comet_?"
-
-"He's afraid you'll have a spell while you're in the air, Haidee, and
-drop off the bar," jeered Burton.
-
-The girl stepped forward and caught Matt's sleeve.
-
-"Oh, it can't be true!" she exclaimed tearfully. "Motor Matt, you're
-not going to keep me from making that extra money? I need it! I must
-have it!"
-
-The girl's earnestness made Matt waver.
-
-"It won't do," spoke up McGlory decidedly.
-
-"Joe!" and Haidee turned on him. "Why can't you understand that I'm
-just as able as ever to do my trapeze work? I'll not have another of
-those queer spells for a long time."
-
-"That's what you think, sis," answered McGlory, "but if anything
-happened to you my pard would remember it as long as he lived. He has
-just protested to Burton against taking you up. And he had a bean on
-the right number when he said what he did."
-
-"_I'm_ taking the chances," said Haidee, "and nothing will happen."
-
-The aëroplane was at rest on the hard roadway running across the
-show grounds. For a distance of twenty feet on each side of the road
-strong ropes were stretched to keep back the crowd. The throng was now
-pressing against the ropes, clamoring for the aëroplane to make its
-flight.
-
-"If this performance don't come off," said Boss Burton, "it will be a
-tough blow for the Big Consolidated. I advertised this trapeze stunt
-on the flying machine in the morning papers, wiring it ahead from
-Indianapolis. It's _got_ to be done, that's all. Every promise made in
-our bills is always carried out. That's what has given this show a
-hold with the people. I don't say one thing and then do another."
-
-"Circumstances alter cases," returned Matt.
-
-"If you don't want to take Haidee, will you take Archie le Bon?"
-
-Archie le Bon was one of the Le Bon Brothers, iron-nerved men who
-performed wonderful flying feats on the trapeze.
-
-"Certainly I'll take Archie le Bon," replied Matt, glad to find such
-a way out of the disagreement. "Bring him here while I'm getting the
-machine ready."
-
-Haidee began to cry, but Burton took her by the arm and led her away,
-talking earnestly and in a low voice.
-
-A trick was worked on the king of the motor boys that morning, and it
-was something for which he never forgave Boss Burton. And it was a
-trick carried to a successful conclusion almost under the very eyes of
-McGlory and Ping. Matt, being busy with the aëroplane and the motor,
-did not discover it until too late.
-
-Matt went over the machinery of the _Comet_ with the same care he
-exercised before every flight. A loose bolt or screw might spell death
-for him if it escaped his attention.
-
-When he was through with his examination, and had taken his seat ready
-for the flight. Le Bon appeared. He was in his shirt sleeves, not
-having had time to exchange his everyday clothes for ring costume.
-
-"I'll run with the machine," said Le Bon, "and climb over the lower
-plane from behind when it gets to running too fast for me."
-
-"That will do," answered Matt.
-
-Amid the breathless silence of the crowd, Matt set the motor to working.
-
-"Ready!" he called.
-
-The machine started along the road, gaining in speed with every foot of
-its progress.
-
-At the end of fifty feet it was going faster than a man could run; and
-at a hundred feet it was darting along at thirty miles an hour. This
-was the gait that enabled the wing to pick the machine off the ground.
-
-As the _Comet_ slid upward along its airy path, the astounded McGlory
-saw Le Bon far back toward the point from which the machine had
-started. Thinking that, through some mistake, Le Bon had been left
-behind, McGlory turned toward the mounting aëroplane.
-
-Then the trick dawned upon him.
-
-Haidee was climbing over the lower plane toward Motor Matt, now and
-again turning to wave her hand at the cheering crowd!
-
-And McGlory saw something else--something that had a fearful
-significance in the light of later events.
-
-
-
-
-CHAPTER VI.
-
-ABLAZE IN THE AIR.
-
-
-When the king of the motor boys was in the air with the _Comet_, every
-power of mind and body was trained to the work of looking after the
-machine.
-
-Flying in an aëroplane is vastly more difficult than sailing in a
-balloon. In the case of a gas bag, an aëronaut has only to throw out
-ballast, take his ease, and trust to luck; but, with a heavier-than-air
-machine, the aviator must rely upon the quickness of his wits and his
-dexterity.
-
-Aëroplane flying, in a large measure, is a knack, and must be acquired.
-The air pressure never touches the machine in exactly the same point
-for two consecutive seconds, and, because of this, the centre of
-gravity is constantly changing. Centre of gravity and centre of air
-pressure must coincide at all times if the machine is to be kept in the
-air, and the success or failure to do this proves the competency or the
-incompetency of the operator.
-
-The Traquair aëroplane--upon which model Matt's machine had been
-built--preserved its equilibrium while aloft by an elongation, or
-contraction, of the wing tips. A lever regulated this; and, whenever
-Matt was flying, the lever was moving continuously, the ends of the
-wings darting out and in with lightning-like rapidity, one side
-presenting greater wing area to the pressure while the other presented
-less, and vice versa.
-
-Motor Matt's engagement with Boss Burton did not cover long flights.
-Usually, if the weather was propitious, he made it a point to remain
-aloft about fifteen minutes, circling about the show grounds, turning
-sharp corners and cutting airy "figure eights," in order to show the
-capabilities of the aëroplane.
-
-"Get your trapeze over, Le Bon!" he called, while they were steadily
-mounting.
-
-A laugh was his answer--a silvery ripple of a laugh that had a familiar
-ring in his ears and now filled him with consternation. He dared not
-look around.
-
-"Haidee!" he exclaimed.
-
-"Are you mad at me, Motor Matt?" came the voice of the girl.
-
-She cautiously slipped into the seat beside him, her heightened color
-and sparkling eyes showing her excitement.
-
-"This was a trick," went on Matt calmly, attending to his work with an
-indifference more apparent than real, "which you and Le Bon and Burton
-played on me?"
-
-"It was Burton's idea, and he told it to me while we were going after
-Archie le Bon. Archie was to pretend to run with the machine, and I was
-to be with him. When the machine got to going too fast for us, Archie
-was to drop to one side and I was to spring to the lower wing. Your
-back would be in my direction, and you couldn't see me."
-
-"That wasn't like you, Haidee," said Matt.
-
-"Are you mad?"
-
-"What's the use of being put out with you? I'll have something to say
-to Burton and Le Bon when I get back to the grounds."
-
-"You thought you were doing something to help me--I know that--but you
-didn't understand I was perfectly able to carry out my part of the
-programme. As it is now, I came along and you couldn't help yourself.
-Are you going to try and keep me from dropping under the machine with
-the trapeze?"
-
-"No," was the grim reply, "now that you are here you can go on with
-your work. Hold to the hand grip on the edge of the plane while you
-unlash the bar."
-
-Perfectly cool, and in complete command of her nerves, Haidee knelt on
-the foot-rest, clinging to the plane with one hand while she unlashed
-the trapeze bar with the other.
-
-"I'm ready, Motor Matt," said Haidee.
-
-She was sitting on the edge of the seat, holding the bar in both hands.
-
-Matt had brought the _Comet_ to an even keel, some fifty feet over the
-show grounds. They were traveling about thirty miles an hour--a snail's
-pace for the _Comet_--and Matt was about to make a turn over the river
-and traverse the length of the grounds going the other way.
-
-"Now, listen," said he to the girl. "I'm going to tilt the _Comet_
-sharply upward and ascend for about fifty feet, then I'm going to
-reverse the position and descend for fifty feet in the same sharp
-angle. When we turn for the descent, Haidee, drop from the foot-rest
-when I give the word. The pull of your body, when it falls, will drag
-on the machine, but never mind that--hang on and don't get scared. As
-soon as I can I will bring the machine to a level. Understand?"
-
-"Yes."
-
-"And another thing. While you're moving on the bar, just remember to do
-it quietly and easily. You've seen the two Japs at work in the show, I
-know. When the big fellow balances the pole on his shoulder, and the
-little fellow goes up, every move is made as though there would be a
-smash if they were not careful."
-
-"I understand," said the girl.
-
-The machine had been brought around and was heading toward the grounds.
-Matt twisted the small forward planes, which laid the course for
-ascending or descending. At the same time he speeded up the motor.
-
-The _Comet_ pointed upward; then, at the top of her course, was as
-quickly turned and aimed toward the earth.
-
-Matt caught a glimpse of a sea of upturned faces. The machine was
-rushing downward at a frightful pace.
-
-"_Now!_" shouted Matt.
-
-He saw the girl poise birdlike on the foot-rest, then sink from it with
-the trapeze. So great was the slant of the aëroplane that she seemed to
-fall forward.
-
-There was a jar as the bar reached the end of the ropes, and, with the
-girl's weight, was caught and held. The _Comet_ made an erratic wabble
-and lurched sideways like a great bird, wounded on the wing.
-
-Haidee withstood the jolt admirably, and Matt twirled the lever
-operating the steering planes.
-
-Sounds from the earth always reach aëronauts with startling
-distinctness. The shouts of consternation which came from the throats
-of the spectators could be heard, and also the murmur of relief as the
-_Comet_ righted herself, and the trapeze and the girl swung back under
-the machine.
-
-Controlling the aëroplane was always more difficult when there was a
-weight suspended beneath, but Matt had counted upon this, and he forced
-the _Comet_ back and forth over the show grounds, holding the machine
-fairly steady.
-
-Three times he and Haidee circled over the "tops" with their gay
-streamers, cheer upon cheer following them from below.
-
-Matt had been in the air more than fifteen minutes, and he was just
-manoeuvring toward the starting and stopping point, when the cheers
-were suddenly turned to cries of fear and alarm. He could see the
-people below waving their arms and pointing upward.
-
-For an instant the young motorist's heart sank. He felt sure that
-something had gone wrong with the girl.
-
-This conviction had hardly formed before it was dissipated. A smell of
-smoke came to his nostrils, and to his ears a crackle of flames. Matt
-turned his head.
-
-The left wing of the aëroplane was on fire!
-
-A thrill of horror shot through him. In the air, he and Haidee, with a
-blazing flying machine alone between them and death! The very thought
-was enough to wrench the stoutest nerves.
-
-"Haidee!" yelled Matt.
-
-"Yes," came the stifled response, from underneath the _Comet_.
-
-"Are you all right?"
-
-"Yes."
-
-"Hang to the bar--don't lose your nerve!"
-
-Matt's mind was grappling with the complex situation. To get safely
-to the ground in the shortest possible time was the problem that
-confronted him.
-
-How the wing had caught fire he did not know, and had not the time even
-to guess. It sufficed that the plane was ablaze, and that the longer it
-blazed and ate into the fabric the less resistance the plane made to
-the atmosphere. And it was this resistance that spelled life for the
-king of the motor boys and the girl!
-
-To drop the blazing aëroplane into that sea of heads below meant injury
-to some of the spectators. Matt must avoid this and reach the earth in
-the roped-off lane from which the ascent had been made.
-
-He put the clamps on his nerves, and, with brain perfectly clear, drove
-the aëroplane about at a sharp angle.
-
-Then, if ever, the machine was true to its name, for as it darted
-onward, the smoke and flame that streamed out behind must have given it
-the look of a comet.
-
-Could he drop to earth, the young motorist was asking himself, before
-the fire struck either of the gasoline tanks?
-
-Motor Matt, as he coaxed the last ounce of speed from the motor,
-shouted encouragingly to the terrified girl on the trapeze.
-
-Suddenly, below him opened the narrow lane roped off along the road. A
-buzz of excited voices echoed in his ears. With steady hand he shut off
-the power and glided downward.
-
-"Drop from the bar and run, Haidee," he shouted, "as soon as we come
-close to the ground."
-
-There was a response from the girl, but the clamor of the crowd
-prevented him from hearing what it was.
-
-The next moment the blazing aëroplane settled into the road and glided
-along on the bicycle wheels.
-
-McGlory, Carl, and Ping were on hand, the cowboy in charge of a
-detachment of canvasmen with buckets. A hiss of steam, as water struck
-the flames, rose in the air.
-
-"Careful!" cried Matt, restraining the impetuous assault of the fire
-fighters. "Don't climb over the machine and damage it! Keep them back,
-Joe! Here, some of you, drench the wings on the right side and keep the
-fire from spreading."
-
-Ably directed by Matt and McGlory, the fire was extinguished. Leaving
-the damaged aëroplane in charge of Carl and Ping, Matt limped off
-toward the calliope tent, accompanied by his cowboy chum.
-
-
-
-
-CHAPTER VII.
-
-WAS IT TREACHERY?
-
-
-"Where's Haidee?" asked Matt.
-
-"Oh, bother the girl!" cried McGlory savagely.
-
-Matt turned on him with a surprised look.
-
-"What's the matter with you, pard?" he asked.
-
-"Well, it's apples to ashes that I was never so badly shaken up in my
-life before as I am this minute. Sufferin' Judas! Say, I'd never have
-believed it."
-
-The crowd was dense. Some of the people were moving off toward the
-city, some were making for the side-show, and others were trying to
-get close to the king of the motor boys. Matt, having just finished a
-sensational flight, was an object of curiosity and admiration.
-
-Neither he nor McGlory paid any attention to the demonstration around
-them, but moved briskly onward toward the calliope tent.
-
-"I can't rise to you, Joe," said the puzzled Matt. "What's on your
-mind?"
-
-"Something more'n my hat, and you can bet your moccasins on that."
-
-"Where did Haidee go?"
-
-"That leather-faced tinhorn uncle of hers grabbed her and took her away
-the minute she dropped from the trapeze."
-
-"She wasn't hurt, was she?"
-
-"I didn't take any trouble to find out. She walked off spry enough."
-
-McGlory was gruff to the point of incivility. It was evident to Matt
-that he had been mightily stirred.
-
-"What's the matter with you?" demanded Matt.
-
-"Wait till we get into the calliope tent, and out of this crowd and the
-dust--then I'll tell you."
-
-"Didn't you discover the trick Boss Burton played on me with the help
-of Haidee and Le Bon, Joe?"
-
-"Oh, speak to me about that!" snarled the cowboy. "Nary, I didn't,
-pard, until it was too everlastin'ly late to stop the run of the cards.
-Burton! We've got a bone to pick with him; and, after it's picked, I
-feel like cramming it down his throat. He was bound to have the girl
-go up, and he worked it in his sneaking, underhand way! I don't like
-this layout, Matt. You've had the closest call that's ever come your
-way since you took to flying. Sufferin' cats! Say, my heart was in my
-throat all the while I was looking on. I was expecting that any minute
-the fire would reach the gasoline, that both tanks would let go, and
-that you, and the girl, and the _Comet_ would all be wiped out in a big
-noise and a splotch of flame."
-
-By this time they had reached the calliope tent, and were able to duck
-inside and get away from the crowd.
-
-The calliope was there, and filling the larger part of the interior.
-The big steam organ was shrouded in a canvas cover, and only the lower
-rims of the wagon wheels on which it was mounted were to be seen.
-
-Matt dropped down on a heap of straw and leaned back wearily against a
-side pole. McGlory threw himself down beside him, his face thoughtful
-and angry.
-
-"I hadn't any notion Burton was running in a rhinecaboo," said the
-cowboy presently, "until the _Comet_ had jumped into the air and I had
-looked back and seen Le Bon near the place from which the machine had
-started. When I turned and looked at you and the _Comet_, there was the
-Haidee girl perched on the lower wing, throwin' kisses to the crowd. I
-knew then that Burton had turned his trick, and I lammed loose a yell;
-but there was too much noise for you to hear it. I kept my eyes on the
-aëroplane and the girl and--and I saw something then that made my hair
-curl later when the fire broke out."
-
-"What was it?" asked Matt.
-
-"Haidee, pushing something out on the left-hand wing and jabbing it
-down there with a hatpin, so it would stay."
-
-"We must have been three or four hundred feet away from you, Joe,"
-returned Matt, "and how could you see it was a hatpin?"
-
-McGlory sat up, opened the front of his coat, and drew a blistered
-hatpin out of the lining.
-
-"I hunted around under the machine, while we were fighting the fire,"
-he explained, "and picked up that. So, you see, I know it was a hatpin."
-
-A frown crossed Matt's face.
-
-"What do you make out of that move of Haidee's?" he asked.
-
-"She pinned a ball of something soaked in oil to the wing and touched
-it off," averred McGlory. "It smouldered for a while and then blazed up
-and set fire to the canvas."
-
-"Joe," returned Matt incredulously, "you must be mistaken. I've always
-been a friend of Haidee's. Why should she want to destroy the _Comet_,
-or me? When you come to that, why should she want to take her own life?
-That's virtually what it would have amounted to if the fire had reached
-the gasoline tanks."
-
-"Who could have started the fire, if it wasn't the girl?" demanded
-McGlory. "She was the one."
-
-Matt was nonplused. His cowboy chum seemed to have drawn a correct
-inference, but the supposition was so preposterous the king of the
-motor boys could take no stock in it.
-
-"We've got to use a little common sense, Joe," insisted Matt. "The girl
-wouldn't have the least motive in the world for trying to do such a
-thing as set fire to the _Comet_!"
-
-"We've got to bank on what we see," answered McGlory, "no matter
-whether we want to believe our eyes or not. Look at it! Haidee comes
-to the aëroplane for the parade like a wooden figure of a girl, moving
-like a puppet worked by strings. Suddenly she flashes out of her locoed
-condition and pulls a lever that slams the _Comet_ against Rajah's
-heels. Well, we protected the girl from that because we believed she
-was having one of her 'spells.' She came out of the spell all of a
-sudden and lopes down to where the aëroplane stands ready for the
-start. She seems as well as ever, and begs to go up on the trapeze. A
-trick is played on us, and she _does_ go up. Then, once more, she gets
-the _Comet_ into trouble. I can't savvy the blooming layout, but I'm
-keen to know that some one is starting in to do us up. And Haidee is
-one of our enemies."
-
-Just then Boss Burton pushed into the tent. He was nervous and cast
-furtive glances at Motor Matt.
-
-"Great business!" he exclaimed. "Le Bon got juggled out of the
-ascension, after all, and Haidee, the sly minx! did her stunt on the
-trapeze, just as she had planned. How in the world did the machine take
-fire? Crossed wires, or something?"
-
-"You need not try to dodge responsibility, Burton," said Matt sharply.
-"You put up the trick that was played on me."
-
-"On my honor, King----"
-
-"Don't talk that way," interrupted Matt. "Come out flat-footed and
-admit it."
-
-"Well," grinned Burton, a little sheepishly, "if you put it that way,
-I'll have to acknowledge the corn. But the girl was clear-headed,
-wasn't she? She didn't fall off the trapeze, and she pulled off some
-hair-raising tricks on that flying bar that set the crowd gasping. It
-was the biggest novelty in the way of an act that any show ever put up.
-Results will show at the ticket wagon this afternoon. Too confoundedly
-bad, though, that the thing should have been marred by that fire. How
-long will it take you to fix up the machine? Can you do it in time for
-an ascent to-night? I've planned to have Haidee shoot off skyrockets
-from the trapeze, and Roman candles, and all that."
-
-"You'll have to cut out the fireworks, Burton," said Matt dryly. "It
-will take a full day to repair the _Comet_."
-
-Burton "went up in the air" on the instant.
-
-"Think of the loss!" he exclaimed. "You've got to repair the machine in
-time for the ascent this evening. If it's a matter of men, King, I'll
-give you a dozen to help."
-
-"It's not a matter of men," said Matt. "Joe and I are the only ones
-who can work on the _Comet_. And listen to this--I mean it, and if you
-don't like it we'll break our contract right here--Haidee has gone up
-with me for the last time. I'll take Archie le Bon, or any one else you
-want to send, but not Haidee."
-
-"Is this what you call treating me square?" fumed Burton.
-
-"Sufferin' Ananias!" grunted McGlory. "You're a nice lame duck to talk
-about being treated square! You've got a treacherous outfit, Burton,
-and Pard Matt and I are not beginning to like it any too well."
-
-Matt, thinking McGlory might tell what Haidee had done, gave him a
-restraining look.
-
-"You're responsible for the trouble that overtook the _Comet_, Burton,"
-proceeded Matt.
-
-"Me?" echoed the showman, aghast. "Well, I'd like to know how you
-figure it."
-
-"Through your schemes, and over my protest, Haidee made the ascent with
-me."
-
-"I'll admit that."
-
-"If she hadn't made the ascent, there'd have been no fire."
-
-"Do you mean to say----"
-
-"Now, don't jump at any conclusions. I know what I'm talking about
-when I tell you that there'd have been no fire if Haidee hadn't made
-the ascent with me. That isn't saying, mark you, that the girl is to
-blame for what happened. Would she want to burn the aëroplane and drop
-herself and me plump into the show grounds? If----"
-
-Just then a weird thing happened. The calliope gave a sharp clatter of
-high notes.
-
-All present in the tent gave astounded attention to the canvas-covered
-music box.
-
-"Spooks!" grinned Joe.
-
-"There was enough steam left in the calliope to play a few notes,"
-suggested Burton.
-
-"But the notes couldn't play themselves," said Matt, and made a rush
-for the calliope.
-
-The keyboard was in one end of the calliope wagon, and the canvas was
-draped over the chair occupied by the operator when the steam wagon was
-in use.
-
-With a pull, Matt jerked aside the canvas that covered the rear of the
-calliope, and there, crouching in a chair, was Ben Ali!
-
-
-
-
-CHAPTER VIII.
-
-A CALL FOR HELP.
-
-
-"Well, sizzlin' thunderbolts!" gasped the amazed Burton.
-
-At first, Ben Ali sat blinking at those before him, apparently too
-dazed to move.
-
-"He's an eavesdropper!" cried McGlory, "and this ain't the first time
-we've caught him at it, either. Grab him, Matt! Wring that thin neck of
-his!"
-
-Ben Ali regained his wits, then, and very suddenly. With a panther-like
-spring, he cleared the wagon on the side opposite that where Motor
-Matt was standing, dodged McGlory, who tried to head him off, shook
-a glittering knife in Boss Burton's face, and vanished under the
-wall of the menagerie tent. It was all so neatly done that the three
-in the calliope lean-to were left staring at each other in helpless
-astonishment.
-
-McGlory rushed furiously at the menagerie tent wall, lifted the canvas,
-then dropped it and rushed back.
-
-"Not for me!" he breathed. "Rajah is right there, teetering back and
-forth from side to side, and winding his trunk around everything in
-sight."
-
-"Where was Ben Ali?" demanded Burton, a glitter rising in his eyes.
-
-"Getting out under the cages on the other side of the tent," replied
-McGlory. "I'll see if I can't head him off."
-
-With that the cowboy shot out of the lean-to. Matt didn't think the
-effort to catch Ben Ali worth while, and once more dropped down on the
-pile of straw.
-
-For a few moments Boss Burton walked back and forth in front of him,
-hands behind his back, head bowed in thought, and a black frown on his
-face. Abruptly he halted in front of Matt.
-
-"The infernal Hindoo drew a knife on me!" he scowled.
-
-Matt nodded. The fact had been too plain to call for comment.
-
-"I'd pull the pin on Ben Ali in half a minute," continued Boss Burton,
-"if it wasn't for Haidee."
-
-"Where did you pick up Ben Ali and Haidee?" inquired Matt.
-
-"In Wisconsin," was the answer, "just as the show was starting out of
-its winter quarters. Rajah had run amuck, wounded a horse, smashed a
-wagon, and come within an ace of killing his keeper. Ben Ali applied
-for the job of looking after him, and I let him have it. He's been the
-only one, so far, who could take care of Rajah."
-
-"Where did the girl come in?"
-
-"She came in with her uncle, of course. Ben Ali said his niece was good
-on the flying bar, and he brought her to see me. When she came she was
-in one of her spells, and looked and acted like a puppet, with some one
-pulling the wires. I wasn't much impressed with her, but gave her a
-try-out. She recovered from the spell and acted just as she did to-day,
-when she went up with the _Comet_--perfectly natural. She gave a good
-performance--mighty good--and I made a deal with her uncle. That's the
-way I got tangled up with the pair. Why?"
-
-The showman transfixed Matt with a curious glance.
-
-"Oh, nothing," said Matt carelessly. "The Hindoo and the girl have
-always been something of a mystery to me, and I wanted to find out what
-you knew about them. Where did they come from?"
-
-"Give it up. I never look into the past of people who hire out to me.
-If they're capable, and do their work, that's enough. From what McGlory
-said, and from what I've seen, Ben Ali appears to have been sneaking
-around here, listening to what you and your friends were saying. If he
-hadn't inadvertently touched the keyboard of the calliope we shouldn't
-have known he was under the cover. Have you any notion what he means by
-that sort of work?"
-
-"No."
-
-"Well, it's deuced queer, and that's all I can say. Do you think he
-ought to be bounced?"
-
-"Yes, but I wouldn't do it."
-
-"On Haidee's account?"
-
-"Partly that; partly, too, because, if you keep him on the pay roll,
-we may be able to learn something about him and the girl. I'm a bit
-curious about them, Burton."
-
-"It's a bad habit--this of getting too curious. It's dollars and cents
-for me to have the two with the show. What's more," and his remarks
-took a more personal turn, "it's money in my pocket to have the _Comet_
-go up this afternoon with Haidee shooting Roman candles from the
-trapeze. When are you going to get busy with the repairs?"
-
-"After I eat something."
-
-"Well, rush the work, Matt. Do the best you can."
-
-"It won't be Haidee who rides the trapeze next time the _Comet_ takes
-to the air," said the king of the motor boys firmly.
-
-"Well, Archie le Bon, then," returned Burton, with much disappointment.
-
-As he went out, McGlory came in, passing him in the entrance.
-
-"Nothing doing," reported the cowboy. "Where the Hindoo went is a
-conundrum. I couldn't find anybody about the grounds who had even seen
-him since he walked Haidee away from the burning aëroplane."
-
-While McGlory, disgusted with his ill success and the turn events were
-taking, there on the banks of the Wabash, slumped down on a bucket and
-mopped his perspiring face, Motor Matt dropped into a brown study.
-
-"These Hindoos are crafty fellows, Joe," he remarked, after a while.
-"They're clever at a great many things we Americans don't understand
-anything about. I knew one of them once. He was the servant of a man
-who happened to be the uncle of one of the finest young fellows that
-ever stepped--brave Dick Ferral. This particular Hindoo I was able to
-study at close range."
-
-"What are you leading up to by this sort of talk?" asked McGlory,
-cocking his head on one side and squinting his eyes.
-
-He had this habit when anything puzzled him.
-
-"I'm leading up to the element of mystery that hangs over the events
-of to-day. India is a land of mystery. The people are a dreamy set,
-and now and then one of them will go off into the woods, or the
-desert, and spend several years as a devotee. When he comes back to
-civilization again he's able to do wonderful things. I've heard that
-these fakirs can throw a rope into the air and that it will hang there;
-and that they can make a boy climb the rope, up, and up, until he
-disappears. Then rope, boy, and all but the fakir will vanish."
-
-"Fakes," grunted Joe. "Such things ain't in reason, pard. You know what
-a fakir is in this country, and I reckon he's not much better in India."
-
-"Of course it's a fake," said Matt, "but it's a pretty smooth piece
-of magic. The Hindoo devotees could give Hermann and all the other
-magicians cards and spades and then beat them out."
-
-"I'm blamed if I can see yet where all this talk of yours leads to."
-
-"I'm only, what you might call, thinking out loud," laughed Matt.
-"Haidee's actions puzzle me. Her uncle is a Hindoo, and he may be an
-adept in magic. If he is, just how much has the girl's queer actions to
-do with Ben Ali? It's something to think about. I'm glad Burton isn't
-going to cut loose from the Hindoo and the girl. The more I see of
-them, the more curious I'm becoming."
-
-"Ben Ali, pard," grinned McGlory, "is a little bit curious about us, I
-reckon, from the way he's pryin' around. How do you account for that?"
-
-Matt shook his head.
-
-"I can't account for it, Joe, but perhaps we'll be able to do so
-later." He got up. "How about something to eat?" he asked. "We'll have
-to have dinner, then take something to the boys, and get busy patching
-up the aëroplane."
-
-"Did you ever know me to shy at a meal?" asked McGlory, promptly
-getting up. "We'll hit the chuck layout, and then----"
-
-It was nearly time for the doors to open, and inside and out the two
-big "tops" there was a bustle of preparation. The "spielers" in the
-ticket stands at the side-show were yelling, people were crowding about
-the ticket wagon, where they were to buy pasteboards admitting them to
-the "big show," and a band was playing in the road beyond the grounds.
-
-Above all these various sounds there came a call, wild and frantic.
-It reached the ears of the two boys in the calliope tent with strange
-distinctness, and cut McGlory short while he was talking.
-
-"Helup! Helup, somepody, or I vas a goner!"
-
-The cowboy gave a jump for the door, only a foot or two behind Matt.
-
-"Was that your Dutch pard?" cried McGlory.
-
-"It was his voice, plain enough," answered Matt, looking around sharply.
-
-"What could have gone wrong with him?"
-
-"I can't imagine--here, in broad daylight, with the grounds full of
-people."
-
-"It's trouble of the worst kind if we're to take the words as they
-sounded."
-
-Matt believed this fully. Carl Pretzel was not the lad to give a false
-alarm, and he had clearly put his whole heart into the words Matt and
-McGlory had heard.
-
-"Where did the call come from?" went on McGlory, mystified.
-
-"It seemed to come from everywhere, and from nowhere," replied Matt.
-"Look into the menagerie tent, Joe."
-
-While McGlory was lifting the canvas and taking a look through the
-animal show, Matt rounded the outside of the lean-to, searching every
-place with keen eyes.
-
-Carl was nowhere to be found. As Matt drifted back toward the door of
-the calliope tent, McGlory emerged and joined him.
-
-"He's not mixed up with the animals," reported the cowboy.
-
-"And I can't get any trace of him out here," said Matt. "Let's walk
-over to the aëroplane. Carl and Ping were to watch the machine, and
-I'm pretty sure neither of them would leave it without orders unless
-something pretty serious had gone wrong."
-
-Vaguely alarmed, the two chums pushed their way through the crowd
-toward the place where the _Comet_ had been left.
-
-
-
-
-CHAPTER IX.
-
-BLACK MAGIC.
-
-
-While the parade was passing through town, Carl had been "sleuthing."
-The fact that he was wearing McGlory's working clothes gave him an
-idea. He didn't look like himself, so why not be some one else? All
-the detective books he had ever read had a good deal to say about
-disguises. Carl was already disguised, so he made up his mind that he
-would be a dago laborer.
-
-After watching the parade file out of the show grounds, he slouched
-over to the side-show tent. A man was just finishing lacing the picture
-of a wild man to the guy ropes. Carl shuffled up to him.
-
-"I peen der Idaliano man," he remarked, in a wonderful combination of
-Dutch and Italian dialect, "und I, peen make-a der look for a leedl-a
-gal mit der name oof Manners. Haf-a you seen-a der girl aroundt loose
-some-a-veres?"
-
-The canvasman looked Carl over, and then, being of a grouchy
-disposition, and thinking Carl was trying to make fun of him, he gave
-him a push that landed him against a banner containing a painted
-portrait of the elastic-skin man. The banner was even more elastic than
-the image it bore on its surface, for Carl rebounded and struck one
-of the "barkers," who happened to be passing with his hands full of
-ice-cream cones for the bearded lady and the Zulu chief.
-
-Disaster happened. The "barker" fell, with the Dutch "tedectif" on top
-of him--and the ice-cream cones in between.
-
-The "barker" indulged in violent language, and began using his hands.
-Carl was pretty good at that himself, and retaliated. Two canvasmen
-pulled the two apart. Carl had the contents of a cone in his hair, and
-the "barker" had the contents of another down the back of his neck.
-
-"Where'd that ijut come from?" yelled the "barker," dancing up and down
-among the broken cones.
-
-"Who left der cage toor oben?" cried Carl, digging at his hair. "Der
-papoon vas esgaped."
-
-"You put up your lightning rod," growled the "barker," "or you'll git
-hit with a large wad of electricity."
-
-"Come on mit it!" whooped Carl, fanning the air with his fists. "No
-vone can make some ice-gream freezers oudt oof me mitoudt hafing
-drouples!"
-
-"That'll do you," snorted the canvasman who had hold of Carl, and
-thereupon raced him for twenty feet and gave him a shove that turned
-him head over heels across a guy rope.
-
-"Dot's der vay," mourned Carl, picking himself up and gathering in his
-hat. "Der tedectif pitzness comes by hardt knocks, und nodding else.
-Vere can I do some more?"
-
-His head felt cold and uncomfortable, even after he had mopped it dry
-with a red cotton handkerchief.
-
-He went over to the horse tent. The tent was nearly empty, all the live
-stock except a trick mule being in the parade. The mule would not have
-been there, but he was too tricky to trust in the procession. A man
-with a red shirt, and his sleeves rolled up, sat on a bale of hay close
-to the mule. The man was smoking.
-
-"Hello, vonce," flagged Carl.
-
-"Hello yourself," answered the man.
-
-"I peen some Idaliano mans," remarked Carl, "und I vas make-a der look
-for Markaret Manners, yes. Haf-a you seen-a der gal?"
-
-"Take a sneak," said the man.
-
-"She iss-a leedle-a gal aboudt so high, yes," and Carl put out his
-hand. "I peen-a der poor Idaliano man, aber I gif-a you fife tollars,
-py shiminy, oof-a you tell-a me where-a der gal iss."
-
-"You can't josh me," went on the man earnestly. "Hike, before I knock
-off your block."
-
-Carl continued to stand his ground and ask questions; then, the next
-thing he knew, the hostler had jumped up and rushed for him. Carl
-sprang back to get out of the way, unfortunately pushing against the
-hind heels of the mule. The mule knew what to do, in the circumstances,
-and did it with vigor.
-
-Carl was kicked against the man with the pipe, and that worthy turned a
-back somersault as neatly as any "kinker" belonging to the show.
-
-The Dutch boy limped hastily around the end of the horse tent and
-crawled into an empty canvas wagon. The mule's heels had struck him
-with the force of a battering-ram, and he felt weak up and down the
-small of the back. Besides, the wagon was a good place in which to hide
-from the hostler.
-
-Cautiously he watched over the wagon's side. The hostler came around
-the side of the tent, looked in all directions, and then retired,
-muttering, in the direction of the bale of hay.
-
-Carl chuckled as he dropped down on a roll of extra canvas, but the
-chuckle died in a whimper as he became conscious of his sore spots.
-
-"I vonder how Cherlock Holmes efer lifed to do vat he dit," he
-murmured, curling up on the canvas. "Der tedectif pitzness iss hit und
-miss from vone end to der odder, und den I don'd get some revards.
-Meppy I vill shleep und forged id."
-
-When Carl woke up, he looked over the side of the wagon and saw a
-burning flying machine in the air, and he heard the wild yells of the
-crowd. Probably it was the yelling that awoke him.
-
-"Py shinks," he cried, "dot's my bard, Modor Matt! He iss purnin' oop
-mit himseluf. Fire! Fire! Helup!" and Carl rolled out of the wagon and
-raced toward the spot where the machine seemed to be coming down.
-
-McGlory, white-faced but determined, was marshaling a lot of men with
-buckets of water. Carl dropped in. When the machine landed, he set to
-with the rest and helped extinguish the flames.
-
-Then, after he had congratulated Matt, Carl and Ping were placed on
-guard.
-
-In spite of the fact that Carl had shaken hands with Ping, he continued
-to have very little use for the Chinaman. And Ping, to judge from
-appearances, had no more use for the Dutchman. They did not speak.
-One sat down on one side of the machine and the other sat down on the
-other. Then a brown man, wearing an embroidered coat and a turban,
-drove up on a small cage wagon drawn by one horse. He got off the wagon
-and stepped up to Carl.
-
-"How-do, sahib?" said the man.
-
-Carl remembered him. He was the fellow who had been dozing on Rajah's
-back at the river. Also he was the man who had taken charge of the girl
-who had dropped off the trapeze when the burning aëroplane came down.
-
-Carl had a startling thought--it flashed over him like an inspiration.
-
-"How you vas?" answered the Dutch boy genially.
-
-"You come 'long with Ben Ali," said the man.
-
-"Nod on your dindype," replied Carl. "I vas vatching der machine for
-Modor Matt."
-
-"_You come!_" hissed Ben Ali.
-
-Then Carl noted something very remarkable. The Hindoo's eyes began to
-blaze, and dance, and show wonderful lights in their depths.
-
-"Shtop mit it!" said Carl. "You peen a mesmerizer, und I don'd like
-dot."
-
-Carl knew he couldn't be hypnotized against his will, but the Hindoo's
-eyes were working havoc with his nerves.
-
-"_You come!_"
-
-The words of Ben Ali were imperative. Carl, seemingly unable to remove
-his own eyes from the Hindoo's, followed as Ben Ali retreated toward
-the wagon. At the end of the wagon Ben Ali made some passes with his
-hands in front of Carl's face, then opened the door.
-
-"You get in, sahib!"
-
-Carl climbed into the wagon mechanically. Slam went the door and click
-went a key in the padlock.
-
-The _Comet_ had come down from its disastrous flight at a considerable
-distance from the tents. There were no people in the immediate vicinity
-save Ping.
-
-The little Chinaman, on hands and knees under the lower wing of the
-aëroplane, was watching covertly all that took place.
-
-After locking the door of the cage wagon, Ben Ali took a cautious look
-around him. He saw no one.
-
-Climbing up on one of the forward wheels, he took a slouch hat and a
-long linen duster from the seat, removed his embroidered coat and his
-turban, got into the hat and duster, climbed to the seat, picked up the
-reins, and drove off.
-
-Ping had seen it all, but had made no attempt to interfere. And he made
-no attempt now.
-
-He did not like the "Dutchy boy." He was afraid Carl would take away
-from him his job with Motor Matt.
-
-It was with secret rejoicing, therefore, that the Chinaman saw Carl
-locked in the wagon and hauled away.
-
-"Hoop-a-la!" chattered Ping, as he returned to his place and once more
-went on watch.
-
-The wagon used by Ben Ali, on this momentous occasion, was technically
-known as the monkey wagon. Two of the monkeys had eaten something which
-did not agree with them, and had died in Indianapolis. The three that
-remained had been taken out and put in another cage, with a collection
-known as "The Happy Family." This, of course, left the monkey wagon
-empty.
-
-Burton was figuring on using it for one of the ant-eaters, but there
-were some repairs to be made before the wagon could be put to that use.
-The repairs dragged, and so Ben Ali found his opportunity to use the
-cage.
-
-Straight across the show grounds drove the disguised Hindoo. None of
-the employees who saw him recognized him or questioned his right to use
-the monkey wagon. Different gangs had different duties, and no one knew
-but that this strange driver was off to town on some important mission.
-
-Ben Ali drove within a hundred feet of the calliope tent. When he was
-well beyond it, a yell came from inside the wagon.
-
-"Helup! Helup, somepody, or I vas a goner!"
-
-A shiver ran through Ben Ali. He made ready to leap from the wagon,
-but thought better of it when he saw that the call had attracted no
-attention and was not repeated.
-
-"Sahib keep still!" he called, kicking the end of the wagon with his
-heels.
-
-And thus, with not a sound coming from the interior of the monkey
-wagon, the artful Hindoo adept drove into the road and headed the horse
-away from the town and into the country.
-
-
-
-
-CHAPTER X.
-
-THE MAHOUT'S FLIGHT.
-
-
-When Matt and McGlory, hurrying to the aëroplane to make inquiries
-concerning Carl, came within sight of Ping, they saw him calmly
-occupied twirling a set of jackstones.
-
-"Ping!" called Matt.
-
-"Awri'!" answered Ping, slipping the jackstones into a pocket of his
-blouse and immediately getting up.
-
-"Where's Carl?"
-
-"Dutchy boy no good. Him lun away."
-
-"Run away?" echoed McGlory. "Here's a slam! When and how, Ping?"
-
-"Ben Ali dlive 'lound in wagon. Him say to Dutchy boy, 'You come.'
-Dutchy boy makee come chop-chop. Ben Ali shuttee do', put on Melican
-coat, Melican hat, makee dlive off. Woosh! Dutchy boy no good."
-
-This offhand description of what had happened to Carl was received with
-startled wonder by Matt and McGlory.
-
-"When was this?" demanded Matt.
-
-"Plaps fi' minit, plaps ten minit. No gottee clock, Motol Matt; no
-savvy time."
-
-"You say Ben Ali drove up in a wagon?"
-
-"Dlive up in monkey wagon. Put Dutchy boy in monkey wagon."
-
-"And then he locked Carl inside?"
-
-"Allee same."
-
-"And took off his turban and embroidered coat and replaced them with
-another hat and coat?"
-
-"Melican hat, plenty long coat."
-
-"Wouldn't that rattle your spurs, pard?" murmured McGlory.
-
-"What did Ben Ali do?" went on Matt, resolved to get at the bottom of
-the matter, if possible.
-
-"Him makee funny look with eye," replied Ping. "By Klismus! him blame'
-funny look. One piecee devil shine in eye."
-
-"Hypnotized!" grunted McGlory.
-
-"You can't easily hypnotize a person against his will," averred Matt.
-"It's not hard to guess that Carl was a good way from being willing to
-go with Ben Ali."
-
-"What the dickens did Ben Ali want to run off Carl for?" queried
-McGlory.
-
-"This business gets more and more mysterious, Joe," returned Matt, "the
-farther we go into it."
-
-"And that yell we heard!"
-
-"That certainly came from Carl. Ben Ali must have driven past the
-calliope tent while we were talking inside. The fact that Carl gave a
-yell for help proves that he wasn't wholly hypnotized."
-
-"He may have come out from under the influence just long enough to give
-a whoop," suggested the cowboy.
-
-"Let's go back and hunt up Burton," said Matt. "He'll want his monkey
-wagon, and, of course, we've got to get hold of Carl."
-
-"It's news to discover that Ben Ali is a hypnotist," observed McGlory,
-as he and Matt whirled and started to retrace the ground over which
-they had just passed.
-
-"I told you these Hindoos were a crafty set," answered Matt.
-
-The doors were open and the crowd was vanishing inside the big tents.
-The grounds were not so congested with people as they had been, and it
-was easier to get about and hunt for Burton.
-
-As it chanced, they ran plump into the manager just as they were
-rounding the dressing tent at the end of the circus "top."
-
-Burton was red and perspiring, and there was wrath in his face.
-
-"I've been looking all around for you fellows," he cried. "You can run
-one of these here buzz-wagons, can't you, Matt?"
-
-"Yes," replied Matt, "but----"
-
-"Come along," interrupted Burton, grabbing Matt by the arm, "we haven't
-any time to spare."
-
-"Wait!" protested Matt, drawing back. "Have you seen----"
-
-"Can't wait," fumed Burton. "I've hired a chug-car; and there's a race
-on. Haidee has skipped. Aurung Zeeb, one of the other Hindoo mahouts,
-has helped her get away. They've taken my runabout. Confound such
-blooming luck, anyhow!"
-
-Here was news, and no mistake. Ben Ali running off with Carl, and
-Aurung Zeeb taking to the open with the showman's Kentucky cob and
-rubber-tired buggy!
-
-"Do you know where Aurung Zeeb and Haidee went?" asked Matt.
-
-"I haven't the least notion," was the wrathful answer, "but we've got
-to find them. I don't care a straw about Zeeb, or the girl, but that
-runabout rig is worth six hundred dollars, just as it stands."
-
-"Well, if you don't know which way the rig went," argued Matt, "it's
-foolish to go chasing them and depending on luck to point the way."
-
-"We've got to do something!" declared Burton.
-
-"Where's Ben Ali?"
-
-"Oh, hang Ben Ali! I haven't seen him since he flashed that knife in my
-face."
-
-"We've just discovered," proceeded Matt, "that he has skipped out, too,
-and taken your monkey wagon along."
-
-"Sure of that?"
-
-"Ping just told us. Not only that, Burton, but he took my Dutch
-pard--the lad that came this morning--with him. Carl was locked in the
-cage."
-
-"Worse and worse," ground out Burton. "How'd Ben Ali ever manage to do
-that?"
-
-"On the face of it, I should say that Ben Ali had hypnotized Carl."
-
-"Nonsense! What does an elephant driver know about hypnotism? Still,
-this begins to look like a comprehensive plan to steal a monkey wagon
-and a runabout and leave me in the lurch. What do you think of that
-Haidee girl to do a thing like this? She seemed mighty anxious to earn
-money, yet here she skips out with about a hundred in cash to her
-credit."
-
-"It's hard to understand the turn events have taken," said Matt. "But I
-wouldn't blame Haidee too much until you know more about her--and about
-Ben Ali."
-
-"I want my horses and my rolling stock," fretted Burton. "The rest of
-the outfit can go hang, if I get back the plunder."
-
-"You said something about an automobile," said Matt.
-
-"There's a car here, and the man that owns it is seeing the show. He
-said I could have the use of the car all afternoon for fifty dollars.
-He thought I was an easy mark, and I let him think so. He's got the
-money and I've got the car. After he'd gone inside, I happened to
-remember that I couldn't run the thing, so I chased off looking for
-you. Here we are," and the three, who had been walking in the direction
-of the road, came to the side of a large automobile.
-
-It was a good machine, with all of six cylinders under the hood.
-
-"If you're a mind reader, and can tell where we ought to go, Burton,"
-said Motor Matt, "I'll get you there. I feel right at home when I'm in
-the driver's seat of a motor car."
-
-"Wait till I ask somebody," and Burton whirled and flew away.
-
-"Gone to have some fortune teller read his palm," laughed McGlory. "Oh,
-but he's wild when he gets started."
-
-"I don't blame him for worrying," said Matt. "He was offered four
-hundred, spot cash, for that Kentucky cob, in Indianapolis. Shouldn't
-wonder if he stood to lose a thousand dollars if the runaways can't
-be overhauled. And he hasn't much time to overhaul them, either, Joe.
-The three sections of the show train have got to be on the move toward
-South Bend by three in the morning. I'm worried some myself, on Carl's
-account. What has that crafty mahout got at the back of his head? I
-wish I knew. You and I are going to stay right here in Lafayette until
-we can find out something about Carl."
-
-"Sure we are," agreed the cowboy heartily. "But here comes Burton, and
-he looks as though he'd found out something."
-
-"One of the canvasmen," announced Burton breathlessly, as he came up
-with the boys, "says that he saw the monkey wagon heading south into
-the country. Can't find out which way the runabout headed, but we'll
-take after the other outfit. Get in and drive the machine for all
-you're worth."
-
-Matt passed around in front, and was pleased with the business-like
-manner in which the motor took up its cycle.
-
-"Here's where we throw in the high-speed clutch and scoot," said Matt,
-settling into the driver's seat with a glad feeling tingling along his
-nerves. It had suddenly occurred to him that he would rather motor in
-a high-powered car than do anything else that had so far claimed his
-attention. In such a machine, "miles were his minions and distance his
-slave." "Here we go," he finished, and away bounded the car.
-
-Matt took time to wonder at the nature of a plutocrat who, for fifty
-dollars, would trust such a beautiful piece of mechanism in the hands
-of a showman. But the fact was accomplished, and guesses at the reason
-were futile.
-
-They came to a hill--a steepish kind of a hill, too--and they went over
-it without a change of gear. Motor Matt laughed exultantly.
-
-"Took it on the high speed!" he cried. "A car that can do that is a
-corker."
-
-On the opposite side of the hill, as they were scorching down with the
-speedometer needle playing around the fifty-eight mark, a team and
-wagon containing a farmer and his family were almost backed off the
-road. Matt tampered with the brakes, but the car was going too fast to
-feel the bind of the brake grip.
-
-"Never mind!" cried Burton, from his place at Matt's side. "That outfit
-is going to the show to-night. If I see 'em, I'll pass 'em all in
-with fifty-cent chairs. Now, boy, hit 'er up. I've got to recover my
-property before night sets in, and this may be a long chase."
-
-"Long chase!" yelped McGlory derisively from the tonneau. "How can
-it be a long chase when we're going like this? Hang on to your hair,
-Burton! Mile-a-minute Matt's at the steering wheel."
-
-
-
-
-CHAPTER XI.
-
-THE PAPER TRAIL.
-
-
-The coils hummed merrily to the six-cylinder accompaniment. The wind
-whistled and sang in the ears of the three who were plunging along at a
-speed which was bound to get them somewhere in short order.
-
-Then, as might be expected, something happened. It was no accident to
-the car. The road spread apart in two equally well-traveled branches,
-and Matt shut off and came to a stop at the forks.
-
-"The canvasman, of course," said the young motorist, looking around at
-Burton, "couldn't tell you which fork the monkey wagon would take."
-
-"Here's a go!" muttered Burton. "If we take one fork, we may be
-hustling off on the wrong scent. At a guess, I should say take the
-right-hand branch."
-
-"Let's not do any guessing until we have to," Matt returned. "My cowboy
-chum here is a good hand at picking up trails. Show us how they do it
-in Arizona, Joe."
-
-McGlory was out of the car in a flash and giving his attention to the
-surface of the road.
-
-"You might as well try to hunt for the print of a rabbit's foot in the
-trail of a herd of stampeded steers," said McGlory, after five precious
-minutes spent in fruitless examination.
-
-"What sort of a cowboy are you, anyhow?" scoffed Burton.
-
-"Well, look," answered McGlory. "The ground is all cut up with people
-coming to the show, and it's none too soft. I couldn't pick out the
-tread of a traction thrashing machine in all this jumble of prints."
-
-"Any one coming on either road?" queried Burton, standing up and
-looking. "If there is, we could inquire as to whether they'd passed the
-monkey wagon."
-
-"See any one?" asked Matt.
-
-"Not a soul," and the showman plumped disappointedly down in his seat.
-
-"Just a minute, Joe," interposed Matt, as the cowboy was about to climb
-back into the tonneau. "What's that white object in the road?" Matt
-pointed as he spoke. "There's one, just over the left-hand fork, and
-another beyond it."
-
-"If you stop to bother with paper scraps," cried Burton, "we'll never
-get anywhere."
-
-McGlory, however, turned back and picked up the object to which Matt
-had called his attention.
-
-It was a scrap of paper, just as Burton had said. The scrap was a
-ragged square, as though it had been roughly torn, and measured about
-two inches across.
-
-The cowboy examined it casually at first, then his face changed, and he
-gave it closer attention.
-
-"My handwriting," he declared, looking up at Matt.
-
-"How can that be?" scoffed Burton.
-
-"I don't know how it can be," replied McGlory, "but it's a fact, all
-the same. I had a memorandum book, and have jotted down various things
-in it."
-
-"Where'd you leave the memorandum book?" jested the showman
-impatiently; "in the monkey wagon?"
-
-"Nary, I didn't. I left it in the hip pocket of my working clothes."
-
-"And Carl had on the clothes!" exclaimed Matt, with a jubilant ring in
-his voice. "Carl must have scattered that trail for our benefit."
-
-He stood up in the automobile and looked back over the road they had
-traveled.
-
-"Why," he went on, "we haven't been as observing as we should have
-been. There's a paper trail, and Carl must have started it pretty soon
-after the monkey wagon left the show grounds."
-
-"Well, well!" muttered Burton. "Say, Matt, that Dutch chum of yours is
-quite a lad, after all. The idea of his thinking of that."
-
-"Carl always has his head with him," declared Matt. "Climb in, Joe. The
-left fork for ours."
-
-McGlory pulled the crank, before he got in, for the stop had killed the
-engine.
-
-"It's a cinch," said McGlory, as he resumed his place in the tonneau,
-"that Carl wasn't hypnotized when he dropped those scraps. How _could_
-he drop 'em? That's what beats me. Why, he was locked in, so Ping said."
-
-"There was a hole in the floor," explained Burton. "Not a very big one,
-but big enough for an ant-eater to get a foot through. I was going to
-repair the cage, but haven't had time to attend to it."
-
-"Why didn't Carl yell again?" went on McGlory. "If he had yelled long
-enough, and loud enough, some one would have been bound to hear him and
-stop Ben Ali."
-
-"This is another case where Carl's using his head," put in Matt. "He's
-playing some dodge or other."
-
-"He's showing up a whole lot stronger than I ever imagined he could,"
-said the cowboy. "I had sized him up for a two-spot at any sort
-of headwork. Got my opinion, I reckon, from the way those Chicago
-detectives fooled him."
-
-"He's not so slow as you imagine, Joe," said Matt. "Now keep an eye out
-for scraps!"
-
-"We can't get into a scrap with those Hindoos any too quick to suit
-me," laughed McGlory, hanging out over the side of the motor car.
-
-Once more the whirling, headlong rush of the car was resumed. No sooner
-had Burton, or McGlory, discovered a bit of white in the roadway ahead
-than it was lost to sight behind.
-
-Then, after four or five miles of this, the three in the car raised
-an object, drawn up at the roadside, which brought the car to a halt.
-The object was the monkey wagon, horse gone from the shafts, rear door
-swinging open, and not a soul in the vicinity.
-
-"Here's another queer twist," grumbled Burton, as all three got out to
-make a close survey of the wagon. "What do you think of it, Matt?"
-
-Matt and McGlory thrust their heads in at the door.
-
-"Phew!" gurgled the cowboy, drawing back. "There's a mineral well, in
-Lafayette, that's a dead ringer for the smell inside that cage wagon."
-
-"I haven't had it swabbed out yet," apologized Burton.
-
-"Here's the hole where Carl dropped out the paper scraps," Matt called,
-from inside the wagon.
-
-"And here's something else, pard!" yelled McGlory.
-
-Matt came out of the wagon and found his cowboy chum calling Burton's
-attention to marks in the road.
-
-"What do you make of it, Joe?" asked Matt, coming closer.
-
-"Well," answered McGlory, reading the "signs," "a one-horse buggy with
-rubber tires stopped here, alongside the monkey wagon. Look how the
-road's tramped up, ahead there. The horse was restive during the halt,
-and did some pawing."
-
-"Great guns!" murmured Burton. "My runabout!"
-
-"I think it's pretty clear now," observed Matt. "Aurung Zeeb and Haidee
-didn't get away at the same time Ben Ali and Carl did, or else they
-took a different course. Anyhow, they came up with the wagon. The
-runabout's faster, so the whole party went on with it."
-
-"They might get three people into the runabout, by crowding," said
-Burton, "but they never could get four people into it."
-
-"That's why the horse was taken from the monkey wagon," went on Matt.
-"Aurung Zeeb or Ben Ali must have ridden the animal."
-
-"By Jove, King, I wish I had your head for getting at things! That was
-the way of it--it _must_ have been the way of it. Let's pile back into
-the machine and hustle on."
-
-They all felt that the chase was drawing to a close. The runabout was a
-faster vehicle than the monkey wagon, but there was not the ghost of a
-show for the Kentucky horse getting away from the automobile.
-
-From that point on, the paper trail was not in evidence.
-
-"Carl wasn't able to drop any more scraps," said Matt. "When he was
-inside the monkey wagon he was out of sight and could do about as he
-pleased; crowded into the runabout with Ben Ali and Haidee, and with
-Aurung Zeeb riding behind, he couldn't possibly drop a clue to guide
-us."
-
-"The Dutchman seems to have taken it for granted that he'd be
-followed," hazarded Burton.
-
-"He knows very well," returned Matt, "that I wouldn't stand around
-and let him worry through this run of hard luck alone. Look out for
-the runabout. The way I figure it, the rig can't be more than ten or
-fifteen minutes ahead of us."
-
-"How do you figure it, Matt?" asked Burton.
-
-"Well, from the time Joe and I heard Carl call for help. I don't
-believe it was more than half an hour from that time until we were
-hitting the high places with this automobile. Eh, Joe?"
-
-"No more than that, pard," answered McGlory.
-
-"I should think we'd have gained more than fifteen or twenty minutes on
-the Hindoos, the rate we've been coming," remarked Burton.
-
-"Possibly we have. If that's so, then the runabout can't be even ten
-minutes ahead of us. Now----"
-
-"Runabout!" yelled McGlory.
-
-He was standing up in the tonneau and peering ahead. The road, at this
-point, was bordered with heavy timber on both sides, but in half a
-minute Matt and Burton could each see the vehicle to which the cowboy
-had called their attention.
-
-It wasn't a runabout, as it proved, but a two-seated "democrat" wagon,
-drawn by a team, and conveying another party townward--presumably for
-the evening performance of the Big Consolidated.
-
-McGlory's disappointment was keen. And his feelings, for that matter,
-were matched by those of Motor Matt and Burton.
-
-Matt halted the automobile and, when the wagon came alongside, asked
-the driver if he had been passed by a runabout farther along the road.
-
-The party had come five miles on that road and, according to the
-driver, hadn't been passed by anything on wheels going the other way.
-
-For a space those in the automobile were in a quandary.
-
-"What's amiss?" fumed Burton. "Are we on the wrong track, after all, in
-spite of your Dutch friend and his paper trail, and McGlory's reading
-the signs at the monkey wagon?"
-
-Matt suddenly threw in the reverse and began to turn.
-
-"Only one thing could have happened," he averred.
-
-"What's that?"
-
-"Why, the people in the runabout must have heard us coming and turned
-from the road into the woods."
-
-"Let her out on the back track, then!" cried Burton. "If the Hindoos
-think they've dodged us, they've probably pulled out into the road and
-started the other way."
-
-This seemed to have been the case, for three minutes speeding over the
-return trail brought those in the automobile in sight of the runabout.
-
-This time it _was_ the runabout, and no mistake, and the Kentucky cob
-was stretching out like a race horse under the frantic plying of a whip.
-
-Burton reached behind him, under his coat, and brought a revolver into
-view.
-
-"We'll find out about this business before we're many minutes older!"
-he exclaimed grimly.
-
-
-
-
-CHAPTER XII.
-
-CARL TURNS A TRICK.
-
-
-Something has been said about Carl Pretzel having an idea that was
-almost an inspiration, at the time he was approached by the Hindoo at
-the aëroplane.
-
-This it was that led him into the monkey wagon. The slam of the door
-and the grate of the key in the padlock struck a sudden tremor to the
-Dutch boy's heart.
-
-Was he making a fool of himself or not? Would a trained detective have
-proceeded in that manner?
-
-His heart failed him, and he gave the wild yell for help.
-
-He had hardly given the cry before he repented of it. What would Motor
-Matt think of his nerve if he could know the game he had embarked upon,
-and how he had been stampeded in playing it?
-
-No; if that call had done no harm, Carl would not repeat it. He would
-see the business through and try and match wits with the Hindoo.
-
-In spite of the noise on the show grounds, Carl heard Ben Ali's heels
-bang against the end of the wagon, and also the stern voice commanding
-him to keep silent.
-
-Carl kept silent. He was almost smothered by the closeness of his
-prison chamber, and the terrific odor that assailed him, but he
-comforted himself with the thought that detectives don't always have
-things their own way when they're tracking down a criminal. Anyhow,
-even his present discomfort was better than the hard knocks his
-"sleuthing" had so far given him.
-
-He was not long in discovering the hole in the floor of the wagon. The
-memorandum book he had discovered soon after getting into the borrowed
-clothes.
-
-Of course he knew that Motor Matt would follow him! That was the kind
-of fellow the king of the motor boys was; never had he turned his back
-on a pard in distress.
-
-Carl, too, was morally certain that Ping had seen him get into the
-monkey wagon. Motor Matt would discover this from the Chinaman, and
-then would come the pursuit.
-
-The thing for Carl to do was to point the way by which he had been
-carried off. The hole in the floor, and the memorandum book in his
-pocket, were not long in giving him the right tip.
-
-Sitting down on the bottom of the cage, Carl occupied himself in
-tearing the leaves of the book into scraps and poking the scraps
-through the opening.
-
-How far Ben Ali drove Carl did not know, but it seemed as though the
-Hindoo had been hours on the road. There was a pain in Carl's back,
-where the mule had left its token of remembrance, and the jolt of the
-wagon was far from pleasant.
-
-Presently there came the rapid beat of a horse's hoofs, a whir of
-wheels, and a sudden stop of the monkey wagon. The other sounds ceased
-at the same moment.
-
-For a second or two Carl imagined that Matt had overhauled Ben Ali, but
-this fancy was dispelled by the strange words that passed between Ben
-Ali and some one else.
-
-The mahout could be heard climbing swiftly down from his perch and
-moving around to the rear of the wagon. Carl slipped the book into his
-pocket and drew away from the hole in the floor.
-
-Once more the key grated in the padlock. The door was drawn open and
-Ben Ali was revealed, looming large in the rush of sunlight, a bared
-knife in his hand.
-
-"You come, sahib," said Ben Ali.
-
-Carl got up and moved toward the door. There Ben Ali caught his eyes
-for a space and held them with the same weird looks indulged in near
-the aëroplane on the show grounds.
-
-The Dutchman instantly grew automatic in his movements, keeping his
-eyes straight ahead and following Ben Ali's every gesture.
-
-Carl had seen persons hypnotized, and knew how they acted.
-
-"You come," repeated Ben Ali sternly, and Carl jumped down from the
-wagon.
-
-They were in a country road. There was a smart-looking horse and buggy
-beside the monkey wagon, and Haidee was on the seat. If appearances
-were to be believed, she was in another of her spells.
-
-"Sahib get in de buggy," ordered Ben Ali.
-
-Carl climbed over the wheel obediently and sat down beside the girl.
-She paid not the least attention to him, nor he to her. Ben Ali climbed
-in beside them, squeezed into the seat, and took the reins from
-Haidee's hands.
-
-Meanwhile, Carl had been looking at another brown man in a turban who
-was unhitching the horse from the monkey wagon.
-
-Ben Ali waited until the horse was out of the shafts and the second
-Hindoo on its back, then he started the Kentucky cob off along the
-road. His companion trotted along behind.
-
-Dropping any more paper scraps was out of the question. Carl was too
-tightly wedged in between Ben Ali and Haidee to use his hands; besides,
-he could not have made a move that would not instantly have been seen.
-
-Presently the Hindoo on the horse called out something in his unknown
-jargon. Ben Ali answered, and the runabout was turned from the road and
-into the woods.
-
-Possibly they proceeded a hundred feet into the timber. At the end of
-that distance their progress was halted by a creek with steep banks.
-
-Ben Ali got out. While standing on the ground facing Carl, he made
-sinuous movements with his slim brown hands--passes, most probably,
-designed to keep Carl in a hypnotic state.
-
-The girl shuddered, suddenly, and drew a hand across her eyes.
-
-"Uncle Ben!" she exclaimed, with a sharp cry, "where am I?"
-
-"You are safe," said Ben Ali. "You are not to work with de trapeze
-any more, not be with de show any more. We are quit with de show.
-_Kabultah, meetoowah?_"
-
-"Yes, yes," breathed the girl, "I understand. But where are we going? I
-don't want to be in a trance any more. I want to know what I say, what
-I do--all the time."
-
-The man's face hardened.
-
-"You come, Haidee," he said, gently but none the less firmly.
-
-The girl got up and climbed down from the wagon.
-
-"Sahib!" he cried sharply. "You come, too."
-
-Carl likewise climbed to the ground.
-
-"You are asleep," went on Ben Ali, coming up to Carl and bringing his
-face close. "You know not anything what you do. Sit!"
-
-Carl sank down on the bank of the creek.
-
-The other Hindoo had dismounted. Stepping away from his horse, he
-turned the runabout rig the other way, so that the cob faced the road.
-Then he tied the animal.
-
-Meanwhile, Ben Ali, seating himself cross-legged on the ground, had
-drawn a small black box from his breast. It was a lacquered box and
-shone like ebony in the gleam of sun that drifted down through the
-trees.
-
-Haidee uttered an exclamation and stretched out her hands.
-
-"It is mine, Uncle Ben! It belongs to me."
-
-"Yis, _meetoowah_," agreed Ben Ali, "it belong to you, but I keep it.
-That is safer, better."
-
-He put down the box and listened, hissing to attract the attention of
-the other Hindoo.
-
-"Aurung Zeeb!"
-
-The other turned, and Ben Ali motioned toward the road.
-
-The sound of an approaching motor car broke the stillness. It grew
-rapidly in volume, passed a point abreast of those in the woods, and
-went on, dying away in the distance.
-
-Excitement shone in the faces of the Hindoos, and there was alarm in
-the face of the girl.
-
-"What is it?" she cried. "Uncle Ben----"
-
-"Silence, _meetooowah_!" commanded the Hindoo.
-
-Taking the lacquered box in his hand, Ben Ali leaped erect and
-chattered wildly with Aurung Zeeb. After that, he came to Carl, his
-face full of anxiety and alarm, and made more passes.
-
-"You come," he ordered, "get back in de buggy."
-
-Carl followed as Ben Ali backed away in the direction of the runabout.
-The Hindoo stood close to the wheel until Carl was in the seat.
-
-At that moment a smothered scream came from Haidee. Aurung Zeeb jumped
-toward her, letting go the bridle of his horse as he did so. Ben Ali
-muttered something under his breath, put the lacquered box on the
-runabout seat beside Carl, and started toward Aurung Zeeb and the girl.
-
-"You must tell me what you are doing," panted the girl, facing the
-Hindoos with flashing eyes. "That is Boss Burton's horse and buggy. Why
-have you got the rig here? What are we doing here? Tell me, Uncle Ben!
-I must know."
-
-Ben Ali tried to quiet her. Carl was in a quiver. The lines were twined
-about the whip on the dashboard of the runabout, and both Hindoos were
-fully fifteen feet away. It looked like a propitious moment for escape.
-Carl had not accomplished much, but he was patting himself on the back
-because of the way he had fooled Ben Ali. Now, if he could get away,
-and take the runabout with him----
-
-Carl never thought very long over any proposition. Nor did he give much
-time to this.
-
-Swooping down on the dashboard, he grabbed up the lines and the whip.
-
-"Gid ap mit yourself!" he yelled, and struck the horse.
-
-With a snort the animal bounded forward, breaking the strap that
-secured him to the tree and almost throwing Carl from the seat.
-
-The other horse took fright and bounded away, while Carl went lurching
-and plunging in a wild dash for the road.
-
-How he ever reached the road without coming to grief against the many
-trees he grazed in his dash was something which would have puzzled a
-wiser head than his.
-
-He paid not the least attention to the Hindoos, nor to Haidee. He was
-thinking of Carl, and trying to guess how much money he would get for
-bringing back the stolen horse and runabout.
-
-For once, he thought exultantly, he was making the detective business
-_pay_.
-
-Whirling into the road, he headed the horse back toward town, plying
-the whip and hustling the best he knew how.
-
-It was a marvel that the runabout held together. But it did. Suddenly a
-firearm spoke sharply from somewhere in the rear.
-
-Carl did not look behind. He had but one thought, and that was that the
-Hindoos must be phenomenal runners, and that they were chasing him on
-foot and firing as they came.
-
-He bent forward over the dashboard and urged the cob to a wilder pace.
-
-Then, while he was using the whip, an angry voice roared from alongside
-the runabout:
-
-"Stop lashing that horse! Stop, I tell you!"
-
-Carl became faintly aware that there was an automobile dashing along
-the road side by side with the runabout.
-
-"Carl!" shouted a familiar voice. "Stop your running! Don't you know
-who we are?"
-
-Then the excited Dutchman became aware of the situation and pulled back
-on the lines.
-
-He chuckled delightedly as he jerked and sawed on the bit.
-
-He, Carl Pretzel, had been running away from his old pard! What a joke!
-
-And there, in the automobile with Matt, was the manager of the show.
-
-It wouldn't be long, now, before Carl found out how much he was to get
-for recovering the stolen horse and runabout.
-
-
-
-
-CHAPTER XIII.
-
-THE LACQUERED BOX.
-
-
-Probably that Kentucky horse of Burton's had never been treated in his
-life as he was that afternoon. He was muddy with sweat and dust, and
-his high-strung spirits, by that time thoroughly aroused, rebelled
-against the curb.
-
-In order to help Carl out, Motor Matt drove the car past the horse and
-partly across the road. This served to bring the animal to a halt.
-
-"By Jove!" stormed Burton, "I wouldn't have had this happen for a
-hundred dollars! It's a wonder if the horse isn't ruined!"
-
-He flopped out of the automobile and approached the horse's head.
-
-"Whoa, Colonel!" he murmured soothingly. "Whoa, old boy!"
-
-Then, getting one hand on the bit, he held the animal while he petted
-and wheedled and patted the lathered neck.
-
-"Der rig vas shtole py der Hindoo," said Carl, "und I haf recofered it
-und prought it pack. Dot comes oof being a goot tedectif, py shinks!
-How mooch iss id vort'?"
-
-"Worth?" scowled Burton. "If the animal is injured I'll charge you up
-for it. Don't you know how to take care of a horse?"
-
-"Don'd you vas going to pay me someding?" gasped Carl.
-
-"Pay?" snorted Burton, in no mood to consider a reward after seeing his
-favorite horse mistreated. "Why, I feel like I wanted to use the whip
-on you! What did you run away from us for?"
-
-"I t'ought you vas der Hindoos," explained Carl feebly. "Say, Matt,"
-he added, turning to his chum, "der feller don't vas going to gif me
-someding! Vat a miserliness! Und me going droo all vat I dit!"
-
-"Where did you get the runabout, Carl?" asked Matt.
-
-He thought Boss Burton was a little unreasonable, but was not disposed
-to make any comments. Burton's ways were sometimes far from meeting
-Matt's approval--and they had never been farther from it than during
-the events of that exciting day.
-
-"I shteal him from der Hindoos," said Carl, "und make some gedavays
-by der shkin oof my teet', you bed you! I hat to run der horse, Matt,
-oder I vouldn't have made der esgape. Vone oof der Hindoos had a knife,
-und dey vas bot' det safage I can't dell. Der odder horse vat pulled
-der cage vagon iss somevere aheadt. He got avay und vent like some
-shdreaks."
-
-"You climb down," snapped Burton, coming back to the side of the
-runabout. "I'll take the rig back to the grounds and send one of the
-teamsters for the monkey wagon. You'll bring along the automobile,
-Matt?" he added, getting into the runabout as Carl got out.
-
-"Yes," answered Matt.
-
-"Ain't you going on with us to look up the Hindoos and Haidee?" asked
-McGlory. "Going to hang back before we run out the trail, Burton?"
-
-"I don't care anything about them," was the reply, "so long as I've
-recovered my own property. What's this?" and the showman picked up the
-lacquered box.
-
-Carl stared at it. Evidently he had forgotten all about it, up to that
-moment.
-
-"Py chimineddy!" he muttered. "Dot's der Hindoo's! He tropped id on der
-seat pefore I run avay mit der rig."
-
-"Then I'll take it with me," said Burton. "Perhaps it's of enough value
-so that the rascal will come after it. If he does, I can read the riot
-act to him."
-
-"I guess you'd better leave that with Carl, Burton," spoke up Matt.
-"You don't care to bother with the Hindoos, and we may think it's worth
-while."
-
-"Oh, well, if that's the way you feel about it," and the showman tossed
-the box to Carl. "Mind," he added, as he started off, "you're not to
-get into any trouble with that automobile."
-
-Burton was soon out of sight.
-
-"He's the limit, that fellow!" growled McGlory. "He might have tipped
-Carl a five-case note, but he wouldn't. He's a skinner."
-
-"Nodding doing in der tedectif pitzness," said Carl resignedly, getting
-into the automobile beside Matt. "Same like alvays I ged der vorst oof
-id. Vile vorking on der Manners gase, I haf peen in a row mit Ping, in
-a row mit a canvasman und a 'parker' for der site-show, in some more
-rows mit a shtable feller, got kicked in der pack mit a mu-el, und
-carried avay in some vagons vat shmelled like a glue factory. Und vat
-I ged? Dot Purton feller he say he vould like to pound me mit der vip.
-Ach, vell, ve can't pecome greadt tedectifs mitoudt a leedle hardt luck
-at her shtart."
-
-"Tell us what happened to you, Carl," said Matt, "and be quick about
-it."
-
-Carl sketched his adventures, with now and then an urging toward
-brevity from Matt.
-
-"Ven I see dot Hindoo coming, at der time he made some brisoners
-oof me," expounded Carl, on reaching that part of his recital, "I
-remempered der girl vat come down in der flying machine, und vat he
-valked avay mit, und I got der t'ought, like lightning, dot meppy der
-feller know someding aboudt Markaret Manners, vat iss atverdised for
-in der Lonton baper. Abner nit, it don'd vas der case. I schust let
-meinseluf pertend dot I vas mesmerized so dot I could go along by der
-Hindoo und meppy findt oudt someding. I don't findt oudt anyt'ing."
-
-Carl's disgust was great, and he brought his story to a quick
-conclusion.
-
-"We'll go look for the Hindoos and Haidee," said Matt. "As I jog along,
-Carl, you keep watch for the place where you turned from the road.
-Meanwhile, Joe," Matt added, "you take the lacquered box and open it.
-We'll see what's inside. The contents may shed a little light on this
-mystery of the girl."
-
-"Der Hindoos und der girl von't be vere dey vas," remarked Carl,
-handing the box to McGlory.
-
-"They can't possibly be far away," answered Matt. "They have to travel
-on foot, now, and will be compelled to go slow."
-
-"This box is locked, pard," called McGlory.
-
-"Force the lid, then," said Matt. "It's necessary, according to my
-notion, that we try and find out something about Haidee. And for the
-girl's good."
-
-McGlory opened his pocketknife and inserted the blade between the box
-and the lid. The lock splintered out under pressure.
-
-"She's open, pard," announced the cowboy.
-
-"What's inside?"
-
-"A bundle of letters tied with a piece of twine."
-
-"Ah!"
-
-"They have English stamps," went on McGlory, "and are postmarked at
-London."
-
-"Better and better! And they're addressed to----"
-
-"Miss Margaret Manners, Calcutta, India."
-
-Carl nearly fell off the seat.
-
-"Ach, du lieber!" he sputtered, "I vas ketching my breat'. A clue, py
-shinks! Dot Haidee knows vere der fife-t'ousant-tollar girl iss, I bed
-you!"
-
-"Knows where the girl is?" echoed Matt.
-
-"Sure t'ing. How vouldt Haidee haf Markaret Manners' ledders oof she
-ditn't know somet'ing aboudt der English girl? A few more knocks, py
-shiminy, und I vill make der fife t'ousant tollars!"
-
-"Carl," said Matt, "you've got a wooden head when it comes to
-sleuthing. Why, Haidee is Margaret Manners herself. I've had a hunch to
-that effect for two or three hours."
-
-Once more Carl had to hold on with both hands to keep from going by the
-board. He could only breathe hard and think of what he would do with
-all the money that was coming to him.
-
-"What else is there in the box, Joe?" asked Matt. "Anything but the
-letters?"
-
-"Just one thing, pard," replied McGlory. "It looks like a decoration of
-some kind."
-
-McGlory held the object over Matt's shoulder, so he could see it.
-
-It was a bronze Maltese cross, with a royal crown in the centre
-surmounted by a lion, and the words "For Valour" stamped on the cross
-under the crown. The cross hung from a V-shaped piece attached to a
-bar, and the bar was attached to a faded red ribbon. Across the bar
-was engraved the name "Lionel Manners."
-
-"I feel like taking off my hat in the presence of that, pards," said
-Matt.
-
-"Why?" demanded Joe.
-
-"It's a Victoria Cross," returned Matt, "and is only given to persons
-for a deed of gallantry and daring. When the ribbon is red, it shows
-that the winner of the cross belonged to the army; when blue, to
-the navy. Captain Lionel Manners must have been a brave man, and
-it's a pity his daughter should be treated as she has been. Carl,
-you've blundered onto a big thing--and you couldn't have blundered so
-successfully once in a thousand times. Put the letters and the cross
-back in the box, Joe. We'll keep them safe for the girl. If----"
-
-"Dere's der blace," interrupted Carl, pointing to the roadside.
-
-Motor Matt brought the automobile to a stop.
-
-
-
-
-CHAPTER XIV.
-
-THE HYPNOTIST'S VICTIM.
-
-
-"You and I will go and look for the Hindoos, Joe," said Matt, getting
-out of the car. "Carl will stay here and take care of the automobile."
-
-"Vat oof der Hindoos ged avay from you und come ad me?" queried Carl,
-in a panic. "I bed you dey vas sore ofer vat I dit."
-
-"If they should happen to attack you," answered Matt, "run away from
-them. You used to know something about driving a car, Carl."
-
-"All righdt," said Carl, with deep satisfaction. "I'll run avay from
-some drouples oof any come in my tirection. Look oudt for Ben Ali. He
-has a knife."
-
-Matt and McGlory, after securing a few further directions from Carl,
-started into the woods on their way to the creek. They moved warily in
-single file, Matt taking the lead.
-
-As they made their way onward, they saw evidences of Carl's wild dash
-for the road in the runabout, broken bushes and trees blazed at about
-the height of a buggy axle.
-
-"It's a wonder that runabout wasn't strung all the way from the creek
-to the road," murmured McGlory. "The Dutchman's luck has landed on him
-all in a bunch."
-
-"Carl has a knack for blundering in the right direction," said Matt.
-"But he has as much grit as you'll find in any lad of his size. Think
-how he fooled that Ben Ali! Made the Hindoo believe he was hypnotized."
-
-"And Carl had only the faintest notion what he was doing it for!"
-chuckled McGlory. "Say, pard, I'd like to have seen those Hindoos when
-Carl woke up and used the whip on that horse of Burton's."
-
-"Hist!" warned Matt, "we're close to the creek."
-
-There were evidences in plenty that the bank of the creek had been
-recently occupied--broken bushes and an imprint of human feet in the
-damp soil. As Matt and McGlory had supposed, however, there was no sign
-of Haidee or the Hindoos in the vicinity.
-
-"Here's where we're up a stump, pard," said McGlory. "I wonder if I
-could pick up the trail and find which way the outfit went?"
-
-"Try it," said Matt.
-
-McGlory skirmished around for ten minutes.
-
-"I reckon I've got it," he announced, at the end of that time. "Unless
-I'm far wide of my trail, Matt, they went down the creek."
-
-"Then that's the direction for us. Step off, Joe, and be lively."
-
-Although the boys believed the Hindoos and Haidee must be far in
-advance of them, yet they moved forward cautiously, being exceedingly
-careful not to rustle the bushes as they passed or to step on any twigs
-that would crackle under their feet.
-
-As a matter of fact, they had not been five minutes on their way down
-the creek before the cowboy whirled abruptly with a finger on his lips;
-then, motioning to Matt, he dropped to his knees.
-
-Matt followed suit and crept alongside McGlory.
-
-"We're in luck, too," whispered the cowboy. "They're right ahead of us,
-all three of them. Listen, and you can hear them talking."
-
-Matt raised his head and listened intently. A faint sound of voices was
-borne to his ears.
-
-"Let's creep up on them, Joe," he suggested. "They're two against us,
-you know, and they'll make a pretty big handful, if they're armed."
-
-"We know Ben Ali has a knife, but that is probably all the weapons
-they've got. If they had guns, then Carl would never have made his
-getaway."
-
-Redoubling their caution, the boys crawled forward, screening their
-advance by keeping bunches of undergrowth in front of them as much as
-they could.
-
-The voices grew steadily louder, until it became manifest that the
-brown men were jabbering in Hindustani.
-
-Finally the boys arrived as close as they deemed it best to go, for
-they had Ben Ali, Aurung Zeeb, and Haidee in plain view.
-
-The three were in a little oak opening on the creek bank. Haidee was
-sitting on a log, and the other two were standing and talking rapidly.
-
-A moment after the boys were able to see them and note what was going
-on, the Hindoos stopping their talking. Aurung Zeeb drew off to one
-side, and Ben Ali stepped in front of the girl.
-
-"Haidee, _meetoowah_!" he called.
-
-The girl lifted her head.
-
-"You must go into de trance, _meetoowah_," said Ben Ali.
-
-With a heart-breaking cry the girl flung herself on her knees in front
-of him.
-
-"No, no, Uncle Ben!" she wailed, "don't make me do things I can't
-remember--things I don't want to do! What happened during the parade
-this morning? And what happened while I was in the air with Motor Matt?
-You will not tell me and I do not know! Oh, Uncle Ben----"
-
-"Haidee!"
-
-The voice was clear and keen cut. There was something in the tones of
-it that lifted the girl erect and uncomplaining, and held her as by a
-magnet with her eyes on the snaky, dancing orbs of Ben Ali.
-
-The power of the Hindoo over the girl must have been tremendous.
-
-The boys, shivering with horror, watched the Hindoo as he waved his
-arms gracefully and made his sinuous passes. He was no more than a
-minute or two in effecting his work.
-
-By swift degrees Haidee's face lost its expression and became as though
-graven from stone; her eyes grew dull and her whole manner listless.
-
-"Haidee, you sleep," came monotonously from Ben Ali, as his hands
-dropped. "You hear me, _meetoowah_? You understand?"
-
-"Yes," answered the girl, in the clacking, parrot-like voice with which
-the boys were somewhat familiar.
-
-"You are never to remember, _meetoowah_, what you do in de parade, or
-what you do on de flying machine," continued Ben Ali. "When you wake,
-you forget all that, and how I tell you to pull the lever when de
-parade reach de min'ral well, or pin de fireball as it smoulder to de
-wing of de machine. You forget all that, huh?"
-
-"Yes."
-
-"You are bright, lively girl, _meetoowah_" went on the Hindoo. "You are
-gay, happy, but you are under de power, yes, all de time. You go back
-to de show, and you tell them that Ben Ali and Aurung Zeeb ver' bad
-mans and run away with Haidee, that you make de escape. Then you get
-from Boss Burton the money he owe and come to Linton Hotel in Lafayette
-sometime this night. You understand, _meetoowah_?"
-
-"Yes."
-
-"And you not let anybody know you come to Linton Hotel, _meetoowah_."
-
-"No."
-
-"And at all time when you wake you forget you was Margaret Manners, and
-you remember all time when you wake that you only Haidee."
-
-"Yes."
-
-"Also, you try get back de box that b'long to you, de little lacquered
-box. Remember that, Haidee. Get de box if you can and bring it with de
-money to Uncle Ben Ali at de Linton Hotel in Lafayette."
-
-"Yes."
-
-"And you all time forget when you wake dat you Margaret Manners,
-and----"
-
-Something happened to the hypnotist, right then and there.
-
-Unable to endure longer the scene transpiring under their eyes, the
-boys had crept forward until they were close to Ben Ali and Aurung Zeeb.
-
-Matt, behind Ben Ali, arose suddenly and caught the Hindoo by the
-shoulders, flinging him down on his back and holding him there with
-both hands about his throat.
-
-McGlory, it had been planned, should make a simultaneous attack, in the
-same manner, upon Aurung Zeeb; but that individual was keener-eyed than
-his companion. He saw McGlory just as the cowboy was about to spring.
-With a loud cry of warning, Aurung Zeeb broke away in a panic and fled
-into the timber.
-
-McGlory did not follow him. Ben Ali, choking and wriggling under the
-tense fingers of the king of the motor boys, had made a desperate
-effort and drawn his knife. The cowboy had glimpsed the blade,
-shimmering in a gleam of sun, and had leaped forward and caught the
-Hindoo's hand.
-
-"We've got the scoundrel!" exulted McGlory. "I reckon this is the last
-stunt of this sort he'll ever lay hand to."
-
-Ben Ali tried to speak. Matt saw the attempt and removed his rigid
-fingers from the prisoner's throat, slipping his hands down and
-gripping one of the man's arms.
-
-"Hold his other arm, Joe," panted Matt. "I want to talk with him. I've
-got to talk with him. A great wrong has been done Haidee, and if it is
-righted Ben Ali is the only one to do it."
-
-McGlory was puzzled, but yielded immediate obedience.
-
-"Look at the girl," he whispered, as he laid both hands on the
-prisoner's other arm.
-
-There was a look of sharp pain in Haidee's face. Her hands were
-clutching her throat, and she was swaying where she stood.
-
-"Haidee feel what you do to me," gurgled Ben Ali. "You hurt me, you
-hurt her. You do not understand de power."
-
-"He's talkin' with two tongues!" declared McGlory.
-
-"No," said Matt, "he tells the truth. As I told you, Joe, we've
-got to make use of the scoundrel for Haidee's benefit. Don't mind
-Haidee--she'll be all right by the time we are through with Ben Ali."
-
-
-
-
-CHAPTER XV.
-
-"FOR THE SAKE OF HAIDEE!"
-
-
-Motor Matt knew something about hypnotism, having acquired the
-knowledge in the casual way most boys learn about such occult and, at
-times, fascinating subjects.
-
-The young motorist knew, for instance, that if it was suggested to
-Margaret Manners often enough in a hypnotic state that she was only
-Haidee, the girl would come to forget her own personality. Even when
-out of the trance she would be confused and bewildered in trying to
-recall her real name and her past life.
-
-It was to undo some of this evil that Matt was eager for a talk with
-the Hindoo.
-
-"Ben Ali," said Matt sternly, "we have the box of letters and Captain
-Manners' Victoria Cross. In order to make you suffer terribly for what
-you have done, we have only to turn you over to the authorities and let
-them cable to London. There is a thousand pounds sterling offered as a
-reward for the recovery of Margaret Manners; and for you there would be
-a long term in prison. You understand that, don't you?"
-
-There was a crafty look on the Hindoo's face as he answered.
-
-"Yes, sahib. But you not do anything with me. De girl is in de trance.
-I have her in my power."
-
-"And we have you in our power," said Matt, appreciating to the full the
-strong hold Ben Ali had on them, as well as on the girl.
-
-"But, by and by, when we have finished de talk, de young sahib will let
-me go."
-
-Matt was deeply thoughtful for a few moments.
-
-"Yes," he answered deliberately, "if you will answer my questions, and
-do what I tell you to do, we will let you go."
-
-"Pard!" remonstrated Joe.
-
-"I know what I am doing, Joe," returned Matt.
-
-"De young sahib is wise," put in the smiling Ben Ali, his eyes
-beginning to gleam and dance in an attempt to get the king of the motor
-boys under their influence.
-
-"Pah!" murmured Matt disgustedly. "You can hold his arm with one hand,
-Joe. Place the other hand over his eyes."
-
-"He's a fiend," growled McGlory, as his palm dropped over the upper
-part of Ben Ali's face.
-
-The Hindoo laughed noiselessly.
-
-"Will you talk with me frankly and answer my questions, Ben Ali,"
-proceeded Matt, "providing we promise to let you go?"
-
-"Yes, sahib."
-
-"Then, first, who are you?"
-
-"De brother of a great rajah in my own land, and de brother of de great
-rajah's sister. That sister married de Captain Manners, Margaret's
-father."
-
-"I see," breathed Matt, his eyes wandering to the girl.
-
-Haidee had grown quiet, her face expressionless and her eyes staring
-and vacant, as before.
-
-"I, with my rich rajah brother," continued Ben Ali, with bitterness,
-"was only de driver of his elephants. No more. I work. He live in
-luxury and do not anything. Captain Manners die. Then his wife, she
-die, too. _Suttee._ She burn on de funeral pyre, as our custom is in my
-land. De husband die, then de widow die. Margaret she live. My brother,
-de rajah, give me money, send me to Calcutta after Margaret. I go. I
-get de girl and we take ship to America. Hah! On de way I tell Margaret
-it is her uncle, de rajah's wish, that she go to de Vassar school in
-America, that I follow order when I take her there. She believe what I
-say. On de steamer I begin de trances. She not like them, but she agree
-at first. By and by she not able to help herself. I tell her she not
-remember who she is when she wake, that she only Haidee. She b'leeve."
-The scoundrel laughed. "I have de so great power with the eyes and the
-hands, sahib."
-
-"Why did you join a show and take the girl with you?" demanded Matt, a
-feeling of horror and repulsion for Ben Ali growing in his heart.
-
-"I have to live, sahib. My money give out. I know how to drive de
-elephant, so I hear of de show and go there. Boss Burton hire me. I
-speak of Haidee. He hire her, too."
-
-"Did she know how to perform on the trapeze--she, the niece of a
-powerful rajah and daughter of an English gentleman?"
-
-"She know not anything about that. I put her in de trance and tell her
-she know. Then she perform on de trapeze better than any."
-
-"Why did you want her to go up on the flying machine?"
-
-"Cut it short," growled McGlory huskily. "I feel like using the knife
-on the villain, pard. He ain't fit to live."
-
-"You listened to me while I was talking with my friends in the calliope
-tent this morning," continued Matt. "Why was that?"
-
-"I was afraid of de Dutch boy," answered Ben Ali, "and I was more
-afraid when I hear what he tell. After that, I be afraid of all of you.
-You understan'? I thought you take Haidee away from me."
-
-"You hypnotized her before the parade and told her to do something to
-make me trouble?"
-
-"Yes, sahib," was the prompt response. "I wanted you out of de way. I
-was afraid."
-
-"Scoundrel!" muttered Matt. "Why, you placed Haidee herself in danger."
-
-"I was Rajah's mahout. I could have kept de elephant from hurting
-Haidee."
-
-"Was she hypnotized when she came to the aëroplane and played that
-trick to go up in the machine with me?"
-
-"She was, yes, sahib."
-
-"And you gave her something to be used in setting the aëroplane afire?"
-
-"Yes, sahib. It was de smouldering fire ball, with de coal in its
-heart. When de machine go up, and de win' fan it, den by and by it
-break into flame and set fire to de machine."
-
-Ben Ali was frank, brutally frank. But he had Motor Matt's promise that
-he should go free, and he seemed to gloat over his evil deeds and to
-wish that not a detail be left out.
-
-"She did not act, when she was in the aëroplane, as she did when she
-was in the parade," said Matt.
-
-"I make her act different, sahib. I tell her how she was to be. I have
-de so great power I do that. Other fakirs not so great as Ben Ali."
-
-"We've heard enough," said Matt. "Now, as yet, you have only partly
-earned your freedom, Ben Ali. You have still to do what I shall tell
-you."
-
-"What is that, sahib?"
-
-"You will, by the aid of hypnotism, undo all the evil you have done,
-as much as possible. For instance, you will impress on Haidee, as she
-stands there, the truth that she is Margaret Manners, and that she will
-remember it, and all her past, when she wakes. After that, you are to
-waken her and take yourself off."
-
-"Yes," answered the Hindoo. "My freedom is dear to me. Perhaps"--and he
-smiled--"I have something yet to do with Motor Matt."
-
-"If you cross my path again, Ben Ali," returned the king of the motor
-boys, "there will be no promise binding me to let you go free. If you
-are wise, you will stay away from me and my friends, and from Haidee."
-
-"I take my chance, if that is it. To awaken Haidee I must be on my
-feet."
-
-"You will lie as you are!" declared Matt sharply. "You can do your work
-as well this way as in any other."
-
-"I will try," said the Hindoo, after a moment's pause. Then, in a loud
-voice, he called: "Haidee!"
-
-The girl turned her eyes upon him.
-
-"Yes," she answered.
-
-"When you wake, _meetoowah_, you will remember that you are Margaret
-Manners."
-
-"Yes."
-
-"You will remember all, everything--Calcutta, your father, Captain
-Manners, your mother, your mother's brother, de rajah. But you forget
-Ben Ali, and you think no more of him. You understand?"
-
-"Yes."
-
-This, in a little different language, Ben Ali repeated several times.
-
-"Now, young sahib," said he, "let me up till I wake Haidee."
-
-"Hold to him on that side, Joe," cautioned Matt, "but give him the use
-of his hands. When Haidee wakes, release him."
-
-"Sufferin' fairy tales!" grumbled McGlory. "I hate to do it, pard, and
-that's honest, but I reckon, from what I've heard, that you know what
-you're about. It's a hard way to bring right and justice to the girl
-by letting this scoundrel escape the law, but there don't seem to be
-anything else for it."
-
-Slowly the boys got up and permitted Ben Ali to struggle to his feet.
-When he was erect, both still gripped him by the waist in order to
-prevent him from committing any treachery.
-
-Ben Ali leaned forward and waved his hands.
-
-"Awake, _meetoowah_!" he called sharply. "You are yourself again,
-Margaret Manners! Awake!"
-
-The girl started, and lifted both hands to her temples. It was enough,
-and Motor Matt was satisfied.
-
-"Let him go, Joe," said Matt, "but keep his knife."
-
-The boys, at the same moment, withdrew their hands and stepped back.
-Ben Ali, with a wild, snarling laugh, sprang into the woods and
-vanished.
-
-"What is it?" asked Margaret Manners, in a puzzled voice. "Where am I?
-Ah, is that you, Motor Matt? And Joe!"
-
-"Yes, sis," returned the cowboy, his voice full of gentleness, "it's
-your friend McGlory, and the best friend you ever had if you did but
-know it--Motor Matt."
-
-"Come," said Matt briskly, "we must hustle back to the automobile. Carl
-will have a fit wondering what has become of us."
-
-
-
-
-CHAPTER XVI.
-
-THE RAJAH'S NIECE.
-
-
-The events of that wonderful day all seemed like a dream to Motor Matt
-when he came to look back on them. The coming of Carl, loaded with a
-joke sprung upon him by the detectives in Chicago--a joke, by the way,
-that proved a boomerang--and the dangers and perils that trailed after
-the Dutch boy and finally ended in most marvelous success--all these
-seemed but the figments of disordered fancy.
-
-But the damaged aëroplane remained to tell of the dangers, and Carl was
-there in the flesh, and Margaret Manners was present, freed of the evil
-shadow that had blighted her young life.
-
-The afternoon performance had been over for some time when Matt,
-Joe, Carl, and Margaret--for now she must be Margaret and not
-Haidee--returned to the show grounds.
-
-The owner of the motor car was walking up and down in fretful mood,
-thinking, perhaps, that he had done a most unwise thing in letting his
-machine get out of his hands.
-
-Burton was with him and seeking to pacify his fears. But the sight of
-the motor car alone did that.
-
-"Well," exclaimed Burton, "you've got one of 'em, Matt. She is the most
-valuable of the lot, to me. Where are the other two?"
-
-"They escaped," answered Matt shortly. "And Haidee, Mr. Burton, is no
-longer an employee of the Big Consolidated."
-
-"What!" cried Burton. "Do you mean to say she isn't going up on the
-aëroplane any more, and that she'll not touch off Roman candles or----"
-
-"I told you she'd never do that, some time ago," said Matt keenly.
-
-Burton seemed to have a way of forgetting the things he did not want to
-hear.
-
-"Well, anyhow," went on the showman, as soon as they had all alighted,
-and the owner of the car had got into it and tooted joyfully away,
-"come to the mess tent and tell me what happened."
-
-"Haven't time, Burton," said Matt. "Miss Manners is going to the best
-hotel in town, and I've got some telegrams to send."
-
-"Telegrams?" Burton pricked up his ears and showed signs of excitement.
-"There isn't another show trying to hire you away from me, is there?
-Don't forget your written contract, Matt!"
-
-"I'm not forgetting that," returned Matt, inclined to laugh. "The
-telegram I am going to send is to the British ambassador at Washington,
-and the cablegram I am going to get on the wires is to an attorney in
-London, England."
-
-"Jupiter!" exclaimed Burton. "It looks to me as though you wouldn't get
-through in time to go on with section two of the show train."
-
-"We won't," continued Matt, "and that's what I'm going to tell you
-about. We'll be a couple of days making repairs on the aëroplane,
-and we'll make them here. After the work is done, we'll join the Big
-Consolidated at the town where it happens to be at that time."
-
-"Your contract, sir!" fumed Burton. "You are----"
-
-"No repairs on the aëroplane would have been necessary," interrupted
-Motor Matt, "if you had not played that trick on me and substituted
-Haidee for Le Bon. Just remember that. I shall expect you to pay the
-bills for the repairs, too."
-
-Burton received these remarks in silence.
-
-"When I and my friends are ready to join you," went on the king of
-the motor boys, "we'll go by air line in the _Comet_, and if you have
-any good paper, we'll scatter it all along the route. It will be the
-biggest kind of an advertisement for you, Burton."
-
-This was a master stroke, if Burton yearned for one thing more than
-another, it was to make his name a household word.
-
-"Great!" he cried. "But you won't be more than two days here, will you,
-Matt?"
-
-"We'll try not to be."
-
-"And you'll scatter the paper?"
-
-"Certainly."
-
-"Fine! I'll have it for you. Where'll I send it?"
-
-"To the Bramble House."
-
-"It will be there. Make the bill for repairs as light as possible, and
-draw on me for the amount. That's fair, ain't it?"
-
-"Just about."
-
-"Ask anybody and they'll tell you Boss Burton is the soul of honesty,
-and that every promise he makes in his paper is carried out to the
-letter. What will you do with the aëroplane?"
-
-"McGlory and Ping will look after it to-night. Tomorrow they will have
-it removed to some place where we can work on it comfortably."
-
-"All right--have it your way. I'm the easiest fellow to get along with
-that you ever saw, when I see a chap is going to treat me square. Good
-luck to you--to all of you."
-
-The party separated. McGlory went over into the show grounds to join
-Ping at the aëroplane, and Matt and Carl escorted Miss Manners to the
-Bramble House. Carl went to the show, when the tents were being pulled
-down that night, and got Miss Manners' trunk and his own clothes from
-the calliope tent. Carl, it will be recalled, was wearing McGlory's
-work clothes, and McGlory was going to need them.
-
-Most of the luggage belonging to Matt and his friend went on by train
-with the show impedimenta, to be reclaimed at some town farther along
-the route.
-
-Matt sent his telegram and his cablegram, and in neither did he conceal
-the fact that all the glory of the achievement belonged to Carl Pretzel.
-
-The Dutch boy was terribly set up over his success. Until far into the
-night he kept Matt up, trying to find out what he should do with his
-five thousand dollars. Carl was about evenly divided, in his opinions,
-as to whether he should buy an aëroplane of his own, or a circus. Matt
-discouraged him on both points.
-
-Next morning the _Comet_, under its own power, dragged its battered
-pinions to a big blacksmith shop, and there the motor boys got actively
-to work on the repairs.
-
-The damage was confined almost entirely to the canvas covering the left
-wing. None of the supports were injured.
-
-In two days' time the aëroplane was as good as new. At the close of the
-second day, when Matt and McGlory reached the hotel with their work
-finished, so far as the _Comet_ was concerned, they found an English
-gentleman who represented the British embassy.
-
-This gentleman had come, personally, to assume charge of Miss Manners;
-and, by this very act, the boys understood that the young woman was
-something of a personage.
-
-The Englishman said nothing about the reward, and Carl began to worry.
-Finally he broached the subject himself, only to learn that the five
-thousand dollars must come from India, and that it would be a month,
-possibly two months, before it could be turned over.
-
-Carl was disgusted. He had expected to have the money all spent before
-two months had passed.
-
-"Dot's der vay mit der tedectif pitzness," he remarked gloomily. "Even
-ven you vin you don't get nodding."
-
-"But you're bound to get it, Carl," laughed McGlory, "sooner or later."
-
-"Meppy so mooch lader dot I vill be olt und gray-heated und not know
-nodding aboudt how to shpend him. How vas I going to lif in der
-meandime, huh? Tell me dose."
-
-"Come along with us," said Matt, "and stay with the Big Consolidated
-until your money comes."
-
-"I don'd like dot Purton feller," growled Carl. "He iss der vorst case
-oof stingy vat I efer see. Shdill, id iss vort' someding to be mit
-Modor Matt. Yah, so helup me, I vill go."
-
-Ping was not in love with this arrangement, but had to bow to it.
-
-The gentleman from Washington took the next train back to the capital,
-arranging to have Miss Manners left in the care of an estimable lady in
-Lafayette until word should come from India.
-
-
-THE END.
-
-
-
-
-THE NEXT NUMBER (28) WILL CONTAIN
-
-Motor Matt's "Short Circuit"
-
-OR,
-
-THE MAHOUT'S VOW.
-
- The Serpent Charmer--A Bad Elephant--Burton's Luck--Motor Matt's
- Courage--Dhondaram's Excuse--Robbery--Between the Wagons--A Peg to
- Hang Suspicions On--A Waiting Game--A Trick at the Start--In the Air
- With a Cobra--A Scientific Fact--Ping On the Wrong Track--Facing a
- Traitor--Meeting the Hindoo--A Bit of a Backset
-
-
-
-
-MOTOR STORIES
-
-THRILLING ADVENTURE MOTOR FICTION
-
-NEW YORK, August 28, 1909.
-
-
-TERMS TO MOTOR STORIES MAIL SUBSCRIBERS.
-
-(_Postage Free._)
-
-Single Copies or Back Numbers, 5c. Each.
-
- 3 months 65c.
- 4 months 85c.
- 6 months $1.25
- One year 2.50
- 2 copies one year 4.00
- 1 copy two years 4.00
-
-=How to Send Money=--By post-office or express money-order, registered
-letter, bank check or draft, at our risk. At your own risk if sent by
-currency, coin, or postage-stamps in ordinary letter.
-
-=Receipts=--Receipt of your remittance is acknowledged by proper change
-of number on your label. If not correct you have not been properly
-credited, and should let us know at once.
-
- ORMOND G. SMITH, }
- GEORGE C. SMITH, } _Proprietors_.
-
- STREET & SMITH, Publishers,
- 79-89 Seventh Avenue, New York City.
-
-
-
-
-SAVED BY A FALLING TREE.
-
-
-Winter still reigned, and Louis and Allen Wright were snowshoeing back
-to the lumber camp where they worked.
-
-It was a small camp upon the Tobago River, near the Ottawa, close to
-the border between the Provinces of Ontario and Quebec, and the pine
-had for the most part been cut long ago. There was a little pine left,
-however, with a good deal of pulp wood and mixed timber to be got out,
-and the foreman had sent the boys to look over a patch of spruce about
-twelve miles from the shanty. They were returning with their axes upon
-the frozen Tobago River, which formed a convenient roadway through the
-tangled and snowy Canadian forest.
-
-The boys were not professional "lumber jacks," but they were both
-deeply desirous of acquiring a couple of hundred dollars to cover the
-expenses of a course in mining engineering, and that winter high wages
-were being offered for even inexperienced men in the lumber camps.
-
-As they were country-bred youths, they took to the work naturally, and
-Allen, although he had not yet come to his full strength, speedily
-developed a surprising dexterity with the axe. He could "lay" a tree
-within a few inches of where he desired it to fall, and had been the
-instrument of victory several times in lumbering matches with rival
-camps.
-
-It was late in February and still bitterly cold, but the deep snow
-was packing and softening. In a few weeks the ice might break up, and
-mountains of logs were piled upon the river in readiness for the drive.
-
-About three miles before it reached the shanty the river broke into
-rapids for about thirty rods before it fell tumultuously over a low
-ridge of rocks.
-
-It was necessary to make a detour round this obstacle, and Allen went
-ashore at a cautious distance from the water. Louis, however, remained
-upon the ice, walking almost to the verge, and looking over into the
-inky stream.
-
-"Be careful, Lou! That ice is getting rotten!" Allen shouted from the
-bank.
-
-"It's as strong as rock. Look!" answered Louis, jumping in his rackets
-with a heavy thud upon the snow.
-
-He proved the reverse of what he intended. There was a dull cracking
-under the snow and a startled shout from the reckless snowshoer. A
-great cake of ice broke off, drifting away, with Louis standing on it.
-He balanced unsteadily for a moment, staggered, and plunged off with a
-terrified yell, going clean out of sight under the icy water.
-
-The cake of ice drifted over the rapids and broke up. Allen had
-scarcely time to move before his brother reappeared, struggling feebly,
-and evidently almost paralyzed by the cold immersion. By good luck he
-managed to catch the top of a projecting rock at the head of the fall,
-and there he clung, driven against the rock by the force of the current.
-
-"Hold on a minute, Lou! I'll get you out!" screamed Allen frantically.
-Louis turned a blue face toward him, without answering.
-
-Allen tore and kicked off his snowshoes, and was on the point of
-plunging into the water; but common sense returned to him in time.
-Louis was in the middle of the stream, thirty feet away. Allen could
-never reach him through that swift, deep current, and if he could, he
-would be so chilled as to be incapable of giving any sort of help.
-
-But the boy certainly could not hold on long in his present position,
-and should he let go he would be swept over the rapids and under the
-ice at the foot. His life hung on seconds.
-
-Allen could think of no plan. He shouted encouraging words without
-knowing what he said, while his eyes roved desperately up and down the
-snowy shores in search of some inspiration.
-
-If he had only a rope, or anything to make a bridge--and then his eye
-fell upon a tall, dead pine "stub," barkless and almost branchless,
-standing a few feet back from the stream.
-
-It was long enough to reach to the imperiled youth, if it could be
-felled so accurately as to lie close beside him. But a foot or two
-above or below him would make it useless, and to aim too closely would
-be to run a deadly risk of crushing the boy under the falling trunk.
-
-By a queer vagary of his excited brain he remembered William Tell
-and the apple. He would have to perform a somewhat similar feat of
-marksmanship; but it was the only chance that he could think of. He
-plunged through the snow for his axe, wallowed back to the dead stub,
-and began to chop.
-
-In the need for action his nerves grew suddenly cool. The feat was a
-more delicate one than he had ever attempted, and his brother's life
-hung upon his steadiness of nerve and muscle. But he cut quietly and
-without haste. The great yellow chips flew, and a wide notch grew in
-the trunk.
-
-In a few moments he shifted to the other side, cut another notch, and
-sighted for the probable direction of the fall of the stub. He could
-not tell how the roots held. He would have to leave that important
-factor to chance, but he cut, now delicately, now strongly, till the
-tremor through the axe handle told that the trunk was growing unsteady.
-
-It was a critical moment. He sighted again most carefully, and cut out
-a few small chips here and there. The stub tottered. It was standing
-poised upon a thin edge of uncut wood, and he stood behind it and
-pushed, cautiously, and then heavily.
-
-The tall trunk wavered, and the fibres snapped loudly. It hesitated,
-bowed, and Allen leaped away from the butt. Down came the pine, roaring
-through the air.
-
-It crashed into the water with a mighty wave and splash that hid boy
-and rock. Allen had a moment of horrified belief that his brother had
-been crushed under it. A moment later he saw that Louis was unhurt.
-But the tree had actually grazed the rock. It had fallen within eight
-inches of the boy's body.
-
-It made a perfect bridge as it lay, but in his nervous reaction Allen
-was almost too shaky to walk the trunk and pull his brother out. He
-did it, although how he got him to land he never quite knew. Louis was
-almost unconscious, and his wet clothes froze instantly into a mass of
-ice.
-
-He would certainly have lapsed into sleep and died, but Allen piled the
-pine chips about the stump and had a fire blazing in a few seconds. The
-dry stump burned like pitch, producing a furnace-like heat; and Allen
-partly undressed his brother and rubbed him hard with snow. Under this
-heroic treatment Louis came back to painful consciousness, and the
-fierce heat from the pine did the rest. But it was several hours before
-he was able to resume the tramp, and it was dark when they reached the
-shanty.
-
-
-
-
-How They Captured the Python.
-
-
-Hamburg, as many know, is the great headquarters of the trade in wild
-animals for menageries and "zoos." To Hamburg are shipped lions,
-elephants, and giraffes, captured in South and East Africa, tigers from
-India, jaguars and tapirs from South America, gorillas from the Congo,
-orang-outangs from Borneo, and, in fact, about every kind of beast,
-bird, and reptile from all quarters of the globe.
-
-The warehouses of the two principal firms engaged in this business are
-interesting places to visit after the arrival of a "beast ship," with
-news of unusually large specimens of animal life.
-
-The narrator made such a visit some months ago on the arrival of a
-remarkably large, brilliantly marked python, shipped from Padang,
-Sumatra. This colubrine giant is more than thirty feet in length, and
-was bespoken by the Austrian government for a zoo at Budapest.
-
-But the story of its capture is even more interesting than the huge
-creature itself, for this python had fallen a victim to its fondness
-for the notes of a violin.
-
-There is a telegraph line extending across Sumatra, from Padang,
-connecting that port, by means of submarine cables, with Batavia, and
-Singapore.
-
-Along this line of land wire are a number of interior stations. One
-of these, called Pali-lo-pom, has been in charge of an operator
-named Carlos Gambrino, a mestizo from Batavia, Java, educated at the
-industrial school there.
-
-The station is on a hillock in the valley of the River Kampar, and is
-adjacent to dense forest, jungle, and a long morass. It is a solitary
-little place, consisting merely of four or five thatched huts, elevated
-on posts to a height of six feet from the ground, to be more secure
-from noxious insects, reptiles, and wild beasts.
-
-As a general rule Gambrino has little enough to do, except listen to
-the monotonous ticking of the instrument. For solace and company,
-therefore, he frequently had recourse to his violin.
-
-Thatched houses on posts in Sumatra are not commonly supplied with
-glass windows; but Gambrino had afforded himself the luxury of a
-two-pane sash, set to slide in an aperture in the side wall of his hut,
-and some five or six months ago, during the wet season, he was sitting
-at this window one afternoon, as he played his violin, when he saw the
-head of a large serpent rise out of the high grass, at a distance of
-seventy or eighty yards.
-
-His first impulse was to get his carbine and try to shoot the monster,
-for he saw that it was a very large python, and not a desirable
-neighbor. But something in the attitude of the reptile led him to
-surmise that it had raised itself to hear the violin, and he passed at
-once to a lively air.
-
-As long as he continued playing the python remained there, apparently
-motionless; but when he ceased it drew its head down, and he saw
-nothing more of it that day, although he went out with his gun to look
-for it.
-
-Nearly a fortnight passed, and the incident had gone from his
-mind--for large snakes are not uncommon in Sumatra--when one night, as
-he was playing the violin to some native acquaintances who had come to
-the hut, they heard the sounds made by a large snake sliding across the
-bamboo platform or floor of the little veranda. On looking out with a
-light, one of the party saw a huge mottled python gliding away.
-
-But it was not until the reptile appeared a third time, raising its
-head near his window, that the telegrapher became certain that it was
-really his violin which attracted it.
-
-In the meantime the operator at Padang, with whom Gambrino held daily
-conversations by wire, had told him that the German agent of a Hamburg
-house at that port would pay ten pounds, English money, for such a
-python as he described.
-
-Gambrino began scheming to capture the reptile. In one of the huts at
-the station there was stored a quantity of fibre rope, such as is used
-in Sumatra for bridging small rivers and ravines.
-
-Gambrino contrived three large nooses from this rope, which he elevated
-horizontally, on bamboo poles, to the height of his window, and carried
-the drawing ends of the nooses inside the hut.
-
-This was done after the operator had ascertained that at times the
-snake would come about the house and raise its head as if it heard the
-violin.
-
-Some time later the python was beguiled by the music into raising its
-head inside one of the nooses, which a native, who was on the watch
-while Gambrino played, instantly jerked tight.
-
-What followed was exciting. The reptile resented the trick with vigor,
-and showed itself possessed of far more strength than they had expected.
-
-The rope had been made fast to a beam inside, and the snake nearly
-pulled the entire structure down, making it rock and creak in a way
-that caused Gambrino and his native ally to leap to the ground in haste
-from a back entrance. The reptile coiled its body about the posts and
-pulled desperately to break away. Altogether, it was a wild night at
-this little remote telegraph station.
-
-The next morning a crowd of natives collected; and as the python had by
-this time exhausted itself, they contrived to hoist its head as high as
-the roof of the hut and to secure its tail.
-
-It was then lowered into a molasses hogshead, which was covered over
-and trussed up securely with ropes.
-
-In this condition the python was drawn to Padang on a bullock cart. It
-is said to weigh more than four hundred pounds.
-
-
-
-
-ON THE ROAD TO MANDALAY.
-
-
-All of us who were singing "On the Road to Mandalay" a few years
-ago--and there were mighty few of us who let it alone vocally--will
-be a bit surprised to be informed that Rangoon, where the dawn comes
-up like thunder and other interesting things happen, looks to the
-approaching tourist like an up-to-date American business centre.
-
-In fact, according to a writer, the capital of Burma has many American
-towns beat a mile in the civic improvement line. "Its electric-lighted
-highways, all broad, neatly paved and well drained; its brilliantly
-illuminated boulevards, with rows of graceful, well-trimmed trees
-bordering both sides; its blocks of buildings, all laid out after a
-carefully considered plan, showing little of architectural beauty but
-much of austere regularity, astonish the stranger.
-
-"When you take into consideration the fact that Rangoon has a system
-of parks and parkways with beautiful shade trees, choice flowers,
-and crystal lakes, artificial and natural, dotted about them, and
-that it provides breathing spaces for people living in congested
-districts, you cannot but form a good idea of the aliveness of the
-municipal corporation. A good horse-carriage service, now being rapidly
-superseded by the trolley, makes transportation easy and cheap. The
-city has provided splendid schools and playgrounds. Yet sixty years ago
-Rangoon was a mere fishing village."
-
-One item from Mr. Kipling's picture of Rangoon referred to the
-elephants hauling teakwood in "the slushy, squdgy creek." Well, they
-are still at it, working with wonderful precision and an apparent
-sense of responsibility. They don't try to soldier, never get in one
-another's way or mixed up with the machinery, no matter how cramped
-they may be for room.
-
-Some of them take the teak logs which have been floated down the river
-and tow them ashore. Then they drag them to the sawmills, either
-rolling them with one foot while they walk on three, pushing them with
-their tusks, or pulling them with a chain attached to a breast strap.
-
-Inside the mill an elephant selects a log, picks it out with his tusks,
-kicks it up to the saw with his toes, then tying his trunk in a kind of
-knot around the log, holds it against the teeth of the saw while it is
-made into boards, pushing aside the outside slabs as they are cut off
-and adjusting the log to make boards of the proper thickness.
-
-Then he piles the boards up neatly, standing off to examine the effect,
-and if he finds a board out of line carefully adjusting it. Sometimes a
-pair of elephants working together exchange peculiar grunts, as if they
-were giving and receiving directions.
-
-They are used in Burma for various purposes. The young calves are
-ridden like horses, with a soft pad and stirrups. They are found
-especially valuable in bad country, and may be ridden fifty or sixty
-miles a day. A tap on the side of the head, a slight pressure of the
-knee, or a word whispered in the ear is all that is required to guide
-them.
-
-It is not at all a difficult matter for an elephant in prime condition
-to outrun a fast horse, but they cannot jump. A deep ditch only six or
-seven feet wide is impassable to them.
-
-Working elephants are in their prime when they are twenty-five years
-old. They are expensive to feed, it being declared in Rangoon that an
-elephant eats a quarter of his weight in feed every day. An average
-day's food for one is certainly eight hundred pounds.
-
-Socially Burma is unlike other Oriental countries. Men and women--even
-young men and women--walk together in the streets and mingle in social
-gatherings. Courtship always precedes the marriage.
-
-The Burmans are ardent lovers, and when a young man and woman find that
-their parents do not approve of the match they usually repair to the
-woods and return after a day or two as man and wife, sure of parental
-forgiveness. Marriage among Burmans is an extremely simple affair.
-The only ceremony performed is the eating together out of the same
-bowl of rice. Usually a feast is given to the relatives and friends
-of the families concerned. No sacrifices are offered, no services are
-performed.
-
-The Burman wears a smile on his countenance, laughs and looks upon
-life through rose-colored spectacles. Both the women and the men
-wear rich-hued silken clothes. But while there is gayety there is no
-indecorum or impropriety.
-
-For women Burma is a little heaven on earth, if we are to believe
-enthusiastic writers. Mrs. Burman is ubiquitous. Jewelry stores
-containing untold wealth in pearls, rubies, and other gems are in
-charge of women. Markets and fruit stalls are run by women.
-
-At the railroad station a woman sells you the tickets and another one
-is ready to take dictation and to do your type-writing. Not long ago a
-woman stockbroker died leaving a fortune which she had made herself.
-But the Burmese woman does not let business interfere with motherhood.
-She runs the shop with one hand and the children with the other.
-
-When she marries the woman retains her own name, and any property
-she may have inherited or acquired. When divorced she is expected to
-support her children, but this is no hardship for her, since she cared
-for them when she lived with her husband. The Burmese child rarely sees
-the father, but is brought up to look to its mother for guidance and
-support.
-
-The Burmese woman takes a great interest in public affairs, and the
-portals of the University of Rangoon have been open to her for a number
-of years. Her intelligence, her beauty, her freedom from racial caste
-prejudice, all make her an acceptable bride in the eyes of foreigners
-who go to Burma.
-
-Marriage with a foreigner means as a rule that she can live in plenty
-and comfort without working. Naturally she looks upon such a marriage
-with favor. The Burmans are of Mongolian origin, and consequently
-the Chinese and Burmese marriage produces a virile race. With this
-exception the intermixture of races in Burma has not proved desirable.
-
-This is especially so in case of marriages between Europeans and
-Burmans. The offspring of such marriages are termed Eurasians, who
-unfortunately seem to be looked down upon both by full-blooded
-Europeans and Burmans.
-
-Almost as difficult a problem as that of the Eurasian is the tobacco
-problem in Burma. Men, women, and children smoke. The cheroot at
-which they almost incessantly puff is eighteen inches long and about
-a quarter of an inch in diameter. It is wrapped in a banana leaf, and
-its mouthpiece consists of bamboo. The Burman tobacco is so strong that
-only one-fourth of the filling of the cheroot consists of tobacco. The
-balance is a mixture of innocuous herbs.
-
-If possible the Burman exceeds other Asiatics in hospitality. He
-is par excellence the host of Asia. Any stranger may stroll into a
-Burman dwelling and demand hospitality for at least three days. No
-remuneration is expected. Opposite a Burmese house one usually finds
-earthen pots of water placed for the use of the traveler, under a roof
-especially made to shelter the water from the hot rays of the tropical
-sun. These pots are tightly covered with earthen lids, which protect
-the water from dirt and dust.
-
-The social life of the Burmans is interesting in the extreme. They
-indulge in boxing matches, pony, bullock, and boat races, cock
-fighting, splitting cocoanuts, snake charming, and juggling. Chess and
-dominoes are the favorite games. Theatres are in great vogue. The plot
-of the play is usually somewhat monotonous, for almost invariably the
-hero is a prince of the blood royal, the heroine is a princess, and the
-rustics from the villages figure as clowns and jesters.
-
-The dancing, though different from what it is in the Occident, is
-not without interest to a Westerner. The motions of the dancers are
-graceful and spry. Burman amusements last days and nights. The best
-known secular festival is the pwe.
-
-The entertainment is melodramatic. Comedy and tragedy are introduced,
-music and dancing are included. The plot of the play is flimsy. The
-performance includes tricks of clowns who are masters of their art and
-intensely amusing. The musical instruments in the orchestra consist of
-a circle of drums, gongs, trumpets, and wooden clappers, and the music
-out-Wagners Wagner in its deafening noise.
-
-Many religious festivals are celebrated. Probably the occasion when
-presents are distributed to the priests is the most interesting. The
-people bring their presents and pile them up outside an alley made of
-bamboo latticework. One brings candles, another matches, another brass
-vessels, etc., as though some previous arrangement had been made as to
-just what each one shall give.
-
-For the most part the donors are women, and all of them are dressed in
-their best. The monks, attended by a boy carrying a large basket, pass
-down the bamboo alley in single file, and each basket is filled with
-presents. A trio of masqueraders with faces blackened, dancing to comic
-music, follows the procession. Anything that has not been distributed
-to the priests is gathered up by them.
-
-
-
-
-LATEST ISSUES
-
-
-BUFFALO BILL STORIES
-
-The most original stories of Western adventure. The only weekly
-containing the adventures of the famous Buffalo Bill. =High art colored
-covers.= =Thirty-two big pages.= =Price, 5 cents.=
-
- 425--Buffalo Bill's Balloon Escape; or, Out of the Grip of the Great
- Swamp.
-
- 426--Buffalo Bill and the Guerrillas; or, The Flower Girl of San
- Felipe.
-
- 427--Buffalo Bill's Border War; or, The Mexican Vendetta.
-
- 428--Buffalo Bill's Mexican Mix-up; or, The Bullfighter's Defiance.
-
- 429--Buffalo Bill and the Gamecock; or, The Red Trail on the Canadian.
-
- 430--Buffalo Bill and the Cheyenne Raiders; or, The Spurs of the
- Gamecock.
-
- 431--Buffalo Bill's Whirlwind Finish; or, The Gamecock Wins.
-
- 432--Buffalo Bill's Santa Fe Secret; or, The Brave of Taos.
-
- 433--Buffalo Bill and the Taos Terror; or, The Rites of the Red
- Estufa.
-
- 434--Buffalo Bill's Bracelet of Gold; or, The Hidden Death.
-
- 435--Buffalo Bill and the Border Baron; or, The Cattle King of No
- Man's Land.
-
-
-BRAVE AND BOLD WEEKLY
-
-All kinds of stories that boys like. The biggest and best nickel's
-worth ever offered. =High art colored covers.= =Thirty-two big pages.=
-=Price, 5 cents.=
-
- 338--Working His Way Upward; or, From Footlights to Riches. By Fred
- Thorpe.
-
- 339--The Fourteenth Boy; or, How Vin Lovell Won Out. By Weldon J.
- Cobb.
-
- 340--Among the Nomads; or, Life in the Open. By the author of
- "Through Air to Fame."
-
- 341--Bob, the Acrobat; or, Hustle and Win Out. By Harrie Irving
- Hancock.
-
- 342--Through the Earth; or, Jack Nelson's Invention. By Fred Thorpe.
-
- 343--The Boy Chief; or, Comrades of Camp and Trail. By John De Morgan.
-
- 344--Smart Alec; or, Bound to Get There. By Weldon J. Cobb.
-
- 345--Climbing Up; or, The Meanest Boy Alive. By Harrie Irving Hancock.
-
- 346--Comrades Three; or, With Gordon Keith in the South Seas. By
- Lawrence White, Jr.
-
- 347--A Young Snake-charmer; or, The Fortunes of Dick Erway. By Fred
- Thorpe.
-
- 348--Checked Through to Mars; or, Adventures in Other Worlds. By
- Weldon J. Cobb.
-
- 349--Fighting the Cowards; or, Among the Georgia Moonshiners. By
- Harrie Irving Hancock.
-
- 350--The Mud River Boys; or, The Fight for Penlow's Mill. By John L.
- Douglas.
-
- 351--Grit and Wit; or, Two of a Kind. By Fred Thorpe.
-
-
-MOTOR STORIES
-
-The latest and best five-cent weekly. We won't say how interesting
-it is. See for yourself. =High art colored covers.= =Thirty-two big
-pages.= =Price, 5 cents.=
-
- 16--Motor Matt's Quest; or, Three Chums in Strange Waters.
-
- 17--Motor Matt's Close Call; or, The Snare of Don Carlos.
-
- 18--Motor Matt in Brazil; or, Under the Amazon.
-
- 19--Motor Matt's Defiance; or, Around the Horn.
-
- 20--Motor Matt Makes Good; or, Another Victory for the Motor Boys.
-
- 21--Motor Matt's Launch; or, A Friend in Need.
-
- 22--Motor Matt's Enemies; or, A Struggle for the Right.
-
- 23--Motor Matt's Prize; or, The Pluck That Wins.
-
- 24--Motor Matt on the Wing; or, Flying for Fame and Fortune.
-
- 25--Motor Matt's Reverse; or, Caught in a Losing Game.
-
- 26--Motor Matt's "Make or Break"; or, Advancing the Spark of Friendship.
-
- 27--Motor Matt's Engagement; or, On the Road With a Show.
-
- 28--Motor Matt's "Short Circuit"; or, The Mahout's Vow.
-
- 29--Motor Matt's Make-up; or, Playing a New Rôle.
-
-
-_For sale by all newsdealers, or will be sent to any address on receipt
-of price, 5 cents per copy, in money or postage stamps, by_
-
-STREET & SMITH, Publishers, 79-89 Seventh Avenue, New York
-
-
-=IF YOU WANT ANY BACK NUMBERS= of our Weeklies and cannot procure them
-from your newsdealer, they can be obtained from this office direct.
-Fill out the following Order Blank and send it to us with the price
-of the Weeklies you want and we will send them to you by return mail.
-=POSTAGE STAMPS TAKEN THE SAME AS MONEY.=
-
-
- ________________________ _190_
-
- _STREET & SMITH, 79-89 Seventh Avenue, New York City._
-
- _Dear Sirs: Enclosed please find_ ___________________________
- _cents for which send me_:
-
- TIP TOP WEEKLY, Nos. ________________________________
-
- NICK CARTER WEEKLY, " ________________________________
-
- DIAMOND DICK WEEKLY, " ________________________________
-
- BUFFALO BILL STORIES, " ________________________________
-
- BRAVE AND BOLD WEEKLY, " ________________________________
-
- MOTOR STORIES, " ________________________________
-
- _Name_ ________________ _Street_ ________________
-
- _City_ ________________ _State_ ________________
-
-
-
-
-A GREAT SUCCESS!!
-
-MOTOR STORIES
-
-
-Every boy who reads one of the splendid adventures of Motor Matt, which
-are making their appearance in this weekly, is at once surprised and
-delighted. Surprised at the generous quantity of reading matter that we
-are giving for five cents; delighted with the fascinating interest of
-the stories, second only to those published in the Tip Top Weekly.
-
-Matt has positive mechanical genius, and while his adventures are
-unusual, they are, however, drawn so true to life that the reader can
-clearly see how it is possible for the ordinary boy to experience them.
-
-
-_HERE ARE THE TITLES NOW READY AND THOSE TO BE PUBLISHED_:
-
- 1--Motor Matt; or, The King of the Wheel.
-
- 2--Motor Matt's Daring; or, True to His Friends.
-
- 3--Motor Matt's Century Run; or, The Governor's Courier.
-
- 4--Motor Matt's Race; or, The Last Flight of the "Comet."
-
- 5--Motor Matt's Mystery; or, Foiling a Secret Plot.
-
- 6--Motor Matt's Red Flier; or, On the High Gear.
-
- 7--Motor Matt's Clue; or, The Phantom Auto.
-
- 8--Motor Matt's Triumph; or, Three Speeds Forward.
-
- 9--Motor Matt's Air Ship; or, The Rival Inventors.
-
- 10--Motor Matt's Hard Luck; or, The Balloon House Plot.
-
- 11--Motor Matt's Daring Rescue; or, The Strange Case of Helen Brady.
-
- 12--Motor Matt's Peril; or, Cast Away in the Bahamas.
-
- 13--Motor Matt's Queer Find; or, The Secret of the Iron Chest.
-
- 14--Motor Matt's Promise; or, The Wreck of the "Hawk."
-
- 15--Motor Matt's Submarine; or, The Strange Cruise of the "Grampus."
-
- 16--Motor Matt's Quest; or, Three Chums in Strange Waters.
-
- 17--Motor Matt's Close Call; or, The Snare of Don Carlos.
-
- 18--Motor Matt in Brazil; or, Under the Amazon.
-
- 19--Motor Matt's Defiance; or, Around the Horn.
-
- 20--Motor Matt Makes Good; or, Another Victory for the Motor Boys.
-
- 21--Motor Matt's Launch; or, A Friend in Need.
-
- 22--Motor Matt's Enemies; or, A Struggle for the Right.
-
- 23--Motor Matt's Prize; or, The Pluck that Wins.
-
- 24--Motor Matt on the Wing; or, Flying for Fame and Fortune.
-
-To be Published on August 9th.
-
- 25--Motor Matt's Reverse; or, Caught in a Losing Game.
-
-To be Published on August 16th.
-
- 26--Motor Matt's "Make or Break"; or, Advancing the Spark of
- Friendship.
-
-To be Published on August 23d.
-
- 27--Motor Matt's Engagement; or, On the Road With a Show.
-
-To be Published on August 30th.
-
- 28--Motor Matt's "Short Circuit"; or, The Mahout's Vow.
-
-
-PRICE, FIVE CENTS
-
-At all newsdealers, or sent, postpaid, by the publishers upon receipt
-of the price.
-
- STREET & SMITH, _Publishers_, NEW YORK
-
-
-
-
-Transcriber's Notes:
-
-
-Added table of contents.
-
-Italics are represented with _underscores_, bold with =equal signs=.
-
-Converted oe ligatures to "oe" for this text version; ligatures
-retained in HTML edition.
-
-Page 3, changed "an an" to "as an" in "white as an American."
-
-Page 10, changed "me" to "we" in "we were going after Archie"
-
-Page 18, corrected typo "MsGlory" in "McGlory was out of the car."
-
-Page 22, changed "of" to "off" in "as he started off."
-
-Page 27, corrected typo "metoowah" in "Awake, _meetoowah_!"
-
-
-
-
-
-End of Project Gutenberg's Motor Matt's Engagement, by Stanley R. Matthews
-
-*** END OF THIS PROJECT GUTENBERG EBOOK MOTOR MATT'S ENGAGEMENT ***
-
-***** This file should be named 52138-8.txt or 52138-8.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/2/1/3/52138/
-
-Produced by David Edwards, Demian Katz and the Online
-Distributed Proofreading Team at http://www.pgdp.net (Images
-courtesy of the Digital Library@Villanova University
-(http://digital.library.villanova.edu/))
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-