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| author | nfenwick <nfenwick@pglaf.org> | 2025-02-05 23:25:04 -0800 |
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| committer | nfenwick <nfenwick@pglaf.org> | 2025-02-05 23:25:04 -0800 |
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diff --git a/52225-0.txt b/52225-0.txt new file mode 100644 index 0000000..fbecf1d --- /dev/null +++ b/52225-0.txt @@ -0,0 +1,7158 @@ +*** START OF THE PROJECT GUTENBERG EBOOK 52225 *** + +Note: Project Gutenberg also has an HTML version of this + file which includes the original illustrations. + See 52225-h.htm or 52225-h.zip: + (http://www.gutenberg.org/files/52225/52225-h/52225-h.htm) + or + (http://www.gutenberg.org/files/52225/52225-h.zip) + + +Note: Images of the original pages are available through + the Google Books Library Project. See + https://books.google.com/books?id=9g9EAAAAYAAJ + + +Transcriber's note: + + Text enclosed by underscores is in italics (_italics_). + + The o-e ligature is represented by [oe]. + + + + + +THE TEMPTATION OF ST. ANTHONY + +by + +GUSTAVE FLAUBERT + +Translated by Lafcadio Hearn + +Illustrations by Odilon Redon + +(Added especially for this PG e-book.) + + + + + + + +The Alice Harriman Company +New York and Seattle +1910 + + + + +INTRODUCTION + + +It was at some period between 1875 and 1876 that Lafcadio Hearn--still +a "cub" reporter on a daily paper in Cincinnati--began his translation +of Flaubert's "Temptation of St. Anthony." The definitive edition of +the work, over which the author had laboured for thirty years, had +appeared in 1874. + +Hearn was, in his early youth, singularly indifferent to the work of +the Englishmen of the Victorian period. Though he knew the English +masterpieces of that epoch, their large, unacademic freedom of manner +awakened no echoes in his spirit. His instinctive taste was for the +exquisite in style: for "that peculiar kneading, heightening, and +recasting" which Matthew Arnold thought necessary for perfection. +Neither did the matter, more than the manner of the Victorians appeal +to him. The circumstances of his life had at so many points set him +out of touch with his fellows that the affectionate mockery of +Thackeray's pictures of English society were alien to his interest. +The laughing heartiness of Dickens' studies of the man in the street +hardly touched him. Browning's poignant analyses of souls were too +rudely robust of manner to move him. Before essaying journalism Hearn +had served for a while as an assistant in the Public Library, and +there he had found and fallen under the spell, of the great Frenchman +of the Romantic School of the '30's--that period of rich flowering of +the Gallic genius. Gautier's tales of ancient weirdnesses fired his +imagination. The penetrating subtleties of his verse woke in the boy +the felicitous emotions which the virtuoso knows in handling cameos +and enamellings by hands which have long been dust. So, also, Hugo's +revivals of the passions and terrors of the mediæval world stirred the +young librarian's eager interest. But most of all his spirit leapt +to meet the tremendous drama of the "Temptation." He comprehended at +once its large significance, its great import, and in his enthusiastic +recognition of its value and meaning he set at once about giving it a +language understood of the people of his own tongue. + +Tunison tells of the little shy, shabby, half-blind boy--the long +dull day of police reporting done--labouring at his desk into the +small hours, with the flickering gas jet whistling overhead, and his +myopic eyes bent close to the papers which he covered with beautiful, +almost microscopic characters--escaping thus from the crass, raw world +about him to delicately and painstakingly turn into English stories +of Cleopatra's cruel, fantastic Egyptian Night's Entertainment. +Withdrawing himself to transliterate tales of pallid beautiful vampires +draining the veins of ardent boys: of lovely faded ghosts of great +ladies descending from shadowy tapestries to coquette with romantic +dreamers; or to find an English voice for the tragedy of the soul of +the Alexandrian cenobite. + +It was in such dreams and labours that he found refuge from the +environment that was so antipathetic to his tastes, and in his +immersion in the works of these virtuosos of words, in his passionate +search for equivalents of the subtle nuances of their phrases, he +developed his own style. A style full of intricate assonances, of a +texture close woven and iridescent. + +"One of Cleopatra's Night's"--a translation of some of Gautier's tales +of glamour--was issued in 1882, but at "The Temptation of St. Anthony" +the publishers altogether balked. The manuscript could not achieve even +so much as a reading. America had in the '70's just begun to emerge +from that state of provincial propriety in which we were accused of +clothing even our piano legs in pantelettes. The very name of the work +was sufficient to start modest shivers down the spine of all well +regulated purveyors of books. It was largely due to the painters' +conceptions of the nature of the hermit's trials that the story of +Saint Anthony's spiritual struggle aroused instinctive terrors in all +truly modest natures. The painters--who so dearly love to display their +skill in drawing legs and busts--had been wont to push the poor old +saint into the obscure of the background, and fill all the foreground +with ladies of obviously the very lightest character, in garments +still lighter, if possible. What had reputable American citizens to do +with such as these jades? More especially such jades as seen through +a French imagination! That Flaubert had brushed aside the gross and +jejune conceptions of the painters the publishers would not even take +the pains to learn. + +It is amusing now to recall the nervous, timid proprieties of those +days. At the time Hearn failed to see the laughable side of it. He was +then too young and earnest, too passionate and too melancholy to have a +sense of its humours. + +He had brought his unfinished manuscript from Cincinnati to New +Orleans, and had continued to work upon it in strange lodgings in +gaunt, old half-ruined Creole houses; at the tables of odd little +French cafés, or among the queer dishes in obscure Spanish and Chinese +restaurants. He had snatched minutes for it amidst the reading and +clipping of exchanges in a newspaper office; had toiled drippingly +over it in the liquifying heats of tropic nights; had arisen from the +"inexpungable langours" of yellow fever to complete its last astounding +pages. + +I can remember applauding, with ardent youthful sympathy, his tirades +against the stultifying influence of blind puritanism upon American +literature. I recall his scornful mocking at the inconsistency which +complacently accepted the vulgar seduction, and the theatrical Brocken +revels of Faust, while shrinking piously from Flaubert's grim story of +the soul of man struggling to answer the riddle of the universe. He +had however an almost equal contempt for the author's countrymen, who +received with eager interest and pleasure the deliberate analysis--in +_Madame Bovary_--of a woman's degradation and ruin, while they yawned +over the amazing history of humanity's tremendous spiritual adventures. +Hearn's own sensitiveness shrank in pain from the cold insight which +uncovered layer by layer the brutal squalour of a woman's moral +disintegration. But he was moved and astounded by the revelation, in +St. Anthony, of the tragedy and pathos of man's long search for some +body of belief or philosophy by which he could explain to himself +the strange great phenomena of life and death, and the inscrutable +cruelties of Nature. The young translator was filled with a sort of +astonished despair at his inability to make others see the book as +he did--not realizing, in his youthful impatience, that the average +mind clings to the concrete, and is puzzled and terrified by outlines +of thought too large for its range of vision; that the commonplace +intelligence cannot "see the wood for the trees," and becomes confused +and over-weighted when confronted with the huge outlines of so great a +picture as that drawn by Flaubert in his masterpiece. + +There were many points of resemblance between Lafcadio Hearn and the +grandson of the French veterinary. A resemblance rather in certain +qualities of the spirit than in social conditions and physical +endowments. Flaubert, born in 1821, was the son of a surgeon. His +father was long connected with the Hôtel Dieu of Rouen, in which the +boy was born, and in which he lived until his eighteenth year, when he +went to Paris to study law. One of the friends of his early Parisian +days describes him as "a young Greek. Tall, supple, and as graceful as +an athlete. He was charming, _mais un peu farouche._ Quite unconscious +of his physical and mental gifts; very careless of the impression he +produced, and entirely indifferent to formalities. His dress consisted +of a red flannel shirt, trousers of heavy blue cloth, and a scarf of +the same colour drawn tight about his slender waist. His hat was worn +'any how' and often he abandoned it altogether. When I spoke to him of +fame or influence.... he seemed superbly indifferent. He had no desire +for glory or gain.... What was lacking in his nature was an interest in +_les choses extérieures, choses utiles._" ... + +One who saw him in 1879 found the young Greek athlete--now close upon +sixty, and having in the interval created some of the great classics +of French literature--"a huge man, a tremendous old man. His long, +straggling gray hair was brushed back. His red face was that of a +soldier, or a sheik--divided by drooping white moustaches. A trumpet +was his voice, and he gesticulated freely ... the colour of his eyes a +bit of faded blue sky." + +The study of the law did not hold Flaubert long. It was one of those +_choses extérieures, choses utiles_ to which he was so profoundly +indifferent. Paris bored him. He longed for Rouen, and for his little +student chamber. There he had lain upon his bed whole days at a time; +apparently as lazy as a lizard; smoking, dreaming; pondering the large, +inchoate, formless dreams of youth. + +In 1845 his father died, and in the following year he lost his sister +Caroline, whom he had passionately loved, and for whom he grieved +all his life. He rejoined his mother, and they established themselves +at Croisset, near Rouen, upon a small inherited property. It was an +agreeable house, pleasantly situated in sight of the Seine. Flaubert +nourished with pleasure a local legend that Pascal had once inhabited +the old Croisset homestead, and that the Abbé Prevost had written +_Manon Lescaut_ within its walls. Near the house--now gone--he built +for himself a pavilion to serve as a study, and in this he spent the +greater portion of the following thirty-four years in passionate, +unremitting labour. + +He made a voyage to Corsica in his youth; one to Brittany, with Maxime +du Camp, in 1846; and spent some months in Egypt, Palestine, Turkey, +and Greece in 1849. This Oriental experience gave him the most intense +pleasure, and was the germ of _Salammbo_, and of the _Temptation of St. +Anthony._ He never repeated it, though he constantly talked of doing +so. He nursed a persistent, but unrealized dream of going as far as +Ceylon, whose ancient name, Taprobana, he was never weary of repeating; +utterance of its melifluous syllables becoming a positive _tic_ +with him. Despite these yearnings he remained at home. Despite his +full-blooded physique he would take no more exercise than his terrace +afforded, or an occasional swim in the Seine. He smoked incessantly, +and for months at a stretch worked fifteen hours out of the twenty-four +at his desk. Three hundred volumes might be annotated for a page of +facts. He would write twenty pages, and reduce these by exquisite +concisions, by fastidious rejections to three; would search for hours +for the one word that perfectly conveyed the colour of his thought, and +would--as in the case of the _Temptation_--wait fifteen years for a +sense of satisfaction with a manuscript before allowing it to see the +light. To Maxime du Camp, who urged him to hasten the completion of his +book in order to take advantage of a favourable opportunity, he wrote +angrily: + +"Tu me parais avoir à mon endroit un tic ou vice rédhibitoire. Il +ne m'embête pas; n'aie aucune crainte; mon parti est pris là -dessus +depuis long temps. Je te dirai seulement que tous ces mots; _se +dépêcher, c'est le moment, place prise, se poser, ..._ sont pour moi un +vocabulaire vide de sens...." + +In one of his letters he says that on occasion he worked violently for +eight hours to achieve one page. He endeavoured never to repeat a word +in that page, and tried to force every phrase to respond to a rhythmic +law. Guy do Maupassant, his nephew and pupil, says that to ensure this +rhythm Flaubert "prenait sa feuille de papier, relevait à la hauteur du +regard et, s'appuyant sur un coude, déclaimait, d'une voix mordant et +haute. Il écoutait la rythme de sa prose, s'arrêtait comme pour saisir +une sonorité fuyant, combinait les tons, éloignait les assonances, +disposait les virgules avec conscience, commes les haltes d'un long +chemin." ... + +Flaubert said himself, "une phrase est viable quand elle correspond +à toutes les nécessités de respiration. Je sais qu'elle est bonne +lorsqu'elle peut être lu tout haut." + +Henry Irving used to say of himself that it was necessary he should +work harder than other actors because nature had dowered him with +flexibility of neither voice nor feature, and Faguet says that Flaubert +was forced to this excessive toil and incessant watchfulness because +he did not write well naturally. Nevertheless Flaubert's work did not +smell of the lamp. Whatever shape his ideas may have worn at birth +when full grown they moved with large classic grace and freedom, +simple, sincere, and beautiful in form. François Coppée calls him "the +Beethoven of French prose." + +So conscientious a workman, so laborious and self-sacrificing an artist +had a natural attraction for Lafcadio Hearn, who even in boyhood began +to feel his vocation as "a literary monk." The whole tendency of his +tastes prepared him to understand the true importance of Flaubert's +masterpiece, fitted him especially of all living writers to turn that +masterpiece into its true English equivalent. The two men had much in +common. Both were proud and timid. Both had a fundamental indifference +to _choses extérieures, choses utiles._ Both were realists of the soul. +Actions interested each but slightly; the emotions from which actions +sprung very much. To both stupidity was even more antipathetic than +wickedness, because each realized that nearly all cruelty and vice have +their germ in ignorance and stupidity rather than in innate rascality. +Flaubert declared, with a sort of rage, that "la bêtise entre dans +mes pores." He might too have been speaking for Hearn when he said +that the grotesque, the strange, and the monstrous had for him an +inexplicable charm. "It corresponds," he says, "to the intimate needs +of my nature--it does not cause me to laugh, but to dream long dreams." +Hearn, however, mixed with this triste interest a quality that Flaubert +seemed almost wholly to lack--a great tenderness for all things humble, +feeble, ugly and helpless. Both from childhood were curious of poignant +sensations, of the sad, the mysterious and the exotic. And for both the +tropics had an irresistible fascination. Flaubert says, in one of his +letters: + +"I carry with me the melancholy of the barbaric races, with their +instincts of migration, and their innate distaste of life, which forced +them to quit their homes in order to escape from themselves. They loved +the sun, all those barbarians who came to die in Italy; they had a +frenzied aspiration toward the light, toward the blue skies, toward an +ardent existence.... Think that perhaps I will never see China, will +never be rocked to sleep by the cadenced footsteps of camels ... will +never see the shine of a tiger's eyes in the forest.... You can treat +all this as little worthy of pity, but I suffer so much when I think of +it ... as of something lamentable and irremediable." + +This is the nostalgia for the strange, for the unaccustomed, that all +born wanderers know. Fate arranges it for many of them that their lives +shall be uneventful, passed in dull, provincial narrowness; but behind +these bars the clipped wings of their spirit are always flutteringly +spread for flight. They know not what they seek, what desire drives +them, but a sense of "the great adventure" unachieved keeps them +restless until they die. It is such as these, these _voyageurs +empassionés_, when condemned by fortune to a static existence--who find +their outlet in mental wanderings amid the unusual, the grotesque, +and the monstrous. Hearn and Flaubert both were at heart nomads, +seekers of the unaccustomed; stretching toward immensities of space +and time, toward the ghostly, the hidden, the unrealized. Like that +wild fantastic _Chimera_ of the "Temptation" each such soul declares +"_je cherche des parfums nouveaux, des fleurs plus large, des plaisirs +inéprouvés._" + +Flaubert was but twenty-six when the first suggestion of his +masterpiece came to him. For _La Tentation de St. Antoine_, it is +coming to be understood, is his masterpiece; is one of the greatest +literary achievements of the French mind. _Madame Bovary_ is more +widely famous and popular, but Flaubert himself always deeply resented +this preference, and was always astonished at the comparative +indifference of the world to the "Temptation." He, too, found it +difficult to realize how hardly the average mind is awakened to an +interest in the incorporeal; how surely cosmic generalizations escape +the grasp of the commonplace intelligence. + +Wagner waited a lifetime before the world was dragged reluctantly and +resentfully up to a point from which it could discern the superiority +of the tremendous finale of the Götterdämmerung to the Christmas-card +chorus of angels chanting "_Âme chaste et pure_" to the beatified +Marguerite. The whole prodigious structure of Wagner's dramatic and +musical thought might have remained a mere adumbration in the soul of +one German had chance not set a mad genius upon the throne of Bavaria. +The bourgeoisie would--lacking this royal bullying--have continued to +prefer Goethe and Gounod. Flaubert's great work unfortunately failed of +such patronage. + +It was in 1845 that an old picture by Breughel, seen at Genoa, first +inspired Flaubert to attempt the story of St. Anthony. He sought +out an engraving of this conception of Peter the Younger (surnamed +"Hell-Breughel" for his fondness for such subjects), hung it on his +walls at Croisset, and after three years of brooding upon it began, +May 24, 1848, _La Tentation de St. Antoine._ In twelve months he had +finished the first draught of the work, which bulked to 540 pages. It +was laid aside for "Bovary," and a second version of the "Temptation" +was completed in 1856, but this time the manuscript had been reduced +to 193 pages, and the "blazing phrases, the jewelled words, the +turbulence, the comedy, the mysticism" of the first version had been +superseded by a larger, more dramatic conception. In 1872 he made still +a new draught, and by this time it had shrunk to 136 pages. He even +then eliminated three chapters, and finally gave to the world in 1874 +"this wonderful coloured panorama of philosophy, this Gulliver-like +travelling amid the master ideas of the antique and early Christian +worlds." + +Faguet says, "In its primitive and legendary state the temptation +of St. Anthony was nothing more than the story of a recluse tempted +by the Devil through the flesh, by all the artifices at the Devil's +disposal. In the definite thought of Flaubert the temptation of St. +Anthony has become man's soul tempted by all the illusions of human +thought and imagination. St. Anthony to the eyes of the first naive +hagiologists is a second Adam, seduced by woman, who was inspired by +Satan. St. Anthony conceived by Flaubert is a more thoughtful Faust; a +Faust incapable of irony, not a Faust who could play with illusions and +with himself--secretly persuaded that he could withdraw when he chose +to give himself the trouble to do so--rather a Faust who approached, +accosted, caressed all possible forms of universal illusions." + +Flaubert's studies for the "Temptation" were tremendous. For nearly +thirty years he touched and retouched, altered, enlarged, condensed. +He kneaded into its substance the knowledge, incessantly sought, of +all religions and philosophies; of all the forms man's speculations +had taken in his endless endeavours to explain to himself Life and +Fate; humanity's untiring, passionate effort to find the meaning of its +mysterious origin and purpose, and final destiny. How terrible, how +naive, how fantastic, bloody, grovelling, and outrageous were most of +the solutions accepted, the gigantic panorama of the book startlingly +sets forth. What gory agonies, what mystic exaltations, what dark +cruelties, frenzied abandons, and inhuman self denials have marked +those puzzled gropings for light and truth are revealed as by lightning +flashes in the crowding scenes of the epic. For the Temptation of St. +Anthony is an epic. Not a drama of man's actions, as all previous +epics have been, but a drama of the soul. All its movement is in the +adventure and conflict of the spirit. St. Anthony remains always in +the one place, almost as moveless as a mirror. His vision--clarified +of the sensual and the actual by his fastings and macerations--becomes +like the surface of an unruffled lake. A lake reflecting the aberrant +forms of thoughts that, like clouds, drift between man and the infinite +depths of knowledge. Clouds of illusion forever changing, melting, +fusing; assuming forms grotesque, monstrous, intolerable; until at +last the writhing mists of speculation and ignorance are drunk up +by the widening light of wisdom and the fogs and phantasms vanish, +leaving his consciousness aware, in poignant ecstasy, of the cloudless +deeps of truth. The temptation of the flesh is but a passing episode. +An eidolon of Sheba's queen offers him luxury, wealth, voluptuous +beauty, power, dainty delights of eye and palate in vain. Man has never +found his most dangerous seductions in the appetites. More lamentable +disintegration has grown from his attempts to pierce beyond the +body's veil. The parched and tortured saint is whirled by vertiginous +visions through cycles of man's straining efforts to know why, whence, +whither. He assists at the rites of Mithira, the prostrations of +serpent-and-devil-worshippers, worshippers of fire, of light, of the +Greeks' deified forces of nature; of the northern enthronement of brute +force and war. He is swept by the soothing breath of Quietism, plunges +into every heresy and philosophy, sees the orgies, the flagellations, +the self mutilations, the battles and furies of sects, each convinced +that it has found the answer at last to the Great Question, and +endeavouring to constrain the rest of humanity to accept the answer. +He meets the Sphinx--embodied interrogation--and the Chimera--the +simulacrum of the fantasies of the imagination--dashing madly about the +stolid querist. + +Lucifer--spirit of doubt of all dogmatic solutions--mounts with Anthony +into illimitable space. They rise beyond these struggles and furies +into the cold uttermost of the universe; among innumerable worlds; +worlds yet vaguely forming in the womb of time, newly come to birth, +lustily grown to maturity; worlds dying, decaying, crumbling again into +atomic dust. Overcome by the intolerable Vast, Anthony sinks once more +to his cell, and Lucifer, who has shown him the macrocosm, opens to +him the equal immensity of the microcosm. Makes him see the swarming +life that permeates the seas, the earth and atmosphere, the incredible +numerousness of the invisible lives that people every drop of water, +every grain of sand, every breath of air. The unity of life dawns upon +him, and his heart, withered by dubiety, melts into joyousness and +peace. As the day dawns in gold he beholds the face of Christ. + +Flaubert's Lucifer has no relation to the jejune Devil of +man's early conception of material evil, nor does he resemble +Goethe's Mephistopheles; embodiment of the Eighteenth Century's +spirit of sneering disbeliefs and negation. He is rather our own +tempter--Science. He is the spirit of Knowledge: Nature itself calling +us to look into the immensities and read just our dogmas by this new +and terrible widening of our mental and moral horizons. This last +experience of the Saint reproduces the spiritual experiences of the +modern man; cast loose from his ancient moorings, and yet finding at +last in his new knowledge a truer conception of the brotherhood of all +life in all its forms, and seeing still, in the growing light, the +benignant eyes of God. + +It is not remarkable that Flaubert resented the banality, the dull +grossness of the reception of his work, or that Hearn shared his +amazement and bitterness. Even yet the world wakes but slowly to the +true character of this masterpiece; this epic wrought with so great +a care and patience, so instinct with genius, dealing perhaps more +profoundly than any other mind has ever done with the Great Adventure +of humanity's eternal search for Truth. + +ELIZABETH BISLAND. + + + + +ARGUMENT + + + + +FRAILTY + + +Sunset in the desert. Enfeebled by prolonged fasting, the hermit +finds himself unable to concentrate his mind upon holy things. His +thoughts wonder; memories of youth evoke regrets that his relaxed will +can no longer find strength to suppress,--and, remembrance begetting +remembrance, his fancy leads him upon dangerous ground. He dreams of +his flight from home,--of Ammonaria, his sister's playmate,--of his +misery in the waste,--his visit to Alexandria with the blind monk +Didymus,--the unholy sights of the luxurious city. + +Involuntarily he yields to the nervous dissatisfaction growing upon +him. He laments his solitude, his joylessness, his poverty, the +obscurity of his life; grace departs from him; hope burns low within +his heart. Suddenly revolting against his weakness, he seeks refuge +from distraction in the study of the Scriptures. + +Vain effort! An invisible hand turns the leaves, placing perilous +texts before his eyes. He dreams of the Maccabees slaughtering +their enemies, and desires that he might do likewise with the +Arians of Alexandria;--he becomes inspired with admiration of King +Nebuchadnezzar;--he meditates voluptuously upon the visit of Sheba's +queen of Solomon;--discovers a text in the Acts of the Apostles +antagonistic to principles of monkish ascetism,--indulges in reveries +regarding the riches of Biblical kings and holy men. The Tempter comes +to tempt him with evil hallucinations for which the Saint's momentary +frailty has paved the way; and with the Evil One come also + + + +THE SEVEN DEADLY SINS + + +Phantom gold is piled up to excite Covetousness; shadowy banquets +appear to evoke Gluttony. The scene shifts to aid the temptations of +Anger and of Pride.... + +Anthony finds himself in Alexandria, at the head of a wild army of +monks slaughtering the heretics and the pagans, without mercy for +age or sex. In fantastic obedience to the course of his fancy while +reading the Scriptures a while before, and like an invisible echo of +his evil thoughts, the scene changes again. Alexandria is transformed +into Constantinople. + +Anthony finds himself the honoured of the Emperor. He beholds the +vast circus in all its splendour, the ocean of faces, the tumult of +excitement. Simultaneously he beholds his enemies degraded to the +condition of slaves, toiling in the stables of Constantine. He feels +joy in the degradation of the Fathers of Nicæa. Then all is transformed. + +It is no longer the splendour of Constantinople he beholds under the +luminosity of a Greek day; but the prodigious palace of Nebuchadnezzar +by night. He beholds the orgies, the luxuries, the abominations;--and +the spirit of Pride enters triumphantly into him as the spirit of +Nebuchadnezzar.... + +Awaking as from a dream, he finds himself again before his hermitage. +A vast caravan approaches, halts; and the Queen of Sheba descends to +tempt the Saint with the deadliest of all temptations. Her beauty is +enhanced by oriental splendour of adornment; her converse is a song of +withcraft. The Saint remains firm.... The Seven Deadly Sins depart +from him. + + + +THE HERESIARCHS + + +But now the tempter assumes a subtler form. Under the guise of a former +disciple of Anthony,--Hilarion,--the demon, while pretending to seek +instruction, endeavours to poison the mind of Anthony with hatred of +the fathers of the church. He repeats all the scandals amassed by +ecclesiastical intriguers, all the calumnies created by malice;--he +cites texts only to foment doubt, and quotes the evangels only to +make confusion. Under the pretext of obtaining mental enlightenment +from the wisest of men, he induces Anthony to enter with him into +a spectral basilica, wherein are assembled all the Heresiarchs of +the third century. The hermit is confounded by the multitude of +tenets,--horrified by the blasphemies and abominations of Elkes, +Corpocrates, Valentinus, Manes, Cerdo,--disgusted by the perversions of +the Paternians, Marcosians, Montanists, Serptians,--bewildered by the +apocryphal Gospels of Eve and of Judas, of the Lord, and of Thomas. + +And Hilarion grows taller. + + +THE MARTYRS + +Anthony finds himself in the dungeons of a vast amphitheatre, among +Christians condemned to the wild beasts. By this hallucination the +tempter would prove to the Saint that martyrdom is not always suffered +for purest motives. Anthony finds the martyrs possessed by bigotry and +insincerity. He sees many compelled to die against their will; many +who would forswear their faith could it avail them aught. He beholds +heretics die for their heterodoxy more nobly than orthodox believers. + +And he finds himself transported to the tombs of the martyrs. He +witnesses the meetings of Christian women at the sepulchres. He beholds +the touching ceremonies of prayer, change into orgies,--lamentations +give place to amorous dalliance. + + + +THE MAGICIANS + + +Then the Tempter seeks to shake Anthony's faith in the excellence +and evidence of miracles. He assumes the form of a Hindoo Brahmin, +terminating a life of wondrous holiness by self-cremation;--he appears +as Simon Magus and Helen of Tyre,--as Appollonius of Tyans, greatest of +all thaumaturgists, who claims superiority to Christ. All the marvels +related by Philostratus are embodied in the converse of Apollonius and +Damis. + + + +THE GODS + + +Hilarion reappears taller than ever, growing more gigantic in +proportion to the increasing weakness of the Saint. Standing beside +Anthony he evokes all the deities of the antique world. They defile +before him in a marvellous panorama:--Gods of Egypt and India, Chaldea +and Hellas, Babylon and Ultima Thule,--monstrous and multiform, phallic +and ithyphallic, fantastic or obscene. Some intoxicate by their beauty; +others appall by their foulness. The Buddha recounts the story of his +wondrous life; Venus displays the rounded daintiness of her nudity; +Isis utters awful soliloquy. Lastly the phantom of Jehovah appears, as +the shadow of a god passing away forever. + +Suddenly the stature of Hilarion towers to the stars; he assumes the +likeness and luminosity of Lucifer; he announces himself as + + + +SCIENCE + + +And Anthony is lifted upon mighty wings and borne away beyond the +world, above the solar system, above the starry arch of the Milky Way. +All future discoveries of Astronomy are revealed to him. He is tempted +by the revelation of innumerable worlds,--by the refutation of all +his previous ideas of the nature of the Universe,--by the enigmas of +infinity,--by all the marvels that conflict with faith. Even in the +night of immensity the demon renews the temptation of reason: Anthony +wavers upon the verge of pantheism. + + + +LUST AND DEATH + + +Anthony abandoned by the spirit of Science comes to himself in the +desert. Then the Tempter returns under a two-fold aspect: as the +Spirit of Lust and the Spirit of Destruction. The latter urges him to +suicide,--the former to indulgence of sense. They inspire him with +strong fancies of palingenesis, of the illusion of death, of the +continuity of life. The pantheistic temptation intensified. + + + +THE MONSTERS + + +Anthony in reveries meditates upon the monstrous symbols painted upon +the walls of certain ancient temples. Could he know their meaning +he might learn also something of the secret lien between Matter and +Thought. Forthwith a phantasmagoria of monsters commence to pass before +his eyes:--the Sphinx and the Chimera, the Blemmyes and Astomi, the +Cynocephali and all creatures of mythologie creation. He beholds the +fabulous beings of Oriental imagining,--the abnormities described +by Pliny and Herodotus, the fantasticalities to be later adopted by +heraldry,--the grotesqueries of future medieval illumination made +animate;--the goblinries and foulnesses of superstitious fancy,--the +Witches' Sabbath of abominations. + + + +METAMORPHOSIS + + +The multitude of monsters melts away; the land changes into an Ocean; +the creatures of the briny abysses appear. And the waters in turn +also change; seaweeds are transformed to herbs, forests of coral +give place to forests of trees, polypous life changes to vegetation. +Metals crystallize; frosts effloresce; plants become living things, +inanimate matter takes animate form, monads vibrate, the pantheism of +nature makes itself manifest. Anthony feels a delirious desire to unite +himself with the Spirit of Universal Being.... + +The vision vanishes. The sun arises. The face of Christ is revealed. +The temptation has passed; Anthony kneels in prayer. + +L. H. + + + + +THE TEMPTATION OF ST. ANTHONY + + +_It is in the Thebaid at the summit of a mountain, upon a platform, +rounded off into the form of a demilune, and enclosed by huge stones._ + +_The Hermit's cabin appears in the background. It is built of mud and +reeds, it is flat-roofed and doorless. A pitcher and a loaf of black +bread can be distinguished within also, in the middle of the apartment +a large book resting on a wooden STELA; while here and there, fragments +of basketwork, two or three mats, a basket, and a knife lie upon the +ground._ + +_Some ten paces from the hut, there is a long cross planted in the +soil; and, at the other end of the platform, an aged and twisted +palm tree leans over the abyss; for the sides of the mountain are +perpendicular, and the Nile appears to form a lake at the foot of the +cliff._ + +_The view to right and left is broken by the barrier of rocks. But +on the desert-side, like a vast succession of sandy beaches, immense +undulations of an ashen-blonde color extend one behind the other, +rising higher as they recede; and far in the distance, beyond the +sands, the Libyan chain forms a chalk-colored wall, lightly shaded by +violet mists. On the opposite side the sun is sinking. In the north the +sky is of a pearl-gray tint, while at the zenith purple clouds disposed +like the tufts of a gigantic mane, lengthen themselves against the blue +vault. These streaks of flame take darker tones; the azure spots turn +to a nacreous pallor; the shrubs, the pebbles, the earth, all now seem +hard as bronze; and throughout space there floats a golden dust so fine +as to become confounded with the vibrations of the light._ + +_Saint Anthony, who has a long beard, long hair, and wears a tunic of +goatskin, is seated on the ground cross-legged, and is occupied in +weaving mats. As soon as the sun disappears, he utters a deep sigh, +and, gazing upon the horizon, exclaims_:-- + +"Another day! another day gone! Nevertheless formerly I used not to +be so wretched. Before the end of the night I commenced my orisons; +then I descended to the river to get water, and remounted the rugged +pathway with the skin upon my shoulder, singing hymns on the way. Then +I would amuse myself by arranging everything in my hut. I would make my +tools; I tried to make all my mats exactly equal in size, and all my +baskets light; for then my least actions seemed to me duties in nowise +difficult or painful of accomplishment. + +"Then at regular hours I ceased working; and when I prayed with my arms +extended, I felt as though a fountain of mercy were pouring from the +height of heaven into my heart. That fountain is now dried up. Why?" + +(_He walks up and down slowly, within the circuit of the rocks._) + +"All blamed me when I left the house. My mother sank to the ground, +dying; my sister from afar off made signs to me to return; and the +other--wept, Ammonaria, the child whom I used to meet every evening +at the cistern, when she took the oxen to drink. She ran after me. Her +foot rings glittered in the dust; and her tunic, open at the hips, +fluttered loosely in the wind. The aged anchorite who was leading me +away called her vile names. Our two camels galloped forward without +respite; and I have seen none of my people since that day. + +"At first, I selected for my dwelling place, the tomb of a Pharaoh. But +an enchantment circulates through all those subterranean palaces, where +the darkness seems to have been thickened by the ancient smoke of the +aromatics. From the depths of Sarcophagi, I heard doleful voices arise, +and call my name; or else, I suddenly beheld the abominable things +painted upon the walls live and move; and I fled away to the shore +of the Red Sea, and took refuge in a ruined citadel. There my only +companions were the scorpions dragging themselves among the stones, and +the eagles continually wheeling above my head, in the blue of heaven. +At night I was torn by claws, bitten by beaks; soft wings brushed +against me; and frightful demons, shrieking in my ears, flung me upon +the ground. Once I was even rescued by the people of a caravan going +to Alexandria; and they took me away with them. + +"Then I sought to obtain instruction from the good old man Didymus. +Although blind, none equalled him in the knowledge of the Scriptures. +When the lesson was finished, he used to ask me to give him my arm +to lean upon, that we might walk together. Then I would conduct him +to the Paneum, whence may be seen the Pharos and the open sea. Then +we would return by way of the post, elbowing men of all nations, +even Cimmerians clad in the skins of bears and Gymnosophists of the +Ganges anointed with cow-dung. But there was always some fighting in +the streets--either on account of the Jews refusing to pay taxes, or +of seditious people who wished to drive the Romans from the city. +Moreover, the city is full of heretics--followers of Manes; Valentinus, +Basilides, Arius--all seeking to engross my attention in order to argue +with me and to convince me. + +"Their discourses often come back to my memory. Vainly do I seek to +banish them from my mind. They trouble me! + +"I took refuge at Colzin, and there lived a life of such penance that +I ceased to fear God. A few men, desirous of becoming anchorites, +gathered about me. I imposed a practical rule of life upon them, +hating, as I did, the extravagance of Gnosus and the assertions of the +philosophers. Messages were sent to me from all parts, and men came +from afar off to visit me. + +"Meanwhile the people were torturing the confessors; and the thirst of +martyrdom drew me to Alexandria. The persecution had ceased three days +before I arrived there! + +"While returning thence, I was stopped by a great crowd assembled +before the temple of Serapis. They told me it was a last example which +the Governor had resolved to make. In the centre of the portico, under +the sunlight, a naked woman was fettered to a column, and two soldiers +were flogging her with thongs; at every blow her whole body writhed. +She turned round, her mouth open; and over the heads of the crowd, +through the long hair half hiding her face, I thought that I could +recognize Ammonaria.... + +[Illustration: ... through the long hair half hiding her face, +I thought that I could recognize Ammonaria] + +"Nevertheless ... this one was taller ... and beautiful ... +prodigiously beautiful!" + +(_He passes his hands over his forehead._) + +"No! no! I must not think of it! + +"Another time Athanasius summoned me to assist him against the Arians. +The contest was limited to invectives and laughter. But since that +time he has been calumniated, dispossessed of his see, obliged to fly +for safety elsewhere. Where is he now? I do not know! The people give +themselves very little trouble to bring me news. All my disciples have +abandoned me--Hilarion like the rest. + +"He was perhaps fifteen years of age when he first came to me and his +intelligence was so remarkable that he asked me questions incessantly. +Then he used to listen to me with a pensive air, and whatever I needed +he brought it to me without a murmur--nimbler than a kid, merry enough +to make even the patriarchs laugh. He was a son to me." + +(_The sky is red; the earth completely black. Long drifts of sand +follow the course of the gusts of wind, rising like great shrouds and +falling again. Suddenly against a bright space in the sky a flock of +birds pass, forming a triangular battalion, gleaming like one sheet of +metal, of which the edges alone seem to quiver._ + +_Anthony watches them._) + +"Ah, how I should like to follow them. + +"How often also have I enviously gazed upon those long vessels, +whose sails resemble wings--and above all when they were bearing +far away those I had received at my hermitage! What pleasant hours +we passed!--what out-pourings of feeling! No one ever interested me +more than Ammon: he told me of his voyage to Rome, of the Catacombs, +the Coliseum, the piety of illustrious women, and a thousand other +things!--and it grieved me to part with him! Wherefore my obstinacy +in continuing to live such a life as this? I would have done well to +remain with the monks of Nitria, inasmuch as they supplicated me to +do so. They have cells apart, and nevertheless communicate with each +other. On Sundays a trumpet summons them to assemble at the church, +where one may see three scourges hanging up, which serve to punish +delinquents, robbers, and intruders; for their discipline is severe. + +"Nevertheless they are not without some enjoyments. The faithful bring +them eggs, fruits, and even instruments with which they can extract +thorns from their feet. There are vineyards about Prisperi; those +dwelling at Pabena have a raft on which they may journey when they go +to seek provisions. + +"But I might have served my brethren better as a simple priest. As a +priest one may aid the poor, administer the sacraments, and exercise +authority over families. + +"Furthermore, all laics are not necessarily damned, and it only +depended upon my own choice to become--for example--a grammarian, a +philosopher. I would then have had in my chamber a sphere of reeds, +and tablets always ready at hand, young men around me, and a wreath of +laurel suspended above my door, as a sign. + +"But there is too much pride in triumphs such as those. A soldier's +life would have been preferable. I was robust and bold: bold enough to +fasten the cables of the military machines--to traverse dark forests, +or to enter, armed and helmeted, into smoking cities.... Neither was +there anything to have prevented me from purchasing with my money the +position of publican at the toll-office of some bridge; and travellers +would have taught me many strange things, and told me strange stories, +the while showing me many curious objects packed up among their +baggage.... + +"The merchants of Alexandria sail upon the river Canopus on holidays, +and drink wine in the chalices of lotus-flowers, to a music of +tambourines which makes the taverns along the shore tremble! Beyond, +trees, made cone-shaped by pruning, protect the quiet farms against +the wind of the south. The roof of the lofty house leans upon thin +colonettes placed as closely together as the laths of a lattice; +and through their interspaces the master, reclining upon his long +couch, beholds his plains stretching about him--the hunter among the +wheat-fields--the winepress where the vintage is being converted into +wine, the oxen treading out the wheat. His children play upon the floor +around him; his wife bends down to kiss him." + +(_Against the grey dimness of the twilight, here and there appear +pointed muzzles, with straight, pointed ears and bright eyes. Anthony +advances toward them. There is a sound of gravel crumbling down; the +animals take flight. It was a troop of jackals._ + +_One still remains, rising upon his hinder legs, with his body half +arched and head raised in an attitude full of defiance._) + +"How pretty he is! I would like to stroke his back gently!" + +(_Anthony whistles to coax him to approach. The jackal disappears._) + +"Ah! he is off to join the others. What solitude! what weariness!" +(_Laughing bitterly._) + +"A happy life this indeed!--bending palm-branches in the fire to make +shepherds' crooks, fashioning baskets, stitching mats together--and +then exchanging these things with the Nomads for bread which breaks +one's teeth! Ah! woe, woe is me! will this never end? Surely death were +preferable! I can endure it no more! Enough! enough!" + +(_He stamps his foot upon the ground, and rushes frantically to and fro +among the rocks; then pauses, out of breath, bursts into tears, and +lies down upon the ground, on his side._ + +_The night is calm; multitudes of stars are palpitating; only the +crackling noise made by the tarantulas is audible._ + +_The two arms of the cross make a shadow upon the sand; Anthony, who is +weeping, observes it._) + +"Am I, then, so weak, O my God! Courage, let me rise from here!" + +(_He enters his hut, turns over a pile of cinders, finds a live ember, +lights his torch and fixes it upon the wooden desk, so as to throw a +light upon the great book._) + +"Suppose I take the Acts of the Apostles?--yes!--no matter where!" + +_'And he saw the heaven opened, and a certain vessel descending, as it +were a great linen sheet let down by the four corners from heaven to +the earth--wherein were all manner of four-footed beasts, and creeping +things of the earth and fowls of the air. And there came a voice to +him: Arise, Peter! Kill and eat!'_[1] + +"Then the Lord desired that his apostle should eat of all things?... +while I...." + +(_Anthony remains thoughtful, his chin resting against his breast. The +rustling of the pages, agitated by the wind, causes him to lift his +head again; and he reads_:) + +_'So the Jews made a great slaughter of their enemies with the sword, +and killed them, repaying according to what they had prepared to do to +them...._[2] + +"Then, comes the number of people slain by them--seventy-five thousand. +They had suffered so much! Moreover, their enemies were the enemies of +the true God. And how they must have delighted in avenging themselves +thus by the massacre of idolaters! Doubtless the city must have been +crammed with the dead! There must have been corpses at the thresholds +of the garden gates, upon the stairways, in all the chambers, and piled +up so high that the doors could no longer move upon their hinges!... +But lo! here I am permitting my mind to dwell upon ideas of murder and +of blood!..." + +(_He opens the book at another place._) + +_'Then King Nabuchodonosor fell on his face, and worshipped +Daniel...._'[3] + +"Ah! that was just! The _Most High_ exalts his prophets above Kings; +yet that monarch spent his life in banqueting, perpetually drunk with +pleasure and pride. But God, to punish him, changed him into a beast! +He walked upon four feet!" + +(_Anthony begins to laugh; and in extending his arms, involuntarily +disarranges the leaves of the book with the tips of his fingers. His +eyes fell upon this phrase_:--) + +_'And Ezechias rejoiced at their coming, and he showed them the house +of his aromatical spices, and the gold and the silver, and divers +precious odours and ointments, and the house of his vessels, and all +that he had in his treasures....'_[4] + +"I can imagine that spectacle; they must have beheld precious stones, +diamonds and darics heaped up to the very roof. One who possesses so +vast an accumulation of wealth is no longer like other men. While +handling his riches he knows that he controls the total result of +innumerable human efforts--as it were the life of nations drained by +him and stored up, which he can pour forth at will. It is a commendable +precaution on the part of Kings. Even the _Wisest_ of all did not +neglect it. His navy brought him elephants' teeth and apes.... Where is +that passage?" + +(_He turns the leaves over rapidly._) + +"Ah! here it is:" + +_'And the Queen of Saba, having heard of the fame of Solomon in the +name of the Lord, came to try him with hard questions.'_[5] + +"How did she hope to tempt him? The _Devil_ indeed sought to tempt +Jesus! But Jesus triumphed because he was God; and Solomon, perhaps, +owing this knowledge of magic! It is sublime--that science! For the +world--as a philosopher once explained it to me, forms a whole, of +which all parts mutually influence one another, like the organs of one +body. It is science which enables us to know the natural loves and +natural repulsions of all things, and to play upon them?... Therefore, +it is really possible to modify what appears to be the immutable order +of the universe?" + +(_Then the two shadows formed behind him by the arms of the cross, +suddenly lengthen and project themselves before him. They assume the +form of two great horns. Anthony cries out_:--) + +"Help me! O my God!" + +[Illustration: Saint Anthony: Help me, O my God!] + +(_The shadows shrink back to their former place._) + +"Ah!... it was an illusion ... nothing more. It is needless for me to +torment my mind further! I can do nothing!--absolutely nothing." + +(_He sits down and folds his arms._) + +"Nevertheless ... it seems to me that I felt the approach of.... But +why should _He_ come? Besides, do I not know all his artifices? I +repulsed the monstrous anchorite who laughingly offered me little +loaves of warm, fresh bread, the centaur who sought to carry me away +upon his croup, and that black child who appeared to me in the midst of +the sands, who was very beautiful, and who told me that he was called +the Spirit of Lust!" + +(_Anthony rises and walks rapidly up and down, first to the right, then +to the left._) + +"It was by my order that this multitude of holy retreats was +constructed--full of monks all wearing sackcloth of camel's hair +beneath their garments of goatskin, and numerous enough to form an +army. I have cured the sick from afar off; I have cast out demons; +I have passed the river in the midst of crocodiles; the Emperor +Constantine wrote me throe letters; Balacius, who had spat upon mine, +was torn to pieces by his own horses; when I reappeared the people of +Alexandria fought for the pleasure of seeing me, and Athanasius himself +escorted me on the way back. But what works have I not accomplished +Lo! for these thirty years and more I have been dwelling and groaning +unceasingly in the desert! Like Eusebius, I have carried thirty-eight +pounds of bronze upon my loins; like Macarius, I have exposed my body +to the stings of insects; like Pacomus, I have passed fifty-three +nights without closing my eyes; and those who are decapitated, tortured +with red hot pincers, or burned alive, are perhaps less meritorious +than I, seeing that my whole life is but one prolonged martyrdom." +(_Anthony slackens his pace._) + +"Assuredly there is no human being in a condition of such unutterable +misery! Charitable hearts are becoming scarcer. I no longer receive +aught from any one. My mantle is worn out. I have no sandals--I have +not even a porringer!--for I have distributed all I possessed to the +poor and to my family, without retaining so much as one obolus. Yet +surely I ought to have a little money to obtain the tools indispensable +to my work? Oh, not much! a very small sum.... I would be very saving +of it.... + +"The fathers of Nicæa, clad in purple robes, sat like magi, upon +thrones ranged along the walls; and they were entertained at a great +banquet and overwhelmed with honours, especially Paphnutius, because he +is one-eyed and lame, since the persecution of Diocletian! The Emperor +kissed his blind eye several times; what foolishness! Besides, there +were such infamous men members of that Council! A bishop of Scythia, +Theophilus! another of Persia, John! a keeper of beasts, Spiridion! +Alexander was too old. Athanasius ought to have shown more gentleness +towards the Arians, so as to have obtained concessions from them. + +"Yet would they have made any? They would not hear me! The one who +spoke against me--a tall young man with a curly beard--uttered the +most captious objections to my argument; and while I was seeking words +to express my views they all stared at me with their wicked faces, +and barked like hyenas. Ah! why cannot I have them all exiled by the +Emperor! or rather have them beaten, crushed, and see them suffer! I +suffer enough myself." + +(_He leans against his cabin in a fainting condition._) + +"It is because I have fasted too long; my strength is leaving me. If I +could eat--only once more--a piece of meat." (_He half closes his eyes +with languor._) + +"Ah! some red flesh--a bunch of grapes to bite into ... curdled milk +that trembles on a plate!... + +"But what has come upon me? What is the matter with me? I feel my heart +enlarging like the sea, when it swells before the storm. An unspeakable +feebleness weighs down upon me, and the warm air seems to waft me +the perfume of a woman's hair. No woman has approached this place; +nevertheless?--" + +(_He gazes toward the little pathway between the rocks._) + +"That is the path by which they come, rocked in their litters by the +black arms of the eunuchs. They descend and joining their hands, +heavy with rings, kneel down before me. They relate to me all their +troubles. The desire of human pleasure tortures them; they would +gladly die; they have seen in their dreams God calling to them ... and +all the while the hems of their robes fall upon my feet. I repel them +from me. 'Ah! no!' they cry, 'not yet! What shall I do?' They gladly +accept any penitence I impose on them. They ask for the hardest of all; +they beg to share mine and to live with me. + +"It is now a long time since I have seen any of them! Perhaps some of +them will come! why not? If I could only hear again, all of a sudden, +the tinkling of mule-bells among the mountains. It seems to me...." + +(_Anthony clambers upon a rock at the entrance of the pathway, and +leans over, darting his eyes into the darkness._) + +"Yes! over there, far off I see a mass moving, like a band of +travellers seeking the way. _She_ is there!... They are making a +mistake." (_Calling._) + +"This way! Come! Come!" + +(_Echo repeats: Come! Come! he lets his arms fall, stupefied._) + +"What shame for me! Alas! poor Anthony." + +(_And all of a sudden he hears a whisper:--"Poor Anthony"!_) + +"Who is there? Speak!" + +(_The wind passing through the intervals between the rocks, makes +modulations; and in those confused sonorities he distinguishes Voices, +as though the air itself were speaking. They are low, insinuating, +hissing._) + +_The First_: "Dost thou desire women?" + +_The Second_: "Great heaps of money, rather!" + +_The Third_: "A glittering sword?" (_and_) + +_The Others_: "All the people admire thee! Sleep!" + +"Thou shalt slay them all, aye, thou shalt slay them!" + +(_At the same moment objects become transformed. At the edge of the +cliff, the old palm tree with its tuft of yellow leaves, changes into +the torso of a woman leaning over the abyss, her long hair waving in +the wind. + +Anthony turns toward his cabin; and the stool supporting the great book +whose pages are covered with black letters, seems to him changed into a +bush all covered with nightingales._) + +"It must be the torch which is making this strange play of light.... +Let us put it out!" + +(_He extinguishes it; the obscurity becomes deeper, the darkness +profound._ + +_And suddenly in the air above there appear and disappear +successively--first, a stretch of water; then the figure of a +prostitute; the corner of a temple, a soldier; a chariot with two white +horses, prancing._ + +_These images appear suddenly, as in flashes--outlined against the +background of the night, like scarlet paintings executed upon ebony._ + +_Their motion accelerates. They defile by with vertiginous rapidity. +Sometimes again, they pause and gradually pale and melt away; or else +float off out of sight, to be immediately succeeded by others._ + +_Anthony closes his eyelids._ + +_They multiply, surround him, besiege him. An unspeakable fear takes +possession of him; and he feels nothing more of living sensation, save +a burning contraction of the epigastrium. In spite of the tumult in +his brain, he is aware of an enormous silence which separates him from +the world. He tries to speak;--impossible! He feels as though all the +bands of his life were breaking and dissolving;--and, no longer able to +resist, Anthony falls prostrate upon his mat._) + + +[1] Acts X: 11-13--T. + +[2] Esther IX: 5--T. + +[3] Daniel II: 46.--T. + +[4] Kings XX: 13 (Vulg.).--T. + +[5] III Kings X: I (Vulg.).--T. + + + + +II + + +(_Then a great shadow, subtler than any natural shadow, and festooned +by other shadows along its edges, defines itself upon the ground._ + +_It is the Devil, leaning upon the roof of the hut, and bearing beneath +his wings--like some gigantic bat suckling its little ones--the Seven +Deadly Sins, whose grimacing heads are dimly distinguishable._ + +_With eyes still closed, Anthony yields to the pleasure of inaction; +and stretches his limbs upon the mat._ + +_It seems to him quite soft, and yet softer--so that it becomes as if +padded; it rises up; it becomes a bed. The bed becomes a shallop; water +laps against its sides._ + +_To right and left rise two long tongues of land, overlooking low +cultivated plains, with a sycamore tree here and there. In the distance +there is a tinkling of bells, a sound of drums and of singers. It is a +party going to Canopus to sleep upon the temple of Serapis, in order +to have dreams. Anthony knows this; and impelled by the wind, his boat +glides along between the banks. Papyrus-leaves and the red flowers of +the nymphæa, larger than the body of a man, bend over him. He is lying +at the bottom of the boat; one oar at the stem, drags in the water. +From time to time, a lukewarm wind blows; and the slender reeds rub one +against the other, and rustle. Then the sobbing of the wavelets becomes +indistinct. A heavy drowsiness falls upon him. He dreams that he is a +Solitary of Egypt._ + +_Then he awakes with a start._) + +"Did I dream? It was all so vivid that I can scarcely believe I was +dreaming! My tongue burns. I am thirsty." + +(_He enters the cabin, and gropes at random in the dark._) + +"The ground is wet; can it have been raining? What can this mean! My +pitcher is broken into atoms! But the goatskin?" (_He finds it._) + +"Empty!--completely empty! In order to get down to the river, I should +have to walk for at least three hours; and the night is so dark that I +could not see my way. + +"There is a gnawing in my entrails. Where is the bread!" + +(_After long searching, he picks up a crust not so large as an egg._) + +"What? Have the jackals taken it? Ah! malediction!" + +(_And he flings the bread upon the ground with fury._ + +_No sooner has the action occurred than a table makes its appearance, +covered with all things that are good to eat._ + +_The byssus cloth, striated like the bandelets of the sphinx, produces +of itself luminous undulations. Upon it are enormous quarters of red +meats; huge fish; birds cooked in their plumage, and quadrupeds in +their skins; fruits with colors and tints almost human in appearance; +while fragments of cooling ice, and flagons of violet crystal reflect +each other's glittering. Anthony notices in the middle of the table +a boar smoking at every pore--with legs doubled up under its belly, +and eyes half closed--and the idea of being able to eat so formidable +an animal greatly delights him. Then many things appear which he has +never seen before--black hashes, jellies, the color of gold, ragouts in +which mushrooms float like nenuphars upon ponds, dishes of whipt cream +light as clouds._ + +_And the aroma of all this comes to him together with the salt smell of +the ocean, the coolness of mountains, the great perfumes of the woods. +He dilates his nostrils to their fullest extent; his mouth waters; he +thinks to himself that he has enough before him for a year, for ten +years, for his whole life!_ + +_As he gazes with widely-opened eyes at all these viands, others +appear; they accumulate, forming a pyramid crumbling at all its angles. +The wines begin to flow over--the fish palpitate--the blood seethes in +the dishes--the pulp of the fruit protrudes like amorous lips--and the +table rises as high as his breast, up to his very chin at last--now +bearing only one plate and a single loaf of bread, placed exactly in +front of him._ + +_He extends his hand to seize the loaf. Other loaves immediately +present themselves to his grasp._) + +"For me!... all these! But ..." (_Anthony suddenly draws back._) + +"Instead of one which was there, lo! there are many! It must be a +miracle, then, the same as our Lord wrought! + +"Yet for what purpose?... Ah! all the rest of these things are equally +incomprehensible! Demon, begone from me! depart! begone!" + +(_He kicks the table from him. It disappears._) + +"Nothing more?--no!" (_He draws a lung breath._) + +"Ah! the temptation was strong! But how well I delivered myself from +it!" + +(_He lifts his head, and at the same time stumbles over some sonorous +object._) + +"Why! what can that be?" (_Anthony stoops down._) + +"How! a cup! Some traveller must have lost it here. There is nothing +extraordinary...." + +(_He wets his finger, and rubs._) + +"It glitters!--metal! Still, I cannot see very clearly...." + +(_He lights his torch, and examines the cup._) + +"It is silver, ornamented with ovules about the rim, with a medal at +the bottom of it." + +(_He detaches the medal with his nail!_) + +"It is a piece of money worth about seven or eight drachmas--not more! +It matters not! even with that I could easily buy myself a sheepskin." + +(_A sudden flash of the torch lights up the cup._) + +"Impossible! gold? Yes, all gold, solid gold!" + +(_A still larger piece of money appears at the bottom. Under it he +perceives several others._) + +"Why, this is a sum ... large enough to purchase three oxen ... and a +little field!" + +(_The cup is now filled with pieces of gold._) + +"What! what!... a hundred slaves, soldiers, a host ... enough to +buy...." + +(_The granulations of the rim, detaching themselves form a necklace of +pearls._) + +"With such a marvel of jewelry as that, one could win even the wife of +the Emperor!" + +(_By a sudden jerk, Anthony makes the necklace slip down over his +wrist. He holds the cup in his left hand, and with his right lifts +up the torch so as to throw the light upon it. As water streams +overflowing from the basin of a fountain, so diamonds, carbuncles, and +sapphires, all mingled with broad pieces of gold bearing the effigies +of Kings, overflow from the cup in never ceasing streams, to form a +glittering hillock upon the sand._) + +"What! how! Staters, cycles, dariacs, aryandics; Alexander, Demetrius, +the Ptolemies, Cæsar!--yet not one of them all possessed so much! +Nothing is now impossible! no more suffering for me! how these +gleams dazzle my eyes! Ah! my heart overflows! how delightful it is! +yes--yes!--more yet! never could there be enough! Vainly I might +continually fling it into the sea, there would always be plenty +remaining for me. Why should I lose any of it? I will keep all, and say +nothing to any one about it; I will have a chamber hollowed out for me +in the rock, and lined with plates of bronze, and I will come here from +time to time to feel the gold sinking down under the weight of my heel; +I will plunge my arms into it as into sacks of grain! I will rub my +face with it, I will lie down upon it!" + +(_He flings down the torch in order to embrace the glittering heap, and +falls flat upon the ground._ + +_He rises to his feet. The place is wholly empty._) + +"What have I done! + +"Had I died during those moments, I should have gone to hell--to +irrevocable damnation." + +(_He trembles in every limb._) + +"Am I, then, accursed? Ah! no; it is my own fault! I allow myself +to be caught in every snare! No man could be more imbecile, more +infamous! I should like to beat myself, or rather to tear myself out +of my own body! I have restrained myself too long. I feel the want of +vengeance--the necessity of striking, of killing!--as though I had a +pack of wild beasts within me! Would that I could hew my way with an +axe, through the midst of a multitude.... Ah, a poniard!..." + +(_He perceives his knife, and rushes to seize it. The knife slips from +his hand; and Anthony remains leaning against the wall of his hut, with +wide-open mouth, motionless, cataleptic._ + +_Everything about him has disappeared._ + +_He thinks himself at Alexandria, upon the Paneum--an artificial +mountain in the centre of the city, encircled by a winding stairway._ + +_Before him lies Lake Mareolis; on his right hand is the sea, on his +left the country; and immediately beneath him a vast confusion of +flat roofs, traversed from north to south and from east to west by +two streets which intercross, and which offer throughout their entire +length the spectacle of files of porticoes with Corinthian columns. The +houses overhanging this double colonnade have windows of stained glass. +Some of them support exteriorly enormous wooden cages, into which the +fresh air rushes from without._ + +_Monuments of various architecture tower up in close proximity. +Egyptian pylons dominate Greek temples. Obelisks appear like lances +above battlements of red brick. In the middle of public squares there +are figures of Hermes with pointed ears, and of Anubis with the head of +a dog. Anthony can distinguish the mosaic pavements of the courtyards, +and tapestries suspended from the beams of ceilings._ + +_He beholds at one glance, the two ports (the Great Port and the +Eunostus), both round as circuses, and separated by a mole connecting +Alexandria with the craggy island upon which the Pharos-tower +rises--quadrangular, five hundred cubits high, nine storied, having at +its summit a smoking heap of black coals._ + +_Small interior ports open into the larger ones. The mole terminates at +each end in a bridge supported upon marble columns planted in the sea. +Sailing vessels pass beneath it, while heavy lighters overladen with +merchandise, thalamegii[1] inlaid with ivory, gondolas covered with +awnings, triremes, biremes, and all sorts of vessels are moving to and +fro, or lie moored at the wharves._ + +_About the Great Port extends an unbroken array of royal construction: +the palace of the Ptolomies, the Museum, the Posidium, the Cæsareum, +the Timonium where Mark Anthony sought refuge, the Soma which contains +the tomb of Alexander; while at the other extremity of the city, beyond +the Eunostus, the great glass factories, perfume factories, and papyrus +factories may be perceived in a suburban quarter._ + +_Strolling peddlers, porters, ass-drivers run and jostle together. +Here and there one observes some priest of Isis wearing a panther skin +on his shoulders, a Roman soldier with his bronze helmet, and many +negroes. At the thresholds of the shops women pause, artisans ply their +trades; and the grinding noise of chariot wheels puts to flight the +birds that devour the detritus of the butcher-shops and the morsels of +fish left upon the ground._ + +_The general outline of the streets seems like a black network flung +upon the white uniformity of the houses. The markets stocked with +herbs make green bouquets in the midst of it; the drying-yards of the +dyers, blotches of color; the golden ornaments of the temple-pediments, +luminous points--all comprised within the oval enclosure of the grey +ramparts, under the vault of the blue heaven, beside the motionless +sea._ + +_But suddenly the movement of the crowd ceases; all turn their +eyes toward the west, whence enormous whirlwinds of dust are seen +approaching._ + +_It is the coming of the monks of the Thebaid, all clad in goatskins, +armed with cudgels, roaring a canticle of battle and of faith with the +refrain_: + +"Where are they? Where are they?" + +_Anthony understands that they are coming to kill the Arians._ + +_The streets are suddenly emptied--only flying feet are visible._ + +_The Solitaries are now in the city. Their formidable cudgels, studded +with nails, whirl in the air like suns of steel. The crash of things +broken in the houses is heard. There are intervals of silence. Then +great screams arise._ + +_From one end of the street to the other there is a continual eddy of +terrified people._ + +_Many grasp pikes. Sometimes two bands meet, rush into one; and this +mass of men slips upon the pavement--fighting, disjointing, knocking +down. But the men with the long hair always reappear._ + +_Threads of smoke begin to escape from the corners of edifices! folding +doors burst open. Portions of walls crumble down. Architraves fall._ + +_Anthony finds all his enemies again, one after the other. He even +recognizes some whom he had altogether forgotten; before killing them +he outrages them. He disembowels--he severs throats--he fells as in +a slaughter house--he hales old men by the beard, crushes children, +smites the wounded. And vengeance is taken upon luxury, those who +do not know how to read tear up hooks; others smash and deface the +statues, paintings, furniture, caskets,--a thousand dainty things +the use of which they do not know, and which simply for that reason +exasperates them. At intervals they pause, out of breath, in the work +of destruction; then they recommence._ + +_The inhabitants moan in the courtyards where they have sought refuge. +The women raise their tearful eyes and lift their naked arms to heaven. +In hope of moving the Solitaries they embrace their knees; the men cast +them off and fling them down, and the blood gushes to the ceilings, +falls back upon the walls like sheets of rain, streams from the trunks +of decapitated corpses, fills the aqueducts, forms huge red pools upon +the ground._ + +_Anthony is up to his knees in it. He wades in it; he sucks up the +blood-spray on his lips; he is thrilled with joy as he feels it upon +his limbs, under his hair-tunic which is soaked through with it._ + +_Night comes. The immense uproar dies away._ + +_The Solitaries have disappeared._ + +_Suddenly, upon the outer galleries corresponding to each of the nine +stories of the Pharos, Anthony observes thick black lines forming, like +lines of crows perching. He hurries thither; and soon finds himself at +the summit._ + +_A huge mirror of brass turned toward the open sea, reflects the forms +of the vessels in the offing._ + +_Anthony amuses himself by watching them; and while he watches, their +number increases._ + +_They are grouped together within a gulf which has the form of a +crescent. Upon a promontory in the background, towers a new city of +Roman architecture, with cupolas of stone, conical roofs, gleams of +pink and blue marbles, and a profusion of brazen ornamentation applied +to the volutes of the capitals, to the angles of the cornices, to the +summits of the edifices. A cypress-wood overhangs the city. The line of +the sea is greener, the air colder. The mountains lining the horizon +are capped with snow._ + +_Anthony is trying to find his way, when a man approaches him, and +says_: + +"Come! they are waiting for you." + +_He traverses a forum, enters a great court, stoops beneath a low +door; and he arrives before the facade of the palace, decorated +with a group in wax, representing Constantine overcoming a dragon. +There is a porphyry basin, from the centre of which rises a golden +conch-shell full of nuts. His guide tells him that he may take some of +them. He does so. Then he is lost, as it were, in a long succession of +apartments._ + +_There are mosaics upon the walls representing generals presenting +the Emperor with conquered cities, which they hold out upon the +palms of their hands. And there are columns of basalt everywhere, +trellis-work in silver filigree, ivory chairs, tapestries embroidered +with pearls. The light falls from the vaults above; Anthony still +proceeds. Warm exhalations circulate about him; occasionally he hears +the discreet clapping sound of sandals upon the pavement. Posted in +the anti-chambers are guards, who resemble automata, holding wands of +vermillion upon their shoulders._ + +[Illustration: And there are columns of basalt everywhere,... The +light falls from the vaults above] + +_At last he finds himself in a great hall, with hyacinth-colored +curtains at the further end. They part, and display the Emperor seated +on a throne, clad in a violet tunic, and wearing red shoes striped with +bands of black._ + +_A diadem of pearls surround his head; his locks are arranged +symmetrically in rouleaux. He has a straight nose, drooping eyelids, +a heavy and cunning physiognomy. At the four corners of the dais +stretched above his head are placed four golden doves; and at the foot +of the throne are two lions in enamel crouching. The doves begin to +sing, the lions to roar. The Emperor rolls his eyes; Anthony advances; +and forthwith, without preamble, they commence to converse about +recent events. In the cities of Antioch, Ephesus, and Alexandria, +the temples have been sacked, and the statues of the gods converted +into pots and cooking utensils; the Emperor laughs heartily about it. +Anthony reproaches him with his tolerance toward the Novations. But the +Emperor becomes vexed. Novations, Arians or Meletians--he is sick of +them all! Nevertheless, he admires the episcopate; for inasmuch as the +Christians maintain bishops, who depend for their position upon five or +six important personages, it is only necessary to gain over the latter, +in order to have all the rest on one's side. Therefore he did not fail +to furnish them with large sums. But he detests the Fathers of the +Council of Nicæa._ + +"Let us go and see them!" + +_Anthony follows him._ + +_And they find themselves on a terrace, upon the same floor._ + +_It overlooks a hippodrome thronged with people, and surmounted by +porticoes where other spectators are walking to and fro. From the +centre of the race-course rises a narrow platform of hewn stone, +supporting a little temple of Mercury, the statue of Constantine, and +three serpents of brass twisted into a column; there are three huge +wooden eggs at one end, and at the other a group of seven dolphins with +their tails in the air._ + +_Behind the imperial pavilion sit the Prefects of the Chambers, the +Counts of the Domestics, and the Patricians--in ranks rising by tiers +to the first story of a church whose windows are thronged with women. +On the right is the tribune of the Blue Faction; on the left, that of +the Green; below, a picket of soldiers is stationed; and on a level +with the arena is a row of Corinthian arches, forming the entrances to +the stables._ + +_The races are about to commence; the horses are drawn up in line. +Lofty plumes, fastened between their ears, bend to the wind like +saplings; and with every restive bound, they shake their chariots +violently, which are shell-shaped, and conducted by charioteers clad +in a sort of multi-colored cuirass, having sleeves tight at the wrist +and wide in the arms; their legs are bare; their beards, faces and +foreheads are shaven after the manner of the Huns._ + +_Anthony is at first deafened by the billowy sound of voices. From +the summit of the hippodrome to its lowest tiers, he sees only faces +painted with rouge, garments checkered and variegated with many colors, +flashing jewelry; and the sand of the arena, all white, gleams like a +mirror._ + +_The Emperor entertains him. He confides to him many matters of high +importance, many secrets; he confesses the assassination of his son +Criopus, and even asks Anthony for advice regarding his health._ + +_Meanwhile Anthony notices some slaves in the rear portion of the +stables below. They are the Fathers of Nicæa, ragged and abject. The +martyr Paphnutius is brushing the mane of one horse; Theophilus is +washing the legs of another; John is painting the hoofs of a third; +Alexander is collecting dung in a basket._ + +_Anthony passes through the midst of them. They range themselves on +either side respectfully; they beseech his intercession; they kiss his +hands. The whole assemblage of spectators hoots at them; and he enjoys +the spectacle with immeasurable pleasure. Lo! he is now one of the +grandees of the Court--the Emperor's confidant--the prime minister! +Constantine places his own diadem upon his brows. Anthony allows it to +remain upon his head, thinking this honor quite natural._ + +_And suddenly in the midst of the darkness a vast hall appears, +illuminated by golden candelabra._ + +_Candles so lofty that they are half lost in the darkness, stretch away +in huge files beyond the lines of banquet-tables, which seem to extend +to the horizon, where through a luminous haze loom superpositions of +stairways, suites of arcades, colossi, towers, and beyond all a vague +border of palace walls, above which rise the crests of cedars, making +yet blacker masses of blackness against the darkness._ + +_The guests, crowned with violet wreaths, recline upon very low couches +and are leaning upon their elbows. Along the whole length of this +double line of couches, wine is being poured out from amphoræ, and at +the further end, all alone, coiffed with the tiara and blazing with +carbuncles, King Nebuchadnezzar eats and drinks._ + +_On his right and left, two bands of priests in pointed caps are +swinging censers. On the pavement below crawl the captive kings whose +hands and feet have been cut off; from time to time he flings them +bones to gnaw. Further off sit his brothers, with bandages across their +eyes, being all blind._ + +_From the depths of the ergastula arise moans of ceaseless pain. Sweet +slow sounds of a hydraulic organ alternate with choruses of song; and +one feels that all about the palace without extends an immeasurable +city--an ocean of human life whose waves break against the walls. The +slaves run hither and thither carrying dishes. Women walk between the +ranks of guests, offering drinks to all; the baskets groan under their +burthen of loaves; and a dromedary, laden with perforated water-skins: +passes and repasses through the hall, sprinkling and cooling the +pavement with vervain._ + +_Lion tamers are leading tamed lions about. Dancing girls--their +hair confined in nets--balance themselves and turn upon their hands, +emitting fire through their nostrils; negro boatmen are juggling; naked +children pelt each other with pellets of snow, which burst against the +bright silverware. There is an awful clamor as of a tempest; and a huge +cloud hangs over the banquet--so numerous are the meats and breaths. +Sometimes a flake of fire torn from the great flambeaux by the wind, +traverses the night like a shooting star._ + +_The king wipes the perfumes from his face with his arm. He eats from +the sacred vessels--then breaks them; and secretly reckons up the +number of his fleets, his armies, and his subjects. By and by, for a +new caprice, he will burn his palace with all its guests. He dreams of +rebuilding the tower of Babel, and dethroning God._ + +_Anthony, from afar off, reads all these thoughts upon his brow. They +penetrate his own brain, and he becomes Nebuchadnezzar. Immediately he +is cloyed with orgiastic excesses, sated with fury of extermination; +and a great desire comes upon him to wallow in vileness. For the +degradation of that which terrifies men is an outrage inflicted upon +their minds--it affords yet one more way to stupefy them; and as +nothing is viler than a brute, Anthony goes upon the table on all +fours, and bellows like a bull._ + +_He feels a sudden pain in his hand--a pebble has accidentally wounded +him--and he finds himself once more in front of his cabin._ + +_The circle of the rocks is empty. The stars are glowing in the sky. +All is hushed._) + +"Again have I allowed myself to be deceived! Why these things? They +come from the rebellion of the flesh. Ah! wretch!" + +(_He rushes into his cabin, and seizes a bunch of thongs, with metallic +hooks attached to their ends, strips himself to the waist and, lifting +his eyes to heaven exclaims_:) + +"Accept my penance, O my God: disdain it not for its feebleness. Render +it sharp, prolonged, excessive! It is time, indeed!--to the work!" + +(_He gives himself a vigorous lash--and shrieks._) + +"No! no!--without mercy it must be." + +(_He recommences._) + +"Oh! oh! oh! each lash tears my skin, rends my limbs! It burns me +horribly!" + +"Nay!--it is not so very terrible after all!--one becomes accustomed to +it. It even seems to me...." + +(_Anthony pauses._) + +"Continue, coward! continue! Good! good!--upon the arms, on the back, +on the breast, on the belly--everywhere! Hiss, ye thongs! bite me! +tear me! I would that my blood could spurt to the stars!--let my bones +crack!--let my tendons be laid bare! O for pincers, racks, and melted +lead! The martyrs have endured far worse; have they not, Ammonaria?" + +(_The shadow of the Devil's horns reappears._) + +"I might have been bound to the column opposite to thine,--face to +face--under thy eyes--answering thy shrieks by my sighs; and our pangs +might have been interblended, our souls intermingled." + +(_He lashes himself with fury._) + +"What! what! again. Take that!--But how strange a titillation thrills +me! What punishment! what pleasure! I feel as though receiving +invisible kisses; the very marrow of my bones seems to melt. I die...." + +_And he sees before him three cavaliers, mounted upon onagers, clad in +robes of green--each holding a lily in his hand, and all resembling +each other in feature._ + +_Anthony turns round, and beholds three other cavaliers exactly +similar, riding upon similar onagers, and preserving the same attitude._ + +_He draws back. Then all the onagers advance one pace at the same time, +and rub their noses against him, trying to bite his garment. Voices +shout_:-- + +"Here! here! this way!" + +_And between the clefts of the mountain, appear standards,--camels' +heads with halters of red silk--mules laden with baggage, and women +covered with yellow veils, bestriding piebald horses._ + +_The panting beasts lie down; the slaves rush to the bales and +packages, motley-striped carpets are unrolled; precious glimmering +things are laid upon the ground._ + +_A white elephant, caparisoned with a golden net, trots forward, +shaking the tuft of ostrich plumes attached to his head-band._ + +_Upon his back, perched on cushions of blue wool, with her legs +crossed, her eyes half closed, her comely head sleepily nodding, is a +woman so splendidly clad that she radiates light about her. The crowd +falls prostrate; the elephant bends his knees; and_ + +THE QUEEN OF SHEBA + +_letting herself glide down from his shoulder upon the carpets spread +to receive her, approaches Saint Anthony._ + +_Her robe of gold brocade, regularly divided by furbelows of pearls, +of jet, and of sapphires, sheaths her figure closely with its +tight-fitting bodice, set off by colored designs representing the +twelve signs of the Zodiac. She wears very high pattens--one of which +is black, and sprinkled with silver stars, with a moon crescent; the +other, which is white, is sprinkled with a spray of gold, with a golden +sun in the middle._ + +_Her wide sleeves, decorated with emeralds and bird-plumes, leave +exposed her little round bare arms, clasped at the wrist by ebony +bracelets; and her hands, loaded with precious rings, are terminated by +nails so sharply pointed that the ends of her fingers seem almost like +needles._ + +_A chain of dead gold, passing under her chin, is caught up on either +side of her face, and spirally coiled about her coiffure, whence, +redescending, it grazes her shoulders and is attached upon her bosom +to a diamond scorpion, which protrudes a jewelled tongue between her +breasts. Two immense blond pearls depend heavily from her ears. The +borders of her eyelids are painted black. There is a natural brown spot +upon her left cheek; and she opens her mouth in breathing, as if her +corset inconvenienced her._ + +_She shakes, as she approaches, a green parasol with an ivory handle, +and silver-gilt bells attached to its rim; twelve little woolly-haired +negro-boys support the long train of her robe, whereof an ape holds the +extremity, which it raises up from time to time. She exclaims_: + +"Ah! handsome hermit! handsome hermit!--my heart swoons! + +"By dint of stamping upon the ground with impatience, callosities have +formed upon my heel, and I have broken one of my nails. I sent out +shepherds, who remained upon the mountain tops, shading their eyes with +their hands--and hunters who shouted thy name in all the forests--and +spies who travelled along the highways, asking every passer-by: + +"'Hast thou seen him?' + +"By night I wept, with my face turned to the wall. And at last my tears +made two little holes in the mosaic, like two pools of water among the +rocks;--for I love thee!--oh! how I love thee!" + +(_She takes him by the beard._) + +"Laugh now, handsome hermit! laugh! I am very joyous, very gay: thou +shalt soon see! I play the lyre; I dance like a bee; and I know a host +of merry tales to tell, each more diverting than the other. + +"Thou canst not even imagine how mighty a journey we have made. See! +the onagers upon which the green couriers rode are dead with fatigue!" + +(_The onagers are lying motionless upon the ground._) + +"For three long moons they never ceased to gallop on with the same +equal pace, holdings flints between their teeth to cut the wind, their +tails ever streaming out behind them, their sinews perpetually strained +to the uttermost, always galloping, galloping. Never can others be +found like them. They were bequeathed me by my paternal grand-father, +the Emperor Saharil, son of Iakhschab, son of Iaarab, son of Kastan. +Ah! if they were still alive, we should harness them to a litter that +they might bear us back speedily to the palace! But ... what ails +thee?--of what art thou dreaming?" + +(_She stares at him, examines him closely._) + +"Ah, when thou shalt be my husband, I will robe thee, I will perfume +thee, I will depilate thee." + +(_Anthony remains motionless, more rigid than a stake, more pallid +than a corpse._) + +"Thou hast a sad look--is it because of leaving thy hermitage? Yet I +have left everything for thee--even King Solomon, who, nevertheless, +possesses much wisdom, twenty thousand chariots of war, and a beautiful +beard. I have brought thee my wedding gifts. Choose!" + +(_She walks to and fro among the ranks of slaves and the piles of +precious goods._) + +"Here is Genezareth balm, incense from Cape Gardefui, labdanum, +cinnamon, and silphium--good to mingle with sauces. In that bale are +Assyrian embroideries, ivory from the Ganges, purple from Elissa; +and that box of snow contains a skin of chalybon, the wine, which +is reserved for the Kings of Assyria, and which is drunk from the +horn of a unicorn. Here are necklaces, brooches, nets for the hair, +parasols, gold powder from Baasa, cassiteria from Tartessus, blue wood +from Pandio, white furs from Issidonia, carbuncles from the Island +Palæsimondus, and toothpicks made of the bristles of the tachas--that +lost animal which is found under the earth. These cushions come from +Emath, and these mantle-fringes from Palmyra. On this Babylonian carpet +there is.... But come hither! come! come!" + +(_She pulls Saint Anthony by the sleeve. He resists. She continues_:) + +"This thin tissue which crackles under the finger with a sound as of +sparks, is the famous yellow cloth which the merchants of Bactria bring +us. I will have robes made of it for thee, which thou shalt wear in the +house. Unfasten the hooks of that sycamore box, and hand me also the +little ivory casket tied to my elephant's shoulder." + +(_They take something round out of a box--something covered with a +cloth--and also bring a little ivory casket covered with carving._) + +"Dost thou desire the buckler of Dgian-ben-Dgian, who built the +pyramids?--behold it!--It is formed of seven dragon-skins laid one over +the other, tanned in the bile of parricides, and fastened together by +adamantine screws. Upon one side are represented all the wars that have +taken place since the invention of weapons; and upon the other, all the +wars that will take place until the end of the world. The lightning +itself rebounds from it like a ball of cork. I am going to place it +upon thy arm; and thou wilt carry it during the chase. + +"But if thou didst only know what I have in this little box of mine! +Turn it over and over again! try to open it! No one could ever succeed +in doing that. Kiss me! and I will tell thee how to open it." + +(_She takes Saint Anthony by both cheeks. He pushes her away at arms' +length._) + +"It was one night that King Solomon lost his head. At last we concluded +a bargain. He arose, and stealing out on tiptoe...." + +(_She suddenly executes a pirouette._) + +"Ah, ah! comely hermit, thou shalt not know it! thou shalt not know!" + +(_She shakes her parasol, making all its little bells tinkle._) + +"And I possess many other strange things--oh! yes! I have treasures +concealed in winding galleries where one would lose one's way, as +in a forest. I have summer-palaces constructed in trellis-work of +reeds, and winter-palaces all built of black marble. In the midst of +lakes vast as seas, I have islands round as pieces of silver, and all +covered with mother-of-pearl,--islands whose shores make music to +the lapping of tepid waves upon the sand. The slaves of my kitchens +catch birds in my aviaries, and fish in my fishponds. I have engravers +continually seated at their benches to hollow out my likeness in hard +jewel-stones, and panting molders forever casting statues of me, and +perfumers incessantly mingling the sap of rare plants with vinegar, +or preparing cosmetic pastes. I have female dressmakers cutting out +patterns in richest material, goldsmiths cutting and mounting jewels of +price, and careful painters pouring upon my palace wainscoting boiling +resins, which they subsequently cool with fans. I have enough female +attendants to form a harem, eunuchs enough to make an army. I have +armies likewise; I have nations! In the vestibule of my palace I keep a +guard of dwarfs--all bearing ivory trumpets at their backs." (_Anthony +sighs._) + +"I have teams of trained gazelles; I have elephant quadrigæ; I have +hundreds of pairs of camels, and mares whose manes are so long that +their hoofs become entangled therein when they gallop, and herds of +cattle with horns so broad that when they go forth to graze the woods +have to be hewn down before them. I have giraffes wandering in my +gardens; they stretch their heads over the edge of my roof, when I take +the air after dinner. + +"Seated in a shell drawn over the waters by dolphins, I travel +through the grottoes, listening lo the dropping of the water from the +stalactites. I go down to the land of diamonds, where my friends the +magicians allow me to choose the finest: then I reascend to earth and +return to my home." + +(_She utters a sharp whistle; and a great bird, descending from the +sky, alights upon her hair, from which it makes the blue powder fall._ + +_Its orange-colored plumage seems formed of metallic scales. Its little +head, crested with a silver tuft, has a human face._ + +_It has four wings, the feet of a vulture, and an immense peacock's +tail which it spreads open like a fan._ + +_It seizes the Queen's parasol in its beak, reels a moment ere +obtaining its balance; then it erects all its plumes, and remains +motionless._) + +"Thanks! my beautiful Simorg-Anka!--thou didst tell me where the loving +one was hiding! Thanks! thanks! my heart's messenger! + +"He flies swiftly as Desire! He circles the world in his flight. At eve +he returns; he perches at the foot of my couch and tells me all he has +seen--the seas that have passed far beneath him with all their fishes +and ships, the great void deserts he has contemplated from the heights +of the sky, the harvests that were bowing in the valleys, and the +plants that were growing upon the walls of cities abandoned." + +(_She wrings her hands, languorously._) + +"Oh! if thou wast willing! if thou wast willing!... I have a pavilion +on a promontory in the middle of an isthmus dividing two oceans. It is +all wain-scoted with sheets of glass, and floored with tortoise shell, +and open to the four winds of heaven. From its height I watch my fleets +come in, and my nations toiling up the mountain-slopes with burthens +upon their shoulders. There would we sleep upon downs softer than +clouds; we would drink cool draughts from fruit-shells, and we would +gaze at the sun through emeralds! Come!" ... + +(_Anthony draws back. She approaches him again, and exclaims in a tone +of vexation_:--) + +"How? neither the rich, nor the coquettish, nor the amorous woman can +charm thee: is it so? None but a lascivious woman, with a hoarse voice +and lusty person, with fire-colored hair and superabundant flesh? Dost +thou prefer a body cold as the skin of a serpent, or rather great dark +eyes deeper than the mystic caverns?--behold them, my eyes!--look into +them!" + +(_Anthony, in spite of him, gazes into her eyes._) + +"All the women thou hast ever met--from the leman of the cross-roads, +singing under the light of her lantern, even to the patrician lady +scattering rose-petals abroad from her litter,--all the forms thou hast +ever obtained glimpses of--all the imaginations of thy desire thou hast +only to ask for them! I am not a woman: I am a world! My cloak has only +to fall in order that thou mayest discover a succession of mysteries." +(_Anthony's teeth chatter._) + +"Place but thy finger upon my shoulder: it will be as though a stream +of fire shot through all thy veins. The possession of the least part +of me will fill thee with a joy more vehement than the conquest of an +Empire could give thee! Approach thy lips: there is a sweetness in my +kisses as of a fruit dissolving within thy heart. Ah! how thou wilt +lose thyself beneath my long hair, inhale the perfume of my bosom, +madden thyself with the beauty of my limbs: and thus, consumed by the +fire of my eyes, clasped within my arms as in a whirlwind...." + +[Illustration: ... there is a sweetness in my kisses as of a fruit +dissolving within thy heart] + +(_Anthony makes the sign of the cross._) + +"Thou disdainest me! farewell!" + +(_She departs, weeping; then, suddenly turning round_:--) + +"Art quite sure?--so beautiful a woman...." + +(_She laughs, and the ape that bears her train, lifts it up._) + +"Thou wilt regret it, my comely hermit! thou wilt yet weep! thou wilt +again feel weary of thy life; but I care not a whit! La! la! la!--oh! +oh! oh!" + +(_She takes her departure, hopping upon one foot and covering her face +with her hands._ + +_All the slaves file off before Saint Anthony--the horses, the +dromedaries, the elephant, the female attendants, the mules (which +have been reloaded), the negro boys, the ape, the green couriers each +holding his broken lily in his hand; and the Queen of Sheba departs, +uttering a convulsive hiccough at intervals, which might be taken +either for a sound of hysterical sobbing, or the half-suppressed +laughter of mockery._) + + +[1] _Thalamegii_--pleasure-boats having apartments. + + + + +III + + +(_When she has disappeared in the distance, Anthony observes a child +seated upon the threshold of his cabin._) + +"It is one of the Queen's servants, no doubt," (_he thinks_). + +(_This child is small like a dwarf, and nevertheless squat of build, +like one of the Cabiri; deformed withal, and wretched of aspect. His +prodigiously large head is covered with white hair; and he shivers +under a shabby tunic, all the while clutching a roll of papyrus. The +light of the moon passing through a cloud falls upon him._) + +ANTHONY + +(_watches him from a distance, and is afraid of him._) "Who art thou?" + +THE CHILD (_replies_). "Thy ancient disciple, Hilarion." + +ANTHONY. "Thou liest! Hilarion hath been dwelling in Palestine for +many long years." + +HILARION. "I have returned! It is really I!" + +ANTHONY (_draws near and examines him closely_). "Yet his face was +radiant as the dawn, candid, joyous. This face is the face of one +gloomy and old." + +HILARION. "Long and arduous labor hath wearied me!" + +ANTHONY. "The voice is also different. It hath an icy tone." + +HILARION. "Because I have nourished me with bitter things!" + +ANTHONY. "And those white hairs?" + +HILARION. "I have endured many woes!" + +ANTHONY (_aside_). "Could it be possible?" + +HILARION. "I was not so far from thee as thou doest imagine. The hermit +Paul visited thee this year, during the month of Schebar. It is just +twenty days since the Nomads brought thee bread. Thou didst tell a +sailor, the day before yesterday, to send thee three bodkins." + +ANTHONY. "He knows all!" + +HILARION. "Know further more that I have never left thee. But there are +long periods during which thou hast no knowledge of my presence." + +ANTHONY. "How can that be? Yet it is true that my head is so much +troubled--this night especially." + +HILARION. "All the Capital Sins came hither. But their wretched snares +can avail nothing against such a Saint as thou." + +ANTHONY. "Oh! no!--no! I fall at every moment! Why am I not of those +whose souls are ever intrepid, whose minds are always firm,--for +example, the great Athanasius?" + +HILARION. "He was illegally ordained by seven bishops." + +ANTHONY. "What matter if his virtue...." + +HILARION. "Go to!--a most vainglorious and cruel man, forever involved +in intrigues, and exiled at last as a monopolist."[1] + +ANTHONY. "Calumny!" + +HILARION. "Thou wilt not deny that he sought to corrupt Eustates, the +treasurer of largesses?" + +ANTHONY. "It is affirmed, I acknowledge." + +HILARION. "Through vengeance he burned down the house of Arsenius." + +ANTHONY. "Alas!" + +HILARION. "At the council of Nicæa he said in speaking of Jesus: 'The +man of the Lord.'" + +ANTHONY. "Ah! that is a blasphemy!" + +HILARION. "So limited in understanding, moreover, that he confesses he +comprehends nothing of the nature of the "Word!" + +ANTHONY (_smiling with gratification_). "In sooth his intelligence is +not ... very lofty." + +HILARION. "Hypocrite! burying thyself in solitude only in order the +more fully to abandon thyself to the indulgence of thy envious desires! +What if thou dost deprive thyself of meats, of wine, of warmth, of +bath, of slaves, or honours?--dost thou not permit thy imagination to +offer thee banquets, perfumes, women, and the applause of multitudes? +Thy chastity is but a more subtle form of corruption, and thy contempt +of this world is but the impotence of thy hatred against it! Either +this it is that makes such as thyself so lugubrious, or else 'tis +doubt. The possession of truth giveth joy. Was Jesus sad? Did he not +travel in the company of friends, repose beneath the shade of olive +trees, enter the house of the publican, drink many cups of wine, pardon +the sinning woman, and assuage all sorrows? Thou!--thou hast no pity +save for thine own misery! It is like a remorse that gnaws thee, a +savage madness that impels thee to repel the caress of a dog or to +frown upon the smile of a child." + +ANTHONY (_bursting into tears_). "Enough! enough! thou dost wound my +heart deeply." + +HILARION. "Shake the vermin from thy rags! Rise up from thy filth! Thy +God is not a Moloch who demands human flesh in sacrifice!" + +ANTHONY. "Yet suffering is blessed. The cherubim stoop to receive the +blood of confessors." + +HILARION. "Admire, then, the Montanists!--they surpass all others." + +ANTHONY. "But it is the truth of the doctrine which makes the +martyrdom." + +HILARION. "How can martyrdom prove the excellence of the doctrine, +inasmuch as it bears equal witness for error?" + +HILARION. "Silence!--thou viper!" + +ANTHONY. "Perhaps martyrdom is not so difficult as thou dost imagine! +The exhortations of friends, the pleasure of insulting the people, +the oath one has taken, a certain dizzy excitement, a thousand +circumstances all aid the resolution of the martyrs...." + +(_Anthony turns his back upon Hilarion, and moves away from him. +Hilarion follows him._) + +" ... Moreover this manner of dying often brings about great disorders. +Dionysius, Cyprian and Gregory fled from it. Peter of Alexandria has +condemned it; and the council of Elvira...." + +ANTHONY (_stops his ears_). "I will listen to thee no longer!" + +HILARION (_raising his voice_). "Lo! thou fallest again into the +habitual sin, which is sloth! Ignorance is the foam of pride. One says, +forsoth:--'My conviction is formed! wherefore argue further?'--and one +despises the doctors, the philosophers, tradition itself, and even the +text of the law whereof one is ignorant! Dost thou imagine that thou +dost hold all wisdom in the hollow of thy hand?" + +ANTHONY. "I hear him still! His loud words fill my brain." + +HILARION. "The efforts of others to comprehend God are mightier than +all thy mortifications to move Him. We obtain merit only by our thirst +for truth. Religion alone cannot explain all things; and the solution +of problems ignored by thee can render faith still more invulnerable +and noble. Therefore, for our salvation we must communicate with our +brethren--otherwise the Church, the assembly of the faithful, would +be a meaningless word--and we must listen to all reasoning, despising +nothing, nor any person. The magician Balaam, the poet Aeschylus, +and the Sybil of Cumæ--all foretold the Saviour. Dionysius, the +Alexandrian, received from heaven the command to read all books. Saint +Clement orders us to cultivate Greek letters. Hennas was converted by +the illusion of a woman he had loved...." + +ANTHONY. "What an aspect of authority! It seems to me thou art growing +taller...." + +(_And, in very truth, the stature of Hilarion is gradually increasing; +and Anthony shuts his eyes, that he may not see him._) + +HILARION. "Reassure thyself, good Hermit. Let us seat ourselves there, +upon that great stone, as we used to do in other years, when, at the +first dawn of day, I was wont to salute thee with the appellation, +'Clear star of morning'--and thou wouldst therewith commence to +instruct me. Yet my instruction is not yet completed. The moon gives us +light enough. I am prepared to hear thy words." + +(_He has drawn a calamus from his girdle, and seating himself +cross-legged upon the ground, with the papyrus roll still in his hand, +he lifts his face toward Saint Anthony, who sits near him, with head +bowed down._ + +_After a moment of silence Hilarion continues_:--) + +"Is not the word of God confirmed for us by miracles? Nevertheless +the magicians of Pharaoh performed miracles; other imposters can +perform them; one may be thereby deceived. What then is a miracle? +An event which seems to us outside of nature. But do we indeed know +all of Nature's powers; and because a common occurrence causes us no +astonishment, does it therefore follow that we understand it." + +ANTHONY. "It matters little! We must believe the Scriptures!" + +HILARION. "Saint Paul, Origen, and many others did not understand +the Scriptures in a literal sense: yet if Holy Writ be explained by +allegories it becomes the portion of a small number, and the evidence +of the truth disappears. What must we do?" + +ANTHONY. "We must rely upon the Church!" + +HILARION. "Then the Scriptures are useless?" + +ANTHONY. "No! no! although I acknowledge that in the Old Testament +there are some ... some obscurities. But the New shines with purest +light." + +HILARION. "Nevertheless, the Angel of the annunciation, in Matthew, +appears to Joseph; while, in Luke, he appears to Mary. The anointing +of Jesus by a woman takes place, according to the first Gospel, at the +commencement of his public life; and, according to the other three, a +few days before his death. The drink offered to him on the cross, is, +in Matthew, vinegar mixed with gall; in Mark, it is wine and myrrh. +According to Luke and Matthew, the apostles should take with them +neither money nor scrip for their journey--not even sandals nor staff; +in Mark, on the contrary, Jesus bids them take nothing with them, +except sandals and a staff. I am thereby bewildered!" + +ANTHONY (_in amazement_). "Aye, indeed!... in fact...." + +HILARION. "At the contact of the woman who had an issue of blood, Jesus +turned and said, 'Who hath touched my garments?' He did not know, then, +who had touched him? That contradicts the omniscience of Jesus! If the +tomb was watched by guards, the women need have felt no anxiety about +finding help to roll away the stone from the tomb. Therefore there +were no guards, or the holy women were not there. At Emmaus, he eats +with his disciples and makes them feel his wounds. It is a human body, +a material and ponderable object; and nevertheless it passes through +walls! Is that possible?" + +ANTHONY. "It would require much time to answer thee properly!" + +HILARION. "Why did he receive the Holy Spirit, being himself Son of +the Holy Spirit? What need had he of baptism if he was the Word? How +could the Devil have tempted him, inasmuch as he was God? Have these +thoughts never occurred to thee?" + +ANTHONY. "Yes!... often! Sometimes torpid, sometimes furious--they +remain forever in my conscience. I crush them; they rise again, they +stifle me; and sometimes I think that I am accursed." + +HILARION. "Then it is needless for thee to serve God?" + +ANTHONY. "I shall always need to adore Him." + +(_After a long silence Hilarion continues_:) + +"But aside from dogma, all researches are allowed us. Dost thou desire +to know the hierarchy of the Angels, the virtue of the Numbers, the +reason of germs and of metamorphoses?" + +ANTHONY. "Yes! yes! my thought struggles wildly to escape from its +prison. It seems to me that by exerting all my force I might succeed. +Sometimes, for an instant, brief as a lightning flash, I even feel +myself as thought uplifted,--then I fall back again!" + +HILARION. "The secret thou wouldst obtain is guarded by sages. They +dwell in a distant land; they are seated beneath giant trees; they +are robed in white; they are calm as Gods! A warm air gives them +sufficient nourishment. All about them, leopards tread upon grassy +turf. The murmuring of fountains and the neighing of unicorns mingle +with their voices. Thou shalt hear them; and the face of the Unknown +shall be unveiled!" + +ANTHONY (_sighing_). "The way is long; and I am old." + +HILARION. "Oh! oh! wise men are not rare! there are some even very nigh +thee!--here! Let us enter!" + + +[1] Gibbon, a sincere admirer of Athanasius, gives a curious history of +these charges, and expresses his disbelief in their truth. The story +regarding the design to intercept the corn-fleet of Alexandria is +referred to in the use of the word "monopolist." + + + + +IV + + +(_And Anthony beholds before him a vast basilica._ + +_The light gushes from the further end, marvellous as a multi-colored +sun. It illuminates the innumerable heads of the crowd that fills the +nave, and that eddies about the columns toward the side-aisles--where +can be perceived, in wooden compartments, altars, beds, little chains +of blue stones linked together, and constellations painted upon the +walls._ + +_In the midst of the throng there are groups which remain motionless. +Men standing upon stools harangue with fingers uplifted; others are +praying, with arms outstretched in form of a cross; others are lying +prostrate upon the pavement, or singing hymns, or drinking wine; others +of the faithful, seated about a table, celebrate their agape;[1] +martyrs are unbandaging their limbs in order to show their wounds; and +aged men, leaning upon staffs, recount their voyages._ + +_There are some from the country of the Germans, from Thrace also, and +from the Gauls, from Scythia and from the Indies, with snow upon their +beards, feathers in their hair; thorns in the fringe of their garments; +the sandals of some are black with dust, their skins are burnt by the +sun. There is a vast confusion of costumes, mantles of purple and +robes of linen, embroidered dalmaticas, hair shirts, sailors' caps, +bishops' mitres. Their eyes fulgurate strangely. They have the look of +executioners, or the look of eunuchs._ + +_Hilarion advances into their midst. All salute him. Anthony, shrinking +closer to his shoulder, observes them. He remarks the presence of a +great many women. Some of these are attired like men, and have their +hair cut short. Anthony feels afraid of them._) + +HILARION. "Those are Christian women who have converted their husbands. +Besides, the women were always upon the side of Jesus, even the +idolatrous ones, for example, Procula, the wife of Pilate, and Poppæa, +the concubine of Nero. Do not tremble!--come on." + +(_And others are continually arriving._ + +_They seem to multiply, to double themselves by self-division, light +as shadows--all the while making an immense clamour, in which yells of +rage, cries of love, canticles and objurgations intermingle._) + +ANTHONY (_in a low voice_). "What do they desire?" + +HILARION. "The Lord said: 'I have yet many things to say to you.... +'[2] They possess the knowledge of those things." + +(_And he pushes Anthony forward to a golden throne approached by five +steps, whereon--surrounded by ninety-five disciples, all very thin and +pale, and anointed with oil--sits the prophet Manes. He is beautiful +as an archangel, immobile as a statue; he is clad in an Indian robe; +carbuncles gleam in his plaited hair; at his left hand lies a book of +painted images; his right reposes upon a globe. The images represent +the creatures that erst slumbered in Chaos. Anthony bends forward to +look upon them. Then----_) + +MANES + +(_makes his globe revolve; and regulating the tone of his words by a +lyre which gives forth crystalline sounds, exclaims_:--) + +"The celestial earth is at the superior extremity; the terrestrial +earth at the inferior extremity. It is sustained by two angels--the +Angel Splenditeneus, and Omophorus, whose faces are six. + +"At the summit of the highest heaven reigns the impassible Divinity; +below, face to face, are the Son of God and the Prince of Darkness. + +"When the darkness had advanced even to his kingdom, God evolved from +his own essence a virtue which produced the first man; and he environed +him with the five elements. But the demons of darkness stole from him a +part; and that part is the soul. + +"There is but one soul, universally diffused, even as the waters of +a river divided into many branches. It is this universal soul that +sighs in the wind--that shrieks in the marble under the teeth of the +saw--that roars in the voice of the sea--that weeps tears of milk when +the leaves of the fig tree are torn off. + +"The souls that leave this world emigrate to the stars, which are +themselves animated beings." + +ANTHONY (_bursts into a laugh_). "Ah! ah! what an absurd imagination!" + +A MAN (_having no beard, and of a most austere aspect_). "Wherefore +absurd?" + +(_Anthony is about to reply when Hilarion tells him in a low voice +that the questioner is none other than the tremendous Origen himself; +and_:--) + +MANES (_continues_). "But first they remain awhile in the Moon, where +they are purified. Then they rise into the sun." + +ANTHONY (_slowly_). "I do not know of anything ... which prevents us +... from believing it." + +MANES. "The proper aim of every creature is the deliverance of the ray +of celestial light imprisoned within matter. It finds easier escape +through the medium of perfumes, spices, the aroma of warmed wine, the +light things which resemble thoughts. But the acts of life retain it +within its prison. The murderer shall be born again in the form of a +celephus; he that kills an animal shall become that animal; if thou +plantest a vine, thou shalt be thyself bound within its boughs. Food +absorbs the celestial light.... Therefore abstain! fast!" + +HILARION. "Thou seest, they are temperate!" + +MANES. "There is much of it in meats, less of it in herbs. Moreover +the Pure Ones, by means of their great merits, despoil vegetation of +this luminous essence; and, thus liberated, it reascends to its source. +But through generation, animals keep it imprisoned within the flesh! +Therefore, avoid women!" + +HILARION. "Admire their continence." + +MANES. "Or rather contrive that they shall not create..............[3] + +ANTHONY. "Oh--abomination!" + +HILARION. "What signifies the hierarchy of turpitudes? The Church has, +forsooth, made marriage a sacrament!" + +SATURNINUS (_in Syrian costume_). "He teaches a most dismal system of +the universe!... The Father, desiring to punish the angels who had +revolted, ordered them to create the world. Christ came, in order that +the God of the Jews, who was one of those angels...." + +ANTHONY. "He an angel! the Creator!" + +CERDO. "Did he not seek to kill Moses, to deceive his own prophets, to +seduce nations?--did he not sow falsehood and idolatry broadcast?" + +MARCION. "Certainly, the Creator is not the true God!" + +SAINT CLEMENT OF ALEXANDRIA. "Matter is eternal!" + +BARDESANES (_in the costume of the Babylonian magi_). "It was formed by +the Seven Planetary Spirits." + +THE HERMIANS. "Souls were made by the angels." + +THE PRISCILLIANISTS. "It was the Devil who made the world." + +ANTHONY (_rushing back from the circle_). "Horror!" + +HILARION (_supporting him_). "Thou despairest too hastily!--thou dost +misapprehend their doctrine! Here is one who received his teaching +directly from Theodas, the friend of St. Paul. Hearken to him." + +(_And at a sign from Hilarion_ + +VALENTINUS + +_appears in a tunic of cloth of silver; his skull is pointed at its +summit; his voice has a wheezing sound._) + +"The world is the work of a God in delirium!" + +ANTHONY (_bending his head down_). "The work of a God in delirium!..." + +(_After a long silence_): "How can that be?" + +VALENTINE. "The most perfect of beings, and of the Æons, the Abyss; +dwelt in the womb of the Deep together with Thought. By their union was +begotten Intelligence, to whom Truth was given as a companion. + +"Intelligence and Truth engendered the Word and Life, who in their turn +begat Man and the Church; and that doth make eight Æons!" + +(_He counts upon his fingers._) + +"The Word and Truth also produced ten other Æons--which is to say, five +couples. Man and the Church had begotten twelve more--among these the +Paraclete and Faith, Hope and Charity, Perfection and Wisdom--Sophia. + +"The union of these thirty Æons constitutes the Pleroma, or +Universality of God. Thus, even as the echo of a passing voice, as the +effluvia of a perfume evaporating, as the fires of the setting sun, +the Powers that emanated from the Principle, forever continue to grow +weaker. + +"But Sophia, desirous to know the Father, darted from the Pleroma; +and the Word then made another couple, Christ and the Holy Ghost, who +reunited all the Æons; and all together formed Jesus, the flower of the +Pleroma. + +"But the effort of Sophia to flee away had left in the void an image of +her--an evil substance, Acharamoth.[4] The Saviour took pity upon her, +freed her from all passion; and from the smile of Acharamoth redeemed, +light was born; her tears formed the waters; by her sorrow was dark +matter begotten. + +"Of Acharamoth was born the Demiurgos,--the fabricator of worlds, +the creator of the heaven and of the Devil. He dwells far below the +Pleroma--so far that he cannot behold it--so that he deems himself to +be the true God, and repeats by the mouths of his prophets--'There is +no other God but I.' Then he made man, and instilled into his soul the +immaterial Seed which was the Church--a reflection of the other Church +established in the Pleroma. + +"One day Acharamoth shall reach the highest region and unite herself +with the Saviour; the fire that is hidden in the world shall annihilate +all matter, and shall even devour itself and men, becoming pure +spirits, shall espouse the angels!" + +ORIGEN. "Then shall the Demon be over-thrown and the reign of God +commence!" + +(_Anthony expresses a cry, and forthwith_) + +BASILIDES (_taking him by the elbow, exclaims_:--) + +"The Supreme Being with all the infinite emanations is called +Abraxas; and the Saviour with all his virtues, Kaulakau--otherwise, +line-upon-line, rectitude upon rectitude. + +"The power of Kaulakau is obtained by the aid of certain words, which +are inscribed upon this chalcedony to help the memory." + +(_And he points to a little stone suspended at his neck, upon which +stone fantastic characters are graven._) + +"Then thou wilt be transported into the Invisible and placed above all +law; thou shalt contemn all things--even virtue! + +"We, the Pure, must flee from pain, after the example of Kaulakau." + +ANTHONY. "What! and the cross?" + +THE ELKHESAITES (_in robes of hyacinth answers him_). "The woe and +the degradation, the condemnation and oppression of my fathers[5] are +blotted out, through the mission which has come. + +"One may deny the inferior Christ, the man--Jesus; but the other Christ +must be adored--whose personality was evolved under the brooding of the +Dove's wings. + +"Honor marriage; the Holy Spirit is feminine!" + +(_Hilarion has disappeared; and Anthony, carried along by the crowd, +arrives in the presence of_--) + +THE CARPOCRATIANS + +(_reclining with women upon scarlet cushions._) + +"Before entering into the Only thou shalt pass through a series of +conditions and of actions. To free thyself from the powers of darkness, +thou must at once accomplish their works. The husband shall say to the +wife: 'Have charity for thy brother'--and she will kiss thee." + +THE NICOLAITANS + +(_gathered about a mass of smoking meats_:) + +"This is a portion of the meat offered to idols;--partake of it! +Apostasy is permissible when the heart is pure. Gorge thy flesh with +all that it demands. Seek to exterminate it by dint of debauchery! +Prounikos, the Mother of Heaven, wallowed in ignominies." + +THE MARCOSIANS + +(_wearing rings of gold, and glistening with precious balm and +unguents_:) + +"Enter among us that thou mayst unite thyself to the Spirit! Enter +among us that thou mayst quaff the draught of immortality!" + +(_And one of them shows him, behind a tapestry-hanging, the body of a +man terminated by the head of an ass. This represents Sabaoth, father +of the Devil. He spits upon the image in token of detestation._ + +_Another shows him a very low bed, strewn with flowers, exclaiming_:) + +"The spiritual marriage is about to be consummated." + +(_A third, who holds a cup of glass, utters an invocation;--blood +suddenly appears in the cup_:) + +"Ah! behold it! behold it!--the blood of Christ!" + +(_Anthony withdraws, but finds himself be-spattered by water splashed +from a cistern._) + +THE HELVIDIANS + +(_are flinging themselves into it head foremost, muttering_:--) + +"The man regenerated by baptism is impeccable!" + +(_Then he passes by a great fire at which the Adamites are warming +themselves--all completely naked in imitation of the purity of +Paradise; and he stumbles over_) + +THE MESSALINES + +(_wallowing upon the pavement, half-slumbering, stupid_:) + +"Oh! crush us if thou wilt! we shall not move! Work is crime; all +occupation is evil." + +(_Behind these, the abject_) + +PATERNIANS + +(_--men, women, and children lying pell mell upon a heap of filth, lift +their hideous faces, wine-besmeared, and they cry aloud_:) + +"The inferior parts of the body, which were created by the Devil, +belong to him! Let us eat, drink, and sin!" + +ÆTIUS. "Crimes are necessities beneath the notice of God!" + +(_But suddenly_--) + +A MAN (--_clad in a Carthaginian mantle, bounds into their midst, +brandishing a scourge of thongs in his hand; and strikes violently and +indiscriminately at all in his path_:) + +"Ah! imposters! simonists, heretics and demons!--vermin of the +schools!--dregs of hell! Marcion, there, is a sailor of Sinopus +excommunicated for incest;--Carpocrates was banished for being a +magician; Ætius stole his concubine; Nicholas prostituted his wife; +and this Manes, who calls himself the Buddha, and whose real name is +Cubricus, was flayed alive with the point of a reed, so that his skin +even now hangs at the gates of Ctesiphon!" + +ANTHONY (_recognizing Tertullian, rushes to join him_): "Master! help! +help!" + +TERTULLIAN (_continuing_): + +"Break the images! veil the virgins! Pray, fast, weep and mortify +yourselves! No philosophy! no books! After Jesus, science is useless!" + +(_All have fled away; and Anthony beholds, in lieu of Tertullian, a +woman seated upon a bench of stone._ + +_She sobs; leaning her head against a column; her hair is loose; her +body, weakened by grief, is clad in a long brown simar. Then they find +themselves face to face and alone, far from the crowd; and a silence, +an extraordinary stillness falls--as in the woods when the winds are +lulled, and the leaves of the trees suddenly cease to whisper._ + +_This woman is still very beautiful, although faded, and pale as a +sepulcher. They look at one another; and their eyes send to each other +waves, as it were, of thoughts, bearing drift of a thousand ancient +things, confused, mysterious. At last_--) + +PRISCILLA (_speaks_:) + +"I was in the last chamber of the baths; and the rumbling sounds of the +street caused a sleep to fall upon me. + +"Suddenly I heard a clamour of voices. Men were shouting--'It is a +magician!--it is the Devil!' And the crowd stopped before our house, in +front of the Temple Æsculapius. I drew myself up with my hands to the +little window. + +"Upon the peristyle of the temple, there stood a man who wore about his +neck a collar of iron. He took burning coals out of a chafing-dish, and +with them drew lines across his breast, the while crying out--'Jesus! +Jesus!' The people shouted--'This is not lawful! let us stone him!' +But he continued. Oh! those were unheard of marvels--things which +transported men who beheld them! Flowers broad as suns circled before +my eyes, and I heard in the spaces above me the vibrations of a golden +harp. Day died. My hands loosened their grasp of the window-bars; my +body fell back, and when he had led me away to his house...." + +ANTHONY. "But of whom art thou speaking?" + +PRISCILLA. "Why, of Montanus!" + +ANTHONY. "Montanus is dead!" + +PRISCILLA. "It is not true!" + +A VOICE. "No: Montanus is not dead!" + +(_Anthony turns; and sees upon the bench near him, on the opposite +side, another woman sitting; she is fair, and even paler than the +other; there are swellings under her eyes, as though she had wept a +long time. She speaks without being questioned_:) + +MAXIMILLA. "We were returning from Tarsus by way of the mountains, +when, at a turn in the road, we saw a man under a fig tree. + +"He cried from afar off: 'Stop! stop!' and rushed toward us, uttering +words of abuse. The slaves ran up; he burst into a loud laugh. The +horses reared; the molossi all barked. + +"He stood before us. The sweat streamed from his forehead; his mantle +napped in the wind. + +"And calling us each by our names, he reproached us with the vanity +of our work, the infamy of our bodies; and he shook his fist at the +dromedaries because of the silver bells hanging below their mouths. + +"His fury now filled my very entrails with fear and yet there was a +strange pleasure in it which fascinated me, intoxicated me! + +"First the slaves came. 'Master,' they said, 'our animals are weary.' +Then the women said, 'We are frightened,' and the slaves departed. Then +the children began to weep,--'We are hungry.' And as the women were not +answered, they disappeared also from our view. + +"He still spoke. I felt some one near me. It was my husband; but I +listened only to the other. My husband crawled to me upon his knees +among the stones, and cried--'Dost thou abandon me,' and I replied: +'Yes! go thy way!' that I might accompany Montanus." + +ANTHONY. "A eunuch!" + +PRISCILLA. "Ah! does that astound thee, vulgar soul! Yet Magdalen, +Johanna, Martha and Susannah did not share the couch of the Saviour. +Souls may know the delirium of embrace better than bodies. That he +might keep Eustolia with impunity, the bishop Leontius mutilated +himself--loving his love more than his virility. And then, it was +no fault of mine. Sotas could not cure me; a spirit constrained me. +It is cruel, nevertheless! But what matter? I am the last of the +prophetesses; and after me the end of the world shall come." + +MAXIMILLA. "He showered his gifts upon me. Moreover, no one loves him +as I, nor is any other so well beloved by him!" + +PRISCILLA. "Thou liest! I am the most beloved!" + +MAXIMILLA. "No: it is I!" + +(_They fight. Between their shoulders suddenly appears the head of a +negro._) + +MONTANUS (_clad in a black mantle, clasped by two cross-bones_): + +"Peace, my doves! Incapable of terrestrial happiness, we have obtained +the celestial plentitude of our union. After the age of the Father, +the age of the Son; and I inaugurate the third, which is that of the +Paraclete. His light descended upon me during those forty nights when +the heavenly Jerusalem appeared shining in the firmament, above my +house at Pepuzza. + +"Ah, how ye cry out with anguish when the thongs of the scourge +lacerate! how your suffering bodies submit to the ardor of my spiritual +discipline! how ye languish with irrealizable longing! So strong has +that desire become that it has enabled you to behold the invisible +world; and ye can now perceive souls even with the eyes of the body!" + +ANTHONY. (_Makes a gesture of astonishment._) + +TERTULLIAN (_who appears again, standing beside Montanus_): + +"Without doubt; for the soul has a body, and that which is bodiless has +no existence." + +MONTANUS. "In order to render it yet more subtle, I have instituted +many mortifications, three Lents a year, and prayers to be uttered +nightly by the mind only, keeping the mouth closed, lest breathing +might tarnish thought. It is necessary to abstain from second +marriages, or rather from all marriage! The Angels themselves have +sinned with women!" + +THE ARCHONTICS (_wearing cilices of hair_): + +"The Saviour said: 'I come to destroy the work of the Woman!'" + +THE TATIANITES (_wearing cilices of reed_): + +"She is the tree of evil. Our bodies are but garments of skin." + +(_And continuing to advance along the same side, Anthony meets_:--) + +THE VALESIANS (_extended upon the ground, with red wounds below their +bellies, and blood saturating their tunics. They offer him a knife._) + +"Do as Origen did and as we have done! Is it the pain that thou +fearest, coward? Is it the love of thy flesh that restrains thee, +hypocrite?" + +(_And while he watches them writhing upon their backs, in a pool of +blood_--) + +THE CAINITES (_wearing knotted vipers as fillets about their hair, pass +by, vociferating in his ear_):-- + +"Glory to Cain! Glory to Sodom! Glory be to Judas! + +"Cain made the race of the strong; Sodom terrified the earth by her +punishment, and it was by Judas that God saved the world! Yes! by +Judas: without him there would have been no death and no redemption!" + +(_They disappear beneath the horde of the_--) + +CIRCUMCELLIONES (_all clad in the skins of wolves, crowned with thorns, +and armed with maces of iron_). + +"Crush the fruit! befoul the spring! drown the child! Pillage the rich +who are happy--who cat their fill! Beat the poor who envy the ass +his saddle-cloth, the dog his meal, the bird his nest,--and who is +wretched at knowing that others are not as miserable as himself. + +"We, the Saints, poison, burn, massacre, that we may hasten the end of +the world. + +"Salvation may be obtained through martyrdom only. We give ourselves +martyrdom. We tear the skin from our heads with pincers; we expose our +members to the plough; we cast ourselves into the mouths of furnaces! + +"Out upon baptism! out upon the Eucharist! out upon marriage! universal +damnation!" + +(_Then throughout all the basilica there is a redoubling of fury._ + +_The Audians shoot arrows against the Devil; the Collyridians throw +blue cloths toward the roof; the Ascites prostrate themselves before +a waterskin; the Marcionites baptise a dead man with oil. A woman, +standing near Appelles, exhibits a round loaf within a bottle, in order +the better to explain her idea. Another, standing in the midst of an +assembly of Sampseans distributes, as a sacrament, the dust of her +own sandals. Upon the rose-strewn bed of the Marcosians, two lovers +embrace. The Circumcellionites slaughter one another; the Valesians +utter the death-rattle; Bardesanes sings; Carpocras dances; Maximilla +and Priscilla moan; and the false prophetess of Cappadocia, completely +naked, leaning upon a lion, and brandishing three torches, shrieks the +Terrible Invocation._ + +_The columns of the temple sway to and fro like the trunks of trees in a +tempest; the amulets suspended about the necks of the Heresiarchs seem +to cross each other in lines of fire; the constellations in the chapels +palpitate; and the walls recoil with the ebb and flow of the crowd, in +which each head is a wave that leaps and roars._ + +_Nevertheless, from the midst of the clamor arises the sound of a song, +in which the name of Jesus is often repeated, accompanied by bursts of +laughter._ + +_The singers belong to the rabble of the people; they all keep time to +the song by clapping their hands. In their midst stands_--) + +ARTUS (_in a deacon's vestments_): + +"The fools who declaim against me pretend to explain the absurd; and in +order to confound them utterly, I have composed ditties so droll that +they are learned by heart in all the mills, in the taverns and along +the ports. + +"No! a thousand times no!--the Son is not coeternal with the Father, +nor of the same substance! Otherwise he would not have said: 'Father, +remove this chalice from me! Why dost thou call me good? God alone is +good! I go to my God, to your God!'--and many other things testifying +to his character of creature. The fact is further demonstrated for +us by all his names:--lamb, shepherd, fountain, wisdom, son-of-man, +prophet; the way, the corner-stone!" + +SABELLIUS. "I hold that both are identical." + +ARIUS. "The Council of Antioch has decided the contrary." + +ANTHONY. "Then what is the Word?... What was Jesus?" + +THE VALENTINIANS. "He was the husband of Acharamoth repentant!" + +THE SETHIANIANS. "He was Shem, the son of Noah!" + +THE THEODOTIANS. "He was Melchisedech!" + +THE MERINTHIANS. "He was only a man!" + +THE APOLLINARISTS. "He assumed the appearance of one! He simulated the +Passion!" + +MARCEL OF ANCYRA. "He was a development of the Father!" + +POPE CALIXTUS. "Father and Son are but two modes of one God's +manifestation!" + +METHODIUS. "He was first in Adam, then in man!" + +CERINTHUS. "And He will rise again!" + +VALENTINUS. "Impossible--his body being celestial!" + +PAUL OF SAMOSATA. "He became God _only_ from the time of his baptism!" + +HERMOGENES. "He dwells in the sun!" + +(_And all the Heresiarchs form a circle about Anthony, who weeps, +covering his face with his hands._) + +A JEW (_with a red beard, and spots of leprosy upon his shin, +approaches close to Anthony, and, with a hideous sneer, exclaims_): + +"His soul was the soul of Esau! He suffered from the Bellephorentian +sickness. Was not his mother, the seller of perfumes, seduced by a +Roman soldier, one Pantherus?.......................... [6] + +ANTHONY (_suddenly raising his head, looks at them a moment in silence; +then advancing boldly upon them, exclaims_): + +"Doctors, magicians, bishops, and deacons, men and phantoms, away from +me! begone! Ye are all lies!" + +THE HERESIARCHS. "We have martyrs more martyrs than thine, prayers +that are more difficult, outbursts of love more sublime, ecstasies as +prolonged as thine are." + +ANTHONY. "But ye have no revelation! no proofs!" + +(_They all at once brandish in the air their rolls of papyrus, tablets +of wood, scrolls of leather, rolls of woven stuff bearing inscriptions; +and elbowing; and pushing each other, they all shout to Anthony._) + +THE CERINTHIANS. "Behold the Gospel of the Hebrews!" + +THE MARCIONITES. "Behold the Gospel of the Lord!" + +THE MARCOSIANS. "The Gospel of Eve!" + +THE EUCRATITES. "The Gospel of Thomas!" + +THE CAINITES. "The Gospel of Judas!" + +BASILIDES. "The Treatise upon the Destiny of the Soul!" + +MANES. "The Prophecy of Barkouf!" + +(_Anthony struggles, breaks from them, escapes them; and in a shadowy +corner perceives_--) + +THE AGED EBIONITES + +(_withered as mummies, their eyes dull and dim, their eyebrows white as +frost._ + +_In tremulous voices they exclaim_:--) + +"We have known him, we have seen him! We knew the Carpenter's Son! We +were then the same age as he; we dwelt in the same street. He used to +amuse himself by modelling little birds of mud; aided his father at his +work without fear of the sharp tools, or selected for his mother the +skeins of dyed wool. Then he made a voyage to Egypt, from whence he +brought back wondrous secrets. We were at Jericho when he came to find +the Eater of Locusts. They talked together in a low voice, so that no +one could hear what was said. But it was from that time that his name +began to be noised abroad in Galilee, and that men began to relate many +fables regarding him." + +(_They reiterate, tremulously_:) + +"We knew him! we others, we knew him!" + +ANTHONY. "Ah, speak on, speak! What was his face like?" + +TERTULLIAN. "His face was wild and repulsive; forasmuch as he +had burthened himself with all the crimes, all the woes, all the +deformities of mankind." + +ANTHONY. "Oh! no, no! I imagine, on the contrary, that his entire +person must have been glorious with a beauty greater than the beauty of +man!" + +EUSEBIUS OF CÆSAREA. "There is indeed, at Paneades, propped up against +the walls of a crumbling edifice surrounded by a wilderness of weeds +and creeping plants, a certain statue of stone which, some say, was +erected by the Woman healed of the issue of blood. But time has gnawed +the face of the statue, and the rains have worn the inscription away." + +(_A woman steps forward from the group of the Carpocratians._) + +MARCELLINA. "I was once a deaconess at Rome, in a little church, where +I used to exhibit to the faithful, the silver images, of Saint Paul, +Homer, Pythagoras and Jesus Christ. + +"I have only kept that of Jesus." + +(_She half opens her mantle._) + +"Dost thou desire it?" + +A VOICE. "He reappears himself when we call upon him! It is the +hour!--come!" + +(_And Anthony feels a brutal hand seize him by the arm, and drag him +away._ + +_He mounts a stairway in complete darkness; and after having ascended +many steps, he finds himself before a door._ + +_Then the one who is leading him--(is it Hilarion?--he does not +know)--whispers in the ear of another_: "The Lord is about to +come!"--_and they are admitted into a chamber, with a very low ceiling, +and without furniture._ + +_The first object which attracts his attention is a long blood-colored +chrysalis, with a human head surrounded by rays, and the word_ Knouphus +_inscribed all around it in Greek characters. It is placed upon the +shaft of a column, which is in turn supported by a broad pedestal. +Hanging upon the walls of the chamber are medallions of polished iron +representing the heads of various animals:--the head of an ox, the head +of a lion, the head of an eagle, the head of a dog, and the head of an +ass--again!_ + +[Illustration: ... a long blood-colored chrysalis] + +_Earthen lamps, suspended below these images, create a vacillating +light. Through a hole in the wall, Anthony can see the moon shining +far off upon the waves; he can even hear the feeble regular sound of +lapping water; together with the heavy thud occasionally caused by the +bumping of a ship's hull against the stones of the mole._ + +_There are men crouching down, with their faces hidden by their +mantles. From time to time they utter sounds resembling a smothered +bark. There are women also, sleeping with their foreheads resting upon +their arms, and their arms supported by their knees; they are so hidden +by their garments as to resemble heaps of cloth piled up at intervals +against the wall. Near them are half naked children, whose persons +swarm with vermin. They watch with idiotic stare the burning of the +lamps; and nothing is done: all are waiting for something._ + +_They talk in undertones about family matters, or recommend to each +other various remedies for their ailments. Some of them must embark +at earliest daylight; the persecution is becoming too terrible to be +endured. Nevertheless, the pagans are easily enough deceived_:--"The +fools imagine that we are really adoring Knouphus!" + +_But one of the brethren, feeling himself suddenly inspired, takes his +place before the column, where a basket has already been placed, filled +with fennel and aristolochia. On the top of the basket is placed a +loaf._) + +THE INSPIRED BROTHER + +(_unrolling a placard covered with designs representing cylinders +blending with and fitting into one another, commences to pray_:) + +"The ray of the Word descended upon the darknesses; and there arose a +mighty cry, like unto the voice of Light." + +ALL (_swaying their bodies in unison, respond_): + +"Kyrie eleison!" + +THE INSPIRED BROTHER. "Then was Man created by the infamous +God of Israel, aided by those who are these (_pointing to the +medallions_)--Astophaios, Oraios, Sabaoth, Adonai, Eloi, Iao! + +"And Man, hideous, feeble, formless and thoughtless, lay upon the slime +of the earth." + +ALL (_in plaintive accents_): + +"Kyrie eleison!" + +THE INSPIRED BROTHER. "But Sophia, compassionating him, vivified him +with a spark of her own soul. + +"Then God, beholding Man so beautiful, waxed wroth; and imprisoned him +within His own kingdom, forbidding him to touch the Tree of Knowledge. + +"Again did the other succor him. She sent to him the Serpent, who, by +many long subterfuges, made him disobey that law of hate. + +"And Man, having tasted knowledge, understood celestial things." + +ALL (_raising their voices_): + +"Kyrie Eleison!" + +THE INSPIRED BROTHER. "But Iabdalaoth through vengeance cast down man +into the world of matter, and the Serpent with him." + +ALL (_in a very low tone_): + +"Kyrie Eleison!" + +(_Then all hold their peace, and there is silence._ + +_The odors of the port mingle with the smoke of the lamps in the warm +air. The lamp-wicks crepitate; their flames are about to go out, long +mosquitoes flit in rapid circlings about them. And Anthony groans +in an agony of anguish, as with the feeling that a monstrosity is +floating about him, as with the fear of a crime that is about to be +accomplished._ + +_But_--) + +THE INSPIRED BROTHER (_stamping his heel upon the floor, snapping his +fingers, tossing his head wildly, suddenly chants to a furious rhythm, +with accompaniment of cymbals and a shrill flute_:--) + +"Come! come! come!--issue from thy cavern! + +"O swift one, who runneth without feet, captor who seizeth without hand! + +"Sinuous as the rivers, orbicular as the sun, black, with spots of +gold, like the firmament star-besprinkled! Like unto the intertwinings +of the vine, and the circumvolutions of entrails! + +"Unengendered! eater of earth! immortally young! unfailing +perspicacious! honored at Epidaurus! Kindly to man! thou who didst heal +King Ptolemy, and the warriors, of Moses, and Glaucus, son of Minos! + +"Come! come! come!--issue from thy cavern!" + +ALL (_repeat_): + +"Come! come! come!--issue from thy cavern!" + +(_Nevertheless, nothing yet appears._) + +"Why? What aileth him?" + +(_And they concert together, devise means._ + +_An old man presents a clod of turf as an offering. Then something +upheaves within the basket. The mass of verdure shakes; the flowers +fall, and the head of a python appears._ + +[Illustration: ... the flowers fall and the head of a python +appears] + +_It passes slowly around the edge of the loaf, like a circle moving +around an immovable disk;--then it unfolds itself, lengthens out; it is +enormous and of great weight. Lest it should touch the floor, the men +uphold it against their breasts, the women support it upon their heads, +the children hold it up at arms' length; and its tail, issuing through +the hole in the wall, stretches away indefinitely to the bottom of the +sea. Its coils double; they fill the chamber; they enclose Anthony._) + +THE FAITHFUL (_press their mouths against its skin, snatch from one +another the loaf which it has bitten, and cry aloud_:--) + +"It is thou! it is thou! + +"First raised up by Moses, broken by Ezechias, re-established by the +Messiah. He drank thee in the waters of baptism; but thou didst leave +him in the Garden of Olives; and then indeed he felt his own weakness! + +"Writhing about the arms of the cross, and above his head, while +casting thy slime upon the crown of thorns, thou didst behold him die! +For thou art not Jesus, thou!--thou art the Word! thou art the Christ!" + +(_Anthony faints with horror, and falls prostrate in front of his hut +upon the splinters of wood, where the torch that had slipped from his +hand, is burning low._ + +_The shock arouses him. Opening his eyes again, he perceives the Nile, +brightly undulating under the moon, like a vast serpent winding over +the sands; so that the hallucination returns upon him again; he has not +left the company of the Ophites; they surround him, call him; he sees +them carrying baggage, descending to the port. He embarks along with +them._ + +_An inappreciable time elapses._ + +_Then the vaults of a prison environ him. Iron bars in front of him +make black lines against a background of blue; and in the darkness +beside him people are praying and weeping surrounded by others who +exhort and console._ + +[Illustration: ... and in the darkness beside him people are +praying] + +_Without, there is a murmur like the deep humming of a vast crowd, and +there is splendour as of a summer's day._ + +_Shrill voices announce watermelons for sale, iced drinks, and cushions +of woven grass to sit upon. From time to time there are bursts of +applause. He hears the sound of footsteps above his head._ + +_Suddenly a long roar is heard, mighty and cavernous as the roar of +water in an aqueduct._ + +_And he sees, directly opposite, behind the bars of another compartment +across the arena a lion walking to and fro, then a line of sandals, +bare legs, and purple fringes. Beyond are the vast circling wreaths +of people, in symmetrical tiers, enlarging as they rise, from the +lowest which hems in the arena to the uppermost above which masts +rise to sustain a hyacinth-colored awning, suspended in air by ropes. +Stairways radiating toward the centre, divide these huge circles of +stone at regular intervals. The benches disappear under a host of +spectators--knights, senators, soldiers, plebeians, vestals, and +courtesans--in woollen hoods, in silken maniples, in fallow-colored +tunics; together with aigrettes of precious stones, plumes of feathers, +the fasces of lictors; and all this swarming multitude deafens and +stupefies Anthony with its shoutings, its tumultuous fury, as of an +enormous boiling vat. In the middle of the arena, a vase of incense +smokes upon an altar._ + +_Anthony thus knows that the people with him are Christians condemned +to be thrown to the wild beasts. The men wear the red mantle of the +pontiffs of Saturn; the women, the bandellettes of Ceres. Their friends +divide among themselves shreds of their garments, and rings. To obtain +access to the prison, they say, costs a great deal of money. But what +matter! They will remain until it is all over._ + +_Anthony notices among these consolers, a certain bald-headed man, +in a black tunic: Anthony has seen that face somewhere before. The +consoler discourses to them concerning the nothingness of this world, +and the felicity of the Elect. Anthony feels within him a transport of +celestial love; he longs for the opportunity to lay down his life for +the Saviour--not knowing as yet whether he himself is to be numbered +among the martyrs._ + +_But all--except a certain Phrygian, with long hair, who stands with +his arms uplifted--have a look of woe. One old man is sobbing upon a +bench; a youth standing close by, with drooping head, abandons himself +to a reverie of sorrow._ + +THE OLD MAN _had refused to pay the customary contribution before the +statue of Minerva, erected at the angle of the cross-roads; and he +gazes at his companions with a look that signifies_:--) + +"Ye ought to have succored me! Communities can sometimes so arrange +matters as to insure their being left in peace. Some among ye also +procured those letters which falsely allege that one has sacrificed to +idols." + +(_He asks aloud_:--) + +"Was it not Petrus of Alexandria who laid down the rule concerning what +should be done by those who have yielded to torture?" + +(_Then, to himself_:--) + +"Ah! how cruel this at my age! My infirmities make me so weak! +Nevertheless, I might easily have lived until the coming winter, or +longer!" + +(_The memory of his little garden makes him sad, and he gazes toward +the altar._) + +THE YOUNG MAN (_who disturbed the festival of Apollo by violence and +blows, murmurs_:--) + +"Yet it would have been easy for me to have fled to the mountains!" + +(_One of the brothers answers_:--) + +"But the soldiers would have captured thee!" + +THE YOUNG MAN. "Oh! I would have done as Cyprian did--I would have +returned, and the second time I would surely have had more force!" + +(_Then he thinks of the innumerable days that he might have lived, of +all the joys that he might have known, but will never know; and he +gazes toward the altar._ + +_But_--) + +THE MAN IN THE BLACK TUNIC (_rushes to his side._) + +"What scandal! What! Thou! a victim of God's own choice! And all these +women here who are looking at thee! Nay, think what thou art doing! +Moreover, remember that God sometimes vouchsafes to perform a miracle. +Pionius numbed and made powerless the hands of his executioners; the +blood of Polycarp extinguished the fire of the stake." + +(_Then he turns to the Old Man_:--) + +"Father, father! it behooves thee to edify us by thy death! By longer +delaying it, thou wouldst doubtless commit some evil action that would +lose thee the fruit of all thy good works. Remember, also, that the +power of God is infinite; and it may come to pass that all the people +will be converted by thy example." + +(_And in the great den opposite, the lions stride back and forth, +ceaselessly, with a rapid continuous motion. The largest suddenly looks +at Anthony and roars, and a vapour issues from his jaws._ + +_The women are huddled against the men._) + +THE CONSOLER (_goes from one to the other._) + +"What would ye say, what wouldst thou say if thou wert to be burned +with red-hot irons, if thou wert to be torn asunder by horses, if thou +hadst been condemned to have thy body smeared with honey, and thus +exposed to be devoured by flies! As it is, thou wilt only suffer the +death of a hunter surprised by a beast in the woods." + +(_Anthony would prefer all those things to death by the fangs of the +horrible wild beasts; he fancies already that he feels their teeth and +their claws, that he hears his bones cracking between their jaws._ + +_A keeper enters the dungeon; the martyrs tremble._ + +_Only one remains impassable, the Phrygian, who prays standing apart +from the rest. He has burned three temples; and he advances with arms +uplifted, mouth open, face turned toward heaven, seeing nothing around +him, like a somnambulist._) + +THE CONSOLER (_shouts_). "Back! back! lest the spirit of Montanus might +come upon you." + +ALL (_recoil from the Phrygian, and vociferate_) + +"Damnation to the Montanist!" + +(_They insult him, spit upon him, excite each other to beat him._ + +_The rearing lions bite each other's manes_;) + +THE PEOPLE "To the beasts with them, to the beasts." + +_The Martyrs burst into sobs, and embrace each other passionately. A +cup of narcotic wine is offered them. It is passed from hand to hand, +quickly._ + +_Another keeper, standing at the door of the den, awaits the signal. +The den opens; a lion comes out._ + +_He crosses the arena with great oblique strides. Other lions follow in +file after him; then a bear, three panthers, and some leopards. They +scatter through the arena like a flock in a meadow._ + +_The crack of a whip resounds. The Christians stagger forward; and +their brethren push them, that it may be over the sooner._ + +_Anthony closes his eyes._ + +_He opens them again. But darkness envelopes him._ + +_Soon the darkness brightens; and he beholds an arid plain, mamillated +with knolls, such as might be seen about abandoned quarries._ + +[Illustration: ... and he beholds an arid plain, mamillated +with knolls] + +_Here and there a tuft of shrubbery rises among the slabs of stone, +level with the soil; and there are white figures, vaguer than clouds, +bending over the slabs._ + +_Others approach, softly, silently. Eyes gleam through the slits of +long veils. By the easy indifference of their walk, and the perfumes +exhaled from their garments, Anthony knows they are patrician women. +There are men also, but of inferior condition; for their faces are at +once simple-looking and coarse._ + +(_One of the Women, taking a long breath_:) + +"Ah! how good the cool air of night is, among the sepulchers! I am so +weary of the softness of beds, the turmoil of days, the heavy heat of +the sun!" + +(_Her maid-servant takes from a canvas bag, a torch which she ignites. +The faithful light other torches by it, and plant them upon the tombs._) + +A WOMAN (_panting_). + +"I am here at last! Oh how wearisome to be the wife of an idolator!" + +ANOTHER. "These visits to the prisons, interviews with our brethren, +are all matters of suspicion to our husbands! And we must even hide +ourselves in order to make the sign of the cross; they would take it +for a magical conjuration!" + +ANOTHER. "With my husband it was a quarrel every day. I would not +submit myself to his brutal exactions; therefore he has had me +prosecuted as a Christian." + +ANOTHER. "Do you remember Lucius, that young man who was so beautiful, +who was dragged like Hector, with his heels attached to a chariot, +from the Esquiline Gate to the mountains of Tibur?--and how his blood +spattered the bushes on either side of the road? I gathered up the +drops of his blood. Behold it!" + +(_She drags a black sponge from her bosom, covers it with kisses, and +flings herself down upon the slabs, crying aloud_:--) + +[Illustration: She drags a black sponge from her bosom, covers +it with kisses ...] + +"Ah! my friend! my friend!" + +A MAN. "It is just three years to-day since Domitilla died. They stoned +her at the further end of the Grove of Proserpine. I gathered her +bones, which shone like glowworms in the grass. The earth how covers +them." + +(_He casts himself down upon a tomb._) + +"O my betrothed! my betrothed!" + +(_And all the others scattered over the plain_:--) + +"O my sister! O my brother! O my daughter! O my mother!" + +(_Some kneel, covering their faces with their hands; others lie down +upon the ground with their arms extended; and the sobs they smother +shake their breasts with such violence as though their hearts were +breaking with grief. Sometimes they look up to heaven, exclaiming_:--) + +"Have mercy upon her soul, O my God! She languishes in the sojourn of +Shades; vouchsafe to admit her to thy Resurrection, that she may enjoy +Thy Light!" + +(_Or, with eyes fixed upon the gravestones, they murmur to the dead_:--) + +"Be at peace, beloved! and suffer not! I have brought thee wine and +meats!" + +A WIDOW. "Here is pultis, made by my own hands, as he used to like it, +with plenty of eggs and a double measure of flour! We are going to eat +it together as in other days, are we not?" + +(_She lifts a little piece to her lips, and suddenly bursts into an +extravagant and frenzied laugh._ + +_The others also nibble a little bit as she does and drink a mouthful +of wine._ + +_They recount to each other the stories of their martyrs; grief becomes +exalted! libations redouble. Their tear-swimming eyes are fixed upon +each other's faces. They stammer with intoxication and grief; gradually +hands touch hands, lips join themselves to lips, and they seek each +other upon the tombs, between the cups and the torches._ + +_The sky begins to whiten. The fog makes damp their garments; and, +without appearing even to know one another, they depart by different +ways and seek their homes._ + +_The sun shines; the weeds and the grass have grown higher; the face of +the plain is changed._ + +_And Anthony, looking between tall bamboos, sees distinctly a forest of +columns, of bluish-grey color. These are tree-trunks, all originating +from one vast trunk. From each branch of the colossal tree descend +other branches which may bury themselves in the soil; and the aspect of +all these horizontal and perpendicular lines, indefinitely multiplied, +would closely resemble a monstrous timber-work, were it not that they +have small figs[7] growing upon them here and there, and a blackish +foliage, like that of the sycamore._ + +_He perceives in the forkings of their branches, hanging bunches of +yellow flowers, violet flowers also, and ferns that resemble the plumes +of splendid birds._ + +_Under the lowest branches the horns of a bubalus gleam at intervals, +and the bright eyes of antelopes are visible; there are hosts of +parrots; there are butterflies flittering hither and thither; lizards +lazily drag themselves up or down; flies buzz and hum; and in the midst +of the silence, a sound is audible as of the palpitation of a deep and +mighty life._ + +_Seated upon a sort of pyre at the entrance of the wood is a strange +being--a man--besmeared with cow-dung, completely naked, more withered +than a mummy; his articulations form knots at the termination of bones +that resemble sticks. He has bunches of shells suspended from his ears; +his face is very long, and his nose like a vulture's beak. His left arm +remains motionlessly erect in air, anchylosed, rigid as a stake; and he +has been seated here so long that birds have made themselves a nest in +his long hair._ + +_At the four corners of his wooden pyre flame four fires. The sun is +directly in front of him. He gazes steadily at it with widely-opened +eyes; and, then without looking at Anthony, asks him_:--) + +"Brahmin from the shores of the Nile, what hast thou to say regarding +these things?" + +(_Flames suddenly burst out on all sides of him, through the intervals +between the logs of the pyre; and_--) + +THE GYMNOSOPHIST (_continues_). + +"Lo! I have buried myself in solitude, like the rhinoceros. I dwelt in +the tree behind me." + +[Illustration: I have buried myself in solitude, like the +rhinoceros. I dwelt in the tree behind me.] + +(_The vast fig-tree, indeed, shows in one of its groves, a natural +excavation about the size of a man._) + +"And I nourished me with flowers and fruits, observing the precepts so +rigidly that not even a dog ever beheld me eat. + +"Inasmuch as existence originates from corruption, corruption from +desire, desire from sensation, sensation from contact, I have ever +avoided all action, all contact, and perpetually--motionless as the +stela of a tomb, exhaling my breath from my two nostrils, fixing my +eyes upon my nose, and contemplating the ether in my mind, the world in +my members, the moon in my heart--I dreamed of the essence of the great +Soul whence continually escape the principles of life, even as sparks +escape from fire. + +"Thus at last I found the supreme Soul in all beings, and all beings +in the supreme Soul; and I have been able to make mine own soul all my +senses. + +"I receive knowledge directly from heaven, like the bird Tchataka, who +quenches his thirst from falling rain only. + +"Even by so much as things are known to me, things no longer exist. + +"For me now there is no more hope, no more anguish, there is neither +happiness nor virtue, nor day nor night, nor Thou nor I--absolutely +nothing! + +"My awful austerities have made me superior to the Powers. A single +contraction of my thought would suffice to kill a hundred sons of +kings, to dethrone gods, to overturn the world." + +(_He utters all these things in a monotonous voice._ + +_The surrounding leaves shrivel up. Fleeing rats rush over the ground._ + +_He slowly turns his eyes downward toward the rising flames, and then +continues_:--) + +"I have loathed Form, I have loathed Perception, I have loathed even +Knowledge itself, for the thought does not survive the transitory fact +which caused it; and mind, like all else, is only an illusion. + +"All that is engendered will perish; all that is dead must live again; +the beings that have even now disappeared shall sojourn again in wombs +as yet unformed, and shall again return to earth to serve in woe other +creatures. + +"But inasmuch as I have rolled through the revolution of an indefinite +multitude of existences, under the envelopes of gods, of men, and of +animals, I renounce further wanderings; I will endure this weariness +no more! I abandon the filthy hostelry of this body of mine, built +with flesh, reddened with blood, covered with a hideous skin, full of +uncleanliness; and, for my recompense, I go at last to slumber in the +deepest deeps of the Absolute--in Annihilation." + +(_The flames rise to his chest, then envelope him. His head rises +through them as through a hole in the wall. His cavernous eyes still +remain icicle open, gazing._) + +ANTHONY (_rises_). + +(_The torch, which had fallen to the ground, has ignited the splinters +of wood; and the flames have singed his beard._ + +_With a loud cry, Anthony tramples the fire out; and, when nothing +remains but ashes, he exclaims_:--) + +"Where can Hilarion be? He was here a moment ago. I saw him! + +"What! No; it is impossible; I must have been mistaken! + +"Yet why?... Perhaps my cabin, these stones, this sand, have no real +existence. I am becoming mad! Let me be calm! Where was I? What was it +that happened? + +"Ah! the gymnosophist!... Such a death is frequent among the sages of +India. Kalanos burned himself before Alexander; another did likewise +in the time of Augustus. What hatred of life men must have to do thus! +Unless, indeed, they are impelled by pride alone?... Yet in any event +they have the intrepidity of martyrs.... As for the latter, I can now +well believe what has been told me regarding the debauchery they cause. + +"And before that? Yes: I remember now! the host of the Heresiarchs! +What outcries! What eyes! Yet why so much rebellion of the flesh, so +much dissoluteness, so many aberrations of the intellect. + +"They claim, nevertheless, to seek God through all those ways! What +right have I to curse them--I, who stumble so often in mine own path? +I was perhaps about to learn more of them at the moment when they +disappeared. Too rapid was the whirl; I had no time to answer. Now I +feel as though there were more space, more light in my understanding. I +am calm. I even feel myself able to.... What is this? I thought I had +put out the fire!" + +(_A flame flits among the rocks; and soon there comes the sound of +a voice--broken, convulsed as by sobs--from afar off, among the +mountains._) + +"Can it be the cry of a hyena, or the lamentation of some traveler that +has lost his way?" + +(_Anthony listens. The flame draws nearer._ + +_And he beholds a weeping woman approach, leaning upon the shoulder of +a white-bearded man._ + +_She is covered with a purple robe in rags. He is bareheaded like lier, +wears a tunic of the same color, and carries in his hands a brazen +vase, whence arises a thin blue flame._ + +_Anthony feels a fear come upon him, and wishes to know who this woman +may be._) + +THE STRANGER SIMON. "It is a young girl, a poor child that I lead about +with me everywhere." + +(_He uplifts the brazen vase._ + +_Anthony contemplates the girl, by the light of its vacillating flame._ + +_There are marks of bites upon her face, traces of blows upon her arms; +her dishevelled hair entangles itself in the rents of her rags; her +eyes appear to be insensible to light._) + +SIMON. "Sometimes she remains thus for a long, long time without +speaking; then all at once she revives, and discourses of marvellous +things." + +ANTHONY. "In truth?" + +SIMON. "Ennoia; Ennoia! Ennoia!--tell us what thou hast to say!" + +(_She rolls her eyes like one awaking from a dream, slowly passes her +fingers over her brows, and in a mournful voice, speaks_:--) + +Helena[8] (_Ennoia_). + +[Illustration: Helena - Ennoia] + +"I remember a distant land, of the color of emerald. Only one tree +grows there. + +(_Anthony starts_). + +"Upon each of its tiers of broad-extending arms, a pair of Spirits +dwell in air. All about them the branches intercross, like the veins +of a body; and they watch the eternal Life circulating, from the roots +deep plunging into darkness even to the leafy summit that rises higher +than the sun. I, dwelling upon the second branch, illuminated the +nights of Summer with my face." + +ANTHONY, (_tapping his own forehead_:--) + +"Ah! ah! I comprehend! her head!..." + +SIMON (_placing his finger to his lips_:--) + +"Hush!" + +HELENA. "The sail remained well filled by the wind; the keel cleft the +foam. He said to me: 'What though I afflict my country, though I lose +my kingdom! Thou wilt belong to me, in my house!' + +"How sweet was the lofty chamber of his palace! Lying upon the ivory +bed, he caressed my long hair, singing amorously the while. + +"Even at the close of the day I beheld the two camps, the watchfires +being lighted, Ulysses at the entrance of his tent, armed Achilles +driving a chariot along the sea-beach." + +ANTHONY. "Why! she is utterly mad! How came this to pass?..." + +SIMON. "Hush! hush!" + +HELENA. "They anointed me with unguents, and sold me to the people that +I might amuse them. + +"One evening I was standing with the sistrum in my hand, making music +for some Greek sailors who were dancing. The rain was falling upon the +roof of the tavern like a cataract, and the cups of warm wine were +smoking. + +"A man suddenly entered, although the door was not opened to let him +pass." + +SIMON. "It was I! I found thee again! + +"Behold her, Anthony, she whom they call Sigeh, Ennoia, Barbelo, +Prounikos! The Spirits governing the world were jealous of her; and +they imprisoned her within the body of a woman. + +"She was that Helen of Troy, whose memory was cursed by the poet +Stesichorus. She was Lucretia, the patrician woman violated by a king. +She was Delilah, by whom Samson's locks were shorn.... She has loved +adultery, idolatry, lying and foolishness. She has prostituted herself +to all nations. She has sung at the angles of all cross-roads. She has +kissed the faces of all men. + +"At Tyre, she, the Syrian, was the mistress of robbers. She caroused +with them during the nights; and she concealed assassins amidst the +vermin of her tepid bed." + +ANTHONY. "Ah! what is this to me?..." + +SIMON (_with a furious look_:--) + +"I tell thee that I have redeemed her, and re-established her in her +former splendor; insomuch that Caius Cæsar Caligula became enamoured of +her, desiring to sleep with the Moon!" + +ANTHONY. "What then?..." + +SIMON. "Why this, that she herself is the Moon! Has not Pope Clement +written how she was imprisoned in a tower? Three hundred persons +surrounded the tower to watch it; and the moon was seen at each of the +loop-holes at the same time, although there is not more than one moon +in the world, nor more than one Ennoia!" + +ANTHONY. "Yes ... it seems to me that I remember...." + +(_He falls into a reverie._) + +SIMON. "Innocent as the Christ who died for men, so did she devote +herself for women. For the impotence of Jehovah is proven by the +transgression of Adama, and we must shake off the yoke of the old law, +which is antipathetic to the order of things.[9] + +"I have preached the revival in Ephraim and in Issachar by the torrent +of Bizor, beyond the Lake of Houleh, in the valley of Maggedo, further +than the mountains, at Bostra and at Damascus. Let all come to me who +are covered with wine, who are covered with filth, who are covered with +blood! and I shall take away their uncleanliness with the Holy Spirit, +called Minerva by the Greeks. She is Minerva! she is the Holy Spirit! I +am Jupiter, Apollo, the Christ, the Paraclete, the great might of God, +incarnated in the person of Simon!" + +ANTHONY. "Ah! it is thou!... so it is thou! But I know thy crimes! + +"Thou wast born at Gittoi near Samaria, Dositheas, thy first master, +drove thee from him. Thou didst execrate Saint Paul because he +converted one of thy wives; and, vanquished by Saint Peter, in thy rage +and terror thou didst cast into the waves the bag which contained thy +artifices!" + +SIMON. "Dost thou desire them?" + +(_Anthony looks at him, and an interior voice whispers hi his +heart:--"Why not?"_) + +SIMON (_continues_). + +"He who knows the forces of Nature and the essence of Spirits must be +able to perform miracles. It has been the dream of all sages; it is the +desire which even now gnaws thee!--confess it!" + +"In the sight of the multitude of the Romans, I flew in the air so +high that none could behold me move. Nero ordered that I should be +decapitated; but it was the head of a sheep which fell upon the ground +in lieu of mine. At last they buried me alive; but I rose again upon +the third day. The proof is that thou dost behold me before thee!" + +(_He presents his hands to Anthony to smell. They have the stench of +corpse-flesh. Anthony recoils with loathing._) + +"I can make serpents of bronze writhe; I can make marble statues +laugh; I can make dogs speak. I will show thee vast quantities of gold; +I will reestablish kings; thou shalt see nations prostrate themselves +in adoration before me! I can walk upon the clouds and upon the waves, +I can pass through mountains, I can make myself appear as a youth, as +an old man, as a tiger, or as an ant; I can assume thy features; I can +give thee mine; I can make the thunder follow after me. Dost hear it?" + +(_The thunder rumbles; flashes of lightning succeed._) + +"It is the voice of the Most High; for 'the Lord thy God is a fire;' +and all creations are accomplished by sparks from the fire-centre of +all things. + +Thou shalt even now receive the baptism of it--that second baptism +announced by Jesus, which fell upon the apostles on a day of tempest +when the windows were open!" + +(_And stirring up the flame with his hand, slowly, as though preparing +to sprinkle Anthony with it, he continues_:--) + +"Mother of mercies, thou who discoverest all secrets, in order that we +may find rest in the eighth mansion...." + +ANTHONY (_cries out_:--) + +"Oh! that I had only some holy water!..." + +(_The flame goes out, producing much smoke._ + +_Ennoia and Simon have disappeared._ + +_An exceedingly cold, opaque and f[oe]tid mist fills the atmosphere._) + +ANTHONY (_groping with his hands like a blind man_:--) + +"Where am I?... I fear lest I fall into the abyss! And the cross, +surely, is too far from me. Ah! what a night! what a terrible night!" + +(_The mist is parted by a gust of wind; and Anthony sees two men +covered with long white tunics._ + +_The first is of lofty stature, with a gentle face, and a grave mien. +His blond hair, parted like that of Christ, falls upon his shoulders. +He has cast aside a wand that he had been holding in his hand; his +companion takes it up, making a reverence after the fashion of the +Orientals._ + +_The latter is small of stature, thick set, flat-nosed; his neck and +shoulders expresses good natured simplicity._ + +_Both are barefooted, bareheaded, and dusty, like persons who have made +a long journey._) + +ANTHONY (_starting up_:--) + +"What do ye seek? Speak!... Begone from here!" + +DAMIS (_who is a little man_). + +"Nay! nay! be not angered, good hermit. As for that I seek, I know not +myself what it is! Here is the Master!" + +(_He sits down. The other stranger remains standing. Silence._) + +ANTHONY (_asks_). + +"Then ye come?..." + +DAMIS. "Oh! from afar off--very far off!" + +ANTHONY. "And ye go?..." + +DAMIS (_pointing to the other_) + +"Whithersoever he shall desire!" + +ANTHONY. "But who may he be?" + +DAMIS. "Look well upon him!" + +ANTHONY (_aside_). + +"He looks like a saint! If I could only dare...." + +(_The mist is all gone. The night is very clear. The moon shines._) + +DAMIS. "Of what art thou dreaming, that thou dost not speak?" + +ANTHONY. "I was thinking.... Oh! nothing!" + +DAMIS (_approaches Apollonius, and walks all round him several times, +bending himself as he walks, never raising his head_:--) + +"Master, here is a Galilean hermit who desires to know the beginnings +of wisdom." + +APOLLONIUS. "Let him approach!" (_Anthony hesitates._) + +DAMIS. "Approach!" + +APOLLONIUS (_in a voice of thunder_:--) + +"Approach! Thou wouldst know who I am, what I have done, and what I +think,--is it not so, child?" + +ANTHONY. "Always supposing that these things can contribute to the +salvation of my soul." + +APOLLONIUS. "Rejoice! I am about to inform thee of them!" + +DAMIS (_in an undertone, to Anthony_:--) + +"Is it possible? He must surely have at the first glance discerned in +thee extraordinary aptitude for philosophy. I shall also strive to +profit by his instruction." + +APOLLONIUS. "First of all, I shall tell thee of the long course which +I have followed in order to obtain the doctrine; and if thou canst +discover in all my life one evil action, thou shalt bid me pause, for +he who hath erred in his actions may well give scandal by his words." + +DAMIS (_to Anthony_). + +"How just a man? Is he not?" + +ANTHONY. "Indeed I believe him to be sincere." + +APOLLONIUS. "Upon the night of my birth, my mother imagined that +she was gathering flowers by the shore of a great lake. A flash of +lightning appeared; and she brought me into the world to the music of +the voices of swans singing to her in her dream. + +"Until I had reached the age of fifteen I was plunged thrice a day into +the fountain, Asbadeus, whose waters make perjurers hydropical; and my +body was rubbed with the leaves of the onyza, that I might be chaste. + +"A Palmyrian princess came one evening to seek me, offering me +treasures that she knew to be in the tombs. A hierodule of the temple +of Diana, slew herself in despair with the sacrificial knife; and the +governor of Cilicia, finding all his promises of no avail, cried out in +the presence of my family that he would cause my death; but it was he +that died only three days after, assassinated by the Romans." + +DAMIS (_nudging Anthony with his elbow_). + +"Eh? did I not tell thee? What a man!" + +APOLLONIUS. "For the space of four successive years I maintained the +unbroken silence of the Pythagoreans. The most sudden and unexpected +pain never extorted a sigh from me; and when I used to enter the +theatre, all drew away from me, as from a phantom." + +DAMIS. "Wouldst thou have done so much?--thou?" + +APOLLONIUS. "After the period of my trial had been accomplished, I +undertook to instruct the priests regarding the tradition they had +lost." + +ANTHONY. "What tradition?" + +DAMIS. "Interrupt him not! Be silent!" + +APOLLONIUS. "I have conversed with the Samaneans of the Ganges, with +the astrologers of Chaldea, with the magi of Babylon, with the Gaulish +Druids, with the priests of the negroes! I have ascended the fourteen +Olympii; I have sounded the Scythian lakes; I have measured the breadth +of the Desert!" + +DAMIS. "It is all true! I was with him the while!" + +APOLLONIUS. "But first I had visited the Hyrcanian Sea; I made the tour +of it; and descending by way of the country of the Baraomati, where +Bucephalus is buried, I approached the city of Nineveh. At the gates of +the city, a man drew near me...." + +DAMIS. "I--even I, good master! I loved thee from the first. Thou wert +gentler than a girl and more beautiful than a god!" + +APOLLONIUS (_without hearing him_). + +"He asked me to accompany him, that he might serve as interpreter." + +DAMIS. "But thou didst reply that all languages were familiar to thee, +and that thou couldst divine all thoughts. Then I kissed the hem of thy +mantle, and proceeded to walk behind thee." + +APOLLONIUS. "After Ctesiphon, we entered upon the territory of Babylon." + +DAMIS. "And the Satrap cried aloud on beholding a man so pale." + +ANTHONY (_aside_). + +"What signifies this?..." + +APOLLONIUS. "The king received me standing, near a throne of silver, +in a hall constellated with stars; from the cupola hung suspended by +invisible threads four great birds of gold, with wings extended." + +ANTHONY (_dreamily_). + +"Can there be such things in the world?" + +DAMIS. "Ah! that is a city! that Babylon! everybody there is rich! The +houses, which are painted blue, have doors of bronze, and flights of +steps descending to the river." + +(_Drawing lines upon the ground, with his stick_:) + +"Like that, seest thou? And then there are temples, there are squares, +there are baths, there are aqueducts! The palaces are roofed with red +brass; and the interior ... ah! if thou only knewest!" + +APOLLONIUS. "Upon the north wall rises a tower which supports a second, +a third, a fourth, a fifth, and there are also three others! The eighth +is a chapel containing a bed. No one enters it save the woman chosen by +the priests for the God Belus. I was lodged there by order of the King +of Babylon." + +DAMIS. "As for me, they hardly deigned to give me any attention! So I +walked through the streets all by myself. I informed myself regarding +the customs of the people; I visited the workshops; I examined the +great machines that carry water to the gardens. But I soon wearied of +being separated from the Master." + +APOLLONIUS. "At last we left Babylon; and as we travelled by the light +of the moon, we suddenly beheld an Empusa." + +DAMIS. "Aye, indeed! She leaped upon her iron hoof; she brayed like an +ass; she galloped among the rocks. He shouted imprecations at her; she +disappeared." + +ANTHONY (_aside_). + +"What can be their motive?" + +APOLLONIUS. "At Taxilla, the capital of five thousand fortresses, +Phraortes, King of the Ganges, showed us his guard of black men, whose +stature was five cubits, and under a pavilion of green brocade in his +gardens, an enormous elephant, which the queens amused themselves by +perfuming. It was the elephant of Porus which had taken flight after +the death of Alexander." + +DAMIS. "And which had been found again in a forest." + +ANTHONY. "Their speech is superabundant, like that of drunken men!" + +APOLLONIUS. "Phraortes seated us at his own table." + +DAMIS. "How strange a country that was! During their drinking +carousels, the lords used to amuse-themselves by shooting arrows under +the feet of a dancing child. But I do not approve...." + +APOLLONIUS. "When I was ready to depart, the king gave me a parasol, +and he said to me: 'I have a stud of white camels upon the Indus. When +thou shalt have no further use for them, blow in their ears. They will +come back.' + +"We descended along the river, marching at night by the light of the +fire-flies, which glimmered among the bamboos. The slave whistled an +air to drive away the serpents; and our camels bent down in passing +below the branches of the trees, as if passing under low gates. + +"One day a black child, who held a golden caduceus in his hand, +conducted us to the College of the Sages. Iarchas, their chief, spoke +to me of my ancestors, told me of all my thoughts, of all my actions, +of all my existences. In former time he had been the River Indus; and +he reminded me that I had once been a boatman upon the Nile, in the +time of King Sesostris." + +DAMIS. "As for me, they told me nothing; so that I know not who or what +I have been." + +ANTHONY. "They have a vague look, like shadows!" + +APOLLONIUS. "Upon the shores of the sea we met with the milk-gorged +Cynocephali, who were returning from their expedition to the Island +Taprobana. The tepid waves rolled blond pearls to our feet. The amber +crackled beneath our steps. Whale-skeletons were whitening in the +crevasses of the cliffs. At last the land became narrow as a sandal; +and after casting drops of ocean water toward the sun, we turned to the +right to return. + +"So we returned through the Region of Aromatics, by way of the country +of the Gangarides, the promontory of Comaria, the country of the +Sachalites, of the Adramites and of the Homerites; then, across the +Cassanian mountains, the Red Sea, and the Island Topazos, we penetrated +into Ethiopia through the country of the Pygmies." + +ANTHONY (_to himself_). + +"How vast the world is!" + +DAMIS. "And after we had returned home, we found that all those whom we +used to know, were dead." + +(_Anthony lowers his head. Silence._) + +APOLLONIUS (_continues_). + +"Then men began to talk of me the world over. + +"The plague was ravaging Ephesus; I made them stone an old mendicant +there." + +DAMIS. "And forthwith the plague departed." + +ANTHONY. "What! Does he drive away pestilence?" + +APOLLONIUS. "At Cnidos, I cured the man that had become enamored of +Venus." + +DAMIS. "Aye! a fool who had even vowed to espouse her! To love a woman +is at least comprehensible; but to love a statue--what madness! The +Master placed his hand upon the young man's heart; and the fire of that +love was at once extinguished." + +ANTHONY. "How! does he also cast out devils?" + +APOLLONIUS. "At Tarentum they were carrying the dead body of a young +girl to the funeral pyre." + +DAMIS. "The Master touched her lips; and she arose and called her +mother." + +ANTHONY. "What! he raises the dead!" + +APOLLONIUS. "I predicted to Vespasian his accession to power." + +ANTHONY. "What! he foretells the future!" + +DAMIS. "At Corinth there was a ..." + +APOLLONIUS. "It was when I was at table with him, at the waters of +Baia ..." + +ANTHONY. "Excuse me, strangers--it is very late ..." + +DAMIS. "At Corinth there was a young man called Menippus ..." + +ANTHONY. "No! no!--go ye away!" + +APOLLONIUS. "A dog came in, bearing a severed hand in his mouth." + +DAMIS. "One evening, in one of the suburbs, he met a woman." + +ANTHONY. "Do ye not hear me? Begone!" + +APOLLONIUS. "He wandered in a bewildered way around the couches ..." + +ANTHONY. "Enough!" + +APOLLONIUS. "They sought to drive him out." + +DAMIS. "So Menippus went with her to her house; they loved one +another." + +APOLLONIUS. "And gently beating the mosaic pavement with his tail, he +laid the severed hand upon the knees of Flavius." + +DAMIS. "But next morning, during the lessons in the school, Menippus +was pale." + +ANTHONY (_starting up in anger_). + +"Still continuing! Ah! then let them continue till they be weary, +inasmuch as there is no ..." + +DAMIS. "The Master said to him: 'O beautiful youth, thou dost caress +a serpent; by a serpent thou art caressed! And when shall be the +nuptials?' We all went to the wedding." + +ANTHONY. "Assuredly I am doing wrong, to hearken to such a story!" + +DAMIS. "Servants were hurrying to and fro in the vestibule; doors were +opening; nevertheless there was no sound made either by the fall of +the footsteps nor the closing of the doors. The Master placed himself +beside Menippus. And the bride forthwith became angered against the +philosophers. But the vessels of gold, the cupbearers, the cooks, the +panthers disappeared; the roof receded and vanished into air; the walls +crumbled down; and Apollonius stood alone with the woman at his feet, +all in tears. She was a vampire who satisfied the beautiful young men +in order to devour their flesh, for nothing is more desirable for such +phantoms than the blood of amorous youths." + +APOLLONIUS. "If thou shouldst desire to learn the art ..." + +ANTHONY. "I do not wish to learn anything!" + +APOLLONIUS. "The same evening that we arrived at the gates of Rome ..." + +ANTHONY. "Oh! yes!--speak to me rather of the City of Popes!" + +APOLLONIUS. "A drunken man accosted us, who was singing in a low voice. +The song was an epithalamium of Nero; and he had the power to cause +the death of whosoever should hear it with indifference. In a box upon +his shoulders he carried a string taken from the Emperor's cithara. I +shrugged my shoulders. He flung mud in our faces. Then I unfastened my +girdle and placed it in this hand." + +DAMIS. "In sooth, thou wert most imprudent!" + +APOLLONIUS. "During the night the Emperor summoned me to his house. He +was playing at osselets with Sporus, supporting his left arm upon a +table of agate. He turned and, knitting his brows, demanded: 'How comes +it that thou dost not fear me?' 'Because,' I replied, 'the God who made +thee terrible, also made me intrepid." + +ANTHONY (_to himself_). + +"There is something inexplicable that terrifies me!" + +(_Silence._) + +DAMIS (_breaking the silence with his shrill voice_). + +"Moreover, all Asia can tell thee ..." + +ANTHONY (_starting up_). + +"I am ill! let me be!" + +DAMIS. "But listen! At Ephesus, he beheld them killing Domitian, who +was at Rome." + +ANTHONY (_with a forced laugh_). "Is it possible?" + +DAMIS. "Yes: at the theatre at noon-day, the fourteenth of the Kalenda +of October, he suddenly cried out: 'Cæsar is being murdered!' and +from time to time he would continue to ejaculate: 'He rolls upon the +pavement ... Oh! how he struggles ... He rises ... He tries to flee +... The doors are fastened ... Ah! it is all over! He is dead!' And in +fact Titus Flavius Domitianus was assassinated upon that very day, as +thou knowest." + +ANTHONY. "Without the aid of the Devil ... certainly ..." + +APOLLONIUS. "He had purposed putting me to death, that same Domitian! +Damis had taken flight according to my order, and I remained alone in +my prison." + +DAMIS. "A terrible hardihood on thy part, it must be confessed!" + +APOLLONIUS. "About the fifth hour, the soldiers led me before the +tribunal. I had my harangue all ready hidden beneath my mantle." + +DAMIS. "We others were then upon the shores of Puteoli, we believed +thee dead; we were all weeping, when all of a sudden about the sixth +hour, thou didst suddenly appear before us, exclaiming: 'It is I.'" + +ANTHONY (_to himself_). "Even as He...!" + +DAMIS (_in a very loud voice_). "Precisely!" + +ANTHONY. "Oh! no! ye lie! is it not so?--ye lie!" + +APOLLONIUS. "He descended from heaven. I rise thither, by the power of +my virtue that has lifted me up even to the height of the Principle of +all things!" + +DAMIS. "Thyana, his natal city, has established in his honor a temple +and a priesthood!" + +APOLLONIUS (_draws near Anthony, and shouts in his ear_:--) + +"It is because I know all gods, all rites, all prayers, all oracles! +I have penetrated into the cave of Trophonius, son of Apollo! I +have kneaded for Syracusan women the cakes which they carry to the +mountains. I have endured the eighty tests of Mithra! I have pressed to +my heart the serpent of Sabasius! I have received the scarf of Kabiri! +I have laved Cybele in the waters of the Campanian gulfs! and I have +passed three moons in the caverns of Samothracia!" + +DAMIS (_with a stupid laugh_). + +"Ah! ah! ah! at the mysteries of the good Goddess!" + +APOLLONIUS. "And now we recommence our pilgrimage. + +"We go to the North to the land of Swans and of snows. Upon the vast +white plains, the blind hippopodes break with the tips of their feet +the ultramarine plant." + +DAMIS. "Hasten! it is already dawn. The cock has crowed, the horse has +neighed, the sail is hoisted!" + +ANTHONY. "The cock has not crowed! I hear the locusts in the sands, and +I see the moon still in her place." + +APOLLONIUS. "We go to the South, beyond the mountains and the mighty +waters, to seek in perfumes the secret source of love. Thou shalt +inhale the odor of myrrhodion which makes the weak die. Thou shalt +bathe thy body in the lake of Rose-oil which is in the Island Junonia. +Thou shalt see slumbering upon primroses that Lizard which awakes +every hundred years when the carbuncle upon its forehead, arriving +at maturity, falls to the ground. The stars palpitate like eyes; the +cascades sing like the melody of lyres; strange intoxication is exhaled +by blossoming flowers; thy mind shall grow vaster in that air; and thy +heart shall change even as thy face." + +DAMIS. "Master! it is time! The wind has risen, the swallows awaken, +the myrtle leaves are blown away." + +APOLLONIUS. "Yes! let us go!" + +ANTHONY. "Nay! I remain here!" + +APOLLONIUS. "Shall I tell thee where grows the plant Balis, that +resurrects the dead?" + +DAMIS "Nay; ask him rather for the audrodamas which attracts silver, +iron and brass!" + +ANTHONY. "Oh! how I suffer! how I suffer!" + +DAMIS. "Thou shalt comprehend the voices of all living creatures, the +roarings, the cooings!" + +APOLLONIUS. "I shall enable thee to ride upon unicorns and upon +dragons, upon hippocentaurs and dolphins!" + +ANTHONY (_weeping_). "Oh ... oh!... oh!" + +APOLLONIUS. "Thou shalt know the demons that dwell in the caverns, the +demons that mutter in the woods, the demons that move in the waves, the +demons that push the clouds!" + +DAMIS. "Tighten thy girdle, fasten thy sandals!" + +APOLLONIUS. "I shall explain to thee the reason of divine forms--why +Apollo stands, why Jupiter is seated, why Venus is black, at Corinth, +square-shaped at Athens, conical at Paphos." + +ANTHONY (_clasping his hands_). + +"Let them begone! let them begone!" + +APOLLONIUS. "In thy presence I will tear down the panoplies of the +Gods; we shall force open the sanctuaries, I will enable thee to +violate the Pythoness!" + +ANTHONY. "Help! O my God!" + +(_He rushes to the cross._) + +APOLLONIUS. "What is thy desire? What is thy dream? Thou needst only +devote the moment of time necessary to think of it ..." + +ANTHONY. "Jesus! Jesus! Help me!" + +APOLLONIUS. "Dost thou wish me to make him appear, thy Jesus?" + +ANTHONY. "What? How!" + +APOLLONIUS. "It shall be He!--no other! He will cast off his crown, and +we shall converse face to face!" + +DAMIS (_in an undertone_). + +"Say thou dost indeed wish it! say thou dost desire it!" + +(_Anthony kneeling before the cross, murmurs prayers. Damis walks +around him, with wheedling gestures._) + +"Nay, nay! good hermit. Be not horrified! These are only exaggerated +forms of speech, borrowed from the Orientals. That need in no way ..." + +APOLLONIUS. "Let him alone, Damis! + +"He believes, like a brute, in the reality of things. The terror which +he entertains of the Gods prevents him from comprehending them; and he +debases his own God to the level of a jealous king! + +"But thou, my son, do not leave me!" + +(_He moves to the edge of the cliff, walking backward, passes beyond +the verge of the precipice, and remains suspended in air._) + +"Above all forms, further than the ends of the earth, beyond the +heavens themselves, lies the world of Idea, replete with the splendor +of the Word! With one bound we shall traverse the impending spaces, and +thou shalt behold in all his infinity, the Eternal, the Absolute, the +Being! Come! give me thy hand! Let us rise." + +(_Side by side, both rise up through the air, slowly. Anthony, clinging +to the cross, watches them rise. They disappear._) + + +[1] Agape.--Love-feast of the primitive Christians. + +[2] John XVI: 12.--T. + +[3] See note at end. + +[4] Masheim gives _Achamoth._ I prefer to remain faithful to the +orthography given by Flaubert. + +[5] The French text gives _mes pères_ not _nos pères._ Elxai, or +Elkhai, who established his sect in the reign of Trajan, was a Jew. + +[6] See note. + +[7] The banyan is a fig-tree--the _Ficus indicus._--Trans. + +[8] Readers may remember Longfellow's exquisite poem "Helena of Tyre." + +[9] See the second part of "Faust," and _Kundry_ in "Parsifal." + + + + +V. + + +ANTHONY (_walking to and fro, slowly_). + +"That one, indeed, seems in himself equal to all the powers of Hell! + +"Nebuchadnezzar did not so much dazzle me with his splendours;--the +Queen of Sheba herself charmed me less deeply. + +"His manner of speaking of the gods compels one to feel a desire to +know them. + +"I remember having beheld hundreds of them at one time, in the island +of Elephantius, in the time of Diocletian. The emperor had ceded to the +Nomads a great tract of country, upon the condition that they should +guard the frontiers; and the treaty was concluded in the name of the +'Powers Invisible.' For the gods of each people were unknown unto the +other people. + +"The Barbarians had brought theirs with them. They occupied the +sand-hills bordering the river. We saw them supporting their idols in +their arms, like great paralytic children;--others, paddling through +the cataracts upon trunks of palm tree, displayed from afar off the +amulets hung about their necks, the tattooings upon their breasts; and +these things were not more sinful than the religion of the Greeks, the +Asiatics, and the Romans! + +"When I was dwelling in the temple of Heliopolis I would often consider +the things I beheld upon the walls:--vultures bearing sceptres, +crocodiles playing upon lyres, faces of men with the bodies of +serpents, cow-headed women prostrating themselves before ithyphallic +gods:--and their supernatural forms attracted my thoughts to other +worlds. I longed to know that which drew the gaze of all those calm and +mysterious eyes. + +"If matter can exert such power, it must surely contain a spirit. The +souls of the Gods are attached to their images ... + +"Those possessing the beauty of forms might seduce. But the others +... those of loathsome or terrible aspect ... how can men believe in +them?..." + +(_And he beholds passing over the surface of the ground,--leaves, +stones, shells, branches of trees,--then a variety of hydropical +dwarfs: these are gods. He bursts into a laugh. He hears another laugh +behind him;--and Hilarion appears, in the garb of a hermit, far taller +than before, colossal._) + +ANTHONY (_who feels no surprise at seeing him_). + +"How stupid one must be to worship such things!" + +HILARION. "Aye!--exceedingly stupid!" + +(_Then idols of all nations and of all epochs--of wood, of metal, of +granite, of feathers, of skins sewn together,--pass before them._ + +_The most ancient of all anterior to the Deluge are hidden under masses +of seaweed hanging down over them like manes. Some that are too long +for their bases, crack in all their joints, and break their own backs +in walking. Others have rents torn in their bellies through which sand +trickles out._ + +_Anthony and Hilarion are prodigiously amused. They hold their sides +for laughter. Then appear sheep-headed idols. They totter upon their +bandy-legs, half-open their eye-lids, and stutter like the dumb,_ "Ba! +ba! ba!" + +_The more that the idols commence to resemble the human forms, the +more they irritate Anthony. He strikes them with his fist, kicks them, +attacks them with fury. They become frightful,--with lofty plumes, eyes +like balls, fingers terminated by claws, the jaws of sharks._ + +_And before these gods men are slaughtered upon altars of stone; others +are brayed alive in huge mortars, crushed under chariots, nailed upon +trees. There is one all of red-hot iron with the horns of a bull, who +devours children._) + +ANTHONY. "Horror!" + +HILARION. "But the gods always demand tortures--and suffering. Even +thine desired ..." + +ANTHONY (_weeping_). "Ah! say no more!--do not speak to me!" + +(_The space girdled by the rocks suddenly changes into a valley. A herd +of cattle are feeding upon the short grass._ + +_The herdman who leads them, observes a cloud;--and in a sharp voice, +shouts out words of command, as if to heaven._) + +HILARION. "Because he needs rain, he seeks by certain chants to compel +the King of heaven to open the fecund cloud." + +ANTHONY (_laughing_). + +"Verily, such pride is the extreme of foolishness!" + +HILARION. "Why dost thou utter exorcisms?" + +(_The valley changes into a sea of milk, motionless and infinite. In +its midst floats a long cradle formed by the coils of a serpent, whose +many curving heads shade, like a dais, the god slumbering upon its +body._ + +_He is beardless, young, more beautiful than a girl, and covered with +diaphanous veils. The pearls of his tiara gleam softly like moons; a +chaplet of stars is entwined many times about his breast, and with one +hand beneath his head, he slumbers with the look of one who dreams +after wine._ + +_A woman crouching at his feet, awaits the moment of his awaking._) + +HILARION. "Such is the primordial duality of the Brahmans,--the +Absolute being inexpressible by any form." + +(_From the navel of the god has grown the stem of a lotus flower; it +blossoms, and within its chalice appears another god with three faces._) + +ANTHONY. "How strange an invention!" + +HILARION. "Father, Son, and Holy Spirit are but one and the same +Person!" + +(_The three faces separate; and three great gods appear._ + +_The first, who is pink, bites the end of his great toe._ + +_The second, who is blue, uplifts his four arms._ + +_The third, who is green, wears a necklace of human skulls._ + +_Before them instantly arise three goddesses--one is enveloped in a +net; another offers a cup; the third brandishes a bow._ + +[Illustration: ... instantly arise three goddesses] + +_And these gods, these goddesses, decuple themselves, multiply. Arms +grow from their shoulders; at the end of these arms hands appear +bearing standards, axes, bucklers, swords, parasols and drums. +Fountains gush from their heads, plants grow from their nostrils._ + +_Riding upon birds rocked in palanquins, enthroned upon seats of gold, +standing in ivory niches,--they dream, voyage, command, drink wine, +respire the breath of flowers. Dancing girls whirl in the dance; giants +pursue monsters; at the entrances of grottoes solitaries meditate. Eyes +cannot be distinguished from stars; nor clouds from banderolles; +peacocks quench their thirst at rivers of gold dust; the embroidery +of pavilions seems to blend with the spots of leopards; coloured rays +intercross in the blue air, together with flying arrows, and swinging +censers._ + +_And all this develops like a lofty frieze, resting its base upon the +rocks, and rising to the sky._) + +ANTHONY (_dazzled by the sight_). + +"How vast is their number! What do they seek?" + +HILARION. "The god who rubs his abdomen with his elephant-trunk, is the +solar Deity, the inspiring spirit of wisdom. + +"That other whose six heads are crowned with towers, and whose fourteen +arms wield javelins,--is the prince of armies,--the Fire-Consumer. + +"The old man riding the crocodile washes the soul of the dead upon +the shore. They will be tormented by that black woman with the putrid +teeth, who is the Ruler of Hell. + +"That chariot drawn by red mares, driven by one who has no legs, bears +the master of the sun through heaven's azure. The moon-god accompanies +him, in a litter drawn by three gazelles. + +"Kneeling upon the back of a parrot, the Goddess of Beauty presents to +Love, her son, her rounded breast. Behold her now, further off, leaping +for joy in the meadows. Look! Look! Coiffed with dazzling mitre, she +trips lightly over the ears of growing wheat, over the waves; she rises +in air, extending her power over all elements. + +"And among these gods are the Genii of the winds, of the planets, of +the months, of the days,--a hundred thousand others;--multiple are +their aspects, rapid their transformations. Behold, there is one who +changes from a fish into a tortoise: he assumes the form of a boar, the +shape of a dwarf." + +ANTHONY. "Wherefore?" + +HILARION. "That he may preserve the equilibrium of the universe, and +combat the works of evil. But life exhausts itself; forms wear away; +and they must achieve progression in their metamorphoses." + +(_All upon a sudden appears a_ NAKED MAN _seated in the midst of the +sand, with legs crossed._) + +(_A large halo vibrates, suspended in air behind him. The little +ringlets of his black hair in which blueish tints shift symmetrically +surround a protuberance upon the summit of his skull. His arms, +which are very long, hang down against his sides. His two hands rest +flat upon his thighs, with the palms open. The soles of his feet +are like the faces of two blazing suns; and he remains completely +motionless--before Anthony and Hilarion--with all the gods around him, +rising in tiers above the rocks, as if upon the benches of some vast +circus. His lips, half-open; and he speaks in a deep voice_): + +"I am the Master of great charities, the succor of all creatures; and +not less to the profane than to believers, do I expound the law. + +"That I might deliver the world, I resolved to be born among men. The +gods wept when I departed from them. + +"I sought me first a woman worthy to give me birth: a woman of warrior +race, the wife of a king, exceedingly good, excessively beautiful, +with body firm as adamant;--and at time of the full moon, without the +auxiliation of any male, I entered her womb. + +"I issued from it by the right side. Stars stopped in their courses." + +HILARION (_murmurs between his teeth_). + +"And seeing the star, they rejoiced with exceeding great joy!"[1] + +(_Anthony watches more attentively._) + +THE BUDDHA[2] (_continuing_). + +"From the furthest recesses of the Himalayas, a holy man one hundred +years of age, hurried to see me." + +HILARION. "A man named Simeon ... who should not see death, before he +had seen the Christ of the Lord."[3] + +THE BUDDHA. "I was led unto the schools; and it was found that I knew +more than the teachers." + +HILARION. "... In the midst of the doctors ... and all that heard him +were astonished at his wisdom!"[4] + +(_Anthony makes a sign to Hilarion to be silent._) + +THE BUDDHA. "Continually did I meditate in the gardens. The shadows of +the trees turned with the turning of the sun; but the shadow of that +which sheltered me turned not. + +"None could equal me in the knowledge of the Scriptures, the +enumeration of atoms, the conduct of elephants, the working of wax, +astronomy, poetry, pugilism, all the exercises and all the arts! + +"In accordance with custom, I took to myself a wife; and I passed the +days in my kingly palace;--clad in pearls, under a rain of perfumes, +refreshed by the fans of thirty thousand women,--watching my peoples +from the height of my terraces adorned with fringes of resonant bells. + +"But the sight of the miseries of the world turned me away from +pleasure. I fled. + +"I begged my way upon the high roads, clad myself in rags gathered +within the sepulchres;--and, hearing of a most learned hermit, I chose +to become his slave. I guarded his gate! I washed his feet. + +"Thus I annihilated all sensation, all joy, all languor. + +"Then, concentrating my thoughts within vaster meditation, I learned to +know the essence of things, the illusion of forms. + +"Soon I exhausted the science of the Brahmans. They are gnawed by +covetousness and desire under their outward aspect of austerity; they +daub themselves with filth, they live upon thorns,--hoping to arrive at +happiness by the path of death!" + +HILARION.... "Pharisees, hypocrites, whited sepulchres, generation of +vipers!" + +THE BUDDHA. "I also accomplished wondrous things,--eating but one +grain of rice each day (and the grains of rice in those times were no +larger than at present)--my hair fell off; my body became black; my +eyes receding within their sockets, seemed even as stars beheld at the +bottom of a well. + +"During six years I kept myself motionless, exposed to the flies, the +lions and the serpents; and the great summer suns, the torrential +rains, lightnings and snows, hails and tempests,--all of these I +endured without even the shelter of my lifted hand. + +"The travellers who passed by, believing me dead, cast clods of earth +upon me! + +"Only the temptation of the Devil remained! + +"I summoned him. + +"His sons came,--hideous, scale-covered, nauseous as +charnel-houses,--shrieking, hissing, bellowing; interclashing their +panoplies, rattling together the bones of dead men. Some belched +flame through their nostrils; some made darkness about me with their +wings; some wore chaplets of severed fingers; some drank serpent-venom +from the hollows of their hands;--they were swine-headed; they were +rhinoceros-headed or toad-headed; they assumed all forms that inspire +loathing or affright." + +ANTHONY (_to himself_). + +"I also endured all that in other days!" + +THE BUDDHA. "Then did he send me his daughters--beautiful with +daintily painted faces, and wearing girdles of gold. Their teeth were +whiter than the jasmine-flower; their thighs round as the trunk of +an elephant. Some extended their arms and yawned, that they might so +display the dimples of their elbows; some winked their eyes; some +laughed; some half-opened their garments. There were blushing virgins, +matrons replete with dignity, queens who came with great trains of +baggage and of slaves." + +ANTHONY (_aside_). "Ah! he too ..." + +THE BUDDHA. "Having vanquished the Demon, I nourished myself for twelve +years with perfumes only;--and as I had acquired the five virtues, +the five faculties, the ten forces, the eighteen substances, and had +entered into the four spheres of the invisible world, Intelligence +became mine! I became the Buddha." + +[Illustration: Intelligence became mine! I became the Buddha.] + +(_All the gods bow themselves down. Those having several heads, bend +them all simultaneously. He lifts his mighty hand aloft, and resumes_:) + +"That I might effect the deliverance of beings, I have made hundreds +of thousands of sacrifices! To the poor I gave robes of silk, beds, +chariots, houses, heaps of gold and of diamonds. I gave my hands to the +one-handed, my legs to the lame, my eyes to the blind;--even my head I +severed for the sake of the decapitated. In the day that I was King, I +gave away provinces;--when I was a Brahman I despised no one. When I +was a solitary, I spake kindly words to the robber who slew me. When I +was a tiger I allowed myself to die of hunger. + +"And having, in this last existence, preached the law, nothing now +remains for me to do. The great period is accomplished! Men, animals, +the gods, the bamboos, the oceans, the mountains, the sand-grains of +the Ganges, together with the myriad myriads of the stars,--all shall +die;--and until the time of the new births, a flame shall dance upon +the wrecks of worlds destroyed!" + +(_Then a great dizziness comes upon the gods. They stagger, fall into +convulsions, and vomit forth their existences. Their crowns burst +apart; their banners fly away. They tear off their attributes, their +sexes, fling over their shoulders the cups from which they quaffed +immortality, strangle themselves with their serpents, vanish in +smoke;--and when all have disappeared_ ...) + +HILARION (_solemnly exclaims_): + +"Thou hast even now beheld the belief of many hundreds of millions of +men." + +(_Anthony is prostrate upon the ground, covering his face with his +hands. Hilarion, with his back turned to the cross, stands near him and +watches him._ + +_A considerable time elapses._ + +_Then a singular being appears--having the head of a man upon the body +of a fish. He approaches through the air, upright, beating the sand +from time to time with his tail; and the patriarchal aspect of his face +by contrast with his puny little arms, causes Anthony to laugh._) + +OANNES (_in a plaintive voice_): + +"Respect me! I am the contemporary of beginnings. + +"I dwelt in that formless world where hermaphroditic creatures +slumbered, under the weight of an opaque atmosphere, in the deeps of +dark waters--when fingers, fins, and wings were blended, and eyes +without heads were floating like mollusks, among human-headed bulls, +and dog-footed serpents. + +[Illustration: ... and eyes without heads were floating like +mollusks] + +"Above the whole of these beings, OMOROCA, bent like a hoop, extended +her woman-body. But Belus cleft her in two halves; with one he made the +earth; with the other, heaven;--and the two equal worlds do mutually +contemplate each other. + +"I, the first consciousness of CHAOS, arose from the abyss that I might +harden matter, and give a law unto forms:--also I taught men to fish +and to sow: I gave them knowledge of writing, and of the history of the +gods. + +[Illustration: I, the first consciousness of Chaos, arose from +the abyss that I might harden matter, and give a law unto forms ...] + +"Since then I have dwelt in the deep pools left by the Deluge. But the +desert grows vaster about them; the winds cast sand into them; the sun +devours them;--and I die upon my couch of slime, gazing at the stars +through the water. Thither I return!" + +(_He leaps and disappears in the Nile._) + +HILARION. "That is an ancient God of the Chaldæans!" + +ANTHONY (_ironically_). "What, then, were those of Babylon?" + +HILARION. "Thou canst behold them!" + +(_And they find themselves upon the platform of a lofty quadrangular +tower dominating six other towers, which, narrowing as they rise, form +one monstrous pyramid. Far below a great black mass is visible--the +city, doubtless--extending over the plains. The air is cold; the sky +darkly blue; multitudes of stars palpitate above._ + +_In the midst of the platform rises a column of white stone. Priests +in linen robes pass and repass around it, so as to describe by their +evolutions a moving circle; and with faces uplifted, they gaze upon the +stars._ ...) + +HILARION. (_pointing out several of these stars to Anthony_): + +"There are thirty principal stars. Fifteen look upon the upper side +of the earth; fifteen below. At regular intervals one shoots from the +upper regions to those below; while another abandons the inferior deeps +to rise to sublime altitudes ... + +"Of the seven planets, two are beneficent; two evil; three +ambiguous:--all things in the world depend upon the influence of these +eternal fires. According to their position or movement presages may be +drawn;--and here thou dost tread the most venerable place upon earth. +Here Pythagoras and Zoroaster have met;--here for twelve thousand years +these men have observed the skies that they might better learn to know +the gods." + +ANTHONY. "The stars are not gods." + +HILARION. "Aye, they say the stars are gods; for all things about us +pass away;--the heavens only remain immutable as eternity." + +ANTHONY. "Yet there is a master!" + +HILARION (_pointing to the column_): + +"He! Belus!--the first ray, the Sun, the Male! The Other, whom he +fecundates, is beneath him!" + +(_Anthony beholds a garden, illuminated by lamps_: _He finds himself +in the midst of the crowd, in an avenue of cypress-trees. To right and +left are little pathways leading to huts constructed within a wood of +pomegranate trees, and enclosed by treillages of bamboo._ + +_Most of the men wear pointed caps, and garments bedizened like the +plumage of a peacock. But there are also people from the North clad +in bearskins, nomads wearing mantles of brown wool, pallid Gangarides +with long earrings;--and there seems to be as much confusion of rank +as there is confusion of nations; for sailors and stone-cutters elbow +the princes who wear tiaras blazing with carbuncles and who carry +long canes with carven knobs. All proceed upon their way with dilated +nostrils, absorbed by the same desire._ + +_From time to time, they draw aside to make way for some long covered +wagon drawn by oxen, or some ass jolting upon his back a woman bundled +up in thick veils, who finally disappears in the direction of the +cabins._ + +_Anthony feels afraid; he half-resolves to turn back. But an +unutterable curiosity takes possession of him, and draws him on._ + +_At the foot of the cypress-trees there are ranks of women squatting +upon deerskins, all wearing in lieu of diadem, a plaited fillet of +ropes. Some, magnificently attired, loudly call upon the passers-by. +Others, more timid, seek to veil their faces with their arms, while +some matron standing behind them, their mother doubtless, exhorts +them. Others, their heads veiled with a black shawl, and their bodies +entirely nude, seem from afar off to be statues of flesh. As soon as a +man has thrown some money upon their knees, they arise._ + +_And the sound of kisses is heard under the foliage,--sometimes a great +sharp cry._) + +HILARION. "These are the virgins of Babylon, who prostitute themselves +to the goddess." + +ANTHONY. "What goddess?" + +HILARION. "Behold her!" + +(_And he shows him at the further end of the avenue, upon the threshold +of an illuminated grotto, a block of stone representing a woman._) + +ANTHONY. "Ignominy!--how abominable to give a sex to God!" + +HILARION. "Thou thyself dost figure him in thy mind as a living person!" + +(_Anthony again finds himself in darkness._ + +_He beholds in the air a luminous circle, poised upon horizontal +wings. This ring of light, girdles like a loose belt, the waist of a +little man wearing a mitre upon his head and carrying a wreath in his +hand. The lower part of his figure is completely concealed by immense +feathers outspreading about him like a petticoat._ + +_It is_--ORMUZD--_the God of the Persians. He hovers in the air above, +crying aloud_:) + +"I fear! I can see his monstrous jaws! I did vanquish thee, O Ahriman! +But again thou dost war against me. + +"First revolting against me, thou didst destroy the eldest of +creatures, Kaiomortz, the Man-Bull. Then didst thou seduce the first +human couple, Meschia and Meschiané; and thou didst fill all hearts +with darkness, thou didst urge thy battalions against heaven! + +"I also had mine own, the people of the stars; and from the height of +my throne I contemplated the marshalling of the astral hosts. + +"Mithra, my son, dwelt in heavens inaccessible. There he received +souls, from thence did he send them forth; and he arose each morning to +pour forth the abundance of his riches. + +"The earth reflected the splendour of the firmament. Fire blazed upon +the crests of the mountains,--symbolizing that other fire of which +I had created all creatures. And that the holy flame might not be +polluted, the bodies of the dead were not burned; the beaks of birds +carried them aloft toward heaven. + +"I gave to men the laws regulating pastures, labour, the choice of wood +for the sacrifices, the form of cups, the words to be uttered in hours +of sleeplessness;--and my priests unceasingly offered up prayers, so +that worship might be as the eternity of God in its endlessness. Men +purified themselves with water; loaves were offered upon the altars, +sins were confessed aloud. + +"Homa[5] gave himself to men to be drank, that they might have his +strength communicated to them while the Genii of heaven were combating +the demons, the children of Iran were pursuing the serpents. The +King, whom an innumerable host of courtiers served upon their knees, +represented me in his person, and wore my coiffure. His gardens had the +magnificence of a heaven upon earth; and his tomb represented him in +the act of slaying a monster,--emblem of Good destroying Evil. + +"For it was destined that I should one day definitely conquer Ahriman, +by the aid of Time-without-limits. + +"But the interval between us disappears;--the deep night rises! To +me! ye Amschaspands, ye Izeds, ye Ferouers! Succor me, Mithra! seize +thy sword! And thou, Kaosyac, who shall return for the universal +deliverance, defend me! What!--none to aid! Ah! I die! Thou art the +victor, Ahriman!" + +(_Hilarion, standing behind Anthony, restrains a cry of joy;--and_ +ORMUZD _is swallowed up in the darkness._) + +(_Then appears_:) + +THE GREAT DIANA OF EPHESUS + +(_black with enamelled eyes, her elbows pressed to her side, her +forearms extended, with hands open._ + +_Lions crawl upon her shoulders; fruits, flowers, and stars intercross +upon her bosom; further down three rows of breasts appear; and from her +belly to her feet she is covered with a tightly fitting sheath from +which bulls, stags, griffins, and bees, seem about to spring, their +bodies half-protruding from it. She is illuminated by the white light +emanating from a disk of silver, round as the full moon, placed behind +her head._) + +"Where is my temple? Where are my Amazons? + +"What is this I feel?--I, the Incorruptible!--a strange faintness comes +upon me!"... + +(_Her flowers wither, her over-ripe fruits become detached and fall. +The lions and the bulls hang their heads; the deer foam at the mouth, +with a slimy foam, as though exhausted; the buzzing bees die upon the +ground._ + +_She presses her breasts, one after the other. All are empty! But under +a desperate effort her sheath bursts. She seizes it by the bottom, like +the skirt of a robe, throws her animals, her fruits, her flowers, into +it,--then withdraws into the darkness._ + +_And afar off there are voices, murmuring, growling, roaring, +bellowing, belling. The density of the night is augmented by breaths. +Drops of warm rain fall._) + +ANTHONY. "How sweet the odour of the palm trees, the trembling of +leaves, the transparency of springs! I feel the desire to lie flat upon +the Earth that I might feel her against my heart; and my life would be +reinvigorated by her eternal youth!" + +(_He hears the sound of castanets and of cymbals; and men appear, clad +in white tunics with red stripes,--leading through the midst of a +rustic crowd an ass, richly harnessed, its tail decorated with knots of +ribbons, and its hoofs painted._ + +_A box, covered with a saddle-cloth[6] of yellow material shakes to +and fro upon its back, between two baskets,--one receives the offerings +contributed,--eggs, grapes, pears, cheeses, fowls, little coins; and +the other basket is full of roses, which the leaders of the ass pluck +to pieces as they walk before the animal, shedding the leaves upon the +ground._ + +_They wear earrings and large mantles; their locks are plaited, their +cheeks painted, olive-wreaths are fastened upon their foreheads by +medallions bearing figurines;--all wear poniards in their belts, and +brandish ebony-handled whips, having three thongs to which osselets are +attached._[7] + +_Those who form the rear of the procession, place upon the soil,--so as +to remain upright as a candelabrum,--a tall pine, which burns at its +summit, and shades under its lower branches a lamb._ + +_The ass halts. The saddle-cloth is removed. Underneath appears a +second covering of black felt. Then one of the men in white tunics +begins to dance, rattling his crotali;--another, kneeling before the +box, beats a tambourine and_--) + +THE OLDEST OF THE BAND, _begins_:-- + +"Here is the Good Goddess, the Idæan of the mountains, the Great Mother +of Syria! Come ye hither, good people all! + +[Illustration: Here is the Good Goddess, the Idæan of the mountains ...] + +"She gives joy to men, she heals the sick; she sends inheritances; she +satisfies the hunger of love! + +"We bear her through the land, rain or shine, in fair weather, or in +foul. + +"Oft times we lie in the open air, and our table is not always well +served. Robbers dwell in the woods. Wild beasts rush from their +caverns. Slippery paths border the precipices. Behold her! behold her!" + +(_They lift off the covering; and a box is seen, inlaid with little +pebbles._) + +"Loftier than the cedars, she looks down from the blue ether. Vaster +than the wind she encircles the world. Her breath is exhaled by the +nostrils of tigers; the rumbling of her voice is heard beneath the +volcanoes; her wrath is the tempest; the pallor of her face has +whitened the moon. She ripens the harvest; by her the tree-bark swells +with sap; she makes the beard to grow. Give her something; for she +hates the avaricious!" + +(_The box opens; and under a little pavilion of blue silk appears a +small image of Cybele--glittering with spangles, crowned with towers, +and seated in a chariot of red stone, drawn by two lions, with uplifted +paws._ + +_The crowd presses forward to see._) + +THE ARCHIGALLUS (_continues_): + +"She loves the sound of resounding tympanums, the echo of dancing +feet, the howling of wolves, the sonorous mountains and the deep +gorges, the flower of the almond tree, the pomegranate and the green +fig, the whirling dance, the snoring flute, the sugary sap, the salty +tear,--blood! To thee, to thee!--Mother of the mountains!" + +(_They scourge themselves with their whips; and their chests resound +with the blows;--the skins of the tambourines vibrate almost to +bursting. They seize their knives; they gash their arms._) + +"She is sorrowful; let us be sorrowful! Thereby your sins will be +remitted. Blood purifies all--fling its red drops abroad like blossoms! +She, the Great Mother, demands the blood of another creature--of a pure +being!" + +(_The Archigallus raises his knife above the head of a lamb._) + +ANTHONY (_seized with horror_): + +"Do not slay the lamb!" + +(_There is a gush of purple blood. The priest sprinkles the crowd +with it; and all--including Anthony and Hilarion--standing around the +burning tree, silently watch the last palpitations of the victim._ + +_A Woman comes forth from the midst of the priests; she resembles +exactly the image within the little box._ + +_She pauses, perceiving before her a Young Man wearing a Phrygian +cap. His thighs are covered with a pair of narrow trousers, with +lozenge-shaped openings here and there at regular intervals, closed by +bow knots of coloured material. He stands in an attitude of languor, +resting his elbow against a branch of the tree, holding a flute in his +hand._) + +CYBELE (_flinging her arms about his waist_). + +"I have traversed all regions of the earth to join thee--and famine +ravaged the fields Thou hast deceived me! It matters not! I love thee! +Warm my body in thine embrace! Let us be united!" + +ATYS. "The springtime will never again return, O eternal Mother! +Despite my love, it is no longer possible for me to penetrate thy +essence! Would that I might cover myself with a painted robe like +thine! I envy thy breasts, swelling with milk, the length of thy +tresses, thy vast flanks that have borne and brought forth all +creatures! Why am I not thou?--Why am I not a woman?--No, never! depart +from me! My virility fills me with horror!" + +(_With a sharp stone he dismembers himself, and runs furiously from +her ..._ + +_The priests imitate the god; the faithful do even as the priests. Men +and women exchange garments, embrace;--and the tumult of bleeding flesh +passes away, while the sound of voices remaining, becomes even more +strident,--like the shrieking of mourners, like the voices heard at +funerals._ + +_ ... A huge catafalque, hung with purple, supports upon its summit an +ebony bed, surrounded by torches and baskets of silver filagree, in +which are verdant leaves of lettuce, mallow and fennel. Upon the steps +of the construction, from summit to base, sit women all clad in black, +with loosened girdles and bare feet, holding in their hands with a +melancholy air, great bouquets of flowers._ + +_At each corner of the estrade urns of alabaster, filled with myrrh, +slowly send up their smoke._ + +_Upon the bed can be perceived the corpse of a man. Blood flows from +his thigh. One of his arms hangs down lifelessly;--and a dog licks his +finger nails and howls._ + +_The row of torches placed closely together, prevents his face from +being seen; and Anthony feels a strange anguish within him. He fears +lest he should recognize some one._ + +_The sobs of the women cease--and after an interval of silence_,) + +ALL (_psalmody together_): + +"Fair! fair!--all fair he is! Thou hast slept enough!--lift thy +head!--arise! + +"Inhale the perfume of our flowers--narcissus--blossoms and anemones, +gathered in thine own gardens to please thee. Arouse thee! thou dost +make us fear for thee! + +"Speak to us! What dost thou desire? Wilt thou drink wine?--wilt thou +lie in our beds?--dost wish to eat the honeycakes which have the form +of little birds? + +"Let us press his lips,--kiss his breast! Now!--now!--dost thou not +feel our ring-laden fingers passing over thy body?--and our lips that +seek thy mouth?--and our tresses that sweep thy thighs? O faint God, +deaf to our prayers!" + +(_They cry aloud, and rend their faces with their nails; then all +rush,--and the howling of the dog continues in the silence._) + +"Alas! alas! Woe!--the black blood trickles over his snowy flesh! +See! his knees writhe!--his sides sink in! The bloom of his face hath +dampened the purple. He is dead, dead! O weep for him! Lament for him!" + +(_In long procession they ascend to lay between the torches the +offerings of their several tresses, that seem from afar off like +serpents, black or blond;--and the catafalque is lowered gently to the +level of, a grotto,--the opening of a shadowy sepulchre that yawns +behind it._ + +_Then_--) + +A WOMAN (_bends over the corpse. Her long hair, uncut, envelopes her +from head to feet. She sheds tears so abundantly that her grief cannot +be as that of the others, but more than human--infinite!_ + +_Anthony dreams of the Mother of Jesus. She speaks_:--) + +"Thou didst emerge from the Orient, and didst take me, all trembling +with the dew, into thy arms, O Sun! Doves fluttered upon the azure +of thy mantle; our kisses evoked low breezes among the foliage; and I +abandoned myself wholly to thy love, delighting in the pleasure of my +weakness. + +"Alas! alas--Why didst thou depart, to run upon the mountains! A boar +did wound thee at the time of the autumnal equinox! + +"Thou art dead; and the fountains weep,--the trees bend down. The wind +of winter whistles through the naked brushwood. + +"My eyes are about to close, seeing that darkness covers them! Now thou +dwellest in the underworld near the mightiest of my rivals. + +"O Persephone, all that is beautiful descends to thee, never to return!" + +(_Even while she speaks, her companions lift the dead, to place him +within the sepulchre. He remains in their hands! It was only a waxen +corpse._ + +_Wherefore Anthony feels something resembling relief._ + +_All vanish;--and the hut, the rocks, and the cross reappear._ + +_But upon the other side of the Nile, Anthony beholds a Woman, +standing in the midst of the desert._ + +_She retains in her hand the lower part of a long black veil that hides +all her face; supporting with her left arm a little child to whom she +is giving suck. A great ape crouches down in the sand beside her._ + +_She uplifts her head toward heaven; and in spite of the great +distance, her voice is distinctly heard_:) + +ISIS. "O Neith, Beginning of all things! Ammon, Lord of Eternity; +Pthah, demiurgos; Thoth, his intelligence; gods of the Amenthi, +particular triads of the Nomes,--falcons in the azure of heaven, +sphinxes before the temples, ibises perched between the horns of oxen, +planets, constellations, shore, murmurs of the wind, gleams of the +light,--tell me where I may find Osiris. + +"I have sought him in all the canals and all the lakes--aye, further +yet, even to Ph[oe]nician Byblos. Anubis, with ears pricked up, leaped +about me, and yelped, and thrust his muzzle searchingly into the tufts +of the tamarinds. + +"Thanks, good Cynocephalos--thanks to thee!" + +(_She gives the ape two or three friendly little taps upon the head._) + +"Hideous Typhon, the red-haired slew him, tore him in pieces! We have +found all his members. But I have not that which rendered me fecund!" + +(_She utters wild lamentations._) + +ANTHONY (_is filled with fury. He casts stones at her, reviles her._) + +"Begone! thou shameless one!--Begone!" + +HILARION. "Nay! respect her! Her religion was the faith of thy +fathers!--thou didst wear her amulets when thou wert a child in the +cradle!" + +ISIS. "In the summers of long ago, the inundation drove the impure +beasts into the desert. The dykes were opened, the boats dashed against +each other; the panting earth drank the river with the intoxication of +joy. Then, O God, with the horns of the bull, thou didst lie upon my +breast, and then was heard, the lowings of the Eternal Cow! + +"The seasons of sowing and reaping, of threshing and of vintage, +followed each other in regular order with the years. In the eternal +purity of the nights, broad stars beamed and glowed. The days were +bathed in never-varying splendour. Like a royal couple the Sun and the +Moon appeared simultaneously, at either end of the horizon. + +"Then did we both reign above a sublimer world, twin-monarchs, wedded +within, the womb of eternity--he bearing a concupha-headed sceptre; I, +the sceptre that is tipped with a lotus-flower; both of us erect with +hands joined; and the crumblings of empires affected not our attitude. + +"Egypt extended, below us, monumental and awful, long-shaped like the +corridor of a temple; with obelisks on the right, pyramids on the +left, and its labyrinth in the midst. And everywhere were avenues +of monsters, forests of columns, massive pylons flanking gates +summit-crowned with the mysterious globe--the globe of the world, +between two wings. + +"The animals of her Zodiac also existed in her pasture lands; and +filled her mysterious writing with their forms and colours. Divided +into twelve regions as the year is divided into-twelve months--each +month, each day also having its own god--she reproduced the immutable +order of heaven. And man even in dying changed not his face; but +saturated with perfumes, invulnerable to decay, he lay down to sleep +for three thousand years in another and silent Egypt. + +"And that Egypt, vaster than the Egypt of the living, extended beneath +the earth. + +"Thither one descended by dark stairways leading into halls where were +represented the joys of the good, the tortures of the wicked, all that +passes in the third and invisible world. Ranged along the wall the dead +in their painted coffins awaited their turn; and the soul, exempted +from migrations, continued its heavy slumber until the awakening into a +new life. + +"Nevertheless, Osiris sometimes came to see me. And by his ghost I +became the mother of Harpocrates." + +(_She contemplates the child._) + +"Aye! it is he. Those are his eyes; those are his locks, plaited into +ram horns! Thou shalt recommence his works. We shall bloom again like +the lotus. I am still the Great Isis!--none has yet lifted my veil! My +fruit is the Sun! + +[Illustration: I am still the Great Isis!—none has yet lifted +my veil! My fruit is the Sun!] + +"Sim of Springtime, clouds now obscure thy face! The breath of Typhon +devours the pyramids. But a little while ago I beheld the Sphinx flee +away. He was galloping like a jackal. + +"I look for my priests,--my priests clad in mantles of linen, with +their great harps, and bearing a mysterious bark, adorned with +silver pateras. There are no more festivals upon the lakes!--no more +illuminations in my delta!--no more cups of milk at Philæ! Apis has +long ceased to reappear. + +"Egypt! Egypt! thy great motionless gods have their shoulders already +whitened by the dung of birds; and the wind that passes over the desert +rolls with it and the ashes of thy dead!--Anubis, guardian of ghosts, +abandon me not!" + +(_The Cynocephalos has vanished. She shakes her child._) + +"But ... what ails thee ... thy hands are cold, thy head droops!" + +(_Harpocrates expires. Then she cries aloud with a cry so piercing, +funereal, heart-rending, that Anthony answers it with another cry, +extending his arms as to support her._ + +_She is no longer there. He lowers his face, overwhelmed by shame._ + +_All that he has seen becomes confused within his mind. It is like the +bewilderment of travel, the illness of drunkenness. He wishes to hate; +but a vague and vast pity fills his heart. He begins to weep, and weeps +abundantly._) + +HILARION. "What makes thee sorrowful?" + +ANTHONY (_after having long sought within himself for a reply_): + +"I think of all the souls that have been lost through these false gods!" + +HILARION. "Dost thou not think that they ... sometimes ... bear much +resemblance to the TRUE?" + +ANTHONY. "That is but a device of the Devil to seduce the faithful more +easily. He attacks the strong through the mind, the weak through the +flesh." + +HILARION. "But luxury, in its greatest fury, has all the +disinterestedness of penitence. The frenzied love of the body +accelerates the destruction thereof,--and proclaims the extent of the +impossible by the exposition of the body's weakness." + +ANTHONY. "What signifies that to me! My heart sickens with disgust +of these beautiful bestial gods, forever busied with carnages and +incests!" + +HILARION. "Yet recollect all those things in the Scripture which +scandalize thee because thou art unable to comprehend them! So also may +these Gods conceal under their sinful forms some mighty truth. There +are more of them yet to be seen. Look around!" + +ANTHONY. "No, no!--it is dangerous!" + +HILARION. "But a little while ago thou didst desire to know them! Is +it because thy faith might vacillate in the presence of lies? What +fearest thou?" + +(_The rocks fronting Anthony have become as a mountain. A line of +clouds obscures the mountain half way between summit and base; and +above the clouds appears another mountain, enormous, all green, +unequally hollowed by valleys nestling in its slopes, and supporting at +its summit, in the midst of laurel-groves a palace of bronze, roofed +with tiles of gold, and supported by columns having capitals of ivory._ + +_In the centre of the peristyle Jupiter,--colossal, with torso +nude,--holds Victory in one hand, his thunderbolts in the other; and +his eagle, perched between his feet, rears its head._ + +_Juno, seated near him, rolls her large eyes, beneath a diadem whence +her wind-blown veil escapes like a vapour._ + +_Behind them, Minerva, standing upon a pedestal, leans on her spear. +The skin of the Gorgon covers her breast, and a linen peplos falls in +regular folds to the nails of her toes. Her glaucous eyes, which gleam +beneath her vizor, gaze afar off, attentively._ + +_On the right of the palace, the aged Neptune bestrides a dolphin +beating with its fins a vast azure expanse which may be sea or sky, for +the perspective of the Ocean seems a continuation of the blue ether: +the two elements are interblended._ + +_On the other side weird Pluto in night-black mantle, crowned with +diamond tiara and bearing a sceptre of ebony, sits in the midst of an +islet surrounded by the circumvolutions of the Styx;--and this river of +shadow empties itself into the darknesses, which form a vast black gulf +below the cliff,--a bottomless abyss!_ + +_Mars, clad in brass, brandishes as in wrath his broad shield and his +sword._ + +_Hercules, leaning upon his club, gazes at him from below._ + +_Apollo, his face ablaze with light, grasps with outstretched right +arm the reins of four white horses urged to a gallop; and Ceres in her +ox-drawn chariot advances toward him with a sickle in her hand._ + +_Behind her comes Bacchus, riding in a very low chariot, gently drawn +by lynxes. Plump and beardless, with vine leaves garlanding his brow, +he passes by holding in his hand an overflowing cup of wine. Silenus +riding beside him reels upon his ass. Pan of the pointed ears, blows +upon his syrinx; the Mimalonæides beat drums; the Mænads strew +flowers; the Bacchantes turn in the dance with heads thrown back and +hair dishevelled._ + +_Diana, with tunic tucked up, issues from the wood together with her +nymphs._ + +_At the further end of a cavern, Vulcan among his Cabiri, hammers the +heated iron; here and there the aged Rivers leaning recumbent upon +green rocks pour water from their urns; the Muses stand singing in the +valleys_. + +_The Hours, all of equal stature, link hands; and Mercury poses +obliquely upon a rainbow, with his caduceus, winged sandals, and winged +petasus._ + +_But at the summit of the stairway of the Gods,--among clouds soft +as down, from whose turning volutes a rain of roses falls,--Venus +Anadyomene stands gazing at herself in a mirror:--her eyes move +languorously beneath their slumbrous lids._ + +_She has masses of rich blond hair rolling down over her shoulders; her +breasts are small; her waist is slender; her hips curve out like the +sweeping curves of a lyre; her thighs are perfectly rounded; there are +dimples about her knees; her feet are delicate: a butterfly hovers near +her mouth. The splendour of her body makes a nacreous-tinted halo of +bright light about her; while all the rest of Olympus is bathed in a +pink dawn, rising gradually to the heights of the blue sky._) + +ANTHONY. "Ah! my heart swells! A joy never known before thrills me to +the depths of my soul! How beautiful, how beautiful it is!" + +HILARION. "They leaned from the heights of cloud to direct the way of +swords; one used to meet them upon the high roads; men had them in +their houses--and this familiarity divinized life. + +"Life's aim was only to be free and beautiful. Nobility of attitude was +facilitated by the looseness of garments. The voice of the orator, +trained by the sea, rolled its sonorous waves against the porticoes of +marble. The ephebus, anointed with oil, wrestled all naked in the full +light of the sun. The holiest of actions was to expose perfection of +forms to all. + +"And these men respected wives, aged men, suppliants. + +"Behind the temple of Hercules there was an altar erected to Pity. + +"Victims were immolated with flowers wreathed about the fingers of the +sacrificer. Even memory was exempted from thoughts of the rottenness +of death. Nothing remained but a little pile of ashes. And the Soul, +mingling with the boundless ether, rose up to God." + +(_Bending to whisper in Anthony's ear_:--) + +"And they still live! The Emperor Constantine adores Apollo. Thou wilt +find the Trinity in Samothracian mysteries,--baptism in the religion of +Isis,--redemption in the faith of Mithra,--a martyrdom of a God in the +festivals of Bacchus. Prosperpine is the Virgin!... Aristæus is Jesus!" + +ANTHONY (_remains awhile with downcast eyes, as if in deep thought; +then suddenly repeats aloud the Symbol of Jerusalem, as he remembers +it, uttering a long sigh between each phrase_):-- + +"I believe in one only God, the Father,--and in one only Lord, Jesus +Christ,--the first born son of God, who was incarnated and made +man,--who was crucified, and buried,--who ascended into Heaven,--who +will come to judge the living and the dead,--of whose Kingdom there +shall be no end;--and in one Holy Spirit,--and in one baptism of +repentance,--and in one Holy Catholic Church,--and in the resurrection +of the flesh,--and in the life everlasting!" + +(_Immediately the cross becomes loftier and loftier; it pierces the +clouds, and casts its shadow upon the heaven of the gods._ + +_All grow pale;--Olympus shudders._ + +_And at its base Anthony beholds vast bodies enchained, sustaining the +rocks upon their shoulders,--giant figures half buried in the deeps +of caverns. These are the Titans, the Giants, the Hecatonchires, the +Cyclops._) + +A VOICE + +(_rises, indistinct and awful, like the far roar of leaves, like the +voice of forests in time of tempest, like the mighty moaning of the +wind among the precipices_): + +"We knew these things!--we knew them! There must come an end even for +the Gods! Uranus was mutilated by Saturn,--Saturn by Jupiter. And +Jupiter himself shall be annihilated. Each in his turn;--it is Destiny!" + +(_And little by little they sink into the mountain, and disappear._ + +_Meanwhile the golden tiles of the palace rise and fly away._) + +JUPITER (_has descended from his throne. At his feet the thunderbolts +lie, smoking like burning coals about to expire;--and the great eagle +bends its neck to pick up its falling feathers_): + +"Then I am no longer the master of all things,--most holy, most +mighty, god of the phatrias and Greek peoples,--ancestor of all the +Kings,--Agamemnon of heaven. + +"Eagle of apotheoses, what wind from Erebus has wafted thee to me? or, +fleeing from the Campus Martins, dost thou bear me the soul of the last +of the Emperors? + +"I no longer desire to receive those of men. Let the Earth keep them; +and let them move upon the level of its baseness. Their hearts are now +the hearts of slaves;--they forget injuries, forget their ancestors, +forget their oaths,--and everywhere the folly of crowds, the mediocrity +of individuals, the hideousness of races, hold sway!" + +(_He pants with such violence that his sides seem ready to burst +asunder; he clenches his hands. Weeping_, HEBE _offers him a cup. He +seizes it._) + +"No, no! So long as there shall be a brain enclosing a thought, in +whatsoever part of the world;--so long as there shall exist a mind +hating disorder, creating LAW,--so long will the spirit of Jupiter +live!" + +(_But the cup is empty. He turns its edge down over his thumbnail._) + +"Not one drop left! When the ambrosia fails, the Immortals must indeed +depart!" + +(_The cup drops from his hands; and he leans against a column, feeling +himself about to die._) + +JUNO. "Thou shouldst not have had so many amours! Eagle, bull, swan, +rain of gold, cloud and flame, thou didst assume all forms,--dissipate +thy light in all elements,--lose thy hair upon all beds! This time +the divorce is irrevocable; and our domination, our very existence, +dissolved." + +(_She passes away in air._) + +MINERVA (_has no longer her spear; and the ravens nesting among the +sculptures of the friezes, wheel about her, peeking at her helmet._) + +"Let me see whether my vessels cleave the bright sea, returning to my +three ports,--let me discover why the fields are deserted, and learn +what the daughters of Athens are now doing. + +"In the month of Hecatombeon my whole people came to worship me, under +the guidance of their magistrates and priests. Then, all in white robes +and wearing chitons of gold, they advanced the long line of virgins +bearing cups, baskets, parasols; then the three hundred sacrificial +oxen, and the old men having green boughs, the soldiers with clashing +of armour, the ephebi singing hymns, flute players, lyre players, +rhapsodists, dancing women;--and lastly attached to the mast of a +trireme mounted upon wheel, my great veil embroidered by virgins who +had been nourished in a particular way for a whole year. And when it +had been displayed in all the streets, in all the squares, and before +the temples, in the midst of the ever-chanting procession, it was borne +step by step up the hill of the Acropolis, grazed the Propylæa, and +entered the Parthenon.... + +"But a strange feebleness comes upon me,--me the Industrious One! What! +what! not one idea comes to me! Lo! I am trembling more than a woman!" + +(_She turns, beholds a ruin behind her, utters a cry, and stricken by a +fallen fragment, falls backward upon the ground._) + +HERCULES (_has flung away his lion-skin; and with feet firmly braced, +back arched, teeth clenched, he exhausts himself in immeasurable +efforts to bear up the mass of crumbling Olympus._) + +"I vanquished the Cercopes, the Amazons, and the Centaurs. Many were +the kings I slew. I broke the horn of the great river, Achelous. I cut +the mountains asunder; I freed nations from slavery; and I peopled +lands that were desolate. I travelled through the countries of Gaul; +I traversed the deserts where thirst prevails. I defended the gods +from their enemies; and I freed myself from Omphale. But the weight of +Olympus is too great for me. My arms grow feebler:--I die!" + +(_He is crushed beneath the ruins._) + +PLUTO. "It is thy fault, Amphytrionad;--wherefore didst thou descend +into my empire? + +"The vulture that gnaws the entrails of Tityus lifted its head;--the +lips of Tantalus were moistened;--the wheel of Ixion stopped. + +"Meanwhile the Kæres extended their claws to snatch back the escaping +ghosts; the Furies tore the serpents of their locks; and Cerberus +fettered by thee with a chain, sounded the death rattle in his throat, +and foamed at all his three mouths. + +"Thou didst leave the gate ajar; others have come. The daylight of men +has entered into Tartarus!" + +(_He sinks into the darkness._) + +NEPTUNE. "My trident can no longer call up the tempests. The monsters +that terrified of old, lie rotting at the bottom of the sea. + +"Amphitrite whose white feet tripped lightly over the foam, the green +Nereids seen afar off in the horizon, the scaly Sirens who stopped +the passing vessels to tell stories, and the ancient Tritons mightily +blowing upon their shells, all have passed away. All is desolate and +dead; the gaiety of the great Sea is no more!" + +(_He vanishes beneath the azure._) + +DIANA (_clad in black and surrounded by her dogs, which have been +changed into wolves_). + +"The freedom of the deep forests once intoxicated me; the odours of the +wild beasts and the exhalations of the marshes made me as one drank +with joy. But the women whose maternity I protected, now bring dead +children into the world. The moon trembles with the incantations of +witches. Desires of violence, of immensity, seize me, fill me! I wish +to drink poisons,--to lose myself in vapours, in dreams...!" + +(_And a passing cloud carries her away._) + +MARS (_unhelmed and covered with blood_). + +"At first I fought alone;--singlehanded I would provoke a whole army by +my insults,--caring nothing for countries or nations, demanding battle +for the pleasure of carnage alone. + +"Afterward I had comrades. They marched to the sound of flutes, in good +order, with equal step, respiring above their bucklers, with plumes +loftily nodding, lances oblique. Then on rushed to battle with mighty +eagle cries. War was joyous as a banquet. Three hundred men strove +against all Asia. + +"But the Barbarians are returning;--by myriads they come, by millions! +Ah! since numbers, and engines, and cunning are stronger than valour, +it were better that I die the death of the brave!" + +(_He kills himself._) + +VULCAN (_sponging the sweat from his limbs_): + +"The world is growing cold. The source of heat must be nourished, the +volcanoes and rivers of flowing metal underground. Strike harder!--with +full swing of the arms,--with might and main!" + +(_The Cabiri wound themselves with their hammers, blind themselves with +sparks, and groping, lose themselves in the darkness._) + +CERES (_standing in her chariot, impelled by wheels having wings at +their hubs_): + +"Stop! Stop! Ah! it was with good reason that the exclusion of +strangers, atheists, Epicureans, and Christians was commended! Now the +mystery of the basket has been unveiled; the sanctuary profaned: all is +lost!" + +(_She descends a precipitous slope--shrieking, despairing, tearing her +hair._) + +"Ah! lies, lies! Daira has not been restored to me. The voice of brass +calls me to the dead. This is another Tartarus, whence there is no +return! Horror!" + +(_The abyss engulfs her._) + +BACCHUS (_with a frenzied laugh_). + +"What matters it? The Archon's wife is my spouse! The law itself reels +in drunkenness! To me the new song, the multiplied forms! + +"The fire by which my mother was devoured, flows in my veins! Let it +burn yet more fiercely, even though I perish! + +"Male and female, complaisant to all, I abandon myself to you, +Bacchantes! I abandon myself to you, Bacchanalians!--and the vine shall +twine herself about the tree-trunks! Howl! dance! writhe! Loosen the +tiger and the slave!--rend flesh with ferocious bitings!" + +(_And Pan, Silenus, the Bacchantes, the Mimalonæides, and the +Mænads,--with their serpents, torches, sable masks,--cast flowers at +each other ... shake their tympanums, strike their thyrsi, pelt each +other with shells, devour grapes, strangle a goat, and tear Bacchus +asunder._) + +APOLLO (_furiously whipping his coursers, while his blanching locks are +falling from his head_): + +"I have left far behind me stony Delos, so pure that all now there +seems dead; and I must strive to reach Delphi ere its inspiring vapour +be wholly lost. The mules browse in its laurel groves. The Pythoness +has wandered away, and cannot be found. + +"By a stronger concentration of my power, I will obtain sublime hymns, +eternal monuments; and all matter will be penetrated by the vibrations +of my cithara!" + +(_He strikes the strings of the instrument. They burst, lashing his +face with their broken ends. He flings the cithara away; and furiously +whipping his quadriga, cries_): + +"No! enough of forms!--Further, higher!--to the very summit!--to the +realm of pure thought!" + +(_But the horses back, rear, dash the chariot to pieces. Entangled by +the harness, caught by the fragments of the broken pole, he falls head +foremost into the abyss._ + +[Illustration: ... he falls head foremost into the abyss.] + +_The sky is darkened._) + +VENUS (_blue with cold, shivering_): + +"Once with my girdle I made all the horizon of Hellas. + +"Her fields glowed with the roses of my cheeks; her shores were +outlined after the fashion of my lips; and her mountains, whiter than +my doves, palpitated beneath the hands of the statuaries. My spirit's +manifestation was found in the ordinances of the festivals, in the +arrangement of coiffures, in the dialogues of philosophers, in the +constitution of republics. But I have doted too much upon men! It is +Love that has dishonoured me!" + +(_She casts herself back weeping_): + +"This world is abominable;--there is no air for me to breathe! + +"O Mercury, inventor of the lyre, conductor of souls, take me away!" + +(_She places one finger upon her lips, and describing an immense +parabola, falls into the abyss._ + +_Nothing is now visible. The darkness is complete._ + +_Only, that from the eyes of Hilarion escape two flashes, two rays of +lurid light._) + +ANTHONY (_begins at last to notice his immense stature_): + +"Already several times, while thou wert speaking, it seemed to me thou +wert growing taller; and it was no illusion! How? Explain to me ... Thy +aspect terrifies me!" + +(_Footsteps are heard approaching._) + +"What is that?" + +HILARION (_extending his arm_): + +"Look!" + +(_Then, under a pale beam of moonlight, Anthony distinguishes an +interminable caravan defiling over the summit of the rocks;--and each +voyager, one after the other, falls from the cliff into the gulf below._ + +_First comes the three great gods of_ Samothrace,--AXIEROS, AXIOKEROS, +AXIOKERSA,--_united together as in a fascia, purple-masked, all with +hands uplifted._ + +_Æsculapius advances with a melancholy air, not even perceiving +Samos and Telesphorus, who question him with gestures of anguish._ +ELEAN SOSIPOLIS, _of python-form, rolls his coils toward the abyss._ +DOSIPOENA, _becomes dizzy, leaps in of her own accord._ BRITOMARTIS, +_shrieking with fear, clutches fast the meshes of her net. The Centaurs +come at a wild gallop, and roll pell-mell into the black gulf._ + +_Behind them, all limping, advance the bands of the mourning Nymphs. +Those of the meadows are covered with dust; those of the woods moan and +bleed; wounded by the axes of the woodcutters._ + +_The Gelludes, the Strygii, the Empusæ, all the infernal goddesses, +form one pyramid of blended fangs, vipers, and torches;--and seated +upon a vulture-skin at its summit, Eurynome, blue as the flies that +corrupt meat, devours her own arms._ + +_Then in one great whirl simultaneously disappear the bloody Orthia, +Hymina of Orchomenus, the Laphria of the Patræns, Aphia of Agina, +Bendis of Thrace, Stymphalia with thighs like a bird's. Triopas, in +lieu of three eyes, has now but three empty orbits. Erichthonius, his +legs paralysed, crawls upon his hands like a cripple._) + +HILARION. "What a pleasure, is it not!--to see them all in the +abjection of their death-agony! Climb up here beside me, on this rock; +and thou shalt be even as Xerxes, reviewing his army. + +"Beyond there, very far, dost thou behold that fair-bearded giant, +who even now lets fall his sword crimsoned with blood?--that is +the Scythian Zalmoxis between two planets,--Artimpasa, Venus, and +Orsiloche, the Moon. + +"Still further away, now emerging from pallid clouds, are the gods whom +the Cimmerians adore, even beyond Thule. + +"Their huge halls were warm, and by the gleam of swords that tapestried +the vault, they drank their hydromel from horns of ivory. They ate the +liver of the whale in dishes of brass wrought by the hammers of demons; +or, betimes, they listened to captive sorcerers whose fingers played +upon harps of stone. + +"They are feeble! They are cold! The snow makes heavy their bearskins; +and their feet show through the rents in their sandals. + +"They weep for the vast fields upon whose grassy knolls they were +wont to draw breath in pauses of battle; they weep for the long ships +whose prows forced a way through the mountains of ice;--and the skates +wherewith they followed the orb of the poles, upbearing at the length +of their mighty arms all the firmament that turned with them." + +(_A gust of frosty wind carries them off. Anthony turns his eyes +another way. And he perceives--outlined in black against a red +background--certain strange personages, with chinbands and gauntlets, +who throw balls at one another, leap over each other's heads, make +grimaces, dance a frenzied dance._) + +HILARION. "Those are the divinities of Etruria, the innumerable Æsars. + +"There is Tages, by whom augury was invented. With one hand he seeks to +augment the divisions of the sky; with the other he supports himself +upon the earth: let him sink therein! + +"Nortia gazes at the wall into which she drave nails to mark the number +of the passing years. Its whole surface is now covered; and the period +is accomplished. + +"Like two travellers overtaken by a storm, Kastur and Pulutuk, +trembling, seek to shelter themselves beneath the same mantle." + +ANTHONY (_closes his eyes_): + +"Enough! Enough!" + +(_But with a mighty noise of wings, all the Victories of the Capitol +pass through the air,--hiding their faces with their hands, dropping +the trophies hanging upon their arms._ + +_Janus,--lord of crepuscules,--flees upon a black ram; and one of his +two faces is already putrified; the other slumbers with fatigue._ + +_Summanus, the headless god of the dark heavens, presses against his +heart an odd cake shaped like a wheel._ + +_Vesta, beneath a ruined cupola, tries to relight her extinguished +lamp._ + +_Bellona gashes her cheeks,--without being able to make that blood flow +by which her devotees were purified._) + +ANTHONY. "Mercy!--they weary me!" + +HILARION. "Before, they amused thee!" + +(_And he shows him in a grove of bean-trees,_ A WOMAN, _naked.... +.........and a black man, holding in each hand a torch._[8]) + +"It is the goddess of Aricia, with the demon Virbius. Her sacerdote, +the King of the grove, had to be an assassin;[9] and the fugitive +slaves, the despoilers of corpses, the brigands of the Via Salaria, the +cripples of the Pons Sublicius, all the human vermin of the Suburra +worshipped no deities so fervently. + +"In the time of Marcus Antonius the patrician women preferred Libitina." + +(_And he shows him under the shadow of cypresses and rose-trees_, +ANOTHER WOMAN, _clad in gauze. Around her lie spades, litters, black +hangings, all the paraphernalia of funerals. She smiles. Her diamonds +shine afar off through spiders' webs. The Larvæ, like skeletons, show +their bones through the branches; and the Lemures, who are phantoms, +extend their bat-like wings._ + +_At the end of a field lies the god Terminus, uprooted, and covered +with ordures._ + +_In the centre of a furrow, the great corpse of Vertumnus is being +devoured by red dogs._ + +_The rustic deities all depart, weeping:--Sartor, Sarrator, Vervactor, +Collina, Vallona, Hostilinus--all wearing little hooded mantles, and +carrying either a hoe, a pitchfork, a hurdle, or a boar-spear._) + +HILARION. "Their spirits made prosperous the villa,--with its dovecots, +its parks of dormice, its poultry-yards protected by nets, its warm +stables fragrant with odours of cedar. + +"Also they protected all the wretched population who dragged the irons +upon their legs over the flinty ways of the Sabine country,--those who +called the swine together by sound of horn,--those who were wont to +gather the bunches at the very summits of the elms,--those who drove +the asses, laden with manure, over the winding bypaths. The panting +labourer, leaning over the handle of his plough, prayed them to give +strength to his arms; and under the shade of the lindens, beside +calabashes filled with milk, the cow-herds were wont, in turn, to sound +their praises upon flutes of reed." + +ANTHONY (_sighs._) + +(_And in the centre of a chamber, upon a lofty estrade, an ivory bed is +visible, surrounded by persons bearing torches of pine._) + +"Those are the deities of marriage. They await the coming of the bride. + +"Domiduca should lead her in,--Virgo unfasten her girdle,--Subigo place +her in the bed,--and Præma open her arms, and whisper sweet words into +her ear. + +"But she will not come!--and they dismiss the others:--Nona and Decima +who watch by sick-beds; the three Nixii who preside over child-birth; +the two nurses, Educa and Potina; and Carna, guardian of the cradle, +whose bouquet of hawthorne keeps evil dreams from the child. + +"Afterwards, Ossipago should strengthen his knees;--Barbatus give him +his first beard; Stimula inspire his first desires; Volupia grant him +his first enjoyment; Fabulimus should have taught him to speak, Numera +to count, Cam[oe]na to sing, Consus to reflect." + +(_This chamber is empty; and there remains only the centenarian Nænia +beside the bed,--muttering to herself the dirge she was wont to howl at +the funerals of aged men._ + +_But her voice is soon drowned by sharp cries. These are uttered by_-- + +_The_ LARES DOMESTICI, _crouching at the further end of the atrium, +clad in dog-skins, with flowers wreathed about their bodies,--pressing +their clenched hands against their cheeks, and weeping as loudly as +they can._) + +"Where is the portion of food we received at each repast, the kindly +care of the maid-servant, the smile of the matron, the merriment of +the little boys playing at knuckle-bones on the mosaic pavement of the +court-yard? When grown up, they used to hang about our necks their +bullæ of gold or leather! + +"What happiness it was, when on the evening of a triumph, the master, +entering, turned his humid eyes upon us! He would recount his combats; +and the little house would be prouder than a palace; sacred as a temple! + +"How sweet were the family repasts, above all on the morrow of the +Feralia! Tenderness for the dead appeased all discords; all kissed each +other, while drinking to the glories of the past, and the hopes of the +future. + +"But the ancestors, of painted wax, locked up behind us, are slowly +becoming covered with mold. The new races, visiting their own +deceptions upon us, have shattered our jaws; our wooden bodies are +disappearing piece-meal under the teeth of rats." + +(_And the innumerable gods, watching over doors, kitchens, cellars, +baths, disperse in every direction--under the form of enormous ants +running over the pavement, or great butterflies soaring away._ + +_Then a roll of thunder is heard._) + + +A VOICE: + +"I was the God of Armies, the Lord, the Lord God! I pitched the tents +of Jacob on the hills; and in the midst of the sands I nourished my +chosen people in their flight. + +"It was I who consumed the city of Sodom with fire! It was I who +overwhelmed the world with the waters of the Deluge! It was I that +drowned Pharaoh, with all the princes, sons of Kings,--making the sea +to swallow up his chariots of war, and his charioteers! + +"I, the Jealous God, held all other gods in abomination. I brayed the +impure in my anger; the mighty I cast down; and swiftly the desolation +of my wrath ran to the right and to the left, like a dromedary loosened +in a field of maize. + +"I chose the humble to deliver Israel. Angels, flame-winged, spake to +them from out the bushes. + +"Perfumed with spikenard, with cinnamon and myrrh, clad in transparent +robes, and shod with high-heeled sandals,--women of valiant heart went +forth to slay captains. The passing wind carried my prophets with it. + +"My law I graved upon tables of stone. Within that law my people were +enclosed, as within a strong citadel. They were my people. I was their +God! The land was mine; the men also belonged to me, together with +their every thought, and all their works, and the tools they wrought +with, and their prosperity. + +"My ark reposed within a triple sanctuary,--surrounded by curtains +of purple and lighted candelabra. I had a whole tribe to serve me as +servants, swinging censers; and the high-priest, robed in robes of +hyacinth, wore upon his breast precious stones disposed in symmetrical +order. + +"Woe! Woe! the Holy of Holies is open, the veil is rent, the perfumes +of the holocaust are dissipated by all the winds of heaven! The jackal +whines in the sepulchres; my temple is destroyed; my people dispersed! + +"The priests have been strangled with the girdles of their robes. The +women languish in captivity; the holy vessels have all been melted!" + +(_The voice, becoming more distant_): + +"I was the God of Armies; the Lord, the Lord God!" + +(_An enormous silence follows,--and deepest night._) + +ANTHONY. "All have passed away!" + +SOME ONE (_replies_): + +"I remain!" + +(_And Hilarion stands before him--but transfigured wholly,--beautiful +as an archangel, luminous as a sun, and so lofty that in order to +behold his face_-- + +ANTHONY + +_is compelled to throw back his head, to look up as though gazing as a +star_): + +"Who art thou?" + +HILARION. "My kingdom is vast as the universe; and my desire knows no +limits. I go on forever,--freeing minds, weighing worlds,--without +hatred, without fear, without pity, without love, and without God. Men +call me SCIENCE!" + +ANTHONY (_recoiling from him_): + +"Say, rather, that thou art ... the Devil!" + +HILARION (_fixing his eyes upon him_:) + +"Wouldst thou behold him?" + +ANTHONY (_cannot detach his eyes from that mighty gaze:--the curiosity +of the Devil comes upon him. His terror augments; yet his wish grows +even to boundlessness_): + +"Yet if I should see him ... if I were to see him!" + +(_Then in a sudden spasm of wrath_): + +"The horror that I have of him will free me from his presence +forever!... Yes!" + +(_A cloven foot appears. Anthony regrets his wish._ + +_But the Devil flings him upon his horns and bears him away._) + + + +[1] Matthew II: 10--T. + +[2] "Buddha, or more correctly, the Buddha, for Buddha is an +appellative meaning Enlightened."--Max Müller (Chips, Vol. I., 206). + +[3] Luke II: 25-26.--T. + +[4] Ibid II: 46-47.--T. + +[5] Or, Haoma, also Hom, the sacred plant, whose fermented juice +occupied an important place in the practical rites of Iran. Supposed +to be the same plant known in botany as _Sarcostemma viminalis._ +Deified in Iranian worship, like the sacred drink _Soma_ in the Vedic +hymns. The _Soma_ was the fermented extract of the _Asclepias acida_ +or _Sarcostemma ritalis._ See Marius Fontane, "L'Inde Védique," "Les +Iraniens."--Trans. + +[6] Apuleius says, "a silken mantle."--Trans. + +[7] Apuleius says, "strung with knuckle-bones of sheep."--Trans. + +[8] This scene, like certain paintings in the Naples museum, is all +suited for public exhibition.--Trans. + +[9] Readers will recollect the lines in Macaulay's _Lays of Ancient +Rome_: + +"Beneath Aricia's trees, + Those trees in whose dim shadow + A ghastly priest doth reign, + The priest who slew the slayer, + And must himself be slain." + + + + + +VI + + +(_He flies beneath him, outstretched like a swimmer; his vast-spreading +wings, wholly concealing him, seem like one huge cloud._) + +ANTHONY. "Whither do I go? But a little while ago I beheld in a glimpse +the form of the Accurst. Nay!--'tis a cloud that upbears me! Perhaps I +am dead, and am ascending to God.... + +"How freely I respire. The immaculate air seems to vivify my soul. No +sense of weight!--no more suffering. + +"Far below me the lightning breaks,--the horizon broadens, widens,--the +rivers cross each other. That blond-bright spot is the desert; that +pool of water the ocean! + +"And other oceans appear!--vast regions of which I knew nothing! +There are the countries of the blacks, which seem to smoke like +brasiers!--then is the zone of snows always made dim by fog! Would I +might behold those mountains where the sun, each evening, sinks to +rest!" + +THE DEVIL. "The sun never sinks to rest; the sun never rests!" + +(_Anthony is not surprised at this voice. It seems to him an echo of +his own thought--a response made by his own memory._ + +_Meanwhile the earth gradually assumes the shape of a ball; and he +beholds it in the midst of the azure, turning upon its poles, and +revolving with the sun._) + +THE DEVIL. "So it does not form the centre of the universe! Pride of +man! humiliate thyself!" + +ANTHONY. "Now I can scarcely distinguish it. It mingles confusedly with +other glowing worlds. The firmament itself is but one tissue of stars." + +(_And they still rise._) + +"No sound!--not even the hoarse cry of eagles! Nothing? I listen for +the harmony of the spheres." + +THE DEVIL. "Thou wilt not hear them! Nor wilt thou behold the +antichtonus of Plato,--or the central furnace of Philolaüs,--or the +spheres of Aristotle, or the seven heavens of the Jews, with the great +waters above the vault of crystal!" + +ANTHONY. "Yet from below the vault seemed solid as a wall!--on the +contrary I penetrate it, I lose myself in it!" + +(_And he beholds the moon,--like a rounded fragment of ice filled with +motionless light._) + +THE DEVIL. "Formerly it was the sojourn of souls! Even the good +Pythagoras adorned it with magnificent flowers, populated it with +birds!" + +ANTHONY. "I can see only desolate plains there, with extinct craters +yawning under a black sky! + +"Let us go towards those milder-beaming stars, that we may contemplate +the angels who uphold them at arms' length, like torches!" + +THE DEVIL (_bears him into the midst of the stars_): + +"They attract at the same time that they repel each other. The +action of each one results from that of others, and contributes +thereunto,--without the aid of any auxiliary, by the force of a law, +the virtue of order alone!" + +ANTHONY. "Yes!...yes! My intelligence grasps the great truth! It is +a joy greater than all tender pleasures! Breathless I find myself with +astonishment at the enormity of God!" + +THE DEVIL. "Even as the firmament ever rises as thou dost ascend, so +with the expansion of thy thought will He become greater to thee; and +after this discovery of the universe thou wilt feel thy joy augment +with the broadening and deepening of the infinite." + +ANTHONY. "Ah! higher!--higher still!--- forever higher!" + +(_Then the stars multiply, scintillate. The Milky Way develops in the +zenith like a monstrous belt, with holes at intervals; through these +rents in its brightness stretches of prolonged darkness are visible. +There are rains of stars, long trains of golden dust, luminous vapours +that float and dissolve. + +At times a comet suddenly passes by; then the tranquillity of +innumerable lights recommences. + +Anthony, with outstretched arms, supports himself upon the Devil's +horns, and thus occupies all the space between them. + +He remembers with disdain the ignorance of other days, the mediocrity +of his dreams. And now those luminous globes he was wont to gaze upon +from below, are close to him. He distinguishes the intercrossing of +the lines of their orbits, the complexity of their courses. He beholds +them coming from afar,--and, like stones suspended in a sling, describe +their circles, form their hyperbolas. + +He perceives, all within the field of his vision at once, the Southern +Cross and the Great Bear, the Lynx and the Centaur, the nebula of +Dorado, the six suns in the constellation of Orion, Jupiter with his +four satellites, and the triple ring of the monstrous Saturn!--all the +planets, all the stars that men will discover in the future. He fills +his eyes with their light; he over-burthens his mind with calculation +of their distances: then, bowing his head, he murmurs_): + +"What is the purpose of all that?" + +THE DEVIL. "There is no purpose. How could God have a purpose? What +experience could have instructed him?--what reflection determined him? + +[Illustration: Anthony: What is the purpose of all that? The +Devil: There is no purpose.] + +"Before the beginning he could not have acted;--and now his action +would be useless." + +ANTHONY. "Yet he created the world, at one time, by his word only." + +THE DEVIL. "But the beings that people the earth come upon it +successively. So also, in heaven, new stars arise--different effects of +varying causes." + +ANTHONY. "The varying of causes is the will of God!" + +THE DEVIL. "But to admit several acts of will in God is to admit +various causes, and therefore to deny his unity. + +"His will is inseparable from his essence. He can have but one will, +having but one essence; and inasmuch as he externally exists, he acts +eternally. + +"Contemplate the sun! From its surface leap vast jets of flame, casting +forth sparks that disperse beyond to become worlds here-after;--and +further than the last, far beyond those deeps where thou seest only +night, whirl other suns,--and behind them others again, and beyond +those yet others ... without end!" + +ANTHONY. "Enough! Enough! I fear!--I will fall into the abyss!" + +THE DEVIL (_pauses, and rocks Anthony gently in the midst of space_). + +"Nothingness is--not--there is no void! Everywhere and forever bodies +move upon the immovable deeps of space! Were there boundaries to +space, it would not be space, but a body only: it is limitless!" + +ANTHONY (_stupefied by wonder_): + +"Limitless!" + +THE DEVIL. "Ascend skyward forever and forever,--yet thou wilt not +attain the summit. Descend below the earth for billions of billions of +centuries: never wilt thou reach the bottom. For there is no summit, +there is no bottom; there is no Above, no Below--nor height, nor +depth as signified by the terms of human utterance. And Space itself +is comprised in God, who is not a portion thereof of such or such a +size,--but is Immensity itself!" + +ANTHONY (_slowly_): + +"Matter ..., then, ... must be a part of God?" + +THE DEVIL. "Why not? Canst thou know the end of God?" + +ANTHONY. "Nay: on the contrary, I prostrate, I crush myself beneath his +mightiness!" + +THE DEVIL. "And yet thou dost pretend to move him! Thou dost speak to +him,--thou dost even adorn him with virtues,--with goodness, justice, +mercy,--in lieu of recognising that all perfections are his! + +"To conceive aught beyond him is to conceive God above God, the Being +above the Being. For He is the only being, the only substance. + +"If the Substance could be divided, it would not be the Substance, it +would lose its nature: God could not exist. He is therefore indivisible +as infinite;--and if he had a body, he would be composed of parts, +he would not be One--he would not be infinite. Therefore he is not a +Person!" + +ANTHONY. "What? my prayers, my sobs, my groans, the sufferings of my +flesh, the transports of my love,--have all these things gone out to a +lie,--to emptiness, unavailingly--like the cry of a bird, like a whirl +of dead leaves?" + +(_Weeping_): + +"Oh, no!--there is Some One above all things,--a great Soul, a Lord, a +Father whom my heart adores and who must love me!" + +THE DEVIL. "Thou dost desire that God were not God;--for did he feel +love, or anger, or pity,--he would abandon his perfection for a greater +or a lesser perfection. He can stoop to no sentiment, nor be contained +in any form." + +ANTHONY. "One day, nevertheless, I shall see him!" + +THE DEVIL. "With the blessed, is it not?--when the finite shall enjoy +the infinite in some restricted place, containing the Absolute!" + +ANTHONY. "Matters not!--there must be a paradise for the good, as there +is a hell for the wicked." + +THE DEVIL. "Can the desire of thy mind create the law of the universe? +Without doubt evil is indifferent to God,--forasmuch as the Earth is +covered with it! + +"Is it through impotence that he endures it, or through cruelty that he +maintains it? + +"Dost thou fancy that he is eternally readjusting the world, like an +imperfect machine?--that he is forever watching the movements of all +beings, from the flight of a butterfly to the thought of a man? + +"If he have created the universe, his providence is superfluous. If +Providence exists, then creation is defective. + +"But evil and good concern only thee--even like night and day, pleasure +and pain, death and birth, which are relative only to one corner +of space, to a special centre, to a particular interest. Since the +Infinite is permanent, the Infinite is;--and that is all." + +(_The Devil's wings have been gradually expanding: now they cover all +space._) + +ANTHONY (_now perceives nothing: a great faintness comes upon him_): + +"A hideous cold freezes me, even to the depths of my soul! This is +beyond the extreme of pain! It is like a death that is deeper than +death! I roll in the immensity of darkness; and the darkness itself +enters within me. My consciousness bursts beneath this dilation of +nothingness!" + +THE DEVIL. "Yet the knowledge of things comes to thee only through the +medium of thy mind. Even as a concave mirror, it deforms the objects +it reflects; and thou hast no means whatever of verifying their +exactitude." + +"Never canst thou know the universe in all its vastness; consequently +it will never be possible for thee to obtain an idea of its cause, +to have a just notion of God, nor even to say that the universe is +infinite,--for thou must first be able to know what the Infinite is!" + +"May not Form be, perhaps, an error of thy senses,--Substance a figment +of thy imagination?" + +"Unless, indeed, that the world being a perpetual flux[1] of things, +appearance, on the contrary, be wholly true; illusion the only reality." + +"But art thou sure thou dost see?--art thou even sure thou dost live? +Perhaps nothing exists!" + +(_The Devil has seized Anthony, and, holding him at arms' length, +glares at him with mouth yawning as though to devour him_): + +"Adore me, then!--and curse the phantom thou callest God!" + +(_Anthony lifts his eyes with a last effort of hope._ + +_The Devil abandons him._) + + +[1] The original text seems to me slightly obscure. The idea of the +universe being a perpetual ebb and flow of shapes, is that of forms +passing away to reappear like waves, is that of the Nidana-Sutris: +"Individuality is only a form ... _Everything is only a flux of +aggregates_, interminably uniting and disuniting," as Barth observes in +his "Religions of India."--Trans. + + + + +VII + + +ANTHONY (_finds himself lying upon his back, at the verge of the cliff._ + +_The sky commences to blanch._) + +"Is it the glow of dawn, or only an effect of moonlight?" + +(_He tries to rise, falls back,--his teeth chattering_): + +"I feel such a helplessness of weakness, as though all my bones were +broken! + +"Why? + +"Ah! the Devil!--I remember!--he even repeated to me all that I +learned from the aged Didymus respecting the opinions of Xenophanes, +Heraclitus, of Melissus, of Anaxagoras,--concerning the infinite, the +creation, the impossibility of knowing anything! + +"And yet I believed that I could unite myself to God!" + +(_Laughing bitterly_): + +"Ah! madness! madness! Is the fault mine? Prayer has become +intolerable to me! My heart is dry as a rock! Once, it was wont to +overflow with love!... + +"The sand used to smoke of mornings like the odourous dust of a +censer;--at sunset flowers of fire used to bloom upon the cross; and in +the middle of the night, it often seemed as though all beings and all +things, lying under the same awful silence, were adoring the Lord with +me. O charms of prayer, felicities of ecstasy, gifts of heaven,--what +have become of you? + +"I remember a voyage I made with Ammon in search of a solitary place +suited for the establishment of a monastery. It was the last evening; +we hastened our steps, walked side by side, murmuring hymns, without +conversing. As the sun sank, the shadows of our bodies lengthened like +two obelisks, continually growing taller, and moving before us. Here +and there we planted crosses, made with fragments of our sticks, to +mark the site of a future cell. Night was tardy in her coming; and +waves of darkness overspread the earth, even while a vast rose-coloured +light still glowed in heaven. + +"When I was a child, I used to amuse myself by building hermitages +with pebbles. My mother sitting beside me would watch me so attentively! + +"Will she not have cursed me for having abandoned her?--will she not +have plucked out her white hair by handfuls in the despair of her +grief? And her corpse remains lying on the floor of the hut, under the +roof of reeds, between the crumbling walls. Through an orifice a hyena, +snuffing, thrusts his head, advances his mouth ... horror! horror!" + +(_Sobbing_): + +"No: Ammonaria will not have abandoned her! Where is she +now,--Ammonaria? + +"Perhaps at the further end of a bathroom, she removes her garments +one after the other: first the mantle, then the girdle, then the first +tunic, the second lighter tunic, all her necklaces,--and the vapour +of cinnamon envelops her naked limbs. At last she lies down upon the +tepid mosaic. Her long hair spreading below the curve of her hips, +seems like a sable fleece; and the oppressiveness of the heated air +causes her to pant; her waist arched, her breasts standing out ... +What! my flesh rebels again! Even in the midst of grief am I tortured +by concupiscence. To be subjected thus unto two tortures at once is +beyond endurance! I can no longer bear myself!" + +(_He leans over, and gazes into the abyss._) + +"The man who should fall would be killed. Nothing easier: it were only +necessary to roll over upon my left side:--only one movement--one!" + +(_Then suddenly appears_--AN AGED WOMAN. _Anthony starts to his feet in +affright. It seems to him that he beholds his mother arisen._ + +_But this woman is far older, and prodigiously thin._ + +_A shroud, knotted about her head, hangs down, together with her white +hair, so as to cover her legs, slender as crutches. The brilliancy of +her ivory-coloured teeth make her earthy skin darker still. The orbits +of her eyes are full of shadow; and far back within them two flames +vacillate, like the lamps of sepulchres._ + +_She exclaims_): + +"Advance! What hinders thee?" + +ANTHONY (_stammering_): + +"I fear ... to commit a sin!" + +SHE (_replies_): + +"But King Saul killed himself! Razias, a just man, killed himself! +Saint Pelagia of Antioch killed herself! Dommina of Aleppo and her two +daughters--all three saints--killed themselves: and remember also how +many confessors delivered themselves up to the executioner in their +impatient longing for death! That they might enjoy death more speedily, +the virgins of Miletus strangled themselves with their girdles. At +Syracuse the philosopher Hegesias preached so eloquently upon death +that men deserted the lupanars to go hang themselves in the fields. The +patricians of Borne sought for death as a new form of debauch." + +ANTHONY. "Aye! the love of death is strong; and many a anchorite has +succumbed to it." + +THE OLD WOMAN. "To do that which will make thee equal unto God--think! +He created thee: thou wilt destroy his work--thou! and by thy +courage,--of thy own free will! The enjoyment that Erostratus knew was +not greater than this. And moreover thy body has so long mocked thy +soul that it is full time thou shouldst take vengeance upon it. Thou +wilt not suffer. It will soon be over. Of what art thou afraid?--a +wide, black hole! Perhaps it is a void!" + +[Illustration: The Old Woman: Of what art thou afraid?—a wide, +black hole! Perhaps it is a void!] + +(_Anthony hearkens without replying; and upon the other side appears_-- + +ANOTHER WOMAN--_young and marvellously beautiful. At first he takes +her to be Ammonaria. But she is taller, blond as honey, very plump, +with paint upon her cheeks and roses upon her head. Her long robe, +weighty with spangles, gleams with metallic lustre;--her fleshy lips +are sanguinolent; and her somewhat heavy eyelids are so drowned with +languor that one would almost take her to be blind._ + +_She murmurs_): + +"Nay, live! enjoy! Solomon counsels joy! Follow the guiding of thy +heart and the desire of thine eyes!" + +ANTHONY. "What joy is there for me? My heart is weary; my eyes are dim!" + +SHE (_answers_): + +"Seek the suburb of Racotis; push open a door that is painted +blue;--and when thou shalt be in the atrium where a fountain jet +murmurs unceasingly, a woman will present herself before thee--in +peplos of white silk striped with gold; her hair is unloosed, her +laugh like the clatter of crotali. She is skilful. In her caress thou +wilt taste the pride of initiation and the appeasement of desire. + +"Hast ever pressed to thy bosom a virgin who loved thee? Dost remember +the surrenders of her modesty,--the passing away of her remorse in a +sweet flow of tears? + +"Thou canst even now imagine thyself walking with her--canst thou +not?--in the wood by the light of the moon? At each pressure of your +joined hands, a sweet shuddering passes through you both,--looking +closely into each other your eyes seem to outpour into one another +something like immaterial fluid;--and thy heart fills: it bursts: it is +a suave whirl of eddying passion, an overflowing of intoxication...." + +THE OLD WOMAN. "One need not possess joys in order to taste their +bitterness! Even to view them from afar off begets loathing of them. +Thou must be fatigued by the monotony of the same actions, the length +of the days, the hideousness of the world, the stupidity of the sun?" + +ANTHONY. "Aye, indeed!--I loathe all that he shines upon." + +THE YOUNG WOMAN. "Hermit! hermit! thou wilt find diamonds among the +flints, fountains beneath the sand, a delectation in all the hazards +thou dost despise; and there are even upon earth places of such beauty +that the sight of them would make thee desire to press the whole world +against thy heart with love!" + +THE OLD WOMAN. "Each evening that thou liest down upon the earth to +slumber, thou dost hope that it may soon lie upon thee and cover thee." + +THE YOUNG WOMAN. "Yet thou dost believe in the resurrection of the +flesh--which is but the translation of life into eternity!" + +(_Even as she speaks, the Old Woman becomes still more fleshless; and +above her skull, from which the white hair has disappeared, a bat +circles in the air._ + +_The Young Woman has become fatter. Her robe gleams with shifting +colours; her nostrils palpitate, her eyes roll softly._) + +THE FORMER (_opening her arms, exclaiming_): + +"Come to me!--I am Consolation, repose, oblivion, eternal calm!" + +THE OTHER. + +"I am the sleep-giver, life, happiness inexhaustible!" + +(_Anthony turns to fee from them. Each lays a hand on his shoulder._ + +_The Shroud parts, exposes the Skeleton of Death._ + +_The robe splits asunder, and leaves the whole body of Lust +exposed:--her waist is slender; her long and undulating hair flutters +in the wind._ + +_Anthony stands motionless between the two, considering them_): + +DEATH (_says to him_): + +"What matters it, whether now or at another time! Thou art mine,--like +suns, nations, cities, kings, mountain-snows, and the grasses of the +fields. I fly higher than the hawks of heaven. I run more swiftly than +the gazelle; I overtake even Hope; I vanquished the Son of God!" + +LUST. "Resist not! I am the Omnipotent! The forests re-echo with my +sighs; the waters tremble with my agitations. Virtue, courage, piety, +dissolve in the perfume of my mouth. Man I accompany in every step +that he makes; and even from the threshold of the tomb he turns to me!" + +DEATH. "I will find for thee that which thou hast vainly sought for, +by the gleam of torches, upon the faces of the dead,--or among those +awful sands that are formed of human remains, where thou wast wont to +wander beyond the Pyramids. From time to time, the fragment of a skull +rolled under thy sandal. Thou didst take up the dust: thou didst let it +trickle through thy fingers; and thy thought, blending with it, sank +into nothingness." + +LUST. "My gulf is deeper! Marbles have inspired loves. Men rush to +conjunctures that terrify. Fetters are riveted that the fettered curse. +Whence the bewitchment of courtesans, the extravagance of dreams, the +immensity of my sadness?" + +DEATH. "Mine irony depasseth all others! There are convulsions of +delight at the funerals of kings, at the extermination of a whole +people; and war is made with music, with plumes, with harness of +gold,--with vast display of ceremony that my due of homage may be +greater!" + +[Illustration: Death: Mine irony depasseth all others!] + +LUST. "My rage equals thine! I also yell; I bite! I, too, have sweats +of agony, and aspects cadaverous!" + +DEATH. "It is I that make thee awful! Let us intertwine!" + +[Illustration: Death: It is I that make thee awful! Let us +intertwine!] + +(_Death laughs mockingly; Lust roars. They clasp each other about the +waist, and chant alternately_): + +"I hasten the dissolution of matter!" + +"I facilitate the dispersion of germs!" + +"Thou dost destroy for my renovations!" + +"Thou dost engender for my destructions!" + +"Ever-active my power!" + +"Fecund, my putrefaction!" + +(_And their voices, whose rolling echoes fill the horizon, deepen and +become so mighty that Anthony falls backward as if thunder-stricken. A +shock from time to time causes him to reopen his eyes; and he perceives +in the midst of the darkness a manner of monster before him._ + +_It is a skull, crowned with roses, dominating the torso of a woman +nacreously white. Below, a shroud starred with specks of gold forms +something like a tail; and the whole body undulates, after the fashion +of a gigantic worm erect on end._ + +_The vision attenuates,--disappears._) + +ANTHONY (_rising to his feet_): + +"The Devil yet again, and under his two-fold aspect: the spirit of +fornication, and the spirit of destruction. + +"Neither affrights me! I repel happiness; and I know myself to be +eternal. + +"Thus death is only an illusion, a veil-masking betimes the continuity +of life. + +"But Substance being unique, wherefore should forms be varied? + +"Somewhere there must be primordial figures, whose bodily forms are +only symbols. Could I but see them, I would know the link between +matter and thought; I would know in what Being consists. + +[Illustration: Anthony: Somewhere there must be primordial +figures, whose bodily forms are only symbols.] + +"Such were the figures painted at Babylon upon the walls of the +temple of Belus; and others like them covered a mosaic in the port of +Carthage. I myself have sometime beheld in the sky, as it were, forms +of spirits. Those who cross the desert meet with animals surpassing all +conception...." + +[Illustration: I myself have sometime beheld in the sky, as it +were, forms of spirits.] + +(_And opposite, upon the further side of the Nile, suddenly appears +the Sphinx.[1] He stretches his paws, shakes the bandelets upon his +forehead, and crouches upon his belly._ + +_Leaping, flying, spitting fire through her nostrils, lashing her +winged sides with her dragon-tail, the green-eyed Chimera circles, +barks._ + +_The thick curls of her head tossed back upon one side mingle with +the hair of her loins; on the other side they hang down to the sand, +quivering with the swinging of her body, to and fro._) + +THE SPHINX (_remaining motionless, and gazing at the Chimera_): + +"Hither, Chimera! rest awhile!" + +THE CHIMERA. "No! never!" + +THE SPHINX. "Do not run so fast, do not fly so high, do not bark so +loudly!" + +THE CHIMERA. "DO not call me!--call me no more; since thou must remain +forever dumb." + +THE SPHINX. "Cease casting thy flames in my face, and uttering thy +yells in my ear: thou canst not melt my granite." + +THE CHIMERA. "Thou shalt not seize me, terrible sphinx!" + +THE SPHINX. "Thou art too mad to dwell with me!" + +THE CHIMERA. "Thou art too heavy to follow me!" + +THE SPHINX. "Yet whither goest thou, that thou shouldst run so fast?" + +THE CHIMERA. "I gallop in the corridors of the Labyrinth--I hover above +the mountains--I graze the waves in my flight--I yelp at the bottom of +precipices--I suspend myself with my mouth from the skirts of clouds--I +sweep the shores with my dragging tail; and the curves of the hills +have taken their form from the shape of my shoulders! But thee I find +perpetually immobile, or perhaps making strange designs with thy claws +upon the sand." + +THE SPHINX. "It is because I keep my secret;--I dream and calculate. + +"The sea returns to its bed; the wheat bends back and forth in the +wind; the caravans pass by; the dust flies; cities crumble; and yet +my gaze, which naught can deviate, remains fixed, gazing through all +intervening things, upon a horizon that none may reach." + +[Illustration: The Sphinx: ... and yet my gaze, which naught +can deviate, remains fixed, gazing through all intervening +things, upon a horizon that none may reach. The Chimera: I am +light and joyous!] + +THE CHIMERA. "I am light and joyous! I offer to the eyes of men +dazzling perspectives with Paradise in the clouds above, and +unspeakable felicity afar off. Into their souls I pour the eternal +madnesses; projects of happiness, plans for the future, dreams of glory +and vows of love, and all virtuous resolutions. + +"I urge men to perilous voyages and great enterprises. I have chiselled +with my claws the wonders of architecture. It was I who suspended the +little bells above the tomb of Porsenna, and surrounded the quays of +Atlantis with a wall of orichalcum. + +"I seek for new perfumes, for vaster flowers, for pleasures never felt +before. If I perceive in any place a man whose mind reposes in wisdom, +I fall upon him, and strangle him." + +THE SPHINX. "All those tormented by the desire of God, I have devoured. + +"In order to climb up to my royal brow, the strongest ascend upon the +flutings of my bandelets as upon the steps of a stairway. Then a great +lassitude comes upon them, and they fall backward." + +(_Anthony begins to tremble._ + +_He is no longer before his cabin, but in the desert itself, with those +two monsters beside him, whose breath is hot upon his shoulders._) + +THE SPHINX. "O thou Fantasy, bear me away upon thy wings that my +sadness may be lightened!" + +THE CHIMERA. "O thou Unknown, I am enamoured of thine eyes! Like a +hyena in heat I turn about thee, soliciting those fecundations whereof +the desires devour me! + +"Ope thy mouth, lift thy feet--mount upon my back!" + +THE SPHINX. "My feet, since they have been outstretched, can move no +more. The lichen, like an eruption, has formed upon my jaws. By dint of +long dreaming I have no longer aught to say." + +THE CHIMERA. "Thou liest, hypocrite Sphinx! Wherefore dost thou always +call me and always disown me!" + +THE SPHINX. "It is thou, indomitable caprice, that dost forever pass +and repass, whirling in thy course!" + +THE CHIMERA. "Is the fault mine? What? Let me be!" + +(_She barks._) + +THE SPHINX. "Thou movest away! thou dost escape me!" + +(_He growls._) + +THE CHIMERA. "Essay!--Thou crushest me!" + +THE SPHINX. "Nay!--impossible!" + +(_And gradually sinking down he disappears in the sand; while the +Chimera, ramping with tongue protruding, departs, describing circles on +her way._ + +_The breath of her mouth has produced a fog._ + +_Through this mist Anthony perceives wreathings of clouds, undecided +curves._ + +_At last he can distinguish something like the appearance of human +bodies._ + +_And first_:-- + +THE ASTOMI--_approach, like bubbles of air traversed by sunlight. They +cry_): + +"Do not breathe too hard! The drops of rain bruise us, false notes +excoriate us, darknesses blind us! Composed wholly of breezes and of +perfumes, we float along, we roll along:--a little more than Dreams, +yet not quite beings...." + +THE NISNAS + +(_have only one eye, one cheek, one hand, one leg, half a body, half a +heart. They say_): + +"We live quite in our halves of houses, with our halves of wives and +our halves of children!" + +THE BLEMMYES + +(_who have no head at all_): + +"Our shoulders are all the broader;--and there is no ox, rhinoceros, or +elephant able to carry what we carry. + +"Something dimly resembling features--as it were a vague +face--imprinted upon our breasts: that is all! We think digestions; we +subtleize secretions. God, in our belief, floats peacefully within the +interior chyles. + +"We go straight upon our way, through all mires, crossing all morasses, +skirting the edges of all abysses: and we are the most laborious, the +most happy, the most virtuous of all peoples!" + +THE PYGMIES: + +"We, good little men, swarm upon the world like vermin upon the hump of +a dromedary. + +"We are burned, drowned, crushed; and we always reappear, more +vivacious and countless than before--terrible by reason of our numbers!" + +THE SCIAPODS: + +"Fettered to the earth by our hair, long as lianas, we vegetate beneath +the shelter of our feet, broad as parasols; and the light comes to us +through the thickness of our heels. No annoyances for us, no work! The +head as low as possible--That is the secret of happiness." + +[Illustration: The Sciapods: The head as low as possible—That is +the secret of happiness.] + +(_Their lifted thighs,--resembling the trunks of trees,--multiply._ + +_And a forest appears. Great apes clamber through it on all +fours:--these are men with the heads of dogs._) + +THE CYNOCEPHALI: + +"We leap from branch to branch in search of eggs to suck; and we pluck +the little fledglings alive; then we put their nests upon our heads in +lieu of caps. + +"We tear off the teats of cows; and we put out the eyes of lynxes: +we let fall our dung from the heights of the trees--we parade our +turpitude in the full light of the sun. + +"Lacerating the flowers, crushing the fruits, befouling the springs, +violating women, we are the masters of all,--by the strength of our +arms, and the ferocity of our hearts. + +"Ho! companions!--gnash with your jaws!" + +(_Blood and milk pour down their chops. The rain streams over their +hairy backs._ + +_Anthony inhales the freshness of the green leaves._ + +_There is a movement among them, a clashing of branches; and all of +a sudden appears a huge black stag, with the head of a bull, having +between his ears a thicket of white horns._) + +THE SADHUZAG: + +"My seventy-four antlers are hollow like flutes. + +"When I turn me toward the wind of the South, there issue from them +sounds that draw all the ravished animals around me. The serpents twine +about my legs; the wasps cluster in my nostrils; and the parrots, the +doves, the ibises, alight upon the branches of my horns. + +"Listen!" + +(_He throws back his horns, whence issues a music of sweetness +ineffable._ + +_Anthony presses both hands upon his heart. It seems to him as though +his soul were being borne away by the melody._) + +THE SADHUZAG: + +"But when I turn me toward the wind of the North, my antlers, more +thickly bristling than a battalion of lances, give forth a sound of +howlings: the forests are startled with fear; the rivers remount toward +their sources; the husks of fruits burst open; and the bending grasses +stand erect on end, like the hair of a coward. + +"Listen!" + +(_He bends his branching antlers forward: hideous and discordant cries +proceed from them. Anthony feels as though his heart were torn asunder._ + +_And his horror augments upon beholding_)-- + +THE MARTICHORAS + +(_A gigantic red lion, with human face, and three rows of teeth_): + +"The gleam of my scarlet hair mingles with the reflection of the great +sands. I breathe through my nostrils the terror of solitudes. I spit +forth plague. I devour armies when they venture into the desert. + +"My claws are twisted like screws, my teeth shaped like saws; and my +curving tail bristles with darts which I cast to right and left, before +and behind! + +"See! see!" + +(_The Martichoras shoots forth the keen bristles of his tail, which +irradiate in all directions like a volley of arrows. Drops of blood +rain down, spattering upon the foliage._) + +THE CATOBLEPAS + +(_A black buffalo with a pig's head, falling to the ground, and +attached to his shoulders by a neck long, thin, and flaccid as an empty +gut._ + +_He wallows flat upon the ground, and his feet entirely disappear +beneath the enormous mane of coarse hair which covers his face_): + +"Fat, melancholy, fierce--thus I continually remain, feeling against +my belly the warmth of the mud. So heavy is my skull that it is +impossible for me to lift it. I roll it slowly all around me, +open-mouthed; and with my tongue I tear up the venemous plants bedewed +with my breath. Once, I even devoured my own feet without knowing it! + +"No one, Anthony, has ever beheld mine eyes,--or at least, those who +have beheld them are dead. Were I to lift my eyelids--my pink and +swollen eyelids, thou wouldst forthwith die!" + +ANTHONY. "Oh, that one! Ugh! As though I could desire it?--Yet his +stupidity fascinates me! No, no! I will not!" + +(_He gazes fixedly upon the ground._ + +_But the weeds take fire; and amidst the contorsions of the flames, +arises_)-- + +THE BASILISK + +(_A great violet serpent, with trilobate crest, and two fangs, one +above, one below_): + +"Beware, lest thou fall into my jaws! I drink fire. I am fire!--and I +inhale it from all things: from clouds, from flints, from dead trees, +the fur of animals, the surface of marshes. My temperature maintains +the volcanoes: I lend glitter to jewels: I give colours to metals!" + +THE GRIFFIN + +(_A lion with a vulture's beak, and white wings, red paws and blue +neck_): + +"I am the master of deep splendours. I know the secrets of the tombs +wherein the Kings of old do slumber. + +"A chain, issuing from the wall, maintains their heads upright. Near +them, in basins of porphyry, the women they loved float upon the +surfaces of black liquids. Their treasures are all arrayed in halls, in +lozenge-shaped designs, in little heaps, in pyramids;--and down below, +far below the tombs, and to be reached only after long travelling +through stifling darkness, there are rivers of gold bordered by forests +of diamonds, there are fields of carbuncles and lakes of mercury. + +"Addossed against the subterranean gate I remain with claws uplifted; +and my flaming eyes spy out those who seek to approach. The vast and +naked plain that stretches away to the end of the horizon is whitened +with the bones of travellers. But for thee the gates of bronze shall +open; and thou shalt inhale the vapour of the mines, thou shalt descend +into the caverns.... Quick! quick!" + +(_He burrows into the earth with his paws, and crows like a cock._ + +_A thousand voices answer him. The forest trembles._ + +_And all manner of frightful creatures arise:--The Tragelaphus, half +deer, half ox; the Myrmecoles, lion before-and ant behind, whose +genitals are set reversely; the python Askar, sixty cubits long, that +terrified Moses; the huge weasel Pastinaca, that kills the trees with +her odour; the Presteros, that makes those who touch it imbecile; +the Mirag, a horned hare, that dwells in the islands of the sea. The +leopard Phalmant bursts his belly by roaring; the triple-headed bear +Senad tears her young by licking them with her tongue; the dog Cepus +pours out the blue milk of her teats upon the rocks. Mosquitoes begin +to hum, toads commence to leap; serpents hiss. Lightnings flicker. Hail +falls._ + +_Then come gusts, bearing with them marvellous anatomies:--Heads of +alligators with hoofs of deer; owls with serpent tails; swine with +tiger-muzzles; goats with the crupper of an ass; frogs hairy as bears; +chameleons huge as hippopotami; calves with two heads, one bellowing, +the other weeping; winged bellies flitting hither and thither like +gnats._ + +_They rain from the sky, they rise from the earth, they pour from the +rocks; everywhere eyes flame, mouths roar, breasts bulge, claws are +extended, teeth gnash, flesh clacks against flesh. Some crouch; some +devour each other at a mouthful._ + +_Suffocating under their own numbers, multiplying by their own contact, +they climb over one another; and move about Anthony with a surging +motion as though the ground were the deck of a ship. He feels the trail +of snails upon the calves of his legs, the chilliness of vipers upon +his hands:--and spiders spinning about him enclose him within their +network._ + +_But the monstrous circle breaks, parts; the sky suddenly becomes blue; +and_)-- + +THE UNICORN (_appears_): + +"Gallop! Gallop! + +"I have hoofs of ivory, teeth of steel; my head is the colour of +purple, my body the colour of snow; and the horn of my forehead is +bestreaked with the tints of the rainbow. + +"I travel from Chaldea to the Tartar desert,--upon the shores of the +Ganges and in Mesopotamia. I overtake the ostriches. I run so swiftly +that I draw the wind after me. I rub my back against the palm-trees. I +roll among the bamboos. I leap rivers with a single bound. Doves fly +above me. Only a virgin can bridle me. + +"Gallop! Gallop!" + +(_Anthony watches him depart._ + +_And as he gazes he beholds all the birds that nourish themselves +with wind: the Gouith, the Ahuti, the Alphalim, the Iukneth, of the +mountains of Kaf, the homai of the Arabs--which are the souls of +murdered men. He hears the parrots that utter human speech; and the +great Pelasgian palmipeds that sob like children or chuckle like old +women._ + +_A saline air strikes his nostrils. Now a vast beach stretches before +him._ + +_In the distance jets of water arise, spouted by whales; and from the +very end of the horizon come_)-- + +THE BEASTS OF THE SEA + +(_round as wineskins, flat as blades, denticulated like saws, dragging +themselves over the sand as they approach_): + +[Illustration: The beasts of the sea round as wineskins ...] + +"Thou wilt accompany us to our immensities, whither as yet no one has +descended. + +"Divers peoples inhabit the countries of the Ocean. Some dwell in the +sojourn of tempests; others swim freely amid the transparency of chill +waves;--or, like oxen, graze upon the coral plains, or suck in through +their trunks the reflux of the tides,--or bear upon their shoulders the +vast weight of the sources of the sea." + +[Illustration: Divers peoples inhabit the countries of the Ocean.] + +(_Phosphorences gleam in the moustaches of the seals, shift in the +scales of fish. Echini whirl like wheels; ammonites uncoil like cables; +oysters make their shell hinges squeak; polypi unfold their tentacles; +medusæ quiver like balls of crystal suspended; sponges float hither and +thither, anemones ejaculate water; wrack and sea-mosses have grown all +about._ + +_And all sorts of plants extend themselves into branches, twist +themselves into screws, lengthen into points, round themselves out like +fans. Gourds take the appearance of breasts; lianas interlace like +serpents._ + +_The Dedaims of Babylon, which are trees, bear human heads for fruit; +Mandragoras sing;--the root Baaras runs through the grass._ + +_And now the vegetables are no longer distinguishable from the animals. +Polyparies that seem like trees, have arms upon their branches. Anthony +thinks he sees a caterpillar between two leaves: it is a butterfly that +takes flight. He is about to step on a pebble: a grey locust leaps +away. One shrub is bedecked with insects that look like petals of +roses; fragments of ephemerides form a snowy layer upon the soil._ + +_And then the plants become confounded with the stones._ + +_Flints assume the likeness of brains; stalactites of breasts; the +flower of iron resembles a figured tapestry._[2] + +_He sees efflorescences in fragments of ice, imprints of shrubs and +shells--yet so that one cannot detect whether they be imprints only, or +the things themselves. Diamonds gleam like eyes; metals palpitate._ + +_And all fear has departed from him! He throws himself down upon the +ground, and leaning upon his elbows, watches breathlessly._ + +_Insects that have no stomachs persistently eat; withered ferns bloom +again and reflower; absent members grow again._ + +_At last he perceives tiny globular masses, no larger than pinheads, +with cilia all round them. They are agitated with a vibratile motion_): + +ANTHONY (_deliriously_): + +"O joy! O bliss! I have beheld the birth of life! I have seen the +beginning of motion! My pulses throb even to the point of bursting! +I long to fly, to swim, to bark, to bellow, to howl! Would that I +had wings, a carapace, a shell,--that I could breathe out smoke, +wield a trunk,--make my body writhe,--divide myself everywhere,--be +in everything,--emanate with odours,--develop myself like the +plants,--flow like water,--vibrate like sound--shine like light, +squatting upon all forms--penetrate each atom--descend to the very +bottom of matter,--be matter itself!" + +(_Day at last appears;--and, like tabernacle curtains uplifted, clouds +of gold uprolling in broad volutes unveil the sky._ + +_Even in the midst thereof, and in the very disk of the sun, beams the +face of Jesus Christ._ + +[Illustration: Day at last appears ... in the midst thereof and +in the very disk of the sun, beams the face of Jesus Christ.] + +_Anthony makes the sign of the cross, and resumes his devotions._) + + +FINIS + + +[1] Winkelmann claims to have been the first to discover that the +Egyptian sphinxes were bisexual--females before--males otherwise. (See +Book II, chap. I, § 25.) Flaubert speaks of the Sphinx in the masculine +like Philemon. (See also Signor Carlo Fea's note upon the paragraph in +Winkelmann, old French edition. An II, R. F.)--Trans. + +[2] Fleurs de fer, "flowers of iron." In mineralogy _flos ferri_, a +form of Aragonite.--Trans. + + + + +[NOTE + +Those who compare this translation with the original will observe the +omission of some few paragraphs on pages 77, 96 and 211. They are +speeches put in the mouths of certain Heresiarchs, or complaints of +certain of the minor Roman household gods. The translator relegated +these to an addenda, which the publishers have omitted as being +unnecessary. Those who are familiar with the original will be able to +supply them, and will realize that while they might be offensive to +some persons, they are in no respect an integral or important part of +the great drama.] + + + + +ADDENDA (added by transcribers) + + +A. Observation of Manes, pages 82-3, original text; page 89 of +translation. + + +MANES + +_Ou plutôt, faites si bien qu'elle ne soit pas fécondes. Mieux vaut +pour l'ame tomber sur la terre que de languir dans des entraves +charnelles._ + +Probably a calumny against Manes; for the Eastern philosophy, +especially that of Zoroaster, which is said to have inspired the tenets +of Manichæism, advocated no such abominations. + + +B. Page 105 of original; page 108 translation. The realistic +phraseology of the original passage is rather brutal. The French text +reads: "_Il souffrait de la maladie Bellerephontienne; et sa mère, la +parfumeuse, s'est livrée à Pantherus, un soldat Romain, sur des gerbes +de mais, un soir de moisson._" C. Descriptive text, page 237 original, +partly suppressed on page 223 translation: "_Et il lui montre dans un +bosquet d'aliziers Une Femme toute nue, à quatre pattes comme une bête, +et saillie par un homme noir, tenant dans chaque main un flambeau._" + +D. Curious text of Crepitus, on page 228, pages 241-3 of original: + +CREPITUS + +(----se fait entendre): + +_Moi aussi l'on m'honora jadis. On me faisait des libations. Je fus un +Dieu!_ + +_L'Athénien me saluait comme un presage de fortune, tandis que le +Romain dévot me maudissait les poings levés et que le pontife d'Egypte, +s'abstinant des fèves, tremblait à ma voix et pâlissait à mon odeur._ + +_Quand le vinaigre militaire coulait sur les barbes non rasées, qu'on +se régalait de glands, de pois, et d'oignons crus, et que le bouc en +morceau cuissait dans le beurre rance des pasteurs, sans souci du +voisin, personne alors ne se gênait. Les nourritures solides faisaient +digestions retentissantes. Au soleil de la campagne les hommes se +soulageaient avec lenteur._ + +_Ainsi, je passais sans scandale, comme les autres besoins de la vie, +comme Mena, tourment des vierges, et la douce Rumina qui protège le +sein de la nourrice, gonflé, des veines bleuâtres. J'étais joyeux. Je +faisais rire. Et se dilatant d'aise à cause de moi, le convive exhalait +toute sa gaieté par les ouvertures de son corps._ + +_J'ai eu mes jours d'orgeuil. Le bon Aristophane me promena sur la +scène, et l'empereur Claudius Drusus[1] me fit asseoir à sa table. Dans +les laticlaves des patriciens j'ai circulé majestueusement! Les vases +d'or, comme des tympanons, resonnaient sous moi; et, quand plein de +murènes, de truffles, et de pâtés, l'intestin du maître se dégageait +avec fracas, l'univers attentif apprenait que César avait diné!_ + +_Mais à présent, je suis confiné dans la populace_[2] _et l'on se +récrie, même à mon nom!_ + +_Et Crepitus s'éloigne, en poussant un gémissement...._ + +E. For descriptions of the Martichoras and other monsters, appearing +page 287 in the original and 263 in the translation, see also Rabelais' +Pantagruel, Book V, Chap. XXX. + + + +[1] Needless to refer to the comedies of Aristophanes, with which +English readers have been familiarized through the Bohn translations. +The reference to Claudius ius Drusus seems based upon the following +lines in Suetonius: "_Dicitur etiam meditatus edictum, quo veniam daret +flatum crepitumque ventris in convivio emittendi: cum periclitatum +quemdam prae pudore ex continentia reperisset._" (_Suetonius-Tiberius +Claudius Drusus_: 32.) + +[2] The so-called divinities, _Deus Crepitus, Dea Pertunda, Deus +Stercutius, Dea Rumina_ (or _Rumilia_), _Dea Mena_, concerning whose +curious attributes the reader may consult English or French classical +encyclopedists, were doubtless regarded by the intelligent classes +of antiquity much as certain religious superstitions are regarded by +educated moderns. It is true that they furnished grotesque themes +to artists; but many existing superstitions regarding elves and +goblins have inspired modern sculptors, painters and designers. +Certainly, seriously worshipped as deities, Priapus might seem equally +contemptible as a divinity; but his worship, degenerate as it became +in later years, was primitively symbolical. The obscene image merely +typified the procreative Spirit of Nature. The eccentric gods and +goddesses above referred to had no such excuse for being. As previously +observed, however, Flaubert artistically represents these divinities +not as they were really considered in the antique world, but rather as +they would have appeared to the eyes of zealous Christians in the third +century--infamous and loathsome.--Translator. + + + + + * * * * * * + + + + +Transcriber's note: + +This translation of the "Tentation" by Lafcadio Hearn, still regarded +by many as the best up until now in English, still misses some small +fragments (of a couple of words) not deemed fit for the Anglo-Saxon +temperament of that time. There is a contemporary version (2002) of +this translation available, with introduction by Michel Foucault and +the inclusion of some missing expressions. The original French by +Gustave Flaubert is also available at Project Gutenberg--see +http://www.gutenberg.org/ebooks/10982 + +*** END OF THE PROJECT GUTENBERG EBOOK 52225 *** diff --git a/52225-h/52225-h.htm b/52225-h/52225-h.htm index a17298d..423905c 100644 --- a/52225-h/52225-h.htm +++ b/52225-h/52225-h.htm @@ -1,8213 +1,7830 @@ -<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
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-<h1>The Project Gutenberg eBook, The Temptation of St. Anthony, by Gustave
-Flaubert, Translated by Lafcadio Hearn, Illustrated by Odilon Redon</h1>
-<p>This eBook is for the use of anyone anywhere in the United States
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-country where you are located before using this ebook.</p>
-<p>Title: The Temptation of St. Anthony</p>
-<p>Author: Gustave Flaubert</p>
-<p>Release Date: June 4, 2016 [eBook #52225]</p>
-<p>Language: English</p>
-<p>Character set encoding: UTF-8</p>
-<p>***START OF THE PROJECT GUTENBERG EBOOK THE TEMPTATION OF ST. ANTHONY***</p>
-<p> </p>
-<h4>E-text prepared by Laura Natal Rodriguez and Marc D'Hooghe<br />
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-
-<h1>THE TEMPTATION OF ST. ANTHONY</h1>
-
-<h3>BY</h3>
-
-<h2>GUSTAVE FLAUBERT</h2>
-
-<h4>TRANSLATED BY</h4>
-
-<h2>LAFCADIO HEARN</h2>
-
-<h2>ILLUSTRATIONS by ODILON REDON</h2>
-
-<p class="center" style="font-size: 0.8em;">(Added especially for this PG e-book.)</p>
-
-<h5>THE ALICE HARRIMAN COMPANY</h5>
-
-<h5>NEW YORK AND SEATTLE</h5>
-
-<h5>1910</h5>
-<hr class="full" />
-
-<p><a href="#CONTENTS">Contents</a></p>
-
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_i" id="Page_i">[Pg i]</a></span></p>
-
-
-<h4><a name="INTRODUCTION" id="INTRODUCTION">INTRODUCTION</a></h4>
-
-
-<p>It was at some period between 1875 and 1876 that Lafcadio Hearn—still
-a "cub" reporter on a daily paper in Cincinnati—began his translation
-of Flaubert's "Temptation of St. Anthony." The definitive edition of
-the work, over which the author had laboured for thirty years, had
-appeared in 1874.</p>
-
-<p>Hearn was, in his early youth, singularly indifferent to the work of
-the Englishmen of the Victorian period. Though he knew the English
-masterpieces of that epoch, their large, unacademic freedom of manner
-awakened no echoes in his spirit. His instinctive taste was for the
-exquisite in style: for "that peculiar kneading, heightening, and
-recasting" which Matthew Arnold thought necessary for perfection.
-Neither did the matter, more than the manner of the Victorians appeal
-to him. The circumstances of his life had at so many points set him
-out of touch with his fellows that the affectionate<span class="pagenum"><a name="Page_ii" id="Page_ii">[Pg ii]</a></span> mockery of
-Thackeray's pictures of English society were alien to his interest.
-The laughing heartiness of Dickens' studies of the man in the street
-hardly touched him. Browning's poignant analyses of souls were too
-rudely robust of manner to move him. Before essaying journalism Hearn
-had served for a while as an assistant in the Public Library, and
-there he had found and fallen under the spell, of the great Frenchman
-of the Romantic School of the '30's—that period of rich flowering of
-the Gallic genius. Gautier's tales of ancient weirdnesses fired his
-imagination. The penetrating subtleties of his verse woke in the boy
-the felicitous emotions which the virtuoso knows in handling cameos
-and enamellings by hands which have long been dust. So, also, Hugo's
-revivals of the passions and terrors of the mediæval world stirred the
-young librarian's eager interest. But most of all his spirit leapt
-to meet the tremendous drama of the "Temptation." He comprehended at
-once its large significance, its great import, and in his enthusiastic
-recognition of its value and meaning he set at once about giving it a
-language understood of the people of his own tongue.</p>
-
-<p><span class="pagenum"><a name="Page_iii" id="Page_iii">[Pg iii]</a></span></p>
-
-<p>Tunison tells of the little shy, shabby, half-blind boy—the long
-dull day of police reporting done—labouring at his desk into the
-small hours, with the flickering gas jet whistling overhead, and his
-myopic eyes bent close to the papers which he covered with beautiful,
-almost microscopic characters—escaping thus from the crass, raw world
-about him to delicately and painstakingly turn into English stories
-of Cleopatra's cruel, fantastic Egyptian Night's Entertainment.
-Withdrawing himself to transliterate tales of pallid beautiful vampires
-draining the veins of ardent boys: of lovely faded ghosts of great
-ladies descending from shadowy tapestries to coquette with romantic
-dreamers; or to find an English voice for the tragedy of the soul of
-the Alexandrian cenobite.</p>
-
-<p>It was in such dreams and labours that he found refuge from the
-environment that was so antipathetic to his tastes, and in his
-immersion in the works of these virtuosos of words, in his passionate
-search for equivalents of the subtle nuances of their phrases, he
-developed his own style. A style full of intricate assonances, of a
-texture close woven and iridescent.</p>
-
-<p><span class="pagenum"><a name="Page_iv" id="Page_iv">[Pg iv]</a></span></p>
-
-<p>"One of Cleopatra's Night's"—a translation of some of Gautier's tales
-of glamour—was issued in 1882, but at "The Temptation of St. Anthony"
-the publishers altogether balked. The manuscript could not achieve even
-so much as a reading. America had in the '70's just begun to emerge
-from that state of provincial propriety in which we were accused of
-clothing even our piano legs in pantelettes. The very name of the work
-was sufficient to start modest shivers down the spine of all well
-regulated purveyors of books. It was largely due to the painters'
-conceptions of the nature of the hermit's trials that the story of
-Saint Anthony's spiritual struggle aroused instinctive terrors in all
-truly modest natures. The painters—who so dearly love to display their
-skill in drawing legs and busts—had been wont to push the poor old
-saint into the obscure of the background, and fill all the foreground
-with ladies of obviously the very lightest character, in garments
-still lighter, if possible. What had reputable American citizens to do
-with such as these jades? More especially such jades as seen through
-a French imagination! That Flaubert had brushed aside the gross and
-jejune<span class="pagenum"><a name="Page_v" id="Page_v">[Pg v]</a></span> conceptions of the painters the publishers would not even take
-the pains to learn.</p>
-
-<p>It is amusing now to recall the nervous, timid proprieties of those
-days. At the time Hearn failed to see the laughable side of it. He was
-then too young and earnest, too passionate and too melancholy to have a
-sense of its humours.</p>
-
-<p>He had brought his unfinished manuscript from Cincinnati to New
-Orleans, and had continued to work upon it in strange lodgings in
-gaunt, old half-ruined Creole houses; at the tables of odd little
-French cafés, or among the queer dishes in obscure Spanish and Chinese
-restaurants. He had snatched minutes for it amidst the reading and
-clipping of exchanges in a newspaper office; had toiled drippingly
-over it in the liquifying heats of tropic nights; had arisen from the
-"inexpungable langours" of yellow fever to complete its last astounding
-pages.</p>
-
-<p>I can remember applauding, with ardent youthful sympathy, his tirades
-against the stultifying influence of blind puritanism upon American
-literature. I recall his scornful mocking at the inconsistency which
-complacently accepted the vulgar seduction, and<span class="pagenum"><a name="Page_vi" id="Page_vi">[Pg vi]</a></span> the theatrical Brocken
-revels of Faust, while shrinking piously from Flaubert's grim story of
-the soul of man struggling to answer the riddle of the universe. He
-had however an almost equal contempt for the author's countrymen, who
-received with eager interest and pleasure the deliberate analysis—in
-<i>Madame Bovary</i>—of a woman's degradation and ruin, while they yawned
-over the amazing history of humanity's tremendous spiritual adventures.
-Hearn's own sensitiveness shrank in pain from the cold insight which
-uncovered layer by layer the brutal squalour of a woman's moral
-disintegration. But he was moved and astounded by the revelation, in
-St. Anthony, of the tragedy and pathos of man's long search for some
-body of belief or philosophy by which he could explain to himself
-the strange great phenomena of life and death, and the inscrutable
-cruelties of Nature. The young translator was filled with a sort of
-astonished despair at his inability to make others see the book as
-he did—not realizing, in his youthful impatience, that the average
-mind clings to the concrete, and is puzzled and terrified by outlines
-of thought too large for its range of vision; that the commonplace<span class="pagenum"><a name="Page_vii" id="Page_vii">[Pg vii]</a></span>
-intelligence cannot "see the wood for the trees," and becomes confused
-and over-weighted when confronted with the huge outlines of so great a
-picture as that drawn by Flaubert in his masterpiece.</p>
-
-<p>There were many points of resemblance between Lafcadio Hearn and the
-grandson of the French veterinary. A resemblance rather in certain
-qualities of the spirit than in social conditions and physical
-endowments. Flaubert, born in 1821, was the son of a surgeon. His
-father was long connected with the Hôtel Dieu of Rouen, in which the
-boy was born, and in which he lived until his eighteenth year, when he
-went to Paris to study law. One of the friends of his early Parisian
-days describes him as "a young Greek. Tall, supple, and as graceful as
-an athlete. He was charming, <i>mais un peu farouche.</i> Quite unconscious
-of his physical and mental gifts; very careless of the impression he
-produced, and entirely indifferent to formalities. His dress consisted
-of a red flannel shirt, trousers of heavy blue cloth, and a scarf of
-the same colour drawn tight about his slender waist. His hat was worn
-'any how' and often he abandoned it altogether. When I spoke to<span class="pagenum"><a name="Page_viii" id="Page_viii">[Pg viii]</a></span> him of
-fame or influence.... he seemed superbly indifferent. He had no desire
-for glory or gain.... What was lacking in his nature was an interest in
-<i>les choses extérieures, choses utiles.</i>" ...</p>
-
-<p>One who saw him in 1879 found the young Greek athlete—now close upon
-sixty, and having in the interval created some of the great classics
-of French literature—"a huge man, a tremendous old man. His long,
-straggling gray hair was brushed back. His red face was that of a
-soldier, or a sheik—divided by drooping white moustaches. A trumpet
-was his voice, and he gesticulated freely ... the colour of his eyes a
-bit of faded blue sky."</p>
-
-<p>The study of the law did not hold Flaubert long. It was one of those
-<i>choses extérieures, choses utiles</i> to which he was so profoundly
-indifferent. Paris bored him. He longed for Rouen, and for his little
-student chamber. There he had lain upon his bed whole days at a time;
-apparently as lazy as a lizard; smoking, dreaming; pondering the large,
-inchoate, formless dreams of youth.</p>
-
-<p>In 1845 his father died, and in the following year he lost his sister
-Caroline, whom he had<span class="pagenum"><a name="Page_ix" id="Page_ix">[Pg ix]</a></span> passionately loved, and for whom he grieved
-all his life. He rejoined his mother, and they established themselves
-at Croisset, near Rouen, upon a small inherited property. It was an
-agreeable house, pleasantly situated in sight of the Seine. Flaubert
-nourished with pleasure a local legend that Pascal had once inhabited
-the old Croisset homestead, and that the Abbé Prevost had written
-<i>Manon Lescaut</i> within its walls. Near the house—now gone—he built
-for himself a pavilion to serve as a study, and in this he spent the
-greater portion of the following thirty-four years in passionate,
-unremitting labour.</p>
-
-<p>He made a voyage to Corsica in his youth; one to Brittany, with Maxime
-du Camp, in 1846; and spent some months in Egypt, Palestine, Turkey,
-and Greece in 1849. This Oriental experience gave him the most intense
-pleasure, and was the germ of <i>Salammbo</i>, and of the <i>Temptation of St.
-Anthony.</i> He never repeated it, though he constantly talked of doing
-so. He nursed a persistent, but unrealized dream of going as far as
-Ceylon, whose ancient name, Taprobana, he was never weary of repeating;
-utterance of its melifluous syllables becoming a positive <i>tic</i>
-with him.<span class="pagenum"><a name="Page_x" id="Page_x">[Pg x]</a></span> Despite these yearnings he remained at home. Despite his
-full-blooded physique he would take no more exercise than his terrace
-afforded, or an occasional swim in the Seine. He smoked incessantly,
-and for months at a stretch worked fifteen hours out of the twenty-four
-at his desk. Three hundred volumes might be annotated for a page of
-facts. He would write twenty pages, and reduce these by exquisite
-concisions, by fastidious rejections to three; would search for hours
-for the one word that perfectly conveyed the colour of his thought, and
-would—as in the case of the <i>Temptation</i>—wait fifteen years for a
-sense of satisfaction with a manuscript before allowing it to see the
-light. To Maxime du Camp, who urged him to hasten the completion of his
-book in order to take advantage of a favourable opportunity, he wrote
-angrily:</p>
-
-<p>"Tu me parais avoir à mon endroit un tic ou vice rédhibitoire. Il
-ne m'embête pas; n'aie aucune crainte; mon parti est pris là -dessus
-depuis long temps. Je te dirai seulement que tous ces mots; <i>se
-dépêcher, c'est le moment, place prise, se poser, ...</i> sont pour moi un
-vocabulaire vide de sens...."</p>
-
-<p><span class="pagenum"><a name="Page_xi" id="Page_xi">[Pg xi]</a></span></p>
-
-<p>In one of his letters he says that on occasion he worked violently for
-eight hours to achieve one page. He endeavoured never to repeat a word
-in that page, and tried to force every phrase to respond to a rhythmic
-law. Guy do Maupassant, his nephew and pupil, says that to ensure this
-rhythm Flaubert "prenait sa feuille de papier, relevait à la hauteur du
-regard et, s'appuyant sur un coude, déclaimait, d'une voix mordant et
-haute. Il écoutait la rythme de sa prose, s'arrêtait comme pour saisir
-une sonorité fuyant, combinait les tons, éloignait les assonances,
-disposait les virgules avec conscience, commes les haltes d'un long
-chemin." ...</p>
-
-<p>Flaubert said himself, "une phrase est viable quand elle correspond
-à toutes les nécessités de respiration. Je sais qu'elle est bonne
-lorsqu'elle peut être lu tout haut."</p>
-
-<p>Henry Irving used to say of himself that it was necessary he should
-work harder than other actors because nature had dowered him with
-flexibility of neither voice nor feature, and Faguet says that Flaubert
-was forced to this excessive toil and incessant watchfulness because
-he did not write well naturally. Nevertheless Flaubert's work did not
-smell<span class="pagenum"><a name="Page_xii" id="Page_xii">[Pg xii]</a></span> of the lamp. Whatever shape his ideas may have worn at birth
-when full grown they moved with large classic grace and freedom,
-simple, sincere, and beautiful in form. François Coppée calls him "the
-Beethoven of French prose."</p>
-
-<p>So conscientious a workman, so laborious and self-sacrificing an artist
-had a natural attraction for Lafcadio Hearn, who even in boyhood began
-to feel his vocation as "a literary monk." The whole tendency of his
-tastes prepared him to understand the true importance of Flaubert's
-masterpiece, fitted him especially of all living writers to turn that
-masterpiece into its true English equivalent. The two men had much in
-common. Both were proud and timid. Both had a fundamental indifference
-to <i>choses extérieures, choses utiles.</i> Both were realists of the soul.
-Actions interested each but slightly; the emotions from which actions
-sprung very much. To both stupidity was even more antipathetic than
-wickedness, because each realized that nearly all cruelty and vice have
-their germ in ignorance and stupidity rather than in innate rascality.
-Flaubert declared, with a sort of rage, that "la bêtise entre dans<span class="pagenum"><a name="Page_xiii" id="Page_xiii">[Pg xiii]</a></span>
-mes pores." He might too have been speaking for Hearn when he said
-that the grotesque, the strange, and the monstrous had for him an
-inexplicable charm. "It corresponds," he says, "to the intimate needs
-of my nature—it does not cause me to laugh, but to dream long dreams."
-Hearn, however, mixed with this triste interest a quality that Flaubert
-seemed almost wholly to lack—a great tenderness for all things humble,
-feeble, ugly and helpless. Both from childhood were curious of poignant
-sensations, of the sad, the mysterious and the exotic. And for both the
-tropics had an irresistible fascination. Flaubert says, in one of his
-letters:</p>
-
-<p>"I carry with me the melancholy of the barbaric races, with their
-instincts of migration, and their innate distaste of life, which forced
-them to quit their homes in order to escape from themselves. They loved
-the sun, all those barbarians who came to die in Italy; they had a
-frenzied aspiration toward the light, toward the blue skies, toward an
-ardent existence.... Think that perhaps I will never see China, will
-<span class="pagenum"><a name="Page_xiv" id="Page_xiv">[Pg xiv]</a></span>never be rocked to sleep by the cadenced footsteps of camels ... will
-never see the shine of a tiger's eyes in the forest.... You can treat
-all this as little worthy of pity, but I suffer so much when I think of
-it ... as of something lamentable and irremediable."</p>
-
-<p>This is the nostalgia for the strange, for the unaccustomed, that all
-born wanderers know. Fate arranges it for many of them that their lives
-shall be uneventful, passed in dull, provincial narrowness; but behind
-these bars the clipped wings of their spirit are always flutteringly
-spread for flight. They know not what they seek, what desire drives
-them, but a sense of "the great adventure" unachieved keeps them
-restless until they die. It is such as these, these <i>voyageurs
-empassionés</i>, when condemned by fortune to a static existence—who find
-their outlet in mental wanderings amid the unusual, the grotesque,
-and the monstrous. Hearn and Flaubert both were at heart nomads,
-seekers of the unaccustomed; stretching toward immensities of space
-and time, toward the ghostly, the hidden, the unrealized. Like that
-wild fantastic <i>Chimera</i> of the "Temptation" each such soul declares
-"<i>je cherche des parfums<span class="pagenum"><a name="Page_xv" id="Page_xv">[Pg xv]</a></span> nouveaux, des fleurs plus large, des plaisirs
-inéprouvés.</i>"</p>
-
-<p>Flaubert was but twenty-six when the first suggestion of his
-masterpiece came to him. For <i>La Tentation de St. Antoine</i>, it is
-coming to be understood, is his masterpiece; is one of the greatest
-literary achievements of the French mind. <i>Madame Bovary</i> is more
-widely famous and popular, but Flaubert himself always deeply resented
-this preference, and was always astonished at the comparative
-indifference of the world to the "Temptation." He, too, found it
-difficult to realize how hardly the average mind is awakened to an
-interest in the incorporeal; how surely cosmic generalizations escape
-the grasp of the commonplace intelligence.</p>
-
-<p>Wagner waited a lifetime before the world was dragged reluctantly and
-resentfully up to a point from which it could discern the superiority
-of the tremendous finale of the Götterdämmerung to the Christmas-card
-chorus of angels chanting "<i>Âme chaste et pure</i>" to the beatified
-Marguerite. The whole prodigious structure of Wagner's dramatic and
-musical thought might have remained a mere adumbration in the soul of
-one<span class="pagenum"><a name="Page_xvi" id="Page_xvi">[Pg xvi]</a></span> German had chance not set a mad genius upon the throne of Bavaria.
-The bourgeoisie would—lacking this royal bullying—have continued to
-prefer Goethe and Gounod. Flaubert's great work unfortunately failed of
-such patronage.</p>
-
-<p>It was in 1845 that an old picture by Breughel, seen at Genoa, first
-inspired Flaubert to attempt the story of St. Anthony. He sought
-out an engraving of this conception of Peter the Younger (surnamed
-"Hell-Breughel" for his fondness for such subjects), hung it on his
-walls at Croisset, and after three years of brooding upon it began,
-May 24, 1848, <i>La Tentation de St. Antoine.</i> In twelve months he had
-finished the first draught of the work, which bulked to 540 pages. It
-was laid aside for "Bovary," and a second version of the "Temptation"
-was completed in 1856, but this time the manuscript had been reduced
-to 193 pages, and the "blazing phrases, the jewelled words, the
-turbulence, the comedy, the mysticism" of the first version had been
-superseded by a larger, more dramatic conception. In 1872 he made still
-a new draught, and by this time it had shrunk to 136 pages. He even
-then<span class="pagenum"><a name="Page_xvii" id="Page_xvii">[Pg xvii]</a></span> eliminated three chapters, and finally gave to the world in 1874
-"this wonderful coloured panorama of philosophy, this Gulliver-like
-travelling amid the master ideas of the antique and early Christian
-worlds."</p>
-
-<p>Faguet says, "In its primitive and legendary state the temptation
-of St. Anthony was nothing more than the story of a recluse tempted
-by the Devil through the flesh, by all the artifices at the Devil's
-disposal. In the definite thought of Flaubert the temptation of St.
-Anthony has become man's soul tempted by all the illusions of human
-thought and imagination. St. Anthony to the eyes of the first naive
-hagiologists is a second Adam, seduced by woman, who was inspired by
-Satan. St. Anthony conceived by Flaubert is a more thoughtful Faust; a
-Faust incapable of irony, not a Faust who could play with illusions and
-with himself—secretly persuaded that he could withdraw when he chose
-to give himself the trouble to do so—rather a Faust who approached,
-accosted, caressed all possible forms of universal illusions."</p>
-
-<p>Flaubert's studies for the "Temptation" were tremendous. For nearly
-thirty years he touched and retouched, altered, enlarged,<span class="pagenum"><a name="Page_xviii" id="Page_xviii">[Pg xviii]</a></span> condensed.
-He kneaded into its substance the knowledge, incessantly sought, of
-all religions and philosophies; of all the forms man's speculations
-had taken in his endless endeavours to explain to himself Life and
-Fate; humanity's untiring, passionate effort to find the meaning of its
-mysterious origin and purpose, and final destiny. How terrible, how
-naive, how fantastic, bloody, grovelling, and outrageous were most of
-the solutions accepted, the gigantic panorama of the book startlingly
-sets forth. What gory agonies, what mystic exaltations, what dark
-cruelties, frenzied abandons, and inhuman self denials have marked
-those puzzled gropings for light and truth are revealed as by lightning
-flashes in the crowding scenes of the epic. For the Temptation of St.
-Anthony is an epic. Not a drama of man's actions, as all previous
-epics have been, but a drama of the soul. All its movement is in the
-adventure and conflict of the spirit. St. Anthony remains always in
-the one place, almost as moveless as a mirror. His vision—clarified
-of the sensual and the actual by his fastings and macerations—becomes
-like the surface of an unruffled lake. A lake reflecting<span class="pagenum"><a name="Page_xix" id="Page_xix">[Pg xix]</a></span> the aberrant
-forms of thoughts that, like clouds, drift between man and the infinite
-depths of knowledge. Clouds of illusion forever changing, melting,
-fusing; assuming forms grotesque, monstrous, intolerable; until at
-last the writhing mists of speculation and ignorance are drunk up
-by the widening light of wisdom and the fogs and phantasms vanish,
-leaving his consciousness aware, in poignant ecstasy, of the cloudless
-deeps of truth. The temptation of the flesh is but a passing episode.
-An eidolon of Sheba's queen offers him luxury, wealth, voluptuous
-beauty, power, dainty delights of eye and palate in vain. Man has never
-found his most dangerous seductions in the appetites. More lamentable
-disintegration has grown from his attempts to pierce beyond the
-body's veil. The parched and tortured saint is whirled by vertiginous
-visions through cycles of man's straining efforts to know why, whence,
-whither. He assists at the rites of Mithira, the prostrations of
-serpent-and-devil-worshippers, worshippers of fire, of light, of the
-Greeks' deified forces of nature; of the northern enthronement of brute
-force and war. He is swept by the soothing breath of<span class="pagenum"><a name="Page_xx" id="Page_xx">[Pg xx]</a></span> Quietism, plunges
-into every heresy and philosophy, sees the orgies, the flagellations,
-the self mutilations, the battles and furies of sects, each convinced
-that it has found the answer at last to the Great Question, and
-endeavouring to constrain the rest of humanity to accept the answer.
-He meets the Sphinx—embodied interrogation—and the Chimera—the
-simulacrum of the fantasies of the imagination—dashing madly about the
-stolid querist.</p>
-
-<p>Lucifer—spirit of doubt of all dogmatic solutions—mounts with Anthony
-into illimitable space. They rise beyond these struggles and furies
-into the cold uttermost of the universe; among innumerable worlds;
-worlds yet vaguely forming in the womb of time, newly come to birth,
-lustily grown to maturity; worlds dying, decaying, crumbling again into
-atomic dust. Overcome by the intolerable Vast, Anthony sinks once more
-to his cell, and Lucifer, who has shown him the macrocosm, opens to
-him the equal immensity of the microcosm. Makes him see the swarming
-life that permeates the seas, the earth and atmosphere, the incredible
-numerousness of the invisible lives that people<span class="pagenum"><a name="Page_xxi" id="Page_xxi">[Pg xxi]</a></span> every drop of water,
-every grain of sand, every breath of air. The unity of life dawns upon
-him, and his heart, withered by dubiety, melts into joyousness and
-peace. As the day dawns in gold he beholds the face of Christ.</p>
-
-<p>Flaubert's Lucifer has no relation to the jejune Devil of man's
-early conception of material evil, nor does he resemble Goethe's
-Mephistopheles; embodiment of the Eighteenth Century's spirit
-of sneering disbeliefs and negation. He is rather our own
-tempter—Science. He is the spirit of Knowledge: Nature itself calling
-us to look into the immensities and read just our dogmas by this new
-and terrible widening of our mental and moral horizons. This last
-experience of the Saint reproduces the spiritual experiences of the
-modern man; cast loose from his ancient moorings, and yet finding at
-last in his new knowledge a truer conception of the brotherhood of all
-life in all its forms, and seeing still, in the growing light, the
-benignant eyes of God.</p>
-
-<p>It is not remarkable that Flaubert resented the banality, the dull
-grossness of the reception of his work, or that Hearn shared his
-amazement and bitterness. Even yet the<span class="pagenum"><a name="Page_xxii" id="Page_xxii">[Pg xxii]</a></span> world wakes but slowly to the
-true character of this masterpiece; this epic wrought with so great
-a care and patience, so instinct with genius, dealing perhaps more
-profoundly than any other mind has ever done with the Great Adventure
-of humanity's eternal search for Truth.</p>
-
-<p style="margin-left: 70%; font-size: 0.8em;">ELIZABETH BISLAND.</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_xxiii" id="Page_xxiii">[Pg xxiii]</a></span></p>
-
-
-
-
-<h4><a name="ARGUMENT" id="ARGUMENT">ARGUMENT</a></h4>
-
-
-
-<hr class="chap" />
-<h5>FRAILTY</h5>
-
-
-<p>Sunset in the desert. Enfeebled by prolonged fasting, the hermit
-finds himself unable to concentrate his mind upon holy things. His
-thoughts wonder; memories of youth evoke regrets that his relaxed will
-can no longer find strength to suppress,—and, remembrance begetting
-remembrance, his fancy leads him upon dangerous ground. He dreams of
-his flight from home,—of Ammonaria, his sister's playmate,—of his
-misery in the waste,—his visit to Alexandria with the blind monk
-Didymus,—the unholy sights of the luxurious city.</p>
-
-<p>Involuntarily he yields to the nervous dissatisfaction growing upon
-him. He laments his solitude, his joylessness, his poverty, the
-obscurity of his life; grace departs from him; hope burns low within
-his heart. Suddenly revolting against his weakness, he seeks refuge
-from distraction in the study of the Scriptures.</p>
-
-<p><span class="pagenum"><a name="Page_xxiv" id="Page_xxiv">[Pg xxiv]</a></span></p>
-
-<p>Vain effort! An invisible hand turns the leaves, placing perilous
-texts before his eyes. He dreams of the Maccabees slaughtering
-their enemies, and desires that he might do likewise with the
-Arians of Alexandria;—he becomes inspired with admiration of King
-Nebuchadnezzar;—he meditates voluptuously upon the visit of Sheba's
-queen of Solomon;—discovers a text in the Acts of the Apostles
-antagonistic to principles of monkish ascetism,—indulges in reveries
-regarding the riches of Biblical kings and holy men. The Tempter comes
-to tempt him with evil hallucinations for which the Saint's momentary
-frailty has paved the way; and with the Evil One come also</p>
-
-
-
-<h5>THE SEVEN DEADLY SINS</h5>
-
-
-<p>Phantom gold is piled up to excite Covetousness; shadowy banquets
-appear to evoke Gluttony. The scene shifts to aid the temptations of
-Anger and of Pride....</p>
-
-<p>Anthony finds himself in Alexandria, at the head of a wild army of
-monks slaughtering the heretics and the pagans, without mercy for
-age or sex. In fantastic obedience to the<span class="pagenum"><a name="Page_xxv" id="Page_xxv">[Pg xxv]</a></span> course of his fancy while
-reading the Scriptures a while before, and like an invisible echo of
-his evil thoughts, the scene changes again. Alexandria is transformed
-into Constantinople.</p>
-
-<p>Anthony finds himself the honoured of the Emperor. He beholds the
-vast circus in all its splendour, the ocean of faces, the tumult of
-excitement. Simultaneously he beholds his enemies degraded to the
-condition of slaves, toiling in the stables of Constantine. He feels
-joy in the degradation of the Fathers of Nicæa. Then all is transformed.</p>
-
-<p>It is no longer the splendour of Constantinople he beholds under the
-luminosity of a Greek day; but the prodigious palace of Nebuchadnezzar
-by night. He beholds the orgies, the luxuries, the abominations;—and
-the spirit of Pride enters triumphantly into him as the spirit of
-Nebuchadnezzar....</p>
-
-<p>Awaking as from a dream, he finds himself again before his hermitage.
-A vast caravan approaches, halts; and the Queen of Sheba descends to
-tempt the Saint with the deadliest of all temptations. Her beauty is
-enhanced by oriental splendour of adornment; her converse is a song of
-withcraft. The<span class="pagenum"><a name="Page_xxvi" id="Page_xxvi">[Pg xxvi]</a></span> Saint remains firm.... The Seven Deadly Sins depart
-from him.</p>
-
-
-
-<h5>THE HERESIARCHS</h5>
-
-
-<p>But now the tempter assumes a subtler form. Under the guise of a former
-disciple of Anthony,—Hilarion,—the demon, while pretending to seek
-instruction, endeavours to poison the mind of Anthony with hatred of
-the fathers of the church. He repeats all the scandals amassed by
-ecclesiastical intriguers, all the calumnies created by malice;—he
-cites texts only to foment doubt, and quotes the evangels only to
-make confusion. Under the pretext of obtaining mental enlightenment
-from the wisest of men, he induces Anthony to enter with him into
-a spectral basilica, wherein are assembled all the Heresiarchs of
-the third century. The hermit is confounded by the multitude of
-tenets,—horrified by the blasphemies and abominations of Elkes,
-Corpocrates, Valentinus, Manes, Cerdo,—disgusted by the perversions of
-the Paternians, Marcosians, Montanists, Serptians,—bewildered by the
-apocryphal Gospels of Eve and of Judas, of the Lord, and of Thomas.</p>
-
-<p>And Hilarion grows taller.</p>
-
-<p><span class="pagenum"><a name="Page_xxvii" id="Page_xxvii">[Pg xxvii]</a></span></p>
-
-
-<h5>THE MARTYRS</h5>
-
-<p>Anthony finds himself in the dungeons of a vast amphitheatre, among
-Christians condemned to the wild beasts. By this hallucination the
-tempter would prove to the Saint that martyrdom is not always suffered
-for purest motives. Anthony finds the martyrs possessed by bigotry and
-insincerity. He sees many compelled to die against their will; many
-who would forswear their faith could it avail them aught. He beholds
-heretics die for their heterodoxy more nobly than orthodox believers.</p>
-
-<p>And he finds himself transported to the tombs of the martyrs. He
-witnesses the meetings of Christian women at the sepulchres. He beholds
-the touching ceremonies of prayer, change into orgies,—lamentations
-give place to amorous dalliance.</p>
-
-
-
-<h5>THE MAGICIANS</h5>
-
-
-<p>Then the Tempter seeks to shake Anthony's faith in the excellence
-and evidence of miracles. He assumes the form of a Hindoo<span class="pagenum"><a name="Page_xxviii" id="Page_xxviii">[Pg xxviii]</a></span> Brahmin,
-terminating a life of wondrous holiness by self-cremation;—he appears
-as Simon Magus and Helen of Tyre,—as Appollonius of Tyans, greatest of
-all thaumaturgists, who claims superiority to Christ. All the marvels
-related by Philostratus are embodied in the converse of Apollonius and
-Damis.</p>
-
-
-
-<h5>THE GODS</h5>
-
-
-<p>Hilarion reappears taller than ever, growing more gigantic in
-proportion to the increasing weakness of the Saint. Standing beside
-Anthony he evokes all the deities of the antique world. They defile
-before him in a marvellous panorama:—Gods of Egypt and India, Chaldea
-and Hellas, Babylon and Ultima Thule,—monstrous and multiform, phallic
-and ithyphallic, fantastic or obscene. Some intoxicate by their beauty;
-others appall by their foulness. The Buddha recounts the story of his
-wondrous life; Venus displays the rounded daintiness of her nudity;
-Isis utters awful soliloquy. Lastly the phantom of Jehovah appears, as
-the shadow of a god passing away forever.</p>
-
-<p>Suddenly the stature of Hilarion towers to<span class="pagenum"><a name="Page_xxix" id="Page_xxix">[Pg xxix]</a></span> the stars; he assumes the
-likeness and luminosity of Lucifer; he announces himself as</p>
-
-
-
-<h5>SCIENCE</h5>
-
-
-<p>And Anthony is lifted upon mighty wings and borne away beyond the
-world, above the solar system, above the starry arch of the Milky Way.
-All future discoveries of Astronomy are revealed to him. He is tempted
-by the revelation of innumerable worlds,—by the refutation of all
-his previous ideas of the nature of the Universe,—by the enigmas of
-infinity,—by all the marvels that conflict with faith. Even in the
-night of immensity the demon renews the temptation of reason: Anthony
-wavers upon the verge of pantheism.</p>
-
-
-
-<h5>LUST AND DEATH</h5>
-
-
-<p>Anthony abandoned by the spirit of Science comes to himself in the
-desert. Then the Tempter returns under a two-fold aspect: as the
-Spirit of Lust and the Spirit of Destruction. The latter urges him to
-suicide,—the former to indulgence of sense. They inspire him with
-strong fancies of palingenesis, of<span class="pagenum"><a name="Page_xxx" id="Page_xxx">[Pg xxx]</a></span> the illusion of death, of the
-continuity of life. The pantheistic temptation intensified.</p>
-
-
-
-<h5>THE MONSTERS</h5>
-
-
-<p>Anthony in reveries meditates upon the monstrous symbols painted upon
-the walls of certain ancient temples. Could he know their meaning
-he might learn also something of the secret lien between Matter and
-Thought. Forthwith a phantasmagoria of monsters commence to pass before
-his eyes:—the Sphinx and the Chimera, the Blemmyes and Astomi, the
-Cynocephali and all creatures of mythologie creation. He beholds the
-fabulous beings of Oriental imagining,—the abnormities described
-by Pliny and Herodotus, the fantasticalities to be later adopted by
-heraldry,—the grotesqueries of future medieval illumination made
-animate;—the goblinries and foulnesses of superstitious fancy,—the
-Witches' Sabbath of abominations.</p>
-
-
-
-<h5>METAMORPHOSIS</h5>
-
-
-<p>The multitude of monsters melts away; the land changes into an Ocean;
-the creatures of the briny abysses appear. And the waters in<span class="pagenum"><a name="Page_xxxi" id="Page_xxxi">[Pg xxxi]</a></span> turn
-also change; seaweeds are transformed to herbs, forests of coral
-give place to forests of trees, polypous life changes to vegetation.
-Metals crystallize; frosts effloresce; plants become living things,
-inanimate matter takes animate form, monads vibrate, the pantheism of
-nature makes itself manifest. Anthony feels a delirious desire to unite
-himself with the Spirit of Universal Being....</p>
-
-<p>The vision vanishes. The sun arises. The face of Christ is revealed.
-The temptation has passed; Anthony kneels in prayer.</p>
-
-<p style="margin-left: 80%; font-size: 0.8em;">L. H.</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_xxxii" id="Page_xxxii">[Pg xxxii]</a><br /><a name="Page_xxxiii" id="Page_xxxiii">[Pg xxxiii]</a><br /><a name="Page_xxxiv" id="Page_xxxiv">[Pg xxxiv]</a><br /><a name="Page_1" id="Page_1">[Pg 1]</a></span></p>
-
-
-
-
-<h3><a name="THE_TEMPTATION_OF_ST_ANTHONY" id="THE_TEMPTATION_OF_ST_ANTHONY">THE TEMPTATION OF ST. ANTHONY</a></h3>
-<hr class="chap" />
-
-
-<h4><a id="I"></a>I</h4>
-
-
-<p><i>It is in the Thebaid at the summit of a mountain, upon a platform,
-rounded off into the form of a demilune, and enclosed by huge stones.</i></p>
-
-<p><i>The Hermit's cabin appears in the background. It is built of mud and
-reeds, it is flat-roofed and doorless. A pitcher and a loaf of black
-bread can be distinguished within also, in the middle of the apartment
-a large book resting on a wooden stela; while here and there, fragments
-of basketwork, two or three mats, a basket, and a knife lie upon the
-ground.</i></p>
-
-<p><i>Some ten paces from the hut, there is a long cross planted in the
-soil; and, at the other end of the platform, an aged and twisted<span class="pagenum"><a name="Page_2" id="Page_2">[Pg 2]</a></span>
-palm tree leans over the abyss; for the sides of the mountain are
-perpendicular, and the Nile appears to form a lake at the foot of the
-cliff.</i></p>
-
-<p><i>The view to right and left is broken by the barrier of rocks. But
-on the desert-side, like a vast succession of sandy beaches, immense
-undulations of an ashen-blonde color extend one behind the other,
-rising higher as they recede; and far in the distance, beyond the
-sands, the Libyan chain forms a chalk-colored wall, lightly shaded by
-violet mists. On the opposite side the sun is sinking. In the north the
-sky is of a pearl-gray tint, while at the zenith purple clouds disposed
-like the tufts of a gigantic mane, lengthen themselves against the blue
-vault. These streaks of flame take darker tones; the azure spots turn
-to a nacreous pallor; the shrubs, the pebbles, the earth, all now seem
-hard as bronze; and throughout space there floats a golden dust so fine
-as to become confounded with the vibrations of the light.</i></p>
-
-<p><i>Saint Anthony, who has a long beard, long hair, and wears a tunic of
-goatskin, is seated on the ground cross-legged, and is occupied in
-weaving mats. As soon as the sun disappears,<span class="pagenum"><a name="Page_3" id="Page_3">[Pg 3]</a></span> he utters a deep sigh,
-and, gazing upon the horizon, exclaims</i>:—</p>
-
-<p>"Another day! another day gone! Nevertheless formerly I used not to
-be so wretched. Before the end of the night I commenced my orisons;
-then I descended to the river to get water, and remounted the rugged
-pathway with the skin upon my shoulder, singing hymns on the way. Then
-I would amuse myself by arranging everything in my hut. I would make my
-tools; I tried to make all my mats exactly equal in size, and all my
-baskets light; for then my least actions seemed to me duties in nowise
-difficult or painful of accomplishment.</p>
-
-<p>"Then at regular hours I ceased working; and when I prayed with my arms
-extended, I felt as though a fountain of mercy were pouring from the
-height of heaven into my heart. That fountain is now dried up. Why?"</p>
-
-<p>(<i>He walks up and down slowly, within the circuit of the rocks.</i>)</p>
-
-<p>"All blamed me when I left the house. My mother sank to the ground,
-dying; my sister from afar off made signs to me to return; and the
-other—wept, Ammonaria, the child<span class="pagenum"><a name="Page_4" id="Page_4">[Pg 4]</a></span> whom I used to meet every evening
-at the cistern, when she took the oxen to drink. She ran after me. Her
-foot rings glittered in the dust; and her tunic, open at the hips,
-fluttered loosely in the wind. The aged anchorite who was leading me
-away called her vile names. Our two camels galloped forward without
-respite; and I have seen none of my people since that day.</p>
-
-<p>"At first, I selected for my dwelling place, the tomb of a Pharaoh. But
-an enchantment circulates through all those subterranean palaces, where
-the darkness seems to have been thickened by the ancient smoke of the
-aromatics. From the depths of Sarcophagi, I heard doleful voices arise,
-and call my name; or else, I suddenly beheld the abominable things
-painted upon the walls live and move; and I fled away to the shore
-of the Red Sea, and took refuge in a ruined citadel. There my only
-companions were the scorpions dragging themselves among the stones, and
-the eagles continually wheeling above my head, in the blue of heaven.
-At night I was torn by claws, bitten by beaks; soft wings brushed
-against me; and frightful demons, shrieking in my ears, flung me upon
-the<span class="pagenum"><a name="Page_5" id="Page_5">[Pg 5]</a></span> ground. Once I was even rescued by the people of a caravan going
-to Alexandria; and they took me away with them.</p>
-
-<p>"Then I sought to obtain instruction from the good old man Didymus.
-Although blind, none equalled him in the knowledge of the Scriptures.
-When the lesson was finished, he used to ask me to give him my arm
-to lean upon, that we might walk together. Then I would conduct him
-to the Paneum, whence may be seen the Pharos and the open sea. Then
-we would return by way of the post, elbowing men of all nations,
-even Cimmerians clad in the skins of bears and Gymnosophists of the
-Ganges anointed with cow-dung. But there was always some fighting in
-the streets—either on account of the Jews refusing to pay taxes, or
-of seditious people who wished to drive the Romans from the city.
-Moreover, the city is full of heretics—followers of Manes; Valentinus,
-Basilides, Arius—all seeking to engross my attention in order to argue
-with me and to convince me.</p>
-
-<p>"Their discourses often come back to my memory. Vainly do I seek to
-banish them from my mind. They trouble me!</p>
-
-<p><span class="pagenum"><a name="Page_6" id="Page_6">[Pg 6]</a></span></p>
-
-<p>"I took refuge at Colzin, and there lived a life of such penance that
-I ceased to fear God. A few men, desirous of becoming anchorites,
-gathered about me. I imposed a practical rule of life upon them,
-hating, as I did, the extravagance of Gnosus and the assertions of the
-philosophers. Messages were sent to me from all parts, and men came
-from afar off to visit me.</p>
-
-<p>"Meanwhile the people were torturing the confessors; and the thirst of
-martyrdom drew me to Alexandria. The persecution had ceased three days
-before I arrived there!</p>
-
-<p>"While returning thence, I was stopped by a great crowd assembled
-before the temple of Serapis. They told me it was a last example which
-the Governor had resolved to make. In the centre of the portico, under
-the sunlight, a naked woman was fettered to a column, and two soldiers
-were flogging her with thongs; at every blow her whole body writhed.
-She turned round, her mouth open; and over the heads of the crowd,
-through the long hair half hiding her face, I thought that I could
-recognize Ammonaria....</p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em;">
-<a id="redon201"></a>
-<img src="images/redon2_01.jpg" width="600" alt="" />
-<div class="caption"><p>... through the long hair half hiding her face,
-I thought that I could recognize Ammonaria ...</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_7" id="Page_7">[Pg 7]</a></span></p>
-
-<p class="p2">"Nevertheless ... this one was taller ... and beautiful ...
-prodigiously beautiful!"</p>
-
-<p>(<i>He passes his hands over his forehead.</i>)</p>
-
-<p>"No! no! I must not think of it!</p>
-
-<p>"Another time Athanasius summoned me to assist him against the Arians.
-The contest was limited to invectives and laughter. But since that
-time he has been calumniated, dispossessed of his see, obliged to fly
-for safety elsewhere. Where is he now? I do not know! The people give
-themselves very little trouble to bring me news. All my disciples have
-abandoned me—Hilarion like the rest.</p>
-
-<p>"He was perhaps fifteen years of age when he first came to me and his
-intelligence was so remarkable that he asked me questions incessantly.
-Then he used to listen to me with a pensive air, and whatever I needed
-he brought it to me without a murmur—nimbler than a kid, merry enough
-to make even the patriarchs laugh. He was a son to me."</p>
-
-<p>(<i>The sky is red; the earth completely black. Long drifts of sand
-follow the course of the gusts of wind, rising like great shrouds and
-falling again. Suddenly against a bright space in the sky a flock of
-birds pass, forming<span class="pagenum"><a name="Page_8" id="Page_8">[Pg 8]</a></span> a triangular battalion, gleaming like one sheet of
-metal, of which the edges alone seem to quiver.</i></p>
-
-<p><i>Anthony watches them.</i>)</p>
-
-<p>"Ah, how I should like to follow them.</p>
-
-<p>"How often also have I enviously gazed upon those long vessels,
-whose sails resemble wings—and above all when they were bearing
-far away those I had received at my hermitage! What pleasant hours
-we passed!—what out-pourings of feeling! No one ever interested me
-more than Ammon: he told me of his voyage to Rome, of the Catacombs,
-the Coliseum, the piety of illustrious women, and a thousand other
-things!—and it grieved me to part with him! Wherefore my obstinacy
-in continuing to live such a life as this? I would have done well to
-remain with the monks of Nitria, inasmuch as they supplicated me to
-do so. They have cells apart, and nevertheless communicate with each
-other. On Sundays a trumpet summons them to assemble at the church,
-where one may see three scourges hanging up, which serve to punish
-delinquents, robbers, and intruders; for their discipline is severe.</p>
-
-<p>"Nevertheless they are not without some<span class="pagenum"><a name="Page_9" id="Page_9">[Pg 9]</a></span> enjoyments. The faithful bring
-them eggs, fruits, and even instruments with which they can extract
-thorns from their feet. There are vineyards about Prisperi; those
-dwelling at Pabena have a raft on which they may journey when they go
-to seek provisions.</p>
-
-<p>"But I might have served my brethren better as a simple priest. As a
-priest one may aid the poor, administer the sacraments, and exercise
-authority over families.</p>
-
-<p>"Furthermore, all laics are not necessarily damned, and it only
-depended upon my own choice to become—for example—a grammarian, a
-philosopher. I would then have had in my chamber a sphere of reeds,
-and tablets always ready at hand, young men around me, and a wreath of
-laurel suspended above my door, as a sign.</p>
-
-<p>"But there is too much pride in triumphs such as those. A soldier's
-life would have been preferable. I was robust and bold: bold enough to
-fasten the cables of the military machines—to traverse dark forests,
-or to enter, armed and helmeted, into smoking cities.... Neither was
-there anything to have prevented me from purchasing with my money the
-position of publican at the toll-office<span class="pagenum"><a name="Page_10" id="Page_10">[Pg 10]</a></span> of some bridge; and travellers
-would have taught me many strange things, and told me strange stories,
-the while showing me many curious objects packed up among their
-baggage....</p>
-
-<p>"The merchants of Alexandria sail upon the river Canopus on holidays,
-and drink wine in the chalices of lotus-flowers, to a music of
-tambourines which makes the taverns along the shore tremble! Beyond,
-trees, made cone-shaped by pruning, protect the quiet farms against
-the wind of the south. The roof of the lofty house leans upon thin
-colonettes placed as closely together as the laths of a lattice;
-and through their interspaces the master, reclining upon his long
-couch, beholds his plains stretching about him—the hunter among the
-wheat-fields—the winepress where the vintage is being converted into
-wine, the oxen treading out the wheat. His children play upon the floor
-around him; his wife bends down to kiss him."</p>
-
-<p>(<i>Against the grey dimness of the twilight, here and there appear
-pointed muzzles, with straight, pointed ears and bright eyes. Anthony
-advances toward them. There is a<span class="pagenum"><a name="Page_11" id="Page_11">[Pg 11]</a></span> sound of gravel crumbling down; the
-animals take flight. It was a troop of jackals.</i></p>
-
-<p><i>One still remains, rising upon his hinder legs, with his body half
-arched and head raised in an attitude full of defiance.</i>)</p>
-
-<p>"How pretty he is! I would like to stroke his back gently!"</p>
-
-<p>(<i>Anthony whistles to coax him to approach. The jackal disappears.</i>)</p>
-
-<p>"Ah! he is off to join the others. What solitude! what weariness!"
-(<i>Laughing bitterly.</i>)</p>
-
-<p>"A happy life this indeed!—bending palm-branches in the fire to make
-shepherds' crooks, fashioning baskets, stitching mats together—and
-then exchanging these things with the Nomads for bread which breaks
-one's teeth! Ah! woe, woe is me! will this never end? Surely death were
-preferable! I can endure it no more! Enough! enough!"</p>
-
-<p>(<i>He stamps his foot upon the ground, and rushes frantically to and fro
-among the rocks; then pauses, out of breath, bursts into tears, and
-lies down upon the ground, on his side.</i></p>
-
-<p><i>The night is calm; multitudes of stars are palpitating; only the
-crackling noise made by the tarantulas is audible.</i></p>
-
-<p><span class="pagenum"><a name="Page_12" id="Page_12">[Pg 12]</a></span></p>
-
-<p><i>The two arms of the cross make a shadow upon the sand; Anthony, who is
-weeping, observes it.</i>)</p>
-
-<p>"Am I, then, so weak, O my God! Courage, let me rise from here!"</p>
-
-<p>(<i>He enters his hut, turns over a pile of cinders, finds a live ember,
-lights his torch and fixes it upon the wooden desk, so as to throw a
-light upon the great book.</i>)</p>
-
-<p>"Suppose I take the Acts of the Apostles?—yes!—no matter where!"</p>
-
-<p><i>'And he saw the heaven opened, and a certain vessel descending, as it
-were a great linen sheet let down by the four corners from heaven to
-the earth—wherein were all manner of four-footed beasts, and creeping
-things of the earth and fowls of the air. And there came a voice to
-him: Arise, Peter! Kill and eat!'</i><a name="FNanchor_1_1" id="FNanchor_1_1"></a><a href="#Footnote_1_1" class="fnanchor">[1]</a></p>
-
-<p>"Then the Lord desired that his apostle should eat of all things?...
-while I...."</p>
-
-<p>(<i>Anthony remains thoughtful, his chin resting against his breast. The
-rustling of the pages, agitated by the wind, causes him to lift his
-head again; and he reads</i>:)</p>
-
-<p><span class="pagenum"><a name="Page_13" id="Page_13">[Pg 13]</a></span></p>
-
-<p><i>'So the Jews made a great slaughter of their enemies with the sword,
-and killed them, repaying according to what they had prepared to do to
-them....</i><a name="FNanchor_2_2" id="FNanchor_2_2"></a><a href="#Footnote_2_2" class="fnanchor">[2]</a></p>
-
-<p>"Then, comes the number of people slain by them—seventy-five thousand.
-They had suffered so much! Moreover, their enemies were the enemies of
-the true God. And how they must have delighted in avenging themselves
-thus by the massacre of idolaters! Doubtless the city must have been
-crammed with the dead! There must have been corpses at the thresholds
-of the garden gates, upon the stairways, in all the chambers, and piled
-up so high that the doors could no longer move upon their hinges!...
-But lo! here I am permitting my mind to dwell upon ideas of murder and
-of blood!..."</p>
-
-<p>(<i>He opens the book at another place.</i>)</p>
-
-<p><i>'Then King Nabuchodonosor fell on his face, and worshipped
-Daniel....</i>'<a name="FNanchor_3_3" id="FNanchor_3_3"></a><a href="#Footnote_3_3" class="fnanchor">[3]</a></p>
-
-<p>"Ah! that was just! The <i>Most High</i> exalts his prophets above Kings;
-yet that monarch spent his life in banqueting, perpetually drunk with
-pleasure and pride. But God, to<span class="pagenum"><a name="Page_14" id="Page_14">[Pg 14]</a></span> punish him, changed him into a beast!
-He walked upon four feet!"</p>
-
-<p>(<i>Anthony begins to laugh; and in extending his arms, involuntarily
-disarranges the leaves of the book with the tips of his fingers. His
-eyes fell upon this phrase</i>:—)</p>
-
-<p><i>'And Ezechias rejoiced at their coming, and he showed them the house
-of his aromatical spices, and the gold and the silver, and divers
-precious odours and ointments, and the house of his vessels, and all
-that he had in his treasures....'</i><a name="FNanchor_4_4" id="FNanchor_4_4"></a><a href="#Footnote_4_4" class="fnanchor">[4]</a></p>
-
-<p>"I can imagine that spectacle; they must have beheld precious stones,
-diamonds and darics heaped up to the very roof. One who possesses so
-vast an accumulation of wealth is no longer like other men. While
-handling his riches he knows that he controls the total result of
-innumerable human efforts—as it were the life of nations drained by
-him and stored up, which he can pour forth at will. It is a commendable
-precaution on the part of Kings. Even the <i>Wisest</i> of all did not
-neglect it. His navy brought him elephants' teeth and apes.... Where is
-that passage?"</p>
-
-<p><span class="pagenum"><a name="Page_15" id="Page_15">[Pg 15]</a></span></p>
-
-<p>(<i>He turns the leaves over rapidly.</i>)</p>
-
-<p>"Ah! here it is:"</p>
-
-<p><i>'And the Queen of Saba, having heard of the fame of Solomon in the
-name of the Lord, came to try him with hard questions.'</i><a name="FNanchor_5_5" id="FNanchor_5_5"></a><a href="#Footnote_5_5" class="fnanchor">[5]</a></p>
-
-<p>"How did she hope to tempt him? The <i>Devil</i> indeed sought to tempt
-Jesus! But Jesus triumphed because he was God; and Solomon, perhaps,
-owing this knowledge of magic! It is sublime—that science! For the
-world—as a philosopher once explained it to me, forms a whole, of
-which all parts mutually influence one another, like the organs of one
-body. It is science which enables us to know the natural loves and
-natural repulsions of all things, and to play upon them?... Therefore,
-it is really possible to modify what appears to be the immutable order
-of the universe?"</p>
-
-<p>(<i>Then the two shadows formed behind him by the arms of the cross,
-suddenly lengthen and project themselves before him. They assume the
-form of two great horns. Anthony cries out</i>:—)</p>
-
-<p>"Help me! O my God!"</p>
-
-<p><span class="pagenum"><a name="Page_16" id="Page_16">[Pg 16]</a></span></p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em;">
-<a id="redon02"></a>
-<img src="images/redon_02.jpg" width="600" alt="" />
-<div class="caption"><p>Saint Anthony: Help me, O my God!</p></div>
-</div>
-
-<p class="p2">(<i>The shadows shrink back to their former place.</i>)</p>
-
-<p>"Ah!... it was an illusion ... nothing more. It is needless for me to
-torment my mind further! I can do nothing!—absolutely nothing."</p>
-
-<p>(<i>He sits down and folds his arms.</i>)</p>
-
-<p>"Nevertheless ... it seems to me that I felt the approach of.... But
-why should <i>He</i> come? Besides, do I not know all his artifices? I
-repulsed the monstrous anchorite who laughingly offered me little
-loaves of warm, fresh bread, the centaur who sought to carry me away
-upon his croup, and that black child who appeared to me in the midst of
-the sands, who was very beautiful, and who told me that he was called
-the Spirit of Lust!"</p>
-
-<p>(<i>Anthony rises and walks rapidly up and down, first to the right, then
-to the left.</i>)</p>
-
-<p>"It was by my order that this multitude of holy retreats was
-constructed—full of monks all wearing sackcloth of camel's hair
-beneath their garments of goatskin, and numerous enough to form an
-army. I have cured the sick from afar off; I have cast out demons;
-I have passed the river in the midst of crocodiles;<span class="pagenum"><a name="Page_17" id="Page_17">[Pg 17]</a></span> the Emperor
-Constantine wrote me throe letters; Balacius, who had spat upon mine,
-was torn to pieces by his own horses; when I reappeared the people of
-Alexandria fought for the pleasure of seeing me, and Athanasius himself
-escorted me on the way back. But what works have I not accomplished
-Lo! for these thirty years and more I have been dwelling and groaning
-unceasingly in the desert! Like Eusebius, I have carried thirty-eight
-pounds of bronze upon my loins; like Macarius, I have exposed my body
-to the stings of insects; like Pacomus, I have passed fifty-three
-nights without closing my eyes; and those who are decapitated, tortured
-with red hot pincers, or burned alive, are perhaps less meritorious
-than I, seeing that my whole life is but one prolonged martyrdom."
-(<i>Anthony slackens his pace.</i>)</p>
-
-<p>"Assuredly there is no human being in a condition of such unutterable
-misery! Charitable hearts are becoming scarcer. I no longer receive
-aught from any one. My mantle is worn out. I have no sandals—I have
-not even a porringer!—for I have distributed all I possessed to the
-poor and to my family, without retaining so much as one obolus. Yet<span class="pagenum"><a name="Page_18" id="Page_18">[Pg 18]</a></span>
-surely I ought to have a little money to obtain the tools indispensable
-to my work? Oh, not much! a very small sum.... I would be very saving
-of it....</p>
-
-<p>"The fathers of Nicæa, clad in purple robes, sat like magi, upon
-thrones ranged along the walls; and they were entertained at a great
-banquet and overwhelmed with honours, especially Paphnutius, because he
-is one-eyed and lame, since the persecution of Diocletian! The Emperor
-kissed his blind eye several times; what foolishness! Besides, there
-were such infamous men members of that Council! A bishop of Scythia,
-Theophilus! another of Persia, John! a keeper of beasts, Spiridion!
-Alexander was too old. Athanasius ought to have shown more gentleness
-towards the Arians, so as to have obtained concessions from them.</p>
-
-<p>"Yet would they have made any? They would not hear me! The one who
-spoke against me—a tall young man with a curly beard—uttered the
-most captious objections to my argument; and while I was seeking words
-to express my views they all stared at me with their wicked faces,
-and barked like hyenas. Ah! why cannot I have them all exiled<span class="pagenum"><a name="Page_19" id="Page_19">[Pg 19]</a></span> by the
-Emperor! or rather have them beaten, crushed, and see them suffer! I
-suffer enough myself."</p>
-
-<p>(<i>He leans against his cabin in a fainting condition.</i>)</p>
-
-<p>"It is because I have fasted too long; my strength is leaving me. If I
-could eat—only once more—a piece of meat." (<i>He half closes his eyes
-with languor.</i>)</p>
-
-<p>"Ah! some red flesh—a bunch of grapes to bite into ... curdled milk
-that trembles on a plate!...</p>
-
-<p>"But what has come upon me? What is the matter with me? I feel my heart
-enlarging like the sea, when it swells before the storm. An unspeakable
-feebleness weighs down upon me, and the warm air seems to waft me
-the perfume of a woman's hair. No woman has approached this place;
-nevertheless?—"</p>
-
-<p>(<i>He gazes toward the little pathway between the rocks.</i>)</p>
-
-<p>"That is the path by which they come, rocked in their litters by the
-black arms of the eunuchs. They descend and joining their hands,
-heavy with rings, kneel down before me. They relate to me all their
-troubles.<span class="pagenum"><a name="Page_20" id="Page_20">[Pg 20]</a></span> The desire of human pleasure tortures them; they would
-gladly die; they have seen in their dreams God calling to them ... and
-all the while the hems of their robes fall upon my feet. I repel them
-from me. 'Ah! no!' they cry, 'not yet! What shall I do?' They gladly
-accept any penitence I impose on them. They ask for the hardest of all;
-they beg to share mine and to live with me.</p>
-
-<p>"It is now a long time since I have seen any of them! Perhaps some of
-them will come! why not? If I could only hear again, all of a sudden,
-the tinkling of mule-bells among the mountains. It seems to me...."</p>
-
-<p>(<i>Anthony clambers upon a rock at the entrance of the pathway, and
-leans over, darting his eyes into the darkness.</i>)</p>
-
-<p>"Yes! over there, far off I see a mass moving, like a band of
-travellers seeking the way. <i>She</i> is there!... They are making a
-mistake." (<i>Calling.</i>)</p>
-
-<p>"This way! Come! Come!"</p>
-
-<p>(<i>Echo repeats: Come! Come! he lets his arms fall, stupefied.</i>)</p>
-
-<p>"What shame for me! Alas! poor Anthony."</p>
-
-<p><span class="pagenum"><a name="Page_21" id="Page_21">[Pg 21]</a></span></p>
-
-<p>(<i>And all of a sudden he hears a whisper:—"Poor Anthony"!</i>)</p>
-
-<p>"Who is there? Speak!"</p>
-
-<p>(<i>The wind passing through the intervals between the rocks, makes
-modulations; and in those confused sonorities he distinguishes Voices,
-as though the air itself were speaking. They are low, insinuating,
-hissing.</i>)</p>
-
-<p><i>The First</i>: "Dost thou desire women?"</p>
-
-<p><i>The Second</i>: "Great heaps of money, rather!"</p>
-
-<p><i>The Third</i>: "A glittering sword?" (<i>and</i>)</p>
-
-<p><i>The Others</i>: "All the people admire thee! Sleep!"</p>
-
-<p>"Thou shalt slay them all, aye, thou shalt slay them!"</p>
-
-<p>(<i>At the same moment objects become transformed. At the edge of the
-cliff, the old palm tree with its tuft of yellow leaves, changes into
-the torso of a woman leaning over the abyss, her long hair waving in
-the wind.</i></p>
-
-<p><i>Anthony turns toward his cabin; and the stool supporting the great book
-whose pages are covered with black letters, seems to him changed into a
-bush all covered with nightingales.</i>)</p>
-
-<p><span class="pagenum"><a name="Page_22" id="Page_22">[Pg 22]</a></span></p>
-
-<p>"It must be the torch which is making this strange play of light....
-Let us put it out!"</p>
-
-<p>(<i>He extinguishes it; the obscurity becomes deeper, the darkness
-profound.</i></p>
-
-<p><i>And suddenly in the air above there appear and disappear
-successively—first, a stretch of water; then the figure of a
-prostitute; the corner of a temple, a soldier; a chariot with two white
-horses, prancing.</i></p>
-
-<p><i>These images appear suddenly, as in flashes—outlined against the
-background of the night, like scarlet paintings executed upon ebony.</i></p>
-
-<p><i>Their motion accelerates. They defile by with vertiginous rapidity.
-Sometimes again, they pause and gradually pale and melt away; or else
-float off out of sight, to be immediately succeeded by others.</i></p>
-
-<p><i>Anthony closes his eyelids.</i></p>
-
-<p><i>They multiply, surround him, besiege him. An unspeakable fear takes
-possession of him; and he feels nothing more of living sensation, save
-a burning contraction of the epigastrium. In spite of the tumult in
-his brain, he is aware of an enormous silence which separates him from
-the world. He tries to speak;—impossible!<span class="pagenum"><a name="Page_23" id="Page_23">[Pg 23]</a></span> He feels as though all the
-bands of his life were breaking and dissolving;—and, no longer able to
-resist, Anthony falls prostrate upon his mat.</i>)</p>
-<hr class="r5" />
-
-<div class="footnote">
-
-<p><a name="Footnote_1_1" id="Footnote_1_1"></a><a href="#FNanchor_1_1"><span class="label">[1]</span></a> Acts X: 11-13—T.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_2_2" id="Footnote_2_2"></a><a href="#FNanchor_2_2"><span class="label">[2]</span></a> Esther IX: 5—T.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_3_3" id="Footnote_3_3"></a><a href="#FNanchor_3_3"><span class="label">[3]</span></a> Daniel II: 46.—T.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_4_4" id="Footnote_4_4"></a><a href="#FNanchor_4_4"><span class="label">[4]</span></a> Kings XX: 13 (Vulg.).—T.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_5_5" id="Footnote_5_5"></a><a href="#FNanchor_5_5"><span class="label">[5]</span></a> III Kings X: I (Vulg.).—T.</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_24" id="Page_24">[Pg 24]</a></span></p></div>
-
-
-
-
-<h4><a name="II" id="II">II</a></h4>
-
-
-<p>(<i>Then a great shadow, subtler than any natural shadow, and festooned
-by other shadows along its edges, defines itself upon the ground.</i></p>
-
-<p><i>It is the Devil, leaning upon the roof of the hut, and bearing beneath
-his wings—like some gigantic bat suckling its little ones—the Seven
-Deadly Sins, whose grimacing heads are dimly distinguishable.</i></p>
-
-<p><i>With eyes still closed, Anthony yields to the pleasure of inaction;
-and stretches his limbs upon the mat.</i></p>
-
-<p><i>It seems to him quite soft, and yet softer—so that it becomes as if
-padded; it rises up; it becomes a bed. The bed becomes a shallop; water
-laps against its sides.</i></p>
-
-<p><i>To right and left rise two long tongues of land, overlooking low
-cultivated plains, with a sycamore tree here and there. In the distance
-there is a tinkling of bells, a sound of drums and of singers. It is a
-party going to<span class="pagenum"><a name="Page_25" id="Page_25">[Pg 25]</a></span> Canopus to sleep upon the temple of Serapis, in order
-to have dreams. Anthony knows this; and impelled by the wind, his boat
-glides along between the banks. Papyrus-leaves and the red flowers of
-the nymphæa, larger than the body of a man, bend over him. He is lying
-at the bottom of the boat; one oar at the stem, drags in the water.
-From time to time, a lukewarm wind blows; and the slender reeds rub one
-against the other, and rustle. Then the sobbing of the wavelets becomes
-indistinct. A heavy drowsiness falls upon him. He dreams that he is a
-Solitary of Egypt.</i></p>
-
-<p><i>Then he awakes with a start.</i>)</p>
-
-<p>"Did I dream? It was all so vivid that I can scarcely believe I was
-dreaming! My tongue burns. I am thirsty."</p>
-
-<p>(<i>He enters the cabin, and gropes at random in the dark.</i>)</p>
-
-<p>"The ground is wet; can it have been raining? What can this mean! My
-pitcher is broken into atoms! But the goatskin?" (<i>He finds it.</i>)</p>
-
-<p>"Empty!—completely empty! In order to get down to the river, I should
-have to walk for at least three hours; and the night is so dark that I
-could not see my way.</p>
-
-<p><span class="pagenum"><a name="Page_26" id="Page_26">[Pg 26]</a></span></p>
-
-<p>"There is a gnawing in my entrails. Where is the bread!"</p>
-
-<p>(<i>After long searching, he picks up a crust not so large as an egg.</i>)</p>
-
-<p>"What? Have the jackals taken it? Ah! malediction!"</p>
-
-<p>(<i>And he flings the bread upon the ground with fury.</i></p>
-
-<p><i>No sooner has the action occurred than a table makes its appearance,
-covered with all things that are good to eat.</i></p>
-
-<p><i>The byssus cloth, striated like the bandelets of the sphinx, produces
-of itself luminous undulations. Upon it are enormous quarters of red
-meats; huge fish; birds cooked in their plumage, and quadrupeds in
-their skins; fruits with colors and tints almost human in appearance;
-while fragments of cooling ice, and flagons of violet crystal reflect
-each other's glittering. Anthony notices in the middle of the table
-a boar smoking at every pore—with legs doubled up under its belly,
-and eyes half closed—and the idea of being able to eat so formidable
-an animal greatly delights him. Then many things appear which he has
-never seen before—black hashes, jellies, the color of gold, ragouts in
-which<span class="pagenum"><a name="Page_27" id="Page_27">[Pg 27]</a></span> mushrooms float like nenuphars upon ponds, dishes of whipt cream
-light as clouds.</i></p>
-
-<p><i>And the aroma of all this comes to him together with the salt smell of
-the ocean, the coolness of mountains, the great perfumes of the woods.
-He dilates his nostrils to their fullest extent; his mouth waters; he
-thinks to himself that he has enough before him for a year, for ten
-years, for his whole life!</i></p>
-
-<p><i>As he gazes with widely-opened eyes at all these viands, others
-appear; they accumulate, forming a pyramid crumbling at all its angles.
-The wines begin to flow over—the fish palpitate—the blood seethes in
-the dishes—the pulp of the fruit protrudes like amorous lips—and the
-table rises as high as his breast, up to his very chin at last—now
-bearing only one plate and a single loaf of bread, placed exactly in
-front of him.</i></p>
-
-<p><i>He extends his hand to seize the loaf. Other loaves immediately
-present themselves to his grasp.</i>)</p>
-
-<p>"For me!... all these! But ..." (<i>Anthony suddenly draws back.</i>)</p>
-
-<p>"Instead of one which was there, lo! there are many! It must be a
-miracle, then, the same as our Lord wrought!</p>
-
-<p><span class="pagenum"><a name="Page_28" id="Page_28">[Pg 28]</a></span></p>
-
-<p>"Yet for what purpose?... Ah! all the rest of these things are equally
-incomprehensible! Demon, begone from me! depart! begone!"</p>
-
-<p>(<i>He kicks the table from him. It disappears.</i>)</p>
-
-<p>"Nothing more?—no!" (<i>He draws a lung breath.</i>)</p>
-
-<p>"Ah! the temptation was strong! But how well I delivered myself from
-it!"</p>
-
-<p>(<i>He lifts his head, and at the same time stumbles over some sonorous
-object.</i>)</p>
-
-<p>"Why! what can that be?" (<i>Anthony stoops down.</i>)</p>
-
-<p>"How! a cup! Some traveller must have lost it here. There is nothing
-extraordinary...."</p>
-
-<p>(<i>He wets his finger, and rubs.</i>)</p>
-
-<p>"It glitters!—metal! Still, I cannot see very clearly...."</p>
-
-<p>(<i>He lights his torch, and examines the cup.</i>)</p>
-
-<p>"It is silver, ornamented with ovules about the rim, with a medal at
-the bottom of it."</p>
-
-<p>(<i>He detaches the medal with his nail!</i>)</p>
-
-<p>"It is a piece of money worth about seven or eight drachmas—not more!
-It matters<span class="pagenum"><a name="Page_29" id="Page_29">[Pg 29]</a></span> not! even with that I could easily buy myself a sheepskin."</p>
-
-<p>(<i>A sudden flash of the torch lights up the cup.</i>)</p>
-
-<p>"Impossible! gold? Yes, all gold, solid gold!"</p>
-
-<p>(<i>A still larger piece of money appears at the bottom. Under it he
-perceives several others.</i>)</p>
-
-<p>"Why, this is a sum ... large enough to purchase three oxen ... and a
-little field!"</p>
-
-<p>(<i>The cup is now filled with pieces of gold.</i>)</p>
-
-<p>"What! what!... a hundred slaves, soldiers, a host ... enough to
-buy...."</p>
-
-<p>(<i>The granulations of the rim, detaching themselves form a necklace of
-pearls.</i>)</p>
-
-<p>"With such a marvel of jewelry as that, one could win even the wife of
-the Emperor!"</p>
-
-<p>(<i>By a sudden jerk, Anthony makes the necklace slip down over his
-wrist. He holds the cup in his left hand, and with his right lifts
-up the torch so as to throw the light upon it. As water streams
-overflowing from the basin of a fountain, so diamonds, carbuncles, and
-sapphires, all mingled with broad<span class="pagenum"><a name="Page_30" id="Page_30">[Pg 30]</a></span> pieces of gold bearing the effigies
-of Kings, overflow from the cup in never ceasing streams, to form a
-glittering hillock upon the sand.</i>)</p>
-
-<p>"What! how! Staters, cycles, dariacs, aryandics; Alexander, Demetrius,
-the Ptolemies, Cæsar!—yet not one of them all possessed so much!
-Nothing is now impossible! no more suffering for me! how these
-gleams dazzle my eyes! Ah! my heart overflows! how delightful it is!
-yes—yes!—more yet! never could there be enough! Vainly I might
-continually fling it into the sea, there would always be plenty
-remaining for me. Why should I lose any of it? I will keep all, and say
-nothing to any one about it; I will have a chamber hollowed out for me
-in the rock, and lined with plates of bronze, and I will come here from
-time to time to feel the gold sinking down under the weight of my heel;
-I will plunge my arms into it as into sacks of grain! I will rub my
-face with it, I will lie down upon it!"</p>
-
-<p>(<i>He flings down the torch in order to embrace the glittering heap, and
-falls flat upon the ground.</i></p>
-
-<p><i>He rises to his feet. The place is wholly empty.</i>)</p>
-
-<p><span class="pagenum"><a name="Page_31" id="Page_31">[Pg 31]</a></span></p>
-
-<p>"What have I done!</p>
-
-<p>"Had I died during those moments, I should have gone to hell—to
-irrevocable damnation."</p>
-
-<p>(<i>He trembles in every limb.</i>)</p>
-
-<p>"Am I, then, accursed? Ah! no; it is my own fault! I allow myself
-to be caught in every snare! No man could be more imbecile, more
-infamous! I should like to beat myself, or rather to tear myself out
-of my own body! I have restrained myself too long. I feel the want of
-vengeance—the necessity of striking, of killing!—as though I had a
-pack of wild beasts within me! Would that I could hew my way with an
-axe, through the midst of a multitude.... Ah, a poniard!..."</p>
-
-<p>(<i>He perceives his knife, and rushes to seize it. The knife slips from
-his hand; and Anthony remains leaning against the wall of his hut, with
-wide-open mouth, motionless, cataleptic.</i></p>
-
-<p><i>Everything about him has disappeared.</i></p>
-
-<p><i>He thinks himself at Alexandria, upon the Paneum—an artificial
-mountain in the centre of the city, encircled by a winding stairway.</i></p>
-
-<p><i>Before him lies Lake Mareolis; on his right hand is the sea, on his
-left the country; and<span class="pagenum"><a name="Page_32" id="Page_32">[Pg 32]</a></span> immediately beneath him a vast confusion of
-flat roofs, traversed from north to south and from east to west by
-two streets which intercross, and which offer throughout their entire
-length the spectacle of files of porticoes with Corinthian columns. The
-houses overhanging this double colonnade have windows of stained glass.
-Some of them support exteriorly enormous wooden cages, into which the
-fresh air rushes from without.</i></p>
-
-<p><i>Monuments of various architecture tower up in close proximity.
-Egyptian pylons dominate Greek temples. Obelisks appear like lances
-above battlements of red brick. In the middle of public squares there
-are figures of Hermes with pointed ears, and of Anubis with the head of
-a dog. Anthony can distinguish the mosaic pavements of the courtyards,
-and tapestries suspended from the beams of ceilings.</i></p>
-
-<p><i>He beholds at one glance, the two ports (the Great Port and the
-Eunostus), both round as circuses, and separated by a mole connecting
-Alexandria with the craggy island upon which the Pharos-tower
-rises—quadrangular, five hundred cubits high, nine storied,<span class="pagenum"><a name="Page_33" id="Page_33">[Pg 33]</a></span> having at
-its summit a smoking heap of black coals.</i></p>
-
-<p><i>Small interior ports open into the larger ones. The mole terminates at
-each end in a bridge supported upon marble columns planted in the sea.
-Sailing vessels pass beneath it, while heavy lighters overladen with
-merchandise, thalamegii<a name="FNanchor_1_6" id="FNanchor_1_6"></a><a href="#Footnote_1_6" class="fnanchor">[1]</a> inlaid with ivory, gondolas covered with
-awnings, triremes, biremes, and all sorts of vessels are moving to and
-fro, or lie moored at the wharves.</i></p>
-
-<p><i>About the Great Port extends an unbroken array of royal construction:
-the palace of the Ptolomies, the Museum, the Posidium, the Cæsareum,
-the Timonium where Mark Anthony sought refuge, the Soma which contains
-the tomb of Alexander; while at the other extremity of the city, beyond
-the Eunostus, the great glass factories, perfume factories, and papyrus
-factories may be perceived in a suburban quarter.</i></p>
-
-<p><i>Strolling peddlers, porters, ass-drivers run and jostle together.
-Here and there one observes some priest of Isis wearing a panther skin
-on his shoulders, a Roman soldier with<span class="pagenum"><a name="Page_34" id="Page_34">[Pg 34]</a></span> his bronze helmet, and many
-negroes. At the thresholds of the shops women pause, artisans ply their
-trades; and the grinding noise of chariot wheels puts to flight the
-birds that devour the detritus of the butcher-shops and the morsels of
-fish left upon the ground.</i></p>
-
-<p><i>The general outline of the streets seems like a black network flung
-upon the white uniformity of the houses. The markets stocked with
-herbs make green bouquets in the midst of it; the drying-yards of the
-dyers, blotches of color; the golden ornaments of the temple-pediments,
-luminous points—all comprised within the oval enclosure of the grey
-ramparts, under the vault of the blue heaven, beside the motionless
-sea.</i></p>
-
-<p><i>But suddenly the movement of the crowd ceases; all turn their
-eyes toward the west, whence enormous whirlwinds of dust are seen
-approaching.</i></p>
-
-<p><i>It is the coming of the monks of the Thebaid, all clad in goatskins,
-armed with cudgels, roaring a canticle of battle and of faith with the
-refrain</i>:</p>
-
-<p>"Where are they? Where are they?"</p>
-
-<p><i>Anthony understands that they are coming to kill the Arians.</i></p>
-
-<p><span class="pagenum"><a name="Page_35" id="Page_35">[Pg 35]</a></span></p>
-
-<p><i>The streets are suddenly emptied—only flying feet are visible.</i></p>
-
-<p><i>The Solitaries are now in the city. Their formidable cudgels, studded
-with nails, whirl in the air like suns of steel. The crash of things
-broken in the houses is heard. There are intervals of silence. Then
-great screams arise.</i></p>
-
-<p><i>From one end of the street to the other there is a continual eddy of
-terrified people.</i></p>
-
-<p><i>Many grasp pikes. Sometimes two bands meet, rush into one; and this
-mass of men slips upon the pavement—fighting, disjointing, knocking
-down. But the men with the long hair always reappear.</i></p>
-
-<p><i>Threads of smoke begin to escape from the corners of edifices! folding
-doors burst open. Portions of walls crumble down. Architraves fall.</i></p>
-
-<p><i>Anthony finds all his enemies again, one after the other. He even
-recognizes some whom he had altogether forgotten; before killing them
-he outrages them. He disembowels—he severs throats—he fells as in
-a slaughter house—he hales old men by the beard, crushes children,
-smites the wounded. And vengeance is taken upon luxury, those<span class="pagenum"><a name="Page_36" id="Page_36">[Pg 36]</a></span> who
-do not know how to read tear up hooks; others smash and deface the
-statues, paintings, furniture, caskets,—a thousand dainty things
-the use of which they do not know, and which simply for that reason
-exasperates them. At intervals they pause, out of breath, in the work
-of destruction; then they recommence.</i></p>
-
-<p><i>The inhabitants moan in the courtyards where they have sought refuge.
-The women raise their tearful eyes and lift their naked arms to heaven.
-In hope of moving the Solitaries they embrace their knees; the men cast
-them off and fling them down, and the blood gushes to the ceilings,
-falls back upon the walls like sheets of rain, streams from the trunks
-of decapitated corpses, fills the aqueducts, forms huge red pools upon
-the ground.</i></p>
-
-<p><i>Anthony is up to his knees in it. He wades in it; he sucks up the
-blood-spray on his lips; he is thrilled with joy as he feels it upon
-his limbs, under his hair-tunic which is soaked through with it.</i></p>
-
-<p><i>Night comes. The immense uproar dies away.</i></p>
-
-<p><i>The Solitaries have disappeared.</i></p>
-
-<p><i>Suddenly, upon the outer galleries corresponding<span class="pagenum"><a name="Page_37" id="Page_37">[Pg 37]</a></span> to each of the nine
-stories of the Pharos, Anthony observes thick black lines forming, like
-lines of crows perching. He hurries thither; and soon finds himself at
-the summit.</i></p>
-
-<p><i>A huge mirror of brass turned toward the open sea, reflects the forms
-of the vessels in the offing.</i></p>
-
-<p><i>Anthony amuses himself by watching them; and while he watches, their
-number increases.</i></p>
-
-<p><i>They are grouped together within a gulf which has the form of a
-crescent. Upon a promontory in the background, towers a new city of
-Roman architecture, with cupolas of stone, conical roofs, gleams of
-pink and blue marbles, and a profusion of brazen ornamentation applied
-to the volutes of the capitals, to the angles of the cornices, to the
-summits of the edifices. A cypress-wood overhangs the city. The line of
-the sea is greener, the air colder. The mountains lining the horizon
-are capped with snow.</i></p>
-
-<p><i>Anthony is trying to find his way, when a man approaches him, and
-says</i>:</p>
-
-<p>"Come! they are waiting for you."</p>
-
-<p><i>He traverses a forum, enters a great court, stoops beneath a low
-door; and he arrives before<span class="pagenum"><a name="Page_38" id="Page_38">[Pg 38]</a></span> the facade of the palace, decorated
-with a group in wax, representing Constantine overcoming a dragon.
-There is a porphyry basin, from the centre of which rises a golden
-conch-shell full of nuts. His guide tells him that he may take some of
-them. He does so. Then he is lost, as it were, in a long succession of
-apartments.</i></p>
-
-<p><i>There are mosaics upon the walls representing generals presenting
-the Emperor with conquered cities, which they hold out upon the
-palms of their hands. And there are columns of basalt everywhere,
-trellis-work in silver filigree, ivory chairs, tapestries embroidered
-with pearls. The light falls from the vaults above; Anthony still
-proceeds. Warm exhalations circulate about him; occasionally he hears
-the discreet clapping sound of sandals upon the pavement. Posted in
-the anti-chambers are guards, who resemble automata, holding wands of
-vermillion upon their shoulders.</i></p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em;">
-<a id="redon03"></a>
-<img src="images/redon_03.jpg" width="600" alt="" />
-<div class="caption"><p>And there are columns of basalt everywhere,...
-The light falls from the vaults above</p></div>
-</div>
-
-<p class="p2"><i>At last he finds himself in a great hall, with hyacinth-colored
-curtains at the further end. They part, and display the Emperor seated
-on a throne, clad in a violet tunic, and wearing red shoes striped with
-bands of black.</i></p>
-
-<p><span class="pagenum"><a name="Page_39" id="Page_39">[Pg 39]</a></span></p>
-
-<p><i>A diadem of pearls surround his head; his locks are arranged
-symmetrically in rouleaux. He has a straight nose, drooping eyelids,
-a heavy and cunning physiognomy. At the four corners of the dais
-stretched above his head are placed four golden doves; and at the foot
-of the throne are two lions in enamel crouching. The doves begin to
-sing, the lions to roar. The Emperor rolls his eyes; Anthony advances;
-and forthwith, without preamble, they commence to converse about
-recent events. In the cities of Antioch, Ephesus, and Alexandria,
-the temples have been sacked, and the statues of the gods converted
-into pots and cooking utensils; the Emperor laughs heartily about it.
-Anthony reproaches him with his tolerance toward the Novations. But the
-Emperor becomes vexed. Novations, Arians or Meletians—he is sick of
-them all! Nevertheless, he admires the episcopate; for inasmuch as the
-Christians maintain bishops, who depend for their position upon five or
-six important personages, it is only necessary to gain over the latter,
-in order to have all the rest on one's side. Therefore he did not fail
-to furnish them with large<span class="pagenum"><a name="Page_40" id="Page_40">[Pg 40]</a></span> sums. But he detests the Fathers of the
-Council of Nicæa.</i></p>
-
-<p>"Let us go and see them!"</p>
-
-<p><i>Anthony follows him.</i></p>
-
-<p><i>And they find themselves on a terrace, upon the same floor.</i></p>
-
-<p><i>It overlooks a hippodrome thronged with people, and surmounted by
-porticoes where other spectators are walking to and fro. From the
-centre of the race-course rises a narrow platform of hewn stone,
-supporting a little temple of Mercury, the statue of Constantine, and
-three serpents of brass twisted into a column; there are three huge
-wooden eggs at one end, and at the other a group of seven dolphins with
-their tails in the air.</i></p>
-
-<p><i>Behind the imperial pavilion sit the Prefects of the Chambers, the
-Counts of the Domestics, and the Patricians—in ranks rising by tiers
-to the first story of a church whose windows are thronged with women.
-On the right is the tribune of the Blue Faction; on the left, that of
-the Green; below, a picket of soldiers is stationed; and on a level
-with the arena is a row of Corinthian arches, forming the entrances to
-the stables.</i></p>
-
-<p><i>The races are about to commence; the<span class="pagenum"><a name="Page_41" id="Page_41">[Pg 41]</a></span> horses are drawn up in line.
-Lofty plumes, fastened between their ears, bend to the wind like
-saplings; and with every restive bound, they shake their chariots
-violently, which are shell-shaped, and conducted by charioteers clad
-in a sort of multi-colored cuirass, having sleeves tight at the wrist
-and wide in the arms; their legs are bare; their beards, faces and
-foreheads are shaven after the manner of the Huns.</i></p>
-
-<p><i>Anthony is at first deafened by the billowy sound of voices. From
-the summit of the hippodrome to its lowest tiers, he sees only faces
-painted with rouge, garments checkered and variegated with many colors,
-flashing jewelry; and the sand of the arena, all white, gleams like a
-mirror.</i></p>
-
-<p><i>The Emperor entertains him. He confides to him many matters of high
-importance, many secrets; he confesses the assassination of his son
-Criopus, and even asks Anthony for advice regarding his health.</i></p>
-
-<p><i>Meanwhile Anthony notices some slaves in the rear portion of the
-stables below. They are the Fathers of Nicæa, ragged and abject. The
-martyr Paphnutius is brushing the mane of one horse; Theophilus is
-washing the legs<span class="pagenum"><a name="Page_42" id="Page_42">[Pg 42]</a></span> of another; John is painting the hoofs of a third;
-Alexander is collecting dung in a basket.</i></p>
-
-<p><i>Anthony passes through the midst of them. They range themselves on
-either side respectfully; they beseech his intercession; they kiss his
-hands. The whole assemblage of spectators hoots at them; and he enjoys
-the spectacle with immeasurable pleasure. Lo! he is now one of the
-grandees of the Court—the Emperor's confidant—the prime minister!
-Constantine places his own diadem upon his brows. Anthony allows it to
-remain upon his head, thinking this honor quite natural.</i></p>
-
-<p><i>And suddenly in the midst of the darkness a vast hall appears,
-illuminated by golden candelabra.</i></p>
-
-<p><i>Candles so lofty that they are half lost in the darkness, stretch away
-in huge files beyond the lines of banquet-tables, which seem to extend
-to the horizon, where through a luminous haze loom superpositions of
-stairways, suites of arcades, colossi, towers, and beyond all a vague
-border of palace walls, above which rise the crests of cedars, making
-yet blacker masses of blackness against the darkness.</i></p>
-
-<p><span class="pagenum"><a name="Page_43" id="Page_43">[Pg 43]</a></span></p>
-
-<p><i>The guests, crowned with violet wreaths, recline upon very low couches
-and are leaning upon their elbows. Along the whole length of this
-double line of couches, wine is being poured out from amphoræ, and at
-the further end, all alone, coiffed with the tiara and blazing with
-carbuncles, King Nebuchadnezzar eats and drinks.</i></p>
-
-<p><i>On his right and left, two bands of priests in pointed caps are
-swinging censers. On the pavement below crawl the captive kings whose
-hands and feet have been cut off; from time to time he flings them
-bones to gnaw. Further off sit his brothers, with bandages across their
-eyes, being all blind.</i></p>
-
-<p><i>From the depths of the ergastula arise moans of ceaseless pain. Sweet
-slow sounds of a hydraulic organ alternate with choruses of song; and
-one feels that all about the palace without extends an immeasurable
-city—an ocean of human life whose waves break against the walls. The
-slaves run hither and thither carrying dishes. Women walk between the
-ranks of guests, offering drinks to all; the baskets groan under their
-burthen of loaves; and a dromedary, laden with perforated water-skins:
-passes and repasses through<span class="pagenum"><a name="Page_44" id="Page_44">[Pg 44]</a></span> the hall, sprinkling and cooling the
-pavement with vervain.</i></p>
-
-<p><i>Lion tamers are leading tamed lions about. Dancing girls—their
-hair confined in nets—balance themselves and turn upon their hands,
-emitting fire through their nostrils; negro boatmen are juggling; naked
-children pelt each other with pellets of snow, which burst against the
-bright silverware. There is an awful clamor as of a tempest; and a huge
-cloud hangs over the banquet—so numerous are the meats and breaths.
-Sometimes a flake of fire torn from the great flambeaux by the wind,
-traverses the night like a shooting star.</i></p>
-
-<p><i>The king wipes the perfumes from his face with his arm. He eats from
-the sacred vessels—then breaks them; and secretly reckons up the
-number of his fleets, his armies, and his subjects. By and by, for a
-new caprice, he will burn his palace with all its guests. He dreams of
-rebuilding the tower of Babel, and dethroning God.</i></p>
-
-<p><i>Anthony, from afar off, reads all these thoughts upon his brow. They
-penetrate his own brain, and he becomes Nebuchadnezzar. Immediately he
-is cloyed with orgiastic excesses,<span class="pagenum"><a name="Page_45" id="Page_45">[Pg 45]</a></span> sated with fury of extermination;
-and a great desire comes upon him to wallow in vileness. For the
-degradation of that which terrifies men is an outrage inflicted upon
-their minds—it affords yet one more way to stupefy them; and as
-nothing is viler than a brute, Anthony goes upon the table on all
-fours, and bellows like a bull.</i></p>
-
-<p><i>He feels a sudden pain in his hand—a pebble has accidentally wounded
-him—and he finds himself once more in front of his cabin.</i></p>
-
-<p><i>The circle of the rocks is empty. The stars are glowing in the sky.
-All is hushed.</i>)</p>
-
-<p>"Again have I allowed myself to be deceived! Why these things? They
-come from the rebellion of the flesh. Ah! wretch!"</p>
-
-<p>(<i>He rushes into his cabin, and seizes a bunch of thongs, with metallic
-hooks attached to their ends, strips himself to the waist and, lifting
-his eyes to heaven exclaims</i>:)</p>
-
-<p>"Accept my penance, O my God: disdain it not for its feebleness. Render
-it sharp, prolonged, excessive! It is time, indeed!—to the work!"</p>
-
-<p>(<i>He gives himself a vigorous lash—and shrieks.</i>)</p>
-
-<p>"No! no!—without mercy it must be."</p>
-
-<p><span class="pagenum"><a name="Page_46" id="Page_46">[Pg 46]</a></span></p>
-
-<p>(<i>He recommences.</i>)</p>
-
-<p>"Oh! oh! oh! each lash tears my skin, rends my limbs! It burns me
-horribly!"</p>
-
-<p>"Nay!—it is not so very terrible after all!—one becomes accustomed to
-it. It even seems to me...."</p>
-
-<p>(<i>Anthony pauses.</i>)</p>
-
-<p>"Continue, coward! continue! Good! good!—upon the arms, on the back,
-on the breast, on the belly—everywhere! Hiss, ye thongs! bite me!
-tear me! I would that my blood could spurt to the stars!—let my bones
-crack!—let my tendons be laid bare! O for pincers, racks, and melted
-lead! The martyrs have endured far worse; have they not, Ammonaria?"</p>
-
-<p>(<i>The shadow of the Devil's horns reappears.</i>)</p>
-
-<p>"I might have been bound to the column opposite to thine,—face to
-face—under thy eyes—answering thy shrieks by my sighs; and our pangs
-might have been interblended, our souls intermingled."</p>
-
-<p>(<i>He lashes himself with fury.</i>)</p>
-
-<p>"What! what! again. Take that!—But how strange a titillation thrills
-me! What punishment! what pleasure! I feel as though<span class="pagenum"><a name="Page_47" id="Page_47">[Pg 47]</a></span> receiving
-invisible kisses; the very marrow of my bones seems to melt. I die...."</p>
-
-<p><i>And he sees before him three cavaliers, mounted upon onagers, clad in
-robes of green—each holding a lily in his hand, and all resembling
-each other in feature.</i></p>
-
-<p><i>Anthony turns round, and beholds three other cavaliers exactly
-similar, riding upon similar onagers, and preserving the same attitude.</i></p>
-
-<p><i>He draws back. Then all the onagers advance one pace at the same time,
-and rub their noses against him, trying to bite his garment. Voices
-shout</i>:—</p>
-
-<p>"Here! here! this way!"</p>
-
-<p><i>And between the clefts of the mountain, appear standards,—camels'
-heads with halters of red silk—mules laden with baggage, and women
-covered with yellow veils, bestriding piebald horses.</i></p>
-
-<p><i>The panting beasts lie down; the slaves rush to the bales and
-packages, motley-striped carpets are unrolled; precious glimmering
-things are laid upon the ground.</i></p>
-
-<p><i>A white elephant, caparisoned with a golden net, trots forward,
-shaking the tuft of ostrich plumes attached to his head-band.</i></p>
-
-<p><span class="pagenum"><a name="Page_48" id="Page_48">[Pg 48]</a></span></p>
-
-<p><i>Upon his back, perched on cushions of blue wool, with her legs
-crossed, her eyes half closed, her comely head sleepily nodding, is a
-woman so splendidly clad that she radiates light about her. The crowd
-falls prostrate; the elephant bends his knees; and</i></p>
-
-<p class="smcap" style="text-align: center;">The Queen of Sheba</p>
-
-<p><i>letting herself glide down from his shoulder upon the carpets spread
-to receive her, approaches Saint Anthony.</i></p>
-
-<p><i>Her robe of gold brocade, regularly divided by furbelows of pearls,
-of jet, and of sapphires, sheaths her figure closely with its
-tight-fitting bodice, set off by colored designs representing the
-twelve signs of the Zodiac. She wears very high pattens—one of which
-is black, and sprinkled with silver stars, with a moon crescent; the
-other, which is white, is sprinkled with a spray of gold, with a golden
-sun in the middle.</i></p>
-
-<p><i>Her wide sleeves, decorated with emeralds and bird-plumes, leave
-exposed her little round bare arms, clasped at the wrist by ebony
-bracelets; and her hands, loaded with precious rings, are terminated by
-nails so<span class="pagenum"><a name="Page_49" id="Page_49">[Pg 49]</a></span> sharply pointed that the ends of her fingers seem almost like
-needles.</i></p>
-
-<p><i>A chain of dead gold, passing under her chin, is caught up on either
-side of her face, and spirally coiled about her coiffure, whence,
-redescending, it grazes her shoulders and is attached upon her bosom
-to a diamond scorpion, which protrudes a jewelled tongue between her
-breasts. Two immense blond pearls depend heavily from her ears. The
-borders of her eyelids are painted black. There is a natural brown spot
-upon her left cheek; and she opens her mouth in breathing, as if her
-corset inconvenienced her.</i></p>
-
-<p><i>She shakes, as she approaches, a green parasol with an ivory handle,
-and silver-gilt bells attached to its rim; twelve little woolly-haired
-negro-boys support the long train of her robe, whereof an ape holds the
-extremity, which it raises up from time to time. She exclaims</i>:</p>
-
-<p>"Ah! handsome hermit! handsome hermit!—my heart swoons!</p>
-
-<p>"By dint of stamping upon the ground with impatience, callosities have
-formed upon my heel, and I have broken one of my nails. I sent out
-shepherds, who remained upon the mountain tops, shading their eyes with
-their<span class="pagenum"><a name="Page_50" id="Page_50">[Pg 50]</a></span> hands—and hunters who shouted thy name in all the forests—and
-spies who travelled along the highways, asking every passer-by:</p>
-
-<p>"'Hast thou seen him?'</p>
-
-<p>"By night I wept, with my face turned to the wall. And at last my tears
-made two little holes in the mosaic, like two pools of water among the
-rocks;—for I love thee!—oh! how I love thee!"</p>
-
-<p>(<i>She takes him by the beard.</i>)</p>
-
-<p>"Laugh now, handsome hermit! laugh! I am very joyous, very gay: thou
-shalt soon see! I play the lyre; I dance like a bee; and I know a host
-of merry tales to tell, each more diverting than the other.</p>
-
-<p>"Thou canst not even imagine how mighty a journey we have made. See!
-the onagers upon which the green couriers rode are dead with fatigue!"</p>
-
-<p>(<i>The onagers are lying motionless upon the ground.</i>)</p>
-
-<p>"For three long moons they never ceased to gallop on with the same
-equal pace, holdings flints between their teeth to cut the wind, their
-tails ever streaming out behind them, their sinews perpetually strained
-to the uttermost, always galloping, galloping. Never<span class="pagenum"><a name="Page_51" id="Page_51">[Pg 51]</a></span> can others be
-found like them. They were bequeathed me by my paternal grand-father,
-the Emperor Saharil, son of Iakhschab, son of Iaarab, son of Kastan.
-Ah! if they were still alive, we should harness them to a litter that
-they might bear us back speedily to the palace! But ... what ails
-thee?—of what art thou dreaming?"</p>
-
-<p>(<i>She stares at him, examines him closely.</i>)</p>
-
-<p>"Ah, when thou shalt be my husband, I will robe thee, I will perfume
-thee, I will depilate thee."</p>
-
-<p>(<i>Anthony remains motionless, more rigid than a stake, more pallid
-than a corpse.</i>)</p>
-
-<p>"Thou hast a sad look—is it because of leaving thy hermitage? Yet I
-have left everything for thee—even King Solomon, who, nevertheless,
-possesses much wisdom, twenty thousand chariots of war, and a beautiful
-beard. I have brought thee my wedding gifts. Choose!"</p>
-
-<p>(<i>She walks to and fro among the ranks of slaves and the piles of
-precious goods.</i>)</p>
-
-<p>"Here is Genezareth balm, incense from Cape Gardefui, labdanum,
-cinnamon, and silphium—good to mingle with sauces. In that bale are
-Assyrian embroideries, ivory<span class="pagenum"><a name="Page_52" id="Page_52">[Pg 52]</a></span> from the Ganges, purple from Elissa;
-and that box of snow contains a skin of chalybon, the wine, which
-is reserved for the Kings of Assyria, and which is drunk from the
-horn of a unicorn. Here are necklaces, brooches, nets for the hair,
-parasols, gold powder from Baasa, cassiteria from Tartessus, blue wood
-from Pandio, white furs from Issidonia, carbuncles from the Island
-Palæsimondus, and toothpicks made of the bristles of the tachas—that
-lost animal which is found under the earth. These cushions come from
-Emath, and these mantle-fringes from Palmyra. On this Babylonian carpet
-there is.... But come hither! come! come!"</p>
-
-<p>(<i>She pulls Saint Anthony by the sleeve. He resists. She continues</i>:)</p>
-
-<p>"This thin tissue which crackles under the finger with a sound as of
-sparks, is the famous yellow cloth which the merchants of Bactria bring
-us. I will have robes made of it for thee, which thou shalt wear in the
-house. Unfasten the hooks of that sycamore box, and hand me also the
-little ivory casket tied to my elephant's shoulder."</p>
-
-<p>(<i>They take something round out of a box—something covered with a
-cloth—and also<span class="pagenum"><a name="Page_53" id="Page_53">[Pg 53]</a></span> bring a little ivory casket covered with carving.</i>)</p>
-
-<p>"Dost thou desire the buckler of Dgian-ben-Dgian, who built the
-pyramids?—behold it!—It is formed of seven dragon-skins laid one over
-the other, tanned in the bile of parricides, and fastened together by
-adamantine screws. Upon one side are represented all the wars that have
-taken place since the invention of weapons; and upon the other, all the
-wars that will take place until the end of the world. The lightning
-itself rebounds from it like a ball of cork. I am going to place it
-upon thy arm; and thou wilt carry it during the chase.</p>
-
-<p>"But if thou didst only know what I have in this little box of mine!
-Turn it over and over again! try to open it! No one could ever succeed
-in doing that. Kiss me! and I will tell thee how to open it."</p>
-
-<p>(<i>She takes Saint Anthony by both cheeks. He pushes her away at arms'
-length.</i>)</p>
-
-<p>"It was one night that King Solomon lost his head. At last we concluded
-a bargain. He arose, and stealing out on tiptoe...."</p>
-
-<p>(<i>She suddenly executes a pirouette.</i>)</p>
-
-<p><span class="pagenum"><a name="Page_54" id="Page_54">[Pg 54]</a></span></p>
-
-<p>"Ah, ah! comely hermit, thou shalt not know it! thou shalt not know!"</p>
-
-<p>(<i>She shakes her parasol, making all its little bells tinkle.</i>)</p>
-
-<p>"And I possess many other strange things—oh! yes! I have treasures
-concealed in winding galleries where one would lose one's way, as
-in a forest. I have summer-palaces constructed in trellis-work of
-reeds, and winter-palaces all built of black marble. In the midst of
-lakes vast as seas, I have islands round as pieces of silver, and all
-covered with mother-of-pearl,—islands whose shores make music to
-the lapping of tepid waves upon the sand. The slaves of my kitchens
-catch birds in my aviaries, and fish in my fishponds. I have engravers
-continually seated at their benches to hollow out my likeness in hard
-jewel-stones, and panting molders forever casting statues of me, and
-perfumers incessantly mingling the sap of rare plants with vinegar,
-or preparing cosmetic pastes. I have female dressmakers cutting out
-patterns in richest material, goldsmiths cutting and mounting jewels of
-price, and careful painters pouring upon my palace wainscoting boiling
-resins, which they subsequently cool with<span class="pagenum"><a name="Page_55" id="Page_55">[Pg 55]</a></span> fans. I have enough female
-attendants to form a harem, eunuchs enough to make an army. I have
-armies likewise; I have nations! In the vestibule of my palace I keep a
-guard of dwarfs—all bearing ivory trumpets at their backs." (<i>Anthony
-sighs.</i>)</p>
-
-<p>"I have teams of trained gazelles; I have elephant quadrigæ; I have
-hundreds of pairs of camels, and mares whose manes are so long that
-their hoofs become entangled therein when they gallop, and herds of
-cattle with horns so broad that when they go forth to graze the woods
-have to be hewn down before them. I have giraffes wandering in my
-gardens; they stretch their heads over the edge of my roof, when I take
-the air after dinner.</p>
-
-<p>"Seated in a shell drawn over the waters by dolphins, I travel
-through the grottoes, listening lo the dropping of the water from the
-stalactites. I go down to the land of diamonds, where my friends the
-magicians allow me to choose the finest: then I reascend to earth and
-return to my home."</p>
-
-<p>(<i>She utters a sharp whistle; and a great bird, descending from the
-sky, alights upon<span class="pagenum"><a name="Page_56" id="Page_56">[Pg 56]</a></span> her hair, from which it makes the blue powder fall.</i></p>
-
-<p><i>Its orange-colored plumage seems formed of metallic scales. Its little
-head, crested with a silver tuft, has a human face.</i></p>
-
-<p><i>It has four wings, the feet of a vulture, and an immense peacock's
-tail which it spreads open like a fan.</i></p>
-
-<p><i>It seizes the Queen's parasol in its beak, reels a moment ere
-obtaining its balance; then it erects all its plumes, and remains
-motionless.</i>)</p>
-
-<p>"Thanks! my beautiful Simorg-Anka!—thou didst tell me where the loving
-one was hiding! Thanks! thanks! my heart's messenger!</p>
-
-<p>"He flies swiftly as Desire! He circles the world in his flight. At eve
-he returns; he perches at the foot of my couch and tells me all he has
-seen—the seas that have passed far beneath him with all their fishes
-and ships, the great void deserts he has contemplated from the heights
-of the sky, the harvests that were bowing in the valleys, and the
-plants that were growing upon the walls of cities abandoned."</p>
-
-<p>(<i>She wrings her hands, languorously.</i>)</p>
-
-<p><span class="pagenum"><a name="Page_57" id="Page_57">[Pg 57]</a></span></p>
-
-<p>"Oh! if thou wast willing! if thou wast willing!... I have a pavilion
-on a promontory in the middle of an isthmus dividing two oceans. It is
-all wain-scoted with sheets of glass, and floored with tortoise shell,
-and open to the four winds of heaven. From its height I watch my fleets
-come in, and my nations toiling up the mountain-slopes with burthens
-upon their shoulders. There would we sleep upon downs softer than
-clouds; we would drink cool draughts from fruit-shells, and we would
-gaze at the sun through emeralds! Come!" ...</p>
-
-<p>(<i>Anthony draws back. She approaches him again, and exclaims in a tone
-of vexation</i>:—)</p>
-
-<p>"How? neither the rich, nor the coquettish, nor the amorous woman can
-charm thee: is it so? None but a lascivious woman, with a hoarse voice
-and lusty person, with fire-colored hair and superabundant flesh? Dost
-thou prefer a body cold as the skin of a serpent, or rather great dark
-eyes deeper than the mystic caverns?—behold them, my eyes!—look into
-them!"</p>
-
-<p>(<i>Anthony, in spite of him, gazes into her eyes.</i>)</p>
-
-<p>"All the women thou hast ever met—from<span class="pagenum"><a name="Page_58" id="Page_58">[Pg 58]</a></span> the leman of the cross-roads,
-singing under the light of her lantern, even to the patrician lady
-scattering rose-petals abroad from her litter,—all the forms thou hast
-ever obtained glimpses of—all the imaginations of thy desire thou hast
-only to ask for them! I am not a woman: I am a world! My cloak has only
-to fall in order that thou mayest discover a succession of mysteries."
-(<i>Anthony's teeth chatter.</i>)</p>
-
-<p>"Place but thy finger upon my shoulder: it will be as though a stream
-of fire shot through all thy veins. The possession of the least part
-of me will fill thee with a joy more vehement than the conquest of an
-Empire could give thee! Approach thy lips: there is a sweetness in my
-kisses as of a fruit dissolving within thy heart. Ah! how thou wilt
-lose thyself beneath my long hair, inhale the perfume of my bosom,
-madden thyself with the beauty of my limbs: and thus, consumed by the
-fire of my eyes, clasped within my arms as in a whirlwind...."</p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em">
-<a id="redon04"></a>
-<img src="images/redon_04.jpg" width="600" alt="" />
-<div class="caption"><p>there is a sweetness in my kisses as of a fruit
-dissolving within thy heart ...</p></div></div>
-
-<p class="p2">(<i>Anthony makes the sign of the cross.</i>)</p>
-
-<p>"Thou disdainest me! farewell!"</p>
-
-<p>(<i>She departs, weeping; then, suddenly turning round</i>:—)</p>
-
-<p><span class="pagenum"><a name="Page_59" id="Page_59">[Pg 59]</a></span></p>
-
-<p>"Art quite sure?—so beautiful a woman...."</p>
-
-<p>(<i>She laughs, and the ape that bears her train, lifts it up.</i>)</p>
-
-<p>"Thou wilt regret it, my comely hermit! thou wilt yet weep! thou wilt
-again feel weary of thy life; but I care not a whit! La! la! la!—oh!
-oh! oh!"</p>
-
-<p>(<i>She takes her departure, hopping upon one foot and covering her face
-with her hands.</i></p>
-
-<p><i>All the slaves file off before Saint Anthony—the horses, the
-dromedaries, the elephant, the female attendants, the mules (which
-have been reloaded), the negro boys, the ape, the green couriers each
-holding his broken lily in his hand; and the Queen of Sheba departs,
-uttering a convulsive hiccough at intervals, which might be taken
-either for a sound of hysterical sobbing, or the half-suppressed
-laughter of mockery.</i>)</p>
-<hr class="r5" />
-
-<div class="footnote">
-
-<p><a name="Footnote_1_6" id="Footnote_1_6"></a><a href="#FNanchor_1_6"><span class="label">[1]</span></a> <i>Thalamegii</i>—pleasure-boats having
-apartments.</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_60" id="Page_60">[Pg 60]</a></span></p></div>
-
-
-
-
-<h4><a name="III" id="III">III</a></h4>
-
-
-<p>(<i>When she has disappeared in the distance, Anthony observes a child
-seated upon the threshold of his cabin.</i>)</p>
-
-<p>"It is one of the Queen's servants, no doubt," (<i>he thinks</i>).</p>
-
-<p>(<i>This child is small like a dwarf, and nevertheless squat of build,
-like one of the Cabiri; deformed withal, and wretched of aspect. His
-prodigiously large head is covered with white hair; and he shivers
-under a shabby tunic, all the while clutching a roll of papyrus. The
-light of the moon passing through a cloud falls upon him.</i>)</p>
-
-<p class="smcap" style="text-align: center;">Anthony</p>
-
-<p>(<i>watches him from a distance, and is afraid of him.</i>) "Who art thou?"</p>
-
-<p><span class="smcap">The Child</span> (<i>replies</i>). "Thy ancient disciple, Hilarion."</p>
-
-<p><span class="smcap">Anthony</span>. "Thou liest! Hilarion hath<span class="pagenum"><a name="Page_61" id="Page_61">[Pg 61]</a></span> been dwelling in Palestine for
-many long years."</p>
-
-<p><span class="smcap">Hilarion</span>. "I have returned! It is really I!"</p>
-
-<p><span class="smcap">Anthony</span> (<i>draws near and examines him closely</i>). "Yet his face was
-radiant as the dawn, candid, joyous. This face is the face of one
-gloomy and old."</p>
-
-<p><span class="smcap">Hilarion</span>. "Long and arduous labor hath wearied me!"</p>
-
-<p><span class="smcap">Anthony</span>. "The voice is also different. It hath an icy tone."</p>
-
-<p><span class="smcap">Hilarion</span>. "Because I have nourished me with bitter things!"</p>
-
-<p><span class="smcap">Anthony</span>. "And those white hairs?"</p>
-
-<p><span class="smcap">Hilarion</span>. "I have endured many woes!"</p>
-
-<p><span class="smcap">Anthony</span> (<i>aside</i>). "Could it be possible?"</p>
-
-<p><span class="smcap">Hilarion</span>. "I was not so far from thee as thou doest imagine. The hermit
-Paul visited thee this year, during the month of Schebar. It is just
-twenty days since the Nomads brought thee bread. Thou didst tell a
-sailor, the day before yesterday, to send thee three bodkins."</p>
-
-<p><span class="smcap">Anthony</span>. "He knows all!"</p>
-
-<p><span class="smcap">Hilarion</span>. "Know further more that I have never left thee. But there are
-long periods<span class="pagenum"><a name="Page_62" id="Page_62">[Pg 62]</a></span> during which thou hast no knowledge of my presence."</p>
-
-<p><span class="smcap">Anthony</span>. "How can that be? Yet it is true that my head is so much
-troubled—this night especially."</p>
-
-<p><span class="smcap">Hilarion</span>. "All the Capital Sins came hither. But their wretched snares
-can avail nothing against such a Saint as thou."</p>
-
-<p><span class="smcap">Anthony</span>. "Oh! no!—no! I fall at every moment! Why am I not of those
-whose souls are ever intrepid, whose minds are always firm,—for
-example, the great Athanasius?"</p>
-
-<p><span class="smcap">Hilarion</span>. "He was illegally ordained by seven bishops."</p>
-
-<p><span class="smcap">Anthony</span>. "What matter if his virtue...."</p>
-
-<p><span class="smcap">Hilarion</span>. "Go to!—a most vainglorious and cruel man, forever involved
-in intrigues, and exiled at last as a monopolist."<a name="FNanchor_1_7" id="FNanchor_1_7"></a><a href="#Footnote_1_7" class="fnanchor">[1]</a></p>
-
-<p><span class="smcap">Anthony</span>. "Calumny!"</p>
-
-<p><span class="smcap">Hilarion</span>. "Thou wilt not deny that he sought to corrupt Eustates, the
-treasurer of largesses?"</p>
-
-<p><span class="pagenum"><a name="Page_63" id="Page_63">[Pg 63]</a></span></p>
-
-<p><span class="smcap">Anthony</span>. "It is affirmed, I acknowledge."</p>
-
-<p><span class="smcap">Hilarion</span>. "Through vengeance he burned down the house of Arsenius."</p>
-
-<p><span class="smcap">Anthony</span>. "Alas!"</p>
-
-<p><span class="smcap">Hilarion</span>. "At the council of Nicæa he said in speaking of Jesus: 'The
-man of the Lord.'"</p>
-
-<p><span class="smcap">Anthony</span>. "Ah! that is a blasphemy!"</p>
-
-<p><span class="smcap">Hilarion</span>. "So limited in understanding, moreover, that he confesses he
-comprehends nothing of the nature of the "Word!"</p>
-
-<p><span class="smcap">Anthony</span> (<i>smiling with gratification</i>). "In sooth his intelligence is
-not ... very lofty."</p>
-
-<p><span class="smcap">Hilarion</span>. "Hypocrite! burying thyself in solitude only in order the
-more fully to abandon thyself to the indulgence of thy envious desires!
-What if thou dost deprive thyself of meats, of wine, of warmth, of
-bath, of slaves, or honours?—dost thou not permit thy imagination to
-offer thee banquets, perfumes, women, and the applause of multitudes?
-Thy chastity is but a more subtle form of corruption, and thy contempt
-of this world is but the impotence of thy hatred against it! Either
-this it is that makes such as thyself<span class="pagenum"><a name="Page_64" id="Page_64">[Pg 64]</a></span> so lugubrious, or else 'tis
-doubt. The possession of truth giveth joy. Was Jesus sad? Did he not
-travel in the company of friends, repose beneath the shade of olive
-trees, enter the house of the publican, drink many cups of wine, pardon
-the sinning woman, and assuage all sorrows? Thou!—thou hast no pity
-save for thine own misery! It is like a remorse that gnaws thee, a
-savage madness that impels thee to repel the caress of a dog or to
-frown upon the smile of a child."</p>
-
-<p><span class="smcap">Anthony</span> (<i>bursting into tears</i>). "Enough! enough! thou dost wound my
-heart deeply."</p>
-
-<p><span class="smcap">Hilarion</span>. "Shake the vermin from thy rags! Rise up from thy filth! Thy
-God is not a Moloch who demands human flesh in sacrifice!"</p>
-
-<p><span class="smcap">Anthony</span>. "Yet suffering is blessed. The cherubim stoop to receive the
-blood of confessors."</p>
-
-<p><span class="smcap">Hilarion</span>. "Admire, then, the Montanists!—they surpass all others."</p>
-
-<p><span class="smcap">Anthony</span>. "But it is the truth of the doctrine which makes the
-martyrdom."</p>
-
-<p><span class="smcap">Hilarion</span>. "How can martyrdom prove the excellence of the doctrine,
-inasmuch as it bears equal witness for error?"</p>
-
-<p><span class="pagenum"><a name="Page_65" id="Page_65">[Pg 65]</a></span></p>
-
-<p><span class="smcap">Hilarion</span>. "Silence!—thou viper!"</p>
-
-<p><span class="smcap">Anthony</span>. "Perhaps martyrdom is not so difficult as thou dost imagine!
-The exhortations of friends, the pleasure of insulting the people,
-the oath one has taken, a certain dizzy excitement, a thousand
-circumstances all aid the resolution of the martyrs...."</p>
-
-<p>(<i>Anthony turns his back upon Hilarion, and moves away from him.
-Hilarion follows him.</i>)</p>
-
-<p>" ... Moreover this manner of dying often brings about great disorders.
-Dionysius, Cyprian and Gregory fled from it. Peter of Alexandria has
-condemned it; and the council of Elvira...."</p>
-
-<p><span class="smcap">Anthony</span> (<i>stops his ears</i>). "I will listen to thee no longer!"</p>
-
-<p><span class="smcap">Hilarion</span> (<i>raising his voice</i>). "Lo! thou fallest again into the
-habitual sin, which is sloth! Ignorance is the foam of pride. One says,
-forsoth:—'My conviction is formed! wherefore argue further?'—and one
-despises the doctors, the philosophers, tradition itself, and even the
-text of the law whereof one is ignorant! Dost thou imagine that thou
-dost hold all wisdom in the hollow of thy hand?"</p>
-
-<p><span class="pagenum"><a name="Page_66" id="Page_66">[Pg 66]</a></span></p>
-
-<p><span class="smcap">Anthony</span>. "I hear him still! His loud words fill my brain."</p>
-
-<p><span class="smcap">Hilarion</span>. "The efforts of others to comprehend God are mightier than
-all thy mortifications to move Him. We obtain merit only by our thirst
-for truth. Religion alone cannot explain all things; and the solution
-of problems ignored by thee can render faith still more invulnerable
-and noble. Therefore, for our salvation we must communicate with our
-brethren—otherwise the Church, the assembly of the faithful, would
-be a meaningless word—and we must listen to all reasoning, despising
-nothing, nor any person. The magician Balaam, the poet Aeschylus,
-and the Sybil of Cumæ—all foretold the Saviour. Dionysius, the
-Alexandrian, received from heaven the command to read all books. Saint
-Clement orders us to cultivate Greek letters. Hennas was converted by
-the illusion of a woman he had loved...."</p>
-
-<p><span class="smcap">Anthony</span>. "What an aspect of authority! It seems to me thou art growing
-taller...."</p>
-
-<p>(<i>And, in very truth, the stature of Hilarion is gradually increasing;
-and Anthony shuts his eyes, that he may not see him.</i>)</p>
-
-<p><span class="pagenum"><a name="Page_67" id="Page_67">[Pg 67]</a></span></p>
-
-<p><span class="smcap">Hilarion</span>. "Reassure thyself, good Hermit. Let us seat ourselves there,
-upon that great stone, as we used to do in other years, when, at the
-first dawn of day, I was wont to salute thee with the appellation,
-'Clear star of morning'—and thou wouldst therewith commence to
-instruct me. Yet my instruction is not yet completed. The moon gives us
-light enough. I am prepared to hear thy words."</p>
-
-<p>(<i>He has drawn a calamus from his girdle, and seating himself
-cross-legged upon the ground, with the papyrus roll still in his hand,
-he lifts his face toward Saint Anthony, who sits near him, with head
-bowed down.</i></p>
-
-<p><i>After a moment of silence Hilarion continues</i>:—)</p>
-
-<p>"Is not the word of God confirmed for us by miracles? Nevertheless
-the magicians of Pharaoh performed miracles; other imposters can
-perform them; one may be thereby deceived. What then is a miracle?
-An event which seems to us outside of nature. But do we indeed know
-all of Nature's powers; and because a common occurrence causes us no
-astonishment, does it therefore follow that we understand it."</p>
-
-<p><span class="pagenum"><a name="Page_68" id="Page_68">[Pg 68]</a></span></p>
-
-<p><span class="smcap">Anthony</span>. "It matters little! We must believe the Scriptures!"</p>
-
-<p><span class="smcap">Hilarion</span>. "Saint Paul, Origen, and many others did not understand
-the Scriptures in a literal sense: yet if Holy Writ be explained by
-allegories it becomes the portion of a small number, and the evidence
-of the truth disappears. What must we do?"</p>
-
-<p><span class="smcap">Anthony</span>. "We must rely upon the Church!"</p>
-
-<p><span class="smcap">Hilarion</span>. "Then the Scriptures are useless?"</p>
-
-<p><span class="smcap">Anthony</span>. "No! no! although I acknowledge that in the Old Testament
-there are some ... some obscurities. But the New shines with purest
-light."</p>
-
-<p><span class="smcap">Hilarion</span>. "Nevertheless, the Angel of the annunciation, in Matthew,
-appears to Joseph; while, in Luke, he appears to Mary. The anointing
-of Jesus by a woman takes place, according to the first Gospel, at the
-commencement of his public life; and, according to the other three, a
-few days before his death. The drink offered to him on the cross, is,
-in Matthew, vinegar mixed with gall; in Mark, it is wine and myrrh.
-According to Luke and Matthew, the apostles should take<span class="pagenum"><a name="Page_69" id="Page_69">[Pg 69]</a></span> with them
-neither money nor scrip for their journey—not even sandals nor staff;
-in Mark, on the contrary, Jesus bids them take nothing with them,
-except sandals and a staff. I am thereby bewildered!"</p>
-
-<p><span class="smcap">Anthony</span> (<i>in amazement</i>). "Aye, indeed!... in fact...."</p>
-
-<p><span class="smcap">Hilarion</span>. "At the contact of the woman who had an issue of blood, Jesus
-turned and said, 'Who hath touched my garments?' He did not know, then,
-who had touched him? That contradicts the omniscience of Jesus! If the
-tomb was watched by guards, the women need have felt no anxiety about
-finding help to roll away the stone from the tomb. Therefore there
-were no guards, or the holy women were not there. At Emmaus, he eats
-with his disciples and makes them feel his wounds. It is a human body,
-a material and ponderable object; and nevertheless it passes through
-walls! Is that possible?"</p>
-
-<p><span class="smcap">Anthony</span>. "It would require much time to answer thee properly!"</p>
-
-<p><span class="smcap">Hilarion</span>. "Why did he receive the Holy Spirit, being himself Son of
-the Holy Spirit? What need had he of baptism if he was the Word? How
-could the Devil have tempted<span class="pagenum"><a name="Page_70" id="Page_70">[Pg 70]</a></span> him, inasmuch as he was God? Have these
-thoughts never occurred to thee?"</p>
-
-<p><span class="smcap">Anthony</span>. "Yes!... often! Sometimes torpid, sometimes furious—they
-remain forever in my conscience. I crush them; they rise again, they
-stifle me; and sometimes I think that I am accursed."</p>
-
-<p><span class="smcap">Hilarion</span>. "Then it is needless for thee to serve God?"</p>
-
-<p><span class="smcap">Anthony</span>. "I shall always need to adore Him."</p>
-
-<p>(<i>After a long silence Hilarion continues</i>:)</p>
-
-<p>"But aside from dogma, all researches are allowed us. Dost thou desire
-to know the hierarchy of the Angels, the virtue of the Numbers, the
-reason of germs and of metamorphoses?"</p>
-
-<p><span class="smcap">Anthony</span>. "Yes! yes! my thought struggles wildly to escape from its
-prison. It seems to me that by exerting all my force I might succeed.
-Sometimes, for an instant, brief as a lightning flash, I even feel
-myself as thought uplifted,—then I fall back again!"</p>
-
-<p><span class="smcap">Hilarion</span>. "The secret thou wouldst obtain is guarded by sages. They
-dwell in a distant land; they are seated beneath giant trees; they
-are robed in white; they are calm<span class="pagenum"><a name="Page_71" id="Page_71">[Pg 71]</a></span> as Gods! A warm air gives them
-sufficient nourishment. All about them, leopards tread upon grassy
-turf. The murmuring of fountains and the neighing of unicorns mingle
-with their voices. Thou shalt hear them; and the face of the Unknown
-shall be unveiled!"</p>
-
-<p><span class="smcap">Anthony</span> (<i>sighing</i>). "The way is long; and I am old."</p>
-
-<p><span class="smcap">Hilarion</span>. "Oh! oh! wise men are not rare! there are some even very nigh
-thee!—here! Let us enter!"</p>
-<hr class="r5" />
-
-<div class="footnote">
-
-<p><a name="Footnote_1_7" id="Footnote_1_7"></a><a href="#FNanchor_1_7"><span class="label">[1]</span></a> Gibbon, a sincere admirer of Athanasius, gives a curious
-history of these charges, and expresses his disbelief in their
-truth. The story regarding the design to intercept the corn-fleet of
-Alexandria is referred to in the use of the word "monopolist."</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_72" id="Page_72">[Pg 72]</a></span></p></div>
-
-
-
-
-<h4><a name="IV" id="IV">IV</a></h4>
-
-
-<p>(<i>And Anthony beholds before him a vast basilica.</i></p>
-
-<p><i>The light gushes from the further end, marvellous as a multi-colored
-sun. It illuminates the innumerable heads of the crowd that fills the
-nave, and that eddies about the columns toward the side-aisles—where
-can be perceived, in wooden compartments, altars, beds, little chains
-of blue stones linked together, and constellations painted upon the
-walls.</i></p>
-
-<p><i>In the midst of the throng there are groups which remain motionless.
-Men standing upon stools harangue with fingers uplifted; others are
-praying, with arms outstretched in form of a cross; others are lying
-prostrate upon the pavement, or singing hymns, or drinking wine; others
-of the faithful, seated about a table, celebrate their agape;<a name="FNanchor_1_8" id="FNanchor_1_8"></a><a href="#Footnote_1_8" class="fnanchor">[1]</a>
-martyrs are unbandaging their limbs in order to show their wounds; and
-aged men, leaning upon staffs, recount their voyages.</i></p>
-
-<p><span class="pagenum"><a name="Page_73" id="Page_73">[Pg 73]</a></span></p>
-
-<p><i>There are some from the country of the Germans, from Thrace also, and
-from the Gauls, from Scythia and from the Indies, with snow upon their
-beards, feathers in their hair; thorns in the fringe of their garments;
-the sandals of some are black with dust, their skins are burnt by the
-sun. There is a vast confusion of costumes, mantles of purple and
-robes of linen, embroidered dalmaticas, hair shirts, sailors' caps,
-bishops' mitres. Their eyes fulgurate strangely. They have the look of
-executioners, or the look of eunuchs.</i></p>
-
-<p><i>Hilarion advances into their midst. All salute him. Anthony, shrinking
-closer to his shoulder, observes them. He remarks the presence of a
-great many women. Some of these are attired like men, and have their
-hair cut short. Anthony feels afraid of them.</i>)</p>
-
-<p><span class="smcap">Hilarion</span>. "Those are Christian women who have converted their husbands.
-Besides, the women were always upon the side of Jesus, even the
-idolatrous ones, for example, Procula, the wife of Pilate, and Poppæa,
-the concubine of Nero. Do not tremble!—come on."</p>
-
-<p>(<i>And others are continually arriving.</i></p>
-
-<p><i>They seem to multiply, to double themselves<span class="pagenum"><a name="Page_74" id="Page_74">[Pg 74]</a></span> by self-division, light
-as shadows—all the while making an immense clamour, in which yells of
-rage, cries of love, canticles and objurgations intermingle.</i>)</p>
-
-<p><span class="smcap">Anthony</span> (<i>in a low voice</i>). "What do they desire?"</p>
-
-<p><span class="smcap">Hilarion</span>. "The Lord said: 'I have yet many things to say to you....
-'<a name="FNanchor_2_9" id="FNanchor_2_9"></a><a href="#Footnote_2_9" class="fnanchor">[2]</a> They possess the knowledge of those things."</p>
-
-<p>(<i>And he pushes Anthony forward to a golden throne approached by five
-steps, whereon—surrounded by ninety-five disciples, all very thin and
-pale, and anointed with oil—sits the prophet Manes. He is beautiful
-as an archangel, immobile as a statue; he is clad in an Indian robe;
-carbuncles gleam in his plaited hair; at his left hand lies a book of
-painted images; his right reposes upon a globe. The images represent
-the creatures that erst slumbered in Chaos. Anthony bends forward to
-look upon them. Then——</i>)</p>
-
-<p class="smcap" style="text-align: center;">Manes</p>
-
-<p>(<i>makes his globe revolve; and regulating the tone of his words by a
-lyre which gives forth crystalline sounds, exclaims</i>:—)</p>
-
-<p><span class="pagenum"><a name="Page_75" id="Page_75">[Pg 75]</a></span></p>
-
-<p>"The celestial earth is at the superior extremity; the terrestrial
-earth at the inferior extremity. It is sustained by two angels—the
-Angel Splenditeneus, and Omophorus, whose faces are six.</p>
-
-<p>"At the summit of the highest heaven reigns the impassible Divinity;
-below, face to face, are the Son of God and the Prince of Darkness.</p>
-
-<p>"When the darkness had advanced even to his kingdom, God evolved from
-his own essence a virtue which produced the first man; and he environed
-him with the five elements. But the demons of darkness stole from him a
-part; and that part is the soul.</p>
-
-<p>"There is but one soul, universally diffused, even as the waters of
-a river divided into many branches. It is this universal soul that
-sighs in the wind—that shrieks in the marble under the teeth of the
-saw—that roars in the voice of the sea—that weeps tears of milk when
-the leaves of the fig tree are torn off.</p>
-
-<p>"The souls that leave this world emigrate to the stars, which are
-themselves animated beings."</p>
-
-<p><span class="smcap">Anthony</span> (<i>bursts into a laugh</i>). "Ah! ah! what an absurd imagination!"</p>
-
-<p><span class="pagenum"><a name="Page_76" id="Page_76">[Pg 76]</a></span></p>
-
-<p><span class="smcap">A Man</span> (<i>having no beard, and of a most austere aspect</i>). "Wherefore
-absurd?"</p>
-
-<p>(<i>Anthony is about to reply when Hilarion tells him in a low voice
-that the questioner is none other than the tremendous Origen himself;
-and</i>:—)</p>
-
-<p><span class="smcap">Manes</span> (<i>continues</i>). "But first they remain awhile in the Moon, where
-they are purified. Then they rise into the sun."</p>
-
-<p><span class="smcap">Anthony</span> (<i>slowly</i>). "I do not know of anything ... which prevents us
-... from believing it."</p>
-
-<p><span class="smcap">Manes</span>. "The proper aim of every creature is the deliverance of the ray
-of celestial light imprisoned within matter. It finds easier escape
-through the medium of perfumes, spices, the aroma of warmed wine, the
-light things which resemble thoughts. But the acts of life retain it
-within its prison. The murderer shall be born again in the form of a
-celephus; he that kills an animal shall become that animal; if thou
-plantest a vine, thou shalt be thyself bound within its boughs. Food
-absorbs the celestial light.... Therefore abstain! fast!"</p>
-
-<p><span class="smcap">Hilarion</span>. "Thou seest, they are temperate!"</p>
-
-<p><span class="pagenum"><a name="Page_77" id="Page_77">[Pg 77]</a></span></p>
-
-<p><span class="smcap">Manes</span>. "There is much of it in meats, less of it in herbs. Moreover
-the Pure Ones, by means of their great merits, despoil vegetation of
-this luminous essence; and, thus liberated, it reascends to its source.
-But through generation, animals keep it imprisoned within the flesh!
-Therefore, avoid women!"</p>
-
-<p><span class="smcap">Hilarion</span>. "Admire their continence."</p>
-
-<p><span class="smcap">Manes</span>. "Or rather contrive that they shall not create..............<a name="FNanchor_3_10" id="FNanchor_3_10"></a><a href="#Footnote_3_10" class="fnanchor">[3]</a></p>
-
-<p><span class="smcap">Anthony</span>. "Oh—abomination!"</p>
-
-<p><span class="smcap">Hilarion</span>. "What signifies the hierarchy of turpitudes? The Church has,
-forsooth, made marriage a sacrament!"</p>
-
-<p><span class="smcap">Saturninus</span> (<i>in Syrian costume</i>). "He teaches a most dismal system of
-the universe!... The Father, desiring to punish the angels who had
-revolted, ordered them to create the world. Christ came, in order that
-the God of the Jews, who was one of those angels...."</p>
-
-<p><span class="smcap">Anthony</span>. "He an angel! the Creator!"</p>
-
-<p><span class="smcap">Cerdo</span>. "Did he not seek to kill Moses, to deceive his own prophets, to
-seduce nations?—did<span class="pagenum"><a name="Page_78" id="Page_78">[Pg 78]</a></span> he not sow falsehood and idolatry broadcast?"</p>
-
-<p><span class="smcap">Marcion</span>. "Certainly, the Creator is not the true God!"</p>
-
-<p><span class="smcap">Saint Clement of Alexandria</span>. "Matter is eternal!"</p>
-
-<p><span class="smcap">Bardesanes</span> (<i>in the costume of the Babylonian magi</i>). "It was formed by
-the Seven Planetary Spirits."</p>
-
-<p><span class="smcap">The Hermians</span>. "Souls were made by the angels."</p>
-
-<p><span class="smcap">The Priscillianists</span>. "It was the Devil who made the world."</p>
-
-<p><span class="smcap">Anthony</span> (<i>rushing back from the circle</i>). "Horror!"</p>
-
-<p><span class="smcap">Hilarion</span> (<i>supporting him</i>). "Thou despairest too hastily!—thou dost
-misapprehend their doctrine! Here is one who received his teaching
-directly from Theodas, the friend of St. Paul. Hearken to him."</p>
-
-<p>(<i>And at a sign from Hilarion</i></p>
-
-<p><span class="smcap" style="text-align: center;">Valentinus</span></p>
-
-<p><i>appears in a tunic of cloth of silver; his skull is pointed at its
-summit; his voice has a wheezing sound.</i>)</p>
-
-<p><span class="pagenum"><a name="Page_79" id="Page_79">[Pg 79]</a></span></p>
-
-<p>"The world is the work of a God in delirium!"</p>
-
-<p><span class="smcap">Anthony</span> (<i>bending his head down</i>). "The work of a God in delirium!..."</p>
-
-<p>(<i>After a long silence</i>): "How can that be?"</p>
-
-<p><span class="smcap">Valentine</span>. "The most perfect of beings, and of the Æons, the Abyss;
-dwelt in the womb of the Deep together with Thought. By their union was
-begotten Intelligence, to whom Truth was given as a companion.</p>
-
-<p>"Intelligence and Truth engendered the Word and Life, who in their turn
-begat Man and the Church; and that doth make eight Æons!"</p>
-
-<p>(<i>He counts upon his fingers.</i>)</p>
-
-<p>"The Word and Truth also produced ten other Æons—which is to say, five
-couples. Man and the Church had begotten twelve more—among these the
-Paraclete and Faith, Hope and Charity, Perfection and Wisdom—Sophia.</p>
-
-<p>"The union of these thirty Æons constitutes the Pleroma, or
-Universality of God. Thus, even as the echo of a passing voice, as the
-effluvia of a perfume evaporating, as the fires of the setting sun,
-the Powers that<span class="pagenum"><a name="Page_80" id="Page_80">[Pg 80]</a></span> emanated from the Principle, forever continue to grow
-weaker.</p>
-
-<p>"But Sophia, desirous to know the Father, darted from the Pleroma;
-and the Word then made another couple, Christ and the Holy Ghost, who
-reunited all the Æons; and all together formed Jesus, the flower of the
-Pleroma.</p>
-
-<p>"But the effort of Sophia to flee away had left in the void an image of
-her—an evil substance, Acharamoth.<a name="FNanchor_4_11" id="FNanchor_4_11"></a><a href="#Footnote_4_11" class="fnanchor">[4]</a> The Saviour took pity upon her,
-freed her from all passion; and from the smile of Acharamoth redeemed,
-light was born; her tears formed the waters; by her sorrow was dark
-matter begotten.</p>
-
-<p>"Of Acharamoth was born the Demiurgos,—the fabricator of worlds,
-the creator of the heaven and of the Devil. He dwells far below the
-Pleroma—so far that he cannot behold it—so that he deems himself to
-be the true God, and repeats by the mouths of his prophets—'There is
-no other God but I.' Then he made man, and instilled into his soul the
-immaterial Seed which was the Church—a<span class="pagenum"><a name="Page_81" id="Page_81">[Pg 81]</a></span> reflection of the other Church
-established in the Pleroma.</p>
-
-<p>"One day Acharamoth shall reach the highest region and unite herself
-with the Saviour; the fire that is hidden in the world shall annihilate
-all matter, and shall even devour itself and men, becoming pure
-spirits, shall espouse the angels!"</p>
-
-<p><span class="smcap">Origen</span>. "Then shall the Demon be over-thrown and the reign of God
-commence!"</p>
-
-<p>(<i>Anthony expresses a cry, and forthwith</i>)</p>
-
-<p><span class="smcap">Basilides</span> (<i>taking him by the elbow, exclaims</i>:—)</p>
-
-<p>"The Supreme Being with all the infinite emanations is called
-Abraxas; and the Saviour with all his virtues, Kaulakau—otherwise,
-line-upon-line, rectitude upon rectitude.</p>
-
-<p>"The power of Kaulakau is obtained by the aid of certain words, which
-are inscribed upon this chalcedony to help the memory."</p>
-
-<p>(<i>And he points to a little stone suspended at his neck, upon which
-stone fantastic characters are graven.</i>)</p>
-
-<p>"Then thou wilt be transported into the Invisible and placed above all
-law; thou shalt contemn all things—even virtue!</p>
-
-<p><span class="pagenum"><a name="Page_82" id="Page_82">[Pg 82]</a></span></p>
-
-<p>"We, the Pure, must flee from pain, after the example of Kaulakau."</p>
-
-<p><span class="smcap">Anthony</span>. "What! and the cross?"</p>
-
-<p><span class="smcap">The Elkhesaites</span> (<i>in robes of hyacinth answers him</i>). "The woe and
-the degradation, the condemnation and oppression of my fathers<a name="FNanchor_5_12" id="FNanchor_5_12"></a><a href="#Footnote_5_12" class="fnanchor">[5]</a> are
-blotted out, through the mission which has come.</p>
-
-<p>"One may deny the inferior Christ, the man—Jesus; but the other Christ
-must be adored—whose personality was evolved under the brooding of the
-Dove's wings.</p>
-
-<p>"Honor marriage; the Holy Spirit is feminine!"</p>
-
-<p>(<i>Hilarion has disappeared; and Anthony, carried along by the crowd,
-arrives in the presence of</i>—)</p>
-
-<p class="smcap" style="text-align: center;">The Carpocratians</p>
-
-<p>(<i>reclining with women upon scarlet cushions.</i>)</p>
-
-<p>"Before entering into the Only thou shalt pass through a series of
-conditions and of actions. To free thyself from the powers of darkness,
-thou must at once accomplish their<span class="pagenum"><a name="Page_83" id="Page_83">[Pg 83]</a></span> works. The husband shall say to the
-wife: 'Have charity for thy brother'—and she will kiss thee."</p>
-
-<p class="smcap" style="text-align: center;">The Nicolaitans</p>
-
-<p>(<i>gathered about a mass of smoking meats</i>:)</p>
-
-<p>"This is a portion of the meat offered to idols;—partake of it!
-Apostasy is permissible when the heart is pure. Gorge thy flesh with
-all that it demands. Seek to exterminate it by dint of debauchery!
-Prounikos, the Mother of Heaven, wallowed in ignominies."</p>
-
-<p class="smcap" style="text-align: center;">The Marcosians</p>
-
-<p>(<i>wearing rings of gold, and glistening with precious balm and
-unguents</i>:)</p>
-
-<p>"Enter among us that thou mayst unite thyself to the Spirit! Enter
-among us that thou mayst quaff the draught of immortality!"</p>
-
-<p>(<i>And one of them shows him, behind a tapestry-hanging, the body of a
-man terminated by the head of an ass. This represents Sabaoth, father
-of the Devil. He spits upon the image in token of detestation.</i></p>
-
-<p><i>Another shows him a very low bed, strewn with flowers, exclaiming</i>:)</p>
-
-<p><span class="pagenum"><a name="Page_84" id="Page_84">[Pg 84]</a></span></p>
-
-<p>"The spiritual marriage is about to be consummated."</p>
-
-<p>(<i>A third, who holds a cup of glass, utters an invocation;—blood
-suddenly appears in the cup</i>:)</p>
-
-<p>"Ah! behold it! behold it!—the blood of Christ!"</p>
-
-<p>(<i>Anthony withdraws, but finds himself be-spattered by water splashed
-from a cistern.</i>)</p>
-
-<p class="smcap" style="text-align: center;">The Helvidians</p>
-
-<p>(<i>are flinging themselves into it head foremost, muttering</i>:—)</p>
-
-<p>"The man regenerated by baptism is impeccable!"</p>
-
-<p>(<i>Then he passes by a great fire at which the Adamites are warming
-themselves—all completely naked in imitation of the purity of
-Paradise; and he stumbles over</i>)</p>
-
-<p class="smcap" style="text-align: center;">The Messalines</p>
-
-<p>(<i>wallowing upon the pavement, half-slumbering, stupid</i>:)</p>
-
-<p>"Oh! crush us if thou wilt! we shall not move! Work is crime; all
-occupation is evil."</p>
-
-<p><span class="pagenum"><a name="Page_85" id="Page_85">[Pg 85]</a></span></p>
-
-<p>(<i>Behind these, the abject</i>)</p>
-
-<p class="smcap" style="text-align: center;">Paternians</p>
-
-<p>(<i>—men, women, and children lying pell mell upon a heap of filth, lift
-their hideous faces, wine-besmeared, and they cry aloud</i>:)</p>
-
-<p>"The inferior parts of the body, which were created by the Devil,
-belong to him! Let us eat, drink, and sin!"</p>
-
-<p><span class="smcap">Ætius</span>. "Crimes are necessities beneath the notice of God!"</p>
-
-<p>(<i>But suddenly</i>—)</p>
-
-<p><span class="smcap">A Man</span> (—<i>clad in a Carthaginian mantle, bounds into their midst,
-brandishing a scourge of thongs in his hand; and strikes violently and
-indiscriminately at all in his path</i>:)</p>
-
-<p>"Ah! imposters! simonists, heretics and demons!—vermin of the
-schools!—dregs of hell! Marcion, there, is a sailor of Sinopus
-excommunicated for incest;—Carpocrates was banished for being a
-magician; Ætius stole his concubine; Nicholas prostituted his wife;
-and this Manes, who calls himself the Buddha, and whose real name is
-Cubricus, was flayed alive with the point of a reed,<span class="pagenum"><a name="Page_86" id="Page_86">[Pg 86]</a></span> so that his skin
-even now hangs at the gates of Ctesiphon!"</p>
-
-<p><span class="smcap">Anthony</span> (<i>recognizing Tertullian, rushes to join him</i>): "Master! help!
-help!"</p>
-
-<p><span class="smcap">Tertullian</span> (<i>continuing</i>):</p>
-
-<p>"Break the images! veil the virgins! Pray, fast, weep and mortify
-yourselves! No philosophy! no books! After Jesus, science is useless!"</p>
-
-<p>(<i>All have fled away; and Anthony beholds, in lieu of Tertullian, a
-woman seated upon a bench of stone.</i></p>
-
-<p><i>She sobs; leaning her head against a column; her hair is loose; her
-body, weakened by grief, is clad in a long brown simar. Then they find
-themselves face to face and alone, far from the crowd; and a silence,
-an extraordinary stillness falls—as in the woods when the winds are
-lulled, and the leaves of the trees suddenly cease to whisper.</i></p>
-
-<p><i>This woman is still very beautiful, although faded, and pale as a
-sepulcher. They look at one another; and their eyes send to each other
-waves, as it were, of thoughts, bearing drift of a thousand ancient
-things, confused, mysterious. At last</i>—)</p>
-
-<p><span class="smcap">Priscilla</span> (<i>speaks</i>:)</p>
-
-<p><span class="pagenum"><a name="Page_87" id="Page_87">[Pg 87]</a></span></p>
-
-<p>"I was in the last chamber of the baths; and the rumbling sounds of the
-street caused a sleep to fall upon me.</p>
-
-<p>"Suddenly I heard a clamour of voices. Men were shouting—'It is a
-magician!—it is the Devil!' And the crowd stopped before our house, in
-front of the Temple Æsculapius. I drew myself up with my hands to the
-little window.</p>
-
-<p>"Upon the peristyle of the temple, there stood a man who wore about his
-neck a collar of iron. He took burning coals out of a chafing-dish, and
-with them drew lines across his breast, the while crying out—'Jesus!
-Jesus!' The people shouted—'This is not lawful! let us stone him!'
-But he continued. Oh! those were unheard of marvels—things which
-transported men who beheld them! Flowers broad as suns circled before
-my eyes, and I heard in the spaces above me the vibrations of a golden
-harp. Day died. My hands loosened their grasp of the window-bars; my
-body fell back, and when he had led me away to his house...."</p>
-
-<p><span class="smcap">Anthony</span>. "But of whom art thou speaking?"</p>
-
-<p><span class="smcap">Priscilla</span>. "Why, of Montanus!"</p>
-
-<p><span class="pagenum"><a name="Page_88" id="Page_88">[Pg 88]</a></span></p>
-
-<p><span class="smcap">Anthony</span>. "Montanus is dead!"</p>
-
-<p><span class="smcap">Priscilla</span>. "It is not true!"</p>
-
-<p><span class="smcap">A Voice</span>. "No: Montanus is not dead!"</p>
-
-<p>(<i>Anthony turns; and sees upon the bench near him, on the opposite
-side, another woman sitting; she is fair, and even paler than the
-other; there are swellings under her eyes, as though she had wept a
-long time. She speaks without being questioned</i>:)</p>
-
-<p><span class="smcap">Maximilla</span>. "We were returning from Tarsus by way of the mountains,
-when, at a turn in the road, we saw a man under a fig tree.</p>
-
-<p>"He cried from afar off: 'Stop! stop!' and rushed toward us, uttering
-words of abuse. The slaves ran up; he burst into a loud laugh. The
-horses reared; the molossi all barked.</p>
-
-<p>"He stood before us. The sweat streamed from his forehead; his mantle
-napped in the wind.</p>
-
-<p>"And calling us each by our names, he reproached us with the vanity
-of our work, the infamy of our bodies; and he shook his fist at the
-dromedaries because of the silver bells hanging below their mouths.</p>
-
-<p>"His fury now filled my very entrails with<span class="pagenum"><a name="Page_89" id="Page_89">[Pg 89]</a></span> fear and yet there was a
-strange pleasure in it which fascinated me, intoxicated me!</p>
-
-<p>"First the slaves came. 'Master,' they said, 'our animals are weary.'
-Then the women said, 'We are frightened,' and the slaves departed. Then
-the children began to weep,—'We are hungry.' And as the women were not
-answered, they disappeared also from our view.</p>
-
-<p>"He still spoke. I felt some one near me. It was my husband; but I
-listened only to the other. My husband crawled to me upon his knees
-among the stones, and cried—'Dost thou abandon me,' and I replied:
-'Yes! go thy way!' that I might accompany Montanus."</p>
-
-<p><span class="smcap">Anthony</span>. "A eunuch!"</p>
-
-<p><span class="smcap">Priscilla</span>. "Ah! does that astound thee, vulgar soul! Yet Magdalen,
-Johanna, Martha and Susannah did not share the couch of the Saviour.
-Souls may know the delirium of embrace better than bodies. That he
-might keep Eustolia with impunity, the bishop Leontius mutilated
-himself—loving his love more than his virility. And then, it was
-no fault of mine. Sotas could not cure me; a spirit constrained me.
-It is cruel, nevertheless! But what matter? I am the<span class="pagenum"><a name="Page_90" id="Page_90">[Pg 90]</a></span> last of the
-prophetesses; and after me the end of the world shall come."</p>
-
-<p><span class="smcap">Maximilla</span>. "He showered his gifts upon me. Moreover, no one loves him
-as I, nor is any other so well beloved by him!"</p>
-
-<p><span class="smcap">Priscilla</span>. "Thou liest! I am the most beloved!"</p>
-
-<p><span class="smcap">Maximilla</span>. "No: it is I!"</p>
-
-<p>(<i>They fight. Between their shoulders suddenly appears the head of a
-negro.</i>)</p>
-
-<p><span class="smcap">Montanus</span> (<i>clad in a black mantle, clasped by two cross-bones</i>):</p>
-
-<p>"Peace, my doves! Incapable of terrestrial happiness, we have obtained
-the celestial plentitude of our union. After the age of the Father,
-the age of the Son; and I inaugurate the third, which is that of the
-Paraclete. His light descended upon me during those forty nights when
-the heavenly Jerusalem appeared shining in the firmament, above my
-house at Pepuzza.</p>
-
-<p>"Ah, how ye cry out with anguish when the thongs of the scourge
-lacerate! how your suffering bodies submit to the ardor of my spiritual
-discipline! how ye languish with irrealizable longing! So strong has
-that desire become that it has enabled you to behold<span class="pagenum"><a name="Page_91" id="Page_91">[Pg 91]</a></span> the invisible
-world; and ye can now perceive souls even with the eyes of the body!"</p>
-
-<p><span class="smcap">Anthony</span>. (<i>Makes a gesture of astonishment.</i>)</p>
-
-<p><span class="smcap">Tertullian</span> (<i>who appears again, standing beside Montanus</i>):</p>
-
-<p>"Without doubt; for the soul has a body, and that which is bodiless has
-no existence."</p>
-
-<p><span class="smcap">Montanus</span>. "In order to render it yet more subtle, I have instituted
-many mortifications, three Lents a year, and prayers to be uttered
-nightly by the mind only, keeping the mouth closed, lest breathing
-might tarnish thought. It is necessary to abstain from second
-marriages, or rather from all marriage! The Angels themselves have
-sinned with women!"</p>
-
-<p><span class="smcap">The Archontics</span> (<i>wearing cilices of hair</i>):</p>
-
-<p>"The Saviour said: 'I come to destroy the work of the Woman!'"</p>
-
-<p><span class="smcap">The Tatianites</span> (<i>wearing cilices of reed</i>):</p>
-
-<p>"She is the tree of evil. Our bodies are but garments of skin."</p>
-
-<p>(<i>And continuing to advance along the same side, Anthony meets</i>:—)</p>
-
-<p><span class="smcap">The Valesians</span> (<i>extended upon the ground, with red wounds below their
-bellies, and blood<span class="pagenum"><a name="Page_92" id="Page_92">[Pg 92]</a></span> saturating their tunics. They offer him a knife.</i>)</p>
-
-<p>"Do as Origen did and as we have done! Is it the pain that thou
-fearest, coward? Is it the love of thy flesh that restrains thee,
-hypocrite?"</p>
-
-<p>(<i>And while he watches them writhing upon their backs, in a pool of
-blood</i>—)</p>
-
-<p><span class="smcap">The Cainites</span> (<i>wearing knotted vipers as fillets about their hair, pass
-by, vociferating in his ear</i>):—</p>
-
-<p>"Glory to Cain! Glory to Sodom! Glory be to Judas!</p>
-
-<p>"Cain made the race of the strong; Sodom terrified the earth by her
-punishment, and it was by Judas that God saved the world! Yes! by
-Judas: without him there would have been no death and no redemption!"</p>
-
-<p>(<i>They disappear beneath the horde of the</i>—)</p>
-
-<p><span class="smcap">Circumcelliones</span> (<i>all clad in the skins of wolves, crowned with thorns,
-and armed with maces of iron</i>).</p>
-
-<p>"Crush the fruit! befoul the spring! drown the child! Pillage the rich
-who are happy—who cat their fill! Beat the poor who envy the ass
-his saddle-cloth, the dog his meal, the<span class="pagenum"><a name="Page_93" id="Page_93">[Pg 93]</a></span> bird his nest,—and who is
-wretched at knowing that others are not as miserable as himself.</p>
-
-<p>"We, the Saints, poison, burn, massacre, that we may hasten the end of
-the world.</p>
-
-<p>"Salvation may be obtained through martyrdom only. We give ourselves
-martyrdom. We tear the skin from our heads with pincers; we expose our
-members to the plough; we cast ourselves into the mouths of furnaces!</p>
-
-<p>"Out upon baptism! out upon the Eucharist! out upon marriage! universal
-damnation!"</p>
-
-<p>(<i>Then throughout all the basilica there is a redoubling of fury.</i></p>
-
-<p><i>The Audians shoot arrows against the Devil; the Collyridians throw
-blue cloths toward the roof; the Ascites prostrate themselves before
-a waterskin; the Marcionites baptise a dead man with oil. A woman,
-standing near Appelles, exhibits a round loaf within a bottle, in order
-the better to explain her idea. Another, standing in the midst of an
-assembly of Sampseans distributes, as a sacrament, the dust of her
-own sandals. Upon the rose-strewn bed of the Marcosians, two lovers
-embrace. The Circumcellionites<span class="pagenum"><a name="Page_94" id="Page_94">[Pg 94]</a></span> slaughter one another; the Valesians
-utter the death-rattle; Bardesanes sings; Carpocras dances; Maximilla
-and Priscilla moan; and the false prophetess of Cappadocia, completely
-naked, leaning upon a lion, and brandishing three torches, shrieks the
-Terrible Invocation.</i></p>
-
-<p><i>The columns of the temple sway to and fro like the trunks of trees in a
-tempest; the amulets suspended about the necks of the Heresiarchs seem
-to cross each other in lines of fire; the constellations in the chapels
-palpitate; and the walls recoil with the ebb and flow of the crowd, in
-which each head is a wave that leaps and roars.</i></p>
-
-<p><i>Nevertheless, from the midst of the clamor arises the sound of a song,
-in which the name of Jesus is often repeated, accompanied by bursts of
-laughter.</i></p>
-
-<p><i>The singers belong to the rabble of the people; they all keep time to
-the song by clapping their hands. In their midst stands</i>—)</p>
-
-<p><span class="smcap">Artus</span> (<i>in a deacon's vestments</i>):</p>
-
-<p>"The fools who declaim against me pretend to explain the absurd; and in
-order to confound them utterly, I have composed ditties so droll that
-they are learned by heart<span class="pagenum"><a name="Page_95" id="Page_95">[Pg 95]</a></span> in all the mills, in the taverns and along
-the ports.</p>
-
-<p>"No! a thousand times no!—the Son is not coeternal with the Father,
-nor of the same substance! Otherwise he would not have said: 'Father,
-remove this chalice from me! Why dost thou call me good? God alone is
-good! I go to my God, to your God!'—and many other things testifying
-to his character of creature. The fact is further demonstrated for
-us by all his names:—lamb, shepherd, fountain, wisdom, son-of-man,
-prophet; the way, the corner-stone!"</p>
-
-<p><span class="smcap">Sabelliusés</span>. "I hold that both are identical."</p>
-
-<p><span class="smcap">Arius</span>. "The Council of Antioch has decided the contrary."</p>
-
-<p><span class="smcap">Anthony</span>. "Then what is the Word?... What was Jesus?"</p>
-
-<p><span class="smcap">The Valentinians</span>. "He was the husband of Acharamoth repentant!"</p>
-
-<p><span class="smcap">The Sethianians</span>. "He was Shem, the son of Noah!"</p>
-
-<p><span class="smcap">The Theodotians</span>. "He was Melchisedech!"</p>
-
-<p><span class="smcap">The Merinthians</span>. "He was only a man!"</p>
-
-<p><span class="smcap">The Apollinarists</span>. "He assumed the appearance<span class="pagenum"><a name="Page_96" id="Page_96">[Pg 96]</a></span> of one! He simulated the
-Passion!"</p>
-
-<p><span class="smcap">Marcel of Ancyra</span>. "He was a development of the Father!"</p>
-
-<p><span class="smcap">Pope Calixtus</span>. "Father and Son are but two modes of one God's
-manifestation!"</p>
-
-<p><span class="smcap">Methodius</span>. "He was first in Adam, then in man!"</p>
-
-<p><span class="smcap">Cerinthus</span>. "And He will rise again!"</p>
-
-<p><span class="smcap">Valentinus</span>. "Impossible—his body being celestial!"</p>
-
-<p><span class="smcap">Paul of Samosata</span>. "He became God <i>only</i> from the time of his baptism!"</p>
-
-<p><span class="smcap">Hermogenes</span>. "He dwells in the sun!"</p>
-
-<p>(<i>And all the Heresiarchs form a circle about Anthony, who weeps,
-covering his face with his hands.</i>)</p>
-
-<p><span class="smcap">A Jew</span> (<i>with a red beard, and spots of leprosy upon his shin,
-approaches close to Anthony, and, with a hideous sneer, exclaims</i>):</p>
-
-<p>"His soul was the soul of Esau! He suffered from the Bellephorentian
-sickness. Was not his mother, the seller of perfumes, seduced by a
-<span class="pagenum"><a name="Page_97" id="Page_97">[Pg 97]</a></span>Roman soldier, one Pantherus?.......................... <a name="FNanchor_6_13" id="FNanchor_6_13"></a><a href="#Footnote_6_13" class="fnanchor">[6]</a></p>
-
-<p><span class="smcap">Anthony</span> (<i>suddenly raising his head, looks at them a moment in silence;
-then advancing boldly upon them, exclaims</i>):</p>
-
-<p>"Doctors, magicians, bishops, and deacons, men and phantoms, away from
-me! begone! Ye are all lies!"</p>
-
-<p><span class="smcap">The Heresiarchs</span>. "We have martyrs more martyrs than thine, prayers
-that are more difficult, outbursts of love more sublime, ecstasies as
-prolonged as thine are."</p>
-
-<p><span class="smcap">Anthony</span>. "But ye have no revelation! no proofs!"</p>
-
-<p>(<i>They all at once brandish in the air their rolls of papyrus, tablets
-of wood, scrolls of leather, rolls of woven stuff bearing inscriptions;
-and elbowing; and pushing each other, they all shout to Anthony.</i>)</p>
-
-<p><span class="smcap">The Cerinthians</span>. "Behold the Gospel of the Hebrews!"</p>
-
-<p><span class="smcap">The Marcionites</span>. "Behold the Gospel of the Lord!"</p>
-
-<p><span class="smcap">The Marcosians</span>. "The Gospel of Eve!"</p>
-
-<p><span class="smcap">The Eucratites</span>. "The Gospel of Thomas!"</p>
-
-<p><span class="smcap">The Cainites</span>. "The Gospel of Judas!"</p>
-
-<p><span class="smcap">Basilides</span>. "The Treatise upon the Destiny of the Soul!"</p>
-
-<p><span class="pagenum"><a name="Page_98" id="Page_98">[Pg 98]</a></span></p>
-
-<p><span class="smcap">Manes</span>. "The Prophecy of Barkouf!"</p>
-
-<p>(<i>Anthony struggles, breaks from them, escapes them; and in a shadowy
-corner perceives</i>—)</p>
-
-<p><span class="smcap">The Aged Ebionites</span></p>
-
-<p>(<i>withered as mummies, their eyes dull and dim, their eyebrows white as
-frost.</i></p>
-
-<p><i>In tremulous voices they exclaim</i>:—)</p>
-
-<p>"We have known him, we have seen him! We knew the Carpenter's Son! We
-were then the same age as he; we dwelt in the same street. He used to
-amuse himself by modelling little birds of mud; aided his father at his
-work without fear of the sharp tools, or selected for his mother the
-skeins of dyed wool. Then he made a voyage to Egypt, from whence he
-brought back wondrous secrets. We were at Jericho when he came to find
-the Eater of Locusts. They talked together in a low voice, so that no
-one could hear what was said. But it was from that time that his name
-began to be noised abroad in Galilee, and that men began to relate many
-fables regarding him."</p>
-
-<p>(<i>They reiterate, tremulously</i>:)</p>
-
-<p>"We knew him! we others, we knew him!"</p>
-
-<p><span class="pagenum"><a name="Page_99" id="Page_99">[Pg 99]</a></span></p>
-
-<p><span class="smcap">Anthony</span>. "Ah, speak on, speak! What was his face like?"</p>
-
-<p><span class="smcap">Tertullian</span>. "His face was wild and repulsive; forasmuch as he
-had burthened himself with all the crimes, all the woes, all the
-deformities of mankind."</p>
-
-<p><span class="smcap">Anthony</span>. "Oh! no, no! I imagine, on the contrary, that his entire
-person must have been glorious with a beauty greater than the beauty of
-man!"</p>
-
-<p><span class="smcap">Eusebius of Cæsarea</span>. "There is indeed, at Paneades, propped up against
-the walls of a crumbling edifice surrounded by a wilderness of weeds
-and creeping plants, a certain statue of stone which, some say, was
-erected by the Woman healed of the issue of blood. But time has gnawed
-the face of the statue, and the rains have worn the inscription away."</p>
-
-<p>(<i>A woman steps forward from the group of the Carpocratians.</i>)</p>
-
-<p><span class="smcap">Marcellina</span>. "I was once a deaconess at Rome, in a little church, where
-I used to exhibit to the faithful, the silver images, of Saint Paul,
-Homer, Pythagoras and Jesus Christ.</p>
-
-<p>"I have only kept that of Jesus."</p>
-
-<p>(<i>She half opens her mantle.</i>)</p>
-
-<p><span class="pagenum"><a name="Page_100" id="Page_100">[Pg 100]</a></span></p>
-
-<p>"Dost thou desire it?"</p>
-
-<p><span class="smcap">A Voice</span>. "He reappears himself when we call upon him! It is the
-hour!—come!"</p>
-
-<p>(<i>And Anthony feels a brutal hand seize him by the arm, and drag him
-away.</i></p>
-
-<p><i>He mounts a stairway in complete darkness; and after having ascended
-many steps, he finds himself before a door.</i></p>
-
-<p><i>Then the one who is leading him—(is it Hilarion?—he does not
-know)—whispers in the ear of another</i>: "The Lord is about to
-come!"—<i>and they are admitted into a chamber, with a very low ceiling,
-and without furniture.</i></p>
-
-<p><i>The first object which attracts his attention is a long blood-colored
-chrysalis, with a human head surrounded by rays, and the word</i> Knouphus
-<i>inscribed all around it in Greek characters. It is placed upon the
-shaft of a column, which is in turn supported by a broad pedestal.
-Hanging upon the walls of the chamber are medallions of polished iron
-representing the heads of various animals:—the head of an ox, the head
-of a lion, the head of an eagle, the head of a dog, and the head of an
-ass—again!</i></p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em">
-<a id="redon202"></a>
-<img src="images/redon2_02.jpg" width="600" alt="" />
-<div class="caption"><p>... a long blood-colored chrysalis</p></div>
-</div>
-
-<p class="p2"><i>Earthen lamps, suspended below these<span class="pagenum"><a name="Page_101" id="Page_101">[Pg 101]</a></span> images, create a vacillating
-light. Through a hole in the wall, Anthony can see the moon shining
-far off upon the waves; he can even hear the feeble regular sound of
-lapping water; together with the heavy thud occasionally caused by the
-bumping of a ship's hull against the stones of the mole.</i></p>
-
-<p><i>There are men crouching down, with their faces hidden by their
-mantles. From time to time they utter sounds resembling a smothered
-bark. There are women also, sleeping with their foreheads resting upon
-their arms, and their arms supported by their knees; they are so hidden
-by their garments as to resemble heaps of cloth piled up at intervals
-against the wall. Near them are half naked children, whose persons
-swarm with vermin. They watch with idiotic stare the burning of the
-lamps; and nothing is done: all are waiting for something.</i></p>
-
-<p><i>They talk in undertones about family matters, or recommend to each
-other various remedies for their ailments. Some of them must embark
-at earliest daylight; the persecution is becoming too terrible to be
-endured. Nevertheless, the pagans are easily enough<span class="pagenum"><a name="Page_102" id="Page_102">[Pg 102]</a></span> deceived</i>:—"The
-fools imagine that we are really adoring Knouphus!"</p>
-
-<p><i>But one of the brethren, feeling himself suddenly inspired, takes his
-place before the column, where a basket has already been placed, filled
-with fennel and aristolochia. On the top of the basket is placed a
-loaf.</i>)</p>
-
-<p class="smcap" style="text-align: center;">The Inspired Brother</p>
-
-<p>(<i>unrolling a placard covered with designs representing cylinders
-blending with and fitting into one another, commences to pray</i>:)</p>
-
-<p>"The ray of the Word descended upon the darknesses; and there arose a
-mighty cry, like unto the voice of Light."</p>
-
-<p><span class="smcap">All</span> (<i>swaying their bodies in unison, respond</i>):</p>
-
-<p>"Kyrie eleison!"</p>
-
-<p><span class="smcap">The Inspired Brother</span>. "Then was Man created by the infamous
-God of Israel, aided by those who are these (<i>pointing to the
-medallions</i>)—Astophaios, Oraios, Sabaoth, Adonai, Eloi, Iao!</p>
-
-<p>"And Man, hideous, feeble, formless and thoughtless, lay upon the slime
-of the earth."</p>
-
-<p><span class="smcap">All</span> (<i>in plaintive accents</i>):</p>
-
-<p><span class="pagenum"><a name="Page_103" id="Page_103">[Pg 103]</a></span></p>
-
-<p>"Kyrie eleison!"</p>
-
-<p><span class="smcap">The Inspired Brother</span>. "But Sophia, compassionating him, vivified him
-with a spark of her own soul.</p>
-
-<p>"Then God, beholding Man so beautiful, waxed wroth; and imprisoned him
-within His own kingdom, forbidding him to touch the Tree of Knowledge.</p>
-
-<p>"Again did the other succor him. She sent to him the Serpent, who, by
-many long subterfuges, made him disobey that law of hate.</p>
-
-<p>"And Man, having tasted knowledge, understood celestial things."</p>
-
-<p><span class="smcap">All</span> (<i>raising their voices</i>):</p>
-
-<p>"Kyrie Eleison!"</p>
-
-<p><span class="smcap">The Inspired Brother</span>. "But Iabdalaoth through vengeance cast down man
-into the world of matter, and the Serpent with him."</p>
-
-<p><span class="smcap">All</span> (<i>in a very low tone</i>):</p>
-
-<p>"Kyrie Eleison!"</p>
-
-<p>(<i>Then all hold their peace, and there is silence.</i></p>
-
-<p><i>The odors of the port mingle with the smoke of the lamps in the warm
-air. The lamp-wicks crepitate; their flames are about to go out, long
-mosquitoes flit in rapid circlings about them. And Anthony groans
-in<span class="pagenum"><a name="Page_104" id="Page_104">[Pg 104]</a></span> an agony of anguish, as with the feeling that a monstrosity is
-floating about him, as with the fear of a crime that is about to be
-accomplished.</i></p>
-
-<p><i>But</i>—)</p>
-
-<p><span class="smcap">The Inspired Brother</span> (<i>stamping his heel upon the floor, snapping his
-fingers, tossing his head wildly, suddenly chants to a furious rhythm,
-with accompaniment of cymbals and a shrill flute</i>:—)</p>
-
-<p>"Come! come! come!—issue from thy cavern!</p>
-
-<p>"O swift one, who runneth without feet, captor who seizeth without hand!</p>
-
-<p>"Sinuous as the rivers, orbicular as the sun, black, with spots of
-gold, like the firmament star-besprinkled! Like unto the intertwinings
-of the vine, and the circumvolutions of entrails!</p>
-
-<p>"Unengendered! eater of earth! immortally young! unfailing
-perspicacious! honored at Epidaurus! Kindly to man! thou who didst heal
-King Ptolemy, and the warriors, of Moses, and Glaucus, son of Minos!</p>
-
-<p>"Come! come! come!—issue from thy cavern!"</p>
-
-<p><span class="smcap">All</span> (<i>repeat</i>):</p>
-
-<p><span class="pagenum"><a name="Page_105" id="Page_105">[Pg 105]</a></span></p>
-
-<p>"Come! come! come!—issue from thy cavern!"</p>
-
-<p>(<i>Nevertheless, nothing yet appears.</i>)</p>
-
-<p>"Why? What aileth him?"</p>
-
-<p>(<i>And they concert together, devise means.</i></p>
-
-<p><i>An old man presents a clod of turf as an offering. Then something
-upheaves within the basket. The mass of verdure shakes; the flowers
-fall, and the head of a python appears.</i></p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em;">
-<a id="redon05"></a>
-<img src="images/redon_05.jpg" width="600" alt="" />
-<div class="caption"><p>... the flowers fall and the head of a python appears</p></div>
-</div>
-
-<p class="p2"><i>It passes slowly around the edge of the loaf, like a circle moving
-around an immovable disk;—then it unfolds itself, lengthens out; it is
-enormous and of great weight. Lest it should touch the floor, the men
-uphold it against their breasts, the women support it upon their heads,
-the children hold it up at arms' length; and its tail, issuing through
-the hole in the wall, stretches away indefinitely to the bottom of the
-sea. Its coils double; they fill the chamber; they enclose Anthony.</i>)</p>
-
-<p><span class="smcap">The Faithful</span> (<i>press their mouths against its skin, snatch from one
-another the loaf which it has bitten, and cry aloud</i>:—)</p>
-
-<p>"It is thou! it is thou!</p>
-
-<p>"First raised up by Moses, broken by<span class="pagenum"><a name="Page_106" id="Page_106">[Pg 106]</a></span> Ezechias, re-established by the
-Messiah. He drank thee in the waters of baptism; but thou didst leave
-him in the Garden of Olives; and then indeed he felt his own weakness!</p>
-
-<p>"Writhing about the arms of the cross, and above his head, while
-casting thy slime upon the crown of thorns, thou didst behold him die!
-For thou art not Jesus, thou!—thou art the Word! thou art the Christ!"</p>
-
-<p>(<i>Anthony faints with horror, and falls prostrate in front of his hut
-upon the splinters of wood, where the torch that had slipped from his
-hand, is burning low.</i></p>
-
-<p><i>The shock arouses him. Opening his eyes again, he perceives the Nile,
-brightly undulating under the moon, like a vast serpent winding over
-the sands; so that the hallucination returns upon him again; he has not
-left the company of the Ophites; they surround him, call him; he sees
-them carrying baggage, descending to the port. He embarks along with
-them.</i></p>
-
-<p><i>An inappreciable time elapses.</i></p>
-
-<p><i>Then the vaults of a prison environ him. Iron bars in front of him
-make black lines against a background of blue; and in the darkness
-beside him people are praying and<span class="pagenum"><a name="Page_107" id="Page_107">[Pg 107]</a></span> weeping surrounded by others who
-exhort and console.</i></p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em;">
-<a id="redon06"></a>
-<img src="images/redon_06.jpg" width="600" alt="" />
-<div class="caption"><p>... and in the darkness beside him people are
-praying</p></div></div>
-
-<p class="p2"><i>Without, there is a murmur like the deep humming of a vast crowd, and
-there is splendour as of a summer's day.</i></p>
-
-<p><i>Shrill voices announce watermelons for sale, iced drinks, and cushions
-of woven grass to sit upon. From time to time there are bursts of
-applause. He hears the sound of footsteps above his head.</i></p>
-
-<p><i>Suddenly a long roar is heard, mighty and cavernous as the roar of
-water in an aqueduct.</i></p>
-
-<p><i>And he sees, directly opposite, behind the bars of another compartment
-across the arena a lion walking to and fro, then a line of sandals,
-bare legs, and purple fringes. Beyond are the vast circling wreaths
-of people, in symmetrical tiers, enlarging as they rise, from the
-lowest which hems in the arena to the uppermost above which masts
-rise to sustain a hyacinth-colored awning, suspended in air by ropes.
-Stairways radiating toward the centre, divide these huge circles of
-stone at regular intervals. The benches disappear under a host of
-spectators—knights, senators, soldiers, plebeians, vestals, and
-courtesans—in woollen hoods, in silken maniples, in fallow-colored<span class="pagenum"><a name="Page_108" id="Page_108">[Pg 108]</a></span>
-tunics; together with aigrettes of precious stones, plumes of feathers,
-the fasces of lictors; and all this swarming multitude deafens and
-stupefies Anthony with its shoutings, its tumultuous fury, as of an
-enormous boiling vat. In the middle of the arena, a vase of incense
-smokes upon an altar.</i></p>
-
-<p><i>Anthony thus knows that the people with him are Christians condemned
-to be thrown to the wild beasts. The men wear the red mantle of the
-pontiffs of Saturn; the women, the bandellettes of Ceres. Their friends
-divide among themselves shreds of their garments, and rings. To obtain
-access to the prison, they say, costs a great deal of money. But what
-matter! They will remain until it is all over.</i></p>
-
-<p><i>Anthony notices among these consolers, a certain bald-headed man,
-in a black tunic: Anthony has seen that face somewhere before. The
-consoler discourses to them concerning the nothingness of this world,
-and the felicity of the Elect. Anthony feels within him a transport of
-celestial love; he longs for the opportunity to lay down his life for
-the Saviour—not knowing as yet whether he himself is to be numbered
-among the martyrs.</i></p>
-
-<p><span class="pagenum"><a name="Page_109" id="Page_109">[Pg 109]</a></span></p>
-
-<p><i>But all—except a certain Phrygian, with long hair, who stands with
-his arms uplifted—have a look of woe. One old man is sobbing upon a
-bench; a youth standing close by, with drooping head, abandons himself
-to a reverie of sorrow.</i></p>
-
-<p><span class="smcap">The Old Man</span> <i>had refused to pay the customary contribution before the
-statue of Minerva, erected at the angle of the cross-roads; and he
-gazes at his companions with a look that signifies</i>:—)</p>
-
-<p>"Ye ought to have succored me! Communities can sometimes so arrange
-matters as to insure their being left in peace. Some among ye also
-procured those letters which falsely allege that one has sacrificed to
-idols."</p>
-
-<p>(<i>He asks aloud</i>:—)</p>
-
-<p>"Was it not Petrus of Alexandria who laid down the rule concerning what
-should be done by those who have yielded to torture?"</p>
-
-<p>(<i>Then, to himself</i>:—)</p>
-
-<p>"Ah! how cruel this at my age! My infirmities make me so weak!
-Nevertheless, I might easily have lived until the coming winter, or
-longer!"</p>
-
-<p><span class="pagenum"><a name="Page_110" id="Page_110">[Pg 110]</a></span></p>
-
-<p>(<i>The memory of his little garden makes him sad, and he gazes toward
-the altar.</i>)</p>
-
-<p><span class="smcap">The Young Man</span> (<i>who disturbed the festival of Apollo by violence and
-blows, murmurs</i>:—)</p>
-
-<p>"Yet it would have been easy for me to have fled to the mountains!"</p>
-
-<p>(<i>One of the brothers answers</i>:—)</p>
-
-<p>"But the soldiers would have captured thee!"</p>
-
-<p><span class="smcap">The Young Man</span>. "Oh! I would have done as Cyprian did—I would have
-returned, and the second time I would surely have had more force!"</p>
-
-<p>(<i>Then he thinks of the innumerable days that he might have lived, of
-all the joys that he might have known, but will never know; and he
-gazes toward the altar.</i></p>
-
-<p><i>But</i>—)</p>
-
-<p><span class="smcap">The Man in the Black Tunic</span> (<i>rushes to his side.</i>)</p>
-
-<p>"What scandal! What! Thou! a victim of God's own choice! And all these
-women here who are looking at thee! Nay, think what thou art doing!
-Moreover, remember that God sometimes vouchsafes to perform a miracle.
-Pionius numbed and made powerless<span class="pagenum"><a name="Page_111" id="Page_111">[Pg 111]</a></span> the hands of his executioners; the
-blood of Polycarp extinguished the fire of the stake."</p>
-
-<p>(<i>Then he turns to the Old Man</i>:—)</p>
-
-<p>"Father, father! it behooves thee to edify us by thy death! By longer
-delaying it, thou wouldst doubtless commit some evil action that would
-lose thee the fruit of all thy good works. Remember, also, that the
-power of God is infinite; and it may come to pass that all the people
-will be converted by thy example."</p>
-
-<p>(<i>And in the great den opposite, the lions stride back and forth,
-ceaselessly, with a rapid continuous motion. The largest suddenly looks
-at Anthony and roars, and a vapour issues from his jaws.</i></p>
-
-<p><i>The women are huddled against the men.</i>)</p>
-
-<p><span class="smcap">The Consoler</span> (<i>goes from one to the other.</i>)</p>
-
-<p>"What would ye say, what wouldst thou say if thou wert to be burned
-with red-hot irons, if thou wert to be torn asunder by horses, if thou
-hadst been condemned to have thy body smeared with honey, and thus
-exposed to be devoured by flies! As it is, thou wilt only suffer the
-death of a hunter surprised by a beast in the woods."</p>
-
-<p><span class="pagenum"><a name="Page_112" id="Page_112">[Pg 112]</a></span></p>
-
-<p>(<i>Anthony would prefer all those things to death by the fangs of the
-horrible wild beasts; he fancies already that he feels their teeth and
-their claws, that he hears his bones cracking between their jaws.</i></p>
-
-<p><i>A keeper enters the dungeon; the martyrs tremble.</i></p>
-
-<p><i>Only one remains impassable, the Phrygian, who prays standing apart
-from the rest. He has burned three temples; and he advances with arms
-uplifted, mouth open, face turned toward heaven, seeing nothing around
-him, like a somnambulist.</i>)</p>
-
-<p><span class="smcap">The Consoler</span> (<i>shouts</i>). "Back! back! lest the spirit of Montanus might
-come upon you."</p>
-
-<p><span class="smcap">All</span> (<i>recoil from the Phrygian, and vociferate</i>)</p>
-
-<p>"Damnation to the Montanist!"</p>
-
-<p>(<i>They insult him, spit upon him, excite each other to beat him.</i></p>
-
-<p><i>The rearing lions bite each other's manes</i>;)</p>
-
-<p><span class="smcap">The People</span> "To the beasts with them, to the beasts."</p>
-
-<p><i>The Martyrs burst into sobs, and embrace each other passionately. A
-cup of narcotic<span class="pagenum"><a name="Page_113" id="Page_113">[Pg 113]</a></span> wine is offered them. It is passed from hand to hand,
-quickly.</i></p>
-
-<p><i>Another keeper, standing at the door of the den, awaits the signal.
-The den opens; a lion comes out.</i></p>
-
-<p><i>He crosses the arena with great oblique strides. Other lions follow in
-file after him; then a bear, three panthers, and some leopards. They
-scatter through the arena like a flock in a meadow.</i></p>
-
-<p><i>The crack of a whip resounds. The Christians stagger forward; and
-their brethren push them, that it may be over the sooner.</i></p>
-
-<p><i>Anthony closes his eyes.</i></p>
-
-<p><i>He opens them again. But darkness envelopes him.</i></p>
-
-<p><i>Soon the darkness brightens; and he beholds an arid plain, mamillated
-with knolls, such as might be seen about abandoned quarries.</i></p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em;">
-<a id="redon07"></a>
-<img src="images/redon_07.jpg" width="600" alt="" />
-<div class="caption"><p>... and he beholds an arid plain, mamillated with knolls</p></div>
-</div>
-
-<p class="p2"><i>Here and there a tuft of shrubbery rises among the slabs of stone,
-level with the soil; and there are white figures, vaguer than clouds,
-bending over the slabs.</i></p>
-
-<p><i>Others approach, softly, silently. Eyes gleam through the slits of
-long veils. By the easy indifference of their walk, and the perfumes<span class="pagenum"><a name="Page_114" id="Page_114">[Pg 114]</a></span>
-exhaled from their garments, Anthony knows they are patrician women.
-There are men also, but of inferior condition; for their faces are at
-once simple-looking and coarse.</i></p>
-
-<p>(<i>One of the Women, taking a long breath</i>:)</p>
-
-<p>"Ah! how good the cool air of night is, among the sepulchers! I am so
-weary of the softness of beds, the turmoil of days, the heavy heat of
-the sun!"</p>
-
-<p>(<i>Her maid-servant takes from a canvas bag, a torch which she ignites.
-The faithful light other torches by it, and plant them upon the tombs.</i>)</p>
-
-<p><span class="smcap">A Woman</span> (<i>panting</i>).</p>
-
-<p>"I am here at last! Oh how wearisome to be the wife of an idolator!"</p>
-
-<p><span class="smcap">Another</span>. "These visits to the prisons, interviews with our brethren,
-are all matters of suspicion to our husbands! And we must even hide
-ourselves in order to make the sign of the cross; they would take it
-for a magical conjuration!"</p>
-
-<p><span class="smcap">Another</span>. "With my husband it was a quarrel every day. I would not
-submit myself to his brutal exactions; therefore he has had me
-prosecuted as a Christian."</p>
-
-<p><span class="smcap">Another</span>. "Do you remember Lucius,<span class="pagenum"><a name="Page_115" id="Page_115">[Pg 115]</a></span> that young man who was so beautiful,
-who was dragged like Hector, with his heels attached to a chariot,
-from the Esquiline Gate to the mountains of Tibur?—and how his blood
-spattered the bushes on either side of the road? I gathered up the
-drops of his blood. Behold it!"</p>
-
-<p>(<i>She drags a black sponge from her bosom, covers it with kisses, and
-flings herself down upon the slabs, crying aloud</i>:—)</p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em;">
-<a id="redon08"></a>
-<img src="images/redon_08.jpg" width="600" alt="" />
-<div class="caption"><p>She drags a black sponge from her bosom, covers it with kisses ...</p></div>
-</div>
-
-<p class="p2">"Ah! my friend! my friend!"</p>
-
-<p><span class="smcap">A Man</span>. "It is just three years to-day since Domitilla died. They stoned
-her at the further end of the Grove of Proserpine. I gathered her
-bones, which shone like glowworms in the grass. The earth how covers
-them."</p>
-
-<p>(<i>He casts himself down upon a tomb.</i>)</p>
-
-<p>"O my betrothed! my betrothed!"</p>
-
-<p>(<i>And all the others scattered over the plain</i>:—)</p>
-
-<p>"O my sister! O my brother! O my daughter! O my mother!"</p>
-
-<p>(<i>Some kneel, covering their faces with their hands; others lie down
-upon the ground with their arms extended; and the sobs they smother
-shake their breasts with such violence as though their hearts were
-breaking<span class="pagenum"><a name="Page_116" id="Page_116">[Pg 116]</a></span> with grief. Sometimes they look up to heaven, exclaiming</i>:—)</p>
-
-<p>"Have mercy upon her soul, O my God! She languishes in the sojourn of
-Shades; vouchsafe to admit her to thy Resurrection, that she may enjoy
-Thy Light!"</p>
-
-<p>(<i>Or, with eyes fixed upon the gravestones, they murmur to the dead</i>:—)</p>
-
-<p>"Be at peace, beloved! and suffer not! I have brought thee wine and
-meats!"</p>
-
-<p><span class="smcap">A Widow</span>. "Here is pultis, made by my own hands, as he used to like it,
-with plenty of eggs and a double measure of flour! We are going to eat
-it together as in other days, are we not?"</p>
-
-<p>(<i>She lifts a little piece to her lips, and suddenly bursts into an
-extravagant and frenzied laugh.</i></p>
-
-<p><i>The others also nibble a little bit as she does and drink a mouthful
-of wine.</i></p>
-
-<p><i>They recount to each other the stories of their martyrs; grief becomes
-exalted! libations redouble. Their tear-swimming eyes are fixed upon
-each other's faces. They stammer with intoxication and grief; gradually
-hands touch hands, lips join themselves<span class="pagenum"><a name="Page_117" id="Page_117">[Pg 117]</a></span> to lips, and they seek each
-other upon the tombs, between the cups and the torches.</i></p>
-
-<p><i>The sky begins to whiten. The fog makes damp their garments; and,
-without appearing even to know one another, they depart by different
-ways and seek their homes.</i></p>
-
-<p><i>The sun shines; the weeds and the grass have grown higher; the face of
-the plain is changed.</i></p>
-
-<p><i>And Anthony, looking between tall bamboos, sees distinctly a forest of
-columns, of bluish-grey color. These are tree-trunks, all originating
-from one vast trunk. From each branch of the colossal tree descend
-other branches which may bury themselves in the soil; and the aspect of
-all these horizontal and perpendicular lines, indefinitely multiplied,
-would closely resemble a monstrous timber-work, were it not that they
-have small figs<a name="FNanchor_7_14" id="FNanchor_7_14"></a><a href="#Footnote_7_14" class="fnanchor">[7]</a> growing upon them here and there, and a blackish
-foliage, like that of the sycamore.</i></p>
-
-<p><i>He perceives in the forkings of their branches, hanging bunches of
-yellow flowers, violet flowers also, and ferns that resemble the plumes
-of splendid birds.</i></p>
-
-<p><i>Under the lowest branches the horns of a<span class="pagenum"><a name="Page_118" id="Page_118">[Pg 118]</a></span> bubalus gleam at intervals,
-and the bright eyes of antelopes are visible; there are hosts of
-parrots; there are butterflies flittering hither and thither; lizards
-lazily drag themselves up or down; flies buzz and hum; and in the midst
-of the silence, a sound is audible as of the palpitation of a deep and
-mighty life.</i></p>
-
-<p><i>Seated upon a sort of pyre at the entrance of the wood is a strange
-being—a man—besmeared with cow-dung, completely naked, more withered
-than a mummy; his articulations form knots at the termination of bones
-that resemble sticks. He has bunches of shells suspended from his ears;
-his face is very long, and his nose like a vulture's beak. His left arm
-remains motionlessly erect in air, anchylosed, rigid as a stake; and he
-has been seated here so long that birds have made themselves a nest in
-his long hair.</i></p>
-
-<p><i>At the four corners of his wooden pyre flame four fires. The sun is
-directly in front of him. He gazes steadily at it with widely-opened
-eyes; and, then without looking at Anthony, asks him</i>:—)</p>
-
-<p>"Brahmin from the shores of the Nile,<span class="pagenum"><a name="Page_119" id="Page_119">[Pg 119]</a></span> what hast thou to say regarding
-these things?"</p>
-
-<p>(<i>Flames suddenly burst out on all sides of him, through the intervals
-between the logs of the pyre; and</i>—)</p>
-
-<p><span class="smcap">The Gymnosophist</span> (<i>continues</i>).</p>
-
-<p>"Lo! I have buried myself in solitude, like the rhinoceros. I dwelt in
-the tree behind me."</p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em;">
-<a id="redon09"></a>
-<img src="images/redon_09.jpg" width="600" alt="" />
-<div class="caption"><p>I have buried myself in solitude, like the
-rhinoceros. I dwelt in the tree behind me </p></div></div>
-
-<p class="p2">(<i>The vast fig-tree, indeed, shows in one of its groves, a natural
-excavation about the size of a man.</i>)</p>
-
-<p>"And I nourished me with flowers and fruits, observing the precepts so
-rigidly that not even a dog ever beheld me eat.</p>
-
-<p>"Inasmuch as existence originates from corruption, corruption from
-desire, desire from sensation, sensation from contact, I have ever
-avoided all action, all contact, and perpetually—motionless as the
-stela of a tomb, exhaling my breath from my two nostrils, fixing my
-eyes upon my nose, and contemplating the ether in my mind, the world in
-my members, the moon in my heart—I dreamed of the essence of the great
-Soul whence continually escape the principles of life, even as sparks
-escape from fire.</p>
-
-<p><span class="pagenum"><a name="Page_120" id="Page_120">[Pg 120]</a></span></p>
-
-<p>"Thus at last I found the supreme Soul in all beings, and all beings
-in the supreme Soul; and I have been able to make mine own soul all my
-senses.</p>
-
-<p>"I receive knowledge directly from heaven, like the bird Tchataka, who
-quenches his thirst from falling rain only.</p>
-
-<p>"Even by so much as things are known to me, things no longer exist.</p>
-
-<p>"For me now there is no more hope, no more anguish, there is neither
-happiness nor virtue, nor day nor night, nor Thou nor I—absolutely
-nothing!</p>
-
-<p>"My awful austerities have made me superior to the Powers. A single
-contraction of my thought would suffice to kill a hundred sons of
-kings, to dethrone gods, to overturn the world."</p>
-
-<p>(<i>He utters all these things in a monotonous voice.</i></p>
-
-<p><i>The surrounding leaves shrivel up. Fleeing rats rush over the ground.</i></p>
-
-<p><i>He slowly turns his eyes downward toward the rising flames, and then
-continues</i>:—)</p>
-
-<p>"I have loathed Form, I have loathed Perception, I have loathed even
-Knowledge itself, for the thought does not survive the transitory<span class="pagenum"><a name="Page_121" id="Page_121">[Pg 121]</a></span> fact
-which caused it; and mind, like all else, is only an illusion.</p>
-
-<p>"All that is engendered will perish; all that is dead must live again;
-the beings that have even now disappeared shall sojourn again in wombs
-as yet unformed, and shall again return to earth to serve in woe other
-creatures.</p>
-
-<p>"But inasmuch as I have rolled through the revolution of an indefinite
-multitude of existences, under the envelopes of gods, of men, and of
-animals, I renounce further wanderings; I will endure this weariness
-no more! I abandon the filthy hostelry of this body of mine, built
-with flesh, reddened with blood, covered with a hideous skin, full of
-uncleanliness; and, for my recompense, I go at last to slumber in the
-deepest deeps of the Absolute—in Annihilation."</p>
-
-<p>(<i>The flames rise to his chest, then envelope him. His head rises
-through them as through a hole in the wall. His cavernous eyes still
-remain icicle open, gazing.</i>)</p>
-
-<p><span class="smcap">Anthony</span> (<i>rises</i>).</p>
-
-<p>(<i>The torch, which had fallen to the ground, has ignited the splinters
-of wood; and the flames have singed his beard.<span class="pagenum"><a name="Page_122" id="Page_122">[Pg 122]</a></span></i></p>
-
-<p><i>With a loud cry, Anthony tramples the fire out; and, when nothing
-remains but ashes, he exclaims</i>:—)</p>
-
-<p>"Where can Hilarion be? He was here a moment ago. I saw him!</p>
-
-<p>"What! No; it is impossible; I must have been mistaken!</p>
-
-<p>"Yet why?... Perhaps my cabin, these stones, this sand, have no real
-existence. I am becoming mad! Let me be calm! Where was I? What was it
-that happened?</p>
-
-<p>"Ah! the gymnosophist!... Such a death is frequent among the sages of
-India. Kalanos burned himself before Alexander; another did likewise
-in the time of Augustus. What hatred of life men must have to do thus!
-Unless, indeed, they are impelled by pride alone?... Yet in any event
-they have the intrepidity of martyrs.... As for the latter, I can now
-well believe what has been told me regarding the debauchery they cause.</p>
-
-<p>"And before that? Yes: I remember now! the host of the Heresiarchs!
-What outcries! What eyes! Yet why so much rebellion of the flesh, so
-much dissoluteness, so many aberrations of the intellect.</p>
-
-<p><span class="pagenum"><a name="Page_123" id="Page_123">[Pg 123]</a></span></p>
-
-<p>"They claim, nevertheless, to seek God through all those ways! What
-right have I to curse them—I, who stumble so often in mine own path?
-I was perhaps about to learn more of them at the moment when they
-disappeared. Too rapid was the whirl; I had no time to answer. Now I
-feel as though there were more space, more light in my understanding. I
-am calm. I even feel myself able to.... What is this? I thought I had
-put out the fire!"</p>
-
-<p>(<i>A flame flits among the rocks; and soon there comes the sound of
-a voice—broken, convulsed as by sobs—from afar off, among the
-mountains.</i>)</p>
-
-<p>"Can it be the cry of a hyena, or the lamentation of some traveler that
-has lost his way?"</p>
-
-<p>(<i>Anthony listens. The flame draws nearer.</i></p>
-
-<p><i>And he beholds a weeping woman approach, leaning upon the shoulder of
-a white-bearded man.</i></p>
-
-<p><i>She is covered with a purple robe in rags. He is bareheaded like lier,
-wears a tunic of the same color, and carries in his hands a brazen
-vase, whence arises a thin blue flame.</i></p>
-
-<p><span class="pagenum"><a name="Page_124" id="Page_124">[Pg 124]</a></span></p>
-
-<p><i>Anthony feels a fear come upon him, and wishes to know who this woman
-may be.</i>)</p>
-
-<p><span class="smcap">The Stranger Simon</span>. "It is a young girl, a poor child that I lead about
-with me everywhere."</p>
-
-<p>(<i>He uplifts the brazen vase.</i></p>
-
-<p><i>Anthony contemplates the girl, by the light of its vacillating flame.</i></p>
-
-<p><i>There are marks of bites upon her face, traces of blows upon her arms;
-her dishevelled hair entangles itself in the rents of her rags; her
-eyes appear to be insensible to light.</i>)</p>
-
-<p><span class="smcap">Simon</span>. "Sometimes she remains thus for a long, long time without
-speaking; then all at once she revives, and discourses of marvellous
-things."</p>
-
-<p><span class="smcap">Anthony</span>. "In truth?"</p>
-
-<p><span class="smcap">Simon</span>. "Ennoia; Ennoia! Ennoia!—tell us what thou hast to say!"</p>
-
-<p>(<i>She rolls her eyes like one awaking from a dream, slowly passes her
-fingers over her brows, and in a mournful voice, speaks</i>:—)</p>
-
-<p>Helena<a name="FNanchor_8_15" id="FNanchor_8_15"></a><a href="#Footnote_8_15" class="fnanchor">[8]</a> (<i>Ennoia</i>).</p>
-
-<p><span class="pagenum"><a name="Page_125" id="Page_125">[Pg 125]</a></span></p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em;">
-<a id="redon10"></a>
-<img src="images/redon_10.jpg" width="600" alt="" />
-<div class="caption"><p>Helena - Ennoia</p></div>
-</div>
-
-<p class="p2">"I remember a distant land, of the color of emerald. Only one tree
-grows there.</p>
-
-<p>(<i>Anthony starts</i>).</p>
-
-<p>"Upon each of its tiers of broad-extending arms, a pair of Spirits
-dwell in air. All about them the branches intercross, like the veins
-of a body; and they watch the eternal Life circulating, from the roots
-deep plunging into darkness even to the leafy summit that rises higher
-than the sun. I, dwelling upon the second branch, illuminated the
-nights of Summer with my face."</p>
-
-<p><span class="smcap">Anthony</span>, (<i>tapping his own forehead</i>:—)</p>
-
-<p>"Ah! ah! I comprehend! her head!..."</p>
-
-<p><span class="smcap">Simon</span> (<i>placing his finger to his lips</i>:—)</p>
-
-<p>"Hush!"</p>
-
-<p><span class="smcap">Helena</span>. "The sail remained well filled by the wind; the keel cleft the
-foam. He said to me: 'What though I afflict my country, though I lose
-my kingdom! Thou wilt belong to me, in my house!'</p>
-
-<p>"How sweet was the lofty chamber of his palace! Lying upon the ivory
-bed, he caressed my long hair, singing amorously the while.</p>
-
-<p>"Even at the close of the day I beheld the two camps, the watchfires
-being lighted,<span class="pagenum"><a name="Page_126" id="Page_126">[Pg 126]</a></span> Ulysses at the entrance of his tent, armed Achilles
-driving a chariot along the sea-beach."</p>
-
-<p><span class="smcap">Anthony</span>. "Why! she is utterly mad! How came this to pass?..."</p>
-
-<p><span class="smcap">Simon</span>. "Hush! hush!"</p>
-
-<p><span class="smcap">Helena</span>. "They anointed me with unguents, and sold me to the people that
-I might amuse them.</p>
-
-<p>"One evening I was standing with the sistrum in my hand, making music
-for some Greek sailors who were dancing. The rain was falling upon the
-roof of the tavern like a cataract, and the cups of warm wine were
-smoking.</p>
-
-<p>"A man suddenly entered, although the door was not opened to let him
-pass."</p>
-
-<p><span class="smcap">Simon</span>. "It was I! I found thee again!</p>
-
-<p>"Behold her, Anthony, she whom they call Sigeh, Ennoia, Barbelo,
-Prounikos! The Spirits governing the world were jealous of her; and
-they imprisoned her within the body of a woman.</p>
-
-<p>"She was that Helen of Troy, whose memory was cursed by the poet
-Stesichorus. She was Lucretia, the patrician woman violated by a king.
-She was Delilah, by whom Samson's<span class="pagenum"><a name="Page_127" id="Page_127">[Pg 127]</a></span> locks were shorn.... She has loved
-adultery, idolatry, lying and foolishness. She has prostituted herself
-to all nations. She has sung at the angles of all cross-roads. She has
-kissed the faces of all men.</p>
-
-<p>"At Tyre, she, the Syrian, was the mistress of robbers. She caroused
-with them during the nights; and she concealed assassins amidst the
-vermin of her tepid bed."</p>
-
-<p><span class="smcap">Anthony</span>. "Ah! what is this to me?..."</p>
-
-<p><span class="smcap">Simon</span> (<i>with a furious look</i>:—)</p>
-
-<p>"I tell thee that I have redeemed her, and re-established her in her
-former splendor; insomuch that Caius Cæsar Caligula became enamoured of
-her, desiring to sleep with the Moon!"</p>
-
-<p><span class="smcap">Anthony</span>. "What then?..."</p>
-
-<p><span class="smcap">Simon</span>. "Why this, that she herself is the Moon! Has not Pope Clement
-written how she was imprisoned in a tower? Three hundred persons
-surrounded the tower to watch it; and the moon was seen at each of the
-loop-holes at the same time, although there is not more than one moon
-in the world, nor more than one Ennoia!"</p>
-
-<p><span class="pagenum"><a name="Page_128" id="Page_128">[Pg 128]</a></span></p>
-
-<p><span class="smcap">Anthony</span>. "Yes ... it seems to me that I remember...."</p>
-
-<p>(<i>He falls into a reverie.</i>)</p>
-
-<p><span class="smcap">Simon</span>. "Innocent as the Christ who died for men, so did she devote
-herself for women. For the impotence of Jehovah is proven by the
-transgression of Adama, and we must shake off the yoke of the old law,
-which is antipathetic to the order of things.<a name="FNanchor_9_16" id="FNanchor_9_16"></a><a href="#Footnote_9_16" class="fnanchor">[9]</a></p>
-
-<p>"I have preached the revival in Ephraim and in Issachar by the torrent
-of Bizor, beyond the Lake of Houleh, in the valley of Maggedo, further
-than the mountains, at Bostra and at Damascus. Let all come to me who
-are covered with wine, who are covered with filth, who are covered with
-blood! and I shall take away their uncleanliness with the Holy Spirit,
-called Minerva by the Greeks. She is Minerva! she is the Holy Spirit! I
-am Jupiter, Apollo, the Christ, the Paraclete, the great might of God,
-incarnated in the person of Simon!"</p>
-
-<p><span class="smcap">Anthony</span>. "Ah! it is thou!... so it is thou! But I know thy crimes!</p>
-
-<p>"Thou wast born at Gittoi near Samaria,<span class="pagenum"><a name="Page_129" id="Page_129">[Pg 129]</a></span> Dositheas, thy first master,
-drove thee from him. Thou didst execrate Saint Paul because he
-converted one of thy wives; and, vanquished by Saint Peter, in thy rage
-and terror thou didst cast into the waves the bag which contained thy
-artifices!"</p>
-
-<p><span class="smcap">Simon</span>. "Dost thou desire them?"</p>
-
-<p>(<i>Anthony looks at him, and an interior voice whispers hi his
-heart:—"Why not?"</i>)</p>
-
-<p><span class="smcap">Simon</span> (<i>continues</i>).</p>
-
-<p>"He who knows the forces of Nature and the essence of Spirits must be
-able to perform miracles. It has been the dream of all sages; it is the
-desire which even now gnaws thee!—confess it!"</p>
-
-<p>"In the sight of the multitude of the Romans, I flew in the air so
-high that none could behold me move. Nero ordered that I should be
-decapitated; but it was the head of a sheep which fell upon the ground
-in lieu of mine. At last they buried me alive; but I rose again upon
-the third day. The proof is that thou dost behold me before thee!"</p>
-
-<p>(<i>He presents his hands to Anthony to smell. They have the stench of
-corpse-flesh. Anthony recoils with loathing.</i>)</p>
-
-<p>"I can make serpents of bronze writhe; I<span class="pagenum"><a name="Page_130" id="Page_130">[Pg 130]</a></span> can make marble statues
-laugh; I can make dogs speak. I will show thee vast quantities of gold;
-I will reestablish kings; thou shalt see nations prostrate themselves
-in adoration before me! I can walk upon the clouds and upon the waves,
-I can pass through mountains, I can make myself appear as a youth, as
-an old man, as a tiger, or as an ant; I can assume thy features; I can
-give thee mine; I can make the thunder follow after me. Dost hear it?"</p>
-
-<p>(<i>The thunder rumbles; flashes of lightning succeed.</i>)</p>
-
-<p>"It is the voice of the Most High; for 'the Lord thy God is a fire;'
-and all creations are accomplished by sparks from the fire-centre of
-all things.</p>
-
-<p>Thou shalt even now receive the baptism of it—that second baptism
-announced by Jesus, which fell upon the apostles on a day of tempest
-when the windows were open!"</p>
-
-<p>(<i>And stirring up the flame with his hand, slowly, as though preparing
-to sprinkle Anthony with it, he continues</i>:—)</p>
-
-<p>"Mother of mercies, thou who discoverest all secrets, in order that we
-may find rest in the eighth mansion...."</p>
-
-<p><span class="pagenum"><a name="Page_131" id="Page_131">[Pg 131]</a></span></p>
-
-<p><span class="smcap">Anthony</span> (<i>cries out</i>:—)</p>
-
-<p>"Oh! that I had only some holy water!..."</p>
-
-<p>(<i>The flame goes out, producing much smoke.</i></p>
-
-<p><i>Ennoia and Simon have disappeared.</i></p>
-
-<p><i>An exceedingly cold, opaque and fœtid mist fills the atmosphere.</i>)</p>
-
-<p><span class="smcap">Anthony</span> (<i>groping with his hands like a blind man</i>:—)</p>
-
-<p>"Where am I?... I fear lest I fall into the abyss! And the cross,
-surely, is too far from me. Ah! what a night! what a terrible night!"</p>
-
-<p>(<i>The mist is parted by a gust of wind; and Anthony sees two men
-covered with long white tunics.</i></p>
-
-<p><i>The first is of lofty stature, with a gentle face, and a grave mien.
-His blond hair, parted like that of Christ, falls upon his shoulders.
-He has cast aside a wand that he had been holding in his hand; his
-companion takes it up, making a reverence after the fashion of the
-Orientals.</i></p>
-
-<p><i>The latter is small of stature, thick set, flat-nosed; his neck and
-shoulders expresses good natured simplicity.</i></p>
-
-<p><span class="pagenum"><a name="Page_132" id="Page_132">[Pg 132]</a></span></p>
-
-<p><i>Both are barefooted, bareheaded, and dusty, like persons who have made
-a long journey.</i>)</p>
-
-<p><span class="smcap">Anthony</span> (<i>starting up</i>:—)</p>
-
-<p>"What do ye seek? Speak!... Begone from here!"</p>
-
-<p><span class="smcap">Damis</span> (<i>who is a little man</i>).</p>
-
-<p>"Nay! nay! be not angered, good hermit. As for that I seek, I know not
-myself what it is! Here is the Master!"</p>
-
-<p>(<i>He sits down. The other stranger remains standing. Silence.</i>)</p>
-
-<p><span class="smcap">Anthony</span> (<i>asks</i>).</p>
-
-<p>"Then ye come?..."</p>
-
-<p><span class="smcap">Damis</span>. "Oh! from afar off—very far off!"</p>
-
-<p><span class="smcap">Anthony</span>. "And ye go?..."</p>
-
-<p><span class="smcap">Damis</span> (<i>pointing to the other</i>)</p>
-
-<p>"Whithersoever he shall desire!"</p>
-
-<p><span class="smcap">Anthony</span>. "But who may he be?"</p>
-
-<p><span class="smcap">Damis</span>. "Look well upon him!"</p>
-
-<p><span class="smcap">Anthony</span> (<i>aside</i>).</p>
-
-<p>"He looks like a saint! If I could only dare...."</p>
-
-<p>(<i>The mist is all gone. The night is very clear. The moon shines.</i>)</p>
-
-<p><span class="smcap">Damis</span>. "Of what art thou dreaming, that thou dost not speak?"</p>
-
-<p><span class="pagenum"><a name="Page_133" id="Page_133">[Pg 133]</a></span></p>
-
-<p><span class="smcap">Anthony</span>. "I was thinking.... Oh! nothing!"</p>
-
-<p><span class="smcap">Damis</span> (<i>approaches Apollonius, and walks all round him several times,
-bending himself as he walks, never raising his head</i>:—)</p>
-
-<p>"Master, here is a Galilean hermit who desires to know the beginnings
-of wisdom."</p>
-
-<p><span class="smcap">Apollonius</span>. "Let him approach!" (<i>Anthony hesitates.</i>)</p>
-
-<p><span class="smcap">Damis</span>. "Approach!"</p>
-
-<p><span class="smcap">Apollonius</span> (<i>in a voice of thunder</i>:—)</p>
-
-<p>"Approach! Thou wouldst know who I am, what I have done, and what I
-think,—is it not so, child?"</p>
-
-<p><span class="smcap">Anthony</span>. "Always supposing that these things can contribute to the
-salvation of my soul."</p>
-
-<p><span class="smcap">Apollonius</span>. "Rejoice! I am about to inform thee of them!"</p>
-
-<p><span class="smcap">Damis</span> (<i>in an undertone, to Anthony</i>:—)</p>
-
-<p>"Is it possible? He must surely have at the first glance discerned in
-thee extraordinary aptitude for philosophy. I shall also strive to
-profit by his instruction."</p>
-
-<p><span class="smcap">Apollonius</span>. "First of all, I shall tell thee of the long course which
-I have followed in order to obtain the doctrine; and if thou canst<span class="pagenum"><a name="Page_134" id="Page_134">[Pg 134]</a></span>
-discover in all my life one evil action, thou shalt bid me pause, for
-he who hath erred in his actions may well give scandal by his words."</p>
-
-<p><span class="smcap">Damis</span> (<i>to Anthony</i>).</p>
-
-<p>"How just a man? Is he not?"</p>
-
-<p><span class="smcap">Anthony</span>. "Indeed I believe him to be sincere."</p>
-
-<p><span class="smcap">Apollonius</span>. "Upon the night of my birth, my mother imagined that
-she was gathering flowers by the shore of a great lake. A flash of
-lightning appeared; and she brought me into the world to the music of
-the voices of swans singing to her in her dream.</p>
-
-<p>"Until I had reached the age of fifteen I was plunged thrice a day into
-the fountain, Asbadeus, whose waters make perjurers hydropical; and my
-body was rubbed with the leaves of the onyza, that I might be chaste.</p>
-
-<p>"A Palmyrian princess came one evening to seek me, offering me
-treasures that she knew to be in the tombs. A hierodule of the temple
-of Diana, slew herself in despair with the sacrificial knife; and the
-governor of Cilicia, finding all his promises of no avail, cried out in
-the presence of my family that he would cause my death; but it was he
-that<span class="pagenum"><a name="Page_135" id="Page_135">[Pg 135]</a></span> died only three days after, assassinated by the Romans."</p>
-
-<p><span class="smcap">Damis</span> (<i>nudging Anthony with his elbow</i>).</p>
-
-<p>"Eh? did I not tell thee? What a man!"</p>
-
-<p><span class="smcap">Apollonius</span>. "For the space of four successive years I maintained the
-unbroken silence of the Pythagoreans. The most sudden and unexpected
-pain never extorted a sigh from me; and when I used to enter the
-theatre, all drew away from me, as from a phantom."</p>
-
-<p><span class="smcap">Damis</span>. "Wouldst thou have done so much?—thou?"</p>
-
-<p><span class="smcap">Apollonius</span>. "After the period of my trial had been accomplished, I
-undertook to instruct the priests regarding the tradition they had
-lost."</p>
-
-<p><span class="smcap">Anthony</span>. "What tradition?"</p>
-
-<p><span class="smcap">Damis</span>. "Interrupt him not! Be silent!"</p>
-
-<p><span class="smcap">Apollonius</span>. "I have conversed with the Samaneans of the Ganges, with
-the astrologers of Chaldea, with the magi of Babylon, with the Gaulish
-Druids, with the priests of the negroes! I have ascended the fourteen
-Olympii; I have sounded the Scythian lakes; I have measured the breadth
-of the Desert!"</p>
-
-<p><span class="pagenum"><a name="Page_136" id="Page_136">[Pg 136]</a></span></p>
-
-<p><span class="smcap">Damis</span>. "It is all true! I was with him the while!"</p>
-
-<p><span class="smcap">Apollonius</span>. "But first I had visited the Hyrcanian Sea; I made the tour
-of it; and descending by way of the country of the Baraomati, where
-Bucephalus is buried, I approached the city of Nineveh. At the gates of
-the city, a man drew near me...."</p>
-
-<p><span class="smcap">Damis</span>. "I—even I, good master! I loved thee from the first. Thou wert
-gentler than a girl and more beautiful than a god!"</p>
-
-<p><span class="smcap">Apollonius</span> (<i>without hearing him</i>).</p>
-
-<p>"He asked me to accompany him, that he might serve as interpreter."</p>
-
-<p><span class="smcap">Damis</span>. "But thou didst reply that all languages were familiar to thee,
-and that thou couldst divine all thoughts. Then I kissed the hem of thy
-mantle, and proceeded to walk behind thee."</p>
-
-<p><span class="smcap">Apollonius</span>. "After Ctesiphon, we entered upon the territory of Babylon."</p>
-
-<p><span class="smcap">Damis</span>. "And the Satrap cried aloud on beholding a man so pale."</p>
-
-<p><span class="smcap">Anthony</span> (<i>aside</i>).</p>
-
-<p>"What signifies this?..."</p>
-
-<p><span class="smcap">Apollonius</span>. "The king received me standing, near a throne of silver,
-in a hall constellated<span class="pagenum"><a name="Page_137" id="Page_137">[Pg 137]</a></span> with stars; from the cupola hung suspended by
-invisible threads four great birds of gold, with wings extended."</p>
-
-<p><span class="smcap">Anthony</span> (<i>dreamily</i>).</p>
-
-<p>"Can there be such things in the world?"</p>
-
-<p><span class="smcap">Damis</span>. "Ah! that is a city! that Babylon! everybody there is rich! The
-houses, which are painted blue, have doors of bronze, and flights of
-steps descending to the river."</p>
-
-<p>(<i>Drawing lines upon the ground, with his stick</i>:)</p>
-
-<p>"Like that, seest thou? And then there are temples, there are squares,
-there are baths, there are aqueducts! The palaces are roofed with red
-brass; and the interior ... ah! if thou only knewest!"</p>
-
-<p><span class="smcap">Apollonius</span>. "Upon the north wall rises a tower which supports a second,
-a third, a fourth, a fifth, and there are also three others! The eighth
-is a chapel containing a bed. No one enters it save the woman chosen by
-the priests for the God Belus. I was lodged there by order of the King
-of Babylon."</p>
-
-<p><span class="smcap">Damis</span>. "As for me, they hardly deigned to give me any attention! So I
-walked through the streets all by myself. I informed<span class="pagenum"><a name="Page_138" id="Page_138">[Pg 138]</a></span> myself regarding
-the customs of the people; I visited the workshops; I examined the
-great machines that carry water to the gardens. But I soon wearied of
-being separated from the Master."</p>
-
-<p><span class="smcap">Apollonius</span>. "At last we left Babylon; and as we travelled by the light
-of the moon, we suddenly beheld an Empusa."</p>
-
-<p><span class="smcap">Damis</span>. "Aye, indeed! She leaped upon her iron hoof; she brayed like an
-ass; she galloped among the rocks. He shouted imprecations at her; she
-disappeared."</p>
-
-<p><span class="smcap">Anthony</span> (<i>aside</i>).</p>
-
-<p>"What can be their motive?"</p>
-
-<p><span class="smcap">Apollonius</span>. "At Taxilla, the capital of five thousand fortresses,
-Phraortes, King of the Ganges, showed us his guard of black men, whose
-stature was five cubits, and under a pavilion of green brocade in his
-gardens, an enormous elephant, which the queens amused themselves by
-perfuming. It was the elephant of Porus which had taken flight after
-the death of Alexander."</p>
-
-<p><span class="smcap">Damis</span>. "And which had been found again in a forest."</p>
-
-<p><span class="smcap">Anthony</span>. "Their speech is superabundant, like that of drunken men!"</p>
-
-<p><span class="pagenum"><a name="Page_139" id="Page_139">[Pg 139]</a></span></p>
-
-<p><span class="smcap">Apollonius</span>. "Phraortes seated us at his own table."</p>
-
-<p><span class="smcap">Damis</span>. "How strange a country that was! During their drinking
-carousels, the lords used to amuse-themselves by shooting arrows under
-the feet of a dancing child. But I do not approve...."</p>
-
-<p><span class="smcap">Apollonius</span>. "When I was ready to depart, the king gave me a parasol,
-and he said to me: 'I have a stud of white camels upon the Indus. When
-thou shalt have no further use for them, blow in their ears. They will
-come back.'</p>
-
-<p>"We descended along the river, marching at night by the light of the
-fire-flies, which glimmered among the bamboos. The slave whistled an
-air to drive away the serpents; and our camels bent down in passing
-below the branches of the trees, as if passing under low gates.</p>
-
-<p>"One day a black child, who held a golden caduceus in his hand,
-conducted us to the College of the Sages. Iarchas, their chief, spoke
-to me of my ancestors, told me of all my thoughts, of all my actions,
-of all my existences. In former time he had been the River Indus; and
-he reminded me that I had once<span class="pagenum"><a name="Page_140" id="Page_140">[Pg 140]</a></span> been a boatman upon the Nile, in the
-time of King Sesostris."</p>
-
-<p><span class="smcap">Damis</span>. "As for me, they told me nothing; so that I know not who or what
-I have been."</p>
-
-<p><span class="smcap">Anthony</span>. "They have a vague look, like shadows!"</p>
-
-<p><span class="smcap">Apollonius</span>. "Upon the shores of the sea we met with the milk-gorged
-Cynocephali, who were returning from their expedition to the Island
-Taprobana. The tepid waves rolled blond pearls to our feet. The amber
-crackled beneath our steps. Whale-skeletons were whitening in the
-crevasses of the cliffs. At last the land became narrow as a sandal;
-and after casting drops of ocean water toward the sun, we turned to the
-right to return.</p>
-
-<p>"So we returned through the Region of Aromatics, by way of the country
-of the Gangarides, the promontory of Comaria, the country of the
-Sachalites, of the Adramites and of the Homerites; then, across the
-Cassanian mountains, the Red Sea, and the Island Topazos, we penetrated
-into Ethiopia through the country of the Pygmies."</p>
-
-<p><span class="smcap">Anthony</span> (<i>to himself</i>).</p>
-
-<p>"How vast the world is!"</p>
-
-<p><span class="pagenum"><a name="Page_141" id="Page_141">[Pg 141]</a></span></p>
-
-<p><span class="smcap">Damis</span>. "And after we had returned home, we found that all those whom we
-used to know, were dead."</p>
-
-<p>(<i>Anthony lowers his head. Silence.</i>)</p>
-
-<p><span class="smcap">Apollonius</span> (<i>continues</i>).</p>
-
-<p>"Then men began to talk of me the world over.</p>
-
-<p>"The plague was ravaging Ephesus; I made them stone an old mendicant
-there."</p>
-
-<p><span class="smcap">Damis</span>. "And forthwith the plague departed."</p>
-
-<p><span class="smcap">Anthony</span>. "What! Does he drive away pestilence?"</p>
-
-<p><span class="smcap">Apollonius</span>. "At Cnidos, I cured the man that had become enamored of
-Venus."</p>
-
-<p><span class="smcap">Damis</span>. "Aye! a fool who had even vowed to espouse her! To love a woman
-is at least comprehensible; but to love a statue—what madness! The
-Master placed his hand upon the young man's heart; and the fire of that
-love was at once extinguished."</p>
-
-<p><span class="smcap">Anthony</span>. "How! does he also cast out devils?"</p>
-
-<p><span class="smcap">Apollonius</span>. "At Tarentum they were carrying the dead body of a young
-girl to the funeral pyre."</p>
-
-<p><span class="pagenum"><a name="Page_142" id="Page_142">[Pg 142]</a></span></p>
-
-<p><span class="smcap">Damis</span>. "The Master touched her lips; and she arose and called her
-mother."</p>
-
-<p><span class="smcap">Anthony</span>. "What! he raises the dead!"</p>
-
-<p><span class="smcap">Apollonius</span>. "I predicted to Vespasian his accession to power."</p>
-
-<p><span class="smcap">Anthony</span>. "What! he foretells the future!"</p>
-
-<p><span class="smcap">Damis</span>. "At Corinth there was a ..."</p>
-
-<p><span class="smcap">Apollonius</span>. "It was when I was at table with him, at the waters of Baia
-..."</p>
-
-<p><span class="smcap">Anthony</span>. "Excuse me, strangers—it is very late ..."</p>
-
-<p><span class="smcap">Damis</span>. "At Corinth there was a young man called Menippus ..."</p>
-
-<p><span class="smcap">Anthony</span>. "No! no!—go ye away!"</p>
-
-<p><span class="smcap">Apollonius</span>. "A dog came in, bearing a severed hand in his mouth."</p>
-
-<p><span class="smcap">Damis</span>. "One evening, in one of the suburbs, he met a woman."</p>
-
-<p><span class="smcap">Anthony</span>. "Do ye not hear me? Begone!"</p>
-
-<p><span class="smcap">Apollonius</span>. "He wandered in a bewildered way around the couches ..."</p>
-
-<p><span class="smcap">Anthony</span>. "Enough!"</p>
-
-<p><span class="smcap">Apollonius</span>. "They sought to drive him out."</p>
-
-<p><span class="smcap">Damis</span>. "So Menippus went with her to her house; they loved one
-another."</p>
-
-<p><span class="pagenum"><a name="Page_143" id="Page_143">[Pg 143]</a></span></p>
-
-<p><span class="smcap">Apollonius</span>. "And gently beating the mosaic pavement with his tail, he
-laid the severed hand upon the knees of Flavius."</p>
-
-<p><span class="smcap">Damis</span>. "But next morning, during the lessons in the school, Menippus
-was pale."</p>
-
-<p><span class="smcap">Anthony</span> (<i>starting up in anger</i>).</p>
-
-<p>"Still continuing! Ah! then let them continue till they be weary,
-inasmuch as there is no ..."</p>
-
-<p><span class="smcap">Damis</span>. "The Master said to him: 'O beautiful youth, thou dost caress
-a serpent; by a serpent thou art caressed! And when shall be the
-nuptials?' We all went to the wedding."</p>
-
-<p><span class="smcap">Anthony</span>. "Assuredly I am doing wrong, to hearken to such a story!"</p>
-
-<p><span class="smcap">Damis</span>. "Servants were hurrying to and fro in the vestibule; doors were
-opening; nevertheless there was no sound made either by the fall of
-the footsteps nor the closing of the doors. The Master placed himself
-beside Menippus. And the bride forthwith became angered against the
-philosophers. But the vessels of gold, the cupbearers, the cooks, the
-panthers disappeared; the roof receded and vanished into air; the walls
-crumbled down; and Apollonius stood alone with the woman<span class="pagenum"><a name="Page_144" id="Page_144">[Pg 144]</a></span> at his feet,
-all in tears. She was a vampire who satisfied the beautiful young men
-in order to devour their flesh, for nothing is more desirable for such
-phantoms than the blood of amorous youths."</p>
-
-<p><span class="smcap">Apollonius</span>. "If thou shouldst desire to learn the art ..."</p>
-
-<p><span class="smcap">Anthony</span>. "I do not wish to learn anything!"</p>
-
-<p><span class="smcap">Apollonius</span>. "The same evening that we arrived at the gates of Rome ..."</p>
-
-<p><span class="smcap">Anthony</span>. "Oh! yes!—speak to me rather of the City of Popes!"</p>
-
-<p><span class="smcap">Apollonius</span>. "A drunken man accosted us, who was singing in a low voice.
-The song was an epithalamium of Nero; and he had the power to cause
-the death of whosoever should hear it with indifference. In a box upon
-his shoulders he carried a string taken from the Emperor's cithara. I
-shrugged my shoulders. He flung mud in our faces. Then I unfastened my
-girdle and placed it in this hand."</p>
-
-<p><span class="smcap">Damis</span>. "In sooth, thou wert most imprudent!"</p>
-
-<p><span class="smcap">Apollonius</span>. "During the night the Emperor summoned me to his house. He
-was<span class="pagenum"><a name="Page_145" id="Page_145">[Pg 145]</a></span> playing at osselets with Sporus, supporting his left arm upon a
-table of agate. He turned and, knitting his brows, demanded: 'How comes
-it that thou dost not fear me?' 'Because,' I replied, 'the God who made
-thee terrible, also made me intrepid."</p>
-
-<p><span class="smcap">Anthony</span> (<i>to himself</i>).</p>
-
-<p>"There is something inexplicable that terrifies me!"</p>
-
-<p>(<i>Silence.</i>)</p>
-
-<p><span class="smcap">Damis</span> (<i>breaking the silence with his shrill voice</i>).</p>
-
-<p>"Moreover, all Asia can tell thee ..."</p>
-
-<p><span class="smcap">Anthony</span> (<i>starting up</i>).</p>
-
-<p>"I am ill! let me be!"</p>
-
-<p><span class="smcap">Damis</span>. "But listen! At Ephesus, he beheld them killing Domitian, who
-was at Rome."</p>
-
-<p><span class="smcap">Anthony</span> (<i>with a forced laugh</i>). "Is it possible?"</p>
-
-<p><span class="smcap">Damis</span>. "Yes: at the theatre at noon-day, the fourteenth of the Kalenda
-of October, he suddenly cried out: 'Cæsar is being murdered!' and
-from time to time he would continue to ejaculate: 'He rolls upon the
-<span class="pagenum"><a name="Page_146" id="Page_146">[Pg 146]</a></span>pavement ... Oh! how he struggles ... He rises ... He tries to flee
-... The doors are fastened ... Ah! it is all over! He is dead!' And in
-fact Titus Flavius Domitianus was assassinated upon that very day, as
-thou knowest."</p>
-
-<p><span class="smcap">Anthony</span>. "Without the aid of the Devil ... certainly ..."</p>
-
-<p><span class="smcap">Apollonius</span>. "He had purposed putting me to death, that same Domitian!
-Damis had taken flight according to my order, and I remained alone in
-my prison."</p>
-
-<p><span class="smcap">Damis</span>. "A terrible hardihood on thy part, it must be confessed!"</p>
-
-<p><span class="smcap">Apollonius</span>. "About the fifth hour, the soldiers led me before the
-tribunal. I had my harangue all ready hidden beneath my mantle."</p>
-
-<p><span class="smcap">Damis</span>. "We others were then upon the shores of Puteoli, we believed
-thee dead; we were all weeping, when all of a sudden about the sixth
-hour, thou didst suddenly appear before us, exclaiming: 'It is I.'"</p>
-
-<p><span class="smcap">Anthony</span> (<i>to himself</i>). "Even as He...!"</p>
-
-<p><span class="smcap">Damis</span> (<i>in a very loud voice</i>). "Precisely!"</p>
-
-<p><span class="smcap">Anthony</span>. "Oh! no! ye lie! is it not so?—ye lie!"</p>
-
-<p><span class="pagenum"><a name="Page_147" id="Page_147">[Pg 147]</a></span></p>
-
-<p><span class="smcap">Apollonius</span>. "He descended from heaven. I rise thither, by the power of
-my virtue that has lifted me up even to the height of the Principle of
-all things!"</p>
-
-<p><span class="smcap">Damis</span>. "Thyana, his natal city, has established in his honor a temple
-and a priesthood!"</p>
-
-<p><span class="smcap">Apollonius</span> (<i>draws near Anthony, and shouts in his ear</i>:—)</p>
-
-<p>"It is because I know all gods, all rites, all prayers, all oracles!
-I have penetrated into the cave of Trophonius, son of Apollo! I
-have kneaded for Syracusan women the cakes which they carry to the
-mountains. I have endured the eighty tests of Mithra! I have pressed to
-my heart the serpent of Sabasius! I have received the scarf of Kabiri!
-I have laved Cybele in the waters of the Campanian gulfs! and I have
-passed three moons in the caverns of Samothracia!"</p>
-
-<p><span class="smcap">Damis</span> (<i>with a stupid laugh</i>).</p>
-
-<p>"Ah! ah! ah! at the mysteries of the good Goddess!"</p>
-
-<p><span class="smcap">Apollonius</span>. "And now we recommence our pilgrimage.</p>
-
-<p>"We go to the North to the land of Swans and of snows. Upon the vast
-white plains,<span class="pagenum"><a name="Page_148" id="Page_148">[Pg 148]</a></span> the blind hippopodes break with the tips of their feet
-the ultramarine plant."</p>
-
-<p><span class="smcap">Damis</span>. "Hasten! it is already dawn. The cock has crowed, the horse has
-neighed, the sail is hoisted!"</p>
-
-<p><span class="smcap">Anthony</span>. "The cock has not crowed! I hear the locusts in the sands, and
-I see the moon still in her place."</p>
-
-<p><span class="smcap">Apollonius</span>. "We go to the South, beyond the mountains and the mighty
-waters, to seek in perfumes the secret source of love. Thou shalt
-inhale the odor of myrrhodion which makes the weak die. Thou shalt
-bathe thy body in the lake of Rose-oil which is in the Island Junonia.
-Thou shalt see slumbering upon primroses that Lizard which awakes
-every hundred years when the carbuncle upon its forehead, arriving
-at maturity, falls to the ground. The stars palpitate like eyes; the
-cascades sing like the melody of lyres; strange intoxication is exhaled
-by blossoming flowers; thy mind shall grow vaster in that air; and thy
-heart shall change even as thy face."</p>
-
-<p><span class="smcap">Damis</span>. "Master! it is time! The wind has risen, the swallows awaken,
-the myrtle leaves are blown away."</p>
-
-<p><span class="pagenum"><a name="Page_149" id="Page_149">[Pg 149]</a></span></p>
-
-<p><span class="smcap">Apollonius</span>. "Yes! let us go!"</p>
-
-<p><span class="smcap">Anthony</span>. "Nay! I remain here!"</p>
-
-<p><span class="smcap">Apollonius</span>. "Shall I tell thee where grows the plant Balis, that
-resurrects the dead?"</p>
-
-<p><span class="smcap">Damis</span> "Nay; ask him rather for the audrodamas which attracts silver,
-iron and brass!"</p>
-
-<p><span class="smcap">Anthony</span>. "Oh! how I suffer! how I suffer!"</p>
-
-<p><span class="smcap">Damis</span>. "Thou shalt comprehend the voices of all living creatures, the
-roarings, the cooings!"</p>
-
-<p><span class="smcap">Apollonius</span>. "I shall enable thee to ride upon unicorns and upon
-dragons, upon hippocentaurs and dolphins!"</p>
-
-<p><span class="smcap">Anthony</span> (<i>weeping</i>). "Oh ... oh!... oh!"</p>
-
-<p><span class="smcap">Apollonius</span>. "Thou shalt know the demons that dwell in the caverns, the
-demons that mutter in the woods, the demons that move in the waves, the
-demons that push the clouds!"</p>
-
-<p><span class="smcap">Damis</span>. "Tighten thy girdle, fasten thy sandals!"</p>
-
-<p><span class="smcap">Apollonius</span>. "I shall explain to thee the reason of divine forms—why
-Apollo stands,<span class="pagenum"><a name="Page_150" id="Page_150">[Pg 150]</a></span> why Jupiter is seated, why Venus is black, at Corinth,
-square-shaped at Athens, conical at Paphos."</p>
-
-<p><span class="smcap">Anthony</span> (<i>clasping his hands</i>).</p>
-
-<p>"Let them begone! let them begone!"</p>
-
-<p><span class="smcap">Apollonius</span>. "In thy presence I will tear down the panoplies of the
-Gods; we shall force open the sanctuaries, I will enable thee to
-violate the Pythoness!"</p>
-
-<p><span class="smcap">Anthony</span>. "Help! O my God!"</p>
-
-<p>(<i>He rushes to the cross.</i>)</p>
-
-<p><span class="smcap">Apollonius</span>. "What is thy desire? What is thy dream? Thou needst only
-devote the moment of time necessary to think of it ..."</p>
-
-<p><span class="smcap">Anthony</span>. "Jesus! Jesus! Help me!"</p>
-
-<p><span class="smcap">Apollonius</span>. "Dost thou wish me to make him appear, thy Jesus?"</p>
-
-<p><span class="smcap">Anthony</span>. "What? How!"</p>
-
-<p><span class="smcap">Apollonius</span>. "It shall be He!—no other! He will cast off his crown, and
-we shall converse face to face!"</p>
-
-<p><span class="smcap">Damis</span> (<i>in an undertone</i>).</p>
-
-<p>"Say thou dost indeed wish it! say thou dost desire it!"</p>
-
-<p>(<i>Anthony kneeling before the cross, murmurs<span class="pagenum"><a name="Page_151" id="Page_151">[Pg 151]</a></span> prayers. Damis walks
-around him, with wheedling gestures.</i>)</p>
-
-<p>"Nay, nay! good hermit. Be not horrified! These are only exaggerated
-forms of speech, borrowed from the Orientals. That need in no way ..."</p>
-
-<p><span class="smcap">Apollonius</span>. "Let him alone, Damis!</p>
-
-<p>"He believes, like a brute, in the reality of things. The terror which
-he entertains of the Gods prevents him from comprehending them; and he
-debases his own God to the level of a jealous king!</p>
-
-<p>"But thou, my son, do not leave me!"</p>
-
-<p>(<i>He moves to the edge of the cliff, walking backward, passes beyond
-the verge of the precipice, and remains suspended in air.</i>)</p>
-
-<p>"Above all forms, further than the ends of the earth, beyond the
-heavens themselves, lies the world of Idea, replete with the splendor
-of the Word! With one bound we shall traverse the impending spaces, and
-thou shalt behold in all his infinity, the Eternal, the Absolute, the
-Being! Come! give me thy hand! Let us rise."</p>
-
-<p>(<i>Side by side, both rise up through the air, slowly. Anthony, clinging
-to the cross, watches them rise. They disappear.</i>)</p>
-<hr class="r5" />
-
-<div class="footnote">
-
-<p><a name="Footnote_1_8" id="Footnote_1_8"></a><a href="#FNanchor_1_8"><span class="label">[1]</span></a> Agape.—Love-feast of the primitive Christians.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_2_9" id="Footnote_2_9"></a><a href="#FNanchor_2_9"><span class="label">[2]</span></a> John XVI: 12.—T.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_3_10" id="Footnote_3_10"></a><a href="#FNanchor_3_10"><span class="label">[3]</span></a> See <a href="#NOTE">note</a> at end.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_4_11" id="Footnote_4_11"></a><a href="#FNanchor_4_11"><span class="label">[4]</span></a> Masheim gives <i>Achamoth.</i> I prefer to remain faithful to
-the orthography given by Flaubert.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_5_12" id="Footnote_5_12"></a><a href="#FNanchor_5_12"><span class="label">[5]</span></a> The French text gives <i>mes pères</i> not <i>nos pères.</i> Elxai,
-or Elkhai, who established his sect in the reign of Trajan, was a Jew.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_6_13" id="Footnote_6_13"></a><a href="#FNanchor_6_13"><span class="label">[6]</span></a> See <a href="#NOTE">note</a>.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_7_14" id="Footnote_7_14"></a><a href="#FNanchor_7_14"><span class="label">[7]</span></a> The banyan is a fig-tree—the <i>Ficus indicus.</i>—Trans.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_8_15" id="Footnote_8_15"></a><a href="#FNanchor_8_15"><span class="label">[8]</span></a> Readers may remember Longfellow's exquisite poem "Helena
-of Tyre."</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_9_16" id="Footnote_9_16"></a><a href="#FNanchor_9_16"><span class="label">[9]</span></a> See the second part of "Faust," and <i>Kundry</i> in
-"Parsifal."</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_152" id="Page_152">[Pg 152]</a></span></p></div>
-
-
-
-
-<h4><a name="V" id="V">V.</a></h4>
-
-
-<p><span class="smcap">Anthony</span> (<i>walking to and fro, slowly</i>).</p>
-
-<p>"That one, indeed, seems in himself equal to all the powers of Hell!</p>
-
-<p>"Nebuchadnezzar did not so much dazzle me with his splendours;—the
-Queen of Sheba herself charmed me less deeply.</p>
-
-<p>"His manner of speaking of the gods compels one to feel a desire to
-know them.</p>
-
-<p>"I remember having beheld hundreds of them at one time, in the island
-of Elephantius, in the time of Diocletian. The emperor had ceded to the
-Nomads a great tract of country, upon the condition that they should
-guard the frontiers; and the treaty was concluded in the name of the
-'Powers Invisible.' For the gods of each people were unknown unto the
-other people.</p>
-
-<p>"The Barbarians had brought theirs with them. They occupied the
-sand-hills bordering the river. We saw them supporting their<span class="pagenum"><a name="Page_153" id="Page_153">[Pg 153]</a></span> idols in
-their arms, like great paralytic children;—others, paddling through
-the cataracts upon trunks of palm tree, displayed from afar off the
-amulets hung about their necks, the tattooings upon their breasts; and
-these things were not more sinful than the religion of the Greeks, the
-Asiatics, and the Romans!</p>
-
-<p>"When I was dwelling in the temple of Heliopolis I would often consider
-the things I beheld upon the walls:—vultures bearing sceptres,
-crocodiles playing upon lyres, faces of men with the bodies of
-serpents, cow-headed women prostrating themselves before ithyphallic
-gods:—and their supernatural forms attracted my thoughts to other
-worlds. I longed to know that which drew the gaze of all those calm and
-mysterious eyes.</p>
-
-<p>"If matter can exert such power, it must surely contain a spirit. The
-souls of the Gods are attached to their images ...</p>
-
-<p>"Those possessing the beauty of forms might seduce. But the others
-... those of loathsome or terrible aspect ... how can men believe in
-them?..."</p>
-
-<p>(<i>And he beholds passing over the surface of the ground,—leaves,
-stones, shells,<span class="pagenum"><a name="Page_154" id="Page_154">[Pg 154]</a></span> branches of trees,—then a variety of hydropical
-dwarfs: these are gods. He bursts into a laugh. He hears another laugh
-behind him;—and Hilarion appears, in the garb of a hermit, far taller
-than before, colossal.</i>)</p>
-
-<p><span class="smcap">Anthony</span> (<i>who feels no surprise at seeing him</i>).</p>
-
-<p>"How stupid one must be to worship such things!"</p>
-
-<p><span class="smcap">Hilarion</span>. "Aye!—exceedingly stupid!"</p>
-
-<p>(<i>Then idols of all nations and of all epochs—of wood, of metal, of
-granite, of feathers, of skins sewn together,—pass before them.</i></p>
-
-<p><i>The most ancient of all anterior to the Deluge are hidden under masses
-of seaweed hanging down over them like manes. Some that are too long
-for their bases, crack in all their joints, and break their own backs
-in walking. Others have rents torn in their bellies through which sand
-trickles out.</i></p>
-
-<p><i>Anthony and Hilarion are prodigiously amused. They hold their sides
-for laughter. Then appear sheep-headed idols. They totter upon their
-bandy-legs, half-open their eye-lids, and stutter like the dumb,</i> "Ba!
-ba! ba!"</p>
-
-<p><i>The more that the idols commence to resemble<span class="pagenum"><a name="Page_155" id="Page_155">[Pg 155]</a></span> the human forms, the
-more they irritate Anthony. He strikes them with his fist, kicks them,
-attacks them with fury. They become frightful,—with lofty plumes, eyes
-like balls, fingers terminated by claws, the jaws of sharks.</i></p>
-
-<p><i>And before these gods men are slaughtered upon altars of stone; others
-are brayed alive in huge mortars, crushed under chariots, nailed upon
-trees. There is one all of red-hot iron with the horns of a bull, who
-devours children.</i>)</p>
-
-<p><span class="smcap">Anthony</span>. "Horror!"</p>
-
-<p><span class="smcap">Hilarion</span>. "But the gods always demand tortures—and suffering. Even
-thine desired ..."</p>
-
-<p><span class="smcap">Anthony</span> (<i>weeping</i>). "Ah! say no more!—do not speak to me!"</p>
-
-<p>(<i>The space girdled by the rocks suddenly changes into a valley. A herd
-of cattle are feeding upon the short grass.</i></p>
-
-<p><i>The herdman who leads them, observes a cloud;—and in a sharp voice,
-shouts out words of command, as if to heaven.</i>)</p>
-
-<p><span class="smcap">Hilarion</span>. "Because he needs rain, he seeks by certain chants to compel
-the King of heaven to open the fecund cloud."</p>
-
-<p><span class="pagenum"><a name="Page_156" id="Page_156">[Pg 156]</a></span></p>
-
-<p><span class="smcap">Anthony</span> (<i>laughing</i>).</p>
-
-<p>"Verily, such pride is the extreme of foolishness!"</p>
-
-<p><span class="smcap">Hilarion</span>. "Why dost thou utter exorcisms?"</p>
-
-<p>(<i>The valley changes into a sea of milk, motionless and infinite. In
-its midst floats a long cradle formed by the coils of a serpent, whose
-many curving heads shade, like a dais, the god slumbering upon its
-body.</i></p>
-
-<p><i>He is beardless, young, more beautiful than a girl, and covered with
-diaphanous veils. The pearls of his tiara gleam softly like moons; a
-chaplet of stars is entwined many times about his breast, and with one
-hand beneath his head, he slumbers with the look of one who dreams
-after wine.</i></p>
-
-<p><i>A woman crouching at his feet, awaits the moment of his awaking.</i>)</p>
-
-<p><span class="smcap">Hilarion</span>. "Such is the primordial duality of the Brahmans,—the
-Absolute being inexpressible by any form."</p>
-
-<p>(<i>From the navel of the god has grown the stem of a lotus flower; it
-blossoms, and within its chalice appears another god with three faces.</i>)</p>
-
-<p><span class="smcap">Anthony</span>. "How strange an invention!"</p>
-
-<p><span class="pagenum"><a name="Page_157" id="Page_157">[Pg 157]</a></span></p>
-
-<p><span class="smcap">Hilarion</span>. "Father, Son, and Holy Spirit are but one and the same
-Person!"</p>
-
-<p>(<i>The three faces separate; and three great gods appear.</i></p>
-
-<p><i>The first, who is pink, bites the end of his great toe.</i></p>
-
-<p><i>The second, who is blue, uplifts his four arms.</i></p>
-
-<p><i>The third, who is green, wears a necklace of human skulls.</i></p>
-
-<p><i>Before them instantly arise three goddesses—one is enveloped in a
-net; another offers a cup; the third brandishes a bow.</i></p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em;">
-<a id="redon11"></a>
-<img src="images/redon_11.jpg" width="600" alt="" />
-<div class="caption"><p> ... instantly arise three goddesses</p></div>
-</div>
-
-<p class="p2"><i>And these gods, these goddesses, decuple themselves, multiply. Arms
-grow from their shoulders; at the end of these arms hands appear
-bearing standards, axes, bucklers, swords, parasols and drums.
-Fountains gush from their heads, plants grow from their nostrils.</i></p>
-
-<p><i>Riding upon birds rocked in palanquins, enthroned upon seats of gold,
-standing in ivory niches,—they dream, voyage, command, drink wine,
-respire the breath of flowers. Dancing girls whirl in the dance; giants
-pursue monsters; at the entrances of grottoes solitaries meditate. Eyes
-cannot be distinguished<span class="pagenum"><a name="Page_158" id="Page_158">[Pg 158]</a></span> from stars; nor clouds from banderolles;
-peacocks quench their thirst at rivers of gold dust; the embroidery
-of pavilions seems to blend with the spots of leopards; coloured rays
-intercross in the blue air, together with flying arrows, and swinging
-censers.</i></p>
-
-<p><i>And all this develops like a lofty frieze, resting its base upon the
-rocks, and rising to the sky.</i>)</p>
-
-<p><span class="smcap">Anthony</span> (<i>dazzled by the sight</i>).</p>
-
-<p>"How vast is their number! What do they seek?"</p>
-
-<p><span class="smcap">Hilarion</span>. "The god who rubs his abdomen with his elephant-trunk, is the
-solar Deity, the inspiring spirit of wisdom.</p>
-
-<p>"That other whose six heads are crowned with towers, and whose fourteen
-arms wield javelins,—is the prince of armies,—the Fire-Consumer.</p>
-
-<p>"The old man riding the crocodile washes the soul of the dead upon
-the shore. They will be tormented by that black woman with the putrid
-teeth, who is the Ruler of Hell.</p>
-
-<p>"That chariot drawn by red mares, driven by one who has no legs, bears
-the master of the sun through heaven's azure. The moon-god<span class="pagenum"><a name="Page_159" id="Page_159">[Pg 159]</a></span> accompanies
-him, in a litter drawn by three gazelles.</p>
-
-<p>"Kneeling upon the back of a parrot, the Goddess of Beauty presents to
-Love, her son, her rounded breast. Behold her now, further off, leaping
-for joy in the meadows. Look! Look! Coiffed with dazzling mitre, she
-trips lightly over the ears of growing wheat, over the waves; she rises
-in air, extending her power over all elements.</p>
-
-<p>"And among these gods are the Genii of the winds, of the planets, of
-the months, of the days,—a hundred thousand others;—multiple are
-their aspects, rapid their transformations. Behold, there is one who
-changes from a fish into a tortoise: he assumes the form of a boar, the
-shape of a dwarf."</p>
-
-<p><span class="smcap">Anthony</span>. "Wherefore?"</p>
-
-<p><span class="smcap">Hilarion</span>. "That he may preserve the equilibrium of the universe, and
-combat the works of evil. But life exhausts itself; forms wear away;
-and they must achieve progression in their metamorphoses."</p>
-
-<p>(<i>All upon a sudden appears a</i> <span class="smcap">Naked Man</span> <i>seated in the midst of the
-sand, with legs crossed.</i>)</p>
-
-<p>(<i>A large halo vibrates, suspended in air behind<span class="pagenum"><a name="Page_160" id="Page_160">[Pg 160]</a></span> him. The little
-ringlets of his black hair in which blueish tints shift symmetrically
-surround a protuberance upon the summit of his skull. His arms,
-which are very long, hang down against his sides. His two hands rest
-flat upon his thighs, with the palms open. The soles of his feet
-are like the faces of two blazing suns; and he remains completely
-motionless—before Anthony and Hilarion—with all the gods around him,
-rising in tiers above the rocks, as if upon the benches of some vast
-circus. His lips, half-open; and he speaks in a deep voice</i>):</p>
-
-<p>"I am the Master of great charities, the succor of all creatures; and
-not less to the profane than to believers, do I expound the law.</p>
-
-<p>"That I might deliver the world, I resolved to be born among men. The
-gods wept when I departed from them.</p>
-
-<p>"I sought me first a woman worthy to give me birth: a woman of warrior
-race, the wife of a king, exceedingly good, excessively beautiful,
-with body firm as adamant;—and at time of the full moon, without the
-auxiliation of any male, I entered her womb.</p>
-
-<p><span class="pagenum"><a name="Page_161" id="Page_161">[Pg 161]</a></span></p>
-
-<p>"I issued from it by the right side. Stars stopped in their courses."</p>
-
-<p><span class="smcap">Hilarion</span> (<i>murmurs between his teeth</i>).</p>
-
-<p>"And seeing the star, they rejoiced with exceeding great joy!"<a name="FNanchor_1_17" id="FNanchor_1_17"></a><a href="#Footnote_1_17" class="fnanchor">[1]</a></p>
-
-<p>(<i>Anthony watches more attentively.</i>)</p>
-
-<p><span class="smcap">The Buddha</span><a name="FNanchor_2_18" id="FNanchor_2_18"></a><a href="#Footnote_2_18" class="fnanchor">[2]</a> (<i>continuing</i>).</p>
-
-<p>"From the furthest recesses of the Himalayas, a holy man one hundred
-years of age, hurried to see me."</p>
-
-<p><span class="smcap">Hilarion</span>. "A man named Simeon ... who should not see death, before he
-had seen the Christ of the Lord."<a name="FNanchor_3_19" id="FNanchor_3_19"></a><a href="#Footnote_3_19" class="fnanchor">[3]</a></p>
-
-<p><span class="smcap">The Buddha</span>. "I was led unto the schools; and it was found that I knew
-more than the teachers."</p>
-
-<p><span class="smcap">Hilarion</span>. "... In the midst of the doctors ... and all that heard him
-were astonished at his wisdom!"<a name="FNanchor_4_20" id="FNanchor_4_20"></a><a href="#Footnote_4_20" class="fnanchor">[4]</a></p>
-
-<p>(<i>Anthony makes a sign to Hilarion to be silent.</i>)</p>
-
-<p><span class="smcap">The Buddha</span>. "Continually did I meditate<span class="pagenum"><a name="Page_162" id="Page_162">[Pg 162]</a></span> in the gardens. The shadows of
-the trees turned with the turning of the sun; but the shadow of that
-which sheltered me turned not.</p>
-
-<p>"None could equal me in the knowledge of the Scriptures, the
-enumeration of atoms, the conduct of elephants, the working of wax,
-astronomy, poetry, pugilism, all the exercises and all the arts!</p>
-
-<p>"In accordance with custom, I took to myself a wife; and I passed the
-days in my kingly palace;—clad in pearls, under a rain of perfumes,
-refreshed by the fans of thirty thousand women,—watching my peoples
-from the height of my terraces adorned with fringes of resonant bells.</p>
-
-<p>"But the sight of the miseries of the world turned me away from
-pleasure. I fled.</p>
-
-<p>"I begged my way upon the high roads, clad myself in rags gathered
-within the sepulchres;—and, hearing of a most learned hermit, I chose
-to become his slave. I guarded his gate! I washed his feet.</p>
-
-<p>"Thus I annihilated all sensation, all joy, all languor.</p>
-
-<p>"Then, concentrating my thoughts within vaster meditation, I learned to
-know the essence of things, the illusion of forms.</p>
-
-<p><span class="pagenum"><a name="Page_163" id="Page_163">[Pg 163]</a></span></p>
-
-<p>"Soon I exhausted the science of the Brahmans. They are gnawed by
-covetousness and desire under their outward aspect of austerity; they
-daub themselves with filth, they live upon thorns,—hoping to arrive at
-happiness by the path of death!"</p>
-
-<p><span class="smcap">Hilarion</span>.... "Pharisees, hypocrites, whited sepulchres, generation of
-vipers!"</p>
-
-<p><span class="smcap">The Buddha</span>. "I also accomplished wondrous things,—eating but one
-grain of rice each day (and the grains of rice in those times were no
-larger than at present)—my hair fell off; my body became black; my
-eyes receding within their sockets, seemed even as stars beheld at the
-bottom of a well.</p>
-
-<p>"During six years I kept myself motionless, exposed to the flies, the
-lions and the serpents; and the great summer suns, the torrential
-rains, lightnings and snows, hails and tempests,—all of these I
-endured without even the shelter of my lifted hand.</p>
-
-<p>"The travellers who passed by, believing me dead, cast clods of earth
-upon me!</p>
-
-<p>"Only the temptation of the Devil remained!</p>
-
-<p>"I summoned him.</p>
-
-<p><span class="pagenum"><a name="Page_164" id="Page_164">[Pg 164]</a></span></p>
-
-<p>"His sons came,—hideous, scale-covered, nauseous as
-charnel-houses,—shrieking, hissing, bellowing; interclashing their
-panoplies, rattling together the bones of dead men. Some belched
-flame through their nostrils; some made darkness about me with their
-wings; some wore chaplets of severed fingers; some drank serpent-venom
-from the hollows of their hands;—they were swine-headed; they were
-rhinoceros-headed or toad-headed; they assumed all forms that inspire
-loathing or affright."</p>
-
-<p><span class="smcap">Anthony</span> (<i>to himself</i>).</p>
-
-<p>"I also endured all that in other days!"</p>
-
-<p><span class="smcap">The Buddha.</span> "Then did he send me his daughters—beautiful with
-daintily painted faces, and wearing girdles of gold. Their teeth were
-whiter than the jasmine-flower; their thighs round as the trunk of
-an elephant. Some extended their arms and yawned, that they might so
-display the dimples of their elbows; some winked their eyes; some
-laughed; some half-opened their garments. There were blushing virgins,
-matrons replete with dignity, queens who came with great trains of
-baggage and of slaves."</p>
-
-<p><span class="pagenum"><a name="Page_165" id="Page_165">[Pg 165]</a></span></p>
-
-<p><span class="smcap">Anthony</span> (<i>aside</i>). "Ah! he too ..."</p>
-
-<p><span class="smcap">The Buddha</span>. "Having vanquished the Demon, I nourished myself for twelve
-years with perfumes only;—and as I had acquired the five virtues,
-the five faculties, the ten forces, the eighteen substances, and had
-entered into the four spheres of the invisible world, Intelligence
-became mine! I became the Buddha."</p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em;">
-<a id="redon12"></a>
-<img src="images/redon_12.jpg" width="600" alt="" />
-<div class="caption"><p>Intelligence became mine! I became the Buddha. </p></div>
-</div>
-
-<p class="p2">(<i>All the gods bow themselves down. Those having several heads, bend
-them all simultaneously. He lifts his mighty hand aloft, and resumes</i>:)</p>
-
-<p>"That I might effect the deliverance of beings, I have made hundreds
-of thousands of sacrifices! To the poor I gave robes of silk, beds,
-chariots, houses, heaps of gold and of diamonds. I gave my hands to the
-one-handed, my legs to the lame, my eyes to the blind;—even my head I
-severed for the sake of the decapitated. In the day that I was King, I
-gave away provinces;—when I was a Brahman I despised no one. When I
-was a solitary, I spake kindly words to the robber who slew me. When I
-was a tiger I allowed myself to die of hunger.</p>
-
-<p>"And having, in this last existence, preached the law, nothing now
-remains for<span class="pagenum"><a name="Page_166" id="Page_166">[Pg 166]</a></span> me to do. The great period is accomplished! Men, animals,
-the gods, the bamboos, the oceans, the mountains, the sand-grains of
-the Ganges, together with the myriad myriads of the stars,—all shall
-die;—and until the time of the new births, a flame shall dance upon
-the wrecks of worlds destroyed!"</p>
-
-<p>(<i>Then a great dizziness comes upon the gods. They stagger, fall into
-convulsions, and vomit forth their existences. Their crowns burst
-apart; their banners fly away. They tear off their attributes, their
-sexes, fling over their shoulders the cups from which they quaffed
-immortality, strangle themselves with their serpents, vanish in
-smoke;—and when all have disappeared</i> ...)</p>
-
-<p><span class="smcap">Hilarion</span> (<i>solemnly exclaims</i>):</p>
-
-<p>"Thou hast even now beheld the belief of many hundreds of millions of
-men."</p>
-
-<p>(<i>Anthony is prostrate upon the ground, covering his face with his
-hands. Hilarion, with his back turned to the cross, stands near him and
-watches him.</i></p>
-
-<p><i>A considerable time elapses.</i></p>
-
-<p><i>Then a singular being appears—having the head of a man upon the body
-of a fish.<span class="pagenum"><a name="Page_167" id="Page_167">[Pg 167]</a></span> He approaches through the air, upright, beating the sand
-from time to time with his tail; and the patriarchal aspect of his face
-by contrast with his puny little arms, causes Anthony to laugh.</i>)</p>
-
-<p><span class="smcap">Oannes</span> (<i>in a plaintive voice</i>):</p>
-
-<p>"Respect me! I am the contemporary of beginnings.</p>
-
-<p>"I dwelt in that formless world where hermaphroditic creatures
-slumbered, under the weight of an opaque atmosphere, in the deeps of
-dark waters—when fingers, fins, and wings were blended, and eyes
-without heads were floating like mollusks, among human-headed bulls,
-and dog-footed serpents.</p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em;">
-<a id="redon13"></a>
-<img src="images/redon_13.jpg" width="600" alt="" />
-<div class="caption"><p> ... and eyes without heads were floating like mollusks
-</p></div></div>
-
-<p class="p2">"Above the whole of these beings, <span class="smcap">Omoroca</span>, bent like a hoop, extended
-her woman-body. But Belus cleft her in two halves; with one he made the
-earth; with the other, heaven;—and the two equal worlds do mutually
-contemplate each other.</p>
-
-<p>"I, the first consciousness of <span class="smcap">Chaos</span>, arose from the abyss that I might
-harden matter, and give a law unto forms:—also I taught men to fish
-and to sow: I gave them knowledge of writing, and of the history of the
-gods.</p>
-
-<p><span class="pagenum"><a name="Page_168" id="Page_168">[Pg 168]</a></span></p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em;">
-<a id="redon14"></a>
-<img src="images/redon_14.jpg" width="600" alt="" />
-<div class="caption"><p>I, the first consciousness of Chaos, arose
-from the abyss that I might harden matter, and give a law unto forms
-</p></div>
-</div>
-
-<p class="p2">"Since then I have dwelt in the deep pools left by the Deluge. But the
-desert grows vaster about them; the winds cast sand into them; the sun
-devours them;—and I die upon my couch of slime, gazing at the stars
-through the water. Thither I return!"</p>
-
-<p>(<i>He leaps and disappears in the Nile.</i>)</p>
-
-<p><span class="smcap">Hilarion</span>. "That is an ancient God of the Chaldæans!"</p>
-
-<p><span class="smcap">Anthony</span> (<i>ironically</i>). "What, then, were those of Babylon?"</p>
-
-<p><span class="smcap">Hilarion</span>. "Thou canst behold them!"</p>
-
-<p>(<i>And they find themselves upon the platform of a lofty quadrangular
-tower dominating six other towers, which, narrowing as they rise, form
-one monstrous pyramid. Far below a great black mass is visible—the
-city, doubtless—extending over the plains. The air is cold; the sky
-darkly blue; multitudes of stars palpitate above.</i></p>
-
-<p><i>In the midst of the platform rises a column of white stone. Priests
-in linen robes pass and repass around it, so as to describe by their
-evolutions a moving circle; and with faces uplifted, they gaze upon the
-<span class="pagenum"><a name="Page_169" id="Page_169">[Pg 169]</a></span>stars.</i> ...)</p>
-
-<p><span class="smcap">Hilarion</span>. (<i>pointing out several of these stars to Anthony</i>):</p>
-
-<p>"There are thirty principal stars. Fifteen look upon the upper side
-of the earth; fifteen below. At regular intervals one shoots from the
-upper regions to those below; while another abandons the inferior deeps
-to rise to sublime altitudes ...</p>
-
-<p>"Of the seven planets, two are beneficent; two evil; three
-ambiguous:—all things in the world depend upon the influence of these
-eternal fires. According to their position or movement presages may be
-drawn;—and here thou dost tread the most venerable place upon earth.
-Here Pythagoras and Zoroaster have met;—here for twelve thousand years
-these men have observed the skies that they might better learn to know
-the gods."</p>
-
-<p><span class="smcap">Anthony</span>. "The stars are not gods."</p>
-
-<p><span class="smcap">Hilarion</span>. "Aye, they say the stars are gods; for all things about us
-pass away;—the heavens only remain immutable as eternity."</p>
-
-<p><span class="smcap">Anthony</span>. "Yet there is a master!"</p>
-
-<p><span class="smcap">Hilarion</span> (<i>pointing to the column</i>):</p>
-
-<p>"He! Belus!—the first ray, the Sun, the<span class="pagenum"><a name="Page_170" id="Page_170">[Pg 170]</a></span> Male! The Other, whom he
-fecundates, is beneath him!"</p>
-
-<p>(<i>Anthony beholds a garden, illuminated by lamps</i>: <i>He finds himself
-in the midst of the crowd, in an avenue of cypress-trees. To right and
-left are little pathways leading to huts constructed within a wood of
-pomegranate trees, and enclosed by treillages of bamboo.</i></p>
-
-<p><i>Most of the men wear pointed caps, and garments bedizened like the
-plumage of a peacock. But there are also people from the North clad
-in bearskins, nomads wearing mantles of brown wool, pallid Gangarides
-with long earrings;—and there seems to be as much confusion of rank
-as there is confusion of nations; for sailors and stone-cutters elbow
-the princes who wear tiaras blazing with carbuncles and who carry
-long canes with carven knobs. All proceed upon their way with dilated
-nostrils, absorbed by the same desire.</i></p>
-
-<p><i>From time to time, they draw aside to make way for some long covered
-wagon drawn by oxen, or some ass jolting upon his back a woman bundled
-up in thick veils, who finally disappears in the direction of the
-cabins.</i></p>
-
-<p><span class="pagenum"><a name="Page_171" id="Page_171">[Pg 171]</a></span></p>
-
-<p><i>Anthony feels afraid; he half-resolves to turn back. But an
-unutterable curiosity takes possession of him, and draws him on.</i></p>
-
-<p><i>At the foot of the cypress-trees there are ranks of women squatting
-upon deerskins, all wearing in lieu of diadem, a plaited fillet of
-ropes. Some, magnificently attired, loudly call upon the passers-by.
-Others, more timid, seek to veil their faces with their arms, while
-some matron standing behind them, their mother doubtless, exhorts
-them. Others, their heads veiled with a black shawl, and their bodies
-entirely nude, seem from afar off to be statues of flesh. As soon as a
-man has thrown some money upon their knees, they arise.</i></p>
-
-<p><i>And the sound of kisses is heard under the foliage,—sometimes a great
-sharp cry.</i>)</p>
-
-<p><span class="smcap">Hilarion</span>. "These are the virgins of Babylon, who prostitute themselves
-to the goddess."</p>
-
-<p><span class="smcap">Anthony</span>. "What goddess?"</p>
-
-<p><span class="smcap">Hilarion</span>. "Behold her!"</p>
-
-<p>(<i>And he shows him at the further end of the avenue, upon the threshold
-of an illuminated grotto, a block of stone representing a woman.</i>)</p>
-
-<p><span class="pagenum"><a name="Page_172" id="Page_172">[Pg 172]</a></span></p>
-
-<p><span class="smcap">Anthony</span>. "Ignominy!—how abominable to give a sex to God!"</p>
-
-<p><span class="smcap">Hilarion</span>. "Thou thyself dost figure him in thy mind as a living person!"</p>
-
-<p>(<i>Anthony again finds himself in darkness.</i></p>
-
-<p><i>He beholds in the air a luminous circle, poised upon horizontal
-wings. This ring of light, girdles like a loose belt, the waist of a
-little man wearing a mitre upon his head and carrying a wreath in his
-hand. The lower part of his figure is completely concealed by immense
-feathers outspreading about him like a petticoat.</i></p>
-
-<p><i>It is</i>—<span class="smcap">Ormuzd</span>—<i>the God of the Persians. He hovers in the air above,
-crying aloud</i>:)</p>
-
-<p>"I fear! I can see his monstrous jaws! I did vanquish thee, O Ahriman!
-But again thou dost war against me.</p>
-
-<p>"First revolting against me, thou didst destroy the eldest of
-creatures, Kaiomortz, the Man-Bull. Then didst thou seduce the first
-human couple, Meschia and Meschiané; and thou didst fill all hearts
-with darkness, thou didst urge thy battalions against heaven!</p>
-
-<p>"I also had mine own, the people of the stars; and from the height of
-my throne I<span class="pagenum"><a name="Page_173" id="Page_173">[Pg 173]</a></span> contemplated the marshalling of the astral hosts.</p>
-
-<p>"Mithra, my son, dwelt in heavens inaccessible. There he received
-souls, from thence did he send them forth; and he arose each morning to
-pour forth the abundance of his riches.</p>
-
-<p>"The earth reflected the splendour of the firmament. Fire blazed upon
-the crests of the mountains,—symbolizing that other fire of which
-I had created all creatures. And that the holy flame might not be
-polluted, the bodies of the dead were not burned; the beaks of birds
-carried them aloft toward heaven.</p>
-
-<p>"I gave to men the laws regulating pastures, labour, the choice of wood
-for the sacrifices, the form of cups, the words to be uttered in hours
-of sleeplessness;—and my priests unceasingly offered up prayers, so
-that worship might be as the eternity of God in its endlessness. Men
-purified themselves with water; loaves were offered upon the altars,
-sins were confessed aloud.</p>
-
-<p>"Homa<a name="FNanchor_5_21" id="FNanchor_5_21"></a><a href="#Footnote_5_21" class="fnanchor">[5]</a> gave himself to men to be drank,<span class="pagenum"><a name="Page_174" id="Page_174">[Pg 174]</a></span> that they might have his
-strength communicated to them while the Genii of heaven were combating
-the demons, the children of Iran were pursuing the serpents. The
-King, whom an innumerable host of courtiers served upon their knees,
-represented me in his person, and wore my coiffure. His gardens had the
-magnificence of a heaven upon earth; and his tomb represented him in
-the act of slaying a monster,—emblem of Good destroying Evil.</p>
-
-<p>"For it was destined that I should one day definitely conquer Ahriman,
-by the aid of Time-without-limits.</p>
-
-<p>"But the interval between us disappears;—the deep night rises! To
-me! ye Amschaspands, ye Izeds, ye Ferouers! Succor me, Mithra! seize
-thy sword! And thou, Kaosyac, who shall return for the universal
-deliverance, defend me! What!—none to aid! Ah! I die! Thou art the
-victor, Ahriman!"</p>
-
-<p>(<i>Hilarion, standing behind Anthony, restrains<span class="pagenum"><a name="Page_175" id="Page_175">[Pg 175]</a></span> a cry of joy;—and</i>
-Ormuzd <i>is swallowed up in the darkness.</i>)</p>
-
-<p>(<i>Then appears</i>:)</p>
-
-<p class="smcap" style="text-align: center;">The Great Diana of Ephesus</p>
-
-<p>(<i>black with enamelled eyes, her elbows pressed to her side, her
-forearms extended, with hands open.</i></p>
-
-<p><i>Lions crawl upon her shoulders; fruits, flowers, and stars intercross
-upon her bosom; further down three rows of breasts appear; and from her
-belly to her feet she is covered with a tightly fitting sheath from
-which bulls, stags, griffins, and bees, seem about to spring, their
-bodies half-protruding from it. She is illuminated by the white light
-emanating from a disk of silver, round as the full moon, placed behind
-her head.</i>)</p>
-
-<p>"Where is my temple? Where are my Amazons?</p>
-
-<p>"What is this I feel?—I, the Incorruptible!—a strange faintness comes
-upon me!"...</p>
-
-<p>(<i>Her flowers wither, her over-ripe fruits become detached and fall.
-The lions and the bulls hang their heads; the deer foam at the<span class="pagenum"><a name="Page_176" id="Page_176">[Pg 176]</a></span> mouth,
-with a slimy foam, as though exhausted; the buzzing bees die upon the
-ground.</i></p>
-
-<p><i>She presses her breasts, one after the other. All are empty! But under
-a desperate effort her sheath bursts. She seizes it by the bottom, like
-the skirt of a robe, throws her animals, her fruits, her flowers, into
-it,—then withdraws into the darkness.</i></p>
-
-<p><i>And afar off there are voices, murmuring, growling, roaring,
-bellowing, belling. The density of the night is augmented by breaths.
-Drops of warm rain fall.</i>)</p>
-
-<p><span class="smcap">Anthony</span>. "How sweet the odour of the palm trees, the trembling of
-leaves, the transparency of springs! I feel the desire to lie flat upon
-the Earth that I might feel her against my heart; and my life would be
-reinvigorated by her eternal youth!"</p>
-
-<p>(<i>He hears the sound of castanets and of cymbals; and men appear, clad
-in white tunics with red stripes,—leading through the midst of a
-rustic crowd an ass, richly harnessed, its tail decorated with knots of
-ribbons, and its hoofs painted.</i></p>
-
-<p><i>A box, covered with a saddle-cloth<a name="FNanchor_6_22" id="FNanchor_6_22"></a><a href="#Footnote_6_22" class="fnanchor">[6]</a> of<span class="pagenum"><a name="Page_177" id="Page_177">[Pg 177]</a></span> yellow material shakes to
-and fro upon its back, between two baskets,—one receives the offerings
-contributed,—eggs, grapes, pears, cheeses, fowls, little coins; and
-the other basket is full of roses, which the leaders of the ass pluck
-to pieces as they walk before the animal, shedding the leaves upon the
-ground.</i></p>
-
-<p><i>They wear earrings and large mantles; their locks are plaited, their
-cheeks painted, olive-wreaths are fastened upon their foreheads by
-medallions bearing figurines;—all wear poniards in their belts, and
-brandish ebony-handled whips, having three thongs to which osselets are
-attached.</i><a name="FNanchor_7_23" id="FNanchor_7_23"></a><a href="#Footnote_7_23" class="fnanchor">[7]</a></p>
-
-<p><i>Those who form the rear of the procession, place upon the soil,—so as
-to remain upright as a candelabrum,—a tall pine, which burns at its
-summit, and shades under its lower branches a lamb.</i></p>
-
-<p><i>The ass halts. The saddle-cloth is removed. Underneath appears a
-second covering of black felt. Then one of the men in white tunics
-begins to dance, rattling his crotali;—another, kneeling before the
-box, beats a tambourine and</i>—)</p>
-
-<p><span class="pagenum"><a name="Page_178" id="Page_178">[Pg 178]</a></span></p>
-
-<p><span class="smcap">The Oldest of the Band</span>, <i>begins</i>:—</p>
-
-<p>"Here is the Good Goddess, the Idæan of the mountains, the Great Mother
-of Syria! Come ye hither, good people all!</p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em;">
-<a id="redon15"></a>
-<img src="images/redon_15.jpg" width="600" alt="" />
-<div class="caption"><p>Here is the Good Goddess, the Idæan of the mountains </p></div>
-</div>
-
-<p class="p2">"She gives joy to men, she heals the sick; she sends inheritances; she
-satisfies the hunger of love!</p>
-
-<p>"We bear her through the land, rain or shine, in fair weather, or in
-foul.</p>
-
-<p>"Oft times we lie in the open air, and our table is not always well
-served. Robbers dwell in the woods. Wild beasts rush from their
-caverns. Slippery paths border the precipices. Behold her! behold her!"</p>
-
-<p>(<i>They lift off the covering; and a box is seen, inlaid with little
-pebbles.</i>)</p>
-
-<p>"Loftier than the cedars, she looks down from the blue ether. Vaster
-than the wind she encircles the world. Her breath is exhaled by the
-nostrils of tigers; the rumbling of her voice is heard beneath the
-volcanoes; her wrath is the tempest; the pallor of her face has
-whitened the moon. She ripens the harvest; by her the tree-bark swells
-with sap; she makes the beard to grow. Give her something; for she
-hates the avaricious!"</p>
-
-<p>(<i>The box opens; and under a little pavilion<span class="pagenum"><a name="Page_179" id="Page_179">[Pg 179]</a></span> of blue silk appears a
-small image of Cybele—glittering with spangles, crowned with towers,
-and seated in a chariot of red stone, drawn by two lions, with uplifted
-paws.</i></p>
-
-<p><i>The crowd presses forward to see.</i>)</p>
-
-<p><span class="smcap"><span class="smcap">THE ARCHIGALLUS</span></span> (<i>continues</i>):</p>
-
-<p>"She loves the sound of resounding tympanums, the echo of dancing
-feet, the howling of wolves, the sonorous mountains and the deep
-gorges, the flower of the almond tree, the pomegranate and the green
-fig, the whirling dance, the snoring flute, the sugary sap, the salty
-tear,—blood! To thee, to thee!—Mother of the mountains!"</p>
-
-<p>(<i>They scourge themselves with their whips; and their chests resound
-with the blows;—the skins of the tambourines vibrate almost to
-bursting. They seize their knives; they gash their arms.</i>)</p>
-
-<p>"She is sorrowful; let us be sorrowful! Thereby your sins will be
-remitted. Blood purifies all—fling its red drops abroad like blossoms!
-She, the Great Mother, demands the blood of another creature—of a pure
-being!"</p>
-
-<p>(<i>The Archigallus raises his knife above the head of a lamb.</i>)</p>
-
-<p><span class="pagenum"><a name="Page_180" id="Page_180">[Pg 180]</a></span></p>
-
-<p><span class="smcap">Anthony</span> (<i>seized with horror</i>):</p>
-
-<p>"Do not slay the lamb!"</p>
-
-<p>(<i>There is a gush of purple blood. The priest sprinkles the crowd
-with it; and all—including Anthony and Hilarion—standing around the
-burning tree, silently watch the last palpitations of the victim.</i></p>
-
-<p><i>A Woman comes forth from the midst of the priests; she resembles
-exactly the image within the little box.</i></p>
-
-<p><i>She pauses, perceiving before her a Young Man wearing a Phrygian
-cap. His thighs are covered with a pair of narrow trousers, with
-lozenge-shaped openings here and there at regular intervals, closed by
-bow knots of coloured material. He stands in an attitude of languor,
-resting his elbow against a branch of the tree, holding a flute in his
-hand.</i>)</p>
-
-<p><span class="smcap">Cybele</span> (<i>flinging her arms about his waist</i>).</p>
-
-<p>"I have traversed all regions of the earth to join thee—and famine
-ravaged the fields Thou hast deceived me! It matters not! I love thee!
-Warm my body in thine embrace! Let us be united!"</p>
-
-<p><span class="smcap">Atys</span>. "The springtime will never again return, O eternal Mother!
-Despite my love, it is no longer possible for me to penetrate<span class="pagenum"><a name="Page_181" id="Page_181">[Pg 181]</a></span> thy
-essence! Would that I might cover myself with a painted robe like
-thine! I envy thy breasts, swelling with milk, the length of thy
-tresses, thy vast flanks that have borne and brought forth all
-creatures! Why am I not thou?—Why am I not a woman?—No, never! depart
-from me! My virility fills me with horror!"</p>
-
-<p>(<i>With a sharp stone he dismembers himself, and runs furiously from her
-...</i></p>
-
-<p><i>The priests imitate the god; the faithful do even as the priests. Men
-and women exchange garments, embrace;—and the tumult of bleeding flesh
-passes away, while the sound of voices remaining, becomes even more
-strident,—like the shrieking of mourners, like the voices heard at
-funerals.</i></p>
-
-<p><i> ... A huge catafalque, hung with purple, supports upon its summit an
-ebony bed, surrounded by torches and baskets of silver filagree, in
-which are verdant leaves of lettuce, mallow and fennel. Upon the steps
-of the construction, from summit to base, sit women all clad in black,
-with loosened girdles and bare feet, holding in their hands with a
-melancholy air, great bouquets of flowers.</i></p>
-
-<p><i>At each corner of the estrade urns of alabaster,<span class="pagenum"><a name="Page_182" id="Page_182">[Pg 182]</a></span> filled with myrrh,
-slowly send up their smoke.</i></p>
-
-<p><i>Upon the bed can be perceived the corpse of a man. Blood flows from
-his thigh. One of his arms hangs down lifelessly;—and a dog licks his
-finger nails and howls.</i></p>
-
-<p><i>The row of torches placed closely together, prevents his face from
-being seen; and Anthony feels a strange anguish within him. He fears
-lest he should recognize some one.</i></p>
-
-<p><i>The sobs of the women cease—and after an interval of silence</i>,)</p>
-
-<p><span class="smcap">All</span> (<i>psalmody together</i>):</p>
-
-<p>"Fair! fair!—all fair he is! Thou hast slept enough!—lift thy
-head!—arise!</p>
-
-<p>"Inhale the perfume of our flowers—narcissus—blossoms and anemones,
-gathered in thine own gardens to please thee. Arouse thee! thou dost
-make us fear for thee!</p>
-
-<p>"Speak to us! What dost thou desire? Wilt thou drink wine?—wilt thou
-lie in our beds?—dost wish to eat the honeycakes which have the form
-of little birds?</p>
-
-<p>"Let us press his lips,—kiss his breast! Now!—now!—dost thou not
-feel our ring-laden fingers passing over thy body?—and our lips that
-seek thy mouth?—and our<span class="pagenum"><a name="Page_183" id="Page_183">[Pg 183]</a></span> tresses that sweep thy thighs? O faint God,
-deaf to our prayers!"</p>
-
-<p>(<i>They cry aloud, and rend their faces with their nails; then all
-rush,—and the howling of the dog continues in the silence.</i>)</p>
-
-<p>"Alas! alas! Woe!—the black blood trickles over his snowy flesh!
-See! his knees writhe!—his sides sink in! The bloom of his face hath
-dampened the purple. He is dead, dead! O weep for him! Lament for him!"</p>
-
-<p>(<i>In long procession they ascend to lay between the torches the
-offerings of their several tresses, that seem from afar off like
-serpents, black or blond;—and the catafalque is lowered gently to the
-level of, a grotto,—the opening of a shadowy sepulchre that yawns
-behind it.</i></p>
-
-<p><i>Then</i>—)</p>
-
-<p><span class="smcap">A Woman</span> (<i>bends over the corpse. Her long hair, uncut, envelopes her
-from head to feet. She sheds tears so abundantly that her grief cannot
-be as that of the others, but more than human—infinite!</i></p>
-
-<p><i>Anthony dreams of the Mother of Jesus. She speaks</i>:—)</p>
-
-<p>"Thou didst emerge from the Orient, and didst take me, all trembling
-with the dew, into<span class="pagenum"><a name="Page_184" id="Page_184">[Pg 184]</a></span> thy arms, O Sun! Doves fluttered upon the azure
-of thy mantle; our kisses evoked low breezes among the foliage; and I
-abandoned myself wholly to thy love, delighting in the pleasure of my
-weakness.</p>
-
-<p>"Alas! alas—Why didst thou depart, to run upon the mountains! A boar
-did wound thee at the time of the autumnal equinox!</p>
-
-<p>"Thou art dead; and the fountains weep,—the trees bend down. The wind
-of winter whistles through the naked brushwood.</p>
-
-<p>"My eyes are about to close, seeing that darkness covers them! Now thou
-dwellest in the underworld near the mightiest of my rivals.</p>
-
-<p>"O Persephone, all that is beautiful descends to thee, never to return!"</p>
-
-<p>(<i>Even while she speaks, her companions lift the dead, to place him
-within the sepulchre. He remains in their hands! It was only a waxen
-corpse.</i></p>
-
-<p><i>Wherefore Anthony feels something resembling relief.</i></p>
-
-<p><i>All vanish;—and the hut, the rocks, and the cross reappear.</i></p>
-
-<p><i>But upon the other side of the Nile, Anthony<span class="pagenum"><a name="Page_185" id="Page_185">[Pg 185]</a></span> beholds a Woman,
-standing in the midst of the desert.</i></p>
-
-<p><i>She retains in her hand the lower part of a long black veil that hides
-all her face; supporting with her left arm a little child to whom she
-is giving suck. A great ape crouches down in the sand beside her.</i></p>
-
-<p><i>She uplifts her head toward heaven; and in spite of the great
-distance, her voice is distinctly heard</i>:)</p>
-
-<p><span class="smcap">Isis</span>. "O Neith, Beginning of all things! Ammon, Lord of Eternity;
-Pthah, demiurgos; Thoth, his intelligence; gods of the Amenthi,
-particular triads of the Nomes,—falcons in the azure of heaven,
-sphinxes before the temples, ibises perched between the horns of oxen,
-planets, constellations, shore, murmurs of the wind, gleams of the
-light,—tell me where I may find Osiris.</p>
-
-<p>"I have sought him in all the canals and all the lakes—aye, further
-yet, even to Phœnician Byblos. Anubis, with ears pricked up, leaped
-about me, and yelped, and thrust his muzzle searchingly into the tufts
-of the tamarinds.</p>
-
-<p>"Thanks, good Cynocephalos—thanks to thee!"</p>
-
-<p><span class="pagenum"><a name="Page_186" id="Page_186">[Pg 186]</a></span></p>
-
-<p>(<i>She gives the ape two or three friendly little taps upon the head.</i>)</p>
-
-<p>"Hideous Typhon, the red-haired slew him, tore him in pieces! We have
-found all his members. But I have not that which rendered me fecund!"</p>
-
-<p>(<i>She utters wild lamentations.</i>)</p>
-
-<p><span class="smcap">Anthony</span> (<i>is filled with fury. He casts stones at her, reviles her.</i>)</p>
-
-<p>"Begone! thou shameless one!—Begone!"</p>
-
-<p><span class="smcap">Hilarion</span>. "Nay! respect her! Her religion was the faith of thy
-fathers!—thou didst wear her amulets when thou wert a child in the
-cradle!"</p>
-
-<p><span class="smcap">Isis</span>. "In the summers of long ago, the inundation drove the impure
-beasts into the desert. The dykes were opened, the boats dashed against
-each other; the panting earth drank the river with the intoxication of
-joy. Then, O God, with the horns of the bull, thou didst lie upon my
-breast, and then was heard, the lowings of the Eternal Cow!</p>
-
-<p>"The seasons of sowing and reaping, of threshing and of vintage,
-followed each other in regular order with the years. In the eternal
-purity of the nights, broad stars beamed and glowed. The days were
-bathed<span class="pagenum"><a name="Page_187" id="Page_187">[Pg 187]</a></span> in never-varying splendour. Like a royal couple the Sun and the
-Moon appeared simultaneously, at either end of the horizon.</p>
-
-<p>"Then did we both reign above a sublimer world, twin-monarchs, wedded
-within, the womb of eternity—he bearing a concupha-headed sceptre; I,
-the sceptre that is tipped with a lotus-flower; both of us erect with
-hands joined; and the crumblings of empires affected not our attitude.</p>
-
-<p>"Egypt extended, below us, monumental and awful, long-shaped like the
-corridor of a temple; with obelisks on the right, pyramids on the
-left, and its labyrinth in the midst. And everywhere were avenues
-of monsters, forests of columns, massive pylons flanking gates
-summit-crowned with the mysterious globe—the globe of the world,
-between two wings.</p>
-
-<p>"The animals of her Zodiac also existed in her pasture lands; and
-filled her mysterious writing with their forms and colours. Divided
-into twelve regions as the year is divided into-twelve months—each
-month, each day also having its own god—she reproduced the immutable
-order of heaven. And man even in dying changed not his face; but
-saturated<span class="pagenum"><a name="Page_188" id="Page_188">[Pg 188]</a></span> with perfumes, invulnerable to decay, he lay down to sleep
-for three thousand years in another and silent Egypt.</p>
-
-<p>"And that Egypt, vaster than the Egypt of the living, extended beneath
-the earth.</p>
-
-<p>"Thither one descended by dark stairways leading into halls where were
-represented the joys of the good, the tortures of the wicked, all that
-passes in the third and invisible world. Ranged along the wall the dead
-in their painted coffins awaited their turn; and the soul, exempted
-from migrations, continued its heavy slumber until the awakening into a
-new life.</p>
-
-<p>"Nevertheless, Osiris sometimes came to see me. And by his ghost I
-became the mother of Harpocrates."</p>
-
-<p>(<i>She contemplates the child.</i>)</p>
-
-<p>"Aye! it is he. Those are his eyes; those are his locks, plaited into
-ram horns! Thou shalt recommence his works. We shall bloom again like
-the lotus. I am still the Great Isis!—none has yet lifted my veil! My
-fruit is the Sun!</p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em;">
-<a id="redon16"></a>
-<img src="images/redon_16.jpg" width="600" alt="" />
-<div class="caption"><p>I am still the Great Isis!—none has yet
-lifted my veil! My fruit is the Sun!</p></div></div>
-
-<p class="p2">"Sim of Springtime, clouds now obscure thy face! The breath of Typhon
-devours the pyramids. But a little while ago I beheld<span class="pagenum"><a name="Page_189" id="Page_189">[Pg 189]</a></span> the Sphinx flee
-away. He was galloping like a jackal.</p>
-
-<p>"I look for my priests,—my priests clad in mantles of linen, with
-their great harps, and bearing a mysterious bark, adorned with
-silver pateras. There are no more festivals upon the lakes!—no more
-illuminations in my delta!—no more cups of milk at Philæ! Apis has
-long ceased to reappear.</p>
-
-<p>"Egypt! Egypt! thy great motionless gods have their shoulders already
-whitened by the dung of birds; and the wind that passes over the desert
-rolls with it and the ashes of thy dead!—Anubis, guardian of ghosts,
-abandon me not!"</p>
-
-<p>(<i>The Cynocephalos has vanished. She shakes her child.</i>)</p>
-
-<p>"But ... what ails thee ... thy hands are cold, thy head droops!"</p>
-
-<p>(<i>Harpocrates expires. Then she cries aloud with a cry so piercing,
-funereal, heart-rending, that Anthony answers it with another cry,
-extending his arms as to support her.</i></p>
-
-<p><i>She is no longer there. He lowers his face, overwhelmed by shame.</i></p>
-
-<p><i>All that he has seen becomes confused<span class="pagenum"><a name="Page_190" id="Page_190">[Pg 190]</a></span> within his mind. It is like the
-bewilderment of travel, the illness of drunkenness. He wishes to hate;
-but a vague and vast pity fills his heart. He begins to weep, and weeps
-abundantly.</i>)</p>
-
-<p><span class="smcap">Hilarion</span>. "What makes thee sorrowful?"</p>
-
-<p><span class="smcap">Anthony</span> (<i>after having long sought within himself for a reply</i>):</p>
-
-<p>"I think of all the souls that have been lost through these false gods!"</p>
-
-<p><span class="smcap">Hilarion</span>. "Dost thou not think that they ... sometimes ... bear much
-resemblance to the <span class="smcap">True</span>?"</p>
-
-<p><span class="smcap">Anthony</span>. "That is but a device of the Devil to seduce the faithful more
-easily. He attacks the strong through the mind, the weak through the
-flesh."</p>
-
-<p><span class="smcap">Hilarion</span>. "But luxury, in its greatest fury, has all the
-disinterestedness of penitence. The frenzied love of the body
-accelerates the destruction thereof,—and proclaims the extent of the
-impossible by the exposition of the body's weakness."</p>
-
-<p><span class="smcap">Anthony</span>. "What signifies that to me! My heart sickens with disgust
-of these beautiful bestial gods, forever busied with carnages and
-incests!"</p>
-
-<p><span class="pagenum"><a name="Page_191" id="Page_191">[Pg 191]</a></span></p>
-
-<p><span class="smcap">Hilarion</span>. "Yet recollect all those things in the Scripture which
-scandalize thee because thou art unable to comprehend them! So also may
-these Gods conceal under their sinful forms some mighty truth. There
-are more of them yet to be seen. Look around!"</p>
-
-<p><span class="smcap">Anthony</span>. "No, no!—it is dangerous!"</p>
-
-<p><span class="smcap">Hilarion</span>. "But a little while ago thou didst desire to know them! Is
-it because thy faith might vacillate in the presence of lies? What
-fearest thou?"</p>
-
-<p>(<i>The rocks fronting Anthony have become as a mountain. A line of
-clouds obscures the mountain half way between summit and base; and
-above the clouds appears another mountain, enormous, all green,
-unequally hollowed by valleys nestling in its slopes, and supporting at
-its summit, in the midst of laurel-groves a palace of bronze, roofed
-with tiles of gold, and supported by columns having capitals of ivory.</i></p>
-
-<p><i>In the centre of the peristyle Jupiter,—colossal, with torso
-nude,—holds Victory in one hand, his thunderbolts in the other; and
-his eagle, perched between his feet, rears its head.</i></p>
-
-<p><i>Juno, seated near him, rolls her large eyes,<span class="pagenum"><a name="Page_192" id="Page_192">[Pg 192]</a></span> beneath a diadem whence
-her wind-blown veil escapes like a vapour.</i></p>
-
-<p><i>Behind them, Minerva, standing upon a pedestal, leans on her spear.
-The skin of the Gorgon covers her breast, and a linen peplos falls in
-regular folds to the nails of her toes. Her glaucous eyes, which gleam
-beneath her vizor, gaze afar off, attentively.</i></p>
-
-<p><i>On the right of the palace, the aged Neptune bestrides a dolphin
-beating with its fins a vast azure expanse which may be sea or sky, for
-the perspective of the Ocean seems a continuation of the blue ether:
-the two elements are interblended.</i></p>
-
-<p><i>On the other side weird Pluto in night-black mantle, crowned with
-diamond tiara and bearing a sceptre of ebony, sits in the midst of an
-islet surrounded by the circumvolutions of the Styx;—and this river of
-shadow empties itself into the darknesses, which form a vast black gulf
-below the cliff,—a bottomless abyss!</i></p>
-
-<p><i>Mars, clad in brass, brandishes as in wrath his broad shield and his
-sword.</i></p>
-
-<p><i>Hercules, leaning upon his club, gazes at him from below.</i></p>
-
-<p><i>Apollo, his face ablaze with light, grasps<span class="pagenum"><a name="Page_193" id="Page_193">[Pg 193]</a></span> with outstretched right
-arm the reins of four white horses urged to a gallop; and Ceres in her
-ox-drawn chariot advances toward him with a sickle in her hand.</i></p>
-
-<p><i>Behind her comes Bacchus, riding in a very low chariot, gently drawn
-by lynxes. Plump and beardless, with vine leaves garlanding his brow,
-he passes by holding in his hand an overflowing cup of wine. Silenus
-riding beside him reels upon his ass. Pan of the pointed ears, blows
-upon his syrinx; the Mimalonæides beat drums; the Mænads strew
-flowers; the Bacchantes turn in the dance with heads thrown back and
-hair dishevelled.</i></p>
-
-<p><i>Diana, with tunic tucked up, issues from the wood together with her
-nymphs.</i></p>
-
-<p><i>At the further end of a cavern, Vulcan among his Cabiri, hammers the
-heated iron; here and there the aged Rivers leaning recumbent upon
-green rocks pour water from their urns; the Muses stand singing in the
-valleys</i>.</p>
-
-<p><i>The Hours, all of equal stature, link hands; and Mercury poses
-obliquely upon a rainbow, with his caduceus, winged sandals, and winged
-petasus.</i></p>
-
-<p><i>But at the summit of the stairway of the Gods,—among clouds soft
-as down, from<span class="pagenum"><a name="Page_194" id="Page_194">[Pg 194]</a></span> whose turning volutes a rain of roses falls,—Venus
-Anadyomene stands gazing at herself in a mirror:—her eyes move
-languorously beneath their slumbrous lids.</i></p>
-
-<p><i>She has masses of rich blond hair rolling down over her shoulders; her
-breasts are small; her waist is slender; her hips curve out like the
-sweeping curves of a lyre; her thighs are perfectly rounded; there are
-dimples about her knees; her feet are delicate: a butterfly hovers near
-her mouth. The splendour of her body makes a nacreous-tinted halo of
-bright light about her; while all the rest of Olympus is bathed in a
-pink dawn, rising gradually to the heights of the blue sky.</i>)</p>
-
-<p><span class="smcap">Anthony</span>. "Ah! my heart swells! A joy never known before thrills me to
-the depths of my soul! How beautiful, how beautiful it is!"</p>
-
-<p><span class="smcap">Hilarion</span>. "They leaned from the heights of cloud to direct the way of
-swords; one used to meet them upon the high roads; men had them in
-their houses—and this familiarity divinized life.</p>
-
-<p>"Life's aim was only to be free and beautiful. Nobility of attitude was
-facilitated by the looseness of garments. The voice of the<span class="pagenum"><a name="Page_195" id="Page_195">[Pg 195]</a></span> orator,
-trained by the sea, rolled its sonorous waves against the porticoes of
-marble. The ephebus, anointed with oil, wrestled all naked in the full
-light of the sun. The holiest of actions was to expose perfection of
-forms to all.</p>
-
-<p>"And these men respected wives, aged men, suppliants.</p>
-
-<p>"Behind the temple of Hercules there was an altar erected to Pity.</p>
-
-<p>"Victims were immolated with flowers wreathed about the fingers of the
-sacrificer. Even memory was exempted from thoughts of the rottenness
-of death. Nothing remained but a little pile of ashes. And the Soul,
-mingling with the boundless ether, rose up to God."</p>
-
-<p>(<i>Bending to whisper in Anthony's ear</i>:—)</p>
-
-<p>"And they still live! The Emperor Constantine adores Apollo. Thou wilt
-find the Trinity in Samothracian mysteries,—baptism in the religion of
-Isis,—redemption in the faith of Mithra,—a martyrdom of a God in the
-festivals of Bacchus. Prosperpine is the Virgin!... Aristæus is Jesus!"</p>
-
-<p><span class="smcap">Anthony</span> (<i>remains awhile with downcast eyes, as if in deep thought;
-then suddenly repeats<span class="pagenum"><a name="Page_196" id="Page_196">[Pg 196]</a></span> aloud the Symbol of Jerusalem, as he remembers
-it, uttering a long sigh between each phrase</i>):—</p>
-
-<p>"I believe in one only God, the Father,—and in one only Lord, Jesus
-Christ,—the first born son of God, who was incarnated and made
-man,—who was crucified, and buried,—who ascended into Heaven,—who
-will come to judge the living and the dead,—of whose Kingdom there
-shall be no end;—and in one Holy Spirit,—and in one baptism of
-repentance,—and in one Holy Catholic Church,—and in the resurrection
-of the flesh,—and in the life everlasting!"</p>
-
-<p>(<i>Immediately the cross becomes loftier and loftier; it pierces the
-clouds, and casts its shadow upon the heaven of the gods.</i></p>
-
-<p><i>All grow pale;—Olympus shudders.</i></p>
-
-<p><i>And at its base Anthony beholds vast bodies enchained, sustaining the
-rocks upon their shoulders,—giant figures half buried in the deeps
-of caverns. These are the Titans, the Giants, the Hecatonchires, the
-Cyclops.</i>)</p>
-
-<p class="smcap" style="text-align: center;">A Voice</p>
-
-<p>(<i>rises, indistinct and awful, like the far roar of leaves, like the
-voice of forests in time of<span class="pagenum"><a name="Page_197" id="Page_197">[Pg 197]</a></span> tempest, like the mighty moaning of the
-wind among the precipices</i>):</p>
-
-<p>"We knew these things!—we knew them! There must come an end even for
-the Gods! Uranus was mutilated by Saturn,—Saturn by Jupiter. And
-Jupiter himself shall be annihilated. Each in his turn;—it is Destiny!"</p>
-
-<p>(<i>And little by little they sink into the mountain, and disappear.</i></p>
-
-<p><i>Meanwhile the golden tiles of the palace rise and fly away.</i>)</p>
-
-<p><span class="smcap">Jupiter</span> (<i>has descended from his throne. At his feet the thunderbolts
-lie, smoking like burning coals about to expire;—and the great eagle
-bends its neck to pick up its falling feathers</i>):</p>
-
-<p>"Then I am no longer the master of all things,—most holy, most
-mighty, god of the phatrias and Greek peoples,—ancestor of all the
-Kings,—Agamemnon of heaven.</p>
-
-<p>"Eagle of apotheoses, what wind from Erebus has wafted thee to me? or,
-fleeing from the Campus Martins, dost thou bear me the soul of the last
-of the Emperors?</p>
-
-<p>"I no longer desire to receive those of men. Let the Earth keep them;
-and let them move upon the level of its baseness. Their hearts<span class="pagenum"><a name="Page_198" id="Page_198">[Pg 198]</a></span> are now
-the hearts of slaves;—they forget injuries, forget their ancestors,
-forget their oaths,—and everywhere the folly of crowds, the mediocrity
-of individuals, the hideousness of races, hold sway!"</p>
-
-<p>(<i>He pants with such violence that his sides seem ready to burst
-asunder; he clenches his hands. Weeping</i>, <span class="smcap">Hebe</span> <i>offers him a cup. He
-seizes it.</i>)</p>
-
-<p>"No, no! So long as there shall be a brain enclosing a thought, in
-whatsoever part of the world;—so long as there shall exist a mind
-hating disorder, creating <span class="smcap">Law</span>,—so long will the spirit of Jupiter
-live!"</p>
-
-<p>(<i>But the cup is empty. He turns its edge down over his thumbnail.</i>)</p>
-
-<p>"Not one drop left! When the ambrosia fails, the Immortals must indeed
-depart!"</p>
-
-<p>(<i>The cup drops from his hands; and he leans against a column, feeling
-himself about to die.</i>)</p>
-
-<p><span class="smcap">Juno</span>. "Thou shouldst not have had so many amours! Eagle, bull, swan,
-rain of gold, cloud and flame, thou didst assume all forms,—dissipate
-thy light in all elements,—lose thy hair upon all beds! This time
-the<span class="pagenum"><a name="Page_199" id="Page_199">[Pg 199]</a></span> divorce is irrevocable; and our domination, our very existence,
-dissolved."</p>
-
-<p>(<i>She passes away in air.</i>)</p>
-
-<p><span class="smcap">Minerva</span> (<i>has no longer her spear; and the ravens nesting among the
-sculptures of the friezes, wheel about her, peeking at her helmet.</i>)</p>
-
-<p>"Let me see whether my vessels cleave the bright sea, returning to my
-three ports,—let me discover why the fields are deserted, and learn
-what the daughters of Athens are now doing.</p>
-
-<p>"In the month of Hecatombeon my whole people came to worship me, under
-the guidance of their magistrates and priests. Then, all in white robes
-and wearing chitons of gold, they advanced the long line of virgins
-bearing cups, baskets, parasols; then the three hundred sacrificial
-oxen, and the old men having green boughs, the soldiers with clashing
-of armour, the ephebi singing hymns, flute players, lyre players,
-rhapsodists, dancing women;—and lastly attached to the mast of a
-trireme mounted upon wheel, my great veil embroidered by virgins who
-had been nourished in a particular way for a whole year. And when it
-had been displayed<span class="pagenum"><a name="Page_200" id="Page_200">[Pg 200]</a></span> in all the streets, in all the squares, and before
-the temples, in the midst of the ever-chanting procession, it was borne
-step by step up the hill of the Acropolis, grazed the Propylæa, and
-entered the Parthenon....</p>
-
-<p>"But a strange feebleness comes upon me,—me the Industrious One! What!
-what! not one idea comes to me! Lo! I am trembling more than a woman!"</p>
-
-<p>(<i>She turns, beholds a ruin behind her, utters a cry, and stricken by a
-fallen fragment, falls backward upon the ground.</i>)</p>
-
-<p><span class="smcap">Hercules</span> (<i>has flung away his lion-skin; and with feet firmly braced,
-back arched, teeth clenched, he exhausts himself in immeasurable
-efforts to bear up the mass of crumbling Olympus.</i>)</p>
-
-<p>"I vanquished the Cercopes, the Amazons, and the Centaurs. Many were
-the kings I slew. I broke the horn of the great river, Achelous. I cut
-the mountains asunder; I freed nations from slavery; and I peopled
-lands that were desolate. I travelled through the countries of Gaul;
-I traversed the deserts where thirst prevails. I defended the gods
-from their enemies; and I freed myself from Omphale. But the weight of
-Olympus is too<span class="pagenum"><a name="Page_201" id="Page_201">[Pg 201]</a></span> great for me. My arms grow feebler:—I die!"</p>
-
-<p>(<i>He is crushed beneath the ruins.</i>)</p>
-
-<p><span class="smcap">Pluto</span>. "It is thy fault, Amphytrionad;—wherefore didst thou descend
-into my empire?</p>
-
-<p>"The vulture that gnaws the entrails of Tityus lifted its head;—the
-lips of Tantalus were moistened;—the wheel of Ixion stopped.</p>
-
-<p>"Meanwhile the Kæres extended their claws to snatch back the escaping
-ghosts; the Furies tore the serpents of their locks; and Cerberus
-fettered by thee with a chain, sounded the death rattle in his throat,
-and foamed at all his three mouths.</p>
-
-<p>"Thou didst leave the gate ajar; others have come. The daylight of men
-has entered into Tartarus!"</p>
-
-<p>(<i>He sinks into the darkness.</i>)</p>
-
-<p><span class="smcap">Neptune</span>. "My trident can no longer call up the tempests. The monsters
-that terrified of old, lie rotting at the bottom of the sea.</p>
-
-<p>"Amphitrite whose white feet tripped lightly over the foam, the green
-Nereids seen afar off in the horizon, the scaly Sirens who stopped
-the passing vessels to tell stories, and the ancient Tritons mightily
-blowing<span class="pagenum"><a name="Page_202" id="Page_202">[Pg 202]</a></span> upon their shells, all have passed away. All is desolate and
-dead; the gaiety of the great Sea is no more!"</p>
-
-<p>(<i>He vanishes beneath the azure.</i>)</p>
-
-<p><span class="smcap">Diana</span> (<i>clad in black and surrounded by her dogs, which have been
-changed into wolves</i>).</p>
-
-<p>"The freedom of the deep forests once intoxicated me; the odours of the
-wild beasts and the exhalations of the marshes made me as one drank
-with joy. But the women whose maternity I protected, now bring dead
-children into the world. The moon trembles with the incantations of
-witches. Desires of violence, of immensity, seize me, fill me! I wish
-to drink poisons,—to lose myself in vapours, in dreams...!"</p>
-
-<p>(<i>And a passing cloud carries her away.</i>)</p>
-
-<p><span class="smcap">Mars</span> (<i>unhelmed and covered with blood</i>).</p>
-
-<p>"At first I fought alone;—singlehanded I would provoke a whole army by
-my insults,—caring nothing for countries or nations, demanding battle
-for the pleasure of carnage alone.</p>
-
-<p>"Afterward I had comrades. They marched to the sound of flutes, in good
-order, with equal step, respiring above their bucklers,<span class="pagenum"><a name="Page_203" id="Page_203">[Pg 203]</a></span> with plumes
-loftily nodding, lances oblique. Then on rushed to battle with mighty
-eagle cries. War was joyous as a banquet. Three hundred men strove
-against all Asia.</p>
-
-<p>"But the Barbarians are returning;—by myriads they come, by millions!
-Ah! since numbers, and engines, and cunning are stronger than valour,
-it were better that I die the death of the brave!"</p>
-
-<p>(<i>He kills himself.</i>)</p>
-
-<p><span class="smcap">Vulcan</span> (<i>sponging the sweat from his limbs</i>):</p>
-
-<p>"The world is growing cold. The source of heat must be nourished, the
-volcanoes and rivers of flowing metal underground. Strike harder!—with
-full swing of the arms,—with might and main!"</p>
-
-<p>(<i>The Cabiri wound themselves with their hammers, blind themselves with
-sparks, and groping, lose themselves in the darkness.</i>)</p>
-
-<p><span class="smcap">Ceres</span> (<i>standing in her chariot, impelled by wheels having wings at
-their hubs</i>):</p>
-
-<p>"Stop! Stop! Ah! it was with good reason that the exclusion of
-strangers, atheists, Epicureans, and Christians was commended!<span class="pagenum"><a name="Page_204" id="Page_204">[Pg 204]</a></span> Now the
-mystery of the basket has been unveiled; the sanctuary profaned: all is
-lost!"</p>
-
-<p>(<i>She descends a precipitous slope—shrieking, despairing, tearing her
-hair.</i>)</p>
-
-<p>"Ah! lies, lies! Daira has not been restored to me. The voice of brass
-calls me to the dead. This is another Tartarus, whence there is no
-return! Horror!"</p>
-
-<p>(<i>The abyss engulfs her.</i>)</p>
-
-<p><span class="smcap">Bacchus</span> (<i>with a frenzied laugh</i>).</p>
-
-<p>"What matters it? The Archon's wife is my spouse! The law itself reels
-in drunkenness! To me the new song, the multiplied forms!</p>
-
-<p>"The fire by which my mother was devoured, flows in my veins! Let it
-burn yet more fiercely, even though I perish!</p>
-
-<p>"Male and female, complaisant to all, I abandon myself to you,
-Bacchantes! I abandon myself to you, Bacchanalians!—and the vine shall
-twine herself about the tree-trunks! Howl! dance! writhe! Loosen the
-tiger and the slave!—rend flesh with ferocious bitings!"</p>
-
-<p>(<i>And Pan, Silenus, the Bacchantes, the Mimalonæides, and the
-Mænads,—with their serpents, torches, sable masks,—cast flowers<span class="pagenum"><a name="Page_205" id="Page_205">[Pg 205]</a></span> at
-each other ... shake their tympanums, strike their thyrsi, pelt each
-other with shells, devour grapes, strangle a goat, and tear Bacchus
-asunder.</i>)</p>
-
-<p><span class="smcap">Apollo</span> (<i>furiously whipping his coursers, while his blanching locks are
-falling from his head</i>):</p>
-
-<p>"I have left far behind me stony Delos, so pure that all now there
-seems dead; and I must strive to reach Delphi ere its inspiring vapour
-be wholly lost. The mules browse in its laurel groves. The Pythoness
-has wandered away, and cannot be found.</p>
-
-<p>"By a stronger concentration of my power, I will obtain sublime hymns,
-eternal monuments; and all matter will be penetrated by the vibrations
-of my cithara!"</p>
-
-<p>(<i>He strikes the strings of the instrument. They burst, lashing his
-face with their broken ends. He flings the cithara away; and furiously
-whipping his quadriga, cries</i>):</p>
-
-<p>"No! enough of forms!—Further, higher!—to the very summit!—to the
-realm of pure thought!"</p>
-
-<p>(<i>But the horses back, rear, dash the chariot to pieces. Entangled by
-the harness, caught<span class="pagenum"><a name="Page_206" id="Page_206">[Pg 206]</a></span> by the fragments of the broken pole, he falls head
-foremost into the abyss.</i></p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em;">
-<a id="redon17"></a>
-<img src="images/redon_17.jpg" width="600" alt="" />
-<div class="caption"><p> ... he falls head foremost into the abyss</p></div>
-</div>
-
-<p class="p2"><i>The sky is darkened.</i>)</p>
-
-<p><span class="smcap">Venus</span> (<i>blue with cold, shivering</i>):</p>
-
-<p>"Once with my girdle I made all the horizon of Hellas.</p>
-
-<p>"Her fields glowed with the roses of my cheeks; her shores were
-outlined after the fashion of my lips; and her mountains, whiter than
-my doves, palpitated beneath the hands of the statuaries. My spirit's
-manifestation was found in the ordinances of the festivals, in the
-arrangement of coiffures, in the dialogues of philosophers, in the
-constitution of republics. But I have doted too much upon men! It is
-Love that has dishonoured me!"</p>
-
-<p>(<i>She casts herself back weeping</i>):</p>
-
-<p>"This world is abominable;—there is no air for me to breathe!</p>
-
-<p>"O Mercury, inventor of the lyre, conductor of souls, take me away!"</p>
-
-<p>(<i>She places one finger upon her lips, and describing an immense
-parabola, falls into the abyss.</i></p>
-
-<p><i>Nothing is now visible. The darkness is complete.</i></p>
-
-<p><span class="pagenum"><a name="Page_207" id="Page_207">[Pg 207]</a></span></p>
-
-<p><i>Only, that from the eyes of Hilarion escape two flashes, two rays of
-lurid light.</i>)</p>
-
-<p><span class="smcap">Anthony</span> (<i>begins at last to notice his immense stature</i>):</p>
-
-<p>"Already several times, while thou wert speaking, it seemed to me thou
-wert growing taller; and it was no illusion! How? Explain to me ... Thy
-aspect terrifies me!"</p>
-
-<p>(<i>Footsteps are heard approaching.</i>)</p>
-
-<p>"What is that?"</p>
-
-<p><span class="smcap">Hilarion</span> (<i>extending his arm</i>):</p>
-
-<p>"Look!"</p>
-
-<p>(<i>Then, under a pale beam of moonlight, Anthony distinguishes an
-interminable caravan defiling over the summit of the rocks;—and each
-voyager, one after the other, falls from the cliff into the gulf below.</i></p>
-
-<p><i>First comes the three great gods of</i> Samothrace,—<span class="smcap">Axieros</span>, <span class="smcap">Axiokeros</span>,
-<span class="smcap">Axiokersa</span>,—<i>united together as in a fascia, purple-masked, all with
-hands uplifted.</i></p>
-
-<p><i>Æsculapius advances with a melancholy air, not even perceiving
-Samos and Telesphorus, who question him with gestures of anguish.</i>
-<span class="smcap">Elean Sosipolis</span>, <i>of python-form, rolls his coils toward the abyss.</i>
-<span class="smcap">Dosipoena</span>, <i>becomes dizzy, leaps in of her own accord.</i> <span class="smcap">Britomartis</span>,<span class="pagenum"><a name="Page_208" id="Page_208">[Pg 208]</a></span>
-<i>shrieking with fear, clutches fast the meshes of her net. The Centaurs
-come at a wild gallop, and roll pell-mell into the black gulf.</i></p>
-
-<p><i>Behind them, all limping, advance the bands of the mourning Nymphs.
-Those of the meadows are covered with dust; those of the woods moan and
-bleed; wounded by the axes of the woodcutters.</i></p>
-
-<p><i>The Gelludes, the Strygii, the Empusæ, all the infernal goddesses,
-form one pyramid of blended fangs, vipers, and torches;—and seated
-upon a vulture-skin at its summit, Eurynome, blue as the flies that
-corrupt meat, devours her own arms.</i></p>
-
-<p><i>Then in one great whirl simultaneously disappear the bloody Orthia,
-Hymina of Orchomenus, the Laphria of the Patræns, Aphia of Agina,
-Bendis of Thrace, Stymphalia with thighs like a bird's. Triopas, in
-lieu of three eyes, has now but three empty orbits. Erichthonius, his
-legs paralysed, crawls upon his hands like a cripple.</i>)</p>
-
-<p><span class="smcap">Hilarion</span>. "What a pleasure, is it not!—to see them all in the
-abjection of their death-agony! Climb up here beside me, on this<span class="pagenum"><a name="Page_209" id="Page_209">[Pg 209]</a></span> rock;
-and thou shalt be even as Xerxes, reviewing his army.</p>
-
-<p>"Beyond there, very far, dost thou behold that fair-bearded giant,
-who even now lets fall his sword crimsoned with blood?—that is
-the Scythian Zalmoxis between two planets,—Artimpasa, Venus, and
-Orsiloche, the Moon.</p>
-
-<p>"Still further away, now emerging from pallid clouds, are the gods whom
-the Cimmerians adore, even beyond Thule.</p>
-
-<p>"Their huge halls were warm, and by the gleam of swords that tapestried
-the vault, they drank their hydromel from horns of ivory. They ate the
-liver of the whale in dishes of brass wrought by the hammers of demons;
-or, betimes, they listened to captive sorcerers whose fingers played
-upon harps of stone.</p>
-
-<p>"They are feeble! They are cold! The snow makes heavy their bearskins;
-and their feet show through the rents in their sandals.</p>
-
-<p>"They weep for the vast fields upon whose grassy knolls they were
-wont to draw breath in pauses of battle; they weep for the long ships
-whose prows forced a way through the mountains of ice;—and the skates
-wherewith<span class="pagenum"><a name="Page_210" id="Page_210">[Pg 210]</a></span> they followed the orb of the poles, upbearing at the length
-of their mighty arms all the firmament that turned with them."</p>
-
-<p>(<i>A gust of frosty wind carries them off. Anthony turns his eyes
-another way. And he perceives—outlined in black against a red
-background—certain strange personages, with chinbands and gauntlets,
-who throw balls at one another, leap over each other's heads, make
-grimaces, dance a frenzied dance.</i>)</p>
-
-<p><span class="smcap">Hilarion</span>. "Those are the divinities of Etruria, the innumerable Æsars.</p>
-
-<p>"There is Tages, by whom augury was invented. With one hand he seeks to
-augment the divisions of the sky; with the other he supports himself
-upon the earth: let him sink therein!</p>
-
-<p>"Nortia gazes at the wall into which she drave nails to mark the number
-of the passing years. Its whole surface is now covered; and the period
-is accomplished.</p>
-
-<p>"Like two travellers overtaken by a storm, Kastur and Pulutuk,
-trembling, seek to shelter themselves beneath the same mantle."</p>
-
-<p><span class="smcap">Anthony</span> (<i>closes his eyes</i>):</p>
-
-<p>"Enough! Enough!"</p>
-
-<p><span class="pagenum"><a name="Page_211" id="Page_211">[Pg 211]</a></span></p>
-
-<p>(<i>But with a mighty noise of wings, all the Victories of the Capitol
-pass through the air,—hiding their faces with their hands, dropping
-the trophies hanging upon their arms.</i></p>
-
-<p><i>Janus,—lord of crepuscules,—flees upon a black ram; and one of his
-two faces is already putrified; the other slumbers with fatigue.</i></p>
-
-<p><i>Summanus, the headless god of the dark heavens, presses against his
-heart an odd cake shaped like a wheel.</i></p>
-
-<p><i>Vesta, beneath a ruined cupola, tries to relight her extinguished
-lamp.</i></p>
-
-<p><i>Bellona gashes her cheeks,—without being able to make that blood flow
-by which her devotees were purified.</i>)</p>
-
-<p><span class="smcap">Anthony</span>. "Mercy!—they weary me!"</p>
-
-<p><span class="smcap">Hilarion</span>. "Before, they amused thee!"</p>
-
-<p>(<i>And he shows him in a grove of bean-trees,</i> <span class="smcap">A Woman</span>,
-<i>naked ............. and a black man, holding in each hand a torch.</i><a name="FNanchor_8_24" id="FNanchor_8_24"></a><a href="#Footnote_8_24" class="fnanchor">[8]</a>)</p>
-
-<p>"It is the goddess of Aricia, with the demon Virbius. Her sacerdote,
-the King of<span class="pagenum"><a name="Page_212" id="Page_212">[Pg 212]</a></span> the grove, had to be an assassin;<a name="FNanchor_9_25" id="FNanchor_9_25"></a><a href="#Footnote_9_25" class="fnanchor">[9]</a> and the fugitive
-slaves, the despoilers of corpses, the brigands of the Via Salaria, the
-cripples of the Pons Sublicius, all the human vermin of the Suburra
-worshipped no deities so fervently.</p>
-
-<p>"In the time of Marcus Antonius the patrician women preferred Libitina."</p>
-
-<p>(<i>And he shows him under the shadow of cypresses and rose-trees</i>,
-<span class="smcap">Another Woman</span>, <i>clad in gauze. Around her lie spades, litters, black
-hangings, all the paraphernalia of funerals. She smiles. Her diamonds
-shine afar off through spiders' webs. The Larvæ, like skeletons, show
-their bones through the branches; and the Lemures, who are phantoms,
-extend their bat-like wings.</i></p>
-
-<p><i>At the end of a field lies the god Terminus, uprooted, and covered
-with ordures.</i></p>
-
-<p><i>In the centre of a furrow, the great corpse of Vertumnus is being
-devoured by red dogs.</i></p>
-
-<p><span class="pagenum"><a name="Page_213" id="Page_213">[Pg 213]</a></span></p>
-
-<p><i>The rustic deities all depart, weeping:—Sartor, Sarrator, Vervactor,
-Collina, Vallona, Hostilinus—all wearing little hooded mantles, and
-carrying either a hoe, a pitchfork, a hurdle, or a boar-spear.</i>)</p>
-
-<p><span class="smcap">Hilarion</span>. "Their spirits made prosperous the villa,—with its dovecots,
-its parks of dormice, its poultry-yards protected by nets, its warm
-stables fragrant with odours of cedar.</p>
-
-<p>"Also they protected all the wretched population who dragged the irons
-upon their legs over the flinty ways of the Sabine country,—those who
-called the swine together by sound of horn,—those who were wont to
-gather the bunches at the very summits of the elms,—those who drove
-the asses, laden with manure, over the winding bypaths. The panting
-labourer, leaning over the handle of his plough, prayed them to give
-strength to his arms; and under the shade of the lindens, beside
-calabashes filled with milk, the cow-herds were wont, in turn, to sound
-their praises upon flutes of reed."</p>
-
-<p><span class="smcap">Anthony</span> (<i>sighs.</i>)</p>
-
-<p>(<i>And in the centre of a chamber, upon a lofty estrade, an ivory bed is
-visible, surrounded<span class="pagenum"><a name="Page_214" id="Page_214">[Pg 214]</a></span> by persons bearing torches of pine.</i>)</p>
-
-<p>"Those are the deities of marriage. They await the coming of the bride.</p>
-
-<p>"Domiduca should lead her in,—Virgo unfasten her girdle,—Subigo place
-her in the bed,—and Præma open her arms, and whisper sweet words into
-her ear.</p>
-
-<p>"But she will not come!—and they dismiss the others:—Nona and Decima
-who watch by sick-beds; the three Nixii who preside over child-birth;
-the two nurses, Educa and Potina; and Carna, guardian of the cradle,
-whose bouquet of hawthorne keeps evil dreams from the child.</p>
-
-<p>"Afterwards, Ossipago should strengthen his knees;—Barbatus give him
-his first beard; Stimula inspire his first desires; Volupia grant him
-his first enjoyment; Fabulimus should have taught him to speak, Numera
-to count, Camœna to sing, Consus to reflect."</p>
-
-<p>(<i>This chamber is empty; and there remains only the centenarian Nænia
-beside the bed,—muttering to herself the dirge she was wont to howl at
-the funerals of aged men.</i></p>
-
-<p><i>But her voice is soon drowned by sharp cries. These are uttered by</i>—</p>
-
-<p><i>The</i> <span class="smcap">Lares Domestici</span>, <i>crouching at the further<span class="pagenum"><a name="Page_215" id="Page_215">[Pg 215]</a></span> end of the atrium,
-clad in dog-skins, with flowers wreathed about their bodies,—pressing
-their clenched hands against their cheeks, and weeping as loudly as
-they can.</i>)</p>
-
-<p>"Where is the portion of food we received at each repast, the kindly
-care of the maid-servant, the smile of the matron, the merriment of
-the little boys playing at knuckle-bones on the mosaic pavement of the
-court-yard? When grown up, they used to hang about our necks their
-bullæ of gold or leather!</p>
-
-<p>"What happiness it was, when on the evening of a triumph, the master,
-entering, turned his humid eyes upon us! He would recount his combats;
-and the little house would be prouder than a palace; sacred as a temple!</p>
-
-<p>"How sweet were the family repasts, above all on the morrow of the
-Feralia! Tenderness for the dead appeased all discords; all kissed each
-other, while drinking to the glories of the past, and the hopes of the
-future.</p>
-
-<p>"But the ancestors, of painted wax, locked up behind us, are slowly
-becoming covered with mold. The new races, visiting their own
-deceptions upon us, have shattered our jaws;<span class="pagenum"><a name="Page_216" id="Page_216">[Pg 216]</a></span> our wooden bodies are
-disappearing piece-meal under the teeth of rats."</p>
-
-<p>(<i>And the innumerable gods, watching over doors, kitchens, cellars,
-baths, disperse in every direction—under the form of enormous ants
-running over the pavement, or great butterflies soaring away.</i></p>
-
-<p><i>Then a roll of thunder is heard.</i>)</p>
-
-
-<p class="smcap" style="text-align: center;">A Voice:</p>
-
-<p>"I was the God of Armies, the Lord, the Lord God! I pitched the tents
-of Jacob on the hills; and in the midst of the sands I nourished my
-chosen people in their flight.</p>
-
-<p>"It was I who consumed the city of Sodom with fire! It was I who
-overwhelmed the world with the waters of the Deluge! It was I that
-drowned Pharaoh, with all the princes, sons of Kings,—making the sea
-to swallow up his chariots of war, and his charioteers!</p>
-
-<p>"I, the Jealous God, held all other gods in abomination. I brayed the
-impure in my anger; the mighty I cast down; and swiftly the desolation
-of my wrath ran to the right and to the left, like a dromedary loosened
-in a field of maize.</p>
-
-<p><span class="pagenum"><a name="Page_217" id="Page_217">[Pg 217]</a></span></p>
-
-<p>"I chose the humble to deliver Israel. Angels, flame-winged, spake to
-them from out the bushes.</p>
-
-<p>"Perfumed with spikenard, with cinnamon and myrrh, clad in transparent
-robes, and shod with high-heeled sandals,—women of valiant heart went
-forth to slay captains. The passing wind carried my prophets with it.</p>
-
-<p>"My law I graved upon tables of stone. Within that law my people were
-enclosed, as within a strong citadel. They were my people. I was their
-God! The land was mine; the men also belonged to me, together with
-their every thought, and all their works, and the tools they wrought
-with, and their prosperity.</p>
-
-<p>"My ark reposed within a triple sanctuary,—surrounded by curtains
-of purple and lighted candelabra. I had a whole tribe to serve me as
-servants, swinging censers; and the high-priest, robed in robes of
-hyacinth, wore upon his breast precious stones disposed in symmetrical
-order.</p>
-
-<p>"Woe! Woe! the Holy of Holies is open, the veil is rent, the perfumes
-of the holocaust are dissipated by all the winds of<span class="pagenum"><a name="Page_218" id="Page_218">[Pg 218]</a></span> heaven! The jackal
-whines in the sepulchres; my temple is destroyed; my people dispersed!</p>
-
-<p>"The priests have been strangled with the girdles of their robes. The
-women languish in captivity; the holy vessels have all been melted!"</p>
-
-<p>(<i>The voice, becoming more distant</i>):</p>
-
-<p>"I was the God of Armies; the Lord, the Lord God!"</p>
-
-<p>(<i>An enormous silence follows,—and deepest night.</i>)</p>
-
-<p><span class="smcap">Anthony</span>. "All have passed away!"</p>
-
-<p><span class="smcap">Some One</span> (<i>replies</i>):</p>
-
-<p>"I remain!"</p>
-
-<p>(<i>And Hilarion stands before him—but transfigured wholly,—beautiful
-as an archangel, luminous as a sun, and so lofty that in order to
-behold his face</i>—</p>
-
-<p><span class="smcap">Anthony</span></p>
-
-<p><i>is compelled to throw back his head, to look up as though gazing as a
-star</i>):</p>
-
-<p>"Who art thou?"</p>
-
-<p><span class="smcap">Hilarion</span>. "My kingdom is vast as the universe; and my desire knows no
-limits. I go on forever,—freeing minds, weighing<span class="pagenum"><a name="Page_219" id="Page_219">[Pg 219]</a></span> worlds,—without
-hatred, without fear, without pity, without love, and without God. Men
-call me <span class="smcap">Science</span>!"</p>
-
-<p><span class="smcap">Anthony</span> (<i>recoiling from him</i>):</p>
-
-<p>"Say, rather, that thou art ... the Devil!"</p>
-
-<p><span class="smcap">Hilarion</span> (<i>fixing his eyes upon him</i>:)</p>
-
-<p>"Wouldst thou behold him?"</p>
-
-<p><span class="smcap">Anthony</span> (<i>cannot detach his eyes from that mighty gaze:—the curiosity
-of the Devil comes upon him. His terror augments; yet his wish grows
-even to boundlessness</i>):</p>
-
-<p>"Yet if I should see him ... if I were to see him!"</p>
-
-<p>(<i>Then in a sudden spasm of wrath</i>):</p>
-
-<p>"The horror that I have of him will free me from his presence
-forever!... Yes!"</p>
-
-<p>(<i>A cloven foot appears. Anthony regrets his wish.</i></p>
-
-<p><i>But the Devil flings him upon his horns and bears him away.</i>)</p>
-
-
-
-<hr class="chap" />
-<div class="footnote">
-
-<p><a name="Footnote_1_17" id="Footnote_1_17"></a><a href="#FNanchor_1_17"><span class="label">[1]</span></a> Matthew II: 10—T.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_2_18" id="Footnote_2_18"></a><a href="#FNanchor_2_18"><span class="label">[2]</span></a> "Buddha, or more correctly, the Buddha, for Buddha is an
-appellative meaning Enlightened."—Max Müller (Chips, Vol. I., 206).</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_3_19" id="Footnote_3_19"></a><a href="#FNanchor_3_19"><span class="label">[3]</span></a> Luke II: 25-26.—T.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_4_20" id="Footnote_4_20"></a><a href="#FNanchor_4_20"><span class="label">[4]</span></a> Ibid II: 46-47.—T.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_5_21" id="Footnote_5_21"></a><a href="#FNanchor_5_21"><span class="label">[5]</span></a> Or, Haoma, also Hom, the sacred plant, whose fermented
-juice occupied an important place in the practical rites of Iran.
-Supposed to be the same plant known in botany as <i>Sarcostemma
-viminalis.</i> Deified in Iranian worship, like the sacred drink <i>Soma</i> in
-the Vedic hymns. The <i>Soma</i> was the fermented extract of the <i>Asclepias
-acida</i> or <i>Sarcostemma ritalis.</i> See Marius Fontane, "L'Inde Védique,"
-"Les Iraniens."—Trans.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_6_22" id="Footnote_6_22"></a><a href="#FNanchor_6_22"><span class="label">[6]</span></a> Apuleius says, "a silken mantle."—Trans.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_7_23" id="Footnote_7_23"></a><a href="#FNanchor_7_23"><span class="label">[7]</span></a> Apuleius says, "strung with knuckle-bones of
-sheep."—Trans.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_8_24" id="Footnote_8_24"></a><a href="#FNanchor_8_24"><span class="label">[8]</span></a> This scene, like certain paintings in the Naples museum,
-is all suited for public exhibition.—Trans.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_9_25" id="Footnote_9_25"></a><a href="#FNanchor_9_25"><span class="label">[9]</span></a> Readers will recollect the lines in Macaulay's <i>Lays of
-Ancient Rome</i>:
-</p>
-<p>
-"Beneath Aricia's trees,<br />
-<span style="margin-left: 1.5em;">Those trees in whose dim shadow</span><br />
-<span style="margin-left: 0.5em;">A ghastly priest doth reign,</span><br />
-<span style="margin-left: 1.5em;">The priest who slew the slayer,</span><br />
-<span style="margin-left: 0.5em;">And must himself be slain."</span><br />
-</p></div>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_220" id="Page_220">[Pg 220]</a></span></p>
-
-
-
-
-<h4><a name="VI" id="VI">VI</a></h4>
-
-
-<p>(<i>He flies beneath him, outstretched like a swimmer; his vast-spreading
-wings, wholly concealing him, seem like one huge cloud.</i>)</p>
-
-<p><span class="smcap">Anthony</span>. "Whither do I go? But a little while ago I beheld in a glimpse
-the form of the Accurst. Nay!—'tis a cloud that upbears me! Perhaps I
-am dead, and am ascending to God....</p>
-
-<p>"How freely I respire. The immaculate air seems to vivify my soul. No
-sense of weight!—no more suffering.</p>
-
-<p>"Far below me the lightning breaks,—the horizon broadens, widens,—the
-rivers cross each other. That blond-bright spot is the desert; that
-pool of water the ocean!</p>
-
-<p>"And other oceans appear!—vast regions of which I knew nothing!
-There are the countries of the blacks, which seem to smoke like
-brasiers!—then is the zone of snows always made dim by fog! Would I
-might behold<span class="pagenum"><a name="Page_221" id="Page_221">[Pg 221]</a></span> those mountains where the sun, each evening, sinks to
-rest!"</p>
-
-<p><span class="smcap">The Devil</span>. "The sun never sinks to rest; the sun never rests!"</p>
-
-<p>(<i>Anthony is not surprised at this voice. It seems to him an echo of
-his own thought—a response made by his own memory.</i></p>
-
-<p><i>Meanwhile the earth gradually assumes the shape of a ball; and he
-beholds it in the midst of the azure, turning upon its poles, and
-revolving with the sun.</i>)</p>
-
-<p><span class="smcap">The Devil</span>. "So it does not form the centre of the universe! Pride of
-man! humiliate thyself!"</p>
-
-<p><span class="smcap">Anthony</span>. "Now I can scarcely distinguish it. It mingles confusedly with
-other glowing worlds. The firmament itself is but one tissue of stars."</p>
-
-<p>(<i>And they still rise.</i>)</p>
-
-<p>"No sound!—not even the hoarse cry of eagles! Nothing? I listen for
-the harmony of the spheres."</p>
-
-<p><span class="smcap">The Devil</span>. "Thou wilt not hear them! Nor wilt thou behold the
-antichtonus of Plato,—or the central furnace of Philolaüs,—or the
-spheres of Aristotle, or the seven heavens of<span class="pagenum"><a name="Page_222" id="Page_222">[Pg 222]</a></span> the Jews, with the great
-waters above the vault of crystal!"</p>
-
-<p><span class="smcap">Anthony</span>. "Yet from below the vault seemed solid as a wall!—on the
-contrary I penetrate it, I lose myself in it!"</p>
-
-<p>(<i>And he beholds the moon,—like a rounded fragment of ice filled with
-motionless light.</i>)</p>
-
-<p><span class="smcap">The Devil</span>. "Formerly it was the sojourn of souls! Even the good
-Pythagoras adorned it with magnificent flowers, populated it with
-birds!"</p>
-
-<p><span class="smcap">Anthony</span>. "I can see only desolate plains there, with extinct craters
-yawning under a black sky!</p>
-
-<p>"Let us go towards those milder-beaming stars, that we may contemplate
-the angels who uphold them at arms' length, like torches!"</p>
-
-<p><span class="smcap">The Devil</span> (<i>bears him into the midst of the stars</i>):</p>
-
-<p>"They attract at the same time that they repel each other. The
-action of each one results from that of others, and contributes
-thereunto,—without the aid of any auxiliary, by the force of a law,
-the virtue of order alone!"</p>
-
-<p><span class="pagenum"><a name="Page_223" id="Page_223">[Pg 223]</a></span></p>
-
-<p><span class="smcap">Anthony</span>. "Yes!... yes! My intelligence grasps the great truth! It is
-a joy greater than all tender pleasures! Breathless I find myself with
-astonishment at the enormity of God!"</p>
-
-<p><span class="smcap">The Devil</span>. "Even as the firmament ever rises as thou dost ascend, so
-with the expansion of thy thought will He become greater to thee; and
-after this discovery of the universe thou wilt feel thy joy augment
-with the broadening and deepening of the infinite."</p>
-
-<p><span class="smcap">Anthony</span>. "Ah! higher!—higher still!—- forever higher!"</p>
-
-<p>(<i>Then the stars multiply, scintillate. The Milky Way develops in the
-zenith like a monstrous belt, with holes at intervals; through these
-rents in its brightness stretches of prolonged darkness are visible.
-There are rains of stars, long trains of golden dust, luminous vapours
-that float and dissolve.</i></p>
-
-<p><i>At times a comet suddenly passes by; then the tranquillity of
-innumerable lights recommences.</i></p>
-
-<p><i>Anthony, with outstretched arms, supports himself upon the Devil's
-horns, and thus occupies all the space between them.</i></p>
-
-<p><i>He remembers with disdain the ignorance of other days, the mediocrity
-of his dreams.<span class="pagenum"><a name="Page_224" id="Page_224">[Pg 224]</a></span> And now those luminous globes he was wont to gaze upon
-from below, are close to him. He distinguishes the intercrossing of
-the lines of their orbits, the complexity of their courses. He beholds
-them coming from afar,—and, like stones suspended in a sling, describe
-their circles, form their hyperbolas.</i></p>
-
-<p><i>He perceives, all within the field of his vision at once, the Southern
-Cross and the Great Bear, the Lynx and the Centaur, the nebula of
-Dorado, the six suns in the constellation of Orion, Jupiter with his
-four satellites, and the triple ring of the monstrous Saturn!—all the
-planets, all the stars that men will discover in the future. He fills
-his eyes with their light; he over-burthens his mind with calculation
-of their distances: then, bowing his head, he murmurs</i>):</p>
-
-<p>"What is the purpose of all that?"</p>
-
-<p><span class="smcap">The Devil</span>. "There is no purpose. How could God have a purpose? What
-experience could have instructed him?—what reflection determined him?</p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em;">
-<a id="redon18"></a>
-<img src="images/redon_18.jpg" width="600" alt="" />
-<div class="caption"><p> Anthony: What is the purpose of all that? The
-Devil: There is no purpose.</p></div></div>
-
-<p class="p2">"Before the beginning he could not have acted;—and now his action
-would be useless."</p>
-
-<p><span class="smcap">Anthony</span>. "Yet he created the world, at one time, by his word only."</p>
-
-<p><span class="pagenum"><a name="Page_225" id="Page_225">[Pg 225]</a></span></p>
-
-<p><span class="smcap">The Devil</span>. "But the beings that people the earth come upon it
-successively. So also, in heaven, new stars arise—different effects of
-varying causes."</p>
-
-<p><span class="smcap">Anthony</span>. "The varying of causes is the will of God!"</p>
-
-<p><span class="smcap">The Devil</span>. "But to admit several acts of will in God is to admit
-various causes, and therefore to deny his unity.</p>
-
-<p>"His will is inseparable from his essence. He can have but one will,
-having but one essence; and inasmuch as he externally exists, he acts
-eternally.</p>
-
-<p>"Contemplate the sun! From its surface leap vast jets of flame, casting
-forth sparks that disperse beyond to become worlds here-after;—and
-further than the last, far beyond those deeps where thou seest only
-night, whirl other suns,—and behind them others again, and beyond
-those yet others ... without end!"</p>
-
-<p><span class="smcap">Anthony</span>. "Enough! Enough! I fear!—I will fall into the abyss!"</p>
-
-<p><span class="smcap">The Devil</span> (<i>pauses, and rocks Anthony gently in the midst of space</i>).</p>
-
-<p>"Nothingness is—not—there is no void! Everywhere and forever bodies
-move upon<span class="pagenum"><a name="Page_226" id="Page_226">[Pg 226]</a></span> the immovable deeps of space! Were there boundaries to
-space, it would not be space, but a body only: it is limitless!"</p>
-
-<p><span class="smcap">Anthony</span> (<i>stupefied by wonder</i>):</p>
-
-<p>"Limitless!"</p>
-
-<p><span class="smcap">The Devil</span>. "Ascend skyward forever and forever,—yet thou wilt not
-attain the summit. Descend below the earth for billions of billions of
-centuries: never wilt thou reach the bottom. For there is no summit,
-there is no bottom; there is no Above, no Below—nor height, nor
-depth as signified by the terms of human utterance. And Space itself
-is comprised in God, who is not a portion thereof of such or such a
-size,—but is Immensity itself!"</p>
-
-<p><span class="smcap">Anthony</span> (<i>slowly</i>):</p>
-
-<p>"Matter..., then,... must be a part of God?"</p>
-
-<p><span class="smcap">The Devil</span>. "Why not? Canst thou know the end of God?"</p>
-
-<p><span class="smcap">Anthony</span>. "Nay: on the contrary, I prostrate, I crush myself beneath his
-mightiness!"</p>
-
-<p><span class="smcap">The Devil</span>. "And yet thou dost pretend to move him! Thou dost speak to
-him,—thou dost even adorn him with virtues,—with<span class="pagenum"><a name="Page_227" id="Page_227">[Pg 227]</a></span> goodness, justice,
-mercy,—in lieu of recognising that all perfections are his!</p>
-
-<p>"To conceive aught beyond him is to conceive God above God, the Being
-above the Being. For He is the only being, the only substance.</p>
-
-<p>"If the Substance could be divided, it would not be the Substance, it
-would lose its nature: God could not exist. He is therefore indivisible
-as infinite;—and if he had a body, he would be composed of parts,
-he would not be One—he would not be infinite. Therefore he is not a
-Person!"</p>
-
-<p><span class="smcap">Anthony</span>. "What? my prayers, my sobs, my groans, the sufferings of my
-flesh, the transports of my love,—have all these things gone out to a
-lie,—to emptiness, unavailingly—like the cry of a bird, like a whirl
-of dead leaves?"</p>
-
-<p>(<i>Weeping</i>):</p>
-
-<p>"Oh, no!—there is Some One above all things,—a great Soul, a Lord, a
-Father whom my heart adores and who must love me!"</p>
-
-<p><span class="smcap">The Devil</span>. "Thou dost desire that God were not God;—for did he feel
-love, or anger, or pity,—he would abandon his perfection for a greater
-or a lesser perfection. He can<span class="pagenum"><a name="Page_228" id="Page_228">[Pg 228]</a></span> stoop to no sentiment, nor be contained
-in any form."</p>
-
-<p><span class="smcap">Anthony</span>. "One day, nevertheless, I shall see him!"</p>
-
-<p><span class="smcap">The Devil</span>. "With the blessed, is it not?—when the finite shall enjoy
-the infinite in some restricted place, containing the Absolute!"</p>
-
-<p><span class="smcap">Anthony</span>. "Matters not!—there must be a paradise for the good, as there
-is a hell for the wicked."</p>
-
-<p><span class="smcap">The Devil</span>. "Can the desire of thy mind create the law of the universe?
-Without doubt evil is indifferent to God,—forasmuch as the Earth is
-covered with it!</p>
-
-<p>"Is it through impotence that he endures it, or through cruelty that he
-maintains it?</p>
-
-<p>"Dost thou fancy that he is eternally readjusting the world, like an
-imperfect machine?—that he is forever watching the movements of all
-beings, from the flight of a butterfly to the thought of a man?</p>
-
-<p>"If he have created the universe, his providence is superfluous. If
-Providence exists, then creation is defective.</p>
-
-<p>"But evil and good concern only thee—even like night and day, pleasure
-and pain, death<span class="pagenum"><a name="Page_229" id="Page_229">[Pg 229]</a></span> and birth, which are relative only to one corner
-of space, to a special centre, to a particular interest. Since the
-Infinite is permanent, the Infinite is;—and that is all."</p>
-
-<p>(<i>The Devil's wings have been gradually expanding: now they cover all
-space.</i>)</p>
-
-<p><span class="smcap">Anthony</span> (<i>now perceives nothing: a great faintness comes upon him</i>):</p>
-
-<p>"A hideous cold freezes me, even to the depths of my soul! This is
-beyond the extreme of pain! It is like a death that is deeper than
-death! I roll in the immensity of darkness; and the darkness itself
-enters within me. My consciousness bursts beneath this dilation of
-nothingness!"</p>
-
-<p><span class="smcap">The Devil</span>. "Yet the knowledge of things comes to thee only through the
-medium of thy mind. Even as a concave mirror, it deforms the objects
-it reflects; and thou hast no means whatever of verifying their
-exactitude."</p>
-
-<p>"Never canst thou know the universe in all its vastness; consequently
-it will never be possible for thee to obtain an idea of its cause,
-to have a just notion of God, nor even to say that the universe is
-infinite,—for thou<span class="pagenum"><a name="Page_230" id="Page_230">[Pg 230]</a></span> must first be able to know what the Infinite is!"</p>
-
-<p>"May not Form be, perhaps, an error of thy senses,—Substance a figment
-of thy imagination?"</p>
-
-<p>"Unless, indeed, that the world being a perpetual flux<a name="FNanchor_1_26" id="FNanchor_1_26"></a><a href="#Footnote_1_26" class="fnanchor">[1]</a> of things,
-appearance, on the contrary, be wholly true; illusion the only reality."</p>
-
-<p>"But art thou sure thou dost see?—art thou even sure thou dost live?
-Perhaps nothing exists!"</p>
-
-<p>(<i>The Devil has seized Anthony, and, holding him at arms' length,
-glares at him with mouth yawning as though to devour him</i>):</p>
-
-<p>"Adore me, then!—and curse the phantom thou callest God!"</p>
-
-<p>(<i>Anthony lifts his eyes with a last effort of hope.</i></p>
-
-<p><i>The Devil abandons him.</i>)</p>
-<hr class="r5" />
-
-<div class="footnote">
-
-<p><a name="Footnote_1_26" id="Footnote_1_26"></a><a href="#FNanchor_1_26"><span class="label">[1]</span></a> The original text seems to me slightly obscure. The
-idea of the universe being a perpetual ebb and flow of shapes, is
-that of forms passing away to reappear like waves, is that of the
-Nidana-Sutris: "Individuality is only a form ... <i>Everything is only
-a flux of aggregates</i>, interminably uniting and disuniting," as Barth
-observes in his "Religions of India."—Trans.</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_231" id="Page_231">[Pg 231]</a></span></p></div>
-
-
-
-
-<h4><a name="VII" id="VII">VII</a></h4>
-
-
-<p><span class="smcap">Anthony</span> (<i>finds himself lying upon his back, at the verge of the cliff.</i></p>
-
-<p><i>The sky commences to blanch.</i>)</p>
-
-<p>"Is it the glow of dawn, or only an effect of moonlight?"</p>
-
-<p>(<i>He tries to rise, falls back,—his teeth chattering</i>):</p>
-
-<p>"I feel such a helplessness of weakness, as though all my bones were
-broken!</p>
-
-<p>"Why?</p>
-
-<p>"Ah! the Devil!—I remember!—he even repeated to me all that I
-learned from the aged Didymus respecting the opinions of Xenophanes,
-Heraclitus, of Melissus, of Anaxagoras,—concerning the infinite, the
-creation, the impossibility of knowing anything!</p>
-
-<p>"And yet I believed that I could unite myself to God!"</p>
-
-<p>(<i>Laughing bitterly</i>):</p>
-
-<p>"Ah! madness! madness! Is the fault<span class="pagenum"><a name="Page_232" id="Page_232">[Pg 232]</a></span> mine? Prayer has become
-intolerable to me! My heart is dry as a rock! Once, it was wont to
-overflow with love!...</p>
-
-<p>"The sand used to smoke of mornings like the odourous dust of a
-censer;—at sunset flowers of fire used to bloom upon the cross; and in
-the middle of the night, it often seemed as though all beings and all
-things, lying under the same awful silence, were adoring the Lord with
-me. O charms of prayer, felicities of ecstasy, gifts of heaven,—what
-have become of you?</p>
-
-<p>"I remember a voyage I made with Ammon in search of a solitary place
-suited for the establishment of a monastery. It was the last evening;
-we hastened our steps, walked side by side, murmuring hymns, without
-conversing. As the sun sank, the shadows of our bodies lengthened like
-two obelisks, continually growing taller, and moving before us. Here
-and there we planted crosses, made with fragments of our sticks, to
-mark the site of a future cell. Night was tardy in her coming; and
-waves of darkness overspread the earth, even while a vast rose-coloured
-light still glowed in heaven.</p>
-
-<p>"When I was a child, I used to amuse myself<span class="pagenum"><a name="Page_233" id="Page_233">[Pg 233]</a></span> by building hermitages
-with pebbles. My mother sitting beside me would watch me so attentively!</p>
-
-<p>"Will she not have cursed me for having abandoned her?—will she not
-have plucked out her white hair by handfuls in the despair of her
-grief? And her corpse remains lying on the floor of the hut, under the
-roof of reeds, between the crumbling walls. Through an orifice a hyena,
-snuffing, thrusts his head, advances his mouth ... horror! horror!"</p>
-
-<p>(<i>Sobbing</i>):</p>
-
-<p>"No: Ammonaria will not have abandoned her! Where is she
-now,—Ammonaria?</p>
-
-<p>"Perhaps at the further end of a bathroom, she removes her garments
-one after the other: first the mantle, then the girdle, then the first
-tunic, the second lighter tunic, all her necklaces,—and the vapour
-of cinnamon envelops her naked limbs. At last she lies down upon the
-tepid mosaic. Her long hair spreading below the curve of her hips,
-seems like a sable fleece; and the oppressiveness of the heated air
-causes her to pant; her waist arched, her breasts standing out ...
-What! my flesh rebels again! Even in the midst of grief am I tortured
-by concupiscence.<span class="pagenum"><a name="Page_234" id="Page_234">[Pg 234]</a></span> To be subjected thus unto two tortures at once is
-beyond endurance! I can no longer bear myself!"</p>
-
-<p>(<i>He leans over, and gazes into the abyss.</i>)</p>
-
-<p>"The man who should fall would be killed. Nothing easier: it were only
-necessary to roll over upon my left side:—only one movement—one!"</p>
-
-<p>(<i>Then suddenly appears</i>—<span class="smcap">An Aged Woman</span>. <i>Anthony starts to his feet in
-affright. It seems to him that he beholds his mother arisen.</i></p>
-
-<p><i>But this woman is far older, and prodigiously thin.</i></p>
-
-<p><i>A shroud, knotted about her head, hangs down, together with her white
-hair, so as to cover her legs, slender as crutches. The brilliancy of
-her ivory-coloured teeth make her earthy skin darker still. The orbits
-of her eyes are full of shadow; and far back within them two flames
-vacillate, like the lamps of sepulchres.</i></p>
-
-<p><i>She exclaims</i>):</p>
-
-<p>"Advance! What hinders thee?"</p>
-
-<p><span class="smcap">Anthony</span> (<i>stammering</i>):</p>
-
-<p><span class="pagenum"><a name="Page_235" id="Page_235">[Pg 235]</a></span></p>
-
-<p>"I fear ... to commit a sin!"</p>
-
-<p><span class="smcap">She</span> (<i>replies</i>):</p>
-
-<p>"But King Saul killed himself! Razias, a just man, killed himself!
-Saint Pelagia of Antioch killed herself! Dommina of Aleppo and her two
-daughters—all three saints—killed themselves: and remember also how
-many confessors delivered themselves up to the executioner in their
-impatient longing for death! That they might enjoy death more speedily,
-the virgins of Miletus strangled themselves with their girdles. At
-Syracuse the philosopher Hegesias preached so eloquently upon death
-that men deserted the lupanars to go hang themselves in the fields. The
-patricians of Borne sought for death as a new form of debauch."</p>
-
-<p><span class="smcap">Anthony</span>. "Aye! the love of death is strong; and many a anchorite has
-succumbed to it."</p>
-
-<p><span class="smcap">The Old Woman</span>. "To do that which will make thee equal unto God—think!
-He created thee: thou wilt destroy his work—thou! and by thy
-courage,—of thy own free will! The enjoyment that Erostratus knew was
-not greater than this. And moreover thy body has so long mocked thy
-soul that it is full time thou shouldst take vengeance upon it.<span class="pagenum"><a name="Page_236" id="Page_236">[Pg 236]</a></span> Thou
-wilt not suffer. It will soon be over. Of what art thou afraid?—a
-wide, black hole! Perhaps it is a void!"</p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em;">
-<a id="redon19"></a>
-<img src="images/redon_19.jpg" width="600" alt="" />
-<div class="caption"><p>The Old Woman: Of what art thou afraid?—a
-wide, black hole! Perhaps it is a void!</p></div></div>
-
-<p class="p2">(<i>Anthony hearkens without replying; and upon the other side appears</i>—</p>
-
-<p><span class="smcap">Another Woman</span>—<i>young and marvellously beautiful. At first he takes
-her to be Ammonaria. But she is taller, blond as honey, very plump,
-with paint upon her cheeks and roses upon her head. Her long robe,
-weighty with spangles, gleams with metallic lustre;—her fleshy lips
-are sanguinolent; and her somewhat heavy eyelids are so drowned with
-languor that one would almost take her to be blind.</i></p>
-
-<p><i>She murmurs</i>):</p>
-
-<p>"Nay, live! enjoy! Solomon counsels joy! Follow the guiding of thy
-heart and the desire of thine eyes!"</p>
-
-<p><span class="smcap">Anthony</span>. "What joy is there for me? My heart is weary; my eyes are dim!"</p>
-
-<p><span class="smcap">She</span> (<i>answers</i>):</p>
-
-<p>"Seek the suburb of Racotis; push open a door that is painted
-blue;—and when thou shalt be in the atrium where a fountain jet
-murmurs unceasingly, a woman will present herself before thee—in
-peplos of white silk<span class="pagenum"><a name="Page_237" id="Page_237">[Pg 237]</a></span> striped with gold; her hair is unloosed, her
-laugh like the clatter of crotali. She is skilful. In her caress thou
-wilt taste the pride of initiation and the appeasement of desire.</p>
-
-<p>"Hast ever pressed to thy bosom a virgin who loved thee? Dost remember
-the surrenders of her modesty,—the passing away of her remorse in a
-sweet flow of tears?</p>
-
-<p>"Thou canst even now imagine thyself walking with her—canst thou
-not?—in the wood by the light of the moon? At each pressure of your
-joined hands, a sweet shuddering passes through you both,—looking
-closely into each other your eyes seem to outpour into one another
-something like immaterial fluid;—and thy heart fills: it bursts: it is
-a suave whirl of eddying passion, an overflowing of intoxication...."</p>
-
-<p><span class="smcap">The Old Woman</span>. "One need not possess joys in order to taste their
-bitterness! Even to view them from afar off begets loathing of them.
-Thou must be fatigued by the monotony of the same actions, the length
-of the days, the hideousness of the world, the stupidity of the sun?"</p>
-
-<p><span class="smcap">Anthony</span>. "Aye, indeed!—I loathe all that he shines upon."</p>
-
-<p><span class="pagenum"><a name="Page_238" id="Page_238">[Pg 238]</a></span></p>
-
-<p><span class="smcap">The Young Woman</span>. "Hermit! hermit! thou wilt find diamonds among the
-flints, fountains beneath the sand, a delectation in all the hazards
-thou dost despise; and there are even upon earth places of such beauty
-that the sight of them would make thee desire to press the whole world
-against thy heart with love!"</p>
-
-<p><span class="smcap">The Old Woman</span>. "Each evening that thou liest down upon the earth to
-slumber, thou dost hope that it may soon lie upon thee and cover thee."</p>
-
-<p><span class="smcap">The Young Woman</span>. "Yet thou dost believe in the resurrection of the
-flesh—which is but the translation of life into eternity!"</p>
-
-<p>(<i>Even as she speaks, the Old Woman becomes still more fleshless; and
-above her skull, from which the white hair has disappeared, a bat
-circles in the air.</i></p>
-
-<p><i>The Young Woman has become fatter. Her robe gleams with shifting
-colours; her nostrils palpitate, her eyes roll softly.</i>)</p>
-
-<p><span class="smcap">The Former</span> (<i>opening her arms, exclaiming</i>):</p>
-
-<p>"Come to me!—I am Consolation, repose, oblivion, eternal calm!"</p>
-
-<p><span class="pagenum"><a name="Page_239" id="Page_239">[Pg 239]</a></span></p>
-
-<p><span class="smcap">The Other</span>.</p>
-
-<p>"I am the sleep-giver, life, happiness inexhaustible!"</p>
-
-<p>(<i>Anthony turns to fee from them. Each lays a hand on his shoulder.</i></p>
-
-<p><i>The Shroud parts, exposes the Skeleton of Death.</i></p>
-
-<p><i>The robe splits asunder, and leaves the whole body of Lust
-exposed:—her waist is slender; her long and undulating hair flutters
-in the wind.</i></p>
-
-<p><i>Anthony stands motionless between the two, considering them</i>):</p>
-
-<p><span class="smcap">Death</span> (<i>says to him</i>):</p>
-
-<p>"What matters it, whether now or at another time! Thou art mine,—like
-suns, nations, cities, kings, mountain-snows, and the grasses of the
-fields. I fly higher than the hawks of heaven. I run more swiftly than
-the gazelle; I overtake even Hope; I vanquished the Son of God!"</p>
-
-<p><span class="smcap">Lust</span>. "Resist not! I am the Omnipotent! The forests re-echo with my
-sighs; the waters tremble with my agitations. Virtue, courage, piety,
-dissolve in the perfume of my mouth. Man I accompany in every step<span class="pagenum"><a name="Page_240" id="Page_240">[Pg 240]</a></span>
-that he makes; and even from the threshold of the tomb he turns to me!"</p>
-
-<p><span class="smcap">Death</span>. "I will find for thee that which thou hast vainly sought for,
-by the gleam of torches, upon the faces of the dead,—or among those
-awful sands that are formed of human remains, where thou wast wont to
-wander beyond the Pyramids. From time to time, the fragment of a skull
-rolled under thy sandal. Thou didst take up the dust: thou didst let it
-trickle through thy fingers; and thy thought, blending with it, sank
-into nothingness."</p>
-
-<p><span class="smcap">Lust</span>. "My gulf is deeper! Marbles have inspired loves. Men rush to
-conjunctures that terrify. Fetters are riveted that the fettered curse.
-Whence the bewitchment of courtesans, the extravagance of dreams, the
-immensity of my sadness?"</p>
-
-<p><span class="smcap">Death</span>. "Mine irony depasseth all others! There are convulsions of
-delight at the funerals of kings, at the extermination of a whole
-people; and war is made with music, with plumes, with harness of
-gold,—with vast display of ceremony that my due of homage may be
-greater!"</p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em;">
-<a id="redon203"></a>
-<img src="images/redon2_03.jpg" width="600" alt="" />
-<div class="caption"><p>Death: Mine irony depasseth all others!</p></div>
-</div>
-
-<p class="p2">Lust. "My rage equals thine! I also yell;<span class="pagenum"><a name="Page_241" id="Page_241">[Pg 241]</a></span> I bite! I, too, have sweats
-of agony, and aspects cadaverous!"</p>
-
-<p><span class="smcap">Death</span>. "It is I that make thee awful! Let us intertwine!"</p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em;">
-<a id="redon20"></a>
-<img src="images/redon_20.jpg" width="600" alt="" />
-<div class="caption"><p>Death: It is I that make thee awful! Let us intertwine!</p></div>
-</div>
-
-<p class="p2">(<i>Death laughs mockingly; Lust roars. They clasp each other about the
-waist, and chant alternately</i>):</p>
-
-<p>"I hasten the dissolution of matter!"</p>
-
-<p>"I facilitate the dispersion of germs!"</p>
-
-<p>"Thou dost destroy for my renovations!"</p>
-
-<p>"Thou dost engender for my destructions!"</p>
-
-<p>"Ever-active my power!"</p>
-
-<p>"Fecund, my putrefaction!"</p>
-
-<p>(<i>And their voices, whose rolling echoes fill the horizon, deepen and
-become so mighty that Anthony falls backward as if thunder-stricken. A
-shock from time to time causes him to reopen his eyes; and he perceives
-in the midst of the darkness a manner of monster before him.</i></p>
-
-<p><i>It is a skull, crowned with roses, dominating the torso of a woman
-nacreously white. Below, a shroud starred with specks of gold forms
-something like a tail; and the whole body undulates, after the fashion
-of a gigantic worm erect on end.</i></p>
-
-<p><span class="pagenum"><a name="Page_242" id="Page_242">[Pg 242]</a></span></p>
-
-<p><i>The vision attenuates,—disappears.</i>)</p>
-
-<p><span class="smcap">Anthony</span> (<i>rising to his feet</i>):</p>
-
-<p>"The Devil yet again, and under his two-fold aspect: the spirit of
-fornication, and the spirit of destruction.</p>
-
-<p>"Neither affrights me! I repel happiness; and I know myself to be
-eternal.</p>
-
-<p>"Thus death is only an illusion, a veil-masking betimes the continuity
-of life.</p>
-
-<p>"But Substance being unique, wherefore should forms be varied?</p>
-
-<p>"Somewhere there must be primordial figures, whose bodily forms are
-only symbols. Could I but see them, I would know the link between
-matter and thought; I would know in what Being consists.</p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em;">
-<a id="redon204"></a>
-<img src="images/redon2_04.jpg" width="600" alt="" />
-<div class="caption"><p>Anthony: Somewhere there must be primordial
-figures, whose bodily forms are only symbols</p></div></div>
-
-<p class="p2">"Such were the figures painted at Babylon upon the walls of the
-temple of Belus; and others like them covered a mosaic in the port of
-Carthage. I myself have sometime beheld in the sky, as it were, forms
-of spirits. Those who cross the desert meet with animals surpassing all
-conception...."</p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em;">
-<a id="redon21"></a>
-<img src="images/redon_21.jpg" width="600" alt="" />
-<div class="caption"><p>I myself have sometime beheld in the sky, as it
-were, forms of spirits</p></div></div>
-
-<p class="p2">(<i>And opposite, upon the further side of the Nile, suddenly appears
-the Sphinx.<a name="FNanchor_1_27" id="FNanchor_1_27"></a><a href="#Footnote_1_27" class="fnanchor">[1]</a> He<span class="pagenum"><a name="Page_243" id="Page_243">[Pg 243]</a></span> stretches his paws, shakes the bandelets upon his
-forehead, and crouches upon his belly.</i></p>
-
-<p><i>Leaping, flying, spitting fire through her nostrils, lashing her
-winged sides with her dragon-tail, the green-eyed Chimera circles,
-barks.</i></p>
-
-<p><i>The thick curls of her head tossed back upon one side mingle with
-the hair of her loins; on the other side they hang down to the sand,
-quivering with the swinging of her body, to and fro.</i>)</p>
-
-<p><span class="smcap">The Sphinx</span> (<i>remaining motionless, and gazing at the Chimera</i>):</p>
-
-<p>"Hither, Chimera! rest awhile!"</p>
-
-<p><span class="smcap">The Chimera</span>. "No! never!"</p>
-
-<p><span class="smcap">The Sphinx</span>. "Do not run so fast, do not fly so high, do not bark so
-loudly!"</p>
-
-<p><span class="smcap">The Chimera</span>. "Do not call me!—call me no more; since thou must remain
-forever dumb."</p>
-
-<p><span class="smcap">The Sphinx</span>. "Cease casting thy flames in my face, and uttering thy
-yells in my ear: thou canst not melt my granite."</p>
-
-<p><span class="pagenum"><a name="Page_244" id="Page_244">[Pg 244]</a></span></p>
-
-<p><span class="smcap">The Chimera</span>. "Thou shalt not seize me, terrible sphinx!"</p>
-
-<p><span class="smcap">The Sphinx</span>. "Thou art too mad to dwell with me!"</p>
-
-<p><span class="smcap">The Chimera</span>. "Thou art too heavy to follow me!"</p>
-
-<p><span class="smcap">The Sphinx</span>. "Yet whither goest thou, that thou shouldst run so fast?"</p>
-
-<p><span class="smcap">The Chimera</span>. "I gallop in the corridors of the Labyrinth—I hover above
-the mountains—I graze the waves in my flight—I yelp at the bottom of
-precipices—I suspend myself with my mouth from the skirts of clouds—I
-sweep the shores with my dragging tail; and the curves of the hills
-have taken their form from the shape of my shoulders! But thee I find
-perpetually immobile, or perhaps making strange designs with thy claws
-upon the sand."</p>
-
-<p><span class="smcap">The Sphinx</span>. "It is because I keep my secret;—I dream and calculate.</p>
-
-<p>"The sea returns to its bed; the wheat bends back and forth in the
-wind; the caravans pass by; the dust flies; cities crumble; and yet
-my gaze, which naught can deviate, remains fixed, gazing through all
-intervening things, upon a horizon that none may reach."</p>
-
-<p><span class="pagenum"><a name="Page_245" id="Page_245">[Pg 245]</a></span></p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em;">
-<a id="redon205"></a>
-<img src="images/redon2_05.jpg" width="600" alt="" />
-<div class="caption"><p>The Sphinx: ... and yet
-my gaze, which naught can deviate, remains fixed, gazing through all
-intervening things, upon a horizon that none may reach.
-The Chimera: I am light and joyous!</p></div>
-</div>
-
-<p class="p2"><span class="smcap">The Chimera</span>. "I am light and joyous! I offer to the eyes of men
-dazzling perspectives with Paradise in the clouds above, and
-unspeakable felicity afar off. Into their souls I pour the eternal
-madnesses; projects of happiness, plans for the future, dreams of glory
-and vows of love, and all virtuous resolutions.</p>
-
-<p>"I urge men to perilous voyages and great enterprises. I have chiselled
-with my claws the wonders of architecture. It was I who suspended the
-little bells above the tomb of Porsenna, and surrounded the quays of
-Atlantis with a wall of orichalcum.</p>
-
-<p>"I seek for new perfumes, for vaster flowers, for pleasures never felt
-before. If I perceive in any place a man whose mind reposes in wisdom,
-I fall upon him, and strangle him."</p>
-
-<p><span class="smcap">The Sphinx</span>. "All those tormented by the desire of God, I have devoured.</p>
-
-<p>"In order to climb up to my royal brow, the strongest ascend upon the
-flutings of my bandelets as upon the steps of a stairway. Then a great
-lassitude comes upon them, and they fall backward."</p>
-
-<p>(<i>Anthony begins to tremble.</i></p>
-
-<p><span class="pagenum"><a name="Page_246" id="Page_246">[Pg 246]</a></span></p>
-
-<p><i>He is no longer before his cabin, but in the desert itself, with those
-two monsters beside him, whose breath is hot upon his shoulders.</i>)</p>
-
-<p><span class="smcap">The Sphinx</span>. "O thou Fantasy, bear me away upon thy wings that my
-sadness may be lightened!"</p>
-
-<p><span class="smcap">The Chimera</span>. "O thou Unknown, I am enamoured of thine eyes! Like a
-hyena in heat I turn about thee, soliciting those fecundations whereof
-the desires devour me!</p>
-
-<p>"Ope thy mouth, lift thy feet—mount upon my back!"</p>
-
-<p><span class="smcap">The Sphinx</span>. "My feet, since they have been outstretched, can move no
-more. The lichen, like an eruption, has formed upon my jaws. By dint of
-long dreaming I have no longer aught to say."</p>
-
-<p><span class="smcap">The Chimera</span>. "Thou liest, hypocrite Sphinx! Wherefore dost thou always
-call me and always disown me!"</p>
-
-<p><span class="smcap">The Sphinx</span>. "It is thou, indomitable caprice, that dost forever pass
-and repass, whirling in thy course!"</p>
-
-<p><span class="smcap">The Chimera</span>. "Is the fault mine? What? Let me be!"</p>
-
-<p>(<i>She barks.</i>)</p>
-
-<p><span class="pagenum"><a name="Page_247" id="Page_247">[Pg 247]</a></span></p>
-
-<p><span class="smcap">The Sphinx</span>. "Thou movest away! thou dost escape me!"</p>
-
-<p>(<i>He growls.</i>)</p>
-
-<p><span class="smcap">The Chimera</span>. "Essay!—Thou crushest me!"</p>
-
-<p><span class="smcap">The Sphinx</span>. "Nay!—impossible!"</p>
-
-<p>(<i>And gradually sinking down he disappears in the sand; while the
-Chimera, ramping with tongue protruding, departs, describing circles on
-her way.</i></p>
-
-<p><i>The breath of her mouth has produced a fog.</i></p>
-
-<p><i>Through this mist Anthony perceives wreathings of clouds, undecided
-curves.</i></p>
-
-<p><i>At last he can distinguish something like the appearance of human
-bodies.</i></p>
-
-<p><i>And first</i>:—</p>
-
-<p><span class="smcap">The Astomi</span>—<i>approach, like bubbles of air traversed by sunlight. They
-cry</i>):</p>
-
-<p>"Do not breathe too hard! The drops of rain bruise us, false notes
-excoriate us, darknesses blind us! Composed wholly of breezes and of
-perfumes, we float along, we roll along:—a little more than Dreams,
-yet not quite beings...."</p>
-
-<p><span class="pagenum"><a name="Page_248" id="Page_248">[Pg 248]</a></span></p>
-
-<p><span class="smcap">The Nisnas</span></p>
-
-<p>(<i>have only one eye, one cheek, one hand, one leg, half a body, half a
-heart. They say</i>):</p>
-
-<p>"We live quite in our halves of houses, with our halves of wives and
-our halves of children!"</p>
-
-<p><span class="smcap">The Blemmyes</span></p>
-
-<p>(<i>who have no head at all</i>):</p>
-
-<p>"Our shoulders are all the broader;—and there is no ox, rhinoceros, or
-elephant able to carry what we carry.</p>
-
-<p>"Something dimly resembling features—as it were a vague
-face—imprinted upon our breasts: that is all! We think digestions; we
-subtleize secretions. God, in our belief, floats peacefully within the
-interior chyles.</p>
-
-<p>"We go straight upon our way, through all mires, crossing all morasses,
-skirting the edges of all abysses: and we are the most laborious, the
-most happy, the most virtuous of all peoples!"</p>
-
-<p><span class="smcap">The Pygmies</span>:</p>
-
-<p>"We, good little men, swarm upon the world like vermin upon the hump of
-a dromedary.</p>
-
-<p><span class="pagenum"><a name="Page_249" id="Page_249">[Pg 249]</a></span></p>
-
-<p>"We are burned, drowned, crushed; and we always reappear, more
-vivacious and countless than before—terrible by reason of our numbers!"</p>
-
-<p><span class="smcap">The Sciapods</span>:</p>
-
-<p>"Fettered to the earth by our hair, long as lianas, we vegetate beneath
-the shelter of our feet, broad as parasols; and the light comes to us
-through the thickness of our heels. No annoyances for us, no work! The
-head as low as possible—That is the secret of happiness."</p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em; margin-top: 2em;">
-<a id="redon206"></a>
-<img src="images/redon2_06.jpg" width="600" alt="" />
-<div class="caption"><p>The Sciapods: The head as low as possible—That is the secret of happiness.</p></div>
-</div>
-
-<p class="p2">(<i>Their lifted thighs,—resembling the trunks of trees,—multiply.</i></p>
-
-<p><i>And a forest appears. Great apes clamber through it on all
-fours:—these are men with the heads of dogs.</i>)</p>
-
-<p><span class="smcap">The Cynocephali</span>:</p>
-
-<p>"We leap from branch to branch in search of eggs to suck; and we pluck
-the little fledglings alive; then we put their nests upon our heads in
-lieu of caps.</p>
-
-<p>"We tear off the teats of cows; and we put out the eyes of lynxes:
-we let fall our dung<span class="pagenum"><a name="Page_250" id="Page_250">[Pg 250]</a></span> from the heights of the trees—we parade our
-turpitude in the full light of the sun.</p>
-
-<p>"Lacerating the flowers, crushing the fruits, befouling the springs,
-violating women, we are the masters of all,—by the strength of our
-arms, and the ferocity of our hearts.</p>
-
-<p>"Ho! companions!—gnash with your jaws!"</p>
-
-<p>(<i>Blood and milk pour down their chops. The rain streams over their
-hairy backs.</i></p>
-
-<p><i>Anthony inhales the freshness of the green leaves.</i></p>
-
-<p><i>There is a movement among them, a clashing of branches; and all of
-a sudden appears a huge black stag, with the head of a bull, having
-between his ears a thicket of white horns.</i>)</p>
-
-<p><span class="smcap">The Sadhuzag</span>:</p>
-
-<p>"My seventy-four antlers are hollow like flutes.</p>
-
-<p>"When I turn me toward the wind of the South, there issue from them
-sounds that draw all the ravished animals around me. The serpents twine
-about my legs; the wasps cluster in my nostrils; and the parrots, the
-doves, the ibises, alight upon the branches of my horns.</p>
-
-<p><span class="pagenum"><a name="Page_251" id="Page_251">[Pg 251]</a></span></p>
-
-<p>"Listen!"</p>
-
-<p>(<i>He throws back his horns, whence issues a music of sweetness
-ineffable.</i></p>
-
-<p><i>Anthony presses both hands upon his heart. It seems to him as though
-his soul were being borne away by the melody.</i>)</p>
-
-<p><span class="smcap">The Sadhuzag</span>:</p>
-
-<p>"But when I turn me toward the wind of the North, my antlers, more
-thickly bristling than a battalion of lances, give forth a sound of
-howlings: the forests are startled with fear; the rivers remount toward
-their sources; the husks of fruits burst open; and the bending grasses
-stand erect on end, like the hair of a coward.</p>
-
-<p>"Listen!"</p>
-
-<p>(<i>He bends his branching antlers forward: hideous and discordant cries
-proceed from them. Anthony feels as though his heart were torn asunder.</i></p>
-
-<p><i>And his horror augments upon beholding</i>)—</p>
-
-<p><span class="smcap">The Martichoras</span></p>
-
-<p>(<i>A gigantic red lion, with human face, and three rows of teeth</i>):</p>
-
-<p><span class="pagenum"><a name="Page_252" id="Page_252">[Pg 252]</a></span></p>
-
-<p>"The gleam of my scarlet hair mingles with the reflection of the great
-sands. I breathe through my nostrils the terror of solitudes. I spit
-forth plague. I devour armies when they venture into the desert.</p>
-
-<p>"My claws are twisted like screws, my teeth shaped like saws; and my
-curving tail bristles with darts which I cast to right and left, before
-and behind!</p>
-
-<p>"See! see!"</p>
-
-<p>(<i>The Martichoras shoots forth the keen bristles of his tail, which
-irradiate in all directions like a volley of arrows. Drops of blood
-rain down, spattering upon the foliage.</i>)</p>
-
-<p><span class="smcap">The Catoblepas</span></p>
-
-<p>(<i>A black buffalo with a pig's head, falling to the ground, and
-attached to his shoulders by a neck long, thin, and flaccid as an empty
-gut.</i></p>
-
-<p><i>He wallows flat upon the ground, and his feet entirely disappear
-beneath the enormous mane of coarse hair which covers his face</i>):</p>
-
-<p>"Fat, melancholy, fierce—thus I continually remain, feeling against
-my belly the warmth of the mud. So heavy is my skull<span class="pagenum"><a name="Page_253" id="Page_253">[Pg 253]</a></span> that it is
-impossible for me to lift it. I roll it slowly all around me,
-open-mouthed; and with my tongue I tear up the venemous plants bedewed
-with my breath. Once, I even devoured my own feet without knowing it!</p>
-
-<p>"No one, Anthony, has ever beheld mine eyes,—or at least, those who
-have beheld them are dead. Were I to lift my eyelids—my pink and
-swollen eyelids, thou wouldst forthwith die!"</p>
-
-<p><span class="smcap">Anthony</span>. "Oh, that one! Ugh! As though I could desire it?—Yet his
-stupidity fascinates me! No, no! I will not!"</p>
-
-<p>(<i>He gazes fixedly upon the ground.</i></p>
-
-<p><i>But the weeds take fire; and amidst the contorsions of the flames,
-arises</i>)—</p>
-
-<p><span class="smcap">The Basilisk</span></p>
-
-<p>(<i>A great violet serpent, with trilobate crest, and two fangs, one
-above, one below</i>):</p>
-
-<p>"Beware, lest thou fall into my jaws! I drink fire. I am fire!—and I
-inhale it from all things: from clouds, from flints, from dead trees,
-the fur of animals, the surface of marshes. My temperature maintains
-the volcanoes: I lend glitter to jewels: I give colours to metals!"</p>
-
-<p><span class="pagenum"><a name="Page_254" id="Page_254">[Pg 254]</a></span></p>
-
-<p><span class="smcap">The Griffin</span></p>
-
-<p>(<i>A lion with a vulture's beak, and white wings, red paws and blue
-neck</i>):</p>
-
-<p>"I am the master of deep splendours. I know the secrets of the tombs
-wherein the Kings of old do slumber.</p>
-
-<p>"A chain, issuing from the wall, maintains their heads upright. Near
-them, in basins of porphyry, the women they loved float upon the
-surfaces of black liquids. Their treasures are all arrayed in halls, in
-lozenge-shaped designs, in little heaps, in pyramids;—and down below,
-far below the tombs, and to be reached only after long travelling
-through stifling darkness, there are rivers of gold bordered by forests
-of diamonds, there are fields of carbuncles and lakes of mercury.</p>
-
-<p>"Addossed against the subterranean gate I remain with claws uplifted;
-and my flaming eyes spy out those who seek to approach. The vast and
-naked plain that stretches away to the end of the horizon is whitened
-with the bones of travellers. But for thee the gates of bronze shall
-open; and thou shalt inhale the vapour of the mines, thou shalt descend
-into the caverns.... Quick! quick!"</p>
-
-<p><span class="pagenum"><a name="Page_255" id="Page_255">[Pg 255]</a></span></p>
-
-<p>(<i>He burrows into the earth with his paws, and crows like a cock.</i></p>
-
-<p><i>A thousand voices answer him. The forest trembles.</i></p>
-
-<p><i>And all manner of frightful creatures arise:—The Tragelaphus, half
-deer, half ox; the Myrmecoles, lion before-and ant behind, whose
-genitals are set reversely; the python Askar, sixty cubits long, that
-terrified Moses; the huge weasel Pastinaca, that kills the trees with
-her odour; the Presteros, that makes those who touch it imbecile;
-the Mirag, a horned hare, that dwells in the islands of the sea. The
-leopard Phalmant bursts his belly by roaring; the triple-headed bear
-Senad tears her young by licking them with her tongue; the dog Cepus
-pours out the blue milk of her teats upon the rocks. Mosquitoes begin
-to hum, toads commence to leap; serpents hiss. Lightnings flicker. Hail
-falls.</i></p>
-
-<p><i>Then come gusts, bearing with them marvellous anatomies:—Heads of
-alligators with hoofs of deer; owls with serpent tails; swine with
-tiger-muzzles; goats with the crupper of an ass; frogs hairy as bears;
-chameleons huge as hippopotami; calves with two heads, one<span class="pagenum"><a name="Page_256" id="Page_256">[Pg 256]</a></span> bellowing,
-the other weeping; winged bellies flitting hither and thither like
-gnats.</i></p>
-
-<p><i>They rain from the sky, they rise from the earth, they pour from the
-rocks; everywhere eyes flame, mouths roar, breasts bulge, claws are
-extended, teeth gnash, flesh clacks against flesh. Some crouch; some
-devour each other at a mouthful.</i></p>
-
-<p><i>Suffocating under their own numbers, multiplying by their own contact,
-they climb over one another; and move about Anthony with a surging
-motion as though the ground were the deck of a ship. He feels the trail
-of snails upon the calves of his legs, the chilliness of vipers upon
-his hands:—and spiders spinning about him enclose him within their
-network.</i></p>
-
-<p><i>But the monstrous circle breaks, parts; the sky suddenly becomes blue;
-and</i>)—</p>
-
-<p><span class="smcap">The Unicorn</span> (<i>appears</i>):</p>
-
-<p>"Gallop! Gallop!</p>
-
-<p>"I have hoofs of ivory, teeth of steel; my head is the colour of
-purple, my body the colour of snow; and the horn of my forehead is
-bestreaked with the tints of the rainbow.</p>
-
-<p>"I travel from Chaldea to the Tartar desert,—upon<span class="pagenum"><a name="Page_257" id="Page_257">[Pg 257]</a></span> the shores of the
-Ganges and in Mesopotamia. I overtake the ostriches. I run so swiftly
-that I draw the wind after me. I rub my back against the palm-trees. I
-roll among the bamboos. I leap rivers with a single bound. Doves fly
-above me. Only a virgin can bridle me.</p>
-
-<p>"Gallop! Gallop!"</p>
-
-<p>(<i>Anthony watches him depart.</i></p>
-
-<p><i>And as he gazes he beholds all the birds that nourish themselves
-with wind: the Gouith, the Ahuti, the Alphalim, the Iukneth, of the
-mountains of Kaf, the homai of the Arabs—which are the souls of
-murdered men. He hears the parrots that utter human speech; and the
-great Pelasgian palmipeds that sob like children or chuckle like old
-women.</i></p>
-
-<p><i>A saline air strikes his nostrils. Now a vast beach stretches before
-him.</i></p>
-
-<p><i>In the distance jets of water arise, spouted by whales; and from the
-very end of the horizon come</i>)—</p>
-
-<p class="smcap" style="text-align: center;">The Beasts of the Sea</p>
-
-<p>(<i>round as wineskins, flat as blades, denticulated like saws, dragging
-themselves over the sand as they approach</i>):</p>
-
-<p><span class="pagenum"><a name="Page_258" id="Page_258">[Pg 258]</a></span></p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em;">
-<a id="redon22"></a>
-<img src="images/redon_22.jpg" width="600" alt="" />
-<div class="caption"><p>The beasts of the sea round as wineskins</p></div>
-</div>
-
-<p class="p2">"Thou wilt accompany us to our immensities, whither as yet no one has
-descended.</p>
-
-<p>"Divers peoples inhabit the countries of the Ocean. Some dwell in the
-sojourn of tempests; others swim freely amid the transparency of chill
-waves;—or, like oxen, graze upon the coral plains, or suck in through
-their trunks the reflux of the tides,—or bear upon their shoulders the
-vast weight of the sources of the sea."</p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em;">
-<a id="redon23"></a>
-<img src="images/redon_23.jpg" width="600" alt="" />
-<div class="caption"><p>Divers peoples inhabit the countries of the Ocean </p></div>
-</div>
-
-<p class="p2">(<i>Phosphorences gleam in the moustaches of the seals, shift in the
-scales of fish. Echini whirl like wheels; ammonites uncoil like cables;
-oysters make their shell hinges squeak; polypi unfold their tentacles;
-medusæ quiver like balls of crystal suspended; sponges float hither and
-thither, anemones ejaculate water; wrack and sea-mosses have grown all
-about.</i></p>
-
-<p><i>And all sorts of plants extend themselves into branches, twist
-themselves into screws, lengthen into points, round themselves out like
-fans. Gourds take the appearance of breasts; lianas interlace like
-serpents.</i></p>
-
-<p><i>The Dedaims of Babylon, which are trees, bear human heads for fruit;
-Mandragoras<span class="pagenum"><a name="Page_259" id="Page_259">[Pg 259]</a></span> sing;—the root Baaras runs through the grass.</i></p>
-
-<p><i>And now the vegetables are no longer distinguishable from the animals.
-Polyparies that seem like trees, have arms upon their branches. Anthony
-thinks he sees a caterpillar between two leaves: it is a butterfly that
-takes flight. He is about to step on a pebble: a grey locust leaps
-away. One shrub is bedecked with insects that look like petals of
-roses; fragments of ephemerides form a snowy layer upon the soil.</i></p>
-
-<p><i>And then the plants become confounded with the stones.</i></p>
-
-<p><i>Flints assume the likeness of brains; stalactites of breasts; the
-flower of iron resembles a figured tapestry.</i><a name="FNanchor_2_28" id="FNanchor_2_28"></a><a href="#Footnote_2_28" class="fnanchor">[2]</a></p>
-
-<p><i>He sees efflorescences in fragments of ice, imprints of shrubs and
-shells—yet so that one cannot detect whether they be imprints only, or
-the things themselves. Diamonds gleam like eyes; metals palpitate.</i></p>
-
-<p><i>And all fear has departed from him! He throws himself down upon the
-ground, and<span class="pagenum"><a name="Page_260" id="Page_260">[Pg 260]</a></span> leaning upon his elbows, watches breathlessly.</i></p>
-
-<p><i>Insects that have no stomachs persistently eat; withered ferns bloom
-again and reflower; absent members grow again.</i></p>
-
-<p><i>At last he perceives tiny globular masses, no larger than pinheads,
-with cilia all round them. They are agitated with a vibratile motion</i>):</p>
-
-<p><span class="smcap">Anthony</span> (<i>deliriously</i>):</p>
-
-<p>"O joy! O bliss! I have beheld the birth of life! I have seen the
-beginning of motion! My pulses throb even to the point of bursting!
-I long to fly, to swim, to bark, to bellow, to howl! Would that I
-had wings, a carapace, a shell,—that I could breathe out smoke,
-wield a trunk,—make my body writhe,—divide myself everywhere,—be
-in everything,—emanate with odours,—develop myself like the
-plants,—flow like water,—vibrate like sound—shine like light,
-squatting upon all forms—penetrate each atom—descend to the very
-bottom of matter,—be matter itself!"</p>
-
-<p>(<i>Day at last appears;—and, like tabernacle curtains uplifted, clouds
-of gold uprolling in broad volutes unveil the sky.</i></p>
-
-<p><i>Even in the midst thereof, and in the very<span class="pagenum"><a name="Page_261" id="Page_261">[Pg 261]</a></span> disk of the sun, beams the
-face of Jesus Christ.</i></p>
-
-<div class="figcenter" style="width: 600px; margin-top: 2em;">
-<a id="redon24"></a>
-<img src="images/redon_24.jpg" width="600" alt="" />
-<div class="caption"><p>Day at last appears ... in the midst thereof
-and in the very disk of the sun, beams the face of Jesus Christ. </p></div>
-</div>
-
-<p class="p2"><i>Anthony makes the sign of the cross, and resumes his devotions.</i>)</p>
-
-
-<h4>FINIS</h4>
-
-
-<div class="footnote">
-
-<p><a name="Footnote_1_27" id="Footnote_1_27"></a><a href="#FNanchor_1_27"><span class="label">[1]</span></a> Winkelmann claims to have been the first to discover that
-the Egyptian sphinxes were bisexual—females before—males otherwise.
-(See Book II, chap. I, § 25.) Flaubert speaks of the Sphinx in the
-masculine like Philemon. (See also Signor Carlo Fea's note upon the
-paragraph in Winkelmann, old French edition. An II, R. F.)—Trans.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_2_28" id="Footnote_2_28"></a><a href="#FNanchor_2_28"><span class="label">[2]</span></a> Fleurs de fer, "flowers of iron." In mineralogy <i>flos
-ferri</i>, a form of Aragonite.—Trans.</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_262" id="Page_262">[Pg 262]</a></span></p></div>
-
-
-
-
-<h5><a name="NOTE" id="NOTE">[NOTE</a></h5>
-
-<p>Those who compare this translation with the original will observe the
-omission of some few paragraphs on pages <a href="#Page_77">77</a>, <a href="#Page_96">96</a> and <a href="#Page_211">211</a>. They are
-speeches put in the mouths of certain Heresiarchs, or complaints of
-certain of the minor Roman household gods. The translator relegated
-these to an addenda, which the publishers have omitted as being
-unnecessary. Those who are familiar with the original will be able to
-supply them, and will realize that while they might be offensive to
-some persons, they are in no respect an integral or important part of
-the great drama.]</p>
-
-
-
-
-<hr class="chap" />
-<p>(added by transcribers)</p>
-<h5><a name="ADDENDA" id="ADDENDA">ADDENDA</a></h5>
-
-
-<p>A. Observation of Manes, pages 82-3, original text; page <a href="#Page_89">89</a> of
-translation.</p>
-
-
-<p><span class="smcap">Manes</span></p>
-
-<p><i>Ou plutôt, faites si bien qu'elle ne soit pas fécondes. Mieux vaut
-pour l'ame tomber sur la terre que de languir dans des entraves
-charnelles.</i></p>
-
-<p>Probably a calumny against Manes; for the Eastern philosophy,
-especially that of Zoroaster, which is said to have inspired the tenets
-of Manichæism, advocated no such abominations.</p>
-
-
-<p>B. Page 105 of original; <a href="#Page_108">page 108</a> translation. The realistic
-phraseology of the original passage is rather brutal. The French text
-reads: "<i>Il souffrait de la maladie Bellerephontienne; et sa mère, la
-parfumeuse, s'est livrée à Pantherus, un soldat Romain, sur des gerbes
-de mais, un soir de moisson.</i>" C. Descriptive text, page 237 original,
-partly suppressed on <a href="#Page_223">page 223</a> translation: "<i>Et il lui montre dans un
-bosquet d'aliziers Une Femme toute nue, à quatre pattes comme une bête,
-et saillie par un homme noir, tenant dans chaque main un flambeau.</i>"</p>
-
-<p>D. Curious text of Crepitus, on page <a href="#Page_228">228</a>, pages 241-3 of original:</p>
-
-<p><span class="smcap">Crepitus</span></p>
-
-<p>(——se fait entendre):</p>
-
-<p><i>Moi aussi l'on m'honora jadis. On me faisait des libations. Je fus un
-Dieu!</i></p>
-
-<p><i>L'Athénien me saluait comme un presage de fortune, tandis que le
-Romain dévot me maudissait les poings levés et que le pontife d'Egypte,
-s'abstinant des fèves, tremblait à ma voix et pâlissait à mon odeur.</i></p>
-
-<p><i>Quand le vinaigre militaire coulait sur les barbes non rasées, qu'on
-se régalait de glands, de pois, et d'oignons crus, et que le bouc en
-morceau cuissait dans le beurre rance des pasteurs, sans souci du
-voisin, personne alors ne se gênait. Les nourritures solides faisaient
-digestions retentissantes. Au soleil de la campagne les hommes se
-soulageaient avec lenteur.</i></p>
-
-<p><i>Ainsi, je passais sans scandale, comme les autres besoins de la vie,
-comme Mena, tourment des vierges, et la douce Rumina qui protège le
-sein de la nourrice, gonflé, des veines bleuâtres. J'étais joyeux. Je
-faisais rire. Et se dilatant d'aise à cause de moi, le convive exhalait
-toute sa gaieté par les ouvertures de son corps.</i></p>
-
-<p><i>J'ai eu mes jours d'orgeuil. Le bon Aristophane me promena sur la
-scène, et l'empereur Claudius Drusus<a name="FNanchor_1_29" id="FNanchor_1_29"></a><a href="#Footnote_1_29" class="fnanchor">[1]</a> me fit asseoir à sa table. Dans
-les laticlaves des patriciens j'ai circulé majestueusement! Les vases
-d'or, comme des tympanons, resonnaient sous moi; et, quand plein de
-murènes, de truffles, et de pâtés, l'intestin du maître se dégageait
-avec fracas, l'univers attentif apprenait que César avait diné!</i></p>
-
-<p><i>Mais à présent, je suis confiné dans la populace</i><a name="FNanchor_2_30" id="FNanchor_2_30"></a><a href="#Footnote_2_30" class="fnanchor">[2]</a> <i>et l'on se
-récrie, même à mon nom!</i></p>
-
-<p><i>Et Crepitus s'éloigne, en poussant un gémissement....</i></p>
-
-<p>E. For descriptions of the Martichoras and other monsters, appearing
-page 287 in the original and <a href="#Page_253">253</a> in the translation, see also Rabelais'
-Pantagruel, Book V, Chap. XXX.</p>
-
-
-
-<div class="footnote">
-
-<p><a name="Footnote_1_29" id="Footnote_1_29"></a><a href="#FNanchor_1_29"><span class="label">[1]</span></a> Needless to refer to the comedies of Aristophanes,
-with which English readers have been familiarized through the Bohn
-translations. The reference to Claudius ius Drusus seems based upon
-the following lines in Suetonius: "<i>Dicitur etiam meditatus edictum,
-quo veniam daret flatum crepitumque ventris in convivio emittendi:
-cum periclitatum quemdam prae pudore ex continentia reperisset.</i>"
-(<i>Suetonius-Tiberius Claudius Drusus</i>: 32.)</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_2_30" id="Footnote_2_30"></a><a href="#FNanchor_2_30"><span class="label">[2]</span></a> The so-called divinities, <i>Deus Crepitus, Dea Pertunda,
-Deus Stercutius, Dea Rumina</i> (or <i>Rumilia</i>), <i>Dea Mena</i>, concerning
-whose curious attributes the reader may consult English or French
-classical encyclopedists, were doubtless regarded by the intelligent
-classes of antiquity much as certain religious superstitions are
-regarded by educated moderns. It is true that they furnished grotesque
-themes to artists; but many existing superstitions regarding elves
-and goblins have inspired modern sculptors, painters and designers.
-Certainly, seriously worshipped as deities, Priapus might seem equally
-contemptible as a divinity; but his worship, degenerate as it became
-in later years, was primitively symbolical. The obscene image merely
-typified the procreative Spirit of Nature. The eccentric gods and
-goddesses above referred to had no such excuse for being. As previously
-observed, however, Flaubert artistically represents these divinities
-not as they were really considered in the antique world, but rather as
-they would have appeared to the eyes of zealous Christians in the third
-century—infamous and loathsome.—Translator.</p></div>
-
-<hr class="full" />
-
-<p>
-<a id="CONTENTS"></a><span style="font-weight: bold;">CONTENTS</span><br /><br />
-<a href="#INTRODUCTION">INTRODUCTION</a><br />
-<a href="#ARGUMENT">ARGUMENT</a><br />
-<a href="#THE_TEMPTATION_OF_ST_ANTHONY">THE TEMPTATION OF ST. ANTHONY</a><br />
-<a href="#I">I</a><br />
-<a href="#II">II</a><br />
-<a href="#III">III</a><br />
-<a href="#IV">IV</a><br />
-<a href="#V">V</a><br />
-<a href="#VI">VI</a><br />
-<a href="#VII">VII</a><br />
-<a href="#NOTE">NOTE</a><br />
-<a href="#ADDENDA">ADDENDA</a><br />
-</p>
-<hr class="chap" />
-<h5>LIST OF ILLUSTRATIONS</h5>
-
-<p style="text-align: center;">(by Odilon Redon, which were added especially for this PG e-book.)</p>
-
-<blockquote>
- <p> ... through the long hair half hiding her face, I thought
- that I could recognize Ammonaria ... <span class="illnum"> <a href="#redon201">6</a></span></p>
-
- <p>Saint Anthony: Help me, O my God! <span class="illnum"> <a href="#redon02">16</a></span></p>
-
- <p>And there are columns of basalt everywhere,... The light
- falls from the vaults above <span class="illnum"> <a href="#redon03">38</a></span></p>
-
- <p>there is a sweetness in my kisses as of a fruit dissolving
- within thy heart ... <span class="illnum"> <a href="#redon04">58</a></span></p>
-
- <p>... a long blood-colored chrysalis <span class="illnum"><a href="#redon202">100</a></span></p>
-
- <p>... the flowers fall and the head of a python appears <span class="illnum">
- <a href="#redon05">105</a></span></p>
-
- <p>... and in the darkness beside him people are praying...
- <span class="illnum"><a href="#redon06">107</a></span></p>
-
- <p>... and he beholds an arid plain, mamillated with knolls
- <span class="illnum"><a href="#redon07">113</a></span></p>
-
- <p>She drags a black sponge from her bosom, covers it with
- kisses ... <span class="illnum"><a href="#redon08">115</a></span></p>
-
- <p>I have buried myself in solitude, like the rhinoceros. I
- dwelt in the tree behind me <span class="illnum"><a href="#redon09">119</a></span></p>
-
- <p>Helena - Ennoia <span class="illnum"><a href="#redon10">125</a></span></p>
-
- <p>... instantly arise three goddesses <span class="illnum"><a href="#redon11">157</a></span></p>
-
- <p>Intelligence became mine! I became the Buddha. <span class="illnum"><a href="#redon12">165</a></span></p>
-
- <p>... and eyes without heads were floating like mollusks <span class="illnum"><a href="#redon13">167</a></span></p>
-
- <p>I, the first consciousness of Chaos, arose from the abyss
- that I might harden matter, and give a law unto forms <span class="illnum">
- <a href="#redon14">168</a></span></p>
-
- <p>Here is the Good Goddess, the Idæan of the mountains <span class="illnum"><a href="#redon15">178</a></span></p>
-
- <p>I am still the Great Isis!—none has yet lifted my
- veil! My fruit is the Sun! <span class="illnum"><a href="#redon16">188</a></span></p>
-
- <p>... he falls head foremost into the abyss <span class="illnum"><a href="#redon17">206</a></span></p>
-
- <p>Anthony: What is the purpose of all that? The Devil: There
- is no purpose. <span class="illnum"><a href="#redon18">224</a></span></p>
-
- <p>The Old Woman: Of what art thou afraid?—a wide, black
- hole! Perhaps it is a void! <span class="illnum"><a href="#redon19">235</a></span></p>
-
- <p>Death: Mine irony depasseth all others! <span class="illnum"><a href="#redon203">240</a></span></p>
-
- <p>Death: It is I that make thee awful! Let us intertwine! <span class="illnum">
- <a href="#redon20">241</a></span></p>
-
- <p>Anthony: Somewhere there must be primordial figures, whose
- bodily forms are only symbols <span class="illnum"><a href="#redon204">242</a></span></p>
-
- <p>I myself have sometime beheld in the sky, as it were, forms
- of spirits <span class="illnum"><a href="#redon21">242</a></span></p>
-
- <p>The Sphinx: ... and yet my gaze, which naught can deviate,
- remains fixed, gazing through all intervening things, upon
- a horizon that none may reach. The Chimera: I am light and
- joyous! <span class="illnum"><a href="#redon205">245</a></span></p>
-
- <p>The Sciapods: The head as low as possible—That is the
- secret of happiness. <span class="illnum"><a href="#redon206">249</a></span></p>
-
- <p>The beasts of the sea round as wineskins <span class="illnum"><a href="#redon22">258</a></span></p>
-
- <p>Divers peoples inhabit the countries of the Ocean <span class="illnum"><a href="#redon23">258</a></span></p>
-
- <p>Day at last appears ... in the midst thereof and in the very
- disk of the sun, beams the face of Jesus Christ. <span class="illnum"><a href="#redon24">260</a></span></p>
-</blockquote>
-
-<hr class="tb" />
-<p> </p>
-<p class="transnote"><b>Transcribers' Note:</b><br />
-<br />
-This translation of the "Tentation" by Lafcadio Hearn, still regarded
-by many as the best up until now in English, still misses some small
-fragments (of a couple of words) not deemed fit for the Anglo-Saxon
-temperament of that time. There is a contemporary version (2002) of
-this translation available, with introduction by Michel Foucault and
-the inclusion of some missing expressions. The original French by
-Gustave Flaubert is also available at Project Gutenberg—
-<a href="http://www.gutenberg.org/ebooks/10982">http://www.gutenberg.org/ebooks/10982</a></p>
-
-<p> </p>
-<hr class="pg" />
-<p>***END OF THE PROJECT GUTENBERG EBOOK THE TEMPTATION OF ST. ANTHONY***</p>
-<p>******* This file should be named 52225-h.htm or 52225-h.zip *******</p>
-<p>This and all associated files of various formats will be found in:<br />
-<a href="http://www.gutenberg.org/dirs/5/2/2/2/52225">http://www.gutenberg.org/5/2/2/2/52225</a></p>
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+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> +<html xmlns="http://www.w3.org/1999/xhtml"> +<head> +<meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> +<title>The Project Gutenberg eBook of The Temptation of St. Anthony, by Gustave Flaubert</title> + <style type="text/css"> + +body { + margin-left: 10%; + margin-right: 10%; + /* background-color: #FAEBD7; */ +} + + h1,h2,h3,h4,h5,h6 { + text-align: center; /* all headings centered */ + clear: both; +} + +p { + margin-top: .51em; + text-align: justify; + margin-bottom: .49em; +} + +.p2 {margin-top: 2em;} +.p4 {margin-top: 4em;} +.p6 {margin-top: 6em;} + +hr { + width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: auto; + margin-right: auto; + clear: both; +} + +hr.tb {width: 45%;} +hr.chap {width: 65%} +hr.full {width: 95%;} + +hr.r5 {width: 5%; margin-top: 1em; margin-bottom: 1em;} +hr.r65 {width: 65%; margin-top: 3em; margin-bottom: 3em;} + + +table { + margin-left: auto; + margin-right: auto; +} + + .tdl {text-align: left;} + .tdr {text-align: right;} + .tdc {text-align: center;} + +.pagenum { /* uncomment the next line for invisible page numbers */ + visibility: hidden; + position: absolute; + left: 92%; + font-size: smaller; + text-align: right; + color: #A9A9A9; +} /* page numbers */ + +.illnum { + position: absolute; + left: 92%; + font-size: smaller; + text-align: right; + +} + +.blockquot { + margin-left: 5%; + margin-right: 10%; +} + +a:link {color: #000099; } + +v:link {color: #000099; } + + +.center {text-align: center;} + +.right {text-align: right;} + +.smcap {font-variant: small-caps;} + + + +.caption { + text-align: left; + font-size: 0.8em; + font-family: arial; +} + +/* Images */ +.figcenter { + margin: auto; + text-align: center; +} + +.figleft { + float: left; + clear: left; + margin-left: 0; + margin-bottom: 1em; + margin-top: 1em; + margin-right: 1em; + padding: 0; + text-align: center; +} + +.figright { + float: right; + clear: right; + margin-left: 1em; + margin-bottom: + 1em; + margin-top: 1em; + margin-right: 0; + padding: 0; + text-align: center; +} + +/* Footnotes */ +.footnotes {border: dashed 1px;} + +.footnote {margin-left: 10%; margin-right: 10%; font-size: 0.9em;} + +.footnote .label {position: absolute; right: 84%; text-align: right;} + +.fnanchor { + vertical-align: super; + font-size: .8em; + text-decoration: + none; +} + +/* Transcriber's notes */ +.transnote {background-color: #E6E6FA; + color: black; + font-size:smaller; + padding:0.5em; + margin-bottom:5em; + font-family:sans-serif, serif; } + + hr.pg { width: 100%; + margin-top: 3em; + margin-bottom: 0em; + margin-left: auto; + margin-right: auto; + height: 4px; + border-width: 4px 0 0 0; /* remove all borders except the top one */ + border-style: solid; + border-color: #000000; + clear: both; } + </style> +</head> +<body> +<div>*** START OF THE PROJECT GUTENBERG EBOOK 52225 ***</div> +<h1>The Project Gutenberg eBook, The Temptation of St. Anthony, by Gustave +Flaubert, Translated by Lafcadio Hearn, Illustrated by Odilon Redon</h1> +<p> </p> +<p> </p> +<p> </p> +<table border="0" style="background-color: #ccccff;margin: 0 auto;" cellpadding="10"> + <tr> + <td valign="top"> + Note: + </td> + <td> + Images of the original pages are available through + the Google Books Library Project. See + <a href="https://books.google.com/books?id=9g9EAAAAYAAJ"> + https://books.google.com/books?id=9g9EAAAAYAAJ</a> + </td> + </tr> +</table> +<p> </p> +<hr class="pg" /> +<p> </p> +<p> </p> +<p> </p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/cover.jpg" width="500" alt="" /> +</div> + +<h1>THE TEMPTATION OF ST. ANTHONY</h1> + +<h3>BY</h3> + +<h2>GUSTAVE FLAUBERT</h2> + +<h4>TRANSLATED BY</h4> + +<h2>LAFCADIO HEARN</h2> + +<h2>ILLUSTRATIONS by ODILON REDON</h2> + +<p class="center" style="font-size: 0.8em;">(Added especially for this PG e-book.)</p> + +<h5>THE ALICE HARRIMAN COMPANY</h5> + +<h5>NEW YORK AND SEATTLE</h5> + +<h5>1910</h5> +<hr class="full" /> + +<p><a href="#CONTENTS">Contents</a></p> + + +<hr class="chap" /> + +<p><span class="pagenum"><a name="Page_i" id="Page_i">[Pg i]</a></span></p> + + +<h4><a name="INTRODUCTION" id="INTRODUCTION">INTRODUCTION</a></h4> + + +<p>It was at some period between 1875 and 1876 that Lafcadio Hearn—still +a "cub" reporter on a daily paper in Cincinnati—began his translation +of Flaubert's "Temptation of St. Anthony." The definitive edition of +the work, over which the author had laboured for thirty years, had +appeared in 1874.</p> + +<p>Hearn was, in his early youth, singularly indifferent to the work of +the Englishmen of the Victorian period. Though he knew the English +masterpieces of that epoch, their large, unacademic freedom of manner +awakened no echoes in his spirit. His instinctive taste was for the +exquisite in style: for "that peculiar kneading, heightening, and +recasting" which Matthew Arnold thought necessary for perfection. +Neither did the matter, more than the manner of the Victorians appeal +to him. The circumstances of his life had at so many points set him +out of touch with his fellows that the affectionate<span class="pagenum"><a name="Page_ii" id="Page_ii">[Pg ii]</a></span> mockery of +Thackeray's pictures of English society were alien to his interest. +The laughing heartiness of Dickens' studies of the man in the street +hardly touched him. Browning's poignant analyses of souls were too +rudely robust of manner to move him. Before essaying journalism Hearn +had served for a while as an assistant in the Public Library, and +there he had found and fallen under the spell, of the great Frenchman +of the Romantic School of the '30's—that period of rich flowering of +the Gallic genius. Gautier's tales of ancient weirdnesses fired his +imagination. The penetrating subtleties of his verse woke in the boy +the felicitous emotions which the virtuoso knows in handling cameos +and enamellings by hands which have long been dust. So, also, Hugo's +revivals of the passions and terrors of the mediæval world stirred the +young librarian's eager interest. But most of all his spirit leapt +to meet the tremendous drama of the "Temptation." He comprehended at +once its large significance, its great import, and in his enthusiastic +recognition of its value and meaning he set at once about giving it a +language understood of the people of his own tongue.</p> + +<p><span class="pagenum"><a name="Page_iii" id="Page_iii">[Pg iii]</a></span></p> + +<p>Tunison tells of the little shy, shabby, half-blind boy—the long +dull day of police reporting done—labouring at his desk into the +small hours, with the flickering gas jet whistling overhead, and his +myopic eyes bent close to the papers which he covered with beautiful, +almost microscopic characters—escaping thus from the crass, raw world +about him to delicately and painstakingly turn into English stories +of Cleopatra's cruel, fantastic Egyptian Night's Entertainment. +Withdrawing himself to transliterate tales of pallid beautiful vampires +draining the veins of ardent boys: of lovely faded ghosts of great +ladies descending from shadowy tapestries to coquette with romantic +dreamers; or to find an English voice for the tragedy of the soul of +the Alexandrian cenobite.</p> + +<p>It was in such dreams and labours that he found refuge from the +environment that was so antipathetic to his tastes, and in his +immersion in the works of these virtuosos of words, in his passionate +search for equivalents of the subtle nuances of their phrases, he +developed his own style. A style full of intricate assonances, of a +texture close woven and iridescent.</p> + +<p><span class="pagenum"><a name="Page_iv" id="Page_iv">[Pg iv]</a></span></p> + +<p>"One of Cleopatra's Night's"—a translation of some of Gautier's tales +of glamour—was issued in 1882, but at "The Temptation of St. Anthony" +the publishers altogether balked. The manuscript could not achieve even +so much as a reading. America had in the '70's just begun to emerge +from that state of provincial propriety in which we were accused of +clothing even our piano legs in pantelettes. The very name of the work +was sufficient to start modest shivers down the spine of all well +regulated purveyors of books. It was largely due to the painters' +conceptions of the nature of the hermit's trials that the story of +Saint Anthony's spiritual struggle aroused instinctive terrors in all +truly modest natures. The painters—who so dearly love to display their +skill in drawing legs and busts—had been wont to push the poor old +saint into the obscure of the background, and fill all the foreground +with ladies of obviously the very lightest character, in garments +still lighter, if possible. What had reputable American citizens to do +with such as these jades? More especially such jades as seen through +a French imagination! That Flaubert had brushed aside the gross and +jejune<span class="pagenum"><a name="Page_v" id="Page_v">[Pg v]</a></span> conceptions of the painters the publishers would not even take +the pains to learn.</p> + +<p>It is amusing now to recall the nervous, timid proprieties of those +days. At the time Hearn failed to see the laughable side of it. He was +then too young and earnest, too passionate and too melancholy to have a +sense of its humours.</p> + +<p>He had brought his unfinished manuscript from Cincinnati to New +Orleans, and had continued to work upon it in strange lodgings in +gaunt, old half-ruined Creole houses; at the tables of odd little +French cafés, or among the queer dishes in obscure Spanish and Chinese +restaurants. He had snatched minutes for it amidst the reading and +clipping of exchanges in a newspaper office; had toiled drippingly +over it in the liquifying heats of tropic nights; had arisen from the +"inexpungable langours" of yellow fever to complete its last astounding +pages.</p> + +<p>I can remember applauding, with ardent youthful sympathy, his tirades +against the stultifying influence of blind puritanism upon American +literature. I recall his scornful mocking at the inconsistency which +complacently accepted the vulgar seduction, and<span class="pagenum"><a name="Page_vi" id="Page_vi">[Pg vi]</a></span> the theatrical Brocken +revels of Faust, while shrinking piously from Flaubert's grim story of +the soul of man struggling to answer the riddle of the universe. He +had however an almost equal contempt for the author's countrymen, who +received with eager interest and pleasure the deliberate analysis—in +<i>Madame Bovary</i>—of a woman's degradation and ruin, while they yawned +over the amazing history of humanity's tremendous spiritual adventures. +Hearn's own sensitiveness shrank in pain from the cold insight which +uncovered layer by layer the brutal squalour of a woman's moral +disintegration. But he was moved and astounded by the revelation, in +St. Anthony, of the tragedy and pathos of man's long search for some +body of belief or philosophy by which he could explain to himself +the strange great phenomena of life and death, and the inscrutable +cruelties of Nature. The young translator was filled with a sort of +astonished despair at his inability to make others see the book as +he did—not realizing, in his youthful impatience, that the average +mind clings to the concrete, and is puzzled and terrified by outlines +of thought too large for its range of vision; that the commonplace<span class="pagenum"><a name="Page_vii" id="Page_vii">[Pg vii]</a></span> +intelligence cannot "see the wood for the trees," and becomes confused +and over-weighted when confronted with the huge outlines of so great a +picture as that drawn by Flaubert in his masterpiece.</p> + +<p>There were many points of resemblance between Lafcadio Hearn and the +grandson of the French veterinary. A resemblance rather in certain +qualities of the spirit than in social conditions and physical +endowments. Flaubert, born in 1821, was the son of a surgeon. His +father was long connected with the Hôtel Dieu of Rouen, in which the +boy was born, and in which he lived until his eighteenth year, when he +went to Paris to study law. One of the friends of his early Parisian +days describes him as "a young Greek. Tall, supple, and as graceful as +an athlete. He was charming, <i>mais un peu farouche.</i> Quite unconscious +of his physical and mental gifts; very careless of the impression he +produced, and entirely indifferent to formalities. His dress consisted +of a red flannel shirt, trousers of heavy blue cloth, and a scarf of +the same colour drawn tight about his slender waist. His hat was worn +'any how' and often he abandoned it altogether. When I spoke to<span class="pagenum"><a name="Page_viii" id="Page_viii">[Pg viii]</a></span> him of +fame or influence.... he seemed superbly indifferent. He had no desire +for glory or gain.... What was lacking in his nature was an interest in +<i>les choses extérieures, choses utiles.</i>" ...</p> + +<p>One who saw him in 1879 found the young Greek athlete—now close upon +sixty, and having in the interval created some of the great classics +of French literature—"a huge man, a tremendous old man. His long, +straggling gray hair was brushed back. His red face was that of a +soldier, or a sheik—divided by drooping white moustaches. A trumpet +was his voice, and he gesticulated freely ... the colour of his eyes a +bit of faded blue sky."</p> + +<p>The study of the law did not hold Flaubert long. It was one of those +<i>choses extérieures, choses utiles</i> to which he was so profoundly +indifferent. Paris bored him. He longed for Rouen, and for his little +student chamber. There he had lain upon his bed whole days at a time; +apparently as lazy as a lizard; smoking, dreaming; pondering the large, +inchoate, formless dreams of youth.</p> + +<p>In 1845 his father died, and in the following year he lost his sister +Caroline, whom he had<span class="pagenum"><a name="Page_ix" id="Page_ix">[Pg ix]</a></span> passionately loved, and for whom he grieved +all his life. He rejoined his mother, and they established themselves +at Croisset, near Rouen, upon a small inherited property. It was an +agreeable house, pleasantly situated in sight of the Seine. Flaubert +nourished with pleasure a local legend that Pascal had once inhabited +the old Croisset homestead, and that the Abbé Prevost had written +<i>Manon Lescaut</i> within its walls. Near the house—now gone—he built +for himself a pavilion to serve as a study, and in this he spent the +greater portion of the following thirty-four years in passionate, +unremitting labour.</p> + +<p>He made a voyage to Corsica in his youth; one to Brittany, with Maxime +du Camp, in 1846; and spent some months in Egypt, Palestine, Turkey, +and Greece in 1849. This Oriental experience gave him the most intense +pleasure, and was the germ of <i>Salammbo</i>, and of the <i>Temptation of St. +Anthony.</i> He never repeated it, though he constantly talked of doing +so. He nursed a persistent, but unrealized dream of going as far as +Ceylon, whose ancient name, Taprobana, he was never weary of repeating; +utterance of its melifluous syllables becoming a positive <i>tic</i> +with him.<span class="pagenum"><a name="Page_x" id="Page_x">[Pg x]</a></span> Despite these yearnings he remained at home. Despite his +full-blooded physique he would take no more exercise than his terrace +afforded, or an occasional swim in the Seine. He smoked incessantly, +and for months at a stretch worked fifteen hours out of the twenty-four +at his desk. Three hundred volumes might be annotated for a page of +facts. He would write twenty pages, and reduce these by exquisite +concisions, by fastidious rejections to three; would search for hours +for the one word that perfectly conveyed the colour of his thought, and +would—as in the case of the <i>Temptation</i>—wait fifteen years for a +sense of satisfaction with a manuscript before allowing it to see the +light. To Maxime du Camp, who urged him to hasten the completion of his +book in order to take advantage of a favourable opportunity, he wrote +angrily:</p> + +<p>"Tu me parais avoir à mon endroit un tic ou vice rédhibitoire. Il +ne m'embête pas; n'aie aucune crainte; mon parti est pris là -dessus +depuis long temps. Je te dirai seulement que tous ces mots; <i>se +dépêcher, c'est le moment, place prise, se poser, ...</i> sont pour moi un +vocabulaire vide de sens...."</p> + +<p><span class="pagenum"><a name="Page_xi" id="Page_xi">[Pg xi]</a></span></p> + +<p>In one of his letters he says that on occasion he worked violently for +eight hours to achieve one page. He endeavoured never to repeat a word +in that page, and tried to force every phrase to respond to a rhythmic +law. Guy do Maupassant, his nephew and pupil, says that to ensure this +rhythm Flaubert "prenait sa feuille de papier, relevait à la hauteur du +regard et, s'appuyant sur un coude, déclaimait, d'une voix mordant et +haute. Il écoutait la rythme de sa prose, s'arrêtait comme pour saisir +une sonorité fuyant, combinait les tons, éloignait les assonances, +disposait les virgules avec conscience, commes les haltes d'un long +chemin." ...</p> + +<p>Flaubert said himself, "une phrase est viable quand elle correspond +à toutes les nécessités de respiration. Je sais qu'elle est bonne +lorsqu'elle peut être lu tout haut."</p> + +<p>Henry Irving used to say of himself that it was necessary he should +work harder than other actors because nature had dowered him with +flexibility of neither voice nor feature, and Faguet says that Flaubert +was forced to this excessive toil and incessant watchfulness because +he did not write well naturally. Nevertheless Flaubert's work did not +smell<span class="pagenum"><a name="Page_xii" id="Page_xii">[Pg xii]</a></span> of the lamp. Whatever shape his ideas may have worn at birth +when full grown they moved with large classic grace and freedom, +simple, sincere, and beautiful in form. François Coppée calls him "the +Beethoven of French prose."</p> + +<p>So conscientious a workman, so laborious and self-sacrificing an artist +had a natural attraction for Lafcadio Hearn, who even in boyhood began +to feel his vocation as "a literary monk." The whole tendency of his +tastes prepared him to understand the true importance of Flaubert's +masterpiece, fitted him especially of all living writers to turn that +masterpiece into its true English equivalent. The two men had much in +common. Both were proud and timid. Both had a fundamental indifference +to <i>choses extérieures, choses utiles.</i> Both were realists of the soul. +Actions interested each but slightly; the emotions from which actions +sprung very much. To both stupidity was even more antipathetic than +wickedness, because each realized that nearly all cruelty and vice have +their germ in ignorance and stupidity rather than in innate rascality. +Flaubert declared, with a sort of rage, that "la bêtise entre dans<span class="pagenum"><a name="Page_xiii" id="Page_xiii">[Pg xiii]</a></span> +mes pores." He might too have been speaking for Hearn when he said +that the grotesque, the strange, and the monstrous had for him an +inexplicable charm. "It corresponds," he says, "to the intimate needs +of my nature—it does not cause me to laugh, but to dream long dreams." +Hearn, however, mixed with this triste interest a quality that Flaubert +seemed almost wholly to lack—a great tenderness for all things humble, +feeble, ugly and helpless. Both from childhood were curious of poignant +sensations, of the sad, the mysterious and the exotic. And for both the +tropics had an irresistible fascination. Flaubert says, in one of his +letters:</p> + +<p>"I carry with me the melancholy of the barbaric races, with their +instincts of migration, and their innate distaste of life, which forced +them to quit their homes in order to escape from themselves. They loved +the sun, all those barbarians who came to die in Italy; they had a +frenzied aspiration toward the light, toward the blue skies, toward an +ardent existence.... Think that perhaps I will never see China, will +<span class="pagenum"><a name="Page_xiv" id="Page_xiv">[Pg xiv]</a></span>never be rocked to sleep by the cadenced footsteps of camels ... will +never see the shine of a tiger's eyes in the forest.... You can treat +all this as little worthy of pity, but I suffer so much when I think of +it ... as of something lamentable and irremediable."</p> + +<p>This is the nostalgia for the strange, for the unaccustomed, that all +born wanderers know. Fate arranges it for many of them that their lives +shall be uneventful, passed in dull, provincial narrowness; but behind +these bars the clipped wings of their spirit are always flutteringly +spread for flight. They know not what they seek, what desire drives +them, but a sense of "the great adventure" unachieved keeps them +restless until they die. It is such as these, these <i>voyageurs +empassionés</i>, when condemned by fortune to a static existence—who find +their outlet in mental wanderings amid the unusual, the grotesque, +and the monstrous. Hearn and Flaubert both were at heart nomads, +seekers of the unaccustomed; stretching toward immensities of space +and time, toward the ghostly, the hidden, the unrealized. Like that +wild fantastic <i>Chimera</i> of the "Temptation" each such soul declares +"<i>je cherche des parfums<span class="pagenum"><a name="Page_xv" id="Page_xv">[Pg xv]</a></span> nouveaux, des fleurs plus large, des plaisirs +inéprouvés.</i>"</p> + +<p>Flaubert was but twenty-six when the first suggestion of his +masterpiece came to him. For <i>La Tentation de St. Antoine</i>, it is +coming to be understood, is his masterpiece; is one of the greatest +literary achievements of the French mind. <i>Madame Bovary</i> is more +widely famous and popular, but Flaubert himself always deeply resented +this preference, and was always astonished at the comparative +indifference of the world to the "Temptation." He, too, found it +difficult to realize how hardly the average mind is awakened to an +interest in the incorporeal; how surely cosmic generalizations escape +the grasp of the commonplace intelligence.</p> + +<p>Wagner waited a lifetime before the world was dragged reluctantly and +resentfully up to a point from which it could discern the superiority +of the tremendous finale of the Götterdämmerung to the Christmas-card +chorus of angels chanting "<i>Âme chaste et pure</i>" to the beatified +Marguerite. The whole prodigious structure of Wagner's dramatic and +musical thought might have remained a mere adumbration in the soul of +one<span class="pagenum"><a name="Page_xvi" id="Page_xvi">[Pg xvi]</a></span> German had chance not set a mad genius upon the throne of Bavaria. +The bourgeoisie would—lacking this royal bullying—have continued to +prefer Goethe and Gounod. Flaubert's great work unfortunately failed of +such patronage.</p> + +<p>It was in 1845 that an old picture by Breughel, seen at Genoa, first +inspired Flaubert to attempt the story of St. Anthony. He sought +out an engraving of this conception of Peter the Younger (surnamed +"Hell-Breughel" for his fondness for such subjects), hung it on his +walls at Croisset, and after three years of brooding upon it began, +May 24, 1848, <i>La Tentation de St. Antoine.</i> In twelve months he had +finished the first draught of the work, which bulked to 540 pages. It +was laid aside for "Bovary," and a second version of the "Temptation" +was completed in 1856, but this time the manuscript had been reduced +to 193 pages, and the "blazing phrases, the jewelled words, the +turbulence, the comedy, the mysticism" of the first version had been +superseded by a larger, more dramatic conception. In 1872 he made still +a new draught, and by this time it had shrunk to 136 pages. He even +then<span class="pagenum"><a name="Page_xvii" id="Page_xvii">[Pg xvii]</a></span> eliminated three chapters, and finally gave to the world in 1874 +"this wonderful coloured panorama of philosophy, this Gulliver-like +travelling amid the master ideas of the antique and early Christian +worlds."</p> + +<p>Faguet says, "In its primitive and legendary state the temptation +of St. Anthony was nothing more than the story of a recluse tempted +by the Devil through the flesh, by all the artifices at the Devil's +disposal. In the definite thought of Flaubert the temptation of St. +Anthony has become man's soul tempted by all the illusions of human +thought and imagination. St. Anthony to the eyes of the first naive +hagiologists is a second Adam, seduced by woman, who was inspired by +Satan. St. Anthony conceived by Flaubert is a more thoughtful Faust; a +Faust incapable of irony, not a Faust who could play with illusions and +with himself—secretly persuaded that he could withdraw when he chose +to give himself the trouble to do so—rather a Faust who approached, +accosted, caressed all possible forms of universal illusions."</p> + +<p>Flaubert's studies for the "Temptation" were tremendous. For nearly +thirty years he touched and retouched, altered, enlarged,<span class="pagenum"><a name="Page_xviii" id="Page_xviii">[Pg xviii]</a></span> condensed. +He kneaded into its substance the knowledge, incessantly sought, of +all religions and philosophies; of all the forms man's speculations +had taken in his endless endeavours to explain to himself Life and +Fate; humanity's untiring, passionate effort to find the meaning of its +mysterious origin and purpose, and final destiny. How terrible, how +naive, how fantastic, bloody, grovelling, and outrageous were most of +the solutions accepted, the gigantic panorama of the book startlingly +sets forth. What gory agonies, what mystic exaltations, what dark +cruelties, frenzied abandons, and inhuman self denials have marked +those puzzled gropings for light and truth are revealed as by lightning +flashes in the crowding scenes of the epic. For the Temptation of St. +Anthony is an epic. Not a drama of man's actions, as all previous +epics have been, but a drama of the soul. All its movement is in the +adventure and conflict of the spirit. St. Anthony remains always in +the one place, almost as moveless as a mirror. His vision—clarified +of the sensual and the actual by his fastings and macerations—becomes +like the surface of an unruffled lake. A lake reflecting<span class="pagenum"><a name="Page_xix" id="Page_xix">[Pg xix]</a></span> the aberrant +forms of thoughts that, like clouds, drift between man and the infinite +depths of knowledge. Clouds of illusion forever changing, melting, +fusing; assuming forms grotesque, monstrous, intolerable; until at +last the writhing mists of speculation and ignorance are drunk up +by the widening light of wisdom and the fogs and phantasms vanish, +leaving his consciousness aware, in poignant ecstasy, of the cloudless +deeps of truth. The temptation of the flesh is but a passing episode. +An eidolon of Sheba's queen offers him luxury, wealth, voluptuous +beauty, power, dainty delights of eye and palate in vain. Man has never +found his most dangerous seductions in the appetites. More lamentable +disintegration has grown from his attempts to pierce beyond the +body's veil. The parched and tortured saint is whirled by vertiginous +visions through cycles of man's straining efforts to know why, whence, +whither. He assists at the rites of Mithira, the prostrations of +serpent-and-devil-worshippers, worshippers of fire, of light, of the +Greeks' deified forces of nature; of the northern enthronement of brute +force and war. He is swept by the soothing breath of<span class="pagenum"><a name="Page_xx" id="Page_xx">[Pg xx]</a></span> Quietism, plunges +into every heresy and philosophy, sees the orgies, the flagellations, +the self mutilations, the battles and furies of sects, each convinced +that it has found the answer at last to the Great Question, and +endeavouring to constrain the rest of humanity to accept the answer. +He meets the Sphinx—embodied interrogation—and the Chimera—the +simulacrum of the fantasies of the imagination—dashing madly about the +stolid querist.</p> + +<p>Lucifer—spirit of doubt of all dogmatic solutions—mounts with Anthony +into illimitable space. They rise beyond these struggles and furies +into the cold uttermost of the universe; among innumerable worlds; +worlds yet vaguely forming in the womb of time, newly come to birth, +lustily grown to maturity; worlds dying, decaying, crumbling again into +atomic dust. Overcome by the intolerable Vast, Anthony sinks once more +to his cell, and Lucifer, who has shown him the macrocosm, opens to +him the equal immensity of the microcosm. Makes him see the swarming +life that permeates the seas, the earth and atmosphere, the incredible +numerousness of the invisible lives that people<span class="pagenum"><a name="Page_xxi" id="Page_xxi">[Pg xxi]</a></span> every drop of water, +every grain of sand, every breath of air. The unity of life dawns upon +him, and his heart, withered by dubiety, melts into joyousness and +peace. As the day dawns in gold he beholds the face of Christ.</p> + +<p>Flaubert's Lucifer has no relation to the jejune Devil of man's +early conception of material evil, nor does he resemble Goethe's +Mephistopheles; embodiment of the Eighteenth Century's spirit +of sneering disbeliefs and negation. He is rather our own +tempter—Science. He is the spirit of Knowledge: Nature itself calling +us to look into the immensities and read just our dogmas by this new +and terrible widening of our mental and moral horizons. This last +experience of the Saint reproduces the spiritual experiences of the +modern man; cast loose from his ancient moorings, and yet finding at +last in his new knowledge a truer conception of the brotherhood of all +life in all its forms, and seeing still, in the growing light, the +benignant eyes of God.</p> + +<p>It is not remarkable that Flaubert resented the banality, the dull +grossness of the reception of his work, or that Hearn shared his +amazement and bitterness. Even yet the<span class="pagenum"><a name="Page_xxii" id="Page_xxii">[Pg xxii]</a></span> world wakes but slowly to the +true character of this masterpiece; this epic wrought with so great +a care and patience, so instinct with genius, dealing perhaps more +profoundly than any other mind has ever done with the Great Adventure +of humanity's eternal search for Truth.</p> + +<p style="margin-left: 70%; font-size: 0.8em;">ELIZABETH BISLAND.</p> + +<hr class="chap" /> + +<p><span class="pagenum"><a name="Page_xxiii" id="Page_xxiii">[Pg xxiii]</a></span></p> + + + + +<h4><a name="ARGUMENT" id="ARGUMENT">ARGUMENT</a></h4> + + + +<hr class="chap" /> +<h5>FRAILTY</h5> + + +<p>Sunset in the desert. Enfeebled by prolonged fasting, the hermit +finds himself unable to concentrate his mind upon holy things. His +thoughts wonder; memories of youth evoke regrets that his relaxed will +can no longer find strength to suppress,—and, remembrance begetting +remembrance, his fancy leads him upon dangerous ground. He dreams of +his flight from home,—of Ammonaria, his sister's playmate,—of his +misery in the waste,—his visit to Alexandria with the blind monk +Didymus,—the unholy sights of the luxurious city.</p> + +<p>Involuntarily he yields to the nervous dissatisfaction growing upon +him. He laments his solitude, his joylessness, his poverty, the +obscurity of his life; grace departs from him; hope burns low within +his heart. Suddenly revolting against his weakness, he seeks refuge +from distraction in the study of the Scriptures.</p> + +<p><span class="pagenum"><a name="Page_xxiv" id="Page_xxiv">[Pg xxiv]</a></span></p> + +<p>Vain effort! An invisible hand turns the leaves, placing perilous +texts before his eyes. He dreams of the Maccabees slaughtering +their enemies, and desires that he might do likewise with the +Arians of Alexandria;—he becomes inspired with admiration of King +Nebuchadnezzar;—he meditates voluptuously upon the visit of Sheba's +queen of Solomon;—discovers a text in the Acts of the Apostles +antagonistic to principles of monkish ascetism,—indulges in reveries +regarding the riches of Biblical kings and holy men. The Tempter comes +to tempt him with evil hallucinations for which the Saint's momentary +frailty has paved the way; and with the Evil One come also</p> + + + +<h5>THE SEVEN DEADLY SINS</h5> + + +<p>Phantom gold is piled up to excite Covetousness; shadowy banquets +appear to evoke Gluttony. The scene shifts to aid the temptations of +Anger and of Pride....</p> + +<p>Anthony finds himself in Alexandria, at the head of a wild army of +monks slaughtering the heretics and the pagans, without mercy for +age or sex. In fantastic obedience to the<span class="pagenum"><a name="Page_xxv" id="Page_xxv">[Pg xxv]</a></span> course of his fancy while +reading the Scriptures a while before, and like an invisible echo of +his evil thoughts, the scene changes again. Alexandria is transformed +into Constantinople.</p> + +<p>Anthony finds himself the honoured of the Emperor. He beholds the +vast circus in all its splendour, the ocean of faces, the tumult of +excitement. Simultaneously he beholds his enemies degraded to the +condition of slaves, toiling in the stables of Constantine. He feels +joy in the degradation of the Fathers of Nicæa. Then all is transformed.</p> + +<p>It is no longer the splendour of Constantinople he beholds under the +luminosity of a Greek day; but the prodigious palace of Nebuchadnezzar +by night. He beholds the orgies, the luxuries, the abominations;—and +the spirit of Pride enters triumphantly into him as the spirit of +Nebuchadnezzar....</p> + +<p>Awaking as from a dream, he finds himself again before his hermitage. +A vast caravan approaches, halts; and the Queen of Sheba descends to +tempt the Saint with the deadliest of all temptations. Her beauty is +enhanced by oriental splendour of adornment; her converse is a song of +withcraft. The<span class="pagenum"><a name="Page_xxvi" id="Page_xxvi">[Pg xxvi]</a></span> Saint remains firm.... The Seven Deadly Sins depart +from him.</p> + + + +<h5>THE HERESIARCHS</h5> + + +<p>But now the tempter assumes a subtler form. Under the guise of a former +disciple of Anthony,—Hilarion,—the demon, while pretending to seek +instruction, endeavours to poison the mind of Anthony with hatred of +the fathers of the church. He repeats all the scandals amassed by +ecclesiastical intriguers, all the calumnies created by malice;—he +cites texts only to foment doubt, and quotes the evangels only to +make confusion. Under the pretext of obtaining mental enlightenment +from the wisest of men, he induces Anthony to enter with him into +a spectral basilica, wherein are assembled all the Heresiarchs of +the third century. The hermit is confounded by the multitude of +tenets,—horrified by the blasphemies and abominations of Elkes, +Corpocrates, Valentinus, Manes, Cerdo,—disgusted by the perversions of +the Paternians, Marcosians, Montanists, Serptians,—bewildered by the +apocryphal Gospels of Eve and of Judas, of the Lord, and of Thomas.</p> + +<p>And Hilarion grows taller.</p> + +<p><span class="pagenum"><a name="Page_xxvii" id="Page_xxvii">[Pg xxvii]</a></span></p> + + +<h5>THE MARTYRS</h5> + +<p>Anthony finds himself in the dungeons of a vast amphitheatre, among +Christians condemned to the wild beasts. By this hallucination the +tempter would prove to the Saint that martyrdom is not always suffered +for purest motives. Anthony finds the martyrs possessed by bigotry and +insincerity. He sees many compelled to die against their will; many +who would forswear their faith could it avail them aught. He beholds +heretics die for their heterodoxy more nobly than orthodox believers.</p> + +<p>And he finds himself transported to the tombs of the martyrs. He +witnesses the meetings of Christian women at the sepulchres. He beholds +the touching ceremonies of prayer, change into orgies,—lamentations +give place to amorous dalliance.</p> + + + +<h5>THE MAGICIANS</h5> + + +<p>Then the Tempter seeks to shake Anthony's faith in the excellence +and evidence of miracles. He assumes the form of a Hindoo<span class="pagenum"><a name="Page_xxviii" id="Page_xxviii">[Pg xxviii]</a></span> Brahmin, +terminating a life of wondrous holiness by self-cremation;—he appears +as Simon Magus and Helen of Tyre,—as Appollonius of Tyans, greatest of +all thaumaturgists, who claims superiority to Christ. All the marvels +related by Philostratus are embodied in the converse of Apollonius and +Damis.</p> + + + +<h5>THE GODS</h5> + + +<p>Hilarion reappears taller than ever, growing more gigantic in +proportion to the increasing weakness of the Saint. Standing beside +Anthony he evokes all the deities of the antique world. They defile +before him in a marvellous panorama:—Gods of Egypt and India, Chaldea +and Hellas, Babylon and Ultima Thule,—monstrous and multiform, phallic +and ithyphallic, fantastic or obscene. Some intoxicate by their beauty; +others appall by their foulness. The Buddha recounts the story of his +wondrous life; Venus displays the rounded daintiness of her nudity; +Isis utters awful soliloquy. Lastly the phantom of Jehovah appears, as +the shadow of a god passing away forever.</p> + +<p>Suddenly the stature of Hilarion towers to<span class="pagenum"><a name="Page_xxix" id="Page_xxix">[Pg xxix]</a></span> the stars; he assumes the +likeness and luminosity of Lucifer; he announces himself as</p> + + + +<h5>SCIENCE</h5> + + +<p>And Anthony is lifted upon mighty wings and borne away beyond the +world, above the solar system, above the starry arch of the Milky Way. +All future discoveries of Astronomy are revealed to him. He is tempted +by the revelation of innumerable worlds,—by the refutation of all +his previous ideas of the nature of the Universe,—by the enigmas of +infinity,—by all the marvels that conflict with faith. Even in the +night of immensity the demon renews the temptation of reason: Anthony +wavers upon the verge of pantheism.</p> + + + +<h5>LUST AND DEATH</h5> + + +<p>Anthony abandoned by the spirit of Science comes to himself in the +desert. Then the Tempter returns under a two-fold aspect: as the +Spirit of Lust and the Spirit of Destruction. The latter urges him to +suicide,—the former to indulgence of sense. They inspire him with +strong fancies of palingenesis, of<span class="pagenum"><a name="Page_xxx" id="Page_xxx">[Pg xxx]</a></span> the illusion of death, of the +continuity of life. The pantheistic temptation intensified.</p> + + + +<h5>THE MONSTERS</h5> + + +<p>Anthony in reveries meditates upon the monstrous symbols painted upon +the walls of certain ancient temples. Could he know their meaning +he might learn also something of the secret lien between Matter and +Thought. Forthwith a phantasmagoria of monsters commence to pass before +his eyes:—the Sphinx and the Chimera, the Blemmyes and Astomi, the +Cynocephali and all creatures of mythologie creation. He beholds the +fabulous beings of Oriental imagining,—the abnormities described +by Pliny and Herodotus, the fantasticalities to be later adopted by +heraldry,—the grotesqueries of future medieval illumination made +animate;—the goblinries and foulnesses of superstitious fancy,—the +Witches' Sabbath of abominations.</p> + + + +<h5>METAMORPHOSIS</h5> + + +<p>The multitude of monsters melts away; the land changes into an Ocean; +the creatures of the briny abysses appear. And the waters in<span class="pagenum"><a name="Page_xxxi" id="Page_xxxi">[Pg xxxi]</a></span> turn +also change; seaweeds are transformed to herbs, forests of coral +give place to forests of trees, polypous life changes to vegetation. +Metals crystallize; frosts effloresce; plants become living things, +inanimate matter takes animate form, monads vibrate, the pantheism of +nature makes itself manifest. Anthony feels a delirious desire to unite +himself with the Spirit of Universal Being....</p> + +<p>The vision vanishes. The sun arises. The face of Christ is revealed. +The temptation has passed; Anthony kneels in prayer.</p> + +<p style="margin-left: 80%; font-size: 0.8em;">L. H.</p> + +<hr class="chap" /> + +<p><span class="pagenum"><a name="Page_xxxii" id="Page_xxxii">[Pg xxxii]</a><br /><a name="Page_xxxiii" id="Page_xxxiii">[Pg xxxiii]</a><br /><a name="Page_xxxiv" id="Page_xxxiv">[Pg xxxiv]</a><br /><a name="Page_1" id="Page_1">[Pg 1]</a></span></p> + + + + +<h3><a name="THE_TEMPTATION_OF_ST_ANTHONY" id="THE_TEMPTATION_OF_ST_ANTHONY">THE TEMPTATION OF ST. ANTHONY</a></h3> +<hr class="chap" /> + + +<h4><a id="I"></a>I</h4> + + +<p><i>It is in the Thebaid at the summit of a mountain, upon a platform, +rounded off into the form of a demilune, and enclosed by huge stones.</i></p> + +<p><i>The Hermit's cabin appears in the background. It is built of mud and +reeds, it is flat-roofed and doorless. A pitcher and a loaf of black +bread can be distinguished within also, in the middle of the apartment +a large book resting on a wooden stela; while here and there, fragments +of basketwork, two or three mats, a basket, and a knife lie upon the +ground.</i></p> + +<p><i>Some ten paces from the hut, there is a long cross planted in the +soil; and, at the other end of the platform, an aged and twisted<span class="pagenum"><a name="Page_2" id="Page_2">[Pg 2]</a></span> +palm tree leans over the abyss; for the sides of the mountain are +perpendicular, and the Nile appears to form a lake at the foot of the +cliff.</i></p> + +<p><i>The view to right and left is broken by the barrier of rocks. But +on the desert-side, like a vast succession of sandy beaches, immense +undulations of an ashen-blonde color extend one behind the other, +rising higher as they recede; and far in the distance, beyond the +sands, the Libyan chain forms a chalk-colored wall, lightly shaded by +violet mists. On the opposite side the sun is sinking. In the north the +sky is of a pearl-gray tint, while at the zenith purple clouds disposed +like the tufts of a gigantic mane, lengthen themselves against the blue +vault. These streaks of flame take darker tones; the azure spots turn +to a nacreous pallor; the shrubs, the pebbles, the earth, all now seem +hard as bronze; and throughout space there floats a golden dust so fine +as to become confounded with the vibrations of the light.</i></p> + +<p><i>Saint Anthony, who has a long beard, long hair, and wears a tunic of +goatskin, is seated on the ground cross-legged, and is occupied in +weaving mats. As soon as the sun disappears,<span class="pagenum"><a name="Page_3" id="Page_3">[Pg 3]</a></span> he utters a deep sigh, +and, gazing upon the horizon, exclaims</i>:—</p> + +<p>"Another day! another day gone! Nevertheless formerly I used not to +be so wretched. Before the end of the night I commenced my orisons; +then I descended to the river to get water, and remounted the rugged +pathway with the skin upon my shoulder, singing hymns on the way. Then +I would amuse myself by arranging everything in my hut. I would make my +tools; I tried to make all my mats exactly equal in size, and all my +baskets light; for then my least actions seemed to me duties in nowise +difficult or painful of accomplishment.</p> + +<p>"Then at regular hours I ceased working; and when I prayed with my arms +extended, I felt as though a fountain of mercy were pouring from the +height of heaven into my heart. That fountain is now dried up. Why?"</p> + +<p>(<i>He walks up and down slowly, within the circuit of the rocks.</i>)</p> + +<p>"All blamed me when I left the house. My mother sank to the ground, +dying; my sister from afar off made signs to me to return; and the +other—wept, Ammonaria, the child<span class="pagenum"><a name="Page_4" id="Page_4">[Pg 4]</a></span> whom I used to meet every evening +at the cistern, when she took the oxen to drink. She ran after me. Her +foot rings glittered in the dust; and her tunic, open at the hips, +fluttered loosely in the wind. The aged anchorite who was leading me +away called her vile names. Our two camels galloped forward without +respite; and I have seen none of my people since that day.</p> + +<p>"At first, I selected for my dwelling place, the tomb of a Pharaoh. But +an enchantment circulates through all those subterranean palaces, where +the darkness seems to have been thickened by the ancient smoke of the +aromatics. From the depths of Sarcophagi, I heard doleful voices arise, +and call my name; or else, I suddenly beheld the abominable things +painted upon the walls live and move; and I fled away to the shore +of the Red Sea, and took refuge in a ruined citadel. There my only +companions were the scorpions dragging themselves among the stones, and +the eagles continually wheeling above my head, in the blue of heaven. +At night I was torn by claws, bitten by beaks; soft wings brushed +against me; and frightful demons, shrieking in my ears, flung me upon +the<span class="pagenum"><a name="Page_5" id="Page_5">[Pg 5]</a></span> ground. Once I was even rescued by the people of a caravan going +to Alexandria; and they took me away with them.</p> + +<p>"Then I sought to obtain instruction from the good old man Didymus. +Although blind, none equalled him in the knowledge of the Scriptures. +When the lesson was finished, he used to ask me to give him my arm +to lean upon, that we might walk together. Then I would conduct him +to the Paneum, whence may be seen the Pharos and the open sea. Then +we would return by way of the post, elbowing men of all nations, +even Cimmerians clad in the skins of bears and Gymnosophists of the +Ganges anointed with cow-dung. But there was always some fighting in +the streets—either on account of the Jews refusing to pay taxes, or +of seditious people who wished to drive the Romans from the city. +Moreover, the city is full of heretics—followers of Manes; Valentinus, +Basilides, Arius—all seeking to engross my attention in order to argue +with me and to convince me.</p> + +<p>"Their discourses often come back to my memory. Vainly do I seek to +banish them from my mind. They trouble me!</p> + +<p><span class="pagenum"><a name="Page_6" id="Page_6">[Pg 6]</a></span></p> + +<p>"I took refuge at Colzin, and there lived a life of such penance that +I ceased to fear God. A few men, desirous of becoming anchorites, +gathered about me. I imposed a practical rule of life upon them, +hating, as I did, the extravagance of Gnosus and the assertions of the +philosophers. Messages were sent to me from all parts, and men came +from afar off to visit me.</p> + +<p>"Meanwhile the people were torturing the confessors; and the thirst of +martyrdom drew me to Alexandria. The persecution had ceased three days +before I arrived there!</p> + +<p>"While returning thence, I was stopped by a great crowd assembled +before the temple of Serapis. They told me it was a last example which +the Governor had resolved to make. In the centre of the portico, under +the sunlight, a naked woman was fettered to a column, and two soldiers +were flogging her with thongs; at every blow her whole body writhed. +She turned round, her mouth open; and over the heads of the crowd, +through the long hair half hiding her face, I thought that I could +recognize Ammonaria....</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon201"></a> +<img src="images/redon2_01.jpg" width="600" alt="" /> +<div class="caption"><p>... through the long hair half hiding her face, +I thought that I could recognize Ammonaria ...</p></div> +</div> + +<p><span class="pagenum"><a name="Page_7" id="Page_7">[Pg 7]</a></span></p> + +<p class="p2">"Nevertheless ... this one was taller ... and beautiful ... +prodigiously beautiful!"</p> + +<p>(<i>He passes his hands over his forehead.</i>)</p> + +<p>"No! no! I must not think of it!</p> + +<p>"Another time Athanasius summoned me to assist him against the Arians. +The contest was limited to invectives and laughter. But since that +time he has been calumniated, dispossessed of his see, obliged to fly +for safety elsewhere. Where is he now? I do not know! The people give +themselves very little trouble to bring me news. All my disciples have +abandoned me—Hilarion like the rest.</p> + +<p>"He was perhaps fifteen years of age when he first came to me and his +intelligence was so remarkable that he asked me questions incessantly. +Then he used to listen to me with a pensive air, and whatever I needed +he brought it to me without a murmur—nimbler than a kid, merry enough +to make even the patriarchs laugh. He was a son to me."</p> + +<p>(<i>The sky is red; the earth completely black. Long drifts of sand +follow the course of the gusts of wind, rising like great shrouds and +falling again. Suddenly against a bright space in the sky a flock of +birds pass, forming<span class="pagenum"><a name="Page_8" id="Page_8">[Pg 8]</a></span> a triangular battalion, gleaming like one sheet of +metal, of which the edges alone seem to quiver.</i></p> + +<p><i>Anthony watches them.</i>)</p> + +<p>"Ah, how I should like to follow them.</p> + +<p>"How often also have I enviously gazed upon those long vessels, +whose sails resemble wings—and above all when they were bearing +far away those I had received at my hermitage! What pleasant hours +we passed!—what out-pourings of feeling! No one ever interested me +more than Ammon: he told me of his voyage to Rome, of the Catacombs, +the Coliseum, the piety of illustrious women, and a thousand other +things!—and it grieved me to part with him! Wherefore my obstinacy +in continuing to live such a life as this? I would have done well to +remain with the monks of Nitria, inasmuch as they supplicated me to +do so. They have cells apart, and nevertheless communicate with each +other. On Sundays a trumpet summons them to assemble at the church, +where one may see three scourges hanging up, which serve to punish +delinquents, robbers, and intruders; for their discipline is severe.</p> + +<p>"Nevertheless they are not without some<span class="pagenum"><a name="Page_9" id="Page_9">[Pg 9]</a></span> enjoyments. The faithful bring +them eggs, fruits, and even instruments with which they can extract +thorns from their feet. There are vineyards about Prisperi; those +dwelling at Pabena have a raft on which they may journey when they go +to seek provisions.</p> + +<p>"But I might have served my brethren better as a simple priest. As a +priest one may aid the poor, administer the sacraments, and exercise +authority over families.</p> + +<p>"Furthermore, all laics are not necessarily damned, and it only +depended upon my own choice to become—for example—a grammarian, a +philosopher. I would then have had in my chamber a sphere of reeds, +and tablets always ready at hand, young men around me, and a wreath of +laurel suspended above my door, as a sign.</p> + +<p>"But there is too much pride in triumphs such as those. A soldier's +life would have been preferable. I was robust and bold: bold enough to +fasten the cables of the military machines—to traverse dark forests, +or to enter, armed and helmeted, into smoking cities.... Neither was +there anything to have prevented me from purchasing with my money the +position of publican at the toll-office<span class="pagenum"><a name="Page_10" id="Page_10">[Pg 10]</a></span> of some bridge; and travellers +would have taught me many strange things, and told me strange stories, +the while showing me many curious objects packed up among their +baggage....</p> + +<p>"The merchants of Alexandria sail upon the river Canopus on holidays, +and drink wine in the chalices of lotus-flowers, to a music of +tambourines which makes the taverns along the shore tremble! Beyond, +trees, made cone-shaped by pruning, protect the quiet farms against +the wind of the south. The roof of the lofty house leans upon thin +colonettes placed as closely together as the laths of a lattice; +and through their interspaces the master, reclining upon his long +couch, beholds his plains stretching about him—the hunter among the +wheat-fields—the winepress where the vintage is being converted into +wine, the oxen treading out the wheat. His children play upon the floor +around him; his wife bends down to kiss him."</p> + +<p>(<i>Against the grey dimness of the twilight, here and there appear +pointed muzzles, with straight, pointed ears and bright eyes. Anthony +advances toward them. There is a<span class="pagenum"><a name="Page_11" id="Page_11">[Pg 11]</a></span> sound of gravel crumbling down; the +animals take flight. It was a troop of jackals.</i></p> + +<p><i>One still remains, rising upon his hinder legs, with his body half +arched and head raised in an attitude full of defiance.</i>)</p> + +<p>"How pretty he is! I would like to stroke his back gently!"</p> + +<p>(<i>Anthony whistles to coax him to approach. The jackal disappears.</i>)</p> + +<p>"Ah! he is off to join the others. What solitude! what weariness!" +(<i>Laughing bitterly.</i>)</p> + +<p>"A happy life this indeed!—bending palm-branches in the fire to make +shepherds' crooks, fashioning baskets, stitching mats together—and +then exchanging these things with the Nomads for bread which breaks +one's teeth! Ah! woe, woe is me! will this never end? Surely death were +preferable! I can endure it no more! Enough! enough!"</p> + +<p>(<i>He stamps his foot upon the ground, and rushes frantically to and fro +among the rocks; then pauses, out of breath, bursts into tears, and +lies down upon the ground, on his side.</i></p> + +<p><i>The night is calm; multitudes of stars are palpitating; only the +crackling noise made by the tarantulas is audible.</i></p> + +<p><span class="pagenum"><a name="Page_12" id="Page_12">[Pg 12]</a></span></p> + +<p><i>The two arms of the cross make a shadow upon the sand; Anthony, who is +weeping, observes it.</i>)</p> + +<p>"Am I, then, so weak, O my God! Courage, let me rise from here!"</p> + +<p>(<i>He enters his hut, turns over a pile of cinders, finds a live ember, +lights his torch and fixes it upon the wooden desk, so as to throw a +light upon the great book.</i>)</p> + +<p>"Suppose I take the Acts of the Apostles?—yes!—no matter where!"</p> + +<p><i>'And he saw the heaven opened, and a certain vessel descending, as it +were a great linen sheet let down by the four corners from heaven to +the earth—wherein were all manner of four-footed beasts, and creeping +things of the earth and fowls of the air. And there came a voice to +him: Arise, Peter! Kill and eat!'</i><a name="FNanchor_1_1" id="FNanchor_1_1"></a><a href="#Footnote_1_1" class="fnanchor">[1]</a></p> + +<p>"Then the Lord desired that his apostle should eat of all things?... +while I...."</p> + +<p>(<i>Anthony remains thoughtful, his chin resting against his breast. The +rustling of the pages, agitated by the wind, causes him to lift his +head again; and he reads</i>:)</p> + +<p><span class="pagenum"><a name="Page_13" id="Page_13">[Pg 13]</a></span></p> + +<p><i>'So the Jews made a great slaughter of their enemies with the sword, +and killed them, repaying according to what they had prepared to do to +them....</i><a name="FNanchor_2_2" id="FNanchor_2_2"></a><a href="#Footnote_2_2" class="fnanchor">[2]</a></p> + +<p>"Then, comes the number of people slain by them—seventy-five thousand. +They had suffered so much! Moreover, their enemies were the enemies of +the true God. And how they must have delighted in avenging themselves +thus by the massacre of idolaters! Doubtless the city must have been +crammed with the dead! There must have been corpses at the thresholds +of the garden gates, upon the stairways, in all the chambers, and piled +up so high that the doors could no longer move upon their hinges!... +But lo! here I am permitting my mind to dwell upon ideas of murder and +of blood!..."</p> + +<p>(<i>He opens the book at another place.</i>)</p> + +<p><i>'Then King Nabuchodonosor fell on his face, and worshipped +Daniel....</i>'<a name="FNanchor_3_3" id="FNanchor_3_3"></a><a href="#Footnote_3_3" class="fnanchor">[3]</a></p> + +<p>"Ah! that was just! The <i>Most High</i> exalts his prophets above Kings; +yet that monarch spent his life in banqueting, perpetually drunk with +pleasure and pride. But God, to<span class="pagenum"><a name="Page_14" id="Page_14">[Pg 14]</a></span> punish him, changed him into a beast! +He walked upon four feet!"</p> + +<p>(<i>Anthony begins to laugh; and in extending his arms, involuntarily +disarranges the leaves of the book with the tips of his fingers. His +eyes fell upon this phrase</i>:—)</p> + +<p><i>'And Ezechias rejoiced at their coming, and he showed them the house +of his aromatical spices, and the gold and the silver, and divers +precious odours and ointments, and the house of his vessels, and all +that he had in his treasures....'</i><a name="FNanchor_4_4" id="FNanchor_4_4"></a><a href="#Footnote_4_4" class="fnanchor">[4]</a></p> + +<p>"I can imagine that spectacle; they must have beheld precious stones, +diamonds and darics heaped up to the very roof. One who possesses so +vast an accumulation of wealth is no longer like other men. While +handling his riches he knows that he controls the total result of +innumerable human efforts—as it were the life of nations drained by +him and stored up, which he can pour forth at will. It is a commendable +precaution on the part of Kings. Even the <i>Wisest</i> of all did not +neglect it. His navy brought him elephants' teeth and apes.... Where is +that passage?"</p> + +<p><span class="pagenum"><a name="Page_15" id="Page_15">[Pg 15]</a></span></p> + +<p>(<i>He turns the leaves over rapidly.</i>)</p> + +<p>"Ah! here it is:"</p> + +<p><i>'And the Queen of Saba, having heard of the fame of Solomon in the +name of the Lord, came to try him with hard questions.'</i><a name="FNanchor_5_5" id="FNanchor_5_5"></a><a href="#Footnote_5_5" class="fnanchor">[5]</a></p> + +<p>"How did she hope to tempt him? The <i>Devil</i> indeed sought to tempt +Jesus! But Jesus triumphed because he was God; and Solomon, perhaps, +owing this knowledge of magic! It is sublime—that science! For the +world—as a philosopher once explained it to me, forms a whole, of +which all parts mutually influence one another, like the organs of one +body. It is science which enables us to know the natural loves and +natural repulsions of all things, and to play upon them?... Therefore, +it is really possible to modify what appears to be the immutable order +of the universe?"</p> + +<p>(<i>Then the two shadows formed behind him by the arms of the cross, +suddenly lengthen and project themselves before him. They assume the +form of two great horns. Anthony cries out</i>:—)</p> + +<p>"Help me! O my God!"</p> + +<p><span class="pagenum"><a name="Page_16" id="Page_16">[Pg 16]</a></span></p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon02"></a> +<img src="images/redon_02.jpg" width="600" alt="" /> +<div class="caption"><p>Saint Anthony: Help me, O my God!</p></div> +</div> + +<p class="p2">(<i>The shadows shrink back to their former place.</i>)</p> + +<p>"Ah!... it was an illusion ... nothing more. It is needless for me to +torment my mind further! I can do nothing!—absolutely nothing."</p> + +<p>(<i>He sits down and folds his arms.</i>)</p> + +<p>"Nevertheless ... it seems to me that I felt the approach of.... But +why should <i>He</i> come? Besides, do I not know all his artifices? I +repulsed the monstrous anchorite who laughingly offered me little +loaves of warm, fresh bread, the centaur who sought to carry me away +upon his croup, and that black child who appeared to me in the midst of +the sands, who was very beautiful, and who told me that he was called +the Spirit of Lust!"</p> + +<p>(<i>Anthony rises and walks rapidly up and down, first to the right, then +to the left.</i>)</p> + +<p>"It was by my order that this multitude of holy retreats was +constructed—full of monks all wearing sackcloth of camel's hair +beneath their garments of goatskin, and numerous enough to form an +army. I have cured the sick from afar off; I have cast out demons; +I have passed the river in the midst of crocodiles;<span class="pagenum"><a name="Page_17" id="Page_17">[Pg 17]</a></span> the Emperor +Constantine wrote me throe letters; Balacius, who had spat upon mine, +was torn to pieces by his own horses; when I reappeared the people of +Alexandria fought for the pleasure of seeing me, and Athanasius himself +escorted me on the way back. But what works have I not accomplished +Lo! for these thirty years and more I have been dwelling and groaning +unceasingly in the desert! Like Eusebius, I have carried thirty-eight +pounds of bronze upon my loins; like Macarius, I have exposed my body +to the stings of insects; like Pacomus, I have passed fifty-three +nights without closing my eyes; and those who are decapitated, tortured +with red hot pincers, or burned alive, are perhaps less meritorious +than I, seeing that my whole life is but one prolonged martyrdom." +(<i>Anthony slackens his pace.</i>)</p> + +<p>"Assuredly there is no human being in a condition of such unutterable +misery! Charitable hearts are becoming scarcer. I no longer receive +aught from any one. My mantle is worn out. I have no sandals—I have +not even a porringer!—for I have distributed all I possessed to the +poor and to my family, without retaining so much as one obolus. Yet<span class="pagenum"><a name="Page_18" id="Page_18">[Pg 18]</a></span> +surely I ought to have a little money to obtain the tools indispensable +to my work? Oh, not much! a very small sum.... I would be very saving +of it....</p> + +<p>"The fathers of Nicæa, clad in purple robes, sat like magi, upon +thrones ranged along the walls; and they were entertained at a great +banquet and overwhelmed with honours, especially Paphnutius, because he +is one-eyed and lame, since the persecution of Diocletian! The Emperor +kissed his blind eye several times; what foolishness! Besides, there +were such infamous men members of that Council! A bishop of Scythia, +Theophilus! another of Persia, John! a keeper of beasts, Spiridion! +Alexander was too old. Athanasius ought to have shown more gentleness +towards the Arians, so as to have obtained concessions from them.</p> + +<p>"Yet would they have made any? They would not hear me! The one who +spoke against me—a tall young man with a curly beard—uttered the +most captious objections to my argument; and while I was seeking words +to express my views they all stared at me with their wicked faces, +and barked like hyenas. Ah! why cannot I have them all exiled<span class="pagenum"><a name="Page_19" id="Page_19">[Pg 19]</a></span> by the +Emperor! or rather have them beaten, crushed, and see them suffer! I +suffer enough myself."</p> + +<p>(<i>He leans against his cabin in a fainting condition.</i>)</p> + +<p>"It is because I have fasted too long; my strength is leaving me. If I +could eat—only once more—a piece of meat." (<i>He half closes his eyes +with languor.</i>)</p> + +<p>"Ah! some red flesh—a bunch of grapes to bite into ... curdled milk +that trembles on a plate!...</p> + +<p>"But what has come upon me? What is the matter with me? I feel my heart +enlarging like the sea, when it swells before the storm. An unspeakable +feebleness weighs down upon me, and the warm air seems to waft me +the perfume of a woman's hair. No woman has approached this place; +nevertheless?—"</p> + +<p>(<i>He gazes toward the little pathway between the rocks.</i>)</p> + +<p>"That is the path by which they come, rocked in their litters by the +black arms of the eunuchs. They descend and joining their hands, +heavy with rings, kneel down before me. They relate to me all their +troubles.<span class="pagenum"><a name="Page_20" id="Page_20">[Pg 20]</a></span> The desire of human pleasure tortures them; they would +gladly die; they have seen in their dreams God calling to them ... and +all the while the hems of their robes fall upon my feet. I repel them +from me. 'Ah! no!' they cry, 'not yet! What shall I do?' They gladly +accept any penitence I impose on them. They ask for the hardest of all; +they beg to share mine and to live with me.</p> + +<p>"It is now a long time since I have seen any of them! Perhaps some of +them will come! why not? If I could only hear again, all of a sudden, +the tinkling of mule-bells among the mountains. It seems to me...."</p> + +<p>(<i>Anthony clambers upon a rock at the entrance of the pathway, and +leans over, darting his eyes into the darkness.</i>)</p> + +<p>"Yes! over there, far off I see a mass moving, like a band of +travellers seeking the way. <i>She</i> is there!... They are making a +mistake." (<i>Calling.</i>)</p> + +<p>"This way! Come! Come!"</p> + +<p>(<i>Echo repeats: Come! Come! he lets his arms fall, stupefied.</i>)</p> + +<p>"What shame for me! Alas! poor Anthony."</p> + +<p><span class="pagenum"><a name="Page_21" id="Page_21">[Pg 21]</a></span></p> + +<p>(<i>And all of a sudden he hears a whisper:—"Poor Anthony"!</i>)</p> + +<p>"Who is there? Speak!"</p> + +<p>(<i>The wind passing through the intervals between the rocks, makes +modulations; and in those confused sonorities he distinguishes Voices, +as though the air itself were speaking. They are low, insinuating, +hissing.</i>)</p> + +<p><i>The First</i>: "Dost thou desire women?"</p> + +<p><i>The Second</i>: "Great heaps of money, rather!"</p> + +<p><i>The Third</i>: "A glittering sword?" (<i>and</i>)</p> + +<p><i>The Others</i>: "All the people admire thee! Sleep!"</p> + +<p>"Thou shalt slay them all, aye, thou shalt slay them!"</p> + +<p>(<i>At the same moment objects become transformed. At the edge of the +cliff, the old palm tree with its tuft of yellow leaves, changes into +the torso of a woman leaning over the abyss, her long hair waving in +the wind.</i></p> + +<p><i>Anthony turns toward his cabin; and the stool supporting the great book +whose pages are covered with black letters, seems to him changed into a +bush all covered with nightingales.</i>)</p> + +<p><span class="pagenum"><a name="Page_22" id="Page_22">[Pg 22]</a></span></p> + +<p>"It must be the torch which is making this strange play of light.... +Let us put it out!"</p> + +<p>(<i>He extinguishes it; the obscurity becomes deeper, the darkness +profound.</i></p> + +<p><i>And suddenly in the air above there appear and disappear +successively—first, a stretch of water; then the figure of a +prostitute; the corner of a temple, a soldier; a chariot with two white +horses, prancing.</i></p> + +<p><i>These images appear suddenly, as in flashes—outlined against the +background of the night, like scarlet paintings executed upon ebony.</i></p> + +<p><i>Their motion accelerates. They defile by with vertiginous rapidity. +Sometimes again, they pause and gradually pale and melt away; or else +float off out of sight, to be immediately succeeded by others.</i></p> + +<p><i>Anthony closes his eyelids.</i></p> + +<p><i>They multiply, surround him, besiege him. An unspeakable fear takes +possession of him; and he feels nothing more of living sensation, save +a burning contraction of the epigastrium. In spite of the tumult in +his brain, he is aware of an enormous silence which separates him from +the world. He tries to speak;—impossible!<span class="pagenum"><a name="Page_23" id="Page_23">[Pg 23]</a></span> He feels as though all the +bands of his life were breaking and dissolving;—and, no longer able to +resist, Anthony falls prostrate upon his mat.</i>)</p> +<hr class="r5" /> + +<div class="footnote"> + +<p><a name="Footnote_1_1" id="Footnote_1_1"></a><a href="#FNanchor_1_1"><span class="label">[1]</span></a> Acts X: 11-13—T.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_2_2" id="Footnote_2_2"></a><a href="#FNanchor_2_2"><span class="label">[2]</span></a> Esther IX: 5—T.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_3_3" id="Footnote_3_3"></a><a href="#FNanchor_3_3"><span class="label">[3]</span></a> Daniel II: 46.—T.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_4_4" id="Footnote_4_4"></a><a href="#FNanchor_4_4"><span class="label">[4]</span></a> Kings XX: 13 (Vulg.).—T.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_5_5" id="Footnote_5_5"></a><a href="#FNanchor_5_5"><span class="label">[5]</span></a> III Kings X: I (Vulg.).—T.</p> + +<hr class="chap" /> + +<p><span class="pagenum"><a name="Page_24" id="Page_24">[Pg 24]</a></span></p></div> + + + + +<h4><a name="II" id="II">II</a></h4> + + +<p>(<i>Then a great shadow, subtler than any natural shadow, and festooned +by other shadows along its edges, defines itself upon the ground.</i></p> + +<p><i>It is the Devil, leaning upon the roof of the hut, and bearing beneath +his wings—like some gigantic bat suckling its little ones—the Seven +Deadly Sins, whose grimacing heads are dimly distinguishable.</i></p> + +<p><i>With eyes still closed, Anthony yields to the pleasure of inaction; +and stretches his limbs upon the mat.</i></p> + +<p><i>It seems to him quite soft, and yet softer—so that it becomes as if +padded; it rises up; it becomes a bed. The bed becomes a shallop; water +laps against its sides.</i></p> + +<p><i>To right and left rise two long tongues of land, overlooking low +cultivated plains, with a sycamore tree here and there. In the distance +there is a tinkling of bells, a sound of drums and of singers. It is a +party going to<span class="pagenum"><a name="Page_25" id="Page_25">[Pg 25]</a></span> Canopus to sleep upon the temple of Serapis, in order +to have dreams. Anthony knows this; and impelled by the wind, his boat +glides along between the banks. Papyrus-leaves and the red flowers of +the nymphæa, larger than the body of a man, bend over him. He is lying +at the bottom of the boat; one oar at the stem, drags in the water. +From time to time, a lukewarm wind blows; and the slender reeds rub one +against the other, and rustle. Then the sobbing of the wavelets becomes +indistinct. A heavy drowsiness falls upon him. He dreams that he is a +Solitary of Egypt.</i></p> + +<p><i>Then he awakes with a start.</i>)</p> + +<p>"Did I dream? It was all so vivid that I can scarcely believe I was +dreaming! My tongue burns. I am thirsty."</p> + +<p>(<i>He enters the cabin, and gropes at random in the dark.</i>)</p> + +<p>"The ground is wet; can it have been raining? What can this mean! My +pitcher is broken into atoms! But the goatskin?" (<i>He finds it.</i>)</p> + +<p>"Empty!—completely empty! In order to get down to the river, I should +have to walk for at least three hours; and the night is so dark that I +could not see my way.</p> + +<p><span class="pagenum"><a name="Page_26" id="Page_26">[Pg 26]</a></span></p> + +<p>"There is a gnawing in my entrails. Where is the bread!"</p> + +<p>(<i>After long searching, he picks up a crust not so large as an egg.</i>)</p> + +<p>"What? Have the jackals taken it? Ah! malediction!"</p> + +<p>(<i>And he flings the bread upon the ground with fury.</i></p> + +<p><i>No sooner has the action occurred than a table makes its appearance, +covered with all things that are good to eat.</i></p> + +<p><i>The byssus cloth, striated like the bandelets of the sphinx, produces +of itself luminous undulations. Upon it are enormous quarters of red +meats; huge fish; birds cooked in their plumage, and quadrupeds in +their skins; fruits with colors and tints almost human in appearance; +while fragments of cooling ice, and flagons of violet crystal reflect +each other's glittering. Anthony notices in the middle of the table +a boar smoking at every pore—with legs doubled up under its belly, +and eyes half closed—and the idea of being able to eat so formidable +an animal greatly delights him. Then many things appear which he has +never seen before—black hashes, jellies, the color of gold, ragouts in +which<span class="pagenum"><a name="Page_27" id="Page_27">[Pg 27]</a></span> mushrooms float like nenuphars upon ponds, dishes of whipt cream +light as clouds.</i></p> + +<p><i>And the aroma of all this comes to him together with the salt smell of +the ocean, the coolness of mountains, the great perfumes of the woods. +He dilates his nostrils to their fullest extent; his mouth waters; he +thinks to himself that he has enough before him for a year, for ten +years, for his whole life!</i></p> + +<p><i>As he gazes with widely-opened eyes at all these viands, others +appear; they accumulate, forming a pyramid crumbling at all its angles. +The wines begin to flow over—the fish palpitate—the blood seethes in +the dishes—the pulp of the fruit protrudes like amorous lips—and the +table rises as high as his breast, up to his very chin at last—now +bearing only one plate and a single loaf of bread, placed exactly in +front of him.</i></p> + +<p><i>He extends his hand to seize the loaf. Other loaves immediately +present themselves to his grasp.</i>)</p> + +<p>"For me!... all these! But ..." (<i>Anthony suddenly draws back.</i>)</p> + +<p>"Instead of one which was there, lo! there are many! It must be a +miracle, then, the same as our Lord wrought!</p> + +<p><span class="pagenum"><a name="Page_28" id="Page_28">[Pg 28]</a></span></p> + +<p>"Yet for what purpose?... Ah! all the rest of these things are equally +incomprehensible! Demon, begone from me! depart! begone!"</p> + +<p>(<i>He kicks the table from him. It disappears.</i>)</p> + +<p>"Nothing more?—no!" (<i>He draws a lung breath.</i>)</p> + +<p>"Ah! the temptation was strong! But how well I delivered myself from +it!"</p> + +<p>(<i>He lifts his head, and at the same time stumbles over some sonorous +object.</i>)</p> + +<p>"Why! what can that be?" (<i>Anthony stoops down.</i>)</p> + +<p>"How! a cup! Some traveller must have lost it here. There is nothing +extraordinary...."</p> + +<p>(<i>He wets his finger, and rubs.</i>)</p> + +<p>"It glitters!—metal! Still, I cannot see very clearly...."</p> + +<p>(<i>He lights his torch, and examines the cup.</i>)</p> + +<p>"It is silver, ornamented with ovules about the rim, with a medal at +the bottom of it."</p> + +<p>(<i>He detaches the medal with his nail!</i>)</p> + +<p>"It is a piece of money worth about seven or eight drachmas—not more! +It matters<span class="pagenum"><a name="Page_29" id="Page_29">[Pg 29]</a></span> not! even with that I could easily buy myself a sheepskin."</p> + +<p>(<i>A sudden flash of the torch lights up the cup.</i>)</p> + +<p>"Impossible! gold? Yes, all gold, solid gold!"</p> + +<p>(<i>A still larger piece of money appears at the bottom. Under it he +perceives several others.</i>)</p> + +<p>"Why, this is a sum ... large enough to purchase three oxen ... and a +little field!"</p> + +<p>(<i>The cup is now filled with pieces of gold.</i>)</p> + +<p>"What! what!... a hundred slaves, soldiers, a host ... enough to +buy...."</p> + +<p>(<i>The granulations of the rim, detaching themselves form a necklace of +pearls.</i>)</p> + +<p>"With such a marvel of jewelry as that, one could win even the wife of +the Emperor!"</p> + +<p>(<i>By a sudden jerk, Anthony makes the necklace slip down over his +wrist. He holds the cup in his left hand, and with his right lifts +up the torch so as to throw the light upon it. As water streams +overflowing from the basin of a fountain, so diamonds, carbuncles, and +sapphires, all mingled with broad<span class="pagenum"><a name="Page_30" id="Page_30">[Pg 30]</a></span> pieces of gold bearing the effigies +of Kings, overflow from the cup in never ceasing streams, to form a +glittering hillock upon the sand.</i>)</p> + +<p>"What! how! Staters, cycles, dariacs, aryandics; Alexander, Demetrius, +the Ptolemies, Cæsar!—yet not one of them all possessed so much! +Nothing is now impossible! no more suffering for me! how these +gleams dazzle my eyes! Ah! my heart overflows! how delightful it is! +yes—yes!—more yet! never could there be enough! Vainly I might +continually fling it into the sea, there would always be plenty +remaining for me. Why should I lose any of it? I will keep all, and say +nothing to any one about it; I will have a chamber hollowed out for me +in the rock, and lined with plates of bronze, and I will come here from +time to time to feel the gold sinking down under the weight of my heel; +I will plunge my arms into it as into sacks of grain! I will rub my +face with it, I will lie down upon it!"</p> + +<p>(<i>He flings down the torch in order to embrace the glittering heap, and +falls flat upon the ground.</i></p> + +<p><i>He rises to his feet. The place is wholly empty.</i>)</p> + +<p><span class="pagenum"><a name="Page_31" id="Page_31">[Pg 31]</a></span></p> + +<p>"What have I done!</p> + +<p>"Had I died during those moments, I should have gone to hell—to +irrevocable damnation."</p> + +<p>(<i>He trembles in every limb.</i>)</p> + +<p>"Am I, then, accursed? Ah! no; it is my own fault! I allow myself +to be caught in every snare! No man could be more imbecile, more +infamous! I should like to beat myself, or rather to tear myself out +of my own body! I have restrained myself too long. I feel the want of +vengeance—the necessity of striking, of killing!—as though I had a +pack of wild beasts within me! Would that I could hew my way with an +axe, through the midst of a multitude.... Ah, a poniard!..."</p> + +<p>(<i>He perceives his knife, and rushes to seize it. The knife slips from +his hand; and Anthony remains leaning against the wall of his hut, with +wide-open mouth, motionless, cataleptic.</i></p> + +<p><i>Everything about him has disappeared.</i></p> + +<p><i>He thinks himself at Alexandria, upon the Paneum—an artificial +mountain in the centre of the city, encircled by a winding stairway.</i></p> + +<p><i>Before him lies Lake Mareolis; on his right hand is the sea, on his +left the country; and<span class="pagenum"><a name="Page_32" id="Page_32">[Pg 32]</a></span> immediately beneath him a vast confusion of +flat roofs, traversed from north to south and from east to west by +two streets which intercross, and which offer throughout their entire +length the spectacle of files of porticoes with Corinthian columns. The +houses overhanging this double colonnade have windows of stained glass. +Some of them support exteriorly enormous wooden cages, into which the +fresh air rushes from without.</i></p> + +<p><i>Monuments of various architecture tower up in close proximity. +Egyptian pylons dominate Greek temples. Obelisks appear like lances +above battlements of red brick. In the middle of public squares there +are figures of Hermes with pointed ears, and of Anubis with the head of +a dog. Anthony can distinguish the mosaic pavements of the courtyards, +and tapestries suspended from the beams of ceilings.</i></p> + +<p><i>He beholds at one glance, the two ports (the Great Port and the +Eunostus), both round as circuses, and separated by a mole connecting +Alexandria with the craggy island upon which the Pharos-tower +rises—quadrangular, five hundred cubits high, nine storied,<span class="pagenum"><a name="Page_33" id="Page_33">[Pg 33]</a></span> having at +its summit a smoking heap of black coals.</i></p> + +<p><i>Small interior ports open into the larger ones. The mole terminates at +each end in a bridge supported upon marble columns planted in the sea. +Sailing vessels pass beneath it, while heavy lighters overladen with +merchandise, thalamegii<a name="FNanchor_1_6" id="FNanchor_1_6"></a><a href="#Footnote_1_6" class="fnanchor">[1]</a> inlaid with ivory, gondolas covered with +awnings, triremes, biremes, and all sorts of vessels are moving to and +fro, or lie moored at the wharves.</i></p> + +<p><i>About the Great Port extends an unbroken array of royal construction: +the palace of the Ptolomies, the Museum, the Posidium, the Cæsareum, +the Timonium where Mark Anthony sought refuge, the Soma which contains +the tomb of Alexander; while at the other extremity of the city, beyond +the Eunostus, the great glass factories, perfume factories, and papyrus +factories may be perceived in a suburban quarter.</i></p> + +<p><i>Strolling peddlers, porters, ass-drivers run and jostle together. +Here and there one observes some priest of Isis wearing a panther skin +on his shoulders, a Roman soldier with<span class="pagenum"><a name="Page_34" id="Page_34">[Pg 34]</a></span> his bronze helmet, and many +negroes. At the thresholds of the shops women pause, artisans ply their +trades; and the grinding noise of chariot wheels puts to flight the +birds that devour the detritus of the butcher-shops and the morsels of +fish left upon the ground.</i></p> + +<p><i>The general outline of the streets seems like a black network flung +upon the white uniformity of the houses. The markets stocked with +herbs make green bouquets in the midst of it; the drying-yards of the +dyers, blotches of color; the golden ornaments of the temple-pediments, +luminous points—all comprised within the oval enclosure of the grey +ramparts, under the vault of the blue heaven, beside the motionless +sea.</i></p> + +<p><i>But suddenly the movement of the crowd ceases; all turn their +eyes toward the west, whence enormous whirlwinds of dust are seen +approaching.</i></p> + +<p><i>It is the coming of the monks of the Thebaid, all clad in goatskins, +armed with cudgels, roaring a canticle of battle and of faith with the +refrain</i>:</p> + +<p>"Where are they? Where are they?"</p> + +<p><i>Anthony understands that they are coming to kill the Arians.</i></p> + +<p><span class="pagenum"><a name="Page_35" id="Page_35">[Pg 35]</a></span></p> + +<p><i>The streets are suddenly emptied—only flying feet are visible.</i></p> + +<p><i>The Solitaries are now in the city. Their formidable cudgels, studded +with nails, whirl in the air like suns of steel. The crash of things +broken in the houses is heard. There are intervals of silence. Then +great screams arise.</i></p> + +<p><i>From one end of the street to the other there is a continual eddy of +terrified people.</i></p> + +<p><i>Many grasp pikes. Sometimes two bands meet, rush into one; and this +mass of men slips upon the pavement—fighting, disjointing, knocking +down. But the men with the long hair always reappear.</i></p> + +<p><i>Threads of smoke begin to escape from the corners of edifices! folding +doors burst open. Portions of walls crumble down. Architraves fall.</i></p> + +<p><i>Anthony finds all his enemies again, one after the other. He even +recognizes some whom he had altogether forgotten; before killing them +he outrages them. He disembowels—he severs throats—he fells as in +a slaughter house—he hales old men by the beard, crushes children, +smites the wounded. And vengeance is taken upon luxury, those<span class="pagenum"><a name="Page_36" id="Page_36">[Pg 36]</a></span> who +do not know how to read tear up hooks; others smash and deface the +statues, paintings, furniture, caskets,—a thousand dainty things +the use of which they do not know, and which simply for that reason +exasperates them. At intervals they pause, out of breath, in the work +of destruction; then they recommence.</i></p> + +<p><i>The inhabitants moan in the courtyards where they have sought refuge. +The women raise their tearful eyes and lift their naked arms to heaven. +In hope of moving the Solitaries they embrace their knees; the men cast +them off and fling them down, and the blood gushes to the ceilings, +falls back upon the walls like sheets of rain, streams from the trunks +of decapitated corpses, fills the aqueducts, forms huge red pools upon +the ground.</i></p> + +<p><i>Anthony is up to his knees in it. He wades in it; he sucks up the +blood-spray on his lips; he is thrilled with joy as he feels it upon +his limbs, under his hair-tunic which is soaked through with it.</i></p> + +<p><i>Night comes. The immense uproar dies away.</i></p> + +<p><i>The Solitaries have disappeared.</i></p> + +<p><i>Suddenly, upon the outer galleries corresponding<span class="pagenum"><a name="Page_37" id="Page_37">[Pg 37]</a></span> to each of the nine +stories of the Pharos, Anthony observes thick black lines forming, like +lines of crows perching. He hurries thither; and soon finds himself at +the summit.</i></p> + +<p><i>A huge mirror of brass turned toward the open sea, reflects the forms +of the vessels in the offing.</i></p> + +<p><i>Anthony amuses himself by watching them; and while he watches, their +number increases.</i></p> + +<p><i>They are grouped together within a gulf which has the form of a +crescent. Upon a promontory in the background, towers a new city of +Roman architecture, with cupolas of stone, conical roofs, gleams of +pink and blue marbles, and a profusion of brazen ornamentation applied +to the volutes of the capitals, to the angles of the cornices, to the +summits of the edifices. A cypress-wood overhangs the city. The line of +the sea is greener, the air colder. The mountains lining the horizon +are capped with snow.</i></p> + +<p><i>Anthony is trying to find his way, when a man approaches him, and +says</i>:</p> + +<p>"Come! they are waiting for you."</p> + +<p><i>He traverses a forum, enters a great court, stoops beneath a low +door; and he arrives before<span class="pagenum"><a name="Page_38" id="Page_38">[Pg 38]</a></span> the facade of the palace, decorated +with a group in wax, representing Constantine overcoming a dragon. +There is a porphyry basin, from the centre of which rises a golden +conch-shell full of nuts. His guide tells him that he may take some of +them. He does so. Then he is lost, as it were, in a long succession of +apartments.</i></p> + +<p><i>There are mosaics upon the walls representing generals presenting +the Emperor with conquered cities, which they hold out upon the +palms of their hands. And there are columns of basalt everywhere, +trellis-work in silver filigree, ivory chairs, tapestries embroidered +with pearls. The light falls from the vaults above; Anthony still +proceeds. Warm exhalations circulate about him; occasionally he hears +the discreet clapping sound of sandals upon the pavement. Posted in +the anti-chambers are guards, who resemble automata, holding wands of +vermillion upon their shoulders.</i></p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon03"></a> +<img src="images/redon_03.jpg" width="600" alt="" /> +<div class="caption"><p>And there are columns of basalt everywhere,... +The light falls from the vaults above</p></div> +</div> + +<p class="p2"><i>At last he finds himself in a great hall, with hyacinth-colored +curtains at the further end. They part, and display the Emperor seated +on a throne, clad in a violet tunic, and wearing red shoes striped with +bands of black.</i></p> + +<p><span class="pagenum"><a name="Page_39" id="Page_39">[Pg 39]</a></span></p> + +<p><i>A diadem of pearls surround his head; his locks are arranged +symmetrically in rouleaux. He has a straight nose, drooping eyelids, +a heavy and cunning physiognomy. At the four corners of the dais +stretched above his head are placed four golden doves; and at the foot +of the throne are two lions in enamel crouching. The doves begin to +sing, the lions to roar. The Emperor rolls his eyes; Anthony advances; +and forthwith, without preamble, they commence to converse about +recent events. In the cities of Antioch, Ephesus, and Alexandria, +the temples have been sacked, and the statues of the gods converted +into pots and cooking utensils; the Emperor laughs heartily about it. +Anthony reproaches him with his tolerance toward the Novations. But the +Emperor becomes vexed. Novations, Arians or Meletians—he is sick of +them all! Nevertheless, he admires the episcopate; for inasmuch as the +Christians maintain bishops, who depend for their position upon five or +six important personages, it is only necessary to gain over the latter, +in order to have all the rest on one's side. Therefore he did not fail +to furnish them with large<span class="pagenum"><a name="Page_40" id="Page_40">[Pg 40]</a></span> sums. But he detests the Fathers of the +Council of Nicæa.</i></p> + +<p>"Let us go and see them!"</p> + +<p><i>Anthony follows him.</i></p> + +<p><i>And they find themselves on a terrace, upon the same floor.</i></p> + +<p><i>It overlooks a hippodrome thronged with people, and surmounted by +porticoes where other spectators are walking to and fro. From the +centre of the race-course rises a narrow platform of hewn stone, +supporting a little temple of Mercury, the statue of Constantine, and +three serpents of brass twisted into a column; there are three huge +wooden eggs at one end, and at the other a group of seven dolphins with +their tails in the air.</i></p> + +<p><i>Behind the imperial pavilion sit the Prefects of the Chambers, the +Counts of the Domestics, and the Patricians—in ranks rising by tiers +to the first story of a church whose windows are thronged with women. +On the right is the tribune of the Blue Faction; on the left, that of +the Green; below, a picket of soldiers is stationed; and on a level +with the arena is a row of Corinthian arches, forming the entrances to +the stables.</i></p> + +<p><i>The races are about to commence; the<span class="pagenum"><a name="Page_41" id="Page_41">[Pg 41]</a></span> horses are drawn up in line. +Lofty plumes, fastened between their ears, bend to the wind like +saplings; and with every restive bound, they shake their chariots +violently, which are shell-shaped, and conducted by charioteers clad +in a sort of multi-colored cuirass, having sleeves tight at the wrist +and wide in the arms; their legs are bare; their beards, faces and +foreheads are shaven after the manner of the Huns.</i></p> + +<p><i>Anthony is at first deafened by the billowy sound of voices. From +the summit of the hippodrome to its lowest tiers, he sees only faces +painted with rouge, garments checkered and variegated with many colors, +flashing jewelry; and the sand of the arena, all white, gleams like a +mirror.</i></p> + +<p><i>The Emperor entertains him. He confides to him many matters of high +importance, many secrets; he confesses the assassination of his son +Criopus, and even asks Anthony for advice regarding his health.</i></p> + +<p><i>Meanwhile Anthony notices some slaves in the rear portion of the +stables below. They are the Fathers of Nicæa, ragged and abject. The +martyr Paphnutius is brushing the mane of one horse; Theophilus is +washing the legs<span class="pagenum"><a name="Page_42" id="Page_42">[Pg 42]</a></span> of another; John is painting the hoofs of a third; +Alexander is collecting dung in a basket.</i></p> + +<p><i>Anthony passes through the midst of them. They range themselves on +either side respectfully; they beseech his intercession; they kiss his +hands. The whole assemblage of spectators hoots at them; and he enjoys +the spectacle with immeasurable pleasure. Lo! he is now one of the +grandees of the Court—the Emperor's confidant—the prime minister! +Constantine places his own diadem upon his brows. Anthony allows it to +remain upon his head, thinking this honor quite natural.</i></p> + +<p><i>And suddenly in the midst of the darkness a vast hall appears, +illuminated by golden candelabra.</i></p> + +<p><i>Candles so lofty that they are half lost in the darkness, stretch away +in huge files beyond the lines of banquet-tables, which seem to extend +to the horizon, where through a luminous haze loom superpositions of +stairways, suites of arcades, colossi, towers, and beyond all a vague +border of palace walls, above which rise the crests of cedars, making +yet blacker masses of blackness against the darkness.</i></p> + +<p><span class="pagenum"><a name="Page_43" id="Page_43">[Pg 43]</a></span></p> + +<p><i>The guests, crowned with violet wreaths, recline upon very low couches +and are leaning upon their elbows. Along the whole length of this +double line of couches, wine is being poured out from amphoræ, and at +the further end, all alone, coiffed with the tiara and blazing with +carbuncles, King Nebuchadnezzar eats and drinks.</i></p> + +<p><i>On his right and left, two bands of priests in pointed caps are +swinging censers. On the pavement below crawl the captive kings whose +hands and feet have been cut off; from time to time he flings them +bones to gnaw. Further off sit his brothers, with bandages across their +eyes, being all blind.</i></p> + +<p><i>From the depths of the ergastula arise moans of ceaseless pain. Sweet +slow sounds of a hydraulic organ alternate with choruses of song; and +one feels that all about the palace without extends an immeasurable +city—an ocean of human life whose waves break against the walls. The +slaves run hither and thither carrying dishes. Women walk between the +ranks of guests, offering drinks to all; the baskets groan under their +burthen of loaves; and a dromedary, laden with perforated water-skins: +passes and repasses through<span class="pagenum"><a name="Page_44" id="Page_44">[Pg 44]</a></span> the hall, sprinkling and cooling the +pavement with vervain.</i></p> + +<p><i>Lion tamers are leading tamed lions about. Dancing girls—their +hair confined in nets—balance themselves and turn upon their hands, +emitting fire through their nostrils; negro boatmen are juggling; naked +children pelt each other with pellets of snow, which burst against the +bright silverware. There is an awful clamor as of a tempest; and a huge +cloud hangs over the banquet—so numerous are the meats and breaths. +Sometimes a flake of fire torn from the great flambeaux by the wind, +traverses the night like a shooting star.</i></p> + +<p><i>The king wipes the perfumes from his face with his arm. He eats from +the sacred vessels—then breaks them; and secretly reckons up the +number of his fleets, his armies, and his subjects. By and by, for a +new caprice, he will burn his palace with all its guests. He dreams of +rebuilding the tower of Babel, and dethroning God.</i></p> + +<p><i>Anthony, from afar off, reads all these thoughts upon his brow. They +penetrate his own brain, and he becomes Nebuchadnezzar. Immediately he +is cloyed with orgiastic excesses,<span class="pagenum"><a name="Page_45" id="Page_45">[Pg 45]</a></span> sated with fury of extermination; +and a great desire comes upon him to wallow in vileness. For the +degradation of that which terrifies men is an outrage inflicted upon +their minds—it affords yet one more way to stupefy them; and as +nothing is viler than a brute, Anthony goes upon the table on all +fours, and bellows like a bull.</i></p> + +<p><i>He feels a sudden pain in his hand—a pebble has accidentally wounded +him—and he finds himself once more in front of his cabin.</i></p> + +<p><i>The circle of the rocks is empty. The stars are glowing in the sky. +All is hushed.</i>)</p> + +<p>"Again have I allowed myself to be deceived! Why these things? They +come from the rebellion of the flesh. Ah! wretch!"</p> + +<p>(<i>He rushes into his cabin, and seizes a bunch of thongs, with metallic +hooks attached to their ends, strips himself to the waist and, lifting +his eyes to heaven exclaims</i>:)</p> + +<p>"Accept my penance, O my God: disdain it not for its feebleness. Render +it sharp, prolonged, excessive! It is time, indeed!—to the work!"</p> + +<p>(<i>He gives himself a vigorous lash—and shrieks.</i>)</p> + +<p>"No! no!—without mercy it must be."</p> + +<p><span class="pagenum"><a name="Page_46" id="Page_46">[Pg 46]</a></span></p> + +<p>(<i>He recommences.</i>)</p> + +<p>"Oh! oh! oh! each lash tears my skin, rends my limbs! It burns me +horribly!"</p> + +<p>"Nay!—it is not so very terrible after all!—one becomes accustomed to +it. It even seems to me...."</p> + +<p>(<i>Anthony pauses.</i>)</p> + +<p>"Continue, coward! continue! Good! good!—upon the arms, on the back, +on the breast, on the belly—everywhere! Hiss, ye thongs! bite me! +tear me! I would that my blood could spurt to the stars!—let my bones +crack!—let my tendons be laid bare! O for pincers, racks, and melted +lead! The martyrs have endured far worse; have they not, Ammonaria?"</p> + +<p>(<i>The shadow of the Devil's horns reappears.</i>)</p> + +<p>"I might have been bound to the column opposite to thine,—face to +face—under thy eyes—answering thy shrieks by my sighs; and our pangs +might have been interblended, our souls intermingled."</p> + +<p>(<i>He lashes himself with fury.</i>)</p> + +<p>"What! what! again. Take that!—But how strange a titillation thrills +me! What punishment! what pleasure! I feel as though<span class="pagenum"><a name="Page_47" id="Page_47">[Pg 47]</a></span> receiving +invisible kisses; the very marrow of my bones seems to melt. I die...."</p> + +<p><i>And he sees before him three cavaliers, mounted upon onagers, clad in +robes of green—each holding a lily in his hand, and all resembling +each other in feature.</i></p> + +<p><i>Anthony turns round, and beholds three other cavaliers exactly +similar, riding upon similar onagers, and preserving the same attitude.</i></p> + +<p><i>He draws back. Then all the onagers advance one pace at the same time, +and rub their noses against him, trying to bite his garment. Voices +shout</i>:—</p> + +<p>"Here! here! this way!"</p> + +<p><i>And between the clefts of the mountain, appear standards,—camels' +heads with halters of red silk—mules laden with baggage, and women +covered with yellow veils, bestriding piebald horses.</i></p> + +<p><i>The panting beasts lie down; the slaves rush to the bales and +packages, motley-striped carpets are unrolled; precious glimmering +things are laid upon the ground.</i></p> + +<p><i>A white elephant, caparisoned with a golden net, trots forward, +shaking the tuft of ostrich plumes attached to his head-band.</i></p> + +<p><span class="pagenum"><a name="Page_48" id="Page_48">[Pg 48]</a></span></p> + +<p><i>Upon his back, perched on cushions of blue wool, with her legs +crossed, her eyes half closed, her comely head sleepily nodding, is a +woman so splendidly clad that she radiates light about her. The crowd +falls prostrate; the elephant bends his knees; and</i></p> + +<p class="smcap" style="text-align: center;">The Queen of Sheba</p> + +<p><i>letting herself glide down from his shoulder upon the carpets spread +to receive her, approaches Saint Anthony.</i></p> + +<p><i>Her robe of gold brocade, regularly divided by furbelows of pearls, +of jet, and of sapphires, sheaths her figure closely with its +tight-fitting bodice, set off by colored designs representing the +twelve signs of the Zodiac. She wears very high pattens—one of which +is black, and sprinkled with silver stars, with a moon crescent; the +other, which is white, is sprinkled with a spray of gold, with a golden +sun in the middle.</i></p> + +<p><i>Her wide sleeves, decorated with emeralds and bird-plumes, leave +exposed her little round bare arms, clasped at the wrist by ebony +bracelets; and her hands, loaded with precious rings, are terminated by +nails so<span class="pagenum"><a name="Page_49" id="Page_49">[Pg 49]</a></span> sharply pointed that the ends of her fingers seem almost like +needles.</i></p> + +<p><i>A chain of dead gold, passing under her chin, is caught up on either +side of her face, and spirally coiled about her coiffure, whence, +redescending, it grazes her shoulders and is attached upon her bosom +to a diamond scorpion, which protrudes a jewelled tongue between her +breasts. Two immense blond pearls depend heavily from her ears. The +borders of her eyelids are painted black. There is a natural brown spot +upon her left cheek; and she opens her mouth in breathing, as if her +corset inconvenienced her.</i></p> + +<p><i>She shakes, as she approaches, a green parasol with an ivory handle, +and silver-gilt bells attached to its rim; twelve little woolly-haired +negro-boys support the long train of her robe, whereof an ape holds the +extremity, which it raises up from time to time. She exclaims</i>:</p> + +<p>"Ah! handsome hermit! handsome hermit!—my heart swoons!</p> + +<p>"By dint of stamping upon the ground with impatience, callosities have +formed upon my heel, and I have broken one of my nails. I sent out +shepherds, who remained upon the mountain tops, shading their eyes with +their<span class="pagenum"><a name="Page_50" id="Page_50">[Pg 50]</a></span> hands—and hunters who shouted thy name in all the forests—and +spies who travelled along the highways, asking every passer-by:</p> + +<p>"'Hast thou seen him?'</p> + +<p>"By night I wept, with my face turned to the wall. And at last my tears +made two little holes in the mosaic, like two pools of water among the +rocks;—for I love thee!—oh! how I love thee!"</p> + +<p>(<i>She takes him by the beard.</i>)</p> + +<p>"Laugh now, handsome hermit! laugh! I am very joyous, very gay: thou +shalt soon see! I play the lyre; I dance like a bee; and I know a host +of merry tales to tell, each more diverting than the other.</p> + +<p>"Thou canst not even imagine how mighty a journey we have made. See! +the onagers upon which the green couriers rode are dead with fatigue!"</p> + +<p>(<i>The onagers are lying motionless upon the ground.</i>)</p> + +<p>"For three long moons they never ceased to gallop on with the same +equal pace, holdings flints between their teeth to cut the wind, their +tails ever streaming out behind them, their sinews perpetually strained +to the uttermost, always galloping, galloping. Never<span class="pagenum"><a name="Page_51" id="Page_51">[Pg 51]</a></span> can others be +found like them. They were bequeathed me by my paternal grand-father, +the Emperor Saharil, son of Iakhschab, son of Iaarab, son of Kastan. +Ah! if they were still alive, we should harness them to a litter that +they might bear us back speedily to the palace! But ... what ails +thee?—of what art thou dreaming?"</p> + +<p>(<i>She stares at him, examines him closely.</i>)</p> + +<p>"Ah, when thou shalt be my husband, I will robe thee, I will perfume +thee, I will depilate thee."</p> + +<p>(<i>Anthony remains motionless, more rigid than a stake, more pallid +than a corpse.</i>)</p> + +<p>"Thou hast a sad look—is it because of leaving thy hermitage? Yet I +have left everything for thee—even King Solomon, who, nevertheless, +possesses much wisdom, twenty thousand chariots of war, and a beautiful +beard. I have brought thee my wedding gifts. Choose!"</p> + +<p>(<i>She walks to and fro among the ranks of slaves and the piles of +precious goods.</i>)</p> + +<p>"Here is Genezareth balm, incense from Cape Gardefui, labdanum, +cinnamon, and silphium—good to mingle with sauces. In that bale are +Assyrian embroideries, ivory<span class="pagenum"><a name="Page_52" id="Page_52">[Pg 52]</a></span> from the Ganges, purple from Elissa; +and that box of snow contains a skin of chalybon, the wine, which +is reserved for the Kings of Assyria, and which is drunk from the +horn of a unicorn. Here are necklaces, brooches, nets for the hair, +parasols, gold powder from Baasa, cassiteria from Tartessus, blue wood +from Pandio, white furs from Issidonia, carbuncles from the Island +Palæsimondus, and toothpicks made of the bristles of the tachas—that +lost animal which is found under the earth. These cushions come from +Emath, and these mantle-fringes from Palmyra. On this Babylonian carpet +there is.... But come hither! come! come!"</p> + +<p>(<i>She pulls Saint Anthony by the sleeve. He resists. She continues</i>:)</p> + +<p>"This thin tissue which crackles under the finger with a sound as of +sparks, is the famous yellow cloth which the merchants of Bactria bring +us. I will have robes made of it for thee, which thou shalt wear in the +house. Unfasten the hooks of that sycamore box, and hand me also the +little ivory casket tied to my elephant's shoulder."</p> + +<p>(<i>They take something round out of a box—something covered with a +cloth—and also<span class="pagenum"><a name="Page_53" id="Page_53">[Pg 53]</a></span> bring a little ivory casket covered with carving.</i>)</p> + +<p>"Dost thou desire the buckler of Dgian-ben-Dgian, who built the +pyramids?—behold it!—It is formed of seven dragon-skins laid one over +the other, tanned in the bile of parricides, and fastened together by +adamantine screws. Upon one side are represented all the wars that have +taken place since the invention of weapons; and upon the other, all the +wars that will take place until the end of the world. The lightning +itself rebounds from it like a ball of cork. I am going to place it +upon thy arm; and thou wilt carry it during the chase.</p> + +<p>"But if thou didst only know what I have in this little box of mine! +Turn it over and over again! try to open it! No one could ever succeed +in doing that. Kiss me! and I will tell thee how to open it."</p> + +<p>(<i>She takes Saint Anthony by both cheeks. He pushes her away at arms' +length.</i>)</p> + +<p>"It was one night that King Solomon lost his head. At last we concluded +a bargain. He arose, and stealing out on tiptoe...."</p> + +<p>(<i>She suddenly executes a pirouette.</i>)</p> + +<p><span class="pagenum"><a name="Page_54" id="Page_54">[Pg 54]</a></span></p> + +<p>"Ah, ah! comely hermit, thou shalt not know it! thou shalt not know!"</p> + +<p>(<i>She shakes her parasol, making all its little bells tinkle.</i>)</p> + +<p>"And I possess many other strange things—oh! yes! I have treasures +concealed in winding galleries where one would lose one's way, as +in a forest. I have summer-palaces constructed in trellis-work of +reeds, and winter-palaces all built of black marble. In the midst of +lakes vast as seas, I have islands round as pieces of silver, and all +covered with mother-of-pearl,—islands whose shores make music to +the lapping of tepid waves upon the sand. The slaves of my kitchens +catch birds in my aviaries, and fish in my fishponds. I have engravers +continually seated at their benches to hollow out my likeness in hard +jewel-stones, and panting molders forever casting statues of me, and +perfumers incessantly mingling the sap of rare plants with vinegar, +or preparing cosmetic pastes. I have female dressmakers cutting out +patterns in richest material, goldsmiths cutting and mounting jewels of +price, and careful painters pouring upon my palace wainscoting boiling +resins, which they subsequently cool with<span class="pagenum"><a name="Page_55" id="Page_55">[Pg 55]</a></span> fans. I have enough female +attendants to form a harem, eunuchs enough to make an army. I have +armies likewise; I have nations! In the vestibule of my palace I keep a +guard of dwarfs—all bearing ivory trumpets at their backs." (<i>Anthony +sighs.</i>)</p> + +<p>"I have teams of trained gazelles; I have elephant quadrigæ; I have +hundreds of pairs of camels, and mares whose manes are so long that +their hoofs become entangled therein when they gallop, and herds of +cattle with horns so broad that when they go forth to graze the woods +have to be hewn down before them. I have giraffes wandering in my +gardens; they stretch their heads over the edge of my roof, when I take +the air after dinner.</p> + +<p>"Seated in a shell drawn over the waters by dolphins, I travel +through the grottoes, listening lo the dropping of the water from the +stalactites. I go down to the land of diamonds, where my friends the +magicians allow me to choose the finest: then I reascend to earth and +return to my home."</p> + +<p>(<i>She utters a sharp whistle; and a great bird, descending from the +sky, alights upon<span class="pagenum"><a name="Page_56" id="Page_56">[Pg 56]</a></span> her hair, from which it makes the blue powder fall.</i></p> + +<p><i>Its orange-colored plumage seems formed of metallic scales. Its little +head, crested with a silver tuft, has a human face.</i></p> + +<p><i>It has four wings, the feet of a vulture, and an immense peacock's +tail which it spreads open like a fan.</i></p> + +<p><i>It seizes the Queen's parasol in its beak, reels a moment ere +obtaining its balance; then it erects all its plumes, and remains +motionless.</i>)</p> + +<p>"Thanks! my beautiful Simorg-Anka!—thou didst tell me where the loving +one was hiding! Thanks! thanks! my heart's messenger!</p> + +<p>"He flies swiftly as Desire! He circles the world in his flight. At eve +he returns; he perches at the foot of my couch and tells me all he has +seen—the seas that have passed far beneath him with all their fishes +and ships, the great void deserts he has contemplated from the heights +of the sky, the harvests that were bowing in the valleys, and the +plants that were growing upon the walls of cities abandoned."</p> + +<p>(<i>She wrings her hands, languorously.</i>)</p> + +<p><span class="pagenum"><a name="Page_57" id="Page_57">[Pg 57]</a></span></p> + +<p>"Oh! if thou wast willing! if thou wast willing!... I have a pavilion +on a promontory in the middle of an isthmus dividing two oceans. It is +all wain-scoted with sheets of glass, and floored with tortoise shell, +and open to the four winds of heaven. From its height I watch my fleets +come in, and my nations toiling up the mountain-slopes with burthens +upon their shoulders. There would we sleep upon downs softer than +clouds; we would drink cool draughts from fruit-shells, and we would +gaze at the sun through emeralds! Come!" ...</p> + +<p>(<i>Anthony draws back. She approaches him again, and exclaims in a tone +of vexation</i>:—)</p> + +<p>"How? neither the rich, nor the coquettish, nor the amorous woman can +charm thee: is it so? None but a lascivious woman, with a hoarse voice +and lusty person, with fire-colored hair and superabundant flesh? Dost +thou prefer a body cold as the skin of a serpent, or rather great dark +eyes deeper than the mystic caverns?—behold them, my eyes!—look into +them!"</p> + +<p>(<i>Anthony, in spite of him, gazes into her eyes.</i>)</p> + +<p>"All the women thou hast ever met—from<span class="pagenum"><a name="Page_58" id="Page_58">[Pg 58]</a></span> the leman of the cross-roads, +singing under the light of her lantern, even to the patrician lady +scattering rose-petals abroad from her litter,—all the forms thou hast +ever obtained glimpses of—all the imaginations of thy desire thou hast +only to ask for them! I am not a woman: I am a world! My cloak has only +to fall in order that thou mayest discover a succession of mysteries." +(<i>Anthony's teeth chatter.</i>)</p> + +<p>"Place but thy finger upon my shoulder: it will be as though a stream +of fire shot through all thy veins. The possession of the least part +of me will fill thee with a joy more vehement than the conquest of an +Empire could give thee! Approach thy lips: there is a sweetness in my +kisses as of a fruit dissolving within thy heart. Ah! how thou wilt +lose thyself beneath my long hair, inhale the perfume of my bosom, +madden thyself with the beauty of my limbs: and thus, consumed by the +fire of my eyes, clasped within my arms as in a whirlwind...."</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em"> +<a id="redon04"></a> +<img src="images/redon_04.jpg" width="600" alt="" /> +<div class="caption"><p>there is a sweetness in my kisses as of a fruit +dissolving within thy heart ...</p></div></div> + +<p class="p2">(<i>Anthony makes the sign of the cross.</i>)</p> + +<p>"Thou disdainest me! farewell!"</p> + +<p>(<i>She departs, weeping; then, suddenly turning round</i>:—)</p> + +<p><span class="pagenum"><a name="Page_59" id="Page_59">[Pg 59]</a></span></p> + +<p>"Art quite sure?—so beautiful a woman...."</p> + +<p>(<i>She laughs, and the ape that bears her train, lifts it up.</i>)</p> + +<p>"Thou wilt regret it, my comely hermit! thou wilt yet weep! thou wilt +again feel weary of thy life; but I care not a whit! La! la! la!—oh! +oh! oh!"</p> + +<p>(<i>She takes her departure, hopping upon one foot and covering her face +with her hands.</i></p> + +<p><i>All the slaves file off before Saint Anthony—the horses, the +dromedaries, the elephant, the female attendants, the mules (which +have been reloaded), the negro boys, the ape, the green couriers each +holding his broken lily in his hand; and the Queen of Sheba departs, +uttering a convulsive hiccough at intervals, which might be taken +either for a sound of hysterical sobbing, or the half-suppressed +laughter of mockery.</i>)</p> +<hr class="r5" /> + +<div class="footnote"> + +<p><a name="Footnote_1_6" id="Footnote_1_6"></a><a href="#FNanchor_1_6"><span class="label">[1]</span></a> <i>Thalamegii</i>—pleasure-boats having +apartments.</p> + +<hr class="chap" /> + +<p><span class="pagenum"><a name="Page_60" id="Page_60">[Pg 60]</a></span></p></div> + + + + +<h4><a name="III" id="III">III</a></h4> + + +<p>(<i>When she has disappeared in the distance, Anthony observes a child +seated upon the threshold of his cabin.</i>)</p> + +<p>"It is one of the Queen's servants, no doubt," (<i>he thinks</i>).</p> + +<p>(<i>This child is small like a dwarf, and nevertheless squat of build, +like one of the Cabiri; deformed withal, and wretched of aspect. His +prodigiously large head is covered with white hair; and he shivers +under a shabby tunic, all the while clutching a roll of papyrus. The +light of the moon passing through a cloud falls upon him.</i>)</p> + +<p class="smcap" style="text-align: center;">Anthony</p> + +<p>(<i>watches him from a distance, and is afraid of him.</i>) "Who art thou?"</p> + +<p><span class="smcap">The Child</span> (<i>replies</i>). "Thy ancient disciple, Hilarion."</p> + +<p><span class="smcap">Anthony</span>. "Thou liest! Hilarion hath<span class="pagenum"><a name="Page_61" id="Page_61">[Pg 61]</a></span> been dwelling in Palestine for +many long years."</p> + +<p><span class="smcap">Hilarion</span>. "I have returned! It is really I!"</p> + +<p><span class="smcap">Anthony</span> (<i>draws near and examines him closely</i>). "Yet his face was +radiant as the dawn, candid, joyous. This face is the face of one +gloomy and old."</p> + +<p><span class="smcap">Hilarion</span>. "Long and arduous labor hath wearied me!"</p> + +<p><span class="smcap">Anthony</span>. "The voice is also different. It hath an icy tone."</p> + +<p><span class="smcap">Hilarion</span>. "Because I have nourished me with bitter things!"</p> + +<p><span class="smcap">Anthony</span>. "And those white hairs?"</p> + +<p><span class="smcap">Hilarion</span>. "I have endured many woes!"</p> + +<p><span class="smcap">Anthony</span> (<i>aside</i>). "Could it be possible?"</p> + +<p><span class="smcap">Hilarion</span>. "I was not so far from thee as thou doest imagine. The hermit +Paul visited thee this year, during the month of Schebar. It is just +twenty days since the Nomads brought thee bread. Thou didst tell a +sailor, the day before yesterday, to send thee three bodkins."</p> + +<p><span class="smcap">Anthony</span>. "He knows all!"</p> + +<p><span class="smcap">Hilarion</span>. "Know further more that I have never left thee. But there are +long periods<span class="pagenum"><a name="Page_62" id="Page_62">[Pg 62]</a></span> during which thou hast no knowledge of my presence."</p> + +<p><span class="smcap">Anthony</span>. "How can that be? Yet it is true that my head is so much +troubled—this night especially."</p> + +<p><span class="smcap">Hilarion</span>. "All the Capital Sins came hither. But their wretched snares +can avail nothing against such a Saint as thou."</p> + +<p><span class="smcap">Anthony</span>. "Oh! no!—no! I fall at every moment! Why am I not of those +whose souls are ever intrepid, whose minds are always firm,—for +example, the great Athanasius?"</p> + +<p><span class="smcap">Hilarion</span>. "He was illegally ordained by seven bishops."</p> + +<p><span class="smcap">Anthony</span>. "What matter if his virtue...."</p> + +<p><span class="smcap">Hilarion</span>. "Go to!—a most vainglorious and cruel man, forever involved +in intrigues, and exiled at last as a monopolist."<a name="FNanchor_1_7" id="FNanchor_1_7"></a><a href="#Footnote_1_7" class="fnanchor">[1]</a></p> + +<p><span class="smcap">Anthony</span>. "Calumny!"</p> + +<p><span class="smcap">Hilarion</span>. "Thou wilt not deny that he sought to corrupt Eustates, the +treasurer of largesses?"</p> + +<p><span class="pagenum"><a name="Page_63" id="Page_63">[Pg 63]</a></span></p> + +<p><span class="smcap">Anthony</span>. "It is affirmed, I acknowledge."</p> + +<p><span class="smcap">Hilarion</span>. "Through vengeance he burned down the house of Arsenius."</p> + +<p><span class="smcap">Anthony</span>. "Alas!"</p> + +<p><span class="smcap">Hilarion</span>. "At the council of Nicæa he said in speaking of Jesus: 'The +man of the Lord.'"</p> + +<p><span class="smcap">Anthony</span>. "Ah! that is a blasphemy!"</p> + +<p><span class="smcap">Hilarion</span>. "So limited in understanding, moreover, that he confesses he +comprehends nothing of the nature of the "Word!"</p> + +<p><span class="smcap">Anthony</span> (<i>smiling with gratification</i>). "In sooth his intelligence is +not ... very lofty."</p> + +<p><span class="smcap">Hilarion</span>. "Hypocrite! burying thyself in solitude only in order the +more fully to abandon thyself to the indulgence of thy envious desires! +What if thou dost deprive thyself of meats, of wine, of warmth, of +bath, of slaves, or honours?—dost thou not permit thy imagination to +offer thee banquets, perfumes, women, and the applause of multitudes? +Thy chastity is but a more subtle form of corruption, and thy contempt +of this world is but the impotence of thy hatred against it! Either +this it is that makes such as thyself<span class="pagenum"><a name="Page_64" id="Page_64">[Pg 64]</a></span> so lugubrious, or else 'tis +doubt. The possession of truth giveth joy. Was Jesus sad? Did he not +travel in the company of friends, repose beneath the shade of olive +trees, enter the house of the publican, drink many cups of wine, pardon +the sinning woman, and assuage all sorrows? Thou!—thou hast no pity +save for thine own misery! It is like a remorse that gnaws thee, a +savage madness that impels thee to repel the caress of a dog or to +frown upon the smile of a child."</p> + +<p><span class="smcap">Anthony</span> (<i>bursting into tears</i>). "Enough! enough! thou dost wound my +heart deeply."</p> + +<p><span class="smcap">Hilarion</span>. "Shake the vermin from thy rags! Rise up from thy filth! Thy +God is not a Moloch who demands human flesh in sacrifice!"</p> + +<p><span class="smcap">Anthony</span>. "Yet suffering is blessed. The cherubim stoop to receive the +blood of confessors."</p> + +<p><span class="smcap">Hilarion</span>. "Admire, then, the Montanists!—they surpass all others."</p> + +<p><span class="smcap">Anthony</span>. "But it is the truth of the doctrine which makes the +martyrdom."</p> + +<p><span class="smcap">Hilarion</span>. "How can martyrdom prove the excellence of the doctrine, +inasmuch as it bears equal witness for error?"</p> + +<p><span class="pagenum"><a name="Page_65" id="Page_65">[Pg 65]</a></span></p> + +<p><span class="smcap">Hilarion</span>. "Silence!—thou viper!"</p> + +<p><span class="smcap">Anthony</span>. "Perhaps martyrdom is not so difficult as thou dost imagine! +The exhortations of friends, the pleasure of insulting the people, +the oath one has taken, a certain dizzy excitement, a thousand +circumstances all aid the resolution of the martyrs...."</p> + +<p>(<i>Anthony turns his back upon Hilarion, and moves away from him. +Hilarion follows him.</i>)</p> + +<p>" ... Moreover this manner of dying often brings about great disorders. +Dionysius, Cyprian and Gregory fled from it. Peter of Alexandria has +condemned it; and the council of Elvira...."</p> + +<p><span class="smcap">Anthony</span> (<i>stops his ears</i>). "I will listen to thee no longer!"</p> + +<p><span class="smcap">Hilarion</span> (<i>raising his voice</i>). "Lo! thou fallest again into the +habitual sin, which is sloth! Ignorance is the foam of pride. One says, +forsoth:—'My conviction is formed! wherefore argue further?'—and one +despises the doctors, the philosophers, tradition itself, and even the +text of the law whereof one is ignorant! Dost thou imagine that thou +dost hold all wisdom in the hollow of thy hand?"</p> + +<p><span class="pagenum"><a name="Page_66" id="Page_66">[Pg 66]</a></span></p> + +<p><span class="smcap">Anthony</span>. "I hear him still! His loud words fill my brain."</p> + +<p><span class="smcap">Hilarion</span>. "The efforts of others to comprehend God are mightier than +all thy mortifications to move Him. We obtain merit only by our thirst +for truth. Religion alone cannot explain all things; and the solution +of problems ignored by thee can render faith still more invulnerable +and noble. Therefore, for our salvation we must communicate with our +brethren—otherwise the Church, the assembly of the faithful, would +be a meaningless word—and we must listen to all reasoning, despising +nothing, nor any person. The magician Balaam, the poet Aeschylus, +and the Sybil of Cumæ—all foretold the Saviour. Dionysius, the +Alexandrian, received from heaven the command to read all books. Saint +Clement orders us to cultivate Greek letters. Hennas was converted by +the illusion of a woman he had loved...."</p> + +<p><span class="smcap">Anthony</span>. "What an aspect of authority! It seems to me thou art growing +taller...."</p> + +<p>(<i>And, in very truth, the stature of Hilarion is gradually increasing; +and Anthony shuts his eyes, that he may not see him.</i>)</p> + +<p><span class="pagenum"><a name="Page_67" id="Page_67">[Pg 67]</a></span></p> + +<p><span class="smcap">Hilarion</span>. "Reassure thyself, good Hermit. Let us seat ourselves there, +upon that great stone, as we used to do in other years, when, at the +first dawn of day, I was wont to salute thee with the appellation, +'Clear star of morning'—and thou wouldst therewith commence to +instruct me. Yet my instruction is not yet completed. The moon gives us +light enough. I am prepared to hear thy words."</p> + +<p>(<i>He has drawn a calamus from his girdle, and seating himself +cross-legged upon the ground, with the papyrus roll still in his hand, +he lifts his face toward Saint Anthony, who sits near him, with head +bowed down.</i></p> + +<p><i>After a moment of silence Hilarion continues</i>:—)</p> + +<p>"Is not the word of God confirmed for us by miracles? Nevertheless +the magicians of Pharaoh performed miracles; other imposters can +perform them; one may be thereby deceived. What then is a miracle? +An event which seems to us outside of nature. But do we indeed know +all of Nature's powers; and because a common occurrence causes us no +astonishment, does it therefore follow that we understand it."</p> + +<p><span class="pagenum"><a name="Page_68" id="Page_68">[Pg 68]</a></span></p> + +<p><span class="smcap">Anthony</span>. "It matters little! We must believe the Scriptures!"</p> + +<p><span class="smcap">Hilarion</span>. "Saint Paul, Origen, and many others did not understand +the Scriptures in a literal sense: yet if Holy Writ be explained by +allegories it becomes the portion of a small number, and the evidence +of the truth disappears. What must we do?"</p> + +<p><span class="smcap">Anthony</span>. "We must rely upon the Church!"</p> + +<p><span class="smcap">Hilarion</span>. "Then the Scriptures are useless?"</p> + +<p><span class="smcap">Anthony</span>. "No! no! although I acknowledge that in the Old Testament +there are some ... some obscurities. But the New shines with purest +light."</p> + +<p><span class="smcap">Hilarion</span>. "Nevertheless, the Angel of the annunciation, in Matthew, +appears to Joseph; while, in Luke, he appears to Mary. The anointing +of Jesus by a woman takes place, according to the first Gospel, at the +commencement of his public life; and, according to the other three, a +few days before his death. The drink offered to him on the cross, is, +in Matthew, vinegar mixed with gall; in Mark, it is wine and myrrh. +According to Luke and Matthew, the apostles should take<span class="pagenum"><a name="Page_69" id="Page_69">[Pg 69]</a></span> with them +neither money nor scrip for their journey—not even sandals nor staff; +in Mark, on the contrary, Jesus bids them take nothing with them, +except sandals and a staff. I am thereby bewildered!"</p> + +<p><span class="smcap">Anthony</span> (<i>in amazement</i>). "Aye, indeed!... in fact...."</p> + +<p><span class="smcap">Hilarion</span>. "At the contact of the woman who had an issue of blood, Jesus +turned and said, 'Who hath touched my garments?' He did not know, then, +who had touched him? That contradicts the omniscience of Jesus! If the +tomb was watched by guards, the women need have felt no anxiety about +finding help to roll away the stone from the tomb. Therefore there +were no guards, or the holy women were not there. At Emmaus, he eats +with his disciples and makes them feel his wounds. It is a human body, +a material and ponderable object; and nevertheless it passes through +walls! Is that possible?"</p> + +<p><span class="smcap">Anthony</span>. "It would require much time to answer thee properly!"</p> + +<p><span class="smcap">Hilarion</span>. "Why did he receive the Holy Spirit, being himself Son of +the Holy Spirit? What need had he of baptism if he was the Word? How +could the Devil have tempted<span class="pagenum"><a name="Page_70" id="Page_70">[Pg 70]</a></span> him, inasmuch as he was God? Have these +thoughts never occurred to thee?"</p> + +<p><span class="smcap">Anthony</span>. "Yes!... often! Sometimes torpid, sometimes furious—they +remain forever in my conscience. I crush them; they rise again, they +stifle me; and sometimes I think that I am accursed."</p> + +<p><span class="smcap">Hilarion</span>. "Then it is needless for thee to serve God?"</p> + +<p><span class="smcap">Anthony</span>. "I shall always need to adore Him."</p> + +<p>(<i>After a long silence Hilarion continues</i>:)</p> + +<p>"But aside from dogma, all researches are allowed us. Dost thou desire +to know the hierarchy of the Angels, the virtue of the Numbers, the +reason of germs and of metamorphoses?"</p> + +<p><span class="smcap">Anthony</span>. "Yes! yes! my thought struggles wildly to escape from its +prison. It seems to me that by exerting all my force I might succeed. +Sometimes, for an instant, brief as a lightning flash, I even feel +myself as thought uplifted,—then I fall back again!"</p> + +<p><span class="smcap">Hilarion</span>. "The secret thou wouldst obtain is guarded by sages. They +dwell in a distant land; they are seated beneath giant trees; they +are robed in white; they are calm<span class="pagenum"><a name="Page_71" id="Page_71">[Pg 71]</a></span> as Gods! A warm air gives them +sufficient nourishment. All about them, leopards tread upon grassy +turf. The murmuring of fountains and the neighing of unicorns mingle +with their voices. Thou shalt hear them; and the face of the Unknown +shall be unveiled!"</p> + +<p><span class="smcap">Anthony</span> (<i>sighing</i>). "The way is long; and I am old."</p> + +<p><span class="smcap">Hilarion</span>. "Oh! oh! wise men are not rare! there are some even very nigh +thee!—here! Let us enter!"</p> +<hr class="r5" /> + +<div class="footnote"> + +<p><a name="Footnote_1_7" id="Footnote_1_7"></a><a href="#FNanchor_1_7"><span class="label">[1]</span></a> Gibbon, a sincere admirer of Athanasius, gives a curious +history of these charges, and expresses his disbelief in their +truth. The story regarding the design to intercept the corn-fleet of +Alexandria is referred to in the use of the word "monopolist."</p> + +<hr class="chap" /> + +<p><span class="pagenum"><a name="Page_72" id="Page_72">[Pg 72]</a></span></p></div> + + + + +<h4><a name="IV" id="IV">IV</a></h4> + + +<p>(<i>And Anthony beholds before him a vast basilica.</i></p> + +<p><i>The light gushes from the further end, marvellous as a multi-colored +sun. It illuminates the innumerable heads of the crowd that fills the +nave, and that eddies about the columns toward the side-aisles—where +can be perceived, in wooden compartments, altars, beds, little chains +of blue stones linked together, and constellations painted upon the +walls.</i></p> + +<p><i>In the midst of the throng there are groups which remain motionless. +Men standing upon stools harangue with fingers uplifted; others are +praying, with arms outstretched in form of a cross; others are lying +prostrate upon the pavement, or singing hymns, or drinking wine; others +of the faithful, seated about a table, celebrate their agape;<a name="FNanchor_1_8" id="FNanchor_1_8"></a><a href="#Footnote_1_8" class="fnanchor">[1]</a> +martyrs are unbandaging their limbs in order to show their wounds; and +aged men, leaning upon staffs, recount their voyages.</i></p> + +<p><span class="pagenum"><a name="Page_73" id="Page_73">[Pg 73]</a></span></p> + +<p><i>There are some from the country of the Germans, from Thrace also, and +from the Gauls, from Scythia and from the Indies, with snow upon their +beards, feathers in their hair; thorns in the fringe of their garments; +the sandals of some are black with dust, their skins are burnt by the +sun. There is a vast confusion of costumes, mantles of purple and +robes of linen, embroidered dalmaticas, hair shirts, sailors' caps, +bishops' mitres. Their eyes fulgurate strangely. They have the look of +executioners, or the look of eunuchs.</i></p> + +<p><i>Hilarion advances into their midst. All salute him. Anthony, shrinking +closer to his shoulder, observes them. He remarks the presence of a +great many women. Some of these are attired like men, and have their +hair cut short. Anthony feels afraid of them.</i>)</p> + +<p><span class="smcap">Hilarion</span>. "Those are Christian women who have converted their husbands. +Besides, the women were always upon the side of Jesus, even the +idolatrous ones, for example, Procula, the wife of Pilate, and Poppæa, +the concubine of Nero. Do not tremble!—come on."</p> + +<p>(<i>And others are continually arriving.</i></p> + +<p><i>They seem to multiply, to double themselves<span class="pagenum"><a name="Page_74" id="Page_74">[Pg 74]</a></span> by self-division, light +as shadows—all the while making an immense clamour, in which yells of +rage, cries of love, canticles and objurgations intermingle.</i>)</p> + +<p><span class="smcap">Anthony</span> (<i>in a low voice</i>). "What do they desire?"</p> + +<p><span class="smcap">Hilarion</span>. "The Lord said: 'I have yet many things to say to you.... +'<a name="FNanchor_2_9" id="FNanchor_2_9"></a><a href="#Footnote_2_9" class="fnanchor">[2]</a> They possess the knowledge of those things."</p> + +<p>(<i>And he pushes Anthony forward to a golden throne approached by five +steps, whereon—surrounded by ninety-five disciples, all very thin and +pale, and anointed with oil—sits the prophet Manes. He is beautiful +as an archangel, immobile as a statue; he is clad in an Indian robe; +carbuncles gleam in his plaited hair; at his left hand lies a book of +painted images; his right reposes upon a globe. The images represent +the creatures that erst slumbered in Chaos. Anthony bends forward to +look upon them. Then——</i>)</p> + +<p class="smcap" style="text-align: center;">Manes</p> + +<p>(<i>makes his globe revolve; and regulating the tone of his words by a +lyre which gives forth crystalline sounds, exclaims</i>:—)</p> + +<p><span class="pagenum"><a name="Page_75" id="Page_75">[Pg 75]</a></span></p> + +<p>"The celestial earth is at the superior extremity; the terrestrial +earth at the inferior extremity. It is sustained by two angels—the +Angel Splenditeneus, and Omophorus, whose faces are six.</p> + +<p>"At the summit of the highest heaven reigns the impassible Divinity; +below, face to face, are the Son of God and the Prince of Darkness.</p> + +<p>"When the darkness had advanced even to his kingdom, God evolved from +his own essence a virtue which produced the first man; and he environed +him with the five elements. But the demons of darkness stole from him a +part; and that part is the soul.</p> + +<p>"There is but one soul, universally diffused, even as the waters of +a river divided into many branches. It is this universal soul that +sighs in the wind—that shrieks in the marble under the teeth of the +saw—that roars in the voice of the sea—that weeps tears of milk when +the leaves of the fig tree are torn off.</p> + +<p>"The souls that leave this world emigrate to the stars, which are +themselves animated beings."</p> + +<p><span class="smcap">Anthony</span> (<i>bursts into a laugh</i>). "Ah! ah! what an absurd imagination!"</p> + +<p><span class="pagenum"><a name="Page_76" id="Page_76">[Pg 76]</a></span></p> + +<p><span class="smcap">A Man</span> (<i>having no beard, and of a most austere aspect</i>). "Wherefore +absurd?"</p> + +<p>(<i>Anthony is about to reply when Hilarion tells him in a low voice +that the questioner is none other than the tremendous Origen himself; +and</i>:—)</p> + +<p><span class="smcap">Manes</span> (<i>continues</i>). "But first they remain awhile in the Moon, where +they are purified. Then they rise into the sun."</p> + +<p><span class="smcap">Anthony</span> (<i>slowly</i>). "I do not know of anything ... which prevents us +... from believing it."</p> + +<p><span class="smcap">Manes</span>. "The proper aim of every creature is the deliverance of the ray +of celestial light imprisoned within matter. It finds easier escape +through the medium of perfumes, spices, the aroma of warmed wine, the +light things which resemble thoughts. But the acts of life retain it +within its prison. The murderer shall be born again in the form of a +celephus; he that kills an animal shall become that animal; if thou +plantest a vine, thou shalt be thyself bound within its boughs. Food +absorbs the celestial light.... Therefore abstain! fast!"</p> + +<p><span class="smcap">Hilarion</span>. "Thou seest, they are temperate!"</p> + +<p><span class="pagenum"><a name="Page_77" id="Page_77">[Pg 77]</a></span></p> + +<p><span class="smcap">Manes</span>. "There is much of it in meats, less of it in herbs. Moreover +the Pure Ones, by means of their great merits, despoil vegetation of +this luminous essence; and, thus liberated, it reascends to its source. +But through generation, animals keep it imprisoned within the flesh! +Therefore, avoid women!"</p> + +<p><span class="smcap">Hilarion</span>. "Admire their continence."</p> + +<p><span class="smcap">Manes</span>. "Or rather contrive that they shall not create..............<a name="FNanchor_3_10" id="FNanchor_3_10"></a><a href="#Footnote_3_10" class="fnanchor">[3]</a></p> + +<p><span class="smcap">Anthony</span>. "Oh—abomination!"</p> + +<p><span class="smcap">Hilarion</span>. "What signifies the hierarchy of turpitudes? The Church has, +forsooth, made marriage a sacrament!"</p> + +<p><span class="smcap">Saturninus</span> (<i>in Syrian costume</i>). "He teaches a most dismal system of +the universe!... The Father, desiring to punish the angels who had +revolted, ordered them to create the world. Christ came, in order that +the God of the Jews, who was one of those angels...."</p> + +<p><span class="smcap">Anthony</span>. "He an angel! the Creator!"</p> + +<p><span class="smcap">Cerdo</span>. "Did he not seek to kill Moses, to deceive his own prophets, to +seduce nations?—did<span class="pagenum"><a name="Page_78" id="Page_78">[Pg 78]</a></span> he not sow falsehood and idolatry broadcast?"</p> + +<p><span class="smcap">Marcion</span>. "Certainly, the Creator is not the true God!"</p> + +<p><span class="smcap">Saint Clement of Alexandria</span>. "Matter is eternal!"</p> + +<p><span class="smcap">Bardesanes</span> (<i>in the costume of the Babylonian magi</i>). "It was formed by +the Seven Planetary Spirits."</p> + +<p><span class="smcap">The Hermians</span>. "Souls were made by the angels."</p> + +<p><span class="smcap">The Priscillianists</span>. "It was the Devil who made the world."</p> + +<p><span class="smcap">Anthony</span> (<i>rushing back from the circle</i>). "Horror!"</p> + +<p><span class="smcap">Hilarion</span> (<i>supporting him</i>). "Thou despairest too hastily!—thou dost +misapprehend their doctrine! Here is one who received his teaching +directly from Theodas, the friend of St. Paul. Hearken to him."</p> + +<p>(<i>And at a sign from Hilarion</i></p> + +<p><span class="smcap" style="text-align: center;">Valentinus</span></p> + +<p><i>appears in a tunic of cloth of silver; his skull is pointed at its +summit; his voice has a wheezing sound.</i>)</p> + +<p><span class="pagenum"><a name="Page_79" id="Page_79">[Pg 79]</a></span></p> + +<p>"The world is the work of a God in delirium!"</p> + +<p><span class="smcap">Anthony</span> (<i>bending his head down</i>). "The work of a God in delirium!..."</p> + +<p>(<i>After a long silence</i>): "How can that be?"</p> + +<p><span class="smcap">Valentine</span>. "The most perfect of beings, and of the Æons, the Abyss; +dwelt in the womb of the Deep together with Thought. By their union was +begotten Intelligence, to whom Truth was given as a companion.</p> + +<p>"Intelligence and Truth engendered the Word and Life, who in their turn +begat Man and the Church; and that doth make eight Æons!"</p> + +<p>(<i>He counts upon his fingers.</i>)</p> + +<p>"The Word and Truth also produced ten other Æons—which is to say, five +couples. Man and the Church had begotten twelve more—among these the +Paraclete and Faith, Hope and Charity, Perfection and Wisdom—Sophia.</p> + +<p>"The union of these thirty Æons constitutes the Pleroma, or +Universality of God. Thus, even as the echo of a passing voice, as the +effluvia of a perfume evaporating, as the fires of the setting sun, +the Powers that<span class="pagenum"><a name="Page_80" id="Page_80">[Pg 80]</a></span> emanated from the Principle, forever continue to grow +weaker.</p> + +<p>"But Sophia, desirous to know the Father, darted from the Pleroma; +and the Word then made another couple, Christ and the Holy Ghost, who +reunited all the Æons; and all together formed Jesus, the flower of the +Pleroma.</p> + +<p>"But the effort of Sophia to flee away had left in the void an image of +her—an evil substance, Acharamoth.<a name="FNanchor_4_11" id="FNanchor_4_11"></a><a href="#Footnote_4_11" class="fnanchor">[4]</a> The Saviour took pity upon her, +freed her from all passion; and from the smile of Acharamoth redeemed, +light was born; her tears formed the waters; by her sorrow was dark +matter begotten.</p> + +<p>"Of Acharamoth was born the Demiurgos,—the fabricator of worlds, +the creator of the heaven and of the Devil. He dwells far below the +Pleroma—so far that he cannot behold it—so that he deems himself to +be the true God, and repeats by the mouths of his prophets—'There is +no other God but I.' Then he made man, and instilled into his soul the +immaterial Seed which was the Church—a<span class="pagenum"><a name="Page_81" id="Page_81">[Pg 81]</a></span> reflection of the other Church +established in the Pleroma.</p> + +<p>"One day Acharamoth shall reach the highest region and unite herself +with the Saviour; the fire that is hidden in the world shall annihilate +all matter, and shall even devour itself and men, becoming pure +spirits, shall espouse the angels!"</p> + +<p><span class="smcap">Origen</span>. "Then shall the Demon be over-thrown and the reign of God +commence!"</p> + +<p>(<i>Anthony expresses a cry, and forthwith</i>)</p> + +<p><span class="smcap">Basilides</span> (<i>taking him by the elbow, exclaims</i>:—)</p> + +<p>"The Supreme Being with all the infinite emanations is called +Abraxas; and the Saviour with all his virtues, Kaulakau—otherwise, +line-upon-line, rectitude upon rectitude.</p> + +<p>"The power of Kaulakau is obtained by the aid of certain words, which +are inscribed upon this chalcedony to help the memory."</p> + +<p>(<i>And he points to a little stone suspended at his neck, upon which +stone fantastic characters are graven.</i>)</p> + +<p>"Then thou wilt be transported into the Invisible and placed above all +law; thou shalt contemn all things—even virtue!</p> + +<p><span class="pagenum"><a name="Page_82" id="Page_82">[Pg 82]</a></span></p> + +<p>"We, the Pure, must flee from pain, after the example of Kaulakau."</p> + +<p><span class="smcap">Anthony</span>. "What! and the cross?"</p> + +<p><span class="smcap">The Elkhesaites</span> (<i>in robes of hyacinth answers him</i>). "The woe and +the degradation, the condemnation and oppression of my fathers<a name="FNanchor_5_12" id="FNanchor_5_12"></a><a href="#Footnote_5_12" class="fnanchor">[5]</a> are +blotted out, through the mission which has come.</p> + +<p>"One may deny the inferior Christ, the man—Jesus; but the other Christ +must be adored—whose personality was evolved under the brooding of the +Dove's wings.</p> + +<p>"Honor marriage; the Holy Spirit is feminine!"</p> + +<p>(<i>Hilarion has disappeared; and Anthony, carried along by the crowd, +arrives in the presence of</i>—)</p> + +<p class="smcap" style="text-align: center;">The Carpocratians</p> + +<p>(<i>reclining with women upon scarlet cushions.</i>)</p> + +<p>"Before entering into the Only thou shalt pass through a series of +conditions and of actions. To free thyself from the powers of darkness, +thou must at once accomplish their<span class="pagenum"><a name="Page_83" id="Page_83">[Pg 83]</a></span> works. The husband shall say to the +wife: 'Have charity for thy brother'—and she will kiss thee."</p> + +<p class="smcap" style="text-align: center;">The Nicolaitans</p> + +<p>(<i>gathered about a mass of smoking meats</i>:)</p> + +<p>"This is a portion of the meat offered to idols;—partake of it! +Apostasy is permissible when the heart is pure. Gorge thy flesh with +all that it demands. Seek to exterminate it by dint of debauchery! +Prounikos, the Mother of Heaven, wallowed in ignominies."</p> + +<p class="smcap" style="text-align: center;">The Marcosians</p> + +<p>(<i>wearing rings of gold, and glistening with precious balm and +unguents</i>:)</p> + +<p>"Enter among us that thou mayst unite thyself to the Spirit! Enter +among us that thou mayst quaff the draught of immortality!"</p> + +<p>(<i>And one of them shows him, behind a tapestry-hanging, the body of a +man terminated by the head of an ass. This represents Sabaoth, father +of the Devil. He spits upon the image in token of detestation.</i></p> + +<p><i>Another shows him a very low bed, strewn with flowers, exclaiming</i>:)</p> + +<p><span class="pagenum"><a name="Page_84" id="Page_84">[Pg 84]</a></span></p> + +<p>"The spiritual marriage is about to be consummated."</p> + +<p>(<i>A third, who holds a cup of glass, utters an invocation;—blood +suddenly appears in the cup</i>:)</p> + +<p>"Ah! behold it! behold it!—the blood of Christ!"</p> + +<p>(<i>Anthony withdraws, but finds himself be-spattered by water splashed +from a cistern.</i>)</p> + +<p class="smcap" style="text-align: center;">The Helvidians</p> + +<p>(<i>are flinging themselves into it head foremost, muttering</i>:—)</p> + +<p>"The man regenerated by baptism is impeccable!"</p> + +<p>(<i>Then he passes by a great fire at which the Adamites are warming +themselves—all completely naked in imitation of the purity of +Paradise; and he stumbles over</i>)</p> + +<p class="smcap" style="text-align: center;">The Messalines</p> + +<p>(<i>wallowing upon the pavement, half-slumbering, stupid</i>:)</p> + +<p>"Oh! crush us if thou wilt! we shall not move! Work is crime; all +occupation is evil."</p> + +<p><span class="pagenum"><a name="Page_85" id="Page_85">[Pg 85]</a></span></p> + +<p>(<i>Behind these, the abject</i>)</p> + +<p class="smcap" style="text-align: center;">Paternians</p> + +<p>(<i>—men, women, and children lying pell mell upon a heap of filth, lift +their hideous faces, wine-besmeared, and they cry aloud</i>:)</p> + +<p>"The inferior parts of the body, which were created by the Devil, +belong to him! Let us eat, drink, and sin!"</p> + +<p><span class="smcap">Ætius</span>. "Crimes are necessities beneath the notice of God!"</p> + +<p>(<i>But suddenly</i>—)</p> + +<p><span class="smcap">A Man</span> (—<i>clad in a Carthaginian mantle, bounds into their midst, +brandishing a scourge of thongs in his hand; and strikes violently and +indiscriminately at all in his path</i>:)</p> + +<p>"Ah! imposters! simonists, heretics and demons!—vermin of the +schools!—dregs of hell! Marcion, there, is a sailor of Sinopus +excommunicated for incest;—Carpocrates was banished for being a +magician; Ætius stole his concubine; Nicholas prostituted his wife; +and this Manes, who calls himself the Buddha, and whose real name is +Cubricus, was flayed alive with the point of a reed,<span class="pagenum"><a name="Page_86" id="Page_86">[Pg 86]</a></span> so that his skin +even now hangs at the gates of Ctesiphon!"</p> + +<p><span class="smcap">Anthony</span> (<i>recognizing Tertullian, rushes to join him</i>): "Master! help! +help!"</p> + +<p><span class="smcap">Tertullian</span> (<i>continuing</i>):</p> + +<p>"Break the images! veil the virgins! Pray, fast, weep and mortify +yourselves! No philosophy! no books! After Jesus, science is useless!"</p> + +<p>(<i>All have fled away; and Anthony beholds, in lieu of Tertullian, a +woman seated upon a bench of stone.</i></p> + +<p><i>She sobs; leaning her head against a column; her hair is loose; her +body, weakened by grief, is clad in a long brown simar. Then they find +themselves face to face and alone, far from the crowd; and a silence, +an extraordinary stillness falls—as in the woods when the winds are +lulled, and the leaves of the trees suddenly cease to whisper.</i></p> + +<p><i>This woman is still very beautiful, although faded, and pale as a +sepulcher. They look at one another; and their eyes send to each other +waves, as it were, of thoughts, bearing drift of a thousand ancient +things, confused, mysterious. At last</i>—)</p> + +<p><span class="smcap">Priscilla</span> (<i>speaks</i>:)</p> + +<p><span class="pagenum"><a name="Page_87" id="Page_87">[Pg 87]</a></span></p> + +<p>"I was in the last chamber of the baths; and the rumbling sounds of the +street caused a sleep to fall upon me.</p> + +<p>"Suddenly I heard a clamour of voices. Men were shouting—'It is a +magician!—it is the Devil!' And the crowd stopped before our house, in +front of the Temple Æsculapius. I drew myself up with my hands to the +little window.</p> + +<p>"Upon the peristyle of the temple, there stood a man who wore about his +neck a collar of iron. He took burning coals out of a chafing-dish, and +with them drew lines across his breast, the while crying out—'Jesus! +Jesus!' The people shouted—'This is not lawful! let us stone him!' +But he continued. Oh! those were unheard of marvels—things which +transported men who beheld them! Flowers broad as suns circled before +my eyes, and I heard in the spaces above me the vibrations of a golden +harp. Day died. My hands loosened their grasp of the window-bars; my +body fell back, and when he had led me away to his house...."</p> + +<p><span class="smcap">Anthony</span>. "But of whom art thou speaking?"</p> + +<p><span class="smcap">Priscilla</span>. "Why, of Montanus!"</p> + +<p><span class="pagenum"><a name="Page_88" id="Page_88">[Pg 88]</a></span></p> + +<p><span class="smcap">Anthony</span>. "Montanus is dead!"</p> + +<p><span class="smcap">Priscilla</span>. "It is not true!"</p> + +<p><span class="smcap">A Voice</span>. "No: Montanus is not dead!"</p> + +<p>(<i>Anthony turns; and sees upon the bench near him, on the opposite +side, another woman sitting; she is fair, and even paler than the +other; there are swellings under her eyes, as though she had wept a +long time. She speaks without being questioned</i>:)</p> + +<p><span class="smcap">Maximilla</span>. "We were returning from Tarsus by way of the mountains, +when, at a turn in the road, we saw a man under a fig tree.</p> + +<p>"He cried from afar off: 'Stop! stop!' and rushed toward us, uttering +words of abuse. The slaves ran up; he burst into a loud laugh. The +horses reared; the molossi all barked.</p> + +<p>"He stood before us. The sweat streamed from his forehead; his mantle +napped in the wind.</p> + +<p>"And calling us each by our names, he reproached us with the vanity +of our work, the infamy of our bodies; and he shook his fist at the +dromedaries because of the silver bells hanging below their mouths.</p> + +<p>"His fury now filled my very entrails with<span class="pagenum"><a name="Page_89" id="Page_89">[Pg 89]</a></span> fear and yet there was a +strange pleasure in it which fascinated me, intoxicated me!</p> + +<p>"First the slaves came. 'Master,' they said, 'our animals are weary.' +Then the women said, 'We are frightened,' and the slaves departed. Then +the children began to weep,—'We are hungry.' And as the women were not +answered, they disappeared also from our view.</p> + +<p>"He still spoke. I felt some one near me. It was my husband; but I +listened only to the other. My husband crawled to me upon his knees +among the stones, and cried—'Dost thou abandon me,' and I replied: +'Yes! go thy way!' that I might accompany Montanus."</p> + +<p><span class="smcap">Anthony</span>. "A eunuch!"</p> + +<p><span class="smcap">Priscilla</span>. "Ah! does that astound thee, vulgar soul! Yet Magdalen, +Johanna, Martha and Susannah did not share the couch of the Saviour. +Souls may know the delirium of embrace better than bodies. That he +might keep Eustolia with impunity, the bishop Leontius mutilated +himself—loving his love more than his virility. And then, it was +no fault of mine. Sotas could not cure me; a spirit constrained me. +It is cruel, nevertheless! But what matter? I am the<span class="pagenum"><a name="Page_90" id="Page_90">[Pg 90]</a></span> last of the +prophetesses; and after me the end of the world shall come."</p> + +<p><span class="smcap">Maximilla</span>. "He showered his gifts upon me. Moreover, no one loves him +as I, nor is any other so well beloved by him!"</p> + +<p><span class="smcap">Priscilla</span>. "Thou liest! I am the most beloved!"</p> + +<p><span class="smcap">Maximilla</span>. "No: it is I!"</p> + +<p>(<i>They fight. Between their shoulders suddenly appears the head of a +negro.</i>)</p> + +<p><span class="smcap">Montanus</span> (<i>clad in a black mantle, clasped by two cross-bones</i>):</p> + +<p>"Peace, my doves! Incapable of terrestrial happiness, we have obtained +the celestial plentitude of our union. After the age of the Father, +the age of the Son; and I inaugurate the third, which is that of the +Paraclete. His light descended upon me during those forty nights when +the heavenly Jerusalem appeared shining in the firmament, above my +house at Pepuzza.</p> + +<p>"Ah, how ye cry out with anguish when the thongs of the scourge +lacerate! how your suffering bodies submit to the ardor of my spiritual +discipline! how ye languish with irrealizable longing! So strong has +that desire become that it has enabled you to behold<span class="pagenum"><a name="Page_91" id="Page_91">[Pg 91]</a></span> the invisible +world; and ye can now perceive souls even with the eyes of the body!"</p> + +<p><span class="smcap">Anthony</span>. (<i>Makes a gesture of astonishment.</i>)</p> + +<p><span class="smcap">Tertullian</span> (<i>who appears again, standing beside Montanus</i>):</p> + +<p>"Without doubt; for the soul has a body, and that which is bodiless has +no existence."</p> + +<p><span class="smcap">Montanus</span>. "In order to render it yet more subtle, I have instituted +many mortifications, three Lents a year, and prayers to be uttered +nightly by the mind only, keeping the mouth closed, lest breathing +might tarnish thought. It is necessary to abstain from second +marriages, or rather from all marriage! The Angels themselves have +sinned with women!"</p> + +<p><span class="smcap">The Archontics</span> (<i>wearing cilices of hair</i>):</p> + +<p>"The Saviour said: 'I come to destroy the work of the Woman!'"</p> + +<p><span class="smcap">The Tatianites</span> (<i>wearing cilices of reed</i>):</p> + +<p>"She is the tree of evil. Our bodies are but garments of skin."</p> + +<p>(<i>And continuing to advance along the same side, Anthony meets</i>:—)</p> + +<p><span class="smcap">The Valesians</span> (<i>extended upon the ground, with red wounds below their +bellies, and blood<span class="pagenum"><a name="Page_92" id="Page_92">[Pg 92]</a></span> saturating their tunics. They offer him a knife.</i>)</p> + +<p>"Do as Origen did and as we have done! Is it the pain that thou +fearest, coward? Is it the love of thy flesh that restrains thee, +hypocrite?"</p> + +<p>(<i>And while he watches them writhing upon their backs, in a pool of +blood</i>—)</p> + +<p><span class="smcap">The Cainites</span> (<i>wearing knotted vipers as fillets about their hair, pass +by, vociferating in his ear</i>):—</p> + +<p>"Glory to Cain! Glory to Sodom! Glory be to Judas!</p> + +<p>"Cain made the race of the strong; Sodom terrified the earth by her +punishment, and it was by Judas that God saved the world! Yes! by +Judas: without him there would have been no death and no redemption!"</p> + +<p>(<i>They disappear beneath the horde of the</i>—)</p> + +<p><span class="smcap">Circumcelliones</span> (<i>all clad in the skins of wolves, crowned with thorns, +and armed with maces of iron</i>).</p> + +<p>"Crush the fruit! befoul the spring! drown the child! Pillage the rich +who are happy—who cat their fill! Beat the poor who envy the ass +his saddle-cloth, the dog his meal, the<span class="pagenum"><a name="Page_93" id="Page_93">[Pg 93]</a></span> bird his nest,—and who is +wretched at knowing that others are not as miserable as himself.</p> + +<p>"We, the Saints, poison, burn, massacre, that we may hasten the end of +the world.</p> + +<p>"Salvation may be obtained through martyrdom only. We give ourselves +martyrdom. We tear the skin from our heads with pincers; we expose our +members to the plough; we cast ourselves into the mouths of furnaces!</p> + +<p>"Out upon baptism! out upon the Eucharist! out upon marriage! universal +damnation!"</p> + +<p>(<i>Then throughout all the basilica there is a redoubling of fury.</i></p> + +<p><i>The Audians shoot arrows against the Devil; the Collyridians throw +blue cloths toward the roof; the Ascites prostrate themselves before +a waterskin; the Marcionites baptise a dead man with oil. A woman, +standing near Appelles, exhibits a round loaf within a bottle, in order +the better to explain her idea. Another, standing in the midst of an +assembly of Sampseans distributes, as a sacrament, the dust of her +own sandals. Upon the rose-strewn bed of the Marcosians, two lovers +embrace. The Circumcellionites<span class="pagenum"><a name="Page_94" id="Page_94">[Pg 94]</a></span> slaughter one another; the Valesians +utter the death-rattle; Bardesanes sings; Carpocras dances; Maximilla +and Priscilla moan; and the false prophetess of Cappadocia, completely +naked, leaning upon a lion, and brandishing three torches, shrieks the +Terrible Invocation.</i></p> + +<p><i>The columns of the temple sway to and fro like the trunks of trees in a +tempest; the amulets suspended about the necks of the Heresiarchs seem +to cross each other in lines of fire; the constellations in the chapels +palpitate; and the walls recoil with the ebb and flow of the crowd, in +which each head is a wave that leaps and roars.</i></p> + +<p><i>Nevertheless, from the midst of the clamor arises the sound of a song, +in which the name of Jesus is often repeated, accompanied by bursts of +laughter.</i></p> + +<p><i>The singers belong to the rabble of the people; they all keep time to +the song by clapping their hands. In their midst stands</i>—)</p> + +<p><span class="smcap">Artus</span> (<i>in a deacon's vestments</i>):</p> + +<p>"The fools who declaim against me pretend to explain the absurd; and in +order to confound them utterly, I have composed ditties so droll that +they are learned by heart<span class="pagenum"><a name="Page_95" id="Page_95">[Pg 95]</a></span> in all the mills, in the taverns and along +the ports.</p> + +<p>"No! a thousand times no!—the Son is not coeternal with the Father, +nor of the same substance! Otherwise he would not have said: 'Father, +remove this chalice from me! Why dost thou call me good? God alone is +good! I go to my God, to your God!'—and many other things testifying +to his character of creature. The fact is further demonstrated for +us by all his names:—lamb, shepherd, fountain, wisdom, son-of-man, +prophet; the way, the corner-stone!"</p> + +<p><span class="smcap">Sabelliusés</span>. "I hold that both are identical."</p> + +<p><span class="smcap">Arius</span>. "The Council of Antioch has decided the contrary."</p> + +<p><span class="smcap">Anthony</span>. "Then what is the Word?... What was Jesus?"</p> + +<p><span class="smcap">The Valentinians</span>. "He was the husband of Acharamoth repentant!"</p> + +<p><span class="smcap">The Sethianians</span>. "He was Shem, the son of Noah!"</p> + +<p><span class="smcap">The Theodotians</span>. "He was Melchisedech!"</p> + +<p><span class="smcap">The Merinthians</span>. "He was only a man!"</p> + +<p><span class="smcap">The Apollinarists</span>. "He assumed the appearance<span class="pagenum"><a name="Page_96" id="Page_96">[Pg 96]</a></span> of one! He simulated the +Passion!"</p> + +<p><span class="smcap">Marcel of Ancyra</span>. "He was a development of the Father!"</p> + +<p><span class="smcap">Pope Calixtus</span>. "Father and Son are but two modes of one God's +manifestation!"</p> + +<p><span class="smcap">Methodius</span>. "He was first in Adam, then in man!"</p> + +<p><span class="smcap">Cerinthus</span>. "And He will rise again!"</p> + +<p><span class="smcap">Valentinus</span>. "Impossible—his body being celestial!"</p> + +<p><span class="smcap">Paul of Samosata</span>. "He became God <i>only</i> from the time of his baptism!"</p> + +<p><span class="smcap">Hermogenes</span>. "He dwells in the sun!"</p> + +<p>(<i>And all the Heresiarchs form a circle about Anthony, who weeps, +covering his face with his hands.</i>)</p> + +<p><span class="smcap">A Jew</span> (<i>with a red beard, and spots of leprosy upon his shin, +approaches close to Anthony, and, with a hideous sneer, exclaims</i>):</p> + +<p>"His soul was the soul of Esau! He suffered from the Bellephorentian +sickness. Was not his mother, the seller of perfumes, seduced by a +<span class="pagenum"><a name="Page_97" id="Page_97">[Pg 97]</a></span>Roman soldier, one Pantherus?.......................... <a name="FNanchor_6_13" id="FNanchor_6_13"></a><a href="#Footnote_6_13" class="fnanchor">[6]</a></p> + +<p><span class="smcap">Anthony</span> (<i>suddenly raising his head, looks at them a moment in silence; +then advancing boldly upon them, exclaims</i>):</p> + +<p>"Doctors, magicians, bishops, and deacons, men and phantoms, away from +me! begone! Ye are all lies!"</p> + +<p><span class="smcap">The Heresiarchs</span>. "We have martyrs more martyrs than thine, prayers +that are more difficult, outbursts of love more sublime, ecstasies as +prolonged as thine are."</p> + +<p><span class="smcap">Anthony</span>. "But ye have no revelation! no proofs!"</p> + +<p>(<i>They all at once brandish in the air their rolls of papyrus, tablets +of wood, scrolls of leather, rolls of woven stuff bearing inscriptions; +and elbowing; and pushing each other, they all shout to Anthony.</i>)</p> + +<p><span class="smcap">The Cerinthians</span>. "Behold the Gospel of the Hebrews!"</p> + +<p><span class="smcap">The Marcionites</span>. "Behold the Gospel of the Lord!"</p> + +<p><span class="smcap">The Marcosians</span>. "The Gospel of Eve!"</p> + +<p><span class="smcap">The Eucratites</span>. "The Gospel of Thomas!"</p> + +<p><span class="smcap">The Cainites</span>. "The Gospel of Judas!"</p> + +<p><span class="smcap">Basilides</span>. "The Treatise upon the Destiny of the Soul!"</p> + +<p><span class="pagenum"><a name="Page_98" id="Page_98">[Pg 98]</a></span></p> + +<p><span class="smcap">Manes</span>. "The Prophecy of Barkouf!"</p> + +<p>(<i>Anthony struggles, breaks from them, escapes them; and in a shadowy +corner perceives</i>—)</p> + +<p><span class="smcap">The Aged Ebionites</span></p> + +<p>(<i>withered as mummies, their eyes dull and dim, their eyebrows white as +frost.</i></p> + +<p><i>In tremulous voices they exclaim</i>:—)</p> + +<p>"We have known him, we have seen him! We knew the Carpenter's Son! We +were then the same age as he; we dwelt in the same street. He used to +amuse himself by modelling little birds of mud; aided his father at his +work without fear of the sharp tools, or selected for his mother the +skeins of dyed wool. Then he made a voyage to Egypt, from whence he +brought back wondrous secrets. We were at Jericho when he came to find +the Eater of Locusts. They talked together in a low voice, so that no +one could hear what was said. But it was from that time that his name +began to be noised abroad in Galilee, and that men began to relate many +fables regarding him."</p> + +<p>(<i>They reiterate, tremulously</i>:)</p> + +<p>"We knew him! we others, we knew him!"</p> + +<p><span class="pagenum"><a name="Page_99" id="Page_99">[Pg 99]</a></span></p> + +<p><span class="smcap">Anthony</span>. "Ah, speak on, speak! What was his face like?"</p> + +<p><span class="smcap">Tertullian</span>. "His face was wild and repulsive; forasmuch as he +had burthened himself with all the crimes, all the woes, all the +deformities of mankind."</p> + +<p><span class="smcap">Anthony</span>. "Oh! no, no! I imagine, on the contrary, that his entire +person must have been glorious with a beauty greater than the beauty of +man!"</p> + +<p><span class="smcap">Eusebius of Cæsarea</span>. "There is indeed, at Paneades, propped up against +the walls of a crumbling edifice surrounded by a wilderness of weeds +and creeping plants, a certain statue of stone which, some say, was +erected by the Woman healed of the issue of blood. But time has gnawed +the face of the statue, and the rains have worn the inscription away."</p> + +<p>(<i>A woman steps forward from the group of the Carpocratians.</i>)</p> + +<p><span class="smcap">Marcellina</span>. "I was once a deaconess at Rome, in a little church, where +I used to exhibit to the faithful, the silver images, of Saint Paul, +Homer, Pythagoras and Jesus Christ.</p> + +<p>"I have only kept that of Jesus."</p> + +<p>(<i>She half opens her mantle.</i>)</p> + +<p><span class="pagenum"><a name="Page_100" id="Page_100">[Pg 100]</a></span></p> + +<p>"Dost thou desire it?"</p> + +<p><span class="smcap">A Voice</span>. "He reappears himself when we call upon him! It is the +hour!—come!"</p> + +<p>(<i>And Anthony feels a brutal hand seize him by the arm, and drag him +away.</i></p> + +<p><i>He mounts a stairway in complete darkness; and after having ascended +many steps, he finds himself before a door.</i></p> + +<p><i>Then the one who is leading him—(is it Hilarion?—he does not +know)—whispers in the ear of another</i>: "The Lord is about to +come!"—<i>and they are admitted into a chamber, with a very low ceiling, +and without furniture.</i></p> + +<p><i>The first object which attracts his attention is a long blood-colored +chrysalis, with a human head surrounded by rays, and the word</i> Knouphus +<i>inscribed all around it in Greek characters. It is placed upon the +shaft of a column, which is in turn supported by a broad pedestal. +Hanging upon the walls of the chamber are medallions of polished iron +representing the heads of various animals:—the head of an ox, the head +of a lion, the head of an eagle, the head of a dog, and the head of an +ass—again!</i></p> + +<div class="figcenter" style="width: 600px; margin-top: 2em"> +<a id="redon202"></a> +<img src="images/redon2_02.jpg" width="600" alt="" /> +<div class="caption"><p>... a long blood-colored chrysalis</p></div> +</div> + +<p class="p2"><i>Earthen lamps, suspended below these<span class="pagenum"><a name="Page_101" id="Page_101">[Pg 101]</a></span> images, create a vacillating +light. Through a hole in the wall, Anthony can see the moon shining +far off upon the waves; he can even hear the feeble regular sound of +lapping water; together with the heavy thud occasionally caused by the +bumping of a ship's hull against the stones of the mole.</i></p> + +<p><i>There are men crouching down, with their faces hidden by their +mantles. From time to time they utter sounds resembling a smothered +bark. There are women also, sleeping with their foreheads resting upon +their arms, and their arms supported by their knees; they are so hidden +by their garments as to resemble heaps of cloth piled up at intervals +against the wall. Near them are half naked children, whose persons +swarm with vermin. They watch with idiotic stare the burning of the +lamps; and nothing is done: all are waiting for something.</i></p> + +<p><i>They talk in undertones about family matters, or recommend to each +other various remedies for their ailments. Some of them must embark +at earliest daylight; the persecution is becoming too terrible to be +endured. Nevertheless, the pagans are easily enough<span class="pagenum"><a name="Page_102" id="Page_102">[Pg 102]</a></span> deceived</i>:—"The +fools imagine that we are really adoring Knouphus!"</p> + +<p><i>But one of the brethren, feeling himself suddenly inspired, takes his +place before the column, where a basket has already been placed, filled +with fennel and aristolochia. On the top of the basket is placed a +loaf.</i>)</p> + +<p class="smcap" style="text-align: center;">The Inspired Brother</p> + +<p>(<i>unrolling a placard covered with designs representing cylinders +blending with and fitting into one another, commences to pray</i>:)</p> + +<p>"The ray of the Word descended upon the darknesses; and there arose a +mighty cry, like unto the voice of Light."</p> + +<p><span class="smcap">All</span> (<i>swaying their bodies in unison, respond</i>):</p> + +<p>"Kyrie eleison!"</p> + +<p><span class="smcap">The Inspired Brother</span>. "Then was Man created by the infamous +God of Israel, aided by those who are these (<i>pointing to the +medallions</i>)—Astophaios, Oraios, Sabaoth, Adonai, Eloi, Iao!</p> + +<p>"And Man, hideous, feeble, formless and thoughtless, lay upon the slime +of the earth."</p> + +<p><span class="smcap">All</span> (<i>in plaintive accents</i>):</p> + +<p><span class="pagenum"><a name="Page_103" id="Page_103">[Pg 103]</a></span></p> + +<p>"Kyrie eleison!"</p> + +<p><span class="smcap">The Inspired Brother</span>. "But Sophia, compassionating him, vivified him +with a spark of her own soul.</p> + +<p>"Then God, beholding Man so beautiful, waxed wroth; and imprisoned him +within His own kingdom, forbidding him to touch the Tree of Knowledge.</p> + +<p>"Again did the other succor him. She sent to him the Serpent, who, by +many long subterfuges, made him disobey that law of hate.</p> + +<p>"And Man, having tasted knowledge, understood celestial things."</p> + +<p><span class="smcap">All</span> (<i>raising their voices</i>):</p> + +<p>"Kyrie Eleison!"</p> + +<p><span class="smcap">The Inspired Brother</span>. "But Iabdalaoth through vengeance cast down man +into the world of matter, and the Serpent with him."</p> + +<p><span class="smcap">All</span> (<i>in a very low tone</i>):</p> + +<p>"Kyrie Eleison!"</p> + +<p>(<i>Then all hold their peace, and there is silence.</i></p> + +<p><i>The odors of the port mingle with the smoke of the lamps in the warm +air. The lamp-wicks crepitate; their flames are about to go out, long +mosquitoes flit in rapid circlings about them. And Anthony groans +in<span class="pagenum"><a name="Page_104" id="Page_104">[Pg 104]</a></span> an agony of anguish, as with the feeling that a monstrosity is +floating about him, as with the fear of a crime that is about to be +accomplished.</i></p> + +<p><i>But</i>—)</p> + +<p><span class="smcap">The Inspired Brother</span> (<i>stamping his heel upon the floor, snapping his +fingers, tossing his head wildly, suddenly chants to a furious rhythm, +with accompaniment of cymbals and a shrill flute</i>:—)</p> + +<p>"Come! come! come!—issue from thy cavern!</p> + +<p>"O swift one, who runneth without feet, captor who seizeth without hand!</p> + +<p>"Sinuous as the rivers, orbicular as the sun, black, with spots of +gold, like the firmament star-besprinkled! Like unto the intertwinings +of the vine, and the circumvolutions of entrails!</p> + +<p>"Unengendered! eater of earth! immortally young! unfailing +perspicacious! honored at Epidaurus! Kindly to man! thou who didst heal +King Ptolemy, and the warriors, of Moses, and Glaucus, son of Minos!</p> + +<p>"Come! come! come!—issue from thy cavern!"</p> + +<p><span class="smcap">All</span> (<i>repeat</i>):</p> + +<p><span class="pagenum"><a name="Page_105" id="Page_105">[Pg 105]</a></span></p> + +<p>"Come! come! come!—issue from thy cavern!"</p> + +<p>(<i>Nevertheless, nothing yet appears.</i>)</p> + +<p>"Why? What aileth him?"</p> + +<p>(<i>And they concert together, devise means.</i></p> + +<p><i>An old man presents a clod of turf as an offering. Then something +upheaves within the basket. The mass of verdure shakes; the flowers +fall, and the head of a python appears.</i></p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon05"></a> +<img src="images/redon_05.jpg" width="600" alt="" /> +<div class="caption"><p>... the flowers fall and the head of a python appears</p></div> +</div> + +<p class="p2"><i>It passes slowly around the edge of the loaf, like a circle moving +around an immovable disk;—then it unfolds itself, lengthens out; it is +enormous and of great weight. Lest it should touch the floor, the men +uphold it against their breasts, the women support it upon their heads, +the children hold it up at arms' length; and its tail, issuing through +the hole in the wall, stretches away indefinitely to the bottom of the +sea. Its coils double; they fill the chamber; they enclose Anthony.</i>)</p> + +<p><span class="smcap">The Faithful</span> (<i>press their mouths against its skin, snatch from one +another the loaf which it has bitten, and cry aloud</i>:—)</p> + +<p>"It is thou! it is thou!</p> + +<p>"First raised up by Moses, broken by<span class="pagenum"><a name="Page_106" id="Page_106">[Pg 106]</a></span> Ezechias, re-established by the +Messiah. He drank thee in the waters of baptism; but thou didst leave +him in the Garden of Olives; and then indeed he felt his own weakness!</p> + +<p>"Writhing about the arms of the cross, and above his head, while +casting thy slime upon the crown of thorns, thou didst behold him die! +For thou art not Jesus, thou!—thou art the Word! thou art the Christ!"</p> + +<p>(<i>Anthony faints with horror, and falls prostrate in front of his hut +upon the splinters of wood, where the torch that had slipped from his +hand, is burning low.</i></p> + +<p><i>The shock arouses him. Opening his eyes again, he perceives the Nile, +brightly undulating under the moon, like a vast serpent winding over +the sands; so that the hallucination returns upon him again; he has not +left the company of the Ophites; they surround him, call him; he sees +them carrying baggage, descending to the port. He embarks along with +them.</i></p> + +<p><i>An inappreciable time elapses.</i></p> + +<p><i>Then the vaults of a prison environ him. Iron bars in front of him +make black lines against a background of blue; and in the darkness +beside him people are praying and<span class="pagenum"><a name="Page_107" id="Page_107">[Pg 107]</a></span> weeping surrounded by others who +exhort and console.</i></p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon06"></a> +<img src="images/redon_06.jpg" width="600" alt="" /> +<div class="caption"><p>... and in the darkness beside him people are +praying</p></div></div> + +<p class="p2"><i>Without, there is a murmur like the deep humming of a vast crowd, and +there is splendour as of a summer's day.</i></p> + +<p><i>Shrill voices announce watermelons for sale, iced drinks, and cushions +of woven grass to sit upon. From time to time there are bursts of +applause. He hears the sound of footsteps above his head.</i></p> + +<p><i>Suddenly a long roar is heard, mighty and cavernous as the roar of +water in an aqueduct.</i></p> + +<p><i>And he sees, directly opposite, behind the bars of another compartment +across the arena a lion walking to and fro, then a line of sandals, +bare legs, and purple fringes. Beyond are the vast circling wreaths +of people, in symmetrical tiers, enlarging as they rise, from the +lowest which hems in the arena to the uppermost above which masts +rise to sustain a hyacinth-colored awning, suspended in air by ropes. +Stairways radiating toward the centre, divide these huge circles of +stone at regular intervals. The benches disappear under a host of +spectators—knights, senators, soldiers, plebeians, vestals, and +courtesans—in woollen hoods, in silken maniples, in fallow-colored<span class="pagenum"><a name="Page_108" id="Page_108">[Pg 108]</a></span> +tunics; together with aigrettes of precious stones, plumes of feathers, +the fasces of lictors; and all this swarming multitude deafens and +stupefies Anthony with its shoutings, its tumultuous fury, as of an +enormous boiling vat. In the middle of the arena, a vase of incense +smokes upon an altar.</i></p> + +<p><i>Anthony thus knows that the people with him are Christians condemned +to be thrown to the wild beasts. The men wear the red mantle of the +pontiffs of Saturn; the women, the bandellettes of Ceres. Their friends +divide among themselves shreds of their garments, and rings. To obtain +access to the prison, they say, costs a great deal of money. But what +matter! They will remain until it is all over.</i></p> + +<p><i>Anthony notices among these consolers, a certain bald-headed man, +in a black tunic: Anthony has seen that face somewhere before. The +consoler discourses to them concerning the nothingness of this world, +and the felicity of the Elect. Anthony feels within him a transport of +celestial love; he longs for the opportunity to lay down his life for +the Saviour—not knowing as yet whether he himself is to be numbered +among the martyrs.</i></p> + +<p><span class="pagenum"><a name="Page_109" id="Page_109">[Pg 109]</a></span></p> + +<p><i>But all—except a certain Phrygian, with long hair, who stands with +his arms uplifted—have a look of woe. One old man is sobbing upon a +bench; a youth standing close by, with drooping head, abandons himself +to a reverie of sorrow.</i></p> + +<p><span class="smcap">The Old Man</span> <i>had refused to pay the customary contribution before the +statue of Minerva, erected at the angle of the cross-roads; and he +gazes at his companions with a look that signifies</i>:—)</p> + +<p>"Ye ought to have succored me! Communities can sometimes so arrange +matters as to insure their being left in peace. Some among ye also +procured those letters which falsely allege that one has sacrificed to +idols."</p> + +<p>(<i>He asks aloud</i>:—)</p> + +<p>"Was it not Petrus of Alexandria who laid down the rule concerning what +should be done by those who have yielded to torture?"</p> + +<p>(<i>Then, to himself</i>:—)</p> + +<p>"Ah! how cruel this at my age! My infirmities make me so weak! +Nevertheless, I might easily have lived until the coming winter, or +longer!"</p> + +<p><span class="pagenum"><a name="Page_110" id="Page_110">[Pg 110]</a></span></p> + +<p>(<i>The memory of his little garden makes him sad, and he gazes toward +the altar.</i>)</p> + +<p><span class="smcap">The Young Man</span> (<i>who disturbed the festival of Apollo by violence and +blows, murmurs</i>:—)</p> + +<p>"Yet it would have been easy for me to have fled to the mountains!"</p> + +<p>(<i>One of the brothers answers</i>:—)</p> + +<p>"But the soldiers would have captured thee!"</p> + +<p><span class="smcap">The Young Man</span>. "Oh! I would have done as Cyprian did—I would have +returned, and the second time I would surely have had more force!"</p> + +<p>(<i>Then he thinks of the innumerable days that he might have lived, of +all the joys that he might have known, but will never know; and he +gazes toward the altar.</i></p> + +<p><i>But</i>—)</p> + +<p><span class="smcap">The Man in the Black Tunic</span> (<i>rushes to his side.</i>)</p> + +<p>"What scandal! What! Thou! a victim of God's own choice! And all these +women here who are looking at thee! Nay, think what thou art doing! +Moreover, remember that God sometimes vouchsafes to perform a miracle. +Pionius numbed and made powerless<span class="pagenum"><a name="Page_111" id="Page_111">[Pg 111]</a></span> the hands of his executioners; the +blood of Polycarp extinguished the fire of the stake."</p> + +<p>(<i>Then he turns to the Old Man</i>:—)</p> + +<p>"Father, father! it behooves thee to edify us by thy death! By longer +delaying it, thou wouldst doubtless commit some evil action that would +lose thee the fruit of all thy good works. Remember, also, that the +power of God is infinite; and it may come to pass that all the people +will be converted by thy example."</p> + +<p>(<i>And in the great den opposite, the lions stride back and forth, +ceaselessly, with a rapid continuous motion. The largest suddenly looks +at Anthony and roars, and a vapour issues from his jaws.</i></p> + +<p><i>The women are huddled against the men.</i>)</p> + +<p><span class="smcap">The Consoler</span> (<i>goes from one to the other.</i>)</p> + +<p>"What would ye say, what wouldst thou say if thou wert to be burned +with red-hot irons, if thou wert to be torn asunder by horses, if thou +hadst been condemned to have thy body smeared with honey, and thus +exposed to be devoured by flies! As it is, thou wilt only suffer the +death of a hunter surprised by a beast in the woods."</p> + +<p><span class="pagenum"><a name="Page_112" id="Page_112">[Pg 112]</a></span></p> + +<p>(<i>Anthony would prefer all those things to death by the fangs of the +horrible wild beasts; he fancies already that he feels their teeth and +their claws, that he hears his bones cracking between their jaws.</i></p> + +<p><i>A keeper enters the dungeon; the martyrs tremble.</i></p> + +<p><i>Only one remains impassable, the Phrygian, who prays standing apart +from the rest. He has burned three temples; and he advances with arms +uplifted, mouth open, face turned toward heaven, seeing nothing around +him, like a somnambulist.</i>)</p> + +<p><span class="smcap">The Consoler</span> (<i>shouts</i>). "Back! back! lest the spirit of Montanus might +come upon you."</p> + +<p><span class="smcap">All</span> (<i>recoil from the Phrygian, and vociferate</i>)</p> + +<p>"Damnation to the Montanist!"</p> + +<p>(<i>They insult him, spit upon him, excite each other to beat him.</i></p> + +<p><i>The rearing lions bite each other's manes</i>;)</p> + +<p><span class="smcap">The People</span> "To the beasts with them, to the beasts."</p> + +<p><i>The Martyrs burst into sobs, and embrace each other passionately. A +cup of narcotic<span class="pagenum"><a name="Page_113" id="Page_113">[Pg 113]</a></span> wine is offered them. It is passed from hand to hand, +quickly.</i></p> + +<p><i>Another keeper, standing at the door of the den, awaits the signal. +The den opens; a lion comes out.</i></p> + +<p><i>He crosses the arena with great oblique strides. Other lions follow in +file after him; then a bear, three panthers, and some leopards. They +scatter through the arena like a flock in a meadow.</i></p> + +<p><i>The crack of a whip resounds. The Christians stagger forward; and +their brethren push them, that it may be over the sooner.</i></p> + +<p><i>Anthony closes his eyes.</i></p> + +<p><i>He opens them again. But darkness envelopes him.</i></p> + +<p><i>Soon the darkness brightens; and he beholds an arid plain, mamillated +with knolls, such as might be seen about abandoned quarries.</i></p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon07"></a> +<img src="images/redon_07.jpg" width="600" alt="" /> +<div class="caption"><p>... and he beholds an arid plain, mamillated with knolls</p></div> +</div> + +<p class="p2"><i>Here and there a tuft of shrubbery rises among the slabs of stone, +level with the soil; and there are white figures, vaguer than clouds, +bending over the slabs.</i></p> + +<p><i>Others approach, softly, silently. Eyes gleam through the slits of +long veils. By the easy indifference of their walk, and the perfumes<span class="pagenum"><a name="Page_114" id="Page_114">[Pg 114]</a></span> +exhaled from their garments, Anthony knows they are patrician women. +There are men also, but of inferior condition; for their faces are at +once simple-looking and coarse.</i></p> + +<p>(<i>One of the Women, taking a long breath</i>:)</p> + +<p>"Ah! how good the cool air of night is, among the sepulchers! I am so +weary of the softness of beds, the turmoil of days, the heavy heat of +the sun!"</p> + +<p>(<i>Her maid-servant takes from a canvas bag, a torch which she ignites. +The faithful light other torches by it, and plant them upon the tombs.</i>)</p> + +<p><span class="smcap">A Woman</span> (<i>panting</i>).</p> + +<p>"I am here at last! Oh how wearisome to be the wife of an idolator!"</p> + +<p><span class="smcap">Another</span>. "These visits to the prisons, interviews with our brethren, +are all matters of suspicion to our husbands! And we must even hide +ourselves in order to make the sign of the cross; they would take it +for a magical conjuration!"</p> + +<p><span class="smcap">Another</span>. "With my husband it was a quarrel every day. I would not +submit myself to his brutal exactions; therefore he has had me +prosecuted as a Christian."</p> + +<p><span class="smcap">Another</span>. "Do you remember Lucius,<span class="pagenum"><a name="Page_115" id="Page_115">[Pg 115]</a></span> that young man who was so beautiful, +who was dragged like Hector, with his heels attached to a chariot, +from the Esquiline Gate to the mountains of Tibur?—and how his blood +spattered the bushes on either side of the road? I gathered up the +drops of his blood. Behold it!"</p> + +<p>(<i>She drags a black sponge from her bosom, covers it with kisses, and +flings herself down upon the slabs, crying aloud</i>:—)</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon08"></a> +<img src="images/redon_08.jpg" width="600" alt="" /> +<div class="caption"><p>She drags a black sponge from her bosom, covers it with kisses ...</p></div> +</div> + +<p class="p2">"Ah! my friend! my friend!"</p> + +<p><span class="smcap">A Man</span>. "It is just three years to-day since Domitilla died. They stoned +her at the further end of the Grove of Proserpine. I gathered her +bones, which shone like glowworms in the grass. The earth how covers +them."</p> + +<p>(<i>He casts himself down upon a tomb.</i>)</p> + +<p>"O my betrothed! my betrothed!"</p> + +<p>(<i>And all the others scattered over the plain</i>:—)</p> + +<p>"O my sister! O my brother! O my daughter! O my mother!"</p> + +<p>(<i>Some kneel, covering their faces with their hands; others lie down +upon the ground with their arms extended; and the sobs they smother +shake their breasts with such violence as though their hearts were +breaking<span class="pagenum"><a name="Page_116" id="Page_116">[Pg 116]</a></span> with grief. Sometimes they look up to heaven, exclaiming</i>:—)</p> + +<p>"Have mercy upon her soul, O my God! She languishes in the sojourn of +Shades; vouchsafe to admit her to thy Resurrection, that she may enjoy +Thy Light!"</p> + +<p>(<i>Or, with eyes fixed upon the gravestones, they murmur to the dead</i>:—)</p> + +<p>"Be at peace, beloved! and suffer not! I have brought thee wine and +meats!"</p> + +<p><span class="smcap">A Widow</span>. "Here is pultis, made by my own hands, as he used to like it, +with plenty of eggs and a double measure of flour! We are going to eat +it together as in other days, are we not?"</p> + +<p>(<i>She lifts a little piece to her lips, and suddenly bursts into an +extravagant and frenzied laugh.</i></p> + +<p><i>The others also nibble a little bit as she does and drink a mouthful +of wine.</i></p> + +<p><i>They recount to each other the stories of their martyrs; grief becomes +exalted! libations redouble. Their tear-swimming eyes are fixed upon +each other's faces. They stammer with intoxication and grief; gradually +hands touch hands, lips join themselves<span class="pagenum"><a name="Page_117" id="Page_117">[Pg 117]</a></span> to lips, and they seek each +other upon the tombs, between the cups and the torches.</i></p> + +<p><i>The sky begins to whiten. The fog makes damp their garments; and, +without appearing even to know one another, they depart by different +ways and seek their homes.</i></p> + +<p><i>The sun shines; the weeds and the grass have grown higher; the face of +the plain is changed.</i></p> + +<p><i>And Anthony, looking between tall bamboos, sees distinctly a forest of +columns, of bluish-grey color. These are tree-trunks, all originating +from one vast trunk. From each branch of the colossal tree descend +other branches which may bury themselves in the soil; and the aspect of +all these horizontal and perpendicular lines, indefinitely multiplied, +would closely resemble a monstrous timber-work, were it not that they +have small figs<a name="FNanchor_7_14" id="FNanchor_7_14"></a><a href="#Footnote_7_14" class="fnanchor">[7]</a> growing upon them here and there, and a blackish +foliage, like that of the sycamore.</i></p> + +<p><i>He perceives in the forkings of their branches, hanging bunches of +yellow flowers, violet flowers also, and ferns that resemble the plumes +of splendid birds.</i></p> + +<p><i>Under the lowest branches the horns of a<span class="pagenum"><a name="Page_118" id="Page_118">[Pg 118]</a></span> bubalus gleam at intervals, +and the bright eyes of antelopes are visible; there are hosts of +parrots; there are butterflies flittering hither and thither; lizards +lazily drag themselves up or down; flies buzz and hum; and in the midst +of the silence, a sound is audible as of the palpitation of a deep and +mighty life.</i></p> + +<p><i>Seated upon a sort of pyre at the entrance of the wood is a strange +being—a man—besmeared with cow-dung, completely naked, more withered +than a mummy; his articulations form knots at the termination of bones +that resemble sticks. He has bunches of shells suspended from his ears; +his face is very long, and his nose like a vulture's beak. His left arm +remains motionlessly erect in air, anchylosed, rigid as a stake; and he +has been seated here so long that birds have made themselves a nest in +his long hair.</i></p> + +<p><i>At the four corners of his wooden pyre flame four fires. The sun is +directly in front of him. He gazes steadily at it with widely-opened +eyes; and, then without looking at Anthony, asks him</i>:—)</p> + +<p>"Brahmin from the shores of the Nile,<span class="pagenum"><a name="Page_119" id="Page_119">[Pg 119]</a></span> what hast thou to say regarding +these things?"</p> + +<p>(<i>Flames suddenly burst out on all sides of him, through the intervals +between the logs of the pyre; and</i>—)</p> + +<p><span class="smcap">The Gymnosophist</span> (<i>continues</i>).</p> + +<p>"Lo! I have buried myself in solitude, like the rhinoceros. I dwelt in +the tree behind me."</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon09"></a> +<img src="images/redon_09.jpg" width="600" alt="" /> +<div class="caption"><p>I have buried myself in solitude, like the +rhinoceros. I dwelt in the tree behind me </p></div></div> + +<p class="p2">(<i>The vast fig-tree, indeed, shows in one of its groves, a natural +excavation about the size of a man.</i>)</p> + +<p>"And I nourished me with flowers and fruits, observing the precepts so +rigidly that not even a dog ever beheld me eat.</p> + +<p>"Inasmuch as existence originates from corruption, corruption from +desire, desire from sensation, sensation from contact, I have ever +avoided all action, all contact, and perpetually—motionless as the +stela of a tomb, exhaling my breath from my two nostrils, fixing my +eyes upon my nose, and contemplating the ether in my mind, the world in +my members, the moon in my heart—I dreamed of the essence of the great +Soul whence continually escape the principles of life, even as sparks +escape from fire.</p> + +<p><span class="pagenum"><a name="Page_120" id="Page_120">[Pg 120]</a></span></p> + +<p>"Thus at last I found the supreme Soul in all beings, and all beings +in the supreme Soul; and I have been able to make mine own soul all my +senses.</p> + +<p>"I receive knowledge directly from heaven, like the bird Tchataka, who +quenches his thirst from falling rain only.</p> + +<p>"Even by so much as things are known to me, things no longer exist.</p> + +<p>"For me now there is no more hope, no more anguish, there is neither +happiness nor virtue, nor day nor night, nor Thou nor I—absolutely +nothing!</p> + +<p>"My awful austerities have made me superior to the Powers. A single +contraction of my thought would suffice to kill a hundred sons of +kings, to dethrone gods, to overturn the world."</p> + +<p>(<i>He utters all these things in a monotonous voice.</i></p> + +<p><i>The surrounding leaves shrivel up. Fleeing rats rush over the ground.</i></p> + +<p><i>He slowly turns his eyes downward toward the rising flames, and then +continues</i>:—)</p> + +<p>"I have loathed Form, I have loathed Perception, I have loathed even +Knowledge itself, for the thought does not survive the transitory<span class="pagenum"><a name="Page_121" id="Page_121">[Pg 121]</a></span> fact +which caused it; and mind, like all else, is only an illusion.</p> + +<p>"All that is engendered will perish; all that is dead must live again; +the beings that have even now disappeared shall sojourn again in wombs +as yet unformed, and shall again return to earth to serve in woe other +creatures.</p> + +<p>"But inasmuch as I have rolled through the revolution of an indefinite +multitude of existences, under the envelopes of gods, of men, and of +animals, I renounce further wanderings; I will endure this weariness +no more! I abandon the filthy hostelry of this body of mine, built +with flesh, reddened with blood, covered with a hideous skin, full of +uncleanliness; and, for my recompense, I go at last to slumber in the +deepest deeps of the Absolute—in Annihilation."</p> + +<p>(<i>The flames rise to his chest, then envelope him. His head rises +through them as through a hole in the wall. His cavernous eyes still +remain icicle open, gazing.</i>)</p> + +<p><span class="smcap">Anthony</span> (<i>rises</i>).</p> + +<p>(<i>The torch, which had fallen to the ground, has ignited the splinters +of wood; and the flames have singed his beard.<span class="pagenum"><a name="Page_122" id="Page_122">[Pg 122]</a></span></i></p> + +<p><i>With a loud cry, Anthony tramples the fire out; and, when nothing +remains but ashes, he exclaims</i>:—)</p> + +<p>"Where can Hilarion be? He was here a moment ago. I saw him!</p> + +<p>"What! No; it is impossible; I must have been mistaken!</p> + +<p>"Yet why?... Perhaps my cabin, these stones, this sand, have no real +existence. I am becoming mad! Let me be calm! Where was I? What was it +that happened?</p> + +<p>"Ah! the gymnosophist!... Such a death is frequent among the sages of +India. Kalanos burned himself before Alexander; another did likewise +in the time of Augustus. What hatred of life men must have to do thus! +Unless, indeed, they are impelled by pride alone?... Yet in any event +they have the intrepidity of martyrs.... As for the latter, I can now +well believe what has been told me regarding the debauchery they cause.</p> + +<p>"And before that? Yes: I remember now! the host of the Heresiarchs! +What outcries! What eyes! Yet why so much rebellion of the flesh, so +much dissoluteness, so many aberrations of the intellect.</p> + +<p><span class="pagenum"><a name="Page_123" id="Page_123">[Pg 123]</a></span></p> + +<p>"They claim, nevertheless, to seek God through all those ways! What +right have I to curse them—I, who stumble so often in mine own path? +I was perhaps about to learn more of them at the moment when they +disappeared. Too rapid was the whirl; I had no time to answer. Now I +feel as though there were more space, more light in my understanding. I +am calm. I even feel myself able to.... What is this? I thought I had +put out the fire!"</p> + +<p>(<i>A flame flits among the rocks; and soon there comes the sound of +a voice—broken, convulsed as by sobs—from afar off, among the +mountains.</i>)</p> + +<p>"Can it be the cry of a hyena, or the lamentation of some traveler that +has lost his way?"</p> + +<p>(<i>Anthony listens. The flame draws nearer.</i></p> + +<p><i>And he beholds a weeping woman approach, leaning upon the shoulder of +a white-bearded man.</i></p> + +<p><i>She is covered with a purple robe in rags. He is bareheaded like lier, +wears a tunic of the same color, and carries in his hands a brazen +vase, whence arises a thin blue flame.</i></p> + +<p><span class="pagenum"><a name="Page_124" id="Page_124">[Pg 124]</a></span></p> + +<p><i>Anthony feels a fear come upon him, and wishes to know who this woman +may be.</i>)</p> + +<p><span class="smcap">The Stranger Simon</span>. "It is a young girl, a poor child that I lead about +with me everywhere."</p> + +<p>(<i>He uplifts the brazen vase.</i></p> + +<p><i>Anthony contemplates the girl, by the light of its vacillating flame.</i></p> + +<p><i>There are marks of bites upon her face, traces of blows upon her arms; +her dishevelled hair entangles itself in the rents of her rags; her +eyes appear to be insensible to light.</i>)</p> + +<p><span class="smcap">Simon</span>. "Sometimes she remains thus for a long, long time without +speaking; then all at once she revives, and discourses of marvellous +things."</p> + +<p><span class="smcap">Anthony</span>. "In truth?"</p> + +<p><span class="smcap">Simon</span>. "Ennoia; Ennoia! Ennoia!—tell us what thou hast to say!"</p> + +<p>(<i>She rolls her eyes like one awaking from a dream, slowly passes her +fingers over her brows, and in a mournful voice, speaks</i>:—)</p> + +<p>Helena<a name="FNanchor_8_15" id="FNanchor_8_15"></a><a href="#Footnote_8_15" class="fnanchor">[8]</a> (<i>Ennoia</i>).</p> + +<p><span class="pagenum"><a name="Page_125" id="Page_125">[Pg 125]</a></span></p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon10"></a> +<img src="images/redon_10.jpg" width="600" alt="" /> +<div class="caption"><p>Helena - Ennoia</p></div> +</div> + +<p class="p2">"I remember a distant land, of the color of emerald. Only one tree +grows there.</p> + +<p>(<i>Anthony starts</i>).</p> + +<p>"Upon each of its tiers of broad-extending arms, a pair of Spirits +dwell in air. All about them the branches intercross, like the veins +of a body; and they watch the eternal Life circulating, from the roots +deep plunging into darkness even to the leafy summit that rises higher +than the sun. I, dwelling upon the second branch, illuminated the +nights of Summer with my face."</p> + +<p><span class="smcap">Anthony</span>, (<i>tapping his own forehead</i>:—)</p> + +<p>"Ah! ah! I comprehend! her head!..."</p> + +<p><span class="smcap">Simon</span> (<i>placing his finger to his lips</i>:—)</p> + +<p>"Hush!"</p> + +<p><span class="smcap">Helena</span>. "The sail remained well filled by the wind; the keel cleft the +foam. He said to me: 'What though I afflict my country, though I lose +my kingdom! Thou wilt belong to me, in my house!'</p> + +<p>"How sweet was the lofty chamber of his palace! Lying upon the ivory +bed, he caressed my long hair, singing amorously the while.</p> + +<p>"Even at the close of the day I beheld the two camps, the watchfires +being lighted,<span class="pagenum"><a name="Page_126" id="Page_126">[Pg 126]</a></span> Ulysses at the entrance of his tent, armed Achilles +driving a chariot along the sea-beach."</p> + +<p><span class="smcap">Anthony</span>. "Why! she is utterly mad! How came this to pass?..."</p> + +<p><span class="smcap">Simon</span>. "Hush! hush!"</p> + +<p><span class="smcap">Helena</span>. "They anointed me with unguents, and sold me to the people that +I might amuse them.</p> + +<p>"One evening I was standing with the sistrum in my hand, making music +for some Greek sailors who were dancing. The rain was falling upon the +roof of the tavern like a cataract, and the cups of warm wine were +smoking.</p> + +<p>"A man suddenly entered, although the door was not opened to let him +pass."</p> + +<p><span class="smcap">Simon</span>. "It was I! I found thee again!</p> + +<p>"Behold her, Anthony, she whom they call Sigeh, Ennoia, Barbelo, +Prounikos! The Spirits governing the world were jealous of her; and +they imprisoned her within the body of a woman.</p> + +<p>"She was that Helen of Troy, whose memory was cursed by the poet +Stesichorus. She was Lucretia, the patrician woman violated by a king. +She was Delilah, by whom Samson's<span class="pagenum"><a name="Page_127" id="Page_127">[Pg 127]</a></span> locks were shorn.... She has loved +adultery, idolatry, lying and foolishness. She has prostituted herself +to all nations. She has sung at the angles of all cross-roads. She has +kissed the faces of all men.</p> + +<p>"At Tyre, she, the Syrian, was the mistress of robbers. She caroused +with them during the nights; and she concealed assassins amidst the +vermin of her tepid bed."</p> + +<p><span class="smcap">Anthony</span>. "Ah! what is this to me?..."</p> + +<p><span class="smcap">Simon</span> (<i>with a furious look</i>:—)</p> + +<p>"I tell thee that I have redeemed her, and re-established her in her +former splendor; insomuch that Caius Cæsar Caligula became enamoured of +her, desiring to sleep with the Moon!"</p> + +<p><span class="smcap">Anthony</span>. "What then?..."</p> + +<p><span class="smcap">Simon</span>. "Why this, that she herself is the Moon! Has not Pope Clement +written how she was imprisoned in a tower? Three hundred persons +surrounded the tower to watch it; and the moon was seen at each of the +loop-holes at the same time, although there is not more than one moon +in the world, nor more than one Ennoia!"</p> + +<p><span class="pagenum"><a name="Page_128" id="Page_128">[Pg 128]</a></span></p> + +<p><span class="smcap">Anthony</span>. "Yes ... it seems to me that I remember...."</p> + +<p>(<i>He falls into a reverie.</i>)</p> + +<p><span class="smcap">Simon</span>. "Innocent as the Christ who died for men, so did she devote +herself for women. For the impotence of Jehovah is proven by the +transgression of Adama, and we must shake off the yoke of the old law, +which is antipathetic to the order of things.<a name="FNanchor_9_16" id="FNanchor_9_16"></a><a href="#Footnote_9_16" class="fnanchor">[9]</a></p> + +<p>"I have preached the revival in Ephraim and in Issachar by the torrent +of Bizor, beyond the Lake of Houleh, in the valley of Maggedo, further +than the mountains, at Bostra and at Damascus. Let all come to me who +are covered with wine, who are covered with filth, who are covered with +blood! and I shall take away their uncleanliness with the Holy Spirit, +called Minerva by the Greeks. She is Minerva! she is the Holy Spirit! I +am Jupiter, Apollo, the Christ, the Paraclete, the great might of God, +incarnated in the person of Simon!"</p> + +<p><span class="smcap">Anthony</span>. "Ah! it is thou!... so it is thou! But I know thy crimes!</p> + +<p>"Thou wast born at Gittoi near Samaria,<span class="pagenum"><a name="Page_129" id="Page_129">[Pg 129]</a></span> Dositheas, thy first master, +drove thee from him. Thou didst execrate Saint Paul because he +converted one of thy wives; and, vanquished by Saint Peter, in thy rage +and terror thou didst cast into the waves the bag which contained thy +artifices!"</p> + +<p><span class="smcap">Simon</span>. "Dost thou desire them?"</p> + +<p>(<i>Anthony looks at him, and an interior voice whispers hi his +heart:—"Why not?"</i>)</p> + +<p><span class="smcap">Simon</span> (<i>continues</i>).</p> + +<p>"He who knows the forces of Nature and the essence of Spirits must be +able to perform miracles. It has been the dream of all sages; it is the +desire which even now gnaws thee!—confess it!"</p> + +<p>"In the sight of the multitude of the Romans, I flew in the air so +high that none could behold me move. Nero ordered that I should be +decapitated; but it was the head of a sheep which fell upon the ground +in lieu of mine. At last they buried me alive; but I rose again upon +the third day. The proof is that thou dost behold me before thee!"</p> + +<p>(<i>He presents his hands to Anthony to smell. They have the stench of +corpse-flesh. Anthony recoils with loathing.</i>)</p> + +<p>"I can make serpents of bronze writhe; I<span class="pagenum"><a name="Page_130" id="Page_130">[Pg 130]</a></span> can make marble statues +laugh; I can make dogs speak. I will show thee vast quantities of gold; +I will reestablish kings; thou shalt see nations prostrate themselves +in adoration before me! I can walk upon the clouds and upon the waves, +I can pass through mountains, I can make myself appear as a youth, as +an old man, as a tiger, or as an ant; I can assume thy features; I can +give thee mine; I can make the thunder follow after me. Dost hear it?"</p> + +<p>(<i>The thunder rumbles; flashes of lightning succeed.</i>)</p> + +<p>"It is the voice of the Most High; for 'the Lord thy God is a fire;' +and all creations are accomplished by sparks from the fire-centre of +all things.</p> + +<p>Thou shalt even now receive the baptism of it—that second baptism +announced by Jesus, which fell upon the apostles on a day of tempest +when the windows were open!"</p> + +<p>(<i>And stirring up the flame with his hand, slowly, as though preparing +to sprinkle Anthony with it, he continues</i>:—)</p> + +<p>"Mother of mercies, thou who discoverest all secrets, in order that we +may find rest in the eighth mansion...."</p> + +<p><span class="pagenum"><a name="Page_131" id="Page_131">[Pg 131]</a></span></p> + +<p><span class="smcap">Anthony</span> (<i>cries out</i>:—)</p> + +<p>"Oh! that I had only some holy water!..."</p> + +<p>(<i>The flame goes out, producing much smoke.</i></p> + +<p><i>Ennoia and Simon have disappeared.</i></p> + +<p><i>An exceedingly cold, opaque and fÅ“tid mist fills the atmosphere.</i>)</p> + +<p><span class="smcap">Anthony</span> (<i>groping with his hands like a blind man</i>:—)</p> + +<p>"Where am I?... I fear lest I fall into the abyss! And the cross, +surely, is too far from me. Ah! what a night! what a terrible night!"</p> + +<p>(<i>The mist is parted by a gust of wind; and Anthony sees two men +covered with long white tunics.</i></p> + +<p><i>The first is of lofty stature, with a gentle face, and a grave mien. +His blond hair, parted like that of Christ, falls upon his shoulders. +He has cast aside a wand that he had been holding in his hand; his +companion takes it up, making a reverence after the fashion of the +Orientals.</i></p> + +<p><i>The latter is small of stature, thick set, flat-nosed; his neck and +shoulders expresses good natured simplicity.</i></p> + +<p><span class="pagenum"><a name="Page_132" id="Page_132">[Pg 132]</a></span></p> + +<p><i>Both are barefooted, bareheaded, and dusty, like persons who have made +a long journey.</i>)</p> + +<p><span class="smcap">Anthony</span> (<i>starting up</i>:—)</p> + +<p>"What do ye seek? Speak!... Begone from here!"</p> + +<p><span class="smcap">Damis</span> (<i>who is a little man</i>).</p> + +<p>"Nay! nay! be not angered, good hermit. As for that I seek, I know not +myself what it is! Here is the Master!"</p> + +<p>(<i>He sits down. The other stranger remains standing. Silence.</i>)</p> + +<p><span class="smcap">Anthony</span> (<i>asks</i>).</p> + +<p>"Then ye come?..."</p> + +<p><span class="smcap">Damis</span>. "Oh! from afar off—very far off!"</p> + +<p><span class="smcap">Anthony</span>. "And ye go?..."</p> + +<p><span class="smcap">Damis</span> (<i>pointing to the other</i>)</p> + +<p>"Whithersoever he shall desire!"</p> + +<p><span class="smcap">Anthony</span>. "But who may he be?"</p> + +<p><span class="smcap">Damis</span>. "Look well upon him!"</p> + +<p><span class="smcap">Anthony</span> (<i>aside</i>).</p> + +<p>"He looks like a saint! If I could only dare...."</p> + +<p>(<i>The mist is all gone. The night is very clear. The moon shines.</i>)</p> + +<p><span class="smcap">Damis</span>. "Of what art thou dreaming, that thou dost not speak?"</p> + +<p><span class="pagenum"><a name="Page_133" id="Page_133">[Pg 133]</a></span></p> + +<p><span class="smcap">Anthony</span>. "I was thinking.... Oh! nothing!"</p> + +<p><span class="smcap">Damis</span> (<i>approaches Apollonius, and walks all round him several times, +bending himself as he walks, never raising his head</i>:—)</p> + +<p>"Master, here is a Galilean hermit who desires to know the beginnings +of wisdom."</p> + +<p><span class="smcap">Apollonius</span>. "Let him approach!" (<i>Anthony hesitates.</i>)</p> + +<p><span class="smcap">Damis</span>. "Approach!"</p> + +<p><span class="smcap">Apollonius</span> (<i>in a voice of thunder</i>:—)</p> + +<p>"Approach! Thou wouldst know who I am, what I have done, and what I +think,—is it not so, child?"</p> + +<p><span class="smcap">Anthony</span>. "Always supposing that these things can contribute to the +salvation of my soul."</p> + +<p><span class="smcap">Apollonius</span>. "Rejoice! I am about to inform thee of them!"</p> + +<p><span class="smcap">Damis</span> (<i>in an undertone, to Anthony</i>:—)</p> + +<p>"Is it possible? He must surely have at the first glance discerned in +thee extraordinary aptitude for philosophy. I shall also strive to +profit by his instruction."</p> + +<p><span class="smcap">Apollonius</span>. "First of all, I shall tell thee of the long course which +I have followed in order to obtain the doctrine; and if thou canst<span class="pagenum"><a name="Page_134" id="Page_134">[Pg 134]</a></span> +discover in all my life one evil action, thou shalt bid me pause, for +he who hath erred in his actions may well give scandal by his words."</p> + +<p><span class="smcap">Damis</span> (<i>to Anthony</i>).</p> + +<p>"How just a man? Is he not?"</p> + +<p><span class="smcap">Anthony</span>. "Indeed I believe him to be sincere."</p> + +<p><span class="smcap">Apollonius</span>. "Upon the night of my birth, my mother imagined that +she was gathering flowers by the shore of a great lake. A flash of +lightning appeared; and she brought me into the world to the music of +the voices of swans singing to her in her dream.</p> + +<p>"Until I had reached the age of fifteen I was plunged thrice a day into +the fountain, Asbadeus, whose waters make perjurers hydropical; and my +body was rubbed with the leaves of the onyza, that I might be chaste.</p> + +<p>"A Palmyrian princess came one evening to seek me, offering me +treasures that she knew to be in the tombs. A hierodule of the temple +of Diana, slew herself in despair with the sacrificial knife; and the +governor of Cilicia, finding all his promises of no avail, cried out in +the presence of my family that he would cause my death; but it was he +that<span class="pagenum"><a name="Page_135" id="Page_135">[Pg 135]</a></span> died only three days after, assassinated by the Romans."</p> + +<p><span class="smcap">Damis</span> (<i>nudging Anthony with his elbow</i>).</p> + +<p>"Eh? did I not tell thee? What a man!"</p> + +<p><span class="smcap">Apollonius</span>. "For the space of four successive years I maintained the +unbroken silence of the Pythagoreans. The most sudden and unexpected +pain never extorted a sigh from me; and when I used to enter the +theatre, all drew away from me, as from a phantom."</p> + +<p><span class="smcap">Damis</span>. "Wouldst thou have done so much?—thou?"</p> + +<p><span class="smcap">Apollonius</span>. "After the period of my trial had been accomplished, I +undertook to instruct the priests regarding the tradition they had +lost."</p> + +<p><span class="smcap">Anthony</span>. "What tradition?"</p> + +<p><span class="smcap">Damis</span>. "Interrupt him not! Be silent!"</p> + +<p><span class="smcap">Apollonius</span>. "I have conversed with the Samaneans of the Ganges, with +the astrologers of Chaldea, with the magi of Babylon, with the Gaulish +Druids, with the priests of the negroes! I have ascended the fourteen +Olympii; I have sounded the Scythian lakes; I have measured the breadth +of the Desert!"</p> + +<p><span class="pagenum"><a name="Page_136" id="Page_136">[Pg 136]</a></span></p> + +<p><span class="smcap">Damis</span>. "It is all true! I was with him the while!"</p> + +<p><span class="smcap">Apollonius</span>. "But first I had visited the Hyrcanian Sea; I made the tour +of it; and descending by way of the country of the Baraomati, where +Bucephalus is buried, I approached the city of Nineveh. At the gates of +the city, a man drew near me...."</p> + +<p><span class="smcap">Damis</span>. "I—even I, good master! I loved thee from the first. Thou wert +gentler than a girl and more beautiful than a god!"</p> + +<p><span class="smcap">Apollonius</span> (<i>without hearing him</i>).</p> + +<p>"He asked me to accompany him, that he might serve as interpreter."</p> + +<p><span class="smcap">Damis</span>. "But thou didst reply that all languages were familiar to thee, +and that thou couldst divine all thoughts. Then I kissed the hem of thy +mantle, and proceeded to walk behind thee."</p> + +<p><span class="smcap">Apollonius</span>. "After Ctesiphon, we entered upon the territory of Babylon."</p> + +<p><span class="smcap">Damis</span>. "And the Satrap cried aloud on beholding a man so pale."</p> + +<p><span class="smcap">Anthony</span> (<i>aside</i>).</p> + +<p>"What signifies this?..."</p> + +<p><span class="smcap">Apollonius</span>. "The king received me standing, near a throne of silver, +in a hall constellated<span class="pagenum"><a name="Page_137" id="Page_137">[Pg 137]</a></span> with stars; from the cupola hung suspended by +invisible threads four great birds of gold, with wings extended."</p> + +<p><span class="smcap">Anthony</span> (<i>dreamily</i>).</p> + +<p>"Can there be such things in the world?"</p> + +<p><span class="smcap">Damis</span>. "Ah! that is a city! that Babylon! everybody there is rich! The +houses, which are painted blue, have doors of bronze, and flights of +steps descending to the river."</p> + +<p>(<i>Drawing lines upon the ground, with his stick</i>:)</p> + +<p>"Like that, seest thou? And then there are temples, there are squares, +there are baths, there are aqueducts! The palaces are roofed with red +brass; and the interior ... ah! if thou only knewest!"</p> + +<p><span class="smcap">Apollonius</span>. "Upon the north wall rises a tower which supports a second, +a third, a fourth, a fifth, and there are also three others! The eighth +is a chapel containing a bed. No one enters it save the woman chosen by +the priests for the God Belus. I was lodged there by order of the King +of Babylon."</p> + +<p><span class="smcap">Damis</span>. "As for me, they hardly deigned to give me any attention! So I +walked through the streets all by myself. I informed<span class="pagenum"><a name="Page_138" id="Page_138">[Pg 138]</a></span> myself regarding +the customs of the people; I visited the workshops; I examined the +great machines that carry water to the gardens. But I soon wearied of +being separated from the Master."</p> + +<p><span class="smcap">Apollonius</span>. "At last we left Babylon; and as we travelled by the light +of the moon, we suddenly beheld an Empusa."</p> + +<p><span class="smcap">Damis</span>. "Aye, indeed! She leaped upon her iron hoof; she brayed like an +ass; she galloped among the rocks. He shouted imprecations at her; she +disappeared."</p> + +<p><span class="smcap">Anthony</span> (<i>aside</i>).</p> + +<p>"What can be their motive?"</p> + +<p><span class="smcap">Apollonius</span>. "At Taxilla, the capital of five thousand fortresses, +Phraortes, King of the Ganges, showed us his guard of black men, whose +stature was five cubits, and under a pavilion of green brocade in his +gardens, an enormous elephant, which the queens amused themselves by +perfuming. It was the elephant of Porus which had taken flight after +the death of Alexander."</p> + +<p><span class="smcap">Damis</span>. "And which had been found again in a forest."</p> + +<p><span class="smcap">Anthony</span>. "Their speech is superabundant, like that of drunken men!"</p> + +<p><span class="pagenum"><a name="Page_139" id="Page_139">[Pg 139]</a></span></p> + +<p><span class="smcap">Apollonius</span>. "Phraortes seated us at his own table."</p> + +<p><span class="smcap">Damis</span>. "How strange a country that was! During their drinking +carousels, the lords used to amuse-themselves by shooting arrows under +the feet of a dancing child. But I do not approve...."</p> + +<p><span class="smcap">Apollonius</span>. "When I was ready to depart, the king gave me a parasol, +and he said to me: 'I have a stud of white camels upon the Indus. When +thou shalt have no further use for them, blow in their ears. They will +come back.'</p> + +<p>"We descended along the river, marching at night by the light of the +fire-flies, which glimmered among the bamboos. The slave whistled an +air to drive away the serpents; and our camels bent down in passing +below the branches of the trees, as if passing under low gates.</p> + +<p>"One day a black child, who held a golden caduceus in his hand, +conducted us to the College of the Sages. Iarchas, their chief, spoke +to me of my ancestors, told me of all my thoughts, of all my actions, +of all my existences. In former time he had been the River Indus; and +he reminded me that I had once<span class="pagenum"><a name="Page_140" id="Page_140">[Pg 140]</a></span> been a boatman upon the Nile, in the +time of King Sesostris."</p> + +<p><span class="smcap">Damis</span>. "As for me, they told me nothing; so that I know not who or what +I have been."</p> + +<p><span class="smcap">Anthony</span>. "They have a vague look, like shadows!"</p> + +<p><span class="smcap">Apollonius</span>. "Upon the shores of the sea we met with the milk-gorged +Cynocephali, who were returning from their expedition to the Island +Taprobana. The tepid waves rolled blond pearls to our feet. The amber +crackled beneath our steps. Whale-skeletons were whitening in the +crevasses of the cliffs. At last the land became narrow as a sandal; +and after casting drops of ocean water toward the sun, we turned to the +right to return.</p> + +<p>"So we returned through the Region of Aromatics, by way of the country +of the Gangarides, the promontory of Comaria, the country of the +Sachalites, of the Adramites and of the Homerites; then, across the +Cassanian mountains, the Red Sea, and the Island Topazos, we penetrated +into Ethiopia through the country of the Pygmies."</p> + +<p><span class="smcap">Anthony</span> (<i>to himself</i>).</p> + +<p>"How vast the world is!"</p> + +<p><span class="pagenum"><a name="Page_141" id="Page_141">[Pg 141]</a></span></p> + +<p><span class="smcap">Damis</span>. "And after we had returned home, we found that all those whom we +used to know, were dead."</p> + +<p>(<i>Anthony lowers his head. Silence.</i>)</p> + +<p><span class="smcap">Apollonius</span> (<i>continues</i>).</p> + +<p>"Then men began to talk of me the world over.</p> + +<p>"The plague was ravaging Ephesus; I made them stone an old mendicant +there."</p> + +<p><span class="smcap">Damis</span>. "And forthwith the plague departed."</p> + +<p><span class="smcap">Anthony</span>. "What! Does he drive away pestilence?"</p> + +<p><span class="smcap">Apollonius</span>. "At Cnidos, I cured the man that had become enamored of +Venus."</p> + +<p><span class="smcap">Damis</span>. "Aye! a fool who had even vowed to espouse her! To love a woman +is at least comprehensible; but to love a statue—what madness! The +Master placed his hand upon the young man's heart; and the fire of that +love was at once extinguished."</p> + +<p><span class="smcap">Anthony</span>. "How! does he also cast out devils?"</p> + +<p><span class="smcap">Apollonius</span>. "At Tarentum they were carrying the dead body of a young +girl to the funeral pyre."</p> + +<p><span class="pagenum"><a name="Page_142" id="Page_142">[Pg 142]</a></span></p> + +<p><span class="smcap">Damis</span>. "The Master touched her lips; and she arose and called her +mother."</p> + +<p><span class="smcap">Anthony</span>. "What! he raises the dead!"</p> + +<p><span class="smcap">Apollonius</span>. "I predicted to Vespasian his accession to power."</p> + +<p><span class="smcap">Anthony</span>. "What! he foretells the future!"</p> + +<p><span class="smcap">Damis</span>. "At Corinth there was a ..."</p> + +<p><span class="smcap">Apollonius</span>. "It was when I was at table with him, at the waters of Baia +..."</p> + +<p><span class="smcap">Anthony</span>. "Excuse me, strangers—it is very late ..."</p> + +<p><span class="smcap">Damis</span>. "At Corinth there was a young man called Menippus ..."</p> + +<p><span class="smcap">Anthony</span>. "No! no!—go ye away!"</p> + +<p><span class="smcap">Apollonius</span>. "A dog came in, bearing a severed hand in his mouth."</p> + +<p><span class="smcap">Damis</span>. "One evening, in one of the suburbs, he met a woman."</p> + +<p><span class="smcap">Anthony</span>. "Do ye not hear me? Begone!"</p> + +<p><span class="smcap">Apollonius</span>. "He wandered in a bewildered way around the couches ..."</p> + +<p><span class="smcap">Anthony</span>. "Enough!"</p> + +<p><span class="smcap">Apollonius</span>. "They sought to drive him out."</p> + +<p><span class="smcap">Damis</span>. "So Menippus went with her to her house; they loved one +another."</p> + +<p><span class="pagenum"><a name="Page_143" id="Page_143">[Pg 143]</a></span></p> + +<p><span class="smcap">Apollonius</span>. "And gently beating the mosaic pavement with his tail, he +laid the severed hand upon the knees of Flavius."</p> + +<p><span class="smcap">Damis</span>. "But next morning, during the lessons in the school, Menippus +was pale."</p> + +<p><span class="smcap">Anthony</span> (<i>starting up in anger</i>).</p> + +<p>"Still continuing! Ah! then let them continue till they be weary, +inasmuch as there is no ..."</p> + +<p><span class="smcap">Damis</span>. "The Master said to him: 'O beautiful youth, thou dost caress +a serpent; by a serpent thou art caressed! And when shall be the +nuptials?' We all went to the wedding."</p> + +<p><span class="smcap">Anthony</span>. "Assuredly I am doing wrong, to hearken to such a story!"</p> + +<p><span class="smcap">Damis</span>. "Servants were hurrying to and fro in the vestibule; doors were +opening; nevertheless there was no sound made either by the fall of +the footsteps nor the closing of the doors. The Master placed himself +beside Menippus. And the bride forthwith became angered against the +philosophers. But the vessels of gold, the cupbearers, the cooks, the +panthers disappeared; the roof receded and vanished into air; the walls +crumbled down; and Apollonius stood alone with the woman<span class="pagenum"><a name="Page_144" id="Page_144">[Pg 144]</a></span> at his feet, +all in tears. She was a vampire who satisfied the beautiful young men +in order to devour their flesh, for nothing is more desirable for such +phantoms than the blood of amorous youths."</p> + +<p><span class="smcap">Apollonius</span>. "If thou shouldst desire to learn the art ..."</p> + +<p><span class="smcap">Anthony</span>. "I do not wish to learn anything!"</p> + +<p><span class="smcap">Apollonius</span>. "The same evening that we arrived at the gates of Rome ..."</p> + +<p><span class="smcap">Anthony</span>. "Oh! yes!—speak to me rather of the City of Popes!"</p> + +<p><span class="smcap">Apollonius</span>. "A drunken man accosted us, who was singing in a low voice. +The song was an epithalamium of Nero; and he had the power to cause +the death of whosoever should hear it with indifference. In a box upon +his shoulders he carried a string taken from the Emperor's cithara. I +shrugged my shoulders. He flung mud in our faces. Then I unfastened my +girdle and placed it in this hand."</p> + +<p><span class="smcap">Damis</span>. "In sooth, thou wert most imprudent!"</p> + +<p><span class="smcap">Apollonius</span>. "During the night the Emperor summoned me to his house. He +was<span class="pagenum"><a name="Page_145" id="Page_145">[Pg 145]</a></span> playing at osselets with Sporus, supporting his left arm upon a +table of agate. He turned and, knitting his brows, demanded: 'How comes +it that thou dost not fear me?' 'Because,' I replied, 'the God who made +thee terrible, also made me intrepid."</p> + +<p><span class="smcap">Anthony</span> (<i>to himself</i>).</p> + +<p>"There is something inexplicable that terrifies me!"</p> + +<p>(<i>Silence.</i>)</p> + +<p><span class="smcap">Damis</span> (<i>breaking the silence with his shrill voice</i>).</p> + +<p>"Moreover, all Asia can tell thee ..."</p> + +<p><span class="smcap">Anthony</span> (<i>starting up</i>).</p> + +<p>"I am ill! let me be!"</p> + +<p><span class="smcap">Damis</span>. "But listen! At Ephesus, he beheld them killing Domitian, who +was at Rome."</p> + +<p><span class="smcap">Anthony</span> (<i>with a forced laugh</i>). "Is it possible?"</p> + +<p><span class="smcap">Damis</span>. "Yes: at the theatre at noon-day, the fourteenth of the Kalenda +of October, he suddenly cried out: 'Cæsar is being murdered!' and +from time to time he would continue to ejaculate: 'He rolls upon the +<span class="pagenum"><a name="Page_146" id="Page_146">[Pg 146]</a></span>pavement ... Oh! how he struggles ... He rises ... He tries to flee +... The doors are fastened ... Ah! it is all over! He is dead!' And in +fact Titus Flavius Domitianus was assassinated upon that very day, as +thou knowest."</p> + +<p><span class="smcap">Anthony</span>. "Without the aid of the Devil ... certainly ..."</p> + +<p><span class="smcap">Apollonius</span>. "He had purposed putting me to death, that same Domitian! +Damis had taken flight according to my order, and I remained alone in +my prison."</p> + +<p><span class="smcap">Damis</span>. "A terrible hardihood on thy part, it must be confessed!"</p> + +<p><span class="smcap">Apollonius</span>. "About the fifth hour, the soldiers led me before the +tribunal. I had my harangue all ready hidden beneath my mantle."</p> + +<p><span class="smcap">Damis</span>. "We others were then upon the shores of Puteoli, we believed +thee dead; we were all weeping, when all of a sudden about the sixth +hour, thou didst suddenly appear before us, exclaiming: 'It is I.'"</p> + +<p><span class="smcap">Anthony</span> (<i>to himself</i>). "Even as He...!"</p> + +<p><span class="smcap">Damis</span> (<i>in a very loud voice</i>). "Precisely!"</p> + +<p><span class="smcap">Anthony</span>. "Oh! no! ye lie! is it not so?—ye lie!"</p> + +<p><span class="pagenum"><a name="Page_147" id="Page_147">[Pg 147]</a></span></p> + +<p><span class="smcap">Apollonius</span>. "He descended from heaven. I rise thither, by the power of +my virtue that has lifted me up even to the height of the Principle of +all things!"</p> + +<p><span class="smcap">Damis</span>. "Thyana, his natal city, has established in his honor a temple +and a priesthood!"</p> + +<p><span class="smcap">Apollonius</span> (<i>draws near Anthony, and shouts in his ear</i>:—)</p> + +<p>"It is because I know all gods, all rites, all prayers, all oracles! +I have penetrated into the cave of Trophonius, son of Apollo! I +have kneaded for Syracusan women the cakes which they carry to the +mountains. I have endured the eighty tests of Mithra! I have pressed to +my heart the serpent of Sabasius! I have received the scarf of Kabiri! +I have laved Cybele in the waters of the Campanian gulfs! and I have +passed three moons in the caverns of Samothracia!"</p> + +<p><span class="smcap">Damis</span> (<i>with a stupid laugh</i>).</p> + +<p>"Ah! ah! ah! at the mysteries of the good Goddess!"</p> + +<p><span class="smcap">Apollonius</span>. "And now we recommence our pilgrimage.</p> + +<p>"We go to the North to the land of Swans and of snows. Upon the vast +white plains,<span class="pagenum"><a name="Page_148" id="Page_148">[Pg 148]</a></span> the blind hippopodes break with the tips of their feet +the ultramarine plant."</p> + +<p><span class="smcap">Damis</span>. "Hasten! it is already dawn. The cock has crowed, the horse has +neighed, the sail is hoisted!"</p> + +<p><span class="smcap">Anthony</span>. "The cock has not crowed! I hear the locusts in the sands, and +I see the moon still in her place."</p> + +<p><span class="smcap">Apollonius</span>. "We go to the South, beyond the mountains and the mighty +waters, to seek in perfumes the secret source of love. Thou shalt +inhale the odor of myrrhodion which makes the weak die. Thou shalt +bathe thy body in the lake of Rose-oil which is in the Island Junonia. +Thou shalt see slumbering upon primroses that Lizard which awakes +every hundred years when the carbuncle upon its forehead, arriving +at maturity, falls to the ground. The stars palpitate like eyes; the +cascades sing like the melody of lyres; strange intoxication is exhaled +by blossoming flowers; thy mind shall grow vaster in that air; and thy +heart shall change even as thy face."</p> + +<p><span class="smcap">Damis</span>. "Master! it is time! The wind has risen, the swallows awaken, +the myrtle leaves are blown away."</p> + +<p><span class="pagenum"><a name="Page_149" id="Page_149">[Pg 149]</a></span></p> + +<p><span class="smcap">Apollonius</span>. "Yes! let us go!"</p> + +<p><span class="smcap">Anthony</span>. "Nay! I remain here!"</p> + +<p><span class="smcap">Apollonius</span>. "Shall I tell thee where grows the plant Balis, that +resurrects the dead?"</p> + +<p><span class="smcap">Damis</span> "Nay; ask him rather for the audrodamas which attracts silver, +iron and brass!"</p> + +<p><span class="smcap">Anthony</span>. "Oh! how I suffer! how I suffer!"</p> + +<p><span class="smcap">Damis</span>. "Thou shalt comprehend the voices of all living creatures, the +roarings, the cooings!"</p> + +<p><span class="smcap">Apollonius</span>. "I shall enable thee to ride upon unicorns and upon +dragons, upon hippocentaurs and dolphins!"</p> + +<p><span class="smcap">Anthony</span> (<i>weeping</i>). "Oh ... oh!... oh!"</p> + +<p><span class="smcap">Apollonius</span>. "Thou shalt know the demons that dwell in the caverns, the +demons that mutter in the woods, the demons that move in the waves, the +demons that push the clouds!"</p> + +<p><span class="smcap">Damis</span>. "Tighten thy girdle, fasten thy sandals!"</p> + +<p><span class="smcap">Apollonius</span>. "I shall explain to thee the reason of divine forms—why +Apollo stands,<span class="pagenum"><a name="Page_150" id="Page_150">[Pg 150]</a></span> why Jupiter is seated, why Venus is black, at Corinth, +square-shaped at Athens, conical at Paphos."</p> + +<p><span class="smcap">Anthony</span> (<i>clasping his hands</i>).</p> + +<p>"Let them begone! let them begone!"</p> + +<p><span class="smcap">Apollonius</span>. "In thy presence I will tear down the panoplies of the +Gods; we shall force open the sanctuaries, I will enable thee to +violate the Pythoness!"</p> + +<p><span class="smcap">Anthony</span>. "Help! O my God!"</p> + +<p>(<i>He rushes to the cross.</i>)</p> + +<p><span class="smcap">Apollonius</span>. "What is thy desire? What is thy dream? Thou needst only +devote the moment of time necessary to think of it ..."</p> + +<p><span class="smcap">Anthony</span>. "Jesus! Jesus! Help me!"</p> + +<p><span class="smcap">Apollonius</span>. "Dost thou wish me to make him appear, thy Jesus?"</p> + +<p><span class="smcap">Anthony</span>. "What? How!"</p> + +<p><span class="smcap">Apollonius</span>. "It shall be He!—no other! He will cast off his crown, and +we shall converse face to face!"</p> + +<p><span class="smcap">Damis</span> (<i>in an undertone</i>).</p> + +<p>"Say thou dost indeed wish it! say thou dost desire it!"</p> + +<p>(<i>Anthony kneeling before the cross, murmurs<span class="pagenum"><a name="Page_151" id="Page_151">[Pg 151]</a></span> prayers. Damis walks +around him, with wheedling gestures.</i>)</p> + +<p>"Nay, nay! good hermit. Be not horrified! These are only exaggerated +forms of speech, borrowed from the Orientals. That need in no way ..."</p> + +<p><span class="smcap">Apollonius</span>. "Let him alone, Damis!</p> + +<p>"He believes, like a brute, in the reality of things. The terror which +he entertains of the Gods prevents him from comprehending them; and he +debases his own God to the level of a jealous king!</p> + +<p>"But thou, my son, do not leave me!"</p> + +<p>(<i>He moves to the edge of the cliff, walking backward, passes beyond +the verge of the precipice, and remains suspended in air.</i>)</p> + +<p>"Above all forms, further than the ends of the earth, beyond the +heavens themselves, lies the world of Idea, replete with the splendor +of the Word! With one bound we shall traverse the impending spaces, and +thou shalt behold in all his infinity, the Eternal, the Absolute, the +Being! Come! give me thy hand! Let us rise."</p> + +<p>(<i>Side by side, both rise up through the air, slowly. Anthony, clinging +to the cross, watches them rise. They disappear.</i>)</p> +<hr class="r5" /> + +<div class="footnote"> + +<p><a name="Footnote_1_8" id="Footnote_1_8"></a><a href="#FNanchor_1_8"><span class="label">[1]</span></a> Agape.—Love-feast of the primitive Christians.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_2_9" id="Footnote_2_9"></a><a href="#FNanchor_2_9"><span class="label">[2]</span></a> John XVI: 12.—T.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_3_10" id="Footnote_3_10"></a><a href="#FNanchor_3_10"><span class="label">[3]</span></a> See <a href="#NOTE">note</a> at end.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_4_11" id="Footnote_4_11"></a><a href="#FNanchor_4_11"><span class="label">[4]</span></a> Masheim gives <i>Achamoth.</i> I prefer to remain faithful to +the orthography given by Flaubert.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_5_12" id="Footnote_5_12"></a><a href="#FNanchor_5_12"><span class="label">[5]</span></a> The French text gives <i>mes pères</i> not <i>nos pères.</i> Elxai, +or Elkhai, who established his sect in the reign of Trajan, was a Jew.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_6_13" id="Footnote_6_13"></a><a href="#FNanchor_6_13"><span class="label">[6]</span></a> See <a href="#NOTE">note</a>.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_7_14" id="Footnote_7_14"></a><a href="#FNanchor_7_14"><span class="label">[7]</span></a> The banyan is a fig-tree—the <i>Ficus indicus.</i>—Trans.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_8_15" id="Footnote_8_15"></a><a href="#FNanchor_8_15"><span class="label">[8]</span></a> Readers may remember Longfellow's exquisite poem "Helena +of Tyre."</p></div> + +<div class="footnote"> + +<p><a name="Footnote_9_16" id="Footnote_9_16"></a><a href="#FNanchor_9_16"><span class="label">[9]</span></a> See the second part of "Faust," and <i>Kundry</i> in +"Parsifal."</p> + +<hr class="chap" /> + +<p><span class="pagenum"><a name="Page_152" id="Page_152">[Pg 152]</a></span></p></div> + + + + +<h4><a name="V" id="V">V.</a></h4> + + +<p><span class="smcap">Anthony</span> (<i>walking to and fro, slowly</i>).</p> + +<p>"That one, indeed, seems in himself equal to all the powers of Hell!</p> + +<p>"Nebuchadnezzar did not so much dazzle me with his splendours;—the +Queen of Sheba herself charmed me less deeply.</p> + +<p>"His manner of speaking of the gods compels one to feel a desire to +know them.</p> + +<p>"I remember having beheld hundreds of them at one time, in the island +of Elephantius, in the time of Diocletian. The emperor had ceded to the +Nomads a great tract of country, upon the condition that they should +guard the frontiers; and the treaty was concluded in the name of the +'Powers Invisible.' For the gods of each people were unknown unto the +other people.</p> + +<p>"The Barbarians had brought theirs with them. They occupied the +sand-hills bordering the river. We saw them supporting their<span class="pagenum"><a name="Page_153" id="Page_153">[Pg 153]</a></span> idols in +their arms, like great paralytic children;—others, paddling through +the cataracts upon trunks of palm tree, displayed from afar off the +amulets hung about their necks, the tattooings upon their breasts; and +these things were not more sinful than the religion of the Greeks, the +Asiatics, and the Romans!</p> + +<p>"When I was dwelling in the temple of Heliopolis I would often consider +the things I beheld upon the walls:—vultures bearing sceptres, +crocodiles playing upon lyres, faces of men with the bodies of +serpents, cow-headed women prostrating themselves before ithyphallic +gods:—and their supernatural forms attracted my thoughts to other +worlds. I longed to know that which drew the gaze of all those calm and +mysterious eyes.</p> + +<p>"If matter can exert such power, it must surely contain a spirit. The +souls of the Gods are attached to their images ...</p> + +<p>"Those possessing the beauty of forms might seduce. But the others +... those of loathsome or terrible aspect ... how can men believe in +them?..."</p> + +<p>(<i>And he beholds passing over the surface of the ground,—leaves, +stones, shells,<span class="pagenum"><a name="Page_154" id="Page_154">[Pg 154]</a></span> branches of trees,—then a variety of hydropical +dwarfs: these are gods. He bursts into a laugh. He hears another laugh +behind him;—and Hilarion appears, in the garb of a hermit, far taller +than before, colossal.</i>)</p> + +<p><span class="smcap">Anthony</span> (<i>who feels no surprise at seeing him</i>).</p> + +<p>"How stupid one must be to worship such things!"</p> + +<p><span class="smcap">Hilarion</span>. "Aye!—exceedingly stupid!"</p> + +<p>(<i>Then idols of all nations and of all epochs—of wood, of metal, of +granite, of feathers, of skins sewn together,—pass before them.</i></p> + +<p><i>The most ancient of all anterior to the Deluge are hidden under masses +of seaweed hanging down over them like manes. Some that are too long +for their bases, crack in all their joints, and break their own backs +in walking. Others have rents torn in their bellies through which sand +trickles out.</i></p> + +<p><i>Anthony and Hilarion are prodigiously amused. They hold their sides +for laughter. Then appear sheep-headed idols. They totter upon their +bandy-legs, half-open their eye-lids, and stutter like the dumb,</i> "Ba! +ba! ba!"</p> + +<p><i>The more that the idols commence to resemble<span class="pagenum"><a name="Page_155" id="Page_155">[Pg 155]</a></span> the human forms, the +more they irritate Anthony. He strikes them with his fist, kicks them, +attacks them with fury. They become frightful,—with lofty plumes, eyes +like balls, fingers terminated by claws, the jaws of sharks.</i></p> + +<p><i>And before these gods men are slaughtered upon altars of stone; others +are brayed alive in huge mortars, crushed under chariots, nailed upon +trees. There is one all of red-hot iron with the horns of a bull, who +devours children.</i>)</p> + +<p><span class="smcap">Anthony</span>. "Horror!"</p> + +<p><span class="smcap">Hilarion</span>. "But the gods always demand tortures—and suffering. Even +thine desired ..."</p> + +<p><span class="smcap">Anthony</span> (<i>weeping</i>). "Ah! say no more!—do not speak to me!"</p> + +<p>(<i>The space girdled by the rocks suddenly changes into a valley. A herd +of cattle are feeding upon the short grass.</i></p> + +<p><i>The herdman who leads them, observes a cloud;—and in a sharp voice, +shouts out words of command, as if to heaven.</i>)</p> + +<p><span class="smcap">Hilarion</span>. "Because he needs rain, he seeks by certain chants to compel +the King of heaven to open the fecund cloud."</p> + +<p><span class="pagenum"><a name="Page_156" id="Page_156">[Pg 156]</a></span></p> + +<p><span class="smcap">Anthony</span> (<i>laughing</i>).</p> + +<p>"Verily, such pride is the extreme of foolishness!"</p> + +<p><span class="smcap">Hilarion</span>. "Why dost thou utter exorcisms?"</p> + +<p>(<i>The valley changes into a sea of milk, motionless and infinite. In +its midst floats a long cradle formed by the coils of a serpent, whose +many curving heads shade, like a dais, the god slumbering upon its +body.</i></p> + +<p><i>He is beardless, young, more beautiful than a girl, and covered with +diaphanous veils. The pearls of his tiara gleam softly like moons; a +chaplet of stars is entwined many times about his breast, and with one +hand beneath his head, he slumbers with the look of one who dreams +after wine.</i></p> + +<p><i>A woman crouching at his feet, awaits the moment of his awaking.</i>)</p> + +<p><span class="smcap">Hilarion</span>. "Such is the primordial duality of the Brahmans,—the +Absolute being inexpressible by any form."</p> + +<p>(<i>From the navel of the god has grown the stem of a lotus flower; it +blossoms, and within its chalice appears another god with three faces.</i>)</p> + +<p><span class="smcap">Anthony</span>. "How strange an invention!"</p> + +<p><span class="pagenum"><a name="Page_157" id="Page_157">[Pg 157]</a></span></p> + +<p><span class="smcap">Hilarion</span>. "Father, Son, and Holy Spirit are but one and the same +Person!"</p> + +<p>(<i>The three faces separate; and three great gods appear.</i></p> + +<p><i>The first, who is pink, bites the end of his great toe.</i></p> + +<p><i>The second, who is blue, uplifts his four arms.</i></p> + +<p><i>The third, who is green, wears a necklace of human skulls.</i></p> + +<p><i>Before them instantly arise three goddesses—one is enveloped in a +net; another offers a cup; the third brandishes a bow.</i></p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon11"></a> +<img src="images/redon_11.jpg" width="600" alt="" /> +<div class="caption"><p> ... instantly arise three goddesses</p></div> +</div> + +<p class="p2"><i>And these gods, these goddesses, decuple themselves, multiply. Arms +grow from their shoulders; at the end of these arms hands appear +bearing standards, axes, bucklers, swords, parasols and drums. +Fountains gush from their heads, plants grow from their nostrils.</i></p> + +<p><i>Riding upon birds rocked in palanquins, enthroned upon seats of gold, +standing in ivory niches,—they dream, voyage, command, drink wine, +respire the breath of flowers. Dancing girls whirl in the dance; giants +pursue monsters; at the entrances of grottoes solitaries meditate. Eyes +cannot be distinguished<span class="pagenum"><a name="Page_158" id="Page_158">[Pg 158]</a></span> from stars; nor clouds from banderolles; +peacocks quench their thirst at rivers of gold dust; the embroidery +of pavilions seems to blend with the spots of leopards; coloured rays +intercross in the blue air, together with flying arrows, and swinging +censers.</i></p> + +<p><i>And all this develops like a lofty frieze, resting its base upon the +rocks, and rising to the sky.</i>)</p> + +<p><span class="smcap">Anthony</span> (<i>dazzled by the sight</i>).</p> + +<p>"How vast is their number! What do they seek?"</p> + +<p><span class="smcap">Hilarion</span>. "The god who rubs his abdomen with his elephant-trunk, is the +solar Deity, the inspiring spirit of wisdom.</p> + +<p>"That other whose six heads are crowned with towers, and whose fourteen +arms wield javelins,—is the prince of armies,—the Fire-Consumer.</p> + +<p>"The old man riding the crocodile washes the soul of the dead upon +the shore. They will be tormented by that black woman with the putrid +teeth, who is the Ruler of Hell.</p> + +<p>"That chariot drawn by red mares, driven by one who has no legs, bears +the master of the sun through heaven's azure. The moon-god<span class="pagenum"><a name="Page_159" id="Page_159">[Pg 159]</a></span> accompanies +him, in a litter drawn by three gazelles.</p> + +<p>"Kneeling upon the back of a parrot, the Goddess of Beauty presents to +Love, her son, her rounded breast. Behold her now, further off, leaping +for joy in the meadows. Look! Look! Coiffed with dazzling mitre, she +trips lightly over the ears of growing wheat, over the waves; she rises +in air, extending her power over all elements.</p> + +<p>"And among these gods are the Genii of the winds, of the planets, of +the months, of the days,—a hundred thousand others;—multiple are +their aspects, rapid their transformations. Behold, there is one who +changes from a fish into a tortoise: he assumes the form of a boar, the +shape of a dwarf."</p> + +<p><span class="smcap">Anthony</span>. "Wherefore?"</p> + +<p><span class="smcap">Hilarion</span>. "That he may preserve the equilibrium of the universe, and +combat the works of evil. But life exhausts itself; forms wear away; +and they must achieve progression in their metamorphoses."</p> + +<p>(<i>All upon a sudden appears a</i> <span class="smcap">Naked Man</span> <i>seated in the midst of the +sand, with legs crossed.</i>)</p> + +<p>(<i>A large halo vibrates, suspended in air behind<span class="pagenum"><a name="Page_160" id="Page_160">[Pg 160]</a></span> him. The little +ringlets of his black hair in which blueish tints shift symmetrically +surround a protuberance upon the summit of his skull. His arms, +which are very long, hang down against his sides. His two hands rest +flat upon his thighs, with the palms open. The soles of his feet +are like the faces of two blazing suns; and he remains completely +motionless—before Anthony and Hilarion—with all the gods around him, +rising in tiers above the rocks, as if upon the benches of some vast +circus. His lips, half-open; and he speaks in a deep voice</i>):</p> + +<p>"I am the Master of great charities, the succor of all creatures; and +not less to the profane than to believers, do I expound the law.</p> + +<p>"That I might deliver the world, I resolved to be born among men. The +gods wept when I departed from them.</p> + +<p>"I sought me first a woman worthy to give me birth: a woman of warrior +race, the wife of a king, exceedingly good, excessively beautiful, +with body firm as adamant;—and at time of the full moon, without the +auxiliation of any male, I entered her womb.</p> + +<p><span class="pagenum"><a name="Page_161" id="Page_161">[Pg 161]</a></span></p> + +<p>"I issued from it by the right side. Stars stopped in their courses."</p> + +<p><span class="smcap">Hilarion</span> (<i>murmurs between his teeth</i>).</p> + +<p>"And seeing the star, they rejoiced with exceeding great joy!"<a name="FNanchor_1_17" id="FNanchor_1_17"></a><a href="#Footnote_1_17" class="fnanchor">[1]</a></p> + +<p>(<i>Anthony watches more attentively.</i>)</p> + +<p><span class="smcap">The Buddha</span><a name="FNanchor_2_18" id="FNanchor_2_18"></a><a href="#Footnote_2_18" class="fnanchor">[2]</a> (<i>continuing</i>).</p> + +<p>"From the furthest recesses of the Himalayas, a holy man one hundred +years of age, hurried to see me."</p> + +<p><span class="smcap">Hilarion</span>. "A man named Simeon ... who should not see death, before he +had seen the Christ of the Lord."<a name="FNanchor_3_19" id="FNanchor_3_19"></a><a href="#Footnote_3_19" class="fnanchor">[3]</a></p> + +<p><span class="smcap">The Buddha</span>. "I was led unto the schools; and it was found that I knew +more than the teachers."</p> + +<p><span class="smcap">Hilarion</span>. "... In the midst of the doctors ... and all that heard him +were astonished at his wisdom!"<a name="FNanchor_4_20" id="FNanchor_4_20"></a><a href="#Footnote_4_20" class="fnanchor">[4]</a></p> + +<p>(<i>Anthony makes a sign to Hilarion to be silent.</i>)</p> + +<p><span class="smcap">The Buddha</span>. "Continually did I meditate<span class="pagenum"><a name="Page_162" id="Page_162">[Pg 162]</a></span> in the gardens. The shadows of +the trees turned with the turning of the sun; but the shadow of that +which sheltered me turned not.</p> + +<p>"None could equal me in the knowledge of the Scriptures, the +enumeration of atoms, the conduct of elephants, the working of wax, +astronomy, poetry, pugilism, all the exercises and all the arts!</p> + +<p>"In accordance with custom, I took to myself a wife; and I passed the +days in my kingly palace;—clad in pearls, under a rain of perfumes, +refreshed by the fans of thirty thousand women,—watching my peoples +from the height of my terraces adorned with fringes of resonant bells.</p> + +<p>"But the sight of the miseries of the world turned me away from +pleasure. I fled.</p> + +<p>"I begged my way upon the high roads, clad myself in rags gathered +within the sepulchres;—and, hearing of a most learned hermit, I chose +to become his slave. I guarded his gate! I washed his feet.</p> + +<p>"Thus I annihilated all sensation, all joy, all languor.</p> + +<p>"Then, concentrating my thoughts within vaster meditation, I learned to +know the essence of things, the illusion of forms.</p> + +<p><span class="pagenum"><a name="Page_163" id="Page_163">[Pg 163]</a></span></p> + +<p>"Soon I exhausted the science of the Brahmans. They are gnawed by +covetousness and desire under their outward aspect of austerity; they +daub themselves with filth, they live upon thorns,—hoping to arrive at +happiness by the path of death!"</p> + +<p><span class="smcap">Hilarion</span>.... "Pharisees, hypocrites, whited sepulchres, generation of +vipers!"</p> + +<p><span class="smcap">The Buddha</span>. "I also accomplished wondrous things,—eating but one +grain of rice each day (and the grains of rice in those times were no +larger than at present)—my hair fell off; my body became black; my +eyes receding within their sockets, seemed even as stars beheld at the +bottom of a well.</p> + +<p>"During six years I kept myself motionless, exposed to the flies, the +lions and the serpents; and the great summer suns, the torrential +rains, lightnings and snows, hails and tempests,—all of these I +endured without even the shelter of my lifted hand.</p> + +<p>"The travellers who passed by, believing me dead, cast clods of earth +upon me!</p> + +<p>"Only the temptation of the Devil remained!</p> + +<p>"I summoned him.</p> + +<p><span class="pagenum"><a name="Page_164" id="Page_164">[Pg 164]</a></span></p> + +<p>"His sons came,—hideous, scale-covered, nauseous as +charnel-houses,—shrieking, hissing, bellowing; interclashing their +panoplies, rattling together the bones of dead men. Some belched +flame through their nostrils; some made darkness about me with their +wings; some wore chaplets of severed fingers; some drank serpent-venom +from the hollows of their hands;—they were swine-headed; they were +rhinoceros-headed or toad-headed; they assumed all forms that inspire +loathing or affright."</p> + +<p><span class="smcap">Anthony</span> (<i>to himself</i>).</p> + +<p>"I also endured all that in other days!"</p> + +<p><span class="smcap">The Buddha.</span> "Then did he send me his daughters—beautiful with +daintily painted faces, and wearing girdles of gold. Their teeth were +whiter than the jasmine-flower; their thighs round as the trunk of +an elephant. Some extended their arms and yawned, that they might so +display the dimples of their elbows; some winked their eyes; some +laughed; some half-opened their garments. There were blushing virgins, +matrons replete with dignity, queens who came with great trains of +baggage and of slaves."</p> + +<p><span class="pagenum"><a name="Page_165" id="Page_165">[Pg 165]</a></span></p> + +<p><span class="smcap">Anthony</span> (<i>aside</i>). "Ah! he too ..."</p> + +<p><span class="smcap">The Buddha</span>. "Having vanquished the Demon, I nourished myself for twelve +years with perfumes only;—and as I had acquired the five virtues, +the five faculties, the ten forces, the eighteen substances, and had +entered into the four spheres of the invisible world, Intelligence +became mine! I became the Buddha."</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon12"></a> +<img src="images/redon_12.jpg" width="600" alt="" /> +<div class="caption"><p>Intelligence became mine! I became the Buddha. </p></div> +</div> + +<p class="p2">(<i>All the gods bow themselves down. Those having several heads, bend +them all simultaneously. He lifts his mighty hand aloft, and resumes</i>:)</p> + +<p>"That I might effect the deliverance of beings, I have made hundreds +of thousands of sacrifices! To the poor I gave robes of silk, beds, +chariots, houses, heaps of gold and of diamonds. I gave my hands to the +one-handed, my legs to the lame, my eyes to the blind;—even my head I +severed for the sake of the decapitated. In the day that I was King, I +gave away provinces;—when I was a Brahman I despised no one. When I +was a solitary, I spake kindly words to the robber who slew me. When I +was a tiger I allowed myself to die of hunger.</p> + +<p>"And having, in this last existence, preached the law, nothing now +remains for<span class="pagenum"><a name="Page_166" id="Page_166">[Pg 166]</a></span> me to do. The great period is accomplished! Men, animals, +the gods, the bamboos, the oceans, the mountains, the sand-grains of +the Ganges, together with the myriad myriads of the stars,—all shall +die;—and until the time of the new births, a flame shall dance upon +the wrecks of worlds destroyed!"</p> + +<p>(<i>Then a great dizziness comes upon the gods. They stagger, fall into +convulsions, and vomit forth their existences. Their crowns burst +apart; their banners fly away. They tear off their attributes, their +sexes, fling over their shoulders the cups from which they quaffed +immortality, strangle themselves with their serpents, vanish in +smoke;—and when all have disappeared</i> ...)</p> + +<p><span class="smcap">Hilarion</span> (<i>solemnly exclaims</i>):</p> + +<p>"Thou hast even now beheld the belief of many hundreds of millions of +men."</p> + +<p>(<i>Anthony is prostrate upon the ground, covering his face with his +hands. Hilarion, with his back turned to the cross, stands near him and +watches him.</i></p> + +<p><i>A considerable time elapses.</i></p> + +<p><i>Then a singular being appears—having the head of a man upon the body +of a fish.<span class="pagenum"><a name="Page_167" id="Page_167">[Pg 167]</a></span> He approaches through the air, upright, beating the sand +from time to time with his tail; and the patriarchal aspect of his face +by contrast with his puny little arms, causes Anthony to laugh.</i>)</p> + +<p><span class="smcap">Oannes</span> (<i>in a plaintive voice</i>):</p> + +<p>"Respect me! I am the contemporary of beginnings.</p> + +<p>"I dwelt in that formless world where hermaphroditic creatures +slumbered, under the weight of an opaque atmosphere, in the deeps of +dark waters—when fingers, fins, and wings were blended, and eyes +without heads were floating like mollusks, among human-headed bulls, +and dog-footed serpents.</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon13"></a> +<img src="images/redon_13.jpg" width="600" alt="" /> +<div class="caption"><p> ... and eyes without heads were floating like mollusks +</p></div></div> + +<p class="p2">"Above the whole of these beings, <span class="smcap">Omoroca</span>, bent like a hoop, extended +her woman-body. But Belus cleft her in two halves; with one he made the +earth; with the other, heaven;—and the two equal worlds do mutually +contemplate each other.</p> + +<p>"I, the first consciousness of <span class="smcap">Chaos</span>, arose from the abyss that I might +harden matter, and give a law unto forms:—also I taught men to fish +and to sow: I gave them knowledge of writing, and of the history of the +gods.</p> + +<p><span class="pagenum"><a name="Page_168" id="Page_168">[Pg 168]</a></span></p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon14"></a> +<img src="images/redon_14.jpg" width="600" alt="" /> +<div class="caption"><p>I, the first consciousness of Chaos, arose +from the abyss that I might harden matter, and give a law unto forms +</p></div> +</div> + +<p class="p2">"Since then I have dwelt in the deep pools left by the Deluge. But the +desert grows vaster about them; the winds cast sand into them; the sun +devours them;—and I die upon my couch of slime, gazing at the stars +through the water. Thither I return!"</p> + +<p>(<i>He leaps and disappears in the Nile.</i>)</p> + +<p><span class="smcap">Hilarion</span>. "That is an ancient God of the Chaldæans!"</p> + +<p><span class="smcap">Anthony</span> (<i>ironically</i>). "What, then, were those of Babylon?"</p> + +<p><span class="smcap">Hilarion</span>. "Thou canst behold them!"</p> + +<p>(<i>And they find themselves upon the platform of a lofty quadrangular +tower dominating six other towers, which, narrowing as they rise, form +one monstrous pyramid. Far below a great black mass is visible—the +city, doubtless—extending over the plains. The air is cold; the sky +darkly blue; multitudes of stars palpitate above.</i></p> + +<p><i>In the midst of the platform rises a column of white stone. Priests +in linen robes pass and repass around it, so as to describe by their +evolutions a moving circle; and with faces uplifted, they gaze upon the +<span class="pagenum"><a name="Page_169" id="Page_169">[Pg 169]</a></span>stars.</i> ...)</p> + +<p><span class="smcap">Hilarion</span>. (<i>pointing out several of these stars to Anthony</i>):</p> + +<p>"There are thirty principal stars. Fifteen look upon the upper side +of the earth; fifteen below. At regular intervals one shoots from the +upper regions to those below; while another abandons the inferior deeps +to rise to sublime altitudes ...</p> + +<p>"Of the seven planets, two are beneficent; two evil; three +ambiguous:—all things in the world depend upon the influence of these +eternal fires. According to their position or movement presages may be +drawn;—and here thou dost tread the most venerable place upon earth. +Here Pythagoras and Zoroaster have met;—here for twelve thousand years +these men have observed the skies that they might better learn to know +the gods."</p> + +<p><span class="smcap">Anthony</span>. "The stars are not gods."</p> + +<p><span class="smcap">Hilarion</span>. "Aye, they say the stars are gods; for all things about us +pass away;—the heavens only remain immutable as eternity."</p> + +<p><span class="smcap">Anthony</span>. "Yet there is a master!"</p> + +<p><span class="smcap">Hilarion</span> (<i>pointing to the column</i>):</p> + +<p>"He! Belus!—the first ray, the Sun, the<span class="pagenum"><a name="Page_170" id="Page_170">[Pg 170]</a></span> Male! The Other, whom he +fecundates, is beneath him!"</p> + +<p>(<i>Anthony beholds a garden, illuminated by lamps</i>: <i>He finds himself +in the midst of the crowd, in an avenue of cypress-trees. To right and +left are little pathways leading to huts constructed within a wood of +pomegranate trees, and enclosed by treillages of bamboo.</i></p> + +<p><i>Most of the men wear pointed caps, and garments bedizened like the +plumage of a peacock. But there are also people from the North clad +in bearskins, nomads wearing mantles of brown wool, pallid Gangarides +with long earrings;—and there seems to be as much confusion of rank +as there is confusion of nations; for sailors and stone-cutters elbow +the princes who wear tiaras blazing with carbuncles and who carry +long canes with carven knobs. All proceed upon their way with dilated +nostrils, absorbed by the same desire.</i></p> + +<p><i>From time to time, they draw aside to make way for some long covered +wagon drawn by oxen, or some ass jolting upon his back a woman bundled +up in thick veils, who finally disappears in the direction of the +cabins.</i></p> + +<p><span class="pagenum"><a name="Page_171" id="Page_171">[Pg 171]</a></span></p> + +<p><i>Anthony feels afraid; he half-resolves to turn back. But an +unutterable curiosity takes possession of him, and draws him on.</i></p> + +<p><i>At the foot of the cypress-trees there are ranks of women squatting +upon deerskins, all wearing in lieu of diadem, a plaited fillet of +ropes. Some, magnificently attired, loudly call upon the passers-by. +Others, more timid, seek to veil their faces with their arms, while +some matron standing behind them, their mother doubtless, exhorts +them. Others, their heads veiled with a black shawl, and their bodies +entirely nude, seem from afar off to be statues of flesh. As soon as a +man has thrown some money upon their knees, they arise.</i></p> + +<p><i>And the sound of kisses is heard under the foliage,—sometimes a great +sharp cry.</i>)</p> + +<p><span class="smcap">Hilarion</span>. "These are the virgins of Babylon, who prostitute themselves +to the goddess."</p> + +<p><span class="smcap">Anthony</span>. "What goddess?"</p> + +<p><span class="smcap">Hilarion</span>. "Behold her!"</p> + +<p>(<i>And he shows him at the further end of the avenue, upon the threshold +of an illuminated grotto, a block of stone representing a woman.</i>)</p> + +<p><span class="pagenum"><a name="Page_172" id="Page_172">[Pg 172]</a></span></p> + +<p><span class="smcap">Anthony</span>. "Ignominy!—how abominable to give a sex to God!"</p> + +<p><span class="smcap">Hilarion</span>. "Thou thyself dost figure him in thy mind as a living person!"</p> + +<p>(<i>Anthony again finds himself in darkness.</i></p> + +<p><i>He beholds in the air a luminous circle, poised upon horizontal +wings. This ring of light, girdles like a loose belt, the waist of a +little man wearing a mitre upon his head and carrying a wreath in his +hand. The lower part of his figure is completely concealed by immense +feathers outspreading about him like a petticoat.</i></p> + +<p><i>It is</i>—<span class="smcap">Ormuzd</span>—<i>the God of the Persians. He hovers in the air above, +crying aloud</i>:)</p> + +<p>"I fear! I can see his monstrous jaws! I did vanquish thee, O Ahriman! +But again thou dost war against me.</p> + +<p>"First revolting against me, thou didst destroy the eldest of +creatures, Kaiomortz, the Man-Bull. Then didst thou seduce the first +human couple, Meschia and Meschiané; and thou didst fill all hearts +with darkness, thou didst urge thy battalions against heaven!</p> + +<p>"I also had mine own, the people of the stars; and from the height of +my throne I<span class="pagenum"><a name="Page_173" id="Page_173">[Pg 173]</a></span> contemplated the marshalling of the astral hosts.</p> + +<p>"Mithra, my son, dwelt in heavens inaccessible. There he received +souls, from thence did he send them forth; and he arose each morning to +pour forth the abundance of his riches.</p> + +<p>"The earth reflected the splendour of the firmament. Fire blazed upon +the crests of the mountains,—symbolizing that other fire of which +I had created all creatures. And that the holy flame might not be +polluted, the bodies of the dead were not burned; the beaks of birds +carried them aloft toward heaven.</p> + +<p>"I gave to men the laws regulating pastures, labour, the choice of wood +for the sacrifices, the form of cups, the words to be uttered in hours +of sleeplessness;—and my priests unceasingly offered up prayers, so +that worship might be as the eternity of God in its endlessness. Men +purified themselves with water; loaves were offered upon the altars, +sins were confessed aloud.</p> + +<p>"Homa<a name="FNanchor_5_21" id="FNanchor_5_21"></a><a href="#Footnote_5_21" class="fnanchor">[5]</a> gave himself to men to be drank,<span class="pagenum"><a name="Page_174" id="Page_174">[Pg 174]</a></span> that they might have his +strength communicated to them while the Genii of heaven were combating +the demons, the children of Iran were pursuing the serpents. The +King, whom an innumerable host of courtiers served upon their knees, +represented me in his person, and wore my coiffure. His gardens had the +magnificence of a heaven upon earth; and his tomb represented him in +the act of slaying a monster,—emblem of Good destroying Evil.</p> + +<p>"For it was destined that I should one day definitely conquer Ahriman, +by the aid of Time-without-limits.</p> + +<p>"But the interval between us disappears;—the deep night rises! To +me! ye Amschaspands, ye Izeds, ye Ferouers! Succor me, Mithra! seize +thy sword! And thou, Kaosyac, who shall return for the universal +deliverance, defend me! What!—none to aid! Ah! I die! Thou art the +victor, Ahriman!"</p> + +<p>(<i>Hilarion, standing behind Anthony, restrains<span class="pagenum"><a name="Page_175" id="Page_175">[Pg 175]</a></span> a cry of joy;—and</i> +Ormuzd <i>is swallowed up in the darkness.</i>)</p> + +<p>(<i>Then appears</i>:)</p> + +<p class="smcap" style="text-align: center;">The Great Diana of Ephesus</p> + +<p>(<i>black with enamelled eyes, her elbows pressed to her side, her +forearms extended, with hands open.</i></p> + +<p><i>Lions crawl upon her shoulders; fruits, flowers, and stars intercross +upon her bosom; further down three rows of breasts appear; and from her +belly to her feet she is covered with a tightly fitting sheath from +which bulls, stags, griffins, and bees, seem about to spring, their +bodies half-protruding from it. She is illuminated by the white light +emanating from a disk of silver, round as the full moon, placed behind +her head.</i>)</p> + +<p>"Where is my temple? Where are my Amazons?</p> + +<p>"What is this I feel?—I, the Incorruptible!—a strange faintness comes +upon me!"...</p> + +<p>(<i>Her flowers wither, her over-ripe fruits become detached and fall. +The lions and the bulls hang their heads; the deer foam at the<span class="pagenum"><a name="Page_176" id="Page_176">[Pg 176]</a></span> mouth, +with a slimy foam, as though exhausted; the buzzing bees die upon the +ground.</i></p> + +<p><i>She presses her breasts, one after the other. All are empty! But under +a desperate effort her sheath bursts. She seizes it by the bottom, like +the skirt of a robe, throws her animals, her fruits, her flowers, into +it,—then withdraws into the darkness.</i></p> + +<p><i>And afar off there are voices, murmuring, growling, roaring, +bellowing, belling. The density of the night is augmented by breaths. +Drops of warm rain fall.</i>)</p> + +<p><span class="smcap">Anthony</span>. "How sweet the odour of the palm trees, the trembling of +leaves, the transparency of springs! I feel the desire to lie flat upon +the Earth that I might feel her against my heart; and my life would be +reinvigorated by her eternal youth!"</p> + +<p>(<i>He hears the sound of castanets and of cymbals; and men appear, clad +in white tunics with red stripes,—leading through the midst of a +rustic crowd an ass, richly harnessed, its tail decorated with knots of +ribbons, and its hoofs painted.</i></p> + +<p><i>A box, covered with a saddle-cloth<a name="FNanchor_6_22" id="FNanchor_6_22"></a><a href="#Footnote_6_22" class="fnanchor">[6]</a> of<span class="pagenum"><a name="Page_177" id="Page_177">[Pg 177]</a></span> yellow material shakes to +and fro upon its back, between two baskets,—one receives the offerings +contributed,—eggs, grapes, pears, cheeses, fowls, little coins; and +the other basket is full of roses, which the leaders of the ass pluck +to pieces as they walk before the animal, shedding the leaves upon the +ground.</i></p> + +<p><i>They wear earrings and large mantles; their locks are plaited, their +cheeks painted, olive-wreaths are fastened upon their foreheads by +medallions bearing figurines;—all wear poniards in their belts, and +brandish ebony-handled whips, having three thongs to which osselets are +attached.</i><a name="FNanchor_7_23" id="FNanchor_7_23"></a><a href="#Footnote_7_23" class="fnanchor">[7]</a></p> + +<p><i>Those who form the rear of the procession, place upon the soil,—so as +to remain upright as a candelabrum,—a tall pine, which burns at its +summit, and shades under its lower branches a lamb.</i></p> + +<p><i>The ass halts. The saddle-cloth is removed. Underneath appears a +second covering of black felt. Then one of the men in white tunics +begins to dance, rattling his crotali;—another, kneeling before the +box, beats a tambourine and</i>—)</p> + +<p><span class="pagenum"><a name="Page_178" id="Page_178">[Pg 178]</a></span></p> + +<p><span class="smcap">The Oldest of the Band</span>, <i>begins</i>:—</p> + +<p>"Here is the Good Goddess, the Idæan of the mountains, the Great Mother +of Syria! Come ye hither, good people all!</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon15"></a> +<img src="images/redon_15.jpg" width="600" alt="" /> +<div class="caption"><p>Here is the Good Goddess, the Idæan of the mountains </p></div> +</div> + +<p class="p2">"She gives joy to men, she heals the sick; she sends inheritances; she +satisfies the hunger of love!</p> + +<p>"We bear her through the land, rain or shine, in fair weather, or in +foul.</p> + +<p>"Oft times we lie in the open air, and our table is not always well +served. Robbers dwell in the woods. Wild beasts rush from their +caverns. Slippery paths border the precipices. Behold her! behold her!"</p> + +<p>(<i>They lift off the covering; and a box is seen, inlaid with little +pebbles.</i>)</p> + +<p>"Loftier than the cedars, she looks down from the blue ether. Vaster +than the wind she encircles the world. Her breath is exhaled by the +nostrils of tigers; the rumbling of her voice is heard beneath the +volcanoes; her wrath is the tempest; the pallor of her face has +whitened the moon. She ripens the harvest; by her the tree-bark swells +with sap; she makes the beard to grow. Give her something; for she +hates the avaricious!"</p> + +<p>(<i>The box opens; and under a little pavilion<span class="pagenum"><a name="Page_179" id="Page_179">[Pg 179]</a></span> of blue silk appears a +small image of Cybele—glittering with spangles, crowned with towers, +and seated in a chariot of red stone, drawn by two lions, with uplifted +paws.</i></p> + +<p><i>The crowd presses forward to see.</i>)</p> + +<p><span class="smcap"><span class="smcap">THE ARCHIGALLUS</span></span> (<i>continues</i>):</p> + +<p>"She loves the sound of resounding tympanums, the echo of dancing +feet, the howling of wolves, the sonorous mountains and the deep +gorges, the flower of the almond tree, the pomegranate and the green +fig, the whirling dance, the snoring flute, the sugary sap, the salty +tear,—blood! To thee, to thee!—Mother of the mountains!"</p> + +<p>(<i>They scourge themselves with their whips; and their chests resound +with the blows;—the skins of the tambourines vibrate almost to +bursting. They seize their knives; they gash their arms.</i>)</p> + +<p>"She is sorrowful; let us be sorrowful! Thereby your sins will be +remitted. Blood purifies all—fling its red drops abroad like blossoms! +She, the Great Mother, demands the blood of another creature—of a pure +being!"</p> + +<p>(<i>The Archigallus raises his knife above the head of a lamb.</i>)</p> + +<p><span class="pagenum"><a name="Page_180" id="Page_180">[Pg 180]</a></span></p> + +<p><span class="smcap">Anthony</span> (<i>seized with horror</i>):</p> + +<p>"Do not slay the lamb!"</p> + +<p>(<i>There is a gush of purple blood. The priest sprinkles the crowd +with it; and all—including Anthony and Hilarion—standing around the +burning tree, silently watch the last palpitations of the victim.</i></p> + +<p><i>A Woman comes forth from the midst of the priests; she resembles +exactly the image within the little box.</i></p> + +<p><i>She pauses, perceiving before her a Young Man wearing a Phrygian +cap. His thighs are covered with a pair of narrow trousers, with +lozenge-shaped openings here and there at regular intervals, closed by +bow knots of coloured material. He stands in an attitude of languor, +resting his elbow against a branch of the tree, holding a flute in his +hand.</i>)</p> + +<p><span class="smcap">Cybele</span> (<i>flinging her arms about his waist</i>).</p> + +<p>"I have traversed all regions of the earth to join thee—and famine +ravaged the fields Thou hast deceived me! It matters not! I love thee! +Warm my body in thine embrace! Let us be united!"</p> + +<p><span class="smcap">Atys</span>. "The springtime will never again return, O eternal Mother! +Despite my love, it is no longer possible for me to penetrate<span class="pagenum"><a name="Page_181" id="Page_181">[Pg 181]</a></span> thy +essence! Would that I might cover myself with a painted robe like +thine! I envy thy breasts, swelling with milk, the length of thy +tresses, thy vast flanks that have borne and brought forth all +creatures! Why am I not thou?—Why am I not a woman?—No, never! depart +from me! My virility fills me with horror!"</p> + +<p>(<i>With a sharp stone he dismembers himself, and runs furiously from her +...</i></p> + +<p><i>The priests imitate the god; the faithful do even as the priests. Men +and women exchange garments, embrace;—and the tumult of bleeding flesh +passes away, while the sound of voices remaining, becomes even more +strident,—like the shrieking of mourners, like the voices heard at +funerals.</i></p> + +<p><i> ... A huge catafalque, hung with purple, supports upon its summit an +ebony bed, surrounded by torches and baskets of silver filagree, in +which are verdant leaves of lettuce, mallow and fennel. Upon the steps +of the construction, from summit to base, sit women all clad in black, +with loosened girdles and bare feet, holding in their hands with a +melancholy air, great bouquets of flowers.</i></p> + +<p><i>At each corner of the estrade urns of alabaster,<span class="pagenum"><a name="Page_182" id="Page_182">[Pg 182]</a></span> filled with myrrh, +slowly send up their smoke.</i></p> + +<p><i>Upon the bed can be perceived the corpse of a man. Blood flows from +his thigh. One of his arms hangs down lifelessly;—and a dog licks his +finger nails and howls.</i></p> + +<p><i>The row of torches placed closely together, prevents his face from +being seen; and Anthony feels a strange anguish within him. He fears +lest he should recognize some one.</i></p> + +<p><i>The sobs of the women cease—and after an interval of silence</i>,)</p> + +<p><span class="smcap">All</span> (<i>psalmody together</i>):</p> + +<p>"Fair! fair!—all fair he is! Thou hast slept enough!—lift thy +head!—arise!</p> + +<p>"Inhale the perfume of our flowers—narcissus—blossoms and anemones, +gathered in thine own gardens to please thee. Arouse thee! thou dost +make us fear for thee!</p> + +<p>"Speak to us! What dost thou desire? Wilt thou drink wine?—wilt thou +lie in our beds?—dost wish to eat the honeycakes which have the form +of little birds?</p> + +<p>"Let us press his lips,—kiss his breast! Now!—now!—dost thou not +feel our ring-laden fingers passing over thy body?—and our lips that +seek thy mouth?—and our<span class="pagenum"><a name="Page_183" id="Page_183">[Pg 183]</a></span> tresses that sweep thy thighs? O faint God, +deaf to our prayers!"</p> + +<p>(<i>They cry aloud, and rend their faces with their nails; then all +rush,—and the howling of the dog continues in the silence.</i>)</p> + +<p>"Alas! alas! Woe!—the black blood trickles over his snowy flesh! +See! his knees writhe!—his sides sink in! The bloom of his face hath +dampened the purple. He is dead, dead! O weep for him! Lament for him!"</p> + +<p>(<i>In long procession they ascend to lay between the torches the +offerings of their several tresses, that seem from afar off like +serpents, black or blond;—and the catafalque is lowered gently to the +level of, a grotto,—the opening of a shadowy sepulchre that yawns +behind it.</i></p> + +<p><i>Then</i>—)</p> + +<p><span class="smcap">A Woman</span> (<i>bends over the corpse. Her long hair, uncut, envelopes her +from head to feet. She sheds tears so abundantly that her grief cannot +be as that of the others, but more than human—infinite!</i></p> + +<p><i>Anthony dreams of the Mother of Jesus. She speaks</i>:—)</p> + +<p>"Thou didst emerge from the Orient, and didst take me, all trembling +with the dew, into<span class="pagenum"><a name="Page_184" id="Page_184">[Pg 184]</a></span> thy arms, O Sun! Doves fluttered upon the azure +of thy mantle; our kisses evoked low breezes among the foliage; and I +abandoned myself wholly to thy love, delighting in the pleasure of my +weakness.</p> + +<p>"Alas! alas—Why didst thou depart, to run upon the mountains! A boar +did wound thee at the time of the autumnal equinox!</p> + +<p>"Thou art dead; and the fountains weep,—the trees bend down. The wind +of winter whistles through the naked brushwood.</p> + +<p>"My eyes are about to close, seeing that darkness covers them! Now thou +dwellest in the underworld near the mightiest of my rivals.</p> + +<p>"O Persephone, all that is beautiful descends to thee, never to return!"</p> + +<p>(<i>Even while she speaks, her companions lift the dead, to place him +within the sepulchre. He remains in their hands! It was only a waxen +corpse.</i></p> + +<p><i>Wherefore Anthony feels something resembling relief.</i></p> + +<p><i>All vanish;—and the hut, the rocks, and the cross reappear.</i></p> + +<p><i>But upon the other side of the Nile, Anthony<span class="pagenum"><a name="Page_185" id="Page_185">[Pg 185]</a></span> beholds a Woman, +standing in the midst of the desert.</i></p> + +<p><i>She retains in her hand the lower part of a long black veil that hides +all her face; supporting with her left arm a little child to whom she +is giving suck. A great ape crouches down in the sand beside her.</i></p> + +<p><i>She uplifts her head toward heaven; and in spite of the great +distance, her voice is distinctly heard</i>:)</p> + +<p><span class="smcap">Isis</span>. "O Neith, Beginning of all things! Ammon, Lord of Eternity; +Pthah, demiurgos; Thoth, his intelligence; gods of the Amenthi, +particular triads of the Nomes,—falcons in the azure of heaven, +sphinxes before the temples, ibises perched between the horns of oxen, +planets, constellations, shore, murmurs of the wind, gleams of the +light,—tell me where I may find Osiris.</p> + +<p>"I have sought him in all the canals and all the lakes—aye, further +yet, even to PhÅ“nician Byblos. Anubis, with ears pricked up, leaped +about me, and yelped, and thrust his muzzle searchingly into the tufts +of the tamarinds.</p> + +<p>"Thanks, good Cynocephalos—thanks to thee!"</p> + +<p><span class="pagenum"><a name="Page_186" id="Page_186">[Pg 186]</a></span></p> + +<p>(<i>She gives the ape two or three friendly little taps upon the head.</i>)</p> + +<p>"Hideous Typhon, the red-haired slew him, tore him in pieces! We have +found all his members. But I have not that which rendered me fecund!"</p> + +<p>(<i>She utters wild lamentations.</i>)</p> + +<p><span class="smcap">Anthony</span> (<i>is filled with fury. He casts stones at her, reviles her.</i>)</p> + +<p>"Begone! thou shameless one!—Begone!"</p> + +<p><span class="smcap">Hilarion</span>. "Nay! respect her! Her religion was the faith of thy +fathers!—thou didst wear her amulets when thou wert a child in the +cradle!"</p> + +<p><span class="smcap">Isis</span>. "In the summers of long ago, the inundation drove the impure +beasts into the desert. The dykes were opened, the boats dashed against +each other; the panting earth drank the river with the intoxication of +joy. Then, O God, with the horns of the bull, thou didst lie upon my +breast, and then was heard, the lowings of the Eternal Cow!</p> + +<p>"The seasons of sowing and reaping, of threshing and of vintage, +followed each other in regular order with the years. In the eternal +purity of the nights, broad stars beamed and glowed. The days were +bathed<span class="pagenum"><a name="Page_187" id="Page_187">[Pg 187]</a></span> in never-varying splendour. Like a royal couple the Sun and the +Moon appeared simultaneously, at either end of the horizon.</p> + +<p>"Then did we both reign above a sublimer world, twin-monarchs, wedded +within, the womb of eternity—he bearing a concupha-headed sceptre; I, +the sceptre that is tipped with a lotus-flower; both of us erect with +hands joined; and the crumblings of empires affected not our attitude.</p> + +<p>"Egypt extended, below us, monumental and awful, long-shaped like the +corridor of a temple; with obelisks on the right, pyramids on the +left, and its labyrinth in the midst. And everywhere were avenues +of monsters, forests of columns, massive pylons flanking gates +summit-crowned with the mysterious globe—the globe of the world, +between two wings.</p> + +<p>"The animals of her Zodiac also existed in her pasture lands; and +filled her mysterious writing with their forms and colours. Divided +into twelve regions as the year is divided into-twelve months—each +month, each day also having its own god—she reproduced the immutable +order of heaven. And man even in dying changed not his face; but +saturated<span class="pagenum"><a name="Page_188" id="Page_188">[Pg 188]</a></span> with perfumes, invulnerable to decay, he lay down to sleep +for three thousand years in another and silent Egypt.</p> + +<p>"And that Egypt, vaster than the Egypt of the living, extended beneath +the earth.</p> + +<p>"Thither one descended by dark stairways leading into halls where were +represented the joys of the good, the tortures of the wicked, all that +passes in the third and invisible world. Ranged along the wall the dead +in their painted coffins awaited their turn; and the soul, exempted +from migrations, continued its heavy slumber until the awakening into a +new life.</p> + +<p>"Nevertheless, Osiris sometimes came to see me. And by his ghost I +became the mother of Harpocrates."</p> + +<p>(<i>She contemplates the child.</i>)</p> + +<p>"Aye! it is he. Those are his eyes; those are his locks, plaited into +ram horns! Thou shalt recommence his works. We shall bloom again like +the lotus. I am still the Great Isis!—none has yet lifted my veil! My +fruit is the Sun!</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon16"></a> +<img src="images/redon_16.jpg" width="600" alt="" /> +<div class="caption"><p>I am still the Great Isis!—none has yet +lifted my veil! My fruit is the Sun!</p></div></div> + +<p class="p2">"Sim of Springtime, clouds now obscure thy face! The breath of Typhon +devours the pyramids. But a little while ago I beheld<span class="pagenum"><a name="Page_189" id="Page_189">[Pg 189]</a></span> the Sphinx flee +away. He was galloping like a jackal.</p> + +<p>"I look for my priests,—my priests clad in mantles of linen, with +their great harps, and bearing a mysterious bark, adorned with +silver pateras. There are no more festivals upon the lakes!—no more +illuminations in my delta!—no more cups of milk at Philæ! Apis has +long ceased to reappear.</p> + +<p>"Egypt! Egypt! thy great motionless gods have their shoulders already +whitened by the dung of birds; and the wind that passes over the desert +rolls with it and the ashes of thy dead!—Anubis, guardian of ghosts, +abandon me not!"</p> + +<p>(<i>The Cynocephalos has vanished. She shakes her child.</i>)</p> + +<p>"But ... what ails thee ... thy hands are cold, thy head droops!"</p> + +<p>(<i>Harpocrates expires. Then she cries aloud with a cry so piercing, +funereal, heart-rending, that Anthony answers it with another cry, +extending his arms as to support her.</i></p> + +<p><i>She is no longer there. He lowers his face, overwhelmed by shame.</i></p> + +<p><i>All that he has seen becomes confused<span class="pagenum"><a name="Page_190" id="Page_190">[Pg 190]</a></span> within his mind. It is like the +bewilderment of travel, the illness of drunkenness. He wishes to hate; +but a vague and vast pity fills his heart. He begins to weep, and weeps +abundantly.</i>)</p> + +<p><span class="smcap">Hilarion</span>. "What makes thee sorrowful?"</p> + +<p><span class="smcap">Anthony</span> (<i>after having long sought within himself for a reply</i>):</p> + +<p>"I think of all the souls that have been lost through these false gods!"</p> + +<p><span class="smcap">Hilarion</span>. "Dost thou not think that they ... sometimes ... bear much +resemblance to the <span class="smcap">True</span>?"</p> + +<p><span class="smcap">Anthony</span>. "That is but a device of the Devil to seduce the faithful more +easily. He attacks the strong through the mind, the weak through the +flesh."</p> + +<p><span class="smcap">Hilarion</span>. "But luxury, in its greatest fury, has all the +disinterestedness of penitence. The frenzied love of the body +accelerates the destruction thereof,—and proclaims the extent of the +impossible by the exposition of the body's weakness."</p> + +<p><span class="smcap">Anthony</span>. "What signifies that to me! My heart sickens with disgust +of these beautiful bestial gods, forever busied with carnages and +incests!"</p> + +<p><span class="pagenum"><a name="Page_191" id="Page_191">[Pg 191]</a></span></p> + +<p><span class="smcap">Hilarion</span>. "Yet recollect all those things in the Scripture which +scandalize thee because thou art unable to comprehend them! So also may +these Gods conceal under their sinful forms some mighty truth. There +are more of them yet to be seen. Look around!"</p> + +<p><span class="smcap">Anthony</span>. "No, no!—it is dangerous!"</p> + +<p><span class="smcap">Hilarion</span>. "But a little while ago thou didst desire to know them! Is +it because thy faith might vacillate in the presence of lies? What +fearest thou?"</p> + +<p>(<i>The rocks fronting Anthony have become as a mountain. A line of +clouds obscures the mountain half way between summit and base; and +above the clouds appears another mountain, enormous, all green, +unequally hollowed by valleys nestling in its slopes, and supporting at +its summit, in the midst of laurel-groves a palace of bronze, roofed +with tiles of gold, and supported by columns having capitals of ivory.</i></p> + +<p><i>In the centre of the peristyle Jupiter,—colossal, with torso +nude,—holds Victory in one hand, his thunderbolts in the other; and +his eagle, perched between his feet, rears its head.</i></p> + +<p><i>Juno, seated near him, rolls her large eyes,<span class="pagenum"><a name="Page_192" id="Page_192">[Pg 192]</a></span> beneath a diadem whence +her wind-blown veil escapes like a vapour.</i></p> + +<p><i>Behind them, Minerva, standing upon a pedestal, leans on her spear. +The skin of the Gorgon covers her breast, and a linen peplos falls in +regular folds to the nails of her toes. Her glaucous eyes, which gleam +beneath her vizor, gaze afar off, attentively.</i></p> + +<p><i>On the right of the palace, the aged Neptune bestrides a dolphin +beating with its fins a vast azure expanse which may be sea or sky, for +the perspective of the Ocean seems a continuation of the blue ether: +the two elements are interblended.</i></p> + +<p><i>On the other side weird Pluto in night-black mantle, crowned with +diamond tiara and bearing a sceptre of ebony, sits in the midst of an +islet surrounded by the circumvolutions of the Styx;—and this river of +shadow empties itself into the darknesses, which form a vast black gulf +below the cliff,—a bottomless abyss!</i></p> + +<p><i>Mars, clad in brass, brandishes as in wrath his broad shield and his +sword.</i></p> + +<p><i>Hercules, leaning upon his club, gazes at him from below.</i></p> + +<p><i>Apollo, his face ablaze with light, grasps<span class="pagenum"><a name="Page_193" id="Page_193">[Pg 193]</a></span> with outstretched right +arm the reins of four white horses urged to a gallop; and Ceres in her +ox-drawn chariot advances toward him with a sickle in her hand.</i></p> + +<p><i>Behind her comes Bacchus, riding in a very low chariot, gently drawn +by lynxes. Plump and beardless, with vine leaves garlanding his brow, +he passes by holding in his hand an overflowing cup of wine. Silenus +riding beside him reels upon his ass. Pan of the pointed ears, blows +upon his syrinx; the Mimalonæides beat drums; the Mænads strew +flowers; the Bacchantes turn in the dance with heads thrown back and +hair dishevelled.</i></p> + +<p><i>Diana, with tunic tucked up, issues from the wood together with her +nymphs.</i></p> + +<p><i>At the further end of a cavern, Vulcan among his Cabiri, hammers the +heated iron; here and there the aged Rivers leaning recumbent upon +green rocks pour water from their urns; the Muses stand singing in the +valleys</i>.</p> + +<p><i>The Hours, all of equal stature, link hands; and Mercury poses +obliquely upon a rainbow, with his caduceus, winged sandals, and winged +petasus.</i></p> + +<p><i>But at the summit of the stairway of the Gods,—among clouds soft +as down, from<span class="pagenum"><a name="Page_194" id="Page_194">[Pg 194]</a></span> whose turning volutes a rain of roses falls,—Venus +Anadyomene stands gazing at herself in a mirror:—her eyes move +languorously beneath their slumbrous lids.</i></p> + +<p><i>She has masses of rich blond hair rolling down over her shoulders; her +breasts are small; her waist is slender; her hips curve out like the +sweeping curves of a lyre; her thighs are perfectly rounded; there are +dimples about her knees; her feet are delicate: a butterfly hovers near +her mouth. The splendour of her body makes a nacreous-tinted halo of +bright light about her; while all the rest of Olympus is bathed in a +pink dawn, rising gradually to the heights of the blue sky.</i>)</p> + +<p><span class="smcap">Anthony</span>. "Ah! my heart swells! A joy never known before thrills me to +the depths of my soul! How beautiful, how beautiful it is!"</p> + +<p><span class="smcap">Hilarion</span>. "They leaned from the heights of cloud to direct the way of +swords; one used to meet them upon the high roads; men had them in +their houses—and this familiarity divinized life.</p> + +<p>"Life's aim was only to be free and beautiful. Nobility of attitude was +facilitated by the looseness of garments. The voice of the<span class="pagenum"><a name="Page_195" id="Page_195">[Pg 195]</a></span> orator, +trained by the sea, rolled its sonorous waves against the porticoes of +marble. The ephebus, anointed with oil, wrestled all naked in the full +light of the sun. The holiest of actions was to expose perfection of +forms to all.</p> + +<p>"And these men respected wives, aged men, suppliants.</p> + +<p>"Behind the temple of Hercules there was an altar erected to Pity.</p> + +<p>"Victims were immolated with flowers wreathed about the fingers of the +sacrificer. Even memory was exempted from thoughts of the rottenness +of death. Nothing remained but a little pile of ashes. And the Soul, +mingling with the boundless ether, rose up to God."</p> + +<p>(<i>Bending to whisper in Anthony's ear</i>:—)</p> + +<p>"And they still live! The Emperor Constantine adores Apollo. Thou wilt +find the Trinity in Samothracian mysteries,—baptism in the religion of +Isis,—redemption in the faith of Mithra,—a martyrdom of a God in the +festivals of Bacchus. Prosperpine is the Virgin!... Aristæus is Jesus!"</p> + +<p><span class="smcap">Anthony</span> (<i>remains awhile with downcast eyes, as if in deep thought; +then suddenly repeats<span class="pagenum"><a name="Page_196" id="Page_196">[Pg 196]</a></span> aloud the Symbol of Jerusalem, as he remembers +it, uttering a long sigh between each phrase</i>):—</p> + +<p>"I believe in one only God, the Father,—and in one only Lord, Jesus +Christ,—the first born son of God, who was incarnated and made +man,—who was crucified, and buried,—who ascended into Heaven,—who +will come to judge the living and the dead,—of whose Kingdom there +shall be no end;—and in one Holy Spirit,—and in one baptism of +repentance,—and in one Holy Catholic Church,—and in the resurrection +of the flesh,—and in the life everlasting!"</p> + +<p>(<i>Immediately the cross becomes loftier and loftier; it pierces the +clouds, and casts its shadow upon the heaven of the gods.</i></p> + +<p><i>All grow pale;—Olympus shudders.</i></p> + +<p><i>And at its base Anthony beholds vast bodies enchained, sustaining the +rocks upon their shoulders,—giant figures half buried in the deeps +of caverns. These are the Titans, the Giants, the Hecatonchires, the +Cyclops.</i>)</p> + +<p class="smcap" style="text-align: center;">A Voice</p> + +<p>(<i>rises, indistinct and awful, like the far roar of leaves, like the +voice of forests in time of<span class="pagenum"><a name="Page_197" id="Page_197">[Pg 197]</a></span> tempest, like the mighty moaning of the +wind among the precipices</i>):</p> + +<p>"We knew these things!—we knew them! There must come an end even for +the Gods! Uranus was mutilated by Saturn,—Saturn by Jupiter. And +Jupiter himself shall be annihilated. Each in his turn;—it is Destiny!"</p> + +<p>(<i>And little by little they sink into the mountain, and disappear.</i></p> + +<p><i>Meanwhile the golden tiles of the palace rise and fly away.</i>)</p> + +<p><span class="smcap">Jupiter</span> (<i>has descended from his throne. At his feet the thunderbolts +lie, smoking like burning coals about to expire;—and the great eagle +bends its neck to pick up its falling feathers</i>):</p> + +<p>"Then I am no longer the master of all things,—most holy, most +mighty, god of the phatrias and Greek peoples,—ancestor of all the +Kings,—Agamemnon of heaven.</p> + +<p>"Eagle of apotheoses, what wind from Erebus has wafted thee to me? or, +fleeing from the Campus Martins, dost thou bear me the soul of the last +of the Emperors?</p> + +<p>"I no longer desire to receive those of men. Let the Earth keep them; +and let them move upon the level of its baseness. Their hearts<span class="pagenum"><a name="Page_198" id="Page_198">[Pg 198]</a></span> are now +the hearts of slaves;—they forget injuries, forget their ancestors, +forget their oaths,—and everywhere the folly of crowds, the mediocrity +of individuals, the hideousness of races, hold sway!"</p> + +<p>(<i>He pants with such violence that his sides seem ready to burst +asunder; he clenches his hands. Weeping</i>, <span class="smcap">Hebe</span> <i>offers him a cup. He +seizes it.</i>)</p> + +<p>"No, no! So long as there shall be a brain enclosing a thought, in +whatsoever part of the world;—so long as there shall exist a mind +hating disorder, creating <span class="smcap">Law</span>,—so long will the spirit of Jupiter +live!"</p> + +<p>(<i>But the cup is empty. He turns its edge down over his thumbnail.</i>)</p> + +<p>"Not one drop left! When the ambrosia fails, the Immortals must indeed +depart!"</p> + +<p>(<i>The cup drops from his hands; and he leans against a column, feeling +himself about to die.</i>)</p> + +<p><span class="smcap">Juno</span>. "Thou shouldst not have had so many amours! Eagle, bull, swan, +rain of gold, cloud and flame, thou didst assume all forms,—dissipate +thy light in all elements,—lose thy hair upon all beds! This time +the<span class="pagenum"><a name="Page_199" id="Page_199">[Pg 199]</a></span> divorce is irrevocable; and our domination, our very existence, +dissolved."</p> + +<p>(<i>She passes away in air.</i>)</p> + +<p><span class="smcap">Minerva</span> (<i>has no longer her spear; and the ravens nesting among the +sculptures of the friezes, wheel about her, peeking at her helmet.</i>)</p> + +<p>"Let me see whether my vessels cleave the bright sea, returning to my +three ports,—let me discover why the fields are deserted, and learn +what the daughters of Athens are now doing.</p> + +<p>"In the month of Hecatombeon my whole people came to worship me, under +the guidance of their magistrates and priests. Then, all in white robes +and wearing chitons of gold, they advanced the long line of virgins +bearing cups, baskets, parasols; then the three hundred sacrificial +oxen, and the old men having green boughs, the soldiers with clashing +of armour, the ephebi singing hymns, flute players, lyre players, +rhapsodists, dancing women;—and lastly attached to the mast of a +trireme mounted upon wheel, my great veil embroidered by virgins who +had been nourished in a particular way for a whole year. And when it +had been displayed<span class="pagenum"><a name="Page_200" id="Page_200">[Pg 200]</a></span> in all the streets, in all the squares, and before +the temples, in the midst of the ever-chanting procession, it was borne +step by step up the hill of the Acropolis, grazed the Propylæa, and +entered the Parthenon....</p> + +<p>"But a strange feebleness comes upon me,—me the Industrious One! What! +what! not one idea comes to me! Lo! I am trembling more than a woman!"</p> + +<p>(<i>She turns, beholds a ruin behind her, utters a cry, and stricken by a +fallen fragment, falls backward upon the ground.</i>)</p> + +<p><span class="smcap">Hercules</span> (<i>has flung away his lion-skin; and with feet firmly braced, +back arched, teeth clenched, he exhausts himself in immeasurable +efforts to bear up the mass of crumbling Olympus.</i>)</p> + +<p>"I vanquished the Cercopes, the Amazons, and the Centaurs. Many were +the kings I slew. I broke the horn of the great river, Achelous. I cut +the mountains asunder; I freed nations from slavery; and I peopled +lands that were desolate. I travelled through the countries of Gaul; +I traversed the deserts where thirst prevails. I defended the gods +from their enemies; and I freed myself from Omphale. But the weight of +Olympus is too<span class="pagenum"><a name="Page_201" id="Page_201">[Pg 201]</a></span> great for me. My arms grow feebler:—I die!"</p> + +<p>(<i>He is crushed beneath the ruins.</i>)</p> + +<p><span class="smcap">Pluto</span>. "It is thy fault, Amphytrionad;—wherefore didst thou descend +into my empire?</p> + +<p>"The vulture that gnaws the entrails of Tityus lifted its head;—the +lips of Tantalus were moistened;—the wheel of Ixion stopped.</p> + +<p>"Meanwhile the Kæres extended their claws to snatch back the escaping +ghosts; the Furies tore the serpents of their locks; and Cerberus +fettered by thee with a chain, sounded the death rattle in his throat, +and foamed at all his three mouths.</p> + +<p>"Thou didst leave the gate ajar; others have come. The daylight of men +has entered into Tartarus!"</p> + +<p>(<i>He sinks into the darkness.</i>)</p> + +<p><span class="smcap">Neptune</span>. "My trident can no longer call up the tempests. The monsters +that terrified of old, lie rotting at the bottom of the sea.</p> + +<p>"Amphitrite whose white feet tripped lightly over the foam, the green +Nereids seen afar off in the horizon, the scaly Sirens who stopped +the passing vessels to tell stories, and the ancient Tritons mightily +blowing<span class="pagenum"><a name="Page_202" id="Page_202">[Pg 202]</a></span> upon their shells, all have passed away. All is desolate and +dead; the gaiety of the great Sea is no more!"</p> + +<p>(<i>He vanishes beneath the azure.</i>)</p> + +<p><span class="smcap">Diana</span> (<i>clad in black and surrounded by her dogs, which have been +changed into wolves</i>).</p> + +<p>"The freedom of the deep forests once intoxicated me; the odours of the +wild beasts and the exhalations of the marshes made me as one drank +with joy. But the women whose maternity I protected, now bring dead +children into the world. The moon trembles with the incantations of +witches. Desires of violence, of immensity, seize me, fill me! I wish +to drink poisons,—to lose myself in vapours, in dreams...!"</p> + +<p>(<i>And a passing cloud carries her away.</i>)</p> + +<p><span class="smcap">Mars</span> (<i>unhelmed and covered with blood</i>).</p> + +<p>"At first I fought alone;—singlehanded I would provoke a whole army by +my insults,—caring nothing for countries or nations, demanding battle +for the pleasure of carnage alone.</p> + +<p>"Afterward I had comrades. They marched to the sound of flutes, in good +order, with equal step, respiring above their bucklers,<span class="pagenum"><a name="Page_203" id="Page_203">[Pg 203]</a></span> with plumes +loftily nodding, lances oblique. Then on rushed to battle with mighty +eagle cries. War was joyous as a banquet. Three hundred men strove +against all Asia.</p> + +<p>"But the Barbarians are returning;—by myriads they come, by millions! +Ah! since numbers, and engines, and cunning are stronger than valour, +it were better that I die the death of the brave!"</p> + +<p>(<i>He kills himself.</i>)</p> + +<p><span class="smcap">Vulcan</span> (<i>sponging the sweat from his limbs</i>):</p> + +<p>"The world is growing cold. The source of heat must be nourished, the +volcanoes and rivers of flowing metal underground. Strike harder!—with +full swing of the arms,—with might and main!"</p> + +<p>(<i>The Cabiri wound themselves with their hammers, blind themselves with +sparks, and groping, lose themselves in the darkness.</i>)</p> + +<p><span class="smcap">Ceres</span> (<i>standing in her chariot, impelled by wheels having wings at +their hubs</i>):</p> + +<p>"Stop! Stop! Ah! it was with good reason that the exclusion of +strangers, atheists, Epicureans, and Christians was commended!<span class="pagenum"><a name="Page_204" id="Page_204">[Pg 204]</a></span> Now the +mystery of the basket has been unveiled; the sanctuary profaned: all is +lost!"</p> + +<p>(<i>She descends a precipitous slope—shrieking, despairing, tearing her +hair.</i>)</p> + +<p>"Ah! lies, lies! Daira has not been restored to me. The voice of brass +calls me to the dead. This is another Tartarus, whence there is no +return! Horror!"</p> + +<p>(<i>The abyss engulfs her.</i>)</p> + +<p><span class="smcap">Bacchus</span> (<i>with a frenzied laugh</i>).</p> + +<p>"What matters it? The Archon's wife is my spouse! The law itself reels +in drunkenness! To me the new song, the multiplied forms!</p> + +<p>"The fire by which my mother was devoured, flows in my veins! Let it +burn yet more fiercely, even though I perish!</p> + +<p>"Male and female, complaisant to all, I abandon myself to you, +Bacchantes! I abandon myself to you, Bacchanalians!—and the vine shall +twine herself about the tree-trunks! Howl! dance! writhe! Loosen the +tiger and the slave!—rend flesh with ferocious bitings!"</p> + +<p>(<i>And Pan, Silenus, the Bacchantes, the Mimalonæides, and the +Mænads,—with their serpents, torches, sable masks,—cast flowers<span class="pagenum"><a name="Page_205" id="Page_205">[Pg 205]</a></span> at +each other ... shake their tympanums, strike their thyrsi, pelt each +other with shells, devour grapes, strangle a goat, and tear Bacchus +asunder.</i>)</p> + +<p><span class="smcap">Apollo</span> (<i>furiously whipping his coursers, while his blanching locks are +falling from his head</i>):</p> + +<p>"I have left far behind me stony Delos, so pure that all now there +seems dead; and I must strive to reach Delphi ere its inspiring vapour +be wholly lost. The mules browse in its laurel groves. The Pythoness +has wandered away, and cannot be found.</p> + +<p>"By a stronger concentration of my power, I will obtain sublime hymns, +eternal monuments; and all matter will be penetrated by the vibrations +of my cithara!"</p> + +<p>(<i>He strikes the strings of the instrument. They burst, lashing his +face with their broken ends. He flings the cithara away; and furiously +whipping his quadriga, cries</i>):</p> + +<p>"No! enough of forms!—Further, higher!—to the very summit!—to the +realm of pure thought!"</p> + +<p>(<i>But the horses back, rear, dash the chariot to pieces. Entangled by +the harness, caught<span class="pagenum"><a name="Page_206" id="Page_206">[Pg 206]</a></span> by the fragments of the broken pole, he falls head +foremost into the abyss.</i></p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon17"></a> +<img src="images/redon_17.jpg" width="600" alt="" /> +<div class="caption"><p> ... he falls head foremost into the abyss</p></div> +</div> + +<p class="p2"><i>The sky is darkened.</i>)</p> + +<p><span class="smcap">Venus</span> (<i>blue with cold, shivering</i>):</p> + +<p>"Once with my girdle I made all the horizon of Hellas.</p> + +<p>"Her fields glowed with the roses of my cheeks; her shores were +outlined after the fashion of my lips; and her mountains, whiter than +my doves, palpitated beneath the hands of the statuaries. My spirit's +manifestation was found in the ordinances of the festivals, in the +arrangement of coiffures, in the dialogues of philosophers, in the +constitution of republics. But I have doted too much upon men! It is +Love that has dishonoured me!"</p> + +<p>(<i>She casts herself back weeping</i>):</p> + +<p>"This world is abominable;—there is no air for me to breathe!</p> + +<p>"O Mercury, inventor of the lyre, conductor of souls, take me away!"</p> + +<p>(<i>She places one finger upon her lips, and describing an immense +parabola, falls into the abyss.</i></p> + +<p><i>Nothing is now visible. The darkness is complete.</i></p> + +<p><span class="pagenum"><a name="Page_207" id="Page_207">[Pg 207]</a></span></p> + +<p><i>Only, that from the eyes of Hilarion escape two flashes, two rays of +lurid light.</i>)</p> + +<p><span class="smcap">Anthony</span> (<i>begins at last to notice his immense stature</i>):</p> + +<p>"Already several times, while thou wert speaking, it seemed to me thou +wert growing taller; and it was no illusion! How? Explain to me ... Thy +aspect terrifies me!"</p> + +<p>(<i>Footsteps are heard approaching.</i>)</p> + +<p>"What is that?"</p> + +<p><span class="smcap">Hilarion</span> (<i>extending his arm</i>):</p> + +<p>"Look!"</p> + +<p>(<i>Then, under a pale beam of moonlight, Anthony distinguishes an +interminable caravan defiling over the summit of the rocks;—and each +voyager, one after the other, falls from the cliff into the gulf below.</i></p> + +<p><i>First comes the three great gods of</i> Samothrace,—<span class="smcap">Axieros</span>, <span class="smcap">Axiokeros</span>, +<span class="smcap">Axiokersa</span>,—<i>united together as in a fascia, purple-masked, all with +hands uplifted.</i></p> + +<p><i>Æsculapius advances with a melancholy air, not even perceiving +Samos and Telesphorus, who question him with gestures of anguish.</i> +<span class="smcap">Elean Sosipolis</span>, <i>of python-form, rolls his coils toward the abyss.</i> +<span class="smcap">Dosipoena</span>, <i>becomes dizzy, leaps in of her own accord.</i> <span class="smcap">Britomartis</span>,<span class="pagenum"><a name="Page_208" id="Page_208">[Pg 208]</a></span> +<i>shrieking with fear, clutches fast the meshes of her net. The Centaurs +come at a wild gallop, and roll pell-mell into the black gulf.</i></p> + +<p><i>Behind them, all limping, advance the bands of the mourning Nymphs. +Those of the meadows are covered with dust; those of the woods moan and +bleed; wounded by the axes of the woodcutters.</i></p> + +<p><i>The Gelludes, the Strygii, the Empusæ, all the infernal goddesses, +form one pyramid of blended fangs, vipers, and torches;—and seated +upon a vulture-skin at its summit, Eurynome, blue as the flies that +corrupt meat, devours her own arms.</i></p> + +<p><i>Then in one great whirl simultaneously disappear the bloody Orthia, +Hymina of Orchomenus, the Laphria of the Patræns, Aphia of Agina, +Bendis of Thrace, Stymphalia with thighs like a bird's. Triopas, in +lieu of three eyes, has now but three empty orbits. Erichthonius, his +legs paralysed, crawls upon his hands like a cripple.</i>)</p> + +<p><span class="smcap">Hilarion</span>. "What a pleasure, is it not!—to see them all in the +abjection of their death-agony! Climb up here beside me, on this<span class="pagenum"><a name="Page_209" id="Page_209">[Pg 209]</a></span> rock; +and thou shalt be even as Xerxes, reviewing his army.</p> + +<p>"Beyond there, very far, dost thou behold that fair-bearded giant, +who even now lets fall his sword crimsoned with blood?—that is +the Scythian Zalmoxis between two planets,—Artimpasa, Venus, and +Orsiloche, the Moon.</p> + +<p>"Still further away, now emerging from pallid clouds, are the gods whom +the Cimmerians adore, even beyond Thule.</p> + +<p>"Their huge halls were warm, and by the gleam of swords that tapestried +the vault, they drank their hydromel from horns of ivory. They ate the +liver of the whale in dishes of brass wrought by the hammers of demons; +or, betimes, they listened to captive sorcerers whose fingers played +upon harps of stone.</p> + +<p>"They are feeble! They are cold! The snow makes heavy their bearskins; +and their feet show through the rents in their sandals.</p> + +<p>"They weep for the vast fields upon whose grassy knolls they were +wont to draw breath in pauses of battle; they weep for the long ships +whose prows forced a way through the mountains of ice;—and the skates +wherewith<span class="pagenum"><a name="Page_210" id="Page_210">[Pg 210]</a></span> they followed the orb of the poles, upbearing at the length +of their mighty arms all the firmament that turned with them."</p> + +<p>(<i>A gust of frosty wind carries them off. Anthony turns his eyes +another way. And he perceives—outlined in black against a red +background—certain strange personages, with chinbands and gauntlets, +who throw balls at one another, leap over each other's heads, make +grimaces, dance a frenzied dance.</i>)</p> + +<p><span class="smcap">Hilarion</span>. "Those are the divinities of Etruria, the innumerable Æsars.</p> + +<p>"There is Tages, by whom augury was invented. With one hand he seeks to +augment the divisions of the sky; with the other he supports himself +upon the earth: let him sink therein!</p> + +<p>"Nortia gazes at the wall into which she drave nails to mark the number +of the passing years. Its whole surface is now covered; and the period +is accomplished.</p> + +<p>"Like two travellers overtaken by a storm, Kastur and Pulutuk, +trembling, seek to shelter themselves beneath the same mantle."</p> + +<p><span class="smcap">Anthony</span> (<i>closes his eyes</i>):</p> + +<p>"Enough! Enough!"</p> + +<p><span class="pagenum"><a name="Page_211" id="Page_211">[Pg 211]</a></span></p> + +<p>(<i>But with a mighty noise of wings, all the Victories of the Capitol +pass through the air,—hiding their faces with their hands, dropping +the trophies hanging upon their arms.</i></p> + +<p><i>Janus,—lord of crepuscules,—flees upon a black ram; and one of his +two faces is already putrified; the other slumbers with fatigue.</i></p> + +<p><i>Summanus, the headless god of the dark heavens, presses against his +heart an odd cake shaped like a wheel.</i></p> + +<p><i>Vesta, beneath a ruined cupola, tries to relight her extinguished +lamp.</i></p> + +<p><i>Bellona gashes her cheeks,—without being able to make that blood flow +by which her devotees were purified.</i>)</p> + +<p><span class="smcap">Anthony</span>. "Mercy!—they weary me!"</p> + +<p><span class="smcap">Hilarion</span>. "Before, they amused thee!"</p> + +<p>(<i>And he shows him in a grove of bean-trees,</i> <span class="smcap">A Woman</span>, +<i>naked ............. and a black man, holding in each hand a torch.</i><a name="FNanchor_8_24" id="FNanchor_8_24"></a><a href="#Footnote_8_24" class="fnanchor">[8]</a>)</p> + +<p>"It is the goddess of Aricia, with the demon Virbius. Her sacerdote, +the King of<span class="pagenum"><a name="Page_212" id="Page_212">[Pg 212]</a></span> the grove, had to be an assassin;<a name="FNanchor_9_25" id="FNanchor_9_25"></a><a href="#Footnote_9_25" class="fnanchor">[9]</a> and the fugitive +slaves, the despoilers of corpses, the brigands of the Via Salaria, the +cripples of the Pons Sublicius, all the human vermin of the Suburra +worshipped no deities so fervently.</p> + +<p>"In the time of Marcus Antonius the patrician women preferred Libitina."</p> + +<p>(<i>And he shows him under the shadow of cypresses and rose-trees</i>, +<span class="smcap">Another Woman</span>, <i>clad in gauze. Around her lie spades, litters, black +hangings, all the paraphernalia of funerals. She smiles. Her diamonds +shine afar off through spiders' webs. The Larvæ, like skeletons, show +their bones through the branches; and the Lemures, who are phantoms, +extend their bat-like wings.</i></p> + +<p><i>At the end of a field lies the god Terminus, uprooted, and covered +with ordures.</i></p> + +<p><i>In the centre of a furrow, the great corpse of Vertumnus is being +devoured by red dogs.</i></p> + +<p><span class="pagenum"><a name="Page_213" id="Page_213">[Pg 213]</a></span></p> + +<p><i>The rustic deities all depart, weeping:—Sartor, Sarrator, Vervactor, +Collina, Vallona, Hostilinus—all wearing little hooded mantles, and +carrying either a hoe, a pitchfork, a hurdle, or a boar-spear.</i>)</p> + +<p><span class="smcap">Hilarion</span>. "Their spirits made prosperous the villa,—with its dovecots, +its parks of dormice, its poultry-yards protected by nets, its warm +stables fragrant with odours of cedar.</p> + +<p>"Also they protected all the wretched population who dragged the irons +upon their legs over the flinty ways of the Sabine country,—those who +called the swine together by sound of horn,—those who were wont to +gather the bunches at the very summits of the elms,—those who drove +the asses, laden with manure, over the winding bypaths. The panting +labourer, leaning over the handle of his plough, prayed them to give +strength to his arms; and under the shade of the lindens, beside +calabashes filled with milk, the cow-herds were wont, in turn, to sound +their praises upon flutes of reed."</p> + +<p><span class="smcap">Anthony</span> (<i>sighs.</i>)</p> + +<p>(<i>And in the centre of a chamber, upon a lofty estrade, an ivory bed is +visible, surrounded<span class="pagenum"><a name="Page_214" id="Page_214">[Pg 214]</a></span> by persons bearing torches of pine.</i>)</p> + +<p>"Those are the deities of marriage. They await the coming of the bride.</p> + +<p>"Domiduca should lead her in,—Virgo unfasten her girdle,—Subigo place +her in the bed,—and Præma open her arms, and whisper sweet words into +her ear.</p> + +<p>"But she will not come!—and they dismiss the others:—Nona and Decima +who watch by sick-beds; the three Nixii who preside over child-birth; +the two nurses, Educa and Potina; and Carna, guardian of the cradle, +whose bouquet of hawthorne keeps evil dreams from the child.</p> + +<p>"Afterwards, Ossipago should strengthen his knees;—Barbatus give him +his first beard; Stimula inspire his first desires; Volupia grant him +his first enjoyment; Fabulimus should have taught him to speak, Numera +to count, CamÅ“na to sing, Consus to reflect."</p> + +<p>(<i>This chamber is empty; and there remains only the centenarian Nænia +beside the bed,—muttering to herself the dirge she was wont to howl at +the funerals of aged men.</i></p> + +<p><i>But her voice is soon drowned by sharp cries. These are uttered by</i>—</p> + +<p><i>The</i> <span class="smcap">Lares Domestici</span>, <i>crouching at the further<span class="pagenum"><a name="Page_215" id="Page_215">[Pg 215]</a></span> end of the atrium, +clad in dog-skins, with flowers wreathed about their bodies,—pressing +their clenched hands against their cheeks, and weeping as loudly as +they can.</i>)</p> + +<p>"Where is the portion of food we received at each repast, the kindly +care of the maid-servant, the smile of the matron, the merriment of +the little boys playing at knuckle-bones on the mosaic pavement of the +court-yard? When grown up, they used to hang about our necks their +bullæ of gold or leather!</p> + +<p>"What happiness it was, when on the evening of a triumph, the master, +entering, turned his humid eyes upon us! He would recount his combats; +and the little house would be prouder than a palace; sacred as a temple!</p> + +<p>"How sweet were the family repasts, above all on the morrow of the +Feralia! Tenderness for the dead appeased all discords; all kissed each +other, while drinking to the glories of the past, and the hopes of the +future.</p> + +<p>"But the ancestors, of painted wax, locked up behind us, are slowly +becoming covered with mold. The new races, visiting their own +deceptions upon us, have shattered our jaws;<span class="pagenum"><a name="Page_216" id="Page_216">[Pg 216]</a></span> our wooden bodies are +disappearing piece-meal under the teeth of rats."</p> + +<p>(<i>And the innumerable gods, watching over doors, kitchens, cellars, +baths, disperse in every direction—under the form of enormous ants +running over the pavement, or great butterflies soaring away.</i></p> + +<p><i>Then a roll of thunder is heard.</i>)</p> + + +<p class="smcap" style="text-align: center;">A Voice:</p> + +<p>"I was the God of Armies, the Lord, the Lord God! I pitched the tents +of Jacob on the hills; and in the midst of the sands I nourished my +chosen people in their flight.</p> + +<p>"It was I who consumed the city of Sodom with fire! It was I who +overwhelmed the world with the waters of the Deluge! It was I that +drowned Pharaoh, with all the princes, sons of Kings,—making the sea +to swallow up his chariots of war, and his charioteers!</p> + +<p>"I, the Jealous God, held all other gods in abomination. I brayed the +impure in my anger; the mighty I cast down; and swiftly the desolation +of my wrath ran to the right and to the left, like a dromedary loosened +in a field of maize.</p> + +<p><span class="pagenum"><a name="Page_217" id="Page_217">[Pg 217]</a></span></p> + +<p>"I chose the humble to deliver Israel. Angels, flame-winged, spake to +them from out the bushes.</p> + +<p>"Perfumed with spikenard, with cinnamon and myrrh, clad in transparent +robes, and shod with high-heeled sandals,—women of valiant heart went +forth to slay captains. The passing wind carried my prophets with it.</p> + +<p>"My law I graved upon tables of stone. Within that law my people were +enclosed, as within a strong citadel. They were my people. I was their +God! The land was mine; the men also belonged to me, together with +their every thought, and all their works, and the tools they wrought +with, and their prosperity.</p> + +<p>"My ark reposed within a triple sanctuary,—surrounded by curtains +of purple and lighted candelabra. I had a whole tribe to serve me as +servants, swinging censers; and the high-priest, robed in robes of +hyacinth, wore upon his breast precious stones disposed in symmetrical +order.</p> + +<p>"Woe! Woe! the Holy of Holies is open, the veil is rent, the perfumes +of the holocaust are dissipated by all the winds of<span class="pagenum"><a name="Page_218" id="Page_218">[Pg 218]</a></span> heaven! The jackal +whines in the sepulchres; my temple is destroyed; my people dispersed!</p> + +<p>"The priests have been strangled with the girdles of their robes. The +women languish in captivity; the holy vessels have all been melted!"</p> + +<p>(<i>The voice, becoming more distant</i>):</p> + +<p>"I was the God of Armies; the Lord, the Lord God!"</p> + +<p>(<i>An enormous silence follows,—and deepest night.</i>)</p> + +<p><span class="smcap">Anthony</span>. "All have passed away!"</p> + +<p><span class="smcap">Some One</span> (<i>replies</i>):</p> + +<p>"I remain!"</p> + +<p>(<i>And Hilarion stands before him—but transfigured wholly,—beautiful +as an archangel, luminous as a sun, and so lofty that in order to +behold his face</i>—</p> + +<p><span class="smcap">Anthony</span></p> + +<p><i>is compelled to throw back his head, to look up as though gazing as a +star</i>):</p> + +<p>"Who art thou?"</p> + +<p><span class="smcap">Hilarion</span>. "My kingdom is vast as the universe; and my desire knows no +limits. I go on forever,—freeing minds, weighing<span class="pagenum"><a name="Page_219" id="Page_219">[Pg 219]</a></span> worlds,—without +hatred, without fear, without pity, without love, and without God. Men +call me <span class="smcap">Science</span>!"</p> + +<p><span class="smcap">Anthony</span> (<i>recoiling from him</i>):</p> + +<p>"Say, rather, that thou art ... the Devil!"</p> + +<p><span class="smcap">Hilarion</span> (<i>fixing his eyes upon him</i>:)</p> + +<p>"Wouldst thou behold him?"</p> + +<p><span class="smcap">Anthony</span> (<i>cannot detach his eyes from that mighty gaze:—the curiosity +of the Devil comes upon him. His terror augments; yet his wish grows +even to boundlessness</i>):</p> + +<p>"Yet if I should see him ... if I were to see him!"</p> + +<p>(<i>Then in a sudden spasm of wrath</i>):</p> + +<p>"The horror that I have of him will free me from his presence +forever!... Yes!"</p> + +<p>(<i>A cloven foot appears. Anthony regrets his wish.</i></p> + +<p><i>But the Devil flings him upon his horns and bears him away.</i>)</p> + + + +<hr class="chap" /> +<div class="footnote"> + +<p><a name="Footnote_1_17" id="Footnote_1_17"></a><a href="#FNanchor_1_17"><span class="label">[1]</span></a> Matthew II: 10—T.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_2_18" id="Footnote_2_18"></a><a href="#FNanchor_2_18"><span class="label">[2]</span></a> "Buddha, or more correctly, the Buddha, for Buddha is an +appellative meaning Enlightened."—Max Müller (Chips, Vol. I., 206).</p></div> + +<div class="footnote"> + +<p><a name="Footnote_3_19" id="Footnote_3_19"></a><a href="#FNanchor_3_19"><span class="label">[3]</span></a> Luke II: 25-26.—T.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_4_20" id="Footnote_4_20"></a><a href="#FNanchor_4_20"><span class="label">[4]</span></a> Ibid II: 46-47.—T.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_5_21" id="Footnote_5_21"></a><a href="#FNanchor_5_21"><span class="label">[5]</span></a> Or, Haoma, also Hom, the sacred plant, whose fermented +juice occupied an important place in the practical rites of Iran. +Supposed to be the same plant known in botany as <i>Sarcostemma +viminalis.</i> Deified in Iranian worship, like the sacred drink <i>Soma</i> in +the Vedic hymns. The <i>Soma</i> was the fermented extract of the <i>Asclepias +acida</i> or <i>Sarcostemma ritalis.</i> See Marius Fontane, "L'Inde Védique," +"Les Iraniens."—Trans.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_6_22" id="Footnote_6_22"></a><a href="#FNanchor_6_22"><span class="label">[6]</span></a> Apuleius says, "a silken mantle."—Trans.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_7_23" id="Footnote_7_23"></a><a href="#FNanchor_7_23"><span class="label">[7]</span></a> Apuleius says, "strung with knuckle-bones of +sheep."—Trans.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_8_24" id="Footnote_8_24"></a><a href="#FNanchor_8_24"><span class="label">[8]</span></a> This scene, like certain paintings in the Naples museum, +is all suited for public exhibition.—Trans.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_9_25" id="Footnote_9_25"></a><a href="#FNanchor_9_25"><span class="label">[9]</span></a> Readers will recollect the lines in Macaulay's <i>Lays of +Ancient Rome</i>: +</p> +<p> +"Beneath Aricia's trees,<br /> +<span style="margin-left: 1.5em;">Those trees in whose dim shadow</span><br /> +<span style="margin-left: 0.5em;">A ghastly priest doth reign,</span><br /> +<span style="margin-left: 1.5em;">The priest who slew the slayer,</span><br /> +<span style="margin-left: 0.5em;">And must himself be slain."</span><br /> +</p></div> + +<hr class="chap" /> + +<p><span class="pagenum"><a name="Page_220" id="Page_220">[Pg 220]</a></span></p> + + + + +<h4><a name="VI" id="VI">VI</a></h4> + + +<p>(<i>He flies beneath him, outstretched like a swimmer; his vast-spreading +wings, wholly concealing him, seem like one huge cloud.</i>)</p> + +<p><span class="smcap">Anthony</span>. "Whither do I go? But a little while ago I beheld in a glimpse +the form of the Accurst. Nay!—'tis a cloud that upbears me! Perhaps I +am dead, and am ascending to God....</p> + +<p>"How freely I respire. The immaculate air seems to vivify my soul. No +sense of weight!—no more suffering.</p> + +<p>"Far below me the lightning breaks,—the horizon broadens, widens,—the +rivers cross each other. That blond-bright spot is the desert; that +pool of water the ocean!</p> + +<p>"And other oceans appear!—vast regions of which I knew nothing! +There are the countries of the blacks, which seem to smoke like +brasiers!—then is the zone of snows always made dim by fog! Would I +might behold<span class="pagenum"><a name="Page_221" id="Page_221">[Pg 221]</a></span> those mountains where the sun, each evening, sinks to +rest!"</p> + +<p><span class="smcap">The Devil</span>. "The sun never sinks to rest; the sun never rests!"</p> + +<p>(<i>Anthony is not surprised at this voice. It seems to him an echo of +his own thought—a response made by his own memory.</i></p> + +<p><i>Meanwhile the earth gradually assumes the shape of a ball; and he +beholds it in the midst of the azure, turning upon its poles, and +revolving with the sun.</i>)</p> + +<p><span class="smcap">The Devil</span>. "So it does not form the centre of the universe! Pride of +man! humiliate thyself!"</p> + +<p><span class="smcap">Anthony</span>. "Now I can scarcely distinguish it. It mingles confusedly with +other glowing worlds. The firmament itself is but one tissue of stars."</p> + +<p>(<i>And they still rise.</i>)</p> + +<p>"No sound!—not even the hoarse cry of eagles! Nothing? I listen for +the harmony of the spheres."</p> + +<p><span class="smcap">The Devil</span>. "Thou wilt not hear them! Nor wilt thou behold the +antichtonus of Plato,—or the central furnace of Philolaüs,—or the +spheres of Aristotle, or the seven heavens of<span class="pagenum"><a name="Page_222" id="Page_222">[Pg 222]</a></span> the Jews, with the great +waters above the vault of crystal!"</p> + +<p><span class="smcap">Anthony</span>. "Yet from below the vault seemed solid as a wall!—on the +contrary I penetrate it, I lose myself in it!"</p> + +<p>(<i>And he beholds the moon,—like a rounded fragment of ice filled with +motionless light.</i>)</p> + +<p><span class="smcap">The Devil</span>. "Formerly it was the sojourn of souls! Even the good +Pythagoras adorned it with magnificent flowers, populated it with +birds!"</p> + +<p><span class="smcap">Anthony</span>. "I can see only desolate plains there, with extinct craters +yawning under a black sky!</p> + +<p>"Let us go towards those milder-beaming stars, that we may contemplate +the angels who uphold them at arms' length, like torches!"</p> + +<p><span class="smcap">The Devil</span> (<i>bears him into the midst of the stars</i>):</p> + +<p>"They attract at the same time that they repel each other. The +action of each one results from that of others, and contributes +thereunto,—without the aid of any auxiliary, by the force of a law, +the virtue of order alone!"</p> + +<p><span class="pagenum"><a name="Page_223" id="Page_223">[Pg 223]</a></span></p> + +<p><span class="smcap">Anthony</span>. "Yes!... yes! My intelligence grasps the great truth! It is +a joy greater than all tender pleasures! Breathless I find myself with +astonishment at the enormity of God!"</p> + +<p><span class="smcap">The Devil</span>. "Even as the firmament ever rises as thou dost ascend, so +with the expansion of thy thought will He become greater to thee; and +after this discovery of the universe thou wilt feel thy joy augment +with the broadening and deepening of the infinite."</p> + +<p><span class="smcap">Anthony</span>. "Ah! higher!—higher still!—- forever higher!"</p> + +<p>(<i>Then the stars multiply, scintillate. The Milky Way develops in the +zenith like a monstrous belt, with holes at intervals; through these +rents in its brightness stretches of prolonged darkness are visible. +There are rains of stars, long trains of golden dust, luminous vapours +that float and dissolve.</i></p> + +<p><i>At times a comet suddenly passes by; then the tranquillity of +innumerable lights recommences.</i></p> + +<p><i>Anthony, with outstretched arms, supports himself upon the Devil's +horns, and thus occupies all the space between them.</i></p> + +<p><i>He remembers with disdain the ignorance of other days, the mediocrity +of his dreams.<span class="pagenum"><a name="Page_224" id="Page_224">[Pg 224]</a></span> And now those luminous globes he was wont to gaze upon +from below, are close to him. He distinguishes the intercrossing of +the lines of their orbits, the complexity of their courses. He beholds +them coming from afar,—and, like stones suspended in a sling, describe +their circles, form their hyperbolas.</i></p> + +<p><i>He perceives, all within the field of his vision at once, the Southern +Cross and the Great Bear, the Lynx and the Centaur, the nebula of +Dorado, the six suns in the constellation of Orion, Jupiter with his +four satellites, and the triple ring of the monstrous Saturn!—all the +planets, all the stars that men will discover in the future. He fills +his eyes with their light; he over-burthens his mind with calculation +of their distances: then, bowing his head, he murmurs</i>):</p> + +<p>"What is the purpose of all that?"</p> + +<p><span class="smcap">The Devil</span>. "There is no purpose. How could God have a purpose? What +experience could have instructed him?—what reflection determined him?</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon18"></a> +<img src="images/redon_18.jpg" width="600" alt="" /> +<div class="caption"><p> Anthony: What is the purpose of all that? The +Devil: There is no purpose.</p></div></div> + +<p class="p2">"Before the beginning he could not have acted;—and now his action +would be useless."</p> + +<p><span class="smcap">Anthony</span>. "Yet he created the world, at one time, by his word only."</p> + +<p><span class="pagenum"><a name="Page_225" id="Page_225">[Pg 225]</a></span></p> + +<p><span class="smcap">The Devil</span>. "But the beings that people the earth come upon it +successively. So also, in heaven, new stars arise—different effects of +varying causes."</p> + +<p><span class="smcap">Anthony</span>. "The varying of causes is the will of God!"</p> + +<p><span class="smcap">The Devil</span>. "But to admit several acts of will in God is to admit +various causes, and therefore to deny his unity.</p> + +<p>"His will is inseparable from his essence. He can have but one will, +having but one essence; and inasmuch as he externally exists, he acts +eternally.</p> + +<p>"Contemplate the sun! From its surface leap vast jets of flame, casting +forth sparks that disperse beyond to become worlds here-after;—and +further than the last, far beyond those deeps where thou seest only +night, whirl other suns,—and behind them others again, and beyond +those yet others ... without end!"</p> + +<p><span class="smcap">Anthony</span>. "Enough! Enough! I fear!—I will fall into the abyss!"</p> + +<p><span class="smcap">The Devil</span> (<i>pauses, and rocks Anthony gently in the midst of space</i>).</p> + +<p>"Nothingness is—not—there is no void! Everywhere and forever bodies +move upon<span class="pagenum"><a name="Page_226" id="Page_226">[Pg 226]</a></span> the immovable deeps of space! Were there boundaries to +space, it would not be space, but a body only: it is limitless!"</p> + +<p><span class="smcap">Anthony</span> (<i>stupefied by wonder</i>):</p> + +<p>"Limitless!"</p> + +<p><span class="smcap">The Devil</span>. "Ascend skyward forever and forever,—yet thou wilt not +attain the summit. Descend below the earth for billions of billions of +centuries: never wilt thou reach the bottom. For there is no summit, +there is no bottom; there is no Above, no Below—nor height, nor +depth as signified by the terms of human utterance. And Space itself +is comprised in God, who is not a portion thereof of such or such a +size,—but is Immensity itself!"</p> + +<p><span class="smcap">Anthony</span> (<i>slowly</i>):</p> + +<p>"Matter..., then,... must be a part of God?"</p> + +<p><span class="smcap">The Devil</span>. "Why not? Canst thou know the end of God?"</p> + +<p><span class="smcap">Anthony</span>. "Nay: on the contrary, I prostrate, I crush myself beneath his +mightiness!"</p> + +<p><span class="smcap">The Devil</span>. "And yet thou dost pretend to move him! Thou dost speak to +him,—thou dost even adorn him with virtues,—with<span class="pagenum"><a name="Page_227" id="Page_227">[Pg 227]</a></span> goodness, justice, +mercy,—in lieu of recognising that all perfections are his!</p> + +<p>"To conceive aught beyond him is to conceive God above God, the Being +above the Being. For He is the only being, the only substance.</p> + +<p>"If the Substance could be divided, it would not be the Substance, it +would lose its nature: God could not exist. He is therefore indivisible +as infinite;—and if he had a body, he would be composed of parts, +he would not be One—he would not be infinite. Therefore he is not a +Person!"</p> + +<p><span class="smcap">Anthony</span>. "What? my prayers, my sobs, my groans, the sufferings of my +flesh, the transports of my love,—have all these things gone out to a +lie,—to emptiness, unavailingly—like the cry of a bird, like a whirl +of dead leaves?"</p> + +<p>(<i>Weeping</i>):</p> + +<p>"Oh, no!—there is Some One above all things,—a great Soul, a Lord, a +Father whom my heart adores and who must love me!"</p> + +<p><span class="smcap">The Devil</span>. "Thou dost desire that God were not God;—for did he feel +love, or anger, or pity,—he would abandon his perfection for a greater +or a lesser perfection. He can<span class="pagenum"><a name="Page_228" id="Page_228">[Pg 228]</a></span> stoop to no sentiment, nor be contained +in any form."</p> + +<p><span class="smcap">Anthony</span>. "One day, nevertheless, I shall see him!"</p> + +<p><span class="smcap">The Devil</span>. "With the blessed, is it not?—when the finite shall enjoy +the infinite in some restricted place, containing the Absolute!"</p> + +<p><span class="smcap">Anthony</span>. "Matters not!—there must be a paradise for the good, as there +is a hell for the wicked."</p> + +<p><span class="smcap">The Devil</span>. "Can the desire of thy mind create the law of the universe? +Without doubt evil is indifferent to God,—forasmuch as the Earth is +covered with it!</p> + +<p>"Is it through impotence that he endures it, or through cruelty that he +maintains it?</p> + +<p>"Dost thou fancy that he is eternally readjusting the world, like an +imperfect machine?—that he is forever watching the movements of all +beings, from the flight of a butterfly to the thought of a man?</p> + +<p>"If he have created the universe, his providence is superfluous. If +Providence exists, then creation is defective.</p> + +<p>"But evil and good concern only thee—even like night and day, pleasure +and pain, death<span class="pagenum"><a name="Page_229" id="Page_229">[Pg 229]</a></span> and birth, which are relative only to one corner +of space, to a special centre, to a particular interest. Since the +Infinite is permanent, the Infinite is;—and that is all."</p> + +<p>(<i>The Devil's wings have been gradually expanding: now they cover all +space.</i>)</p> + +<p><span class="smcap">Anthony</span> (<i>now perceives nothing: a great faintness comes upon him</i>):</p> + +<p>"A hideous cold freezes me, even to the depths of my soul! This is +beyond the extreme of pain! It is like a death that is deeper than +death! I roll in the immensity of darkness; and the darkness itself +enters within me. My consciousness bursts beneath this dilation of +nothingness!"</p> + +<p><span class="smcap">The Devil</span>. "Yet the knowledge of things comes to thee only through the +medium of thy mind. Even as a concave mirror, it deforms the objects +it reflects; and thou hast no means whatever of verifying their +exactitude."</p> + +<p>"Never canst thou know the universe in all its vastness; consequently +it will never be possible for thee to obtain an idea of its cause, +to have a just notion of God, nor even to say that the universe is +infinite,—for thou<span class="pagenum"><a name="Page_230" id="Page_230">[Pg 230]</a></span> must first be able to know what the Infinite is!"</p> + +<p>"May not Form be, perhaps, an error of thy senses,—Substance a figment +of thy imagination?"</p> + +<p>"Unless, indeed, that the world being a perpetual flux<a name="FNanchor_1_26" id="FNanchor_1_26"></a><a href="#Footnote_1_26" class="fnanchor">[1]</a> of things, +appearance, on the contrary, be wholly true; illusion the only reality."</p> + +<p>"But art thou sure thou dost see?—art thou even sure thou dost live? +Perhaps nothing exists!"</p> + +<p>(<i>The Devil has seized Anthony, and, holding him at arms' length, +glares at him with mouth yawning as though to devour him</i>):</p> + +<p>"Adore me, then!—and curse the phantom thou callest God!"</p> + +<p>(<i>Anthony lifts his eyes with a last effort of hope.</i></p> + +<p><i>The Devil abandons him.</i>)</p> +<hr class="r5" /> + +<div class="footnote"> + +<p><a name="Footnote_1_26" id="Footnote_1_26"></a><a href="#FNanchor_1_26"><span class="label">[1]</span></a> The original text seems to me slightly obscure. The +idea of the universe being a perpetual ebb and flow of shapes, is +that of forms passing away to reappear like waves, is that of the +Nidana-Sutris: "Individuality is only a form ... <i>Everything is only +a flux of aggregates</i>, interminably uniting and disuniting," as Barth +observes in his "Religions of India."—Trans.</p> + +<hr class="chap" /> + +<p><span class="pagenum"><a name="Page_231" id="Page_231">[Pg 231]</a></span></p></div> + + + + +<h4><a name="VII" id="VII">VII</a></h4> + + +<p><span class="smcap">Anthony</span> (<i>finds himself lying upon his back, at the verge of the cliff.</i></p> + +<p><i>The sky commences to blanch.</i>)</p> + +<p>"Is it the glow of dawn, or only an effect of moonlight?"</p> + +<p>(<i>He tries to rise, falls back,—his teeth chattering</i>):</p> + +<p>"I feel such a helplessness of weakness, as though all my bones were +broken!</p> + +<p>"Why?</p> + +<p>"Ah! the Devil!—I remember!—he even repeated to me all that I +learned from the aged Didymus respecting the opinions of Xenophanes, +Heraclitus, of Melissus, of Anaxagoras,—concerning the infinite, the +creation, the impossibility of knowing anything!</p> + +<p>"And yet I believed that I could unite myself to God!"</p> + +<p>(<i>Laughing bitterly</i>):</p> + +<p>"Ah! madness! madness! Is the fault<span class="pagenum"><a name="Page_232" id="Page_232">[Pg 232]</a></span> mine? Prayer has become +intolerable to me! My heart is dry as a rock! Once, it was wont to +overflow with love!...</p> + +<p>"The sand used to smoke of mornings like the odourous dust of a +censer;—at sunset flowers of fire used to bloom upon the cross; and in +the middle of the night, it often seemed as though all beings and all +things, lying under the same awful silence, were adoring the Lord with +me. O charms of prayer, felicities of ecstasy, gifts of heaven,—what +have become of you?</p> + +<p>"I remember a voyage I made with Ammon in search of a solitary place +suited for the establishment of a monastery. It was the last evening; +we hastened our steps, walked side by side, murmuring hymns, without +conversing. As the sun sank, the shadows of our bodies lengthened like +two obelisks, continually growing taller, and moving before us. Here +and there we planted crosses, made with fragments of our sticks, to +mark the site of a future cell. Night was tardy in her coming; and +waves of darkness overspread the earth, even while a vast rose-coloured +light still glowed in heaven.</p> + +<p>"When I was a child, I used to amuse myself<span class="pagenum"><a name="Page_233" id="Page_233">[Pg 233]</a></span> by building hermitages +with pebbles. My mother sitting beside me would watch me so attentively!</p> + +<p>"Will she not have cursed me for having abandoned her?—will she not +have plucked out her white hair by handfuls in the despair of her +grief? And her corpse remains lying on the floor of the hut, under the +roof of reeds, between the crumbling walls. Through an orifice a hyena, +snuffing, thrusts his head, advances his mouth ... horror! horror!"</p> + +<p>(<i>Sobbing</i>):</p> + +<p>"No: Ammonaria will not have abandoned her! Where is she +now,—Ammonaria?</p> + +<p>"Perhaps at the further end of a bathroom, she removes her garments +one after the other: first the mantle, then the girdle, then the first +tunic, the second lighter tunic, all her necklaces,—and the vapour +of cinnamon envelops her naked limbs. At last she lies down upon the +tepid mosaic. Her long hair spreading below the curve of her hips, +seems like a sable fleece; and the oppressiveness of the heated air +causes her to pant; her waist arched, her breasts standing out ... +What! my flesh rebels again! Even in the midst of grief am I tortured +by concupiscence.<span class="pagenum"><a name="Page_234" id="Page_234">[Pg 234]</a></span> To be subjected thus unto two tortures at once is +beyond endurance! I can no longer bear myself!"</p> + +<p>(<i>He leans over, and gazes into the abyss.</i>)</p> + +<p>"The man who should fall would be killed. Nothing easier: it were only +necessary to roll over upon my left side:—only one movement—one!"</p> + +<p>(<i>Then suddenly appears</i>—<span class="smcap">An Aged Woman</span>. <i>Anthony starts to his feet in +affright. It seems to him that he beholds his mother arisen.</i></p> + +<p><i>But this woman is far older, and prodigiously thin.</i></p> + +<p><i>A shroud, knotted about her head, hangs down, together with her white +hair, so as to cover her legs, slender as crutches. The brilliancy of +her ivory-coloured teeth make her earthy skin darker still. The orbits +of her eyes are full of shadow; and far back within them two flames +vacillate, like the lamps of sepulchres.</i></p> + +<p><i>She exclaims</i>):</p> + +<p>"Advance! What hinders thee?"</p> + +<p><span class="smcap">Anthony</span> (<i>stammering</i>):</p> + +<p><span class="pagenum"><a name="Page_235" id="Page_235">[Pg 235]</a></span></p> + +<p>"I fear ... to commit a sin!"</p> + +<p><span class="smcap">She</span> (<i>replies</i>):</p> + +<p>"But King Saul killed himself! Razias, a just man, killed himself! +Saint Pelagia of Antioch killed herself! Dommina of Aleppo and her two +daughters—all three saints—killed themselves: and remember also how +many confessors delivered themselves up to the executioner in their +impatient longing for death! That they might enjoy death more speedily, +the virgins of Miletus strangled themselves with their girdles. At +Syracuse the philosopher Hegesias preached so eloquently upon death +that men deserted the lupanars to go hang themselves in the fields. The +patricians of Borne sought for death as a new form of debauch."</p> + +<p><span class="smcap">Anthony</span>. "Aye! the love of death is strong; and many a anchorite has +succumbed to it."</p> + +<p><span class="smcap">The Old Woman</span>. "To do that which will make thee equal unto God—think! +He created thee: thou wilt destroy his work—thou! and by thy +courage,—of thy own free will! The enjoyment that Erostratus knew was +not greater than this. And moreover thy body has so long mocked thy +soul that it is full time thou shouldst take vengeance upon it.<span class="pagenum"><a name="Page_236" id="Page_236">[Pg 236]</a></span> Thou +wilt not suffer. It will soon be over. Of what art thou afraid?—a +wide, black hole! Perhaps it is a void!"</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon19"></a> +<img src="images/redon_19.jpg" width="600" alt="" /> +<div class="caption"><p>The Old Woman: Of what art thou afraid?—a +wide, black hole! Perhaps it is a void!</p></div></div> + +<p class="p2">(<i>Anthony hearkens without replying; and upon the other side appears</i>—</p> + +<p><span class="smcap">Another Woman</span>—<i>young and marvellously beautiful. At first he takes +her to be Ammonaria. But she is taller, blond as honey, very plump, +with paint upon her cheeks and roses upon her head. Her long robe, +weighty with spangles, gleams with metallic lustre;—her fleshy lips +are sanguinolent; and her somewhat heavy eyelids are so drowned with +languor that one would almost take her to be blind.</i></p> + +<p><i>She murmurs</i>):</p> + +<p>"Nay, live! enjoy! Solomon counsels joy! Follow the guiding of thy +heart and the desire of thine eyes!"</p> + +<p><span class="smcap">Anthony</span>. "What joy is there for me? My heart is weary; my eyes are dim!"</p> + +<p><span class="smcap">She</span> (<i>answers</i>):</p> + +<p>"Seek the suburb of Racotis; push open a door that is painted +blue;—and when thou shalt be in the atrium where a fountain jet +murmurs unceasingly, a woman will present herself before thee—in +peplos of white silk<span class="pagenum"><a name="Page_237" id="Page_237">[Pg 237]</a></span> striped with gold; her hair is unloosed, her +laugh like the clatter of crotali. She is skilful. In her caress thou +wilt taste the pride of initiation and the appeasement of desire.</p> + +<p>"Hast ever pressed to thy bosom a virgin who loved thee? Dost remember +the surrenders of her modesty,—the passing away of her remorse in a +sweet flow of tears?</p> + +<p>"Thou canst even now imagine thyself walking with her—canst thou +not?—in the wood by the light of the moon? At each pressure of your +joined hands, a sweet shuddering passes through you both,—looking +closely into each other your eyes seem to outpour into one another +something like immaterial fluid;—and thy heart fills: it bursts: it is +a suave whirl of eddying passion, an overflowing of intoxication...."</p> + +<p><span class="smcap">The Old Woman</span>. "One need not possess joys in order to taste their +bitterness! Even to view them from afar off begets loathing of them. +Thou must be fatigued by the monotony of the same actions, the length +of the days, the hideousness of the world, the stupidity of the sun?"</p> + +<p><span class="smcap">Anthony</span>. "Aye, indeed!—I loathe all that he shines upon."</p> + +<p><span class="pagenum"><a name="Page_238" id="Page_238">[Pg 238]</a></span></p> + +<p><span class="smcap">The Young Woman</span>. "Hermit! hermit! thou wilt find diamonds among the +flints, fountains beneath the sand, a delectation in all the hazards +thou dost despise; and there are even upon earth places of such beauty +that the sight of them would make thee desire to press the whole world +against thy heart with love!"</p> + +<p><span class="smcap">The Old Woman</span>. "Each evening that thou liest down upon the earth to +slumber, thou dost hope that it may soon lie upon thee and cover thee."</p> + +<p><span class="smcap">The Young Woman</span>. "Yet thou dost believe in the resurrection of the +flesh—which is but the translation of life into eternity!"</p> + +<p>(<i>Even as she speaks, the Old Woman becomes still more fleshless; and +above her skull, from which the white hair has disappeared, a bat +circles in the air.</i></p> + +<p><i>The Young Woman has become fatter. Her robe gleams with shifting +colours; her nostrils palpitate, her eyes roll softly.</i>)</p> + +<p><span class="smcap">The Former</span> (<i>opening her arms, exclaiming</i>):</p> + +<p>"Come to me!—I am Consolation, repose, oblivion, eternal calm!"</p> + +<p><span class="pagenum"><a name="Page_239" id="Page_239">[Pg 239]</a></span></p> + +<p><span class="smcap">The Other</span>.</p> + +<p>"I am the sleep-giver, life, happiness inexhaustible!"</p> + +<p>(<i>Anthony turns to fee from them. Each lays a hand on his shoulder.</i></p> + +<p><i>The Shroud parts, exposes the Skeleton of Death.</i></p> + +<p><i>The robe splits asunder, and leaves the whole body of Lust +exposed:—her waist is slender; her long and undulating hair flutters +in the wind.</i></p> + +<p><i>Anthony stands motionless between the two, considering them</i>):</p> + +<p><span class="smcap">Death</span> (<i>says to him</i>):</p> + +<p>"What matters it, whether now or at another time! Thou art mine,—like +suns, nations, cities, kings, mountain-snows, and the grasses of the +fields. I fly higher than the hawks of heaven. I run more swiftly than +the gazelle; I overtake even Hope; I vanquished the Son of God!"</p> + +<p><span class="smcap">Lust</span>. "Resist not! I am the Omnipotent! The forests re-echo with my +sighs; the waters tremble with my agitations. Virtue, courage, piety, +dissolve in the perfume of my mouth. Man I accompany in every step<span class="pagenum"><a name="Page_240" id="Page_240">[Pg 240]</a></span> +that he makes; and even from the threshold of the tomb he turns to me!"</p> + +<p><span class="smcap">Death</span>. "I will find for thee that which thou hast vainly sought for, +by the gleam of torches, upon the faces of the dead,—or among those +awful sands that are formed of human remains, where thou wast wont to +wander beyond the Pyramids. From time to time, the fragment of a skull +rolled under thy sandal. Thou didst take up the dust: thou didst let it +trickle through thy fingers; and thy thought, blending with it, sank +into nothingness."</p> + +<p><span class="smcap">Lust</span>. "My gulf is deeper! Marbles have inspired loves. Men rush to +conjunctures that terrify. Fetters are riveted that the fettered curse. +Whence the bewitchment of courtesans, the extravagance of dreams, the +immensity of my sadness?"</p> + +<p><span class="smcap">Death</span>. "Mine irony depasseth all others! There are convulsions of +delight at the funerals of kings, at the extermination of a whole +people; and war is made with music, with plumes, with harness of +gold,—with vast display of ceremony that my due of homage may be +greater!"</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon203"></a> +<img src="images/redon2_03.jpg" width="600" alt="" /> +<div class="caption"><p>Death: Mine irony depasseth all others!</p></div> +</div> + +<p class="p2">Lust. "My rage equals thine! I also yell;<span class="pagenum"><a name="Page_241" id="Page_241">[Pg 241]</a></span> I bite! I, too, have sweats +of agony, and aspects cadaverous!"</p> + +<p><span class="smcap">Death</span>. "It is I that make thee awful! Let us intertwine!"</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon20"></a> +<img src="images/redon_20.jpg" width="600" alt="" /> +<div class="caption"><p>Death: It is I that make thee awful! Let us intertwine!</p></div> +</div> + +<p class="p2">(<i>Death laughs mockingly; Lust roars. They clasp each other about the +waist, and chant alternately</i>):</p> + +<p>"I hasten the dissolution of matter!"</p> + +<p>"I facilitate the dispersion of germs!"</p> + +<p>"Thou dost destroy for my renovations!"</p> + +<p>"Thou dost engender for my destructions!"</p> + +<p>"Ever-active my power!"</p> + +<p>"Fecund, my putrefaction!"</p> + +<p>(<i>And their voices, whose rolling echoes fill the horizon, deepen and +become so mighty that Anthony falls backward as if thunder-stricken. A +shock from time to time causes him to reopen his eyes; and he perceives +in the midst of the darkness a manner of monster before him.</i></p> + +<p><i>It is a skull, crowned with roses, dominating the torso of a woman +nacreously white. Below, a shroud starred with specks of gold forms +something like a tail; and the whole body undulates, after the fashion +of a gigantic worm erect on end.</i></p> + +<p><span class="pagenum"><a name="Page_242" id="Page_242">[Pg 242]</a></span></p> + +<p><i>The vision attenuates,—disappears.</i>)</p> + +<p><span class="smcap">Anthony</span> (<i>rising to his feet</i>):</p> + +<p>"The Devil yet again, and under his two-fold aspect: the spirit of +fornication, and the spirit of destruction.</p> + +<p>"Neither affrights me! I repel happiness; and I know myself to be +eternal.</p> + +<p>"Thus death is only an illusion, a veil-masking betimes the continuity +of life.</p> + +<p>"But Substance being unique, wherefore should forms be varied?</p> + +<p>"Somewhere there must be primordial figures, whose bodily forms are +only symbols. Could I but see them, I would know the link between +matter and thought; I would know in what Being consists.</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon204"></a> +<img src="images/redon2_04.jpg" width="600" alt="" /> +<div class="caption"><p>Anthony: Somewhere there must be primordial +figures, whose bodily forms are only symbols</p></div></div> + +<p class="p2">"Such were the figures painted at Babylon upon the walls of the +temple of Belus; and others like them covered a mosaic in the port of +Carthage. I myself have sometime beheld in the sky, as it were, forms +of spirits. Those who cross the desert meet with animals surpassing all +conception...."</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon21"></a> +<img src="images/redon_21.jpg" width="600" alt="" /> +<div class="caption"><p>I myself have sometime beheld in the sky, as it +were, forms of spirits</p></div></div> + +<p class="p2">(<i>And opposite, upon the further side of the Nile, suddenly appears +the Sphinx.<a name="FNanchor_1_27" id="FNanchor_1_27"></a><a href="#Footnote_1_27" class="fnanchor">[1]</a> He<span class="pagenum"><a name="Page_243" id="Page_243">[Pg 243]</a></span> stretches his paws, shakes the bandelets upon his +forehead, and crouches upon his belly.</i></p> + +<p><i>Leaping, flying, spitting fire through her nostrils, lashing her +winged sides with her dragon-tail, the green-eyed Chimera circles, +barks.</i></p> + +<p><i>The thick curls of her head tossed back upon one side mingle with +the hair of her loins; on the other side they hang down to the sand, +quivering with the swinging of her body, to and fro.</i>)</p> + +<p><span class="smcap">The Sphinx</span> (<i>remaining motionless, and gazing at the Chimera</i>):</p> + +<p>"Hither, Chimera! rest awhile!"</p> + +<p><span class="smcap">The Chimera</span>. "No! never!"</p> + +<p><span class="smcap">The Sphinx</span>. "Do not run so fast, do not fly so high, do not bark so +loudly!"</p> + +<p><span class="smcap">The Chimera</span>. "Do not call me!—call me no more; since thou must remain +forever dumb."</p> + +<p><span class="smcap">The Sphinx</span>. "Cease casting thy flames in my face, and uttering thy +yells in my ear: thou canst not melt my granite."</p> + +<p><span class="pagenum"><a name="Page_244" id="Page_244">[Pg 244]</a></span></p> + +<p><span class="smcap">The Chimera</span>. "Thou shalt not seize me, terrible sphinx!"</p> + +<p><span class="smcap">The Sphinx</span>. "Thou art too mad to dwell with me!"</p> + +<p><span class="smcap">The Chimera</span>. "Thou art too heavy to follow me!"</p> + +<p><span class="smcap">The Sphinx</span>. "Yet whither goest thou, that thou shouldst run so fast?"</p> + +<p><span class="smcap">The Chimera</span>. "I gallop in the corridors of the Labyrinth—I hover above +the mountains—I graze the waves in my flight—I yelp at the bottom of +precipices—I suspend myself with my mouth from the skirts of clouds—I +sweep the shores with my dragging tail; and the curves of the hills +have taken their form from the shape of my shoulders! But thee I find +perpetually immobile, or perhaps making strange designs with thy claws +upon the sand."</p> + +<p><span class="smcap">The Sphinx</span>. "It is because I keep my secret;—I dream and calculate.</p> + +<p>"The sea returns to its bed; the wheat bends back and forth in the +wind; the caravans pass by; the dust flies; cities crumble; and yet +my gaze, which naught can deviate, remains fixed, gazing through all +intervening things, upon a horizon that none may reach."</p> + +<p><span class="pagenum"><a name="Page_245" id="Page_245">[Pg 245]</a></span></p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon205"></a> +<img src="images/redon2_05.jpg" width="600" alt="" /> +<div class="caption"><p>The Sphinx: ... and yet +my gaze, which naught can deviate, remains fixed, gazing through all +intervening things, upon a horizon that none may reach. +The Chimera: I am light and joyous!</p></div> +</div> + +<p class="p2"><span class="smcap">The Chimera</span>. "I am light and joyous! I offer to the eyes of men +dazzling perspectives with Paradise in the clouds above, and +unspeakable felicity afar off. Into their souls I pour the eternal +madnesses; projects of happiness, plans for the future, dreams of glory +and vows of love, and all virtuous resolutions.</p> + +<p>"I urge men to perilous voyages and great enterprises. I have chiselled +with my claws the wonders of architecture. It was I who suspended the +little bells above the tomb of Porsenna, and surrounded the quays of +Atlantis with a wall of orichalcum.</p> + +<p>"I seek for new perfumes, for vaster flowers, for pleasures never felt +before. If I perceive in any place a man whose mind reposes in wisdom, +I fall upon him, and strangle him."</p> + +<p><span class="smcap">The Sphinx</span>. "All those tormented by the desire of God, I have devoured.</p> + +<p>"In order to climb up to my royal brow, the strongest ascend upon the +flutings of my bandelets as upon the steps of a stairway. Then a great +lassitude comes upon them, and they fall backward."</p> + +<p>(<i>Anthony begins to tremble.</i></p> + +<p><span class="pagenum"><a name="Page_246" id="Page_246">[Pg 246]</a></span></p> + +<p><i>He is no longer before his cabin, but in the desert itself, with those +two monsters beside him, whose breath is hot upon his shoulders.</i>)</p> + +<p><span class="smcap">The Sphinx</span>. "O thou Fantasy, bear me away upon thy wings that my +sadness may be lightened!"</p> + +<p><span class="smcap">The Chimera</span>. "O thou Unknown, I am enamoured of thine eyes! Like a +hyena in heat I turn about thee, soliciting those fecundations whereof +the desires devour me!</p> + +<p>"Ope thy mouth, lift thy feet—mount upon my back!"</p> + +<p><span class="smcap">The Sphinx</span>. "My feet, since they have been outstretched, can move no +more. The lichen, like an eruption, has formed upon my jaws. By dint of +long dreaming I have no longer aught to say."</p> + +<p><span class="smcap">The Chimera</span>. "Thou liest, hypocrite Sphinx! Wherefore dost thou always +call me and always disown me!"</p> + +<p><span class="smcap">The Sphinx</span>. "It is thou, indomitable caprice, that dost forever pass +and repass, whirling in thy course!"</p> + +<p><span class="smcap">The Chimera</span>. "Is the fault mine? What? Let me be!"</p> + +<p>(<i>She barks.</i>)</p> + +<p><span class="pagenum"><a name="Page_247" id="Page_247">[Pg 247]</a></span></p> + +<p><span class="smcap">The Sphinx</span>. "Thou movest away! thou dost escape me!"</p> + +<p>(<i>He growls.</i>)</p> + +<p><span class="smcap">The Chimera</span>. "Essay!—Thou crushest me!"</p> + +<p><span class="smcap">The Sphinx</span>. "Nay!—impossible!"</p> + +<p>(<i>And gradually sinking down he disappears in the sand; while the +Chimera, ramping with tongue protruding, departs, describing circles on +her way.</i></p> + +<p><i>The breath of her mouth has produced a fog.</i></p> + +<p><i>Through this mist Anthony perceives wreathings of clouds, undecided +curves.</i></p> + +<p><i>At last he can distinguish something like the appearance of human +bodies.</i></p> + +<p><i>And first</i>:—</p> + +<p><span class="smcap">The Astomi</span>—<i>approach, like bubbles of air traversed by sunlight. They +cry</i>):</p> + +<p>"Do not breathe too hard! The drops of rain bruise us, false notes +excoriate us, darknesses blind us! Composed wholly of breezes and of +perfumes, we float along, we roll along:—a little more than Dreams, +yet not quite beings...."</p> + +<p><span class="pagenum"><a name="Page_248" id="Page_248">[Pg 248]</a></span></p> + +<p><span class="smcap">The Nisnas</span></p> + +<p>(<i>have only one eye, one cheek, one hand, one leg, half a body, half a +heart. They say</i>):</p> + +<p>"We live quite in our halves of houses, with our halves of wives and +our halves of children!"</p> + +<p><span class="smcap">The Blemmyes</span></p> + +<p>(<i>who have no head at all</i>):</p> + +<p>"Our shoulders are all the broader;—and there is no ox, rhinoceros, or +elephant able to carry what we carry.</p> + +<p>"Something dimly resembling features—as it were a vague +face—imprinted upon our breasts: that is all! We think digestions; we +subtleize secretions. God, in our belief, floats peacefully within the +interior chyles.</p> + +<p>"We go straight upon our way, through all mires, crossing all morasses, +skirting the edges of all abysses: and we are the most laborious, the +most happy, the most virtuous of all peoples!"</p> + +<p><span class="smcap">The Pygmies</span>:</p> + +<p>"We, good little men, swarm upon the world like vermin upon the hump of +a dromedary.</p> + +<p><span class="pagenum"><a name="Page_249" id="Page_249">[Pg 249]</a></span></p> + +<p>"We are burned, drowned, crushed; and we always reappear, more +vivacious and countless than before—terrible by reason of our numbers!"</p> + +<p><span class="smcap">The Sciapods</span>:</p> + +<p>"Fettered to the earth by our hair, long as lianas, we vegetate beneath +the shelter of our feet, broad as parasols; and the light comes to us +through the thickness of our heels. No annoyances for us, no work! The +head as low as possible—That is the secret of happiness."</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em; margin-top: 2em;"> +<a id="redon206"></a> +<img src="images/redon2_06.jpg" width="600" alt="" /> +<div class="caption"><p>The Sciapods: The head as low as possible—That is the secret of happiness.</p></div> +</div> + +<p class="p2">(<i>Their lifted thighs,—resembling the trunks of trees,—multiply.</i></p> + +<p><i>And a forest appears. Great apes clamber through it on all +fours:—these are men with the heads of dogs.</i>)</p> + +<p><span class="smcap">The Cynocephali</span>:</p> + +<p>"We leap from branch to branch in search of eggs to suck; and we pluck +the little fledglings alive; then we put their nests upon our heads in +lieu of caps.</p> + +<p>"We tear off the teats of cows; and we put out the eyes of lynxes: +we let fall our dung<span class="pagenum"><a name="Page_250" id="Page_250">[Pg 250]</a></span> from the heights of the trees—we parade our +turpitude in the full light of the sun.</p> + +<p>"Lacerating the flowers, crushing the fruits, befouling the springs, +violating women, we are the masters of all,—by the strength of our +arms, and the ferocity of our hearts.</p> + +<p>"Ho! companions!—gnash with your jaws!"</p> + +<p>(<i>Blood and milk pour down their chops. The rain streams over their +hairy backs.</i></p> + +<p><i>Anthony inhales the freshness of the green leaves.</i></p> + +<p><i>There is a movement among them, a clashing of branches; and all of +a sudden appears a huge black stag, with the head of a bull, having +between his ears a thicket of white horns.</i>)</p> + +<p><span class="smcap">The Sadhuzag</span>:</p> + +<p>"My seventy-four antlers are hollow like flutes.</p> + +<p>"When I turn me toward the wind of the South, there issue from them +sounds that draw all the ravished animals around me. The serpents twine +about my legs; the wasps cluster in my nostrils; and the parrots, the +doves, the ibises, alight upon the branches of my horns.</p> + +<p><span class="pagenum"><a name="Page_251" id="Page_251">[Pg 251]</a></span></p> + +<p>"Listen!"</p> + +<p>(<i>He throws back his horns, whence issues a music of sweetness +ineffable.</i></p> + +<p><i>Anthony presses both hands upon his heart. It seems to him as though +his soul were being borne away by the melody.</i>)</p> + +<p><span class="smcap">The Sadhuzag</span>:</p> + +<p>"But when I turn me toward the wind of the North, my antlers, more +thickly bristling than a battalion of lances, give forth a sound of +howlings: the forests are startled with fear; the rivers remount toward +their sources; the husks of fruits burst open; and the bending grasses +stand erect on end, like the hair of a coward.</p> + +<p>"Listen!"</p> + +<p>(<i>He bends his branching antlers forward: hideous and discordant cries +proceed from them. Anthony feels as though his heart were torn asunder.</i></p> + +<p><i>And his horror augments upon beholding</i>)—</p> + +<p><span class="smcap">The Martichoras</span></p> + +<p>(<i>A gigantic red lion, with human face, and three rows of teeth</i>):</p> + +<p><span class="pagenum"><a name="Page_252" id="Page_252">[Pg 252]</a></span></p> + +<p>"The gleam of my scarlet hair mingles with the reflection of the great +sands. I breathe through my nostrils the terror of solitudes. I spit +forth plague. I devour armies when they venture into the desert.</p> + +<p>"My claws are twisted like screws, my teeth shaped like saws; and my +curving tail bristles with darts which I cast to right and left, before +and behind!</p> + +<p>"See! see!"</p> + +<p>(<i>The Martichoras shoots forth the keen bristles of his tail, which +irradiate in all directions like a volley of arrows. Drops of blood +rain down, spattering upon the foliage.</i>)</p> + +<p><span class="smcap">The Catoblepas</span></p> + +<p>(<i>A black buffalo with a pig's head, falling to the ground, and +attached to his shoulders by a neck long, thin, and flaccid as an empty +gut.</i></p> + +<p><i>He wallows flat upon the ground, and his feet entirely disappear +beneath the enormous mane of coarse hair which covers his face</i>):</p> + +<p>"Fat, melancholy, fierce—thus I continually remain, feeling against +my belly the warmth of the mud. So heavy is my skull<span class="pagenum"><a name="Page_253" id="Page_253">[Pg 253]</a></span> that it is +impossible for me to lift it. I roll it slowly all around me, +open-mouthed; and with my tongue I tear up the venemous plants bedewed +with my breath. Once, I even devoured my own feet without knowing it!</p> + +<p>"No one, Anthony, has ever beheld mine eyes,—or at least, those who +have beheld them are dead. Were I to lift my eyelids—my pink and +swollen eyelids, thou wouldst forthwith die!"</p> + +<p><span class="smcap">Anthony</span>. "Oh, that one! Ugh! As though I could desire it?—Yet his +stupidity fascinates me! No, no! I will not!"</p> + +<p>(<i>He gazes fixedly upon the ground.</i></p> + +<p><i>But the weeds take fire; and amidst the contorsions of the flames, +arises</i>)—</p> + +<p><span class="smcap">The Basilisk</span></p> + +<p>(<i>A great violet serpent, with trilobate crest, and two fangs, one +above, one below</i>):</p> + +<p>"Beware, lest thou fall into my jaws! I drink fire. I am fire!—and I +inhale it from all things: from clouds, from flints, from dead trees, +the fur of animals, the surface of marshes. My temperature maintains +the volcanoes: I lend glitter to jewels: I give colours to metals!"</p> + +<p><span class="pagenum"><a name="Page_254" id="Page_254">[Pg 254]</a></span></p> + +<p><span class="smcap">The Griffin</span></p> + +<p>(<i>A lion with a vulture's beak, and white wings, red paws and blue +neck</i>):</p> + +<p>"I am the master of deep splendours. I know the secrets of the tombs +wherein the Kings of old do slumber.</p> + +<p>"A chain, issuing from the wall, maintains their heads upright. Near +them, in basins of porphyry, the women they loved float upon the +surfaces of black liquids. Their treasures are all arrayed in halls, in +lozenge-shaped designs, in little heaps, in pyramids;—and down below, +far below the tombs, and to be reached only after long travelling +through stifling darkness, there are rivers of gold bordered by forests +of diamonds, there are fields of carbuncles and lakes of mercury.</p> + +<p>"Addossed against the subterranean gate I remain with claws uplifted; +and my flaming eyes spy out those who seek to approach. The vast and +naked plain that stretches away to the end of the horizon is whitened +with the bones of travellers. But for thee the gates of bronze shall +open; and thou shalt inhale the vapour of the mines, thou shalt descend +into the caverns.... Quick! quick!"</p> + +<p><span class="pagenum"><a name="Page_255" id="Page_255">[Pg 255]</a></span></p> + +<p>(<i>He burrows into the earth with his paws, and crows like a cock.</i></p> + +<p><i>A thousand voices answer him. The forest trembles.</i></p> + +<p><i>And all manner of frightful creatures arise:—The Tragelaphus, half +deer, half ox; the Myrmecoles, lion before-and ant behind, whose +genitals are set reversely; the python Askar, sixty cubits long, that +terrified Moses; the huge weasel Pastinaca, that kills the trees with +her odour; the Presteros, that makes those who touch it imbecile; +the Mirag, a horned hare, that dwells in the islands of the sea. The +leopard Phalmant bursts his belly by roaring; the triple-headed bear +Senad tears her young by licking them with her tongue; the dog Cepus +pours out the blue milk of her teats upon the rocks. Mosquitoes begin +to hum, toads commence to leap; serpents hiss. Lightnings flicker. Hail +falls.</i></p> + +<p><i>Then come gusts, bearing with them marvellous anatomies:—Heads of +alligators with hoofs of deer; owls with serpent tails; swine with +tiger-muzzles; goats with the crupper of an ass; frogs hairy as bears; +chameleons huge as hippopotami; calves with two heads, one<span class="pagenum"><a name="Page_256" id="Page_256">[Pg 256]</a></span> bellowing, +the other weeping; winged bellies flitting hither and thither like +gnats.</i></p> + +<p><i>They rain from the sky, they rise from the earth, they pour from the +rocks; everywhere eyes flame, mouths roar, breasts bulge, claws are +extended, teeth gnash, flesh clacks against flesh. Some crouch; some +devour each other at a mouthful.</i></p> + +<p><i>Suffocating under their own numbers, multiplying by their own contact, +they climb over one another; and move about Anthony with a surging +motion as though the ground were the deck of a ship. He feels the trail +of snails upon the calves of his legs, the chilliness of vipers upon +his hands:—and spiders spinning about him enclose him within their +network.</i></p> + +<p><i>But the monstrous circle breaks, parts; the sky suddenly becomes blue; +and</i>)—</p> + +<p><span class="smcap">The Unicorn</span> (<i>appears</i>):</p> + +<p>"Gallop! Gallop!</p> + +<p>"I have hoofs of ivory, teeth of steel; my head is the colour of +purple, my body the colour of snow; and the horn of my forehead is +bestreaked with the tints of the rainbow.</p> + +<p>"I travel from Chaldea to the Tartar desert,—upon<span class="pagenum"><a name="Page_257" id="Page_257">[Pg 257]</a></span> the shores of the +Ganges and in Mesopotamia. I overtake the ostriches. I run so swiftly +that I draw the wind after me. I rub my back against the palm-trees. I +roll among the bamboos. I leap rivers with a single bound. Doves fly +above me. Only a virgin can bridle me.</p> + +<p>"Gallop! Gallop!"</p> + +<p>(<i>Anthony watches him depart.</i></p> + +<p><i>And as he gazes he beholds all the birds that nourish themselves +with wind: the Gouith, the Ahuti, the Alphalim, the Iukneth, of the +mountains of Kaf, the homai of the Arabs—which are the souls of +murdered men. He hears the parrots that utter human speech; and the +great Pelasgian palmipeds that sob like children or chuckle like old +women.</i></p> + +<p><i>A saline air strikes his nostrils. Now a vast beach stretches before +him.</i></p> + +<p><i>In the distance jets of water arise, spouted by whales; and from the +very end of the horizon come</i>)—</p> + +<p class="smcap" style="text-align: center;">The Beasts of the Sea</p> + +<p>(<i>round as wineskins, flat as blades, denticulated like saws, dragging +themselves over the sand as they approach</i>):</p> + +<p><span class="pagenum"><a name="Page_258" id="Page_258">[Pg 258]</a></span></p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon22"></a> +<img src="images/redon_22.jpg" width="600" alt="" /> +<div class="caption"><p>The beasts of the sea round as wineskins</p></div> +</div> + +<p class="p2">"Thou wilt accompany us to our immensities, whither as yet no one has +descended.</p> + +<p>"Divers peoples inhabit the countries of the Ocean. Some dwell in the +sojourn of tempests; others swim freely amid the transparency of chill +waves;—or, like oxen, graze upon the coral plains, or suck in through +their trunks the reflux of the tides,—or bear upon their shoulders the +vast weight of the sources of the sea."</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon23"></a> +<img src="images/redon_23.jpg" width="600" alt="" /> +<div class="caption"><p>Divers peoples inhabit the countries of the Ocean </p></div> +</div> + +<p class="p2">(<i>Phosphorences gleam in the moustaches of the seals, shift in the +scales of fish. Echini whirl like wheels; ammonites uncoil like cables; +oysters make their shell hinges squeak; polypi unfold their tentacles; +medusæ quiver like balls of crystal suspended; sponges float hither and +thither, anemones ejaculate water; wrack and sea-mosses have grown all +about.</i></p> + +<p><i>And all sorts of plants extend themselves into branches, twist +themselves into screws, lengthen into points, round themselves out like +fans. Gourds take the appearance of breasts; lianas interlace like +serpents.</i></p> + +<p><i>The Dedaims of Babylon, which are trees, bear human heads for fruit; +Mandragoras<span class="pagenum"><a name="Page_259" id="Page_259">[Pg 259]</a></span> sing;—the root Baaras runs through the grass.</i></p> + +<p><i>And now the vegetables are no longer distinguishable from the animals. +Polyparies that seem like trees, have arms upon their branches. Anthony +thinks he sees a caterpillar between two leaves: it is a butterfly that +takes flight. He is about to step on a pebble: a grey locust leaps +away. One shrub is bedecked with insects that look like petals of +roses; fragments of ephemerides form a snowy layer upon the soil.</i></p> + +<p><i>And then the plants become confounded with the stones.</i></p> + +<p><i>Flints assume the likeness of brains; stalactites of breasts; the +flower of iron resembles a figured tapestry.</i><a name="FNanchor_2_28" id="FNanchor_2_28"></a><a href="#Footnote_2_28" class="fnanchor">[2]</a></p> + +<p><i>He sees efflorescences in fragments of ice, imprints of shrubs and +shells—yet so that one cannot detect whether they be imprints only, or +the things themselves. Diamonds gleam like eyes; metals palpitate.</i></p> + +<p><i>And all fear has departed from him! He throws himself down upon the +ground, and<span class="pagenum"><a name="Page_260" id="Page_260">[Pg 260]</a></span> leaning upon his elbows, watches breathlessly.</i></p> + +<p><i>Insects that have no stomachs persistently eat; withered ferns bloom +again and reflower; absent members grow again.</i></p> + +<p><i>At last he perceives tiny globular masses, no larger than pinheads, +with cilia all round them. They are agitated with a vibratile motion</i>):</p> + +<p><span class="smcap">Anthony</span> (<i>deliriously</i>):</p> + +<p>"O joy! O bliss! I have beheld the birth of life! I have seen the +beginning of motion! My pulses throb even to the point of bursting! +I long to fly, to swim, to bark, to bellow, to howl! Would that I +had wings, a carapace, a shell,—that I could breathe out smoke, +wield a trunk,—make my body writhe,—divide myself everywhere,—be +in everything,—emanate with odours,—develop myself like the +plants,—flow like water,—vibrate like sound—shine like light, +squatting upon all forms—penetrate each atom—descend to the very +bottom of matter,—be matter itself!"</p> + +<p>(<i>Day at last appears;—and, like tabernacle curtains uplifted, clouds +of gold uprolling in broad volutes unveil the sky.</i></p> + +<p><i>Even in the midst thereof, and in the very<span class="pagenum"><a name="Page_261" id="Page_261">[Pg 261]</a></span> disk of the sun, beams the +face of Jesus Christ.</i></p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon24"></a> +<img src="images/redon_24.jpg" width="600" alt="" /> +<div class="caption"><p>Day at last appears ... in the midst thereof +and in the very disk of the sun, beams the face of Jesus Christ. </p></div> +</div> + +<p class="p2"><i>Anthony makes the sign of the cross, and resumes his devotions.</i>)</p> + + +<h4>FINIS</h4> + + +<div class="footnote"> + +<p><a name="Footnote_1_27" id="Footnote_1_27"></a><a href="#FNanchor_1_27"><span class="label">[1]</span></a> Winkelmann claims to have been the first to discover that +the Egyptian sphinxes were bisexual—females before—males otherwise. +(See Book II, chap. I, § 25.) Flaubert speaks of the Sphinx in the +masculine like Philemon. (See also Signor Carlo Fea's note upon the +paragraph in Winkelmann, old French edition. An II, R. F.)—Trans.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_2_28" id="Footnote_2_28"></a><a href="#FNanchor_2_28"><span class="label">[2]</span></a> Fleurs de fer, "flowers of iron." In mineralogy <i>flos +ferri</i>, a form of Aragonite.—Trans.</p> + +<hr class="chap" /> + +<p><span class="pagenum"><a name="Page_262" id="Page_262">[Pg 262]</a></span></p></div> + + + + +<h5><a name="NOTE" id="NOTE">[NOTE</a></h5> + +<p>Those who compare this translation with the original will observe the +omission of some few paragraphs on pages <a href="#Page_77">77</a>, <a href="#Page_96">96</a> and <a href="#Page_211">211</a>. They are +speeches put in the mouths of certain Heresiarchs, or complaints of +certain of the minor Roman household gods. The translator relegated +these to an addenda, which the publishers have omitted as being +unnecessary. Those who are familiar with the original will be able to +supply them, and will realize that while they might be offensive to +some persons, they are in no respect an integral or important part of +the great drama.]</p> + + + + +<hr class="chap" /> +<p>(added by transcribers)</p> +<h5><a name="ADDENDA" id="ADDENDA">ADDENDA</a></h5> + + +<p>A. Observation of Manes, pages 82-3, original text; page <a href="#Page_89">89</a> of +translation.</p> + + +<p><span class="smcap">Manes</span></p> + +<p><i>Ou plutôt, faites si bien qu'elle ne soit pas fécondes. Mieux vaut +pour l'ame tomber sur la terre que de languir dans des entraves +charnelles.</i></p> + +<p>Probably a calumny against Manes; for the Eastern philosophy, +especially that of Zoroaster, which is said to have inspired the tenets +of Manichæism, advocated no such abominations.</p> + + +<p>B. Page 105 of original; <a href="#Page_108">page 108</a> translation. The realistic +phraseology of the original passage is rather brutal. The French text +reads: "<i>Il souffrait de la maladie Bellerephontienne; et sa mère, la +parfumeuse, s'est livrée à Pantherus, un soldat Romain, sur des gerbes +de mais, un soir de moisson.</i>" C. Descriptive text, page 237 original, +partly suppressed on <a href="#Page_223">page 223</a> translation: "<i>Et il lui montre dans un +bosquet d'aliziers Une Femme toute nue, à quatre pattes comme une bête, +et saillie par un homme noir, tenant dans chaque main un flambeau.</i>"</p> + +<p>D. Curious text of Crepitus, on page <a href="#Page_228">228</a>, pages 241-3 of original:</p> + +<p><span class="smcap">Crepitus</span></p> + +<p>(——se fait entendre):</p> + +<p><i>Moi aussi l'on m'honora jadis. On me faisait des libations. Je fus un +Dieu!</i></p> + +<p><i>L'Athénien me saluait comme un presage de fortune, tandis que le +Romain dévot me maudissait les poings levés et que le pontife d'Egypte, +s'abstinant des fèves, tremblait à ma voix et pâlissait à mon odeur.</i></p> + +<p><i>Quand le vinaigre militaire coulait sur les barbes non rasées, qu'on +se régalait de glands, de pois, et d'oignons crus, et que le bouc en +morceau cuissait dans le beurre rance des pasteurs, sans souci du +voisin, personne alors ne se gênait. Les nourritures solides faisaient +digestions retentissantes. Au soleil de la campagne les hommes se +soulageaient avec lenteur.</i></p> + +<p><i>Ainsi, je passais sans scandale, comme les autres besoins de la vie, +comme Mena, tourment des vierges, et la douce Rumina qui protège le +sein de la nourrice, gonflé, des veines bleuâtres. J'étais joyeux. Je +faisais rire. Et se dilatant d'aise à cause de moi, le convive exhalait +toute sa gaieté par les ouvertures de son corps.</i></p> + +<p><i>J'ai eu mes jours d'orgeuil. Le bon Aristophane me promena sur la +scène, et l'empereur Claudius Drusus<a name="FNanchor_1_29" id="FNanchor_1_29"></a><a href="#Footnote_1_29" class="fnanchor">[1]</a> me fit asseoir à sa table. Dans +les laticlaves des patriciens j'ai circulé majestueusement! Les vases +d'or, comme des tympanons, resonnaient sous moi; et, quand plein de +murènes, de truffles, et de pâtés, l'intestin du maître se dégageait +avec fracas, l'univers attentif apprenait que César avait diné!</i></p> + +<p><i>Mais à présent, je suis confiné dans la populace</i><a name="FNanchor_2_30" id="FNanchor_2_30"></a><a href="#Footnote_2_30" class="fnanchor">[2]</a> <i>et l'on se +récrie, même à mon nom!</i></p> + +<p><i>Et Crepitus s'éloigne, en poussant un gémissement....</i></p> + +<p>E. For descriptions of the Martichoras and other monsters, appearing +page 287 in the original and <a href="#Page_253">253</a> in the translation, see also Rabelais' +Pantagruel, Book V, Chap. XXX.</p> + + + +<div class="footnote"> + +<p><a name="Footnote_1_29" id="Footnote_1_29"></a><a href="#FNanchor_1_29"><span class="label">[1]</span></a> Needless to refer to the comedies of Aristophanes, +with which English readers have been familiarized through the Bohn +translations. The reference to Claudius ius Drusus seems based upon +the following lines in Suetonius: "<i>Dicitur etiam meditatus edictum, +quo veniam daret flatum crepitumque ventris in convivio emittendi: +cum periclitatum quemdam prae pudore ex continentia reperisset.</i>" +(<i>Suetonius-Tiberius Claudius Drusus</i>: 32.)</p></div> + +<div class="footnote"> + +<p><a name="Footnote_2_30" id="Footnote_2_30"></a><a href="#FNanchor_2_30"><span class="label">[2]</span></a> The so-called divinities, <i>Deus Crepitus, Dea Pertunda, +Deus Stercutius, Dea Rumina</i> (or <i>Rumilia</i>), <i>Dea Mena</i>, concerning +whose curious attributes the reader may consult English or French +classical encyclopedists, were doubtless regarded by the intelligent +classes of antiquity much as certain religious superstitions are +regarded by educated moderns. It is true that they furnished grotesque +themes to artists; but many existing superstitions regarding elves +and goblins have inspired modern sculptors, painters and designers. +Certainly, seriously worshipped as deities, Priapus might seem equally +contemptible as a divinity; but his worship, degenerate as it became +in later years, was primitively symbolical. The obscene image merely +typified the procreative Spirit of Nature. The eccentric gods and +goddesses above referred to had no such excuse for being. As previously +observed, however, Flaubert artistically represents these divinities +not as they were really considered in the antique world, but rather as +they would have appeared to the eyes of zealous Christians in the third +century—infamous and loathsome.—Translator.</p></div> + +<hr class="full" /> + +<p> +<a id="CONTENTS"></a><span style="font-weight: bold;">CONTENTS</span><br /><br /> +<a href="#INTRODUCTION">INTRODUCTION</a><br /> +<a href="#ARGUMENT">ARGUMENT</a><br /> +<a href="#THE_TEMPTATION_OF_ST_ANTHONY">THE TEMPTATION OF ST. ANTHONY</a><br /> +<a href="#I">I</a><br /> +<a href="#II">II</a><br /> +<a href="#III">III</a><br /> +<a href="#IV">IV</a><br /> +<a href="#V">V</a><br /> +<a href="#VI">VI</a><br /> +<a href="#VII">VII</a><br /> +<a href="#NOTE">NOTE</a><br /> +<a href="#ADDENDA">ADDENDA</a><br /> +</p> +<hr class="chap" /> +<h5>LIST OF ILLUSTRATIONS</h5> + +<p style="text-align: center;">(by Odilon Redon, which were added especially for this PG e-book.)</p> + +<blockquote> + <p> ... through the long hair half hiding her face, I thought + that I could recognize Ammonaria ... <span class="illnum"> <a href="#redon201">6</a></span></p> + + <p>Saint Anthony: Help me, O my God! <span class="illnum"> <a href="#redon02">16</a></span></p> + + <p>And there are columns of basalt everywhere,... The light + falls from the vaults above <span class="illnum"> <a href="#redon03">38</a></span></p> + + <p>there is a sweetness in my kisses as of a fruit dissolving + within thy heart ... <span class="illnum"> <a href="#redon04">58</a></span></p> + + <p>... a long blood-colored chrysalis <span class="illnum"><a href="#redon202">100</a></span></p> + + <p>... the flowers fall and the head of a python appears <span class="illnum"> + <a href="#redon05">105</a></span></p> + + <p>... and in the darkness beside him people are praying... + <span class="illnum"><a href="#redon06">107</a></span></p> + + <p>... and he beholds an arid plain, mamillated with knolls + <span class="illnum"><a href="#redon07">113</a></span></p> + + <p>She drags a black sponge from her bosom, covers it with + kisses ... <span class="illnum"><a href="#redon08">115</a></span></p> + + <p>I have buried myself in solitude, like the rhinoceros. I + dwelt in the tree behind me <span class="illnum"><a href="#redon09">119</a></span></p> + + <p>Helena - Ennoia <span class="illnum"><a href="#redon10">125</a></span></p> + + <p>... instantly arise three goddesses <span class="illnum"><a href="#redon11">157</a></span></p> + + <p>Intelligence became mine! I became the Buddha. <span class="illnum"><a href="#redon12">165</a></span></p> + + <p>... and eyes without heads were floating like mollusks <span class="illnum"><a href="#redon13">167</a></span></p> + + <p>I, the first consciousness of Chaos, arose from the abyss + that I might harden matter, and give a law unto forms <span class="illnum"> + <a href="#redon14">168</a></span></p> + + <p>Here is the Good Goddess, the Idæan of the mountains <span class="illnum"><a href="#redon15">178</a></span></p> + + <p>I am still the Great Isis!—none has yet lifted my + veil! My fruit is the Sun! <span class="illnum"><a href="#redon16">188</a></span></p> + + <p>... he falls head foremost into the abyss <span class="illnum"><a href="#redon17">206</a></span></p> + + <p>Anthony: What is the purpose of all that? The Devil: There + is no purpose. <span class="illnum"><a href="#redon18">224</a></span></p> + + <p>The Old Woman: Of what art thou afraid?—a wide, black + hole! Perhaps it is a void! <span class="illnum"><a href="#redon19">235</a></span></p> + + <p>Death: Mine irony depasseth all others! <span class="illnum"><a href="#redon203">240</a></span></p> + + <p>Death: It is I that make thee awful! Let us intertwine! <span class="illnum"> + <a href="#redon20">241</a></span></p> + + <p>Anthony: Somewhere there must be primordial figures, whose + bodily forms are only symbols <span class="illnum"><a href="#redon204">242</a></span></p> + + <p>I myself have sometime beheld in the sky, as it were, forms + of spirits <span class="illnum"><a href="#redon21">242</a></span></p> + + <p>The Sphinx: ... and yet my gaze, which naught can deviate, + remains fixed, gazing through all intervening things, upon + a horizon that none may reach. The Chimera: I am light and + joyous! <span class="illnum"><a href="#redon205">245</a></span></p> + + <p>The Sciapods: The head as low as possible—That is the + secret of happiness. <span class="illnum"><a href="#redon206">249</a></span></p> + + <p>The beasts of the sea round as wineskins <span class="illnum"><a href="#redon22">258</a></span></p> + + <p>Divers peoples inhabit the countries of the Ocean <span class="illnum"><a href="#redon23">258</a></span></p> + + <p>Day at last appears ... in the midst thereof and in the very + disk of the sun, beams the face of Jesus Christ. <span class="illnum"><a href="#redon24">260</a></span></p> +</blockquote> + +<hr class="tb" /> +<p> </p> +<p class="transnote"><b>Transcribers' Note:</b><br /> +<br /> +This translation of the "Tentation" by Lafcadio Hearn, still regarded +by many as the best up until now in English, still misses some small +fragments (of a couple of words) not deemed fit for the Anglo-Saxon +temperament of that time. There is a contemporary version (2002) of +this translation available, with introduction by Michel Foucault and +the inclusion of some missing expressions. The original French by +Gustave Flaubert is also available at Project Gutenberg— +<a href="http://www.gutenberg.org/ebooks/10982">http://www.gutenberg.org/ebooks/10982</a></p> + +<p> </p> +<div>*** END OF THE PROJECT GUTENBERG EBOOK 52225 ***</div> +</body> +</html> + diff --git a/52225-8.txt b/old/52225-8.txt index 1d15c65..cebe23f 100644 --- a/52225-8.txt +++ b/old/52225-8.txt @@ -1,7558 +1,7558 @@ -The Project Gutenberg eBook, The Temptation of St. Anthony, by Gustave
-Flaubert, Translated by Lafcadio Hearn, Illustrated by Odilon Redon
-
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-This eBook is for the use of anyone anywhere in the United States and most
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-to check the laws of the country where you are located before using this ebook.
-
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-
-Title: The Temptation of St. Anthony
-
-
-Author: Gustave Flaubert
-
-
-
-Release Date: June 4, 2016 [eBook #52225]
-
-Language: English
-
-Character set encoding: ISO-8859-1
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-***START OF THE PROJECT GUTENBERG EBOOK THE TEMPTATION OF ST. ANTHONY***
-
-
-E-text prepared by Laura Natal Rodriguez and Marc D'Hooghe
-(http://www.freeliterature.org) from page images generously made available
-by the Google Books Library Project (http://books.google.com) and
-illustrations generously made available by Bibliothèque nationale de
-France (http://gallica.bnf.fr)
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-Note: Project Gutenberg also has an HTML version of this
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- See 52225-h.htm or 52225-h.zip:
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-Note: Images of the original pages are available through
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-Transcriber's note:
-
- Text enclosed by underscores is in italics (_italics_).
-
- The o-e ligature is represented by [oe].
-
-
-
-
-
-THE TEMPTATION OF ST. ANTHONY
-
-by
-
-GUSTAVE FLAUBERT
-
-Translated by Lafcadio Hearn
-
-Illustrations by Odilon Redon
-
-(Added especially for this PG e-book.)
-
-
-
-
-
-
-
-The Alice Harriman Company
-New York and Seattle
-1910
-
-
-
-
-INTRODUCTION
-
-
-It was at some period between 1875 and 1876 that Lafcadio Hearn--still
-a "cub" reporter on a daily paper in Cincinnati--began his translation
-of Flaubert's "Temptation of St. Anthony." The definitive edition of
-the work, over which the author had laboured for thirty years, had
-appeared in 1874.
-
-Hearn was, in his early youth, singularly indifferent to the work of
-the Englishmen of the Victorian period. Though he knew the English
-masterpieces of that epoch, their large, unacademic freedom of manner
-awakened no echoes in his spirit. His instinctive taste was for the
-exquisite in style: for "that peculiar kneading, heightening, and
-recasting" which Matthew Arnold thought necessary for perfection.
-Neither did the matter, more than the manner of the Victorians appeal
-to him. The circumstances of his life had at so many points set him
-out of touch with his fellows that the affectionate mockery of
-Thackeray's pictures of English society were alien to his interest.
-The laughing heartiness of Dickens' studies of the man in the street
-hardly touched him. Browning's poignant analyses of souls were too
-rudely robust of manner to move him. Before essaying journalism Hearn
-had served for a while as an assistant in the Public Library, and
-there he had found and fallen under the spell, of the great Frenchman
-of the Romantic School of the '30's--that period of rich flowering of
-the Gallic genius. Gautier's tales of ancient weirdnesses fired his
-imagination. The penetrating subtleties of his verse woke in the boy
-the felicitous emotions which the virtuoso knows in handling cameos
-and enamellings by hands which have long been dust. So, also, Hugo's
-revivals of the passions and terrors of the mediæval world stirred the
-young librarian's eager interest. But most of all his spirit leapt
-to meet the tremendous drama of the "Temptation." He comprehended at
-once its large significance, its great import, and in his enthusiastic
-recognition of its value and meaning he set at once about giving it a
-language understood of the people of his own tongue.
-
-Tunison tells of the little shy, shabby, half-blind boy--the long
-dull day of police reporting done--labouring at his desk into the
-small hours, with the flickering gas jet whistling overhead, and his
-myopic eyes bent close to the papers which he covered with beautiful,
-almost microscopic characters--escaping thus from the crass, raw world
-about him to delicately and painstakingly turn into English stories
-of Cleopatra's cruel, fantastic Egyptian Night's Entertainment.
-Withdrawing himself to transliterate tales of pallid beautiful vampires
-draining the veins of ardent boys: of lovely faded ghosts of great
-ladies descending from shadowy tapestries to coquette with romantic
-dreamers; or to find an English voice for the tragedy of the soul of
-the Alexandrian cenobite.
-
-It was in such dreams and labours that he found refuge from the
-environment that was so antipathetic to his tastes, and in his
-immersion in the works of these virtuosos of words, in his passionate
-search for equivalents of the subtle nuances of their phrases, he
-developed his own style. A style full of intricate assonances, of a
-texture close woven and iridescent.
-
-"One of Cleopatra's Night's"--a translation of some of Gautier's tales
-of glamour--was issued in 1882, but at "The Temptation of St. Anthony"
-the publishers altogether balked. The manuscript could not achieve even
-so much as a reading. America had in the '70's just begun to emerge
-from that state of provincial propriety in which we were accused of
-clothing even our piano legs in pantelettes. The very name of the work
-was sufficient to start modest shivers down the spine of all well
-regulated purveyors of books. It was largely due to the painters'
-conceptions of the nature of the hermit's trials that the story of
-Saint Anthony's spiritual struggle aroused instinctive terrors in all
-truly modest natures. The painters--who so dearly love to display their
-skill in drawing legs and busts--had been wont to push the poor old
-saint into the obscure of the background, and fill all the foreground
-with ladies of obviously the very lightest character, in garments
-still lighter, if possible. What had reputable American citizens to do
-with such as these jades? More especially such jades as seen through
-a French imagination! That Flaubert had brushed aside the gross and
-jejune conceptions of the painters the publishers would not even take
-the pains to learn.
-
-It is amusing now to recall the nervous, timid proprieties of those
-days. At the time Hearn failed to see the laughable side of it. He was
-then too young and earnest, too passionate and too melancholy to have a
-sense of its humours.
-
-He had brought his unfinished manuscript from Cincinnati to New
-Orleans, and had continued to work upon it in strange lodgings in
-gaunt, old half-ruined Creole houses; at the tables of odd little
-French cafés, or among the queer dishes in obscure Spanish and Chinese
-restaurants. He had snatched minutes for it amidst the reading and
-clipping of exchanges in a newspaper office; had toiled drippingly
-over it in the liquifying heats of tropic nights; had arisen from the
-"inexpungable langours" of yellow fever to complete its last astounding
-pages.
-
-I can remember applauding, with ardent youthful sympathy, his tirades
-against the stultifying influence of blind puritanism upon American
-literature. I recall his scornful mocking at the inconsistency which
-complacently accepted the vulgar seduction, and the theatrical Brocken
-revels of Faust, while shrinking piously from Flaubert's grim story of
-the soul of man struggling to answer the riddle of the universe. He
-had however an almost equal contempt for the author's countrymen, who
-received with eager interest and pleasure the deliberate analysis--in
-_Madame Bovary_--of a woman's degradation and ruin, while they yawned
-over the amazing history of humanity's tremendous spiritual adventures.
-Hearn's own sensitiveness shrank in pain from the cold insight which
-uncovered layer by layer the brutal squalour of a woman's moral
-disintegration. But he was moved and astounded by the revelation, in
-St. Anthony, of the tragedy and pathos of man's long search for some
-body of belief or philosophy by which he could explain to himself
-the strange great phenomena of life and death, and the inscrutable
-cruelties of Nature. The young translator was filled with a sort of
-astonished despair at his inability to make others see the book as
-he did--not realizing, in his youthful impatience, that the average
-mind clings to the concrete, and is puzzled and terrified by outlines
-of thought too large for its range of vision; that the commonplace
-intelligence cannot "see the wood for the trees," and becomes confused
-and over-weighted when confronted with the huge outlines of so great a
-picture as that drawn by Flaubert in his masterpiece.
-
-There were many points of resemblance between Lafcadio Hearn and the
-grandson of the French veterinary. A resemblance rather in certain
-qualities of the spirit than in social conditions and physical
-endowments. Flaubert, born in 1821, was the son of a surgeon. His
-father was long connected with the Hôtel Dieu of Rouen, in which the
-boy was born, and in which he lived until his eighteenth year, when he
-went to Paris to study law. One of the friends of his early Parisian
-days describes him as "a young Greek. Tall, supple, and as graceful as
-an athlete. He was charming, _mais un peu farouche._ Quite unconscious
-of his physical and mental gifts; very careless of the impression he
-produced, and entirely indifferent to formalities. His dress consisted
-of a red flannel shirt, trousers of heavy blue cloth, and a scarf of
-the same colour drawn tight about his slender waist. His hat was worn
-'any how' and often he abandoned it altogether. When I spoke to him of
-fame or influence.... he seemed superbly indifferent. He had no desire
-for glory or gain.... What was lacking in his nature was an interest in
-_les choses extérieures, choses utiles._" ...
-
-One who saw him in 1879 found the young Greek athlete--now close upon
-sixty, and having in the interval created some of the great classics
-of French literature--"a huge man, a tremendous old man. His long,
-straggling gray hair was brushed back. His red face was that of a
-soldier, or a sheik--divided by drooping white moustaches. A trumpet
-was his voice, and he gesticulated freely ... the colour of his eyes a
-bit of faded blue sky."
-
-The study of the law did not hold Flaubert long. It was one of those
-_choses extérieures, choses utiles_ to which he was so profoundly
-indifferent. Paris bored him. He longed for Rouen, and for his little
-student chamber. There he had lain upon his bed whole days at a time;
-apparently as lazy as a lizard; smoking, dreaming; pondering the large,
-inchoate, formless dreams of youth.
-
-In 1845 his father died, and in the following year he lost his sister
-Caroline, whom he had passionately loved, and for whom he grieved
-all his life. He rejoined his mother, and they established themselves
-at Croisset, near Rouen, upon a small inherited property. It was an
-agreeable house, pleasantly situated in sight of the Seine. Flaubert
-nourished with pleasure a local legend that Pascal had once inhabited
-the old Croisset homestead, and that the Abbé Prevost had written
-_Manon Lescaut_ within its walls. Near the house--now gone--he built
-for himself a pavilion to serve as a study, and in this he spent the
-greater portion of the following thirty-four years in passionate,
-unremitting labour.
-
-He made a voyage to Corsica in his youth; one to Brittany, with Maxime
-du Camp, in 1846; and spent some months in Egypt, Palestine, Turkey,
-and Greece in 1849. This Oriental experience gave him the most intense
-pleasure, and was the germ of _Salammbo_, and of the _Temptation of St.
-Anthony._ He never repeated it, though he constantly talked of doing
-so. He nursed a persistent, but unrealized dream of going as far as
-Ceylon, whose ancient name, Taprobana, he was never weary of repeating;
-utterance of its melifluous syllables becoming a positive _tic_
-with him. Despite these yearnings he remained at home. Despite his
-full-blooded physique he would take no more exercise than his terrace
-afforded, or an occasional swim in the Seine. He smoked incessantly,
-and for months at a stretch worked fifteen hours out of the twenty-four
-at his desk. Three hundred volumes might be annotated for a page of
-facts. He would write twenty pages, and reduce these by exquisite
-concisions, by fastidious rejections to three; would search for hours
-for the one word that perfectly conveyed the colour of his thought, and
-would--as in the case of the _Temptation_--wait fifteen years for a
-sense of satisfaction with a manuscript before allowing it to see the
-light. To Maxime du Camp, who urged him to hasten the completion of his
-book in order to take advantage of a favourable opportunity, he wrote
-angrily:
-
-"Tu me parais avoir à mon endroit un tic ou vice rédhibitoire. Il
-ne m'embête pas; n'aie aucune crainte; mon parti est pris là-dessus
-depuis long temps. Je te dirai seulement que tous ces mots; _se
-dépêcher, c'est le moment, place prise, se poser, ..._ sont pour moi un
-vocabulaire vide de sens...."
-
-In one of his letters he says that on occasion he worked violently for
-eight hours to achieve one page. He endeavoured never to repeat a word
-in that page, and tried to force every phrase to respond to a rhythmic
-law. Guy do Maupassant, his nephew and pupil, says that to ensure this
-rhythm Flaubert "prenait sa feuille de papier, relevait à la hauteur du
-regard et, s'appuyant sur un coude, déclaimait, d'une voix mordant et
-haute. Il écoutait la rythme de sa prose, s'arrêtait comme pour saisir
-une sonorité fuyant, combinait les tons, éloignait les assonances,
-disposait les virgules avec conscience, commes les haltes d'un long
-chemin." ...
-
-Flaubert said himself, "une phrase est viable quand elle correspond
-à toutes les nécessités de respiration. Je sais qu'elle est bonne
-lorsqu'elle peut être lu tout haut."
-
-Henry Irving used to say of himself that it was necessary he should
-work harder than other actors because nature had dowered him with
-flexibility of neither voice nor feature, and Faguet says that Flaubert
-was forced to this excessive toil and incessant watchfulness because
-he did not write well naturally. Nevertheless Flaubert's work did not
-smell of the lamp. Whatever shape his ideas may have worn at birth
-when full grown they moved with large classic grace and freedom,
-simple, sincere, and beautiful in form. François Coppée calls him "the
-Beethoven of French prose."
-
-So conscientious a workman, so laborious and self-sacrificing an artist
-had a natural attraction for Lafcadio Hearn, who even in boyhood began
-to feel his vocation as "a literary monk." The whole tendency of his
-tastes prepared him to understand the true importance of Flaubert's
-masterpiece, fitted him especially of all living writers to turn that
-masterpiece into its true English equivalent. The two men had much in
-common. Both were proud and timid. Both had a fundamental indifference
-to _choses extérieures, choses utiles._ Both were realists of the soul.
-Actions interested each but slightly; the emotions from which actions
-sprung very much. To both stupidity was even more antipathetic than
-wickedness, because each realized that nearly all cruelty and vice have
-their germ in ignorance and stupidity rather than in innate rascality.
-Flaubert declared, with a sort of rage, that "la bêtise entre dans
-mes pores." He might too have been speaking for Hearn when he said
-that the grotesque, the strange, and the monstrous had for him an
-inexplicable charm. "It corresponds," he says, "to the intimate needs
-of my nature--it does not cause me to laugh, but to dream long dreams."
-Hearn, however, mixed with this triste interest a quality that Flaubert
-seemed almost wholly to lack--a great tenderness for all things humble,
-feeble, ugly and helpless. Both from childhood were curious of poignant
-sensations, of the sad, the mysterious and the exotic. And for both the
-tropics had an irresistible fascination. Flaubert says, in one of his
-letters:
-
-"I carry with me the melancholy of the barbaric races, with their
-instincts of migration, and their innate distaste of life, which forced
-them to quit their homes in order to escape from themselves. They loved
-the sun, all those barbarians who came to die in Italy; they had a
-frenzied aspiration toward the light, toward the blue skies, toward an
-ardent existence.... Think that perhaps I will never see China, will
-never be rocked to sleep by the cadenced footsteps of camels ... will
-never see the shine of a tiger's eyes in the forest.... You can treat
-all this as little worthy of pity, but I suffer so much when I think of
-it ... as of something lamentable and irremediable."
-
-This is the nostalgia for the strange, for the unaccustomed, that all
-born wanderers know. Fate arranges it for many of them that their lives
-shall be uneventful, passed in dull, provincial narrowness; but behind
-these bars the clipped wings of their spirit are always flutteringly
-spread for flight. They know not what they seek, what desire drives
-them, but a sense of "the great adventure" unachieved keeps them
-restless until they die. It is such as these, these _voyageurs
-empassionés_, when condemned by fortune to a static existence--who find
-their outlet in mental wanderings amid the unusual, the grotesque,
-and the monstrous. Hearn and Flaubert both were at heart nomads,
-seekers of the unaccustomed; stretching toward immensities of space
-and time, toward the ghostly, the hidden, the unrealized. Like that
-wild fantastic _Chimera_ of the "Temptation" each such soul declares
-"_je cherche des parfums nouveaux, des fleurs plus large, des plaisirs
-inéprouvés._"
-
-Flaubert was but twenty-six when the first suggestion of his
-masterpiece came to him. For _La Tentation de St. Antoine_, it is
-coming to be understood, is his masterpiece; is one of the greatest
-literary achievements of the French mind. _Madame Bovary_ is more
-widely famous and popular, but Flaubert himself always deeply resented
-this preference, and was always astonished at the comparative
-indifference of the world to the "Temptation." He, too, found it
-difficult to realize how hardly the average mind is awakened to an
-interest in the incorporeal; how surely cosmic generalizations escape
-the grasp of the commonplace intelligence.
-
-Wagner waited a lifetime before the world was dragged reluctantly and
-resentfully up to a point from which it could discern the superiority
-of the tremendous finale of the Götterdämmerung to the Christmas-card
-chorus of angels chanting "_Âme chaste et pure_" to the beatified
-Marguerite. The whole prodigious structure of Wagner's dramatic and
-musical thought might have remained a mere adumbration in the soul of
-one German had chance not set a mad genius upon the throne of Bavaria.
-The bourgeoisie would--lacking this royal bullying--have continued to
-prefer Goethe and Gounod. Flaubert's great work unfortunately failed of
-such patronage.
-
-It was in 1845 that an old picture by Breughel, seen at Genoa, first
-inspired Flaubert to attempt the story of St. Anthony. He sought
-out an engraving of this conception of Peter the Younger (surnamed
-"Hell-Breughel" for his fondness for such subjects), hung it on his
-walls at Croisset, and after three years of brooding upon it began,
-May 24, 1848, _La Tentation de St. Antoine._ In twelve months he had
-finished the first draught of the work, which bulked to 540 pages. It
-was laid aside for "Bovary," and a second version of the "Temptation"
-was completed in 1856, but this time the manuscript had been reduced
-to 193 pages, and the "blazing phrases, the jewelled words, the
-turbulence, the comedy, the mysticism" of the first version had been
-superseded by a larger, more dramatic conception. In 1872 he made still
-a new draught, and by this time it had shrunk to 136 pages. He even
-then eliminated three chapters, and finally gave to the world in 1874
-"this wonderful coloured panorama of philosophy, this Gulliver-like
-travelling amid the master ideas of the antique and early Christian
-worlds."
-
-Faguet says, "In its primitive and legendary state the temptation
-of St. Anthony was nothing more than the story of a recluse tempted
-by the Devil through the flesh, by all the artifices at the Devil's
-disposal. In the definite thought of Flaubert the temptation of St.
-Anthony has become man's soul tempted by all the illusions of human
-thought and imagination. St. Anthony to the eyes of the first naive
-hagiologists is a second Adam, seduced by woman, who was inspired by
-Satan. St. Anthony conceived by Flaubert is a more thoughtful Faust; a
-Faust incapable of irony, not a Faust who could play with illusions and
-with himself--secretly persuaded that he could withdraw when he chose
-to give himself the trouble to do so--rather a Faust who approached,
-accosted, caressed all possible forms of universal illusions."
-
-Flaubert's studies for the "Temptation" were tremendous. For nearly
-thirty years he touched and retouched, altered, enlarged, condensed.
-He kneaded into its substance the knowledge, incessantly sought, of
-all religions and philosophies; of all the forms man's speculations
-had taken in his endless endeavours to explain to himself Life and
-Fate; humanity's untiring, passionate effort to find the meaning of its
-mysterious origin and purpose, and final destiny. How terrible, how
-naive, how fantastic, bloody, grovelling, and outrageous were most of
-the solutions accepted, the gigantic panorama of the book startlingly
-sets forth. What gory agonies, what mystic exaltations, what dark
-cruelties, frenzied abandons, and inhuman self denials have marked
-those puzzled gropings for light and truth are revealed as by lightning
-flashes in the crowding scenes of the epic. For the Temptation of St.
-Anthony is an epic. Not a drama of man's actions, as all previous
-epics have been, but a drama of the soul. All its movement is in the
-adventure and conflict of the spirit. St. Anthony remains always in
-the one place, almost as moveless as a mirror. His vision--clarified
-of the sensual and the actual by his fastings and macerations--becomes
-like the surface of an unruffled lake. A lake reflecting the aberrant
-forms of thoughts that, like clouds, drift between man and the infinite
-depths of knowledge. Clouds of illusion forever changing, melting,
-fusing; assuming forms grotesque, monstrous, intolerable; until at
-last the writhing mists of speculation and ignorance are drunk up
-by the widening light of wisdom and the fogs and phantasms vanish,
-leaving his consciousness aware, in poignant ecstasy, of the cloudless
-deeps of truth. The temptation of the flesh is but a passing episode.
-An eidolon of Sheba's queen offers him luxury, wealth, voluptuous
-beauty, power, dainty delights of eye and palate in vain. Man has never
-found his most dangerous seductions in the appetites. More lamentable
-disintegration has grown from his attempts to pierce beyond the
-body's veil. The parched and tortured saint is whirled by vertiginous
-visions through cycles of man's straining efforts to know why, whence,
-whither. He assists at the rites of Mithira, the prostrations of
-serpent-and-devil-worshippers, worshippers of fire, of light, of the
-Greeks' deified forces of nature; of the northern enthronement of brute
-force and war. He is swept by the soothing breath of Quietism, plunges
-into every heresy and philosophy, sees the orgies, the flagellations,
-the self mutilations, the battles and furies of sects, each convinced
-that it has found the answer at last to the Great Question, and
-endeavouring to constrain the rest of humanity to accept the answer.
-He meets the Sphinx--embodied interrogation--and the Chimera--the
-simulacrum of the fantasies of the imagination--dashing madly about the
-stolid querist.
-
-Lucifer--spirit of doubt of all dogmatic solutions--mounts with Anthony
-into illimitable space. They rise beyond these struggles and furies
-into the cold uttermost of the universe; among innumerable worlds;
-worlds yet vaguely forming in the womb of time, newly come to birth,
-lustily grown to maturity; worlds dying, decaying, crumbling again into
-atomic dust. Overcome by the intolerable Vast, Anthony sinks once more
-to his cell, and Lucifer, who has shown him the macrocosm, opens to
-him the equal immensity of the microcosm. Makes him see the swarming
-life that permeates the seas, the earth and atmosphere, the incredible
-numerousness of the invisible lives that people every drop of water,
-every grain of sand, every breath of air. The unity of life dawns upon
-him, and his heart, withered by dubiety, melts into joyousness and
-peace. As the day dawns in gold he beholds the face of Christ.
-
-Flaubert's Lucifer has no relation to the jejune Devil of
-man's early conception of material evil, nor does he resemble
-Goethe's Mephistopheles; embodiment of the Eighteenth Century's
-spirit of sneering disbeliefs and negation. He is rather our own
-tempter--Science. He is the spirit of Knowledge: Nature itself calling
-us to look into the immensities and read just our dogmas by this new
-and terrible widening of our mental and moral horizons. This last
-experience of the Saint reproduces the spiritual experiences of the
-modern man; cast loose from his ancient moorings, and yet finding at
-last in his new knowledge a truer conception of the brotherhood of all
-life in all its forms, and seeing still, in the growing light, the
-benignant eyes of God.
-
-It is not remarkable that Flaubert resented the banality, the dull
-grossness of the reception of his work, or that Hearn shared his
-amazement and bitterness. Even yet the world wakes but slowly to the
-true character of this masterpiece; this epic wrought with so great
-a care and patience, so instinct with genius, dealing perhaps more
-profoundly than any other mind has ever done with the Great Adventure
-of humanity's eternal search for Truth.
-
-ELIZABETH BISLAND.
-
-
-
-
-ARGUMENT
-
-
-
-
-FRAILTY
-
-
-Sunset in the desert. Enfeebled by prolonged fasting, the hermit
-finds himself unable to concentrate his mind upon holy things. His
-thoughts wonder; memories of youth evoke regrets that his relaxed will
-can no longer find strength to suppress,--and, remembrance begetting
-remembrance, his fancy leads him upon dangerous ground. He dreams of
-his flight from home,--of Ammonaria, his sister's playmate,--of his
-misery in the waste,--his visit to Alexandria with the blind monk
-Didymus,--the unholy sights of the luxurious city.
-
-Involuntarily he yields to the nervous dissatisfaction growing upon
-him. He laments his solitude, his joylessness, his poverty, the
-obscurity of his life; grace departs from him; hope burns low within
-his heart. Suddenly revolting against his weakness, he seeks refuge
-from distraction in the study of the Scriptures.
-
-Vain effort! An invisible hand turns the leaves, placing perilous
-texts before his eyes. He dreams of the Maccabees slaughtering
-their enemies, and desires that he might do likewise with the
-Arians of Alexandria;--he becomes inspired with admiration of King
-Nebuchadnezzar;--he meditates voluptuously upon the visit of Sheba's
-queen of Solomon;--discovers a text in the Acts of the Apostles
-antagonistic to principles of monkish ascetism,--indulges in reveries
-regarding the riches of Biblical kings and holy men. The Tempter comes
-to tempt him with evil hallucinations for which the Saint's momentary
-frailty has paved the way; and with the Evil One come also
-
-
-
-THE SEVEN DEADLY SINS
-
-
-Phantom gold is piled up to excite Covetousness; shadowy banquets
-appear to evoke Gluttony. The scene shifts to aid the temptations of
-Anger and of Pride....
-
-Anthony finds himself in Alexandria, at the head of a wild army of
-monks slaughtering the heretics and the pagans, without mercy for
-age or sex. In fantastic obedience to the course of his fancy while
-reading the Scriptures a while before, and like an invisible echo of
-his evil thoughts, the scene changes again. Alexandria is transformed
-into Constantinople.
-
-Anthony finds himself the honoured of the Emperor. He beholds the
-vast circus in all its splendour, the ocean of faces, the tumult of
-excitement. Simultaneously he beholds his enemies degraded to the
-condition of slaves, toiling in the stables of Constantine. He feels
-joy in the degradation of the Fathers of Nicæa. Then all is transformed.
-
-It is no longer the splendour of Constantinople he beholds under the
-luminosity of a Greek day; but the prodigious palace of Nebuchadnezzar
-by night. He beholds the orgies, the luxuries, the abominations;--and
-the spirit of Pride enters triumphantly into him as the spirit of
-Nebuchadnezzar....
-
-Awaking as from a dream, he finds himself again before his hermitage.
-A vast caravan approaches, halts; and the Queen of Sheba descends to
-tempt the Saint with the deadliest of all temptations. Her beauty is
-enhanced by oriental splendour of adornment; her converse is a song of
-withcraft. The Saint remains firm.... The Seven Deadly Sins depart
-from him.
-
-
-
-THE HERESIARCHS
-
-
-But now the tempter assumes a subtler form. Under the guise of a former
-disciple of Anthony,--Hilarion,--the demon, while pretending to seek
-instruction, endeavours to poison the mind of Anthony with hatred of
-the fathers of the church. He repeats all the scandals amassed by
-ecclesiastical intriguers, all the calumnies created by malice;--he
-cites texts only to foment doubt, and quotes the evangels only to
-make confusion. Under the pretext of obtaining mental enlightenment
-from the wisest of men, he induces Anthony to enter with him into
-a spectral basilica, wherein are assembled all the Heresiarchs of
-the third century. The hermit is confounded by the multitude of
-tenets,--horrified by the blasphemies and abominations of Elkes,
-Corpocrates, Valentinus, Manes, Cerdo,--disgusted by the perversions of
-the Paternians, Marcosians, Montanists, Serptians,--bewildered by the
-apocryphal Gospels of Eve and of Judas, of the Lord, and of Thomas.
-
-And Hilarion grows taller.
-
-
-THE MARTYRS
-
-Anthony finds himself in the dungeons of a vast amphitheatre, among
-Christians condemned to the wild beasts. By this hallucination the
-tempter would prove to the Saint that martyrdom is not always suffered
-for purest motives. Anthony finds the martyrs possessed by bigotry and
-insincerity. He sees many compelled to die against their will; many
-who would forswear their faith could it avail them aught. He beholds
-heretics die for their heterodoxy more nobly than orthodox believers.
-
-And he finds himself transported to the tombs of the martyrs. He
-witnesses the meetings of Christian women at the sepulchres. He beholds
-the touching ceremonies of prayer, change into orgies,--lamentations
-give place to amorous dalliance.
-
-
-
-THE MAGICIANS
-
-
-Then the Tempter seeks to shake Anthony's faith in the excellence
-and evidence of miracles. He assumes the form of a Hindoo Brahmin,
-terminating a life of wondrous holiness by self-cremation;--he appears
-as Simon Magus and Helen of Tyre,--as Appollonius of Tyans, greatest of
-all thaumaturgists, who claims superiority to Christ. All the marvels
-related by Philostratus are embodied in the converse of Apollonius and
-Damis.
-
-
-
-THE GODS
-
-
-Hilarion reappears taller than ever, growing more gigantic in
-proportion to the increasing weakness of the Saint. Standing beside
-Anthony he evokes all the deities of the antique world. They defile
-before him in a marvellous panorama:--Gods of Egypt and India, Chaldea
-and Hellas, Babylon and Ultima Thule,--monstrous and multiform, phallic
-and ithyphallic, fantastic or obscene. Some intoxicate by their beauty;
-others appall by their foulness. The Buddha recounts the story of his
-wondrous life; Venus displays the rounded daintiness of her nudity;
-Isis utters awful soliloquy. Lastly the phantom of Jehovah appears, as
-the shadow of a god passing away forever.
-
-Suddenly the stature of Hilarion towers to the stars; he assumes the
-likeness and luminosity of Lucifer; he announces himself as
-
-
-
-SCIENCE
-
-
-And Anthony is lifted upon mighty wings and borne away beyond the
-world, above the solar system, above the starry arch of the Milky Way.
-All future discoveries of Astronomy are revealed to him. He is tempted
-by the revelation of innumerable worlds,--by the refutation of all
-his previous ideas of the nature of the Universe,--by the enigmas of
-infinity,--by all the marvels that conflict with faith. Even in the
-night of immensity the demon renews the temptation of reason: Anthony
-wavers upon the verge of pantheism.
-
-
-
-LUST AND DEATH
-
-
-Anthony abandoned by the spirit of Science comes to himself in the
-desert. Then the Tempter returns under a two-fold aspect: as the
-Spirit of Lust and the Spirit of Destruction. The latter urges him to
-suicide,--the former to indulgence of sense. They inspire him with
-strong fancies of palingenesis, of the illusion of death, of the
-continuity of life. The pantheistic temptation intensified.
-
-
-
-THE MONSTERS
-
-
-Anthony in reveries meditates upon the monstrous symbols painted upon
-the walls of certain ancient temples. Could he know their meaning
-he might learn also something of the secret lien between Matter and
-Thought. Forthwith a phantasmagoria of monsters commence to pass before
-his eyes:--the Sphinx and the Chimera, the Blemmyes and Astomi, the
-Cynocephali and all creatures of mythologie creation. He beholds the
-fabulous beings of Oriental imagining,--the abnormities described
-by Pliny and Herodotus, the fantasticalities to be later adopted by
-heraldry,--the grotesqueries of future medieval illumination made
-animate;--the goblinries and foulnesses of superstitious fancy,--the
-Witches' Sabbath of abominations.
-
-
-
-METAMORPHOSIS
-
-
-The multitude of monsters melts away; the land changes into an Ocean;
-the creatures of the briny abysses appear. And the waters in turn
-also change; seaweeds are transformed to herbs, forests of coral
-give place to forests of trees, polypous life changes to vegetation.
-Metals crystallize; frosts effloresce; plants become living things,
-inanimate matter takes animate form, monads vibrate, the pantheism of
-nature makes itself manifest. Anthony feels a delirious desire to unite
-himself with the Spirit of Universal Being....
-
-The vision vanishes. The sun arises. The face of Christ is revealed.
-The temptation has passed; Anthony kneels in prayer.
-
-L. H.
-
-
-
-
-THE TEMPTATION OF ST. ANTHONY
-
-
-_It is in the Thebaid at the summit of a mountain, upon a platform,
-rounded off into the form of a demilune, and enclosed by huge stones._
-
-_The Hermit's cabin appears in the background. It is built of mud and
-reeds, it is flat-roofed and doorless. A pitcher and a loaf of black
-bread can be distinguished within also, in the middle of the apartment
-a large book resting on a wooden STELA; while here and there, fragments
-of basketwork, two or three mats, a basket, and a knife lie upon the
-ground._
-
-_Some ten paces from the hut, there is a long cross planted in the
-soil; and, at the other end of the platform, an aged and twisted
-palm tree leans over the abyss; for the sides of the mountain are
-perpendicular, and the Nile appears to form a lake at the foot of the
-cliff._
-
-_The view to right and left is broken by the barrier of rocks. But
-on the desert-side, like a vast succession of sandy beaches, immense
-undulations of an ashen-blonde color extend one behind the other,
-rising higher as they recede; and far in the distance, beyond the
-sands, the Libyan chain forms a chalk-colored wall, lightly shaded by
-violet mists. On the opposite side the sun is sinking. In the north the
-sky is of a pearl-gray tint, while at the zenith purple clouds disposed
-like the tufts of a gigantic mane, lengthen themselves against the blue
-vault. These streaks of flame take darker tones; the azure spots turn
-to a nacreous pallor; the shrubs, the pebbles, the earth, all now seem
-hard as bronze; and throughout space there floats a golden dust so fine
-as to become confounded with the vibrations of the light._
-
-_Saint Anthony, who has a long beard, long hair, and wears a tunic of
-goatskin, is seated on the ground cross-legged, and is occupied in
-weaving mats. As soon as the sun disappears, he utters a deep sigh,
-and, gazing upon the horizon, exclaims_:--
-
-"Another day! another day gone! Nevertheless formerly I used not to
-be so wretched. Before the end of the night I commenced my orisons;
-then I descended to the river to get water, and remounted the rugged
-pathway with the skin upon my shoulder, singing hymns on the way. Then
-I would amuse myself by arranging everything in my hut. I would make my
-tools; I tried to make all my mats exactly equal in size, and all my
-baskets light; for then my least actions seemed to me duties in nowise
-difficult or painful of accomplishment.
-
-"Then at regular hours I ceased working; and when I prayed with my arms
-extended, I felt as though a fountain of mercy were pouring from the
-height of heaven into my heart. That fountain is now dried up. Why?"
-
-(_He walks up and down slowly, within the circuit of the rocks._)
-
-"All blamed me when I left the house. My mother sank to the ground,
-dying; my sister from afar off made signs to me to return; and the
-other--wept, Ammonaria, the child whom I used to meet every evening
-at the cistern, when she took the oxen to drink. She ran after me. Her
-foot rings glittered in the dust; and her tunic, open at the hips,
-fluttered loosely in the wind. The aged anchorite who was leading me
-away called her vile names. Our two camels galloped forward without
-respite; and I have seen none of my people since that day.
-
-"At first, I selected for my dwelling place, the tomb of a Pharaoh. But
-an enchantment circulates through all those subterranean palaces, where
-the darkness seems to have been thickened by the ancient smoke of the
-aromatics. From the depths of Sarcophagi, I heard doleful voices arise,
-and call my name; or else, I suddenly beheld the abominable things
-painted upon the walls live and move; and I fled away to the shore
-of the Red Sea, and took refuge in a ruined citadel. There my only
-companions were the scorpions dragging themselves among the stones, and
-the eagles continually wheeling above my head, in the blue of heaven.
-At night I was torn by claws, bitten by beaks; soft wings brushed
-against me; and frightful demons, shrieking in my ears, flung me upon
-the ground. Once I was even rescued by the people of a caravan going
-to Alexandria; and they took me away with them.
-
-"Then I sought to obtain instruction from the good old man Didymus.
-Although blind, none equalled him in the knowledge of the Scriptures.
-When the lesson was finished, he used to ask me to give him my arm
-to lean upon, that we might walk together. Then I would conduct him
-to the Paneum, whence may be seen the Pharos and the open sea. Then
-we would return by way of the post, elbowing men of all nations,
-even Cimmerians clad in the skins of bears and Gymnosophists of the
-Ganges anointed with cow-dung. But there was always some fighting in
-the streets--either on account of the Jews refusing to pay taxes, or
-of seditious people who wished to drive the Romans from the city.
-Moreover, the city is full of heretics--followers of Manes; Valentinus,
-Basilides, Arius--all seeking to engross my attention in order to argue
-with me and to convince me.
-
-"Their discourses often come back to my memory. Vainly do I seek to
-banish them from my mind. They trouble me!
-
-"I took refuge at Colzin, and there lived a life of such penance that
-I ceased to fear God. A few men, desirous of becoming anchorites,
-gathered about me. I imposed a practical rule of life upon them,
-hating, as I did, the extravagance of Gnosus and the assertions of the
-philosophers. Messages were sent to me from all parts, and men came
-from afar off to visit me.
-
-"Meanwhile the people were torturing the confessors; and the thirst of
-martyrdom drew me to Alexandria. The persecution had ceased three days
-before I arrived there!
-
-"While returning thence, I was stopped by a great crowd assembled
-before the temple of Serapis. They told me it was a last example which
-the Governor had resolved to make. In the centre of the portico, under
-the sunlight, a naked woman was fettered to a column, and two soldiers
-were flogging her with thongs; at every blow her whole body writhed.
-She turned round, her mouth open; and over the heads of the crowd,
-through the long hair half hiding her face, I thought that I could
-recognize Ammonaria....
-
-[Illustration: ... through the long hair half hiding her face,
-I thought that I could recognize Ammonaria]
-
-"Nevertheless ... this one was taller ... and beautiful ...
-prodigiously beautiful!"
-
-(_He passes his hands over his forehead._)
-
-"No! no! I must not think of it!
-
-"Another time Athanasius summoned me to assist him against the Arians.
-The contest was limited to invectives and laughter. But since that
-time he has been calumniated, dispossessed of his see, obliged to fly
-for safety elsewhere. Where is he now? I do not know! The people give
-themselves very little trouble to bring me news. All my disciples have
-abandoned me--Hilarion like the rest.
-
-"He was perhaps fifteen years of age when he first came to me and his
-intelligence was so remarkable that he asked me questions incessantly.
-Then he used to listen to me with a pensive air, and whatever I needed
-he brought it to me without a murmur--nimbler than a kid, merry enough
-to make even the patriarchs laugh. He was a son to me."
-
-(_The sky is red; the earth completely black. Long drifts of sand
-follow the course of the gusts of wind, rising like great shrouds and
-falling again. Suddenly against a bright space in the sky a flock of
-birds pass, forming a triangular battalion, gleaming like one sheet of
-metal, of which the edges alone seem to quiver._
-
-_Anthony watches them._)
-
-"Ah, how I should like to follow them.
-
-"How often also have I enviously gazed upon those long vessels,
-whose sails resemble wings--and above all when they were bearing
-far away those I had received at my hermitage! What pleasant hours
-we passed!--what out-pourings of feeling! No one ever interested me
-more than Ammon: he told me of his voyage to Rome, of the Catacombs,
-the Coliseum, the piety of illustrious women, and a thousand other
-things!--and it grieved me to part with him! Wherefore my obstinacy
-in continuing to live such a life as this? I would have done well to
-remain with the monks of Nitria, inasmuch as they supplicated me to
-do so. They have cells apart, and nevertheless communicate with each
-other. On Sundays a trumpet summons them to assemble at the church,
-where one may see three scourges hanging up, which serve to punish
-delinquents, robbers, and intruders; for their discipline is severe.
-
-"Nevertheless they are not without some enjoyments. The faithful bring
-them eggs, fruits, and even instruments with which they can extract
-thorns from their feet. There are vineyards about Prisperi; those
-dwelling at Pabena have a raft on which they may journey when they go
-to seek provisions.
-
-"But I might have served my brethren better as a simple priest. As a
-priest one may aid the poor, administer the sacraments, and exercise
-authority over families.
-
-"Furthermore, all laics are not necessarily damned, and it only
-depended upon my own choice to become--for example--a grammarian, a
-philosopher. I would then have had in my chamber a sphere of reeds,
-and tablets always ready at hand, young men around me, and a wreath of
-laurel suspended above my door, as a sign.
-
-"But there is too much pride in triumphs such as those. A soldier's
-life would have been preferable. I was robust and bold: bold enough to
-fasten the cables of the military machines--to traverse dark forests,
-or to enter, armed and helmeted, into smoking cities.... Neither was
-there anything to have prevented me from purchasing with my money the
-position of publican at the toll-office of some bridge; and travellers
-would have taught me many strange things, and told me strange stories,
-the while showing me many curious objects packed up among their
-baggage....
-
-"The merchants of Alexandria sail upon the river Canopus on holidays,
-and drink wine in the chalices of lotus-flowers, to a music of
-tambourines which makes the taverns along the shore tremble! Beyond,
-trees, made cone-shaped by pruning, protect the quiet farms against
-the wind of the south. The roof of the lofty house leans upon thin
-colonettes placed as closely together as the laths of a lattice;
-and through their interspaces the master, reclining upon his long
-couch, beholds his plains stretching about him--the hunter among the
-wheat-fields--the winepress where the vintage is being converted into
-wine, the oxen treading out the wheat. His children play upon the floor
-around him; his wife bends down to kiss him."
-
-(_Against the grey dimness of the twilight, here and there appear
-pointed muzzles, with straight, pointed ears and bright eyes. Anthony
-advances toward them. There is a sound of gravel crumbling down; the
-animals take flight. It was a troop of jackals._
-
-_One still remains, rising upon his hinder legs, with his body half
-arched and head raised in an attitude full of defiance._)
-
-"How pretty he is! I would like to stroke his back gently!"
-
-(_Anthony whistles to coax him to approach. The jackal disappears._)
-
-"Ah! he is off to join the others. What solitude! what weariness!"
-(_Laughing bitterly._)
-
-"A happy life this indeed!--bending palm-branches in the fire to make
-shepherds' crooks, fashioning baskets, stitching mats together--and
-then exchanging these things with the Nomads for bread which breaks
-one's teeth! Ah! woe, woe is me! will this never end? Surely death were
-preferable! I can endure it no more! Enough! enough!"
-
-(_He stamps his foot upon the ground, and rushes frantically to and fro
-among the rocks; then pauses, out of breath, bursts into tears, and
-lies down upon the ground, on his side._
-
-_The night is calm; multitudes of stars are palpitating; only the
-crackling noise made by the tarantulas is audible._
-
-_The two arms of the cross make a shadow upon the sand; Anthony, who is
-weeping, observes it._)
-
-"Am I, then, so weak, O my God! Courage, let me rise from here!"
-
-(_He enters his hut, turns over a pile of cinders, finds a live ember,
-lights his torch and fixes it upon the wooden desk, so as to throw a
-light upon the great book._)
-
-"Suppose I take the Acts of the Apostles?--yes!--no matter where!"
-
-_'And he saw the heaven opened, and a certain vessel descending, as it
-were a great linen sheet let down by the four corners from heaven to
-the earth--wherein were all manner of four-footed beasts, and creeping
-things of the earth and fowls of the air. And there came a voice to
-him: Arise, Peter! Kill and eat!'_[1]
-
-"Then the Lord desired that his apostle should eat of all things?...
-while I...."
-
-(_Anthony remains thoughtful, his chin resting against his breast. The
-rustling of the pages, agitated by the wind, causes him to lift his
-head again; and he reads_:)
-
-_'So the Jews made a great slaughter of their enemies with the sword,
-and killed them, repaying according to what they had prepared to do to
-them...._[2]
-
-"Then, comes the number of people slain by them--seventy-five thousand.
-They had suffered so much! Moreover, their enemies were the enemies of
-the true God. And how they must have delighted in avenging themselves
-thus by the massacre of idolaters! Doubtless the city must have been
-crammed with the dead! There must have been corpses at the thresholds
-of the garden gates, upon the stairways, in all the chambers, and piled
-up so high that the doors could no longer move upon their hinges!...
-But lo! here I am permitting my mind to dwell upon ideas of murder and
-of blood!..."
-
-(_He opens the book at another place._)
-
-_'Then King Nabuchodonosor fell on his face, and worshipped
-Daniel...._'[3]
-
-"Ah! that was just! The _Most High_ exalts his prophets above Kings;
-yet that monarch spent his life in banqueting, perpetually drunk with
-pleasure and pride. But God, to punish him, changed him into a beast!
-He walked upon four feet!"
-
-(_Anthony begins to laugh; and in extending his arms, involuntarily
-disarranges the leaves of the book with the tips of his fingers. His
-eyes fell upon this phrase_:--)
-
-_'And Ezechias rejoiced at their coming, and he showed them the house
-of his aromatical spices, and the gold and the silver, and divers
-precious odours and ointments, and the house of his vessels, and all
-that he had in his treasures....'_[4]
-
-"I can imagine that spectacle; they must have beheld precious stones,
-diamonds and darics heaped up to the very roof. One who possesses so
-vast an accumulation of wealth is no longer like other men. While
-handling his riches he knows that he controls the total result of
-innumerable human efforts--as it were the life of nations drained by
-him and stored up, which he can pour forth at will. It is a commendable
-precaution on the part of Kings. Even the _Wisest_ of all did not
-neglect it. His navy brought him elephants' teeth and apes.... Where is
-that passage?"
-
-(_He turns the leaves over rapidly._)
-
-"Ah! here it is:"
-
-_'And the Queen of Saba, having heard of the fame of Solomon in the
-name of the Lord, came to try him with hard questions.'_[5]
-
-"How did she hope to tempt him? The _Devil_ indeed sought to tempt
-Jesus! But Jesus triumphed because he was God; and Solomon, perhaps,
-owing this knowledge of magic! It is sublime--that science! For the
-world--as a philosopher once explained it to me, forms a whole, of
-which all parts mutually influence one another, like the organs of one
-body. It is science which enables us to know the natural loves and
-natural repulsions of all things, and to play upon them?... Therefore,
-it is really possible to modify what appears to be the immutable order
-of the universe?"
-
-(_Then the two shadows formed behind him by the arms of the cross,
-suddenly lengthen and project themselves before him. They assume the
-form of two great horns. Anthony cries out_:--)
-
-"Help me! O my God!"
-
-[Illustration: Saint Anthony: Help me, O my God!]
-
-(_The shadows shrink back to their former place._)
-
-"Ah!... it was an illusion ... nothing more. It is needless for me to
-torment my mind further! I can do nothing!--absolutely nothing."
-
-(_He sits down and folds his arms._)
-
-"Nevertheless ... it seems to me that I felt the approach of.... But
-why should _He_ come? Besides, do I not know all his artifices? I
-repulsed the monstrous anchorite who laughingly offered me little
-loaves of warm, fresh bread, the centaur who sought to carry me away
-upon his croup, and that black child who appeared to me in the midst of
-the sands, who was very beautiful, and who told me that he was called
-the Spirit of Lust!"
-
-(_Anthony rises and walks rapidly up and down, first to the right, then
-to the left._)
-
-"It was by my order that this multitude of holy retreats was
-constructed--full of monks all wearing sackcloth of camel's hair
-beneath their garments of goatskin, and numerous enough to form an
-army. I have cured the sick from afar off; I have cast out demons;
-I have passed the river in the midst of crocodiles; the Emperor
-Constantine wrote me throe letters; Balacius, who had spat upon mine,
-was torn to pieces by his own horses; when I reappeared the people of
-Alexandria fought for the pleasure of seeing me, and Athanasius himself
-escorted me on the way back. But what works have I not accomplished
-Lo! for these thirty years and more I have been dwelling and groaning
-unceasingly in the desert! Like Eusebius, I have carried thirty-eight
-pounds of bronze upon my loins; like Macarius, I have exposed my body
-to the stings of insects; like Pacomus, I have passed fifty-three
-nights without closing my eyes; and those who are decapitated, tortured
-with red hot pincers, or burned alive, are perhaps less meritorious
-than I, seeing that my whole life is but one prolonged martyrdom."
-(_Anthony slackens his pace._)
-
-"Assuredly there is no human being in a condition of such unutterable
-misery! Charitable hearts are becoming scarcer. I no longer receive
-aught from any one. My mantle is worn out. I have no sandals--I have
-not even a porringer!--for I have distributed all I possessed to the
-poor and to my family, without retaining so much as one obolus. Yet
-surely I ought to have a little money to obtain the tools indispensable
-to my work? Oh, not much! a very small sum.... I would be very saving
-of it....
-
-"The fathers of Nicæa, clad in purple robes, sat like magi, upon
-thrones ranged along the walls; and they were entertained at a great
-banquet and overwhelmed with honours, especially Paphnutius, because he
-is one-eyed and lame, since the persecution of Diocletian! The Emperor
-kissed his blind eye several times; what foolishness! Besides, there
-were such infamous men members of that Council! A bishop of Scythia,
-Theophilus! another of Persia, John! a keeper of beasts, Spiridion!
-Alexander was too old. Athanasius ought to have shown more gentleness
-towards the Arians, so as to have obtained concessions from them.
-
-"Yet would they have made any? They would not hear me! The one who
-spoke against me--a tall young man with a curly beard--uttered the
-most captious objections to my argument; and while I was seeking words
-to express my views they all stared at me with their wicked faces,
-and barked like hyenas. Ah! why cannot I have them all exiled by the
-Emperor! or rather have them beaten, crushed, and see them suffer! I
-suffer enough myself."
-
-(_He leans against his cabin in a fainting condition._)
-
-"It is because I have fasted too long; my strength is leaving me. If I
-could eat--only once more--a piece of meat." (_He half closes his eyes
-with languor._)
-
-"Ah! some red flesh--a bunch of grapes to bite into ... curdled milk
-that trembles on a plate!...
-
-"But what has come upon me? What is the matter with me? I feel my heart
-enlarging like the sea, when it swells before the storm. An unspeakable
-feebleness weighs down upon me, and the warm air seems to waft me
-the perfume of a woman's hair. No woman has approached this place;
-nevertheless?--"
-
-(_He gazes toward the little pathway between the rocks._)
-
-"That is the path by which they come, rocked in their litters by the
-black arms of the eunuchs. They descend and joining their hands,
-heavy with rings, kneel down before me. They relate to me all their
-troubles. The desire of human pleasure tortures them; they would
-gladly die; they have seen in their dreams God calling to them ... and
-all the while the hems of their robes fall upon my feet. I repel them
-from me. 'Ah! no!' they cry, 'not yet! What shall I do?' They gladly
-accept any penitence I impose on them. They ask for the hardest of all;
-they beg to share mine and to live with me.
-
-"It is now a long time since I have seen any of them! Perhaps some of
-them will come! why not? If I could only hear again, all of a sudden,
-the tinkling of mule-bells among the mountains. It seems to me...."
-
-(_Anthony clambers upon a rock at the entrance of the pathway, and
-leans over, darting his eyes into the darkness._)
-
-"Yes! over there, far off I see a mass moving, like a band of
-travellers seeking the way. _She_ is there!... They are making a
-mistake." (_Calling._)
-
-"This way! Come! Come!"
-
-(_Echo repeats: Come! Come! he lets his arms fall, stupefied._)
-
-"What shame for me! Alas! poor Anthony."
-
-(_And all of a sudden he hears a whisper:--"Poor Anthony"!_)
-
-"Who is there? Speak!"
-
-(_The wind passing through the intervals between the rocks, makes
-modulations; and in those confused sonorities he distinguishes Voices,
-as though the air itself were speaking. They are low, insinuating,
-hissing._)
-
-_The First_: "Dost thou desire women?"
-
-_The Second_: "Great heaps of money, rather!"
-
-_The Third_: "A glittering sword?" (_and_)
-
-_The Others_: "All the people admire thee! Sleep!"
-
-"Thou shalt slay them all, aye, thou shalt slay them!"
-
-(_At the same moment objects become transformed. At the edge of the
-cliff, the old palm tree with its tuft of yellow leaves, changes into
-the torso of a woman leaning over the abyss, her long hair waving in
-the wind.
-
-Anthony turns toward his cabin; and the stool supporting the great book
-whose pages are covered with black letters, seems to him changed into a
-bush all covered with nightingales._)
-
-"It must be the torch which is making this strange play of light....
-Let us put it out!"
-
-(_He extinguishes it; the obscurity becomes deeper, the darkness
-profound._
-
-_And suddenly in the air above there appear and disappear
-successively--first, a stretch of water; then the figure of a
-prostitute; the corner of a temple, a soldier; a chariot with two white
-horses, prancing._
-
-_These images appear suddenly, as in flashes--outlined against the
-background of the night, like scarlet paintings executed upon ebony._
-
-_Their motion accelerates. They defile by with vertiginous rapidity.
-Sometimes again, they pause and gradually pale and melt away; or else
-float off out of sight, to be immediately succeeded by others._
-
-_Anthony closes his eyelids._
-
-_They multiply, surround him, besiege him. An unspeakable fear takes
-possession of him; and he feels nothing more of living sensation, save
-a burning contraction of the epigastrium. In spite of the tumult in
-his brain, he is aware of an enormous silence which separates him from
-the world. He tries to speak;--impossible! He feels as though all the
-bands of his life were breaking and dissolving;--and, no longer able to
-resist, Anthony falls prostrate upon his mat._)
-
-
-[1] Acts X: 11-13--T.
-
-[2] Esther IX: 5--T.
-
-[3] Daniel II: 46.--T.
-
-[4] Kings XX: 13 (Vulg.).--T.
-
-[5] III Kings X: I (Vulg.).--T.
-
-
-
-
-II
-
-
-(_Then a great shadow, subtler than any natural shadow, and festooned
-by other shadows along its edges, defines itself upon the ground._
-
-_It is the Devil, leaning upon the roof of the hut, and bearing beneath
-his wings--like some gigantic bat suckling its little ones--the Seven
-Deadly Sins, whose grimacing heads are dimly distinguishable._
-
-_With eyes still closed, Anthony yields to the pleasure of inaction;
-and stretches his limbs upon the mat._
-
-_It seems to him quite soft, and yet softer--so that it becomes as if
-padded; it rises up; it becomes a bed. The bed becomes a shallop; water
-laps against its sides._
-
-_To right and left rise two long tongues of land, overlooking low
-cultivated plains, with a sycamore tree here and there. In the distance
-there is a tinkling of bells, a sound of drums and of singers. It is a
-party going to Canopus to sleep upon the temple of Serapis, in order
-to have dreams. Anthony knows this; and impelled by the wind, his boat
-glides along between the banks. Papyrus-leaves and the red flowers of
-the nymphæa, larger than the body of a man, bend over him. He is lying
-at the bottom of the boat; one oar at the stem, drags in the water.
-From time to time, a lukewarm wind blows; and the slender reeds rub one
-against the other, and rustle. Then the sobbing of the wavelets becomes
-indistinct. A heavy drowsiness falls upon him. He dreams that he is a
-Solitary of Egypt._
-
-_Then he awakes with a start._)
-
-"Did I dream? It was all so vivid that I can scarcely believe I was
-dreaming! My tongue burns. I am thirsty."
-
-(_He enters the cabin, and gropes at random in the dark._)
-
-"The ground is wet; can it have been raining? What can this mean! My
-pitcher is broken into atoms! But the goatskin?" (_He finds it._)
-
-"Empty!--completely empty! In order to get down to the river, I should
-have to walk for at least three hours; and the night is so dark that I
-could not see my way.
-
-"There is a gnawing in my entrails. Where is the bread!"
-
-(_After long searching, he picks up a crust not so large as an egg._)
-
-"What? Have the jackals taken it? Ah! malediction!"
-
-(_And he flings the bread upon the ground with fury._
-
-_No sooner has the action occurred than a table makes its appearance,
-covered with all things that are good to eat._
-
-_The byssus cloth, striated like the bandelets of the sphinx, produces
-of itself luminous undulations. Upon it are enormous quarters of red
-meats; huge fish; birds cooked in their plumage, and quadrupeds in
-their skins; fruits with colors and tints almost human in appearance;
-while fragments of cooling ice, and flagons of violet crystal reflect
-each other's glittering. Anthony notices in the middle of the table
-a boar smoking at every pore--with legs doubled up under its belly,
-and eyes half closed--and the idea of being able to eat so formidable
-an animal greatly delights him. Then many things appear which he has
-never seen before--black hashes, jellies, the color of gold, ragouts in
-which mushrooms float like nenuphars upon ponds, dishes of whipt cream
-light as clouds._
-
-_And the aroma of all this comes to him together with the salt smell of
-the ocean, the coolness of mountains, the great perfumes of the woods.
-He dilates his nostrils to their fullest extent; his mouth waters; he
-thinks to himself that he has enough before him for a year, for ten
-years, for his whole life!_
-
-_As he gazes with widely-opened eyes at all these viands, others
-appear; they accumulate, forming a pyramid crumbling at all its angles.
-The wines begin to flow over--the fish palpitate--the blood seethes in
-the dishes--the pulp of the fruit protrudes like amorous lips--and the
-table rises as high as his breast, up to his very chin at last--now
-bearing only one plate and a single loaf of bread, placed exactly in
-front of him._
-
-_He extends his hand to seize the loaf. Other loaves immediately
-present themselves to his grasp._)
-
-"For me!... all these! But ..." (_Anthony suddenly draws back._)
-
-"Instead of one which was there, lo! there are many! It must be a
-miracle, then, the same as our Lord wrought!
-
-"Yet for what purpose?... Ah! all the rest of these things are equally
-incomprehensible! Demon, begone from me! depart! begone!"
-
-(_He kicks the table from him. It disappears._)
-
-"Nothing more?--no!" (_He draws a lung breath._)
-
-"Ah! the temptation was strong! But how well I delivered myself from
-it!"
-
-(_He lifts his head, and at the same time stumbles over some sonorous
-object._)
-
-"Why! what can that be?" (_Anthony stoops down._)
-
-"How! a cup! Some traveller must have lost it here. There is nothing
-extraordinary...."
-
-(_He wets his finger, and rubs._)
-
-"It glitters!--metal! Still, I cannot see very clearly...."
-
-(_He lights his torch, and examines the cup._)
-
-"It is silver, ornamented with ovules about the rim, with a medal at
-the bottom of it."
-
-(_He detaches the medal with his nail!_)
-
-"It is a piece of money worth about seven or eight drachmas--not more!
-It matters not! even with that I could easily buy myself a sheepskin."
-
-(_A sudden flash of the torch lights up the cup._)
-
-"Impossible! gold? Yes, all gold, solid gold!"
-
-(_A still larger piece of money appears at the bottom. Under it he
-perceives several others._)
-
-"Why, this is a sum ... large enough to purchase three oxen ... and a
-little field!"
-
-(_The cup is now filled with pieces of gold._)
-
-"What! what!... a hundred slaves, soldiers, a host ... enough to
-buy...."
-
-(_The granulations of the rim, detaching themselves form a necklace of
-pearls._)
-
-"With such a marvel of jewelry as that, one could win even the wife of
-the Emperor!"
-
-(_By a sudden jerk, Anthony makes the necklace slip down over his
-wrist. He holds the cup in his left hand, and with his right lifts
-up the torch so as to throw the light upon it. As water streams
-overflowing from the basin of a fountain, so diamonds, carbuncles, and
-sapphires, all mingled with broad pieces of gold bearing the effigies
-of Kings, overflow from the cup in never ceasing streams, to form a
-glittering hillock upon the sand._)
-
-"What! how! Staters, cycles, dariacs, aryandics; Alexander, Demetrius,
-the Ptolemies, Cæsar!--yet not one of them all possessed so much!
-Nothing is now impossible! no more suffering for me! how these
-gleams dazzle my eyes! Ah! my heart overflows! how delightful it is!
-yes--yes!--more yet! never could there be enough! Vainly I might
-continually fling it into the sea, there would always be plenty
-remaining for me. Why should I lose any of it? I will keep all, and say
-nothing to any one about it; I will have a chamber hollowed out for me
-in the rock, and lined with plates of bronze, and I will come here from
-time to time to feel the gold sinking down under the weight of my heel;
-I will plunge my arms into it as into sacks of grain! I will rub my
-face with it, I will lie down upon it!"
-
-(_He flings down the torch in order to embrace the glittering heap, and
-falls flat upon the ground._
-
-_He rises to his feet. The place is wholly empty._)
-
-"What have I done!
-
-"Had I died during those moments, I should have gone to hell--to
-irrevocable damnation."
-
-(_He trembles in every limb._)
-
-"Am I, then, accursed? Ah! no; it is my own fault! I allow myself
-to be caught in every snare! No man could be more imbecile, more
-infamous! I should like to beat myself, or rather to tear myself out
-of my own body! I have restrained myself too long. I feel the want of
-vengeance--the necessity of striking, of killing!--as though I had a
-pack of wild beasts within me! Would that I could hew my way with an
-axe, through the midst of a multitude.... Ah, a poniard!..."
-
-(_He perceives his knife, and rushes to seize it. The knife slips from
-his hand; and Anthony remains leaning against the wall of his hut, with
-wide-open mouth, motionless, cataleptic._
-
-_Everything about him has disappeared._
-
-_He thinks himself at Alexandria, upon the Paneum--an artificial
-mountain in the centre of the city, encircled by a winding stairway._
-
-_Before him lies Lake Mareolis; on his right hand is the sea, on his
-left the country; and immediately beneath him a vast confusion of
-flat roofs, traversed from north to south and from east to west by
-two streets which intercross, and which offer throughout their entire
-length the spectacle of files of porticoes with Corinthian columns. The
-houses overhanging this double colonnade have windows of stained glass.
-Some of them support exteriorly enormous wooden cages, into which the
-fresh air rushes from without._
-
-_Monuments of various architecture tower up in close proximity.
-Egyptian pylons dominate Greek temples. Obelisks appear like lances
-above battlements of red brick. In the middle of public squares there
-are figures of Hermes with pointed ears, and of Anubis with the head of
-a dog. Anthony can distinguish the mosaic pavements of the courtyards,
-and tapestries suspended from the beams of ceilings._
-
-_He beholds at one glance, the two ports (the Great Port and the
-Eunostus), both round as circuses, and separated by a mole connecting
-Alexandria with the craggy island upon which the Pharos-tower
-rises--quadrangular, five hundred cubits high, nine storied, having at
-its summit a smoking heap of black coals._
-
-_Small interior ports open into the larger ones. The mole terminates at
-each end in a bridge supported upon marble columns planted in the sea.
-Sailing vessels pass beneath it, while heavy lighters overladen with
-merchandise, thalamegii[1] inlaid with ivory, gondolas covered with
-awnings, triremes, biremes, and all sorts of vessels are moving to and
-fro, or lie moored at the wharves._
-
-_About the Great Port extends an unbroken array of royal construction:
-the palace of the Ptolomies, the Museum, the Posidium, the Cæsareum,
-the Timonium where Mark Anthony sought refuge, the Soma which contains
-the tomb of Alexander; while at the other extremity of the city, beyond
-the Eunostus, the great glass factories, perfume factories, and papyrus
-factories may be perceived in a suburban quarter._
-
-_Strolling peddlers, porters, ass-drivers run and jostle together.
-Here and there one observes some priest of Isis wearing a panther skin
-on his shoulders, a Roman soldier with his bronze helmet, and many
-negroes. At the thresholds of the shops women pause, artisans ply their
-trades; and the grinding noise of chariot wheels puts to flight the
-birds that devour the detritus of the butcher-shops and the morsels of
-fish left upon the ground._
-
-_The general outline of the streets seems like a black network flung
-upon the white uniformity of the houses. The markets stocked with
-herbs make green bouquets in the midst of it; the drying-yards of the
-dyers, blotches of color; the golden ornaments of the temple-pediments,
-luminous points--all comprised within the oval enclosure of the grey
-ramparts, under the vault of the blue heaven, beside the motionless
-sea._
-
-_But suddenly the movement of the crowd ceases; all turn their
-eyes toward the west, whence enormous whirlwinds of dust are seen
-approaching._
-
-_It is the coming of the monks of the Thebaid, all clad in goatskins,
-armed with cudgels, roaring a canticle of battle and of faith with the
-refrain_:
-
-"Where are they? Where are they?"
-
-_Anthony understands that they are coming to kill the Arians._
-
-_The streets are suddenly emptied--only flying feet are visible._
-
-_The Solitaries are now in the city. Their formidable cudgels, studded
-with nails, whirl in the air like suns of steel. The crash of things
-broken in the houses is heard. There are intervals of silence. Then
-great screams arise._
-
-_From one end of the street to the other there is a continual eddy of
-terrified people._
-
-_Many grasp pikes. Sometimes two bands meet, rush into one; and this
-mass of men slips upon the pavement--fighting, disjointing, knocking
-down. But the men with the long hair always reappear._
-
-_Threads of smoke begin to escape from the corners of edifices! folding
-doors burst open. Portions of walls crumble down. Architraves fall._
-
-_Anthony finds all his enemies again, one after the other. He even
-recognizes some whom he had altogether forgotten; before killing them
-he outrages them. He disembowels--he severs throats--he fells as in
-a slaughter house--he hales old men by the beard, crushes children,
-smites the wounded. And vengeance is taken upon luxury, those who
-do not know how to read tear up hooks; others smash and deface the
-statues, paintings, furniture, caskets,--a thousand dainty things
-the use of which they do not know, and which simply for that reason
-exasperates them. At intervals they pause, out of breath, in the work
-of destruction; then they recommence._
-
-_The inhabitants moan in the courtyards where they have sought refuge.
-The women raise their tearful eyes and lift their naked arms to heaven.
-In hope of moving the Solitaries they embrace their knees; the men cast
-them off and fling them down, and the blood gushes to the ceilings,
-falls back upon the walls like sheets of rain, streams from the trunks
-of decapitated corpses, fills the aqueducts, forms huge red pools upon
-the ground._
-
-_Anthony is up to his knees in it. He wades in it; he sucks up the
-blood-spray on his lips; he is thrilled with joy as he feels it upon
-his limbs, under his hair-tunic which is soaked through with it._
-
-_Night comes. The immense uproar dies away._
-
-_The Solitaries have disappeared._
-
-_Suddenly, upon the outer galleries corresponding to each of the nine
-stories of the Pharos, Anthony observes thick black lines forming, like
-lines of crows perching. He hurries thither; and soon finds himself at
-the summit._
-
-_A huge mirror of brass turned toward the open sea, reflects the forms
-of the vessels in the offing._
-
-_Anthony amuses himself by watching them; and while he watches, their
-number increases._
-
-_They are grouped together within a gulf which has the form of a
-crescent. Upon a promontory in the background, towers a new city of
-Roman architecture, with cupolas of stone, conical roofs, gleams of
-pink and blue marbles, and a profusion of brazen ornamentation applied
-to the volutes of the capitals, to the angles of the cornices, to the
-summits of the edifices. A cypress-wood overhangs the city. The line of
-the sea is greener, the air colder. The mountains lining the horizon
-are capped with snow._
-
-_Anthony is trying to find his way, when a man approaches him, and
-says_:
-
-"Come! they are waiting for you."
-
-_He traverses a forum, enters a great court, stoops beneath a low
-door; and he arrives before the facade of the palace, decorated
-with a group in wax, representing Constantine overcoming a dragon.
-There is a porphyry basin, from the centre of which rises a golden
-conch-shell full of nuts. His guide tells him that he may take some of
-them. He does so. Then he is lost, as it were, in a long succession of
-apartments._
-
-_There are mosaics upon the walls representing generals presenting
-the Emperor with conquered cities, which they hold out upon the
-palms of their hands. And there are columns of basalt everywhere,
-trellis-work in silver filigree, ivory chairs, tapestries embroidered
-with pearls. The light falls from the vaults above; Anthony still
-proceeds. Warm exhalations circulate about him; occasionally he hears
-the discreet clapping sound of sandals upon the pavement. Posted in
-the anti-chambers are guards, who resemble automata, holding wands of
-vermillion upon their shoulders._
-
-[Illustration: And there are columns of basalt everywhere,... The
-light falls from the vaults above]
-
-_At last he finds himself in a great hall, with hyacinth-colored
-curtains at the further end. They part, and display the Emperor seated
-on a throne, clad in a violet tunic, and wearing red shoes striped with
-bands of black._
-
-_A diadem of pearls surround his head; his locks are arranged
-symmetrically in rouleaux. He has a straight nose, drooping eyelids,
-a heavy and cunning physiognomy. At the four corners of the dais
-stretched above his head are placed four golden doves; and at the foot
-of the throne are two lions in enamel crouching. The doves begin to
-sing, the lions to roar. The Emperor rolls his eyes; Anthony advances;
-and forthwith, without preamble, they commence to converse about
-recent events. In the cities of Antioch, Ephesus, and Alexandria,
-the temples have been sacked, and the statues of the gods converted
-into pots and cooking utensils; the Emperor laughs heartily about it.
-Anthony reproaches him with his tolerance toward the Novations. But the
-Emperor becomes vexed. Novations, Arians or Meletians--he is sick of
-them all! Nevertheless, he admires the episcopate; for inasmuch as the
-Christians maintain bishops, who depend for their position upon five or
-six important personages, it is only necessary to gain over the latter,
-in order to have all the rest on one's side. Therefore he did not fail
-to furnish them with large sums. But he detests the Fathers of the
-Council of Nicæa._
-
-"Let us go and see them!"
-
-_Anthony follows him._
-
-_And they find themselves on a terrace, upon the same floor._
-
-_It overlooks a hippodrome thronged with people, and surmounted by
-porticoes where other spectators are walking to and fro. From the
-centre of the race-course rises a narrow platform of hewn stone,
-supporting a little temple of Mercury, the statue of Constantine, and
-three serpents of brass twisted into a column; there are three huge
-wooden eggs at one end, and at the other a group of seven dolphins with
-their tails in the air._
-
-_Behind the imperial pavilion sit the Prefects of the Chambers, the
-Counts of the Domestics, and the Patricians--in ranks rising by tiers
-to the first story of a church whose windows are thronged with women.
-On the right is the tribune of the Blue Faction; on the left, that of
-the Green; below, a picket of soldiers is stationed; and on a level
-with the arena is a row of Corinthian arches, forming the entrances to
-the stables._
-
-_The races are about to commence; the horses are drawn up in line.
-Lofty plumes, fastened between their ears, bend to the wind like
-saplings; and with every restive bound, they shake their chariots
-violently, which are shell-shaped, and conducted by charioteers clad
-in a sort of multi-colored cuirass, having sleeves tight at the wrist
-and wide in the arms; their legs are bare; their beards, faces and
-foreheads are shaven after the manner of the Huns._
-
-_Anthony is at first deafened by the billowy sound of voices. From
-the summit of the hippodrome to its lowest tiers, he sees only faces
-painted with rouge, garments checkered and variegated with many colors,
-flashing jewelry; and the sand of the arena, all white, gleams like a
-mirror._
-
-_The Emperor entertains him. He confides to him many matters of high
-importance, many secrets; he confesses the assassination of his son
-Criopus, and even asks Anthony for advice regarding his health._
-
-_Meanwhile Anthony notices some slaves in the rear portion of the
-stables below. They are the Fathers of Nicæa, ragged and abject. The
-martyr Paphnutius is brushing the mane of one horse; Theophilus is
-washing the legs of another; John is painting the hoofs of a third;
-Alexander is collecting dung in a basket._
-
-_Anthony passes through the midst of them. They range themselves on
-either side respectfully; they beseech his intercession; they kiss his
-hands. The whole assemblage of spectators hoots at them; and he enjoys
-the spectacle with immeasurable pleasure. Lo! he is now one of the
-grandees of the Court--the Emperor's confidant--the prime minister!
-Constantine places his own diadem upon his brows. Anthony allows it to
-remain upon his head, thinking this honor quite natural._
-
-_And suddenly in the midst of the darkness a vast hall appears,
-illuminated by golden candelabra._
-
-_Candles so lofty that they are half lost in the darkness, stretch away
-in huge files beyond the lines of banquet-tables, which seem to extend
-to the horizon, where through a luminous haze loom superpositions of
-stairways, suites of arcades, colossi, towers, and beyond all a vague
-border of palace walls, above which rise the crests of cedars, making
-yet blacker masses of blackness against the darkness._
-
-_The guests, crowned with violet wreaths, recline upon very low couches
-and are leaning upon their elbows. Along the whole length of this
-double line of couches, wine is being poured out from amphoræ, and at
-the further end, all alone, coiffed with the tiara and blazing with
-carbuncles, King Nebuchadnezzar eats and drinks._
-
-_On his right and left, two bands of priests in pointed caps are
-swinging censers. On the pavement below crawl the captive kings whose
-hands and feet have been cut off; from time to time he flings them
-bones to gnaw. Further off sit his brothers, with bandages across their
-eyes, being all blind._
-
-_From the depths of the ergastula arise moans of ceaseless pain. Sweet
-slow sounds of a hydraulic organ alternate with choruses of song; and
-one feels that all about the palace without extends an immeasurable
-city--an ocean of human life whose waves break against the walls. The
-slaves run hither and thither carrying dishes. Women walk between the
-ranks of guests, offering drinks to all; the baskets groan under their
-burthen of loaves; and a dromedary, laden with perforated water-skins:
-passes and repasses through the hall, sprinkling and cooling the
-pavement with vervain._
-
-_Lion tamers are leading tamed lions about. Dancing girls--their
-hair confined in nets--balance themselves and turn upon their hands,
-emitting fire through their nostrils; negro boatmen are juggling; naked
-children pelt each other with pellets of snow, which burst against the
-bright silverware. There is an awful clamor as of a tempest; and a huge
-cloud hangs over the banquet--so numerous are the meats and breaths.
-Sometimes a flake of fire torn from the great flambeaux by the wind,
-traverses the night like a shooting star._
-
-_The king wipes the perfumes from his face with his arm. He eats from
-the sacred vessels--then breaks them; and secretly reckons up the
-number of his fleets, his armies, and his subjects. By and by, for a
-new caprice, he will burn his palace with all its guests. He dreams of
-rebuilding the tower of Babel, and dethroning God._
-
-_Anthony, from afar off, reads all these thoughts upon his brow. They
-penetrate his own brain, and he becomes Nebuchadnezzar. Immediately he
-is cloyed with orgiastic excesses, sated with fury of extermination;
-and a great desire comes upon him to wallow in vileness. For the
-degradation of that which terrifies men is an outrage inflicted upon
-their minds--it affords yet one more way to stupefy them; and as
-nothing is viler than a brute, Anthony goes upon the table on all
-fours, and bellows like a bull._
-
-_He feels a sudden pain in his hand--a pebble has accidentally wounded
-him--and he finds himself once more in front of his cabin._
-
-_The circle of the rocks is empty. The stars are glowing in the sky.
-All is hushed._)
-
-"Again have I allowed myself to be deceived! Why these things? They
-come from the rebellion of the flesh. Ah! wretch!"
-
-(_He rushes into his cabin, and seizes a bunch of thongs, with metallic
-hooks attached to their ends, strips himself to the waist and, lifting
-his eyes to heaven exclaims_:)
-
-"Accept my penance, O my God: disdain it not for its feebleness. Render
-it sharp, prolonged, excessive! It is time, indeed!--to the work!"
-
-(_He gives himself a vigorous lash--and shrieks._)
-
-"No! no!--without mercy it must be."
-
-(_He recommences._)
-
-"Oh! oh! oh! each lash tears my skin, rends my limbs! It burns me
-horribly!"
-
-"Nay!--it is not so very terrible after all!--one becomes accustomed to
-it. It even seems to me...."
-
-(_Anthony pauses._)
-
-"Continue, coward! continue! Good! good!--upon the arms, on the back,
-on the breast, on the belly--everywhere! Hiss, ye thongs! bite me!
-tear me! I would that my blood could spurt to the stars!--let my bones
-crack!--let my tendons be laid bare! O for pincers, racks, and melted
-lead! The martyrs have endured far worse; have they not, Ammonaria?"
-
-(_The shadow of the Devil's horns reappears._)
-
-"I might have been bound to the column opposite to thine,--face to
-face--under thy eyes--answering thy shrieks by my sighs; and our pangs
-might have been interblended, our souls intermingled."
-
-(_He lashes himself with fury._)
-
-"What! what! again. Take that!--But how strange a titillation thrills
-me! What punishment! what pleasure! I feel as though receiving
-invisible kisses; the very marrow of my bones seems to melt. I die...."
-
-_And he sees before him three cavaliers, mounted upon onagers, clad in
-robes of green--each holding a lily in his hand, and all resembling
-each other in feature._
-
-_Anthony turns round, and beholds three other cavaliers exactly
-similar, riding upon similar onagers, and preserving the same attitude._
-
-_He draws back. Then all the onagers advance one pace at the same time,
-and rub their noses against him, trying to bite his garment. Voices
-shout_:--
-
-"Here! here! this way!"
-
-_And between the clefts of the mountain, appear standards,--camels'
-heads with halters of red silk--mules laden with baggage, and women
-covered with yellow veils, bestriding piebald horses._
-
-_The panting beasts lie down; the slaves rush to the bales and
-packages, motley-striped carpets are unrolled; precious glimmering
-things are laid upon the ground._
-
-_A white elephant, caparisoned with a golden net, trots forward,
-shaking the tuft of ostrich plumes attached to his head-band._
-
-_Upon his back, perched on cushions of blue wool, with her legs
-crossed, her eyes half closed, her comely head sleepily nodding, is a
-woman so splendidly clad that she radiates light about her. The crowd
-falls prostrate; the elephant bends his knees; and_
-
-THE QUEEN OF SHEBA
-
-_letting herself glide down from his shoulder upon the carpets spread
-to receive her, approaches Saint Anthony._
-
-_Her robe of gold brocade, regularly divided by furbelows of pearls,
-of jet, and of sapphires, sheaths her figure closely with its
-tight-fitting bodice, set off by colored designs representing the
-twelve signs of the Zodiac. She wears very high pattens--one of which
-is black, and sprinkled with silver stars, with a moon crescent; the
-other, which is white, is sprinkled with a spray of gold, with a golden
-sun in the middle._
-
-_Her wide sleeves, decorated with emeralds and bird-plumes, leave
-exposed her little round bare arms, clasped at the wrist by ebony
-bracelets; and her hands, loaded with precious rings, are terminated by
-nails so sharply pointed that the ends of her fingers seem almost like
-needles._
-
-_A chain of dead gold, passing under her chin, is caught up on either
-side of her face, and spirally coiled about her coiffure, whence,
-redescending, it grazes her shoulders and is attached upon her bosom
-to a diamond scorpion, which protrudes a jewelled tongue between her
-breasts. Two immense blond pearls depend heavily from her ears. The
-borders of her eyelids are painted black. There is a natural brown spot
-upon her left cheek; and she opens her mouth in breathing, as if her
-corset inconvenienced her._
-
-_She shakes, as she approaches, a green parasol with an ivory handle,
-and silver-gilt bells attached to its rim; twelve little woolly-haired
-negro-boys support the long train of her robe, whereof an ape holds the
-extremity, which it raises up from time to time. She exclaims_:
-
-"Ah! handsome hermit! handsome hermit!--my heart swoons!
-
-"By dint of stamping upon the ground with impatience, callosities have
-formed upon my heel, and I have broken one of my nails. I sent out
-shepherds, who remained upon the mountain tops, shading their eyes with
-their hands--and hunters who shouted thy name in all the forests--and
-spies who travelled along the highways, asking every passer-by:
-
-"'Hast thou seen him?'
-
-"By night I wept, with my face turned to the wall. And at last my tears
-made two little holes in the mosaic, like two pools of water among the
-rocks;--for I love thee!--oh! how I love thee!"
-
-(_She takes him by the beard._)
-
-"Laugh now, handsome hermit! laugh! I am very joyous, very gay: thou
-shalt soon see! I play the lyre; I dance like a bee; and I know a host
-of merry tales to tell, each more diverting than the other.
-
-"Thou canst not even imagine how mighty a journey we have made. See!
-the onagers upon which the green couriers rode are dead with fatigue!"
-
-(_The onagers are lying motionless upon the ground._)
-
-"For three long moons they never ceased to gallop on with the same
-equal pace, holdings flints between their teeth to cut the wind, their
-tails ever streaming out behind them, their sinews perpetually strained
-to the uttermost, always galloping, galloping. Never can others be
-found like them. They were bequeathed me by my paternal grand-father,
-the Emperor Saharil, son of Iakhschab, son of Iaarab, son of Kastan.
-Ah! if they were still alive, we should harness them to a litter that
-they might bear us back speedily to the palace! But ... what ails
-thee?--of what art thou dreaming?"
-
-(_She stares at him, examines him closely._)
-
-"Ah, when thou shalt be my husband, I will robe thee, I will perfume
-thee, I will depilate thee."
-
-(_Anthony remains motionless, more rigid than a stake, more pallid
-than a corpse._)
-
-"Thou hast a sad look--is it because of leaving thy hermitage? Yet I
-have left everything for thee--even King Solomon, who, nevertheless,
-possesses much wisdom, twenty thousand chariots of war, and a beautiful
-beard. I have brought thee my wedding gifts. Choose!"
-
-(_She walks to and fro among the ranks of slaves and the piles of
-precious goods._)
-
-"Here is Genezareth balm, incense from Cape Gardefui, labdanum,
-cinnamon, and silphium--good to mingle with sauces. In that bale are
-Assyrian embroideries, ivory from the Ganges, purple from Elissa;
-and that box of snow contains a skin of chalybon, the wine, which
-is reserved for the Kings of Assyria, and which is drunk from the
-horn of a unicorn. Here are necklaces, brooches, nets for the hair,
-parasols, gold powder from Baasa, cassiteria from Tartessus, blue wood
-from Pandio, white furs from Issidonia, carbuncles from the Island
-Palæsimondus, and toothpicks made of the bristles of the tachas--that
-lost animal which is found under the earth. These cushions come from
-Emath, and these mantle-fringes from Palmyra. On this Babylonian carpet
-there is.... But come hither! come! come!"
-
-(_She pulls Saint Anthony by the sleeve. He resists. She continues_:)
-
-"This thin tissue which crackles under the finger with a sound as of
-sparks, is the famous yellow cloth which the merchants of Bactria bring
-us. I will have robes made of it for thee, which thou shalt wear in the
-house. Unfasten the hooks of that sycamore box, and hand me also the
-little ivory casket tied to my elephant's shoulder."
-
-(_They take something round out of a box--something covered with a
-cloth--and also bring a little ivory casket covered with carving._)
-
-"Dost thou desire the buckler of Dgian-ben-Dgian, who built the
-pyramids?--behold it!--It is formed of seven dragon-skins laid one over
-the other, tanned in the bile of parricides, and fastened together by
-adamantine screws. Upon one side are represented all the wars that have
-taken place since the invention of weapons; and upon the other, all the
-wars that will take place until the end of the world. The lightning
-itself rebounds from it like a ball of cork. I am going to place it
-upon thy arm; and thou wilt carry it during the chase.
-
-"But if thou didst only know what I have in this little box of mine!
-Turn it over and over again! try to open it! No one could ever succeed
-in doing that. Kiss me! and I will tell thee how to open it."
-
-(_She takes Saint Anthony by both cheeks. He pushes her away at arms'
-length._)
-
-"It was one night that King Solomon lost his head. At last we concluded
-a bargain. He arose, and stealing out on tiptoe...."
-
-(_She suddenly executes a pirouette._)
-
-"Ah, ah! comely hermit, thou shalt not know it! thou shalt not know!"
-
-(_She shakes her parasol, making all its little bells tinkle._)
-
-"And I possess many other strange things--oh! yes! I have treasures
-concealed in winding galleries where one would lose one's way, as
-in a forest. I have summer-palaces constructed in trellis-work of
-reeds, and winter-palaces all built of black marble. In the midst of
-lakes vast as seas, I have islands round as pieces of silver, and all
-covered with mother-of-pearl,--islands whose shores make music to
-the lapping of tepid waves upon the sand. The slaves of my kitchens
-catch birds in my aviaries, and fish in my fishponds. I have engravers
-continually seated at their benches to hollow out my likeness in hard
-jewel-stones, and panting molders forever casting statues of me, and
-perfumers incessantly mingling the sap of rare plants with vinegar,
-or preparing cosmetic pastes. I have female dressmakers cutting out
-patterns in richest material, goldsmiths cutting and mounting jewels of
-price, and careful painters pouring upon my palace wainscoting boiling
-resins, which they subsequently cool with fans. I have enough female
-attendants to form a harem, eunuchs enough to make an army. I have
-armies likewise; I have nations! In the vestibule of my palace I keep a
-guard of dwarfs--all bearing ivory trumpets at their backs." (_Anthony
-sighs._)
-
-"I have teams of trained gazelles; I have elephant quadrigæ; I have
-hundreds of pairs of camels, and mares whose manes are so long that
-their hoofs become entangled therein when they gallop, and herds of
-cattle with horns so broad that when they go forth to graze the woods
-have to be hewn down before them. I have giraffes wandering in my
-gardens; they stretch their heads over the edge of my roof, when I take
-the air after dinner.
-
-"Seated in a shell drawn over the waters by dolphins, I travel
-through the grottoes, listening lo the dropping of the water from the
-stalactites. I go down to the land of diamonds, where my friends the
-magicians allow me to choose the finest: then I reascend to earth and
-return to my home."
-
-(_She utters a sharp whistle; and a great bird, descending from the
-sky, alights upon her hair, from which it makes the blue powder fall._
-
-_Its orange-colored plumage seems formed of metallic scales. Its little
-head, crested with a silver tuft, has a human face._
-
-_It has four wings, the feet of a vulture, and an immense peacock's
-tail which it spreads open like a fan._
-
-_It seizes the Queen's parasol in its beak, reels a moment ere
-obtaining its balance; then it erects all its plumes, and remains
-motionless._)
-
-"Thanks! my beautiful Simorg-Anka!--thou didst tell me where the loving
-one was hiding! Thanks! thanks! my heart's messenger!
-
-"He flies swiftly as Desire! He circles the world in his flight. At eve
-he returns; he perches at the foot of my couch and tells me all he has
-seen--the seas that have passed far beneath him with all their fishes
-and ships, the great void deserts he has contemplated from the heights
-of the sky, the harvests that were bowing in the valleys, and the
-plants that were growing upon the walls of cities abandoned."
-
-(_She wrings her hands, languorously._)
-
-"Oh! if thou wast willing! if thou wast willing!... I have a pavilion
-on a promontory in the middle of an isthmus dividing two oceans. It is
-all wain-scoted with sheets of glass, and floored with tortoise shell,
-and open to the four winds of heaven. From its height I watch my fleets
-come in, and my nations toiling up the mountain-slopes with burthens
-upon their shoulders. There would we sleep upon downs softer than
-clouds; we would drink cool draughts from fruit-shells, and we would
-gaze at the sun through emeralds! Come!" ...
-
-(_Anthony draws back. She approaches him again, and exclaims in a tone
-of vexation_:--)
-
-"How? neither the rich, nor the coquettish, nor the amorous woman can
-charm thee: is it so? None but a lascivious woman, with a hoarse voice
-and lusty person, with fire-colored hair and superabundant flesh? Dost
-thou prefer a body cold as the skin of a serpent, or rather great dark
-eyes deeper than the mystic caverns?--behold them, my eyes!--look into
-them!"
-
-(_Anthony, in spite of him, gazes into her eyes._)
-
-"All the women thou hast ever met--from the leman of the cross-roads,
-singing under the light of her lantern, even to the patrician lady
-scattering rose-petals abroad from her litter,--all the forms thou hast
-ever obtained glimpses of--all the imaginations of thy desire thou hast
-only to ask for them! I am not a woman: I am a world! My cloak has only
-to fall in order that thou mayest discover a succession of mysteries."
-(_Anthony's teeth chatter._)
-
-"Place but thy finger upon my shoulder: it will be as though a stream
-of fire shot through all thy veins. The possession of the least part
-of me will fill thee with a joy more vehement than the conquest of an
-Empire could give thee! Approach thy lips: there is a sweetness in my
-kisses as of a fruit dissolving within thy heart. Ah! how thou wilt
-lose thyself beneath my long hair, inhale the perfume of my bosom,
-madden thyself with the beauty of my limbs: and thus, consumed by the
-fire of my eyes, clasped within my arms as in a whirlwind...."
-
-[Illustration: ... there is a sweetness in my kisses as of a fruit
-dissolving within thy heart]
-
-(_Anthony makes the sign of the cross._)
-
-"Thou disdainest me! farewell!"
-
-(_She departs, weeping; then, suddenly turning round_:--)
-
-"Art quite sure?--so beautiful a woman...."
-
-(_She laughs, and the ape that bears her train, lifts it up._)
-
-"Thou wilt regret it, my comely hermit! thou wilt yet weep! thou wilt
-again feel weary of thy life; but I care not a whit! La! la! la!--oh!
-oh! oh!"
-
-(_She takes her departure, hopping upon one foot and covering her face
-with her hands._
-
-_All the slaves file off before Saint Anthony--the horses, the
-dromedaries, the elephant, the female attendants, the mules (which
-have been reloaded), the negro boys, the ape, the green couriers each
-holding his broken lily in his hand; and the Queen of Sheba departs,
-uttering a convulsive hiccough at intervals, which might be taken
-either for a sound of hysterical sobbing, or the half-suppressed
-laughter of mockery._)
-
-
-[1] _Thalamegii_--pleasure-boats having apartments.
-
-
-
-
-III
-
-
-(_When she has disappeared in the distance, Anthony observes a child
-seated upon the threshold of his cabin._)
-
-"It is one of the Queen's servants, no doubt," (_he thinks_).
-
-(_This child is small like a dwarf, and nevertheless squat of build,
-like one of the Cabiri; deformed withal, and wretched of aspect. His
-prodigiously large head is covered with white hair; and he shivers
-under a shabby tunic, all the while clutching a roll of papyrus. The
-light of the moon passing through a cloud falls upon him._)
-
-ANTHONY
-
-(_watches him from a distance, and is afraid of him._) "Who art thou?"
-
-THE CHILD (_replies_). "Thy ancient disciple, Hilarion."
-
-ANTHONY. "Thou liest! Hilarion hath been dwelling in Palestine for
-many long years."
-
-HILARION. "I have returned! It is really I!"
-
-ANTHONY (_draws near and examines him closely_). "Yet his face was
-radiant as the dawn, candid, joyous. This face is the face of one
-gloomy and old."
-
-HILARION. "Long and arduous labor hath wearied me!"
-
-ANTHONY. "The voice is also different. It hath an icy tone."
-
-HILARION. "Because I have nourished me with bitter things!"
-
-ANTHONY. "And those white hairs?"
-
-HILARION. "I have endured many woes!"
-
-ANTHONY (_aside_). "Could it be possible?"
-
-HILARION. "I was not so far from thee as thou doest imagine. The hermit
-Paul visited thee this year, during the month of Schebar. It is just
-twenty days since the Nomads brought thee bread. Thou didst tell a
-sailor, the day before yesterday, to send thee three bodkins."
-
-ANTHONY. "He knows all!"
-
-HILARION. "Know further more that I have never left thee. But there are
-long periods during which thou hast no knowledge of my presence."
-
-ANTHONY. "How can that be? Yet it is true that my head is so much
-troubled--this night especially."
-
-HILARION. "All the Capital Sins came hither. But their wretched snares
-can avail nothing against such a Saint as thou."
-
-ANTHONY. "Oh! no!--no! I fall at every moment! Why am I not of those
-whose souls are ever intrepid, whose minds are always firm,--for
-example, the great Athanasius?"
-
-HILARION. "He was illegally ordained by seven bishops."
-
-ANTHONY. "What matter if his virtue...."
-
-HILARION. "Go to!--a most vainglorious and cruel man, forever involved
-in intrigues, and exiled at last as a monopolist."[1]
-
-ANTHONY. "Calumny!"
-
-HILARION. "Thou wilt not deny that he sought to corrupt Eustates, the
-treasurer of largesses?"
-
-ANTHONY. "It is affirmed, I acknowledge."
-
-HILARION. "Through vengeance he burned down the house of Arsenius."
-
-ANTHONY. "Alas!"
-
-HILARION. "At the council of Nicæa he said in speaking of Jesus: 'The
-man of the Lord.'"
-
-ANTHONY. "Ah! that is a blasphemy!"
-
-HILARION. "So limited in understanding, moreover, that he confesses he
-comprehends nothing of the nature of the "Word!"
-
-ANTHONY (_smiling with gratification_). "In sooth his intelligence is
-not ... very lofty."
-
-HILARION. "Hypocrite! burying thyself in solitude only in order the
-more fully to abandon thyself to the indulgence of thy envious desires!
-What if thou dost deprive thyself of meats, of wine, of warmth, of
-bath, of slaves, or honours?--dost thou not permit thy imagination to
-offer thee banquets, perfumes, women, and the applause of multitudes?
-Thy chastity is but a more subtle form of corruption, and thy contempt
-of this world is but the impotence of thy hatred against it! Either
-this it is that makes such as thyself so lugubrious, or else 'tis
-doubt. The possession of truth giveth joy. Was Jesus sad? Did he not
-travel in the company of friends, repose beneath the shade of olive
-trees, enter the house of the publican, drink many cups of wine, pardon
-the sinning woman, and assuage all sorrows? Thou!--thou hast no pity
-save for thine own misery! It is like a remorse that gnaws thee, a
-savage madness that impels thee to repel the caress of a dog or to
-frown upon the smile of a child."
-
-ANTHONY (_bursting into tears_). "Enough! enough! thou dost wound my
-heart deeply."
-
-HILARION. "Shake the vermin from thy rags! Rise up from thy filth! Thy
-God is not a Moloch who demands human flesh in sacrifice!"
-
-ANTHONY. "Yet suffering is blessed. The cherubim stoop to receive the
-blood of confessors."
-
-HILARION. "Admire, then, the Montanists!--they surpass all others."
-
-ANTHONY. "But it is the truth of the doctrine which makes the
-martyrdom."
-
-HILARION. "How can martyrdom prove the excellence of the doctrine,
-inasmuch as it bears equal witness for error?"
-
-HILARION. "Silence!--thou viper!"
-
-ANTHONY. "Perhaps martyrdom is not so difficult as thou dost imagine!
-The exhortations of friends, the pleasure of insulting the people,
-the oath one has taken, a certain dizzy excitement, a thousand
-circumstances all aid the resolution of the martyrs...."
-
-(_Anthony turns his back upon Hilarion, and moves away from him.
-Hilarion follows him._)
-
-" ... Moreover this manner of dying often brings about great disorders.
-Dionysius, Cyprian and Gregory fled from it. Peter of Alexandria has
-condemned it; and the council of Elvira...."
-
-ANTHONY (_stops his ears_). "I will listen to thee no longer!"
-
-HILARION (_raising his voice_). "Lo! thou fallest again into the
-habitual sin, which is sloth! Ignorance is the foam of pride. One says,
-forsoth:--'My conviction is formed! wherefore argue further?'--and one
-despises the doctors, the philosophers, tradition itself, and even the
-text of the law whereof one is ignorant! Dost thou imagine that thou
-dost hold all wisdom in the hollow of thy hand?"
-
-ANTHONY. "I hear him still! His loud words fill my brain."
-
-HILARION. "The efforts of others to comprehend God are mightier than
-all thy mortifications to move Him. We obtain merit only by our thirst
-for truth. Religion alone cannot explain all things; and the solution
-of problems ignored by thee can render faith still more invulnerable
-and noble. Therefore, for our salvation we must communicate with our
-brethren--otherwise the Church, the assembly of the faithful, would
-be a meaningless word--and we must listen to all reasoning, despising
-nothing, nor any person. The magician Balaam, the poet Aeschylus,
-and the Sybil of Cumæ--all foretold the Saviour. Dionysius, the
-Alexandrian, received from heaven the command to read all books. Saint
-Clement orders us to cultivate Greek letters. Hennas was converted by
-the illusion of a woman he had loved...."
-
-ANTHONY. "What an aspect of authority! It seems to me thou art growing
-taller...."
-
-(_And, in very truth, the stature of Hilarion is gradually increasing;
-and Anthony shuts his eyes, that he may not see him._)
-
-HILARION. "Reassure thyself, good Hermit. Let us seat ourselves there,
-upon that great stone, as we used to do in other years, when, at the
-first dawn of day, I was wont to salute thee with the appellation,
-'Clear star of morning'--and thou wouldst therewith commence to
-instruct me. Yet my instruction is not yet completed. The moon gives us
-light enough. I am prepared to hear thy words."
-
-(_He has drawn a calamus from his girdle, and seating himself
-cross-legged upon the ground, with the papyrus roll still in his hand,
-he lifts his face toward Saint Anthony, who sits near him, with head
-bowed down._
-
-_After a moment of silence Hilarion continues_:--)
-
-"Is not the word of God confirmed for us by miracles? Nevertheless
-the magicians of Pharaoh performed miracles; other imposters can
-perform them; one may be thereby deceived. What then is a miracle?
-An event which seems to us outside of nature. But do we indeed know
-all of Nature's powers; and because a common occurrence causes us no
-astonishment, does it therefore follow that we understand it."
-
-ANTHONY. "It matters little! We must believe the Scriptures!"
-
-HILARION. "Saint Paul, Origen, and many others did not understand
-the Scriptures in a literal sense: yet if Holy Writ be explained by
-allegories it becomes the portion of a small number, and the evidence
-of the truth disappears. What must we do?"
-
-ANTHONY. "We must rely upon the Church!"
-
-HILARION. "Then the Scriptures are useless?"
-
-ANTHONY. "No! no! although I acknowledge that in the Old Testament
-there are some ... some obscurities. But the New shines with purest
-light."
-
-HILARION. "Nevertheless, the Angel of the annunciation, in Matthew,
-appears to Joseph; while, in Luke, he appears to Mary. The anointing
-of Jesus by a woman takes place, according to the first Gospel, at the
-commencement of his public life; and, according to the other three, a
-few days before his death. The drink offered to him on the cross, is,
-in Matthew, vinegar mixed with gall; in Mark, it is wine and myrrh.
-According to Luke and Matthew, the apostles should take with them
-neither money nor scrip for their journey--not even sandals nor staff;
-in Mark, on the contrary, Jesus bids them take nothing with them,
-except sandals and a staff. I am thereby bewildered!"
-
-ANTHONY (_in amazement_). "Aye, indeed!... in fact...."
-
-HILARION. "At the contact of the woman who had an issue of blood, Jesus
-turned and said, 'Who hath touched my garments?' He did not know, then,
-who had touched him? That contradicts the omniscience of Jesus! If the
-tomb was watched by guards, the women need have felt no anxiety about
-finding help to roll away the stone from the tomb. Therefore there
-were no guards, or the holy women were not there. At Emmaus, he eats
-with his disciples and makes them feel his wounds. It is a human body,
-a material and ponderable object; and nevertheless it passes through
-walls! Is that possible?"
-
-ANTHONY. "It would require much time to answer thee properly!"
-
-HILARION. "Why did he receive the Holy Spirit, being himself Son of
-the Holy Spirit? What need had he of baptism if he was the Word? How
-could the Devil have tempted him, inasmuch as he was God? Have these
-thoughts never occurred to thee?"
-
-ANTHONY. "Yes!... often! Sometimes torpid, sometimes furious--they
-remain forever in my conscience. I crush them; they rise again, they
-stifle me; and sometimes I think that I am accursed."
-
-HILARION. "Then it is needless for thee to serve God?"
-
-ANTHONY. "I shall always need to adore Him."
-
-(_After a long silence Hilarion continues_:)
-
-"But aside from dogma, all researches are allowed us. Dost thou desire
-to know the hierarchy of the Angels, the virtue of the Numbers, the
-reason of germs and of metamorphoses?"
-
-ANTHONY. "Yes! yes! my thought struggles wildly to escape from its
-prison. It seems to me that by exerting all my force I might succeed.
-Sometimes, for an instant, brief as a lightning flash, I even feel
-myself as thought uplifted,--then I fall back again!"
-
-HILARION. "The secret thou wouldst obtain is guarded by sages. They
-dwell in a distant land; they are seated beneath giant trees; they
-are robed in white; they are calm as Gods! A warm air gives them
-sufficient nourishment. All about them, leopards tread upon grassy
-turf. The murmuring of fountains and the neighing of unicorns mingle
-with their voices. Thou shalt hear them; and the face of the Unknown
-shall be unveiled!"
-
-ANTHONY (_sighing_). "The way is long; and I am old."
-
-HILARION. "Oh! oh! wise men are not rare! there are some even very nigh
-thee!--here! Let us enter!"
-
-
-[1] Gibbon, a sincere admirer of Athanasius, gives a curious history of
-these charges, and expresses his disbelief in their truth. The story
-regarding the design to intercept the corn-fleet of Alexandria is
-referred to in the use of the word "monopolist."
-
-
-
-
-IV
-
-
-(_And Anthony beholds before him a vast basilica._
-
-_The light gushes from the further end, marvellous as a multi-colored
-sun. It illuminates the innumerable heads of the crowd that fills the
-nave, and that eddies about the columns toward the side-aisles--where
-can be perceived, in wooden compartments, altars, beds, little chains
-of blue stones linked together, and constellations painted upon the
-walls._
-
-_In the midst of the throng there are groups which remain motionless.
-Men standing upon stools harangue with fingers uplifted; others are
-praying, with arms outstretched in form of a cross; others are lying
-prostrate upon the pavement, or singing hymns, or drinking wine; others
-of the faithful, seated about a table, celebrate their agape;[1]
-martyrs are unbandaging their limbs in order to show their wounds; and
-aged men, leaning upon staffs, recount their voyages._
-
-_There are some from the country of the Germans, from Thrace also, and
-from the Gauls, from Scythia and from the Indies, with snow upon their
-beards, feathers in their hair; thorns in the fringe of their garments;
-the sandals of some are black with dust, their skins are burnt by the
-sun. There is a vast confusion of costumes, mantles of purple and
-robes of linen, embroidered dalmaticas, hair shirts, sailors' caps,
-bishops' mitres. Their eyes fulgurate strangely. They have the look of
-executioners, or the look of eunuchs._
-
-_Hilarion advances into their midst. All salute him. Anthony, shrinking
-closer to his shoulder, observes them. He remarks the presence of a
-great many women. Some of these are attired like men, and have their
-hair cut short. Anthony feels afraid of them._)
-
-HILARION. "Those are Christian women who have converted their husbands.
-Besides, the women were always upon the side of Jesus, even the
-idolatrous ones, for example, Procula, the wife of Pilate, and Poppæa,
-the concubine of Nero. Do not tremble!--come on."
-
-(_And others are continually arriving._
-
-_They seem to multiply, to double themselves by self-division, light
-as shadows--all the while making an immense clamour, in which yells of
-rage, cries of love, canticles and objurgations intermingle._)
-
-ANTHONY (_in a low voice_). "What do they desire?"
-
-HILARION. "The Lord said: 'I have yet many things to say to you....
-'[2] They possess the knowledge of those things."
-
-(_And he pushes Anthony forward to a golden throne approached by five
-steps, whereon--surrounded by ninety-five disciples, all very thin and
-pale, and anointed with oil--sits the prophet Manes. He is beautiful
-as an archangel, immobile as a statue; he is clad in an Indian robe;
-carbuncles gleam in his plaited hair; at his left hand lies a book of
-painted images; his right reposes upon a globe. The images represent
-the creatures that erst slumbered in Chaos. Anthony bends forward to
-look upon them. Then----_)
-
-MANES
-
-(_makes his globe revolve; and regulating the tone of his words by a
-lyre which gives forth crystalline sounds, exclaims_:--)
-
-"The celestial earth is at the superior extremity; the terrestrial
-earth at the inferior extremity. It is sustained by two angels--the
-Angel Splenditeneus, and Omophorus, whose faces are six.
-
-"At the summit of the highest heaven reigns the impassible Divinity;
-below, face to face, are the Son of God and the Prince of Darkness.
-
-"When the darkness had advanced even to his kingdom, God evolved from
-his own essence a virtue which produced the first man; and he environed
-him with the five elements. But the demons of darkness stole from him a
-part; and that part is the soul.
-
-"There is but one soul, universally diffused, even as the waters of
-a river divided into many branches. It is this universal soul that
-sighs in the wind--that shrieks in the marble under the teeth of the
-saw--that roars in the voice of the sea--that weeps tears of milk when
-the leaves of the fig tree are torn off.
-
-"The souls that leave this world emigrate to the stars, which are
-themselves animated beings."
-
-ANTHONY (_bursts into a laugh_). "Ah! ah! what an absurd imagination!"
-
-A MAN (_having no beard, and of a most austere aspect_). "Wherefore
-absurd?"
-
-(_Anthony is about to reply when Hilarion tells him in a low voice
-that the questioner is none other than the tremendous Origen himself;
-and_:--)
-
-MANES (_continues_). "But first they remain awhile in the Moon, where
-they are purified. Then they rise into the sun."
-
-ANTHONY (_slowly_). "I do not know of anything ... which prevents us
-... from believing it."
-
-MANES. "The proper aim of every creature is the deliverance of the ray
-of celestial light imprisoned within matter. It finds easier escape
-through the medium of perfumes, spices, the aroma of warmed wine, the
-light things which resemble thoughts. But the acts of life retain it
-within its prison. The murderer shall be born again in the form of a
-celephus; he that kills an animal shall become that animal; if thou
-plantest a vine, thou shalt be thyself bound within its boughs. Food
-absorbs the celestial light.... Therefore abstain! fast!"
-
-HILARION. "Thou seest, they are temperate!"
-
-MANES. "There is much of it in meats, less of it in herbs. Moreover
-the Pure Ones, by means of their great merits, despoil vegetation of
-this luminous essence; and, thus liberated, it reascends to its source.
-But through generation, animals keep it imprisoned within the flesh!
-Therefore, avoid women!"
-
-HILARION. "Admire their continence."
-
-MANES. "Or rather contrive that they shall not create..............[3]
-
-ANTHONY. "Oh--abomination!"
-
-HILARION. "What signifies the hierarchy of turpitudes? The Church has,
-forsooth, made marriage a sacrament!"
-
-SATURNINUS (_in Syrian costume_). "He teaches a most dismal system of
-the universe!... The Father, desiring to punish the angels who had
-revolted, ordered them to create the world. Christ came, in order that
-the God of the Jews, who was one of those angels...."
-
-ANTHONY. "He an angel! the Creator!"
-
-CERDO. "Did he not seek to kill Moses, to deceive his own prophets, to
-seduce nations?--did he not sow falsehood and idolatry broadcast?"
-
-MARCION. "Certainly, the Creator is not the true God!"
-
-SAINT CLEMENT OF ALEXANDRIA. "Matter is eternal!"
-
-BARDESANES (_in the costume of the Babylonian magi_). "It was formed by
-the Seven Planetary Spirits."
-
-THE HERMIANS. "Souls were made by the angels."
-
-THE PRISCILLIANISTS. "It was the Devil who made the world."
-
-ANTHONY (_rushing back from the circle_). "Horror!"
-
-HILARION (_supporting him_). "Thou despairest too hastily!--thou dost
-misapprehend their doctrine! Here is one who received his teaching
-directly from Theodas, the friend of St. Paul. Hearken to him."
-
-(_And at a sign from Hilarion_
-
-VALENTINUS
-
-_appears in a tunic of cloth of silver; his skull is pointed at its
-summit; his voice has a wheezing sound._)
-
-"The world is the work of a God in delirium!"
-
-ANTHONY (_bending his head down_). "The work of a God in delirium!..."
-
-(_After a long silence_): "How can that be?"
-
-VALENTINE. "The most perfect of beings, and of the Æons, the Abyss;
-dwelt in the womb of the Deep together with Thought. By their union was
-begotten Intelligence, to whom Truth was given as a companion.
-
-"Intelligence and Truth engendered the Word and Life, who in their turn
-begat Man and the Church; and that doth make eight Æons!"
-
-(_He counts upon his fingers._)
-
-"The Word and Truth also produced ten other Æons--which is to say, five
-couples. Man and the Church had begotten twelve more--among these the
-Paraclete and Faith, Hope and Charity, Perfection and Wisdom--Sophia.
-
-"The union of these thirty Æons constitutes the Pleroma, or
-Universality of God. Thus, even as the echo of a passing voice, as the
-effluvia of a perfume evaporating, as the fires of the setting sun,
-the Powers that emanated from the Principle, forever continue to grow
-weaker.
-
-"But Sophia, desirous to know the Father, darted from the Pleroma;
-and the Word then made another couple, Christ and the Holy Ghost, who
-reunited all the Æons; and all together formed Jesus, the flower of the
-Pleroma.
-
-"But the effort of Sophia to flee away had left in the void an image of
-her--an evil substance, Acharamoth.[4] The Saviour took pity upon her,
-freed her from all passion; and from the smile of Acharamoth redeemed,
-light was born; her tears formed the waters; by her sorrow was dark
-matter begotten.
-
-"Of Acharamoth was born the Demiurgos,--the fabricator of worlds,
-the creator of the heaven and of the Devil. He dwells far below the
-Pleroma--so far that he cannot behold it--so that he deems himself to
-be the true God, and repeats by the mouths of his prophets--'There is
-no other God but I.' Then he made man, and instilled into his soul the
-immaterial Seed which was the Church--a reflection of the other Church
-established in the Pleroma.
-
-"One day Acharamoth shall reach the highest region and unite herself
-with the Saviour; the fire that is hidden in the world shall annihilate
-all matter, and shall even devour itself and men, becoming pure
-spirits, shall espouse the angels!"
-
-ORIGEN. "Then shall the Demon be over-thrown and the reign of God
-commence!"
-
-(_Anthony expresses a cry, and forthwith_)
-
-BASILIDES (_taking him by the elbow, exclaims_:--)
-
-"The Supreme Being with all the infinite emanations is called
-Abraxas; and the Saviour with all his virtues, Kaulakau--otherwise,
-line-upon-line, rectitude upon rectitude.
-
-"The power of Kaulakau is obtained by the aid of certain words, which
-are inscribed upon this chalcedony to help the memory."
-
-(_And he points to a little stone suspended at his neck, upon which
-stone fantastic characters are graven._)
-
-"Then thou wilt be transported into the Invisible and placed above all
-law; thou shalt contemn all things--even virtue!
-
-"We, the Pure, must flee from pain, after the example of Kaulakau."
-
-ANTHONY. "What! and the cross?"
-
-THE ELKHESAITES (_in robes of hyacinth answers him_). "The woe and
-the degradation, the condemnation and oppression of my fathers[5] are
-blotted out, through the mission which has come.
-
-"One may deny the inferior Christ, the man--Jesus; but the other Christ
-must be adored--whose personality was evolved under the brooding of the
-Dove's wings.
-
-"Honor marriage; the Holy Spirit is feminine!"
-
-(_Hilarion has disappeared; and Anthony, carried along by the crowd,
-arrives in the presence of_--)
-
-THE CARPOCRATIANS
-
-(_reclining with women upon scarlet cushions._)
-
-"Before entering into the Only thou shalt pass through a series of
-conditions and of actions. To free thyself from the powers of darkness,
-thou must at once accomplish their works. The husband shall say to the
-wife: 'Have charity for thy brother'--and she will kiss thee."
-
-THE NICOLAITANS
-
-(_gathered about a mass of smoking meats_:)
-
-"This is a portion of the meat offered to idols;--partake of it!
-Apostasy is permissible when the heart is pure. Gorge thy flesh with
-all that it demands. Seek to exterminate it by dint of debauchery!
-Prounikos, the Mother of Heaven, wallowed in ignominies."
-
-THE MARCOSIANS
-
-(_wearing rings of gold, and glistening with precious balm and
-unguents_:)
-
-"Enter among us that thou mayst unite thyself to the Spirit! Enter
-among us that thou mayst quaff the draught of immortality!"
-
-(_And one of them shows him, behind a tapestry-hanging, the body of a
-man terminated by the head of an ass. This represents Sabaoth, father
-of the Devil. He spits upon the image in token of detestation._
-
-_Another shows him a very low bed, strewn with flowers, exclaiming_:)
-
-"The spiritual marriage is about to be consummated."
-
-(_A third, who holds a cup of glass, utters an invocation;--blood
-suddenly appears in the cup_:)
-
-"Ah! behold it! behold it!--the blood of Christ!"
-
-(_Anthony withdraws, but finds himself be-spattered by water splashed
-from a cistern._)
-
-THE HELVIDIANS
-
-(_are flinging themselves into it head foremost, muttering_:--)
-
-"The man regenerated by baptism is impeccable!"
-
-(_Then he passes by a great fire at which the Adamites are warming
-themselves--all completely naked in imitation of the purity of
-Paradise; and he stumbles over_)
-
-THE MESSALINES
-
-(_wallowing upon the pavement, half-slumbering, stupid_:)
-
-"Oh! crush us if thou wilt! we shall not move! Work is crime; all
-occupation is evil."
-
-(_Behind these, the abject_)
-
-PATERNIANS
-
-(_--men, women, and children lying pell mell upon a heap of filth, lift
-their hideous faces, wine-besmeared, and they cry aloud_:)
-
-"The inferior parts of the body, which were created by the Devil,
-belong to him! Let us eat, drink, and sin!"
-
-ÆTIUS. "Crimes are necessities beneath the notice of God!"
-
-(_But suddenly_--)
-
-A MAN (--_clad in a Carthaginian mantle, bounds into their midst,
-brandishing a scourge of thongs in his hand; and strikes violently and
-indiscriminately at all in his path_:)
-
-"Ah! imposters! simonists, heretics and demons!--vermin of the
-schools!--dregs of hell! Marcion, there, is a sailor of Sinopus
-excommunicated for incest;--Carpocrates was banished for being a
-magician; Ætius stole his concubine; Nicholas prostituted his wife;
-and this Manes, who calls himself the Buddha, and whose real name is
-Cubricus, was flayed alive with the point of a reed, so that his skin
-even now hangs at the gates of Ctesiphon!"
-
-ANTHONY (_recognizing Tertullian, rushes to join him_): "Master! help!
-help!"
-
-TERTULLIAN (_continuing_):
-
-"Break the images! veil the virgins! Pray, fast, weep and mortify
-yourselves! No philosophy! no books! After Jesus, science is useless!"
-
-(_All have fled away; and Anthony beholds, in lieu of Tertullian, a
-woman seated upon a bench of stone._
-
-_She sobs; leaning her head against a column; her hair is loose; her
-body, weakened by grief, is clad in a long brown simar. Then they find
-themselves face to face and alone, far from the crowd; and a silence,
-an extraordinary stillness falls--as in the woods when the winds are
-lulled, and the leaves of the trees suddenly cease to whisper._
-
-_This woman is still very beautiful, although faded, and pale as a
-sepulcher. They look at one another; and their eyes send to each other
-waves, as it were, of thoughts, bearing drift of a thousand ancient
-things, confused, mysterious. At last_--)
-
-PRISCILLA (_speaks_:)
-
-"I was in the last chamber of the baths; and the rumbling sounds of the
-street caused a sleep to fall upon me.
-
-"Suddenly I heard a clamour of voices. Men were shouting--'It is a
-magician!--it is the Devil!' And the crowd stopped before our house, in
-front of the Temple Æsculapius. I drew myself up with my hands to the
-little window.
-
-"Upon the peristyle of the temple, there stood a man who wore about his
-neck a collar of iron. He took burning coals out of a chafing-dish, and
-with them drew lines across his breast, the while crying out--'Jesus!
-Jesus!' The people shouted--'This is not lawful! let us stone him!'
-But he continued. Oh! those were unheard of marvels--things which
-transported men who beheld them! Flowers broad as suns circled before
-my eyes, and I heard in the spaces above me the vibrations of a golden
-harp. Day died. My hands loosened their grasp of the window-bars; my
-body fell back, and when he had led me away to his house...."
-
-ANTHONY. "But of whom art thou speaking?"
-
-PRISCILLA. "Why, of Montanus!"
-
-ANTHONY. "Montanus is dead!"
-
-PRISCILLA. "It is not true!"
-
-A VOICE. "No: Montanus is not dead!"
-
-(_Anthony turns; and sees upon the bench near him, on the opposite
-side, another woman sitting; she is fair, and even paler than the
-other; there are swellings under her eyes, as though she had wept a
-long time. She speaks without being questioned_:)
-
-MAXIMILLA. "We were returning from Tarsus by way of the mountains,
-when, at a turn in the road, we saw a man under a fig tree.
-
-"He cried from afar off: 'Stop! stop!' and rushed toward us, uttering
-words of abuse. The slaves ran up; he burst into a loud laugh. The
-horses reared; the molossi all barked.
-
-"He stood before us. The sweat streamed from his forehead; his mantle
-napped in the wind.
-
-"And calling us each by our names, he reproached us with the vanity
-of our work, the infamy of our bodies; and he shook his fist at the
-dromedaries because of the silver bells hanging below their mouths.
-
-"His fury now filled my very entrails with fear and yet there was a
-strange pleasure in it which fascinated me, intoxicated me!
-
-"First the slaves came. 'Master,' they said, 'our animals are weary.'
-Then the women said, 'We are frightened,' and the slaves departed. Then
-the children began to weep,--'We are hungry.' And as the women were not
-answered, they disappeared also from our view.
-
-"He still spoke. I felt some one near me. It was my husband; but I
-listened only to the other. My husband crawled to me upon his knees
-among the stones, and cried--'Dost thou abandon me,' and I replied:
-'Yes! go thy way!' that I might accompany Montanus."
-
-ANTHONY. "A eunuch!"
-
-PRISCILLA. "Ah! does that astound thee, vulgar soul! Yet Magdalen,
-Johanna, Martha and Susannah did not share the couch of the Saviour.
-Souls may know the delirium of embrace better than bodies. That he
-might keep Eustolia with impunity, the bishop Leontius mutilated
-himself--loving his love more than his virility. And then, it was
-no fault of mine. Sotas could not cure me; a spirit constrained me.
-It is cruel, nevertheless! But what matter? I am the last of the
-prophetesses; and after me the end of the world shall come."
-
-MAXIMILLA. "He showered his gifts upon me. Moreover, no one loves him
-as I, nor is any other so well beloved by him!"
-
-PRISCILLA. "Thou liest! I am the most beloved!"
-
-MAXIMILLA. "No: it is I!"
-
-(_They fight. Between their shoulders suddenly appears the head of a
-negro._)
-
-MONTANUS (_clad in a black mantle, clasped by two cross-bones_):
-
-"Peace, my doves! Incapable of terrestrial happiness, we have obtained
-the celestial plentitude of our union. After the age of the Father,
-the age of the Son; and I inaugurate the third, which is that of the
-Paraclete. His light descended upon me during those forty nights when
-the heavenly Jerusalem appeared shining in the firmament, above my
-house at Pepuzza.
-
-"Ah, how ye cry out with anguish when the thongs of the scourge
-lacerate! how your suffering bodies submit to the ardor of my spiritual
-discipline! how ye languish with irrealizable longing! So strong has
-that desire become that it has enabled you to behold the invisible
-world; and ye can now perceive souls even with the eyes of the body!"
-
-ANTHONY. (_Makes a gesture of astonishment._)
-
-TERTULLIAN (_who appears again, standing beside Montanus_):
-
-"Without doubt; for the soul has a body, and that which is bodiless has
-no existence."
-
-MONTANUS. "In order to render it yet more subtle, I have instituted
-many mortifications, three Lents a year, and prayers to be uttered
-nightly by the mind only, keeping the mouth closed, lest breathing
-might tarnish thought. It is necessary to abstain from second
-marriages, or rather from all marriage! The Angels themselves have
-sinned with women!"
-
-THE ARCHONTICS (_wearing cilices of hair_):
-
-"The Saviour said: 'I come to destroy the work of the Woman!'"
-
-THE TATIANITES (_wearing cilices of reed_):
-
-"She is the tree of evil. Our bodies are but garments of skin."
-
-(_And continuing to advance along the same side, Anthony meets_:--)
-
-THE VALESIANS (_extended upon the ground, with red wounds below their
-bellies, and blood saturating their tunics. They offer him a knife._)
-
-"Do as Origen did and as we have done! Is it the pain that thou
-fearest, coward? Is it the love of thy flesh that restrains thee,
-hypocrite?"
-
-(_And while he watches them writhing upon their backs, in a pool of
-blood_--)
-
-THE CAINITES (_wearing knotted vipers as fillets about their hair, pass
-by, vociferating in his ear_):--
-
-"Glory to Cain! Glory to Sodom! Glory be to Judas!
-
-"Cain made the race of the strong; Sodom terrified the earth by her
-punishment, and it was by Judas that God saved the world! Yes! by
-Judas: without him there would have been no death and no redemption!"
-
-(_They disappear beneath the horde of the_--)
-
-CIRCUMCELLIONES (_all clad in the skins of wolves, crowned with thorns,
-and armed with maces of iron_).
-
-"Crush the fruit! befoul the spring! drown the child! Pillage the rich
-who are happy--who cat their fill! Beat the poor who envy the ass
-his saddle-cloth, the dog his meal, the bird his nest,--and who is
-wretched at knowing that others are not as miserable as himself.
-
-"We, the Saints, poison, burn, massacre, that we may hasten the end of
-the world.
-
-"Salvation may be obtained through martyrdom only. We give ourselves
-martyrdom. We tear the skin from our heads with pincers; we expose our
-members to the plough; we cast ourselves into the mouths of furnaces!
-
-"Out upon baptism! out upon the Eucharist! out upon marriage! universal
-damnation!"
-
-(_Then throughout all the basilica there is a redoubling of fury._
-
-_The Audians shoot arrows against the Devil; the Collyridians throw
-blue cloths toward the roof; the Ascites prostrate themselves before
-a waterskin; the Marcionites baptise a dead man with oil. A woman,
-standing near Appelles, exhibits a round loaf within a bottle, in order
-the better to explain her idea. Another, standing in the midst of an
-assembly of Sampseans distributes, as a sacrament, the dust of her
-own sandals. Upon the rose-strewn bed of the Marcosians, two lovers
-embrace. The Circumcellionites slaughter one another; the Valesians
-utter the death-rattle; Bardesanes sings; Carpocras dances; Maximilla
-and Priscilla moan; and the false prophetess of Cappadocia, completely
-naked, leaning upon a lion, and brandishing three torches, shrieks the
-Terrible Invocation._
-
-_The columns of the temple sway to and fro like the trunks of trees in a
-tempest; the amulets suspended about the necks of the Heresiarchs seem
-to cross each other in lines of fire; the constellations in the chapels
-palpitate; and the walls recoil with the ebb and flow of the crowd, in
-which each head is a wave that leaps and roars._
-
-_Nevertheless, from the midst of the clamor arises the sound of a song,
-in which the name of Jesus is often repeated, accompanied by bursts of
-laughter._
-
-_The singers belong to the rabble of the people; they all keep time to
-the song by clapping their hands. In their midst stands_--)
-
-ARTUS (_in a deacon's vestments_):
-
-"The fools who declaim against me pretend to explain the absurd; and in
-order to confound them utterly, I have composed ditties so droll that
-they are learned by heart in all the mills, in the taverns and along
-the ports.
-
-"No! a thousand times no!--the Son is not coeternal with the Father,
-nor of the same substance! Otherwise he would not have said: 'Father,
-remove this chalice from me! Why dost thou call me good? God alone is
-good! I go to my God, to your God!'--and many other things testifying
-to his character of creature. The fact is further demonstrated for
-us by all his names:--lamb, shepherd, fountain, wisdom, son-of-man,
-prophet; the way, the corner-stone!"
-
-SABELLIUS. "I hold that both are identical."
-
-ARIUS. "The Council of Antioch has decided the contrary."
-
-ANTHONY. "Then what is the Word?... What was Jesus?"
-
-THE VALENTINIANS. "He was the husband of Acharamoth repentant!"
-
-THE SETHIANIANS. "He was Shem, the son of Noah!"
-
-THE THEODOTIANS. "He was Melchisedech!"
-
-THE MERINTHIANS. "He was only a man!"
-
-THE APOLLINARISTS. "He assumed the appearance of one! He simulated the
-Passion!"
-
-MARCEL OF ANCYRA. "He was a development of the Father!"
-
-POPE CALIXTUS. "Father and Son are but two modes of one God's
-manifestation!"
-
-METHODIUS. "He was first in Adam, then in man!"
-
-CERINTHUS. "And He will rise again!"
-
-VALENTINUS. "Impossible--his body being celestial!"
-
-PAUL OF SAMOSATA. "He became God _only_ from the time of his baptism!"
-
-HERMOGENES. "He dwells in the sun!"
-
-(_And all the Heresiarchs form a circle about Anthony, who weeps,
-covering his face with his hands._)
-
-A JEW (_with a red beard, and spots of leprosy upon his shin,
-approaches close to Anthony, and, with a hideous sneer, exclaims_):
-
-"His soul was the soul of Esau! He suffered from the Bellephorentian
-sickness. Was not his mother, the seller of perfumes, seduced by a
-Roman soldier, one Pantherus?.......................... [6]
-
-ANTHONY (_suddenly raising his head, looks at them a moment in silence;
-then advancing boldly upon them, exclaims_):
-
-"Doctors, magicians, bishops, and deacons, men and phantoms, away from
-me! begone! Ye are all lies!"
-
-THE HERESIARCHS. "We have martyrs more martyrs than thine, prayers
-that are more difficult, outbursts of love more sublime, ecstasies as
-prolonged as thine are."
-
-ANTHONY. "But ye have no revelation! no proofs!"
-
-(_They all at once brandish in the air their rolls of papyrus, tablets
-of wood, scrolls of leather, rolls of woven stuff bearing inscriptions;
-and elbowing; and pushing each other, they all shout to Anthony._)
-
-THE CERINTHIANS. "Behold the Gospel of the Hebrews!"
-
-THE MARCIONITES. "Behold the Gospel of the Lord!"
-
-THE MARCOSIANS. "The Gospel of Eve!"
-
-THE EUCRATITES. "The Gospel of Thomas!"
-
-THE CAINITES. "The Gospel of Judas!"
-
-BASILIDES. "The Treatise upon the Destiny of the Soul!"
-
-MANES. "The Prophecy of Barkouf!"
-
-(_Anthony struggles, breaks from them, escapes them; and in a shadowy
-corner perceives_--)
-
-THE AGED EBIONITES
-
-(_withered as mummies, their eyes dull and dim, their eyebrows white as
-frost._
-
-_In tremulous voices they exclaim_:--)
-
-"We have known him, we have seen him! We knew the Carpenter's Son! We
-were then the same age as he; we dwelt in the same street. He used to
-amuse himself by modelling little birds of mud; aided his father at his
-work without fear of the sharp tools, or selected for his mother the
-skeins of dyed wool. Then he made a voyage to Egypt, from whence he
-brought back wondrous secrets. We were at Jericho when he came to find
-the Eater of Locusts. They talked together in a low voice, so that no
-one could hear what was said. But it was from that time that his name
-began to be noised abroad in Galilee, and that men began to relate many
-fables regarding him."
-
-(_They reiterate, tremulously_:)
-
-"We knew him! we others, we knew him!"
-
-ANTHONY. "Ah, speak on, speak! What was his face like?"
-
-TERTULLIAN. "His face was wild and repulsive; forasmuch as he
-had burthened himself with all the crimes, all the woes, all the
-deformities of mankind."
-
-ANTHONY. "Oh! no, no! I imagine, on the contrary, that his entire
-person must have been glorious with a beauty greater than the beauty of
-man!"
-
-EUSEBIUS OF CÆSAREA. "There is indeed, at Paneades, propped up against
-the walls of a crumbling edifice surrounded by a wilderness of weeds
-and creeping plants, a certain statue of stone which, some say, was
-erected by the Woman healed of the issue of blood. But time has gnawed
-the face of the statue, and the rains have worn the inscription away."
-
-(_A woman steps forward from the group of the Carpocratians._)
-
-MARCELLINA. "I was once a deaconess at Rome, in a little church, where
-I used to exhibit to the faithful, the silver images, of Saint Paul,
-Homer, Pythagoras and Jesus Christ.
-
-"I have only kept that of Jesus."
-
-(_She half opens her mantle._)
-
-"Dost thou desire it?"
-
-A VOICE. "He reappears himself when we call upon him! It is the
-hour!--come!"
-
-(_And Anthony feels a brutal hand seize him by the arm, and drag him
-away._
-
-_He mounts a stairway in complete darkness; and after having ascended
-many steps, he finds himself before a door._
-
-_Then the one who is leading him--(is it Hilarion?--he does not
-know)--whispers in the ear of another_: "The Lord is about to
-come!"--_and they are admitted into a chamber, with a very low ceiling,
-and without furniture._
-
-_The first object which attracts his attention is a long blood-colored
-chrysalis, with a human head surrounded by rays, and the word_ Knouphus
-_inscribed all around it in Greek characters. It is placed upon the
-shaft of a column, which is in turn supported by a broad pedestal.
-Hanging upon the walls of the chamber are medallions of polished iron
-representing the heads of various animals:--the head of an ox, the head
-of a lion, the head of an eagle, the head of a dog, and the head of an
-ass--again!_
-
-[Illustration: ... a long blood-colored chrysalis]
-
-_Earthen lamps, suspended below these images, create a vacillating
-light. Through a hole in the wall, Anthony can see the moon shining
-far off upon the waves; he can even hear the feeble regular sound of
-lapping water; together with the heavy thud occasionally caused by the
-bumping of a ship's hull against the stones of the mole._
-
-_There are men crouching down, with their faces hidden by their
-mantles. From time to time they utter sounds resembling a smothered
-bark. There are women also, sleeping with their foreheads resting upon
-their arms, and their arms supported by their knees; they are so hidden
-by their garments as to resemble heaps of cloth piled up at intervals
-against the wall. Near them are half naked children, whose persons
-swarm with vermin. They watch with idiotic stare the burning of the
-lamps; and nothing is done: all are waiting for something._
-
-_They talk in undertones about family matters, or recommend to each
-other various remedies for their ailments. Some of them must embark
-at earliest daylight; the persecution is becoming too terrible to be
-endured. Nevertheless, the pagans are easily enough deceived_:--"The
-fools imagine that we are really adoring Knouphus!"
-
-_But one of the brethren, feeling himself suddenly inspired, takes his
-place before the column, where a basket has already been placed, filled
-with fennel and aristolochia. On the top of the basket is placed a
-loaf._)
-
-THE INSPIRED BROTHER
-
-(_unrolling a placard covered with designs representing cylinders
-blending with and fitting into one another, commences to pray_:)
-
-"The ray of the Word descended upon the darknesses; and there arose a
-mighty cry, like unto the voice of Light."
-
-ALL (_swaying their bodies in unison, respond_):
-
-"Kyrie eleison!"
-
-THE INSPIRED BROTHER. "Then was Man created by the infamous
-God of Israel, aided by those who are these (_pointing to the
-medallions_)--Astophaios, Oraios, Sabaoth, Adonai, Eloi, Iao!
-
-"And Man, hideous, feeble, formless and thoughtless, lay upon the slime
-of the earth."
-
-ALL (_in plaintive accents_):
-
-"Kyrie eleison!"
-
-THE INSPIRED BROTHER. "But Sophia, compassionating him, vivified him
-with a spark of her own soul.
-
-"Then God, beholding Man so beautiful, waxed wroth; and imprisoned him
-within His own kingdom, forbidding him to touch the Tree of Knowledge.
-
-"Again did the other succor him. She sent to him the Serpent, who, by
-many long subterfuges, made him disobey that law of hate.
-
-"And Man, having tasted knowledge, understood celestial things."
-
-ALL (_raising their voices_):
-
-"Kyrie Eleison!"
-
-THE INSPIRED BROTHER. "But Iabdalaoth through vengeance cast down man
-into the world of matter, and the Serpent with him."
-
-ALL (_in a very low tone_):
-
-"Kyrie Eleison!"
-
-(_Then all hold their peace, and there is silence._
-
-_The odors of the port mingle with the smoke of the lamps in the warm
-air. The lamp-wicks crepitate; their flames are about to go out, long
-mosquitoes flit in rapid circlings about them. And Anthony groans
-in an agony of anguish, as with the feeling that a monstrosity is
-floating about him, as with the fear of a crime that is about to be
-accomplished._
-
-_But_--)
-
-THE INSPIRED BROTHER (_stamping his heel upon the floor, snapping his
-fingers, tossing his head wildly, suddenly chants to a furious rhythm,
-with accompaniment of cymbals and a shrill flute_:--)
-
-"Come! come! come!--issue from thy cavern!
-
-"O swift one, who runneth without feet, captor who seizeth without hand!
-
-"Sinuous as the rivers, orbicular as the sun, black, with spots of
-gold, like the firmament star-besprinkled! Like unto the intertwinings
-of the vine, and the circumvolutions of entrails!
-
-"Unengendered! eater of earth! immortally young! unfailing
-perspicacious! honored at Epidaurus! Kindly to man! thou who didst heal
-King Ptolemy, and the warriors, of Moses, and Glaucus, son of Minos!
-
-"Come! come! come!--issue from thy cavern!"
-
-ALL (_repeat_):
-
-"Come! come! come!--issue from thy cavern!"
-
-(_Nevertheless, nothing yet appears._)
-
-"Why? What aileth him?"
-
-(_And they concert together, devise means._
-
-_An old man presents a clod of turf as an offering. Then something
-upheaves within the basket. The mass of verdure shakes; the flowers
-fall, and the head of a python appears._
-
-[Illustration: ... the flowers fall and the head of a python
-appears]
-
-_It passes slowly around the edge of the loaf, like a circle moving
-around an immovable disk;--then it unfolds itself, lengthens out; it is
-enormous and of great weight. Lest it should touch the floor, the men
-uphold it against their breasts, the women support it upon their heads,
-the children hold it up at arms' length; and its tail, issuing through
-the hole in the wall, stretches away indefinitely to the bottom of the
-sea. Its coils double; they fill the chamber; they enclose Anthony._)
-
-THE FAITHFUL (_press their mouths against its skin, snatch from one
-another the loaf which it has bitten, and cry aloud_:--)
-
-"It is thou! it is thou!
-
-"First raised up by Moses, broken by Ezechias, re-established by the
-Messiah. He drank thee in the waters of baptism; but thou didst leave
-him in the Garden of Olives; and then indeed he felt his own weakness!
-
-"Writhing about the arms of the cross, and above his head, while
-casting thy slime upon the crown of thorns, thou didst behold him die!
-For thou art not Jesus, thou!--thou art the Word! thou art the Christ!"
-
-(_Anthony faints with horror, and falls prostrate in front of his hut
-upon the splinters of wood, where the torch that had slipped from his
-hand, is burning low._
-
-_The shock arouses him. Opening his eyes again, he perceives the Nile,
-brightly undulating under the moon, like a vast serpent winding over
-the sands; so that the hallucination returns upon him again; he has not
-left the company of the Ophites; they surround him, call him; he sees
-them carrying baggage, descending to the port. He embarks along with
-them._
-
-_An inappreciable time elapses._
-
-_Then the vaults of a prison environ him. Iron bars in front of him
-make black lines against a background of blue; and in the darkness
-beside him people are praying and weeping surrounded by others who
-exhort and console._
-
-[Illustration: ... and in the darkness beside him people are
-praying]
-
-_Without, there is a murmur like the deep humming of a vast crowd, and
-there is splendour as of a summer's day._
-
-_Shrill voices announce watermelons for sale, iced drinks, and cushions
-of woven grass to sit upon. From time to time there are bursts of
-applause. He hears the sound of footsteps above his head._
-
-_Suddenly a long roar is heard, mighty and cavernous as the roar of
-water in an aqueduct._
-
-_And he sees, directly opposite, behind the bars of another compartment
-across the arena a lion walking to and fro, then a line of sandals,
-bare legs, and purple fringes. Beyond are the vast circling wreaths
-of people, in symmetrical tiers, enlarging as they rise, from the
-lowest which hems in the arena to the uppermost above which masts
-rise to sustain a hyacinth-colored awning, suspended in air by ropes.
-Stairways radiating toward the centre, divide these huge circles of
-stone at regular intervals. The benches disappear under a host of
-spectators--knights, senators, soldiers, plebeians, vestals, and
-courtesans--in woollen hoods, in silken maniples, in fallow-colored
-tunics; together with aigrettes of precious stones, plumes of feathers,
-the fasces of lictors; and all this swarming multitude deafens and
-stupefies Anthony with its shoutings, its tumultuous fury, as of an
-enormous boiling vat. In the middle of the arena, a vase of incense
-smokes upon an altar._
-
-_Anthony thus knows that the people with him are Christians condemned
-to be thrown to the wild beasts. The men wear the red mantle of the
-pontiffs of Saturn; the women, the bandellettes of Ceres. Their friends
-divide among themselves shreds of their garments, and rings. To obtain
-access to the prison, they say, costs a great deal of money. But what
-matter! They will remain until it is all over._
-
-_Anthony notices among these consolers, a certain bald-headed man,
-in a black tunic: Anthony has seen that face somewhere before. The
-consoler discourses to them concerning the nothingness of this world,
-and the felicity of the Elect. Anthony feels within him a transport of
-celestial love; he longs for the opportunity to lay down his life for
-the Saviour--not knowing as yet whether he himself is to be numbered
-among the martyrs._
-
-_But all--except a certain Phrygian, with long hair, who stands with
-his arms uplifted--have a look of woe. One old man is sobbing upon a
-bench; a youth standing close by, with drooping head, abandons himself
-to a reverie of sorrow._
-
-THE OLD MAN _had refused to pay the customary contribution before the
-statue of Minerva, erected at the angle of the cross-roads; and he
-gazes at his companions with a look that signifies_:--)
-
-"Ye ought to have succored me! Communities can sometimes so arrange
-matters as to insure their being left in peace. Some among ye also
-procured those letters which falsely allege that one has sacrificed to
-idols."
-
-(_He asks aloud_:--)
-
-"Was it not Petrus of Alexandria who laid down the rule concerning what
-should be done by those who have yielded to torture?"
-
-(_Then, to himself_:--)
-
-"Ah! how cruel this at my age! My infirmities make me so weak!
-Nevertheless, I might easily have lived until the coming winter, or
-longer!"
-
-(_The memory of his little garden makes him sad, and he gazes toward
-the altar._)
-
-THE YOUNG MAN (_who disturbed the festival of Apollo by violence and
-blows, murmurs_:--)
-
-"Yet it would have been easy for me to have fled to the mountains!"
-
-(_One of the brothers answers_:--)
-
-"But the soldiers would have captured thee!"
-
-THE YOUNG MAN. "Oh! I would have done as Cyprian did--I would have
-returned, and the second time I would surely have had more force!"
-
-(_Then he thinks of the innumerable days that he might have lived, of
-all the joys that he might have known, but will never know; and he
-gazes toward the altar._
-
-_But_--)
-
-THE MAN IN THE BLACK TUNIC (_rushes to his side._)
-
-"What scandal! What! Thou! a victim of God's own choice! And all these
-women here who are looking at thee! Nay, think what thou art doing!
-Moreover, remember that God sometimes vouchsafes to perform a miracle.
-Pionius numbed and made powerless the hands of his executioners; the
-blood of Polycarp extinguished the fire of the stake."
-
-(_Then he turns to the Old Man_:--)
-
-"Father, father! it behooves thee to edify us by thy death! By longer
-delaying it, thou wouldst doubtless commit some evil action that would
-lose thee the fruit of all thy good works. Remember, also, that the
-power of God is infinite; and it may come to pass that all the people
-will be converted by thy example."
-
-(_And in the great den opposite, the lions stride back and forth,
-ceaselessly, with a rapid continuous motion. The largest suddenly looks
-at Anthony and roars, and a vapour issues from his jaws._
-
-_The women are huddled against the men._)
-
-THE CONSOLER (_goes from one to the other._)
-
-"What would ye say, what wouldst thou say if thou wert to be burned
-with red-hot irons, if thou wert to be torn asunder by horses, if thou
-hadst been condemned to have thy body smeared with honey, and thus
-exposed to be devoured by flies! As it is, thou wilt only suffer the
-death of a hunter surprised by a beast in the woods."
-
-(_Anthony would prefer all those things to death by the fangs of the
-horrible wild beasts; he fancies already that he feels their teeth and
-their claws, that he hears his bones cracking between their jaws._
-
-_A keeper enters the dungeon; the martyrs tremble._
-
-_Only one remains impassable, the Phrygian, who prays standing apart
-from the rest. He has burned three temples; and he advances with arms
-uplifted, mouth open, face turned toward heaven, seeing nothing around
-him, like a somnambulist._)
-
-THE CONSOLER (_shouts_). "Back! back! lest the spirit of Montanus might
-come upon you."
-
-ALL (_recoil from the Phrygian, and vociferate_)
-
-"Damnation to the Montanist!"
-
-(_They insult him, spit upon him, excite each other to beat him._
-
-_The rearing lions bite each other's manes_;)
-
-THE PEOPLE "To the beasts with them, to the beasts."
-
-_The Martyrs burst into sobs, and embrace each other passionately. A
-cup of narcotic wine is offered them. It is passed from hand to hand,
-quickly._
-
-_Another keeper, standing at the door of the den, awaits the signal.
-The den opens; a lion comes out._
-
-_He crosses the arena with great oblique strides. Other lions follow in
-file after him; then a bear, three panthers, and some leopards. They
-scatter through the arena like a flock in a meadow._
-
-_The crack of a whip resounds. The Christians stagger forward; and
-their brethren push them, that it may be over the sooner._
-
-_Anthony closes his eyes._
-
-_He opens them again. But darkness envelopes him._
-
-_Soon the darkness brightens; and he beholds an arid plain, mamillated
-with knolls, such as might be seen about abandoned quarries._
-
-[Illustration: ... and he beholds an arid plain, mamillated
-with knolls]
-
-_Here and there a tuft of shrubbery rises among the slabs of stone,
-level with the soil; and there are white figures, vaguer than clouds,
-bending over the slabs._
-
-_Others approach, softly, silently. Eyes gleam through the slits of
-long veils. By the easy indifference of their walk, and the perfumes
-exhaled from their garments, Anthony knows they are patrician women.
-There are men also, but of inferior condition; for their faces are at
-once simple-looking and coarse._
-
-(_One of the Women, taking a long breath_:)
-
-"Ah! how good the cool air of night is, among the sepulchers! I am so
-weary of the softness of beds, the turmoil of days, the heavy heat of
-the sun!"
-
-(_Her maid-servant takes from a canvas bag, a torch which she ignites.
-The faithful light other torches by it, and plant them upon the tombs._)
-
-A WOMAN (_panting_).
-
-"I am here at last! Oh how wearisome to be the wife of an idolator!"
-
-ANOTHER. "These visits to the prisons, interviews with our brethren,
-are all matters of suspicion to our husbands! And we must even hide
-ourselves in order to make the sign of the cross; they would take it
-for a magical conjuration!"
-
-ANOTHER. "With my husband it was a quarrel every day. I would not
-submit myself to his brutal exactions; therefore he has had me
-prosecuted as a Christian."
-
-ANOTHER. "Do you remember Lucius, that young man who was so beautiful,
-who was dragged like Hector, with his heels attached to a chariot,
-from the Esquiline Gate to the mountains of Tibur?--and how his blood
-spattered the bushes on either side of the road? I gathered up the
-drops of his blood. Behold it!"
-
-(_She drags a black sponge from her bosom, covers it with kisses, and
-flings herself down upon the slabs, crying aloud_:--)
-
-[Illustration: She drags a black sponge from her bosom, covers
-it with kisses ...]
-
-"Ah! my friend! my friend!"
-
-A MAN. "It is just three years to-day since Domitilla died. They stoned
-her at the further end of the Grove of Proserpine. I gathered her
-bones, which shone like glowworms in the grass. The earth how covers
-them."
-
-(_He casts himself down upon a tomb._)
-
-"O my betrothed! my betrothed!"
-
-(_And all the others scattered over the plain_:--)
-
-"O my sister! O my brother! O my daughter! O my mother!"
-
-(_Some kneel, covering their faces with their hands; others lie down
-upon the ground with their arms extended; and the sobs they smother
-shake their breasts with such violence as though their hearts were
-breaking with grief. Sometimes they look up to heaven, exclaiming_:--)
-
-"Have mercy upon her soul, O my God! She languishes in the sojourn of
-Shades; vouchsafe to admit her to thy Resurrection, that she may enjoy
-Thy Light!"
-
-(_Or, with eyes fixed upon the gravestones, they murmur to the dead_:--)
-
-"Be at peace, beloved! and suffer not! I have brought thee wine and
-meats!"
-
-A WIDOW. "Here is pultis, made by my own hands, as he used to like it,
-with plenty of eggs and a double measure of flour! We are going to eat
-it together as in other days, are we not?"
-
-(_She lifts a little piece to her lips, and suddenly bursts into an
-extravagant and frenzied laugh._
-
-_The others also nibble a little bit as she does and drink a mouthful
-of wine._
-
-_They recount to each other the stories of their martyrs; grief becomes
-exalted! libations redouble. Their tear-swimming eyes are fixed upon
-each other's faces. They stammer with intoxication and grief; gradually
-hands touch hands, lips join themselves to lips, and they seek each
-other upon the tombs, between the cups and the torches._
-
-_The sky begins to whiten. The fog makes damp their garments; and,
-without appearing even to know one another, they depart by different
-ways and seek their homes._
-
-_The sun shines; the weeds and the grass have grown higher; the face of
-the plain is changed._
-
-_And Anthony, looking between tall bamboos, sees distinctly a forest of
-columns, of bluish-grey color. These are tree-trunks, all originating
-from one vast trunk. From each branch of the colossal tree descend
-other branches which may bury themselves in the soil; and the aspect of
-all these horizontal and perpendicular lines, indefinitely multiplied,
-would closely resemble a monstrous timber-work, were it not that they
-have small figs[7] growing upon them here and there, and a blackish
-foliage, like that of the sycamore._
-
-_He perceives in the forkings of their branches, hanging bunches of
-yellow flowers, violet flowers also, and ferns that resemble the plumes
-of splendid birds._
-
-_Under the lowest branches the horns of a bubalus gleam at intervals,
-and the bright eyes of antelopes are visible; there are hosts of
-parrots; there are butterflies flittering hither and thither; lizards
-lazily drag themselves up or down; flies buzz and hum; and in the midst
-of the silence, a sound is audible as of the palpitation of a deep and
-mighty life._
-
-_Seated upon a sort of pyre at the entrance of the wood is a strange
-being--a man--besmeared with cow-dung, completely naked, more withered
-than a mummy; his articulations form knots at the termination of bones
-that resemble sticks. He has bunches of shells suspended from his ears;
-his face is very long, and his nose like a vulture's beak. His left arm
-remains motionlessly erect in air, anchylosed, rigid as a stake; and he
-has been seated here so long that birds have made themselves a nest in
-his long hair._
-
-_At the four corners of his wooden pyre flame four fires. The sun is
-directly in front of him. He gazes steadily at it with widely-opened
-eyes; and, then without looking at Anthony, asks him_:--)
-
-"Brahmin from the shores of the Nile, what hast thou to say regarding
-these things?"
-
-(_Flames suddenly burst out on all sides of him, through the intervals
-between the logs of the pyre; and_--)
-
-THE GYMNOSOPHIST (_continues_).
-
-"Lo! I have buried myself in solitude, like the rhinoceros. I dwelt in
-the tree behind me."
-
-[Illustration: I have buried myself in solitude, like the
-rhinoceros. I dwelt in the tree behind me.]
-
-(_The vast fig-tree, indeed, shows in one of its groves, a natural
-excavation about the size of a man._)
-
-"And I nourished me with flowers and fruits, observing the precepts so
-rigidly that not even a dog ever beheld me eat.
-
-"Inasmuch as existence originates from corruption, corruption from
-desire, desire from sensation, sensation from contact, I have ever
-avoided all action, all contact, and perpetually--motionless as the
-stela of a tomb, exhaling my breath from my two nostrils, fixing my
-eyes upon my nose, and contemplating the ether in my mind, the world in
-my members, the moon in my heart--I dreamed of the essence of the great
-Soul whence continually escape the principles of life, even as sparks
-escape from fire.
-
-"Thus at last I found the supreme Soul in all beings, and all beings
-in the supreme Soul; and I have been able to make mine own soul all my
-senses.
-
-"I receive knowledge directly from heaven, like the bird Tchataka, who
-quenches his thirst from falling rain only.
-
-"Even by so much as things are known to me, things no longer exist.
-
-"For me now there is no more hope, no more anguish, there is neither
-happiness nor virtue, nor day nor night, nor Thou nor I--absolutely
-nothing!
-
-"My awful austerities have made me superior to the Powers. A single
-contraction of my thought would suffice to kill a hundred sons of
-kings, to dethrone gods, to overturn the world."
-
-(_He utters all these things in a monotonous voice._
-
-_The surrounding leaves shrivel up. Fleeing rats rush over the ground._
-
-_He slowly turns his eyes downward toward the rising flames, and then
-continues_:--)
-
-"I have loathed Form, I have loathed Perception, I have loathed even
-Knowledge itself, for the thought does not survive the transitory fact
-which caused it; and mind, like all else, is only an illusion.
-
-"All that is engendered will perish; all that is dead must live again;
-the beings that have even now disappeared shall sojourn again in wombs
-as yet unformed, and shall again return to earth to serve in woe other
-creatures.
-
-"But inasmuch as I have rolled through the revolution of an indefinite
-multitude of existences, under the envelopes of gods, of men, and of
-animals, I renounce further wanderings; I will endure this weariness
-no more! I abandon the filthy hostelry of this body of mine, built
-with flesh, reddened with blood, covered with a hideous skin, full of
-uncleanliness; and, for my recompense, I go at last to slumber in the
-deepest deeps of the Absolute--in Annihilation."
-
-(_The flames rise to his chest, then envelope him. His head rises
-through them as through a hole in the wall. His cavernous eyes still
-remain icicle open, gazing._)
-
-ANTHONY (_rises_).
-
-(_The torch, which had fallen to the ground, has ignited the splinters
-of wood; and the flames have singed his beard._
-
-_With a loud cry, Anthony tramples the fire out; and, when nothing
-remains but ashes, he exclaims_:--)
-
-"Where can Hilarion be? He was here a moment ago. I saw him!
-
-"What! No; it is impossible; I must have been mistaken!
-
-"Yet why?... Perhaps my cabin, these stones, this sand, have no real
-existence. I am becoming mad! Let me be calm! Where was I? What was it
-that happened?
-
-"Ah! the gymnosophist!... Such a death is frequent among the sages of
-India. Kalanos burned himself before Alexander; another did likewise
-in the time of Augustus. What hatred of life men must have to do thus!
-Unless, indeed, they are impelled by pride alone?... Yet in any event
-they have the intrepidity of martyrs.... As for the latter, I can now
-well believe what has been told me regarding the debauchery they cause.
-
-"And before that? Yes: I remember now! the host of the Heresiarchs!
-What outcries! What eyes! Yet why so much rebellion of the flesh, so
-much dissoluteness, so many aberrations of the intellect.
-
-"They claim, nevertheless, to seek God through all those ways! What
-right have I to curse them--I, who stumble so often in mine own path?
-I was perhaps about to learn more of them at the moment when they
-disappeared. Too rapid was the whirl; I had no time to answer. Now I
-feel as though there were more space, more light in my understanding. I
-am calm. I even feel myself able to.... What is this? I thought I had
-put out the fire!"
-
-(_A flame flits among the rocks; and soon there comes the sound of
-a voice--broken, convulsed as by sobs--from afar off, among the
-mountains._)
-
-"Can it be the cry of a hyena, or the lamentation of some traveler that
-has lost his way?"
-
-(_Anthony listens. The flame draws nearer._
-
-_And he beholds a weeping woman approach, leaning upon the shoulder of
-a white-bearded man._
-
-_She is covered with a purple robe in rags. He is bareheaded like lier,
-wears a tunic of the same color, and carries in his hands a brazen
-vase, whence arises a thin blue flame._
-
-_Anthony feels a fear come upon him, and wishes to know who this woman
-may be._)
-
-THE STRANGER SIMON. "It is a young girl, a poor child that I lead about
-with me everywhere."
-
-(_He uplifts the brazen vase._
-
-_Anthony contemplates the girl, by the light of its vacillating flame._
-
-_There are marks of bites upon her face, traces of blows upon her arms;
-her dishevelled hair entangles itself in the rents of her rags; her
-eyes appear to be insensible to light._)
-
-SIMON. "Sometimes she remains thus for a long, long time without
-speaking; then all at once she revives, and discourses of marvellous
-things."
-
-ANTHONY. "In truth?"
-
-SIMON. "Ennoia; Ennoia! Ennoia!--tell us what thou hast to say!"
-
-(_She rolls her eyes like one awaking from a dream, slowly passes her
-fingers over her brows, and in a mournful voice, speaks_:--)
-
-Helena[8] (_Ennoia_).
-
-[Illustration: Helena - Ennoia]
-
-"I remember a distant land, of the color of emerald. Only one tree
-grows there.
-
-(_Anthony starts_).
-
-"Upon each of its tiers of broad-extending arms, a pair of Spirits
-dwell in air. All about them the branches intercross, like the veins
-of a body; and they watch the eternal Life circulating, from the roots
-deep plunging into darkness even to the leafy summit that rises higher
-than the sun. I, dwelling upon the second branch, illuminated the
-nights of Summer with my face."
-
-ANTHONY, (_tapping his own forehead_:--)
-
-"Ah! ah! I comprehend! her head!..."
-
-SIMON (_placing his finger to his lips_:--)
-
-"Hush!"
-
-HELENA. "The sail remained well filled by the wind; the keel cleft the
-foam. He said to me: 'What though I afflict my country, though I lose
-my kingdom! Thou wilt belong to me, in my house!'
-
-"How sweet was the lofty chamber of his palace! Lying upon the ivory
-bed, he caressed my long hair, singing amorously the while.
-
-"Even at the close of the day I beheld the two camps, the watchfires
-being lighted, Ulysses at the entrance of his tent, armed Achilles
-driving a chariot along the sea-beach."
-
-ANTHONY. "Why! she is utterly mad! How came this to pass?..."
-
-SIMON. "Hush! hush!"
-
-HELENA. "They anointed me with unguents, and sold me to the people that
-I might amuse them.
-
-"One evening I was standing with the sistrum in my hand, making music
-for some Greek sailors who were dancing. The rain was falling upon the
-roof of the tavern like a cataract, and the cups of warm wine were
-smoking.
-
-"A man suddenly entered, although the door was not opened to let him
-pass."
-
-SIMON. "It was I! I found thee again!
-
-"Behold her, Anthony, she whom they call Sigeh, Ennoia, Barbelo,
-Prounikos! The Spirits governing the world were jealous of her; and
-they imprisoned her within the body of a woman.
-
-"She was that Helen of Troy, whose memory was cursed by the poet
-Stesichorus. She was Lucretia, the patrician woman violated by a king.
-She was Delilah, by whom Samson's locks were shorn.... She has loved
-adultery, idolatry, lying and foolishness. She has prostituted herself
-to all nations. She has sung at the angles of all cross-roads. She has
-kissed the faces of all men.
-
-"At Tyre, she, the Syrian, was the mistress of robbers. She caroused
-with them during the nights; and she concealed assassins amidst the
-vermin of her tepid bed."
-
-ANTHONY. "Ah! what is this to me?..."
-
-SIMON (_with a furious look_:--)
-
-"I tell thee that I have redeemed her, and re-established her in her
-former splendor; insomuch that Caius Cæsar Caligula became enamoured of
-her, desiring to sleep with the Moon!"
-
-ANTHONY. "What then?..."
-
-SIMON. "Why this, that she herself is the Moon! Has not Pope Clement
-written how she was imprisoned in a tower? Three hundred persons
-surrounded the tower to watch it; and the moon was seen at each of the
-loop-holes at the same time, although there is not more than one moon
-in the world, nor more than one Ennoia!"
-
-ANTHONY. "Yes ... it seems to me that I remember...."
-
-(_He falls into a reverie._)
-
-SIMON. "Innocent as the Christ who died for men, so did she devote
-herself for women. For the impotence of Jehovah is proven by the
-transgression of Adama, and we must shake off the yoke of the old law,
-which is antipathetic to the order of things.[9]
-
-"I have preached the revival in Ephraim and in Issachar by the torrent
-of Bizor, beyond the Lake of Houleh, in the valley of Maggedo, further
-than the mountains, at Bostra and at Damascus. Let all come to me who
-are covered with wine, who are covered with filth, who are covered with
-blood! and I shall take away their uncleanliness with the Holy Spirit,
-called Minerva by the Greeks. She is Minerva! she is the Holy Spirit! I
-am Jupiter, Apollo, the Christ, the Paraclete, the great might of God,
-incarnated in the person of Simon!"
-
-ANTHONY. "Ah! it is thou!... so it is thou! But I know thy crimes!
-
-"Thou wast born at Gittoi near Samaria, Dositheas, thy first master,
-drove thee from him. Thou didst execrate Saint Paul because he
-converted one of thy wives; and, vanquished by Saint Peter, in thy rage
-and terror thou didst cast into the waves the bag which contained thy
-artifices!"
-
-SIMON. "Dost thou desire them?"
-
-(_Anthony looks at him, and an interior voice whispers hi his
-heart:--"Why not?"_)
-
-SIMON (_continues_).
-
-"He who knows the forces of Nature and the essence of Spirits must be
-able to perform miracles. It has been the dream of all sages; it is the
-desire which even now gnaws thee!--confess it!"
-
-"In the sight of the multitude of the Romans, I flew in the air so
-high that none could behold me move. Nero ordered that I should be
-decapitated; but it was the head of a sheep which fell upon the ground
-in lieu of mine. At last they buried me alive; but I rose again upon
-the third day. The proof is that thou dost behold me before thee!"
-
-(_He presents his hands to Anthony to smell. They have the stench of
-corpse-flesh. Anthony recoils with loathing._)
-
-"I can make serpents of bronze writhe; I can make marble statues
-laugh; I can make dogs speak. I will show thee vast quantities of gold;
-I will reestablish kings; thou shalt see nations prostrate themselves
-in adoration before me! I can walk upon the clouds and upon the waves,
-I can pass through mountains, I can make myself appear as a youth, as
-an old man, as a tiger, or as an ant; I can assume thy features; I can
-give thee mine; I can make the thunder follow after me. Dost hear it?"
-
-(_The thunder rumbles; flashes of lightning succeed._)
-
-"It is the voice of the Most High; for 'the Lord thy God is a fire;'
-and all creations are accomplished by sparks from the fire-centre of
-all things.
-
-Thou shalt even now receive the baptism of it--that second baptism
-announced by Jesus, which fell upon the apostles on a day of tempest
-when the windows were open!"
-
-(_And stirring up the flame with his hand, slowly, as though preparing
-to sprinkle Anthony with it, he continues_:--)
-
-"Mother of mercies, thou who discoverest all secrets, in order that we
-may find rest in the eighth mansion...."
-
-ANTHONY (_cries out_:--)
-
-"Oh! that I had only some holy water!..."
-
-(_The flame goes out, producing much smoke._
-
-_Ennoia and Simon have disappeared._
-
-_An exceedingly cold, opaque and f[oe]tid mist fills the atmosphere._)
-
-ANTHONY (_groping with his hands like a blind man_:--)
-
-"Where am I?... I fear lest I fall into the abyss! And the cross,
-surely, is too far from me. Ah! what a night! what a terrible night!"
-
-(_The mist is parted by a gust of wind; and Anthony sees two men
-covered with long white tunics._
-
-_The first is of lofty stature, with a gentle face, and a grave mien.
-His blond hair, parted like that of Christ, falls upon his shoulders.
-He has cast aside a wand that he had been holding in his hand; his
-companion takes it up, making a reverence after the fashion of the
-Orientals._
-
-_The latter is small of stature, thick set, flat-nosed; his neck and
-shoulders expresses good natured simplicity._
-
-_Both are barefooted, bareheaded, and dusty, like persons who have made
-a long journey._)
-
-ANTHONY (_starting up_:--)
-
-"What do ye seek? Speak!... Begone from here!"
-
-DAMIS (_who is a little man_).
-
-"Nay! nay! be not angered, good hermit. As for that I seek, I know not
-myself what it is! Here is the Master!"
-
-(_He sits down. The other stranger remains standing. Silence._)
-
-ANTHONY (_asks_).
-
-"Then ye come?..."
-
-DAMIS. "Oh! from afar off--very far off!"
-
-ANTHONY. "And ye go?..."
-
-DAMIS (_pointing to the other_)
-
-"Whithersoever he shall desire!"
-
-ANTHONY. "But who may he be?"
-
-DAMIS. "Look well upon him!"
-
-ANTHONY (_aside_).
-
-"He looks like a saint! If I could only dare...."
-
-(_The mist is all gone. The night is very clear. The moon shines._)
-
-DAMIS. "Of what art thou dreaming, that thou dost not speak?"
-
-ANTHONY. "I was thinking.... Oh! nothing!"
-
-DAMIS (_approaches Apollonius, and walks all round him several times,
-bending himself as he walks, never raising his head_:--)
-
-"Master, here is a Galilean hermit who desires to know the beginnings
-of wisdom."
-
-APOLLONIUS. "Let him approach!" (_Anthony hesitates._)
-
-DAMIS. "Approach!"
-
-APOLLONIUS (_in a voice of thunder_:--)
-
-"Approach! Thou wouldst know who I am, what I have done, and what I
-think,--is it not so, child?"
-
-ANTHONY. "Always supposing that these things can contribute to the
-salvation of my soul."
-
-APOLLONIUS. "Rejoice! I am about to inform thee of them!"
-
-DAMIS (_in an undertone, to Anthony_:--)
-
-"Is it possible? He must surely have at the first glance discerned in
-thee extraordinary aptitude for philosophy. I shall also strive to
-profit by his instruction."
-
-APOLLONIUS. "First of all, I shall tell thee of the long course which
-I have followed in order to obtain the doctrine; and if thou canst
-discover in all my life one evil action, thou shalt bid me pause, for
-he who hath erred in his actions may well give scandal by his words."
-
-DAMIS (_to Anthony_).
-
-"How just a man? Is he not?"
-
-ANTHONY. "Indeed I believe him to be sincere."
-
-APOLLONIUS. "Upon the night of my birth, my mother imagined that
-she was gathering flowers by the shore of a great lake. A flash of
-lightning appeared; and she brought me into the world to the music of
-the voices of swans singing to her in her dream.
-
-"Until I had reached the age of fifteen I was plunged thrice a day into
-the fountain, Asbadeus, whose waters make perjurers hydropical; and my
-body was rubbed with the leaves of the onyza, that I might be chaste.
-
-"A Palmyrian princess came one evening to seek me, offering me
-treasures that she knew to be in the tombs. A hierodule of the temple
-of Diana, slew herself in despair with the sacrificial knife; and the
-governor of Cilicia, finding all his promises of no avail, cried out in
-the presence of my family that he would cause my death; but it was he
-that died only three days after, assassinated by the Romans."
-
-DAMIS (_nudging Anthony with his elbow_).
-
-"Eh? did I not tell thee? What a man!"
-
-APOLLONIUS. "For the space of four successive years I maintained the
-unbroken silence of the Pythagoreans. The most sudden and unexpected
-pain never extorted a sigh from me; and when I used to enter the
-theatre, all drew away from me, as from a phantom."
-
-DAMIS. "Wouldst thou have done so much?--thou?"
-
-APOLLONIUS. "After the period of my trial had been accomplished, I
-undertook to instruct the priests regarding the tradition they had
-lost."
-
-ANTHONY. "What tradition?"
-
-DAMIS. "Interrupt him not! Be silent!"
-
-APOLLONIUS. "I have conversed with the Samaneans of the Ganges, with
-the astrologers of Chaldea, with the magi of Babylon, with the Gaulish
-Druids, with the priests of the negroes! I have ascended the fourteen
-Olympii; I have sounded the Scythian lakes; I have measured the breadth
-of the Desert!"
-
-DAMIS. "It is all true! I was with him the while!"
-
-APOLLONIUS. "But first I had visited the Hyrcanian Sea; I made the tour
-of it; and descending by way of the country of the Baraomati, where
-Bucephalus is buried, I approached the city of Nineveh. At the gates of
-the city, a man drew near me...."
-
-DAMIS. "I--even I, good master! I loved thee from the first. Thou wert
-gentler than a girl and more beautiful than a god!"
-
-APOLLONIUS (_without hearing him_).
-
-"He asked me to accompany him, that he might serve as interpreter."
-
-DAMIS. "But thou didst reply that all languages were familiar to thee,
-and that thou couldst divine all thoughts. Then I kissed the hem of thy
-mantle, and proceeded to walk behind thee."
-
-APOLLONIUS. "After Ctesiphon, we entered upon the territory of Babylon."
-
-DAMIS. "And the Satrap cried aloud on beholding a man so pale."
-
-ANTHONY (_aside_).
-
-"What signifies this?..."
-
-APOLLONIUS. "The king received me standing, near a throne of silver,
-in a hall constellated with stars; from the cupola hung suspended by
-invisible threads four great birds of gold, with wings extended."
-
-ANTHONY (_dreamily_).
-
-"Can there be such things in the world?"
-
-DAMIS. "Ah! that is a city! that Babylon! everybody there is rich! The
-houses, which are painted blue, have doors of bronze, and flights of
-steps descending to the river."
-
-(_Drawing lines upon the ground, with his stick_:)
-
-"Like that, seest thou? And then there are temples, there are squares,
-there are baths, there are aqueducts! The palaces are roofed with red
-brass; and the interior ... ah! if thou only knewest!"
-
-APOLLONIUS. "Upon the north wall rises a tower which supports a second,
-a third, a fourth, a fifth, and there are also three others! The eighth
-is a chapel containing a bed. No one enters it save the woman chosen by
-the priests for the God Belus. I was lodged there by order of the King
-of Babylon."
-
-DAMIS. "As for me, they hardly deigned to give me any attention! So I
-walked through the streets all by myself. I informed myself regarding
-the customs of the people; I visited the workshops; I examined the
-great machines that carry water to the gardens. But I soon wearied of
-being separated from the Master."
-
-APOLLONIUS. "At last we left Babylon; and as we travelled by the light
-of the moon, we suddenly beheld an Empusa."
-
-DAMIS. "Aye, indeed! She leaped upon her iron hoof; she brayed like an
-ass; she galloped among the rocks. He shouted imprecations at her; she
-disappeared."
-
-ANTHONY (_aside_).
-
-"What can be their motive?"
-
-APOLLONIUS. "At Taxilla, the capital of five thousand fortresses,
-Phraortes, King of the Ganges, showed us his guard of black men, whose
-stature was five cubits, and under a pavilion of green brocade in his
-gardens, an enormous elephant, which the queens amused themselves by
-perfuming. It was the elephant of Porus which had taken flight after
-the death of Alexander."
-
-DAMIS. "And which had been found again in a forest."
-
-ANTHONY. "Their speech is superabundant, like that of drunken men!"
-
-APOLLONIUS. "Phraortes seated us at his own table."
-
-DAMIS. "How strange a country that was! During their drinking
-carousels, the lords used to amuse-themselves by shooting arrows under
-the feet of a dancing child. But I do not approve...."
-
-APOLLONIUS. "When I was ready to depart, the king gave me a parasol,
-and he said to me: 'I have a stud of white camels upon the Indus. When
-thou shalt have no further use for them, blow in their ears. They will
-come back.'
-
-"We descended along the river, marching at night by the light of the
-fire-flies, which glimmered among the bamboos. The slave whistled an
-air to drive away the serpents; and our camels bent down in passing
-below the branches of the trees, as if passing under low gates.
-
-"One day a black child, who held a golden caduceus in his hand,
-conducted us to the College of the Sages. Iarchas, their chief, spoke
-to me of my ancestors, told me of all my thoughts, of all my actions,
-of all my existences. In former time he had been the River Indus; and
-he reminded me that I had once been a boatman upon the Nile, in the
-time of King Sesostris."
-
-DAMIS. "As for me, they told me nothing; so that I know not who or what
-I have been."
-
-ANTHONY. "They have a vague look, like shadows!"
-
-APOLLONIUS. "Upon the shores of the sea we met with the milk-gorged
-Cynocephali, who were returning from their expedition to the Island
-Taprobana. The tepid waves rolled blond pearls to our feet. The amber
-crackled beneath our steps. Whale-skeletons were whitening in the
-crevasses of the cliffs. At last the land became narrow as a sandal;
-and after casting drops of ocean water toward the sun, we turned to the
-right to return.
-
-"So we returned through the Region of Aromatics, by way of the country
-of the Gangarides, the promontory of Comaria, the country of the
-Sachalites, of the Adramites and of the Homerites; then, across the
-Cassanian mountains, the Red Sea, and the Island Topazos, we penetrated
-into Ethiopia through the country of the Pygmies."
-
-ANTHONY (_to himself_).
-
-"How vast the world is!"
-
-DAMIS. "And after we had returned home, we found that all those whom we
-used to know, were dead."
-
-(_Anthony lowers his head. Silence._)
-
-APOLLONIUS (_continues_).
-
-"Then men began to talk of me the world over.
-
-"The plague was ravaging Ephesus; I made them stone an old mendicant
-there."
-
-DAMIS. "And forthwith the plague departed."
-
-ANTHONY. "What! Does he drive away pestilence?"
-
-APOLLONIUS. "At Cnidos, I cured the man that had become enamored of
-Venus."
-
-DAMIS. "Aye! a fool who had even vowed to espouse her! To love a woman
-is at least comprehensible; but to love a statue--what madness! The
-Master placed his hand upon the young man's heart; and the fire of that
-love was at once extinguished."
-
-ANTHONY. "How! does he also cast out devils?"
-
-APOLLONIUS. "At Tarentum they were carrying the dead body of a young
-girl to the funeral pyre."
-
-DAMIS. "The Master touched her lips; and she arose and called her
-mother."
-
-ANTHONY. "What! he raises the dead!"
-
-APOLLONIUS. "I predicted to Vespasian his accession to power."
-
-ANTHONY. "What! he foretells the future!"
-
-DAMIS. "At Corinth there was a ..."
-
-APOLLONIUS. "It was when I was at table with him, at the waters of
-Baia ..."
-
-ANTHONY. "Excuse me, strangers--it is very late ..."
-
-DAMIS. "At Corinth there was a young man called Menippus ..."
-
-ANTHONY. "No! no!--go ye away!"
-
-APOLLONIUS. "A dog came in, bearing a severed hand in his mouth."
-
-DAMIS. "One evening, in one of the suburbs, he met a woman."
-
-ANTHONY. "Do ye not hear me? Begone!"
-
-APOLLONIUS. "He wandered in a bewildered way around the couches ..."
-
-ANTHONY. "Enough!"
-
-APOLLONIUS. "They sought to drive him out."
-
-DAMIS. "So Menippus went with her to her house; they loved one
-another."
-
-APOLLONIUS. "And gently beating the mosaic pavement with his tail, he
-laid the severed hand upon the knees of Flavius."
-
-DAMIS. "But next morning, during the lessons in the school, Menippus
-was pale."
-
-ANTHONY (_starting up in anger_).
-
-"Still continuing! Ah! then let them continue till they be weary,
-inasmuch as there is no ..."
-
-DAMIS. "The Master said to him: 'O beautiful youth, thou dost caress
-a serpent; by a serpent thou art caressed! And when shall be the
-nuptials?' We all went to the wedding."
-
-ANTHONY. "Assuredly I am doing wrong, to hearken to such a story!"
-
-DAMIS. "Servants were hurrying to and fro in the vestibule; doors were
-opening; nevertheless there was no sound made either by the fall of
-the footsteps nor the closing of the doors. The Master placed himself
-beside Menippus. And the bride forthwith became angered against the
-philosophers. But the vessels of gold, the cupbearers, the cooks, the
-panthers disappeared; the roof receded and vanished into air; the walls
-crumbled down; and Apollonius stood alone with the woman at his feet,
-all in tears. She was a vampire who satisfied the beautiful young men
-in order to devour their flesh, for nothing is more desirable for such
-phantoms than the blood of amorous youths."
-
-APOLLONIUS. "If thou shouldst desire to learn the art ..."
-
-ANTHONY. "I do not wish to learn anything!"
-
-APOLLONIUS. "The same evening that we arrived at the gates of Rome ..."
-
-ANTHONY. "Oh! yes!--speak to me rather of the City of Popes!"
-
-APOLLONIUS. "A drunken man accosted us, who was singing in a low voice.
-The song was an epithalamium of Nero; and he had the power to cause
-the death of whosoever should hear it with indifference. In a box upon
-his shoulders he carried a string taken from the Emperor's cithara. I
-shrugged my shoulders. He flung mud in our faces. Then I unfastened my
-girdle and placed it in this hand."
-
-DAMIS. "In sooth, thou wert most imprudent!"
-
-APOLLONIUS. "During the night the Emperor summoned me to his house. He
-was playing at osselets with Sporus, supporting his left arm upon a
-table of agate. He turned and, knitting his brows, demanded: 'How comes
-it that thou dost not fear me?' 'Because,' I replied, 'the God who made
-thee terrible, also made me intrepid."
-
-ANTHONY (_to himself_).
-
-"There is something inexplicable that terrifies me!"
-
-(_Silence._)
-
-DAMIS (_breaking the silence with his shrill voice_).
-
-"Moreover, all Asia can tell thee ..."
-
-ANTHONY (_starting up_).
-
-"I am ill! let me be!"
-
-DAMIS. "But listen! At Ephesus, he beheld them killing Domitian, who
-was at Rome."
-
-ANTHONY (_with a forced laugh_). "Is it possible?"
-
-DAMIS. "Yes: at the theatre at noon-day, the fourteenth of the Kalenda
-of October, he suddenly cried out: 'Cæsar is being murdered!' and
-from time to time he would continue to ejaculate: 'He rolls upon the
-pavement ... Oh! how he struggles ... He rises ... He tries to flee
-... The doors are fastened ... Ah! it is all over! He is dead!' And in
-fact Titus Flavius Domitianus was assassinated upon that very day, as
-thou knowest."
-
-ANTHONY. "Without the aid of the Devil ... certainly ..."
-
-APOLLONIUS. "He had purposed putting me to death, that same Domitian!
-Damis had taken flight according to my order, and I remained alone in
-my prison."
-
-DAMIS. "A terrible hardihood on thy part, it must be confessed!"
-
-APOLLONIUS. "About the fifth hour, the soldiers led me before the
-tribunal. I had my harangue all ready hidden beneath my mantle."
-
-DAMIS. "We others were then upon the shores of Puteoli, we believed
-thee dead; we were all weeping, when all of a sudden about the sixth
-hour, thou didst suddenly appear before us, exclaiming: 'It is I.'"
-
-ANTHONY (_to himself_). "Even as He...!"
-
-DAMIS (_in a very loud voice_). "Precisely!"
-
-ANTHONY. "Oh! no! ye lie! is it not so?--ye lie!"
-
-APOLLONIUS. "He descended from heaven. I rise thither, by the power of
-my virtue that has lifted me up even to the height of the Principle of
-all things!"
-
-DAMIS. "Thyana, his natal city, has established in his honor a temple
-and a priesthood!"
-
-APOLLONIUS (_draws near Anthony, and shouts in his ear_:--)
-
-"It is because I know all gods, all rites, all prayers, all oracles!
-I have penetrated into the cave of Trophonius, son of Apollo! I
-have kneaded for Syracusan women the cakes which they carry to the
-mountains. I have endured the eighty tests of Mithra! I have pressed to
-my heart the serpent of Sabasius! I have received the scarf of Kabiri!
-I have laved Cybele in the waters of the Campanian gulfs! and I have
-passed three moons in the caverns of Samothracia!"
-
-DAMIS (_with a stupid laugh_).
-
-"Ah! ah! ah! at the mysteries of the good Goddess!"
-
-APOLLONIUS. "And now we recommence our pilgrimage.
-
-"We go to the North to the land of Swans and of snows. Upon the vast
-white plains, the blind hippopodes break with the tips of their feet
-the ultramarine plant."
-
-DAMIS. "Hasten! it is already dawn. The cock has crowed, the horse has
-neighed, the sail is hoisted!"
-
-ANTHONY. "The cock has not crowed! I hear the locusts in the sands, and
-I see the moon still in her place."
-
-APOLLONIUS. "We go to the South, beyond the mountains and the mighty
-waters, to seek in perfumes the secret source of love. Thou shalt
-inhale the odor of myrrhodion which makes the weak die. Thou shalt
-bathe thy body in the lake of Rose-oil which is in the Island Junonia.
-Thou shalt see slumbering upon primroses that Lizard which awakes
-every hundred years when the carbuncle upon its forehead, arriving
-at maturity, falls to the ground. The stars palpitate like eyes; the
-cascades sing like the melody of lyres; strange intoxication is exhaled
-by blossoming flowers; thy mind shall grow vaster in that air; and thy
-heart shall change even as thy face."
-
-DAMIS. "Master! it is time! The wind has risen, the swallows awaken,
-the myrtle leaves are blown away."
-
-APOLLONIUS. "Yes! let us go!"
-
-ANTHONY. "Nay! I remain here!"
-
-APOLLONIUS. "Shall I tell thee where grows the plant Balis, that
-resurrects the dead?"
-
-DAMIS "Nay; ask him rather for the audrodamas which attracts silver,
-iron and brass!"
-
-ANTHONY. "Oh! how I suffer! how I suffer!"
-
-DAMIS. "Thou shalt comprehend the voices of all living creatures, the
-roarings, the cooings!"
-
-APOLLONIUS. "I shall enable thee to ride upon unicorns and upon
-dragons, upon hippocentaurs and dolphins!"
-
-ANTHONY (_weeping_). "Oh ... oh!... oh!"
-
-APOLLONIUS. "Thou shalt know the demons that dwell in the caverns, the
-demons that mutter in the woods, the demons that move in the waves, the
-demons that push the clouds!"
-
-DAMIS. "Tighten thy girdle, fasten thy sandals!"
-
-APOLLONIUS. "I shall explain to thee the reason of divine forms--why
-Apollo stands, why Jupiter is seated, why Venus is black, at Corinth,
-square-shaped at Athens, conical at Paphos."
-
-ANTHONY (_clasping his hands_).
-
-"Let them begone! let them begone!"
-
-APOLLONIUS. "In thy presence I will tear down the panoplies of the
-Gods; we shall force open the sanctuaries, I will enable thee to
-violate the Pythoness!"
-
-ANTHONY. "Help! O my God!"
-
-(_He rushes to the cross._)
-
-APOLLONIUS. "What is thy desire? What is thy dream? Thou needst only
-devote the moment of time necessary to think of it ..."
-
-ANTHONY. "Jesus! Jesus! Help me!"
-
-APOLLONIUS. "Dost thou wish me to make him appear, thy Jesus?"
-
-ANTHONY. "What? How!"
-
-APOLLONIUS. "It shall be He!--no other! He will cast off his crown, and
-we shall converse face to face!"
-
-DAMIS (_in an undertone_).
-
-"Say thou dost indeed wish it! say thou dost desire it!"
-
-(_Anthony kneeling before the cross, murmurs prayers. Damis walks
-around him, with wheedling gestures._)
-
-"Nay, nay! good hermit. Be not horrified! These are only exaggerated
-forms of speech, borrowed from the Orientals. That need in no way ..."
-
-APOLLONIUS. "Let him alone, Damis!
-
-"He believes, like a brute, in the reality of things. The terror which
-he entertains of the Gods prevents him from comprehending them; and he
-debases his own God to the level of a jealous king!
-
-"But thou, my son, do not leave me!"
-
-(_He moves to the edge of the cliff, walking backward, passes beyond
-the verge of the precipice, and remains suspended in air._)
-
-"Above all forms, further than the ends of the earth, beyond the
-heavens themselves, lies the world of Idea, replete with the splendor
-of the Word! With one bound we shall traverse the impending spaces, and
-thou shalt behold in all his infinity, the Eternal, the Absolute, the
-Being! Come! give me thy hand! Let us rise."
-
-(_Side by side, both rise up through the air, slowly. Anthony, clinging
-to the cross, watches them rise. They disappear._)
-
-
-[1] Agape.--Love-feast of the primitive Christians.
-
-[2] John XVI: 12.--T.
-
-[3] See note at end.
-
-[4] Masheim gives _Achamoth._ I prefer to remain faithful to the
-orthography given by Flaubert.
-
-[5] The French text gives _mes pères_ not _nos pères._ Elxai, or
-Elkhai, who established his sect in the reign of Trajan, was a Jew.
-
-[6] See note.
-
-[7] The banyan is a fig-tree--the _Ficus indicus._--Trans.
-
-[8] Readers may remember Longfellow's exquisite poem "Helena of Tyre."
-
-[9] See the second part of "Faust," and _Kundry_ in "Parsifal."
-
-
-
-
-V.
-
-
-ANTHONY (_walking to and fro, slowly_).
-
-"That one, indeed, seems in himself equal to all the powers of Hell!
-
-"Nebuchadnezzar did not so much dazzle me with his splendours;--the
-Queen of Sheba herself charmed me less deeply.
-
-"His manner of speaking of the gods compels one to feel a desire to
-know them.
-
-"I remember having beheld hundreds of them at one time, in the island
-of Elephantius, in the time of Diocletian. The emperor had ceded to the
-Nomads a great tract of country, upon the condition that they should
-guard the frontiers; and the treaty was concluded in the name of the
-'Powers Invisible.' For the gods of each people were unknown unto the
-other people.
-
-"The Barbarians had brought theirs with them. They occupied the
-sand-hills bordering the river. We saw them supporting their idols in
-their arms, like great paralytic children;--others, paddling through
-the cataracts upon trunks of palm tree, displayed from afar off the
-amulets hung about their necks, the tattooings upon their breasts; and
-these things were not more sinful than the religion of the Greeks, the
-Asiatics, and the Romans!
-
-"When I was dwelling in the temple of Heliopolis I would often consider
-the things I beheld upon the walls:--vultures bearing sceptres,
-crocodiles playing upon lyres, faces of men with the bodies of
-serpents, cow-headed women prostrating themselves before ithyphallic
-gods:--and their supernatural forms attracted my thoughts to other
-worlds. I longed to know that which drew the gaze of all those calm and
-mysterious eyes.
-
-"If matter can exert such power, it must surely contain a spirit. The
-souls of the Gods are attached to their images ...
-
-"Those possessing the beauty of forms might seduce. But the others
-... those of loathsome or terrible aspect ... how can men believe in
-them?..."
-
-(_And he beholds passing over the surface of the ground,--leaves,
-stones, shells, branches of trees,--then a variety of hydropical
-dwarfs: these are gods. He bursts into a laugh. He hears another laugh
-behind him;--and Hilarion appears, in the garb of a hermit, far taller
-than before, colossal._)
-
-ANTHONY (_who feels no surprise at seeing him_).
-
-"How stupid one must be to worship such things!"
-
-HILARION. "Aye!--exceedingly stupid!"
-
-(_Then idols of all nations and of all epochs--of wood, of metal, of
-granite, of feathers, of skins sewn together,--pass before them._
-
-_The most ancient of all anterior to the Deluge are hidden under masses
-of seaweed hanging down over them like manes. Some that are too long
-for their bases, crack in all their joints, and break their own backs
-in walking. Others have rents torn in their bellies through which sand
-trickles out._
-
-_Anthony and Hilarion are prodigiously amused. They hold their sides
-for laughter. Then appear sheep-headed idols. They totter upon their
-bandy-legs, half-open their eye-lids, and stutter like the dumb,_ "Ba!
-ba! ba!"
-
-_The more that the idols commence to resemble the human forms, the
-more they irritate Anthony. He strikes them with his fist, kicks them,
-attacks them with fury. They become frightful,--with lofty plumes, eyes
-like balls, fingers terminated by claws, the jaws of sharks._
-
-_And before these gods men are slaughtered upon altars of stone; others
-are brayed alive in huge mortars, crushed under chariots, nailed upon
-trees. There is one all of red-hot iron with the horns of a bull, who
-devours children._)
-
-ANTHONY. "Horror!"
-
-HILARION. "But the gods always demand tortures--and suffering. Even
-thine desired ..."
-
-ANTHONY (_weeping_). "Ah! say no more!--do not speak to me!"
-
-(_The space girdled by the rocks suddenly changes into a valley. A herd
-of cattle are feeding upon the short grass._
-
-_The herdman who leads them, observes a cloud;--and in a sharp voice,
-shouts out words of command, as if to heaven._)
-
-HILARION. "Because he needs rain, he seeks by certain chants to compel
-the King of heaven to open the fecund cloud."
-
-ANTHONY (_laughing_).
-
-"Verily, such pride is the extreme of foolishness!"
-
-HILARION. "Why dost thou utter exorcisms?"
-
-(_The valley changes into a sea of milk, motionless and infinite. In
-its midst floats a long cradle formed by the coils of a serpent, whose
-many curving heads shade, like a dais, the god slumbering upon its
-body._
-
-_He is beardless, young, more beautiful than a girl, and covered with
-diaphanous veils. The pearls of his tiara gleam softly like moons; a
-chaplet of stars is entwined many times about his breast, and with one
-hand beneath his head, he slumbers with the look of one who dreams
-after wine._
-
-_A woman crouching at his feet, awaits the moment of his awaking._)
-
-HILARION. "Such is the primordial duality of the Brahmans,--the
-Absolute being inexpressible by any form."
-
-(_From the navel of the god has grown the stem of a lotus flower; it
-blossoms, and within its chalice appears another god with three faces._)
-
-ANTHONY. "How strange an invention!"
-
-HILARION. "Father, Son, and Holy Spirit are but one and the same
-Person!"
-
-(_The three faces separate; and three great gods appear._
-
-_The first, who is pink, bites the end of his great toe._
-
-_The second, who is blue, uplifts his four arms._
-
-_The third, who is green, wears a necklace of human skulls._
-
-_Before them instantly arise three goddesses--one is enveloped in a
-net; another offers a cup; the third brandishes a bow._
-
-[Illustration: ... instantly arise three goddesses]
-
-_And these gods, these goddesses, decuple themselves, multiply. Arms
-grow from their shoulders; at the end of these arms hands appear
-bearing standards, axes, bucklers, swords, parasols and drums.
-Fountains gush from their heads, plants grow from their nostrils._
-
-_Riding upon birds rocked in palanquins, enthroned upon seats of gold,
-standing in ivory niches,--they dream, voyage, command, drink wine,
-respire the breath of flowers. Dancing girls whirl in the dance; giants
-pursue monsters; at the entrances of grottoes solitaries meditate. Eyes
-cannot be distinguished from stars; nor clouds from banderolles;
-peacocks quench their thirst at rivers of gold dust; the embroidery
-of pavilions seems to blend with the spots of leopards; coloured rays
-intercross in the blue air, together with flying arrows, and swinging
-censers._
-
-_And all this develops like a lofty frieze, resting its base upon the
-rocks, and rising to the sky._)
-
-ANTHONY (_dazzled by the sight_).
-
-"How vast is their number! What do they seek?"
-
-HILARION. "The god who rubs his abdomen with his elephant-trunk, is the
-solar Deity, the inspiring spirit of wisdom.
-
-"That other whose six heads are crowned with towers, and whose fourteen
-arms wield javelins,--is the prince of armies,--the Fire-Consumer.
-
-"The old man riding the crocodile washes the soul of the dead upon
-the shore. They will be tormented by that black woman with the putrid
-teeth, who is the Ruler of Hell.
-
-"That chariot drawn by red mares, driven by one who has no legs, bears
-the master of the sun through heaven's azure. The moon-god accompanies
-him, in a litter drawn by three gazelles.
-
-"Kneeling upon the back of a parrot, the Goddess of Beauty presents to
-Love, her son, her rounded breast. Behold her now, further off, leaping
-for joy in the meadows. Look! Look! Coiffed with dazzling mitre, she
-trips lightly over the ears of growing wheat, over the waves; she rises
-in air, extending her power over all elements.
-
-"And among these gods are the Genii of the winds, of the planets, of
-the months, of the days,--a hundred thousand others;--multiple are
-their aspects, rapid their transformations. Behold, there is one who
-changes from a fish into a tortoise: he assumes the form of a boar, the
-shape of a dwarf."
-
-ANTHONY. "Wherefore?"
-
-HILARION. "That he may preserve the equilibrium of the universe, and
-combat the works of evil. But life exhausts itself; forms wear away;
-and they must achieve progression in their metamorphoses."
-
-(_All upon a sudden appears a_ NAKED MAN _seated in the midst of the
-sand, with legs crossed._)
-
-(_A large halo vibrates, suspended in air behind him. The little
-ringlets of his black hair in which blueish tints shift symmetrically
-surround a protuberance upon the summit of his skull. His arms,
-which are very long, hang down against his sides. His two hands rest
-flat upon his thighs, with the palms open. The soles of his feet
-are like the faces of two blazing suns; and he remains completely
-motionless--before Anthony and Hilarion--with all the gods around him,
-rising in tiers above the rocks, as if upon the benches of some vast
-circus. His lips, half-open; and he speaks in a deep voice_):
-
-"I am the Master of great charities, the succor of all creatures; and
-not less to the profane than to believers, do I expound the law.
-
-"That I might deliver the world, I resolved to be born among men. The
-gods wept when I departed from them.
-
-"I sought me first a woman worthy to give me birth: a woman of warrior
-race, the wife of a king, exceedingly good, excessively beautiful,
-with body firm as adamant;--and at time of the full moon, without the
-auxiliation of any male, I entered her womb.
-
-"I issued from it by the right side. Stars stopped in their courses."
-
-HILARION (_murmurs between his teeth_).
-
-"And seeing the star, they rejoiced with exceeding great joy!"[1]
-
-(_Anthony watches more attentively._)
-
-THE BUDDHA[2] (_continuing_).
-
-"From the furthest recesses of the Himalayas, a holy man one hundred
-years of age, hurried to see me."
-
-HILARION. "A man named Simeon ... who should not see death, before he
-had seen the Christ of the Lord."[3]
-
-THE BUDDHA. "I was led unto the schools; and it was found that I knew
-more than the teachers."
-
-HILARION. "... In the midst of the doctors ... and all that heard him
-were astonished at his wisdom!"[4]
-
-(_Anthony makes a sign to Hilarion to be silent._)
-
-THE BUDDHA. "Continually did I meditate in the gardens. The shadows of
-the trees turned with the turning of the sun; but the shadow of that
-which sheltered me turned not.
-
-"None could equal me in the knowledge of the Scriptures, the
-enumeration of atoms, the conduct of elephants, the working of wax,
-astronomy, poetry, pugilism, all the exercises and all the arts!
-
-"In accordance with custom, I took to myself a wife; and I passed the
-days in my kingly palace;--clad in pearls, under a rain of perfumes,
-refreshed by the fans of thirty thousand women,--watching my peoples
-from the height of my terraces adorned with fringes of resonant bells.
-
-"But the sight of the miseries of the world turned me away from
-pleasure. I fled.
-
-"I begged my way upon the high roads, clad myself in rags gathered
-within the sepulchres;--and, hearing of a most learned hermit, I chose
-to become his slave. I guarded his gate! I washed his feet.
-
-"Thus I annihilated all sensation, all joy, all languor.
-
-"Then, concentrating my thoughts within vaster meditation, I learned to
-know the essence of things, the illusion of forms.
-
-"Soon I exhausted the science of the Brahmans. They are gnawed by
-covetousness and desire under their outward aspect of austerity; they
-daub themselves with filth, they live upon thorns,--hoping to arrive at
-happiness by the path of death!"
-
-HILARION.... "Pharisees, hypocrites, whited sepulchres, generation of
-vipers!"
-
-THE BUDDHA. "I also accomplished wondrous things,--eating but one
-grain of rice each day (and the grains of rice in those times were no
-larger than at present)--my hair fell off; my body became black; my
-eyes receding within their sockets, seemed even as stars beheld at the
-bottom of a well.
-
-"During six years I kept myself motionless, exposed to the flies, the
-lions and the serpents; and the great summer suns, the torrential
-rains, lightnings and snows, hails and tempests,--all of these I
-endured without even the shelter of my lifted hand.
-
-"The travellers who passed by, believing me dead, cast clods of earth
-upon me!
-
-"Only the temptation of the Devil remained!
-
-"I summoned him.
-
-"His sons came,--hideous, scale-covered, nauseous as
-charnel-houses,--shrieking, hissing, bellowing; interclashing their
-panoplies, rattling together the bones of dead men. Some belched
-flame through their nostrils; some made darkness about me with their
-wings; some wore chaplets of severed fingers; some drank serpent-venom
-from the hollows of their hands;--they were swine-headed; they were
-rhinoceros-headed or toad-headed; they assumed all forms that inspire
-loathing or affright."
-
-ANTHONY (_to himself_).
-
-"I also endured all that in other days!"
-
-THE BUDDHA. "Then did he send me his daughters--beautiful with
-daintily painted faces, and wearing girdles of gold. Their teeth were
-whiter than the jasmine-flower; their thighs round as the trunk of
-an elephant. Some extended their arms and yawned, that they might so
-display the dimples of their elbows; some winked their eyes; some
-laughed; some half-opened their garments. There were blushing virgins,
-matrons replete with dignity, queens who came with great trains of
-baggage and of slaves."
-
-ANTHONY (_aside_). "Ah! he too ..."
-
-THE BUDDHA. "Having vanquished the Demon, I nourished myself for twelve
-years with perfumes only;--and as I had acquired the five virtues,
-the five faculties, the ten forces, the eighteen substances, and had
-entered into the four spheres of the invisible world, Intelligence
-became mine! I became the Buddha."
-
-[Illustration: Intelligence became mine! I became the Buddha.]
-
-(_All the gods bow themselves down. Those having several heads, bend
-them all simultaneously. He lifts his mighty hand aloft, and resumes_:)
-
-"That I might effect the deliverance of beings, I have made hundreds
-of thousands of sacrifices! To the poor I gave robes of silk, beds,
-chariots, houses, heaps of gold and of diamonds. I gave my hands to the
-one-handed, my legs to the lame, my eyes to the blind;--even my head I
-severed for the sake of the decapitated. In the day that I was King, I
-gave away provinces;--when I was a Brahman I despised no one. When I
-was a solitary, I spake kindly words to the robber who slew me. When I
-was a tiger I allowed myself to die of hunger.
-
-"And having, in this last existence, preached the law, nothing now
-remains for me to do. The great period is accomplished! Men, animals,
-the gods, the bamboos, the oceans, the mountains, the sand-grains of
-the Ganges, together with the myriad myriads of the stars,--all shall
-die;--and until the time of the new births, a flame shall dance upon
-the wrecks of worlds destroyed!"
-
-(_Then a great dizziness comes upon the gods. They stagger, fall into
-convulsions, and vomit forth their existences. Their crowns burst
-apart; their banners fly away. They tear off their attributes, their
-sexes, fling over their shoulders the cups from which they quaffed
-immortality, strangle themselves with their serpents, vanish in
-smoke;--and when all have disappeared_ ...)
-
-HILARION (_solemnly exclaims_):
-
-"Thou hast even now beheld the belief of many hundreds of millions of
-men."
-
-(_Anthony is prostrate upon the ground, covering his face with his
-hands. Hilarion, with his back turned to the cross, stands near him and
-watches him._
-
-_A considerable time elapses._
-
-_Then a singular being appears--having the head of a man upon the body
-of a fish. He approaches through the air, upright, beating the sand
-from time to time with his tail; and the patriarchal aspect of his face
-by contrast with his puny little arms, causes Anthony to laugh._)
-
-OANNES (_in a plaintive voice_):
-
-"Respect me! I am the contemporary of beginnings.
-
-"I dwelt in that formless world where hermaphroditic creatures
-slumbered, under the weight of an opaque atmosphere, in the deeps of
-dark waters--when fingers, fins, and wings were blended, and eyes
-without heads were floating like mollusks, among human-headed bulls,
-and dog-footed serpents.
-
-[Illustration: ... and eyes without heads were floating like
-mollusks]
-
-"Above the whole of these beings, OMOROCA, bent like a hoop, extended
-her woman-body. But Belus cleft her in two halves; with one he made the
-earth; with the other, heaven;--and the two equal worlds do mutually
-contemplate each other.
-
-"I, the first consciousness of CHAOS, arose from the abyss that I might
-harden matter, and give a law unto forms:--also I taught men to fish
-and to sow: I gave them knowledge of writing, and of the history of the
-gods.
-
-[Illustration: I, the first consciousness of Chaos, arose from
-the abyss that I might harden matter, and give a law unto forms ...]
-
-"Since then I have dwelt in the deep pools left by the Deluge. But the
-desert grows vaster about them; the winds cast sand into them; the sun
-devours them;--and I die upon my couch of slime, gazing at the stars
-through the water. Thither I return!"
-
-(_He leaps and disappears in the Nile._)
-
-HILARION. "That is an ancient God of the Chaldæans!"
-
-ANTHONY (_ironically_). "What, then, were those of Babylon?"
-
-HILARION. "Thou canst behold them!"
-
-(_And they find themselves upon the platform of a lofty quadrangular
-tower dominating six other towers, which, narrowing as they rise, form
-one monstrous pyramid. Far below a great black mass is visible--the
-city, doubtless--extending over the plains. The air is cold; the sky
-darkly blue; multitudes of stars palpitate above._
-
-_In the midst of the platform rises a column of white stone. Priests
-in linen robes pass and repass around it, so as to describe by their
-evolutions a moving circle; and with faces uplifted, they gaze upon the
-stars._ ...)
-
-HILARION. (_pointing out several of these stars to Anthony_):
-
-"There are thirty principal stars. Fifteen look upon the upper side
-of the earth; fifteen below. At regular intervals one shoots from the
-upper regions to those below; while another abandons the inferior deeps
-to rise to sublime altitudes ...
-
-"Of the seven planets, two are beneficent; two evil; three
-ambiguous:--all things in the world depend upon the influence of these
-eternal fires. According to their position or movement presages may be
-drawn;--and here thou dost tread the most venerable place upon earth.
-Here Pythagoras and Zoroaster have met;--here for twelve thousand years
-these men have observed the skies that they might better learn to know
-the gods."
-
-ANTHONY. "The stars are not gods."
-
-HILARION. "Aye, they say the stars are gods; for all things about us
-pass away;--the heavens only remain immutable as eternity."
-
-ANTHONY. "Yet there is a master!"
-
-HILARION (_pointing to the column_):
-
-"He! Belus!--the first ray, the Sun, the Male! The Other, whom he
-fecundates, is beneath him!"
-
-(_Anthony beholds a garden, illuminated by lamps_: _He finds himself
-in the midst of the crowd, in an avenue of cypress-trees. To right and
-left are little pathways leading to huts constructed within a wood of
-pomegranate trees, and enclosed by treillages of bamboo._
-
-_Most of the men wear pointed caps, and garments bedizened like the
-plumage of a peacock. But there are also people from the North clad
-in bearskins, nomads wearing mantles of brown wool, pallid Gangarides
-with long earrings;--and there seems to be as much confusion of rank
-as there is confusion of nations; for sailors and stone-cutters elbow
-the princes who wear tiaras blazing with carbuncles and who carry
-long canes with carven knobs. All proceed upon their way with dilated
-nostrils, absorbed by the same desire._
-
-_From time to time, they draw aside to make way for some long covered
-wagon drawn by oxen, or some ass jolting upon his back a woman bundled
-up in thick veils, who finally disappears in the direction of the
-cabins._
-
-_Anthony feels afraid; he half-resolves to turn back. But an
-unutterable curiosity takes possession of him, and draws him on._
-
-_At the foot of the cypress-trees there are ranks of women squatting
-upon deerskins, all wearing in lieu of diadem, a plaited fillet of
-ropes. Some, magnificently attired, loudly call upon the passers-by.
-Others, more timid, seek to veil their faces with their arms, while
-some matron standing behind them, their mother doubtless, exhorts
-them. Others, their heads veiled with a black shawl, and their bodies
-entirely nude, seem from afar off to be statues of flesh. As soon as a
-man has thrown some money upon their knees, they arise._
-
-_And the sound of kisses is heard under the foliage,--sometimes a great
-sharp cry._)
-
-HILARION. "These are the virgins of Babylon, who prostitute themselves
-to the goddess."
-
-ANTHONY. "What goddess?"
-
-HILARION. "Behold her!"
-
-(_And he shows him at the further end of the avenue, upon the threshold
-of an illuminated grotto, a block of stone representing a woman._)
-
-ANTHONY. "Ignominy!--how abominable to give a sex to God!"
-
-HILARION. "Thou thyself dost figure him in thy mind as a living person!"
-
-(_Anthony again finds himself in darkness._
-
-_He beholds in the air a luminous circle, poised upon horizontal
-wings. This ring of light, girdles like a loose belt, the waist of a
-little man wearing a mitre upon his head and carrying a wreath in his
-hand. The lower part of his figure is completely concealed by immense
-feathers outspreading about him like a petticoat._
-
-_It is_--ORMUZD--_the God of the Persians. He hovers in the air above,
-crying aloud_:)
-
-"I fear! I can see his monstrous jaws! I did vanquish thee, O Ahriman!
-But again thou dost war against me.
-
-"First revolting against me, thou didst destroy the eldest of
-creatures, Kaiomortz, the Man-Bull. Then didst thou seduce the first
-human couple, Meschia and Meschiané; and thou didst fill all hearts
-with darkness, thou didst urge thy battalions against heaven!
-
-"I also had mine own, the people of the stars; and from the height of
-my throne I contemplated the marshalling of the astral hosts.
-
-"Mithra, my son, dwelt in heavens inaccessible. There he received
-souls, from thence did he send them forth; and he arose each morning to
-pour forth the abundance of his riches.
-
-"The earth reflected the splendour of the firmament. Fire blazed upon
-the crests of the mountains,--symbolizing that other fire of which
-I had created all creatures. And that the holy flame might not be
-polluted, the bodies of the dead were not burned; the beaks of birds
-carried them aloft toward heaven.
-
-"I gave to men the laws regulating pastures, labour, the choice of wood
-for the sacrifices, the form of cups, the words to be uttered in hours
-of sleeplessness;--and my priests unceasingly offered up prayers, so
-that worship might be as the eternity of God in its endlessness. Men
-purified themselves with water; loaves were offered upon the altars,
-sins were confessed aloud.
-
-"Homa[5] gave himself to men to be drank, that they might have his
-strength communicated to them while the Genii of heaven were combating
-the demons, the children of Iran were pursuing the serpents. The
-King, whom an innumerable host of courtiers served upon their knees,
-represented me in his person, and wore my coiffure. His gardens had the
-magnificence of a heaven upon earth; and his tomb represented him in
-the act of slaying a monster,--emblem of Good destroying Evil.
-
-"For it was destined that I should one day definitely conquer Ahriman,
-by the aid of Time-without-limits.
-
-"But the interval between us disappears;--the deep night rises! To
-me! ye Amschaspands, ye Izeds, ye Ferouers! Succor me, Mithra! seize
-thy sword! And thou, Kaosyac, who shall return for the universal
-deliverance, defend me! What!--none to aid! Ah! I die! Thou art the
-victor, Ahriman!"
-
-(_Hilarion, standing behind Anthony, restrains a cry of joy;--and_
-ORMUZD _is swallowed up in the darkness._)
-
-(_Then appears_:)
-
-THE GREAT DIANA OF EPHESUS
-
-(_black with enamelled eyes, her elbows pressed to her side, her
-forearms extended, with hands open._
-
-_Lions crawl upon her shoulders; fruits, flowers, and stars intercross
-upon her bosom; further down three rows of breasts appear; and from her
-belly to her feet she is covered with a tightly fitting sheath from
-which bulls, stags, griffins, and bees, seem about to spring, their
-bodies half-protruding from it. She is illuminated by the white light
-emanating from a disk of silver, round as the full moon, placed behind
-her head._)
-
-"Where is my temple? Where are my Amazons?
-
-"What is this I feel?--I, the Incorruptible!--a strange faintness comes
-upon me!"...
-
-(_Her flowers wither, her over-ripe fruits become detached and fall.
-The lions and the bulls hang their heads; the deer foam at the mouth,
-with a slimy foam, as though exhausted; the buzzing bees die upon the
-ground._
-
-_She presses her breasts, one after the other. All are empty! But under
-a desperate effort her sheath bursts. She seizes it by the bottom, like
-the skirt of a robe, throws her animals, her fruits, her flowers, into
-it,--then withdraws into the darkness._
-
-_And afar off there are voices, murmuring, growling, roaring,
-bellowing, belling. The density of the night is augmented by breaths.
-Drops of warm rain fall._)
-
-ANTHONY. "How sweet the odour of the palm trees, the trembling of
-leaves, the transparency of springs! I feel the desire to lie flat upon
-the Earth that I might feel her against my heart; and my life would be
-reinvigorated by her eternal youth!"
-
-(_He hears the sound of castanets and of cymbals; and men appear, clad
-in white tunics with red stripes,--leading through the midst of a
-rustic crowd an ass, richly harnessed, its tail decorated with knots of
-ribbons, and its hoofs painted._
-
-_A box, covered with a saddle-cloth[6] of yellow material shakes to
-and fro upon its back, between two baskets,--one receives the offerings
-contributed,--eggs, grapes, pears, cheeses, fowls, little coins; and
-the other basket is full of roses, which the leaders of the ass pluck
-to pieces as they walk before the animal, shedding the leaves upon the
-ground._
-
-_They wear earrings and large mantles; their locks are plaited, their
-cheeks painted, olive-wreaths are fastened upon their foreheads by
-medallions bearing figurines;--all wear poniards in their belts, and
-brandish ebony-handled whips, having three thongs to which osselets are
-attached._[7]
-
-_Those who form the rear of the procession, place upon the soil,--so as
-to remain upright as a candelabrum,--a tall pine, which burns at its
-summit, and shades under its lower branches a lamb._
-
-_The ass halts. The saddle-cloth is removed. Underneath appears a
-second covering of black felt. Then one of the men in white tunics
-begins to dance, rattling his crotali;--another, kneeling before the
-box, beats a tambourine and_--)
-
-THE OLDEST OF THE BAND, _begins_:--
-
-"Here is the Good Goddess, the Idæan of the mountains, the Great Mother
-of Syria! Come ye hither, good people all!
-
-[Illustration: Here is the Good Goddess, the Idæan of the mountains ...]
-
-"She gives joy to men, she heals the sick; she sends inheritances; she
-satisfies the hunger of love!
-
-"We bear her through the land, rain or shine, in fair weather, or in
-foul.
-
-"Oft times we lie in the open air, and our table is not always well
-served. Robbers dwell in the woods. Wild beasts rush from their
-caverns. Slippery paths border the precipices. Behold her! behold her!"
-
-(_They lift off the covering; and a box is seen, inlaid with little
-pebbles._)
-
-"Loftier than the cedars, she looks down from the blue ether. Vaster
-than the wind she encircles the world. Her breath is exhaled by the
-nostrils of tigers; the rumbling of her voice is heard beneath the
-volcanoes; her wrath is the tempest; the pallor of her face has
-whitened the moon. She ripens the harvest; by her the tree-bark swells
-with sap; she makes the beard to grow. Give her something; for she
-hates the avaricious!"
-
-(_The box opens; and under a little pavilion of blue silk appears a
-small image of Cybele--glittering with spangles, crowned with towers,
-and seated in a chariot of red stone, drawn by two lions, with uplifted
-paws._
-
-_The crowd presses forward to see._)
-
-THE ARCHIGALLUS (_continues_):
-
-"She loves the sound of resounding tympanums, the echo of dancing
-feet, the howling of wolves, the sonorous mountains and the deep
-gorges, the flower of the almond tree, the pomegranate and the green
-fig, the whirling dance, the snoring flute, the sugary sap, the salty
-tear,--blood! To thee, to thee!--Mother of the mountains!"
-
-(_They scourge themselves with their whips; and their chests resound
-with the blows;--the skins of the tambourines vibrate almost to
-bursting. They seize their knives; they gash their arms._)
-
-"She is sorrowful; let us be sorrowful! Thereby your sins will be
-remitted. Blood purifies all--fling its red drops abroad like blossoms!
-She, the Great Mother, demands the blood of another creature--of a pure
-being!"
-
-(_The Archigallus raises his knife above the head of a lamb._)
-
-ANTHONY (_seized with horror_):
-
-"Do not slay the lamb!"
-
-(_There is a gush of purple blood. The priest sprinkles the crowd
-with it; and all--including Anthony and Hilarion--standing around the
-burning tree, silently watch the last palpitations of the victim._
-
-_A Woman comes forth from the midst of the priests; she resembles
-exactly the image within the little box._
-
-_She pauses, perceiving before her a Young Man wearing a Phrygian
-cap. His thighs are covered with a pair of narrow trousers, with
-lozenge-shaped openings here and there at regular intervals, closed by
-bow knots of coloured material. He stands in an attitude of languor,
-resting his elbow against a branch of the tree, holding a flute in his
-hand._)
-
-CYBELE (_flinging her arms about his waist_).
-
-"I have traversed all regions of the earth to join thee--and famine
-ravaged the fields Thou hast deceived me! It matters not! I love thee!
-Warm my body in thine embrace! Let us be united!"
-
-ATYS. "The springtime will never again return, O eternal Mother!
-Despite my love, it is no longer possible for me to penetrate thy
-essence! Would that I might cover myself with a painted robe like
-thine! I envy thy breasts, swelling with milk, the length of thy
-tresses, thy vast flanks that have borne and brought forth all
-creatures! Why am I not thou?--Why am I not a woman?--No, never! depart
-from me! My virility fills me with horror!"
-
-(_With a sharp stone he dismembers himself, and runs furiously from
-her ..._
-
-_The priests imitate the god; the faithful do even as the priests. Men
-and women exchange garments, embrace;--and the tumult of bleeding flesh
-passes away, while the sound of voices remaining, becomes even more
-strident,--like the shrieking of mourners, like the voices heard at
-funerals._
-
-_ ... A huge catafalque, hung with purple, supports upon its summit an
-ebony bed, surrounded by torches and baskets of silver filagree, in
-which are verdant leaves of lettuce, mallow and fennel. Upon the steps
-of the construction, from summit to base, sit women all clad in black,
-with loosened girdles and bare feet, holding in their hands with a
-melancholy air, great bouquets of flowers._
-
-_At each corner of the estrade urns of alabaster, filled with myrrh,
-slowly send up their smoke._
-
-_Upon the bed can be perceived the corpse of a man. Blood flows from
-his thigh. One of his arms hangs down lifelessly;--and a dog licks his
-finger nails and howls._
-
-_The row of torches placed closely together, prevents his face from
-being seen; and Anthony feels a strange anguish within him. He fears
-lest he should recognize some one._
-
-_The sobs of the women cease--and after an interval of silence_,)
-
-ALL (_psalmody together_):
-
-"Fair! fair!--all fair he is! Thou hast slept enough!--lift thy
-head!--arise!
-
-"Inhale the perfume of our flowers--narcissus--blossoms and anemones,
-gathered in thine own gardens to please thee. Arouse thee! thou dost
-make us fear for thee!
-
-"Speak to us! What dost thou desire? Wilt thou drink wine?--wilt thou
-lie in our beds?--dost wish to eat the honeycakes which have the form
-of little birds?
-
-"Let us press his lips,--kiss his breast! Now!--now!--dost thou not
-feel our ring-laden fingers passing over thy body?--and our lips that
-seek thy mouth?--and our tresses that sweep thy thighs? O faint God,
-deaf to our prayers!"
-
-(_They cry aloud, and rend their faces with their nails; then all
-rush,--and the howling of the dog continues in the silence._)
-
-"Alas! alas! Woe!--the black blood trickles over his snowy flesh!
-See! his knees writhe!--his sides sink in! The bloom of his face hath
-dampened the purple. He is dead, dead! O weep for him! Lament for him!"
-
-(_In long procession they ascend to lay between the torches the
-offerings of their several tresses, that seem from afar off like
-serpents, black or blond;--and the catafalque is lowered gently to the
-level of, a grotto,--the opening of a shadowy sepulchre that yawns
-behind it._
-
-_Then_--)
-
-A WOMAN (_bends over the corpse. Her long hair, uncut, envelopes her
-from head to feet. She sheds tears so abundantly that her grief cannot
-be as that of the others, but more than human--infinite!_
-
-_Anthony dreams of the Mother of Jesus. She speaks_:--)
-
-"Thou didst emerge from the Orient, and didst take me, all trembling
-with the dew, into thy arms, O Sun! Doves fluttered upon the azure
-of thy mantle; our kisses evoked low breezes among the foliage; and I
-abandoned myself wholly to thy love, delighting in the pleasure of my
-weakness.
-
-"Alas! alas--Why didst thou depart, to run upon the mountains! A boar
-did wound thee at the time of the autumnal equinox!
-
-"Thou art dead; and the fountains weep,--the trees bend down. The wind
-of winter whistles through the naked brushwood.
-
-"My eyes are about to close, seeing that darkness covers them! Now thou
-dwellest in the underworld near the mightiest of my rivals.
-
-"O Persephone, all that is beautiful descends to thee, never to return!"
-
-(_Even while she speaks, her companions lift the dead, to place him
-within the sepulchre. He remains in their hands! It was only a waxen
-corpse._
-
-_Wherefore Anthony feels something resembling relief._
-
-_All vanish;--and the hut, the rocks, and the cross reappear._
-
-_But upon the other side of the Nile, Anthony beholds a Woman,
-standing in the midst of the desert._
-
-_She retains in her hand the lower part of a long black veil that hides
-all her face; supporting with her left arm a little child to whom she
-is giving suck. A great ape crouches down in the sand beside her._
-
-_She uplifts her head toward heaven; and in spite of the great
-distance, her voice is distinctly heard_:)
-
-ISIS. "O Neith, Beginning of all things! Ammon, Lord of Eternity;
-Pthah, demiurgos; Thoth, his intelligence; gods of the Amenthi,
-particular triads of the Nomes,--falcons in the azure of heaven,
-sphinxes before the temples, ibises perched between the horns of oxen,
-planets, constellations, shore, murmurs of the wind, gleams of the
-light,--tell me where I may find Osiris.
-
-"I have sought him in all the canals and all the lakes--aye, further
-yet, even to Ph[oe]nician Byblos. Anubis, with ears pricked up, leaped
-about me, and yelped, and thrust his muzzle searchingly into the tufts
-of the tamarinds.
-
-"Thanks, good Cynocephalos--thanks to thee!"
-
-(_She gives the ape two or three friendly little taps upon the head._)
-
-"Hideous Typhon, the red-haired slew him, tore him in pieces! We have
-found all his members. But I have not that which rendered me fecund!"
-
-(_She utters wild lamentations._)
-
-ANTHONY (_is filled with fury. He casts stones at her, reviles her._)
-
-"Begone! thou shameless one!--Begone!"
-
-HILARION. "Nay! respect her! Her religion was the faith of thy
-fathers!--thou didst wear her amulets when thou wert a child in the
-cradle!"
-
-ISIS. "In the summers of long ago, the inundation drove the impure
-beasts into the desert. The dykes were opened, the boats dashed against
-each other; the panting earth drank the river with the intoxication of
-joy. Then, O God, with the horns of the bull, thou didst lie upon my
-breast, and then was heard, the lowings of the Eternal Cow!
-
-"The seasons of sowing and reaping, of threshing and of vintage,
-followed each other in regular order with the years. In the eternal
-purity of the nights, broad stars beamed and glowed. The days were
-bathed in never-varying splendour. Like a royal couple the Sun and the
-Moon appeared simultaneously, at either end of the horizon.
-
-"Then did we both reign above a sublimer world, twin-monarchs, wedded
-within, the womb of eternity--he bearing a concupha-headed sceptre; I,
-the sceptre that is tipped with a lotus-flower; both of us erect with
-hands joined; and the crumblings of empires affected not our attitude.
-
-"Egypt extended, below us, monumental and awful, long-shaped like the
-corridor of a temple; with obelisks on the right, pyramids on the
-left, and its labyrinth in the midst. And everywhere were avenues
-of monsters, forests of columns, massive pylons flanking gates
-summit-crowned with the mysterious globe--the globe of the world,
-between two wings.
-
-"The animals of her Zodiac also existed in her pasture lands; and
-filled her mysterious writing with their forms and colours. Divided
-into twelve regions as the year is divided into-twelve months--each
-month, each day also having its own god--she reproduced the immutable
-order of heaven. And man even in dying changed not his face; but
-saturated with perfumes, invulnerable to decay, he lay down to sleep
-for three thousand years in another and silent Egypt.
-
-"And that Egypt, vaster than the Egypt of the living, extended beneath
-the earth.
-
-"Thither one descended by dark stairways leading into halls where were
-represented the joys of the good, the tortures of the wicked, all that
-passes in the third and invisible world. Ranged along the wall the dead
-in their painted coffins awaited their turn; and the soul, exempted
-from migrations, continued its heavy slumber until the awakening into a
-new life.
-
-"Nevertheless, Osiris sometimes came to see me. And by his ghost I
-became the mother of Harpocrates."
-
-(_She contemplates the child._)
-
-"Aye! it is he. Those are his eyes; those are his locks, plaited into
-ram horns! Thou shalt recommence his works. We shall bloom again like
-the lotus. I am still the Great Isis!--none has yet lifted my veil! My
-fruit is the Sun!
-
-[Illustration: I am still the Great Isis!—none has yet lifted
-my veil! My fruit is the Sun!]
-
-"Sim of Springtime, clouds now obscure thy face! The breath of Typhon
-devours the pyramids. But a little while ago I beheld the Sphinx flee
-away. He was galloping like a jackal.
-
-"I look for my priests,--my priests clad in mantles of linen, with
-their great harps, and bearing a mysterious bark, adorned with
-silver pateras. There are no more festivals upon the lakes!--no more
-illuminations in my delta!--no more cups of milk at Philæ! Apis has
-long ceased to reappear.
-
-"Egypt! Egypt! thy great motionless gods have their shoulders already
-whitened by the dung of birds; and the wind that passes over the desert
-rolls with it and the ashes of thy dead!--Anubis, guardian of ghosts,
-abandon me not!"
-
-(_The Cynocephalos has vanished. She shakes her child._)
-
-"But ... what ails thee ... thy hands are cold, thy head droops!"
-
-(_Harpocrates expires. Then she cries aloud with a cry so piercing,
-funereal, heart-rending, that Anthony answers it with another cry,
-extending his arms as to support her._
-
-_She is no longer there. He lowers his face, overwhelmed by shame._
-
-_All that he has seen becomes confused within his mind. It is like the
-bewilderment of travel, the illness of drunkenness. He wishes to hate;
-but a vague and vast pity fills his heart. He begins to weep, and weeps
-abundantly._)
-
-HILARION. "What makes thee sorrowful?"
-
-ANTHONY (_after having long sought within himself for a reply_):
-
-"I think of all the souls that have been lost through these false gods!"
-
-HILARION. "Dost thou not think that they ... sometimes ... bear much
-resemblance to the TRUE?"
-
-ANTHONY. "That is but a device of the Devil to seduce the faithful more
-easily. He attacks the strong through the mind, the weak through the
-flesh."
-
-HILARION. "But luxury, in its greatest fury, has all the
-disinterestedness of penitence. The frenzied love of the body
-accelerates the destruction thereof,--and proclaims the extent of the
-impossible by the exposition of the body's weakness."
-
-ANTHONY. "What signifies that to me! My heart sickens with disgust
-of these beautiful bestial gods, forever busied with carnages and
-incests!"
-
-HILARION. "Yet recollect all those things in the Scripture which
-scandalize thee because thou art unable to comprehend them! So also may
-these Gods conceal under their sinful forms some mighty truth. There
-are more of them yet to be seen. Look around!"
-
-ANTHONY. "No, no!--it is dangerous!"
-
-HILARION. "But a little while ago thou didst desire to know them! Is
-it because thy faith might vacillate in the presence of lies? What
-fearest thou?"
-
-(_The rocks fronting Anthony have become as a mountain. A line of
-clouds obscures the mountain half way between summit and base; and
-above the clouds appears another mountain, enormous, all green,
-unequally hollowed by valleys nestling in its slopes, and supporting at
-its summit, in the midst of laurel-groves a palace of bronze, roofed
-with tiles of gold, and supported by columns having capitals of ivory._
-
-_In the centre of the peristyle Jupiter,--colossal, with torso
-nude,--holds Victory in one hand, his thunderbolts in the other; and
-his eagle, perched between his feet, rears its head._
-
-_Juno, seated near him, rolls her large eyes, beneath a diadem whence
-her wind-blown veil escapes like a vapour._
-
-_Behind them, Minerva, standing upon a pedestal, leans on her spear.
-The skin of the Gorgon covers her breast, and a linen peplos falls in
-regular folds to the nails of her toes. Her glaucous eyes, which gleam
-beneath her vizor, gaze afar off, attentively._
-
-_On the right of the palace, the aged Neptune bestrides a dolphin
-beating with its fins a vast azure expanse which may be sea or sky, for
-the perspective of the Ocean seems a continuation of the blue ether:
-the two elements are interblended._
-
-_On the other side weird Pluto in night-black mantle, crowned with
-diamond tiara and bearing a sceptre of ebony, sits in the midst of an
-islet surrounded by the circumvolutions of the Styx;--and this river of
-shadow empties itself into the darknesses, which form a vast black gulf
-below the cliff,--a bottomless abyss!_
-
-_Mars, clad in brass, brandishes as in wrath his broad shield and his
-sword._
-
-_Hercules, leaning upon his club, gazes at him from below._
-
-_Apollo, his face ablaze with light, grasps with outstretched right
-arm the reins of four white horses urged to a gallop; and Ceres in her
-ox-drawn chariot advances toward him with a sickle in her hand._
-
-_Behind her comes Bacchus, riding in a very low chariot, gently drawn
-by lynxes. Plump and beardless, with vine leaves garlanding his brow,
-he passes by holding in his hand an overflowing cup of wine. Silenus
-riding beside him reels upon his ass. Pan of the pointed ears, blows
-upon his syrinx; the Mimalonæides beat drums; the Mænads strew
-flowers; the Bacchantes turn in the dance with heads thrown back and
-hair dishevelled._
-
-_Diana, with tunic tucked up, issues from the wood together with her
-nymphs._
-
-_At the further end of a cavern, Vulcan among his Cabiri, hammers the
-heated iron; here and there the aged Rivers leaning recumbent upon
-green rocks pour water from their urns; the Muses stand singing in the
-valleys_.
-
-_The Hours, all of equal stature, link hands; and Mercury poses
-obliquely upon a rainbow, with his caduceus, winged sandals, and winged
-petasus._
-
-_But at the summit of the stairway of the Gods,--among clouds soft
-as down, from whose turning volutes a rain of roses falls,--Venus
-Anadyomene stands gazing at herself in a mirror:--her eyes move
-languorously beneath their slumbrous lids._
-
-_She has masses of rich blond hair rolling down over her shoulders; her
-breasts are small; her waist is slender; her hips curve out like the
-sweeping curves of a lyre; her thighs are perfectly rounded; there are
-dimples about her knees; her feet are delicate: a butterfly hovers near
-her mouth. The splendour of her body makes a nacreous-tinted halo of
-bright light about her; while all the rest of Olympus is bathed in a
-pink dawn, rising gradually to the heights of the blue sky._)
-
-ANTHONY. "Ah! my heart swells! A joy never known before thrills me to
-the depths of my soul! How beautiful, how beautiful it is!"
-
-HILARION. "They leaned from the heights of cloud to direct the way of
-swords; one used to meet them upon the high roads; men had them in
-their houses--and this familiarity divinized life.
-
-"Life's aim was only to be free and beautiful. Nobility of attitude was
-facilitated by the looseness of garments. The voice of the orator,
-trained by the sea, rolled its sonorous waves against the porticoes of
-marble. The ephebus, anointed with oil, wrestled all naked in the full
-light of the sun. The holiest of actions was to expose perfection of
-forms to all.
-
-"And these men respected wives, aged men, suppliants.
-
-"Behind the temple of Hercules there was an altar erected to Pity.
-
-"Victims were immolated with flowers wreathed about the fingers of the
-sacrificer. Even memory was exempted from thoughts of the rottenness
-of death. Nothing remained but a little pile of ashes. And the Soul,
-mingling with the boundless ether, rose up to God."
-
-(_Bending to whisper in Anthony's ear_:--)
-
-"And they still live! The Emperor Constantine adores Apollo. Thou wilt
-find the Trinity in Samothracian mysteries,--baptism in the religion of
-Isis,--redemption in the faith of Mithra,--a martyrdom of a God in the
-festivals of Bacchus. Prosperpine is the Virgin!... Aristæus is Jesus!"
-
-ANTHONY (_remains awhile with downcast eyes, as if in deep thought;
-then suddenly repeats aloud the Symbol of Jerusalem, as he remembers
-it, uttering a long sigh between each phrase_):--
-
-"I believe in one only God, the Father,--and in one only Lord, Jesus
-Christ,--the first born son of God, who was incarnated and made
-man,--who was crucified, and buried,--who ascended into Heaven,--who
-will come to judge the living and the dead,--of whose Kingdom there
-shall be no end;--and in one Holy Spirit,--and in one baptism of
-repentance,--and in one Holy Catholic Church,--and in the resurrection
-of the flesh,--and in the life everlasting!"
-
-(_Immediately the cross becomes loftier and loftier; it pierces the
-clouds, and casts its shadow upon the heaven of the gods._
-
-_All grow pale;--Olympus shudders._
-
-_And at its base Anthony beholds vast bodies enchained, sustaining the
-rocks upon their shoulders,--giant figures half buried in the deeps
-of caverns. These are the Titans, the Giants, the Hecatonchires, the
-Cyclops._)
-
-A VOICE
-
-(_rises, indistinct and awful, like the far roar of leaves, like the
-voice of forests in time of tempest, like the mighty moaning of the
-wind among the precipices_):
-
-"We knew these things!--we knew them! There must come an end even for
-the Gods! Uranus was mutilated by Saturn,--Saturn by Jupiter. And
-Jupiter himself shall be annihilated. Each in his turn;--it is Destiny!"
-
-(_And little by little they sink into the mountain, and disappear._
-
-_Meanwhile the golden tiles of the palace rise and fly away._)
-
-JUPITER (_has descended from his throne. At his feet the thunderbolts
-lie, smoking like burning coals about to expire;--and the great eagle
-bends its neck to pick up its falling feathers_):
-
-"Then I am no longer the master of all things,--most holy, most
-mighty, god of the phatrias and Greek peoples,--ancestor of all the
-Kings,--Agamemnon of heaven.
-
-"Eagle of apotheoses, what wind from Erebus has wafted thee to me? or,
-fleeing from the Campus Martins, dost thou bear me the soul of the last
-of the Emperors?
-
-"I no longer desire to receive those of men. Let the Earth keep them;
-and let them move upon the level of its baseness. Their hearts are now
-the hearts of slaves;--they forget injuries, forget their ancestors,
-forget their oaths,--and everywhere the folly of crowds, the mediocrity
-of individuals, the hideousness of races, hold sway!"
-
-(_He pants with such violence that his sides seem ready to burst
-asunder; he clenches his hands. Weeping_, HEBE _offers him a cup. He
-seizes it._)
-
-"No, no! So long as there shall be a brain enclosing a thought, in
-whatsoever part of the world;--so long as there shall exist a mind
-hating disorder, creating LAW,--so long will the spirit of Jupiter
-live!"
-
-(_But the cup is empty. He turns its edge down over his thumbnail._)
-
-"Not one drop left! When the ambrosia fails, the Immortals must indeed
-depart!"
-
-(_The cup drops from his hands; and he leans against a column, feeling
-himself about to die._)
-
-JUNO. "Thou shouldst not have had so many amours! Eagle, bull, swan,
-rain of gold, cloud and flame, thou didst assume all forms,--dissipate
-thy light in all elements,--lose thy hair upon all beds! This time
-the divorce is irrevocable; and our domination, our very existence,
-dissolved."
-
-(_She passes away in air._)
-
-MINERVA (_has no longer her spear; and the ravens nesting among the
-sculptures of the friezes, wheel about her, peeking at her helmet._)
-
-"Let me see whether my vessels cleave the bright sea, returning to my
-three ports,--let me discover why the fields are deserted, and learn
-what the daughters of Athens are now doing.
-
-"In the month of Hecatombeon my whole people came to worship me, under
-the guidance of their magistrates and priests. Then, all in white robes
-and wearing chitons of gold, they advanced the long line of virgins
-bearing cups, baskets, parasols; then the three hundred sacrificial
-oxen, and the old men having green boughs, the soldiers with clashing
-of armour, the ephebi singing hymns, flute players, lyre players,
-rhapsodists, dancing women;--and lastly attached to the mast of a
-trireme mounted upon wheel, my great veil embroidered by virgins who
-had been nourished in a particular way for a whole year. And when it
-had been displayed in all the streets, in all the squares, and before
-the temples, in the midst of the ever-chanting procession, it was borne
-step by step up the hill of the Acropolis, grazed the Propylæa, and
-entered the Parthenon....
-
-"But a strange feebleness comes upon me,--me the Industrious One! What!
-what! not one idea comes to me! Lo! I am trembling more than a woman!"
-
-(_She turns, beholds a ruin behind her, utters a cry, and stricken by a
-fallen fragment, falls backward upon the ground._)
-
-HERCULES (_has flung away his lion-skin; and with feet firmly braced,
-back arched, teeth clenched, he exhausts himself in immeasurable
-efforts to bear up the mass of crumbling Olympus._)
-
-"I vanquished the Cercopes, the Amazons, and the Centaurs. Many were
-the kings I slew. I broke the horn of the great river, Achelous. I cut
-the mountains asunder; I freed nations from slavery; and I peopled
-lands that were desolate. I travelled through the countries of Gaul;
-I traversed the deserts where thirst prevails. I defended the gods
-from their enemies; and I freed myself from Omphale. But the weight of
-Olympus is too great for me. My arms grow feebler:--I die!"
-
-(_He is crushed beneath the ruins._)
-
-PLUTO. "It is thy fault, Amphytrionad;--wherefore didst thou descend
-into my empire?
-
-"The vulture that gnaws the entrails of Tityus lifted its head;--the
-lips of Tantalus were moistened;--the wheel of Ixion stopped.
-
-"Meanwhile the Kæres extended their claws to snatch back the escaping
-ghosts; the Furies tore the serpents of their locks; and Cerberus
-fettered by thee with a chain, sounded the death rattle in his throat,
-and foamed at all his three mouths.
-
-"Thou didst leave the gate ajar; others have come. The daylight of men
-has entered into Tartarus!"
-
-(_He sinks into the darkness._)
-
-NEPTUNE. "My trident can no longer call up the tempests. The monsters
-that terrified of old, lie rotting at the bottom of the sea.
-
-"Amphitrite whose white feet tripped lightly over the foam, the green
-Nereids seen afar off in the horizon, the scaly Sirens who stopped
-the passing vessels to tell stories, and the ancient Tritons mightily
-blowing upon their shells, all have passed away. All is desolate and
-dead; the gaiety of the great Sea is no more!"
-
-(_He vanishes beneath the azure._)
-
-DIANA (_clad in black and surrounded by her dogs, which have been
-changed into wolves_).
-
-"The freedom of the deep forests once intoxicated me; the odours of the
-wild beasts and the exhalations of the marshes made me as one drank
-with joy. But the women whose maternity I protected, now bring dead
-children into the world. The moon trembles with the incantations of
-witches. Desires of violence, of immensity, seize me, fill me! I wish
-to drink poisons,--to lose myself in vapours, in dreams...!"
-
-(_And a passing cloud carries her away._)
-
-MARS (_unhelmed and covered with blood_).
-
-"At first I fought alone;--singlehanded I would provoke a whole army by
-my insults,--caring nothing for countries or nations, demanding battle
-for the pleasure of carnage alone.
-
-"Afterward I had comrades. They marched to the sound of flutes, in good
-order, with equal step, respiring above their bucklers, with plumes
-loftily nodding, lances oblique. Then on rushed to battle with mighty
-eagle cries. War was joyous as a banquet. Three hundred men strove
-against all Asia.
-
-"But the Barbarians are returning;--by myriads they come, by millions!
-Ah! since numbers, and engines, and cunning are stronger than valour,
-it were better that I die the death of the brave!"
-
-(_He kills himself._)
-
-VULCAN (_sponging the sweat from his limbs_):
-
-"The world is growing cold. The source of heat must be nourished, the
-volcanoes and rivers of flowing metal underground. Strike harder!--with
-full swing of the arms,--with might and main!"
-
-(_The Cabiri wound themselves with their hammers, blind themselves with
-sparks, and groping, lose themselves in the darkness._)
-
-CERES (_standing in her chariot, impelled by wheels having wings at
-their hubs_):
-
-"Stop! Stop! Ah! it was with good reason that the exclusion of
-strangers, atheists, Epicureans, and Christians was commended! Now the
-mystery of the basket has been unveiled; the sanctuary profaned: all is
-lost!"
-
-(_She descends a precipitous slope--shrieking, despairing, tearing her
-hair._)
-
-"Ah! lies, lies! Daira has not been restored to me. The voice of brass
-calls me to the dead. This is another Tartarus, whence there is no
-return! Horror!"
-
-(_The abyss engulfs her._)
-
-BACCHUS (_with a frenzied laugh_).
-
-"What matters it? The Archon's wife is my spouse! The law itself reels
-in drunkenness! To me the new song, the multiplied forms!
-
-"The fire by which my mother was devoured, flows in my veins! Let it
-burn yet more fiercely, even though I perish!
-
-"Male and female, complaisant to all, I abandon myself to you,
-Bacchantes! I abandon myself to you, Bacchanalians!--and the vine shall
-twine herself about the tree-trunks! Howl! dance! writhe! Loosen the
-tiger and the slave!--rend flesh with ferocious bitings!"
-
-(_And Pan, Silenus, the Bacchantes, the Mimalonæides, and the
-Mænads,--with their serpents, torches, sable masks,--cast flowers at
-each other ... shake their tympanums, strike their thyrsi, pelt each
-other with shells, devour grapes, strangle a goat, and tear Bacchus
-asunder._)
-
-APOLLO (_furiously whipping his coursers, while his blanching locks are
-falling from his head_):
-
-"I have left far behind me stony Delos, so pure that all now there
-seems dead; and I must strive to reach Delphi ere its inspiring vapour
-be wholly lost. The mules browse in its laurel groves. The Pythoness
-has wandered away, and cannot be found.
-
-"By a stronger concentration of my power, I will obtain sublime hymns,
-eternal monuments; and all matter will be penetrated by the vibrations
-of my cithara!"
-
-(_He strikes the strings of the instrument. They burst, lashing his
-face with their broken ends. He flings the cithara away; and furiously
-whipping his quadriga, cries_):
-
-"No! enough of forms!--Further, higher!--to the very summit!--to the
-realm of pure thought!"
-
-(_But the horses back, rear, dash the chariot to pieces. Entangled by
-the harness, caught by the fragments of the broken pole, he falls head
-foremost into the abyss._
-
-[Illustration: ... he falls head foremost into the abyss.]
-
-_The sky is darkened._)
-
-VENUS (_blue with cold, shivering_):
-
-"Once with my girdle I made all the horizon of Hellas.
-
-"Her fields glowed with the roses of my cheeks; her shores were
-outlined after the fashion of my lips; and her mountains, whiter than
-my doves, palpitated beneath the hands of the statuaries. My spirit's
-manifestation was found in the ordinances of the festivals, in the
-arrangement of coiffures, in the dialogues of philosophers, in the
-constitution of republics. But I have doted too much upon men! It is
-Love that has dishonoured me!"
-
-(_She casts herself back weeping_):
-
-"This world is abominable;--there is no air for me to breathe!
-
-"O Mercury, inventor of the lyre, conductor of souls, take me away!"
-
-(_She places one finger upon her lips, and describing an immense
-parabola, falls into the abyss._
-
-_Nothing is now visible. The darkness is complete._
-
-_Only, that from the eyes of Hilarion escape two flashes, two rays of
-lurid light._)
-
-ANTHONY (_begins at last to notice his immense stature_):
-
-"Already several times, while thou wert speaking, it seemed to me thou
-wert growing taller; and it was no illusion! How? Explain to me ... Thy
-aspect terrifies me!"
-
-(_Footsteps are heard approaching._)
-
-"What is that?"
-
-HILARION (_extending his arm_):
-
-"Look!"
-
-(_Then, under a pale beam of moonlight, Anthony distinguishes an
-interminable caravan defiling over the summit of the rocks;--and each
-voyager, one after the other, falls from the cliff into the gulf below._
-
-_First comes the three great gods of_ Samothrace,--AXIEROS, AXIOKEROS,
-AXIOKERSA,--_united together as in a fascia, purple-masked, all with
-hands uplifted._
-
-_Æsculapius advances with a melancholy air, not even perceiving
-Samos and Telesphorus, who question him with gestures of anguish._
-ELEAN SOSIPOLIS, _of python-form, rolls his coils toward the abyss._
-DOSIPOENA, _becomes dizzy, leaps in of her own accord._ BRITOMARTIS,
-_shrieking with fear, clutches fast the meshes of her net. The Centaurs
-come at a wild gallop, and roll pell-mell into the black gulf._
-
-_Behind them, all limping, advance the bands of the mourning Nymphs.
-Those of the meadows are covered with dust; those of the woods moan and
-bleed; wounded by the axes of the woodcutters._
-
-_The Gelludes, the Strygii, the Empusæ, all the infernal goddesses,
-form one pyramid of blended fangs, vipers, and torches;--and seated
-upon a vulture-skin at its summit, Eurynome, blue as the flies that
-corrupt meat, devours her own arms._
-
-_Then in one great whirl simultaneously disappear the bloody Orthia,
-Hymina of Orchomenus, the Laphria of the Patræns, Aphia of Agina,
-Bendis of Thrace, Stymphalia with thighs like a bird's. Triopas, in
-lieu of three eyes, has now but three empty orbits. Erichthonius, his
-legs paralysed, crawls upon his hands like a cripple._)
-
-HILARION. "What a pleasure, is it not!--to see them all in the
-abjection of their death-agony! Climb up here beside me, on this rock;
-and thou shalt be even as Xerxes, reviewing his army.
-
-"Beyond there, very far, dost thou behold that fair-bearded giant,
-who even now lets fall his sword crimsoned with blood?--that is
-the Scythian Zalmoxis between two planets,--Artimpasa, Venus, and
-Orsiloche, the Moon.
-
-"Still further away, now emerging from pallid clouds, are the gods whom
-the Cimmerians adore, even beyond Thule.
-
-"Their huge halls were warm, and by the gleam of swords that tapestried
-the vault, they drank their hydromel from horns of ivory. They ate the
-liver of the whale in dishes of brass wrought by the hammers of demons;
-or, betimes, they listened to captive sorcerers whose fingers played
-upon harps of stone.
-
-"They are feeble! They are cold! The snow makes heavy their bearskins;
-and their feet show through the rents in their sandals.
-
-"They weep for the vast fields upon whose grassy knolls they were
-wont to draw breath in pauses of battle; they weep for the long ships
-whose prows forced a way through the mountains of ice;--and the skates
-wherewith they followed the orb of the poles, upbearing at the length
-of their mighty arms all the firmament that turned with them."
-
-(_A gust of frosty wind carries them off. Anthony turns his eyes
-another way. And he perceives--outlined in black against a red
-background--certain strange personages, with chinbands and gauntlets,
-who throw balls at one another, leap over each other's heads, make
-grimaces, dance a frenzied dance._)
-
-HILARION. "Those are the divinities of Etruria, the innumerable Æsars.
-
-"There is Tages, by whom augury was invented. With one hand he seeks to
-augment the divisions of the sky; with the other he supports himself
-upon the earth: let him sink therein!
-
-"Nortia gazes at the wall into which she drave nails to mark the number
-of the passing years. Its whole surface is now covered; and the period
-is accomplished.
-
-"Like two travellers overtaken by a storm, Kastur and Pulutuk,
-trembling, seek to shelter themselves beneath the same mantle."
-
-ANTHONY (_closes his eyes_):
-
-"Enough! Enough!"
-
-(_But with a mighty noise of wings, all the Victories of the Capitol
-pass through the air,--hiding their faces with their hands, dropping
-the trophies hanging upon their arms._
-
-_Janus,--lord of crepuscules,--flees upon a black ram; and one of his
-two faces is already putrified; the other slumbers with fatigue._
-
-_Summanus, the headless god of the dark heavens, presses against his
-heart an odd cake shaped like a wheel._
-
-_Vesta, beneath a ruined cupola, tries to relight her extinguished
-lamp._
-
-_Bellona gashes her cheeks,--without being able to make that blood flow
-by which her devotees were purified._)
-
-ANTHONY. "Mercy!--they weary me!"
-
-HILARION. "Before, they amused thee!"
-
-(_And he shows him in a grove of bean-trees,_ A WOMAN, _naked....
-.........and a black man, holding in each hand a torch._[8])
-
-"It is the goddess of Aricia, with the demon Virbius. Her sacerdote,
-the King of the grove, had to be an assassin;[9] and the fugitive
-slaves, the despoilers of corpses, the brigands of the Via Salaria, the
-cripples of the Pons Sublicius, all the human vermin of the Suburra
-worshipped no deities so fervently.
-
-"In the time of Marcus Antonius the patrician women preferred Libitina."
-
-(_And he shows him under the shadow of cypresses and rose-trees_,
-ANOTHER WOMAN, _clad in gauze. Around her lie spades, litters, black
-hangings, all the paraphernalia of funerals. She smiles. Her diamonds
-shine afar off through spiders' webs. The Larvæ, like skeletons, show
-their bones through the branches; and the Lemures, who are phantoms,
-extend their bat-like wings._
-
-_At the end of a field lies the god Terminus, uprooted, and covered
-with ordures._
-
-_In the centre of a furrow, the great corpse of Vertumnus is being
-devoured by red dogs._
-
-_The rustic deities all depart, weeping:--Sartor, Sarrator, Vervactor,
-Collina, Vallona, Hostilinus--all wearing little hooded mantles, and
-carrying either a hoe, a pitchfork, a hurdle, or a boar-spear._)
-
-HILARION. "Their spirits made prosperous the villa,--with its dovecots,
-its parks of dormice, its poultry-yards protected by nets, its warm
-stables fragrant with odours of cedar.
-
-"Also they protected all the wretched population who dragged the irons
-upon their legs over the flinty ways of the Sabine country,--those who
-called the swine together by sound of horn,--those who were wont to
-gather the bunches at the very summits of the elms,--those who drove
-the asses, laden with manure, over the winding bypaths. The panting
-labourer, leaning over the handle of his plough, prayed them to give
-strength to his arms; and under the shade of the lindens, beside
-calabashes filled with milk, the cow-herds were wont, in turn, to sound
-their praises upon flutes of reed."
-
-ANTHONY (_sighs._)
-
-(_And in the centre of a chamber, upon a lofty estrade, an ivory bed is
-visible, surrounded by persons bearing torches of pine._)
-
-"Those are the deities of marriage. They await the coming of the bride.
-
-"Domiduca should lead her in,--Virgo unfasten her girdle,--Subigo place
-her in the bed,--and Præma open her arms, and whisper sweet words into
-her ear.
-
-"But she will not come!--and they dismiss the others:--Nona and Decima
-who watch by sick-beds; the three Nixii who preside over child-birth;
-the two nurses, Educa and Potina; and Carna, guardian of the cradle,
-whose bouquet of hawthorne keeps evil dreams from the child.
-
-"Afterwards, Ossipago should strengthen his knees;--Barbatus give him
-his first beard; Stimula inspire his first desires; Volupia grant him
-his first enjoyment; Fabulimus should have taught him to speak, Numera
-to count, Cam[oe]na to sing, Consus to reflect."
-
-(_This chamber is empty; and there remains only the centenarian Nænia
-beside the bed,--muttering to herself the dirge she was wont to howl at
-the funerals of aged men._
-
-_But her voice is soon drowned by sharp cries. These are uttered by_--
-
-_The_ LARES DOMESTICI, _crouching at the further end of the atrium,
-clad in dog-skins, with flowers wreathed about their bodies,--pressing
-their clenched hands against their cheeks, and weeping as loudly as
-they can._)
-
-"Where is the portion of food we received at each repast, the kindly
-care of the maid-servant, the smile of the matron, the merriment of
-the little boys playing at knuckle-bones on the mosaic pavement of the
-court-yard? When grown up, they used to hang about our necks their
-bullæ of gold or leather!
-
-"What happiness it was, when on the evening of a triumph, the master,
-entering, turned his humid eyes upon us! He would recount his combats;
-and the little house would be prouder than a palace; sacred as a temple!
-
-"How sweet were the family repasts, above all on the morrow of the
-Feralia! Tenderness for the dead appeased all discords; all kissed each
-other, while drinking to the glories of the past, and the hopes of the
-future.
-
-"But the ancestors, of painted wax, locked up behind us, are slowly
-becoming covered with mold. The new races, visiting their own
-deceptions upon us, have shattered our jaws; our wooden bodies are
-disappearing piece-meal under the teeth of rats."
-
-(_And the innumerable gods, watching over doors, kitchens, cellars,
-baths, disperse in every direction--under the form of enormous ants
-running over the pavement, or great butterflies soaring away._
-
-_Then a roll of thunder is heard._)
-
-
-A VOICE:
-
-"I was the God of Armies, the Lord, the Lord God! I pitched the tents
-of Jacob on the hills; and in the midst of the sands I nourished my
-chosen people in their flight.
-
-"It was I who consumed the city of Sodom with fire! It was I who
-overwhelmed the world with the waters of the Deluge! It was I that
-drowned Pharaoh, with all the princes, sons of Kings,--making the sea
-to swallow up his chariots of war, and his charioteers!
-
-"I, the Jealous God, held all other gods in abomination. I brayed the
-impure in my anger; the mighty I cast down; and swiftly the desolation
-of my wrath ran to the right and to the left, like a dromedary loosened
-in a field of maize.
-
-"I chose the humble to deliver Israel. Angels, flame-winged, spake to
-them from out the bushes.
-
-"Perfumed with spikenard, with cinnamon and myrrh, clad in transparent
-robes, and shod with high-heeled sandals,--women of valiant heart went
-forth to slay captains. The passing wind carried my prophets with it.
-
-"My law I graved upon tables of stone. Within that law my people were
-enclosed, as within a strong citadel. They were my people. I was their
-God! The land was mine; the men also belonged to me, together with
-their every thought, and all their works, and the tools they wrought
-with, and their prosperity.
-
-"My ark reposed within a triple sanctuary,--surrounded by curtains
-of purple and lighted candelabra. I had a whole tribe to serve me as
-servants, swinging censers; and the high-priest, robed in robes of
-hyacinth, wore upon his breast precious stones disposed in symmetrical
-order.
-
-"Woe! Woe! the Holy of Holies is open, the veil is rent, the perfumes
-of the holocaust are dissipated by all the winds of heaven! The jackal
-whines in the sepulchres; my temple is destroyed; my people dispersed!
-
-"The priests have been strangled with the girdles of their robes. The
-women languish in captivity; the holy vessels have all been melted!"
-
-(_The voice, becoming more distant_):
-
-"I was the God of Armies; the Lord, the Lord God!"
-
-(_An enormous silence follows,--and deepest night._)
-
-ANTHONY. "All have passed away!"
-
-SOME ONE (_replies_):
-
-"I remain!"
-
-(_And Hilarion stands before him--but transfigured wholly,--beautiful
-as an archangel, luminous as a sun, and so lofty that in order to
-behold his face_--
-
-ANTHONY
-
-_is compelled to throw back his head, to look up as though gazing as a
-star_):
-
-"Who art thou?"
-
-HILARION. "My kingdom is vast as the universe; and my desire knows no
-limits. I go on forever,--freeing minds, weighing worlds,--without
-hatred, without fear, without pity, without love, and without God. Men
-call me SCIENCE!"
-
-ANTHONY (_recoiling from him_):
-
-"Say, rather, that thou art ... the Devil!"
-
-HILARION (_fixing his eyes upon him_:)
-
-"Wouldst thou behold him?"
-
-ANTHONY (_cannot detach his eyes from that mighty gaze:--the curiosity
-of the Devil comes upon him. His terror augments; yet his wish grows
-even to boundlessness_):
-
-"Yet if I should see him ... if I were to see him!"
-
-(_Then in a sudden spasm of wrath_):
-
-"The horror that I have of him will free me from his presence
-forever!... Yes!"
-
-(_A cloven foot appears. Anthony regrets his wish._
-
-_But the Devil flings him upon his horns and bears him away._)
-
-
-
-[1] Matthew II: 10--T.
-
-[2] "Buddha, or more correctly, the Buddha, for Buddha is an
-appellative meaning Enlightened."--Max Müller (Chips, Vol. I., 206).
-
-[3] Luke II: 25-26.--T.
-
-[4] Ibid II: 46-47.--T.
-
-[5] Or, Haoma, also Hom, the sacred plant, whose fermented juice
-occupied an important place in the practical rites of Iran. Supposed
-to be the same plant known in botany as _Sarcostemma viminalis._
-Deified in Iranian worship, like the sacred drink _Soma_ in the Vedic
-hymns. The _Soma_ was the fermented extract of the _Asclepias acida_
-or _Sarcostemma ritalis._ See Marius Fontane, "L'Inde Védique," "Les
-Iraniens."--Trans.
-
-[6] Apuleius says, "a silken mantle."--Trans.
-
-[7] Apuleius says, "strung with knuckle-bones of sheep."--Trans.
-
-[8] This scene, like certain paintings in the Naples museum, is all
-suited for public exhibition.--Trans.
-
-[9] Readers will recollect the lines in Macaulay's _Lays of Ancient
-Rome_:
-
-"Beneath Aricia's trees,
- Those trees in whose dim shadow
- A ghastly priest doth reign,
- The priest who slew the slayer,
- And must himself be slain."
-
-
-
-
-
-VI
-
-
-(_He flies beneath him, outstretched like a swimmer; his vast-spreading
-wings, wholly concealing him, seem like one huge cloud._)
-
-ANTHONY. "Whither do I go? But a little while ago I beheld in a glimpse
-the form of the Accurst. Nay!--'tis a cloud that upbears me! Perhaps I
-am dead, and am ascending to God....
-
-"How freely I respire. The immaculate air seems to vivify my soul. No
-sense of weight!--no more suffering.
-
-"Far below me the lightning breaks,--the horizon broadens, widens,--the
-rivers cross each other. That blond-bright spot is the desert; that
-pool of water the ocean!
-
-"And other oceans appear!--vast regions of which I knew nothing!
-There are the countries of the blacks, which seem to smoke like
-brasiers!--then is the zone of snows always made dim by fog! Would I
-might behold those mountains where the sun, each evening, sinks to
-rest!"
-
-THE DEVIL. "The sun never sinks to rest; the sun never rests!"
-
-(_Anthony is not surprised at this voice. It seems to him an echo of
-his own thought--a response made by his own memory._
-
-_Meanwhile the earth gradually assumes the shape of a ball; and he
-beholds it in the midst of the azure, turning upon its poles, and
-revolving with the sun._)
-
-THE DEVIL. "So it does not form the centre of the universe! Pride of
-man! humiliate thyself!"
-
-ANTHONY. "Now I can scarcely distinguish it. It mingles confusedly with
-other glowing worlds. The firmament itself is but one tissue of stars."
-
-(_And they still rise._)
-
-"No sound!--not even the hoarse cry of eagles! Nothing? I listen for
-the harmony of the spheres."
-
-THE DEVIL. "Thou wilt not hear them! Nor wilt thou behold the
-antichtonus of Plato,--or the central furnace of Philolaüs,--or the
-spheres of Aristotle, or the seven heavens of the Jews, with the great
-waters above the vault of crystal!"
-
-ANTHONY. "Yet from below the vault seemed solid as a wall!--on the
-contrary I penetrate it, I lose myself in it!"
-
-(_And he beholds the moon,--like a rounded fragment of ice filled with
-motionless light._)
-
-THE DEVIL. "Formerly it was the sojourn of souls! Even the good
-Pythagoras adorned it with magnificent flowers, populated it with
-birds!"
-
-ANTHONY. "I can see only desolate plains there, with extinct craters
-yawning under a black sky!
-
-"Let us go towards those milder-beaming stars, that we may contemplate
-the angels who uphold them at arms' length, like torches!"
-
-THE DEVIL (_bears him into the midst of the stars_):
-
-"They attract at the same time that they repel each other. The
-action of each one results from that of others, and contributes
-thereunto,--without the aid of any auxiliary, by the force of a law,
-the virtue of order alone!"
-
-ANTHONY. "Yes!...yes! My intelligence grasps the great truth! It is
-a joy greater than all tender pleasures! Breathless I find myself with
-astonishment at the enormity of God!"
-
-THE DEVIL. "Even as the firmament ever rises as thou dost ascend, so
-with the expansion of thy thought will He become greater to thee; and
-after this discovery of the universe thou wilt feel thy joy augment
-with the broadening and deepening of the infinite."
-
-ANTHONY. "Ah! higher!--higher still!--- forever higher!"
-
-(_Then the stars multiply, scintillate. The Milky Way develops in the
-zenith like a monstrous belt, with holes at intervals; through these
-rents in its brightness stretches of prolonged darkness are visible.
-There are rains of stars, long trains of golden dust, luminous vapours
-that float and dissolve.
-
-At times a comet suddenly passes by; then the tranquillity of
-innumerable lights recommences.
-
-Anthony, with outstretched arms, supports himself upon the Devil's
-horns, and thus occupies all the space between them.
-
-He remembers with disdain the ignorance of other days, the mediocrity
-of his dreams. And now those luminous globes he was wont to gaze upon
-from below, are close to him. He distinguishes the intercrossing of
-the lines of their orbits, the complexity of their courses. He beholds
-them coming from afar,--and, like stones suspended in a sling, describe
-their circles, form their hyperbolas.
-
-He perceives, all within the field of his vision at once, the Southern
-Cross and the Great Bear, the Lynx and the Centaur, the nebula of
-Dorado, the six suns in the constellation of Orion, Jupiter with his
-four satellites, and the triple ring of the monstrous Saturn!--all the
-planets, all the stars that men will discover in the future. He fills
-his eyes with their light; he over-burthens his mind with calculation
-of their distances: then, bowing his head, he murmurs_):
-
-"What is the purpose of all that?"
-
-THE DEVIL. "There is no purpose. How could God have a purpose? What
-experience could have instructed him?--what reflection determined him?
-
-[Illustration: Anthony: What is the purpose of all that? The
-Devil: There is no purpose.]
-
-"Before the beginning he could not have acted;--and now his action
-would be useless."
-
-ANTHONY. "Yet he created the world, at one time, by his word only."
-
-THE DEVIL. "But the beings that people the earth come upon it
-successively. So also, in heaven, new stars arise--different effects of
-varying causes."
-
-ANTHONY. "The varying of causes is the will of God!"
-
-THE DEVIL. "But to admit several acts of will in God is to admit
-various causes, and therefore to deny his unity.
-
-"His will is inseparable from his essence. He can have but one will,
-having but one essence; and inasmuch as he externally exists, he acts
-eternally.
-
-"Contemplate the sun! From its surface leap vast jets of flame, casting
-forth sparks that disperse beyond to become worlds here-after;--and
-further than the last, far beyond those deeps where thou seest only
-night, whirl other suns,--and behind them others again, and beyond
-those yet others ... without end!"
-
-ANTHONY. "Enough! Enough! I fear!--I will fall into the abyss!"
-
-THE DEVIL (_pauses, and rocks Anthony gently in the midst of space_).
-
-"Nothingness is--not--there is no void! Everywhere and forever bodies
-move upon the immovable deeps of space! Were there boundaries to
-space, it would not be space, but a body only: it is limitless!"
-
-ANTHONY (_stupefied by wonder_):
-
-"Limitless!"
-
-THE DEVIL. "Ascend skyward forever and forever,--yet thou wilt not
-attain the summit. Descend below the earth for billions of billions of
-centuries: never wilt thou reach the bottom. For there is no summit,
-there is no bottom; there is no Above, no Below--nor height, nor
-depth as signified by the terms of human utterance. And Space itself
-is comprised in God, who is not a portion thereof of such or such a
-size,--but is Immensity itself!"
-
-ANTHONY (_slowly_):
-
-"Matter ..., then, ... must be a part of God?"
-
-THE DEVIL. "Why not? Canst thou know the end of God?"
-
-ANTHONY. "Nay: on the contrary, I prostrate, I crush myself beneath his
-mightiness!"
-
-THE DEVIL. "And yet thou dost pretend to move him! Thou dost speak to
-him,--thou dost even adorn him with virtues,--with goodness, justice,
-mercy,--in lieu of recognising that all perfections are his!
-
-"To conceive aught beyond him is to conceive God above God, the Being
-above the Being. For He is the only being, the only substance.
-
-"If the Substance could be divided, it would not be the Substance, it
-would lose its nature: God could not exist. He is therefore indivisible
-as infinite;--and if he had a body, he would be composed of parts,
-he would not be One--he would not be infinite. Therefore he is not a
-Person!"
-
-ANTHONY. "What? my prayers, my sobs, my groans, the sufferings of my
-flesh, the transports of my love,--have all these things gone out to a
-lie,--to emptiness, unavailingly--like the cry of a bird, like a whirl
-of dead leaves?"
-
-(_Weeping_):
-
-"Oh, no!--there is Some One above all things,--a great Soul, a Lord, a
-Father whom my heart adores and who must love me!"
-
-THE DEVIL. "Thou dost desire that God were not God;--for did he feel
-love, or anger, or pity,--he would abandon his perfection for a greater
-or a lesser perfection. He can stoop to no sentiment, nor be contained
-in any form."
-
-ANTHONY. "One day, nevertheless, I shall see him!"
-
-THE DEVIL. "With the blessed, is it not?--when the finite shall enjoy
-the infinite in some restricted place, containing the Absolute!"
-
-ANTHONY. "Matters not!--there must be a paradise for the good, as there
-is a hell for the wicked."
-
-THE DEVIL. "Can the desire of thy mind create the law of the universe?
-Without doubt evil is indifferent to God,--forasmuch as the Earth is
-covered with it!
-
-"Is it through impotence that he endures it, or through cruelty that he
-maintains it?
-
-"Dost thou fancy that he is eternally readjusting the world, like an
-imperfect machine?--that he is forever watching the movements of all
-beings, from the flight of a butterfly to the thought of a man?
-
-"If he have created the universe, his providence is superfluous. If
-Providence exists, then creation is defective.
-
-"But evil and good concern only thee--even like night and day, pleasure
-and pain, death and birth, which are relative only to one corner
-of space, to a special centre, to a particular interest. Since the
-Infinite is permanent, the Infinite is;--and that is all."
-
-(_The Devil's wings have been gradually expanding: now they cover all
-space._)
-
-ANTHONY (_now perceives nothing: a great faintness comes upon him_):
-
-"A hideous cold freezes me, even to the depths of my soul! This is
-beyond the extreme of pain! It is like a death that is deeper than
-death! I roll in the immensity of darkness; and the darkness itself
-enters within me. My consciousness bursts beneath this dilation of
-nothingness!"
-
-THE DEVIL. "Yet the knowledge of things comes to thee only through the
-medium of thy mind. Even as a concave mirror, it deforms the objects
-it reflects; and thou hast no means whatever of verifying their
-exactitude."
-
-"Never canst thou know the universe in all its vastness; consequently
-it will never be possible for thee to obtain an idea of its cause,
-to have a just notion of God, nor even to say that the universe is
-infinite,--for thou must first be able to know what the Infinite is!"
-
-"May not Form be, perhaps, an error of thy senses,--Substance a figment
-of thy imagination?"
-
-"Unless, indeed, that the world being a perpetual flux[1] of things,
-appearance, on the contrary, be wholly true; illusion the only reality."
-
-"But art thou sure thou dost see?--art thou even sure thou dost live?
-Perhaps nothing exists!"
-
-(_The Devil has seized Anthony, and, holding him at arms' length,
-glares at him with mouth yawning as though to devour him_):
-
-"Adore me, then!--and curse the phantom thou callest God!"
-
-(_Anthony lifts his eyes with a last effort of hope._
-
-_The Devil abandons him._)
-
-
-[1] The original text seems to me slightly obscure. The idea of the
-universe being a perpetual ebb and flow of shapes, is that of forms
-passing away to reappear like waves, is that of the Nidana-Sutris:
-"Individuality is only a form ... _Everything is only a flux of
-aggregates_, interminably uniting and disuniting," as Barth observes in
-his "Religions of India."--Trans.
-
-
-
-
-VII
-
-
-ANTHONY (_finds himself lying upon his back, at the verge of the cliff._
-
-_The sky commences to blanch._)
-
-"Is it the glow of dawn, or only an effect of moonlight?"
-
-(_He tries to rise, falls back,--his teeth chattering_):
-
-"I feel such a helplessness of weakness, as though all my bones were
-broken!
-
-"Why?
-
-"Ah! the Devil!--I remember!--he even repeated to me all that I
-learned from the aged Didymus respecting the opinions of Xenophanes,
-Heraclitus, of Melissus, of Anaxagoras,--concerning the infinite, the
-creation, the impossibility of knowing anything!
-
-"And yet I believed that I could unite myself to God!"
-
-(_Laughing bitterly_):
-
-"Ah! madness! madness! Is the fault mine? Prayer has become
-intolerable to me! My heart is dry as a rock! Once, it was wont to
-overflow with love!...
-
-"The sand used to smoke of mornings like the odourous dust of a
-censer;--at sunset flowers of fire used to bloom upon the cross; and in
-the middle of the night, it often seemed as though all beings and all
-things, lying under the same awful silence, were adoring the Lord with
-me. O charms of prayer, felicities of ecstasy, gifts of heaven,--what
-have become of you?
-
-"I remember a voyage I made with Ammon in search of a solitary place
-suited for the establishment of a monastery. It was the last evening;
-we hastened our steps, walked side by side, murmuring hymns, without
-conversing. As the sun sank, the shadows of our bodies lengthened like
-two obelisks, continually growing taller, and moving before us. Here
-and there we planted crosses, made with fragments of our sticks, to
-mark the site of a future cell. Night was tardy in her coming; and
-waves of darkness overspread the earth, even while a vast rose-coloured
-light still glowed in heaven.
-
-"When I was a child, I used to amuse myself by building hermitages
-with pebbles. My mother sitting beside me would watch me so attentively!
-
-"Will she not have cursed me for having abandoned her?--will she not
-have plucked out her white hair by handfuls in the despair of her
-grief? And her corpse remains lying on the floor of the hut, under the
-roof of reeds, between the crumbling walls. Through an orifice a hyena,
-snuffing, thrusts his head, advances his mouth ... horror! horror!"
-
-(_Sobbing_):
-
-"No: Ammonaria will not have abandoned her! Where is she
-now,--Ammonaria?
-
-"Perhaps at the further end of a bathroom, she removes her garments
-one after the other: first the mantle, then the girdle, then the first
-tunic, the second lighter tunic, all her necklaces,--and the vapour
-of cinnamon envelops her naked limbs. At last she lies down upon the
-tepid mosaic. Her long hair spreading below the curve of her hips,
-seems like a sable fleece; and the oppressiveness of the heated air
-causes her to pant; her waist arched, her breasts standing out ...
-What! my flesh rebels again! Even in the midst of grief am I tortured
-by concupiscence. To be subjected thus unto two tortures at once is
-beyond endurance! I can no longer bear myself!"
-
-(_He leans over, and gazes into the abyss._)
-
-"The man who should fall would be killed. Nothing easier: it were only
-necessary to roll over upon my left side:--only one movement--one!"
-
-(_Then suddenly appears_--AN AGED WOMAN. _Anthony starts to his feet in
-affright. It seems to him that he beholds his mother arisen._
-
-_But this woman is far older, and prodigiously thin._
-
-_A shroud, knotted about her head, hangs down, together with her white
-hair, so as to cover her legs, slender as crutches. The brilliancy of
-her ivory-coloured teeth make her earthy skin darker still. The orbits
-of her eyes are full of shadow; and far back within them two flames
-vacillate, like the lamps of sepulchres._
-
-_She exclaims_):
-
-"Advance! What hinders thee?"
-
-ANTHONY (_stammering_):
-
-"I fear ... to commit a sin!"
-
-SHE (_replies_):
-
-"But King Saul killed himself! Razias, a just man, killed himself!
-Saint Pelagia of Antioch killed herself! Dommina of Aleppo and her two
-daughters--all three saints--killed themselves: and remember also how
-many confessors delivered themselves up to the executioner in their
-impatient longing for death! That they might enjoy death more speedily,
-the virgins of Miletus strangled themselves with their girdles. At
-Syracuse the philosopher Hegesias preached so eloquently upon death
-that men deserted the lupanars to go hang themselves in the fields. The
-patricians of Borne sought for death as a new form of debauch."
-
-ANTHONY. "Aye! the love of death is strong; and many a anchorite has
-succumbed to it."
-
-THE OLD WOMAN. "To do that which will make thee equal unto God--think!
-He created thee: thou wilt destroy his work--thou! and by thy
-courage,--of thy own free will! The enjoyment that Erostratus knew was
-not greater than this. And moreover thy body has so long mocked thy
-soul that it is full time thou shouldst take vengeance upon it. Thou
-wilt not suffer. It will soon be over. Of what art thou afraid?--a
-wide, black hole! Perhaps it is a void!"
-
-[Illustration: The Old Woman: Of what art thou afraid?—a wide,
-black hole! Perhaps it is a void!]
-
-(_Anthony hearkens without replying; and upon the other side appears_--
-
-ANOTHER WOMAN--_young and marvellously beautiful. At first he takes
-her to be Ammonaria. But she is taller, blond as honey, very plump,
-with paint upon her cheeks and roses upon her head. Her long robe,
-weighty with spangles, gleams with metallic lustre;--her fleshy lips
-are sanguinolent; and her somewhat heavy eyelids are so drowned with
-languor that one would almost take her to be blind._
-
-_She murmurs_):
-
-"Nay, live! enjoy! Solomon counsels joy! Follow the guiding of thy
-heart and the desire of thine eyes!"
-
-ANTHONY. "What joy is there for me? My heart is weary; my eyes are dim!"
-
-SHE (_answers_):
-
-"Seek the suburb of Racotis; push open a door that is painted
-blue;--and when thou shalt be in the atrium where a fountain jet
-murmurs unceasingly, a woman will present herself before thee--in
-peplos of white silk striped with gold; her hair is unloosed, her
-laugh like the clatter of crotali. She is skilful. In her caress thou
-wilt taste the pride of initiation and the appeasement of desire.
-
-"Hast ever pressed to thy bosom a virgin who loved thee? Dost remember
-the surrenders of her modesty,--the passing away of her remorse in a
-sweet flow of tears?
-
-"Thou canst even now imagine thyself walking with her--canst thou
-not?--in the wood by the light of the moon? At each pressure of your
-joined hands, a sweet shuddering passes through you both,--looking
-closely into each other your eyes seem to outpour into one another
-something like immaterial fluid;--and thy heart fills: it bursts: it is
-a suave whirl of eddying passion, an overflowing of intoxication...."
-
-THE OLD WOMAN. "One need not possess joys in order to taste their
-bitterness! Even to view them from afar off begets loathing of them.
-Thou must be fatigued by the monotony of the same actions, the length
-of the days, the hideousness of the world, the stupidity of the sun?"
-
-ANTHONY. "Aye, indeed!--I loathe all that he shines upon."
-
-THE YOUNG WOMAN. "Hermit! hermit! thou wilt find diamonds among the
-flints, fountains beneath the sand, a delectation in all the hazards
-thou dost despise; and there are even upon earth places of such beauty
-that the sight of them would make thee desire to press the whole world
-against thy heart with love!"
-
-THE OLD WOMAN. "Each evening that thou liest down upon the earth to
-slumber, thou dost hope that it may soon lie upon thee and cover thee."
-
-THE YOUNG WOMAN. "Yet thou dost believe in the resurrection of the
-flesh--which is but the translation of life into eternity!"
-
-(_Even as she speaks, the Old Woman becomes still more fleshless; and
-above her skull, from which the white hair has disappeared, a bat
-circles in the air._
-
-_The Young Woman has become fatter. Her robe gleams with shifting
-colours; her nostrils palpitate, her eyes roll softly._)
-
-THE FORMER (_opening her arms, exclaiming_):
-
-"Come to me!--I am Consolation, repose, oblivion, eternal calm!"
-
-THE OTHER.
-
-"I am the sleep-giver, life, happiness inexhaustible!"
-
-(_Anthony turns to fee from them. Each lays a hand on his shoulder._
-
-_The Shroud parts, exposes the Skeleton of Death._
-
-_The robe splits asunder, and leaves the whole body of Lust
-exposed:--her waist is slender; her long and undulating hair flutters
-in the wind._
-
-_Anthony stands motionless between the two, considering them_):
-
-DEATH (_says to him_):
-
-"What matters it, whether now or at another time! Thou art mine,--like
-suns, nations, cities, kings, mountain-snows, and the grasses of the
-fields. I fly higher than the hawks of heaven. I run more swiftly than
-the gazelle; I overtake even Hope; I vanquished the Son of God!"
-
-LUST. "Resist not! I am the Omnipotent! The forests re-echo with my
-sighs; the waters tremble with my agitations. Virtue, courage, piety,
-dissolve in the perfume of my mouth. Man I accompany in every step
-that he makes; and even from the threshold of the tomb he turns to me!"
-
-DEATH. "I will find for thee that which thou hast vainly sought for,
-by the gleam of torches, upon the faces of the dead,--or among those
-awful sands that are formed of human remains, where thou wast wont to
-wander beyond the Pyramids. From time to time, the fragment of a skull
-rolled under thy sandal. Thou didst take up the dust: thou didst let it
-trickle through thy fingers; and thy thought, blending with it, sank
-into nothingness."
-
-LUST. "My gulf is deeper! Marbles have inspired loves. Men rush to
-conjunctures that terrify. Fetters are riveted that the fettered curse.
-Whence the bewitchment of courtesans, the extravagance of dreams, the
-immensity of my sadness?"
-
-DEATH. "Mine irony depasseth all others! There are convulsions of
-delight at the funerals of kings, at the extermination of a whole
-people; and war is made with music, with plumes, with harness of
-gold,--with vast display of ceremony that my due of homage may be
-greater!"
-
-[Illustration: Death: Mine irony depasseth all others!]
-
-LUST. "My rage equals thine! I also yell; I bite! I, too, have sweats
-of agony, and aspects cadaverous!"
-
-DEATH. "It is I that make thee awful! Let us intertwine!"
-
-[Illustration: Death: It is I that make thee awful! Let us
-intertwine!]
-
-(_Death laughs mockingly; Lust roars. They clasp each other about the
-waist, and chant alternately_):
-
-"I hasten the dissolution of matter!"
-
-"I facilitate the dispersion of germs!"
-
-"Thou dost destroy for my renovations!"
-
-"Thou dost engender for my destructions!"
-
-"Ever-active my power!"
-
-"Fecund, my putrefaction!"
-
-(_And their voices, whose rolling echoes fill the horizon, deepen and
-become so mighty that Anthony falls backward as if thunder-stricken. A
-shock from time to time causes him to reopen his eyes; and he perceives
-in the midst of the darkness a manner of monster before him._
-
-_It is a skull, crowned with roses, dominating the torso of a woman
-nacreously white. Below, a shroud starred with specks of gold forms
-something like a tail; and the whole body undulates, after the fashion
-of a gigantic worm erect on end._
-
-_The vision attenuates,--disappears._)
-
-ANTHONY (_rising to his feet_):
-
-"The Devil yet again, and under his two-fold aspect: the spirit of
-fornication, and the spirit of destruction.
-
-"Neither affrights me! I repel happiness; and I know myself to be
-eternal.
-
-"Thus death is only an illusion, a veil-masking betimes the continuity
-of life.
-
-"But Substance being unique, wherefore should forms be varied?
-
-"Somewhere there must be primordial figures, whose bodily forms are
-only symbols. Could I but see them, I would know the link between
-matter and thought; I would know in what Being consists.
-
-[Illustration: Anthony: Somewhere there must be primordial
-figures, whose bodily forms are only symbols.]
-
-"Such were the figures painted at Babylon upon the walls of the
-temple of Belus; and others like them covered a mosaic in the port of
-Carthage. I myself have sometime beheld in the sky, as it were, forms
-of spirits. Those who cross the desert meet with animals surpassing all
-conception...."
-
-[Illustration: I myself have sometime beheld in the sky, as it
-were, forms of spirits.]
-
-(_And opposite, upon the further side of the Nile, suddenly appears
-the Sphinx.[1] He stretches his paws, shakes the bandelets upon his
-forehead, and crouches upon his belly._
-
-_Leaping, flying, spitting fire through her nostrils, lashing her
-winged sides with her dragon-tail, the green-eyed Chimera circles,
-barks._
-
-_The thick curls of her head tossed back upon one side mingle with
-the hair of her loins; on the other side they hang down to the sand,
-quivering with the swinging of her body, to and fro._)
-
-THE SPHINX (_remaining motionless, and gazing at the Chimera_):
-
-"Hither, Chimera! rest awhile!"
-
-THE CHIMERA. "No! never!"
-
-THE SPHINX. "Do not run so fast, do not fly so high, do not bark so
-loudly!"
-
-THE CHIMERA. "DO not call me!--call me no more; since thou must remain
-forever dumb."
-
-THE SPHINX. "Cease casting thy flames in my face, and uttering thy
-yells in my ear: thou canst not melt my granite."
-
-THE CHIMERA. "Thou shalt not seize me, terrible sphinx!"
-
-THE SPHINX. "Thou art too mad to dwell with me!"
-
-THE CHIMERA. "Thou art too heavy to follow me!"
-
-THE SPHINX. "Yet whither goest thou, that thou shouldst run so fast?"
-
-THE CHIMERA. "I gallop in the corridors of the Labyrinth--I hover above
-the mountains--I graze the waves in my flight--I yelp at the bottom of
-precipices--I suspend myself with my mouth from the skirts of clouds--I
-sweep the shores with my dragging tail; and the curves of the hills
-have taken their form from the shape of my shoulders! But thee I find
-perpetually immobile, or perhaps making strange designs with thy claws
-upon the sand."
-
-THE SPHINX. "It is because I keep my secret;--I dream and calculate.
-
-"The sea returns to its bed; the wheat bends back and forth in the
-wind; the caravans pass by; the dust flies; cities crumble; and yet
-my gaze, which naught can deviate, remains fixed, gazing through all
-intervening things, upon a horizon that none may reach."
-
-[Illustration: The Sphinx: ... and yet my gaze, which naught
-can deviate, remains fixed, gazing through all intervening
-things, upon a horizon that none may reach. The Chimera: I am
-light and joyous!]
-
-THE CHIMERA. "I am light and joyous! I offer to the eyes of men
-dazzling perspectives with Paradise in the clouds above, and
-unspeakable felicity afar off. Into their souls I pour the eternal
-madnesses; projects of happiness, plans for the future, dreams of glory
-and vows of love, and all virtuous resolutions.
-
-"I urge men to perilous voyages and great enterprises. I have chiselled
-with my claws the wonders of architecture. It was I who suspended the
-little bells above the tomb of Porsenna, and surrounded the quays of
-Atlantis with a wall of orichalcum.
-
-"I seek for new perfumes, for vaster flowers, for pleasures never felt
-before. If I perceive in any place a man whose mind reposes in wisdom,
-I fall upon him, and strangle him."
-
-THE SPHINX. "All those tormented by the desire of God, I have devoured.
-
-"In order to climb up to my royal brow, the strongest ascend upon the
-flutings of my bandelets as upon the steps of a stairway. Then a great
-lassitude comes upon them, and they fall backward."
-
-(_Anthony begins to tremble._
-
-_He is no longer before his cabin, but in the desert itself, with those
-two monsters beside him, whose breath is hot upon his shoulders._)
-
-THE SPHINX. "O thou Fantasy, bear me away upon thy wings that my
-sadness may be lightened!"
-
-THE CHIMERA. "O thou Unknown, I am enamoured of thine eyes! Like a
-hyena in heat I turn about thee, soliciting those fecundations whereof
-the desires devour me!
-
-"Ope thy mouth, lift thy feet--mount upon my back!"
-
-THE SPHINX. "My feet, since they have been outstretched, can move no
-more. The lichen, like an eruption, has formed upon my jaws. By dint of
-long dreaming I have no longer aught to say."
-
-THE CHIMERA. "Thou liest, hypocrite Sphinx! Wherefore dost thou always
-call me and always disown me!"
-
-THE SPHINX. "It is thou, indomitable caprice, that dost forever pass
-and repass, whirling in thy course!"
-
-THE CHIMERA. "Is the fault mine? What? Let me be!"
-
-(_She barks._)
-
-THE SPHINX. "Thou movest away! thou dost escape me!"
-
-(_He growls._)
-
-THE CHIMERA. "Essay!--Thou crushest me!"
-
-THE SPHINX. "Nay!--impossible!"
-
-(_And gradually sinking down he disappears in the sand; while the
-Chimera, ramping with tongue protruding, departs, describing circles on
-her way._
-
-_The breath of her mouth has produced a fog._
-
-_Through this mist Anthony perceives wreathings of clouds, undecided
-curves._
-
-_At last he can distinguish something like the appearance of human
-bodies._
-
-_And first_:--
-
-THE ASTOMI--_approach, like bubbles of air traversed by sunlight. They
-cry_):
-
-"Do not breathe too hard! The drops of rain bruise us, false notes
-excoriate us, darknesses blind us! Composed wholly of breezes and of
-perfumes, we float along, we roll along:--a little more than Dreams,
-yet not quite beings...."
-
-THE NISNAS
-
-(_have only one eye, one cheek, one hand, one leg, half a body, half a
-heart. They say_):
-
-"We live quite in our halves of houses, with our halves of wives and
-our halves of children!"
-
-THE BLEMMYES
-
-(_who have no head at all_):
-
-"Our shoulders are all the broader;--and there is no ox, rhinoceros, or
-elephant able to carry what we carry.
-
-"Something dimly resembling features--as it were a vague
-face--imprinted upon our breasts: that is all! We think digestions; we
-subtleize secretions. God, in our belief, floats peacefully within the
-interior chyles.
-
-"We go straight upon our way, through all mires, crossing all morasses,
-skirting the edges of all abysses: and we are the most laborious, the
-most happy, the most virtuous of all peoples!"
-
-THE PYGMIES:
-
-"We, good little men, swarm upon the world like vermin upon the hump of
-a dromedary.
-
-"We are burned, drowned, crushed; and we always reappear, more
-vivacious and countless than before--terrible by reason of our numbers!"
-
-THE SCIAPODS:
-
-"Fettered to the earth by our hair, long as lianas, we vegetate beneath
-the shelter of our feet, broad as parasols; and the light comes to us
-through the thickness of our heels. No annoyances for us, no work! The
-head as low as possible--That is the secret of happiness."
-
-[Illustration: The Sciapods: The head as low as possible—That is
-the secret of happiness.]
-
-(_Their lifted thighs,--resembling the trunks of trees,--multiply._
-
-_And a forest appears. Great apes clamber through it on all
-fours:--these are men with the heads of dogs._)
-
-THE CYNOCEPHALI:
-
-"We leap from branch to branch in search of eggs to suck; and we pluck
-the little fledglings alive; then we put their nests upon our heads in
-lieu of caps.
-
-"We tear off the teats of cows; and we put out the eyes of lynxes:
-we let fall our dung from the heights of the trees--we parade our
-turpitude in the full light of the sun.
-
-"Lacerating the flowers, crushing the fruits, befouling the springs,
-violating women, we are the masters of all,--by the strength of our
-arms, and the ferocity of our hearts.
-
-"Ho! companions!--gnash with your jaws!"
-
-(_Blood and milk pour down their chops. The rain streams over their
-hairy backs._
-
-_Anthony inhales the freshness of the green leaves._
-
-_There is a movement among them, a clashing of branches; and all of
-a sudden appears a huge black stag, with the head of a bull, having
-between his ears a thicket of white horns._)
-
-THE SADHUZAG:
-
-"My seventy-four antlers are hollow like flutes.
-
-"When I turn me toward the wind of the South, there issue from them
-sounds that draw all the ravished animals around me. The serpents twine
-about my legs; the wasps cluster in my nostrils; and the parrots, the
-doves, the ibises, alight upon the branches of my horns.
-
-"Listen!"
-
-(_He throws back his horns, whence issues a music of sweetness
-ineffable._
-
-_Anthony presses both hands upon his heart. It seems to him as though
-his soul were being borne away by the melody._)
-
-THE SADHUZAG:
-
-"But when I turn me toward the wind of the North, my antlers, more
-thickly bristling than a battalion of lances, give forth a sound of
-howlings: the forests are startled with fear; the rivers remount toward
-their sources; the husks of fruits burst open; and the bending grasses
-stand erect on end, like the hair of a coward.
-
-"Listen!"
-
-(_He bends his branching antlers forward: hideous and discordant cries
-proceed from them. Anthony feels as though his heart were torn asunder._
-
-_And his horror augments upon beholding_)--
-
-THE MARTICHORAS
-
-(_A gigantic red lion, with human face, and three rows of teeth_):
-
-"The gleam of my scarlet hair mingles with the reflection of the great
-sands. I breathe through my nostrils the terror of solitudes. I spit
-forth plague. I devour armies when they venture into the desert.
-
-"My claws are twisted like screws, my teeth shaped like saws; and my
-curving tail bristles with darts which I cast to right and left, before
-and behind!
-
-"See! see!"
-
-(_The Martichoras shoots forth the keen bristles of his tail, which
-irradiate in all directions like a volley of arrows. Drops of blood
-rain down, spattering upon the foliage._)
-
-THE CATOBLEPAS
-
-(_A black buffalo with a pig's head, falling to the ground, and
-attached to his shoulders by a neck long, thin, and flaccid as an empty
-gut._
-
-_He wallows flat upon the ground, and his feet entirely disappear
-beneath the enormous mane of coarse hair which covers his face_):
-
-"Fat, melancholy, fierce--thus I continually remain, feeling against
-my belly the warmth of the mud. So heavy is my skull that it is
-impossible for me to lift it. I roll it slowly all around me,
-open-mouthed; and with my tongue I tear up the venemous plants bedewed
-with my breath. Once, I even devoured my own feet without knowing it!
-
-"No one, Anthony, has ever beheld mine eyes,--or at least, those who
-have beheld them are dead. Were I to lift my eyelids--my pink and
-swollen eyelids, thou wouldst forthwith die!"
-
-ANTHONY. "Oh, that one! Ugh! As though I could desire it?--Yet his
-stupidity fascinates me! No, no! I will not!"
-
-(_He gazes fixedly upon the ground._
-
-_But the weeds take fire; and amidst the contorsions of the flames,
-arises_)--
-
-THE BASILISK
-
-(_A great violet serpent, with trilobate crest, and two fangs, one
-above, one below_):
-
-"Beware, lest thou fall into my jaws! I drink fire. I am fire!--and I
-inhale it from all things: from clouds, from flints, from dead trees,
-the fur of animals, the surface of marshes. My temperature maintains
-the volcanoes: I lend glitter to jewels: I give colours to metals!"
-
-THE GRIFFIN
-
-(_A lion with a vulture's beak, and white wings, red paws and blue
-neck_):
-
-"I am the master of deep splendours. I know the secrets of the tombs
-wherein the Kings of old do slumber.
-
-"A chain, issuing from the wall, maintains their heads upright. Near
-them, in basins of porphyry, the women they loved float upon the
-surfaces of black liquids. Their treasures are all arrayed in halls, in
-lozenge-shaped designs, in little heaps, in pyramids;--and down below,
-far below the tombs, and to be reached only after long travelling
-through stifling darkness, there are rivers of gold bordered by forests
-of diamonds, there are fields of carbuncles and lakes of mercury.
-
-"Addossed against the subterranean gate I remain with claws uplifted;
-and my flaming eyes spy out those who seek to approach. The vast and
-naked plain that stretches away to the end of the horizon is whitened
-with the bones of travellers. But for thee the gates of bronze shall
-open; and thou shalt inhale the vapour of the mines, thou shalt descend
-into the caverns.... Quick! quick!"
-
-(_He burrows into the earth with his paws, and crows like a cock._
-
-_A thousand voices answer him. The forest trembles._
-
-_And all manner of frightful creatures arise:--The Tragelaphus, half
-deer, half ox; the Myrmecoles, lion before-and ant behind, whose
-genitals are set reversely; the python Askar, sixty cubits long, that
-terrified Moses; the huge weasel Pastinaca, that kills the trees with
-her odour; the Presteros, that makes those who touch it imbecile;
-the Mirag, a horned hare, that dwells in the islands of the sea. The
-leopard Phalmant bursts his belly by roaring; the triple-headed bear
-Senad tears her young by licking them with her tongue; the dog Cepus
-pours out the blue milk of her teats upon the rocks. Mosquitoes begin
-to hum, toads commence to leap; serpents hiss. Lightnings flicker. Hail
-falls._
-
-_Then come gusts, bearing with them marvellous anatomies:--Heads of
-alligators with hoofs of deer; owls with serpent tails; swine with
-tiger-muzzles; goats with the crupper of an ass; frogs hairy as bears;
-chameleons huge as hippopotami; calves with two heads, one bellowing,
-the other weeping; winged bellies flitting hither and thither like
-gnats._
-
-_They rain from the sky, they rise from the earth, they pour from the
-rocks; everywhere eyes flame, mouths roar, breasts bulge, claws are
-extended, teeth gnash, flesh clacks against flesh. Some crouch; some
-devour each other at a mouthful._
-
-_Suffocating under their own numbers, multiplying by their own contact,
-they climb over one another; and move about Anthony with a surging
-motion as though the ground were the deck of a ship. He feels the trail
-of snails upon the calves of his legs, the chilliness of vipers upon
-his hands:--and spiders spinning about him enclose him within their
-network._
-
-_But the monstrous circle breaks, parts; the sky suddenly becomes blue;
-and_)--
-
-THE UNICORN (_appears_):
-
-"Gallop! Gallop!
-
-"I have hoofs of ivory, teeth of steel; my head is the colour of
-purple, my body the colour of snow; and the horn of my forehead is
-bestreaked with the tints of the rainbow.
-
-"I travel from Chaldea to the Tartar desert,--upon the shores of the
-Ganges and in Mesopotamia. I overtake the ostriches. I run so swiftly
-that I draw the wind after me. I rub my back against the palm-trees. I
-roll among the bamboos. I leap rivers with a single bound. Doves fly
-above me. Only a virgin can bridle me.
-
-"Gallop! Gallop!"
-
-(_Anthony watches him depart._
-
-_And as he gazes he beholds all the birds that nourish themselves
-with wind: the Gouith, the Ahuti, the Alphalim, the Iukneth, of the
-mountains of Kaf, the homai of the Arabs--which are the souls of
-murdered men. He hears the parrots that utter human speech; and the
-great Pelasgian palmipeds that sob like children or chuckle like old
-women._
-
-_A saline air strikes his nostrils. Now a vast beach stretches before
-him._
-
-_In the distance jets of water arise, spouted by whales; and from the
-very end of the horizon come_)--
-
-THE BEASTS OF THE SEA
-
-(_round as wineskins, flat as blades, denticulated like saws, dragging
-themselves over the sand as they approach_):
-
-[Illustration: The beasts of the sea round as wineskins ...]
-
-"Thou wilt accompany us to our immensities, whither as yet no one has
-descended.
-
-"Divers peoples inhabit the countries of the Ocean. Some dwell in the
-sojourn of tempests; others swim freely amid the transparency of chill
-waves;--or, like oxen, graze upon the coral plains, or suck in through
-their trunks the reflux of the tides,--or bear upon their shoulders the
-vast weight of the sources of the sea."
-
-[Illustration: Divers peoples inhabit the countries of the Ocean.]
-
-(_Phosphorences gleam in the moustaches of the seals, shift in the
-scales of fish. Echini whirl like wheels; ammonites uncoil like cables;
-oysters make their shell hinges squeak; polypi unfold their tentacles;
-medusæ quiver like balls of crystal suspended; sponges float hither and
-thither, anemones ejaculate water; wrack and sea-mosses have grown all
-about._
-
-_And all sorts of plants extend themselves into branches, twist
-themselves into screws, lengthen into points, round themselves out like
-fans. Gourds take the appearance of breasts; lianas interlace like
-serpents._
-
-_The Dedaims of Babylon, which are trees, bear human heads for fruit;
-Mandragoras sing;--the root Baaras runs through the grass._
-
-_And now the vegetables are no longer distinguishable from the animals.
-Polyparies that seem like trees, have arms upon their branches. Anthony
-thinks he sees a caterpillar between two leaves: it is a butterfly that
-takes flight. He is about to step on a pebble: a grey locust leaps
-away. One shrub is bedecked with insects that look like petals of
-roses; fragments of ephemerides form a snowy layer upon the soil._
-
-_And then the plants become confounded with the stones._
-
-_Flints assume the likeness of brains; stalactites of breasts; the
-flower of iron resembles a figured tapestry._[2]
-
-_He sees efflorescences in fragments of ice, imprints of shrubs and
-shells--yet so that one cannot detect whether they be imprints only, or
-the things themselves. Diamonds gleam like eyes; metals palpitate._
-
-_And all fear has departed from him! He throws himself down upon the
-ground, and leaning upon his elbows, watches breathlessly._
-
-_Insects that have no stomachs persistently eat; withered ferns bloom
-again and reflower; absent members grow again._
-
-_At last he perceives tiny globular masses, no larger than pinheads,
-with cilia all round them. They are agitated with a vibratile motion_):
-
-ANTHONY (_deliriously_):
-
-"O joy! O bliss! I have beheld the birth of life! I have seen the
-beginning of motion! My pulses throb even to the point of bursting!
-I long to fly, to swim, to bark, to bellow, to howl! Would that I
-had wings, a carapace, a shell,--that I could breathe out smoke,
-wield a trunk,--make my body writhe,--divide myself everywhere,--be
-in everything,--emanate with odours,--develop myself like the
-plants,--flow like water,--vibrate like sound--shine like light,
-squatting upon all forms--penetrate each atom--descend to the very
-bottom of matter,--be matter itself!"
-
-(_Day at last appears;--and, like tabernacle curtains uplifted, clouds
-of gold uprolling in broad volutes unveil the sky._
-
-_Even in the midst thereof, and in the very disk of the sun, beams the
-face of Jesus Christ._
-
-[Illustration: Day at last appears ... in the midst thereof and
-in the very disk of the sun, beams the face of Jesus Christ.]
-
-_Anthony makes the sign of the cross, and resumes his devotions._)
-
-
-FINIS
-
-
-[1] Winkelmann claims to have been the first to discover that the
-Egyptian sphinxes were bisexual--females before--males otherwise. (See
-Book II, chap. I, § 25.) Flaubert speaks of the Sphinx in the masculine
-like Philemon. (See also Signor Carlo Fea's note upon the paragraph in
-Winkelmann, old French edition. An II, R. F.)--Trans.
-
-[2] Fleurs de fer, "flowers of iron." In mineralogy _flos ferri_, a
-form of Aragonite.--Trans.
-
-
-
-
-[NOTE
-
-Those who compare this translation with the original will observe the
-omission of some few paragraphs on pages 77, 96 and 211. They are
-speeches put in the mouths of certain Heresiarchs, or complaints of
-certain of the minor Roman household gods. The translator relegated
-these to an addenda, which the publishers have omitted as being
-unnecessary. Those who are familiar with the original will be able to
-supply them, and will realize that while they might be offensive to
-some persons, they are in no respect an integral or important part of
-the great drama.]
-
-
-
-
-ADDENDA (added by transcribers)
-
-
-A. Observation of Manes, pages 82-3, original text; page 89 of
-translation.
-
-
-MANES
-
-_Ou plutôt, faites si bien qu'elle ne soit pas fécondes. Mieux vaut
-pour l'ame tomber sur la terre que de languir dans des entraves
-charnelles._
-
-Probably a calumny against Manes; for the Eastern philosophy,
-especially that of Zoroaster, which is said to have inspired the tenets
-of Manichæism, advocated no such abominations.
-
-
-B. Page 105 of original; page 108 translation. The realistic
-phraseology of the original passage is rather brutal. The French text
-reads: "_Il souffrait de la maladie Bellerephontienne; et sa mère, la
-parfumeuse, s'est livrée à Pantherus, un soldat Romain, sur des gerbes
-de mais, un soir de moisson._" C. Descriptive text, page 237 original,
-partly suppressed on page 223 translation: "_Et il lui montre dans un
-bosquet d'aliziers Une Femme toute nue, à quatre pattes comme une bête,
-et saillie par un homme noir, tenant dans chaque main un flambeau._"
-
-D. Curious text of Crepitus, on page 228, pages 241-3 of original:
-
-CREPITUS
-
-(----se fait entendre):
-
-_Moi aussi l'on m'honora jadis. On me faisait des libations. Je fus un
-Dieu!_
-
-_L'Athénien me saluait comme un presage de fortune, tandis que le
-Romain dévot me maudissait les poings levés et que le pontife d'Egypte,
-s'abstinant des fèves, tremblait à ma voix et pâlissait à mon odeur._
-
-_Quand le vinaigre militaire coulait sur les barbes non rasées, qu'on
-se régalait de glands, de pois, et d'oignons crus, et que le bouc en
-morceau cuissait dans le beurre rance des pasteurs, sans souci du
-voisin, personne alors ne se gênait. Les nourritures solides faisaient
-digestions retentissantes. Au soleil de la campagne les hommes se
-soulageaient avec lenteur._
-
-_Ainsi, je passais sans scandale, comme les autres besoins de la vie,
-comme Mena, tourment des vierges, et la douce Rumina qui protège le
-sein de la nourrice, gonflé, des veines bleuâtres. J'étais joyeux. Je
-faisais rire. Et se dilatant d'aise à cause de moi, le convive exhalait
-toute sa gaieté par les ouvertures de son corps._
-
-_J'ai eu mes jours d'orgeuil. Le bon Aristophane me promena sur la
-scène, et l'empereur Claudius Drusus[1] me fit asseoir à sa table. Dans
-les laticlaves des patriciens j'ai circulé majestueusement! Les vases
-d'or, comme des tympanons, resonnaient sous moi; et, quand plein de
-murènes, de truffles, et de pâtés, l'intestin du maître se dégageait
-avec fracas, l'univers attentif apprenait que César avait diné!_
-
-_Mais à présent, je suis confiné dans la populace_[2] _et l'on se
-récrie, même à mon nom!_
-
-_Et Crepitus s'éloigne, en poussant un gémissement...._
-
-E. For descriptions of the Martichoras and other monsters, appearing
-page 287 in the original and 263 in the translation, see also Rabelais'
-Pantagruel, Book V, Chap. XXX.
-
-
-
-[1] Needless to refer to the comedies of Aristophanes, with which
-English readers have been familiarized through the Bohn translations.
-The reference to Claudius ius Drusus seems based upon the following
-lines in Suetonius: "_Dicitur etiam meditatus edictum, quo veniam daret
-flatum crepitumque ventris in convivio emittendi: cum periclitatum
-quemdam prae pudore ex continentia reperisset._" (_Suetonius-Tiberius
-Claudius Drusus_: 32.)
-
-[2] The so-called divinities, _Deus Crepitus, Dea Pertunda, Deus
-Stercutius, Dea Rumina_ (or _Rumilia_), _Dea Mena_, concerning whose
-curious attributes the reader may consult English or French classical
-encyclopedists, were doubtless regarded by the intelligent classes
-of antiquity much as certain religious superstitions are regarded by
-educated moderns. It is true that they furnished grotesque themes
-to artists; but many existing superstitions regarding elves and
-goblins have inspired modern sculptors, painters and designers.
-Certainly, seriously worshipped as deities, Priapus might seem equally
-contemptible as a divinity; but his worship, degenerate as it became
-in later years, was primitively symbolical. The obscene image merely
-typified the procreative Spirit of Nature. The eccentric gods and
-goddesses above referred to had no such excuse for being. As previously
-observed, however, Flaubert artistically represents these divinities
-not as they were really considered in the antique world, but rather as
-they would have appeared to the eyes of zealous Christians in the third
-century--infamous and loathsome.--Translator.
-
-
-
-
- * * * * * *
-
-
-
-
-Transcriber's note:
-
-This translation of the "Tentation" by Lafcadio Hearn, still regarded
-by many as the best up until now in English, still misses some small
-fragments (of a couple of words) not deemed fit for the Anglo-Saxon
-temperament of that time. There is a contemporary version (2002) of
-this translation available, with introduction by Michel Foucault and
-the inclusion of some missing expressions. The original French by
-Gustave Flaubert is also available at Project Gutenberg--see
-http://www.gutenberg.org/ebooks/10982
-
-
-
-***END OF THE PROJECT GUTENBERG EBOOK THE TEMPTATION OF ST. ANTHONY***
-
-
-******* This file should be named 52225-8.txt or 52225-8.zip *******
-
-
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-http://www.gutenberg.org/dirs/5/2/2/2/52225
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+The Project Gutenberg eBook, The Temptation of St. Anthony, by Gustave +Flaubert, Translated by Lafcadio Hearn, Illustrated by Odilon Redon + + +This eBook is for the use of anyone anywhere in the United States and most +other parts of the world at no cost and with almost no restrictions +whatsoever. You may copy it, give it away or re-use it under the terms of +the Project Gutenberg License included with this eBook or online at +www.gutenberg.org. If you are not located in the United States, you'll have +to check the laws of the country where you are located before using this ebook. + + + + +Title: The Temptation of St. Anthony + + +Author: Gustave Flaubert + + + +Release Date: June 4, 2016 [eBook #52225] + +Language: English + +Character set encoding: ISO-8859-1 + + +***START OF THE PROJECT GUTENBERG EBOOK THE TEMPTATION OF ST. ANTHONY*** + + +E-text prepared by Laura Natal Rodriguez and Marc D'Hooghe +(http://www.freeliterature.org) from page images generously made available +by the Google Books Library Project (http://books.google.com) and +illustrations generously made available by Bibliothèque nationale de +France (http://gallica.bnf.fr) + + + +Note: Project Gutenberg also has an HTML version of this + file which includes the original illustrations. + See 52225-h.htm or 52225-h.zip: + (http://www.gutenberg.org/files/52225/52225-h/52225-h.htm) + or + (http://www.gutenberg.org/files/52225/52225-h.zip) + + +Note: Images of the original pages are available through + the Google Books Library Project. See + https://books.google.com/books?id=9g9EAAAAYAAJ + + +Transcriber's note: + + Text enclosed by underscores is in italics (_italics_). + + The o-e ligature is represented by [oe]. + + + + + +THE TEMPTATION OF ST. ANTHONY + +by + +GUSTAVE FLAUBERT + +Translated by Lafcadio Hearn + +Illustrations by Odilon Redon + +(Added especially for this PG e-book.) + + + + + + + +The Alice Harriman Company +New York and Seattle +1910 + + + + +INTRODUCTION + + +It was at some period between 1875 and 1876 that Lafcadio Hearn--still +a "cub" reporter on a daily paper in Cincinnati--began his translation +of Flaubert's "Temptation of St. Anthony." The definitive edition of +the work, over which the author had laboured for thirty years, had +appeared in 1874. + +Hearn was, in his early youth, singularly indifferent to the work of +the Englishmen of the Victorian period. Though he knew the English +masterpieces of that epoch, their large, unacademic freedom of manner +awakened no echoes in his spirit. His instinctive taste was for the +exquisite in style: for "that peculiar kneading, heightening, and +recasting" which Matthew Arnold thought necessary for perfection. +Neither did the matter, more than the manner of the Victorians appeal +to him. The circumstances of his life had at so many points set him +out of touch with his fellows that the affectionate mockery of +Thackeray's pictures of English society were alien to his interest. +The laughing heartiness of Dickens' studies of the man in the street +hardly touched him. Browning's poignant analyses of souls were too +rudely robust of manner to move him. Before essaying journalism Hearn +had served for a while as an assistant in the Public Library, and +there he had found and fallen under the spell, of the great Frenchman +of the Romantic School of the '30's--that period of rich flowering of +the Gallic genius. Gautier's tales of ancient weirdnesses fired his +imagination. The penetrating subtleties of his verse woke in the boy +the felicitous emotions which the virtuoso knows in handling cameos +and enamellings by hands which have long been dust. So, also, Hugo's +revivals of the passions and terrors of the mediæval world stirred the +young librarian's eager interest. But most of all his spirit leapt +to meet the tremendous drama of the "Temptation." He comprehended at +once its large significance, its great import, and in his enthusiastic +recognition of its value and meaning he set at once about giving it a +language understood of the people of his own tongue. + +Tunison tells of the little shy, shabby, half-blind boy--the long +dull day of police reporting done--labouring at his desk into the +small hours, with the flickering gas jet whistling overhead, and his +myopic eyes bent close to the papers which he covered with beautiful, +almost microscopic characters--escaping thus from the crass, raw world +about him to delicately and painstakingly turn into English stories +of Cleopatra's cruel, fantastic Egyptian Night's Entertainment. +Withdrawing himself to transliterate tales of pallid beautiful vampires +draining the veins of ardent boys: of lovely faded ghosts of great +ladies descending from shadowy tapestries to coquette with romantic +dreamers; or to find an English voice for the tragedy of the soul of +the Alexandrian cenobite. + +It was in such dreams and labours that he found refuge from the +environment that was so antipathetic to his tastes, and in his +immersion in the works of these virtuosos of words, in his passionate +search for equivalents of the subtle nuances of their phrases, he +developed his own style. A style full of intricate assonances, of a +texture close woven and iridescent. + +"One of Cleopatra's Night's"--a translation of some of Gautier's tales +of glamour--was issued in 1882, but at "The Temptation of St. Anthony" +the publishers altogether balked. The manuscript could not achieve even +so much as a reading. America had in the '70's just begun to emerge +from that state of provincial propriety in which we were accused of +clothing even our piano legs in pantelettes. The very name of the work +was sufficient to start modest shivers down the spine of all well +regulated purveyors of books. It was largely due to the painters' +conceptions of the nature of the hermit's trials that the story of +Saint Anthony's spiritual struggle aroused instinctive terrors in all +truly modest natures. The painters--who so dearly love to display their +skill in drawing legs and busts--had been wont to push the poor old +saint into the obscure of the background, and fill all the foreground +with ladies of obviously the very lightest character, in garments +still lighter, if possible. What had reputable American citizens to do +with such as these jades? More especially such jades as seen through +a French imagination! That Flaubert had brushed aside the gross and +jejune conceptions of the painters the publishers would not even take +the pains to learn. + +It is amusing now to recall the nervous, timid proprieties of those +days. At the time Hearn failed to see the laughable side of it. He was +then too young and earnest, too passionate and too melancholy to have a +sense of its humours. + +He had brought his unfinished manuscript from Cincinnati to New +Orleans, and had continued to work upon it in strange lodgings in +gaunt, old half-ruined Creole houses; at the tables of odd little +French cafés, or among the queer dishes in obscure Spanish and Chinese +restaurants. He had snatched minutes for it amidst the reading and +clipping of exchanges in a newspaper office; had toiled drippingly +over it in the liquifying heats of tropic nights; had arisen from the +"inexpungable langours" of yellow fever to complete its last astounding +pages. + +I can remember applauding, with ardent youthful sympathy, his tirades +against the stultifying influence of blind puritanism upon American +literature. I recall his scornful mocking at the inconsistency which +complacently accepted the vulgar seduction, and the theatrical Brocken +revels of Faust, while shrinking piously from Flaubert's grim story of +the soul of man struggling to answer the riddle of the universe. He +had however an almost equal contempt for the author's countrymen, who +received with eager interest and pleasure the deliberate analysis--in +_Madame Bovary_--of a woman's degradation and ruin, while they yawned +over the amazing history of humanity's tremendous spiritual adventures. +Hearn's own sensitiveness shrank in pain from the cold insight which +uncovered layer by layer the brutal squalour of a woman's moral +disintegration. But he was moved and astounded by the revelation, in +St. Anthony, of the tragedy and pathos of man's long search for some +body of belief or philosophy by which he could explain to himself +the strange great phenomena of life and death, and the inscrutable +cruelties of Nature. The young translator was filled with a sort of +astonished despair at his inability to make others see the book as +he did--not realizing, in his youthful impatience, that the average +mind clings to the concrete, and is puzzled and terrified by outlines +of thought too large for its range of vision; that the commonplace +intelligence cannot "see the wood for the trees," and becomes confused +and over-weighted when confronted with the huge outlines of so great a +picture as that drawn by Flaubert in his masterpiece. + +There were many points of resemblance between Lafcadio Hearn and the +grandson of the French veterinary. A resemblance rather in certain +qualities of the spirit than in social conditions and physical +endowments. Flaubert, born in 1821, was the son of a surgeon. His +father was long connected with the Hôtel Dieu of Rouen, in which the +boy was born, and in which he lived until his eighteenth year, when he +went to Paris to study law. One of the friends of his early Parisian +days describes him as "a young Greek. Tall, supple, and as graceful as +an athlete. He was charming, _mais un peu farouche._ Quite unconscious +of his physical and mental gifts; very careless of the impression he +produced, and entirely indifferent to formalities. His dress consisted +of a red flannel shirt, trousers of heavy blue cloth, and a scarf of +the same colour drawn tight about his slender waist. His hat was worn +'any how' and often he abandoned it altogether. When I spoke to him of +fame or influence.... he seemed superbly indifferent. He had no desire +for glory or gain.... What was lacking in his nature was an interest in +_les choses extérieures, choses utiles._" ... + +One who saw him in 1879 found the young Greek athlete--now close upon +sixty, and having in the interval created some of the great classics +of French literature--"a huge man, a tremendous old man. His long, +straggling gray hair was brushed back. His red face was that of a +soldier, or a sheik--divided by drooping white moustaches. A trumpet +was his voice, and he gesticulated freely ... the colour of his eyes a +bit of faded blue sky." + +The study of the law did not hold Flaubert long. It was one of those +_choses extérieures, choses utiles_ to which he was so profoundly +indifferent. Paris bored him. He longed for Rouen, and for his little +student chamber. There he had lain upon his bed whole days at a time; +apparently as lazy as a lizard; smoking, dreaming; pondering the large, +inchoate, formless dreams of youth. + +In 1845 his father died, and in the following year he lost his sister +Caroline, whom he had passionately loved, and for whom he grieved +all his life. He rejoined his mother, and they established themselves +at Croisset, near Rouen, upon a small inherited property. It was an +agreeable house, pleasantly situated in sight of the Seine. Flaubert +nourished with pleasure a local legend that Pascal had once inhabited +the old Croisset homestead, and that the Abbé Prevost had written +_Manon Lescaut_ within its walls. Near the house--now gone--he built +for himself a pavilion to serve as a study, and in this he spent the +greater portion of the following thirty-four years in passionate, +unremitting labour. + +He made a voyage to Corsica in his youth; one to Brittany, with Maxime +du Camp, in 1846; and spent some months in Egypt, Palestine, Turkey, +and Greece in 1849. This Oriental experience gave him the most intense +pleasure, and was the germ of _Salammbo_, and of the _Temptation of St. +Anthony._ He never repeated it, though he constantly talked of doing +so. He nursed a persistent, but unrealized dream of going as far as +Ceylon, whose ancient name, Taprobana, he was never weary of repeating; +utterance of its melifluous syllables becoming a positive _tic_ +with him. Despite these yearnings he remained at home. Despite his +full-blooded physique he would take no more exercise than his terrace +afforded, or an occasional swim in the Seine. He smoked incessantly, +and for months at a stretch worked fifteen hours out of the twenty-four +at his desk. Three hundred volumes might be annotated for a page of +facts. He would write twenty pages, and reduce these by exquisite +concisions, by fastidious rejections to three; would search for hours +for the one word that perfectly conveyed the colour of his thought, and +would--as in the case of the _Temptation_--wait fifteen years for a +sense of satisfaction with a manuscript before allowing it to see the +light. To Maxime du Camp, who urged him to hasten the completion of his +book in order to take advantage of a favourable opportunity, he wrote +angrily: + +"Tu me parais avoir à mon endroit un tic ou vice rédhibitoire. Il +ne m'embête pas; n'aie aucune crainte; mon parti est pris là-dessus +depuis long temps. Je te dirai seulement que tous ces mots; _se +dépêcher, c'est le moment, place prise, se poser, ..._ sont pour moi un +vocabulaire vide de sens...." + +In one of his letters he says that on occasion he worked violently for +eight hours to achieve one page. He endeavoured never to repeat a word +in that page, and tried to force every phrase to respond to a rhythmic +law. Guy do Maupassant, his nephew and pupil, says that to ensure this +rhythm Flaubert "prenait sa feuille de papier, relevait à la hauteur du +regard et, s'appuyant sur un coude, déclaimait, d'une voix mordant et +haute. Il écoutait la rythme de sa prose, s'arrêtait comme pour saisir +une sonorité fuyant, combinait les tons, éloignait les assonances, +disposait les virgules avec conscience, commes les haltes d'un long +chemin." ... + +Flaubert said himself, "une phrase est viable quand elle correspond +à toutes les nécessités de respiration. Je sais qu'elle est bonne +lorsqu'elle peut être lu tout haut." + +Henry Irving used to say of himself that it was necessary he should +work harder than other actors because nature had dowered him with +flexibility of neither voice nor feature, and Faguet says that Flaubert +was forced to this excessive toil and incessant watchfulness because +he did not write well naturally. Nevertheless Flaubert's work did not +smell of the lamp. Whatever shape his ideas may have worn at birth +when full grown they moved with large classic grace and freedom, +simple, sincere, and beautiful in form. François Coppée calls him "the +Beethoven of French prose." + +So conscientious a workman, so laborious and self-sacrificing an artist +had a natural attraction for Lafcadio Hearn, who even in boyhood began +to feel his vocation as "a literary monk." The whole tendency of his +tastes prepared him to understand the true importance of Flaubert's +masterpiece, fitted him especially of all living writers to turn that +masterpiece into its true English equivalent. The two men had much in +common. Both were proud and timid. Both had a fundamental indifference +to _choses extérieures, choses utiles._ Both were realists of the soul. +Actions interested each but slightly; the emotions from which actions +sprung very much. To both stupidity was even more antipathetic than +wickedness, because each realized that nearly all cruelty and vice have +their germ in ignorance and stupidity rather than in innate rascality. +Flaubert declared, with a sort of rage, that "la bêtise entre dans +mes pores." He might too have been speaking for Hearn when he said +that the grotesque, the strange, and the monstrous had for him an +inexplicable charm. "It corresponds," he says, "to the intimate needs +of my nature--it does not cause me to laugh, but to dream long dreams." +Hearn, however, mixed with this triste interest a quality that Flaubert +seemed almost wholly to lack--a great tenderness for all things humble, +feeble, ugly and helpless. Both from childhood were curious of poignant +sensations, of the sad, the mysterious and the exotic. And for both the +tropics had an irresistible fascination. Flaubert says, in one of his +letters: + +"I carry with me the melancholy of the barbaric races, with their +instincts of migration, and their innate distaste of life, which forced +them to quit their homes in order to escape from themselves. They loved +the sun, all those barbarians who came to die in Italy; they had a +frenzied aspiration toward the light, toward the blue skies, toward an +ardent existence.... Think that perhaps I will never see China, will +never be rocked to sleep by the cadenced footsteps of camels ... will +never see the shine of a tiger's eyes in the forest.... You can treat +all this as little worthy of pity, but I suffer so much when I think of +it ... as of something lamentable and irremediable." + +This is the nostalgia for the strange, for the unaccustomed, that all +born wanderers know. Fate arranges it for many of them that their lives +shall be uneventful, passed in dull, provincial narrowness; but behind +these bars the clipped wings of their spirit are always flutteringly +spread for flight. They know not what they seek, what desire drives +them, but a sense of "the great adventure" unachieved keeps them +restless until they die. It is such as these, these _voyageurs +empassionés_, when condemned by fortune to a static existence--who find +their outlet in mental wanderings amid the unusual, the grotesque, +and the monstrous. Hearn and Flaubert both were at heart nomads, +seekers of the unaccustomed; stretching toward immensities of space +and time, toward the ghostly, the hidden, the unrealized. Like that +wild fantastic _Chimera_ of the "Temptation" each such soul declares +"_je cherche des parfums nouveaux, des fleurs plus large, des plaisirs +inéprouvés._" + +Flaubert was but twenty-six when the first suggestion of his +masterpiece came to him. For _La Tentation de St. Antoine_, it is +coming to be understood, is his masterpiece; is one of the greatest +literary achievements of the French mind. _Madame Bovary_ is more +widely famous and popular, but Flaubert himself always deeply resented +this preference, and was always astonished at the comparative +indifference of the world to the "Temptation." He, too, found it +difficult to realize how hardly the average mind is awakened to an +interest in the incorporeal; how surely cosmic generalizations escape +the grasp of the commonplace intelligence. + +Wagner waited a lifetime before the world was dragged reluctantly and +resentfully up to a point from which it could discern the superiority +of the tremendous finale of the Götterdämmerung to the Christmas-card +chorus of angels chanting "_Âme chaste et pure_" to the beatified +Marguerite. The whole prodigious structure of Wagner's dramatic and +musical thought might have remained a mere adumbration in the soul of +one German had chance not set a mad genius upon the throne of Bavaria. +The bourgeoisie would--lacking this royal bullying--have continued to +prefer Goethe and Gounod. Flaubert's great work unfortunately failed of +such patronage. + +It was in 1845 that an old picture by Breughel, seen at Genoa, first +inspired Flaubert to attempt the story of St. Anthony. He sought +out an engraving of this conception of Peter the Younger (surnamed +"Hell-Breughel" for his fondness for such subjects), hung it on his +walls at Croisset, and after three years of brooding upon it began, +May 24, 1848, _La Tentation de St. Antoine._ In twelve months he had +finished the first draught of the work, which bulked to 540 pages. It +was laid aside for "Bovary," and a second version of the "Temptation" +was completed in 1856, but this time the manuscript had been reduced +to 193 pages, and the "blazing phrases, the jewelled words, the +turbulence, the comedy, the mysticism" of the first version had been +superseded by a larger, more dramatic conception. In 1872 he made still +a new draught, and by this time it had shrunk to 136 pages. He even +then eliminated three chapters, and finally gave to the world in 1874 +"this wonderful coloured panorama of philosophy, this Gulliver-like +travelling amid the master ideas of the antique and early Christian +worlds." + +Faguet says, "In its primitive and legendary state the temptation +of St. Anthony was nothing more than the story of a recluse tempted +by the Devil through the flesh, by all the artifices at the Devil's +disposal. In the definite thought of Flaubert the temptation of St. +Anthony has become man's soul tempted by all the illusions of human +thought and imagination. St. Anthony to the eyes of the first naive +hagiologists is a second Adam, seduced by woman, who was inspired by +Satan. St. Anthony conceived by Flaubert is a more thoughtful Faust; a +Faust incapable of irony, not a Faust who could play with illusions and +with himself--secretly persuaded that he could withdraw when he chose +to give himself the trouble to do so--rather a Faust who approached, +accosted, caressed all possible forms of universal illusions." + +Flaubert's studies for the "Temptation" were tremendous. For nearly +thirty years he touched and retouched, altered, enlarged, condensed. +He kneaded into its substance the knowledge, incessantly sought, of +all religions and philosophies; of all the forms man's speculations +had taken in his endless endeavours to explain to himself Life and +Fate; humanity's untiring, passionate effort to find the meaning of its +mysterious origin and purpose, and final destiny. How terrible, how +naive, how fantastic, bloody, grovelling, and outrageous were most of +the solutions accepted, the gigantic panorama of the book startlingly +sets forth. What gory agonies, what mystic exaltations, what dark +cruelties, frenzied abandons, and inhuman self denials have marked +those puzzled gropings for light and truth are revealed as by lightning +flashes in the crowding scenes of the epic. For the Temptation of St. +Anthony is an epic. Not a drama of man's actions, as all previous +epics have been, but a drama of the soul. All its movement is in the +adventure and conflict of the spirit. St. Anthony remains always in +the one place, almost as moveless as a mirror. His vision--clarified +of the sensual and the actual by his fastings and macerations--becomes +like the surface of an unruffled lake. A lake reflecting the aberrant +forms of thoughts that, like clouds, drift between man and the infinite +depths of knowledge. Clouds of illusion forever changing, melting, +fusing; assuming forms grotesque, monstrous, intolerable; until at +last the writhing mists of speculation and ignorance are drunk up +by the widening light of wisdom and the fogs and phantasms vanish, +leaving his consciousness aware, in poignant ecstasy, of the cloudless +deeps of truth. The temptation of the flesh is but a passing episode. +An eidolon of Sheba's queen offers him luxury, wealth, voluptuous +beauty, power, dainty delights of eye and palate in vain. Man has never +found his most dangerous seductions in the appetites. More lamentable +disintegration has grown from his attempts to pierce beyond the +body's veil. The parched and tortured saint is whirled by vertiginous +visions through cycles of man's straining efforts to know why, whence, +whither. He assists at the rites of Mithira, the prostrations of +serpent-and-devil-worshippers, worshippers of fire, of light, of the +Greeks' deified forces of nature; of the northern enthronement of brute +force and war. He is swept by the soothing breath of Quietism, plunges +into every heresy and philosophy, sees the orgies, the flagellations, +the self mutilations, the battles and furies of sects, each convinced +that it has found the answer at last to the Great Question, and +endeavouring to constrain the rest of humanity to accept the answer. +He meets the Sphinx--embodied interrogation--and the Chimera--the +simulacrum of the fantasies of the imagination--dashing madly about the +stolid querist. + +Lucifer--spirit of doubt of all dogmatic solutions--mounts with Anthony +into illimitable space. They rise beyond these struggles and furies +into the cold uttermost of the universe; among innumerable worlds; +worlds yet vaguely forming in the womb of time, newly come to birth, +lustily grown to maturity; worlds dying, decaying, crumbling again into +atomic dust. Overcome by the intolerable Vast, Anthony sinks once more +to his cell, and Lucifer, who has shown him the macrocosm, opens to +him the equal immensity of the microcosm. Makes him see the swarming +life that permeates the seas, the earth and atmosphere, the incredible +numerousness of the invisible lives that people every drop of water, +every grain of sand, every breath of air. The unity of life dawns upon +him, and his heart, withered by dubiety, melts into joyousness and +peace. As the day dawns in gold he beholds the face of Christ. + +Flaubert's Lucifer has no relation to the jejune Devil of +man's early conception of material evil, nor does he resemble +Goethe's Mephistopheles; embodiment of the Eighteenth Century's +spirit of sneering disbeliefs and negation. He is rather our own +tempter--Science. He is the spirit of Knowledge: Nature itself calling +us to look into the immensities and read just our dogmas by this new +and terrible widening of our mental and moral horizons. This last +experience of the Saint reproduces the spiritual experiences of the +modern man; cast loose from his ancient moorings, and yet finding at +last in his new knowledge a truer conception of the brotherhood of all +life in all its forms, and seeing still, in the growing light, the +benignant eyes of God. + +It is not remarkable that Flaubert resented the banality, the dull +grossness of the reception of his work, or that Hearn shared his +amazement and bitterness. Even yet the world wakes but slowly to the +true character of this masterpiece; this epic wrought with so great +a care and patience, so instinct with genius, dealing perhaps more +profoundly than any other mind has ever done with the Great Adventure +of humanity's eternal search for Truth. + +ELIZABETH BISLAND. + + + + +ARGUMENT + + + + +FRAILTY + + +Sunset in the desert. Enfeebled by prolonged fasting, the hermit +finds himself unable to concentrate his mind upon holy things. His +thoughts wonder; memories of youth evoke regrets that his relaxed will +can no longer find strength to suppress,--and, remembrance begetting +remembrance, his fancy leads him upon dangerous ground. He dreams of +his flight from home,--of Ammonaria, his sister's playmate,--of his +misery in the waste,--his visit to Alexandria with the blind monk +Didymus,--the unholy sights of the luxurious city. + +Involuntarily he yields to the nervous dissatisfaction growing upon +him. He laments his solitude, his joylessness, his poverty, the +obscurity of his life; grace departs from him; hope burns low within +his heart. Suddenly revolting against his weakness, he seeks refuge +from distraction in the study of the Scriptures. + +Vain effort! An invisible hand turns the leaves, placing perilous +texts before his eyes. He dreams of the Maccabees slaughtering +their enemies, and desires that he might do likewise with the +Arians of Alexandria;--he becomes inspired with admiration of King +Nebuchadnezzar;--he meditates voluptuously upon the visit of Sheba's +queen of Solomon;--discovers a text in the Acts of the Apostles +antagonistic to principles of monkish ascetism,--indulges in reveries +regarding the riches of Biblical kings and holy men. The Tempter comes +to tempt him with evil hallucinations for which the Saint's momentary +frailty has paved the way; and with the Evil One come also + + + +THE SEVEN DEADLY SINS + + +Phantom gold is piled up to excite Covetousness; shadowy banquets +appear to evoke Gluttony. The scene shifts to aid the temptations of +Anger and of Pride.... + +Anthony finds himself in Alexandria, at the head of a wild army of +monks slaughtering the heretics and the pagans, without mercy for +age or sex. In fantastic obedience to the course of his fancy while +reading the Scriptures a while before, and like an invisible echo of +his evil thoughts, the scene changes again. Alexandria is transformed +into Constantinople. + +Anthony finds himself the honoured of the Emperor. He beholds the +vast circus in all its splendour, the ocean of faces, the tumult of +excitement. Simultaneously he beholds his enemies degraded to the +condition of slaves, toiling in the stables of Constantine. He feels +joy in the degradation of the Fathers of Nicæa. Then all is transformed. + +It is no longer the splendour of Constantinople he beholds under the +luminosity of a Greek day; but the prodigious palace of Nebuchadnezzar +by night. He beholds the orgies, the luxuries, the abominations;--and +the spirit of Pride enters triumphantly into him as the spirit of +Nebuchadnezzar.... + +Awaking as from a dream, he finds himself again before his hermitage. +A vast caravan approaches, halts; and the Queen of Sheba descends to +tempt the Saint with the deadliest of all temptations. Her beauty is +enhanced by oriental splendour of adornment; her converse is a song of +withcraft. The Saint remains firm.... The Seven Deadly Sins depart +from him. + + + +THE HERESIARCHS + + +But now the tempter assumes a subtler form. Under the guise of a former +disciple of Anthony,--Hilarion,--the demon, while pretending to seek +instruction, endeavours to poison the mind of Anthony with hatred of +the fathers of the church. He repeats all the scandals amassed by +ecclesiastical intriguers, all the calumnies created by malice;--he +cites texts only to foment doubt, and quotes the evangels only to +make confusion. Under the pretext of obtaining mental enlightenment +from the wisest of men, he induces Anthony to enter with him into +a spectral basilica, wherein are assembled all the Heresiarchs of +the third century. The hermit is confounded by the multitude of +tenets,--horrified by the blasphemies and abominations of Elkes, +Corpocrates, Valentinus, Manes, Cerdo,--disgusted by the perversions of +the Paternians, Marcosians, Montanists, Serptians,--bewildered by the +apocryphal Gospels of Eve and of Judas, of the Lord, and of Thomas. + +And Hilarion grows taller. + + +THE MARTYRS + +Anthony finds himself in the dungeons of a vast amphitheatre, among +Christians condemned to the wild beasts. By this hallucination the +tempter would prove to the Saint that martyrdom is not always suffered +for purest motives. Anthony finds the martyrs possessed by bigotry and +insincerity. He sees many compelled to die against their will; many +who would forswear their faith could it avail them aught. He beholds +heretics die for their heterodoxy more nobly than orthodox believers. + +And he finds himself transported to the tombs of the martyrs. He +witnesses the meetings of Christian women at the sepulchres. He beholds +the touching ceremonies of prayer, change into orgies,--lamentations +give place to amorous dalliance. + + + +THE MAGICIANS + + +Then the Tempter seeks to shake Anthony's faith in the excellence +and evidence of miracles. He assumes the form of a Hindoo Brahmin, +terminating a life of wondrous holiness by self-cremation;--he appears +as Simon Magus and Helen of Tyre,--as Appollonius of Tyans, greatest of +all thaumaturgists, who claims superiority to Christ. All the marvels +related by Philostratus are embodied in the converse of Apollonius and +Damis. + + + +THE GODS + + +Hilarion reappears taller than ever, growing more gigantic in +proportion to the increasing weakness of the Saint. Standing beside +Anthony he evokes all the deities of the antique world. They defile +before him in a marvellous panorama:--Gods of Egypt and India, Chaldea +and Hellas, Babylon and Ultima Thule,--monstrous and multiform, phallic +and ithyphallic, fantastic or obscene. Some intoxicate by their beauty; +others appall by their foulness. The Buddha recounts the story of his +wondrous life; Venus displays the rounded daintiness of her nudity; +Isis utters awful soliloquy. Lastly the phantom of Jehovah appears, as +the shadow of a god passing away forever. + +Suddenly the stature of Hilarion towers to the stars; he assumes the +likeness and luminosity of Lucifer; he announces himself as + + + +SCIENCE + + +And Anthony is lifted upon mighty wings and borne away beyond the +world, above the solar system, above the starry arch of the Milky Way. +All future discoveries of Astronomy are revealed to him. He is tempted +by the revelation of innumerable worlds,--by the refutation of all +his previous ideas of the nature of the Universe,--by the enigmas of +infinity,--by all the marvels that conflict with faith. Even in the +night of immensity the demon renews the temptation of reason: Anthony +wavers upon the verge of pantheism. + + + +LUST AND DEATH + + +Anthony abandoned by the spirit of Science comes to himself in the +desert. Then the Tempter returns under a two-fold aspect: as the +Spirit of Lust and the Spirit of Destruction. The latter urges him to +suicide,--the former to indulgence of sense. They inspire him with +strong fancies of palingenesis, of the illusion of death, of the +continuity of life. The pantheistic temptation intensified. + + + +THE MONSTERS + + +Anthony in reveries meditates upon the monstrous symbols painted upon +the walls of certain ancient temples. Could he know their meaning +he might learn also something of the secret lien between Matter and +Thought. Forthwith a phantasmagoria of monsters commence to pass before +his eyes:--the Sphinx and the Chimera, the Blemmyes and Astomi, the +Cynocephali and all creatures of mythologie creation. He beholds the +fabulous beings of Oriental imagining,--the abnormities described +by Pliny and Herodotus, the fantasticalities to be later adopted by +heraldry,--the grotesqueries of future medieval illumination made +animate;--the goblinries and foulnesses of superstitious fancy,--the +Witches' Sabbath of abominations. + + + +METAMORPHOSIS + + +The multitude of monsters melts away; the land changes into an Ocean; +the creatures of the briny abysses appear. And the waters in turn +also change; seaweeds are transformed to herbs, forests of coral +give place to forests of trees, polypous life changes to vegetation. +Metals crystallize; frosts effloresce; plants become living things, +inanimate matter takes animate form, monads vibrate, the pantheism of +nature makes itself manifest. Anthony feels a delirious desire to unite +himself with the Spirit of Universal Being.... + +The vision vanishes. The sun arises. The face of Christ is revealed. +The temptation has passed; Anthony kneels in prayer. + +L. H. + + + + +THE TEMPTATION OF ST. ANTHONY + + +_It is in the Thebaid at the summit of a mountain, upon a platform, +rounded off into the form of a demilune, and enclosed by huge stones._ + +_The Hermit's cabin appears in the background. It is built of mud and +reeds, it is flat-roofed and doorless. A pitcher and a loaf of black +bread can be distinguished within also, in the middle of the apartment +a large book resting on a wooden STELA; while here and there, fragments +of basketwork, two or three mats, a basket, and a knife lie upon the +ground._ + +_Some ten paces from the hut, there is a long cross planted in the +soil; and, at the other end of the platform, an aged and twisted +palm tree leans over the abyss; for the sides of the mountain are +perpendicular, and the Nile appears to form a lake at the foot of the +cliff._ + +_The view to right and left is broken by the barrier of rocks. But +on the desert-side, like a vast succession of sandy beaches, immense +undulations of an ashen-blonde color extend one behind the other, +rising higher as they recede; and far in the distance, beyond the +sands, the Libyan chain forms a chalk-colored wall, lightly shaded by +violet mists. On the opposite side the sun is sinking. In the north the +sky is of a pearl-gray tint, while at the zenith purple clouds disposed +like the tufts of a gigantic mane, lengthen themselves against the blue +vault. These streaks of flame take darker tones; the azure spots turn +to a nacreous pallor; the shrubs, the pebbles, the earth, all now seem +hard as bronze; and throughout space there floats a golden dust so fine +as to become confounded with the vibrations of the light._ + +_Saint Anthony, who has a long beard, long hair, and wears a tunic of +goatskin, is seated on the ground cross-legged, and is occupied in +weaving mats. As soon as the sun disappears, he utters a deep sigh, +and, gazing upon the horizon, exclaims_:-- + +"Another day! another day gone! Nevertheless formerly I used not to +be so wretched. Before the end of the night I commenced my orisons; +then I descended to the river to get water, and remounted the rugged +pathway with the skin upon my shoulder, singing hymns on the way. Then +I would amuse myself by arranging everything in my hut. I would make my +tools; I tried to make all my mats exactly equal in size, and all my +baskets light; for then my least actions seemed to me duties in nowise +difficult or painful of accomplishment. + +"Then at regular hours I ceased working; and when I prayed with my arms +extended, I felt as though a fountain of mercy were pouring from the +height of heaven into my heart. That fountain is now dried up. Why?" + +(_He walks up and down slowly, within the circuit of the rocks._) + +"All blamed me when I left the house. My mother sank to the ground, +dying; my sister from afar off made signs to me to return; and the +other--wept, Ammonaria, the child whom I used to meet every evening +at the cistern, when she took the oxen to drink. She ran after me. Her +foot rings glittered in the dust; and her tunic, open at the hips, +fluttered loosely in the wind. The aged anchorite who was leading me +away called her vile names. Our two camels galloped forward without +respite; and I have seen none of my people since that day. + +"At first, I selected for my dwelling place, the tomb of a Pharaoh. But +an enchantment circulates through all those subterranean palaces, where +the darkness seems to have been thickened by the ancient smoke of the +aromatics. From the depths of Sarcophagi, I heard doleful voices arise, +and call my name; or else, I suddenly beheld the abominable things +painted upon the walls live and move; and I fled away to the shore +of the Red Sea, and took refuge in a ruined citadel. There my only +companions were the scorpions dragging themselves among the stones, and +the eagles continually wheeling above my head, in the blue of heaven. +At night I was torn by claws, bitten by beaks; soft wings brushed +against me; and frightful demons, shrieking in my ears, flung me upon +the ground. Once I was even rescued by the people of a caravan going +to Alexandria; and they took me away with them. + +"Then I sought to obtain instruction from the good old man Didymus. +Although blind, none equalled him in the knowledge of the Scriptures. +When the lesson was finished, he used to ask me to give him my arm +to lean upon, that we might walk together. Then I would conduct him +to the Paneum, whence may be seen the Pharos and the open sea. Then +we would return by way of the post, elbowing men of all nations, +even Cimmerians clad in the skins of bears and Gymnosophists of the +Ganges anointed with cow-dung. But there was always some fighting in +the streets--either on account of the Jews refusing to pay taxes, or +of seditious people who wished to drive the Romans from the city. +Moreover, the city is full of heretics--followers of Manes; Valentinus, +Basilides, Arius--all seeking to engross my attention in order to argue +with me and to convince me. + +"Their discourses often come back to my memory. Vainly do I seek to +banish them from my mind. They trouble me! + +"I took refuge at Colzin, and there lived a life of such penance that +I ceased to fear God. A few men, desirous of becoming anchorites, +gathered about me. I imposed a practical rule of life upon them, +hating, as I did, the extravagance of Gnosus and the assertions of the +philosophers. Messages were sent to me from all parts, and men came +from afar off to visit me. + +"Meanwhile the people were torturing the confessors; and the thirst of +martyrdom drew me to Alexandria. The persecution had ceased three days +before I arrived there! + +"While returning thence, I was stopped by a great crowd assembled +before the temple of Serapis. They told me it was a last example which +the Governor had resolved to make. In the centre of the portico, under +the sunlight, a naked woman was fettered to a column, and two soldiers +were flogging her with thongs; at every blow her whole body writhed. +She turned round, her mouth open; and over the heads of the crowd, +through the long hair half hiding her face, I thought that I could +recognize Ammonaria.... + +[Illustration: ... through the long hair half hiding her face, +I thought that I could recognize Ammonaria] + +"Nevertheless ... this one was taller ... and beautiful ... +prodigiously beautiful!" + +(_He passes his hands over his forehead._) + +"No! no! I must not think of it! + +"Another time Athanasius summoned me to assist him against the Arians. +The contest was limited to invectives and laughter. But since that +time he has been calumniated, dispossessed of his see, obliged to fly +for safety elsewhere. Where is he now? I do not know! The people give +themselves very little trouble to bring me news. All my disciples have +abandoned me--Hilarion like the rest. + +"He was perhaps fifteen years of age when he first came to me and his +intelligence was so remarkable that he asked me questions incessantly. +Then he used to listen to me with a pensive air, and whatever I needed +he brought it to me without a murmur--nimbler than a kid, merry enough +to make even the patriarchs laugh. He was a son to me." + +(_The sky is red; the earth completely black. Long drifts of sand +follow the course of the gusts of wind, rising like great shrouds and +falling again. Suddenly against a bright space in the sky a flock of +birds pass, forming a triangular battalion, gleaming like one sheet of +metal, of which the edges alone seem to quiver._ + +_Anthony watches them._) + +"Ah, how I should like to follow them. + +"How often also have I enviously gazed upon those long vessels, +whose sails resemble wings--and above all when they were bearing +far away those I had received at my hermitage! What pleasant hours +we passed!--what out-pourings of feeling! No one ever interested me +more than Ammon: he told me of his voyage to Rome, of the Catacombs, +the Coliseum, the piety of illustrious women, and a thousand other +things!--and it grieved me to part with him! Wherefore my obstinacy +in continuing to live such a life as this? I would have done well to +remain with the monks of Nitria, inasmuch as they supplicated me to +do so. They have cells apart, and nevertheless communicate with each +other. On Sundays a trumpet summons them to assemble at the church, +where one may see three scourges hanging up, which serve to punish +delinquents, robbers, and intruders; for their discipline is severe. + +"Nevertheless they are not without some enjoyments. The faithful bring +them eggs, fruits, and even instruments with which they can extract +thorns from their feet. There are vineyards about Prisperi; those +dwelling at Pabena have a raft on which they may journey when they go +to seek provisions. + +"But I might have served my brethren better as a simple priest. As a +priest one may aid the poor, administer the sacraments, and exercise +authority over families. + +"Furthermore, all laics are not necessarily damned, and it only +depended upon my own choice to become--for example--a grammarian, a +philosopher. I would then have had in my chamber a sphere of reeds, +and tablets always ready at hand, young men around me, and a wreath of +laurel suspended above my door, as a sign. + +"But there is too much pride in triumphs such as those. A soldier's +life would have been preferable. I was robust and bold: bold enough to +fasten the cables of the military machines--to traverse dark forests, +or to enter, armed and helmeted, into smoking cities.... Neither was +there anything to have prevented me from purchasing with my money the +position of publican at the toll-office of some bridge; and travellers +would have taught me many strange things, and told me strange stories, +the while showing me many curious objects packed up among their +baggage.... + +"The merchants of Alexandria sail upon the river Canopus on holidays, +and drink wine in the chalices of lotus-flowers, to a music of +tambourines which makes the taverns along the shore tremble! Beyond, +trees, made cone-shaped by pruning, protect the quiet farms against +the wind of the south. The roof of the lofty house leans upon thin +colonettes placed as closely together as the laths of a lattice; +and through their interspaces the master, reclining upon his long +couch, beholds his plains stretching about him--the hunter among the +wheat-fields--the winepress where the vintage is being converted into +wine, the oxen treading out the wheat. His children play upon the floor +around him; his wife bends down to kiss him." + +(_Against the grey dimness of the twilight, here and there appear +pointed muzzles, with straight, pointed ears and bright eyes. Anthony +advances toward them. There is a sound of gravel crumbling down; the +animals take flight. It was a troop of jackals._ + +_One still remains, rising upon his hinder legs, with his body half +arched and head raised in an attitude full of defiance._) + +"How pretty he is! I would like to stroke his back gently!" + +(_Anthony whistles to coax him to approach. The jackal disappears._) + +"Ah! he is off to join the others. What solitude! what weariness!" +(_Laughing bitterly._) + +"A happy life this indeed!--bending palm-branches in the fire to make +shepherds' crooks, fashioning baskets, stitching mats together--and +then exchanging these things with the Nomads for bread which breaks +one's teeth! Ah! woe, woe is me! will this never end? Surely death were +preferable! I can endure it no more! Enough! enough!" + +(_He stamps his foot upon the ground, and rushes frantically to and fro +among the rocks; then pauses, out of breath, bursts into tears, and +lies down upon the ground, on his side._ + +_The night is calm; multitudes of stars are palpitating; only the +crackling noise made by the tarantulas is audible._ + +_The two arms of the cross make a shadow upon the sand; Anthony, who is +weeping, observes it._) + +"Am I, then, so weak, O my God! Courage, let me rise from here!" + +(_He enters his hut, turns over a pile of cinders, finds a live ember, +lights his torch and fixes it upon the wooden desk, so as to throw a +light upon the great book._) + +"Suppose I take the Acts of the Apostles?--yes!--no matter where!" + +_'And he saw the heaven opened, and a certain vessel descending, as it +were a great linen sheet let down by the four corners from heaven to +the earth--wherein were all manner of four-footed beasts, and creeping +things of the earth and fowls of the air. And there came a voice to +him: Arise, Peter! Kill and eat!'_[1] + +"Then the Lord desired that his apostle should eat of all things?... +while I...." + +(_Anthony remains thoughtful, his chin resting against his breast. The +rustling of the pages, agitated by the wind, causes him to lift his +head again; and he reads_:) + +_'So the Jews made a great slaughter of their enemies with the sword, +and killed them, repaying according to what they had prepared to do to +them...._[2] + +"Then, comes the number of people slain by them--seventy-five thousand. +They had suffered so much! Moreover, their enemies were the enemies of +the true God. And how they must have delighted in avenging themselves +thus by the massacre of idolaters! Doubtless the city must have been +crammed with the dead! There must have been corpses at the thresholds +of the garden gates, upon the stairways, in all the chambers, and piled +up so high that the doors could no longer move upon their hinges!... +But lo! here I am permitting my mind to dwell upon ideas of murder and +of blood!..." + +(_He opens the book at another place._) + +_'Then King Nabuchodonosor fell on his face, and worshipped +Daniel...._'[3] + +"Ah! that was just! The _Most High_ exalts his prophets above Kings; +yet that monarch spent his life in banqueting, perpetually drunk with +pleasure and pride. But God, to punish him, changed him into a beast! +He walked upon four feet!" + +(_Anthony begins to laugh; and in extending his arms, involuntarily +disarranges the leaves of the book with the tips of his fingers. His +eyes fell upon this phrase_:--) + +_'And Ezechias rejoiced at their coming, and he showed them the house +of his aromatical spices, and the gold and the silver, and divers +precious odours and ointments, and the house of his vessels, and all +that he had in his treasures....'_[4] + +"I can imagine that spectacle; they must have beheld precious stones, +diamonds and darics heaped up to the very roof. One who possesses so +vast an accumulation of wealth is no longer like other men. While +handling his riches he knows that he controls the total result of +innumerable human efforts--as it were the life of nations drained by +him and stored up, which he can pour forth at will. It is a commendable +precaution on the part of Kings. Even the _Wisest_ of all did not +neglect it. His navy brought him elephants' teeth and apes.... Where is +that passage?" + +(_He turns the leaves over rapidly._) + +"Ah! here it is:" + +_'And the Queen of Saba, having heard of the fame of Solomon in the +name of the Lord, came to try him with hard questions.'_[5] + +"How did she hope to tempt him? The _Devil_ indeed sought to tempt +Jesus! But Jesus triumphed because he was God; and Solomon, perhaps, +owing this knowledge of magic! It is sublime--that science! For the +world--as a philosopher once explained it to me, forms a whole, of +which all parts mutually influence one another, like the organs of one +body. It is science which enables us to know the natural loves and +natural repulsions of all things, and to play upon them?... Therefore, +it is really possible to modify what appears to be the immutable order +of the universe?" + +(_Then the two shadows formed behind him by the arms of the cross, +suddenly lengthen and project themselves before him. They assume the +form of two great horns. Anthony cries out_:--) + +"Help me! O my God!" + +[Illustration: Saint Anthony: Help me, O my God!] + +(_The shadows shrink back to their former place._) + +"Ah!... it was an illusion ... nothing more. It is needless for me to +torment my mind further! I can do nothing!--absolutely nothing." + +(_He sits down and folds his arms._) + +"Nevertheless ... it seems to me that I felt the approach of.... But +why should _He_ come? Besides, do I not know all his artifices? I +repulsed the monstrous anchorite who laughingly offered me little +loaves of warm, fresh bread, the centaur who sought to carry me away +upon his croup, and that black child who appeared to me in the midst of +the sands, who was very beautiful, and who told me that he was called +the Spirit of Lust!" + +(_Anthony rises and walks rapidly up and down, first to the right, then +to the left._) + +"It was by my order that this multitude of holy retreats was +constructed--full of monks all wearing sackcloth of camel's hair +beneath their garments of goatskin, and numerous enough to form an +army. I have cured the sick from afar off; I have cast out demons; +I have passed the river in the midst of crocodiles; the Emperor +Constantine wrote me throe letters; Balacius, who had spat upon mine, +was torn to pieces by his own horses; when I reappeared the people of +Alexandria fought for the pleasure of seeing me, and Athanasius himself +escorted me on the way back. But what works have I not accomplished +Lo! for these thirty years and more I have been dwelling and groaning +unceasingly in the desert! Like Eusebius, I have carried thirty-eight +pounds of bronze upon my loins; like Macarius, I have exposed my body +to the stings of insects; like Pacomus, I have passed fifty-three +nights without closing my eyes; and those who are decapitated, tortured +with red hot pincers, or burned alive, are perhaps less meritorious +than I, seeing that my whole life is but one prolonged martyrdom." +(_Anthony slackens his pace._) + +"Assuredly there is no human being in a condition of such unutterable +misery! Charitable hearts are becoming scarcer. I no longer receive +aught from any one. My mantle is worn out. I have no sandals--I have +not even a porringer!--for I have distributed all I possessed to the +poor and to my family, without retaining so much as one obolus. Yet +surely I ought to have a little money to obtain the tools indispensable +to my work? Oh, not much! a very small sum.... I would be very saving +of it.... + +"The fathers of Nicæa, clad in purple robes, sat like magi, upon +thrones ranged along the walls; and they were entertained at a great +banquet and overwhelmed with honours, especially Paphnutius, because he +is one-eyed and lame, since the persecution of Diocletian! The Emperor +kissed his blind eye several times; what foolishness! Besides, there +were such infamous men members of that Council! A bishop of Scythia, +Theophilus! another of Persia, John! a keeper of beasts, Spiridion! +Alexander was too old. Athanasius ought to have shown more gentleness +towards the Arians, so as to have obtained concessions from them. + +"Yet would they have made any? They would not hear me! The one who +spoke against me--a tall young man with a curly beard--uttered the +most captious objections to my argument; and while I was seeking words +to express my views they all stared at me with their wicked faces, +and barked like hyenas. Ah! why cannot I have them all exiled by the +Emperor! or rather have them beaten, crushed, and see them suffer! I +suffer enough myself." + +(_He leans against his cabin in a fainting condition._) + +"It is because I have fasted too long; my strength is leaving me. If I +could eat--only once more--a piece of meat." (_He half closes his eyes +with languor._) + +"Ah! some red flesh--a bunch of grapes to bite into ... curdled milk +that trembles on a plate!... + +"But what has come upon me? What is the matter with me? I feel my heart +enlarging like the sea, when it swells before the storm. An unspeakable +feebleness weighs down upon me, and the warm air seems to waft me +the perfume of a woman's hair. No woman has approached this place; +nevertheless?--" + +(_He gazes toward the little pathway between the rocks._) + +"That is the path by which they come, rocked in their litters by the +black arms of the eunuchs. They descend and joining their hands, +heavy with rings, kneel down before me. They relate to me all their +troubles. The desire of human pleasure tortures them; they would +gladly die; they have seen in their dreams God calling to them ... and +all the while the hems of their robes fall upon my feet. I repel them +from me. 'Ah! no!' they cry, 'not yet! What shall I do?' They gladly +accept any penitence I impose on them. They ask for the hardest of all; +they beg to share mine and to live with me. + +"It is now a long time since I have seen any of them! Perhaps some of +them will come! why not? If I could only hear again, all of a sudden, +the tinkling of mule-bells among the mountains. It seems to me...." + +(_Anthony clambers upon a rock at the entrance of the pathway, and +leans over, darting his eyes into the darkness._) + +"Yes! over there, far off I see a mass moving, like a band of +travellers seeking the way. _She_ is there!... They are making a +mistake." (_Calling._) + +"This way! Come! Come!" + +(_Echo repeats: Come! Come! he lets his arms fall, stupefied._) + +"What shame for me! Alas! poor Anthony." + +(_And all of a sudden he hears a whisper:--"Poor Anthony"!_) + +"Who is there? Speak!" + +(_The wind passing through the intervals between the rocks, makes +modulations; and in those confused sonorities he distinguishes Voices, +as though the air itself were speaking. They are low, insinuating, +hissing._) + +_The First_: "Dost thou desire women?" + +_The Second_: "Great heaps of money, rather!" + +_The Third_: "A glittering sword?" (_and_) + +_The Others_: "All the people admire thee! Sleep!" + +"Thou shalt slay them all, aye, thou shalt slay them!" + +(_At the same moment objects become transformed. At the edge of the +cliff, the old palm tree with its tuft of yellow leaves, changes into +the torso of a woman leaning over the abyss, her long hair waving in +the wind. + +Anthony turns toward his cabin; and the stool supporting the great book +whose pages are covered with black letters, seems to him changed into a +bush all covered with nightingales._) + +"It must be the torch which is making this strange play of light.... +Let us put it out!" + +(_He extinguishes it; the obscurity becomes deeper, the darkness +profound._ + +_And suddenly in the air above there appear and disappear +successively--first, a stretch of water; then the figure of a +prostitute; the corner of a temple, a soldier; a chariot with two white +horses, prancing._ + +_These images appear suddenly, as in flashes--outlined against the +background of the night, like scarlet paintings executed upon ebony._ + +_Their motion accelerates. They defile by with vertiginous rapidity. +Sometimes again, they pause and gradually pale and melt away; or else +float off out of sight, to be immediately succeeded by others._ + +_Anthony closes his eyelids._ + +_They multiply, surround him, besiege him. An unspeakable fear takes +possession of him; and he feels nothing more of living sensation, save +a burning contraction of the epigastrium. In spite of the tumult in +his brain, he is aware of an enormous silence which separates him from +the world. He tries to speak;--impossible! He feels as though all the +bands of his life were breaking and dissolving;--and, no longer able to +resist, Anthony falls prostrate upon his mat._) + + +[1] Acts X: 11-13--T. + +[2] Esther IX: 5--T. + +[3] Daniel II: 46.--T. + +[4] Kings XX: 13 (Vulg.).--T. + +[5] III Kings X: I (Vulg.).--T. + + + + +II + + +(_Then a great shadow, subtler than any natural shadow, and festooned +by other shadows along its edges, defines itself upon the ground._ + +_It is the Devil, leaning upon the roof of the hut, and bearing beneath +his wings--like some gigantic bat suckling its little ones--the Seven +Deadly Sins, whose grimacing heads are dimly distinguishable._ + +_With eyes still closed, Anthony yields to the pleasure of inaction; +and stretches his limbs upon the mat._ + +_It seems to him quite soft, and yet softer--so that it becomes as if +padded; it rises up; it becomes a bed. The bed becomes a shallop; water +laps against its sides._ + +_To right and left rise two long tongues of land, overlooking low +cultivated plains, with a sycamore tree here and there. In the distance +there is a tinkling of bells, a sound of drums and of singers. It is a +party going to Canopus to sleep upon the temple of Serapis, in order +to have dreams. Anthony knows this; and impelled by the wind, his boat +glides along between the banks. Papyrus-leaves and the red flowers of +the nymphæa, larger than the body of a man, bend over him. He is lying +at the bottom of the boat; one oar at the stem, drags in the water. +From time to time, a lukewarm wind blows; and the slender reeds rub one +against the other, and rustle. Then the sobbing of the wavelets becomes +indistinct. A heavy drowsiness falls upon him. He dreams that he is a +Solitary of Egypt._ + +_Then he awakes with a start._) + +"Did I dream? It was all so vivid that I can scarcely believe I was +dreaming! My tongue burns. I am thirsty." + +(_He enters the cabin, and gropes at random in the dark._) + +"The ground is wet; can it have been raining? What can this mean! My +pitcher is broken into atoms! But the goatskin?" (_He finds it._) + +"Empty!--completely empty! In order to get down to the river, I should +have to walk for at least three hours; and the night is so dark that I +could not see my way. + +"There is a gnawing in my entrails. Where is the bread!" + +(_After long searching, he picks up a crust not so large as an egg._) + +"What? Have the jackals taken it? Ah! malediction!" + +(_And he flings the bread upon the ground with fury._ + +_No sooner has the action occurred than a table makes its appearance, +covered with all things that are good to eat._ + +_The byssus cloth, striated like the bandelets of the sphinx, produces +of itself luminous undulations. Upon it are enormous quarters of red +meats; huge fish; birds cooked in their plumage, and quadrupeds in +their skins; fruits with colors and tints almost human in appearance; +while fragments of cooling ice, and flagons of violet crystal reflect +each other's glittering. Anthony notices in the middle of the table +a boar smoking at every pore--with legs doubled up under its belly, +and eyes half closed--and the idea of being able to eat so formidable +an animal greatly delights him. Then many things appear which he has +never seen before--black hashes, jellies, the color of gold, ragouts in +which mushrooms float like nenuphars upon ponds, dishes of whipt cream +light as clouds._ + +_And the aroma of all this comes to him together with the salt smell of +the ocean, the coolness of mountains, the great perfumes of the woods. +He dilates his nostrils to their fullest extent; his mouth waters; he +thinks to himself that he has enough before him for a year, for ten +years, for his whole life!_ + +_As he gazes with widely-opened eyes at all these viands, others +appear; they accumulate, forming a pyramid crumbling at all its angles. +The wines begin to flow over--the fish palpitate--the blood seethes in +the dishes--the pulp of the fruit protrudes like amorous lips--and the +table rises as high as his breast, up to his very chin at last--now +bearing only one plate and a single loaf of bread, placed exactly in +front of him._ + +_He extends his hand to seize the loaf. Other loaves immediately +present themselves to his grasp._) + +"For me!... all these! But ..." (_Anthony suddenly draws back._) + +"Instead of one which was there, lo! there are many! It must be a +miracle, then, the same as our Lord wrought! + +"Yet for what purpose?... Ah! all the rest of these things are equally +incomprehensible! Demon, begone from me! depart! begone!" + +(_He kicks the table from him. It disappears._) + +"Nothing more?--no!" (_He draws a lung breath._) + +"Ah! the temptation was strong! But how well I delivered myself from +it!" + +(_He lifts his head, and at the same time stumbles over some sonorous +object._) + +"Why! what can that be?" (_Anthony stoops down._) + +"How! a cup! Some traveller must have lost it here. There is nothing +extraordinary...." + +(_He wets his finger, and rubs._) + +"It glitters!--metal! Still, I cannot see very clearly...." + +(_He lights his torch, and examines the cup._) + +"It is silver, ornamented with ovules about the rim, with a medal at +the bottom of it." + +(_He detaches the medal with his nail!_) + +"It is a piece of money worth about seven or eight drachmas--not more! +It matters not! even with that I could easily buy myself a sheepskin." + +(_A sudden flash of the torch lights up the cup._) + +"Impossible! gold? Yes, all gold, solid gold!" + +(_A still larger piece of money appears at the bottom. Under it he +perceives several others._) + +"Why, this is a sum ... large enough to purchase three oxen ... and a +little field!" + +(_The cup is now filled with pieces of gold._) + +"What! what!... a hundred slaves, soldiers, a host ... enough to +buy...." + +(_The granulations of the rim, detaching themselves form a necklace of +pearls._) + +"With such a marvel of jewelry as that, one could win even the wife of +the Emperor!" + +(_By a sudden jerk, Anthony makes the necklace slip down over his +wrist. He holds the cup in his left hand, and with his right lifts +up the torch so as to throw the light upon it. As water streams +overflowing from the basin of a fountain, so diamonds, carbuncles, and +sapphires, all mingled with broad pieces of gold bearing the effigies +of Kings, overflow from the cup in never ceasing streams, to form a +glittering hillock upon the sand._) + +"What! how! Staters, cycles, dariacs, aryandics; Alexander, Demetrius, +the Ptolemies, Cæsar!--yet not one of them all possessed so much! +Nothing is now impossible! no more suffering for me! how these +gleams dazzle my eyes! Ah! my heart overflows! how delightful it is! +yes--yes!--more yet! never could there be enough! Vainly I might +continually fling it into the sea, there would always be plenty +remaining for me. Why should I lose any of it? I will keep all, and say +nothing to any one about it; I will have a chamber hollowed out for me +in the rock, and lined with plates of bronze, and I will come here from +time to time to feel the gold sinking down under the weight of my heel; +I will plunge my arms into it as into sacks of grain! I will rub my +face with it, I will lie down upon it!" + +(_He flings down the torch in order to embrace the glittering heap, and +falls flat upon the ground._ + +_He rises to his feet. The place is wholly empty._) + +"What have I done! + +"Had I died during those moments, I should have gone to hell--to +irrevocable damnation." + +(_He trembles in every limb._) + +"Am I, then, accursed? Ah! no; it is my own fault! I allow myself +to be caught in every snare! No man could be more imbecile, more +infamous! I should like to beat myself, or rather to tear myself out +of my own body! I have restrained myself too long. I feel the want of +vengeance--the necessity of striking, of killing!--as though I had a +pack of wild beasts within me! Would that I could hew my way with an +axe, through the midst of a multitude.... Ah, a poniard!..." + +(_He perceives his knife, and rushes to seize it. The knife slips from +his hand; and Anthony remains leaning against the wall of his hut, with +wide-open mouth, motionless, cataleptic._ + +_Everything about him has disappeared._ + +_He thinks himself at Alexandria, upon the Paneum--an artificial +mountain in the centre of the city, encircled by a winding stairway._ + +_Before him lies Lake Mareolis; on his right hand is the sea, on his +left the country; and immediately beneath him a vast confusion of +flat roofs, traversed from north to south and from east to west by +two streets which intercross, and which offer throughout their entire +length the spectacle of files of porticoes with Corinthian columns. The +houses overhanging this double colonnade have windows of stained glass. +Some of them support exteriorly enormous wooden cages, into which the +fresh air rushes from without._ + +_Monuments of various architecture tower up in close proximity. +Egyptian pylons dominate Greek temples. Obelisks appear like lances +above battlements of red brick. In the middle of public squares there +are figures of Hermes with pointed ears, and of Anubis with the head of +a dog. Anthony can distinguish the mosaic pavements of the courtyards, +and tapestries suspended from the beams of ceilings._ + +_He beholds at one glance, the two ports (the Great Port and the +Eunostus), both round as circuses, and separated by a mole connecting +Alexandria with the craggy island upon which the Pharos-tower +rises--quadrangular, five hundred cubits high, nine storied, having at +its summit a smoking heap of black coals._ + +_Small interior ports open into the larger ones. The mole terminates at +each end in a bridge supported upon marble columns planted in the sea. +Sailing vessels pass beneath it, while heavy lighters overladen with +merchandise, thalamegii[1] inlaid with ivory, gondolas covered with +awnings, triremes, biremes, and all sorts of vessels are moving to and +fro, or lie moored at the wharves._ + +_About the Great Port extends an unbroken array of royal construction: +the palace of the Ptolomies, the Museum, the Posidium, the Cæsareum, +the Timonium where Mark Anthony sought refuge, the Soma which contains +the tomb of Alexander; while at the other extremity of the city, beyond +the Eunostus, the great glass factories, perfume factories, and papyrus +factories may be perceived in a suburban quarter._ + +_Strolling peddlers, porters, ass-drivers run and jostle together. +Here and there one observes some priest of Isis wearing a panther skin +on his shoulders, a Roman soldier with his bronze helmet, and many +negroes. At the thresholds of the shops women pause, artisans ply their +trades; and the grinding noise of chariot wheels puts to flight the +birds that devour the detritus of the butcher-shops and the morsels of +fish left upon the ground._ + +_The general outline of the streets seems like a black network flung +upon the white uniformity of the houses. The markets stocked with +herbs make green bouquets in the midst of it; the drying-yards of the +dyers, blotches of color; the golden ornaments of the temple-pediments, +luminous points--all comprised within the oval enclosure of the grey +ramparts, under the vault of the blue heaven, beside the motionless +sea._ + +_But suddenly the movement of the crowd ceases; all turn their +eyes toward the west, whence enormous whirlwinds of dust are seen +approaching._ + +_It is the coming of the monks of the Thebaid, all clad in goatskins, +armed with cudgels, roaring a canticle of battle and of faith with the +refrain_: + +"Where are they? Where are they?" + +_Anthony understands that they are coming to kill the Arians._ + +_The streets are suddenly emptied--only flying feet are visible._ + +_The Solitaries are now in the city. Their formidable cudgels, studded +with nails, whirl in the air like suns of steel. The crash of things +broken in the houses is heard. There are intervals of silence. Then +great screams arise._ + +_From one end of the street to the other there is a continual eddy of +terrified people._ + +_Many grasp pikes. Sometimes two bands meet, rush into one; and this +mass of men slips upon the pavement--fighting, disjointing, knocking +down. But the men with the long hair always reappear._ + +_Threads of smoke begin to escape from the corners of edifices! folding +doors burst open. Portions of walls crumble down. Architraves fall._ + +_Anthony finds all his enemies again, one after the other. He even +recognizes some whom he had altogether forgotten; before killing them +he outrages them. He disembowels--he severs throats--he fells as in +a slaughter house--he hales old men by the beard, crushes children, +smites the wounded. And vengeance is taken upon luxury, those who +do not know how to read tear up hooks; others smash and deface the +statues, paintings, furniture, caskets,--a thousand dainty things +the use of which they do not know, and which simply for that reason +exasperates them. At intervals they pause, out of breath, in the work +of destruction; then they recommence._ + +_The inhabitants moan in the courtyards where they have sought refuge. +The women raise their tearful eyes and lift their naked arms to heaven. +In hope of moving the Solitaries they embrace their knees; the men cast +them off and fling them down, and the blood gushes to the ceilings, +falls back upon the walls like sheets of rain, streams from the trunks +of decapitated corpses, fills the aqueducts, forms huge red pools upon +the ground._ + +_Anthony is up to his knees in it. He wades in it; he sucks up the +blood-spray on his lips; he is thrilled with joy as he feels it upon +his limbs, under his hair-tunic which is soaked through with it._ + +_Night comes. The immense uproar dies away._ + +_The Solitaries have disappeared._ + +_Suddenly, upon the outer galleries corresponding to each of the nine +stories of the Pharos, Anthony observes thick black lines forming, like +lines of crows perching. He hurries thither; and soon finds himself at +the summit._ + +_A huge mirror of brass turned toward the open sea, reflects the forms +of the vessels in the offing._ + +_Anthony amuses himself by watching them; and while he watches, their +number increases._ + +_They are grouped together within a gulf which has the form of a +crescent. Upon a promontory in the background, towers a new city of +Roman architecture, with cupolas of stone, conical roofs, gleams of +pink and blue marbles, and a profusion of brazen ornamentation applied +to the volutes of the capitals, to the angles of the cornices, to the +summits of the edifices. A cypress-wood overhangs the city. The line of +the sea is greener, the air colder. The mountains lining the horizon +are capped with snow._ + +_Anthony is trying to find his way, when a man approaches him, and +says_: + +"Come! they are waiting for you." + +_He traverses a forum, enters a great court, stoops beneath a low +door; and he arrives before the facade of the palace, decorated +with a group in wax, representing Constantine overcoming a dragon. +There is a porphyry basin, from the centre of which rises a golden +conch-shell full of nuts. His guide tells him that he may take some of +them. He does so. Then he is lost, as it were, in a long succession of +apartments._ + +_There are mosaics upon the walls representing generals presenting +the Emperor with conquered cities, which they hold out upon the +palms of their hands. And there are columns of basalt everywhere, +trellis-work in silver filigree, ivory chairs, tapestries embroidered +with pearls. The light falls from the vaults above; Anthony still +proceeds. Warm exhalations circulate about him; occasionally he hears +the discreet clapping sound of sandals upon the pavement. Posted in +the anti-chambers are guards, who resemble automata, holding wands of +vermillion upon their shoulders._ + +[Illustration: And there are columns of basalt everywhere,... The +light falls from the vaults above] + +_At last he finds himself in a great hall, with hyacinth-colored +curtains at the further end. They part, and display the Emperor seated +on a throne, clad in a violet tunic, and wearing red shoes striped with +bands of black._ + +_A diadem of pearls surround his head; his locks are arranged +symmetrically in rouleaux. He has a straight nose, drooping eyelids, +a heavy and cunning physiognomy. At the four corners of the dais +stretched above his head are placed four golden doves; and at the foot +of the throne are two lions in enamel crouching. The doves begin to +sing, the lions to roar. The Emperor rolls his eyes; Anthony advances; +and forthwith, without preamble, they commence to converse about +recent events. In the cities of Antioch, Ephesus, and Alexandria, +the temples have been sacked, and the statues of the gods converted +into pots and cooking utensils; the Emperor laughs heartily about it. +Anthony reproaches him with his tolerance toward the Novations. But the +Emperor becomes vexed. Novations, Arians or Meletians--he is sick of +them all! Nevertheless, he admires the episcopate; for inasmuch as the +Christians maintain bishops, who depend for their position upon five or +six important personages, it is only necessary to gain over the latter, +in order to have all the rest on one's side. Therefore he did not fail +to furnish them with large sums. But he detests the Fathers of the +Council of Nicæa._ + +"Let us go and see them!" + +_Anthony follows him._ + +_And they find themselves on a terrace, upon the same floor._ + +_It overlooks a hippodrome thronged with people, and surmounted by +porticoes where other spectators are walking to and fro. From the +centre of the race-course rises a narrow platform of hewn stone, +supporting a little temple of Mercury, the statue of Constantine, and +three serpents of brass twisted into a column; there are three huge +wooden eggs at one end, and at the other a group of seven dolphins with +their tails in the air._ + +_Behind the imperial pavilion sit the Prefects of the Chambers, the +Counts of the Domestics, and the Patricians--in ranks rising by tiers +to the first story of a church whose windows are thronged with women. +On the right is the tribune of the Blue Faction; on the left, that of +the Green; below, a picket of soldiers is stationed; and on a level +with the arena is a row of Corinthian arches, forming the entrances to +the stables._ + +_The races are about to commence; the horses are drawn up in line. +Lofty plumes, fastened between their ears, bend to the wind like +saplings; and with every restive bound, they shake their chariots +violently, which are shell-shaped, and conducted by charioteers clad +in a sort of multi-colored cuirass, having sleeves tight at the wrist +and wide in the arms; their legs are bare; their beards, faces and +foreheads are shaven after the manner of the Huns._ + +_Anthony is at first deafened by the billowy sound of voices. From +the summit of the hippodrome to its lowest tiers, he sees only faces +painted with rouge, garments checkered and variegated with many colors, +flashing jewelry; and the sand of the arena, all white, gleams like a +mirror._ + +_The Emperor entertains him. He confides to him many matters of high +importance, many secrets; he confesses the assassination of his son +Criopus, and even asks Anthony for advice regarding his health._ + +_Meanwhile Anthony notices some slaves in the rear portion of the +stables below. They are the Fathers of Nicæa, ragged and abject. The +martyr Paphnutius is brushing the mane of one horse; Theophilus is +washing the legs of another; John is painting the hoofs of a third; +Alexander is collecting dung in a basket._ + +_Anthony passes through the midst of them. They range themselves on +either side respectfully; they beseech his intercession; they kiss his +hands. The whole assemblage of spectators hoots at them; and he enjoys +the spectacle with immeasurable pleasure. Lo! he is now one of the +grandees of the Court--the Emperor's confidant--the prime minister! +Constantine places his own diadem upon his brows. Anthony allows it to +remain upon his head, thinking this honor quite natural._ + +_And suddenly in the midst of the darkness a vast hall appears, +illuminated by golden candelabra._ + +_Candles so lofty that they are half lost in the darkness, stretch away +in huge files beyond the lines of banquet-tables, which seem to extend +to the horizon, where through a luminous haze loom superpositions of +stairways, suites of arcades, colossi, towers, and beyond all a vague +border of palace walls, above which rise the crests of cedars, making +yet blacker masses of blackness against the darkness._ + +_The guests, crowned with violet wreaths, recline upon very low couches +and are leaning upon their elbows. Along the whole length of this +double line of couches, wine is being poured out from amphoræ, and at +the further end, all alone, coiffed with the tiara and blazing with +carbuncles, King Nebuchadnezzar eats and drinks._ + +_On his right and left, two bands of priests in pointed caps are +swinging censers. On the pavement below crawl the captive kings whose +hands and feet have been cut off; from time to time he flings them +bones to gnaw. Further off sit his brothers, with bandages across their +eyes, being all blind._ + +_From the depths of the ergastula arise moans of ceaseless pain. Sweet +slow sounds of a hydraulic organ alternate with choruses of song; and +one feels that all about the palace without extends an immeasurable +city--an ocean of human life whose waves break against the walls. The +slaves run hither and thither carrying dishes. Women walk between the +ranks of guests, offering drinks to all; the baskets groan under their +burthen of loaves; and a dromedary, laden with perforated water-skins: +passes and repasses through the hall, sprinkling and cooling the +pavement with vervain._ + +_Lion tamers are leading tamed lions about. Dancing girls--their +hair confined in nets--balance themselves and turn upon their hands, +emitting fire through their nostrils; negro boatmen are juggling; naked +children pelt each other with pellets of snow, which burst against the +bright silverware. There is an awful clamor as of a tempest; and a huge +cloud hangs over the banquet--so numerous are the meats and breaths. +Sometimes a flake of fire torn from the great flambeaux by the wind, +traverses the night like a shooting star._ + +_The king wipes the perfumes from his face with his arm. He eats from +the sacred vessels--then breaks them; and secretly reckons up the +number of his fleets, his armies, and his subjects. By and by, for a +new caprice, he will burn his palace with all its guests. He dreams of +rebuilding the tower of Babel, and dethroning God._ + +_Anthony, from afar off, reads all these thoughts upon his brow. They +penetrate his own brain, and he becomes Nebuchadnezzar. Immediately he +is cloyed with orgiastic excesses, sated with fury of extermination; +and a great desire comes upon him to wallow in vileness. For the +degradation of that which terrifies men is an outrage inflicted upon +their minds--it affords yet one more way to stupefy them; and as +nothing is viler than a brute, Anthony goes upon the table on all +fours, and bellows like a bull._ + +_He feels a sudden pain in his hand--a pebble has accidentally wounded +him--and he finds himself once more in front of his cabin._ + +_The circle of the rocks is empty. The stars are glowing in the sky. +All is hushed._) + +"Again have I allowed myself to be deceived! Why these things? They +come from the rebellion of the flesh. Ah! wretch!" + +(_He rushes into his cabin, and seizes a bunch of thongs, with metallic +hooks attached to their ends, strips himself to the waist and, lifting +his eyes to heaven exclaims_:) + +"Accept my penance, O my God: disdain it not for its feebleness. Render +it sharp, prolonged, excessive! It is time, indeed!--to the work!" + +(_He gives himself a vigorous lash--and shrieks._) + +"No! no!--without mercy it must be." + +(_He recommences._) + +"Oh! oh! oh! each lash tears my skin, rends my limbs! It burns me +horribly!" + +"Nay!--it is not so very terrible after all!--one becomes accustomed to +it. It even seems to me...." + +(_Anthony pauses._) + +"Continue, coward! continue! Good! good!--upon the arms, on the back, +on the breast, on the belly--everywhere! Hiss, ye thongs! bite me! +tear me! I would that my blood could spurt to the stars!--let my bones +crack!--let my tendons be laid bare! O for pincers, racks, and melted +lead! The martyrs have endured far worse; have they not, Ammonaria?" + +(_The shadow of the Devil's horns reappears._) + +"I might have been bound to the column opposite to thine,--face to +face--under thy eyes--answering thy shrieks by my sighs; and our pangs +might have been interblended, our souls intermingled." + +(_He lashes himself with fury._) + +"What! what! again. Take that!--But how strange a titillation thrills +me! What punishment! what pleasure! I feel as though receiving +invisible kisses; the very marrow of my bones seems to melt. I die...." + +_And he sees before him three cavaliers, mounted upon onagers, clad in +robes of green--each holding a lily in his hand, and all resembling +each other in feature._ + +_Anthony turns round, and beholds three other cavaliers exactly +similar, riding upon similar onagers, and preserving the same attitude._ + +_He draws back. Then all the onagers advance one pace at the same time, +and rub their noses against him, trying to bite his garment. Voices +shout_:-- + +"Here! here! this way!" + +_And between the clefts of the mountain, appear standards,--camels' +heads with halters of red silk--mules laden with baggage, and women +covered with yellow veils, bestriding piebald horses._ + +_The panting beasts lie down; the slaves rush to the bales and +packages, motley-striped carpets are unrolled; precious glimmering +things are laid upon the ground._ + +_A white elephant, caparisoned with a golden net, trots forward, +shaking the tuft of ostrich plumes attached to his head-band._ + +_Upon his back, perched on cushions of blue wool, with her legs +crossed, her eyes half closed, her comely head sleepily nodding, is a +woman so splendidly clad that she radiates light about her. The crowd +falls prostrate; the elephant bends his knees; and_ + +THE QUEEN OF SHEBA + +_letting herself glide down from his shoulder upon the carpets spread +to receive her, approaches Saint Anthony._ + +_Her robe of gold brocade, regularly divided by furbelows of pearls, +of jet, and of sapphires, sheaths her figure closely with its +tight-fitting bodice, set off by colored designs representing the +twelve signs of the Zodiac. She wears very high pattens--one of which +is black, and sprinkled with silver stars, with a moon crescent; the +other, which is white, is sprinkled with a spray of gold, with a golden +sun in the middle._ + +_Her wide sleeves, decorated with emeralds and bird-plumes, leave +exposed her little round bare arms, clasped at the wrist by ebony +bracelets; and her hands, loaded with precious rings, are terminated by +nails so sharply pointed that the ends of her fingers seem almost like +needles._ + +_A chain of dead gold, passing under her chin, is caught up on either +side of her face, and spirally coiled about her coiffure, whence, +redescending, it grazes her shoulders and is attached upon her bosom +to a diamond scorpion, which protrudes a jewelled tongue between her +breasts. Two immense blond pearls depend heavily from her ears. The +borders of her eyelids are painted black. There is a natural brown spot +upon her left cheek; and she opens her mouth in breathing, as if her +corset inconvenienced her._ + +_She shakes, as she approaches, a green parasol with an ivory handle, +and silver-gilt bells attached to its rim; twelve little woolly-haired +negro-boys support the long train of her robe, whereof an ape holds the +extremity, which it raises up from time to time. She exclaims_: + +"Ah! handsome hermit! handsome hermit!--my heart swoons! + +"By dint of stamping upon the ground with impatience, callosities have +formed upon my heel, and I have broken one of my nails. I sent out +shepherds, who remained upon the mountain tops, shading their eyes with +their hands--and hunters who shouted thy name in all the forests--and +spies who travelled along the highways, asking every passer-by: + +"'Hast thou seen him?' + +"By night I wept, with my face turned to the wall. And at last my tears +made two little holes in the mosaic, like two pools of water among the +rocks;--for I love thee!--oh! how I love thee!" + +(_She takes him by the beard._) + +"Laugh now, handsome hermit! laugh! I am very joyous, very gay: thou +shalt soon see! I play the lyre; I dance like a bee; and I know a host +of merry tales to tell, each more diverting than the other. + +"Thou canst not even imagine how mighty a journey we have made. See! +the onagers upon which the green couriers rode are dead with fatigue!" + +(_The onagers are lying motionless upon the ground._) + +"For three long moons they never ceased to gallop on with the same +equal pace, holdings flints between their teeth to cut the wind, their +tails ever streaming out behind them, their sinews perpetually strained +to the uttermost, always galloping, galloping. Never can others be +found like them. They were bequeathed me by my paternal grand-father, +the Emperor Saharil, son of Iakhschab, son of Iaarab, son of Kastan. +Ah! if they were still alive, we should harness them to a litter that +they might bear us back speedily to the palace! But ... what ails +thee?--of what art thou dreaming?" + +(_She stares at him, examines him closely._) + +"Ah, when thou shalt be my husband, I will robe thee, I will perfume +thee, I will depilate thee." + +(_Anthony remains motionless, more rigid than a stake, more pallid +than a corpse._) + +"Thou hast a sad look--is it because of leaving thy hermitage? Yet I +have left everything for thee--even King Solomon, who, nevertheless, +possesses much wisdom, twenty thousand chariots of war, and a beautiful +beard. I have brought thee my wedding gifts. Choose!" + +(_She walks to and fro among the ranks of slaves and the piles of +precious goods._) + +"Here is Genezareth balm, incense from Cape Gardefui, labdanum, +cinnamon, and silphium--good to mingle with sauces. In that bale are +Assyrian embroideries, ivory from the Ganges, purple from Elissa; +and that box of snow contains a skin of chalybon, the wine, which +is reserved for the Kings of Assyria, and which is drunk from the +horn of a unicorn. Here are necklaces, brooches, nets for the hair, +parasols, gold powder from Baasa, cassiteria from Tartessus, blue wood +from Pandio, white furs from Issidonia, carbuncles from the Island +Palæsimondus, and toothpicks made of the bristles of the tachas--that +lost animal which is found under the earth. These cushions come from +Emath, and these mantle-fringes from Palmyra. On this Babylonian carpet +there is.... But come hither! come! come!" + +(_She pulls Saint Anthony by the sleeve. He resists. She continues_:) + +"This thin tissue which crackles under the finger with a sound as of +sparks, is the famous yellow cloth which the merchants of Bactria bring +us. I will have robes made of it for thee, which thou shalt wear in the +house. Unfasten the hooks of that sycamore box, and hand me also the +little ivory casket tied to my elephant's shoulder." + +(_They take something round out of a box--something covered with a +cloth--and also bring a little ivory casket covered with carving._) + +"Dost thou desire the buckler of Dgian-ben-Dgian, who built the +pyramids?--behold it!--It is formed of seven dragon-skins laid one over +the other, tanned in the bile of parricides, and fastened together by +adamantine screws. Upon one side are represented all the wars that have +taken place since the invention of weapons; and upon the other, all the +wars that will take place until the end of the world. The lightning +itself rebounds from it like a ball of cork. I am going to place it +upon thy arm; and thou wilt carry it during the chase. + +"But if thou didst only know what I have in this little box of mine! +Turn it over and over again! try to open it! No one could ever succeed +in doing that. Kiss me! and I will tell thee how to open it." + +(_She takes Saint Anthony by both cheeks. He pushes her away at arms' +length._) + +"It was one night that King Solomon lost his head. At last we concluded +a bargain. He arose, and stealing out on tiptoe...." + +(_She suddenly executes a pirouette._) + +"Ah, ah! comely hermit, thou shalt not know it! thou shalt not know!" + +(_She shakes her parasol, making all its little bells tinkle._) + +"And I possess many other strange things--oh! yes! I have treasures +concealed in winding galleries where one would lose one's way, as +in a forest. I have summer-palaces constructed in trellis-work of +reeds, and winter-palaces all built of black marble. In the midst of +lakes vast as seas, I have islands round as pieces of silver, and all +covered with mother-of-pearl,--islands whose shores make music to +the lapping of tepid waves upon the sand. The slaves of my kitchens +catch birds in my aviaries, and fish in my fishponds. I have engravers +continually seated at their benches to hollow out my likeness in hard +jewel-stones, and panting molders forever casting statues of me, and +perfumers incessantly mingling the sap of rare plants with vinegar, +or preparing cosmetic pastes. I have female dressmakers cutting out +patterns in richest material, goldsmiths cutting and mounting jewels of +price, and careful painters pouring upon my palace wainscoting boiling +resins, which they subsequently cool with fans. I have enough female +attendants to form a harem, eunuchs enough to make an army. I have +armies likewise; I have nations! In the vestibule of my palace I keep a +guard of dwarfs--all bearing ivory trumpets at their backs." (_Anthony +sighs._) + +"I have teams of trained gazelles; I have elephant quadrigæ; I have +hundreds of pairs of camels, and mares whose manes are so long that +their hoofs become entangled therein when they gallop, and herds of +cattle with horns so broad that when they go forth to graze the woods +have to be hewn down before them. I have giraffes wandering in my +gardens; they stretch their heads over the edge of my roof, when I take +the air after dinner. + +"Seated in a shell drawn over the waters by dolphins, I travel +through the grottoes, listening lo the dropping of the water from the +stalactites. I go down to the land of diamonds, where my friends the +magicians allow me to choose the finest: then I reascend to earth and +return to my home." + +(_She utters a sharp whistle; and a great bird, descending from the +sky, alights upon her hair, from which it makes the blue powder fall._ + +_Its orange-colored plumage seems formed of metallic scales. Its little +head, crested with a silver tuft, has a human face._ + +_It has four wings, the feet of a vulture, and an immense peacock's +tail which it spreads open like a fan._ + +_It seizes the Queen's parasol in its beak, reels a moment ere +obtaining its balance; then it erects all its plumes, and remains +motionless._) + +"Thanks! my beautiful Simorg-Anka!--thou didst tell me where the loving +one was hiding! Thanks! thanks! my heart's messenger! + +"He flies swiftly as Desire! He circles the world in his flight. At eve +he returns; he perches at the foot of my couch and tells me all he has +seen--the seas that have passed far beneath him with all their fishes +and ships, the great void deserts he has contemplated from the heights +of the sky, the harvests that were bowing in the valleys, and the +plants that were growing upon the walls of cities abandoned." + +(_She wrings her hands, languorously._) + +"Oh! if thou wast willing! if thou wast willing!... I have a pavilion +on a promontory in the middle of an isthmus dividing two oceans. It is +all wain-scoted with sheets of glass, and floored with tortoise shell, +and open to the four winds of heaven. From its height I watch my fleets +come in, and my nations toiling up the mountain-slopes with burthens +upon their shoulders. There would we sleep upon downs softer than +clouds; we would drink cool draughts from fruit-shells, and we would +gaze at the sun through emeralds! Come!" ... + +(_Anthony draws back. She approaches him again, and exclaims in a tone +of vexation_:--) + +"How? neither the rich, nor the coquettish, nor the amorous woman can +charm thee: is it so? None but a lascivious woman, with a hoarse voice +and lusty person, with fire-colored hair and superabundant flesh? Dost +thou prefer a body cold as the skin of a serpent, or rather great dark +eyes deeper than the mystic caverns?--behold them, my eyes!--look into +them!" + +(_Anthony, in spite of him, gazes into her eyes._) + +"All the women thou hast ever met--from the leman of the cross-roads, +singing under the light of her lantern, even to the patrician lady +scattering rose-petals abroad from her litter,--all the forms thou hast +ever obtained glimpses of--all the imaginations of thy desire thou hast +only to ask for them! I am not a woman: I am a world! My cloak has only +to fall in order that thou mayest discover a succession of mysteries." +(_Anthony's teeth chatter._) + +"Place but thy finger upon my shoulder: it will be as though a stream +of fire shot through all thy veins. The possession of the least part +of me will fill thee with a joy more vehement than the conquest of an +Empire could give thee! Approach thy lips: there is a sweetness in my +kisses as of a fruit dissolving within thy heart. Ah! how thou wilt +lose thyself beneath my long hair, inhale the perfume of my bosom, +madden thyself with the beauty of my limbs: and thus, consumed by the +fire of my eyes, clasped within my arms as in a whirlwind...." + +[Illustration: ... there is a sweetness in my kisses as of a fruit +dissolving within thy heart] + +(_Anthony makes the sign of the cross._) + +"Thou disdainest me! farewell!" + +(_She departs, weeping; then, suddenly turning round_:--) + +"Art quite sure?--so beautiful a woman...." + +(_She laughs, and the ape that bears her train, lifts it up._) + +"Thou wilt regret it, my comely hermit! thou wilt yet weep! thou wilt +again feel weary of thy life; but I care not a whit! La! la! la!--oh! +oh! oh!" + +(_She takes her departure, hopping upon one foot and covering her face +with her hands._ + +_All the slaves file off before Saint Anthony--the horses, the +dromedaries, the elephant, the female attendants, the mules (which +have been reloaded), the negro boys, the ape, the green couriers each +holding his broken lily in his hand; and the Queen of Sheba departs, +uttering a convulsive hiccough at intervals, which might be taken +either for a sound of hysterical sobbing, or the half-suppressed +laughter of mockery._) + + +[1] _Thalamegii_--pleasure-boats having apartments. + + + + +III + + +(_When she has disappeared in the distance, Anthony observes a child +seated upon the threshold of his cabin._) + +"It is one of the Queen's servants, no doubt," (_he thinks_). + +(_This child is small like a dwarf, and nevertheless squat of build, +like one of the Cabiri; deformed withal, and wretched of aspect. His +prodigiously large head is covered with white hair; and he shivers +under a shabby tunic, all the while clutching a roll of papyrus. The +light of the moon passing through a cloud falls upon him._) + +ANTHONY + +(_watches him from a distance, and is afraid of him._) "Who art thou?" + +THE CHILD (_replies_). "Thy ancient disciple, Hilarion." + +ANTHONY. "Thou liest! Hilarion hath been dwelling in Palestine for +many long years." + +HILARION. "I have returned! It is really I!" + +ANTHONY (_draws near and examines him closely_). "Yet his face was +radiant as the dawn, candid, joyous. This face is the face of one +gloomy and old." + +HILARION. "Long and arduous labor hath wearied me!" + +ANTHONY. "The voice is also different. It hath an icy tone." + +HILARION. "Because I have nourished me with bitter things!" + +ANTHONY. "And those white hairs?" + +HILARION. "I have endured many woes!" + +ANTHONY (_aside_). "Could it be possible?" + +HILARION. "I was not so far from thee as thou doest imagine. The hermit +Paul visited thee this year, during the month of Schebar. It is just +twenty days since the Nomads brought thee bread. Thou didst tell a +sailor, the day before yesterday, to send thee three bodkins." + +ANTHONY. "He knows all!" + +HILARION. "Know further more that I have never left thee. But there are +long periods during which thou hast no knowledge of my presence." + +ANTHONY. "How can that be? Yet it is true that my head is so much +troubled--this night especially." + +HILARION. "All the Capital Sins came hither. But their wretched snares +can avail nothing against such a Saint as thou." + +ANTHONY. "Oh! no!--no! I fall at every moment! Why am I not of those +whose souls are ever intrepid, whose minds are always firm,--for +example, the great Athanasius?" + +HILARION. "He was illegally ordained by seven bishops." + +ANTHONY. "What matter if his virtue...." + +HILARION. "Go to!--a most vainglorious and cruel man, forever involved +in intrigues, and exiled at last as a monopolist."[1] + +ANTHONY. "Calumny!" + +HILARION. "Thou wilt not deny that he sought to corrupt Eustates, the +treasurer of largesses?" + +ANTHONY. "It is affirmed, I acknowledge." + +HILARION. "Through vengeance he burned down the house of Arsenius." + +ANTHONY. "Alas!" + +HILARION. "At the council of Nicæa he said in speaking of Jesus: 'The +man of the Lord.'" + +ANTHONY. "Ah! that is a blasphemy!" + +HILARION. "So limited in understanding, moreover, that he confesses he +comprehends nothing of the nature of the "Word!" + +ANTHONY (_smiling with gratification_). "In sooth his intelligence is +not ... very lofty." + +HILARION. "Hypocrite! burying thyself in solitude only in order the +more fully to abandon thyself to the indulgence of thy envious desires! +What if thou dost deprive thyself of meats, of wine, of warmth, of +bath, of slaves, or honours?--dost thou not permit thy imagination to +offer thee banquets, perfumes, women, and the applause of multitudes? +Thy chastity is but a more subtle form of corruption, and thy contempt +of this world is but the impotence of thy hatred against it! Either +this it is that makes such as thyself so lugubrious, or else 'tis +doubt. The possession of truth giveth joy. Was Jesus sad? Did he not +travel in the company of friends, repose beneath the shade of olive +trees, enter the house of the publican, drink many cups of wine, pardon +the sinning woman, and assuage all sorrows? Thou!--thou hast no pity +save for thine own misery! It is like a remorse that gnaws thee, a +savage madness that impels thee to repel the caress of a dog or to +frown upon the smile of a child." + +ANTHONY (_bursting into tears_). "Enough! enough! thou dost wound my +heart deeply." + +HILARION. "Shake the vermin from thy rags! Rise up from thy filth! Thy +God is not a Moloch who demands human flesh in sacrifice!" + +ANTHONY. "Yet suffering is blessed. The cherubim stoop to receive the +blood of confessors." + +HILARION. "Admire, then, the Montanists!--they surpass all others." + +ANTHONY. "But it is the truth of the doctrine which makes the +martyrdom." + +HILARION. "How can martyrdom prove the excellence of the doctrine, +inasmuch as it bears equal witness for error?" + +HILARION. "Silence!--thou viper!" + +ANTHONY. "Perhaps martyrdom is not so difficult as thou dost imagine! +The exhortations of friends, the pleasure of insulting the people, +the oath one has taken, a certain dizzy excitement, a thousand +circumstances all aid the resolution of the martyrs...." + +(_Anthony turns his back upon Hilarion, and moves away from him. +Hilarion follows him._) + +" ... Moreover this manner of dying often brings about great disorders. +Dionysius, Cyprian and Gregory fled from it. Peter of Alexandria has +condemned it; and the council of Elvira...." + +ANTHONY (_stops his ears_). "I will listen to thee no longer!" + +HILARION (_raising his voice_). "Lo! thou fallest again into the +habitual sin, which is sloth! Ignorance is the foam of pride. One says, +forsoth:--'My conviction is formed! wherefore argue further?'--and one +despises the doctors, the philosophers, tradition itself, and even the +text of the law whereof one is ignorant! Dost thou imagine that thou +dost hold all wisdom in the hollow of thy hand?" + +ANTHONY. "I hear him still! His loud words fill my brain." + +HILARION. "The efforts of others to comprehend God are mightier than +all thy mortifications to move Him. We obtain merit only by our thirst +for truth. Religion alone cannot explain all things; and the solution +of problems ignored by thee can render faith still more invulnerable +and noble. Therefore, for our salvation we must communicate with our +brethren--otherwise the Church, the assembly of the faithful, would +be a meaningless word--and we must listen to all reasoning, despising +nothing, nor any person. The magician Balaam, the poet Aeschylus, +and the Sybil of Cumæ--all foretold the Saviour. Dionysius, the +Alexandrian, received from heaven the command to read all books. Saint +Clement orders us to cultivate Greek letters. Hennas was converted by +the illusion of a woman he had loved...." + +ANTHONY. "What an aspect of authority! It seems to me thou art growing +taller...." + +(_And, in very truth, the stature of Hilarion is gradually increasing; +and Anthony shuts his eyes, that he may not see him._) + +HILARION. "Reassure thyself, good Hermit. Let us seat ourselves there, +upon that great stone, as we used to do in other years, when, at the +first dawn of day, I was wont to salute thee with the appellation, +'Clear star of morning'--and thou wouldst therewith commence to +instruct me. Yet my instruction is not yet completed. The moon gives us +light enough. I am prepared to hear thy words." + +(_He has drawn a calamus from his girdle, and seating himself +cross-legged upon the ground, with the papyrus roll still in his hand, +he lifts his face toward Saint Anthony, who sits near him, with head +bowed down._ + +_After a moment of silence Hilarion continues_:--) + +"Is not the word of God confirmed for us by miracles? Nevertheless +the magicians of Pharaoh performed miracles; other imposters can +perform them; one may be thereby deceived. What then is a miracle? +An event which seems to us outside of nature. But do we indeed know +all of Nature's powers; and because a common occurrence causes us no +astonishment, does it therefore follow that we understand it." + +ANTHONY. "It matters little! We must believe the Scriptures!" + +HILARION. "Saint Paul, Origen, and many others did not understand +the Scriptures in a literal sense: yet if Holy Writ be explained by +allegories it becomes the portion of a small number, and the evidence +of the truth disappears. What must we do?" + +ANTHONY. "We must rely upon the Church!" + +HILARION. "Then the Scriptures are useless?" + +ANTHONY. "No! no! although I acknowledge that in the Old Testament +there are some ... some obscurities. But the New shines with purest +light." + +HILARION. "Nevertheless, the Angel of the annunciation, in Matthew, +appears to Joseph; while, in Luke, he appears to Mary. The anointing +of Jesus by a woman takes place, according to the first Gospel, at the +commencement of his public life; and, according to the other three, a +few days before his death. The drink offered to him on the cross, is, +in Matthew, vinegar mixed with gall; in Mark, it is wine and myrrh. +According to Luke and Matthew, the apostles should take with them +neither money nor scrip for their journey--not even sandals nor staff; +in Mark, on the contrary, Jesus bids them take nothing with them, +except sandals and a staff. I am thereby bewildered!" + +ANTHONY (_in amazement_). "Aye, indeed!... in fact...." + +HILARION. "At the contact of the woman who had an issue of blood, Jesus +turned and said, 'Who hath touched my garments?' He did not know, then, +who had touched him? That contradicts the omniscience of Jesus! If the +tomb was watched by guards, the women need have felt no anxiety about +finding help to roll away the stone from the tomb. Therefore there +were no guards, or the holy women were not there. At Emmaus, he eats +with his disciples and makes them feel his wounds. It is a human body, +a material and ponderable object; and nevertheless it passes through +walls! Is that possible?" + +ANTHONY. "It would require much time to answer thee properly!" + +HILARION. "Why did he receive the Holy Spirit, being himself Son of +the Holy Spirit? What need had he of baptism if he was the Word? How +could the Devil have tempted him, inasmuch as he was God? Have these +thoughts never occurred to thee?" + +ANTHONY. "Yes!... often! Sometimes torpid, sometimes furious--they +remain forever in my conscience. I crush them; they rise again, they +stifle me; and sometimes I think that I am accursed." + +HILARION. "Then it is needless for thee to serve God?" + +ANTHONY. "I shall always need to adore Him." + +(_After a long silence Hilarion continues_:) + +"But aside from dogma, all researches are allowed us. Dost thou desire +to know the hierarchy of the Angels, the virtue of the Numbers, the +reason of germs and of metamorphoses?" + +ANTHONY. "Yes! yes! my thought struggles wildly to escape from its +prison. It seems to me that by exerting all my force I might succeed. +Sometimes, for an instant, brief as a lightning flash, I even feel +myself as thought uplifted,--then I fall back again!" + +HILARION. "The secret thou wouldst obtain is guarded by sages. They +dwell in a distant land; they are seated beneath giant trees; they +are robed in white; they are calm as Gods! A warm air gives them +sufficient nourishment. All about them, leopards tread upon grassy +turf. The murmuring of fountains and the neighing of unicorns mingle +with their voices. Thou shalt hear them; and the face of the Unknown +shall be unveiled!" + +ANTHONY (_sighing_). "The way is long; and I am old." + +HILARION. "Oh! oh! wise men are not rare! there are some even very nigh +thee!--here! Let us enter!" + + +[1] Gibbon, a sincere admirer of Athanasius, gives a curious history of +these charges, and expresses his disbelief in their truth. The story +regarding the design to intercept the corn-fleet of Alexandria is +referred to in the use of the word "monopolist." + + + + +IV + + +(_And Anthony beholds before him a vast basilica._ + +_The light gushes from the further end, marvellous as a multi-colored +sun. It illuminates the innumerable heads of the crowd that fills the +nave, and that eddies about the columns toward the side-aisles--where +can be perceived, in wooden compartments, altars, beds, little chains +of blue stones linked together, and constellations painted upon the +walls._ + +_In the midst of the throng there are groups which remain motionless. +Men standing upon stools harangue with fingers uplifted; others are +praying, with arms outstretched in form of a cross; others are lying +prostrate upon the pavement, or singing hymns, or drinking wine; others +of the faithful, seated about a table, celebrate their agape;[1] +martyrs are unbandaging their limbs in order to show their wounds; and +aged men, leaning upon staffs, recount their voyages._ + +_There are some from the country of the Germans, from Thrace also, and +from the Gauls, from Scythia and from the Indies, with snow upon their +beards, feathers in their hair; thorns in the fringe of their garments; +the sandals of some are black with dust, their skins are burnt by the +sun. There is a vast confusion of costumes, mantles of purple and +robes of linen, embroidered dalmaticas, hair shirts, sailors' caps, +bishops' mitres. Their eyes fulgurate strangely. They have the look of +executioners, or the look of eunuchs._ + +_Hilarion advances into their midst. All salute him. Anthony, shrinking +closer to his shoulder, observes them. He remarks the presence of a +great many women. Some of these are attired like men, and have their +hair cut short. Anthony feels afraid of them._) + +HILARION. "Those are Christian women who have converted their husbands. +Besides, the women were always upon the side of Jesus, even the +idolatrous ones, for example, Procula, the wife of Pilate, and Poppæa, +the concubine of Nero. Do not tremble!--come on." + +(_And others are continually arriving._ + +_They seem to multiply, to double themselves by self-division, light +as shadows--all the while making an immense clamour, in which yells of +rage, cries of love, canticles and objurgations intermingle._) + +ANTHONY (_in a low voice_). "What do they desire?" + +HILARION. "The Lord said: 'I have yet many things to say to you.... +'[2] They possess the knowledge of those things." + +(_And he pushes Anthony forward to a golden throne approached by five +steps, whereon--surrounded by ninety-five disciples, all very thin and +pale, and anointed with oil--sits the prophet Manes. He is beautiful +as an archangel, immobile as a statue; he is clad in an Indian robe; +carbuncles gleam in his plaited hair; at his left hand lies a book of +painted images; his right reposes upon a globe. The images represent +the creatures that erst slumbered in Chaos. Anthony bends forward to +look upon them. Then----_) + +MANES + +(_makes his globe revolve; and regulating the tone of his words by a +lyre which gives forth crystalline sounds, exclaims_:--) + +"The celestial earth is at the superior extremity; the terrestrial +earth at the inferior extremity. It is sustained by two angels--the +Angel Splenditeneus, and Omophorus, whose faces are six. + +"At the summit of the highest heaven reigns the impassible Divinity; +below, face to face, are the Son of God and the Prince of Darkness. + +"When the darkness had advanced even to his kingdom, God evolved from +his own essence a virtue which produced the first man; and he environed +him with the five elements. But the demons of darkness stole from him a +part; and that part is the soul. + +"There is but one soul, universally diffused, even as the waters of +a river divided into many branches. It is this universal soul that +sighs in the wind--that shrieks in the marble under the teeth of the +saw--that roars in the voice of the sea--that weeps tears of milk when +the leaves of the fig tree are torn off. + +"The souls that leave this world emigrate to the stars, which are +themselves animated beings." + +ANTHONY (_bursts into a laugh_). "Ah! ah! what an absurd imagination!" + +A MAN (_having no beard, and of a most austere aspect_). "Wherefore +absurd?" + +(_Anthony is about to reply when Hilarion tells him in a low voice +that the questioner is none other than the tremendous Origen himself; +and_:--) + +MANES (_continues_). "But first they remain awhile in the Moon, where +they are purified. Then they rise into the sun." + +ANTHONY (_slowly_). "I do not know of anything ... which prevents us +... from believing it." + +MANES. "The proper aim of every creature is the deliverance of the ray +of celestial light imprisoned within matter. It finds easier escape +through the medium of perfumes, spices, the aroma of warmed wine, the +light things which resemble thoughts. But the acts of life retain it +within its prison. The murderer shall be born again in the form of a +celephus; he that kills an animal shall become that animal; if thou +plantest a vine, thou shalt be thyself bound within its boughs. Food +absorbs the celestial light.... Therefore abstain! fast!" + +HILARION. "Thou seest, they are temperate!" + +MANES. "There is much of it in meats, less of it in herbs. Moreover +the Pure Ones, by means of their great merits, despoil vegetation of +this luminous essence; and, thus liberated, it reascends to its source. +But through generation, animals keep it imprisoned within the flesh! +Therefore, avoid women!" + +HILARION. "Admire their continence." + +MANES. "Or rather contrive that they shall not create..............[3] + +ANTHONY. "Oh--abomination!" + +HILARION. "What signifies the hierarchy of turpitudes? The Church has, +forsooth, made marriage a sacrament!" + +SATURNINUS (_in Syrian costume_). "He teaches a most dismal system of +the universe!... The Father, desiring to punish the angels who had +revolted, ordered them to create the world. Christ came, in order that +the God of the Jews, who was one of those angels...." + +ANTHONY. "He an angel! the Creator!" + +CERDO. "Did he not seek to kill Moses, to deceive his own prophets, to +seduce nations?--did he not sow falsehood and idolatry broadcast?" + +MARCION. "Certainly, the Creator is not the true God!" + +SAINT CLEMENT OF ALEXANDRIA. "Matter is eternal!" + +BARDESANES (_in the costume of the Babylonian magi_). "It was formed by +the Seven Planetary Spirits." + +THE HERMIANS. "Souls were made by the angels." + +THE PRISCILLIANISTS. "It was the Devil who made the world." + +ANTHONY (_rushing back from the circle_). "Horror!" + +HILARION (_supporting him_). "Thou despairest too hastily!--thou dost +misapprehend their doctrine! Here is one who received his teaching +directly from Theodas, the friend of St. Paul. Hearken to him." + +(_And at a sign from Hilarion_ + +VALENTINUS + +_appears in a tunic of cloth of silver; his skull is pointed at its +summit; his voice has a wheezing sound._) + +"The world is the work of a God in delirium!" + +ANTHONY (_bending his head down_). "The work of a God in delirium!..." + +(_After a long silence_): "How can that be?" + +VALENTINE. "The most perfect of beings, and of the Æons, the Abyss; +dwelt in the womb of the Deep together with Thought. By their union was +begotten Intelligence, to whom Truth was given as a companion. + +"Intelligence and Truth engendered the Word and Life, who in their turn +begat Man and the Church; and that doth make eight Æons!" + +(_He counts upon his fingers._) + +"The Word and Truth also produced ten other Æons--which is to say, five +couples. Man and the Church had begotten twelve more--among these the +Paraclete and Faith, Hope and Charity, Perfection and Wisdom--Sophia. + +"The union of these thirty Æons constitutes the Pleroma, or +Universality of God. Thus, even as the echo of a passing voice, as the +effluvia of a perfume evaporating, as the fires of the setting sun, +the Powers that emanated from the Principle, forever continue to grow +weaker. + +"But Sophia, desirous to know the Father, darted from the Pleroma; +and the Word then made another couple, Christ and the Holy Ghost, who +reunited all the Æons; and all together formed Jesus, the flower of the +Pleroma. + +"But the effort of Sophia to flee away had left in the void an image of +her--an evil substance, Acharamoth.[4] The Saviour took pity upon her, +freed her from all passion; and from the smile of Acharamoth redeemed, +light was born; her tears formed the waters; by her sorrow was dark +matter begotten. + +"Of Acharamoth was born the Demiurgos,--the fabricator of worlds, +the creator of the heaven and of the Devil. He dwells far below the +Pleroma--so far that he cannot behold it--so that he deems himself to +be the true God, and repeats by the mouths of his prophets--'There is +no other God but I.' Then he made man, and instilled into his soul the +immaterial Seed which was the Church--a reflection of the other Church +established in the Pleroma. + +"One day Acharamoth shall reach the highest region and unite herself +with the Saviour; the fire that is hidden in the world shall annihilate +all matter, and shall even devour itself and men, becoming pure +spirits, shall espouse the angels!" + +ORIGEN. "Then shall the Demon be over-thrown and the reign of God +commence!" + +(_Anthony expresses a cry, and forthwith_) + +BASILIDES (_taking him by the elbow, exclaims_:--) + +"The Supreme Being with all the infinite emanations is called +Abraxas; and the Saviour with all his virtues, Kaulakau--otherwise, +line-upon-line, rectitude upon rectitude. + +"The power of Kaulakau is obtained by the aid of certain words, which +are inscribed upon this chalcedony to help the memory." + +(_And he points to a little stone suspended at his neck, upon which +stone fantastic characters are graven._) + +"Then thou wilt be transported into the Invisible and placed above all +law; thou shalt contemn all things--even virtue! + +"We, the Pure, must flee from pain, after the example of Kaulakau." + +ANTHONY. "What! and the cross?" + +THE ELKHESAITES (_in robes of hyacinth answers him_). "The woe and +the degradation, the condemnation and oppression of my fathers[5] are +blotted out, through the mission which has come. + +"One may deny the inferior Christ, the man--Jesus; but the other Christ +must be adored--whose personality was evolved under the brooding of the +Dove's wings. + +"Honor marriage; the Holy Spirit is feminine!" + +(_Hilarion has disappeared; and Anthony, carried along by the crowd, +arrives in the presence of_--) + +THE CARPOCRATIANS + +(_reclining with women upon scarlet cushions._) + +"Before entering into the Only thou shalt pass through a series of +conditions and of actions. To free thyself from the powers of darkness, +thou must at once accomplish their works. The husband shall say to the +wife: 'Have charity for thy brother'--and she will kiss thee." + +THE NICOLAITANS + +(_gathered about a mass of smoking meats_:) + +"This is a portion of the meat offered to idols;--partake of it! +Apostasy is permissible when the heart is pure. Gorge thy flesh with +all that it demands. Seek to exterminate it by dint of debauchery! +Prounikos, the Mother of Heaven, wallowed in ignominies." + +THE MARCOSIANS + +(_wearing rings of gold, and glistening with precious balm and +unguents_:) + +"Enter among us that thou mayst unite thyself to the Spirit! Enter +among us that thou mayst quaff the draught of immortality!" + +(_And one of them shows him, behind a tapestry-hanging, the body of a +man terminated by the head of an ass. This represents Sabaoth, father +of the Devil. He spits upon the image in token of detestation._ + +_Another shows him a very low bed, strewn with flowers, exclaiming_:) + +"The spiritual marriage is about to be consummated." + +(_A third, who holds a cup of glass, utters an invocation;--blood +suddenly appears in the cup_:) + +"Ah! behold it! behold it!--the blood of Christ!" + +(_Anthony withdraws, but finds himself be-spattered by water splashed +from a cistern._) + +THE HELVIDIANS + +(_are flinging themselves into it head foremost, muttering_:--) + +"The man regenerated by baptism is impeccable!" + +(_Then he passes by a great fire at which the Adamites are warming +themselves--all completely naked in imitation of the purity of +Paradise; and he stumbles over_) + +THE MESSALINES + +(_wallowing upon the pavement, half-slumbering, stupid_:) + +"Oh! crush us if thou wilt! we shall not move! Work is crime; all +occupation is evil." + +(_Behind these, the abject_) + +PATERNIANS + +(_--men, women, and children lying pell mell upon a heap of filth, lift +their hideous faces, wine-besmeared, and they cry aloud_:) + +"The inferior parts of the body, which were created by the Devil, +belong to him! Let us eat, drink, and sin!" + +ÆTIUS. "Crimes are necessities beneath the notice of God!" + +(_But suddenly_--) + +A MAN (--_clad in a Carthaginian mantle, bounds into their midst, +brandishing a scourge of thongs in his hand; and strikes violently and +indiscriminately at all in his path_:) + +"Ah! imposters! simonists, heretics and demons!--vermin of the +schools!--dregs of hell! Marcion, there, is a sailor of Sinopus +excommunicated for incest;--Carpocrates was banished for being a +magician; Ætius stole his concubine; Nicholas prostituted his wife; +and this Manes, who calls himself the Buddha, and whose real name is +Cubricus, was flayed alive with the point of a reed, so that his skin +even now hangs at the gates of Ctesiphon!" + +ANTHONY (_recognizing Tertullian, rushes to join him_): "Master! help! +help!" + +TERTULLIAN (_continuing_): + +"Break the images! veil the virgins! Pray, fast, weep and mortify +yourselves! No philosophy! no books! After Jesus, science is useless!" + +(_All have fled away; and Anthony beholds, in lieu of Tertullian, a +woman seated upon a bench of stone._ + +_She sobs; leaning her head against a column; her hair is loose; her +body, weakened by grief, is clad in a long brown simar. Then they find +themselves face to face and alone, far from the crowd; and a silence, +an extraordinary stillness falls--as in the woods when the winds are +lulled, and the leaves of the trees suddenly cease to whisper._ + +_This woman is still very beautiful, although faded, and pale as a +sepulcher. They look at one another; and their eyes send to each other +waves, as it were, of thoughts, bearing drift of a thousand ancient +things, confused, mysterious. At last_--) + +PRISCILLA (_speaks_:) + +"I was in the last chamber of the baths; and the rumbling sounds of the +street caused a sleep to fall upon me. + +"Suddenly I heard a clamour of voices. Men were shouting--'It is a +magician!--it is the Devil!' And the crowd stopped before our house, in +front of the Temple Æsculapius. I drew myself up with my hands to the +little window. + +"Upon the peristyle of the temple, there stood a man who wore about his +neck a collar of iron. He took burning coals out of a chafing-dish, and +with them drew lines across his breast, the while crying out--'Jesus! +Jesus!' The people shouted--'This is not lawful! let us stone him!' +But he continued. Oh! those were unheard of marvels--things which +transported men who beheld them! Flowers broad as suns circled before +my eyes, and I heard in the spaces above me the vibrations of a golden +harp. Day died. My hands loosened their grasp of the window-bars; my +body fell back, and when he had led me away to his house...." + +ANTHONY. "But of whom art thou speaking?" + +PRISCILLA. "Why, of Montanus!" + +ANTHONY. "Montanus is dead!" + +PRISCILLA. "It is not true!" + +A VOICE. "No: Montanus is not dead!" + +(_Anthony turns; and sees upon the bench near him, on the opposite +side, another woman sitting; she is fair, and even paler than the +other; there are swellings under her eyes, as though she had wept a +long time. She speaks without being questioned_:) + +MAXIMILLA. "We were returning from Tarsus by way of the mountains, +when, at a turn in the road, we saw a man under a fig tree. + +"He cried from afar off: 'Stop! stop!' and rushed toward us, uttering +words of abuse. The slaves ran up; he burst into a loud laugh. The +horses reared; the molossi all barked. + +"He stood before us. The sweat streamed from his forehead; his mantle +napped in the wind. + +"And calling us each by our names, he reproached us with the vanity +of our work, the infamy of our bodies; and he shook his fist at the +dromedaries because of the silver bells hanging below their mouths. + +"His fury now filled my very entrails with fear and yet there was a +strange pleasure in it which fascinated me, intoxicated me! + +"First the slaves came. 'Master,' they said, 'our animals are weary.' +Then the women said, 'We are frightened,' and the slaves departed. Then +the children began to weep,--'We are hungry.' And as the women were not +answered, they disappeared also from our view. + +"He still spoke. I felt some one near me. It was my husband; but I +listened only to the other. My husband crawled to me upon his knees +among the stones, and cried--'Dost thou abandon me,' and I replied: +'Yes! go thy way!' that I might accompany Montanus." + +ANTHONY. "A eunuch!" + +PRISCILLA. "Ah! does that astound thee, vulgar soul! Yet Magdalen, +Johanna, Martha and Susannah did not share the couch of the Saviour. +Souls may know the delirium of embrace better than bodies. That he +might keep Eustolia with impunity, the bishop Leontius mutilated +himself--loving his love more than his virility. And then, it was +no fault of mine. Sotas could not cure me; a spirit constrained me. +It is cruel, nevertheless! But what matter? I am the last of the +prophetesses; and after me the end of the world shall come." + +MAXIMILLA. "He showered his gifts upon me. Moreover, no one loves him +as I, nor is any other so well beloved by him!" + +PRISCILLA. "Thou liest! I am the most beloved!" + +MAXIMILLA. "No: it is I!" + +(_They fight. Between their shoulders suddenly appears the head of a +negro._) + +MONTANUS (_clad in a black mantle, clasped by two cross-bones_): + +"Peace, my doves! Incapable of terrestrial happiness, we have obtained +the celestial plentitude of our union. After the age of the Father, +the age of the Son; and I inaugurate the third, which is that of the +Paraclete. His light descended upon me during those forty nights when +the heavenly Jerusalem appeared shining in the firmament, above my +house at Pepuzza. + +"Ah, how ye cry out with anguish when the thongs of the scourge +lacerate! how your suffering bodies submit to the ardor of my spiritual +discipline! how ye languish with irrealizable longing! So strong has +that desire become that it has enabled you to behold the invisible +world; and ye can now perceive souls even with the eyes of the body!" + +ANTHONY. (_Makes a gesture of astonishment._) + +TERTULLIAN (_who appears again, standing beside Montanus_): + +"Without doubt; for the soul has a body, and that which is bodiless has +no existence." + +MONTANUS. "In order to render it yet more subtle, I have instituted +many mortifications, three Lents a year, and prayers to be uttered +nightly by the mind only, keeping the mouth closed, lest breathing +might tarnish thought. It is necessary to abstain from second +marriages, or rather from all marriage! The Angels themselves have +sinned with women!" + +THE ARCHONTICS (_wearing cilices of hair_): + +"The Saviour said: 'I come to destroy the work of the Woman!'" + +THE TATIANITES (_wearing cilices of reed_): + +"She is the tree of evil. Our bodies are but garments of skin." + +(_And continuing to advance along the same side, Anthony meets_:--) + +THE VALESIANS (_extended upon the ground, with red wounds below their +bellies, and blood saturating their tunics. They offer him a knife._) + +"Do as Origen did and as we have done! Is it the pain that thou +fearest, coward? Is it the love of thy flesh that restrains thee, +hypocrite?" + +(_And while he watches them writhing upon their backs, in a pool of +blood_--) + +THE CAINITES (_wearing knotted vipers as fillets about their hair, pass +by, vociferating in his ear_):-- + +"Glory to Cain! Glory to Sodom! Glory be to Judas! + +"Cain made the race of the strong; Sodom terrified the earth by her +punishment, and it was by Judas that God saved the world! Yes! by +Judas: without him there would have been no death and no redemption!" + +(_They disappear beneath the horde of the_--) + +CIRCUMCELLIONES (_all clad in the skins of wolves, crowned with thorns, +and armed with maces of iron_). + +"Crush the fruit! befoul the spring! drown the child! Pillage the rich +who are happy--who cat their fill! Beat the poor who envy the ass +his saddle-cloth, the dog his meal, the bird his nest,--and who is +wretched at knowing that others are not as miserable as himself. + +"We, the Saints, poison, burn, massacre, that we may hasten the end of +the world. + +"Salvation may be obtained through martyrdom only. We give ourselves +martyrdom. We tear the skin from our heads with pincers; we expose our +members to the plough; we cast ourselves into the mouths of furnaces! + +"Out upon baptism! out upon the Eucharist! out upon marriage! universal +damnation!" + +(_Then throughout all the basilica there is a redoubling of fury._ + +_The Audians shoot arrows against the Devil; the Collyridians throw +blue cloths toward the roof; the Ascites prostrate themselves before +a waterskin; the Marcionites baptise a dead man with oil. A woman, +standing near Appelles, exhibits a round loaf within a bottle, in order +the better to explain her idea. Another, standing in the midst of an +assembly of Sampseans distributes, as a sacrament, the dust of her +own sandals. Upon the rose-strewn bed of the Marcosians, two lovers +embrace. The Circumcellionites slaughter one another; the Valesians +utter the death-rattle; Bardesanes sings; Carpocras dances; Maximilla +and Priscilla moan; and the false prophetess of Cappadocia, completely +naked, leaning upon a lion, and brandishing three torches, shrieks the +Terrible Invocation._ + +_The columns of the temple sway to and fro like the trunks of trees in a +tempest; the amulets suspended about the necks of the Heresiarchs seem +to cross each other in lines of fire; the constellations in the chapels +palpitate; and the walls recoil with the ebb and flow of the crowd, in +which each head is a wave that leaps and roars._ + +_Nevertheless, from the midst of the clamor arises the sound of a song, +in which the name of Jesus is often repeated, accompanied by bursts of +laughter._ + +_The singers belong to the rabble of the people; they all keep time to +the song by clapping their hands. In their midst stands_--) + +ARTUS (_in a deacon's vestments_): + +"The fools who declaim against me pretend to explain the absurd; and in +order to confound them utterly, I have composed ditties so droll that +they are learned by heart in all the mills, in the taverns and along +the ports. + +"No! a thousand times no!--the Son is not coeternal with the Father, +nor of the same substance! Otherwise he would not have said: 'Father, +remove this chalice from me! Why dost thou call me good? God alone is +good! I go to my God, to your God!'--and many other things testifying +to his character of creature. The fact is further demonstrated for +us by all his names:--lamb, shepherd, fountain, wisdom, son-of-man, +prophet; the way, the corner-stone!" + +SABELLIUS. "I hold that both are identical." + +ARIUS. "The Council of Antioch has decided the contrary." + +ANTHONY. "Then what is the Word?... What was Jesus?" + +THE VALENTINIANS. "He was the husband of Acharamoth repentant!" + +THE SETHIANIANS. "He was Shem, the son of Noah!" + +THE THEODOTIANS. "He was Melchisedech!" + +THE MERINTHIANS. "He was only a man!" + +THE APOLLINARISTS. "He assumed the appearance of one! He simulated the +Passion!" + +MARCEL OF ANCYRA. "He was a development of the Father!" + +POPE CALIXTUS. "Father and Son are but two modes of one God's +manifestation!" + +METHODIUS. "He was first in Adam, then in man!" + +CERINTHUS. "And He will rise again!" + +VALENTINUS. "Impossible--his body being celestial!" + +PAUL OF SAMOSATA. "He became God _only_ from the time of his baptism!" + +HERMOGENES. "He dwells in the sun!" + +(_And all the Heresiarchs form a circle about Anthony, who weeps, +covering his face with his hands._) + +A JEW (_with a red beard, and spots of leprosy upon his shin, +approaches close to Anthony, and, with a hideous sneer, exclaims_): + +"His soul was the soul of Esau! He suffered from the Bellephorentian +sickness. Was not his mother, the seller of perfumes, seduced by a +Roman soldier, one Pantherus?.......................... [6] + +ANTHONY (_suddenly raising his head, looks at them a moment in silence; +then advancing boldly upon them, exclaims_): + +"Doctors, magicians, bishops, and deacons, men and phantoms, away from +me! begone! Ye are all lies!" + +THE HERESIARCHS. "We have martyrs more martyrs than thine, prayers +that are more difficult, outbursts of love more sublime, ecstasies as +prolonged as thine are." + +ANTHONY. "But ye have no revelation! no proofs!" + +(_They all at once brandish in the air their rolls of papyrus, tablets +of wood, scrolls of leather, rolls of woven stuff bearing inscriptions; +and elbowing; and pushing each other, they all shout to Anthony._) + +THE CERINTHIANS. "Behold the Gospel of the Hebrews!" + +THE MARCIONITES. "Behold the Gospel of the Lord!" + +THE MARCOSIANS. "The Gospel of Eve!" + +THE EUCRATITES. "The Gospel of Thomas!" + +THE CAINITES. "The Gospel of Judas!" + +BASILIDES. "The Treatise upon the Destiny of the Soul!" + +MANES. "The Prophecy of Barkouf!" + +(_Anthony struggles, breaks from them, escapes them; and in a shadowy +corner perceives_--) + +THE AGED EBIONITES + +(_withered as mummies, their eyes dull and dim, their eyebrows white as +frost._ + +_In tremulous voices they exclaim_:--) + +"We have known him, we have seen him! We knew the Carpenter's Son! We +were then the same age as he; we dwelt in the same street. He used to +amuse himself by modelling little birds of mud; aided his father at his +work without fear of the sharp tools, or selected for his mother the +skeins of dyed wool. Then he made a voyage to Egypt, from whence he +brought back wondrous secrets. We were at Jericho when he came to find +the Eater of Locusts. They talked together in a low voice, so that no +one could hear what was said. But it was from that time that his name +began to be noised abroad in Galilee, and that men began to relate many +fables regarding him." + +(_They reiterate, tremulously_:) + +"We knew him! we others, we knew him!" + +ANTHONY. "Ah, speak on, speak! What was his face like?" + +TERTULLIAN. "His face was wild and repulsive; forasmuch as he +had burthened himself with all the crimes, all the woes, all the +deformities of mankind." + +ANTHONY. "Oh! no, no! I imagine, on the contrary, that his entire +person must have been glorious with a beauty greater than the beauty of +man!" + +EUSEBIUS OF CÆSAREA. "There is indeed, at Paneades, propped up against +the walls of a crumbling edifice surrounded by a wilderness of weeds +and creeping plants, a certain statue of stone which, some say, was +erected by the Woman healed of the issue of blood. But time has gnawed +the face of the statue, and the rains have worn the inscription away." + +(_A woman steps forward from the group of the Carpocratians._) + +MARCELLINA. "I was once a deaconess at Rome, in a little church, where +I used to exhibit to the faithful, the silver images, of Saint Paul, +Homer, Pythagoras and Jesus Christ. + +"I have only kept that of Jesus." + +(_She half opens her mantle._) + +"Dost thou desire it?" + +A VOICE. "He reappears himself when we call upon him! It is the +hour!--come!" + +(_And Anthony feels a brutal hand seize him by the arm, and drag him +away._ + +_He mounts a stairway in complete darkness; and after having ascended +many steps, he finds himself before a door._ + +_Then the one who is leading him--(is it Hilarion?--he does not +know)--whispers in the ear of another_: "The Lord is about to +come!"--_and they are admitted into a chamber, with a very low ceiling, +and without furniture._ + +_The first object which attracts his attention is a long blood-colored +chrysalis, with a human head surrounded by rays, and the word_ Knouphus +_inscribed all around it in Greek characters. It is placed upon the +shaft of a column, which is in turn supported by a broad pedestal. +Hanging upon the walls of the chamber are medallions of polished iron +representing the heads of various animals:--the head of an ox, the head +of a lion, the head of an eagle, the head of a dog, and the head of an +ass--again!_ + +[Illustration: ... a long blood-colored chrysalis] + +_Earthen lamps, suspended below these images, create a vacillating +light. Through a hole in the wall, Anthony can see the moon shining +far off upon the waves; he can even hear the feeble regular sound of +lapping water; together with the heavy thud occasionally caused by the +bumping of a ship's hull against the stones of the mole._ + +_There are men crouching down, with their faces hidden by their +mantles. From time to time they utter sounds resembling a smothered +bark. There are women also, sleeping with their foreheads resting upon +their arms, and their arms supported by their knees; they are so hidden +by their garments as to resemble heaps of cloth piled up at intervals +against the wall. Near them are half naked children, whose persons +swarm with vermin. They watch with idiotic stare the burning of the +lamps; and nothing is done: all are waiting for something._ + +_They talk in undertones about family matters, or recommend to each +other various remedies for their ailments. Some of them must embark +at earliest daylight; the persecution is becoming too terrible to be +endured. Nevertheless, the pagans are easily enough deceived_:--"The +fools imagine that we are really adoring Knouphus!" + +_But one of the brethren, feeling himself suddenly inspired, takes his +place before the column, where a basket has already been placed, filled +with fennel and aristolochia. On the top of the basket is placed a +loaf._) + +THE INSPIRED BROTHER + +(_unrolling a placard covered with designs representing cylinders +blending with and fitting into one another, commences to pray_:) + +"The ray of the Word descended upon the darknesses; and there arose a +mighty cry, like unto the voice of Light." + +ALL (_swaying their bodies in unison, respond_): + +"Kyrie eleison!" + +THE INSPIRED BROTHER. "Then was Man created by the infamous +God of Israel, aided by those who are these (_pointing to the +medallions_)--Astophaios, Oraios, Sabaoth, Adonai, Eloi, Iao! + +"And Man, hideous, feeble, formless and thoughtless, lay upon the slime +of the earth." + +ALL (_in plaintive accents_): + +"Kyrie eleison!" + +THE INSPIRED BROTHER. "But Sophia, compassionating him, vivified him +with a spark of her own soul. + +"Then God, beholding Man so beautiful, waxed wroth; and imprisoned him +within His own kingdom, forbidding him to touch the Tree of Knowledge. + +"Again did the other succor him. She sent to him the Serpent, who, by +many long subterfuges, made him disobey that law of hate. + +"And Man, having tasted knowledge, understood celestial things." + +ALL (_raising their voices_): + +"Kyrie Eleison!" + +THE INSPIRED BROTHER. "But Iabdalaoth through vengeance cast down man +into the world of matter, and the Serpent with him." + +ALL (_in a very low tone_): + +"Kyrie Eleison!" + +(_Then all hold their peace, and there is silence._ + +_The odors of the port mingle with the smoke of the lamps in the warm +air. The lamp-wicks crepitate; their flames are about to go out, long +mosquitoes flit in rapid circlings about them. And Anthony groans +in an agony of anguish, as with the feeling that a monstrosity is +floating about him, as with the fear of a crime that is about to be +accomplished._ + +_But_--) + +THE INSPIRED BROTHER (_stamping his heel upon the floor, snapping his +fingers, tossing his head wildly, suddenly chants to a furious rhythm, +with accompaniment of cymbals and a shrill flute_:--) + +"Come! come! come!--issue from thy cavern! + +"O swift one, who runneth without feet, captor who seizeth without hand! + +"Sinuous as the rivers, orbicular as the sun, black, with spots of +gold, like the firmament star-besprinkled! Like unto the intertwinings +of the vine, and the circumvolutions of entrails! + +"Unengendered! eater of earth! immortally young! unfailing +perspicacious! honored at Epidaurus! Kindly to man! thou who didst heal +King Ptolemy, and the warriors, of Moses, and Glaucus, son of Minos! + +"Come! come! come!--issue from thy cavern!" + +ALL (_repeat_): + +"Come! come! come!--issue from thy cavern!" + +(_Nevertheless, nothing yet appears._) + +"Why? What aileth him?" + +(_And they concert together, devise means._ + +_An old man presents a clod of turf as an offering. Then something +upheaves within the basket. The mass of verdure shakes; the flowers +fall, and the head of a python appears._ + +[Illustration: ... the flowers fall and the head of a python +appears] + +_It passes slowly around the edge of the loaf, like a circle moving +around an immovable disk;--then it unfolds itself, lengthens out; it is +enormous and of great weight. Lest it should touch the floor, the men +uphold it against their breasts, the women support it upon their heads, +the children hold it up at arms' length; and its tail, issuing through +the hole in the wall, stretches away indefinitely to the bottom of the +sea. Its coils double; they fill the chamber; they enclose Anthony._) + +THE FAITHFUL (_press their mouths against its skin, snatch from one +another the loaf which it has bitten, and cry aloud_:--) + +"It is thou! it is thou! + +"First raised up by Moses, broken by Ezechias, re-established by the +Messiah. He drank thee in the waters of baptism; but thou didst leave +him in the Garden of Olives; and then indeed he felt his own weakness! + +"Writhing about the arms of the cross, and above his head, while +casting thy slime upon the crown of thorns, thou didst behold him die! +For thou art not Jesus, thou!--thou art the Word! thou art the Christ!" + +(_Anthony faints with horror, and falls prostrate in front of his hut +upon the splinters of wood, where the torch that had slipped from his +hand, is burning low._ + +_The shock arouses him. Opening his eyes again, he perceives the Nile, +brightly undulating under the moon, like a vast serpent winding over +the sands; so that the hallucination returns upon him again; he has not +left the company of the Ophites; they surround him, call him; he sees +them carrying baggage, descending to the port. He embarks along with +them._ + +_An inappreciable time elapses._ + +_Then the vaults of a prison environ him. Iron bars in front of him +make black lines against a background of blue; and in the darkness +beside him people are praying and weeping surrounded by others who +exhort and console._ + +[Illustration: ... and in the darkness beside him people are +praying] + +_Without, there is a murmur like the deep humming of a vast crowd, and +there is splendour as of a summer's day._ + +_Shrill voices announce watermelons for sale, iced drinks, and cushions +of woven grass to sit upon. From time to time there are bursts of +applause. He hears the sound of footsteps above his head._ + +_Suddenly a long roar is heard, mighty and cavernous as the roar of +water in an aqueduct._ + +_And he sees, directly opposite, behind the bars of another compartment +across the arena a lion walking to and fro, then a line of sandals, +bare legs, and purple fringes. Beyond are the vast circling wreaths +of people, in symmetrical tiers, enlarging as they rise, from the +lowest which hems in the arena to the uppermost above which masts +rise to sustain a hyacinth-colored awning, suspended in air by ropes. +Stairways radiating toward the centre, divide these huge circles of +stone at regular intervals. The benches disappear under a host of +spectators--knights, senators, soldiers, plebeians, vestals, and +courtesans--in woollen hoods, in silken maniples, in fallow-colored +tunics; together with aigrettes of precious stones, plumes of feathers, +the fasces of lictors; and all this swarming multitude deafens and +stupefies Anthony with its shoutings, its tumultuous fury, as of an +enormous boiling vat. In the middle of the arena, a vase of incense +smokes upon an altar._ + +_Anthony thus knows that the people with him are Christians condemned +to be thrown to the wild beasts. The men wear the red mantle of the +pontiffs of Saturn; the women, the bandellettes of Ceres. Their friends +divide among themselves shreds of their garments, and rings. To obtain +access to the prison, they say, costs a great deal of money. But what +matter! They will remain until it is all over._ + +_Anthony notices among these consolers, a certain bald-headed man, +in a black tunic: Anthony has seen that face somewhere before. The +consoler discourses to them concerning the nothingness of this world, +and the felicity of the Elect. Anthony feels within him a transport of +celestial love; he longs for the opportunity to lay down his life for +the Saviour--not knowing as yet whether he himself is to be numbered +among the martyrs._ + +_But all--except a certain Phrygian, with long hair, who stands with +his arms uplifted--have a look of woe. One old man is sobbing upon a +bench; a youth standing close by, with drooping head, abandons himself +to a reverie of sorrow._ + +THE OLD MAN _had refused to pay the customary contribution before the +statue of Minerva, erected at the angle of the cross-roads; and he +gazes at his companions with a look that signifies_:--) + +"Ye ought to have succored me! Communities can sometimes so arrange +matters as to insure their being left in peace. Some among ye also +procured those letters which falsely allege that one has sacrificed to +idols." + +(_He asks aloud_:--) + +"Was it not Petrus of Alexandria who laid down the rule concerning what +should be done by those who have yielded to torture?" + +(_Then, to himself_:--) + +"Ah! how cruel this at my age! My infirmities make me so weak! +Nevertheless, I might easily have lived until the coming winter, or +longer!" + +(_The memory of his little garden makes him sad, and he gazes toward +the altar._) + +THE YOUNG MAN (_who disturbed the festival of Apollo by violence and +blows, murmurs_:--) + +"Yet it would have been easy for me to have fled to the mountains!" + +(_One of the brothers answers_:--) + +"But the soldiers would have captured thee!" + +THE YOUNG MAN. "Oh! I would have done as Cyprian did--I would have +returned, and the second time I would surely have had more force!" + +(_Then he thinks of the innumerable days that he might have lived, of +all the joys that he might have known, but will never know; and he +gazes toward the altar._ + +_But_--) + +THE MAN IN THE BLACK TUNIC (_rushes to his side._) + +"What scandal! What! Thou! a victim of God's own choice! And all these +women here who are looking at thee! Nay, think what thou art doing! +Moreover, remember that God sometimes vouchsafes to perform a miracle. +Pionius numbed and made powerless the hands of his executioners; the +blood of Polycarp extinguished the fire of the stake." + +(_Then he turns to the Old Man_:--) + +"Father, father! it behooves thee to edify us by thy death! By longer +delaying it, thou wouldst doubtless commit some evil action that would +lose thee the fruit of all thy good works. Remember, also, that the +power of God is infinite; and it may come to pass that all the people +will be converted by thy example." + +(_And in the great den opposite, the lions stride back and forth, +ceaselessly, with a rapid continuous motion. The largest suddenly looks +at Anthony and roars, and a vapour issues from his jaws._ + +_The women are huddled against the men._) + +THE CONSOLER (_goes from one to the other._) + +"What would ye say, what wouldst thou say if thou wert to be burned +with red-hot irons, if thou wert to be torn asunder by horses, if thou +hadst been condemned to have thy body smeared with honey, and thus +exposed to be devoured by flies! As it is, thou wilt only suffer the +death of a hunter surprised by a beast in the woods." + +(_Anthony would prefer all those things to death by the fangs of the +horrible wild beasts; he fancies already that he feels their teeth and +their claws, that he hears his bones cracking between their jaws._ + +_A keeper enters the dungeon; the martyrs tremble._ + +_Only one remains impassable, the Phrygian, who prays standing apart +from the rest. He has burned three temples; and he advances with arms +uplifted, mouth open, face turned toward heaven, seeing nothing around +him, like a somnambulist._) + +THE CONSOLER (_shouts_). "Back! back! lest the spirit of Montanus might +come upon you." + +ALL (_recoil from the Phrygian, and vociferate_) + +"Damnation to the Montanist!" + +(_They insult him, spit upon him, excite each other to beat him._ + +_The rearing lions bite each other's manes_;) + +THE PEOPLE "To the beasts with them, to the beasts." + +_The Martyrs burst into sobs, and embrace each other passionately. A +cup of narcotic wine is offered them. It is passed from hand to hand, +quickly._ + +_Another keeper, standing at the door of the den, awaits the signal. +The den opens; a lion comes out._ + +_He crosses the arena with great oblique strides. Other lions follow in +file after him; then a bear, three panthers, and some leopards. They +scatter through the arena like a flock in a meadow._ + +_The crack of a whip resounds. The Christians stagger forward; and +their brethren push them, that it may be over the sooner._ + +_Anthony closes his eyes._ + +_He opens them again. But darkness envelopes him._ + +_Soon the darkness brightens; and he beholds an arid plain, mamillated +with knolls, such as might be seen about abandoned quarries._ + +[Illustration: ... and he beholds an arid plain, mamillated +with knolls] + +_Here and there a tuft of shrubbery rises among the slabs of stone, +level with the soil; and there are white figures, vaguer than clouds, +bending over the slabs._ + +_Others approach, softly, silently. Eyes gleam through the slits of +long veils. By the easy indifference of their walk, and the perfumes +exhaled from their garments, Anthony knows they are patrician women. +There are men also, but of inferior condition; for their faces are at +once simple-looking and coarse._ + +(_One of the Women, taking a long breath_:) + +"Ah! how good the cool air of night is, among the sepulchers! I am so +weary of the softness of beds, the turmoil of days, the heavy heat of +the sun!" + +(_Her maid-servant takes from a canvas bag, a torch which she ignites. +The faithful light other torches by it, and plant them upon the tombs._) + +A WOMAN (_panting_). + +"I am here at last! Oh how wearisome to be the wife of an idolator!" + +ANOTHER. "These visits to the prisons, interviews with our brethren, +are all matters of suspicion to our husbands! And we must even hide +ourselves in order to make the sign of the cross; they would take it +for a magical conjuration!" + +ANOTHER. "With my husband it was a quarrel every day. I would not +submit myself to his brutal exactions; therefore he has had me +prosecuted as a Christian." + +ANOTHER. "Do you remember Lucius, that young man who was so beautiful, +who was dragged like Hector, with his heels attached to a chariot, +from the Esquiline Gate to the mountains of Tibur?--and how his blood +spattered the bushes on either side of the road? I gathered up the +drops of his blood. Behold it!" + +(_She drags a black sponge from her bosom, covers it with kisses, and +flings herself down upon the slabs, crying aloud_:--) + +[Illustration: She drags a black sponge from her bosom, covers +it with kisses ...] + +"Ah! my friend! my friend!" + +A MAN. "It is just three years to-day since Domitilla died. They stoned +her at the further end of the Grove of Proserpine. I gathered her +bones, which shone like glowworms in the grass. The earth how covers +them." + +(_He casts himself down upon a tomb._) + +"O my betrothed! my betrothed!" + +(_And all the others scattered over the plain_:--) + +"O my sister! O my brother! O my daughter! O my mother!" + +(_Some kneel, covering their faces with their hands; others lie down +upon the ground with their arms extended; and the sobs they smother +shake their breasts with such violence as though their hearts were +breaking with grief. Sometimes they look up to heaven, exclaiming_:--) + +"Have mercy upon her soul, O my God! She languishes in the sojourn of +Shades; vouchsafe to admit her to thy Resurrection, that she may enjoy +Thy Light!" + +(_Or, with eyes fixed upon the gravestones, they murmur to the dead_:--) + +"Be at peace, beloved! and suffer not! I have brought thee wine and +meats!" + +A WIDOW. "Here is pultis, made by my own hands, as he used to like it, +with plenty of eggs and a double measure of flour! We are going to eat +it together as in other days, are we not?" + +(_She lifts a little piece to her lips, and suddenly bursts into an +extravagant and frenzied laugh._ + +_The others also nibble a little bit as she does and drink a mouthful +of wine._ + +_They recount to each other the stories of their martyrs; grief becomes +exalted! libations redouble. Their tear-swimming eyes are fixed upon +each other's faces. They stammer with intoxication and grief; gradually +hands touch hands, lips join themselves to lips, and they seek each +other upon the tombs, between the cups and the torches._ + +_The sky begins to whiten. The fog makes damp their garments; and, +without appearing even to know one another, they depart by different +ways and seek their homes._ + +_The sun shines; the weeds and the grass have grown higher; the face of +the plain is changed._ + +_And Anthony, looking between tall bamboos, sees distinctly a forest of +columns, of bluish-grey color. These are tree-trunks, all originating +from one vast trunk. From each branch of the colossal tree descend +other branches which may bury themselves in the soil; and the aspect of +all these horizontal and perpendicular lines, indefinitely multiplied, +would closely resemble a monstrous timber-work, were it not that they +have small figs[7] growing upon them here and there, and a blackish +foliage, like that of the sycamore._ + +_He perceives in the forkings of their branches, hanging bunches of +yellow flowers, violet flowers also, and ferns that resemble the plumes +of splendid birds._ + +_Under the lowest branches the horns of a bubalus gleam at intervals, +and the bright eyes of antelopes are visible; there are hosts of +parrots; there are butterflies flittering hither and thither; lizards +lazily drag themselves up or down; flies buzz and hum; and in the midst +of the silence, a sound is audible as of the palpitation of a deep and +mighty life._ + +_Seated upon a sort of pyre at the entrance of the wood is a strange +being--a man--besmeared with cow-dung, completely naked, more withered +than a mummy; his articulations form knots at the termination of bones +that resemble sticks. He has bunches of shells suspended from his ears; +his face is very long, and his nose like a vulture's beak. His left arm +remains motionlessly erect in air, anchylosed, rigid as a stake; and he +has been seated here so long that birds have made themselves a nest in +his long hair._ + +_At the four corners of his wooden pyre flame four fires. The sun is +directly in front of him. He gazes steadily at it with widely-opened +eyes; and, then without looking at Anthony, asks him_:--) + +"Brahmin from the shores of the Nile, what hast thou to say regarding +these things?" + +(_Flames suddenly burst out on all sides of him, through the intervals +between the logs of the pyre; and_--) + +THE GYMNOSOPHIST (_continues_). + +"Lo! I have buried myself in solitude, like the rhinoceros. I dwelt in +the tree behind me." + +[Illustration: I have buried myself in solitude, like the +rhinoceros. I dwelt in the tree behind me.] + +(_The vast fig-tree, indeed, shows in one of its groves, a natural +excavation about the size of a man._) + +"And I nourished me with flowers and fruits, observing the precepts so +rigidly that not even a dog ever beheld me eat. + +"Inasmuch as existence originates from corruption, corruption from +desire, desire from sensation, sensation from contact, I have ever +avoided all action, all contact, and perpetually--motionless as the +stela of a tomb, exhaling my breath from my two nostrils, fixing my +eyes upon my nose, and contemplating the ether in my mind, the world in +my members, the moon in my heart--I dreamed of the essence of the great +Soul whence continually escape the principles of life, even as sparks +escape from fire. + +"Thus at last I found the supreme Soul in all beings, and all beings +in the supreme Soul; and I have been able to make mine own soul all my +senses. + +"I receive knowledge directly from heaven, like the bird Tchataka, who +quenches his thirst from falling rain only. + +"Even by so much as things are known to me, things no longer exist. + +"For me now there is no more hope, no more anguish, there is neither +happiness nor virtue, nor day nor night, nor Thou nor I--absolutely +nothing! + +"My awful austerities have made me superior to the Powers. A single +contraction of my thought would suffice to kill a hundred sons of +kings, to dethrone gods, to overturn the world." + +(_He utters all these things in a monotonous voice._ + +_The surrounding leaves shrivel up. Fleeing rats rush over the ground._ + +_He slowly turns his eyes downward toward the rising flames, and then +continues_:--) + +"I have loathed Form, I have loathed Perception, I have loathed even +Knowledge itself, for the thought does not survive the transitory fact +which caused it; and mind, like all else, is only an illusion. + +"All that is engendered will perish; all that is dead must live again; +the beings that have even now disappeared shall sojourn again in wombs +as yet unformed, and shall again return to earth to serve in woe other +creatures. + +"But inasmuch as I have rolled through the revolution of an indefinite +multitude of existences, under the envelopes of gods, of men, and of +animals, I renounce further wanderings; I will endure this weariness +no more! I abandon the filthy hostelry of this body of mine, built +with flesh, reddened with blood, covered with a hideous skin, full of +uncleanliness; and, for my recompense, I go at last to slumber in the +deepest deeps of the Absolute--in Annihilation." + +(_The flames rise to his chest, then envelope him. His head rises +through them as through a hole in the wall. His cavernous eyes still +remain icicle open, gazing._) + +ANTHONY (_rises_). + +(_The torch, which had fallen to the ground, has ignited the splinters +of wood; and the flames have singed his beard._ + +_With a loud cry, Anthony tramples the fire out; and, when nothing +remains but ashes, he exclaims_:--) + +"Where can Hilarion be? He was here a moment ago. I saw him! + +"What! No; it is impossible; I must have been mistaken! + +"Yet why?... Perhaps my cabin, these stones, this sand, have no real +existence. I am becoming mad! Let me be calm! Where was I? What was it +that happened? + +"Ah! the gymnosophist!... Such a death is frequent among the sages of +India. Kalanos burned himself before Alexander; another did likewise +in the time of Augustus. What hatred of life men must have to do thus! +Unless, indeed, they are impelled by pride alone?... Yet in any event +they have the intrepidity of martyrs.... As for the latter, I can now +well believe what has been told me regarding the debauchery they cause. + +"And before that? Yes: I remember now! the host of the Heresiarchs! +What outcries! What eyes! Yet why so much rebellion of the flesh, so +much dissoluteness, so many aberrations of the intellect. + +"They claim, nevertheless, to seek God through all those ways! What +right have I to curse them--I, who stumble so often in mine own path? +I was perhaps about to learn more of them at the moment when they +disappeared. Too rapid was the whirl; I had no time to answer. Now I +feel as though there were more space, more light in my understanding. I +am calm. I even feel myself able to.... What is this? I thought I had +put out the fire!" + +(_A flame flits among the rocks; and soon there comes the sound of +a voice--broken, convulsed as by sobs--from afar off, among the +mountains._) + +"Can it be the cry of a hyena, or the lamentation of some traveler that +has lost his way?" + +(_Anthony listens. The flame draws nearer._ + +_And he beholds a weeping woman approach, leaning upon the shoulder of +a white-bearded man._ + +_She is covered with a purple robe in rags. He is bareheaded like lier, +wears a tunic of the same color, and carries in his hands a brazen +vase, whence arises a thin blue flame._ + +_Anthony feels a fear come upon him, and wishes to know who this woman +may be._) + +THE STRANGER SIMON. "It is a young girl, a poor child that I lead about +with me everywhere." + +(_He uplifts the brazen vase._ + +_Anthony contemplates the girl, by the light of its vacillating flame._ + +_There are marks of bites upon her face, traces of blows upon her arms; +her dishevelled hair entangles itself in the rents of her rags; her +eyes appear to be insensible to light._) + +SIMON. "Sometimes she remains thus for a long, long time without +speaking; then all at once she revives, and discourses of marvellous +things." + +ANTHONY. "In truth?" + +SIMON. "Ennoia; Ennoia! Ennoia!--tell us what thou hast to say!" + +(_She rolls her eyes like one awaking from a dream, slowly passes her +fingers over her brows, and in a mournful voice, speaks_:--) + +Helena[8] (_Ennoia_). + +[Illustration: Helena - Ennoia] + +"I remember a distant land, of the color of emerald. Only one tree +grows there. + +(_Anthony starts_). + +"Upon each of its tiers of broad-extending arms, a pair of Spirits +dwell in air. All about them the branches intercross, like the veins +of a body; and they watch the eternal Life circulating, from the roots +deep plunging into darkness even to the leafy summit that rises higher +than the sun. I, dwelling upon the second branch, illuminated the +nights of Summer with my face." + +ANTHONY, (_tapping his own forehead_:--) + +"Ah! ah! I comprehend! her head!..." + +SIMON (_placing his finger to his lips_:--) + +"Hush!" + +HELENA. "The sail remained well filled by the wind; the keel cleft the +foam. He said to me: 'What though I afflict my country, though I lose +my kingdom! Thou wilt belong to me, in my house!' + +"How sweet was the lofty chamber of his palace! Lying upon the ivory +bed, he caressed my long hair, singing amorously the while. + +"Even at the close of the day I beheld the two camps, the watchfires +being lighted, Ulysses at the entrance of his tent, armed Achilles +driving a chariot along the sea-beach." + +ANTHONY. "Why! she is utterly mad! How came this to pass?..." + +SIMON. "Hush! hush!" + +HELENA. "They anointed me with unguents, and sold me to the people that +I might amuse them. + +"One evening I was standing with the sistrum in my hand, making music +for some Greek sailors who were dancing. The rain was falling upon the +roof of the tavern like a cataract, and the cups of warm wine were +smoking. + +"A man suddenly entered, although the door was not opened to let him +pass." + +SIMON. "It was I! I found thee again! + +"Behold her, Anthony, she whom they call Sigeh, Ennoia, Barbelo, +Prounikos! The Spirits governing the world were jealous of her; and +they imprisoned her within the body of a woman. + +"She was that Helen of Troy, whose memory was cursed by the poet +Stesichorus. She was Lucretia, the patrician woman violated by a king. +She was Delilah, by whom Samson's locks were shorn.... She has loved +adultery, idolatry, lying and foolishness. She has prostituted herself +to all nations. She has sung at the angles of all cross-roads. She has +kissed the faces of all men. + +"At Tyre, she, the Syrian, was the mistress of robbers. She caroused +with them during the nights; and she concealed assassins amidst the +vermin of her tepid bed." + +ANTHONY. "Ah! what is this to me?..." + +SIMON (_with a furious look_:--) + +"I tell thee that I have redeemed her, and re-established her in her +former splendor; insomuch that Caius Cæsar Caligula became enamoured of +her, desiring to sleep with the Moon!" + +ANTHONY. "What then?..." + +SIMON. "Why this, that she herself is the Moon! Has not Pope Clement +written how she was imprisoned in a tower? Three hundred persons +surrounded the tower to watch it; and the moon was seen at each of the +loop-holes at the same time, although there is not more than one moon +in the world, nor more than one Ennoia!" + +ANTHONY. "Yes ... it seems to me that I remember...." + +(_He falls into a reverie._) + +SIMON. "Innocent as the Christ who died for men, so did she devote +herself for women. For the impotence of Jehovah is proven by the +transgression of Adama, and we must shake off the yoke of the old law, +which is antipathetic to the order of things.[9] + +"I have preached the revival in Ephraim and in Issachar by the torrent +of Bizor, beyond the Lake of Houleh, in the valley of Maggedo, further +than the mountains, at Bostra and at Damascus. Let all come to me who +are covered with wine, who are covered with filth, who are covered with +blood! and I shall take away their uncleanliness with the Holy Spirit, +called Minerva by the Greeks. She is Minerva! she is the Holy Spirit! I +am Jupiter, Apollo, the Christ, the Paraclete, the great might of God, +incarnated in the person of Simon!" + +ANTHONY. "Ah! it is thou!... so it is thou! But I know thy crimes! + +"Thou wast born at Gittoi near Samaria, Dositheas, thy first master, +drove thee from him. Thou didst execrate Saint Paul because he +converted one of thy wives; and, vanquished by Saint Peter, in thy rage +and terror thou didst cast into the waves the bag which contained thy +artifices!" + +SIMON. "Dost thou desire them?" + +(_Anthony looks at him, and an interior voice whispers hi his +heart:--"Why not?"_) + +SIMON (_continues_). + +"He who knows the forces of Nature and the essence of Spirits must be +able to perform miracles. It has been the dream of all sages; it is the +desire which even now gnaws thee!--confess it!" + +"In the sight of the multitude of the Romans, I flew in the air so +high that none could behold me move. Nero ordered that I should be +decapitated; but it was the head of a sheep which fell upon the ground +in lieu of mine. At last they buried me alive; but I rose again upon +the third day. The proof is that thou dost behold me before thee!" + +(_He presents his hands to Anthony to smell. They have the stench of +corpse-flesh. Anthony recoils with loathing._) + +"I can make serpents of bronze writhe; I can make marble statues +laugh; I can make dogs speak. I will show thee vast quantities of gold; +I will reestablish kings; thou shalt see nations prostrate themselves +in adoration before me! I can walk upon the clouds and upon the waves, +I can pass through mountains, I can make myself appear as a youth, as +an old man, as a tiger, or as an ant; I can assume thy features; I can +give thee mine; I can make the thunder follow after me. Dost hear it?" + +(_The thunder rumbles; flashes of lightning succeed._) + +"It is the voice of the Most High; for 'the Lord thy God is a fire;' +and all creations are accomplished by sparks from the fire-centre of +all things. + +Thou shalt even now receive the baptism of it--that second baptism +announced by Jesus, which fell upon the apostles on a day of tempest +when the windows were open!" + +(_And stirring up the flame with his hand, slowly, as though preparing +to sprinkle Anthony with it, he continues_:--) + +"Mother of mercies, thou who discoverest all secrets, in order that we +may find rest in the eighth mansion...." + +ANTHONY (_cries out_:--) + +"Oh! that I had only some holy water!..." + +(_The flame goes out, producing much smoke._ + +_Ennoia and Simon have disappeared._ + +_An exceedingly cold, opaque and f[oe]tid mist fills the atmosphere._) + +ANTHONY (_groping with his hands like a blind man_:--) + +"Where am I?... I fear lest I fall into the abyss! And the cross, +surely, is too far from me. Ah! what a night! what a terrible night!" + +(_The mist is parted by a gust of wind; and Anthony sees two men +covered with long white tunics._ + +_The first is of lofty stature, with a gentle face, and a grave mien. +His blond hair, parted like that of Christ, falls upon his shoulders. +He has cast aside a wand that he had been holding in his hand; his +companion takes it up, making a reverence after the fashion of the +Orientals._ + +_The latter is small of stature, thick set, flat-nosed; his neck and +shoulders expresses good natured simplicity._ + +_Both are barefooted, bareheaded, and dusty, like persons who have made +a long journey._) + +ANTHONY (_starting up_:--) + +"What do ye seek? Speak!... Begone from here!" + +DAMIS (_who is a little man_). + +"Nay! nay! be not angered, good hermit. As for that I seek, I know not +myself what it is! Here is the Master!" + +(_He sits down. The other stranger remains standing. Silence._) + +ANTHONY (_asks_). + +"Then ye come?..." + +DAMIS. "Oh! from afar off--very far off!" + +ANTHONY. "And ye go?..." + +DAMIS (_pointing to the other_) + +"Whithersoever he shall desire!" + +ANTHONY. "But who may he be?" + +DAMIS. "Look well upon him!" + +ANTHONY (_aside_). + +"He looks like a saint! If I could only dare...." + +(_The mist is all gone. The night is very clear. The moon shines._) + +DAMIS. "Of what art thou dreaming, that thou dost not speak?" + +ANTHONY. "I was thinking.... Oh! nothing!" + +DAMIS (_approaches Apollonius, and walks all round him several times, +bending himself as he walks, never raising his head_:--) + +"Master, here is a Galilean hermit who desires to know the beginnings +of wisdom." + +APOLLONIUS. "Let him approach!" (_Anthony hesitates._) + +DAMIS. "Approach!" + +APOLLONIUS (_in a voice of thunder_:--) + +"Approach! Thou wouldst know who I am, what I have done, and what I +think,--is it not so, child?" + +ANTHONY. "Always supposing that these things can contribute to the +salvation of my soul." + +APOLLONIUS. "Rejoice! I am about to inform thee of them!" + +DAMIS (_in an undertone, to Anthony_:--) + +"Is it possible? He must surely have at the first glance discerned in +thee extraordinary aptitude for philosophy. I shall also strive to +profit by his instruction." + +APOLLONIUS. "First of all, I shall tell thee of the long course which +I have followed in order to obtain the doctrine; and if thou canst +discover in all my life one evil action, thou shalt bid me pause, for +he who hath erred in his actions may well give scandal by his words." + +DAMIS (_to Anthony_). + +"How just a man? Is he not?" + +ANTHONY. "Indeed I believe him to be sincere." + +APOLLONIUS. "Upon the night of my birth, my mother imagined that +she was gathering flowers by the shore of a great lake. A flash of +lightning appeared; and she brought me into the world to the music of +the voices of swans singing to her in her dream. + +"Until I had reached the age of fifteen I was plunged thrice a day into +the fountain, Asbadeus, whose waters make perjurers hydropical; and my +body was rubbed with the leaves of the onyza, that I might be chaste. + +"A Palmyrian princess came one evening to seek me, offering me +treasures that she knew to be in the tombs. A hierodule of the temple +of Diana, slew herself in despair with the sacrificial knife; and the +governor of Cilicia, finding all his promises of no avail, cried out in +the presence of my family that he would cause my death; but it was he +that died only three days after, assassinated by the Romans." + +DAMIS (_nudging Anthony with his elbow_). + +"Eh? did I not tell thee? What a man!" + +APOLLONIUS. "For the space of four successive years I maintained the +unbroken silence of the Pythagoreans. The most sudden and unexpected +pain never extorted a sigh from me; and when I used to enter the +theatre, all drew away from me, as from a phantom." + +DAMIS. "Wouldst thou have done so much?--thou?" + +APOLLONIUS. "After the period of my trial had been accomplished, I +undertook to instruct the priests regarding the tradition they had +lost." + +ANTHONY. "What tradition?" + +DAMIS. "Interrupt him not! Be silent!" + +APOLLONIUS. "I have conversed with the Samaneans of the Ganges, with +the astrologers of Chaldea, with the magi of Babylon, with the Gaulish +Druids, with the priests of the negroes! I have ascended the fourteen +Olympii; I have sounded the Scythian lakes; I have measured the breadth +of the Desert!" + +DAMIS. "It is all true! I was with him the while!" + +APOLLONIUS. "But first I had visited the Hyrcanian Sea; I made the tour +of it; and descending by way of the country of the Baraomati, where +Bucephalus is buried, I approached the city of Nineveh. At the gates of +the city, a man drew near me...." + +DAMIS. "I--even I, good master! I loved thee from the first. Thou wert +gentler than a girl and more beautiful than a god!" + +APOLLONIUS (_without hearing him_). + +"He asked me to accompany him, that he might serve as interpreter." + +DAMIS. "But thou didst reply that all languages were familiar to thee, +and that thou couldst divine all thoughts. Then I kissed the hem of thy +mantle, and proceeded to walk behind thee." + +APOLLONIUS. "After Ctesiphon, we entered upon the territory of Babylon." + +DAMIS. "And the Satrap cried aloud on beholding a man so pale." + +ANTHONY (_aside_). + +"What signifies this?..." + +APOLLONIUS. "The king received me standing, near a throne of silver, +in a hall constellated with stars; from the cupola hung suspended by +invisible threads four great birds of gold, with wings extended." + +ANTHONY (_dreamily_). + +"Can there be such things in the world?" + +DAMIS. "Ah! that is a city! that Babylon! everybody there is rich! The +houses, which are painted blue, have doors of bronze, and flights of +steps descending to the river." + +(_Drawing lines upon the ground, with his stick_:) + +"Like that, seest thou? And then there are temples, there are squares, +there are baths, there are aqueducts! The palaces are roofed with red +brass; and the interior ... ah! if thou only knewest!" + +APOLLONIUS. "Upon the north wall rises a tower which supports a second, +a third, a fourth, a fifth, and there are also three others! The eighth +is a chapel containing a bed. No one enters it save the woman chosen by +the priests for the God Belus. I was lodged there by order of the King +of Babylon." + +DAMIS. "As for me, they hardly deigned to give me any attention! So I +walked through the streets all by myself. I informed myself regarding +the customs of the people; I visited the workshops; I examined the +great machines that carry water to the gardens. But I soon wearied of +being separated from the Master." + +APOLLONIUS. "At last we left Babylon; and as we travelled by the light +of the moon, we suddenly beheld an Empusa." + +DAMIS. "Aye, indeed! She leaped upon her iron hoof; she brayed like an +ass; she galloped among the rocks. He shouted imprecations at her; she +disappeared." + +ANTHONY (_aside_). + +"What can be their motive?" + +APOLLONIUS. "At Taxilla, the capital of five thousand fortresses, +Phraortes, King of the Ganges, showed us his guard of black men, whose +stature was five cubits, and under a pavilion of green brocade in his +gardens, an enormous elephant, which the queens amused themselves by +perfuming. It was the elephant of Porus which had taken flight after +the death of Alexander." + +DAMIS. "And which had been found again in a forest." + +ANTHONY. "Their speech is superabundant, like that of drunken men!" + +APOLLONIUS. "Phraortes seated us at his own table." + +DAMIS. "How strange a country that was! During their drinking +carousels, the lords used to amuse-themselves by shooting arrows under +the feet of a dancing child. But I do not approve...." + +APOLLONIUS. "When I was ready to depart, the king gave me a parasol, +and he said to me: 'I have a stud of white camels upon the Indus. When +thou shalt have no further use for them, blow in their ears. They will +come back.' + +"We descended along the river, marching at night by the light of the +fire-flies, which glimmered among the bamboos. The slave whistled an +air to drive away the serpents; and our camels bent down in passing +below the branches of the trees, as if passing under low gates. + +"One day a black child, who held a golden caduceus in his hand, +conducted us to the College of the Sages. Iarchas, their chief, spoke +to me of my ancestors, told me of all my thoughts, of all my actions, +of all my existences. In former time he had been the River Indus; and +he reminded me that I had once been a boatman upon the Nile, in the +time of King Sesostris." + +DAMIS. "As for me, they told me nothing; so that I know not who or what +I have been." + +ANTHONY. "They have a vague look, like shadows!" + +APOLLONIUS. "Upon the shores of the sea we met with the milk-gorged +Cynocephali, who were returning from their expedition to the Island +Taprobana. The tepid waves rolled blond pearls to our feet. The amber +crackled beneath our steps. Whale-skeletons were whitening in the +crevasses of the cliffs. At last the land became narrow as a sandal; +and after casting drops of ocean water toward the sun, we turned to the +right to return. + +"So we returned through the Region of Aromatics, by way of the country +of the Gangarides, the promontory of Comaria, the country of the +Sachalites, of the Adramites and of the Homerites; then, across the +Cassanian mountains, the Red Sea, and the Island Topazos, we penetrated +into Ethiopia through the country of the Pygmies." + +ANTHONY (_to himself_). + +"How vast the world is!" + +DAMIS. "And after we had returned home, we found that all those whom we +used to know, were dead." + +(_Anthony lowers his head. Silence._) + +APOLLONIUS (_continues_). + +"Then men began to talk of me the world over. + +"The plague was ravaging Ephesus; I made them stone an old mendicant +there." + +DAMIS. "And forthwith the plague departed." + +ANTHONY. "What! Does he drive away pestilence?" + +APOLLONIUS. "At Cnidos, I cured the man that had become enamored of +Venus." + +DAMIS. "Aye! a fool who had even vowed to espouse her! To love a woman +is at least comprehensible; but to love a statue--what madness! The +Master placed his hand upon the young man's heart; and the fire of that +love was at once extinguished." + +ANTHONY. "How! does he also cast out devils?" + +APOLLONIUS. "At Tarentum they were carrying the dead body of a young +girl to the funeral pyre." + +DAMIS. "The Master touched her lips; and she arose and called her +mother." + +ANTHONY. "What! he raises the dead!" + +APOLLONIUS. "I predicted to Vespasian his accession to power." + +ANTHONY. "What! he foretells the future!" + +DAMIS. "At Corinth there was a ..." + +APOLLONIUS. "It was when I was at table with him, at the waters of +Baia ..." + +ANTHONY. "Excuse me, strangers--it is very late ..." + +DAMIS. "At Corinth there was a young man called Menippus ..." + +ANTHONY. "No! no!--go ye away!" + +APOLLONIUS. "A dog came in, bearing a severed hand in his mouth." + +DAMIS. "One evening, in one of the suburbs, he met a woman." + +ANTHONY. "Do ye not hear me? Begone!" + +APOLLONIUS. "He wandered in a bewildered way around the couches ..." + +ANTHONY. "Enough!" + +APOLLONIUS. "They sought to drive him out." + +DAMIS. "So Menippus went with her to her house; they loved one +another." + +APOLLONIUS. "And gently beating the mosaic pavement with his tail, he +laid the severed hand upon the knees of Flavius." + +DAMIS. "But next morning, during the lessons in the school, Menippus +was pale." + +ANTHONY (_starting up in anger_). + +"Still continuing! Ah! then let them continue till they be weary, +inasmuch as there is no ..." + +DAMIS. "The Master said to him: 'O beautiful youth, thou dost caress +a serpent; by a serpent thou art caressed! And when shall be the +nuptials?' We all went to the wedding." + +ANTHONY. "Assuredly I am doing wrong, to hearken to such a story!" + +DAMIS. "Servants were hurrying to and fro in the vestibule; doors were +opening; nevertheless there was no sound made either by the fall of +the footsteps nor the closing of the doors. The Master placed himself +beside Menippus. And the bride forthwith became angered against the +philosophers. But the vessels of gold, the cupbearers, the cooks, the +panthers disappeared; the roof receded and vanished into air; the walls +crumbled down; and Apollonius stood alone with the woman at his feet, +all in tears. She was a vampire who satisfied the beautiful young men +in order to devour their flesh, for nothing is more desirable for such +phantoms than the blood of amorous youths." + +APOLLONIUS. "If thou shouldst desire to learn the art ..." + +ANTHONY. "I do not wish to learn anything!" + +APOLLONIUS. "The same evening that we arrived at the gates of Rome ..." + +ANTHONY. "Oh! yes!--speak to me rather of the City of Popes!" + +APOLLONIUS. "A drunken man accosted us, who was singing in a low voice. +The song was an epithalamium of Nero; and he had the power to cause +the death of whosoever should hear it with indifference. In a box upon +his shoulders he carried a string taken from the Emperor's cithara. I +shrugged my shoulders. He flung mud in our faces. Then I unfastened my +girdle and placed it in this hand." + +DAMIS. "In sooth, thou wert most imprudent!" + +APOLLONIUS. "During the night the Emperor summoned me to his house. He +was playing at osselets with Sporus, supporting his left arm upon a +table of agate. He turned and, knitting his brows, demanded: 'How comes +it that thou dost not fear me?' 'Because,' I replied, 'the God who made +thee terrible, also made me intrepid." + +ANTHONY (_to himself_). + +"There is something inexplicable that terrifies me!" + +(_Silence._) + +DAMIS (_breaking the silence with his shrill voice_). + +"Moreover, all Asia can tell thee ..." + +ANTHONY (_starting up_). + +"I am ill! let me be!" + +DAMIS. "But listen! At Ephesus, he beheld them killing Domitian, who +was at Rome." + +ANTHONY (_with a forced laugh_). "Is it possible?" + +DAMIS. "Yes: at the theatre at noon-day, the fourteenth of the Kalenda +of October, he suddenly cried out: 'Cæsar is being murdered!' and +from time to time he would continue to ejaculate: 'He rolls upon the +pavement ... Oh! how he struggles ... He rises ... He tries to flee +... The doors are fastened ... Ah! it is all over! He is dead!' And in +fact Titus Flavius Domitianus was assassinated upon that very day, as +thou knowest." + +ANTHONY. "Without the aid of the Devil ... certainly ..." + +APOLLONIUS. "He had purposed putting me to death, that same Domitian! +Damis had taken flight according to my order, and I remained alone in +my prison." + +DAMIS. "A terrible hardihood on thy part, it must be confessed!" + +APOLLONIUS. "About the fifth hour, the soldiers led me before the +tribunal. I had my harangue all ready hidden beneath my mantle." + +DAMIS. "We others were then upon the shores of Puteoli, we believed +thee dead; we were all weeping, when all of a sudden about the sixth +hour, thou didst suddenly appear before us, exclaiming: 'It is I.'" + +ANTHONY (_to himself_). "Even as He...!" + +DAMIS (_in a very loud voice_). "Precisely!" + +ANTHONY. "Oh! no! ye lie! is it not so?--ye lie!" + +APOLLONIUS. "He descended from heaven. I rise thither, by the power of +my virtue that has lifted me up even to the height of the Principle of +all things!" + +DAMIS. "Thyana, his natal city, has established in his honor a temple +and a priesthood!" + +APOLLONIUS (_draws near Anthony, and shouts in his ear_:--) + +"It is because I know all gods, all rites, all prayers, all oracles! +I have penetrated into the cave of Trophonius, son of Apollo! I +have kneaded for Syracusan women the cakes which they carry to the +mountains. I have endured the eighty tests of Mithra! I have pressed to +my heart the serpent of Sabasius! I have received the scarf of Kabiri! +I have laved Cybele in the waters of the Campanian gulfs! and I have +passed three moons in the caverns of Samothracia!" + +DAMIS (_with a stupid laugh_). + +"Ah! ah! ah! at the mysteries of the good Goddess!" + +APOLLONIUS. "And now we recommence our pilgrimage. + +"We go to the North to the land of Swans and of snows. Upon the vast +white plains, the blind hippopodes break with the tips of their feet +the ultramarine plant." + +DAMIS. "Hasten! it is already dawn. The cock has crowed, the horse has +neighed, the sail is hoisted!" + +ANTHONY. "The cock has not crowed! I hear the locusts in the sands, and +I see the moon still in her place." + +APOLLONIUS. "We go to the South, beyond the mountains and the mighty +waters, to seek in perfumes the secret source of love. Thou shalt +inhale the odor of myrrhodion which makes the weak die. Thou shalt +bathe thy body in the lake of Rose-oil which is in the Island Junonia. +Thou shalt see slumbering upon primroses that Lizard which awakes +every hundred years when the carbuncle upon its forehead, arriving +at maturity, falls to the ground. The stars palpitate like eyes; the +cascades sing like the melody of lyres; strange intoxication is exhaled +by blossoming flowers; thy mind shall grow vaster in that air; and thy +heart shall change even as thy face." + +DAMIS. "Master! it is time! The wind has risen, the swallows awaken, +the myrtle leaves are blown away." + +APOLLONIUS. "Yes! let us go!" + +ANTHONY. "Nay! I remain here!" + +APOLLONIUS. "Shall I tell thee where grows the plant Balis, that +resurrects the dead?" + +DAMIS "Nay; ask him rather for the audrodamas which attracts silver, +iron and brass!" + +ANTHONY. "Oh! how I suffer! how I suffer!" + +DAMIS. "Thou shalt comprehend the voices of all living creatures, the +roarings, the cooings!" + +APOLLONIUS. "I shall enable thee to ride upon unicorns and upon +dragons, upon hippocentaurs and dolphins!" + +ANTHONY (_weeping_). "Oh ... oh!... oh!" + +APOLLONIUS. "Thou shalt know the demons that dwell in the caverns, the +demons that mutter in the woods, the demons that move in the waves, the +demons that push the clouds!" + +DAMIS. "Tighten thy girdle, fasten thy sandals!" + +APOLLONIUS. "I shall explain to thee the reason of divine forms--why +Apollo stands, why Jupiter is seated, why Venus is black, at Corinth, +square-shaped at Athens, conical at Paphos." + +ANTHONY (_clasping his hands_). + +"Let them begone! let them begone!" + +APOLLONIUS. "In thy presence I will tear down the panoplies of the +Gods; we shall force open the sanctuaries, I will enable thee to +violate the Pythoness!" + +ANTHONY. "Help! O my God!" + +(_He rushes to the cross._) + +APOLLONIUS. "What is thy desire? What is thy dream? Thou needst only +devote the moment of time necessary to think of it ..." + +ANTHONY. "Jesus! Jesus! Help me!" + +APOLLONIUS. "Dost thou wish me to make him appear, thy Jesus?" + +ANTHONY. "What? How!" + +APOLLONIUS. "It shall be He!--no other! He will cast off his crown, and +we shall converse face to face!" + +DAMIS (_in an undertone_). + +"Say thou dost indeed wish it! say thou dost desire it!" + +(_Anthony kneeling before the cross, murmurs prayers. Damis walks +around him, with wheedling gestures._) + +"Nay, nay! good hermit. Be not horrified! These are only exaggerated +forms of speech, borrowed from the Orientals. That need in no way ..." + +APOLLONIUS. "Let him alone, Damis! + +"He believes, like a brute, in the reality of things. The terror which +he entertains of the Gods prevents him from comprehending them; and he +debases his own God to the level of a jealous king! + +"But thou, my son, do not leave me!" + +(_He moves to the edge of the cliff, walking backward, passes beyond +the verge of the precipice, and remains suspended in air._) + +"Above all forms, further than the ends of the earth, beyond the +heavens themselves, lies the world of Idea, replete with the splendor +of the Word! With one bound we shall traverse the impending spaces, and +thou shalt behold in all his infinity, the Eternal, the Absolute, the +Being! Come! give me thy hand! Let us rise." + +(_Side by side, both rise up through the air, slowly. Anthony, clinging +to the cross, watches them rise. They disappear._) + + +[1] Agape.--Love-feast of the primitive Christians. + +[2] John XVI: 12.--T. + +[3] See note at end. + +[4] Masheim gives _Achamoth._ I prefer to remain faithful to the +orthography given by Flaubert. + +[5] The French text gives _mes pères_ not _nos pères._ Elxai, or +Elkhai, who established his sect in the reign of Trajan, was a Jew. + +[6] See note. + +[7] The banyan is a fig-tree--the _Ficus indicus._--Trans. + +[8] Readers may remember Longfellow's exquisite poem "Helena of Tyre." + +[9] See the second part of "Faust," and _Kundry_ in "Parsifal." + + + + +V. + + +ANTHONY (_walking to and fro, slowly_). + +"That one, indeed, seems in himself equal to all the powers of Hell! + +"Nebuchadnezzar did not so much dazzle me with his splendours;--the +Queen of Sheba herself charmed me less deeply. + +"His manner of speaking of the gods compels one to feel a desire to +know them. + +"I remember having beheld hundreds of them at one time, in the island +of Elephantius, in the time of Diocletian. The emperor had ceded to the +Nomads a great tract of country, upon the condition that they should +guard the frontiers; and the treaty was concluded in the name of the +'Powers Invisible.' For the gods of each people were unknown unto the +other people. + +"The Barbarians had brought theirs with them. They occupied the +sand-hills bordering the river. We saw them supporting their idols in +their arms, like great paralytic children;--others, paddling through +the cataracts upon trunks of palm tree, displayed from afar off the +amulets hung about their necks, the tattooings upon their breasts; and +these things were not more sinful than the religion of the Greeks, the +Asiatics, and the Romans! + +"When I was dwelling in the temple of Heliopolis I would often consider +the things I beheld upon the walls:--vultures bearing sceptres, +crocodiles playing upon lyres, faces of men with the bodies of +serpents, cow-headed women prostrating themselves before ithyphallic +gods:--and their supernatural forms attracted my thoughts to other +worlds. I longed to know that which drew the gaze of all those calm and +mysterious eyes. + +"If matter can exert such power, it must surely contain a spirit. The +souls of the Gods are attached to their images ... + +"Those possessing the beauty of forms might seduce. But the others +... those of loathsome or terrible aspect ... how can men believe in +them?..." + +(_And he beholds passing over the surface of the ground,--leaves, +stones, shells, branches of trees,--then a variety of hydropical +dwarfs: these are gods. He bursts into a laugh. He hears another laugh +behind him;--and Hilarion appears, in the garb of a hermit, far taller +than before, colossal._) + +ANTHONY (_who feels no surprise at seeing him_). + +"How stupid one must be to worship such things!" + +HILARION. "Aye!--exceedingly stupid!" + +(_Then idols of all nations and of all epochs--of wood, of metal, of +granite, of feathers, of skins sewn together,--pass before them._ + +_The most ancient of all anterior to the Deluge are hidden under masses +of seaweed hanging down over them like manes. Some that are too long +for their bases, crack in all their joints, and break their own backs +in walking. Others have rents torn in their bellies through which sand +trickles out._ + +_Anthony and Hilarion are prodigiously amused. They hold their sides +for laughter. Then appear sheep-headed idols. They totter upon their +bandy-legs, half-open their eye-lids, and stutter like the dumb,_ "Ba! +ba! ba!" + +_The more that the idols commence to resemble the human forms, the +more they irritate Anthony. He strikes them with his fist, kicks them, +attacks them with fury. They become frightful,--with lofty plumes, eyes +like balls, fingers terminated by claws, the jaws of sharks._ + +_And before these gods men are slaughtered upon altars of stone; others +are brayed alive in huge mortars, crushed under chariots, nailed upon +trees. There is one all of red-hot iron with the horns of a bull, who +devours children._) + +ANTHONY. "Horror!" + +HILARION. "But the gods always demand tortures--and suffering. Even +thine desired ..." + +ANTHONY (_weeping_). "Ah! say no more!--do not speak to me!" + +(_The space girdled by the rocks suddenly changes into a valley. A herd +of cattle are feeding upon the short grass._ + +_The herdman who leads them, observes a cloud;--and in a sharp voice, +shouts out words of command, as if to heaven._) + +HILARION. "Because he needs rain, he seeks by certain chants to compel +the King of heaven to open the fecund cloud." + +ANTHONY (_laughing_). + +"Verily, such pride is the extreme of foolishness!" + +HILARION. "Why dost thou utter exorcisms?" + +(_The valley changes into a sea of milk, motionless and infinite. In +its midst floats a long cradle formed by the coils of a serpent, whose +many curving heads shade, like a dais, the god slumbering upon its +body._ + +_He is beardless, young, more beautiful than a girl, and covered with +diaphanous veils. The pearls of his tiara gleam softly like moons; a +chaplet of stars is entwined many times about his breast, and with one +hand beneath his head, he slumbers with the look of one who dreams +after wine._ + +_A woman crouching at his feet, awaits the moment of his awaking._) + +HILARION. "Such is the primordial duality of the Brahmans,--the +Absolute being inexpressible by any form." + +(_From the navel of the god has grown the stem of a lotus flower; it +blossoms, and within its chalice appears another god with three faces._) + +ANTHONY. "How strange an invention!" + +HILARION. "Father, Son, and Holy Spirit are but one and the same +Person!" + +(_The three faces separate; and three great gods appear._ + +_The first, who is pink, bites the end of his great toe._ + +_The second, who is blue, uplifts his four arms._ + +_The third, who is green, wears a necklace of human skulls._ + +_Before them instantly arise three goddesses--one is enveloped in a +net; another offers a cup; the third brandishes a bow._ + +[Illustration: ... instantly arise three goddesses] + +_And these gods, these goddesses, decuple themselves, multiply. Arms +grow from their shoulders; at the end of these arms hands appear +bearing standards, axes, bucklers, swords, parasols and drums. +Fountains gush from their heads, plants grow from their nostrils._ + +_Riding upon birds rocked in palanquins, enthroned upon seats of gold, +standing in ivory niches,--they dream, voyage, command, drink wine, +respire the breath of flowers. Dancing girls whirl in the dance; giants +pursue monsters; at the entrances of grottoes solitaries meditate. Eyes +cannot be distinguished from stars; nor clouds from banderolles; +peacocks quench their thirst at rivers of gold dust; the embroidery +of pavilions seems to blend with the spots of leopards; coloured rays +intercross in the blue air, together with flying arrows, and swinging +censers._ + +_And all this develops like a lofty frieze, resting its base upon the +rocks, and rising to the sky._) + +ANTHONY (_dazzled by the sight_). + +"How vast is their number! What do they seek?" + +HILARION. "The god who rubs his abdomen with his elephant-trunk, is the +solar Deity, the inspiring spirit of wisdom. + +"That other whose six heads are crowned with towers, and whose fourteen +arms wield javelins,--is the prince of armies,--the Fire-Consumer. + +"The old man riding the crocodile washes the soul of the dead upon +the shore. They will be tormented by that black woman with the putrid +teeth, who is the Ruler of Hell. + +"That chariot drawn by red mares, driven by one who has no legs, bears +the master of the sun through heaven's azure. The moon-god accompanies +him, in a litter drawn by three gazelles. + +"Kneeling upon the back of a parrot, the Goddess of Beauty presents to +Love, her son, her rounded breast. Behold her now, further off, leaping +for joy in the meadows. Look! Look! Coiffed with dazzling mitre, she +trips lightly over the ears of growing wheat, over the waves; she rises +in air, extending her power over all elements. + +"And among these gods are the Genii of the winds, of the planets, of +the months, of the days,--a hundred thousand others;--multiple are +their aspects, rapid their transformations. Behold, there is one who +changes from a fish into a tortoise: he assumes the form of a boar, the +shape of a dwarf." + +ANTHONY. "Wherefore?" + +HILARION. "That he may preserve the equilibrium of the universe, and +combat the works of evil. But life exhausts itself; forms wear away; +and they must achieve progression in their metamorphoses." + +(_All upon a sudden appears a_ NAKED MAN _seated in the midst of the +sand, with legs crossed._) + +(_A large halo vibrates, suspended in air behind him. The little +ringlets of his black hair in which blueish tints shift symmetrically +surround a protuberance upon the summit of his skull. His arms, +which are very long, hang down against his sides. His two hands rest +flat upon his thighs, with the palms open. The soles of his feet +are like the faces of two blazing suns; and he remains completely +motionless--before Anthony and Hilarion--with all the gods around him, +rising in tiers above the rocks, as if upon the benches of some vast +circus. His lips, half-open; and he speaks in a deep voice_): + +"I am the Master of great charities, the succor of all creatures; and +not less to the profane than to believers, do I expound the law. + +"That I might deliver the world, I resolved to be born among men. The +gods wept when I departed from them. + +"I sought me first a woman worthy to give me birth: a woman of warrior +race, the wife of a king, exceedingly good, excessively beautiful, +with body firm as adamant;--and at time of the full moon, without the +auxiliation of any male, I entered her womb. + +"I issued from it by the right side. Stars stopped in their courses." + +HILARION (_murmurs between his teeth_). + +"And seeing the star, they rejoiced with exceeding great joy!"[1] + +(_Anthony watches more attentively._) + +THE BUDDHA[2] (_continuing_). + +"From the furthest recesses of the Himalayas, a holy man one hundred +years of age, hurried to see me." + +HILARION. "A man named Simeon ... who should not see death, before he +had seen the Christ of the Lord."[3] + +THE BUDDHA. "I was led unto the schools; and it was found that I knew +more than the teachers." + +HILARION. "... In the midst of the doctors ... and all that heard him +were astonished at his wisdom!"[4] + +(_Anthony makes a sign to Hilarion to be silent._) + +THE BUDDHA. "Continually did I meditate in the gardens. The shadows of +the trees turned with the turning of the sun; but the shadow of that +which sheltered me turned not. + +"None could equal me in the knowledge of the Scriptures, the +enumeration of atoms, the conduct of elephants, the working of wax, +astronomy, poetry, pugilism, all the exercises and all the arts! + +"In accordance with custom, I took to myself a wife; and I passed the +days in my kingly palace;--clad in pearls, under a rain of perfumes, +refreshed by the fans of thirty thousand women,--watching my peoples +from the height of my terraces adorned with fringes of resonant bells. + +"But the sight of the miseries of the world turned me away from +pleasure. I fled. + +"I begged my way upon the high roads, clad myself in rags gathered +within the sepulchres;--and, hearing of a most learned hermit, I chose +to become his slave. I guarded his gate! I washed his feet. + +"Thus I annihilated all sensation, all joy, all languor. + +"Then, concentrating my thoughts within vaster meditation, I learned to +know the essence of things, the illusion of forms. + +"Soon I exhausted the science of the Brahmans. They are gnawed by +covetousness and desire under their outward aspect of austerity; they +daub themselves with filth, they live upon thorns,--hoping to arrive at +happiness by the path of death!" + +HILARION.... "Pharisees, hypocrites, whited sepulchres, generation of +vipers!" + +THE BUDDHA. "I also accomplished wondrous things,--eating but one +grain of rice each day (and the grains of rice in those times were no +larger than at present)--my hair fell off; my body became black; my +eyes receding within their sockets, seemed even as stars beheld at the +bottom of a well. + +"During six years I kept myself motionless, exposed to the flies, the +lions and the serpents; and the great summer suns, the torrential +rains, lightnings and snows, hails and tempests,--all of these I +endured without even the shelter of my lifted hand. + +"The travellers who passed by, believing me dead, cast clods of earth +upon me! + +"Only the temptation of the Devil remained! + +"I summoned him. + +"His sons came,--hideous, scale-covered, nauseous as +charnel-houses,--shrieking, hissing, bellowing; interclashing their +panoplies, rattling together the bones of dead men. Some belched +flame through their nostrils; some made darkness about me with their +wings; some wore chaplets of severed fingers; some drank serpent-venom +from the hollows of their hands;--they were swine-headed; they were +rhinoceros-headed or toad-headed; they assumed all forms that inspire +loathing or affright." + +ANTHONY (_to himself_). + +"I also endured all that in other days!" + +THE BUDDHA. "Then did he send me his daughters--beautiful with +daintily painted faces, and wearing girdles of gold. Their teeth were +whiter than the jasmine-flower; their thighs round as the trunk of +an elephant. Some extended their arms and yawned, that they might so +display the dimples of their elbows; some winked their eyes; some +laughed; some half-opened their garments. There were blushing virgins, +matrons replete with dignity, queens who came with great trains of +baggage and of slaves." + +ANTHONY (_aside_). "Ah! he too ..." + +THE BUDDHA. "Having vanquished the Demon, I nourished myself for twelve +years with perfumes only;--and as I had acquired the five virtues, +the five faculties, the ten forces, the eighteen substances, and had +entered into the four spheres of the invisible world, Intelligence +became mine! I became the Buddha." + +[Illustration: Intelligence became mine! I became the Buddha.] + +(_All the gods bow themselves down. Those having several heads, bend +them all simultaneously. He lifts his mighty hand aloft, and resumes_:) + +"That I might effect the deliverance of beings, I have made hundreds +of thousands of sacrifices! To the poor I gave robes of silk, beds, +chariots, houses, heaps of gold and of diamonds. I gave my hands to the +one-handed, my legs to the lame, my eyes to the blind;--even my head I +severed for the sake of the decapitated. In the day that I was King, I +gave away provinces;--when I was a Brahman I despised no one. When I +was a solitary, I spake kindly words to the robber who slew me. When I +was a tiger I allowed myself to die of hunger. + +"And having, in this last existence, preached the law, nothing now +remains for me to do. The great period is accomplished! Men, animals, +the gods, the bamboos, the oceans, the mountains, the sand-grains of +the Ganges, together with the myriad myriads of the stars,--all shall +die;--and until the time of the new births, a flame shall dance upon +the wrecks of worlds destroyed!" + +(_Then a great dizziness comes upon the gods. They stagger, fall into +convulsions, and vomit forth their existences. Their crowns burst +apart; their banners fly away. They tear off their attributes, their +sexes, fling over their shoulders the cups from which they quaffed +immortality, strangle themselves with their serpents, vanish in +smoke;--and when all have disappeared_ ...) + +HILARION (_solemnly exclaims_): + +"Thou hast even now beheld the belief of many hundreds of millions of +men." + +(_Anthony is prostrate upon the ground, covering his face with his +hands. Hilarion, with his back turned to the cross, stands near him and +watches him._ + +_A considerable time elapses._ + +_Then a singular being appears--having the head of a man upon the body +of a fish. He approaches through the air, upright, beating the sand +from time to time with his tail; and the patriarchal aspect of his face +by contrast with his puny little arms, causes Anthony to laugh._) + +OANNES (_in a plaintive voice_): + +"Respect me! I am the contemporary of beginnings. + +"I dwelt in that formless world where hermaphroditic creatures +slumbered, under the weight of an opaque atmosphere, in the deeps of +dark waters--when fingers, fins, and wings were blended, and eyes +without heads were floating like mollusks, among human-headed bulls, +and dog-footed serpents. + +[Illustration: ... and eyes without heads were floating like +mollusks] + +"Above the whole of these beings, OMOROCA, bent like a hoop, extended +her woman-body. But Belus cleft her in two halves; with one he made the +earth; with the other, heaven;--and the two equal worlds do mutually +contemplate each other. + +"I, the first consciousness of CHAOS, arose from the abyss that I might +harden matter, and give a law unto forms:--also I taught men to fish +and to sow: I gave them knowledge of writing, and of the history of the +gods. + +[Illustration: I, the first consciousness of Chaos, arose from +the abyss that I might harden matter, and give a law unto forms ...] + +"Since then I have dwelt in the deep pools left by the Deluge. But the +desert grows vaster about them; the winds cast sand into them; the sun +devours them;--and I die upon my couch of slime, gazing at the stars +through the water. Thither I return!" + +(_He leaps and disappears in the Nile._) + +HILARION. "That is an ancient God of the Chaldæans!" + +ANTHONY (_ironically_). "What, then, were those of Babylon?" + +HILARION. "Thou canst behold them!" + +(_And they find themselves upon the platform of a lofty quadrangular +tower dominating six other towers, which, narrowing as they rise, form +one monstrous pyramid. Far below a great black mass is visible--the +city, doubtless--extending over the plains. The air is cold; the sky +darkly blue; multitudes of stars palpitate above._ + +_In the midst of the platform rises a column of white stone. Priests +in linen robes pass and repass around it, so as to describe by their +evolutions a moving circle; and with faces uplifted, they gaze upon the +stars._ ...) + +HILARION. (_pointing out several of these stars to Anthony_): + +"There are thirty principal stars. Fifteen look upon the upper side +of the earth; fifteen below. At regular intervals one shoots from the +upper regions to those below; while another abandons the inferior deeps +to rise to sublime altitudes ... + +"Of the seven planets, two are beneficent; two evil; three +ambiguous:--all things in the world depend upon the influence of these +eternal fires. According to their position or movement presages may be +drawn;--and here thou dost tread the most venerable place upon earth. +Here Pythagoras and Zoroaster have met;--here for twelve thousand years +these men have observed the skies that they might better learn to know +the gods." + +ANTHONY. "The stars are not gods." + +HILARION. "Aye, they say the stars are gods; for all things about us +pass away;--the heavens only remain immutable as eternity." + +ANTHONY. "Yet there is a master!" + +HILARION (_pointing to the column_): + +"He! Belus!--the first ray, the Sun, the Male! The Other, whom he +fecundates, is beneath him!" + +(_Anthony beholds a garden, illuminated by lamps_: _He finds himself +in the midst of the crowd, in an avenue of cypress-trees. To right and +left are little pathways leading to huts constructed within a wood of +pomegranate trees, and enclosed by treillages of bamboo._ + +_Most of the men wear pointed caps, and garments bedizened like the +plumage of a peacock. But there are also people from the North clad +in bearskins, nomads wearing mantles of brown wool, pallid Gangarides +with long earrings;--and there seems to be as much confusion of rank +as there is confusion of nations; for sailors and stone-cutters elbow +the princes who wear tiaras blazing with carbuncles and who carry +long canes with carven knobs. All proceed upon their way with dilated +nostrils, absorbed by the same desire._ + +_From time to time, they draw aside to make way for some long covered +wagon drawn by oxen, or some ass jolting upon his back a woman bundled +up in thick veils, who finally disappears in the direction of the +cabins._ + +_Anthony feels afraid; he half-resolves to turn back. But an +unutterable curiosity takes possession of him, and draws him on._ + +_At the foot of the cypress-trees there are ranks of women squatting +upon deerskins, all wearing in lieu of diadem, a plaited fillet of +ropes. Some, magnificently attired, loudly call upon the passers-by. +Others, more timid, seek to veil their faces with their arms, while +some matron standing behind them, their mother doubtless, exhorts +them. Others, their heads veiled with a black shawl, and their bodies +entirely nude, seem from afar off to be statues of flesh. As soon as a +man has thrown some money upon their knees, they arise._ + +_And the sound of kisses is heard under the foliage,--sometimes a great +sharp cry._) + +HILARION. "These are the virgins of Babylon, who prostitute themselves +to the goddess." + +ANTHONY. "What goddess?" + +HILARION. "Behold her!" + +(_And he shows him at the further end of the avenue, upon the threshold +of an illuminated grotto, a block of stone representing a woman._) + +ANTHONY. "Ignominy!--how abominable to give a sex to God!" + +HILARION. "Thou thyself dost figure him in thy mind as a living person!" + +(_Anthony again finds himself in darkness._ + +_He beholds in the air a luminous circle, poised upon horizontal +wings. This ring of light, girdles like a loose belt, the waist of a +little man wearing a mitre upon his head and carrying a wreath in his +hand. The lower part of his figure is completely concealed by immense +feathers outspreading about him like a petticoat._ + +_It is_--ORMUZD--_the God of the Persians. He hovers in the air above, +crying aloud_:) + +"I fear! I can see his monstrous jaws! I did vanquish thee, O Ahriman! +But again thou dost war against me. + +"First revolting against me, thou didst destroy the eldest of +creatures, Kaiomortz, the Man-Bull. Then didst thou seduce the first +human couple, Meschia and Meschiané; and thou didst fill all hearts +with darkness, thou didst urge thy battalions against heaven! + +"I also had mine own, the people of the stars; and from the height of +my throne I contemplated the marshalling of the astral hosts. + +"Mithra, my son, dwelt in heavens inaccessible. There he received +souls, from thence did he send them forth; and he arose each morning to +pour forth the abundance of his riches. + +"The earth reflected the splendour of the firmament. Fire blazed upon +the crests of the mountains,--symbolizing that other fire of which +I had created all creatures. And that the holy flame might not be +polluted, the bodies of the dead were not burned; the beaks of birds +carried them aloft toward heaven. + +"I gave to men the laws regulating pastures, labour, the choice of wood +for the sacrifices, the form of cups, the words to be uttered in hours +of sleeplessness;--and my priests unceasingly offered up prayers, so +that worship might be as the eternity of God in its endlessness. Men +purified themselves with water; loaves were offered upon the altars, +sins were confessed aloud. + +"Homa[5] gave himself to men to be drank, that they might have his +strength communicated to them while the Genii of heaven were combating +the demons, the children of Iran were pursuing the serpents. The +King, whom an innumerable host of courtiers served upon their knees, +represented me in his person, and wore my coiffure. His gardens had the +magnificence of a heaven upon earth; and his tomb represented him in +the act of slaying a monster,--emblem of Good destroying Evil. + +"For it was destined that I should one day definitely conquer Ahriman, +by the aid of Time-without-limits. + +"But the interval between us disappears;--the deep night rises! To +me! ye Amschaspands, ye Izeds, ye Ferouers! Succor me, Mithra! seize +thy sword! And thou, Kaosyac, who shall return for the universal +deliverance, defend me! What!--none to aid! Ah! I die! Thou art the +victor, Ahriman!" + +(_Hilarion, standing behind Anthony, restrains a cry of joy;--and_ +ORMUZD _is swallowed up in the darkness._) + +(_Then appears_:) + +THE GREAT DIANA OF EPHESUS + +(_black with enamelled eyes, her elbows pressed to her side, her +forearms extended, with hands open._ + +_Lions crawl upon her shoulders; fruits, flowers, and stars intercross +upon her bosom; further down three rows of breasts appear; and from her +belly to her feet she is covered with a tightly fitting sheath from +which bulls, stags, griffins, and bees, seem about to spring, their +bodies half-protruding from it. She is illuminated by the white light +emanating from a disk of silver, round as the full moon, placed behind +her head._) + +"Where is my temple? Where are my Amazons? + +"What is this I feel?--I, the Incorruptible!--a strange faintness comes +upon me!"... + +(_Her flowers wither, her over-ripe fruits become detached and fall. +The lions and the bulls hang their heads; the deer foam at the mouth, +with a slimy foam, as though exhausted; the buzzing bees die upon the +ground._ + +_She presses her breasts, one after the other. All are empty! But under +a desperate effort her sheath bursts. She seizes it by the bottom, like +the skirt of a robe, throws her animals, her fruits, her flowers, into +it,--then withdraws into the darkness._ + +_And afar off there are voices, murmuring, growling, roaring, +bellowing, belling. The density of the night is augmented by breaths. +Drops of warm rain fall._) + +ANTHONY. "How sweet the odour of the palm trees, the trembling of +leaves, the transparency of springs! I feel the desire to lie flat upon +the Earth that I might feel her against my heart; and my life would be +reinvigorated by her eternal youth!" + +(_He hears the sound of castanets and of cymbals; and men appear, clad +in white tunics with red stripes,--leading through the midst of a +rustic crowd an ass, richly harnessed, its tail decorated with knots of +ribbons, and its hoofs painted._ + +_A box, covered with a saddle-cloth[6] of yellow material shakes to +and fro upon its back, between two baskets,--one receives the offerings +contributed,--eggs, grapes, pears, cheeses, fowls, little coins; and +the other basket is full of roses, which the leaders of the ass pluck +to pieces as they walk before the animal, shedding the leaves upon the +ground._ + +_They wear earrings and large mantles; their locks are plaited, their +cheeks painted, olive-wreaths are fastened upon their foreheads by +medallions bearing figurines;--all wear poniards in their belts, and +brandish ebony-handled whips, having three thongs to which osselets are +attached._[7] + +_Those who form the rear of the procession, place upon the soil,--so as +to remain upright as a candelabrum,--a tall pine, which burns at its +summit, and shades under its lower branches a lamb._ + +_The ass halts. The saddle-cloth is removed. Underneath appears a +second covering of black felt. Then one of the men in white tunics +begins to dance, rattling his crotali;--another, kneeling before the +box, beats a tambourine and_--) + +THE OLDEST OF THE BAND, _begins_:-- + +"Here is the Good Goddess, the Idæan of the mountains, the Great Mother +of Syria! Come ye hither, good people all! + +[Illustration: Here is the Good Goddess, the Idæan of the mountains ...] + +"She gives joy to men, she heals the sick; she sends inheritances; she +satisfies the hunger of love! + +"We bear her through the land, rain or shine, in fair weather, or in +foul. + +"Oft times we lie in the open air, and our table is not always well +served. Robbers dwell in the woods. Wild beasts rush from their +caverns. Slippery paths border the precipices. Behold her! behold her!" + +(_They lift off the covering; and a box is seen, inlaid with little +pebbles._) + +"Loftier than the cedars, she looks down from the blue ether. Vaster +than the wind she encircles the world. Her breath is exhaled by the +nostrils of tigers; the rumbling of her voice is heard beneath the +volcanoes; her wrath is the tempest; the pallor of her face has +whitened the moon. She ripens the harvest; by her the tree-bark swells +with sap; she makes the beard to grow. Give her something; for she +hates the avaricious!" + +(_The box opens; and under a little pavilion of blue silk appears a +small image of Cybele--glittering with spangles, crowned with towers, +and seated in a chariot of red stone, drawn by two lions, with uplifted +paws._ + +_The crowd presses forward to see._) + +THE ARCHIGALLUS (_continues_): + +"She loves the sound of resounding tympanums, the echo of dancing +feet, the howling of wolves, the sonorous mountains and the deep +gorges, the flower of the almond tree, the pomegranate and the green +fig, the whirling dance, the snoring flute, the sugary sap, the salty +tear,--blood! To thee, to thee!--Mother of the mountains!" + +(_They scourge themselves with their whips; and their chests resound +with the blows;--the skins of the tambourines vibrate almost to +bursting. They seize their knives; they gash their arms._) + +"She is sorrowful; let us be sorrowful! Thereby your sins will be +remitted. Blood purifies all--fling its red drops abroad like blossoms! +She, the Great Mother, demands the blood of another creature--of a pure +being!" + +(_The Archigallus raises his knife above the head of a lamb._) + +ANTHONY (_seized with horror_): + +"Do not slay the lamb!" + +(_There is a gush of purple blood. The priest sprinkles the crowd +with it; and all--including Anthony and Hilarion--standing around the +burning tree, silently watch the last palpitations of the victim._ + +_A Woman comes forth from the midst of the priests; she resembles +exactly the image within the little box._ + +_She pauses, perceiving before her a Young Man wearing a Phrygian +cap. His thighs are covered with a pair of narrow trousers, with +lozenge-shaped openings here and there at regular intervals, closed by +bow knots of coloured material. He stands in an attitude of languor, +resting his elbow against a branch of the tree, holding a flute in his +hand._) + +CYBELE (_flinging her arms about his waist_). + +"I have traversed all regions of the earth to join thee--and famine +ravaged the fields Thou hast deceived me! It matters not! I love thee! +Warm my body in thine embrace! Let us be united!" + +ATYS. "The springtime will never again return, O eternal Mother! +Despite my love, it is no longer possible for me to penetrate thy +essence! Would that I might cover myself with a painted robe like +thine! I envy thy breasts, swelling with milk, the length of thy +tresses, thy vast flanks that have borne and brought forth all +creatures! Why am I not thou?--Why am I not a woman?--No, never! depart +from me! My virility fills me with horror!" + +(_With a sharp stone he dismembers himself, and runs furiously from +her ..._ + +_The priests imitate the god; the faithful do even as the priests. Men +and women exchange garments, embrace;--and the tumult of bleeding flesh +passes away, while the sound of voices remaining, becomes even more +strident,--like the shrieking of mourners, like the voices heard at +funerals._ + +_ ... A huge catafalque, hung with purple, supports upon its summit an +ebony bed, surrounded by torches and baskets of silver filagree, in +which are verdant leaves of lettuce, mallow and fennel. Upon the steps +of the construction, from summit to base, sit women all clad in black, +with loosened girdles and bare feet, holding in their hands with a +melancholy air, great bouquets of flowers._ + +_At each corner of the estrade urns of alabaster, filled with myrrh, +slowly send up their smoke._ + +_Upon the bed can be perceived the corpse of a man. Blood flows from +his thigh. One of his arms hangs down lifelessly;--and a dog licks his +finger nails and howls._ + +_The row of torches placed closely together, prevents his face from +being seen; and Anthony feels a strange anguish within him. He fears +lest he should recognize some one._ + +_The sobs of the women cease--and after an interval of silence_,) + +ALL (_psalmody together_): + +"Fair! fair!--all fair he is! Thou hast slept enough!--lift thy +head!--arise! + +"Inhale the perfume of our flowers--narcissus--blossoms and anemones, +gathered in thine own gardens to please thee. Arouse thee! thou dost +make us fear for thee! + +"Speak to us! What dost thou desire? Wilt thou drink wine?--wilt thou +lie in our beds?--dost wish to eat the honeycakes which have the form +of little birds? + +"Let us press his lips,--kiss his breast! Now!--now!--dost thou not +feel our ring-laden fingers passing over thy body?--and our lips that +seek thy mouth?--and our tresses that sweep thy thighs? O faint God, +deaf to our prayers!" + +(_They cry aloud, and rend their faces with their nails; then all +rush,--and the howling of the dog continues in the silence._) + +"Alas! alas! Woe!--the black blood trickles over his snowy flesh! +See! his knees writhe!--his sides sink in! The bloom of his face hath +dampened the purple. He is dead, dead! O weep for him! Lament for him!" + +(_In long procession they ascend to lay between the torches the +offerings of their several tresses, that seem from afar off like +serpents, black or blond;--and the catafalque is lowered gently to the +level of, a grotto,--the opening of a shadowy sepulchre that yawns +behind it._ + +_Then_--) + +A WOMAN (_bends over the corpse. Her long hair, uncut, envelopes her +from head to feet. She sheds tears so abundantly that her grief cannot +be as that of the others, but more than human--infinite!_ + +_Anthony dreams of the Mother of Jesus. She speaks_:--) + +"Thou didst emerge from the Orient, and didst take me, all trembling +with the dew, into thy arms, O Sun! Doves fluttered upon the azure +of thy mantle; our kisses evoked low breezes among the foliage; and I +abandoned myself wholly to thy love, delighting in the pleasure of my +weakness. + +"Alas! alas--Why didst thou depart, to run upon the mountains! A boar +did wound thee at the time of the autumnal equinox! + +"Thou art dead; and the fountains weep,--the trees bend down. The wind +of winter whistles through the naked brushwood. + +"My eyes are about to close, seeing that darkness covers them! Now thou +dwellest in the underworld near the mightiest of my rivals. + +"O Persephone, all that is beautiful descends to thee, never to return!" + +(_Even while she speaks, her companions lift the dead, to place him +within the sepulchre. He remains in their hands! It was only a waxen +corpse._ + +_Wherefore Anthony feels something resembling relief._ + +_All vanish;--and the hut, the rocks, and the cross reappear._ + +_But upon the other side of the Nile, Anthony beholds a Woman, +standing in the midst of the desert._ + +_She retains in her hand the lower part of a long black veil that hides +all her face; supporting with her left arm a little child to whom she +is giving suck. A great ape crouches down in the sand beside her._ + +_She uplifts her head toward heaven; and in spite of the great +distance, her voice is distinctly heard_:) + +ISIS. "O Neith, Beginning of all things! Ammon, Lord of Eternity; +Pthah, demiurgos; Thoth, his intelligence; gods of the Amenthi, +particular triads of the Nomes,--falcons in the azure of heaven, +sphinxes before the temples, ibises perched between the horns of oxen, +planets, constellations, shore, murmurs of the wind, gleams of the +light,--tell me where I may find Osiris. + +"I have sought him in all the canals and all the lakes--aye, further +yet, even to Ph[oe]nician Byblos. Anubis, with ears pricked up, leaped +about me, and yelped, and thrust his muzzle searchingly into the tufts +of the tamarinds. + +"Thanks, good Cynocephalos--thanks to thee!" + +(_She gives the ape two or three friendly little taps upon the head._) + +"Hideous Typhon, the red-haired slew him, tore him in pieces! We have +found all his members. But I have not that which rendered me fecund!" + +(_She utters wild lamentations._) + +ANTHONY (_is filled with fury. He casts stones at her, reviles her._) + +"Begone! thou shameless one!--Begone!" + +HILARION. "Nay! respect her! Her religion was the faith of thy +fathers!--thou didst wear her amulets when thou wert a child in the +cradle!" + +ISIS. "In the summers of long ago, the inundation drove the impure +beasts into the desert. The dykes were opened, the boats dashed against +each other; the panting earth drank the river with the intoxication of +joy. Then, O God, with the horns of the bull, thou didst lie upon my +breast, and then was heard, the lowings of the Eternal Cow! + +"The seasons of sowing and reaping, of threshing and of vintage, +followed each other in regular order with the years. In the eternal +purity of the nights, broad stars beamed and glowed. The days were +bathed in never-varying splendour. Like a royal couple the Sun and the +Moon appeared simultaneously, at either end of the horizon. + +"Then did we both reign above a sublimer world, twin-monarchs, wedded +within, the womb of eternity--he bearing a concupha-headed sceptre; I, +the sceptre that is tipped with a lotus-flower; both of us erect with +hands joined; and the crumblings of empires affected not our attitude. + +"Egypt extended, below us, monumental and awful, long-shaped like the +corridor of a temple; with obelisks on the right, pyramids on the +left, and its labyrinth in the midst. And everywhere were avenues +of monsters, forests of columns, massive pylons flanking gates +summit-crowned with the mysterious globe--the globe of the world, +between two wings. + +"The animals of her Zodiac also existed in her pasture lands; and +filled her mysterious writing with their forms and colours. Divided +into twelve regions as the year is divided into-twelve months--each +month, each day also having its own god--she reproduced the immutable +order of heaven. And man even in dying changed not his face; but +saturated with perfumes, invulnerable to decay, he lay down to sleep +for three thousand years in another and silent Egypt. + +"And that Egypt, vaster than the Egypt of the living, extended beneath +the earth. + +"Thither one descended by dark stairways leading into halls where were +represented the joys of the good, the tortures of the wicked, all that +passes in the third and invisible world. Ranged along the wall the dead +in their painted coffins awaited their turn; and the soul, exempted +from migrations, continued its heavy slumber until the awakening into a +new life. + +"Nevertheless, Osiris sometimes came to see me. And by his ghost I +became the mother of Harpocrates." + +(_She contemplates the child._) + +"Aye! it is he. Those are his eyes; those are his locks, plaited into +ram horns! Thou shalt recommence his works. We shall bloom again like +the lotus. I am still the Great Isis!--none has yet lifted my veil! My +fruit is the Sun! + +[Illustration: I am still the Great Isis!—none has yet lifted +my veil! My fruit is the Sun!] + +"Sim of Springtime, clouds now obscure thy face! The breath of Typhon +devours the pyramids. But a little while ago I beheld the Sphinx flee +away. He was galloping like a jackal. + +"I look for my priests,--my priests clad in mantles of linen, with +their great harps, and bearing a mysterious bark, adorned with +silver pateras. There are no more festivals upon the lakes!--no more +illuminations in my delta!--no more cups of milk at Philæ! Apis has +long ceased to reappear. + +"Egypt! Egypt! thy great motionless gods have their shoulders already +whitened by the dung of birds; and the wind that passes over the desert +rolls with it and the ashes of thy dead!--Anubis, guardian of ghosts, +abandon me not!" + +(_The Cynocephalos has vanished. She shakes her child._) + +"But ... what ails thee ... thy hands are cold, thy head droops!" + +(_Harpocrates expires. Then she cries aloud with a cry so piercing, +funereal, heart-rending, that Anthony answers it with another cry, +extending his arms as to support her._ + +_She is no longer there. He lowers his face, overwhelmed by shame._ + +_All that he has seen becomes confused within his mind. It is like the +bewilderment of travel, the illness of drunkenness. He wishes to hate; +but a vague and vast pity fills his heart. He begins to weep, and weeps +abundantly._) + +HILARION. "What makes thee sorrowful?" + +ANTHONY (_after having long sought within himself for a reply_): + +"I think of all the souls that have been lost through these false gods!" + +HILARION. "Dost thou not think that they ... sometimes ... bear much +resemblance to the TRUE?" + +ANTHONY. "That is but a device of the Devil to seduce the faithful more +easily. He attacks the strong through the mind, the weak through the +flesh." + +HILARION. "But luxury, in its greatest fury, has all the +disinterestedness of penitence. The frenzied love of the body +accelerates the destruction thereof,--and proclaims the extent of the +impossible by the exposition of the body's weakness." + +ANTHONY. "What signifies that to me! My heart sickens with disgust +of these beautiful bestial gods, forever busied with carnages and +incests!" + +HILARION. "Yet recollect all those things in the Scripture which +scandalize thee because thou art unable to comprehend them! So also may +these Gods conceal under their sinful forms some mighty truth. There +are more of them yet to be seen. Look around!" + +ANTHONY. "No, no!--it is dangerous!" + +HILARION. "But a little while ago thou didst desire to know them! Is +it because thy faith might vacillate in the presence of lies? What +fearest thou?" + +(_The rocks fronting Anthony have become as a mountain. A line of +clouds obscures the mountain half way between summit and base; and +above the clouds appears another mountain, enormous, all green, +unequally hollowed by valleys nestling in its slopes, and supporting at +its summit, in the midst of laurel-groves a palace of bronze, roofed +with tiles of gold, and supported by columns having capitals of ivory._ + +_In the centre of the peristyle Jupiter,--colossal, with torso +nude,--holds Victory in one hand, his thunderbolts in the other; and +his eagle, perched between his feet, rears its head._ + +_Juno, seated near him, rolls her large eyes, beneath a diadem whence +her wind-blown veil escapes like a vapour._ + +_Behind them, Minerva, standing upon a pedestal, leans on her spear. +The skin of the Gorgon covers her breast, and a linen peplos falls in +regular folds to the nails of her toes. Her glaucous eyes, which gleam +beneath her vizor, gaze afar off, attentively._ + +_On the right of the palace, the aged Neptune bestrides a dolphin +beating with its fins a vast azure expanse which may be sea or sky, for +the perspective of the Ocean seems a continuation of the blue ether: +the two elements are interblended._ + +_On the other side weird Pluto in night-black mantle, crowned with +diamond tiara and bearing a sceptre of ebony, sits in the midst of an +islet surrounded by the circumvolutions of the Styx;--and this river of +shadow empties itself into the darknesses, which form a vast black gulf +below the cliff,--a bottomless abyss!_ + +_Mars, clad in brass, brandishes as in wrath his broad shield and his +sword._ + +_Hercules, leaning upon his club, gazes at him from below._ + +_Apollo, his face ablaze with light, grasps with outstretched right +arm the reins of four white horses urged to a gallop; and Ceres in her +ox-drawn chariot advances toward him with a sickle in her hand._ + +_Behind her comes Bacchus, riding in a very low chariot, gently drawn +by lynxes. Plump and beardless, with vine leaves garlanding his brow, +he passes by holding in his hand an overflowing cup of wine. Silenus +riding beside him reels upon his ass. Pan of the pointed ears, blows +upon his syrinx; the Mimalonæides beat drums; the Mænads strew +flowers; the Bacchantes turn in the dance with heads thrown back and +hair dishevelled._ + +_Diana, with tunic tucked up, issues from the wood together with her +nymphs._ + +_At the further end of a cavern, Vulcan among his Cabiri, hammers the +heated iron; here and there the aged Rivers leaning recumbent upon +green rocks pour water from their urns; the Muses stand singing in the +valleys_. + +_The Hours, all of equal stature, link hands; and Mercury poses +obliquely upon a rainbow, with his caduceus, winged sandals, and winged +petasus._ + +_But at the summit of the stairway of the Gods,--among clouds soft +as down, from whose turning volutes a rain of roses falls,--Venus +Anadyomene stands gazing at herself in a mirror:--her eyes move +languorously beneath their slumbrous lids._ + +_She has masses of rich blond hair rolling down over her shoulders; her +breasts are small; her waist is slender; her hips curve out like the +sweeping curves of a lyre; her thighs are perfectly rounded; there are +dimples about her knees; her feet are delicate: a butterfly hovers near +her mouth. The splendour of her body makes a nacreous-tinted halo of +bright light about her; while all the rest of Olympus is bathed in a +pink dawn, rising gradually to the heights of the blue sky._) + +ANTHONY. "Ah! my heart swells! A joy never known before thrills me to +the depths of my soul! How beautiful, how beautiful it is!" + +HILARION. "They leaned from the heights of cloud to direct the way of +swords; one used to meet them upon the high roads; men had them in +their houses--and this familiarity divinized life. + +"Life's aim was only to be free and beautiful. Nobility of attitude was +facilitated by the looseness of garments. The voice of the orator, +trained by the sea, rolled its sonorous waves against the porticoes of +marble. The ephebus, anointed with oil, wrestled all naked in the full +light of the sun. The holiest of actions was to expose perfection of +forms to all. + +"And these men respected wives, aged men, suppliants. + +"Behind the temple of Hercules there was an altar erected to Pity. + +"Victims were immolated with flowers wreathed about the fingers of the +sacrificer. Even memory was exempted from thoughts of the rottenness +of death. Nothing remained but a little pile of ashes. And the Soul, +mingling with the boundless ether, rose up to God." + +(_Bending to whisper in Anthony's ear_:--) + +"And they still live! The Emperor Constantine adores Apollo. Thou wilt +find the Trinity in Samothracian mysteries,--baptism in the religion of +Isis,--redemption in the faith of Mithra,--a martyrdom of a God in the +festivals of Bacchus. Prosperpine is the Virgin!... Aristæus is Jesus!" + +ANTHONY (_remains awhile with downcast eyes, as if in deep thought; +then suddenly repeats aloud the Symbol of Jerusalem, as he remembers +it, uttering a long sigh between each phrase_):-- + +"I believe in one only God, the Father,--and in one only Lord, Jesus +Christ,--the first born son of God, who was incarnated and made +man,--who was crucified, and buried,--who ascended into Heaven,--who +will come to judge the living and the dead,--of whose Kingdom there +shall be no end;--and in one Holy Spirit,--and in one baptism of +repentance,--and in one Holy Catholic Church,--and in the resurrection +of the flesh,--and in the life everlasting!" + +(_Immediately the cross becomes loftier and loftier; it pierces the +clouds, and casts its shadow upon the heaven of the gods._ + +_All grow pale;--Olympus shudders._ + +_And at its base Anthony beholds vast bodies enchained, sustaining the +rocks upon their shoulders,--giant figures half buried in the deeps +of caverns. These are the Titans, the Giants, the Hecatonchires, the +Cyclops._) + +A VOICE + +(_rises, indistinct and awful, like the far roar of leaves, like the +voice of forests in time of tempest, like the mighty moaning of the +wind among the precipices_): + +"We knew these things!--we knew them! There must come an end even for +the Gods! Uranus was mutilated by Saturn,--Saturn by Jupiter. And +Jupiter himself shall be annihilated. Each in his turn;--it is Destiny!" + +(_And little by little they sink into the mountain, and disappear._ + +_Meanwhile the golden tiles of the palace rise and fly away._) + +JUPITER (_has descended from his throne. At his feet the thunderbolts +lie, smoking like burning coals about to expire;--and the great eagle +bends its neck to pick up its falling feathers_): + +"Then I am no longer the master of all things,--most holy, most +mighty, god of the phatrias and Greek peoples,--ancestor of all the +Kings,--Agamemnon of heaven. + +"Eagle of apotheoses, what wind from Erebus has wafted thee to me? or, +fleeing from the Campus Martins, dost thou bear me the soul of the last +of the Emperors? + +"I no longer desire to receive those of men. Let the Earth keep them; +and let them move upon the level of its baseness. Their hearts are now +the hearts of slaves;--they forget injuries, forget their ancestors, +forget their oaths,--and everywhere the folly of crowds, the mediocrity +of individuals, the hideousness of races, hold sway!" + +(_He pants with such violence that his sides seem ready to burst +asunder; he clenches his hands. Weeping_, HEBE _offers him a cup. He +seizes it._) + +"No, no! So long as there shall be a brain enclosing a thought, in +whatsoever part of the world;--so long as there shall exist a mind +hating disorder, creating LAW,--so long will the spirit of Jupiter +live!" + +(_But the cup is empty. He turns its edge down over his thumbnail._) + +"Not one drop left! When the ambrosia fails, the Immortals must indeed +depart!" + +(_The cup drops from his hands; and he leans against a column, feeling +himself about to die._) + +JUNO. "Thou shouldst not have had so many amours! Eagle, bull, swan, +rain of gold, cloud and flame, thou didst assume all forms,--dissipate +thy light in all elements,--lose thy hair upon all beds! This time +the divorce is irrevocable; and our domination, our very existence, +dissolved." + +(_She passes away in air._) + +MINERVA (_has no longer her spear; and the ravens nesting among the +sculptures of the friezes, wheel about her, peeking at her helmet._) + +"Let me see whether my vessels cleave the bright sea, returning to my +three ports,--let me discover why the fields are deserted, and learn +what the daughters of Athens are now doing. + +"In the month of Hecatombeon my whole people came to worship me, under +the guidance of their magistrates and priests. Then, all in white robes +and wearing chitons of gold, they advanced the long line of virgins +bearing cups, baskets, parasols; then the three hundred sacrificial +oxen, and the old men having green boughs, the soldiers with clashing +of armour, the ephebi singing hymns, flute players, lyre players, +rhapsodists, dancing women;--and lastly attached to the mast of a +trireme mounted upon wheel, my great veil embroidered by virgins who +had been nourished in a particular way for a whole year. And when it +had been displayed in all the streets, in all the squares, and before +the temples, in the midst of the ever-chanting procession, it was borne +step by step up the hill of the Acropolis, grazed the Propylæa, and +entered the Parthenon.... + +"But a strange feebleness comes upon me,--me the Industrious One! What! +what! not one idea comes to me! Lo! I am trembling more than a woman!" + +(_She turns, beholds a ruin behind her, utters a cry, and stricken by a +fallen fragment, falls backward upon the ground._) + +HERCULES (_has flung away his lion-skin; and with feet firmly braced, +back arched, teeth clenched, he exhausts himself in immeasurable +efforts to bear up the mass of crumbling Olympus._) + +"I vanquished the Cercopes, the Amazons, and the Centaurs. Many were +the kings I slew. I broke the horn of the great river, Achelous. I cut +the mountains asunder; I freed nations from slavery; and I peopled +lands that were desolate. I travelled through the countries of Gaul; +I traversed the deserts where thirst prevails. I defended the gods +from their enemies; and I freed myself from Omphale. But the weight of +Olympus is too great for me. My arms grow feebler:--I die!" + +(_He is crushed beneath the ruins._) + +PLUTO. "It is thy fault, Amphytrionad;--wherefore didst thou descend +into my empire? + +"The vulture that gnaws the entrails of Tityus lifted its head;--the +lips of Tantalus were moistened;--the wheel of Ixion stopped. + +"Meanwhile the Kæres extended their claws to snatch back the escaping +ghosts; the Furies tore the serpents of their locks; and Cerberus +fettered by thee with a chain, sounded the death rattle in his throat, +and foamed at all his three mouths. + +"Thou didst leave the gate ajar; others have come. The daylight of men +has entered into Tartarus!" + +(_He sinks into the darkness._) + +NEPTUNE. "My trident can no longer call up the tempests. The monsters +that terrified of old, lie rotting at the bottom of the sea. + +"Amphitrite whose white feet tripped lightly over the foam, the green +Nereids seen afar off in the horizon, the scaly Sirens who stopped +the passing vessels to tell stories, and the ancient Tritons mightily +blowing upon their shells, all have passed away. All is desolate and +dead; the gaiety of the great Sea is no more!" + +(_He vanishes beneath the azure._) + +DIANA (_clad in black and surrounded by her dogs, which have been +changed into wolves_). + +"The freedom of the deep forests once intoxicated me; the odours of the +wild beasts and the exhalations of the marshes made me as one drank +with joy. But the women whose maternity I protected, now bring dead +children into the world. The moon trembles with the incantations of +witches. Desires of violence, of immensity, seize me, fill me! I wish +to drink poisons,--to lose myself in vapours, in dreams...!" + +(_And a passing cloud carries her away._) + +MARS (_unhelmed and covered with blood_). + +"At first I fought alone;--singlehanded I would provoke a whole army by +my insults,--caring nothing for countries or nations, demanding battle +for the pleasure of carnage alone. + +"Afterward I had comrades. They marched to the sound of flutes, in good +order, with equal step, respiring above their bucklers, with plumes +loftily nodding, lances oblique. Then on rushed to battle with mighty +eagle cries. War was joyous as a banquet. Three hundred men strove +against all Asia. + +"But the Barbarians are returning;--by myriads they come, by millions! +Ah! since numbers, and engines, and cunning are stronger than valour, +it were better that I die the death of the brave!" + +(_He kills himself._) + +VULCAN (_sponging the sweat from his limbs_): + +"The world is growing cold. The source of heat must be nourished, the +volcanoes and rivers of flowing metal underground. Strike harder!--with +full swing of the arms,--with might and main!" + +(_The Cabiri wound themselves with their hammers, blind themselves with +sparks, and groping, lose themselves in the darkness._) + +CERES (_standing in her chariot, impelled by wheels having wings at +their hubs_): + +"Stop! Stop! Ah! it was with good reason that the exclusion of +strangers, atheists, Epicureans, and Christians was commended! Now the +mystery of the basket has been unveiled; the sanctuary profaned: all is +lost!" + +(_She descends a precipitous slope--shrieking, despairing, tearing her +hair._) + +"Ah! lies, lies! Daira has not been restored to me. The voice of brass +calls me to the dead. This is another Tartarus, whence there is no +return! Horror!" + +(_The abyss engulfs her._) + +BACCHUS (_with a frenzied laugh_). + +"What matters it? The Archon's wife is my spouse! The law itself reels +in drunkenness! To me the new song, the multiplied forms! + +"The fire by which my mother was devoured, flows in my veins! Let it +burn yet more fiercely, even though I perish! + +"Male and female, complaisant to all, I abandon myself to you, +Bacchantes! I abandon myself to you, Bacchanalians!--and the vine shall +twine herself about the tree-trunks! Howl! dance! writhe! Loosen the +tiger and the slave!--rend flesh with ferocious bitings!" + +(_And Pan, Silenus, the Bacchantes, the Mimalonæides, and the +Mænads,--with their serpents, torches, sable masks,--cast flowers at +each other ... shake their tympanums, strike their thyrsi, pelt each +other with shells, devour grapes, strangle a goat, and tear Bacchus +asunder._) + +APOLLO (_furiously whipping his coursers, while his blanching locks are +falling from his head_): + +"I have left far behind me stony Delos, so pure that all now there +seems dead; and I must strive to reach Delphi ere its inspiring vapour +be wholly lost. The mules browse in its laurel groves. The Pythoness +has wandered away, and cannot be found. + +"By a stronger concentration of my power, I will obtain sublime hymns, +eternal monuments; and all matter will be penetrated by the vibrations +of my cithara!" + +(_He strikes the strings of the instrument. They burst, lashing his +face with their broken ends. He flings the cithara away; and furiously +whipping his quadriga, cries_): + +"No! enough of forms!--Further, higher!--to the very summit!--to the +realm of pure thought!" + +(_But the horses back, rear, dash the chariot to pieces. Entangled by +the harness, caught by the fragments of the broken pole, he falls head +foremost into the abyss._ + +[Illustration: ... he falls head foremost into the abyss.] + +_The sky is darkened._) + +VENUS (_blue with cold, shivering_): + +"Once with my girdle I made all the horizon of Hellas. + +"Her fields glowed with the roses of my cheeks; her shores were +outlined after the fashion of my lips; and her mountains, whiter than +my doves, palpitated beneath the hands of the statuaries. My spirit's +manifestation was found in the ordinances of the festivals, in the +arrangement of coiffures, in the dialogues of philosophers, in the +constitution of republics. But I have doted too much upon men! It is +Love that has dishonoured me!" + +(_She casts herself back weeping_): + +"This world is abominable;--there is no air for me to breathe! + +"O Mercury, inventor of the lyre, conductor of souls, take me away!" + +(_She places one finger upon her lips, and describing an immense +parabola, falls into the abyss._ + +_Nothing is now visible. The darkness is complete._ + +_Only, that from the eyes of Hilarion escape two flashes, two rays of +lurid light._) + +ANTHONY (_begins at last to notice his immense stature_): + +"Already several times, while thou wert speaking, it seemed to me thou +wert growing taller; and it was no illusion! How? Explain to me ... Thy +aspect terrifies me!" + +(_Footsteps are heard approaching._) + +"What is that?" + +HILARION (_extending his arm_): + +"Look!" + +(_Then, under a pale beam of moonlight, Anthony distinguishes an +interminable caravan defiling over the summit of the rocks;--and each +voyager, one after the other, falls from the cliff into the gulf below._ + +_First comes the three great gods of_ Samothrace,--AXIEROS, AXIOKEROS, +AXIOKERSA,--_united together as in a fascia, purple-masked, all with +hands uplifted._ + +_Æsculapius advances with a melancholy air, not even perceiving +Samos and Telesphorus, who question him with gestures of anguish._ +ELEAN SOSIPOLIS, _of python-form, rolls his coils toward the abyss._ +DOSIPOENA, _becomes dizzy, leaps in of her own accord._ BRITOMARTIS, +_shrieking with fear, clutches fast the meshes of her net. The Centaurs +come at a wild gallop, and roll pell-mell into the black gulf._ + +_Behind them, all limping, advance the bands of the mourning Nymphs. +Those of the meadows are covered with dust; those of the woods moan and +bleed; wounded by the axes of the woodcutters._ + +_The Gelludes, the Strygii, the Empusæ, all the infernal goddesses, +form one pyramid of blended fangs, vipers, and torches;--and seated +upon a vulture-skin at its summit, Eurynome, blue as the flies that +corrupt meat, devours her own arms._ + +_Then in one great whirl simultaneously disappear the bloody Orthia, +Hymina of Orchomenus, the Laphria of the Patræns, Aphia of Agina, +Bendis of Thrace, Stymphalia with thighs like a bird's. Triopas, in +lieu of three eyes, has now but three empty orbits. Erichthonius, his +legs paralysed, crawls upon his hands like a cripple._) + +HILARION. "What a pleasure, is it not!--to see them all in the +abjection of their death-agony! Climb up here beside me, on this rock; +and thou shalt be even as Xerxes, reviewing his army. + +"Beyond there, very far, dost thou behold that fair-bearded giant, +who even now lets fall his sword crimsoned with blood?--that is +the Scythian Zalmoxis between two planets,--Artimpasa, Venus, and +Orsiloche, the Moon. + +"Still further away, now emerging from pallid clouds, are the gods whom +the Cimmerians adore, even beyond Thule. + +"Their huge halls were warm, and by the gleam of swords that tapestried +the vault, they drank their hydromel from horns of ivory. They ate the +liver of the whale in dishes of brass wrought by the hammers of demons; +or, betimes, they listened to captive sorcerers whose fingers played +upon harps of stone. + +"They are feeble! They are cold! The snow makes heavy their bearskins; +and their feet show through the rents in their sandals. + +"They weep for the vast fields upon whose grassy knolls they were +wont to draw breath in pauses of battle; they weep for the long ships +whose prows forced a way through the mountains of ice;--and the skates +wherewith they followed the orb of the poles, upbearing at the length +of their mighty arms all the firmament that turned with them." + +(_A gust of frosty wind carries them off. Anthony turns his eyes +another way. And he perceives--outlined in black against a red +background--certain strange personages, with chinbands and gauntlets, +who throw balls at one another, leap over each other's heads, make +grimaces, dance a frenzied dance._) + +HILARION. "Those are the divinities of Etruria, the innumerable Æsars. + +"There is Tages, by whom augury was invented. With one hand he seeks to +augment the divisions of the sky; with the other he supports himself +upon the earth: let him sink therein! + +"Nortia gazes at the wall into which she drave nails to mark the number +of the passing years. Its whole surface is now covered; and the period +is accomplished. + +"Like two travellers overtaken by a storm, Kastur and Pulutuk, +trembling, seek to shelter themselves beneath the same mantle." + +ANTHONY (_closes his eyes_): + +"Enough! Enough!" + +(_But with a mighty noise of wings, all the Victories of the Capitol +pass through the air,--hiding their faces with their hands, dropping +the trophies hanging upon their arms._ + +_Janus,--lord of crepuscules,--flees upon a black ram; and one of his +two faces is already putrified; the other slumbers with fatigue._ + +_Summanus, the headless god of the dark heavens, presses against his +heart an odd cake shaped like a wheel._ + +_Vesta, beneath a ruined cupola, tries to relight her extinguished +lamp._ + +_Bellona gashes her cheeks,--without being able to make that blood flow +by which her devotees were purified._) + +ANTHONY. "Mercy!--they weary me!" + +HILARION. "Before, they amused thee!" + +(_And he shows him in a grove of bean-trees,_ A WOMAN, _naked.... +.........and a black man, holding in each hand a torch._[8]) + +"It is the goddess of Aricia, with the demon Virbius. Her sacerdote, +the King of the grove, had to be an assassin;[9] and the fugitive +slaves, the despoilers of corpses, the brigands of the Via Salaria, the +cripples of the Pons Sublicius, all the human vermin of the Suburra +worshipped no deities so fervently. + +"In the time of Marcus Antonius the patrician women preferred Libitina." + +(_And he shows him under the shadow of cypresses and rose-trees_, +ANOTHER WOMAN, _clad in gauze. Around her lie spades, litters, black +hangings, all the paraphernalia of funerals. She smiles. Her diamonds +shine afar off through spiders' webs. The Larvæ, like skeletons, show +their bones through the branches; and the Lemures, who are phantoms, +extend their bat-like wings._ + +_At the end of a field lies the god Terminus, uprooted, and covered +with ordures._ + +_In the centre of a furrow, the great corpse of Vertumnus is being +devoured by red dogs._ + +_The rustic deities all depart, weeping:--Sartor, Sarrator, Vervactor, +Collina, Vallona, Hostilinus--all wearing little hooded mantles, and +carrying either a hoe, a pitchfork, a hurdle, or a boar-spear._) + +HILARION. "Their spirits made prosperous the villa,--with its dovecots, +its parks of dormice, its poultry-yards protected by nets, its warm +stables fragrant with odours of cedar. + +"Also they protected all the wretched population who dragged the irons +upon their legs over the flinty ways of the Sabine country,--those who +called the swine together by sound of horn,--those who were wont to +gather the bunches at the very summits of the elms,--those who drove +the asses, laden with manure, over the winding bypaths. The panting +labourer, leaning over the handle of his plough, prayed them to give +strength to his arms; and under the shade of the lindens, beside +calabashes filled with milk, the cow-herds were wont, in turn, to sound +their praises upon flutes of reed." + +ANTHONY (_sighs._) + +(_And in the centre of a chamber, upon a lofty estrade, an ivory bed is +visible, surrounded by persons bearing torches of pine._) + +"Those are the deities of marriage. They await the coming of the bride. + +"Domiduca should lead her in,--Virgo unfasten her girdle,--Subigo place +her in the bed,--and Præma open her arms, and whisper sweet words into +her ear. + +"But she will not come!--and they dismiss the others:--Nona and Decima +who watch by sick-beds; the three Nixii who preside over child-birth; +the two nurses, Educa and Potina; and Carna, guardian of the cradle, +whose bouquet of hawthorne keeps evil dreams from the child. + +"Afterwards, Ossipago should strengthen his knees;--Barbatus give him +his first beard; Stimula inspire his first desires; Volupia grant him +his first enjoyment; Fabulimus should have taught him to speak, Numera +to count, Cam[oe]na to sing, Consus to reflect." + +(_This chamber is empty; and there remains only the centenarian Nænia +beside the bed,--muttering to herself the dirge she was wont to howl at +the funerals of aged men._ + +_But her voice is soon drowned by sharp cries. These are uttered by_-- + +_The_ LARES DOMESTICI, _crouching at the further end of the atrium, +clad in dog-skins, with flowers wreathed about their bodies,--pressing +their clenched hands against their cheeks, and weeping as loudly as +they can._) + +"Where is the portion of food we received at each repast, the kindly +care of the maid-servant, the smile of the matron, the merriment of +the little boys playing at knuckle-bones on the mosaic pavement of the +court-yard? When grown up, they used to hang about our necks their +bullæ of gold or leather! + +"What happiness it was, when on the evening of a triumph, the master, +entering, turned his humid eyes upon us! He would recount his combats; +and the little house would be prouder than a palace; sacred as a temple! + +"How sweet were the family repasts, above all on the morrow of the +Feralia! Tenderness for the dead appeased all discords; all kissed each +other, while drinking to the glories of the past, and the hopes of the +future. + +"But the ancestors, of painted wax, locked up behind us, are slowly +becoming covered with mold. The new races, visiting their own +deceptions upon us, have shattered our jaws; our wooden bodies are +disappearing piece-meal under the teeth of rats." + +(_And the innumerable gods, watching over doors, kitchens, cellars, +baths, disperse in every direction--under the form of enormous ants +running over the pavement, or great butterflies soaring away._ + +_Then a roll of thunder is heard._) + + +A VOICE: + +"I was the God of Armies, the Lord, the Lord God! I pitched the tents +of Jacob on the hills; and in the midst of the sands I nourished my +chosen people in their flight. + +"It was I who consumed the city of Sodom with fire! It was I who +overwhelmed the world with the waters of the Deluge! It was I that +drowned Pharaoh, with all the princes, sons of Kings,--making the sea +to swallow up his chariots of war, and his charioteers! + +"I, the Jealous God, held all other gods in abomination. I brayed the +impure in my anger; the mighty I cast down; and swiftly the desolation +of my wrath ran to the right and to the left, like a dromedary loosened +in a field of maize. + +"I chose the humble to deliver Israel. Angels, flame-winged, spake to +them from out the bushes. + +"Perfumed with spikenard, with cinnamon and myrrh, clad in transparent +robes, and shod with high-heeled sandals,--women of valiant heart went +forth to slay captains. The passing wind carried my prophets with it. + +"My law I graved upon tables of stone. Within that law my people were +enclosed, as within a strong citadel. They were my people. I was their +God! The land was mine; the men also belonged to me, together with +their every thought, and all their works, and the tools they wrought +with, and their prosperity. + +"My ark reposed within a triple sanctuary,--surrounded by curtains +of purple and lighted candelabra. I had a whole tribe to serve me as +servants, swinging censers; and the high-priest, robed in robes of +hyacinth, wore upon his breast precious stones disposed in symmetrical +order. + +"Woe! Woe! the Holy of Holies is open, the veil is rent, the perfumes +of the holocaust are dissipated by all the winds of heaven! The jackal +whines in the sepulchres; my temple is destroyed; my people dispersed! + +"The priests have been strangled with the girdles of their robes. The +women languish in captivity; the holy vessels have all been melted!" + +(_The voice, becoming more distant_): + +"I was the God of Armies; the Lord, the Lord God!" + +(_An enormous silence follows,--and deepest night._) + +ANTHONY. "All have passed away!" + +SOME ONE (_replies_): + +"I remain!" + +(_And Hilarion stands before him--but transfigured wholly,--beautiful +as an archangel, luminous as a sun, and so lofty that in order to +behold his face_-- + +ANTHONY + +_is compelled to throw back his head, to look up as though gazing as a +star_): + +"Who art thou?" + +HILARION. "My kingdom is vast as the universe; and my desire knows no +limits. I go on forever,--freeing minds, weighing worlds,--without +hatred, without fear, without pity, without love, and without God. Men +call me SCIENCE!" + +ANTHONY (_recoiling from him_): + +"Say, rather, that thou art ... the Devil!" + +HILARION (_fixing his eyes upon him_:) + +"Wouldst thou behold him?" + +ANTHONY (_cannot detach his eyes from that mighty gaze:--the curiosity +of the Devil comes upon him. His terror augments; yet his wish grows +even to boundlessness_): + +"Yet if I should see him ... if I were to see him!" + +(_Then in a sudden spasm of wrath_): + +"The horror that I have of him will free me from his presence +forever!... Yes!" + +(_A cloven foot appears. Anthony regrets his wish._ + +_But the Devil flings him upon his horns and bears him away._) + + + +[1] Matthew II: 10--T. + +[2] "Buddha, or more correctly, the Buddha, for Buddha is an +appellative meaning Enlightened."--Max Müller (Chips, Vol. I., 206). + +[3] Luke II: 25-26.--T. + +[4] Ibid II: 46-47.--T. + +[5] Or, Haoma, also Hom, the sacred plant, whose fermented juice +occupied an important place in the practical rites of Iran. Supposed +to be the same plant known in botany as _Sarcostemma viminalis._ +Deified in Iranian worship, like the sacred drink _Soma_ in the Vedic +hymns. The _Soma_ was the fermented extract of the _Asclepias acida_ +or _Sarcostemma ritalis._ See Marius Fontane, "L'Inde Védique," "Les +Iraniens."--Trans. + +[6] Apuleius says, "a silken mantle."--Trans. + +[7] Apuleius says, "strung with knuckle-bones of sheep."--Trans. + +[8] This scene, like certain paintings in the Naples museum, is all +suited for public exhibition.--Trans. + +[9] Readers will recollect the lines in Macaulay's _Lays of Ancient +Rome_: + +"Beneath Aricia's trees, + Those trees in whose dim shadow + A ghastly priest doth reign, + The priest who slew the slayer, + And must himself be slain." + + + + + +VI + + +(_He flies beneath him, outstretched like a swimmer; his vast-spreading +wings, wholly concealing him, seem like one huge cloud._) + +ANTHONY. "Whither do I go? But a little while ago I beheld in a glimpse +the form of the Accurst. Nay!--'tis a cloud that upbears me! Perhaps I +am dead, and am ascending to God.... + +"How freely I respire. The immaculate air seems to vivify my soul. No +sense of weight!--no more suffering. + +"Far below me the lightning breaks,--the horizon broadens, widens,--the +rivers cross each other. That blond-bright spot is the desert; that +pool of water the ocean! + +"And other oceans appear!--vast regions of which I knew nothing! +There are the countries of the blacks, which seem to smoke like +brasiers!--then is the zone of snows always made dim by fog! Would I +might behold those mountains where the sun, each evening, sinks to +rest!" + +THE DEVIL. "The sun never sinks to rest; the sun never rests!" + +(_Anthony is not surprised at this voice. It seems to him an echo of +his own thought--a response made by his own memory._ + +_Meanwhile the earth gradually assumes the shape of a ball; and he +beholds it in the midst of the azure, turning upon its poles, and +revolving with the sun._) + +THE DEVIL. "So it does not form the centre of the universe! Pride of +man! humiliate thyself!" + +ANTHONY. "Now I can scarcely distinguish it. It mingles confusedly with +other glowing worlds. The firmament itself is but one tissue of stars." + +(_And they still rise._) + +"No sound!--not even the hoarse cry of eagles! Nothing? I listen for +the harmony of the spheres." + +THE DEVIL. "Thou wilt not hear them! Nor wilt thou behold the +antichtonus of Plato,--or the central furnace of Philolaüs,--or the +spheres of Aristotle, or the seven heavens of the Jews, with the great +waters above the vault of crystal!" + +ANTHONY. "Yet from below the vault seemed solid as a wall!--on the +contrary I penetrate it, I lose myself in it!" + +(_And he beholds the moon,--like a rounded fragment of ice filled with +motionless light._) + +THE DEVIL. "Formerly it was the sojourn of souls! Even the good +Pythagoras adorned it with magnificent flowers, populated it with +birds!" + +ANTHONY. "I can see only desolate plains there, with extinct craters +yawning under a black sky! + +"Let us go towards those milder-beaming stars, that we may contemplate +the angels who uphold them at arms' length, like torches!" + +THE DEVIL (_bears him into the midst of the stars_): + +"They attract at the same time that they repel each other. The +action of each one results from that of others, and contributes +thereunto,--without the aid of any auxiliary, by the force of a law, +the virtue of order alone!" + +ANTHONY. "Yes!...yes! My intelligence grasps the great truth! It is +a joy greater than all tender pleasures! Breathless I find myself with +astonishment at the enormity of God!" + +THE DEVIL. "Even as the firmament ever rises as thou dost ascend, so +with the expansion of thy thought will He become greater to thee; and +after this discovery of the universe thou wilt feel thy joy augment +with the broadening and deepening of the infinite." + +ANTHONY. "Ah! higher!--higher still!--- forever higher!" + +(_Then the stars multiply, scintillate. The Milky Way develops in the +zenith like a monstrous belt, with holes at intervals; through these +rents in its brightness stretches of prolonged darkness are visible. +There are rains of stars, long trains of golden dust, luminous vapours +that float and dissolve. + +At times a comet suddenly passes by; then the tranquillity of +innumerable lights recommences. + +Anthony, with outstretched arms, supports himself upon the Devil's +horns, and thus occupies all the space between them. + +He remembers with disdain the ignorance of other days, the mediocrity +of his dreams. And now those luminous globes he was wont to gaze upon +from below, are close to him. He distinguishes the intercrossing of +the lines of their orbits, the complexity of their courses. He beholds +them coming from afar,--and, like stones suspended in a sling, describe +their circles, form their hyperbolas. + +He perceives, all within the field of his vision at once, the Southern +Cross and the Great Bear, the Lynx and the Centaur, the nebula of +Dorado, the six suns in the constellation of Orion, Jupiter with his +four satellites, and the triple ring of the monstrous Saturn!--all the +planets, all the stars that men will discover in the future. He fills +his eyes with their light; he over-burthens his mind with calculation +of their distances: then, bowing his head, he murmurs_): + +"What is the purpose of all that?" + +THE DEVIL. "There is no purpose. How could God have a purpose? What +experience could have instructed him?--what reflection determined him? + +[Illustration: Anthony: What is the purpose of all that? The +Devil: There is no purpose.] + +"Before the beginning he could not have acted;--and now his action +would be useless." + +ANTHONY. "Yet he created the world, at one time, by his word only." + +THE DEVIL. "But the beings that people the earth come upon it +successively. So also, in heaven, new stars arise--different effects of +varying causes." + +ANTHONY. "The varying of causes is the will of God!" + +THE DEVIL. "But to admit several acts of will in God is to admit +various causes, and therefore to deny his unity. + +"His will is inseparable from his essence. He can have but one will, +having but one essence; and inasmuch as he externally exists, he acts +eternally. + +"Contemplate the sun! From its surface leap vast jets of flame, casting +forth sparks that disperse beyond to become worlds here-after;--and +further than the last, far beyond those deeps where thou seest only +night, whirl other suns,--and behind them others again, and beyond +those yet others ... without end!" + +ANTHONY. "Enough! Enough! I fear!--I will fall into the abyss!" + +THE DEVIL (_pauses, and rocks Anthony gently in the midst of space_). + +"Nothingness is--not--there is no void! Everywhere and forever bodies +move upon the immovable deeps of space! Were there boundaries to +space, it would not be space, but a body only: it is limitless!" + +ANTHONY (_stupefied by wonder_): + +"Limitless!" + +THE DEVIL. "Ascend skyward forever and forever,--yet thou wilt not +attain the summit. Descend below the earth for billions of billions of +centuries: never wilt thou reach the bottom. For there is no summit, +there is no bottom; there is no Above, no Below--nor height, nor +depth as signified by the terms of human utterance. And Space itself +is comprised in God, who is not a portion thereof of such or such a +size,--but is Immensity itself!" + +ANTHONY (_slowly_): + +"Matter ..., then, ... must be a part of God?" + +THE DEVIL. "Why not? Canst thou know the end of God?" + +ANTHONY. "Nay: on the contrary, I prostrate, I crush myself beneath his +mightiness!" + +THE DEVIL. "And yet thou dost pretend to move him! Thou dost speak to +him,--thou dost even adorn him with virtues,--with goodness, justice, +mercy,--in lieu of recognising that all perfections are his! + +"To conceive aught beyond him is to conceive God above God, the Being +above the Being. For He is the only being, the only substance. + +"If the Substance could be divided, it would not be the Substance, it +would lose its nature: God could not exist. He is therefore indivisible +as infinite;--and if he had a body, he would be composed of parts, +he would not be One--he would not be infinite. Therefore he is not a +Person!" + +ANTHONY. "What? my prayers, my sobs, my groans, the sufferings of my +flesh, the transports of my love,--have all these things gone out to a +lie,--to emptiness, unavailingly--like the cry of a bird, like a whirl +of dead leaves?" + +(_Weeping_): + +"Oh, no!--there is Some One above all things,--a great Soul, a Lord, a +Father whom my heart adores and who must love me!" + +THE DEVIL. "Thou dost desire that God were not God;--for did he feel +love, or anger, or pity,--he would abandon his perfection for a greater +or a lesser perfection. He can stoop to no sentiment, nor be contained +in any form." + +ANTHONY. "One day, nevertheless, I shall see him!" + +THE DEVIL. "With the blessed, is it not?--when the finite shall enjoy +the infinite in some restricted place, containing the Absolute!" + +ANTHONY. "Matters not!--there must be a paradise for the good, as there +is a hell for the wicked." + +THE DEVIL. "Can the desire of thy mind create the law of the universe? +Without doubt evil is indifferent to God,--forasmuch as the Earth is +covered with it! + +"Is it through impotence that he endures it, or through cruelty that he +maintains it? + +"Dost thou fancy that he is eternally readjusting the world, like an +imperfect machine?--that he is forever watching the movements of all +beings, from the flight of a butterfly to the thought of a man? + +"If he have created the universe, his providence is superfluous. If +Providence exists, then creation is defective. + +"But evil and good concern only thee--even like night and day, pleasure +and pain, death and birth, which are relative only to one corner +of space, to a special centre, to a particular interest. Since the +Infinite is permanent, the Infinite is;--and that is all." + +(_The Devil's wings have been gradually expanding: now they cover all +space._) + +ANTHONY (_now perceives nothing: a great faintness comes upon him_): + +"A hideous cold freezes me, even to the depths of my soul! This is +beyond the extreme of pain! It is like a death that is deeper than +death! I roll in the immensity of darkness; and the darkness itself +enters within me. My consciousness bursts beneath this dilation of +nothingness!" + +THE DEVIL. "Yet the knowledge of things comes to thee only through the +medium of thy mind. Even as a concave mirror, it deforms the objects +it reflects; and thou hast no means whatever of verifying their +exactitude." + +"Never canst thou know the universe in all its vastness; consequently +it will never be possible for thee to obtain an idea of its cause, +to have a just notion of God, nor even to say that the universe is +infinite,--for thou must first be able to know what the Infinite is!" + +"May not Form be, perhaps, an error of thy senses,--Substance a figment +of thy imagination?" + +"Unless, indeed, that the world being a perpetual flux[1] of things, +appearance, on the contrary, be wholly true; illusion the only reality." + +"But art thou sure thou dost see?--art thou even sure thou dost live? +Perhaps nothing exists!" + +(_The Devil has seized Anthony, and, holding him at arms' length, +glares at him with mouth yawning as though to devour him_): + +"Adore me, then!--and curse the phantom thou callest God!" + +(_Anthony lifts his eyes with a last effort of hope._ + +_The Devil abandons him._) + + +[1] The original text seems to me slightly obscure. The idea of the +universe being a perpetual ebb and flow of shapes, is that of forms +passing away to reappear like waves, is that of the Nidana-Sutris: +"Individuality is only a form ... _Everything is only a flux of +aggregates_, interminably uniting and disuniting," as Barth observes in +his "Religions of India."--Trans. + + + + +VII + + +ANTHONY (_finds himself lying upon his back, at the verge of the cliff._ + +_The sky commences to blanch._) + +"Is it the glow of dawn, or only an effect of moonlight?" + +(_He tries to rise, falls back,--his teeth chattering_): + +"I feel such a helplessness of weakness, as though all my bones were +broken! + +"Why? + +"Ah! the Devil!--I remember!--he even repeated to me all that I +learned from the aged Didymus respecting the opinions of Xenophanes, +Heraclitus, of Melissus, of Anaxagoras,--concerning the infinite, the +creation, the impossibility of knowing anything! + +"And yet I believed that I could unite myself to God!" + +(_Laughing bitterly_): + +"Ah! madness! madness! Is the fault mine? Prayer has become +intolerable to me! My heart is dry as a rock! Once, it was wont to +overflow with love!... + +"The sand used to smoke of mornings like the odourous dust of a +censer;--at sunset flowers of fire used to bloom upon the cross; and in +the middle of the night, it often seemed as though all beings and all +things, lying under the same awful silence, were adoring the Lord with +me. O charms of prayer, felicities of ecstasy, gifts of heaven,--what +have become of you? + +"I remember a voyage I made with Ammon in search of a solitary place +suited for the establishment of a monastery. It was the last evening; +we hastened our steps, walked side by side, murmuring hymns, without +conversing. As the sun sank, the shadows of our bodies lengthened like +two obelisks, continually growing taller, and moving before us. Here +and there we planted crosses, made with fragments of our sticks, to +mark the site of a future cell. Night was tardy in her coming; and +waves of darkness overspread the earth, even while a vast rose-coloured +light still glowed in heaven. + +"When I was a child, I used to amuse myself by building hermitages +with pebbles. My mother sitting beside me would watch me so attentively! + +"Will she not have cursed me for having abandoned her?--will she not +have plucked out her white hair by handfuls in the despair of her +grief? And her corpse remains lying on the floor of the hut, under the +roof of reeds, between the crumbling walls. Through an orifice a hyena, +snuffing, thrusts his head, advances his mouth ... horror! horror!" + +(_Sobbing_): + +"No: Ammonaria will not have abandoned her! Where is she +now,--Ammonaria? + +"Perhaps at the further end of a bathroom, she removes her garments +one after the other: first the mantle, then the girdle, then the first +tunic, the second lighter tunic, all her necklaces,--and the vapour +of cinnamon envelops her naked limbs. At last she lies down upon the +tepid mosaic. Her long hair spreading below the curve of her hips, +seems like a sable fleece; and the oppressiveness of the heated air +causes her to pant; her waist arched, her breasts standing out ... +What! my flesh rebels again! Even in the midst of grief am I tortured +by concupiscence. To be subjected thus unto two tortures at once is +beyond endurance! I can no longer bear myself!" + +(_He leans over, and gazes into the abyss._) + +"The man who should fall would be killed. Nothing easier: it were only +necessary to roll over upon my left side:--only one movement--one!" + +(_Then suddenly appears_--AN AGED WOMAN. _Anthony starts to his feet in +affright. It seems to him that he beholds his mother arisen._ + +_But this woman is far older, and prodigiously thin._ + +_A shroud, knotted about her head, hangs down, together with her white +hair, so as to cover her legs, slender as crutches. The brilliancy of +her ivory-coloured teeth make her earthy skin darker still. The orbits +of her eyes are full of shadow; and far back within them two flames +vacillate, like the lamps of sepulchres._ + +_She exclaims_): + +"Advance! What hinders thee?" + +ANTHONY (_stammering_): + +"I fear ... to commit a sin!" + +SHE (_replies_): + +"But King Saul killed himself! Razias, a just man, killed himself! +Saint Pelagia of Antioch killed herself! Dommina of Aleppo and her two +daughters--all three saints--killed themselves: and remember also how +many confessors delivered themselves up to the executioner in their +impatient longing for death! That they might enjoy death more speedily, +the virgins of Miletus strangled themselves with their girdles. At +Syracuse the philosopher Hegesias preached so eloquently upon death +that men deserted the lupanars to go hang themselves in the fields. The +patricians of Borne sought for death as a new form of debauch." + +ANTHONY. "Aye! the love of death is strong; and many a anchorite has +succumbed to it." + +THE OLD WOMAN. "To do that which will make thee equal unto God--think! +He created thee: thou wilt destroy his work--thou! and by thy +courage,--of thy own free will! The enjoyment that Erostratus knew was +not greater than this. And moreover thy body has so long mocked thy +soul that it is full time thou shouldst take vengeance upon it. Thou +wilt not suffer. It will soon be over. Of what art thou afraid?--a +wide, black hole! Perhaps it is a void!" + +[Illustration: The Old Woman: Of what art thou afraid?—a wide, +black hole! Perhaps it is a void!] + +(_Anthony hearkens without replying; and upon the other side appears_-- + +ANOTHER WOMAN--_young and marvellously beautiful. At first he takes +her to be Ammonaria. But she is taller, blond as honey, very plump, +with paint upon her cheeks and roses upon her head. Her long robe, +weighty with spangles, gleams with metallic lustre;--her fleshy lips +are sanguinolent; and her somewhat heavy eyelids are so drowned with +languor that one would almost take her to be blind._ + +_She murmurs_): + +"Nay, live! enjoy! Solomon counsels joy! Follow the guiding of thy +heart and the desire of thine eyes!" + +ANTHONY. "What joy is there for me? My heart is weary; my eyes are dim!" + +SHE (_answers_): + +"Seek the suburb of Racotis; push open a door that is painted +blue;--and when thou shalt be in the atrium where a fountain jet +murmurs unceasingly, a woman will present herself before thee--in +peplos of white silk striped with gold; her hair is unloosed, her +laugh like the clatter of crotali. She is skilful. In her caress thou +wilt taste the pride of initiation and the appeasement of desire. + +"Hast ever pressed to thy bosom a virgin who loved thee? Dost remember +the surrenders of her modesty,--the passing away of her remorse in a +sweet flow of tears? + +"Thou canst even now imagine thyself walking with her--canst thou +not?--in the wood by the light of the moon? At each pressure of your +joined hands, a sweet shuddering passes through you both,--looking +closely into each other your eyes seem to outpour into one another +something like immaterial fluid;--and thy heart fills: it bursts: it is +a suave whirl of eddying passion, an overflowing of intoxication...." + +THE OLD WOMAN. "One need not possess joys in order to taste their +bitterness! Even to view them from afar off begets loathing of them. +Thou must be fatigued by the monotony of the same actions, the length +of the days, the hideousness of the world, the stupidity of the sun?" + +ANTHONY. "Aye, indeed!--I loathe all that he shines upon." + +THE YOUNG WOMAN. "Hermit! hermit! thou wilt find diamonds among the +flints, fountains beneath the sand, a delectation in all the hazards +thou dost despise; and there are even upon earth places of such beauty +that the sight of them would make thee desire to press the whole world +against thy heart with love!" + +THE OLD WOMAN. "Each evening that thou liest down upon the earth to +slumber, thou dost hope that it may soon lie upon thee and cover thee." + +THE YOUNG WOMAN. "Yet thou dost believe in the resurrection of the +flesh--which is but the translation of life into eternity!" + +(_Even as she speaks, the Old Woman becomes still more fleshless; and +above her skull, from which the white hair has disappeared, a bat +circles in the air._ + +_The Young Woman has become fatter. Her robe gleams with shifting +colours; her nostrils palpitate, her eyes roll softly._) + +THE FORMER (_opening her arms, exclaiming_): + +"Come to me!--I am Consolation, repose, oblivion, eternal calm!" + +THE OTHER. + +"I am the sleep-giver, life, happiness inexhaustible!" + +(_Anthony turns to fee from them. Each lays a hand on his shoulder._ + +_The Shroud parts, exposes the Skeleton of Death._ + +_The robe splits asunder, and leaves the whole body of Lust +exposed:--her waist is slender; her long and undulating hair flutters +in the wind._ + +_Anthony stands motionless between the two, considering them_): + +DEATH (_says to him_): + +"What matters it, whether now or at another time! Thou art mine,--like +suns, nations, cities, kings, mountain-snows, and the grasses of the +fields. I fly higher than the hawks of heaven. I run more swiftly than +the gazelle; I overtake even Hope; I vanquished the Son of God!" + +LUST. "Resist not! I am the Omnipotent! The forests re-echo with my +sighs; the waters tremble with my agitations. Virtue, courage, piety, +dissolve in the perfume of my mouth. Man I accompany in every step +that he makes; and even from the threshold of the tomb he turns to me!" + +DEATH. "I will find for thee that which thou hast vainly sought for, +by the gleam of torches, upon the faces of the dead,--or among those +awful sands that are formed of human remains, where thou wast wont to +wander beyond the Pyramids. From time to time, the fragment of a skull +rolled under thy sandal. Thou didst take up the dust: thou didst let it +trickle through thy fingers; and thy thought, blending with it, sank +into nothingness." + +LUST. "My gulf is deeper! Marbles have inspired loves. Men rush to +conjunctures that terrify. Fetters are riveted that the fettered curse. +Whence the bewitchment of courtesans, the extravagance of dreams, the +immensity of my sadness?" + +DEATH. "Mine irony depasseth all others! There are convulsions of +delight at the funerals of kings, at the extermination of a whole +people; and war is made with music, with plumes, with harness of +gold,--with vast display of ceremony that my due of homage may be +greater!" + +[Illustration: Death: Mine irony depasseth all others!] + +LUST. "My rage equals thine! I also yell; I bite! I, too, have sweats +of agony, and aspects cadaverous!" + +DEATH. "It is I that make thee awful! Let us intertwine!" + +[Illustration: Death: It is I that make thee awful! Let us +intertwine!] + +(_Death laughs mockingly; Lust roars. They clasp each other about the +waist, and chant alternately_): + +"I hasten the dissolution of matter!" + +"I facilitate the dispersion of germs!" + +"Thou dost destroy for my renovations!" + +"Thou dost engender for my destructions!" + +"Ever-active my power!" + +"Fecund, my putrefaction!" + +(_And their voices, whose rolling echoes fill the horizon, deepen and +become so mighty that Anthony falls backward as if thunder-stricken. A +shock from time to time causes him to reopen his eyes; and he perceives +in the midst of the darkness a manner of monster before him._ + +_It is a skull, crowned with roses, dominating the torso of a woman +nacreously white. Below, a shroud starred with specks of gold forms +something like a tail; and the whole body undulates, after the fashion +of a gigantic worm erect on end._ + +_The vision attenuates,--disappears._) + +ANTHONY (_rising to his feet_): + +"The Devil yet again, and under his two-fold aspect: the spirit of +fornication, and the spirit of destruction. + +"Neither affrights me! I repel happiness; and I know myself to be +eternal. + +"Thus death is only an illusion, a veil-masking betimes the continuity +of life. + +"But Substance being unique, wherefore should forms be varied? + +"Somewhere there must be primordial figures, whose bodily forms are +only symbols. Could I but see them, I would know the link between +matter and thought; I would know in what Being consists. + +[Illustration: Anthony: Somewhere there must be primordial +figures, whose bodily forms are only symbols.] + +"Such were the figures painted at Babylon upon the walls of the +temple of Belus; and others like them covered a mosaic in the port of +Carthage. I myself have sometime beheld in the sky, as it were, forms +of spirits. Those who cross the desert meet with animals surpassing all +conception...." + +[Illustration: I myself have sometime beheld in the sky, as it +were, forms of spirits.] + +(_And opposite, upon the further side of the Nile, suddenly appears +the Sphinx.[1] He stretches his paws, shakes the bandelets upon his +forehead, and crouches upon his belly._ + +_Leaping, flying, spitting fire through her nostrils, lashing her +winged sides with her dragon-tail, the green-eyed Chimera circles, +barks._ + +_The thick curls of her head tossed back upon one side mingle with +the hair of her loins; on the other side they hang down to the sand, +quivering with the swinging of her body, to and fro._) + +THE SPHINX (_remaining motionless, and gazing at the Chimera_): + +"Hither, Chimera! rest awhile!" + +THE CHIMERA. "No! never!" + +THE SPHINX. "Do not run so fast, do not fly so high, do not bark so +loudly!" + +THE CHIMERA. "DO not call me!--call me no more; since thou must remain +forever dumb." + +THE SPHINX. "Cease casting thy flames in my face, and uttering thy +yells in my ear: thou canst not melt my granite." + +THE CHIMERA. "Thou shalt not seize me, terrible sphinx!" + +THE SPHINX. "Thou art too mad to dwell with me!" + +THE CHIMERA. "Thou art too heavy to follow me!" + +THE SPHINX. "Yet whither goest thou, that thou shouldst run so fast?" + +THE CHIMERA. "I gallop in the corridors of the Labyrinth--I hover above +the mountains--I graze the waves in my flight--I yelp at the bottom of +precipices--I suspend myself with my mouth from the skirts of clouds--I +sweep the shores with my dragging tail; and the curves of the hills +have taken their form from the shape of my shoulders! But thee I find +perpetually immobile, or perhaps making strange designs with thy claws +upon the sand." + +THE SPHINX. "It is because I keep my secret;--I dream and calculate. + +"The sea returns to its bed; the wheat bends back and forth in the +wind; the caravans pass by; the dust flies; cities crumble; and yet +my gaze, which naught can deviate, remains fixed, gazing through all +intervening things, upon a horizon that none may reach." + +[Illustration: The Sphinx: ... and yet my gaze, which naught +can deviate, remains fixed, gazing through all intervening +things, upon a horizon that none may reach. The Chimera: I am +light and joyous!] + +THE CHIMERA. "I am light and joyous! I offer to the eyes of men +dazzling perspectives with Paradise in the clouds above, and +unspeakable felicity afar off. Into their souls I pour the eternal +madnesses; projects of happiness, plans for the future, dreams of glory +and vows of love, and all virtuous resolutions. + +"I urge men to perilous voyages and great enterprises. I have chiselled +with my claws the wonders of architecture. It was I who suspended the +little bells above the tomb of Porsenna, and surrounded the quays of +Atlantis with a wall of orichalcum. + +"I seek for new perfumes, for vaster flowers, for pleasures never felt +before. If I perceive in any place a man whose mind reposes in wisdom, +I fall upon him, and strangle him." + +THE SPHINX. "All those tormented by the desire of God, I have devoured. + +"In order to climb up to my royal brow, the strongest ascend upon the +flutings of my bandelets as upon the steps of a stairway. Then a great +lassitude comes upon them, and they fall backward." + +(_Anthony begins to tremble._ + +_He is no longer before his cabin, but in the desert itself, with those +two monsters beside him, whose breath is hot upon his shoulders._) + +THE SPHINX. "O thou Fantasy, bear me away upon thy wings that my +sadness may be lightened!" + +THE CHIMERA. "O thou Unknown, I am enamoured of thine eyes! Like a +hyena in heat I turn about thee, soliciting those fecundations whereof +the desires devour me! + +"Ope thy mouth, lift thy feet--mount upon my back!" + +THE SPHINX. "My feet, since they have been outstretched, can move no +more. The lichen, like an eruption, has formed upon my jaws. By dint of +long dreaming I have no longer aught to say." + +THE CHIMERA. "Thou liest, hypocrite Sphinx! Wherefore dost thou always +call me and always disown me!" + +THE SPHINX. "It is thou, indomitable caprice, that dost forever pass +and repass, whirling in thy course!" + +THE CHIMERA. "Is the fault mine? What? Let me be!" + +(_She barks._) + +THE SPHINX. "Thou movest away! thou dost escape me!" + +(_He growls._) + +THE CHIMERA. "Essay!--Thou crushest me!" + +THE SPHINX. "Nay!--impossible!" + +(_And gradually sinking down he disappears in the sand; while the +Chimera, ramping with tongue protruding, departs, describing circles on +her way._ + +_The breath of her mouth has produced a fog._ + +_Through this mist Anthony perceives wreathings of clouds, undecided +curves._ + +_At last he can distinguish something like the appearance of human +bodies._ + +_And first_:-- + +THE ASTOMI--_approach, like bubbles of air traversed by sunlight. They +cry_): + +"Do not breathe too hard! The drops of rain bruise us, false notes +excoriate us, darknesses blind us! Composed wholly of breezes and of +perfumes, we float along, we roll along:--a little more than Dreams, +yet not quite beings...." + +THE NISNAS + +(_have only one eye, one cheek, one hand, one leg, half a body, half a +heart. They say_): + +"We live quite in our halves of houses, with our halves of wives and +our halves of children!" + +THE BLEMMYES + +(_who have no head at all_): + +"Our shoulders are all the broader;--and there is no ox, rhinoceros, or +elephant able to carry what we carry. + +"Something dimly resembling features--as it were a vague +face--imprinted upon our breasts: that is all! We think digestions; we +subtleize secretions. God, in our belief, floats peacefully within the +interior chyles. + +"We go straight upon our way, through all mires, crossing all morasses, +skirting the edges of all abysses: and we are the most laborious, the +most happy, the most virtuous of all peoples!" + +THE PYGMIES: + +"We, good little men, swarm upon the world like vermin upon the hump of +a dromedary. + +"We are burned, drowned, crushed; and we always reappear, more +vivacious and countless than before--terrible by reason of our numbers!" + +THE SCIAPODS: + +"Fettered to the earth by our hair, long as lianas, we vegetate beneath +the shelter of our feet, broad as parasols; and the light comes to us +through the thickness of our heels. No annoyances for us, no work! The +head as low as possible--That is the secret of happiness." + +[Illustration: The Sciapods: The head as low as possible—That is +the secret of happiness.] + +(_Their lifted thighs,--resembling the trunks of trees,--multiply._ + +_And a forest appears. Great apes clamber through it on all +fours:--these are men with the heads of dogs._) + +THE CYNOCEPHALI: + +"We leap from branch to branch in search of eggs to suck; and we pluck +the little fledglings alive; then we put their nests upon our heads in +lieu of caps. + +"We tear off the teats of cows; and we put out the eyes of lynxes: +we let fall our dung from the heights of the trees--we parade our +turpitude in the full light of the sun. + +"Lacerating the flowers, crushing the fruits, befouling the springs, +violating women, we are the masters of all,--by the strength of our +arms, and the ferocity of our hearts. + +"Ho! companions!--gnash with your jaws!" + +(_Blood and milk pour down their chops. The rain streams over their +hairy backs._ + +_Anthony inhales the freshness of the green leaves._ + +_There is a movement among them, a clashing of branches; and all of +a sudden appears a huge black stag, with the head of a bull, having +between his ears a thicket of white horns._) + +THE SADHUZAG: + +"My seventy-four antlers are hollow like flutes. + +"When I turn me toward the wind of the South, there issue from them +sounds that draw all the ravished animals around me. The serpents twine +about my legs; the wasps cluster in my nostrils; and the parrots, the +doves, the ibises, alight upon the branches of my horns. + +"Listen!" + +(_He throws back his horns, whence issues a music of sweetness +ineffable._ + +_Anthony presses both hands upon his heart. It seems to him as though +his soul were being borne away by the melody._) + +THE SADHUZAG: + +"But when I turn me toward the wind of the North, my antlers, more +thickly bristling than a battalion of lances, give forth a sound of +howlings: the forests are startled with fear; the rivers remount toward +their sources; the husks of fruits burst open; and the bending grasses +stand erect on end, like the hair of a coward. + +"Listen!" + +(_He bends his branching antlers forward: hideous and discordant cries +proceed from them. Anthony feels as though his heart were torn asunder._ + +_And his horror augments upon beholding_)-- + +THE MARTICHORAS + +(_A gigantic red lion, with human face, and three rows of teeth_): + +"The gleam of my scarlet hair mingles with the reflection of the great +sands. I breathe through my nostrils the terror of solitudes. I spit +forth plague. I devour armies when they venture into the desert. + +"My claws are twisted like screws, my teeth shaped like saws; and my +curving tail bristles with darts which I cast to right and left, before +and behind! + +"See! see!" + +(_The Martichoras shoots forth the keen bristles of his tail, which +irradiate in all directions like a volley of arrows. Drops of blood +rain down, spattering upon the foliage._) + +THE CATOBLEPAS + +(_A black buffalo with a pig's head, falling to the ground, and +attached to his shoulders by a neck long, thin, and flaccid as an empty +gut._ + +_He wallows flat upon the ground, and his feet entirely disappear +beneath the enormous mane of coarse hair which covers his face_): + +"Fat, melancholy, fierce--thus I continually remain, feeling against +my belly the warmth of the mud. So heavy is my skull that it is +impossible for me to lift it. I roll it slowly all around me, +open-mouthed; and with my tongue I tear up the venemous plants bedewed +with my breath. Once, I even devoured my own feet without knowing it! + +"No one, Anthony, has ever beheld mine eyes,--or at least, those who +have beheld them are dead. Were I to lift my eyelids--my pink and +swollen eyelids, thou wouldst forthwith die!" + +ANTHONY. "Oh, that one! Ugh! As though I could desire it?--Yet his +stupidity fascinates me! No, no! I will not!" + +(_He gazes fixedly upon the ground._ + +_But the weeds take fire; and amidst the contorsions of the flames, +arises_)-- + +THE BASILISK + +(_A great violet serpent, with trilobate crest, and two fangs, one +above, one below_): + +"Beware, lest thou fall into my jaws! I drink fire. I am fire!--and I +inhale it from all things: from clouds, from flints, from dead trees, +the fur of animals, the surface of marshes. My temperature maintains +the volcanoes: I lend glitter to jewels: I give colours to metals!" + +THE GRIFFIN + +(_A lion with a vulture's beak, and white wings, red paws and blue +neck_): + +"I am the master of deep splendours. I know the secrets of the tombs +wherein the Kings of old do slumber. + +"A chain, issuing from the wall, maintains their heads upright. Near +them, in basins of porphyry, the women they loved float upon the +surfaces of black liquids. Their treasures are all arrayed in halls, in +lozenge-shaped designs, in little heaps, in pyramids;--and down below, +far below the tombs, and to be reached only after long travelling +through stifling darkness, there are rivers of gold bordered by forests +of diamonds, there are fields of carbuncles and lakes of mercury. + +"Addossed against the subterranean gate I remain with claws uplifted; +and my flaming eyes spy out those who seek to approach. The vast and +naked plain that stretches away to the end of the horizon is whitened +with the bones of travellers. But for thee the gates of bronze shall +open; and thou shalt inhale the vapour of the mines, thou shalt descend +into the caverns.... Quick! quick!" + +(_He burrows into the earth with his paws, and crows like a cock._ + +_A thousand voices answer him. The forest trembles._ + +_And all manner of frightful creatures arise:--The Tragelaphus, half +deer, half ox; the Myrmecoles, lion before-and ant behind, whose +genitals are set reversely; the python Askar, sixty cubits long, that +terrified Moses; the huge weasel Pastinaca, that kills the trees with +her odour; the Presteros, that makes those who touch it imbecile; +the Mirag, a horned hare, that dwells in the islands of the sea. The +leopard Phalmant bursts his belly by roaring; the triple-headed bear +Senad tears her young by licking them with her tongue; the dog Cepus +pours out the blue milk of her teats upon the rocks. Mosquitoes begin +to hum, toads commence to leap; serpents hiss. Lightnings flicker. Hail +falls._ + +_Then come gusts, bearing with them marvellous anatomies:--Heads of +alligators with hoofs of deer; owls with serpent tails; swine with +tiger-muzzles; goats with the crupper of an ass; frogs hairy as bears; +chameleons huge as hippopotami; calves with two heads, one bellowing, +the other weeping; winged bellies flitting hither and thither like +gnats._ + +_They rain from the sky, they rise from the earth, they pour from the +rocks; everywhere eyes flame, mouths roar, breasts bulge, claws are +extended, teeth gnash, flesh clacks against flesh. Some crouch; some +devour each other at a mouthful._ + +_Suffocating under their own numbers, multiplying by their own contact, +they climb over one another; and move about Anthony with a surging +motion as though the ground were the deck of a ship. He feels the trail +of snails upon the calves of his legs, the chilliness of vipers upon +his hands:--and spiders spinning about him enclose him within their +network._ + +_But the monstrous circle breaks, parts; the sky suddenly becomes blue; +and_)-- + +THE UNICORN (_appears_): + +"Gallop! Gallop! + +"I have hoofs of ivory, teeth of steel; my head is the colour of +purple, my body the colour of snow; and the horn of my forehead is +bestreaked with the tints of the rainbow. + +"I travel from Chaldea to the Tartar desert,--upon the shores of the +Ganges and in Mesopotamia. I overtake the ostriches. I run so swiftly +that I draw the wind after me. I rub my back against the palm-trees. I +roll among the bamboos. I leap rivers with a single bound. Doves fly +above me. Only a virgin can bridle me. + +"Gallop! Gallop!" + +(_Anthony watches him depart._ + +_And as he gazes he beholds all the birds that nourish themselves +with wind: the Gouith, the Ahuti, the Alphalim, the Iukneth, of the +mountains of Kaf, the homai of the Arabs--which are the souls of +murdered men. He hears the parrots that utter human speech; and the +great Pelasgian palmipeds that sob like children or chuckle like old +women._ + +_A saline air strikes his nostrils. Now a vast beach stretches before +him._ + +_In the distance jets of water arise, spouted by whales; and from the +very end of the horizon come_)-- + +THE BEASTS OF THE SEA + +(_round as wineskins, flat as blades, denticulated like saws, dragging +themselves over the sand as they approach_): + +[Illustration: The beasts of the sea round as wineskins ...] + +"Thou wilt accompany us to our immensities, whither as yet no one has +descended. + +"Divers peoples inhabit the countries of the Ocean. Some dwell in the +sojourn of tempests; others swim freely amid the transparency of chill +waves;--or, like oxen, graze upon the coral plains, or suck in through +their trunks the reflux of the tides,--or bear upon their shoulders the +vast weight of the sources of the sea." + +[Illustration: Divers peoples inhabit the countries of the Ocean.] + +(_Phosphorences gleam in the moustaches of the seals, shift in the +scales of fish. Echini whirl like wheels; ammonites uncoil like cables; +oysters make their shell hinges squeak; polypi unfold their tentacles; +medusæ quiver like balls of crystal suspended; sponges float hither and +thither, anemones ejaculate water; wrack and sea-mosses have grown all +about._ + +_And all sorts of plants extend themselves into branches, twist +themselves into screws, lengthen into points, round themselves out like +fans. Gourds take the appearance of breasts; lianas interlace like +serpents._ + +_The Dedaims of Babylon, which are trees, bear human heads for fruit; +Mandragoras sing;--the root Baaras runs through the grass._ + +_And now the vegetables are no longer distinguishable from the animals. +Polyparies that seem like trees, have arms upon their branches. Anthony +thinks he sees a caterpillar between two leaves: it is a butterfly that +takes flight. He is about to step on a pebble: a grey locust leaps +away. One shrub is bedecked with insects that look like petals of +roses; fragments of ephemerides form a snowy layer upon the soil._ + +_And then the plants become confounded with the stones._ + +_Flints assume the likeness of brains; stalactites of breasts; the +flower of iron resembles a figured tapestry._[2] + +_He sees efflorescences in fragments of ice, imprints of shrubs and +shells--yet so that one cannot detect whether they be imprints only, or +the things themselves. Diamonds gleam like eyes; metals palpitate._ + +_And all fear has departed from him! He throws himself down upon the +ground, and leaning upon his elbows, watches breathlessly._ + +_Insects that have no stomachs persistently eat; withered ferns bloom +again and reflower; absent members grow again._ + +_At last he perceives tiny globular masses, no larger than pinheads, +with cilia all round them. They are agitated with a vibratile motion_): + +ANTHONY (_deliriously_): + +"O joy! O bliss! I have beheld the birth of life! I have seen the +beginning of motion! My pulses throb even to the point of bursting! +I long to fly, to swim, to bark, to bellow, to howl! Would that I +had wings, a carapace, a shell,--that I could breathe out smoke, +wield a trunk,--make my body writhe,--divide myself everywhere,--be +in everything,--emanate with odours,--develop myself like the +plants,--flow like water,--vibrate like sound--shine like light, +squatting upon all forms--penetrate each atom--descend to the very +bottom of matter,--be matter itself!" + +(_Day at last appears;--and, like tabernacle curtains uplifted, clouds +of gold uprolling in broad volutes unveil the sky._ + +_Even in the midst thereof, and in the very disk of the sun, beams the +face of Jesus Christ._ + +[Illustration: Day at last appears ... in the midst thereof and +in the very disk of the sun, beams the face of Jesus Christ.] + +_Anthony makes the sign of the cross, and resumes his devotions._) + + +FINIS + + +[1] Winkelmann claims to have been the first to discover that the +Egyptian sphinxes were bisexual--females before--males otherwise. (See +Book II, chap. I, § 25.) Flaubert speaks of the Sphinx in the masculine +like Philemon. (See also Signor Carlo Fea's note upon the paragraph in +Winkelmann, old French edition. An II, R. F.)--Trans. + +[2] Fleurs de fer, "flowers of iron." In mineralogy _flos ferri_, a +form of Aragonite.--Trans. + + + + +[NOTE + +Those who compare this translation with the original will observe the +omission of some few paragraphs on pages 77, 96 and 211. They are +speeches put in the mouths of certain Heresiarchs, or complaints of +certain of the minor Roman household gods. The translator relegated +these to an addenda, which the publishers have omitted as being +unnecessary. Those who are familiar with the original will be able to +supply them, and will realize that while they might be offensive to +some persons, they are in no respect an integral or important part of +the great drama.] + + + + +ADDENDA (added by transcribers) + + +A. Observation of Manes, pages 82-3, original text; page 89 of +translation. + + +MANES + +_Ou plutôt, faites si bien qu'elle ne soit pas fécondes. Mieux vaut +pour l'ame tomber sur la terre que de languir dans des entraves +charnelles._ + +Probably a calumny against Manes; for the Eastern philosophy, +especially that of Zoroaster, which is said to have inspired the tenets +of Manichæism, advocated no such abominations. + + +B. Page 105 of original; page 108 translation. The realistic +phraseology of the original passage is rather brutal. The French text +reads: "_Il souffrait de la maladie Bellerephontienne; et sa mère, la +parfumeuse, s'est livrée à Pantherus, un soldat Romain, sur des gerbes +de mais, un soir de moisson._" C. Descriptive text, page 237 original, +partly suppressed on page 223 translation: "_Et il lui montre dans un +bosquet d'aliziers Une Femme toute nue, à quatre pattes comme une bête, +et saillie par un homme noir, tenant dans chaque main un flambeau._" + +D. Curious text of Crepitus, on page 228, pages 241-3 of original: + +CREPITUS + +(----se fait entendre): + +_Moi aussi l'on m'honora jadis. On me faisait des libations. Je fus un +Dieu!_ + +_L'Athénien me saluait comme un presage de fortune, tandis que le +Romain dévot me maudissait les poings levés et que le pontife d'Egypte, +s'abstinant des fèves, tremblait à ma voix et pâlissait à mon odeur._ + +_Quand le vinaigre militaire coulait sur les barbes non rasées, qu'on +se régalait de glands, de pois, et d'oignons crus, et que le bouc en +morceau cuissait dans le beurre rance des pasteurs, sans souci du +voisin, personne alors ne se gênait. Les nourritures solides faisaient +digestions retentissantes. Au soleil de la campagne les hommes se +soulageaient avec lenteur._ + +_Ainsi, je passais sans scandale, comme les autres besoins de la vie, +comme Mena, tourment des vierges, et la douce Rumina qui protège le +sein de la nourrice, gonflé, des veines bleuâtres. J'étais joyeux. Je +faisais rire. Et se dilatant d'aise à cause de moi, le convive exhalait +toute sa gaieté par les ouvertures de son corps._ + +_J'ai eu mes jours d'orgeuil. Le bon Aristophane me promena sur la +scène, et l'empereur Claudius Drusus[1] me fit asseoir à sa table. Dans +les laticlaves des patriciens j'ai circulé majestueusement! Les vases +d'or, comme des tympanons, resonnaient sous moi; et, quand plein de +murènes, de truffles, et de pâtés, l'intestin du maître se dégageait +avec fracas, l'univers attentif apprenait que César avait diné!_ + +_Mais à présent, je suis confiné dans la populace_[2] _et l'on se +récrie, même à mon nom!_ + +_Et Crepitus s'éloigne, en poussant un gémissement...._ + +E. For descriptions of the Martichoras and other monsters, appearing +page 287 in the original and 263 in the translation, see also Rabelais' +Pantagruel, Book V, Chap. XXX. + + + +[1] Needless to refer to the comedies of Aristophanes, with which +English readers have been familiarized through the Bohn translations. +The reference to Claudius ius Drusus seems based upon the following +lines in Suetonius: "_Dicitur etiam meditatus edictum, quo veniam daret +flatum crepitumque ventris in convivio emittendi: cum periclitatum +quemdam prae pudore ex continentia reperisset._" (_Suetonius-Tiberius +Claudius Drusus_: 32.) + +[2] The so-called divinities, _Deus Crepitus, Dea Pertunda, Deus +Stercutius, Dea Rumina_ (or _Rumilia_), _Dea Mena_, concerning whose +curious attributes the reader may consult English or French classical +encyclopedists, were doubtless regarded by the intelligent classes +of antiquity much as certain religious superstitions are regarded by +educated moderns. It is true that they furnished grotesque themes +to artists; but many existing superstitions regarding elves and +goblins have inspired modern sculptors, painters and designers. +Certainly, seriously worshipped as deities, Priapus might seem equally +contemptible as a divinity; but his worship, degenerate as it became +in later years, was primitively symbolical. The obscene image merely +typified the procreative Spirit of Nature. The eccentric gods and +goddesses above referred to had no such excuse for being. As previously +observed, however, Flaubert artistically represents these divinities +not as they were really considered in the antique world, but rather as +they would have appeared to the eyes of zealous Christians in the third +century--infamous and loathsome.--Translator. + + + + + * * * * * * + + + + +Transcriber's note: + +This translation of the "Tentation" by Lafcadio Hearn, still regarded +by many as the best up until now in English, still misses some small +fragments (of a couple of words) not deemed fit for the Anglo-Saxon +temperament of that time. There is a contemporary version (2002) of +this translation available, with introduction by Michel Foucault and +the inclusion of some missing expressions. The original French by +Gustave Flaubert is also available at Project Gutenberg--see +http://www.gutenberg.org/ebooks/10982 + + + +***END OF THE PROJECT GUTENBERG EBOOK THE TEMPTATION OF ST. 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You may copy it, give it away or re-use it +under the terms of the Project Gutenberg License included with this +eBook or online at <a +href="http://www.gutenberg.org">www.gutenberg.org</a>. If you are not +located in the United States, you'll have to check the laws of the +country where you are located before using this ebook.</p> +<p>Title: The Temptation of St. Anthony</p> +<p>Author: Gustave Flaubert</p> +<p>Release Date: June 4, 2016 [eBook #52225]</p> +<p>Language: English</p> +<p>Character set encoding: UTF-8</p> +<p>***START OF THE PROJECT GUTENBERG EBOOK THE TEMPTATION OF ST. ANTHONY***</p> +<p> </p> +<h4>E-text prepared by Laura Natal Rodriguez and Marc D'Hooghe<br /> + (<a href="http://www.freeliterature.org">http://www.freeliterature.org</a>)<br /> + from page images generously made available by<br /> + the Google Books Library Project<br /> + (<a href="http://books.google.com">http://books.google.com</a>)<br /> + and illustrations generously made available by<br /> + Bibliothèque nationale de France<br /> + (<a href="http://gallica.bnf.fr">http://gallica.bnf.fr</a>)</h4> +<p> </p> +<p> </p> +<table border="0" style="background-color: #ccccff;margin: 0 auto;" cellpadding="10"> + <tr> + <td valign="top"> + Note: + </td> + <td> + Images of the original pages are available through + the Google Books Library Project. See + <a href="https://books.google.com/books?id=9g9EAAAAYAAJ"> + https://books.google.com/books?id=9g9EAAAAYAAJ</a> + </td> + </tr> +</table> +<p> </p> +<hr class="pg" /> +<p> </p> +<p> </p> +<p> </p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/cover.jpg" width="500" alt="" /> +</div> + +<h1>THE TEMPTATION OF ST. ANTHONY</h1> + +<h3>BY</h3> + +<h2>GUSTAVE FLAUBERT</h2> + +<h4>TRANSLATED BY</h4> + +<h2>LAFCADIO HEARN</h2> + +<h2>ILLUSTRATIONS by ODILON REDON</h2> + +<p class="center" style="font-size: 0.8em;">(Added especially for this PG e-book.)</p> + +<h5>THE ALICE HARRIMAN COMPANY</h5> + +<h5>NEW YORK AND SEATTLE</h5> + +<h5>1910</h5> +<hr class="full" /> + +<p><a href="#CONTENTS">Contents</a></p> + + +<hr class="chap" /> + +<p><span class="pagenum"><a name="Page_i" id="Page_i">[Pg i]</a></span></p> + + +<h4><a name="INTRODUCTION" id="INTRODUCTION">INTRODUCTION</a></h4> + + +<p>It was at some period between 1875 and 1876 that Lafcadio Hearn—still +a "cub" reporter on a daily paper in Cincinnati—began his translation +of Flaubert's "Temptation of St. Anthony." The definitive edition of +the work, over which the author had laboured for thirty years, had +appeared in 1874.</p> + +<p>Hearn was, in his early youth, singularly indifferent to the work of +the Englishmen of the Victorian period. Though he knew the English +masterpieces of that epoch, their large, unacademic freedom of manner +awakened no echoes in his spirit. His instinctive taste was for the +exquisite in style: for "that peculiar kneading, heightening, and +recasting" which Matthew Arnold thought necessary for perfection. +Neither did the matter, more than the manner of the Victorians appeal +to him. The circumstances of his life had at so many points set him +out of touch with his fellows that the affectionate<span class="pagenum"><a name="Page_ii" id="Page_ii">[Pg ii]</a></span> mockery of +Thackeray's pictures of English society were alien to his interest. +The laughing heartiness of Dickens' studies of the man in the street +hardly touched him. Browning's poignant analyses of souls were too +rudely robust of manner to move him. Before essaying journalism Hearn +had served for a while as an assistant in the Public Library, and +there he had found and fallen under the spell, of the great Frenchman +of the Romantic School of the '30's—that period of rich flowering of +the Gallic genius. Gautier's tales of ancient weirdnesses fired his +imagination. The penetrating subtleties of his verse woke in the boy +the felicitous emotions which the virtuoso knows in handling cameos +and enamellings by hands which have long been dust. So, also, Hugo's +revivals of the passions and terrors of the mediæval world stirred the +young librarian's eager interest. But most of all his spirit leapt +to meet the tremendous drama of the "Temptation." He comprehended at +once its large significance, its great import, and in his enthusiastic +recognition of its value and meaning he set at once about giving it a +language understood of the people of his own tongue.</p> + +<p><span class="pagenum"><a name="Page_iii" id="Page_iii">[Pg iii]</a></span></p> + +<p>Tunison tells of the little shy, shabby, half-blind boy—the long +dull day of police reporting done—labouring at his desk into the +small hours, with the flickering gas jet whistling overhead, and his +myopic eyes bent close to the papers which he covered with beautiful, +almost microscopic characters—escaping thus from the crass, raw world +about him to delicately and painstakingly turn into English stories +of Cleopatra's cruel, fantastic Egyptian Night's Entertainment. +Withdrawing himself to transliterate tales of pallid beautiful vampires +draining the veins of ardent boys: of lovely faded ghosts of great +ladies descending from shadowy tapestries to coquette with romantic +dreamers; or to find an English voice for the tragedy of the soul of +the Alexandrian cenobite.</p> + +<p>It was in such dreams and labours that he found refuge from the +environment that was so antipathetic to his tastes, and in his +immersion in the works of these virtuosos of words, in his passionate +search for equivalents of the subtle nuances of their phrases, he +developed his own style. A style full of intricate assonances, of a +texture close woven and iridescent.</p> + +<p><span class="pagenum"><a name="Page_iv" id="Page_iv">[Pg iv]</a></span></p> + +<p>"One of Cleopatra's Night's"—a translation of some of Gautier's tales +of glamour—was issued in 1882, but at "The Temptation of St. Anthony" +the publishers altogether balked. The manuscript could not achieve even +so much as a reading. America had in the '70's just begun to emerge +from that state of provincial propriety in which we were accused of +clothing even our piano legs in pantelettes. The very name of the work +was sufficient to start modest shivers down the spine of all well +regulated purveyors of books. It was largely due to the painters' +conceptions of the nature of the hermit's trials that the story of +Saint Anthony's spiritual struggle aroused instinctive terrors in all +truly modest natures. The painters—who so dearly love to display their +skill in drawing legs and busts—had been wont to push the poor old +saint into the obscure of the background, and fill all the foreground +with ladies of obviously the very lightest character, in garments +still lighter, if possible. What had reputable American citizens to do +with such as these jades? More especially such jades as seen through +a French imagination! That Flaubert had brushed aside the gross and +jejune<span class="pagenum"><a name="Page_v" id="Page_v">[Pg v]</a></span> conceptions of the painters the publishers would not even take +the pains to learn.</p> + +<p>It is amusing now to recall the nervous, timid proprieties of those +days. At the time Hearn failed to see the laughable side of it. He was +then too young and earnest, too passionate and too melancholy to have a +sense of its humours.</p> + +<p>He had brought his unfinished manuscript from Cincinnati to New +Orleans, and had continued to work upon it in strange lodgings in +gaunt, old half-ruined Creole houses; at the tables of odd little +French cafés, or among the queer dishes in obscure Spanish and Chinese +restaurants. He had snatched minutes for it amidst the reading and +clipping of exchanges in a newspaper office; had toiled drippingly +over it in the liquifying heats of tropic nights; had arisen from the +"inexpungable langours" of yellow fever to complete its last astounding +pages.</p> + +<p>I can remember applauding, with ardent youthful sympathy, his tirades +against the stultifying influence of blind puritanism upon American +literature. I recall his scornful mocking at the inconsistency which +complacently accepted the vulgar seduction, and<span class="pagenum"><a name="Page_vi" id="Page_vi">[Pg vi]</a></span> the theatrical Brocken +revels of Faust, while shrinking piously from Flaubert's grim story of +the soul of man struggling to answer the riddle of the universe. He +had however an almost equal contempt for the author's countrymen, who +received with eager interest and pleasure the deliberate analysis—in +<i>Madame Bovary</i>—of a woman's degradation and ruin, while they yawned +over the amazing history of humanity's tremendous spiritual adventures. +Hearn's own sensitiveness shrank in pain from the cold insight which +uncovered layer by layer the brutal squalour of a woman's moral +disintegration. But he was moved and astounded by the revelation, in +St. Anthony, of the tragedy and pathos of man's long search for some +body of belief or philosophy by which he could explain to himself +the strange great phenomena of life and death, and the inscrutable +cruelties of Nature. The young translator was filled with a sort of +astonished despair at his inability to make others see the book as +he did—not realizing, in his youthful impatience, that the average +mind clings to the concrete, and is puzzled and terrified by outlines +of thought too large for its range of vision; that the commonplace<span class="pagenum"><a name="Page_vii" id="Page_vii">[Pg vii]</a></span> +intelligence cannot "see the wood for the trees," and becomes confused +and over-weighted when confronted with the huge outlines of so great a +picture as that drawn by Flaubert in his masterpiece.</p> + +<p>There were many points of resemblance between Lafcadio Hearn and the +grandson of the French veterinary. A resemblance rather in certain +qualities of the spirit than in social conditions and physical +endowments. Flaubert, born in 1821, was the son of a surgeon. His +father was long connected with the Hôtel Dieu of Rouen, in which the +boy was born, and in which he lived until his eighteenth year, when he +went to Paris to study law. One of the friends of his early Parisian +days describes him as "a young Greek. Tall, supple, and as graceful as +an athlete. He was charming, <i>mais un peu farouche.</i> Quite unconscious +of his physical and mental gifts; very careless of the impression he +produced, and entirely indifferent to formalities. His dress consisted +of a red flannel shirt, trousers of heavy blue cloth, and a scarf of +the same colour drawn tight about his slender waist. His hat was worn +'any how' and often he abandoned it altogether. When I spoke to<span class="pagenum"><a name="Page_viii" id="Page_viii">[Pg viii]</a></span> him of +fame or influence.... he seemed superbly indifferent. He had no desire +for glory or gain.... What was lacking in his nature was an interest in +<i>les choses extérieures, choses utiles.</i>" ...</p> + +<p>One who saw him in 1879 found the young Greek athlete—now close upon +sixty, and having in the interval created some of the great classics +of French literature—"a huge man, a tremendous old man. His long, +straggling gray hair was brushed back. His red face was that of a +soldier, or a sheik—divided by drooping white moustaches. A trumpet +was his voice, and he gesticulated freely ... the colour of his eyes a +bit of faded blue sky."</p> + +<p>The study of the law did not hold Flaubert long. It was one of those +<i>choses extérieures, choses utiles</i> to which he was so profoundly +indifferent. Paris bored him. He longed for Rouen, and for his little +student chamber. There he had lain upon his bed whole days at a time; +apparently as lazy as a lizard; smoking, dreaming; pondering the large, +inchoate, formless dreams of youth.</p> + +<p>In 1845 his father died, and in the following year he lost his sister +Caroline, whom he had<span class="pagenum"><a name="Page_ix" id="Page_ix">[Pg ix]</a></span> passionately loved, and for whom he grieved +all his life. He rejoined his mother, and they established themselves +at Croisset, near Rouen, upon a small inherited property. It was an +agreeable house, pleasantly situated in sight of the Seine. Flaubert +nourished with pleasure a local legend that Pascal had once inhabited +the old Croisset homestead, and that the Abbé Prevost had written +<i>Manon Lescaut</i> within its walls. Near the house—now gone—he built +for himself a pavilion to serve as a study, and in this he spent the +greater portion of the following thirty-four years in passionate, +unremitting labour.</p> + +<p>He made a voyage to Corsica in his youth; one to Brittany, with Maxime +du Camp, in 1846; and spent some months in Egypt, Palestine, Turkey, +and Greece in 1849. This Oriental experience gave him the most intense +pleasure, and was the germ of <i>Salammbo</i>, and of the <i>Temptation of St. +Anthony.</i> He never repeated it, though he constantly talked of doing +so. He nursed a persistent, but unrealized dream of going as far as +Ceylon, whose ancient name, Taprobana, he was never weary of repeating; +utterance of its melifluous syllables becoming a positive <i>tic</i> +with him.<span class="pagenum"><a name="Page_x" id="Page_x">[Pg x]</a></span> Despite these yearnings he remained at home. Despite his +full-blooded physique he would take no more exercise than his terrace +afforded, or an occasional swim in the Seine. He smoked incessantly, +and for months at a stretch worked fifteen hours out of the twenty-four +at his desk. Three hundred volumes might be annotated for a page of +facts. He would write twenty pages, and reduce these by exquisite +concisions, by fastidious rejections to three; would search for hours +for the one word that perfectly conveyed the colour of his thought, and +would—as in the case of the <i>Temptation</i>—wait fifteen years for a +sense of satisfaction with a manuscript before allowing it to see the +light. To Maxime du Camp, who urged him to hasten the completion of his +book in order to take advantage of a favourable opportunity, he wrote +angrily:</p> + +<p>"Tu me parais avoir à mon endroit un tic ou vice rédhibitoire. Il +ne m'embête pas; n'aie aucune crainte; mon parti est pris là -dessus +depuis long temps. Je te dirai seulement que tous ces mots; <i>se +dépêcher, c'est le moment, place prise, se poser, ...</i> sont pour moi un +vocabulaire vide de sens...."</p> + +<p><span class="pagenum"><a name="Page_xi" id="Page_xi">[Pg xi]</a></span></p> + +<p>In one of his letters he says that on occasion he worked violently for +eight hours to achieve one page. He endeavoured never to repeat a word +in that page, and tried to force every phrase to respond to a rhythmic +law. Guy do Maupassant, his nephew and pupil, says that to ensure this +rhythm Flaubert "prenait sa feuille de papier, relevait à la hauteur du +regard et, s'appuyant sur un coude, déclaimait, d'une voix mordant et +haute. Il écoutait la rythme de sa prose, s'arrêtait comme pour saisir +une sonorité fuyant, combinait les tons, éloignait les assonances, +disposait les virgules avec conscience, commes les haltes d'un long +chemin." ...</p> + +<p>Flaubert said himself, "une phrase est viable quand elle correspond +à toutes les nécessités de respiration. Je sais qu'elle est bonne +lorsqu'elle peut être lu tout haut."</p> + +<p>Henry Irving used to say of himself that it was necessary he should +work harder than other actors because nature had dowered him with +flexibility of neither voice nor feature, and Faguet says that Flaubert +was forced to this excessive toil and incessant watchfulness because +he did not write well naturally. Nevertheless Flaubert's work did not +smell<span class="pagenum"><a name="Page_xii" id="Page_xii">[Pg xii]</a></span> of the lamp. Whatever shape his ideas may have worn at birth +when full grown they moved with large classic grace and freedom, +simple, sincere, and beautiful in form. François Coppée calls him "the +Beethoven of French prose."</p> + +<p>So conscientious a workman, so laborious and self-sacrificing an artist +had a natural attraction for Lafcadio Hearn, who even in boyhood began +to feel his vocation as "a literary monk." The whole tendency of his +tastes prepared him to understand the true importance of Flaubert's +masterpiece, fitted him especially of all living writers to turn that +masterpiece into its true English equivalent. The two men had much in +common. Both were proud and timid. Both had a fundamental indifference +to <i>choses extérieures, choses utiles.</i> Both were realists of the soul. +Actions interested each but slightly; the emotions from which actions +sprung very much. To both stupidity was even more antipathetic than +wickedness, because each realized that nearly all cruelty and vice have +their germ in ignorance and stupidity rather than in innate rascality. +Flaubert declared, with a sort of rage, that "la bêtise entre dans<span class="pagenum"><a name="Page_xiii" id="Page_xiii">[Pg xiii]</a></span> +mes pores." He might too have been speaking for Hearn when he said +that the grotesque, the strange, and the monstrous had for him an +inexplicable charm. "It corresponds," he says, "to the intimate needs +of my nature—it does not cause me to laugh, but to dream long dreams." +Hearn, however, mixed with this triste interest a quality that Flaubert +seemed almost wholly to lack—a great tenderness for all things humble, +feeble, ugly and helpless. Both from childhood were curious of poignant +sensations, of the sad, the mysterious and the exotic. And for both the +tropics had an irresistible fascination. Flaubert says, in one of his +letters:</p> + +<p>"I carry with me the melancholy of the barbaric races, with their +instincts of migration, and their innate distaste of life, which forced +them to quit their homes in order to escape from themselves. They loved +the sun, all those barbarians who came to die in Italy; they had a +frenzied aspiration toward the light, toward the blue skies, toward an +ardent existence.... Think that perhaps I will never see China, will +<span class="pagenum"><a name="Page_xiv" id="Page_xiv">[Pg xiv]</a></span>never be rocked to sleep by the cadenced footsteps of camels ... will +never see the shine of a tiger's eyes in the forest.... You can treat +all this as little worthy of pity, but I suffer so much when I think of +it ... as of something lamentable and irremediable."</p> + +<p>This is the nostalgia for the strange, for the unaccustomed, that all +born wanderers know. Fate arranges it for many of them that their lives +shall be uneventful, passed in dull, provincial narrowness; but behind +these bars the clipped wings of their spirit are always flutteringly +spread for flight. They know not what they seek, what desire drives +them, but a sense of "the great adventure" unachieved keeps them +restless until they die. It is such as these, these <i>voyageurs +empassionés</i>, when condemned by fortune to a static existence—who find +their outlet in mental wanderings amid the unusual, the grotesque, +and the monstrous. Hearn and Flaubert both were at heart nomads, +seekers of the unaccustomed; stretching toward immensities of space +and time, toward the ghostly, the hidden, the unrealized. Like that +wild fantastic <i>Chimera</i> of the "Temptation" each such soul declares +"<i>je cherche des parfums<span class="pagenum"><a name="Page_xv" id="Page_xv">[Pg xv]</a></span> nouveaux, des fleurs plus large, des plaisirs +inéprouvés.</i>"</p> + +<p>Flaubert was but twenty-six when the first suggestion of his +masterpiece came to him. For <i>La Tentation de St. Antoine</i>, it is +coming to be understood, is his masterpiece; is one of the greatest +literary achievements of the French mind. <i>Madame Bovary</i> is more +widely famous and popular, but Flaubert himself always deeply resented +this preference, and was always astonished at the comparative +indifference of the world to the "Temptation." He, too, found it +difficult to realize how hardly the average mind is awakened to an +interest in the incorporeal; how surely cosmic generalizations escape +the grasp of the commonplace intelligence.</p> + +<p>Wagner waited a lifetime before the world was dragged reluctantly and +resentfully up to a point from which it could discern the superiority +of the tremendous finale of the Götterdämmerung to the Christmas-card +chorus of angels chanting "<i>Âme chaste et pure</i>" to the beatified +Marguerite. The whole prodigious structure of Wagner's dramatic and +musical thought might have remained a mere adumbration in the soul of +one<span class="pagenum"><a name="Page_xvi" id="Page_xvi">[Pg xvi]</a></span> German had chance not set a mad genius upon the throne of Bavaria. +The bourgeoisie would—lacking this royal bullying—have continued to +prefer Goethe and Gounod. Flaubert's great work unfortunately failed of +such patronage.</p> + +<p>It was in 1845 that an old picture by Breughel, seen at Genoa, first +inspired Flaubert to attempt the story of St. Anthony. He sought +out an engraving of this conception of Peter the Younger (surnamed +"Hell-Breughel" for his fondness for such subjects), hung it on his +walls at Croisset, and after three years of brooding upon it began, +May 24, 1848, <i>La Tentation de St. Antoine.</i> In twelve months he had +finished the first draught of the work, which bulked to 540 pages. It +was laid aside for "Bovary," and a second version of the "Temptation" +was completed in 1856, but this time the manuscript had been reduced +to 193 pages, and the "blazing phrases, the jewelled words, the +turbulence, the comedy, the mysticism" of the first version had been +superseded by a larger, more dramatic conception. In 1872 he made still +a new draught, and by this time it had shrunk to 136 pages. He even +then<span class="pagenum"><a name="Page_xvii" id="Page_xvii">[Pg xvii]</a></span> eliminated three chapters, and finally gave to the world in 1874 +"this wonderful coloured panorama of philosophy, this Gulliver-like +travelling amid the master ideas of the antique and early Christian +worlds."</p> + +<p>Faguet says, "In its primitive and legendary state the temptation +of St. Anthony was nothing more than the story of a recluse tempted +by the Devil through the flesh, by all the artifices at the Devil's +disposal. In the definite thought of Flaubert the temptation of St. +Anthony has become man's soul tempted by all the illusions of human +thought and imagination. St. Anthony to the eyes of the first naive +hagiologists is a second Adam, seduced by woman, who was inspired by +Satan. St. Anthony conceived by Flaubert is a more thoughtful Faust; a +Faust incapable of irony, not a Faust who could play with illusions and +with himself—secretly persuaded that he could withdraw when he chose +to give himself the trouble to do so—rather a Faust who approached, +accosted, caressed all possible forms of universal illusions."</p> + +<p>Flaubert's studies for the "Temptation" were tremendous. For nearly +thirty years he touched and retouched, altered, enlarged,<span class="pagenum"><a name="Page_xviii" id="Page_xviii">[Pg xviii]</a></span> condensed. +He kneaded into its substance the knowledge, incessantly sought, of +all religions and philosophies; of all the forms man's speculations +had taken in his endless endeavours to explain to himself Life and +Fate; humanity's untiring, passionate effort to find the meaning of its +mysterious origin and purpose, and final destiny. How terrible, how +naive, how fantastic, bloody, grovelling, and outrageous were most of +the solutions accepted, the gigantic panorama of the book startlingly +sets forth. What gory agonies, what mystic exaltations, what dark +cruelties, frenzied abandons, and inhuman self denials have marked +those puzzled gropings for light and truth are revealed as by lightning +flashes in the crowding scenes of the epic. For the Temptation of St. +Anthony is an epic. Not a drama of man's actions, as all previous +epics have been, but a drama of the soul. All its movement is in the +adventure and conflict of the spirit. St. Anthony remains always in +the one place, almost as moveless as a mirror. His vision—clarified +of the sensual and the actual by his fastings and macerations—becomes +like the surface of an unruffled lake. A lake reflecting<span class="pagenum"><a name="Page_xix" id="Page_xix">[Pg xix]</a></span> the aberrant +forms of thoughts that, like clouds, drift between man and the infinite +depths of knowledge. Clouds of illusion forever changing, melting, +fusing; assuming forms grotesque, monstrous, intolerable; until at +last the writhing mists of speculation and ignorance are drunk up +by the widening light of wisdom and the fogs and phantasms vanish, +leaving his consciousness aware, in poignant ecstasy, of the cloudless +deeps of truth. The temptation of the flesh is but a passing episode. +An eidolon of Sheba's queen offers him luxury, wealth, voluptuous +beauty, power, dainty delights of eye and palate in vain. Man has never +found his most dangerous seductions in the appetites. More lamentable +disintegration has grown from his attempts to pierce beyond the +body's veil. The parched and tortured saint is whirled by vertiginous +visions through cycles of man's straining efforts to know why, whence, +whither. He assists at the rites of Mithira, the prostrations of +serpent-and-devil-worshippers, worshippers of fire, of light, of the +Greeks' deified forces of nature; of the northern enthronement of brute +force and war. He is swept by the soothing breath of<span class="pagenum"><a name="Page_xx" id="Page_xx">[Pg xx]</a></span> Quietism, plunges +into every heresy and philosophy, sees the orgies, the flagellations, +the self mutilations, the battles and furies of sects, each convinced +that it has found the answer at last to the Great Question, and +endeavouring to constrain the rest of humanity to accept the answer. +He meets the Sphinx—embodied interrogation—and the Chimera—the +simulacrum of the fantasies of the imagination—dashing madly about the +stolid querist.</p> + +<p>Lucifer—spirit of doubt of all dogmatic solutions—mounts with Anthony +into illimitable space. They rise beyond these struggles and furies +into the cold uttermost of the universe; among innumerable worlds; +worlds yet vaguely forming in the womb of time, newly come to birth, +lustily grown to maturity; worlds dying, decaying, crumbling again into +atomic dust. Overcome by the intolerable Vast, Anthony sinks once more +to his cell, and Lucifer, who has shown him the macrocosm, opens to +him the equal immensity of the microcosm. Makes him see the swarming +life that permeates the seas, the earth and atmosphere, the incredible +numerousness of the invisible lives that people<span class="pagenum"><a name="Page_xxi" id="Page_xxi">[Pg xxi]</a></span> every drop of water, +every grain of sand, every breath of air. The unity of life dawns upon +him, and his heart, withered by dubiety, melts into joyousness and +peace. As the day dawns in gold he beholds the face of Christ.</p> + +<p>Flaubert's Lucifer has no relation to the jejune Devil of man's +early conception of material evil, nor does he resemble Goethe's +Mephistopheles; embodiment of the Eighteenth Century's spirit +of sneering disbeliefs and negation. He is rather our own +tempter—Science. He is the spirit of Knowledge: Nature itself calling +us to look into the immensities and read just our dogmas by this new +and terrible widening of our mental and moral horizons. This last +experience of the Saint reproduces the spiritual experiences of the +modern man; cast loose from his ancient moorings, and yet finding at +last in his new knowledge a truer conception of the brotherhood of all +life in all its forms, and seeing still, in the growing light, the +benignant eyes of God.</p> + +<p>It is not remarkable that Flaubert resented the banality, the dull +grossness of the reception of his work, or that Hearn shared his +amazement and bitterness. Even yet the<span class="pagenum"><a name="Page_xxii" id="Page_xxii">[Pg xxii]</a></span> world wakes but slowly to the +true character of this masterpiece; this epic wrought with so great +a care and patience, so instinct with genius, dealing perhaps more +profoundly than any other mind has ever done with the Great Adventure +of humanity's eternal search for Truth.</p> + +<p style="margin-left: 70%; font-size: 0.8em;">ELIZABETH BISLAND.</p> + +<hr class="chap" /> + +<p><span class="pagenum"><a name="Page_xxiii" id="Page_xxiii">[Pg xxiii]</a></span></p> + + + + +<h4><a name="ARGUMENT" id="ARGUMENT">ARGUMENT</a></h4> + + + +<hr class="chap" /> +<h5>FRAILTY</h5> + + +<p>Sunset in the desert. Enfeebled by prolonged fasting, the hermit +finds himself unable to concentrate his mind upon holy things. His +thoughts wonder; memories of youth evoke regrets that his relaxed will +can no longer find strength to suppress,—and, remembrance begetting +remembrance, his fancy leads him upon dangerous ground. He dreams of +his flight from home,—of Ammonaria, his sister's playmate,—of his +misery in the waste,—his visit to Alexandria with the blind monk +Didymus,—the unholy sights of the luxurious city.</p> + +<p>Involuntarily he yields to the nervous dissatisfaction growing upon +him. He laments his solitude, his joylessness, his poverty, the +obscurity of his life; grace departs from him; hope burns low within +his heart. Suddenly revolting against his weakness, he seeks refuge +from distraction in the study of the Scriptures.</p> + +<p><span class="pagenum"><a name="Page_xxiv" id="Page_xxiv">[Pg xxiv]</a></span></p> + +<p>Vain effort! An invisible hand turns the leaves, placing perilous +texts before his eyes. He dreams of the Maccabees slaughtering +their enemies, and desires that he might do likewise with the +Arians of Alexandria;—he becomes inspired with admiration of King +Nebuchadnezzar;—he meditates voluptuously upon the visit of Sheba's +queen of Solomon;—discovers a text in the Acts of the Apostles +antagonistic to principles of monkish ascetism,—indulges in reveries +regarding the riches of Biblical kings and holy men. The Tempter comes +to tempt him with evil hallucinations for which the Saint's momentary +frailty has paved the way; and with the Evil One come also</p> + + + +<h5>THE SEVEN DEADLY SINS</h5> + + +<p>Phantom gold is piled up to excite Covetousness; shadowy banquets +appear to evoke Gluttony. The scene shifts to aid the temptations of +Anger and of Pride....</p> + +<p>Anthony finds himself in Alexandria, at the head of a wild army of +monks slaughtering the heretics and the pagans, without mercy for +age or sex. In fantastic obedience to the<span class="pagenum"><a name="Page_xxv" id="Page_xxv">[Pg xxv]</a></span> course of his fancy while +reading the Scriptures a while before, and like an invisible echo of +his evil thoughts, the scene changes again. Alexandria is transformed +into Constantinople.</p> + +<p>Anthony finds himself the honoured of the Emperor. He beholds the +vast circus in all its splendour, the ocean of faces, the tumult of +excitement. Simultaneously he beholds his enemies degraded to the +condition of slaves, toiling in the stables of Constantine. He feels +joy in the degradation of the Fathers of Nicæa. Then all is transformed.</p> + +<p>It is no longer the splendour of Constantinople he beholds under the +luminosity of a Greek day; but the prodigious palace of Nebuchadnezzar +by night. He beholds the orgies, the luxuries, the abominations;—and +the spirit of Pride enters triumphantly into him as the spirit of +Nebuchadnezzar....</p> + +<p>Awaking as from a dream, he finds himself again before his hermitage. +A vast caravan approaches, halts; and the Queen of Sheba descends to +tempt the Saint with the deadliest of all temptations. Her beauty is +enhanced by oriental splendour of adornment; her converse is a song of +withcraft. The<span class="pagenum"><a name="Page_xxvi" id="Page_xxvi">[Pg xxvi]</a></span> Saint remains firm.... The Seven Deadly Sins depart +from him.</p> + + + +<h5>THE HERESIARCHS</h5> + + +<p>But now the tempter assumes a subtler form. Under the guise of a former +disciple of Anthony,—Hilarion,—the demon, while pretending to seek +instruction, endeavours to poison the mind of Anthony with hatred of +the fathers of the church. He repeats all the scandals amassed by +ecclesiastical intriguers, all the calumnies created by malice;—he +cites texts only to foment doubt, and quotes the evangels only to +make confusion. Under the pretext of obtaining mental enlightenment +from the wisest of men, he induces Anthony to enter with him into +a spectral basilica, wherein are assembled all the Heresiarchs of +the third century. The hermit is confounded by the multitude of +tenets,—horrified by the blasphemies and abominations of Elkes, +Corpocrates, Valentinus, Manes, Cerdo,—disgusted by the perversions of +the Paternians, Marcosians, Montanists, Serptians,—bewildered by the +apocryphal Gospels of Eve and of Judas, of the Lord, and of Thomas.</p> + +<p>And Hilarion grows taller.</p> + +<p><span class="pagenum"><a name="Page_xxvii" id="Page_xxvii">[Pg xxvii]</a></span></p> + + +<h5>THE MARTYRS</h5> + +<p>Anthony finds himself in the dungeons of a vast amphitheatre, among +Christians condemned to the wild beasts. By this hallucination the +tempter would prove to the Saint that martyrdom is not always suffered +for purest motives. Anthony finds the martyrs possessed by bigotry and +insincerity. He sees many compelled to die against their will; many +who would forswear their faith could it avail them aught. He beholds +heretics die for their heterodoxy more nobly than orthodox believers.</p> + +<p>And he finds himself transported to the tombs of the martyrs. He +witnesses the meetings of Christian women at the sepulchres. He beholds +the touching ceremonies of prayer, change into orgies,—lamentations +give place to amorous dalliance.</p> + + + +<h5>THE MAGICIANS</h5> + + +<p>Then the Tempter seeks to shake Anthony's faith in the excellence +and evidence of miracles. He assumes the form of a Hindoo<span class="pagenum"><a name="Page_xxviii" id="Page_xxviii">[Pg xxviii]</a></span> Brahmin, +terminating a life of wondrous holiness by self-cremation;—he appears +as Simon Magus and Helen of Tyre,—as Appollonius of Tyans, greatest of +all thaumaturgists, who claims superiority to Christ. All the marvels +related by Philostratus are embodied in the converse of Apollonius and +Damis.</p> + + + +<h5>THE GODS</h5> + + +<p>Hilarion reappears taller than ever, growing more gigantic in +proportion to the increasing weakness of the Saint. Standing beside +Anthony he evokes all the deities of the antique world. They defile +before him in a marvellous panorama:—Gods of Egypt and India, Chaldea +and Hellas, Babylon and Ultima Thule,—monstrous and multiform, phallic +and ithyphallic, fantastic or obscene. Some intoxicate by their beauty; +others appall by their foulness. The Buddha recounts the story of his +wondrous life; Venus displays the rounded daintiness of her nudity; +Isis utters awful soliloquy. Lastly the phantom of Jehovah appears, as +the shadow of a god passing away forever.</p> + +<p>Suddenly the stature of Hilarion towers to<span class="pagenum"><a name="Page_xxix" id="Page_xxix">[Pg xxix]</a></span> the stars; he assumes the +likeness and luminosity of Lucifer; he announces himself as</p> + + + +<h5>SCIENCE</h5> + + +<p>And Anthony is lifted upon mighty wings and borne away beyond the +world, above the solar system, above the starry arch of the Milky Way. +All future discoveries of Astronomy are revealed to him. He is tempted +by the revelation of innumerable worlds,—by the refutation of all +his previous ideas of the nature of the Universe,—by the enigmas of +infinity,—by all the marvels that conflict with faith. Even in the +night of immensity the demon renews the temptation of reason: Anthony +wavers upon the verge of pantheism.</p> + + + +<h5>LUST AND DEATH</h5> + + +<p>Anthony abandoned by the spirit of Science comes to himself in the +desert. Then the Tempter returns under a two-fold aspect: as the +Spirit of Lust and the Spirit of Destruction. The latter urges him to +suicide,—the former to indulgence of sense. They inspire him with +strong fancies of palingenesis, of<span class="pagenum"><a name="Page_xxx" id="Page_xxx">[Pg xxx]</a></span> the illusion of death, of the +continuity of life. The pantheistic temptation intensified.</p> + + + +<h5>THE MONSTERS</h5> + + +<p>Anthony in reveries meditates upon the monstrous symbols painted upon +the walls of certain ancient temples. Could he know their meaning +he might learn also something of the secret lien between Matter and +Thought. Forthwith a phantasmagoria of monsters commence to pass before +his eyes:—the Sphinx and the Chimera, the Blemmyes and Astomi, the +Cynocephali and all creatures of mythologie creation. He beholds the +fabulous beings of Oriental imagining,—the abnormities described +by Pliny and Herodotus, the fantasticalities to be later adopted by +heraldry,—the grotesqueries of future medieval illumination made +animate;—the goblinries and foulnesses of superstitious fancy,—the +Witches' Sabbath of abominations.</p> + + + +<h5>METAMORPHOSIS</h5> + + +<p>The multitude of monsters melts away; the land changes into an Ocean; +the creatures of the briny abysses appear. And the waters in<span class="pagenum"><a name="Page_xxxi" id="Page_xxxi">[Pg xxxi]</a></span> turn +also change; seaweeds are transformed to herbs, forests of coral +give place to forests of trees, polypous life changes to vegetation. +Metals crystallize; frosts effloresce; plants become living things, +inanimate matter takes animate form, monads vibrate, the pantheism of +nature makes itself manifest. Anthony feels a delirious desire to unite +himself with the Spirit of Universal Being....</p> + +<p>The vision vanishes. The sun arises. The face of Christ is revealed. +The temptation has passed; Anthony kneels in prayer.</p> + +<p style="margin-left: 80%; font-size: 0.8em;">L. H.</p> + +<hr class="chap" /> + +<p><span class="pagenum"><a name="Page_xxxii" id="Page_xxxii">[Pg xxxii]</a><br /><a name="Page_xxxiii" id="Page_xxxiii">[Pg xxxiii]</a><br /><a name="Page_xxxiv" id="Page_xxxiv">[Pg xxxiv]</a><br /><a name="Page_1" id="Page_1">[Pg 1]</a></span></p> + + + + +<h3><a name="THE_TEMPTATION_OF_ST_ANTHONY" id="THE_TEMPTATION_OF_ST_ANTHONY">THE TEMPTATION OF ST. ANTHONY</a></h3> +<hr class="chap" /> + + +<h4><a id="I"></a>I</h4> + + +<p><i>It is in the Thebaid at the summit of a mountain, upon a platform, +rounded off into the form of a demilune, and enclosed by huge stones.</i></p> + +<p><i>The Hermit's cabin appears in the background. It is built of mud and +reeds, it is flat-roofed and doorless. A pitcher and a loaf of black +bread can be distinguished within also, in the middle of the apartment +a large book resting on a wooden stela; while here and there, fragments +of basketwork, two or three mats, a basket, and a knife lie upon the +ground.</i></p> + +<p><i>Some ten paces from the hut, there is a long cross planted in the +soil; and, at the other end of the platform, an aged and twisted<span class="pagenum"><a name="Page_2" id="Page_2">[Pg 2]</a></span> +palm tree leans over the abyss; for the sides of the mountain are +perpendicular, and the Nile appears to form a lake at the foot of the +cliff.</i></p> + +<p><i>The view to right and left is broken by the barrier of rocks. But +on the desert-side, like a vast succession of sandy beaches, immense +undulations of an ashen-blonde color extend one behind the other, +rising higher as they recede; and far in the distance, beyond the +sands, the Libyan chain forms a chalk-colored wall, lightly shaded by +violet mists. On the opposite side the sun is sinking. In the north the +sky is of a pearl-gray tint, while at the zenith purple clouds disposed +like the tufts of a gigantic mane, lengthen themselves against the blue +vault. These streaks of flame take darker tones; the azure spots turn +to a nacreous pallor; the shrubs, the pebbles, the earth, all now seem +hard as bronze; and throughout space there floats a golden dust so fine +as to become confounded with the vibrations of the light.</i></p> + +<p><i>Saint Anthony, who has a long beard, long hair, and wears a tunic of +goatskin, is seated on the ground cross-legged, and is occupied in +weaving mats. As soon as the sun disappears,<span class="pagenum"><a name="Page_3" id="Page_3">[Pg 3]</a></span> he utters a deep sigh, +and, gazing upon the horizon, exclaims</i>:—</p> + +<p>"Another day! another day gone! Nevertheless formerly I used not to +be so wretched. Before the end of the night I commenced my orisons; +then I descended to the river to get water, and remounted the rugged +pathway with the skin upon my shoulder, singing hymns on the way. Then +I would amuse myself by arranging everything in my hut. I would make my +tools; I tried to make all my mats exactly equal in size, and all my +baskets light; for then my least actions seemed to me duties in nowise +difficult or painful of accomplishment.</p> + +<p>"Then at regular hours I ceased working; and when I prayed with my arms +extended, I felt as though a fountain of mercy were pouring from the +height of heaven into my heart. That fountain is now dried up. Why?"</p> + +<p>(<i>He walks up and down slowly, within the circuit of the rocks.</i>)</p> + +<p>"All blamed me when I left the house. My mother sank to the ground, +dying; my sister from afar off made signs to me to return; and the +other—wept, Ammonaria, the child<span class="pagenum"><a name="Page_4" id="Page_4">[Pg 4]</a></span> whom I used to meet every evening +at the cistern, when she took the oxen to drink. She ran after me. Her +foot rings glittered in the dust; and her tunic, open at the hips, +fluttered loosely in the wind. The aged anchorite who was leading me +away called her vile names. Our two camels galloped forward without +respite; and I have seen none of my people since that day.</p> + +<p>"At first, I selected for my dwelling place, the tomb of a Pharaoh. But +an enchantment circulates through all those subterranean palaces, where +the darkness seems to have been thickened by the ancient smoke of the +aromatics. From the depths of Sarcophagi, I heard doleful voices arise, +and call my name; or else, I suddenly beheld the abominable things +painted upon the walls live and move; and I fled away to the shore +of the Red Sea, and took refuge in a ruined citadel. There my only +companions were the scorpions dragging themselves among the stones, and +the eagles continually wheeling above my head, in the blue of heaven. +At night I was torn by claws, bitten by beaks; soft wings brushed +against me; and frightful demons, shrieking in my ears, flung me upon +the<span class="pagenum"><a name="Page_5" id="Page_5">[Pg 5]</a></span> ground. Once I was even rescued by the people of a caravan going +to Alexandria; and they took me away with them.</p> + +<p>"Then I sought to obtain instruction from the good old man Didymus. +Although blind, none equalled him in the knowledge of the Scriptures. +When the lesson was finished, he used to ask me to give him my arm +to lean upon, that we might walk together. Then I would conduct him +to the Paneum, whence may be seen the Pharos and the open sea. Then +we would return by way of the post, elbowing men of all nations, +even Cimmerians clad in the skins of bears and Gymnosophists of the +Ganges anointed with cow-dung. But there was always some fighting in +the streets—either on account of the Jews refusing to pay taxes, or +of seditious people who wished to drive the Romans from the city. +Moreover, the city is full of heretics—followers of Manes; Valentinus, +Basilides, Arius—all seeking to engross my attention in order to argue +with me and to convince me.</p> + +<p>"Their discourses often come back to my memory. Vainly do I seek to +banish them from my mind. They trouble me!</p> + +<p><span class="pagenum"><a name="Page_6" id="Page_6">[Pg 6]</a></span></p> + +<p>"I took refuge at Colzin, and there lived a life of such penance that +I ceased to fear God. A few men, desirous of becoming anchorites, +gathered about me. I imposed a practical rule of life upon them, +hating, as I did, the extravagance of Gnosus and the assertions of the +philosophers. Messages were sent to me from all parts, and men came +from afar off to visit me.</p> + +<p>"Meanwhile the people were torturing the confessors; and the thirst of +martyrdom drew me to Alexandria. The persecution had ceased three days +before I arrived there!</p> + +<p>"While returning thence, I was stopped by a great crowd assembled +before the temple of Serapis. They told me it was a last example which +the Governor had resolved to make. In the centre of the portico, under +the sunlight, a naked woman was fettered to a column, and two soldiers +were flogging her with thongs; at every blow her whole body writhed. +She turned round, her mouth open; and over the heads of the crowd, +through the long hair half hiding her face, I thought that I could +recognize Ammonaria....</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon201"></a> +<img src="images/redon2_01.jpg" width="600" alt="" /> +<div class="caption"><p>... through the long hair half hiding her face, +I thought that I could recognize Ammonaria ...</p></div> +</div> + +<p><span class="pagenum"><a name="Page_7" id="Page_7">[Pg 7]</a></span></p> + +<p class="p2">"Nevertheless ... this one was taller ... and beautiful ... +prodigiously beautiful!"</p> + +<p>(<i>He passes his hands over his forehead.</i>)</p> + +<p>"No! no! I must not think of it!</p> + +<p>"Another time Athanasius summoned me to assist him against the Arians. +The contest was limited to invectives and laughter. But since that +time he has been calumniated, dispossessed of his see, obliged to fly +for safety elsewhere. Where is he now? I do not know! The people give +themselves very little trouble to bring me news. All my disciples have +abandoned me—Hilarion like the rest.</p> + +<p>"He was perhaps fifteen years of age when he first came to me and his +intelligence was so remarkable that he asked me questions incessantly. +Then he used to listen to me with a pensive air, and whatever I needed +he brought it to me without a murmur—nimbler than a kid, merry enough +to make even the patriarchs laugh. He was a son to me."</p> + +<p>(<i>The sky is red; the earth completely black. Long drifts of sand +follow the course of the gusts of wind, rising like great shrouds and +falling again. Suddenly against a bright space in the sky a flock of +birds pass, forming<span class="pagenum"><a name="Page_8" id="Page_8">[Pg 8]</a></span> a triangular battalion, gleaming like one sheet of +metal, of which the edges alone seem to quiver.</i></p> + +<p><i>Anthony watches them.</i>)</p> + +<p>"Ah, how I should like to follow them.</p> + +<p>"How often also have I enviously gazed upon those long vessels, +whose sails resemble wings—and above all when they were bearing +far away those I had received at my hermitage! What pleasant hours +we passed!—what out-pourings of feeling! No one ever interested me +more than Ammon: he told me of his voyage to Rome, of the Catacombs, +the Coliseum, the piety of illustrious women, and a thousand other +things!—and it grieved me to part with him! Wherefore my obstinacy +in continuing to live such a life as this? I would have done well to +remain with the monks of Nitria, inasmuch as they supplicated me to +do so. They have cells apart, and nevertheless communicate with each +other. On Sundays a trumpet summons them to assemble at the church, +where one may see three scourges hanging up, which serve to punish +delinquents, robbers, and intruders; for their discipline is severe.</p> + +<p>"Nevertheless they are not without some<span class="pagenum"><a name="Page_9" id="Page_9">[Pg 9]</a></span> enjoyments. The faithful bring +them eggs, fruits, and even instruments with which they can extract +thorns from their feet. There are vineyards about Prisperi; those +dwelling at Pabena have a raft on which they may journey when they go +to seek provisions.</p> + +<p>"But I might have served my brethren better as a simple priest. As a +priest one may aid the poor, administer the sacraments, and exercise +authority over families.</p> + +<p>"Furthermore, all laics are not necessarily damned, and it only +depended upon my own choice to become—for example—a grammarian, a +philosopher. I would then have had in my chamber a sphere of reeds, +and tablets always ready at hand, young men around me, and a wreath of +laurel suspended above my door, as a sign.</p> + +<p>"But there is too much pride in triumphs such as those. A soldier's +life would have been preferable. I was robust and bold: bold enough to +fasten the cables of the military machines—to traverse dark forests, +or to enter, armed and helmeted, into smoking cities.... Neither was +there anything to have prevented me from purchasing with my money the +position of publican at the toll-office<span class="pagenum"><a name="Page_10" id="Page_10">[Pg 10]</a></span> of some bridge; and travellers +would have taught me many strange things, and told me strange stories, +the while showing me many curious objects packed up among their +baggage....</p> + +<p>"The merchants of Alexandria sail upon the river Canopus on holidays, +and drink wine in the chalices of lotus-flowers, to a music of +tambourines which makes the taverns along the shore tremble! Beyond, +trees, made cone-shaped by pruning, protect the quiet farms against +the wind of the south. The roof of the lofty house leans upon thin +colonettes placed as closely together as the laths of a lattice; +and through their interspaces the master, reclining upon his long +couch, beholds his plains stretching about him—the hunter among the +wheat-fields—the winepress where the vintage is being converted into +wine, the oxen treading out the wheat. His children play upon the floor +around him; his wife bends down to kiss him."</p> + +<p>(<i>Against the grey dimness of the twilight, here and there appear +pointed muzzles, with straight, pointed ears and bright eyes. Anthony +advances toward them. There is a<span class="pagenum"><a name="Page_11" id="Page_11">[Pg 11]</a></span> sound of gravel crumbling down; the +animals take flight. It was a troop of jackals.</i></p> + +<p><i>One still remains, rising upon his hinder legs, with his body half +arched and head raised in an attitude full of defiance.</i>)</p> + +<p>"How pretty he is! I would like to stroke his back gently!"</p> + +<p>(<i>Anthony whistles to coax him to approach. The jackal disappears.</i>)</p> + +<p>"Ah! he is off to join the others. What solitude! what weariness!" +(<i>Laughing bitterly.</i>)</p> + +<p>"A happy life this indeed!—bending palm-branches in the fire to make +shepherds' crooks, fashioning baskets, stitching mats together—and +then exchanging these things with the Nomads for bread which breaks +one's teeth! Ah! woe, woe is me! will this never end? Surely death were +preferable! I can endure it no more! Enough! enough!"</p> + +<p>(<i>He stamps his foot upon the ground, and rushes frantically to and fro +among the rocks; then pauses, out of breath, bursts into tears, and +lies down upon the ground, on his side.</i></p> + +<p><i>The night is calm; multitudes of stars are palpitating; only the +crackling noise made by the tarantulas is audible.</i></p> + +<p><span class="pagenum"><a name="Page_12" id="Page_12">[Pg 12]</a></span></p> + +<p><i>The two arms of the cross make a shadow upon the sand; Anthony, who is +weeping, observes it.</i>)</p> + +<p>"Am I, then, so weak, O my God! Courage, let me rise from here!"</p> + +<p>(<i>He enters his hut, turns over a pile of cinders, finds a live ember, +lights his torch and fixes it upon the wooden desk, so as to throw a +light upon the great book.</i>)</p> + +<p>"Suppose I take the Acts of the Apostles?—yes!—no matter where!"</p> + +<p><i>'And he saw the heaven opened, and a certain vessel descending, as it +were a great linen sheet let down by the four corners from heaven to +the earth—wherein were all manner of four-footed beasts, and creeping +things of the earth and fowls of the air. And there came a voice to +him: Arise, Peter! Kill and eat!'</i><a name="FNanchor_1_1" id="FNanchor_1_1"></a><a href="#Footnote_1_1" class="fnanchor">[1]</a></p> + +<p>"Then the Lord desired that his apostle should eat of all things?... +while I...."</p> + +<p>(<i>Anthony remains thoughtful, his chin resting against his breast. The +rustling of the pages, agitated by the wind, causes him to lift his +head again; and he reads</i>:)</p> + +<p><span class="pagenum"><a name="Page_13" id="Page_13">[Pg 13]</a></span></p> + +<p><i>'So the Jews made a great slaughter of their enemies with the sword, +and killed them, repaying according to what they had prepared to do to +them....</i><a name="FNanchor_2_2" id="FNanchor_2_2"></a><a href="#Footnote_2_2" class="fnanchor">[2]</a></p> + +<p>"Then, comes the number of people slain by them—seventy-five thousand. +They had suffered so much! Moreover, their enemies were the enemies of +the true God. And how they must have delighted in avenging themselves +thus by the massacre of idolaters! Doubtless the city must have been +crammed with the dead! There must have been corpses at the thresholds +of the garden gates, upon the stairways, in all the chambers, and piled +up so high that the doors could no longer move upon their hinges!... +But lo! here I am permitting my mind to dwell upon ideas of murder and +of blood!..."</p> + +<p>(<i>He opens the book at another place.</i>)</p> + +<p><i>'Then King Nabuchodonosor fell on his face, and worshipped +Daniel....</i>'<a name="FNanchor_3_3" id="FNanchor_3_3"></a><a href="#Footnote_3_3" class="fnanchor">[3]</a></p> + +<p>"Ah! that was just! The <i>Most High</i> exalts his prophets above Kings; +yet that monarch spent his life in banqueting, perpetually drunk with +pleasure and pride. But God, to<span class="pagenum"><a name="Page_14" id="Page_14">[Pg 14]</a></span> punish him, changed him into a beast! +He walked upon four feet!"</p> + +<p>(<i>Anthony begins to laugh; and in extending his arms, involuntarily +disarranges the leaves of the book with the tips of his fingers. His +eyes fell upon this phrase</i>:—)</p> + +<p><i>'And Ezechias rejoiced at their coming, and he showed them the house +of his aromatical spices, and the gold and the silver, and divers +precious odours and ointments, and the house of his vessels, and all +that he had in his treasures....'</i><a name="FNanchor_4_4" id="FNanchor_4_4"></a><a href="#Footnote_4_4" class="fnanchor">[4]</a></p> + +<p>"I can imagine that spectacle; they must have beheld precious stones, +diamonds and darics heaped up to the very roof. One who possesses so +vast an accumulation of wealth is no longer like other men. While +handling his riches he knows that he controls the total result of +innumerable human efforts—as it were the life of nations drained by +him and stored up, which he can pour forth at will. It is a commendable +precaution on the part of Kings. Even the <i>Wisest</i> of all did not +neglect it. His navy brought him elephants' teeth and apes.... Where is +that passage?"</p> + +<p><span class="pagenum"><a name="Page_15" id="Page_15">[Pg 15]</a></span></p> + +<p>(<i>He turns the leaves over rapidly.</i>)</p> + +<p>"Ah! here it is:"</p> + +<p><i>'And the Queen of Saba, having heard of the fame of Solomon in the +name of the Lord, came to try him with hard questions.'</i><a name="FNanchor_5_5" id="FNanchor_5_5"></a><a href="#Footnote_5_5" class="fnanchor">[5]</a></p> + +<p>"How did she hope to tempt him? The <i>Devil</i> indeed sought to tempt +Jesus! But Jesus triumphed because he was God; and Solomon, perhaps, +owing this knowledge of magic! It is sublime—that science! For the +world—as a philosopher once explained it to me, forms a whole, of +which all parts mutually influence one another, like the organs of one +body. It is science which enables us to know the natural loves and +natural repulsions of all things, and to play upon them?... Therefore, +it is really possible to modify what appears to be the immutable order +of the universe?"</p> + +<p>(<i>Then the two shadows formed behind him by the arms of the cross, +suddenly lengthen and project themselves before him. They assume the +form of two great horns. Anthony cries out</i>:—)</p> + +<p>"Help me! O my God!"</p> + +<p><span class="pagenum"><a name="Page_16" id="Page_16">[Pg 16]</a></span></p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon02"></a> +<img src="images/redon_02.jpg" width="600" alt="" /> +<div class="caption"><p>Saint Anthony: Help me, O my God!</p></div> +</div> + +<p class="p2">(<i>The shadows shrink back to their former place.</i>)</p> + +<p>"Ah!... it was an illusion ... nothing more. It is needless for me to +torment my mind further! I can do nothing!—absolutely nothing."</p> + +<p>(<i>He sits down and folds his arms.</i>)</p> + +<p>"Nevertheless ... it seems to me that I felt the approach of.... But +why should <i>He</i> come? Besides, do I not know all his artifices? I +repulsed the monstrous anchorite who laughingly offered me little +loaves of warm, fresh bread, the centaur who sought to carry me away +upon his croup, and that black child who appeared to me in the midst of +the sands, who was very beautiful, and who told me that he was called +the Spirit of Lust!"</p> + +<p>(<i>Anthony rises and walks rapidly up and down, first to the right, then +to the left.</i>)</p> + +<p>"It was by my order that this multitude of holy retreats was +constructed—full of monks all wearing sackcloth of camel's hair +beneath their garments of goatskin, and numerous enough to form an +army. I have cured the sick from afar off; I have cast out demons; +I have passed the river in the midst of crocodiles;<span class="pagenum"><a name="Page_17" id="Page_17">[Pg 17]</a></span> the Emperor +Constantine wrote me throe letters; Balacius, who had spat upon mine, +was torn to pieces by his own horses; when I reappeared the people of +Alexandria fought for the pleasure of seeing me, and Athanasius himself +escorted me on the way back. But what works have I not accomplished +Lo! for these thirty years and more I have been dwelling and groaning +unceasingly in the desert! Like Eusebius, I have carried thirty-eight +pounds of bronze upon my loins; like Macarius, I have exposed my body +to the stings of insects; like Pacomus, I have passed fifty-three +nights without closing my eyes; and those who are decapitated, tortured +with red hot pincers, or burned alive, are perhaps less meritorious +than I, seeing that my whole life is but one prolonged martyrdom." +(<i>Anthony slackens his pace.</i>)</p> + +<p>"Assuredly there is no human being in a condition of such unutterable +misery! Charitable hearts are becoming scarcer. I no longer receive +aught from any one. My mantle is worn out. I have no sandals—I have +not even a porringer!—for I have distributed all I possessed to the +poor and to my family, without retaining so much as one obolus. Yet<span class="pagenum"><a name="Page_18" id="Page_18">[Pg 18]</a></span> +surely I ought to have a little money to obtain the tools indispensable +to my work? Oh, not much! a very small sum.... I would be very saving +of it....</p> + +<p>"The fathers of Nicæa, clad in purple robes, sat like magi, upon +thrones ranged along the walls; and they were entertained at a great +banquet and overwhelmed with honours, especially Paphnutius, because he +is one-eyed and lame, since the persecution of Diocletian! The Emperor +kissed his blind eye several times; what foolishness! Besides, there +were such infamous men members of that Council! A bishop of Scythia, +Theophilus! another of Persia, John! a keeper of beasts, Spiridion! +Alexander was too old. Athanasius ought to have shown more gentleness +towards the Arians, so as to have obtained concessions from them.</p> + +<p>"Yet would they have made any? They would not hear me! The one who +spoke against me—a tall young man with a curly beard—uttered the +most captious objections to my argument; and while I was seeking words +to express my views they all stared at me with their wicked faces, +and barked like hyenas. Ah! why cannot I have them all exiled<span class="pagenum"><a name="Page_19" id="Page_19">[Pg 19]</a></span> by the +Emperor! or rather have them beaten, crushed, and see them suffer! I +suffer enough myself."</p> + +<p>(<i>He leans against his cabin in a fainting condition.</i>)</p> + +<p>"It is because I have fasted too long; my strength is leaving me. If I +could eat—only once more—a piece of meat." (<i>He half closes his eyes +with languor.</i>)</p> + +<p>"Ah! some red flesh—a bunch of grapes to bite into ... curdled milk +that trembles on a plate!...</p> + +<p>"But what has come upon me? What is the matter with me? I feel my heart +enlarging like the sea, when it swells before the storm. An unspeakable +feebleness weighs down upon me, and the warm air seems to waft me +the perfume of a woman's hair. No woman has approached this place; +nevertheless?—"</p> + +<p>(<i>He gazes toward the little pathway between the rocks.</i>)</p> + +<p>"That is the path by which they come, rocked in their litters by the +black arms of the eunuchs. They descend and joining their hands, +heavy with rings, kneel down before me. They relate to me all their +troubles.<span class="pagenum"><a name="Page_20" id="Page_20">[Pg 20]</a></span> The desire of human pleasure tortures them; they would +gladly die; they have seen in their dreams God calling to them ... and +all the while the hems of their robes fall upon my feet. I repel them +from me. 'Ah! no!' they cry, 'not yet! What shall I do?' They gladly +accept any penitence I impose on them. They ask for the hardest of all; +they beg to share mine and to live with me.</p> + +<p>"It is now a long time since I have seen any of them! Perhaps some of +them will come! why not? If I could only hear again, all of a sudden, +the tinkling of mule-bells among the mountains. It seems to me...."</p> + +<p>(<i>Anthony clambers upon a rock at the entrance of the pathway, and +leans over, darting his eyes into the darkness.</i>)</p> + +<p>"Yes! over there, far off I see a mass moving, like a band of +travellers seeking the way. <i>She</i> is there!... They are making a +mistake." (<i>Calling.</i>)</p> + +<p>"This way! Come! Come!"</p> + +<p>(<i>Echo repeats: Come! Come! he lets his arms fall, stupefied.</i>)</p> + +<p>"What shame for me! Alas! poor Anthony."</p> + +<p><span class="pagenum"><a name="Page_21" id="Page_21">[Pg 21]</a></span></p> + +<p>(<i>And all of a sudden he hears a whisper:—"Poor Anthony"!</i>)</p> + +<p>"Who is there? Speak!"</p> + +<p>(<i>The wind passing through the intervals between the rocks, makes +modulations; and in those confused sonorities he distinguishes Voices, +as though the air itself were speaking. They are low, insinuating, +hissing.</i>)</p> + +<p><i>The First</i>: "Dost thou desire women?"</p> + +<p><i>The Second</i>: "Great heaps of money, rather!"</p> + +<p><i>The Third</i>: "A glittering sword?" (<i>and</i>)</p> + +<p><i>The Others</i>: "All the people admire thee! Sleep!"</p> + +<p>"Thou shalt slay them all, aye, thou shalt slay them!"</p> + +<p>(<i>At the same moment objects become transformed. At the edge of the +cliff, the old palm tree with its tuft of yellow leaves, changes into +the torso of a woman leaning over the abyss, her long hair waving in +the wind.</i></p> + +<p><i>Anthony turns toward his cabin; and the stool supporting the great book +whose pages are covered with black letters, seems to him changed into a +bush all covered with nightingales.</i>)</p> + +<p><span class="pagenum"><a name="Page_22" id="Page_22">[Pg 22]</a></span></p> + +<p>"It must be the torch which is making this strange play of light.... +Let us put it out!"</p> + +<p>(<i>He extinguishes it; the obscurity becomes deeper, the darkness +profound.</i></p> + +<p><i>And suddenly in the air above there appear and disappear +successively—first, a stretch of water; then the figure of a +prostitute; the corner of a temple, a soldier; a chariot with two white +horses, prancing.</i></p> + +<p><i>These images appear suddenly, as in flashes—outlined against the +background of the night, like scarlet paintings executed upon ebony.</i></p> + +<p><i>Their motion accelerates. They defile by with vertiginous rapidity. +Sometimes again, they pause and gradually pale and melt away; or else +float off out of sight, to be immediately succeeded by others.</i></p> + +<p><i>Anthony closes his eyelids.</i></p> + +<p><i>They multiply, surround him, besiege him. An unspeakable fear takes +possession of him; and he feels nothing more of living sensation, save +a burning contraction of the epigastrium. In spite of the tumult in +his brain, he is aware of an enormous silence which separates him from +the world. He tries to speak;—impossible!<span class="pagenum"><a name="Page_23" id="Page_23">[Pg 23]</a></span> He feels as though all the +bands of his life were breaking and dissolving;—and, no longer able to +resist, Anthony falls prostrate upon his mat.</i>)</p> +<hr class="r5" /> + +<div class="footnote"> + +<p><a name="Footnote_1_1" id="Footnote_1_1"></a><a href="#FNanchor_1_1"><span class="label">[1]</span></a> Acts X: 11-13—T.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_2_2" id="Footnote_2_2"></a><a href="#FNanchor_2_2"><span class="label">[2]</span></a> Esther IX: 5—T.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_3_3" id="Footnote_3_3"></a><a href="#FNanchor_3_3"><span class="label">[3]</span></a> Daniel II: 46.—T.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_4_4" id="Footnote_4_4"></a><a href="#FNanchor_4_4"><span class="label">[4]</span></a> Kings XX: 13 (Vulg.).—T.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_5_5" id="Footnote_5_5"></a><a href="#FNanchor_5_5"><span class="label">[5]</span></a> III Kings X: I (Vulg.).—T.</p> + +<hr class="chap" /> + +<p><span class="pagenum"><a name="Page_24" id="Page_24">[Pg 24]</a></span></p></div> + + + + +<h4><a name="II" id="II">II</a></h4> + + +<p>(<i>Then a great shadow, subtler than any natural shadow, and festooned +by other shadows along its edges, defines itself upon the ground.</i></p> + +<p><i>It is the Devil, leaning upon the roof of the hut, and bearing beneath +his wings—like some gigantic bat suckling its little ones—the Seven +Deadly Sins, whose grimacing heads are dimly distinguishable.</i></p> + +<p><i>With eyes still closed, Anthony yields to the pleasure of inaction; +and stretches his limbs upon the mat.</i></p> + +<p><i>It seems to him quite soft, and yet softer—so that it becomes as if +padded; it rises up; it becomes a bed. The bed becomes a shallop; water +laps against its sides.</i></p> + +<p><i>To right and left rise two long tongues of land, overlooking low +cultivated plains, with a sycamore tree here and there. In the distance +there is a tinkling of bells, a sound of drums and of singers. It is a +party going to<span class="pagenum"><a name="Page_25" id="Page_25">[Pg 25]</a></span> Canopus to sleep upon the temple of Serapis, in order +to have dreams. Anthony knows this; and impelled by the wind, his boat +glides along between the banks. Papyrus-leaves and the red flowers of +the nymphæa, larger than the body of a man, bend over him. He is lying +at the bottom of the boat; one oar at the stem, drags in the water. +From time to time, a lukewarm wind blows; and the slender reeds rub one +against the other, and rustle. Then the sobbing of the wavelets becomes +indistinct. A heavy drowsiness falls upon him. He dreams that he is a +Solitary of Egypt.</i></p> + +<p><i>Then he awakes with a start.</i>)</p> + +<p>"Did I dream? It was all so vivid that I can scarcely believe I was +dreaming! My tongue burns. I am thirsty."</p> + +<p>(<i>He enters the cabin, and gropes at random in the dark.</i>)</p> + +<p>"The ground is wet; can it have been raining? What can this mean! My +pitcher is broken into atoms! But the goatskin?" (<i>He finds it.</i>)</p> + +<p>"Empty!—completely empty! In order to get down to the river, I should +have to walk for at least three hours; and the night is so dark that I +could not see my way.</p> + +<p><span class="pagenum"><a name="Page_26" id="Page_26">[Pg 26]</a></span></p> + +<p>"There is a gnawing in my entrails. Where is the bread!"</p> + +<p>(<i>After long searching, he picks up a crust not so large as an egg.</i>)</p> + +<p>"What? Have the jackals taken it? Ah! malediction!"</p> + +<p>(<i>And he flings the bread upon the ground with fury.</i></p> + +<p><i>No sooner has the action occurred than a table makes its appearance, +covered with all things that are good to eat.</i></p> + +<p><i>The byssus cloth, striated like the bandelets of the sphinx, produces +of itself luminous undulations. Upon it are enormous quarters of red +meats; huge fish; birds cooked in their plumage, and quadrupeds in +their skins; fruits with colors and tints almost human in appearance; +while fragments of cooling ice, and flagons of violet crystal reflect +each other's glittering. Anthony notices in the middle of the table +a boar smoking at every pore—with legs doubled up under its belly, +and eyes half closed—and the idea of being able to eat so formidable +an animal greatly delights him. Then many things appear which he has +never seen before—black hashes, jellies, the color of gold, ragouts in +which<span class="pagenum"><a name="Page_27" id="Page_27">[Pg 27]</a></span> mushrooms float like nenuphars upon ponds, dishes of whipt cream +light as clouds.</i></p> + +<p><i>And the aroma of all this comes to him together with the salt smell of +the ocean, the coolness of mountains, the great perfumes of the woods. +He dilates his nostrils to their fullest extent; his mouth waters; he +thinks to himself that he has enough before him for a year, for ten +years, for his whole life!</i></p> + +<p><i>As he gazes with widely-opened eyes at all these viands, others +appear; they accumulate, forming a pyramid crumbling at all its angles. +The wines begin to flow over—the fish palpitate—the blood seethes in +the dishes—the pulp of the fruit protrudes like amorous lips—and the +table rises as high as his breast, up to his very chin at last—now +bearing only one plate and a single loaf of bread, placed exactly in +front of him.</i></p> + +<p><i>He extends his hand to seize the loaf. Other loaves immediately +present themselves to his grasp.</i>)</p> + +<p>"For me!... all these! But ..." (<i>Anthony suddenly draws back.</i>)</p> + +<p>"Instead of one which was there, lo! there are many! It must be a +miracle, then, the same as our Lord wrought!</p> + +<p><span class="pagenum"><a name="Page_28" id="Page_28">[Pg 28]</a></span></p> + +<p>"Yet for what purpose?... Ah! all the rest of these things are equally +incomprehensible! Demon, begone from me! depart! begone!"</p> + +<p>(<i>He kicks the table from him. It disappears.</i>)</p> + +<p>"Nothing more?—no!" (<i>He draws a lung breath.</i>)</p> + +<p>"Ah! the temptation was strong! But how well I delivered myself from +it!"</p> + +<p>(<i>He lifts his head, and at the same time stumbles over some sonorous +object.</i>)</p> + +<p>"Why! what can that be?" (<i>Anthony stoops down.</i>)</p> + +<p>"How! a cup! Some traveller must have lost it here. There is nothing +extraordinary...."</p> + +<p>(<i>He wets his finger, and rubs.</i>)</p> + +<p>"It glitters!—metal! Still, I cannot see very clearly...."</p> + +<p>(<i>He lights his torch, and examines the cup.</i>)</p> + +<p>"It is silver, ornamented with ovules about the rim, with a medal at +the bottom of it."</p> + +<p>(<i>He detaches the medal with his nail!</i>)</p> + +<p>"It is a piece of money worth about seven or eight drachmas—not more! +It matters<span class="pagenum"><a name="Page_29" id="Page_29">[Pg 29]</a></span> not! even with that I could easily buy myself a sheepskin."</p> + +<p>(<i>A sudden flash of the torch lights up the cup.</i>)</p> + +<p>"Impossible! gold? Yes, all gold, solid gold!"</p> + +<p>(<i>A still larger piece of money appears at the bottom. Under it he +perceives several others.</i>)</p> + +<p>"Why, this is a sum ... large enough to purchase three oxen ... and a +little field!"</p> + +<p>(<i>The cup is now filled with pieces of gold.</i>)</p> + +<p>"What! what!... a hundred slaves, soldiers, a host ... enough to +buy...."</p> + +<p>(<i>The granulations of the rim, detaching themselves form a necklace of +pearls.</i>)</p> + +<p>"With such a marvel of jewelry as that, one could win even the wife of +the Emperor!"</p> + +<p>(<i>By a sudden jerk, Anthony makes the necklace slip down over his +wrist. He holds the cup in his left hand, and with his right lifts +up the torch so as to throw the light upon it. As water streams +overflowing from the basin of a fountain, so diamonds, carbuncles, and +sapphires, all mingled with broad<span class="pagenum"><a name="Page_30" id="Page_30">[Pg 30]</a></span> pieces of gold bearing the effigies +of Kings, overflow from the cup in never ceasing streams, to form a +glittering hillock upon the sand.</i>)</p> + +<p>"What! how! Staters, cycles, dariacs, aryandics; Alexander, Demetrius, +the Ptolemies, Cæsar!—yet not one of them all possessed so much! +Nothing is now impossible! no more suffering for me! how these +gleams dazzle my eyes! Ah! my heart overflows! how delightful it is! +yes—yes!—more yet! never could there be enough! Vainly I might +continually fling it into the sea, there would always be plenty +remaining for me. Why should I lose any of it? I will keep all, and say +nothing to any one about it; I will have a chamber hollowed out for me +in the rock, and lined with plates of bronze, and I will come here from +time to time to feel the gold sinking down under the weight of my heel; +I will plunge my arms into it as into sacks of grain! I will rub my +face with it, I will lie down upon it!"</p> + +<p>(<i>He flings down the torch in order to embrace the glittering heap, and +falls flat upon the ground.</i></p> + +<p><i>He rises to his feet. The place is wholly empty.</i>)</p> + +<p><span class="pagenum"><a name="Page_31" id="Page_31">[Pg 31]</a></span></p> + +<p>"What have I done!</p> + +<p>"Had I died during those moments, I should have gone to hell—to +irrevocable damnation."</p> + +<p>(<i>He trembles in every limb.</i>)</p> + +<p>"Am I, then, accursed? Ah! no; it is my own fault! I allow myself +to be caught in every snare! No man could be more imbecile, more +infamous! I should like to beat myself, or rather to tear myself out +of my own body! I have restrained myself too long. I feel the want of +vengeance—the necessity of striking, of killing!—as though I had a +pack of wild beasts within me! Would that I could hew my way with an +axe, through the midst of a multitude.... Ah, a poniard!..."</p> + +<p>(<i>He perceives his knife, and rushes to seize it. The knife slips from +his hand; and Anthony remains leaning against the wall of his hut, with +wide-open mouth, motionless, cataleptic.</i></p> + +<p><i>Everything about him has disappeared.</i></p> + +<p><i>He thinks himself at Alexandria, upon the Paneum—an artificial +mountain in the centre of the city, encircled by a winding stairway.</i></p> + +<p><i>Before him lies Lake Mareolis; on his right hand is the sea, on his +left the country; and<span class="pagenum"><a name="Page_32" id="Page_32">[Pg 32]</a></span> immediately beneath him a vast confusion of +flat roofs, traversed from north to south and from east to west by +two streets which intercross, and which offer throughout their entire +length the spectacle of files of porticoes with Corinthian columns. The +houses overhanging this double colonnade have windows of stained glass. +Some of them support exteriorly enormous wooden cages, into which the +fresh air rushes from without.</i></p> + +<p><i>Monuments of various architecture tower up in close proximity. +Egyptian pylons dominate Greek temples. Obelisks appear like lances +above battlements of red brick. In the middle of public squares there +are figures of Hermes with pointed ears, and of Anubis with the head of +a dog. Anthony can distinguish the mosaic pavements of the courtyards, +and tapestries suspended from the beams of ceilings.</i></p> + +<p><i>He beholds at one glance, the two ports (the Great Port and the +Eunostus), both round as circuses, and separated by a mole connecting +Alexandria with the craggy island upon which the Pharos-tower +rises—quadrangular, five hundred cubits high, nine storied,<span class="pagenum"><a name="Page_33" id="Page_33">[Pg 33]</a></span> having at +its summit a smoking heap of black coals.</i></p> + +<p><i>Small interior ports open into the larger ones. The mole terminates at +each end in a bridge supported upon marble columns planted in the sea. +Sailing vessels pass beneath it, while heavy lighters overladen with +merchandise, thalamegii<a name="FNanchor_1_6" id="FNanchor_1_6"></a><a href="#Footnote_1_6" class="fnanchor">[1]</a> inlaid with ivory, gondolas covered with +awnings, triremes, biremes, and all sorts of vessels are moving to and +fro, or lie moored at the wharves.</i></p> + +<p><i>About the Great Port extends an unbroken array of royal construction: +the palace of the Ptolomies, the Museum, the Posidium, the Cæsareum, +the Timonium where Mark Anthony sought refuge, the Soma which contains +the tomb of Alexander; while at the other extremity of the city, beyond +the Eunostus, the great glass factories, perfume factories, and papyrus +factories may be perceived in a suburban quarter.</i></p> + +<p><i>Strolling peddlers, porters, ass-drivers run and jostle together. +Here and there one observes some priest of Isis wearing a panther skin +on his shoulders, a Roman soldier with<span class="pagenum"><a name="Page_34" id="Page_34">[Pg 34]</a></span> his bronze helmet, and many +negroes. At the thresholds of the shops women pause, artisans ply their +trades; and the grinding noise of chariot wheels puts to flight the +birds that devour the detritus of the butcher-shops and the morsels of +fish left upon the ground.</i></p> + +<p><i>The general outline of the streets seems like a black network flung +upon the white uniformity of the houses. The markets stocked with +herbs make green bouquets in the midst of it; the drying-yards of the +dyers, blotches of color; the golden ornaments of the temple-pediments, +luminous points—all comprised within the oval enclosure of the grey +ramparts, under the vault of the blue heaven, beside the motionless +sea.</i></p> + +<p><i>But suddenly the movement of the crowd ceases; all turn their +eyes toward the west, whence enormous whirlwinds of dust are seen +approaching.</i></p> + +<p><i>It is the coming of the monks of the Thebaid, all clad in goatskins, +armed with cudgels, roaring a canticle of battle and of faith with the +refrain</i>:</p> + +<p>"Where are they? Where are they?"</p> + +<p><i>Anthony understands that they are coming to kill the Arians.</i></p> + +<p><span class="pagenum"><a name="Page_35" id="Page_35">[Pg 35]</a></span></p> + +<p><i>The streets are suddenly emptied—only flying feet are visible.</i></p> + +<p><i>The Solitaries are now in the city. Their formidable cudgels, studded +with nails, whirl in the air like suns of steel. The crash of things +broken in the houses is heard. There are intervals of silence. Then +great screams arise.</i></p> + +<p><i>From one end of the street to the other there is a continual eddy of +terrified people.</i></p> + +<p><i>Many grasp pikes. Sometimes two bands meet, rush into one; and this +mass of men slips upon the pavement—fighting, disjointing, knocking +down. But the men with the long hair always reappear.</i></p> + +<p><i>Threads of smoke begin to escape from the corners of edifices! folding +doors burst open. Portions of walls crumble down. Architraves fall.</i></p> + +<p><i>Anthony finds all his enemies again, one after the other. He even +recognizes some whom he had altogether forgotten; before killing them +he outrages them. He disembowels—he severs throats—he fells as in +a slaughter house—he hales old men by the beard, crushes children, +smites the wounded. And vengeance is taken upon luxury, those<span class="pagenum"><a name="Page_36" id="Page_36">[Pg 36]</a></span> who +do not know how to read tear up hooks; others smash and deface the +statues, paintings, furniture, caskets,—a thousand dainty things +the use of which they do not know, and which simply for that reason +exasperates them. At intervals they pause, out of breath, in the work +of destruction; then they recommence.</i></p> + +<p><i>The inhabitants moan in the courtyards where they have sought refuge. +The women raise their tearful eyes and lift their naked arms to heaven. +In hope of moving the Solitaries they embrace their knees; the men cast +them off and fling them down, and the blood gushes to the ceilings, +falls back upon the walls like sheets of rain, streams from the trunks +of decapitated corpses, fills the aqueducts, forms huge red pools upon +the ground.</i></p> + +<p><i>Anthony is up to his knees in it. He wades in it; he sucks up the +blood-spray on his lips; he is thrilled with joy as he feels it upon +his limbs, under his hair-tunic which is soaked through with it.</i></p> + +<p><i>Night comes. The immense uproar dies away.</i></p> + +<p><i>The Solitaries have disappeared.</i></p> + +<p><i>Suddenly, upon the outer galleries corresponding<span class="pagenum"><a name="Page_37" id="Page_37">[Pg 37]</a></span> to each of the nine +stories of the Pharos, Anthony observes thick black lines forming, like +lines of crows perching. He hurries thither; and soon finds himself at +the summit.</i></p> + +<p><i>A huge mirror of brass turned toward the open sea, reflects the forms +of the vessels in the offing.</i></p> + +<p><i>Anthony amuses himself by watching them; and while he watches, their +number increases.</i></p> + +<p><i>They are grouped together within a gulf which has the form of a +crescent. Upon a promontory in the background, towers a new city of +Roman architecture, with cupolas of stone, conical roofs, gleams of +pink and blue marbles, and a profusion of brazen ornamentation applied +to the volutes of the capitals, to the angles of the cornices, to the +summits of the edifices. A cypress-wood overhangs the city. The line of +the sea is greener, the air colder. The mountains lining the horizon +are capped with snow.</i></p> + +<p><i>Anthony is trying to find his way, when a man approaches him, and +says</i>:</p> + +<p>"Come! they are waiting for you."</p> + +<p><i>He traverses a forum, enters a great court, stoops beneath a low +door; and he arrives before<span class="pagenum"><a name="Page_38" id="Page_38">[Pg 38]</a></span> the facade of the palace, decorated +with a group in wax, representing Constantine overcoming a dragon. +There is a porphyry basin, from the centre of which rises a golden +conch-shell full of nuts. His guide tells him that he may take some of +them. He does so. Then he is lost, as it were, in a long succession of +apartments.</i></p> + +<p><i>There are mosaics upon the walls representing generals presenting +the Emperor with conquered cities, which they hold out upon the +palms of their hands. And there are columns of basalt everywhere, +trellis-work in silver filigree, ivory chairs, tapestries embroidered +with pearls. The light falls from the vaults above; Anthony still +proceeds. Warm exhalations circulate about him; occasionally he hears +the discreet clapping sound of sandals upon the pavement. Posted in +the anti-chambers are guards, who resemble automata, holding wands of +vermillion upon their shoulders.</i></p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon03"></a> +<img src="images/redon_03.jpg" width="600" alt="" /> +<div class="caption"><p>And there are columns of basalt everywhere,... +The light falls from the vaults above</p></div> +</div> + +<p class="p2"><i>At last he finds himself in a great hall, with hyacinth-colored +curtains at the further end. They part, and display the Emperor seated +on a throne, clad in a violet tunic, and wearing red shoes striped with +bands of black.</i></p> + +<p><span class="pagenum"><a name="Page_39" id="Page_39">[Pg 39]</a></span></p> + +<p><i>A diadem of pearls surround his head; his locks are arranged +symmetrically in rouleaux. He has a straight nose, drooping eyelids, +a heavy and cunning physiognomy. At the four corners of the dais +stretched above his head are placed four golden doves; and at the foot +of the throne are two lions in enamel crouching. The doves begin to +sing, the lions to roar. The Emperor rolls his eyes; Anthony advances; +and forthwith, without preamble, they commence to converse about +recent events. In the cities of Antioch, Ephesus, and Alexandria, +the temples have been sacked, and the statues of the gods converted +into pots and cooking utensils; the Emperor laughs heartily about it. +Anthony reproaches him with his tolerance toward the Novations. But the +Emperor becomes vexed. Novations, Arians or Meletians—he is sick of +them all! Nevertheless, he admires the episcopate; for inasmuch as the +Christians maintain bishops, who depend for their position upon five or +six important personages, it is only necessary to gain over the latter, +in order to have all the rest on one's side. Therefore he did not fail +to furnish them with large<span class="pagenum"><a name="Page_40" id="Page_40">[Pg 40]</a></span> sums. But he detests the Fathers of the +Council of Nicæa.</i></p> + +<p>"Let us go and see them!"</p> + +<p><i>Anthony follows him.</i></p> + +<p><i>And they find themselves on a terrace, upon the same floor.</i></p> + +<p><i>It overlooks a hippodrome thronged with people, and surmounted by +porticoes where other spectators are walking to and fro. From the +centre of the race-course rises a narrow platform of hewn stone, +supporting a little temple of Mercury, the statue of Constantine, and +three serpents of brass twisted into a column; there are three huge +wooden eggs at one end, and at the other a group of seven dolphins with +their tails in the air.</i></p> + +<p><i>Behind the imperial pavilion sit the Prefects of the Chambers, the +Counts of the Domestics, and the Patricians—in ranks rising by tiers +to the first story of a church whose windows are thronged with women. +On the right is the tribune of the Blue Faction; on the left, that of +the Green; below, a picket of soldiers is stationed; and on a level +with the arena is a row of Corinthian arches, forming the entrances to +the stables.</i></p> + +<p><i>The races are about to commence; the<span class="pagenum"><a name="Page_41" id="Page_41">[Pg 41]</a></span> horses are drawn up in line. +Lofty plumes, fastened between their ears, bend to the wind like +saplings; and with every restive bound, they shake their chariots +violently, which are shell-shaped, and conducted by charioteers clad +in a sort of multi-colored cuirass, having sleeves tight at the wrist +and wide in the arms; their legs are bare; their beards, faces and +foreheads are shaven after the manner of the Huns.</i></p> + +<p><i>Anthony is at first deafened by the billowy sound of voices. From +the summit of the hippodrome to its lowest tiers, he sees only faces +painted with rouge, garments checkered and variegated with many colors, +flashing jewelry; and the sand of the arena, all white, gleams like a +mirror.</i></p> + +<p><i>The Emperor entertains him. He confides to him many matters of high +importance, many secrets; he confesses the assassination of his son +Criopus, and even asks Anthony for advice regarding his health.</i></p> + +<p><i>Meanwhile Anthony notices some slaves in the rear portion of the +stables below. They are the Fathers of Nicæa, ragged and abject. The +martyr Paphnutius is brushing the mane of one horse; Theophilus is +washing the legs<span class="pagenum"><a name="Page_42" id="Page_42">[Pg 42]</a></span> of another; John is painting the hoofs of a third; +Alexander is collecting dung in a basket.</i></p> + +<p><i>Anthony passes through the midst of them. They range themselves on +either side respectfully; they beseech his intercession; they kiss his +hands. The whole assemblage of spectators hoots at them; and he enjoys +the spectacle with immeasurable pleasure. Lo! he is now one of the +grandees of the Court—the Emperor's confidant—the prime minister! +Constantine places his own diadem upon his brows. Anthony allows it to +remain upon his head, thinking this honor quite natural.</i></p> + +<p><i>And suddenly in the midst of the darkness a vast hall appears, +illuminated by golden candelabra.</i></p> + +<p><i>Candles so lofty that they are half lost in the darkness, stretch away +in huge files beyond the lines of banquet-tables, which seem to extend +to the horizon, where through a luminous haze loom superpositions of +stairways, suites of arcades, colossi, towers, and beyond all a vague +border of palace walls, above which rise the crests of cedars, making +yet blacker masses of blackness against the darkness.</i></p> + +<p><span class="pagenum"><a name="Page_43" id="Page_43">[Pg 43]</a></span></p> + +<p><i>The guests, crowned with violet wreaths, recline upon very low couches +and are leaning upon their elbows. Along the whole length of this +double line of couches, wine is being poured out from amphoræ, and at +the further end, all alone, coiffed with the tiara and blazing with +carbuncles, King Nebuchadnezzar eats and drinks.</i></p> + +<p><i>On his right and left, two bands of priests in pointed caps are +swinging censers. On the pavement below crawl the captive kings whose +hands and feet have been cut off; from time to time he flings them +bones to gnaw. Further off sit his brothers, with bandages across their +eyes, being all blind.</i></p> + +<p><i>From the depths of the ergastula arise moans of ceaseless pain. Sweet +slow sounds of a hydraulic organ alternate with choruses of song; and +one feels that all about the palace without extends an immeasurable +city—an ocean of human life whose waves break against the walls. The +slaves run hither and thither carrying dishes. Women walk between the +ranks of guests, offering drinks to all; the baskets groan under their +burthen of loaves; and a dromedary, laden with perforated water-skins: +passes and repasses through<span class="pagenum"><a name="Page_44" id="Page_44">[Pg 44]</a></span> the hall, sprinkling and cooling the +pavement with vervain.</i></p> + +<p><i>Lion tamers are leading tamed lions about. Dancing girls—their +hair confined in nets—balance themselves and turn upon their hands, +emitting fire through their nostrils; negro boatmen are juggling; naked +children pelt each other with pellets of snow, which burst against the +bright silverware. There is an awful clamor as of a tempest; and a huge +cloud hangs over the banquet—so numerous are the meats and breaths. +Sometimes a flake of fire torn from the great flambeaux by the wind, +traverses the night like a shooting star.</i></p> + +<p><i>The king wipes the perfumes from his face with his arm. He eats from +the sacred vessels—then breaks them; and secretly reckons up the +number of his fleets, his armies, and his subjects. By and by, for a +new caprice, he will burn his palace with all its guests. He dreams of +rebuilding the tower of Babel, and dethroning God.</i></p> + +<p><i>Anthony, from afar off, reads all these thoughts upon his brow. They +penetrate his own brain, and he becomes Nebuchadnezzar. Immediately he +is cloyed with orgiastic excesses,<span class="pagenum"><a name="Page_45" id="Page_45">[Pg 45]</a></span> sated with fury of extermination; +and a great desire comes upon him to wallow in vileness. For the +degradation of that which terrifies men is an outrage inflicted upon +their minds—it affords yet one more way to stupefy them; and as +nothing is viler than a brute, Anthony goes upon the table on all +fours, and bellows like a bull.</i></p> + +<p><i>He feels a sudden pain in his hand—a pebble has accidentally wounded +him—and he finds himself once more in front of his cabin.</i></p> + +<p><i>The circle of the rocks is empty. The stars are glowing in the sky. +All is hushed.</i>)</p> + +<p>"Again have I allowed myself to be deceived! Why these things? They +come from the rebellion of the flesh. Ah! wretch!"</p> + +<p>(<i>He rushes into his cabin, and seizes a bunch of thongs, with metallic +hooks attached to their ends, strips himself to the waist and, lifting +his eyes to heaven exclaims</i>:)</p> + +<p>"Accept my penance, O my God: disdain it not for its feebleness. Render +it sharp, prolonged, excessive! It is time, indeed!—to the work!"</p> + +<p>(<i>He gives himself a vigorous lash—and shrieks.</i>)</p> + +<p>"No! no!—without mercy it must be."</p> + +<p><span class="pagenum"><a name="Page_46" id="Page_46">[Pg 46]</a></span></p> + +<p>(<i>He recommences.</i>)</p> + +<p>"Oh! oh! oh! each lash tears my skin, rends my limbs! It burns me +horribly!"</p> + +<p>"Nay!—it is not so very terrible after all!—one becomes accustomed to +it. It even seems to me...."</p> + +<p>(<i>Anthony pauses.</i>)</p> + +<p>"Continue, coward! continue! Good! good!—upon the arms, on the back, +on the breast, on the belly—everywhere! Hiss, ye thongs! bite me! +tear me! I would that my blood could spurt to the stars!—let my bones +crack!—let my tendons be laid bare! O for pincers, racks, and melted +lead! The martyrs have endured far worse; have they not, Ammonaria?"</p> + +<p>(<i>The shadow of the Devil's horns reappears.</i>)</p> + +<p>"I might have been bound to the column opposite to thine,—face to +face—under thy eyes—answering thy shrieks by my sighs; and our pangs +might have been interblended, our souls intermingled."</p> + +<p>(<i>He lashes himself with fury.</i>)</p> + +<p>"What! what! again. Take that!—But how strange a titillation thrills +me! What punishment! what pleasure! I feel as though<span class="pagenum"><a name="Page_47" id="Page_47">[Pg 47]</a></span> receiving +invisible kisses; the very marrow of my bones seems to melt. I die...."</p> + +<p><i>And he sees before him three cavaliers, mounted upon onagers, clad in +robes of green—each holding a lily in his hand, and all resembling +each other in feature.</i></p> + +<p><i>Anthony turns round, and beholds three other cavaliers exactly +similar, riding upon similar onagers, and preserving the same attitude.</i></p> + +<p><i>He draws back. Then all the onagers advance one pace at the same time, +and rub their noses against him, trying to bite his garment. Voices +shout</i>:—</p> + +<p>"Here! here! this way!"</p> + +<p><i>And between the clefts of the mountain, appear standards,—camels' +heads with halters of red silk—mules laden with baggage, and women +covered with yellow veils, bestriding piebald horses.</i></p> + +<p><i>The panting beasts lie down; the slaves rush to the bales and +packages, motley-striped carpets are unrolled; precious glimmering +things are laid upon the ground.</i></p> + +<p><i>A white elephant, caparisoned with a golden net, trots forward, +shaking the tuft of ostrich plumes attached to his head-band.</i></p> + +<p><span class="pagenum"><a name="Page_48" id="Page_48">[Pg 48]</a></span></p> + +<p><i>Upon his back, perched on cushions of blue wool, with her legs +crossed, her eyes half closed, her comely head sleepily nodding, is a +woman so splendidly clad that she radiates light about her. The crowd +falls prostrate; the elephant bends his knees; and</i></p> + +<p class="smcap" style="text-align: center;">The Queen of Sheba</p> + +<p><i>letting herself glide down from his shoulder upon the carpets spread +to receive her, approaches Saint Anthony.</i></p> + +<p><i>Her robe of gold brocade, regularly divided by furbelows of pearls, +of jet, and of sapphires, sheaths her figure closely with its +tight-fitting bodice, set off by colored designs representing the +twelve signs of the Zodiac. She wears very high pattens—one of which +is black, and sprinkled with silver stars, with a moon crescent; the +other, which is white, is sprinkled with a spray of gold, with a golden +sun in the middle.</i></p> + +<p><i>Her wide sleeves, decorated with emeralds and bird-plumes, leave +exposed her little round bare arms, clasped at the wrist by ebony +bracelets; and her hands, loaded with precious rings, are terminated by +nails so<span class="pagenum"><a name="Page_49" id="Page_49">[Pg 49]</a></span> sharply pointed that the ends of her fingers seem almost like +needles.</i></p> + +<p><i>A chain of dead gold, passing under her chin, is caught up on either +side of her face, and spirally coiled about her coiffure, whence, +redescending, it grazes her shoulders and is attached upon her bosom +to a diamond scorpion, which protrudes a jewelled tongue between her +breasts. Two immense blond pearls depend heavily from her ears. The +borders of her eyelids are painted black. There is a natural brown spot +upon her left cheek; and she opens her mouth in breathing, as if her +corset inconvenienced her.</i></p> + +<p><i>She shakes, as she approaches, a green parasol with an ivory handle, +and silver-gilt bells attached to its rim; twelve little woolly-haired +negro-boys support the long train of her robe, whereof an ape holds the +extremity, which it raises up from time to time. She exclaims</i>:</p> + +<p>"Ah! handsome hermit! handsome hermit!—my heart swoons!</p> + +<p>"By dint of stamping upon the ground with impatience, callosities have +formed upon my heel, and I have broken one of my nails. I sent out +shepherds, who remained upon the mountain tops, shading their eyes with +their<span class="pagenum"><a name="Page_50" id="Page_50">[Pg 50]</a></span> hands—and hunters who shouted thy name in all the forests—and +spies who travelled along the highways, asking every passer-by:</p> + +<p>"'Hast thou seen him?'</p> + +<p>"By night I wept, with my face turned to the wall. And at last my tears +made two little holes in the mosaic, like two pools of water among the +rocks;—for I love thee!—oh! how I love thee!"</p> + +<p>(<i>She takes him by the beard.</i>)</p> + +<p>"Laugh now, handsome hermit! laugh! I am very joyous, very gay: thou +shalt soon see! I play the lyre; I dance like a bee; and I know a host +of merry tales to tell, each more diverting than the other.</p> + +<p>"Thou canst not even imagine how mighty a journey we have made. See! +the onagers upon which the green couriers rode are dead with fatigue!"</p> + +<p>(<i>The onagers are lying motionless upon the ground.</i>)</p> + +<p>"For three long moons they never ceased to gallop on with the same +equal pace, holdings flints between their teeth to cut the wind, their +tails ever streaming out behind them, their sinews perpetually strained +to the uttermost, always galloping, galloping. Never<span class="pagenum"><a name="Page_51" id="Page_51">[Pg 51]</a></span> can others be +found like them. They were bequeathed me by my paternal grand-father, +the Emperor Saharil, son of Iakhschab, son of Iaarab, son of Kastan. +Ah! if they were still alive, we should harness them to a litter that +they might bear us back speedily to the palace! But ... what ails +thee?—of what art thou dreaming?"</p> + +<p>(<i>She stares at him, examines him closely.</i>)</p> + +<p>"Ah, when thou shalt be my husband, I will robe thee, I will perfume +thee, I will depilate thee."</p> + +<p>(<i>Anthony remains motionless, more rigid than a stake, more pallid +than a corpse.</i>)</p> + +<p>"Thou hast a sad look—is it because of leaving thy hermitage? Yet I +have left everything for thee—even King Solomon, who, nevertheless, +possesses much wisdom, twenty thousand chariots of war, and a beautiful +beard. I have brought thee my wedding gifts. Choose!"</p> + +<p>(<i>She walks to and fro among the ranks of slaves and the piles of +precious goods.</i>)</p> + +<p>"Here is Genezareth balm, incense from Cape Gardefui, labdanum, +cinnamon, and silphium—good to mingle with sauces. In that bale are +Assyrian embroideries, ivory<span class="pagenum"><a name="Page_52" id="Page_52">[Pg 52]</a></span> from the Ganges, purple from Elissa; +and that box of snow contains a skin of chalybon, the wine, which +is reserved for the Kings of Assyria, and which is drunk from the +horn of a unicorn. Here are necklaces, brooches, nets for the hair, +parasols, gold powder from Baasa, cassiteria from Tartessus, blue wood +from Pandio, white furs from Issidonia, carbuncles from the Island +Palæsimondus, and toothpicks made of the bristles of the tachas—that +lost animal which is found under the earth. These cushions come from +Emath, and these mantle-fringes from Palmyra. On this Babylonian carpet +there is.... But come hither! come! come!"</p> + +<p>(<i>She pulls Saint Anthony by the sleeve. He resists. She continues</i>:)</p> + +<p>"This thin tissue which crackles under the finger with a sound as of +sparks, is the famous yellow cloth which the merchants of Bactria bring +us. I will have robes made of it for thee, which thou shalt wear in the +house. Unfasten the hooks of that sycamore box, and hand me also the +little ivory casket tied to my elephant's shoulder."</p> + +<p>(<i>They take something round out of a box—something covered with a +cloth—and also<span class="pagenum"><a name="Page_53" id="Page_53">[Pg 53]</a></span> bring a little ivory casket covered with carving.</i>)</p> + +<p>"Dost thou desire the buckler of Dgian-ben-Dgian, who built the +pyramids?—behold it!—It is formed of seven dragon-skins laid one over +the other, tanned in the bile of parricides, and fastened together by +adamantine screws. Upon one side are represented all the wars that have +taken place since the invention of weapons; and upon the other, all the +wars that will take place until the end of the world. The lightning +itself rebounds from it like a ball of cork. I am going to place it +upon thy arm; and thou wilt carry it during the chase.</p> + +<p>"But if thou didst only know what I have in this little box of mine! +Turn it over and over again! try to open it! No one could ever succeed +in doing that. Kiss me! and I will tell thee how to open it."</p> + +<p>(<i>She takes Saint Anthony by both cheeks. He pushes her away at arms' +length.</i>)</p> + +<p>"It was one night that King Solomon lost his head. At last we concluded +a bargain. He arose, and stealing out on tiptoe...."</p> + +<p>(<i>She suddenly executes a pirouette.</i>)</p> + +<p><span class="pagenum"><a name="Page_54" id="Page_54">[Pg 54]</a></span></p> + +<p>"Ah, ah! comely hermit, thou shalt not know it! thou shalt not know!"</p> + +<p>(<i>She shakes her parasol, making all its little bells tinkle.</i>)</p> + +<p>"And I possess many other strange things—oh! yes! I have treasures +concealed in winding galleries where one would lose one's way, as +in a forest. I have summer-palaces constructed in trellis-work of +reeds, and winter-palaces all built of black marble. In the midst of +lakes vast as seas, I have islands round as pieces of silver, and all +covered with mother-of-pearl,—islands whose shores make music to +the lapping of tepid waves upon the sand. The slaves of my kitchens +catch birds in my aviaries, and fish in my fishponds. I have engravers +continually seated at their benches to hollow out my likeness in hard +jewel-stones, and panting molders forever casting statues of me, and +perfumers incessantly mingling the sap of rare plants with vinegar, +or preparing cosmetic pastes. I have female dressmakers cutting out +patterns in richest material, goldsmiths cutting and mounting jewels of +price, and careful painters pouring upon my palace wainscoting boiling +resins, which they subsequently cool with<span class="pagenum"><a name="Page_55" id="Page_55">[Pg 55]</a></span> fans. I have enough female +attendants to form a harem, eunuchs enough to make an army. I have +armies likewise; I have nations! In the vestibule of my palace I keep a +guard of dwarfs—all bearing ivory trumpets at their backs." (<i>Anthony +sighs.</i>)</p> + +<p>"I have teams of trained gazelles; I have elephant quadrigæ; I have +hundreds of pairs of camels, and mares whose manes are so long that +their hoofs become entangled therein when they gallop, and herds of +cattle with horns so broad that when they go forth to graze the woods +have to be hewn down before them. I have giraffes wandering in my +gardens; they stretch their heads over the edge of my roof, when I take +the air after dinner.</p> + +<p>"Seated in a shell drawn over the waters by dolphins, I travel +through the grottoes, listening lo the dropping of the water from the +stalactites. I go down to the land of diamonds, where my friends the +magicians allow me to choose the finest: then I reascend to earth and +return to my home."</p> + +<p>(<i>She utters a sharp whistle; and a great bird, descending from the +sky, alights upon<span class="pagenum"><a name="Page_56" id="Page_56">[Pg 56]</a></span> her hair, from which it makes the blue powder fall.</i></p> + +<p><i>Its orange-colored plumage seems formed of metallic scales. Its little +head, crested with a silver tuft, has a human face.</i></p> + +<p><i>It has four wings, the feet of a vulture, and an immense peacock's +tail which it spreads open like a fan.</i></p> + +<p><i>It seizes the Queen's parasol in its beak, reels a moment ere +obtaining its balance; then it erects all its plumes, and remains +motionless.</i>)</p> + +<p>"Thanks! my beautiful Simorg-Anka!—thou didst tell me where the loving +one was hiding! Thanks! thanks! my heart's messenger!</p> + +<p>"He flies swiftly as Desire! He circles the world in his flight. At eve +he returns; he perches at the foot of my couch and tells me all he has +seen—the seas that have passed far beneath him with all their fishes +and ships, the great void deserts he has contemplated from the heights +of the sky, the harvests that were bowing in the valleys, and the +plants that were growing upon the walls of cities abandoned."</p> + +<p>(<i>She wrings her hands, languorously.</i>)</p> + +<p><span class="pagenum"><a name="Page_57" id="Page_57">[Pg 57]</a></span></p> + +<p>"Oh! if thou wast willing! if thou wast willing!... I have a pavilion +on a promontory in the middle of an isthmus dividing two oceans. It is +all wain-scoted with sheets of glass, and floored with tortoise shell, +and open to the four winds of heaven. From its height I watch my fleets +come in, and my nations toiling up the mountain-slopes with burthens +upon their shoulders. There would we sleep upon downs softer than +clouds; we would drink cool draughts from fruit-shells, and we would +gaze at the sun through emeralds! Come!" ...</p> + +<p>(<i>Anthony draws back. She approaches him again, and exclaims in a tone +of vexation</i>:—)</p> + +<p>"How? neither the rich, nor the coquettish, nor the amorous woman can +charm thee: is it so? None but a lascivious woman, with a hoarse voice +and lusty person, with fire-colored hair and superabundant flesh? Dost +thou prefer a body cold as the skin of a serpent, or rather great dark +eyes deeper than the mystic caverns?—behold them, my eyes!—look into +them!"</p> + +<p>(<i>Anthony, in spite of him, gazes into her eyes.</i>)</p> + +<p>"All the women thou hast ever met—from<span class="pagenum"><a name="Page_58" id="Page_58">[Pg 58]</a></span> the leman of the cross-roads, +singing under the light of her lantern, even to the patrician lady +scattering rose-petals abroad from her litter,—all the forms thou hast +ever obtained glimpses of—all the imaginations of thy desire thou hast +only to ask for them! I am not a woman: I am a world! My cloak has only +to fall in order that thou mayest discover a succession of mysteries." +(<i>Anthony's teeth chatter.</i>)</p> + +<p>"Place but thy finger upon my shoulder: it will be as though a stream +of fire shot through all thy veins. The possession of the least part +of me will fill thee with a joy more vehement than the conquest of an +Empire could give thee! Approach thy lips: there is a sweetness in my +kisses as of a fruit dissolving within thy heart. Ah! how thou wilt +lose thyself beneath my long hair, inhale the perfume of my bosom, +madden thyself with the beauty of my limbs: and thus, consumed by the +fire of my eyes, clasped within my arms as in a whirlwind...."</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em"> +<a id="redon04"></a> +<img src="images/redon_04.jpg" width="600" alt="" /> +<div class="caption"><p>there is a sweetness in my kisses as of a fruit +dissolving within thy heart ...</p></div></div> + +<p class="p2">(<i>Anthony makes the sign of the cross.</i>)</p> + +<p>"Thou disdainest me! farewell!"</p> + +<p>(<i>She departs, weeping; then, suddenly turning round</i>:—)</p> + +<p><span class="pagenum"><a name="Page_59" id="Page_59">[Pg 59]</a></span></p> + +<p>"Art quite sure?—so beautiful a woman...."</p> + +<p>(<i>She laughs, and the ape that bears her train, lifts it up.</i>)</p> + +<p>"Thou wilt regret it, my comely hermit! thou wilt yet weep! thou wilt +again feel weary of thy life; but I care not a whit! La! la! la!—oh! +oh! oh!"</p> + +<p>(<i>She takes her departure, hopping upon one foot and covering her face +with her hands.</i></p> + +<p><i>All the slaves file off before Saint Anthony—the horses, the +dromedaries, the elephant, the female attendants, the mules (which +have been reloaded), the negro boys, the ape, the green couriers each +holding his broken lily in his hand; and the Queen of Sheba departs, +uttering a convulsive hiccough at intervals, which might be taken +either for a sound of hysterical sobbing, or the half-suppressed +laughter of mockery.</i>)</p> +<hr class="r5" /> + +<div class="footnote"> + +<p><a name="Footnote_1_6" id="Footnote_1_6"></a><a href="#FNanchor_1_6"><span class="label">[1]</span></a> <i>Thalamegii</i>—pleasure-boats having +apartments.</p> + +<hr class="chap" /> + +<p><span class="pagenum"><a name="Page_60" id="Page_60">[Pg 60]</a></span></p></div> + + + + +<h4><a name="III" id="III">III</a></h4> + + +<p>(<i>When she has disappeared in the distance, Anthony observes a child +seated upon the threshold of his cabin.</i>)</p> + +<p>"It is one of the Queen's servants, no doubt," (<i>he thinks</i>).</p> + +<p>(<i>This child is small like a dwarf, and nevertheless squat of build, +like one of the Cabiri; deformed withal, and wretched of aspect. His +prodigiously large head is covered with white hair; and he shivers +under a shabby tunic, all the while clutching a roll of papyrus. The +light of the moon passing through a cloud falls upon him.</i>)</p> + +<p class="smcap" style="text-align: center;">Anthony</p> + +<p>(<i>watches him from a distance, and is afraid of him.</i>) "Who art thou?"</p> + +<p><span class="smcap">The Child</span> (<i>replies</i>). "Thy ancient disciple, Hilarion."</p> + +<p><span class="smcap">Anthony</span>. "Thou liest! Hilarion hath<span class="pagenum"><a name="Page_61" id="Page_61">[Pg 61]</a></span> been dwelling in Palestine for +many long years."</p> + +<p><span class="smcap">Hilarion</span>. "I have returned! It is really I!"</p> + +<p><span class="smcap">Anthony</span> (<i>draws near and examines him closely</i>). "Yet his face was +radiant as the dawn, candid, joyous. This face is the face of one +gloomy and old."</p> + +<p><span class="smcap">Hilarion</span>. "Long and arduous labor hath wearied me!"</p> + +<p><span class="smcap">Anthony</span>. "The voice is also different. It hath an icy tone."</p> + +<p><span class="smcap">Hilarion</span>. "Because I have nourished me with bitter things!"</p> + +<p><span class="smcap">Anthony</span>. "And those white hairs?"</p> + +<p><span class="smcap">Hilarion</span>. "I have endured many woes!"</p> + +<p><span class="smcap">Anthony</span> (<i>aside</i>). "Could it be possible?"</p> + +<p><span class="smcap">Hilarion</span>. "I was not so far from thee as thou doest imagine. The hermit +Paul visited thee this year, during the month of Schebar. It is just +twenty days since the Nomads brought thee bread. Thou didst tell a +sailor, the day before yesterday, to send thee three bodkins."</p> + +<p><span class="smcap">Anthony</span>. "He knows all!"</p> + +<p><span class="smcap">Hilarion</span>. "Know further more that I have never left thee. But there are +long periods<span class="pagenum"><a name="Page_62" id="Page_62">[Pg 62]</a></span> during which thou hast no knowledge of my presence."</p> + +<p><span class="smcap">Anthony</span>. "How can that be? Yet it is true that my head is so much +troubled—this night especially."</p> + +<p><span class="smcap">Hilarion</span>. "All the Capital Sins came hither. But their wretched snares +can avail nothing against such a Saint as thou."</p> + +<p><span class="smcap">Anthony</span>. "Oh! no!—no! I fall at every moment! Why am I not of those +whose souls are ever intrepid, whose minds are always firm,—for +example, the great Athanasius?"</p> + +<p><span class="smcap">Hilarion</span>. "He was illegally ordained by seven bishops."</p> + +<p><span class="smcap">Anthony</span>. "What matter if his virtue...."</p> + +<p><span class="smcap">Hilarion</span>. "Go to!—a most vainglorious and cruel man, forever involved +in intrigues, and exiled at last as a monopolist."<a name="FNanchor_1_7" id="FNanchor_1_7"></a><a href="#Footnote_1_7" class="fnanchor">[1]</a></p> + +<p><span class="smcap">Anthony</span>. "Calumny!"</p> + +<p><span class="smcap">Hilarion</span>. "Thou wilt not deny that he sought to corrupt Eustates, the +treasurer of largesses?"</p> + +<p><span class="pagenum"><a name="Page_63" id="Page_63">[Pg 63]</a></span></p> + +<p><span class="smcap">Anthony</span>. "It is affirmed, I acknowledge."</p> + +<p><span class="smcap">Hilarion</span>. "Through vengeance he burned down the house of Arsenius."</p> + +<p><span class="smcap">Anthony</span>. "Alas!"</p> + +<p><span class="smcap">Hilarion</span>. "At the council of Nicæa he said in speaking of Jesus: 'The +man of the Lord.'"</p> + +<p><span class="smcap">Anthony</span>. "Ah! that is a blasphemy!"</p> + +<p><span class="smcap">Hilarion</span>. "So limited in understanding, moreover, that he confesses he +comprehends nothing of the nature of the "Word!"</p> + +<p><span class="smcap">Anthony</span> (<i>smiling with gratification</i>). "In sooth his intelligence is +not ... very lofty."</p> + +<p><span class="smcap">Hilarion</span>. "Hypocrite! burying thyself in solitude only in order the +more fully to abandon thyself to the indulgence of thy envious desires! +What if thou dost deprive thyself of meats, of wine, of warmth, of +bath, of slaves, or honours?—dost thou not permit thy imagination to +offer thee banquets, perfumes, women, and the applause of multitudes? +Thy chastity is but a more subtle form of corruption, and thy contempt +of this world is but the impotence of thy hatred against it! Either +this it is that makes such as thyself<span class="pagenum"><a name="Page_64" id="Page_64">[Pg 64]</a></span> so lugubrious, or else 'tis +doubt. The possession of truth giveth joy. Was Jesus sad? Did he not +travel in the company of friends, repose beneath the shade of olive +trees, enter the house of the publican, drink many cups of wine, pardon +the sinning woman, and assuage all sorrows? Thou!—thou hast no pity +save for thine own misery! It is like a remorse that gnaws thee, a +savage madness that impels thee to repel the caress of a dog or to +frown upon the smile of a child."</p> + +<p><span class="smcap">Anthony</span> (<i>bursting into tears</i>). "Enough! enough! thou dost wound my +heart deeply."</p> + +<p><span class="smcap">Hilarion</span>. "Shake the vermin from thy rags! Rise up from thy filth! Thy +God is not a Moloch who demands human flesh in sacrifice!"</p> + +<p><span class="smcap">Anthony</span>. "Yet suffering is blessed. The cherubim stoop to receive the +blood of confessors."</p> + +<p><span class="smcap">Hilarion</span>. "Admire, then, the Montanists!—they surpass all others."</p> + +<p><span class="smcap">Anthony</span>. "But it is the truth of the doctrine which makes the +martyrdom."</p> + +<p><span class="smcap">Hilarion</span>. "How can martyrdom prove the excellence of the doctrine, +inasmuch as it bears equal witness for error?"</p> + +<p><span class="pagenum"><a name="Page_65" id="Page_65">[Pg 65]</a></span></p> + +<p><span class="smcap">Hilarion</span>. "Silence!—thou viper!"</p> + +<p><span class="smcap">Anthony</span>. "Perhaps martyrdom is not so difficult as thou dost imagine! +The exhortations of friends, the pleasure of insulting the people, +the oath one has taken, a certain dizzy excitement, a thousand +circumstances all aid the resolution of the martyrs...."</p> + +<p>(<i>Anthony turns his back upon Hilarion, and moves away from him. +Hilarion follows him.</i>)</p> + +<p>" ... Moreover this manner of dying often brings about great disorders. +Dionysius, Cyprian and Gregory fled from it. Peter of Alexandria has +condemned it; and the council of Elvira...."</p> + +<p><span class="smcap">Anthony</span> (<i>stops his ears</i>). "I will listen to thee no longer!"</p> + +<p><span class="smcap">Hilarion</span> (<i>raising his voice</i>). "Lo! thou fallest again into the +habitual sin, which is sloth! Ignorance is the foam of pride. One says, +forsoth:—'My conviction is formed! wherefore argue further?'—and one +despises the doctors, the philosophers, tradition itself, and even the +text of the law whereof one is ignorant! Dost thou imagine that thou +dost hold all wisdom in the hollow of thy hand?"</p> + +<p><span class="pagenum"><a name="Page_66" id="Page_66">[Pg 66]</a></span></p> + +<p><span class="smcap">Anthony</span>. "I hear him still! His loud words fill my brain."</p> + +<p><span class="smcap">Hilarion</span>. "The efforts of others to comprehend God are mightier than +all thy mortifications to move Him. We obtain merit only by our thirst +for truth. Religion alone cannot explain all things; and the solution +of problems ignored by thee can render faith still more invulnerable +and noble. Therefore, for our salvation we must communicate with our +brethren—otherwise the Church, the assembly of the faithful, would +be a meaningless word—and we must listen to all reasoning, despising +nothing, nor any person. The magician Balaam, the poet Aeschylus, +and the Sybil of Cumæ—all foretold the Saviour. Dionysius, the +Alexandrian, received from heaven the command to read all books. Saint +Clement orders us to cultivate Greek letters. Hennas was converted by +the illusion of a woman he had loved...."</p> + +<p><span class="smcap">Anthony</span>. "What an aspect of authority! It seems to me thou art growing +taller...."</p> + +<p>(<i>And, in very truth, the stature of Hilarion is gradually increasing; +and Anthony shuts his eyes, that he may not see him.</i>)</p> + +<p><span class="pagenum"><a name="Page_67" id="Page_67">[Pg 67]</a></span></p> + +<p><span class="smcap">Hilarion</span>. "Reassure thyself, good Hermit. Let us seat ourselves there, +upon that great stone, as we used to do in other years, when, at the +first dawn of day, I was wont to salute thee with the appellation, +'Clear star of morning'—and thou wouldst therewith commence to +instruct me. Yet my instruction is not yet completed. The moon gives us +light enough. I am prepared to hear thy words."</p> + +<p>(<i>He has drawn a calamus from his girdle, and seating himself +cross-legged upon the ground, with the papyrus roll still in his hand, +he lifts his face toward Saint Anthony, who sits near him, with head +bowed down.</i></p> + +<p><i>After a moment of silence Hilarion continues</i>:—)</p> + +<p>"Is not the word of God confirmed for us by miracles? Nevertheless +the magicians of Pharaoh performed miracles; other imposters can +perform them; one may be thereby deceived. What then is a miracle? +An event which seems to us outside of nature. But do we indeed know +all of Nature's powers; and because a common occurrence causes us no +astonishment, does it therefore follow that we understand it."</p> + +<p><span class="pagenum"><a name="Page_68" id="Page_68">[Pg 68]</a></span></p> + +<p><span class="smcap">Anthony</span>. "It matters little! We must believe the Scriptures!"</p> + +<p><span class="smcap">Hilarion</span>. "Saint Paul, Origen, and many others did not understand +the Scriptures in a literal sense: yet if Holy Writ be explained by +allegories it becomes the portion of a small number, and the evidence +of the truth disappears. What must we do?"</p> + +<p><span class="smcap">Anthony</span>. "We must rely upon the Church!"</p> + +<p><span class="smcap">Hilarion</span>. "Then the Scriptures are useless?"</p> + +<p><span class="smcap">Anthony</span>. "No! no! although I acknowledge that in the Old Testament +there are some ... some obscurities. But the New shines with purest +light."</p> + +<p><span class="smcap">Hilarion</span>. "Nevertheless, the Angel of the annunciation, in Matthew, +appears to Joseph; while, in Luke, he appears to Mary. The anointing +of Jesus by a woman takes place, according to the first Gospel, at the +commencement of his public life; and, according to the other three, a +few days before his death. The drink offered to him on the cross, is, +in Matthew, vinegar mixed with gall; in Mark, it is wine and myrrh. +According to Luke and Matthew, the apostles should take<span class="pagenum"><a name="Page_69" id="Page_69">[Pg 69]</a></span> with them +neither money nor scrip for their journey—not even sandals nor staff; +in Mark, on the contrary, Jesus bids them take nothing with them, +except sandals and a staff. I am thereby bewildered!"</p> + +<p><span class="smcap">Anthony</span> (<i>in amazement</i>). "Aye, indeed!... in fact...."</p> + +<p><span class="smcap">Hilarion</span>. "At the contact of the woman who had an issue of blood, Jesus +turned and said, 'Who hath touched my garments?' He did not know, then, +who had touched him? That contradicts the omniscience of Jesus! If the +tomb was watched by guards, the women need have felt no anxiety about +finding help to roll away the stone from the tomb. Therefore there +were no guards, or the holy women were not there. At Emmaus, he eats +with his disciples and makes them feel his wounds. It is a human body, +a material and ponderable object; and nevertheless it passes through +walls! Is that possible?"</p> + +<p><span class="smcap">Anthony</span>. "It would require much time to answer thee properly!"</p> + +<p><span class="smcap">Hilarion</span>. "Why did he receive the Holy Spirit, being himself Son of +the Holy Spirit? What need had he of baptism if he was the Word? How +could the Devil have tempted<span class="pagenum"><a name="Page_70" id="Page_70">[Pg 70]</a></span> him, inasmuch as he was God? Have these +thoughts never occurred to thee?"</p> + +<p><span class="smcap">Anthony</span>. "Yes!... often! Sometimes torpid, sometimes furious—they +remain forever in my conscience. I crush them; they rise again, they +stifle me; and sometimes I think that I am accursed."</p> + +<p><span class="smcap">Hilarion</span>. "Then it is needless for thee to serve God?"</p> + +<p><span class="smcap">Anthony</span>. "I shall always need to adore Him."</p> + +<p>(<i>After a long silence Hilarion continues</i>:)</p> + +<p>"But aside from dogma, all researches are allowed us. Dost thou desire +to know the hierarchy of the Angels, the virtue of the Numbers, the +reason of germs and of metamorphoses?"</p> + +<p><span class="smcap">Anthony</span>. "Yes! yes! my thought struggles wildly to escape from its +prison. It seems to me that by exerting all my force I might succeed. +Sometimes, for an instant, brief as a lightning flash, I even feel +myself as thought uplifted,—then I fall back again!"</p> + +<p><span class="smcap">Hilarion</span>. "The secret thou wouldst obtain is guarded by sages. They +dwell in a distant land; they are seated beneath giant trees; they +are robed in white; they are calm<span class="pagenum"><a name="Page_71" id="Page_71">[Pg 71]</a></span> as Gods! A warm air gives them +sufficient nourishment. All about them, leopards tread upon grassy +turf. The murmuring of fountains and the neighing of unicorns mingle +with their voices. Thou shalt hear them; and the face of the Unknown +shall be unveiled!"</p> + +<p><span class="smcap">Anthony</span> (<i>sighing</i>). "The way is long; and I am old."</p> + +<p><span class="smcap">Hilarion</span>. "Oh! oh! wise men are not rare! there are some even very nigh +thee!—here! Let us enter!"</p> +<hr class="r5" /> + +<div class="footnote"> + +<p><a name="Footnote_1_7" id="Footnote_1_7"></a><a href="#FNanchor_1_7"><span class="label">[1]</span></a> Gibbon, a sincere admirer of Athanasius, gives a curious +history of these charges, and expresses his disbelief in their +truth. The story regarding the design to intercept the corn-fleet of +Alexandria is referred to in the use of the word "monopolist."</p> + +<hr class="chap" /> + +<p><span class="pagenum"><a name="Page_72" id="Page_72">[Pg 72]</a></span></p></div> + + + + +<h4><a name="IV" id="IV">IV</a></h4> + + +<p>(<i>And Anthony beholds before him a vast basilica.</i></p> + +<p><i>The light gushes from the further end, marvellous as a multi-colored +sun. It illuminates the innumerable heads of the crowd that fills the +nave, and that eddies about the columns toward the side-aisles—where +can be perceived, in wooden compartments, altars, beds, little chains +of blue stones linked together, and constellations painted upon the +walls.</i></p> + +<p><i>In the midst of the throng there are groups which remain motionless. +Men standing upon stools harangue with fingers uplifted; others are +praying, with arms outstretched in form of a cross; others are lying +prostrate upon the pavement, or singing hymns, or drinking wine; others +of the faithful, seated about a table, celebrate their agape;<a name="FNanchor_1_8" id="FNanchor_1_8"></a><a href="#Footnote_1_8" class="fnanchor">[1]</a> +martyrs are unbandaging their limbs in order to show their wounds; and +aged men, leaning upon staffs, recount their voyages.</i></p> + +<p><span class="pagenum"><a name="Page_73" id="Page_73">[Pg 73]</a></span></p> + +<p><i>There are some from the country of the Germans, from Thrace also, and +from the Gauls, from Scythia and from the Indies, with snow upon their +beards, feathers in their hair; thorns in the fringe of their garments; +the sandals of some are black with dust, their skins are burnt by the +sun. There is a vast confusion of costumes, mantles of purple and +robes of linen, embroidered dalmaticas, hair shirts, sailors' caps, +bishops' mitres. Their eyes fulgurate strangely. They have the look of +executioners, or the look of eunuchs.</i></p> + +<p><i>Hilarion advances into their midst. All salute him. Anthony, shrinking +closer to his shoulder, observes them. He remarks the presence of a +great many women. Some of these are attired like men, and have their +hair cut short. Anthony feels afraid of them.</i>)</p> + +<p><span class="smcap">Hilarion</span>. "Those are Christian women who have converted their husbands. +Besides, the women were always upon the side of Jesus, even the +idolatrous ones, for example, Procula, the wife of Pilate, and Poppæa, +the concubine of Nero. Do not tremble!—come on."</p> + +<p>(<i>And others are continually arriving.</i></p> + +<p><i>They seem to multiply, to double themselves<span class="pagenum"><a name="Page_74" id="Page_74">[Pg 74]</a></span> by self-division, light +as shadows—all the while making an immense clamour, in which yells of +rage, cries of love, canticles and objurgations intermingle.</i>)</p> + +<p><span class="smcap">Anthony</span> (<i>in a low voice</i>). "What do they desire?"</p> + +<p><span class="smcap">Hilarion</span>. "The Lord said: 'I have yet many things to say to you.... +'<a name="FNanchor_2_9" id="FNanchor_2_9"></a><a href="#Footnote_2_9" class="fnanchor">[2]</a> They possess the knowledge of those things."</p> + +<p>(<i>And he pushes Anthony forward to a golden throne approached by five +steps, whereon—surrounded by ninety-five disciples, all very thin and +pale, and anointed with oil—sits the prophet Manes. He is beautiful +as an archangel, immobile as a statue; he is clad in an Indian robe; +carbuncles gleam in his plaited hair; at his left hand lies a book of +painted images; his right reposes upon a globe. The images represent +the creatures that erst slumbered in Chaos. Anthony bends forward to +look upon them. Then——</i>)</p> + +<p class="smcap" style="text-align: center;">Manes</p> + +<p>(<i>makes his globe revolve; and regulating the tone of his words by a +lyre which gives forth crystalline sounds, exclaims</i>:—)</p> + +<p><span class="pagenum"><a name="Page_75" id="Page_75">[Pg 75]</a></span></p> + +<p>"The celestial earth is at the superior extremity; the terrestrial +earth at the inferior extremity. It is sustained by two angels—the +Angel Splenditeneus, and Omophorus, whose faces are six.</p> + +<p>"At the summit of the highest heaven reigns the impassible Divinity; +below, face to face, are the Son of God and the Prince of Darkness.</p> + +<p>"When the darkness had advanced even to his kingdom, God evolved from +his own essence a virtue which produced the first man; and he environed +him with the five elements. But the demons of darkness stole from him a +part; and that part is the soul.</p> + +<p>"There is but one soul, universally diffused, even as the waters of +a river divided into many branches. It is this universal soul that +sighs in the wind—that shrieks in the marble under the teeth of the +saw—that roars in the voice of the sea—that weeps tears of milk when +the leaves of the fig tree are torn off.</p> + +<p>"The souls that leave this world emigrate to the stars, which are +themselves animated beings."</p> + +<p><span class="smcap">Anthony</span> (<i>bursts into a laugh</i>). "Ah! ah! what an absurd imagination!"</p> + +<p><span class="pagenum"><a name="Page_76" id="Page_76">[Pg 76]</a></span></p> + +<p><span class="smcap">A Man</span> (<i>having no beard, and of a most austere aspect</i>). "Wherefore +absurd?"</p> + +<p>(<i>Anthony is about to reply when Hilarion tells him in a low voice +that the questioner is none other than the tremendous Origen himself; +and</i>:—)</p> + +<p><span class="smcap">Manes</span> (<i>continues</i>). "But first they remain awhile in the Moon, where +they are purified. Then they rise into the sun."</p> + +<p><span class="smcap">Anthony</span> (<i>slowly</i>). "I do not know of anything ... which prevents us +... from believing it."</p> + +<p><span class="smcap">Manes</span>. "The proper aim of every creature is the deliverance of the ray +of celestial light imprisoned within matter. It finds easier escape +through the medium of perfumes, spices, the aroma of warmed wine, the +light things which resemble thoughts. But the acts of life retain it +within its prison. The murderer shall be born again in the form of a +celephus; he that kills an animal shall become that animal; if thou +plantest a vine, thou shalt be thyself bound within its boughs. Food +absorbs the celestial light.... Therefore abstain! fast!"</p> + +<p><span class="smcap">Hilarion</span>. "Thou seest, they are temperate!"</p> + +<p><span class="pagenum"><a name="Page_77" id="Page_77">[Pg 77]</a></span></p> + +<p><span class="smcap">Manes</span>. "There is much of it in meats, less of it in herbs. Moreover +the Pure Ones, by means of their great merits, despoil vegetation of +this luminous essence; and, thus liberated, it reascends to its source. +But through generation, animals keep it imprisoned within the flesh! +Therefore, avoid women!"</p> + +<p><span class="smcap">Hilarion</span>. "Admire their continence."</p> + +<p><span class="smcap">Manes</span>. "Or rather contrive that they shall not create..............<a name="FNanchor_3_10" id="FNanchor_3_10"></a><a href="#Footnote_3_10" class="fnanchor">[3]</a></p> + +<p><span class="smcap">Anthony</span>. "Oh—abomination!"</p> + +<p><span class="smcap">Hilarion</span>. "What signifies the hierarchy of turpitudes? The Church has, +forsooth, made marriage a sacrament!"</p> + +<p><span class="smcap">Saturninus</span> (<i>in Syrian costume</i>). "He teaches a most dismal system of +the universe!... The Father, desiring to punish the angels who had +revolted, ordered them to create the world. Christ came, in order that +the God of the Jews, who was one of those angels...."</p> + +<p><span class="smcap">Anthony</span>. "He an angel! the Creator!"</p> + +<p><span class="smcap">Cerdo</span>. "Did he not seek to kill Moses, to deceive his own prophets, to +seduce nations?—did<span class="pagenum"><a name="Page_78" id="Page_78">[Pg 78]</a></span> he not sow falsehood and idolatry broadcast?"</p> + +<p><span class="smcap">Marcion</span>. "Certainly, the Creator is not the true God!"</p> + +<p><span class="smcap">Saint Clement of Alexandria</span>. "Matter is eternal!"</p> + +<p><span class="smcap">Bardesanes</span> (<i>in the costume of the Babylonian magi</i>). "It was formed by +the Seven Planetary Spirits."</p> + +<p><span class="smcap">The Hermians</span>. "Souls were made by the angels."</p> + +<p><span class="smcap">The Priscillianists</span>. "It was the Devil who made the world."</p> + +<p><span class="smcap">Anthony</span> (<i>rushing back from the circle</i>). "Horror!"</p> + +<p><span class="smcap">Hilarion</span> (<i>supporting him</i>). "Thou despairest too hastily!—thou dost +misapprehend their doctrine! Here is one who received his teaching +directly from Theodas, the friend of St. Paul. Hearken to him."</p> + +<p>(<i>And at a sign from Hilarion</i></p> + +<p><span class="smcap" style="text-align: center;">Valentinus</span></p> + +<p><i>appears in a tunic of cloth of silver; his skull is pointed at its +summit; his voice has a wheezing sound.</i>)</p> + +<p><span class="pagenum"><a name="Page_79" id="Page_79">[Pg 79]</a></span></p> + +<p>"The world is the work of a God in delirium!"</p> + +<p><span class="smcap">Anthony</span> (<i>bending his head down</i>). "The work of a God in delirium!..."</p> + +<p>(<i>After a long silence</i>): "How can that be?"</p> + +<p><span class="smcap">Valentine</span>. "The most perfect of beings, and of the Æons, the Abyss; +dwelt in the womb of the Deep together with Thought. By their union was +begotten Intelligence, to whom Truth was given as a companion.</p> + +<p>"Intelligence and Truth engendered the Word and Life, who in their turn +begat Man and the Church; and that doth make eight Æons!"</p> + +<p>(<i>He counts upon his fingers.</i>)</p> + +<p>"The Word and Truth also produced ten other Æons—which is to say, five +couples. Man and the Church had begotten twelve more—among these the +Paraclete and Faith, Hope and Charity, Perfection and Wisdom—Sophia.</p> + +<p>"The union of these thirty Æons constitutes the Pleroma, or +Universality of God. Thus, even as the echo of a passing voice, as the +effluvia of a perfume evaporating, as the fires of the setting sun, +the Powers that<span class="pagenum"><a name="Page_80" id="Page_80">[Pg 80]</a></span> emanated from the Principle, forever continue to grow +weaker.</p> + +<p>"But Sophia, desirous to know the Father, darted from the Pleroma; +and the Word then made another couple, Christ and the Holy Ghost, who +reunited all the Æons; and all together formed Jesus, the flower of the +Pleroma.</p> + +<p>"But the effort of Sophia to flee away had left in the void an image of +her—an evil substance, Acharamoth.<a name="FNanchor_4_11" id="FNanchor_4_11"></a><a href="#Footnote_4_11" class="fnanchor">[4]</a> The Saviour took pity upon her, +freed her from all passion; and from the smile of Acharamoth redeemed, +light was born; her tears formed the waters; by her sorrow was dark +matter begotten.</p> + +<p>"Of Acharamoth was born the Demiurgos,—the fabricator of worlds, +the creator of the heaven and of the Devil. He dwells far below the +Pleroma—so far that he cannot behold it—so that he deems himself to +be the true God, and repeats by the mouths of his prophets—'There is +no other God but I.' Then he made man, and instilled into his soul the +immaterial Seed which was the Church—a<span class="pagenum"><a name="Page_81" id="Page_81">[Pg 81]</a></span> reflection of the other Church +established in the Pleroma.</p> + +<p>"One day Acharamoth shall reach the highest region and unite herself +with the Saviour; the fire that is hidden in the world shall annihilate +all matter, and shall even devour itself and men, becoming pure +spirits, shall espouse the angels!"</p> + +<p><span class="smcap">Origen</span>. "Then shall the Demon be over-thrown and the reign of God +commence!"</p> + +<p>(<i>Anthony expresses a cry, and forthwith</i>)</p> + +<p><span class="smcap">Basilides</span> (<i>taking him by the elbow, exclaims</i>:—)</p> + +<p>"The Supreme Being with all the infinite emanations is called +Abraxas; and the Saviour with all his virtues, Kaulakau—otherwise, +line-upon-line, rectitude upon rectitude.</p> + +<p>"The power of Kaulakau is obtained by the aid of certain words, which +are inscribed upon this chalcedony to help the memory."</p> + +<p>(<i>And he points to a little stone suspended at his neck, upon which +stone fantastic characters are graven.</i>)</p> + +<p>"Then thou wilt be transported into the Invisible and placed above all +law; thou shalt contemn all things—even virtue!</p> + +<p><span class="pagenum"><a name="Page_82" id="Page_82">[Pg 82]</a></span></p> + +<p>"We, the Pure, must flee from pain, after the example of Kaulakau."</p> + +<p><span class="smcap">Anthony</span>. "What! and the cross?"</p> + +<p><span class="smcap">The Elkhesaites</span> (<i>in robes of hyacinth answers him</i>). "The woe and +the degradation, the condemnation and oppression of my fathers<a name="FNanchor_5_12" id="FNanchor_5_12"></a><a href="#Footnote_5_12" class="fnanchor">[5]</a> are +blotted out, through the mission which has come.</p> + +<p>"One may deny the inferior Christ, the man—Jesus; but the other Christ +must be adored—whose personality was evolved under the brooding of the +Dove's wings.</p> + +<p>"Honor marriage; the Holy Spirit is feminine!"</p> + +<p>(<i>Hilarion has disappeared; and Anthony, carried along by the crowd, +arrives in the presence of</i>—)</p> + +<p class="smcap" style="text-align: center;">The Carpocratians</p> + +<p>(<i>reclining with women upon scarlet cushions.</i>)</p> + +<p>"Before entering into the Only thou shalt pass through a series of +conditions and of actions. To free thyself from the powers of darkness, +thou must at once accomplish their<span class="pagenum"><a name="Page_83" id="Page_83">[Pg 83]</a></span> works. The husband shall say to the +wife: 'Have charity for thy brother'—and she will kiss thee."</p> + +<p class="smcap" style="text-align: center;">The Nicolaitans</p> + +<p>(<i>gathered about a mass of smoking meats</i>:)</p> + +<p>"This is a portion of the meat offered to idols;—partake of it! +Apostasy is permissible when the heart is pure. Gorge thy flesh with +all that it demands. Seek to exterminate it by dint of debauchery! +Prounikos, the Mother of Heaven, wallowed in ignominies."</p> + +<p class="smcap" style="text-align: center;">The Marcosians</p> + +<p>(<i>wearing rings of gold, and glistening with precious balm and +unguents</i>:)</p> + +<p>"Enter among us that thou mayst unite thyself to the Spirit! Enter +among us that thou mayst quaff the draught of immortality!"</p> + +<p>(<i>And one of them shows him, behind a tapestry-hanging, the body of a +man terminated by the head of an ass. This represents Sabaoth, father +of the Devil. He spits upon the image in token of detestation.</i></p> + +<p><i>Another shows him a very low bed, strewn with flowers, exclaiming</i>:)</p> + +<p><span class="pagenum"><a name="Page_84" id="Page_84">[Pg 84]</a></span></p> + +<p>"The spiritual marriage is about to be consummated."</p> + +<p>(<i>A third, who holds a cup of glass, utters an invocation;—blood +suddenly appears in the cup</i>:)</p> + +<p>"Ah! behold it! behold it!—the blood of Christ!"</p> + +<p>(<i>Anthony withdraws, but finds himself be-spattered by water splashed +from a cistern.</i>)</p> + +<p class="smcap" style="text-align: center;">The Helvidians</p> + +<p>(<i>are flinging themselves into it head foremost, muttering</i>:—)</p> + +<p>"The man regenerated by baptism is impeccable!"</p> + +<p>(<i>Then he passes by a great fire at which the Adamites are warming +themselves—all completely naked in imitation of the purity of +Paradise; and he stumbles over</i>)</p> + +<p class="smcap" style="text-align: center;">The Messalines</p> + +<p>(<i>wallowing upon the pavement, half-slumbering, stupid</i>:)</p> + +<p>"Oh! crush us if thou wilt! we shall not move! Work is crime; all +occupation is evil."</p> + +<p><span class="pagenum"><a name="Page_85" id="Page_85">[Pg 85]</a></span></p> + +<p>(<i>Behind these, the abject</i>)</p> + +<p class="smcap" style="text-align: center;">Paternians</p> + +<p>(<i>—men, women, and children lying pell mell upon a heap of filth, lift +their hideous faces, wine-besmeared, and they cry aloud</i>:)</p> + +<p>"The inferior parts of the body, which were created by the Devil, +belong to him! Let us eat, drink, and sin!"</p> + +<p><span class="smcap">Ætius</span>. "Crimes are necessities beneath the notice of God!"</p> + +<p>(<i>But suddenly</i>—)</p> + +<p><span class="smcap">A Man</span> (—<i>clad in a Carthaginian mantle, bounds into their midst, +brandishing a scourge of thongs in his hand; and strikes violently and +indiscriminately at all in his path</i>:)</p> + +<p>"Ah! imposters! simonists, heretics and demons!—vermin of the +schools!—dregs of hell! Marcion, there, is a sailor of Sinopus +excommunicated for incest;—Carpocrates was banished for being a +magician; Ætius stole his concubine; Nicholas prostituted his wife; +and this Manes, who calls himself the Buddha, and whose real name is +Cubricus, was flayed alive with the point of a reed,<span class="pagenum"><a name="Page_86" id="Page_86">[Pg 86]</a></span> so that his skin +even now hangs at the gates of Ctesiphon!"</p> + +<p><span class="smcap">Anthony</span> (<i>recognizing Tertullian, rushes to join him</i>): "Master! help! +help!"</p> + +<p><span class="smcap">Tertullian</span> (<i>continuing</i>):</p> + +<p>"Break the images! veil the virgins! Pray, fast, weep and mortify +yourselves! No philosophy! no books! After Jesus, science is useless!"</p> + +<p>(<i>All have fled away; and Anthony beholds, in lieu of Tertullian, a +woman seated upon a bench of stone.</i></p> + +<p><i>She sobs; leaning her head against a column; her hair is loose; her +body, weakened by grief, is clad in a long brown simar. Then they find +themselves face to face and alone, far from the crowd; and a silence, +an extraordinary stillness falls—as in the woods when the winds are +lulled, and the leaves of the trees suddenly cease to whisper.</i></p> + +<p><i>This woman is still very beautiful, although faded, and pale as a +sepulcher. They look at one another; and their eyes send to each other +waves, as it were, of thoughts, bearing drift of a thousand ancient +things, confused, mysterious. At last</i>—)</p> + +<p><span class="smcap">Priscilla</span> (<i>speaks</i>:)</p> + +<p><span class="pagenum"><a name="Page_87" id="Page_87">[Pg 87]</a></span></p> + +<p>"I was in the last chamber of the baths; and the rumbling sounds of the +street caused a sleep to fall upon me.</p> + +<p>"Suddenly I heard a clamour of voices. Men were shouting—'It is a +magician!—it is the Devil!' And the crowd stopped before our house, in +front of the Temple Æsculapius. I drew myself up with my hands to the +little window.</p> + +<p>"Upon the peristyle of the temple, there stood a man who wore about his +neck a collar of iron. He took burning coals out of a chafing-dish, and +with them drew lines across his breast, the while crying out—'Jesus! +Jesus!' The people shouted—'This is not lawful! let us stone him!' +But he continued. Oh! those were unheard of marvels—things which +transported men who beheld them! Flowers broad as suns circled before +my eyes, and I heard in the spaces above me the vibrations of a golden +harp. Day died. My hands loosened their grasp of the window-bars; my +body fell back, and when he had led me away to his house...."</p> + +<p><span class="smcap">Anthony</span>. "But of whom art thou speaking?"</p> + +<p><span class="smcap">Priscilla</span>. "Why, of Montanus!"</p> + +<p><span class="pagenum"><a name="Page_88" id="Page_88">[Pg 88]</a></span></p> + +<p><span class="smcap">Anthony</span>. "Montanus is dead!"</p> + +<p><span class="smcap">Priscilla</span>. "It is not true!"</p> + +<p><span class="smcap">A Voice</span>. "No: Montanus is not dead!"</p> + +<p>(<i>Anthony turns; and sees upon the bench near him, on the opposite +side, another woman sitting; she is fair, and even paler than the +other; there are swellings under her eyes, as though she had wept a +long time. She speaks without being questioned</i>:)</p> + +<p><span class="smcap">Maximilla</span>. "We were returning from Tarsus by way of the mountains, +when, at a turn in the road, we saw a man under a fig tree.</p> + +<p>"He cried from afar off: 'Stop! stop!' and rushed toward us, uttering +words of abuse. The slaves ran up; he burst into a loud laugh. The +horses reared; the molossi all barked.</p> + +<p>"He stood before us. The sweat streamed from his forehead; his mantle +napped in the wind.</p> + +<p>"And calling us each by our names, he reproached us with the vanity +of our work, the infamy of our bodies; and he shook his fist at the +dromedaries because of the silver bells hanging below their mouths.</p> + +<p>"His fury now filled my very entrails with<span class="pagenum"><a name="Page_89" id="Page_89">[Pg 89]</a></span> fear and yet there was a +strange pleasure in it which fascinated me, intoxicated me!</p> + +<p>"First the slaves came. 'Master,' they said, 'our animals are weary.' +Then the women said, 'We are frightened,' and the slaves departed. Then +the children began to weep,—'We are hungry.' And as the women were not +answered, they disappeared also from our view.</p> + +<p>"He still spoke. I felt some one near me. It was my husband; but I +listened only to the other. My husband crawled to me upon his knees +among the stones, and cried—'Dost thou abandon me,' and I replied: +'Yes! go thy way!' that I might accompany Montanus."</p> + +<p><span class="smcap">Anthony</span>. "A eunuch!"</p> + +<p><span class="smcap">Priscilla</span>. "Ah! does that astound thee, vulgar soul! Yet Magdalen, +Johanna, Martha and Susannah did not share the couch of the Saviour. +Souls may know the delirium of embrace better than bodies. That he +might keep Eustolia with impunity, the bishop Leontius mutilated +himself—loving his love more than his virility. And then, it was +no fault of mine. Sotas could not cure me; a spirit constrained me. +It is cruel, nevertheless! But what matter? I am the<span class="pagenum"><a name="Page_90" id="Page_90">[Pg 90]</a></span> last of the +prophetesses; and after me the end of the world shall come."</p> + +<p><span class="smcap">Maximilla</span>. "He showered his gifts upon me. Moreover, no one loves him +as I, nor is any other so well beloved by him!"</p> + +<p><span class="smcap">Priscilla</span>. "Thou liest! I am the most beloved!"</p> + +<p><span class="smcap">Maximilla</span>. "No: it is I!"</p> + +<p>(<i>They fight. Between their shoulders suddenly appears the head of a +negro.</i>)</p> + +<p><span class="smcap">Montanus</span> (<i>clad in a black mantle, clasped by two cross-bones</i>):</p> + +<p>"Peace, my doves! Incapable of terrestrial happiness, we have obtained +the celestial plentitude of our union. After the age of the Father, +the age of the Son; and I inaugurate the third, which is that of the +Paraclete. His light descended upon me during those forty nights when +the heavenly Jerusalem appeared shining in the firmament, above my +house at Pepuzza.</p> + +<p>"Ah, how ye cry out with anguish when the thongs of the scourge +lacerate! how your suffering bodies submit to the ardor of my spiritual +discipline! how ye languish with irrealizable longing! So strong has +that desire become that it has enabled you to behold<span class="pagenum"><a name="Page_91" id="Page_91">[Pg 91]</a></span> the invisible +world; and ye can now perceive souls even with the eyes of the body!"</p> + +<p><span class="smcap">Anthony</span>. (<i>Makes a gesture of astonishment.</i>)</p> + +<p><span class="smcap">Tertullian</span> (<i>who appears again, standing beside Montanus</i>):</p> + +<p>"Without doubt; for the soul has a body, and that which is bodiless has +no existence."</p> + +<p><span class="smcap">Montanus</span>. "In order to render it yet more subtle, I have instituted +many mortifications, three Lents a year, and prayers to be uttered +nightly by the mind only, keeping the mouth closed, lest breathing +might tarnish thought. It is necessary to abstain from second +marriages, or rather from all marriage! The Angels themselves have +sinned with women!"</p> + +<p><span class="smcap">The Archontics</span> (<i>wearing cilices of hair</i>):</p> + +<p>"The Saviour said: 'I come to destroy the work of the Woman!'"</p> + +<p><span class="smcap">The Tatianites</span> (<i>wearing cilices of reed</i>):</p> + +<p>"She is the tree of evil. Our bodies are but garments of skin."</p> + +<p>(<i>And continuing to advance along the same side, Anthony meets</i>:—)</p> + +<p><span class="smcap">The Valesians</span> (<i>extended upon the ground, with red wounds below their +bellies, and blood<span class="pagenum"><a name="Page_92" id="Page_92">[Pg 92]</a></span> saturating their tunics. They offer him a knife.</i>)</p> + +<p>"Do as Origen did and as we have done! Is it the pain that thou +fearest, coward? Is it the love of thy flesh that restrains thee, +hypocrite?"</p> + +<p>(<i>And while he watches them writhing upon their backs, in a pool of +blood</i>—)</p> + +<p><span class="smcap">The Cainites</span> (<i>wearing knotted vipers as fillets about their hair, pass +by, vociferating in his ear</i>):—</p> + +<p>"Glory to Cain! Glory to Sodom! Glory be to Judas!</p> + +<p>"Cain made the race of the strong; Sodom terrified the earth by her +punishment, and it was by Judas that God saved the world! Yes! by +Judas: without him there would have been no death and no redemption!"</p> + +<p>(<i>They disappear beneath the horde of the</i>—)</p> + +<p><span class="smcap">Circumcelliones</span> (<i>all clad in the skins of wolves, crowned with thorns, +and armed with maces of iron</i>).</p> + +<p>"Crush the fruit! befoul the spring! drown the child! Pillage the rich +who are happy—who cat their fill! Beat the poor who envy the ass +his saddle-cloth, the dog his meal, the<span class="pagenum"><a name="Page_93" id="Page_93">[Pg 93]</a></span> bird his nest,—and who is +wretched at knowing that others are not as miserable as himself.</p> + +<p>"We, the Saints, poison, burn, massacre, that we may hasten the end of +the world.</p> + +<p>"Salvation may be obtained through martyrdom only. We give ourselves +martyrdom. We tear the skin from our heads with pincers; we expose our +members to the plough; we cast ourselves into the mouths of furnaces!</p> + +<p>"Out upon baptism! out upon the Eucharist! out upon marriage! universal +damnation!"</p> + +<p>(<i>Then throughout all the basilica there is a redoubling of fury.</i></p> + +<p><i>The Audians shoot arrows against the Devil; the Collyridians throw +blue cloths toward the roof; the Ascites prostrate themselves before +a waterskin; the Marcionites baptise a dead man with oil. A woman, +standing near Appelles, exhibits a round loaf within a bottle, in order +the better to explain her idea. Another, standing in the midst of an +assembly of Sampseans distributes, as a sacrament, the dust of her +own sandals. Upon the rose-strewn bed of the Marcosians, two lovers +embrace. The Circumcellionites<span class="pagenum"><a name="Page_94" id="Page_94">[Pg 94]</a></span> slaughter one another; the Valesians +utter the death-rattle; Bardesanes sings; Carpocras dances; Maximilla +and Priscilla moan; and the false prophetess of Cappadocia, completely +naked, leaning upon a lion, and brandishing three torches, shrieks the +Terrible Invocation.</i></p> + +<p><i>The columns of the temple sway to and fro like the trunks of trees in a +tempest; the amulets suspended about the necks of the Heresiarchs seem +to cross each other in lines of fire; the constellations in the chapels +palpitate; and the walls recoil with the ebb and flow of the crowd, in +which each head is a wave that leaps and roars.</i></p> + +<p><i>Nevertheless, from the midst of the clamor arises the sound of a song, +in which the name of Jesus is often repeated, accompanied by bursts of +laughter.</i></p> + +<p><i>The singers belong to the rabble of the people; they all keep time to +the song by clapping their hands. In their midst stands</i>—)</p> + +<p><span class="smcap">Artus</span> (<i>in a deacon's vestments</i>):</p> + +<p>"The fools who declaim against me pretend to explain the absurd; and in +order to confound them utterly, I have composed ditties so droll that +they are learned by heart<span class="pagenum"><a name="Page_95" id="Page_95">[Pg 95]</a></span> in all the mills, in the taverns and along +the ports.</p> + +<p>"No! a thousand times no!—the Son is not coeternal with the Father, +nor of the same substance! Otherwise he would not have said: 'Father, +remove this chalice from me! Why dost thou call me good? God alone is +good! I go to my God, to your God!'—and many other things testifying +to his character of creature. The fact is further demonstrated for +us by all his names:—lamb, shepherd, fountain, wisdom, son-of-man, +prophet; the way, the corner-stone!"</p> + +<p><span class="smcap">Sabelliusés</span>. "I hold that both are identical."</p> + +<p><span class="smcap">Arius</span>. "The Council of Antioch has decided the contrary."</p> + +<p><span class="smcap">Anthony</span>. "Then what is the Word?... What was Jesus?"</p> + +<p><span class="smcap">The Valentinians</span>. "He was the husband of Acharamoth repentant!"</p> + +<p><span class="smcap">The Sethianians</span>. "He was Shem, the son of Noah!"</p> + +<p><span class="smcap">The Theodotians</span>. "He was Melchisedech!"</p> + +<p><span class="smcap">The Merinthians</span>. "He was only a man!"</p> + +<p><span class="smcap">The Apollinarists</span>. "He assumed the appearance<span class="pagenum"><a name="Page_96" id="Page_96">[Pg 96]</a></span> of one! He simulated the +Passion!"</p> + +<p><span class="smcap">Marcel of Ancyra</span>. "He was a development of the Father!"</p> + +<p><span class="smcap">Pope Calixtus</span>. "Father and Son are but two modes of one God's +manifestation!"</p> + +<p><span class="smcap">Methodius</span>. "He was first in Adam, then in man!"</p> + +<p><span class="smcap">Cerinthus</span>. "And He will rise again!"</p> + +<p><span class="smcap">Valentinus</span>. "Impossible—his body being celestial!"</p> + +<p><span class="smcap">Paul of Samosata</span>. "He became God <i>only</i> from the time of his baptism!"</p> + +<p><span class="smcap">Hermogenes</span>. "He dwells in the sun!"</p> + +<p>(<i>And all the Heresiarchs form a circle about Anthony, who weeps, +covering his face with his hands.</i>)</p> + +<p><span class="smcap">A Jew</span> (<i>with a red beard, and spots of leprosy upon his shin, +approaches close to Anthony, and, with a hideous sneer, exclaims</i>):</p> + +<p>"His soul was the soul of Esau! He suffered from the Bellephorentian +sickness. Was not his mother, the seller of perfumes, seduced by a +<span class="pagenum"><a name="Page_97" id="Page_97">[Pg 97]</a></span>Roman soldier, one Pantherus?.......................... <a name="FNanchor_6_13" id="FNanchor_6_13"></a><a href="#Footnote_6_13" class="fnanchor">[6]</a></p> + +<p><span class="smcap">Anthony</span> (<i>suddenly raising his head, looks at them a moment in silence; +then advancing boldly upon them, exclaims</i>):</p> + +<p>"Doctors, magicians, bishops, and deacons, men and phantoms, away from +me! begone! Ye are all lies!"</p> + +<p><span class="smcap">The Heresiarchs</span>. "We have martyrs more martyrs than thine, prayers +that are more difficult, outbursts of love more sublime, ecstasies as +prolonged as thine are."</p> + +<p><span class="smcap">Anthony</span>. "But ye have no revelation! no proofs!"</p> + +<p>(<i>They all at once brandish in the air their rolls of papyrus, tablets +of wood, scrolls of leather, rolls of woven stuff bearing inscriptions; +and elbowing; and pushing each other, they all shout to Anthony.</i>)</p> + +<p><span class="smcap">The Cerinthians</span>. "Behold the Gospel of the Hebrews!"</p> + +<p><span class="smcap">The Marcionites</span>. "Behold the Gospel of the Lord!"</p> + +<p><span class="smcap">The Marcosians</span>. "The Gospel of Eve!"</p> + +<p><span class="smcap">The Eucratites</span>. "The Gospel of Thomas!"</p> + +<p><span class="smcap">The Cainites</span>. "The Gospel of Judas!"</p> + +<p><span class="smcap">Basilides</span>. "The Treatise upon the Destiny of the Soul!"</p> + +<p><span class="pagenum"><a name="Page_98" id="Page_98">[Pg 98]</a></span></p> + +<p><span class="smcap">Manes</span>. "The Prophecy of Barkouf!"</p> + +<p>(<i>Anthony struggles, breaks from them, escapes them; and in a shadowy +corner perceives</i>—)</p> + +<p><span class="smcap">The Aged Ebionites</span></p> + +<p>(<i>withered as mummies, their eyes dull and dim, their eyebrows white as +frost.</i></p> + +<p><i>In tremulous voices they exclaim</i>:—)</p> + +<p>"We have known him, we have seen him! We knew the Carpenter's Son! We +were then the same age as he; we dwelt in the same street. He used to +amuse himself by modelling little birds of mud; aided his father at his +work without fear of the sharp tools, or selected for his mother the +skeins of dyed wool. Then he made a voyage to Egypt, from whence he +brought back wondrous secrets. We were at Jericho when he came to find +the Eater of Locusts. They talked together in a low voice, so that no +one could hear what was said. But it was from that time that his name +began to be noised abroad in Galilee, and that men began to relate many +fables regarding him."</p> + +<p>(<i>They reiterate, tremulously</i>:)</p> + +<p>"We knew him! we others, we knew him!"</p> + +<p><span class="pagenum"><a name="Page_99" id="Page_99">[Pg 99]</a></span></p> + +<p><span class="smcap">Anthony</span>. "Ah, speak on, speak! What was his face like?"</p> + +<p><span class="smcap">Tertullian</span>. "His face was wild and repulsive; forasmuch as he +had burthened himself with all the crimes, all the woes, all the +deformities of mankind."</p> + +<p><span class="smcap">Anthony</span>. "Oh! no, no! I imagine, on the contrary, that his entire +person must have been glorious with a beauty greater than the beauty of +man!"</p> + +<p><span class="smcap">Eusebius of Cæsarea</span>. "There is indeed, at Paneades, propped up against +the walls of a crumbling edifice surrounded by a wilderness of weeds +and creeping plants, a certain statue of stone which, some say, was +erected by the Woman healed of the issue of blood. But time has gnawed +the face of the statue, and the rains have worn the inscription away."</p> + +<p>(<i>A woman steps forward from the group of the Carpocratians.</i>)</p> + +<p><span class="smcap">Marcellina</span>. "I was once a deaconess at Rome, in a little church, where +I used to exhibit to the faithful, the silver images, of Saint Paul, +Homer, Pythagoras and Jesus Christ.</p> + +<p>"I have only kept that of Jesus."</p> + +<p>(<i>She half opens her mantle.</i>)</p> + +<p><span class="pagenum"><a name="Page_100" id="Page_100">[Pg 100]</a></span></p> + +<p>"Dost thou desire it?"</p> + +<p><span class="smcap">A Voice</span>. "He reappears himself when we call upon him! It is the +hour!—come!"</p> + +<p>(<i>And Anthony feels a brutal hand seize him by the arm, and drag him +away.</i></p> + +<p><i>He mounts a stairway in complete darkness; and after having ascended +many steps, he finds himself before a door.</i></p> + +<p><i>Then the one who is leading him—(is it Hilarion?—he does not +know)—whispers in the ear of another</i>: "The Lord is about to +come!"—<i>and they are admitted into a chamber, with a very low ceiling, +and without furniture.</i></p> + +<p><i>The first object which attracts his attention is a long blood-colored +chrysalis, with a human head surrounded by rays, and the word</i> Knouphus +<i>inscribed all around it in Greek characters. It is placed upon the +shaft of a column, which is in turn supported by a broad pedestal. +Hanging upon the walls of the chamber are medallions of polished iron +representing the heads of various animals:—the head of an ox, the head +of a lion, the head of an eagle, the head of a dog, and the head of an +ass—again!</i></p> + +<div class="figcenter" style="width: 600px; margin-top: 2em"> +<a id="redon202"></a> +<img src="images/redon2_02.jpg" width="600" alt="" /> +<div class="caption"><p>... a long blood-colored chrysalis</p></div> +</div> + +<p class="p2"><i>Earthen lamps, suspended below these<span class="pagenum"><a name="Page_101" id="Page_101">[Pg 101]</a></span> images, create a vacillating +light. Through a hole in the wall, Anthony can see the moon shining +far off upon the waves; he can even hear the feeble regular sound of +lapping water; together with the heavy thud occasionally caused by the +bumping of a ship's hull against the stones of the mole.</i></p> + +<p><i>There are men crouching down, with their faces hidden by their +mantles. From time to time they utter sounds resembling a smothered +bark. There are women also, sleeping with their foreheads resting upon +their arms, and their arms supported by their knees; they are so hidden +by their garments as to resemble heaps of cloth piled up at intervals +against the wall. Near them are half naked children, whose persons +swarm with vermin. They watch with idiotic stare the burning of the +lamps; and nothing is done: all are waiting for something.</i></p> + +<p><i>They talk in undertones about family matters, or recommend to each +other various remedies for their ailments. Some of them must embark +at earliest daylight; the persecution is becoming too terrible to be +endured. Nevertheless, the pagans are easily enough<span class="pagenum"><a name="Page_102" id="Page_102">[Pg 102]</a></span> deceived</i>:—"The +fools imagine that we are really adoring Knouphus!"</p> + +<p><i>But one of the brethren, feeling himself suddenly inspired, takes his +place before the column, where a basket has already been placed, filled +with fennel and aristolochia. On the top of the basket is placed a +loaf.</i>)</p> + +<p class="smcap" style="text-align: center;">The Inspired Brother</p> + +<p>(<i>unrolling a placard covered with designs representing cylinders +blending with and fitting into one another, commences to pray</i>:)</p> + +<p>"The ray of the Word descended upon the darknesses; and there arose a +mighty cry, like unto the voice of Light."</p> + +<p><span class="smcap">All</span> (<i>swaying their bodies in unison, respond</i>):</p> + +<p>"Kyrie eleison!"</p> + +<p><span class="smcap">The Inspired Brother</span>. "Then was Man created by the infamous +God of Israel, aided by those who are these (<i>pointing to the +medallions</i>)—Astophaios, Oraios, Sabaoth, Adonai, Eloi, Iao!</p> + +<p>"And Man, hideous, feeble, formless and thoughtless, lay upon the slime +of the earth."</p> + +<p><span class="smcap">All</span> (<i>in plaintive accents</i>):</p> + +<p><span class="pagenum"><a name="Page_103" id="Page_103">[Pg 103]</a></span></p> + +<p>"Kyrie eleison!"</p> + +<p><span class="smcap">The Inspired Brother</span>. "But Sophia, compassionating him, vivified him +with a spark of her own soul.</p> + +<p>"Then God, beholding Man so beautiful, waxed wroth; and imprisoned him +within His own kingdom, forbidding him to touch the Tree of Knowledge.</p> + +<p>"Again did the other succor him. She sent to him the Serpent, who, by +many long subterfuges, made him disobey that law of hate.</p> + +<p>"And Man, having tasted knowledge, understood celestial things."</p> + +<p><span class="smcap">All</span> (<i>raising their voices</i>):</p> + +<p>"Kyrie Eleison!"</p> + +<p><span class="smcap">The Inspired Brother</span>. "But Iabdalaoth through vengeance cast down man +into the world of matter, and the Serpent with him."</p> + +<p><span class="smcap">All</span> (<i>in a very low tone</i>):</p> + +<p>"Kyrie Eleison!"</p> + +<p>(<i>Then all hold their peace, and there is silence.</i></p> + +<p><i>The odors of the port mingle with the smoke of the lamps in the warm +air. The lamp-wicks crepitate; their flames are about to go out, long +mosquitoes flit in rapid circlings about them. And Anthony groans +in<span class="pagenum"><a name="Page_104" id="Page_104">[Pg 104]</a></span> an agony of anguish, as with the feeling that a monstrosity is +floating about him, as with the fear of a crime that is about to be +accomplished.</i></p> + +<p><i>But</i>—)</p> + +<p><span class="smcap">The Inspired Brother</span> (<i>stamping his heel upon the floor, snapping his +fingers, tossing his head wildly, suddenly chants to a furious rhythm, +with accompaniment of cymbals and a shrill flute</i>:—)</p> + +<p>"Come! come! come!—issue from thy cavern!</p> + +<p>"O swift one, who runneth without feet, captor who seizeth without hand!</p> + +<p>"Sinuous as the rivers, orbicular as the sun, black, with spots of +gold, like the firmament star-besprinkled! Like unto the intertwinings +of the vine, and the circumvolutions of entrails!</p> + +<p>"Unengendered! eater of earth! immortally young! unfailing +perspicacious! honored at Epidaurus! Kindly to man! thou who didst heal +King Ptolemy, and the warriors, of Moses, and Glaucus, son of Minos!</p> + +<p>"Come! come! come!—issue from thy cavern!"</p> + +<p><span class="smcap">All</span> (<i>repeat</i>):</p> + +<p><span class="pagenum"><a name="Page_105" id="Page_105">[Pg 105]</a></span></p> + +<p>"Come! come! come!—issue from thy cavern!"</p> + +<p>(<i>Nevertheless, nothing yet appears.</i>)</p> + +<p>"Why? What aileth him?"</p> + +<p>(<i>And they concert together, devise means.</i></p> + +<p><i>An old man presents a clod of turf as an offering. Then something +upheaves within the basket. The mass of verdure shakes; the flowers +fall, and the head of a python appears.</i></p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon05"></a> +<img src="images/redon_05.jpg" width="600" alt="" /> +<div class="caption"><p>... the flowers fall and the head of a python appears</p></div> +</div> + +<p class="p2"><i>It passes slowly around the edge of the loaf, like a circle moving +around an immovable disk;—then it unfolds itself, lengthens out; it is +enormous and of great weight. Lest it should touch the floor, the men +uphold it against their breasts, the women support it upon their heads, +the children hold it up at arms' length; and its tail, issuing through +the hole in the wall, stretches away indefinitely to the bottom of the +sea. Its coils double; they fill the chamber; they enclose Anthony.</i>)</p> + +<p><span class="smcap">The Faithful</span> (<i>press their mouths against its skin, snatch from one +another the loaf which it has bitten, and cry aloud</i>:—)</p> + +<p>"It is thou! it is thou!</p> + +<p>"First raised up by Moses, broken by<span class="pagenum"><a name="Page_106" id="Page_106">[Pg 106]</a></span> Ezechias, re-established by the +Messiah. He drank thee in the waters of baptism; but thou didst leave +him in the Garden of Olives; and then indeed he felt his own weakness!</p> + +<p>"Writhing about the arms of the cross, and above his head, while +casting thy slime upon the crown of thorns, thou didst behold him die! +For thou art not Jesus, thou!—thou art the Word! thou art the Christ!"</p> + +<p>(<i>Anthony faints with horror, and falls prostrate in front of his hut +upon the splinters of wood, where the torch that had slipped from his +hand, is burning low.</i></p> + +<p><i>The shock arouses him. Opening his eyes again, he perceives the Nile, +brightly undulating under the moon, like a vast serpent winding over +the sands; so that the hallucination returns upon him again; he has not +left the company of the Ophites; they surround him, call him; he sees +them carrying baggage, descending to the port. He embarks along with +them.</i></p> + +<p><i>An inappreciable time elapses.</i></p> + +<p><i>Then the vaults of a prison environ him. Iron bars in front of him +make black lines against a background of blue; and in the darkness +beside him people are praying and<span class="pagenum"><a name="Page_107" id="Page_107">[Pg 107]</a></span> weeping surrounded by others who +exhort and console.</i></p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon06"></a> +<img src="images/redon_06.jpg" width="600" alt="" /> +<div class="caption"><p>... and in the darkness beside him people are +praying</p></div></div> + +<p class="p2"><i>Without, there is a murmur like the deep humming of a vast crowd, and +there is splendour as of a summer's day.</i></p> + +<p><i>Shrill voices announce watermelons for sale, iced drinks, and cushions +of woven grass to sit upon. From time to time there are bursts of +applause. He hears the sound of footsteps above his head.</i></p> + +<p><i>Suddenly a long roar is heard, mighty and cavernous as the roar of +water in an aqueduct.</i></p> + +<p><i>And he sees, directly opposite, behind the bars of another compartment +across the arena a lion walking to and fro, then a line of sandals, +bare legs, and purple fringes. Beyond are the vast circling wreaths +of people, in symmetrical tiers, enlarging as they rise, from the +lowest which hems in the arena to the uppermost above which masts +rise to sustain a hyacinth-colored awning, suspended in air by ropes. +Stairways radiating toward the centre, divide these huge circles of +stone at regular intervals. The benches disappear under a host of +spectators—knights, senators, soldiers, plebeians, vestals, and +courtesans—in woollen hoods, in silken maniples, in fallow-colored<span class="pagenum"><a name="Page_108" id="Page_108">[Pg 108]</a></span> +tunics; together with aigrettes of precious stones, plumes of feathers, +the fasces of lictors; and all this swarming multitude deafens and +stupefies Anthony with its shoutings, its tumultuous fury, as of an +enormous boiling vat. In the middle of the arena, a vase of incense +smokes upon an altar.</i></p> + +<p><i>Anthony thus knows that the people with him are Christians condemned +to be thrown to the wild beasts. The men wear the red mantle of the +pontiffs of Saturn; the women, the bandellettes of Ceres. Their friends +divide among themselves shreds of their garments, and rings. To obtain +access to the prison, they say, costs a great deal of money. But what +matter! They will remain until it is all over.</i></p> + +<p><i>Anthony notices among these consolers, a certain bald-headed man, +in a black tunic: Anthony has seen that face somewhere before. The +consoler discourses to them concerning the nothingness of this world, +and the felicity of the Elect. Anthony feels within him a transport of +celestial love; he longs for the opportunity to lay down his life for +the Saviour—not knowing as yet whether he himself is to be numbered +among the martyrs.</i></p> + +<p><span class="pagenum"><a name="Page_109" id="Page_109">[Pg 109]</a></span></p> + +<p><i>But all—except a certain Phrygian, with long hair, who stands with +his arms uplifted—have a look of woe. One old man is sobbing upon a +bench; a youth standing close by, with drooping head, abandons himself +to a reverie of sorrow.</i></p> + +<p><span class="smcap">The Old Man</span> <i>had refused to pay the customary contribution before the +statue of Minerva, erected at the angle of the cross-roads; and he +gazes at his companions with a look that signifies</i>:—)</p> + +<p>"Ye ought to have succored me! Communities can sometimes so arrange +matters as to insure their being left in peace. Some among ye also +procured those letters which falsely allege that one has sacrificed to +idols."</p> + +<p>(<i>He asks aloud</i>:—)</p> + +<p>"Was it not Petrus of Alexandria who laid down the rule concerning what +should be done by those who have yielded to torture?"</p> + +<p>(<i>Then, to himself</i>:—)</p> + +<p>"Ah! how cruel this at my age! My infirmities make me so weak! +Nevertheless, I might easily have lived until the coming winter, or +longer!"</p> + +<p><span class="pagenum"><a name="Page_110" id="Page_110">[Pg 110]</a></span></p> + +<p>(<i>The memory of his little garden makes him sad, and he gazes toward +the altar.</i>)</p> + +<p><span class="smcap">The Young Man</span> (<i>who disturbed the festival of Apollo by violence and +blows, murmurs</i>:—)</p> + +<p>"Yet it would have been easy for me to have fled to the mountains!"</p> + +<p>(<i>One of the brothers answers</i>:—)</p> + +<p>"But the soldiers would have captured thee!"</p> + +<p><span class="smcap">The Young Man</span>. "Oh! I would have done as Cyprian did—I would have +returned, and the second time I would surely have had more force!"</p> + +<p>(<i>Then he thinks of the innumerable days that he might have lived, of +all the joys that he might have known, but will never know; and he +gazes toward the altar.</i></p> + +<p><i>But</i>—)</p> + +<p><span class="smcap">The Man in the Black Tunic</span> (<i>rushes to his side.</i>)</p> + +<p>"What scandal! What! Thou! a victim of God's own choice! And all these +women here who are looking at thee! Nay, think what thou art doing! +Moreover, remember that God sometimes vouchsafes to perform a miracle. +Pionius numbed and made powerless<span class="pagenum"><a name="Page_111" id="Page_111">[Pg 111]</a></span> the hands of his executioners; the +blood of Polycarp extinguished the fire of the stake."</p> + +<p>(<i>Then he turns to the Old Man</i>:—)</p> + +<p>"Father, father! it behooves thee to edify us by thy death! By longer +delaying it, thou wouldst doubtless commit some evil action that would +lose thee the fruit of all thy good works. Remember, also, that the +power of God is infinite; and it may come to pass that all the people +will be converted by thy example."</p> + +<p>(<i>And in the great den opposite, the lions stride back and forth, +ceaselessly, with a rapid continuous motion. The largest suddenly looks +at Anthony and roars, and a vapour issues from his jaws.</i></p> + +<p><i>The women are huddled against the men.</i>)</p> + +<p><span class="smcap">The Consoler</span> (<i>goes from one to the other.</i>)</p> + +<p>"What would ye say, what wouldst thou say if thou wert to be burned +with red-hot irons, if thou wert to be torn asunder by horses, if thou +hadst been condemned to have thy body smeared with honey, and thus +exposed to be devoured by flies! As it is, thou wilt only suffer the +death of a hunter surprised by a beast in the woods."</p> + +<p><span class="pagenum"><a name="Page_112" id="Page_112">[Pg 112]</a></span></p> + +<p>(<i>Anthony would prefer all those things to death by the fangs of the +horrible wild beasts; he fancies already that he feels their teeth and +their claws, that he hears his bones cracking between their jaws.</i></p> + +<p><i>A keeper enters the dungeon; the martyrs tremble.</i></p> + +<p><i>Only one remains impassable, the Phrygian, who prays standing apart +from the rest. He has burned three temples; and he advances with arms +uplifted, mouth open, face turned toward heaven, seeing nothing around +him, like a somnambulist.</i>)</p> + +<p><span class="smcap">The Consoler</span> (<i>shouts</i>). "Back! back! lest the spirit of Montanus might +come upon you."</p> + +<p><span class="smcap">All</span> (<i>recoil from the Phrygian, and vociferate</i>)</p> + +<p>"Damnation to the Montanist!"</p> + +<p>(<i>They insult him, spit upon him, excite each other to beat him.</i></p> + +<p><i>The rearing lions bite each other's manes</i>;)</p> + +<p><span class="smcap">The People</span> "To the beasts with them, to the beasts."</p> + +<p><i>The Martyrs burst into sobs, and embrace each other passionately. A +cup of narcotic<span class="pagenum"><a name="Page_113" id="Page_113">[Pg 113]</a></span> wine is offered them. It is passed from hand to hand, +quickly.</i></p> + +<p><i>Another keeper, standing at the door of the den, awaits the signal. +The den opens; a lion comes out.</i></p> + +<p><i>He crosses the arena with great oblique strides. Other lions follow in +file after him; then a bear, three panthers, and some leopards. They +scatter through the arena like a flock in a meadow.</i></p> + +<p><i>The crack of a whip resounds. The Christians stagger forward; and +their brethren push them, that it may be over the sooner.</i></p> + +<p><i>Anthony closes his eyes.</i></p> + +<p><i>He opens them again. But darkness envelopes him.</i></p> + +<p><i>Soon the darkness brightens; and he beholds an arid plain, mamillated +with knolls, such as might be seen about abandoned quarries.</i></p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon07"></a> +<img src="images/redon_07.jpg" width="600" alt="" /> +<div class="caption"><p>... and he beholds an arid plain, mamillated with knolls</p></div> +</div> + +<p class="p2"><i>Here and there a tuft of shrubbery rises among the slabs of stone, +level with the soil; and there are white figures, vaguer than clouds, +bending over the slabs.</i></p> + +<p><i>Others approach, softly, silently. Eyes gleam through the slits of +long veils. By the easy indifference of their walk, and the perfumes<span class="pagenum"><a name="Page_114" id="Page_114">[Pg 114]</a></span> +exhaled from their garments, Anthony knows they are patrician women. +There are men also, but of inferior condition; for their faces are at +once simple-looking and coarse.</i></p> + +<p>(<i>One of the Women, taking a long breath</i>:)</p> + +<p>"Ah! how good the cool air of night is, among the sepulchers! I am so +weary of the softness of beds, the turmoil of days, the heavy heat of +the sun!"</p> + +<p>(<i>Her maid-servant takes from a canvas bag, a torch which she ignites. +The faithful light other torches by it, and plant them upon the tombs.</i>)</p> + +<p><span class="smcap">A Woman</span> (<i>panting</i>).</p> + +<p>"I am here at last! Oh how wearisome to be the wife of an idolator!"</p> + +<p><span class="smcap">Another</span>. "These visits to the prisons, interviews with our brethren, +are all matters of suspicion to our husbands! And we must even hide +ourselves in order to make the sign of the cross; they would take it +for a magical conjuration!"</p> + +<p><span class="smcap">Another</span>. "With my husband it was a quarrel every day. I would not +submit myself to his brutal exactions; therefore he has had me +prosecuted as a Christian."</p> + +<p><span class="smcap">Another</span>. "Do you remember Lucius,<span class="pagenum"><a name="Page_115" id="Page_115">[Pg 115]</a></span> that young man who was so beautiful, +who was dragged like Hector, with his heels attached to a chariot, +from the Esquiline Gate to the mountains of Tibur?—and how his blood +spattered the bushes on either side of the road? I gathered up the +drops of his blood. Behold it!"</p> + +<p>(<i>She drags a black sponge from her bosom, covers it with kisses, and +flings herself down upon the slabs, crying aloud</i>:—)</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon08"></a> +<img src="images/redon_08.jpg" width="600" alt="" /> +<div class="caption"><p>She drags a black sponge from her bosom, covers it with kisses ...</p></div> +</div> + +<p class="p2">"Ah! my friend! my friend!"</p> + +<p><span class="smcap">A Man</span>. "It is just three years to-day since Domitilla died. They stoned +her at the further end of the Grove of Proserpine. I gathered her +bones, which shone like glowworms in the grass. The earth how covers +them."</p> + +<p>(<i>He casts himself down upon a tomb.</i>)</p> + +<p>"O my betrothed! my betrothed!"</p> + +<p>(<i>And all the others scattered over the plain</i>:—)</p> + +<p>"O my sister! O my brother! O my daughter! O my mother!"</p> + +<p>(<i>Some kneel, covering their faces with their hands; others lie down +upon the ground with their arms extended; and the sobs they smother +shake their breasts with such violence as though their hearts were +breaking<span class="pagenum"><a name="Page_116" id="Page_116">[Pg 116]</a></span> with grief. Sometimes they look up to heaven, exclaiming</i>:—)</p> + +<p>"Have mercy upon her soul, O my God! She languishes in the sojourn of +Shades; vouchsafe to admit her to thy Resurrection, that she may enjoy +Thy Light!"</p> + +<p>(<i>Or, with eyes fixed upon the gravestones, they murmur to the dead</i>:—)</p> + +<p>"Be at peace, beloved! and suffer not! I have brought thee wine and +meats!"</p> + +<p><span class="smcap">A Widow</span>. "Here is pultis, made by my own hands, as he used to like it, +with plenty of eggs and a double measure of flour! We are going to eat +it together as in other days, are we not?"</p> + +<p>(<i>She lifts a little piece to her lips, and suddenly bursts into an +extravagant and frenzied laugh.</i></p> + +<p><i>The others also nibble a little bit as she does and drink a mouthful +of wine.</i></p> + +<p><i>They recount to each other the stories of their martyrs; grief becomes +exalted! libations redouble. Their tear-swimming eyes are fixed upon +each other's faces. They stammer with intoxication and grief; gradually +hands touch hands, lips join themselves<span class="pagenum"><a name="Page_117" id="Page_117">[Pg 117]</a></span> to lips, and they seek each +other upon the tombs, between the cups and the torches.</i></p> + +<p><i>The sky begins to whiten. The fog makes damp their garments; and, +without appearing even to know one another, they depart by different +ways and seek their homes.</i></p> + +<p><i>The sun shines; the weeds and the grass have grown higher; the face of +the plain is changed.</i></p> + +<p><i>And Anthony, looking between tall bamboos, sees distinctly a forest of +columns, of bluish-grey color. These are tree-trunks, all originating +from one vast trunk. From each branch of the colossal tree descend +other branches which may bury themselves in the soil; and the aspect of +all these horizontal and perpendicular lines, indefinitely multiplied, +would closely resemble a monstrous timber-work, were it not that they +have small figs<a name="FNanchor_7_14" id="FNanchor_7_14"></a><a href="#Footnote_7_14" class="fnanchor">[7]</a> growing upon them here and there, and a blackish +foliage, like that of the sycamore.</i></p> + +<p><i>He perceives in the forkings of their branches, hanging bunches of +yellow flowers, violet flowers also, and ferns that resemble the plumes +of splendid birds.</i></p> + +<p><i>Under the lowest branches the horns of a<span class="pagenum"><a name="Page_118" id="Page_118">[Pg 118]</a></span> bubalus gleam at intervals, +and the bright eyes of antelopes are visible; there are hosts of +parrots; there are butterflies flittering hither and thither; lizards +lazily drag themselves up or down; flies buzz and hum; and in the midst +of the silence, a sound is audible as of the palpitation of a deep and +mighty life.</i></p> + +<p><i>Seated upon a sort of pyre at the entrance of the wood is a strange +being—a man—besmeared with cow-dung, completely naked, more withered +than a mummy; his articulations form knots at the termination of bones +that resemble sticks. He has bunches of shells suspended from his ears; +his face is very long, and his nose like a vulture's beak. His left arm +remains motionlessly erect in air, anchylosed, rigid as a stake; and he +has been seated here so long that birds have made themselves a nest in +his long hair.</i></p> + +<p><i>At the four corners of his wooden pyre flame four fires. The sun is +directly in front of him. He gazes steadily at it with widely-opened +eyes; and, then without looking at Anthony, asks him</i>:—)</p> + +<p>"Brahmin from the shores of the Nile,<span class="pagenum"><a name="Page_119" id="Page_119">[Pg 119]</a></span> what hast thou to say regarding +these things?"</p> + +<p>(<i>Flames suddenly burst out on all sides of him, through the intervals +between the logs of the pyre; and</i>—)</p> + +<p><span class="smcap">The Gymnosophist</span> (<i>continues</i>).</p> + +<p>"Lo! I have buried myself in solitude, like the rhinoceros. I dwelt in +the tree behind me."</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon09"></a> +<img src="images/redon_09.jpg" width="600" alt="" /> +<div class="caption"><p>I have buried myself in solitude, like the +rhinoceros. I dwelt in the tree behind me </p></div></div> + +<p class="p2">(<i>The vast fig-tree, indeed, shows in one of its groves, a natural +excavation about the size of a man.</i>)</p> + +<p>"And I nourished me with flowers and fruits, observing the precepts so +rigidly that not even a dog ever beheld me eat.</p> + +<p>"Inasmuch as existence originates from corruption, corruption from +desire, desire from sensation, sensation from contact, I have ever +avoided all action, all contact, and perpetually—motionless as the +stela of a tomb, exhaling my breath from my two nostrils, fixing my +eyes upon my nose, and contemplating the ether in my mind, the world in +my members, the moon in my heart—I dreamed of the essence of the great +Soul whence continually escape the principles of life, even as sparks +escape from fire.</p> + +<p><span class="pagenum"><a name="Page_120" id="Page_120">[Pg 120]</a></span></p> + +<p>"Thus at last I found the supreme Soul in all beings, and all beings +in the supreme Soul; and I have been able to make mine own soul all my +senses.</p> + +<p>"I receive knowledge directly from heaven, like the bird Tchataka, who +quenches his thirst from falling rain only.</p> + +<p>"Even by so much as things are known to me, things no longer exist.</p> + +<p>"For me now there is no more hope, no more anguish, there is neither +happiness nor virtue, nor day nor night, nor Thou nor I—absolutely +nothing!</p> + +<p>"My awful austerities have made me superior to the Powers. A single +contraction of my thought would suffice to kill a hundred sons of +kings, to dethrone gods, to overturn the world."</p> + +<p>(<i>He utters all these things in a monotonous voice.</i></p> + +<p><i>The surrounding leaves shrivel up. Fleeing rats rush over the ground.</i></p> + +<p><i>He slowly turns his eyes downward toward the rising flames, and then +continues</i>:—)</p> + +<p>"I have loathed Form, I have loathed Perception, I have loathed even +Knowledge itself, for the thought does not survive the transitory<span class="pagenum"><a name="Page_121" id="Page_121">[Pg 121]</a></span> fact +which caused it; and mind, like all else, is only an illusion.</p> + +<p>"All that is engendered will perish; all that is dead must live again; +the beings that have even now disappeared shall sojourn again in wombs +as yet unformed, and shall again return to earth to serve in woe other +creatures.</p> + +<p>"But inasmuch as I have rolled through the revolution of an indefinite +multitude of existences, under the envelopes of gods, of men, and of +animals, I renounce further wanderings; I will endure this weariness +no more! I abandon the filthy hostelry of this body of mine, built +with flesh, reddened with blood, covered with a hideous skin, full of +uncleanliness; and, for my recompense, I go at last to slumber in the +deepest deeps of the Absolute—in Annihilation."</p> + +<p>(<i>The flames rise to his chest, then envelope him. His head rises +through them as through a hole in the wall. His cavernous eyes still +remain icicle open, gazing.</i>)</p> + +<p><span class="smcap">Anthony</span> (<i>rises</i>).</p> + +<p>(<i>The torch, which had fallen to the ground, has ignited the splinters +of wood; and the flames have singed his beard.<span class="pagenum"><a name="Page_122" id="Page_122">[Pg 122]</a></span></i></p> + +<p><i>With a loud cry, Anthony tramples the fire out; and, when nothing +remains but ashes, he exclaims</i>:—)</p> + +<p>"Where can Hilarion be? He was here a moment ago. I saw him!</p> + +<p>"What! No; it is impossible; I must have been mistaken!</p> + +<p>"Yet why?... Perhaps my cabin, these stones, this sand, have no real +existence. I am becoming mad! Let me be calm! Where was I? What was it +that happened?</p> + +<p>"Ah! the gymnosophist!... Such a death is frequent among the sages of +India. Kalanos burned himself before Alexander; another did likewise +in the time of Augustus. What hatred of life men must have to do thus! +Unless, indeed, they are impelled by pride alone?... Yet in any event +they have the intrepidity of martyrs.... As for the latter, I can now +well believe what has been told me regarding the debauchery they cause.</p> + +<p>"And before that? Yes: I remember now! the host of the Heresiarchs! +What outcries! What eyes! Yet why so much rebellion of the flesh, so +much dissoluteness, so many aberrations of the intellect.</p> + +<p><span class="pagenum"><a name="Page_123" id="Page_123">[Pg 123]</a></span></p> + +<p>"They claim, nevertheless, to seek God through all those ways! What +right have I to curse them—I, who stumble so often in mine own path? +I was perhaps about to learn more of them at the moment when they +disappeared. Too rapid was the whirl; I had no time to answer. Now I +feel as though there were more space, more light in my understanding. I +am calm. I even feel myself able to.... What is this? I thought I had +put out the fire!"</p> + +<p>(<i>A flame flits among the rocks; and soon there comes the sound of +a voice—broken, convulsed as by sobs—from afar off, among the +mountains.</i>)</p> + +<p>"Can it be the cry of a hyena, or the lamentation of some traveler that +has lost his way?"</p> + +<p>(<i>Anthony listens. The flame draws nearer.</i></p> + +<p><i>And he beholds a weeping woman approach, leaning upon the shoulder of +a white-bearded man.</i></p> + +<p><i>She is covered with a purple robe in rags. He is bareheaded like lier, +wears a tunic of the same color, and carries in his hands a brazen +vase, whence arises a thin blue flame.</i></p> + +<p><span class="pagenum"><a name="Page_124" id="Page_124">[Pg 124]</a></span></p> + +<p><i>Anthony feels a fear come upon him, and wishes to know who this woman +may be.</i>)</p> + +<p><span class="smcap">The Stranger Simon</span>. "It is a young girl, a poor child that I lead about +with me everywhere."</p> + +<p>(<i>He uplifts the brazen vase.</i></p> + +<p><i>Anthony contemplates the girl, by the light of its vacillating flame.</i></p> + +<p><i>There are marks of bites upon her face, traces of blows upon her arms; +her dishevelled hair entangles itself in the rents of her rags; her +eyes appear to be insensible to light.</i>)</p> + +<p><span class="smcap">Simon</span>. "Sometimes she remains thus for a long, long time without +speaking; then all at once she revives, and discourses of marvellous +things."</p> + +<p><span class="smcap">Anthony</span>. "In truth?"</p> + +<p><span class="smcap">Simon</span>. "Ennoia; Ennoia! Ennoia!—tell us what thou hast to say!"</p> + +<p>(<i>She rolls her eyes like one awaking from a dream, slowly passes her +fingers over her brows, and in a mournful voice, speaks</i>:—)</p> + +<p>Helena<a name="FNanchor_8_15" id="FNanchor_8_15"></a><a href="#Footnote_8_15" class="fnanchor">[8]</a> (<i>Ennoia</i>).</p> + +<p><span class="pagenum"><a name="Page_125" id="Page_125">[Pg 125]</a></span></p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon10"></a> +<img src="images/redon_10.jpg" width="600" alt="" /> +<div class="caption"><p>Helena - Ennoia</p></div> +</div> + +<p class="p2">"I remember a distant land, of the color of emerald. Only one tree +grows there.</p> + +<p>(<i>Anthony starts</i>).</p> + +<p>"Upon each of its tiers of broad-extending arms, a pair of Spirits +dwell in air. All about them the branches intercross, like the veins +of a body; and they watch the eternal Life circulating, from the roots +deep plunging into darkness even to the leafy summit that rises higher +than the sun. I, dwelling upon the second branch, illuminated the +nights of Summer with my face."</p> + +<p><span class="smcap">Anthony</span>, (<i>tapping his own forehead</i>:—)</p> + +<p>"Ah! ah! I comprehend! her head!..."</p> + +<p><span class="smcap">Simon</span> (<i>placing his finger to his lips</i>:—)</p> + +<p>"Hush!"</p> + +<p><span class="smcap">Helena</span>. "The sail remained well filled by the wind; the keel cleft the +foam. He said to me: 'What though I afflict my country, though I lose +my kingdom! Thou wilt belong to me, in my house!'</p> + +<p>"How sweet was the lofty chamber of his palace! Lying upon the ivory +bed, he caressed my long hair, singing amorously the while.</p> + +<p>"Even at the close of the day I beheld the two camps, the watchfires +being lighted,<span class="pagenum"><a name="Page_126" id="Page_126">[Pg 126]</a></span> Ulysses at the entrance of his tent, armed Achilles +driving a chariot along the sea-beach."</p> + +<p><span class="smcap">Anthony</span>. "Why! she is utterly mad! How came this to pass?..."</p> + +<p><span class="smcap">Simon</span>. "Hush! hush!"</p> + +<p><span class="smcap">Helena</span>. "They anointed me with unguents, and sold me to the people that +I might amuse them.</p> + +<p>"One evening I was standing with the sistrum in my hand, making music +for some Greek sailors who were dancing. The rain was falling upon the +roof of the tavern like a cataract, and the cups of warm wine were +smoking.</p> + +<p>"A man suddenly entered, although the door was not opened to let him +pass."</p> + +<p><span class="smcap">Simon</span>. "It was I! I found thee again!</p> + +<p>"Behold her, Anthony, she whom they call Sigeh, Ennoia, Barbelo, +Prounikos! The Spirits governing the world were jealous of her; and +they imprisoned her within the body of a woman.</p> + +<p>"She was that Helen of Troy, whose memory was cursed by the poet +Stesichorus. She was Lucretia, the patrician woman violated by a king. +She was Delilah, by whom Samson's<span class="pagenum"><a name="Page_127" id="Page_127">[Pg 127]</a></span> locks were shorn.... She has loved +adultery, idolatry, lying and foolishness. She has prostituted herself +to all nations. She has sung at the angles of all cross-roads. She has +kissed the faces of all men.</p> + +<p>"At Tyre, she, the Syrian, was the mistress of robbers. She caroused +with them during the nights; and she concealed assassins amidst the +vermin of her tepid bed."</p> + +<p><span class="smcap">Anthony</span>. "Ah! what is this to me?..."</p> + +<p><span class="smcap">Simon</span> (<i>with a furious look</i>:—)</p> + +<p>"I tell thee that I have redeemed her, and re-established her in her +former splendor; insomuch that Caius Cæsar Caligula became enamoured of +her, desiring to sleep with the Moon!"</p> + +<p><span class="smcap">Anthony</span>. "What then?..."</p> + +<p><span class="smcap">Simon</span>. "Why this, that she herself is the Moon! Has not Pope Clement +written how she was imprisoned in a tower? Three hundred persons +surrounded the tower to watch it; and the moon was seen at each of the +loop-holes at the same time, although there is not more than one moon +in the world, nor more than one Ennoia!"</p> + +<p><span class="pagenum"><a name="Page_128" id="Page_128">[Pg 128]</a></span></p> + +<p><span class="smcap">Anthony</span>. "Yes ... it seems to me that I remember...."</p> + +<p>(<i>He falls into a reverie.</i>)</p> + +<p><span class="smcap">Simon</span>. "Innocent as the Christ who died for men, so did she devote +herself for women. For the impotence of Jehovah is proven by the +transgression of Adama, and we must shake off the yoke of the old law, +which is antipathetic to the order of things.<a name="FNanchor_9_16" id="FNanchor_9_16"></a><a href="#Footnote_9_16" class="fnanchor">[9]</a></p> + +<p>"I have preached the revival in Ephraim and in Issachar by the torrent +of Bizor, beyond the Lake of Houleh, in the valley of Maggedo, further +than the mountains, at Bostra and at Damascus. Let all come to me who +are covered with wine, who are covered with filth, who are covered with +blood! and I shall take away their uncleanliness with the Holy Spirit, +called Minerva by the Greeks. She is Minerva! she is the Holy Spirit! I +am Jupiter, Apollo, the Christ, the Paraclete, the great might of God, +incarnated in the person of Simon!"</p> + +<p><span class="smcap">Anthony</span>. "Ah! it is thou!... so it is thou! But I know thy crimes!</p> + +<p>"Thou wast born at Gittoi near Samaria,<span class="pagenum"><a name="Page_129" id="Page_129">[Pg 129]</a></span> Dositheas, thy first master, +drove thee from him. Thou didst execrate Saint Paul because he +converted one of thy wives; and, vanquished by Saint Peter, in thy rage +and terror thou didst cast into the waves the bag which contained thy +artifices!"</p> + +<p><span class="smcap">Simon</span>. "Dost thou desire them?"</p> + +<p>(<i>Anthony looks at him, and an interior voice whispers hi his +heart:—"Why not?"</i>)</p> + +<p><span class="smcap">Simon</span> (<i>continues</i>).</p> + +<p>"He who knows the forces of Nature and the essence of Spirits must be +able to perform miracles. It has been the dream of all sages; it is the +desire which even now gnaws thee!—confess it!"</p> + +<p>"In the sight of the multitude of the Romans, I flew in the air so +high that none could behold me move. Nero ordered that I should be +decapitated; but it was the head of a sheep which fell upon the ground +in lieu of mine. At last they buried me alive; but I rose again upon +the third day. The proof is that thou dost behold me before thee!"</p> + +<p>(<i>He presents his hands to Anthony to smell. They have the stench of +corpse-flesh. Anthony recoils with loathing.</i>)</p> + +<p>"I can make serpents of bronze writhe; I<span class="pagenum"><a name="Page_130" id="Page_130">[Pg 130]</a></span> can make marble statues +laugh; I can make dogs speak. I will show thee vast quantities of gold; +I will reestablish kings; thou shalt see nations prostrate themselves +in adoration before me! I can walk upon the clouds and upon the waves, +I can pass through mountains, I can make myself appear as a youth, as +an old man, as a tiger, or as an ant; I can assume thy features; I can +give thee mine; I can make the thunder follow after me. Dost hear it?"</p> + +<p>(<i>The thunder rumbles; flashes of lightning succeed.</i>)</p> + +<p>"It is the voice of the Most High; for 'the Lord thy God is a fire;' +and all creations are accomplished by sparks from the fire-centre of +all things.</p> + +<p>Thou shalt even now receive the baptism of it—that second baptism +announced by Jesus, which fell upon the apostles on a day of tempest +when the windows were open!"</p> + +<p>(<i>And stirring up the flame with his hand, slowly, as though preparing +to sprinkle Anthony with it, he continues</i>:—)</p> + +<p>"Mother of mercies, thou who discoverest all secrets, in order that we +may find rest in the eighth mansion...."</p> + +<p><span class="pagenum"><a name="Page_131" id="Page_131">[Pg 131]</a></span></p> + +<p><span class="smcap">Anthony</span> (<i>cries out</i>:—)</p> + +<p>"Oh! that I had only some holy water!..."</p> + +<p>(<i>The flame goes out, producing much smoke.</i></p> + +<p><i>Ennoia and Simon have disappeared.</i></p> + +<p><i>An exceedingly cold, opaque and fÅ“tid mist fills the atmosphere.</i>)</p> + +<p><span class="smcap">Anthony</span> (<i>groping with his hands like a blind man</i>:—)</p> + +<p>"Where am I?... I fear lest I fall into the abyss! And the cross, +surely, is too far from me. Ah! what a night! what a terrible night!"</p> + +<p>(<i>The mist is parted by a gust of wind; and Anthony sees two men +covered with long white tunics.</i></p> + +<p><i>The first is of lofty stature, with a gentle face, and a grave mien. +His blond hair, parted like that of Christ, falls upon his shoulders. +He has cast aside a wand that he had been holding in his hand; his +companion takes it up, making a reverence after the fashion of the +Orientals.</i></p> + +<p><i>The latter is small of stature, thick set, flat-nosed; his neck and +shoulders expresses good natured simplicity.</i></p> + +<p><span class="pagenum"><a name="Page_132" id="Page_132">[Pg 132]</a></span></p> + +<p><i>Both are barefooted, bareheaded, and dusty, like persons who have made +a long journey.</i>)</p> + +<p><span class="smcap">Anthony</span> (<i>starting up</i>:—)</p> + +<p>"What do ye seek? Speak!... Begone from here!"</p> + +<p><span class="smcap">Damis</span> (<i>who is a little man</i>).</p> + +<p>"Nay! nay! be not angered, good hermit. As for that I seek, I know not +myself what it is! Here is the Master!"</p> + +<p>(<i>He sits down. The other stranger remains standing. Silence.</i>)</p> + +<p><span class="smcap">Anthony</span> (<i>asks</i>).</p> + +<p>"Then ye come?..."</p> + +<p><span class="smcap">Damis</span>. "Oh! from afar off—very far off!"</p> + +<p><span class="smcap">Anthony</span>. "And ye go?..."</p> + +<p><span class="smcap">Damis</span> (<i>pointing to the other</i>)</p> + +<p>"Whithersoever he shall desire!"</p> + +<p><span class="smcap">Anthony</span>. "But who may he be?"</p> + +<p><span class="smcap">Damis</span>. "Look well upon him!"</p> + +<p><span class="smcap">Anthony</span> (<i>aside</i>).</p> + +<p>"He looks like a saint! If I could only dare...."</p> + +<p>(<i>The mist is all gone. The night is very clear. The moon shines.</i>)</p> + +<p><span class="smcap">Damis</span>. "Of what art thou dreaming, that thou dost not speak?"</p> + +<p><span class="pagenum"><a name="Page_133" id="Page_133">[Pg 133]</a></span></p> + +<p><span class="smcap">Anthony</span>. "I was thinking.... Oh! nothing!"</p> + +<p><span class="smcap">Damis</span> (<i>approaches Apollonius, and walks all round him several times, +bending himself as he walks, never raising his head</i>:—)</p> + +<p>"Master, here is a Galilean hermit who desires to know the beginnings +of wisdom."</p> + +<p><span class="smcap">Apollonius</span>. "Let him approach!" (<i>Anthony hesitates.</i>)</p> + +<p><span class="smcap">Damis</span>. "Approach!"</p> + +<p><span class="smcap">Apollonius</span> (<i>in a voice of thunder</i>:—)</p> + +<p>"Approach! Thou wouldst know who I am, what I have done, and what I +think,—is it not so, child?"</p> + +<p><span class="smcap">Anthony</span>. "Always supposing that these things can contribute to the +salvation of my soul."</p> + +<p><span class="smcap">Apollonius</span>. "Rejoice! I am about to inform thee of them!"</p> + +<p><span class="smcap">Damis</span> (<i>in an undertone, to Anthony</i>:—)</p> + +<p>"Is it possible? He must surely have at the first glance discerned in +thee extraordinary aptitude for philosophy. I shall also strive to +profit by his instruction."</p> + +<p><span class="smcap">Apollonius</span>. "First of all, I shall tell thee of the long course which +I have followed in order to obtain the doctrine; and if thou canst<span class="pagenum"><a name="Page_134" id="Page_134">[Pg 134]</a></span> +discover in all my life one evil action, thou shalt bid me pause, for +he who hath erred in his actions may well give scandal by his words."</p> + +<p><span class="smcap">Damis</span> (<i>to Anthony</i>).</p> + +<p>"How just a man? Is he not?"</p> + +<p><span class="smcap">Anthony</span>. "Indeed I believe him to be sincere."</p> + +<p><span class="smcap">Apollonius</span>. "Upon the night of my birth, my mother imagined that +she was gathering flowers by the shore of a great lake. A flash of +lightning appeared; and she brought me into the world to the music of +the voices of swans singing to her in her dream.</p> + +<p>"Until I had reached the age of fifteen I was plunged thrice a day into +the fountain, Asbadeus, whose waters make perjurers hydropical; and my +body was rubbed with the leaves of the onyza, that I might be chaste.</p> + +<p>"A Palmyrian princess came one evening to seek me, offering me +treasures that she knew to be in the tombs. A hierodule of the temple +of Diana, slew herself in despair with the sacrificial knife; and the +governor of Cilicia, finding all his promises of no avail, cried out in +the presence of my family that he would cause my death; but it was he +that<span class="pagenum"><a name="Page_135" id="Page_135">[Pg 135]</a></span> died only three days after, assassinated by the Romans."</p> + +<p><span class="smcap">Damis</span> (<i>nudging Anthony with his elbow</i>).</p> + +<p>"Eh? did I not tell thee? What a man!"</p> + +<p><span class="smcap">Apollonius</span>. "For the space of four successive years I maintained the +unbroken silence of the Pythagoreans. The most sudden and unexpected +pain never extorted a sigh from me; and when I used to enter the +theatre, all drew away from me, as from a phantom."</p> + +<p><span class="smcap">Damis</span>. "Wouldst thou have done so much?—thou?"</p> + +<p><span class="smcap">Apollonius</span>. "After the period of my trial had been accomplished, I +undertook to instruct the priests regarding the tradition they had +lost."</p> + +<p><span class="smcap">Anthony</span>. "What tradition?"</p> + +<p><span class="smcap">Damis</span>. "Interrupt him not! Be silent!"</p> + +<p><span class="smcap">Apollonius</span>. "I have conversed with the Samaneans of the Ganges, with +the astrologers of Chaldea, with the magi of Babylon, with the Gaulish +Druids, with the priests of the negroes! I have ascended the fourteen +Olympii; I have sounded the Scythian lakes; I have measured the breadth +of the Desert!"</p> + +<p><span class="pagenum"><a name="Page_136" id="Page_136">[Pg 136]</a></span></p> + +<p><span class="smcap">Damis</span>. "It is all true! I was with him the while!"</p> + +<p><span class="smcap">Apollonius</span>. "But first I had visited the Hyrcanian Sea; I made the tour +of it; and descending by way of the country of the Baraomati, where +Bucephalus is buried, I approached the city of Nineveh. At the gates of +the city, a man drew near me...."</p> + +<p><span class="smcap">Damis</span>. "I—even I, good master! I loved thee from the first. Thou wert +gentler than a girl and more beautiful than a god!"</p> + +<p><span class="smcap">Apollonius</span> (<i>without hearing him</i>).</p> + +<p>"He asked me to accompany him, that he might serve as interpreter."</p> + +<p><span class="smcap">Damis</span>. "But thou didst reply that all languages were familiar to thee, +and that thou couldst divine all thoughts. Then I kissed the hem of thy +mantle, and proceeded to walk behind thee."</p> + +<p><span class="smcap">Apollonius</span>. "After Ctesiphon, we entered upon the territory of Babylon."</p> + +<p><span class="smcap">Damis</span>. "And the Satrap cried aloud on beholding a man so pale."</p> + +<p><span class="smcap">Anthony</span> (<i>aside</i>).</p> + +<p>"What signifies this?..."</p> + +<p><span class="smcap">Apollonius</span>. "The king received me standing, near a throne of silver, +in a hall constellated<span class="pagenum"><a name="Page_137" id="Page_137">[Pg 137]</a></span> with stars; from the cupola hung suspended by +invisible threads four great birds of gold, with wings extended."</p> + +<p><span class="smcap">Anthony</span> (<i>dreamily</i>).</p> + +<p>"Can there be such things in the world?"</p> + +<p><span class="smcap">Damis</span>. "Ah! that is a city! that Babylon! everybody there is rich! The +houses, which are painted blue, have doors of bronze, and flights of +steps descending to the river."</p> + +<p>(<i>Drawing lines upon the ground, with his stick</i>:)</p> + +<p>"Like that, seest thou? And then there are temples, there are squares, +there are baths, there are aqueducts! The palaces are roofed with red +brass; and the interior ... ah! if thou only knewest!"</p> + +<p><span class="smcap">Apollonius</span>. "Upon the north wall rises a tower which supports a second, +a third, a fourth, a fifth, and there are also three others! The eighth +is a chapel containing a bed. No one enters it save the woman chosen by +the priests for the God Belus. I was lodged there by order of the King +of Babylon."</p> + +<p><span class="smcap">Damis</span>. "As for me, they hardly deigned to give me any attention! So I +walked through the streets all by myself. I informed<span class="pagenum"><a name="Page_138" id="Page_138">[Pg 138]</a></span> myself regarding +the customs of the people; I visited the workshops; I examined the +great machines that carry water to the gardens. But I soon wearied of +being separated from the Master."</p> + +<p><span class="smcap">Apollonius</span>. "At last we left Babylon; and as we travelled by the light +of the moon, we suddenly beheld an Empusa."</p> + +<p><span class="smcap">Damis</span>. "Aye, indeed! She leaped upon her iron hoof; she brayed like an +ass; she galloped among the rocks. He shouted imprecations at her; she +disappeared."</p> + +<p><span class="smcap">Anthony</span> (<i>aside</i>).</p> + +<p>"What can be their motive?"</p> + +<p><span class="smcap">Apollonius</span>. "At Taxilla, the capital of five thousand fortresses, +Phraortes, King of the Ganges, showed us his guard of black men, whose +stature was five cubits, and under a pavilion of green brocade in his +gardens, an enormous elephant, which the queens amused themselves by +perfuming. It was the elephant of Porus which had taken flight after +the death of Alexander."</p> + +<p><span class="smcap">Damis</span>. "And which had been found again in a forest."</p> + +<p><span class="smcap">Anthony</span>. "Their speech is superabundant, like that of drunken men!"</p> + +<p><span class="pagenum"><a name="Page_139" id="Page_139">[Pg 139]</a></span></p> + +<p><span class="smcap">Apollonius</span>. "Phraortes seated us at his own table."</p> + +<p><span class="smcap">Damis</span>. "How strange a country that was! During their drinking +carousels, the lords used to amuse-themselves by shooting arrows under +the feet of a dancing child. But I do not approve...."</p> + +<p><span class="smcap">Apollonius</span>. "When I was ready to depart, the king gave me a parasol, +and he said to me: 'I have a stud of white camels upon the Indus. When +thou shalt have no further use for them, blow in their ears. They will +come back.'</p> + +<p>"We descended along the river, marching at night by the light of the +fire-flies, which glimmered among the bamboos. The slave whistled an +air to drive away the serpents; and our camels bent down in passing +below the branches of the trees, as if passing under low gates.</p> + +<p>"One day a black child, who held a golden caduceus in his hand, +conducted us to the College of the Sages. Iarchas, their chief, spoke +to me of my ancestors, told me of all my thoughts, of all my actions, +of all my existences. In former time he had been the River Indus; and +he reminded me that I had once<span class="pagenum"><a name="Page_140" id="Page_140">[Pg 140]</a></span> been a boatman upon the Nile, in the +time of King Sesostris."</p> + +<p><span class="smcap">Damis</span>. "As for me, they told me nothing; so that I know not who or what +I have been."</p> + +<p><span class="smcap">Anthony</span>. "They have a vague look, like shadows!"</p> + +<p><span class="smcap">Apollonius</span>. "Upon the shores of the sea we met with the milk-gorged +Cynocephali, who were returning from their expedition to the Island +Taprobana. The tepid waves rolled blond pearls to our feet. The amber +crackled beneath our steps. Whale-skeletons were whitening in the +crevasses of the cliffs. At last the land became narrow as a sandal; +and after casting drops of ocean water toward the sun, we turned to the +right to return.</p> + +<p>"So we returned through the Region of Aromatics, by way of the country +of the Gangarides, the promontory of Comaria, the country of the +Sachalites, of the Adramites and of the Homerites; then, across the +Cassanian mountains, the Red Sea, and the Island Topazos, we penetrated +into Ethiopia through the country of the Pygmies."</p> + +<p><span class="smcap">Anthony</span> (<i>to himself</i>).</p> + +<p>"How vast the world is!"</p> + +<p><span class="pagenum"><a name="Page_141" id="Page_141">[Pg 141]</a></span></p> + +<p><span class="smcap">Damis</span>. "And after we had returned home, we found that all those whom we +used to know, were dead."</p> + +<p>(<i>Anthony lowers his head. Silence.</i>)</p> + +<p><span class="smcap">Apollonius</span> (<i>continues</i>).</p> + +<p>"Then men began to talk of me the world over.</p> + +<p>"The plague was ravaging Ephesus; I made them stone an old mendicant +there."</p> + +<p><span class="smcap">Damis</span>. "And forthwith the plague departed."</p> + +<p><span class="smcap">Anthony</span>. "What! Does he drive away pestilence?"</p> + +<p><span class="smcap">Apollonius</span>. "At Cnidos, I cured the man that had become enamored of +Venus."</p> + +<p><span class="smcap">Damis</span>. "Aye! a fool who had even vowed to espouse her! To love a woman +is at least comprehensible; but to love a statue—what madness! The +Master placed his hand upon the young man's heart; and the fire of that +love was at once extinguished."</p> + +<p><span class="smcap">Anthony</span>. "How! does he also cast out devils?"</p> + +<p><span class="smcap">Apollonius</span>. "At Tarentum they were carrying the dead body of a young +girl to the funeral pyre."</p> + +<p><span class="pagenum"><a name="Page_142" id="Page_142">[Pg 142]</a></span></p> + +<p><span class="smcap">Damis</span>. "The Master touched her lips; and she arose and called her +mother."</p> + +<p><span class="smcap">Anthony</span>. "What! he raises the dead!"</p> + +<p><span class="smcap">Apollonius</span>. "I predicted to Vespasian his accession to power."</p> + +<p><span class="smcap">Anthony</span>. "What! he foretells the future!"</p> + +<p><span class="smcap">Damis</span>. "At Corinth there was a ..."</p> + +<p><span class="smcap">Apollonius</span>. "It was when I was at table with him, at the waters of Baia +..."</p> + +<p><span class="smcap">Anthony</span>. "Excuse me, strangers—it is very late ..."</p> + +<p><span class="smcap">Damis</span>. "At Corinth there was a young man called Menippus ..."</p> + +<p><span class="smcap">Anthony</span>. "No! no!—go ye away!"</p> + +<p><span class="smcap">Apollonius</span>. "A dog came in, bearing a severed hand in his mouth."</p> + +<p><span class="smcap">Damis</span>. "One evening, in one of the suburbs, he met a woman."</p> + +<p><span class="smcap">Anthony</span>. "Do ye not hear me? Begone!"</p> + +<p><span class="smcap">Apollonius</span>. "He wandered in a bewildered way around the couches ..."</p> + +<p><span class="smcap">Anthony</span>. "Enough!"</p> + +<p><span class="smcap">Apollonius</span>. "They sought to drive him out."</p> + +<p><span class="smcap">Damis</span>. "So Menippus went with her to her house; they loved one +another."</p> + +<p><span class="pagenum"><a name="Page_143" id="Page_143">[Pg 143]</a></span></p> + +<p><span class="smcap">Apollonius</span>. "And gently beating the mosaic pavement with his tail, he +laid the severed hand upon the knees of Flavius."</p> + +<p><span class="smcap">Damis</span>. "But next morning, during the lessons in the school, Menippus +was pale."</p> + +<p><span class="smcap">Anthony</span> (<i>starting up in anger</i>).</p> + +<p>"Still continuing! Ah! then let them continue till they be weary, +inasmuch as there is no ..."</p> + +<p><span class="smcap">Damis</span>. "The Master said to him: 'O beautiful youth, thou dost caress +a serpent; by a serpent thou art caressed! And when shall be the +nuptials?' We all went to the wedding."</p> + +<p><span class="smcap">Anthony</span>. "Assuredly I am doing wrong, to hearken to such a story!"</p> + +<p><span class="smcap">Damis</span>. "Servants were hurrying to and fro in the vestibule; doors were +opening; nevertheless there was no sound made either by the fall of +the footsteps nor the closing of the doors. The Master placed himself +beside Menippus. And the bride forthwith became angered against the +philosophers. But the vessels of gold, the cupbearers, the cooks, the +panthers disappeared; the roof receded and vanished into air; the walls +crumbled down; and Apollonius stood alone with the woman<span class="pagenum"><a name="Page_144" id="Page_144">[Pg 144]</a></span> at his feet, +all in tears. She was a vampire who satisfied the beautiful young men +in order to devour their flesh, for nothing is more desirable for such +phantoms than the blood of amorous youths."</p> + +<p><span class="smcap">Apollonius</span>. "If thou shouldst desire to learn the art ..."</p> + +<p><span class="smcap">Anthony</span>. "I do not wish to learn anything!"</p> + +<p><span class="smcap">Apollonius</span>. "The same evening that we arrived at the gates of Rome ..."</p> + +<p><span class="smcap">Anthony</span>. "Oh! yes!—speak to me rather of the City of Popes!"</p> + +<p><span class="smcap">Apollonius</span>. "A drunken man accosted us, who was singing in a low voice. +The song was an epithalamium of Nero; and he had the power to cause +the death of whosoever should hear it with indifference. In a box upon +his shoulders he carried a string taken from the Emperor's cithara. I +shrugged my shoulders. He flung mud in our faces. Then I unfastened my +girdle and placed it in this hand."</p> + +<p><span class="smcap">Damis</span>. "In sooth, thou wert most imprudent!"</p> + +<p><span class="smcap">Apollonius</span>. "During the night the Emperor summoned me to his house. He +was<span class="pagenum"><a name="Page_145" id="Page_145">[Pg 145]</a></span> playing at osselets with Sporus, supporting his left arm upon a +table of agate. He turned and, knitting his brows, demanded: 'How comes +it that thou dost not fear me?' 'Because,' I replied, 'the God who made +thee terrible, also made me intrepid."</p> + +<p><span class="smcap">Anthony</span> (<i>to himself</i>).</p> + +<p>"There is something inexplicable that terrifies me!"</p> + +<p>(<i>Silence.</i>)</p> + +<p><span class="smcap">Damis</span> (<i>breaking the silence with his shrill voice</i>).</p> + +<p>"Moreover, all Asia can tell thee ..."</p> + +<p><span class="smcap">Anthony</span> (<i>starting up</i>).</p> + +<p>"I am ill! let me be!"</p> + +<p><span class="smcap">Damis</span>. "But listen! At Ephesus, he beheld them killing Domitian, who +was at Rome."</p> + +<p><span class="smcap">Anthony</span> (<i>with a forced laugh</i>). "Is it possible?"</p> + +<p><span class="smcap">Damis</span>. "Yes: at the theatre at noon-day, the fourteenth of the Kalenda +of October, he suddenly cried out: 'Cæsar is being murdered!' and +from time to time he would continue to ejaculate: 'He rolls upon the +<span class="pagenum"><a name="Page_146" id="Page_146">[Pg 146]</a></span>pavement ... Oh! how he struggles ... He rises ... He tries to flee +... The doors are fastened ... Ah! it is all over! He is dead!' And in +fact Titus Flavius Domitianus was assassinated upon that very day, as +thou knowest."</p> + +<p><span class="smcap">Anthony</span>. "Without the aid of the Devil ... certainly ..."</p> + +<p><span class="smcap">Apollonius</span>. "He had purposed putting me to death, that same Domitian! +Damis had taken flight according to my order, and I remained alone in +my prison."</p> + +<p><span class="smcap">Damis</span>. "A terrible hardihood on thy part, it must be confessed!"</p> + +<p><span class="smcap">Apollonius</span>. "About the fifth hour, the soldiers led me before the +tribunal. I had my harangue all ready hidden beneath my mantle."</p> + +<p><span class="smcap">Damis</span>. "We others were then upon the shores of Puteoli, we believed +thee dead; we were all weeping, when all of a sudden about the sixth +hour, thou didst suddenly appear before us, exclaiming: 'It is I.'"</p> + +<p><span class="smcap">Anthony</span> (<i>to himself</i>). "Even as He...!"</p> + +<p><span class="smcap">Damis</span> (<i>in a very loud voice</i>). "Precisely!"</p> + +<p><span class="smcap">Anthony</span>. "Oh! no! ye lie! is it not so?—ye lie!"</p> + +<p><span class="pagenum"><a name="Page_147" id="Page_147">[Pg 147]</a></span></p> + +<p><span class="smcap">Apollonius</span>. "He descended from heaven. I rise thither, by the power of +my virtue that has lifted me up even to the height of the Principle of +all things!"</p> + +<p><span class="smcap">Damis</span>. "Thyana, his natal city, has established in his honor a temple +and a priesthood!"</p> + +<p><span class="smcap">Apollonius</span> (<i>draws near Anthony, and shouts in his ear</i>:—)</p> + +<p>"It is because I know all gods, all rites, all prayers, all oracles! +I have penetrated into the cave of Trophonius, son of Apollo! I +have kneaded for Syracusan women the cakes which they carry to the +mountains. I have endured the eighty tests of Mithra! I have pressed to +my heart the serpent of Sabasius! I have received the scarf of Kabiri! +I have laved Cybele in the waters of the Campanian gulfs! and I have +passed three moons in the caverns of Samothracia!"</p> + +<p><span class="smcap">Damis</span> (<i>with a stupid laugh</i>).</p> + +<p>"Ah! ah! ah! at the mysteries of the good Goddess!"</p> + +<p><span class="smcap">Apollonius</span>. "And now we recommence our pilgrimage.</p> + +<p>"We go to the North to the land of Swans and of snows. Upon the vast +white plains,<span class="pagenum"><a name="Page_148" id="Page_148">[Pg 148]</a></span> the blind hippopodes break with the tips of their feet +the ultramarine plant."</p> + +<p><span class="smcap">Damis</span>. "Hasten! it is already dawn. The cock has crowed, the horse has +neighed, the sail is hoisted!"</p> + +<p><span class="smcap">Anthony</span>. "The cock has not crowed! I hear the locusts in the sands, and +I see the moon still in her place."</p> + +<p><span class="smcap">Apollonius</span>. "We go to the South, beyond the mountains and the mighty +waters, to seek in perfumes the secret source of love. Thou shalt +inhale the odor of myrrhodion which makes the weak die. Thou shalt +bathe thy body in the lake of Rose-oil which is in the Island Junonia. +Thou shalt see slumbering upon primroses that Lizard which awakes +every hundred years when the carbuncle upon its forehead, arriving +at maturity, falls to the ground. The stars palpitate like eyes; the +cascades sing like the melody of lyres; strange intoxication is exhaled +by blossoming flowers; thy mind shall grow vaster in that air; and thy +heart shall change even as thy face."</p> + +<p><span class="smcap">Damis</span>. "Master! it is time! The wind has risen, the swallows awaken, +the myrtle leaves are blown away."</p> + +<p><span class="pagenum"><a name="Page_149" id="Page_149">[Pg 149]</a></span></p> + +<p><span class="smcap">Apollonius</span>. "Yes! let us go!"</p> + +<p><span class="smcap">Anthony</span>. "Nay! I remain here!"</p> + +<p><span class="smcap">Apollonius</span>. "Shall I tell thee where grows the plant Balis, that +resurrects the dead?"</p> + +<p><span class="smcap">Damis</span> "Nay; ask him rather for the audrodamas which attracts silver, +iron and brass!"</p> + +<p><span class="smcap">Anthony</span>. "Oh! how I suffer! how I suffer!"</p> + +<p><span class="smcap">Damis</span>. "Thou shalt comprehend the voices of all living creatures, the +roarings, the cooings!"</p> + +<p><span class="smcap">Apollonius</span>. "I shall enable thee to ride upon unicorns and upon +dragons, upon hippocentaurs and dolphins!"</p> + +<p><span class="smcap">Anthony</span> (<i>weeping</i>). "Oh ... oh!... oh!"</p> + +<p><span class="smcap">Apollonius</span>. "Thou shalt know the demons that dwell in the caverns, the +demons that mutter in the woods, the demons that move in the waves, the +demons that push the clouds!"</p> + +<p><span class="smcap">Damis</span>. "Tighten thy girdle, fasten thy sandals!"</p> + +<p><span class="smcap">Apollonius</span>. "I shall explain to thee the reason of divine forms—why +Apollo stands,<span class="pagenum"><a name="Page_150" id="Page_150">[Pg 150]</a></span> why Jupiter is seated, why Venus is black, at Corinth, +square-shaped at Athens, conical at Paphos."</p> + +<p><span class="smcap">Anthony</span> (<i>clasping his hands</i>).</p> + +<p>"Let them begone! let them begone!"</p> + +<p><span class="smcap">Apollonius</span>. "In thy presence I will tear down the panoplies of the +Gods; we shall force open the sanctuaries, I will enable thee to +violate the Pythoness!"</p> + +<p><span class="smcap">Anthony</span>. "Help! O my God!"</p> + +<p>(<i>He rushes to the cross.</i>)</p> + +<p><span class="smcap">Apollonius</span>. "What is thy desire? What is thy dream? Thou needst only +devote the moment of time necessary to think of it ..."</p> + +<p><span class="smcap">Anthony</span>. "Jesus! Jesus! Help me!"</p> + +<p><span class="smcap">Apollonius</span>. "Dost thou wish me to make him appear, thy Jesus?"</p> + +<p><span class="smcap">Anthony</span>. "What? How!"</p> + +<p><span class="smcap">Apollonius</span>. "It shall be He!—no other! He will cast off his crown, and +we shall converse face to face!"</p> + +<p><span class="smcap">Damis</span> (<i>in an undertone</i>).</p> + +<p>"Say thou dost indeed wish it! say thou dost desire it!"</p> + +<p>(<i>Anthony kneeling before the cross, murmurs<span class="pagenum"><a name="Page_151" id="Page_151">[Pg 151]</a></span> prayers. Damis walks +around him, with wheedling gestures.</i>)</p> + +<p>"Nay, nay! good hermit. Be not horrified! These are only exaggerated +forms of speech, borrowed from the Orientals. That need in no way ..."</p> + +<p><span class="smcap">Apollonius</span>. "Let him alone, Damis!</p> + +<p>"He believes, like a brute, in the reality of things. The terror which +he entertains of the Gods prevents him from comprehending them; and he +debases his own God to the level of a jealous king!</p> + +<p>"But thou, my son, do not leave me!"</p> + +<p>(<i>He moves to the edge of the cliff, walking backward, passes beyond +the verge of the precipice, and remains suspended in air.</i>)</p> + +<p>"Above all forms, further than the ends of the earth, beyond the +heavens themselves, lies the world of Idea, replete with the splendor +of the Word! With one bound we shall traverse the impending spaces, and +thou shalt behold in all his infinity, the Eternal, the Absolute, the +Being! Come! give me thy hand! Let us rise."</p> + +<p>(<i>Side by side, both rise up through the air, slowly. Anthony, clinging +to the cross, watches them rise. They disappear.</i>)</p> +<hr class="r5" /> + +<div class="footnote"> + +<p><a name="Footnote_1_8" id="Footnote_1_8"></a><a href="#FNanchor_1_8"><span class="label">[1]</span></a> Agape.—Love-feast of the primitive Christians.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_2_9" id="Footnote_2_9"></a><a href="#FNanchor_2_9"><span class="label">[2]</span></a> John XVI: 12.—T.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_3_10" id="Footnote_3_10"></a><a href="#FNanchor_3_10"><span class="label">[3]</span></a> See <a href="#NOTE">note</a> at end.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_4_11" id="Footnote_4_11"></a><a href="#FNanchor_4_11"><span class="label">[4]</span></a> Masheim gives <i>Achamoth.</i> I prefer to remain faithful to +the orthography given by Flaubert.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_5_12" id="Footnote_5_12"></a><a href="#FNanchor_5_12"><span class="label">[5]</span></a> The French text gives <i>mes pères</i> not <i>nos pères.</i> Elxai, +or Elkhai, who established his sect in the reign of Trajan, was a Jew.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_6_13" id="Footnote_6_13"></a><a href="#FNanchor_6_13"><span class="label">[6]</span></a> See <a href="#NOTE">note</a>.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_7_14" id="Footnote_7_14"></a><a href="#FNanchor_7_14"><span class="label">[7]</span></a> The banyan is a fig-tree—the <i>Ficus indicus.</i>—Trans.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_8_15" id="Footnote_8_15"></a><a href="#FNanchor_8_15"><span class="label">[8]</span></a> Readers may remember Longfellow's exquisite poem "Helena +of Tyre."</p></div> + +<div class="footnote"> + +<p><a name="Footnote_9_16" id="Footnote_9_16"></a><a href="#FNanchor_9_16"><span class="label">[9]</span></a> See the second part of "Faust," and <i>Kundry</i> in +"Parsifal."</p> + +<hr class="chap" /> + +<p><span class="pagenum"><a name="Page_152" id="Page_152">[Pg 152]</a></span></p></div> + + + + +<h4><a name="V" id="V">V.</a></h4> + + +<p><span class="smcap">Anthony</span> (<i>walking to and fro, slowly</i>).</p> + +<p>"That one, indeed, seems in himself equal to all the powers of Hell!</p> + +<p>"Nebuchadnezzar did not so much dazzle me with his splendours;—the +Queen of Sheba herself charmed me less deeply.</p> + +<p>"His manner of speaking of the gods compels one to feel a desire to +know them.</p> + +<p>"I remember having beheld hundreds of them at one time, in the island +of Elephantius, in the time of Diocletian. The emperor had ceded to the +Nomads a great tract of country, upon the condition that they should +guard the frontiers; and the treaty was concluded in the name of the +'Powers Invisible.' For the gods of each people were unknown unto the +other people.</p> + +<p>"The Barbarians had brought theirs with them. They occupied the +sand-hills bordering the river. We saw them supporting their<span class="pagenum"><a name="Page_153" id="Page_153">[Pg 153]</a></span> idols in +their arms, like great paralytic children;—others, paddling through +the cataracts upon trunks of palm tree, displayed from afar off the +amulets hung about their necks, the tattooings upon their breasts; and +these things were not more sinful than the religion of the Greeks, the +Asiatics, and the Romans!</p> + +<p>"When I was dwelling in the temple of Heliopolis I would often consider +the things I beheld upon the walls:—vultures bearing sceptres, +crocodiles playing upon lyres, faces of men with the bodies of +serpents, cow-headed women prostrating themselves before ithyphallic +gods:—and their supernatural forms attracted my thoughts to other +worlds. I longed to know that which drew the gaze of all those calm and +mysterious eyes.</p> + +<p>"If matter can exert such power, it must surely contain a spirit. The +souls of the Gods are attached to their images ...</p> + +<p>"Those possessing the beauty of forms might seduce. But the others +... those of loathsome or terrible aspect ... how can men believe in +them?..."</p> + +<p>(<i>And he beholds passing over the surface of the ground,—leaves, +stones, shells,<span class="pagenum"><a name="Page_154" id="Page_154">[Pg 154]</a></span> branches of trees,—then a variety of hydropical +dwarfs: these are gods. He bursts into a laugh. He hears another laugh +behind him;—and Hilarion appears, in the garb of a hermit, far taller +than before, colossal.</i>)</p> + +<p><span class="smcap">Anthony</span> (<i>who feels no surprise at seeing him</i>).</p> + +<p>"How stupid one must be to worship such things!"</p> + +<p><span class="smcap">Hilarion</span>. "Aye!—exceedingly stupid!"</p> + +<p>(<i>Then idols of all nations and of all epochs—of wood, of metal, of +granite, of feathers, of skins sewn together,—pass before them.</i></p> + +<p><i>The most ancient of all anterior to the Deluge are hidden under masses +of seaweed hanging down over them like manes. Some that are too long +for their bases, crack in all their joints, and break their own backs +in walking. Others have rents torn in their bellies through which sand +trickles out.</i></p> + +<p><i>Anthony and Hilarion are prodigiously amused. They hold their sides +for laughter. Then appear sheep-headed idols. They totter upon their +bandy-legs, half-open their eye-lids, and stutter like the dumb,</i> "Ba! +ba! ba!"</p> + +<p><i>The more that the idols commence to resemble<span class="pagenum"><a name="Page_155" id="Page_155">[Pg 155]</a></span> the human forms, the +more they irritate Anthony. He strikes them with his fist, kicks them, +attacks them with fury. They become frightful,—with lofty plumes, eyes +like balls, fingers terminated by claws, the jaws of sharks.</i></p> + +<p><i>And before these gods men are slaughtered upon altars of stone; others +are brayed alive in huge mortars, crushed under chariots, nailed upon +trees. There is one all of red-hot iron with the horns of a bull, who +devours children.</i>)</p> + +<p><span class="smcap">Anthony</span>. "Horror!"</p> + +<p><span class="smcap">Hilarion</span>. "But the gods always demand tortures—and suffering. Even +thine desired ..."</p> + +<p><span class="smcap">Anthony</span> (<i>weeping</i>). "Ah! say no more!—do not speak to me!"</p> + +<p>(<i>The space girdled by the rocks suddenly changes into a valley. A herd +of cattle are feeding upon the short grass.</i></p> + +<p><i>The herdman who leads them, observes a cloud;—and in a sharp voice, +shouts out words of command, as if to heaven.</i>)</p> + +<p><span class="smcap">Hilarion</span>. "Because he needs rain, he seeks by certain chants to compel +the King of heaven to open the fecund cloud."</p> + +<p><span class="pagenum"><a name="Page_156" id="Page_156">[Pg 156]</a></span></p> + +<p><span class="smcap">Anthony</span> (<i>laughing</i>).</p> + +<p>"Verily, such pride is the extreme of foolishness!"</p> + +<p><span class="smcap">Hilarion</span>. "Why dost thou utter exorcisms?"</p> + +<p>(<i>The valley changes into a sea of milk, motionless and infinite. In +its midst floats a long cradle formed by the coils of a serpent, whose +many curving heads shade, like a dais, the god slumbering upon its +body.</i></p> + +<p><i>He is beardless, young, more beautiful than a girl, and covered with +diaphanous veils. The pearls of his tiara gleam softly like moons; a +chaplet of stars is entwined many times about his breast, and with one +hand beneath his head, he slumbers with the look of one who dreams +after wine.</i></p> + +<p><i>A woman crouching at his feet, awaits the moment of his awaking.</i>)</p> + +<p><span class="smcap">Hilarion</span>. "Such is the primordial duality of the Brahmans,—the +Absolute being inexpressible by any form."</p> + +<p>(<i>From the navel of the god has grown the stem of a lotus flower; it +blossoms, and within its chalice appears another god with three faces.</i>)</p> + +<p><span class="smcap">Anthony</span>. "How strange an invention!"</p> + +<p><span class="pagenum"><a name="Page_157" id="Page_157">[Pg 157]</a></span></p> + +<p><span class="smcap">Hilarion</span>. "Father, Son, and Holy Spirit are but one and the same +Person!"</p> + +<p>(<i>The three faces separate; and three great gods appear.</i></p> + +<p><i>The first, who is pink, bites the end of his great toe.</i></p> + +<p><i>The second, who is blue, uplifts his four arms.</i></p> + +<p><i>The third, who is green, wears a necklace of human skulls.</i></p> + +<p><i>Before them instantly arise three goddesses—one is enveloped in a +net; another offers a cup; the third brandishes a bow.</i></p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon11"></a> +<img src="images/redon_11.jpg" width="600" alt="" /> +<div class="caption"><p> ... instantly arise three goddesses</p></div> +</div> + +<p class="p2"><i>And these gods, these goddesses, decuple themselves, multiply. Arms +grow from their shoulders; at the end of these arms hands appear +bearing standards, axes, bucklers, swords, parasols and drums. +Fountains gush from their heads, plants grow from their nostrils.</i></p> + +<p><i>Riding upon birds rocked in palanquins, enthroned upon seats of gold, +standing in ivory niches,—they dream, voyage, command, drink wine, +respire the breath of flowers. Dancing girls whirl in the dance; giants +pursue monsters; at the entrances of grottoes solitaries meditate. Eyes +cannot be distinguished<span class="pagenum"><a name="Page_158" id="Page_158">[Pg 158]</a></span> from stars; nor clouds from banderolles; +peacocks quench their thirst at rivers of gold dust; the embroidery +of pavilions seems to blend with the spots of leopards; coloured rays +intercross in the blue air, together with flying arrows, and swinging +censers.</i></p> + +<p><i>And all this develops like a lofty frieze, resting its base upon the +rocks, and rising to the sky.</i>)</p> + +<p><span class="smcap">Anthony</span> (<i>dazzled by the sight</i>).</p> + +<p>"How vast is their number! What do they seek?"</p> + +<p><span class="smcap">Hilarion</span>. "The god who rubs his abdomen with his elephant-trunk, is the +solar Deity, the inspiring spirit of wisdom.</p> + +<p>"That other whose six heads are crowned with towers, and whose fourteen +arms wield javelins,—is the prince of armies,—the Fire-Consumer.</p> + +<p>"The old man riding the crocodile washes the soul of the dead upon +the shore. They will be tormented by that black woman with the putrid +teeth, who is the Ruler of Hell.</p> + +<p>"That chariot drawn by red mares, driven by one who has no legs, bears +the master of the sun through heaven's azure. The moon-god<span class="pagenum"><a name="Page_159" id="Page_159">[Pg 159]</a></span> accompanies +him, in a litter drawn by three gazelles.</p> + +<p>"Kneeling upon the back of a parrot, the Goddess of Beauty presents to +Love, her son, her rounded breast. Behold her now, further off, leaping +for joy in the meadows. Look! Look! Coiffed with dazzling mitre, she +trips lightly over the ears of growing wheat, over the waves; she rises +in air, extending her power over all elements.</p> + +<p>"And among these gods are the Genii of the winds, of the planets, of +the months, of the days,—a hundred thousand others;—multiple are +their aspects, rapid their transformations. Behold, there is one who +changes from a fish into a tortoise: he assumes the form of a boar, the +shape of a dwarf."</p> + +<p><span class="smcap">Anthony</span>. "Wherefore?"</p> + +<p><span class="smcap">Hilarion</span>. "That he may preserve the equilibrium of the universe, and +combat the works of evil. But life exhausts itself; forms wear away; +and they must achieve progression in their metamorphoses."</p> + +<p>(<i>All upon a sudden appears a</i> <span class="smcap">Naked Man</span> <i>seated in the midst of the +sand, with legs crossed.</i>)</p> + +<p>(<i>A large halo vibrates, suspended in air behind<span class="pagenum"><a name="Page_160" id="Page_160">[Pg 160]</a></span> him. The little +ringlets of his black hair in which blueish tints shift symmetrically +surround a protuberance upon the summit of his skull. His arms, +which are very long, hang down against his sides. His two hands rest +flat upon his thighs, with the palms open. The soles of his feet +are like the faces of two blazing suns; and he remains completely +motionless—before Anthony and Hilarion—with all the gods around him, +rising in tiers above the rocks, as if upon the benches of some vast +circus. His lips, half-open; and he speaks in a deep voice</i>):</p> + +<p>"I am the Master of great charities, the succor of all creatures; and +not less to the profane than to believers, do I expound the law.</p> + +<p>"That I might deliver the world, I resolved to be born among men. The +gods wept when I departed from them.</p> + +<p>"I sought me first a woman worthy to give me birth: a woman of warrior +race, the wife of a king, exceedingly good, excessively beautiful, +with body firm as adamant;—and at time of the full moon, without the +auxiliation of any male, I entered her womb.</p> + +<p><span class="pagenum"><a name="Page_161" id="Page_161">[Pg 161]</a></span></p> + +<p>"I issued from it by the right side. Stars stopped in their courses."</p> + +<p><span class="smcap">Hilarion</span> (<i>murmurs between his teeth</i>).</p> + +<p>"And seeing the star, they rejoiced with exceeding great joy!"<a name="FNanchor_1_17" id="FNanchor_1_17"></a><a href="#Footnote_1_17" class="fnanchor">[1]</a></p> + +<p>(<i>Anthony watches more attentively.</i>)</p> + +<p><span class="smcap">The Buddha</span><a name="FNanchor_2_18" id="FNanchor_2_18"></a><a href="#Footnote_2_18" class="fnanchor">[2]</a> (<i>continuing</i>).</p> + +<p>"From the furthest recesses of the Himalayas, a holy man one hundred +years of age, hurried to see me."</p> + +<p><span class="smcap">Hilarion</span>. "A man named Simeon ... who should not see death, before he +had seen the Christ of the Lord."<a name="FNanchor_3_19" id="FNanchor_3_19"></a><a href="#Footnote_3_19" class="fnanchor">[3]</a></p> + +<p><span class="smcap">The Buddha</span>. "I was led unto the schools; and it was found that I knew +more than the teachers."</p> + +<p><span class="smcap">Hilarion</span>. "... In the midst of the doctors ... and all that heard him +were astonished at his wisdom!"<a name="FNanchor_4_20" id="FNanchor_4_20"></a><a href="#Footnote_4_20" class="fnanchor">[4]</a></p> + +<p>(<i>Anthony makes a sign to Hilarion to be silent.</i>)</p> + +<p><span class="smcap">The Buddha</span>. "Continually did I meditate<span class="pagenum"><a name="Page_162" id="Page_162">[Pg 162]</a></span> in the gardens. The shadows of +the trees turned with the turning of the sun; but the shadow of that +which sheltered me turned not.</p> + +<p>"None could equal me in the knowledge of the Scriptures, the +enumeration of atoms, the conduct of elephants, the working of wax, +astronomy, poetry, pugilism, all the exercises and all the arts!</p> + +<p>"In accordance with custom, I took to myself a wife; and I passed the +days in my kingly palace;—clad in pearls, under a rain of perfumes, +refreshed by the fans of thirty thousand women,—watching my peoples +from the height of my terraces adorned with fringes of resonant bells.</p> + +<p>"But the sight of the miseries of the world turned me away from +pleasure. I fled.</p> + +<p>"I begged my way upon the high roads, clad myself in rags gathered +within the sepulchres;—and, hearing of a most learned hermit, I chose +to become his slave. I guarded his gate! I washed his feet.</p> + +<p>"Thus I annihilated all sensation, all joy, all languor.</p> + +<p>"Then, concentrating my thoughts within vaster meditation, I learned to +know the essence of things, the illusion of forms.</p> + +<p><span class="pagenum"><a name="Page_163" id="Page_163">[Pg 163]</a></span></p> + +<p>"Soon I exhausted the science of the Brahmans. They are gnawed by +covetousness and desire under their outward aspect of austerity; they +daub themselves with filth, they live upon thorns,—hoping to arrive at +happiness by the path of death!"</p> + +<p><span class="smcap">Hilarion</span>.... "Pharisees, hypocrites, whited sepulchres, generation of +vipers!"</p> + +<p><span class="smcap">The Buddha</span>. "I also accomplished wondrous things,—eating but one +grain of rice each day (and the grains of rice in those times were no +larger than at present)—my hair fell off; my body became black; my +eyes receding within their sockets, seemed even as stars beheld at the +bottom of a well.</p> + +<p>"During six years I kept myself motionless, exposed to the flies, the +lions and the serpents; and the great summer suns, the torrential +rains, lightnings and snows, hails and tempests,—all of these I +endured without even the shelter of my lifted hand.</p> + +<p>"The travellers who passed by, believing me dead, cast clods of earth +upon me!</p> + +<p>"Only the temptation of the Devil remained!</p> + +<p>"I summoned him.</p> + +<p><span class="pagenum"><a name="Page_164" id="Page_164">[Pg 164]</a></span></p> + +<p>"His sons came,—hideous, scale-covered, nauseous as +charnel-houses,—shrieking, hissing, bellowing; interclashing their +panoplies, rattling together the bones of dead men. Some belched +flame through their nostrils; some made darkness about me with their +wings; some wore chaplets of severed fingers; some drank serpent-venom +from the hollows of their hands;—they were swine-headed; they were +rhinoceros-headed or toad-headed; they assumed all forms that inspire +loathing or affright."</p> + +<p><span class="smcap">Anthony</span> (<i>to himself</i>).</p> + +<p>"I also endured all that in other days!"</p> + +<p><span class="smcap">The Buddha.</span> "Then did he send me his daughters—beautiful with +daintily painted faces, and wearing girdles of gold. Their teeth were +whiter than the jasmine-flower; their thighs round as the trunk of +an elephant. Some extended their arms and yawned, that they might so +display the dimples of their elbows; some winked their eyes; some +laughed; some half-opened their garments. There were blushing virgins, +matrons replete with dignity, queens who came with great trains of +baggage and of slaves."</p> + +<p><span class="pagenum"><a name="Page_165" id="Page_165">[Pg 165]</a></span></p> + +<p><span class="smcap">Anthony</span> (<i>aside</i>). "Ah! he too ..."</p> + +<p><span class="smcap">The Buddha</span>. "Having vanquished the Demon, I nourished myself for twelve +years with perfumes only;—and as I had acquired the five virtues, +the five faculties, the ten forces, the eighteen substances, and had +entered into the four spheres of the invisible world, Intelligence +became mine! I became the Buddha."</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon12"></a> +<img src="images/redon_12.jpg" width="600" alt="" /> +<div class="caption"><p>Intelligence became mine! I became the Buddha. </p></div> +</div> + +<p class="p2">(<i>All the gods bow themselves down. Those having several heads, bend +them all simultaneously. He lifts his mighty hand aloft, and resumes</i>:)</p> + +<p>"That I might effect the deliverance of beings, I have made hundreds +of thousands of sacrifices! To the poor I gave robes of silk, beds, +chariots, houses, heaps of gold and of diamonds. I gave my hands to the +one-handed, my legs to the lame, my eyes to the blind;—even my head I +severed for the sake of the decapitated. In the day that I was King, I +gave away provinces;—when I was a Brahman I despised no one. When I +was a solitary, I spake kindly words to the robber who slew me. When I +was a tiger I allowed myself to die of hunger.</p> + +<p>"And having, in this last existence, preached the law, nothing now +remains for<span class="pagenum"><a name="Page_166" id="Page_166">[Pg 166]</a></span> me to do. The great period is accomplished! Men, animals, +the gods, the bamboos, the oceans, the mountains, the sand-grains of +the Ganges, together with the myriad myriads of the stars,—all shall +die;—and until the time of the new births, a flame shall dance upon +the wrecks of worlds destroyed!"</p> + +<p>(<i>Then a great dizziness comes upon the gods. They stagger, fall into +convulsions, and vomit forth their existences. Their crowns burst +apart; their banners fly away. They tear off their attributes, their +sexes, fling over their shoulders the cups from which they quaffed +immortality, strangle themselves with their serpents, vanish in +smoke;—and when all have disappeared</i> ...)</p> + +<p><span class="smcap">Hilarion</span> (<i>solemnly exclaims</i>):</p> + +<p>"Thou hast even now beheld the belief of many hundreds of millions of +men."</p> + +<p>(<i>Anthony is prostrate upon the ground, covering his face with his +hands. Hilarion, with his back turned to the cross, stands near him and +watches him.</i></p> + +<p><i>A considerable time elapses.</i></p> + +<p><i>Then a singular being appears—having the head of a man upon the body +of a fish.<span class="pagenum"><a name="Page_167" id="Page_167">[Pg 167]</a></span> He approaches through the air, upright, beating the sand +from time to time with his tail; and the patriarchal aspect of his face +by contrast with his puny little arms, causes Anthony to laugh.</i>)</p> + +<p><span class="smcap">Oannes</span> (<i>in a plaintive voice</i>):</p> + +<p>"Respect me! I am the contemporary of beginnings.</p> + +<p>"I dwelt in that formless world where hermaphroditic creatures +slumbered, under the weight of an opaque atmosphere, in the deeps of +dark waters—when fingers, fins, and wings were blended, and eyes +without heads were floating like mollusks, among human-headed bulls, +and dog-footed serpents.</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon13"></a> +<img src="images/redon_13.jpg" width="600" alt="" /> +<div class="caption"><p> ... and eyes without heads were floating like mollusks +</p></div></div> + +<p class="p2">"Above the whole of these beings, <span class="smcap">Omoroca</span>, bent like a hoop, extended +her woman-body. But Belus cleft her in two halves; with one he made the +earth; with the other, heaven;—and the two equal worlds do mutually +contemplate each other.</p> + +<p>"I, the first consciousness of <span class="smcap">Chaos</span>, arose from the abyss that I might +harden matter, and give a law unto forms:—also I taught men to fish +and to sow: I gave them knowledge of writing, and of the history of the +gods.</p> + +<p><span class="pagenum"><a name="Page_168" id="Page_168">[Pg 168]</a></span></p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon14"></a> +<img src="images/redon_14.jpg" width="600" alt="" /> +<div class="caption"><p>I, the first consciousness of Chaos, arose +from the abyss that I might harden matter, and give a law unto forms +</p></div> +</div> + +<p class="p2">"Since then I have dwelt in the deep pools left by the Deluge. But the +desert grows vaster about them; the winds cast sand into them; the sun +devours them;—and I die upon my couch of slime, gazing at the stars +through the water. Thither I return!"</p> + +<p>(<i>He leaps and disappears in the Nile.</i>)</p> + +<p><span class="smcap">Hilarion</span>. "That is an ancient God of the Chaldæans!"</p> + +<p><span class="smcap">Anthony</span> (<i>ironically</i>). "What, then, were those of Babylon?"</p> + +<p><span class="smcap">Hilarion</span>. "Thou canst behold them!"</p> + +<p>(<i>And they find themselves upon the platform of a lofty quadrangular +tower dominating six other towers, which, narrowing as they rise, form +one monstrous pyramid. Far below a great black mass is visible—the +city, doubtless—extending over the plains. The air is cold; the sky +darkly blue; multitudes of stars palpitate above.</i></p> + +<p><i>In the midst of the platform rises a column of white stone. Priests +in linen robes pass and repass around it, so as to describe by their +evolutions a moving circle; and with faces uplifted, they gaze upon the +<span class="pagenum"><a name="Page_169" id="Page_169">[Pg 169]</a></span>stars.</i> ...)</p> + +<p><span class="smcap">Hilarion</span>. (<i>pointing out several of these stars to Anthony</i>):</p> + +<p>"There are thirty principal stars. Fifteen look upon the upper side +of the earth; fifteen below. At regular intervals one shoots from the +upper regions to those below; while another abandons the inferior deeps +to rise to sublime altitudes ...</p> + +<p>"Of the seven planets, two are beneficent; two evil; three +ambiguous:—all things in the world depend upon the influence of these +eternal fires. According to their position or movement presages may be +drawn;—and here thou dost tread the most venerable place upon earth. +Here Pythagoras and Zoroaster have met;—here for twelve thousand years +these men have observed the skies that they might better learn to know +the gods."</p> + +<p><span class="smcap">Anthony</span>. "The stars are not gods."</p> + +<p><span class="smcap">Hilarion</span>. "Aye, they say the stars are gods; for all things about us +pass away;—the heavens only remain immutable as eternity."</p> + +<p><span class="smcap">Anthony</span>. "Yet there is a master!"</p> + +<p><span class="smcap">Hilarion</span> (<i>pointing to the column</i>):</p> + +<p>"He! Belus!—the first ray, the Sun, the<span class="pagenum"><a name="Page_170" id="Page_170">[Pg 170]</a></span> Male! The Other, whom he +fecundates, is beneath him!"</p> + +<p>(<i>Anthony beholds a garden, illuminated by lamps</i>: <i>He finds himself +in the midst of the crowd, in an avenue of cypress-trees. To right and +left are little pathways leading to huts constructed within a wood of +pomegranate trees, and enclosed by treillages of bamboo.</i></p> + +<p><i>Most of the men wear pointed caps, and garments bedizened like the +plumage of a peacock. But there are also people from the North clad +in bearskins, nomads wearing mantles of brown wool, pallid Gangarides +with long earrings;—and there seems to be as much confusion of rank +as there is confusion of nations; for sailors and stone-cutters elbow +the princes who wear tiaras blazing with carbuncles and who carry +long canes with carven knobs. All proceed upon their way with dilated +nostrils, absorbed by the same desire.</i></p> + +<p><i>From time to time, they draw aside to make way for some long covered +wagon drawn by oxen, or some ass jolting upon his back a woman bundled +up in thick veils, who finally disappears in the direction of the +cabins.</i></p> + +<p><span class="pagenum"><a name="Page_171" id="Page_171">[Pg 171]</a></span></p> + +<p><i>Anthony feels afraid; he half-resolves to turn back. But an +unutterable curiosity takes possession of him, and draws him on.</i></p> + +<p><i>At the foot of the cypress-trees there are ranks of women squatting +upon deerskins, all wearing in lieu of diadem, a plaited fillet of +ropes. Some, magnificently attired, loudly call upon the passers-by. +Others, more timid, seek to veil their faces with their arms, while +some matron standing behind them, their mother doubtless, exhorts +them. Others, their heads veiled with a black shawl, and their bodies +entirely nude, seem from afar off to be statues of flesh. As soon as a +man has thrown some money upon their knees, they arise.</i></p> + +<p><i>And the sound of kisses is heard under the foliage,—sometimes a great +sharp cry.</i>)</p> + +<p><span class="smcap">Hilarion</span>. "These are the virgins of Babylon, who prostitute themselves +to the goddess."</p> + +<p><span class="smcap">Anthony</span>. "What goddess?"</p> + +<p><span class="smcap">Hilarion</span>. "Behold her!"</p> + +<p>(<i>And he shows him at the further end of the avenue, upon the threshold +of an illuminated grotto, a block of stone representing a woman.</i>)</p> + +<p><span class="pagenum"><a name="Page_172" id="Page_172">[Pg 172]</a></span></p> + +<p><span class="smcap">Anthony</span>. "Ignominy!—how abominable to give a sex to God!"</p> + +<p><span class="smcap">Hilarion</span>. "Thou thyself dost figure him in thy mind as a living person!"</p> + +<p>(<i>Anthony again finds himself in darkness.</i></p> + +<p><i>He beholds in the air a luminous circle, poised upon horizontal +wings. This ring of light, girdles like a loose belt, the waist of a +little man wearing a mitre upon his head and carrying a wreath in his +hand. The lower part of his figure is completely concealed by immense +feathers outspreading about him like a petticoat.</i></p> + +<p><i>It is</i>—<span class="smcap">Ormuzd</span>—<i>the God of the Persians. He hovers in the air above, +crying aloud</i>:)</p> + +<p>"I fear! I can see his monstrous jaws! I did vanquish thee, O Ahriman! +But again thou dost war against me.</p> + +<p>"First revolting against me, thou didst destroy the eldest of +creatures, Kaiomortz, the Man-Bull. Then didst thou seduce the first +human couple, Meschia and Meschiané; and thou didst fill all hearts +with darkness, thou didst urge thy battalions against heaven!</p> + +<p>"I also had mine own, the people of the stars; and from the height of +my throne I<span class="pagenum"><a name="Page_173" id="Page_173">[Pg 173]</a></span> contemplated the marshalling of the astral hosts.</p> + +<p>"Mithra, my son, dwelt in heavens inaccessible. There he received +souls, from thence did he send them forth; and he arose each morning to +pour forth the abundance of his riches.</p> + +<p>"The earth reflected the splendour of the firmament. Fire blazed upon +the crests of the mountains,—symbolizing that other fire of which +I had created all creatures. And that the holy flame might not be +polluted, the bodies of the dead were not burned; the beaks of birds +carried them aloft toward heaven.</p> + +<p>"I gave to men the laws regulating pastures, labour, the choice of wood +for the sacrifices, the form of cups, the words to be uttered in hours +of sleeplessness;—and my priests unceasingly offered up prayers, so +that worship might be as the eternity of God in its endlessness. Men +purified themselves with water; loaves were offered upon the altars, +sins were confessed aloud.</p> + +<p>"Homa<a name="FNanchor_5_21" id="FNanchor_5_21"></a><a href="#Footnote_5_21" class="fnanchor">[5]</a> gave himself to men to be drank,<span class="pagenum"><a name="Page_174" id="Page_174">[Pg 174]</a></span> that they might have his +strength communicated to them while the Genii of heaven were combating +the demons, the children of Iran were pursuing the serpents. The +King, whom an innumerable host of courtiers served upon their knees, +represented me in his person, and wore my coiffure. His gardens had the +magnificence of a heaven upon earth; and his tomb represented him in +the act of slaying a monster,—emblem of Good destroying Evil.</p> + +<p>"For it was destined that I should one day definitely conquer Ahriman, +by the aid of Time-without-limits.</p> + +<p>"But the interval between us disappears;—the deep night rises! To +me! ye Amschaspands, ye Izeds, ye Ferouers! Succor me, Mithra! seize +thy sword! And thou, Kaosyac, who shall return for the universal +deliverance, defend me! What!—none to aid! Ah! I die! Thou art the +victor, Ahriman!"</p> + +<p>(<i>Hilarion, standing behind Anthony, restrains<span class="pagenum"><a name="Page_175" id="Page_175">[Pg 175]</a></span> a cry of joy;—and</i> +Ormuzd <i>is swallowed up in the darkness.</i>)</p> + +<p>(<i>Then appears</i>:)</p> + +<p class="smcap" style="text-align: center;">The Great Diana of Ephesus</p> + +<p>(<i>black with enamelled eyes, her elbows pressed to her side, her +forearms extended, with hands open.</i></p> + +<p><i>Lions crawl upon her shoulders; fruits, flowers, and stars intercross +upon her bosom; further down three rows of breasts appear; and from her +belly to her feet she is covered with a tightly fitting sheath from +which bulls, stags, griffins, and bees, seem about to spring, their +bodies half-protruding from it. She is illuminated by the white light +emanating from a disk of silver, round as the full moon, placed behind +her head.</i>)</p> + +<p>"Where is my temple? Where are my Amazons?</p> + +<p>"What is this I feel?—I, the Incorruptible!—a strange faintness comes +upon me!"...</p> + +<p>(<i>Her flowers wither, her over-ripe fruits become detached and fall. +The lions and the bulls hang their heads; the deer foam at the<span class="pagenum"><a name="Page_176" id="Page_176">[Pg 176]</a></span> mouth, +with a slimy foam, as though exhausted; the buzzing bees die upon the +ground.</i></p> + +<p><i>She presses her breasts, one after the other. All are empty! But under +a desperate effort her sheath bursts. She seizes it by the bottom, like +the skirt of a robe, throws her animals, her fruits, her flowers, into +it,—then withdraws into the darkness.</i></p> + +<p><i>And afar off there are voices, murmuring, growling, roaring, +bellowing, belling. The density of the night is augmented by breaths. +Drops of warm rain fall.</i>)</p> + +<p><span class="smcap">Anthony</span>. "How sweet the odour of the palm trees, the trembling of +leaves, the transparency of springs! I feel the desire to lie flat upon +the Earth that I might feel her against my heart; and my life would be +reinvigorated by her eternal youth!"</p> + +<p>(<i>He hears the sound of castanets and of cymbals; and men appear, clad +in white tunics with red stripes,—leading through the midst of a +rustic crowd an ass, richly harnessed, its tail decorated with knots of +ribbons, and its hoofs painted.</i></p> + +<p><i>A box, covered with a saddle-cloth<a name="FNanchor_6_22" id="FNanchor_6_22"></a><a href="#Footnote_6_22" class="fnanchor">[6]</a> of<span class="pagenum"><a name="Page_177" id="Page_177">[Pg 177]</a></span> yellow material shakes to +and fro upon its back, between two baskets,—one receives the offerings +contributed,—eggs, grapes, pears, cheeses, fowls, little coins; and +the other basket is full of roses, which the leaders of the ass pluck +to pieces as they walk before the animal, shedding the leaves upon the +ground.</i></p> + +<p><i>They wear earrings and large mantles; their locks are plaited, their +cheeks painted, olive-wreaths are fastened upon their foreheads by +medallions bearing figurines;—all wear poniards in their belts, and +brandish ebony-handled whips, having three thongs to which osselets are +attached.</i><a name="FNanchor_7_23" id="FNanchor_7_23"></a><a href="#Footnote_7_23" class="fnanchor">[7]</a></p> + +<p><i>Those who form the rear of the procession, place upon the soil,—so as +to remain upright as a candelabrum,—a tall pine, which burns at its +summit, and shades under its lower branches a lamb.</i></p> + +<p><i>The ass halts. The saddle-cloth is removed. Underneath appears a +second covering of black felt. Then one of the men in white tunics +begins to dance, rattling his crotali;—another, kneeling before the +box, beats a tambourine and</i>—)</p> + +<p><span class="pagenum"><a name="Page_178" id="Page_178">[Pg 178]</a></span></p> + +<p><span class="smcap">The Oldest of the Band</span>, <i>begins</i>:—</p> + +<p>"Here is the Good Goddess, the Idæan of the mountains, the Great Mother +of Syria! Come ye hither, good people all!</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon15"></a> +<img src="images/redon_15.jpg" width="600" alt="" /> +<div class="caption"><p>Here is the Good Goddess, the Idæan of the mountains </p></div> +</div> + +<p class="p2">"She gives joy to men, she heals the sick; she sends inheritances; she +satisfies the hunger of love!</p> + +<p>"We bear her through the land, rain or shine, in fair weather, or in +foul.</p> + +<p>"Oft times we lie in the open air, and our table is not always well +served. Robbers dwell in the woods. Wild beasts rush from their +caverns. Slippery paths border the precipices. Behold her! behold her!"</p> + +<p>(<i>They lift off the covering; and a box is seen, inlaid with little +pebbles.</i>)</p> + +<p>"Loftier than the cedars, she looks down from the blue ether. Vaster +than the wind she encircles the world. Her breath is exhaled by the +nostrils of tigers; the rumbling of her voice is heard beneath the +volcanoes; her wrath is the tempest; the pallor of her face has +whitened the moon. She ripens the harvest; by her the tree-bark swells +with sap; she makes the beard to grow. Give her something; for she +hates the avaricious!"</p> + +<p>(<i>The box opens; and under a little pavilion<span class="pagenum"><a name="Page_179" id="Page_179">[Pg 179]</a></span> of blue silk appears a +small image of Cybele—glittering with spangles, crowned with towers, +and seated in a chariot of red stone, drawn by two lions, with uplifted +paws.</i></p> + +<p><i>The crowd presses forward to see.</i>)</p> + +<p><span class="smcap"><span class="smcap">THE ARCHIGALLUS</span></span> (<i>continues</i>):</p> + +<p>"She loves the sound of resounding tympanums, the echo of dancing +feet, the howling of wolves, the sonorous mountains and the deep +gorges, the flower of the almond tree, the pomegranate and the green +fig, the whirling dance, the snoring flute, the sugary sap, the salty +tear,—blood! To thee, to thee!—Mother of the mountains!"</p> + +<p>(<i>They scourge themselves with their whips; and their chests resound +with the blows;—the skins of the tambourines vibrate almost to +bursting. They seize their knives; they gash their arms.</i>)</p> + +<p>"She is sorrowful; let us be sorrowful! Thereby your sins will be +remitted. Blood purifies all—fling its red drops abroad like blossoms! +She, the Great Mother, demands the blood of another creature—of a pure +being!"</p> + +<p>(<i>The Archigallus raises his knife above the head of a lamb.</i>)</p> + +<p><span class="pagenum"><a name="Page_180" id="Page_180">[Pg 180]</a></span></p> + +<p><span class="smcap">Anthony</span> (<i>seized with horror</i>):</p> + +<p>"Do not slay the lamb!"</p> + +<p>(<i>There is a gush of purple blood. The priest sprinkles the crowd +with it; and all—including Anthony and Hilarion—standing around the +burning tree, silently watch the last palpitations of the victim.</i></p> + +<p><i>A Woman comes forth from the midst of the priests; she resembles +exactly the image within the little box.</i></p> + +<p><i>She pauses, perceiving before her a Young Man wearing a Phrygian +cap. His thighs are covered with a pair of narrow trousers, with +lozenge-shaped openings here and there at regular intervals, closed by +bow knots of coloured material. He stands in an attitude of languor, +resting his elbow against a branch of the tree, holding a flute in his +hand.</i>)</p> + +<p><span class="smcap">Cybele</span> (<i>flinging her arms about his waist</i>).</p> + +<p>"I have traversed all regions of the earth to join thee—and famine +ravaged the fields Thou hast deceived me! It matters not! I love thee! +Warm my body in thine embrace! Let us be united!"</p> + +<p><span class="smcap">Atys</span>. "The springtime will never again return, O eternal Mother! +Despite my love, it is no longer possible for me to penetrate<span class="pagenum"><a name="Page_181" id="Page_181">[Pg 181]</a></span> thy +essence! Would that I might cover myself with a painted robe like +thine! I envy thy breasts, swelling with milk, the length of thy +tresses, thy vast flanks that have borne and brought forth all +creatures! Why am I not thou?—Why am I not a woman?—No, never! depart +from me! My virility fills me with horror!"</p> + +<p>(<i>With a sharp stone he dismembers himself, and runs furiously from her +...</i></p> + +<p><i>The priests imitate the god; the faithful do even as the priests. Men +and women exchange garments, embrace;—and the tumult of bleeding flesh +passes away, while the sound of voices remaining, becomes even more +strident,—like the shrieking of mourners, like the voices heard at +funerals.</i></p> + +<p><i> ... A huge catafalque, hung with purple, supports upon its summit an +ebony bed, surrounded by torches and baskets of silver filagree, in +which are verdant leaves of lettuce, mallow and fennel. Upon the steps +of the construction, from summit to base, sit women all clad in black, +with loosened girdles and bare feet, holding in their hands with a +melancholy air, great bouquets of flowers.</i></p> + +<p><i>At each corner of the estrade urns of alabaster,<span class="pagenum"><a name="Page_182" id="Page_182">[Pg 182]</a></span> filled with myrrh, +slowly send up their smoke.</i></p> + +<p><i>Upon the bed can be perceived the corpse of a man. Blood flows from +his thigh. One of his arms hangs down lifelessly;—and a dog licks his +finger nails and howls.</i></p> + +<p><i>The row of torches placed closely together, prevents his face from +being seen; and Anthony feels a strange anguish within him. He fears +lest he should recognize some one.</i></p> + +<p><i>The sobs of the women cease—and after an interval of silence</i>,)</p> + +<p><span class="smcap">All</span> (<i>psalmody together</i>):</p> + +<p>"Fair! fair!—all fair he is! Thou hast slept enough!—lift thy +head!—arise!</p> + +<p>"Inhale the perfume of our flowers—narcissus—blossoms and anemones, +gathered in thine own gardens to please thee. Arouse thee! thou dost +make us fear for thee!</p> + +<p>"Speak to us! What dost thou desire? Wilt thou drink wine?—wilt thou +lie in our beds?—dost wish to eat the honeycakes which have the form +of little birds?</p> + +<p>"Let us press his lips,—kiss his breast! Now!—now!—dost thou not +feel our ring-laden fingers passing over thy body?—and our lips that +seek thy mouth?—and our<span class="pagenum"><a name="Page_183" id="Page_183">[Pg 183]</a></span> tresses that sweep thy thighs? O faint God, +deaf to our prayers!"</p> + +<p>(<i>They cry aloud, and rend their faces with their nails; then all +rush,—and the howling of the dog continues in the silence.</i>)</p> + +<p>"Alas! alas! Woe!—the black blood trickles over his snowy flesh! +See! his knees writhe!—his sides sink in! The bloom of his face hath +dampened the purple. He is dead, dead! O weep for him! Lament for him!"</p> + +<p>(<i>In long procession they ascend to lay between the torches the +offerings of their several tresses, that seem from afar off like +serpents, black or blond;—and the catafalque is lowered gently to the +level of, a grotto,—the opening of a shadowy sepulchre that yawns +behind it.</i></p> + +<p><i>Then</i>—)</p> + +<p><span class="smcap">A Woman</span> (<i>bends over the corpse. Her long hair, uncut, envelopes her +from head to feet. She sheds tears so abundantly that her grief cannot +be as that of the others, but more than human—infinite!</i></p> + +<p><i>Anthony dreams of the Mother of Jesus. She speaks</i>:—)</p> + +<p>"Thou didst emerge from the Orient, and didst take me, all trembling +with the dew, into<span class="pagenum"><a name="Page_184" id="Page_184">[Pg 184]</a></span> thy arms, O Sun! Doves fluttered upon the azure +of thy mantle; our kisses evoked low breezes among the foliage; and I +abandoned myself wholly to thy love, delighting in the pleasure of my +weakness.</p> + +<p>"Alas! alas—Why didst thou depart, to run upon the mountains! A boar +did wound thee at the time of the autumnal equinox!</p> + +<p>"Thou art dead; and the fountains weep,—the trees bend down. The wind +of winter whistles through the naked brushwood.</p> + +<p>"My eyes are about to close, seeing that darkness covers them! Now thou +dwellest in the underworld near the mightiest of my rivals.</p> + +<p>"O Persephone, all that is beautiful descends to thee, never to return!"</p> + +<p>(<i>Even while she speaks, her companions lift the dead, to place him +within the sepulchre. He remains in their hands! It was only a waxen +corpse.</i></p> + +<p><i>Wherefore Anthony feels something resembling relief.</i></p> + +<p><i>All vanish;—and the hut, the rocks, and the cross reappear.</i></p> + +<p><i>But upon the other side of the Nile, Anthony<span class="pagenum"><a name="Page_185" id="Page_185">[Pg 185]</a></span> beholds a Woman, +standing in the midst of the desert.</i></p> + +<p><i>She retains in her hand the lower part of a long black veil that hides +all her face; supporting with her left arm a little child to whom she +is giving suck. A great ape crouches down in the sand beside her.</i></p> + +<p><i>She uplifts her head toward heaven; and in spite of the great +distance, her voice is distinctly heard</i>:)</p> + +<p><span class="smcap">Isis</span>. "O Neith, Beginning of all things! Ammon, Lord of Eternity; +Pthah, demiurgos; Thoth, his intelligence; gods of the Amenthi, +particular triads of the Nomes,—falcons in the azure of heaven, +sphinxes before the temples, ibises perched between the horns of oxen, +planets, constellations, shore, murmurs of the wind, gleams of the +light,—tell me where I may find Osiris.</p> + +<p>"I have sought him in all the canals and all the lakes—aye, further +yet, even to PhÅ“nician Byblos. Anubis, with ears pricked up, leaped +about me, and yelped, and thrust his muzzle searchingly into the tufts +of the tamarinds.</p> + +<p>"Thanks, good Cynocephalos—thanks to thee!"</p> + +<p><span class="pagenum"><a name="Page_186" id="Page_186">[Pg 186]</a></span></p> + +<p>(<i>She gives the ape two or three friendly little taps upon the head.</i>)</p> + +<p>"Hideous Typhon, the red-haired slew him, tore him in pieces! We have +found all his members. But I have not that which rendered me fecund!"</p> + +<p>(<i>She utters wild lamentations.</i>)</p> + +<p><span class="smcap">Anthony</span> (<i>is filled with fury. He casts stones at her, reviles her.</i>)</p> + +<p>"Begone! thou shameless one!—Begone!"</p> + +<p><span class="smcap">Hilarion</span>. "Nay! respect her! Her religion was the faith of thy +fathers!—thou didst wear her amulets when thou wert a child in the +cradle!"</p> + +<p><span class="smcap">Isis</span>. "In the summers of long ago, the inundation drove the impure +beasts into the desert. The dykes were opened, the boats dashed against +each other; the panting earth drank the river with the intoxication of +joy. Then, O God, with the horns of the bull, thou didst lie upon my +breast, and then was heard, the lowings of the Eternal Cow!</p> + +<p>"The seasons of sowing and reaping, of threshing and of vintage, +followed each other in regular order with the years. In the eternal +purity of the nights, broad stars beamed and glowed. The days were +bathed<span class="pagenum"><a name="Page_187" id="Page_187">[Pg 187]</a></span> in never-varying splendour. Like a royal couple the Sun and the +Moon appeared simultaneously, at either end of the horizon.</p> + +<p>"Then did we both reign above a sublimer world, twin-monarchs, wedded +within, the womb of eternity—he bearing a concupha-headed sceptre; I, +the sceptre that is tipped with a lotus-flower; both of us erect with +hands joined; and the crumblings of empires affected not our attitude.</p> + +<p>"Egypt extended, below us, monumental and awful, long-shaped like the +corridor of a temple; with obelisks on the right, pyramids on the +left, and its labyrinth in the midst. And everywhere were avenues +of monsters, forests of columns, massive pylons flanking gates +summit-crowned with the mysterious globe—the globe of the world, +between two wings.</p> + +<p>"The animals of her Zodiac also existed in her pasture lands; and +filled her mysterious writing with their forms and colours. Divided +into twelve regions as the year is divided into-twelve months—each +month, each day also having its own god—she reproduced the immutable +order of heaven. And man even in dying changed not his face; but +saturated<span class="pagenum"><a name="Page_188" id="Page_188">[Pg 188]</a></span> with perfumes, invulnerable to decay, he lay down to sleep +for three thousand years in another and silent Egypt.</p> + +<p>"And that Egypt, vaster than the Egypt of the living, extended beneath +the earth.</p> + +<p>"Thither one descended by dark stairways leading into halls where were +represented the joys of the good, the tortures of the wicked, all that +passes in the third and invisible world. Ranged along the wall the dead +in their painted coffins awaited their turn; and the soul, exempted +from migrations, continued its heavy slumber until the awakening into a +new life.</p> + +<p>"Nevertheless, Osiris sometimes came to see me. And by his ghost I +became the mother of Harpocrates."</p> + +<p>(<i>She contemplates the child.</i>)</p> + +<p>"Aye! it is he. Those are his eyes; those are his locks, plaited into +ram horns! Thou shalt recommence his works. We shall bloom again like +the lotus. I am still the Great Isis!—none has yet lifted my veil! My +fruit is the Sun!</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon16"></a> +<img src="images/redon_16.jpg" width="600" alt="" /> +<div class="caption"><p>I am still the Great Isis!—none has yet +lifted my veil! My fruit is the Sun!</p></div></div> + +<p class="p2">"Sim of Springtime, clouds now obscure thy face! The breath of Typhon +devours the pyramids. But a little while ago I beheld<span class="pagenum"><a name="Page_189" id="Page_189">[Pg 189]</a></span> the Sphinx flee +away. He was galloping like a jackal.</p> + +<p>"I look for my priests,—my priests clad in mantles of linen, with +their great harps, and bearing a mysterious bark, adorned with +silver pateras. There are no more festivals upon the lakes!—no more +illuminations in my delta!—no more cups of milk at Philæ! Apis has +long ceased to reappear.</p> + +<p>"Egypt! Egypt! thy great motionless gods have their shoulders already +whitened by the dung of birds; and the wind that passes over the desert +rolls with it and the ashes of thy dead!—Anubis, guardian of ghosts, +abandon me not!"</p> + +<p>(<i>The Cynocephalos has vanished. She shakes her child.</i>)</p> + +<p>"But ... what ails thee ... thy hands are cold, thy head droops!"</p> + +<p>(<i>Harpocrates expires. Then she cries aloud with a cry so piercing, +funereal, heart-rending, that Anthony answers it with another cry, +extending his arms as to support her.</i></p> + +<p><i>She is no longer there. He lowers his face, overwhelmed by shame.</i></p> + +<p><i>All that he has seen becomes confused<span class="pagenum"><a name="Page_190" id="Page_190">[Pg 190]</a></span> within his mind. It is like the +bewilderment of travel, the illness of drunkenness. He wishes to hate; +but a vague and vast pity fills his heart. He begins to weep, and weeps +abundantly.</i>)</p> + +<p><span class="smcap">Hilarion</span>. "What makes thee sorrowful?"</p> + +<p><span class="smcap">Anthony</span> (<i>after having long sought within himself for a reply</i>):</p> + +<p>"I think of all the souls that have been lost through these false gods!"</p> + +<p><span class="smcap">Hilarion</span>. "Dost thou not think that they ... sometimes ... bear much +resemblance to the <span class="smcap">True</span>?"</p> + +<p><span class="smcap">Anthony</span>. "That is but a device of the Devil to seduce the faithful more +easily. He attacks the strong through the mind, the weak through the +flesh."</p> + +<p><span class="smcap">Hilarion</span>. "But luxury, in its greatest fury, has all the +disinterestedness of penitence. The frenzied love of the body +accelerates the destruction thereof,—and proclaims the extent of the +impossible by the exposition of the body's weakness."</p> + +<p><span class="smcap">Anthony</span>. "What signifies that to me! My heart sickens with disgust +of these beautiful bestial gods, forever busied with carnages and +incests!"</p> + +<p><span class="pagenum"><a name="Page_191" id="Page_191">[Pg 191]</a></span></p> + +<p><span class="smcap">Hilarion</span>. "Yet recollect all those things in the Scripture which +scandalize thee because thou art unable to comprehend them! So also may +these Gods conceal under their sinful forms some mighty truth. There +are more of them yet to be seen. Look around!"</p> + +<p><span class="smcap">Anthony</span>. "No, no!—it is dangerous!"</p> + +<p><span class="smcap">Hilarion</span>. "But a little while ago thou didst desire to know them! Is +it because thy faith might vacillate in the presence of lies? What +fearest thou?"</p> + +<p>(<i>The rocks fronting Anthony have become as a mountain. A line of +clouds obscures the mountain half way between summit and base; and +above the clouds appears another mountain, enormous, all green, +unequally hollowed by valleys nestling in its slopes, and supporting at +its summit, in the midst of laurel-groves a palace of bronze, roofed +with tiles of gold, and supported by columns having capitals of ivory.</i></p> + +<p><i>In the centre of the peristyle Jupiter,—colossal, with torso +nude,—holds Victory in one hand, his thunderbolts in the other; and +his eagle, perched between his feet, rears its head.</i></p> + +<p><i>Juno, seated near him, rolls her large eyes,<span class="pagenum"><a name="Page_192" id="Page_192">[Pg 192]</a></span> beneath a diadem whence +her wind-blown veil escapes like a vapour.</i></p> + +<p><i>Behind them, Minerva, standing upon a pedestal, leans on her spear. +The skin of the Gorgon covers her breast, and a linen peplos falls in +regular folds to the nails of her toes. Her glaucous eyes, which gleam +beneath her vizor, gaze afar off, attentively.</i></p> + +<p><i>On the right of the palace, the aged Neptune bestrides a dolphin +beating with its fins a vast azure expanse which may be sea or sky, for +the perspective of the Ocean seems a continuation of the blue ether: +the two elements are interblended.</i></p> + +<p><i>On the other side weird Pluto in night-black mantle, crowned with +diamond tiara and bearing a sceptre of ebony, sits in the midst of an +islet surrounded by the circumvolutions of the Styx;—and this river of +shadow empties itself into the darknesses, which form a vast black gulf +below the cliff,—a bottomless abyss!</i></p> + +<p><i>Mars, clad in brass, brandishes as in wrath his broad shield and his +sword.</i></p> + +<p><i>Hercules, leaning upon his club, gazes at him from below.</i></p> + +<p><i>Apollo, his face ablaze with light, grasps<span class="pagenum"><a name="Page_193" id="Page_193">[Pg 193]</a></span> with outstretched right +arm the reins of four white horses urged to a gallop; and Ceres in her +ox-drawn chariot advances toward him with a sickle in her hand.</i></p> + +<p><i>Behind her comes Bacchus, riding in a very low chariot, gently drawn +by lynxes. Plump and beardless, with vine leaves garlanding his brow, +he passes by holding in his hand an overflowing cup of wine. Silenus +riding beside him reels upon his ass. Pan of the pointed ears, blows +upon his syrinx; the Mimalonæides beat drums; the Mænads strew +flowers; the Bacchantes turn in the dance with heads thrown back and +hair dishevelled.</i></p> + +<p><i>Diana, with tunic tucked up, issues from the wood together with her +nymphs.</i></p> + +<p><i>At the further end of a cavern, Vulcan among his Cabiri, hammers the +heated iron; here and there the aged Rivers leaning recumbent upon +green rocks pour water from their urns; the Muses stand singing in the +valleys</i>.</p> + +<p><i>The Hours, all of equal stature, link hands; and Mercury poses +obliquely upon a rainbow, with his caduceus, winged sandals, and winged +petasus.</i></p> + +<p><i>But at the summit of the stairway of the Gods,—among clouds soft +as down, from<span class="pagenum"><a name="Page_194" id="Page_194">[Pg 194]</a></span> whose turning volutes a rain of roses falls,—Venus +Anadyomene stands gazing at herself in a mirror:—her eyes move +languorously beneath their slumbrous lids.</i></p> + +<p><i>She has masses of rich blond hair rolling down over her shoulders; her +breasts are small; her waist is slender; her hips curve out like the +sweeping curves of a lyre; her thighs are perfectly rounded; there are +dimples about her knees; her feet are delicate: a butterfly hovers near +her mouth. The splendour of her body makes a nacreous-tinted halo of +bright light about her; while all the rest of Olympus is bathed in a +pink dawn, rising gradually to the heights of the blue sky.</i>)</p> + +<p><span class="smcap">Anthony</span>. "Ah! my heart swells! A joy never known before thrills me to +the depths of my soul! How beautiful, how beautiful it is!"</p> + +<p><span class="smcap">Hilarion</span>. "They leaned from the heights of cloud to direct the way of +swords; one used to meet them upon the high roads; men had them in +their houses—and this familiarity divinized life.</p> + +<p>"Life's aim was only to be free and beautiful. Nobility of attitude was +facilitated by the looseness of garments. The voice of the<span class="pagenum"><a name="Page_195" id="Page_195">[Pg 195]</a></span> orator, +trained by the sea, rolled its sonorous waves against the porticoes of +marble. The ephebus, anointed with oil, wrestled all naked in the full +light of the sun. The holiest of actions was to expose perfection of +forms to all.</p> + +<p>"And these men respected wives, aged men, suppliants.</p> + +<p>"Behind the temple of Hercules there was an altar erected to Pity.</p> + +<p>"Victims were immolated with flowers wreathed about the fingers of the +sacrificer. Even memory was exempted from thoughts of the rottenness +of death. Nothing remained but a little pile of ashes. And the Soul, +mingling with the boundless ether, rose up to God."</p> + +<p>(<i>Bending to whisper in Anthony's ear</i>:—)</p> + +<p>"And they still live! The Emperor Constantine adores Apollo. Thou wilt +find the Trinity in Samothracian mysteries,—baptism in the religion of +Isis,—redemption in the faith of Mithra,—a martyrdom of a God in the +festivals of Bacchus. Prosperpine is the Virgin!... Aristæus is Jesus!"</p> + +<p><span class="smcap">Anthony</span> (<i>remains awhile with downcast eyes, as if in deep thought; +then suddenly repeats<span class="pagenum"><a name="Page_196" id="Page_196">[Pg 196]</a></span> aloud the Symbol of Jerusalem, as he remembers +it, uttering a long sigh between each phrase</i>):—</p> + +<p>"I believe in one only God, the Father,—and in one only Lord, Jesus +Christ,—the first born son of God, who was incarnated and made +man,—who was crucified, and buried,—who ascended into Heaven,—who +will come to judge the living and the dead,—of whose Kingdom there +shall be no end;—and in one Holy Spirit,—and in one baptism of +repentance,—and in one Holy Catholic Church,—and in the resurrection +of the flesh,—and in the life everlasting!"</p> + +<p>(<i>Immediately the cross becomes loftier and loftier; it pierces the +clouds, and casts its shadow upon the heaven of the gods.</i></p> + +<p><i>All grow pale;—Olympus shudders.</i></p> + +<p><i>And at its base Anthony beholds vast bodies enchained, sustaining the +rocks upon their shoulders,—giant figures half buried in the deeps +of caverns. These are the Titans, the Giants, the Hecatonchires, the +Cyclops.</i>)</p> + +<p class="smcap" style="text-align: center;">A Voice</p> + +<p>(<i>rises, indistinct and awful, like the far roar of leaves, like the +voice of forests in time of<span class="pagenum"><a name="Page_197" id="Page_197">[Pg 197]</a></span> tempest, like the mighty moaning of the +wind among the precipices</i>):</p> + +<p>"We knew these things!—we knew them! There must come an end even for +the Gods! Uranus was mutilated by Saturn,—Saturn by Jupiter. And +Jupiter himself shall be annihilated. Each in his turn;—it is Destiny!"</p> + +<p>(<i>And little by little they sink into the mountain, and disappear.</i></p> + +<p><i>Meanwhile the golden tiles of the palace rise and fly away.</i>)</p> + +<p><span class="smcap">Jupiter</span> (<i>has descended from his throne. At his feet the thunderbolts +lie, smoking like burning coals about to expire;—and the great eagle +bends its neck to pick up its falling feathers</i>):</p> + +<p>"Then I am no longer the master of all things,—most holy, most +mighty, god of the phatrias and Greek peoples,—ancestor of all the +Kings,—Agamemnon of heaven.</p> + +<p>"Eagle of apotheoses, what wind from Erebus has wafted thee to me? or, +fleeing from the Campus Martins, dost thou bear me the soul of the last +of the Emperors?</p> + +<p>"I no longer desire to receive those of men. Let the Earth keep them; +and let them move upon the level of its baseness. Their hearts<span class="pagenum"><a name="Page_198" id="Page_198">[Pg 198]</a></span> are now +the hearts of slaves;—they forget injuries, forget their ancestors, +forget their oaths,—and everywhere the folly of crowds, the mediocrity +of individuals, the hideousness of races, hold sway!"</p> + +<p>(<i>He pants with such violence that his sides seem ready to burst +asunder; he clenches his hands. Weeping</i>, <span class="smcap">Hebe</span> <i>offers him a cup. He +seizes it.</i>)</p> + +<p>"No, no! So long as there shall be a brain enclosing a thought, in +whatsoever part of the world;—so long as there shall exist a mind +hating disorder, creating <span class="smcap">Law</span>,—so long will the spirit of Jupiter +live!"</p> + +<p>(<i>But the cup is empty. He turns its edge down over his thumbnail.</i>)</p> + +<p>"Not one drop left! When the ambrosia fails, the Immortals must indeed +depart!"</p> + +<p>(<i>The cup drops from his hands; and he leans against a column, feeling +himself about to die.</i>)</p> + +<p><span class="smcap">Juno</span>. "Thou shouldst not have had so many amours! Eagle, bull, swan, +rain of gold, cloud and flame, thou didst assume all forms,—dissipate +thy light in all elements,—lose thy hair upon all beds! This time +the<span class="pagenum"><a name="Page_199" id="Page_199">[Pg 199]</a></span> divorce is irrevocable; and our domination, our very existence, +dissolved."</p> + +<p>(<i>She passes away in air.</i>)</p> + +<p><span class="smcap">Minerva</span> (<i>has no longer her spear; and the ravens nesting among the +sculptures of the friezes, wheel about her, peeking at her helmet.</i>)</p> + +<p>"Let me see whether my vessels cleave the bright sea, returning to my +three ports,—let me discover why the fields are deserted, and learn +what the daughters of Athens are now doing.</p> + +<p>"In the month of Hecatombeon my whole people came to worship me, under +the guidance of their magistrates and priests. Then, all in white robes +and wearing chitons of gold, they advanced the long line of virgins +bearing cups, baskets, parasols; then the three hundred sacrificial +oxen, and the old men having green boughs, the soldiers with clashing +of armour, the ephebi singing hymns, flute players, lyre players, +rhapsodists, dancing women;—and lastly attached to the mast of a +trireme mounted upon wheel, my great veil embroidered by virgins who +had been nourished in a particular way for a whole year. And when it +had been displayed<span class="pagenum"><a name="Page_200" id="Page_200">[Pg 200]</a></span> in all the streets, in all the squares, and before +the temples, in the midst of the ever-chanting procession, it was borne +step by step up the hill of the Acropolis, grazed the Propylæa, and +entered the Parthenon....</p> + +<p>"But a strange feebleness comes upon me,—me the Industrious One! What! +what! not one idea comes to me! Lo! I am trembling more than a woman!"</p> + +<p>(<i>She turns, beholds a ruin behind her, utters a cry, and stricken by a +fallen fragment, falls backward upon the ground.</i>)</p> + +<p><span class="smcap">Hercules</span> (<i>has flung away his lion-skin; and with feet firmly braced, +back arched, teeth clenched, he exhausts himself in immeasurable +efforts to bear up the mass of crumbling Olympus.</i>)</p> + +<p>"I vanquished the Cercopes, the Amazons, and the Centaurs. Many were +the kings I slew. I broke the horn of the great river, Achelous. I cut +the mountains asunder; I freed nations from slavery; and I peopled +lands that were desolate. I travelled through the countries of Gaul; +I traversed the deserts where thirst prevails. I defended the gods +from their enemies; and I freed myself from Omphale. But the weight of +Olympus is too<span class="pagenum"><a name="Page_201" id="Page_201">[Pg 201]</a></span> great for me. My arms grow feebler:—I die!"</p> + +<p>(<i>He is crushed beneath the ruins.</i>)</p> + +<p><span class="smcap">Pluto</span>. "It is thy fault, Amphytrionad;—wherefore didst thou descend +into my empire?</p> + +<p>"The vulture that gnaws the entrails of Tityus lifted its head;—the +lips of Tantalus were moistened;—the wheel of Ixion stopped.</p> + +<p>"Meanwhile the Kæres extended their claws to snatch back the escaping +ghosts; the Furies tore the serpents of their locks; and Cerberus +fettered by thee with a chain, sounded the death rattle in his throat, +and foamed at all his three mouths.</p> + +<p>"Thou didst leave the gate ajar; others have come. The daylight of men +has entered into Tartarus!"</p> + +<p>(<i>He sinks into the darkness.</i>)</p> + +<p><span class="smcap">Neptune</span>. "My trident can no longer call up the tempests. The monsters +that terrified of old, lie rotting at the bottom of the sea.</p> + +<p>"Amphitrite whose white feet tripped lightly over the foam, the green +Nereids seen afar off in the horizon, the scaly Sirens who stopped +the passing vessels to tell stories, and the ancient Tritons mightily +blowing<span class="pagenum"><a name="Page_202" id="Page_202">[Pg 202]</a></span> upon their shells, all have passed away. All is desolate and +dead; the gaiety of the great Sea is no more!"</p> + +<p>(<i>He vanishes beneath the azure.</i>)</p> + +<p><span class="smcap">Diana</span> (<i>clad in black and surrounded by her dogs, which have been +changed into wolves</i>).</p> + +<p>"The freedom of the deep forests once intoxicated me; the odours of the +wild beasts and the exhalations of the marshes made me as one drank +with joy. But the women whose maternity I protected, now bring dead +children into the world. The moon trembles with the incantations of +witches. Desires of violence, of immensity, seize me, fill me! I wish +to drink poisons,—to lose myself in vapours, in dreams...!"</p> + +<p>(<i>And a passing cloud carries her away.</i>)</p> + +<p><span class="smcap">Mars</span> (<i>unhelmed and covered with blood</i>).</p> + +<p>"At first I fought alone;—singlehanded I would provoke a whole army by +my insults,—caring nothing for countries or nations, demanding battle +for the pleasure of carnage alone.</p> + +<p>"Afterward I had comrades. They marched to the sound of flutes, in good +order, with equal step, respiring above their bucklers,<span class="pagenum"><a name="Page_203" id="Page_203">[Pg 203]</a></span> with plumes +loftily nodding, lances oblique. Then on rushed to battle with mighty +eagle cries. War was joyous as a banquet. Three hundred men strove +against all Asia.</p> + +<p>"But the Barbarians are returning;—by myriads they come, by millions! +Ah! since numbers, and engines, and cunning are stronger than valour, +it were better that I die the death of the brave!"</p> + +<p>(<i>He kills himself.</i>)</p> + +<p><span class="smcap">Vulcan</span> (<i>sponging the sweat from his limbs</i>):</p> + +<p>"The world is growing cold. The source of heat must be nourished, the +volcanoes and rivers of flowing metal underground. Strike harder!—with +full swing of the arms,—with might and main!"</p> + +<p>(<i>The Cabiri wound themselves with their hammers, blind themselves with +sparks, and groping, lose themselves in the darkness.</i>)</p> + +<p><span class="smcap">Ceres</span> (<i>standing in her chariot, impelled by wheels having wings at +their hubs</i>):</p> + +<p>"Stop! Stop! Ah! it was with good reason that the exclusion of +strangers, atheists, Epicureans, and Christians was commended!<span class="pagenum"><a name="Page_204" id="Page_204">[Pg 204]</a></span> Now the +mystery of the basket has been unveiled; the sanctuary profaned: all is +lost!"</p> + +<p>(<i>She descends a precipitous slope—shrieking, despairing, tearing her +hair.</i>)</p> + +<p>"Ah! lies, lies! Daira has not been restored to me. The voice of brass +calls me to the dead. This is another Tartarus, whence there is no +return! Horror!"</p> + +<p>(<i>The abyss engulfs her.</i>)</p> + +<p><span class="smcap">Bacchus</span> (<i>with a frenzied laugh</i>).</p> + +<p>"What matters it? The Archon's wife is my spouse! The law itself reels +in drunkenness! To me the new song, the multiplied forms!</p> + +<p>"The fire by which my mother was devoured, flows in my veins! Let it +burn yet more fiercely, even though I perish!</p> + +<p>"Male and female, complaisant to all, I abandon myself to you, +Bacchantes! I abandon myself to you, Bacchanalians!—and the vine shall +twine herself about the tree-trunks! Howl! dance! writhe! Loosen the +tiger and the slave!—rend flesh with ferocious bitings!"</p> + +<p>(<i>And Pan, Silenus, the Bacchantes, the Mimalonæides, and the +Mænads,—with their serpents, torches, sable masks,—cast flowers<span class="pagenum"><a name="Page_205" id="Page_205">[Pg 205]</a></span> at +each other ... shake their tympanums, strike their thyrsi, pelt each +other with shells, devour grapes, strangle a goat, and tear Bacchus +asunder.</i>)</p> + +<p><span class="smcap">Apollo</span> (<i>furiously whipping his coursers, while his blanching locks are +falling from his head</i>):</p> + +<p>"I have left far behind me stony Delos, so pure that all now there +seems dead; and I must strive to reach Delphi ere its inspiring vapour +be wholly lost. The mules browse in its laurel groves. The Pythoness +has wandered away, and cannot be found.</p> + +<p>"By a stronger concentration of my power, I will obtain sublime hymns, +eternal monuments; and all matter will be penetrated by the vibrations +of my cithara!"</p> + +<p>(<i>He strikes the strings of the instrument. They burst, lashing his +face with their broken ends. He flings the cithara away; and furiously +whipping his quadriga, cries</i>):</p> + +<p>"No! enough of forms!—Further, higher!—to the very summit!—to the +realm of pure thought!"</p> + +<p>(<i>But the horses back, rear, dash the chariot to pieces. Entangled by +the harness, caught<span class="pagenum"><a name="Page_206" id="Page_206">[Pg 206]</a></span> by the fragments of the broken pole, he falls head +foremost into the abyss.</i></p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon17"></a> +<img src="images/redon_17.jpg" width="600" alt="" /> +<div class="caption"><p> ... he falls head foremost into the abyss</p></div> +</div> + +<p class="p2"><i>The sky is darkened.</i>)</p> + +<p><span class="smcap">Venus</span> (<i>blue with cold, shivering</i>):</p> + +<p>"Once with my girdle I made all the horizon of Hellas.</p> + +<p>"Her fields glowed with the roses of my cheeks; her shores were +outlined after the fashion of my lips; and her mountains, whiter than +my doves, palpitated beneath the hands of the statuaries. My spirit's +manifestation was found in the ordinances of the festivals, in the +arrangement of coiffures, in the dialogues of philosophers, in the +constitution of republics. But I have doted too much upon men! It is +Love that has dishonoured me!"</p> + +<p>(<i>She casts herself back weeping</i>):</p> + +<p>"This world is abominable;—there is no air for me to breathe!</p> + +<p>"O Mercury, inventor of the lyre, conductor of souls, take me away!"</p> + +<p>(<i>She places one finger upon her lips, and describing an immense +parabola, falls into the abyss.</i></p> + +<p><i>Nothing is now visible. The darkness is complete.</i></p> + +<p><span class="pagenum"><a name="Page_207" id="Page_207">[Pg 207]</a></span></p> + +<p><i>Only, that from the eyes of Hilarion escape two flashes, two rays of +lurid light.</i>)</p> + +<p><span class="smcap">Anthony</span> (<i>begins at last to notice his immense stature</i>):</p> + +<p>"Already several times, while thou wert speaking, it seemed to me thou +wert growing taller; and it was no illusion! How? Explain to me ... Thy +aspect terrifies me!"</p> + +<p>(<i>Footsteps are heard approaching.</i>)</p> + +<p>"What is that?"</p> + +<p><span class="smcap">Hilarion</span> (<i>extending his arm</i>):</p> + +<p>"Look!"</p> + +<p>(<i>Then, under a pale beam of moonlight, Anthony distinguishes an +interminable caravan defiling over the summit of the rocks;—and each +voyager, one after the other, falls from the cliff into the gulf below.</i></p> + +<p><i>First comes the three great gods of</i> Samothrace,—<span class="smcap">Axieros</span>, <span class="smcap">Axiokeros</span>, +<span class="smcap">Axiokersa</span>,—<i>united together as in a fascia, purple-masked, all with +hands uplifted.</i></p> + +<p><i>Æsculapius advances with a melancholy air, not even perceiving +Samos and Telesphorus, who question him with gestures of anguish.</i> +<span class="smcap">Elean Sosipolis</span>, <i>of python-form, rolls his coils toward the abyss.</i> +<span class="smcap">Dosipoena</span>, <i>becomes dizzy, leaps in of her own accord.</i> <span class="smcap">Britomartis</span>,<span class="pagenum"><a name="Page_208" id="Page_208">[Pg 208]</a></span> +<i>shrieking with fear, clutches fast the meshes of her net. The Centaurs +come at a wild gallop, and roll pell-mell into the black gulf.</i></p> + +<p><i>Behind them, all limping, advance the bands of the mourning Nymphs. +Those of the meadows are covered with dust; those of the woods moan and +bleed; wounded by the axes of the woodcutters.</i></p> + +<p><i>The Gelludes, the Strygii, the Empusæ, all the infernal goddesses, +form one pyramid of blended fangs, vipers, and torches;—and seated +upon a vulture-skin at its summit, Eurynome, blue as the flies that +corrupt meat, devours her own arms.</i></p> + +<p><i>Then in one great whirl simultaneously disappear the bloody Orthia, +Hymina of Orchomenus, the Laphria of the Patræns, Aphia of Agina, +Bendis of Thrace, Stymphalia with thighs like a bird's. Triopas, in +lieu of three eyes, has now but three empty orbits. Erichthonius, his +legs paralysed, crawls upon his hands like a cripple.</i>)</p> + +<p><span class="smcap">Hilarion</span>. "What a pleasure, is it not!—to see them all in the +abjection of their death-agony! Climb up here beside me, on this<span class="pagenum"><a name="Page_209" id="Page_209">[Pg 209]</a></span> rock; +and thou shalt be even as Xerxes, reviewing his army.</p> + +<p>"Beyond there, very far, dost thou behold that fair-bearded giant, +who even now lets fall his sword crimsoned with blood?—that is +the Scythian Zalmoxis between two planets,—Artimpasa, Venus, and +Orsiloche, the Moon.</p> + +<p>"Still further away, now emerging from pallid clouds, are the gods whom +the Cimmerians adore, even beyond Thule.</p> + +<p>"Their huge halls were warm, and by the gleam of swords that tapestried +the vault, they drank their hydromel from horns of ivory. They ate the +liver of the whale in dishes of brass wrought by the hammers of demons; +or, betimes, they listened to captive sorcerers whose fingers played +upon harps of stone.</p> + +<p>"They are feeble! They are cold! The snow makes heavy their bearskins; +and their feet show through the rents in their sandals.</p> + +<p>"They weep for the vast fields upon whose grassy knolls they were +wont to draw breath in pauses of battle; they weep for the long ships +whose prows forced a way through the mountains of ice;—and the skates +wherewith<span class="pagenum"><a name="Page_210" id="Page_210">[Pg 210]</a></span> they followed the orb of the poles, upbearing at the length +of their mighty arms all the firmament that turned with them."</p> + +<p>(<i>A gust of frosty wind carries them off. Anthony turns his eyes +another way. And he perceives—outlined in black against a red +background—certain strange personages, with chinbands and gauntlets, +who throw balls at one another, leap over each other's heads, make +grimaces, dance a frenzied dance.</i>)</p> + +<p><span class="smcap">Hilarion</span>. "Those are the divinities of Etruria, the innumerable Æsars.</p> + +<p>"There is Tages, by whom augury was invented. With one hand he seeks to +augment the divisions of the sky; with the other he supports himself +upon the earth: let him sink therein!</p> + +<p>"Nortia gazes at the wall into which she drave nails to mark the number +of the passing years. Its whole surface is now covered; and the period +is accomplished.</p> + +<p>"Like two travellers overtaken by a storm, Kastur and Pulutuk, +trembling, seek to shelter themselves beneath the same mantle."</p> + +<p><span class="smcap">Anthony</span> (<i>closes his eyes</i>):</p> + +<p>"Enough! Enough!"</p> + +<p><span class="pagenum"><a name="Page_211" id="Page_211">[Pg 211]</a></span></p> + +<p>(<i>But with a mighty noise of wings, all the Victories of the Capitol +pass through the air,—hiding their faces with their hands, dropping +the trophies hanging upon their arms.</i></p> + +<p><i>Janus,—lord of crepuscules,—flees upon a black ram; and one of his +two faces is already putrified; the other slumbers with fatigue.</i></p> + +<p><i>Summanus, the headless god of the dark heavens, presses against his +heart an odd cake shaped like a wheel.</i></p> + +<p><i>Vesta, beneath a ruined cupola, tries to relight her extinguished +lamp.</i></p> + +<p><i>Bellona gashes her cheeks,—without being able to make that blood flow +by which her devotees were purified.</i>)</p> + +<p><span class="smcap">Anthony</span>. "Mercy!—they weary me!"</p> + +<p><span class="smcap">Hilarion</span>. "Before, they amused thee!"</p> + +<p>(<i>And he shows him in a grove of bean-trees,</i> <span class="smcap">A Woman</span>, +<i>naked ............. and a black man, holding in each hand a torch.</i><a name="FNanchor_8_24" id="FNanchor_8_24"></a><a href="#Footnote_8_24" class="fnanchor">[8]</a>)</p> + +<p>"It is the goddess of Aricia, with the demon Virbius. Her sacerdote, +the King of<span class="pagenum"><a name="Page_212" id="Page_212">[Pg 212]</a></span> the grove, had to be an assassin;<a name="FNanchor_9_25" id="FNanchor_9_25"></a><a href="#Footnote_9_25" class="fnanchor">[9]</a> and the fugitive +slaves, the despoilers of corpses, the brigands of the Via Salaria, the +cripples of the Pons Sublicius, all the human vermin of the Suburra +worshipped no deities so fervently.</p> + +<p>"In the time of Marcus Antonius the patrician women preferred Libitina."</p> + +<p>(<i>And he shows him under the shadow of cypresses and rose-trees</i>, +<span class="smcap">Another Woman</span>, <i>clad in gauze. Around her lie spades, litters, black +hangings, all the paraphernalia of funerals. She smiles. Her diamonds +shine afar off through spiders' webs. The Larvæ, like skeletons, show +their bones through the branches; and the Lemures, who are phantoms, +extend their bat-like wings.</i></p> + +<p><i>At the end of a field lies the god Terminus, uprooted, and covered +with ordures.</i></p> + +<p><i>In the centre of a furrow, the great corpse of Vertumnus is being +devoured by red dogs.</i></p> + +<p><span class="pagenum"><a name="Page_213" id="Page_213">[Pg 213]</a></span></p> + +<p><i>The rustic deities all depart, weeping:—Sartor, Sarrator, Vervactor, +Collina, Vallona, Hostilinus—all wearing little hooded mantles, and +carrying either a hoe, a pitchfork, a hurdle, or a boar-spear.</i>)</p> + +<p><span class="smcap">Hilarion</span>. "Their spirits made prosperous the villa,—with its dovecots, +its parks of dormice, its poultry-yards protected by nets, its warm +stables fragrant with odours of cedar.</p> + +<p>"Also they protected all the wretched population who dragged the irons +upon their legs over the flinty ways of the Sabine country,—those who +called the swine together by sound of horn,—those who were wont to +gather the bunches at the very summits of the elms,—those who drove +the asses, laden with manure, over the winding bypaths. The panting +labourer, leaning over the handle of his plough, prayed them to give +strength to his arms; and under the shade of the lindens, beside +calabashes filled with milk, the cow-herds were wont, in turn, to sound +their praises upon flutes of reed."</p> + +<p><span class="smcap">Anthony</span> (<i>sighs.</i>)</p> + +<p>(<i>And in the centre of a chamber, upon a lofty estrade, an ivory bed is +visible, surrounded<span class="pagenum"><a name="Page_214" id="Page_214">[Pg 214]</a></span> by persons bearing torches of pine.</i>)</p> + +<p>"Those are the deities of marriage. They await the coming of the bride.</p> + +<p>"Domiduca should lead her in,—Virgo unfasten her girdle,—Subigo place +her in the bed,—and Præma open her arms, and whisper sweet words into +her ear.</p> + +<p>"But she will not come!—and they dismiss the others:—Nona and Decima +who watch by sick-beds; the three Nixii who preside over child-birth; +the two nurses, Educa and Potina; and Carna, guardian of the cradle, +whose bouquet of hawthorne keeps evil dreams from the child.</p> + +<p>"Afterwards, Ossipago should strengthen his knees;—Barbatus give him +his first beard; Stimula inspire his first desires; Volupia grant him +his first enjoyment; Fabulimus should have taught him to speak, Numera +to count, CamÅ“na to sing, Consus to reflect."</p> + +<p>(<i>This chamber is empty; and there remains only the centenarian Nænia +beside the bed,—muttering to herself the dirge she was wont to howl at +the funerals of aged men.</i></p> + +<p><i>But her voice is soon drowned by sharp cries. These are uttered by</i>—</p> + +<p><i>The</i> <span class="smcap">Lares Domestici</span>, <i>crouching at the further<span class="pagenum"><a name="Page_215" id="Page_215">[Pg 215]</a></span> end of the atrium, +clad in dog-skins, with flowers wreathed about their bodies,—pressing +their clenched hands against their cheeks, and weeping as loudly as +they can.</i>)</p> + +<p>"Where is the portion of food we received at each repast, the kindly +care of the maid-servant, the smile of the matron, the merriment of +the little boys playing at knuckle-bones on the mosaic pavement of the +court-yard? When grown up, they used to hang about our necks their +bullæ of gold or leather!</p> + +<p>"What happiness it was, when on the evening of a triumph, the master, +entering, turned his humid eyes upon us! He would recount his combats; +and the little house would be prouder than a palace; sacred as a temple!</p> + +<p>"How sweet were the family repasts, above all on the morrow of the +Feralia! Tenderness for the dead appeased all discords; all kissed each +other, while drinking to the glories of the past, and the hopes of the +future.</p> + +<p>"But the ancestors, of painted wax, locked up behind us, are slowly +becoming covered with mold. The new races, visiting their own +deceptions upon us, have shattered our jaws;<span class="pagenum"><a name="Page_216" id="Page_216">[Pg 216]</a></span> our wooden bodies are +disappearing piece-meal under the teeth of rats."</p> + +<p>(<i>And the innumerable gods, watching over doors, kitchens, cellars, +baths, disperse in every direction—under the form of enormous ants +running over the pavement, or great butterflies soaring away.</i></p> + +<p><i>Then a roll of thunder is heard.</i>)</p> + + +<p class="smcap" style="text-align: center;">A Voice:</p> + +<p>"I was the God of Armies, the Lord, the Lord God! I pitched the tents +of Jacob on the hills; and in the midst of the sands I nourished my +chosen people in their flight.</p> + +<p>"It was I who consumed the city of Sodom with fire! It was I who +overwhelmed the world with the waters of the Deluge! It was I that +drowned Pharaoh, with all the princes, sons of Kings,—making the sea +to swallow up his chariots of war, and his charioteers!</p> + +<p>"I, the Jealous God, held all other gods in abomination. I brayed the +impure in my anger; the mighty I cast down; and swiftly the desolation +of my wrath ran to the right and to the left, like a dromedary loosened +in a field of maize.</p> + +<p><span class="pagenum"><a name="Page_217" id="Page_217">[Pg 217]</a></span></p> + +<p>"I chose the humble to deliver Israel. Angels, flame-winged, spake to +them from out the bushes.</p> + +<p>"Perfumed with spikenard, with cinnamon and myrrh, clad in transparent +robes, and shod with high-heeled sandals,—women of valiant heart went +forth to slay captains. The passing wind carried my prophets with it.</p> + +<p>"My law I graved upon tables of stone. Within that law my people were +enclosed, as within a strong citadel. They were my people. I was their +God! The land was mine; the men also belonged to me, together with +their every thought, and all their works, and the tools they wrought +with, and their prosperity.</p> + +<p>"My ark reposed within a triple sanctuary,—surrounded by curtains +of purple and lighted candelabra. I had a whole tribe to serve me as +servants, swinging censers; and the high-priest, robed in robes of +hyacinth, wore upon his breast precious stones disposed in symmetrical +order.</p> + +<p>"Woe! Woe! the Holy of Holies is open, the veil is rent, the perfumes +of the holocaust are dissipated by all the winds of<span class="pagenum"><a name="Page_218" id="Page_218">[Pg 218]</a></span> heaven! The jackal +whines in the sepulchres; my temple is destroyed; my people dispersed!</p> + +<p>"The priests have been strangled with the girdles of their robes. The +women languish in captivity; the holy vessels have all been melted!"</p> + +<p>(<i>The voice, becoming more distant</i>):</p> + +<p>"I was the God of Armies; the Lord, the Lord God!"</p> + +<p>(<i>An enormous silence follows,—and deepest night.</i>)</p> + +<p><span class="smcap">Anthony</span>. "All have passed away!"</p> + +<p><span class="smcap">Some One</span> (<i>replies</i>):</p> + +<p>"I remain!"</p> + +<p>(<i>And Hilarion stands before him—but transfigured wholly,—beautiful +as an archangel, luminous as a sun, and so lofty that in order to +behold his face</i>—</p> + +<p><span class="smcap">Anthony</span></p> + +<p><i>is compelled to throw back his head, to look up as though gazing as a +star</i>):</p> + +<p>"Who art thou?"</p> + +<p><span class="smcap">Hilarion</span>. "My kingdom is vast as the universe; and my desire knows no +limits. I go on forever,—freeing minds, weighing<span class="pagenum"><a name="Page_219" id="Page_219">[Pg 219]</a></span> worlds,—without +hatred, without fear, without pity, without love, and without God. Men +call me <span class="smcap">Science</span>!"</p> + +<p><span class="smcap">Anthony</span> (<i>recoiling from him</i>):</p> + +<p>"Say, rather, that thou art ... the Devil!"</p> + +<p><span class="smcap">Hilarion</span> (<i>fixing his eyes upon him</i>:)</p> + +<p>"Wouldst thou behold him?"</p> + +<p><span class="smcap">Anthony</span> (<i>cannot detach his eyes from that mighty gaze:—the curiosity +of the Devil comes upon him. His terror augments; yet his wish grows +even to boundlessness</i>):</p> + +<p>"Yet if I should see him ... if I were to see him!"</p> + +<p>(<i>Then in a sudden spasm of wrath</i>):</p> + +<p>"The horror that I have of him will free me from his presence +forever!... Yes!"</p> + +<p>(<i>A cloven foot appears. Anthony regrets his wish.</i></p> + +<p><i>But the Devil flings him upon his horns and bears him away.</i>)</p> + + + +<hr class="chap" /> +<div class="footnote"> + +<p><a name="Footnote_1_17" id="Footnote_1_17"></a><a href="#FNanchor_1_17"><span class="label">[1]</span></a> Matthew II: 10—T.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_2_18" id="Footnote_2_18"></a><a href="#FNanchor_2_18"><span class="label">[2]</span></a> "Buddha, or more correctly, the Buddha, for Buddha is an +appellative meaning Enlightened."—Max Müller (Chips, Vol. I., 206).</p></div> + +<div class="footnote"> + +<p><a name="Footnote_3_19" id="Footnote_3_19"></a><a href="#FNanchor_3_19"><span class="label">[3]</span></a> Luke II: 25-26.—T.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_4_20" id="Footnote_4_20"></a><a href="#FNanchor_4_20"><span class="label">[4]</span></a> Ibid II: 46-47.—T.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_5_21" id="Footnote_5_21"></a><a href="#FNanchor_5_21"><span class="label">[5]</span></a> Or, Haoma, also Hom, the sacred plant, whose fermented +juice occupied an important place in the practical rites of Iran. +Supposed to be the same plant known in botany as <i>Sarcostemma +viminalis.</i> Deified in Iranian worship, like the sacred drink <i>Soma</i> in +the Vedic hymns. The <i>Soma</i> was the fermented extract of the <i>Asclepias +acida</i> or <i>Sarcostemma ritalis.</i> See Marius Fontane, "L'Inde Védique," +"Les Iraniens."—Trans.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_6_22" id="Footnote_6_22"></a><a href="#FNanchor_6_22"><span class="label">[6]</span></a> Apuleius says, "a silken mantle."—Trans.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_7_23" id="Footnote_7_23"></a><a href="#FNanchor_7_23"><span class="label">[7]</span></a> Apuleius says, "strung with knuckle-bones of +sheep."—Trans.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_8_24" id="Footnote_8_24"></a><a href="#FNanchor_8_24"><span class="label">[8]</span></a> This scene, like certain paintings in the Naples museum, +is all suited for public exhibition.—Trans.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_9_25" id="Footnote_9_25"></a><a href="#FNanchor_9_25"><span class="label">[9]</span></a> Readers will recollect the lines in Macaulay's <i>Lays of +Ancient Rome</i>: +</p> +<p> +"Beneath Aricia's trees,<br /> +<span style="margin-left: 1.5em;">Those trees in whose dim shadow</span><br /> +<span style="margin-left: 0.5em;">A ghastly priest doth reign,</span><br /> +<span style="margin-left: 1.5em;">The priest who slew the slayer,</span><br /> +<span style="margin-left: 0.5em;">And must himself be slain."</span><br /> +</p></div> + +<hr class="chap" /> + +<p><span class="pagenum"><a name="Page_220" id="Page_220">[Pg 220]</a></span></p> + + + + +<h4><a name="VI" id="VI">VI</a></h4> + + +<p>(<i>He flies beneath him, outstretched like a swimmer; his vast-spreading +wings, wholly concealing him, seem like one huge cloud.</i>)</p> + +<p><span class="smcap">Anthony</span>. "Whither do I go? But a little while ago I beheld in a glimpse +the form of the Accurst. Nay!—'tis a cloud that upbears me! Perhaps I +am dead, and am ascending to God....</p> + +<p>"How freely I respire. The immaculate air seems to vivify my soul. No +sense of weight!—no more suffering.</p> + +<p>"Far below me the lightning breaks,—the horizon broadens, widens,—the +rivers cross each other. That blond-bright spot is the desert; that +pool of water the ocean!</p> + +<p>"And other oceans appear!—vast regions of which I knew nothing! +There are the countries of the blacks, which seem to smoke like +brasiers!—then is the zone of snows always made dim by fog! Would I +might behold<span class="pagenum"><a name="Page_221" id="Page_221">[Pg 221]</a></span> those mountains where the sun, each evening, sinks to +rest!"</p> + +<p><span class="smcap">The Devil</span>. "The sun never sinks to rest; the sun never rests!"</p> + +<p>(<i>Anthony is not surprised at this voice. It seems to him an echo of +his own thought—a response made by his own memory.</i></p> + +<p><i>Meanwhile the earth gradually assumes the shape of a ball; and he +beholds it in the midst of the azure, turning upon its poles, and +revolving with the sun.</i>)</p> + +<p><span class="smcap">The Devil</span>. "So it does not form the centre of the universe! Pride of +man! humiliate thyself!"</p> + +<p><span class="smcap">Anthony</span>. "Now I can scarcely distinguish it. It mingles confusedly with +other glowing worlds. The firmament itself is but one tissue of stars."</p> + +<p>(<i>And they still rise.</i>)</p> + +<p>"No sound!—not even the hoarse cry of eagles! Nothing? I listen for +the harmony of the spheres."</p> + +<p><span class="smcap">The Devil</span>. "Thou wilt not hear them! Nor wilt thou behold the +antichtonus of Plato,—or the central furnace of Philolaüs,—or the +spheres of Aristotle, or the seven heavens of<span class="pagenum"><a name="Page_222" id="Page_222">[Pg 222]</a></span> the Jews, with the great +waters above the vault of crystal!"</p> + +<p><span class="smcap">Anthony</span>. "Yet from below the vault seemed solid as a wall!—on the +contrary I penetrate it, I lose myself in it!"</p> + +<p>(<i>And he beholds the moon,—like a rounded fragment of ice filled with +motionless light.</i>)</p> + +<p><span class="smcap">The Devil</span>. "Formerly it was the sojourn of souls! Even the good +Pythagoras adorned it with magnificent flowers, populated it with +birds!"</p> + +<p><span class="smcap">Anthony</span>. "I can see only desolate plains there, with extinct craters +yawning under a black sky!</p> + +<p>"Let us go towards those milder-beaming stars, that we may contemplate +the angels who uphold them at arms' length, like torches!"</p> + +<p><span class="smcap">The Devil</span> (<i>bears him into the midst of the stars</i>):</p> + +<p>"They attract at the same time that they repel each other. The +action of each one results from that of others, and contributes +thereunto,—without the aid of any auxiliary, by the force of a law, +the virtue of order alone!"</p> + +<p><span class="pagenum"><a name="Page_223" id="Page_223">[Pg 223]</a></span></p> + +<p><span class="smcap">Anthony</span>. "Yes!... yes! My intelligence grasps the great truth! It is +a joy greater than all tender pleasures! Breathless I find myself with +astonishment at the enormity of God!"</p> + +<p><span class="smcap">The Devil</span>. "Even as the firmament ever rises as thou dost ascend, so +with the expansion of thy thought will He become greater to thee; and +after this discovery of the universe thou wilt feel thy joy augment +with the broadening and deepening of the infinite."</p> + +<p><span class="smcap">Anthony</span>. "Ah! higher!—higher still!—- forever higher!"</p> + +<p>(<i>Then the stars multiply, scintillate. The Milky Way develops in the +zenith like a monstrous belt, with holes at intervals; through these +rents in its brightness stretches of prolonged darkness are visible. +There are rains of stars, long trains of golden dust, luminous vapours +that float and dissolve.</i></p> + +<p><i>At times a comet suddenly passes by; then the tranquillity of +innumerable lights recommences.</i></p> + +<p><i>Anthony, with outstretched arms, supports himself upon the Devil's +horns, and thus occupies all the space between them.</i></p> + +<p><i>He remembers with disdain the ignorance of other days, the mediocrity +of his dreams.<span class="pagenum"><a name="Page_224" id="Page_224">[Pg 224]</a></span> And now those luminous globes he was wont to gaze upon +from below, are close to him. He distinguishes the intercrossing of +the lines of their orbits, the complexity of their courses. He beholds +them coming from afar,—and, like stones suspended in a sling, describe +their circles, form their hyperbolas.</i></p> + +<p><i>He perceives, all within the field of his vision at once, the Southern +Cross and the Great Bear, the Lynx and the Centaur, the nebula of +Dorado, the six suns in the constellation of Orion, Jupiter with his +four satellites, and the triple ring of the monstrous Saturn!—all the +planets, all the stars that men will discover in the future. He fills +his eyes with their light; he over-burthens his mind with calculation +of their distances: then, bowing his head, he murmurs</i>):</p> + +<p>"What is the purpose of all that?"</p> + +<p><span class="smcap">The Devil</span>. "There is no purpose. How could God have a purpose? What +experience could have instructed him?—what reflection determined him?</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon18"></a> +<img src="images/redon_18.jpg" width="600" alt="" /> +<div class="caption"><p> Anthony: What is the purpose of all that? The +Devil: There is no purpose.</p></div></div> + +<p class="p2">"Before the beginning he could not have acted;—and now his action +would be useless."</p> + +<p><span class="smcap">Anthony</span>. "Yet he created the world, at one time, by his word only."</p> + +<p><span class="pagenum"><a name="Page_225" id="Page_225">[Pg 225]</a></span></p> + +<p><span class="smcap">The Devil</span>. "But the beings that people the earth come upon it +successively. So also, in heaven, new stars arise—different effects of +varying causes."</p> + +<p><span class="smcap">Anthony</span>. "The varying of causes is the will of God!"</p> + +<p><span class="smcap">The Devil</span>. "But to admit several acts of will in God is to admit +various causes, and therefore to deny his unity.</p> + +<p>"His will is inseparable from his essence. He can have but one will, +having but one essence; and inasmuch as he externally exists, he acts +eternally.</p> + +<p>"Contemplate the sun! From its surface leap vast jets of flame, casting +forth sparks that disperse beyond to become worlds here-after;—and +further than the last, far beyond those deeps where thou seest only +night, whirl other suns,—and behind them others again, and beyond +those yet others ... without end!"</p> + +<p><span class="smcap">Anthony</span>. "Enough! Enough! I fear!—I will fall into the abyss!"</p> + +<p><span class="smcap">The Devil</span> (<i>pauses, and rocks Anthony gently in the midst of space</i>).</p> + +<p>"Nothingness is—not—there is no void! Everywhere and forever bodies +move upon<span class="pagenum"><a name="Page_226" id="Page_226">[Pg 226]</a></span> the immovable deeps of space! Were there boundaries to +space, it would not be space, but a body only: it is limitless!"</p> + +<p><span class="smcap">Anthony</span> (<i>stupefied by wonder</i>):</p> + +<p>"Limitless!"</p> + +<p><span class="smcap">The Devil</span>. "Ascend skyward forever and forever,—yet thou wilt not +attain the summit. Descend below the earth for billions of billions of +centuries: never wilt thou reach the bottom. For there is no summit, +there is no bottom; there is no Above, no Below—nor height, nor +depth as signified by the terms of human utterance. And Space itself +is comprised in God, who is not a portion thereof of such or such a +size,—but is Immensity itself!"</p> + +<p><span class="smcap">Anthony</span> (<i>slowly</i>):</p> + +<p>"Matter..., then,... must be a part of God?"</p> + +<p><span class="smcap">The Devil</span>. "Why not? Canst thou know the end of God?"</p> + +<p><span class="smcap">Anthony</span>. "Nay: on the contrary, I prostrate, I crush myself beneath his +mightiness!"</p> + +<p><span class="smcap">The Devil</span>. "And yet thou dost pretend to move him! Thou dost speak to +him,—thou dost even adorn him with virtues,—with<span class="pagenum"><a name="Page_227" id="Page_227">[Pg 227]</a></span> goodness, justice, +mercy,—in lieu of recognising that all perfections are his!</p> + +<p>"To conceive aught beyond him is to conceive God above God, the Being +above the Being. For He is the only being, the only substance.</p> + +<p>"If the Substance could be divided, it would not be the Substance, it +would lose its nature: God could not exist. He is therefore indivisible +as infinite;—and if he had a body, he would be composed of parts, +he would not be One—he would not be infinite. Therefore he is not a +Person!"</p> + +<p><span class="smcap">Anthony</span>. "What? my prayers, my sobs, my groans, the sufferings of my +flesh, the transports of my love,—have all these things gone out to a +lie,—to emptiness, unavailingly—like the cry of a bird, like a whirl +of dead leaves?"</p> + +<p>(<i>Weeping</i>):</p> + +<p>"Oh, no!—there is Some One above all things,—a great Soul, a Lord, a +Father whom my heart adores and who must love me!"</p> + +<p><span class="smcap">The Devil</span>. "Thou dost desire that God were not God;—for did he feel +love, or anger, or pity,—he would abandon his perfection for a greater +or a lesser perfection. He can<span class="pagenum"><a name="Page_228" id="Page_228">[Pg 228]</a></span> stoop to no sentiment, nor be contained +in any form."</p> + +<p><span class="smcap">Anthony</span>. "One day, nevertheless, I shall see him!"</p> + +<p><span class="smcap">The Devil</span>. "With the blessed, is it not?—when the finite shall enjoy +the infinite in some restricted place, containing the Absolute!"</p> + +<p><span class="smcap">Anthony</span>. "Matters not!—there must be a paradise for the good, as there +is a hell for the wicked."</p> + +<p><span class="smcap">The Devil</span>. "Can the desire of thy mind create the law of the universe? +Without doubt evil is indifferent to God,—forasmuch as the Earth is +covered with it!</p> + +<p>"Is it through impotence that he endures it, or through cruelty that he +maintains it?</p> + +<p>"Dost thou fancy that he is eternally readjusting the world, like an +imperfect machine?—that he is forever watching the movements of all +beings, from the flight of a butterfly to the thought of a man?</p> + +<p>"If he have created the universe, his providence is superfluous. If +Providence exists, then creation is defective.</p> + +<p>"But evil and good concern only thee—even like night and day, pleasure +and pain, death<span class="pagenum"><a name="Page_229" id="Page_229">[Pg 229]</a></span> and birth, which are relative only to one corner +of space, to a special centre, to a particular interest. Since the +Infinite is permanent, the Infinite is;—and that is all."</p> + +<p>(<i>The Devil's wings have been gradually expanding: now they cover all +space.</i>)</p> + +<p><span class="smcap">Anthony</span> (<i>now perceives nothing: a great faintness comes upon him</i>):</p> + +<p>"A hideous cold freezes me, even to the depths of my soul! This is +beyond the extreme of pain! It is like a death that is deeper than +death! I roll in the immensity of darkness; and the darkness itself +enters within me. My consciousness bursts beneath this dilation of +nothingness!"</p> + +<p><span class="smcap">The Devil</span>. "Yet the knowledge of things comes to thee only through the +medium of thy mind. Even as a concave mirror, it deforms the objects +it reflects; and thou hast no means whatever of verifying their +exactitude."</p> + +<p>"Never canst thou know the universe in all its vastness; consequently +it will never be possible for thee to obtain an idea of its cause, +to have a just notion of God, nor even to say that the universe is +infinite,—for thou<span class="pagenum"><a name="Page_230" id="Page_230">[Pg 230]</a></span> must first be able to know what the Infinite is!"</p> + +<p>"May not Form be, perhaps, an error of thy senses,—Substance a figment +of thy imagination?"</p> + +<p>"Unless, indeed, that the world being a perpetual flux<a name="FNanchor_1_26" id="FNanchor_1_26"></a><a href="#Footnote_1_26" class="fnanchor">[1]</a> of things, +appearance, on the contrary, be wholly true; illusion the only reality."</p> + +<p>"But art thou sure thou dost see?—art thou even sure thou dost live? +Perhaps nothing exists!"</p> + +<p>(<i>The Devil has seized Anthony, and, holding him at arms' length, +glares at him with mouth yawning as though to devour him</i>):</p> + +<p>"Adore me, then!—and curse the phantom thou callest God!"</p> + +<p>(<i>Anthony lifts his eyes with a last effort of hope.</i></p> + +<p><i>The Devil abandons him.</i>)</p> +<hr class="r5" /> + +<div class="footnote"> + +<p><a name="Footnote_1_26" id="Footnote_1_26"></a><a href="#FNanchor_1_26"><span class="label">[1]</span></a> The original text seems to me slightly obscure. The +idea of the universe being a perpetual ebb and flow of shapes, is +that of forms passing away to reappear like waves, is that of the +Nidana-Sutris: "Individuality is only a form ... <i>Everything is only +a flux of aggregates</i>, interminably uniting and disuniting," as Barth +observes in his "Religions of India."—Trans.</p> + +<hr class="chap" /> + +<p><span class="pagenum"><a name="Page_231" id="Page_231">[Pg 231]</a></span></p></div> + + + + +<h4><a name="VII" id="VII">VII</a></h4> + + +<p><span class="smcap">Anthony</span> (<i>finds himself lying upon his back, at the verge of the cliff.</i></p> + +<p><i>The sky commences to blanch.</i>)</p> + +<p>"Is it the glow of dawn, or only an effect of moonlight?"</p> + +<p>(<i>He tries to rise, falls back,—his teeth chattering</i>):</p> + +<p>"I feel such a helplessness of weakness, as though all my bones were +broken!</p> + +<p>"Why?</p> + +<p>"Ah! the Devil!—I remember!—he even repeated to me all that I +learned from the aged Didymus respecting the opinions of Xenophanes, +Heraclitus, of Melissus, of Anaxagoras,—concerning the infinite, the +creation, the impossibility of knowing anything!</p> + +<p>"And yet I believed that I could unite myself to God!"</p> + +<p>(<i>Laughing bitterly</i>):</p> + +<p>"Ah! madness! madness! Is the fault<span class="pagenum"><a name="Page_232" id="Page_232">[Pg 232]</a></span> mine? Prayer has become +intolerable to me! My heart is dry as a rock! Once, it was wont to +overflow with love!...</p> + +<p>"The sand used to smoke of mornings like the odourous dust of a +censer;—at sunset flowers of fire used to bloom upon the cross; and in +the middle of the night, it often seemed as though all beings and all +things, lying under the same awful silence, were adoring the Lord with +me. O charms of prayer, felicities of ecstasy, gifts of heaven,—what +have become of you?</p> + +<p>"I remember a voyage I made with Ammon in search of a solitary place +suited for the establishment of a monastery. It was the last evening; +we hastened our steps, walked side by side, murmuring hymns, without +conversing. As the sun sank, the shadows of our bodies lengthened like +two obelisks, continually growing taller, and moving before us. Here +and there we planted crosses, made with fragments of our sticks, to +mark the site of a future cell. Night was tardy in her coming; and +waves of darkness overspread the earth, even while a vast rose-coloured +light still glowed in heaven.</p> + +<p>"When I was a child, I used to amuse myself<span class="pagenum"><a name="Page_233" id="Page_233">[Pg 233]</a></span> by building hermitages +with pebbles. My mother sitting beside me would watch me so attentively!</p> + +<p>"Will she not have cursed me for having abandoned her?—will she not +have plucked out her white hair by handfuls in the despair of her +grief? And her corpse remains lying on the floor of the hut, under the +roof of reeds, between the crumbling walls. Through an orifice a hyena, +snuffing, thrusts his head, advances his mouth ... horror! horror!"</p> + +<p>(<i>Sobbing</i>):</p> + +<p>"No: Ammonaria will not have abandoned her! Where is she +now,—Ammonaria?</p> + +<p>"Perhaps at the further end of a bathroom, she removes her garments +one after the other: first the mantle, then the girdle, then the first +tunic, the second lighter tunic, all her necklaces,—and the vapour +of cinnamon envelops her naked limbs. At last she lies down upon the +tepid mosaic. Her long hair spreading below the curve of her hips, +seems like a sable fleece; and the oppressiveness of the heated air +causes her to pant; her waist arched, her breasts standing out ... +What! my flesh rebels again! Even in the midst of grief am I tortured +by concupiscence.<span class="pagenum"><a name="Page_234" id="Page_234">[Pg 234]</a></span> To be subjected thus unto two tortures at once is +beyond endurance! I can no longer bear myself!"</p> + +<p>(<i>He leans over, and gazes into the abyss.</i>)</p> + +<p>"The man who should fall would be killed. Nothing easier: it were only +necessary to roll over upon my left side:—only one movement—one!"</p> + +<p>(<i>Then suddenly appears</i>—<span class="smcap">An Aged Woman</span>. <i>Anthony starts to his feet in +affright. It seems to him that he beholds his mother arisen.</i></p> + +<p><i>But this woman is far older, and prodigiously thin.</i></p> + +<p><i>A shroud, knotted about her head, hangs down, together with her white +hair, so as to cover her legs, slender as crutches. The brilliancy of +her ivory-coloured teeth make her earthy skin darker still. The orbits +of her eyes are full of shadow; and far back within them two flames +vacillate, like the lamps of sepulchres.</i></p> + +<p><i>She exclaims</i>):</p> + +<p>"Advance! What hinders thee?"</p> + +<p><span class="smcap">Anthony</span> (<i>stammering</i>):</p> + +<p><span class="pagenum"><a name="Page_235" id="Page_235">[Pg 235]</a></span></p> + +<p>"I fear ... to commit a sin!"</p> + +<p><span class="smcap">She</span> (<i>replies</i>):</p> + +<p>"But King Saul killed himself! Razias, a just man, killed himself! +Saint Pelagia of Antioch killed herself! Dommina of Aleppo and her two +daughters—all three saints—killed themselves: and remember also how +many confessors delivered themselves up to the executioner in their +impatient longing for death! That they might enjoy death more speedily, +the virgins of Miletus strangled themselves with their girdles. At +Syracuse the philosopher Hegesias preached so eloquently upon death +that men deserted the lupanars to go hang themselves in the fields. The +patricians of Borne sought for death as a new form of debauch."</p> + +<p><span class="smcap">Anthony</span>. "Aye! the love of death is strong; and many a anchorite has +succumbed to it."</p> + +<p><span class="smcap">The Old Woman</span>. "To do that which will make thee equal unto God—think! +He created thee: thou wilt destroy his work—thou! and by thy +courage,—of thy own free will! The enjoyment that Erostratus knew was +not greater than this. And moreover thy body has so long mocked thy +soul that it is full time thou shouldst take vengeance upon it.<span class="pagenum"><a name="Page_236" id="Page_236">[Pg 236]</a></span> Thou +wilt not suffer. It will soon be over. Of what art thou afraid?—a +wide, black hole! Perhaps it is a void!"</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon19"></a> +<img src="images/redon_19.jpg" width="600" alt="" /> +<div class="caption"><p>The Old Woman: Of what art thou afraid?—a +wide, black hole! Perhaps it is a void!</p></div></div> + +<p class="p2">(<i>Anthony hearkens without replying; and upon the other side appears</i>—</p> + +<p><span class="smcap">Another Woman</span>—<i>young and marvellously beautiful. At first he takes +her to be Ammonaria. But she is taller, blond as honey, very plump, +with paint upon her cheeks and roses upon her head. Her long robe, +weighty with spangles, gleams with metallic lustre;—her fleshy lips +are sanguinolent; and her somewhat heavy eyelids are so drowned with +languor that one would almost take her to be blind.</i></p> + +<p><i>She murmurs</i>):</p> + +<p>"Nay, live! enjoy! Solomon counsels joy! Follow the guiding of thy +heart and the desire of thine eyes!"</p> + +<p><span class="smcap">Anthony</span>. "What joy is there for me? My heart is weary; my eyes are dim!"</p> + +<p><span class="smcap">She</span> (<i>answers</i>):</p> + +<p>"Seek the suburb of Racotis; push open a door that is painted +blue;—and when thou shalt be in the atrium where a fountain jet +murmurs unceasingly, a woman will present herself before thee—in +peplos of white silk<span class="pagenum"><a name="Page_237" id="Page_237">[Pg 237]</a></span> striped with gold; her hair is unloosed, her +laugh like the clatter of crotali. She is skilful. In her caress thou +wilt taste the pride of initiation and the appeasement of desire.</p> + +<p>"Hast ever pressed to thy bosom a virgin who loved thee? Dost remember +the surrenders of her modesty,—the passing away of her remorse in a +sweet flow of tears?</p> + +<p>"Thou canst even now imagine thyself walking with her—canst thou +not?—in the wood by the light of the moon? At each pressure of your +joined hands, a sweet shuddering passes through you both,—looking +closely into each other your eyes seem to outpour into one another +something like immaterial fluid;—and thy heart fills: it bursts: it is +a suave whirl of eddying passion, an overflowing of intoxication...."</p> + +<p><span class="smcap">The Old Woman</span>. "One need not possess joys in order to taste their +bitterness! Even to view them from afar off begets loathing of them. +Thou must be fatigued by the monotony of the same actions, the length +of the days, the hideousness of the world, the stupidity of the sun?"</p> + +<p><span class="smcap">Anthony</span>. "Aye, indeed!—I loathe all that he shines upon."</p> + +<p><span class="pagenum"><a name="Page_238" id="Page_238">[Pg 238]</a></span></p> + +<p><span class="smcap">The Young Woman</span>. "Hermit! hermit! thou wilt find diamonds among the +flints, fountains beneath the sand, a delectation in all the hazards +thou dost despise; and there are even upon earth places of such beauty +that the sight of them would make thee desire to press the whole world +against thy heart with love!"</p> + +<p><span class="smcap">The Old Woman</span>. "Each evening that thou liest down upon the earth to +slumber, thou dost hope that it may soon lie upon thee and cover thee."</p> + +<p><span class="smcap">The Young Woman</span>. "Yet thou dost believe in the resurrection of the +flesh—which is but the translation of life into eternity!"</p> + +<p>(<i>Even as she speaks, the Old Woman becomes still more fleshless; and +above her skull, from which the white hair has disappeared, a bat +circles in the air.</i></p> + +<p><i>The Young Woman has become fatter. Her robe gleams with shifting +colours; her nostrils palpitate, her eyes roll softly.</i>)</p> + +<p><span class="smcap">The Former</span> (<i>opening her arms, exclaiming</i>):</p> + +<p>"Come to me!—I am Consolation, repose, oblivion, eternal calm!"</p> + +<p><span class="pagenum"><a name="Page_239" id="Page_239">[Pg 239]</a></span></p> + +<p><span class="smcap">The Other</span>.</p> + +<p>"I am the sleep-giver, life, happiness inexhaustible!"</p> + +<p>(<i>Anthony turns to fee from them. Each lays a hand on his shoulder.</i></p> + +<p><i>The Shroud parts, exposes the Skeleton of Death.</i></p> + +<p><i>The robe splits asunder, and leaves the whole body of Lust +exposed:—her waist is slender; her long and undulating hair flutters +in the wind.</i></p> + +<p><i>Anthony stands motionless between the two, considering them</i>):</p> + +<p><span class="smcap">Death</span> (<i>says to him</i>):</p> + +<p>"What matters it, whether now or at another time! Thou art mine,—like +suns, nations, cities, kings, mountain-snows, and the grasses of the +fields. I fly higher than the hawks of heaven. I run more swiftly than +the gazelle; I overtake even Hope; I vanquished the Son of God!"</p> + +<p><span class="smcap">Lust</span>. "Resist not! I am the Omnipotent! The forests re-echo with my +sighs; the waters tremble with my agitations. Virtue, courage, piety, +dissolve in the perfume of my mouth. Man I accompany in every step<span class="pagenum"><a name="Page_240" id="Page_240">[Pg 240]</a></span> +that he makes; and even from the threshold of the tomb he turns to me!"</p> + +<p><span class="smcap">Death</span>. "I will find for thee that which thou hast vainly sought for, +by the gleam of torches, upon the faces of the dead,—or among those +awful sands that are formed of human remains, where thou wast wont to +wander beyond the Pyramids. From time to time, the fragment of a skull +rolled under thy sandal. Thou didst take up the dust: thou didst let it +trickle through thy fingers; and thy thought, blending with it, sank +into nothingness."</p> + +<p><span class="smcap">Lust</span>. "My gulf is deeper! Marbles have inspired loves. Men rush to +conjunctures that terrify. Fetters are riveted that the fettered curse. +Whence the bewitchment of courtesans, the extravagance of dreams, the +immensity of my sadness?"</p> + +<p><span class="smcap">Death</span>. "Mine irony depasseth all others! There are convulsions of +delight at the funerals of kings, at the extermination of a whole +people; and war is made with music, with plumes, with harness of +gold,—with vast display of ceremony that my due of homage may be +greater!"</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon203"></a> +<img src="images/redon2_03.jpg" width="600" alt="" /> +<div class="caption"><p>Death: Mine irony depasseth all others!</p></div> +</div> + +<p class="p2">Lust. "My rage equals thine! I also yell;<span class="pagenum"><a name="Page_241" id="Page_241">[Pg 241]</a></span> I bite! I, too, have sweats +of agony, and aspects cadaverous!"</p> + +<p><span class="smcap">Death</span>. "It is I that make thee awful! Let us intertwine!"</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon20"></a> +<img src="images/redon_20.jpg" width="600" alt="" /> +<div class="caption"><p>Death: It is I that make thee awful! Let us intertwine!</p></div> +</div> + +<p class="p2">(<i>Death laughs mockingly; Lust roars. They clasp each other about the +waist, and chant alternately</i>):</p> + +<p>"I hasten the dissolution of matter!"</p> + +<p>"I facilitate the dispersion of germs!"</p> + +<p>"Thou dost destroy for my renovations!"</p> + +<p>"Thou dost engender for my destructions!"</p> + +<p>"Ever-active my power!"</p> + +<p>"Fecund, my putrefaction!"</p> + +<p>(<i>And their voices, whose rolling echoes fill the horizon, deepen and +become so mighty that Anthony falls backward as if thunder-stricken. A +shock from time to time causes him to reopen his eyes; and he perceives +in the midst of the darkness a manner of monster before him.</i></p> + +<p><i>It is a skull, crowned with roses, dominating the torso of a woman +nacreously white. Below, a shroud starred with specks of gold forms +something like a tail; and the whole body undulates, after the fashion +of a gigantic worm erect on end.</i></p> + +<p><span class="pagenum"><a name="Page_242" id="Page_242">[Pg 242]</a></span></p> + +<p><i>The vision attenuates,—disappears.</i>)</p> + +<p><span class="smcap">Anthony</span> (<i>rising to his feet</i>):</p> + +<p>"The Devil yet again, and under his two-fold aspect: the spirit of +fornication, and the spirit of destruction.</p> + +<p>"Neither affrights me! I repel happiness; and I know myself to be +eternal.</p> + +<p>"Thus death is only an illusion, a veil-masking betimes the continuity +of life.</p> + +<p>"But Substance being unique, wherefore should forms be varied?</p> + +<p>"Somewhere there must be primordial figures, whose bodily forms are +only symbols. Could I but see them, I would know the link between +matter and thought; I would know in what Being consists.</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon204"></a> +<img src="images/redon2_04.jpg" width="600" alt="" /> +<div class="caption"><p>Anthony: Somewhere there must be primordial +figures, whose bodily forms are only symbols</p></div></div> + +<p class="p2">"Such were the figures painted at Babylon upon the walls of the +temple of Belus; and others like them covered a mosaic in the port of +Carthage. I myself have sometime beheld in the sky, as it were, forms +of spirits. Those who cross the desert meet with animals surpassing all +conception...."</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon21"></a> +<img src="images/redon_21.jpg" width="600" alt="" /> +<div class="caption"><p>I myself have sometime beheld in the sky, as it +were, forms of spirits</p></div></div> + +<p class="p2">(<i>And opposite, upon the further side of the Nile, suddenly appears +the Sphinx.<a name="FNanchor_1_27" id="FNanchor_1_27"></a><a href="#Footnote_1_27" class="fnanchor">[1]</a> He<span class="pagenum"><a name="Page_243" id="Page_243">[Pg 243]</a></span> stretches his paws, shakes the bandelets upon his +forehead, and crouches upon his belly.</i></p> + +<p><i>Leaping, flying, spitting fire through her nostrils, lashing her +winged sides with her dragon-tail, the green-eyed Chimera circles, +barks.</i></p> + +<p><i>The thick curls of her head tossed back upon one side mingle with +the hair of her loins; on the other side they hang down to the sand, +quivering with the swinging of her body, to and fro.</i>)</p> + +<p><span class="smcap">The Sphinx</span> (<i>remaining motionless, and gazing at the Chimera</i>):</p> + +<p>"Hither, Chimera! rest awhile!"</p> + +<p><span class="smcap">The Chimera</span>. "No! never!"</p> + +<p><span class="smcap">The Sphinx</span>. "Do not run so fast, do not fly so high, do not bark so +loudly!"</p> + +<p><span class="smcap">The Chimera</span>. "Do not call me!—call me no more; since thou must remain +forever dumb."</p> + +<p><span class="smcap">The Sphinx</span>. "Cease casting thy flames in my face, and uttering thy +yells in my ear: thou canst not melt my granite."</p> + +<p><span class="pagenum"><a name="Page_244" id="Page_244">[Pg 244]</a></span></p> + +<p><span class="smcap">The Chimera</span>. "Thou shalt not seize me, terrible sphinx!"</p> + +<p><span class="smcap">The Sphinx</span>. "Thou art too mad to dwell with me!"</p> + +<p><span class="smcap">The Chimera</span>. "Thou art too heavy to follow me!"</p> + +<p><span class="smcap">The Sphinx</span>. "Yet whither goest thou, that thou shouldst run so fast?"</p> + +<p><span class="smcap">The Chimera</span>. "I gallop in the corridors of the Labyrinth—I hover above +the mountains—I graze the waves in my flight—I yelp at the bottom of +precipices—I suspend myself with my mouth from the skirts of clouds—I +sweep the shores with my dragging tail; and the curves of the hills +have taken their form from the shape of my shoulders! But thee I find +perpetually immobile, or perhaps making strange designs with thy claws +upon the sand."</p> + +<p><span class="smcap">The Sphinx</span>. "It is because I keep my secret;—I dream and calculate.</p> + +<p>"The sea returns to its bed; the wheat bends back and forth in the +wind; the caravans pass by; the dust flies; cities crumble; and yet +my gaze, which naught can deviate, remains fixed, gazing through all +intervening things, upon a horizon that none may reach."</p> + +<p><span class="pagenum"><a name="Page_245" id="Page_245">[Pg 245]</a></span></p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon205"></a> +<img src="images/redon2_05.jpg" width="600" alt="" /> +<div class="caption"><p>The Sphinx: ... and yet +my gaze, which naught can deviate, remains fixed, gazing through all +intervening things, upon a horizon that none may reach. +The Chimera: I am light and joyous!</p></div> +</div> + +<p class="p2"><span class="smcap">The Chimera</span>. "I am light and joyous! I offer to the eyes of men +dazzling perspectives with Paradise in the clouds above, and +unspeakable felicity afar off. Into their souls I pour the eternal +madnesses; projects of happiness, plans for the future, dreams of glory +and vows of love, and all virtuous resolutions.</p> + +<p>"I urge men to perilous voyages and great enterprises. I have chiselled +with my claws the wonders of architecture. It was I who suspended the +little bells above the tomb of Porsenna, and surrounded the quays of +Atlantis with a wall of orichalcum.</p> + +<p>"I seek for new perfumes, for vaster flowers, for pleasures never felt +before. If I perceive in any place a man whose mind reposes in wisdom, +I fall upon him, and strangle him."</p> + +<p><span class="smcap">The Sphinx</span>. "All those tormented by the desire of God, I have devoured.</p> + +<p>"In order to climb up to my royal brow, the strongest ascend upon the +flutings of my bandelets as upon the steps of a stairway. Then a great +lassitude comes upon them, and they fall backward."</p> + +<p>(<i>Anthony begins to tremble.</i></p> + +<p><span class="pagenum"><a name="Page_246" id="Page_246">[Pg 246]</a></span></p> + +<p><i>He is no longer before his cabin, but in the desert itself, with those +two monsters beside him, whose breath is hot upon his shoulders.</i>)</p> + +<p><span class="smcap">The Sphinx</span>. "O thou Fantasy, bear me away upon thy wings that my +sadness may be lightened!"</p> + +<p><span class="smcap">The Chimera</span>. "O thou Unknown, I am enamoured of thine eyes! Like a +hyena in heat I turn about thee, soliciting those fecundations whereof +the desires devour me!</p> + +<p>"Ope thy mouth, lift thy feet—mount upon my back!"</p> + +<p><span class="smcap">The Sphinx</span>. "My feet, since they have been outstretched, can move no +more. The lichen, like an eruption, has formed upon my jaws. By dint of +long dreaming I have no longer aught to say."</p> + +<p><span class="smcap">The Chimera</span>. "Thou liest, hypocrite Sphinx! Wherefore dost thou always +call me and always disown me!"</p> + +<p><span class="smcap">The Sphinx</span>. "It is thou, indomitable caprice, that dost forever pass +and repass, whirling in thy course!"</p> + +<p><span class="smcap">The Chimera</span>. "Is the fault mine? What? Let me be!"</p> + +<p>(<i>She barks.</i>)</p> + +<p><span class="pagenum"><a name="Page_247" id="Page_247">[Pg 247]</a></span></p> + +<p><span class="smcap">The Sphinx</span>. "Thou movest away! thou dost escape me!"</p> + +<p>(<i>He growls.</i>)</p> + +<p><span class="smcap">The Chimera</span>. "Essay!—Thou crushest me!"</p> + +<p><span class="smcap">The Sphinx</span>. "Nay!—impossible!"</p> + +<p>(<i>And gradually sinking down he disappears in the sand; while the +Chimera, ramping with tongue protruding, departs, describing circles on +her way.</i></p> + +<p><i>The breath of her mouth has produced a fog.</i></p> + +<p><i>Through this mist Anthony perceives wreathings of clouds, undecided +curves.</i></p> + +<p><i>At last he can distinguish something like the appearance of human +bodies.</i></p> + +<p><i>And first</i>:—</p> + +<p><span class="smcap">The Astomi</span>—<i>approach, like bubbles of air traversed by sunlight. They +cry</i>):</p> + +<p>"Do not breathe too hard! The drops of rain bruise us, false notes +excoriate us, darknesses blind us! Composed wholly of breezes and of +perfumes, we float along, we roll along:—a little more than Dreams, +yet not quite beings...."</p> + +<p><span class="pagenum"><a name="Page_248" id="Page_248">[Pg 248]</a></span></p> + +<p><span class="smcap">The Nisnas</span></p> + +<p>(<i>have only one eye, one cheek, one hand, one leg, half a body, half a +heart. They say</i>):</p> + +<p>"We live quite in our halves of houses, with our halves of wives and +our halves of children!"</p> + +<p><span class="smcap">The Blemmyes</span></p> + +<p>(<i>who have no head at all</i>):</p> + +<p>"Our shoulders are all the broader;—and there is no ox, rhinoceros, or +elephant able to carry what we carry.</p> + +<p>"Something dimly resembling features—as it were a vague +face—imprinted upon our breasts: that is all! We think digestions; we +subtleize secretions. God, in our belief, floats peacefully within the +interior chyles.</p> + +<p>"We go straight upon our way, through all mires, crossing all morasses, +skirting the edges of all abysses: and we are the most laborious, the +most happy, the most virtuous of all peoples!"</p> + +<p><span class="smcap">The Pygmies</span>:</p> + +<p>"We, good little men, swarm upon the world like vermin upon the hump of +a dromedary.</p> + +<p><span class="pagenum"><a name="Page_249" id="Page_249">[Pg 249]</a></span></p> + +<p>"We are burned, drowned, crushed; and we always reappear, more +vivacious and countless than before—terrible by reason of our numbers!"</p> + +<p><span class="smcap">The Sciapods</span>:</p> + +<p>"Fettered to the earth by our hair, long as lianas, we vegetate beneath +the shelter of our feet, broad as parasols; and the light comes to us +through the thickness of our heels. No annoyances for us, no work! The +head as low as possible—That is the secret of happiness."</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em; margin-top: 2em;"> +<a id="redon206"></a> +<img src="images/redon2_06.jpg" width="600" alt="" /> +<div class="caption"><p>The Sciapods: The head as low as possible—That is the secret of happiness.</p></div> +</div> + +<p class="p2">(<i>Their lifted thighs,—resembling the trunks of trees,—multiply.</i></p> + +<p><i>And a forest appears. Great apes clamber through it on all +fours:—these are men with the heads of dogs.</i>)</p> + +<p><span class="smcap">The Cynocephali</span>:</p> + +<p>"We leap from branch to branch in search of eggs to suck; and we pluck +the little fledglings alive; then we put their nests upon our heads in +lieu of caps.</p> + +<p>"We tear off the teats of cows; and we put out the eyes of lynxes: +we let fall our dung<span class="pagenum"><a name="Page_250" id="Page_250">[Pg 250]</a></span> from the heights of the trees—we parade our +turpitude in the full light of the sun.</p> + +<p>"Lacerating the flowers, crushing the fruits, befouling the springs, +violating women, we are the masters of all,—by the strength of our +arms, and the ferocity of our hearts.</p> + +<p>"Ho! companions!—gnash with your jaws!"</p> + +<p>(<i>Blood and milk pour down their chops. The rain streams over their +hairy backs.</i></p> + +<p><i>Anthony inhales the freshness of the green leaves.</i></p> + +<p><i>There is a movement among them, a clashing of branches; and all of +a sudden appears a huge black stag, with the head of a bull, having +between his ears a thicket of white horns.</i>)</p> + +<p><span class="smcap">The Sadhuzag</span>:</p> + +<p>"My seventy-four antlers are hollow like flutes.</p> + +<p>"When I turn me toward the wind of the South, there issue from them +sounds that draw all the ravished animals around me. The serpents twine +about my legs; the wasps cluster in my nostrils; and the parrots, the +doves, the ibises, alight upon the branches of my horns.</p> + +<p><span class="pagenum"><a name="Page_251" id="Page_251">[Pg 251]</a></span></p> + +<p>"Listen!"</p> + +<p>(<i>He throws back his horns, whence issues a music of sweetness +ineffable.</i></p> + +<p><i>Anthony presses both hands upon his heart. It seems to him as though +his soul were being borne away by the melody.</i>)</p> + +<p><span class="smcap">The Sadhuzag</span>:</p> + +<p>"But when I turn me toward the wind of the North, my antlers, more +thickly bristling than a battalion of lances, give forth a sound of +howlings: the forests are startled with fear; the rivers remount toward +their sources; the husks of fruits burst open; and the bending grasses +stand erect on end, like the hair of a coward.</p> + +<p>"Listen!"</p> + +<p>(<i>He bends his branching antlers forward: hideous and discordant cries +proceed from them. Anthony feels as though his heart were torn asunder.</i></p> + +<p><i>And his horror augments upon beholding</i>)—</p> + +<p><span class="smcap">The Martichoras</span></p> + +<p>(<i>A gigantic red lion, with human face, and three rows of teeth</i>):</p> + +<p><span class="pagenum"><a name="Page_252" id="Page_252">[Pg 252]</a></span></p> + +<p>"The gleam of my scarlet hair mingles with the reflection of the great +sands. I breathe through my nostrils the terror of solitudes. I spit +forth plague. I devour armies when they venture into the desert.</p> + +<p>"My claws are twisted like screws, my teeth shaped like saws; and my +curving tail bristles with darts which I cast to right and left, before +and behind!</p> + +<p>"See! see!"</p> + +<p>(<i>The Martichoras shoots forth the keen bristles of his tail, which +irradiate in all directions like a volley of arrows. Drops of blood +rain down, spattering upon the foliage.</i>)</p> + +<p><span class="smcap">The Catoblepas</span></p> + +<p>(<i>A black buffalo with a pig's head, falling to the ground, and +attached to his shoulders by a neck long, thin, and flaccid as an empty +gut.</i></p> + +<p><i>He wallows flat upon the ground, and his feet entirely disappear +beneath the enormous mane of coarse hair which covers his face</i>):</p> + +<p>"Fat, melancholy, fierce—thus I continually remain, feeling against +my belly the warmth of the mud. So heavy is my skull<span class="pagenum"><a name="Page_253" id="Page_253">[Pg 253]</a></span> that it is +impossible for me to lift it. I roll it slowly all around me, +open-mouthed; and with my tongue I tear up the venemous plants bedewed +with my breath. Once, I even devoured my own feet without knowing it!</p> + +<p>"No one, Anthony, has ever beheld mine eyes,—or at least, those who +have beheld them are dead. Were I to lift my eyelids—my pink and +swollen eyelids, thou wouldst forthwith die!"</p> + +<p><span class="smcap">Anthony</span>. "Oh, that one! Ugh! As though I could desire it?—Yet his +stupidity fascinates me! No, no! I will not!"</p> + +<p>(<i>He gazes fixedly upon the ground.</i></p> + +<p><i>But the weeds take fire; and amidst the contorsions of the flames, +arises</i>)—</p> + +<p><span class="smcap">The Basilisk</span></p> + +<p>(<i>A great violet serpent, with trilobate crest, and two fangs, one +above, one below</i>):</p> + +<p>"Beware, lest thou fall into my jaws! I drink fire. I am fire!—and I +inhale it from all things: from clouds, from flints, from dead trees, +the fur of animals, the surface of marshes. My temperature maintains +the volcanoes: I lend glitter to jewels: I give colours to metals!"</p> + +<p><span class="pagenum"><a name="Page_254" id="Page_254">[Pg 254]</a></span></p> + +<p><span class="smcap">The Griffin</span></p> + +<p>(<i>A lion with a vulture's beak, and white wings, red paws and blue +neck</i>):</p> + +<p>"I am the master of deep splendours. I know the secrets of the tombs +wherein the Kings of old do slumber.</p> + +<p>"A chain, issuing from the wall, maintains their heads upright. Near +them, in basins of porphyry, the women they loved float upon the +surfaces of black liquids. Their treasures are all arrayed in halls, in +lozenge-shaped designs, in little heaps, in pyramids;—and down below, +far below the tombs, and to be reached only after long travelling +through stifling darkness, there are rivers of gold bordered by forests +of diamonds, there are fields of carbuncles and lakes of mercury.</p> + +<p>"Addossed against the subterranean gate I remain with claws uplifted; +and my flaming eyes spy out those who seek to approach. The vast and +naked plain that stretches away to the end of the horizon is whitened +with the bones of travellers. But for thee the gates of bronze shall +open; and thou shalt inhale the vapour of the mines, thou shalt descend +into the caverns.... Quick! quick!"</p> + +<p><span class="pagenum"><a name="Page_255" id="Page_255">[Pg 255]</a></span></p> + +<p>(<i>He burrows into the earth with his paws, and crows like a cock.</i></p> + +<p><i>A thousand voices answer him. The forest trembles.</i></p> + +<p><i>And all manner of frightful creatures arise:—The Tragelaphus, half +deer, half ox; the Myrmecoles, lion before-and ant behind, whose +genitals are set reversely; the python Askar, sixty cubits long, that +terrified Moses; the huge weasel Pastinaca, that kills the trees with +her odour; the Presteros, that makes those who touch it imbecile; +the Mirag, a horned hare, that dwells in the islands of the sea. The +leopard Phalmant bursts his belly by roaring; the triple-headed bear +Senad tears her young by licking them with her tongue; the dog Cepus +pours out the blue milk of her teats upon the rocks. Mosquitoes begin +to hum, toads commence to leap; serpents hiss. Lightnings flicker. Hail +falls.</i></p> + +<p><i>Then come gusts, bearing with them marvellous anatomies:—Heads of +alligators with hoofs of deer; owls with serpent tails; swine with +tiger-muzzles; goats with the crupper of an ass; frogs hairy as bears; +chameleons huge as hippopotami; calves with two heads, one<span class="pagenum"><a name="Page_256" id="Page_256">[Pg 256]</a></span> bellowing, +the other weeping; winged bellies flitting hither and thither like +gnats.</i></p> + +<p><i>They rain from the sky, they rise from the earth, they pour from the +rocks; everywhere eyes flame, mouths roar, breasts bulge, claws are +extended, teeth gnash, flesh clacks against flesh. Some crouch; some +devour each other at a mouthful.</i></p> + +<p><i>Suffocating under their own numbers, multiplying by their own contact, +they climb over one another; and move about Anthony with a surging +motion as though the ground were the deck of a ship. He feels the trail +of snails upon the calves of his legs, the chilliness of vipers upon +his hands:—and spiders spinning about him enclose him within their +network.</i></p> + +<p><i>But the monstrous circle breaks, parts; the sky suddenly becomes blue; +and</i>)—</p> + +<p><span class="smcap">The Unicorn</span> (<i>appears</i>):</p> + +<p>"Gallop! Gallop!</p> + +<p>"I have hoofs of ivory, teeth of steel; my head is the colour of +purple, my body the colour of snow; and the horn of my forehead is +bestreaked with the tints of the rainbow.</p> + +<p>"I travel from Chaldea to the Tartar desert,—upon<span class="pagenum"><a name="Page_257" id="Page_257">[Pg 257]</a></span> the shores of the +Ganges and in Mesopotamia. I overtake the ostriches. I run so swiftly +that I draw the wind after me. I rub my back against the palm-trees. I +roll among the bamboos. I leap rivers with a single bound. Doves fly +above me. Only a virgin can bridle me.</p> + +<p>"Gallop! Gallop!"</p> + +<p>(<i>Anthony watches him depart.</i></p> + +<p><i>And as he gazes he beholds all the birds that nourish themselves +with wind: the Gouith, the Ahuti, the Alphalim, the Iukneth, of the +mountains of Kaf, the homai of the Arabs—which are the souls of +murdered men. He hears the parrots that utter human speech; and the +great Pelasgian palmipeds that sob like children or chuckle like old +women.</i></p> + +<p><i>A saline air strikes his nostrils. Now a vast beach stretches before +him.</i></p> + +<p><i>In the distance jets of water arise, spouted by whales; and from the +very end of the horizon come</i>)—</p> + +<p class="smcap" style="text-align: center;">The Beasts of the Sea</p> + +<p>(<i>round as wineskins, flat as blades, denticulated like saws, dragging +themselves over the sand as they approach</i>):</p> + +<p><span class="pagenum"><a name="Page_258" id="Page_258">[Pg 258]</a></span></p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon22"></a> +<img src="images/redon_22.jpg" width="600" alt="" /> +<div class="caption"><p>The beasts of the sea round as wineskins</p></div> +</div> + +<p class="p2">"Thou wilt accompany us to our immensities, whither as yet no one has +descended.</p> + +<p>"Divers peoples inhabit the countries of the Ocean. Some dwell in the +sojourn of tempests; others swim freely amid the transparency of chill +waves;—or, like oxen, graze upon the coral plains, or suck in through +their trunks the reflux of the tides,—or bear upon their shoulders the +vast weight of the sources of the sea."</p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon23"></a> +<img src="images/redon_23.jpg" width="600" alt="" /> +<div class="caption"><p>Divers peoples inhabit the countries of the Ocean </p></div> +</div> + +<p class="p2">(<i>Phosphorences gleam in the moustaches of the seals, shift in the +scales of fish. Echini whirl like wheels; ammonites uncoil like cables; +oysters make their shell hinges squeak; polypi unfold their tentacles; +medusæ quiver like balls of crystal suspended; sponges float hither and +thither, anemones ejaculate water; wrack and sea-mosses have grown all +about.</i></p> + +<p><i>And all sorts of plants extend themselves into branches, twist +themselves into screws, lengthen into points, round themselves out like +fans. Gourds take the appearance of breasts; lianas interlace like +serpents.</i></p> + +<p><i>The Dedaims of Babylon, which are trees, bear human heads for fruit; +Mandragoras<span class="pagenum"><a name="Page_259" id="Page_259">[Pg 259]</a></span> sing;—the root Baaras runs through the grass.</i></p> + +<p><i>And now the vegetables are no longer distinguishable from the animals. +Polyparies that seem like trees, have arms upon their branches. Anthony +thinks he sees a caterpillar between two leaves: it is a butterfly that +takes flight. He is about to step on a pebble: a grey locust leaps +away. One shrub is bedecked with insects that look like petals of +roses; fragments of ephemerides form a snowy layer upon the soil.</i></p> + +<p><i>And then the plants become confounded with the stones.</i></p> + +<p><i>Flints assume the likeness of brains; stalactites of breasts; the +flower of iron resembles a figured tapestry.</i><a name="FNanchor_2_28" id="FNanchor_2_28"></a><a href="#Footnote_2_28" class="fnanchor">[2]</a></p> + +<p><i>He sees efflorescences in fragments of ice, imprints of shrubs and +shells—yet so that one cannot detect whether they be imprints only, or +the things themselves. Diamonds gleam like eyes; metals palpitate.</i></p> + +<p><i>And all fear has departed from him! He throws himself down upon the +ground, and<span class="pagenum"><a name="Page_260" id="Page_260">[Pg 260]</a></span> leaning upon his elbows, watches breathlessly.</i></p> + +<p><i>Insects that have no stomachs persistently eat; withered ferns bloom +again and reflower; absent members grow again.</i></p> + +<p><i>At last he perceives tiny globular masses, no larger than pinheads, +with cilia all round them. They are agitated with a vibratile motion</i>):</p> + +<p><span class="smcap">Anthony</span> (<i>deliriously</i>):</p> + +<p>"O joy! O bliss! I have beheld the birth of life! I have seen the +beginning of motion! My pulses throb even to the point of bursting! +I long to fly, to swim, to bark, to bellow, to howl! Would that I +had wings, a carapace, a shell,—that I could breathe out smoke, +wield a trunk,—make my body writhe,—divide myself everywhere,—be +in everything,—emanate with odours,—develop myself like the +plants,—flow like water,—vibrate like sound—shine like light, +squatting upon all forms—penetrate each atom—descend to the very +bottom of matter,—be matter itself!"</p> + +<p>(<i>Day at last appears;—and, like tabernacle curtains uplifted, clouds +of gold uprolling in broad volutes unveil the sky.</i></p> + +<p><i>Even in the midst thereof, and in the very<span class="pagenum"><a name="Page_261" id="Page_261">[Pg 261]</a></span> disk of the sun, beams the +face of Jesus Christ.</i></p> + +<div class="figcenter" style="width: 600px; margin-top: 2em;"> +<a id="redon24"></a> +<img src="images/redon_24.jpg" width="600" alt="" /> +<div class="caption"><p>Day at last appears ... in the midst thereof +and in the very disk of the sun, beams the face of Jesus Christ. </p></div> +</div> + +<p class="p2"><i>Anthony makes the sign of the cross, and resumes his devotions.</i>)</p> + + +<h4>FINIS</h4> + + +<div class="footnote"> + +<p><a name="Footnote_1_27" id="Footnote_1_27"></a><a href="#FNanchor_1_27"><span class="label">[1]</span></a> Winkelmann claims to have been the first to discover that +the Egyptian sphinxes were bisexual—females before—males otherwise. +(See Book II, chap. I, § 25.) Flaubert speaks of the Sphinx in the +masculine like Philemon. (See also Signor Carlo Fea's note upon the +paragraph in Winkelmann, old French edition. An II, R. F.)—Trans.</p></div> + +<div class="footnote"> + +<p><a name="Footnote_2_28" id="Footnote_2_28"></a><a href="#FNanchor_2_28"><span class="label">[2]</span></a> Fleurs de fer, "flowers of iron." In mineralogy <i>flos +ferri</i>, a form of Aragonite.—Trans.</p> + +<hr class="chap" /> + +<p><span class="pagenum"><a name="Page_262" id="Page_262">[Pg 262]</a></span></p></div> + + + + +<h5><a name="NOTE" id="NOTE">[NOTE</a></h5> + +<p>Those who compare this translation with the original will observe the +omission of some few paragraphs on pages <a href="#Page_77">77</a>, <a href="#Page_96">96</a> and <a href="#Page_211">211</a>. They are +speeches put in the mouths of certain Heresiarchs, or complaints of +certain of the minor Roman household gods. The translator relegated +these to an addenda, which the publishers have omitted as being +unnecessary. Those who are familiar with the original will be able to +supply them, and will realize that while they might be offensive to +some persons, they are in no respect an integral or important part of +the great drama.]</p> + + + + +<hr class="chap" /> +<p>(added by transcribers)</p> +<h5><a name="ADDENDA" id="ADDENDA">ADDENDA</a></h5> + + +<p>A. Observation of Manes, pages 82-3, original text; page <a href="#Page_89">89</a> of +translation.</p> + + +<p><span class="smcap">Manes</span></p> + +<p><i>Ou plutôt, faites si bien qu'elle ne soit pas fécondes. Mieux vaut +pour l'ame tomber sur la terre que de languir dans des entraves +charnelles.</i></p> + +<p>Probably a calumny against Manes; for the Eastern philosophy, +especially that of Zoroaster, which is said to have inspired the tenets +of Manichæism, advocated no such abominations.</p> + + +<p>B. Page 105 of original; <a href="#Page_108">page 108</a> translation. The realistic +phraseology of the original passage is rather brutal. The French text +reads: "<i>Il souffrait de la maladie Bellerephontienne; et sa mère, la +parfumeuse, s'est livrée à Pantherus, un soldat Romain, sur des gerbes +de mais, un soir de moisson.</i>" C. Descriptive text, page 237 original, +partly suppressed on <a href="#Page_223">page 223</a> translation: "<i>Et il lui montre dans un +bosquet d'aliziers Une Femme toute nue, à quatre pattes comme une bête, +et saillie par un homme noir, tenant dans chaque main un flambeau.</i>"</p> + +<p>D. Curious text of Crepitus, on page <a href="#Page_228">228</a>, pages 241-3 of original:</p> + +<p><span class="smcap">Crepitus</span></p> + +<p>(——se fait entendre):</p> + +<p><i>Moi aussi l'on m'honora jadis. On me faisait des libations. Je fus un +Dieu!</i></p> + +<p><i>L'Athénien me saluait comme un presage de fortune, tandis que le +Romain dévot me maudissait les poings levés et que le pontife d'Egypte, +s'abstinant des fèves, tremblait à ma voix et pâlissait à mon odeur.</i></p> + +<p><i>Quand le vinaigre militaire coulait sur les barbes non rasées, qu'on +se régalait de glands, de pois, et d'oignons crus, et que le bouc en +morceau cuissait dans le beurre rance des pasteurs, sans souci du +voisin, personne alors ne se gênait. Les nourritures solides faisaient +digestions retentissantes. Au soleil de la campagne les hommes se +soulageaient avec lenteur.</i></p> + +<p><i>Ainsi, je passais sans scandale, comme les autres besoins de la vie, +comme Mena, tourment des vierges, et la douce Rumina qui protège le +sein de la nourrice, gonflé, des veines bleuâtres. J'étais joyeux. Je +faisais rire. Et se dilatant d'aise à cause de moi, le convive exhalait +toute sa gaieté par les ouvertures de son corps.</i></p> + +<p><i>J'ai eu mes jours d'orgeuil. Le bon Aristophane me promena sur la +scène, et l'empereur Claudius Drusus<a name="FNanchor_1_29" id="FNanchor_1_29"></a><a href="#Footnote_1_29" class="fnanchor">[1]</a> me fit asseoir à sa table. Dans +les laticlaves des patriciens j'ai circulé majestueusement! Les vases +d'or, comme des tympanons, resonnaient sous moi; et, quand plein de +murènes, de truffles, et de pâtés, l'intestin du maître se dégageait +avec fracas, l'univers attentif apprenait que César avait diné!</i></p> + +<p><i>Mais à présent, je suis confiné dans la populace</i><a name="FNanchor_2_30" id="FNanchor_2_30"></a><a href="#Footnote_2_30" class="fnanchor">[2]</a> <i>et l'on se +récrie, même à mon nom!</i></p> + +<p><i>Et Crepitus s'éloigne, en poussant un gémissement....</i></p> + +<p>E. For descriptions of the Martichoras and other monsters, appearing +page 287 in the original and <a href="#Page_253">253</a> in the translation, see also Rabelais' +Pantagruel, Book V, Chap. XXX.</p> + + + +<div class="footnote"> + +<p><a name="Footnote_1_29" id="Footnote_1_29"></a><a href="#FNanchor_1_29"><span class="label">[1]</span></a> Needless to refer to the comedies of Aristophanes, +with which English readers have been familiarized through the Bohn +translations. The reference to Claudius ius Drusus seems based upon +the following lines in Suetonius: "<i>Dicitur etiam meditatus edictum, +quo veniam daret flatum crepitumque ventris in convivio emittendi: +cum periclitatum quemdam prae pudore ex continentia reperisset.</i>" +(<i>Suetonius-Tiberius Claudius Drusus</i>: 32.)</p></div> + +<div class="footnote"> + +<p><a name="Footnote_2_30" id="Footnote_2_30"></a><a href="#FNanchor_2_30"><span class="label">[2]</span></a> The so-called divinities, <i>Deus Crepitus, Dea Pertunda, +Deus Stercutius, Dea Rumina</i> (or <i>Rumilia</i>), <i>Dea Mena</i>, concerning +whose curious attributes the reader may consult English or French +classical encyclopedists, were doubtless regarded by the intelligent +classes of antiquity much as certain religious superstitions are +regarded by educated moderns. It is true that they furnished grotesque +themes to artists; but many existing superstitions regarding elves +and goblins have inspired modern sculptors, painters and designers. +Certainly, seriously worshipped as deities, Priapus might seem equally +contemptible as a divinity; but his worship, degenerate as it became +in later years, was primitively symbolical. The obscene image merely +typified the procreative Spirit of Nature. The eccentric gods and +goddesses above referred to had no such excuse for being. As previously +observed, however, Flaubert artistically represents these divinities +not as they were really considered in the antique world, but rather as +they would have appeared to the eyes of zealous Christians in the third +century—infamous and loathsome.—Translator.</p></div> + +<hr class="full" /> + +<p> +<a id="CONTENTS"></a><span style="font-weight: bold;">CONTENTS</span><br /><br /> +<a href="#INTRODUCTION">INTRODUCTION</a><br /> +<a href="#ARGUMENT">ARGUMENT</a><br /> +<a href="#THE_TEMPTATION_OF_ST_ANTHONY">THE TEMPTATION OF ST. ANTHONY</a><br /> +<a href="#I">I</a><br /> +<a href="#II">II</a><br /> +<a href="#III">III</a><br /> +<a href="#IV">IV</a><br /> +<a href="#V">V</a><br /> +<a href="#VI">VI</a><br /> +<a href="#VII">VII</a><br /> +<a href="#NOTE">NOTE</a><br /> +<a href="#ADDENDA">ADDENDA</a><br /> +</p> +<hr class="chap" /> +<h5>LIST OF ILLUSTRATIONS</h5> + +<p style="text-align: center;">(by Odilon Redon, which were added especially for this PG e-book.)</p> + +<blockquote> + <p> ... through the long hair half hiding her face, I thought + that I could recognize Ammonaria ... <span class="illnum"> <a href="#redon201">6</a></span></p> + + <p>Saint Anthony: Help me, O my God! <span class="illnum"> <a href="#redon02">16</a></span></p> + + <p>And there are columns of basalt everywhere,... The light + falls from the vaults above <span class="illnum"> <a href="#redon03">38</a></span></p> + + <p>there is a sweetness in my kisses as of a fruit dissolving + within thy heart ... <span class="illnum"> <a href="#redon04">58</a></span></p> + + <p>... a long blood-colored chrysalis <span class="illnum"><a href="#redon202">100</a></span></p> + + <p>... the flowers fall and the head of a python appears <span class="illnum"> + <a href="#redon05">105</a></span></p> + + <p>... and in the darkness beside him people are praying... + <span class="illnum"><a href="#redon06">107</a></span></p> + + <p>... and he beholds an arid plain, mamillated with knolls + <span class="illnum"><a href="#redon07">113</a></span></p> + + <p>She drags a black sponge from her bosom, covers it with + kisses ... <span class="illnum"><a href="#redon08">115</a></span></p> + + <p>I have buried myself in solitude, like the rhinoceros. I + dwelt in the tree behind me <span class="illnum"><a href="#redon09">119</a></span></p> + + <p>Helena - Ennoia <span class="illnum"><a href="#redon10">125</a></span></p> + + <p>... instantly arise three goddesses <span class="illnum"><a href="#redon11">157</a></span></p> + + <p>Intelligence became mine! I became the Buddha. <span class="illnum"><a href="#redon12">165</a></span></p> + + <p>... and eyes without heads were floating like mollusks <span class="illnum"><a href="#redon13">167</a></span></p> + + <p>I, the first consciousness of Chaos, arose from the abyss + that I might harden matter, and give a law unto forms <span class="illnum"> + <a href="#redon14">168</a></span></p> + + <p>Here is the Good Goddess, the Idæan of the mountains <span class="illnum"><a href="#redon15">178</a></span></p> + + <p>I am still the Great Isis!—none has yet lifted my + veil! My fruit is the Sun! <span class="illnum"><a href="#redon16">188</a></span></p> + + <p>... he falls head foremost into the abyss <span class="illnum"><a href="#redon17">206</a></span></p> + + <p>Anthony: What is the purpose of all that? The Devil: There + is no purpose. <span class="illnum"><a href="#redon18">224</a></span></p> + + <p>The Old Woman: Of what art thou afraid?—a wide, black + hole! Perhaps it is a void! <span class="illnum"><a href="#redon19">235</a></span></p> + + <p>Death: Mine irony depasseth all others! <span class="illnum"><a href="#redon203">240</a></span></p> + + <p>Death: It is I that make thee awful! Let us intertwine! <span class="illnum"> + <a href="#redon20">241</a></span></p> + + <p>Anthony: Somewhere there must be primordial figures, whose + bodily forms are only symbols <span class="illnum"><a href="#redon204">242</a></span></p> + + <p>I myself have sometime beheld in the sky, as it were, forms + of spirits <span class="illnum"><a href="#redon21">242</a></span></p> + + <p>The Sphinx: ... and yet my gaze, which naught can deviate, + remains fixed, gazing through all intervening things, upon + a horizon that none may reach. The Chimera: I am light and + joyous! <span class="illnum"><a href="#redon205">245</a></span></p> + + <p>The Sciapods: The head as low as possible—That is the + secret of happiness. <span class="illnum"><a href="#redon206">249</a></span></p> + + <p>The beasts of the sea round as wineskins <span class="illnum"><a href="#redon22">258</a></span></p> + + <p>Divers peoples inhabit the countries of the Ocean <span class="illnum"><a href="#redon23">258</a></span></p> + + <p>Day at last appears ... in the midst thereof and in the very + disk of the sun, beams the face of Jesus Christ. <span class="illnum"><a href="#redon24">260</a></span></p> +</blockquote> + +<hr class="tb" /> +<p> </p> +<p class="transnote"><b>Transcribers' Note:</b><br /> +<br /> +This translation of the "Tentation" by Lafcadio Hearn, still regarded +by many as the best up until now in English, still misses some small +fragments (of a couple of words) not deemed fit for the Anglo-Saxon +temperament of that time. There is a contemporary version (2002) of +this translation available, with introduction by Michel Foucault and +the inclusion of some missing expressions. The original French by +Gustave Flaubert is also available at Project Gutenberg— +<a href="http://www.gutenberg.org/ebooks/10982">http://www.gutenberg.org/ebooks/10982</a></p> + +<p> </p> +<hr class="pg" /> +<p>***END OF THE PROJECT GUTENBERG EBOOK THE TEMPTATION OF ST. ANTHONY***</p> +<p>******* This file should be named 52225-h.htm or 52225-h.zip *******</p> +<p>This and all associated files of various formats will be found in:<br /> +<a href="http://www.gutenberg.org/dirs/5/2/2/2/52225">http://www.gutenberg.org/5/2/2/2/52225</a></p> +<p> +Updated editions will replace the previous one--the old editions will +be renamed.</p> + +<p>Creating the works from print editions not protected by U.S. copyright +law means that no one owns a United States copyright in these works, +so the Foundation (and you!) can copy and distribute it in the United +States without permission and without paying copyright +royalties. Special rules, set forth in the General Terms of Use part +of this license, apply to copying and distributing Project +Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm +concept and trademark. Project Gutenberg is a registered trademark, +and may not be used if you charge for the eBooks, unless you receive +specific permission. 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-Flaubert, Translated by Lafcadio Hearn, Illustrated by Odilon Redon
-
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-
-
-
-Title: The Temptation of St. Anthony
-
-
-Author: Gustave Flaubert
-
-
-
-Release Date: June 4, 2016 [eBook #52225]
-
-Language: English
-
-Character set encoding: ISO-646-US (US-ASCII)
-
-
-***START OF THE PROJECT GUTENBERG EBOOK THE TEMPTATION OF ST. ANTHONY***
-
-
-E-text prepared by Laura Natal Rodriguez and Marc D'Hooghe
-(http://www.freeliterature.org) from page images generously made available
-by the Google Books Library Project (http://books.google.com) and
-illustrations generously made available by Bibliothèque nationale de
-France (http://gallica.bnf.fr)
-
-
-
-Note: Project Gutenberg also has an HTML version of this
- file which includes the original illustrations.
- See 52225-h.htm or 52225-h.zip:
- (http://www.gutenberg.org/files/52225/52225-h/52225-h.htm)
- or
- (http://www.gutenberg.org/files/52225/52225-h.zip)
-
-
-Note: Images of the original pages are available through
- the Google Books Library Project. See
- https://books.google.com/books?id=9g9EAAAAYAAJ
-
-
-Transcriber's note:
-
- Text enclosed by underscores is in italics (_italics_).
-
- The o-e ligature is represented by [oe].
-
-
-
-
-
-THE TEMPTATION OF ST. ANTHONY
-
-by
-
-GUSTAVE FLAUBERT
-
-Translated by Lafcadio Hearn
-
-Illustrations by Odilon Redon
-
-(Added especially for this PG e-book.)
-
-
-
-
-
-
-
-The Alice Harriman Company
-New York and Seattle
-1910
-
-
-
-
-INTRODUCTION
-
-
-It was at some period between 1875 and 1876 that Lafcadio Hearn--still
-a "cub" reporter on a daily paper in Cincinnati--began his translation
-of Flaubert's "Temptation of St. Anthony." The definitive edition of
-the work, over which the author had laboured for thirty years, had
-appeared in 1874.
-
-Hearn was, in his early youth, singularly indifferent to the work of
-the Englishmen of the Victorian period. Though he knew the English
-masterpieces of that epoch, their large, unacademic freedom of manner
-awakened no echoes in his spirit. His instinctive taste was for the
-exquisite in style: for "that peculiar kneading, heightening, and
-recasting" which Matthew Arnold thought necessary for perfection.
-Neither did the matter, more than the manner of the Victorians appeal
-to him. The circumstances of his life had at so many points set him
-out of touch with his fellows that the affectionate mockery of
-Thackeray's pictures of English society were alien to his interest.
-The laughing heartiness of Dickens' studies of the man in the street
-hardly touched him. Browning's poignant analyses of souls were too
-rudely robust of manner to move him. Before essaying journalism Hearn
-had served for a while as an assistant in the Public Library, and
-there he had found and fallen under the spell, of the great Frenchman
-of the Romantic School of the '30's--that period of rich flowering of
-the Gallic genius. Gautier's tales of ancient weirdnesses fired his
-imagination. The penetrating subtleties of his verse woke in the boy
-the felicitous emotions which the virtuoso knows in handling cameos
-and enamellings by hands which have long been dust. So, also, Hugo's
-revivals of the passions and terrors of the mediaeval world stirred the
-young librarian's eager interest. But most of all his spirit leapt
-to meet the tremendous drama of the "Temptation." He comprehended at
-once its large significance, its great import, and in his enthusiastic
-recognition of its value and meaning he set at once about giving it a
-language understood of the people of his own tongue.
-
-Tunison tells of the little shy, shabby, half-blind boy--the long
-dull day of police reporting done--labouring at his desk into the
-small hours, with the flickering gas jet whistling overhead, and his
-myopic eyes bent close to the papers which he covered with beautiful,
-almost microscopic characters--escaping thus from the crass, raw world
-about him to delicately and painstakingly turn into English stories
-of Cleopatra's cruel, fantastic Egyptian Night's Entertainment.
-Withdrawing himself to transliterate tales of pallid beautiful vampires
-draining the veins of ardent boys: of lovely faded ghosts of great
-ladies descending from shadowy tapestries to coquette with romantic
-dreamers; or to find an English voice for the tragedy of the soul of
-the Alexandrian cenobite.
-
-It was in such dreams and labours that he found refuge from the
-environment that was so antipathetic to his tastes, and in his
-immersion in the works of these virtuosos of words, in his passionate
-search for equivalents of the subtle nuances of their phrases, he
-developed his own style. A style full of intricate assonances, of a
-texture close woven and iridescent.
-
-"One of Cleopatra's Night's"--a translation of some of Gautier's tales
-of glamour--was issued in 1882, but at "The Temptation of St. Anthony"
-the publishers altogether balked. The manuscript could not achieve even
-so much as a reading. America had in the '70's just begun to emerge
-from that state of provincial propriety in which we were accused of
-clothing even our piano legs in pantelettes. The very name of the work
-was sufficient to start modest shivers down the spine of all well
-regulated purveyors of books. It was largely due to the painters'
-conceptions of the nature of the hermit's trials that the story of
-Saint Anthony's spiritual struggle aroused instinctive terrors in all
-truly modest natures. The painters--who so dearly love to display their
-skill in drawing legs and busts--had been wont to push the poor old
-saint into the obscure of the background, and fill all the foreground
-with ladies of obviously the very lightest character, in garments
-still lighter, if possible. What had reputable American citizens to do
-with such as these jades? More especially such jades as seen through
-a French imagination! That Flaubert had brushed aside the gross and
-jejune conceptions of the painters the publishers would not even take
-the pains to learn.
-
-It is amusing now to recall the nervous, timid proprieties of those
-days. At the time Hearn failed to see the laughable side of it. He was
-then too young and earnest, too passionate and too melancholy to have a
-sense of its humours.
-
-He had brought his unfinished manuscript from Cincinnati to New
-Orleans, and had continued to work upon it in strange lodgings in
-gaunt, old half-ruined Creole houses; at the tables of odd little
-French cafes, or among the queer dishes in obscure Spanish and Chinese
-restaurants. He had snatched minutes for it amidst the reading and
-clipping of exchanges in a newspaper office; had toiled drippingly
-over it in the liquifying heats of tropic nights; had arisen from the
-"inexpungable langours" of yellow fever to complete its last astounding
-pages.
-
-I can remember applauding, with ardent youthful sympathy, his tirades
-against the stultifying influence of blind puritanism upon American
-literature. I recall his scornful mocking at the inconsistency which
-complacently accepted the vulgar seduction, and the theatrical Brocken
-revels of Faust, while shrinking piously from Flaubert's grim story of
-the soul of man struggling to answer the riddle of the universe. He
-had however an almost equal contempt for the author's countrymen, who
-received with eager interest and pleasure the deliberate analysis--in
-_Madame Bovary_--of a woman's degradation and ruin, while they yawned
-over the amazing history of humanity's tremendous spiritual adventures.
-Hearn's own sensitiveness shrank in pain from the cold insight which
-uncovered layer by layer the brutal squalour of a woman's moral
-disintegration. But he was moved and astounded by the revelation, in
-St. Anthony, of the tragedy and pathos of man's long search for some
-body of belief or philosophy by which he could explain to himself
-the strange great phenomena of life and death, and the inscrutable
-cruelties of Nature. The young translator was filled with a sort of
-astonished despair at his inability to make others see the book as
-he did--not realizing, in his youthful impatience, that the average
-mind clings to the concrete, and is puzzled and terrified by outlines
-of thought too large for its range of vision; that the commonplace
-intelligence cannot "see the wood for the trees," and becomes confused
-and over-weighted when confronted with the huge outlines of so great a
-picture as that drawn by Flaubert in his masterpiece.
-
-There were many points of resemblance between Lafcadio Hearn and the
-grandson of the French veterinary. A resemblance rather in certain
-qualities of the spirit than in social conditions and physical
-endowments. Flaubert, born in 1821, was the son of a surgeon. His
-father was long connected with the Hotel Dieu of Rouen, in which the
-boy was born, and in which he lived until his eighteenth year, when he
-went to Paris to study law. One of the friends of his early Parisian
-days describes him as "a young Greek. Tall, supple, and as graceful as
-an athlete. He was charming, _mais un peu farouche._ Quite unconscious
-of his physical and mental gifts; very careless of the impression he
-produced, and entirely indifferent to formalities. His dress consisted
-of a red flannel shirt, trousers of heavy blue cloth, and a scarf of
-the same colour drawn tight about his slender waist. His hat was worn
-'any how' and often he abandoned it altogether. When I spoke to him of
-fame or influence.... he seemed superbly indifferent. He had no desire
-for glory or gain.... What was lacking in his nature was an interest in
-_les choses exterieures, choses utiles._" ...
-
-One who saw him in 1879 found the young Greek athlete--now close upon
-sixty, and having in the interval created some of the great classics
-of French literature--"a huge man, a tremendous old man. His long,
-straggling gray hair was brushed back. His red face was that of a
-soldier, or a sheik--divided by drooping white moustaches. A trumpet
-was his voice, and he gesticulated freely ... the colour of his eyes a
-bit of faded blue sky."
-
-The study of the law did not hold Flaubert long. It was one of those
-_choses exterieures, choses utiles_ to which he was so profoundly
-indifferent. Paris bored him. He longed for Rouen, and for his little
-student chamber. There he had lain upon his bed whole days at a time;
-apparently as lazy as a lizard; smoking, dreaming; pondering the large,
-inchoate, formless dreams of youth.
-
-In 1845 his father died, and in the following year he lost his sister
-Caroline, whom he had passionately loved, and for whom he grieved
-all his life. He rejoined his mother, and they established themselves
-at Croisset, near Rouen, upon a small inherited property. It was an
-agreeable house, pleasantly situated in sight of the Seine. Flaubert
-nourished with pleasure a local legend that Pascal had once inhabited
-the old Croisset homestead, and that the Abbe Prevost had written
-_Manon Lescaut_ within its walls. Near the house--now gone--he built
-for himself a pavilion to serve as a study, and in this he spent the
-greater portion of the following thirty-four years in passionate,
-unremitting labour.
-
-He made a voyage to Corsica in his youth; one to Brittany, with Maxime
-du Camp, in 1846; and spent some months in Egypt, Palestine, Turkey,
-and Greece in 1849. This Oriental experience gave him the most intense
-pleasure, and was the germ of _Salammbo_, and of the _Temptation of St.
-Anthony._ He never repeated it, though he constantly talked of doing
-so. He nursed a persistent, but unrealized dream of going as far as
-Ceylon, whose ancient name, Taprobana, he was never weary of repeating;
-utterance of its melifluous syllables becoming a positive _tic_
-with him. Despite these yearnings he remained at home. Despite his
-full-blooded physique he would take no more exercise than his terrace
-afforded, or an occasional swim in the Seine. He smoked incessantly,
-and for months at a stretch worked fifteen hours out of the twenty-four
-at his desk. Three hundred volumes might be annotated for a page of
-facts. He would write twenty pages, and reduce these by exquisite
-concisions, by fastidious rejections to three; would search for hours
-for the one word that perfectly conveyed the colour of his thought, and
-would--as in the case of the _Temptation_--wait fifteen years for a
-sense of satisfaction with a manuscript before allowing it to see the
-light. To Maxime du Camp, who urged him to hasten the completion of his
-book in order to take advantage of a favourable opportunity, he wrote
-angrily:
-
-"Tu me parais avoir a mon endroit un tic ou vice redhibitoire. Il
-ne m'embete pas; n'aie aucune crainte; mon parti est pris la-dessus
-depuis long temps. Je te dirai seulement que tous ces mots; _se
-depecher, c'est le moment, place prise, se poser, ..._ sont pour moi un
-vocabulaire vide de sens...."
-
-In one of his letters he says that on occasion he worked violently for
-eight hours to achieve one page. He endeavoured never to repeat a word
-in that page, and tried to force every phrase to respond to a rhythmic
-law. Guy do Maupassant, his nephew and pupil, says that to ensure this
-rhythm Flaubert "prenait sa feuille de papier, relevait a la hauteur du
-regard et, s'appuyant sur un coude, declaimait, d'une voix mordant et
-haute. Il ecoutait la rythme de sa prose, s'arretait comme pour saisir
-une sonorite fuyant, combinait les tons, eloignait les assonances,
-disposait les virgules avec conscience, commes les haltes d'un long
-chemin." ...
-
-Flaubert said himself, "une phrase est viable quand elle correspond
-a toutes les necessites de respiration. Je sais qu'elle est bonne
-lorsqu'elle peut etre lu tout haut."
-
-Henry Irving used to say of himself that it was necessary he should
-work harder than other actors because nature had dowered him with
-flexibility of neither voice nor feature, and Faguet says that Flaubert
-was forced to this excessive toil and incessant watchfulness because
-he did not write well naturally. Nevertheless Flaubert's work did not
-smell of the lamp. Whatever shape his ideas may have worn at birth
-when full grown they moved with large classic grace and freedom,
-simple, sincere, and beautiful in form. Francois Coppee calls him "the
-Beethoven of French prose."
-
-So conscientious a workman, so laborious and self-sacrificing an artist
-had a natural attraction for Lafcadio Hearn, who even in boyhood began
-to feel his vocation as "a literary monk." The whole tendency of his
-tastes prepared him to understand the true importance of Flaubert's
-masterpiece, fitted him especially of all living writers to turn that
-masterpiece into its true English equivalent. The two men had much in
-common. Both were proud and timid. Both had a fundamental indifference
-to _choses exterieures, choses utiles._ Both were realists of the soul.
-Actions interested each but slightly; the emotions from which actions
-sprung very much. To both stupidity was even more antipathetic than
-wickedness, because each realized that nearly all cruelty and vice have
-their germ in ignorance and stupidity rather than in innate rascality.
-Flaubert declared, with a sort of rage, that "la betise entre dans
-mes pores." He might too have been speaking for Hearn when he said
-that the grotesque, the strange, and the monstrous had for him an
-inexplicable charm. "It corresponds," he says, "to the intimate needs
-of my nature--it does not cause me to laugh, but to dream long dreams."
-Hearn, however, mixed with this triste interest a quality that Flaubert
-seemed almost wholly to lack--a great tenderness for all things humble,
-feeble, ugly and helpless. Both from childhood were curious of poignant
-sensations, of the sad, the mysterious and the exotic. And for both the
-tropics had an irresistible fascination. Flaubert says, in one of his
-letters:
-
-"I carry with me the melancholy of the barbaric races, with their
-instincts of migration, and their innate distaste of life, which forced
-them to quit their homes in order to escape from themselves. They loved
-the sun, all those barbarians who came to die in Italy; they had a
-frenzied aspiration toward the light, toward the blue skies, toward an
-ardent existence.... Think that perhaps I will never see China, will
-never be rocked to sleep by the cadenced footsteps of camels ... will
-never see the shine of a tiger's eyes in the forest.... You can treat
-all this as little worthy of pity, but I suffer so much when I think of
-it ... as of something lamentable and irremediable."
-
-This is the nostalgia for the strange, for the unaccustomed, that all
-born wanderers know. Fate arranges it for many of them that their lives
-shall be uneventful, passed in dull, provincial narrowness; but behind
-these bars the clipped wings of their spirit are always flutteringly
-spread for flight. They know not what they seek, what desire drives
-them, but a sense of "the great adventure" unachieved keeps them
-restless until they die. It is such as these, these _voyageurs
-empassiones_, when condemned by fortune to a static existence--who find
-their outlet in mental wanderings amid the unusual, the grotesque,
-and the monstrous. Hearn and Flaubert both were at heart nomads,
-seekers of the unaccustomed; stretching toward immensities of space
-and time, toward the ghostly, the hidden, the unrealized. Like that
-wild fantastic _Chimera_ of the "Temptation" each such soul declares
-"_je cherche des parfums nouveaux, des fleurs plus large, des plaisirs
-ineprouves._"
-
-Flaubert was but twenty-six when the first suggestion of his
-masterpiece came to him. For _La Tentation de St. Antoine_, it is
-coming to be understood, is his masterpiece; is one of the greatest
-literary achievements of the French mind. _Madame Bovary_ is more
-widely famous and popular, but Flaubert himself always deeply resented
-this preference, and was always astonished at the comparative
-indifference of the world to the "Temptation." He, too, found it
-difficult to realize how hardly the average mind is awakened to an
-interest in the incorporeal; how surely cosmic generalizations escape
-the grasp of the commonplace intelligence.
-
-Wagner waited a lifetime before the world was dragged reluctantly and
-resentfully up to a point from which it could discern the superiority
-of the tremendous finale of the Goetterdaemmerung to the Christmas-card
-chorus of angels chanting "_Ame chaste et pure_" to the beatified
-Marguerite. The whole prodigious structure of Wagner's dramatic and
-musical thought might have remained a mere adumbration in the soul of
-one German had chance not set a mad genius upon the throne of Bavaria.
-The bourgeoisie would--lacking this royal bullying--have continued to
-prefer Goethe and Gounod. Flaubert's great work unfortunately failed of
-such patronage.
-
-It was in 1845 that an old picture by Breughel, seen at Genoa, first
-inspired Flaubert to attempt the story of St. Anthony. He sought
-out an engraving of this conception of Peter the Younger (surnamed
-"Hell-Breughel" for his fondness for such subjects), hung it on his
-walls at Croisset, and after three years of brooding upon it began,
-May 24, 1848, _La Tentation de St. Antoine._ In twelve months he had
-finished the first draught of the work, which bulked to 540 pages. It
-was laid aside for "Bovary," and a second version of the "Temptation"
-was completed in 1856, but this time the manuscript had been reduced
-to 193 pages, and the "blazing phrases, the jewelled words, the
-turbulence, the comedy, the mysticism" of the first version had been
-superseded by a larger, more dramatic conception. In 1872 he made still
-a new draught, and by this time it had shrunk to 136 pages. He even
-then eliminated three chapters, and finally gave to the world in 1874
-"this wonderful coloured panorama of philosophy, this Gulliver-like
-travelling amid the master ideas of the antique and early Christian
-worlds."
-
-Faguet says, "In its primitive and legendary state the temptation
-of St. Anthony was nothing more than the story of a recluse tempted
-by the Devil through the flesh, by all the artifices at the Devil's
-disposal. In the definite thought of Flaubert the temptation of St.
-Anthony has become man's soul tempted by all the illusions of human
-thought and imagination. St. Anthony to the eyes of the first naive
-hagiologists is a second Adam, seduced by woman, who was inspired by
-Satan. St. Anthony conceived by Flaubert is a more thoughtful Faust; a
-Faust incapable of irony, not a Faust who could play with illusions and
-with himself--secretly persuaded that he could withdraw when he chose
-to give himself the trouble to do so--rather a Faust who approached,
-accosted, caressed all possible forms of universal illusions."
-
-Flaubert's studies for the "Temptation" were tremendous. For nearly
-thirty years he touched and retouched, altered, enlarged, condensed.
-He kneaded into its substance the knowledge, incessantly sought, of
-all religions and philosophies; of all the forms man's speculations
-had taken in his endless endeavours to explain to himself Life and
-Fate; humanity's untiring, passionate effort to find the meaning of its
-mysterious origin and purpose, and final destiny. How terrible, how
-naive, how fantastic, bloody, grovelling, and outrageous were most of
-the solutions accepted, the gigantic panorama of the book startlingly
-sets forth. What gory agonies, what mystic exaltations, what dark
-cruelties, frenzied abandons, and inhuman self denials have marked
-those puzzled gropings for light and truth are revealed as by lightning
-flashes in the crowding scenes of the epic. For the Temptation of St.
-Anthony is an epic. Not a drama of man's actions, as all previous
-epics have been, but a drama of the soul. All its movement is in the
-adventure and conflict of the spirit. St. Anthony remains always in
-the one place, almost as moveless as a mirror. His vision--clarified
-of the sensual and the actual by his fastings and macerations--becomes
-like the surface of an unruffled lake. A lake reflecting the aberrant
-forms of thoughts that, like clouds, drift between man and the infinite
-depths of knowledge. Clouds of illusion forever changing, melting,
-fusing; assuming forms grotesque, monstrous, intolerable; until at
-last the writhing mists of speculation and ignorance are drunk up
-by the widening light of wisdom and the fogs and phantasms vanish,
-leaving his consciousness aware, in poignant ecstasy, of the cloudless
-deeps of truth. The temptation of the flesh is but a passing episode.
-An eidolon of Sheba's queen offers him luxury, wealth, voluptuous
-beauty, power, dainty delights of eye and palate in vain. Man has never
-found his most dangerous seductions in the appetites. More lamentable
-disintegration has grown from his attempts to pierce beyond the
-body's veil. The parched and tortured saint is whirled by vertiginous
-visions through cycles of man's straining efforts to know why, whence,
-whither. He assists at the rites of Mithira, the prostrations of
-serpent-and-devil-worshippers, worshippers of fire, of light, of the
-Greeks' deified forces of nature; of the northern enthronement of brute
-force and war. He is swept by the soothing breath of Quietism, plunges
-into every heresy and philosophy, sees the orgies, the flagellations,
-the self mutilations, the battles and furies of sects, each convinced
-that it has found the answer at last to the Great Question, and
-endeavouring to constrain the rest of humanity to accept the answer.
-He meets the Sphinx--embodied interrogation--and the Chimera--the
-simulacrum of the fantasies of the imagination--dashing madly about the
-stolid querist.
-
-Lucifer--spirit of doubt of all dogmatic solutions--mounts with Anthony
-into illimitable space. They rise beyond these struggles and furies
-into the cold uttermost of the universe; among innumerable worlds;
-worlds yet vaguely forming in the womb of time, newly come to birth,
-lustily grown to maturity; worlds dying, decaying, crumbling again into
-atomic dust. Overcome by the intolerable Vast, Anthony sinks once more
-to his cell, and Lucifer, who has shown him the macrocosm, opens to
-him the equal immensity of the microcosm. Makes him see the swarming
-life that permeates the seas, the earth and atmosphere, the incredible
-numerousness of the invisible lives that people every drop of water,
-every grain of sand, every breath of air. The unity of life dawns upon
-him, and his heart, withered by dubiety, melts into joyousness and
-peace. As the day dawns in gold he beholds the face of Christ.
-
-Flaubert's Lucifer has no relation to the jejune Devil of
-man's early conception of material evil, nor does he resemble
-Goethe's Mephistopheles; embodiment of the Eighteenth Century's
-spirit of sneering disbeliefs and negation. He is rather our own
-tempter--Science. He is the spirit of Knowledge: Nature itself calling
-us to look into the immensities and read just our dogmas by this new
-and terrible widening of our mental and moral horizons. This last
-experience of the Saint reproduces the spiritual experiences of the
-modern man; cast loose from his ancient moorings, and yet finding at
-last in his new knowledge a truer conception of the brotherhood of all
-life in all its forms, and seeing still, in the growing light, the
-benignant eyes of God.
-
-It is not remarkable that Flaubert resented the banality, the dull
-grossness of the reception of his work, or that Hearn shared his
-amazement and bitterness. Even yet the world wakes but slowly to the
-true character of this masterpiece; this epic wrought with so great
-a care and patience, so instinct with genius, dealing perhaps more
-profoundly than any other mind has ever done with the Great Adventure
-of humanity's eternal search for Truth.
-
-ELIZABETH BISLAND.
-
-
-
-
-ARGUMENT
-
-
-
-
-FRAILTY
-
-
-Sunset in the desert. Enfeebled by prolonged fasting, the hermit
-finds himself unable to concentrate his mind upon holy things. His
-thoughts wonder; memories of youth evoke regrets that his relaxed will
-can no longer find strength to suppress,--and, remembrance begetting
-remembrance, his fancy leads him upon dangerous ground. He dreams of
-his flight from home,--of Ammonaria, his sister's playmate,--of his
-misery in the waste,--his visit to Alexandria with the blind monk
-Didymus,--the unholy sights of the luxurious city.
-
-Involuntarily he yields to the nervous dissatisfaction growing upon
-him. He laments his solitude, his joylessness, his poverty, the
-obscurity of his life; grace departs from him; hope burns low within
-his heart. Suddenly revolting against his weakness, he seeks refuge
-from distraction in the study of the Scriptures.
-
-Vain effort! An invisible hand turns the leaves, placing perilous
-texts before his eyes. He dreams of the Maccabees slaughtering
-their enemies, and desires that he might do likewise with the
-Arians of Alexandria;--he becomes inspired with admiration of King
-Nebuchadnezzar;--he meditates voluptuously upon the visit of Sheba's
-queen of Solomon;--discovers a text in the Acts of the Apostles
-antagonistic to principles of monkish ascetism,--indulges in reveries
-regarding the riches of Biblical kings and holy men. The Tempter comes
-to tempt him with evil hallucinations for which the Saint's momentary
-frailty has paved the way; and with the Evil One come also
-
-
-
-THE SEVEN DEADLY SINS
-
-
-Phantom gold is piled up to excite Covetousness; shadowy banquets
-appear to evoke Gluttony. The scene shifts to aid the temptations of
-Anger and of Pride....
-
-Anthony finds himself in Alexandria, at the head of a wild army of
-monks slaughtering the heretics and the pagans, without mercy for
-age or sex. In fantastic obedience to the course of his fancy while
-reading the Scriptures a while before, and like an invisible echo of
-his evil thoughts, the scene changes again. Alexandria is transformed
-into Constantinople.
-
-Anthony finds himself the honoured of the Emperor. He beholds the
-vast circus in all its splendour, the ocean of faces, the tumult of
-excitement. Simultaneously he beholds his enemies degraded to the
-condition of slaves, toiling in the stables of Constantine. He feels
-joy in the degradation of the Fathers of Nicaea. Then all is transformed.
-
-It is no longer the splendour of Constantinople he beholds under the
-luminosity of a Greek day; but the prodigious palace of Nebuchadnezzar
-by night. He beholds the orgies, the luxuries, the abominations;--and
-the spirit of Pride enters triumphantly into him as the spirit of
-Nebuchadnezzar....
-
-Awaking as from a dream, he finds himself again before his hermitage.
-A vast caravan approaches, halts; and the Queen of Sheba descends to
-tempt the Saint with the deadliest of all temptations. Her beauty is
-enhanced by oriental splendour of adornment; her converse is a song of
-withcraft. The Saint remains firm.... The Seven Deadly Sins depart
-from him.
-
-
-
-THE HERESIARCHS
-
-
-But now the tempter assumes a subtler form. Under the guise of a former
-disciple of Anthony,--Hilarion,--the demon, while pretending to seek
-instruction, endeavours to poison the mind of Anthony with hatred of
-the fathers of the church. He repeats all the scandals amassed by
-ecclesiastical intriguers, all the calumnies created by malice;--he
-cites texts only to foment doubt, and quotes the evangels only to
-make confusion. Under the pretext of obtaining mental enlightenment
-from the wisest of men, he induces Anthony to enter with him into
-a spectral basilica, wherein are assembled all the Heresiarchs of
-the third century. The hermit is confounded by the multitude of
-tenets,--horrified by the blasphemies and abominations of Elkes,
-Corpocrates, Valentinus, Manes, Cerdo,--disgusted by the perversions of
-the Paternians, Marcosians, Montanists, Serptians,--bewildered by the
-apocryphal Gospels of Eve and of Judas, of the Lord, and of Thomas.
-
-And Hilarion grows taller.
-
-
-THE MARTYRS
-
-Anthony finds himself in the dungeons of a vast amphitheatre, among
-Christians condemned to the wild beasts. By this hallucination the
-tempter would prove to the Saint that martyrdom is not always suffered
-for purest motives. Anthony finds the martyrs possessed by bigotry and
-insincerity. He sees many compelled to die against their will; many
-who would forswear their faith could it avail them aught. He beholds
-heretics die for their heterodoxy more nobly than orthodox believers.
-
-And he finds himself transported to the tombs of the martyrs. He
-witnesses the meetings of Christian women at the sepulchres. He beholds
-the touching ceremonies of prayer, change into orgies,--lamentations
-give place to amorous dalliance.
-
-
-
-THE MAGICIANS
-
-
-Then the Tempter seeks to shake Anthony's faith in the excellence
-and evidence of miracles. He assumes the form of a Hindoo Brahmin,
-terminating a life of wondrous holiness by self-cremation;--he appears
-as Simon Magus and Helen of Tyre,--as Appollonius of Tyans, greatest of
-all thaumaturgists, who claims superiority to Christ. All the marvels
-related by Philostratus are embodied in the converse of Apollonius and
-Damis.
-
-
-
-THE GODS
-
-
-Hilarion reappears taller than ever, growing more gigantic in
-proportion to the increasing weakness of the Saint. Standing beside
-Anthony he evokes all the deities of the antique world. They defile
-before him in a marvellous panorama:--Gods of Egypt and India, Chaldea
-and Hellas, Babylon and Ultima Thule,--monstrous and multiform, phallic
-and ithyphallic, fantastic or obscene. Some intoxicate by their beauty;
-others appall by their foulness. The Buddha recounts the story of his
-wondrous life; Venus displays the rounded daintiness of her nudity;
-Isis utters awful soliloquy. Lastly the phantom of Jehovah appears, as
-the shadow of a god passing away forever.
-
-Suddenly the stature of Hilarion towers to the stars; he assumes the
-likeness and luminosity of Lucifer; he announces himself as
-
-
-
-SCIENCE
-
-
-And Anthony is lifted upon mighty wings and borne away beyond the
-world, above the solar system, above the starry arch of the Milky Way.
-All future discoveries of Astronomy are revealed to him. He is tempted
-by the revelation of innumerable worlds,--by the refutation of all
-his previous ideas of the nature of the Universe,--by the enigmas of
-infinity,--by all the marvels that conflict with faith. Even in the
-night of immensity the demon renews the temptation of reason: Anthony
-wavers upon the verge of pantheism.
-
-
-
-LUST AND DEATH
-
-
-Anthony abandoned by the spirit of Science comes to himself in the
-desert. Then the Tempter returns under a two-fold aspect: as the
-Spirit of Lust and the Spirit of Destruction. The latter urges him to
-suicide,--the former to indulgence of sense. They inspire him with
-strong fancies of palingenesis, of the illusion of death, of the
-continuity of life. The pantheistic temptation intensified.
-
-
-
-THE MONSTERS
-
-
-Anthony in reveries meditates upon the monstrous symbols painted upon
-the walls of certain ancient temples. Could he know their meaning
-he might learn also something of the secret lien between Matter and
-Thought. Forthwith a phantasmagoria of monsters commence to pass before
-his eyes:--the Sphinx and the Chimera, the Blemmyes and Astomi, the
-Cynocephali and all creatures of mythologie creation. He beholds the
-fabulous beings of Oriental imagining,--the abnormities described
-by Pliny and Herodotus, the fantasticalities to be later adopted by
-heraldry,--the grotesqueries of future medieval illumination made
-animate;--the goblinries and foulnesses of superstitious fancy,--the
-Witches' Sabbath of abominations.
-
-
-
-METAMORPHOSIS
-
-
-The multitude of monsters melts away; the land changes into an Ocean;
-the creatures of the briny abysses appear. And the waters in turn
-also change; seaweeds are transformed to herbs, forests of coral
-give place to forests of trees, polypous life changes to vegetation.
-Metals crystallize; frosts effloresce; plants become living things,
-inanimate matter takes animate form, monads vibrate, the pantheism of
-nature makes itself manifest. Anthony feels a delirious desire to unite
-himself with the Spirit of Universal Being....
-
-The vision vanishes. The sun arises. The face of Christ is revealed.
-The temptation has passed; Anthony kneels in prayer.
-
-L. H.
-
-
-
-
-THE TEMPTATION OF ST. ANTHONY
-
-
-_It is in the Thebaid at the summit of a mountain, upon a platform,
-rounded off into the form of a demilune, and enclosed by huge stones._
-
-_The Hermit's cabin appears in the background. It is built of mud and
-reeds, it is flat-roofed and doorless. A pitcher and a loaf of black
-bread can be distinguished within also, in the middle of the apartment
-a large book resting on a wooden STELA; while here and there, fragments
-of basketwork, two or three mats, a basket, and a knife lie upon the
-ground._
-
-_Some ten paces from the hut, there is a long cross planted in the
-soil; and, at the other end of the platform, an aged and twisted
-palm tree leans over the abyss; for the sides of the mountain are
-perpendicular, and the Nile appears to form a lake at the foot of the
-cliff._
-
-_The view to right and left is broken by the barrier of rocks. But
-on the desert-side, like a vast succession of sandy beaches, immense
-undulations of an ashen-blonde color extend one behind the other,
-rising higher as they recede; and far in the distance, beyond the
-sands, the Libyan chain forms a chalk-colored wall, lightly shaded by
-violet mists. On the opposite side the sun is sinking. In the north the
-sky is of a pearl-gray tint, while at the zenith purple clouds disposed
-like the tufts of a gigantic mane, lengthen themselves against the blue
-vault. These streaks of flame take darker tones; the azure spots turn
-to a nacreous pallor; the shrubs, the pebbles, the earth, all now seem
-hard as bronze; and throughout space there floats a golden dust so fine
-as to become confounded with the vibrations of the light._
-
-_Saint Anthony, who has a long beard, long hair, and wears a tunic of
-goatskin, is seated on the ground cross-legged, and is occupied in
-weaving mats. As soon as the sun disappears, he utters a deep sigh,
-and, gazing upon the horizon, exclaims_:--
-
-"Another day! another day gone! Nevertheless formerly I used not to
-be so wretched. Before the end of the night I commenced my orisons;
-then I descended to the river to get water, and remounted the rugged
-pathway with the skin upon my shoulder, singing hymns on the way. Then
-I would amuse myself by arranging everything in my hut. I would make my
-tools; I tried to make all my mats exactly equal in size, and all my
-baskets light; for then my least actions seemed to me duties in nowise
-difficult or painful of accomplishment.
-
-"Then at regular hours I ceased working; and when I prayed with my arms
-extended, I felt as though a fountain of mercy were pouring from the
-height of heaven into my heart. That fountain is now dried up. Why?"
-
-(_He walks up and down slowly, within the circuit of the rocks._)
-
-"All blamed me when I left the house. My mother sank to the ground,
-dying; my sister from afar off made signs to me to return; and the
-other--wept, Ammonaria, the child whom I used to meet every evening
-at the cistern, when she took the oxen to drink. She ran after me. Her
-foot rings glittered in the dust; and her tunic, open at the hips,
-fluttered loosely in the wind. The aged anchorite who was leading me
-away called her vile names. Our two camels galloped forward without
-respite; and I have seen none of my people since that day.
-
-"At first, I selected for my dwelling place, the tomb of a Pharaoh. But
-an enchantment circulates through all those subterranean palaces, where
-the darkness seems to have been thickened by the ancient smoke of the
-aromatics. From the depths of Sarcophagi, I heard doleful voices arise,
-and call my name; or else, I suddenly beheld the abominable things
-painted upon the walls live and move; and I fled away to the shore
-of the Red Sea, and took refuge in a ruined citadel. There my only
-companions were the scorpions dragging themselves among the stones, and
-the eagles continually wheeling above my head, in the blue of heaven.
-At night I was torn by claws, bitten by beaks; soft wings brushed
-against me; and frightful demons, shrieking in my ears, flung me upon
-the ground. Once I was even rescued by the people of a caravan going
-to Alexandria; and they took me away with them.
-
-"Then I sought to obtain instruction from the good old man Didymus.
-Although blind, none equalled him in the knowledge of the Scriptures.
-When the lesson was finished, he used to ask me to give him my arm
-to lean upon, that we might walk together. Then I would conduct him
-to the Paneum, whence may be seen the Pharos and the open sea. Then
-we would return by way of the post, elbowing men of all nations,
-even Cimmerians clad in the skins of bears and Gymnosophists of the
-Ganges anointed with cow-dung. But there was always some fighting in
-the streets--either on account of the Jews refusing to pay taxes, or
-of seditious people who wished to drive the Romans from the city.
-Moreover, the city is full of heretics--followers of Manes; Valentinus,
-Basilides, Arius--all seeking to engross my attention in order to argue
-with me and to convince me.
-
-"Their discourses often come back to my memory. Vainly do I seek to
-banish them from my mind. They trouble me!
-
-"I took refuge at Colzin, and there lived a life of such penance that
-I ceased to fear God. A few men, desirous of becoming anchorites,
-gathered about me. I imposed a practical rule of life upon them,
-hating, as I did, the extravagance of Gnosus and the assertions of the
-philosophers. Messages were sent to me from all parts, and men came
-from afar off to visit me.
-
-"Meanwhile the people were torturing the confessors; and the thirst of
-martyrdom drew me to Alexandria. The persecution had ceased three days
-before I arrived there!
-
-"While returning thence, I was stopped by a great crowd assembled
-before the temple of Serapis. They told me it was a last example which
-the Governor had resolved to make. In the centre of the portico, under
-the sunlight, a naked woman was fettered to a column, and two soldiers
-were flogging her with thongs; at every blow her whole body writhed.
-She turned round, her mouth open; and over the heads of the crowd,
-through the long hair half hiding her face, I thought that I could
-recognize Ammonaria....
-
-[Illustration: ... through the long hair half hiding her face,
-I thought that I could recognize Ammonaria]
-
-"Nevertheless ... this one was taller ... and beautiful ...
-prodigiously beautiful!"
-
-(_He passes his hands over his forehead._)
-
-"No! no! I must not think of it!
-
-"Another time Athanasius summoned me to assist him against the Arians.
-The contest was limited to invectives and laughter. But since that
-time he has been calumniated, dispossessed of his see, obliged to fly
-for safety elsewhere. Where is he now? I do not know! The people give
-themselves very little trouble to bring me news. All my disciples have
-abandoned me--Hilarion like the rest.
-
-"He was perhaps fifteen years of age when he first came to me and his
-intelligence was so remarkable that he asked me questions incessantly.
-Then he used to listen to me with a pensive air, and whatever I needed
-he brought it to me without a murmur--nimbler than a kid, merry enough
-to make even the patriarchs laugh. He was a son to me."
-
-(_The sky is red; the earth completely black. Long drifts of sand
-follow the course of the gusts of wind, rising like great shrouds and
-falling again. Suddenly against a bright space in the sky a flock of
-birds pass, forming a triangular battalion, gleaming like one sheet of
-metal, of which the edges alone seem to quiver._
-
-_Anthony watches them._)
-
-"Ah, how I should like to follow them.
-
-"How often also have I enviously gazed upon those long vessels,
-whose sails resemble wings--and above all when they were bearing
-far away those I had received at my hermitage! What pleasant hours
-we passed!--what out-pourings of feeling! No one ever interested me
-more than Ammon: he told me of his voyage to Rome, of the Catacombs,
-the Coliseum, the piety of illustrious women, and a thousand other
-things!--and it grieved me to part with him! Wherefore my obstinacy
-in continuing to live such a life as this? I would have done well to
-remain with the monks of Nitria, inasmuch as they supplicated me to
-do so. They have cells apart, and nevertheless communicate with each
-other. On Sundays a trumpet summons them to assemble at the church,
-where one may see three scourges hanging up, which serve to punish
-delinquents, robbers, and intruders; for their discipline is severe.
-
-"Nevertheless they are not without some enjoyments. The faithful bring
-them eggs, fruits, and even instruments with which they can extract
-thorns from their feet. There are vineyards about Prisperi; those
-dwelling at Pabena have a raft on which they may journey when they go
-to seek provisions.
-
-"But I might have served my brethren better as a simple priest. As a
-priest one may aid the poor, administer the sacraments, and exercise
-authority over families.
-
-"Furthermore, all laics are not necessarily damned, and it only
-depended upon my own choice to become--for example--a grammarian, a
-philosopher. I would then have had in my chamber a sphere of reeds,
-and tablets always ready at hand, young men around me, and a wreath of
-laurel suspended above my door, as a sign.
-
-"But there is too much pride in triumphs such as those. A soldier's
-life would have been preferable. I was robust and bold: bold enough to
-fasten the cables of the military machines--to traverse dark forests,
-or to enter, armed and helmeted, into smoking cities.... Neither was
-there anything to have prevented me from purchasing with my money the
-position of publican at the toll-office of some bridge; and travellers
-would have taught me many strange things, and told me strange stories,
-the while showing me many curious objects packed up among their
-baggage....
-
-"The merchants of Alexandria sail upon the river Canopus on holidays,
-and drink wine in the chalices of lotus-flowers, to a music of
-tambourines which makes the taverns along the shore tremble! Beyond,
-trees, made cone-shaped by pruning, protect the quiet farms against
-the wind of the south. The roof of the lofty house leans upon thin
-colonettes placed as closely together as the laths of a lattice;
-and through their interspaces the master, reclining upon his long
-couch, beholds his plains stretching about him--the hunter among the
-wheat-fields--the winepress where the vintage is being converted into
-wine, the oxen treading out the wheat. His children play upon the floor
-around him; his wife bends down to kiss him."
-
-(_Against the grey dimness of the twilight, here and there appear
-pointed muzzles, with straight, pointed ears and bright eyes. Anthony
-advances toward them. There is a sound of gravel crumbling down; the
-animals take flight. It was a troop of jackals._
-
-_One still remains, rising upon his hinder legs, with his body half
-arched and head raised in an attitude full of defiance._)
-
-"How pretty he is! I would like to stroke his back gently!"
-
-(_Anthony whistles to coax him to approach. The jackal disappears._)
-
-"Ah! he is off to join the others. What solitude! what weariness!"
-(_Laughing bitterly._)
-
-"A happy life this indeed!--bending palm-branches in the fire to make
-shepherds' crooks, fashioning baskets, stitching mats together--and
-then exchanging these things with the Nomads for bread which breaks
-one's teeth! Ah! woe, woe is me! will this never end? Surely death were
-preferable! I can endure it no more! Enough! enough!"
-
-(_He stamps his foot upon the ground, and rushes frantically to and fro
-among the rocks; then pauses, out of breath, bursts into tears, and
-lies down upon the ground, on his side._
-
-_The night is calm; multitudes of stars are palpitating; only the
-crackling noise made by the tarantulas is audible._
-
-_The two arms of the cross make a shadow upon the sand; Anthony, who is
-weeping, observes it._)
-
-"Am I, then, so weak, O my God! Courage, let me rise from here!"
-
-(_He enters his hut, turns over a pile of cinders, finds a live ember,
-lights his torch and fixes it upon the wooden desk, so as to throw a
-light upon the great book._)
-
-"Suppose I take the Acts of the Apostles?--yes!--no matter where!"
-
-_'And he saw the heaven opened, and a certain vessel descending, as it
-were a great linen sheet let down by the four corners from heaven to
-the earth--wherein were all manner of four-footed beasts, and creeping
-things of the earth and fowls of the air. And there came a voice to
-him: Arise, Peter! Kill and eat!'_[1]
-
-"Then the Lord desired that his apostle should eat of all things?...
-while I...."
-
-(_Anthony remains thoughtful, his chin resting against his breast. The
-rustling of the pages, agitated by the wind, causes him to lift his
-head again; and he reads_:)
-
-_'So the Jews made a great slaughter of their enemies with the sword,
-and killed them, repaying according to what they had prepared to do to
-them...._[2]
-
-"Then, comes the number of people slain by them--seventy-five thousand.
-They had suffered so much! Moreover, their enemies were the enemies of
-the true God. And how they must have delighted in avenging themselves
-thus by the massacre of idolaters! Doubtless the city must have been
-crammed with the dead! There must have been corpses at the thresholds
-of the garden gates, upon the stairways, in all the chambers, and piled
-up so high that the doors could no longer move upon their hinges!...
-But lo! here I am permitting my mind to dwell upon ideas of murder and
-of blood!..."
-
-(_He opens the book at another place._)
-
-_'Then King Nabuchodonosor fell on his face, and worshipped
-Daniel...._'[3]
-
-"Ah! that was just! The _Most High_ exalts his prophets above Kings;
-yet that monarch spent his life in banqueting, perpetually drunk with
-pleasure and pride. But God, to punish him, changed him into a beast!
-He walked upon four feet!"
-
-(_Anthony begins to laugh; and in extending his arms, involuntarily
-disarranges the leaves of the book with the tips of his fingers. His
-eyes fell upon this phrase_:--)
-
-_'And Ezechias rejoiced at their coming, and he showed them the house
-of his aromatical spices, and the gold and the silver, and divers
-precious odours and ointments, and the house of his vessels, and all
-that he had in his treasures....'_[4]
-
-"I can imagine that spectacle; they must have beheld precious stones,
-diamonds and darics heaped up to the very roof. One who possesses so
-vast an accumulation of wealth is no longer like other men. While
-handling his riches he knows that he controls the total result of
-innumerable human efforts--as it were the life of nations drained by
-him and stored up, which he can pour forth at will. It is a commendable
-precaution on the part of Kings. Even the _Wisest_ of all did not
-neglect it. His navy brought him elephants' teeth and apes.... Where is
-that passage?"
-
-(_He turns the leaves over rapidly._)
-
-"Ah! here it is:"
-
-_'And the Queen of Saba, having heard of the fame of Solomon in the
-name of the Lord, came to try him with hard questions.'_[5]
-
-"How did she hope to tempt him? The _Devil_ indeed sought to tempt
-Jesus! But Jesus triumphed because he was God; and Solomon, perhaps,
-owing this knowledge of magic! It is sublime--that science! For the
-world--as a philosopher once explained it to me, forms a whole, of
-which all parts mutually influence one another, like the organs of one
-body. It is science which enables us to know the natural loves and
-natural repulsions of all things, and to play upon them?... Therefore,
-it is really possible to modify what appears to be the immutable order
-of the universe?"
-
-(_Then the two shadows formed behind him by the arms of the cross,
-suddenly lengthen and project themselves before him. They assume the
-form of two great horns. Anthony cries out_:--)
-
-"Help me! O my God!"
-
-[Illustration: Saint Anthony: Help me, O my God!]
-
-(_The shadows shrink back to their former place._)
-
-"Ah!... it was an illusion ... nothing more. It is needless for me to
-torment my mind further! I can do nothing!--absolutely nothing."
-
-(_He sits down and folds his arms._)
-
-"Nevertheless ... it seems to me that I felt the approach of.... But
-why should _He_ come? Besides, do I not know all his artifices? I
-repulsed the monstrous anchorite who laughingly offered me little
-loaves of warm, fresh bread, the centaur who sought to carry me away
-upon his croup, and that black child who appeared to me in the midst of
-the sands, who was very beautiful, and who told me that he was called
-the Spirit of Lust!"
-
-(_Anthony rises and walks rapidly up and down, first to the right, then
-to the left._)
-
-"It was by my order that this multitude of holy retreats was
-constructed--full of monks all wearing sackcloth of camel's hair
-beneath their garments of goatskin, and numerous enough to form an
-army. I have cured the sick from afar off; I have cast out demons;
-I have passed the river in the midst of crocodiles; the Emperor
-Constantine wrote me throe letters; Balacius, who had spat upon mine,
-was torn to pieces by his own horses; when I reappeared the people of
-Alexandria fought for the pleasure of seeing me, and Athanasius himself
-escorted me on the way back. But what works have I not accomplished
-Lo! for these thirty years and more I have been dwelling and groaning
-unceasingly in the desert! Like Eusebius, I have carried thirty-eight
-pounds of bronze upon my loins; like Macarius, I have exposed my body
-to the stings of insects; like Pacomus, I have passed fifty-three
-nights without closing my eyes; and those who are decapitated, tortured
-with red hot pincers, or burned alive, are perhaps less meritorious
-than I, seeing that my whole life is but one prolonged martyrdom."
-(_Anthony slackens his pace._)
-
-"Assuredly there is no human being in a condition of such unutterable
-misery! Charitable hearts are becoming scarcer. I no longer receive
-aught from any one. My mantle is worn out. I have no sandals--I have
-not even a porringer!--for I have distributed all I possessed to the
-poor and to my family, without retaining so much as one obolus. Yet
-surely I ought to have a little money to obtain the tools indispensable
-to my work? Oh, not much! a very small sum.... I would be very saving
-of it....
-
-"The fathers of Nicaea, clad in purple robes, sat like magi, upon
-thrones ranged along the walls; and they were entertained at a great
-banquet and overwhelmed with honours, especially Paphnutius, because he
-is one-eyed and lame, since the persecution of Diocletian! The Emperor
-kissed his blind eye several times; what foolishness! Besides, there
-were such infamous men members of that Council! A bishop of Scythia,
-Theophilus! another of Persia, John! a keeper of beasts, Spiridion!
-Alexander was too old. Athanasius ought to have shown more gentleness
-towards the Arians, so as to have obtained concessions from them.
-
-"Yet would they have made any? They would not hear me! The one who
-spoke against me--a tall young man with a curly beard--uttered the
-most captious objections to my argument; and while I was seeking words
-to express my views they all stared at me with their wicked faces,
-and barked like hyenas. Ah! why cannot I have them all exiled by the
-Emperor! or rather have them beaten, crushed, and see them suffer! I
-suffer enough myself."
-
-(_He leans against his cabin in a fainting condition._)
-
-"It is because I have fasted too long; my strength is leaving me. If I
-could eat--only once more--a piece of meat." (_He half closes his eyes
-with languor._)
-
-"Ah! some red flesh--a bunch of grapes to bite into ... curdled milk
-that trembles on a plate!...
-
-"But what has come upon me? What is the matter with me? I feel my heart
-enlarging like the sea, when it swells before the storm. An unspeakable
-feebleness weighs down upon me, and the warm air seems to waft me
-the perfume of a woman's hair. No woman has approached this place;
-nevertheless?--"
-
-(_He gazes toward the little pathway between the rocks._)
-
-"That is the path by which they come, rocked in their litters by the
-black arms of the eunuchs. They descend and joining their hands,
-heavy with rings, kneel down before me. They relate to me all their
-troubles. The desire of human pleasure tortures them; they would
-gladly die; they have seen in their dreams God calling to them ... and
-all the while the hems of their robes fall upon my feet. I repel them
-from me. 'Ah! no!' they cry, 'not yet! What shall I do?' They gladly
-accept any penitence I impose on them. They ask for the hardest of all;
-they beg to share mine and to live with me.
-
-"It is now a long time since I have seen any of them! Perhaps some of
-them will come! why not? If I could only hear again, all of a sudden,
-the tinkling of mule-bells among the mountains. It seems to me...."
-
-(_Anthony clambers upon a rock at the entrance of the pathway, and
-leans over, darting his eyes into the darkness._)
-
-"Yes! over there, far off I see a mass moving, like a band of
-travellers seeking the way. _She_ is there!... They are making a
-mistake." (_Calling._)
-
-"This way! Come! Come!"
-
-(_Echo repeats: Come! Come! he lets his arms fall, stupefied._)
-
-"What shame for me! Alas! poor Anthony."
-
-(_And all of a sudden he hears a whisper:--"Poor Anthony"!_)
-
-"Who is there? Speak!"
-
-(_The wind passing through the intervals between the rocks, makes
-modulations; and in those confused sonorities he distinguishes Voices,
-as though the air itself were speaking. They are low, insinuating,
-hissing._)
-
-_The First_: "Dost thou desire women?"
-
-_The Second_: "Great heaps of money, rather!"
-
-_The Third_: "A glittering sword?" (_and_)
-
-_The Others_: "All the people admire thee! Sleep!"
-
-"Thou shalt slay them all, aye, thou shalt slay them!"
-
-(_At the same moment objects become transformed. At the edge of the
-cliff, the old palm tree with its tuft of yellow leaves, changes into
-the torso of a woman leaning over the abyss, her long hair waving in
-the wind.
-
-Anthony turns toward his cabin; and the stool supporting the great book
-whose pages are covered with black letters, seems to him changed into a
-bush all covered with nightingales._)
-
-"It must be the torch which is making this strange play of light....
-Let us put it out!"
-
-(_He extinguishes it; the obscurity becomes deeper, the darkness
-profound._
-
-_And suddenly in the air above there appear and disappear
-successively--first, a stretch of water; then the figure of a
-prostitute; the corner of a temple, a soldier; a chariot with two white
-horses, prancing._
-
-_These images appear suddenly, as in flashes--outlined against the
-background of the night, like scarlet paintings executed upon ebony._
-
-_Their motion accelerates. They defile by with vertiginous rapidity.
-Sometimes again, they pause and gradually pale and melt away; or else
-float off out of sight, to be immediately succeeded by others._
-
-_Anthony closes his eyelids._
-
-_They multiply, surround him, besiege him. An unspeakable fear takes
-possession of him; and he feels nothing more of living sensation, save
-a burning contraction of the epigastrium. In spite of the tumult in
-his brain, he is aware of an enormous silence which separates him from
-the world. He tries to speak;--impossible! He feels as though all the
-bands of his life were breaking and dissolving;--and, no longer able to
-resist, Anthony falls prostrate upon his mat._)
-
-
-[1] Acts X: 11-13--T.
-
-[2] Esther IX: 5--T.
-
-[3] Daniel II: 46.--T.
-
-[4] Kings XX: 13 (Vulg.).--T.
-
-[5] III Kings X: I (Vulg.).--T.
-
-
-
-
-II
-
-
-(_Then a great shadow, subtler than any natural shadow, and festooned
-by other shadows along its edges, defines itself upon the ground._
-
-_It is the Devil, leaning upon the roof of the hut, and bearing beneath
-his wings--like some gigantic bat suckling its little ones--the Seven
-Deadly Sins, whose grimacing heads are dimly distinguishable._
-
-_With eyes still closed, Anthony yields to the pleasure of inaction;
-and stretches his limbs upon the mat._
-
-_It seems to him quite soft, and yet softer--so that it becomes as if
-padded; it rises up; it becomes a bed. The bed becomes a shallop; water
-laps against its sides._
-
-_To right and left rise two long tongues of land, overlooking low
-cultivated plains, with a sycamore tree here and there. In the distance
-there is a tinkling of bells, a sound of drums and of singers. It is a
-party going to Canopus to sleep upon the temple of Serapis, in order
-to have dreams. Anthony knows this; and impelled by the wind, his boat
-glides along between the banks. Papyrus-leaves and the red flowers of
-the nymphaea, larger than the body of a man, bend over him. He is lying
-at the bottom of the boat; one oar at the stem, drags in the water.
-From time to time, a lukewarm wind blows; and the slender reeds rub one
-against the other, and rustle. Then the sobbing of the wavelets becomes
-indistinct. A heavy drowsiness falls upon him. He dreams that he is a
-Solitary of Egypt._
-
-_Then he awakes with a start._)
-
-"Did I dream? It was all so vivid that I can scarcely believe I was
-dreaming! My tongue burns. I am thirsty."
-
-(_He enters the cabin, and gropes at random in the dark._)
-
-"The ground is wet; can it have been raining? What can this mean! My
-pitcher is broken into atoms! But the goatskin?" (_He finds it._)
-
-"Empty!--completely empty! In order to get down to the river, I should
-have to walk for at least three hours; and the night is so dark that I
-could not see my way.
-
-"There is a gnawing in my entrails. Where is the bread!"
-
-(_After long searching, he picks up a crust not so large as an egg._)
-
-"What? Have the jackals taken it? Ah! malediction!"
-
-(_And he flings the bread upon the ground with fury._
-
-_No sooner has the action occurred than a table makes its appearance,
-covered with all things that are good to eat._
-
-_The byssus cloth, striated like the bandelets of the sphinx, produces
-of itself luminous undulations. Upon it are enormous quarters of red
-meats; huge fish; birds cooked in their plumage, and quadrupeds in
-their skins; fruits with colors and tints almost human in appearance;
-while fragments of cooling ice, and flagons of violet crystal reflect
-each other's glittering. Anthony notices in the middle of the table
-a boar smoking at every pore--with legs doubled up under its belly,
-and eyes half closed--and the idea of being able to eat so formidable
-an animal greatly delights him. Then many things appear which he has
-never seen before--black hashes, jellies, the color of gold, ragouts in
-which mushrooms float like nenuphars upon ponds, dishes of whipt cream
-light as clouds._
-
-_And the aroma of all this comes to him together with the salt smell of
-the ocean, the coolness of mountains, the great perfumes of the woods.
-He dilates his nostrils to their fullest extent; his mouth waters; he
-thinks to himself that he has enough before him for a year, for ten
-years, for his whole life!_
-
-_As he gazes with widely-opened eyes at all these viands, others
-appear; they accumulate, forming a pyramid crumbling at all its angles.
-The wines begin to flow over--the fish palpitate--the blood seethes in
-the dishes--the pulp of the fruit protrudes like amorous lips--and the
-table rises as high as his breast, up to his very chin at last--now
-bearing only one plate and a single loaf of bread, placed exactly in
-front of him._
-
-_He extends his hand to seize the loaf. Other loaves immediately
-present themselves to his grasp._)
-
-"For me!... all these! But ..." (_Anthony suddenly draws back._)
-
-"Instead of one which was there, lo! there are many! It must be a
-miracle, then, the same as our Lord wrought!
-
-"Yet for what purpose?... Ah! all the rest of these things are equally
-incomprehensible! Demon, begone from me! depart! begone!"
-
-(_He kicks the table from him. It disappears._)
-
-"Nothing more?--no!" (_He draws a lung breath._)
-
-"Ah! the temptation was strong! But how well I delivered myself from
-it!"
-
-(_He lifts his head, and at the same time stumbles over some sonorous
-object._)
-
-"Why! what can that be?" (_Anthony stoops down._)
-
-"How! a cup! Some traveller must have lost it here. There is nothing
-extraordinary...."
-
-(_He wets his finger, and rubs._)
-
-"It glitters!--metal! Still, I cannot see very clearly...."
-
-(_He lights his torch, and examines the cup._)
-
-"It is silver, ornamented with ovules about the rim, with a medal at
-the bottom of it."
-
-(_He detaches the medal with his nail!_)
-
-"It is a piece of money worth about seven or eight drachmas--not more!
-It matters not! even with that I could easily buy myself a sheepskin."
-
-(_A sudden flash of the torch lights up the cup._)
-
-"Impossible! gold? Yes, all gold, solid gold!"
-
-(_A still larger piece of money appears at the bottom. Under it he
-perceives several others._)
-
-"Why, this is a sum ... large enough to purchase three oxen ... and a
-little field!"
-
-(_The cup is now filled with pieces of gold._)
-
-"What! what!... a hundred slaves, soldiers, a host ... enough to
-buy...."
-
-(_The granulations of the rim, detaching themselves form a necklace of
-pearls._)
-
-"With such a marvel of jewelry as that, one could win even the wife of
-the Emperor!"
-
-(_By a sudden jerk, Anthony makes the necklace slip down over his
-wrist. He holds the cup in his left hand, and with his right lifts
-up the torch so as to throw the light upon it. As water streams
-overflowing from the basin of a fountain, so diamonds, carbuncles, and
-sapphires, all mingled with broad pieces of gold bearing the effigies
-of Kings, overflow from the cup in never ceasing streams, to form a
-glittering hillock upon the sand._)
-
-"What! how! Staters, cycles, dariacs, aryandics; Alexander, Demetrius,
-the Ptolemies, Caesar!--yet not one of them all possessed so much!
-Nothing is now impossible! no more suffering for me! how these
-gleams dazzle my eyes! Ah! my heart overflows! how delightful it is!
-yes--yes!--more yet! never could there be enough! Vainly I might
-continually fling it into the sea, there would always be plenty
-remaining for me. Why should I lose any of it? I will keep all, and say
-nothing to any one about it; I will have a chamber hollowed out for me
-in the rock, and lined with plates of bronze, and I will come here from
-time to time to feel the gold sinking down under the weight of my heel;
-I will plunge my arms into it as into sacks of grain! I will rub my
-face with it, I will lie down upon it!"
-
-(_He flings down the torch in order to embrace the glittering heap, and
-falls flat upon the ground._
-
-_He rises to his feet. The place is wholly empty._)
-
-"What have I done!
-
-"Had I died during those moments, I should have gone to hell--to
-irrevocable damnation."
-
-(_He trembles in every limb._)
-
-"Am I, then, accursed? Ah! no; it is my own fault! I allow myself
-to be caught in every snare! No man could be more imbecile, more
-infamous! I should like to beat myself, or rather to tear myself out
-of my own body! I have restrained myself too long. I feel the want of
-vengeance--the necessity of striking, of killing!--as though I had a
-pack of wild beasts within me! Would that I could hew my way with an
-axe, through the midst of a multitude.... Ah, a poniard!..."
-
-(_He perceives his knife, and rushes to seize it. The knife slips from
-his hand; and Anthony remains leaning against the wall of his hut, with
-wide-open mouth, motionless, cataleptic._
-
-_Everything about him has disappeared._
-
-_He thinks himself at Alexandria, upon the Paneum--an artificial
-mountain in the centre of the city, encircled by a winding stairway._
-
-_Before him lies Lake Mareolis; on his right hand is the sea, on his
-left the country; and immediately beneath him a vast confusion of
-flat roofs, traversed from north to south and from east to west by
-two streets which intercross, and which offer throughout their entire
-length the spectacle of files of porticoes with Corinthian columns. The
-houses overhanging this double colonnade have windows of stained glass.
-Some of them support exteriorly enormous wooden cages, into which the
-fresh air rushes from without._
-
-_Monuments of various architecture tower up in close proximity.
-Egyptian pylons dominate Greek temples. Obelisks appear like lances
-above battlements of red brick. In the middle of public squares there
-are figures of Hermes with pointed ears, and of Anubis with the head of
-a dog. Anthony can distinguish the mosaic pavements of the courtyards,
-and tapestries suspended from the beams of ceilings._
-
-_He beholds at one glance, the two ports (the Great Port and the
-Eunostus), both round as circuses, and separated by a mole connecting
-Alexandria with the craggy island upon which the Pharos-tower
-rises--quadrangular, five hundred cubits high, nine storied, having at
-its summit a smoking heap of black coals._
-
-_Small interior ports open into the larger ones. The mole terminates at
-each end in a bridge supported upon marble columns planted in the sea.
-Sailing vessels pass beneath it, while heavy lighters overladen with
-merchandise, thalamegii[1] inlaid with ivory, gondolas covered with
-awnings, triremes, biremes, and all sorts of vessels are moving to and
-fro, or lie moored at the wharves._
-
-_About the Great Port extends an unbroken array of royal construction:
-the palace of the Ptolomies, the Museum, the Posidium, the Caesareum,
-the Timonium where Mark Anthony sought refuge, the Soma which contains
-the tomb of Alexander; while at the other extremity of the city, beyond
-the Eunostus, the great glass factories, perfume factories, and papyrus
-factories may be perceived in a suburban quarter._
-
-_Strolling peddlers, porters, ass-drivers run and jostle together.
-Here and there one observes some priest of Isis wearing a panther skin
-on his shoulders, a Roman soldier with his bronze helmet, and many
-negroes. At the thresholds of the shops women pause, artisans ply their
-trades; and the grinding noise of chariot wheels puts to flight the
-birds that devour the detritus of the butcher-shops and the morsels of
-fish left upon the ground._
-
-_The general outline of the streets seems like a black network flung
-upon the white uniformity of the houses. The markets stocked with
-herbs make green bouquets in the midst of it; the drying-yards of the
-dyers, blotches of color; the golden ornaments of the temple-pediments,
-luminous points--all comprised within the oval enclosure of the grey
-ramparts, under the vault of the blue heaven, beside the motionless
-sea._
-
-_But suddenly the movement of the crowd ceases; all turn their
-eyes toward the west, whence enormous whirlwinds of dust are seen
-approaching._
-
-_It is the coming of the monks of the Thebaid, all clad in goatskins,
-armed with cudgels, roaring a canticle of battle and of faith with the
-refrain_:
-
-"Where are they? Where are they?"
-
-_Anthony understands that they are coming to kill the Arians._
-
-_The streets are suddenly emptied--only flying feet are visible._
-
-_The Solitaries are now in the city. Their formidable cudgels, studded
-with nails, whirl in the air like suns of steel. The crash of things
-broken in the houses is heard. There are intervals of silence. Then
-great screams arise._
-
-_From one end of the street to the other there is a continual eddy of
-terrified people._
-
-_Many grasp pikes. Sometimes two bands meet, rush into one; and this
-mass of men slips upon the pavement--fighting, disjointing, knocking
-down. But the men with the long hair always reappear._
-
-_Threads of smoke begin to escape from the corners of edifices! folding
-doors burst open. Portions of walls crumble down. Architraves fall._
-
-_Anthony finds all his enemies again, one after the other. He even
-recognizes some whom he had altogether forgotten; before killing them
-he outrages them. He disembowels--he severs throats--he fells as in
-a slaughter house--he hales old men by the beard, crushes children,
-smites the wounded. And vengeance is taken upon luxury, those who
-do not know how to read tear up hooks; others smash and deface the
-statues, paintings, furniture, caskets,--a thousand dainty things
-the use of which they do not know, and which simply for that reason
-exasperates them. At intervals they pause, out of breath, in the work
-of destruction; then they recommence._
-
-_The inhabitants moan in the courtyards where they have sought refuge.
-The women raise their tearful eyes and lift their naked arms to heaven.
-In hope of moving the Solitaries they embrace their knees; the men cast
-them off and fling them down, and the blood gushes to the ceilings,
-falls back upon the walls like sheets of rain, streams from the trunks
-of decapitated corpses, fills the aqueducts, forms huge red pools upon
-the ground._
-
-_Anthony is up to his knees in it. He wades in it; he sucks up the
-blood-spray on his lips; he is thrilled with joy as he feels it upon
-his limbs, under his hair-tunic which is soaked through with it._
-
-_Night comes. The immense uproar dies away._
-
-_The Solitaries have disappeared._
-
-_Suddenly, upon the outer galleries corresponding to each of the nine
-stories of the Pharos, Anthony observes thick black lines forming, like
-lines of crows perching. He hurries thither; and soon finds himself at
-the summit._
-
-_A huge mirror of brass turned toward the open sea, reflects the forms
-of the vessels in the offing._
-
-_Anthony amuses himself by watching them; and while he watches, their
-number increases._
-
-_They are grouped together within a gulf which has the form of a
-crescent. Upon a promontory in the background, towers a new city of
-Roman architecture, with cupolas of stone, conical roofs, gleams of
-pink and blue marbles, and a profusion of brazen ornamentation applied
-to the volutes of the capitals, to the angles of the cornices, to the
-summits of the edifices. A cypress-wood overhangs the city. The line of
-the sea is greener, the air colder. The mountains lining the horizon
-are capped with snow._
-
-_Anthony is trying to find his way, when a man approaches him, and
-says_:
-
-"Come! they are waiting for you."
-
-_He traverses a forum, enters a great court, stoops beneath a low
-door; and he arrives before the facade of the palace, decorated
-with a group in wax, representing Constantine overcoming a dragon.
-There is a porphyry basin, from the centre of which rises a golden
-conch-shell full of nuts. His guide tells him that he may take some of
-them. He does so. Then he is lost, as it were, in a long succession of
-apartments._
-
-_There are mosaics upon the walls representing generals presenting
-the Emperor with conquered cities, which they hold out upon the
-palms of their hands. And there are columns of basalt everywhere,
-trellis-work in silver filigree, ivory chairs, tapestries embroidered
-with pearls. The light falls from the vaults above; Anthony still
-proceeds. Warm exhalations circulate about him; occasionally he hears
-the discreet clapping sound of sandals upon the pavement. Posted in
-the anti-chambers are guards, who resemble automata, holding wands of
-vermillion upon their shoulders._
-
-[Illustration: And there are columns of basalt everywhere,... The
-light falls from the vaults above]
-
-_At last he finds himself in a great hall, with hyacinth-colored
-curtains at the further end. They part, and display the Emperor seated
-on a throne, clad in a violet tunic, and wearing red shoes striped with
-bands of black._
-
-_A diadem of pearls surround his head; his locks are arranged
-symmetrically in rouleaux. He has a straight nose, drooping eyelids,
-a heavy and cunning physiognomy. At the four corners of the dais
-stretched above his head are placed four golden doves; and at the foot
-of the throne are two lions in enamel crouching. The doves begin to
-sing, the lions to roar. The Emperor rolls his eyes; Anthony advances;
-and forthwith, without preamble, they commence to converse about
-recent events. In the cities of Antioch, Ephesus, and Alexandria,
-the temples have been sacked, and the statues of the gods converted
-into pots and cooking utensils; the Emperor laughs heartily about it.
-Anthony reproaches him with his tolerance toward the Novations. But the
-Emperor becomes vexed. Novations, Arians or Meletians--he is sick of
-them all! Nevertheless, he admires the episcopate; for inasmuch as the
-Christians maintain bishops, who depend for their position upon five or
-six important personages, it is only necessary to gain over the latter,
-in order to have all the rest on one's side. Therefore he did not fail
-to furnish them with large sums. But he detests the Fathers of the
-Council of Nicaea._
-
-"Let us go and see them!"
-
-_Anthony follows him._
-
-_And they find themselves on a terrace, upon the same floor._
-
-_It overlooks a hippodrome thronged with people, and surmounted by
-porticoes where other spectators are walking to and fro. From the
-centre of the race-course rises a narrow platform of hewn stone,
-supporting a little temple of Mercury, the statue of Constantine, and
-three serpents of brass twisted into a column; there are three huge
-wooden eggs at one end, and at the other a group of seven dolphins with
-their tails in the air._
-
-_Behind the imperial pavilion sit the Prefects of the Chambers, the
-Counts of the Domestics, and the Patricians--in ranks rising by tiers
-to the first story of a church whose windows are thronged with women.
-On the right is the tribune of the Blue Faction; on the left, that of
-the Green; below, a picket of soldiers is stationed; and on a level
-with the arena is a row of Corinthian arches, forming the entrances to
-the stables._
-
-_The races are about to commence; the horses are drawn up in line.
-Lofty plumes, fastened between their ears, bend to the wind like
-saplings; and with every restive bound, they shake their chariots
-violently, which are shell-shaped, and conducted by charioteers clad
-in a sort of multi-colored cuirass, having sleeves tight at the wrist
-and wide in the arms; their legs are bare; their beards, faces and
-foreheads are shaven after the manner of the Huns._
-
-_Anthony is at first deafened by the billowy sound of voices. From
-the summit of the hippodrome to its lowest tiers, he sees only faces
-painted with rouge, garments checkered and variegated with many colors,
-flashing jewelry; and the sand of the arena, all white, gleams like a
-mirror._
-
-_The Emperor entertains him. He confides to him many matters of high
-importance, many secrets; he confesses the assassination of his son
-Criopus, and even asks Anthony for advice regarding his health._
-
-_Meanwhile Anthony notices some slaves in the rear portion of the
-stables below. They are the Fathers of Nicaea, ragged and abject. The
-martyr Paphnutius is brushing the mane of one horse; Theophilus is
-washing the legs of another; John is painting the hoofs of a third;
-Alexander is collecting dung in a basket._
-
-_Anthony passes through the midst of them. They range themselves on
-either side respectfully; they beseech his intercession; they kiss his
-hands. The whole assemblage of spectators hoots at them; and he enjoys
-the spectacle with immeasurable pleasure. Lo! he is now one of the
-grandees of the Court--the Emperor's confidant--the prime minister!
-Constantine places his own diadem upon his brows. Anthony allows it to
-remain upon his head, thinking this honor quite natural._
-
-_And suddenly in the midst of the darkness a vast hall appears,
-illuminated by golden candelabra._
-
-_Candles so lofty that they are half lost in the darkness, stretch away
-in huge files beyond the lines of banquet-tables, which seem to extend
-to the horizon, where through a luminous haze loom superpositions of
-stairways, suites of arcades, colossi, towers, and beyond all a vague
-border of palace walls, above which rise the crests of cedars, making
-yet blacker masses of blackness against the darkness._
-
-_The guests, crowned with violet wreaths, recline upon very low couches
-and are leaning upon their elbows. Along the whole length of this
-double line of couches, wine is being poured out from amphorae, and at
-the further end, all alone, coiffed with the tiara and blazing with
-carbuncles, King Nebuchadnezzar eats and drinks._
-
-_On his right and left, two bands of priests in pointed caps are
-swinging censers. On the pavement below crawl the captive kings whose
-hands and feet have been cut off; from time to time he flings them
-bones to gnaw. Further off sit his brothers, with bandages across their
-eyes, being all blind._
-
-_From the depths of the ergastula arise moans of ceaseless pain. Sweet
-slow sounds of a hydraulic organ alternate with choruses of song; and
-one feels that all about the palace without extends an immeasurable
-city--an ocean of human life whose waves break against the walls. The
-slaves run hither and thither carrying dishes. Women walk between the
-ranks of guests, offering drinks to all; the baskets groan under their
-burthen of loaves; and a dromedary, laden with perforated water-skins:
-passes and repasses through the hall, sprinkling and cooling the
-pavement with vervain._
-
-_Lion tamers are leading tamed lions about. Dancing girls--their
-hair confined in nets--balance themselves and turn upon their hands,
-emitting fire through their nostrils; negro boatmen are juggling; naked
-children pelt each other with pellets of snow, which burst against the
-bright silverware. There is an awful clamor as of a tempest; and a huge
-cloud hangs over the banquet--so numerous are the meats and breaths.
-Sometimes a flake of fire torn from the great flambeaux by the wind,
-traverses the night like a shooting star._
-
-_The king wipes the perfumes from his face with his arm. He eats from
-the sacred vessels--then breaks them; and secretly reckons up the
-number of his fleets, his armies, and his subjects. By and by, for a
-new caprice, he will burn his palace with all its guests. He dreams of
-rebuilding the tower of Babel, and dethroning God._
-
-_Anthony, from afar off, reads all these thoughts upon his brow. They
-penetrate his own brain, and he becomes Nebuchadnezzar. Immediately he
-is cloyed with orgiastic excesses, sated with fury of extermination;
-and a great desire comes upon him to wallow in vileness. For the
-degradation of that which terrifies men is an outrage inflicted upon
-their minds--it affords yet one more way to stupefy them; and as
-nothing is viler than a brute, Anthony goes upon the table on all
-fours, and bellows like a bull._
-
-_He feels a sudden pain in his hand--a pebble has accidentally wounded
-him--and he finds himself once more in front of his cabin._
-
-_The circle of the rocks is empty. The stars are glowing in the sky.
-All is hushed._)
-
-"Again have I allowed myself to be deceived! Why these things? They
-come from the rebellion of the flesh. Ah! wretch!"
-
-(_He rushes into his cabin, and seizes a bunch of thongs, with metallic
-hooks attached to their ends, strips himself to the waist and, lifting
-his eyes to heaven exclaims_:)
-
-"Accept my penance, O my God: disdain it not for its feebleness. Render
-it sharp, prolonged, excessive! It is time, indeed!--to the work!"
-
-(_He gives himself a vigorous lash--and shrieks._)
-
-"No! no!--without mercy it must be."
-
-(_He recommences._)
-
-"Oh! oh! oh! each lash tears my skin, rends my limbs! It burns me
-horribly!"
-
-"Nay!--it is not so very terrible after all!--one becomes accustomed to
-it. It even seems to me...."
-
-(_Anthony pauses._)
-
-"Continue, coward! continue! Good! good!--upon the arms, on the back,
-on the breast, on the belly--everywhere! Hiss, ye thongs! bite me!
-tear me! I would that my blood could spurt to the stars!--let my bones
-crack!--let my tendons be laid bare! O for pincers, racks, and melted
-lead! The martyrs have endured far worse; have they not, Ammonaria?"
-
-(_The shadow of the Devil's horns reappears._)
-
-"I might have been bound to the column opposite to thine,--face to
-face--under thy eyes--answering thy shrieks by my sighs; and our pangs
-might have been interblended, our souls intermingled."
-
-(_He lashes himself with fury._)
-
-"What! what! again. Take that!--But how strange a titillation thrills
-me! What punishment! what pleasure! I feel as though receiving
-invisible kisses; the very marrow of my bones seems to melt. I die...."
-
-_And he sees before him three cavaliers, mounted upon onagers, clad in
-robes of green--each holding a lily in his hand, and all resembling
-each other in feature._
-
-_Anthony turns round, and beholds three other cavaliers exactly
-similar, riding upon similar onagers, and preserving the same attitude._
-
-_He draws back. Then all the onagers advance one pace at the same time,
-and rub their noses against him, trying to bite his garment. Voices
-shout_:--
-
-"Here! here! this way!"
-
-_And between the clefts of the mountain, appear standards,--camels'
-heads with halters of red silk--mules laden with baggage, and women
-covered with yellow veils, bestriding piebald horses._
-
-_The panting beasts lie down; the slaves rush to the bales and
-packages, motley-striped carpets are unrolled; precious glimmering
-things are laid upon the ground._
-
-_A white elephant, caparisoned with a golden net, trots forward,
-shaking the tuft of ostrich plumes attached to his head-band._
-
-_Upon his back, perched on cushions of blue wool, with her legs
-crossed, her eyes half closed, her comely head sleepily nodding, is a
-woman so splendidly clad that she radiates light about her. The crowd
-falls prostrate; the elephant bends his knees; and_
-
-THE QUEEN OF SHEBA
-
-_letting herself glide down from his shoulder upon the carpets spread
-to receive her, approaches Saint Anthony._
-
-_Her robe of gold brocade, regularly divided by furbelows of pearls,
-of jet, and of sapphires, sheaths her figure closely with its
-tight-fitting bodice, set off by colored designs representing the
-twelve signs of the Zodiac. She wears very high pattens--one of which
-is black, and sprinkled with silver stars, with a moon crescent; the
-other, which is white, is sprinkled with a spray of gold, with a golden
-sun in the middle._
-
-_Her wide sleeves, decorated with emeralds and bird-plumes, leave
-exposed her little round bare arms, clasped at the wrist by ebony
-bracelets; and her hands, loaded with precious rings, are terminated by
-nails so sharply pointed that the ends of her fingers seem almost like
-needles._
-
-_A chain of dead gold, passing under her chin, is caught up on either
-side of her face, and spirally coiled about her coiffure, whence,
-redescending, it grazes her shoulders and is attached upon her bosom
-to a diamond scorpion, which protrudes a jewelled tongue between her
-breasts. Two immense blond pearls depend heavily from her ears. The
-borders of her eyelids are painted black. There is a natural brown spot
-upon her left cheek; and she opens her mouth in breathing, as if her
-corset inconvenienced her._
-
-_She shakes, as she approaches, a green parasol with an ivory handle,
-and silver-gilt bells attached to its rim; twelve little woolly-haired
-negro-boys support the long train of her robe, whereof an ape holds the
-extremity, which it raises up from time to time. She exclaims_:
-
-"Ah! handsome hermit! handsome hermit!--my heart swoons!
-
-"By dint of stamping upon the ground with impatience, callosities have
-formed upon my heel, and I have broken one of my nails. I sent out
-shepherds, who remained upon the mountain tops, shading their eyes with
-their hands--and hunters who shouted thy name in all the forests--and
-spies who travelled along the highways, asking every passer-by:
-
-"'Hast thou seen him?'
-
-"By night I wept, with my face turned to the wall. And at last my tears
-made two little holes in the mosaic, like two pools of water among the
-rocks;--for I love thee!--oh! how I love thee!"
-
-(_She takes him by the beard._)
-
-"Laugh now, handsome hermit! laugh! I am very joyous, very gay: thou
-shalt soon see! I play the lyre; I dance like a bee; and I know a host
-of merry tales to tell, each more diverting than the other.
-
-"Thou canst not even imagine how mighty a journey we have made. See!
-the onagers upon which the green couriers rode are dead with fatigue!"
-
-(_The onagers are lying motionless upon the ground._)
-
-"For three long moons they never ceased to gallop on with the same
-equal pace, holdings flints between their teeth to cut the wind, their
-tails ever streaming out behind them, their sinews perpetually strained
-to the uttermost, always galloping, galloping. Never can others be
-found like them. They were bequeathed me by my paternal grand-father,
-the Emperor Saharil, son of Iakhschab, son of Iaarab, son of Kastan.
-Ah! if they were still alive, we should harness them to a litter that
-they might bear us back speedily to the palace! But ... what ails
-thee?--of what art thou dreaming?"
-
-(_She stares at him, examines him closely._)
-
-"Ah, when thou shalt be my husband, I will robe thee, I will perfume
-thee, I will depilate thee."
-
-(_Anthony remains motionless, more rigid than a stake, more pallid
-than a corpse._)
-
-"Thou hast a sad look--is it because of leaving thy hermitage? Yet I
-have left everything for thee--even King Solomon, who, nevertheless,
-possesses much wisdom, twenty thousand chariots of war, and a beautiful
-beard. I have brought thee my wedding gifts. Choose!"
-
-(_She walks to and fro among the ranks of slaves and the piles of
-precious goods._)
-
-"Here is Genezareth balm, incense from Cape Gardefui, labdanum,
-cinnamon, and silphium--good to mingle with sauces. In that bale are
-Assyrian embroideries, ivory from the Ganges, purple from Elissa;
-and that box of snow contains a skin of chalybon, the wine, which
-is reserved for the Kings of Assyria, and which is drunk from the
-horn of a unicorn. Here are necklaces, brooches, nets for the hair,
-parasols, gold powder from Baasa, cassiteria from Tartessus, blue wood
-from Pandio, white furs from Issidonia, carbuncles from the Island
-Palaesimondus, and toothpicks made of the bristles of the tachas--that
-lost animal which is found under the earth. These cushions come from
-Emath, and these mantle-fringes from Palmyra. On this Babylonian carpet
-there is.... But come hither! come! come!"
-
-(_She pulls Saint Anthony by the sleeve. He resists. She continues_:)
-
-"This thin tissue which crackles under the finger with a sound as of
-sparks, is the famous yellow cloth which the merchants of Bactria bring
-us. I will have robes made of it for thee, which thou shalt wear in the
-house. Unfasten the hooks of that sycamore box, and hand me also the
-little ivory casket tied to my elephant's shoulder."
-
-(_They take something round out of a box--something covered with a
-cloth--and also bring a little ivory casket covered with carving._)
-
-"Dost thou desire the buckler of Dgian-ben-Dgian, who built the
-pyramids?--behold it!--It is formed of seven dragon-skins laid one over
-the other, tanned in the bile of parricides, and fastened together by
-adamantine screws. Upon one side are represented all the wars that have
-taken place since the invention of weapons; and upon the other, all the
-wars that will take place until the end of the world. The lightning
-itself rebounds from it like a ball of cork. I am going to place it
-upon thy arm; and thou wilt carry it during the chase.
-
-"But if thou didst only know what I have in this little box of mine!
-Turn it over and over again! try to open it! No one could ever succeed
-in doing that. Kiss me! and I will tell thee how to open it."
-
-(_She takes Saint Anthony by both cheeks. He pushes her away at arms'
-length._)
-
-"It was one night that King Solomon lost his head. At last we concluded
-a bargain. He arose, and stealing out on tiptoe...."
-
-(_She suddenly executes a pirouette._)
-
-"Ah, ah! comely hermit, thou shalt not know it! thou shalt not know!"
-
-(_She shakes her parasol, making all its little bells tinkle._)
-
-"And I possess many other strange things--oh! yes! I have treasures
-concealed in winding galleries where one would lose one's way, as
-in a forest. I have summer-palaces constructed in trellis-work of
-reeds, and winter-palaces all built of black marble. In the midst of
-lakes vast as seas, I have islands round as pieces of silver, and all
-covered with mother-of-pearl,--islands whose shores make music to
-the lapping of tepid waves upon the sand. The slaves of my kitchens
-catch birds in my aviaries, and fish in my fishponds. I have engravers
-continually seated at their benches to hollow out my likeness in hard
-jewel-stones, and panting molders forever casting statues of me, and
-perfumers incessantly mingling the sap of rare plants with vinegar,
-or preparing cosmetic pastes. I have female dressmakers cutting out
-patterns in richest material, goldsmiths cutting and mounting jewels of
-price, and careful painters pouring upon my palace wainscoting boiling
-resins, which they subsequently cool with fans. I have enough female
-attendants to form a harem, eunuchs enough to make an army. I have
-armies likewise; I have nations! In the vestibule of my palace I keep a
-guard of dwarfs--all bearing ivory trumpets at their backs." (_Anthony
-sighs._)
-
-"I have teams of trained gazelles; I have elephant quadrigae; I have
-hundreds of pairs of camels, and mares whose manes are so long that
-their hoofs become entangled therein when they gallop, and herds of
-cattle with horns so broad that when they go forth to graze the woods
-have to be hewn down before them. I have giraffes wandering in my
-gardens; they stretch their heads over the edge of my roof, when I take
-the air after dinner.
-
-"Seated in a shell drawn over the waters by dolphins, I travel
-through the grottoes, listening lo the dropping of the water from the
-stalactites. I go down to the land of diamonds, where my friends the
-magicians allow me to choose the finest: then I reascend to earth and
-return to my home."
-
-(_She utters a sharp whistle; and a great bird, descending from the
-sky, alights upon her hair, from which it makes the blue powder fall._
-
-_Its orange-colored plumage seems formed of metallic scales. Its little
-head, crested with a silver tuft, has a human face._
-
-_It has four wings, the feet of a vulture, and an immense peacock's
-tail which it spreads open like a fan._
-
-_It seizes the Queen's parasol in its beak, reels a moment ere
-obtaining its balance; then it erects all its plumes, and remains
-motionless._)
-
-"Thanks! my beautiful Simorg-Anka!--thou didst tell me where the loving
-one was hiding! Thanks! thanks! my heart's messenger!
-
-"He flies swiftly as Desire! He circles the world in his flight. At eve
-he returns; he perches at the foot of my couch and tells me all he has
-seen--the seas that have passed far beneath him with all their fishes
-and ships, the great void deserts he has contemplated from the heights
-of the sky, the harvests that were bowing in the valleys, and the
-plants that were growing upon the walls of cities abandoned."
-
-(_She wrings her hands, languorously._)
-
-"Oh! if thou wast willing! if thou wast willing!... I have a pavilion
-on a promontory in the middle of an isthmus dividing two oceans. It is
-all wain-scoted with sheets of glass, and floored with tortoise shell,
-and open to the four winds of heaven. From its height I watch my fleets
-come in, and my nations toiling up the mountain-slopes with burthens
-upon their shoulders. There would we sleep upon downs softer than
-clouds; we would drink cool draughts from fruit-shells, and we would
-gaze at the sun through emeralds! Come!" ...
-
-(_Anthony draws back. She approaches him again, and exclaims in a tone
-of vexation_:--)
-
-"How? neither the rich, nor the coquettish, nor the amorous woman can
-charm thee: is it so? None but a lascivious woman, with a hoarse voice
-and lusty person, with fire-colored hair and superabundant flesh? Dost
-thou prefer a body cold as the skin of a serpent, or rather great dark
-eyes deeper than the mystic caverns?--behold them, my eyes!--look into
-them!"
-
-(_Anthony, in spite of him, gazes into her eyes._)
-
-"All the women thou hast ever met--from the leman of the cross-roads,
-singing under the light of her lantern, even to the patrician lady
-scattering rose-petals abroad from her litter,--all the forms thou hast
-ever obtained glimpses of--all the imaginations of thy desire thou hast
-only to ask for them! I am not a woman: I am a world! My cloak has only
-to fall in order that thou mayest discover a succession of mysteries."
-(_Anthony's teeth chatter._)
-
-"Place but thy finger upon my shoulder: it will be as though a stream
-of fire shot through all thy veins. The possession of the least part
-of me will fill thee with a joy more vehement than the conquest of an
-Empire could give thee! Approach thy lips: there is a sweetness in my
-kisses as of a fruit dissolving within thy heart. Ah! how thou wilt
-lose thyself beneath my long hair, inhale the perfume of my bosom,
-madden thyself with the beauty of my limbs: and thus, consumed by the
-fire of my eyes, clasped within my arms as in a whirlwind...."
-
-[Illustration: ... there is a sweetness in my kisses as of a fruit
-dissolving within thy heart]
-
-(_Anthony makes the sign of the cross._)
-
-"Thou disdainest me! farewell!"
-
-(_She departs, weeping; then, suddenly turning round_:--)
-
-"Art quite sure?--so beautiful a woman...."
-
-(_She laughs, and the ape that bears her train, lifts it up._)
-
-"Thou wilt regret it, my comely hermit! thou wilt yet weep! thou wilt
-again feel weary of thy life; but I care not a whit! La! la! la!--oh!
-oh! oh!"
-
-(_She takes her departure, hopping upon one foot and covering her face
-with her hands._
-
-_All the slaves file off before Saint Anthony--the horses, the
-dromedaries, the elephant, the female attendants, the mules (which
-have been reloaded), the negro boys, the ape, the green couriers each
-holding his broken lily in his hand; and the Queen of Sheba departs,
-uttering a convulsive hiccough at intervals, which might be taken
-either for a sound of hysterical sobbing, or the half-suppressed
-laughter of mockery._)
-
-
-[1] _Thalamegii_--pleasure-boats having apartments.
-
-
-
-
-III
-
-
-(_When she has disappeared in the distance, Anthony observes a child
-seated upon the threshold of his cabin._)
-
-"It is one of the Queen's servants, no doubt," (_he thinks_).
-
-(_This child is small like a dwarf, and nevertheless squat of build,
-like one of the Cabiri; deformed withal, and wretched of aspect. His
-prodigiously large head is covered with white hair; and he shivers
-under a shabby tunic, all the while clutching a roll of papyrus. The
-light of the moon passing through a cloud falls upon him._)
-
-ANTHONY
-
-(_watches him from a distance, and is afraid of him._) "Who art thou?"
-
-THE CHILD (_replies_). "Thy ancient disciple, Hilarion."
-
-ANTHONY. "Thou liest! Hilarion hath been dwelling in Palestine for
-many long years."
-
-HILARION. "I have returned! It is really I!"
-
-ANTHONY (_draws near and examines him closely_). "Yet his face was
-radiant as the dawn, candid, joyous. This face is the face of one
-gloomy and old."
-
-HILARION. "Long and arduous labor hath wearied me!"
-
-ANTHONY. "The voice is also different. It hath an icy tone."
-
-HILARION. "Because I have nourished me with bitter things!"
-
-ANTHONY. "And those white hairs?"
-
-HILARION. "I have endured many woes!"
-
-ANTHONY (_aside_). "Could it be possible?"
-
-HILARION. "I was not so far from thee as thou doest imagine. The hermit
-Paul visited thee this year, during the month of Schebar. It is just
-twenty days since the Nomads brought thee bread. Thou didst tell a
-sailor, the day before yesterday, to send thee three bodkins."
-
-ANTHONY. "He knows all!"
-
-HILARION. "Know further more that I have never left thee. But there are
-long periods during which thou hast no knowledge of my presence."
-
-ANTHONY. "How can that be? Yet it is true that my head is so much
-troubled--this night especially."
-
-HILARION. "All the Capital Sins came hither. But their wretched snares
-can avail nothing against such a Saint as thou."
-
-ANTHONY. "Oh! no!--no! I fall at every moment! Why am I not of those
-whose souls are ever intrepid, whose minds are always firm,--for
-example, the great Athanasius?"
-
-HILARION. "He was illegally ordained by seven bishops."
-
-ANTHONY. "What matter if his virtue...."
-
-HILARION. "Go to!--a most vainglorious and cruel man, forever involved
-in intrigues, and exiled at last as a monopolist."[1]
-
-ANTHONY. "Calumny!"
-
-HILARION. "Thou wilt not deny that he sought to corrupt Eustates, the
-treasurer of largesses?"
-
-ANTHONY. "It is affirmed, I acknowledge."
-
-HILARION. "Through vengeance he burned down the house of Arsenius."
-
-ANTHONY. "Alas!"
-
-HILARION. "At the council of Nicaea he said in speaking of Jesus: 'The
-man of the Lord.'"
-
-ANTHONY. "Ah! that is a blasphemy!"
-
-HILARION. "So limited in understanding, moreover, that he confesses he
-comprehends nothing of the nature of the "Word!"
-
-ANTHONY (_smiling with gratification_). "In sooth his intelligence is
-not ... very lofty."
-
-HILARION. "Hypocrite! burying thyself in solitude only in order the
-more fully to abandon thyself to the indulgence of thy envious desires!
-What if thou dost deprive thyself of meats, of wine, of warmth, of
-bath, of slaves, or honours?--dost thou not permit thy imagination to
-offer thee banquets, perfumes, women, and the applause of multitudes?
-Thy chastity is but a more subtle form of corruption, and thy contempt
-of this world is but the impotence of thy hatred against it! Either
-this it is that makes such as thyself so lugubrious, or else 'tis
-doubt. The possession of truth giveth joy. Was Jesus sad? Did he not
-travel in the company of friends, repose beneath the shade of olive
-trees, enter the house of the publican, drink many cups of wine, pardon
-the sinning woman, and assuage all sorrows? Thou!--thou hast no pity
-save for thine own misery! It is like a remorse that gnaws thee, a
-savage madness that impels thee to repel the caress of a dog or to
-frown upon the smile of a child."
-
-ANTHONY (_bursting into tears_). "Enough! enough! thou dost wound my
-heart deeply."
-
-HILARION. "Shake the vermin from thy rags! Rise up from thy filth! Thy
-God is not a Moloch who demands human flesh in sacrifice!"
-
-ANTHONY. "Yet suffering is blessed. The cherubim stoop to receive the
-blood of confessors."
-
-HILARION. "Admire, then, the Montanists!--they surpass all others."
-
-ANTHONY. "But it is the truth of the doctrine which makes the
-martyrdom."
-
-HILARION. "How can martyrdom prove the excellence of the doctrine,
-inasmuch as it bears equal witness for error?"
-
-HILARION. "Silence!--thou viper!"
-
-ANTHONY. "Perhaps martyrdom is not so difficult as thou dost imagine!
-The exhortations of friends, the pleasure of insulting the people,
-the oath one has taken, a certain dizzy excitement, a thousand
-circumstances all aid the resolution of the martyrs...."
-
-(_Anthony turns his back upon Hilarion, and moves away from him.
-Hilarion follows him._)
-
-" ... Moreover this manner of dying often brings about great disorders.
-Dionysius, Cyprian and Gregory fled from it. Peter of Alexandria has
-condemned it; and the council of Elvira...."
-
-ANTHONY (_stops his ears_). "I will listen to thee no longer!"
-
-HILARION (_raising his voice_). "Lo! thou fallest again into the
-habitual sin, which is sloth! Ignorance is the foam of pride. One says,
-forsoth:--'My conviction is formed! wherefore argue further?'--and one
-despises the doctors, the philosophers, tradition itself, and even the
-text of the law whereof one is ignorant! Dost thou imagine that thou
-dost hold all wisdom in the hollow of thy hand?"
-
-ANTHONY. "I hear him still! His loud words fill my brain."
-
-HILARION. "The efforts of others to comprehend God are mightier than
-all thy mortifications to move Him. We obtain merit only by our thirst
-for truth. Religion alone cannot explain all things; and the solution
-of problems ignored by thee can render faith still more invulnerable
-and noble. Therefore, for our salvation we must communicate with our
-brethren--otherwise the Church, the assembly of the faithful, would
-be a meaningless word--and we must listen to all reasoning, despising
-nothing, nor any person. The magician Balaam, the poet Aeschylus,
-and the Sybil of Cumae--all foretold the Saviour. Dionysius, the
-Alexandrian, received from heaven the command to read all books. Saint
-Clement orders us to cultivate Greek letters. Hennas was converted by
-the illusion of a woman he had loved...."
-
-ANTHONY. "What an aspect of authority! It seems to me thou art growing
-taller...."
-
-(_And, in very truth, the stature of Hilarion is gradually increasing;
-and Anthony shuts his eyes, that he may not see him._)
-
-HILARION. "Reassure thyself, good Hermit. Let us seat ourselves there,
-upon that great stone, as we used to do in other years, when, at the
-first dawn of day, I was wont to salute thee with the appellation,
-'Clear star of morning'--and thou wouldst therewith commence to
-instruct me. Yet my instruction is not yet completed. The moon gives us
-light enough. I am prepared to hear thy words."
-
-(_He has drawn a calamus from his girdle, and seating himself
-cross-legged upon the ground, with the papyrus roll still in his hand,
-he lifts his face toward Saint Anthony, who sits near him, with head
-bowed down._
-
-_After a moment of silence Hilarion continues_:--)
-
-"Is not the word of God confirmed for us by miracles? Nevertheless
-the magicians of Pharaoh performed miracles; other imposters can
-perform them; one may be thereby deceived. What then is a miracle?
-An event which seems to us outside of nature. But do we indeed know
-all of Nature's powers; and because a common occurrence causes us no
-astonishment, does it therefore follow that we understand it."
-
-ANTHONY. "It matters little! We must believe the Scriptures!"
-
-HILARION. "Saint Paul, Origen, and many others did not understand
-the Scriptures in a literal sense: yet if Holy Writ be explained by
-allegories it becomes the portion of a small number, and the evidence
-of the truth disappears. What must we do?"
-
-ANTHONY. "We must rely upon the Church!"
-
-HILARION. "Then the Scriptures are useless?"
-
-ANTHONY. "No! no! although I acknowledge that in the Old Testament
-there are some ... some obscurities. But the New shines with purest
-light."
-
-HILARION. "Nevertheless, the Angel of the annunciation, in Matthew,
-appears to Joseph; while, in Luke, he appears to Mary. The anointing
-of Jesus by a woman takes place, according to the first Gospel, at the
-commencement of his public life; and, according to the other three, a
-few days before his death. The drink offered to him on the cross, is,
-in Matthew, vinegar mixed with gall; in Mark, it is wine and myrrh.
-According to Luke and Matthew, the apostles should take with them
-neither money nor scrip for their journey--not even sandals nor staff;
-in Mark, on the contrary, Jesus bids them take nothing with them,
-except sandals and a staff. I am thereby bewildered!"
-
-ANTHONY (_in amazement_). "Aye, indeed!... in fact...."
-
-HILARION. "At the contact of the woman who had an issue of blood, Jesus
-turned and said, 'Who hath touched my garments?' He did not know, then,
-who had touched him? That contradicts the omniscience of Jesus! If the
-tomb was watched by guards, the women need have felt no anxiety about
-finding help to roll away the stone from the tomb. Therefore there
-were no guards, or the holy women were not there. At Emmaus, he eats
-with his disciples and makes them feel his wounds. It is a human body,
-a material and ponderable object; and nevertheless it passes through
-walls! Is that possible?"
-
-ANTHONY. "It would require much time to answer thee properly!"
-
-HILARION. "Why did he receive the Holy Spirit, being himself Son of
-the Holy Spirit? What need had he of baptism if he was the Word? How
-could the Devil have tempted him, inasmuch as he was God? Have these
-thoughts never occurred to thee?"
-
-ANTHONY. "Yes!... often! Sometimes torpid, sometimes furious--they
-remain forever in my conscience. I crush them; they rise again, they
-stifle me; and sometimes I think that I am accursed."
-
-HILARION. "Then it is needless for thee to serve God?"
-
-ANTHONY. "I shall always need to adore Him."
-
-(_After a long silence Hilarion continues_:)
-
-"But aside from dogma, all researches are allowed us. Dost thou desire
-to know the hierarchy of the Angels, the virtue of the Numbers, the
-reason of germs and of metamorphoses?"
-
-ANTHONY. "Yes! yes! my thought struggles wildly to escape from its
-prison. It seems to me that by exerting all my force I might succeed.
-Sometimes, for an instant, brief as a lightning flash, I even feel
-myself as thought uplifted,--then I fall back again!"
-
-HILARION. "The secret thou wouldst obtain is guarded by sages. They
-dwell in a distant land; they are seated beneath giant trees; they
-are robed in white; they are calm as Gods! A warm air gives them
-sufficient nourishment. All about them, leopards tread upon grassy
-turf. The murmuring of fountains and the neighing of unicorns mingle
-with their voices. Thou shalt hear them; and the face of the Unknown
-shall be unveiled!"
-
-ANTHONY (_sighing_). "The way is long; and I am old."
-
-HILARION. "Oh! oh! wise men are not rare! there are some even very nigh
-thee!--here! Let us enter!"
-
-
-[1] Gibbon, a sincere admirer of Athanasius, gives a curious history of
-these charges, and expresses his disbelief in their truth. The story
-regarding the design to intercept the corn-fleet of Alexandria is
-referred to in the use of the word "monopolist."
-
-
-
-
-IV
-
-
-(_And Anthony beholds before him a vast basilica._
-
-_The light gushes from the further end, marvellous as a multi-colored
-sun. It illuminates the innumerable heads of the crowd that fills the
-nave, and that eddies about the columns toward the side-aisles--where
-can be perceived, in wooden compartments, altars, beds, little chains
-of blue stones linked together, and constellations painted upon the
-walls._
-
-_In the midst of the throng there are groups which remain motionless.
-Men standing upon stools harangue with fingers uplifted; others are
-praying, with arms outstretched in form of a cross; others are lying
-prostrate upon the pavement, or singing hymns, or drinking wine; others
-of the faithful, seated about a table, celebrate their agape;[1]
-martyrs are unbandaging their limbs in order to show their wounds; and
-aged men, leaning upon staffs, recount their voyages._
-
-_There are some from the country of the Germans, from Thrace also, and
-from the Gauls, from Scythia and from the Indies, with snow upon their
-beards, feathers in their hair; thorns in the fringe of their garments;
-the sandals of some are black with dust, their skins are burnt by the
-sun. There is a vast confusion of costumes, mantles of purple and
-robes of linen, embroidered dalmaticas, hair shirts, sailors' caps,
-bishops' mitres. Their eyes fulgurate strangely. They have the look of
-executioners, or the look of eunuchs._
-
-_Hilarion advances into their midst. All salute him. Anthony, shrinking
-closer to his shoulder, observes them. He remarks the presence of a
-great many women. Some of these are attired like men, and have their
-hair cut short. Anthony feels afraid of them._)
-
-HILARION. "Those are Christian women who have converted their husbands.
-Besides, the women were always upon the side of Jesus, even the
-idolatrous ones, for example, Procula, the wife of Pilate, and Poppaea,
-the concubine of Nero. Do not tremble!--come on."
-
-(_And others are continually arriving._
-
-_They seem to multiply, to double themselves by self-division, light
-as shadows--all the while making an immense clamour, in which yells of
-rage, cries of love, canticles and objurgations intermingle._)
-
-ANTHONY (_in a low voice_). "What do they desire?"
-
-HILARION. "The Lord said: 'I have yet many things to say to you....
-'[2] They possess the knowledge of those things."
-
-(_And he pushes Anthony forward to a golden throne approached by five
-steps, whereon--surrounded by ninety-five disciples, all very thin and
-pale, and anointed with oil--sits the prophet Manes. He is beautiful
-as an archangel, immobile as a statue; he is clad in an Indian robe;
-carbuncles gleam in his plaited hair; at his left hand lies a book of
-painted images; his right reposes upon a globe. The images represent
-the creatures that erst slumbered in Chaos. Anthony bends forward to
-look upon them. Then----_)
-
-MANES
-
-(_makes his globe revolve; and regulating the tone of his words by a
-lyre which gives forth crystalline sounds, exclaims_:--)
-
-"The celestial earth is at the superior extremity; the terrestrial
-earth at the inferior extremity. It is sustained by two angels--the
-Angel Splenditeneus, and Omophorus, whose faces are six.
-
-"At the summit of the highest heaven reigns the impassible Divinity;
-below, face to face, are the Son of God and the Prince of Darkness.
-
-"When the darkness had advanced even to his kingdom, God evolved from
-his own essence a virtue which produced the first man; and he environed
-him with the five elements. But the demons of darkness stole from him a
-part; and that part is the soul.
-
-"There is but one soul, universally diffused, even as the waters of
-a river divided into many branches. It is this universal soul that
-sighs in the wind--that shrieks in the marble under the teeth of the
-saw--that roars in the voice of the sea--that weeps tears of milk when
-the leaves of the fig tree are torn off.
-
-"The souls that leave this world emigrate to the stars, which are
-themselves animated beings."
-
-ANTHONY (_bursts into a laugh_). "Ah! ah! what an absurd imagination!"
-
-A MAN (_having no beard, and of a most austere aspect_). "Wherefore
-absurd?"
-
-(_Anthony is about to reply when Hilarion tells him in a low voice
-that the questioner is none other than the tremendous Origen himself;
-and_:--)
-
-MANES (_continues_). "But first they remain awhile in the Moon, where
-they are purified. Then they rise into the sun."
-
-ANTHONY (_slowly_). "I do not know of anything ... which prevents us
-... from believing it."
-
-MANES. "The proper aim of every creature is the deliverance of the ray
-of celestial light imprisoned within matter. It finds easier escape
-through the medium of perfumes, spices, the aroma of warmed wine, the
-light things which resemble thoughts. But the acts of life retain it
-within its prison. The murderer shall be born again in the form of a
-celephus; he that kills an animal shall become that animal; if thou
-plantest a vine, thou shalt be thyself bound within its boughs. Food
-absorbs the celestial light.... Therefore abstain! fast!"
-
-HILARION. "Thou seest, they are temperate!"
-
-MANES. "There is much of it in meats, less of it in herbs. Moreover
-the Pure Ones, by means of their great merits, despoil vegetation of
-this luminous essence; and, thus liberated, it reascends to its source.
-But through generation, animals keep it imprisoned within the flesh!
-Therefore, avoid women!"
-
-HILARION. "Admire their continence."
-
-MANES. "Or rather contrive that they shall not create..............[3]
-
-ANTHONY. "Oh--abomination!"
-
-HILARION. "What signifies the hierarchy of turpitudes? The Church has,
-forsooth, made marriage a sacrament!"
-
-SATURNINUS (_in Syrian costume_). "He teaches a most dismal system of
-the universe!... The Father, desiring to punish the angels who had
-revolted, ordered them to create the world. Christ came, in order that
-the God of the Jews, who was one of those angels...."
-
-ANTHONY. "He an angel! the Creator!"
-
-CERDO. "Did he not seek to kill Moses, to deceive his own prophets, to
-seduce nations?--did he not sow falsehood and idolatry broadcast?"
-
-MARCION. "Certainly, the Creator is not the true God!"
-
-SAINT CLEMENT OF ALEXANDRIA. "Matter is eternal!"
-
-BARDESANES (_in the costume of the Babylonian magi_). "It was formed by
-the Seven Planetary Spirits."
-
-THE HERMIANS. "Souls were made by the angels."
-
-THE PRISCILLIANISTS. "It was the Devil who made the world."
-
-ANTHONY (_rushing back from the circle_). "Horror!"
-
-HILARION (_supporting him_). "Thou despairest too hastily!--thou dost
-misapprehend their doctrine! Here is one who received his teaching
-directly from Theodas, the friend of St. Paul. Hearken to him."
-
-(_And at a sign from Hilarion_
-
-VALENTINUS
-
-_appears in a tunic of cloth of silver; his skull is pointed at its
-summit; his voice has a wheezing sound._)
-
-"The world is the work of a God in delirium!"
-
-ANTHONY (_bending his head down_). "The work of a God in delirium!..."
-
-(_After a long silence_): "How can that be?"
-
-VALENTINE. "The most perfect of beings, and of the AEons, the Abyss;
-dwelt in the womb of the Deep together with Thought. By their union was
-begotten Intelligence, to whom Truth was given as a companion.
-
-"Intelligence and Truth engendered the Word and Life, who in their turn
-begat Man and the Church; and that doth make eight AEons!"
-
-(_He counts upon his fingers._)
-
-"The Word and Truth also produced ten other AEons--which is to say, five
-couples. Man and the Church had begotten twelve more--among these the
-Paraclete and Faith, Hope and Charity, Perfection and Wisdom--Sophia.
-
-"The union of these thirty AEons constitutes the Pleroma, or
-Universality of God. Thus, even as the echo of a passing voice, as the
-effluvia of a perfume evaporating, as the fires of the setting sun,
-the Powers that emanated from the Principle, forever continue to grow
-weaker.
-
-"But Sophia, desirous to know the Father, darted from the Pleroma;
-and the Word then made another couple, Christ and the Holy Ghost, who
-reunited all the AEons; and all together formed Jesus, the flower of the
-Pleroma.
-
-"But the effort of Sophia to flee away had left in the void an image of
-her--an evil substance, Acharamoth.[4] The Saviour took pity upon her,
-freed her from all passion; and from the smile of Acharamoth redeemed,
-light was born; her tears formed the waters; by her sorrow was dark
-matter begotten.
-
-"Of Acharamoth was born the Demiurgos,--the fabricator of worlds,
-the creator of the heaven and of the Devil. He dwells far below the
-Pleroma--so far that he cannot behold it--so that he deems himself to
-be the true God, and repeats by the mouths of his prophets--'There is
-no other God but I.' Then he made man, and instilled into his soul the
-immaterial Seed which was the Church--a reflection of the other Church
-established in the Pleroma.
-
-"One day Acharamoth shall reach the highest region and unite herself
-with the Saviour; the fire that is hidden in the world shall annihilate
-all matter, and shall even devour itself and men, becoming pure
-spirits, shall espouse the angels!"
-
-ORIGEN. "Then shall the Demon be over-thrown and the reign of God
-commence!"
-
-(_Anthony expresses a cry, and forthwith_)
-
-BASILIDES (_taking him by the elbow, exclaims_:--)
-
-"The Supreme Being with all the infinite emanations is called
-Abraxas; and the Saviour with all his virtues, Kaulakau--otherwise,
-line-upon-line, rectitude upon rectitude.
-
-"The power of Kaulakau is obtained by the aid of certain words, which
-are inscribed upon this chalcedony to help the memory."
-
-(_And he points to a little stone suspended at his neck, upon which
-stone fantastic characters are graven._)
-
-"Then thou wilt be transported into the Invisible and placed above all
-law; thou shalt contemn all things--even virtue!
-
-"We, the Pure, must flee from pain, after the example of Kaulakau."
-
-ANTHONY. "What! and the cross?"
-
-THE ELKHESAITES (_in robes of hyacinth answers him_). "The woe and
-the degradation, the condemnation and oppression of my fathers[5] are
-blotted out, through the mission which has come.
-
-"One may deny the inferior Christ, the man--Jesus; but the other Christ
-must be adored--whose personality was evolved under the brooding of the
-Dove's wings.
-
-"Honor marriage; the Holy Spirit is feminine!"
-
-(_Hilarion has disappeared; and Anthony, carried along by the crowd,
-arrives in the presence of_--)
-
-THE CARPOCRATIANS
-
-(_reclining with women upon scarlet cushions._)
-
-"Before entering into the Only thou shalt pass through a series of
-conditions and of actions. To free thyself from the powers of darkness,
-thou must at once accomplish their works. The husband shall say to the
-wife: 'Have charity for thy brother'--and she will kiss thee."
-
-THE NICOLAITANS
-
-(_gathered about a mass of smoking meats_:)
-
-"This is a portion of the meat offered to idols;--partake of it!
-Apostasy is permissible when the heart is pure. Gorge thy flesh with
-all that it demands. Seek to exterminate it by dint of debauchery!
-Prounikos, the Mother of Heaven, wallowed in ignominies."
-
-THE MARCOSIANS
-
-(_wearing rings of gold, and glistening with precious balm and
-unguents_:)
-
-"Enter among us that thou mayst unite thyself to the Spirit! Enter
-among us that thou mayst quaff the draught of immortality!"
-
-(_And one of them shows him, behind a tapestry-hanging, the body of a
-man terminated by the head of an ass. This represents Sabaoth, father
-of the Devil. He spits upon the image in token of detestation._
-
-_Another shows him a very low bed, strewn with flowers, exclaiming_:)
-
-"The spiritual marriage is about to be consummated."
-
-(_A third, who holds a cup of glass, utters an invocation;--blood
-suddenly appears in the cup_:)
-
-"Ah! behold it! behold it!--the blood of Christ!"
-
-(_Anthony withdraws, but finds himself be-spattered by water splashed
-from a cistern._)
-
-THE HELVIDIANS
-
-(_are flinging themselves into it head foremost, muttering_:--)
-
-"The man regenerated by baptism is impeccable!"
-
-(_Then he passes by a great fire at which the Adamites are warming
-themselves--all completely naked in imitation of the purity of
-Paradise; and he stumbles over_)
-
-THE MESSALINES
-
-(_wallowing upon the pavement, half-slumbering, stupid_:)
-
-"Oh! crush us if thou wilt! we shall not move! Work is crime; all
-occupation is evil."
-
-(_Behind these, the abject_)
-
-PATERNIANS
-
-(_--men, women, and children lying pell mell upon a heap of filth, lift
-their hideous faces, wine-besmeared, and they cry aloud_:)
-
-"The inferior parts of the body, which were created by the Devil,
-belong to him! Let us eat, drink, and sin!"
-
-AETIUS. "Crimes are necessities beneath the notice of God!"
-
-(_But suddenly_--)
-
-A MAN (--_clad in a Carthaginian mantle, bounds into their midst,
-brandishing a scourge of thongs in his hand; and strikes violently and
-indiscriminately at all in his path_:)
-
-"Ah! imposters! simonists, heretics and demons!--vermin of the
-schools!--dregs of hell! Marcion, there, is a sailor of Sinopus
-excommunicated for incest;--Carpocrates was banished for being a
-magician; AEtius stole his concubine; Nicholas prostituted his wife;
-and this Manes, who calls himself the Buddha, and whose real name is
-Cubricus, was flayed alive with the point of a reed, so that his skin
-even now hangs at the gates of Ctesiphon!"
-
-ANTHONY (_recognizing Tertullian, rushes to join him_): "Master! help!
-help!"
-
-TERTULLIAN (_continuing_):
-
-"Break the images! veil the virgins! Pray, fast, weep and mortify
-yourselves! No philosophy! no books! After Jesus, science is useless!"
-
-(_All have fled away; and Anthony beholds, in lieu of Tertullian, a
-woman seated upon a bench of stone._
-
-_She sobs; leaning her head against a column; her hair is loose; her
-body, weakened by grief, is clad in a long brown simar. Then they find
-themselves face to face and alone, far from the crowd; and a silence,
-an extraordinary stillness falls--as in the woods when the winds are
-lulled, and the leaves of the trees suddenly cease to whisper._
-
-_This woman is still very beautiful, although faded, and pale as a
-sepulcher. They look at one another; and their eyes send to each other
-waves, as it were, of thoughts, bearing drift of a thousand ancient
-things, confused, mysterious. At last_--)
-
-PRISCILLA (_speaks_:)
-
-"I was in the last chamber of the baths; and the rumbling sounds of the
-street caused a sleep to fall upon me.
-
-"Suddenly I heard a clamour of voices. Men were shouting--'It is a
-magician!--it is the Devil!' And the crowd stopped before our house, in
-front of the Temple AEsculapius. I drew myself up with my hands to the
-little window.
-
-"Upon the peristyle of the temple, there stood a man who wore about his
-neck a collar of iron. He took burning coals out of a chafing-dish, and
-with them drew lines across his breast, the while crying out--'Jesus!
-Jesus!' The people shouted--'This is not lawful! let us stone him!'
-But he continued. Oh! those were unheard of marvels--things which
-transported men who beheld them! Flowers broad as suns circled before
-my eyes, and I heard in the spaces above me the vibrations of a golden
-harp. Day died. My hands loosened their grasp of the window-bars; my
-body fell back, and when he had led me away to his house...."
-
-ANTHONY. "But of whom art thou speaking?"
-
-PRISCILLA. "Why, of Montanus!"
-
-ANTHONY. "Montanus is dead!"
-
-PRISCILLA. "It is not true!"
-
-A VOICE. "No: Montanus is not dead!"
-
-(_Anthony turns; and sees upon the bench near him, on the opposite
-side, another woman sitting; she is fair, and even paler than the
-other; there are swellings under her eyes, as though she had wept a
-long time. She speaks without being questioned_:)
-
-MAXIMILLA. "We were returning from Tarsus by way of the mountains,
-when, at a turn in the road, we saw a man under a fig tree.
-
-"He cried from afar off: 'Stop! stop!' and rushed toward us, uttering
-words of abuse. The slaves ran up; he burst into a loud laugh. The
-horses reared; the molossi all barked.
-
-"He stood before us. The sweat streamed from his forehead; his mantle
-napped in the wind.
-
-"And calling us each by our names, he reproached us with the vanity
-of our work, the infamy of our bodies; and he shook his fist at the
-dromedaries because of the silver bells hanging below their mouths.
-
-"His fury now filled my very entrails with fear and yet there was a
-strange pleasure in it which fascinated me, intoxicated me!
-
-"First the slaves came. 'Master,' they said, 'our animals are weary.'
-Then the women said, 'We are frightened,' and the slaves departed. Then
-the children began to weep,--'We are hungry.' And as the women were not
-answered, they disappeared also from our view.
-
-"He still spoke. I felt some one near me. It was my husband; but I
-listened only to the other. My husband crawled to me upon his knees
-among the stones, and cried--'Dost thou abandon me,' and I replied:
-'Yes! go thy way!' that I might accompany Montanus."
-
-ANTHONY. "A eunuch!"
-
-PRISCILLA. "Ah! does that astound thee, vulgar soul! Yet Magdalen,
-Johanna, Martha and Susannah did not share the couch of the Saviour.
-Souls may know the delirium of embrace better than bodies. That he
-might keep Eustolia with impunity, the bishop Leontius mutilated
-himself--loving his love more than his virility. And then, it was
-no fault of mine. Sotas could not cure me; a spirit constrained me.
-It is cruel, nevertheless! But what matter? I am the last of the
-prophetesses; and after me the end of the world shall come."
-
-MAXIMILLA. "He showered his gifts upon me. Moreover, no one loves him
-as I, nor is any other so well beloved by him!"
-
-PRISCILLA. "Thou liest! I am the most beloved!"
-
-MAXIMILLA. "No: it is I!"
-
-(_They fight. Between their shoulders suddenly appears the head of a
-negro._)
-
-MONTANUS (_clad in a black mantle, clasped by two cross-bones_):
-
-"Peace, my doves! Incapable of terrestrial happiness, we have obtained
-the celestial plentitude of our union. After the age of the Father,
-the age of the Son; and I inaugurate the third, which is that of the
-Paraclete. His light descended upon me during those forty nights when
-the heavenly Jerusalem appeared shining in the firmament, above my
-house at Pepuzza.
-
-"Ah, how ye cry out with anguish when the thongs of the scourge
-lacerate! how your suffering bodies submit to the ardor of my spiritual
-discipline! how ye languish with irrealizable longing! So strong has
-that desire become that it has enabled you to behold the invisible
-world; and ye can now perceive souls even with the eyes of the body!"
-
-ANTHONY. (_Makes a gesture of astonishment._)
-
-TERTULLIAN (_who appears again, standing beside Montanus_):
-
-"Without doubt; for the soul has a body, and that which is bodiless has
-no existence."
-
-MONTANUS. "In order to render it yet more subtle, I have instituted
-many mortifications, three Lents a year, and prayers to be uttered
-nightly by the mind only, keeping the mouth closed, lest breathing
-might tarnish thought. It is necessary to abstain from second
-marriages, or rather from all marriage! The Angels themselves have
-sinned with women!"
-
-THE ARCHONTICS (_wearing cilices of hair_):
-
-"The Saviour said: 'I come to destroy the work of the Woman!'"
-
-THE TATIANITES (_wearing cilices of reed_):
-
-"She is the tree of evil. Our bodies are but garments of skin."
-
-(_And continuing to advance along the same side, Anthony meets_:--)
-
-THE VALESIANS (_extended upon the ground, with red wounds below their
-bellies, and blood saturating their tunics. They offer him a knife._)
-
-"Do as Origen did and as we have done! Is it the pain that thou
-fearest, coward? Is it the love of thy flesh that restrains thee,
-hypocrite?"
-
-(_And while he watches them writhing upon their backs, in a pool of
-blood_--)
-
-THE CAINITES (_wearing knotted vipers as fillets about their hair, pass
-by, vociferating in his ear_):--
-
-"Glory to Cain! Glory to Sodom! Glory be to Judas!
-
-"Cain made the race of the strong; Sodom terrified the earth by her
-punishment, and it was by Judas that God saved the world! Yes! by
-Judas: without him there would have been no death and no redemption!"
-
-(_They disappear beneath the horde of the_--)
-
-CIRCUMCELLIONES (_all clad in the skins of wolves, crowned with thorns,
-and armed with maces of iron_).
-
-"Crush the fruit! befoul the spring! drown the child! Pillage the rich
-who are happy--who cat their fill! Beat the poor who envy the ass
-his saddle-cloth, the dog his meal, the bird his nest,--and who is
-wretched at knowing that others are not as miserable as himself.
-
-"We, the Saints, poison, burn, massacre, that we may hasten the end of
-the world.
-
-"Salvation may be obtained through martyrdom only. We give ourselves
-martyrdom. We tear the skin from our heads with pincers; we expose our
-members to the plough; we cast ourselves into the mouths of furnaces!
-
-"Out upon baptism! out upon the Eucharist! out upon marriage! universal
-damnation!"
-
-(_Then throughout all the basilica there is a redoubling of fury._
-
-_The Audians shoot arrows against the Devil; the Collyridians throw
-blue cloths toward the roof; the Ascites prostrate themselves before
-a waterskin; the Marcionites baptise a dead man with oil. A woman,
-standing near Appelles, exhibits a round loaf within a bottle, in order
-the better to explain her idea. Another, standing in the midst of an
-assembly of Sampseans distributes, as a sacrament, the dust of her
-own sandals. Upon the rose-strewn bed of the Marcosians, two lovers
-embrace. The Circumcellionites slaughter one another; the Valesians
-utter the death-rattle; Bardesanes sings; Carpocras dances; Maximilla
-and Priscilla moan; and the false prophetess of Cappadocia, completely
-naked, leaning upon a lion, and brandishing three torches, shrieks the
-Terrible Invocation._
-
-_The columns of the temple sway to and fro like the trunks of trees in a
-tempest; the amulets suspended about the necks of the Heresiarchs seem
-to cross each other in lines of fire; the constellations in the chapels
-palpitate; and the walls recoil with the ebb and flow of the crowd, in
-which each head is a wave that leaps and roars._
-
-_Nevertheless, from the midst of the clamor arises the sound of a song,
-in which the name of Jesus is often repeated, accompanied by bursts of
-laughter._
-
-_The singers belong to the rabble of the people; they all keep time to
-the song by clapping their hands. In their midst stands_--)
-
-ARTUS (_in a deacon's vestments_):
-
-"The fools who declaim against me pretend to explain the absurd; and in
-order to confound them utterly, I have composed ditties so droll that
-they are learned by heart in all the mills, in the taverns and along
-the ports.
-
-"No! a thousand times no!--the Son is not coeternal with the Father,
-nor of the same substance! Otherwise he would not have said: 'Father,
-remove this chalice from me! Why dost thou call me good? God alone is
-good! I go to my God, to your God!'--and many other things testifying
-to his character of creature. The fact is further demonstrated for
-us by all his names:--lamb, shepherd, fountain, wisdom, son-of-man,
-prophet; the way, the corner-stone!"
-
-SABELLIUS. "I hold that both are identical."
-
-ARIUS. "The Council of Antioch has decided the contrary."
-
-ANTHONY. "Then what is the Word?... What was Jesus?"
-
-THE VALENTINIANS. "He was the husband of Acharamoth repentant!"
-
-THE SETHIANIANS. "He was Shem, the son of Noah!"
-
-THE THEODOTIANS. "He was Melchisedech!"
-
-THE MERINTHIANS. "He was only a man!"
-
-THE APOLLINARISTS. "He assumed the appearance of one! He simulated the
-Passion!"
-
-MARCEL OF ANCYRA. "He was a development of the Father!"
-
-POPE CALIXTUS. "Father and Son are but two modes of one God's
-manifestation!"
-
-METHODIUS. "He was first in Adam, then in man!"
-
-CERINTHUS. "And He will rise again!"
-
-VALENTINUS. "Impossible--his body being celestial!"
-
-PAUL OF SAMOSATA. "He became God _only_ from the time of his baptism!"
-
-HERMOGENES. "He dwells in the sun!"
-
-(_And all the Heresiarchs form a circle about Anthony, who weeps,
-covering his face with his hands._)
-
-A JEW (_with a red beard, and spots of leprosy upon his shin,
-approaches close to Anthony, and, with a hideous sneer, exclaims_):
-
-"His soul was the soul of Esau! He suffered from the Bellephorentian
-sickness. Was not his mother, the seller of perfumes, seduced by a
-Roman soldier, one Pantherus?.......................... [6]
-
-ANTHONY (_suddenly raising his head, looks at them a moment in silence;
-then advancing boldly upon them, exclaims_):
-
-"Doctors, magicians, bishops, and deacons, men and phantoms, away from
-me! begone! Ye are all lies!"
-
-THE HERESIARCHS. "We have martyrs more martyrs than thine, prayers
-that are more difficult, outbursts of love more sublime, ecstasies as
-prolonged as thine are."
-
-ANTHONY. "But ye have no revelation! no proofs!"
-
-(_They all at once brandish in the air their rolls of papyrus, tablets
-of wood, scrolls of leather, rolls of woven stuff bearing inscriptions;
-and elbowing; and pushing each other, they all shout to Anthony._)
-
-THE CERINTHIANS. "Behold the Gospel of the Hebrews!"
-
-THE MARCIONITES. "Behold the Gospel of the Lord!"
-
-THE MARCOSIANS. "The Gospel of Eve!"
-
-THE EUCRATITES. "The Gospel of Thomas!"
-
-THE CAINITES. "The Gospel of Judas!"
-
-BASILIDES. "The Treatise upon the Destiny of the Soul!"
-
-MANES. "The Prophecy of Barkouf!"
-
-(_Anthony struggles, breaks from them, escapes them; and in a shadowy
-corner perceives_--)
-
-THE AGED EBIONITES
-
-(_withered as mummies, their eyes dull and dim, their eyebrows white as
-frost._
-
-_In tremulous voices they exclaim_:--)
-
-"We have known him, we have seen him! We knew the Carpenter's Son! We
-were then the same age as he; we dwelt in the same street. He used to
-amuse himself by modelling little birds of mud; aided his father at his
-work without fear of the sharp tools, or selected for his mother the
-skeins of dyed wool. Then he made a voyage to Egypt, from whence he
-brought back wondrous secrets. We were at Jericho when he came to find
-the Eater of Locusts. They talked together in a low voice, so that no
-one could hear what was said. But it was from that time that his name
-began to be noised abroad in Galilee, and that men began to relate many
-fables regarding him."
-
-(_They reiterate, tremulously_:)
-
-"We knew him! we others, we knew him!"
-
-ANTHONY. "Ah, speak on, speak! What was his face like?"
-
-TERTULLIAN. "His face was wild and repulsive; forasmuch as he
-had burthened himself with all the crimes, all the woes, all the
-deformities of mankind."
-
-ANTHONY. "Oh! no, no! I imagine, on the contrary, that his entire
-person must have been glorious with a beauty greater than the beauty of
-man!"
-
-EUSEBIUS OF CAESAREA. "There is indeed, at Paneades, propped up against
-the walls of a crumbling edifice surrounded by a wilderness of weeds
-and creeping plants, a certain statue of stone which, some say, was
-erected by the Woman healed of the issue of blood. But time has gnawed
-the face of the statue, and the rains have worn the inscription away."
-
-(_A woman steps forward from the group of the Carpocratians._)
-
-MARCELLINA. "I was once a deaconess at Rome, in a little church, where
-I used to exhibit to the faithful, the silver images, of Saint Paul,
-Homer, Pythagoras and Jesus Christ.
-
-"I have only kept that of Jesus."
-
-(_She half opens her mantle._)
-
-"Dost thou desire it?"
-
-A VOICE. "He reappears himself when we call upon him! It is the
-hour!--come!"
-
-(_And Anthony feels a brutal hand seize him by the arm, and drag him
-away._
-
-_He mounts a stairway in complete darkness; and after having ascended
-many steps, he finds himself before a door._
-
-_Then the one who is leading him--(is it Hilarion?--he does not
-know)--whispers in the ear of another_: "The Lord is about to
-come!"--_and they are admitted into a chamber, with a very low ceiling,
-and without furniture._
-
-_The first object which attracts his attention is a long blood-colored
-chrysalis, with a human head surrounded by rays, and the word_ Knouphus
-_inscribed all around it in Greek characters. It is placed upon the
-shaft of a column, which is in turn supported by a broad pedestal.
-Hanging upon the walls of the chamber are medallions of polished iron
-representing the heads of various animals:--the head of an ox, the head
-of a lion, the head of an eagle, the head of a dog, and the head of an
-ass--again!_
-
-[Illustration: ... a long blood-colored chrysalis]
-
-_Earthen lamps, suspended below these images, create a vacillating
-light. Through a hole in the wall, Anthony can see the moon shining
-far off upon the waves; he can even hear the feeble regular sound of
-lapping water; together with the heavy thud occasionally caused by the
-bumping of a ship's hull against the stones of the mole._
-
-_There are men crouching down, with their faces hidden by their
-mantles. From time to time they utter sounds resembling a smothered
-bark. There are women also, sleeping with their foreheads resting upon
-their arms, and their arms supported by their knees; they are so hidden
-by their garments as to resemble heaps of cloth piled up at intervals
-against the wall. Near them are half naked children, whose persons
-swarm with vermin. They watch with idiotic stare the burning of the
-lamps; and nothing is done: all are waiting for something._
-
-_They talk in undertones about family matters, or recommend to each
-other various remedies for their ailments. Some of them must embark
-at earliest daylight; the persecution is becoming too terrible to be
-endured. Nevertheless, the pagans are easily enough deceived_:--"The
-fools imagine that we are really adoring Knouphus!"
-
-_But one of the brethren, feeling himself suddenly inspired, takes his
-place before the column, where a basket has already been placed, filled
-with fennel and aristolochia. On the top of the basket is placed a
-loaf._)
-
-THE INSPIRED BROTHER
-
-(_unrolling a placard covered with designs representing cylinders
-blending with and fitting into one another, commences to pray_:)
-
-"The ray of the Word descended upon the darknesses; and there arose a
-mighty cry, like unto the voice of Light."
-
-ALL (_swaying their bodies in unison, respond_):
-
-"Kyrie eleison!"
-
-THE INSPIRED BROTHER. "Then was Man created by the infamous
-God of Israel, aided by those who are these (_pointing to the
-medallions_)--Astophaios, Oraios, Sabaoth, Adonai, Eloi, Iao!
-
-"And Man, hideous, feeble, formless and thoughtless, lay upon the slime
-of the earth."
-
-ALL (_in plaintive accents_):
-
-"Kyrie eleison!"
-
-THE INSPIRED BROTHER. "But Sophia, compassionating him, vivified him
-with a spark of her own soul.
-
-"Then God, beholding Man so beautiful, waxed wroth; and imprisoned him
-within His own kingdom, forbidding him to touch the Tree of Knowledge.
-
-"Again did the other succor him. She sent to him the Serpent, who, by
-many long subterfuges, made him disobey that law of hate.
-
-"And Man, having tasted knowledge, understood celestial things."
-
-ALL (_raising their voices_):
-
-"Kyrie Eleison!"
-
-THE INSPIRED BROTHER. "But Iabdalaoth through vengeance cast down man
-into the world of matter, and the Serpent with him."
-
-ALL (_in a very low tone_):
-
-"Kyrie Eleison!"
-
-(_Then all hold their peace, and there is silence._
-
-_The odors of the port mingle with the smoke of the lamps in the warm
-air. The lamp-wicks crepitate; their flames are about to go out, long
-mosquitoes flit in rapid circlings about them. And Anthony groans
-in an agony of anguish, as with the feeling that a monstrosity is
-floating about him, as with the fear of a crime that is about to be
-accomplished._
-
-_But_--)
-
-THE INSPIRED BROTHER (_stamping his heel upon the floor, snapping his
-fingers, tossing his head wildly, suddenly chants to a furious rhythm,
-with accompaniment of cymbals and a shrill flute_:--)
-
-"Come! come! come!--issue from thy cavern!
-
-"O swift one, who runneth without feet, captor who seizeth without hand!
-
-"Sinuous as the rivers, orbicular as the sun, black, with spots of
-gold, like the firmament star-besprinkled! Like unto the intertwinings
-of the vine, and the circumvolutions of entrails!
-
-"Unengendered! eater of earth! immortally young! unfailing
-perspicacious! honored at Epidaurus! Kindly to man! thou who didst heal
-King Ptolemy, and the warriors, of Moses, and Glaucus, son of Minos!
-
-"Come! come! come!--issue from thy cavern!"
-
-ALL (_repeat_):
-
-"Come! come! come!--issue from thy cavern!"
-
-(_Nevertheless, nothing yet appears._)
-
-"Why? What aileth him?"
-
-(_And they concert together, devise means._
-
-_An old man presents a clod of turf as an offering. Then something
-upheaves within the basket. The mass of verdure shakes; the flowers
-fall, and the head of a python appears._
-
-[Illustration: ... the flowers fall and the head of a python
-appears]
-
-_It passes slowly around the edge of the loaf, like a circle moving
-around an immovable disk;--then it unfolds itself, lengthens out; it is
-enormous and of great weight. Lest it should touch the floor, the men
-uphold it against their breasts, the women support it upon their heads,
-the children hold it up at arms' length; and its tail, issuing through
-the hole in the wall, stretches away indefinitely to the bottom of the
-sea. Its coils double; they fill the chamber; they enclose Anthony._)
-
-THE FAITHFUL (_press their mouths against its skin, snatch from one
-another the loaf which it has bitten, and cry aloud_:--)
-
-"It is thou! it is thou!
-
-"First raised up by Moses, broken by Ezechias, re-established by the
-Messiah. He drank thee in the waters of baptism; but thou didst leave
-him in the Garden of Olives; and then indeed he felt his own weakness!
-
-"Writhing about the arms of the cross, and above his head, while
-casting thy slime upon the crown of thorns, thou didst behold him die!
-For thou art not Jesus, thou!--thou art the Word! thou art the Christ!"
-
-(_Anthony faints with horror, and falls prostrate in front of his hut
-upon the splinters of wood, where the torch that had slipped from his
-hand, is burning low._
-
-_The shock arouses him. Opening his eyes again, he perceives the Nile,
-brightly undulating under the moon, like a vast serpent winding over
-the sands; so that the hallucination returns upon him again; he has not
-left the company of the Ophites; they surround him, call him; he sees
-them carrying baggage, descending to the port. He embarks along with
-them._
-
-_An inappreciable time elapses._
-
-_Then the vaults of a prison environ him. Iron bars in front of him
-make black lines against a background of blue; and in the darkness
-beside him people are praying and weeping surrounded by others who
-exhort and console._
-
-[Illustration: ... and in the darkness beside him people are
-praying]
-
-_Without, there is a murmur like the deep humming of a vast crowd, and
-there is splendour as of a summer's day._
-
-_Shrill voices announce watermelons for sale, iced drinks, and cushions
-of woven grass to sit upon. From time to time there are bursts of
-applause. He hears the sound of footsteps above his head._
-
-_Suddenly a long roar is heard, mighty and cavernous as the roar of
-water in an aqueduct._
-
-_And he sees, directly opposite, behind the bars of another compartment
-across the arena a lion walking to and fro, then a line of sandals,
-bare legs, and purple fringes. Beyond are the vast circling wreaths
-of people, in symmetrical tiers, enlarging as they rise, from the
-lowest which hems in the arena to the uppermost above which masts
-rise to sustain a hyacinth-colored awning, suspended in air by ropes.
-Stairways radiating toward the centre, divide these huge circles of
-stone at regular intervals. The benches disappear under a host of
-spectators--knights, senators, soldiers, plebeians, vestals, and
-courtesans--in woollen hoods, in silken maniples, in fallow-colored
-tunics; together with aigrettes of precious stones, plumes of feathers,
-the fasces of lictors; and all this swarming multitude deafens and
-stupefies Anthony with its shoutings, its tumultuous fury, as of an
-enormous boiling vat. In the middle of the arena, a vase of incense
-smokes upon an altar._
-
-_Anthony thus knows that the people with him are Christians condemned
-to be thrown to the wild beasts. The men wear the red mantle of the
-pontiffs of Saturn; the women, the bandellettes of Ceres. Their friends
-divide among themselves shreds of their garments, and rings. To obtain
-access to the prison, they say, costs a great deal of money. But what
-matter! They will remain until it is all over._
-
-_Anthony notices among these consolers, a certain bald-headed man,
-in a black tunic: Anthony has seen that face somewhere before. The
-consoler discourses to them concerning the nothingness of this world,
-and the felicity of the Elect. Anthony feels within him a transport of
-celestial love; he longs for the opportunity to lay down his life for
-the Saviour--not knowing as yet whether he himself is to be numbered
-among the martyrs._
-
-_But all--except a certain Phrygian, with long hair, who stands with
-his arms uplifted--have a look of woe. One old man is sobbing upon a
-bench; a youth standing close by, with drooping head, abandons himself
-to a reverie of sorrow._
-
-THE OLD MAN _had refused to pay the customary contribution before the
-statue of Minerva, erected at the angle of the cross-roads; and he
-gazes at his companions with a look that signifies_:--)
-
-"Ye ought to have succored me! Communities can sometimes so arrange
-matters as to insure their being left in peace. Some among ye also
-procured those letters which falsely allege that one has sacrificed to
-idols."
-
-(_He asks aloud_:--)
-
-"Was it not Petrus of Alexandria who laid down the rule concerning what
-should be done by those who have yielded to torture?"
-
-(_Then, to himself_:--)
-
-"Ah! how cruel this at my age! My infirmities make me so weak!
-Nevertheless, I might easily have lived until the coming winter, or
-longer!"
-
-(_The memory of his little garden makes him sad, and he gazes toward
-the altar._)
-
-THE YOUNG MAN (_who disturbed the festival of Apollo by violence and
-blows, murmurs_:--)
-
-"Yet it would have been easy for me to have fled to the mountains!"
-
-(_One of the brothers answers_:--)
-
-"But the soldiers would have captured thee!"
-
-THE YOUNG MAN. "Oh! I would have done as Cyprian did--I would have
-returned, and the second time I would surely have had more force!"
-
-(_Then he thinks of the innumerable days that he might have lived, of
-all the joys that he might have known, but will never know; and he
-gazes toward the altar._
-
-_But_--)
-
-THE MAN IN THE BLACK TUNIC (_rushes to his side._)
-
-"What scandal! What! Thou! a victim of God's own choice! And all these
-women here who are looking at thee! Nay, think what thou art doing!
-Moreover, remember that God sometimes vouchsafes to perform a miracle.
-Pionius numbed and made powerless the hands of his executioners; the
-blood of Polycarp extinguished the fire of the stake."
-
-(_Then he turns to the Old Man_:--)
-
-"Father, father! it behooves thee to edify us by thy death! By longer
-delaying it, thou wouldst doubtless commit some evil action that would
-lose thee the fruit of all thy good works. Remember, also, that the
-power of God is infinite; and it may come to pass that all the people
-will be converted by thy example."
-
-(_And in the great den opposite, the lions stride back and forth,
-ceaselessly, with a rapid continuous motion. The largest suddenly looks
-at Anthony and roars, and a vapour issues from his jaws._
-
-_The women are huddled against the men._)
-
-THE CONSOLER (_goes from one to the other._)
-
-"What would ye say, what wouldst thou say if thou wert to be burned
-with red-hot irons, if thou wert to be torn asunder by horses, if thou
-hadst been condemned to have thy body smeared with honey, and thus
-exposed to be devoured by flies! As it is, thou wilt only suffer the
-death of a hunter surprised by a beast in the woods."
-
-(_Anthony would prefer all those things to death by the fangs of the
-horrible wild beasts; he fancies already that he feels their teeth and
-their claws, that he hears his bones cracking between their jaws._
-
-_A keeper enters the dungeon; the martyrs tremble._
-
-_Only one remains impassable, the Phrygian, who prays standing apart
-from the rest. He has burned three temples; and he advances with arms
-uplifted, mouth open, face turned toward heaven, seeing nothing around
-him, like a somnambulist._)
-
-THE CONSOLER (_shouts_). "Back! back! lest the spirit of Montanus might
-come upon you."
-
-ALL (_recoil from the Phrygian, and vociferate_)
-
-"Damnation to the Montanist!"
-
-(_They insult him, spit upon him, excite each other to beat him._
-
-_The rearing lions bite each other's manes_;)
-
-THE PEOPLE "To the beasts with them, to the beasts."
-
-_The Martyrs burst into sobs, and embrace each other passionately. A
-cup of narcotic wine is offered them. It is passed from hand to hand,
-quickly._
-
-_Another keeper, standing at the door of the den, awaits the signal.
-The den opens; a lion comes out._
-
-_He crosses the arena with great oblique strides. Other lions follow in
-file after him; then a bear, three panthers, and some leopards. They
-scatter through the arena like a flock in a meadow._
-
-_The crack of a whip resounds. The Christians stagger forward; and
-their brethren push them, that it may be over the sooner._
-
-_Anthony closes his eyes._
-
-_He opens them again. But darkness envelopes him._
-
-_Soon the darkness brightens; and he beholds an arid plain, mamillated
-with knolls, such as might be seen about abandoned quarries._
-
-[Illustration: ... and he beholds an arid plain, mamillated
-with knolls]
-
-_Here and there a tuft of shrubbery rises among the slabs of stone,
-level with the soil; and there are white figures, vaguer than clouds,
-bending over the slabs._
-
-_Others approach, softly, silently. Eyes gleam through the slits of
-long veils. By the easy indifference of their walk, and the perfumes
-exhaled from their garments, Anthony knows they are patrician women.
-There are men also, but of inferior condition; for their faces are at
-once simple-looking and coarse._
-
-(_One of the Women, taking a long breath_:)
-
-"Ah! how good the cool air of night is, among the sepulchers! I am so
-weary of the softness of beds, the turmoil of days, the heavy heat of
-the sun!"
-
-(_Her maid-servant takes from a canvas bag, a torch which she ignites.
-The faithful light other torches by it, and plant them upon the tombs._)
-
-A WOMAN (_panting_).
-
-"I am here at last! Oh how wearisome to be the wife of an idolator!"
-
-ANOTHER. "These visits to the prisons, interviews with our brethren,
-are all matters of suspicion to our husbands! And we must even hide
-ourselves in order to make the sign of the cross; they would take it
-for a magical conjuration!"
-
-ANOTHER. "With my husband it was a quarrel every day. I would not
-submit myself to his brutal exactions; therefore he has had me
-prosecuted as a Christian."
-
-ANOTHER. "Do you remember Lucius, that young man who was so beautiful,
-who was dragged like Hector, with his heels attached to a chariot,
-from the Esquiline Gate to the mountains of Tibur?--and how his blood
-spattered the bushes on either side of the road? I gathered up the
-drops of his blood. Behold it!"
-
-(_She drags a black sponge from her bosom, covers it with kisses, and
-flings herself down upon the slabs, crying aloud_:--)
-
-[Illustration: She drags a black sponge from her bosom, covers
-it with kisses ...]
-
-"Ah! my friend! my friend!"
-
-A MAN. "It is just three years to-day since Domitilla died. They stoned
-her at the further end of the Grove of Proserpine. I gathered her
-bones, which shone like glowworms in the grass. The earth how covers
-them."
-
-(_He casts himself down upon a tomb._)
-
-"O my betrothed! my betrothed!"
-
-(_And all the others scattered over the plain_:--)
-
-"O my sister! O my brother! O my daughter! O my mother!"
-
-(_Some kneel, covering their faces with their hands; others lie down
-upon the ground with their arms extended; and the sobs they smother
-shake their breasts with such violence as though their hearts were
-breaking with grief. Sometimes they look up to heaven, exclaiming_:--)
-
-"Have mercy upon her soul, O my God! She languishes in the sojourn of
-Shades; vouchsafe to admit her to thy Resurrection, that she may enjoy
-Thy Light!"
-
-(_Or, with eyes fixed upon the gravestones, they murmur to the dead_:--)
-
-"Be at peace, beloved! and suffer not! I have brought thee wine and
-meats!"
-
-A WIDOW. "Here is pultis, made by my own hands, as he used to like it,
-with plenty of eggs and a double measure of flour! We are going to eat
-it together as in other days, are we not?"
-
-(_She lifts a little piece to her lips, and suddenly bursts into an
-extravagant and frenzied laugh._
-
-_The others also nibble a little bit as she does and drink a mouthful
-of wine._
-
-_They recount to each other the stories of their martyrs; grief becomes
-exalted! libations redouble. Their tear-swimming eyes are fixed upon
-each other's faces. They stammer with intoxication and grief; gradually
-hands touch hands, lips join themselves to lips, and they seek each
-other upon the tombs, between the cups and the torches._
-
-_The sky begins to whiten. The fog makes damp their garments; and,
-without appearing even to know one another, they depart by different
-ways and seek their homes._
-
-_The sun shines; the weeds and the grass have grown higher; the face of
-the plain is changed._
-
-_And Anthony, looking between tall bamboos, sees distinctly a forest of
-columns, of bluish-grey color. These are tree-trunks, all originating
-from one vast trunk. From each branch of the colossal tree descend
-other branches which may bury themselves in the soil; and the aspect of
-all these horizontal and perpendicular lines, indefinitely multiplied,
-would closely resemble a monstrous timber-work, were it not that they
-have small figs[7] growing upon them here and there, and a blackish
-foliage, like that of the sycamore._
-
-_He perceives in the forkings of their branches, hanging bunches of
-yellow flowers, violet flowers also, and ferns that resemble the plumes
-of splendid birds._
-
-_Under the lowest branches the horns of a bubalus gleam at intervals,
-and the bright eyes of antelopes are visible; there are hosts of
-parrots; there are butterflies flittering hither and thither; lizards
-lazily drag themselves up or down; flies buzz and hum; and in the midst
-of the silence, a sound is audible as of the palpitation of a deep and
-mighty life._
-
-_Seated upon a sort of pyre at the entrance of the wood is a strange
-being--a man--besmeared with cow-dung, completely naked, more withered
-than a mummy; his articulations form knots at the termination of bones
-that resemble sticks. He has bunches of shells suspended from his ears;
-his face is very long, and his nose like a vulture's beak. His left arm
-remains motionlessly erect in air, anchylosed, rigid as a stake; and he
-has been seated here so long that birds have made themselves a nest in
-his long hair._
-
-_At the four corners of his wooden pyre flame four fires. The sun is
-directly in front of him. He gazes steadily at it with widely-opened
-eyes; and, then without looking at Anthony, asks him_:--)
-
-"Brahmin from the shores of the Nile, what hast thou to say regarding
-these things?"
-
-(_Flames suddenly burst out on all sides of him, through the intervals
-between the logs of the pyre; and_--)
-
-THE GYMNOSOPHIST (_continues_).
-
-"Lo! I have buried myself in solitude, like the rhinoceros. I dwelt in
-the tree behind me."
-
-[Illustration: I have buried myself in solitude, like the
-rhinoceros. I dwelt in the tree behind me.]
-
-(_The vast fig-tree, indeed, shows in one of its groves, a natural
-excavation about the size of a man._)
-
-"And I nourished me with flowers and fruits, observing the precepts so
-rigidly that not even a dog ever beheld me eat.
-
-"Inasmuch as existence originates from corruption, corruption from
-desire, desire from sensation, sensation from contact, I have ever
-avoided all action, all contact, and perpetually--motionless as the
-stela of a tomb, exhaling my breath from my two nostrils, fixing my
-eyes upon my nose, and contemplating the ether in my mind, the world in
-my members, the moon in my heart--I dreamed of the essence of the great
-Soul whence continually escape the principles of life, even as sparks
-escape from fire.
-
-"Thus at last I found the supreme Soul in all beings, and all beings
-in the supreme Soul; and I have been able to make mine own soul all my
-senses.
-
-"I receive knowledge directly from heaven, like the bird Tchataka, who
-quenches his thirst from falling rain only.
-
-"Even by so much as things are known to me, things no longer exist.
-
-"For me now there is no more hope, no more anguish, there is neither
-happiness nor virtue, nor day nor night, nor Thou nor I--absolutely
-nothing!
-
-"My awful austerities have made me superior to the Powers. A single
-contraction of my thought would suffice to kill a hundred sons of
-kings, to dethrone gods, to overturn the world."
-
-(_He utters all these things in a monotonous voice._
-
-_The surrounding leaves shrivel up. Fleeing rats rush over the ground._
-
-_He slowly turns his eyes downward toward the rising flames, and then
-continues_:--)
-
-"I have loathed Form, I have loathed Perception, I have loathed even
-Knowledge itself, for the thought does not survive the transitory fact
-which caused it; and mind, like all else, is only an illusion.
-
-"All that is engendered will perish; all that is dead must live again;
-the beings that have even now disappeared shall sojourn again in wombs
-as yet unformed, and shall again return to earth to serve in woe other
-creatures.
-
-"But inasmuch as I have rolled through the revolution of an indefinite
-multitude of existences, under the envelopes of gods, of men, and of
-animals, I renounce further wanderings; I will endure this weariness
-no more! I abandon the filthy hostelry of this body of mine, built
-with flesh, reddened with blood, covered with a hideous skin, full of
-uncleanliness; and, for my recompense, I go at last to slumber in the
-deepest deeps of the Absolute--in Annihilation."
-
-(_The flames rise to his chest, then envelope him. His head rises
-through them as through a hole in the wall. His cavernous eyes still
-remain icicle open, gazing._)
-
-ANTHONY (_rises_).
-
-(_The torch, which had fallen to the ground, has ignited the splinters
-of wood; and the flames have singed his beard._
-
-_With a loud cry, Anthony tramples the fire out; and, when nothing
-remains but ashes, he exclaims_:--)
-
-"Where can Hilarion be? He was here a moment ago. I saw him!
-
-"What! No; it is impossible; I must have been mistaken!
-
-"Yet why?... Perhaps my cabin, these stones, this sand, have no real
-existence. I am becoming mad! Let me be calm! Where was I? What was it
-that happened?
-
-"Ah! the gymnosophist!... Such a death is frequent among the sages of
-India. Kalanos burned himself before Alexander; another did likewise
-in the time of Augustus. What hatred of life men must have to do thus!
-Unless, indeed, they are impelled by pride alone?... Yet in any event
-they have the intrepidity of martyrs.... As for the latter, I can now
-well believe what has been told me regarding the debauchery they cause.
-
-"And before that? Yes: I remember now! the host of the Heresiarchs!
-What outcries! What eyes! Yet why so much rebellion of the flesh, so
-much dissoluteness, so many aberrations of the intellect.
-
-"They claim, nevertheless, to seek God through all those ways! What
-right have I to curse them--I, who stumble so often in mine own path?
-I was perhaps about to learn more of them at the moment when they
-disappeared. Too rapid was the whirl; I had no time to answer. Now I
-feel as though there were more space, more light in my understanding. I
-am calm. I even feel myself able to.... What is this? I thought I had
-put out the fire!"
-
-(_A flame flits among the rocks; and soon there comes the sound of
-a voice--broken, convulsed as by sobs--from afar off, among the
-mountains._)
-
-"Can it be the cry of a hyena, or the lamentation of some traveler that
-has lost his way?"
-
-(_Anthony listens. The flame draws nearer._
-
-_And he beholds a weeping woman approach, leaning upon the shoulder of
-a white-bearded man._
-
-_She is covered with a purple robe in rags. He is bareheaded like lier,
-wears a tunic of the same color, and carries in his hands a brazen
-vase, whence arises a thin blue flame._
-
-_Anthony feels a fear come upon him, and wishes to know who this woman
-may be._)
-
-THE STRANGER SIMON. "It is a young girl, a poor child that I lead about
-with me everywhere."
-
-(_He uplifts the brazen vase._
-
-_Anthony contemplates the girl, by the light of its vacillating flame._
-
-_There are marks of bites upon her face, traces of blows upon her arms;
-her dishevelled hair entangles itself in the rents of her rags; her
-eyes appear to be insensible to light._)
-
-SIMON. "Sometimes she remains thus for a long, long time without
-speaking; then all at once she revives, and discourses of marvellous
-things."
-
-ANTHONY. "In truth?"
-
-SIMON. "Ennoia; Ennoia! Ennoia!--tell us what thou hast to say!"
-
-(_She rolls her eyes like one awaking from a dream, slowly passes her
-fingers over her brows, and in a mournful voice, speaks_:--)
-
-Helena[8] (_Ennoia_).
-
-[Illustration: Helena - Ennoia]
-
-"I remember a distant land, of the color of emerald. Only one tree
-grows there.
-
-(_Anthony starts_).
-
-"Upon each of its tiers of broad-extending arms, a pair of Spirits
-dwell in air. All about them the branches intercross, like the veins
-of a body; and they watch the eternal Life circulating, from the roots
-deep plunging into darkness even to the leafy summit that rises higher
-than the sun. I, dwelling upon the second branch, illuminated the
-nights of Summer with my face."
-
-ANTHONY, (_tapping his own forehead_:--)
-
-"Ah! ah! I comprehend! her head!..."
-
-SIMON (_placing his finger to his lips_:--)
-
-"Hush!"
-
-HELENA. "The sail remained well filled by the wind; the keel cleft the
-foam. He said to me: 'What though I afflict my country, though I lose
-my kingdom! Thou wilt belong to me, in my house!'
-
-"How sweet was the lofty chamber of his palace! Lying upon the ivory
-bed, he caressed my long hair, singing amorously the while.
-
-"Even at the close of the day I beheld the two camps, the watchfires
-being lighted, Ulysses at the entrance of his tent, armed Achilles
-driving a chariot along the sea-beach."
-
-ANTHONY. "Why! she is utterly mad! How came this to pass?..."
-
-SIMON. "Hush! hush!"
-
-HELENA. "They anointed me with unguents, and sold me to the people that
-I might amuse them.
-
-"One evening I was standing with the sistrum in my hand, making music
-for some Greek sailors who were dancing. The rain was falling upon the
-roof of the tavern like a cataract, and the cups of warm wine were
-smoking.
-
-"A man suddenly entered, although the door was not opened to let him
-pass."
-
-SIMON. "It was I! I found thee again!
-
-"Behold her, Anthony, she whom they call Sigeh, Ennoia, Barbelo,
-Prounikos! The Spirits governing the world were jealous of her; and
-they imprisoned her within the body of a woman.
-
-"She was that Helen of Troy, whose memory was cursed by the poet
-Stesichorus. She was Lucretia, the patrician woman violated by a king.
-She was Delilah, by whom Samson's locks were shorn.... She has loved
-adultery, idolatry, lying and foolishness. She has prostituted herself
-to all nations. She has sung at the angles of all cross-roads. She has
-kissed the faces of all men.
-
-"At Tyre, she, the Syrian, was the mistress of robbers. She caroused
-with them during the nights; and she concealed assassins amidst the
-vermin of her tepid bed."
-
-ANTHONY. "Ah! what is this to me?..."
-
-SIMON (_with a furious look_:--)
-
-"I tell thee that I have redeemed her, and re-established her in her
-former splendor; insomuch that Caius Caesar Caligula became enamoured of
-her, desiring to sleep with the Moon!"
-
-ANTHONY. "What then?..."
-
-SIMON. "Why this, that she herself is the Moon! Has not Pope Clement
-written how she was imprisoned in a tower? Three hundred persons
-surrounded the tower to watch it; and the moon was seen at each of the
-loop-holes at the same time, although there is not more than one moon
-in the world, nor more than one Ennoia!"
-
-ANTHONY. "Yes ... it seems to me that I remember...."
-
-(_He falls into a reverie._)
-
-SIMON. "Innocent as the Christ who died for men, so did she devote
-herself for women. For the impotence of Jehovah is proven by the
-transgression of Adama, and we must shake off the yoke of the old law,
-which is antipathetic to the order of things.[9]
-
-"I have preached the revival in Ephraim and in Issachar by the torrent
-of Bizor, beyond the Lake of Houleh, in the valley of Maggedo, further
-than the mountains, at Bostra and at Damascus. Let all come to me who
-are covered with wine, who are covered with filth, who are covered with
-blood! and I shall take away their uncleanliness with the Holy Spirit,
-called Minerva by the Greeks. She is Minerva! she is the Holy Spirit! I
-am Jupiter, Apollo, the Christ, the Paraclete, the great might of God,
-incarnated in the person of Simon!"
-
-ANTHONY. "Ah! it is thou!... so it is thou! But I know thy crimes!
-
-"Thou wast born at Gittoi near Samaria, Dositheas, thy first master,
-drove thee from him. Thou didst execrate Saint Paul because he
-converted one of thy wives; and, vanquished by Saint Peter, in thy rage
-and terror thou didst cast into the waves the bag which contained thy
-artifices!"
-
-SIMON. "Dost thou desire them?"
-
-(_Anthony looks at him, and an interior voice whispers hi his
-heart:--"Why not?"_)
-
-SIMON (_continues_).
-
-"He who knows the forces of Nature and the essence of Spirits must be
-able to perform miracles. It has been the dream of all sages; it is the
-desire which even now gnaws thee!--confess it!"
-
-"In the sight of the multitude of the Romans, I flew in the air so
-high that none could behold me move. Nero ordered that I should be
-decapitated; but it was the head of a sheep which fell upon the ground
-in lieu of mine. At last they buried me alive; but I rose again upon
-the third day. The proof is that thou dost behold me before thee!"
-
-(_He presents his hands to Anthony to smell. They have the stench of
-corpse-flesh. Anthony recoils with loathing._)
-
-"I can make serpents of bronze writhe; I can make marble statues
-laugh; I can make dogs speak. I will show thee vast quantities of gold;
-I will reestablish kings; thou shalt see nations prostrate themselves
-in adoration before me! I can walk upon the clouds and upon the waves,
-I can pass through mountains, I can make myself appear as a youth, as
-an old man, as a tiger, or as an ant; I can assume thy features; I can
-give thee mine; I can make the thunder follow after me. Dost hear it?"
-
-(_The thunder rumbles; flashes of lightning succeed._)
-
-"It is the voice of the Most High; for 'the Lord thy God is a fire;'
-and all creations are accomplished by sparks from the fire-centre of
-all things.
-
-Thou shalt even now receive the baptism of it--that second baptism
-announced by Jesus, which fell upon the apostles on a day of tempest
-when the windows were open!"
-
-(_And stirring up the flame with his hand, slowly, as though preparing
-to sprinkle Anthony with it, he continues_:--)
-
-"Mother of mercies, thou who discoverest all secrets, in order that we
-may find rest in the eighth mansion...."
-
-ANTHONY (_cries out_:--)
-
-"Oh! that I had only some holy water!..."
-
-(_The flame goes out, producing much smoke._
-
-_Ennoia and Simon have disappeared._
-
-_An exceedingly cold, opaque and f[oe]tid mist fills the atmosphere._)
-
-ANTHONY (_groping with his hands like a blind man_:--)
-
-"Where am I?... I fear lest I fall into the abyss! And the cross,
-surely, is too far from me. Ah! what a night! what a terrible night!"
-
-(_The mist is parted by a gust of wind; and Anthony sees two men
-covered with long white tunics._
-
-_The first is of lofty stature, with a gentle face, and a grave mien.
-His blond hair, parted like that of Christ, falls upon his shoulders.
-He has cast aside a wand that he had been holding in his hand; his
-companion takes it up, making a reverence after the fashion of the
-Orientals._
-
-_The latter is small of stature, thick set, flat-nosed; his neck and
-shoulders expresses good natured simplicity._
-
-_Both are barefooted, bareheaded, and dusty, like persons who have made
-a long journey._)
-
-ANTHONY (_starting up_:--)
-
-"What do ye seek? Speak!... Begone from here!"
-
-DAMIS (_who is a little man_).
-
-"Nay! nay! be not angered, good hermit. As for that I seek, I know not
-myself what it is! Here is the Master!"
-
-(_He sits down. The other stranger remains standing. Silence._)
-
-ANTHONY (_asks_).
-
-"Then ye come?..."
-
-DAMIS. "Oh! from afar off--very far off!"
-
-ANTHONY. "And ye go?..."
-
-DAMIS (_pointing to the other_)
-
-"Whithersoever he shall desire!"
-
-ANTHONY. "But who may he be?"
-
-DAMIS. "Look well upon him!"
-
-ANTHONY (_aside_).
-
-"He looks like a saint! If I could only dare...."
-
-(_The mist is all gone. The night is very clear. The moon shines._)
-
-DAMIS. "Of what art thou dreaming, that thou dost not speak?"
-
-ANTHONY. "I was thinking.... Oh! nothing!"
-
-DAMIS (_approaches Apollonius, and walks all round him several times,
-bending himself as he walks, never raising his head_:--)
-
-"Master, here is a Galilean hermit who desires to know the beginnings
-of wisdom."
-
-APOLLONIUS. "Let him approach!" (_Anthony hesitates._)
-
-DAMIS. "Approach!"
-
-APOLLONIUS (_in a voice of thunder_:--)
-
-"Approach! Thou wouldst know who I am, what I have done, and what I
-think,--is it not so, child?"
-
-ANTHONY. "Always supposing that these things can contribute to the
-salvation of my soul."
-
-APOLLONIUS. "Rejoice! I am about to inform thee of them!"
-
-DAMIS (_in an undertone, to Anthony_:--)
-
-"Is it possible? He must surely have at the first glance discerned in
-thee extraordinary aptitude for philosophy. I shall also strive to
-profit by his instruction."
-
-APOLLONIUS. "First of all, I shall tell thee of the long course which
-I have followed in order to obtain the doctrine; and if thou canst
-discover in all my life one evil action, thou shalt bid me pause, for
-he who hath erred in his actions may well give scandal by his words."
-
-DAMIS (_to Anthony_).
-
-"How just a man? Is he not?"
-
-ANTHONY. "Indeed I believe him to be sincere."
-
-APOLLONIUS. "Upon the night of my birth, my mother imagined that
-she was gathering flowers by the shore of a great lake. A flash of
-lightning appeared; and she brought me into the world to the music of
-the voices of swans singing to her in her dream.
-
-"Until I had reached the age of fifteen I was plunged thrice a day into
-the fountain, Asbadeus, whose waters make perjurers hydropical; and my
-body was rubbed with the leaves of the onyza, that I might be chaste.
-
-"A Palmyrian princess came one evening to seek me, offering me
-treasures that she knew to be in the tombs. A hierodule of the temple
-of Diana, slew herself in despair with the sacrificial knife; and the
-governor of Cilicia, finding all his promises of no avail, cried out in
-the presence of my family that he would cause my death; but it was he
-that died only three days after, assassinated by the Romans."
-
-DAMIS (_nudging Anthony with his elbow_).
-
-"Eh? did I not tell thee? What a man!"
-
-APOLLONIUS. "For the space of four successive years I maintained the
-unbroken silence of the Pythagoreans. The most sudden and unexpected
-pain never extorted a sigh from me; and when I used to enter the
-theatre, all drew away from me, as from a phantom."
-
-DAMIS. "Wouldst thou have done so much?--thou?"
-
-APOLLONIUS. "After the period of my trial had been accomplished, I
-undertook to instruct the priests regarding the tradition they had
-lost."
-
-ANTHONY. "What tradition?"
-
-DAMIS. "Interrupt him not! Be silent!"
-
-APOLLONIUS. "I have conversed with the Samaneans of the Ganges, with
-the astrologers of Chaldea, with the magi of Babylon, with the Gaulish
-Druids, with the priests of the negroes! I have ascended the fourteen
-Olympii; I have sounded the Scythian lakes; I have measured the breadth
-of the Desert!"
-
-DAMIS. "It is all true! I was with him the while!"
-
-APOLLONIUS. "But first I had visited the Hyrcanian Sea; I made the tour
-of it; and descending by way of the country of the Baraomati, where
-Bucephalus is buried, I approached the city of Nineveh. At the gates of
-the city, a man drew near me...."
-
-DAMIS. "I--even I, good master! I loved thee from the first. Thou wert
-gentler than a girl and more beautiful than a god!"
-
-APOLLONIUS (_without hearing him_).
-
-"He asked me to accompany him, that he might serve as interpreter."
-
-DAMIS. "But thou didst reply that all languages were familiar to thee,
-and that thou couldst divine all thoughts. Then I kissed the hem of thy
-mantle, and proceeded to walk behind thee."
-
-APOLLONIUS. "After Ctesiphon, we entered upon the territory of Babylon."
-
-DAMIS. "And the Satrap cried aloud on beholding a man so pale."
-
-ANTHONY (_aside_).
-
-"What signifies this?..."
-
-APOLLONIUS. "The king received me standing, near a throne of silver,
-in a hall constellated with stars; from the cupola hung suspended by
-invisible threads four great birds of gold, with wings extended."
-
-ANTHONY (_dreamily_).
-
-"Can there be such things in the world?"
-
-DAMIS. "Ah! that is a city! that Babylon! everybody there is rich! The
-houses, which are painted blue, have doors of bronze, and flights of
-steps descending to the river."
-
-(_Drawing lines upon the ground, with his stick_:)
-
-"Like that, seest thou? And then there are temples, there are squares,
-there are baths, there are aqueducts! The palaces are roofed with red
-brass; and the interior ... ah! if thou only knewest!"
-
-APOLLONIUS. "Upon the north wall rises a tower which supports a second,
-a third, a fourth, a fifth, and there are also three others! The eighth
-is a chapel containing a bed. No one enters it save the woman chosen by
-the priests for the God Belus. I was lodged there by order of the King
-of Babylon."
-
-DAMIS. "As for me, they hardly deigned to give me any attention! So I
-walked through the streets all by myself. I informed myself regarding
-the customs of the people; I visited the workshops; I examined the
-great machines that carry water to the gardens. But I soon wearied of
-being separated from the Master."
-
-APOLLONIUS. "At last we left Babylon; and as we travelled by the light
-of the moon, we suddenly beheld an Empusa."
-
-DAMIS. "Aye, indeed! She leaped upon her iron hoof; she brayed like an
-ass; she galloped among the rocks. He shouted imprecations at her; she
-disappeared."
-
-ANTHONY (_aside_).
-
-"What can be their motive?"
-
-APOLLONIUS. "At Taxilla, the capital of five thousand fortresses,
-Phraortes, King of the Ganges, showed us his guard of black men, whose
-stature was five cubits, and under a pavilion of green brocade in his
-gardens, an enormous elephant, which the queens amused themselves by
-perfuming. It was the elephant of Porus which had taken flight after
-the death of Alexander."
-
-DAMIS. "And which had been found again in a forest."
-
-ANTHONY. "Their speech is superabundant, like that of drunken men!"
-
-APOLLONIUS. "Phraortes seated us at his own table."
-
-DAMIS. "How strange a country that was! During their drinking
-carousels, the lords used to amuse-themselves by shooting arrows under
-the feet of a dancing child. But I do not approve...."
-
-APOLLONIUS. "When I was ready to depart, the king gave me a parasol,
-and he said to me: 'I have a stud of white camels upon the Indus. When
-thou shalt have no further use for them, blow in their ears. They will
-come back.'
-
-"We descended along the river, marching at night by the light of the
-fire-flies, which glimmered among the bamboos. The slave whistled an
-air to drive away the serpents; and our camels bent down in passing
-below the branches of the trees, as if passing under low gates.
-
-"One day a black child, who held a golden caduceus in his hand,
-conducted us to the College of the Sages. Iarchas, their chief, spoke
-to me of my ancestors, told me of all my thoughts, of all my actions,
-of all my existences. In former time he had been the River Indus; and
-he reminded me that I had once been a boatman upon the Nile, in the
-time of King Sesostris."
-
-DAMIS. "As for me, they told me nothing; so that I know not who or what
-I have been."
-
-ANTHONY. "They have a vague look, like shadows!"
-
-APOLLONIUS. "Upon the shores of the sea we met with the milk-gorged
-Cynocephali, who were returning from their expedition to the Island
-Taprobana. The tepid waves rolled blond pearls to our feet. The amber
-crackled beneath our steps. Whale-skeletons were whitening in the
-crevasses of the cliffs. At last the land became narrow as a sandal;
-and after casting drops of ocean water toward the sun, we turned to the
-right to return.
-
-"So we returned through the Region of Aromatics, by way of the country
-of the Gangarides, the promontory of Comaria, the country of the
-Sachalites, of the Adramites and of the Homerites; then, across the
-Cassanian mountains, the Red Sea, and the Island Topazos, we penetrated
-into Ethiopia through the country of the Pygmies."
-
-ANTHONY (_to himself_).
-
-"How vast the world is!"
-
-DAMIS. "And after we had returned home, we found that all those whom we
-used to know, were dead."
-
-(_Anthony lowers his head. Silence._)
-
-APOLLONIUS (_continues_).
-
-"Then men began to talk of me the world over.
-
-"The plague was ravaging Ephesus; I made them stone an old mendicant
-there."
-
-DAMIS. "And forthwith the plague departed."
-
-ANTHONY. "What! Does he drive away pestilence?"
-
-APOLLONIUS. "At Cnidos, I cured the man that had become enamored of
-Venus."
-
-DAMIS. "Aye! a fool who had even vowed to espouse her! To love a woman
-is at least comprehensible; but to love a statue--what madness! The
-Master placed his hand upon the young man's heart; and the fire of that
-love was at once extinguished."
-
-ANTHONY. "How! does he also cast out devils?"
-
-APOLLONIUS. "At Tarentum they were carrying the dead body of a young
-girl to the funeral pyre."
-
-DAMIS. "The Master touched her lips; and she arose and called her
-mother."
-
-ANTHONY. "What! he raises the dead!"
-
-APOLLONIUS. "I predicted to Vespasian his accession to power."
-
-ANTHONY. "What! he foretells the future!"
-
-DAMIS. "At Corinth there was a ..."
-
-APOLLONIUS. "It was when I was at table with him, at the waters of
-Baia ..."
-
-ANTHONY. "Excuse me, strangers--it is very late ..."
-
-DAMIS. "At Corinth there was a young man called Menippus ..."
-
-ANTHONY. "No! no!--go ye away!"
-
-APOLLONIUS. "A dog came in, bearing a severed hand in his mouth."
-
-DAMIS. "One evening, in one of the suburbs, he met a woman."
-
-ANTHONY. "Do ye not hear me? Begone!"
-
-APOLLONIUS. "He wandered in a bewildered way around the couches ..."
-
-ANTHONY. "Enough!"
-
-APOLLONIUS. "They sought to drive him out."
-
-DAMIS. "So Menippus went with her to her house; they loved one
-another."
-
-APOLLONIUS. "And gently beating the mosaic pavement with his tail, he
-laid the severed hand upon the knees of Flavius."
-
-DAMIS. "But next morning, during the lessons in the school, Menippus
-was pale."
-
-ANTHONY (_starting up in anger_).
-
-"Still continuing! Ah! then let them continue till they be weary,
-inasmuch as there is no ..."
-
-DAMIS. "The Master said to him: 'O beautiful youth, thou dost caress
-a serpent; by a serpent thou art caressed! And when shall be the
-nuptials?' We all went to the wedding."
-
-ANTHONY. "Assuredly I am doing wrong, to hearken to such a story!"
-
-DAMIS. "Servants were hurrying to and fro in the vestibule; doors were
-opening; nevertheless there was no sound made either by the fall of
-the footsteps nor the closing of the doors. The Master placed himself
-beside Menippus. And the bride forthwith became angered against the
-philosophers. But the vessels of gold, the cupbearers, the cooks, the
-panthers disappeared; the roof receded and vanished into air; the walls
-crumbled down; and Apollonius stood alone with the woman at his feet,
-all in tears. She was a vampire who satisfied the beautiful young men
-in order to devour their flesh, for nothing is more desirable for such
-phantoms than the blood of amorous youths."
-
-APOLLONIUS. "If thou shouldst desire to learn the art ..."
-
-ANTHONY. "I do not wish to learn anything!"
-
-APOLLONIUS. "The same evening that we arrived at the gates of Rome ..."
-
-ANTHONY. "Oh! yes!--speak to me rather of the City of Popes!"
-
-APOLLONIUS. "A drunken man accosted us, who was singing in a low voice.
-The song was an epithalamium of Nero; and he had the power to cause
-the death of whosoever should hear it with indifference. In a box upon
-his shoulders he carried a string taken from the Emperor's cithara. I
-shrugged my shoulders. He flung mud in our faces. Then I unfastened my
-girdle and placed it in this hand."
-
-DAMIS. "In sooth, thou wert most imprudent!"
-
-APOLLONIUS. "During the night the Emperor summoned me to his house. He
-was playing at osselets with Sporus, supporting his left arm upon a
-table of agate. He turned and, knitting his brows, demanded: 'How comes
-it that thou dost not fear me?' 'Because,' I replied, 'the God who made
-thee terrible, also made me intrepid."
-
-ANTHONY (_to himself_).
-
-"There is something inexplicable that terrifies me!"
-
-(_Silence._)
-
-DAMIS (_breaking the silence with his shrill voice_).
-
-"Moreover, all Asia can tell thee ..."
-
-ANTHONY (_starting up_).
-
-"I am ill! let me be!"
-
-DAMIS. "But listen! At Ephesus, he beheld them killing Domitian, who
-was at Rome."
-
-ANTHONY (_with a forced laugh_). "Is it possible?"
-
-DAMIS. "Yes: at the theatre at noon-day, the fourteenth of the Kalenda
-of October, he suddenly cried out: 'Caesar is being murdered!' and
-from time to time he would continue to ejaculate: 'He rolls upon the
-pavement ... Oh! how he struggles ... He rises ... He tries to flee
-... The doors are fastened ... Ah! it is all over! He is dead!' And in
-fact Titus Flavius Domitianus was assassinated upon that very day, as
-thou knowest."
-
-ANTHONY. "Without the aid of the Devil ... certainly ..."
-
-APOLLONIUS. "He had purposed putting me to death, that same Domitian!
-Damis had taken flight according to my order, and I remained alone in
-my prison."
-
-DAMIS. "A terrible hardihood on thy part, it must be confessed!"
-
-APOLLONIUS. "About the fifth hour, the soldiers led me before the
-tribunal. I had my harangue all ready hidden beneath my mantle."
-
-DAMIS. "We others were then upon the shores of Puteoli, we believed
-thee dead; we were all weeping, when all of a sudden about the sixth
-hour, thou didst suddenly appear before us, exclaiming: 'It is I.'"
-
-ANTHONY (_to himself_). "Even as He...!"
-
-DAMIS (_in a very loud voice_). "Precisely!"
-
-ANTHONY. "Oh! no! ye lie! is it not so?--ye lie!"
-
-APOLLONIUS. "He descended from heaven. I rise thither, by the power of
-my virtue that has lifted me up even to the height of the Principle of
-all things!"
-
-DAMIS. "Thyana, his natal city, has established in his honor a temple
-and a priesthood!"
-
-APOLLONIUS (_draws near Anthony, and shouts in his ear_:--)
-
-"It is because I know all gods, all rites, all prayers, all oracles!
-I have penetrated into the cave of Trophonius, son of Apollo! I
-have kneaded for Syracusan women the cakes which they carry to the
-mountains. I have endured the eighty tests of Mithra! I have pressed to
-my heart the serpent of Sabasius! I have received the scarf of Kabiri!
-I have laved Cybele in the waters of the Campanian gulfs! and I have
-passed three moons in the caverns of Samothracia!"
-
-DAMIS (_with a stupid laugh_).
-
-"Ah! ah! ah! at the mysteries of the good Goddess!"
-
-APOLLONIUS. "And now we recommence our pilgrimage.
-
-"We go to the North to the land of Swans and of snows. Upon the vast
-white plains, the blind hippopodes break with the tips of their feet
-the ultramarine plant."
-
-DAMIS. "Hasten! it is already dawn. The cock has crowed, the horse has
-neighed, the sail is hoisted!"
-
-ANTHONY. "The cock has not crowed! I hear the locusts in the sands, and
-I see the moon still in her place."
-
-APOLLONIUS. "We go to the South, beyond the mountains and the mighty
-waters, to seek in perfumes the secret source of love. Thou shalt
-inhale the odor of myrrhodion which makes the weak die. Thou shalt
-bathe thy body in the lake of Rose-oil which is in the Island Junonia.
-Thou shalt see slumbering upon primroses that Lizard which awakes
-every hundred years when the carbuncle upon its forehead, arriving
-at maturity, falls to the ground. The stars palpitate like eyes; the
-cascades sing like the melody of lyres; strange intoxication is exhaled
-by blossoming flowers; thy mind shall grow vaster in that air; and thy
-heart shall change even as thy face."
-
-DAMIS. "Master! it is time! The wind has risen, the swallows awaken,
-the myrtle leaves are blown away."
-
-APOLLONIUS. "Yes! let us go!"
-
-ANTHONY. "Nay! I remain here!"
-
-APOLLONIUS. "Shall I tell thee where grows the plant Balis, that
-resurrects the dead?"
-
-DAMIS "Nay; ask him rather for the audrodamas which attracts silver,
-iron and brass!"
-
-ANTHONY. "Oh! how I suffer! how I suffer!"
-
-DAMIS. "Thou shalt comprehend the voices of all living creatures, the
-roarings, the cooings!"
-
-APOLLONIUS. "I shall enable thee to ride upon unicorns and upon
-dragons, upon hippocentaurs and dolphins!"
-
-ANTHONY (_weeping_). "Oh ... oh!... oh!"
-
-APOLLONIUS. "Thou shalt know the demons that dwell in the caverns, the
-demons that mutter in the woods, the demons that move in the waves, the
-demons that push the clouds!"
-
-DAMIS. "Tighten thy girdle, fasten thy sandals!"
-
-APOLLONIUS. "I shall explain to thee the reason of divine forms--why
-Apollo stands, why Jupiter is seated, why Venus is black, at Corinth,
-square-shaped at Athens, conical at Paphos."
-
-ANTHONY (_clasping his hands_).
-
-"Let them begone! let them begone!"
-
-APOLLONIUS. "In thy presence I will tear down the panoplies of the
-Gods; we shall force open the sanctuaries, I will enable thee to
-violate the Pythoness!"
-
-ANTHONY. "Help! O my God!"
-
-(_He rushes to the cross._)
-
-APOLLONIUS. "What is thy desire? What is thy dream? Thou needst only
-devote the moment of time necessary to think of it ..."
-
-ANTHONY. "Jesus! Jesus! Help me!"
-
-APOLLONIUS. "Dost thou wish me to make him appear, thy Jesus?"
-
-ANTHONY. "What? How!"
-
-APOLLONIUS. "It shall be He!--no other! He will cast off his crown, and
-we shall converse face to face!"
-
-DAMIS (_in an undertone_).
-
-"Say thou dost indeed wish it! say thou dost desire it!"
-
-(_Anthony kneeling before the cross, murmurs prayers. Damis walks
-around him, with wheedling gestures._)
-
-"Nay, nay! good hermit. Be not horrified! These are only exaggerated
-forms of speech, borrowed from the Orientals. That need in no way ..."
-
-APOLLONIUS. "Let him alone, Damis!
-
-"He believes, like a brute, in the reality of things. The terror which
-he entertains of the Gods prevents him from comprehending them; and he
-debases his own God to the level of a jealous king!
-
-"But thou, my son, do not leave me!"
-
-(_He moves to the edge of the cliff, walking backward, passes beyond
-the verge of the precipice, and remains suspended in air._)
-
-"Above all forms, further than the ends of the earth, beyond the
-heavens themselves, lies the world of Idea, replete with the splendor
-of the Word! With one bound we shall traverse the impending spaces, and
-thou shalt behold in all his infinity, the Eternal, the Absolute, the
-Being! Come! give me thy hand! Let us rise."
-
-(_Side by side, both rise up through the air, slowly. Anthony, clinging
-to the cross, watches them rise. They disappear._)
-
-
-[1] Agape.--Love-feast of the primitive Christians.
-
-[2] John XVI: 12.--T.
-
-[3] See note at end.
-
-[4] Masheim gives _Achamoth._ I prefer to remain faithful to the
-orthography given by Flaubert.
-
-[5] The French text gives _mes peres_ not _nos peres._ Elxai, or
-Elkhai, who established his sect in the reign of Trajan, was a Jew.
-
-[6] See note.
-
-[7] The banyan is a fig-tree--the _Ficus indicus._--Trans.
-
-[8] Readers may remember Longfellow's exquisite poem "Helena of Tyre."
-
-[9] See the second part of "Faust," and _Kundry_ in "Parsifal."
-
-
-
-
-V.
-
-
-ANTHONY (_walking to and fro, slowly_).
-
-"That one, indeed, seems in himself equal to all the powers of Hell!
-
-"Nebuchadnezzar did not so much dazzle me with his splendours;--the
-Queen of Sheba herself charmed me less deeply.
-
-"His manner of speaking of the gods compels one to feel a desire to
-know them.
-
-"I remember having beheld hundreds of them at one time, in the island
-of Elephantius, in the time of Diocletian. The emperor had ceded to the
-Nomads a great tract of country, upon the condition that they should
-guard the frontiers; and the treaty was concluded in the name of the
-'Powers Invisible.' For the gods of each people were unknown unto the
-other people.
-
-"The Barbarians had brought theirs with them. They occupied the
-sand-hills bordering the river. We saw them supporting their idols in
-their arms, like great paralytic children;--others, paddling through
-the cataracts upon trunks of palm tree, displayed from afar off the
-amulets hung about their necks, the tattooings upon their breasts; and
-these things were not more sinful than the religion of the Greeks, the
-Asiatics, and the Romans!
-
-"When I was dwelling in the temple of Heliopolis I would often consider
-the things I beheld upon the walls:--vultures bearing sceptres,
-crocodiles playing upon lyres, faces of men with the bodies of
-serpents, cow-headed women prostrating themselves before ithyphallic
-gods:--and their supernatural forms attracted my thoughts to other
-worlds. I longed to know that which drew the gaze of all those calm and
-mysterious eyes.
-
-"If matter can exert such power, it must surely contain a spirit. The
-souls of the Gods are attached to their images ...
-
-"Those possessing the beauty of forms might seduce. But the others
-... those of loathsome or terrible aspect ... how can men believe in
-them?..."
-
-(_And he beholds passing over the surface of the ground,--leaves,
-stones, shells, branches of trees,--then a variety of hydropical
-dwarfs: these are gods. He bursts into a laugh. He hears another laugh
-behind him;--and Hilarion appears, in the garb of a hermit, far taller
-than before, colossal._)
-
-ANTHONY (_who feels no surprise at seeing him_).
-
-"How stupid one must be to worship such things!"
-
-HILARION. "Aye!--exceedingly stupid!"
-
-(_Then idols of all nations and of all epochs--of wood, of metal, of
-granite, of feathers, of skins sewn together,--pass before them._
-
-_The most ancient of all anterior to the Deluge are hidden under masses
-of seaweed hanging down over them like manes. Some that are too long
-for their bases, crack in all their joints, and break their own backs
-in walking. Others have rents torn in their bellies through which sand
-trickles out._
-
-_Anthony and Hilarion are prodigiously amused. They hold their sides
-for laughter. Then appear sheep-headed idols. They totter upon their
-bandy-legs, half-open their eye-lids, and stutter like the dumb,_ "Ba!
-ba! ba!"
-
-_The more that the idols commence to resemble the human forms, the
-more they irritate Anthony. He strikes them with his fist, kicks them,
-attacks them with fury. They become frightful,--with lofty plumes, eyes
-like balls, fingers terminated by claws, the jaws of sharks._
-
-_And before these gods men are slaughtered upon altars of stone; others
-are brayed alive in huge mortars, crushed under chariots, nailed upon
-trees. There is one all of red-hot iron with the horns of a bull, who
-devours children._)
-
-ANTHONY. "Horror!"
-
-HILARION. "But the gods always demand tortures--and suffering. Even
-thine desired ..."
-
-ANTHONY (_weeping_). "Ah! say no more!--do not speak to me!"
-
-(_The space girdled by the rocks suddenly changes into a valley. A herd
-of cattle are feeding upon the short grass._
-
-_The herdman who leads them, observes a cloud;--and in a sharp voice,
-shouts out words of command, as if to heaven._)
-
-HILARION. "Because he needs rain, he seeks by certain chants to compel
-the King of heaven to open the fecund cloud."
-
-ANTHONY (_laughing_).
-
-"Verily, such pride is the extreme of foolishness!"
-
-HILARION. "Why dost thou utter exorcisms?"
-
-(_The valley changes into a sea of milk, motionless and infinite. In
-its midst floats a long cradle formed by the coils of a serpent, whose
-many curving heads shade, like a dais, the god slumbering upon its
-body._
-
-_He is beardless, young, more beautiful than a girl, and covered with
-diaphanous veils. The pearls of his tiara gleam softly like moons; a
-chaplet of stars is entwined many times about his breast, and with one
-hand beneath his head, he slumbers with the look of one who dreams
-after wine._
-
-_A woman crouching at his feet, awaits the moment of his awaking._)
-
-HILARION. "Such is the primordial duality of the Brahmans,--the
-Absolute being inexpressible by any form."
-
-(_From the navel of the god has grown the stem of a lotus flower; it
-blossoms, and within its chalice appears another god with three faces._)
-
-ANTHONY. "How strange an invention!"
-
-HILARION. "Father, Son, and Holy Spirit are but one and the same
-Person!"
-
-(_The three faces separate; and three great gods appear._
-
-_The first, who is pink, bites the end of his great toe._
-
-_The second, who is blue, uplifts his four arms._
-
-_The third, who is green, wears a necklace of human skulls._
-
-_Before them instantly arise three goddesses--one is enveloped in a
-net; another offers a cup; the third brandishes a bow._
-
-[Illustration: ... instantly arise three goddesses]
-
-_And these gods, these goddesses, decuple themselves, multiply. Arms
-grow from their shoulders; at the end of these arms hands appear
-bearing standards, axes, bucklers, swords, parasols and drums.
-Fountains gush from their heads, plants grow from their nostrils._
-
-_Riding upon birds rocked in palanquins, enthroned upon seats of gold,
-standing in ivory niches,--they dream, voyage, command, drink wine,
-respire the breath of flowers. Dancing girls whirl in the dance; giants
-pursue monsters; at the entrances of grottoes solitaries meditate. Eyes
-cannot be distinguished from stars; nor clouds from banderolles;
-peacocks quench their thirst at rivers of gold dust; the embroidery
-of pavilions seems to blend with the spots of leopards; coloured rays
-intercross in the blue air, together with flying arrows, and swinging
-censers._
-
-_And all this develops like a lofty frieze, resting its base upon the
-rocks, and rising to the sky._)
-
-ANTHONY (_dazzled by the sight_).
-
-"How vast is their number! What do they seek?"
-
-HILARION. "The god who rubs his abdomen with his elephant-trunk, is the
-solar Deity, the inspiring spirit of wisdom.
-
-"That other whose six heads are crowned with towers, and whose fourteen
-arms wield javelins,--is the prince of armies,--the Fire-Consumer.
-
-"The old man riding the crocodile washes the soul of the dead upon
-the shore. They will be tormented by that black woman with the putrid
-teeth, who is the Ruler of Hell.
-
-"That chariot drawn by red mares, driven by one who has no legs, bears
-the master of the sun through heaven's azure. The moon-god accompanies
-him, in a litter drawn by three gazelles.
-
-"Kneeling upon the back of a parrot, the Goddess of Beauty presents to
-Love, her son, her rounded breast. Behold her now, further off, leaping
-for joy in the meadows. Look! Look! Coiffed with dazzling mitre, she
-trips lightly over the ears of growing wheat, over the waves; she rises
-in air, extending her power over all elements.
-
-"And among these gods are the Genii of the winds, of the planets, of
-the months, of the days,--a hundred thousand others;--multiple are
-their aspects, rapid their transformations. Behold, there is one who
-changes from a fish into a tortoise: he assumes the form of a boar, the
-shape of a dwarf."
-
-ANTHONY. "Wherefore?"
-
-HILARION. "That he may preserve the equilibrium of the universe, and
-combat the works of evil. But life exhausts itself; forms wear away;
-and they must achieve progression in their metamorphoses."
-
-(_All upon a sudden appears a_ NAKED MAN _seated in the midst of the
-sand, with legs crossed._)
-
-(_A large halo vibrates, suspended in air behind him. The little
-ringlets of his black hair in which blueish tints shift symmetrically
-surround a protuberance upon the summit of his skull. His arms,
-which are very long, hang down against his sides. His two hands rest
-flat upon his thighs, with the palms open. The soles of his feet
-are like the faces of two blazing suns; and he remains completely
-motionless--before Anthony and Hilarion--with all the gods around him,
-rising in tiers above the rocks, as if upon the benches of some vast
-circus. His lips, half-open; and he speaks in a deep voice_):
-
-"I am the Master of great charities, the succor of all creatures; and
-not less to the profane than to believers, do I expound the law.
-
-"That I might deliver the world, I resolved to be born among men. The
-gods wept when I departed from them.
-
-"I sought me first a woman worthy to give me birth: a woman of warrior
-race, the wife of a king, exceedingly good, excessively beautiful,
-with body firm as adamant;--and at time of the full moon, without the
-auxiliation of any male, I entered her womb.
-
-"I issued from it by the right side. Stars stopped in their courses."
-
-HILARION (_murmurs between his teeth_).
-
-"And seeing the star, they rejoiced with exceeding great joy!"[1]
-
-(_Anthony watches more attentively._)
-
-THE BUDDHA[2] (_continuing_).
-
-"From the furthest recesses of the Himalayas, a holy man one hundred
-years of age, hurried to see me."
-
-HILARION. "A man named Simeon ... who should not see death, before he
-had seen the Christ of the Lord."[3]
-
-THE BUDDHA. "I was led unto the schools; and it was found that I knew
-more than the teachers."
-
-HILARION. "... In the midst of the doctors ... and all that heard him
-were astonished at his wisdom!"[4]
-
-(_Anthony makes a sign to Hilarion to be silent._)
-
-THE BUDDHA. "Continually did I meditate in the gardens. The shadows of
-the trees turned with the turning of the sun; but the shadow of that
-which sheltered me turned not.
-
-"None could equal me in the knowledge of the Scriptures, the
-enumeration of atoms, the conduct of elephants, the working of wax,
-astronomy, poetry, pugilism, all the exercises and all the arts!
-
-"In accordance with custom, I took to myself a wife; and I passed the
-days in my kingly palace;--clad in pearls, under a rain of perfumes,
-refreshed by the fans of thirty thousand women,--watching my peoples
-from the height of my terraces adorned with fringes of resonant bells.
-
-"But the sight of the miseries of the world turned me away from
-pleasure. I fled.
-
-"I begged my way upon the high roads, clad myself in rags gathered
-within the sepulchres;--and, hearing of a most learned hermit, I chose
-to become his slave. I guarded his gate! I washed his feet.
-
-"Thus I annihilated all sensation, all joy, all languor.
-
-"Then, concentrating my thoughts within vaster meditation, I learned to
-know the essence of things, the illusion of forms.
-
-"Soon I exhausted the science of the Brahmans. They are gnawed by
-covetousness and desire under their outward aspect of austerity; they
-daub themselves with filth, they live upon thorns,--hoping to arrive at
-happiness by the path of death!"
-
-HILARION.... "Pharisees, hypocrites, whited sepulchres, generation of
-vipers!"
-
-THE BUDDHA. "I also accomplished wondrous things,--eating but one
-grain of rice each day (and the grains of rice in those times were no
-larger than at present)--my hair fell off; my body became black; my
-eyes receding within their sockets, seemed even as stars beheld at the
-bottom of a well.
-
-"During six years I kept myself motionless, exposed to the flies, the
-lions and the serpents; and the great summer suns, the torrential
-rains, lightnings and snows, hails and tempests,--all of these I
-endured without even the shelter of my lifted hand.
-
-"The travellers who passed by, believing me dead, cast clods of earth
-upon me!
-
-"Only the temptation of the Devil remained!
-
-"I summoned him.
-
-"His sons came,--hideous, scale-covered, nauseous as
-charnel-houses,--shrieking, hissing, bellowing; interclashing their
-panoplies, rattling together the bones of dead men. Some belched
-flame through their nostrils; some made darkness about me with their
-wings; some wore chaplets of severed fingers; some drank serpent-venom
-from the hollows of their hands;--they were swine-headed; they were
-rhinoceros-headed or toad-headed; they assumed all forms that inspire
-loathing or affright."
-
-ANTHONY (_to himself_).
-
-"I also endured all that in other days!"
-
-THE BUDDHA. "Then did he send me his daughters--beautiful with
-daintily painted faces, and wearing girdles of gold. Their teeth were
-whiter than the jasmine-flower; their thighs round as the trunk of
-an elephant. Some extended their arms and yawned, that they might so
-display the dimples of their elbows; some winked their eyes; some
-laughed; some half-opened their garments. There were blushing virgins,
-matrons replete with dignity, queens who came with great trains of
-baggage and of slaves."
-
-ANTHONY (_aside_). "Ah! he too ..."
-
-THE BUDDHA. "Having vanquished the Demon, I nourished myself for twelve
-years with perfumes only;--and as I had acquired the five virtues,
-the five faculties, the ten forces, the eighteen substances, and had
-entered into the four spheres of the invisible world, Intelligence
-became mine! I became the Buddha."
-
-[Illustration: Intelligence became mine! I became the Buddha.]
-
-(_All the gods bow themselves down. Those having several heads, bend
-them all simultaneously. He lifts his mighty hand aloft, and resumes_:)
-
-"That I might effect the deliverance of beings, I have made hundreds
-of thousands of sacrifices! To the poor I gave robes of silk, beds,
-chariots, houses, heaps of gold and of diamonds. I gave my hands to the
-one-handed, my legs to the lame, my eyes to the blind;--even my head I
-severed for the sake of the decapitated. In the day that I was King, I
-gave away provinces;--when I was a Brahman I despised no one. When I
-was a solitary, I spake kindly words to the robber who slew me. When I
-was a tiger I allowed myself to die of hunger.
-
-"And having, in this last existence, preached the law, nothing now
-remains for me to do. The great period is accomplished! Men, animals,
-the gods, the bamboos, the oceans, the mountains, the sand-grains of
-the Ganges, together with the myriad myriads of the stars,--all shall
-die;--and until the time of the new births, a flame shall dance upon
-the wrecks of worlds destroyed!"
-
-(_Then a great dizziness comes upon the gods. They stagger, fall into
-convulsions, and vomit forth their existences. Their crowns burst
-apart; their banners fly away. They tear off their attributes, their
-sexes, fling over their shoulders the cups from which they quaffed
-immortality, strangle themselves with their serpents, vanish in
-smoke;--and when all have disappeared_ ...)
-
-HILARION (_solemnly exclaims_):
-
-"Thou hast even now beheld the belief of many hundreds of millions of
-men."
-
-(_Anthony is prostrate upon the ground, covering his face with his
-hands. Hilarion, with his back turned to the cross, stands near him and
-watches him._
-
-_A considerable time elapses._
-
-_Then a singular being appears--having the head of a man upon the body
-of a fish. He approaches through the air, upright, beating the sand
-from time to time with his tail; and the patriarchal aspect of his face
-by contrast with his puny little arms, causes Anthony to laugh._)
-
-OANNES (_in a plaintive voice_):
-
-"Respect me! I am the contemporary of beginnings.
-
-"I dwelt in that formless world where hermaphroditic creatures
-slumbered, under the weight of an opaque atmosphere, in the deeps of
-dark waters--when fingers, fins, and wings were blended, and eyes
-without heads were floating like mollusks, among human-headed bulls,
-and dog-footed serpents.
-
-[Illustration: ... and eyes without heads were floating like
-mollusks]
-
-"Above the whole of these beings, OMOROCA, bent like a hoop, extended
-her woman-body. But Belus cleft her in two halves; with one he made the
-earth; with the other, heaven;--and the two equal worlds do mutually
-contemplate each other.
-
-"I, the first consciousness of CHAOS, arose from the abyss that I might
-harden matter, and give a law unto forms:--also I taught men to fish
-and to sow: I gave them knowledge of writing, and of the history of the
-gods.
-
-[Illustration: I, the first consciousness of Chaos, arose from
-the abyss that I might harden matter, and give a law unto forms ...]
-
-"Since then I have dwelt in the deep pools left by the Deluge. But the
-desert grows vaster about them; the winds cast sand into them; the sun
-devours them;--and I die upon my couch of slime, gazing at the stars
-through the water. Thither I return!"
-
-(_He leaps and disappears in the Nile._)
-
-HILARION. "That is an ancient God of the Chaldaeans!"
-
-ANTHONY (_ironically_). "What, then, were those of Babylon?"
-
-HILARION. "Thou canst behold them!"
-
-(_And they find themselves upon the platform of a lofty quadrangular
-tower dominating six other towers, which, narrowing as they rise, form
-one monstrous pyramid. Far below a great black mass is visible--the
-city, doubtless--extending over the plains. The air is cold; the sky
-darkly blue; multitudes of stars palpitate above._
-
-_In the midst of the platform rises a column of white stone. Priests
-in linen robes pass and repass around it, so as to describe by their
-evolutions a moving circle; and with faces uplifted, they gaze upon the
-stars._ ...)
-
-HILARION. (_pointing out several of these stars to Anthony_):
-
-"There are thirty principal stars. Fifteen look upon the upper side
-of the earth; fifteen below. At regular intervals one shoots from the
-upper regions to those below; while another abandons the inferior deeps
-to rise to sublime altitudes ...
-
-"Of the seven planets, two are beneficent; two evil; three
-ambiguous:--all things in the world depend upon the influence of these
-eternal fires. According to their position or movement presages may be
-drawn;--and here thou dost tread the most venerable place upon earth.
-Here Pythagoras and Zoroaster have met;--here for twelve thousand years
-these men have observed the skies that they might better learn to know
-the gods."
-
-ANTHONY. "The stars are not gods."
-
-HILARION. "Aye, they say the stars are gods; for all things about us
-pass away;--the heavens only remain immutable as eternity."
-
-ANTHONY. "Yet there is a master!"
-
-HILARION (_pointing to the column_):
-
-"He! Belus!--the first ray, the Sun, the Male! The Other, whom he
-fecundates, is beneath him!"
-
-(_Anthony beholds a garden, illuminated by lamps_: _He finds himself
-in the midst of the crowd, in an avenue of cypress-trees. To right and
-left are little pathways leading to huts constructed within a wood of
-pomegranate trees, and enclosed by treillages of bamboo._
-
-_Most of the men wear pointed caps, and garments bedizened like the
-plumage of a peacock. But there are also people from the North clad
-in bearskins, nomads wearing mantles of brown wool, pallid Gangarides
-with long earrings;--and there seems to be as much confusion of rank
-as there is confusion of nations; for sailors and stone-cutters elbow
-the princes who wear tiaras blazing with carbuncles and who carry
-long canes with carven knobs. All proceed upon their way with dilated
-nostrils, absorbed by the same desire._
-
-_From time to time, they draw aside to make way for some long covered
-wagon drawn by oxen, or some ass jolting upon his back a woman bundled
-up in thick veils, who finally disappears in the direction of the
-cabins._
-
-_Anthony feels afraid; he half-resolves to turn back. But an
-unutterable curiosity takes possession of him, and draws him on._
-
-_At the foot of the cypress-trees there are ranks of women squatting
-upon deerskins, all wearing in lieu of diadem, a plaited fillet of
-ropes. Some, magnificently attired, loudly call upon the passers-by.
-Others, more timid, seek to veil their faces with their arms, while
-some matron standing behind them, their mother doubtless, exhorts
-them. Others, their heads veiled with a black shawl, and their bodies
-entirely nude, seem from afar off to be statues of flesh. As soon as a
-man has thrown some money upon their knees, they arise._
-
-_And the sound of kisses is heard under the foliage,--sometimes a great
-sharp cry._)
-
-HILARION. "These are the virgins of Babylon, who prostitute themselves
-to the goddess."
-
-ANTHONY. "What goddess?"
-
-HILARION. "Behold her!"
-
-(_And he shows him at the further end of the avenue, upon the threshold
-of an illuminated grotto, a block of stone representing a woman._)
-
-ANTHONY. "Ignominy!--how abominable to give a sex to God!"
-
-HILARION. "Thou thyself dost figure him in thy mind as a living person!"
-
-(_Anthony again finds himself in darkness._
-
-_He beholds in the air a luminous circle, poised upon horizontal
-wings. This ring of light, girdles like a loose belt, the waist of a
-little man wearing a mitre upon his head and carrying a wreath in his
-hand. The lower part of his figure is completely concealed by immense
-feathers outspreading about him like a petticoat._
-
-_It is_--ORMUZD--_the God of the Persians. He hovers in the air above,
-crying aloud_:)
-
-"I fear! I can see his monstrous jaws! I did vanquish thee, O Ahriman!
-But again thou dost war against me.
-
-"First revolting against me, thou didst destroy the eldest of
-creatures, Kaiomortz, the Man-Bull. Then didst thou seduce the first
-human couple, Meschia and Meschiane; and thou didst fill all hearts
-with darkness, thou didst urge thy battalions against heaven!
-
-"I also had mine own, the people of the stars; and from the height of
-my throne I contemplated the marshalling of the astral hosts.
-
-"Mithra, my son, dwelt in heavens inaccessible. There he received
-souls, from thence did he send them forth; and he arose each morning to
-pour forth the abundance of his riches.
-
-"The earth reflected the splendour of the firmament. Fire blazed upon
-the crests of the mountains,--symbolizing that other fire of which
-I had created all creatures. And that the holy flame might not be
-polluted, the bodies of the dead were not burned; the beaks of birds
-carried them aloft toward heaven.
-
-"I gave to men the laws regulating pastures, labour, the choice of wood
-for the sacrifices, the form of cups, the words to be uttered in hours
-of sleeplessness;--and my priests unceasingly offered up prayers, so
-that worship might be as the eternity of God in its endlessness. Men
-purified themselves with water; loaves were offered upon the altars,
-sins were confessed aloud.
-
-"Homa[5] gave himself to men to be drank, that they might have his
-strength communicated to them while the Genii of heaven were combating
-the demons, the children of Iran were pursuing the serpents. The
-King, whom an innumerable host of courtiers served upon their knees,
-represented me in his person, and wore my coiffure. His gardens had the
-magnificence of a heaven upon earth; and his tomb represented him in
-the act of slaying a monster,--emblem of Good destroying Evil.
-
-"For it was destined that I should one day definitely conquer Ahriman,
-by the aid of Time-without-limits.
-
-"But the interval between us disappears;--the deep night rises! To
-me! ye Amschaspands, ye Izeds, ye Ferouers! Succor me, Mithra! seize
-thy sword! And thou, Kaosyac, who shall return for the universal
-deliverance, defend me! What!--none to aid! Ah! I die! Thou art the
-victor, Ahriman!"
-
-(_Hilarion, standing behind Anthony, restrains a cry of joy;--and_
-ORMUZD _is swallowed up in the darkness._)
-
-(_Then appears_:)
-
-THE GREAT DIANA OF EPHESUS
-
-(_black with enamelled eyes, her elbows pressed to her side, her
-forearms extended, with hands open._
-
-_Lions crawl upon her shoulders; fruits, flowers, and stars intercross
-upon her bosom; further down three rows of breasts appear; and from her
-belly to her feet she is covered with a tightly fitting sheath from
-which bulls, stags, griffins, and bees, seem about to spring, their
-bodies half-protruding from it. She is illuminated by the white light
-emanating from a disk of silver, round as the full moon, placed behind
-her head._)
-
-"Where is my temple? Where are my Amazons?
-
-"What is this I feel?--I, the Incorruptible!--a strange faintness comes
-upon me!"...
-
-(_Her flowers wither, her over-ripe fruits become detached and fall.
-The lions and the bulls hang their heads; the deer foam at the mouth,
-with a slimy foam, as though exhausted; the buzzing bees die upon the
-ground._
-
-_She presses her breasts, one after the other. All are empty! But under
-a desperate effort her sheath bursts. She seizes it by the bottom, like
-the skirt of a robe, throws her animals, her fruits, her flowers, into
-it,--then withdraws into the darkness._
-
-_And afar off there are voices, murmuring, growling, roaring,
-bellowing, belling. The density of the night is augmented by breaths.
-Drops of warm rain fall._)
-
-ANTHONY. "How sweet the odour of the palm trees, the trembling of
-leaves, the transparency of springs! I feel the desire to lie flat upon
-the Earth that I might feel her against my heart; and my life would be
-reinvigorated by her eternal youth!"
-
-(_He hears the sound of castanets and of cymbals; and men appear, clad
-in white tunics with red stripes,--leading through the midst of a
-rustic crowd an ass, richly harnessed, its tail decorated with knots of
-ribbons, and its hoofs painted._
-
-_A box, covered with a saddle-cloth[6] of yellow material shakes to
-and fro upon its back, between two baskets,--one receives the offerings
-contributed,--eggs, grapes, pears, cheeses, fowls, little coins; and
-the other basket is full of roses, which the leaders of the ass pluck
-to pieces as they walk before the animal, shedding the leaves upon the
-ground._
-
-_They wear earrings and large mantles; their locks are plaited, their
-cheeks painted, olive-wreaths are fastened upon their foreheads by
-medallions bearing figurines;--all wear poniards in their belts, and
-brandish ebony-handled whips, having three thongs to which osselets are
-attached._[7]
-
-_Those who form the rear of the procession, place upon the soil,--so as
-to remain upright as a candelabrum,--a tall pine, which burns at its
-summit, and shades under its lower branches a lamb._
-
-_The ass halts. The saddle-cloth is removed. Underneath appears a
-second covering of black felt. Then one of the men in white tunics
-begins to dance, rattling his crotali;--another, kneeling before the
-box, beats a tambourine and_--)
-
-THE OLDEST OF THE BAND, _begins_:--
-
-"Here is the Good Goddess, the Idaean of the mountains, the Great Mother
-of Syria! Come ye hither, good people all!
-
-[Illustration: Here is the Good Goddess, the Idaean of the mountains ...]
-
-"She gives joy to men, she heals the sick; she sends inheritances; she
-satisfies the hunger of love!
-
-"We bear her through the land, rain or shine, in fair weather, or in
-foul.
-
-"Oft times we lie in the open air, and our table is not always well
-served. Robbers dwell in the woods. Wild beasts rush from their
-caverns. Slippery paths border the precipices. Behold her! behold her!"
-
-(_They lift off the covering; and a box is seen, inlaid with little
-pebbles._)
-
-"Loftier than the cedars, she looks down from the blue ether. Vaster
-than the wind she encircles the world. Her breath is exhaled by the
-nostrils of tigers; the rumbling of her voice is heard beneath the
-volcanoes; her wrath is the tempest; the pallor of her face has
-whitened the moon. She ripens the harvest; by her the tree-bark swells
-with sap; she makes the beard to grow. Give her something; for she
-hates the avaricious!"
-
-(_The box opens; and under a little pavilion of blue silk appears a
-small image of Cybele--glittering with spangles, crowned with towers,
-and seated in a chariot of red stone, drawn by two lions, with uplifted
-paws._
-
-_The crowd presses forward to see._)
-
-THE ARCHIGALLUS (_continues_):
-
-"She loves the sound of resounding tympanums, the echo of dancing
-feet, the howling of wolves, the sonorous mountains and the deep
-gorges, the flower of the almond tree, the pomegranate and the green
-fig, the whirling dance, the snoring flute, the sugary sap, the salty
-tear,--blood! To thee, to thee!--Mother of the mountains!"
-
-(_They scourge themselves with their whips; and their chests resound
-with the blows;--the skins of the tambourines vibrate almost to
-bursting. They seize their knives; they gash their arms._)
-
-"She is sorrowful; let us be sorrowful! Thereby your sins will be
-remitted. Blood purifies all--fling its red drops abroad like blossoms!
-She, the Great Mother, demands the blood of another creature--of a pure
-being!"
-
-(_The Archigallus raises his knife above the head of a lamb._)
-
-ANTHONY (_seized with horror_):
-
-"Do not slay the lamb!"
-
-(_There is a gush of purple blood. The priest sprinkles the crowd
-with it; and all--including Anthony and Hilarion--standing around the
-burning tree, silently watch the last palpitations of the victim._
-
-_A Woman comes forth from the midst of the priests; she resembles
-exactly the image within the little box._
-
-_She pauses, perceiving before her a Young Man wearing a Phrygian
-cap. His thighs are covered with a pair of narrow trousers, with
-lozenge-shaped openings here and there at regular intervals, closed by
-bow knots of coloured material. He stands in an attitude of languor,
-resting his elbow against a branch of the tree, holding a flute in his
-hand._)
-
-CYBELE (_flinging her arms about his waist_).
-
-"I have traversed all regions of the earth to join thee--and famine
-ravaged the fields Thou hast deceived me! It matters not! I love thee!
-Warm my body in thine embrace! Let us be united!"
-
-ATYS. "The springtime will never again return, O eternal Mother!
-Despite my love, it is no longer possible for me to penetrate thy
-essence! Would that I might cover myself with a painted robe like
-thine! I envy thy breasts, swelling with milk, the length of thy
-tresses, thy vast flanks that have borne and brought forth all
-creatures! Why am I not thou?--Why am I not a woman?--No, never! depart
-from me! My virility fills me with horror!"
-
-(_With a sharp stone he dismembers himself, and runs furiously from
-her ..._
-
-_The priests imitate the god; the faithful do even as the priests. Men
-and women exchange garments, embrace;--and the tumult of bleeding flesh
-passes away, while the sound of voices remaining, becomes even more
-strident,--like the shrieking of mourners, like the voices heard at
-funerals._
-
-_ ... A huge catafalque, hung with purple, supports upon its summit an
-ebony bed, surrounded by torches and baskets of silver filagree, in
-which are verdant leaves of lettuce, mallow and fennel. Upon the steps
-of the construction, from summit to base, sit women all clad in black,
-with loosened girdles and bare feet, holding in their hands with a
-melancholy air, great bouquets of flowers._
-
-_At each corner of the estrade urns of alabaster, filled with myrrh,
-slowly send up their smoke._
-
-_Upon the bed can be perceived the corpse of a man. Blood flows from
-his thigh. One of his arms hangs down lifelessly;--and a dog licks his
-finger nails and howls._
-
-_The row of torches placed closely together, prevents his face from
-being seen; and Anthony feels a strange anguish within him. He fears
-lest he should recognize some one._
-
-_The sobs of the women cease--and after an interval of silence_,)
-
-ALL (_psalmody together_):
-
-"Fair! fair!--all fair he is! Thou hast slept enough!--lift thy
-head!--arise!
-
-"Inhale the perfume of our flowers--narcissus--blossoms and anemones,
-gathered in thine own gardens to please thee. Arouse thee! thou dost
-make us fear for thee!
-
-"Speak to us! What dost thou desire? Wilt thou drink wine?--wilt thou
-lie in our beds?--dost wish to eat the honeycakes which have the form
-of little birds?
-
-"Let us press his lips,--kiss his breast! Now!--now!--dost thou not
-feel our ring-laden fingers passing over thy body?--and our lips that
-seek thy mouth?--and our tresses that sweep thy thighs? O faint God,
-deaf to our prayers!"
-
-(_They cry aloud, and rend their faces with their nails; then all
-rush,--and the howling of the dog continues in the silence._)
-
-"Alas! alas! Woe!--the black blood trickles over his snowy flesh!
-See! his knees writhe!--his sides sink in! The bloom of his face hath
-dampened the purple. He is dead, dead! O weep for him! Lament for him!"
-
-(_In long procession they ascend to lay between the torches the
-offerings of their several tresses, that seem from afar off like
-serpents, black or blond;--and the catafalque is lowered gently to the
-level of, a grotto,--the opening of a shadowy sepulchre that yawns
-behind it._
-
-_Then_--)
-
-A WOMAN (_bends over the corpse. Her long hair, uncut, envelopes her
-from head to feet. She sheds tears so abundantly that her grief cannot
-be as that of the others, but more than human--infinite!_
-
-_Anthony dreams of the Mother of Jesus. She speaks_:--)
-
-"Thou didst emerge from the Orient, and didst take me, all trembling
-with the dew, into thy arms, O Sun! Doves fluttered upon the azure
-of thy mantle; our kisses evoked low breezes among the foliage; and I
-abandoned myself wholly to thy love, delighting in the pleasure of my
-weakness.
-
-"Alas! alas--Why didst thou depart, to run upon the mountains! A boar
-did wound thee at the time of the autumnal equinox!
-
-"Thou art dead; and the fountains weep,--the trees bend down. The wind
-of winter whistles through the naked brushwood.
-
-"My eyes are about to close, seeing that darkness covers them! Now thou
-dwellest in the underworld near the mightiest of my rivals.
-
-"O Persephone, all that is beautiful descends to thee, never to return!"
-
-(_Even while she speaks, her companions lift the dead, to place him
-within the sepulchre. He remains in their hands! It was only a waxen
-corpse._
-
-_Wherefore Anthony feels something resembling relief._
-
-_All vanish;--and the hut, the rocks, and the cross reappear._
-
-_But upon the other side of the Nile, Anthony beholds a Woman,
-standing in the midst of the desert._
-
-_She retains in her hand the lower part of a long black veil that hides
-all her face; supporting with her left arm a little child to whom she
-is giving suck. A great ape crouches down in the sand beside her._
-
-_She uplifts her head toward heaven; and in spite of the great
-distance, her voice is distinctly heard_:)
-
-ISIS. "O Neith, Beginning of all things! Ammon, Lord of Eternity;
-Pthah, demiurgos; Thoth, his intelligence; gods of the Amenthi,
-particular triads of the Nomes,--falcons in the azure of heaven,
-sphinxes before the temples, ibises perched between the horns of oxen,
-planets, constellations, shore, murmurs of the wind, gleams of the
-light,--tell me where I may find Osiris.
-
-"I have sought him in all the canals and all the lakes--aye, further
-yet, even to Ph[oe]nician Byblos. Anubis, with ears pricked up, leaped
-about me, and yelped, and thrust his muzzle searchingly into the tufts
-of the tamarinds.
-
-"Thanks, good Cynocephalos--thanks to thee!"
-
-(_She gives the ape two or three friendly little taps upon the head._)
-
-"Hideous Typhon, the red-haired slew him, tore him in pieces! We have
-found all his members. But I have not that which rendered me fecund!"
-
-(_She utters wild lamentations._)
-
-ANTHONY (_is filled with fury. He casts stones at her, reviles her._)
-
-"Begone! thou shameless one!--Begone!"
-
-HILARION. "Nay! respect her! Her religion was the faith of thy
-fathers!--thou didst wear her amulets when thou wert a child in the
-cradle!"
-
-ISIS. "In the summers of long ago, the inundation drove the impure
-beasts into the desert. The dykes were opened, the boats dashed against
-each other; the panting earth drank the river with the intoxication of
-joy. Then, O God, with the horns of the bull, thou didst lie upon my
-breast, and then was heard, the lowings of the Eternal Cow!
-
-"The seasons of sowing and reaping, of threshing and of vintage,
-followed each other in regular order with the years. In the eternal
-purity of the nights, broad stars beamed and glowed. The days were
-bathed in never-varying splendour. Like a royal couple the Sun and the
-Moon appeared simultaneously, at either end of the horizon.
-
-"Then did we both reign above a sublimer world, twin-monarchs, wedded
-within, the womb of eternity--he bearing a concupha-headed sceptre; I,
-the sceptre that is tipped with a lotus-flower; both of us erect with
-hands joined; and the crumblings of empires affected not our attitude.
-
-"Egypt extended, below us, monumental and awful, long-shaped like the
-corridor of a temple; with obelisks on the right, pyramids on the
-left, and its labyrinth in the midst. And everywhere were avenues
-of monsters, forests of columns, massive pylons flanking gates
-summit-crowned with the mysterious globe--the globe of the world,
-between two wings.
-
-"The animals of her Zodiac also existed in her pasture lands; and
-filled her mysterious writing with their forms and colours. Divided
-into twelve regions as the year is divided into-twelve months--each
-month, each day also having its own god--she reproduced the immutable
-order of heaven. And man even in dying changed not his face; but
-saturated with perfumes, invulnerable to decay, he lay down to sleep
-for three thousand years in another and silent Egypt.
-
-"And that Egypt, vaster than the Egypt of the living, extended beneath
-the earth.
-
-"Thither one descended by dark stairways leading into halls where were
-represented the joys of the good, the tortures of the wicked, all that
-passes in the third and invisible world. Ranged along the wall the dead
-in their painted coffins awaited their turn; and the soul, exempted
-from migrations, continued its heavy slumber until the awakening into a
-new life.
-
-"Nevertheless, Osiris sometimes came to see me. And by his ghost I
-became the mother of Harpocrates."
-
-(_She contemplates the child._)
-
-"Aye! it is he. Those are his eyes; those are his locks, plaited into
-ram horns! Thou shalt recommence his works. We shall bloom again like
-the lotus. I am still the Great Isis!--none has yet lifted my veil! My
-fruit is the Sun!
-
-[Illustration: I am still the Great Isis!--none has yet lifted
-my veil! My fruit is the Sun!]
-
-"Sim of Springtime, clouds now obscure thy face! The breath of Typhon
-devours the pyramids. But a little while ago I beheld the Sphinx flee
-away. He was galloping like a jackal.
-
-"I look for my priests,--my priests clad in mantles of linen, with
-their great harps, and bearing a mysterious bark, adorned with
-silver pateras. There are no more festivals upon the lakes!--no more
-illuminations in my delta!--no more cups of milk at Philae! Apis has
-long ceased to reappear.
-
-"Egypt! Egypt! thy great motionless gods have their shoulders already
-whitened by the dung of birds; and the wind that passes over the desert
-rolls with it and the ashes of thy dead!--Anubis, guardian of ghosts,
-abandon me not!"
-
-(_The Cynocephalos has vanished. She shakes her child._)
-
-"But ... what ails thee ... thy hands are cold, thy head droops!"
-
-(_Harpocrates expires. Then she cries aloud with a cry so piercing,
-funereal, heart-rending, that Anthony answers it with another cry,
-extending his arms as to support her._
-
-_She is no longer there. He lowers his face, overwhelmed by shame._
-
-_All that he has seen becomes confused within his mind. It is like the
-bewilderment of travel, the illness of drunkenness. He wishes to hate;
-but a vague and vast pity fills his heart. He begins to weep, and weeps
-abundantly._)
-
-HILARION. "What makes thee sorrowful?"
-
-ANTHONY (_after having long sought within himself for a reply_):
-
-"I think of all the souls that have been lost through these false gods!"
-
-HILARION. "Dost thou not think that they ... sometimes ... bear much
-resemblance to the TRUE?"
-
-ANTHONY. "That is but a device of the Devil to seduce the faithful more
-easily. He attacks the strong through the mind, the weak through the
-flesh."
-
-HILARION. "But luxury, in its greatest fury, has all the
-disinterestedness of penitence. The frenzied love of the body
-accelerates the destruction thereof,--and proclaims the extent of the
-impossible by the exposition of the body's weakness."
-
-ANTHONY. "What signifies that to me! My heart sickens with disgust
-of these beautiful bestial gods, forever busied with carnages and
-incests!"
-
-HILARION. "Yet recollect all those things in the Scripture which
-scandalize thee because thou art unable to comprehend them! So also may
-these Gods conceal under their sinful forms some mighty truth. There
-are more of them yet to be seen. Look around!"
-
-ANTHONY. "No, no!--it is dangerous!"
-
-HILARION. "But a little while ago thou didst desire to know them! Is
-it because thy faith might vacillate in the presence of lies? What
-fearest thou?"
-
-(_The rocks fronting Anthony have become as a mountain. A line of
-clouds obscures the mountain half way between summit and base; and
-above the clouds appears another mountain, enormous, all green,
-unequally hollowed by valleys nestling in its slopes, and supporting at
-its summit, in the midst of laurel-groves a palace of bronze, roofed
-with tiles of gold, and supported by columns having capitals of ivory._
-
-_In the centre of the peristyle Jupiter,--colossal, with torso
-nude,--holds Victory in one hand, his thunderbolts in the other; and
-his eagle, perched between his feet, rears its head._
-
-_Juno, seated near him, rolls her large eyes, beneath a diadem whence
-her wind-blown veil escapes like a vapour._
-
-_Behind them, Minerva, standing upon a pedestal, leans on her spear.
-The skin of the Gorgon covers her breast, and a linen peplos falls in
-regular folds to the nails of her toes. Her glaucous eyes, which gleam
-beneath her vizor, gaze afar off, attentively._
-
-_On the right of the palace, the aged Neptune bestrides a dolphin
-beating with its fins a vast azure expanse which may be sea or sky, for
-the perspective of the Ocean seems a continuation of the blue ether:
-the two elements are interblended._
-
-_On the other side weird Pluto in night-black mantle, crowned with
-diamond tiara and bearing a sceptre of ebony, sits in the midst of an
-islet surrounded by the circumvolutions of the Styx;--and this river of
-shadow empties itself into the darknesses, which form a vast black gulf
-below the cliff,--a bottomless abyss!_
-
-_Mars, clad in brass, brandishes as in wrath his broad shield and his
-sword._
-
-_Hercules, leaning upon his club, gazes at him from below._
-
-_Apollo, his face ablaze with light, grasps with outstretched right
-arm the reins of four white horses urged to a gallop; and Ceres in her
-ox-drawn chariot advances toward him with a sickle in her hand._
-
-_Behind her comes Bacchus, riding in a very low chariot, gently drawn
-by lynxes. Plump and beardless, with vine leaves garlanding his brow,
-he passes by holding in his hand an overflowing cup of wine. Silenus
-riding beside him reels upon his ass. Pan of the pointed ears, blows
-upon his syrinx; the Mimalonaeides beat drums; the Maenads strew
-flowers; the Bacchantes turn in the dance with heads thrown back and
-hair dishevelled._
-
-_Diana, with tunic tucked up, issues from the wood together with her
-nymphs._
-
-_At the further end of a cavern, Vulcan among his Cabiri, hammers the
-heated iron; here and there the aged Rivers leaning recumbent upon
-green rocks pour water from their urns; the Muses stand singing in the
-valleys_.
-
-_The Hours, all of equal stature, link hands; and Mercury poses
-obliquely upon a rainbow, with his caduceus, winged sandals, and winged
-petasus._
-
-_But at the summit of the stairway of the Gods,--among clouds soft
-as down, from whose turning volutes a rain of roses falls,--Venus
-Anadyomene stands gazing at herself in a mirror:--her eyes move
-languorously beneath their slumbrous lids._
-
-_She has masses of rich blond hair rolling down over her shoulders; her
-breasts are small; her waist is slender; her hips curve out like the
-sweeping curves of a lyre; her thighs are perfectly rounded; there are
-dimples about her knees; her feet are delicate: a butterfly hovers near
-her mouth. The splendour of her body makes a nacreous-tinted halo of
-bright light about her; while all the rest of Olympus is bathed in a
-pink dawn, rising gradually to the heights of the blue sky._)
-
-ANTHONY. "Ah! my heart swells! A joy never known before thrills me to
-the depths of my soul! How beautiful, how beautiful it is!"
-
-HILARION. "They leaned from the heights of cloud to direct the way of
-swords; one used to meet them upon the high roads; men had them in
-their houses--and this familiarity divinized life.
-
-"Life's aim was only to be free and beautiful. Nobility of attitude was
-facilitated by the looseness of garments. The voice of the orator,
-trained by the sea, rolled its sonorous waves against the porticoes of
-marble. The ephebus, anointed with oil, wrestled all naked in the full
-light of the sun. The holiest of actions was to expose perfection of
-forms to all.
-
-"And these men respected wives, aged men, suppliants.
-
-"Behind the temple of Hercules there was an altar erected to Pity.
-
-"Victims were immolated with flowers wreathed about the fingers of the
-sacrificer. Even memory was exempted from thoughts of the rottenness
-of death. Nothing remained but a little pile of ashes. And the Soul,
-mingling with the boundless ether, rose up to God."
-
-(_Bending to whisper in Anthony's ear_:--)
-
-"And they still live! The Emperor Constantine adores Apollo. Thou wilt
-find the Trinity in Samothracian mysteries,--baptism in the religion of
-Isis,--redemption in the faith of Mithra,--a martyrdom of a God in the
-festivals of Bacchus. Prosperpine is the Virgin!... Aristaeus is Jesus!"
-
-ANTHONY (_remains awhile with downcast eyes, as if in deep thought;
-then suddenly repeats aloud the Symbol of Jerusalem, as he remembers
-it, uttering a long sigh between each phrase_):--
-
-"I believe in one only God, the Father,--and in one only Lord, Jesus
-Christ,--the first born son of God, who was incarnated and made
-man,--who was crucified, and buried,--who ascended into Heaven,--who
-will come to judge the living and the dead,--of whose Kingdom there
-shall be no end;--and in one Holy Spirit,--and in one baptism of
-repentance,--and in one Holy Catholic Church,--and in the resurrection
-of the flesh,--and in the life everlasting!"
-
-(_Immediately the cross becomes loftier and loftier; it pierces the
-clouds, and casts its shadow upon the heaven of the gods._
-
-_All grow pale;--Olympus shudders._
-
-_And at its base Anthony beholds vast bodies enchained, sustaining the
-rocks upon their shoulders,--giant figures half buried in the deeps
-of caverns. These are the Titans, the Giants, the Hecatonchires, the
-Cyclops._)
-
-A VOICE
-
-(_rises, indistinct and awful, like the far roar of leaves, like the
-voice of forests in time of tempest, like the mighty moaning of the
-wind among the precipices_):
-
-"We knew these things!--we knew them! There must come an end even for
-the Gods! Uranus was mutilated by Saturn,--Saturn by Jupiter. And
-Jupiter himself shall be annihilated. Each in his turn;--it is Destiny!"
-
-(_And little by little they sink into the mountain, and disappear._
-
-_Meanwhile the golden tiles of the palace rise and fly away._)
-
-JUPITER (_has descended from his throne. At his feet the thunderbolts
-lie, smoking like burning coals about to expire;--and the great eagle
-bends its neck to pick up its falling feathers_):
-
-"Then I am no longer the master of all things,--most holy, most
-mighty, god of the phatrias and Greek peoples,--ancestor of all the
-Kings,--Agamemnon of heaven.
-
-"Eagle of apotheoses, what wind from Erebus has wafted thee to me? or,
-fleeing from the Campus Martins, dost thou bear me the soul of the last
-of the Emperors?
-
-"I no longer desire to receive those of men. Let the Earth keep them;
-and let them move upon the level of its baseness. Their hearts are now
-the hearts of slaves;--they forget injuries, forget their ancestors,
-forget their oaths,--and everywhere the folly of crowds, the mediocrity
-of individuals, the hideousness of races, hold sway!"
-
-(_He pants with such violence that his sides seem ready to burst
-asunder; he clenches his hands. Weeping_, HEBE _offers him a cup. He
-seizes it._)
-
-"No, no! So long as there shall be a brain enclosing a thought, in
-whatsoever part of the world;--so long as there shall exist a mind
-hating disorder, creating LAW,--so long will the spirit of Jupiter
-live!"
-
-(_But the cup is empty. He turns its edge down over his thumbnail._)
-
-"Not one drop left! When the ambrosia fails, the Immortals must indeed
-depart!"
-
-(_The cup drops from his hands; and he leans against a column, feeling
-himself about to die._)
-
-JUNO. "Thou shouldst not have had so many amours! Eagle, bull, swan,
-rain of gold, cloud and flame, thou didst assume all forms,--dissipate
-thy light in all elements,--lose thy hair upon all beds! This time
-the divorce is irrevocable; and our domination, our very existence,
-dissolved."
-
-(_She passes away in air._)
-
-MINERVA (_has no longer her spear; and the ravens nesting among the
-sculptures of the friezes, wheel about her, peeking at her helmet._)
-
-"Let me see whether my vessels cleave the bright sea, returning to my
-three ports,--let me discover why the fields are deserted, and learn
-what the daughters of Athens are now doing.
-
-"In the month of Hecatombeon my whole people came to worship me, under
-the guidance of their magistrates and priests. Then, all in white robes
-and wearing chitons of gold, they advanced the long line of virgins
-bearing cups, baskets, parasols; then the three hundred sacrificial
-oxen, and the old men having green boughs, the soldiers with clashing
-of armour, the ephebi singing hymns, flute players, lyre players,
-rhapsodists, dancing women;--and lastly attached to the mast of a
-trireme mounted upon wheel, my great veil embroidered by virgins who
-had been nourished in a particular way for a whole year. And when it
-had been displayed in all the streets, in all the squares, and before
-the temples, in the midst of the ever-chanting procession, it was borne
-step by step up the hill of the Acropolis, grazed the Propylaea, and
-entered the Parthenon....
-
-"But a strange feebleness comes upon me,--me the Industrious One! What!
-what! not one idea comes to me! Lo! I am trembling more than a woman!"
-
-(_She turns, beholds a ruin behind her, utters a cry, and stricken by a
-fallen fragment, falls backward upon the ground._)
-
-HERCULES (_has flung away his lion-skin; and with feet firmly braced,
-back arched, teeth clenched, he exhausts himself in immeasurable
-efforts to bear up the mass of crumbling Olympus._)
-
-"I vanquished the Cercopes, the Amazons, and the Centaurs. Many were
-the kings I slew. I broke the horn of the great river, Achelous. I cut
-the mountains asunder; I freed nations from slavery; and I peopled
-lands that were desolate. I travelled through the countries of Gaul;
-I traversed the deserts where thirst prevails. I defended the gods
-from their enemies; and I freed myself from Omphale. But the weight of
-Olympus is too great for me. My arms grow feebler:--I die!"
-
-(_He is crushed beneath the ruins._)
-
-PLUTO. "It is thy fault, Amphytrionad;--wherefore didst thou descend
-into my empire?
-
-"The vulture that gnaws the entrails of Tityus lifted its head;--the
-lips of Tantalus were moistened;--the wheel of Ixion stopped.
-
-"Meanwhile the Kaeres extended their claws to snatch back the escaping
-ghosts; the Furies tore the serpents of their locks; and Cerberus
-fettered by thee with a chain, sounded the death rattle in his throat,
-and foamed at all his three mouths.
-
-"Thou didst leave the gate ajar; others have come. The daylight of men
-has entered into Tartarus!"
-
-(_He sinks into the darkness._)
-
-NEPTUNE. "My trident can no longer call up the tempests. The monsters
-that terrified of old, lie rotting at the bottom of the sea.
-
-"Amphitrite whose white feet tripped lightly over the foam, the green
-Nereids seen afar off in the horizon, the scaly Sirens who stopped
-the passing vessels to tell stories, and the ancient Tritons mightily
-blowing upon their shells, all have passed away. All is desolate and
-dead; the gaiety of the great Sea is no more!"
-
-(_He vanishes beneath the azure._)
-
-DIANA (_clad in black and surrounded by her dogs, which have been
-changed into wolves_).
-
-"The freedom of the deep forests once intoxicated me; the odours of the
-wild beasts and the exhalations of the marshes made me as one drank
-with joy. But the women whose maternity I protected, now bring dead
-children into the world. The moon trembles with the incantations of
-witches. Desires of violence, of immensity, seize me, fill me! I wish
-to drink poisons,--to lose myself in vapours, in dreams...!"
-
-(_And a passing cloud carries her away._)
-
-MARS (_unhelmed and covered with blood_).
-
-"At first I fought alone;--singlehanded I would provoke a whole army by
-my insults,--caring nothing for countries or nations, demanding battle
-for the pleasure of carnage alone.
-
-"Afterward I had comrades. They marched to the sound of flutes, in good
-order, with equal step, respiring above their bucklers, with plumes
-loftily nodding, lances oblique. Then on rushed to battle with mighty
-eagle cries. War was joyous as a banquet. Three hundred men strove
-against all Asia.
-
-"But the Barbarians are returning;--by myriads they come, by millions!
-Ah! since numbers, and engines, and cunning are stronger than valour,
-it were better that I die the death of the brave!"
-
-(_He kills himself._)
-
-VULCAN (_sponging the sweat from his limbs_):
-
-"The world is growing cold. The source of heat must be nourished, the
-volcanoes and rivers of flowing metal underground. Strike harder!--with
-full swing of the arms,--with might and main!"
-
-(_The Cabiri wound themselves with their hammers, blind themselves with
-sparks, and groping, lose themselves in the darkness._)
-
-CERES (_standing in her chariot, impelled by wheels having wings at
-their hubs_):
-
-"Stop! Stop! Ah! it was with good reason that the exclusion of
-strangers, atheists, Epicureans, and Christians was commended! Now the
-mystery of the basket has been unveiled; the sanctuary profaned: all is
-lost!"
-
-(_She descends a precipitous slope--shrieking, despairing, tearing her
-hair._)
-
-"Ah! lies, lies! Daira has not been restored to me. The voice of brass
-calls me to the dead. This is another Tartarus, whence there is no
-return! Horror!"
-
-(_The abyss engulfs her._)
-
-BACCHUS (_with a frenzied laugh_).
-
-"What matters it? The Archon's wife is my spouse! The law itself reels
-in drunkenness! To me the new song, the multiplied forms!
-
-"The fire by which my mother was devoured, flows in my veins! Let it
-burn yet more fiercely, even though I perish!
-
-"Male and female, complaisant to all, I abandon myself to you,
-Bacchantes! I abandon myself to you, Bacchanalians!--and the vine shall
-twine herself about the tree-trunks! Howl! dance! writhe! Loosen the
-tiger and the slave!--rend flesh with ferocious bitings!"
-
-(_And Pan, Silenus, the Bacchantes, the Mimalonaeides, and the
-Maenads,--with their serpents, torches, sable masks,--cast flowers at
-each other ... shake their tympanums, strike their thyrsi, pelt each
-other with shells, devour grapes, strangle a goat, and tear Bacchus
-asunder._)
-
-APOLLO (_furiously whipping his coursers, while his blanching locks are
-falling from his head_):
-
-"I have left far behind me stony Delos, so pure that all now there
-seems dead; and I must strive to reach Delphi ere its inspiring vapour
-be wholly lost. The mules browse in its laurel groves. The Pythoness
-has wandered away, and cannot be found.
-
-"By a stronger concentration of my power, I will obtain sublime hymns,
-eternal monuments; and all matter will be penetrated by the vibrations
-of my cithara!"
-
-(_He strikes the strings of the instrument. They burst, lashing his
-face with their broken ends. He flings the cithara away; and furiously
-whipping his quadriga, cries_):
-
-"No! enough of forms!--Further, higher!--to the very summit!--to the
-realm of pure thought!"
-
-(_But the horses back, rear, dash the chariot to pieces. Entangled by
-the harness, caught by the fragments of the broken pole, he falls head
-foremost into the abyss._
-
-[Illustration: ... he falls head foremost into the abyss.]
-
-_The sky is darkened._)
-
-VENUS (_blue with cold, shivering_):
-
-"Once with my girdle I made all the horizon of Hellas.
-
-"Her fields glowed with the roses of my cheeks; her shores were
-outlined after the fashion of my lips; and her mountains, whiter than
-my doves, palpitated beneath the hands of the statuaries. My spirit's
-manifestation was found in the ordinances of the festivals, in the
-arrangement of coiffures, in the dialogues of philosophers, in the
-constitution of republics. But I have doted too much upon men! It is
-Love that has dishonoured me!"
-
-(_She casts herself back weeping_):
-
-"This world is abominable;--there is no air for me to breathe!
-
-"O Mercury, inventor of the lyre, conductor of souls, take me away!"
-
-(_She places one finger upon her lips, and describing an immense
-parabola, falls into the abyss._
-
-_Nothing is now visible. The darkness is complete._
-
-_Only, that from the eyes of Hilarion escape two flashes, two rays of
-lurid light._)
-
-ANTHONY (_begins at last to notice his immense stature_):
-
-"Already several times, while thou wert speaking, it seemed to me thou
-wert growing taller; and it was no illusion! How? Explain to me ... Thy
-aspect terrifies me!"
-
-(_Footsteps are heard approaching._)
-
-"What is that?"
-
-HILARION (_extending his arm_):
-
-"Look!"
-
-(_Then, under a pale beam of moonlight, Anthony distinguishes an
-interminable caravan defiling over the summit of the rocks;--and each
-voyager, one after the other, falls from the cliff into the gulf below._
-
-_First comes the three great gods of_ Samothrace,--AXIEROS, AXIOKEROS,
-AXIOKERSA,--_united together as in a fascia, purple-masked, all with
-hands uplifted._
-
-_AEsculapius advances with a melancholy air, not even perceiving
-Samos and Telesphorus, who question him with gestures of anguish._
-ELEAN SOSIPOLIS, _of python-form, rolls his coils toward the abyss._
-DOSIPOENA, _becomes dizzy, leaps in of her own accord._ BRITOMARTIS,
-_shrieking with fear, clutches fast the meshes of her net. The Centaurs
-come at a wild gallop, and roll pell-mell into the black gulf._
-
-_Behind them, all limping, advance the bands of the mourning Nymphs.
-Those of the meadows are covered with dust; those of the woods moan and
-bleed; wounded by the axes of the woodcutters._
-
-_The Gelludes, the Strygii, the Empusae, all the infernal goddesses,
-form one pyramid of blended fangs, vipers, and torches;--and seated
-upon a vulture-skin at its summit, Eurynome, blue as the flies that
-corrupt meat, devours her own arms._
-
-_Then in one great whirl simultaneously disappear the bloody Orthia,
-Hymina of Orchomenus, the Laphria of the Patraens, Aphia of Agina,
-Bendis of Thrace, Stymphalia with thighs like a bird's. Triopas, in
-lieu of three eyes, has now but three empty orbits. Erichthonius, his
-legs paralysed, crawls upon his hands like a cripple._)
-
-HILARION. "What a pleasure, is it not!--to see them all in the
-abjection of their death-agony! Climb up here beside me, on this rock;
-and thou shalt be even as Xerxes, reviewing his army.
-
-"Beyond there, very far, dost thou behold that fair-bearded giant,
-who even now lets fall his sword crimsoned with blood?--that is
-the Scythian Zalmoxis between two planets,--Artimpasa, Venus, and
-Orsiloche, the Moon.
-
-"Still further away, now emerging from pallid clouds, are the gods whom
-the Cimmerians adore, even beyond Thule.
-
-"Their huge halls were warm, and by the gleam of swords that tapestried
-the vault, they drank their hydromel from horns of ivory. They ate the
-liver of the whale in dishes of brass wrought by the hammers of demons;
-or, betimes, they listened to captive sorcerers whose fingers played
-upon harps of stone.
-
-"They are feeble! They are cold! The snow makes heavy their bearskins;
-and their feet show through the rents in their sandals.
-
-"They weep for the vast fields upon whose grassy knolls they were
-wont to draw breath in pauses of battle; they weep for the long ships
-whose prows forced a way through the mountains of ice;--and the skates
-wherewith they followed the orb of the poles, upbearing at the length
-of their mighty arms all the firmament that turned with them."
-
-(_A gust of frosty wind carries them off. Anthony turns his eyes
-another way. And he perceives--outlined in black against a red
-background--certain strange personages, with chinbands and gauntlets,
-who throw balls at one another, leap over each other's heads, make
-grimaces, dance a frenzied dance._)
-
-HILARION. "Those are the divinities of Etruria, the innumerable AEsars.
-
-"There is Tages, by whom augury was invented. With one hand he seeks to
-augment the divisions of the sky; with the other he supports himself
-upon the earth: let him sink therein!
-
-"Nortia gazes at the wall into which she drave nails to mark the number
-of the passing years. Its whole surface is now covered; and the period
-is accomplished.
-
-"Like two travellers overtaken by a storm, Kastur and Pulutuk,
-trembling, seek to shelter themselves beneath the same mantle."
-
-ANTHONY (_closes his eyes_):
-
-"Enough! Enough!"
-
-(_But with a mighty noise of wings, all the Victories of the Capitol
-pass through the air,--hiding their faces with their hands, dropping
-the trophies hanging upon their arms._
-
-_Janus,--lord of crepuscules,--flees upon a black ram; and one of his
-two faces is already putrified; the other slumbers with fatigue._
-
-_Summanus, the headless god of the dark heavens, presses against his
-heart an odd cake shaped like a wheel._
-
-_Vesta, beneath a ruined cupola, tries to relight her extinguished
-lamp._
-
-_Bellona gashes her cheeks,--without being able to make that blood flow
-by which her devotees were purified._)
-
-ANTHONY. "Mercy!--they weary me!"
-
-HILARION. "Before, they amused thee!"
-
-(_And he shows him in a grove of bean-trees,_ A WOMAN, _naked....
-.........and a black man, holding in each hand a torch._[8])
-
-"It is the goddess of Aricia, with the demon Virbius. Her sacerdote,
-the King of the grove, had to be an assassin;[9] and the fugitive
-slaves, the despoilers of corpses, the brigands of the Via Salaria, the
-cripples of the Pons Sublicius, all the human vermin of the Suburra
-worshipped no deities so fervently.
-
-"In the time of Marcus Antonius the patrician women preferred Libitina."
-
-(_And he shows him under the shadow of cypresses and rose-trees_,
-ANOTHER WOMAN, _clad in gauze. Around her lie spades, litters, black
-hangings, all the paraphernalia of funerals. She smiles. Her diamonds
-shine afar off through spiders' webs. The Larvae, like skeletons, show
-their bones through the branches; and the Lemures, who are phantoms,
-extend their bat-like wings._
-
-_At the end of a field lies the god Terminus, uprooted, and covered
-with ordures._
-
-_In the centre of a furrow, the great corpse of Vertumnus is being
-devoured by red dogs._
-
-_The rustic deities all depart, weeping:--Sartor, Sarrator, Vervactor,
-Collina, Vallona, Hostilinus--all wearing little hooded mantles, and
-carrying either a hoe, a pitchfork, a hurdle, or a boar-spear._)
-
-HILARION. "Their spirits made prosperous the villa,--with its dovecots,
-its parks of dormice, its poultry-yards protected by nets, its warm
-stables fragrant with odours of cedar.
-
-"Also they protected all the wretched population who dragged the irons
-upon their legs over the flinty ways of the Sabine country,--those who
-called the swine together by sound of horn,--those who were wont to
-gather the bunches at the very summits of the elms,--those who drove
-the asses, laden with manure, over the winding bypaths. The panting
-labourer, leaning over the handle of his plough, prayed them to give
-strength to his arms; and under the shade of the lindens, beside
-calabashes filled with milk, the cow-herds were wont, in turn, to sound
-their praises upon flutes of reed."
-
-ANTHONY (_sighs._)
-
-(_And in the centre of a chamber, upon a lofty estrade, an ivory bed is
-visible, surrounded by persons bearing torches of pine._)
-
-"Those are the deities of marriage. They await the coming of the bride.
-
-"Domiduca should lead her in,--Virgo unfasten her girdle,--Subigo place
-her in the bed,--and Praema open her arms, and whisper sweet words into
-her ear.
-
-"But she will not come!--and they dismiss the others:--Nona and Decima
-who watch by sick-beds; the three Nixii who preside over child-birth;
-the two nurses, Educa and Potina; and Carna, guardian of the cradle,
-whose bouquet of hawthorne keeps evil dreams from the child.
-
-"Afterwards, Ossipago should strengthen his knees;--Barbatus give him
-his first beard; Stimula inspire his first desires; Volupia grant him
-his first enjoyment; Fabulimus should have taught him to speak, Numera
-to count, Cam[oe]na to sing, Consus to reflect."
-
-(_This chamber is empty; and there remains only the centenarian Naenia
-beside the bed,--muttering to herself the dirge she was wont to howl at
-the funerals of aged men._
-
-_But her voice is soon drowned by sharp cries. These are uttered by_--
-
-_The_ LARES DOMESTICI, _crouching at the further end of the atrium,
-clad in dog-skins, with flowers wreathed about their bodies,--pressing
-their clenched hands against their cheeks, and weeping as loudly as
-they can._)
-
-"Where is the portion of food we received at each repast, the kindly
-care of the maid-servant, the smile of the matron, the merriment of
-the little boys playing at knuckle-bones on the mosaic pavement of the
-court-yard? When grown up, they used to hang about our necks their
-bullae of gold or leather!
-
-"What happiness it was, when on the evening of a triumph, the master,
-entering, turned his humid eyes upon us! He would recount his combats;
-and the little house would be prouder than a palace; sacred as a temple!
-
-"How sweet were the family repasts, above all on the morrow of the
-Feralia! Tenderness for the dead appeased all discords; all kissed each
-other, while drinking to the glories of the past, and the hopes of the
-future.
-
-"But the ancestors, of painted wax, locked up behind us, are slowly
-becoming covered with mold. The new races, visiting their own
-deceptions upon us, have shattered our jaws; our wooden bodies are
-disappearing piece-meal under the teeth of rats."
-
-(_And the innumerable gods, watching over doors, kitchens, cellars,
-baths, disperse in every direction--under the form of enormous ants
-running over the pavement, or great butterflies soaring away._
-
-_Then a roll of thunder is heard._)
-
-
-A VOICE:
-
-"I was the God of Armies, the Lord, the Lord God! I pitched the tents
-of Jacob on the hills; and in the midst of the sands I nourished my
-chosen people in their flight.
-
-"It was I who consumed the city of Sodom with fire! It was I who
-overwhelmed the world with the waters of the Deluge! It was I that
-drowned Pharaoh, with all the princes, sons of Kings,--making the sea
-to swallow up his chariots of war, and his charioteers!
-
-"I, the Jealous God, held all other gods in abomination. I brayed the
-impure in my anger; the mighty I cast down; and swiftly the desolation
-of my wrath ran to the right and to the left, like a dromedary loosened
-in a field of maize.
-
-"I chose the humble to deliver Israel. Angels, flame-winged, spake to
-them from out the bushes.
-
-"Perfumed with spikenard, with cinnamon and myrrh, clad in transparent
-robes, and shod with high-heeled sandals,--women of valiant heart went
-forth to slay captains. The passing wind carried my prophets with it.
-
-"My law I graved upon tables of stone. Within that law my people were
-enclosed, as within a strong citadel. They were my people. I was their
-God! The land was mine; the men also belonged to me, together with
-their every thought, and all their works, and the tools they wrought
-with, and their prosperity.
-
-"My ark reposed within a triple sanctuary,--surrounded by curtains
-of purple and lighted candelabra. I had a whole tribe to serve me as
-servants, swinging censers; and the high-priest, robed in robes of
-hyacinth, wore upon his breast precious stones disposed in symmetrical
-order.
-
-"Woe! Woe! the Holy of Holies is open, the veil is rent, the perfumes
-of the holocaust are dissipated by all the winds of heaven! The jackal
-whines in the sepulchres; my temple is destroyed; my people dispersed!
-
-"The priests have been strangled with the girdles of their robes. The
-women languish in captivity; the holy vessels have all been melted!"
-
-(_The voice, becoming more distant_):
-
-"I was the God of Armies; the Lord, the Lord God!"
-
-(_An enormous silence follows,--and deepest night._)
-
-ANTHONY. "All have passed away!"
-
-SOME ONE (_replies_):
-
-"I remain!"
-
-(_And Hilarion stands before him--but transfigured wholly,--beautiful
-as an archangel, luminous as a sun, and so lofty that in order to
-behold his face_--
-
-ANTHONY
-
-_is compelled to throw back his head, to look up as though gazing as a
-star_):
-
-"Who art thou?"
-
-HILARION. "My kingdom is vast as the universe; and my desire knows no
-limits. I go on forever,--freeing minds, weighing worlds,--without
-hatred, without fear, without pity, without love, and without God. Men
-call me SCIENCE!"
-
-ANTHONY (_recoiling from him_):
-
-"Say, rather, that thou art ... the Devil!"
-
-HILARION (_fixing his eyes upon him_:)
-
-"Wouldst thou behold him?"
-
-ANTHONY (_cannot detach his eyes from that mighty gaze:--the curiosity
-of the Devil comes upon him. His terror augments; yet his wish grows
-even to boundlessness_):
-
-"Yet if I should see him ... if I were to see him!"
-
-(_Then in a sudden spasm of wrath_):
-
-"The horror that I have of him will free me from his presence
-forever!... Yes!"
-
-(_A cloven foot appears. Anthony regrets his wish._
-
-_But the Devil flings him upon his horns and bears him away._)
-
-
-
-[1] Matthew II: 10--T.
-
-[2] "Buddha, or more correctly, the Buddha, for Buddha is an
-appellative meaning Enlightened."--Max Mueller (Chips, Vol. I., 206).
-
-[3] Luke II: 25-26.--T.
-
-[4] Ibid II: 46-47.--T.
-
-[5] Or, Haoma, also Hom, the sacred plant, whose fermented juice
-occupied an important place in the practical rites of Iran. Supposed
-to be the same plant known in botany as _Sarcostemma viminalis._
-Deified in Iranian worship, like the sacred drink _Soma_ in the Vedic
-hymns. The _Soma_ was the fermented extract of the _Asclepias acida_
-or _Sarcostemma ritalis._ See Marius Fontane, "L'Inde Vedique," "Les
-Iraniens."--Trans.
-
-[6] Apuleius says, "a silken mantle."--Trans.
-
-[7] Apuleius says, "strung with knuckle-bones of sheep."--Trans.
-
-[8] This scene, like certain paintings in the Naples museum, is all
-suited for public exhibition.--Trans.
-
-[9] Readers will recollect the lines in Macaulay's _Lays of Ancient
-Rome_:
-
-"Beneath Aricia's trees,
- Those trees in whose dim shadow
- A ghastly priest doth reign,
- The priest who slew the slayer,
- And must himself be slain."
-
-
-
-
-
-VI
-
-
-(_He flies beneath him, outstretched like a swimmer; his vast-spreading
-wings, wholly concealing him, seem like one huge cloud._)
-
-ANTHONY. "Whither do I go? But a little while ago I beheld in a glimpse
-the form of the Accurst. Nay!--'tis a cloud that upbears me! Perhaps I
-am dead, and am ascending to God....
-
-"How freely I respire. The immaculate air seems to vivify my soul. No
-sense of weight!--no more suffering.
-
-"Far below me the lightning breaks,--the horizon broadens, widens,--the
-rivers cross each other. That blond-bright spot is the desert; that
-pool of water the ocean!
-
-"And other oceans appear!--vast regions of which I knew nothing!
-There are the countries of the blacks, which seem to smoke like
-brasiers!--then is the zone of snows always made dim by fog! Would I
-might behold those mountains where the sun, each evening, sinks to
-rest!"
-
-THE DEVIL. "The sun never sinks to rest; the sun never rests!"
-
-(_Anthony is not surprised at this voice. It seems to him an echo of
-his own thought--a response made by his own memory._
-
-_Meanwhile the earth gradually assumes the shape of a ball; and he
-beholds it in the midst of the azure, turning upon its poles, and
-revolving with the sun._)
-
-THE DEVIL. "So it does not form the centre of the universe! Pride of
-man! humiliate thyself!"
-
-ANTHONY. "Now I can scarcely distinguish it. It mingles confusedly with
-other glowing worlds. The firmament itself is but one tissue of stars."
-
-(_And they still rise._)
-
-"No sound!--not even the hoarse cry of eagles! Nothing? I listen for
-the harmony of the spheres."
-
-THE DEVIL. "Thou wilt not hear them! Nor wilt thou behold the
-antichtonus of Plato,--or the central furnace of Philolaus,--or the
-spheres of Aristotle, or the seven heavens of the Jews, with the great
-waters above the vault of crystal!"
-
-ANTHONY. "Yet from below the vault seemed solid as a wall!--on the
-contrary I penetrate it, I lose myself in it!"
-
-(_And he beholds the moon,--like a rounded fragment of ice filled with
-motionless light._)
-
-THE DEVIL. "Formerly it was the sojourn of souls! Even the good
-Pythagoras adorned it with magnificent flowers, populated it with
-birds!"
-
-ANTHONY. "I can see only desolate plains there, with extinct craters
-yawning under a black sky!
-
-"Let us go towards those milder-beaming stars, that we may contemplate
-the angels who uphold them at arms' length, like torches!"
-
-THE DEVIL (_bears him into the midst of the stars_):
-
-"They attract at the same time that they repel each other. The
-action of each one results from that of others, and contributes
-thereunto,--without the aid of any auxiliary, by the force of a law,
-the virtue of order alone!"
-
-ANTHONY. "Yes!...yes! My intelligence grasps the great truth! It is
-a joy greater than all tender pleasures! Breathless I find myself with
-astonishment at the enormity of God!"
-
-THE DEVIL. "Even as the firmament ever rises as thou dost ascend, so
-with the expansion of thy thought will He become greater to thee; and
-after this discovery of the universe thou wilt feel thy joy augment
-with the broadening and deepening of the infinite."
-
-ANTHONY. "Ah! higher!--higher still!--- forever higher!"
-
-(_Then the stars multiply, scintillate. The Milky Way develops in the
-zenith like a monstrous belt, with holes at intervals; through these
-rents in its brightness stretches of prolonged darkness are visible.
-There are rains of stars, long trains of golden dust, luminous vapours
-that float and dissolve.
-
-At times a comet suddenly passes by; then the tranquillity of
-innumerable lights recommences.
-
-Anthony, with outstretched arms, supports himself upon the Devil's
-horns, and thus occupies all the space between them.
-
-He remembers with disdain the ignorance of other days, the mediocrity
-of his dreams. And now those luminous globes he was wont to gaze upon
-from below, are close to him. He distinguishes the intercrossing of
-the lines of their orbits, the complexity of their courses. He beholds
-them coming from afar,--and, like stones suspended in a sling, describe
-their circles, form their hyperbolas.
-
-He perceives, all within the field of his vision at once, the Southern
-Cross and the Great Bear, the Lynx and the Centaur, the nebula of
-Dorado, the six suns in the constellation of Orion, Jupiter with his
-four satellites, and the triple ring of the monstrous Saturn!--all the
-planets, all the stars that men will discover in the future. He fills
-his eyes with their light; he over-burthens his mind with calculation
-of their distances: then, bowing his head, he murmurs_):
-
-"What is the purpose of all that?"
-
-THE DEVIL. "There is no purpose. How could God have a purpose? What
-experience could have instructed him?--what reflection determined him?
-
-[Illustration: Anthony: What is the purpose of all that? The
-Devil: There is no purpose.]
-
-"Before the beginning he could not have acted;--and now his action
-would be useless."
-
-ANTHONY. "Yet he created the world, at one time, by his word only."
-
-THE DEVIL. "But the beings that people the earth come upon it
-successively. So also, in heaven, new stars arise--different effects of
-varying causes."
-
-ANTHONY. "The varying of causes is the will of God!"
-
-THE DEVIL. "But to admit several acts of will in God is to admit
-various causes, and therefore to deny his unity.
-
-"His will is inseparable from his essence. He can have but one will,
-having but one essence; and inasmuch as he externally exists, he acts
-eternally.
-
-"Contemplate the sun! From its surface leap vast jets of flame, casting
-forth sparks that disperse beyond to become worlds here-after;--and
-further than the last, far beyond those deeps where thou seest only
-night, whirl other suns,--and behind them others again, and beyond
-those yet others ... without end!"
-
-ANTHONY. "Enough! Enough! I fear!--I will fall into the abyss!"
-
-THE DEVIL (_pauses, and rocks Anthony gently in the midst of space_).
-
-"Nothingness is--not--there is no void! Everywhere and forever bodies
-move upon the immovable deeps of space! Were there boundaries to
-space, it would not be space, but a body only: it is limitless!"
-
-ANTHONY (_stupefied by wonder_):
-
-"Limitless!"
-
-THE DEVIL. "Ascend skyward forever and forever,--yet thou wilt not
-attain the summit. Descend below the earth for billions of billions of
-centuries: never wilt thou reach the bottom. For there is no summit,
-there is no bottom; there is no Above, no Below--nor height, nor
-depth as signified by the terms of human utterance. And Space itself
-is comprised in God, who is not a portion thereof of such or such a
-size,--but is Immensity itself!"
-
-ANTHONY (_slowly_):
-
-"Matter ..., then, ... must be a part of God?"
-
-THE DEVIL. "Why not? Canst thou know the end of God?"
-
-ANTHONY. "Nay: on the contrary, I prostrate, I crush myself beneath his
-mightiness!"
-
-THE DEVIL. "And yet thou dost pretend to move him! Thou dost speak to
-him,--thou dost even adorn him with virtues,--with goodness, justice,
-mercy,--in lieu of recognising that all perfections are his!
-
-"To conceive aught beyond him is to conceive God above God, the Being
-above the Being. For He is the only being, the only substance.
-
-"If the Substance could be divided, it would not be the Substance, it
-would lose its nature: God could not exist. He is therefore indivisible
-as infinite;--and if he had a body, he would be composed of parts,
-he would not be One--he would not be infinite. Therefore he is not a
-Person!"
-
-ANTHONY. "What? my prayers, my sobs, my groans, the sufferings of my
-flesh, the transports of my love,--have all these things gone out to a
-lie,--to emptiness, unavailingly--like the cry of a bird, like a whirl
-of dead leaves?"
-
-(_Weeping_):
-
-"Oh, no!--there is Some One above all things,--a great Soul, a Lord, a
-Father whom my heart adores and who must love me!"
-
-THE DEVIL. "Thou dost desire that God were not God;--for did he feel
-love, or anger, or pity,--he would abandon his perfection for a greater
-or a lesser perfection. He can stoop to no sentiment, nor be contained
-in any form."
-
-ANTHONY. "One day, nevertheless, I shall see him!"
-
-THE DEVIL. "With the blessed, is it not?--when the finite shall enjoy
-the infinite in some restricted place, containing the Absolute!"
-
-ANTHONY. "Matters not!--there must be a paradise for the good, as there
-is a hell for the wicked."
-
-THE DEVIL. "Can the desire of thy mind create the law of the universe?
-Without doubt evil is indifferent to God,--forasmuch as the Earth is
-covered with it!
-
-"Is it through impotence that he endures it, or through cruelty that he
-maintains it?
-
-"Dost thou fancy that he is eternally readjusting the world, like an
-imperfect machine?--that he is forever watching the movements of all
-beings, from the flight of a butterfly to the thought of a man?
-
-"If he have created the universe, his providence is superfluous. If
-Providence exists, then creation is defective.
-
-"But evil and good concern only thee--even like night and day, pleasure
-and pain, death and birth, which are relative only to one corner
-of space, to a special centre, to a particular interest. Since the
-Infinite is permanent, the Infinite is;--and that is all."
-
-(_The Devil's wings have been gradually expanding: now they cover all
-space._)
-
-ANTHONY (_now perceives nothing: a great faintness comes upon him_):
-
-"A hideous cold freezes me, even to the depths of my soul! This is
-beyond the extreme of pain! It is like a death that is deeper than
-death! I roll in the immensity of darkness; and the darkness itself
-enters within me. My consciousness bursts beneath this dilation of
-nothingness!"
-
-THE DEVIL. "Yet the knowledge of things comes to thee only through the
-medium of thy mind. Even as a concave mirror, it deforms the objects
-it reflects; and thou hast no means whatever of verifying their
-exactitude."
-
-"Never canst thou know the universe in all its vastness; consequently
-it will never be possible for thee to obtain an idea of its cause,
-to have a just notion of God, nor even to say that the universe is
-infinite,--for thou must first be able to know what the Infinite is!"
-
-"May not Form be, perhaps, an error of thy senses,--Substance a figment
-of thy imagination?"
-
-"Unless, indeed, that the world being a perpetual flux[1] of things,
-appearance, on the contrary, be wholly true; illusion the only reality."
-
-"But art thou sure thou dost see?--art thou even sure thou dost live?
-Perhaps nothing exists!"
-
-(_The Devil has seized Anthony, and, holding him at arms' length,
-glares at him with mouth yawning as though to devour him_):
-
-"Adore me, then!--and curse the phantom thou callest God!"
-
-(_Anthony lifts his eyes with a last effort of hope._
-
-_The Devil abandons him._)
-
-
-[1] The original text seems to me slightly obscure. The idea of the
-universe being a perpetual ebb and flow of shapes, is that of forms
-passing away to reappear like waves, is that of the Nidana-Sutris:
-"Individuality is only a form ... _Everything is only a flux of
-aggregates_, interminably uniting and disuniting," as Barth observes in
-his "Religions of India."--Trans.
-
-
-
-
-VII
-
-
-ANTHONY (_finds himself lying upon his back, at the verge of the cliff._
-
-_The sky commences to blanch._)
-
-"Is it the glow of dawn, or only an effect of moonlight?"
-
-(_He tries to rise, falls back,--his teeth chattering_):
-
-"I feel such a helplessness of weakness, as though all my bones were
-broken!
-
-"Why?
-
-"Ah! the Devil!--I remember!--he even repeated to me all that I
-learned from the aged Didymus respecting the opinions of Xenophanes,
-Heraclitus, of Melissus, of Anaxagoras,--concerning the infinite, the
-creation, the impossibility of knowing anything!
-
-"And yet I believed that I could unite myself to God!"
-
-(_Laughing bitterly_):
-
-"Ah! madness! madness! Is the fault mine? Prayer has become
-intolerable to me! My heart is dry as a rock! Once, it was wont to
-overflow with love!...
-
-"The sand used to smoke of mornings like the odourous dust of a
-censer;--at sunset flowers of fire used to bloom upon the cross; and in
-the middle of the night, it often seemed as though all beings and all
-things, lying under the same awful silence, were adoring the Lord with
-me. O charms of prayer, felicities of ecstasy, gifts of heaven,--what
-have become of you?
-
-"I remember a voyage I made with Ammon in search of a solitary place
-suited for the establishment of a monastery. It was the last evening;
-we hastened our steps, walked side by side, murmuring hymns, without
-conversing. As the sun sank, the shadows of our bodies lengthened like
-two obelisks, continually growing taller, and moving before us. Here
-and there we planted crosses, made with fragments of our sticks, to
-mark the site of a future cell. Night was tardy in her coming; and
-waves of darkness overspread the earth, even while a vast rose-coloured
-light still glowed in heaven.
-
-"When I was a child, I used to amuse myself by building hermitages
-with pebbles. My mother sitting beside me would watch me so attentively!
-
-"Will she not have cursed me for having abandoned her?--will she not
-have plucked out her white hair by handfuls in the despair of her
-grief? And her corpse remains lying on the floor of the hut, under the
-roof of reeds, between the crumbling walls. Through an orifice a hyena,
-snuffing, thrusts his head, advances his mouth ... horror! horror!"
-
-(_Sobbing_):
-
-"No: Ammonaria will not have abandoned her! Where is she
-now,--Ammonaria?
-
-"Perhaps at the further end of a bathroom, she removes her garments
-one after the other: first the mantle, then the girdle, then the first
-tunic, the second lighter tunic, all her necklaces,--and the vapour
-of cinnamon envelops her naked limbs. At last she lies down upon the
-tepid mosaic. Her long hair spreading below the curve of her hips,
-seems like a sable fleece; and the oppressiveness of the heated air
-causes her to pant; her waist arched, her breasts standing out ...
-What! my flesh rebels again! Even in the midst of grief am I tortured
-by concupiscence. To be subjected thus unto two tortures at once is
-beyond endurance! I can no longer bear myself!"
-
-(_He leans over, and gazes into the abyss._)
-
-"The man who should fall would be killed. Nothing easier: it were only
-necessary to roll over upon my left side:--only one movement--one!"
-
-(_Then suddenly appears_--AN AGED WOMAN. _Anthony starts to his feet in
-affright. It seems to him that he beholds his mother arisen._
-
-_But this woman is far older, and prodigiously thin._
-
-_A shroud, knotted about her head, hangs down, together with her white
-hair, so as to cover her legs, slender as crutches. The brilliancy of
-her ivory-coloured teeth make her earthy skin darker still. The orbits
-of her eyes are full of shadow; and far back within them two flames
-vacillate, like the lamps of sepulchres._
-
-_She exclaims_):
-
-"Advance! What hinders thee?"
-
-ANTHONY (_stammering_):
-
-"I fear ... to commit a sin!"
-
-SHE (_replies_):
-
-"But King Saul killed himself! Razias, a just man, killed himself!
-Saint Pelagia of Antioch killed herself! Dommina of Aleppo and her two
-daughters--all three saints--killed themselves: and remember also how
-many confessors delivered themselves up to the executioner in their
-impatient longing for death! That they might enjoy death more speedily,
-the virgins of Miletus strangled themselves with their girdles. At
-Syracuse the philosopher Hegesias preached so eloquently upon death
-that men deserted the lupanars to go hang themselves in the fields. The
-patricians of Borne sought for death as a new form of debauch."
-
-ANTHONY. "Aye! the love of death is strong; and many a anchorite has
-succumbed to it."
-
-THE OLD WOMAN. "To do that which will make thee equal unto God--think!
-He created thee: thou wilt destroy his work--thou! and by thy
-courage,--of thy own free will! The enjoyment that Erostratus knew was
-not greater than this. And moreover thy body has so long mocked thy
-soul that it is full time thou shouldst take vengeance upon it. Thou
-wilt not suffer. It will soon be over. Of what art thou afraid?--a
-wide, black hole! Perhaps it is a void!"
-
-[Illustration: The Old Woman: Of what art thou afraid?--a wide,
-black hole! Perhaps it is a void!]
-
-(_Anthony hearkens without replying; and upon the other side appears_--
-
-ANOTHER WOMAN--_young and marvellously beautiful. At first he takes
-her to be Ammonaria. But she is taller, blond as honey, very plump,
-with paint upon her cheeks and roses upon her head. Her long robe,
-weighty with spangles, gleams with metallic lustre;--her fleshy lips
-are sanguinolent; and her somewhat heavy eyelids are so drowned with
-languor that one would almost take her to be blind._
-
-_She murmurs_):
-
-"Nay, live! enjoy! Solomon counsels joy! Follow the guiding of thy
-heart and the desire of thine eyes!"
-
-ANTHONY. "What joy is there for me? My heart is weary; my eyes are dim!"
-
-SHE (_answers_):
-
-"Seek the suburb of Racotis; push open a door that is painted
-blue;--and when thou shalt be in the atrium where a fountain jet
-murmurs unceasingly, a woman will present herself before thee--in
-peplos of white silk striped with gold; her hair is unloosed, her
-laugh like the clatter of crotali. She is skilful. In her caress thou
-wilt taste the pride of initiation and the appeasement of desire.
-
-"Hast ever pressed to thy bosom a virgin who loved thee? Dost remember
-the surrenders of her modesty,--the passing away of her remorse in a
-sweet flow of tears?
-
-"Thou canst even now imagine thyself walking with her--canst thou
-not?--in the wood by the light of the moon? At each pressure of your
-joined hands, a sweet shuddering passes through you both,--looking
-closely into each other your eyes seem to outpour into one another
-something like immaterial fluid;--and thy heart fills: it bursts: it is
-a suave whirl of eddying passion, an overflowing of intoxication...."
-
-THE OLD WOMAN. "One need not possess joys in order to taste their
-bitterness! Even to view them from afar off begets loathing of them.
-Thou must be fatigued by the monotony of the same actions, the length
-of the days, the hideousness of the world, the stupidity of the sun?"
-
-ANTHONY. "Aye, indeed!--I loathe all that he shines upon."
-
-THE YOUNG WOMAN. "Hermit! hermit! thou wilt find diamonds among the
-flints, fountains beneath the sand, a delectation in all the hazards
-thou dost despise; and there are even upon earth places of such beauty
-that the sight of them would make thee desire to press the whole world
-against thy heart with love!"
-
-THE OLD WOMAN. "Each evening that thou liest down upon the earth to
-slumber, thou dost hope that it may soon lie upon thee and cover thee."
-
-THE YOUNG WOMAN. "Yet thou dost believe in the resurrection of the
-flesh--which is but the translation of life into eternity!"
-
-(_Even as she speaks, the Old Woman becomes still more fleshless; and
-above her skull, from which the white hair has disappeared, a bat
-circles in the air._
-
-_The Young Woman has become fatter. Her robe gleams with shifting
-colours; her nostrils palpitate, her eyes roll softly._)
-
-THE FORMER (_opening her arms, exclaiming_):
-
-"Come to me!--I am Consolation, repose, oblivion, eternal calm!"
-
-THE OTHER.
-
-"I am the sleep-giver, life, happiness inexhaustible!"
-
-(_Anthony turns to fee from them. Each lays a hand on his shoulder._
-
-_The Shroud parts, exposes the Skeleton of Death._
-
-_The robe splits asunder, and leaves the whole body of Lust
-exposed:--her waist is slender; her long and undulating hair flutters
-in the wind._
-
-_Anthony stands motionless between the two, considering them_):
-
-DEATH (_says to him_):
-
-"What matters it, whether now or at another time! Thou art mine,--like
-suns, nations, cities, kings, mountain-snows, and the grasses of the
-fields. I fly higher than the hawks of heaven. I run more swiftly than
-the gazelle; I overtake even Hope; I vanquished the Son of God!"
-
-LUST. "Resist not! I am the Omnipotent! The forests re-echo with my
-sighs; the waters tremble with my agitations. Virtue, courage, piety,
-dissolve in the perfume of my mouth. Man I accompany in every step
-that he makes; and even from the threshold of the tomb he turns to me!"
-
-DEATH. "I will find for thee that which thou hast vainly sought for,
-by the gleam of torches, upon the faces of the dead,--or among those
-awful sands that are formed of human remains, where thou wast wont to
-wander beyond the Pyramids. From time to time, the fragment of a skull
-rolled under thy sandal. Thou didst take up the dust: thou didst let it
-trickle through thy fingers; and thy thought, blending with it, sank
-into nothingness."
-
-LUST. "My gulf is deeper! Marbles have inspired loves. Men rush to
-conjunctures that terrify. Fetters are riveted that the fettered curse.
-Whence the bewitchment of courtesans, the extravagance of dreams, the
-immensity of my sadness?"
-
-DEATH. "Mine irony depasseth all others! There are convulsions of
-delight at the funerals of kings, at the extermination of a whole
-people; and war is made with music, with plumes, with harness of
-gold,--with vast display of ceremony that my due of homage may be
-greater!"
-
-[Illustration: Death: Mine irony depasseth all others!]
-
-LUST. "My rage equals thine! I also yell; I bite! I, too, have sweats
-of agony, and aspects cadaverous!"
-
-DEATH. "It is I that make thee awful! Let us intertwine!"
-
-[Illustration: Death: It is I that make thee awful! Let us
-intertwine!]
-
-(_Death laughs mockingly; Lust roars. They clasp each other about the
-waist, and chant alternately_):
-
-"I hasten the dissolution of matter!"
-
-"I facilitate the dispersion of germs!"
-
-"Thou dost destroy for my renovations!"
-
-"Thou dost engender for my destructions!"
-
-"Ever-active my power!"
-
-"Fecund, my putrefaction!"
-
-(_And their voices, whose rolling echoes fill the horizon, deepen and
-become so mighty that Anthony falls backward as if thunder-stricken. A
-shock from time to time causes him to reopen his eyes; and he perceives
-in the midst of the darkness a manner of monster before him._
-
-_It is a skull, crowned with roses, dominating the torso of a woman
-nacreously white. Below, a shroud starred with specks of gold forms
-something like a tail; and the whole body undulates, after the fashion
-of a gigantic worm erect on end._
-
-_The vision attenuates,--disappears._)
-
-ANTHONY (_rising to his feet_):
-
-"The Devil yet again, and under his two-fold aspect: the spirit of
-fornication, and the spirit of destruction.
-
-"Neither affrights me! I repel happiness; and I know myself to be
-eternal.
-
-"Thus death is only an illusion, a veil-masking betimes the continuity
-of life.
-
-"But Substance being unique, wherefore should forms be varied?
-
-"Somewhere there must be primordial figures, whose bodily forms are
-only symbols. Could I but see them, I would know the link between
-matter and thought; I would know in what Being consists.
-
-[Illustration: Anthony: Somewhere there must be primordial
-figures, whose bodily forms are only symbols.]
-
-"Such were the figures painted at Babylon upon the walls of the
-temple of Belus; and others like them covered a mosaic in the port of
-Carthage. I myself have sometime beheld in the sky, as it were, forms
-of spirits. Those who cross the desert meet with animals surpassing all
-conception...."
-
-[Illustration: I myself have sometime beheld in the sky, as it
-were, forms of spirits.]
-
-(_And opposite, upon the further side of the Nile, suddenly appears
-the Sphinx.[1] He stretches his paws, shakes the bandelets upon his
-forehead, and crouches upon his belly._
-
-_Leaping, flying, spitting fire through her nostrils, lashing her
-winged sides with her dragon-tail, the green-eyed Chimera circles,
-barks._
-
-_The thick curls of her head tossed back upon one side mingle with
-the hair of her loins; on the other side they hang down to the sand,
-quivering with the swinging of her body, to and fro._)
-
-THE SPHINX (_remaining motionless, and gazing at the Chimera_):
-
-"Hither, Chimera! rest awhile!"
-
-THE CHIMERA. "No! never!"
-
-THE SPHINX. "Do not run so fast, do not fly so high, do not bark so
-loudly!"
-
-THE CHIMERA. "DO not call me!--call me no more; since thou must remain
-forever dumb."
-
-THE SPHINX. "Cease casting thy flames in my face, and uttering thy
-yells in my ear: thou canst not melt my granite."
-
-THE CHIMERA. "Thou shalt not seize me, terrible sphinx!"
-
-THE SPHINX. "Thou art too mad to dwell with me!"
-
-THE CHIMERA. "Thou art too heavy to follow me!"
-
-THE SPHINX. "Yet whither goest thou, that thou shouldst run so fast?"
-
-THE CHIMERA. "I gallop in the corridors of the Labyrinth--I hover above
-the mountains--I graze the waves in my flight--I yelp at the bottom of
-precipices--I suspend myself with my mouth from the skirts of clouds--I
-sweep the shores with my dragging tail; and the curves of the hills
-have taken their form from the shape of my shoulders! But thee I find
-perpetually immobile, or perhaps making strange designs with thy claws
-upon the sand."
-
-THE SPHINX. "It is because I keep my secret;--I dream and calculate.
-
-"The sea returns to its bed; the wheat bends back and forth in the
-wind; the caravans pass by; the dust flies; cities crumble; and yet
-my gaze, which naught can deviate, remains fixed, gazing through all
-intervening things, upon a horizon that none may reach."
-
-[Illustration: The Sphinx: ... and yet my gaze, which naught
-can deviate, remains fixed, gazing through all intervening
-things, upon a horizon that none may reach. The Chimera: I am
-light and joyous!]
-
-THE CHIMERA. "I am light and joyous! I offer to the eyes of men
-dazzling perspectives with Paradise in the clouds above, and
-unspeakable felicity afar off. Into their souls I pour the eternal
-madnesses; projects of happiness, plans for the future, dreams of glory
-and vows of love, and all virtuous resolutions.
-
-"I urge men to perilous voyages and great enterprises. I have chiselled
-with my claws the wonders of architecture. It was I who suspended the
-little bells above the tomb of Porsenna, and surrounded the quays of
-Atlantis with a wall of orichalcum.
-
-"I seek for new perfumes, for vaster flowers, for pleasures never felt
-before. If I perceive in any place a man whose mind reposes in wisdom,
-I fall upon him, and strangle him."
-
-THE SPHINX. "All those tormented by the desire of God, I have devoured.
-
-"In order to climb up to my royal brow, the strongest ascend upon the
-flutings of my bandelets as upon the steps of a stairway. Then a great
-lassitude comes upon them, and they fall backward."
-
-(_Anthony begins to tremble._
-
-_He is no longer before his cabin, but in the desert itself, with those
-two monsters beside him, whose breath is hot upon his shoulders._)
-
-THE SPHINX. "O thou Fantasy, bear me away upon thy wings that my
-sadness may be lightened!"
-
-THE CHIMERA. "O thou Unknown, I am enamoured of thine eyes! Like a
-hyena in heat I turn about thee, soliciting those fecundations whereof
-the desires devour me!
-
-"Ope thy mouth, lift thy feet--mount upon my back!"
-
-THE SPHINX. "My feet, since they have been outstretched, can move no
-more. The lichen, like an eruption, has formed upon my jaws. By dint of
-long dreaming I have no longer aught to say."
-
-THE CHIMERA. "Thou liest, hypocrite Sphinx! Wherefore dost thou always
-call me and always disown me!"
-
-THE SPHINX. "It is thou, indomitable caprice, that dost forever pass
-and repass, whirling in thy course!"
-
-THE CHIMERA. "Is the fault mine? What? Let me be!"
-
-(_She barks._)
-
-THE SPHINX. "Thou movest away! thou dost escape me!"
-
-(_He growls._)
-
-THE CHIMERA. "Essay!--Thou crushest me!"
-
-THE SPHINX. "Nay!--impossible!"
-
-(_And gradually sinking down he disappears in the sand; while the
-Chimera, ramping with tongue protruding, departs, describing circles on
-her way._
-
-_The breath of her mouth has produced a fog._
-
-_Through this mist Anthony perceives wreathings of clouds, undecided
-curves._
-
-_At last he can distinguish something like the appearance of human
-bodies._
-
-_And first_:--
-
-THE ASTOMI--_approach, like bubbles of air traversed by sunlight. They
-cry_):
-
-"Do not breathe too hard! The drops of rain bruise us, false notes
-excoriate us, darknesses blind us! Composed wholly of breezes and of
-perfumes, we float along, we roll along:--a little more than Dreams,
-yet not quite beings...."
-
-THE NISNAS
-
-(_have only one eye, one cheek, one hand, one leg, half a body, half a
-heart. They say_):
-
-"We live quite in our halves of houses, with our halves of wives and
-our halves of children!"
-
-THE BLEMMYES
-
-(_who have no head at all_):
-
-"Our shoulders are all the broader;--and there is no ox, rhinoceros, or
-elephant able to carry what we carry.
-
-"Something dimly resembling features--as it were a vague
-face--imprinted upon our breasts: that is all! We think digestions; we
-subtleize secretions. God, in our belief, floats peacefully within the
-interior chyles.
-
-"We go straight upon our way, through all mires, crossing all morasses,
-skirting the edges of all abysses: and we are the most laborious, the
-most happy, the most virtuous of all peoples!"
-
-THE PYGMIES:
-
-"We, good little men, swarm upon the world like vermin upon the hump of
-a dromedary.
-
-"We are burned, drowned, crushed; and we always reappear, more
-vivacious and countless than before--terrible by reason of our numbers!"
-
-THE SCIAPODS:
-
-"Fettered to the earth by our hair, long as lianas, we vegetate beneath
-the shelter of our feet, broad as parasols; and the light comes to us
-through the thickness of our heels. No annoyances for us, no work! The
-head as low as possible--That is the secret of happiness."
-
-[Illustration: The Sciapods: The head as low as possible--That is
-the secret of happiness.]
-
-(_Their lifted thighs,--resembling the trunks of trees,--multiply._
-
-_And a forest appears. Great apes clamber through it on all
-fours:--these are men with the heads of dogs._)
-
-THE CYNOCEPHALI:
-
-"We leap from branch to branch in search of eggs to suck; and we pluck
-the little fledglings alive; then we put their nests upon our heads in
-lieu of caps.
-
-"We tear off the teats of cows; and we put out the eyes of lynxes:
-we let fall our dung from the heights of the trees--we parade our
-turpitude in the full light of the sun.
-
-"Lacerating the flowers, crushing the fruits, befouling the springs,
-violating women, we are the masters of all,--by the strength of our
-arms, and the ferocity of our hearts.
-
-"Ho! companions!--gnash with your jaws!"
-
-(_Blood and milk pour down their chops. The rain streams over their
-hairy backs._
-
-_Anthony inhales the freshness of the green leaves._
-
-_There is a movement among them, a clashing of branches; and all of
-a sudden appears a huge black stag, with the head of a bull, having
-between his ears a thicket of white horns._)
-
-THE SADHUZAG:
-
-"My seventy-four antlers are hollow like flutes.
-
-"When I turn me toward the wind of the South, there issue from them
-sounds that draw all the ravished animals around me. The serpents twine
-about my legs; the wasps cluster in my nostrils; and the parrots, the
-doves, the ibises, alight upon the branches of my horns.
-
-"Listen!"
-
-(_He throws back his horns, whence issues a music of sweetness
-ineffable._
-
-_Anthony presses both hands upon his heart. It seems to him as though
-his soul were being borne away by the melody._)
-
-THE SADHUZAG:
-
-"But when I turn me toward the wind of the North, my antlers, more
-thickly bristling than a battalion of lances, give forth a sound of
-howlings: the forests are startled with fear; the rivers remount toward
-their sources; the husks of fruits burst open; and the bending grasses
-stand erect on end, like the hair of a coward.
-
-"Listen!"
-
-(_He bends his branching antlers forward: hideous and discordant cries
-proceed from them. Anthony feels as though his heart were torn asunder._
-
-_And his horror augments upon beholding_)--
-
-THE MARTICHORAS
-
-(_A gigantic red lion, with human face, and three rows of teeth_):
-
-"The gleam of my scarlet hair mingles with the reflection of the great
-sands. I breathe through my nostrils the terror of solitudes. I spit
-forth plague. I devour armies when they venture into the desert.
-
-"My claws are twisted like screws, my teeth shaped like saws; and my
-curving tail bristles with darts which I cast to right and left, before
-and behind!
-
-"See! see!"
-
-(_The Martichoras shoots forth the keen bristles of his tail, which
-irradiate in all directions like a volley of arrows. Drops of blood
-rain down, spattering upon the foliage._)
-
-THE CATOBLEPAS
-
-(_A black buffalo with a pig's head, falling to the ground, and
-attached to his shoulders by a neck long, thin, and flaccid as an empty
-gut._
-
-_He wallows flat upon the ground, and his feet entirely disappear
-beneath the enormous mane of coarse hair which covers his face_):
-
-"Fat, melancholy, fierce--thus I continually remain, feeling against
-my belly the warmth of the mud. So heavy is my skull that it is
-impossible for me to lift it. I roll it slowly all around me,
-open-mouthed; and with my tongue I tear up the venemous plants bedewed
-with my breath. Once, I even devoured my own feet without knowing it!
-
-"No one, Anthony, has ever beheld mine eyes,--or at least, those who
-have beheld them are dead. Were I to lift my eyelids--my pink and
-swollen eyelids, thou wouldst forthwith die!"
-
-ANTHONY. "Oh, that one! Ugh! As though I could desire it?--Yet his
-stupidity fascinates me! No, no! I will not!"
-
-(_He gazes fixedly upon the ground._
-
-_But the weeds take fire; and amidst the contorsions of the flames,
-arises_)--
-
-THE BASILISK
-
-(_A great violet serpent, with trilobate crest, and two fangs, one
-above, one below_):
-
-"Beware, lest thou fall into my jaws! I drink fire. I am fire!--and I
-inhale it from all things: from clouds, from flints, from dead trees,
-the fur of animals, the surface of marshes. My temperature maintains
-the volcanoes: I lend glitter to jewels: I give colours to metals!"
-
-THE GRIFFIN
-
-(_A lion with a vulture's beak, and white wings, red paws and blue
-neck_):
-
-"I am the master of deep splendours. I know the secrets of the tombs
-wherein the Kings of old do slumber.
-
-"A chain, issuing from the wall, maintains their heads upright. Near
-them, in basins of porphyry, the women they loved float upon the
-surfaces of black liquids. Their treasures are all arrayed in halls, in
-lozenge-shaped designs, in little heaps, in pyramids;--and down below,
-far below the tombs, and to be reached only after long travelling
-through stifling darkness, there are rivers of gold bordered by forests
-of diamonds, there are fields of carbuncles and lakes of mercury.
-
-"Addossed against the subterranean gate I remain with claws uplifted;
-and my flaming eyes spy out those who seek to approach. The vast and
-naked plain that stretches away to the end of the horizon is whitened
-with the bones of travellers. But for thee the gates of bronze shall
-open; and thou shalt inhale the vapour of the mines, thou shalt descend
-into the caverns.... Quick! quick!"
-
-(_He burrows into the earth with his paws, and crows like a cock._
-
-_A thousand voices answer him. The forest trembles._
-
-_And all manner of frightful creatures arise:--The Tragelaphus, half
-deer, half ox; the Myrmecoles, lion before-and ant behind, whose
-genitals are set reversely; the python Askar, sixty cubits long, that
-terrified Moses; the huge weasel Pastinaca, that kills the trees with
-her odour; the Presteros, that makes those who touch it imbecile;
-the Mirag, a horned hare, that dwells in the islands of the sea. The
-leopard Phalmant bursts his belly by roaring; the triple-headed bear
-Senad tears her young by licking them with her tongue; the dog Cepus
-pours out the blue milk of her teats upon the rocks. Mosquitoes begin
-to hum, toads commence to leap; serpents hiss. Lightnings flicker. Hail
-falls._
-
-_Then come gusts, bearing with them marvellous anatomies:--Heads of
-alligators with hoofs of deer; owls with serpent tails; swine with
-tiger-muzzles; goats with the crupper of an ass; frogs hairy as bears;
-chameleons huge as hippopotami; calves with two heads, one bellowing,
-the other weeping; winged bellies flitting hither and thither like
-gnats._
-
-_They rain from the sky, they rise from the earth, they pour from the
-rocks; everywhere eyes flame, mouths roar, breasts bulge, claws are
-extended, teeth gnash, flesh clacks against flesh. Some crouch; some
-devour each other at a mouthful._
-
-_Suffocating under their own numbers, multiplying by their own contact,
-they climb over one another; and move about Anthony with a surging
-motion as though the ground were the deck of a ship. He feels the trail
-of snails upon the calves of his legs, the chilliness of vipers upon
-his hands:--and spiders spinning about him enclose him within their
-network._
-
-_But the monstrous circle breaks, parts; the sky suddenly becomes blue;
-and_)--
-
-THE UNICORN (_appears_):
-
-"Gallop! Gallop!
-
-"I have hoofs of ivory, teeth of steel; my head is the colour of
-purple, my body the colour of snow; and the horn of my forehead is
-bestreaked with the tints of the rainbow.
-
-"I travel from Chaldea to the Tartar desert,--upon the shores of the
-Ganges and in Mesopotamia. I overtake the ostriches. I run so swiftly
-that I draw the wind after me. I rub my back against the palm-trees. I
-roll among the bamboos. I leap rivers with a single bound. Doves fly
-above me. Only a virgin can bridle me.
-
-"Gallop! Gallop!"
-
-(_Anthony watches him depart._
-
-_And as he gazes he beholds all the birds that nourish themselves
-with wind: the Gouith, the Ahuti, the Alphalim, the Iukneth, of the
-mountains of Kaf, the homai of the Arabs--which are the souls of
-murdered men. He hears the parrots that utter human speech; and the
-great Pelasgian palmipeds that sob like children or chuckle like old
-women._
-
-_A saline air strikes his nostrils. Now a vast beach stretches before
-him._
-
-_In the distance jets of water arise, spouted by whales; and from the
-very end of the horizon come_)--
-
-THE BEASTS OF THE SEA
-
-(_round as wineskins, flat as blades, denticulated like saws, dragging
-themselves over the sand as they approach_):
-
-[Illustration: The beasts of the sea round as wineskins ...]
-
-"Thou wilt accompany us to our immensities, whither as yet no one has
-descended.
-
-"Divers peoples inhabit the countries of the Ocean. Some dwell in the
-sojourn of tempests; others swim freely amid the transparency of chill
-waves;--or, like oxen, graze upon the coral plains, or suck in through
-their trunks the reflux of the tides,--or bear upon their shoulders the
-vast weight of the sources of the sea."
-
-[Illustration: Divers peoples inhabit the countries of the Ocean.]
-
-(_Phosphorences gleam in the moustaches of the seals, shift in the
-scales of fish. Echini whirl like wheels; ammonites uncoil like cables;
-oysters make their shell hinges squeak; polypi unfold their tentacles;
-medusae quiver like balls of crystal suspended; sponges float hither and
-thither, anemones ejaculate water; wrack and sea-mosses have grown all
-about._
-
-_And all sorts of plants extend themselves into branches, twist
-themselves into screws, lengthen into points, round themselves out like
-fans. Gourds take the appearance of breasts; lianas interlace like
-serpents._
-
-_The Dedaims of Babylon, which are trees, bear human heads for fruit;
-Mandragoras sing;--the root Baaras runs through the grass._
-
-_And now the vegetables are no longer distinguishable from the animals.
-Polyparies that seem like trees, have arms upon their branches. Anthony
-thinks he sees a caterpillar between two leaves: it is a butterfly that
-takes flight. He is about to step on a pebble: a grey locust leaps
-away. One shrub is bedecked with insects that look like petals of
-roses; fragments of ephemerides form a snowy layer upon the soil._
-
-_And then the plants become confounded with the stones._
-
-_Flints assume the likeness of brains; stalactites of breasts; the
-flower of iron resembles a figured tapestry._[2]
-
-_He sees efflorescences in fragments of ice, imprints of shrubs and
-shells--yet so that one cannot detect whether they be imprints only, or
-the things themselves. Diamonds gleam like eyes; metals palpitate._
-
-_And all fear has departed from him! He throws himself down upon the
-ground, and leaning upon his elbows, watches breathlessly._
-
-_Insects that have no stomachs persistently eat; withered ferns bloom
-again and reflower; absent members grow again._
-
-_At last he perceives tiny globular masses, no larger than pinheads,
-with cilia all round them. They are agitated with a vibratile motion_):
-
-ANTHONY (_deliriously_):
-
-"O joy! O bliss! I have beheld the birth of life! I have seen the
-beginning of motion! My pulses throb even to the point of bursting!
-I long to fly, to swim, to bark, to bellow, to howl! Would that I
-had wings, a carapace, a shell,--that I could breathe out smoke,
-wield a trunk,--make my body writhe,--divide myself everywhere,--be
-in everything,--emanate with odours,--develop myself like the
-plants,--flow like water,--vibrate like sound--shine like light,
-squatting upon all forms--penetrate each atom--descend to the very
-bottom of matter,--be matter itself!"
-
-(_Day at last appears;--and, like tabernacle curtains uplifted, clouds
-of gold uprolling in broad volutes unveil the sky._
-
-_Even in the midst thereof, and in the very disk of the sun, beams the
-face of Jesus Christ._
-
-[Illustration: Day at last appears ... in the midst thereof and
-in the very disk of the sun, beams the face of Jesus Christ.]
-
-_Anthony makes the sign of the cross, and resumes his devotions._)
-
-
-FINIS
-
-
-[1] Winkelmann claims to have been the first to discover that the
-Egyptian sphinxes were bisexual--females before--males otherwise. (See
-Book II, chap. I, Sec. 25.) Flaubert speaks of the Sphinx in the
-masculine like Philemon. (See also Signor Carlo Fea's note upon the
-paragraph in Winkelmann, old French edition. An II, R. F.)--Trans.
-
-[2] Fleurs de fer, "flowers of iron." In mineralogy _flos ferri_, a
-form of Aragonite.--Trans.
-
-
-
-
-[NOTE
-
-Those who compare this translation with the original will observe the
-omission of some few paragraphs on pages 77, 96 and 211. They are
-speeches put in the mouths of certain Heresiarchs, or complaints of
-certain of the minor Roman household gods. The translator relegated
-these to an addenda, which the publishers have omitted as being
-unnecessary. Those who are familiar with the original will be able to
-supply them, and will realize that while they might be offensive to
-some persons, they are in no respect an integral or important part of
-the great drama.]
-
-
-
-
-ADDENDA (added by transcribers)
-
-
-A. Observation of Manes, pages 82-3, original text; page 89 of
-translation.
-
-
-MANES
-
-_Ou plutot, faites si bien qu'elle ne soit pas fecondes. Mieux vaut
-pour l'ame tomber sur la terre que de languir dans des entraves
-charnelles._
-
-Probably a calumny against Manes; for the Eastern philosophy,
-especially that of Zoroaster, which is said to have inspired the tenets
-of Manichaeism, advocated no such abominations.
-
-
-B. Page 105 of original; page 108 translation. The realistic
-phraseology of the original passage is rather brutal. The French text
-reads: "_Il souffrait de la maladie Bellerephontienne; et sa mere, la
-parfumeuse, s'est livree a Pantherus, un soldat Romain, sur des gerbes
-de mais, un soir de moisson._" C. Descriptive text, page 237 original,
-partly suppressed on page 223 translation: "_Et il lui montre dans un
-bosquet d'aliziers Une Femme toute nue, a quatre pattes comme une bete,
-et saillie par un homme noir, tenant dans chaque main un flambeau._"
-
-D. Curious text of Crepitus, on page 228, pages 241-3 of original:
-
-CREPITUS
-
-(----se fait entendre):
-
-_Moi aussi l'on m'honora jadis. On me faisait des libations. Je fus un
-Dieu!_
-
-_L'Athenien me saluait comme un presage de fortune, tandis que le
-Romain devot me maudissait les poings leves et que le pontife d'Egypte,
-s'abstinant des feves, tremblait a ma voix et palissait a mon odeur._
-
-_Quand le vinaigre militaire coulait sur les barbes non rasees, qu'on
-se regalait de glands, de pois, et d'oignons crus, et que le bouc en
-morceau cuissait dans le beurre rance des pasteurs, sans souci du
-voisin, personne alors ne se genait. Les nourritures solides faisaient
-digestions retentissantes. Au soleil de la campagne les hommes se
-soulageaient avec lenteur._
-
-_Ainsi, je passais sans scandale, comme les autres besoins de la vie,
-comme Mena, tourment des vierges, et la douce Rumina qui protege le
-sein de la nourrice, gonfle, des veines bleuatres. J'etais joyeux. Je
-faisais rire. Et se dilatant d'aise a cause de moi, le convive exhalait
-toute sa gaiete par les ouvertures de son corps._
-
-_J'ai eu mes jours d'orgeuil. Le bon Aristophane me promena sur la
-scene, et l'empereur Claudius Drusus[1] me fit asseoir a sa table. Dans
-les laticlaves des patriciens j'ai circule majestueusement! Les vases
-d'or, comme des tympanons, resonnaient sous moi; et, quand plein de
-murenes, de truffles, et de pates, l'intestin du maitre se degageait
-avec fracas, l'univers attentif apprenait que Cesar avait dine!_
-
-_Mais a present, je suis confine dans la populace_[2] _et l'on se
-recrie, meme a mon nom!_
-
-_Et Crepitus s'eloigne, en poussant un gemissement...._
-
-E. For descriptions of the Martichoras and other monsters, appearing
-page 287 in the original and 263 in the translation, see also Rabelais'
-Pantagruel, Book V, Chap. XXX.
-
-
-
-[1] Needless to refer to the comedies of Aristophanes, with which
-English readers have been familiarized through the Bohn translations.
-The reference to Claudius ius Drusus seems based upon the following
-lines in Suetonius: "_Dicitur etiam meditatus edictum, quo veniam daret
-flatum crepitumque ventris in convivio emittendi: cum periclitatum
-quemdam prae pudore ex continentia reperisset._" (_Suetonius-Tiberius
-Claudius Drusus_: 32.)
-
-[2] The so-called divinities, _Deus Crepitus, Dea Pertunda, Deus
-Stercutius, Dea Rumina_ (or _Rumilia_), _Dea Mena_, concerning whose
-curious attributes the reader may consult English or French classical
-encyclopedists, were doubtless regarded by the intelligent classes
-of antiquity much as certain religious superstitions are regarded by
-educated moderns. It is true that they furnished grotesque themes
-to artists; but many existing superstitions regarding elves and
-goblins have inspired modern sculptors, painters and designers.
-Certainly, seriously worshipped as deities, Priapus might seem equally
-contemptible as a divinity; but his worship, degenerate as it became
-in later years, was primitively symbolical. The obscene image merely
-typified the procreative Spirit of Nature. The eccentric gods and
-goddesses above referred to had no such excuse for being. As previously
-observed, however, Flaubert artistically represents these divinities
-not as they were really considered in the antique world, but rather as
-they would have appeared to the eyes of zealous Christians in the third
-century--infamous and loathsome.--Translator.
-
-
-
-
- * * * * * *
-
-
-
-
-Transcriber's note:
-
-This translation of the "Tentation" by Lafcadio Hearn, still regarded
-by many as the best up until now in English, still misses some small
-fragments (of a couple of words) not deemed fit for the Anglo-Saxon
-temperament of that time. There is a contemporary version (2002) of
-this translation available, with introduction by Michel Foucault and
-the inclusion of some missing expressions. The original French by
-Gustave Flaubert is also available at Project Gutenberg--see
-http://www.gutenberg.org/ebooks/10982
-
-
-
-***END OF THE PROJECT GUTENBERG EBOOK THE TEMPTATION OF ST. ANTHONY***
-
-
-******* This file should be named 52225.txt or 52225.zip *******
-
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+The Project Gutenberg eBook, The Temptation of St. Anthony, by Gustave +Flaubert, Translated by Lafcadio Hearn, Illustrated by Odilon Redon + + +This eBook is for the use of anyone anywhere in the United States and most +other parts of the world at no cost and with almost no restrictions +whatsoever. You may copy it, give it away or re-use it under the terms of +the Project Gutenberg License included with this eBook or online at +www.gutenberg.org. If you are not located in the United States, you'll have +to check the laws of the country where you are located before using this ebook. + + + + +Title: The Temptation of St. Anthony + + +Author: Gustave Flaubert + + + +Release Date: June 4, 2016 [eBook #52225] + +Language: English + +Character set encoding: ISO-646-US (US-ASCII) + + +***START OF THE PROJECT GUTENBERG EBOOK THE TEMPTATION OF ST. ANTHONY*** + + +E-text prepared by Laura Natal Rodriguez and Marc D'Hooghe +(http://www.freeliterature.org) from page images generously made available +by the Google Books Library Project (http://books.google.com) and +illustrations generously made available by Bibliothèque nationale de +France (http://gallica.bnf.fr) + + + +Note: Project Gutenberg also has an HTML version of this + file which includes the original illustrations. + See 52225-h.htm or 52225-h.zip: + (http://www.gutenberg.org/files/52225/52225-h/52225-h.htm) + or + (http://www.gutenberg.org/files/52225/52225-h.zip) + + +Note: Images of the original pages are available through + the Google Books Library Project. See + https://books.google.com/books?id=9g9EAAAAYAAJ + + +Transcriber's note: + + Text enclosed by underscores is in italics (_italics_). + + The o-e ligature is represented by [oe]. + + + + + +THE TEMPTATION OF ST. ANTHONY + +by + +GUSTAVE FLAUBERT + +Translated by Lafcadio Hearn + +Illustrations by Odilon Redon + +(Added especially for this PG e-book.) + + + + + + + +The Alice Harriman Company +New York and Seattle +1910 + + + + +INTRODUCTION + + +It was at some period between 1875 and 1876 that Lafcadio Hearn--still +a "cub" reporter on a daily paper in Cincinnati--began his translation +of Flaubert's "Temptation of St. Anthony." The definitive edition of +the work, over which the author had laboured for thirty years, had +appeared in 1874. + +Hearn was, in his early youth, singularly indifferent to the work of +the Englishmen of the Victorian period. Though he knew the English +masterpieces of that epoch, their large, unacademic freedom of manner +awakened no echoes in his spirit. His instinctive taste was for the +exquisite in style: for "that peculiar kneading, heightening, and +recasting" which Matthew Arnold thought necessary for perfection. +Neither did the matter, more than the manner of the Victorians appeal +to him. The circumstances of his life had at so many points set him +out of touch with his fellows that the affectionate mockery of +Thackeray's pictures of English society were alien to his interest. +The laughing heartiness of Dickens' studies of the man in the street +hardly touched him. Browning's poignant analyses of souls were too +rudely robust of manner to move him. Before essaying journalism Hearn +had served for a while as an assistant in the Public Library, and +there he had found and fallen under the spell, of the great Frenchman +of the Romantic School of the '30's--that period of rich flowering of +the Gallic genius. Gautier's tales of ancient weirdnesses fired his +imagination. The penetrating subtleties of his verse woke in the boy +the felicitous emotions which the virtuoso knows in handling cameos +and enamellings by hands which have long been dust. So, also, Hugo's +revivals of the passions and terrors of the mediaeval world stirred the +young librarian's eager interest. But most of all his spirit leapt +to meet the tremendous drama of the "Temptation." He comprehended at +once its large significance, its great import, and in his enthusiastic +recognition of its value and meaning he set at once about giving it a +language understood of the people of his own tongue. + +Tunison tells of the little shy, shabby, half-blind boy--the long +dull day of police reporting done--labouring at his desk into the +small hours, with the flickering gas jet whistling overhead, and his +myopic eyes bent close to the papers which he covered with beautiful, +almost microscopic characters--escaping thus from the crass, raw world +about him to delicately and painstakingly turn into English stories +of Cleopatra's cruel, fantastic Egyptian Night's Entertainment. +Withdrawing himself to transliterate tales of pallid beautiful vampires +draining the veins of ardent boys: of lovely faded ghosts of great +ladies descending from shadowy tapestries to coquette with romantic +dreamers; or to find an English voice for the tragedy of the soul of +the Alexandrian cenobite. + +It was in such dreams and labours that he found refuge from the +environment that was so antipathetic to his tastes, and in his +immersion in the works of these virtuosos of words, in his passionate +search for equivalents of the subtle nuances of their phrases, he +developed his own style. A style full of intricate assonances, of a +texture close woven and iridescent. + +"One of Cleopatra's Night's"--a translation of some of Gautier's tales +of glamour--was issued in 1882, but at "The Temptation of St. Anthony" +the publishers altogether balked. The manuscript could not achieve even +so much as a reading. America had in the '70's just begun to emerge +from that state of provincial propriety in which we were accused of +clothing even our piano legs in pantelettes. The very name of the work +was sufficient to start modest shivers down the spine of all well +regulated purveyors of books. It was largely due to the painters' +conceptions of the nature of the hermit's trials that the story of +Saint Anthony's spiritual struggle aroused instinctive terrors in all +truly modest natures. The painters--who so dearly love to display their +skill in drawing legs and busts--had been wont to push the poor old +saint into the obscure of the background, and fill all the foreground +with ladies of obviously the very lightest character, in garments +still lighter, if possible. What had reputable American citizens to do +with such as these jades? More especially such jades as seen through +a French imagination! That Flaubert had brushed aside the gross and +jejune conceptions of the painters the publishers would not even take +the pains to learn. + +It is amusing now to recall the nervous, timid proprieties of those +days. At the time Hearn failed to see the laughable side of it. He was +then too young and earnest, too passionate and too melancholy to have a +sense of its humours. + +He had brought his unfinished manuscript from Cincinnati to New +Orleans, and had continued to work upon it in strange lodgings in +gaunt, old half-ruined Creole houses; at the tables of odd little +French cafes, or among the queer dishes in obscure Spanish and Chinese +restaurants. He had snatched minutes for it amidst the reading and +clipping of exchanges in a newspaper office; had toiled drippingly +over it in the liquifying heats of tropic nights; had arisen from the +"inexpungable langours" of yellow fever to complete its last astounding +pages. + +I can remember applauding, with ardent youthful sympathy, his tirades +against the stultifying influence of blind puritanism upon American +literature. I recall his scornful mocking at the inconsistency which +complacently accepted the vulgar seduction, and the theatrical Brocken +revels of Faust, while shrinking piously from Flaubert's grim story of +the soul of man struggling to answer the riddle of the universe. He +had however an almost equal contempt for the author's countrymen, who +received with eager interest and pleasure the deliberate analysis--in +_Madame Bovary_--of a woman's degradation and ruin, while they yawned +over the amazing history of humanity's tremendous spiritual adventures. +Hearn's own sensitiveness shrank in pain from the cold insight which +uncovered layer by layer the brutal squalour of a woman's moral +disintegration. But he was moved and astounded by the revelation, in +St. Anthony, of the tragedy and pathos of man's long search for some +body of belief or philosophy by which he could explain to himself +the strange great phenomena of life and death, and the inscrutable +cruelties of Nature. The young translator was filled with a sort of +astonished despair at his inability to make others see the book as +he did--not realizing, in his youthful impatience, that the average +mind clings to the concrete, and is puzzled and terrified by outlines +of thought too large for its range of vision; that the commonplace +intelligence cannot "see the wood for the trees," and becomes confused +and over-weighted when confronted with the huge outlines of so great a +picture as that drawn by Flaubert in his masterpiece. + +There were many points of resemblance between Lafcadio Hearn and the +grandson of the French veterinary. A resemblance rather in certain +qualities of the spirit than in social conditions and physical +endowments. Flaubert, born in 1821, was the son of a surgeon. His +father was long connected with the Hotel Dieu of Rouen, in which the +boy was born, and in which he lived until his eighteenth year, when he +went to Paris to study law. One of the friends of his early Parisian +days describes him as "a young Greek. Tall, supple, and as graceful as +an athlete. He was charming, _mais un peu farouche._ Quite unconscious +of his physical and mental gifts; very careless of the impression he +produced, and entirely indifferent to formalities. His dress consisted +of a red flannel shirt, trousers of heavy blue cloth, and a scarf of +the same colour drawn tight about his slender waist. His hat was worn +'any how' and often he abandoned it altogether. When I spoke to him of +fame or influence.... he seemed superbly indifferent. He had no desire +for glory or gain.... What was lacking in his nature was an interest in +_les choses exterieures, choses utiles._" ... + +One who saw him in 1879 found the young Greek athlete--now close upon +sixty, and having in the interval created some of the great classics +of French literature--"a huge man, a tremendous old man. His long, +straggling gray hair was brushed back. His red face was that of a +soldier, or a sheik--divided by drooping white moustaches. A trumpet +was his voice, and he gesticulated freely ... the colour of his eyes a +bit of faded blue sky." + +The study of the law did not hold Flaubert long. It was one of those +_choses exterieures, choses utiles_ to which he was so profoundly +indifferent. Paris bored him. He longed for Rouen, and for his little +student chamber. There he had lain upon his bed whole days at a time; +apparently as lazy as a lizard; smoking, dreaming; pondering the large, +inchoate, formless dreams of youth. + +In 1845 his father died, and in the following year he lost his sister +Caroline, whom he had passionately loved, and for whom he grieved +all his life. He rejoined his mother, and they established themselves +at Croisset, near Rouen, upon a small inherited property. It was an +agreeable house, pleasantly situated in sight of the Seine. Flaubert +nourished with pleasure a local legend that Pascal had once inhabited +the old Croisset homestead, and that the Abbe Prevost had written +_Manon Lescaut_ within its walls. Near the house--now gone--he built +for himself a pavilion to serve as a study, and in this he spent the +greater portion of the following thirty-four years in passionate, +unremitting labour. + +He made a voyage to Corsica in his youth; one to Brittany, with Maxime +du Camp, in 1846; and spent some months in Egypt, Palestine, Turkey, +and Greece in 1849. This Oriental experience gave him the most intense +pleasure, and was the germ of _Salammbo_, and of the _Temptation of St. +Anthony._ He never repeated it, though he constantly talked of doing +so. He nursed a persistent, but unrealized dream of going as far as +Ceylon, whose ancient name, Taprobana, he was never weary of repeating; +utterance of its melifluous syllables becoming a positive _tic_ +with him. Despite these yearnings he remained at home. Despite his +full-blooded physique he would take no more exercise than his terrace +afforded, or an occasional swim in the Seine. He smoked incessantly, +and for months at a stretch worked fifteen hours out of the twenty-four +at his desk. Three hundred volumes might be annotated for a page of +facts. He would write twenty pages, and reduce these by exquisite +concisions, by fastidious rejections to three; would search for hours +for the one word that perfectly conveyed the colour of his thought, and +would--as in the case of the _Temptation_--wait fifteen years for a +sense of satisfaction with a manuscript before allowing it to see the +light. To Maxime du Camp, who urged him to hasten the completion of his +book in order to take advantage of a favourable opportunity, he wrote +angrily: + +"Tu me parais avoir a mon endroit un tic ou vice redhibitoire. Il +ne m'embete pas; n'aie aucune crainte; mon parti est pris la-dessus +depuis long temps. Je te dirai seulement que tous ces mots; _se +depecher, c'est le moment, place prise, se poser, ..._ sont pour moi un +vocabulaire vide de sens...." + +In one of his letters he says that on occasion he worked violently for +eight hours to achieve one page. He endeavoured never to repeat a word +in that page, and tried to force every phrase to respond to a rhythmic +law. Guy do Maupassant, his nephew and pupil, says that to ensure this +rhythm Flaubert "prenait sa feuille de papier, relevait a la hauteur du +regard et, s'appuyant sur un coude, declaimait, d'une voix mordant et +haute. Il ecoutait la rythme de sa prose, s'arretait comme pour saisir +une sonorite fuyant, combinait les tons, eloignait les assonances, +disposait les virgules avec conscience, commes les haltes d'un long +chemin." ... + +Flaubert said himself, "une phrase est viable quand elle correspond +a toutes les necessites de respiration. Je sais qu'elle est bonne +lorsqu'elle peut etre lu tout haut." + +Henry Irving used to say of himself that it was necessary he should +work harder than other actors because nature had dowered him with +flexibility of neither voice nor feature, and Faguet says that Flaubert +was forced to this excessive toil and incessant watchfulness because +he did not write well naturally. Nevertheless Flaubert's work did not +smell of the lamp. Whatever shape his ideas may have worn at birth +when full grown they moved with large classic grace and freedom, +simple, sincere, and beautiful in form. Francois Coppee calls him "the +Beethoven of French prose." + +So conscientious a workman, so laborious and self-sacrificing an artist +had a natural attraction for Lafcadio Hearn, who even in boyhood began +to feel his vocation as "a literary monk." The whole tendency of his +tastes prepared him to understand the true importance of Flaubert's +masterpiece, fitted him especially of all living writers to turn that +masterpiece into its true English equivalent. The two men had much in +common. Both were proud and timid. Both had a fundamental indifference +to _choses exterieures, choses utiles._ Both were realists of the soul. +Actions interested each but slightly; the emotions from which actions +sprung very much. To both stupidity was even more antipathetic than +wickedness, because each realized that nearly all cruelty and vice have +their germ in ignorance and stupidity rather than in innate rascality. +Flaubert declared, with a sort of rage, that "la betise entre dans +mes pores." He might too have been speaking for Hearn when he said +that the grotesque, the strange, and the monstrous had for him an +inexplicable charm. "It corresponds," he says, "to the intimate needs +of my nature--it does not cause me to laugh, but to dream long dreams." +Hearn, however, mixed with this triste interest a quality that Flaubert +seemed almost wholly to lack--a great tenderness for all things humble, +feeble, ugly and helpless. Both from childhood were curious of poignant +sensations, of the sad, the mysterious and the exotic. And for both the +tropics had an irresistible fascination. Flaubert says, in one of his +letters: + +"I carry with me the melancholy of the barbaric races, with their +instincts of migration, and their innate distaste of life, which forced +them to quit their homes in order to escape from themselves. They loved +the sun, all those barbarians who came to die in Italy; they had a +frenzied aspiration toward the light, toward the blue skies, toward an +ardent existence.... Think that perhaps I will never see China, will +never be rocked to sleep by the cadenced footsteps of camels ... will +never see the shine of a tiger's eyes in the forest.... You can treat +all this as little worthy of pity, but I suffer so much when I think of +it ... as of something lamentable and irremediable." + +This is the nostalgia for the strange, for the unaccustomed, that all +born wanderers know. Fate arranges it for many of them that their lives +shall be uneventful, passed in dull, provincial narrowness; but behind +these bars the clipped wings of their spirit are always flutteringly +spread for flight. They know not what they seek, what desire drives +them, but a sense of "the great adventure" unachieved keeps them +restless until they die. It is such as these, these _voyageurs +empassiones_, when condemned by fortune to a static existence--who find +their outlet in mental wanderings amid the unusual, the grotesque, +and the monstrous. Hearn and Flaubert both were at heart nomads, +seekers of the unaccustomed; stretching toward immensities of space +and time, toward the ghostly, the hidden, the unrealized. Like that +wild fantastic _Chimera_ of the "Temptation" each such soul declares +"_je cherche des parfums nouveaux, des fleurs plus large, des plaisirs +ineprouves._" + +Flaubert was but twenty-six when the first suggestion of his +masterpiece came to him. For _La Tentation de St. Antoine_, it is +coming to be understood, is his masterpiece; is one of the greatest +literary achievements of the French mind. _Madame Bovary_ is more +widely famous and popular, but Flaubert himself always deeply resented +this preference, and was always astonished at the comparative +indifference of the world to the "Temptation." He, too, found it +difficult to realize how hardly the average mind is awakened to an +interest in the incorporeal; how surely cosmic generalizations escape +the grasp of the commonplace intelligence. + +Wagner waited a lifetime before the world was dragged reluctantly and +resentfully up to a point from which it could discern the superiority +of the tremendous finale of the Goetterdaemmerung to the Christmas-card +chorus of angels chanting "_Ame chaste et pure_" to the beatified +Marguerite. The whole prodigious structure of Wagner's dramatic and +musical thought might have remained a mere adumbration in the soul of +one German had chance not set a mad genius upon the throne of Bavaria. +The bourgeoisie would--lacking this royal bullying--have continued to +prefer Goethe and Gounod. Flaubert's great work unfortunately failed of +such patronage. + +It was in 1845 that an old picture by Breughel, seen at Genoa, first +inspired Flaubert to attempt the story of St. Anthony. He sought +out an engraving of this conception of Peter the Younger (surnamed +"Hell-Breughel" for his fondness for such subjects), hung it on his +walls at Croisset, and after three years of brooding upon it began, +May 24, 1848, _La Tentation de St. Antoine._ In twelve months he had +finished the first draught of the work, which bulked to 540 pages. It +was laid aside for "Bovary," and a second version of the "Temptation" +was completed in 1856, but this time the manuscript had been reduced +to 193 pages, and the "blazing phrases, the jewelled words, the +turbulence, the comedy, the mysticism" of the first version had been +superseded by a larger, more dramatic conception. In 1872 he made still +a new draught, and by this time it had shrunk to 136 pages. He even +then eliminated three chapters, and finally gave to the world in 1874 +"this wonderful coloured panorama of philosophy, this Gulliver-like +travelling amid the master ideas of the antique and early Christian +worlds." + +Faguet says, "In its primitive and legendary state the temptation +of St. Anthony was nothing more than the story of a recluse tempted +by the Devil through the flesh, by all the artifices at the Devil's +disposal. In the definite thought of Flaubert the temptation of St. +Anthony has become man's soul tempted by all the illusions of human +thought and imagination. St. Anthony to the eyes of the first naive +hagiologists is a second Adam, seduced by woman, who was inspired by +Satan. St. Anthony conceived by Flaubert is a more thoughtful Faust; a +Faust incapable of irony, not a Faust who could play with illusions and +with himself--secretly persuaded that he could withdraw when he chose +to give himself the trouble to do so--rather a Faust who approached, +accosted, caressed all possible forms of universal illusions." + +Flaubert's studies for the "Temptation" were tremendous. For nearly +thirty years he touched and retouched, altered, enlarged, condensed. +He kneaded into its substance the knowledge, incessantly sought, of +all religions and philosophies; of all the forms man's speculations +had taken in his endless endeavours to explain to himself Life and +Fate; humanity's untiring, passionate effort to find the meaning of its +mysterious origin and purpose, and final destiny. How terrible, how +naive, how fantastic, bloody, grovelling, and outrageous were most of +the solutions accepted, the gigantic panorama of the book startlingly +sets forth. What gory agonies, what mystic exaltations, what dark +cruelties, frenzied abandons, and inhuman self denials have marked +those puzzled gropings for light and truth are revealed as by lightning +flashes in the crowding scenes of the epic. For the Temptation of St. +Anthony is an epic. Not a drama of man's actions, as all previous +epics have been, but a drama of the soul. All its movement is in the +adventure and conflict of the spirit. St. Anthony remains always in +the one place, almost as moveless as a mirror. His vision--clarified +of the sensual and the actual by his fastings and macerations--becomes +like the surface of an unruffled lake. A lake reflecting the aberrant +forms of thoughts that, like clouds, drift between man and the infinite +depths of knowledge. Clouds of illusion forever changing, melting, +fusing; assuming forms grotesque, monstrous, intolerable; until at +last the writhing mists of speculation and ignorance are drunk up +by the widening light of wisdom and the fogs and phantasms vanish, +leaving his consciousness aware, in poignant ecstasy, of the cloudless +deeps of truth. The temptation of the flesh is but a passing episode. +An eidolon of Sheba's queen offers him luxury, wealth, voluptuous +beauty, power, dainty delights of eye and palate in vain. Man has never +found his most dangerous seductions in the appetites. More lamentable +disintegration has grown from his attempts to pierce beyond the +body's veil. The parched and tortured saint is whirled by vertiginous +visions through cycles of man's straining efforts to know why, whence, +whither. He assists at the rites of Mithira, the prostrations of +serpent-and-devil-worshippers, worshippers of fire, of light, of the +Greeks' deified forces of nature; of the northern enthronement of brute +force and war. He is swept by the soothing breath of Quietism, plunges +into every heresy and philosophy, sees the orgies, the flagellations, +the self mutilations, the battles and furies of sects, each convinced +that it has found the answer at last to the Great Question, and +endeavouring to constrain the rest of humanity to accept the answer. +He meets the Sphinx--embodied interrogation--and the Chimera--the +simulacrum of the fantasies of the imagination--dashing madly about the +stolid querist. + +Lucifer--spirit of doubt of all dogmatic solutions--mounts with Anthony +into illimitable space. They rise beyond these struggles and furies +into the cold uttermost of the universe; among innumerable worlds; +worlds yet vaguely forming in the womb of time, newly come to birth, +lustily grown to maturity; worlds dying, decaying, crumbling again into +atomic dust. Overcome by the intolerable Vast, Anthony sinks once more +to his cell, and Lucifer, who has shown him the macrocosm, opens to +him the equal immensity of the microcosm. Makes him see the swarming +life that permeates the seas, the earth and atmosphere, the incredible +numerousness of the invisible lives that people every drop of water, +every grain of sand, every breath of air. The unity of life dawns upon +him, and his heart, withered by dubiety, melts into joyousness and +peace. As the day dawns in gold he beholds the face of Christ. + +Flaubert's Lucifer has no relation to the jejune Devil of +man's early conception of material evil, nor does he resemble +Goethe's Mephistopheles; embodiment of the Eighteenth Century's +spirit of sneering disbeliefs and negation. He is rather our own +tempter--Science. He is the spirit of Knowledge: Nature itself calling +us to look into the immensities and read just our dogmas by this new +and terrible widening of our mental and moral horizons. This last +experience of the Saint reproduces the spiritual experiences of the +modern man; cast loose from his ancient moorings, and yet finding at +last in his new knowledge a truer conception of the brotherhood of all +life in all its forms, and seeing still, in the growing light, the +benignant eyes of God. + +It is not remarkable that Flaubert resented the banality, the dull +grossness of the reception of his work, or that Hearn shared his +amazement and bitterness. Even yet the world wakes but slowly to the +true character of this masterpiece; this epic wrought with so great +a care and patience, so instinct with genius, dealing perhaps more +profoundly than any other mind has ever done with the Great Adventure +of humanity's eternal search for Truth. + +ELIZABETH BISLAND. + + + + +ARGUMENT + + + + +FRAILTY + + +Sunset in the desert. Enfeebled by prolonged fasting, the hermit +finds himself unable to concentrate his mind upon holy things. His +thoughts wonder; memories of youth evoke regrets that his relaxed will +can no longer find strength to suppress,--and, remembrance begetting +remembrance, his fancy leads him upon dangerous ground. He dreams of +his flight from home,--of Ammonaria, his sister's playmate,--of his +misery in the waste,--his visit to Alexandria with the blind monk +Didymus,--the unholy sights of the luxurious city. + +Involuntarily he yields to the nervous dissatisfaction growing upon +him. He laments his solitude, his joylessness, his poverty, the +obscurity of his life; grace departs from him; hope burns low within +his heart. Suddenly revolting against his weakness, he seeks refuge +from distraction in the study of the Scriptures. + +Vain effort! An invisible hand turns the leaves, placing perilous +texts before his eyes. He dreams of the Maccabees slaughtering +their enemies, and desires that he might do likewise with the +Arians of Alexandria;--he becomes inspired with admiration of King +Nebuchadnezzar;--he meditates voluptuously upon the visit of Sheba's +queen of Solomon;--discovers a text in the Acts of the Apostles +antagonistic to principles of monkish ascetism,--indulges in reveries +regarding the riches of Biblical kings and holy men. The Tempter comes +to tempt him with evil hallucinations for which the Saint's momentary +frailty has paved the way; and with the Evil One come also + + + +THE SEVEN DEADLY SINS + + +Phantom gold is piled up to excite Covetousness; shadowy banquets +appear to evoke Gluttony. The scene shifts to aid the temptations of +Anger and of Pride.... + +Anthony finds himself in Alexandria, at the head of a wild army of +monks slaughtering the heretics and the pagans, without mercy for +age or sex. In fantastic obedience to the course of his fancy while +reading the Scriptures a while before, and like an invisible echo of +his evil thoughts, the scene changes again. Alexandria is transformed +into Constantinople. + +Anthony finds himself the honoured of the Emperor. He beholds the +vast circus in all its splendour, the ocean of faces, the tumult of +excitement. Simultaneously he beholds his enemies degraded to the +condition of slaves, toiling in the stables of Constantine. He feels +joy in the degradation of the Fathers of Nicaea. Then all is transformed. + +It is no longer the splendour of Constantinople he beholds under the +luminosity of a Greek day; but the prodigious palace of Nebuchadnezzar +by night. He beholds the orgies, the luxuries, the abominations;--and +the spirit of Pride enters triumphantly into him as the spirit of +Nebuchadnezzar.... + +Awaking as from a dream, he finds himself again before his hermitage. +A vast caravan approaches, halts; and the Queen of Sheba descends to +tempt the Saint with the deadliest of all temptations. Her beauty is +enhanced by oriental splendour of adornment; her converse is a song of +withcraft. The Saint remains firm.... The Seven Deadly Sins depart +from him. + + + +THE HERESIARCHS + + +But now the tempter assumes a subtler form. Under the guise of a former +disciple of Anthony,--Hilarion,--the demon, while pretending to seek +instruction, endeavours to poison the mind of Anthony with hatred of +the fathers of the church. He repeats all the scandals amassed by +ecclesiastical intriguers, all the calumnies created by malice;--he +cites texts only to foment doubt, and quotes the evangels only to +make confusion. Under the pretext of obtaining mental enlightenment +from the wisest of men, he induces Anthony to enter with him into +a spectral basilica, wherein are assembled all the Heresiarchs of +the third century. The hermit is confounded by the multitude of +tenets,--horrified by the blasphemies and abominations of Elkes, +Corpocrates, Valentinus, Manes, Cerdo,--disgusted by the perversions of +the Paternians, Marcosians, Montanists, Serptians,--bewildered by the +apocryphal Gospels of Eve and of Judas, of the Lord, and of Thomas. + +And Hilarion grows taller. + + +THE MARTYRS + +Anthony finds himself in the dungeons of a vast amphitheatre, among +Christians condemned to the wild beasts. By this hallucination the +tempter would prove to the Saint that martyrdom is not always suffered +for purest motives. Anthony finds the martyrs possessed by bigotry and +insincerity. He sees many compelled to die against their will; many +who would forswear their faith could it avail them aught. He beholds +heretics die for their heterodoxy more nobly than orthodox believers. + +And he finds himself transported to the tombs of the martyrs. He +witnesses the meetings of Christian women at the sepulchres. He beholds +the touching ceremonies of prayer, change into orgies,--lamentations +give place to amorous dalliance. + + + +THE MAGICIANS + + +Then the Tempter seeks to shake Anthony's faith in the excellence +and evidence of miracles. He assumes the form of a Hindoo Brahmin, +terminating a life of wondrous holiness by self-cremation;--he appears +as Simon Magus and Helen of Tyre,--as Appollonius of Tyans, greatest of +all thaumaturgists, who claims superiority to Christ. All the marvels +related by Philostratus are embodied in the converse of Apollonius and +Damis. + + + +THE GODS + + +Hilarion reappears taller than ever, growing more gigantic in +proportion to the increasing weakness of the Saint. Standing beside +Anthony he evokes all the deities of the antique world. They defile +before him in a marvellous panorama:--Gods of Egypt and India, Chaldea +and Hellas, Babylon and Ultima Thule,--monstrous and multiform, phallic +and ithyphallic, fantastic or obscene. Some intoxicate by their beauty; +others appall by their foulness. The Buddha recounts the story of his +wondrous life; Venus displays the rounded daintiness of her nudity; +Isis utters awful soliloquy. Lastly the phantom of Jehovah appears, as +the shadow of a god passing away forever. + +Suddenly the stature of Hilarion towers to the stars; he assumes the +likeness and luminosity of Lucifer; he announces himself as + + + +SCIENCE + + +And Anthony is lifted upon mighty wings and borne away beyond the +world, above the solar system, above the starry arch of the Milky Way. +All future discoveries of Astronomy are revealed to him. He is tempted +by the revelation of innumerable worlds,--by the refutation of all +his previous ideas of the nature of the Universe,--by the enigmas of +infinity,--by all the marvels that conflict with faith. Even in the +night of immensity the demon renews the temptation of reason: Anthony +wavers upon the verge of pantheism. + + + +LUST AND DEATH + + +Anthony abandoned by the spirit of Science comes to himself in the +desert. Then the Tempter returns under a two-fold aspect: as the +Spirit of Lust and the Spirit of Destruction. The latter urges him to +suicide,--the former to indulgence of sense. They inspire him with +strong fancies of palingenesis, of the illusion of death, of the +continuity of life. The pantheistic temptation intensified. + + + +THE MONSTERS + + +Anthony in reveries meditates upon the monstrous symbols painted upon +the walls of certain ancient temples. Could he know their meaning +he might learn also something of the secret lien between Matter and +Thought. Forthwith a phantasmagoria of monsters commence to pass before +his eyes:--the Sphinx and the Chimera, the Blemmyes and Astomi, the +Cynocephali and all creatures of mythologie creation. He beholds the +fabulous beings of Oriental imagining,--the abnormities described +by Pliny and Herodotus, the fantasticalities to be later adopted by +heraldry,--the grotesqueries of future medieval illumination made +animate;--the goblinries and foulnesses of superstitious fancy,--the +Witches' Sabbath of abominations. + + + +METAMORPHOSIS + + +The multitude of monsters melts away; the land changes into an Ocean; +the creatures of the briny abysses appear. And the waters in turn +also change; seaweeds are transformed to herbs, forests of coral +give place to forests of trees, polypous life changes to vegetation. +Metals crystallize; frosts effloresce; plants become living things, +inanimate matter takes animate form, monads vibrate, the pantheism of +nature makes itself manifest. Anthony feels a delirious desire to unite +himself with the Spirit of Universal Being.... + +The vision vanishes. The sun arises. The face of Christ is revealed. +The temptation has passed; Anthony kneels in prayer. + +L. H. + + + + +THE TEMPTATION OF ST. ANTHONY + + +_It is in the Thebaid at the summit of a mountain, upon a platform, +rounded off into the form of a demilune, and enclosed by huge stones._ + +_The Hermit's cabin appears in the background. It is built of mud and +reeds, it is flat-roofed and doorless. A pitcher and a loaf of black +bread can be distinguished within also, in the middle of the apartment +a large book resting on a wooden STELA; while here and there, fragments +of basketwork, two or three mats, a basket, and a knife lie upon the +ground._ + +_Some ten paces from the hut, there is a long cross planted in the +soil; and, at the other end of the platform, an aged and twisted +palm tree leans over the abyss; for the sides of the mountain are +perpendicular, and the Nile appears to form a lake at the foot of the +cliff._ + +_The view to right and left is broken by the barrier of rocks. But +on the desert-side, like a vast succession of sandy beaches, immense +undulations of an ashen-blonde color extend one behind the other, +rising higher as they recede; and far in the distance, beyond the +sands, the Libyan chain forms a chalk-colored wall, lightly shaded by +violet mists. On the opposite side the sun is sinking. In the north the +sky is of a pearl-gray tint, while at the zenith purple clouds disposed +like the tufts of a gigantic mane, lengthen themselves against the blue +vault. These streaks of flame take darker tones; the azure spots turn +to a nacreous pallor; the shrubs, the pebbles, the earth, all now seem +hard as bronze; and throughout space there floats a golden dust so fine +as to become confounded with the vibrations of the light._ + +_Saint Anthony, who has a long beard, long hair, and wears a tunic of +goatskin, is seated on the ground cross-legged, and is occupied in +weaving mats. As soon as the sun disappears, he utters a deep sigh, +and, gazing upon the horizon, exclaims_:-- + +"Another day! another day gone! Nevertheless formerly I used not to +be so wretched. Before the end of the night I commenced my orisons; +then I descended to the river to get water, and remounted the rugged +pathway with the skin upon my shoulder, singing hymns on the way. Then +I would amuse myself by arranging everything in my hut. I would make my +tools; I tried to make all my mats exactly equal in size, and all my +baskets light; for then my least actions seemed to me duties in nowise +difficult or painful of accomplishment. + +"Then at regular hours I ceased working; and when I prayed with my arms +extended, I felt as though a fountain of mercy were pouring from the +height of heaven into my heart. That fountain is now dried up. Why?" + +(_He walks up and down slowly, within the circuit of the rocks._) + +"All blamed me when I left the house. My mother sank to the ground, +dying; my sister from afar off made signs to me to return; and the +other--wept, Ammonaria, the child whom I used to meet every evening +at the cistern, when she took the oxen to drink. She ran after me. Her +foot rings glittered in the dust; and her tunic, open at the hips, +fluttered loosely in the wind. The aged anchorite who was leading me +away called her vile names. Our two camels galloped forward without +respite; and I have seen none of my people since that day. + +"At first, I selected for my dwelling place, the tomb of a Pharaoh. But +an enchantment circulates through all those subterranean palaces, where +the darkness seems to have been thickened by the ancient smoke of the +aromatics. From the depths of Sarcophagi, I heard doleful voices arise, +and call my name; or else, I suddenly beheld the abominable things +painted upon the walls live and move; and I fled away to the shore +of the Red Sea, and took refuge in a ruined citadel. There my only +companions were the scorpions dragging themselves among the stones, and +the eagles continually wheeling above my head, in the blue of heaven. +At night I was torn by claws, bitten by beaks; soft wings brushed +against me; and frightful demons, shrieking in my ears, flung me upon +the ground. Once I was even rescued by the people of a caravan going +to Alexandria; and they took me away with them. + +"Then I sought to obtain instruction from the good old man Didymus. +Although blind, none equalled him in the knowledge of the Scriptures. +When the lesson was finished, he used to ask me to give him my arm +to lean upon, that we might walk together. Then I would conduct him +to the Paneum, whence may be seen the Pharos and the open sea. Then +we would return by way of the post, elbowing men of all nations, +even Cimmerians clad in the skins of bears and Gymnosophists of the +Ganges anointed with cow-dung. But there was always some fighting in +the streets--either on account of the Jews refusing to pay taxes, or +of seditious people who wished to drive the Romans from the city. +Moreover, the city is full of heretics--followers of Manes; Valentinus, +Basilides, Arius--all seeking to engross my attention in order to argue +with me and to convince me. + +"Their discourses often come back to my memory. Vainly do I seek to +banish them from my mind. They trouble me! + +"I took refuge at Colzin, and there lived a life of such penance that +I ceased to fear God. A few men, desirous of becoming anchorites, +gathered about me. I imposed a practical rule of life upon them, +hating, as I did, the extravagance of Gnosus and the assertions of the +philosophers. Messages were sent to me from all parts, and men came +from afar off to visit me. + +"Meanwhile the people were torturing the confessors; and the thirst of +martyrdom drew me to Alexandria. The persecution had ceased three days +before I arrived there! + +"While returning thence, I was stopped by a great crowd assembled +before the temple of Serapis. They told me it was a last example which +the Governor had resolved to make. In the centre of the portico, under +the sunlight, a naked woman was fettered to a column, and two soldiers +were flogging her with thongs; at every blow her whole body writhed. +She turned round, her mouth open; and over the heads of the crowd, +through the long hair half hiding her face, I thought that I could +recognize Ammonaria.... + +[Illustration: ... through the long hair half hiding her face, +I thought that I could recognize Ammonaria] + +"Nevertheless ... this one was taller ... and beautiful ... +prodigiously beautiful!" + +(_He passes his hands over his forehead._) + +"No! no! I must not think of it! + +"Another time Athanasius summoned me to assist him against the Arians. +The contest was limited to invectives and laughter. But since that +time he has been calumniated, dispossessed of his see, obliged to fly +for safety elsewhere. Where is he now? I do not know! The people give +themselves very little trouble to bring me news. All my disciples have +abandoned me--Hilarion like the rest. + +"He was perhaps fifteen years of age when he first came to me and his +intelligence was so remarkable that he asked me questions incessantly. +Then he used to listen to me with a pensive air, and whatever I needed +he brought it to me without a murmur--nimbler than a kid, merry enough +to make even the patriarchs laugh. He was a son to me." + +(_The sky is red; the earth completely black. Long drifts of sand +follow the course of the gusts of wind, rising like great shrouds and +falling again. Suddenly against a bright space in the sky a flock of +birds pass, forming a triangular battalion, gleaming like one sheet of +metal, of which the edges alone seem to quiver._ + +_Anthony watches them._) + +"Ah, how I should like to follow them. + +"How often also have I enviously gazed upon those long vessels, +whose sails resemble wings--and above all when they were bearing +far away those I had received at my hermitage! What pleasant hours +we passed!--what out-pourings of feeling! No one ever interested me +more than Ammon: he told me of his voyage to Rome, of the Catacombs, +the Coliseum, the piety of illustrious women, and a thousand other +things!--and it grieved me to part with him! Wherefore my obstinacy +in continuing to live such a life as this? I would have done well to +remain with the monks of Nitria, inasmuch as they supplicated me to +do so. They have cells apart, and nevertheless communicate with each +other. On Sundays a trumpet summons them to assemble at the church, +where one may see three scourges hanging up, which serve to punish +delinquents, robbers, and intruders; for their discipline is severe. + +"Nevertheless they are not without some enjoyments. The faithful bring +them eggs, fruits, and even instruments with which they can extract +thorns from their feet. There are vineyards about Prisperi; those +dwelling at Pabena have a raft on which they may journey when they go +to seek provisions. + +"But I might have served my brethren better as a simple priest. As a +priest one may aid the poor, administer the sacraments, and exercise +authority over families. + +"Furthermore, all laics are not necessarily damned, and it only +depended upon my own choice to become--for example--a grammarian, a +philosopher. I would then have had in my chamber a sphere of reeds, +and tablets always ready at hand, young men around me, and a wreath of +laurel suspended above my door, as a sign. + +"But there is too much pride in triumphs such as those. A soldier's +life would have been preferable. I was robust and bold: bold enough to +fasten the cables of the military machines--to traverse dark forests, +or to enter, armed and helmeted, into smoking cities.... Neither was +there anything to have prevented me from purchasing with my money the +position of publican at the toll-office of some bridge; and travellers +would have taught me many strange things, and told me strange stories, +the while showing me many curious objects packed up among their +baggage.... + +"The merchants of Alexandria sail upon the river Canopus on holidays, +and drink wine in the chalices of lotus-flowers, to a music of +tambourines which makes the taverns along the shore tremble! Beyond, +trees, made cone-shaped by pruning, protect the quiet farms against +the wind of the south. The roof of the lofty house leans upon thin +colonettes placed as closely together as the laths of a lattice; +and through their interspaces the master, reclining upon his long +couch, beholds his plains stretching about him--the hunter among the +wheat-fields--the winepress where the vintage is being converted into +wine, the oxen treading out the wheat. His children play upon the floor +around him; his wife bends down to kiss him." + +(_Against the grey dimness of the twilight, here and there appear +pointed muzzles, with straight, pointed ears and bright eyes. Anthony +advances toward them. There is a sound of gravel crumbling down; the +animals take flight. It was a troop of jackals._ + +_One still remains, rising upon his hinder legs, with his body half +arched and head raised in an attitude full of defiance._) + +"How pretty he is! I would like to stroke his back gently!" + +(_Anthony whistles to coax him to approach. The jackal disappears._) + +"Ah! he is off to join the others. What solitude! what weariness!" +(_Laughing bitterly._) + +"A happy life this indeed!--bending palm-branches in the fire to make +shepherds' crooks, fashioning baskets, stitching mats together--and +then exchanging these things with the Nomads for bread which breaks +one's teeth! Ah! woe, woe is me! will this never end? Surely death were +preferable! I can endure it no more! Enough! enough!" + +(_He stamps his foot upon the ground, and rushes frantically to and fro +among the rocks; then pauses, out of breath, bursts into tears, and +lies down upon the ground, on his side._ + +_The night is calm; multitudes of stars are palpitating; only the +crackling noise made by the tarantulas is audible._ + +_The two arms of the cross make a shadow upon the sand; Anthony, who is +weeping, observes it._) + +"Am I, then, so weak, O my God! Courage, let me rise from here!" + +(_He enters his hut, turns over a pile of cinders, finds a live ember, +lights his torch and fixes it upon the wooden desk, so as to throw a +light upon the great book._) + +"Suppose I take the Acts of the Apostles?--yes!--no matter where!" + +_'And he saw the heaven opened, and a certain vessel descending, as it +were a great linen sheet let down by the four corners from heaven to +the earth--wherein were all manner of four-footed beasts, and creeping +things of the earth and fowls of the air. And there came a voice to +him: Arise, Peter! Kill and eat!'_[1] + +"Then the Lord desired that his apostle should eat of all things?... +while I...." + +(_Anthony remains thoughtful, his chin resting against his breast. The +rustling of the pages, agitated by the wind, causes him to lift his +head again; and he reads_:) + +_'So the Jews made a great slaughter of their enemies with the sword, +and killed them, repaying according to what they had prepared to do to +them...._[2] + +"Then, comes the number of people slain by them--seventy-five thousand. +They had suffered so much! Moreover, their enemies were the enemies of +the true God. And how they must have delighted in avenging themselves +thus by the massacre of idolaters! Doubtless the city must have been +crammed with the dead! There must have been corpses at the thresholds +of the garden gates, upon the stairways, in all the chambers, and piled +up so high that the doors could no longer move upon their hinges!... +But lo! here I am permitting my mind to dwell upon ideas of murder and +of blood!..." + +(_He opens the book at another place._) + +_'Then King Nabuchodonosor fell on his face, and worshipped +Daniel...._'[3] + +"Ah! that was just! The _Most High_ exalts his prophets above Kings; +yet that monarch spent his life in banqueting, perpetually drunk with +pleasure and pride. But God, to punish him, changed him into a beast! +He walked upon four feet!" + +(_Anthony begins to laugh; and in extending his arms, involuntarily +disarranges the leaves of the book with the tips of his fingers. His +eyes fell upon this phrase_:--) + +_'And Ezechias rejoiced at their coming, and he showed them the house +of his aromatical spices, and the gold and the silver, and divers +precious odours and ointments, and the house of his vessels, and all +that he had in his treasures....'_[4] + +"I can imagine that spectacle; they must have beheld precious stones, +diamonds and darics heaped up to the very roof. One who possesses so +vast an accumulation of wealth is no longer like other men. While +handling his riches he knows that he controls the total result of +innumerable human efforts--as it were the life of nations drained by +him and stored up, which he can pour forth at will. It is a commendable +precaution on the part of Kings. Even the _Wisest_ of all did not +neglect it. His navy brought him elephants' teeth and apes.... Where is +that passage?" + +(_He turns the leaves over rapidly._) + +"Ah! here it is:" + +_'And the Queen of Saba, having heard of the fame of Solomon in the +name of the Lord, came to try him with hard questions.'_[5] + +"How did she hope to tempt him? The _Devil_ indeed sought to tempt +Jesus! But Jesus triumphed because he was God; and Solomon, perhaps, +owing this knowledge of magic! It is sublime--that science! For the +world--as a philosopher once explained it to me, forms a whole, of +which all parts mutually influence one another, like the organs of one +body. It is science which enables us to know the natural loves and +natural repulsions of all things, and to play upon them?... Therefore, +it is really possible to modify what appears to be the immutable order +of the universe?" + +(_Then the two shadows formed behind him by the arms of the cross, +suddenly lengthen and project themselves before him. They assume the +form of two great horns. Anthony cries out_:--) + +"Help me! O my God!" + +[Illustration: Saint Anthony: Help me, O my God!] + +(_The shadows shrink back to their former place._) + +"Ah!... it was an illusion ... nothing more. It is needless for me to +torment my mind further! I can do nothing!--absolutely nothing." + +(_He sits down and folds his arms._) + +"Nevertheless ... it seems to me that I felt the approach of.... But +why should _He_ come? Besides, do I not know all his artifices? I +repulsed the monstrous anchorite who laughingly offered me little +loaves of warm, fresh bread, the centaur who sought to carry me away +upon his croup, and that black child who appeared to me in the midst of +the sands, who was very beautiful, and who told me that he was called +the Spirit of Lust!" + +(_Anthony rises and walks rapidly up and down, first to the right, then +to the left._) + +"It was by my order that this multitude of holy retreats was +constructed--full of monks all wearing sackcloth of camel's hair +beneath their garments of goatskin, and numerous enough to form an +army. I have cured the sick from afar off; I have cast out demons; +I have passed the river in the midst of crocodiles; the Emperor +Constantine wrote me throe letters; Balacius, who had spat upon mine, +was torn to pieces by his own horses; when I reappeared the people of +Alexandria fought for the pleasure of seeing me, and Athanasius himself +escorted me on the way back. But what works have I not accomplished +Lo! for these thirty years and more I have been dwelling and groaning +unceasingly in the desert! Like Eusebius, I have carried thirty-eight +pounds of bronze upon my loins; like Macarius, I have exposed my body +to the stings of insects; like Pacomus, I have passed fifty-three +nights without closing my eyes; and those who are decapitated, tortured +with red hot pincers, or burned alive, are perhaps less meritorious +than I, seeing that my whole life is but one prolonged martyrdom." +(_Anthony slackens his pace._) + +"Assuredly there is no human being in a condition of such unutterable +misery! Charitable hearts are becoming scarcer. I no longer receive +aught from any one. My mantle is worn out. I have no sandals--I have +not even a porringer!--for I have distributed all I possessed to the +poor and to my family, without retaining so much as one obolus. Yet +surely I ought to have a little money to obtain the tools indispensable +to my work? Oh, not much! a very small sum.... I would be very saving +of it.... + +"The fathers of Nicaea, clad in purple robes, sat like magi, upon +thrones ranged along the walls; and they were entertained at a great +banquet and overwhelmed with honours, especially Paphnutius, because he +is one-eyed and lame, since the persecution of Diocletian! The Emperor +kissed his blind eye several times; what foolishness! Besides, there +were such infamous men members of that Council! A bishop of Scythia, +Theophilus! another of Persia, John! a keeper of beasts, Spiridion! +Alexander was too old. Athanasius ought to have shown more gentleness +towards the Arians, so as to have obtained concessions from them. + +"Yet would they have made any? They would not hear me! The one who +spoke against me--a tall young man with a curly beard--uttered the +most captious objections to my argument; and while I was seeking words +to express my views they all stared at me with their wicked faces, +and barked like hyenas. Ah! why cannot I have them all exiled by the +Emperor! or rather have them beaten, crushed, and see them suffer! I +suffer enough myself." + +(_He leans against his cabin in a fainting condition._) + +"It is because I have fasted too long; my strength is leaving me. If I +could eat--only once more--a piece of meat." (_He half closes his eyes +with languor._) + +"Ah! some red flesh--a bunch of grapes to bite into ... curdled milk +that trembles on a plate!... + +"But what has come upon me? What is the matter with me? I feel my heart +enlarging like the sea, when it swells before the storm. An unspeakable +feebleness weighs down upon me, and the warm air seems to waft me +the perfume of a woman's hair. No woman has approached this place; +nevertheless?--" + +(_He gazes toward the little pathway between the rocks._) + +"That is the path by which they come, rocked in their litters by the +black arms of the eunuchs. They descend and joining their hands, +heavy with rings, kneel down before me. They relate to me all their +troubles. The desire of human pleasure tortures them; they would +gladly die; they have seen in their dreams God calling to them ... and +all the while the hems of their robes fall upon my feet. I repel them +from me. 'Ah! no!' they cry, 'not yet! What shall I do?' They gladly +accept any penitence I impose on them. They ask for the hardest of all; +they beg to share mine and to live with me. + +"It is now a long time since I have seen any of them! Perhaps some of +them will come! why not? If I could only hear again, all of a sudden, +the tinkling of mule-bells among the mountains. It seems to me...." + +(_Anthony clambers upon a rock at the entrance of the pathway, and +leans over, darting his eyes into the darkness._) + +"Yes! over there, far off I see a mass moving, like a band of +travellers seeking the way. _She_ is there!... They are making a +mistake." (_Calling._) + +"This way! Come! Come!" + +(_Echo repeats: Come! Come! he lets his arms fall, stupefied._) + +"What shame for me! Alas! poor Anthony." + +(_And all of a sudden he hears a whisper:--"Poor Anthony"!_) + +"Who is there? Speak!" + +(_The wind passing through the intervals between the rocks, makes +modulations; and in those confused sonorities he distinguishes Voices, +as though the air itself were speaking. They are low, insinuating, +hissing._) + +_The First_: "Dost thou desire women?" + +_The Second_: "Great heaps of money, rather!" + +_The Third_: "A glittering sword?" (_and_) + +_The Others_: "All the people admire thee! Sleep!" + +"Thou shalt slay them all, aye, thou shalt slay them!" + +(_At the same moment objects become transformed. At the edge of the +cliff, the old palm tree with its tuft of yellow leaves, changes into +the torso of a woman leaning over the abyss, her long hair waving in +the wind. + +Anthony turns toward his cabin; and the stool supporting the great book +whose pages are covered with black letters, seems to him changed into a +bush all covered with nightingales._) + +"It must be the torch which is making this strange play of light.... +Let us put it out!" + +(_He extinguishes it; the obscurity becomes deeper, the darkness +profound._ + +_And suddenly in the air above there appear and disappear +successively--first, a stretch of water; then the figure of a +prostitute; the corner of a temple, a soldier; a chariot with two white +horses, prancing._ + +_These images appear suddenly, as in flashes--outlined against the +background of the night, like scarlet paintings executed upon ebony._ + +_Their motion accelerates. They defile by with vertiginous rapidity. +Sometimes again, they pause and gradually pale and melt away; or else +float off out of sight, to be immediately succeeded by others._ + +_Anthony closes his eyelids._ + +_They multiply, surround him, besiege him. An unspeakable fear takes +possession of him; and he feels nothing more of living sensation, save +a burning contraction of the epigastrium. In spite of the tumult in +his brain, he is aware of an enormous silence which separates him from +the world. He tries to speak;--impossible! He feels as though all the +bands of his life were breaking and dissolving;--and, no longer able to +resist, Anthony falls prostrate upon his mat._) + + +[1] Acts X: 11-13--T. + +[2] Esther IX: 5--T. + +[3] Daniel II: 46.--T. + +[4] Kings XX: 13 (Vulg.).--T. + +[5] III Kings X: I (Vulg.).--T. + + + + +II + + +(_Then a great shadow, subtler than any natural shadow, and festooned +by other shadows along its edges, defines itself upon the ground._ + +_It is the Devil, leaning upon the roof of the hut, and bearing beneath +his wings--like some gigantic bat suckling its little ones--the Seven +Deadly Sins, whose grimacing heads are dimly distinguishable._ + +_With eyes still closed, Anthony yields to the pleasure of inaction; +and stretches his limbs upon the mat._ + +_It seems to him quite soft, and yet softer--so that it becomes as if +padded; it rises up; it becomes a bed. The bed becomes a shallop; water +laps against its sides._ + +_To right and left rise two long tongues of land, overlooking low +cultivated plains, with a sycamore tree here and there. In the distance +there is a tinkling of bells, a sound of drums and of singers. It is a +party going to Canopus to sleep upon the temple of Serapis, in order +to have dreams. Anthony knows this; and impelled by the wind, his boat +glides along between the banks. Papyrus-leaves and the red flowers of +the nymphaea, larger than the body of a man, bend over him. He is lying +at the bottom of the boat; one oar at the stem, drags in the water. +From time to time, a lukewarm wind blows; and the slender reeds rub one +against the other, and rustle. Then the sobbing of the wavelets becomes +indistinct. A heavy drowsiness falls upon him. He dreams that he is a +Solitary of Egypt._ + +_Then he awakes with a start._) + +"Did I dream? It was all so vivid that I can scarcely believe I was +dreaming! My tongue burns. I am thirsty." + +(_He enters the cabin, and gropes at random in the dark._) + +"The ground is wet; can it have been raining? What can this mean! My +pitcher is broken into atoms! But the goatskin?" (_He finds it._) + +"Empty!--completely empty! In order to get down to the river, I should +have to walk for at least three hours; and the night is so dark that I +could not see my way. + +"There is a gnawing in my entrails. Where is the bread!" + +(_After long searching, he picks up a crust not so large as an egg._) + +"What? Have the jackals taken it? Ah! malediction!" + +(_And he flings the bread upon the ground with fury._ + +_No sooner has the action occurred than a table makes its appearance, +covered with all things that are good to eat._ + +_The byssus cloth, striated like the bandelets of the sphinx, produces +of itself luminous undulations. Upon it are enormous quarters of red +meats; huge fish; birds cooked in their plumage, and quadrupeds in +their skins; fruits with colors and tints almost human in appearance; +while fragments of cooling ice, and flagons of violet crystal reflect +each other's glittering. Anthony notices in the middle of the table +a boar smoking at every pore--with legs doubled up under its belly, +and eyes half closed--and the idea of being able to eat so formidable +an animal greatly delights him. Then many things appear which he has +never seen before--black hashes, jellies, the color of gold, ragouts in +which mushrooms float like nenuphars upon ponds, dishes of whipt cream +light as clouds._ + +_And the aroma of all this comes to him together with the salt smell of +the ocean, the coolness of mountains, the great perfumes of the woods. +He dilates his nostrils to their fullest extent; his mouth waters; he +thinks to himself that he has enough before him for a year, for ten +years, for his whole life!_ + +_As he gazes with widely-opened eyes at all these viands, others +appear; they accumulate, forming a pyramid crumbling at all its angles. +The wines begin to flow over--the fish palpitate--the blood seethes in +the dishes--the pulp of the fruit protrudes like amorous lips--and the +table rises as high as his breast, up to his very chin at last--now +bearing only one plate and a single loaf of bread, placed exactly in +front of him._ + +_He extends his hand to seize the loaf. Other loaves immediately +present themselves to his grasp._) + +"For me!... all these! But ..." (_Anthony suddenly draws back._) + +"Instead of one which was there, lo! there are many! It must be a +miracle, then, the same as our Lord wrought! + +"Yet for what purpose?... Ah! all the rest of these things are equally +incomprehensible! Demon, begone from me! depart! begone!" + +(_He kicks the table from him. It disappears._) + +"Nothing more?--no!" (_He draws a lung breath._) + +"Ah! the temptation was strong! But how well I delivered myself from +it!" + +(_He lifts his head, and at the same time stumbles over some sonorous +object._) + +"Why! what can that be?" (_Anthony stoops down._) + +"How! a cup! Some traveller must have lost it here. There is nothing +extraordinary...." + +(_He wets his finger, and rubs._) + +"It glitters!--metal! Still, I cannot see very clearly...." + +(_He lights his torch, and examines the cup._) + +"It is silver, ornamented with ovules about the rim, with a medal at +the bottom of it." + +(_He detaches the medal with his nail!_) + +"It is a piece of money worth about seven or eight drachmas--not more! +It matters not! even with that I could easily buy myself a sheepskin." + +(_A sudden flash of the torch lights up the cup._) + +"Impossible! gold? Yes, all gold, solid gold!" + +(_A still larger piece of money appears at the bottom. Under it he +perceives several others._) + +"Why, this is a sum ... large enough to purchase three oxen ... and a +little field!" + +(_The cup is now filled with pieces of gold._) + +"What! what!... a hundred slaves, soldiers, a host ... enough to +buy...." + +(_The granulations of the rim, detaching themselves form a necklace of +pearls._) + +"With such a marvel of jewelry as that, one could win even the wife of +the Emperor!" + +(_By a sudden jerk, Anthony makes the necklace slip down over his +wrist. He holds the cup in his left hand, and with his right lifts +up the torch so as to throw the light upon it. As water streams +overflowing from the basin of a fountain, so diamonds, carbuncles, and +sapphires, all mingled with broad pieces of gold bearing the effigies +of Kings, overflow from the cup in never ceasing streams, to form a +glittering hillock upon the sand._) + +"What! how! Staters, cycles, dariacs, aryandics; Alexander, Demetrius, +the Ptolemies, Caesar!--yet not one of them all possessed so much! +Nothing is now impossible! no more suffering for me! how these +gleams dazzle my eyes! Ah! my heart overflows! how delightful it is! +yes--yes!--more yet! never could there be enough! Vainly I might +continually fling it into the sea, there would always be plenty +remaining for me. Why should I lose any of it? I will keep all, and say +nothing to any one about it; I will have a chamber hollowed out for me +in the rock, and lined with plates of bronze, and I will come here from +time to time to feel the gold sinking down under the weight of my heel; +I will plunge my arms into it as into sacks of grain! I will rub my +face with it, I will lie down upon it!" + +(_He flings down the torch in order to embrace the glittering heap, and +falls flat upon the ground._ + +_He rises to his feet. The place is wholly empty._) + +"What have I done! + +"Had I died during those moments, I should have gone to hell--to +irrevocable damnation." + +(_He trembles in every limb._) + +"Am I, then, accursed? Ah! no; it is my own fault! I allow myself +to be caught in every snare! No man could be more imbecile, more +infamous! I should like to beat myself, or rather to tear myself out +of my own body! I have restrained myself too long. I feel the want of +vengeance--the necessity of striking, of killing!--as though I had a +pack of wild beasts within me! Would that I could hew my way with an +axe, through the midst of a multitude.... Ah, a poniard!..." + +(_He perceives his knife, and rushes to seize it. The knife slips from +his hand; and Anthony remains leaning against the wall of his hut, with +wide-open mouth, motionless, cataleptic._ + +_Everything about him has disappeared._ + +_He thinks himself at Alexandria, upon the Paneum--an artificial +mountain in the centre of the city, encircled by a winding stairway._ + +_Before him lies Lake Mareolis; on his right hand is the sea, on his +left the country; and immediately beneath him a vast confusion of +flat roofs, traversed from north to south and from east to west by +two streets which intercross, and which offer throughout their entire +length the spectacle of files of porticoes with Corinthian columns. The +houses overhanging this double colonnade have windows of stained glass. +Some of them support exteriorly enormous wooden cages, into which the +fresh air rushes from without._ + +_Monuments of various architecture tower up in close proximity. +Egyptian pylons dominate Greek temples. Obelisks appear like lances +above battlements of red brick. In the middle of public squares there +are figures of Hermes with pointed ears, and of Anubis with the head of +a dog. Anthony can distinguish the mosaic pavements of the courtyards, +and tapestries suspended from the beams of ceilings._ + +_He beholds at one glance, the two ports (the Great Port and the +Eunostus), both round as circuses, and separated by a mole connecting +Alexandria with the craggy island upon which the Pharos-tower +rises--quadrangular, five hundred cubits high, nine storied, having at +its summit a smoking heap of black coals._ + +_Small interior ports open into the larger ones. The mole terminates at +each end in a bridge supported upon marble columns planted in the sea. +Sailing vessels pass beneath it, while heavy lighters overladen with +merchandise, thalamegii[1] inlaid with ivory, gondolas covered with +awnings, triremes, biremes, and all sorts of vessels are moving to and +fro, or lie moored at the wharves._ + +_About the Great Port extends an unbroken array of royal construction: +the palace of the Ptolomies, the Museum, the Posidium, the Caesareum, +the Timonium where Mark Anthony sought refuge, the Soma which contains +the tomb of Alexander; while at the other extremity of the city, beyond +the Eunostus, the great glass factories, perfume factories, and papyrus +factories may be perceived in a suburban quarter._ + +_Strolling peddlers, porters, ass-drivers run and jostle together. +Here and there one observes some priest of Isis wearing a panther skin +on his shoulders, a Roman soldier with his bronze helmet, and many +negroes. At the thresholds of the shops women pause, artisans ply their +trades; and the grinding noise of chariot wheels puts to flight the +birds that devour the detritus of the butcher-shops and the morsels of +fish left upon the ground._ + +_The general outline of the streets seems like a black network flung +upon the white uniformity of the houses. The markets stocked with +herbs make green bouquets in the midst of it; the drying-yards of the +dyers, blotches of color; the golden ornaments of the temple-pediments, +luminous points--all comprised within the oval enclosure of the grey +ramparts, under the vault of the blue heaven, beside the motionless +sea._ + +_But suddenly the movement of the crowd ceases; all turn their +eyes toward the west, whence enormous whirlwinds of dust are seen +approaching._ + +_It is the coming of the monks of the Thebaid, all clad in goatskins, +armed with cudgels, roaring a canticle of battle and of faith with the +refrain_: + +"Where are they? Where are they?" + +_Anthony understands that they are coming to kill the Arians._ + +_The streets are suddenly emptied--only flying feet are visible._ + +_The Solitaries are now in the city. Their formidable cudgels, studded +with nails, whirl in the air like suns of steel. The crash of things +broken in the houses is heard. There are intervals of silence. Then +great screams arise._ + +_From one end of the street to the other there is a continual eddy of +terrified people._ + +_Many grasp pikes. Sometimes two bands meet, rush into one; and this +mass of men slips upon the pavement--fighting, disjointing, knocking +down. But the men with the long hair always reappear._ + +_Threads of smoke begin to escape from the corners of edifices! folding +doors burst open. Portions of walls crumble down. Architraves fall._ + +_Anthony finds all his enemies again, one after the other. He even +recognizes some whom he had altogether forgotten; before killing them +he outrages them. He disembowels--he severs throats--he fells as in +a slaughter house--he hales old men by the beard, crushes children, +smites the wounded. And vengeance is taken upon luxury, those who +do not know how to read tear up hooks; others smash and deface the +statues, paintings, furniture, caskets,--a thousand dainty things +the use of which they do not know, and which simply for that reason +exasperates them. At intervals they pause, out of breath, in the work +of destruction; then they recommence._ + +_The inhabitants moan in the courtyards where they have sought refuge. +The women raise their tearful eyes and lift their naked arms to heaven. +In hope of moving the Solitaries they embrace their knees; the men cast +them off and fling them down, and the blood gushes to the ceilings, +falls back upon the walls like sheets of rain, streams from the trunks +of decapitated corpses, fills the aqueducts, forms huge red pools upon +the ground._ + +_Anthony is up to his knees in it. He wades in it; he sucks up the +blood-spray on his lips; he is thrilled with joy as he feels it upon +his limbs, under his hair-tunic which is soaked through with it._ + +_Night comes. The immense uproar dies away._ + +_The Solitaries have disappeared._ + +_Suddenly, upon the outer galleries corresponding to each of the nine +stories of the Pharos, Anthony observes thick black lines forming, like +lines of crows perching. He hurries thither; and soon finds himself at +the summit._ + +_A huge mirror of brass turned toward the open sea, reflects the forms +of the vessels in the offing._ + +_Anthony amuses himself by watching them; and while he watches, their +number increases._ + +_They are grouped together within a gulf which has the form of a +crescent. Upon a promontory in the background, towers a new city of +Roman architecture, with cupolas of stone, conical roofs, gleams of +pink and blue marbles, and a profusion of brazen ornamentation applied +to the volutes of the capitals, to the angles of the cornices, to the +summits of the edifices. A cypress-wood overhangs the city. The line of +the sea is greener, the air colder. The mountains lining the horizon +are capped with snow._ + +_Anthony is trying to find his way, when a man approaches him, and +says_: + +"Come! they are waiting for you." + +_He traverses a forum, enters a great court, stoops beneath a low +door; and he arrives before the facade of the palace, decorated +with a group in wax, representing Constantine overcoming a dragon. +There is a porphyry basin, from the centre of which rises a golden +conch-shell full of nuts. His guide tells him that he may take some of +them. He does so. Then he is lost, as it were, in a long succession of +apartments._ + +_There are mosaics upon the walls representing generals presenting +the Emperor with conquered cities, which they hold out upon the +palms of their hands. And there are columns of basalt everywhere, +trellis-work in silver filigree, ivory chairs, tapestries embroidered +with pearls. The light falls from the vaults above; Anthony still +proceeds. Warm exhalations circulate about him; occasionally he hears +the discreet clapping sound of sandals upon the pavement. Posted in +the anti-chambers are guards, who resemble automata, holding wands of +vermillion upon their shoulders._ + +[Illustration: And there are columns of basalt everywhere,... The +light falls from the vaults above] + +_At last he finds himself in a great hall, with hyacinth-colored +curtains at the further end. They part, and display the Emperor seated +on a throne, clad in a violet tunic, and wearing red shoes striped with +bands of black._ + +_A diadem of pearls surround his head; his locks are arranged +symmetrically in rouleaux. He has a straight nose, drooping eyelids, +a heavy and cunning physiognomy. At the four corners of the dais +stretched above his head are placed four golden doves; and at the foot +of the throne are two lions in enamel crouching. The doves begin to +sing, the lions to roar. The Emperor rolls his eyes; Anthony advances; +and forthwith, without preamble, they commence to converse about +recent events. In the cities of Antioch, Ephesus, and Alexandria, +the temples have been sacked, and the statues of the gods converted +into pots and cooking utensils; the Emperor laughs heartily about it. +Anthony reproaches him with his tolerance toward the Novations. But the +Emperor becomes vexed. Novations, Arians or Meletians--he is sick of +them all! Nevertheless, he admires the episcopate; for inasmuch as the +Christians maintain bishops, who depend for their position upon five or +six important personages, it is only necessary to gain over the latter, +in order to have all the rest on one's side. Therefore he did not fail +to furnish them with large sums. But he detests the Fathers of the +Council of Nicaea._ + +"Let us go and see them!" + +_Anthony follows him._ + +_And they find themselves on a terrace, upon the same floor._ + +_It overlooks a hippodrome thronged with people, and surmounted by +porticoes where other spectators are walking to and fro. From the +centre of the race-course rises a narrow platform of hewn stone, +supporting a little temple of Mercury, the statue of Constantine, and +three serpents of brass twisted into a column; there are three huge +wooden eggs at one end, and at the other a group of seven dolphins with +their tails in the air._ + +_Behind the imperial pavilion sit the Prefects of the Chambers, the +Counts of the Domestics, and the Patricians--in ranks rising by tiers +to the first story of a church whose windows are thronged with women. +On the right is the tribune of the Blue Faction; on the left, that of +the Green; below, a picket of soldiers is stationed; and on a level +with the arena is a row of Corinthian arches, forming the entrances to +the stables._ + +_The races are about to commence; the horses are drawn up in line. +Lofty plumes, fastened between their ears, bend to the wind like +saplings; and with every restive bound, they shake their chariots +violently, which are shell-shaped, and conducted by charioteers clad +in a sort of multi-colored cuirass, having sleeves tight at the wrist +and wide in the arms; their legs are bare; their beards, faces and +foreheads are shaven after the manner of the Huns._ + +_Anthony is at first deafened by the billowy sound of voices. From +the summit of the hippodrome to its lowest tiers, he sees only faces +painted with rouge, garments checkered and variegated with many colors, +flashing jewelry; and the sand of the arena, all white, gleams like a +mirror._ + +_The Emperor entertains him. He confides to him many matters of high +importance, many secrets; he confesses the assassination of his son +Criopus, and even asks Anthony for advice regarding his health._ + +_Meanwhile Anthony notices some slaves in the rear portion of the +stables below. They are the Fathers of Nicaea, ragged and abject. The +martyr Paphnutius is brushing the mane of one horse; Theophilus is +washing the legs of another; John is painting the hoofs of a third; +Alexander is collecting dung in a basket._ + +_Anthony passes through the midst of them. They range themselves on +either side respectfully; they beseech his intercession; they kiss his +hands. The whole assemblage of spectators hoots at them; and he enjoys +the spectacle with immeasurable pleasure. Lo! he is now one of the +grandees of the Court--the Emperor's confidant--the prime minister! +Constantine places his own diadem upon his brows. Anthony allows it to +remain upon his head, thinking this honor quite natural._ + +_And suddenly in the midst of the darkness a vast hall appears, +illuminated by golden candelabra._ + +_Candles so lofty that they are half lost in the darkness, stretch away +in huge files beyond the lines of banquet-tables, which seem to extend +to the horizon, where through a luminous haze loom superpositions of +stairways, suites of arcades, colossi, towers, and beyond all a vague +border of palace walls, above which rise the crests of cedars, making +yet blacker masses of blackness against the darkness._ + +_The guests, crowned with violet wreaths, recline upon very low couches +and are leaning upon their elbows. Along the whole length of this +double line of couches, wine is being poured out from amphorae, and at +the further end, all alone, coiffed with the tiara and blazing with +carbuncles, King Nebuchadnezzar eats and drinks._ + +_On his right and left, two bands of priests in pointed caps are +swinging censers. On the pavement below crawl the captive kings whose +hands and feet have been cut off; from time to time he flings them +bones to gnaw. Further off sit his brothers, with bandages across their +eyes, being all blind._ + +_From the depths of the ergastula arise moans of ceaseless pain. Sweet +slow sounds of a hydraulic organ alternate with choruses of song; and +one feels that all about the palace without extends an immeasurable +city--an ocean of human life whose waves break against the walls. The +slaves run hither and thither carrying dishes. Women walk between the +ranks of guests, offering drinks to all; the baskets groan under their +burthen of loaves; and a dromedary, laden with perforated water-skins: +passes and repasses through the hall, sprinkling and cooling the +pavement with vervain._ + +_Lion tamers are leading tamed lions about. Dancing girls--their +hair confined in nets--balance themselves and turn upon their hands, +emitting fire through their nostrils; negro boatmen are juggling; naked +children pelt each other with pellets of snow, which burst against the +bright silverware. There is an awful clamor as of a tempest; and a huge +cloud hangs over the banquet--so numerous are the meats and breaths. +Sometimes a flake of fire torn from the great flambeaux by the wind, +traverses the night like a shooting star._ + +_The king wipes the perfumes from his face with his arm. He eats from +the sacred vessels--then breaks them; and secretly reckons up the +number of his fleets, his armies, and his subjects. By and by, for a +new caprice, he will burn his palace with all its guests. He dreams of +rebuilding the tower of Babel, and dethroning God._ + +_Anthony, from afar off, reads all these thoughts upon his brow. They +penetrate his own brain, and he becomes Nebuchadnezzar. Immediately he +is cloyed with orgiastic excesses, sated with fury of extermination; +and a great desire comes upon him to wallow in vileness. For the +degradation of that which terrifies men is an outrage inflicted upon +their minds--it affords yet one more way to stupefy them; and as +nothing is viler than a brute, Anthony goes upon the table on all +fours, and bellows like a bull._ + +_He feels a sudden pain in his hand--a pebble has accidentally wounded +him--and he finds himself once more in front of his cabin._ + +_The circle of the rocks is empty. The stars are glowing in the sky. +All is hushed._) + +"Again have I allowed myself to be deceived! Why these things? They +come from the rebellion of the flesh. Ah! wretch!" + +(_He rushes into his cabin, and seizes a bunch of thongs, with metallic +hooks attached to their ends, strips himself to the waist and, lifting +his eyes to heaven exclaims_:) + +"Accept my penance, O my God: disdain it not for its feebleness. Render +it sharp, prolonged, excessive! It is time, indeed!--to the work!" + +(_He gives himself a vigorous lash--and shrieks._) + +"No! no!--without mercy it must be." + +(_He recommences._) + +"Oh! oh! oh! each lash tears my skin, rends my limbs! It burns me +horribly!" + +"Nay!--it is not so very terrible after all!--one becomes accustomed to +it. It even seems to me...." + +(_Anthony pauses._) + +"Continue, coward! continue! Good! good!--upon the arms, on the back, +on the breast, on the belly--everywhere! Hiss, ye thongs! bite me! +tear me! I would that my blood could spurt to the stars!--let my bones +crack!--let my tendons be laid bare! O for pincers, racks, and melted +lead! The martyrs have endured far worse; have they not, Ammonaria?" + +(_The shadow of the Devil's horns reappears._) + +"I might have been bound to the column opposite to thine,--face to +face--under thy eyes--answering thy shrieks by my sighs; and our pangs +might have been interblended, our souls intermingled." + +(_He lashes himself with fury._) + +"What! what! again. Take that!--But how strange a titillation thrills +me! What punishment! what pleasure! I feel as though receiving +invisible kisses; the very marrow of my bones seems to melt. I die...." + +_And he sees before him three cavaliers, mounted upon onagers, clad in +robes of green--each holding a lily in his hand, and all resembling +each other in feature._ + +_Anthony turns round, and beholds three other cavaliers exactly +similar, riding upon similar onagers, and preserving the same attitude._ + +_He draws back. Then all the onagers advance one pace at the same time, +and rub their noses against him, trying to bite his garment. Voices +shout_:-- + +"Here! here! this way!" + +_And between the clefts of the mountain, appear standards,--camels' +heads with halters of red silk--mules laden with baggage, and women +covered with yellow veils, bestriding piebald horses._ + +_The panting beasts lie down; the slaves rush to the bales and +packages, motley-striped carpets are unrolled; precious glimmering +things are laid upon the ground._ + +_A white elephant, caparisoned with a golden net, trots forward, +shaking the tuft of ostrich plumes attached to his head-band._ + +_Upon his back, perched on cushions of blue wool, with her legs +crossed, her eyes half closed, her comely head sleepily nodding, is a +woman so splendidly clad that she radiates light about her. The crowd +falls prostrate; the elephant bends his knees; and_ + +THE QUEEN OF SHEBA + +_letting herself glide down from his shoulder upon the carpets spread +to receive her, approaches Saint Anthony._ + +_Her robe of gold brocade, regularly divided by furbelows of pearls, +of jet, and of sapphires, sheaths her figure closely with its +tight-fitting bodice, set off by colored designs representing the +twelve signs of the Zodiac. She wears very high pattens--one of which +is black, and sprinkled with silver stars, with a moon crescent; the +other, which is white, is sprinkled with a spray of gold, with a golden +sun in the middle._ + +_Her wide sleeves, decorated with emeralds and bird-plumes, leave +exposed her little round bare arms, clasped at the wrist by ebony +bracelets; and her hands, loaded with precious rings, are terminated by +nails so sharply pointed that the ends of her fingers seem almost like +needles._ + +_A chain of dead gold, passing under her chin, is caught up on either +side of her face, and spirally coiled about her coiffure, whence, +redescending, it grazes her shoulders and is attached upon her bosom +to a diamond scorpion, which protrudes a jewelled tongue between her +breasts. Two immense blond pearls depend heavily from her ears. The +borders of her eyelids are painted black. There is a natural brown spot +upon her left cheek; and she opens her mouth in breathing, as if her +corset inconvenienced her._ + +_She shakes, as she approaches, a green parasol with an ivory handle, +and silver-gilt bells attached to its rim; twelve little woolly-haired +negro-boys support the long train of her robe, whereof an ape holds the +extremity, which it raises up from time to time. She exclaims_: + +"Ah! handsome hermit! handsome hermit!--my heart swoons! + +"By dint of stamping upon the ground with impatience, callosities have +formed upon my heel, and I have broken one of my nails. I sent out +shepherds, who remained upon the mountain tops, shading their eyes with +their hands--and hunters who shouted thy name in all the forests--and +spies who travelled along the highways, asking every passer-by: + +"'Hast thou seen him?' + +"By night I wept, with my face turned to the wall. And at last my tears +made two little holes in the mosaic, like two pools of water among the +rocks;--for I love thee!--oh! how I love thee!" + +(_She takes him by the beard._) + +"Laugh now, handsome hermit! laugh! I am very joyous, very gay: thou +shalt soon see! I play the lyre; I dance like a bee; and I know a host +of merry tales to tell, each more diverting than the other. + +"Thou canst not even imagine how mighty a journey we have made. See! +the onagers upon which the green couriers rode are dead with fatigue!" + +(_The onagers are lying motionless upon the ground._) + +"For three long moons they never ceased to gallop on with the same +equal pace, holdings flints between their teeth to cut the wind, their +tails ever streaming out behind them, their sinews perpetually strained +to the uttermost, always galloping, galloping. Never can others be +found like them. They were bequeathed me by my paternal grand-father, +the Emperor Saharil, son of Iakhschab, son of Iaarab, son of Kastan. +Ah! if they were still alive, we should harness them to a litter that +they might bear us back speedily to the palace! But ... what ails +thee?--of what art thou dreaming?" + +(_She stares at him, examines him closely._) + +"Ah, when thou shalt be my husband, I will robe thee, I will perfume +thee, I will depilate thee." + +(_Anthony remains motionless, more rigid than a stake, more pallid +than a corpse._) + +"Thou hast a sad look--is it because of leaving thy hermitage? Yet I +have left everything for thee--even King Solomon, who, nevertheless, +possesses much wisdom, twenty thousand chariots of war, and a beautiful +beard. I have brought thee my wedding gifts. Choose!" + +(_She walks to and fro among the ranks of slaves and the piles of +precious goods._) + +"Here is Genezareth balm, incense from Cape Gardefui, labdanum, +cinnamon, and silphium--good to mingle with sauces. In that bale are +Assyrian embroideries, ivory from the Ganges, purple from Elissa; +and that box of snow contains a skin of chalybon, the wine, which +is reserved for the Kings of Assyria, and which is drunk from the +horn of a unicorn. Here are necklaces, brooches, nets for the hair, +parasols, gold powder from Baasa, cassiteria from Tartessus, blue wood +from Pandio, white furs from Issidonia, carbuncles from the Island +Palaesimondus, and toothpicks made of the bristles of the tachas--that +lost animal which is found under the earth. These cushions come from +Emath, and these mantle-fringes from Palmyra. On this Babylonian carpet +there is.... But come hither! come! come!" + +(_She pulls Saint Anthony by the sleeve. He resists. She continues_:) + +"This thin tissue which crackles under the finger with a sound as of +sparks, is the famous yellow cloth which the merchants of Bactria bring +us. I will have robes made of it for thee, which thou shalt wear in the +house. Unfasten the hooks of that sycamore box, and hand me also the +little ivory casket tied to my elephant's shoulder." + +(_They take something round out of a box--something covered with a +cloth--and also bring a little ivory casket covered with carving._) + +"Dost thou desire the buckler of Dgian-ben-Dgian, who built the +pyramids?--behold it!--It is formed of seven dragon-skins laid one over +the other, tanned in the bile of parricides, and fastened together by +adamantine screws. Upon one side are represented all the wars that have +taken place since the invention of weapons; and upon the other, all the +wars that will take place until the end of the world. The lightning +itself rebounds from it like a ball of cork. I am going to place it +upon thy arm; and thou wilt carry it during the chase. + +"But if thou didst only know what I have in this little box of mine! +Turn it over and over again! try to open it! No one could ever succeed +in doing that. Kiss me! and I will tell thee how to open it." + +(_She takes Saint Anthony by both cheeks. He pushes her away at arms' +length._) + +"It was one night that King Solomon lost his head. At last we concluded +a bargain. He arose, and stealing out on tiptoe...." + +(_She suddenly executes a pirouette._) + +"Ah, ah! comely hermit, thou shalt not know it! thou shalt not know!" + +(_She shakes her parasol, making all its little bells tinkle._) + +"And I possess many other strange things--oh! yes! I have treasures +concealed in winding galleries where one would lose one's way, as +in a forest. I have summer-palaces constructed in trellis-work of +reeds, and winter-palaces all built of black marble. In the midst of +lakes vast as seas, I have islands round as pieces of silver, and all +covered with mother-of-pearl,--islands whose shores make music to +the lapping of tepid waves upon the sand. The slaves of my kitchens +catch birds in my aviaries, and fish in my fishponds. I have engravers +continually seated at their benches to hollow out my likeness in hard +jewel-stones, and panting molders forever casting statues of me, and +perfumers incessantly mingling the sap of rare plants with vinegar, +or preparing cosmetic pastes. I have female dressmakers cutting out +patterns in richest material, goldsmiths cutting and mounting jewels of +price, and careful painters pouring upon my palace wainscoting boiling +resins, which they subsequently cool with fans. I have enough female +attendants to form a harem, eunuchs enough to make an army. I have +armies likewise; I have nations! In the vestibule of my palace I keep a +guard of dwarfs--all bearing ivory trumpets at their backs." (_Anthony +sighs._) + +"I have teams of trained gazelles; I have elephant quadrigae; I have +hundreds of pairs of camels, and mares whose manes are so long that +their hoofs become entangled therein when they gallop, and herds of +cattle with horns so broad that when they go forth to graze the woods +have to be hewn down before them. I have giraffes wandering in my +gardens; they stretch their heads over the edge of my roof, when I take +the air after dinner. + +"Seated in a shell drawn over the waters by dolphins, I travel +through the grottoes, listening lo the dropping of the water from the +stalactites. I go down to the land of diamonds, where my friends the +magicians allow me to choose the finest: then I reascend to earth and +return to my home." + +(_She utters a sharp whistle; and a great bird, descending from the +sky, alights upon her hair, from which it makes the blue powder fall._ + +_Its orange-colored plumage seems formed of metallic scales. Its little +head, crested with a silver tuft, has a human face._ + +_It has four wings, the feet of a vulture, and an immense peacock's +tail which it spreads open like a fan._ + +_It seizes the Queen's parasol in its beak, reels a moment ere +obtaining its balance; then it erects all its plumes, and remains +motionless._) + +"Thanks! my beautiful Simorg-Anka!--thou didst tell me where the loving +one was hiding! Thanks! thanks! my heart's messenger! + +"He flies swiftly as Desire! He circles the world in his flight. At eve +he returns; he perches at the foot of my couch and tells me all he has +seen--the seas that have passed far beneath him with all their fishes +and ships, the great void deserts he has contemplated from the heights +of the sky, the harvests that were bowing in the valleys, and the +plants that were growing upon the walls of cities abandoned." + +(_She wrings her hands, languorously._) + +"Oh! if thou wast willing! if thou wast willing!... I have a pavilion +on a promontory in the middle of an isthmus dividing two oceans. It is +all wain-scoted with sheets of glass, and floored with tortoise shell, +and open to the four winds of heaven. From its height I watch my fleets +come in, and my nations toiling up the mountain-slopes with burthens +upon their shoulders. There would we sleep upon downs softer than +clouds; we would drink cool draughts from fruit-shells, and we would +gaze at the sun through emeralds! Come!" ... + +(_Anthony draws back. She approaches him again, and exclaims in a tone +of vexation_:--) + +"How? neither the rich, nor the coquettish, nor the amorous woman can +charm thee: is it so? None but a lascivious woman, with a hoarse voice +and lusty person, with fire-colored hair and superabundant flesh? Dost +thou prefer a body cold as the skin of a serpent, or rather great dark +eyes deeper than the mystic caverns?--behold them, my eyes!--look into +them!" + +(_Anthony, in spite of him, gazes into her eyes._) + +"All the women thou hast ever met--from the leman of the cross-roads, +singing under the light of her lantern, even to the patrician lady +scattering rose-petals abroad from her litter,--all the forms thou hast +ever obtained glimpses of--all the imaginations of thy desire thou hast +only to ask for them! I am not a woman: I am a world! My cloak has only +to fall in order that thou mayest discover a succession of mysteries." +(_Anthony's teeth chatter._) + +"Place but thy finger upon my shoulder: it will be as though a stream +of fire shot through all thy veins. The possession of the least part +of me will fill thee with a joy more vehement than the conquest of an +Empire could give thee! Approach thy lips: there is a sweetness in my +kisses as of a fruit dissolving within thy heart. Ah! how thou wilt +lose thyself beneath my long hair, inhale the perfume of my bosom, +madden thyself with the beauty of my limbs: and thus, consumed by the +fire of my eyes, clasped within my arms as in a whirlwind...." + +[Illustration: ... there is a sweetness in my kisses as of a fruit +dissolving within thy heart] + +(_Anthony makes the sign of the cross._) + +"Thou disdainest me! farewell!" + +(_She departs, weeping; then, suddenly turning round_:--) + +"Art quite sure?--so beautiful a woman...." + +(_She laughs, and the ape that bears her train, lifts it up._) + +"Thou wilt regret it, my comely hermit! thou wilt yet weep! thou wilt +again feel weary of thy life; but I care not a whit! La! la! la!--oh! +oh! oh!" + +(_She takes her departure, hopping upon one foot and covering her face +with her hands._ + +_All the slaves file off before Saint Anthony--the horses, the +dromedaries, the elephant, the female attendants, the mules (which +have been reloaded), the negro boys, the ape, the green couriers each +holding his broken lily in his hand; and the Queen of Sheba departs, +uttering a convulsive hiccough at intervals, which might be taken +either for a sound of hysterical sobbing, or the half-suppressed +laughter of mockery._) + + +[1] _Thalamegii_--pleasure-boats having apartments. + + + + +III + + +(_When she has disappeared in the distance, Anthony observes a child +seated upon the threshold of his cabin._) + +"It is one of the Queen's servants, no doubt," (_he thinks_). + +(_This child is small like a dwarf, and nevertheless squat of build, +like one of the Cabiri; deformed withal, and wretched of aspect. His +prodigiously large head is covered with white hair; and he shivers +under a shabby tunic, all the while clutching a roll of papyrus. The +light of the moon passing through a cloud falls upon him._) + +ANTHONY + +(_watches him from a distance, and is afraid of him._) "Who art thou?" + +THE CHILD (_replies_). "Thy ancient disciple, Hilarion." + +ANTHONY. "Thou liest! Hilarion hath been dwelling in Palestine for +many long years." + +HILARION. "I have returned! It is really I!" + +ANTHONY (_draws near and examines him closely_). "Yet his face was +radiant as the dawn, candid, joyous. This face is the face of one +gloomy and old." + +HILARION. "Long and arduous labor hath wearied me!" + +ANTHONY. "The voice is also different. It hath an icy tone." + +HILARION. "Because I have nourished me with bitter things!" + +ANTHONY. "And those white hairs?" + +HILARION. "I have endured many woes!" + +ANTHONY (_aside_). "Could it be possible?" + +HILARION. "I was not so far from thee as thou doest imagine. The hermit +Paul visited thee this year, during the month of Schebar. It is just +twenty days since the Nomads brought thee bread. Thou didst tell a +sailor, the day before yesterday, to send thee three bodkins." + +ANTHONY. "He knows all!" + +HILARION. "Know further more that I have never left thee. But there are +long periods during which thou hast no knowledge of my presence." + +ANTHONY. "How can that be? Yet it is true that my head is so much +troubled--this night especially." + +HILARION. "All the Capital Sins came hither. But their wretched snares +can avail nothing against such a Saint as thou." + +ANTHONY. "Oh! no!--no! I fall at every moment! Why am I not of those +whose souls are ever intrepid, whose minds are always firm,--for +example, the great Athanasius?" + +HILARION. "He was illegally ordained by seven bishops." + +ANTHONY. "What matter if his virtue...." + +HILARION. "Go to!--a most vainglorious and cruel man, forever involved +in intrigues, and exiled at last as a monopolist."[1] + +ANTHONY. "Calumny!" + +HILARION. "Thou wilt not deny that he sought to corrupt Eustates, the +treasurer of largesses?" + +ANTHONY. "It is affirmed, I acknowledge." + +HILARION. "Through vengeance he burned down the house of Arsenius." + +ANTHONY. "Alas!" + +HILARION. "At the council of Nicaea he said in speaking of Jesus: 'The +man of the Lord.'" + +ANTHONY. "Ah! that is a blasphemy!" + +HILARION. "So limited in understanding, moreover, that he confesses he +comprehends nothing of the nature of the "Word!" + +ANTHONY (_smiling with gratification_). "In sooth his intelligence is +not ... very lofty." + +HILARION. "Hypocrite! burying thyself in solitude only in order the +more fully to abandon thyself to the indulgence of thy envious desires! +What if thou dost deprive thyself of meats, of wine, of warmth, of +bath, of slaves, or honours?--dost thou not permit thy imagination to +offer thee banquets, perfumes, women, and the applause of multitudes? +Thy chastity is but a more subtle form of corruption, and thy contempt +of this world is but the impotence of thy hatred against it! Either +this it is that makes such as thyself so lugubrious, or else 'tis +doubt. The possession of truth giveth joy. Was Jesus sad? Did he not +travel in the company of friends, repose beneath the shade of olive +trees, enter the house of the publican, drink many cups of wine, pardon +the sinning woman, and assuage all sorrows? Thou!--thou hast no pity +save for thine own misery! It is like a remorse that gnaws thee, a +savage madness that impels thee to repel the caress of a dog or to +frown upon the smile of a child." + +ANTHONY (_bursting into tears_). "Enough! enough! thou dost wound my +heart deeply." + +HILARION. "Shake the vermin from thy rags! Rise up from thy filth! Thy +God is not a Moloch who demands human flesh in sacrifice!" + +ANTHONY. "Yet suffering is blessed. The cherubim stoop to receive the +blood of confessors." + +HILARION. "Admire, then, the Montanists!--they surpass all others." + +ANTHONY. "But it is the truth of the doctrine which makes the +martyrdom." + +HILARION. "How can martyrdom prove the excellence of the doctrine, +inasmuch as it bears equal witness for error?" + +HILARION. "Silence!--thou viper!" + +ANTHONY. "Perhaps martyrdom is not so difficult as thou dost imagine! +The exhortations of friends, the pleasure of insulting the people, +the oath one has taken, a certain dizzy excitement, a thousand +circumstances all aid the resolution of the martyrs...." + +(_Anthony turns his back upon Hilarion, and moves away from him. +Hilarion follows him._) + +" ... Moreover this manner of dying often brings about great disorders. +Dionysius, Cyprian and Gregory fled from it. Peter of Alexandria has +condemned it; and the council of Elvira...." + +ANTHONY (_stops his ears_). "I will listen to thee no longer!" + +HILARION (_raising his voice_). "Lo! thou fallest again into the +habitual sin, which is sloth! Ignorance is the foam of pride. One says, +forsoth:--'My conviction is formed! wherefore argue further?'--and one +despises the doctors, the philosophers, tradition itself, and even the +text of the law whereof one is ignorant! Dost thou imagine that thou +dost hold all wisdom in the hollow of thy hand?" + +ANTHONY. "I hear him still! His loud words fill my brain." + +HILARION. "The efforts of others to comprehend God are mightier than +all thy mortifications to move Him. We obtain merit only by our thirst +for truth. Religion alone cannot explain all things; and the solution +of problems ignored by thee can render faith still more invulnerable +and noble. Therefore, for our salvation we must communicate with our +brethren--otherwise the Church, the assembly of the faithful, would +be a meaningless word--and we must listen to all reasoning, despising +nothing, nor any person. The magician Balaam, the poet Aeschylus, +and the Sybil of Cumae--all foretold the Saviour. Dionysius, the +Alexandrian, received from heaven the command to read all books. Saint +Clement orders us to cultivate Greek letters. Hennas was converted by +the illusion of a woman he had loved...." + +ANTHONY. "What an aspect of authority! It seems to me thou art growing +taller...." + +(_And, in very truth, the stature of Hilarion is gradually increasing; +and Anthony shuts his eyes, that he may not see him._) + +HILARION. "Reassure thyself, good Hermit. Let us seat ourselves there, +upon that great stone, as we used to do in other years, when, at the +first dawn of day, I was wont to salute thee with the appellation, +'Clear star of morning'--and thou wouldst therewith commence to +instruct me. Yet my instruction is not yet completed. The moon gives us +light enough. I am prepared to hear thy words." + +(_He has drawn a calamus from his girdle, and seating himself +cross-legged upon the ground, with the papyrus roll still in his hand, +he lifts his face toward Saint Anthony, who sits near him, with head +bowed down._ + +_After a moment of silence Hilarion continues_:--) + +"Is not the word of God confirmed for us by miracles? Nevertheless +the magicians of Pharaoh performed miracles; other imposters can +perform them; one may be thereby deceived. What then is a miracle? +An event which seems to us outside of nature. But do we indeed know +all of Nature's powers; and because a common occurrence causes us no +astonishment, does it therefore follow that we understand it." + +ANTHONY. "It matters little! We must believe the Scriptures!" + +HILARION. "Saint Paul, Origen, and many others did not understand +the Scriptures in a literal sense: yet if Holy Writ be explained by +allegories it becomes the portion of a small number, and the evidence +of the truth disappears. What must we do?" + +ANTHONY. "We must rely upon the Church!" + +HILARION. "Then the Scriptures are useless?" + +ANTHONY. "No! no! although I acknowledge that in the Old Testament +there are some ... some obscurities. But the New shines with purest +light." + +HILARION. "Nevertheless, the Angel of the annunciation, in Matthew, +appears to Joseph; while, in Luke, he appears to Mary. The anointing +of Jesus by a woman takes place, according to the first Gospel, at the +commencement of his public life; and, according to the other three, a +few days before his death. The drink offered to him on the cross, is, +in Matthew, vinegar mixed with gall; in Mark, it is wine and myrrh. +According to Luke and Matthew, the apostles should take with them +neither money nor scrip for their journey--not even sandals nor staff; +in Mark, on the contrary, Jesus bids them take nothing with them, +except sandals and a staff. I am thereby bewildered!" + +ANTHONY (_in amazement_). "Aye, indeed!... in fact...." + +HILARION. "At the contact of the woman who had an issue of blood, Jesus +turned and said, 'Who hath touched my garments?' He did not know, then, +who had touched him? That contradicts the omniscience of Jesus! If the +tomb was watched by guards, the women need have felt no anxiety about +finding help to roll away the stone from the tomb. Therefore there +were no guards, or the holy women were not there. At Emmaus, he eats +with his disciples and makes them feel his wounds. It is a human body, +a material and ponderable object; and nevertheless it passes through +walls! Is that possible?" + +ANTHONY. "It would require much time to answer thee properly!" + +HILARION. "Why did he receive the Holy Spirit, being himself Son of +the Holy Spirit? What need had he of baptism if he was the Word? How +could the Devil have tempted him, inasmuch as he was God? Have these +thoughts never occurred to thee?" + +ANTHONY. "Yes!... often! Sometimes torpid, sometimes furious--they +remain forever in my conscience. I crush them; they rise again, they +stifle me; and sometimes I think that I am accursed." + +HILARION. "Then it is needless for thee to serve God?" + +ANTHONY. "I shall always need to adore Him." + +(_After a long silence Hilarion continues_:) + +"But aside from dogma, all researches are allowed us. Dost thou desire +to know the hierarchy of the Angels, the virtue of the Numbers, the +reason of germs and of metamorphoses?" + +ANTHONY. "Yes! yes! my thought struggles wildly to escape from its +prison. It seems to me that by exerting all my force I might succeed. +Sometimes, for an instant, brief as a lightning flash, I even feel +myself as thought uplifted,--then I fall back again!" + +HILARION. "The secret thou wouldst obtain is guarded by sages. They +dwell in a distant land; they are seated beneath giant trees; they +are robed in white; they are calm as Gods! A warm air gives them +sufficient nourishment. All about them, leopards tread upon grassy +turf. The murmuring of fountains and the neighing of unicorns mingle +with their voices. Thou shalt hear them; and the face of the Unknown +shall be unveiled!" + +ANTHONY (_sighing_). "The way is long; and I am old." + +HILARION. "Oh! oh! wise men are not rare! there are some even very nigh +thee!--here! Let us enter!" + + +[1] Gibbon, a sincere admirer of Athanasius, gives a curious history of +these charges, and expresses his disbelief in their truth. The story +regarding the design to intercept the corn-fleet of Alexandria is +referred to in the use of the word "monopolist." + + + + +IV + + +(_And Anthony beholds before him a vast basilica._ + +_The light gushes from the further end, marvellous as a multi-colored +sun. It illuminates the innumerable heads of the crowd that fills the +nave, and that eddies about the columns toward the side-aisles--where +can be perceived, in wooden compartments, altars, beds, little chains +of blue stones linked together, and constellations painted upon the +walls._ + +_In the midst of the throng there are groups which remain motionless. +Men standing upon stools harangue with fingers uplifted; others are +praying, with arms outstretched in form of a cross; others are lying +prostrate upon the pavement, or singing hymns, or drinking wine; others +of the faithful, seated about a table, celebrate their agape;[1] +martyrs are unbandaging their limbs in order to show their wounds; and +aged men, leaning upon staffs, recount their voyages._ + +_There are some from the country of the Germans, from Thrace also, and +from the Gauls, from Scythia and from the Indies, with snow upon their +beards, feathers in their hair; thorns in the fringe of their garments; +the sandals of some are black with dust, their skins are burnt by the +sun. There is a vast confusion of costumes, mantles of purple and +robes of linen, embroidered dalmaticas, hair shirts, sailors' caps, +bishops' mitres. Their eyes fulgurate strangely. They have the look of +executioners, or the look of eunuchs._ + +_Hilarion advances into their midst. All salute him. Anthony, shrinking +closer to his shoulder, observes them. He remarks the presence of a +great many women. Some of these are attired like men, and have their +hair cut short. Anthony feels afraid of them._) + +HILARION. "Those are Christian women who have converted their husbands. +Besides, the women were always upon the side of Jesus, even the +idolatrous ones, for example, Procula, the wife of Pilate, and Poppaea, +the concubine of Nero. Do not tremble!--come on." + +(_And others are continually arriving._ + +_They seem to multiply, to double themselves by self-division, light +as shadows--all the while making an immense clamour, in which yells of +rage, cries of love, canticles and objurgations intermingle._) + +ANTHONY (_in a low voice_). "What do they desire?" + +HILARION. "The Lord said: 'I have yet many things to say to you.... +'[2] They possess the knowledge of those things." + +(_And he pushes Anthony forward to a golden throne approached by five +steps, whereon--surrounded by ninety-five disciples, all very thin and +pale, and anointed with oil--sits the prophet Manes. He is beautiful +as an archangel, immobile as a statue; he is clad in an Indian robe; +carbuncles gleam in his plaited hair; at his left hand lies a book of +painted images; his right reposes upon a globe. The images represent +the creatures that erst slumbered in Chaos. Anthony bends forward to +look upon them. Then----_) + +MANES + +(_makes his globe revolve; and regulating the tone of his words by a +lyre which gives forth crystalline sounds, exclaims_:--) + +"The celestial earth is at the superior extremity; the terrestrial +earth at the inferior extremity. It is sustained by two angels--the +Angel Splenditeneus, and Omophorus, whose faces are six. + +"At the summit of the highest heaven reigns the impassible Divinity; +below, face to face, are the Son of God and the Prince of Darkness. + +"When the darkness had advanced even to his kingdom, God evolved from +his own essence a virtue which produced the first man; and he environed +him with the five elements. But the demons of darkness stole from him a +part; and that part is the soul. + +"There is but one soul, universally diffused, even as the waters of +a river divided into many branches. It is this universal soul that +sighs in the wind--that shrieks in the marble under the teeth of the +saw--that roars in the voice of the sea--that weeps tears of milk when +the leaves of the fig tree are torn off. + +"The souls that leave this world emigrate to the stars, which are +themselves animated beings." + +ANTHONY (_bursts into a laugh_). "Ah! ah! what an absurd imagination!" + +A MAN (_having no beard, and of a most austere aspect_). "Wherefore +absurd?" + +(_Anthony is about to reply when Hilarion tells him in a low voice +that the questioner is none other than the tremendous Origen himself; +and_:--) + +MANES (_continues_). "But first they remain awhile in the Moon, where +they are purified. Then they rise into the sun." + +ANTHONY (_slowly_). "I do not know of anything ... which prevents us +... from believing it." + +MANES. "The proper aim of every creature is the deliverance of the ray +of celestial light imprisoned within matter. It finds easier escape +through the medium of perfumes, spices, the aroma of warmed wine, the +light things which resemble thoughts. But the acts of life retain it +within its prison. The murderer shall be born again in the form of a +celephus; he that kills an animal shall become that animal; if thou +plantest a vine, thou shalt be thyself bound within its boughs. Food +absorbs the celestial light.... Therefore abstain! fast!" + +HILARION. "Thou seest, they are temperate!" + +MANES. "There is much of it in meats, less of it in herbs. Moreover +the Pure Ones, by means of their great merits, despoil vegetation of +this luminous essence; and, thus liberated, it reascends to its source. +But through generation, animals keep it imprisoned within the flesh! +Therefore, avoid women!" + +HILARION. "Admire their continence." + +MANES. "Or rather contrive that they shall not create..............[3] + +ANTHONY. "Oh--abomination!" + +HILARION. "What signifies the hierarchy of turpitudes? The Church has, +forsooth, made marriage a sacrament!" + +SATURNINUS (_in Syrian costume_). "He teaches a most dismal system of +the universe!... The Father, desiring to punish the angels who had +revolted, ordered them to create the world. Christ came, in order that +the God of the Jews, who was one of those angels...." + +ANTHONY. "He an angel! the Creator!" + +CERDO. "Did he not seek to kill Moses, to deceive his own prophets, to +seduce nations?--did he not sow falsehood and idolatry broadcast?" + +MARCION. "Certainly, the Creator is not the true God!" + +SAINT CLEMENT OF ALEXANDRIA. "Matter is eternal!" + +BARDESANES (_in the costume of the Babylonian magi_). "It was formed by +the Seven Planetary Spirits." + +THE HERMIANS. "Souls were made by the angels." + +THE PRISCILLIANISTS. "It was the Devil who made the world." + +ANTHONY (_rushing back from the circle_). "Horror!" + +HILARION (_supporting him_). "Thou despairest too hastily!--thou dost +misapprehend their doctrine! Here is one who received his teaching +directly from Theodas, the friend of St. Paul. Hearken to him." + +(_And at a sign from Hilarion_ + +VALENTINUS + +_appears in a tunic of cloth of silver; his skull is pointed at its +summit; his voice has a wheezing sound._) + +"The world is the work of a God in delirium!" + +ANTHONY (_bending his head down_). "The work of a God in delirium!..." + +(_After a long silence_): "How can that be?" + +VALENTINE. "The most perfect of beings, and of the AEons, the Abyss; +dwelt in the womb of the Deep together with Thought. By their union was +begotten Intelligence, to whom Truth was given as a companion. + +"Intelligence and Truth engendered the Word and Life, who in their turn +begat Man and the Church; and that doth make eight AEons!" + +(_He counts upon his fingers._) + +"The Word and Truth also produced ten other AEons--which is to say, five +couples. Man and the Church had begotten twelve more--among these the +Paraclete and Faith, Hope and Charity, Perfection and Wisdom--Sophia. + +"The union of these thirty AEons constitutes the Pleroma, or +Universality of God. Thus, even as the echo of a passing voice, as the +effluvia of a perfume evaporating, as the fires of the setting sun, +the Powers that emanated from the Principle, forever continue to grow +weaker. + +"But Sophia, desirous to know the Father, darted from the Pleroma; +and the Word then made another couple, Christ and the Holy Ghost, who +reunited all the AEons; and all together formed Jesus, the flower of the +Pleroma. + +"But the effort of Sophia to flee away had left in the void an image of +her--an evil substance, Acharamoth.[4] The Saviour took pity upon her, +freed her from all passion; and from the smile of Acharamoth redeemed, +light was born; her tears formed the waters; by her sorrow was dark +matter begotten. + +"Of Acharamoth was born the Demiurgos,--the fabricator of worlds, +the creator of the heaven and of the Devil. He dwells far below the +Pleroma--so far that he cannot behold it--so that he deems himself to +be the true God, and repeats by the mouths of his prophets--'There is +no other God but I.' Then he made man, and instilled into his soul the +immaterial Seed which was the Church--a reflection of the other Church +established in the Pleroma. + +"One day Acharamoth shall reach the highest region and unite herself +with the Saviour; the fire that is hidden in the world shall annihilate +all matter, and shall even devour itself and men, becoming pure +spirits, shall espouse the angels!" + +ORIGEN. "Then shall the Demon be over-thrown and the reign of God +commence!" + +(_Anthony expresses a cry, and forthwith_) + +BASILIDES (_taking him by the elbow, exclaims_:--) + +"The Supreme Being with all the infinite emanations is called +Abraxas; and the Saviour with all his virtues, Kaulakau--otherwise, +line-upon-line, rectitude upon rectitude. + +"The power of Kaulakau is obtained by the aid of certain words, which +are inscribed upon this chalcedony to help the memory." + +(_And he points to a little stone suspended at his neck, upon which +stone fantastic characters are graven._) + +"Then thou wilt be transported into the Invisible and placed above all +law; thou shalt contemn all things--even virtue! + +"We, the Pure, must flee from pain, after the example of Kaulakau." + +ANTHONY. "What! and the cross?" + +THE ELKHESAITES (_in robes of hyacinth answers him_). "The woe and +the degradation, the condemnation and oppression of my fathers[5] are +blotted out, through the mission which has come. + +"One may deny the inferior Christ, the man--Jesus; but the other Christ +must be adored--whose personality was evolved under the brooding of the +Dove's wings. + +"Honor marriage; the Holy Spirit is feminine!" + +(_Hilarion has disappeared; and Anthony, carried along by the crowd, +arrives in the presence of_--) + +THE CARPOCRATIANS + +(_reclining with women upon scarlet cushions._) + +"Before entering into the Only thou shalt pass through a series of +conditions and of actions. To free thyself from the powers of darkness, +thou must at once accomplish their works. The husband shall say to the +wife: 'Have charity for thy brother'--and she will kiss thee." + +THE NICOLAITANS + +(_gathered about a mass of smoking meats_:) + +"This is a portion of the meat offered to idols;--partake of it! +Apostasy is permissible when the heart is pure. Gorge thy flesh with +all that it demands. Seek to exterminate it by dint of debauchery! +Prounikos, the Mother of Heaven, wallowed in ignominies." + +THE MARCOSIANS + +(_wearing rings of gold, and glistening with precious balm and +unguents_:) + +"Enter among us that thou mayst unite thyself to the Spirit! Enter +among us that thou mayst quaff the draught of immortality!" + +(_And one of them shows him, behind a tapestry-hanging, the body of a +man terminated by the head of an ass. This represents Sabaoth, father +of the Devil. He spits upon the image in token of detestation._ + +_Another shows him a very low bed, strewn with flowers, exclaiming_:) + +"The spiritual marriage is about to be consummated." + +(_A third, who holds a cup of glass, utters an invocation;--blood +suddenly appears in the cup_:) + +"Ah! behold it! behold it!--the blood of Christ!" + +(_Anthony withdraws, but finds himself be-spattered by water splashed +from a cistern._) + +THE HELVIDIANS + +(_are flinging themselves into it head foremost, muttering_:--) + +"The man regenerated by baptism is impeccable!" + +(_Then he passes by a great fire at which the Adamites are warming +themselves--all completely naked in imitation of the purity of +Paradise; and he stumbles over_) + +THE MESSALINES + +(_wallowing upon the pavement, half-slumbering, stupid_:) + +"Oh! crush us if thou wilt! we shall not move! Work is crime; all +occupation is evil." + +(_Behind these, the abject_) + +PATERNIANS + +(_--men, women, and children lying pell mell upon a heap of filth, lift +their hideous faces, wine-besmeared, and they cry aloud_:) + +"The inferior parts of the body, which were created by the Devil, +belong to him! Let us eat, drink, and sin!" + +AETIUS. "Crimes are necessities beneath the notice of God!" + +(_But suddenly_--) + +A MAN (--_clad in a Carthaginian mantle, bounds into their midst, +brandishing a scourge of thongs in his hand; and strikes violently and +indiscriminately at all in his path_:) + +"Ah! imposters! simonists, heretics and demons!--vermin of the +schools!--dregs of hell! Marcion, there, is a sailor of Sinopus +excommunicated for incest;--Carpocrates was banished for being a +magician; AEtius stole his concubine; Nicholas prostituted his wife; +and this Manes, who calls himself the Buddha, and whose real name is +Cubricus, was flayed alive with the point of a reed, so that his skin +even now hangs at the gates of Ctesiphon!" + +ANTHONY (_recognizing Tertullian, rushes to join him_): "Master! help! +help!" + +TERTULLIAN (_continuing_): + +"Break the images! veil the virgins! Pray, fast, weep and mortify +yourselves! No philosophy! no books! After Jesus, science is useless!" + +(_All have fled away; and Anthony beholds, in lieu of Tertullian, a +woman seated upon a bench of stone._ + +_She sobs; leaning her head against a column; her hair is loose; her +body, weakened by grief, is clad in a long brown simar. Then they find +themselves face to face and alone, far from the crowd; and a silence, +an extraordinary stillness falls--as in the woods when the winds are +lulled, and the leaves of the trees suddenly cease to whisper._ + +_This woman is still very beautiful, although faded, and pale as a +sepulcher. They look at one another; and their eyes send to each other +waves, as it were, of thoughts, bearing drift of a thousand ancient +things, confused, mysterious. At last_--) + +PRISCILLA (_speaks_:) + +"I was in the last chamber of the baths; and the rumbling sounds of the +street caused a sleep to fall upon me. + +"Suddenly I heard a clamour of voices. Men were shouting--'It is a +magician!--it is the Devil!' And the crowd stopped before our house, in +front of the Temple AEsculapius. I drew myself up with my hands to the +little window. + +"Upon the peristyle of the temple, there stood a man who wore about his +neck a collar of iron. He took burning coals out of a chafing-dish, and +with them drew lines across his breast, the while crying out--'Jesus! +Jesus!' The people shouted--'This is not lawful! let us stone him!' +But he continued. Oh! those were unheard of marvels--things which +transported men who beheld them! Flowers broad as suns circled before +my eyes, and I heard in the spaces above me the vibrations of a golden +harp. Day died. My hands loosened their grasp of the window-bars; my +body fell back, and when he had led me away to his house...." + +ANTHONY. "But of whom art thou speaking?" + +PRISCILLA. "Why, of Montanus!" + +ANTHONY. "Montanus is dead!" + +PRISCILLA. "It is not true!" + +A VOICE. "No: Montanus is not dead!" + +(_Anthony turns; and sees upon the bench near him, on the opposite +side, another woman sitting; she is fair, and even paler than the +other; there are swellings under her eyes, as though she had wept a +long time. She speaks without being questioned_:) + +MAXIMILLA. "We were returning from Tarsus by way of the mountains, +when, at a turn in the road, we saw a man under a fig tree. + +"He cried from afar off: 'Stop! stop!' and rushed toward us, uttering +words of abuse. The slaves ran up; he burst into a loud laugh. The +horses reared; the molossi all barked. + +"He stood before us. The sweat streamed from his forehead; his mantle +napped in the wind. + +"And calling us each by our names, he reproached us with the vanity +of our work, the infamy of our bodies; and he shook his fist at the +dromedaries because of the silver bells hanging below their mouths. + +"His fury now filled my very entrails with fear and yet there was a +strange pleasure in it which fascinated me, intoxicated me! + +"First the slaves came. 'Master,' they said, 'our animals are weary.' +Then the women said, 'We are frightened,' and the slaves departed. Then +the children began to weep,--'We are hungry.' And as the women were not +answered, they disappeared also from our view. + +"He still spoke. I felt some one near me. It was my husband; but I +listened only to the other. My husband crawled to me upon his knees +among the stones, and cried--'Dost thou abandon me,' and I replied: +'Yes! go thy way!' that I might accompany Montanus." + +ANTHONY. "A eunuch!" + +PRISCILLA. "Ah! does that astound thee, vulgar soul! Yet Magdalen, +Johanna, Martha and Susannah did not share the couch of the Saviour. +Souls may know the delirium of embrace better than bodies. That he +might keep Eustolia with impunity, the bishop Leontius mutilated +himself--loving his love more than his virility. And then, it was +no fault of mine. Sotas could not cure me; a spirit constrained me. +It is cruel, nevertheless! But what matter? I am the last of the +prophetesses; and after me the end of the world shall come." + +MAXIMILLA. "He showered his gifts upon me. Moreover, no one loves him +as I, nor is any other so well beloved by him!" + +PRISCILLA. "Thou liest! I am the most beloved!" + +MAXIMILLA. "No: it is I!" + +(_They fight. Between their shoulders suddenly appears the head of a +negro._) + +MONTANUS (_clad in a black mantle, clasped by two cross-bones_): + +"Peace, my doves! Incapable of terrestrial happiness, we have obtained +the celestial plentitude of our union. After the age of the Father, +the age of the Son; and I inaugurate the third, which is that of the +Paraclete. His light descended upon me during those forty nights when +the heavenly Jerusalem appeared shining in the firmament, above my +house at Pepuzza. + +"Ah, how ye cry out with anguish when the thongs of the scourge +lacerate! how your suffering bodies submit to the ardor of my spiritual +discipline! how ye languish with irrealizable longing! So strong has +that desire become that it has enabled you to behold the invisible +world; and ye can now perceive souls even with the eyes of the body!" + +ANTHONY. (_Makes a gesture of astonishment._) + +TERTULLIAN (_who appears again, standing beside Montanus_): + +"Without doubt; for the soul has a body, and that which is bodiless has +no existence." + +MONTANUS. "In order to render it yet more subtle, I have instituted +many mortifications, three Lents a year, and prayers to be uttered +nightly by the mind only, keeping the mouth closed, lest breathing +might tarnish thought. It is necessary to abstain from second +marriages, or rather from all marriage! The Angels themselves have +sinned with women!" + +THE ARCHONTICS (_wearing cilices of hair_): + +"The Saviour said: 'I come to destroy the work of the Woman!'" + +THE TATIANITES (_wearing cilices of reed_): + +"She is the tree of evil. Our bodies are but garments of skin." + +(_And continuing to advance along the same side, Anthony meets_:--) + +THE VALESIANS (_extended upon the ground, with red wounds below their +bellies, and blood saturating their tunics. They offer him a knife._) + +"Do as Origen did and as we have done! Is it the pain that thou +fearest, coward? Is it the love of thy flesh that restrains thee, +hypocrite?" + +(_And while he watches them writhing upon their backs, in a pool of +blood_--) + +THE CAINITES (_wearing knotted vipers as fillets about their hair, pass +by, vociferating in his ear_):-- + +"Glory to Cain! Glory to Sodom! Glory be to Judas! + +"Cain made the race of the strong; Sodom terrified the earth by her +punishment, and it was by Judas that God saved the world! Yes! by +Judas: without him there would have been no death and no redemption!" + +(_They disappear beneath the horde of the_--) + +CIRCUMCELLIONES (_all clad in the skins of wolves, crowned with thorns, +and armed with maces of iron_). + +"Crush the fruit! befoul the spring! drown the child! Pillage the rich +who are happy--who cat their fill! Beat the poor who envy the ass +his saddle-cloth, the dog his meal, the bird his nest,--and who is +wretched at knowing that others are not as miserable as himself. + +"We, the Saints, poison, burn, massacre, that we may hasten the end of +the world. + +"Salvation may be obtained through martyrdom only. We give ourselves +martyrdom. We tear the skin from our heads with pincers; we expose our +members to the plough; we cast ourselves into the mouths of furnaces! + +"Out upon baptism! out upon the Eucharist! out upon marriage! universal +damnation!" + +(_Then throughout all the basilica there is a redoubling of fury._ + +_The Audians shoot arrows against the Devil; the Collyridians throw +blue cloths toward the roof; the Ascites prostrate themselves before +a waterskin; the Marcionites baptise a dead man with oil. A woman, +standing near Appelles, exhibits a round loaf within a bottle, in order +the better to explain her idea. Another, standing in the midst of an +assembly of Sampseans distributes, as a sacrament, the dust of her +own sandals. Upon the rose-strewn bed of the Marcosians, two lovers +embrace. The Circumcellionites slaughter one another; the Valesians +utter the death-rattle; Bardesanes sings; Carpocras dances; Maximilla +and Priscilla moan; and the false prophetess of Cappadocia, completely +naked, leaning upon a lion, and brandishing three torches, shrieks the +Terrible Invocation._ + +_The columns of the temple sway to and fro like the trunks of trees in a +tempest; the amulets suspended about the necks of the Heresiarchs seem +to cross each other in lines of fire; the constellations in the chapels +palpitate; and the walls recoil with the ebb and flow of the crowd, in +which each head is a wave that leaps and roars._ + +_Nevertheless, from the midst of the clamor arises the sound of a song, +in which the name of Jesus is often repeated, accompanied by bursts of +laughter._ + +_The singers belong to the rabble of the people; they all keep time to +the song by clapping their hands. In their midst stands_--) + +ARTUS (_in a deacon's vestments_): + +"The fools who declaim against me pretend to explain the absurd; and in +order to confound them utterly, I have composed ditties so droll that +they are learned by heart in all the mills, in the taverns and along +the ports. + +"No! a thousand times no!--the Son is not coeternal with the Father, +nor of the same substance! Otherwise he would not have said: 'Father, +remove this chalice from me! Why dost thou call me good? God alone is +good! I go to my God, to your God!'--and many other things testifying +to his character of creature. The fact is further demonstrated for +us by all his names:--lamb, shepherd, fountain, wisdom, son-of-man, +prophet; the way, the corner-stone!" + +SABELLIUS. "I hold that both are identical." + +ARIUS. "The Council of Antioch has decided the contrary." + +ANTHONY. "Then what is the Word?... What was Jesus?" + +THE VALENTINIANS. "He was the husband of Acharamoth repentant!" + +THE SETHIANIANS. "He was Shem, the son of Noah!" + +THE THEODOTIANS. "He was Melchisedech!" + +THE MERINTHIANS. "He was only a man!" + +THE APOLLINARISTS. "He assumed the appearance of one! He simulated the +Passion!" + +MARCEL OF ANCYRA. "He was a development of the Father!" + +POPE CALIXTUS. "Father and Son are but two modes of one God's +manifestation!" + +METHODIUS. "He was first in Adam, then in man!" + +CERINTHUS. "And He will rise again!" + +VALENTINUS. "Impossible--his body being celestial!" + +PAUL OF SAMOSATA. "He became God _only_ from the time of his baptism!" + +HERMOGENES. "He dwells in the sun!" + +(_And all the Heresiarchs form a circle about Anthony, who weeps, +covering his face with his hands._) + +A JEW (_with a red beard, and spots of leprosy upon his shin, +approaches close to Anthony, and, with a hideous sneer, exclaims_): + +"His soul was the soul of Esau! He suffered from the Bellephorentian +sickness. Was not his mother, the seller of perfumes, seduced by a +Roman soldier, one Pantherus?.......................... [6] + +ANTHONY (_suddenly raising his head, looks at them a moment in silence; +then advancing boldly upon them, exclaims_): + +"Doctors, magicians, bishops, and deacons, men and phantoms, away from +me! begone! Ye are all lies!" + +THE HERESIARCHS. "We have martyrs more martyrs than thine, prayers +that are more difficult, outbursts of love more sublime, ecstasies as +prolonged as thine are." + +ANTHONY. "But ye have no revelation! no proofs!" + +(_They all at once brandish in the air their rolls of papyrus, tablets +of wood, scrolls of leather, rolls of woven stuff bearing inscriptions; +and elbowing; and pushing each other, they all shout to Anthony._) + +THE CERINTHIANS. "Behold the Gospel of the Hebrews!" + +THE MARCIONITES. "Behold the Gospel of the Lord!" + +THE MARCOSIANS. "The Gospel of Eve!" + +THE EUCRATITES. "The Gospel of Thomas!" + +THE CAINITES. "The Gospel of Judas!" + +BASILIDES. "The Treatise upon the Destiny of the Soul!" + +MANES. "The Prophecy of Barkouf!" + +(_Anthony struggles, breaks from them, escapes them; and in a shadowy +corner perceives_--) + +THE AGED EBIONITES + +(_withered as mummies, their eyes dull and dim, their eyebrows white as +frost._ + +_In tremulous voices they exclaim_:--) + +"We have known him, we have seen him! We knew the Carpenter's Son! We +were then the same age as he; we dwelt in the same street. He used to +amuse himself by modelling little birds of mud; aided his father at his +work without fear of the sharp tools, or selected for his mother the +skeins of dyed wool. Then he made a voyage to Egypt, from whence he +brought back wondrous secrets. We were at Jericho when he came to find +the Eater of Locusts. They talked together in a low voice, so that no +one could hear what was said. But it was from that time that his name +began to be noised abroad in Galilee, and that men began to relate many +fables regarding him." + +(_They reiterate, tremulously_:) + +"We knew him! we others, we knew him!" + +ANTHONY. "Ah, speak on, speak! What was his face like?" + +TERTULLIAN. "His face was wild and repulsive; forasmuch as he +had burthened himself with all the crimes, all the woes, all the +deformities of mankind." + +ANTHONY. "Oh! no, no! I imagine, on the contrary, that his entire +person must have been glorious with a beauty greater than the beauty of +man!" + +EUSEBIUS OF CAESAREA. "There is indeed, at Paneades, propped up against +the walls of a crumbling edifice surrounded by a wilderness of weeds +and creeping plants, a certain statue of stone which, some say, was +erected by the Woman healed of the issue of blood. But time has gnawed +the face of the statue, and the rains have worn the inscription away." + +(_A woman steps forward from the group of the Carpocratians._) + +MARCELLINA. "I was once a deaconess at Rome, in a little church, where +I used to exhibit to the faithful, the silver images, of Saint Paul, +Homer, Pythagoras and Jesus Christ. + +"I have only kept that of Jesus." + +(_She half opens her mantle._) + +"Dost thou desire it?" + +A VOICE. "He reappears himself when we call upon him! It is the +hour!--come!" + +(_And Anthony feels a brutal hand seize him by the arm, and drag him +away._ + +_He mounts a stairway in complete darkness; and after having ascended +many steps, he finds himself before a door._ + +_Then the one who is leading him--(is it Hilarion?--he does not +know)--whispers in the ear of another_: "The Lord is about to +come!"--_and they are admitted into a chamber, with a very low ceiling, +and without furniture._ + +_The first object which attracts his attention is a long blood-colored +chrysalis, with a human head surrounded by rays, and the word_ Knouphus +_inscribed all around it in Greek characters. It is placed upon the +shaft of a column, which is in turn supported by a broad pedestal. +Hanging upon the walls of the chamber are medallions of polished iron +representing the heads of various animals:--the head of an ox, the head +of a lion, the head of an eagle, the head of a dog, and the head of an +ass--again!_ + +[Illustration: ... a long blood-colored chrysalis] + +_Earthen lamps, suspended below these images, create a vacillating +light. Through a hole in the wall, Anthony can see the moon shining +far off upon the waves; he can even hear the feeble regular sound of +lapping water; together with the heavy thud occasionally caused by the +bumping of a ship's hull against the stones of the mole._ + +_There are men crouching down, with their faces hidden by their +mantles. From time to time they utter sounds resembling a smothered +bark. There are women also, sleeping with their foreheads resting upon +their arms, and their arms supported by their knees; they are so hidden +by their garments as to resemble heaps of cloth piled up at intervals +against the wall. Near them are half naked children, whose persons +swarm with vermin. They watch with idiotic stare the burning of the +lamps; and nothing is done: all are waiting for something._ + +_They talk in undertones about family matters, or recommend to each +other various remedies for their ailments. Some of them must embark +at earliest daylight; the persecution is becoming too terrible to be +endured. Nevertheless, the pagans are easily enough deceived_:--"The +fools imagine that we are really adoring Knouphus!" + +_But one of the brethren, feeling himself suddenly inspired, takes his +place before the column, where a basket has already been placed, filled +with fennel and aristolochia. On the top of the basket is placed a +loaf._) + +THE INSPIRED BROTHER + +(_unrolling a placard covered with designs representing cylinders +blending with and fitting into one another, commences to pray_:) + +"The ray of the Word descended upon the darknesses; and there arose a +mighty cry, like unto the voice of Light." + +ALL (_swaying their bodies in unison, respond_): + +"Kyrie eleison!" + +THE INSPIRED BROTHER. "Then was Man created by the infamous +God of Israel, aided by those who are these (_pointing to the +medallions_)--Astophaios, Oraios, Sabaoth, Adonai, Eloi, Iao! + +"And Man, hideous, feeble, formless and thoughtless, lay upon the slime +of the earth." + +ALL (_in plaintive accents_): + +"Kyrie eleison!" + +THE INSPIRED BROTHER. "But Sophia, compassionating him, vivified him +with a spark of her own soul. + +"Then God, beholding Man so beautiful, waxed wroth; and imprisoned him +within His own kingdom, forbidding him to touch the Tree of Knowledge. + +"Again did the other succor him. She sent to him the Serpent, who, by +many long subterfuges, made him disobey that law of hate. + +"And Man, having tasted knowledge, understood celestial things." + +ALL (_raising their voices_): + +"Kyrie Eleison!" + +THE INSPIRED BROTHER. "But Iabdalaoth through vengeance cast down man +into the world of matter, and the Serpent with him." + +ALL (_in a very low tone_): + +"Kyrie Eleison!" + +(_Then all hold their peace, and there is silence._ + +_The odors of the port mingle with the smoke of the lamps in the warm +air. The lamp-wicks crepitate; their flames are about to go out, long +mosquitoes flit in rapid circlings about them. And Anthony groans +in an agony of anguish, as with the feeling that a monstrosity is +floating about him, as with the fear of a crime that is about to be +accomplished._ + +_But_--) + +THE INSPIRED BROTHER (_stamping his heel upon the floor, snapping his +fingers, tossing his head wildly, suddenly chants to a furious rhythm, +with accompaniment of cymbals and a shrill flute_:--) + +"Come! come! come!--issue from thy cavern! + +"O swift one, who runneth without feet, captor who seizeth without hand! + +"Sinuous as the rivers, orbicular as the sun, black, with spots of +gold, like the firmament star-besprinkled! Like unto the intertwinings +of the vine, and the circumvolutions of entrails! + +"Unengendered! eater of earth! immortally young! unfailing +perspicacious! honored at Epidaurus! Kindly to man! thou who didst heal +King Ptolemy, and the warriors, of Moses, and Glaucus, son of Minos! + +"Come! come! come!--issue from thy cavern!" + +ALL (_repeat_): + +"Come! come! come!--issue from thy cavern!" + +(_Nevertheless, nothing yet appears._) + +"Why? What aileth him?" + +(_And they concert together, devise means._ + +_An old man presents a clod of turf as an offering. Then something +upheaves within the basket. The mass of verdure shakes; the flowers +fall, and the head of a python appears._ + +[Illustration: ... the flowers fall and the head of a python +appears] + +_It passes slowly around the edge of the loaf, like a circle moving +around an immovable disk;--then it unfolds itself, lengthens out; it is +enormous and of great weight. Lest it should touch the floor, the men +uphold it against their breasts, the women support it upon their heads, +the children hold it up at arms' length; and its tail, issuing through +the hole in the wall, stretches away indefinitely to the bottom of the +sea. Its coils double; they fill the chamber; they enclose Anthony._) + +THE FAITHFUL (_press their mouths against its skin, snatch from one +another the loaf which it has bitten, and cry aloud_:--) + +"It is thou! it is thou! + +"First raised up by Moses, broken by Ezechias, re-established by the +Messiah. He drank thee in the waters of baptism; but thou didst leave +him in the Garden of Olives; and then indeed he felt his own weakness! + +"Writhing about the arms of the cross, and above his head, while +casting thy slime upon the crown of thorns, thou didst behold him die! +For thou art not Jesus, thou!--thou art the Word! thou art the Christ!" + +(_Anthony faints with horror, and falls prostrate in front of his hut +upon the splinters of wood, where the torch that had slipped from his +hand, is burning low._ + +_The shock arouses him. Opening his eyes again, he perceives the Nile, +brightly undulating under the moon, like a vast serpent winding over +the sands; so that the hallucination returns upon him again; he has not +left the company of the Ophites; they surround him, call him; he sees +them carrying baggage, descending to the port. He embarks along with +them._ + +_An inappreciable time elapses._ + +_Then the vaults of a prison environ him. Iron bars in front of him +make black lines against a background of blue; and in the darkness +beside him people are praying and weeping surrounded by others who +exhort and console._ + +[Illustration: ... and in the darkness beside him people are +praying] + +_Without, there is a murmur like the deep humming of a vast crowd, and +there is splendour as of a summer's day._ + +_Shrill voices announce watermelons for sale, iced drinks, and cushions +of woven grass to sit upon. From time to time there are bursts of +applause. He hears the sound of footsteps above his head._ + +_Suddenly a long roar is heard, mighty and cavernous as the roar of +water in an aqueduct._ + +_And he sees, directly opposite, behind the bars of another compartment +across the arena a lion walking to and fro, then a line of sandals, +bare legs, and purple fringes. Beyond are the vast circling wreaths +of people, in symmetrical tiers, enlarging as they rise, from the +lowest which hems in the arena to the uppermost above which masts +rise to sustain a hyacinth-colored awning, suspended in air by ropes. +Stairways radiating toward the centre, divide these huge circles of +stone at regular intervals. The benches disappear under a host of +spectators--knights, senators, soldiers, plebeians, vestals, and +courtesans--in woollen hoods, in silken maniples, in fallow-colored +tunics; together with aigrettes of precious stones, plumes of feathers, +the fasces of lictors; and all this swarming multitude deafens and +stupefies Anthony with its shoutings, its tumultuous fury, as of an +enormous boiling vat. In the middle of the arena, a vase of incense +smokes upon an altar._ + +_Anthony thus knows that the people with him are Christians condemned +to be thrown to the wild beasts. The men wear the red mantle of the +pontiffs of Saturn; the women, the bandellettes of Ceres. Their friends +divide among themselves shreds of their garments, and rings. To obtain +access to the prison, they say, costs a great deal of money. But what +matter! They will remain until it is all over._ + +_Anthony notices among these consolers, a certain bald-headed man, +in a black tunic: Anthony has seen that face somewhere before. The +consoler discourses to them concerning the nothingness of this world, +and the felicity of the Elect. Anthony feels within him a transport of +celestial love; he longs for the opportunity to lay down his life for +the Saviour--not knowing as yet whether he himself is to be numbered +among the martyrs._ + +_But all--except a certain Phrygian, with long hair, who stands with +his arms uplifted--have a look of woe. One old man is sobbing upon a +bench; a youth standing close by, with drooping head, abandons himself +to a reverie of sorrow._ + +THE OLD MAN _had refused to pay the customary contribution before the +statue of Minerva, erected at the angle of the cross-roads; and he +gazes at his companions with a look that signifies_:--) + +"Ye ought to have succored me! Communities can sometimes so arrange +matters as to insure their being left in peace. Some among ye also +procured those letters which falsely allege that one has sacrificed to +idols." + +(_He asks aloud_:--) + +"Was it not Petrus of Alexandria who laid down the rule concerning what +should be done by those who have yielded to torture?" + +(_Then, to himself_:--) + +"Ah! how cruel this at my age! My infirmities make me so weak! +Nevertheless, I might easily have lived until the coming winter, or +longer!" + +(_The memory of his little garden makes him sad, and he gazes toward +the altar._) + +THE YOUNG MAN (_who disturbed the festival of Apollo by violence and +blows, murmurs_:--) + +"Yet it would have been easy for me to have fled to the mountains!" + +(_One of the brothers answers_:--) + +"But the soldiers would have captured thee!" + +THE YOUNG MAN. "Oh! I would have done as Cyprian did--I would have +returned, and the second time I would surely have had more force!" + +(_Then he thinks of the innumerable days that he might have lived, of +all the joys that he might have known, but will never know; and he +gazes toward the altar._ + +_But_--) + +THE MAN IN THE BLACK TUNIC (_rushes to his side._) + +"What scandal! What! Thou! a victim of God's own choice! And all these +women here who are looking at thee! Nay, think what thou art doing! +Moreover, remember that God sometimes vouchsafes to perform a miracle. +Pionius numbed and made powerless the hands of his executioners; the +blood of Polycarp extinguished the fire of the stake." + +(_Then he turns to the Old Man_:--) + +"Father, father! it behooves thee to edify us by thy death! By longer +delaying it, thou wouldst doubtless commit some evil action that would +lose thee the fruit of all thy good works. Remember, also, that the +power of God is infinite; and it may come to pass that all the people +will be converted by thy example." + +(_And in the great den opposite, the lions stride back and forth, +ceaselessly, with a rapid continuous motion. The largest suddenly looks +at Anthony and roars, and a vapour issues from his jaws._ + +_The women are huddled against the men._) + +THE CONSOLER (_goes from one to the other._) + +"What would ye say, what wouldst thou say if thou wert to be burned +with red-hot irons, if thou wert to be torn asunder by horses, if thou +hadst been condemned to have thy body smeared with honey, and thus +exposed to be devoured by flies! As it is, thou wilt only suffer the +death of a hunter surprised by a beast in the woods." + +(_Anthony would prefer all those things to death by the fangs of the +horrible wild beasts; he fancies already that he feels their teeth and +their claws, that he hears his bones cracking between their jaws._ + +_A keeper enters the dungeon; the martyrs tremble._ + +_Only one remains impassable, the Phrygian, who prays standing apart +from the rest. He has burned three temples; and he advances with arms +uplifted, mouth open, face turned toward heaven, seeing nothing around +him, like a somnambulist._) + +THE CONSOLER (_shouts_). "Back! back! lest the spirit of Montanus might +come upon you." + +ALL (_recoil from the Phrygian, and vociferate_) + +"Damnation to the Montanist!" + +(_They insult him, spit upon him, excite each other to beat him._ + +_The rearing lions bite each other's manes_;) + +THE PEOPLE "To the beasts with them, to the beasts." + +_The Martyrs burst into sobs, and embrace each other passionately. A +cup of narcotic wine is offered them. It is passed from hand to hand, +quickly._ + +_Another keeper, standing at the door of the den, awaits the signal. +The den opens; a lion comes out._ + +_He crosses the arena with great oblique strides. Other lions follow in +file after him; then a bear, three panthers, and some leopards. They +scatter through the arena like a flock in a meadow._ + +_The crack of a whip resounds. The Christians stagger forward; and +their brethren push them, that it may be over the sooner._ + +_Anthony closes his eyes._ + +_He opens them again. But darkness envelopes him._ + +_Soon the darkness brightens; and he beholds an arid plain, mamillated +with knolls, such as might be seen about abandoned quarries._ + +[Illustration: ... and he beholds an arid plain, mamillated +with knolls] + +_Here and there a tuft of shrubbery rises among the slabs of stone, +level with the soil; and there are white figures, vaguer than clouds, +bending over the slabs._ + +_Others approach, softly, silently. Eyes gleam through the slits of +long veils. By the easy indifference of their walk, and the perfumes +exhaled from their garments, Anthony knows they are patrician women. +There are men also, but of inferior condition; for their faces are at +once simple-looking and coarse._ + +(_One of the Women, taking a long breath_:) + +"Ah! how good the cool air of night is, among the sepulchers! I am so +weary of the softness of beds, the turmoil of days, the heavy heat of +the sun!" + +(_Her maid-servant takes from a canvas bag, a torch which she ignites. +The faithful light other torches by it, and plant them upon the tombs._) + +A WOMAN (_panting_). + +"I am here at last! Oh how wearisome to be the wife of an idolator!" + +ANOTHER. "These visits to the prisons, interviews with our brethren, +are all matters of suspicion to our husbands! And we must even hide +ourselves in order to make the sign of the cross; they would take it +for a magical conjuration!" + +ANOTHER. "With my husband it was a quarrel every day. I would not +submit myself to his brutal exactions; therefore he has had me +prosecuted as a Christian." + +ANOTHER. "Do you remember Lucius, that young man who was so beautiful, +who was dragged like Hector, with his heels attached to a chariot, +from the Esquiline Gate to the mountains of Tibur?--and how his blood +spattered the bushes on either side of the road? I gathered up the +drops of his blood. Behold it!" + +(_She drags a black sponge from her bosom, covers it with kisses, and +flings herself down upon the slabs, crying aloud_:--) + +[Illustration: She drags a black sponge from her bosom, covers +it with kisses ...] + +"Ah! my friend! my friend!" + +A MAN. "It is just three years to-day since Domitilla died. They stoned +her at the further end of the Grove of Proserpine. I gathered her +bones, which shone like glowworms in the grass. The earth how covers +them." + +(_He casts himself down upon a tomb._) + +"O my betrothed! my betrothed!" + +(_And all the others scattered over the plain_:--) + +"O my sister! O my brother! O my daughter! O my mother!" + +(_Some kneel, covering their faces with their hands; others lie down +upon the ground with their arms extended; and the sobs they smother +shake their breasts with such violence as though their hearts were +breaking with grief. Sometimes they look up to heaven, exclaiming_:--) + +"Have mercy upon her soul, O my God! She languishes in the sojourn of +Shades; vouchsafe to admit her to thy Resurrection, that she may enjoy +Thy Light!" + +(_Or, with eyes fixed upon the gravestones, they murmur to the dead_:--) + +"Be at peace, beloved! and suffer not! I have brought thee wine and +meats!" + +A WIDOW. "Here is pultis, made by my own hands, as he used to like it, +with plenty of eggs and a double measure of flour! We are going to eat +it together as in other days, are we not?" + +(_She lifts a little piece to her lips, and suddenly bursts into an +extravagant and frenzied laugh._ + +_The others also nibble a little bit as she does and drink a mouthful +of wine._ + +_They recount to each other the stories of their martyrs; grief becomes +exalted! libations redouble. Their tear-swimming eyes are fixed upon +each other's faces. They stammer with intoxication and grief; gradually +hands touch hands, lips join themselves to lips, and they seek each +other upon the tombs, between the cups and the torches._ + +_The sky begins to whiten. The fog makes damp their garments; and, +without appearing even to know one another, they depart by different +ways and seek their homes._ + +_The sun shines; the weeds and the grass have grown higher; the face of +the plain is changed._ + +_And Anthony, looking between tall bamboos, sees distinctly a forest of +columns, of bluish-grey color. These are tree-trunks, all originating +from one vast trunk. From each branch of the colossal tree descend +other branches which may bury themselves in the soil; and the aspect of +all these horizontal and perpendicular lines, indefinitely multiplied, +would closely resemble a monstrous timber-work, were it not that they +have small figs[7] growing upon them here and there, and a blackish +foliage, like that of the sycamore._ + +_He perceives in the forkings of their branches, hanging bunches of +yellow flowers, violet flowers also, and ferns that resemble the plumes +of splendid birds._ + +_Under the lowest branches the horns of a bubalus gleam at intervals, +and the bright eyes of antelopes are visible; there are hosts of +parrots; there are butterflies flittering hither and thither; lizards +lazily drag themselves up or down; flies buzz and hum; and in the midst +of the silence, a sound is audible as of the palpitation of a deep and +mighty life._ + +_Seated upon a sort of pyre at the entrance of the wood is a strange +being--a man--besmeared with cow-dung, completely naked, more withered +than a mummy; his articulations form knots at the termination of bones +that resemble sticks. He has bunches of shells suspended from his ears; +his face is very long, and his nose like a vulture's beak. His left arm +remains motionlessly erect in air, anchylosed, rigid as a stake; and he +has been seated here so long that birds have made themselves a nest in +his long hair._ + +_At the four corners of his wooden pyre flame four fires. The sun is +directly in front of him. He gazes steadily at it with widely-opened +eyes; and, then without looking at Anthony, asks him_:--) + +"Brahmin from the shores of the Nile, what hast thou to say regarding +these things?" + +(_Flames suddenly burst out on all sides of him, through the intervals +between the logs of the pyre; and_--) + +THE GYMNOSOPHIST (_continues_). + +"Lo! I have buried myself in solitude, like the rhinoceros. I dwelt in +the tree behind me." + +[Illustration: I have buried myself in solitude, like the +rhinoceros. I dwelt in the tree behind me.] + +(_The vast fig-tree, indeed, shows in one of its groves, a natural +excavation about the size of a man._) + +"And I nourished me with flowers and fruits, observing the precepts so +rigidly that not even a dog ever beheld me eat. + +"Inasmuch as existence originates from corruption, corruption from +desire, desire from sensation, sensation from contact, I have ever +avoided all action, all contact, and perpetually--motionless as the +stela of a tomb, exhaling my breath from my two nostrils, fixing my +eyes upon my nose, and contemplating the ether in my mind, the world in +my members, the moon in my heart--I dreamed of the essence of the great +Soul whence continually escape the principles of life, even as sparks +escape from fire. + +"Thus at last I found the supreme Soul in all beings, and all beings +in the supreme Soul; and I have been able to make mine own soul all my +senses. + +"I receive knowledge directly from heaven, like the bird Tchataka, who +quenches his thirst from falling rain only. + +"Even by so much as things are known to me, things no longer exist. + +"For me now there is no more hope, no more anguish, there is neither +happiness nor virtue, nor day nor night, nor Thou nor I--absolutely +nothing! + +"My awful austerities have made me superior to the Powers. A single +contraction of my thought would suffice to kill a hundred sons of +kings, to dethrone gods, to overturn the world." + +(_He utters all these things in a monotonous voice._ + +_The surrounding leaves shrivel up. Fleeing rats rush over the ground._ + +_He slowly turns his eyes downward toward the rising flames, and then +continues_:--) + +"I have loathed Form, I have loathed Perception, I have loathed even +Knowledge itself, for the thought does not survive the transitory fact +which caused it; and mind, like all else, is only an illusion. + +"All that is engendered will perish; all that is dead must live again; +the beings that have even now disappeared shall sojourn again in wombs +as yet unformed, and shall again return to earth to serve in woe other +creatures. + +"But inasmuch as I have rolled through the revolution of an indefinite +multitude of existences, under the envelopes of gods, of men, and of +animals, I renounce further wanderings; I will endure this weariness +no more! I abandon the filthy hostelry of this body of mine, built +with flesh, reddened with blood, covered with a hideous skin, full of +uncleanliness; and, for my recompense, I go at last to slumber in the +deepest deeps of the Absolute--in Annihilation." + +(_The flames rise to his chest, then envelope him. His head rises +through them as through a hole in the wall. His cavernous eyes still +remain icicle open, gazing._) + +ANTHONY (_rises_). + +(_The torch, which had fallen to the ground, has ignited the splinters +of wood; and the flames have singed his beard._ + +_With a loud cry, Anthony tramples the fire out; and, when nothing +remains but ashes, he exclaims_:--) + +"Where can Hilarion be? He was here a moment ago. I saw him! + +"What! No; it is impossible; I must have been mistaken! + +"Yet why?... Perhaps my cabin, these stones, this sand, have no real +existence. I am becoming mad! Let me be calm! Where was I? What was it +that happened? + +"Ah! the gymnosophist!... Such a death is frequent among the sages of +India. Kalanos burned himself before Alexander; another did likewise +in the time of Augustus. What hatred of life men must have to do thus! +Unless, indeed, they are impelled by pride alone?... Yet in any event +they have the intrepidity of martyrs.... As for the latter, I can now +well believe what has been told me regarding the debauchery they cause. + +"And before that? Yes: I remember now! the host of the Heresiarchs! +What outcries! What eyes! Yet why so much rebellion of the flesh, so +much dissoluteness, so many aberrations of the intellect. + +"They claim, nevertheless, to seek God through all those ways! What +right have I to curse them--I, who stumble so often in mine own path? +I was perhaps about to learn more of them at the moment when they +disappeared. Too rapid was the whirl; I had no time to answer. Now I +feel as though there were more space, more light in my understanding. I +am calm. I even feel myself able to.... What is this? I thought I had +put out the fire!" + +(_A flame flits among the rocks; and soon there comes the sound of +a voice--broken, convulsed as by sobs--from afar off, among the +mountains._) + +"Can it be the cry of a hyena, or the lamentation of some traveler that +has lost his way?" + +(_Anthony listens. The flame draws nearer._ + +_And he beholds a weeping woman approach, leaning upon the shoulder of +a white-bearded man._ + +_She is covered with a purple robe in rags. He is bareheaded like lier, +wears a tunic of the same color, and carries in his hands a brazen +vase, whence arises a thin blue flame._ + +_Anthony feels a fear come upon him, and wishes to know who this woman +may be._) + +THE STRANGER SIMON. "It is a young girl, a poor child that I lead about +with me everywhere." + +(_He uplifts the brazen vase._ + +_Anthony contemplates the girl, by the light of its vacillating flame._ + +_There are marks of bites upon her face, traces of blows upon her arms; +her dishevelled hair entangles itself in the rents of her rags; her +eyes appear to be insensible to light._) + +SIMON. "Sometimes she remains thus for a long, long time without +speaking; then all at once she revives, and discourses of marvellous +things." + +ANTHONY. "In truth?" + +SIMON. "Ennoia; Ennoia! Ennoia!--tell us what thou hast to say!" + +(_She rolls her eyes like one awaking from a dream, slowly passes her +fingers over her brows, and in a mournful voice, speaks_:--) + +Helena[8] (_Ennoia_). + +[Illustration: Helena - Ennoia] + +"I remember a distant land, of the color of emerald. Only one tree +grows there. + +(_Anthony starts_). + +"Upon each of its tiers of broad-extending arms, a pair of Spirits +dwell in air. All about them the branches intercross, like the veins +of a body; and they watch the eternal Life circulating, from the roots +deep plunging into darkness even to the leafy summit that rises higher +than the sun. I, dwelling upon the second branch, illuminated the +nights of Summer with my face." + +ANTHONY, (_tapping his own forehead_:--) + +"Ah! ah! I comprehend! her head!..." + +SIMON (_placing his finger to his lips_:--) + +"Hush!" + +HELENA. "The sail remained well filled by the wind; the keel cleft the +foam. He said to me: 'What though I afflict my country, though I lose +my kingdom! Thou wilt belong to me, in my house!' + +"How sweet was the lofty chamber of his palace! Lying upon the ivory +bed, he caressed my long hair, singing amorously the while. + +"Even at the close of the day I beheld the two camps, the watchfires +being lighted, Ulysses at the entrance of his tent, armed Achilles +driving a chariot along the sea-beach." + +ANTHONY. "Why! she is utterly mad! How came this to pass?..." + +SIMON. "Hush! hush!" + +HELENA. "They anointed me with unguents, and sold me to the people that +I might amuse them. + +"One evening I was standing with the sistrum in my hand, making music +for some Greek sailors who were dancing. The rain was falling upon the +roof of the tavern like a cataract, and the cups of warm wine were +smoking. + +"A man suddenly entered, although the door was not opened to let him +pass." + +SIMON. "It was I! I found thee again! + +"Behold her, Anthony, she whom they call Sigeh, Ennoia, Barbelo, +Prounikos! The Spirits governing the world were jealous of her; and +they imprisoned her within the body of a woman. + +"She was that Helen of Troy, whose memory was cursed by the poet +Stesichorus. She was Lucretia, the patrician woman violated by a king. +She was Delilah, by whom Samson's locks were shorn.... She has loved +adultery, idolatry, lying and foolishness. She has prostituted herself +to all nations. She has sung at the angles of all cross-roads. She has +kissed the faces of all men. + +"At Tyre, she, the Syrian, was the mistress of robbers. She caroused +with them during the nights; and she concealed assassins amidst the +vermin of her tepid bed." + +ANTHONY. "Ah! what is this to me?..." + +SIMON (_with a furious look_:--) + +"I tell thee that I have redeemed her, and re-established her in her +former splendor; insomuch that Caius Caesar Caligula became enamoured of +her, desiring to sleep with the Moon!" + +ANTHONY. "What then?..." + +SIMON. "Why this, that she herself is the Moon! Has not Pope Clement +written how she was imprisoned in a tower? Three hundred persons +surrounded the tower to watch it; and the moon was seen at each of the +loop-holes at the same time, although there is not more than one moon +in the world, nor more than one Ennoia!" + +ANTHONY. "Yes ... it seems to me that I remember...." + +(_He falls into a reverie._) + +SIMON. "Innocent as the Christ who died for men, so did she devote +herself for women. For the impotence of Jehovah is proven by the +transgression of Adama, and we must shake off the yoke of the old law, +which is antipathetic to the order of things.[9] + +"I have preached the revival in Ephraim and in Issachar by the torrent +of Bizor, beyond the Lake of Houleh, in the valley of Maggedo, further +than the mountains, at Bostra and at Damascus. Let all come to me who +are covered with wine, who are covered with filth, who are covered with +blood! and I shall take away their uncleanliness with the Holy Spirit, +called Minerva by the Greeks. She is Minerva! she is the Holy Spirit! I +am Jupiter, Apollo, the Christ, the Paraclete, the great might of God, +incarnated in the person of Simon!" + +ANTHONY. "Ah! it is thou!... so it is thou! But I know thy crimes! + +"Thou wast born at Gittoi near Samaria, Dositheas, thy first master, +drove thee from him. Thou didst execrate Saint Paul because he +converted one of thy wives; and, vanquished by Saint Peter, in thy rage +and terror thou didst cast into the waves the bag which contained thy +artifices!" + +SIMON. "Dost thou desire them?" + +(_Anthony looks at him, and an interior voice whispers hi his +heart:--"Why not?"_) + +SIMON (_continues_). + +"He who knows the forces of Nature and the essence of Spirits must be +able to perform miracles. It has been the dream of all sages; it is the +desire which even now gnaws thee!--confess it!" + +"In the sight of the multitude of the Romans, I flew in the air so +high that none could behold me move. Nero ordered that I should be +decapitated; but it was the head of a sheep which fell upon the ground +in lieu of mine. At last they buried me alive; but I rose again upon +the third day. The proof is that thou dost behold me before thee!" + +(_He presents his hands to Anthony to smell. They have the stench of +corpse-flesh. Anthony recoils with loathing._) + +"I can make serpents of bronze writhe; I can make marble statues +laugh; I can make dogs speak. I will show thee vast quantities of gold; +I will reestablish kings; thou shalt see nations prostrate themselves +in adoration before me! I can walk upon the clouds and upon the waves, +I can pass through mountains, I can make myself appear as a youth, as +an old man, as a tiger, or as an ant; I can assume thy features; I can +give thee mine; I can make the thunder follow after me. Dost hear it?" + +(_The thunder rumbles; flashes of lightning succeed._) + +"It is the voice of the Most High; for 'the Lord thy God is a fire;' +and all creations are accomplished by sparks from the fire-centre of +all things. + +Thou shalt even now receive the baptism of it--that second baptism +announced by Jesus, which fell upon the apostles on a day of tempest +when the windows were open!" + +(_And stirring up the flame with his hand, slowly, as though preparing +to sprinkle Anthony with it, he continues_:--) + +"Mother of mercies, thou who discoverest all secrets, in order that we +may find rest in the eighth mansion...." + +ANTHONY (_cries out_:--) + +"Oh! that I had only some holy water!..." + +(_The flame goes out, producing much smoke._ + +_Ennoia and Simon have disappeared._ + +_An exceedingly cold, opaque and f[oe]tid mist fills the atmosphere._) + +ANTHONY (_groping with his hands like a blind man_:--) + +"Where am I?... I fear lest I fall into the abyss! And the cross, +surely, is too far from me. Ah! what a night! what a terrible night!" + +(_The mist is parted by a gust of wind; and Anthony sees two men +covered with long white tunics._ + +_The first is of lofty stature, with a gentle face, and a grave mien. +His blond hair, parted like that of Christ, falls upon his shoulders. +He has cast aside a wand that he had been holding in his hand; his +companion takes it up, making a reverence after the fashion of the +Orientals._ + +_The latter is small of stature, thick set, flat-nosed; his neck and +shoulders expresses good natured simplicity._ + +_Both are barefooted, bareheaded, and dusty, like persons who have made +a long journey._) + +ANTHONY (_starting up_:--) + +"What do ye seek? Speak!... Begone from here!" + +DAMIS (_who is a little man_). + +"Nay! nay! be not angered, good hermit. As for that I seek, I know not +myself what it is! Here is the Master!" + +(_He sits down. The other stranger remains standing. Silence._) + +ANTHONY (_asks_). + +"Then ye come?..." + +DAMIS. "Oh! from afar off--very far off!" + +ANTHONY. "And ye go?..." + +DAMIS (_pointing to the other_) + +"Whithersoever he shall desire!" + +ANTHONY. "But who may he be?" + +DAMIS. "Look well upon him!" + +ANTHONY (_aside_). + +"He looks like a saint! If I could only dare...." + +(_The mist is all gone. The night is very clear. The moon shines._) + +DAMIS. "Of what art thou dreaming, that thou dost not speak?" + +ANTHONY. "I was thinking.... Oh! nothing!" + +DAMIS (_approaches Apollonius, and walks all round him several times, +bending himself as he walks, never raising his head_:--) + +"Master, here is a Galilean hermit who desires to know the beginnings +of wisdom." + +APOLLONIUS. "Let him approach!" (_Anthony hesitates._) + +DAMIS. "Approach!" + +APOLLONIUS (_in a voice of thunder_:--) + +"Approach! Thou wouldst know who I am, what I have done, and what I +think,--is it not so, child?" + +ANTHONY. "Always supposing that these things can contribute to the +salvation of my soul." + +APOLLONIUS. "Rejoice! I am about to inform thee of them!" + +DAMIS (_in an undertone, to Anthony_:--) + +"Is it possible? He must surely have at the first glance discerned in +thee extraordinary aptitude for philosophy. I shall also strive to +profit by his instruction." + +APOLLONIUS. "First of all, I shall tell thee of the long course which +I have followed in order to obtain the doctrine; and if thou canst +discover in all my life one evil action, thou shalt bid me pause, for +he who hath erred in his actions may well give scandal by his words." + +DAMIS (_to Anthony_). + +"How just a man? Is he not?" + +ANTHONY. "Indeed I believe him to be sincere." + +APOLLONIUS. "Upon the night of my birth, my mother imagined that +she was gathering flowers by the shore of a great lake. A flash of +lightning appeared; and she brought me into the world to the music of +the voices of swans singing to her in her dream. + +"Until I had reached the age of fifteen I was plunged thrice a day into +the fountain, Asbadeus, whose waters make perjurers hydropical; and my +body was rubbed with the leaves of the onyza, that I might be chaste. + +"A Palmyrian princess came one evening to seek me, offering me +treasures that she knew to be in the tombs. A hierodule of the temple +of Diana, slew herself in despair with the sacrificial knife; and the +governor of Cilicia, finding all his promises of no avail, cried out in +the presence of my family that he would cause my death; but it was he +that died only three days after, assassinated by the Romans." + +DAMIS (_nudging Anthony with his elbow_). + +"Eh? did I not tell thee? What a man!" + +APOLLONIUS. "For the space of four successive years I maintained the +unbroken silence of the Pythagoreans. The most sudden and unexpected +pain never extorted a sigh from me; and when I used to enter the +theatre, all drew away from me, as from a phantom." + +DAMIS. "Wouldst thou have done so much?--thou?" + +APOLLONIUS. "After the period of my trial had been accomplished, I +undertook to instruct the priests regarding the tradition they had +lost." + +ANTHONY. "What tradition?" + +DAMIS. "Interrupt him not! Be silent!" + +APOLLONIUS. "I have conversed with the Samaneans of the Ganges, with +the astrologers of Chaldea, with the magi of Babylon, with the Gaulish +Druids, with the priests of the negroes! I have ascended the fourteen +Olympii; I have sounded the Scythian lakes; I have measured the breadth +of the Desert!" + +DAMIS. "It is all true! I was with him the while!" + +APOLLONIUS. "But first I had visited the Hyrcanian Sea; I made the tour +of it; and descending by way of the country of the Baraomati, where +Bucephalus is buried, I approached the city of Nineveh. At the gates of +the city, a man drew near me...." + +DAMIS. "I--even I, good master! I loved thee from the first. Thou wert +gentler than a girl and more beautiful than a god!" + +APOLLONIUS (_without hearing him_). + +"He asked me to accompany him, that he might serve as interpreter." + +DAMIS. "But thou didst reply that all languages were familiar to thee, +and that thou couldst divine all thoughts. Then I kissed the hem of thy +mantle, and proceeded to walk behind thee." + +APOLLONIUS. "After Ctesiphon, we entered upon the territory of Babylon." + +DAMIS. "And the Satrap cried aloud on beholding a man so pale." + +ANTHONY (_aside_). + +"What signifies this?..." + +APOLLONIUS. "The king received me standing, near a throne of silver, +in a hall constellated with stars; from the cupola hung suspended by +invisible threads four great birds of gold, with wings extended." + +ANTHONY (_dreamily_). + +"Can there be such things in the world?" + +DAMIS. "Ah! that is a city! that Babylon! everybody there is rich! The +houses, which are painted blue, have doors of bronze, and flights of +steps descending to the river." + +(_Drawing lines upon the ground, with his stick_:) + +"Like that, seest thou? And then there are temples, there are squares, +there are baths, there are aqueducts! The palaces are roofed with red +brass; and the interior ... ah! if thou only knewest!" + +APOLLONIUS. "Upon the north wall rises a tower which supports a second, +a third, a fourth, a fifth, and there are also three others! The eighth +is a chapel containing a bed. No one enters it save the woman chosen by +the priests for the God Belus. I was lodged there by order of the King +of Babylon." + +DAMIS. "As for me, they hardly deigned to give me any attention! So I +walked through the streets all by myself. I informed myself regarding +the customs of the people; I visited the workshops; I examined the +great machines that carry water to the gardens. But I soon wearied of +being separated from the Master." + +APOLLONIUS. "At last we left Babylon; and as we travelled by the light +of the moon, we suddenly beheld an Empusa." + +DAMIS. "Aye, indeed! She leaped upon her iron hoof; she brayed like an +ass; she galloped among the rocks. He shouted imprecations at her; she +disappeared." + +ANTHONY (_aside_). + +"What can be their motive?" + +APOLLONIUS. "At Taxilla, the capital of five thousand fortresses, +Phraortes, King of the Ganges, showed us his guard of black men, whose +stature was five cubits, and under a pavilion of green brocade in his +gardens, an enormous elephant, which the queens amused themselves by +perfuming. It was the elephant of Porus which had taken flight after +the death of Alexander." + +DAMIS. "And which had been found again in a forest." + +ANTHONY. "Their speech is superabundant, like that of drunken men!" + +APOLLONIUS. "Phraortes seated us at his own table." + +DAMIS. "How strange a country that was! During their drinking +carousels, the lords used to amuse-themselves by shooting arrows under +the feet of a dancing child. But I do not approve...." + +APOLLONIUS. "When I was ready to depart, the king gave me a parasol, +and he said to me: 'I have a stud of white camels upon the Indus. When +thou shalt have no further use for them, blow in their ears. They will +come back.' + +"We descended along the river, marching at night by the light of the +fire-flies, which glimmered among the bamboos. The slave whistled an +air to drive away the serpents; and our camels bent down in passing +below the branches of the trees, as if passing under low gates. + +"One day a black child, who held a golden caduceus in his hand, +conducted us to the College of the Sages. Iarchas, their chief, spoke +to me of my ancestors, told me of all my thoughts, of all my actions, +of all my existences. In former time he had been the River Indus; and +he reminded me that I had once been a boatman upon the Nile, in the +time of King Sesostris." + +DAMIS. "As for me, they told me nothing; so that I know not who or what +I have been." + +ANTHONY. "They have a vague look, like shadows!" + +APOLLONIUS. "Upon the shores of the sea we met with the milk-gorged +Cynocephali, who were returning from their expedition to the Island +Taprobana. The tepid waves rolled blond pearls to our feet. The amber +crackled beneath our steps. Whale-skeletons were whitening in the +crevasses of the cliffs. At last the land became narrow as a sandal; +and after casting drops of ocean water toward the sun, we turned to the +right to return. + +"So we returned through the Region of Aromatics, by way of the country +of the Gangarides, the promontory of Comaria, the country of the +Sachalites, of the Adramites and of the Homerites; then, across the +Cassanian mountains, the Red Sea, and the Island Topazos, we penetrated +into Ethiopia through the country of the Pygmies." + +ANTHONY (_to himself_). + +"How vast the world is!" + +DAMIS. "And after we had returned home, we found that all those whom we +used to know, were dead." + +(_Anthony lowers his head. Silence._) + +APOLLONIUS (_continues_). + +"Then men began to talk of me the world over. + +"The plague was ravaging Ephesus; I made them stone an old mendicant +there." + +DAMIS. "And forthwith the plague departed." + +ANTHONY. "What! Does he drive away pestilence?" + +APOLLONIUS. "At Cnidos, I cured the man that had become enamored of +Venus." + +DAMIS. "Aye! a fool who had even vowed to espouse her! To love a woman +is at least comprehensible; but to love a statue--what madness! The +Master placed his hand upon the young man's heart; and the fire of that +love was at once extinguished." + +ANTHONY. "How! does he also cast out devils?" + +APOLLONIUS. "At Tarentum they were carrying the dead body of a young +girl to the funeral pyre." + +DAMIS. "The Master touched her lips; and she arose and called her +mother." + +ANTHONY. "What! he raises the dead!" + +APOLLONIUS. "I predicted to Vespasian his accession to power." + +ANTHONY. "What! he foretells the future!" + +DAMIS. "At Corinth there was a ..." + +APOLLONIUS. "It was when I was at table with him, at the waters of +Baia ..." + +ANTHONY. "Excuse me, strangers--it is very late ..." + +DAMIS. "At Corinth there was a young man called Menippus ..." + +ANTHONY. "No! no!--go ye away!" + +APOLLONIUS. "A dog came in, bearing a severed hand in his mouth." + +DAMIS. "One evening, in one of the suburbs, he met a woman." + +ANTHONY. "Do ye not hear me? Begone!" + +APOLLONIUS. "He wandered in a bewildered way around the couches ..." + +ANTHONY. "Enough!" + +APOLLONIUS. "They sought to drive him out." + +DAMIS. "So Menippus went with her to her house; they loved one +another." + +APOLLONIUS. "And gently beating the mosaic pavement with his tail, he +laid the severed hand upon the knees of Flavius." + +DAMIS. "But next morning, during the lessons in the school, Menippus +was pale." + +ANTHONY (_starting up in anger_). + +"Still continuing! Ah! then let them continue till they be weary, +inasmuch as there is no ..." + +DAMIS. "The Master said to him: 'O beautiful youth, thou dost caress +a serpent; by a serpent thou art caressed! And when shall be the +nuptials?' We all went to the wedding." + +ANTHONY. "Assuredly I am doing wrong, to hearken to such a story!" + +DAMIS. "Servants were hurrying to and fro in the vestibule; doors were +opening; nevertheless there was no sound made either by the fall of +the footsteps nor the closing of the doors. The Master placed himself +beside Menippus. And the bride forthwith became angered against the +philosophers. But the vessels of gold, the cupbearers, the cooks, the +panthers disappeared; the roof receded and vanished into air; the walls +crumbled down; and Apollonius stood alone with the woman at his feet, +all in tears. She was a vampire who satisfied the beautiful young men +in order to devour their flesh, for nothing is more desirable for such +phantoms than the blood of amorous youths." + +APOLLONIUS. "If thou shouldst desire to learn the art ..." + +ANTHONY. "I do not wish to learn anything!" + +APOLLONIUS. "The same evening that we arrived at the gates of Rome ..." + +ANTHONY. "Oh! yes!--speak to me rather of the City of Popes!" + +APOLLONIUS. "A drunken man accosted us, who was singing in a low voice. +The song was an epithalamium of Nero; and he had the power to cause +the death of whosoever should hear it with indifference. In a box upon +his shoulders he carried a string taken from the Emperor's cithara. I +shrugged my shoulders. He flung mud in our faces. Then I unfastened my +girdle and placed it in this hand." + +DAMIS. "In sooth, thou wert most imprudent!" + +APOLLONIUS. "During the night the Emperor summoned me to his house. He +was playing at osselets with Sporus, supporting his left arm upon a +table of agate. He turned and, knitting his brows, demanded: 'How comes +it that thou dost not fear me?' 'Because,' I replied, 'the God who made +thee terrible, also made me intrepid." + +ANTHONY (_to himself_). + +"There is something inexplicable that terrifies me!" + +(_Silence._) + +DAMIS (_breaking the silence with his shrill voice_). + +"Moreover, all Asia can tell thee ..." + +ANTHONY (_starting up_). + +"I am ill! let me be!" + +DAMIS. "But listen! At Ephesus, he beheld them killing Domitian, who +was at Rome." + +ANTHONY (_with a forced laugh_). "Is it possible?" + +DAMIS. "Yes: at the theatre at noon-day, the fourteenth of the Kalenda +of October, he suddenly cried out: 'Caesar is being murdered!' and +from time to time he would continue to ejaculate: 'He rolls upon the +pavement ... Oh! how he struggles ... He rises ... He tries to flee +... The doors are fastened ... Ah! it is all over! He is dead!' And in +fact Titus Flavius Domitianus was assassinated upon that very day, as +thou knowest." + +ANTHONY. "Without the aid of the Devil ... certainly ..." + +APOLLONIUS. "He had purposed putting me to death, that same Domitian! +Damis had taken flight according to my order, and I remained alone in +my prison." + +DAMIS. "A terrible hardihood on thy part, it must be confessed!" + +APOLLONIUS. "About the fifth hour, the soldiers led me before the +tribunal. I had my harangue all ready hidden beneath my mantle." + +DAMIS. "We others were then upon the shores of Puteoli, we believed +thee dead; we were all weeping, when all of a sudden about the sixth +hour, thou didst suddenly appear before us, exclaiming: 'It is I.'" + +ANTHONY (_to himself_). "Even as He...!" + +DAMIS (_in a very loud voice_). "Precisely!" + +ANTHONY. "Oh! no! ye lie! is it not so?--ye lie!" + +APOLLONIUS. "He descended from heaven. I rise thither, by the power of +my virtue that has lifted me up even to the height of the Principle of +all things!" + +DAMIS. "Thyana, his natal city, has established in his honor a temple +and a priesthood!" + +APOLLONIUS (_draws near Anthony, and shouts in his ear_:--) + +"It is because I know all gods, all rites, all prayers, all oracles! +I have penetrated into the cave of Trophonius, son of Apollo! I +have kneaded for Syracusan women the cakes which they carry to the +mountains. I have endured the eighty tests of Mithra! I have pressed to +my heart the serpent of Sabasius! I have received the scarf of Kabiri! +I have laved Cybele in the waters of the Campanian gulfs! and I have +passed three moons in the caverns of Samothracia!" + +DAMIS (_with a stupid laugh_). + +"Ah! ah! ah! at the mysteries of the good Goddess!" + +APOLLONIUS. "And now we recommence our pilgrimage. + +"We go to the North to the land of Swans and of snows. Upon the vast +white plains, the blind hippopodes break with the tips of their feet +the ultramarine plant." + +DAMIS. "Hasten! it is already dawn. The cock has crowed, the horse has +neighed, the sail is hoisted!" + +ANTHONY. "The cock has not crowed! I hear the locusts in the sands, and +I see the moon still in her place." + +APOLLONIUS. "We go to the South, beyond the mountains and the mighty +waters, to seek in perfumes the secret source of love. Thou shalt +inhale the odor of myrrhodion which makes the weak die. Thou shalt +bathe thy body in the lake of Rose-oil which is in the Island Junonia. +Thou shalt see slumbering upon primroses that Lizard which awakes +every hundred years when the carbuncle upon its forehead, arriving +at maturity, falls to the ground. The stars palpitate like eyes; the +cascades sing like the melody of lyres; strange intoxication is exhaled +by blossoming flowers; thy mind shall grow vaster in that air; and thy +heart shall change even as thy face." + +DAMIS. "Master! it is time! The wind has risen, the swallows awaken, +the myrtle leaves are blown away." + +APOLLONIUS. "Yes! let us go!" + +ANTHONY. "Nay! I remain here!" + +APOLLONIUS. "Shall I tell thee where grows the plant Balis, that +resurrects the dead?" + +DAMIS "Nay; ask him rather for the audrodamas which attracts silver, +iron and brass!" + +ANTHONY. "Oh! how I suffer! how I suffer!" + +DAMIS. "Thou shalt comprehend the voices of all living creatures, the +roarings, the cooings!" + +APOLLONIUS. "I shall enable thee to ride upon unicorns and upon +dragons, upon hippocentaurs and dolphins!" + +ANTHONY (_weeping_). "Oh ... oh!... oh!" + +APOLLONIUS. "Thou shalt know the demons that dwell in the caverns, the +demons that mutter in the woods, the demons that move in the waves, the +demons that push the clouds!" + +DAMIS. "Tighten thy girdle, fasten thy sandals!" + +APOLLONIUS. "I shall explain to thee the reason of divine forms--why +Apollo stands, why Jupiter is seated, why Venus is black, at Corinth, +square-shaped at Athens, conical at Paphos." + +ANTHONY (_clasping his hands_). + +"Let them begone! let them begone!" + +APOLLONIUS. "In thy presence I will tear down the panoplies of the +Gods; we shall force open the sanctuaries, I will enable thee to +violate the Pythoness!" + +ANTHONY. "Help! O my God!" + +(_He rushes to the cross._) + +APOLLONIUS. "What is thy desire? What is thy dream? Thou needst only +devote the moment of time necessary to think of it ..." + +ANTHONY. "Jesus! Jesus! Help me!" + +APOLLONIUS. "Dost thou wish me to make him appear, thy Jesus?" + +ANTHONY. "What? How!" + +APOLLONIUS. "It shall be He!--no other! He will cast off his crown, and +we shall converse face to face!" + +DAMIS (_in an undertone_). + +"Say thou dost indeed wish it! say thou dost desire it!" + +(_Anthony kneeling before the cross, murmurs prayers. Damis walks +around him, with wheedling gestures._) + +"Nay, nay! good hermit. Be not horrified! These are only exaggerated +forms of speech, borrowed from the Orientals. That need in no way ..." + +APOLLONIUS. "Let him alone, Damis! + +"He believes, like a brute, in the reality of things. The terror which +he entertains of the Gods prevents him from comprehending them; and he +debases his own God to the level of a jealous king! + +"But thou, my son, do not leave me!" + +(_He moves to the edge of the cliff, walking backward, passes beyond +the verge of the precipice, and remains suspended in air._) + +"Above all forms, further than the ends of the earth, beyond the +heavens themselves, lies the world of Idea, replete with the splendor +of the Word! With one bound we shall traverse the impending spaces, and +thou shalt behold in all his infinity, the Eternal, the Absolute, the +Being! Come! give me thy hand! Let us rise." + +(_Side by side, both rise up through the air, slowly. Anthony, clinging +to the cross, watches them rise. They disappear._) + + +[1] Agape.--Love-feast of the primitive Christians. + +[2] John XVI: 12.--T. + +[3] See note at end. + +[4] Masheim gives _Achamoth._ I prefer to remain faithful to the +orthography given by Flaubert. + +[5] The French text gives _mes peres_ not _nos peres._ Elxai, or +Elkhai, who established his sect in the reign of Trajan, was a Jew. + +[6] See note. + +[7] The banyan is a fig-tree--the _Ficus indicus._--Trans. + +[8] Readers may remember Longfellow's exquisite poem "Helena of Tyre." + +[9] See the second part of "Faust," and _Kundry_ in "Parsifal." + + + + +V. + + +ANTHONY (_walking to and fro, slowly_). + +"That one, indeed, seems in himself equal to all the powers of Hell! + +"Nebuchadnezzar did not so much dazzle me with his splendours;--the +Queen of Sheba herself charmed me less deeply. + +"His manner of speaking of the gods compels one to feel a desire to +know them. + +"I remember having beheld hundreds of them at one time, in the island +of Elephantius, in the time of Diocletian. The emperor had ceded to the +Nomads a great tract of country, upon the condition that they should +guard the frontiers; and the treaty was concluded in the name of the +'Powers Invisible.' For the gods of each people were unknown unto the +other people. + +"The Barbarians had brought theirs with them. They occupied the +sand-hills bordering the river. We saw them supporting their idols in +their arms, like great paralytic children;--others, paddling through +the cataracts upon trunks of palm tree, displayed from afar off the +amulets hung about their necks, the tattooings upon their breasts; and +these things were not more sinful than the religion of the Greeks, the +Asiatics, and the Romans! + +"When I was dwelling in the temple of Heliopolis I would often consider +the things I beheld upon the walls:--vultures bearing sceptres, +crocodiles playing upon lyres, faces of men with the bodies of +serpents, cow-headed women prostrating themselves before ithyphallic +gods:--and their supernatural forms attracted my thoughts to other +worlds. I longed to know that which drew the gaze of all those calm and +mysterious eyes. + +"If matter can exert such power, it must surely contain a spirit. The +souls of the Gods are attached to their images ... + +"Those possessing the beauty of forms might seduce. But the others +... those of loathsome or terrible aspect ... how can men believe in +them?..." + +(_And he beholds passing over the surface of the ground,--leaves, +stones, shells, branches of trees,--then a variety of hydropical +dwarfs: these are gods. He bursts into a laugh. He hears another laugh +behind him;--and Hilarion appears, in the garb of a hermit, far taller +than before, colossal._) + +ANTHONY (_who feels no surprise at seeing him_). + +"How stupid one must be to worship such things!" + +HILARION. "Aye!--exceedingly stupid!" + +(_Then idols of all nations and of all epochs--of wood, of metal, of +granite, of feathers, of skins sewn together,--pass before them._ + +_The most ancient of all anterior to the Deluge are hidden under masses +of seaweed hanging down over them like manes. Some that are too long +for their bases, crack in all their joints, and break their own backs +in walking. Others have rents torn in their bellies through which sand +trickles out._ + +_Anthony and Hilarion are prodigiously amused. They hold their sides +for laughter. Then appear sheep-headed idols. They totter upon their +bandy-legs, half-open their eye-lids, and stutter like the dumb,_ "Ba! +ba! ba!" + +_The more that the idols commence to resemble the human forms, the +more they irritate Anthony. He strikes them with his fist, kicks them, +attacks them with fury. They become frightful,--with lofty plumes, eyes +like balls, fingers terminated by claws, the jaws of sharks._ + +_And before these gods men are slaughtered upon altars of stone; others +are brayed alive in huge mortars, crushed under chariots, nailed upon +trees. There is one all of red-hot iron with the horns of a bull, who +devours children._) + +ANTHONY. "Horror!" + +HILARION. "But the gods always demand tortures--and suffering. Even +thine desired ..." + +ANTHONY (_weeping_). "Ah! say no more!--do not speak to me!" + +(_The space girdled by the rocks suddenly changes into a valley. A herd +of cattle are feeding upon the short grass._ + +_The herdman who leads them, observes a cloud;--and in a sharp voice, +shouts out words of command, as if to heaven._) + +HILARION. "Because he needs rain, he seeks by certain chants to compel +the King of heaven to open the fecund cloud." + +ANTHONY (_laughing_). + +"Verily, such pride is the extreme of foolishness!" + +HILARION. "Why dost thou utter exorcisms?" + +(_The valley changes into a sea of milk, motionless and infinite. In +its midst floats a long cradle formed by the coils of a serpent, whose +many curving heads shade, like a dais, the god slumbering upon its +body._ + +_He is beardless, young, more beautiful than a girl, and covered with +diaphanous veils. The pearls of his tiara gleam softly like moons; a +chaplet of stars is entwined many times about his breast, and with one +hand beneath his head, he slumbers with the look of one who dreams +after wine._ + +_A woman crouching at his feet, awaits the moment of his awaking._) + +HILARION. "Such is the primordial duality of the Brahmans,--the +Absolute being inexpressible by any form." + +(_From the navel of the god has grown the stem of a lotus flower; it +blossoms, and within its chalice appears another god with three faces._) + +ANTHONY. "How strange an invention!" + +HILARION. "Father, Son, and Holy Spirit are but one and the same +Person!" + +(_The three faces separate; and three great gods appear._ + +_The first, who is pink, bites the end of his great toe._ + +_The second, who is blue, uplifts his four arms._ + +_The third, who is green, wears a necklace of human skulls._ + +_Before them instantly arise three goddesses--one is enveloped in a +net; another offers a cup; the third brandishes a bow._ + +[Illustration: ... instantly arise three goddesses] + +_And these gods, these goddesses, decuple themselves, multiply. Arms +grow from their shoulders; at the end of these arms hands appear +bearing standards, axes, bucklers, swords, parasols and drums. +Fountains gush from their heads, plants grow from their nostrils._ + +_Riding upon birds rocked in palanquins, enthroned upon seats of gold, +standing in ivory niches,--they dream, voyage, command, drink wine, +respire the breath of flowers. Dancing girls whirl in the dance; giants +pursue monsters; at the entrances of grottoes solitaries meditate. Eyes +cannot be distinguished from stars; nor clouds from banderolles; +peacocks quench their thirst at rivers of gold dust; the embroidery +of pavilions seems to blend with the spots of leopards; coloured rays +intercross in the blue air, together with flying arrows, and swinging +censers._ + +_And all this develops like a lofty frieze, resting its base upon the +rocks, and rising to the sky._) + +ANTHONY (_dazzled by the sight_). + +"How vast is their number! What do they seek?" + +HILARION. "The god who rubs his abdomen with his elephant-trunk, is the +solar Deity, the inspiring spirit of wisdom. + +"That other whose six heads are crowned with towers, and whose fourteen +arms wield javelins,--is the prince of armies,--the Fire-Consumer. + +"The old man riding the crocodile washes the soul of the dead upon +the shore. They will be tormented by that black woman with the putrid +teeth, who is the Ruler of Hell. + +"That chariot drawn by red mares, driven by one who has no legs, bears +the master of the sun through heaven's azure. The moon-god accompanies +him, in a litter drawn by three gazelles. + +"Kneeling upon the back of a parrot, the Goddess of Beauty presents to +Love, her son, her rounded breast. Behold her now, further off, leaping +for joy in the meadows. Look! Look! Coiffed with dazzling mitre, she +trips lightly over the ears of growing wheat, over the waves; she rises +in air, extending her power over all elements. + +"And among these gods are the Genii of the winds, of the planets, of +the months, of the days,--a hundred thousand others;--multiple are +their aspects, rapid their transformations. Behold, there is one who +changes from a fish into a tortoise: he assumes the form of a boar, the +shape of a dwarf." + +ANTHONY. "Wherefore?" + +HILARION. "That he may preserve the equilibrium of the universe, and +combat the works of evil. But life exhausts itself; forms wear away; +and they must achieve progression in their metamorphoses." + +(_All upon a sudden appears a_ NAKED MAN _seated in the midst of the +sand, with legs crossed._) + +(_A large halo vibrates, suspended in air behind him. The little +ringlets of his black hair in which blueish tints shift symmetrically +surround a protuberance upon the summit of his skull. His arms, +which are very long, hang down against his sides. His two hands rest +flat upon his thighs, with the palms open. The soles of his feet +are like the faces of two blazing suns; and he remains completely +motionless--before Anthony and Hilarion--with all the gods around him, +rising in tiers above the rocks, as if upon the benches of some vast +circus. His lips, half-open; and he speaks in a deep voice_): + +"I am the Master of great charities, the succor of all creatures; and +not less to the profane than to believers, do I expound the law. + +"That I might deliver the world, I resolved to be born among men. The +gods wept when I departed from them. + +"I sought me first a woman worthy to give me birth: a woman of warrior +race, the wife of a king, exceedingly good, excessively beautiful, +with body firm as adamant;--and at time of the full moon, without the +auxiliation of any male, I entered her womb. + +"I issued from it by the right side. Stars stopped in their courses." + +HILARION (_murmurs between his teeth_). + +"And seeing the star, they rejoiced with exceeding great joy!"[1] + +(_Anthony watches more attentively._) + +THE BUDDHA[2] (_continuing_). + +"From the furthest recesses of the Himalayas, a holy man one hundred +years of age, hurried to see me." + +HILARION. "A man named Simeon ... who should not see death, before he +had seen the Christ of the Lord."[3] + +THE BUDDHA. "I was led unto the schools; and it was found that I knew +more than the teachers." + +HILARION. "... In the midst of the doctors ... and all that heard him +were astonished at his wisdom!"[4] + +(_Anthony makes a sign to Hilarion to be silent._) + +THE BUDDHA. "Continually did I meditate in the gardens. The shadows of +the trees turned with the turning of the sun; but the shadow of that +which sheltered me turned not. + +"None could equal me in the knowledge of the Scriptures, the +enumeration of atoms, the conduct of elephants, the working of wax, +astronomy, poetry, pugilism, all the exercises and all the arts! + +"In accordance with custom, I took to myself a wife; and I passed the +days in my kingly palace;--clad in pearls, under a rain of perfumes, +refreshed by the fans of thirty thousand women,--watching my peoples +from the height of my terraces adorned with fringes of resonant bells. + +"But the sight of the miseries of the world turned me away from +pleasure. I fled. + +"I begged my way upon the high roads, clad myself in rags gathered +within the sepulchres;--and, hearing of a most learned hermit, I chose +to become his slave. I guarded his gate! I washed his feet. + +"Thus I annihilated all sensation, all joy, all languor. + +"Then, concentrating my thoughts within vaster meditation, I learned to +know the essence of things, the illusion of forms. + +"Soon I exhausted the science of the Brahmans. They are gnawed by +covetousness and desire under their outward aspect of austerity; they +daub themselves with filth, they live upon thorns,--hoping to arrive at +happiness by the path of death!" + +HILARION.... "Pharisees, hypocrites, whited sepulchres, generation of +vipers!" + +THE BUDDHA. "I also accomplished wondrous things,--eating but one +grain of rice each day (and the grains of rice in those times were no +larger than at present)--my hair fell off; my body became black; my +eyes receding within their sockets, seemed even as stars beheld at the +bottom of a well. + +"During six years I kept myself motionless, exposed to the flies, the +lions and the serpents; and the great summer suns, the torrential +rains, lightnings and snows, hails and tempests,--all of these I +endured without even the shelter of my lifted hand. + +"The travellers who passed by, believing me dead, cast clods of earth +upon me! + +"Only the temptation of the Devil remained! + +"I summoned him. + +"His sons came,--hideous, scale-covered, nauseous as +charnel-houses,--shrieking, hissing, bellowing; interclashing their +panoplies, rattling together the bones of dead men. Some belched +flame through their nostrils; some made darkness about me with their +wings; some wore chaplets of severed fingers; some drank serpent-venom +from the hollows of their hands;--they were swine-headed; they were +rhinoceros-headed or toad-headed; they assumed all forms that inspire +loathing or affright." + +ANTHONY (_to himself_). + +"I also endured all that in other days!" + +THE BUDDHA. "Then did he send me his daughters--beautiful with +daintily painted faces, and wearing girdles of gold. Their teeth were +whiter than the jasmine-flower; their thighs round as the trunk of +an elephant. Some extended their arms and yawned, that they might so +display the dimples of their elbows; some winked their eyes; some +laughed; some half-opened their garments. There were blushing virgins, +matrons replete with dignity, queens who came with great trains of +baggage and of slaves." + +ANTHONY (_aside_). "Ah! he too ..." + +THE BUDDHA. "Having vanquished the Demon, I nourished myself for twelve +years with perfumes only;--and as I had acquired the five virtues, +the five faculties, the ten forces, the eighteen substances, and had +entered into the four spheres of the invisible world, Intelligence +became mine! I became the Buddha." + +[Illustration: Intelligence became mine! I became the Buddha.] + +(_All the gods bow themselves down. Those having several heads, bend +them all simultaneously. He lifts his mighty hand aloft, and resumes_:) + +"That I might effect the deliverance of beings, I have made hundreds +of thousands of sacrifices! To the poor I gave robes of silk, beds, +chariots, houses, heaps of gold and of diamonds. I gave my hands to the +one-handed, my legs to the lame, my eyes to the blind;--even my head I +severed for the sake of the decapitated. In the day that I was King, I +gave away provinces;--when I was a Brahman I despised no one. When I +was a solitary, I spake kindly words to the robber who slew me. When I +was a tiger I allowed myself to die of hunger. + +"And having, in this last existence, preached the law, nothing now +remains for me to do. The great period is accomplished! Men, animals, +the gods, the bamboos, the oceans, the mountains, the sand-grains of +the Ganges, together with the myriad myriads of the stars,--all shall +die;--and until the time of the new births, a flame shall dance upon +the wrecks of worlds destroyed!" + +(_Then a great dizziness comes upon the gods. They stagger, fall into +convulsions, and vomit forth their existences. Their crowns burst +apart; their banners fly away. They tear off their attributes, their +sexes, fling over their shoulders the cups from which they quaffed +immortality, strangle themselves with their serpents, vanish in +smoke;--and when all have disappeared_ ...) + +HILARION (_solemnly exclaims_): + +"Thou hast even now beheld the belief of many hundreds of millions of +men." + +(_Anthony is prostrate upon the ground, covering his face with his +hands. Hilarion, with his back turned to the cross, stands near him and +watches him._ + +_A considerable time elapses._ + +_Then a singular being appears--having the head of a man upon the body +of a fish. He approaches through the air, upright, beating the sand +from time to time with his tail; and the patriarchal aspect of his face +by contrast with his puny little arms, causes Anthony to laugh._) + +OANNES (_in a plaintive voice_): + +"Respect me! I am the contemporary of beginnings. + +"I dwelt in that formless world where hermaphroditic creatures +slumbered, under the weight of an opaque atmosphere, in the deeps of +dark waters--when fingers, fins, and wings were blended, and eyes +without heads were floating like mollusks, among human-headed bulls, +and dog-footed serpents. + +[Illustration: ... and eyes without heads were floating like +mollusks] + +"Above the whole of these beings, OMOROCA, bent like a hoop, extended +her woman-body. But Belus cleft her in two halves; with one he made the +earth; with the other, heaven;--and the two equal worlds do mutually +contemplate each other. + +"I, the first consciousness of CHAOS, arose from the abyss that I might +harden matter, and give a law unto forms:--also I taught men to fish +and to sow: I gave them knowledge of writing, and of the history of the +gods. + +[Illustration: I, the first consciousness of Chaos, arose from +the abyss that I might harden matter, and give a law unto forms ...] + +"Since then I have dwelt in the deep pools left by the Deluge. But the +desert grows vaster about them; the winds cast sand into them; the sun +devours them;--and I die upon my couch of slime, gazing at the stars +through the water. Thither I return!" + +(_He leaps and disappears in the Nile._) + +HILARION. "That is an ancient God of the Chaldaeans!" + +ANTHONY (_ironically_). "What, then, were those of Babylon?" + +HILARION. "Thou canst behold them!" + +(_And they find themselves upon the platform of a lofty quadrangular +tower dominating six other towers, which, narrowing as they rise, form +one monstrous pyramid. Far below a great black mass is visible--the +city, doubtless--extending over the plains. The air is cold; the sky +darkly blue; multitudes of stars palpitate above._ + +_In the midst of the platform rises a column of white stone. Priests +in linen robes pass and repass around it, so as to describe by their +evolutions a moving circle; and with faces uplifted, they gaze upon the +stars._ ...) + +HILARION. (_pointing out several of these stars to Anthony_): + +"There are thirty principal stars. Fifteen look upon the upper side +of the earth; fifteen below. At regular intervals one shoots from the +upper regions to those below; while another abandons the inferior deeps +to rise to sublime altitudes ... + +"Of the seven planets, two are beneficent; two evil; three +ambiguous:--all things in the world depend upon the influence of these +eternal fires. According to their position or movement presages may be +drawn;--and here thou dost tread the most venerable place upon earth. +Here Pythagoras and Zoroaster have met;--here for twelve thousand years +these men have observed the skies that they might better learn to know +the gods." + +ANTHONY. "The stars are not gods." + +HILARION. "Aye, they say the stars are gods; for all things about us +pass away;--the heavens only remain immutable as eternity." + +ANTHONY. "Yet there is a master!" + +HILARION (_pointing to the column_): + +"He! Belus!--the first ray, the Sun, the Male! The Other, whom he +fecundates, is beneath him!" + +(_Anthony beholds a garden, illuminated by lamps_: _He finds himself +in the midst of the crowd, in an avenue of cypress-trees. To right and +left are little pathways leading to huts constructed within a wood of +pomegranate trees, and enclosed by treillages of bamboo._ + +_Most of the men wear pointed caps, and garments bedizened like the +plumage of a peacock. But there are also people from the North clad +in bearskins, nomads wearing mantles of brown wool, pallid Gangarides +with long earrings;--and there seems to be as much confusion of rank +as there is confusion of nations; for sailors and stone-cutters elbow +the princes who wear tiaras blazing with carbuncles and who carry +long canes with carven knobs. All proceed upon their way with dilated +nostrils, absorbed by the same desire._ + +_From time to time, they draw aside to make way for some long covered +wagon drawn by oxen, or some ass jolting upon his back a woman bundled +up in thick veils, who finally disappears in the direction of the +cabins._ + +_Anthony feels afraid; he half-resolves to turn back. But an +unutterable curiosity takes possession of him, and draws him on._ + +_At the foot of the cypress-trees there are ranks of women squatting +upon deerskins, all wearing in lieu of diadem, a plaited fillet of +ropes. Some, magnificently attired, loudly call upon the passers-by. +Others, more timid, seek to veil their faces with their arms, while +some matron standing behind them, their mother doubtless, exhorts +them. Others, their heads veiled with a black shawl, and their bodies +entirely nude, seem from afar off to be statues of flesh. As soon as a +man has thrown some money upon their knees, they arise._ + +_And the sound of kisses is heard under the foliage,--sometimes a great +sharp cry._) + +HILARION. "These are the virgins of Babylon, who prostitute themselves +to the goddess." + +ANTHONY. "What goddess?" + +HILARION. "Behold her!" + +(_And he shows him at the further end of the avenue, upon the threshold +of an illuminated grotto, a block of stone representing a woman._) + +ANTHONY. "Ignominy!--how abominable to give a sex to God!" + +HILARION. "Thou thyself dost figure him in thy mind as a living person!" + +(_Anthony again finds himself in darkness._ + +_He beholds in the air a luminous circle, poised upon horizontal +wings. This ring of light, girdles like a loose belt, the waist of a +little man wearing a mitre upon his head and carrying a wreath in his +hand. The lower part of his figure is completely concealed by immense +feathers outspreading about him like a petticoat._ + +_It is_--ORMUZD--_the God of the Persians. He hovers in the air above, +crying aloud_:) + +"I fear! I can see his monstrous jaws! I did vanquish thee, O Ahriman! +But again thou dost war against me. + +"First revolting against me, thou didst destroy the eldest of +creatures, Kaiomortz, the Man-Bull. Then didst thou seduce the first +human couple, Meschia and Meschiane; and thou didst fill all hearts +with darkness, thou didst urge thy battalions against heaven! + +"I also had mine own, the people of the stars; and from the height of +my throne I contemplated the marshalling of the astral hosts. + +"Mithra, my son, dwelt in heavens inaccessible. There he received +souls, from thence did he send them forth; and he arose each morning to +pour forth the abundance of his riches. + +"The earth reflected the splendour of the firmament. Fire blazed upon +the crests of the mountains,--symbolizing that other fire of which +I had created all creatures. And that the holy flame might not be +polluted, the bodies of the dead were not burned; the beaks of birds +carried them aloft toward heaven. + +"I gave to men the laws regulating pastures, labour, the choice of wood +for the sacrifices, the form of cups, the words to be uttered in hours +of sleeplessness;--and my priests unceasingly offered up prayers, so +that worship might be as the eternity of God in its endlessness. Men +purified themselves with water; loaves were offered upon the altars, +sins were confessed aloud. + +"Homa[5] gave himself to men to be drank, that they might have his +strength communicated to them while the Genii of heaven were combating +the demons, the children of Iran were pursuing the serpents. The +King, whom an innumerable host of courtiers served upon their knees, +represented me in his person, and wore my coiffure. His gardens had the +magnificence of a heaven upon earth; and his tomb represented him in +the act of slaying a monster,--emblem of Good destroying Evil. + +"For it was destined that I should one day definitely conquer Ahriman, +by the aid of Time-without-limits. + +"But the interval between us disappears;--the deep night rises! To +me! ye Amschaspands, ye Izeds, ye Ferouers! Succor me, Mithra! seize +thy sword! And thou, Kaosyac, who shall return for the universal +deliverance, defend me! What!--none to aid! Ah! I die! Thou art the +victor, Ahriman!" + +(_Hilarion, standing behind Anthony, restrains a cry of joy;--and_ +ORMUZD _is swallowed up in the darkness._) + +(_Then appears_:) + +THE GREAT DIANA OF EPHESUS + +(_black with enamelled eyes, her elbows pressed to her side, her +forearms extended, with hands open._ + +_Lions crawl upon her shoulders; fruits, flowers, and stars intercross +upon her bosom; further down three rows of breasts appear; and from her +belly to her feet she is covered with a tightly fitting sheath from +which bulls, stags, griffins, and bees, seem about to spring, their +bodies half-protruding from it. She is illuminated by the white light +emanating from a disk of silver, round as the full moon, placed behind +her head._) + +"Where is my temple? Where are my Amazons? + +"What is this I feel?--I, the Incorruptible!--a strange faintness comes +upon me!"... + +(_Her flowers wither, her over-ripe fruits become detached and fall. +The lions and the bulls hang their heads; the deer foam at the mouth, +with a slimy foam, as though exhausted; the buzzing bees die upon the +ground._ + +_She presses her breasts, one after the other. All are empty! But under +a desperate effort her sheath bursts. She seizes it by the bottom, like +the skirt of a robe, throws her animals, her fruits, her flowers, into +it,--then withdraws into the darkness._ + +_And afar off there are voices, murmuring, growling, roaring, +bellowing, belling. The density of the night is augmented by breaths. +Drops of warm rain fall._) + +ANTHONY. "How sweet the odour of the palm trees, the trembling of +leaves, the transparency of springs! I feel the desire to lie flat upon +the Earth that I might feel her against my heart; and my life would be +reinvigorated by her eternal youth!" + +(_He hears the sound of castanets and of cymbals; and men appear, clad +in white tunics with red stripes,--leading through the midst of a +rustic crowd an ass, richly harnessed, its tail decorated with knots of +ribbons, and its hoofs painted._ + +_A box, covered with a saddle-cloth[6] of yellow material shakes to +and fro upon its back, between two baskets,--one receives the offerings +contributed,--eggs, grapes, pears, cheeses, fowls, little coins; and +the other basket is full of roses, which the leaders of the ass pluck +to pieces as they walk before the animal, shedding the leaves upon the +ground._ + +_They wear earrings and large mantles; their locks are plaited, their +cheeks painted, olive-wreaths are fastened upon their foreheads by +medallions bearing figurines;--all wear poniards in their belts, and +brandish ebony-handled whips, having three thongs to which osselets are +attached._[7] + +_Those who form the rear of the procession, place upon the soil,--so as +to remain upright as a candelabrum,--a tall pine, which burns at its +summit, and shades under its lower branches a lamb._ + +_The ass halts. The saddle-cloth is removed. Underneath appears a +second covering of black felt. Then one of the men in white tunics +begins to dance, rattling his crotali;--another, kneeling before the +box, beats a tambourine and_--) + +THE OLDEST OF THE BAND, _begins_:-- + +"Here is the Good Goddess, the Idaean of the mountains, the Great Mother +of Syria! Come ye hither, good people all! + +[Illustration: Here is the Good Goddess, the Idaean of the mountains ...] + +"She gives joy to men, she heals the sick; she sends inheritances; she +satisfies the hunger of love! + +"We bear her through the land, rain or shine, in fair weather, or in +foul. + +"Oft times we lie in the open air, and our table is not always well +served. Robbers dwell in the woods. Wild beasts rush from their +caverns. Slippery paths border the precipices. Behold her! behold her!" + +(_They lift off the covering; and a box is seen, inlaid with little +pebbles._) + +"Loftier than the cedars, she looks down from the blue ether. Vaster +than the wind she encircles the world. Her breath is exhaled by the +nostrils of tigers; the rumbling of her voice is heard beneath the +volcanoes; her wrath is the tempest; the pallor of her face has +whitened the moon. She ripens the harvest; by her the tree-bark swells +with sap; she makes the beard to grow. Give her something; for she +hates the avaricious!" + +(_The box opens; and under a little pavilion of blue silk appears a +small image of Cybele--glittering with spangles, crowned with towers, +and seated in a chariot of red stone, drawn by two lions, with uplifted +paws._ + +_The crowd presses forward to see._) + +THE ARCHIGALLUS (_continues_): + +"She loves the sound of resounding tympanums, the echo of dancing +feet, the howling of wolves, the sonorous mountains and the deep +gorges, the flower of the almond tree, the pomegranate and the green +fig, the whirling dance, the snoring flute, the sugary sap, the salty +tear,--blood! To thee, to thee!--Mother of the mountains!" + +(_They scourge themselves with their whips; and their chests resound +with the blows;--the skins of the tambourines vibrate almost to +bursting. They seize their knives; they gash their arms._) + +"She is sorrowful; let us be sorrowful! Thereby your sins will be +remitted. Blood purifies all--fling its red drops abroad like blossoms! +She, the Great Mother, demands the blood of another creature--of a pure +being!" + +(_The Archigallus raises his knife above the head of a lamb._) + +ANTHONY (_seized with horror_): + +"Do not slay the lamb!" + +(_There is a gush of purple blood. The priest sprinkles the crowd +with it; and all--including Anthony and Hilarion--standing around the +burning tree, silently watch the last palpitations of the victim._ + +_A Woman comes forth from the midst of the priests; she resembles +exactly the image within the little box._ + +_She pauses, perceiving before her a Young Man wearing a Phrygian +cap. His thighs are covered with a pair of narrow trousers, with +lozenge-shaped openings here and there at regular intervals, closed by +bow knots of coloured material. He stands in an attitude of languor, +resting his elbow against a branch of the tree, holding a flute in his +hand._) + +CYBELE (_flinging her arms about his waist_). + +"I have traversed all regions of the earth to join thee--and famine +ravaged the fields Thou hast deceived me! It matters not! I love thee! +Warm my body in thine embrace! Let us be united!" + +ATYS. "The springtime will never again return, O eternal Mother! +Despite my love, it is no longer possible for me to penetrate thy +essence! Would that I might cover myself with a painted robe like +thine! I envy thy breasts, swelling with milk, the length of thy +tresses, thy vast flanks that have borne and brought forth all +creatures! Why am I not thou?--Why am I not a woman?--No, never! depart +from me! My virility fills me with horror!" + +(_With a sharp stone he dismembers himself, and runs furiously from +her ..._ + +_The priests imitate the god; the faithful do even as the priests. Men +and women exchange garments, embrace;--and the tumult of bleeding flesh +passes away, while the sound of voices remaining, becomes even more +strident,--like the shrieking of mourners, like the voices heard at +funerals._ + +_ ... A huge catafalque, hung with purple, supports upon its summit an +ebony bed, surrounded by torches and baskets of silver filagree, in +which are verdant leaves of lettuce, mallow and fennel. Upon the steps +of the construction, from summit to base, sit women all clad in black, +with loosened girdles and bare feet, holding in their hands with a +melancholy air, great bouquets of flowers._ + +_At each corner of the estrade urns of alabaster, filled with myrrh, +slowly send up their smoke._ + +_Upon the bed can be perceived the corpse of a man. Blood flows from +his thigh. One of his arms hangs down lifelessly;--and a dog licks his +finger nails and howls._ + +_The row of torches placed closely together, prevents his face from +being seen; and Anthony feels a strange anguish within him. He fears +lest he should recognize some one._ + +_The sobs of the women cease--and after an interval of silence_,) + +ALL (_psalmody together_): + +"Fair! fair!--all fair he is! Thou hast slept enough!--lift thy +head!--arise! + +"Inhale the perfume of our flowers--narcissus--blossoms and anemones, +gathered in thine own gardens to please thee. Arouse thee! thou dost +make us fear for thee! + +"Speak to us! What dost thou desire? Wilt thou drink wine?--wilt thou +lie in our beds?--dost wish to eat the honeycakes which have the form +of little birds? + +"Let us press his lips,--kiss his breast! Now!--now!--dost thou not +feel our ring-laden fingers passing over thy body?--and our lips that +seek thy mouth?--and our tresses that sweep thy thighs? O faint God, +deaf to our prayers!" + +(_They cry aloud, and rend their faces with their nails; then all +rush,--and the howling of the dog continues in the silence._) + +"Alas! alas! Woe!--the black blood trickles over his snowy flesh! +See! his knees writhe!--his sides sink in! The bloom of his face hath +dampened the purple. He is dead, dead! O weep for him! Lament for him!" + +(_In long procession they ascend to lay between the torches the +offerings of their several tresses, that seem from afar off like +serpents, black or blond;--and the catafalque is lowered gently to the +level of, a grotto,--the opening of a shadowy sepulchre that yawns +behind it._ + +_Then_--) + +A WOMAN (_bends over the corpse. Her long hair, uncut, envelopes her +from head to feet. She sheds tears so abundantly that her grief cannot +be as that of the others, but more than human--infinite!_ + +_Anthony dreams of the Mother of Jesus. She speaks_:--) + +"Thou didst emerge from the Orient, and didst take me, all trembling +with the dew, into thy arms, O Sun! Doves fluttered upon the azure +of thy mantle; our kisses evoked low breezes among the foliage; and I +abandoned myself wholly to thy love, delighting in the pleasure of my +weakness. + +"Alas! alas--Why didst thou depart, to run upon the mountains! A boar +did wound thee at the time of the autumnal equinox! + +"Thou art dead; and the fountains weep,--the trees bend down. The wind +of winter whistles through the naked brushwood. + +"My eyes are about to close, seeing that darkness covers them! Now thou +dwellest in the underworld near the mightiest of my rivals. + +"O Persephone, all that is beautiful descends to thee, never to return!" + +(_Even while she speaks, her companions lift the dead, to place him +within the sepulchre. He remains in their hands! It was only a waxen +corpse._ + +_Wherefore Anthony feels something resembling relief._ + +_All vanish;--and the hut, the rocks, and the cross reappear._ + +_But upon the other side of the Nile, Anthony beholds a Woman, +standing in the midst of the desert._ + +_She retains in her hand the lower part of a long black veil that hides +all her face; supporting with her left arm a little child to whom she +is giving suck. A great ape crouches down in the sand beside her._ + +_She uplifts her head toward heaven; and in spite of the great +distance, her voice is distinctly heard_:) + +ISIS. "O Neith, Beginning of all things! Ammon, Lord of Eternity; +Pthah, demiurgos; Thoth, his intelligence; gods of the Amenthi, +particular triads of the Nomes,--falcons in the azure of heaven, +sphinxes before the temples, ibises perched between the horns of oxen, +planets, constellations, shore, murmurs of the wind, gleams of the +light,--tell me where I may find Osiris. + +"I have sought him in all the canals and all the lakes--aye, further +yet, even to Ph[oe]nician Byblos. Anubis, with ears pricked up, leaped +about me, and yelped, and thrust his muzzle searchingly into the tufts +of the tamarinds. + +"Thanks, good Cynocephalos--thanks to thee!" + +(_She gives the ape two or three friendly little taps upon the head._) + +"Hideous Typhon, the red-haired slew him, tore him in pieces! We have +found all his members. But I have not that which rendered me fecund!" + +(_She utters wild lamentations._) + +ANTHONY (_is filled with fury. He casts stones at her, reviles her._) + +"Begone! thou shameless one!--Begone!" + +HILARION. "Nay! respect her! Her religion was the faith of thy +fathers!--thou didst wear her amulets when thou wert a child in the +cradle!" + +ISIS. "In the summers of long ago, the inundation drove the impure +beasts into the desert. The dykes were opened, the boats dashed against +each other; the panting earth drank the river with the intoxication of +joy. Then, O God, with the horns of the bull, thou didst lie upon my +breast, and then was heard, the lowings of the Eternal Cow! + +"The seasons of sowing and reaping, of threshing and of vintage, +followed each other in regular order with the years. In the eternal +purity of the nights, broad stars beamed and glowed. The days were +bathed in never-varying splendour. Like a royal couple the Sun and the +Moon appeared simultaneously, at either end of the horizon. + +"Then did we both reign above a sublimer world, twin-monarchs, wedded +within, the womb of eternity--he bearing a concupha-headed sceptre; I, +the sceptre that is tipped with a lotus-flower; both of us erect with +hands joined; and the crumblings of empires affected not our attitude. + +"Egypt extended, below us, monumental and awful, long-shaped like the +corridor of a temple; with obelisks on the right, pyramids on the +left, and its labyrinth in the midst. And everywhere were avenues +of monsters, forests of columns, massive pylons flanking gates +summit-crowned with the mysterious globe--the globe of the world, +between two wings. + +"The animals of her Zodiac also existed in her pasture lands; and +filled her mysterious writing with their forms and colours. Divided +into twelve regions as the year is divided into-twelve months--each +month, each day also having its own god--she reproduced the immutable +order of heaven. And man even in dying changed not his face; but +saturated with perfumes, invulnerable to decay, he lay down to sleep +for three thousand years in another and silent Egypt. + +"And that Egypt, vaster than the Egypt of the living, extended beneath +the earth. + +"Thither one descended by dark stairways leading into halls where were +represented the joys of the good, the tortures of the wicked, all that +passes in the third and invisible world. Ranged along the wall the dead +in their painted coffins awaited their turn; and the soul, exempted +from migrations, continued its heavy slumber until the awakening into a +new life. + +"Nevertheless, Osiris sometimes came to see me. And by his ghost I +became the mother of Harpocrates." + +(_She contemplates the child._) + +"Aye! it is he. Those are his eyes; those are his locks, plaited into +ram horns! Thou shalt recommence his works. We shall bloom again like +the lotus. I am still the Great Isis!--none has yet lifted my veil! My +fruit is the Sun! + +[Illustration: I am still the Great Isis!--none has yet lifted +my veil! My fruit is the Sun!] + +"Sim of Springtime, clouds now obscure thy face! The breath of Typhon +devours the pyramids. But a little while ago I beheld the Sphinx flee +away. He was galloping like a jackal. + +"I look for my priests,--my priests clad in mantles of linen, with +their great harps, and bearing a mysterious bark, adorned with +silver pateras. There are no more festivals upon the lakes!--no more +illuminations in my delta!--no more cups of milk at Philae! Apis has +long ceased to reappear. + +"Egypt! Egypt! thy great motionless gods have their shoulders already +whitened by the dung of birds; and the wind that passes over the desert +rolls with it and the ashes of thy dead!--Anubis, guardian of ghosts, +abandon me not!" + +(_The Cynocephalos has vanished. She shakes her child._) + +"But ... what ails thee ... thy hands are cold, thy head droops!" + +(_Harpocrates expires. Then she cries aloud with a cry so piercing, +funereal, heart-rending, that Anthony answers it with another cry, +extending his arms as to support her._ + +_She is no longer there. He lowers his face, overwhelmed by shame._ + +_All that he has seen becomes confused within his mind. It is like the +bewilderment of travel, the illness of drunkenness. He wishes to hate; +but a vague and vast pity fills his heart. He begins to weep, and weeps +abundantly._) + +HILARION. "What makes thee sorrowful?" + +ANTHONY (_after having long sought within himself for a reply_): + +"I think of all the souls that have been lost through these false gods!" + +HILARION. "Dost thou not think that they ... sometimes ... bear much +resemblance to the TRUE?" + +ANTHONY. "That is but a device of the Devil to seduce the faithful more +easily. He attacks the strong through the mind, the weak through the +flesh." + +HILARION. "But luxury, in its greatest fury, has all the +disinterestedness of penitence. The frenzied love of the body +accelerates the destruction thereof,--and proclaims the extent of the +impossible by the exposition of the body's weakness." + +ANTHONY. "What signifies that to me! My heart sickens with disgust +of these beautiful bestial gods, forever busied with carnages and +incests!" + +HILARION. "Yet recollect all those things in the Scripture which +scandalize thee because thou art unable to comprehend them! So also may +these Gods conceal under their sinful forms some mighty truth. There +are more of them yet to be seen. Look around!" + +ANTHONY. "No, no!--it is dangerous!" + +HILARION. "But a little while ago thou didst desire to know them! Is +it because thy faith might vacillate in the presence of lies? What +fearest thou?" + +(_The rocks fronting Anthony have become as a mountain. A line of +clouds obscures the mountain half way between summit and base; and +above the clouds appears another mountain, enormous, all green, +unequally hollowed by valleys nestling in its slopes, and supporting at +its summit, in the midst of laurel-groves a palace of bronze, roofed +with tiles of gold, and supported by columns having capitals of ivory._ + +_In the centre of the peristyle Jupiter,--colossal, with torso +nude,--holds Victory in one hand, his thunderbolts in the other; and +his eagle, perched between his feet, rears its head._ + +_Juno, seated near him, rolls her large eyes, beneath a diadem whence +her wind-blown veil escapes like a vapour._ + +_Behind them, Minerva, standing upon a pedestal, leans on her spear. +The skin of the Gorgon covers her breast, and a linen peplos falls in +regular folds to the nails of her toes. Her glaucous eyes, which gleam +beneath her vizor, gaze afar off, attentively._ + +_On the right of the palace, the aged Neptune bestrides a dolphin +beating with its fins a vast azure expanse which may be sea or sky, for +the perspective of the Ocean seems a continuation of the blue ether: +the two elements are interblended._ + +_On the other side weird Pluto in night-black mantle, crowned with +diamond tiara and bearing a sceptre of ebony, sits in the midst of an +islet surrounded by the circumvolutions of the Styx;--and this river of +shadow empties itself into the darknesses, which form a vast black gulf +below the cliff,--a bottomless abyss!_ + +_Mars, clad in brass, brandishes as in wrath his broad shield and his +sword._ + +_Hercules, leaning upon his club, gazes at him from below._ + +_Apollo, his face ablaze with light, grasps with outstretched right +arm the reins of four white horses urged to a gallop; and Ceres in her +ox-drawn chariot advances toward him with a sickle in her hand._ + +_Behind her comes Bacchus, riding in a very low chariot, gently drawn +by lynxes. Plump and beardless, with vine leaves garlanding his brow, +he passes by holding in his hand an overflowing cup of wine. Silenus +riding beside him reels upon his ass. Pan of the pointed ears, blows +upon his syrinx; the Mimalonaeides beat drums; the Maenads strew +flowers; the Bacchantes turn in the dance with heads thrown back and +hair dishevelled._ + +_Diana, with tunic tucked up, issues from the wood together with her +nymphs._ + +_At the further end of a cavern, Vulcan among his Cabiri, hammers the +heated iron; here and there the aged Rivers leaning recumbent upon +green rocks pour water from their urns; the Muses stand singing in the +valleys_. + +_The Hours, all of equal stature, link hands; and Mercury poses +obliquely upon a rainbow, with his caduceus, winged sandals, and winged +petasus._ + +_But at the summit of the stairway of the Gods,--among clouds soft +as down, from whose turning volutes a rain of roses falls,--Venus +Anadyomene stands gazing at herself in a mirror:--her eyes move +languorously beneath their slumbrous lids._ + +_She has masses of rich blond hair rolling down over her shoulders; her +breasts are small; her waist is slender; her hips curve out like the +sweeping curves of a lyre; her thighs are perfectly rounded; there are +dimples about her knees; her feet are delicate: a butterfly hovers near +her mouth. The splendour of her body makes a nacreous-tinted halo of +bright light about her; while all the rest of Olympus is bathed in a +pink dawn, rising gradually to the heights of the blue sky._) + +ANTHONY. "Ah! my heart swells! A joy never known before thrills me to +the depths of my soul! How beautiful, how beautiful it is!" + +HILARION. "They leaned from the heights of cloud to direct the way of +swords; one used to meet them upon the high roads; men had them in +their houses--and this familiarity divinized life. + +"Life's aim was only to be free and beautiful. Nobility of attitude was +facilitated by the looseness of garments. The voice of the orator, +trained by the sea, rolled its sonorous waves against the porticoes of +marble. The ephebus, anointed with oil, wrestled all naked in the full +light of the sun. The holiest of actions was to expose perfection of +forms to all. + +"And these men respected wives, aged men, suppliants. + +"Behind the temple of Hercules there was an altar erected to Pity. + +"Victims were immolated with flowers wreathed about the fingers of the +sacrificer. Even memory was exempted from thoughts of the rottenness +of death. Nothing remained but a little pile of ashes. And the Soul, +mingling with the boundless ether, rose up to God." + +(_Bending to whisper in Anthony's ear_:--) + +"And they still live! The Emperor Constantine adores Apollo. Thou wilt +find the Trinity in Samothracian mysteries,--baptism in the religion of +Isis,--redemption in the faith of Mithra,--a martyrdom of a God in the +festivals of Bacchus. Prosperpine is the Virgin!... Aristaeus is Jesus!" + +ANTHONY (_remains awhile with downcast eyes, as if in deep thought; +then suddenly repeats aloud the Symbol of Jerusalem, as he remembers +it, uttering a long sigh between each phrase_):-- + +"I believe in one only God, the Father,--and in one only Lord, Jesus +Christ,--the first born son of God, who was incarnated and made +man,--who was crucified, and buried,--who ascended into Heaven,--who +will come to judge the living and the dead,--of whose Kingdom there +shall be no end;--and in one Holy Spirit,--and in one baptism of +repentance,--and in one Holy Catholic Church,--and in the resurrection +of the flesh,--and in the life everlasting!" + +(_Immediately the cross becomes loftier and loftier; it pierces the +clouds, and casts its shadow upon the heaven of the gods._ + +_All grow pale;--Olympus shudders._ + +_And at its base Anthony beholds vast bodies enchained, sustaining the +rocks upon their shoulders,--giant figures half buried in the deeps +of caverns. These are the Titans, the Giants, the Hecatonchires, the +Cyclops._) + +A VOICE + +(_rises, indistinct and awful, like the far roar of leaves, like the +voice of forests in time of tempest, like the mighty moaning of the +wind among the precipices_): + +"We knew these things!--we knew them! There must come an end even for +the Gods! Uranus was mutilated by Saturn,--Saturn by Jupiter. And +Jupiter himself shall be annihilated. Each in his turn;--it is Destiny!" + +(_And little by little they sink into the mountain, and disappear._ + +_Meanwhile the golden tiles of the palace rise and fly away._) + +JUPITER (_has descended from his throne. At his feet the thunderbolts +lie, smoking like burning coals about to expire;--and the great eagle +bends its neck to pick up its falling feathers_): + +"Then I am no longer the master of all things,--most holy, most +mighty, god of the phatrias and Greek peoples,--ancestor of all the +Kings,--Agamemnon of heaven. + +"Eagle of apotheoses, what wind from Erebus has wafted thee to me? or, +fleeing from the Campus Martins, dost thou bear me the soul of the last +of the Emperors? + +"I no longer desire to receive those of men. Let the Earth keep them; +and let them move upon the level of its baseness. Their hearts are now +the hearts of slaves;--they forget injuries, forget their ancestors, +forget their oaths,--and everywhere the folly of crowds, the mediocrity +of individuals, the hideousness of races, hold sway!" + +(_He pants with such violence that his sides seem ready to burst +asunder; he clenches his hands. Weeping_, HEBE _offers him a cup. He +seizes it._) + +"No, no! So long as there shall be a brain enclosing a thought, in +whatsoever part of the world;--so long as there shall exist a mind +hating disorder, creating LAW,--so long will the spirit of Jupiter +live!" + +(_But the cup is empty. He turns its edge down over his thumbnail._) + +"Not one drop left! When the ambrosia fails, the Immortals must indeed +depart!" + +(_The cup drops from his hands; and he leans against a column, feeling +himself about to die._) + +JUNO. "Thou shouldst not have had so many amours! Eagle, bull, swan, +rain of gold, cloud and flame, thou didst assume all forms,--dissipate +thy light in all elements,--lose thy hair upon all beds! This time +the divorce is irrevocable; and our domination, our very existence, +dissolved." + +(_She passes away in air._) + +MINERVA (_has no longer her spear; and the ravens nesting among the +sculptures of the friezes, wheel about her, peeking at her helmet._) + +"Let me see whether my vessels cleave the bright sea, returning to my +three ports,--let me discover why the fields are deserted, and learn +what the daughters of Athens are now doing. + +"In the month of Hecatombeon my whole people came to worship me, under +the guidance of their magistrates and priests. Then, all in white robes +and wearing chitons of gold, they advanced the long line of virgins +bearing cups, baskets, parasols; then the three hundred sacrificial +oxen, and the old men having green boughs, the soldiers with clashing +of armour, the ephebi singing hymns, flute players, lyre players, +rhapsodists, dancing women;--and lastly attached to the mast of a +trireme mounted upon wheel, my great veil embroidered by virgins who +had been nourished in a particular way for a whole year. And when it +had been displayed in all the streets, in all the squares, and before +the temples, in the midst of the ever-chanting procession, it was borne +step by step up the hill of the Acropolis, grazed the Propylaea, and +entered the Parthenon.... + +"But a strange feebleness comes upon me,--me the Industrious One! What! +what! not one idea comes to me! Lo! I am trembling more than a woman!" + +(_She turns, beholds a ruin behind her, utters a cry, and stricken by a +fallen fragment, falls backward upon the ground._) + +HERCULES (_has flung away his lion-skin; and with feet firmly braced, +back arched, teeth clenched, he exhausts himself in immeasurable +efforts to bear up the mass of crumbling Olympus._) + +"I vanquished the Cercopes, the Amazons, and the Centaurs. Many were +the kings I slew. I broke the horn of the great river, Achelous. I cut +the mountains asunder; I freed nations from slavery; and I peopled +lands that were desolate. I travelled through the countries of Gaul; +I traversed the deserts where thirst prevails. I defended the gods +from their enemies; and I freed myself from Omphale. But the weight of +Olympus is too great for me. My arms grow feebler:--I die!" + +(_He is crushed beneath the ruins._) + +PLUTO. "It is thy fault, Amphytrionad;--wherefore didst thou descend +into my empire? + +"The vulture that gnaws the entrails of Tityus lifted its head;--the +lips of Tantalus were moistened;--the wheel of Ixion stopped. + +"Meanwhile the Kaeres extended their claws to snatch back the escaping +ghosts; the Furies tore the serpents of their locks; and Cerberus +fettered by thee with a chain, sounded the death rattle in his throat, +and foamed at all his three mouths. + +"Thou didst leave the gate ajar; others have come. The daylight of men +has entered into Tartarus!" + +(_He sinks into the darkness._) + +NEPTUNE. "My trident can no longer call up the tempests. The monsters +that terrified of old, lie rotting at the bottom of the sea. + +"Amphitrite whose white feet tripped lightly over the foam, the green +Nereids seen afar off in the horizon, the scaly Sirens who stopped +the passing vessels to tell stories, and the ancient Tritons mightily +blowing upon their shells, all have passed away. All is desolate and +dead; the gaiety of the great Sea is no more!" + +(_He vanishes beneath the azure._) + +DIANA (_clad in black and surrounded by her dogs, which have been +changed into wolves_). + +"The freedom of the deep forests once intoxicated me; the odours of the +wild beasts and the exhalations of the marshes made me as one drank +with joy. But the women whose maternity I protected, now bring dead +children into the world. The moon trembles with the incantations of +witches. Desires of violence, of immensity, seize me, fill me! I wish +to drink poisons,--to lose myself in vapours, in dreams...!" + +(_And a passing cloud carries her away._) + +MARS (_unhelmed and covered with blood_). + +"At first I fought alone;--singlehanded I would provoke a whole army by +my insults,--caring nothing for countries or nations, demanding battle +for the pleasure of carnage alone. + +"Afterward I had comrades. They marched to the sound of flutes, in good +order, with equal step, respiring above their bucklers, with plumes +loftily nodding, lances oblique. Then on rushed to battle with mighty +eagle cries. War was joyous as a banquet. Three hundred men strove +against all Asia. + +"But the Barbarians are returning;--by myriads they come, by millions! +Ah! since numbers, and engines, and cunning are stronger than valour, +it were better that I die the death of the brave!" + +(_He kills himself._) + +VULCAN (_sponging the sweat from his limbs_): + +"The world is growing cold. The source of heat must be nourished, the +volcanoes and rivers of flowing metal underground. Strike harder!--with +full swing of the arms,--with might and main!" + +(_The Cabiri wound themselves with their hammers, blind themselves with +sparks, and groping, lose themselves in the darkness._) + +CERES (_standing in her chariot, impelled by wheels having wings at +their hubs_): + +"Stop! Stop! Ah! it was with good reason that the exclusion of +strangers, atheists, Epicureans, and Christians was commended! Now the +mystery of the basket has been unveiled; the sanctuary profaned: all is +lost!" + +(_She descends a precipitous slope--shrieking, despairing, tearing her +hair._) + +"Ah! lies, lies! Daira has not been restored to me. The voice of brass +calls me to the dead. This is another Tartarus, whence there is no +return! Horror!" + +(_The abyss engulfs her._) + +BACCHUS (_with a frenzied laugh_). + +"What matters it? The Archon's wife is my spouse! The law itself reels +in drunkenness! To me the new song, the multiplied forms! + +"The fire by which my mother was devoured, flows in my veins! Let it +burn yet more fiercely, even though I perish! + +"Male and female, complaisant to all, I abandon myself to you, +Bacchantes! I abandon myself to you, Bacchanalians!--and the vine shall +twine herself about the tree-trunks! Howl! dance! writhe! Loosen the +tiger and the slave!--rend flesh with ferocious bitings!" + +(_And Pan, Silenus, the Bacchantes, the Mimalonaeides, and the +Maenads,--with their serpents, torches, sable masks,--cast flowers at +each other ... shake their tympanums, strike their thyrsi, pelt each +other with shells, devour grapes, strangle a goat, and tear Bacchus +asunder._) + +APOLLO (_furiously whipping his coursers, while his blanching locks are +falling from his head_): + +"I have left far behind me stony Delos, so pure that all now there +seems dead; and I must strive to reach Delphi ere its inspiring vapour +be wholly lost. The mules browse in its laurel groves. The Pythoness +has wandered away, and cannot be found. + +"By a stronger concentration of my power, I will obtain sublime hymns, +eternal monuments; and all matter will be penetrated by the vibrations +of my cithara!" + +(_He strikes the strings of the instrument. They burst, lashing his +face with their broken ends. He flings the cithara away; and furiously +whipping his quadriga, cries_): + +"No! enough of forms!--Further, higher!--to the very summit!--to the +realm of pure thought!" + +(_But the horses back, rear, dash the chariot to pieces. Entangled by +the harness, caught by the fragments of the broken pole, he falls head +foremost into the abyss._ + +[Illustration: ... he falls head foremost into the abyss.] + +_The sky is darkened._) + +VENUS (_blue with cold, shivering_): + +"Once with my girdle I made all the horizon of Hellas. + +"Her fields glowed with the roses of my cheeks; her shores were +outlined after the fashion of my lips; and her mountains, whiter than +my doves, palpitated beneath the hands of the statuaries. My spirit's +manifestation was found in the ordinances of the festivals, in the +arrangement of coiffures, in the dialogues of philosophers, in the +constitution of republics. But I have doted too much upon men! It is +Love that has dishonoured me!" + +(_She casts herself back weeping_): + +"This world is abominable;--there is no air for me to breathe! + +"O Mercury, inventor of the lyre, conductor of souls, take me away!" + +(_She places one finger upon her lips, and describing an immense +parabola, falls into the abyss._ + +_Nothing is now visible. The darkness is complete._ + +_Only, that from the eyes of Hilarion escape two flashes, two rays of +lurid light._) + +ANTHONY (_begins at last to notice his immense stature_): + +"Already several times, while thou wert speaking, it seemed to me thou +wert growing taller; and it was no illusion! How? Explain to me ... Thy +aspect terrifies me!" + +(_Footsteps are heard approaching._) + +"What is that?" + +HILARION (_extending his arm_): + +"Look!" + +(_Then, under a pale beam of moonlight, Anthony distinguishes an +interminable caravan defiling over the summit of the rocks;--and each +voyager, one after the other, falls from the cliff into the gulf below._ + +_First comes the three great gods of_ Samothrace,--AXIEROS, AXIOKEROS, +AXIOKERSA,--_united together as in a fascia, purple-masked, all with +hands uplifted._ + +_AEsculapius advances with a melancholy air, not even perceiving +Samos and Telesphorus, who question him with gestures of anguish._ +ELEAN SOSIPOLIS, _of python-form, rolls his coils toward the abyss._ +DOSIPOENA, _becomes dizzy, leaps in of her own accord._ BRITOMARTIS, +_shrieking with fear, clutches fast the meshes of her net. The Centaurs +come at a wild gallop, and roll pell-mell into the black gulf._ + +_Behind them, all limping, advance the bands of the mourning Nymphs. +Those of the meadows are covered with dust; those of the woods moan and +bleed; wounded by the axes of the woodcutters._ + +_The Gelludes, the Strygii, the Empusae, all the infernal goddesses, +form one pyramid of blended fangs, vipers, and torches;--and seated +upon a vulture-skin at its summit, Eurynome, blue as the flies that +corrupt meat, devours her own arms._ + +_Then in one great whirl simultaneously disappear the bloody Orthia, +Hymina of Orchomenus, the Laphria of the Patraens, Aphia of Agina, +Bendis of Thrace, Stymphalia with thighs like a bird's. Triopas, in +lieu of three eyes, has now but three empty orbits. Erichthonius, his +legs paralysed, crawls upon his hands like a cripple._) + +HILARION. "What a pleasure, is it not!--to see them all in the +abjection of their death-agony! Climb up here beside me, on this rock; +and thou shalt be even as Xerxes, reviewing his army. + +"Beyond there, very far, dost thou behold that fair-bearded giant, +who even now lets fall his sword crimsoned with blood?--that is +the Scythian Zalmoxis between two planets,--Artimpasa, Venus, and +Orsiloche, the Moon. + +"Still further away, now emerging from pallid clouds, are the gods whom +the Cimmerians adore, even beyond Thule. + +"Their huge halls were warm, and by the gleam of swords that tapestried +the vault, they drank their hydromel from horns of ivory. They ate the +liver of the whale in dishes of brass wrought by the hammers of demons; +or, betimes, they listened to captive sorcerers whose fingers played +upon harps of stone. + +"They are feeble! They are cold! The snow makes heavy their bearskins; +and their feet show through the rents in their sandals. + +"They weep for the vast fields upon whose grassy knolls they were +wont to draw breath in pauses of battle; they weep for the long ships +whose prows forced a way through the mountains of ice;--and the skates +wherewith they followed the orb of the poles, upbearing at the length +of their mighty arms all the firmament that turned with them." + +(_A gust of frosty wind carries them off. Anthony turns his eyes +another way. And he perceives--outlined in black against a red +background--certain strange personages, with chinbands and gauntlets, +who throw balls at one another, leap over each other's heads, make +grimaces, dance a frenzied dance._) + +HILARION. "Those are the divinities of Etruria, the innumerable AEsars. + +"There is Tages, by whom augury was invented. With one hand he seeks to +augment the divisions of the sky; with the other he supports himself +upon the earth: let him sink therein! + +"Nortia gazes at the wall into which she drave nails to mark the number +of the passing years. Its whole surface is now covered; and the period +is accomplished. + +"Like two travellers overtaken by a storm, Kastur and Pulutuk, +trembling, seek to shelter themselves beneath the same mantle." + +ANTHONY (_closes his eyes_): + +"Enough! Enough!" + +(_But with a mighty noise of wings, all the Victories of the Capitol +pass through the air,--hiding their faces with their hands, dropping +the trophies hanging upon their arms._ + +_Janus,--lord of crepuscules,--flees upon a black ram; and one of his +two faces is already putrified; the other slumbers with fatigue._ + +_Summanus, the headless god of the dark heavens, presses against his +heart an odd cake shaped like a wheel._ + +_Vesta, beneath a ruined cupola, tries to relight her extinguished +lamp._ + +_Bellona gashes her cheeks,--without being able to make that blood flow +by which her devotees were purified._) + +ANTHONY. "Mercy!--they weary me!" + +HILARION. "Before, they amused thee!" + +(_And he shows him in a grove of bean-trees,_ A WOMAN, _naked.... +.........and a black man, holding in each hand a torch._[8]) + +"It is the goddess of Aricia, with the demon Virbius. Her sacerdote, +the King of the grove, had to be an assassin;[9] and the fugitive +slaves, the despoilers of corpses, the brigands of the Via Salaria, the +cripples of the Pons Sublicius, all the human vermin of the Suburra +worshipped no deities so fervently. + +"In the time of Marcus Antonius the patrician women preferred Libitina." + +(_And he shows him under the shadow of cypresses and rose-trees_, +ANOTHER WOMAN, _clad in gauze. Around her lie spades, litters, black +hangings, all the paraphernalia of funerals. She smiles. Her diamonds +shine afar off through spiders' webs. The Larvae, like skeletons, show +their bones through the branches; and the Lemures, who are phantoms, +extend their bat-like wings._ + +_At the end of a field lies the god Terminus, uprooted, and covered +with ordures._ + +_In the centre of a furrow, the great corpse of Vertumnus is being +devoured by red dogs._ + +_The rustic deities all depart, weeping:--Sartor, Sarrator, Vervactor, +Collina, Vallona, Hostilinus--all wearing little hooded mantles, and +carrying either a hoe, a pitchfork, a hurdle, or a boar-spear._) + +HILARION. "Their spirits made prosperous the villa,--with its dovecots, +its parks of dormice, its poultry-yards protected by nets, its warm +stables fragrant with odours of cedar. + +"Also they protected all the wretched population who dragged the irons +upon their legs over the flinty ways of the Sabine country,--those who +called the swine together by sound of horn,--those who were wont to +gather the bunches at the very summits of the elms,--those who drove +the asses, laden with manure, over the winding bypaths. The panting +labourer, leaning over the handle of his plough, prayed them to give +strength to his arms; and under the shade of the lindens, beside +calabashes filled with milk, the cow-herds were wont, in turn, to sound +their praises upon flutes of reed." + +ANTHONY (_sighs._) + +(_And in the centre of a chamber, upon a lofty estrade, an ivory bed is +visible, surrounded by persons bearing torches of pine._) + +"Those are the deities of marriage. They await the coming of the bride. + +"Domiduca should lead her in,--Virgo unfasten her girdle,--Subigo place +her in the bed,--and Praema open her arms, and whisper sweet words into +her ear. + +"But she will not come!--and they dismiss the others:--Nona and Decima +who watch by sick-beds; the three Nixii who preside over child-birth; +the two nurses, Educa and Potina; and Carna, guardian of the cradle, +whose bouquet of hawthorne keeps evil dreams from the child. + +"Afterwards, Ossipago should strengthen his knees;--Barbatus give him +his first beard; Stimula inspire his first desires; Volupia grant him +his first enjoyment; Fabulimus should have taught him to speak, Numera +to count, Cam[oe]na to sing, Consus to reflect." + +(_This chamber is empty; and there remains only the centenarian Naenia +beside the bed,--muttering to herself the dirge she was wont to howl at +the funerals of aged men._ + +_But her voice is soon drowned by sharp cries. These are uttered by_-- + +_The_ LARES DOMESTICI, _crouching at the further end of the atrium, +clad in dog-skins, with flowers wreathed about their bodies,--pressing +their clenched hands against their cheeks, and weeping as loudly as +they can._) + +"Where is the portion of food we received at each repast, the kindly +care of the maid-servant, the smile of the matron, the merriment of +the little boys playing at knuckle-bones on the mosaic pavement of the +court-yard? When grown up, they used to hang about our necks their +bullae of gold or leather! + +"What happiness it was, when on the evening of a triumph, the master, +entering, turned his humid eyes upon us! He would recount his combats; +and the little house would be prouder than a palace; sacred as a temple! + +"How sweet were the family repasts, above all on the morrow of the +Feralia! Tenderness for the dead appeased all discords; all kissed each +other, while drinking to the glories of the past, and the hopes of the +future. + +"But the ancestors, of painted wax, locked up behind us, are slowly +becoming covered with mold. The new races, visiting their own +deceptions upon us, have shattered our jaws; our wooden bodies are +disappearing piece-meal under the teeth of rats." + +(_And the innumerable gods, watching over doors, kitchens, cellars, +baths, disperse in every direction--under the form of enormous ants +running over the pavement, or great butterflies soaring away._ + +_Then a roll of thunder is heard._) + + +A VOICE: + +"I was the God of Armies, the Lord, the Lord God! I pitched the tents +of Jacob on the hills; and in the midst of the sands I nourished my +chosen people in their flight. + +"It was I who consumed the city of Sodom with fire! It was I who +overwhelmed the world with the waters of the Deluge! It was I that +drowned Pharaoh, with all the princes, sons of Kings,--making the sea +to swallow up his chariots of war, and his charioteers! + +"I, the Jealous God, held all other gods in abomination. I brayed the +impure in my anger; the mighty I cast down; and swiftly the desolation +of my wrath ran to the right and to the left, like a dromedary loosened +in a field of maize. + +"I chose the humble to deliver Israel. Angels, flame-winged, spake to +them from out the bushes. + +"Perfumed with spikenard, with cinnamon and myrrh, clad in transparent +robes, and shod with high-heeled sandals,--women of valiant heart went +forth to slay captains. The passing wind carried my prophets with it. + +"My law I graved upon tables of stone. Within that law my people were +enclosed, as within a strong citadel. They were my people. I was their +God! The land was mine; the men also belonged to me, together with +their every thought, and all their works, and the tools they wrought +with, and their prosperity. + +"My ark reposed within a triple sanctuary,--surrounded by curtains +of purple and lighted candelabra. I had a whole tribe to serve me as +servants, swinging censers; and the high-priest, robed in robes of +hyacinth, wore upon his breast precious stones disposed in symmetrical +order. + +"Woe! Woe! the Holy of Holies is open, the veil is rent, the perfumes +of the holocaust are dissipated by all the winds of heaven! The jackal +whines in the sepulchres; my temple is destroyed; my people dispersed! + +"The priests have been strangled with the girdles of their robes. The +women languish in captivity; the holy vessels have all been melted!" + +(_The voice, becoming more distant_): + +"I was the God of Armies; the Lord, the Lord God!" + +(_An enormous silence follows,--and deepest night._) + +ANTHONY. "All have passed away!" + +SOME ONE (_replies_): + +"I remain!" + +(_And Hilarion stands before him--but transfigured wholly,--beautiful +as an archangel, luminous as a sun, and so lofty that in order to +behold his face_-- + +ANTHONY + +_is compelled to throw back his head, to look up as though gazing as a +star_): + +"Who art thou?" + +HILARION. "My kingdom is vast as the universe; and my desire knows no +limits. I go on forever,--freeing minds, weighing worlds,--without +hatred, without fear, without pity, without love, and without God. Men +call me SCIENCE!" + +ANTHONY (_recoiling from him_): + +"Say, rather, that thou art ... the Devil!" + +HILARION (_fixing his eyes upon him_:) + +"Wouldst thou behold him?" + +ANTHONY (_cannot detach his eyes from that mighty gaze:--the curiosity +of the Devil comes upon him. His terror augments; yet his wish grows +even to boundlessness_): + +"Yet if I should see him ... if I were to see him!" + +(_Then in a sudden spasm of wrath_): + +"The horror that I have of him will free me from his presence +forever!... Yes!" + +(_A cloven foot appears. Anthony regrets his wish._ + +_But the Devil flings him upon his horns and bears him away._) + + + +[1] Matthew II: 10--T. + +[2] "Buddha, or more correctly, the Buddha, for Buddha is an +appellative meaning Enlightened."--Max Mueller (Chips, Vol. I., 206). + +[3] Luke II: 25-26.--T. + +[4] Ibid II: 46-47.--T. + +[5] Or, Haoma, also Hom, the sacred plant, whose fermented juice +occupied an important place in the practical rites of Iran. Supposed +to be the same plant known in botany as _Sarcostemma viminalis._ +Deified in Iranian worship, like the sacred drink _Soma_ in the Vedic +hymns. The _Soma_ was the fermented extract of the _Asclepias acida_ +or _Sarcostemma ritalis._ See Marius Fontane, "L'Inde Vedique," "Les +Iraniens."--Trans. + +[6] Apuleius says, "a silken mantle."--Trans. + +[7] Apuleius says, "strung with knuckle-bones of sheep."--Trans. + +[8] This scene, like certain paintings in the Naples museum, is all +suited for public exhibition.--Trans. + +[9] Readers will recollect the lines in Macaulay's _Lays of Ancient +Rome_: + +"Beneath Aricia's trees, + Those trees in whose dim shadow + A ghastly priest doth reign, + The priest who slew the slayer, + And must himself be slain." + + + + + +VI + + +(_He flies beneath him, outstretched like a swimmer; his vast-spreading +wings, wholly concealing him, seem like one huge cloud._) + +ANTHONY. "Whither do I go? But a little while ago I beheld in a glimpse +the form of the Accurst. Nay!--'tis a cloud that upbears me! Perhaps I +am dead, and am ascending to God.... + +"How freely I respire. The immaculate air seems to vivify my soul. No +sense of weight!--no more suffering. + +"Far below me the lightning breaks,--the horizon broadens, widens,--the +rivers cross each other. That blond-bright spot is the desert; that +pool of water the ocean! + +"And other oceans appear!--vast regions of which I knew nothing! +There are the countries of the blacks, which seem to smoke like +brasiers!--then is the zone of snows always made dim by fog! Would I +might behold those mountains where the sun, each evening, sinks to +rest!" + +THE DEVIL. "The sun never sinks to rest; the sun never rests!" + +(_Anthony is not surprised at this voice. It seems to him an echo of +his own thought--a response made by his own memory._ + +_Meanwhile the earth gradually assumes the shape of a ball; and he +beholds it in the midst of the azure, turning upon its poles, and +revolving with the sun._) + +THE DEVIL. "So it does not form the centre of the universe! Pride of +man! humiliate thyself!" + +ANTHONY. "Now I can scarcely distinguish it. It mingles confusedly with +other glowing worlds. The firmament itself is but one tissue of stars." + +(_And they still rise._) + +"No sound!--not even the hoarse cry of eagles! Nothing? I listen for +the harmony of the spheres." + +THE DEVIL. "Thou wilt not hear them! Nor wilt thou behold the +antichtonus of Plato,--or the central furnace of Philolaus,--or the +spheres of Aristotle, or the seven heavens of the Jews, with the great +waters above the vault of crystal!" + +ANTHONY. "Yet from below the vault seemed solid as a wall!--on the +contrary I penetrate it, I lose myself in it!" + +(_And he beholds the moon,--like a rounded fragment of ice filled with +motionless light._) + +THE DEVIL. "Formerly it was the sojourn of souls! Even the good +Pythagoras adorned it with magnificent flowers, populated it with +birds!" + +ANTHONY. "I can see only desolate plains there, with extinct craters +yawning under a black sky! + +"Let us go towards those milder-beaming stars, that we may contemplate +the angels who uphold them at arms' length, like torches!" + +THE DEVIL (_bears him into the midst of the stars_): + +"They attract at the same time that they repel each other. The +action of each one results from that of others, and contributes +thereunto,--without the aid of any auxiliary, by the force of a law, +the virtue of order alone!" + +ANTHONY. "Yes!...yes! My intelligence grasps the great truth! It is +a joy greater than all tender pleasures! Breathless I find myself with +astonishment at the enormity of God!" + +THE DEVIL. "Even as the firmament ever rises as thou dost ascend, so +with the expansion of thy thought will He become greater to thee; and +after this discovery of the universe thou wilt feel thy joy augment +with the broadening and deepening of the infinite." + +ANTHONY. "Ah! higher!--higher still!--- forever higher!" + +(_Then the stars multiply, scintillate. The Milky Way develops in the +zenith like a monstrous belt, with holes at intervals; through these +rents in its brightness stretches of prolonged darkness are visible. +There are rains of stars, long trains of golden dust, luminous vapours +that float and dissolve. + +At times a comet suddenly passes by; then the tranquillity of +innumerable lights recommences. + +Anthony, with outstretched arms, supports himself upon the Devil's +horns, and thus occupies all the space between them. + +He remembers with disdain the ignorance of other days, the mediocrity +of his dreams. And now those luminous globes he was wont to gaze upon +from below, are close to him. He distinguishes the intercrossing of +the lines of their orbits, the complexity of their courses. He beholds +them coming from afar,--and, like stones suspended in a sling, describe +their circles, form their hyperbolas. + +He perceives, all within the field of his vision at once, the Southern +Cross and the Great Bear, the Lynx and the Centaur, the nebula of +Dorado, the six suns in the constellation of Orion, Jupiter with his +four satellites, and the triple ring of the monstrous Saturn!--all the +planets, all the stars that men will discover in the future. He fills +his eyes with their light; he over-burthens his mind with calculation +of their distances: then, bowing his head, he murmurs_): + +"What is the purpose of all that?" + +THE DEVIL. "There is no purpose. How could God have a purpose? What +experience could have instructed him?--what reflection determined him? + +[Illustration: Anthony: What is the purpose of all that? The +Devil: There is no purpose.] + +"Before the beginning he could not have acted;--and now his action +would be useless." + +ANTHONY. "Yet he created the world, at one time, by his word only." + +THE DEVIL. "But the beings that people the earth come upon it +successively. So also, in heaven, new stars arise--different effects of +varying causes." + +ANTHONY. "The varying of causes is the will of God!" + +THE DEVIL. "But to admit several acts of will in God is to admit +various causes, and therefore to deny his unity. + +"His will is inseparable from his essence. He can have but one will, +having but one essence; and inasmuch as he externally exists, he acts +eternally. + +"Contemplate the sun! From its surface leap vast jets of flame, casting +forth sparks that disperse beyond to become worlds here-after;--and +further than the last, far beyond those deeps where thou seest only +night, whirl other suns,--and behind them others again, and beyond +those yet others ... without end!" + +ANTHONY. "Enough! Enough! I fear!--I will fall into the abyss!" + +THE DEVIL (_pauses, and rocks Anthony gently in the midst of space_). + +"Nothingness is--not--there is no void! Everywhere and forever bodies +move upon the immovable deeps of space! Were there boundaries to +space, it would not be space, but a body only: it is limitless!" + +ANTHONY (_stupefied by wonder_): + +"Limitless!" + +THE DEVIL. "Ascend skyward forever and forever,--yet thou wilt not +attain the summit. Descend below the earth for billions of billions of +centuries: never wilt thou reach the bottom. For there is no summit, +there is no bottom; there is no Above, no Below--nor height, nor +depth as signified by the terms of human utterance. And Space itself +is comprised in God, who is not a portion thereof of such or such a +size,--but is Immensity itself!" + +ANTHONY (_slowly_): + +"Matter ..., then, ... must be a part of God?" + +THE DEVIL. "Why not? Canst thou know the end of God?" + +ANTHONY. "Nay: on the contrary, I prostrate, I crush myself beneath his +mightiness!" + +THE DEVIL. "And yet thou dost pretend to move him! Thou dost speak to +him,--thou dost even adorn him with virtues,--with goodness, justice, +mercy,--in lieu of recognising that all perfections are his! + +"To conceive aught beyond him is to conceive God above God, the Being +above the Being. For He is the only being, the only substance. + +"If the Substance could be divided, it would not be the Substance, it +would lose its nature: God could not exist. He is therefore indivisible +as infinite;--and if he had a body, he would be composed of parts, +he would not be One--he would not be infinite. Therefore he is not a +Person!" + +ANTHONY. "What? my prayers, my sobs, my groans, the sufferings of my +flesh, the transports of my love,--have all these things gone out to a +lie,--to emptiness, unavailingly--like the cry of a bird, like a whirl +of dead leaves?" + +(_Weeping_): + +"Oh, no!--there is Some One above all things,--a great Soul, a Lord, a +Father whom my heart adores and who must love me!" + +THE DEVIL. "Thou dost desire that God were not God;--for did he feel +love, or anger, or pity,--he would abandon his perfection for a greater +or a lesser perfection. He can stoop to no sentiment, nor be contained +in any form." + +ANTHONY. "One day, nevertheless, I shall see him!" + +THE DEVIL. "With the blessed, is it not?--when the finite shall enjoy +the infinite in some restricted place, containing the Absolute!" + +ANTHONY. "Matters not!--there must be a paradise for the good, as there +is a hell for the wicked." + +THE DEVIL. "Can the desire of thy mind create the law of the universe? +Without doubt evil is indifferent to God,--forasmuch as the Earth is +covered with it! + +"Is it through impotence that he endures it, or through cruelty that he +maintains it? + +"Dost thou fancy that he is eternally readjusting the world, like an +imperfect machine?--that he is forever watching the movements of all +beings, from the flight of a butterfly to the thought of a man? + +"If he have created the universe, his providence is superfluous. If +Providence exists, then creation is defective. + +"But evil and good concern only thee--even like night and day, pleasure +and pain, death and birth, which are relative only to one corner +of space, to a special centre, to a particular interest. Since the +Infinite is permanent, the Infinite is;--and that is all." + +(_The Devil's wings have been gradually expanding: now they cover all +space._) + +ANTHONY (_now perceives nothing: a great faintness comes upon him_): + +"A hideous cold freezes me, even to the depths of my soul! This is +beyond the extreme of pain! It is like a death that is deeper than +death! I roll in the immensity of darkness; and the darkness itself +enters within me. My consciousness bursts beneath this dilation of +nothingness!" + +THE DEVIL. "Yet the knowledge of things comes to thee only through the +medium of thy mind. Even as a concave mirror, it deforms the objects +it reflects; and thou hast no means whatever of verifying their +exactitude." + +"Never canst thou know the universe in all its vastness; consequently +it will never be possible for thee to obtain an idea of its cause, +to have a just notion of God, nor even to say that the universe is +infinite,--for thou must first be able to know what the Infinite is!" + +"May not Form be, perhaps, an error of thy senses,--Substance a figment +of thy imagination?" + +"Unless, indeed, that the world being a perpetual flux[1] of things, +appearance, on the contrary, be wholly true; illusion the only reality." + +"But art thou sure thou dost see?--art thou even sure thou dost live? +Perhaps nothing exists!" + +(_The Devil has seized Anthony, and, holding him at arms' length, +glares at him with mouth yawning as though to devour him_): + +"Adore me, then!--and curse the phantom thou callest God!" + +(_Anthony lifts his eyes with a last effort of hope._ + +_The Devil abandons him._) + + +[1] The original text seems to me slightly obscure. The idea of the +universe being a perpetual ebb and flow of shapes, is that of forms +passing away to reappear like waves, is that of the Nidana-Sutris: +"Individuality is only a form ... _Everything is only a flux of +aggregates_, interminably uniting and disuniting," as Barth observes in +his "Religions of India."--Trans. + + + + +VII + + +ANTHONY (_finds himself lying upon his back, at the verge of the cliff._ + +_The sky commences to blanch._) + +"Is it the glow of dawn, or only an effect of moonlight?" + +(_He tries to rise, falls back,--his teeth chattering_): + +"I feel such a helplessness of weakness, as though all my bones were +broken! + +"Why? + +"Ah! the Devil!--I remember!--he even repeated to me all that I +learned from the aged Didymus respecting the opinions of Xenophanes, +Heraclitus, of Melissus, of Anaxagoras,--concerning the infinite, the +creation, the impossibility of knowing anything! + +"And yet I believed that I could unite myself to God!" + +(_Laughing bitterly_): + +"Ah! madness! madness! Is the fault mine? Prayer has become +intolerable to me! My heart is dry as a rock! Once, it was wont to +overflow with love!... + +"The sand used to smoke of mornings like the odourous dust of a +censer;--at sunset flowers of fire used to bloom upon the cross; and in +the middle of the night, it often seemed as though all beings and all +things, lying under the same awful silence, were adoring the Lord with +me. O charms of prayer, felicities of ecstasy, gifts of heaven,--what +have become of you? + +"I remember a voyage I made with Ammon in search of a solitary place +suited for the establishment of a monastery. It was the last evening; +we hastened our steps, walked side by side, murmuring hymns, without +conversing. As the sun sank, the shadows of our bodies lengthened like +two obelisks, continually growing taller, and moving before us. Here +and there we planted crosses, made with fragments of our sticks, to +mark the site of a future cell. Night was tardy in her coming; and +waves of darkness overspread the earth, even while a vast rose-coloured +light still glowed in heaven. + +"When I was a child, I used to amuse myself by building hermitages +with pebbles. My mother sitting beside me would watch me so attentively! + +"Will she not have cursed me for having abandoned her?--will she not +have plucked out her white hair by handfuls in the despair of her +grief? And her corpse remains lying on the floor of the hut, under the +roof of reeds, between the crumbling walls. Through an orifice a hyena, +snuffing, thrusts his head, advances his mouth ... horror! horror!" + +(_Sobbing_): + +"No: Ammonaria will not have abandoned her! Where is she +now,--Ammonaria? + +"Perhaps at the further end of a bathroom, she removes her garments +one after the other: first the mantle, then the girdle, then the first +tunic, the second lighter tunic, all her necklaces,--and the vapour +of cinnamon envelops her naked limbs. At last she lies down upon the +tepid mosaic. Her long hair spreading below the curve of her hips, +seems like a sable fleece; and the oppressiveness of the heated air +causes her to pant; her waist arched, her breasts standing out ... +What! my flesh rebels again! Even in the midst of grief am I tortured +by concupiscence. To be subjected thus unto two tortures at once is +beyond endurance! I can no longer bear myself!" + +(_He leans over, and gazes into the abyss._) + +"The man who should fall would be killed. Nothing easier: it were only +necessary to roll over upon my left side:--only one movement--one!" + +(_Then suddenly appears_--AN AGED WOMAN. _Anthony starts to his feet in +affright. It seems to him that he beholds his mother arisen._ + +_But this woman is far older, and prodigiously thin._ + +_A shroud, knotted about her head, hangs down, together with her white +hair, so as to cover her legs, slender as crutches. The brilliancy of +her ivory-coloured teeth make her earthy skin darker still. The orbits +of her eyes are full of shadow; and far back within them two flames +vacillate, like the lamps of sepulchres._ + +_She exclaims_): + +"Advance! What hinders thee?" + +ANTHONY (_stammering_): + +"I fear ... to commit a sin!" + +SHE (_replies_): + +"But King Saul killed himself! Razias, a just man, killed himself! +Saint Pelagia of Antioch killed herself! Dommina of Aleppo and her two +daughters--all three saints--killed themselves: and remember also how +many confessors delivered themselves up to the executioner in their +impatient longing for death! That they might enjoy death more speedily, +the virgins of Miletus strangled themselves with their girdles. At +Syracuse the philosopher Hegesias preached so eloquently upon death +that men deserted the lupanars to go hang themselves in the fields. The +patricians of Borne sought for death as a new form of debauch." + +ANTHONY. "Aye! the love of death is strong; and many a anchorite has +succumbed to it." + +THE OLD WOMAN. "To do that which will make thee equal unto God--think! +He created thee: thou wilt destroy his work--thou! and by thy +courage,--of thy own free will! The enjoyment that Erostratus knew was +not greater than this. And moreover thy body has so long mocked thy +soul that it is full time thou shouldst take vengeance upon it. Thou +wilt not suffer. It will soon be over. Of what art thou afraid?--a +wide, black hole! Perhaps it is a void!" + +[Illustration: The Old Woman: Of what art thou afraid?--a wide, +black hole! Perhaps it is a void!] + +(_Anthony hearkens without replying; and upon the other side appears_-- + +ANOTHER WOMAN--_young and marvellously beautiful. At first he takes +her to be Ammonaria. But she is taller, blond as honey, very plump, +with paint upon her cheeks and roses upon her head. Her long robe, +weighty with spangles, gleams with metallic lustre;--her fleshy lips +are sanguinolent; and her somewhat heavy eyelids are so drowned with +languor that one would almost take her to be blind._ + +_She murmurs_): + +"Nay, live! enjoy! Solomon counsels joy! Follow the guiding of thy +heart and the desire of thine eyes!" + +ANTHONY. "What joy is there for me? My heart is weary; my eyes are dim!" + +SHE (_answers_): + +"Seek the suburb of Racotis; push open a door that is painted +blue;--and when thou shalt be in the atrium where a fountain jet +murmurs unceasingly, a woman will present herself before thee--in +peplos of white silk striped with gold; her hair is unloosed, her +laugh like the clatter of crotali. She is skilful. In her caress thou +wilt taste the pride of initiation and the appeasement of desire. + +"Hast ever pressed to thy bosom a virgin who loved thee? Dost remember +the surrenders of her modesty,--the passing away of her remorse in a +sweet flow of tears? + +"Thou canst even now imagine thyself walking with her--canst thou +not?--in the wood by the light of the moon? At each pressure of your +joined hands, a sweet shuddering passes through you both,--looking +closely into each other your eyes seem to outpour into one another +something like immaterial fluid;--and thy heart fills: it bursts: it is +a suave whirl of eddying passion, an overflowing of intoxication...." + +THE OLD WOMAN. "One need not possess joys in order to taste their +bitterness! Even to view them from afar off begets loathing of them. +Thou must be fatigued by the monotony of the same actions, the length +of the days, the hideousness of the world, the stupidity of the sun?" + +ANTHONY. "Aye, indeed!--I loathe all that he shines upon." + +THE YOUNG WOMAN. "Hermit! hermit! thou wilt find diamonds among the +flints, fountains beneath the sand, a delectation in all the hazards +thou dost despise; and there are even upon earth places of such beauty +that the sight of them would make thee desire to press the whole world +against thy heart with love!" + +THE OLD WOMAN. "Each evening that thou liest down upon the earth to +slumber, thou dost hope that it may soon lie upon thee and cover thee." + +THE YOUNG WOMAN. "Yet thou dost believe in the resurrection of the +flesh--which is but the translation of life into eternity!" + +(_Even as she speaks, the Old Woman becomes still more fleshless; and +above her skull, from which the white hair has disappeared, a bat +circles in the air._ + +_The Young Woman has become fatter. Her robe gleams with shifting +colours; her nostrils palpitate, her eyes roll softly._) + +THE FORMER (_opening her arms, exclaiming_): + +"Come to me!--I am Consolation, repose, oblivion, eternal calm!" + +THE OTHER. + +"I am the sleep-giver, life, happiness inexhaustible!" + +(_Anthony turns to fee from them. Each lays a hand on his shoulder._ + +_The Shroud parts, exposes the Skeleton of Death._ + +_The robe splits asunder, and leaves the whole body of Lust +exposed:--her waist is slender; her long and undulating hair flutters +in the wind._ + +_Anthony stands motionless between the two, considering them_): + +DEATH (_says to him_): + +"What matters it, whether now or at another time! Thou art mine,--like +suns, nations, cities, kings, mountain-snows, and the grasses of the +fields. I fly higher than the hawks of heaven. I run more swiftly than +the gazelle; I overtake even Hope; I vanquished the Son of God!" + +LUST. "Resist not! I am the Omnipotent! The forests re-echo with my +sighs; the waters tremble with my agitations. Virtue, courage, piety, +dissolve in the perfume of my mouth. Man I accompany in every step +that he makes; and even from the threshold of the tomb he turns to me!" + +DEATH. "I will find for thee that which thou hast vainly sought for, +by the gleam of torches, upon the faces of the dead,--or among those +awful sands that are formed of human remains, where thou wast wont to +wander beyond the Pyramids. From time to time, the fragment of a skull +rolled under thy sandal. Thou didst take up the dust: thou didst let it +trickle through thy fingers; and thy thought, blending with it, sank +into nothingness." + +LUST. "My gulf is deeper! Marbles have inspired loves. Men rush to +conjunctures that terrify. Fetters are riveted that the fettered curse. +Whence the bewitchment of courtesans, the extravagance of dreams, the +immensity of my sadness?" + +DEATH. "Mine irony depasseth all others! There are convulsions of +delight at the funerals of kings, at the extermination of a whole +people; and war is made with music, with plumes, with harness of +gold,--with vast display of ceremony that my due of homage may be +greater!" + +[Illustration: Death: Mine irony depasseth all others!] + +LUST. "My rage equals thine! I also yell; I bite! I, too, have sweats +of agony, and aspects cadaverous!" + +DEATH. "It is I that make thee awful! Let us intertwine!" + +[Illustration: Death: It is I that make thee awful! Let us +intertwine!] + +(_Death laughs mockingly; Lust roars. They clasp each other about the +waist, and chant alternately_): + +"I hasten the dissolution of matter!" + +"I facilitate the dispersion of germs!" + +"Thou dost destroy for my renovations!" + +"Thou dost engender for my destructions!" + +"Ever-active my power!" + +"Fecund, my putrefaction!" + +(_And their voices, whose rolling echoes fill the horizon, deepen and +become so mighty that Anthony falls backward as if thunder-stricken. A +shock from time to time causes him to reopen his eyes; and he perceives +in the midst of the darkness a manner of monster before him._ + +_It is a skull, crowned with roses, dominating the torso of a woman +nacreously white. Below, a shroud starred with specks of gold forms +something like a tail; and the whole body undulates, after the fashion +of a gigantic worm erect on end._ + +_The vision attenuates,--disappears._) + +ANTHONY (_rising to his feet_): + +"The Devil yet again, and under his two-fold aspect: the spirit of +fornication, and the spirit of destruction. + +"Neither affrights me! I repel happiness; and I know myself to be +eternal. + +"Thus death is only an illusion, a veil-masking betimes the continuity +of life. + +"But Substance being unique, wherefore should forms be varied? + +"Somewhere there must be primordial figures, whose bodily forms are +only symbols. Could I but see them, I would know the link between +matter and thought; I would know in what Being consists. + +[Illustration: Anthony: Somewhere there must be primordial +figures, whose bodily forms are only symbols.] + +"Such were the figures painted at Babylon upon the walls of the +temple of Belus; and others like them covered a mosaic in the port of +Carthage. I myself have sometime beheld in the sky, as it were, forms +of spirits. Those who cross the desert meet with animals surpassing all +conception...." + +[Illustration: I myself have sometime beheld in the sky, as it +were, forms of spirits.] + +(_And opposite, upon the further side of the Nile, suddenly appears +the Sphinx.[1] He stretches his paws, shakes the bandelets upon his +forehead, and crouches upon his belly._ + +_Leaping, flying, spitting fire through her nostrils, lashing her +winged sides with her dragon-tail, the green-eyed Chimera circles, +barks._ + +_The thick curls of her head tossed back upon one side mingle with +the hair of her loins; on the other side they hang down to the sand, +quivering with the swinging of her body, to and fro._) + +THE SPHINX (_remaining motionless, and gazing at the Chimera_): + +"Hither, Chimera! rest awhile!" + +THE CHIMERA. "No! never!" + +THE SPHINX. "Do not run so fast, do not fly so high, do not bark so +loudly!" + +THE CHIMERA. "DO not call me!--call me no more; since thou must remain +forever dumb." + +THE SPHINX. "Cease casting thy flames in my face, and uttering thy +yells in my ear: thou canst not melt my granite." + +THE CHIMERA. "Thou shalt not seize me, terrible sphinx!" + +THE SPHINX. "Thou art too mad to dwell with me!" + +THE CHIMERA. "Thou art too heavy to follow me!" + +THE SPHINX. "Yet whither goest thou, that thou shouldst run so fast?" + +THE CHIMERA. "I gallop in the corridors of the Labyrinth--I hover above +the mountains--I graze the waves in my flight--I yelp at the bottom of +precipices--I suspend myself with my mouth from the skirts of clouds--I +sweep the shores with my dragging tail; and the curves of the hills +have taken their form from the shape of my shoulders! But thee I find +perpetually immobile, or perhaps making strange designs with thy claws +upon the sand." + +THE SPHINX. "It is because I keep my secret;--I dream and calculate. + +"The sea returns to its bed; the wheat bends back and forth in the +wind; the caravans pass by; the dust flies; cities crumble; and yet +my gaze, which naught can deviate, remains fixed, gazing through all +intervening things, upon a horizon that none may reach." + +[Illustration: The Sphinx: ... and yet my gaze, which naught +can deviate, remains fixed, gazing through all intervening +things, upon a horizon that none may reach. The Chimera: I am +light and joyous!] + +THE CHIMERA. "I am light and joyous! I offer to the eyes of men +dazzling perspectives with Paradise in the clouds above, and +unspeakable felicity afar off. Into their souls I pour the eternal +madnesses; projects of happiness, plans for the future, dreams of glory +and vows of love, and all virtuous resolutions. + +"I urge men to perilous voyages and great enterprises. I have chiselled +with my claws the wonders of architecture. It was I who suspended the +little bells above the tomb of Porsenna, and surrounded the quays of +Atlantis with a wall of orichalcum. + +"I seek for new perfumes, for vaster flowers, for pleasures never felt +before. If I perceive in any place a man whose mind reposes in wisdom, +I fall upon him, and strangle him." + +THE SPHINX. "All those tormented by the desire of God, I have devoured. + +"In order to climb up to my royal brow, the strongest ascend upon the +flutings of my bandelets as upon the steps of a stairway. Then a great +lassitude comes upon them, and they fall backward." + +(_Anthony begins to tremble._ + +_He is no longer before his cabin, but in the desert itself, with those +two monsters beside him, whose breath is hot upon his shoulders._) + +THE SPHINX. "O thou Fantasy, bear me away upon thy wings that my +sadness may be lightened!" + +THE CHIMERA. "O thou Unknown, I am enamoured of thine eyes! Like a +hyena in heat I turn about thee, soliciting those fecundations whereof +the desires devour me! + +"Ope thy mouth, lift thy feet--mount upon my back!" + +THE SPHINX. "My feet, since they have been outstretched, can move no +more. The lichen, like an eruption, has formed upon my jaws. By dint of +long dreaming I have no longer aught to say." + +THE CHIMERA. "Thou liest, hypocrite Sphinx! Wherefore dost thou always +call me and always disown me!" + +THE SPHINX. "It is thou, indomitable caprice, that dost forever pass +and repass, whirling in thy course!" + +THE CHIMERA. "Is the fault mine? What? Let me be!" + +(_She barks._) + +THE SPHINX. "Thou movest away! thou dost escape me!" + +(_He growls._) + +THE CHIMERA. "Essay!--Thou crushest me!" + +THE SPHINX. "Nay!--impossible!" + +(_And gradually sinking down he disappears in the sand; while the +Chimera, ramping with tongue protruding, departs, describing circles on +her way._ + +_The breath of her mouth has produced a fog._ + +_Through this mist Anthony perceives wreathings of clouds, undecided +curves._ + +_At last he can distinguish something like the appearance of human +bodies._ + +_And first_:-- + +THE ASTOMI--_approach, like bubbles of air traversed by sunlight. They +cry_): + +"Do not breathe too hard! The drops of rain bruise us, false notes +excoriate us, darknesses blind us! Composed wholly of breezes and of +perfumes, we float along, we roll along:--a little more than Dreams, +yet not quite beings...." + +THE NISNAS + +(_have only one eye, one cheek, one hand, one leg, half a body, half a +heart. They say_): + +"We live quite in our halves of houses, with our halves of wives and +our halves of children!" + +THE BLEMMYES + +(_who have no head at all_): + +"Our shoulders are all the broader;--and there is no ox, rhinoceros, or +elephant able to carry what we carry. + +"Something dimly resembling features--as it were a vague +face--imprinted upon our breasts: that is all! We think digestions; we +subtleize secretions. God, in our belief, floats peacefully within the +interior chyles. + +"We go straight upon our way, through all mires, crossing all morasses, +skirting the edges of all abysses: and we are the most laborious, the +most happy, the most virtuous of all peoples!" + +THE PYGMIES: + +"We, good little men, swarm upon the world like vermin upon the hump of +a dromedary. + +"We are burned, drowned, crushed; and we always reappear, more +vivacious and countless than before--terrible by reason of our numbers!" + +THE SCIAPODS: + +"Fettered to the earth by our hair, long as lianas, we vegetate beneath +the shelter of our feet, broad as parasols; and the light comes to us +through the thickness of our heels. No annoyances for us, no work! The +head as low as possible--That is the secret of happiness." + +[Illustration: The Sciapods: The head as low as possible--That is +the secret of happiness.] + +(_Their lifted thighs,--resembling the trunks of trees,--multiply._ + +_And a forest appears. Great apes clamber through it on all +fours:--these are men with the heads of dogs._) + +THE CYNOCEPHALI: + +"We leap from branch to branch in search of eggs to suck; and we pluck +the little fledglings alive; then we put their nests upon our heads in +lieu of caps. + +"We tear off the teats of cows; and we put out the eyes of lynxes: +we let fall our dung from the heights of the trees--we parade our +turpitude in the full light of the sun. + +"Lacerating the flowers, crushing the fruits, befouling the springs, +violating women, we are the masters of all,--by the strength of our +arms, and the ferocity of our hearts. + +"Ho! companions!--gnash with your jaws!" + +(_Blood and milk pour down their chops. The rain streams over their +hairy backs._ + +_Anthony inhales the freshness of the green leaves._ + +_There is a movement among them, a clashing of branches; and all of +a sudden appears a huge black stag, with the head of a bull, having +between his ears a thicket of white horns._) + +THE SADHUZAG: + +"My seventy-four antlers are hollow like flutes. + +"When I turn me toward the wind of the South, there issue from them +sounds that draw all the ravished animals around me. The serpents twine +about my legs; the wasps cluster in my nostrils; and the parrots, the +doves, the ibises, alight upon the branches of my horns. + +"Listen!" + +(_He throws back his horns, whence issues a music of sweetness +ineffable._ + +_Anthony presses both hands upon his heart. It seems to him as though +his soul were being borne away by the melody._) + +THE SADHUZAG: + +"But when I turn me toward the wind of the North, my antlers, more +thickly bristling than a battalion of lances, give forth a sound of +howlings: the forests are startled with fear; the rivers remount toward +their sources; the husks of fruits burst open; and the bending grasses +stand erect on end, like the hair of a coward. + +"Listen!" + +(_He bends his branching antlers forward: hideous and discordant cries +proceed from them. Anthony feels as though his heart were torn asunder._ + +_And his horror augments upon beholding_)-- + +THE MARTICHORAS + +(_A gigantic red lion, with human face, and three rows of teeth_): + +"The gleam of my scarlet hair mingles with the reflection of the great +sands. I breathe through my nostrils the terror of solitudes. I spit +forth plague. I devour armies when they venture into the desert. + +"My claws are twisted like screws, my teeth shaped like saws; and my +curving tail bristles with darts which I cast to right and left, before +and behind! + +"See! see!" + +(_The Martichoras shoots forth the keen bristles of his tail, which +irradiate in all directions like a volley of arrows. Drops of blood +rain down, spattering upon the foliage._) + +THE CATOBLEPAS + +(_A black buffalo with a pig's head, falling to the ground, and +attached to his shoulders by a neck long, thin, and flaccid as an empty +gut._ + +_He wallows flat upon the ground, and his feet entirely disappear +beneath the enormous mane of coarse hair which covers his face_): + +"Fat, melancholy, fierce--thus I continually remain, feeling against +my belly the warmth of the mud. So heavy is my skull that it is +impossible for me to lift it. I roll it slowly all around me, +open-mouthed; and with my tongue I tear up the venemous plants bedewed +with my breath. Once, I even devoured my own feet without knowing it! + +"No one, Anthony, has ever beheld mine eyes,--or at least, those who +have beheld them are dead. Were I to lift my eyelids--my pink and +swollen eyelids, thou wouldst forthwith die!" + +ANTHONY. "Oh, that one! Ugh! As though I could desire it?--Yet his +stupidity fascinates me! No, no! I will not!" + +(_He gazes fixedly upon the ground._ + +_But the weeds take fire; and amidst the contorsions of the flames, +arises_)-- + +THE BASILISK + +(_A great violet serpent, with trilobate crest, and two fangs, one +above, one below_): + +"Beware, lest thou fall into my jaws! I drink fire. I am fire!--and I +inhale it from all things: from clouds, from flints, from dead trees, +the fur of animals, the surface of marshes. My temperature maintains +the volcanoes: I lend glitter to jewels: I give colours to metals!" + +THE GRIFFIN + +(_A lion with a vulture's beak, and white wings, red paws and blue +neck_): + +"I am the master of deep splendours. I know the secrets of the tombs +wherein the Kings of old do slumber. + +"A chain, issuing from the wall, maintains their heads upright. Near +them, in basins of porphyry, the women they loved float upon the +surfaces of black liquids. Their treasures are all arrayed in halls, in +lozenge-shaped designs, in little heaps, in pyramids;--and down below, +far below the tombs, and to be reached only after long travelling +through stifling darkness, there are rivers of gold bordered by forests +of diamonds, there are fields of carbuncles and lakes of mercury. + +"Addossed against the subterranean gate I remain with claws uplifted; +and my flaming eyes spy out those who seek to approach. The vast and +naked plain that stretches away to the end of the horizon is whitened +with the bones of travellers. But for thee the gates of bronze shall +open; and thou shalt inhale the vapour of the mines, thou shalt descend +into the caverns.... Quick! quick!" + +(_He burrows into the earth with his paws, and crows like a cock._ + +_A thousand voices answer him. The forest trembles._ + +_And all manner of frightful creatures arise:--The Tragelaphus, half +deer, half ox; the Myrmecoles, lion before-and ant behind, whose +genitals are set reversely; the python Askar, sixty cubits long, that +terrified Moses; the huge weasel Pastinaca, that kills the trees with +her odour; the Presteros, that makes those who touch it imbecile; +the Mirag, a horned hare, that dwells in the islands of the sea. The +leopard Phalmant bursts his belly by roaring; the triple-headed bear +Senad tears her young by licking them with her tongue; the dog Cepus +pours out the blue milk of her teats upon the rocks. Mosquitoes begin +to hum, toads commence to leap; serpents hiss. Lightnings flicker. Hail +falls._ + +_Then come gusts, bearing with them marvellous anatomies:--Heads of +alligators with hoofs of deer; owls with serpent tails; swine with +tiger-muzzles; goats with the crupper of an ass; frogs hairy as bears; +chameleons huge as hippopotami; calves with two heads, one bellowing, +the other weeping; winged bellies flitting hither and thither like +gnats._ + +_They rain from the sky, they rise from the earth, they pour from the +rocks; everywhere eyes flame, mouths roar, breasts bulge, claws are +extended, teeth gnash, flesh clacks against flesh. Some crouch; some +devour each other at a mouthful._ + +_Suffocating under their own numbers, multiplying by their own contact, +they climb over one another; and move about Anthony with a surging +motion as though the ground were the deck of a ship. He feels the trail +of snails upon the calves of his legs, the chilliness of vipers upon +his hands:--and spiders spinning about him enclose him within their +network._ + +_But the monstrous circle breaks, parts; the sky suddenly becomes blue; +and_)-- + +THE UNICORN (_appears_): + +"Gallop! Gallop! + +"I have hoofs of ivory, teeth of steel; my head is the colour of +purple, my body the colour of snow; and the horn of my forehead is +bestreaked with the tints of the rainbow. + +"I travel from Chaldea to the Tartar desert,--upon the shores of the +Ganges and in Mesopotamia. I overtake the ostriches. I run so swiftly +that I draw the wind after me. I rub my back against the palm-trees. I +roll among the bamboos. I leap rivers with a single bound. Doves fly +above me. Only a virgin can bridle me. + +"Gallop! Gallop!" + +(_Anthony watches him depart._ + +_And as he gazes he beholds all the birds that nourish themselves +with wind: the Gouith, the Ahuti, the Alphalim, the Iukneth, of the +mountains of Kaf, the homai of the Arabs--which are the souls of +murdered men. He hears the parrots that utter human speech; and the +great Pelasgian palmipeds that sob like children or chuckle like old +women._ + +_A saline air strikes his nostrils. Now a vast beach stretches before +him._ + +_In the distance jets of water arise, spouted by whales; and from the +very end of the horizon come_)-- + +THE BEASTS OF THE SEA + +(_round as wineskins, flat as blades, denticulated like saws, dragging +themselves over the sand as they approach_): + +[Illustration: The beasts of the sea round as wineskins ...] + +"Thou wilt accompany us to our immensities, whither as yet no one has +descended. + +"Divers peoples inhabit the countries of the Ocean. Some dwell in the +sojourn of tempests; others swim freely amid the transparency of chill +waves;--or, like oxen, graze upon the coral plains, or suck in through +their trunks the reflux of the tides,--or bear upon their shoulders the +vast weight of the sources of the sea." + +[Illustration: Divers peoples inhabit the countries of the Ocean.] + +(_Phosphorences gleam in the moustaches of the seals, shift in the +scales of fish. Echini whirl like wheels; ammonites uncoil like cables; +oysters make their shell hinges squeak; polypi unfold their tentacles; +medusae quiver like balls of crystal suspended; sponges float hither and +thither, anemones ejaculate water; wrack and sea-mosses have grown all +about._ + +_And all sorts of plants extend themselves into branches, twist +themselves into screws, lengthen into points, round themselves out like +fans. Gourds take the appearance of breasts; lianas interlace like +serpents._ + +_The Dedaims of Babylon, which are trees, bear human heads for fruit; +Mandragoras sing;--the root Baaras runs through the grass._ + +_And now the vegetables are no longer distinguishable from the animals. +Polyparies that seem like trees, have arms upon their branches. Anthony +thinks he sees a caterpillar between two leaves: it is a butterfly that +takes flight. He is about to step on a pebble: a grey locust leaps +away. One shrub is bedecked with insects that look like petals of +roses; fragments of ephemerides form a snowy layer upon the soil._ + +_And then the plants become confounded with the stones._ + +_Flints assume the likeness of brains; stalactites of breasts; the +flower of iron resembles a figured tapestry._[2] + +_He sees efflorescences in fragments of ice, imprints of shrubs and +shells--yet so that one cannot detect whether they be imprints only, or +the things themselves. Diamonds gleam like eyes; metals palpitate._ + +_And all fear has departed from him! He throws himself down upon the +ground, and leaning upon his elbows, watches breathlessly._ + +_Insects that have no stomachs persistently eat; withered ferns bloom +again and reflower; absent members grow again._ + +_At last he perceives tiny globular masses, no larger than pinheads, +with cilia all round them. They are agitated with a vibratile motion_): + +ANTHONY (_deliriously_): + +"O joy! O bliss! I have beheld the birth of life! I have seen the +beginning of motion! My pulses throb even to the point of bursting! +I long to fly, to swim, to bark, to bellow, to howl! Would that I +had wings, a carapace, a shell,--that I could breathe out smoke, +wield a trunk,--make my body writhe,--divide myself everywhere,--be +in everything,--emanate with odours,--develop myself like the +plants,--flow like water,--vibrate like sound--shine like light, +squatting upon all forms--penetrate each atom--descend to the very +bottom of matter,--be matter itself!" + +(_Day at last appears;--and, like tabernacle curtains uplifted, clouds +of gold uprolling in broad volutes unveil the sky._ + +_Even in the midst thereof, and in the very disk of the sun, beams the +face of Jesus Christ._ + +[Illustration: Day at last appears ... in the midst thereof and +in the very disk of the sun, beams the face of Jesus Christ.] + +_Anthony makes the sign of the cross, and resumes his devotions._) + + +FINIS + + +[1] Winkelmann claims to have been the first to discover that the +Egyptian sphinxes were bisexual--females before--males otherwise. (See +Book II, chap. I, Sec. 25.) Flaubert speaks of the Sphinx in the +masculine like Philemon. (See also Signor Carlo Fea's note upon the +paragraph in Winkelmann, old French edition. An II, R. F.)--Trans. + +[2] Fleurs de fer, "flowers of iron." In mineralogy _flos ferri_, a +form of Aragonite.--Trans. + + + + +[NOTE + +Those who compare this translation with the original will observe the +omission of some few paragraphs on pages 77, 96 and 211. They are +speeches put in the mouths of certain Heresiarchs, or complaints of +certain of the minor Roman household gods. The translator relegated +these to an addenda, which the publishers have omitted as being +unnecessary. Those who are familiar with the original will be able to +supply them, and will realize that while they might be offensive to +some persons, they are in no respect an integral or important part of +the great drama.] + + + + +ADDENDA (added by transcribers) + + +A. Observation of Manes, pages 82-3, original text; page 89 of +translation. + + +MANES + +_Ou plutot, faites si bien qu'elle ne soit pas fecondes. Mieux vaut +pour l'ame tomber sur la terre que de languir dans des entraves +charnelles._ + +Probably a calumny against Manes; for the Eastern philosophy, +especially that of Zoroaster, which is said to have inspired the tenets +of Manichaeism, advocated no such abominations. + + +B. Page 105 of original; page 108 translation. The realistic +phraseology of the original passage is rather brutal. The French text +reads: "_Il souffrait de la maladie Bellerephontienne; et sa mere, la +parfumeuse, s'est livree a Pantherus, un soldat Romain, sur des gerbes +de mais, un soir de moisson._" C. Descriptive text, page 237 original, +partly suppressed on page 223 translation: "_Et il lui montre dans un +bosquet d'aliziers Une Femme toute nue, a quatre pattes comme une bete, +et saillie par un homme noir, tenant dans chaque main un flambeau._" + +D. Curious text of Crepitus, on page 228, pages 241-3 of original: + +CREPITUS + +(----se fait entendre): + +_Moi aussi l'on m'honora jadis. On me faisait des libations. Je fus un +Dieu!_ + +_L'Athenien me saluait comme un presage de fortune, tandis que le +Romain devot me maudissait les poings leves et que le pontife d'Egypte, +s'abstinant des feves, tremblait a ma voix et palissait a mon odeur._ + +_Quand le vinaigre militaire coulait sur les barbes non rasees, qu'on +se regalait de glands, de pois, et d'oignons crus, et que le bouc en +morceau cuissait dans le beurre rance des pasteurs, sans souci du +voisin, personne alors ne se genait. Les nourritures solides faisaient +digestions retentissantes. Au soleil de la campagne les hommes se +soulageaient avec lenteur._ + +_Ainsi, je passais sans scandale, comme les autres besoins de la vie, +comme Mena, tourment des vierges, et la douce Rumina qui protege le +sein de la nourrice, gonfle, des veines bleuatres. J'etais joyeux. Je +faisais rire. Et se dilatant d'aise a cause de moi, le convive exhalait +toute sa gaiete par les ouvertures de son corps._ + +_J'ai eu mes jours d'orgeuil. Le bon Aristophane me promena sur la +scene, et l'empereur Claudius Drusus[1] me fit asseoir a sa table. Dans +les laticlaves des patriciens j'ai circule majestueusement! Les vases +d'or, comme des tympanons, resonnaient sous moi; et, quand plein de +murenes, de truffles, et de pates, l'intestin du maitre se degageait +avec fracas, l'univers attentif apprenait que Cesar avait dine!_ + +_Mais a present, je suis confine dans la populace_[2] _et l'on se +recrie, meme a mon nom!_ + +_Et Crepitus s'eloigne, en poussant un gemissement...._ + +E. For descriptions of the Martichoras and other monsters, appearing +page 287 in the original and 263 in the translation, see also Rabelais' +Pantagruel, Book V, Chap. XXX. + + + +[1] Needless to refer to the comedies of Aristophanes, with which +English readers have been familiarized through the Bohn translations. +The reference to Claudius ius Drusus seems based upon the following +lines in Suetonius: "_Dicitur etiam meditatus edictum, quo veniam daret +flatum crepitumque ventris in convivio emittendi: cum periclitatum +quemdam prae pudore ex continentia reperisset._" (_Suetonius-Tiberius +Claudius Drusus_: 32.) + +[2] The so-called divinities, _Deus Crepitus, Dea Pertunda, Deus +Stercutius, Dea Rumina_ (or _Rumilia_), _Dea Mena_, concerning whose +curious attributes the reader may consult English or French classical +encyclopedists, were doubtless regarded by the intelligent classes +of antiquity much as certain religious superstitions are regarded by +educated moderns. It is true that they furnished grotesque themes +to artists; but many existing superstitions regarding elves and +goblins have inspired modern sculptors, painters and designers. +Certainly, seriously worshipped as deities, Priapus might seem equally +contemptible as a divinity; but his worship, degenerate as it became +in later years, was primitively symbolical. The obscene image merely +typified the procreative Spirit of Nature. The eccentric gods and +goddesses above referred to had no such excuse for being. As previously +observed, however, Flaubert artistically represents these divinities +not as they were really considered in the antique world, but rather as +they would have appeared to the eyes of zealous Christians in the third +century--infamous and loathsome.--Translator. + + + + + * * * * * * + + + + +Transcriber's note: + +This translation of the "Tentation" by Lafcadio Hearn, still regarded +by many as the best up until now in English, still misses some small +fragments (of a couple of words) not deemed fit for the Anglo-Saxon +temperament of that time. There is a contemporary version (2002) of +this translation available, with introduction by Michel Foucault and +the inclusion of some missing expressions. The original French by +Gustave Flaubert is also available at Project Gutenberg--see +http://www.gutenberg.org/ebooks/10982 + + + +***END OF THE PROJECT GUTENBERG EBOOK THE TEMPTATION OF ST. 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