diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:25:16 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:25:16 -0700 |
| commit | 0606b46902b5b86aa95fec864e3bf00950744ee0 (patch) | |
| tree | a713ee95cbabd95bd451e093e6ee4c780512408b | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 5298.txt | 900 | ||||
| -rw-r--r-- | 5298.zip | bin | 0 -> 15822 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
5 files changed, 916 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/5298.txt b/5298.txt new file mode 100644 index 0000000..1207611 --- /dev/null +++ b/5298.txt @@ -0,0 +1,900 @@ +The Project Gutenberg Ebook The Quid Pro Quo &c., by de La Fontaine +#24 in our series by Jean de La Fontaine (The Tales and Novels) + +Copyright laws are changing all over the world. Be sure to check the +copyright laws for your country before downloading or redistributing +this or any other Project Gutenberg eBook. + +This header should be the first thing seen when viewing this Project +Gutenberg file. Please do not remove it. Do not change or edit the +header without written permission. + +Please read the "legal small print," and other information about the +eBook and Project Gutenberg at the bottom of this file. Included is +important information about your specific rights and restrictions in +how the file may be used. You can also find out about how to make a +donation to Project Gutenberg, and how to get involved. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**EBooks Readable By Both Humans and By Computers, Since 1971** + +*****These EBooks Were Prepared By Thousands of Volunteers***** + + +Title: The Tales and Novels, v24: The Quid Pro Quo &c. + +Author: Jean de La Fontaine + +Release Date: March, 2004 [EBook #5298] +[Yes, we are more than one year ahead of schedule] +[This file was first posted on June 21, 2002] + +Edition: 10 + +Language: English + +Character set encoding: ASCII + + + + + +*** START OF THE PROJECT GUTENBERG EBOOK TALES AND NOVELS OF FONTAINE, V24 *** + + + +This eBook was produced by David Widger + + + + + + THE TALES AND NOVELS + OF + J. DE LA FONTAINE + + + + Volume 24. + + Contains: + The Indiscreet Confession + The Contract + The Quid Pro Quo, or The Mistakes + + + + THE INDISCREET CONFESSIONS + + + FAMED Paris ne'er within its walls had got, + Such magick charms as were Aminta's lot, + Youth, beauty, temper, fortune, she possessed, + And all that should a husband render blessed, + The mother still retained her 'neath the wing; + Her father's riches well might lovers bring; + Whate'er his daughter wished, he would provide, + Amusements, jewels, dress, and much beside. + + BLITHE Damon for her having felt the dart, + The belle received the offer of his heart; + So well he managed and expressed his flame. + That soon her lord and master he became, + By Hymen's right divine, you may conceive, + And nothing short of it you should believe. + + A YEAR had passed, and still our charming pair, + Were always pleased, and blisses seemed to share; + (The honeymoon appeared but just began) + And hopes were entertained to have a son, + When Damon on the subject chanced to touch: + In truth, said he, my soul is troubled much; + There is a fact, my dear, to you I'll tell: + I wish sincerely (since I love so well) + That for another, I had never known + Such fond affection as to you I've shown; + And none but you had entered in my breast, + So worthy ev'ry way to be caressed. + I have howe'er experienced other flame; + The fault's acknowledged: I confess my shame. + 'Twas in a wood; the nymph was young and nice, + And Cupid only near to give advice; + So well he managed:--or so ill, you'll say; + A little girl I've living at this day. + + WHAT, cried Aminta, now to you I'll state; + What happened once to be your spouse's fate; + I was at home alone, to say the truth, + When thither came by chance a sprightly youth. + The lad was handsome, with engaging mien; + I felt his worth:--my nature is serene; + In short so many things were our employ, + I've still upon my hands a little boy. + + THESE words no sooner had escaped the belle, + Than Damon into jealous torments fell; + With rage he left the room; and on his way, + A large pack-saddle near his footsteps lay, + Which on his back he put, then cried aloud, + I'm saddled! see; round quickly came a crowd; + The father, mother, all the servants ran; + The neighbours too; the husband then began + To state the circumstance that gave him pain; + And fully all the folly to explain. + + THE reader must not fail to keep in mind; + Aminta's parents were both rich and kind, + And having only her to be their heir, + The aged couple let the youthful pair, + With all their train, within the house reside, + And tranquilly the moments seemed to glide. + + THU mother fondly to her daughter flew; + The father followed, keeping her in view; + The dame went in, but he remained without: + To listen he designed beyond a doubt; + The door was on the jar; the sage drew near; + In short, to all they said, he lent an ear; + The lady thus he heard reproach her child: + You're clearly wrong; most silly may be styled; + I've many simpletons and ninnies seen; + But such as you before there ne'er has been: + Who'd have believed you indiscreet like this? + Who forced you to reveal what was amiss? + What obligation to divulge the fact? + More girls than one have failed to be exact; + The Devil's crafty; folks are wicked too; + But that is no excuse, however true; + In convents all of us should be immured, + Till perfectly by Hymen's bands secured. + + E'EN I who speak, alas! have troubles met; + Within my bosom oft I feel regret; + Three children ere my marriage I had got; + Have I your father told this secret blot? + Have we together been less happy found? + The list'ner had no sooner heard the sound, + But like a man distracted off he flew; + The saddle's girth, which hazard near him threw; + He took and fastened tightly 'bout his waist, + Then bawled around and round with anxious haste; + I'm girth'd! d'ye see, completely taken in; + The people stared, an 'gan to laugh and grin. + Though each was conscious, if the truth were known; + The ridicule in turn might be his own. + + BOTH husbands madly ran from cross to square, + And with their foolish clamours rent the air; + I'm saddled, hooted one; I'm girth'd, said this; + The latter some perhaps will doubt, and hiss; + Such things however should not be disbelieved + For instance, recollect (what's well received), + When Roland learned the pleasures and the charms; + His rival, in the grot, had in his arms, + With fist he gave his horse so hard a blow, + It sunk at once to realms of poignant woe. + Might he not, training, round the hapless beast, + From weight of saddle have its back released, + And putting it upon his own, have cried, + I'm saddled, I'm girth'd, and much beside; + (No matter this or that, since each is good,) + Which Echo would repeat from hill to wood? + You see that truth may be discovered here; + That's not enough; its object should appear; + And that I'll show as further we proceed; + Your full attention I of course shall need. + + THE happy Damon clearly seems to me, + As poor a thing as any we shall see; + His confidence would soon have spoiled the whole, + To leave a belle like this without control! + Her simplicity I much admire:-- + Confess herself to spouse, as if a friar! + What silliness! imprudence is a word, + Which here to use would truly be absurd. + To my discourse two heads alone remain; + The marriage vow you always should maintain; + Its faith the pair should ever keep in view: + The path of honour steadily pursue. + If some mishap howe'er should chance to glide; + And make you limp on one or t'other side, + Endeavour, of the fault, to make the best, + And keep the secret locked within your breast; + Your own consideration never lose; + Untruth 'tis pardonable then to use. + + No doubt my pages nice advice supply; + Is't what I've followed?--No, you may rely! + + + + + + + THE CONTRACT + + + THE husband's dire mishap, and silly maid, + In ev'ry age, have proved the fable's aid; + The fertile subject never will be dry: + 'Tis inexhaustible, you may rely. + No man's exempt from evils such as these:-- + Who thinks himself secure, but little sees. + One laughs at sly intrigues who, ere 'tis long, + May, in his turn, be sneered at by the throng: + With such vicissitudes, to be cast down, + Appears rank nonsense worthy Folly's crown. + He, whose adventures I'm about to write, + In his mischances,--found what gave delight. + + A CERTAIN Citizen, with fortune large, + When settled with a handsome wife in charge, + Not long attended for the marriage fruit: + The lady soon put matters 'yond dispute; + Produced a girl at first, and then a boy, + To fill th' expecting parent's breast with joy. + + THE son, when grown of size, a tutor had, + No pedant rude, with Greek and Latin mad, + But young and smart, a master too of arts, + Particularly learned in what imparts, + The gentle flame, the pleasing poignant pang, + That Ovid formerly so sweetly sang. + Some knowledge of good company he'd got; + A charming voice and manner were his lot; + And if we may disclose the mystick truth, + 'Twas Cupid who preceptor made the youth. + He with the brother solely took a place, + That better he the sister's charms might trace; + And under this disguise he fully gained + What he desired, so well his part he feigned: + An able master, or a lover true, + To teach or sigh, whichever was in view, + So thoroughly he could attention get, + Success alike in ev'ry thing he met. + + IN little time the boy could construe well + The odes of Horace:--Virgil's fable tell; + And she whose beauty caught the tutor's eyes, + A perfect mistress got of heaving sighs. + So oft she practised what the master taught, + Her stomach feeble grew, whate'er was sought; + And strange suspicions of the cause arose, + Which Time at length was driven to disclose. + + MOST terribly the father raged and swore; + Our learned master, frightened, left the door, + The lady wished to take the youth for life; + The spark desired to make the girl his wife; + Both had the Hymeneal knot in view, + And mutual soft affection fondly knew. + At present love is little more than name: + In matrimony, gold's the only aim. + The belle was rich, while he had nothing got; + For him 'twas great:--for her a narrow lot. + + O DIRE corruption, age of wretched ways! + What strange caprice such management displays! + Shall we permit this fatal pow'r to reign? + Base int'rest's impulse: hideous modern stain; + The curse of ev'ry tender soft delight, + That charms the soul and fascinates the sight. + + BUT truce to moral; let's our tale resume; + The daughter scared; the father in a fume; + What could be done the evil to repair, + And hide the sad misfortune of the fair? + What method seek?--They married her in haste; + But not to him who had the belle debased, + For reasons I've sufficiently detailed; + To gain her hand a certain wight prevailed, + Who store of riches relished far above + The charms of beauty, warmed with fondest love. + Save this the man might well enough be thought: + In family and wealth just what was sought; + But whether fool or not, I cannot trace, + Since he was unacquainted with the case; + And if he'd known it, was the bargain bad? + Full twenty thousand pounds he with her had + A sprightly youthful wife to ease his care, + And with him ev'ry luxury to share. + + HOW many tempted by the golden ore, + Have taken wives whose slips they know before; + And this good man the lady chaste believed, + So truly well she managed and deceived. + But when four months had passed, the fair-one showed. + How very much she to her lessons owed; + A little girl arrived: the husband stared + Cried he, what father of a child declared! + The time's too short: four months! I'm taken in! + A family should not so soon begin. + + AWAY he to the lady's father flew, + And of his shame a horrid picture drew; + Proposed to be divorced: much rage disclosed; + The parent smiled and said, pray be composed; + Speak not so loud: we may be overheard, + And privacy is much to be preferred. + A son-in-law, like you, I once appeared, + And similar misfortune justly feared; + Complaint I made, and mentioned a divorce; + Of heat and rage the ordinary course. + + THE father of my wife, who's now no more, + (Heav'n guard his soul, the loss I oft deplore,) + A prudent honest man as any round, + To calm my mind, a nice specifick found; + The pill was rather bitter, I admit; + But gilding made it for the stomach fit, + Which he knew how to manage very well: + No doctor in it him could e'er excel; + To satisfy my scruples he displayed + A CONTRACT (duly stamped and ably made), + Four thousand to secure, which he had got, + On similar occasion for a blot; + His lady's father gave it to efface + Domestick diff'rences and like disgrace: + With this my spouse's fortune he increased; + And instantly my dire complaining ceased. + From family to family the deed + Should pass, 'twill often prove a useful meed; + I kept it for the purpose:--do the same + Your daughter, married, may have equal blame. + On this the son-in-law the bond received, + And, with a bow, departed much relieved. + + MAY Heav'n preserve from trouble those who find, + At cheaper rate, to be consoled inclined. + + + + + + + THE QUID PRO QUO; + OR + THE MISTAKES + + + DAME FORTUNE often loves a laugh to raise, + And, playing off her tricks and roguish ways, + Instead of giving us what we desire, + Mere quid pro quo permits us to acquire. + I've found her gambols such from first to last, + And judge the future by experience past. + Fair Cloris and myself felt mutual flame; + And, when a year had run, the sprightly dame + Prepared to grant me, if I may be plain, + Some slight concessions that would ease my pain. + This was her aim; but whatsoe'er in view, + 'Tis opportunity we should pursue; + The lover, who's discreet, will moments seize; + And ev'ry effort then will tend to please. + + ONE eve I went this charming fair to see; + The husband happened (luckily for me) + To be abroad; but just as it was night + The master came, not doubting all was right; + No Cloris howsoe'er was in the way; + A servant girl, of disposition gay, + Well known to me, with pretty smiling face, + 'Tis said, was led to take her lady's place. + The mistress' loss for once was thus repaid; + The barter mutual:--wife against the maid. + + WITH many tales like this the books abound; + But able hands are necessary found, + To place the incidents, arrange the whole, + That nothing may be forced nor feel control. + The urchin blind, who sees enough to lay + His num'rous snares, such tricks will often play. + The CRADLE in Boccace excels the most, + As to myself I do not mean to boast, + But fear, a thousand places, spite of toil, + By him made excellent, my labours spoil. + 'Tis time howe'er with preface to have done, + And show, by some new turn, or piece of fun, + (While easy numbers from my pencil flow,) + Of Fortune and of Love the quid pro quo. + In proof, we'll state what happened at Marseilles: + The story is so true, no doubt prevails. + + THERE Clidamant, whose proper name my verse, + Prom high respect, refuses to rehearse, + Lived much at ease: not one a wife had got, + Throughout the realm, who was so nice a lot, + Her virtues, temper, and seraphick charms, + Should have secured the husband to her arms; + But he was not to constancy inclined; + The devil's crafty; snares has often twined + Around and round, with ev'ry subtle art, + When love of novelty he would impart. + + THE lady had a maid, whose form and size, + Height, easy manners, action, lips, and eyes, + Were thought to be so very like her own, + That one from t'other scarcely could be known; + The mistress was the prettiest of the two; + But, in a mask where much escapes the view, + 'Twas very difficult a choice to make, + And feel no doubts which better 'twere to take. + + THE Marseillesian husband, rather gay, + With mistress Alice was disposed to play; + (For such was called the maid we just have named;) + To show coquettish airs the latter aimed, + And met his wishes with reproof severe; + But to his plan the lover would adhere, + And promised her at length a pretty sum: + A hundred crowns, if to his room she'd come. + To pay the girl with kindness such as this, + In my opinion, was not much amiss. + At that rate what should be the mistress' price? + Perhaps still less: she might not be so nice. + But I mistake; the lady was so coy, + No spark, whatever art he could employ, + How cleverly soe'er he laid the snare, + Would have succeeded, spite of ev'ry care. + Nor presents nor attentions would have swayed; + Should I have mentioned presents as an aid? + Alas! no longer these are days of old! + By Love both nymph and shepherdess are sold; + He sets the price of many beauties rare; + This was a god;--now nothing but a mayor. + + O ALTERED times! O customs how depraved! + At first fair Alice frowardly behaved; + But in the sequel 'gan to change her way, + And said, her mistress, as the foll'wing day, + A certain remedy to take designed; + That, in the morning then, if so inclined, + They could at leisure in the cavern meet;-- + The plan was pleasing: all appeared discreet. + + THE servant, having to her mistress said, + What projects were in view: what nets were spread; + The females, 'tween themselves, a plot contrived, + Of Quid pro quo, against the hour arrived. + The husband of the trick was ne'er aware, + So much the mistress had her servant's air; + But if he had, what then? no harm of course; + She might have lectured him with double force. + + NEXT day but one, gay Clidamant, whose joy + Appeared so great, 'twas free from all alloy, + By hazard met a friend, to whom he told + (Most indiscreetly) what to him was sold; + How Cupid favoured what he most required, + And freely granted all he had desired. + Though large the blessing, yet he grudged the cost; + The sum gave pain: a hundred crowns were lost! + The friend proposed they should at once decide, + The charge and pleasure 'tween them to divide. + Our husband thought his purse not over strong, + That saving fifty crowns would not be wrong. + But then, on t'other hand, to lend the fair, + In ev'ry view had got an awkward air; + Would she, as was proposed, consent to two? + To keep things secret would their lips be true? + Or was it fair to sacrifice her charms, + And lay her open thus to dire alarms? + + THE friend this difficulty soon removed, + And represented that the cavern proved + So very dark, the girl would be deceived; + With one more shrewd the trick might be achieved. + Sufficient howsoever it would be, + If they by turns, and silent, could agree + To meet the belle, and leave to Love the rest, + From whom they hoped assistance if distressed. + Such silence to observe no hurt could do, + And Alice would suppose, a prudent view + Retained the tongue, since walls have often ears, + And, being mum, expressive was of fears. + + WHEN thus the two gallants their plan had laid, + And ev'ry promised pleasure fully weighed, + They to the husband's mansion made their way, + Where yet the wife between the bed-clothes lay. + The servant girl was near her mistress found; + Her dress was plain: no finery around; + In short, 'twas such that, when the moment came; + To fail the meeting could not be her aim. + + THE friends disputed which the lead should take, + And strong pretentions both appeared to make; + The husband, honours home would not allow: + Such compliments were out of fashion now. + To settle this, at length three dice they took; + The friend was highest placed in Fortune's book. + The both together to the cavern flew, + And for the servant soon impatient grew; + But Alice never came, and in her room + The mistress, softly treading 'mid the gloom, + The necessary signal gently gave, + On which she entered presently the cave, + And this so suddenly, no time was found + To make remarks on change or errors round, + Or any diff'rence 'tween the friend and spouse; + In short, before suspicions 'gan to rouse, + Or alteration lent the senses aid:-- + To LOVE, a sacrifice was fully made. + The lucky wight more pleasure would have felt, + If sensible he'd been with whom he dealt: + The mistress rather more of beauty had, + And QUALITY of course must something add. + + THIS scene just ended, t'other actor came, + Whose prompt arrival much surprised the dame, + For, as a husband, Clidamant had ne'er + Such ardour shown, he seemed beyond his sphere. + The lady to the girl imputed this, + And thought, to hint it, would not be amiss. + + THE entertainment o'er, away they went + To quit the dark abode they were intent. + The partner in amour repaired above; + But when the husband saw his wedded love + Ascend the stairs, and she the friend perceived, + We well may judge how bosoms beat and heaved. + + THE master of the house conceived it best + To keep the whole a secret in his breast. + But to discover ALL, his lovely rib + Appeared disposed, though wives can often fib; + The silliest of the throng (or high or low), + Most perfectly the science seem to know. + + SOME will pretend that Alice, in her heart + Was sorry she had acted such a part, + And not a better method sought to gain + The money which had caused her master's pain; + Lamented much the case, and tried to please + By ev'ry means that might his trouble ease. + But this is merely with design to make + The tale a more impressive feature take. + + TWO questions may agitate around; + The one, if 'mong the brotherhood renowned, + The husband, who thus felt disgraced, + Should (with the usual ornaments) be placed? + But I no grounds for such conclusion see: + Both friend and wife were from suspicion free; + Of one another they had never thought, + Though in the mystick scene together brought. + The other is:--Should she, who was misused, + Have sought revenge for being so abused? + Though this sufficiently I have maintained, + The lady inconsolable remained. + + HEAV'N guard the FAIR, who meet with ills like these, + And nothing can their wounded minds appease: + I many know howe'er, who would but laugh, + And treat such accidents as light as chaff. + But I have done: no more of that or this; + May ev'ry belle receive her lot of bliss! + + + + + +*** END OF THE PROJECT GUTENBERG EBOOK TALES AND NOVELS OF FONTAINE, V24 *** + +*********** This file should be named 5298.txt or 5298.zip *********** + +This eBook was produced by David Widger + +Project Gutenberg eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the US +unless a copyright notice is included. Thus, we usually do not +keep eBooks in compliance with any particular paper edition. + +We are now trying to release all our eBooks one year in advance +of the official release dates, leaving time for better editing. +Please be encouraged to tell us about any error or corrections, +even years after the official publication date. + +Please note neither this listing nor its contents are final til +midnight of the last day of the month of any such announcement. +The official release date of all Project Gutenberg eBooks is at +Midnight, Central Time, of the last day of the stated month. A +preliminary version may often be posted for suggestion, comment +and editing by those who wish to do so. + +Most people start at our Web sites at: +https://gutenberg.org or +http://promo.net/pg + +These Web sites include award-winning information about Project +Gutenberg, including how to donate, how to help produce our new +eBooks, and how to subscribe to our email newsletter (free!). + + +Those of you who want to download any eBook before announcement +can get to them as follows, and just download by date. This is +also a good way to get them instantly upon announcement, as the +indexes our cataloguers produce obviously take a while after an +announcement goes out in the Project Gutenberg Newsletter. + +http://www.ibiblio.org/gutenberg/etext03 or +ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03 + +Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90 + +Just search by the first five letters of the filename you want, +as it appears in our Newsletters. + + +Information about Project Gutenberg (one page) + +We produce about two million dollars for each hour we work. The +time it takes us, a rather conservative estimate, is fifty hours +to get any eBook selected, entered, proofread, edited, copyright +searched and analyzed, the copyright letters written, etc. Our +projected audience is one hundred million readers. If the value +per text is nominally estimated at one dollar then we produce $2 +million dollars per hour in 2002 as we release over 100 new text +files per month: 1240 more eBooks in 2001 for a total of 4000+ +We are already on our way to trying for 2000 more eBooks in 2002 +If they reach just 1-2% of the world's population then the total +will reach over half a trillion eBooks given away by year's end. + +The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks! +This is ten thousand titles each to one hundred million readers, +which is only about 4% of the present number of computer users. + +Here is the briefest record of our progress (* means estimated): + +eBooks Year Month + + 1 1971 July + 10 1991 January + 100 1994 January + 1000 1997 August + 1500 1998 October + 2000 1999 December + 2500 2000 December + 3000 2001 November + 4000 2001 October/November + 6000 2002 December* + 9000 2003 November* +10000 2004 January* + + +The Project Gutenberg Literary Archive Foundation has been created +to secure a future for Project Gutenberg into the next millennium. + +We need your donations more than ever! + +As of February, 2002, contributions are being solicited from people +and organizations in: Alabama, Alaska, Arkansas, Connecticut, +Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois, +Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts, +Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New +Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio, +Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South +Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West +Virginia, Wisconsin, and Wyoming. + +We have filed in all 50 states now, but these are the only ones +that have responded. + +As the requirements for other states are met, additions to this list +will be made and fund raising will begin in the additional states. +Please feel free to ask to check the status of your state. + +In answer to various questions we have received on this: + +We are constantly working on finishing the paperwork to legally +request donations in all 50 states. If your state is not listed and +you would like to know if we have added it since the list you have, +just ask. + +While we cannot solicit donations from people in states where we are +not yet registered, we know of no prohibition against accepting +donations from donors in these states who approach us with an offer to +donate. + +International donations are accepted, but we don't know ANYTHING about +how to make them tax-deductible, or even if they CAN be made +deductible, and don't have the staff to handle it even if there are +ways. + +Donations by check or money order may be sent to: + +Project Gutenberg Literary Archive Foundation +PMB 113 +1739 University Ave. +Oxford, MS 38655-4109 + +Contact us if you want to arrange for a wire transfer or payment +method other than by check or money order. + +The Project Gutenberg Literary Archive Foundation has been approved by +the US Internal Revenue Service as a 501(c)(3) organization with EIN +[Employee Identification Number] 64-622154. Donations are +tax-deductible to the maximum extent permitted by law. As fund-raising +requirements for other states are met, additions to this list will be +made and fund-raising will begin in the additional states. + +We need your donations more than ever! + +You can get up to date donation information online at: + +https://www.gutenberg.org/donation.html + + +*** + +If you can't reach Project Gutenberg, +you can always email directly to: + +Michael S. Hart <hart@pobox.com> + +Prof. Hart will answer or forward your message. + +We would prefer to send you information by email. + + +**The Legal Small Print** + + +(Three Pages) + +***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START*** +Why is this "Small Print!" statement here? You know: lawyers. +They tell us you might sue us if there is something wrong with +your copy of this eBook, even if you got it for free from +someone other than us, and even if what's wrong is not our +fault. So, among other things, this "Small Print!" statement +disclaims most of our liability to you. It also tells you how +you may distribute copies of this eBook if you want to. + +*BEFORE!* YOU USE OR READ THIS EBOOK +By using or reading any part of this PROJECT GUTENBERG-tm +eBook, you indicate that you understand, agree to and accept +this "Small Print!" statement. If you do not, you can receive +a refund of the money (if any) you paid for this eBook by +sending a request within 30 days of receiving it to the person +you got it from. If you received this eBook on a physical +medium (such as a disk), you must return it with your request. + +ABOUT PROJECT GUTENBERG-TM EBOOKS +This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks, +is a "public domain" work distributed by Professor Michael S. Hart +through the Project Gutenberg Association (the "Project"). +Among other things, this means that no one owns a United States copyright +on or for this work, so the Project (and you!) can copy and +distribute it in the United States without permission and +without paying copyright royalties. Special rules, set forth +below, apply if you wish to copy and distribute this eBook +under the "PROJECT GUTENBERG" trademark. + +Please do not use the "PROJECT GUTENBERG" trademark to market +any commercial products without permission. + +To create these eBooks, the Project expends considerable +efforts to identify, transcribe and proofread public domain +works. Despite these efforts, the Project's eBooks and any +medium they may be on may contain "Defects". Among other +things, Defects may take the form of incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged +disk or other eBook medium, a computer virus, or computer +codes that damage or cannot be read by your equipment. + +LIMITED WARRANTY; DISCLAIMER OF DAMAGES +But for the "Right of Replacement or Refund" described below, +[1] Michael Hart and the Foundation (and any other party you may +receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims +all liability to you for damages, costs and expenses, including +legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR +UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, +INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE +OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE +POSSIBILITY OF SUCH DAMAGES. + +If you discover a Defect in this eBook within 90 days of +receiving it, you can receive a refund of the money (if any) +you paid for it by sending an explanatory note within that +time to the person you received it from. If you received it +on a physical medium, you must return it with your note, and +such person may choose to alternatively give you a replacement +copy. If you received it electronically, such person may +choose to alternatively give you a second opportunity to +receive it electronically. + +THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS +TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A +PARTICULAR PURPOSE. + +Some states do not allow disclaimers of implied warranties or +the exclusion or limitation of consequential damages, so the +above disclaimers and exclusions may not apply to you, and you +may have other legal rights. + +INDEMNITY +You will indemnify and hold Michael Hart, the Foundation, +and its trustees and agents, and any volunteers associated +with the production and distribution of Project Gutenberg-tm +texts harmless, from all liability, cost and expense, including +legal fees, that arise directly or indirectly from any of the +following that you do or cause: [1] distribution of this eBook, +[2] alteration, modification, or addition to the eBook, +or [3] any Defect. + +DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" +You may distribute copies of this eBook electronically, or by +disk, book or any other medium if you either delete this +"Small Print!" and all other references to Project Gutenberg, +or: + +[1] Only give exact copies of it. Among other things, this + requires that you do not remove, alter or modify the + eBook or this "small print!" statement. You may however, + if you wish, distribute this eBook in machine readable + binary, compressed, mark-up, or proprietary form, + including any form resulting from conversion by word + processing or hypertext software, but only so long as + *EITHER*: + + [*] The eBook, when displayed, is clearly readable, and + does *not* contain characters other than those + intended by the author of the work, although tilde + (~), asterisk (*) and underline (_) characters may + be used to convey punctuation intended by the + author, and additional characters may be used to + indicate hypertext links; OR + + [*] The eBook may be readily converted by the reader at + no expense into plain ASCII, EBCDIC or equivalent + form by the program that displays the eBook (as is + the case, for instance, with most word processors); + OR + + [*] You provide, or agree to also provide on request at + no additional cost, fee or expense, a copy of the + eBook in its original plain ASCII form (or in EBCDIC + or other equivalent proprietary form). + +[2] Honor the eBook refund and replacement provisions of this + "Small Print!" statement. + +[3] Pay a trademark license fee to the Foundation of 20% of the + gross profits you derive calculated using the method you + already use to calculate your applicable taxes. If you + don't derive profits, no royalty is due. Royalties are + payable to "Project Gutenberg Literary Archive Foundation" + the 60 days following each date you prepare (or were + legally required to prepare) your annual (or equivalent + periodic) tax return. Please contact us beforehand to + let us know your plans and to work out the details. + +WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? +Project Gutenberg is dedicated to increasing the number of +public domain and licensed works that can be freely distributed +in machine readable form. + +The Project gratefully accepts contributions of money, time, +public domain materials, or royalty free copyright licenses. +Money should be paid to the: +"Project Gutenberg Literary Archive Foundation." + +If you are interested in contributing scanning equipment or +software or other items, please contact Michael Hart at: +hart@pobox.com + +[Portions of this eBook's header and trailer may be reprinted only +when distributed free of all fees. Copyright (C) 2001, 2002 by +Michael S. Hart. Project Gutenberg is a TradeMark and may not be +used in any sales of Project Gutenberg eBooks or other materials be +they hardware or software or any other related product without +express permission.] + +*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END* + diff --git a/5298.zip b/5298.zip Binary files differnew file mode 100644 index 0000000..0dc0536 --- /dev/null +++ b/5298.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..d47648b --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #5298 (https://www.gutenberg.org/ebooks/5298) |
