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-Project Gutenberg's Some Poems of Roger Casement, by Roger Casement
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-
-
-Title: Some Poems of Roger Casement
-
-Author: Roger Casement
-
-Release Date: September 28, 2016 [EBook #53162]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK SOME POEMS OF ROGER CASEMENT ***
-
-
-
-
-Produced by Demian Katz and the Online Distributed
-Proofreading Team at http://www.pgdp.net (Images courtesy
-of the Digital Library@Villanova University
-(http://digital.library.villanova.edu/))
-
-
-
-
-
-[Illustration: The Talbot Press Booklets: Some Poems of Roger Casement]
-
-
-
-
-[Illustration: The Talbot Press books.]
-
-
-
-
- Some Poems of
- Roger Casement
-
-
-
-
-[Illustration: ROGER CASEMENT]
-
-
-
-
- SOME POEMS OF
- ROGER CASEMENT
-
- [Illustration]
-
- DUBLIN LONDON
- The Talbot Press T. Fisher Unwin
- (LIMITED) (LIMITED)
- 89 Talbot Street 1 Adelphi Terrace
-
- 1918
-
-
-
-
- Printed at
-
- THE TALBOT PRESS
-
- 89 Talbot Street
- Dublin
-
-
-
-
-Contents
-
-
- Page
-
- Introduction ix
-
- "The Heart's Verdict" 1
-
- "Mio Salvatore" 2
-
- "Love's Horizon" 3
-
- "Love's Cares" 4
-
- The Peak of the Cameroons--I. 5
-
- The Peak of the Cameroons--II. 6
-
- Hamilcar Barca 7
-
- Verses sent from the Congo Free State in response
- to Mr. Harrison's appeal for the restoration of
- the Elgin Marbles to Greece 8
-
- Lost Youth 9
-
- The Streets of Catania 10
-
- The Irish Language 12
-
- Parnell 14
-
- Benburb 15
-
- Oliver Cromwell 21
-
- The Triumph of Hugh O'Neill 22
-
- Translation from Victor Hugo's "Feuilles
- d'Automne" 25
-
-
-
-
-Introduction
-
-
-In giving these few poems of Roger Casement to the Irish people I
-do not claim for them any special value as Irish literature. Roger
-Casement was not a poet, he would have been the last to lay claim to
-any such title, but, like the greater part of his fellow-countrymen, he
-felt from time to time the impulse to express some particular thought
-in verse, and he used to jot down, sometimes in a letter to a friend,
-sometimes on an odd half sheet of paper, the thought clothed in a
-poetic form just as it came into his mind.
-
-His was a nature of peculiar delicacy and refinement and of
-singular simplicity; he had but one passion, Ireland, but one deep
-sympathy--compassion for the helpless and oppressed.
-
-Even as a little boy he turned with horror and revulsion from cruelty
-of every description: he would tenderly nurse a wounded bird to
-life, and stop to pity an overloaded horse. This gentleness and
-tender-heartedness was one of his most marked characteristics; it led
-him to champion the cause of the Congo native and the Putumayo Indian,
-and to spend his slender means in later life in trying to relieve the
-wretched fever-stricken inhabitants in Connemara when typhus was raging
-among them, or to provide a mid-day meal for children in the Gaeltacht,
-who after walking perhaps for miles to school, through storm and rain,
-would have gone hungry all day if his kindly heart had not pitied them.
-When he was stricken with misfortune, it was these same children whose
-touching letters to him and whose words of consolation, with their
-prayers, brought tears to his eyes.
-
-The act which brought him to his death was the result of long years
-of brooding over Ireland and her destiny; it was not a sudden and new
-impulse as some have endeavoured to prove. To say that his interest
-in Ireland began with his retirement from the service of the British
-Foreign Office is to misrepresent the facts entirely. Roger Casement
-from his earliest days was before everything else a lover of Ireland.
-In his school days he begged from the aunt, with whom he spent his
-holidays, for possession of an attic room which he turned into a little
-study, and the writer remembers the walls papered with cartoons cut out
-of the _Weekly Freeman_, showing the various Irish Nationalists who had
-suffered imprisonment at English hands for the sake of their belief
-in Ireland a Nation. Many years later, when he himself was a prisoner
-in an English gaol he wrote: "I have felt this destiny on me since I
-was a little boy; it was inevitable; everything in my life has led up
-to it." He seemed in a curious way to have a foreboding of his fate.
-Once, years before his retirement, he was joking with a friend about
-some wonderful plan that was conceived in a mood of playfulness, and
-the carrying out of which would have involved considerable danger. The
-friend pointed out that the disadvantage of it all lay in the fact that
-they might accidentally kill someone, and "then," she added, "we'd be
-hanged." Roger Casement was silent for a moment, his deepset eyes fixed
-on an invisible goal, and then he said very quietly, "I think I shall
-be hanged for Ireland." A friend tells me that later he made a similar
-observation to a man who spoke of old rebellions and the fate of their
-leaders, "I shall be hanged, too, for leading an attack on Dublin
-Castle."
-
-An incident is told of his life in South Africa, about the time of the
-Boer War. He was one day, with two companions on the verandah of a
-hotel, when a lady who had been observing them from a distance for some
-time approached them. She excused herself for addressing strangers and
-explained that she had felt compelled to do so as they had interested
-her profoundly. Explaining that she had the gift of second-sight, she
-asked permission to tell their fortunes, to which they consented,
-looking upon the matter as a joke. Having told the fortunes of the lady
-and of the second companion, she turned at last to Roger Casement,
-and stated that his was the most interesting fate. She described his
-adventurous life in broad outline, and then said, "You must take care:
-at the age of 52 you will come to a violent end." Roger Casement was
-within a month of his fifty-second birthday when he died.
-
-There was a curious remoteness about him at times. He used to sit for
-long periods silent in a reverie, and would awaken from it with a
-sudden start. In his habits he was always simple and frugal; he rose
-very early in the morning and was always at work before breakfast;
-he cared nothing for society in the worldly sense, but he loved his
-friends and was always and invariably happy in the company of children
-of all ages and classes. Once the writer was walking with him through
-the streets of an old country town when a tired woman after a shopping
-expedition was vainly urging an equally tired, and, I am bound to say,
-naughty little boy to "come on." When at last in exasperation she
-called out, "Very well, I'll go home without you," the culprit set up
-an ear-piercing yell and flung himself down on the ground. Roger turned
-round at once, to hasten back. "Ah! poor soul," he said, "his heart is
-broken, God help him; I'll pick him up."
-
-Small children always adored him. The tiny three-year-old child of
-a charwoman working in the house where he was staying used to creep
-in from the kitchen, and try to catch his eye as he sat writing. He
-always had a smile and caress for her, and one day her mother found her
-trying with both hands to turn the handle of the study door and scolded
-her. She hung her head and said, "I wanted to see the gentleman with
-the kind eyes."
-
-Many a little beggar child in Dublin knew the smile in those kind eyes,
-and they used to greet him with smiles in return and always get their
-copper or two. We used to tease him, and say he walked through the
-streets of Dublin "buying smiles at a penny each." I do not think any
-Irish man, woman, or child ever appealed to him for sympathy and help
-that he did not give.
-
-On a motor tour through Donegal with some friends he met an old woman
-whose son and his wife had died and left to her care a family of small
-children. They looked poor and hungry, and the old woman found it hard
-to make her little farm support them all. "Wouldn't they be better for
-some milk?" asked Roger, seeing them make a scanty meal, with water to
-drink. "Indeed they would if I could be getting it for them," said
-the grandmother. Roger made no answer, but at the next market town he
-bought a cow and had it sent out to the old lady.
-
-It was in Ireland he always felt at home; he hated big cities, noise,
-music-halls, and restaurants. He wrote from London on one visit, "I
-feel more and more of a foreigner here"; but in the Irish country, with
-the simple country folk, he was always content. One of the happiest
-experiences of his life in later years was a short visit he paid to
-Tory Island in 1912, when he organised a Ceilidh, to which everyone
-on the island was invited. He sat in the crowded schoolroom, watching
-the boys and girls dancing their reels and jigs, and listening to the
-Gaelic songs till far on into the night, when the Ceilidh broke up. He
-loved the Tory people and used to plan many times to go back and visit
-them. Tory has a sort of fascination about it, it looks so remote and
-unreal, "like an opal jewel in a pale blue sea," he described it once
-in a letter.
-
-During all the time of his varied experiences abroad in Africa and
-South America, his mind turned always with longing and affection to
-Ireland. He looked upon himself as an Irishman before all things. He
-eagerly watched for the rare arrival of mails bringing word of Ireland
-and her doings. "Send me news of Ireland," he wrote from South America,
-"and also what the papers say about the Congo, but chiefly Ireland;
-Ireland first, last, and for ever."
-
-Although not a rich man (he had no private means) he contributed
-generously to all Irish schemes for furthering the National life. He
-helped several of the Gaelic Colleges, gave prizes in schools for the
-study of Irish, and did his best to help along many of those newspapers
-and periodicals which were founded by young and hopeful Irishmen to
-expound their views and which alas! so often came to an untimely end.
-
-With his singularly generous nature money mattered nothing at all
-to him save for the use he could make of it to help the work he had
-at heart. He spent little upon himself, in fact he denied himself
-all luxuries, and even comforts, that he might have to give to Irish
-causes or to the Irish poor. Those who said of him that he sold
-himself for money knew nothing of the man they were slandering. He
-was wholly indifferent to money for its own sake. His scrupulous
-integrity as to public funds was illustrated by the following:--When
-he was called to give evidence before a certain commission, as he was
-waiting his turn with others who had to travel to London for the same
-purpose, one of the secretaries remarked to a witness, "Do you see that
-man?" (pointing to Roger Casement), "Well, all the rest have charged
-first-class railway fares, but he has put down third."
-
-He wrote much on the Irish question. Letters from his pen appeared in
-many Irish newspapers, and not a few English ones, and his essays,
-which will, it is hoped, be published later, show not only a deep
-insight but much literary skill. His speech from the dock was described
-by a leading English literary man as an effort "worthy of the finest
-examples of antiquity."
-
-At the age of 52 he came to a violent end.... So have many others
-who died for Ireland; he stands among his peers, the Irish martyrs.
-He would not have chosen to die otherwise, the love of his life was
-Kathleen ni Houlihan; when he thought he heard her voice calling from
-her four green fields he had no choice but to obey, though he knew it
-led to death; but death which comes in such a form to the body leaves
-the spirit but freer to carry on its purpose.
-
-The men of 1916 are not dead in any real sense, for
-
- "They shall be remembered for ever,
- They shall be alive for ever,
- They shall be speaking for ever,
- The people shall hear them for ever."
-
- GERTRUDE PARRY.
-
-
-
-
-_SOME POEMS OF ROGER CASEMENT_
-
-
-
-
-"The Heart's Verdict"
-
-
- Oh! hearts that meet, and hearts that part!
- The world is full of sorrow:
- Men love and die--th' almighty mart
- Puts up new hearts to-morrow.
-
- Was this Creation's scheme at start?
- Oh! then I little wonder
- That Lucifer's proud human heart
- Preferred to God His thunder.
-
-
-
-
-"Mio Salvatore"
-
-
- "Were I a king, my crown of gold
- I should not for a moment hold,
- Did not thy brow its glory share,
- Were thou not ever next my chair.
-
- "Were I a God, my heaven would be
- One long, lone, vast sterility,
- Eternal only in its woe
- Did thou not all its purpose know.
-
- "Were I a saint, my midnight cell
- Would be the portico of hell,
- Did not my scourging heart attest
- Thy love dwells in a stricken breast."
-
-
-
-
-"Love's Horizon"
-
-
- Love is the salt sea's savour,
- Love is the palm-tree's sheen,
- Love is the sky of evening.
- That softly sets between.
-
- Love is the ocean's purple,
- Love is the mountain's crest,
- Love is the golden Eagle
- That hither builds his nest.
-
- The wind that lists at morning.
- The first song of the bird,
- The leaves that stir so lightly
- Before a limb has stirred:
-
- These are my love's harbingers
- By gathering music drawn.
- Oh! wake my love and own them,
- Thou life voice of the Dawn.
-
-
-
-
-"Love's Cares"
-
-
- Oh! what cares Love for a sunburnt skin?
- Love laughs and sighs for it all the same;
- Love seeks a blush that is far within
- From the glow of his asking eyes that came--
-
- Oh! what cares Love for untidy hair?
- He sleeps where never a comb has passed,
- And holds his breath in the tiny snare
- Of a curl his kiss shall undo at last--
-
- Oh! what cares Love for a tender heart?
- His eyes are filled to their glorious brim;
- On tears, on tears from a shining start
- Love bears it gently away with him.
-
- Oh! what cares Love for a wounded breast?
- Love shows his own with a broader scar:
- 'Tis only those who have loved the best
- Can say where the wounds of loving are.
-
-
-
-
-The Peak of the Cameroons
-
-
-I.
-
- The Heavens rest upon thee that the eye
- Of man may not, for when thou sittest hid
- In thunderstorm of lofty pyramid
- Of thwarting sea-cloud whitening up the sky,
- Then are the clouds set on thee to forbid
- [A]That man should share the mystery of Sinai;
- Then are thy ashen cones again bestrid
- By living fire--impenetrably nigh.
-
- For thus, by the Dualla, art thou seen,
- Home of a God they know, yet would not know;
- But I, who far above their doubts have been
- Upon thy forehead hazardous, may grow
- To fuller knowledge, rooted sure and slow
- Where lava slid--like pines Enceladine.
-
-
-[A] To this line there is a note:--"This line is inadmissible in a
-sonnet."
-
-
-II.
-
- And I have seen thee in the West's red setting
- Stand like some Monarch in a crimson field,
- With fleeing clouds empurpling as they yield.
- And sunset still the glorious sham abetting.
- While high above thy purple forest's fretting
- Thy mighty chest in tranquil gold concealed,
- And on thy brows of the dead days begetting
- A light that comes from higher things revealed.
-
- So shows there in a passing soul's transgression
- A light of hope beyond these prison bars
- Divinely rendered, that, when doubting mars
- Our day's decline, we still may find progression
- Of light to light, as day with silent cession
- Makes o'er to night--articulate with stars.
-
-
-
-
-Hamilcar Barca
-
-
- Thou that didst mark from Heircte's spacious hill
- The Roman spears, like mist, uprise each morn,
- Yet held, with Hesper's shining point of scorn,
- Thy sword unsheathed above Panormus still;
- Thou that were leagued with nought but thine own will,
- Eurythmic vastness to that stronghold torn
- From foes above, below, where, though forlorn,
- Thou still hadst claws to cling, and beak to kill--
- Eagle of Eryx!--When the Ęgation shoal
- Rolled westward all the hopes that Hanno wrecked
- With mighty wing, unwearying, didst thou
- Seek far beyond the wolf's grim protocol,
- Within the Iberian sunset faintly specked
- A rock where Punic faith should bide its vow.
-
-
-
-
-Verses
-
- (_Sent from the Congo Free State in response to Mr. Harrison's appeal
- for the Restoration of the Elgin Marbles to Greece._)
-
-
- Give back the Elgin marbles; let them lie
- Unsullied, pure beneath an Attic sky.
- The smoky fingers of our northern clime
- More ruin work than all the ancient time.
- How oft the roar of the Piraen sea
- Through column'd hall and dusky temple stealing
- Hath struck these marble ears, that now must flee
- The whirling hum of London, noonward reeling.
-
- Ah! let them hear again the sounds that float
- Around Athene's shrine on morning's breeze,--
- The lowing ox, the bell of climbing goat
- And drowsy drone of far Hymettus' bees.
- Give back the marbles; let them vigil keep
- Where art still lies, o'er Pheidias' tomb, asleep.
-
- _Lukunga Valley,
- Cataract Region of the Lower Congo._
-
-
-
-
-Lost Youth
-
- (_Written on receiving a letter from a friend, T. H., who had spent
- the best years of his life as a missionary in Central Africa, in
- which he speaks of "the glorious superfluity of strength and spirits
- one remembers as a lad, but alas! only remembers."_)
-
-
- Weep not that you no longer feel the tide
- High breasting sun and storm, that bore along
- Your youth on currents of perpetual song:
- For in these mid-stream waters, still and wide,
- A sleepless purpose the great deep doth hide;
- Here spring the mighty fountains pure and strong,
- That bear sweet change of breath to city throng,
- Who, had the sea no breeze, would soon have died.
- So though the sun shines not in such a blue,
- Nor have the stars the meaning youth deviced,
- The heavens are nigher, and a light shines through
- The brightness that nor sun nor stars sufficed;
- And on this lonely waste we find it true
- Lost youth and love, not lost, are hid with Christ.
-
-
-
-
-The Streets of Catania
-
- (_The streets of Catania are paved with blocks of the lava of Aetna._)
-
-
- All that was beautiful and just,
- All that was pure and sad
- Went in one little, moving plot of dust
- The world called bad.
-
- Came like a highwayman, and went,
- One who was bold and gay,
- Left when his lightly loving mood was spent
- Thy heart to pay.
-
- By-word of little streets and men,
- Narrower theirs the shame,
- Tread thou the lava loving leaves, and then
- Turn whence it came.
-
- Aetna, all wonderful, whose heart
- Glows as thine throbbing glows,
- Almond and citron bloom quivering at start,
- Ends in pure snows.
-
-
-
-
-The Irish Language
-
-
- It is gone from the hill and the glen--
- The strong speech of our sires;
- It is sunk in the mire and the fen
- Of our nameless desires:
- We have bartered the speech of the Gael
- For a tongue that would pay,
- And we stand with the lips of us pale
- And all bloodless to-day;
- We have bartered the birthright of men
- That our sons should be liars.
- It is gone from the hill and the glen,
- The strong speech of our sires.
-
- Like the flicker of gold on the whin
- That the Spring breath unites,
- It is deep in our hearts, and shall win
- Into flame where it smites:
- It is there with the blood in our veins,
- With the stream in the glen,
- With the hill and the heath and the weans
- They shall _think_ it again;
- It shall surge to their lips and shall win
- The high road to our rights--
- Like the flicker of gold on the whin
- That the sun-burst unites.
-
-
-
-
-Parnell
-
- (_October 6th, 1891._)
-
-
- Hush--let no whisper of the cruel strife,
- Wherein he fell so bravely fighting, fall
- Nigh these dead ears; fain would our hearts recall
- Nought but proud memories of a noble life--
- Of unmatched skill to lead by pathways rife
- With danger and dark doubt, where slander's knife
- Gleamed ever bare to wound, yet over all
- He pressed triumphant on--lo, thus to fall.
- Through and beyond the breach he living made
- Shall Erin pass to freedom and to will,
- And shape her fate: there where his limbs are laid
- No harsh reproach dare penetrate the shade;
- Death's angel guards the door, and o'er the sill
- A mightier voice than Death's speaks "Peace, be still!"
-
-
-
-
-Benburb
-
-
- Since treason triumphed when O'Neill was forced to foreign flight,
- The ancient people felt the heel of Scotch usurper's might;
- The barren hills of Ulster held a race proscribed and banned
- Who from their lofty refuge viewed their own so fertile land.
- Their churches in the sunny vales; the homes that once were theirs,
- Torn from them and their Faith to feed some canting minion's prayers:
- Oh Lord! from many a cloudy hill then streamed our prayers to Thee,
- And like the dawn on summer hills, that only watchers see,
- Thy glorious hope shone on us long before the sleeping foe
- Knew that their doom had broken on the sword of Owen Roe.
-
- 'Twas dawn of fair June morning, while Blackwater still drew grey,
- His valley'd mists about him that we saw at Killylea,
- The Scottish colours waving as they headed to the ford
- Where never foemen waded yet, but paid it with the sword;
- And fair it was to see them in the golden morning light,
- Climb up the hill by Caledon and turn them to the right;
- As they neared Yellow Ford, where Bagnall met O'Neill,
- Joy gathered in our throats and broke above their cannons' peal,
- And oh! a thrill went through our ranks, as straining towards the foe,
- Like hounds in leash we panted for the word of Owen Roe.
-
- Not yet--altho' O'Ferrall's horse come riding in amain;
- Not yet--altho' fierce Cunningham pursues with slackened rein;
- Not yet--altho' in skirmish and in many a scattered fight
- We hold them--still with waiting eye, O'Neill smiles in despite;
- Till slanting on our backs the sun full on their faces fell.
- Then blinding axe and battle spear rose with a sudden swell
- "For God, and Church, and Country now--upon them every man;
- But hold your strength until ye see them scarce a pike-length's span;
- The Red Hand, ever uppermost, strike home your strongest blow";
- And with a yell our feet outsped the words of Owen Roe.
-
- Like heaving lift of yellow wave that drags the sandy shore
- On with it to its foaming fall, our rushing pikemen bore
- Horse, foot, and gun, and falling flags, like streamers of red wrack,
- Torn from their dripping hold, in one broad swell of carnage back;
- Stout Blayney's gallant horse withstood that seething tide in vain;
- It bore them down, and redder raced with life-blood of the slain;
- One regiment only fought its way from out that ghastly fight,
- And Conway slew two horses on the Newry road that night;
- While Monroe fled so fast he left both hat and wig to show
- How full the breeze that lifted up the flag of Owen Roe.
-
- Ho! Ironsides of Cromwell, ye've got grimmer work to do,
- Than when on Naseby's ruddy morn your ready swords ye drew--
- Than when your headlong charges routed Rupert's tried and best,
- Ere yet the glare of battle fainted in the loyal West.
- Those swords must break a stouter foe ere ye break Erin's weal
- Or stamp your bloody title-deeds with Cromwell's bloodier seal;
- The dead men of Elizabeth's red reign for comrades call,
- The Scots we sent to-day have need of ye to bear their pall;
- There's room for undertakers still, and none will say ye no
- To such fair holdings--measured by the sword of Owen Roe.
-
- Ho! ring your bells, Kilkenny town; ho! Dublin burghers pass
- In open day, with open brow, to celebrate the Mass.
- The Sword of State that Tudor hate laid sore on Church of God,
- Hath fallen here with shattered hilt and vain point in the sod.
- Ho! holy Rinnuncini, and ye high lords of the Pale
- Lay by your sheets of parchment, and put on your sheeted mail,
- For God hath spoke in battle, and His face the foe is toward,
- And ye must hold by valour what He hath freed by sword.
- Yea, God in fight hath spoken, and thro' cloud hath bent His brow
- In wrath upon the routed--but in hope o'er Owen Roe.
-
-
-
-
-Oliver Cromwell
-
-1650-1659
-
- (_Addressed to the Liberal Members who "went back" on their previous
- vote and rejected the grant for his statue._)
-
-
- "Tear out the page his hand hath writ in blood."
- Aye! tho' a decade filled with mighty deeds
- That page records; what though in it the seeds
- Of greater freedom sprung, than ever stood
- On any shore, to shadow freedom's brood.
- The lordly oak from which a fleet proceeds
- May fall unhonoured; can mere party needs
- Fill _your_ hands too, with this consenting mud?
- We Irishmen found only shade to die
- Within the shadow of that mighty tree;
- But you base Englishmen it bore on high,
- And girt your commerce safe on many a sea:
- O! may the people Cromwell taught, deny
- Your right within these walls, and turn the key!
-
-
-
-
-The Triumph of Hugh O'Neill
-
- _Beal an Altra Buidhe_ (_The Fight of the Yellow Ford, 1598._)
-
-
- Speed the joyful news of victory from Dungannon to Gweedore,
- Let the shout of triumph echo 'mid the cliffs of dark Benmore,
- Let the flame that gleams on Sperrin light a flame on every strand,
- Till one mighty blaze shall tell it to all men throughout the land.
-
- The haughty Saxon boasted he would ravage broad Tyrone,
- And lay our fields in ashes, and make our flocks his own,
- Nor hold his hand 'till humbled each Irish kerne should kneel
- To England's monarch only, and not to Hugh O'Neill.
-
- But vain was all his boasting, and vain was all he swore,
- For, like the storms of winter when from the hills they pour,
- With clouds of long-haired spearmen, and ranks of flashing steel,
- O'er the broken host of Saxons swept the children of O'Neill.
-
- Arquebus and gun were fired, yet were fired all in vain,
- For their owners' heads were cloven by the lightening sweeping _skean_,
- But the sturdy English yeomen, who had ne'er been known to reel,
- Like the withered leaves of autumn, fell before the fierce O'Neill.
-
- Blackwater's tide ran darker than e'er it ran before,
- The "Yellow Ford" was crimsoned, the fields were drenched with gore.
- The Saxon host had vanished; and Armagh rang out a peal
- Of triumph o'er the vanquished, and of welcome to O'Neill.
-
- No more the feet of foemen shall taint our Northern soil,
- No more the waving cornfields shall be the Saxon's spoil.
- Our flag no longer drooping, each fold shall now reveal,
- And wave for God and Erin and our darling Hugh O'Neill.
-
-
-
-
-Translation from Victor Hugo's "Feuilles d'Automne"
-
-
- "I hate oppression with a hate profound,
- And wheresoever in the wide world round,
- Beneath a traitor king, a cruel sky,
- I hear appeal a strangled people's cry--
- Where mother Greece, by Christian kings betrayed
- To butcher Turks, hangs disembowelled, flayed.
- Where Ireland, bleeding on her Cross expires,
- And German truth in vain fronts royal liars.
-
- "Oh then, upon their heads my curse I launch,
- These kings whose steeds pace bloody to the paunch:
- I feel the poet speaks their judgment, and
- The indignant Muse, with unrelenting hand,
- Shall bind them pilloried to their thrones of shame,
- And press their dastard crowns to shape a name
- That on their brows the poet's hand shall trace--
- So Man may read their calling in their face."
-
-
-
-
-New Plays and Poems.
-
-
- =PLAYS OF GODS & MEN.= Containing "The Laughter of the Gods," "The
- Queen's Enemies," "The Tents of the Arabs" and "A Night at an Inn." By
- Lord Dunsany. Crown 8vo, 3/6 net.
-
-A NEW PLAY BY EDWARD MARTYN.
-
- =THE DREAM PHYSICIAN.= A Play in three acts. Cloth, 2/- net.
-
-OTHER PLAYS BY EDWARD MARTYN.
-
- =MAEVE.= A psychological Play in two acts. Cloth, 2/- net.
-
- =THE HEATHER FIELD.= A Play in three acts. Cloth, 2/- net.
-
- These Plays, first issued in one volume in 1899, are now reissued in
- popular form.
-
-AN IRISH PLAY BY A NEW DRAMATIST.
-
- =THE KINGDOM-MAKER.= A Play in five acts. By Seosamh O'Neill. Cloth,
- 2/- net.
-
-BY THE AUTHOR OF "BIRTHRIGHT."
-
- =SPRING, AND OTHER PLAYS.= Including "The Briery Gap," and "Sovereign
- Love." By T. C. Murray. Cloth, 2/6 net.
-
-A POET OF THE INSURRECTION.
-
- =THE POEMS OF JOHN FRANCIS MacENTEE.= Imperial 16mo. cloth 2/6.
-
-A NEW VOLUME BY PADRIC GREGORY.
-
- =IRELAND: A SONG OF HOPE,= and other Poems and Ballads. Cr. 8vo,
- cloth, 2/6 net.
-
- =ROADSIDE FANCIES.= Verses by H. C. Huggins. Paper cover, 1/- net.
-
-
- DUBLIN: THE TALBOT PRESS, LIMITED.
- LONDON: T. FISHER UNWIN, LIMITED.
-
-
-
-
-Transcriber's notes:
-
-
-Italics are represented with _underscores_, bold with =equal signs=.
-
-
-
-
-
-End of Project Gutenberg's Some Poems of Roger Casement, by Roger Casement
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