summaryrefslogtreecommitdiff
path: root/old/53751-h/53751-h.htm
diff options
context:
space:
mode:
Diffstat (limited to 'old/53751-h/53751-h.htm')
-rw-r--r--old/53751-h/53751-h.htm10666
1 files changed, 0 insertions, 10666 deletions
diff --git a/old/53751-h/53751-h.htm b/old/53751-h/53751-h.htm
deleted file mode 100644
index 4139110..0000000
--- a/old/53751-h/53751-h.htm
+++ /dev/null
@@ -1,10666 +0,0 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
- "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
- <head>
- <meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
- <meta http-equiv="Content-Style-Type" content="text/css" />
- <title>
- The Project Gutenberg eBook of Secrets of Earth and Sea, by Sir Ray Lankester.
- </title>
- <link rel="coverpage" href="images/cover.jpg" />
-
- <style type="text/css">
- /* PAGE DIMENSIONS */
- @media screen
- {
- body { width:80%; max-width:45em; margin:auto; text-align:justify;}
- }
-
- /* HEADINGS */
- h1, h2, h3 { text-align:center; clear:both; }
-
- /*PARAGRAPHS */
- p { margin-top:.75em; text-align:justify; margin-bottom:.75em;
- text-indent:1em; }
- div.chapter { page-break-before:always; page-break-inside: avoid; }
-
- /* TEXT ALIGNMENT AND MARGINS */
- .ac { text-align:center; }
- .ar { text-align:right; }
- .noindent { text-indent:0em; }
- .p2 { margin-top:2em; }
- .p4 { margin-top:4em; }
-
- /* FONTS */
- .sc { font-variant:small-caps; }
- .x-smaller { font-size:70%; }
- .smaller { font-size:83%; }
- .xx-larger { font-size:200%; }
-
- /* left-indent */
- .indent-left { text-align: left; vertical-align: bottom; padding-top: 1em;
- padding-left: 1.5em; text-indent: -1.5em; }
-
- /* BLOCK QUOTES */
- .bq { margin-left:5%;margin-right:5%; text-align:left;
- max-width: 50em; font-size:85%;}
- /* HORIZONTAL LINES */
- hr.chap { margin-top:5em; margin-bottom:5em; margin-left:20%;
- margin-right:20%; width:60%; }
-
- /* TABLES */
- table { margin-left:auto; margin-right:auto; width:100%; border:0;
- border-spacing:0px; padding:2px; }
-
-/* Table of contents */
- td.c1 { text-align:left; vertical-align:top; padding-right:0em;
- padding-left:1.5em; text-indent:-1.5em; padding-top:0.5em; }
- td.c2 { text-align:right; vertical-align:bottom; padding-right:1em;
- padding-left:1em; }
- td.c2-1 { text-align:right; vertical-align:top; padding-right:1em;
- padding-left:1em; padding-top:0.5em; }
-
- /* IMAGES */
- img { max-width:100%; height:auto; }
- /* Image border */
- .bord img { padding:1px; border: 2px solid black; }
- .figcenter { clear:both; margin:auto; text-align:center; max-width:100%;
- padding-top:1em; }
- .caption1 { font-size: .8em; text-align:center; }
- .caption { font-size: .8em; text-align:left; padding-left:1.5em;
- text-indent:-1.5em; }
-
-/* Dropcaps */
- p.drop-cap { text-indent:0em; }
- p.drop-cap:first-letter { float:left; margin:0.1em 0.1em 0em 0em; font-size:250%;
- line-height:0.85em; }
-
- /* VERSES */
- .poetry { margin-left:10%; margin-right:10%; text-align:left;
- max-width:30em; display:inline-block; }
- .poetry .verse { padding-left:3em; text-indent:-3em; font-size:90%; }
- .poetry-container { text-align:center; }
-
- /* PAGINATION */
- .pagenum { position:absolute; right:5%; text-indent:0em;
- text-align:right; font-size:70%; font-weight:normal;
- font-variant:normal; font-style:normal;
- letter-spacing:normal; line-height:normal; color:#acacac;
- border:1px solid #acacac; background:#ffffff;
- padding:1px 2px; visibility: visible; }
-
- /* FOOTNOTES */
- /* Footnotes container*/
- .footnotes { padding-left: .5em; padding-right: .5em; }
- .footnote { margin-left: 5%; margin-right: 10%; font-size: 0.9em; }
- .footnote .label { padding-right:0.5em; }
- .fnanchor { vertical-align: super; font-size: .8em; text-decoration: none; }
-
- /* Index */
- ul.index { list-style-type:none; text-align:left; padding:0; margin:0; }
- li.indx { margin-top:.5em; padding-left:1.5em; text-indent:-1.5em; }
- li.ifrst { margin-top:2em; padding-left:1.5em; text-indent:-1.5em; }
- li.isub2 { text-indent:-1.2em; padding-left:2.4em; }
- li.isub3 { text-indent:-1.2em; padding-left:3.4em; }
-
- /* TRANSCRIBER'S NOTES */
- .transnote { background-color:#E6E6FA; color:black; padding-bottom:1em;
- padding-top:.3em; margin-top:3em; margin-left:5%;
- margin-right:5%; padding-left:2em; padding-right:1em;
- font-family:sans-serif, serif; page-break-inside:avoid; }
-
- /* MEDIA-SPECIFIC FORMATTING */
- @media handheld {
- body { margin:0; }
-
- p.drop-cap:first-letter { float:none; margin: 0; font-size: 100%; }
-
- .transnote { page-break-before:always; margin-left:2%; margin-right:2%;
- margin-top:1em; margin-bottom:1em; padding:.5em; }
- }
- </style>
- </head>
-<body>
-
-
-<pre>
-
-The Project Gutenberg EBook of Secrets of Earth and Sea, by Ray Lankester
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: Secrets of Earth and Sea
-
-Author: Ray Lankester
-
-Release Date: December 17, 2016 [EBook #53751]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK SECRETS OF EARTH AND SEA ***
-
-
-
-
-Produced by Charlene Taylor, Christian Boissonnas and the
-Online Distributed Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-</pre>
-
-
-
-<p class="ac noindent p4">SECRETS OF EARTH AND SEA</p>
-
-<hr class="chap" />
-
-<div class="figcenter"><a name="frontis.jpg" id="frontis.jpg"></a>
- <img src="images/frontis.jpg" width="600" height="384"
- alt="" />
- <div class="caption1">DIMETRODON GIGAS, AN EXTINCT LIZARD, SEVEN FEET LONG</div>
-</div>
-
-<hr class="chap" />
-
-<h1>
-SECRETS OF EARTH AND SEA</h1>
-
-<p class="ac noindent p2">BY<br />
-<br />
-<span class="sc">Sir</span> RAY LANKESTER<br />
-K.C.B., F.R.S.</p>
-
-<p class="ac noindent smaller p4">WITH NUMEROUS ILLUSTRATIONS</p>
-
-<p class="ac noindent p4">NEW YORK<br />
-THE MACMILLAN COMPANY<br />
-1920</p>
-
-<hr class="chap" />
-
-<div class="chapter p4">
- <h2><a name="PREFACE" id="PREFACE"></a>PREFACE</h2>
-</div>
-
-
-<p class="drop-cap">THE present volume is, like its predecessors, "Science
-from an Easy Chair" (Series I and Series II) and
-"Diversions of a Naturalist"&mdash;mainly a revision and
-reprint&mdash;with considerable additions&mdash;of articles published
-in daily or weekly journals. The first chapter appeared
-originally in "The Field." The Chapters VI, XX, XXI,
-and XXII were published in the "Illustrated London
-News," under the title "About a Number of Things." The
-rest are some of the articles which, as "Science from an
-Easy Chair," I contributed, during seven years, to the
-"Daily Telegraph." That, to me very happy, conjunction
-was, like so many other happy things, necessarily interrupted
-by the Great War.</p>
-
-<p>One result of that terrible cataclysm is that not a few
-thoughtful writers have been led to deny the existence of
-what they call "Progress," meaning by that word the
-development of mankind from a less to a more complete
-attainment of moral and physical well-being. The
-question raised is obscured by the arbitrary use of the
-word "progress," since by it any movement from point
-to point&mdash;whether advantageous and desirable or the
-reverse&mdash;is described, as, for instance, in the familiar titles
-given by Bunyan to his book "The Pilgrim's Progress"
-and by Hogarth to his pictures "The Rake's Progress."
-<span class="pagenum"><a name="Page_vi" id="Page_vi">[Pg vi]</a></span>
-Those who to-day despair of man's future limit their
-outlook on the past to the conventional history of some
-three or four thousand years. The only solid ground
-upon which we can base the supposition that mankind
-has moved from a less to a more complete attainment
-of moral and physical well-being and will continue to
-do so, exists in the ascertained facts of the past history
-of living things on this Earth, and of man since his
-earliest emergence from among the man-like apes made
-known to us by his stone-implements and fossilized
-bones. That there has been a development from lower,
-simpler structure to higher, more complex, more efficient
-structure is demonstrable, and so is the proposition that
-there has been in the human race a continuous development
-in the direction of increased adaptation to the
-conditions of social life and an increased control by man
-of those natural agencies which he can either favour when
-conducive to his prosperity, or on the other hand can
-arrest when inimical to it. "The continuous weakening of
-selfishness and the continuous strengthening of sympathy"
-(to adopt the words of the American philosopher,
-Fiske) are, in spite of numerous lapses and outbursts of
-savagery, patent features of the long history of mankind.
-We have no reason to doubt their continuation, whilst
-at the same time we must be prepared for and accept,
-without desponding, the ups and the downs, the disasters
-as well as the triumphs, which inevitably characterize the
-natural process of evolution. One thing, above all others,
-we as conscious, reasoning beings can do which must
-tend to the further development and security of human
-well-being: we can ascertain ever more and more of the
-truth, or in other words, "that which is." We can discover
-<span class="pagenum"><a name="Page_vii" id="Page_vii">[Pg vii]</a></span>
-the actual conditions of natural law, under which we exist
-and promote the knowledge of that truth among our
-fellows. To do that which is right, we must know that
-which is true. To act rightly, we must know truly.</p>
-
-<p>We possess, a vast heritage of knowledge handed on
-to us in tradition and in writings from our father-man in
-the past. But there are yet immense fields of knowledge
-to be explored and yet a greater task to be accomplished
-in spreading the knowledge which we possess, and in
-persuading all men that it is their right and their duty
-to acquire it and to enjoy the power and the pleasure
-which it gives. All must also help, directly or indirectly,
-in the making of new knowledge. Whilst mankind is
-still so backward in knowledge and the worship of wisdom,
-it is idle to indulge in despair of the future. A chief way
-to increased welfare is still open and untrodden.</p>
-
-<p>These are big speculations and problems with which
-to preface a small book. But I am content to offer
-the small book as a contribution, however restricted, to
-the spread of a desire for further knowledge of the things
-about which it tells&mdash;a possible incitement to serious
-study of some one or other among them.</p>
-
-<p class="noindent ar">E. RAY LANKESTER</p>
-<p class="noindent"><i>June 2nd, 1920</i></p>
-
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_ix" id="Page_ix">[Pg ix]</a></span></p>
-
-
-
-<div class="chapter p4">
- <h2><a name="CONTENTS" id="CONTENTS"></a>CONTENTS</h2>
-</div>
-
-<table id="TOC" summary="CONTENTS">
- <tbody><tr>
- <td class="c2-1"><span class="x-smaller">CHAP.</span></td>
- <td></td>
- <td class="c2"><span class="smaller sc">Page</span></td>
- </tr>
- <tr>
- <td class="c2-1">I.</td>
- <td class="c1"><a href="#CHAPTER_I"><span class="sc">The Earliest Picture in
- the World</span></a></td>
- <td class="c2">1</td>
- </tr>
- <tr>
- <td class="c2-1">II.</td>
- <td class="c1"><a href="#CHAPTER_II"><span class="sc">Portraits of Mammoths
- by Men Who Saw Them</span></a></td>
- <td class="c2">26</td>
- </tr>
- <tr>
- <td class="c2-1">III.</td>
- <td class="c1"><a href="#CHAPTER_III"><span class="sc">The Art of Prehistoric
- Men</span></a></td>
- <td class="c2">35</td>
- </tr>
- <tr>
- <td class="c2-1">IV.</td>
- <td class="c1"><a href="#CHAPTER_IV"><span class="sc">Vesuvius in Eruption</span></a></td>
- <td class="c2">55</td>
- </tr>
- <tr>
- <td class="c2-1">V.</td>
- <td class="c1"><a href="#CHAPTER_V"><span class="sc">Blue Water</span></a></td>
- <td class="c2">74</td>
- </tr>
- <tr>
- <td class="c2-1">VI.</td>
- <td class="c1"><a href="#CHAPTER_VI"><span class="sc">The Biggest Beast</span></a></td>
- <td class="c2">84</td>
- </tr>
- <tr>
- <td class="c2-1">VII.</td>
- <td class="c1"><a href="#CHAPTER_VII"><span class="sc">What is meant by
- "a Species"?</span></a></td>
- <td class="c2">92</td>
- </tr>
- <tr>
- <td class="c2-1">VIII.</td>
- <td class="c1"><a href="#CHAPTER_VIII"><span class="sc">More about Species</span></a></td>
- <td class="c2">100</td>
- </tr>
- <tr>
- <td class="c2-1">IX.</td>
- <td class="c1"><a href="#CHAPTER_IX"><span class="sc">Species in the Making</span></a></td>
- <td class="c2">108</td>
- </tr>
- <tr>
- <td class="c2-1">X.</td>
- <td class="c1"><a href="#CHAPTER_X"><span class="sc">Some Specific Characters</span></a></td>
- <td class="c2">118</td>
- </tr>
- <tr>
- <td class="c2-1">XI.</td>
- <td class="c1"><a href="#CHAPTER_XI"><span class="sc">Hybrids</span></a></td>
- <td class="c2">131</td>
- </tr>
- <tr>
- <td class="c2-1">XII.</td>
- <td class="c1"><a href="#CHAPTER_XII"><span class="sc">The Cross-breeding
- of Races</span></a></td>
- <td class="c2">139</td>
- </tr>
- <tr>
- <td class="c2-1">XIII.</td>
- <td class="c1"><a href="#CHAPTER_XIII"><span class="sc">Wheel Animalcules</span></a></td>
- <td class="c2">157</td>
- </tr>
- <tr>
- <td class="c2-1">XIV.</td>
- <td class="c1"><a href="#CHAPTER_XIV"><span class="sc">More about Wheel
- Animalcules</span></a></td>
- <td class="c2">165</td>
- </tr>
- <tr>
- <td class="c2-1">XV.</td>
- <td class="c1"><a href="#CHAPTER_XV"><span class="sc">Suspended Animation</span></a></td>
- <td class="c2">173</td>
- </tr>
- <tr>
- <td class="c2-1">XVI.</td>
- <td class="c1"><a href="#CHAPTER_XVI"><span class="sc">More about Suspended
- Animation</span></a></td>
- <td class="c2">182</td>
- </tr>
- <tr>
- <td class="c2-1">XVII.</td>
- <td class="c1"><a href="#CHAPTER_XVII"><span class="sc">The Swastika</span></a></td>
- <td class="c2">191</td>
- </tr>
- <tr>
- <td class="c2-1">XVIII.</td>
- <td class="c1"><a href="#CHAPTER_XVIII"><span class="sc">The Origin of the
- Swastika</span></a></td>
- <td class="c2">200</td>
- </tr>
- <tr>
- <td class="c2-1">XIX.</td>
- <td class="c1"><a href="#CHAPTER_XIX"><span class="sc">The Tomoye and
- the Swastika</span></a></td>
- <td class="c2">209</td>
- </tr>
- <tr>
- <td class="c2-1">XX.</td>
- <td class="c1"><a href="#CHAPTER_XX"><span class="sc">Coal</span></a></td>
- <td class="c2">217</td>
- </tr>
- <tr>
- <td class="c2-1">XXI.</td>
- <td class="c1"><a href="#CHAPTER_XXI"><span class="sc">Boring for Oil</span></a></td>
- <td class="c2">223</td>
- </tr>
- <tr>
- <td class="c2-1">XXII.</td>
- <td class="c1"><a href="#CHAPTER_XXII"><span class="sc">The Story of Lime-Juice
- and Scurvy</span></a></td>
- <td class="c2">229</td>
- </tr>
- <tr>
- <td class="c2-1"></td>
- <td class="c1"><a href="#INDEX"><span class="sc">Index</span></a></td>
- <td class="c2">239</td>
- </tr>
-</tbody></table>
-
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_xi" id="Page_xi">[Pg xi]</a></span></p>
-
-
-<div class="chapter p4">
- <h2><a name="EXPLANATION_OF_THE" id="EXPLANATION_OF_THE"></a>EXPLANATION OF THE
- FRONTISPIECE</h2>
-</div>
-
-
-<p class="drop-cap">THIS plate shows the restoration of the extinct lizard,
-Dimetrodon gigas (Cope), lately made by Mr. Charles
-W. Gilmore of the United States National Museum,
-by whose kind permission it is here reproduced from the
-Proceedings of the U.S. National Museum, vol. 56, 1919.
-It is based upon the study of a very fine skeleton
-and some hundred bones of allied species, collected by
-Mr. Sternberg from "the Permian formation" exposed
-in the vicinity of Seymour, Texas, U.S.A. It is selected
-for illustration here because its most striking feature&mdash;the
-high dorsal fin-like crest along the middle of the back
-formed by the elongation of the neural spines of the
-vertebræ&mdash;is a puzzle to the conscientious Darwinian.
-Professor Case says of it: "The elongate spines were useless,
-so far as I can imagine, and I have been puzzling
-over them for several years. It is impossible to conceive
-of them as useful either for defence or concealment, or in
-any other way than as a great burden to the creatures
-(terrestrial non-aquatic animals) that bore them. They
-must have been a nuisance in getting through the vegetation,
-and a great drain upon the creature's vitality, both
-to develop them and keep them in repair." The reader
-is referred to pp. 127, 128, where a brief discussion of such
-<span class="pagenum"><a name="Page_xii" id="Page_xii">[Pg xii]</a></span>
-exuberant growths will be found. The excessive growth
-of the median fins in the fish Pteraclis allied to the
-Dolphin which displays changing floods of surface colour
-as it dies&mdash;and in the Australian Blenny called Patæcus&mdash;both
-figured on p. 130&mdash;should be compared with that
-of the strange crest of the grotesque Dimetrodon.</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_xiii" id="Page_xiii">[Pg xiii]</a></span></p>
-
-<div class="chapter p4">
- <h2><a name="LIST_OF_ILLUSTRATIONS" id="LIST_OF_ILLUSTRATIONS"></a>LIST OF ILLUSTRATIONS</h2>
-</div>
-
-<table id="ILLOS" summary="ILLUSTRATIONS">
- <tbody><tr>
- <td class="c2-1"></td>
- <td class="c1"><a href="#frontis.jpg"><span class="sc">Dimetrodon</span></a></td>
- <td class="c2"><span class="smaller sc"><i>Frontispiece</i></span></td>
- </tr>
- <tr>
- <td class="c2-1"><span class="x-smaller">FIGS.</span></td>
- <td></td>
- <td class="c2"><span class="x-smaller sc">PAGE</span></td>
- </tr>
- <tr>
- <td style="width:4em" class="c2-1">1, 2.</td>
- <td class="c1"><a href="#i_1-2.jpg"><span class="sc">Engraved Cylinder of Red-Deer's
- Antler, from the Azilian (Elapho-Tarandian) Horizon of the Cavern of Lortet</span></a></td>
- <td class="c2">1</td>
- </tr>
- <tr>
- <td class="c2-1">3.</td>
- <td class="c1"><a href="#i_03.jpg"><span class="sc"><i>A.</i>
- Perforated Harpoon of the Azilian or Red-Deer Period. <i>B.</i> and <i>C.</i>
- Imperforate Harpoons or Lance Heads</span></a></td>
- <td class="c2">3</td>
- </tr>
- <tr>
- <td class="c2-1">4.</td>
- <td class="c1"><a href="#i_04.jpg"><span class="sc">Rolled Impression or "Development"
- of the Engraving on the Lortet Antler</span></a></td>
- <td class="c2">12</td>
- </tr>
- <tr>
- <td class="c2-1">5.</td>
- <td class="c1"><a href="#i_05.jpg"><span class="sc">Restoration (or Completion) of the
- Engraving on the Lortet Antler</span></a></td>
- <td class="c2">13</td>
- </tr>
- <tr>
- <td class="c2-1">6.</td>
- <td class="c1"><a href="#i_06.jpg"><span class="sc">Fragment of a Roughly-painted Vase
- of the Dipylon Age (<i>circa</i> 800 b.c.) from Tiryns</span></a></td>
- <td class="c2">23</td>
- </tr>
- <tr>
- <td class="c2-1">7.</td>
- <td class="c1"><a href="#i_07.jpg"><span class="sc">Engraving of a Mammoth drawn upon
- a Piece of Mammoth Ivory</span></a></td>
- <td class="c2">26</td>
- </tr>
- <tr>
- <td class="c2-1">8.</td>
- <td class="c1"><a href="#i_08.jpg"><span class="sc">Outline Engravings of Mammoths on
- the Wall of the Cavern known as the "Font de Gaume," near Eyzies (Dordogne)</span></a></td>
- <td class="c2">32</td>
- </tr>
- <tr>
- <td class="c2-1">9.</td>
- <td class="c1"><a href="#i_09.jpg"><span class="sc">Similar Engravings from the Neighbouring
- Cave of Combarelles</span></a></td>
- <td class="c2">32</td>
- </tr>
- <tr>
- <td class="c2-1">10.</td>
- <td class="c1"><a href="#i_10.jpg"><span class="sc"><i>A</i>, Similar Engraving from the
- Cave of Combarelles. <i>B</i>, Mammoth enclosed by Plank-like Structure–supposed to be
- either a Cage or a Trap</span></a></td>
- <td class="c2">33</td>
- </tr>
- <tr>
- <td class="c2-1">11.</td>
- <td class="c1"><a href="#i_11.jpg"><span class="sc">Horse (Wall Engraving), Cave of
- Marsoulas, Haute Garonne</span></a></td>
- <td class="c2">43</td>
- </tr>
- <tr>
- <td class="c2-1">12.</td>
- <td class="c1"><a href="#i_12.jpg"><span class="sc">Horse (Wall Engraving) Outline in
- Black, Cave of Niaux (Ariège)</span></a></td>
- <td class="c2">43
- <span class="pagenum"><a name="Page_xiv" id="Page_xiv">[Pg xiv]</a></span></td>
- </tr>
- <tr>
- <td class="c2-1">13.</td>
- <td class="c1"><a href="#i_13.jpg"><span class="sc">Horses: <i>A</i>, Wall Engraving (Cave
- of Hornos de la Péna). <i>B</i>, Wall Engraving from Cavern of Combarelles. <i>C</i>,
- engraved on reindeer Antler (Mas d'Azil)</span></a></td>
- <td class="c2">43</td>
- </tr>
- <tr>
- <td class="c2-1">14.</td>
- <td class="c1"><a href="#i_14.jpg"><span class="sc">Drawing (of the Actual Size of the
- Original) of a Flat Carving in Shoulder-bone of a Horse's Head, showing Twisted
- Rope-bridle and Trappings</span></a></td>
- <td class="c2">45</td>
- </tr>
- <tr>
- <td class="c2-1">15.</td>
- <td class="c1"><a href="#i_15.jpg"><span class="sc">Drawing (of the Actual Size of the
- Original) of a fully rounded Carving in Reindeer's Antler of the Head of a Neighing
- Horse</span></a></td>
- <td class="c2">45</td>
- </tr>
- <tr>
- <td class="c2-1">16.</td>
- <td class="c1"><a href="#i_16.jpg"><span class="sc">Reindeer (Engraving on
- Schist)</span></a></td>
- <td class="c2">46</td>
- </tr>
- <tr>
- <td class="c2-1">17.</td>
- <td class="c1"><a href="#i_17.jpg"><span class="sc">Rhinoceros in Red Outline</span></a></td>
- <td class="c2">46</td>
- </tr>
- <tr>
- <td class="c2-1">18.</td>
- <td class="c1"><a href="#i_18.jpg"><span class="sc">Bison from the Roof of the Cavern of
- Altamira</span></a></td>
- <td class="c2">48</td>
- </tr>
- <tr>
- <td class="c2-1">19.</td>
- <td class="c1"><a href="#i_19.jpg"><span class="sc">Bison: Wall Engravings</span></a></td>
- <td class="c2">48</td>
- </tr>
- <tr>
- <td class="c2-1">20.</td>
- <td class="c1"><a href="#i_20.jpg"><span class="sc">Bear: Engraved on Stalagmite, from the
- Cave of Teyjat near Eyzies</span></a></td>
- <td class="c2">48</td>
- </tr>
- <tr>
- <td class="c2-1">21.</td>
- <td class="c1"><a href="#i_21.jpg"><span class="sc">Bear: Engraved on Stone, Massol
- (Ariège)</span></a></td>
- <td class="c2">48</td>
- </tr>
- <tr>
- <td class="c2-1">22.</td>
- <td class="c1"><a href="#i_22.jpg"><span class="sc">Wolf: Engraved on Wall of the Cave of
- Combarelles</span></a></td>
- <td class="c2">48</td>
- </tr>
- <tr>
- <td class="c2-1">23.</td>
- <td class="c1"><a href="#i_23.jpg"><span class="sc">Wall Engraving of a Cave Lion
- (Combarelles)</span></a></td>
- <td class="c2">48</td>
- </tr>
- <tr>
- <td class="c2-1">24.</td>
- <td class="c1"><a href="#i_24.jpg"><span class="sc">Goose: Small Engraving on Reindeer
- Antler</span></a></td>
- <td class="c2">49</td>
- </tr>
- <tr>
- <td class="c2-1">25.</td>
- <td class="c1"><a href="#i_25.jpg"><span class="sc">Female Figure carved in Oolitic Limestone
- from Willendorf, near Krems, Lower Austria (1908)</span></a></td>
- <td class="c2">50</td>
- </tr>
- <tr>
- <td class="c2-1">26.</td>
- <td class="c1"><a href="#i_26.jpg"><span class="sc">Drawing (of the Actual Size of the
- Original) of an Ivory Carving (fully rounded) of a Female Head</span></a></td>
- <td class="c2">51</td>
- </tr>
- <tr>
- <td class="c2-1">27.</td>
- <td class="c1"><a href="#i_27.jpg"><span class="sc">Seated Figure of a Woman holding a
- Bovine Horn in the Right Hand</span></a></td>
- <td class="c2">51</td>
- </tr>
- <tr>
- <td class="c2-1">28.</td>
- <td class="c1"><a href="#i_28.jpg"><span class="sc">Male Figure represented in the Act of
- drawing a Bow or throwing a Spear</span></a></td>
- <td class="c2">51
- <span class="pagenum"><a name="Page_xv" id="Page_xv">[Pg xv]</a></span></td>
- </tr>
- <tr>
- <td class="c2-1">29.</td>
- <td class="c1"><a href="#i_29.jpg"><span class="sc">A Piece of Mammoth Ivory carved with
- Spirals and Scrolls from the Cave of Arudy (Hautes Pyrénées)</span></a></td>
- <td class="c2">54</td>
- </tr>
- <tr>
- <td class="c2-1">30.</td>
- <td class="c1"><a href="#i_30.jpg"><span class="sc">Vesuvius as it appeared before the
- Eruption of August 24, a.d. 79</span></a></td>
- <td class="c2">57</td>
- </tr>
- <tr>
- <td class="c2-1">31.</td>
- <td class="c1"><a href="#i_31.jpg"><span class="sc">Five Successive Stages in the Change
- of Form of Vesuvius (from Phillips' "Vesuvius," 1869)</span></a></td>
- <td class="c2">61</td>
- </tr>
- <tr>
- <td class="c2-1">32.</td>
- <td class="c1"><a href="#i_32.jpg"><span class="sc">The Upper-arm Bone or Humerus of the
- Great Reptile (Gigantosaurus) of Tendagoroo</span></a></td>
- <td class="c2">88</td>
- </tr>
- <tr>
- <td class="c2-1"></td>
- <td class="c1"><a href="#i_32a.jpg"><span class="sc">The Gigantic Reptile Diplodocus on
- Land</span></a></td>
- <td class="c2">91</td>
- </tr>
- <tr>
- <td class="c2-1">33.</td>
- <td class="c1"><a href="#i_33.jpg"><span class="sc">The Rudimentary Gill-plume of a
- Crayfish from that Part of the Body-wall to which the First Pair of Jaw-legs
- (Maxillipedes) is articulated</span></a></td>
- <td class="c2">122</td>
- </tr>
- <tr>
- <td class="c2-1"></td>
- <td class="c1"><a href="#i_33a.jpg"><span class="sc">Strangely-shaped Fishes</span></a></td>
- <td class="c2">130</td>
- </tr>
- <tr>
- <td class="c2-1">34.</td>
- <td class="c1"><a href="#i_34.jpg"><span class="sc">Diagram of <i>Rotifer vulgaris</i>–The
- Common Wheel Animalcule–One Hundred and Twenty Times as long as the Creature
- itself</span></a></td>
- <td class="c2">158</td>
- </tr>
- <tr>
- <td class="c2-1">35.</td>
- <td class="c1"><a href="#i_35.jpg"><span class="sc">The Rotifer <i>Pedalion
- mirum</i>–seen from the Right Side, magnified 180 Diameters</span></a></td>
- <td class="c2">161</td>
- </tr>
- <tr>
- <td class="c2-1">36.</td>
- <td class="c1"><a href="#i_36.jpg"><span class="sc">The Rotifer <i>Pedalion mirum</i>–seen
- from the Ventral Surface</span></a></td>
- <td class="c2">161</td>
- </tr>
- <tr>
- <td class="c2-1">37.</td>
- <td class="c1"><a href="#i_37.jpg"><span class="sc">The Rotifer <i>Noteus
- quadricornis</i>–to show its curious Four-horned Carapace</span></a></td>
- <td class="c2">163</td>
- </tr>
- <tr>
- <td class="c2-1"></td>
- <td class="c1"><a href="#i_37a.jpg"><span class="sc">The Larval or Young Form of Crustacea
- known as "the Nauplius"</span></a></td>
- <td class="c2">164</td>
- </tr>
- <tr>
- <td class="c2-1">37 (<i>bis</i>).</td>
- <td class="c1"><a href="#i_37b.jpg"><span class="sc">Three Tube-building
- Wheel Animacules</span></a></td>
- <td class="c2">169</td>
- </tr>
- <tr>
- <td class="c2-1"></td>
- <td class="c1"><a href="#i_37c.jpg"><span class="sc">Young Stages of Growth or Veliger
- Larvæ of Marine Snails</span></a></td>
- <td class="c2">181</td>
- </tr>
- <tr>
- <td class="c2-1">38.</td>
- <td class="c1"><a href="#i_38.jpg"><span class="sc">The Swastika in its simplest Rectangular
- Form</span></a></td>
- <td class="c2">191
- <span class="pagenum"><a name="Page_xvi" id="Page_xvi">[Pg xvi]</a></span></td>
- </tr>
- <tr>
- <td class="c2-1">39.</td>
- <td class="c1"><a href="#i_39.jpg"><span class="sc">Three Simple Varieties of the
- Swastika</span></a></td>
- <td class="c2">192</td>
- </tr>
- <tr>
- <td class="c2-1">40.</td>
- <td class="c1"><a href="#i_40.jpg"><span class="sc">Footprint of the Buddha</span></a></td>
- <td class="c2">192</td>
- </tr>
- <tr>
- <td class="c2-1">41.</td>
- <td class="c1"><a href="#i_41.jpg"><span class="sc">Vase from Cyprus (Mykenæan Age,
- <i>circa</i> 1200 b.c.); Painted with Lotus, Bird and Four Swastikas</span></a></td>
- <td class="c2">194</td>
- </tr>
- <tr>
- <td class="c2-1">42.</td>
- <td class="c1"><a href="#i_42.jpg"><span class="sc">Terra-Cotta Spindle-Whorl marked with
- Swastikas</span></a></td>
- <td class="c2">194</td>
- </tr>
- <tr>
- <td class="c2-1">43.</td>
- <td class="c1"><a href="#i_43.jpg"><span class="sc">Ornament from an Archaic (pre-Hellenic)
- Bœotian Vase, showing Several Swastikas, Greek Crosses and Two Serpents</span></a></td>
- <td class="c2">195</td>
- </tr>
- <tr>
- <td class="c2-1">43 (<i>bis</i>).</td>
- <td class="c1"><a href="#i_43a.jpg"><span class="sc">Swastikas in Bronze
- Repoussé</span></a></td>
- <td class="c2">195</td>
- </tr>
- <tr>
- <td class="c2-1">44.</td>
- <td class="c1"><a href="#i_44.jpg"><span class="sc">Silver-plated Bronze Horse Gear from
- Scandinavia, showing two Swastikas, and below a Complex Elaboration of a
- Swastika</span></a></td>
- <td class="c2">195</td>
- </tr>
- <tr>
- <td class="c2-1">45.</td>
- <td class="c1"><a href="#i_45.jpg"><span class="sc">Anglo-Saxon Urn from Shropham, Norfolk,
- Ornamented by Twenty Small Hand-made Swastikas stamped into the Clay</span></a></td>
- <td class="c2">195</td>
- </tr>
- <tr>
- <td class="c2-1">46.</td>
- <td class="c1"><a href="#i_46.jpg"><span class="sc">Piece of a Ceremonial Bead-worked
- Garter, showing Star and Two Swastikas</span></a></td>
- <td class="c2">197</td>
- </tr>
- <tr>
- <td class="c2-1">47.</td>
- <td class="c1"><a href="#i_47.jpg"><span class="sc">A Stone Slab from the Ancient City of
- Mayapan (Yucatan, Central America), on which (Right Side) a Curvilinear Swastika is
- carved</span></a></td>
- <td class="c2">198</td>
- </tr>
- <tr>
- <td class="c2-1">48.</td>
- <td class="c1"><a href="#i_48.jpg"><span class="sc">Diagram to show the Derivation of
- the Swastika from a Greek Cross enclosed by a Circle</span></a></td>
- <td class="c2">199</td>
- </tr>
- <tr>
- <td class="c2-1">49.</td>
- <td class="c1"><a href="#i_49.jpg"><span class="sc">The Greek Key Pattern in <i>A</i>
- Rectangular, and <i>B</i> Curvilinear or "Current" Form</span></a></td>
- <td class="c2">202</td>
- </tr>
- <tr>
- <td class="c2-1">50.</td>
- <td class="c1"><a href="#i_50.jpg"><span class="sc">Diagrams of the
- "Triskelion"</span></a></td>
- <td class="c2">203</td>
- </tr>
- <tr>
- <td class="c2-1">51.</td>
- <td class="c1"><a href="#i_51.jpg"><span class="sc">Four Stages in the Simplification
- of a Decorative Design–The Alligator</span></a></td>
- <td class="c2">205</td>
- </tr>
- <tr>
- <td class="c2-1">52.</td>
- <td class="c1"><a href="#i_52.jpg"><span class="sc">Simplification (grammatizing) of Decorative
- Design</span></a></td>
- <td class="c2">206</td>
- </tr>
- <tr>
- <td class="c2-1">53.</td>
- <td class="c1"><a href="#i_53.jpg"><span class="sc">Spindle-Whorl from Troy (Fourth City),
- with Three Swastikas</span></a></td>
- <td class="c2">206
- <span class="pagenum"><a name="Page_xvii" id="Page_xvii">[Pg xvii]</a></span></td>
- </tr>
- <tr>
- <td class="c2-1">54.</td>
- <td class="c1"><a href="#i_54.jpg"><span class="sc">The "Tomoye"–The Japanese Badge of
- Triumph</span></a></td>
- <td class="c2">209</td>
- </tr>
- <tr>
- <td class="c2-1">55.</td>
- <td class="c1"><a href="#i_55.jpg"><span class="sc">Symbols of the History of the Universe
- used by the Ancient Chinese Philosopher Chu-Hsi</span></a></td>
- <td class="c2">209</td>
- </tr>
- <tr>
- <td class="c2-1">56.</td>
- <td class="c1"><a href="#i_56.jpg"><span class="sc">Diagrams to show the possible
- Derivation of the Swastika from the Inscription of Two S-like Lines (or "Ogees") within
- a Circle so as to divide the Circle into Four Bent Cones</span></a></td>
- <td class="c2">209</td>
- </tr>
- <tr>
- <td class="c2-1">57.</td>
- <td class="c1"><a href="#i_57.jpg"><span class="sc">Terra-cotta Cone with a Seven-armed
- Sun-like Figure</span></a></td>
- <td class="c2">211</td>
- </tr>
- <tr>
- <td class="c2-1">58.</td>
- <td class="c1"><a href="#i_58.jpg"><span class="sc">Scalloped Shell Disk, from a Mound
- near Nashville, Tennessee, showing in the Centre a Tetraskelion with Four Curved
- Arms</span></a></td>
- <td class="c2">211</td>
- </tr>
- <tr>
- <td class="c2-1">59.</td>
- <td class="c1"><a href="#i_59.jpg"><span class="sc">An Altar-stone of Prehistoric
- Age</span></a></td>
- <td class="c2">213</td>
- </tr>
- <tr>
- <td class="c2-1">60.</td>
- <td class="c1"><a href="#i_60.jpg"><span class="sc">Diagrams of Arbeli</span></a></td>
- <td class="c2">214</td>
- </tr>
-</tbody></table>
-
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_1" id="Page_1">[Pg 1]</a></span></p>
-
-<p class="ac noindent xx-larger p4">SECRETS OF
- EARTH AND SEA</p>
-
-
-<hr class="chap" />
-<div class="chapter p4">
- <h2><a name="CHAPTER_I" id="CHAPTER_I"></a>CHAPTER I</h2>
-</div>
-
-<p class="ac noindent">THE EARLIEST PICTURE IN THE WORLD</p>
-
-
-<p class="drop-cap">IN Figs. 1 and 2 on the next page a cylindrical piece
-of the antler of a red deer is represented of half the
-natural size. On it are carved by in-sunk lines certain
-representations of animals. It was found in the cavern of
-Lortet, near Lourdes, in the department of the Hautes
-Pyrénées, in the south of France, together with many other
-remains of prehistoric man. This cavern was excavated
-and all its contents of human origin carefully preserved
-by M. Edouard Piette in 1873 and the following years.
-Drawings of this and other remarkable carved pieces of
-bone and antler, many in the form of harpoon heads, and
-of small chipped flint implements, all found in this cave,
-were published by him.<a name="FNanchor_1_1" id="FNanchor_1_1"></a>
-<a href="#Footnote_1_1" class="fnanchor">[1]</a> He excavated also several other
-caverns with great care, and his collections were bequeathed
-by him on his death to the great Museum of
-National Archæology at St. Germain, near Paris, where I
-have had the advantage of studying them.</p>
-
-<div class="figcenter"><a name="i_1-2.jpg" id="i_1-2.jpg"></a>
- <img src="images/i_1-2.jpg" width="600" height="332"
- alt="" />
- <div class="caption"><span class="sc">Figs. 1 and 2.</span>–Engraved cylinder of red-deer's
- antler, from the Azilian (Elapho-Tarandian) horizon of the cavern of Lortet. Drawn of a
- little more than half the actual size of the specimen.</div>
-</div>
-
-<p>The age assigned to this carving is that called by Piette
-"Elapho-Tarandian." At this period the reindeer (Tarandus),
-<span class="pagenum"><a name="Page_3" id="Page_3">[Pg 3]</a></span>
-which previously abounded, is giving place to the
-red deer (Elaphus). The layer in which this carving was
-found belongs to the latest of
-the Palæolithic cave deposits,
-and was followed by a warmer
-period, in which the red deer
-and the modern fauna entirely
-replaced the old fauna of the
-Glacial period. The deposits
-in Pyrenean caves of the
-Elapho-Tarandian age are
-characterized by an abundance
-of large flat harpoons
-serrated on both sides. In this
-latest horizon of the Reindeer
-period the art of engraving
-in outline on bone and stone
-had attained the highest pitch
-of excellence which it reached
-in the prehistoric race of
-South-West Europe.</p>
-
-<div class="figcenter"><a name="i_03.jpg" id="i_03.jpg"></a>
- <img src="images/i_03.jpg" width="377" height="600"
- alt="" />
- <div class="caption"><span class="sc">Fig. 3.</span>–<i>A.</i> Perforated harpoon
- of the Azilian or Red-Deer period, made from antler of
- red deer, found in quantity in the upper layers of deposit
- in the cavern of the Mas d'Azil (Arriège). <i>B</i> and <i>C</i>. Imperforate
- harpoons or lance heads made from reindeer antler of the
- Magdalenian period (Reindeer epoch). <i>B</i> from Bruniquel Cave
- (Tarn-et-Garonne). <i>C</i> from a cavern in the Hautes Pyrénées.
- Same size as the objects.</div>
-</div>
-
-<p>A very natural tendency
-among those who hear from
-time to time something of
-what is being discovered about
-primitive man is to confuse
-all the periods and races of
-prehistoric man together, and
-so picture to themselves one
-ideal "primitive man." My
-friend Mr. Rudyard Kipling does this, although it would
-be no further from a true conception were he to blend
-his ancient Britons, his Phenicians, his Romans, his
-Saxons, his Normans, and a few Hindoos into one
-<span class="pagenum"><a name="Page_4" id="Page_4">[Pg 4]</a></span>
-imaginary man and represent him as taking a coloured
-photograph of the Druids of Stonehenge on a piece of
-Egyptian papyrus. Here is Mr. Kipling's vision of
-primitive man:</p>
-
-<div class="poetry-container">
- <div class="poetry">
- <div class="verse">Once on a glittering icefield, ages and ages ago,</div>
- <div class="verse">Ung, a maker of pictures, fashioned an image of snow.</div>
- <div class="verse">Later he pictured an aurochs, later he pictured a bear–</div>
- <div class="verse">Pictured the sabre-tooth tiger dragging a man to his lair–</div>
- <div class="verse">Pictured the mountainous mammoth, hairy, abhorrent, alone–</div>
- <div class="verse">Out of the love that he bore them, scribing them clearly on bone,</div>
- <div class="verse">Straight on the glittering icefield, by the caves of the lost
- Dordogne,</div>
- <div class="verse">Ung, a maker of pictures, fell to his scribing on bone.</div>
- </div>
-</div>
-
-<p>The fact is that several prehistoric races have succeeded
-one another in Western Europe during the immensely
-long period&mdash;amounting to hundreds of thousands of
-years&mdash;during which man existed before the dawn of
-history. The "lost" or "prehistoric Dordogne" was like
-the present historic Dordogne in regard to the fact that
-many races and dynasties successively held possession of
-it and left their work in its soil and caves.</p>
-
-<p>Passing back through the historic age of iron and the
-sub-historic age of bronze, we come to a time, about four
-thousand years ago, when there were no men in the west
-of Europe who made use of metals at all, although, for a
-thousand or two years earlier, men were using bronze and
-copper in the East. European races immediately before
-the first use of metals made beautiful implements of
-stone (chiefly flint), and finished them by grinding and
-polishing them. These men are spoken of as Neolithic
-men, or men of the Neolithic period. They had herds
-and cultivated crops, and they built after a fashion rough
-houses in wood and tombs and temples with great slabs of
-stone. They made pottery and woven cloth. The animals
-and plants of Europe were the same in those late prehistoric
-times as they are to-day. The Lake dwellings of
-Switzerland belong to this epoch and yield us their remains
-<span class="pagenum"><a name="Page_5" id="Page_5">[Pg 5]</a></span>
-as evidence. The men had very nearly the same set of
-domesticated animals as we have to-day, but they had no
-skill in carving outlines of animals. Their only decorative
-work consisted of parallel lines, straight or in zigzags or in
-circles, graven on the great stone slabs which they erected.</p>
-
-<p>We can trace them back to some seven thousand years
-<span class="sc">B.C.</span> and then comes a huge gap&mdash;we do not know how
-many thousand years&mdash;in our evidence as to what was
-going on in this part of the world. We find convincing
-proof that before this interval the climate was
-much colder than it is to-day, and that the land surface
-of Europe was in many respects very different from what
-it became later. Britain was continuous with the
-Continent. There were in that remote period human
-tribes spread over the less frigid valleys of Europe. They
-had no fields, no herds; they fed on the roasted flesh
-of the animals they chased and on the fish they speared,
-and on wild fruits and roots. They dwelt chiefly, if not
-wholly, in caves, probably also in skin tents, but they
-did not build either in wood or in stone. The age
-which we thus reach is called the Palæolithic, or
-"ancient" Stone age, because men made use of stone,
-which they chipped into shape, but, unlike the Neolithic
-people, never polished it. We find enormous
-numbers of these rough or Palæolithic stone implements
-both in caves and in the gravels deposited in the
-ancient beds of rivers. They are so abundant as to
-prove the existence of a very considerable human population
-in the remote ages when they were fashioned and
-used. The changes which have taken place and the time
-involved since some of these Palæolithic implements were
-made and used may be guessed at (but cannot be definitely
-calculated) from the fact that the beds of the rivers which
-formed the gravel terraces in which they are found in
-England were, in many cases, from one to six hundred
-<span class="pagenum"><a name="Page_6" id="Page_6">[Pg 6]</a></span>
-feet above the level of the present rivers. The land
-surface has risen and the rivers have simultaneously
-excavated deep and wide valleys leaving terraces of gravel
-high up on their sides. These show where the rivers once
-flowed. The vastness of the excavation of the valley from
-the level of the old river bed 600 ft. up on the sloping
-hill-side to its present low-lying bed in the floor of the
-valley&mdash;gives us some measure of the time which has
-elapsed in the process.</p>
-
-<p>No one can tell, at present, the limit in the past of
-Palæolithic man. The period of time over which his
-existence extended, as indicated by the trimmed flints
-undoubtedly made by human workmanship, is a matter of
-hundreds of thousands of years. In Western Europe races
-came and went, succeeded one another and disappeared,
-either migrating or absorbed or more rarely destroyed by
-the later invaders. Naturally enough, in the later deposits
-of rivers and in the higher layers of earth and limestone
-cake which fill many caves to the depth of 30 or 40 ft. we
-find the remains of man's workmanship more abundantly
-than in the older deposits.</p>
-
-<p>We can broadly distinguish in the Palæolithic epoch
-three (perhaps four) periods, separated by the occurrence
-of great extensions of the northern or arctic ice cap of
-such a volume as to cover North Europe and North
-America, and the simultaneous extension of the glaciers
-of the mountains of Europe. This period of the alternating
-extension and retreat of the great northern glaciers
-is known as the Glacial period, or Ice Age. The <i>latest</i>
-Palæolithic men are subsequent to it&mdash;that is, post-Glacial.
-We can distinguish several successive ages of these post-Glacial
-Palæolithic men, altogether distinct from and
-anterior to the Neolithic men. In the earlier of these
-ages many of the great animals of the Glacial period&mdash;now
-extinct or withdrawn to other regions&mdash;still survived
-<span class="pagenum"><a name="Page_7" id="Page_7">[Pg 7]</a></span>
-in Europe. The mammoth survived, but was fast dying
-out in the south and centre of France, and we find its
-outline scratched on ivory and on bone by the early post-Glacial
-men. The lion still survived in Europe, also the
-hyena, the bear and the rhinoceros. The reindeer seems
-to have been especially abundant, and to have been
-associated with the men of this period. The horse was
-very abundant, and was largely eaten by the earlier
-post-Glacial people. From the first these men show
-extraordinary artistic skill, and have left in their caves
-many carvings on ivory, bone and stone. In the
-oldest deposits of the post-Glacial age the carvings are
-complete all-round sculptures of small size or carvings in
-low relief, all of rough primitive workmanship. Larger life-size
-sculptures in rock are also found. In later deposits
-we find better sculpture and also engraving on flat pieces
-of bone and ivory, and also on stone. This art persisted,
-and attained its greatest perfection in the latest deposits
-of all in which the work of Palæolithic man is found. The
-reindeer persisted through this post-Glacial period (hence
-often called "the reindeer period") until the gradual
-increase of temperature and change of herbage and forest
-led to its migration northwards and to the relative
-abundance of the red deer. It is to this latest period&mdash;the
-Elapho-Tarandian of Piette&mdash;that the engraved
-antler figured here (Figs. 1 and 2) belongs.</p>
-
-<p>At an earlier stage of the post-Glacial period men
-hunted the bison and other large game in the north of
-Spain and made coloured drawings of them on the roofs
-and walls of their caves, drawings which have been copied
-and preserved: whilst the mammoth, the rhinoceros, the
-cave lion and bear still inhabited south central France
-and are pictured on the walls of caves in that region&mdash;as
-described in Chapter II. Later we lose all trace of
-Palæolithic man and his wonderful artistic skill. He
-<span class="pagenum"><a name="Page_8" id="Page_8">[Pg 8]</a></span>
-seems either to have migrated or to have been absorbed
-in the immigrant Neolithic race&mdash;a race singularly devoid
-of any tendency to artistic sculpture or engraving.</p>
-
-<p>The skeletons and skulls of the men of the Reindeer
-period, or post-Glacial Palæolithic men, have been discovered
-here and there. They indicate a fine, tall people
-with well-shaped skulls and jaws, comparable to the
-nobler modern races. It is convenient to call them
-Cromagnards, since good skulls of the race have been
-described from Cromagnon, in France. There is evidence
-(from skulls) that another race (the negroid so called
-"Aurignacians") preceded and coexisted to some extent in
-Western Europe with them, but we have, at present, no
-evidence as to whence or how the Neolithic race or the
-Cromagnard race or any of their predecessors came upon
-the scene!</p>
-
-<p>When we go farther back and reach the actual Glacial
-period we find a very different state of things. The men
-who then existed in the caverns are called the Neander
-men. They were a short, bandy-legged, long-armed, low-browed
-people, great workers of flints. They had the
-use of fire, and contended with hyenas and bears and lions
-for the occupation of their caverns. In their day&mdash;the
-day of European glaciation&mdash;the mammoth was in full
-occupation of the pine forests on the edge of the glaciers.
-But the Neander men made no sculptures, or carving, or
-engravings. The gap between them and the Cromagnon
-men is much greater than that between an Australian
-black fellow and an average Englishman; indeed, the
-difference is properly expressed by regarding the Neander
-man as a distinct species&mdash;Homo neanderthalensis.</p>
-
-<p>Passing again farther back over an immense period
-of time, we find Europe warm again; the glaciers have
-(for a time) gone or retreated far up the mountains but
-are found in extension again at a still earlier date. An
-<span class="pagenum"><a name="Page_9" id="Page_9">[Pg 9]</a></span>
-inter-Glacial set of animals is now found living in a comparatively
-warm climate in Western Europe. Another
-elephant (Elephas antiquus) is there (not the mammoth),
-and another rhinoceros (not the woolly rhinoceros of the
-later Glacial period); the hippopotamus flourished then
-in Europe and swam in the Thames and Severn, and
-there too, at last is the sabre-toothed tiger, which did not
-exist at all at a later period! Now was the time when
-a man, if he could, might have "scribed" the image of a
-sabre-toothed tiger on a piece of bone, but, so far as we
-know, he did not and could not. This was ages before
-other succeeding men walked "on glittering ice fields,"
-and they, in turn, were ages earlier than the artistic
-Cromagnards of the Reindeer period.</p>
-
-<p>The presence of men in the warm inter-Glacial times
-in Europe is proved by the association of rough but
-undisputed flint implements with the inter-Glacial animals
-and by the discovery of a most interesting human jaw
-(chinless, like that of the Neander men) in what is held
-to be a præ-Glacial deposit at Heidelberg. We have very
-little knowledge of Glacial and præ-Glacial man except
-well characterized flint implements and two skeletons,
-some detached limb bones, four or five jaws, and as many
-skulls.<a name="FNanchor_2_2" id="FNanchor_2_2"></a>
-<a href="#Footnote_2_2" class="fnanchor">[2]</a> But of post-Glacial Palæolithic man we know
-the skeletons of the Cromagnard race, their sepulture,
-their decorative necklaces, and their bone and ivory
-carvings and engravings, and the coloured rock paintings
-and other work of earlier races (the Aurignacians, and
-others) belonging to successive epochs or eras, which
-<span class="pagenum"><a name="Page_10" id="Page_10">[Pg 10]</a></span>
-have been discovered in caves in France, Spain, Belgium,
-and Austria. It was long after them that the Neolithic
-people appeared.</p>
-
-<p>The preceding remarks will have made it clear that
-the engraved antler here figured was carved by a man
-who was not really at all primitive, although he lived
-probably between twenty and fifty thousand years ago.
-It will also have been made clear that hundreds of such
-engravings, more or less fragmentary, are known. Some
-are very skilful works of art, others of a much inferior
-quality. Many, however, show an astonishing familiarity
-with the animal drawn and a sureness of drawing which
-is not surpassed by the work of modern artists (see
-Chapter III). The interest of the particular engraved
-antler which I am describing is that it is the only carving
-of its age as yet discovered which is more than a drawing
-or sculpture of a single animal. It is a "picture" in the
-sense of being a composition. It is not, it is true, painted&mdash;it
-is engraved; but being a composition it is entitled
-to be called "the earliest picture in the world." Let
-me describe it a little more fully with the help of the
-illustrations.</p>
-
-<p>The engraving has been made on a long cylindrical
-piece of the red deer's antler. It can hardly be considered
-as decorative, since the figures of the animals do
-not show as such on the cylindrical surface (Figs. 1 and 2).
-Pieces of antler, bone, and ivory carved with spiral scrolls
-and circles which are really decorative and effective as
-decoration are found in these caves (Fig. 29). But often
-such pieces as the present are met with. It has been discovered
-by French archæologists that the true intent of
-such engravings may be rendered evident by rolling the
-cylinder on a plastic substance (soft wax or similar
-material), when the drawing is "printed off" or "developed"
-as it is termed. A great number of such line
-<span class="pagenum"><a name="Page_11" id="Page_11">[Pg 11]</a></span>
-engravings have been thus printed off or developed,
-and plaster casts made from the flat impressions are
-preserved in the museum of St. Germain, the engraved
-lines being rendered obvious by letting them fill with
-printing ink. They often give us in this way a "printed"
-drawing of remarkable accuracy and artistic quality.
-The rolled-off print of our specimen is shown in Fig. 4.
-The cylinder has been damaged by time, but the print
-shows, more or less completely, a vigorous outline drawing
-of three red deer, with six salmon-like fish placed
-in a decorative way above them and between their legs.
-Two lozenge-shaped outlines (above the larger stag) are
-held by good authorities to be the signature of the artist.
-The group of deer is represented in movement. The
-largest stag is on the right; his hindquarters are broken
-away by injury to the cylinder. He is commencing to
-advance, and turns his head backwards to see what is the
-thing which has alarmed him and his companions; at
-the same time his mouth is open, and he is "blowing."
-The second stag is a younger and smaller animal, and
-is retreating more rapidly. The cylinder is damaged so
-that, although all the four legs of this second stag are
-preserved, the head and neck are gone, though the points
-of the antlers are preserved. The same damage has
-removed all but the hind legs of the still younger animal
-who heads the group. The beauty of the drawing of these
-hind legs and the extraordinary impression of graceful,
-rapid movement given by their hanging pose, side by
-side, is not surpassed, even if it be equalled, by the work
-of any modern draughtsman. It is clear that the youngest
-and smallest member of the group is, as is natural, the
-most timid, and that he has sprung off with a sudden
-bound on the occurrence of the alarm from the rear, which
-is setting the whole group into motion with increasing
-velocity as we pass from right to left.</p>
-
-<p><span class="pagenum"><a name="Page_12" id="Page_12">[Pg 12]</a></span></p>
-
-<div class="figcenter"><a name="i_04.jpg" id="i_04.jpg"></a>
- <img src="images/i_04.jpg" width="600" height="312"
- alt="" />
- <div class="caption1"><span class="sc">Fig. 4.</span>&mdash;Rolled impression or
- "development" of the engraving on the Lortet antler.</div>
-</div>
-
-<p><span class="pagenum"><a name="Page_13" id="Page_13">[Pg 13]</a></span></p>
-
-<div class="figcenter"><a name="i_05.jpg" id="i_05.jpg"></a>
- <img src="images/i_05.jpg" width="600" height="282"
- alt="" />
- <div class="caption1"><span class="sc">Fig. 5.</span>&mdash;Restoration (or completion)
- of the engraving on the Lortet antler, as now (1919) suggested by the writer
- (E. R. L.).</div>
-</div>
-
-
-<p><span class="pagenum"><a name="Page_14" id="Page_14">[Pg 14]</a></span></p>
-
-<p>The "printed-off," or "unrolled," or "developed"
-picture given in Fig. 3 is an exact reproduction of a copy
-of the cast made and preserved in the Museum of
-National Antiquities at St. Germain, for which I am
-indebted to my friend M. Salomon Reinach, the distinguished
-archæologist who is the director of that
-museum. It is reproduced here, a little larger than half
-the size of the original, as are the representations of the
-carved cylinder itself (Figs. 1 and 2). In Fig. 4 we have
-my attempt to restore the damaged portions of the
-design and to present it as it was when the Palæolithic
-man completed it some 20,000 years ago.</p>
-
-<p>I will return to the question of the correctness of this
-restoration, but before doing so I wish to mention some
-extremely interesting points as to the probable use of the
-cylinder of stag's antler and the purpose of the carving
-around its axis. In the first place, this and a few other
-of the pieces of carving of the post-Glacial period were
-certainly the work of highly gifted and practised artists. It
-is obvious that this work is far superior both in conception
-and execution to the more or less clever, often grotesque,
-carvings and paintings made by modern savages or simple
-pastoral folk. There is no reason to suppose that the
-Cromagnards, or men of the post-Glacial or Reindeer
-period of West Europe, differed from modern races in
-being universally gifted with artistic capacity. This engraving
-of three stags is almost certainly the work of
-a man who belonged to a family or guild of picture-makers
-who had cultivated such work for centuries and
-handed it on from master to apprentice. This design is
-probably one which had been perfected by many succeeding
-observers and draughtsmen. Its sureness of line and
-vivacity of movement are not the outcome of the sudden
-inspiration of an untutored savage, but are the result of
-the growth, cultivation, and development of artistic perception
-<span class="pagenum"><a name="Page_15" id="Page_15">[Pg 15]</a></span>
-and the power of artistic execution in successive
-generations.</p>
-
-<p>It seems in the highest degree improbable, if not
-impossible, that so excellent a drawing as this should
-have been cut on the cylindrical piece of antler by an
-engraver who never saw the flat or rolled-off impress of
-his design. One is driven to the conclusion that he must,
-as he worked on the bone, have taken an impress of
-the growing picture from time to time, using probably
-animal fat and charcoal as an "ink" and printing on to a
-piece of prepared skin or on to a birch-bark cloth. How
-otherwise could he have made his engraving so truly that
-when, ages afterwards, we print it off the cylinder, we are
-astonished and delighted by its perfection of design and
-execution? If this be once admitted&mdash;namely, that the
-artist tested and checked his work by printing it off as he
-proceeded with it&mdash;we gain what appears to me to be the
-probable solution of the question which has been largely
-debated, "For what were these carved cylinders or rods
-used?" Those which are simple cylindrical rods, such as
-the present one, must be distinguished from others which
-have one or more circular holes bored in them and others
-which are curiously bent at an angle. Such specimens
-are often carved with small unimportant ornament, not
-requiring development or printing. They as well as the
-present class have been spoken of as "wands of authority"
-and "sceptres"; some are considered to be arrow
-straighteners; others have been supposed to be "divining
-rods" or "rods of witchcraft"; whilst one of those discovered
-by M. Piette (others similar to it are known)
-has been regarded as a "lance thrower" or "propulsor"
-(such as modern primitive races use), having a notch at
-one end upon which the lance to be thrown is made to
-rest. The latest suggestion as to these notch-and-hook-bearing
-rods, is that they are large crochet hooks
-<span class="pagenum"><a name="Page_16" id="Page_16">[Pg 16]</a></span>
-used in making nets. It has also been suggested that
-some of these carved rods were used as "fasteners" of the
-skins used as clothing.</p>
-
-<p>I venture to suggest that the elaborately carved
-cylinder which we are considering and others bearing
-similar carvings, which only show up when a printing of
-them is taken, were used by the men who made them for
-this very same "printing" as an end in itself. The picture
-could be thus impressed on skins, birch bark, and other
-material. This race was thoroughly familiar with the use
-of paint formed by mixing grease with charcoal (to produce
-black), red ochre (to produce red), yellow ochre (to produce
-yellow), and some preparation of limestone or chalk
-(to produce white). Coloured pictures representing animals
-of the chase, coloured with red, yellow, white, and black
-and outlined by engraving, have been discovered on the
-rock walls of the caves used by them. Such pictures are
-found of relatively early as well as of late date within
-the post-Glacial Palæolithic period (see Chapter III). The
-rock picture of a single animal is usually from two to five
-feet long. People who could make those coloured designs
-and who could draw and compose so admirably as the
-author of the "Three Red Deer" would have desired to
-"roll off" and to possess printings of their favourite representations
-of animal life, whilst we must admit that their
-skill and ingenuity was assuredly equal to the task of
-so printing them. If this carving of the "Three Red
-Deer" were never printed it could not have been executed
-in the first place, nor seen and admired when completed.
-If even only half a dozen or a dozen impressions were
-taken from it for ornamenting the skins or other material
-used by a chief, or a wizard, or a woman, its production
-becomes intelligible. It is true that there is nothing
-known as to the use of such printing from a cylinder
-among existing primitive people, but it is known in
-<span class="pagenum"><a name="Page_17" id="Page_17">[Pg 17]</a></span>
-very early times (4500 <span class="sc">B.C.</span>), since cylindrical seals
-were used by the Babylonians. Elaborately grooved
-blocks used for printing on cloth are known from Fiji
-and Samoa, and the mere practice of printing on to a
-flat surface is common enough among savage races in
-regard to the human hand, impressions or prints of which
-obtained by the use of a greasy pigment are found upon
-rocks or stones. Sometimes prints of the hand or fingers
-are taken in clay.</p>
-
-<p>We must not, however, forget that the primary purpose
-of savage and primitive mankind in making images or
-engravings of animals is that of influencing the animals
-by witchcraft or magic, as has been urged by Reinach.
-From such magic-working drawings the art of savages has
-gradually developed just as religious figures and designs
-have been the initial motive of historic European art.</p>
-
-<p>It seems in any case fairly certain that the artist who
-engraved our picture of the three deer on to the stag's
-antler must have worked from and copied a completed flat
-drawing, and probably printed it in some way on to the
-prepared antler before engraving its lines thereon and
-also checked the work, as he proceeded, by successive
-trial printings or "proofs" on to a flat surface. It is
-possible though it does not seem very probable, that the
-drawing was thus committed to perpetual invisibility on
-a cylindrical rod&mdash;for the purpose of exercising "magic"
-with that rod. It seems to me that the Cromagnard
-owner of the rod would have wished to see "what the
-picture really looked like," and so would have on some
-occasion and more than once have "printed it off" or as
-we say "unrolled it."</p>
-
-<p>Leaving that question aside I have a few words
-to say as to the present attempted "completion" of
-the picture. My difficulty has been in realizing the
-suggestion of a free, graceful "bounding" action given by
-<span class="pagenum"><a name="Page_18" id="Page_18">[Pg 18]</a></span>
-the pair of small hind legs which form all that remains of
-the smallest of the three deer. I have tried various poses
-of the calf indicated by these legs&mdash;bucking and jumping,
-and with fore legs closely bent to the horizontal or in a
-more open position. The fact is there is very little in
-existing drawings or photographs which can help us to a
-decision of the problem, "How did the prehistoric artist
-complete that exquisite little pair of hanging legs?" The
-problem is more obscure even than that of the pose of the
-arms of the Venus of Melos. One feels sure that the
-man who made this carving was an artist who must keep
-a certain rhythm and flow in the action and form of the
-three successive animals, and it is clear that he was a
-wonderful observer of the phases of the limbs in movement.
-It is, perhaps, a presumptuous thing to attempt
-on such a basis to recall the thought of a man who died
-twenty thousand years ago, but I set out to do so with the
-belief that there is a necessary figure determined by those
-hind legs.</p>
-
-<p>Some years ago, as a step towards a solution of the
-problem, I published a "restoration" or "completion" of
-this picture in the "Field" (May 13th, 1911), and asked for
-criticisms and suggestions from the readers of that journal.
-I had no difficulty as to the completion of the biggest
-stag by drawing in his haunches and hind-legs, but the
-completion of the head and antlers of the smaller stag&mdash;and
-still more the calling into being of the entire calf as
-an inference from his or her suspended hind-feet and hoofs
-alone&mdash;were not easy tasks. I consulted many authorities
-and some instantaneous photographs, but I was not satisfied
-with the pose I finally suggested for the calf nor with
-the "points" assigned by my draughtsman to the antlers of
-the smaller stag. Some interesting suggestions were
-made in reply to my appeal by readers of the "Field."
-Those which seemed to me of conclusive weight and value
-<span class="pagenum"><a name="Page_19" id="Page_19">[Pg 19]</a></span>
-were offered by Mr. Walter Winans, who combines the
-qualifications of a great observer of big game with those of
-a great artist. In the restoration now given in Fig. 5 I have
-profited by Mr. Walter Winans' criticism and have been
-especially glad to make use of the spirited sketch made by
-him for my benefit, and published in the "Field" of 1911, of a
-red-deer calf when hopping along with all the feet together, a
-movement known as "buck-jumping." "Of course," writes
-Mr. Winans, "this is quite different to the bronco-pony's
-action when trying to get rid of a rider. In the case of
-this kind she does not come down with a jar&mdash;but as
-she lands bends her knees and hocks simultaneously and
-then straightens them, also simultaneously, bounding in
-the air with bent back, tail curled tight on back, head
-thrown back, and ears forward; she never puts her fore-legs,
-either knee or fetlock, beyond her shoulder in this
-action." These words of Mr. Winans and his outline
-sketch of the buck-jumping calf precisely realize what
-the little hanging legs of the rubbed-out calf had been, as
-it were, urging my tired brain to recall and visualize. I
-am convinced that Mr. Winans' sketch gives the completion
-of the picture as drawn by the artist of the Lortet cavern,
-and satisfies the demand made by the gracefully suspended
-limbs shown in the incompletely preserved original. And
-so I have used it in my final restoration here given in Fig. 5.</p>
-
-<p>The following letter by Mr. Winans, giving valuable
-comments on the Lortet picture, was published in the
-"Field," and will assist others in appreciating its significance:
-it enabled me to get the middle stag's antlers
-correctly drawn. I have omitted a few lines referring
-to defects in the original restoration&mdash;now corrected.</p>
-
-<p class="bq"><span class="sc">Sir</span>,&mdash;As Sir Ray Lankester asks for criticism of this
-wonderful drawing of three deer, perhaps the following
-may be of interest. I have known deer all my life, and
-<span class="pagenum"><a name="Page_20" id="Page_20">[Pg 20]</a></span>
-lived amongst them the last twelve years. I agree that
-the picture is wonderful&mdash;better than anything Landseer
-or Rosa Bonheur drew, because these latter were only
-artists: one can see by their pictures (full of faults as to
-attitudes and actions) that they knew nothing of deer.
-For instance, Landseer's stags were much too big in the
-body and their heads too small, and even the shape of
-their horns was conventional....</p>
-
-<p class="bq">"The Lorthet drawings enable one to know all details
-about the three deer (looking at the original mutilated
-'development'). First, the deer have 'got the wind' of
-an enemy, have come a long way, and are moving
-leisurely, the big stag, as usual, bringing up the rear and
-taking a last look round before the herd goes out of sight.
-The second is the younger stag who generally accompanies
-the big stag and acts as his sentinel when he is
-sleeping, a stag too small to give the big stag any jealousy
-as to his hinds. The third is undoubtedly a calf (Red deer
-are 'stags,' 'hinds,' and 'calves,' not 'does' and 'fawns';
-the latter terms apply to Fallow deer and Roe-deer).</p>
-
-<p class="bq">"The deer are typical Red deer, not Wapiti, except that
-the only tail showing (that of the middle deer) is the short
-Wapiti tail, not the longer tail of the Red deer, and the
-ears are shorter than those of any existing species of deer.</p>
-
-<p class="bq">"The horns of the big stag are those of typical park Red
-deer, exactly like the Warnham Park big stag: brow,
-bay, and tray, with a bunch on top, and the horns are
-short and straight for their thickness.</p>
-
-<p class="bq">"Now as to the short tail. I am trying, by crossing the
-Wapiti, Red deer, and Altai to get back to the original
-deer before the various species got separated, and my
-'three-cross' deer show these very characteristics, as
-follows: Red deer or Warnham horns, short Wapiti tail,
-and the rather Roman nose which this 'development'
-print shows. The only difference is the short ears. Is it
-not possible that, as the artist is able to draw the horns in
-perspective and show the anatomy and proportions so
-well, that the ears are meant to be drawn fore-shortened?</p>
-
-<p class="bq">"The stag's mouth is open because he is big and fat
-and is blowing (not roaring or bellowing). If it was the
-<span class="pagenum"><a name="Page_21" id="Page_21">[Pg 21]</a></span>
-rutting season, when stags roar, the stag would be
-tucked up in the belly and have a tuft of hair hanging
-under the middle of it. He and the stag in front are
-moving in the real action (not the conventional action
-Rosa Bonheur and Landseer drew, but what the ancient
-Egyptians drew sometimes) of a slow, easy canter....
-Now as to the middle stag's horns. I should give
-him, bearing in mind he is the small sentry stag, brow,
-tray, and three on top&mdash;a ten-pointer, the thin points
-showing in the original drawing indicating that he had
-thin horns&mdash;in fact, a three-year old.</p>
-
-<p class="bq">"In a Scotch forest a ten-pointer is a comparatively old
-stag, but at Warnham and my place, where the feeding
-is good (and in my case there is hand feeding all the
-year round), a spike stag gets six points and can almost
-be a royal the next year.</p>
-
-<p class="bq">"All this shows that the deer at the time this drawing
-was made must have had very good feeding and come
-to maturity quickly, like modern park deer. The big
-stag would never have allowed a ten-pointer in his herd
-if the latter had been an old stag.</p>
-
-<p class="bq">"As to the action of the leading hind. I think she is
-a hind-calf by her legs, and is jumping with all four
-legs together, the way young deer do when playing, and,
-being young, is paying no attention to the danger
-behind, but is full of life, like a horse playing about
-when he is fresh. One often sees the calves of a herd
-playing like this if the herd is moving along steadily....</p>
-
-<p class="bq">"From the position of the hind legs of the little calf
-I judge that she is jumping with all four legs together
-(the jump from which the expression 'buck jumping'
-comes); her tail would be curled up tight over her back
-like a pug dog carries it, only without the curl, and her
-ears pricked forward. The piece of horn broken off
-would show the rest of the hinds and calves, led
-by an old 'yeld' (<i>i.e.</i>, barren) hind, who would be leading
-the herd up wind with her nose and ears forward to
-'get the wind' of any danger ahead.</p>
-
-<p class="bq">"The day is a hot one in the middle of August, shown
-by the big stag blowing and his being with the hinds,
-<span class="pagenum"><a name="Page_22" id="Page_22">[Pg 22]</a></span>
-instead of with other stags by themselves, and by his
-not having 'run' yet, though his horns are clear of
-velvet. He is most likely the stag on whose horn this is
-engraved. The length of the deer's feet shows that they
-live on ground which is soft and not many stones about
-to wear down their toes.</p>
-
-<p class="bq">"Maybe the fish indicate that the deer are crossing a
-shallow ford, and the salmon are getting frightened and
-jumping. The right-hand-most fish is just in the attitude
-of a hooked salmon trying to leap clear of the fly....</p>
-
-<p class="bq">"The picture was most likely first drawn on some flat
-flexible surface, skin or bark, in a sticky medium, and
-then transferred to the horn by rolling it round the horn
-and then rubbing it. This would give a transfer,
-which would guide the subsequent engraving, otherwise
-it would be very difficult to engrave direct on the horn,
-and mistakes could not easily be corrected.</p>
-
-<p class="ar">
-"<span class="sc">Walter Winans</span>
-</p>
-
-<p class="bq">
-"<span class="sc">Surrenden Park, Pluckley, Kent</span></p>
-
-<p>With regard to the six fishes in the picture of "The
-Three Red Deer," I think that there can be little doubt
-that they are put in in the same spirit of exuberance
-which induced early Italian masters to introduce a cherub
-wherever a space for him could be found. The fish represented
-are the same in each case, and are undeniably
-salmonids. Presumably they are drawn on a larger scale
-than the deer. Their markings and the form of the head
-are deserving of some criticism and comment by those
-who are familiar with fish as seen by the fisherman.
-Probably the artist's friends at Lourdes captured fish in
-those days by spearing them with serrated bone-headed
-fish spears or harpoons (Fig. 3). No fish hooks of bone
-have been found in the cave of Lortet or in others of like
-age, although needles and whistles of bone and other
-useful little instruments, as well as serrated spear heads
-and harpoons have been obtained in several of them.</p>
-
-<p><span class="pagenum"><a name="Page_23" id="Page_23">[Pg 23]</a></span></p>
-
-<p>The tool used by the prehistoric man in engraving the
-cylinder of stag's antler was undoubtedly a suitable chipped-out
-piece of flint&mdash;a flint graving tool, in fact a "burin,"
-such as are abundant in these caves.</p>
-
-<div class="figcenter"><a name="i_06.jpg" id="i_06.jpg"></a>
- <img src="images/i_06.jpg" width="549" height="600"
- alt="" />
- <div class="caption"><span class="sc">Fig. 6.</span>&mdash;Fragment of a
- roughly-painted vase of the Dipylon age (<i>circa</i> 800 <span class="sc">B.C.</span>)
- from Tiryns, figured by Schliemann and cited by Hörnes in
- his "History of Pictorial Art in Europe." Compare the fish between the
- horse's legs with the fish in the Lortet picture of the Three Deer; also
- note the lozenge-shaped designs (similar to the pair above the big stag
- in the Lortet picture) near the fish and near the man's head (<i>d</i>); and,
- further, the swastika (<i>s</i>).</div>
-</div>
-
-<p>Attention has been drawn by Hörnes in his "History of
-Pictorial Art in Europe" to the resemblance of the Lortet
-picture to a fragment of a roughly painted vase of the
-Dipylon age (<i>circa</i> 800 <span class="sc">B.C.</span>) found at Tiryns and figured
-by Schliemann in his account of excavations made at that
-ancient Mykenæan fortress of the Peloponese. The fragment
-(Fig. 6) shows very roughly drawn figures of a man
-<span class="pagenum"><a name="Page_24" id="Page_24">[Pg 24]</a></span>
-and of a horse. Between the fore and hind legs of the
-horse a large elaborately ornate fish is represented, reminding
-us of the fishes between the deer's legs in the Lortet
-picture. Two other similar fragments of pottery, showing
-a fish in this position, are recorded by Schliemann. The
-drawing is conventional and careless. It is of a debased
-decorative character, and is very far removed from the
-careful nature-true work of the Lortet cave-man. It is
-not possible to trace by any known line of transmission
-a connection between the engraving executed 20,000 years
-ago in the caves of the Pyrénées and the figures rapidly
-knocked off in black paint on the Tiryns vase some 17,000
-years later by the local dealers in cheap pottery. Yet we
-cannot avoid the suggestion that there is some connection
-between the two designs. For the Tiryns painting shows
-not only the curious upright fish between the horse's legs,
-but also diamond-shaped figures&mdash;one marked <i>d</i> in Fig. 6,
-another near the fish's tail, and another between the man's
-feet&mdash;closely resembling the pair of diamond-shaped
-figures engraved above the neck of the big stag in the
-Lortet picture (see Figs. 4 and 5). As we do not know
-what these diamond-shaped figures or "lozenges" are
-intended to signify in either case, we do not get, at
-present, beyond the bald fact of their coincidence.
-The Tiryns painting also shows (at <i>s</i> in Fig. 6) a
-"swastika" (see Chapter XVII), and below the man's
-arm a carelessly drawn bit of the ancient wave-fret or
-key-pattern. It is, of course, possible that the tradition
-of an ancient design&mdash;even dating so far back in origin
-as many thousands of years&mdash;may be preserved in the
-use made in the Tiryns decoration of the fish and the
-diamond-shaped lozenges, though associated with the
-swastika and the bit of wave-fret which are probably of
-later origin and are not known in the decorative work of
-the cave-men. The Mykenæan decorative assimilation of
-<span class="pagenum"><a name="Page_25" id="Page_25">[Pg 25]</a></span>
-geese to the ship's barnacle exercised its influence over
-three thousand years and led to the mediæval belief in the
-hatching of young geese from barnacles attached to floating
-timber, and even from the buds of trees (see my
-"Diversions of a Naturalist": Methuen, 1915). Nevertheless
-it must not be supposed that the connection of the Lortet
-engraving and the vase-painting of Tiryns is probable or
-more than a very remote possibility. The gap in time is
-too vast, and our present ignorance of what took place in
-that interval too complete, to warrant us in regarding the
-resemblance as more than a coincidence.</p>
-
-
-<div class="footnotes p4"><h3>FOOTNOTES:</h3>
- <div class="footnote">
- <p class="noindent"><a name="Footnote_1_1" id="Footnote_1_1"></a>
- <a href="#FNanchor_1_1"><span class="label">[1]</span></a>
- "L'Age du Renne," a posthumous work, with one hundred coloured
- quarto plates of objects in the Piette collection, is published by Masson, of
- Paris, and gives the complete list of Piette's numerous earlier papers, issued
- as his excavations proceeded.</p>
- </div>
-
- <div class="footnote">
- <p class="noindent"><a name="Footnote_2_2" id="Footnote_2_2"></a>
- <a href="#FNanchor_2_2"><span class="label">[2]</span></a>
- Seven years ago the ape-like lower jaw and thick walled brain-case called
- "Eoanthropus" were discovered in a sparse gravel near Lewes in Sussex.
- It is probably of older date than either the Neander men or the Heidelberg
- men. See on this subject the chapters on "The Missing Link" in my
- "Diversions of a Naturalist" (1915) and those on "The Most Ancient
- Men" and "The Cave-men's Skulls" in "Science from an Easy Chair.
- First Series" (1910).</p>
- </div>
-</div>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_26" id="Page_26">[Pg 26]</a></span></p>
-
-
-
-
-<div class="chapter p4">
- <h2><a name="CHAPTER_II" id="CHAPTER_II"></a>CHAPTER II</h2>
-</div>
-
-<p class="ac noindent">PORTRAITS OF MAMMOTHS BY MEN WHO
-SAW THEM</p>
-
-
-<p class="drop-cap">SOME fifty-five years ago pieces of reindeer's antler
-were discovered in the cave known as "La Madeleine"
-in the Dordogne (a department of France
-some eighty miles east of Bordeaux), upon which were
-engraved the outlines of various animals such as reindeer
-and horses. They and the bone spear-heads and needles,
-and the flint knives found with them, were the first
-revelation to later man of the existence of the prehistoric
-cave-men. Among the carvings was a piece of ivory which
-excited the profoundest interest. Partly hidden by a confused
-mass of scratches it showed the well-drawn outline of
-the great extinct elephant, thus scratched or "engraved"
-on a bit of its own tusk (Fig. 7). The engraving was
-barely 5 in. long, and has been reproduced in many books.
-The specimen is now in Paris, and was for long the only
-known representation of the Mammoth by the ancient
-men who lived with it in Western Europe.</p>
-
-<div class="figcenter"><a name="i_07.jpg" id="i_07.jpg"></a>
- <img src="images/i_07.jpg" width="600" height="267"
- alt="" />
- <div class="caption"><span class="sc">Fig. 7.</span>&mdash;Engraving of a mammoth
- drawn upon a piece of mammoth's ivory, found in the cave of La Madeleine
- in the Dordogne, in 1864. The specimen is in the Museum of Natural History, Paris.
- The engraving is here represented of the actual size.</div>
-</div>
-
-<p>During the last fifteen years, however, our knowledge
-of the works of art executed by these ancient men has
-increased to an extraordinary extent, chiefly owing to the
-energy and skill of the French explorers of the caverns
-in the south central region of that country. As long ago
-as 1879 a little girl, the daughter of Señor Sautuolo&mdash;a
-proud woman she should be if alive to-day&mdash;when visiting
-the cavern of Altamira, near Santander, in the north of</p>
-
-
-<p><span class="pagenum"><a name="Page_28" id="Page_28">[Pg 28]</a></span></p>
-
-<p>Spain, with her father, drew his attention to a number of
-"pictures of animals," painted on the rocky vault or roof
-of the cave. At first no one believed that these pictures
-were more than a few hundred years old, whilst some held
-them to be modern and made with fraudulent purpose.
-In 1887 Piette, the distinguished French investigator of
-the remains of human work in the caverns of the French
-Pyrénées (whose great illustrated book of carved and
-engraved portions of reindeer antler, ivory, and stones
-discovered by his excavations, is a classic), declared that
-in his opinion the pictures of the Altamira cave were of
-the same age as the bone and ivory carvings of the
-Madeleine cave&mdash;that is to say, dated from what "prehistorians"
-call the later Palæolithic age, an age when the
-mammoth, the bison, the cave lion, and the reindeer still
-existed in Western Europe, and when the British Isles were
-not yet separated by sea from the Continent. The age
-indicated is probably from 25,000 to 50,000 years ago.
-Still, the opinion prevailed that the "wall-drawings" and
-"roof-drawing" of the Altamira cave were either mediæval
-or modern until the French explorers discovered wall-paintings
-in some of the caves of the Dordogne. Then
-they proceeded to a careful investigation of the Altamira
-cave, and discovered conclusive evidence of the great age
-of the paintings by the removal of some of the undisturbed
-deposit in the cave, in which were found flint implements
-and small engravings on bone, proving the deposit to be
-of the late Palæolithic age. When this deposit was
-removed, pictures of animals, partly engraved and partly
-completed in colour (black, red, yellow, and white), were
-found on the wall of the cave previously covered up by
-the deposit. M. Cartailhac, who had been a leading
-opponent of the view that the Altamira wall-pictures
-were very ancient, now renounced his former position and
-became an enthusiastic investigator and exponent of these
-<span class="pagenum"><a name="Page_29" id="Page_29">[Pg 29]</a></span>
-pictures. M. Breuil, who had discovered wall-pictures,
-including those of the mammoth, in French caves, and
-had been met by disbelief and even suspicion, now received
-due recognition, and joined Cartailhac in preparing a
-complete account of the wall and roof pictures of the
-Altamira cave. The Prince of Monaco, who had carried
-out, with the aid of French experts, an investigation of
-the caves on his property at Mentone, on the Mediterranean
-"Riviera," undertook the expense of producing
-a splendid volume, giving coloured reproductions of the
-Altamira pictures. To him the world is indebted, not
-only for most important discoveries of human skeletons
-and objects of human workmanship in the caves of
-Mentone (there are no wall-pictures there), but for the
-publication in illustrated form of the Mentone discoveries
-and of those obtained in the Altamira cave. He has not
-rested at this stage of accomplishment, but has produced
-at his own expense large volumes by MM. Breuil, Capitan,
-and Peyrony, illustrating and describing the discoveries
-made by them of wall-paintings and engravings of animals
-in the cave known as the "Font de Gaume," in the
-Dordogne. The Prince has also published a volume, by
-MM. Breuil, de Rio, and Sierra, reproducing the drawings
-found in a whole series of caves and rock-shelters in
-various parts of the Spanish peninsula, where the rock-painting
-race seems to have persisted to a somewhat later
-period and to have painted, more frequently, pictures of
-human beings as well as of animals. These, whilst less
-artistic and truthful than those of the North Spanish and
-South French area, yet have surpassing interest, since they
-have special similarity to ancient rock-paintings found in
-North Africa and to the rock-paintings of the Bushmen
-of South Africa.</p>
-
-<p>The Prince of Monaco has finally established the
-great study in which he has played so valuable a part by
-<span class="pagenum"><a name="Page_30" id="Page_30">[Pg 30]</a></span>
-founding in Paris an "Institute of Human Palæontology";
-that is, "of the study of prehistoric man," which he has
-endowed with a magnificent building, comprising laboratories
-and residences for professors, together with funds
-to pay for its maintenance and the proper publication of
-results. This he has done in addition to founding entirely
-at his own expense a similarly complete Institute for the
-study of "oceanography"&mdash;the study of the living contents
-and history of the great seas.</p>
-
-<p>The illustrations in this chapter are (with the exception
-of Fig. 7) copies, greatly reduced in size, of faithful representations
-of the great hairy elephant or mammoth which
-still survived in southern France in the days when the
-caves were occupied and decorated by men. I am indebted
-to the valuable little book "Repertoire de l'Art
-Quatermaire," by M. Salomon Reinach, for these outlines
-carefully drawn by him from various large illustrations
-by the use of a tracing and reducing instrument. In the
-next chapter I have given examples from the same source
-of similar drawings of other animals.</p>
-
-<p>There are five kinds of artistic work of Palæolithic age
-found in the caverns of France and Spain; namely (1)
-small solid carvings (complete all round) in bone, ivory,
-or stone; (2) small engravings in sunk outline on similar
-material, rarely with relief of the outlined figure; (3) large
-stone statues, 2 ft. to 6 ft. across, in high relief, with
-complete modelling of the visible surface; (4) rock engravings
-and paintings on the walls and roofs of caverns
-or rock shelters, often partly outlined by engraving and
-scraping of the surface, and then completed in black
-or red paint or in several colours (black, red, yellow,
-white); they are of large size, from 2 to 5 ft. in cross
-measurement; (5) models in clay, one side only shown,
-the other resting on rock; a few incomplete clay models
-of this nature representing the bison of about 2 ft. in</p>
-
-
-<p><span class="pagenum"><a name="Page_32" id="Page_32">[Pg 32]</a></span></p>
-
-<p>length, have recently been discovered in one of the French
-caverns, and are the only examples of modelling in clay
-by the Palæolithic men yet discovered.</p>
-
-<div class="figcenter"><a name="i_08.jpg" id="i_08.jpg"></a>
- <img src="images/i_08.jpg" width="497" height="600"
- alt="" />
- <div class="caption"><span class="sc">Fig. 8.</span>&mdash;Outline engravings of
- mammoths on the wall of the cavern known as the "Font de Gaume," near Eyzies
- (Dordogne). Each figure is about 2 ft. long.</div>
-</div>
-
-<p>Our figures of the mammoth are (excepting Fig. 7) all
-of the fourth class&mdash;namely, rock-paintings in one colour
-(black or red) partly
-engraved and scraped.
-The originals are from
-1-1/2 ft. to 2-1/2 ft. long.
-The mammoths given
-in Fig. 8 are carefully
-copied from engravings
-discovered,
-reproduced, and described
-by M. Breuil
-and his fellow-workers.
-They are
-on the walls of the
-cavern known as the
-"Font de Gaume," in
-the commune of Tayac
-in the Dordogne.
-Those copied in Fig.
-9 and Fig. 10, A,
-were discovered on
-the walls of the cave
-of Les Combarelles
-in the same district.</p>
-
-<div class="figcenter"><a name="i_09.jpg" id="i_09.jpg"></a>
- <img src="images/i_09.jpg" width="423" height="600"
- alt="" />
- <div class="caption"><span class="sc">Fig. 9.</span>&mdash;Similar engravings from
- the neighbouring cave of Combarelles. The lower figure is an enlargement of the smaller of
- the two above it.</div>
-</div>
-
-<p>Fig. 10, B, is from a cave at Bernifal, near les Eyzies, in
-the Dordogne, and shows a mammoth enclosed in a
-triangular design, which is believed to represent a trap,
-or else a cage. Such triangular figures with upright and
-also bent supports are found in various degrees of elaboration
-on both small and large engravings of this period, and
-are generally accepted as representing huts or enclosures
-<span class="pagenum"><a name="Page_33" id="Page_33">[Pg 33]</a></span>
-supported by wooden poles. They are called "tectiforms"
-by the French explorers.</p>
-
-<div class="figcenter"><a name="i_10.jpg" id="i_10.jpg"></a>
- <img src="images/i_10.jpg" width="358" height="600"
- alt="" />
- <div class="caption"><span class="sc">Fig. 10.</span>&mdash;<i>A</i>, similar engraving
- from the cave of Combarelles. <i>B</i>, Mammoth enclosed by plank-like
- structure&mdash;supposed to be either a cage or a trap. (Called
- tectiform structures, and often seen in these wall engravings.) From
- the cave of Bernifal, five miles from Eyzies.</div>
-</div>
-
-<p>The bones and teeth of the mammoth are very
-common in the river gravels and clays of Western
-Europe and England, and
-a complete skull, with its
-tusks, dug up at Ilford, in
-the east of London, is in the
-Natural History Museum.
-Frozen carcasses of this
-animal are found in Northern
-Siberia, and two showing
-much of the skin and hair
-are in the museum of
-Petrograd. There is no
-tradition or knowledge of
-the mammoth among living
-races of men. The natives
-of Siberia, who have from
-time immemorial done a
-large trade in the ivory,
-regard the tusks as "horns,"
-and have stories about the
-ghosts of the mammoth, but
-no tradition of it as a living
-beast. The mammoth was
-closer to the Indian elephant
-of to-day than to the African
-one. It had, as these drawings
-show, a pelt of long hair. Indian elephants from
-upland regions often have a good deal of hair all
-over the body: and the newborn young of both the
-Indian and African elephant has a complete coat of
-hair. The drawings here reproduced are not only of
-thrilling interest because they are the work of remotely
-<span class="pagenum"><a name="Page_34" id="Page_34">[Pg 34]</a></span>
-ancient men who lived with and observed mammoths in
-the south of France, but also because they show an
-extraordinary skill in "sketching"&mdash;in giving the essential
-lines of the creature portrayed and in reproducing the
-artist's "impression." These artists were "impressionists"&mdash;the
-earliest and most sincere&mdash;without self-consciousness
-or other purpose than that of making line and colour
-truly register and indicate their vivid impressions. It is
-interesting to note that (as in other works of art showing
-true artistic gift) actual error in drawing (for instance, in
-the size and shape of the eye and the placing of the two
-tusks on the same side of the trunk&mdash;possibly due to the
-unfinished state of the drawing) sometimes accompanies
-the most penetrating observation and skilful delineation of
-the characteristic form and pose of the animal. Probably
-mammoths were getting rare in the south of France when
-these drawings were made, and were not so familiar in
-all their details to the artist as were bison, horse, and
-deer.</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_35" id="Page_35">[Pg 35]</a></span></p>
-
-
-
-
-<div class="chapter p4">
- <h2><a name="CHAPTER_III" id="CHAPTER_III"></a>CHAPTER III</h2>
-</div>
-
-<p class="ac noindent">THE ART OF PREHISTORIC MEN</p>
-
-
-<p class="drop-cap">THE works of art produced by the cave-men are,
-as we have already seen, of five kinds or classes&mdash;(1)
-All-round small statuettes, or "high-relief"
-carvings, in ivory, bone, or stone (examples of which are
-shown in Figs. 14, 25, 26, 27, 28 of the present chapter);
-(2) small engravings on bits of ivory, deer's antler, bone,
-or stone (examples are shown in Figs. 15, 16, 20, and
-24); (3) large statues, hewn in rock, and left in place;
-(4) drawings of large size&mdash;two to five feet in diameter
-(partly engraved and partly coloured) on the rocky walls
-and vaults of limestone caverns (shown in Figs. 11, 12, 13,
-17, 18, 19, 23, as well as in the figures of mammoths in
-the last chapter); (5) models (high relief) worked in clay.
-I give reproductions in the present chapter of several
-samples of this art, showing how skilfully these men of
-50,000 years ago could portray a variety of animals.</p>
-
-<p>Who were these men, and why did they make these
-remarkable carvings and drawings? First, as to their age.
-We now know of a long succession of human inhabitants
-of this part of the world, namely, Western Europe.
-The earliest reach back to an antiquity never dreamed
-of fifty years ago. We cannot fix with any certainty
-the number of thousands, or hundreds of thousands, of
-years which is represented by this succession, but we can
-place the different periods in order, one later than the
-other, each distinguished chiefly by the character of the
-<span class="pagenum"><a name="Page_36" id="Page_36">[Pg 36]</a></span>
-workmanship belonging to it, though in a few instances
-we have also the actual limb-bones, skulls, and jaw-bones
-of the men themselves, which differ in different periods.
-It is practically certain that these prehistoric successive
-periods of humanity do not represent the steps of growth
-and change of one single race belonging to this part
-of the world, but that successive races have arrived on
-the scene of Western Europe from other parts, and it
-is usually very difficult even to guess where they came
-from and where they went to!</p>
-
-<p>It is convenient to divide the human epoch, the time
-which has elapsed since man definitely took shape as
-man&mdash;characterized by his large brain, small teeth, upright
-carriage, and large opposable thumb and still larger and
-more peculiar non-opposable great toe&mdash;into the historic
-and the prehistoric sections. In this part of the world
-(Europe) the first use of metals (first of all copper, then
-bronze, and then iron), as the material for the fabrication
-of implements and tools of all kinds, occurs just on the
-line between the historic and the prehistoric sections;
-that is to say, between those times of which we know
-something by tradition and writing, and those earlier
-times of which we have no record and no tradition, but
-concerning which we have to make out what we can by
-searching the refuse heaps and ruins of man's dwelling-places
-and carefully collecting such of his "works" as have
-not utterly perished, whilst noting which lie deeper in the
-ground, which above and which below the others.</p>
-
-<p>Practically the men of the prehistoric ages in Europe
-had not the use of metals (though our quasi-historical
-records go back to a less remote time in many parts of
-Europe than they do in Greece, Assyria, and Egypt).
-The prehistoric peoples are spoken of as the men of
-the Stone Age, because they used stone, chiefly flint,
-as many savage races do to-day, as the material from
-<span class="pagenum"><a name="Page_37" id="Page_37">[Pg 37]</a></span>
-which they fabricated by means of deftly struck blows
-all sorts of implements. Undoubtedly they also, by aid
-of stone knives, saws and planes, made weapons and other
-implements of wood and of the horns, bones, and teeth
-of animals. But these latter substances are perishable,
-and have only been preserved from decay under special
-circumstances, such as their inclusion in the deposits on
-the floors of caverns.</p>
-
-<p>The Stone Age is itself readily and obviously divisible
-into two periods. The latter is a comparatively very short
-and recent period, when great skill in chipping flints and
-other stones was attained, and the implements so shaped
-were often rubbed on large stones of very hard material
-(siliceous grit), so as to polish their surfaces. This is
-the "Neolithic," or later Stone, period, and extends back
-in Europe certainly to 7000 <span class="sc">B.C.</span>, and probably a few
-thousand years further. Passing further back than this,
-we leave what are called "recent" deposits, and come to
-those associated with great changes of the earth's surface.
-We enter upon "geological" time, and vastly changed
-climatic and geographical conditions. We are in the
-older Stone period, called the "Palæolithic period."
-It is not really comparable to the "Neolithic," since it
-comprises many successive ages of man, and, although
-called the "Palæolithic" or "ancient Stone" period, has
-no unity, but, whilst readily divisible into several sub-periods
-or epochs of comparatively late date, stretches
-back into immense geologic antiquity indicated by flint
-implements of special and diverse types, which are found
-in definitely ascertained geologic horizons.</p>
-
-<p>The Pleistocene strata&mdash;the latest of the geologists' list&mdash;are
-the river gravels of existing river valleys, the deposits
-in many caves, and the sands and clays piled up by ice
-action during the repeated glacial extensions or epochs
-of glaciation which alternated with milder climate for
-<span class="pagenum"><a name="Page_38" id="Page_38">[Pg 38]</a></span>
-many thousands of years over north and middle Europe.
-It is identical with the Palæolithic period, which, however,
-probably extends beyond it into the Pliocene and even
-further back. In the later deposits of the Pleistocene,
-which necessarily have been less frequently disturbed and
-re-deposited than the older ones, we find more numerous
-remains of man's handwork, and in less disturbed order
-of succession, than in the older deposits. Lately we have
-obtained in East Anglia beautifully-worked flint implements&mdash;the
-rostro-carinate, or eagle's beaks&mdash;from below
-shelly marine deposits&mdash;the Red Crag of Suffolk and the
-Norwich Crag&mdash;the oldest beds of the Pleistocene. They
-were made by men who <i>lived</i> in the Pliocene period, and
-carry the ancient Stone period of man back to a much
-earlier period than was admitted nine years ago.</p>
-
-<p>The Pleistocene series or "system " of strata&mdash;also called
-the "Quaternary" to mark its distinction from the underlying
-long series of "Tertiary" strata&mdash;does not comprise
-the actual surface-deposits in which the remains of Neolithic
-man are found. It is usual, though perhaps not
-altogether logical, to separate these as "Recent" and to
-begin the long enumeration of "geologic" strata after
-a certain interval when the relative levels of land and sea
-and the depth of river-valleys were not precisely what
-they are to-day, and the human inhabitants of Western
-Europe were hunters using rough unpolished flint implements&mdash;in
-fact, when the "Palæolithic" period of human
-culture had not given place to the "Neolithic," which
-was after some ten thousand years itself to be superseded
-by the age of metals. "Prehistorians," the students of
-prehistoric man&mdash;divide the Pleistocene series of deposits
-with a view to a systematic conception of the successive
-changes of man and his surroundings during the period
-occupied by their deposition, into an upper, a middle
-and a lower group&mdash;and further have distinguished certain
-<span class="pagenum"><a name="Page_39" id="Page_39">[Pg 39]</a></span>
-successive "horizons" in these groups&mdash;characterized by
-the remains of man and animals which they contain.
-They are exhibited in the tabular statement here given
-in the ascertained order of their succession, and are represented
-in the southern part of Britain as well as in France.</p>
-
-
-<p class="ac noindent">HORIZONS OR EPOCHS OF THE PLEISTOCENE
-OR QUATERNARY SYSTEM</p>
-
-<div class="bq">
-
-<p class="ac noindent"><i>A.</i> <span class="ac sc">Upper Pleistocene</span> (post-glacial;
-also called epoch of the Reindeer).</p>
-
-<p class="indent-left">1. <i>The Azilian:</i> (Elapho-Tarandian of Piette) nearest
-to the Neolithic section of the Recent Period and more or less transitional to that
-period; named after the cavern of the Mas d'Azil in the department
-of the Ariège. The Reindeer had largely given place to the great
-Red Deer (Cervus elephus).</p>
-
-<p class="indent-left">2. <i>The Magdelenian:</i> named after the cave of La Madeleine
-in the Dordogne.</p>
-
-<p class="indent-left">3. <i>The Solutrian:</i> after Solutré near Macon.</p>
-
-<p class="indent-left">4. <i>The Aurignacian:</i> after the grotto of Aurignac in the
-Haute Garonne.</p>
-
-
-<p class="ac noindent"><i>B.</i> <span class="sc">Middle Pleistocene</span> (period of
- the last great extension of glaciers).</p>
-
-<p class="indent-left">1. <i>The Moustierian:</i> so named after the cave of Le Moustier
-in Dordogne; the epoch of the Neander men. Also called the "epoch of the
-Mammoth," whilst the upper Pleistocene is called the epoch of the
-Reindeer, though the Mammoth still survived then in reduced numbers.</p>
-
-
-<p class="ac noindent"><i>C.</i> <span class="sc">Lower Pleistocene</span> (inter-glacial
-and early glacial, also called period of the Hippopotamus and of Elephas antiquus and
-Rhinoceros Merckii).</p>
-
-
-<p class="indent-left">1. <i>The Chellian:</i> named after Chelles on the upper Seine, river
-gravels and sands earlier than the Moustierian. Large tongue-shaped flint
-implements, flaked on both surfaces&mdash;the later and better-finished
-classed as "Acheulæan," after St. Acheul, near Amiens.</p>
-
-<p class="indent-left">2, 3, 4 ... various fluviatile and lacustrine gravels, sands and clays
-divisible into separate successive horizons, as well as marine deposits,
-some of glacial origin&mdash;including the mid-glacial gravel, the boulder
-clays and shelly Red Crag and Norwich Crag (but <i>not</i> the underlying
-"Coralline" Crag, which must be classed with the Pliocene). The
-relations of the marine deposits to the older river-gravels and fresh-water
-deposits, and to the earlier periods of glacial extension indicated
-by the glacial moraines of central Europe, have not been, as yet,
-satisfactorily determined.</p>
-</div>
-
-<p><span class="pagenum"><a name="Page_40" id="Page_40">[Pg 40]</a></span></p>
-
-<p>The amount of the sedimentary deposits of the earth's
-crust belonging to the Pleistocene or Quaternary Period&mdash;about
-250 feet in thickness&mdash;is exceedingly small, and
-represents a surprisingly short space of time as compared
-with that indicated by the vast thickness of underlying
-deposits. It has nevertheless been possible to study and
-classify the "horizons" of this latest very short period
-minutely because the deposits are easily excavated, and
-having been more recently "laid down" have not suffered
-so much subsequent breaking up and destruction as have
-the older strata; and further, because they embed at
-certain levels and in favourable situations an abundance
-of well-preserved bones and teeth of animals and the
-implements and carvings in stone and bone made by
-man. It is worth while to look at this matter a little
-more exactly.</p>
-
-<p>The total thickness of sedimentary deposits&mdash;that is,
-deposit laid down by the action of water on the earth's
-surface, and now estimated by the measurement of strata
-lying one over the other in various parts of the globe&mdash;tilted
-and exposed to view so that we can trace out
-their order of super-position&mdash;is about 130,000 feet. The
-lower half of this huge deposit contains no fossilized
-remains of the living things which were present in the
-waters which laid it down; they were soft, probably
-shell-less and boneless, and so no fossilized trace of them
-is preserved. Thus we divide the sedimentary crust into
-65,000 feet of "archaic" non-fossiliferous deposit, and an
-overlying 65,000 feet of fossil-containing deposits.</p>
-
-<p>The earliest remains of living things known are not
-very different from marine creatures of to-day; they are
-the strange shrimp-like Trilobites and the Lingula-shells
-found in the lower Cambrian rocks of Wales. Over them
-lie 65,000 feet of sedimentary deposit teaming with fossils&mdash;the
-petrified remains of animals and plants. The
-<span class="pagenum"><a name="Page_41" id="Page_41">[Pg 41]</a></span>
-Trilobites and the Lingulas must have had a long series
-of ancestors leading up to them from the simplest
-beginnings of life&mdash;for they are highly organized creatures.
-But no trace of those ancestors is preserved in the
-65,000 feet of sedimentary rock underlying the earliest
-fossils.</p>
-
-<p>This great basal mass of non-fossiliferous deposit is
-called "the Archæan series." The 65,000 feet of deposit
-<i>above</i> it are divided by geologists into three very unequal
-series. The first and lowest is the Primary or Palæozoic
-series, occupying the enormous thickness of 52,000 feet;
-above these we have the Secondary or Mesozoic series
-of 10,000 feet, and lastly, bringing us to recent time, we
-have the Tertiary or Cainozoic of only 3000 feet. These
-three series amount in all to 65,000 feet. The Palæozoic
-series is more than five times as thick as the Mesozoic, and
-these two taken together are twenty times the thickness of
-the Tertiary. Each series is divided by geologists into a
-series of systems, distinguished by the fossils they contain,
-which, on the whole, indicate animals of a higher
-degree of evolution as we ascend the series.</p>
-
-<p>The Palæozoic series include the vast thicknesses of
-the Cambrian, the Ordovician, the Silurian, Devonian,
-Carboniferous and Permian systems. The first "trilobite"
-is found in the lowest Cambrian rocks, and the last or
-most recent existed in the Permian period&mdash;after 50,000
-feet of rock had been deposited. None are known
-of later age. The first fossil remains of a vertebrate
-are found in the uppermost beds of the Silurian&mdash;in
-"beds" (that is to say, stratified rocks) which are just
-<i>half-way</i> in position so far as the measurable thickness
-of the deposits are concerned, between the earliest
-Cambrian fossils and the sediments of the present day.
-To put it another way, 34,000 feet of fossiliferous rock
-precede the stratum (upper Silurian) in which the earliest
-<span class="pagenum"><a name="Page_42" id="Page_42">[Pg 42]</a></span>
-remains of vertebrates are found. These first vertebrates
-to appear (others soft and destructible preceded them)
-are fishes&mdash;a group which, apart from this fact, are
-shown by their structure to present the ancestral form
-of all the vertebrate classes. In later Palæozoic beds we
-find the remains of four-legged creatures like our living
-newts and salamanders. The Secondary or Mesozoic
-series is divided into the Triassic, Jurassic and Cretaceous
-systems. It ends with the familiar chalk deposit of this
-part of the world, and is often called the age of Reptiles,
-because large reptiles abounded in this period. The
-Tertiary or Cainozoic series are divided into the Eocene,
-Oligocene, Miocene, Pliocene and Pleistocene systems.
-The huge reptiles disappear and their place is taken by an
-endless variety of warm-blooded, hairy animals&mdash;the
-Mammals&mdash;small at first, but in later beds often of great
-size. As we pass upwards from the Eocene we can trace
-the ancestry of our living Mammals such as the horse,
-rhinoceros, pig and elephant in successive forms. Complete
-skeletons are preserved in the rocks and show a
-gradual transition from the more primitive Eocene kinds&mdash;through
-Miocene and Pliocene modifications&mdash;until
-in the Pleistocene strata many of the species now
-inhabiting the earth's surface are found. A number
-of horizons, characterized by the special mammalian
-and other animal remains preserved in them, are distinguished
-by geologists in each of the "systems"
-of sands, clays and harder beds known as Eocene,
-Oligocene, Miocene and Pliocene. At last we arrive at
-the latest or most recent 250 feet of deposit, consisting
-of sand, clay and gravel. This is called "Pleistocene."
-It is only a very small fraction (1/260<sup>th</sup>) of the thickness
-of the whole fossil-bearing sedimentary crust of
-the earth&mdash;about the proportion of the thickness of a
-common paving-stone to the whole height of Shakespeare's
-<span class="pagenum"><a name="Page_43" id="Page_43">[Pg 43]</a></span>
-cliff at Dover. This Pleistocene or post-glacial Tertiary&mdash;often
-now called Quaternary&mdash;has been so carefully
-examined that we divide it as shown on page 39 into
-upper, middle and lower, and each of these divisions
-into successive horizons (only a few feet thick) characterized
-by the remains of different species of animals
-and often by the differing implements and carvings as
-well as the bones of successive races of men.</p>
-
-<p>When we are concerned with written history, ancient
-Egypt seems to be of vast and almost appalling antiquity;
-on the other hand, if we study the cave-men,
-ancient Egypt becomes relatively modern, and the first
-cold period and extension of glaciers, which 500,000 years
-ago marked the passage from Pliocene to Pleistocene,
-becomes our familiar example of something belonging to
-the remote past&mdash;beyond or below which we rarely let our
-thoughts wander. That is a natural result of concentration
-on a special study. But it has had the curious result,
-in many cases, of making students of ancient man unwilling
-to admit the discovery of evidences of the existence
-of man at an earlier date than that which belongs to the
-deposits and remains to which their life-long studies have
-been confined and upon which their thought is concentrated.
-The last 500,000 years of the earth's vicissitudes,
-which resulted in the 250 feet of "Pleistocene" deposit
-and the marvellous treasures of early humanity embedded
-in them, form but a trivial postscript to the great
-geological record which precedes it.</p>
-
-<div class="figcenter"><a name="i_11.jpg" id="i_11.jpg"></a>
- <img src="images/i_11.jpg" width="600" height="341"
- alt="" />
- <div class="caption"><span class="sc">Fig. 11.</span>&mdash;Horse (wall engraving),
- cave of Marsoulas, Haute Garonne. The drawing suggests the Southern less heavy
- breed as compared with Figs. 12 and 13.</div>
-</div>
-
-<div class="p4">
-<div class="figcenter"><a name="i_12.jpg" id="i_12.jpg"></a>
- <img src="images/i_12.jpg" width="600" height="395"
- alt="" />
- <div class="caption1"><span class="sc">Fig. 12.</span>&mdash;Horse (wall engraving)
- outlined in black, cave of Niaux (Ariège).</div>
-</div>
-
-<div class="p4">
-<div class="figcenter"><a name="i_13.jpg" id="i_13.jpg"></a>
- <img src="images/i_13.jpg" width="600" height="202"
- alt="" />
- <div class="caption"><span class="sc">Fig. 13.</span>&mdash;Horses: <i>A</i>, wall
- engraving (cave of Hornos de la Péna). <i>B</i>, wall engraving from cavern of
- Combarelles. <i>C</i>, engraved on reindeer antler (Mas d'Azil). Note the halter
- in <i>A</i> and in <i>C</i>; also note the heavy head and face of <i>B</i> like
- that of Prejalvski's horse.</div>
-</div>
-</div>
-
-<p><span class="pagenum"><a name="Page_45" id="Page_45">[Pg 45]</a></span></p>
-
-<p>No estimate can be made of the time represented
-by the 65,000 feet of fossiliferous strata known to us and
-the same thickness of non-fossiliferous deposit which precedes
-them. There are no facts known upon which a
-calculation of the related lapse of time can be based.
-But most geologists would agree that whilst we have good
-ground for assigning half a million years to the formation
-of the Pleistocene strata,
-it is not an unreasonable
-supposition that the period
-required for the formation
-of the fossiliferous rocks
-which precede them in
-time, is not less and
-probably more than
-five hundred million
-years.</p>
-
-<div class="figcenter"><a name="i_14.jpg" id="i_14.jpg"></a>
- <img src="images/i_14.jpg" width="600" height="427"
- alt="" />
- <div class="caption"><span class="sc">Fig. 14.</span>&mdash;Drawing (of the actual size
- of the original) of a flat carving in shoulder-bone of a horse's head,
- showing twisted rope-bridle and trappings. <i>a</i> appears to represent
- a flat ornamented band of wood or skin connecting the muzzling rope
- <i>b</i> with other pieces <i>c</i> and <i>d</i>. This specimen is from the cave of St.
- Michel d'Arudy, and is of the Reindeer period. This, and others like it are
- in the same museum of St. Germain.</div>
-</div>
-
-<div class="p4">
-<div class="figcenter"><a name="i_15.jpg" id="i_15.jpg"></a>
- <img src="images/i_15.jpg" width="600" height="314"
- alt="" />
- <div class="caption"><span class="sc">Fig. 15.</span>&mdash;Drawing (of the actual size of the
- original) of a fully rounded carving in reindeer's
- antler of the head of a neighing horse. The head resembles that of the Mongolian horse.
- This is one of the most artistic of the cave-men's carvings yet discovered. It is of
- the Palæolithic age (early Reindeer period), probably not less than 50,000 years old.
- It was found in the cavern of Mas d'Azil, Ariège, France, and is now in the museum
- of St. Germain.</div>
-</div>
-</div>
-
-<p>The pictures and carvings
-with which we are
-for the moment concerned
-all belong to the <i>later</i>
-Pleistocene or Reindeer
-epoch. None have been
-found in the middle and
-earlier Pleistocene, though finely-chipped flints of several
-successive types are found in those earlier beds. So that
-it is clear that many
-successive ages of
-man had elapsed
-in Western Europe
-before these pictures&mdash;immensely
-ancient
-as they are&mdash;were
-executed. The men
-who made these
-works of art had
-ages of humanity,
-tradition, and culture
-(of a kind) behind
-them. Yet they
-were themselves<span class="pagenum"><a name="Page_46" id="Page_46">[Pg 46]</a></span>
-tens of thousands of years earlier than the ancient
-Egyptians!</p>
-
-<div class="figcenter"><a name="i_16.jpg" id="i_16.jpg"></a>
- <img src="images/i_16.jpg" width="600" height="514"
- alt="" />
- <div class="caption1"><span class="sc">Fig. 16.</span>&mdash;Reindeer engraving on schist,
- small size (cavern of Laugerie basse).</div>
-</div>
-
-<div class="p4">
-<div class="figcenter"><a name="i_17.jpg" id="i_17.jpg"></a>
- <img src="images/i_17.jpg" width="600" height="259"
- alt="" />
- <div class="caption1"><span class="sc">Fig. 17.</span>&mdash;Rhinoceros in red outline
- (2-1/2 feet long), drawn on the wall of the cavern of Font de Gaume.</div>
-</div>
-</div>
-
-<p>Our illustrations show a variety of drawings and
-carvings. It appears
-probable that the
-primitive intention of
-ancient man in depicting
-animals was "to
-work magic" on those
-which he hunted. This
-is the case at the present
-day among many
-"savage" races. The
-drawings of bisons in
-Fig. 19 are from the
-walls of the cavern of
-Font de Gaume, in the Dordogne, and are about 5 ft. long,
-partly engraved and scraped, partly outlined in black, and
-coloured. The body is often coloured in red, white and
-black, so as to give a true representation of the masses of
-hair and surface
-contours.
-A specially
-well preserved
-painting of
-this kind&mdash;from
-the
-cavern of
-Altamira&mdash;is
-shown in
-Fig. 18, where the colours of the original&mdash;black,
-red, and brown, and white are indicated by the varied
-shading. These drawings, like those of the mammoths
-figured in the last chapter, are found in the recesses of
-caverns where no daylight reaches them, and must have
-<span class="pagenum"><a name="Page_47" id="Page_47">[Pg 47]</a></span>
-been executed and viewed by aid of torch or lamp-light.
-They probably were exhibited as part of a ceremony
-connected with witchcraft and magic. These, like the
-mammoths and all the specimens figured here, were
-executed in the Reindeer, or later Pleistocene period.
-<span class="pagenum"><a name="Page_48" id="Page_48">[Pg 48]</a></span>
-The exact "horizon" of each is, as a rule, well ascertained,
-but there is uncertainty as to whether some specimens
-should be attributed to the Aurignacian or to the Magdalenian
-horizon&mdash;and as to whether work by men of the
-Magdalenian race is not in some cases associated in the
-cave deposits with that by the earlier negroid Aurignacians.</p>
-
-<div class="figcenter"><a name="i_18.jpg" id="i_18.jpg"></a>
- <img src="images/i_18.jpg" width="600" height="421"
- alt="" />
- <div class="caption1"><span class="sc">Fig. 18.</span>&mdash;Bison from the roof of
- the cavern of Altamira: engraved, and also painted in three colours (5 feet long).</div>
-</div>
-
-<div class="p4">
-<div class="figcenter"><a name="i_19.jpg" id="i_19.jpg"></a>
- <img src="images/i_19.jpg" width="600" height="224"
- alt="" />
- <div class="caption1"><span class="sc">Fig. 19.</span>&mdash;Bison: wall engravings
- (5 feet long) filled in with colour (Font de Gaume).</div>
-</div>
-</div>
-
-<div class="p4">
-<div class="figcenter"><a name="i_20.jpg" id="i_20.jpg"></a>
- <img src="images/i_20.jpg" width="600" height="433"
- alt="" />
- <div class="caption1"><span class="sc">Fig. 20.</span>&mdash;Bear: engraved on stalagmite,
- from the cave of Teyjat near Eyzies. (Small size.)</div>
-</div>
-</div>
-
-<div class="p4">
-<div class="figcenter"><a name="i_21.jpg" id="i_21.jpg"></a>
- <img src="images/i_21.jpg" width="600" height="438"
- alt="" />
- <div class="caption1"><span class="sc">Fig. 21.</span>&mdash;Bear, engraved on
- stone, Massol (Ariège).</div>
-</div>
-</div>
-
-<div class="p4">
-<div class="figcenter"><a name="i_22.jpg" id="i_22.jpg"></a>
- <img src="images/i_22.jpg" width="421" height="600"
- alt="" />
- <div class="caption1"><span class="sc">Fig. 22.</span>&mdash;Wolf,
- engraved on wall of the cave of Combarelles.</div>
-</div>
-</div>
-
-<div class="p4">
-<div class="figcenter"><a name="i_23.jpg" id="i_23.jpg"></a>
- <img src="images/i_23.jpg" width="600" height="408"
- alt="" />
- <div class="caption1"><span class="sc">Fig. 23.</span>&mdash;Wall engraving of a Cave Lion
- (Combarelles).</div>
-</div>
-</div>
-
-<p>The horses shown are from various caves. Fig. 12
-<span class="pagenum"><a name="Page_49" id="Page_49">[Pg 49]</a></span>
-is drawn in black on the wall of a cave at Niaux
-(Ariège), and Fig. 11 is a similar drawing from a cave in
-the Haute Garonne. Both are remarkable for the exact
-representation of natural poses of the horse. Figs. 13, A
-and B, are also from the walls of caves. The latter is
-remarkable for the large head, short mane, and thick
-muzzle, which closely correspond with the same parts in
-the existing wild horse of the Gobi desert in Tartary (to
-be seen alive in the Zoological Gardens in London). The
-horse drawn in Fig. 11 seems to belong to a distinct race,
-suggesting the Southern "Arab" horse rather than the
-heavier and more clumsy horse of the Gobi desert. Fig.
-13, C, is engraved of the size here given, on a piece of
-reindeer's antler. It is remarkable
-for the halter-like ring around the
-muzzle. A similar cord or rope is
-seen in Fig. 12 and in Fig. 13, A.</p>
-
-<div class="figcenter"><a name="i_24.jpg" id="i_24.jpg"></a>
- <img src="images/i_24.jpg" width="600" height="334"
- alt="" />
- <div class="caption1"><span class="sc">Fig. 24.</span>&mdash;Goose: small
- engraving on reindeer antler (Gourdan).</div>
-</div>
-
-<p>The most remarkable horses'
-heads obtained are those drawn (of
-the actual size of the carvings) in
-Figs. 14 and 15. Fig. 14 is from
-the cave of St. Michael d'Arudy, engraved on a flat
-piece of shoulder-bone. It shows what can only be
-interpreted as some kind of "halter," made apparently
-of twisted rope (<i>b</i>, <i>c</i>, <i>d</i>), disposed about the animal's
-head, whilst a broad, flat piece ornamented with angular
-marks is attached at the regions marked "<i>a</i>." This and
-other drawings similar to Fig. 13, C (of which there are
-many), go far to prove that these early men had mastered
-the horse and put a kind of bridle on his head. Fig. 15 is
-a solid all-round carving in reindeer's antler from the cave
-of Mas d'Azil, Ariège (France). The original is of this
-size, and is supposed to be one of the oldest and yet is the
-most artistic yet discovered, and worthy to compare with
-the horses of the Parthenon.</p>
-
-<p><span class="pagenum"><a name="Page_50" id="Page_50">[Pg 50]</a></span></p>
-
-<p>In Fig. 20 we have a wonderful outline of a bear
-engraved on a piece of stone, from the cave of Teyjat, in
-the Dordogne; Fig. 22, the head of a wolf on the wall of
-the cave of Combarelles, Dordogne; Fig. 23, lion (mane-less),
-engraved on the wall of the same cave; Fig. 21, small
-bear, engraved on a pebble; Fig. 24, a duck engraved on
-a piece of reindeer's antler (Gourdan, Haute Garonne);
-Fig. 17, the square-mouthed, two-horned
-rhinoceros, drawn in red
-(ochre) outline on the wall of the
-cavern of the Font de Gaume. This
-drawing is 2-1/2 ft. long. In successful
-characterization the bear (Fig. 20), the
-wolf (Fig. 22), and the feline (Fig. 23)
-far surpass any of the attempts at
-animal drawing made by modern savages,
-such as the Bushmen of South
-Africa, Californian Indians, and Australian
-black fellows.</p>
-
-<div class="figcenter"><a name="i_25.jpg" id="i_25.jpg"></a>
- <img src="images/i_25.jpg" width="307" height="600"
- alt="" />
- <div class="caption"><span class="sc">Fig. 25.</span>&mdash;Female
- figure carved in oolitic limestone from Willendorf near Krems, Lower Austria (1908).
- Half the size (linear) of the original.</div>
-</div>
-
-<p>Fig. 27 is an outline sketch of a
-rock-carved statue, 18 in. high, proved
-by the kind of flint implements found
-with it to be of Aurignacian age. It
-was discovered on a rubble-covered
-face of a rock-cliff at Laussel, in the
-Dordogne, by M. Lalanne. The woman
-holds a bovine horn in her right hand. The face is
-obliterated by "weathering." Four other human statues
-were found in the same place, one a male, much broken,
-but obviously standing in the position taken by (Fig. 28)
-a man throwing a spear or drawing a bow.
-<a name="FNanchor_3_3" id="FNanchor_3_3"></a>
-<a href="#Footnote_3_3" class="fnanchor">[3]</a> Near these
-were found a frieze of life-sized horses carved in high
-<span class="pagenum"><a name="Page_51" id="Page_51">[Pg 51]</a></span>
-relief on the rock. These are the only statues of any
-size, executed by the Reindeer men, yet discovered.</p>
-
-<div class="figcenter"><a name="i_26.jpg" id="i_26.jpg"></a>
- <img src="images/i_26.jpg" width="373" height="600"
- alt="" />
- <div class="caption"><span class="sc">Fig. 26.</span>&mdash;Drawing
- (of the actual size of the original) of an ivory carving (fully rounded) of
- a female head. The specimen was found in the cavern of Brassempouy, in the
- Landes. It is of the earliest Reindeer period, and the arrangement
- of the hair or cap is remarkable.</div>
-</div>
-
-<p>The representations of men are rare among these
-earliest works of art, and less successfully carried out than
-those of animals. But several small statuettes of women
-in bone, ivory, and stone of the early
-Aurignacian horizon are known. They
-suggest, by their form of body, affinity
-with the Bushmen race of to-day (Fig. 25).
-The all-round carving of a female head
-(Fig. 26) also suggests Ethiopian affinities
-in the dressing of the hair. Some regard
-this hair-like head-dress as a cap. Here
-and there badly executed outline engravings
-of men, some apparently wearing
-masks, have been discovered.</p>
-
-<p>The fact that the "Reindeer men"
-were skilful in devising decorative design&mdash;not
-representing actual natural objects&mdash;is
-shown by the carving drawn in Fig.
-29 and in many others like it.</p>
-
-<div class="figcenter"><a name="i_27.jpg" id="i_27.jpg"></a>
- <img src="images/i_27.jpg" width="405" height="600"
- alt="" />
- <div class="caption"><span class="sc">Fig. 27.</span>&mdash;Seated figure of a woman
- holding a bovine horn in the right hand;
- high relief carved on a limestone rock; about 18 inches high. Discovered
- at Laussel (Dordogne) in a rock-shelter in 1911, by M. Lalanne.</div>
-</div>
-
-<div class="p4">
-<div class="figcenter"><a name="i_28.jpg" id="i_28.jpg"></a>
- <img src="images/i_28.jpg" width="332" height="600"
- alt="" />
- <div class="caption"><span class="sc">Fig. 28.</span>&mdash;Male figure represented
- in the act of drawing a bow or throwing a spear. Carved on limestone rock; about
- 16 inches high. Discovered by M. Lalanne with that drawn in Fig. 27.</div>
-</div>
-</div>
-
-<p>The later horizons of the Reindeer
-period or Upper Pleistocene yield some
-beautiful outline engravings of red deer
-and reindeer (Fig. 16) on antler-bone, as
-well as of other animals. One celebrated
-carving I have described in the first
-chapter of this book. It is now regarded
-as probable that whilst the art of the Aurignacians persisted
-and developed in the South of France and North-West of
-Spain until and during the time of the Magdalenian horizon,
-yet a distinct race, with a different style of art, spread
-<span class="pagenum"><a name="Page_54" id="Page_54">[Pg 54]</a></span>
-through South-East Spain and also from Italy into that
-region, and affected injuriously the "naturalistic" Aurignacian
-art, and superseded it in Azilian and Neolithic times.
-We find late drawings (Azilian age?) in some of the east
-Spanish caves of a very much simplified character, small
-human figures armed with bow and arrow, and others
-reduced to geometric or mere symbolic lines derived from
-human and animal form (see Fig. 52, p. 206). The latest
-studies of Breuil on this subject tend to throw light by aid
-of these simplified inartistic and symbolic drawings on the
-migrations of very early races in the south and south-east
-of Europe, and to connect them perhaps with North
-African contemporary races. The subject is as difficult as
-it is fascinating. Those who wish to get to the original
-sources of information should consult the last ten years'
-issues of the invaluable French periodical called
-"L'Anthropologie," edited by Professor Marcelin Boule.</p>
-
-<div class="figcenter"><a name="i_29.jpg" id="i_29.jpg"></a>
- <img src="images/i_29.jpg" width="236" height="600"
- alt="" />
- <div class="caption"><span class="sc">Fig. 29.</span>&mdash;A piece of mammoth
- ivory carved with spirals and scrolls from the cave of Arudy (Hautes
- Pyrénées). Same size as the object.</div>
-</div>
-
-<div class="footnotes p4"><h3>FOOTNOTE:</h3>
-
-<div class="footnote">
- <p class="noindent"><a name="Footnote_3_3" id="Footnote_3_3"></a>
- <a href="#FNanchor_3_3"><span class="label">[3]</span></a>
- M. Reinach relates ("Repertoire de l'Art Quatermaire") that two of
- these statues were in 1912 deliberately stolen by the German Verworn professor
- of Physiology in Bonn, who repaid the hospitality of M. Lalanne by
- bribing his workman and secretly carrying off these valuable specimens to
- Germany, where (it is stated) they were sold to the museum of Berlin for a
- large sum.</p></div>
-</div>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_55" id="Page_55">[Pg 55]</a></span></p>
-
-
-
-
-<div class="chapter p4">
- <h2><a name="CHAPTER_IV" id="CHAPTER_IV"></a>CHAPTER IV</h2>
-</div>
-
-<p class="ac noindent">VESUVIUS IN ERUPTION</p>
-
-
-<p class="drop-cap">AT intervals of ten to twenty years the best-known
-volcano in the world&mdash;Vesuvius, on the Bay of
-Naples&mdash;has in the last two centuries burst into
-eruption, and the probability of the recurrence of this
-violent state of activity, at no distant date, render some
-account of my own acquaintance with that great and
-wonderful thing seasonable. We inhabitants of the West
-of Europe have little personal experience of earthquakes,
-and still less of volcanoes, for there is not in the British
-Islands even an "extinct" volcanic cone to remind us of
-the terrible forces held down beneath our feet by the crust
-of the earth. In regions as near as the Auvergne of
-Central France and the Eiffel, close to the junction of the
-Moselle with the Rhine, there are complete volcanic
-craters whose fiery origin is recognized even by the local
-peasantry. They are, however, regarded by these
-optimist folk as the products of ancient fires long since
-burnt out. The natives have as little apprehension of a
-renewed activity of their volcanoes as we have of the outburst
-of molten lava and devastating clouds of ashes and
-poisonous vapour from the top of Primrose Hill. Nevertheless,
-the hot springs and gas issuing from fissures in the
-Auvergne show that the subterranean fires are not yet closed
-down, and may at any day burst again into violent activity.</p>
-
-<p>Such also was the happy indifference with which from
-time immemorial the Greek colonists and other earlier
-<span class="pagenum"><a name="Page_56" id="Page_56">[Pg 56]</a></span>
-and later inhabitants of the rich and beautiful shores of
-the Neapolitan bay before the fateful year <span class="sc">A.D.</span> 79, had
-regarded the low crater-topped mountain called Vesuvius
-or Vesbius, as well as the great circular forest-grown or
-lake-holding cups near Cumæ and the Cape Misenum, at
-the northern end of the bay&mdash;known to-day as the
-Solfatara, Astroni, Monti Grillo, Barbaro, and Cigliano&mdash;and
-the lakes Lucrino, Averno, and Agnano. These
-together with the Monte Nuovo&mdash;which suddenly rose
-from the sea near Baiæ in 1538 and as suddenly disappeared&mdash;constitute
-"the Phlegræan fields." Vesuvius
-was loftier than any one of the Phlegræan craters, and
-the gentle slope by which it rose from the sea level to a
-height of nearly 3700 ft. had, as now, a circumference of
-ten miles. It did not terminate in a "cone," as in later
-ages, but in a depressed, circular, forest-covered area
-measuring a mile across, which was the ancient crater. A
-drawing showing the shape of the mountain at this period
-is the work of the late Prof. Phillips of Oxford (Fig. 30).
-The soil formed around and upon the ancient lava-streams
-of Vesuvius appears to have been always especially fertile,
-so that flourishing towns and villages occupied its slopes,
-and the ports of Herculaneum, Pompeii, and Stabiæ were
-the seats of a busy and long-established population. The
-existence of active volcanoes at no great distance from
-Vesuvius was, however, well known to the ancient Greeks
-and Romans. The great Sicilian mountain, Etna&mdash;more
-than 10,000 ft. in height, rising from a base of ninety
-miles in circumference&mdash;and the Lipari Islands, such as
-Stromboli and Volcano, were for many centuries in intermittent
-activity before the first recorded eruption of
-Vesuvius&mdash;that of <span class="sc">A.D.</span> 79&mdash;and great eruptions are
-recorded as having occurred in the mountain mass of
-the island of Ischia, close to the Bay of Naples, in the
-fifth, third, and first centuries <span class="sc">B.C.
-<span class="pagenum"><a name="Page_57" id="Page_57">[Pg 57]</a></span></span></p>
-
-<div class="figcenter"><a name="i_30.jpg" id="i_30.jpg"></a>
- <img src="images/i_30.jpg" width="600" height="398"
- alt="" />
- <div class="caption1"><span class="sc">Fig. 30.</span>&mdash;Vesuvius as it appeared
- before the eruption of August 24, <span class="sc">A.D.</span> 79. From a sketch by
- Prof. Phillips, F.R.S.</div>
-</div>
-
-<p>Nevertheless, the outburst of Vesuvius in <span class="sc">A.D.</span> 79 and its
-re-entrance into a state of activity came upon the unfortunate
-population around it as an absolutely unexpected
-thing. At least a thousand years&mdash;probably several
-thousand years&mdash;had passed since Vesuvius had become
-"extinct." All tradition of its prehistoric activity had
-disappeared, though the learned Greek traveller Strabo
-had pointed out the indications it presented of having
-been once a seat of consuming fire. From <span class="sc">A.D.</span> 63 there
-were during sixteen years frequent earthquakes in its
-neighbourhood, which, as we know by records and inscriptions,
-caused serious damage to the towns around it,
-and then suddenly, on the night of Aug. 24, <span class="sc">A.D.</span> 79, vast
-explosions burst from its summit. A huge black cloud of
-fine dust and cinders, lasting for three days, spread from
-it for twenty miles around, streams of boiling mud poured
-down its sides, and in a few hours covered the city of
-Herculaneum, whilst a dense shower of hot volcanic dust
-completely buried the gay little seaside resort known as
-<span class="pagenum"><a name="Page_58" id="Page_58">[Pg 58]</a></span>
-Pompeii. Many thousand persons perished, choked by
-the vapours or overwhelmed by the hot cinders or engulfed
-in the boiling mud.</p>
-
-<p>The great naturalist Pliny was in command of the
-fleet at Cape Misenum, and went by ship across the bay
-to render assistance to the inhabitants of the towns at the
-foot of Vesuvius. Pliny's nephew wrote two letters to
-the historian Tacitus, giving an account of these events
-and of the remarkable courage and coolness of his uncle,
-who, after sleeping the night at Stabiæ, was suffocated by
-the sulphurous vapours as he advanced into the open
-country near the volcano. The friends who were with
-him left him to his fate and made their escape. The
-younger Pliny had prudently remained, out of danger,
-with his mother at Misenum.</p>
-
-<p>The alternating periods of activity and of rest exhibited
-by volcanoes seem to us capricious, and even at the
-present day are not sufficiently well understood to enable
-us to discern any order or regularity in their succession.
-Vesuvius is a thousand centuries old, and we have only
-known it for thirty. We cannot expect to get the time-table
-of its activities on so brief an acquaintance. Strangely
-enough, Vesuvius, having, after immemorial silence, spasmodically
-burst into eruption and spread devastation
-around it, resumed its slumber for many years. There
-is no mention of its activity for 130 years after <span class="sc">A.D.</span> 79.
-Then it growled and sent forth steam and cinder-dust to an
-extent sufficient to attract attention again; its efforts were
-thereafter recorded once or so in a century, though little, if
-any, harm was done by it. In <span class="sc">A.D.</span> 1139 there was a great
-throwing-up of dust and stones, with steam, which reflected
-the light of molten lava within the crater, and looked
-like flames. And then for close on 500 years there was
-little, if any, sign of activity. The "eruptions" between
-that of <span class="sc">A.D.</span> 79 and that of
-<span class="sc">A.D.</span> 1139 had been ejections of
-<span class="pagenum"><a name="Page_59" id="Page_59">[Pg 59]</a></span>
-steam and cinders, unaccompanied by any flow or stream
-of lava. Then suddenly the whole business shut up for
-500 years, and after that&mdash;also quite suddenly&mdash;in 1631,
-a really big eruption took place, exceeding in volume the
-catastrophe of Pliny's date. Not only were columns of
-dust and vapour ejected to a height of many miles, but
-several streams of white-hot lava overflowed the edge of
-the crater and reached the seacoast, destroying towns and
-villages on the way. Some of these lava-streams were
-five miles broad, and can be studied at the present day.
-As many as 18,000 persons were killed.</p>
-
-<p>There were three more eruptions in the seventeenth
-century, and from that date there set in a period of far
-more frequent outbursts, which have continued to our own
-times. In the eighteenth century there were twenty-three
-distinct eruptions, lasting each from a few hours to
-two or three days, and of varying degrees of violence&mdash;a
-vast steam-jet forcing up cinders and stones from the
-crater into the air, usually accompanied by the outflow of
-lava, from cracks in sides of the crater, in greater or less
-quantity. In the nineteenth century there were twenty-five
-distinct eruptions, the most formidable of which were
-those of 1822, 1834, and 1872. All of the eruptions of
-Vesuvius in the last 280 years have been carefully
-described, and most of them recorded in coloured pictures
-(a favourite industry of the Neapolitans), showing the
-appearance of the active volcano both by day and night
-and its change of shape in successive years. Sir William
-Hamilton, the British Ambassador at the Court of Naples
-at the end of the eighteenth century (of whose great folio
-volumes I am the fortunate possessor), largely occupied
-himself in the study and description of Vesuvius, and
-published illustrations of the kind mentioned above, showing
-the appearance of the mountain at various epochs.
-Since his day there has been no lack of descriptions of
-<span class="pagenum"><a name="Page_60" id="Page_60">[Pg 60]</a></span>
-every succeeding eruption, and now we have the records
-of photography.</p>
-
-<p>The crater or basin formed by a volcano starts with
-the opening of a fissure in the earth's surface communicating
-by a pipe-like passage with very deeply-seated molten
-matter and steam. Whether the molten matter thus
-naturally "tapped" is only a local, though vast, accumulation,
-or is universally distributed at a given depth below
-the earth's crust, and at how many miles from the surface,
-is not known. It seems to be certain that the great
-pressure of the crust of the earth (from five to twenty-five
-miles thick) must prevent the heated matter below it
-from becoming either liquid or gaseous, whether the heat
-of that mass be due to the cracking of the earth's crust
-and the friction of the moving surfaces as the crust cools
-and shrinks, or is to be accounted for by the original high
-temperature of the entire mass of the terrestrial globe.
-It is only when the gigantic pressure is relieved by the
-cracking or fissuring of the closed case called "the crust of
-the earth" that the enclosed deep-lying matter of immensely
-high temperature liquefies, or even vaporizes, and rushes
-into the up-leading fissure. Steam and gas thus "set
-free" drive everything before them, carrying solid masses
-along with them, tearing, rending, shaking "the foundations
-of the hills," and issuing in terrific jets from the earth's
-surface, as through a safety valve, into the astonished
-world above. Often in a few hours they choke their own
-path by the destruction they produce and the falling in of
-the walls of their briefly-opened channels. Then there is
-a lull of hours, days, or even centuries, and after that
-again, a movement of the crust, a "giving" of the blockage
-of the deep, vertical pipe, and a renewed rush and jet of
-expanding gas and liquefying rock.</p>
-
-<p>The general scheme of this process and its relations
-to the structure and properties of the outer crust and
-<span class="pagenum"><a name="Page_61" id="Page_61">[Pg 61]</a></span>
-inner mass of the globe is still a matter of discussion,
-theory and verification; but whatever conclusions geologists
-may reach on these matters, the main fact of
-importance is that steam and gases issue from these
-fissures with enormous velocity and pressure, and that
-"a vent" of this kind, once established, continues, as a
-rule, to serve intermittently for centuries, and, indeed, for
-vast periods to which we can assign no definite limits.
-The solid matter ejected becomes piled up around the
-vent as a mound, its outline taking the graceful catenary
-curves of rest and adjustment to which are due the great
-beauty of volcanic cones. The apex of the cone is blown
-away at intervals by the violent blasts issuing from the
-vent, and thus we have formed the "crater," varying in
-the area enclosed by its margin and in the depth and
-appearance of the cup so produced. At a rate depending
-on the amount of solid matter ejected by the crater, the
-mound will grow in the course of time to be a mountain,
-and often secondary craters or temporary openings,
-connected at some depth with the main passage leading
-to the central vent, will form on the sides of the mound
-or mountain. Sometimes the old crater will cease to
-grow in consequence of the blocking of its central vent
-and the formation of one or more subsidiary vents, the
-activity of which may blast away or smother the cup-like
-edge of the first crater.</p>
-
-<div class="figcenter"><a name="i_31.jpg" id="i_31.jpg"></a>
- <img src="images/i_31.jpg" width="406" height="600"
- alt="" />
- <div class="caption"><span class="sc">Fig. 31.</span>&mdash;Five successive stages in
- the change of form of Vesuvius (after Phillips' "Vesuvius," Oxford, 1869). In the oldest
- (lowest figure) we see the mountain with its still earlier outline completed by the cone
- drawn in dotted line. Within the period of historic record that cone
- had not been seen. The mountain had, so far as men knew, always
- been truncated as shown here and in Fig. 30. The next figure above
- shows the further lowering of the mountain by the first eruption on
- record&mdash;that which destroyed Pompeii in <span class="sc">A.D.</span> 79. The commencing
- formation of a new ash-cone is indicated by a dotted line. In the three
- upper figures we trace the gradual growth of the new cone from 1631 to
- 1868. In 1872 the top of the new ash-cone was blown away, and the
- mountain reverted to the shape of 1822. Now (1920) the cone has
- accumulated once more and is higher than it was in 1868.</div>
-</div>
-
-<p>Such a history has been that of Vesuvius shown in
-outline in Fig. 31. In geologic ages&mdash;perhaps some
-thousands of centuries ago&mdash;Vesuvius was probably a
-perfect cone (its outline is shown at the bottom of p. 62)
-some 7000 ft. high, rising by a characteristically accelerated
-upgrowth from a circle of ten miles or more
-in diameter to its delicate central peak, hollowed out
-at the summit by a small crater a couple of hundred
-yards across. Its eruptions at that time were neither
-<span class="pagenum"><a name="Page_63" id="Page_63">[Pg 63]</a></span>
-excessive nor violent. Then came a period of greatly
-increased energy&mdash;the steam-jet blew with such violence
-that it shattered and dispersed the cone, lowering the
-mountain to 3700 ft. in height, truncating it and leaving
-a proportionately widened crater of a mile and a half
-in diameter. And then the mountain reposed for long
-centuries. We do not know how long this period of
-extinction was, for we do not know when it began, but
-we know that this was the state of the mountain when in
-<span class="sc">A.D.</span> 79 it once more burst into life. In recent years&mdash;that
-is, since the seventeenth century <span class="sc">A.D.</span>, a curious change
-took place in the mountain: the vent or orifice of the
-conducting channel by which eruptive matters were
-brought to the surface ceased to be in the centre of
-the wide broken-down crater of Pliny's time, and a vent
-was formed a few hundred yards to the south of the
-centre of the old crater, nearer to the south side of the
-old crater's wall. From this ashes or cinders issued, and
-were piled up to form a new cone, which soon added
-600 ft. to the height of the mountain and covered in the
-southern half of the old crater's lip, whilst leaving the
-northern half or semicircle free. This latter uncovered
-part was called by the Italians "Monte Somma," and
-the new cone low down in the southern side of which
-the rest of the old crater-lip could be traced, was henceforth
-spoken of as "the ash-cone" and sometimes misleadingly
-as "the true" Vesuvius. Clearly it was not
-"the true Vesuvius" since it was a new growth. The
-original old Vesuvius was crowned by a crater formed by
-the cliffs of Monte Somma and their continuation round
-to the south side, now more or less completely concealed
-by the new ash-cone.</p>
-
-<p>In the course of various eruptions during the last two
-centuries the new ash-cone thus formed was blown away
-more or less completely, and gradually grew up again.
-<span class="pagenum"><a name="Page_64" id="Page_64">[Pg 64]</a></span>
-During the nineteenth century it was a permanent feature
-of the mountain, though a good deal cut down in 1822,
-and later grew so high as to give a total elevation from the
-sea-level of 4300 ft. The crater at the top of the ash-cone
-has varied during the past century in width and depth,
-according to its building up or blowing away by the central
-steam jet. In 1822 it is reported to have been funnel-like
-and 2000 ft. deep, tapering downwards to the narrow
-fissures which are the actual vent. At other times it has
-been largely filled by débris, and only 200 ft. deep.
-Molten lava has often issued from fissures in the sides of
-the ash-cone, and even lower down on the sides of the
-mountain, and a very small secondary crater has sometimes
-appeared on the side of the ash-cone 100 ft. or
-200 ft. from the terminal crater which "finishes off"
-the cone.</p>
-
-<p>Such was the condition of the mountain when I first
-saw it in the autumn of 1871. Six months later I witnessed
-the most violent eruption of the nineteenth century.
-Vesuvius kept up a continuous roar like that of a railway
-engine letting off steam when at rest in a covered station
-only a thousandfold bigger. Its vibrations shook with a
-deep musical note, for twenty-four hours, the house nine
-miles distant in Naples in which I was staying. My
-windows commanded a view of the mountain, and when
-the noise ceased and the huge steam-cloud cleared away,
-I saw a different Vesuvius, the higher part of the ash-cone
-was gone, and a huge gap in it had been formed by the
-blowing away of its northern side.</p>
-
-<p>In October 1871, when I joined my friend Anton
-Dohrn at Naples in order to study the marine creatures
-of the beautiful bay, Vesuvius was in the proud possession
-of a splendid cone, completing its graceful outline. A
-little steam-cloud hung about one side of the cone during
-the day, and as night came on Vesuvius used, as we said,
-<span class="pagenum"><a name="Page_65" id="Page_65">[Pg 65]</a></span>
-to "light his cigar." In fact, a very small quantity of
-molten lava was at that time flowing from the side of the
-ash-cone, about 100 ft. from its summit, and this gave a
-most picturesque effect as we watched it from our balcony
-high up on Pausilippo, when the sun set. It was a
-friendly sort of beacon, far away on the commanding
-mountain's top, which was answered by the lighting up
-of a thousand lamps along the coast, and by innumerable
-flaming faggots in the fishermen's boats moving across
-the bay, drawing to their light strange fishes, to be impaled
-by the long tridents of the skilful spearmen. That
-little beacon light on Vesuvius increased in volume in the
-course of three weeks, and was supplemented by other
-flaming streams and by showers of red-hot stones from
-the crater. This small "eruption" was the precursor by
-six months of the great eruption of the end of April 1872,
-and I spent a night on Vesuvius during its progress, and
-looked into the crater from which the glowing masses of
-rock were being belched forth.</p>
-
-<p>Not long before I went, in 1871, to Naples I had spent
-some weeks in visiting the extinct volcanoes of the
-Auvergne and of the Eiffel, and I was eager to examine
-the still living Vesuvius. In the first week of October I
-made an excursion to the crater of Vesuvius in company
-with the son of a Russian admiral, whose name, "Popoff,"
-was under the circumstances unpleasantly suggestive.
-We examined some black slaglike masses of old lava-streams,
-and struggled up the loose sandy ash-cone (there
-was no "funicular" in those days), and prodded with our
-sticks the few yards of molten lava which emerged from
-the side of the cone about 100 ft. from the summit.
-On Nov. 1 my friend Anton Dohrn (who was then
-negotiating with the Naples Municipality for a site in
-the Villa Nazionale on which to erect the great Zoological
-Station and Aquarium, now so well known) was with me
-<span class="pagenum"><a name="Page_66" id="Page_66">[Pg 66]</a></span>
-and some Neapolitan acquaintances looking at Vesuvius
-across the bay from Pausilippo, where we had established
-ourselves, when we noticed that a long line of steam was
-rising from the lower part of the ash-cone and that puffs
-of steam were issuing at intervals from the crater. "Dio
-mio! Dio di Dio!" cried the Neapolitans in terror, and
-expressed their intention of leaving Naples without an
-hour's delay. As night fell a new glowing line of fire
-appeared far down near the base of the ash-cone, whilst
-what looked in the distance like sparks from a furnace,
-but were really red-hot stones&mdash;each as big as a Gladstone
-bag&mdash;were thrown every two or three minutes from
-the crater.</p>
-
-<p>We hired a carriage, drove to Resina (built above
-buried Herculaneum), and walked up towards the
-Observatory in order to spend the night on the burning
-mountain. We found that two white-hot streams, each
-about twenty yards broad at the free end, were issuing
-from the base of the cone. The glowing stones thrown up
-by the crater were now separately visible; a loud roar
-accompanied each spasmodic ejection. The night was
-very clear, and a white firmly-cut cloud, due to the
-steam ejected by the crater, hung above it. At intervals
-we heard a milder detonation&mdash;that of thunder which
-accompanied the lightning which played in the cloud,
-giving it a greenish illumination by contrast with the
-red flame colour reflected on to it by red-hot material
-within the crater. The flames attributed to volcanoes are
-generally of this nature, but actual flames do sometimes
-occur in volcanic eruptions by the ignition of combustible
-gases. The puffs of steam from the crater were separated
-by intervals of about three minutes. When an eruption
-becomes violent they succeed one another at the rate of
-many in a second, and the force of the steam jet is
-gigantic, driving a column of transparent super-heated
-<span class="pagenum"><a name="Page_67" id="Page_67">[Pg 67]</a></span>
-steam with such vigour that as it cools into the condition
-of "cloud" an appearance like that of a gigantic pine-tree
-seven miles high (in the case of Vesuvius) is produced.</p>
-
-<p>We made our way to the advancing end of one of the
-lava-streams (like the "snout" of a glacier), which was
-20 ft. high, and moved forwards but slowly, in successive
-jerks. Two hundred yards farther up, where it issued
-from the sandy ashes, the lava was white-hot and running
-like water, but it was not in very great quantity and rapidly
-cooled on the surface and became "sticky." A cooled
-skin of slag was formed in this way, which arrested the
-advancing stream of lava. At intervals of a few minutes
-this cooled crust was broken into innumerable clinkers
-by the pressure of the stream, and there was a noise like
-the smashing of a gigantic store of crockery ware as the
-pieces or "clinkers" fell over one another down the nearly
-vertical "snout" of the lava-stream, whilst the red-hot
-molten material burst forward for a few feet, but immediately
-became again "crusted over" and stopped in its
-progress. We watched the coming together and fusion of
-the two streams and the overwhelming and burning up of
-several trees by the steadily, though slowly, advancing
-river of fire. Then we climbed up the ash-cone, getting
-nearer and nearer to the rim of the crater, from which
-showers of glowing stones were being shot. The deep
-roar of the mountain at each effort was echoed from the
-cliffs of the ancient mother-crater, Monte Somma, and the
-ground shook under our feet as does a ship at sea when
-struck by a wave. The night was very still in the intervals.
-The moon was shining, and a weird melancholy "ritornelle"
-sung by peasants far off in some village below us
-came to our ears with strange distinctness. It might
-have been the chorus of the imprisoned giants of Vulcan's
-forge as they blew the sparks with their bellows and shook
-the mountains with the heavy blows of their hammers.</p>
-
-<p><span class="pagenum"><a name="Page_68" id="Page_68">[Pg 68]</a></span></p>
-
-<p>As we ascended the upper part of the cone the red-hot
-stones were falling to our left, and we determined to risk
-a rapid climb to the edge of the crater on the right or
-southern side, and to look into it. We did so, and as we
-peered into the great steaming pit a terrific roar, accompanied
-by a shuddering of the whole mountain, burst
-from it. Hundreds of red-hot stones rose in the air to a
-height of 400 ft., and fell, happily in accordance with
-our expectation, to our left. We ran quickly down the
-sandy side of the cone to a safe position, about 300 ft.
-below the crater's lip, and having lit our pipes from one
-of the red-hot "bombs," rested for a while at a safe distance
-and waited for the sunrise. A vast horizontal layer
-of cloud had now formed below us, and Vesuvius and the
-hills around Naples appeared as islands emerging from a
-sea. The brilliant sunlight was reassuring after this night
-of strange experiences. The fields and lanes were deserted
-in the early morning as we descended to the sea-level.
-On our way we met a procession of weird figures clad in
-long white robes, enveloping the head closely but leaving
-apertures for the eyes. They were a party of the lay-brothers
-of the Misericordia carrying a dead man to his
-grave. Then we found our carriage, and drove quickly
-back to Naples and sleep!</p>
-
-<p>In the following March I acted as guide to my friend
-Professor Huxley in expeditions up Vesuvius, now
-quiescent, and to the Solfatara. Then suddenly, in April,
-the great eruption of 1872 burst upon us. On the first
-day of the outbreak some imprudent visitors were killed
-by steam and gas ejected by the lava-stream. By the
-next day the violence of the eruption was too great for
-any one to venture near it. The crater sent forth no
-intermittent "puffs" as in the preceding November, but a
-continuously throbbing jet which produced a cloud five
-miles high, like an enormous cauliflower in shape, suspended
-<span class="pagenum"><a name="Page_69" id="Page_69">[Pg 69]</a></span>
-above the mountain and making it look by comparison
-like a mole-hill. Showers of fine ashes, as in the
-days of Pompeii, fell thickly around, accumulating to the
-depth of an inch in a few hours even at my house in
-Pausilippo, nine miles distant across the bay. I was
-recovering at the time from an attack of typhoid fever,
-and lay in bed, listening to the deep humming sound and
-wondering at the darkness until my doctor came and told
-me of the eruption. I was able to get up and see from
-the window the great cauliflower-like cloud and the vacant
-place where the ash-cone was, but whence it had how
-been scattered into the sky. (It has been gradually re-formed
-by later eruptions, of which the last of any size
-was in 1906.) I could also see steam rising like smoke
-from a long line reaching six miles down the mountain
-into the flat country below. It was the great lava-stream
-which had destroyed two prosperous villages in its course.</p>
-
-<p>After ten days I was able to get about, and drove
-over to one of these villages and along its main street,
-which was closely blocked at the end by what looked like
-a railway embankment some 40 ft. high. This was the
-side of the great lava-stream now cooled and hardened
-on the surface. It had sharply cut the houses, on each
-side of the street, in half without setting them on fire, so
-that the various rooms were exposed in section&mdash;pictures
-hanging on the walls, and even chairs and other furniture
-remaining in place on the unbroken portion of the floor.
-The villagers had provided ladders by which I ascended
-the steep side of the embankment-like mass at the end of
-the street, and there a wonderful sight revealed itself.
-One looked out on a great river seven miles long, narrow
-where it started from the broken-down crater, but widening
-to three miles where I stood, and wider still farther
-on as it descended. This river, with all its waves and
-ripples, was turned to stone, and greatly resembled a Swiss
-<span class="pagenum"><a name="Page_70" id="Page_70">[Pg 70]</a></span>
-glacier in appearance. A foot below the surface it was
-still red-hot, and a stick pushed into a crevice caught fire.
-It was not safe to venture far on to the pie-crust surface.
-A couple of miles away the campanile of the church of a
-village called Massa di Somma stood out, leaning like
-that of Pisa, from the petrified mass, whilst the rest of the
-village was overwhelmed and covered in by the great
-stream.</p>
-
-<p>The curious resemblance of the lava-stream to a glacier
-arose from the fact that it was almost completely covered
-by a white snow-like powder. This snow-like powder, which
-often appears on freshly-run lava, is salt&mdash;common sea
-salt and other mineral salts dissolved in the water ejected
-as steam mixed with the lava. The steam condenses, as
-the lava cools, into water and evaporates slowly, leaving
-the salt as crystals. Often these are not white, but contain
-iron salt, mixed with the white sodium, potassium,
-and ammonium chlorides, which gives them a yellow or
-orange colour. Salts coloured in this way have the
-appearance of sulphur, and are often mistaken for it.
-The whole of the interior of the crater of Vesuvius
-when I revisited it in 1875 was thus coloured yellow,
-and I have a water-colour sketch of the scene made
-by a friend who came with me for the purpose. As
-a matter of fact, though small quantities of the choking
-gas called "sulphurous acid" are among the vapours
-given off by Vesuvius, there is no deposit of sulphur
-there. Some large volcanoes (in Mexico and Japan)
-have made deposits of sulphur, which are dug for commercial
-purposes; but the sulphur of Sicily is not, and has
-not been, thrown out or volatilized by Etna. It occurs in
-rough masses and in splendid crystals in a tertiary calcareous
-marine deposit, and its deposition was probably
-due to a chemical decomposition of constituents of the sea
-water brought about by minute plants, known as "sulphur
-<span class="pagenum"><a name="Page_71" id="Page_71">[Pg 71]</a></span>
-bacteria." Whether the neighbouring great volcano had
-any share in the process seems to be doubtful.</p>
-
-<p>It is generally supposed that sea-water makes its way
-in large quantity through fissures connected with volcanic
-channels, and is one of the agents of the explosions
-caused by the subterranean molten matter. Gaseous
-water, hydrochloric acid, carbonic acid, hydrofluoric acid,
-and even pure hydrogen and oxygen and argon are
-among the gases ejected by volcanoes.</p>
-
-<p>The molten matter forced up from the bowels of the
-earth and poured out by volcanoes is made up of various
-chemical substances, differing in different localities, and
-even in different eruptions of the same volcano. It
-consists largely of silicates of iron, lime, magnesium,
-aluminium, and the alkali metals, with possible admixture
-of nearly every other element. Some volcanoes eject
-"pitch" or "bitumen." When the molten matter cools,
-interesting crystals of various "species" (<i>i.e.</i>, of various
-chemical composition) usually form in the deeper part of
-the mass. The lavas of Vesuvius frequently contain
-beautiful opaque-white twelve-sided crystals of a siliceous
-mineral called "leucite." I have collected in the lava of
-Niedermendig, on the Rhine, specimens embedding bright
-blue transparent crystals (a mineral called Haüynite)
-scattered in the grey porous rock. The lava-streams, and
-even the "roots," of extinct volcanoes which are of great
-geologic age, sometimes become exposed by the change of
-the earth's surface, and extensive sheets of volcanic rock
-of various kinds are thus laid bare. Basalt is one of these
-rocks, and it not unfrequently presents itself as a mass of
-perpendicular six-sided columns, each column 10 ft. or
-more high, and often a foot or more in diameter. The
-"Giant's Causeway," in the North of Ireland, and the
-"Pavée des Géants," in the Ardêche of Southern France,
-are examples both of which I have visited. It is not easy
-<span class="pagenum"><a name="Page_72" id="Page_72">[Pg 72]</a></span>
-to explain how the molten basalt has come to take this
-columnar structure on cooling. It has nothing to do with
-"crystallization," but is similar to the columnar formation
-shown by commercial "starch" and occasionally by
-"tabular flint". A theoretical explanation of its formation
-has been given by Prof. J. Thompson, brother of the
-late Lord Kelvin.</p>
-
-<p>The varieties of volcanoes and their products make
-up a long story&mdash;too long to be told here. There are
-from 300 to 400 active craters in Existence to-day&mdash;mostly
-not isolated, but grouped along certain great
-lines, as, for instance, along the Andean chain, or in
-more irregular tracks. If we add to the list craters no
-longer active, but still recognizable, we must multiply
-it by ten. Vesuvius is the only active volcano on the
-mainland of Europe&mdash;Hecla, Etna, Stromboli, Volcano,
-and the volcanoes of the Santorin group are on islands.
-The biggest volcanoes are in South America, Mexico, Java,
-and Japan. Volcanoes and the related "earthquakes"
-have been most carefully studied with a view to the
-safety of the population in Japan. The graceful and
-well-beloved volcano, Fujiyama, is more than 12,000 ft.
-high, but, unlike others in those islands, it has been
-quiescent now for just 200 years. The most violent
-volcanic eruptions of recent times, with the largest
-"output" of solid matter, are those of the Soufrière of
-St. Vincent in 1812, of the Mont Pelée of Martinique in
-1902, and of Krakatoa in 1883. A single moderate
-eruption of the great volcano Mauna Loa, in Hawaii,
-nearly 14,000 feet high, throws out a greater quantity
-of solid matter than Vesuvius has ejected in all the
-years which have elapsed since the destruction of Pompeii.
-Many hundred millions of tons of solid matter were
-ejected by Mont Pelée in 1902, when also a peculiar
-heavy cloud descended from the mountain, hot and
-<span class="pagenum"><a name="Page_73" id="Page_73">[Pg 73]</a></span>
-acrid, charged with incandescent sand, and rolling along
-like a liquid rather than a vapour. It burnt up the
-town of St. Pierre and its inhabitants and the shipping
-in the harbour. In the eruption of the volcano of
-St. Vincent in 1812 three million tons of ashes were
-projected on to the Bahamas Islands, 100 miles distant,
-besides a larger quantity which fell elsewhere. The
-great explosion at Krakatoa, lasting two days, blew an
-island of 1400 ft. high, into the air. A good deal of
-it was projected as excessively fine needlelike particles
-of pumice with such force as to carry it up thirty miles
-into the upper regions of the atmosphere, where it was
-carried by air currents all over the world, causing the
-"red sunsets" of the following year. The sky over
-Batavia, 100 miles distant, was darkened at midday so
-completely that lamps had to be used&mdash;as I heard from
-my brother who was there at the time. The explosions
-were heard in Mauritius, 3000 miles away. A sea wave
-50 ft. high was set going by the submarine disturbance,
-and reaching Java and neighbouring islands inundated
-the land and destroyed 36,000 persons. This wave
-travelled in reduced size over a vast tract of the ocean,
-and was observed and recorded at Cape Horn, 7800 miles
-distant from its seat of origin.</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_74" id="Page_74">[Pg 74]</a></span></p>
-
-
-
-
-<div class="chapter p4">
- <h2><a name="CHAPTER_V" id="CHAPTER_V"></a>CHAPTER V</h2>
-</div>
-
-<p class="ac noindent">BLUE WATER</p>
-
-
-<p class="drop-cap">MOST people know and admire the splendid
-expanse of blue colour offered by the clear sea
-water on many parts of our coasts, and by that
-of lakes at home and abroad. I find that there is still
-a sort of a fixed determination not to believe that this
-colour is due (as it is) to the actual blue colour of pure
-water. Pure, transparent water is blue. Those who
-think they know better will point to a glass of pure
-water, hold it up to the light, and affirm that it is colourless.
-But this apparent colourlessness is due to the
-small breadth of water in the glass through which the
-light passes. It is definitely ascertained that if water
-as pure and as free from either dissolved or suspended
-matter as it is possible to make it (by distillation and
-the use of vessels not acted upon by water) be made to
-fill an opaque tube 15 ft. long, closed at each end by
-a transparent plate, and then a beam of light be made
-to traverse the length of the tube, so that the eye receives
-the light after it has passed through this length of 15 ft.
-of water, the colour of the light is a strong blue. Water
-is blue in virtue of its own molecular character, just as
-sulphate of copper is. Liquid oxygen, prepared by the
-use of intense cold, is also transparent blue, and the
-peculiar condensed form of oxygen known as "ozone" is,
-when liquefied, of a darker or stronger blue than oxygen.</p>
-
-<p>At one time (some thirty years ago) there was still
-<span class="pagenum"><a name="Page_75" id="Page_75">[Pg 75]</a></span>
-some doubt as to whether water was self-coloured blue,
-or whether its blue colour was due to the action on light
-of excessively minute solid white particles of chalk suspended
-in the water. Such fine suspended particles in
-some cases act on the light which falls on to them so
-as to reflect the blue rays. This occurs in certain
-natural objects which have a blue colour. But these
-can be distinguished from transparent self-coloured blue
-substances by the fact that whilst the light reflected from
-their surface is blue, the light which is made to traverse
-them (when they are held up to the light so that they
-come between one's eye and the sun's rays) is brown.
-This is the case with very hot smoke, and can be well
-seen when a cigar is smoked in the sunlight. The smoke
-which comes off from the lighted end of the cigar is very
-hot, and its particles are more minute than those of
-cooler smoke. The hot smoke shows a bright blue
-colour when the sunlight falls on it and is reflected, but
-when you look through the smoke-cloud at a surface
-reflecting the sunlight, the cloud has a reddish-brown
-tint. As the smoke cools its particles adhere to one
-another and form larger particles, and the light reflected
-from the cloud is no longer blue but grey, and even
-white. Thus the smoke which the smoker keeps for
-half a minute in his mouth is cooled and condensed, and
-reflects white light&mdash;is, in fact, a white cloud&mdash;when he
-puffs it out, and contrasts strongly with the blue cloud
-coming off from the burning tobacco at the lighted end of
-the cigar. The blue colour of the sky is held by many
-physicists (though other views have been of late advanced)
-to be due to the same action on the part of the very
-finest particles of watery vapour, which are diffused
-through vast regions of our atmosphere above the condensed
-white-looking clouds consisting of larger floating
-particles of water.</p>
-
-<p><span class="pagenum"><a name="Page_76" id="Page_76">[Pg 76]</a></span></p>
-
-<p>Vapours are given off by many liquids, and even by
-some solids, varying in their production according to the
-heat applied in different cases. They are gases, and quite
-transparent and invisible at the proper temperature, like
-the atmospheric air. Thus water is always giving off
-"water-vapour," which is quite invisible. When water
-is heated to the boiling point it is rapidly converted
-into transparent invisible vapour. Steam, as this vapour
-is called, is invisible, and we all habitually make a
-misleading use of the word "steam" when we apply it
-both to this and to the slightly cooled and condensed
-cloud which we can see issuing from the spout of a
-kettle or from a railway engine. It seems that the
-fault lies with the scientific writers, who have applied
-the word "steam" to the invisible water vapour or gas
-before it has condensed to form a cloud. The old English
-word "steam" certainly means a visible cloudy emanation,
-and not a transparent invisible gas. A cloud is not
-a vapour, but is produced by the coming together or
-condensation of the minute invisible particles of a vapour
-to form larger particles, which float and hang together,
-and reflect the light, and thus are visible.</p>
-
-<p>By the examination of other vapours or gases than that
-which is gaseous water, namely, the vapours of bodies like
-chloroform and ether, it has been shown that "cloud"
-forms in a vapour not merely in consequence of the
-cooling of the vapour, but in consequence of the presence
-in the air (or in the tube in which the vapour is enclosed
-for observation) of very fine floating dust particles. They
-act as centres of attraction and condensation for the
-vapour particles. When there are no dust particles
-present clouds do not form readily in cooling vapours,
-or only at lower temperatures, and in larger mass.
-Tyndall made some beautiful experiments on this subject,
-obtaining clouds of great tenuity in vapours enclosed in
-<span class="pagenum"><a name="Page_77" id="Page_77">[Pg 77]</a></span>
-tubes, which reflected the most vivid blue tints when
-illuminated by the electric arc-lamp. Later Aitken, of
-Edinburgh, showed that the "fog" which forms in smoke-ridden
-towns is due to the condensation of previously
-invisible watery vapour as "cloud" around the solid
-floating particles of carbon of the smoke. Aitken further
-used this property of solid floating particles, namely,
-that they cause the formation of fog and cloud in vapours&mdash;to
-test the question as to whether the excessively minute
-odoriferous particles which affect our noses as "smell" are
-distinct solid floating particles as often supposed, or are of
-the nature of gas and vapour. He admitted strong perfumes
-such as musk into tubes containing watery vapour, at
-such a temperature that the vapour was in a "critical" state&mdash;just
-ready to condense and precipitate as "cloud." If
-he had admitted fine solid particles such as a minute
-whiff of smoke, or some "dusty" air&mdash;the cloud would
-have formed. But the admission of the perfume had no
-such effect Therefore, he concluded that the odoriferous
-emanations used by him are not distinct particles like
-those of smoke or dust, but are gaseous.</p>
-
-<p>The beautiful blue tint of the semi-transparent "white"
-of a boiled plover's egg is due to a fine-particled cloud
-dispersed in the clear albumen. London milk used to
-be "sky-blue" for a similar reason, before the recent
-legislation against the adulteration of food. The blue eyes
-of our fair-haired race and of young foxes are not due to
-any "pigment"&mdash;that is to say, a separable self-coloured
-substance&mdash;but to a fine cloud floating in a transparent
-medium which reflects blue rays of light as blue smoke does.
-The iris of the eye can and often does develop a pigment,
-but it is a brown one. When present in small quantity it
-produces a green-coloured iris, the pale yellow-brown
-being added to the blue cloud-caused colouring. When
-present in larger quantity the same pigment gives us brown
-<span class="pagenum"><a name="Page_78" id="Page_78">[Pg 78]</a></span>
-and so-called "black" eyes. The blue colours in birds'
-feathers and insects' wings are produced without blue pigment
-by special effects of reflection, and where green is
-the colour it is often due to the addition of a small
-quantity of yellow pigment to what would otherwise look
-blue: though some caterpillars and grasshoppers have a
-real green pigment in their skin. Flowers, on the other
-hand, have true soluble blue "pigments," and green ones
-too, notably that called leaf-green or chlorophyll. The
-little green tree frog has no blue or green pigment in its
-skin; only a yellow pigment. Sometimes rare specimens
-are found in which the yellow pigment is absent altogether,
-and then the little frog is turquoise-blue in colour. But
-there is no blue pigment in the skin; only a finely-clouded
-translucent film overlying a dead-black deep
-layer of the skin, and the result is that the frog is of a
-wonderful pure blue. Sometimes the commoner large
-edible frog is found with a similar absence of yellow pigment
-(I found some in a garden near Geneva six years
-ago), and then all the parts of its skin which usually are
-green show as brilliant blue.</p>
-
-<p>It is at first difficult to believe that such fine, smoothly-spread
-turquoise blue as that of the blue frog is due
-merely to a "reflection effect," and that there is no blue
-pigment present which would show as blue if light were
-transmitted through it, or could be separated and
-dissolved in some medium. Yet this is undoubtedly the
-case. The nearest experimental production of such a
-blue surface without blue pigment is obtained by first
-varnishing a black board, and when the varnish is nearly
-dry passing a sponge wetted with water over it. Some
-of the varnish is precipitated from its solution in the spirit
-(or it may be turpentine) as a fine cloud, and until the water
-has evaporated it looks like blue paint, as the poet Goethe
-found when cleaning a picture. It would be interesting
-<span class="pagenum"><a name="Page_79" id="Page_79">[Pg 79]</a></span>
-to know more precisely the precautions to be taken in
-order to get the blue colour in this way in fullest degree.</p>
-
-<p>It appears that when light is reflected from a cloud of
-fine colourless particles so as to give a predominant blue
-colour, the light so reflected is affected in that special way
-which physicists describe as being "polarized." It is
-possible by the use of certain apparatus (the polariscope)
-to distinguish polarized from non-polarized light, so that
-it should be possible to decide (or at any rate to gain
-evidence) whether blue water&mdash;a sheet of blue water&mdash;owes
-its colour to fine particles suspended in it or to the
-self-colour of the water. An admirable case for making
-this simple experiment is presented by the great tanks&mdash;some
-20 ft. cube&mdash;which are used by the water companies
-which draw their water supply from the chalk, for the
-purpose of precipitating the dissolved chalk&mdash;"Clarking"
-the water, as it is called, after the inventor of the process&mdash;and
-so getting rid of its excessive "hardness." Such
-tanks are to be seen by the side of the railway near
-Caterham. The water in these tanks is of such a
-brilliant turquoise blue that many people suppose that
-copper has been added to the water to free it from
-microbes! Such, at any rate, was the conviction expressed
-by a friend in conversation with me only a few weeks ago.
-The water in these tanks, when seen from the railway, looks
-like a magnificent blue dye, and a very important point
-for those (not a few) who believe that the blue colour of
-seas and lakes is due to the reflection of the blue colour of
-the sky overhead is that the water in the tanks looks just
-as blue when the sky is overcast with cloud as when
-there is blue sky. The blue colour of water has, as a rule,
-nothing to do with the reflection of the sky, though it is
-the fact that a shallow film of water may at a certain
-angle reflect the sky to our eyes, just as a mirror may.
-The effect is quite unlike that due to light passing through
-<span class="pagenum"><a name="Page_80" id="Page_80">[Pg 80]</a></span>
-deep water when reflected from below it. If we examine
-the tanks in question we find that they have been filled
-with water pumped from the chalk, and that then lime has
-been added to the water in order to combine with the carbonic
-acid dissolved in it and form chalk or carbonate of
-lime&mdash;which is insoluble in pure water and falls as an
-excessively fine white powder to the bottom of the tank.
-But the important fact is that water having carbonic acid
-dissolved in it can dissolve carbonate of lime or chalk to a
-certain amount: and this water pumped from the chalk,
-having carbonic acid naturally dissolved in it, has consequently
-also dissolved a quantity of chalk. It is this
-which gives the chalk-spring water the objectionable
-quality of "hardness." When lime is added to the chalk-spring
-water as pumped into the tanks, the carbonic acid
-in it is taken up by the lime, and the chalk previously
-dissolved by the carbonic-acid-holding water is, so to speak,
-"undissolved," and thrown down as a very fine white
-powder, together with the chalk newly formed by the
-union of the lime and the carbonic acid. These large
-tanks are used to allow the fine powder of chalk to settle
-down and leave the water clear. The brilliantly white
-chalk sediment accumulates not only on the floor of the
-tank, but on its sides. Any light which falls on the tank
-is refracted and reflected from side to floor and from floor
-to side, and eventually emerges from the tank, a great
-deal of it having traversed the 20 ft. breadth and depth
-many times. Most of its red, yellow, and green rays are
-quenched by the many feet of blue water through which it
-has passed, and it issues as predominantly blue. This is
-largely due to the fine reflecting surface furnished by the
-"white-washed" or chalk-coated floor and sides and the
-great purity of the white reflecting material&mdash;no yellow
-or brown matter being present to give a greenish tinge to
-the result I remember being taken to see "Clark's
-<span class="pagenum"><a name="Page_81" id="Page_81">[Pg 81]</a></span>
-process" in use, and the splendid blue colour of the water
-in the "softening" tanks at Plumstead, when the process
-was first used by the North Kent Water Company, sixty-four
-years ago.</p>
-
-<p>It is, I think, still a possible question as to whether the
-fine floating particles of precipitating chalk act in any way
-as a "cloud"&mdash;in short, as the blue clouds of smoke, egg-white,
-milk, and varnish. There is no evidence that they
-do, but no one, so far as I know, has ever taken the trouble
-to settle the question. It could be done by examining the
-blue light from the tanks with a polariscope, and also by
-sinking a black tarpaulin into the tank to cover the white
-floor and hanging others at the sides. Then if the blue
-colour were due to light reflected from the white floor and
-sides traversing repeatedly the clear self-coloured blue
-water, the blue colour should no longer be visible, for the
-reflecting surfaces would be covered by the black tarpaulin
-and little light sent up through the water. But if it were
-due to a cloud of greatest delicacy in the water&mdash;like fine
-smoke reflecting the blue light rather than the other rays&mdash;then
-the colour should be as intense or more intense
-when the black background is introduced. I am surprised
-that some inquirer, younger and more active than I am,
-does not put the matter to the test of experiment.</p>
-
-<p>On the whole, practically all the facts which we know
-about "blue water" are consistent with the blue self-colour
-of water, and not with that of a "blue cloud" in the water.
-Now that we have porcelain baths of the purest white and
-of large size, one may often see the strong blue colour of
-water of great purity in the bath, especially where waves
-or ripples send to our eyes those rays of light which have
-taken a more or less horizontal course from side to side of
-the bath, and have thus been through a large thickness of
-the pale-coloured fluid. Great masses of clear ice, such as
-one may study in glaciers, are blue; the "crevasses" which
-<span class="pagenum"><a name="Page_82" id="Page_82">[Pg 82]</a></span>
-transmit light which has passed through a considerable
-thickness of ice (as, for instance, in an ice cave), are deep
-blue; there is no question of a reflection from suspended
-particles. The green colour which some glaciers show at
-a little distance is due to the yellow rust&mdash;iron oxide&mdash;blown
-on to the surface of the ice and dissolved. Many
-glaciers or parts of glaciers are quite free from it, and of a
-splendid indigo blue in their deeper fissures. So, too, as
-to the sea and lakes. The Blue Grotto or Cavern of the
-island of Capri, near Naples, is a case in point. All the
-light which enters it comes through the sea-water and is
-blue. I was taken to it in a boat rowed by two men. As
-the boat enters the low mouth of the cavern you have to
-bend down to avoid knocking your head against the rock.
-Then you find yourself floating in a vast and lofty
-chamber the white rocky floor of which is some twenty
-feet below the surface of the clear water. No light enters
-the cavern by the low part of the entrance above water.
-Below the surface it widens and the strong Southern sun
-shines through the clear water and its light is reflected up
-into the cave from the bottom. It is blue, and everything
-in the cave above as well as below the water is suffused
-with a blue glow&mdash;a truly wonderful and fascinating
-spectacle. In order to get the best effect you must
-choose an hour when the sun is in a favourable position.
-Where there is a white bottom at a depth of fifty or a
-hundred feet, the sea has a fine ultra-marine colour, so
-long as it is clear. It is often made green by yellow-coloured
-impurities, either fine iron-stained sediment or by
-minute living things in the water. The colour of the
-water of either sea or lakes, when it is clear and overlying
-great depths (200 fathoms and more), tends to be dark
-indigo owing to the deficiency of reflected light. But
-there are enough white particles as a rule to send some of
-the light, which penetrates the water, upwards again.
-<span class="pagenum"><a name="Page_83" id="Page_83">[Pg 83]</a></span>
-Even the great ocean has a dark purplish-blue colour,
-but never the bright blue of clear water in shallow seas
-with light-coloured or white bottom.</p>
-
-<p>One of the most beautiful exhibitions of the colour of
-clear water in various thicknesses which I know, is at the
-entrance of the Rhone into the Lake of Geneva. The
-thick pale-coloured brownish-white sediment of the river
-shoots out for a quarter of a mile or more into the dark
-blue waters of the deep lake, and on a bright sunny day as
-it subsides reflects the light upwards from different depths
-through the clear water. Where it has sunk but little the
-colour is green, owing to the influence of the yellow mud.
-Farther on it is ultra-marine blue, and then, where it has
-sunk deeper, we get full indigo tints. The movement of
-the water and its churning up by the steamers' paddles
-add to the variety of effects, since the foam of air-bubbles
-submerged throws up the light through the water. It is
-not possible to doubt as one watches the admixture of the
-river and the lake, and the eddies and hanging walls of
-sediment, that one is floating over a vast depth of
-magnificent blue self-coloured fluid which is traversed by
-the sunlight in ways and degrees varying according to its
-depth and the volume of the pale mud of the in-rushing
-Rhone and the abundance of fine air-bubbles "churned"
-into the water by the paddle-wheels of the steamer.</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_84" id="Page_84">[Pg 84]</a></span></p>
-
-
-
-
-<div class="chapter p4">
- <h2><a name="CHAPTER_VI" id="CHAPTER_VI"></a>CHAPTER VI</h2>
-</div>
-
-<p class="ac noindent">THE BIGGEST BEAST</p>
-
-
-<p class="drop-cap">THERE is a prevalent notion, encouraged by the
-fanciful exaggerations of newspaper gossips, that
-the animals of past ages, whose bones are from time
-to time dug out of rocks and sand quarries, were many of
-them much bigger than any at present existing, and that
-we are living in an age of degeneracy. It is true that the
-mammoth and the mastodon were enormous creatures,
-but they were <i>not</i> bigger than their living representatives,
-the great elephants of Africa and India. The African
-elephant often stands 11 ft. high at the shoulder, and
-occasionally attains 12 ft.</p>
-
-<p>Some eighty years ago Dr. Gideon Mantell became
-celebrated by his discovery of the bones of huge reptiles&mdash;far
-bigger than any existing crocodile or lizard&mdash;nearly
-as big as elephants, in the Wealden rocks of
-Tilgate Forest in Sussex. He and Sir Richard Owen
-distinguished several kinds&mdash;the Iguanodon, the Megalosaurus,
-the Hylæosaurus, and others. Models of these
-creatures as they appeared when clothed in flesh and hide
-were carefully made, and placed picturesquely among the
-ponds and islands of the gardens of the Crystal Palace
-at Sydenham when it was first opened to an enchanted
-public in the fifties. As a small boy I, at that time,
-fell under their spell.</p>
-
-<p>The passing years have brought to us more complete
-knowledge of these strange beasts&mdash;now classed as the
-<span class="pagenum"><a name="Page_85" id="Page_85">[Pg 85]</a></span>
-"Dinosauria"&mdash;and new kinds and complete skeletons of
-those already known have been discovered in the United
-States and in Belgium. The leg bones and vertebræ of
-one of the biggest were found near Oxford, and are in
-the Oxford Museum; it received the name Cetiosaurus.
-Only a few years ago a very complete skeleton of a
-creature closely allied to Cetiosaurus was with great
-labour and skill dug out of the Jurassic rocks of Wyoming,
-U.S.A., by Dr. Holland, at the charges of Mr. Andrew
-Carnegie. It was known as Diplodocus (referring to
-certain bones in its tail), and a wonderful cast of the
-completely reconstructed skeleton was presented to the
-Natural History Museum in London, when I was
-Director, by Mr. Carnegie. The skeleton is 84 ft.
-long; but we must not be mis-led as to the animal's
-actual bulk by this measurement, for the tail is 46
-ft. long and whip-like, whilst the neck is 23 ft.
-long and carries a small head not bigger than that
-of a cart-horse. The jaws were provided with small peg-like
-teeth, showing that the beast fed on soft vegetable
-matter. The body, apart from neck and tail, was really
-only a little bigger than that of a large elephant, and the
-limb-bones longer in the proportion of about six to five.
-Another reptile very similar to these and also found in
-the mesozoic rocks of the U.S. America is Brontosaurus.</p>
-
-<p>The fact is that, if we wish to make an intelligent
-comparison of the sizes of different animals, we have
-carefully to ascertain not merely the length measurements,
-but the <i>proportions</i> of the various parts, and the actual
-bulk and probable weight of the beasts under consideration.
-Also (and this is a very important and decisive matter)
-we must know whether the beasts were terrestrial in habit,
-walking with their bodies raised high on their legs, or
-whether they were aquatic and swam in the lakes or seas,
-their bodies buoyed up and supported by the water. By
-<span class="pagenum"><a name="Page_86" id="Page_86">[Pg 86]</a></span>
-far the biggest animals of which we have any knowledge
-are the various kinds of whales still flourishing in the sea.
-A mechanical limit is set to the size of land-walking
-animals, and that limit has been reached by the elephant
-"Flesh and blood," and we may add "bone," cannot carry
-on dry land a greater bulk than his. He is always in
-danger of sinking by his own weight into soft earth and
-bog. His legs have to be much thicker in proportion
-than those of smaller animals&mdash;made of the same material&mdash;or
-they would bend and snap. His feet have to be
-padded with huge discs of fat and fibre to ease the local
-pressure, and his legs are kept straight not bent at the
-joints, when he stands (a fact to which Shakespeare makes
-Ulysses refer), so that the vast weight of his body shall
-be supported by the stiff column formed by the upper
-and lower half of the limb-bones kept upright in one
-straight line. A well-grown elephant weighs five tons.
-Compare his weight and shape with that of a big whale-bone
-whale! No extinct animal known approaches the
-existing whale in bulk and weight. He is 80 to 90 ft.
-long, and has no neck nor any length of tail. His outline
-is egg-like, narrower at the hinder end. He weighs
-200 tons&mdash;forty times as much as a big elephant&mdash;and
-is perfectly supported without any strain on his structure
-by the water in which he floats. There is no such limit
-to his possible size as there is in the case of land-walking
-animals. But it seems probable that he too is
-limited in size by mechanical conditions of another kind.
-Probably he cannot exceed some 90 ft. in length and 200
-tons of bulk on account of the relatively great increase
-of proportionate size and power in the heart required in
-order to propel the blood through such a vast mass of
-living tissue and keep him "going" as a warm-blooded
-mammal. The original pattern&mdash;the small dog-like
-ancestor of the whale&mdash;cannot be indefinitely expanded
-<span class="pagenum"><a name="Page_87" id="Page_87">[Pg 87]</a></span>
-as an efficient working machine, though its limit of growth
-is not determined by the same mechanical causes as those
-which limit the bulk of the terrestrial quadruped.</p>
-
-<p>These considerations make it clear that we should
-compare as to "bigness" terrestrial animals with other
-terrestrial animals, and aquatic animals with aquatic ones.
-It seems probable that Diplodocus was an aquatic
-reptile, and never raised himself on to his four legs on
-dry land as the Carnegie skeleton at the Natural History
-Museum is doing. His legs and feet are quite unfitted
-to support his weight on a land surface; on land he
-would have rested on his belly, as a crocodile does,
-with much bent legs on each side. But submerged
-in 20 ft. depth of water, he could have trotted along,
-half-floating, with his feet touching the bottom and his
-head raised on its long neck to the surface, slowly
-sucking the floating vegetation into his moderate-sized
-mouth. (See drawing on p. 91.)</p>
-
-<p>Diplodocus and Cetiosaurus have huge thigh-bones
-and upper-arm bones&mdash;respectively 5 ft. 9 in. and 3
-ft. 2 in. in length&mdash;until lately the biggest known <i>limb</i>-bones,
-although the lower jaw-bone of a Right Whale
-grows to be 18 ft. in length. But a thigh-bone (femur)
-of a reptile similar to Diplodocus has been found in
-Wyoming, 6 ft. 2 in. in length. This reptile was named
-Atlantosaurus, and a cast of the huge bone&mdash;the biggest
-known when it was placed there&mdash;stands in our museum
-gallery. However, its glory has departed, for we now
-know "than this biggest bone, a bigger still." The bones
-of several individuals of a huge reptile similar to
-Diplodocus, but actually twice as big in linear dimensions,
-were found by Dr. Fraas at Tendagoroo, fifty miles from
-the coast in German East Africa, and brought safely to
-Berlin in 1912, though they have not yet been mounted
-as a complete specimen. They were lying in a sandy
-<span class="pagenum"><a name="Page_88" id="Page_88">[Pg 88]</a></span>
-deposit of the same geologic age as our Sussex Wealden.
-A special expedition of 500 negroes was sent&mdash;not by
-the Government, but by the Berlin "Society of the
-Friends of Natural History" (we need such a society in
-England), at a cost of £10,000, to fetch the bones. They
-were of many individuals, and had to be skilfully dug
-out and packed. Dr. Fraas calls this biggest of all
-quadrupeds "Gigantosaurus." A cast of the humerus,
-or upper-arm bone, is now exhibited in the Natural
-History Museum. It is over 7 ft. in length. The
-femur, or thigh-bone, was still bigger&mdash;it was over 10
-ft. in length. Alas for the glory of Atlantosaurus!
-This enormous creature was, of course, like Diplodocus,
-aquatic. Its bulk was much less than that of a big
-whale, but extinct aquatic reptiles may yet be found of
-greater size. Ichthyosaurus, the extinct whale-like reptile,
-does not exceed 30 ft. in length. Our engraving (Fig. 32)
-shows the relative size of the humerus of man, the
-elephant,<a name="FNanchor_4_4" id="FNanchor_4_4"></a>
-<a href="#Footnote_4_4" class="fnanchor">[4]</a> and the Gigantosaurus. How puny is that
-human arm-bone! And yet...!</p>
-
-<p>When stretched on the shore, resting on the belly, the
-body of the great lizard of Tendagoroo bulked like a
-breakwater 12 ft. high, and his tail like a huge serpent
-extended 80 ft. beyond it; whilst his head and neck
-reached 40 ft. along the mud in front.</p>
-
-<div class="figcenter"><a name="i_32.jpg" id="i_32.jpg"></a>
- <img src="images/i_32.jpg" width="347" height="600"
- alt="" />
- <div class="caption"><span class="sc">Fig. 32.</span>&mdash;The upper-arm bone or humerus
- of the great reptile (Gigantosaurus) of Tendagoroo&mdash;compared with that of man and
- of an Indian elephant.</div>
-</div>
-
-<p>An important limitation to great size in an animal is,
-it must be remembered, often imposed by the nature of
-<span class="pagenum"><a name="Page_90" id="Page_90">[Pg 90]</a></span>
-the animal's food. Ten individuals each weighing a
-hundredweight will more easily pick up and swallow the
-amount of food required to nourish ten hundredweight
-of the species than will one individual responsible for the
-whole bulk, provided that the food is scattered and not
-ready to the mouth in unlimited quantity. A creature
-which has unlimited forest or grass or seaweed as its
-food will be at no disadvantage owing to its size. But a
-carnivor or a fish-eater or one depending on special fruits
-and roots not offered to him by nature in mass has to
-search for, and sometimes to hunt, or at any rate to
-compete with others, for the scattered and elusive "bits"
-of food. So it is that we find that the fruit-eating apes
-are not very big, and that terrestrial carnivors are small,
-though powerful and swift, as compared with cattle, deer,
-and vegetarian beasts. Ten carnivors weighing each ten
-stone will with their ten mouths "pick up" more prey
-than one carnivor weighing a hundred stone and having
-only one mouth. Even the carnivorous Dinosaurs such
-as Megalosaurus and Tyrannosaurus were much smaller
-than the vegetarian Iguanodon, Diplodocus, Brontosaurus
-and Triceratops on which (or on the like of which) they
-preyed&mdash;just as a tiger is smaller than a buffalo, and a
-wolf smaller than a horse. It is owing to causes of this
-nature that the life of some animals, and consequently
-their growth, is limited in duration. Occasionally the
-common lobster lives to a great age, and grows to be
-more than 2 ft. long. But he is doomed by his size; the
-smaller lobsters "go quickly around" and get all the
-food (carrion of the sea), and the big fellow has to starve.
-The whale-bone whales, it is true, take animal food; but
-it occurs in the form of minute sea-slugs and shrimps,
-which fill the surface waters in countless millions over
-hundreds of miles of ocean. Hence the whales of this
-kind have only to swim along with their mouths open
-<span class="pagenum"><a name="Page_91" id="Page_91">[Pg 91]</a></span>
-through an unlimited supply of luscious food. The size
-of terrestrial animals is also, it appears, definitely related
-to the natural water-supply. There are very few small
-quadrupeds in the interior of Africa. On account of
-frequent "drought," the mammals have often to run a
-hundred miles or more in search of water. Only animals
-as big as the larger antelopes and the zebra can cover the
-ground. The smaller kinds die (and have, in fact, died
-out in past ages) in these regions of sudden drought.</p>
-
-<div class="figcenter"><a name="i_32a.jpg" id="i_32a.jpg"></a>
- <img src="images/i_32a.jpg" width="576" height="600"
- alt="" />
- <div class="caption1">The gigantic reptile Diplodocus on land.</div>
-</div>
-
-
-<div class="footnotes p4"><h3>FOOTNOTE:</h3>
-
-<div class="footnote">
-
- <p class="noindent"><a name="Footnote_4_4" id="Footnote_4_4"></a>
-<a href="#FNanchor_4_4"><span class="label">[4]</span></a>
-The elephant, the thigh-bone of which, measuring nearly 3 ft. in length,
-is drawn in Fig. 32, is a large Indian one. This species is exceeded in size by
-the African. See "Science from an Easy Chair," Second series, p. 123.&mdash;The
-largest elephant the bones of which are known is the Elephas antiquus of
-the Pleistocene, bigger than either of the living species and bigger than the
-mammoth, Elephas primigenius. The arm-bone (humerus) of one of this
-species (Elephas antiquus) lately dug up near Chatham and now in the Natural
-History Museum, is 4 ft. 3 in. in length.</p></div>
-</div>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_92" id="Page_92">[Pg 92]</a></span></p>
-
-
-
-
-<div class="chapter p4">
- <h2><a name="CHAPTER_VII" id="CHAPTER_VII"></a>CHAPTER VII</h2>
-</div>
-
-<p class="ac noindent">WHAT IS MEANT BY "A SPECIES"?</p>
-
-
-<p class="drop-cap">THOSE who take an interest in natural history must
-find it necessary to know what the naturalist
-means by "a species" of animal or plant. What
-does he mean when he says: "This is not the same species
-as that," or "This is a species closely allied to this other
-species," or "This is a new species"? What are the
-"species" concerning the origin of which Darwin propounded
-his great theory? There is really no English
-word which can be exactly used in place of the word
-"species." I often have to use the word when writing
-about plants or animals, and should like once for all to
-say what is meant by it. One might suppose that a
-"kind" is the same thing as a species. And so it often is;
-but, on the other hand, by the word "kind" we often
-mean a group including several species. For instance,
-we say the "cat-kind" or the "daisy-kind," meaning the
-"cat-like" animals or the "daisy-like" plants. The
-expression "the cat-kind" includes the common cat and
-the wild cat, and even leopards, lions, and tigers, each of
-which is a species of cat. And by the "daisy-kind" we
-understand a group including several species of daisies,
-such as the common daisy, the ox-eye daisy, the camomile
-daisy, the michaelmas daisy, and others. Hence we
-cannot translate species simply by the word "kind."
-"Kind" is the same word as "kin"&mdash;"a little more than
-kin and less than kind," runs Hamlet's bitter pun. "Kind"
-<span class="pagenum"><a name="Page_93" id="Page_93">[Pg 93]</a></span>
-means a group held together by kinship, and it may be a
-larger or a smaller group held together by a close kinship
-or by a more distant one. "Sort," again, will not serve
-our purpose as an English translation of "species." For,
-although "a sort" implies a certain selection and similarity
-of the things included in the "sort," the amount of
-similarity implied may be very great or it may be indefinitely
-vague and remote. Hence naturalists have to
-stick to the word "species," and to use it with a clear
-definition of what they mean by it.</p>
-
-<p>Suppose we get together a large unsorted collection&mdash;many
-hundred "specimens" or individuals&mdash;of the
-common butterflies of England. Then, if we look them
-over, we shall find that we can pick out and arrange the
-specimens into definite groups, according to their colour-pattern.
-We find that the kinds which we readily
-distinguish are called in English the swallow-tails, the
-whites, the sulphurs, the clouded yellows, the tortoise-shells,
-the peacocks, the red admirals, the painted ladies,
-the gatekeepers, the meadow browns, the heaths, the
-coppers, and the blues. There might be others in such
-a collection, but that is enough for our purpose. On
-examining the specimens closely, we find that the colour-markings
-and "venation" or network by which the wings
-are marked and the shape of the wings, body, and legs
-of all the specimens of the swallow-tails are almost exactly
-alike, and unlike those of any of the others. We shall
-find if we have a dozen or two specimens that there is a
-slight difference in the pattern, size, and colour of wing of
-some of the swallow-tails, dividing them into two groups,
-which we soon ascertain to be the males and females; but
-this is so small a difference that we may ignore it. The
-swallow-tail is obviously and at once distinguished from
-any of the other butterflies in the collection by its colour-pattern
-and shape. So also with the others, there will be
-<span class="pagenum"><a name="Page_94" id="Page_94">[Pg 94]</a></span>
-many specimens in each case agreeing in colour and
-pattern, and recognizable and distinguishable from the
-rest by the colour-pattern and by the "venation" or
-"nervures" of the wings. If we collect butterflies again
-in other years and in other parts of the country, we find
-the same set of shapes and patterns exactly, corresponding
-to what we have learnt to call swallow-tails, whites,
-sulphurs, clouded yellows, tortoise-shells, etc. There are,
-we thus learn, several distinct, unchanging kinds of
-butterfly, which are common in this country, and appear
-every year. Similarly we may go into a meadow in
-spring, and gather a number of flowers, and a naturalist
-will roughly arrange our bouquet into "kinds"; there
-will be the buttercups, the daisies, the clovers, the dead
-nettles, the poppies, the roses, the orchids, etc.</p>
-
-<p>If, now, we look more carefully at our collection of
-butterflies, sorted out roughly into kinds or species, we
-shall find that the "whites," although holding together
-by a close similarity in having merely white wings edged
-and spotted with black, yet differ amongst themselves,
-so that we distinguish a larger kind, the large garden-white,
-and a smaller, commoner kind, the smaller
-garden-white, and we distinguish also the green-veined
-white, and possibly the rare Bath white, each of them
-differing a little in their spots as well as their size.
-These different sorts of "whites" can, once our attention
-is drawn to the matter, be readily distinguished from one
-another, and constantly are found in our collections. We
-thus arrive at the conclusion that, though the whites are
-much alike, and are a kind distinct from the other kinds
-of butterflies, yet the "whites" themselves can be divided
-into and arranged as several kinds distinct from one
-another. In fact, we discover (and an illustrated book on
-butterflies confirms us in the conclusion) that there are
-several ultimate kinds of whites which cannot be further
-<span class="pagenum"><a name="Page_95" id="Page_95">[Pg 95]</a></span>
-separated into groups. These are what are called "species."
-The whites are therefore not a single species, as are our
-British swallow-tails, but a group of species, closely related
-to one another. We find the same thing to be true with
-regard to the blues. Though they are much alike, agreeing
-in a variety of details of spotting and colour, yet we can distinguish
-the chalk-hill blue, the common blue, the azure-blue,
-the Adonis blue, and others, as distinct "species" of blues.
-Then, again, when we carefully examine our English
-specimens of tortoise-shells, we find that there are two
-distinct "species"&mdash;the greater and the smaller&mdash;differing
-not only in size, but in pattern; and when we compare
-with these the painted lady and the peacock and the red
-admiral, we find that there is a certain agreement of wing-pattern
-(venation and outline) and details of shape among
-them all, although their tints and the shape of the spots
-and bands of colour differ. These different species "hold
-together" just as the whites do and just as the blues do.
-Naturalists have met the need for expressing this similarity
-of a number of distinct species to one another by introducing
-the term "genus" for such a group. In fact we arrange
-several species into a "genus." The "genus" is a "kind,"
-but a more comprehensive "kind," than is a species. The
-species is an assemblage of <i>individuals</i> closely alike to one
-another; the genus is a group of <i>species</i> which are more
-like to one another than any of them are to other
-species.</p>
-
-<p>Naturalists give to every genus a name, and also a name
-to each species in the genus. Since we naturalists want
-to know what butterflies or other species of animals and
-plants are found in other countries, and to be sure that we
-all (whatever our native language may be) mean the same
-thing by a name, Latin names are given to the genera
-and the species, and are necessarily used when one wishes
-to be sure that one is understood. The greatest trouble
-<span class="pagenum"><a name="Page_96" id="Page_96">[Pg 96]</a></span>
-is taken to make certain that the name used is applied
-only to the original species and the original genus to
-which it was applied, for only so can one be sure that a
-writer in America or one in Italy or France means the
-same thing by a name as we do here in England. This
-is rendered possible and is actually brought about by the
-preparation of catalogues in which the species are described
-and figured, especially with regard to obvious points of
-detail which are constant, and are called "specific
-characters." These are chosen for special description, not
-haphazard, but with a view to their being recognized with
-certainty by those who study other specimens. Another
-extremely important proceeding in connection with this
-purpose of uniform naming, which involves vast labour
-and expense, is the maintenance of great collections of
-preserved animals and plants by the State in all civilized
-countries. In these collections either the original specimens
-to which names were given by recognized describers (called
-"type-specimens" or "the type") are preserved, or else
-specimens which have been compared with those original
-described specimens, and authoritatively ascertained to be
-the same as the "type." The maintenance of accuracy
-and agreement in regard to the names of all the "species"
-of plants and animals is a big task. It is now carried out
-by international councils, in which the skilled naturalists
-of the world are represented. Certain principles have
-been agreed upon as to the method of determining the
-priority of one name over others which have been employed
-for one and the same species by naturalists of different
-countries and at different times, and a general agreement
-as to what names are to be used has been arrived at. It
-is a matter which has involved a great deal of uncertainty
-and dispute, and still causes difficulty. By the exercise
-of good sense, and in consequence of the existence of an
-urgent desire really to understand one another, there is
-<span class="pagenum"><a name="Page_97" id="Page_97">[Pg 97]</a></span>
-now every year an increasing uniformity and agreement
-among naturalists about the exact name to be applied to
-every species of living thing.</p>
-
-<p>Returning to our collections of butterflies and meadow
-flowers, we may take the names of some of the species and
-genera as an example of the system of naming in use by
-scientific naturalists. The common swallow-tail is assigned
-to the genus Papilio. Its "specific name" is "Machaon,"
-given to it by Linnæus, hence it is spoken of as Papilio
-Machaon. It is found in various parts of Europe as
-well as in England. But in Central Europe (often
-seen in Switzerland) there is also another species of
-swallow-tail, which only occurs as a rare accident in
-England. This is the pale swallow-tail, differing, not only
-by its paler colour but by definite spots and markings of
-the wings, from the English species. Its species name,
-or "specific name," is "Podalirius," and so it is known
-as Papilio Podalirius. Species of Papilio are found all
-over the world; more than 500 are known. Our two
-commonest whites belong to the genus Pieris&mdash;they are
-called respectively Pieris brassicæ (the larger) and Pieris
-rapæ (the smaller). The green-veined white is Pieris napi.
-Each of these three is called after the plant, cabbage,
-rape, or turnip, on which its caterpillar feeds. The rare
-Bath white is Pieris daplidice. Its caterpillar feeds on
-mignonette. There are dozens of species in other parts
-of the world allied to our "whites," which naturalists have
-carefully distinguished and characterized by their marks.</p>
-
-<p>Several of our most beautiful species of English butterflies
-which are much alike have been enrolled in one
-genus&mdash;the genus Vanessa. This genus includes the great
-tortoise-shell, called Vanessa polychloros; the smaller
-tortoise-shell, Vanessa urticæ; the peacock, Vanessa Io;
-the painted lady, Vanessa cardui; the red admiral,
-Vanessa Atalanta; and the comma butterfly, Vanessa
-<span class="pagenum"><a name="Page_98" id="Page_98">[Pg 98]</a></span>
-C-album. There are other European, Asiatic, and
-American species of Vanessa.</p>
-
-<p>In the same way we find with our meadow plants that
-what we at first thought was a single kind, "<i>the</i>" buttercup
-really bears a name applicable to a genus in which are
-several common species. The genus is called Ranunculus,
-and there are several common English species with yellow
-flowers, but distinguished from one another by definite
-characters. They are Ranunculus acris, Ranunculus
-flammula, Ranunculus bulbosus, Ranunculus arvensis,
-Ranunculus ficaria (the lesser celandine). And then there
-is the white-flowered Ranunculus aquatilis&mdash;a common
-pond plant. Clover, again, is by no means the name for
-a single species. The clovers form the genus Trifolium,
-and in any English meadow we may come across the
-white clover, Trifolium repens; the red clover, Trifolium
-pratense; the hop clover, Trifolium agrarium: the strawberry
-clover, Trifolium fragiferum; the haresfoot clover,
-Trifolium arvense. So it is with the plants which at first
-sight we distinguish merely as "daisies." There are
-several distinct genera of daisies&mdash;Aster, Bellis, Chrysanthemum
-(ox-eye), Anthemis (camomile), and others,
-with several distinct species in each genus.</p>
-
-<p>Enough has been said to show the reader that the
-mere notion of "kinds" does not carry the same meaning
-as "species," but that there are a number of regularly
-occurring definite forms of both animals and plants which
-can be arranged in groups consisting only of individuals
-which are very nearly identical with one another. A
-group of living things of this degree of likeness is called
-"a species," and receives a name. A less degree of likeness
-holds together a number of species to form what we
-call a genus, and the name of the genus is cited together
-with the name of the species when we wish to speak of the
-species with clearness and certainty. This system of
-<span class="pagenum"><a name="Page_99" id="Page_99">[Pg 99]</a></span>
-double names we owe to the great Swedish naturalist of
-the eighteenth century, Linnæus. He proposed also that
-the relationships of living things to one another should be
-further expressed by grouping like genera into "families,"
-then like families into "orders," and like orders into
-"classes." And since his day we go further and group
-classes into "phyla" or great stems of the animal pedigree.
-In this way a complete hierarchy or system of less and
-more comprehensive groups has been established, and is
-the means by which we indicate the natural groups of the
-family-trees of plants and of animals, what, in fact, is
-called the "classification" of each of these great series of
-living things. Linnæus compared his system of groups to
-the subdivisions of two armies. Thus, the one army
-represents the whole animal series, the other the whole
-vegetable series. An army is divided into (1) "legions,"
-these into (2) "divisions," "divisions" into (3) "regiments,"
-regiments into (4) battalions, and battalions consist of
-(5) companies, consisting of individual soldiers. According
-to Linnæus, we may compare the legions to
-classes, which are divided into orders, comparable to
-divisions; these into families, comparable to regiments;
-these into genera, comparable to battalions; and these
-into species, comparable to companies, or ultimate
-groups of individual units or soldiers.</p>
-
-<p>Just as the legions, divisions, regiments, battalions
-and companies of an army have each their own name or
-at any rate a distinctive numeral assigned to them in
-order that they may be cited and directed, so are names
-given to each class, order, family, genus and species of
-the classification or enumeration of the kinds of animals
-and plants. Here, for instance, are the names of the
-greater and smaller groups in which our common "white"
-finds itself enrolled. <i>Class</i>&mdash;Insects. <i>Order</i>&mdash;Lepidoptera.
-<i>Family</i>&mdash;Pieridæ. <i>Genus</i>&mdash;Pieris. <i>Species</i>&mdash;brassicæ.</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_100" id="Page_100">[Pg 100]</a></span></p>
-
-
-
-
-<div class="chapter p4">
- <h2><a name="CHAPTER_VIII" id="CHAPTER_VIII"></a>CHAPTER VIII</h2>
-</div>
-
-<p class="ac noindent">MORE ABOUT SPECIES</p>
-
-
-<p class="drop-cap">I WROTE in the last chapter of the recognition of
-that degree of "likeness" or kinship in animals and
-plants which we point to by the word "species," and
-of the grouping of several similar species to form a
-"genus," and of several genera to form a family, of families
-to form orders, and of orders to form classes&mdash;and of the
-giving of names to all these groups. Whilst the making
-of this or that lot of species into a distinct <i>genus</i>, and
-giving it a new name is a mere matter of convenience
-for the indication of more or less important agreements
-and divergences, and is to a large extent arbitrary or an
-expression of opinion&mdash;it has always been recognized
-among naturalists that the group called "a species" is
-not a mere convention, but has a real natural limitation.
-It is true that the actual things which we see in studying
-natural history are so many units or individuals.
-But the possibility of arranging these by pattern, colour
-and shape into ultimate companies of which all the
-units are alike and differ from all the units of another
-company, has been regarded as a natural fact of
-primary importance and not a mere convention or
-convenience. The conception of the "naturalness" of
-a species depends really upon a further qualification of
-great importance as to what we naturalists understand
-by it.</p>
-
-<p>We find by rearing plants from seed and by causing
-<span class="pagenum"><a name="Page_101" id="Page_101">[Pg 101]</a></span>
-animals to breed under actual observation that the individuals
-of a species pair with one another, and not
-with individuals of other species, and further, that the
-young which they produce are like the parents&mdash;show
-themselves, in fact, to be of the same "species." The
-species continually year after year reproduces itself with
-little variation, though some variation does occur. The
-faculty of pairing only within the group, of never
-naturally breeding with members of other groups, has
-accordingly been adopted as a test of species. Hybrids
-between two species do not occur, except in very rare
-cases, in the state of nature. It is not always the case
-that the members of two species cannot possibly pair
-together, but it is the fact that they do not do so. Man
-sometimes brings about such crossing or hybridization,
-and it is a curious fact that the hybrids are often infertile
-or give rise only to weakly offspring, which could not
-survive in the natural struggle for existence. Sometimes,
-however, when the two hybridized species happen to
-come from regions of the world remote from one another,
-the resulting hybrids establish a vigorous race. There
-are real obstacles (of which I will say more below) in
-natural conditions to hybrid-breeding between any two
-species which occur naturally in the same territory. Thus
-the idea of a species is expanded so as to be not merely
-"a group of individuals of constant likeness in form and
-characteristics," but we add to that definition a living or
-constitutional quality expressed by the words, "which
-produce fertile offspring by pairing with one another, but
-do not pair with the members of other species."</p>
-
-<p>This enables us to distinguish the conception of a
-"species" from that of a "variety" or a "race." We
-find occasionally peculiarly-marked examples of a species
-of plant or animal, or even local races of peculiar
-form; but we do not regard them as "distinct species"
-<span class="pagenum"><a name="Page_102" id="Page_102">[Pg 102]</a></span>
-if we find that they breed as a rule with the ordinary
-members of the species. The decisive test is the breeding.
-If the variety is found not to breed with the regular
-species, but to keep apart and breed only with other
-individuals like itself, then we say, "This is no mere
-variety! It is a distinct species!" Unfortunately we
-have vast series of animals, insects, and others, from all
-parts of the world, collected and preserved in our
-museums, of which we know only the dead preserved
-specimens. So that we cannot be sure in doubtful
-cases whether a series of forms differing a little from
-the ordinary members of a species indicate distinct
-species, as defined and tested by breeding. We have
-in such a case to note the difference, and record it
-either as a variety or as a species by a guess at the
-probabilities one way or the other. Naturalists really
-<i>intend</i> by the word "species" to designate a form
-represented by numerous like individuals, which, in the
-present natural conditions of the region they inhabit, have
-attained a certain "stability" of distinctive form and
-character (not without some variability within definite
-limits) and constitute a more or less widely distributed
-population, the members of which inter-breed but do
-not produce offspring with other allied species.</p>
-
-<p>A good case by which to exhibit further our conception
-of a species is that afforded by the species which
-are united in the genus Equus&mdash;the horse-genus. There
-are living at the present day several wild kinds of Equus&mdash;namely,
-the wild horse, or Tarpan, of the Gobi desert of
-Mongolia, called after the Russian explorer Przewalski; two
-kinds of Asiatic wild ass, called the Kiang and the Onegar;
-the African wild ass, and two or three kinds of zebra.
-There are, besides, many kinds of domesticated horses,
-ranging from the Shetland pony to the Flemish dray horse,
-and from the Shire horse to the Arab. Then there are
-<span class="pagenum"><a name="Page_103" id="Page_103">[Pg 103]</a></span>
-many kinds of fossil extinct horses known, some of which
-clearly must be placed in the genus Equus with the
-living kinds; others which have to be separated into
-special genera (Hippidium, Onohippidium, etc.). Now,
-as to the living forms or form-kinds of the genus Equus&mdash;which
-are we to regard as true species, and which are
-only varieties and races of lower significance than species?
-The answer is clear enough in regard to several of them.
-The wild Mongolian horse and all the domesticated horses
-are varieties, races, or breeds of one species, judged not
-only by such marks as the possession of callosities on
-both the hind and the fore legs, but also by the test of
-breeding. They breed together and produce persisting
-races. But the asses and the zebras, though they will
-form mules with the horse, do not in a state of nature
-freely breed with it. When an ass or zebra is mated by
-man with the horse it will produce hybrids, called "Mules,"
-but will not in "a state of nature" <i>establish</i> a hybrid race.
-The asses and the zebras are distinct from the horse, not
-only in markings and certain details of shape and hair,
-but in the fact that they cannot be fused into one race
-with him. There are no sufficient experiments on the
-aloofness of zebras and asses from one another in regard
-to breeding, although it seems that they cannot establish
-a mixed race, and are, therefore, distinct species judged
-by that test as well as by their form and marking. It
-is not known whether the so-called species of wild ass&mdash;the
-Asiatic and the African&mdash;would prove to produce
-fertile or infertile mules if intercrossed, nor has the test
-been applied to the very differently-marked local races
-of the African zebras&mdash;Grevy's zebra, Burchell's zebra,
-and the mountain zebra. It is likely enough that the
-three or more "species" distinguished among zebras on
-account of their being differently striped, and existing
-in different localities, would be found to breed freely
-<span class="pagenum"><a name="Page_104" id="Page_104">[Pg 104]</a></span>
-together, and prove themselves thus to be entitled to
-be regarded as local "varieties" or "races," but not as
-fully-separated true species.</p>
-
-<p>Thus one sees how difficult it is to have knowledge
-of the breeding test, even in regard to large animals.
-It is obvious that the difficulty of obtaining it in
-regard to the thousands of kinds of minute creatures
-is much greater. Yet when they say, "This is a distinct
-species," naturalists do mean that it is not only marked
-off from other animals or plants most like to it by a
-certain shape, colour, or other quality or qualities, but
-that it breeds apart with its own kind and does not
-naturally hybridize with those other forms most like
-to it.</p>
-
-<p>Although the kind of naturalist called a "systematist"
-who makes it his business to accurately describe and
-record and distinguish from one another all the existing
-species of some one group&mdash;say, of antelopes, of mice,
-of flowering plants, of fishes, or of fleas&mdash;has only a
-knowledge in a few instances of the breeding of the
-organisms which he describes as "distinct species," he yet
-does know, in regard to some one or more of his species
-in most groups, the facts of pairing and reproduction, and
-what are the limits of variation in the markings and other
-characteristics of at least one or two species definitely
-submitted to the "breeding test," that is to say, ascertained
-to be "true physiological species," kept apart by deep-seated
-chemical differences in their blood and tissues.
-Hence it is legitimate for him, by careful balancing and
-consideration of all the facts, to determine&mdash;not absolutely,
-but by analogy&mdash;the value to be assigned (whether as
-indicating true species or merely varieties capable of
-pairing with the main stock) to points of difference among
-the specimens of a dead collection brought from some
-distant land or from some position in which it would be
-<span class="pagenum"><a name="Page_105" id="Page_105">[Pg 105]</a></span>
-impossible to make observations with regard to "pairing"
-and "breeding true."</p>
-
-<p>Some 400 species of fleas have been described, and
-we are certain as to the value of the characters relied on
-to distinguish those species, owing to what we know of
-the breeding of some common species of fleas. The flea
-of the domestic fowl, that of the domestic pigeon, that
-from the house-martin, and that from the sand-martin&mdash;used
-to be considered as one species until they were
-carefully examined twenty years ago. In reality each of
-them has its own peculiar "marks," and they do not mix
-with one another. The nests of the sand-martin yield
-only one species of flea, namely that peculiar to the
-sand-martin. The hen-house, the dove-cote, and the
-nests of the house-martin yield each their flea maggots,
-which can be reared and become in each case a
-distinct species with definite recognizable "characters."
-On the other hand, the flea of the rabbit gives an
-opportunity of studying the limits of variation in a
-"good" species. Rabbit warrens swarm with the rabbit
-flea, and often a great number are found on one
-rabbit, the individual fleas "varying"&mdash;"differing" from
-one another to a slight extent. The "systematist" thus
-gets to know what organs are variable within the limits
-of an undoubted physiological species of flea, and what
-are comparatively constant&mdash;so that he can form a
-reasonable opinion about the claim of other specimens
-which he may receive without full history of their habits,
-to be regarded as true distinct species.</p>
-
-<p>The fact that most important chemical differences of the
-blood and digestive juices often accompany the small external
-differences which enable us to distinguish one species
-of animal or plant from another, makes it obvious that
-the knowledge of species is a very valuable and necessary
-thing. One species of flea, the Pulex Cheopis, habitually
-<span class="pagenum"><a name="Page_106" id="Page_106">[Pg 106]</a></span>
-carries the plague bacillus from animals to man, and is
-a cause of death; other species, extremely like it in appearance,
-but distinguishable by a trained observer, do not
-carry the plague bacillus, but if they swallow it, destroy it
-by digestion. One species of gnat, the common grey gnat,
-digests and destroys malaria germs when it sucks them up
-with blood; in an allied species, the spot-winged gnat or
-Anopheles, the chemical juices of the gut allow the germ to
-live in it and multiply, and so to be carried to men by the
-gnat's bite. So with many other flies and parasites the
-recognition of the dangerous species is of vital importance,
-and that recognition often depends on minute features of
-form and colour not at once obvious to an ordinary
-observer.</p>
-
-<p>But this recognition of distinct species is, from the
-point of view of the study of Nature, only a preliminary
-to the question, "How did these species come about?
-How is it that there are so many species, some very like
-one another, forming genera, and these genera grouped
-into related families, these into larger groups, and so on,
-like the branches of a family tree?" The answer to these
-questions given by Linnæus was: "There are just so
-many species as the Infinite Being created at the beginning
-of things, and they have continued to propagate themselves
-unchanged ever since." The answer which we give to-day
-is that the appearance of a huge family tree which our
-classification of animals takes is due to the simple fact
-that it really is neither more nor less than a family tree
-or pedigree&mdash;the "tree of life," of which the green leaves
-and buds are the existing species. Further, we hold that
-the existing species of a genus have "come into existence"
-by natural birth from one ancestral species, its offspring
-having slightly varied (we are all familiar with this
-individual variation in our own species, in dogs, cats, trees,
-and shrubs), and that the varieties have wandered apart
-<span class="pagenum"><a name="Page_107" id="Page_107">[Pg 107]</a></span>
-and become continuously emphasized and selected for
-survival by their fitness or suitability to the changed
-conditions around each of them. Meanwhile a natural
-destruction, or failure of intermediate forms to survive,
-has gone on.</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_108" id="Page_108">[Pg 108]</a></span></p>
-
-
-
-
-<div class="chapter p4">
- <h2><a name="CHAPTER_IX" id="CHAPTER_IX"></a>CHAPTER IX</h2>
-</div>
-
-<p class="ac noindent">SPECIES IN THE MAKING</p>
-
-
-<p class="drop-cap">A SERIES of important conceptions are implied in
-the word "species," as used by naturalists. Some
-of these we have noted in the last chapter. There
-is first, as a starting-point, the conception that a species
-is a number or company of individuals, all closely and
-clearly alike (though presenting some minor individual
-variations), and capable of sharp separation by certain
-"characters" from other similar groups or companies.
-Then follows the addition (2) that the species is constant
-if the conditions of life are not changed, or but little
-changed, and that year after year it reproduces itself
-without change. It has a certain stability (but not
-permanent immutability) greater in some species than in
-others. Next we find (3) that the species constitutes a
-group of individuals which have descended by natural
-breeding from common parents, not differing greatly from
-the present individuals. They are, in fact, one "stock."
-Then (4) that the species is a group, the individuals of
-which pair with one another in breeding, but do not pair
-with the individuals of another species, and that this is
-due to various peculiar and inherent chemical, physiological
-and (in higher animals) psychological characteristics
-of the species.</p>
-
-<p>We have now further to note that species have their
-special geographical <i>centres of origin</i> from which most
-spread only a small distance, whilst others have a
-<span class="pagenum"><a name="Page_109" id="Page_109">[Pg 109]</a></span>
-wonderful power of dispersal, and have become cosmopolitan.
-Moreover, we find that some species are
-numerically very abundant, others very rare; that rare
-and abundant species have often invaded each other's
-territory, and exist side by side.</p>
-
-<p>Whilst we often find a number of species, fifty or more,
-so much alike that we unite them in a single genus (as,
-for instance, in the case of the cats, lions, tigers, leopards,
-which form the genus "Felis," and the hundred or more
-species of the hedge brambles or blackberries, which form
-the genus "Rubus"), there are many species which to-day
-have, as it were, lost all their relatives and stand alone, the
-solitary species in a well-marked genus, or have perhaps
-only one other living co-species. And sometimes (curiously
-enough) that one co-species is an inhabitant of a region
-very remote from that inhabited by the other. Thus the
-two living mammals called tapirs (genus Tapirus) inhabit,
-the one the Malay region, and the other Central America.
-This is explained by the fact that tapirs formerly existed
-all over the land-surfaces of North Europe, North Asia,
-and North America, which connect these widely-separate
-spots. We find the bones and teeth of the extinct tapirs
-embedded in the Tertiary deposits of the connecting
-regions.</p>
-
-<p>Once we have gained the fundamental conceptions
-as to what is meant by a "species," we are able
-intelligently to consider innumerable facts of the most
-diverse kind as to their peculiar structure and colours,
-their number, localities, their interaction and dependence
-on other living things, their modifications for special
-modes of life, their isolation or their ubiquity. We can
-discuss their genetic relations to one another, and to
-extinct fossil species, which have all been to a very large
-extent "accounted for" or "explained" by Mr. Darwin's
-theory of the origin of species by the natural selection
-<span class="pagenum"><a name="Page_110" id="Page_110">[Pg 110]</a></span>
-of favoured races in the struggle for existence. But
-there is always more to be made out&mdash;difficulties to be
-removed, new instances to be studied. The classification
-of the genera of plants and animals, with their included
-species into larger groups, helps us to state and to
-remember their actual build and structure, and to survey,
-as it were, the living world, from the animalcule to the
-man, or from the microbe to the magnolia tree. Every one
-interested in natural history should carry in his mind as
-complete a scheme of the classification of animals and
-plants as possible.</p>
-
-<p>The older naturalists held that species were suddenly
-"created" as they exist, and have propagated their like
-ever since. Darwin has taught us that the present
-"species" have developed by a slow process of transformation
-from preceding species, and these from other predecessors,
-and so on to the remotest geologic ages and
-the dawn of life. The agents at work have been "variation"&mdash;that
-is to say, the response to the never-ceasing variation
-of the surrounding world or environment&mdash;and the survival
-in the struggle for existence of the fittest varieties so
-produced.</p>
-
-<p>There is nothing surprising or extraordinary in the
-existence of variation. The conditions of life and growth
-are never absolutely identical in two individuals, and the
-wonder is not that species vary, but that they vary so
-little. The living substance of animals and plants is an
-extremely complex chemical substance, ever decomposing
-and ever being renewed. It is the most "labile" as it is
-by far the most elaborately built-up chemical body which
-chemists have ever ventured to imagine. It differs,
-chemically, not only in every species but in every individual
-and is incessantly acted upon&mdash;influenced as we may say&mdash;by
-the ever-changing physical and chemical conditions
-around it. At the same time it has, subject to the
-<span class="pagenum"><a name="Page_111" id="Page_111">[Pg 111]</a></span>
-permanence of essential conditions, a definite stability
-and limitation to its change or variation in response to
-variations of its environment. That part of the living
-substance which in all but the lowest plants and animals
-is set aside during growth to form the eggs and sperms
-by which they multiply or "reproduce" themselves, is
-called the "germ-plasm," and is peculiarly sensitive to
-variations in (that is a <i>change</i> in) the environment of the
-plant or animal.</p>
-
-<p>New conditions of life (locality and climate)&mdash;unusual
-food or reproductive activity&mdash;act often in a powerful way
-upon the germ-plasm and cause it to vary&mdash;that is to say,
-they alter some of its qualities, though not necessarily disturbing
-in any way the general living substance of the
-organism so far as to produce any important change perceptible
-to the human eye. In consequence, the young produced
-after such disturbance of the germ-plasm are found
-to differ more from their parents than in cases where no
-such disturbance has been set up by the natural never-ceasing
-variation of the surrounding world. This fact is
-well known to horticulturists and breeders, and is made
-use of by them. When a gardener wishes to obtain variations
-of a plant from which to select and establish a new
-breed, he deliberately sets to work to disturb&mdash;to shake
-up, to act upon in a tentative, experimental way&mdash;the
-germ-plasm of one or more parent plants by change of
-soil, climate, food and often by cross-fertilizing them with
-another breed or variety. In this way he to some extent
-"breaks" the constitutional stability of the germ-plasm of
-the plant and obtains abundant "variations" in the offspring.
-These are not precisely foreseen, and show
-themselves in all parts of the new generation. But some
-of them are what the gardener wants, and are "selected"
-by him for retention, rearing and breeding.</p>
-
-<p>The response of the germ-plasm of organisms to the
-<span class="pagenum"><a name="Page_112" id="Page_112">[Pg 112]</a></span>
-stimulus of new environmental conditions has been compared
-to that of the well-known pattern-producing toy&mdash;the
-kaleidoscope. The bits of glass, beads and silk which
-you see in a kaleidoscope, forming by reflection in its
-mirrors a beautiful and definite pattern, are changed
-by a simple vibration caused by tapping the instrument
-into a very different pattern, the coloured fragments
-being displaced and rearranged. The apparent change
-or variation is very great though produced by slight
-mechanical disturbance, and the new pattern is altogether
-without any special significance&mdash;the fortuitous outcome
-of a small displacement of the constituent coloured
-fragments. We can imagine that similarly slight disturbances
-of the organic molecules of the germ-plasm
-may produce considerable and important variations in it
-and the new growth to which it gives rise: and, further,
-that these variations may prove to be either (1) injurious,
-or (2) of life-saving value, or often enough (3) of no consequence
-whatever although bulking largely in our human
-eyes and thereby misleading our judgment of them.</p>
-
-<p>There is no reason to doubt that the same sequence of
-events occurs in nature apart from man's interference.
-Changes occur in the earth's surface, or the organism is
-transported by currents of water or air into new conditions.
-The germ-plasm is "disturbed," "shaken" or
-"shocked" by those new conditions, and a variation, in
-several structures and qualities of the offspring subsequently
-produced, follows. Then also follows the selection
-of one of the new varieties by survival of the fitter to
-the new conditions into which the organism has been
-transported or have developed in the region where it was
-previously established.</p>
-
-<p>This process of germ-variation is obviously as necessary
-and constant a feature of the living organism as is the
-variation in the contour of land and sea and in the extent
-<span class="pagenum"><a name="Page_113" id="Page_113">[Pg 113]</a></span>
-of the polar ice-cap&mdash;a necessary feature of the physical
-conditions of the terrestrial globe. But it is the fashion
-with a certain school of writers nowadays to declare
-that "variation" in organisms is a "mystery" unsolved.
-Another very common and almost universal error is to
-overlook the fact that variation is constitutional and
-affects whole systems of organs and their deeply related
-parts, and is <i>not</i>, as it is so frequently and erroneously
-assumed to be, a mere local affair of patches and scraps
-visible on this or that part of the surface of an animal or
-plant. These superficial "marks," readily seen and noted
-by the collector, are rarely of any life-saving importance:
-they are but the outward and visible signs of deep-lying
-physiological or constitutional change or variation. The
-varying organism has, like Hamlet, "that within which
-passeth show" and the superficial variations (like his
-"inky cloak" and other customary features of mourning)
-are but "the trappings and the suits" of a deep-lying
-change. Variation is not an inexplicable mystery, nor,
-on the other hand, are "varieties" sufficiently dealt with
-and their nature appreciated when one or two surface
-peculiarities are enumerated by which the collector can
-recognize them. A deeper study of the varying organism
-is both possible and needed.</p>
-
-<p>If the gradual formation of new species from ancestral
-species is a true account of the matter, we must expect to
-find, at any rate here and there, if not frequently, traces of
-the process&mdash;for instance, gradations, or series of intermediate
-forms, connecting new, well-established species
-with the ancestral form or with one another. We do find
-such gradations&mdash;sometimes more, sometimes less, completely
-persisting over a wide tract of country, or discoverable
-in the fossiliferous deposits containing the remains of
-extinct animals.</p>
-
-<p>For instance, when we look at the butterflies of a much
-<span class="pagenum"><a name="Page_114" id="Page_114">[Pg 114]</a></span>
-larger region than our little island&mdash;namely, at those of a
-great continent like Africa or South America&mdash;we find that
-there are species which show gradations. Thus at a series
-of points, A, B, C, D, separated by some hundreds of miles
-from each other, we find a corresponding series of butterflies
-which are apparently closely similar species of one genus,
-differing by a few spots of colour, or darker and lighter
-tint, much as our Large White, Garden White, and Green-veined
-White differ. But when the butterflies are caught
-which occur at points intermediate between A and B, B and
-C, C and D, we find intermediate varieties, and, in fact, if
-we get a very large number from intermediate regions, we
-can, in some instances, arrange them in line so that they
-constitute a graduated series of forms, each being scarcely
-distinguishable from the one before or the one behind it,
-yet differing clearly from one a dozen places away. In
-such cases there is often evidence to show that the variety
-found at A breeds with that found at B, that of B with
-that of C, of C with D, so that they form an inter-breeding
-group, though perhaps the varieties at D will not pair with
-those at A, or even with those at B. Then sometimes we
-find in such a series, otherwise complete, a gap. Let us
-suppose it is between the butterflies of B and C. We
-find the series of gradations nearly complete, but some
-natural condition&mdash;such as the encroachment of the sea,
-or the slow elevation of a mountain range, or the climatic
-destruction of the necessary food-plant&mdash;has "wiped out"
-a few forms somewhere between those of B and C. They
-no longer exist. The series is no longer connected by
-inter-breeding forms; those occurring from A to B and
-some distance beyond are one "species" varying in the
-direction of the series C to D, but abruptly broken off
-from the latter. The series C to D is also a "species"
-with graduated varieties, but distinct; it is cut off from the
-lot once in continuity with it by the destruction of the
-<span class="pagenum"><a name="Page_115" id="Page_115">[Pg 115]</a></span>
-intermediate forms inhabiting an intermediate area. Thus
-the one species becomes two, and these may again break
-up, and, having become thus disconnected and stabilized,
-they may spread over one another's territory&mdash;fly side by
-side and yet remain distinct forms which do not pair
-together&mdash;although originally they were varieties spreading
-from a common centre, where the ancestral species
-lived and multiplied.</p>
-
-<p>Other similar gradational series of an interesting
-character have been noticed in the case of fresh-water
-fossil snail-shells. In the layers of clay and marl exposed
-by digging a railway cutting or a pit we may find that the
-successive layers represent a continuous deposit of 100,000
-years or more, and we find sometimes that a form of
-snail-shell (not a species living to-day) occurs in the
-lowest stratum very different from that occurring in the
-highest stratum&mdash;the lowest being short and spherical,
-the highest elongated and of differing texture. In
-the intermediate layers, each 6 or 12 ins. thick and
-occupying perhaps altogether 30 ft. of vertical thickness,
-we find a graduated series of snail-shells leading
-almost imperceptibly from the oldest lowest form to the
-latest uppermost form. Such cases are known. But it
-is an exceptional thing to find these graduated series
-either spread over an area of the earth's surface, or
-following one another in successive strata. When they
-came into existence they were rapidly superseded and
-destroyed as a rule, and have left only one or two widely-separated
-examples of the intermediate forms. This we
-should naturally expect by analogy from what we know
-of the successive traces of human manufactures in the
-deposits on the site of some of the great cities of the
-ancient world which have been carefully excavated layer
-by layer. But still we have the important fact that here
-and there such gradational series have been found, and
-<span class="pagenum"><a name="Page_116" id="Page_116">[Pg 116]</a></span>
-we are justified in considering a few isolated intermediate
-forms (which often occur connecting two greatly-differing
-species) as survivors of a former complete graduated
-series of intermediate forms, which came into existence
-by slow modification of an ancestral stock, and may, when
-the stock was widely spread over a continental area, not
-merely have succeeded one another in time, but actually
-coexisted in neighbouring regions.</p>
-
-<p>There are many remarkable facts bearing upon the
-origin of "species," the description of which fills volumes
-written by such men as Darwin, Wallace, Poulton, and
-others, and become interesting to every one who has
-gained a correct notion of what naturalists mean by a
-"species." I will cite one in order to illustrate this. The
-bird which we call the red grouse, or nowadays simply
-"grouse" (the old Scotch name for it was "muir-fowl"), is
-one of twenty-four birds (among the 400 species of birds
-which live in the British Islands), including several kinds of
-titmouse, the goldfinch, bullfinch, song-thrush, stonechat,
-jay, dipper, and others which are very closely similar to
-species of birds living in Continental Europe, yet show
-some definite and constant marks, such as small differences
-in the colour of a group of feathers, enabling us to distinguish
-the British from the Continental forms. Are these
-twenty-four British forms to be regarded as distinct species?</p>
-
-<p>The red grouse is placed in a genus called "Lagopus,"
-of which there are several species in the northern hemisphere.
-In Scotland the red grouse, which is distinguished
-as Lagopus Scoticus, is accompanied by a rarer species
-of Lagopus, which lives in high, bare regions. This is
-the bird called by the Celtic name "ptarmigan"; it
-differs in several points from the red grouse, and acquires
-white plumage in the winter, which the latter bird does
-not; it is called Lagopus mutus. Now in Norway we
-find also two species of grouse or Lagopus, called "rypé"
-<span class="pagenum"><a name="Page_117" id="Page_117">[Pg 117]</a></span>
-(pronounced "reeper") by the Norwegians. One is the
-same bird in every respect as the Scotch ptarmigan, and
-is known as "the mountain rypé." The other is very
-close to our red grouse, and is called "the common or
-bush rypé," and by English naturalists the "willow
-grouse," and by ornithologists "Lagopus salicetus." It
-agrees in habits, voice, eggs, and anatomical detail with
-our red grouse, but the back of the cock-bird of the red
-grouse and the whole plumage of the hen-bird have a
-darker colour. Moreover, the willow grouse, like the
-ptarmigan or mountain rypé, turns white&mdash;acquires a
-white plumage&mdash;in the winter which the red grouse does
-not. Are the red grouse and the willow grouse to be
-regarded as distinct species? Our British red grouse
-lives on heather-grown moors; the willow grouse prefers
-the shrubby growths of berry-bearing plants interspersed
-with willows, whence its name. Their food differs accordingly.
-Formerly the red grouse lived on the moors of
-the South of England, and when in Pleistocene times
-England was a part of the Continent of Europe the
-willow grouse and the red grouse were one undivided
-species inhabiting all the north-west of Europe. It is
-probable, though the experiment would be almost impossible
-to carry out, that were the eggs of a number of
-willow grouse now brought to Scotland and hatched on
-the moors, they would tend to keep apart from the
-native red grouse, and not inter-breed with them, in which
-case we should say that the Scotch form is a "species on
-the make," or, even, a completed and distinct species. On
-the other hand, it is possible that the two forms would
-freely pair with another, and that the colour and winter
-coat of the one (probably that of the Scotch form if the
-experiment were tried in Scotland) would predominate,
-and after some generations no trace of the other strain
-would be observable.</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_118" id="Page_118">[Pg 118]</a></span></p>
-
-
-
-
-<div class="chapter p4">
- <h2><a name="CHAPTER_X" id="CHAPTER_X"></a>CHAPTER X</h2>
-</div>
-
-<p class="ac noindent">SOME SPECIFIC CHARACTERS</p>
-
-
-<p class="drop-cap">AN interesting case, showing that qualities which
-are life-preserving under certain severe conditions
-exist in some varieties of a species and not in
-others, was recorded some eight years ago. After a very
-severe "blizzard" 136 common sparrows were found benumbed
-on the ground by Professor Bumpus at Providence,
-United States. They were brought into a warm room
-and laid on the floor. After a short time seventy-two
-revived and sixty-four perished. They were compared to
-see if the survivors were distinguished by any measurable
-character from those which died. It was found that the
-survivors were smaller birds (the sexes and young birds
-being separately compared) than those which died, and
-were lighter in weight by one-twenty-fifth than the latter.
-Also, the birds which survived had a decidedly longer
-breastbone than those which died.</p>
-
-<p>Similarly, the late Professor Weldon found that in the
-young of the common shore-crab, taken in certain parts
-of Plymouth harbour, those with a little peculiarity in the
-shape of the front of the shell survived when those without
-this peculiarity died. Many thousands were collected
-and measured in this experiment. It is not necessary
-to suppose that the distinguishing mark of the survivors
-in such cases is "the cause" of their survival. Such marks
-as the breadth of the front part of the crab's shell and the
-length of a bird's breastbone very probably are but "the
-<span class="pagenum"><a name="Page_119" id="Page_119">[Pg 119]</a></span>
-outward and visible signs of an inward and (physiological)
-grace."</p>
-
-<p>The marks, little peculiarities of colour and proportionate
-size, or some peculiar knob or horn, by which the
-student of species distinguishes one constant form from
-another, can rarely, if ever, be shown to have in themselves
-an active value in aiding or saving the life of the
-species of plant or animal. The mark or "character" is
-an accompaniment of a chemical, nutritional, physiological
-condition, and is in itself of no account. It is what is
-called "a correlated character." Such, for instance, is the
-black colour of the skin of pigs which in Virginia, U.S., are
-found, as stated by Darwin, not to be poisoned by a marsh
-plant ("the paint-root," Lachnanthes tinctoria), whilst all
-other coloured and colourless pigs are. The pigs which
-are not black develop a disease of their hoofs which rot
-and fall off, causing their death when they eat this special
-plant "the paint-root." The colour does not save the pig&mdash;it
-cannot correctly be called the <i>cause</i> of the pig's
-survival&mdash;but is an accompaniment of the physiological
-quality which enables the pig to resist the poisonous herb.
-So, too, with white-spotted animals. They are known to
-breeders as being liable to diseases from which others
-are free. Fantail pigeons have extra vertebræ in their
-tails, and pouter pigeons have their vertebræ increased
-in number and size. But the vertebræ were never thought
-of and "selected" by the breeders. They only wanted a
-fanlike set of tail feathers in the one case, and a longer
-body in the other. Some varieties of feathering maintained
-by pigeon breeders lead to the growth of abundant
-feathers on the legs (as in Cochin-China fowls), and it is
-found that these feather-legged pigeons always have the
-two outer toes connected by a web of skin. If it were a
-stabilized wild form we should separate it as a species on
-account of its webbed toes, yet the real selection and
-<span class="pagenum"><a name="Page_120" id="Page_120">[Pg 120]</a></span>
-survival in the hands of the breeder had nothing to do
-with the toes or their web, but was simply "caused" by
-these pigeons having feathers of "survival or selection
-value" in his judgment. Male white cats with blue eyes
-are deaf. If deafness were ever an advantage (a difficult
-thing to imagine), you would get a species of cat with
-white hair and blue eyes, and be led to distinguish the
-species by those characters, not by the real cause of
-survival, namely, deafness. Not enough is yet known of
-this curious and very important subject of correlation,
-but its bearing on the significance of "specific characters"
-is sufficiently indicated by what I have said.</p>
-
-<p>An interesting group of species, three of which are to
-be purchased alive through London fishmongers, are the
-European crayfishes, not to be confused with the rock-lobster
-or Langouste (Palinurus), sometimes called "crawfish"
-in London, nor with the Dublin prawn (Nephrops).
-The little river crayfishes are like small lobsters, and
-were placed by older naturalists in one genus with the
-lobsters. Now we keep the European species of crayfishes
-as the genus Astacus, and the common lobster and the
-American lobster have been put (by H. Milne-Edwards) into
-a separate genus (Homarus). You can buy in London the
-"écrevisses à pattes rouges" of French and German rivers,
-which is called Astacus fluviatilis, and differs from that of
-the Thames and other English and European rivers
-(which you can also buy) called A. pallipes ("pattes
-blanches" of the French), by the bright orange-red tips
-of its legs, and by having the side teeth of the horn or
-beak at the front of the head larger and more distinct.
-The English crayfish grows to be nearly as large as the
-"pattes rouges" in the Avon at Salisbury, though it has
-nearly disappeared about Oxford. You can also sometimes
-buy in London the big, long-clawed Astacus leptodactylus
-of East Europe. There are two or three other species,
-<span class="pagenum"><a name="Page_121" id="Page_121">[Pg 121]</a></span>
-named and distinguished, which do not come into the
-London market.</p>
-
-<p>Crayfishes, lobsters and the like have groups of plume-like
-gills (corresponding in the most ancient forms to the
-number of the legs and jaw-legs) overhung and hidden by
-the sides of the great shield or "head" of the animal.
-The common lobsters and crayfishes retain most of these
-in full size and activity, but have lost in the course of
-geologic ages the original complete number. These
-plume-like gills&mdash;each half an inch or so in length&mdash;are
-attached, some to the bases of the legs and some
-to the sides of the body above the legs. In the
-ancestral form there were thirty-two plumes on each
-side, twenty-four attached to the bases of the legs,
-and eight placed each at some distance above the connection
-of one of the eight legs with the side of the body.
-It is those on the side of the body which have suffered
-most diminution in the course of the development of
-modern crayfishes (and lobsters) from the ancestral form
-provided with the full equipment of thirty-two gill-plumes
-on each side. In fact, only one <i>well-grown</i> gill-plume, out
-of the eight which should exist on each side of the body-wall,
-is to be found&mdash;and that is the one placed above the
-insertion of the hindermost or eighth of the eight legs
-(eight when we reckon the three jaw-legs as "legs" as
-well as the five walking-legs). In front of this the side or
-wall of the body is bare of gill-plumes though they are
-present in full size on the basal part of most of the legs.
-Nevertheless, when one examines carefully with a lens
-the bare side of the body overhung by the head-shield or
-"carapace," one finds in a specimen of the common
-English "pale-footed crayfish" a very minute gill-plume
-high above the articulation of the seventh leg and another
-above the articulation of the sixth leg. They are small
-dwindled things, as though on the way to extinction, and
-<span class="pagenum"><a name="Page_122" id="Page_122">[Pg 122]</a></span>
-are the mere vestiges of what were once well-grown gill-plumes,
-and still are so in the rock lobster and some
-prawns. In the red-footed crayfish of the Continent
-(Astacus fluviatilis) yet another minute vestige of a gill-plume
-is found, farther in front, on the body-wall above
-the fifth leg on each side of the animal. This furnishes
-a definite mark or character by which we can distinguish
-the red-footed crayfish from the common English pale-footed
-one. But these three rudimentary gill-plumes in
-the red-foot species, and two in the pale-foot species are
-all that until lately were recorded. The region of the
-body-wall above the fourth, third, second, and first of the
-legs was declared to be devoid even of a vestige of the
-branchial plumes which were there in ancestral forms, and
-have been retained more or less in some exceptional
-prawn-like creatures allied to the crayfish.</p>
-
-<p>Zoologists take a special interest in the crayfish
-because it is found to be a most convenient type for the
-purpose of teaching the principles of zoology to young
-students, and with that end in view was made the subject
-of a very beautiful little book by the great teacher
-Huxley. The conclusions above stated in regard to the
-gills are set forth in that book with admirable illustrative
-drawings, and the striking fact of the dwindling and
-suppression of the various gill-plumes is clearly explained.</p>
-
-<div class="figcenter"><a name="i_33.jpg" id="i_33.jpg"></a>
- <img src="images/i_33.jpg" width="425" height="600"
- alt="" />
- <div class="caption"><span class="sc">Fig. 33.</span>&mdash;The rudimentary
- gill-plume of a crayfish from that part of the body-wall to which the first pair of
- jaw-legs (maxillipedes) is articulated. Found in the red-footed crayfish (Astacus
- fluviatilis) but in no other species of Astacus. It is one-fifteenth of an inch long.
- Drawn by Miss Margery Moseley in 1904. ("Quart. Journal of Microscopical
- Science," vol. 26 (1904-5).)</div>
-</div>
-
-<p>And now we come to an interesting discovery in this
-matter of the gill-plumes of crayfishes. Some fifteen years
-ago the daughter of my friend and colleague&mdash;Professor
-Moseley&mdash;was a member of the class of Elementary Biology
-at Oxford. She had to examine and identify these and
-other points in the structure of the crayfish. The class
-was supplied with specimens of the French red-footed
-crayfish "Astacus fluviatilis," as it is more readily obtained
-from fishmongers than our own "pale-foot" or "Astacus
-pallipes." She found in her specimen far forward on each
-<span class="pagenum"><a name="Page_123" id="Page_123">[Pg 123]</a></span>
-side of the "head" a very minute gill far away from the
-others and previously unknown. The demonstrator in
-charge of the class refused even to look at her discovery.
-So she confirmed it by examining three other specimens&mdash;made
-drawings of the tiny
-branched gill (as shown in Fig.
-33) and their position, and sent
-them to me in London. It was
-at once clear that she had discovered
-in this much studied
-little animal a very interesting
-pair of gills (right and left)&mdash;unknown
-to Huxley and the rest
-of the zoological world. She
-proceeded to examine specimens
-of A. fluviatilis from various
-rivers of Germany and France
-and always found the new gill-plume.
-She also showed (I
-supplied her with specimens at
-the Natural History Museum)
-that it was, on the other hand,
-absent from A. leptodactylus,
-A. pallipes, and all the foreign
-species (some from Asia) which
-are known, and she published
-an illustrated account of it in
-the "Quarterly Journal of
-Microscopical Science." This
-tiny gill-plume is placed very far forward on each side
-of the body, the farthest point forward at which any
-gill-plume is found in any kind of prawn, shrimp or
-lobster, namely in the region where the first pair of jaw-legs
-is attached, so that there are three empty spaces
-between it and the rudimentary gill over the fifth pair of
-<span class="pagenum"><a name="Page_124" id="Page_124">[Pg 124]</a></span>
-legs, already known in the red-footed crayfish. It is only
-two millimetres long&mdash;about one-fifteenth of an inch!
-But its presence serves very distinctly to separate the red-footed
-crayfish, Astacus fluviatilis of French and German
-rivers, thus discovered to have four pairs of rudimentary
-gill-plumes, from the Astacus leptodactylus of the Danube
-basin and East Europe, which has only three pairs, and
-still more to emphasize the difference between it and our
-British species, the "white-foot" or Astacus pallipes,
-which has only two!</p>
-
-<p>This little history is noteworthy, firstly, because it
-shows that a young student may, to use an appropriate
-term, "wipe the eye" of an expert observer and rightly
-venerated teacher (who would have delighted in the
-little discovery had he been alive), as well as the eyes of
-tens of thousands of students and teachers (including myself)
-who have studied the red-foot crayfish year after year,
-and missed the little gill. It is also interesting as showing
-us a good sample of a specific mark or character which
-has no survival value; that is, could not advantage the
-crayfish in the struggle for life. The fact is, that this one
-particular very minute forward pair of gill-plumes is like
-the other rudimentary gills&mdash;a survival in a reduced condition
-of a pair of gill-plumes which were well-grown,
-useful plumes aerating the blood, in the prawn-like
-ancestors of all crayfishes, lobsters, shrimps, and prawns,
-and is, owing to circumstances of nutrition and growth
-which we know nothing about but can vaguely imagine,
-retained by the red-foot species of crayfish, but lost by
-all other crayfishes, lobsters, common prawns and
-shrimps, and, in fact, only retained besides by a very few
-out-of-the-way kinds of marine prawns. That is the sort
-of thing which frequently has to serve as "a specific
-character" or mark, distinguishing one "species" from
-another.</p>
-
-<p><span class="pagenum"><a name="Page_125" id="Page_125">[Pg 125]</a></span></p>
-
-<p>A more ample discussion of the origin of species is not
-within the scope of this book. But I may say that until
-recently the conception that <i>every</i> organ, part and feature
-of a plant and animal <i>must</i> be explained, and can <i>only</i> be
-explained, as being of life-saving value to its possessor, and
-accordingly "selected" and preserved in the struggle for
-existence, was held by many "Darwinians" in too uncompromising
-a spirit. This conception was, really from the
-first, qualified by the admission that the life-saving value
-and consequent preservation of a structure must undoubtedly
-in some cases have been in operation in
-ancestors of the existing species, and is no longer operative
-in their descendants although they inherit the
-structure which has now become useless. Moreover, the
-operation of those subtle laws of nutrition and of form
-which are spoken of as the "correlation of parts in growth
-and in variation" (mentioned on p. 119) was pointed out
-by Darwin himself as probably accounting for many remarkable
-growths, structures and colour-marks which we
-cannot imagine to be now, or ever to have been in past
-ancestry, of a life-saving value. Nevertheless, the old
-"teleology," according to which, in pre-Darwinian days,
-it was held that every part and feature of an animal or
-plant has been specially created to fulfil a definite pre-ordained
-function or useful purpose, still influenced the
-minds of many naturalists. Natural selection and survival
-of the fittest were reconciled with the old teleological
-scheme, and it was held that we must as good Darwinians
-account for every structure and distinctive feature in
-every animal and plant as due to its life-saving value.
-Herbert Spencer's term, "the survival of the <i>fittest</i>," conduced
-to the diffusion of this extreme view: Darwin's
-equivalent term, "the preservation of <i>favoured</i> races," did
-not raise the question of greater or less fitness.</p>
-
-<p>The extreme view is now, however, giving place to the
-<span class="pagenum"><a name="Page_126" id="Page_126">[Pg 126]</a></span>
-recognition of the fact that the actual tendencies to variation&mdash;accumulated
-in the living substance of the various
-stocks or lines of descent and handed on during an
-immense succession of ages of change by hereditary
-transmission&mdash;counts for more in the production of new
-species and strange, divergent, even grotesque forms of
-both animals and plants than had been supposed.</p>
-
-<p>Undoubtedly selection or survival of the fittest mainly
-accounts for the colouring and adaptive shaping of
-living things, and so for those several great types
-of modelling which arrest the eye and have excited
-the interest of inquisitive man. But there seems to be
-no justification for the assumption that in all cases a
-variation&mdash;that is to say, an increase or a diminution
-of the volume of some existing structure in proportion
-to other coexisting structures in the body of a living
-plant or animal&mdash;must be <i>either</i> favourable, that is, conducive
-to survival, <i>or</i> injurious, that is, tending to the
-defeat and destruction of its possessors or their race. On
-the contrary, it is the fact that there are vast areas and
-conditions related to countless myriads of living creatures
-in which variations of those creatures of large and imposing
-kind and degree are neither advantageous nor disadvantageous,
-but matters of <i>absolute indifference</i>, that is
-to say, without any effect upon the preservation or survival
-of their race or stock. Nature is far more tolerant than
-some of us were inclined to assume. In certain restricted
-conditions of competition and in regard to some special
-structures and components which are often so minute and
-obscure as to be not yet detected by that recent arrival,
-the investigating biologist&mdash;though sometimes, fortunately
-for him, large enough to jump to his eyes&mdash;it is undeniable
-that there must be a "survival" or "favouring" of
-individuals presenting a variation in increase, or it may be
-decreased, of this or that special feature of its "make-up"
-<span class="pagenum"><a name="Page_127" id="Page_127">[Pg 127]</a></span>
-or structural components. But it is a more correct statement
-of the case to say that natural selection or survival
-preserves <i>not the fittest</i>, but <i>the least fit possible</i> under the
-circumstances&mdash;namely, all those which, however great
-their divagations and eccentricities of variation in other
-respects, yet at the same time attain to a minimum
-standard of qualification in those structures (or inner
-chemical qualities) essential for success in the competition
-for safety, food and mating determined by the
-particular conditions in which the competition is taking
-place. Consequently forms which are meaningless so far
-as standards of utility or "life-saving" are concerned, and
-are rightly described as grotesque, monstrous, gigantic or
-dwarfed&mdash;excessive (as compared with more familiar
-kinds) in hypertrophy or atrophy of their colouring and
-clothing, or of out-growths such as leaves of plants and
-limbs, jaws or other regions of the body of animals&mdash;are
-found existing in various degrees of eccentricity in every
-class of both plants and animals. Among animals such
-tolerated "exuberances of non-significant growth" are
-more striking than in plants. The group of fishes seems
-to be especially privileged in this way. They are freely
-variable in the position of the fins, the suppression or
-exaggeration of them, as well as of the scales on the
-surface of the body (<i>e.g.</i> leather carp and mirror carp).
-Take, for example, the mackerel and the salmon as
-standards of utilitarian adaptation of the body to an active
-life in sea or river, and then compare with theirs the
-astounding proportions of the sun-fish (Orthagoriscus) like
-a cherub "all head and no body," or the almost incredible
-Pteraclis&mdash;with its little body framed immovably
-between a huge dorsal and a huge ventral fin (see figures
-on p. 130). The fin-like crest of enormous size on the
-back of the great extinct lizard Dimetrodon of the
-Permian age supported by long bony spines is a similarly
-<span class="pagenum"><a name="Page_128" id="Page_128">[Pg 128]</a></span>
-excessive and useless outgrowth. (This astonishing
-creature is shown in our Frontispiece.) Such exuberant
-products may be ascribed to an unrestrained "momentum"
-of growth which once set going by fortuitous variation has
-been <i>tolerated</i> but not <i>favoured</i> by natural selection.
-Or (as supposed by some) their excessive development
-may be due to the <i>persistence</i> of some nutritional condition
-which at first resulted in a moderate growth of the
-fin-like crests in question as a serviceable structure, but
-has persisted and increased long after the fin or crest has
-attained a sufficient size&mdash;simply because its increase
-though of no life-saving value&mdash;yet was not harmful and
-so did not bring its owner under the guillotine of natural
-selection. Such disproportionate exuberance of growth
-due to innate variability, tolerated but not specially
-favoured by natural selection, will account for many
-strange and grotesque forms of living things. From time
-to time in the long process of change, such exuberances
-may suddenly become of service and be, so to speak,
-taken in hand by natural selection, or they may become
-dangerous and lead to the extermination of the stock in
-which they have been previously tolerated.</p>
-
-<p>Before my reader turns&mdash;as I hope he or she will do&mdash;to
-some handbook of zoology in which the genealogical
-tree or classification of the species of animals and of
-plants is treated at length, I will endeavour to give some
-estimate of the immense numbers of "species" which
-exist. As to mere individuals, it is impossible to form
-any estimate, but when we reckon up the teaming population
-of a meadow or forest in England, the hundreds of
-thousands of plants, including the smallest mosses and
-grasses, as well as the larger flowers, shrubs, and trees,
-the still greater number of insects, spiders, snails, and
-larger animals and birds, feeding on and hiding among
-them, and when we remember that in the ever-warm tropical
-<span class="pagenum"><a name="Page_129" id="Page_129">[Pg 129]</a></span>
-regions of the earth life is ten or twenty times more
-exuberant than with us,&mdash;then the immensity of the living
-population of the land and water of the globe becomes
-as difficult to realize as are the figures in which the
-astronomer tells of the number and distances of the stars.
-On the other hand, some idea of the number of distinct
-species of animals and plants which have up to this date
-been recognized and described by naturalists as at present
-existing, may be formed by a statement of those which
-have been described in some of the more familiar groups.
-About 10,000 species of mammals have been described;
-about 14,000 of birds; 7000 of reptiles; 15,000 of fishes;
-500,000 of six-legged insects; 14,000 of crustacea (shrimps,
-lobsters, crabs); 62,000 of molluscs (snails, mussels, etc.);
-15,000 of star-fishes and sea-urchins; 5000 of corals and
-polyps; 3000 of sponges; and 6000 of microscopic protozoa.
-In all about 800,000 species of animals have been
-recorded, and probably as many more remain yet to be
-recognized and described.</p>
-
-<p>The total number of described species of plants has
-never been estimated, but some idea of it may be formed
-from the fact that 1860 species of flowering plants alone
-have been distinguished in Britain, 17,000 in British India,
-and 22,000 in Brazil, not to mention those of Africa and
-Australia! These figures do not include the vast numbers
-of flowerless plants, the ferns, mosses, sea-weeds, mushrooms,
-moulds, lichens, and microscopic plants.</p>
-
-<p>And then we have to add to these enumerations of
-living species the extinct species of successive geological
-ages, the remains of which are sufficiently well preserved
-to admit of identification. Those which are known are
-only a few thousands in number, and a mere fragment of
-the vast series of species which <i>have</i> existed in successive
-past ages of the earth. They are a few samples of the predecessors
-of the existing species, and some of them were
-<span class="pagenum"><a name="Page_130" id="Page_130">[Pg 130]</a></span>
-the actual ancestors of those existing to-day. The larger
-number of them have left no direct issue, but represent side
-branches of the "tree of life" which have died out ages ago.</p>
-
-<div class="figcenter"><a name="i_33a.jpg" id="i_33a.jpg"></a>
- <img src="images/i_33a.jpg" width="471" height="600"
- alt="" />
- <div class="caption"><span class="sc">Strangely-shaped Fishes.</span>&mdash;1. The
- Coffer-fish (Ostracion); 2. Pteraclis, an oceanic fish allied to the so-called
- Dolphins; 3. The Sun-fish (Orthagoriscus); 4. An Australian Blenny Patæcus.</div>
-</div>
-
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_131" id="Page_131">[Pg 131]</a></span></p>
-
-
-
-
-<div class="chapter p4">
- <h2><a name="CHAPTER_XI" id="CHAPTER_XI"></a>CHAPTER XI</h2>
-</div>
-
-<p class="ac noindent">HYBRIDS</p>
-
-
-<p class="drop-cap">THE subject treated in this and the next chapter
-is one of the most interesting to mankind, and is
-surrounded by extraordinary prejudice, sentiment,
-and ignorance. It is one upon which really trustworthy
-information is to a very large extent absent&mdash;and difficult
-to obtain. I cannot profess to supply this deficiency, but
-I can put the matter before the reader.</p>
-
-<p>It is a well-established fact that the various "kinds"
-of animals and of plants do not breed promiscuously with
-one another. The individuals of a "species" only breed
-with other individuals of that "species." They do not even,
-as a habit, breed with the individuals of an allied species.
-So nearly universal is this rule that it was for a long
-time held by naturalists to be an absolute definition of
-"a species," that it is a group of individuals capable of
-producing fertile young by breeding with one another
-and incapable of producing fertile young by mating with
-individuals of another such group, which were, therefore,
-held to constitute a distinct species. The practical importance
-of this definition was that it could, in a large
-number of instances among animals, and still more
-amongst plants, be made use of as a test and decided
-by experiment.</p>
-
-<p>It is a curious fact that popular belief amongst
-country-folk and those who have opportunities of coming
-to a conclusion on so simple and direct a question has
-<span class="pagenum"><a name="Page_132" id="Page_132">[Pg 132]</a></span>
-never accepted this law of the limitation of species in
-breeding as more than a general rule to which it has
-always been supposed that frequent exceptions occur.
-I mention this not in order to add that "there is always
-some basis of truth in these popular beliefs," but on the
-contrary to point out that popular beliefs on such matters
-are very frequently altogether erroneous, and though
-their origin can sometimes be explained, it is rare to
-find that they are due, in however small a degree, to
-true observation and inference. Where the subject under
-consideration has the obscurity and strong fascination for
-the natural man which all that relates to the processes
-of life, growth, and reproduction possess, we find that
-traditional fancies of the most unwarrantable kind are
-current, and hold their ground with tenacity even at
-the present day. Some 250 years ago, and earlier&mdash;in
-fact, before the commencement of that definite epoch of
-"the New Philosophy" marked by the foundation of
-the Royal Society of London&mdash;any queer-looking animal
-brought from remote lands, and any misshapen monstrosity
-born of cattle, sheep, dogs, or men, was "explained,"
-and confidently regarded as a "hybrid," the
-result of a "cross" or irregular coupling of two distinct
-species of animals to which the "monster" presented
-some fanciful resemblance. Whole books were devoted
-to the description and picturing of such supposed examples
-of mis-begotten progeny.</p>
-
-<p>The belief in the existence of such extraordinary
-hybrids is still common among so-called "well-educated"
-people. I have with difficulty avoided causing annoyance
-and offence to a friend, a celebrated painter, by refusing
-to admit that a deformed cat, of which he gave me an
-account, was a hybrid between a cat and a rabbit. A very
-eminent person whom I was conducting some years ago
-round the galleries of the Natural History Museum,
-<span class="pagenum"><a name="Page_133" id="Page_133">[Pg 133]</a></span>
-declared, as we stood in front of the specimen of the
-Okapi of the Congo Forest, that it was clearly a hybrid
-between the giraffe and the zebra. He insisted that it
-was obvious that such was its explanation, and pointed
-to its striped haunches and legs, and its cloven hoofs
-and giraffe-like head. I failed to change his opinion.</p>
-
-<p>It is the fact&mdash;ascertained by careful observation of
-natural occurrences and by experiment&mdash;that, in spite
-of the almost absolute law or general truth to the effect
-that the members of a species (whether of plant or
-animal) only produce fertile offspring by mating with
-members of that same species, yet there are rare instances
-known in which individuals of two distinct but allied
-species have mated and produced fertile offspring. The
-cases in which such unions have resulted in the production
-of offspring, but in which the offspring so produced prove
-to be infertile&mdash;that is, incapable of producing offspring
-in their turn&mdash;are much more numerous. An important
-distinction has also to be made between cases of either
-fertile or infertile hybrid-production which occur spontaneously
-in nature, and those in which man by separating
-the parent animals or plants from their natural conditions
-of life, or by bringing about impregnation (as in
-"pollinating" one flower with the pollen-dust of another)
-succeeds in obtaining a "cross" or "hybrid," whether
-fertile or infertile, not known to occur in "wild" (that
-is, not humanly controlled) nature. The rarest case
-would be that of the production of fertile hybrids in
-uncontrolled natural conditions. Such possibly occur in
-the case of some fishes in which the fertilization of the
-eggs takes place in water, the fertilizing microscopic
-sperms passing from the males like dust into the water and
-thus reaching the eggs laid by the females. Occasionally
-hybrids are thus produced between some common fresh-water
-fishes&mdash;species of the same genus&mdash;and between
-<span class="pagenum"><a name="Page_134" id="Page_134">[Pg 134]</a></span>
-species of flat-fish, such as the turbot and the brill, though
-it is difficult to be sure that the rare hybrids so produced
-are fertile even if they attain to maturity. The same is
-true as to certain small flowering plants having distinct
-regions of natural distribution and occurrence. At the
-confines of the regions proper to two such allied species,
-insects passing from one to the other do sometimes effect
-a reciprocal fertilization of the two species, and a natural
-hybrid is the result. Here, again, it is difficult to follow
-the subsequent history of the hybrids, but it is believed
-that in some instances they are fertile, and that the
-hybrid race is only gradually merged by subsequent
-crossing into one or other of the parent species. Not
-a single instance is on record of the production of a
-"natural" hybrid (that is to say, one produced in natural
-conditions without man's interference), whether fertile or
-infertile, between two species of the larger animals (such
-as between horse and ass or zebra and ass, or between
-lion and tiger or any of the species of cats, or between
-species of bears) or birds (such as pheasants of various
-species, including the jungle cock, the wild original of
-our domestic fowl, or between various species of ducks,
-various species of geese, or between various species of
-the grouse-birds).</p>
-
-<p>Nevertheless, in conditions brought about by man&mdash;that
-is to say, confinement in cages or paddocks, or at
-any rate removal from their native climate and home&mdash;all
-the groups of species just cited commonly and frequently
-produce hybrids <i>inter se</i>, that is, one or more
-species of the horse group thus inter-breed with one
-another, so will certain species of cats, certain species
-of bears, many species of pheasants, also of ducks, of
-geese, and of grouse. In nearly every case the hybrids
-so produced are infertile; they will not mate with a
-similar hybrid, and even when mated with one of the
-<span class="pagenum"><a name="Page_135" id="Page_135">[Pg 135]</a></span>
-parent species rarely produce offspring, though they sometimes
-do so. The best cases of the production of fertile
-hybrids are between species of flowering plants brought
-to this country from widely separated regions. The
-surprising and instructive result has been obtained that
-a cross between two allied species (that is, of one and
-the same "genus") which will fail altogether or "come
-to nothing" as infertile hybrids&mdash;if the two species crossed
-are from the same or contiguous regions&mdash;yet will yield
-readily vigorous fertile hybrid offspring when the two
-species (always, of course, of one and the same genus)
-have their native homes in widely separate parts of the
-world&mdash;as, for instance, the Indian Himalaya range and
-the South American Andean range.</p>
-
-<p>This has been found in crossing species of rhododendrons,
-of orchids, and of many other plants with which
-horticulturists occupy themselves for commercial purposes.
-It is in some ways the reverse of what one might expect.
-It would be reasonable to suppose that allied species from
-the same climate and geographical region would have
-more affinity and be more readily hybridized than species
-from widely remote and physically differing regions. But
-the reverse is the case, many thriving hybrid stocks which
-duly fertilize and set their seed are now in cultivation,
-having been produced by the union of parent species
-from "the opposite ends of the earth."</p>
-
-<p>The consideration of this case throws some light on
-the significance of the non-occurrence of natural hybrids
-and of the very remarkable and curious fact that hybrids
-are so usually sterile. When we come to think of it, the
-natural preliminary assumption should be (as is that of
-unsophisticated humanity) that any animal or plant
-might, so far as possibilities go, breed with any other;
-and the questions to be answered are: (1) What advantage
-to a species is it not to be able to hybridize with other
-<span class="pagenum"><a name="Page_136" id="Page_136">[Pg 136]</a></span>
-species, and (2) how&mdash;that is to say, by what structure or
-by what subtle chemical differences or other features in
-their make-up and habit&mdash;are they prevented from so
-hybridizing? Then we come on further to the question,
-Why should a hybrid, once produced, fail to bear healthy
-eggs or sperms according to its sex, although it grows up
-to full size and is to all appearances mature? And why
-should hybrids between parents of origin locally remote
-from one another not show this failure, but behave like
-ordinary healthy organisms?</p>
-
-<p>In the full solution of these inquiries we should get
-very near to some of the most important secrets of the
-living body which have still to be searched out. But a
-reply to these questions which is probably in large
-measure true, and serves to help us in the further
-collection and examination of facts, is as follows: First,
-the production and maintenance of "species" of plants
-and of animals by survival of favourable variations in the
-struggle for existence (Darwin and Wallace's theory of
-the origin of species) requires the maintenance of the purity
-of the favourable stock which survives in the struggle. If
-it were continually liable to hybridization by other species
-it would never establish its own distinctive features. It
-would deteriorate by departing from those characteristics
-which have been "naturally selected" and have rendered
-it a successful "species." Thus the breeder, when he
-has selected a stock for propagation which approaches
-the standard at which he is aiming, keeps it apart, and
-does not allow it to be "crossed" by other stock. One of
-the qualities "naturally selected" in "the wild" is the
-power of resistance to fertilization by neighbouring
-species.</p>
-
-<p>This power of resistance or immunity to fertilization
-by other species may be attained by several different
-methods. Amongst these are (1) a difference in the
-<span class="pagenum"><a name="Page_137" id="Page_137">[Pg 137]</a></span>
-season of breeding or sexual ripening; (2) the production
-of secretions (whether by plant or by animal) which poison
-or paralyse the fertilizing sperms of allied and locally
-associated species, but are harmless to those of the secreting
-species; (3) the mechanical differences of size, etc.,
-which prevent the fertilizing material of a strange species
-from gaining access to the egg-cells; (4) psychical activities
-(antipathies) in the case of animals or mere attraction and
-repulsion by odoriferous substances, which serve to repel a
-strange species, but are attractive to individuals of the
-same species; (5) finally, a chemical and physiological
-incompatibility between the sperms of one species and
-the germs of another (as distinct from the attraction or
-repulsion of the entire living individual), which, even when
-all other difficulties are absent or have been overcome,
-may be, and frequently is, present, so that the spermatozoon
-cannot penetrate the egg-cell even when resting upon it,
-but may be paralysed or repelled, and in any case is not
-guided and drawn into the aperture of the egg-covering,
-called the micropyle, or "little entry," so as to fuse with
-and fertilize the egg.</p>
-
-<p>The operation of these hindrances to hybrid fertilization
-and breeding have been ascertained in several different
-instances. It is not always possible, and certainly not
-easy to ascertain, which is at work in any and every case.
-But we can well conceive that one or other of these
-agencies have been developed and accentuated by survival
-of the fittest, so as to protect a species against fertilization
-by a neighbouring species, and thus to enable it to maintain
-its own "bundle of characteristics" free from the swamping
-effects of "mixture" (that is, "hybridization") with another
-species. It is also thus intelligible that an allied species
-from a distant land against which our native species and
-its closer ancestry&mdash;struggling for purity of race&mdash;have had
-no occasion or opportunity to develop a repelling protection&mdash;will
-<span class="pagenum"><a name="Page_138" id="Page_138">[Pg 138]</a></span>
-have no such difficulty in effecting the fertilization of
-the native species as have those adjacent species against
-whose intrusions the latter is specifically moulded and
-selected by long generations of severe natural selection.</p>
-
-<p>The failure of hybrids generally to ripen their ova and
-sperm so as to reproduce themselves is a subject upon
-which, considering its enormous importance and significance,
-singularly little has been done in the way of investigation.
-Fifty years ago it was usually taught that the
-mule, between the horse and the ass, so largely produced
-under human superintendence for transport service, was
-unable to breed owing to some deformity in the reproductive
-passages. Even now no adequate study of the subject has
-been made, but it appears that whilst a female mule can
-be, and sometimes is, successfully mated to a horse or an
-ass, giving birth to a foal, the male mule does not produce
-fully-formed spermatozoa. What precisely is the nature
-of this failure, what the ultimate microscopic condition of
-the sperm cells in infertile male mules, or in any other infertile
-male hybrids, has not yet been properly worked out
-by modern cytological methods. It would be a matter of
-vast interest to determine what is the difference in the
-structure of the sperm-cells of a fertile and of an infertile
-male hybrid. At present, so far as I know, this has not
-been done.</p>
-
-<p>So far what I have written applies to hybridization&mdash;the
-inter-breeding of distinct species. A similar but by
-no means identical subject is that of the inter-breeding of
-distinct races or varieties of one species, and the production
-of "mongrels." "Mongrels" are to races what "hybrids"
-are to species. To this branch of the subject belongs the
-study of the effects of intermarriage between distinct
-races of men.</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_139" id="Page_139">[Pg 139]</a></span></p>
-
-
-
-
-<div class="chapter p4">
- <h2><a name="CHAPTER_XII" id="CHAPTER_XII"></a>CHAPTER XII</h2>
-</div>
-
-<p class="ac noindent">THE CROSS-BREEDING OF RACES</p>
-
-
-<p class="drop-cap">WE have seen that there is no simple rule as to
-the "mating" of individuals of a species with
-individuals of another closely allied but distinct
-species. Such mating very rarely comes about in natural
-conditions, but man by his interference sometimes succeeds
-in procuring "hybrids" between allied species. Hybrids
-between species belonging to groups so different as to be
-distinguished by zoologists as distinct "families" or
-"orders" are quite unknown under any circumstances.
-Such remoteness of natural character and structure as is
-indicated by the two great divisions of hoofed mammals&mdash;the
-even-toed (including sheep, cattle, deer, antelopes,
-giraffes, pigs and camels), and the odd-toed (including
-tapirs, rhinoceroses, horses, asses and zebras) is an
-absolute bar to inter-breeding. So, too, the carnivora
-(cats, dogs, bears and seals, and smaller kinds) are so
-remote in their nature from the rabbits, hares and rats&mdash;called
-"the rodents"&mdash;that no mating between members
-of the one and the other of these groups has ever been
-observed, either in nature or under artificial conditions.</p>
-
-<p>Even when individuals of closely allied species mate
-with one another it is a very rare occurrence that the
-hybrids so produced ripen their ova and sperms so as
-to be capable of carrying on the hybrid race, though
-sometimes they do ripen them and breed. The great
-naturalist Alfred Wallace, in his most valuable and
-<span class="pagenum"><a name="Page_140" id="Page_140">[Pg 140]</a></span>
-readable book called "Darwinism," expressed the opinion
-that the apparent failure of hybrid races to perpetuate
-themselves by breeding was to a large extent due to the
-small number of individuals used in experiments on this
-matter, and the in-and-in breeding which was the consequence.
-One of the great generalizations established
-by Darwin is that in-and-in breeding is, as a rule, resisted
-in all animals and plants, and leads when it occurs to a
-dying-out of the inbred race by resulting feebleness and
-infertility. A large part of Darwin's work consisted in
-demonstrating the devices existing in the natural structure
-and qualities of plants and animals for securing cross-fertilization
-among individuals of the same species but of
-different stock. Both extremes seem to be barred in
-nature&mdash;namely, the inter-breeding of stocks so diverse
-in structure and quality as to be what we call "distinct
-species," and again the inter-breeding of individuals of
-the same immediate parentage or near cousinship. What
-seems to be favoured by the natural structure and qualities
-of the plant or the animal is that it shall only breed within
-a certain group&mdash;the species&mdash;and shall within that group
-avoid constant self-fertilization or fertilization by near
-cousins. Thus we find numerous cases in which, though
-the same flower has both pollen and ovules, and might
-fertilize itself, the visits of insects (specially made use of
-by mechanisms in the flower) carry the pollen of one flower
-to the ovules of another and to flowers on separate plants
-growing at a distance. It is necessary to note that there
-are, nevertheless, self-fertilizing flowers, and also self-fertilizing
-lower animals, the special conditions of which
-require and have received careful examination and consideration,
-upon which I cannot now enter.</p>
-
-<p>In relation to the question of the possibility of establishing
-hybrids between various species experimentally, I
-must (before going on to the cognate question of
-<span class="pagenum"><a name="Page_141" id="Page_141">[Pg 141]</a></span>
-"mongrels") tell of an interesting suggestion made to
-me by my friend Professor Alphonse Milne-Edwards
-not long before he died, and never published by him. He
-was director of the Jardin des Plantes in Paris, where
-there is a menagerie of living beasts as well as a botanic
-garden and great museum collections and laboratories.
-He held it to be probable, as many physiologists would
-agree, that the fertilization of the egg of one species by
-the sperm of another, even a remotely related one, is
-ultimately prevented by a chemical incompatibility&mdash;chemical
-in the sense that the highly complex molecular
-constitution of such bodies as the anti-toxins and serums
-with which physiologists are beginning to deal is
-"chemical"&mdash;and that all the other and secondary
-obstacles to fertilization can be overcome or evaded in
-the course of experiment. He proposed to inject one
-species by "serums" extracted from the other, in such
-a way as seemed most likely to bring the chemical state
-of their reproductive elements into harmony, that is to
-say, into a condition in which they should not be actively
-antagonistic but admit of fusion and union. He proposed,
-by the exchange of living or highly organized fluids (by
-means of injection or transfusion) between a male and
-female of separate species, to assimilate the chemical
-constitution of one to that of the other, and thus possibly
-so to affect their reproductive elements that the one could
-tolerate and fertilize the other. The suggestion is not
-unreasonable, but would require a long series of experiments
-in which the possibility of producing such "assimilation,"
-even to a small extent and in respect of less
-complex processes than those ultimately aimed at, would
-have to be, first of all, established. My friend did not
-live to commence this investigation, but it is possible that
-some day we may see the obstacle to the union of ovum
-and sperm of species, which are to some extent allied,
-<span class="pagenum"><a name="Page_142" id="Page_142">[Pg 142]</a></span>
-removed in this way by transfusion or injection of
-important fluids from the one into the other.</p>
-
-<p>We must not lose sight of the fact, in the midst of
-these various and diverging observations about the
-fertilization of the ova of one species by sperms of
-another species, that there is such a thing as "parthenogenesis,"
-or virgin-birth. In some of the insects and
-lower forms of animals the egg-cell habitually and
-regularly develops and gives rise to a new individual
-without being fertilized at all. And in other cases by
-special treatment, such as rubbing with a brush, or in the
-case of marine animals by addition of certain salts to the
-water in which the eggs are floating&mdash;or, again, in the
-case of the eggs of the common frog by gently scratching
-them with a needle&mdash;the eggs which usually and regularly
-require to be penetrated by and fused with a spermatozoon
-or sperm-filament before they will develop, proceed to
-develop into complete new individuals without the action
-upon them of any spermatozoon. In such marine animals
-as the sea-urchins or sea-eggs it has been found that the
-eggs deposited in pure sea-water, though they would die
-and decompose if left there alone, can be made to develop
-and proceed on their growth by the addition to the sea-water
-of the sperm filaments of a star-fish (the feather
-star or comatula). The spermatozoa or sperm-filaments
-do not, however, in this case fuse with the egg-cells.
-They mechanically pierce the egg-coat, but contribute
-no substance to the embryo into which the egg develops.
-They have merely served, like the scratch of a needle on
-the frog's egg and the brushing of insects' eggs, to start
-the egg on its growth, to "stimulate" it and set changes
-going. It appears thus that the fertilizing sperm-filaments
-of organisms generally have two separate and very important
-influences upon the egg-cells with which they
-fuse. The one is to stimulate the egg and start the
-<span class="pagenum"><a name="Page_143" id="Page_143">[Pg 143]</a></span>
-changes of embryonic growth; the other is to contribute
-some living material from the male parent to the new
-individual arising from the growth and shaping of the
-egg-cell. The first influence can be exercised without
-the second, as is seen in the case of the eggs of some
-sea-urchins stimulated to growth by the spermatozoa of
-some star-fishes. It happens that these marine animals
-are convenient for study and experiment because their
-eggs are small and transparent and that they and the
-spermatozoa are freely passed into the sea-water at the
-breeding season, in which the fertilization of the eggs
-takes place.</p>
-
-<p>When these facts are considered we have to admit that
-in the mating of two species which will not regularly and
-naturally breed together, there may be a limited action of
-the spermatic element which may stimulate the egg to
-development without contributing by fusion in the regular
-way to the actual substance of the young so produced, or
-only contributing an amount insufficient to produce a full
-and normal development of the hybrid young. Such
-cases not improbably sometimes occur in higher animals,
-though they have not been, as yet, shown to exist except
-in the experiments with sea-urchins' eggs and feather-star's
-sperm.</p>
-
-<p>In all animals and plants, but especially in domesticated
-and cultivated stocks or strains, varieties arise which,
-by natural or artificial separation, breed apart, and give
-rise to what are called "races." Such races in natural
-conditions may become species. Species are races or
-groups of individuals, which, by long estrangement (not
-necessarily local isolation) from the parent stock and by
-adaptation to special conditions of life, have become more
-or less "stable"&mdash;that is, permanent and unchanging in
-the conditions to which they have become adapted. They
-acquire by one device or another the habit of not breeding
-<span class="pagenum"><a name="Page_144" id="Page_144">[Pg 144]</a></span>
-with the stock from which they originally diverged&mdash;a
-repugnance which may be overcome by human contrivance
-or by natural accident, but is, nevertheless, an effective
-and real quality. Distinct forms, which have not arrived
-at the stability and separation characteristic of species, are
-spoken of as "races," or "varieties." It is very generally
-the case that the "races" of one species can inter-breed
-freely with one another, and with the original stock, when
-it still exists. Comparatively little is known as to the behaviour
-of wild or naturally-produced "races." Practically
-all our views on the subject of "races" and their inter-breeding
-are derived from our observation of the immense
-number and range of "races" and "breeds" produced by
-man&mdash;as farmer, fancier, and horticulturist. It has been
-generally received as a rule, that the various races produced
-in the farm or garden by breeding from a species,
-will inter-breed freely, and produce offspring which are
-fertile. A special and important series of races, in which
-human purpose and voluntary selection necessarily have
-a leading part, are the races of man.</p>
-
-<p>The offspring of parents of two different races is called
-a mongrel, whilst the term "hybrid" has been of late
-limited, for the sake of convenience, to the offspring of
-parents of two different species. Mongrels, it has been
-generally held, are fertile&mdash;often more fertile than pure-bred
-individuals whose parents are both of the same race,
-whilst "hybrids" are contrasted with them, in being infertile.
-We have seen that infertility is not an absolute
-rule in the case of hybrids, and it appears that there is also
-a source of error in the observations which lead to the
-notion that "mongrels" are always fertile. The fact is
-that observations on this matter have nearly always been
-made with domesticated animals and plants which are, of
-course, selected and bred by man on account of their
-fertility, and thus are exceptionally characterized by
-<span class="pagenum"><a name="Page_145" id="Page_145">[Pg 145]</a></span>
-fertility, which is transmitted in an exceptional degree to
-the races or varieties which are experimentally inter-bred,
-and, consequently, may be expected to produce fertile
-mongrels. Alfred Russel Wallace insisted upon this fact,
-and pointed out that in a few cases colour varieties of a
-given species of plant have been found to be incapable of
-inter-breeding, or only produce very few "mongrels."
-This has been established in the case of two dissimilarly-coloured
-varieties of mullein. Also the red and the blue
-pimpernel (the poor man's weather-glass, Anagallis), which
-are classed by botanists as two varieties of one species,
-have been found after repeated trials to be definitely incapable
-of inter-breeding. Wallace insists in regard to
-crossing, that some degree of difference favours fertility,
-but a little more tends to infertility. We must remember
-that the fertility of both plants and animals is very easily
-upset. Changed conditions of life&mdash;such as domestication&mdash;may
-lead (we do not know why) to complete or
-nearly complete infertility; and, again, "change of air,"
-or of locality, has an extraordinary and not-as-yet-explained
-effect on fertility.</p>
-
-<div class="poetry-container">
- <div class="poetry">
- <div class="verse">"Oh, the little more and how much it is!</div>
- <div class="verse">And the little less, and what worlds away!"</div>
- </div>
-</div>
-
-<p>Infertile horses sent from their native home to a different
-climate (as, for instance, from Scotland to Newmarket)
-become fertile. A judicious crossing of varieties or races
-threatened with infertility will often lead to increased vigour
-and fertility in the new generation, just as change of locality
-will produce such a result. Physiological processes which
-are not obvious and cannot be exactly estimated or
-measured are then, we must conclude, largely connected
-with the question of sterility and fertility. Mr. Darwin
-has collected facts which go far to prove that colour (as
-in the case of the black pigs of Virginia, which I cited
-<span class="pagenum"><a name="Page_146" id="Page_146">[Pg 146]</a></span>
-in Chapter X.), instead of being a trifling and unimportant
-character, as was supposed by the older naturalists, is
-really one of great significance, often correlated with
-important constitutional differences. It is pointed out by
-Alfred Wallace that in all the recorded cases in which a
-decided infertility occurs between varieties (or races) of the
-same species of plants (such as those just cited), those
-varieties are distinguished by a difference of colour. He
-gives reasons for thinking that the correlation of colour
-with infertility which has been detected in several cases in
-plants may also extend to animals in a state of nature.
-The constant preference of animals&mdash;even mere varieties
-of dog, sheep, horses, and pigeons&mdash;for their like, has
-been well established by observation. Colour is one
-of the readiest appeals to the eye in guiding animals
-in such selection and association, and is connected with
-deep-seated constitutional qualities. "Birds of a feather
-flock together" is a popular statement confirmed by the
-careful observation of naturalists. Thus we arrive at some
-indication of features which may determine the inter-breeding,
-or the abstention from inter-breeding, of diverse
-races sprung from one original stock. The "colour
-bar" is not merely the invention of human prejudice,
-but already exists in wild plants and animals.</p>
-
-<p>We now come to the questions, the assertions, the beliefs,
-and the acts concerning the inter-breeding of human races,
-to the consideration of which I have been preparing the
-way. The dog-fancier has generally a great contempt for
-"mongrels." Breeders generally dislike accidental crosses,
-because they interfere with the purpose which the breeder
-has in view of producing animals or plants of a quality,
-form, and character which he has determined on before-hand.
-This interference with his purpose seems to be the
-explanation of beliefs and statements, to the prejudice of
-"mongrels." Really, as is well known to great breeders
-<span class="pagenum"><a name="Page_147" id="Page_147">[Pg 147]</a></span>
-and horticulturists, a determined and selective crossing of
-breeds is the very foundation of the breeder's art, and
-there is no reason to suppose that a "mongrel" is
-necessarily, or even probably, inferior in vigour or in
-qualities which are advantageous in the struggle for life in
-"natural"&mdash;that is to say, "larger"&mdash;conditions of an
-animal's or plant's life; not those limited conditions for
-which the breeder intends his products. Indeed, the very
-opposite is the case. In nature, as Mr. Darwin showed,
-there are innumerable contrivances to ensure the cross-breeding
-of allied but distinct strains. Dog-owners who
-are not exclusively bent upon possessing a dog which
-shows in a perfect way the "points" of a breed favoured
-by the fashion of the moment, or fitting it for some
-special employment, know very well that a "mongrel"
-may often exhibit finer qualities of intelligence, or endurance,
-than those exhibited by a dog of pure-bred "race."
-And the very "races" which are spoken of to-day as
-"pure-bred," or "thoroughbred," have (as is well known)
-been produced as "mongrels"&mdash;that is to say, by crossing
-or mating individuals of previously-existing distinct and
-pure breeds. The history of many such "mongrel breeds,"
-now spoken of as "thoroughbred," is well known. The
-English racehorse was gradually produced by the "mongrelizing,"
-or cross-breeding, of several breeds or races&mdash;the
-English warhorse, the Arab, the Barb. A very fine
-mongrel stock having at last been obtained, it was found,
-or, at any rate, was considered to be demonstrated, that no
-further improvement (for the purposes aimed at, namely,
-flat-racing) could be effected by introducing the blood of
-other stock. The offspring of the "mongrels" Herod,
-Matchem, and Eclipse accordingly became established as
-"the" English racehorse, and thenceforward was mated
-only within its own race or stock, and was kept pure or
-"thoroughbred." Another well-known mongrel breed
-<span class="pagenum"><a name="Page_148" id="Page_148">[Pg 148]</a></span>
-which is now kept pure, or nearly so, is that of the St.
-Bernard's dog, a blend of Newfoundland, Bloodhound,
-and English Mastiff.</p>
-
-<p>Often the word "mongrel" is limited in its use to
-signify an undesired or undesirable result of the cross-breeding
-of individuals of established races. But this is
-not quite fair to mongrels in general, since, as we have
-seen, the name really refers only to the fact they are
-crosses between two breeds. When they happen to suit
-some artificial and arbitrary requirement they are favoured,
-and made the starting-point of a new breed, and kept
-pure in their own line; but when they do not fit some
-capricious demand of the breeder they are sneered at
-and condemned, although they may be fine and capable
-animals. No doubt some mongrels between races differing
-greatly from one another, or having some peculiar mixture
-of incompatible qualities the exact nature of which we
-have not ascertained, are wanting in vigour, and cannot
-be readily established as a new breed. In nature the
-success of the mongrel depends on whether or not its
-mixture of qualities makes it fitter than others to the
-actual conditions of its life, and able to survive in the competition
-for food and place. In man's breeding operations
-with varieties of domesticated animals and "cultivated"
-plants, the survival of the mongrel depends upon its
-fitting some arbitrary standard applied by man, who
-destroys those which do not suit his fancy, and selects
-for survival and continued breeding those which do.</p>
-
-<p>What is called "miscegenation," or the inter-breeding
-of human races, must be looked at from both these points
-of view. We require to know how far, if at all, the mixed
-or mongrel offspring of a human race A with a human
-race B is really inferior to either of the original stocks A
-and B, judged by general capacity and life-preserving
-qualities in the varied conditions of the great area of the
-<span class="pagenum"><a name="Page_149" id="Page_149">[Pg 149]</a></span>
-habitable globe. And how far an arbitrary or fanciful
-standard is set up by human races, similar to that set up
-by the "fancier" or cultivator of breeds of domestic animals.
-The matter is complicated by the fact that what we loosely
-speak of as "races" of man are of very various degrees of
-consanguinity or nearness to one another in blood, that is,
-in stock or in ultimate ancestry. It is also complicated
-by the fact that we cannot place any reliance upon the
-antipathies or preferences shown by the general sentiment
-of a race in this (or other matters) as necessarily indicating
-what is beneficial for humanity in general or for the
-immediate future of any section of it. Nor have we any
-assurance that what is called "sexual selection"&mdash;the
-preference or taste in the matter of choosing a mate&mdash;is
-among human beings necessarily anything of greater importance&mdash;so
-far as the prosperity of a race or of humanity
-in general is concerned&mdash;than a mere caprice or a meaningless
-persistence of the human mind in favouring a choice
-which is habitual and traditional. I have referred to this
-point again in the last paragraph of this chapter.</p>
-
-<p>In regard to marriage between individuals of different
-European nationalities, a certain amount of unwillingness
-exists on the part of both men and women which cannot
-be ascribed to any deep-seated inborn antipathy, but is
-due to a mistrust of the unknown "foreigner," which very
-readily disappears on acquaintance, or may arise from
-dislike of the laws and customs of a foreign people.
-English, French, Dutch, Scandinavians, Germans, Russians,
-Greeks, Italians and Spaniards have no deep-rooted prejudices
-on the subject, and readily intermarry when
-circumstances bring them into association. Though the
-Jews by their present traditional practice are opposed to
-marriage with those not of their faith, there is no effective
-aversion of a racial kind to such unions, and in early
-times they have been very frequent. During the "captivity"
-<span class="pagenum"><a name="Page_150" id="Page_150">[Pg 150]</a></span>
-in Babylon and again after the "dispersal" by the Romans,
-the original Jewish race was practically swamped by
-mixture with cognate Oriental races who adopted the
-Jewish faith. So far from there being inborn prejudice
-against intermarriage of the peoples above cited, it is
-very generally admitted that such "miscegenation" leads
-frequently to the foundation of families of fine quality.
-The blend is successful, as may be seen in the number
-of prominent Englishmen who have Huguenot, German,
-Dutch, or Jewish blood in their veins.</p>
-
-<p>But when we come to the intermarriage of members
-of the white race of Europe with members of either the
-negroid (black) race or of the yellow and red mongoloid
-race, a much greater and more deeply-rooted aversion is
-found, and this is extended even to members of the
-Caucasian race who, possibly by prehistoric mixture with
-negro-like races, are very dark-skinned, as is the case
-with the Aryan population in India and Polynesia. It
-is a very difficult matter; in fact, it seems to me not
-possible in our present knowledge of the facts, to decide
-whether there is a natural inborn or congenital disinclination
-to the marriage of the white race, especially of the
-Anglo-Saxon branch of it, with "coloured" people, or
-whether the whole attitude (as I am inclined to think) is
-one of "pride of race," an attitude which can be defended
-on the highest grounds, though it may lead to erroneous
-beliefs as to the immediate evil results of such unions,
-and to an unreasonable and cruel treatment both of the
-individuals so intermarrying and of their offspring. There
-is little or no evidence of objection to mixed unions on
-the part of the coloured people with whites, no evidence
-of physical dislike to the white man or white woman,
-but, on the contrary, ready acquiescence.</p>
-
-<p>A curious aversion to marriages with whites on the
-part both of North American Indians and of negroes is,
-<span class="pagenum"><a name="Page_151" id="Page_151">[Pg 151]</a></span>
-however, recorded from time to time in the official reports
-of the United States Government.</p>
-
-<p>Two beliefs about such unions are more or less
-prevalent among white men in the regions where
-they not infrequently occur. Neither of these beliefs
-is supported by anything like conclusive evidence.
-The one is that such unions lead to the production
-of relatively infertile offspring; the mixed breed or
-stock is said to die out after a few (some seven or
-eight) generations. It is, however, the fact that the
-circumstances under which this occurs suggest that it
-is not due to a natural and necessary infertility. The
-other assertion is that the offspring of parents&mdash;one
-of white race and the other of black, yellow or brown&mdash;tend
-by some strange fatality to inherit the bad qualities
-of both races and the good qualities of neither. This is
-a case to which must be applied the saying, "Give a dog
-a bad name and hang him." The white man in North
-America, in India, and in New Zealand desires the increase
-and prosperity of his own race. Like the fancier set on
-the production of certain breeds of domesticated animals,
-he has no toleration for a "mongrel." In so far as it is true
-that miscegenation (marriage of white and coloured race)
-produces a stock which rapidly dies out&mdash;this is due to
-the adverse conditions, the opposition and hostility to
-which the mixed race is exposed by the attitude of the
-dominant white race. To the same cause is due the
-development of ignoble and possibly dangerous characteristics
-in the unfortunate offspring of these marriages
-more frequently than in those who find their natural place
-and healthy up-bringing either in the white or the coloured
-sections of the community. The "half-breed" is in some
-countries inexorably rejected by the race of his or her
-white parent and forced to take up an equivocal association
-with the coloured race.</p>
-
-<p><span class="pagenum"><a name="Page_152" id="Page_152">[Pg 152]</a></span></p>
-
-<p>That some, at any rate, of the evils attributed to
-"miscegenation" are due to the baneful influence of "pride
-of race" is evident from the fact that the Portuguese (with
-the exception of a small aristocratic class) have not since the
-early days of the fourteenth century, perhaps in consequence
-of established association with the Moorish and other
-North African races, shown that pride of race and aversion
-to mixture with dark-skinned races which is so strong a
-feature in the Anglo-Saxons, their successors and rivals
-as colonists. The long-standing admixture of black blood
-in the Portuguese population before the colonization of
-South America, has led to a toleration on the part of the
-Portuguese colonists of "miscegenation," both with Indians
-and the liberated descendants of imported negro slaves.
-The consequence is that in Brazil there is no condemnation
-of black blood; children of mixed parentage and of
-coloured race attend the same schools as those of European
-blood, and freely associate with them. There is no notion
-that that portion of the population which is of mixed
-negro, Indian, and white blood is less vigorous or fertile
-than the unmixed, nor that vice and feebleness are the
-characteristics of the former, whilst virtue and capacity
-belong to the latter.</p>
-
-<p>The determined hostility of the Anglo-Saxon race in
-North America and in British India to "miscegenation"
-is in the case of the United States to be explained by
-the peculiar relation of a large slave population in the
-Southern States to a pure white slave-owning race: whilst
-in India we have a handful of white men temporarily
-stationed as rulers of millions of "natives," but never
-accepting India as their home. The attitude of the
-Anglo-Saxon race to the North American Indians, and
-also to the Maoris of New Zealand, has never been so
-extreme in the matter of miscegenation as it has been
-to negroid people and to the very different though dark-skinned
-<span class="pagenum"><a name="Page_153" id="Page_153">[Pg 153]</a></span>
-people of the East. In support of that opinion
-may be cited the fact that some of "the first families of
-Virginia" are proud of their descent from Pocahontes,
-the Algonkian "Princess" who married the Englishman
-Rolfe. In New Zealand there are many families of mixed
-Anglo-Saxon and Maori blood. Though they are not
-ostracized, as are the half-breeds of negro blood in the
-United States, there is a firm tendency to relegate the
-half-breeds in New Zealand to the Maori section of the
-population, which it must be remembered includes some
-of the richest and most prosperous landowners in the
-colony.</p>
-
-<p>It may be questioned whether there is in this matter
-a greater "pride of race" among Anglo-Saxons than
-among other Northern European peoples. Neither the
-French nor the Germans have established great colonies
-like the English, nor undertaken the administration of
-a huge Eastern Empire, and have, therefore, not shown
-what attitude they would adopt under such circumstances.
-The tolerance and easy-going humanitarianism of the
-French in relation to "miscegenation" in their dependencies
-in past times has never had the significance or
-practical importance which it would have possessed in
-the English Colonies and in the great Indian Empire.</p>
-
-<p>There is, on account of the sporadic and exceptional
-occurrence of modern instances, no information of any
-value as to the results of mixture of other races of man.
-In early times and among more primitive or less civilized
-peoples there appears to have been, when immigration
-or conquest gave the opportunity, no obstacle to a free
-intermixture of an incoming race with the natives of an
-invaded territory. The "pride of race" has, nevertheless,
-throughout historic time been a frequent factor in the
-adjustment of populations of diverse races, and though
-"colour" has been a frequent "test" or symbol of the
-<span class="pagenum"><a name="Page_154" id="Page_154">[Pg 154]</a></span>
-superior and exclusive race, it has not been the only
-characteristic exalted to such importance. Such "pride
-of race" has frequently excluded the members of a
-closely allied but conquered racial group from intermarriage
-with the conquerors, and has only disappeared
-after centuries of persistence. The term "blue blood" is
-interesting in this connection. It is the "saing d'azure"
-of the Gothic invaders, the conquerors of the Iberian and
-Moorish people of Spain. It refers not to any "blueness"
-of the blood itself, such as distinguishes veinous from
-arterial blood, but to the blue colour of the veins as
-seen through the colourless skin of a northern race (the
-Goths), as compared with the invisibility of the veins
-when the skin is rendered more or less opaque by a
-brown pigment, as in the Moors and the swarthy Iberians.</p>
-
-<p>Among the people of Western Europe marriage has
-assumed more and more a character which is almost
-unknown in the rest of the world. Whatever the future
-may be in regard to this matter, there is no doubt
-possible that the place given to women in Western
-Europe by the ideals of chivalry and the practice of
-the northern race (which has so largely displaced the
-traditions of the Roman Empire) has established a relation
-of the sexes in which marriage and consequent parentage
-have ceased to be regarded as a mere regularization of
-animal desire and appetite. The accepted, but not always
-consciously recognized, view of marriage in Western
-Europe is that the union so sanctioned and the families
-thereby produced should be the result not of the mere
-physical necessity of irresponsible victims of an impulse
-common to all animals, but the outcome of the deliberate
-choice of man and woman attracted to one another by
-sympathy, understanding and reciprocal admiration, based
-upon knowledge of character, mental gifts and aspirations,
-as well as upon bodily charm. A rarely-expressed but
-<span class="pagenum"><a name="Page_155" id="Page_155">[Pg 155]</a></span>
-none the less deeply-seated conviction exists that from
-such unions children of the finest nature, nurtured in
-circumstances most likely to make them worthy members
-of the community, will be born and reared. It is this
-conviction which leads to, or at any rate endorses, the
-exclusiveness which is described as "pride of race." The
-Anglo-Saxon man and equally the Anglo-Saxon woman
-(as well as the allied races of neighbouring nationalities)
-recognize a responsibility, a race duty, resulting from
-accumulated tradition, the heirloom of long ages of family
-life, which causes the man to be ashamed of, and the
-woman to shrink with instinctive horror from, union with
-an individual of a remote race with whom there can be
-no real sympathy, no intimate understanding. That
-seems to me to be the explanation and the justification
-of the "colour bar."</p>
-
-<p>In relation to the probable effectiveness of sexual
-selection among uncivilized peoples in favouring and
-maintaining a particular type or form of features, hair, etc.,
-characteristic of the race, independently of the life-preserving
-value of such qualities, I may mention, before
-quitting this difficult but strangely fascinating subject,
-a fact observed by a traveller in Africa, and related to
-me by him. Other similar facts are on record. Among
-the negroes employed as "porters" by my friend, some
-thirty in number, was one who had a narrow aquiline
-nose and thin lips. He was as black and as woolly-haired
-as any of them, but would if of fair complexion
-have been regarded by Europeans as a very handsome,
-fine-featured man. Such cases are not uncommon in
-parts of Africa, where probably an unrecognized mixture
-with Arab or Hamite blood has occurred. My friend
-expected this man to be a favourite, on account of what
-to him appeared to be "good looks," with the girls of
-the villages at which he camped during a three months'
-<span class="pagenum"><a name="Page_156" id="Page_156">[Pg 156]</a></span>
-journey. At every such village, as they journeyed on,
-the travellers were received with joy and good nature.
-The negro porters were fêted and made much of by the
-young women. But one alone was unpopular and regarded
-with ridicule and dislike. This was the handsome negro
-with the fine, well-modelled nose and beautiful European
-lips. The black beauties turned their backs on him, in
-spite of his amiable character and kindly overtures. They
-invariably and by open confession preferred the men
-with the thickest lips, the broadest noses, and the most
-thoroughly (as we should say) degraded prognathous
-appearance and disgusting expression. Hence no doubt
-the young negresses were likely to perpetuate in their
-offspring the features which are characteristic of their
-race, and hence it is probable that mere capricious sexual
-selection of individuals most completely conforming to
-a preferred type&mdash;irrespective of the value of the features
-preferred&mdash;may have great effect in both the selection
-and the maintenance of the peculiarities of the type.
-Dark skin may thus have been selected, until it became
-actually black; a slight curling of the hair, until it
-became woolly; thickish lips and broadish nose, until
-they became excessive in thickness and breadth.</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_157" id="Page_157">[Pg 157]</a></span></p>
-
-
-
-
-<div class="chapter p4">
- <h2><a name="CHAPTER_XIII" id="CHAPTER_XIII"></a>CHAPTER XIII</h2>
-</div>
-
-<p class="ac noindent">WHEEL ANIMALCULES</p>
-
-
-<p class="drop-cap">TWO hundred years ago the Dutch naturalist
-Leuwenhoek, who made many discoveries with the
-highly magnifying lenses which he himself ground
-and mounted, wrote to the Royal Society of London
-that he had "discovered several animalcula that protrude
-two wheels out of the forepart of their body as they
-swim, or go on the sides of the glass jar in which they
-are living." He says that "the two wheels are thick
-set with teeth as the wheel of a watch," and he sent to
-the society for publication drawings of these wonderful
-little creatures. This was the first account of the Wheel
-Animalcules. Since then they have been studied by many
-microscopists, especially by Ehrenberg, who figured many
-in his great book on animalcules in 1838. Fourteen years
-later the delightful English naturalist, P. H. Gosse, who
-studied and illustrated the "sea-anemones" so ably&mdash;and,
-by his example and charming descriptions, made
-the keeping of these beautiful things in marine aquaria
-a favourite occupation among people of leisure, blessed
-with a "curiosity concerning the things of nature"&mdash;published
-some microscopical studies on Wheel Animalcules,
-and continued throughout his life to make them
-a special subject of his investigation.</p>
-
-<p>The microscope was greatly improved&mdash;in fact, reached
-its present state of perfection&mdash;during Mr. Gosse's lifetime,
-and a wonderful amount was added to our knowledge
-<span class="pagenum"><a name="Page_158" id="Page_158">[Pg 158]</a></span>
-not only as to the various kinds of wheel animalcules
-(which now number not less than 900 species), but also
-with regard to the minutest details of their structure,
-their growth from the egg, and their habits. Another
-English lover of these minute creatures, Dr. C. T. Hudson,
-of Clifton (Bristol), began his observations a few years
-later, and also discovered many wonderful kinds. It
-was my good fortune to bring these two devotees of the
-Rotifera, or Wheel Animalcules, together, and to induce
-them to write a conjoint work on their favourites&mdash;after,
-as they say in their preface, they had each continued
-their studies almost daily for thirty years, and had made
-innumerable drawings from living specimens, which are
-reproduced in the many hundred (mostly coloured) figures
-engraved in the thirty-four quarto plates of their monumental
-book. This was published in 1889, a year after
-Mr. Gosse's death at the age of 78. My friend, Mr.
-Edmund Gosse, the distinguished man of letters, is the
-son of the naturalist; the microscope, the aquarium, and
-the rock-pools of the seashore were the familiar delights
-of his boyhood, as of mine.</p>
-
-<p>In Fig. 34 I have sketched the common Rotifer or
-wheel animalcule. It is about the one-fortieth of an inch
-long. The two specimens drawn in Figs. 34, A and B, are
-seen to be clinging by the forked tail-end of the body to
-a piece of weed (drawn in dotted lines). The body is
-stretched in these specimens to its full length. It can be
-shortened by a "telescoping" or pulling in of either end,
-so as to make the animal a mere oval particle. The four
-narrower joints or segments at the tail-end can be pulled
-in like the segments of a telescope, whilst the two wheels
-and adjacent parts can be drawn down into the body as
-shown in Fig. 34, C, where the two wheels (W) are seen
-showing through the skin by transparency.</p>
-
-<div class="figcenter"><a name="i_34.jpg" id="i_34.jpg"></a>
- <img src="images/i_34.jpg" width="356" height="600"
- alt="" />
- <div class="caption"><span class="sc">Fig. 34.</span>&mdash;Diagram of <i>Rotifer
- vulgaris</i>&mdash;the common wheel animalcule&mdash;one
- hundred and twenty times as long as the creature itself. <i>A</i>, front view.
- <i>B</i>, side view. <i>C</i>, head showing eyes <i>S</i>,
- and retracted wheel apparatus <i>W</i>. The letters in <i>A</i> and <i>B</i> have the
- following signification: <i>M</i>, mouth. <i>W</i>, wheel or ciliated disc. <i>S</i>, eye
- spots on head. <i>T</i>, spur or tentacle. <i>G</i>, gizzard. <i>St</i>,
- stomach. <i>Int</i>, intestines. <i>V</i>, vent: aperture of intestine.</div>
-</div>
-
-<p>The common rotifer can walk like a looping caterpillar
-<span class="pagenum"><a name="Page_159" id="Page_159">[Pg 159]</a></span>
-or a leech&mdash;fixing itself by its tail, then stretching out the
-head and fixing that,
-whilst letting go the tail
-and bringing it up by
-"telescoping" it, near
-to the head region. The
-tail is forked, and in the
-side view (Fig. 34, B) it
-is seen to have a soft
-branched process, which
-helps it to cling. The
-letter V in Fig. 34, A,
-points to the vent or
-opening of the gut at
-the fork of the tail.
-The mouth, marked
-M, is seen between the
-two "wheels." The two
-"wheels" are really
-two discs, the edges of
-which are beset by
-coarse "cilia," or vibrating
-hairs of protoplasm.<a name="FNanchor_5_5" id="FNanchor_5_5"></a>
-<a href="#Footnote_5_5" class="fnanchor">[5]</a>
-These cilia "lash" and
-straighten again one
-after the other, so that
-the optical illusion is
-produced of the toothed
-edge of the disc being
-in movement like a
-wheel. They may be
-"focused" with the
-microscope so that the groups or "bunches" of them
-<span class="pagenum"><a name="Page_160" id="Page_160">[Pg 160]</a></span>
-look like stiff, motionless "teeth," although they are
-really, all the time, lashing and beating in regular rhythm.
-When the animal is fixed by its tail, the lashing of the
-cilia on the wheels causes currents in the water which set
-with great strength to the mouth and bring floating food
-particles to it. It is thus that the Rotifer feeds. When
-the tail is not grasping a support, the movement of the
-cilia on the wheels causes the animal to swim forward
-through the water, so that it has two modes of locomotion&mdash;the
-leech-like crawling method and the free swimming
-method.</p>
-
-<p>The various internal organs of a Rotifer are readily seen
-through its transparent skin (Fig. 34, A). It has a nervous
-system, many bands of contractile muscles and a pair of
-little tubular kidneys or nephridia, besides reproductive
-germs (the eggs). I have here sketched only the digestive
-canal. The mouth leads through a gullet to a very curious
-organ called the "gizzard," marked G. All the wheel
-animalcules have this gizzard, but its teeth, shown as two
-oval bodies in the drawing, differ a great deal in shape
-and complexity in the different kinds. Whilst the Rotifer
-is feeding by bringing currents of water to its mouth, the
-two halves of the gizzard are kept in rapid movement by
-muscles, causing them to rub against one another and to
-grind up the food particles which reach them through the
-gullet. The gizzard (G) is followed by the digestive
-stomach (St), and that by the intestine (Int), which opens
-at the vent (V). The side (or three-quarter profile) view
-of a similar specimen (Fig. 34, B) shows only the surface
-of the little animal, and is intended to show especially the
-snout-like head-lobe (S), with its two eye-spots, which
-are red in colour. Standing out backwards from this is
-a finger-like process (T), which is called the spur, or
-tentacle. It has hairs at its tip, and is a sensory
-organ.</p>
-
-<p><span class="pagenum"><a name="Page_161" id="Page_161">[Pg 161]</a></span></p>
-
-<div class="figcenter"><a name="i_35.jpg" id="i_35.jpg"></a>
- <img src="images/i_35.jpg" width="387" height="600"
- alt="" />
- <div class="caption"><span class="sc">Fig. 35.</span>&mdash;The Rotifer <i>Pedalion
- mirum</i>&mdash;seen from the right side, magnified 180
- diameters. <i>w.a.</i>, wheel apparatus or "ciliated" margin of the cephalic disc.
- <i>r.e.</i>, right side eye-spot. <i>m.</i>, mouth. <i>p.</i>, tactile process.
- <i>d.l.</i>, median dorsal limb (as it is seen in profile, only three of
- the fringed hairs at its extremity are seen). <i>v.l.</i>, the great ventral limb
- (only five of its fan of eight fringed hairs are seen).
- <i>l.l.</i><sup>1</sup>, dorso-lateral, and <i>l.l.</i><sup>2</sup>, ventro-lateral
- limbs of the right side: they show the complete fans of eight fringed hairs.
- <i>x.</i>, the pair of posterior processes tipped with vibratile cilia, better
- seen in Fig. 36.</div>
-</div>
-
-<div class="p4">
-<div class="figcenter"><a name="i_36.jpg" id="i_36.jpg"></a>
- <img src="images/i_36.jpg" width="369" height="600"
- alt="" />
- <div class="caption"><span class="sc">Fig. 36.</span>&mdash;The Rotifer <i>Pedalion
- mirum</i>&mdash;seen from the ventral surface. Letters as in Fig. 35.
- The complete fan of eight fringed hairs terminating the great ventral
- limb are seen, and the three spine-like processes on each side
- of it. The fringed hairs of the two ventro-lateral limbs, <i>l.l.</i><sup>2</sup>, are
- omitted; they are fully shown in Fig. 35, and are the same in
- number and disposition as those forming the "fan" of the great
- ventral limb. Compare these hairs with those of the "Nauplius"
- Crustacean larva drawn as a tail-piece to Chapter XIII.</div>
-</div>
-</div>
-
-<p>In some wheel animalcules there is a pair of these
-spurs, and the very
-remarkable wheel
-animalcule drawn in
-Figs. 35 and 36 has
-six large processes
-which, though much
-bigger, appear to be
-of the same nature.
-Of these four are seen
-in Fig. 35, namely,
-<i>d.l.</i>, the dorsal limb,
-<i>v.l.</i>, the great ventral
-limb, and <i>l.l.</i><sup>1</sup> and <i>l.l.</i><sup>2</sup>,
-the two lateral limbs
-of the right side, all
-of them carrying fan-like
-groups of fringed
-hairs. They are moved
-by very powerful
-muscles, and strike the
-water with energetic
-strokes, so as to cause
-the little owner to
-dart through it. This
-jumping or darting
-wheel animalcule is
-called "Pedalion,"
-and was discovered
-and described by
-Dr. Hudson. It is
-so astonishing and
-wonderful a little
-beast, that when Dr.
-Hudson sent me some alive in a tube by post in 1872,
-<span class="pagenum"><a name="Page_162" id="Page_162">[Pg 162]</a></span>
-soon after he had discovered it, I could not believe
-my eyes, and thought I must
-be dreaming. It is very
-like the young form of
-Crustaceans known as a
-"Nauplius" (see tail-piece to
-the present chapter) in having
-(what no other wheel animalcule
-has) great hollow paired
-limbs moved by <i>striated</i> muscular
-fibre, carrying fringed
-hairs only known before in
-Crustaceans (crabs, shrimps
-and water fleas), and striking
-the water violently just as do
-those of the Nauplius. And
-yet all the while it has on its
-head a pair of large ciliated
-wheels which serve it just
-as do those of the common
-Rotifer. No Crustacean,
-young or old, has this "wheel-apparatus"
-nor any vibratile
-"cilia" on the surface of its
-body. Pedalion possesses an
-astounding "blend" of characters.
-Fig. 35 shows, besides
-the "paddles" or "legs" (of
-which two on the other side
-of the animal are not seen),
-the broad and large wheel-apparatus
-W (within which
-the right eye-spot <i>r.e.</i> is seen),
-and a little lobe (<i>p</i>) called the "chin" lying just below
-the mouth (<i>m</i>). The big leg (<i>v.l.</i>) and the pair on each
-<span class="pagenum"><a name="Page_163" id="Page_163">[Pg 163]</a></span>
-side (<i>l.l.</i><sup>1</sup> and <i>l.l.</i><sup>2</sup>), of which
-that on the right side only
-is seen, end in beautiful fringed hairs, which are only
-seen elsewhere in the Crustacea (water-fleas and others).
-Those on the lateral limbs and
-the great ventral limb (Fig. 36)
-are set in two groups of four on
-each side of the free end of the
-limb, whilst those on the dorsal
-leg (<i>d.l.</i>) are apparently not so
-numerous. I have corrected the
-drawings, Figs. 35 and 36, by reference
-to actual specimens kindly
-given to me by Mr. Rousselet.</p>
-
-<div class="figcenter"><a name="i_37.jpg" id="i_37.jpg"></a>
- <img src="images/i_37.jpg" width="335" height="600"
- alt="" />
- <div class="caption"><span class="sc">Fig. 37.</span>&mdash;The Rotifer
- <i>Noteus quadricornis</i>&mdash;to show its curious four-horned
- carapace&mdash;from which the wheel apparatus,
- <i>wa</i>, emerges in front, and the tail, <i>t</i>, behind; somewhat
- as the head and tail of a tortoise emerge from
- its protective "box" or carapace. The ridges on
- the horney covering of the Rotifer recall the horney
- plates of the tortoises and turtles.</div>
-</div>
-
-<p>The 500 different species of
-Wheel Animalcules or Rotifera
-differ from one another in the exact
-shape of the wheel-apparatus,
-in the jointing of the body and its
-general shape, and in the development,
-in some, of a hard skin or
-shell like a turtle's or tortoise's shell
-(Fig. 37) over that broadest region
-of the body in which in our Fig. 34, A,
-the stomach marked "St" is placed.
-They differ also in the shape of the
-gizzard's teeth, in the presence of
-paddles or legs (in Pedalion alone),
-and in the presence in some of longer
-or shorter projecting movable rods
-or bristles in pairs or in bunches.
-Many build for themselves tubular
-habitations of jelly or of hard cemented particles. They
-are all minute (from the ¹/₁₂ to the ¹/₅₀₀ in. in length).
-They are divided into five principal groups, which are
-(1) the crawlers, like the common Rotifer (Fig. 34), which
-<span class="pagenum"><a name="Page_164" id="Page_164">[Pg 164]</a></span>
-can crawl like a leech and also swim freely by aid of their
-wheel-apparatus; (2) the naked free swimmers, which do
-not crawl, but move only by swimming; (3) the turtle-shelled
-free swimmers (Fig. 37) like the last, but provided
-with strong, often faceted, angular, and spike-bearing
-shells or "bucklers," from which head and wheel-apparatus
-project in front and narrow tail behind; (4) the rooted or
-fixed forms (Figs. 37 <i>bis</i>); these never swim when full
-grown, but each forms and inhabits a protective tube or
-case; (5) the skipping or darting forms. Of these there
-is only the Pedalion mirum (Figs. 35 and 36), which is
-quite unlike all the other wheel animalcules in having limbs
-like those of the minute water-fleas (Nauplius, Cyclops)
-which strike the water and are fringed with feather-like
-hairs.</p>
-
-<div class="figcenter"><a name="i_37a.jpg" id="i_37a.jpg"></a>
- <img src="images/i_37a.jpg" width="562" height="600"
- alt="" />
- <div class="caption">The larval or young form of Crustacea known as "the Nauplius." This is
- the "Nauplius" of a kind of Prawn. The three pairs of branched limbs
- are well seen. Much magnified.</div>
-</div>
-
-<div class="footnotes p4"><h3>FOOTNOTE:</h3>
-
-<div class="footnote">
- <p class="noindent"><a name="Footnote_5_5" id="Footnote_5_5"></a>
-<a href="#FNanchor_5_5"><span class="label">[5]</span></a>
-For some account of "cilia," see "Science from an Easy Chair,"
-Figs. 29, 33, 40 and the accompanying text.</p></div>
-</div>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_165" id="Page_165">[Pg 165]</a></span></p>
-
-
-
-
-<div class="chapter p4">
- <h2><a name="CHAPTER_XIV" id="CHAPTER_XIV"></a>CHAPTER XIV</h2>
-</div>
-
-<p class="ac noindent">MORE ABOUT WHEEL ANIMALCULES</p>
-
-
-<p class="drop-cap">MICROSCOPIC as the wheel animalcules are
-they yet have been watched and examined by
-their admirers to as great a point of intimacy as
-that reached by the devotees of insects or of birds. A
-remarkable fact about them is that in about 130 different
-species (out of the 500 known) it has been found that the
-males are diminutive creatures, about one-tenth the size
-of the females, and devoid of digestive canal; in fact, little
-more than minute swimming sacs full of spermatozoa.
-In one group, that of the crawling Rotifers, to which the
-common wheel animalcule, figured in the last chapter,
-belongs, no male at all has ever been discovered. They
-are all females. They are precisely those wheel animalcules
-which are known to microscopists for their power of
-surviving (like the little water-bears or tardigrades and
-some other minute animalcules) the desiccation, or
-"drying-up" of the water in which they were living,
-swimming, and crawling (see Chapters XV. and XVI.).
-And it is quite probable that this power of resistance
-to the adverse conditions of changing seasons has, in
-the crawling Rotifers, taken the place of the production
-of eggs fertilized by a male. For, as in the case
-of the crustacean water-fleas (and of the terrestrial
-plant-lice, or aphides and gall-flies), it is found that the
-female Rotifers or wheel animalcules, which hatch from
-fertilized eggs, are themselves "parthenogenetic," and lay
-<span class="pagenum"><a name="Page_166" id="Page_166">[Pg 166]</a></span>
-eggs which develop without fertilization by males&mdash;that
-is to say, are "impaternate." In the case of the water-fleas
-these are called "summer eggs," and after one or more
-generations of such fatherless females a proportion of
-males are produced which fertilize the females hatched
-at the same period. The eggs so fertilized acquire a
-thick shell and are called "winter eggs." They remain
-dormant for some months and resist the injurious influences
-of winter cold, or, it may be, of drying up and
-conversion of the pond-mud into dust, but hatch out when
-warmer and wetter conditions return.</p>
-
-<p>This, however, is just what the adult crawling kind
-of Rotifer can do in the full-grown state by drawing
-up her body into the shape of a ball and exuding
-a jelly-like or horny coat. So that she has no need
-of "winter eggs," and the whole process of forming
-them and of males to impregnate them has "dropped
-out" of the life-history of this special kind of resistant
-Rotifers. The minute insignificant males and the
-eventual disappearance of males altogether in some races
-is a subject which may well occupy the attention of
-our human "suffragettes." That the males are minute
-creatures, less than the thousandth part of the size of the
-females, is a fact also ascertained in the case of some
-curious marine worms (called Bonellia and Hamingia).
-The only other instance of such degradation of the male
-sex is in some of the barnacles (discovered by Darwin), in
-which the big individuals are of double sex (hermaphrodite).
-Adhering to the shells of these are found minute dot-like
-"supplemental males." It is to be observed that these
-are instances where the inferiority of the male is an
-obvious measurable fact. In the mammals, the group of
-vertebrate animals to which man belongs, the male
-possesses measurably greater activity and size than does
-the female, and is provided with more powerful natural
-<span class="pagenum"><a name="Page_167" id="Page_167">[Pg 167]</a></span>
-weapons, such as teeth and horns. He entirely dominates
-and controls the female, or a whole company of females,
-and in no case is there equality of the sexes, or any
-approach to it, still less inferiority of the male. It is,
-perhaps, a question whether "by taking thought" this
-natural inferiority of the mammalian female can be
-changed.</p>
-
-<p>The survival of Rotifers, especially of a pink-coloured
-species (called Philodina roseola), after long drying or
-"desiccation," has been experimentally studied. It is
-found that if the water in which some are swimming is
-placed in a watch-glass and allowed to dry up rapidly
-the Rotifers are killed, none reappear when after a few
-hours fresh water is poured into the watch-glass. But if
-a few grains of sand or particles of moss are present from
-the first in the water the final drying up takes place more
-slowly and the Rotifers find their way between the sheltering
-fragments, where the water remains long enough to
-give them time to form a little gelatinous case, each for
-itself. When thus encased they survive, motionless, for
-months. The experiment has often been made, and is
-not in doubt. According to trustworthy statements,
-Philodina can thus survive even for so long as five years.
-The processes of life are arrested, but the drying has not
-proceeded to the extent which is called chemical drying
-or dehydration. The tiny Rotifers are still of soft consistence:
-the protoplasm is not chemically destroyed.
-When one is watched with the microscope as water is
-allowed to flow round it after several months of dust-like
-aridity, it is seen to emerge from its protective case
-and at once to commence swimming and searching for
-food by means of the currents directed towards its mouth
-by its so-called "wheel-apparatus." I may just say that
-in the case of the slime-mould called "flowers of tan" the
-protoplasm dries to the consistency of hard wax, and I
-<span class="pagenum"><a name="Page_168" id="Page_168">[Pg 168]</a></span>
-have kept it for years in that state and then revived it
-by moisture into full activity and growth. I used also at
-one time to keep in my laboratory a supply of the dried
-yellow lichen from apple-trees, in which one could always
-rely upon finding the animalcules called "Macrobiotus"
-or "water-bears" ready to be revived from a desiccated
-condition, after three or four years passed in that condition.</p>
-
-<p>Many of the Rotifers carry their eggs when ripe
-extruded from the body in two bunches or clusters, as is
-the habit also of the little microscopic shrimps known as
-Cyclops. There is a whole group of Rotifers which fix
-themselves by the tail, when full grown, to some solid
-support. Each then forms a protective tube or case
-around itself, from the mouth of which it puts forth its
-wheel-apparatus and into which it can retire for protection.
-Some of the largest and most beautiful of the
-wheel animalcules belong to this group of fixed or
-sedentary Rotifers. The crown animalcule (Stephanoceros)
-is one of these, having what are discs edged with
-vibrating hairs in the common Rotifer&mdash;here drawn out
-into a circlet of tapering lobes like the points of a
-coronet (Fig. 37 (<i>bis</i>), B). Another is the floscule
-(Floscularia), in which the wheel-apparatus has the form
-of five knobs arranged on a pentagonal disc around
-the mouth (A in same figure). Each knob has a
-bundle of excessively fine, long, stiff, motionless hairs
-spreading out from it ready to entangle food particles
-which may drift into contact with them. I used to find
-the stems of the fresh-water polyp (Cordylophora) of
-Victoria Dock a sure source of supply of these fine little
-creatures. When seen under the microscope as brightly
-illuminated glassy florets on a black ground (by what is
-called "dark ground illumination") their strange delicacy
-and beauty cannot be surpassed. A rare species of
-floscule (which I have never seen) has extra-long and fine
-<span class="pagenum"><a name="Page_169" id="Page_169">[Pg 169]</a></span>
-filaments, each of which shows a fine streaming current
-in its substance, and is, in fact, a naked filament of living
-protoplasm like one of the ray-like filaments of the sun-animalcules.</p>
-
-<div class="figcenter"><a name="i_37b.jpg" id="i_37b.jpg"></a>
- <img src="images/i_37b.jpg" width="600" height="554"
- alt="" />
- <div class="caption1"><span class="sc">Fig. 37</span> (<i>bis</i>).&mdash;Three
- tube-building wheel animalcules. <i>A</i>, Floscularia
- campanulata. <i>B</i>, Stephanoceros Eichhornii. <i>C</i>, Melicerta ringens.</div>
-</div>
-
-<p>The most curious of the tube-building Rotifers are those
-which form their tubes of little, equal-sized pellets of solid
-matter&mdash;as it were, "bricks"&mdash;which they first form by compacting
-fine particles in a special pit on the head and then
-build them up and cement them together in rows to form the
-tube, adding row after row as the animal itself increases in
-length (Fig. 37 (<i>bis</i>), C). These are known as Melicerta;
-and, though some kinds use any minute particles to make
-their bricks, one kind is frequent which uses its own
-<span class="pagenum"><a name="Page_170" id="Page_170">[Pg 170]</a></span>
-excrement for this purpose. By feeding the little creatures
-first with food coloured with carmine and then with blue-stained
-material, one can obtain alternate rows of pink
-and blue pellets, carefully manufactured and laid in position
-to build up the growing length of tube. Melicerta
-has certainly an extraordinary and economical way of disposing
-of that refuse which we larger creatures carefully
-remove from our habitations and should be very unwilling
-to employ as building material. The individuals of one
-rare and interesting kind of the tube-builders, after swimming
-freely in the youngest stage, settle down together and
-form their gelatinous transparent tubes side by side, to the
-number of fifty or more, in such a way as to produce a
-perfect sphere, a twentieth of an inch or more in diameter,
-built up of fused jelly-like tubes radiating from a common
-centre. The inhabitant of each tube is quite separate
-from and independent of his neighbours, but they all
-protrude their vibrating wheel-apparatus simultaneously,
-and cause the glass-like ball to rotate and travel through
-the water. Many years ago I found this beautiful little
-thing in a small moss-pool (not more than 3 ft. wide),
-high up the sloping-side of the north-west section of
-Hampstead heath, above the "Leg of Mutton Pond."
-The well-meant care of the public guardians of the heath
-has now drained this region, and my little moss-pools and
-the "bog," in which grew the Drosera, or Sun-dew, and the
-Bog-bean and such plants, have gone for ever. But we
-must console ourselves with the fact that the same progressive
-expansion of the great city has given us electric
-railways, tubes, and tramways by which we can go farther
-afield than Hampstead in a few minutes, and still find
-moss-pools and the undisturbed glories of ancient swamps
-and bog-land.</p>
-
-<p>Many of the Rotifers have a pair of ruby-red eyes, and
-in some of them there is a minute crystalline lens overlying
-<span class="pagenum"><a name="Page_171" id="Page_171">[Pg 171]</a></span>
-the red sensitive spot, which receives the fibres of
-the optic nerve coming from the brain&mdash;one on each side.
-It is almost incredible that so minute a creature&mdash;often
-only the one-fiftieth of an inch long when full grown&mdash;should
-have a nervous system and special organs of touch
-(sensory hairs) as well as eyes, and on the other hand
-muscles running from one attachment to another and
-called into activity by nerves connected with this same
-central brain. The pair of branched tubes, which end
-internally in flickering "flame-cells" and open externally
-far back at the vent, are kidneys. Similar tubes called
-"nephridia" or little kidneys are found in many of the
-smaller animals; the earthworm has a pair in each ring
-of its body.</p>
-
-<p>There is little doubt that the wheel animalcules are
-related in pedigree to the primitive ancestors of the
-marine segmented or annulate worms, which also gave
-rise to the ringed leg-bearing jaw-footed creatures with
-hard skin, called Crustacea, Arachnids and Insects (the
-Arthropods). The wheel-apparatus or cilia-fringed discs
-of the Rotifer is seen in the young stages of many marine
-worms, and also in the young of marine snails, known as
-the "veliger"&mdash;"velum" or "sail" being the name given
-to the wheel-apparatus of the young snails (see the
-drawing on p. 181). There are very minute marine
-annulate or segmented worms (Dinophilus and others),
-which come near to the Rotifers in many features,
-whilst the ringed or segmented character of the body is
-obvious in the common wheel animalcule.</p>
-
-<p>The Rotifers are so small that they are built up of very
-few "cells" or nucleated units of protoplasm. Many of
-them are of smaller size than some of the big infusorian
-animalcules, which consist of a single cell. The Rotifers
-are probably a dwindled pygmy race descended from
-ancestors of ten or a hundred times their linear measurement.
-<span class="pagenum"><a name="Page_172" id="Page_172">[Pg 172]</a></span>
-It is an important fact that in the possession of a
-toothed gizzard, in the hard body-case or cuirass of some
-kinds, and in Pedalion's rapidly-moving legs or paddles,
-fringed with plumose hairs and moved by that peculiar
-variety of muscular tissue which is called "striped
-muscular tissue," the wheel animalcules give evidence of
-relationship to the Crustacea&mdash;that is to say, it appears
-to be probable that they were derived from the common
-ancestor of marine worms and Crustacea before those two
-lines of descent had diverged.</p>
-
-<p>Rotifera or wheel animalcules are found all over the
-world, in the tropics, the temperate zones, the Arctic and
-Antarctic, and many species have a world-wide distribution.
-They occur in fresh waters and in the sea, in
-great lakes, in gutters which dry up, in pools in the polar
-regions and on high mountains which are solid ice for the
-greater part of the year. A few are parasitic, some living
-on the legs of minute Crustacea. One which I discovered
-in 1868 in the Channel Islands lives in crowds on the skin
-of a remarkable sea-worm (Synapta), which burrows in
-the sand, exposed at low tide. It holds on (as I found
-and figured) by a true sucker, which replaces the forked
-tail of other commoner Rotifers. It was named "Discopus"
-by Zelinka, who searched for it in consequence of
-my description, and gave a very detailed account of it.
-Others are parasitic inside earthworms, and one is found
-inside the globe animalcule Volvox! Another causes the
-growth of warts or "galls" in a curious kind of Alga
-called Vaucheria.</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_173" id="Page_173">[Pg 173]</a></span></p>
-
-
-
-
-<div class="chapter p4">
- <h2><a name="CHAPTER_XV" id="CHAPTER_XV"></a>CHAPTER XV</h2>
-</div>
-
-<p class="ac noindent">SUSPENDED ANIMATION</p>
-
-
-<p class="drop-cap">OUR leading newspapers, with rare exceptions, never
-report the discoveries announced at our scientific
-societies. But they often seek to astonish their
-readers with silly stories of monsters said to have been
-seen in tropical forests, ghostly "manifestations" and
-such rubbish transmitted to them at a high price by
-crafty "newsmongers," and do much harm to themselves
-and to the public thereby. On the other hand, foreign
-newspapers do occasionally report the proceedings of
-their local Academies&mdash;and then "our own correspondent"
-telegraphs to London with a flourish, a confused report
-of what he has read and ignorantly imagines to be "a
-startling discovery" because he knows nothing whatever
-of the subject. Thus shortly before the recent war&mdash;the
-confirmation by a French experimenter of the fact,
-long since demonstrated, that the seeds of plants can
-survive exposure to very low temperature, was announced
-with ridiculous emphasis by one of these "fat boys" of
-journalism <i>pour épater le bourgeois</i>.</p>
-
-<p>A temperature very near to that of the total absence
-of that molecular movement or vibration which we call
-"heat," can now be attained by the use of liquid hydrogen,
-which enables us, by its evaporation, to come within a
-few degrees (actually three!) of that condition known
-as the "absolute zero." We divide into one hundred
-equal steps or degrees the column of liquid (mercury,
-<span class="pagenum"><a name="Page_174" id="Page_174">[Pg 174]</a></span>
-spirit, or other liquid) of a thermometer as it expands
-from the shrunken bulk which it occupies when placed
-in freezing water to the full length which it attains when
-the water is heated to boiling point. This is called the
-centigrade scale, or scale of a hundred degrees. But,
-as we know by the records of travellers in the Arctic
-regions and by the experiments made in laboratories,
-there are "degrees" of coldness or diminution of heat
-which are much below that of freezing water, and can
-be measured by the further shrinking of the column of
-liquid in the thermometer, so that we record "degrees
-below zero centigrade," each of the same length as
-those above it and corresponding to the same "quantum"
-of decrease or increment of heat. As we pass from the
-temperature at which water is solid to that much lower
-or diminished state of hotness at which mercury becomes
-solid, the shrinking column of the thermometer (in which
-a liquid is used not rendered solid by this amount of
-cooling) falls through 39 degrees of the centigrade size,
-so that we say that mercury freezes at minus 39 or at
-39 degrees below zero of the centigrade scale. The conclusion
-has now been reached that the absolute zero or
-cessation of all heat in a body is represented by a fall
-of no less than 273 degrees below zero on the centigrade
-scale. Hydrogen gas becomes a liquid at 252 degrees
-below zero centigrade, and a solid at 264 degrees. If we
-start our counting of those degrees or increments of heat,
-of which there are 100 between the freezing and boiling
-points of water, at the absolute zero or condition of total
-absence of heat, we must say that hydrogen "melts"&mdash;that
-is, passes from the solid to the liquid state&mdash;at
-11 degrees (absolute), and boils at about 20 degrees
-(absolute), whilst water does not melt until 273 degrees
-(absolute) of temperature are reached, and boils at
-373 degrees above the absolute zero.</p>
-
-<p><span class="pagenum"><a name="Page_175" id="Page_175">[Pg 175]</a></span></p>
-
-<p>It is the fact that, from the year 1860 onward,
-numerous observers have experimented on the influence
-of very low temperatures upon seeds, and have uniformly
-shown that the power of germination and healthy growth
-of the seeds is not destroyed by exposure to very low
-temperatures. The celebrated Swiss botanist, De Candolle,
-published the first careful observations on this subject
-in conjunction with Raoul Pictet, who had devised an
-apparatus for producing exceedingly low temperatures.
-Pictet in 1893 exposed various bacteria and also seeds
-to a temperature of nearly 200 degrees below zero centigrade
-without injury to them. They "resumed" their
-life when gradually restored to the normal temperature.
-Pictet concluded that since all chemical action of the
-kind which goes on in living things requires a certain
-degree of temperature for its occurrence, and that this is
-demonstrably considerably higher than minus 100 degrees
-centigrade, we must suppose that all chemical action in
-living things (as in nearly all other bodies) is annihilated
-at 100 degrees below zero centigrade. Accordingly he
-maintained that what we call "life," or "living," is a
-manifestation of chemical forces similar to those shown
-in other natural bodies, and liable to interruption and
-resumption by the operation of unfavourable or favourable
-conditions as are other chemical processes. In 1897,
-Mr. Horace Brown and Mr. F. Escombe published, in
-the Proceedings of the Royal Society of London, an
-account of experiments in which they exposed seeds of
-twelve plants belonging to widely different natural orders
-to a temperature varying from 183 degrees to 192 degrees
-below zero centigrade for a period of 110 consecutive
-hours (about four days and a half). As a result the
-germinative powers of the seeds showed no appreciable
-difference from that of seed not subjected to cold, and
-they produced healthy plants. The low temperature was
-<span class="pagenum"><a name="Page_176" id="Page_176">[Pg 176]</a></span>
-obtained by the use of liquid air in a vacuum-jacketed
-flask (like the well-known "thermos" flasks), into which
-the seeds were introduced in thin glass tubes. Professor
-M'Kendrick had previously shown that the putrescence
-of meat, blood and milk by bacteria infesting them was
-temporarily arrested, but not permanently so, by exposing
-those substances for one hour to a temperature of
-182 degrees below zero centigrade. It appeared that
-the putrefactive bacteria present in those substances were
-not destroyed by that degree of cold, but returned to
-a state of activity when the normal temperature was
-restored. Professor M'Kendrick also showed that seeds
-would germinate after exposure to like treatment.</p>
-
-<p>All this is ancient history, twenty years and more in
-the past. The experiments of a French observer, mentioned
-at the beginning of this chapter as foolishly
-trumpeted in a London paper, were of service as confirming
-the extensive and careful work of his predecessors.
-It is only when our old well-bottled discoveries have,
-however tardily, been brought before the Paris Academy
-of Sciences and sent back to us by the Paris correspondents
-of news agencies as "startling novelties" and "amazing
-discoveries" (twenty years old), that any attempt is made
-to mention them in the London daily Press. And then
-they are announced without any reference to their true
-history. This habit of culling stale morsels of information
-from the proceedings of foreign academies points to the
-fact that there is incompetence both in the purveyor and
-publisher of such scraps. If our newspaper editors must
-publish scraps about scientific novelties, they should
-employ educated assistants to see that they do not
-make themselves ridiculous. The scraps which come
-round to our newspapers from Paris are usually plagiarized
-from a French newspaper by some one who has a very
-imperfect knowledge of the subject to which they refer,
-<span class="pagenum"><a name="Page_177" id="Page_177">[Pg 177]</a></span>
-and adds his own blunders to those of the original
-reporter.</p>
-
-<p>The action of extreme cold in arresting life in such
-minute organisms as plant seeds and bacteria without
-destroying the possibility of the resumption of those
-chemical and physical changes when warmth is restored,
-is dependent on the fact that those chemical changes
-can only proceed in and by the aid of liquid water.
-When thoroughly frozen the chemical constituents of
-minute organisms and seeds&mdash;which until frozen were
-living and undergoing continuous, though perhaps slow,
-change&mdash;become solid, and can no longer act on one
-another or be acted on by surrounding chemical bodies
-equally reduced in temperature. They may be compared
-to the solid dry constituents of a Seidlitz powder&mdash;one
-an acid, the other a carbonate. So long as they are
-dry they remain&mdash;when mixed and shaken together&mdash;inert,
-without action on one another. Even if one is
-dissolved in water and then frozen solid and mixed in
-a powdered state with the other at an equally low
-temperature the mixture remains dry and inert. Nothing
-happens so long as the low temperature is maintained.
-But if we raise the temperature above the freezing-point&mdash;so
-as to liquefy the solution&mdash;chemical action will
-immediately ensue. With much fizzing and escape of
-gas the two chemicals will unite. The effect of cold on
-living matter is of this nature. It is a real "suspension"
-of the changes which were&mdash;however slowly and quietly&mdash;going
-on before complete solidification of the protoplasm
-by freezing. A frozen seed and frozen bacteria are in
-a state of "suspended animation."</p>
-
-<p>It is not the fact that absolutely all chemical union
-and change whatsoever is prevented&mdash;that is to say,
-arrested or suspended&mdash;by extreme cold, although the
-union with oxygen and other such changes of the essential
-<span class="pagenum"><a name="Page_178" id="Page_178">[Pg 178]</a></span>
-material of living things, which we call "protoplasm,"
-and most other chemical changes are thus arrested or
-suspended. The most striking exception is that of the
-most active of all elements, the gas fluorine, which
-becomes a liquid at 210 degrees below zero centigrade,
-and in that condition attacks turpentine if brought into
-contact with it at the same low temperature with explosive
-force. Even solid fluorine combines with liquid
-hydrogen with violent explosion. It seems certain, however,
-that elements or chemical compounds brought into
-the solid (not merely liquid) condition by extreme cold
-cannot act chemically upon other bodies in the same solid
-condition, even when they would at normal temperatures
-so act with the greatest readiness, because they are then
-either liquid or gaseous.</p>
-
-<p>The conception of an arrest of the changes in
-organisms, which we call life, followed by their resumption
-after a greater or less interval of suspense,
-was long ago suggested and discussed before we had
-knowledge of the action of low temperatures. The
-winter-sleep of some animals and the "comatose" condition
-sometimes exhibited by human beings had led to
-the notion of "suspended animation." But a careful study
-of hybernating animals and of human instances of prolonged
-"coma" satisfied physiologists nearly 100 years
-ago that the processes of life&mdash;the beating of the heart
-and the respiration&mdash;were not actually and absolutely
-suspended in these cases, but reduced to a minimum. The
-chemical processes connected with life were still very
-slowly carried on.</p>
-
-<p>Again, a great deal of interest and discussion was
-excited in the last century by the drying up of delicate
-yet complex aquatic animalcules, such as the Rotifers
-(the wheel animalcules described in our last chapter)
-and Tardigrades (bear animalcules), and the fact that
-<span class="pagenum"><a name="Page_179" id="Page_179">[Pg 179]</a></span>
-after their preservation as mere dust for many months
-dried on a glass-slip they could be revived and made to
-return to life by wetting them with a minute drop of
-water, whilst the whole process of revival was watched
-under the microscope. Letters were published in the
-"Times" in the "fifties" by the Rev. Lord Sydney
-Godolphin Osborn, describing his observations and experiments
-on these animalcules.</p>
-
-<p>The yellow slime-fungus called "flowers of tan," after
-creeping as a naked network of protoplasm over the
-"spent tan," thrown out from tan-pits, will in dry
-weather gather itself into little knobs, each of which is
-as hard and brittle as a piece of sealing-wax. Yet (as
-I have repeatedly experienced in using material given
-to me by the great botanist, de Bary) a fragment of one
-of these hard pieces, if carefully guarded in a dry pill-box
-for two or three years, will when placed on a film of water
-at summer-heat gradually absorb moisture and expand
-itself into threads of creeping, flowing protoplasm, nourish
-itself, and grow and reproduce. It was formerly suggested
-in regard to these cases of resuscitation after drying, as
-also in the case of seeds which germinate after being kept
-in a dry condition for many years, that really they were
-not thoroughly dried, but were sufficiently moist to allow
-of very slow oxidation and gas exchange, which it was
-said was so small in amount as to escape observation.
-There was a plausible comparison of the condition of
-these dried organisms to that of hybernating mammals,
-desiccated snails, and comatose men. It was held that
-here, too, the life-processes were not absolutely arrested,
-but reduced to an imperceptible minimum.</p>
-
-<p>This view of the matter was connected, no doubt,
-with a traditional assumption that life was an entity&mdash;an
-"anima animans"&mdash;which entered a living body, kept it
-continually "going" or "living," and if driven out from
-<span class="pagenum"><a name="Page_180" id="Page_180">[Pg 180]</a></span>
-it could not return. Curiously enough, Mr. Herbert
-Spencer seems to have been (perhaps unconsciously)
-affected by this traditional view, since he defined life as "the
-continuous"&mdash;that is the important word&mdash;"adaptation
-of internal to external relations." This definition prejudiced
-the view of some distinguished physiologists on
-the question of "suspended animation," and I remember
-a very warm dinner-table discussion with Michael Foster
-and other friends, some twenty-five years ago, when I
-put forward the view that so long as the intimate
-structure&mdash;in fact, the chemical structure&mdash;of the protoplasm
-of a living thing is not destroyed, it does not
-"die" though all chemical change in it may be arrested.
-I compared the dried seed and dried animalcule&mdash;as I
-would now compare the frozen seed and the frozen
-bacteria&mdash;to a well wound watch which is stopped by
-the intrusion of a needle between the spokes of its balance
-wheel, or, better, by the cooling on the wheel of a tiny
-drop of soft wax so as to clog it. The works of the
-watch are rendered absolutely motionless, but it is not
-"dead." As soon as the needle is removed or the tiny
-speck of wax melted by a gentle warmth it resumes its
-movement. It is, as we say, "alive again." So, too,
-the frozen or dried organism is absolutely motionless.
-No chemical movements can go on in it. They are
-stopped by the solidity set up by freezing, or in the case
-of simple "desiccation," by the absence of the moisture
-necessary for bringing the chemical molecules into contact.
-If protected from destructive agents, the mechanism
-remains perfect for just so many years or centuries as
-that protection lasts. Whenever the frozen organism
-thaws or the dried organism becomes wet, the life-processes
-are resumed, the seed germinates, the bacteria
-grow and multiply.</p>
-
-<p>Thus we see what are some of the points of interest
-<span class="pagenum"><a name="Page_181" id="Page_181">[Pg 181]</a></span>
-and importance raised by the old experiments of Pictet,
-M'Kendrick, and Horace Brown, the results of which were
-the same as those announced as Parisian novelties. I
-have yet to say a few words as to the reason why we
-cannot produce "suspended animation" in higher organisms
-or in man by the application to them of extreme
-cold. Further, the influence of extreme cold on the
-possible passage, through space, of living germs from
-other worlds to this earth&mdash;a possibility suggested by
-the late Lord Kelvin&mdash;requires some consideration in
-connection with the striking experiments with phosphorescent
-bacteria described ten years ago by Sir James
-Dewar.</p>
-
-<div class="figcenter"><a name="i_37c.jpg" id="i_37c.jpg"></a>
- <img src="images/i_37c.jpg" width="600" height="322"
- alt="" />
- <div class="caption">Young stages of growth or Veliger larvæ of marine snails,
- showing the ciliated band or velum which is identical
- with the wheel apparatus of the Rotifers or Wheel animalcules.</div>
-</div>
-
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_182" id="Page_182">[Pg 182]</a></span></p>
-
-
-
-
-<div class="chapter p4">
- <h2><a name="CHAPTER_XVI" id="CHAPTER_XVI"></a>CHAPTER XVI</h2>
-</div>
-
-<p class="ac noindent">MORE ABOUT SUSPENDED ANIMATION</p>
-
-
-<p class="drop-cap">I GAVE some account in the last chapter of the
-experiments made within the last twenty years,
-which have shown that, in certain very simple
-organisms and in seeds, all chemical change can be stopped
-by the application to them of methods of freezing. The
-continuous changes which go on in these living things
-under ordinary circumstances are arrested by the solidification
-of what was more or less "moist" material. Water
-in the liquid state, though it may be in extremely minute
-quantity, is necessary for the chemical combinations and
-decompositions which go on in living things. Hence not
-only the solidification of all moisture, in or having access
-to the living bodies experimented on, arrests those
-chemical combinations and decompositions, but very
-thorough drying also has this result. Yet either on
-thawing the frozen liquid or supplying moisture to the
-"dried up" organism, the previously continuous chemical
-and physical changes are resumed as though no arrest or
-suspension of them had occurred. No limit is known to
-the length of time during which this arrest may be
-continued, and yet a resumption of living changes occur
-when the cause of arrest&mdash;namely, either solidification by
-cold or else dryness&mdash;is removed. The apparatus&mdash;the
-exact structure and the exact chemical materials&mdash;of the
-seeds or the bacteria remains uninjured and unchanged
-by either freezing or drying carefully applied. It is, of
-<span class="pagenum"><a name="Page_183" id="Page_183">[Pg 183]</a></span>
-course, impossible to guarantee that no accident, no
-unforeseen change in the surroundings, shall take place
-and destroy in one way or another the experiment. But
-the arrest of all change, such as goes on in life, has been,
-in many experiments, maintained under careful supervision
-and protection for several months, and yet life has been
-resumed when the cause arresting chemical change has
-been removed. The presumption, then, is in favour of
-the possibility of the arrest being maintained for an unlimited
-period, and yet at any time being resumed when
-the arresting cause (cold or dryness) is removed.</p>
-
-<p>Before what we may call "the suspensory action" of
-very low temperatures had become generally known, the
-question occurred as to whether seeds kept in a dry
-condition for several months, or even years, and yet
-capable of germination when placed in moist earth, are
-during their dry condition undergoing any chemical
-changes. The matter presented itself in this way.
-The dry seeds can germinate when sown, therefore
-they are not dead, but living. According to various
-physiologists and philosophers (<i>e.g.</i>, Herbert Spencer),
-life is a continuous adjustment of internal to external
-relations. Burdon Sanderson, the Oxford professor of
-Physiology, declared that "life is a state of ceaseless
-change." If this is a correct conception, and if by "living"
-we mean, as the great Oxford English Dictionary tells
-us, "manifesting the property called life," then the seeds
-which, though dry, are still "living" or "alive" or
-"endowed with life," should yield some evidence of the
-"ceaseless change" (by which is meant chemical change)
-of which, as things not dead but living, they are supposed
-to be the seat. The late Dr. George Romanes published
-in 1893 some experiments on this matter. We know that
-free oxygen is very generally (though not universally)
-necessary for the continual chemical changes which the
-<span class="pagenum"><a name="Page_184" id="Page_184">[Pg 184]</a></span>
-minutest as well as the largest plants and animals carry
-on. Romanes enclosed a quantity of dry seeds in glass
-tubes, from which he pumped out all gas as completely
-as possible&mdash;that is to say, all except one-millionth of
-the original volume. He also expelled all oxygen by
-replacing it by other gases. As a result of this treatment,
-continued for as much as fifteen months, he found that
-neither a high vacuum nor subsequent exposure for twelve
-months in separate instances to oxygen or to hydrogen,
-or nitrogen, or carbon monoxide, or carbon dioxide, or
-hydrogen sulphide, or the vapour of ether or of chloroform,
-had any effect on the subsequent germinative power of the
-seeds employed. These experiments proved that anything
-like respiration by ordinary gaseous exchange with the
-atmosphere was <i>not</i> going on in the seeds, and that if
-they are the seat of "ceaseless change" because not dead,
-the changes must be chemical interactions of some kind
-or other within their protoplasm.</p>
-
-<p>The keeping of seeds and also of bacteria for days and
-even months&mdash;at temperatures as low as 100 degrees below
-zero centigrade&mdash;and their subsequent resumption of life,
-has removed the possibility (not excluded by Romanes)
-of the occurrence of chemical interactions within the
-substance of these organisms preserved during long
-periods of time, and yet not ceasing to be what is ordinarily
-called "alive," or endowed with "life." It is time that we
-should definitely abandon Herbert Spencer's and Burdon
-Sanderson's definitions or verbal characterizations of
-"life." The word "life" is commonly and properly used
-to designate the condition of a "living thing" or a thing
-which is "alive." A thing which has lost life&mdash;that is,
-which was living, but is so no more, and cannot be
-"restored to life" or resuscitated&mdash;is, in correct English,
-said to have "died," or to be "dead." The motionless,
-unchanging frozen seed or bacterium, which resumes its
-<span class="pagenum"><a name="Page_185" id="Page_185">[Pg 185]</a></span>
-living activities when carefully thawed, has <i>not</i> "died."
-The mere fact that it can be resuscitated justifies the
-application to it, according to correct English usage, of
-the word "alive"&mdash;it is still "alive." It is not possible to
-alter the significance of the words "life," "living" and
-"alive," so as to retain the definitions of Herbert Spencer
-and Burdon Sanderson as correct. They are incorrect.
-Life is not continuous or ceaseless change. It is a property
-of the more active substance of plants and animals which
-has special structure and definite chemical constituents.
-The property is, no doubt, usually manifested under
-normal conditions of temperature, light, moisture, pressure,
-chemical and electrical surroundings in a continuous
-series of changes, both chemical and physical. But at
-exceptionally low temperature, and in other arresting
-circumstances these changes can, in a few exceptional
-organisms, be absolutely stopped, though the organism
-in which the changes cease is uninjured as a mechanism.
-It still possesses "the property of life"&mdash;is still "alive"
-although motionless and unchanging. Its life is in
-suspense, as is that of a clock with arrested pendulum.</p>
-
-<p>The unjustified conception of "life," or "living," or
-being "alive," and not dead, as necessarily a state of
-incessant chemical and other change, is bound up with the
-old fancy that life is not to be considered as a state or
-motion of a special and complex structure called protoplasm,
-but is a thing, a spirit or an essence, which takes
-possession of organic bodies and makes them "live."
-According to Sir Oliver Lodge, if chemists could build up
-the chemical materials which constitute protoplasm, the
-protoplasm so made by them would not live. It would
-(he stated at the meeting of the British Association in
-Birmingham in 1912) have to receive a charge or infusion,
-as it were, of this thing suggested by the word "life." It
-cannot live itself (according to the suppositions of Sir
-<span class="pagenum"><a name="Page_186" id="Page_186">[Pg 186]</a></span>
-Oliver), but serves as the vehicle, the receptacle, for this
-supposed intangible entity "life." In the same imaginative
-vein, our grandfathers used to say that heat was due to
-the entity or "fairy" "caloric" which could be enticed
-into or driven from material bodies, making them "hot"
-by its presence and cold by its greater or less exclusion.
-The suspended animation of frozen germs and their return
-to life when warmed could thus be represented as an
-affection or affinity between the fairy "Vitalis" and the
-fairy "Caloric," the former fleeing from the body and
-waiting near when the latter deserts his place, but returning
-to happy union with "Caloric" when he again, however
-feebly, pervades once more the vehicle provided for
-"Vitalis." Such imaginary essences are not of any
-assistance to us in arriving at a knowledge of the facts,
-and so far from helping us to a comprehension of the
-ultimate nature of things (which we have no reason to
-suppose that it is possible for us to attain) their introduction
-tends to the substitution of imaginary causes
-and unverified assumptions for the carefully-tested and
-demonstrated conclusions of science.</p>
-
-<p>In 1871 Lord Kelvin, when president of the British
-Association, suggested that the origin of life as we know
-it may have been extra-terrestrial, and due to the "moss-grown
-fragments from the ruins of another world," which
-reached the earth as meteorites. It was objected to this
-that the extreme cold&mdash;very near to the absolute zero&mdash;which
-prevails in interstellar space would be fatal to all
-germs of life carried by such meteoric stones. But twenty
-years later Sir James Dewar showed that this objection
-did not hold, since at any rate some forms of life&mdash;certain
-bacteria&mdash;could survive an exposure of several days to a
-temperature approaching the absolute zero. Later Sir
-James made some very striking experiments by exposing
-cultivations of phosphorescent bacteria to the temperature
-<span class="pagenum"><a name="Page_187" id="Page_187">[Pg 187]</a></span>
-of liquid hydrogen (252 degrees below zero centigrade).
-These bacteria may be obtained by selective cultivation
-from sea-water taken on the coast, in which a few are
-always scattered. A rich growth of these bacteria in
-gelatine broth gives off a brilliant greenish light when
-shaken with atmospheric air or otherwise exposed to
-oxygen. The light is so intense that a glass flask holding
-a pint of the cultivation gives off sufficient light to enable
-one to read in an otherwise dark room. The emission of
-light is dependent on the chemical activity of the living
-bacteria in the presence of oxygen. In the absence of
-free oxygen they cease to be luminous. As soon as they
-are killed the light ceases. When they are frozen solid
-the light ceases, even in the presence of free oxygen gas.
-When a film consisting of such a culture is frozen solid it
-will remain inactive if the low temperature be maintained
-for months, though exposed to free oxygen gas, and then,
-as soon as it is liquefied by a gentle rise in temperature,
-the active changes recommence, and the phosphorescent
-light beams forth. Sir James Dewar exposed such films
-to the low temperature of liquid hydrogen for (so far as I
-remember) six months, and obtained from them at once
-the evidence of their living chemical activity, namely, their
-"phosphorescence," as soon as they were thawed. In the
-frozen state, at a temperature of minus 250 degrees centigrade,
-nothing, it appeared, could injure these phosphorescent
-bacteria. No chemical can "get at them" at that
-temperature, the most biting acid, the most caustic alkali
-cannot touch them when, like them, it is in a hard, solid
-condition. Powdering the film by mechanical pressure
-has no effect on the bacteria. They are too small to be
-crushed by any mill. Such germs would, it seemed, surely
-be able to travel through interstellar space, as suggested
-by Kelvin.</p>
-
-<p>Then it occurred to Sir James that light&mdash;the strangely
-<span class="pagenum"><a name="Page_188" id="Page_188">[Pg 188]</a></span>
-active ultra-violet rays of light&mdash;might be able to disintegrate
-and destroy the bacteria, even when frozen solid at
-the lowest temperature. He exposed his frozen cultures
-to strong light, excluding any heat-giving rays, and found
-that the bacteria no longer recovered when subsequently
-the culture was thawed. Light, certain rays of light, can,
-it thus appears, penetrate and cause destructive vibrations
-in chemical bodies protected from all other disintegrating
-agencies by the solidity conferred by extreme cold. I am
-not able to say, at the moment, how far this important
-matter has been pursued by further experiment, nor
-whether what are called the "chemically active" rays of
-light and other rays such as the Röntgen rays can effect
-chemical change in other bodies (besides living germs),
-upon which they act at normal temperatures, but in regard
-to which they might be expected to be inoperative when
-the bodies in question are brought into the peculiar state
-of inactivity produced by extreme cold. Since light is far
-more intense outside our atmosphere than within it, it
-seemed, at first, that the demonstration of its destructive
-action on frozen germs puts an end to Kelvin's theory of
-a meteoric origin of life. It must, however, be remembered
-that minute living germs could conceivably be protected
-from the access of light by being embedded in even very
-small opaque particles of meteoric clay. So Lord
-Kelvin's suggestion as to the travelling of life on meteoric
-dust cannot be set aside as involving the supposition of
-the persistence of life in conditions known to be destructive
-of it.</p>
-
-<p>The great interest in former times in relation to
-"suspended animation" has naturally been in relation to
-the occurrence of this condition in man and the possibility
-of producing it in man by this or that treatment. There
-is no doubt whatever, at the present day, that "death-like"
-trances, whether occurring naturally or after the administration
-<span class="pagenum"><a name="Page_189" id="Page_189">[Pg 189]</a></span>
-of drugs, in the case of man and of higher animals,
-are not due to that complete suspension of living changes
-which we can produce, as I have here related, in certain
-lower forms of life. These death-like trances are merely
-cases of reduction of the living changes to a very low
-degree.<a name="FNanchor_6_6" id="FNanchor_6_6"></a>
-<a href="#Footnote_6_6" class="fnanchor">[6]</a></p>
-
-<p>The bodies of all but the simplest animals and plants
-are too large and too complex to survive the bursting and
-disruptive action of extreme cold, due to the unequal
-distribution of water within them and its irresistible
-expansion when frozen. Their living mechanism is
-broken, mechanically destroyed by this expansion. We
-cannot hope to apply cold to man so as to produce
-"suspended animation." It is true that experiments are
-on record in which fish and even frogs have survived
-enclosure within a solid mass of ice by the freezing of the
-water in which they were living. But careful experiments
-are wanting which would demonstrate that these animals
-were actually frozen through and through, and that either
-fish or other cold-blooded animals can survive a thorough
-solidification by freezing of their entire substance. Such
-survival cannot be pronounced to be impossible, but it has
-not been demonstrated in any cold-blooded animal&mdash;even
-shell-fish or worm or polyp&mdash;let alone a warm-blooded
-mammal. It appears that, apart from disruptive effects,
-the protoplasm of even very minute and simple organisms,
-such as the Protozoa, does not in all kinds, even if in any,
-survive exposure to great cold. The toleration of great
-cold and return to living activity after thorough freezing
-is, it appears, a special quality attained by the living
-material of vegetable seeds and by many kinds of bacteria.
-A similar special toleration of high temperatures, a good
-deal short of the boiling point, but high enough to kill
-<span class="pagenum"><a name="Page_190" id="Page_190">[Pg 190]</a></span>
-most plants and animals, is known to characterize certain
-bacteria and allied Schizophyta found in hot springs. It
-is a matter of common knowledge that many animals
-and plants are killed by a temperature (whether too
-high or too low for them) which allows others to flourish
-and may be necessary for their life. Minute organisms
-(flagellate monads) have been cultivated experimentally in
-a nourishing liquid, the temperature of which was raised
-daily by one or two degrees until the liquid was so hot
-that the same species of organism was at once killed by
-it when abruptly transferred to it from liquid at ordinary
-summer temperature.</p>
-
-<p>The true "suspended animation" of many vegetable
-seeds and of many kinds of bacteria under the influence
-of cold is not an exhibition of a general property of living
-things, but is due to a special quality of resistance gradually
-attained by natural selection of variations a little more
-tolerant of cold or of drought than are the majority. It is
-of life-saving value and a cause of survival to the species
-of plants and bacteria concerned. No doubt there is need
-of further experiment on the subject of the "killing" or
-destructive effect exerted by different degrees of diminution
-of temperature upon the protoplasm of all kinds of
-organisms, and with the knowledge so obtained we shall
-be able to frame a conception of the actual mechanical
-and chemical peculiarities of the protoplasm of those
-bacteria and of those vegetable seeds which can be exposed
-to the extreme of cold for many months or for an indefinite
-period and yet subsequently recover or live again.
-Probably in order to survive freezing, protoplasm must be,
-not absolutely dry, but free from all but a minimum of
-moisture.</p>
-
-<div class="footnotes p4"><h3>FOOTNOTE:</h3>
-
-<div class="footnote">
- <p class="noindent"><a name="Footnote_6_6" id="Footnote_6_6"></a>
-<a href="#FNanchor_6_6"><span class="label">[6]</span></a>
-See the chapter on "Sleep," in my "Science from an Easy Chair,"
-Methuen, 1909.</p></div>
-</div>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_191" id="Page_191">[Pg 191]</a></span></p>
-
-
-
-
-<div class="chapter p4">
- <h2><a name="CHAPTER_XVII" id="CHAPTER_XVII"></a>CHAPTER XVII</h2>
-</div>
-
-<p class="ac noindent">THE SWASTIKA</p>
-
-
-<div class="figcenter"><a name="i_38.jpg" id="i_38.jpg"></a>
- <img src="images/i_38.jpg" width="600" height="563"
- alt="" />
- <div class="caption"><span class="sc">Fig. 38.</span>&mdash;The swastika
- in its simplest rectangular form. It may turn to the right, as here, or to the left, a
- less usual thing, but without significance.</div>
-</div>
-
-<p class="drop-cap">A GOOD many people have never heard of the
-Swastika. It is an emblem or device such as is
-the Cross or the Crescent. Here it is (Fig. 38)
-in its most simple and most common form. In India it
-is in common use at the present day, and has been so
-for ages. It is the emblem of good
-luck. The name "Swastika," by which
-it is widely known, is a Sanskrit word
-meaning "good luck." The word is
-composed of Su, the equivalent of the
-Greek <i>eu</i>, signifying "well" or "good,"
-and asti (like the Greek <i>esto</i>), signifying
-"being," whilst ka is a suffix completing
-the word as a substantive.
-The sign or emblem called Swastika
-must have existed and been largely
-used in decoration of temples, images,
-swords, banners, utensils, and personal
-trinkets of all sorts long before this name was given to it.
-It has a name in many widely separate languages. It
-is often referred to by English writers as the fylfot, the
-gammadion, and the "crux ansata," also as the "croix
-gammée." It is often found more roughly drawn (on
-pottery or cloth) as shown in Fig. 39. Often the arms of
-the cross are bent rigidly at right angles as in Fig. 38,
-but they are often only curved as seen in Fig. 39, C,
-<span class="pagenum"><a name="Page_192" id="Page_192">[Pg 192]</a></span>
-or curled spirally as in B, when it is called an "ogee."
-The arms of the Swastika are sometimes bent to the
-right as in Fig. 38, and sometimes to the left as in Fig. 39.
-This difference does not appear to have any symbolic
-significance, but to depend on the fancy of the artist.</p>
-
-<div class="figcenter"><a name="i_39.jpg" id="i_39.jpg"></a>
- <img src="images/i_39.jpg" width="600" height="185"
- alt="" />
- <div class="caption"><span class="sc">Fig. 39.</span>&mdash;Three simple varieties
- of the swastika. <i>A</i>, the normal rectangular. <i>B</i>, the
- ogee variety (with spiral extremities). <i>C</i>, the
- curvilinear or "current" variety.</div>
-</div>
-
-<div class="p4">
-<div class="figcenter"><a name="i_40.jpg" id="i_40.jpg"></a>
- <img src="images/i_40.jpg" width="529" height="600"
- alt="" />
- <div class="caption1"><span class="sc">Fig. 40.</span>&mdash;Footprint of the Buddha,
- from an ancient Indian carving, showing several swastikas. (Fergusson and
- Schliemann.)</div>
-</div>
-</div>
-
-<p>In Figs. 40 to 45 a few examples are shown of the
-Swastika from various places and ages. It was in use
-in Japan in ancient times, and is still common there and
-in Korea. In China, where it is called "wan," it was at
-one time used, when enclosed in a circle, as a character
-or pictograph to signify the sun. It has been employed
-in China from time immemorial to mark sacred or
-specially honoured
-works of art, buildings,
-porcelain,
-pictures, robes, and
-is sometimes tattooed
-on the hands, arms,
-or breast. In India
-it is widely used in
-decoration by both
-Buddhists and Brahmins; children have it painted on
-their shaven heads, and it is introduced in various
-ceremonies. The gigantic carved footprints of Buddha
-from an Indian temple drawn in Fig. 40 show several
-Swastikas on the soles of the feet and on the toes. In
-the Near East and in Europe the Swastika is no longer
-in use: it is not, in fact, popularly known. But in ancient
-and very remote times it was in constant use in these
-regions, especially by the Mykenæan people and those
-who came under their influence, and also by the people
-of the Bronze Age&mdash;before the use of iron in Europe.
-Fig. 41 shows a vase of Mykenæan age (about 1200
-years <span class="sc">B.C.</span>) from Cyprus ornamented with Swastikas.
-Hundreds of terra-cotta "spindle-whorls" like Fig. 42
-<span class="pagenum"><a name="Page_193" id="Page_193">[Pg 193]</a></span>
-were found by Schliemann in excavating Hissarlik and
-the site of ancient Troy, and some of them date from
-3000 <span class="sc">B.C.</span> in layers of different ages. The vase on which
-is painted the ornament shown in Fig. 43 is from Bœotia,
-and belongs to the same early period&mdash;the "Mykenæan"
-or "Ægæan" before that of the Hellenes. It still
-survives in the pottery of the Dipylon period (<i>circa</i>
-800 <span class="sc">B.C.</span>), as is seen in the fragment drawn in Fig. 6,
-Chapter I. The later Greeks of the great classical period
-(Hellenes) did not use the Swastika. Nor has it been
-found on the works of art of the ancient Egyptians, nor
-in the remains of Babylonia, Assyria or Persia. It, in
-fact, seems to have belonged especially to that ancient
-"Minoan" civilization, the remains of which are found in
-<span class="pagenum"><a name="Page_194" id="Page_194">[Pg 194]</a></span>
-Crete and the other Greek islands. The same culture
-and the same race is revealed
-to us by the discoveries of
-Schliemann at Mykenæ and
-other spots in Greece, and at
-Hissarlik, the seat of ancient
-Troy. The Mykenæan art
-seems not to have been transmitted
-to the post-Homeric
-Greeks, nor to Egypt, nor to
-Babylonia and Assyria. The
-Swastika seems, like the "flying
-gallop" of Mykenæan art, to
-have travelled in very ancient
-times by a north-eastern route
-to the Far East. I have given
-some account of the latter, with
-illustrations, in "Science from
-an Easy Chair," Second series.
-Like the representation of the galloping horse, with
-both fore and hind legs stretched and the hoofs of the
-hind legs turned upwards, the Swastika is found in the
-remarkable metal work (Fig. 43 <i>bis</i>)
-discovered in the necropolis of Koban,
-in the Caucasus, dating from 500 <span class="sc">B.C.</span>
-The Swastika and the "flying gallop"
-probably travelled together across
-Asia to China and the Far East,
-and so eventually to India on the
-one hand and Japan on the other&mdash;the
-Swastika thus escaping altogether,
-as does the pose of the "flying
-gallop," the Near East and later
-Greece. This is a very remarkable and interesting
-association.</p>
-
-<div class="figcenter"><a name="i_41.jpg" id="i_41.jpg"></a>
- <img src="images/i_41.jpg" width="434" height="600"
- alt="" />
- <div class="caption"><span class="sc">Fig. 41.</span>&mdash;Vase from Cyprus
- (Mykenæan Age, <i>circa</i> 1200 <span class="sc">B.C.</span>); painted with lotus,
- bird and four swastikas (Metropolitan Museum, New York City).</div>
-</div>
-
-<div class="p4">
-<div class="figcenter"><a name="i_42.jpg" id="i_42.jpg"></a>
- <img src="images/i_42.jpg" width="600" height="597"
- alt="" />
- <div class="caption1"><span class="sc">Fig. 42.</span>&mdash;Terra-cotta
- spindle-whorl marked with swastikas. Troy, 4th city (Schliemann).</div>
-</div>
-</div>
-
-<p><span class="pagenum"><a name="Page_195" id="Page_195">[Pg 195]</a></span></p>
-
-<p>The Mykenæans and their island relatives obtained
-the Swastika either from the ancient Bronze-age people
-of Europe or else gave it to them, since it is very nearly
-as common as a decoration or symbol on the bronze
-swords, spear-heads, shields, and other metal work of
-these prehistoric people of the middle and north of Europe
-(also occurring in the pottery of the Swiss Lake dwellings),
-as it is in the islands and adjacent
-lands of the Eastern Mediterranean.
-The Swastika is also
-found abundantly on the early
-work of the Etruscans, but disappeared
-from general use in
-Italy, as it did from the rest of
-Europe, before historic times,
-although occasionally used (as
-in the decoration of the walls of
-a house at Pompeii). All over
-Germany, Scandinavia, France,
-and Britain it is found (Fig. 44)
-on objects of the Bronze period&mdash;sometimes
-on stone as well as
-on bronze utensils, ornaments,
-and weapons. A few objects of
-Anglo-Saxon age are ornamented
-with it&mdash;especially remarkable
-is a piece of pottery of that age from Norfolk
-(Fig. 45).</p>
-
-<div class="figcenter"><a name="i_43.jpg" id="i_43.jpg"></a>
- <img src="images/i_43.jpg" width="385" height="600"
- alt="" />
- <div class="caption"><span class="sc">Fig. 43.</span>&mdash;Ornament from an
- archaic (pre-Hellenic) Bœotian vase, showing several
- swastikas, Greek crosses and two serpents (from Goodyear).</div>
-</div>
-
-<div class="p4">
-<div class="figcenter"><a name="i_43a.jpg" id="i_43a.jpg"></a>
- <img src="images/i_43a.jpg" width="600" height="347"
- alt="" />
- <div class="caption1"><span class="sc">Fig. 43.</span> (<i>bis</i>).&mdash;Swastika in
- bronze repoussé, from the necropolis of Koban,
- Caucasus (after Chantre "Le Caucase"), about 500 <span class="sc">B.C.</span></div>
-</div>
-</div>
-
-<div class="p4">
-<div class="figcenter"><a name="i_44.jpg" id="i_44.jpg"></a>
- <img src="images/i_44.jpg" width="600" height="518"
- alt="" />
- <div class="caption"><span class="sc">Fig. 44.</span>&mdash;Silver-plated bronze horse-gear
- from Scandinavia, showing two swastikas, and below a complex elaboration of a swastika.
- (Bronze Age, about 1500 <span class="sc">B.C.</span>)</div>
-</div>
-</div>
-
-<div class="p4">
-<div class="figcenter"><a name="i_45.jpg" id="i_45.jpg"></a>
- <img src="images/i_45.jpg" width="515" height="600"
- alt="" />
- <div class="caption"><span class="sc">Fig. 45.</span>&mdash;Anglo-Saxon urn from
- Shropham, Norfolk, ornamented by twenty small hand-made
- swastikas stamped into the clay. (British Museum.)</div>
-</div>
-</div>
-
-<p>The history of the "Swastika" would be remarkable
-enough if it ended here with the disappearance of its use
-in Europe in prehistoric times and its continued use in
-the Far East and India. But the most curious fact about
-it is that we find it as a very common and favourite
-decoration and device among the native tribes in North
-America and Mexico, and exceptionally in Brazil. It is
-<span class="pagenum"><a name="Page_196" id="Page_196">[Pg 196]</a></span>
-found in use among the Indians of Kansas and other
-tribes&mdash;as a device in pottery, in bead-work (Fig. 46),
-patch-work, quill-embroidery, and other decorative fabrics.
-The Indians called Sacs, Kickapoos, and Pottawottamies,
-<span class="pagenum"><a name="Page_197" id="Page_197">[Pg 197]</a></span>
-who worship the sun (which is associated with the
-Swastika in China), call it by a native name signifying
-"the luck." It is also found as a decorative design in
-the most ancient remains of man in America, dating (so
-far as can be guessed) from a thousand years or more
-before Columbus (Fig. 47).</p>
-
-<div class="figcenter"><a name="i_46.jpg" id="i_46.jpg"></a>
- <img src="images/i_46.jpg" width="600" height="219"
- alt="" />
- <div class="caption"><span class="sc">Fig. 46.</span>&mdash;Piece of a ceremonial
- bead-worked garter, showing star and
- two swastikas made by the Sac Indians, Cook County, Kansas. (Modern.)</div>
-</div>
-
-<p>It is generally held that the Swastika must have been
-introduced into America in prehistoric times by early
-redskin immigrants from Asia. The question has been
-raised as to whether this introduction was before or after
-the worship of Buddha in Asia. It is only amongst
-Buddhists that the Swastika has a religious or sacred
-character. Elsewhere it seems to have been a mark
-or sign carrying "good luck." A representation of a
-sitting human figure incised on shell has been found in a
-prehistoric burial-mound in Tennessee, which has remarkable
-resemblance to the Asiatic statues of the Buddha.
-Shell ornaments have also been found here decorated
-with sharply-cut Swastikas, and in a mound in Ohio
-thin plates of copper were found cut into simple Swastika
-shapes like that of Fig. 38, four inches across. Modern
-Mexican Indians make brooches of gold and turquoise in
-the form of the Swastika, and it is a favourite device
-<span class="pagenum"><a name="Page_198" id="Page_198">[Pg 198]</a></span>
-among the Indians of neighbouring territory. Swastikas
-occur as decorations or lucky marks on the small terra-cotta
-"fig-leaf," which was worn by the women of some
-of the aboriginal tribes of Brazil, and have also been
-found on native pottery from the Paraguay River.</p>
-
-<p>Some students of this subject have held the opinion
-that the "Swastika" has been invented independently at
-different times in different parts of the world. It is a
-fairly simple device, it is true; but the view which is
-accepted at present is that it has spread from one centre&mdash;probably
-European in the
-late Stone period&mdash;through
-the Mykenæans, across Asia,
-and so with early immigrants
-across the Pacific into the
-American continent.</p>
-
-<div class="figcenter"><a name="i_47.jpg" id="i_47.jpg"></a>
- <img src="images/i_47.jpg" width="600" height="438"
- alt="" />
- <div class="caption"><span class="sc">Fig. 47.</span>&mdash;A stone slab from the
- ancient city of Mayapan (Yucatan, Central America), on which (right
- side) a curvilinear swastika is carved. (From the American Antiquarian
- Society, 1881.)</div>
-</div>
-
-<p>Apart from this problem,
-there is an interesting
-question as to how the
-device probably took its
-origin. The "Swastika"
-is sometimes called the
-"gammadion," because it
-may be regarded as four
-individuals of the Greek letter gamma (which has this
-shape [Greek: G]) joined at right angles to one another. The old
-English name for it, dating from Anglo-Saxon times,
-was fylfot&mdash;an old Norse word of doubtful meaning, which
-has no currency at the present day.</p>
-
-<p>A method of making the Swastika by piling up sand
-or grain on a flat surface, actually in use at the present
-time in India, is shown in Fig. 48. The artist makes
-first of all a circle with a cross drawn within it (A).
-Then the circle is rubbed out or cut away at four
-corresponding points where the arms of the cross touch
-<span class="pagenum"><a name="Page_199" id="Page_199">[Pg 199]</a></span>
-the circle, and so we get B. Then by the straightening
-of the curved pieces we get the correct rectangular
-Swastika, C. It is not probable that this is the way
-in which the Swastika was originally devised, though it is
-not possible to arrive at any certainty on the subject.</p>
-
-<p>In these matters concerning the origin of simple
-ornamental patterns, designs, and symbols, we always
-have to deal with certain natural opposing tendencies
-on the part of the artist-draughtsman or designer, one or
-other of which may be variously called into prominence
-by the softness or hardness or other quality of the
-material he has to use, or by the individual fancy for
-elaboration or for simplification which exists in him. I
-will call four of these tendencies which concern us in
-regard to the Swastika: 1, the rectilinear as opposed to
-2, the curvilinear, and 3, the grammatizing as opposed
-to 4, the naturalizing tendency, and will show what
-bearing they may have on the origin of the device known
-as the Swastika.</p>
-
-<div class="figcenter"><a name="i_48.jpg" id="i_48.jpg"></a>
- <img src="images/i_48.jpg" width="600" height="246"
- alt="" />
- <div class="caption"><span class="sc">Fig. 48.</span>&mdash;Diagram to show the
- derivation of the swastika from a Greek cross enclosed by a circle. In India the swastika
- is actually modelled in this way&mdash;in native ceremonies with
- rice-grain spread on the ground. The successive figures
- drawn above are produced by moving the rice with the hand.</div>
-</div>
-
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_200" id="Page_200">[Pg 200]</a></span></p>
-
-
-
-
-<div class="chapter p4">
- <h2><a name="CHAPTER_XVIII" id="CHAPTER_XVIII"></a>CHAPTER XVIII</h2>
-</div>
-
-<p class="ac noindent">THE ORIGIN OF THE SWASTIKA</p>
-
-
-<p class="drop-cap">THE Swastika is, we have seen, a very early device
-or symbol in use among ancient races in Europe,
-Asia and America. Though it has been found
-on an ingot of metal in Ashanti it was of late foreign
-introduction there, and is not known in Africa, nor in
-Polynesia and Australia, nor among the Eskimos. How
-did it as a mere matter of shape and pattern come into
-existence? One might suppose that such combinations
-of lines as the simple cross and this modified cross, with
-the arms bent each half-way along its length to form a
-right angle, would be very natural things for a primitive
-man&mdash;or a child&mdash;to make when trying to produce some
-ornamental effect by tracing simple rectilinear and symmetrical
-figures. No doubt such a "playing with lines"
-is a common phase or stage of the human search for
-decorative design. It leads by gradual steps to very
-complex line-decoration in early pottery and woven work,
-which is sometimes called "geometrical design."</p>
-
-<p>It is, however, the fact, and a very interesting one,
-that the tendency to make geometrical design is not so
-pronounced in the very earliest examples of human
-drawing and ornament known to us, as is the tendency
-to copy natural objects. And this would appear to be
-especially the case where the drawing is to be a symbol
-or significant badge. In the earliest art-work known to
-us&mdash;that of the cave-men of the late Pleistocene period in
-<span class="pagenum"><a name="Page_201" id="Page_201">[Pg 201]</a></span>
-Western Europe (see Chaps. I., II. and III.)&mdash;the artists
-were busy with attempts (often wonderfully successful
-ones) to present the outlines of familiar animals (and
-sometimes plants) by incised carving on bone or painting
-on the rock walls of caves&mdash;preceded, it is true, by a
-period in which "all-round" sculpture in bone or stone
-or modelling in clay was the method employed. The
-extensive use of lines&mdash;concentric or parallel, like those
-on the finger-tips&mdash;as decoration of stone work is not
-known until the later or Neolithic period.
-<a name="FNanchor_7_7" id="FNanchor_7_7"></a>
-<a href="#Footnote_7_7" class="fnanchor">[7]</a> On one at
-least of the incised bone drawings of the Palæolithic
-cave-men two little diamond-shaped lozenges are engraved.
-They are seen in the cave-men's drawing of
-a stag figured on pp. 12, 13 of this book. These lozenges
-are supposed to be the "signature" of the artist, and,
-if so, are not only the first examples of a geometrical
-rectilinear figure as ornament, but the earliest examples
-known of the use of a badge or symbol as a means of
-identification.</p>
-
-<p>When we compare the simpler decorative designs
-made use of by the less cultivated races of men, we find
-that there are certain distinct and opposed tendencies
-the predominance of which is of importance in helping
-us to explain the origin of the design. The tendency to
-make straight lines and rectilinear angles, which we may
-call the "rectilinear habit," is found in work executed
-on hard stone by a graving tool, and in work where
-square-cut stones are set together or flat pieces of wood
-or straw are interlaced, and in coarser kinds of weaving,
-bead-work, and basketwork. The opposite tendency is
-found in work executed with a brush and fluid paint on
-pottery or cloth, or even with a graver on soft clay or bone.</p>
-
-<p><span class="pagenum"><a name="Page_202" id="Page_202">[Pg 202]</a></span></p>
-
-<p>The contrast is well shown in the two renderings of
-one and the same "pattern," shown in A and B of Fig. 49.
-A is the rectilinear angular decorative design which is
-known as the "Greek key pattern," whilst the scroll
-below it is the "curvilinear" treatment of the same
-subject. The first takes its rectilinear character from
-a structure built up of hard blocklike pieces; the other
-is the flowing, easily moving line of a brush laying on
-paint, or of a style moving over clay or soft wax. The
-contrast is the same as that of the capital letters of the
-Roman alphabet, as used in print, with their equivalents
-in "copper-plate,"
-cursive handwriting.</p>
-
-<div class="figcenter"><a name="i_49.jpg" id="i_49.jpg"></a>
- <img src="images/i_49.jpg" width="600" height="325"
- alt="" />
- <div class="caption1"><span class="sc">Fig. 49.</span>&mdash;The Greek Key pattern
- in <i>A</i> rectangular, and <i>B</i> curvilinear or "current" form.</div>
-</div>
-
-<p>Another pair of
-tendencies opposed
-to each other which
-have much significance
-in the explanation
-of decorative
-design is the tendency
-to convert the
-simple lines of an
-original design into a drawing representing some animal
-or plant shape. At the end of the last chapter I distinguished
-this as the "naturalizing" tendency, contrasting
-it with the grammatizing or simplifying tendency.
-A good example of it is seen in Fig. 50. In A of that
-figure we see a circle divided into three cones by curved
-lines; this is a known design. It is called a "triskelion"
-(meaning a three-legged figure), or is more correctly
-termed "a three-branched scroll." The curves are converted
-into angles and straight lines in B, and then the
-stiff rectilinear "triskelion" is subsequently developed into
-three human legs, as shown in C, Fig. 50. It is naturalized.
-Were the change to proceed in the other way from the
-<span class="pagenum"><a name="Page_203" id="Page_203">[Pg 203]</a></span>
-three human legs to the simple lines, we should have an
-example of the opposed tendency, namely, that of converting
-drawings of natural objects&mdash;by a degenerative or
-reducing process&mdash;to the simplest lines representative of
-them. This tendency, which we call "grammatizing"
-(from gramma, the Greek for a line), is far commoner
-in early art than the naturalizing tendency which sets
-in when the artist is exuberant, self-confident, and
-imaginative. We see a "naturalizing" tendency in the
-flamboyant and arabesque decorative work of the renascence,
-but it is also found among the happy Minoan,
-or Ægæan, island folk
-who decorated great
-pots and basins in
-Cyprus and Crete with
-forms suggested by
-birds, sea-creatures,
-and climbing plants,
-and worshipped the
-great mother Nature
-as Aphrodite, the sea-born
-goddess.</p>
-
-<div class="figcenter"><a name="i_50.jpg" id="i_50.jpg"></a>
- <img src="images/i_50.jpg" width="600" height="234"
- alt="" />
- <div class="caption"><span class="sc">Fig. 50.</span>&mdash;Diagrams of the "triskelion" or
- figure formed by the division of a circle into three equal bent cones as in <i>A</i>.
- <i>B</i> is the rectangular form derived from it. <i>C</i>
- is a "naturalized" form derived from it, namely, the three conjoined legs used as
- the badge of Sicily and of the Isle of Man.</div>
-</div>
-
-<p>The triangular island of Sicily (called also Trinacria)
-had in ancient times (even as far back as 300 <span class="sc">B.C.</span>) the
-conjoined three legs (shown in Fig. 50, C) as its badge or
-armorial emblem. An ancient Greek vase found at
-Girgenti has this badge painted on it. Ancient Lycia
-had a triskelion formed by three conjoined cocks' heads
-stamped on its coins. Though it has no direct connection
-with the Swastika, the introduction of the "three legs"
-as the armorial emblem of the Isle of Man is worth
-relating, as it is not known to most of those who are
-familiar with the device, with its motto, "Quocunque
-jeceris stabit" on the copper pence minted for that island
-up to as late a date as 1864, and current in Great Britain.
-<span class="pagenum"><a name="Page_204" id="Page_204">[Pg 204]</a></span>
-King Alexander III of Scotland expelled the Norse
-Vikings from the Isle of Man in <span class="sc">A.D.</span> 1266, and substituted
-for their armorial emblem in the island, which was a ship
-under full sail, the three legs of Sicily. Frederick II,
-King of Sicily, married Isabella, the daughter of Henry III
-of England. Alexander III of Scotland married Margaret,
-another daughter of Henry, and Henry's son, Edmund
-the Hunchback, became King of Sicily, in succession to
-his brother-in-law Frederick. Alexander of Scotland was
-thus brother-in-law both of Frederick II and of Edmund,
-successive kings of Sicily. It was in this way that he
-was led, when he added the Isle of Man to his kingdom,
-to replace the former Norse emblem of the island by the
-picturesque and striking device of that other island&mdash;Sicily&mdash;with
-which he had so close a family connection.</p>
-
-<p>The tendency for drawings of men and animals when
-used as decorative designs to degenerate, in the course
-of time and repetition, into more and more simple lines,
-to become more and more "grammatized" and simplified,
-till at last their origin is hardly recognizable, is both a
-very remarkable and a very usual thing. The process
-of degeneration, step by step, can often be traced, and
-curious remnants of important parts of the original drawing
-are found surviving in the final simplified design. The
-paddles and other carvings of some of the South Sea
-Islanders show very curious "degenerations" of this kind.
-A carved human head with open mouth becomes by repeated
-copying and simplification a mere crescent or hook,
-which is the vastly enlarged mouth of the original face. It
-alone survives, and is of enormous size, when all other
-features and detail have been abandoned. In some
-carvings of a face the tongue is shown projecting as an
-indication of defiance. In course of simplification in
-successive reproductions the face becomes a mere curved
-surface with a large pointed piece standing out from it;
-<span class="pagenum"><a name="Page_205" id="Page_205">[Pg 205]</a></span>
-it is the tongue. That one significant thing&mdash;suggesting
-defiance&mdash;alone persists. The study of this process in
-human art covers a very wide field, including all races
-and all times. An excellent example is that given in
-Fig. 51. It shows the step by step "grammatizing" of
-a favourite decorative drawing&mdash;that of an alligator, as
-painted by the Chiriqui Indians of Panama on pottery.
-We start in Fig. 51, A, with an alligator, already considerably
-"schematized" or conventionalized. The Indians
-could do better than that, but it served for pottery
-decoration. The figures B, C, D show three stages of
-further "grammatizing"
-of the design
-(from different parts
-of the surface of a pot)
-till, in D, we get the
-alligator reduced to a
-yoke-like line and a
-dot!</p>
-
-<div class="figcenter"><a name="i_51.jpg" id="i_51.jpg"></a>
- <img src="images/i_51.jpg" width="600" height="280"
- alt="" />
- <div class="caption1"><span class="sc">Fig. 51.</span>&mdash;Four stages in the simplification
- of a decorative design&mdash;the Alligator&mdash;as painted on pottery by the Chiriqui
- Indians. (Holmes.)</div>
-</div>
-
-<p>Familiar modern
-examples of this reduction
-of an animal
-figure to one or two lines, with mysterious-looking branches
-(representing limbs or horns), are seen in the scattered
-devices on the Turkey carpets so largely used at the
-present day. A comparison of various examples of such
-carpets of different age and locality reveals the true nature
-of these queer-looking patterns as representations of
-animals! Another familiar instance of the grammatizing
-of an animal form is that shown in Fig. 52, D, which is
-the common symbol in modern European art for a flying
-bird. Fig. 52 shows, however, some more important
-simplifications of animal form. The series marked E are
-a few examples from hundreds painted on the walls of
-caves in Cantabria (Spain) by prehistoric men. They
-<span class="pagenum"><a name="Page_206" id="Page_206">[Pg 206]</a></span>
-start with a clearly recognizable figure of a man&mdash;many
-such, an inch or two high, occur on some parts of the
-cave-walls&mdash;and then we have all sorts of simplifications
-and deviations from the more naturalistic initial design,
-as shown by the rest of the series, ending in a T&mdash;a
-primitive symbol
-often arrived at by
-savage decorative
-artists in various
-parts of the world
-by reducing and
-grammatizing the
-human figure. The
-letters of many
-alphabets have
-been simplified in
-this way from original
-picture-like
-signs or pictographs.</p>
-
-<div class="figcenter"><a name="i_52.jpg" id="i_52.jpg"></a>
- <img src="images/i_52.jpg" width="523" height="600"
- alt="" />
- <div class="caption"><span class="sc">Fig. 52.</span>&mdash;Simplification (grammatizing) of
- decorative design. <i>A</i>, a stork walking. <i>B</i>, a stag. <i>C</i>, a stork with
- wings spread for flying&mdash;resulting when fully "grammatized"
- in a curvilinear swastika. <i>A</i>, <i>B</i>, and <i>C</i>,
- from spindle-whorls found at Hissarlik. <i>D</i>, conventional representation of three
- flying birds. <i>E</i>, grammatized human figure from the walls of caverns in
- Cantabria.</div>
-</div>
-
-<div class="p4">
-<div class="figcenter"><a name="i_53.jpg" id="i_53.jpg"></a>
- <img src="images/i_53.jpg" width="586" height="600"
- alt="" />
- <div class="caption1"><span class="sc">Fig. 53.</span>&mdash;Spindle-whorl
- from Troy (fourth city), with three swastikas&mdash;two resembling
- "stylized" storks (see Fig. 52, C). (Schliemann.)</div>
-</div>
-</div>
-
-<p>The drawings
-lettered A, B and C
-in Fig. 52 represent
-accurately figures
-scratched on the
-clay "spindle-whorls"
-(before baking), so abundant
-in the remains
-of the ancient cities on the hill of Hissarlik (Troy),
-found by Schliemann (see Figs. 42 and 53). These
-heavy, bun-like spindle-whorls have retained their use
-and shape since Neolithic times (they are found in
-the Swiss lake-dwellings) to the present day. Similar
-whorls were made of modern porcelain, variously decorated,
-<span class="pagenum"><a name="Page_207" id="Page_207">[Pg 207]</a></span>
-in France in the last century and sold to the
-peasants for giving weight and rotatory stability to
-the spindle used in spinning, and are still used wherever
-the spindle survives, as among the Indians of
-Central America. A "grammatized" profile representation
-of a stork (Fig. 52, A) is one of the designs on
-these Hissarlik spindle-whorls, and so is the linear representation
-of a stag (Fig. 52, B). And now we come
-back to the Swastika. The four figures in a row, marked
-C in Fig. 52, are a few of the representations
-of "flying" storks on
-these same spindle-whorls; one so
-marked is drawn in Fig. 53. They
-are of various degrees of simplification,
-and the last but one on the
-right hand side is identical with a
-Swastika! It must be carefully
-remembered that these clay spindle-whorls
-from Hissarlik are very
-commonly inscribed with undoubted
-well-shaped Swastikas, as shown in
-Fig. 42. The Swastika is quite
-a common and usual decorative
-lucky badge in the household art
-of that locality and age. Hence it is not surprising
-that M. Solomon Reinach, of Paris, has suggested
-that the Swastika may have originated thus&mdash;by the
-"stylizing" or "grammatizing" of a favourite and sacred
-bird&mdash;the stork. Once thus suggested and drawn in the
-simple Swastika shape the emblem (it would be supposed)
-became fixed, and made as rectilinear and simple as
-possible. Thenceforward it was accepted as an emblem
-of good luck, which has been transmitted throughout the
-ancient world of Europe, Asia and America. This theory
-has a plausible aspect, but I understand from M. Reinach
-<span class="pagenum"><a name="Page_208" id="Page_208">[Pg 208]</a></span>
-that he no longer attaches importance to it. I do not
-know what theory, if any, of the origin of the Swastika
-now commends itself to him, nor whether he thinks it has
-originated independently in several times and places, or
-holds that it has one common origin. I am inclined to
-favour the theory that the Swastika has been started by
-the copying of the form of a natural object on the part of
-a primitive race of men, and that this form has lent itself
-to the invention of other badges and symbols besides that
-known as the Swastika. I will explain this in the next
-chapter.</p>
-
-<div class="footnotes p4"><h3>FOOTNOTE:</h3>
-<div class="footnote">
- <p class="noindent"><a name="Footnote_7_7" id="Footnote_7_7"></a>
-<a href="#FNanchor_7_7"><span class="label">[7]</span></a>
-But spiral and leaf-like decorative designs engraved on bone (see Fig.
-29, p. 54) are found in caves associated with other carvings made by cave-men
-of the Reindeer or late Palæolithic period.</p></div>
-</div>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_209" id="Page_209">[Pg 209]</a></span></p>
-
-
-
-
-<div class="chapter p4">
- <h2><a name="CHAPTER_XIX" id="CHAPTER_XIX"></a>CHAPTER XIX</h2>
-</div>
-
-<p class="ac noindent">THE TOMOYE AND THE SWASTIKA</p>
-
-
-<div class="figcenter"><a name="i_54.jpg" id="i_54.jpg"></a>
- <img src="images/i_54.jpg" width="589" height="600"
- alt="" />
- <div class="caption1"><span class="sc">Fig. 54.</span>&mdash;The
- "Tomoye"&mdash;the Japanese badge of triumph.</div>
-</div>
-
-<div class="p4">
-<div class="figcenter"><a name="i_55.jpg" id="i_55.jpg"></a>
- <img src="images/i_55.jpg" width="600" height="164"
- alt="" />
- <div class="caption"><span class="sc">Fig. 55.</span>&mdash;Symbols of the history
- of the universe used by the ancient Chinese philosopher Chu-Hsi.
- <i>A</i>, The original "void." <i>B</i>, The great
- monad. <i>C</i>, The monad divides into two, male
- and female. <i>D</i>, The halves in rotatory movement,
- suggested by the S-like bending of the
- dividing line or diameter of the circle.</div>
-</div>
-</div>
-
-<div class="p4">
-<div class="figcenter"><a name="i_56.jpg" id="i_56.jpg"></a>
- <img src="images/i_56.jpg" width="600" height="297"
- alt="" />
- <div class="caption"><span class="sc">Fig. 56.</span>&mdash;Diagrams
- to show the possible derivation of
- the swastika from the inscription of two S-like lines
- (or "ogees") within a circle so as to divide the
- circle into four bent cones. <i>B</i> and <i>C</i> are ogee and
- rectangular swastikas easily produced by modification
- of the encircled figure.</div>
-</div>
-</div>
-
-<p class="drop-cap">FIG. 54 represents a remarkable design which is a
-sort of national emblem, a universally accepted
-badge of triumph and honour in Japan, and is called
-"Tomoye"&mdash;meaning "triumph." The black and white
-portions are in that country painted respectively red and
-yellow. It is simply a circle divided
-into two equal cone-like figures by the
-inscription within it of a doubly-curved
-line like the letter S. Where and how
-did the Japanese get this badge? Who
-invented it, or from what natural object
-is it copied? A modified Tomoye with
-the cones dislocated is used as the
-national flag of Korea. A single one
-of these curious, tapering, one-sided
-cones is closely similar to the cone-like
-figures sometimes called "pines" which one sees
-on Indian shawls. The origin of these is sometimes
-said to be a copying of some fruit or vegetable growth,
-but is really not ascertained&mdash;and is possibly half of a
-Tomoye! A great circular altar-stone has been found in
-Central America, 5 ft. across, divided by a deep S-shaped
-groove into two equal one-sided cones (Fig. 59) like the
-Tomoye. The figure formed by an S within a circle is
-found in the writings of the ancient Chinese philosopher
-Chu-Hsi. He gives a series of symbols representing
-<span class="pagenum"><a name="Page_210" id="Page_210">[Pg 210]</a></span>
-(according to him) the history of the universe. They are
-shown in Fig. 55, and are explained as follows. The
-empty circle A
-represents the
-original "void"&mdash;the
-boundary line
-is conventional.
-After untold æons
-the great monad
-appeared. It is
-represented by B.
-Then we get the
-division of the
-great monad (now called "Tai-I") into two, shown in
-C of our Fig. 55&mdash;singularly recalling the division of the
-nucleated cell or protoplasmic unit of animal and vegetable
-structure. The two halves, however, in this case represent
-the feminine called "Yin" and the masculine called
-"Yang." The last drawing, D of Fig. 55, shows the Yin
-and the Yang in
-rotatory motion.
-This is indicated
-by the S-like
-bending of the
-diameter, and
-the consequent
-formation of a
-figure like the
-Tomoye. By
-this motion the
-visible universe
-is supposed&mdash;by
-the philosopher Chu-Hsi&mdash;to be produced. The figure
-marked D is described as a "cosmological symbol."
-It does not help us to the origin of the figure showing
-<span class="pagenum"><a name="Page_211" id="Page_211">[Pg 211]</a></span>
-the division of the circle as in the Tomoye, for it dates
-only from about the twelfth century of our era.</p>
-
-<p>If we suppose the circle divided, as in the Tomoye,
-to be a very ancient badge or device, dating from prehistoric
-man, then it is probably derived from a natural
-object. And this object was probably a ground-down
-transverse section across a whelk-shell, for if one makes
-such a section just above the mouth of the shell
-at right angles to its length, one gets two adjacent
-chambers of the spirally-coiled shell separated by an
-S-like partition, the resulting figure given by the slice
-across the shell being that of the
-"tomoye," with its paired, one-sided,
-cone-like constituents. Shells are
-amongst the chief ornaments used by
-prehistoric and modern savage man.
-Large ones are ground down to make
-armlets. The perception of the spiral
-as a decorative line is almost certainly
-due to the handling and grinding-down
-of snail shells, and, indeed, we
-find spirals and reversed spiral scrolls
-engraved on bone by the Pleistocene cave-men (see
-Fig. 29).</p>
-
-<div class="figcenter"><a name="i_57.jpg" id="i_57.jpg"></a>
- <img src="images/i_57.jpg" width="600" height="456"
- alt="" />
- <div class="caption1"><span class="sc">Fig. 57.</span>&mdash;Terra-cotta
- cone with a seven-armed sun-like figure engraving on it. Troy. (Schliemann.)</div>
-</div>
-
-<p>The Ægæan people of the Greek islands (of whom
-the Mykenæans are a part) copied a variety of forms of
-marine animals in their decorations of pottery, and, in
-fact, natural shapes were the basis of their decorative art.
-They simplified and "grammatized" their more nature-true
-designs into badges and symbols.</p>
-
-<div class="figcenter"><a name="i_58.jpg" id="i_58.jpg"></a>
- <img src="images/i_58.jpg" width="600" height="548"
- alt="" />
- <div class="caption"><span class="sc">Fig. 58.</span>&mdash;Scalloped Shell Disk, from a
- mound near Nashville, Tennessee, showing in the centre a tetraskelion with four
- curved arms, about four inches in diameter, made of polished shell. (Peabody
- Museum.)</div>
-</div>
-
-<p>We find in early work discovered in the ancient mounds
-of North America decorative circles (Fig. 58) in which two
-S-like lines at right angles to one another are inscribed
-as shown in Fig. 56, and we find also that these curved
-rays may be prolonged as a marvellous enveloping
-<span class="pagenum"><a name="Page_212" id="Page_212">[Pg 212]</a></span>
-spiral coil or helix&mdash;especially in the painting of pottery.
-When the curved rays are many in number, as in Fig.
-57, the design has been interpreted by some archæologists
-as symbolizing the sun, and it is important to
-remember that the Swastika itself was used in China
-as the pictograph of the sun. A single curved S-like
-line has been found cut on a great circular slab, an
-ancient altar-stone (Fig. 59) in Honduras (Copan)&mdash;so as
-to divide the circle as is
-done in the Japanese
-Tomoye. It is obvious
-that the exact geometric
-character of the
-S-like division is of
-great significance in
-these designs and requires
-careful study
-and explanation. I
-have briefly discussed
-this matter at the end
-of the chapter. In
-the common "ogee
-Swastika," Fig. 56, B,
-the more or less
-elaborately helicoid
-arms are merely careless
-flourishes of the painter's brush. The simple four-rayed
-figure, shown in Fig. 56, A, is often spoken of as
-a "tetraskelion," or four-legged scroll, and is associated
-with the three-legged figure or triskelion which I wrote
-of in the last chapter. If the curvilinear "tetraskelion"
-be angularized&mdash;that is to say, rectangles substituted for
-semicircles, we get the correct fully developed Swastika,
-Fig. 56, C. And if, abandoning the circle, the draughtsman
-rapidly drew with a brush or on soft clay lines like
-<span class="pagenum"><a name="Page_213" id="Page_213">[Pg 213]</a></span>
-an S crossing one another at right angles, he produced
-what is common enough wherever the more formal rectangular
-Swastika is found, namely, the curvilinear or
-"ogee Swastika," Fig. 56, B.</p>
-
-<p>It is not possible with our present knowledge to penetrate
-into the remote past and really ascertain the origin
-of the shape or device called a Swastika. But it is, I think,
-quite likely that in manipulating the "tomoye" symbol
-(whether copied from a section of shell or originating by
-more independent invention and "trying" of lines and
-curves and circles), very
-early man duplicated the
-symmetrical S by which
-he had divided a circle
-and produced the tetraskelion
-seen in Fig. 56, A.
-The conversion of this
-into the rectangular
-Swastika and into
-varieties of the ogee and
-menander (which I have
-not found space to describe)
-would be an easy
-and natural sequence.</p>
-
-<div class="figcenter"><a name="i_59.jpg" id="i_59.jpg"></a>
- <img src="images/i_59.jpg" width="600" height="470"
- alt="" />
- <div class="caption"><span class="sc">Fig. 59.</span>&mdash;An altar-stone of prehistoric
- age. The circular surface is cut into by a trough of S-shape, which divides it so
- as to resemble the Japanese "Tomoye." From Copan, Honduras.</div>
-</div>
-
-<p>At the same time, I have no conviction that this is
-the real origin of the Swastika, and await further evidence.
-The "flying-stork theory," which was put forward by
-Reinach, is very attractive. Birds as badges and "totems"
-are frequent among primitive mankind, and certain species
-are often regarded as sacred and bringing good luck.
-The stork is one of these. If the artists who marked the
-very ancient clay-pottery of Hissarlik with the Swastika
-and also with outlines of the flying stork, strongly
-resembling a Swastika, did not derive the Swastika from
-the stork, but had received it from some independent
-<span class="pagenum"><a name="Page_214" id="Page_214">[Pg 214]</a></span>
-source, then it is probable that they purposely drew the
-flying stork, so as to make it resemble as much as possible
-a Swastika.</p>
-
-<p>When we take account of the apparently arbitrary
-passage of human decorative design from the naturalistic
-to the linear, and from the linear to the naturalistic; from
-the curvilinear to the rectilinear, and from rectilinear to
-curvilinear; when we also reflect that some races and
-populations of men have been prone to seek for the
-forms of their decoration in the natural forms of plants
-and animals, whilst others have made use of mere
-mechanical patterns of parallel or interlacing lines, we must
-conclude that by the appeal to one or other of these
-various tendencies it is easy to invent a large variety of
-more or less plausible theories as to the origin of the
-Swastika. The truth of the matter can only be decided,
-if ever, by more direct and conclusive evidence than we
-at present possess. Nevertheless, it is a legitimate and
-fascinating thing to speculate on the origin of this
-wonderful world-pervading emblem coming to us from
-the mists of prehistoric ages, and to endeavour to arrive,
-if possible, at possible points of contact between it and
-other "devices" and "symbols," even though they may
-be of equally obscure birth.<a name="FNanchor_8_8" id="FNanchor_8_8"></a>
-<a href="#Footnote_8_8" class="fnanchor">[8]</a></p>
-
-<div class="figcenter"><a name="i_60.jpg" id="i_60.jpg"></a>
- <img src="images/i_60.jpg" width="600" height="494"
- alt="" />
- <div class="caption1"><span class="sc">Fig. 60.</span></div>
-</div>
-
-<p>The accurate division of a circle into two equal
-comma-shaped areas of the special shape presented by
-the "Tomoye" of the Japanese (Fig. 54) and the rotating
-"Great Monad" of Chinese cosmogony (Fig. 55), is effected
-by describing within a given circle two circles each having
-its diameter equal to a radius of the enclosing circle. The
-two inscribed circles touch one another at the centre
-<span class="pagenum"><a name="Page_215" id="Page_215">[Pg 215]</a></span>
-of the latter, but do not overlap. The area of the enclosing
-circle is thus divided into four areas, <i>a</i>, <i>b</i>, <i>c</i> and <i>d</i>
-(see Fig. 60, A). The areas <i>a</i>, <i>b</i> are the two inscribed
-circles. Each of the residual areas <i>c</i>, <i>d</i> is called (as Sir
-Thos. Heath, F.R.S., kindly informs me) an "arbelus" by
-ancient Greek geometricians&mdash;a name used for a rounded
-knife used by shoemakers. The comma-shaped bent
-cone or pine is formed by the fusion of one of the two
-small circles with one of the adjacent arbeli (Fig. 60, B).
-The figure so formed which to-day is loosely spoken of as
-a "bent cone," a "pine," or a "comma," has never, so far as
-I can ascertain, received a name in geometry, nor in the
-language of decorative design or pattern-making. Nor
-has the S-like line made by the two semicircles separating
-the contiguous "pines" or "commas" received any
-designation though vaguely indicated by the word "ogee."
-The comma-like areas might conveniently be called
-<span class="pagenum"><a name="Page_216" id="Page_216">[Pg 216]</a></span>
-"streptocones," and their S-like boundary "a hemicyclic
-sigmoid." As shown in Fig. 56, by drawing a second
-hemicyclic sigmoid of the same dimensions at right angles
-to the first, the circle is divided into four smaller streptocones.
-By using sigmoids or half-sigmoids of a curvature
-of a different order from that of the hemicyclic one, but of
-a precisely defined nature, the circle may be divided into
-three, six, eight or more equal "streptocones" of graceful
-proportions, some of which have been used either in series
-as borders in metal work (for circular dishes and goblets) or
-as detached or grouped elements in pattern-designs (stone-work
-tracery, embroidery, woven and printed fabrics).</p>
-
-<p>Apart from this development of the "streptocone" as
-an important feature in decorative work, it is not without
-interest in connection with the probable importance and
-significance of the Japanese double streptocone, as we may
-call the Tomoye, to note some of its geometrical features.
-Referring to the Fig. 60, it is obvious that each of the
-paired streptocones is equal in area to half the enclosing
-circle, also that each of the two inscribed circles (<i>a</i>, <i>b</i>) has
-an area of one-fourth of that of the enclosing circle&mdash;and
-that each arbelus (<i>c</i>, <i>d</i>) has also an area one-fourth that
-of the enclosing circle and is equal in area to each of the
-inscribed circles (<i>a</i>, <i>b</i>). Each of the two constituent
-"streptocones" is made up of a <i>complete</i> circle capped by
-an "arbelus" equal in area to it (namely, one-quarter of
-that of the big circle). It is obvious that the area of the
-arbelus formed in a semicircle by two enclosed semicircles
-which are contiguous and of equal base as in Fig. 60,
-is equal to that of a circle the diameter of which is the
-vertical line drawn from the apex of the arbelus to the arc
-of the semicircle (Fig 60). This is true whether the
-enclosed contiguous semicircles have chords of equal or
-unequal length (Fig. 60). This fact was known to the
-Greek geometricians, as I am informed by Sir Thos. Heath.</p>
-
-<div class="footnotes p4"><h3>FOOTNOTE:</h3>
- <div class="footnote">
- <p class="noindent"><a name="Footnote_8_8" id="Footnote_8_8"></a>
- <a href="#FNanchor_8_8"><span class="label">[8]</span></a>
- I am indebted for the figures (not the diagrams) illustrating Chapters
- XVII., XVIII., XIX. to the report by Mr. Thomas Wilson on the Swastika&mdash;in
- the Smithsonian Reports, 1894. Those interested in this subject will find
- a vast store of information in that report.</p>
- </div>
-</div>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_217" id="Page_217">[Pg 217]</a></span></p>
-
-
-
-
-<div class="chapter p4">
- <h2><a name="CHAPTER_XX" id="CHAPTER_XX"></a>CHAPTER XX</h2>
-</div>
-
-<p class="ac noindent">COAL</p>
-
-
-<p class="drop-cap">COAL is so much "a matter of course" in our daily
-life that most people are only now, when its supply
-is becoming precarious, anxious to know something
-of its nature and history. By the word "coal," or "coles,"
-our ancestors understood what we now distinguish as
-"charcoal," prepared from wood by the "charcoal-burner,"
-or "charbonnier," as the French call him. What we
-now call "coal" was known to them as "sea-coal," and,
-later, as "black" or "stone cole," to distinguish it from
-"brown coal," known nowadays as "lignite," though the
-name "stone coal" is locally applied in England to that
-very hard kind of black coal also called "anthracite," of
-which jet is only an extremely hard and dense variety
-found in small quantities in the oolitic strata of Whitby,
-Spain, and other localities.</p>
-
-<p>It is on record that in the year 1306 a citizen of
-London was tried, condemned, and executed for burning
-"sea-coal." This severe treatment was held to be justified
-by the poisonous and otherwise injurious nature of the
-smoke produced by fires of sea-coal. I have not met
-with any records of the earliest digging for and trade in
-"sea-coal," but presumably it was obtained near the
-coast in the North of England and brought to London by
-ship&mdash;hence its name. The coal-trade of Newcastle
-began in the thirteenth century, but, owing to an Act of
-Parliament in the reign of Edward I forbidding the use
-<span class="pagenum"><a name="Page_218" id="Page_218">[Pg 218]</a></span>
-of sea-coal in London, did not become important until
-the seventeenth century. It came very gradually into
-use, and we find that Evelyn (the diarist) in 1661 noted
-the withering and bad condition of rose-bushes and other
-plants in London gardens, which he attributed to the
-pestilential action of the smoke given off by the newly
-introduced "sea-coal" which was increasingly used as
-fuel in London houses. The sea-coal was not yet largely,
-if at all, used in the production of iron; and Evelyn as a
-forest-owner and lover of trees, has much to say about the
-necessity for attention to the cultivation of our forests in
-connection with the iron industry which then flourished
-in the Weald of Sussex; charcoal procured by the slow
-burning or roasting of wood being the fuel used in the
-smelting furnaces, whilst the ore was the orange-brown
-wealden sand. It was during the eighteenth century
-that what we now call simply "coal" came rapidly into
-use&mdash;not only for domestic heating, but for furnaces of
-all kinds employed in industrial enterprise, and, at a
-later date, for the earlier and later forms of steam-engines.
-The smoke of the new coal was everywhere regarded as
-a terrible nuisance, and a source of injury to both animal
-and vegetable life. The poisonous action of coal-smoke
-is not due to the finely divided black particles of carbon
-of which it largely consists, but to the sulphuric acid
-derived from the small quantities of sulphur present in
-coal. It is calculated that more than sixteen million tons
-of coal are annually used in London alone for heating
-purposes, and that 480,000 tons of black carbon powder
-are discharged over London by its chimneys every year,
-together with very nearly the same weight of poisonous
-sulphuric acid!</p>
-
-<p>What, then, is this "sea-coal" or "coal" of our modern
-life? We all know its black, glistening appearance, and
-more or less friable character. Its nature and origin are
-<span class="pagenum"><a name="Page_219" id="Page_219">[Pg 219]</a></span>
-best conveyed by the statement that it is very ancient
-"peat," compressed and naturally changed by chemical
-action and retaining little or no trace of its original
-structure. Peat, as we know it from the low land of
-English and French river valleys and the bogs of Scotland
-and Ireland, is formed by the annual growth and death
-of "mosses" of several kinds and of other accompanying
-vegetation. It retains the woody forms of the vegetable
-growths which constitute it, and they are often but loosely
-adherent to one another. Peat may be merely a growth
-of the past five years, but is sometimes many thousand
-years old. Older than peat, and more caked and compressed,
-is lignite, or brown coal, which occurs on the
-Continent of Europe, also in South Devon and elsewhere,
-in geological strata newer than those which yield our black
-coal. Then we have the most important class of black
-coals which are known as "bituminous coals," because they
-soften when heated and form hydrocarbons of both viscid
-and gaseous nature. They are used for domestic purposes,
-and wherever flame is desired. They are, in fact,
-the "lumps of coal" familiar in our scuttles. The
-"bituminous coal" with the greatest amount of hydrogen
-in it is the cannel or candle coal, so called from its bright
-flame when burning. This kind is especially valuable for
-gas-making, and of smaller value as fuel. The term
-"anthracite" is reserved for a hard, stone-like coal which
-is very nearly pure carbon (ninety per cent). This class
-of coal burns with a very small amount of flame, gives
-intense heat, and no smoke. It is used in drying malt
-and hops.</p>
-
-<p>Like all woody matter, that from which peat is formed
-consists of a combination of the elements carbon, hydrogen
-and oxygen; and these remain in somewhat changed
-chemical union in the brown coal, bituminous coal, and
-anthracite. The carbon and a varying and small proportion
-<span class="pagenum"><a name="Page_220" id="Page_220">[Pg 220]</a></span>
-of the original hydrogen of the woody peat, are the
-important elements in coal; and we may well ask how
-they come to be produced as a black or dark brown mass
-from dead vegetable growths which are often bleached
-and colourless. It is true that vegetable refuse does not
-necessarily blacken when left to itself. We know that
-by roasting or charring wood (or animals' flesh or bone)
-we can drive off the elements oxygen and hydrogen
-and nitrogen (if there), and obtain a black mass of
-carbon (so-called charcoal). That blackness is the
-actual true tint of carbon. The dead weeds and leaves
-at the bottom of a stagnant pond break down and form
-a pitch-black mud. They would not, and do not, go
-black if exposed to the oxygen of the atmosphere; but
-at the bottom of a stagnant pond or in a refuse heap they
-are excluded from the air, and a microbe&mdash;a bacterium
-which has been carefully studied, and is of a kind which
-can only flourish in the absence of free oxygen&mdash;attacks
-the dead weeds, producing by change of their substance
-marsh-gas and black carbon, the black mud emitting
-bubbles of gas which one may stir up with a pole in such
-a pond. This chemical attack by anaërobic bacteria goes
-on in the deeper layers of all marshes and stagnant pools,
-remote from the oxygen of the air; and it is fairly
-certain that the black coal which we find in strata of
-great geological age was so produced by the action of
-special kinds of bacteria upon peat-like masses of vegetable
-refuse. Indeed, by studying microscopic sections
-of coal, numerous forms of bacteria have been recognized
-which might be capable of effecting such chemical
-changes. On the other hand, we must remember that
-it is not possible to conclude by form alone as to what
-subtle chemical work a bacterium or bacillus or micro-coccus
-may be, or may have been, carrying on. The
-peat-like deposits which became carbonized and so formed
-<span class="pagenum"><a name="Page_221" id="Page_221">[Pg 221]</a></span>
-the "coal" were probably masses of algæ, mosses and soft
-aquatic plants, which were brought down and accumulated
-in swampy, forest-covered ground about the mouths
-of rivers, the deposit being covered in owing to rapid
-oscillations of level by beds of sand or clay, followed by
-new growth and deposit.</p>
-
-<p>Our British coal and a good deal of foreign coal is
-found in certain stratified rocks of the earth's crust
-known as "the Carboniferous System," about 12,000 ft.
-thick, consisting chiefly of very dense limestone. The
-"seams," or stratified beds of coal, occur in sandy rock
-known as the "Coal Measures," and vary in thickness
-from a mere film to 40 ft. Above the Carboniferous
-System are later deposits, some 14,000 ft. in thickness&mdash;the
-Permian, Triassic, Jurassic, Cretaceous, and Tertiary
-strata. Below them we find stratified deposits containing
-fossilized remains of plants and animals, to a depth of
-another 40,000 ft.: they are the Devonian, Silurian, and
-Cambrian "systems" or series of strata. Coal of a workable
-nature is found in many parts of the world in the
-beds or strata of later age than our Coal Measures&mdash;namely,
-those of Jurassic, Cretaceous, and Tertiary age.</p>
-
-<p>Coal is so valuable and used in such vast quantities by
-modern man that, though procured at first from beds
-lying at or near the surface, it has been found remunerative
-to mine far into the depths of the earth's surface,
-where its existence is ascertained, in order to procure it.
-A depth of 4000 ft. is apparently the limit set to such
-mining by the increase of temperature in mines which
-penetrate to that extent below the surface. In 1905 the
-annual output of British coal-mines was in round numbers
-230,000,000 tons. It is certain that there is a limit to
-this production, but not possible to calculate what that
-limit may be, owing to the uncertainty as to the future
-working of coal-fields as yet unexplored.</p>
-
-<p><span class="pagenum"><a name="Page_222" id="Page_222">[Pg 222]</a></span></p>
-
-<p>Such questions have been, and are being, considered by
-experts on behalf of the Government. A matter of interest
-of another kind is that in and associated with the coal
-seams of our Coal Measures, fossilized remains of peculiar
-fern-like trees, ferns, and other strange plants, and of very
-peculiar, extinct newt-like animals (as large as crocodiles)
-are found in great variety. The notion that the toads
-occasionally found embedded in the black mud of a coal-yard
-or even in a fractured lump of coal are survivals from
-the time&mdash;many millions of years past&mdash;when the plants
-and animals of the Coal Measure swamps were living, is
-a baseless fancy. The toads so found are of the kind or
-species now living on the earth&mdash;totally different from
-those whose bones occur in the Coal Measures, and the
-presence of such modern toads embedded in black slime,
-in coal-heaps in store-yards, or even in coal-scuttles, is
-only what may be expected to occur and does occur in
-damp quarries and other places where these familiar little
-beasts love to hide.</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_223" id="Page_223">[Pg 223]</a></span></p>
-
-
-
-
-<div class="chapter p4">
- <h2><a name="CHAPTER_XXI" id="CHAPTER_XXI"></a>CHAPTER XXI</h2>
-</div>
-
-<p class="ac noindent">BORING FOR OIL</p>
-
-
-<p class="drop-cap">CLOSELY similar to coal in chemical matter&mdash;that
-is to say, consisting chiefly of definite chemical
-compounds, called hydrocarbons, built up of only
-two elements, carbon and hydrogen, and of no other&mdash;is
-a very remarkable class of mineral substances known to
-the ancients as "bitumen." In its widest sense, it includes
-"natural gas," the variously mixed liquids called
-"petroleum" and the solid "asphalts." In ancient times
-the more fluid kinds of petroleum issuing from the ground
-in South Russia and Persia were called "naphtha," and
-that name is still applied to the more volatile hydrocarbons
-obtained by the distillation of such substances as
-coal-tar (the residue of the extraction by heat of commercial
-gas from coal), bituminous shale, petroleum, wood
-and some other bodies which owe their existence to the
-activity either of living or of long-extinct and "fossilized"
-plants and animals.</p>
-
-<p>The bitumens, together with coal, present in their
-natural state a very large variety of inflammable constituents&mdash;gaseous,
-liquid, and solid hydrocarbons; but,
-when "distilled" at various temperatures and under conditions
-determined by the manufacturing chemist, they
-yield a still larger series of pure separable bodies, which
-have been minutely studied and classified according to
-their chemical constitution. They are produced in great
-chemical factories in large quantities for use in the most
-<span class="pagenum"><a name="Page_224" id="Page_224">[Pg 224]</a></span>
-diverse ways invented by human ingenuity. Thus
-natural gas&mdash;superseded by distilled coal-gas&mdash;has served
-for fuel and for illumination: refined petroleum serves not
-only for those uses in general, but as the special source of
-power in the engines of motor-cars and aeroplanes. A
-wonderful solid crystalline wax-like substance, paraffin,
-as white as snow, is distilled in enormous quantities
-(nearly three million tons a year) from "bituminous shale"
-or "oil-shale" in this country alone. It can be obtained
-in soft (vaseline) and liquid forms, and in fact the "paraffin
-series" recognized by chemists starts from the gas
-"methane," or marsh-gas, and comprises some thirty kinds,
-leading from gas to volatile liquids, thence to viscid liquids,
-to butter-like solids, and up to hard crystalline substances
-which melt only at the temperature of boiling water.
-Endless chemical manufacturing industries&mdash;<i>e.g.</i>, those of
-dye-stuffs and explosives&mdash;depend upon the chemical
-treatment of these paraffins and of various bodies obtained
-as secondary products in their preparation. Benzine and
-aniline are chiefly obtained from coal-tar. The oils and
-waxes of quasi-mineral origin have a great advantage over
-vegetable and animal oils in many uses, since they are not
-liable to become "rancid"; that is to say, to decompose
-owing to the action on them of bacteria. A marked
-difference between the paraffins (often distinguished,
-together with the "olefines," as "mineral" oils) and the
-oils and fats found in living plants and animals is that they
-do not "saponify"; that is to say, they do not form those
-combinations with alkalis and other bases which are called
-"soaps," nor can they serve as food to man or any other
-animal. They are not acted on by the digestive juices.</p>
-
-<p>From ancient times natural deposits or outpourings of
-"bitumens" have been known and used by mankind.
-The Assyrians and other early peoples of the East used
-"asphalt" (translated by the word "slime" in the English
-<span class="pagenum"><a name="Page_225" id="Page_225">[Pg 225]</a></span>
-version of the Bible) in place of calcareous mortar in
-building; and to this day it is used largely in this country
-as a "damp-course" in walls built of brick. Great deposits
-of asphalt are found in Central America and some of the
-West Indian islands, and "quarried" for commercial
-purposes. The great pitch-lake of Trinidad yields an
-abundant supply. In the Val de Travers, in the Canton
-of Neuchatel (Switzerland), a rich deposit is worked which,
-mixed with earthy material, forms a road-making concrete,
-largely used in London and other cities, and also for
-main roads in country districts. The ancient Egyptians
-used asphalt for embalming the dead. But the ancients
-also knew natural springs of liquid bitumen&mdash;that which
-nowadays we call petroleum&mdash;some of them freely flowing
-like water, which would take fire and burn for long
-periods, and were described as fountains of "burning
-water." We find, as we pass from the Middle Ages to the
-days of geographical exploration, records of such springs
-of inflammable oil and of natural inflammable gas in all
-parts of the world&mdash;Japan, China, Burma, Persia, Galicia,
-Italy (Salsomaggiore), Central and North America, and of
-not a few in these islands&mdash;for instance, in Shropshire,
-Derbyshire, Sussex, Kimmeridge and various sites in the
-southern counties. The oil was, until the middle of the
-last century, valued chiefly as a medicinal application, and
-"Seneca oil" and "American medicinal oil" were largely
-sold and used as an embrocation in the United States.</p>
-
-<p>We owe the introduction of the name "petroleum" to
-Professor Silliman, who in 1855 reported upon the "rock
-oil or petroleum" of Venango County, Pennsylvania.
-The first attempt as a commercial enterprise to obtain
-rock-oil or petroleum by <i>boring</i> into the strata in which
-there was local evidence of its existence in greater or less
-quantity, was made in 1854 by the Pennsylvania Rock Oil
-Company. After some unsuccessful attempts, when the
-<span class="pagenum"><a name="Page_226" id="Page_226">[Pg 226]</a></span>
-drilling had been carried to a depth of 69 ft. the tools
-suddenly dropped into a subterranean cavity, and on the
-following day the well was found to have "struck oil," and
-twenty-five barrels a day were yielded by that well for
-some time. From here the industry spread over the
-States and Canada, and in 1908 the year's yield was
-45,000,000 barrels.</p>
-
-<p>Since 1870 the industry has spread all over the globe&mdash;Russia,
-Galicia, Rumania, Java, Borneo and Burma being
-prominent sources of the oil supply of the world. The
-raw petroleum of different localities differs in each case in
-the amount of solid paraffins and olefines dissolved in the
-liquid paraffins. Other substances also are dissolved in it
-in variable amount&mdash;such as benzene, acetylene, camphene
-and naphthalene. The fact that the oil, when reached by
-a boring, is often found to be under a considerable
-pressure, so that it rises and flows from the surface of the
-well, or even may shoot up as a great fountain, is an
-important feature in the oil-seeking industry, though the
-supply depends largely on pumping and not necessarily
-on natural flow. The borings when made, act like Artesian
-wells, and sometimes are carried to a great depth. Those
-in Pennsylvania vary in depth from 300 ft. to 3700 ft.,
-according to the distance below the surface at which the
-oil-bearing strata (usually a sandstone) is situate. As in
-the case of an Artesian well, the boring is in the first
-instance an exploration subject to uncertainty as to
-"striking" the desired liquid, but the uncertainty is
-greater in the case of the search for oil than in that for
-water. The water-well is also far less likely to "give
-out" when once flowing than is that bored for oil,
-which, even if at first successful, may be soon exhausted
-owing to the small area of the oil-bearing strata tapped.
-A cause of the high pressure in many oil-wells is the gas
-which accompanies the oil. The pressure may amount to
-<span class="pagenum"><a name="Page_227" id="Page_227">[Pg 227]</a></span>
-as much as 1000 lb. to the square inch. In the Northern
-Caucasus spouting wells caused by the high pressure of
-gas in the boring are frequent. A famous fountain-well in
-that region, which began to flow in August 1895, threw
-up 4-1/2 million gallons a day, gradually diminishing during
-fifteen months until it became exhausted. At first, when
-boring was introduced, such outbursts led to an enormous
-loss of the oil, for there was not sufficient means of storing
-or transporting it. Ordinary cartage in barrels was the
-earlier method; then followed tanks on railway trains and
-canal boats; and this has been supplemented by the use
-of pipes along which the oil is pumped from the well to
-the refinery. In Pennsylvania there are said to be no less
-than 25,000 miles of such pipes in use for the distribution
-of petroleum.</p>
-
-<p>It will be obvious from what is here stated that the
-attempt to discover an oil-supply in Derbyshire must not
-be regarded, at present, as more than a praiseworthy and
-interesting enterprise. There is no room for doubt that
-the best expert opinion has been brought to bear on the
-matter. A small quantity of petroleum has already been
-raised; but whether the flow will be sufficient to cover the
-expenses of the boring, and how long the flow may last,
-or how much it may amount to, are matters quite impossible
-to foretell. In any case, it is in the highest
-degree improbable that such an abundance of oil will be
-obtained as to count much, if at all, in the world's production
-of petroleum. It must also be remembered that
-products similar to those yielded by petroleum are
-already extracted in quantity as a remunerative industry
-by the distillation of oil-shales in various parts of the
-United Kingdom; and that there are oil-shales in this
-country still unworked. So that we need not be in despair
-if we do not tap an oil-spring of any importance close to
-hand. The world's supply is still open to British
-<span class="pagenum"><a name="Page_228" id="Page_228">[Pg 228]</a></span>
-enterprise. Another reflection of some importance is that
-these world-wide sources of rock-oil or petroleum are
-likely to be exhausted by exploitation much sooner than
-are the coal-fields of the world. We cannot rely on their
-long duration.</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_229" id="Page_229">[Pg 229]</a></span></p>
-
-
-
-
-<div class="chapter p4">
- <h2><a name="CHAPTER_XXII" id="CHAPTER_XXII"></a>CHAPTER XXII</h2>
-</div>
-
-<p class="ac noindent">THE STORY OF LIME-JUICE AND SCURVY</p>
-
-
-<p class="drop-cap">FROM mediæval times onward a serious constitutional
-disease&mdash;a morbid condition of the blood and tissues&mdash;has
-been known by the name "scurvy," and the
-word "scorbutic" has been coined from it. It is to-day
-practically unknown in the ordinary conditions of civilized
-life, but formerly was common, and the cause of disablement
-and of frightful mortality in ships' crews, beleaguered
-cities, armies on campaign, and war-stricken regions. It
-begins with a certain failure of strength. Breathlessness,
-exhaustion, and mental depression follow. The face looks
-haggard, sallow, and dusky. After some weeks the exhaustion
-becomes extreme; the gums are livid, ulcerated,
-and bleeding; the teeth loosen and drop out; purple
-spots appear on the skin; ulcers break out on the limbs;
-effusions of blood-stained fluid take place in the great
-cavities of the body; profound exhaustion and coma
-follow; and death results from disorganization of the
-lungs, kidneys, or digestive tract. It was recognized in
-early times that the disease was dependent on the
-character of the food of those attacked by it; and not
-the least of the horrors accompanying it was the terror
-caused by the well-founded conviction that the appearance
-of a single case in a ship's crew or other specially circumscribed
-community was an unfailing index, and meant
-that all were likely within a few days&mdash;owing to the
-enforced identity of their food and conditions of life&mdash;to
-<span class="pagenum"><a name="Page_230" id="Page_230">[Pg 230]</a></span>
-develop the disease. Often, in past centuries, a half
-or two-thirds of a ship's company have been carried off
-by it before a port could be reached and healthy food
-and conditions of life obtained. At the present moment
-in view of the actual condition of Europe, it is a fact
-of very grave importance that scurvy is known to break
-out and cause a terrible mortality among civil communities
-in time of scarcity&mdash;especially in prisons, workhouses, and
-other public institutions, which are the first to suffer
-deprivations when food is scarce.</p>
-
-<p>Three hundred years ago it was held that fresh
-vegetables and fruit-juices were both a cure for and a
-preventive of scurvy, or "anti-scorbutic." But the fact
-was not appreciated by Army and Admiralty officials
-that <i>dried</i> vegetables, even of kinds which were held to
-be especially "anti-scorbutic," would not serve in place
-of <i>fresh</i> ones. In 1720, <i>dried</i> "anti-scorbutic" herbs were
-supplied to the Austrian Army when suffering from
-scurvy; but they were of no avail, and thousands of the
-soldiers perished from the disease. A few years later,
-the British Lords of the Admiralty (actuated by a
-spirit of blundering parsimony) proposed to supply the
-Navy with dried spinach, although it was well known
-that dried vegetables were useless against scurvy. In
-the American Civil War, 1861-1865, in spite of this
-knowledge, large rations of dried vegetables were supplied
-to the armies, and failed to prevent outbreaks of scurvy.
-Even at the present day so little attention has been
-given of late years to the subject, that many ignorant
-officials, upon whose action the life of thousands depends,
-regard dried vegetables as equivalent in value to fresh!</p>
-
-<p>A great advance was made in the second half of the
-eighteenth century, when the British Admiralty became
-convinced by the repeated experience of its officers that
-"lime-juice" <i>is</i> a specific remedy and preventive for
-<span class="pagenum"><a name="Page_231" id="Page_231">[Pg 231]</a></span>
-scurvy, and, in spite of the great expense and difficulties
-entailed, adopted its use officially. In those days of
-sailing-ships, long voyages (such as those of Captain Cook)
-were safely carried through without serious outbreak of
-scurvy so long as a ration of so-called "lime-juice" (about
-one ounce) was swallowed each day by each sailor. But
-it was not until the beginning of the nineteenth century
-that the disease was practically eliminated from the Navy
-by the introduction (after many foolish delays) of a
-general issue of what was called "lime-juice."</p>
-
-<p>The complete control and elimination of scurvy by
-the use of so-called "lime-juice" sufficed to carry us on
-until the introduction of steam navigation, when it became
-superfluous owing to the fact that long absence from land,
-where fresh food could be obtained, ceased to be usual.
-Moreover, after a mutiny on the part of our defrauded
-sailors, better food and greater variety of it was secured
-for them, and the profits of murderous contractors were
-stopped.</p>
-
-<p>The history of outbreaks of scurvy for the last
-century is practically confined to the experiences of Arctic
-Expeditions and the campaigning of troops in remote or
-devastated regions. So little had scurvy been investigated,
-or any serious study made of the nature of the remedial
-and preventive action of lime-juice, that up to the year
-1914 it was regarded as a matter of course that the acid,
-the citric acid, of lime-juice was what gave to it its virtue,
-and samples of lime-juice supplied by contractors were
-tested solely as to the percentage of that acid present.
-Eminent medical authorities proposed to use crystals
-of citric acid in place of the juice; others declared that
-vinegar would do just as well; others, in spite of the
-overwhelming record as to the value of lime-juice, held
-that scurvy was due <i>not</i> to the absence of a food constituent&mdash;supplied
-by fresh vegetables and fruit-juice&mdash;but
-<span class="pagenum"><a name="Page_232" id="Page_232">[Pg 232]</a></span>
-to a peculiar poison present in the salted and dried
-meat served out as rations; others again, without any
-study of the disease, have expressed the opinion that it
-is due to a bacterial micro-organism.</p>
-
-<p>A blow to the easy-going belief of the Admiralty that
-they had mastered and made an end of scurvy was struck
-when scurvy broke out (60 cases among 122 men) in the
-expedition to the North Pole which sailed in May 1875 in
-the <i>Alert</i> and the <i>Discovery</i>, under the command of Sir
-George Nares. The expedition had to return prematurely
-after seventeen months' absence, and a committee was
-appointed to inquire into the cause of the outbreak. The
-stores of food and of lime-juice were shown to have been
-ample; and the action of the leader in equipping his
-sledging parties was in accordance with the judgment
-and experience of successful explorers who gave evidence.
-The cause of the outbreak remained a mystery. The
-firm belief in the anti-scorbutic powers of "lime-juice" was
-shaken, and this unfavourable opinion of its value has
-been confirmed by medical officers who, during the recent
-war, have been confronted by outbreaks of scurvy. These
-outbreaks occurred among troops who, in military circumstances
-which rendered an adequate supply of fresh meat
-and vegetables impossible, were supplied with lime-juice
-prepared from the West Indian "sour-lime."</p>
-
-<p>Under these circumstances, an experimental study of
-scurvy has been carried out during the last four years
-by a group of workers at the Lister Institute, together
-with a historical inquiry as to the use of lime-juice. The
-reports of these investigators have very great practical
-value and far-reaching interest, as showing what disastrous
-results may arise from inaccurate use of a word, and the
-neglect to ascertain the exact nature of the material thing
-upon which the issue between life and death may depend.</p>
-
-<p>Here let me say that the staff of the Lister Institute
-<span class="pagenum"><a name="Page_233" id="Page_233">[Pg 233]</a></span>
-for medical research has done work in its laboratories in
-Chelsea Gardens of the very greatest national importance
-during the war. It was founded by public subscription,
-and has now an endowment of some £10,000 a year.
-Sir David Bruce, the chairman of its Council, gives in
-the Report of the Governing Body for 1919 a very striking
-summary of the work done in the laboratories and by the
-staff of the Institute. The successful investigation of
-trench fever and of tetanus, of the destruction of lice, and
-of the effects of cold storage on food, besides the study
-of scurvy and other diseases due to deficiency of what
-are now called "<i>accessory food factors</i>," are, we learn,
-the chief matters in which the Lister Institute was engaged
-in the year 1918-19. Besides this, however, at its
-farm at Elstree it has prepared and supplied to the War
-Office, the Admiralty, the Overseas Forces, and the Local
-Government Board more than a million doses of anti-toxins
-(diphtheria and tetanus), bacterial vaccines (cholera,
-plague, influenza), and other similar curative fluids&mdash;requiring
-for their safe production the highest skill and
-most complete knowledge of recent discovery. And this
-is only a sample of what the Lister Institute has been
-doing for many consecutive years.</p>
-
-<p>Now we return to the investigation of scurvy. Within
-the last ten years the fact has been established (which
-was more or less guessed and acted upon by medical men
-of past days) that, in order to maintain health, the diet
-of man and of many animals must contain not merely
-the necessary quantities of meat or cheese-like bodies,
-of fat and starch and sugar, but also minute quantities
-of accessory food-factors which it is convenient to term
-"vitamines." The name serves (though its etymology is
-unsatisfactory) to indicate certain "proteids" or highly
-complex nitrogenous compounds which are only to be
-obtained from fresh and uncooked or slightly heated
-<span class="pagenum"><a name="Page_234" id="Page_234">[Pg 234]</a></span>
-vegetables and from some foods of animal origin. These
-"vitamines" are destroyed by heat and by desiccation.
-They have not yet been isolated though in some cases
-extracted in a nearly pure state. Their presence or
-absence is demonstrated by careful experiments in feeding
-animals, such as guinea-pigs, with weighed quantities of
-different foods. The "vitamine" is often found to be
-present only in one part of a seed or fruit or special kind
-of fat liable to be rejected in food preparation. An
-important fact is that it may not amount to as much as
-one-ten-thousandth of the weight of the food in which
-it occurs; and the part containing it may be overlooked
-and rejected, or its value destroyed by heat or by desiccation.
-A committee on these "accessory food-factors"
-is carrying on experiments at the Lister Institute. Dr.
-F. G. Hopkins, F.R.S., who first discovered the importance
-of one of these factors in feeding young rats, is the chairman,
-and Dr. Harriette Chick is the secretary. Three
-kinds of these vitamines, or accessory food-factors, have
-up to this date been recognized. The first is the anti-neuritic
-or anti-beri-beri vitamine. Its principal sources
-are the seeds of plants and the eggs of animals&mdash;yeast-cells
-are a rich source of it. Where "polished rice," as
-in the Far East, is the staple article of diet, to the almost
-entire exclusion of other food-stuffs, lassitude and severe
-pains like those of rheumatism set in, and a whole colony
-or shipload of Chinese "coolies" may be disabled. The
-disease is called beri-beri, and it can be cured by administering
-that part of the rice-grain (the skin and germ)
-which is removed by "polishing," and unfortunately is
-just that part which contains the needful vitamine. It
-exists in very minute quantity, amounting to only one
-part in ten thousand by weight of rice-grain. The second
-"vitamine" recognized is the anti-rachitic factor (studied
-by Hopkins), which tends to promote growth and prevent
-<span class="pagenum"><a name="Page_235" id="Page_235">[Pg 235]</a></span>
-"rickets" in young animals. Certain fats of animal origin
-(milk) and green leaves contain it in minute quantity, and
-are necessary for the life of young animals and for the
-health of adults.</p>
-
-<p>The third vitamine recognized is the anti-scorbutic,
-the factor which prevents scurvy. It is found in fresh
-vegetable tissues, and to a less extent in fresh animal
-tissues. Its richest sources are cabbage, swedes, turnips,
-lettuce, water-cress, and such fruits as lemons, oranges,
-raspberries, and tomatoes; other vegetables have a less
-value. Fresh milk and meat possess a definite but low
-anti-scorbutic value. This vitamine (I am quoting the
-report of the Committee, which has been issued to our
-military, naval, and medical administrators and famine-relief-workers
-throughout the world) <i>suffers destruction</i>
-when the fresh food-stuffs containing it are subjected
-to <i>heat</i>, or <i>drying</i>, as methods of preservation. It is
-habitually destroyed and wasted by stewing fresh vegetables
-with meat for two or three hours. All dry food-stuffs,
-such as cereals, pulses, dried vegetables and dried milk,
-are deficient in anti-scorbutic properties; so also are
-<i>tinned vegetables</i> and <i>tinned meat</i>&mdash;hence the disgust to
-which they soon give rise!</p>
-
-<p>The explanation of the mystery about lime-juice
-(which a hundred years ago was used with absolute
-success to prevent scurvy, and in 1875 was a dead failure)
-is shown by the workers at the Lister Institute to be this&mdash;namely,
-"lime" and "lemon" are in origin the same
-word, and have become applied in ways unrecognized by
-the Admiralty and their medical advisers in various parts
-of the world to which the citron, the lemon, the sweet-lime
-and the sour-lime&mdash;all varieties of one species, <i>Citrus
-medica</i> of Linnæus&mdash;have been carried from their original
-home of origin, the south-east of Asia. The original
-effective and valuable "<i>lime</i>-juice" of the eighteenth
-<span class="pagenum"><a name="Page_236" id="Page_236">[Pg 236]</a></span>
-century was <i>lemon</i>-juice, carefully prepared from lemons
-in Sicily and Italy, and from 1804 to 1860 in Malta.
-When the demand for it increased in the nineteenth
-century, it was adulterated and made up from poor
-fruit, as the commercial enterprise of contractors and
-the fatuous incapacity of the naval authorities progressed
-hand in hand. And then, in the early fifties, the West
-Indian growers of the small sour-lime (<i>Citrus medica
-var. acida</i>) in Montserrat got the naval contracts, the
-honest intention of Sir William Burnett, the chief medical
-officer of the Navy, being to establish a permanent and
-first-rate supply. Strangely enough, the naval "lime-juice"
-now really was <i>lime</i>-juice and no longer <i>lemon</i>-juice. By
-a natural but fatal misconception, the medical value of
-the juice, whether of lemon or of lime, was by all authorities
-attributed to the citric acid present; and the only
-tests applied to it were chemical ones, and not therapeutic.
-The Lister Institute Committee have shown by therapeutic
-experiment&mdash;the feeding of guinea-pigs, in which scurvy
-can be produced and cured at will&mdash;that <i>the anti-scorbutic
-vitamine remains active and unimpaired in lemon-juice
-from which all the citric acid has been extracted</i>. And,
-further, that the juice of the West Indian sour-lime
-(<i>Citrus medica acida</i>), although very rich in citric acid,
-<i>contains only one-fourth the anti-scorbutic vitamine</i> which
-the same quantity of the juice of the true lemon (<i>Citrus
-medica limonum</i>) contains. This has been most carefully
-established by prolonged series of feeding experiments.
-It explains the failure of the <i>lime</i>-juice in Sir George
-Nares' Polar Expedition, and restores the confidence in
-<i>lemon</i>-juice based on the unanimous testimony of the
-early records of its use.</p>
-
-<p>Whilst lemon-juice is thus justified, Dr. Harriette
-Chick has made a discovery which will go far to remove
-it from supremacy. She finds that an anti-scorbutic food
-<span class="pagenum"><a name="Page_237" id="Page_237">[Pg 237]</a></span>
-can be prepared, when fresh vegetables or fruit are
-scarce, by moistening any available seeds (wheat, barley,
-rye, peas, beans, lentils) and allowing them to germinate.
-This sprouted material possesses an anti-scorbutic value
-equal to that of many fresh vegetables; the unsprouted
-seeds have none. Probably this explains the anti-scorbutic
-value of sweet-wort and of beers made from lightly dried
-malt; and the total failure in this respect of our modern
-beers made from kiln-dried malt. Dr. Chick, amongst
-many other interesting and important results published
-by members of the Lister Institute Committee, states
-that the juice of raw swedes and of raw turnips is a
-valuable anti-scorbutic (to be added to milk for the use
-of artificially nourished infants); so, she states, is orange-juice.
-But, contrary to the usual opinion, she finds that
-beetroot has little or no anti-scorbutic value. The whole
-subject is of extreme importance, and is necessarily in
-a tentative stage of pioneer experiment.</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_239" id="Page_239">[Pg 239]</a></span></p>
-
-
-
-
-<div class="chapter p4">
- <h2><a name="INDEX" id="INDEX"></a>INDEX</h2>
-</div>
-
-<ul class="index">
- <li class="ifrst">Ages, successive, of stone, bronze, and iron, <a href="#Page_4">4</a></li>
-
- <li class="indx">Aitken, Dr., F.R.S., on fog, cloud, and odoriferous particles,
- <a href="#Page_77">77</a></li>
-
- <li class="indx">Alligator, simplification of, in the decorative work of the Chiriqui
- Indians, <a href="#Page_205">205</a></li>
-
- <li class="indx">Altamira, cave of, discovery of pictures in, <a href="#Page_28">28</a></li>
-
- <li class="indx">America (Central), stone slab from, with carved swastika,
- <a href="#Page_198">198</a></li>
-
- <li class="indx">American Indians bead-work garter with two swastikas,
- <a href="#Page_197">197</a></li>
-
- <li class="indx">Anglo-Saxon urn ornamented with swastikas, <a href="#Page_196">196</a></li>
-
- <li class="indx">Aniline, <a href="#Page_224">224</a></li>
-
- <li class="indx">Animalcules, wheel, <a href="#Page_157">157-172</a></li>
-
- <li class="indx">Animation, suspended, <a href="#Page_173">173-190</a></li>
-
- <li class="indx">Anthracite, <a href="#Page_217">217</a>, <a href="#Page_219">219</a></li>
-
- <li class="indx">Anti-scorbutic value of germinating wheat, barley, peas, beans,
- lentils, discovered, <a href="#Page_237">237</a></li>
-
- <li class="indx">Anti-scorbutics, no use when dried, <a href="#Page_230">230</a></li>
- <li class="isub2">or preservatives against scurvy described,
- <a href="#Page_235">235-236</a> studied at the Lister Institute,
- <a href="#Page_233">233</a></li>
-
- <li class="indx">Antler, engraved, from the cavern of Lortet, <a href="#Page_1">1</a></li>
-
- <li class="indx">Arbelus, the, of ancient Greek geometers, <a href="#Page_215">215</a></li>
-
- <li class="indx">Asphalt, <a href="#Page_223">223</a>, <a href="#Page_225">225</a></li>
-
- <li class="indx">Aurignacian negroid race, <a href="#Page_8">8</a></li>
-
-
- <li class="ifrst">Bacteria, suspended animation of, <a href="#Page_177">177</a>,
- <a href="#Page_186">186</a>, <a href="#Page_187">187</a>, <a href="#Page_188">188</a></li>
-
- <li class="indx">Bear engraved on stalagmite, <a href="#Page_48">48</a></li>
-
- <li class="indx">Beer, modern, not so effective an anti-scorbutic (preserver from
- scurvy) as older sorts, <a href="#Page_237">237</a></li>
-
- <li class="indx">Benzine, <a href="#Page_224">224</a></li>
-
- <li class="indx">Bison, pictures of, from walls of caves, <a href="#Page_47">47</a></li>
-
- <li class="indx">Bitumen, <a href="#Page_223">223</a>, <a href="#Page_224">224</a></li>
-
- <li class="indx">Bituminous coal, <a href="#Page_219">219</a></li>
-
- <li class="indx">Blue blood and pride of race, <a href="#Page_154">154</a></li>
- <li class="isub2">colour of frogs, <a href="#Page_78">78</a></li>
- <li class="isub3"> of the Lake of Geneva, <a href="#Page_83">83</a></li>
- <li class="isub3"> of water, <a href="#Page_74">74-85</a></li>
- <li class="isub2">Grotto of Capri, <a href="#Page_82">82</a></li>
-
- <li class="indx">Breeding and inter-breeding as a test, <a href="#Page_102">102</a>,
- <a href="#Page_104">104</a>, <a href="#Page_131">131</a></li>
-
- <li class="indx">Bridle seen in engravings of horse, <a href="#Page_43">43</a>,
- <a href="#Page_45">45</a></li>
-
- <li class="indx">Brown, Horace, F.R.S., his experiments with seeds at low
- temperatures, <a href="#Page_175">175</a></li>
-
- <li class="indx">Bruce, Sir David, his report of the work done by the Lister
- Institute in 1919, <a href="#Page_233">233</a></li>
-
- <li class="indx">Buddha, footprint of the, picture showing swastikas,
- <a href="#Page_193">193</a></li>
-
- <li class="indx">Bumpus, Prof., on variation in sparrows, <a href="#Page_118">118</a></li>
-
- <li class="indx">Burnett, Sir William, by mistake introduces in the Navy juice of the</li>
- <li class="isub3">sour-lime in place of lemon-juice, <a href="#Page_236">236</a></li>
-
- <li class="indx">Burning water, fountains of, <a href="#Page_225">225</a></li>
-
- <li class="indx">Butterflies of the genus Vanessa, <a href="#Page_97">97</a></li>
- <li class="isub2">several different species of white and of blue,
- <a href="#Page_97">97</a></li>
- <li class="isub2">several species united to form one larger kind–a genus,
- <a href="#Page_95">95</a></li>
- <li class="isub2">species of, <a href="#Page_94">94</a></li>
- <li class="isub2">the kinds of, <a href="#Page_94">94</a></li>
-
-
- <li class="ifrst">Caloric, an assumed entity, <a href="#Page_186">186</a></li>
-
- <li class="indx">Cannel (or candle) coal, <a href="#Page_219">219</a></li>
-
- <li class="indx">Carbon, weight of, annually discharged over London,
- <a href="#Page_218">218</a></li>
-
- <li class="indx">Carboniferous system, the, <a href="#Page_221">221</a></li>
-
- <li class="indx">Cats, male, with blue eyes are deaf, <a href="#Page_120">120</a>
- <span class="pagenum"><a name="Page_240" id="Page_240">[Pg 240]</a></span></li>
-
- <li class="indx">Cause of survival in the struggle for life, <a href="#Page_118">118</a>,
- <a href="#Page_119">119</a></li>
-
- <li class="indx">Cave of Altamira, <a href="#Page_28">28</a>, <a href="#Page_47">47</a></li>
- <li class="isub2">of Brassempouy, <a href="#Page_51">51</a></li>
- <li class="isub2">of Combarelles, <a href="#Page_32">32</a></li>
- <li class="isub2">of Font de Gaume, <a href="#Page_29">29</a>, <a href="#Page_32">32</a></li>
- <li class="isub2">of Laugerie basse, <a href="#Page_46">46</a></li>
- <li class="isub2">of Lortet, <a href="#Page_1">1</a></li>
- <li class="isub2">of Marsoulas (Haute Garonne), <a href="#Page_43">43</a></li>
- <li class="isub2">of Mas d'Azil, <a href="#Page_43">43</a></li>
- <li class="isub2">of Niaux (Ariège), <a href="#Page_43">43</a></li>
- <li class="isub2">of St. Michel d'Arudy, <a href="#Page_45">45</a></li>
-
- <li class="indx">Caves, pictures on walls of, <a href="#Page_7">7</a></li>
-
- <li class="indx">Census of species of animals, <a href="#Page_129">129</a></li>
-
- <li class="indx">Chick, Dr. Harriette, secretary, and Dr. Hopkins, F.R.S., chairman,
- of a committee investigating accessory food-factors, <a href="#Page_234">234</a></li>
-
- <li class="indx">Chinese "great monad," <a href="#Page_210">210</a></li>
-
- <li class="indx">Circle, how to divide it so as to describe a Tomoye,
- <a href="#Page_214">214</a></li>
-
- <li class="indx"><i>Citrus medica limonum</i>, the lemon, <a href="#Page_236">236</a></li>
- <li class="isub2"><i>acida</i>, the West Indian sour-lime, <a href="#Page_236">236</a></li>
-
- <li class="indx">Coal, <a href="#Page_217">217-222</a></li>
- <li class="isub2">mines, annual output of, <a href="#Page_221">221</a></li>
-
- <li class="indx">Coal-tar, <a href="#Page_224">224</a></li>
-
- <li class="indx">Coffer-fish, <a href="#Page_130">130</a></li>
-
- <li class="indx">Cold, action of extreme, in preventing chemical combination,
- <a href="#Page_177">177</a></li>
-
- <li class="indx">Copan, circular altar-stone from, divided by an S-shaped trough so as
- to resemble the Tomoye, <a href="#Page_213">213</a></li>
-
- <li class="indx">Correlated characters or structures, <a href="#Page_119">119</a>,
- <a href="#Page_125">125</a></li>
-
- <li class="indx">Crab, common shore, variations in, <a href="#Page_118">118</a></li>
-
- <li class="indx">Crag, the Red, of Suffolk, <a href="#Page_38">38</a></li>
- <li class="isub2">the Norwich, <a href="#Page_38">38</a></li>
-
- <li class="indx">Crayfish, species of, <a href="#Page_120">120</a></li>
-
- <li class="indx">Cromagnard race, <a href="#Page_8">8</a>, <a href="#Page_9">9</a></li>
-
- <li class="indx">Cross-breeding of races, <a href="#Page_140">140-156</a></li>
-
- <li class="indx">Crystal Palace, the, sixty years ago, <a href="#Page_84">84</a></li>
-
-
- <li class="ifrst">Decorative design, <a href="#Page_200">200-208</a></li>
-
- <li class="indx">Deer, the picture of the Three, <a href="#Page_13">13</a></li>
-
- <li class="indx">Dewar, Sir James, his important experiments on action of cold and of
- light on phosphorescent bacteria, <a href="#Page_188">188</a></li>
-
- <li class="indx">Diplodocus, a gigantic reptile, <a href="#Page_85">85</a>,
- <a href="#Page_91">91</a></li>
-
- <li class="indx">Discoveries falsely announced, and others misrepresented or
- unnoticed by newspapers, <a href="#Page_173">173</a>, <a href="#Page_176">176</a></li>
-
- <li class="indx">Dolphins (oceanic colour-changing fish), <a href="#Page_130">130</a></li>
-
-
- <li class="ifrst">Equus the horse genus, the history of, <a href="#Page_103">103</a></li>
-
- <li class="indx">Exuberances of non-significant growth, <a href="#Page_127">127</a>,
- <a href="#Page_130">130</a></li>
-
-
- <li class="ifrst">Fat boys of journalism, <a href="#Page_173">173</a></li>
-
- <li class="indx">Fertilization, resistance to hybrid, <a href="#Page_136">136</a>,
- <a href="#Page_137">137</a>, <a href="#Page_138">138</a></li>
-
- <li class="indx">Fish drawn between horse's legs, <a href="#Page_23">23</a></li>
-
- <li class="indx">Fishes, examples of strangely-shaped, <a href="#Page_130">130</a></li>
-
- <li class="indx">Fleas, species of, <a href="#Page_105">105</a></li>
-
- <li class="indx">Flowers of tan survive desiccation, <a href="#Page_179">179</a></li>
-
- <li class="indx">Food, the accessory factors in, <a href="#Page_233">233</a></li>
-
- <li class="indx">Fylfot, the, <a href="#Page_191">191</a></li>
-
-
- <li class="ifrst">Gammadion, the, <a href="#Page_191">191</a></li>
-
- <li class="indx">Geometrical properties of the Tomoye, <a href="#Page_216">216</a></li>
-
- <li class="indx">Germ variation, a constant process, <a href="#Page_112">112</a></li>
-
- <li class="indx">Gigantic reptiles, <a href="#Page_85">85</a>, <a href="#Page_87">87</a></li>
-
- <li class="indx">Gigantosaurus, discovery of, in Africa, <a href="#Page_87">87</a></li>
- <li class="isub2">upper-arm bone of, compared with that of an elephant and of man,
- <a href="#Page_88">88</a></li>
-
- <li class="indx">Gills of crayfishes, <a href="#Page_121">121</a></li>
- <li class="isub2">a new one discovered by a lady student at Oxford,
- <a href="#Page_123">123</a></li>
-
- <li class="indx">Glacial period, <a href="#Page_6">6</a></li>
-
- <li class="indx">Goose engraved on reindeer antler, <a href="#Page_49">49</a></li>
-
- <li class="indx">Grammatizing <i>v.</i> naturalizing in decorative art,
- <a href="#Page_202">202</a>, <a href="#Page_203">203</a></li>
-
- <li class="indx">Grouse, the red and allied species, <a href="#Page_116">116</a>,
- <a href="#Page_117">117</a></li>
-
-
- <li class="ifrst">Harpoons of Azilian and Magdalenian period, <a href="#Page_3">3</a></li>
-
- <li class="indx">Horses, cave-men's pictures of, <a href="#Page_43">43</a>,
- <a href="#Page_45">45</a>
- <span class="pagenum"><a name="Page_241" id="Page_241">[Pg 241]</a></span></li>
-
- <li class="indx">Horses' heads drawn with bridle or halter, <a href="#Page_43">43</a>,
- <a href="#Page_45">45</a></li>
-
- <li class="indx">Hybrids, <a href="#Page_131">131-138</a></li>
- <li class="isub2">among allied species of fish, <a href="#Page_133">133</a>,
- <a href="#Page_134">134</a></li>
- <li class="isub2">infertile and fertile, <a href="#Page_134">134</a>,
- <a href="#Page_135">135</a></li>
-
-
- <li class="ifrst">Inter-Glacial climate and animals, <a href="#Page_9">9</a></li>
-
-
- <li class="ifrst">Kaleidoscope, the living organism compared to a,
- <a href="#Page_112">112</a></li>
-
- <li class="indx">Kelvin, Lord, on the origin of life, <a href="#Page_186">186</a></li>
-
- <li class="indx">Kipling, Mr. Rudyard, on primitive man, <a href="#Page_4">4</a></li>
-
- <li class="indx">Koban necropolis, swastikas from, <a href="#Page_196">196</a></li>
-
-
- <li class="ifrst">Lake dwellings of Switzerland, <a href="#Page_4">4</a></li>
-
- <li class="indx">Lalanne, M., discovery by, of human statuettes,
- <a href="#Page_50">50</a></li>
-
- <li class="indx">Laussel, rock-shelter of, human statuettes from,
- <a href="#Page_50">50</a></li>
-
- <li class="indx">Life-saving qualities not alone survive in nature,
- <a href="#Page_127">127</a></li>
-
- <li class="indx">Lime-juice, action of, was not understood, <a href="#Page_231">231</a></li>
- <li class="isub2">and scurvy, <a href="#Page_229">229-237</a></li>
- <li class="isub2">on long voyages, <a href="#Page_231">231</a></li>
- <li class="isub2">shown to be effective when prepared from the true lemon,
- <a href="#Page_236">236</a></li>
- <li class="isub2">the original lime-juice was lemon-juice, not the juice of the
- sour-lime, <a href="#Page_236">236</a></li>
- <li class="isub2">when prepared from West Indian sour-lime not effective,
- <a href="#Page_232">232</a></li>
-
- <li class="indx">Linnæus, his method of naming and classifying animals and plants,
- <a href="#Page_99">99</a></li>
-
- <li class="indx">Lion, wall engraving of, <a href="#Page_48">48</a></li>
-
- <li class="indx">Lister Institute, investigations carried on there,
- <a href="#Page_233">233</a></li>
-
- <li class="indx">Lodge, Sir Oliver, on life, <a href="#Page_185">185</a></li>
-
- <li class="indx">Lortet, cavern of, <a href="#Page_1">1</a></li>
-
-
- <li class="ifrst">Mammoth, engraving of, on ivory, from the cave of La Madeleine,
- <a href="#Page_26">26</a></li>
-
- <li class="indx">Mammoths, engravings of, on walls of caves,
- <a href="#Page_32">32</a>, <a href="#Page_33">33</a></li>
-
- <li class="indx">Man, Isle of, and the Sicilian three-legged emblem,
- <a href="#Page_203">203</a></li>
-
- <li class="indx">Mantell, Dr. Gideon, discoverer of gigantic extinct reptiles,
- <a href="#Page_84">84</a></li>
-
- <li class="indx">Marsh-gas, <a href="#Page_220">220</a></li>
-
- <li class="indx">Milne-Edwards, Alphonse, his proposed experiment on cross-breeding of
- races and species, <a href="#Page_141">141</a></li>
-
- <li class="indx">Miscegenation or cross-breeding of human races,
- <a href="#Page_148">148-156</a></li>
-
- <li class="indx">Monaco, Prince of, his researches and publications,
- <a href="#Page_29">29</a></li>
-
- <li class="indx">Mongrels defined as distinct from hybrids, <a href="#Page_138">138</a>,
- <a href="#Page_145">145</a></li>
- <li class="isub2">may exhibit fine qualities, <a href="#Page_147">147</a></li>
-
- <li class="indx">Monsters, <a href="#Page_132">132</a></li>
-
- <li class="indx">Mules between horse and ass, <a href="#Page_103">103</a></li>
-
- <li class="indx">Mykenæan age, swastikas of, illustrated, <a href="#Page_194">194</a>,
- <a href="#Page_195">195</a></li>
-
-
- <li class="ifrst">Neander men, <a href="#Page_8">8</a></li>
-
- <li class="indx">Negro with European features disliked by other negroes,
- <a href="#Page_155">155</a></li>
-
- <li class="indx">Neolithic people, <a href="#Page_10">10</a></li>
-
-
- <li class="ifrst">Ogee, a vague term, <a href="#Page_215">215</a></li>
- <li class="isub2">swastika, so-called, <a href="#Page_210">210</a>,
- <a href="#Page_213">213</a></li>
-
- <li class="indx">Oil, boring for, <a href="#Page_223">223</a></li>
-
- <li class="indx">Oil-boring industry, <a href="#Page_226">226</a></li>
-
- <li class="indx">Oil-shales, <a href="#Page_227">227</a></li>
-
- <li class="indx">Okapi of the Congo Forest, not a hybrid, <a href="#Page_133">133</a></li>
-
- <li class="indx">Olefines, <a href="#Page_224">224</a></li>
-
- <li class="indx">Osborn, Rev. Lord Sydney Godolphin, <a href="#Page_179">179</a></li>
-
-
- <li class="ifrst">Pairing as a test of species, <a href="#Page_101">101</a>,
- <a href="#Page_131">131</a></li>
-
- <li class="indx">Palæolithic or ancient Stone Age, <a href="#Page_5">5</a></li>
-
- <li class="indx">Papilio, the genus of swallow-tailed butterflies,
- <a href="#Page_97">97</a></li>
-
- <li class="indx">Paraffin series, <a href="#Page_224">224</a></li>
-
- <li class="indx">Peat, <a href="#Page_219">219</a></li>
-
- <li class="indx">Pedalion, the leg-bearing wheel animalcule, <a href="#Page_161">161</a>,
- <a href="#Page_163">163</a></li>
- <li class="isub2">to be compared with young of certain prawns,
- <a href="#Page_164">164</a></li>
-
- <li class="indx">Petroleum, the name invented in 1855 by Prof. Silliman,
- <a href="#Page_225">225</a></li>
-
- <li class="indx">Pictet and de Candolle on suspended animation,
- <a href="#Page_175">175</a></li>
-
- <li class="indx">Picture, the earliest, in the world, <a href="#Page_1">1-25</a></li>
- <li class="isub2">of the Three Red Deer, <a href="#Page_12">12</a>,
- <a href="#Page_13">13</a></li>
-
- <li class="indx">Piette, Edouard, his excavations of caves, <a href="#Page_1">1</a>
- <span class="pagenum"><a name="Page_242" id="Page_242">[Pg 242]</a></span></li>
-
- <li class="indx">Pigs and the paint-root, <a href="#Page_119">119</a>,
- <a href="#Page_145">145</a></li>
-
- <li class="indx">Pimpernel, red and blue, will not inter-breed,
- <a href="#Page_145">145</a></li>
-
- <li class="indx">Pine ornament of Indian shawls, <a href="#Page_210">210</a></li>
-
- <li class="indx">Pleistocene, a small fraction of earth's crust,
- <a href="#Page_42">42</a></li>
- <li class="isub2">series or system, <a href="#Page_38">38</a>, <a href="#Page_39">39</a></li>
-
- <li class="indx">Pliny the elder at Vesuvius, <a href="#Page_58">58</a></li>
-
- <li class="indx">Pocahontes, the Algonkian princess, <a href="#Page_153">153</a></li>
-
- <li class="indx">Prehistoric men, art of, <a href="#Page_35">35-54</a></li>
- <li class="isub2">successive ages of, <a href="#Page_36">36-39</a></li>
-
- <li class="indx">Printings from engraved cylinders, <a href="#Page_11">11</a>,
- <a href="#Page_16">16</a>, <a href="#Page_17">17</a></li>
-
-
- <li class="ifrst">Race, pride of, <a href="#Page_150">150</a>, <a href="#Page_152">152</a>,
- <a href="#Page_153">153</a></li>
-
- <li class="indx">Racehorse, English thoroughbred, history of, <a href="#Page_147">147</a></li>
-
- <li class="indx">Races, nature of, <a href="#Page_143">143</a></li>
- <li class="isub2">produce mongrels by cross-breeding, <a href="#Page_140">140</a></li>
-
- <li class="indx">Reindeer, cave-man's engraving of, <a href="#Page_46">46</a></li>
- <li class="isub2">period, <a href="#Page_7">7</a></li>
-
- <li class="indx">Restoration of the Lortet picture of the Three Deer,
- <a href="#Page_13">13</a></li>
-
- <li class="indx">Rhinoceros drawn on wall of a cavern, <a href="#Page_46">46</a></li>
-
- <li class="indx">Rice, polished, the story of, and the disease beri-beri,
- <a href="#Page_234">234</a></li>
-
- <li class="indx">Rock-oil, <a href="#Page_225">225</a></li>
-
- <li class="indx">Romanes, Dr. George, his experiments on the suspended animation of
- seeds, <a href="#Page_184">184</a></li>
-
- <li class="indx">Rotifer, the common, or wheel animalcule, <a href="#Page_159">159</a></li>
-
-
- <li class="ifrst">Scandinavian silver work showing swastikas, <a href="#Page_196">196</a></li>
-
- <li class="indx">Schliemann, fragment of pottery found by, in Tiryns,
- <a href="#Page_23">23</a></li>
- <li class="isub2">swastikas discovered by, at Hissarlik, <a href="#Page_193">193</a></li>
-
- <li class="indx">Scurvy, description of, <a href="#Page_229">229</a></li>
-
- <li class="indx">Seeds, frozen, survive, <a href="#Page_177">177</a></li>
-
- <li class="indx">Simplification of decorative designs (figures of),
- <a href="#Page_206">206</a></li>
-
- <li class="indx">Smoke nuisance, London citizen executed for producing it in
- 1306, <a href="#Page_217">217</a></li>
-
- <li class="indx">Sparrows, variations in, <a href="#Page_118">118</a></li>
-
- <li class="indx">Species, an attempt to estimate their number,
- <a href="#Page_129">129</a></li>
- <li class="isub2">in the making, <a href="#Page_108">108</a></li>
- <li class="isub2">Latin names for, why used, <a href="#Page_96">96</a></li>
- <li class="isub2">not a convention, but a naturally limited group of individuals,
- <a href="#Page_100">100</a></li>
- <li class="isub2">not the same as a variety or a race, <a href="#Page_101">101</a></li>
- <li class="isub2">of common English plants, <a href="#Page_98">98</a></li>
- <li class="isub2">of crayfish, <a href="#Page_120">120</a></li>
- <li class="isub2">types or type-specimens of, <a href="#Page_96">96</a></li>
- <li class="isub2">what the word means, <a href="#Page_91">91-99</a></li>
-
- <li class="indx">Specific characters, <a href="#Page_118">118-130</a></li>
-
- <li class="indx">Spencer, Herbert, on life, <a href="#Page_183">183</a></li>
-
- <li class="indx">Spirals carved on mammoth ivory, <a href="#Page_54">54</a></li>
-
- <li class="indx">Statuette of a man, <a href="#Page_51">51</a></li>
-
- <li class="indx">St. Germain, museum of, <a href="#Page_1">1</a>, <a href="#Page_11">11</a>,
- <a href="#Page_45">45</a></li>
-
- <li class="indx">Stork theory of the swastika, <a href="#Page_207">207</a></li>
-
- <li class="indx">Strata of the earth's crust, thickness of, <a href="#Page_40">40</a>,
- <a href="#Page_41">41</a></li>
-
- <li class="indx">Streptocone, the bent cone or comma-like figure forming half a
- Tomoye, <a href="#Page_215">215</a>, <a href="#Page_216">216</a></li>
-
- <li class="indx">Sulphuric acid, weight of poisonous, annually discharged over</li>
- <li class="isub3">London, <a href="#Page_218">218</a></li>
-
- <li class="indx">Sun-fish, <a href="#Page_130">130</a></li>
-
- <li class="indx">Survival value, <a href="#Page_124">124</a>, <a href="#Page_125">125</a></li>
-
- <li class="indx">Suspended animation, <a href="#Page_173">173-190</a></li>
-
- <li class="indx">Swastika, mode of forming a, in India, <a href="#Page_199">199</a></li>
- <li class="isub2">on a piece of painted pottery from Tiryns, figure of, associated
- with horse and fish, <a href="#Page_23">23</a></li>
- <li class="isub2">possible derivation from a doubled Tomoye, <a href="#Page_210">210</a></li>
- <li class="isub2">related to the tetraskelion, with four curved arms, shown in
- Fig. 58, <a href="#Page_212">212</a></li>
- <li class="isub2">the, <a href="#Page_191">191-208</a></li>
-
-
- <li class="ifrst">Tapirs, the two living species of, <a href="#Page_109">109</a></li>
-
- <li class="indx">Temperature, measurement of, <a href="#Page_174">174</a></li>
-
- <li class="indx">Thoroughbred English racehorse a mongrel, <a href="#Page_147">147</a></li>
-
- <li class="indx">Tiger, sabre-toothed, <a href="#Page_9">9</a></li>
-
- <li class="indx">Time, estimate of, in geology, <a href="#Page_43">43</a></li>
-
- <li class="indx">Tinning of vegetables destroys their anti-scorbutic value,
- <a href="#Page_235">235</a></li>
-
- <li class="indx">Tiryns, fragment of pottery from (date 800 B.C.), and having swastika
- and horse and fish, <a href="#Page_23">23</a></li>
-
- <li class="indx">Toads in coal, <a href="#Page_221">221</a>
- <span class="pagenum"><a name="Page_243" id="Page_243">[Pg 243]</a></span></li>
-
- <li class="indx">Toleration in nature, <a href="#Page_128">128</a></li>
-
- <li class="indx">Tomoye, the, and its relation to the swastika,
- <a href="#Page_208">208-216</a></li>
-
- <li class="indx">Triskelion of Sicily and the Isle of Man, history of,
- <a href="#Page_203">203</a></li>
-
-
- <li class="ifrst">Variation in nature, <a href="#Page_110">110</a></li>
- <li class="isub2">made use of by gardeners and breeders, <a href="#Page_111">111</a></li>
-
- <li class="indx">Varieties and gradational series in nature, <a href="#Page_114">114</a>,
- <a href="#Page_115">115</a></li>
-
- <li class="indx">Veliger, young stage of marine snail, drawing of, to compare with a
- wheel animalcule, <a href="#Page_181">181</a></li>
-
- <li class="indx">Vesuvius, <a href="#Page_55">55-73</a></li>
- <li class="isub2">as it appeared in A.D. <a href="#Page_70">70</a>,
- <a href="#Page_57">57</a></li>
- <li class="isub2">ascent of, during eruption, <a href="#Page_66">66</a></li>
- <li class="isub2">eruption of 1872 witnessed, <a href="#Page_68">68-70</a></li>
- <li class="isub2">history of eruptions, <a href="#Page_61">61-64</a></li>
-
- <li class="indx">Vitamines or accessory food factors, <a href="#Page_233">233</a></li>
-
- <li class="indx">Volcanoes and eruptions, <a href="#Page_72">72</a>,
- <a href="#Page_73">73</a></li>
-
-
- <li class="ifrst">Water, blue colour of, <a href="#Page_74">74-85</a></li>
-
- <li class="indx">Weldon, Prof., on variation in the shore-crab,
- <a href="#Page_118">118</a></li>
-
- <li class="indx">Wells, spouting and fountain, of rock-oil, <a href="#Page_227">227</a></li>
-
- <li class="indx">Whales, their size and its limit, <a href="#Page_86">86</a></li>
-
- <li class="indx">Wheel animalcule, parasitic, on the sea-worm Synapta,
- <a href="#Page_172">172</a></li>
- <li class="isub2">animalcules, <a href="#Page_157">157-172</a></li>
- <li class="isub3">book on, by Mr. Gosse and Dr. Hudson, <a href="#Page_158">158</a></li>
- <li class="isub3">compared with the young stages of growth of marine
- snails, <a href="#Page_171">171</a>, <a href="#Page_181">181</a></li>
- <li class="isub3">minute males of some, <a href="#Page_166">166</a></li>
- <li class="isub3">pictures of, <a href="#Page_159">159</a>, <a href="#Page_161">161</a>,
- <a href="#Page_162">162</a>, <a href="#Page_163">163</a>, <a href="#Page_169">169</a></li>
- <li class="isub3">some survive drying up of the water in which they live,
- <a href="#Page_166">166</a>, <a href="#Page_167">167</a>,
- <a href="#Page_178">178</a>, <a href="#Page_179">179</a></li>
-
- <li class="indx">Willendorf, female statuette from, <a href="#Page_50">50</a></li>
-
- <li class="indx">Winans, Mr. Walter, on the picture of the Three Deer,
- <a href="#Page_19">19-22</a></li>
-
- <li class="indx">Wolf, engraving of head of, <a href="#Page_48">48</a></li>
-
- <li class="indx">Women, carvings representing, <a href="#Page_50">50</a>,
- <a href="#Page_51">51</a></li>
-
-
- <li class="ifrst">Zebras, <a href="#Page_103">103</a></li></ul>
-
-</div>
-
-<p class="p4 ac noindent x-smaller">
- PRINTED BY<br />
- MORRISON AND GIBB LTD.<br />
- EDINBURGH
-</p>
-
-<div class="transnote p2">
-<h3>Transcriber's Note:</h3>
-<ul>
- <li>Minor typographical errors have been corrected without note.</li>
- <li>Ambiguous hyphens at the ends of lines were retained.</li>
- <li>Mid-paragraph illustrations have been moved between paragraphs
- and some illustrations have been moved closer to the text that
- references them. The paginations in the list of illustrations and Index
- have been adjusted accordingly.</li>
- <li>Footnotes were moved to the end of chapters and numbered in one continuous
- sequence</li>
- <li>Other corrections:
- <ul>
- <li> p. 72: Suffrière changed to Soufrière (Soufrière of St. Vincent in 1812).</li>
- <li>pp. 153, 242: Pocahontes changed to Pocahontas.</li>
- </ul>
- </li>
-</ul>
-</div>
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of Project Gutenberg's Secrets of Earth and Sea, by Ray Lankester
-
-*** END OF THIS PROJECT GUTENBERG EBOOK SECRETS OF EARTH AND SEA ***
-
-***** This file should be named 53751-h.htm or 53751-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/3/7/5/53751/
-
-Produced by Charlene Taylor, Christian Boissonnas and the
-Online Distributed Proofreading Team at http://www.pgdp.net
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-
-</pre>
-
-</body>
-</html>