summaryrefslogtreecommitdiff
path: root/old/54584-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/54584-0.txt')
-rw-r--r--old/54584-0.txt1615
1 files changed, 0 insertions, 1615 deletions
diff --git a/old/54584-0.txt b/old/54584-0.txt
deleted file mode 100644
index be50d0a..0000000
--- a/old/54584-0.txt
+++ /dev/null
@@ -1,1615 +0,0 @@
-The Project Gutenberg EBook of The Irish Penny Journal, Vol. 1 No. 27,
-January 2, 1841, by Various
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: The Irish Penny Journal, Vol. 1 No. 27, January 2, 1841
-
-Author: Various
-
-Release Date: April 20, 2017 [EBook #54584]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK IRISH PENNY JOURNAL, JAN 2, 1841 ***
-
-
-
-
-Produced by Brownfox and the Online Distributed Proofreading
-Team at http://www.pgdp.net (This file was produced from
-images generously made available by JSTOR www.jstor.org)
-
-
-
-
-
-
-
-
-
-
- THE IRISH PENNY JOURNAL.
-
- NUMBER 27. SATURDAY, JANUARY 2, 1841. VOLUME I.
-
-[Illustration: THE IRISH MIDWIFE.--PART II.
-
-BY WILLIAM CARLETON.]
-
-The village of Ballycomaisy was as pleasant a little place as one
-might wish to see of a summer’s day. To be sure, like all other Irish
-villages, it was remarkable for a superfluity of “pigs, praties, and
-childre,” which being the stock in trade of an Irish cabin, it is to be
-presumed that very few villages either in Ireland or elsewhere could go
-on properly without them. It consisted principally of one long street,
-which you entered from the north-west side by one of those old-fashioned
-bridges, the arches of which were much more akin to the Gothic than the
-Roman. Most of the houses were of mud, a few of stone, one or two of
-which had the honour of being slated on the front side of the roof, and
-rustically thatched on the back, where ostentation was not necessary.
-There were two or three shops, a liberal sprinkling of public-houses, a
-chapel a little out of the town, and an old dilapidated market-house
-near the centre. A few little bye-streets projected in a lateral
-direction from the main one, which was terminated on the side opposite to
-the north-west by a pound, through which, as usual, ran a shallow stream,
-that was gathered into a little gutter as it crossed the road. A crazy
-antiquated mill, all covered and cobwebbed with grey mealy dust, stood
-about a couple of hundred yards out of the town, to which two straggling
-rows of houses, that looked like an abortive street, led you. This mill
-was surrounded by a green common, which was again hemmed in by a fine
-river, that ran round in a curving line from under the hunchbacked arch
-of the bridge we mentioned at the beginning. Now, a little behind, or
-rather above this mill, on the skirt of the aforesaid common, stood a
-rather neat-looking whitish cabin, with about half a rood of garden
-behind it. It was but small, and consisted merely of a sleeping-room
-and kitchen. On one side of the door there was a window, opening on
-hinges; and on the outside, to the right as you entered the house, there
-was placed a large stone, about four feet high, backed by a sloping
-mound of earth, so graduated as to allow a person to ascend the stone
-without any difficulty. In this cabin lived Rose Moan, the Midwife; and
-we need scarcely inform our readers that the stone in question was her
-mounting-stone, by which she was enabled to place herself on pillion or
-crupper, as the case happened, when called out upon her usual avocation.
-
-Rose was what might be called a _flahoolagh_, or portly woman, with a
-good-humoured set of Milesian features; that is to say, a pair of red,
-broad checks, a well-set nose, allowing for the disposition to turn up,
-and two black twinkling eyes, with a mellow expression that betokened
-good nature, and a peculiar description of knowing _professional_ humour
-that is never to be met with in any _but_ a Midwife. Rose was dressed
-in a red flannel petticoat, a warm cotton sack or wrapper, which pinned
-easily over a large bust, and a comfortable woollen shawl. She always
-wore a long-bordered morning cap, over which, while travelling, she
-pinned a second shawl of Scotch plaid; and to protect her from the cold
-night air, she enfolded her precious person in a deep blue cloak of the
-true indigo tint. On her head, over cloak and shawl and morning cap, was
-fixed a black “splush hat,” with the leaf strapped down by her ears on
-each side, so that in point of fact she cared little how it blew, and
-never once dreamed that such a process as that of Raper or Mackintosh was
-necessary to keep the liege subjects of these realms warm and waterproof,
-nor that two systems should exist in Ireland so strongly antithetical to
-each other as those of Raper and Father Mathew.
-
-Having thus given a brief sketch of her local habitation and personal
-appearance, we shall transfer our readers to the house of a young
-new-married farmer named Keho, who lived in a distant part of the parish.
-Keho was a comfortable fellow, full of good nature and credulity; but his
-wife happened to be one of the sharpest, meanest, most suspicious, and
-miserable devils that ever was raised in good-humoured Ireland. Her voice
-was as sharp and her heart as cold as an icicle; and as for her tongue,
-it was incessant and interminable. Were it not that her husband, who,
-though good-natured, was fiery and resolute when provoked, exercised a
-firm and salutary control over her, she would have starved both him and
-her servants into perfect skeletons. And what was still worse, with a
-temper that was vindictive and tyrannical, she affected to be religious,
-and upon those who did not know her, actually attempted to pass herself
-off as a saint.
-
-One night, about ten or twelve months after his marriage, honest Corny
-Keho came out to the barn, where slept his two farm servants, named Phil
-Hannigan and Barny Casey. He had been sitting by himself, composing his
-mind for a calm night’s sleep, or probably for a curtain lecture, by
-taking a contemplative whiff of the pipe, when the servant wench, with a
-certain air of hurry, importance, and authority, entered the kitchen, and
-informed him that Rose Moan must immediately be sent for.
-
-“The misthress isn’t well, Masther, an’ the sooner she’s sint for, the
-betther. So mind my words, sir, if you plaise, an’ pack aff either Phil
-or Barny for Rose Moan, an’ I hope I won’t have to ax it again--hem!”
-
-Dandy Keho--for so Corny was called, as being remarkable for his
-slovenliness--started up hastily, and having taken the pipe out of his
-mouth, was about to place it on the hob; but reflecting that the whiff
-could not much retard him in the delivery of his orders, he sallied out
-to the barn, and knocked.
-
-“Who’s there? Lave that, wid you, unless you wish to be shotted.” This
-was followed by a loud laugh from within.
-
-“Boys, get up wid all haste: it’s the misthress. Phil, saddle Hollowback
-and fly--(puff)--fly in a jiffy for Rose Moan; an’ do you, Barny, clap
-a back-sugaun--(puff)--an Sobersides, an’ be aff for the Misthress’s
-mother--(puff.)”
-
-Both were dressing themselves before he had concluded, and in a very few
-minutes were off in different directions, each according to the orders
-he had received. With Barny we have nothing to do, unless to say that he
-lost little time in bringing Mrs Keho’s mother to her aid; but as Phil is
-gone for a much more important character, we beg our readers to return
-with us to the cabin of Rose Moan, who is now fast asleep; for it is
-twelve o’clock of a beautiful moonlight night, in the pleasant month of
-August. Tap-tap. “Is Mrs Moan at home?” In about half a minute her warm
-good-looking face, enveloped in flannel, is protruded from the window.
-
-“Who’s that, _in God’s name_?” The words in italics were added, lest the
-message might be one from the fairies.
-
-“I’m Dandy Keho’s servant--one of them, at any rate--an’ my Misthress has
-got a stitch in her side--ha! ha! ha!”
-
-“Aisy, avick--so, she’s _down_, thin--aisy--I’ll be wid you like a bow
-out of an arrow. Put your horse over to ‘the stone,’ an’ have him ready.
-The Lord bring her over her difficulties, any way, amin!”
-
-She then pulled in her head, and in about three or four minutes sallied
-out, dressed as we have described her; and having placed herself on the
-crupper, coolly put her right arm round Phil’s body, and desired him to
-ride on with all possible haste.
-
-“Push an, avouchal, push an--time’s precious at all times, but on
-business like this every minute is worth a life. But there’s always one
-comfort, that God is marciful. Push forrid, avick.”
-
-“Never fear, Mrs Moan. If it’s in Hollowback, bedad I’m the babe that’ll
-take it out of him. Come, ould Hack-ball, trot out--you don’t know the
-message you’re an, nor who you’re carryin’.”
-
-“Isn’t your misthress--manin’ the Dandy’s wife--a daughter of ould Fitzy
-Finnegan’s, the schrew of Glendhu?”
-
-“Faith, you may say that, Rose, as we all know to our cost. Be me song,
-she does have us sometimes that you might see through us; an’ only for
-the masther----but, dang it, no matther--she’s down now, poor woman, an’
-it’s not just the time to be rakin’ up her failins.”
-
-“It is not, an’ God mark you to grace for sayin’ so. At a time like
-this we must forget every thing, only to do the best we can for our
-fellow-creatures. What are you lookin’ at, avick?”
-
-Now, this question naturally arose from the fact that honest Phil had
-been, during their short conversation, peering keenly on each side of
-him, as if he expected an apparition to rise from every furze-bush on
-the common. The truth is, he was almost proverbial for his terror of
-ghosts and fairies, and all supernatural visitants whatever; but upon
-this occasion his fears arose to a painful height, in consequence of the
-popular belief, that, when a midwife is sent for, the Good People throw
-every possible obstruction in her way, either by laming the horse, if she
-rides, or by disqualifying the guide from performing his duty as such.
-Phil, however, felt ashamed to avow his fears on these points, but still
-could not help unconsciously turning the conversation to the very topic
-he ought to have avoided.
-
-“What war you looking at, avick?”
-
-“Why, bedad, there appeared something there beyant, like a man, only it
-was darker. But be this and be that--hem, ehem!--if I could get my hands
-on him, whatsomever he”----
-
-“Hushth, boy, hould your tongue: you don’t know but it’s the very word
-you war goin’ to say might do us harm.”
-
-“--Whatsomever he is, that I’d give him a lift on Hollowback if he
-happened to be any poor fellow that stood in need of it. Oh! the sorra
-word I was goin’ to say against any thing or any body.”
-
-“You’re right, dear. If you knew as much as I could tell you--push
-an--you’d have a dhrop o’ sweat at the ind of every hair on your head.”
-
-“Be my song, I’m tould you know a power o’ quare things, Mrs Moan; an’ if
-all that’s said is thrue, you sartinly do.”
-
-Now, had Mrs Moan and her heroic guide passed through the village of
-Ballycomaisy, the latter would not have felt his fears so strong upon
-him. The road, however, along which they were now going was a grass-grown
-_bohreen_, that led them from behind her cabin through a waste and lonely
-part of the country; and as it was a saving of better than two miles
-in point of distance, Mrs Moan would not hear of their proceeding by
-any other direction. The tenor of her conversation, however, was fast
-bringing Phil to the state she so graphically and pithily described.
-
-“What’s your name?” she asked.
-
-“Phil Hannigan, a son of fat Phil’s of Balnasaggart, an’ a cousin to
-Paddy who lost a finger in the Gansy (Guernsey) wars.”
-
-“I know. Well, Phil, in throth the hairs ’ud stand like stalks o’ barley
-upon your head, if you heard all I could mintion.”
-
-Phil instinctively put his hand up and pressed down his hat, as if it had
-been disposed to fly from off his head.
-
-“Hem! ahem! Why, I’m tould it’s wonderful. But is it thrue, Mrs Moan,
-that you have been brought _on business_ to some o’ the”--here Phil
-looked about him cautiously, and lowered his voice to a whisper--“to some
-o’ the fairy women?”
-
-“Husth, man alive--what the sorra timpted you to call them anything but
-the Good People? This day’s Thursday--God stand betune us an’ harm. No,
-Phil, I name nobody. But there was a woman, a midwife--mind, avick, that
-I don’t say _who_ she was--may be I know why too, an’ may be it would be
-as much as my life is worth”----
-
-“Aisey, Mrs. Moan! God presarve us! what is that tall thing there to the
-right!”--and he commenced the Lord’s Prayer in Irish as fast as he could
-get out the words.
-
-“Why, don’t you see, boy, its a fir-tree, but sorra movin’ it’s movin.”
-
-“Ay, faix, an’ so it is; bedad I thought it was gettin’ taller an’
-taller. Ay!--hut! it _is_ only a tree.”
-
-“Well, dear, there was a woman, an’ she was called away one night by
-a little gentleman dressed in green. I’ll tell you the story some
-time--only this, that havin’ done her _duty_, an’ tuck no payment, she
-was called out the same night to a neighbour’s wife, an’ a purtier boy
-you couldn’t see than she left behind her. But it seems she happened to
-touch one of his eyes wid a hand that had a taste of _their_ panado an
-it; an’ as the child grew up, every one wondhered to hear him speak of
-the multitudes o’ thim that he seen in all directions. Well, my dear,
-he kept never sayin’ anything to them until one day when he was in the
-fair of Ballycomaisy, that he saw them whippin’ away meal and cotton and
-butther, an’ everything that they thought serviceable to them; so you see
-he could hould in no longer, an’ says he to a little fellow that was very
-active an’ thievish among them, ‘Why duv you take what doesn’t belong to
-you?’ says he. The little fellow looked up at him”--“God be about us,
-Rose, what is that white thing goin’ along the ditch to the left of us?”
-
-“It’s a sheep, don’t you see? Faix, I believe you’re cowardly at night.”
-
-“Ay, faix, an’ so it is, but it looked very quare somehow.”
-
-“--An’ says he, ‘How do you know that?’ ‘Bekase I see you all,’ says the
-other. ‘An’ which eye do you see us all wid?’ says he again. ‘Why, wid
-the left,’ says the boy. Wid that he gave a short whiff of a blast up
-into the eye, an’ from that day not a stime the poor boy was never able
-to see wid it. No, Phil, I didn’t say it was _myself_--I named _nobody_.”
-
-“An’, Mrs Moan, is it thrue that you can put the dughaughs upon them that
-trate their wives badly?”
-
-“Whisht, Phil. When you marry, keep your timper--that’s all.--You knew
-long Ned Donnelly?”
-
-“Ay, bedad, sure enough; there was quare things said about”----“Push an,
-avick, push an; for who knows how some of us is wanted? You have a good
-masther, I believe, Phil? It’s poison the same Ned would give me if he
-could. Push an, dear.”
-
-Phil felt that he had got his answer. The abrupt mystery of her manner
-and her curt allusions left him little indeed to guess at. In this
-way did the conversation continue, Phil feloniously filching, as he
-thought, from her own lips, a corroboration of the various knowledge
-and extraordinary powers which she was believed to possess, and she
-ingeniously feeding his credulity, merely by enigmatical hints and
-masked allusions; for although she took care to affirm nothing directly
-or personally of herself, yet did she contrive to answer him in such a
-manner as to confirm every report that had gone abroad of the strange
-purposes she could effect.
-
-“Phil, wasn’t there an uncle o’ yours up in the Mountain Bar that didn’t
-live happily for some time wid his wife?”
-
-“I believe so, Rose; but it was before my time, or any way when I was
-only a young shaver.”
-
-“An’ did you ever hear how the reconcilement came betune them?”
-
-“No, bedad,” replied Phil, “I never did; an’ that’s no wondher, for it
-was a thing they never liked to spake of.”
-
-“Throth, it’s thrue for you, boy. Well, I brought about----Push an, dear,
-push an.--They’re as happy a couple now as breaks bread, any way, and
-that’s all they wanted.
-
-“I’d wager a thirteen it was you did that, Rose.”
-
-“Hut, gorsoon, hould your tongue. Sure they’re happy now, I say,
-whosomever did it. I named nobody, nor I take no pride to myself, Phil,
-out o’ sich things. Some people’s gifted above others, an’ that’s all.
-But, Phil?”
-
-“Well, ma’am?”
-
-“How does the Dandy an’ his scald of a wife agree? for, throth, I’m tould
-she’s nothing else.”
-
-“Faix, but middlin’ itself. As I tould you, she often has us as empty as
-a paper lanthern, wid divil a thing but the light of a good conscience
-inside of us. If we _pray_ ourselves, begorra she’ll take care we’ll have
-the _fastin’_ at first cost; so that you see, ma’am, we hould a devout
-situation undher her.”
-
-“An’ so that’s the way wid you?”
-
-“Ay, the downright thruth, an’ no mistake. Why, the stirabout she makes
-would run nine miles along a deal boord, an’ scald a man at the far end
-of it.”
-
-“Throth, Phil, I never like to go next or near sich women or sich places,
-but for the sake o’ the innocent we must forget the guilty. So push an,
-avick, push an. Who knows but it’s life an’ death wid us? Have you ne’er
-a spur on?”
-
-“The divil a spur I tuck time to wait for.”
-
-“Well, afther all, it’s not right to let a messager come for a woman like
-me, widout what is called the Midwife’s Spur--a spur in the head--for it
-has long been said that one in the head is worth two in the heel, an’ so
-indeed it is,--on business like this, any way.”
-
-“Mrs Moan, do you know the Moriartys of Ballaghmore, ma’am?”
-
-“Which o’ them, honey?”
-
-“Mick o’ the Esker Beg.”
-
-“To be sure I do. A well-favoured dacent family they are, an’ full o’ the
-world too, the Lord spare it to them.”
-
-“Bedad, they are, ma’am, a well-favoured[1] family. Well, ma’am, isn’t it
-odd, but somehow there’s neither man, woman, nor child in the parish but
-gives you the good word above all the women in it; but as for a midwife,
-why, I heard my aunt say that if ever mother an’ child owended their
-lives to another, she did her and the babby’s to you.”
-
-The reader may here perceive that Phil’s flattery must have had some
-peculiar design in it, in connection with the Moriartys, and such indeed
-was the fact. But we had better allow him to explain matters himself.
-
-“Well, honey, sure that was but my duty; but God be praised for all, for
-every thing depinds on the Man above. She should call in one o’ those
-newfangled women who take out their Dispatches from the Lying-in College
-in Dublin below; for you see, Phil, there is sich a place there--an’ it
-stands to raison that there should be a Fondlin’ Hospital beside it,
-which there is too, they say; but, honey, what are these poor ignorant
-cratures but _new lights_, every one o’ them, that a dacent woman’s life
-isn’t safe wid?”
-
-“To be sure, Mrs Moan; an’ everyone knows they’re not to be put in
-comparishment wid a woman like you, that knows sich a power. But how does
-it happen, ma’am, that the Moriartys does be spakin’ but middlin’ of you?”
-
-“Of me, avick?”
-
-“Ay, faix; I’m tould they spread the mouth at you sometimes, espishily
-when the people does be talkin’ about all the quare things you can do.”
-
-“Well, well, dear, let them have their laugh--they may laugh that win,
-you know. Still one doesn’t like to be provoked--no indeed.”
-
-“Faix, an’ Mick Moriarty has a purty daughther, Mrs Moan, an’ a purty
-penny he can give her, by all accounts. The nerra one o’ myself but
-would be glad to put my comedher on her, if I knew how. I hope you find
-yourself aisey on your sate, ma’am?”
-
-“I do, honey. Let them talk, Phil, let them talk; it may come their turn
-yet--only I didn’t expect it from _them_. You! but, avick, what chance
-would _you_ have with Mick Moriarty’s daughther?”
-
-“Ay, every chance an’ sartinty too, if some one that I know, and that
-every one that knows her, respects, would only give me a lift. There’s
-no use in comin’ about the bush, Mrs Moan--bedad it’s yourself I mane.
-You could do it. An’, whisper, betune you and me it would be only sarvin’
-them right, in regard of the way they spake of you--sayin’, indeed, an’
-galivantin’ to the world that you know no more than another woman, an’
-that ould Pol Doolin of Ballymagowan knows oceans more than you do.”
-
-This was perhaps as artful a plot as could be laid for engaging the
-assistance of Mrs Moan in Phil’s design upon Moriarty’s daughter. He
-knew perfectly well that she would not, unless strongly influenced, lend
-herself to any thing of the kind between two persons whose circumstances
-in life differed so widely as those of a respectable farmer’s daughter
-with a good portion, and a penniless labouring boy. With great
-adroitness, therefore, he contrived to excite her prejudices against
-them by the most successful arguments he could possibly use, namely, a
-contempt for her imputed knowledge, and praise of her rival. Still she
-was in the habit of acting coolly, and less from impulse than from a
-shrewd knowledge of the best way to sustain her own reputation, without
-undertaking too much.
-
-“Well, honey, an’ so you wish me to assist you? Maybe I could do it, and
-maybe--But push an, dear, move him an; we’ll think of it, an’ spake more
-about it some other time. I must think of what’s afore me now--so move,
-move, acushla; push an.”
-
-Much conversation of the same nature took place between them, in which
-each bore a somewhat characteristic part; for to say truth, Phil was as
-knowing a “boy” as you might wish to become acquainted with. In Rose,
-however, he had a woman of no ordinary shrewdness to encounter; and the
-consequence was, that each after a little more chat began to understand
-the other a little too well to render the topic of the Moriartys, to
-which Phil again reverted, so interesting as it had been. Rose soon saw
-that Phil was only a _plasthey_, or sweetener, and only “soothered” her
-for his own purposes; and Phil perceived that Rose understood his tactics
-too well to render any further tampering with her vanity either safe or
-successful.
-
-At length they arrived at Dandy Keho’s house, and in a moment the Dandy
-himself took her in his arms, and, placing her gently on the ground,
-shook hands with and cordially welcomed her. It is very singular, but no
-less true, that the moment a midwife enters the house of her patient, she
-always uses the plural number, whether speaking in her own person or in
-that of the former.
-
-“You’re welcome, Rose, an’ I’m proud an’ happy to see you here, an’ it’ll
-make poor Bridget strong, an’ give her courage, to know you’re near her.”
-
-“How are we, Dandy? how are we, avick?”
-
-“Oh, bedad, middlin’, wishin’ very much for you of coorse, as I hear”----
-
-“Well, honey, go away now. I have some words to say afore I go in,
-that’ll sarve us, maybe--a charm it is that has great vartue in it.”
-
-The Dandy then withdrew to the barn, where the male portion of the family
-were staying until the _ultimatum_ should be known. A good bottle of
-potteen, however, was circulating among them, for every one knows that
-occasions of this nature usually generate a festive and hospitable spirit.
-
-Rose now went round the house in the direction from east to west,
-stopping for a short time at each of the windows, which she marked with
-the sign of the cross five times; that is to say, once at each corner
-and once in the middle. At each corner also of the house she signed the
-cross, and repeated the following words or charm:--
-
- The four Evangels and the four Divines,
- God bless the moon an us when it shines.
- New moon,[2] true moon, God bless me,
- God bless this house an’ this family.
- Matthew, Mark, Luke, an’ John,
- God bless the bed that she lies on.
- God bless the manger where Christ was born,
- An’ lave Joy an’ comfort here in the morn.
- St Bridget an’ St Patrick, an’ the holy spouse,
- Keep the fairies for ever far from this house. Amen.
- Glora yea, Glora yea, Glora yea yeelish,
- Glora n’ahir, Glora n’vac, Glora n’spirid neev. Amen.
-
-These are the veritable words of the charm, which she uttered in the
-manner and with the forms aforesaid. Having concluded them, she then
-entered into the house, where we leave her for a time with our best
-wishes.
-
-In the barn the company were very merry, Dandy himself being as pleasant
-as any of them, unless when his brow became shaded by the very natural
-anxiety for the welfare of his wife and child, which from time to time
-returned upon him. Stories were told, songs sung, and jokes passed, all
-full of good nature and not a little fun, some of it at the expense
-of the Dandy himself, who laughed at and took it all in good part. An
-occasional _bulletin_ came out through a servant maid, that matters were
-just the same way; a piece of intelligence which damped Keho’s mirth
-considerably. At length he himself was sent for by the Midwife, who
-wished to speak with him at the door.
-
-“I hope there’s nothing like danger, Rose?”
-
-“Not at all, honey; but the truth is, we want a seventh son who isn’t
-left-handed.”
-
-“A seventh son! Why, what do you want him for?”
-
-“Why, dear, just to give her three shakes in his arms;--it never fails.”
-
-“Bedad, an’ that’s fortunate; for there’s Mickey M’Sorley of the Broad
-Bog’s a seventh son, an’ he’s not two gunshots from this.”
-
-“Well, aroon, hurry off one or two o’ the boys for him, and tell Phil,
-if he makes haste, that I’ll have a word to say to him afore I go.” This
-intimation to Phil put feathers to his heels; for from the moment that
-he and Barny started, he did not once cease to go at the top of his
-speed. It followed as a matter of course that honest Mickey M’Sorley
-dressed himself and was back at Keho’s house before the family believed
-it possible the parties could have been there. This ceremony of getting a
-seventh son to shake the sick woman, in cases where difficulty or danger
-may be apprehended, is one which frequently occurs in remote parts of the
-country. To be sure, it is only a form, the man merely taking her in his
-arms, and moving her gently three times. The writer of this, when young,
-saw it performed with his own eyes, as the saying is; but in his case the
-man was not a seventh son, for no such person could be procured. When
-this difficulty arises, any man who has the character of being lucky,
-provided he is not married to a red-haired wife, may be called in to
-give the three shakes. In other and more dangerous cases Rose would send
-out persons to gather half a dozen heads of blasted barley; and having
-stripped them of the black fine powder with which they were covered, she
-would administer it in a little new milk, and this was always attended by
-the best effects. It is somewhat surprising that the whole Faculty should
-have adopted this singular medicine in cases of similar difficulty, for
-in truth it is that which is now administered under the more scientific
-name of _Ergot of rye_.
-
-In the case before us, the seventh son sustained his reputation for good
-luck. In about three quarters of an hour Dandy was called in “to kiss a
-strange young gintleman that wanted to see him.” This was an agreeable
-ceremony to Dandy, as it always is, to catch the first glimpse of one’s
-own first-born. On entering he found Rose sitting beside the bed in all
-the pomp of authority and pride of success, bearing the infant in her
-arms, and dandling it up and down, more from habit than any necessity
-that then existed for doing so.
-
-“Well,” said she, “here we are all safe and sound, God willin’; an’ if
-you’re not the father of as purty a young man as ever I laid eyes on, I’m
-not here. Corny Keho, come an’ kiss your son, I say.”
-
-Corny advanced, somewhat puzzled whether to laugh or cry, and taking
-the child up with a smile, he kissed it five times--for that is the
-mystic number--and as he placed it once more in Rose’s arms, there was a
-solitary tear on its cheek.
-
-“Arra, go an’ kiss your wife, man alive, an’ tell her to have a good
-heart, an’ to be as kind to all her fellow-creatures as God has been to
-her this night. It isn’t upon this world the heart ought to be fixed, for
-we see how small a thing an’ how short a time can take us out of it.”
-
-“Oh, bedad,” said Dandy, who had now recovered the touch of feeling
-excited by the child, “it would be too bad if I’d grudge her a smack.”
-He accordingly stooped, and kissed her; but, truth to confess, he did it
-with a very cool and business-like air. “I know,” he proceeded, “that
-she’ll have a heart like a jyant, now that the son is come.”
-
-“To be sure she will, an’ she must; or if not, _I’ll_ play the sorra,
-an’ break things. Well, well, let her get strength a bit first, an’
-rest and quiet; an’ in the mean time get the groanin’-malt ready, until
-every one in the house drinks the health of the stranger. My sowl to
-happiness, but he’s a born beauty. The nerra Keho of you all ever was the
-aiquails of what he’ll be yet, plaise God. Troth, Corny, he has daddy’s
-nose upon him, any how. Ay, you may laugh; but, faix, it’s thrue. You
-may take with him, you may own to him, any where. Arra, look at that! My
-soul to happiness, if one egg’s liker another! Eh, my posey! Where was
-it, alanna? Ay, you’re there, my duck o’ diamonds! Troth, you’ll be the
-flower o’ the flock, so you will. An’ now, Mrs Keho, honey, we’ll lave
-you to yourself awhile, till we thrate these poor cratures of sarvints;
-the likes o’ them oughtn’t to be overlooked; an’ indeed they did feel
-a great dale itself, poor things, about you; an’ moreover they’ll be
-longin’ of coorse to see the darlin’ here.”
-
-Mrs Keho’s mother and Rose superintended the birth-treat between them. It
-is unnecessary to say that the young men and girls had their own sly fun
-upon the occasion; and now that Dandy’s apprehension of danger was over,
-he joined in their mirth with as much glee as any of them. This being
-over, they all retired to rest; and honest Mickey M’Sorley went home
-very _hearty_,[3] in consequence of Dandy’s grateful sense of the aid he
-had rendered his wife. The next morning Rose, after dressing the infant
-and performing all the usual duties that one expected from her, took her
-leave in these words:--
-
-“Now, Mrs Keho, God bless you an’ yours, and take care of yourself. I’ll
-see you agin on Sunday next, when it’s to be christened. Until then,
-throw out no dirty wather before sunrise or afther sunset; an’ when
-Father Molloy is goin’ to christen it, let Corny tell him not to forget
-to christen it _against the fairies_, an’ thin it’ll be safe. Good bye,
-ma’am; an’ look you to her, Mrs Finnegan,” said she, addressing her
-patient’s mother, “an’ _banaght lath_ till I see all again.”
-
-[1] This term in Ireland means “handsome”--“good-looking.”
-
-[2] If it did not happen to be new moon, the words were “good moon,” &c.
-
-[3] Tipsy.
-
-
-
-
-THE MINSTREL’S WALK.
-
-BY J. U. U.
-
-(To the old Irish air of “Bidh mid a gol sa poga na mban.”)
-
-
- Green hills of the west, where I carolled along
- In the Mayday of life with my harp and my song,
- Though the winter of time o’er my spirit hath rolled,
- And the breast of the minstrel is weary and cold;
- Though no more by those famous old haunts shall I stray,
- Once the themes of my song, and the guides of my way,
- That each had its story, and true-hearted friend,
- Before I forget ye, life’s journey shall end!
-
- Oh, ’twas joy in the prime of life’s morning to go
- On the tracks of Clan Connell, led on by Hugh Roe,
- O’er the hill of Keiscorran, renowned Ballimote,
- By the Boyle, or by Newport, all passes of note,
- Where the foe their vain armaments haughtily kept;
- But the foot of th’ avenger went by while they slept:
- The hills told no tale, but the night-cloud was red,
- And the friends of the Sassenagh quaked at their tread.
-
- By the plains of Rath Croghan, fields famous of yore,
- Though stronghold and seat of the kingly no more,
- By Tulsk and Tomona, hill, valley, and plain,
- To grey Ballintubber, O’Connors’ domain;
- While ages rolled backwards in lengthened array,
- In song and old story, the long summer day;
- And cloud-like the glories of Connaught rolled by,
- Till they sank in the horrors of grim Athenry!
-
- Through the heaths of Kiltullagh, kind, simple, though rude,
- To Aeluin’s bright waters, where Willesborough stood,
- Ballinlough then spoke welcome from many a door,
- Where smiles lit kind faces that now smile no more;
- Then away to the Moyne, o’er the moors of Mayo,
- Still onward, still welcomed by high and by low,
- Blake, Burke, and O’Malley, Lynch, Kirwan, and Browne,
- By forest, lake, mountain, through village and town.
-
- Then kind were the voices that greeted my way,
- ’Twas _Cead mille failte_ at closing of day,
- When young hearts beat lightly, and labour was done,
- For joy tracked my steps, as light follows the sun;
- I had tales for the hamlet, and news for the hall,
- And the tune of old times, ever welcome to all,
- The praise of thy glory, dear land of the west;
- But thy praises are still, and thy kind bosoms rest!
-
- My blessing rest with you, dear friends, though no more
- Shall the poor and the weary rejoice at your door;
- Though like stars to your homes I have seen you depart,
- Still ye live, O ye live in each vein of my heart.
- Still the light of your looks on my darkness is thrown,
- Still your voices breathe round me when weary and lone;
- Like shades ye come back with each feeling old strain,
- But the world shall ne’er look on your equals again.
-
- * * * * *
-
-The difference between a rich man and a poor man is this--the former eats
-when he pleases, the latter when he can get it.--_Sir W. Raleigh._
-
-
-
-
-APOLOGUES AND FABLES FROM FOREIGN LANGUAGES.
-
-(_Translated for the Irish Penny Journal._)
-
-
-No. VI.--THE REMORSE OF A NIGHT.
-
-The last night of the year was about to expire; the winds, after a day
-of storminess, had subsided into slumber; the white earth lay outspread,
-like a shrouded map, under the moon; and innumerable stars arose out from
-the remotest abysses of heaven, twinkling as brightly as though they had
-but then begun their existence, and were never to suffer impairment.
-Eleven o’clock had tolled from the tower of an ancient Gothic church; and
-as the vibrations died away on the transparent air, an Old Man drew nigh
-to the window of a dark room in the desolate dwelling of which he had
-long been the solitary tenant, and cast his dull despairful eyes upwards
-towards the immoveable firmament, and from thence down on the blank waste
-of the earth, and then breathed a groaning prayer, that those eyes might
-never survey that firmament or that earth again. Wretched was he, in
-truth, that Old Man, beyond all parallel and beyond all consolation--for
-his grave lay open for him, as it seemed, by his side; it was thinly
-covered over, not by the flowers of Youth, but by the snows of Age; and
-when, heartsick of the sight, he looked away from it into himself, he saw
-that the sole fruits that he had gathered from a long and eventful life
-were sins, regrets, and maladies--a decayed body, a plague-smitten soul,
-a bosom full of bitterness, and an old age full of remorse. The beautiful
-days of his youth now came again before him like ghosts, and resummoned
-to his remembrance the cheerful morning upon which his venerable father
-had first placed him upon the great Cross-road of Life--a road which,
-trodden on the right hand, conducts the pilgrim along the noonday path
-of Virtue into a spacious, joyous land, abounding in sunbeams, harvests,
-and angelic spirits, but which, followed on the left, betrays him through
-lampless and miry ways, into the rueful wildernesses of Vice, where
-serpents for ever swarm, and pestilence chokes the atmosphere, and to
-quench his burning thirst the sluggish black rivers yield him but slime
-and poison.
-
-Alas! the serpents were now coiled about him--the poison was rilling
-through his heart! Alas for him! he knew too well which road he had
-chosen--where he was--and what he must undergo--for eternity--for
-eternity!
-
-With an anguish, with an agony, with a despair, that language cannot even
-faintly pourtray, he uplifted his withered arms towards heaven, clasped
-his hands, and cried aloud, O! give me back, give me back my youth! O! my
-father, lead me once more to the Cross-road, that I may once more choose,
-and this time choose with foreknowledge!
-
-But his cries wasted themselves idly upon the frozen air, for his father
-was no more, and his youth was no more--both had alike long, long ago
-evanished, never to reappear. He knew this, and he wept--yes, that
-miserable old man wept; but his tears relieved him not; they were like
-drops of hot lava, for they trickled from a burning brain.
-
-He looked forth, and he saw flitting lights--wills-o’-the-wisp--dancing
-over the morasses and becoming extinguished in the burial-grounds; and he
-said, Such were my riotous days of folly! He again looked forth, and he
-beheld a star fall from heaven to earth, and there melt away in blackness
-that left no trace behind, and he said, I am that star!--and with that
-woeful thought were torn open anew the leprous wounds in his bosom which
-the serpents that clung around him would never suffer to be healed.
-
-His morbid imagination, wandering abroad till it touched on the confines
-of frenzy, showed him figures of sleep-walkers traversing like shadows
-the roofs of the houses:--the chimneys widened into furnaces vomiting
-forth flames and monsters--the windmills lifted up their giant arms,
-and threatened to crush him--and a forgotten spectre, left behind in
-a deserted charnel-house, glared on him with a horrible expression of
-malignity, and then mocked his terror by assuming his features.
-
-On a sudden there flowed out upon the air a deep, rich, and solemn stream
-of music. It came from the steeple of the old Gothic church, as the bells
-announced the birth of the new year, for it was now the twelfth hour.
-Its cadences fell with a thrilling distinctness upon the ear and the
-heart of the Old Man; and every tone in the melody, through the agency
-of that mysterious power which sound possesses of re-assembling within
-the forsaken halls of the soul images long departed, brought before his
-mind some past scene of his life, vivid as a panoramic picture. Again
-he looked round upon the lucid horizon and over the frosted earth; and
-he thought on the opportunities he had forfeited--the warnings he had
-slighted--the examples he had scoffed at. He thought upon the friends
-of his youth, and how they, better and more fortunate than he, were now
-good men, at peace with themselves--teachers of wisdom to others, fathers
-of blessed families, torchlights for the world--and he exclaimed, Oh!
-and I also, had I but willed it, I also might, like them, have seen with
-tearless eyes, with tranquil heart, this night depart into eternity! Oh,
-my dear father--my dear, dear mother! I, even I, might have been now
-happy, had I but hearkened to your affectionate admonitions--had I but
-chosen to profit by the blessings which on every returning New Year’s
-Morn like this your tenderness led you to invoke on my head!
-
-Amid these feverish reminiscences of his youth, it appeared to him as
-though the spectre which had assumed his features in the charnel-house
-gradually approached nearer and nearer to him--losing, however, as it
-advanced, one trait after another of its spectral character--till at
-length, as if under the dominion of that supernatural influence which on
-the last night of the old year is popularly said to compel even the Dead
-to undergo a change of form, it took the appearance of a living young
-man--the same young man that he had himself been fifty years before.
-
-He was unable to gaze any longer: he covered his face with his hands;
-and, as the blistering tears gushed from his eyes, he sank down,
-powerless and trembling, on his knees--and again he cried out, as if his
-heart would break, O! come back to me, lost days of my youth!--come back,
-come back to me once more!
-
-And the supplication of the Penitent was not made in vain, for they came
-back to him, those days of his youth, but not yet lost! He started from
-his bed--the blue moonbeams were shining in through the windows--the
-midnight chimes were announcing the beginning of a new year. Yes!--all
-had been but an appalling dream--all, except his sins and transgressions:
-these, alas! were but too real, for conscience, even in sleep, is a
-faithful monitor. But he was still young--he had not grown old in
-iniquity--and with tears of repentance he thanked God for having, even by
-means of so terrific a vision, awakened in his heart a feeling of horror
-for the criminal career he had been pursuing, and for having revealed to
-him in that glimpse of a land full of sunbeams, harvests, and angelic
-spirits, the blissful goal in which, if he pleased, the path of his
-existence might yet terminate.
-
-Youthful reader! on which of these two paths art thou? On the right-hand
-path? Go forward, then, with the blessing of thy Maker, and fear nothing!
-On the left-hand path? If so, pause: be forewarned--turn while yet thou
-mayest--retrace thy steps--make a happier choice! I will pray that the
-terrors of this ghastly Dream may not hereafter be arrayed in judgment
-against thee! Alas for thee, if the time ever come when thou shalt call
-aloud in thy despair, Come back, ye precious days of my youth!--unlike
-the dreamer, _thou_ wilt but be mocked by the barren echo of thine own
-lamentation--the precious days of thy youth will never, never come back
-to thee!
-
- M.
-
-
-
-
-TEETOTALLERS AND TOPERS.
-
-
-It is not a little curious, and perhaps not a little amusing in its
-way, to mark the feelings with which these two very different classes
-contemplate each other. The introduction of teetotallism was a thing
-for which the toper was wholly unprepared. It was a thing of which, _a
-priori_, he could have formed no conception--a thing of which he never
-dreamt. It therefore took him quite by surprise; and when it came, his
-opinion of it was, and to this good hour is, that it is one of the most
-absurd and monstrous ideas that ever entered into the human head.
-
-That a class of men should arise who would forswear the use of those
-exhilarating stimulants in which he himself so much delighted--that there
-should ever appear on the face of the earth such an ass as the man who
-would refuse a glass of generous liquor when offered him, is to him a
-thing surpassing belief; and in fact he does not, or rather will not,
-believe in it. He insists upon it that it is all humbug, and that its
-professors, the professors of teetotallism, may say what they please,
-but that they can and do take their drink as freely as he does; the only
-real difference being, that they take theirs secretly. No evidence
-whatever will convince him that it is otherwise, or at least will induce
-him to admit that it is so. He is, in short, determined not to believe
-in so monstrous a doctrine. But should conviction at any time be too
-strong for him, he then falls back on the consolatory belief that it
-cannot long prevail--that it will not, can not stand. An association
-whose rules should enjoin every member always to walk backwards instead
-of forwards, or which should enjoin any other equally ridiculous
-absurdity, might live and prosper; but teetotallism, the abstaining from
-the dear potations--no, no, _that_ cannot stand any time--ridiculous,
-impossible--not in the nature of things.
-
-As might be expected, the toper entertains a most cordial hatred of the
-teetotaller; he abhors him, and detests his principles--he in fact cannot
-hear him spoken of with any degree of patience. Oh, what a triumph to him
-when he catches a teetotaller tripping! With what delight he treasures
-up anecdotes of backsliding on the part of the professors of abstinence!
-And of such anecdotes he has a large store; for he is constantly on
-the look-out for them, and is not very particular on the score of
-authenticity. With what glee he relates these anecdotes to his club! and
-with what glee his club listens to the edifying and refreshing relation!
-They will chuckle over a story of this kind for a month. Nor, in the
-matter of anecdote, is the teetotaller a whit behind his unregenerated
-brother. The two parties, in fact, carry on a war of anecdote against
-each other--the teetotaller’s being stories of ruin and misery resulting
-from dissipation--the toper’s, facetious little tales of hypocrisy and
-backsliding. Both collect their anecdotes with great industry, and
-propagate them with great zeal and diligence.
-
-The toper’s attitude, as regards the teetotaller, is of course a hostile
-one. But it is not a bold one. There is nothing of defiance in it,
-although he sometimes affects it. For although he hates the teetotaller,
-he also stands in awe of him; being oppressed with an awkward
-consciousness that the latter has the right side of the argument, and the
-weight of general opinion is on his side--that, in short, the teetotaller
-is right and he is wrong.
-
-This consciousness gives to his hostility a sneaking and timid character,
-and induces him to confine himself in the matter of retaliation to the
-facetious joke and sly insinuation. On more open warfare he dare not
-venture. The teetotaller is thus the assailing party: he takes and keeps
-the field manfully, and with bold front and loud voice dares the toper to
-the combat. The latter, in conscious weakness, shrinks at the sound, as
-do the small animals of the forest when they hear the roar of the lion;
-and getting out of his way as fast as he can, retires to his fastnesses,
-the drinking-shops, and hedges himself round with bottles and quart-pots.
-
-The toper always carefully eschews any thing like direct and open
-personal contact with the enemy, in the shape of discussions on the
-merits of the question of abstinence. There is, in fact, nothing he so
-much abominates as any attempt at reasoning on the subject, where such
-reasoning has for its object to show the advantages of temperance or
-intemperance. The toper thus at all times prefers keeping out of the
-teetotaller’s way, and, although professing the most entire disregard of
-him, will at any time go a mile about to avoid him. He has an instinctive
-dislike of him, and this because he is a living personified reflection on
-himself.
-
-Turning now to the teetotaller, we find two or three things in his
-conduct, too, with reference to the toper, that are rather curious in
-their way. In the first place, it is curious to mark the deep interest he
-takes in what may be called the tippling statistics of his neighbourhood;
-and the amount of knowledge which he contrives to acquire on this
-subject is really amazing. He knows all the topers in his vicinity, and
-keeps a sharp eye on their proceedings. He knows every one of their
-haunts too--knows the different degrees of dissipation to which each
-has attained, and could almost tell on any given day what quantity each
-drank on the preceding night. In short, so vigilantly does he watch all
-the outgoings and incomings of these marked men, and yet without seeming
-to notice them, that they can hardly swallow a single _cropper_ without
-his knowing it. The whole thing, in fact, is a sort of private study of
-his own, and one to which he devotes a great deal of quiet observation
-and secret reflection: he takes a deep interest in it, and hence the
-proficiency he makes out in the knowledge of its details.
-
-But our teetotaller not only knows all the professed, undisguised
-topers of his locality; he knows--much more striking proof of his
-vigilance--every man also whose habits, although not yet sufficiently
-intemperate to attract the attention of any one but a teetotaller,
-exhibit signs and symptoms of becoming gradually worse. The tippling
-progress of these persons he watches with the deepest interest, and keeps
-himself accurately informed regarding the extent and frequency of their
-debauches. The teetotaller, in short, keeps a vigilant eye over the
-entire drinking system of his neighbourhood, and professes an astonishing
-knowledge of what every one is doing in this way. If the teetotaller’s
-residence be in a small town, his surveillance then embraces its whole
-extent, and hardly can a single bumper be swallowed within its limits, of
-which he does not, somehow or other, obtain notice.
-
-Abhorring dissipation itself, the teetotaller naturally extends that
-abhorrence to its signs and symptoms. On flushed and pimpled faces
-he looks with aversion and distrust, but on a red nose with absolute
-horror. We once saw a curious instance of this:--A gentleman with a
-highly illumed proboscis one evening entered a teetotal coffee-room in
-which we happened to be seated. The nose--for we sink the gentleman,
-its owner, altogether, as an unnecessary incumbrance--passed, although
-with deliberate movement, like a fiery meteor, up the entire length of
-the room, exciting in its progress the utmost horror and dismay amongst
-the teetotallers with whom the apartment was thronged. The sensation,
-in fact, created by the red nose was immense, although not noisy in its
-expression.
-
-It was indicated merely by an extensive and earnest whispering, by a
-shuffling of feet, and a general fidgetty sort of movement, giving,
-though in an unobtrusive form, a very vivid idea of the presence of some
-exceedingly disagreeable object. The whole room, in short, was shocked
-by the red nose, although they refrained from expressing that feeling by
-any more marked demonstration than those we have mentioned. The red nose
-seemed for some time unconscious of the effects it was producing, but the
-detection of a number of horror-stricken faces peering eagerly over the
-edges and round the corners of boxes, to get a glimpse of the detestable
-object, betrayed the real state of the case. The red nose, however,
-evinced no emotion on making the discovery, but passed quietly into an
-unoccupied box, took up a paper, and ordered a glass of lemonade. The
-landlord looked queer at the nose as he tabled the order, but of course
-said nothing.
-
-Now, we thought at the time, how different would have been the reception
-of the gentleman with the red nose by a club of topers! In such case, his
-nose, in place of being looked on with horror, would have been viewed
-with respect. It would have been a passport to the highest favour of the
-jolly fraternity, and would have at once admitted its owner to their
-confidence and good-fellowship. We do not know, indeed, that its entrance
-would not have been hailed by a shout of acclamation; for, viewed as one
-of the chief insignia of a boon companion, it was truly a splendid nose.
-
- C.
-
-
-
-
-MORAL EVIL MAN’S OWN CREATION.
-
-
-Man brings upon himself a thousand calamities, as consequences of his
-artifices and pride, and then, overlooking his own follies, gravely
-investigates the origin of what he calls evil:--
-
-He compromises every natural pleasure to acquire fame among transient
-beings, who forget him nightly in sleep, and eternally in death; and
-seeks to render his name celebrated among posterity, though it has no
-identity with his person, and though posterity and himself can have no
-contemporaneous feeling.
-
-He deprives himself and all around him of every passing enjoyment, to
-accumulate wealth that he may purchase other men’s labour, in the vain
-hope of adding happiness to his own.
-
-He omits to make effective laws to protect the poor against the
-oppressions of the rich, and then wears out his existence under the fear
-of becoming poor, and being the victim of his own neglect and injustice.
-
-He arms himself with murderous weapons; and on the slightest instigation,
-and for hire, practises murder as a science, follows this science as
-a regular profession, and honours its chiefs above benefactors and
-philosophers, in proportion to the quantity of blood they have shed, or
-the mischiefs they have perpetrated.
-
-He disguises the most worthless of the people in showy liveries, and
-then excites them to murder men whom they never saw, by the fear of being
-killed if they do not kill.
-
-He revels in luxury and gluttony, and then complains of the diseases
-which result from repletion.
-
-He tries in all things to counteract or improve the provisions of nature,
-and then afflicts himself at his disappointments.
-
-He multiplies the chances against his own life and health by his numerous
-artifices, and then wonders at their fatal results.
-
-He shuts his eyes against the volume of truth as presented by Nature,
-and, vainly considering that all was made for him, founds on this false
-assumption various doubts in regard to the justice of eternal causation.
-
-He interdicts the enjoyment of all other creatures, and regarding the
-world as his property, in mere wantonness destroys myriads on whom have
-been bestowed beauties and perfections.
-
-He forgets that to live and let live is a maxim of universal justice,
-extending not only to his fellow creatures, but to inferior ones, to whom
-his moral obligations are greater, because they are more in his power.
-
-He afflicts himself that he cannot live for ever, though his forefathers
-have successively died to make room for him.
-
-He repines at the thought of losing that life, the use of which he so
-often perverts: and though he began to exist but yesterday, thinks the
-world was made for him, and that he ought to continue to enjoy it for
-ever.
-
-He desires to govern others, but, regardless of their dependence upon his
-benevolence, is commonly gratified in displaying the power entrusted to
-him by a tyrannical abuse of it.
-
-He makes laws, which, in the hands of mercenary lawyers, serve as snares
-to unwary poverty--but as shields to crafty wealth.
-
-He acknowledges the importance of educating youth, yet teaches them any
-thing but their social duties in the political state in which they live.
-
-He passes his days in questioning the providence of Nature, in ascribing
-evil to supernatural causes, in feverish expectation of results contrary
-to the necessary harmony of the world.
-
- * * * * *
-
-THE LABOUR OF STUDY.--It is impossible for any man to be a determined
-student without endangering his health. Man was made to be active. The
-hunter who roams through the forest, or climbs the rocks of the Alps,
-is the man who is hardy, and in the most robust health. The sailor who
-has been rocked by a thousand storms, and who labours day and night,
-is a hardy man, unless dissipation has broken his constitution. Any
-man of active habits is likely to enjoy good health, if he does not
-too frequently over-exert himself. But the student’s habits are all
-unnatural, and by them nature is continually cramped and restrained.
-Men err in nothing more than in the estimate which they make of human
-labour. The hero of the world is the man that makes a bustle--the man
-that makes the road smoke under his chaise-and-four--the man that
-raises a dust about him--the man that ravages or devastates empires.
-But what is the real labour of this man, compared with that of a silent
-sufferer? He lives on his projects: he encounters, perhaps, rough roads,
-incommodious inns, bad food, storms and perils; but what are these? His
-project, his point, the thing that has laid hold on his heart--glory--a
-name--consequence--pleasure--wealth--these render the man callous to the
-pains and efforts of the body. I have been in both states, and therefore
-understand them; and I know that men form this false estimate. Besides,
-there is something in bustle, and stir, and activity, that supports
-itself. At one period I preached and read five times on a Sunday, and
-rode sixteen miles. But what did it cost me? Nothing! Yet most men would
-have looked on, while I was rattling from village to village, with all
-the dogs barking at my heels, and would have called me a hero; whereas,
-if they were to look at me now, they would call me an idle, lounging
-fellow. “He gets into his study (they would say)--he walks from end to
-end--he scribbles on a scrap of paper--he throws it away and scribbles
-on another--he sits down--scribbles again--walks about!” They cannot see
-that here is an exhaustion of the spirit which, at night, will leave
-me worn to the extremity of endurance. They cannot see the numberless
-efforts of mind which are crossed and stifled, and recoil on the spirits
-like the fruitless efforts of a traveller to get firm footing among the
-ashes on the steep sides of Mount Etna.--_Rev. John Todd--Student’s
-Guide._
-
- * * * * *
-
-NECESSITY OF A STEADFAST CHARACTER.--The man who is perpetually
-hesitating which of two things he will do first, will do neither. The
-man who resolves, but suffers his resolution to be changed by the first
-counter-suggestion of a friend--who fluctuates from opinion to opinion,
-from plan to plan--and veers, like a weathercock, to every point of the
-compass, with every breath of caprice that blows--can never accomplish
-anything great or useful. Instead of being progressive in anything, he
-will be at best stationary, and more probably retrograde, in all. It is
-only the man who first consults wisely, then resolves firmly, and then
-executes his purpose with inflexible perseverance, undismayed by those
-petty difficulties which daunt a weaker spirit--that can advance to
-eminence in any line. Let us take, by way of illustration, the case of
-a student. He commences the study of the dead languages; but presently
-a friend comes, and tells him that he is wasting his time, and that,
-instead of obsolete words, he had much better employ himself in acquiring
-new ideas. He changes his plan, and sets to work at the mathematics.
-Then comes another friend, who asks him, with a grave and sapient face,
-whether he intends to become a professor in a college; because, if he
-does not, he is misemploying his time; and that, for the business of
-life, common mathematics is quite enough of mathematical science. He
-throws up his Euclid, and addresses himself to some other study, which in
-its turn is again relinquished, on some equally wise suggestion: and thus
-life is spent in changing his plans. You cannot but perceive the folly
-of this course; and the worse effect of it is, the fixing on your mind a
-habit of indecision, sufficient of itself to blast the fairest prospects.
-No--take your course wisely, but firmly: and having taken it, hold upon
-it with heroic resolution; and the Alps and Pyrenees will sink before
-you--the whole empire of learning will lie at your feet; while those who
-set out with you, but stopped to change their plans, are yet employed in
-the very profitable business of changing their plans. Let your motto be
-_Perseverance_. Practise upon it, and you will be convinced of its value
-by the distinguished eminence to which it will conduct you.--_Wirt’s
-Essays._
-
- * * * * *
-
-ILL TEMPER.--Mankind are ignorant enough, both in the mass, about general
-interests, and individually, about the things which belong to their
-peace; but of all mortals none perhaps are so awfully self-deluded as
-the unamiable. They do not, any more than others, sin for the sake of
-sinning; but the amount of woe caused by their selfish unconsciousness
-is such as may well make their weakness an equivalent for other men’s
-gravest crimes. There are great diversities of hiding-places for their
-consciences--many mansions in the dim prison of discontent; but it may be
-doubted whether, in the hour when all shall be uncovered to the eternal
-day, there will be revealed a lower deep than the hell which they have
-made. They perhaps are the only order of evil ones who suffer hell
-without seeing and knowing that it is hell. But they are under a heavier
-curse even than this; they inflict torments, second only to their own,
-with an unconsciousness almost worthy of spirits of light. While they
-complacently conclude themselves the victims of others, or pronounce
-that they are too singular, or too refined, for common appreciation,
-they are putting in motion an enginery of torture whose aspect will one
-day blast their minds’ sight. The dumb groans of their victims will
-sooner or later return upon their ears from the heights of the heaven
-to which the sorrows of men daily ascend. The spirit sinks under the
-prospect of the retribution of the unamiable; if there be indeed an
-eternal record--an impress on some one or other human spirit--of every
-chilling frown, of every querulous tone, of every bitter jest, of every
-insulting word--of all abuses of that tremendous power which mind has
-over mind. The throbbing pulses, the quivering nerves, the wrung hearts,
-that surround the unamiable--what “a cloud of witnesses” is here!
-and what plea shall avail against them? The terror of innocents who
-should know no fear--the vindictive emotions of dependents who dare not
-complain--the faintness of heart of life-long companions--the anguish
-of those who love--the unholy exultation of those who hate--what an
-array of judges is here! and where can an appeal be lodged against their
-sentence? Is pride of singularity a rational plea? Is super-refinement,
-or circumstance from God, or uncongeniality in man, a sufficient ground
-of appeal, when the refinement of one is a grace granted for the luxury
-of all, when circumstance is given to be conquered, and uncongeniality
-is appointed for discipline? The sensualist has brutified the seraphic
-nature with which he was endowed--the depredator has intercepted the
-rewards of toil, marred the image of justice, and dimmed the lustre of
-faith in men’s minds--the imperial tyrant has invoked a whirlwind to lay
-waste, for an hour of God’s eternal year, some region of society. But the
-unamiable--the domestic torturer--has heaped wrong on wrong and woe on
-woe, through the whole portion of time that was given him, until it would
-be rash to say that there are any others more guilty than he. If there be
-hope or solace for the domestic torturer, it is that there may have been
-tempers about him the opposite of his own. It is matter of humiliating
-gratitude that there were some which he could not ruin, and that he was
-the medium of discipline by which they were exercised in forbearance, in
-divine forgiveness and love. If there be solace in such an occasional
-result, let it be made the most of by those who need it; for it is the
-only possible alleviation to their remorse. Let them accept it as the
-free gift of a mercy which they have insulted, and a long-suffering which
-they have defied.--_From Deerbrook, a Tale, by Harriet Martineau._
-
- * * * * *
-
-SLANDER AND VINDICATION.--Vindication in some cases partakes of the same
-qualities that Homer ascribes to prayer. Slander, “strong, and sound of
-wing, flies through the world, afflicting men;” but Vindication, lame,
-wrinkled, and imbecile, for ever seeking its object, and never obtaining
-it, follows after, only to make the person in whose behalf it is employed
-more completely the scorn of mankind. The charge against him is heard by
-thousands, the vindication by few. Wherever Vindication comes, is not the
-first thing it tells of the unhappy subject of it, that his character
-has been tarnished, his integrity suspected--that base motives and vile
-actions have been imputed to him--that he has been scoffed at by some,
-reviled by others, and looked at askance by all? Yes; the worst thing I
-would wish to my worst enemy is, that his character should be the subject
-of vindication. And what is the well-known disposition of mankind in this
-particular? All love the scandal. It constitutes a tale that seizes upon
-the curiosity of our species; it has something deep and obscure, and
-mysterious in it; it has been whispered from man to man, and communicated
-by winks, and nods, and shrugs, the shaking of the head, and the speaking
-motion of the finger. But Vindication is poor, and dry, and cold, and
-repulsive. It rests in detections and distinctions, explanations to be
-given to the meaning of a hundred phrases, and the setting right whatever
-belongs to the circumstances of time and place. What bystander will bend
-himself to the drudgery of thoroughly appreciating it? Add to which, that
-all men are endowed with the levelling principle, as with an instinct.
-Scandal includes in it, as an element, that change of fortune which is
-required by the critic from the writer of an epic poem or a tragedy.
-The person respecting whom a scandal is propagated is of sufficient
-importance, at least in the eyes of the propagator and the listener, to
-be made a subject for censure. He is found, or he is erected into, an
-adequate centre of attack; he is first set up as a statue to be gazed
-at, that he may afterwards be thrown down and broken to pieces, crumbled
-into dust, and made the prey of all the winds of heaven.--_Godwin’s
-Mandeville._
-
- * * * * *
-
-The weather is not a safe topic of discourse; your company may be
-hippish; nor is health; your associate may be a hypochondriac; nor is
-money; you may be suspected as a borrower.--_Zimmerman._
-
- * * * * *
-
-When all is done, human life is at the best but like a froward child,
-that must be played with and humoured a little to keep it quiet till it
-falls asleep, and then the care is over.--_Sir W. Temple._
-
- * * * * *
-
-Time runs on, and when youth and beauty vanish, a fine lady who had never
-entertained a thought into which an admirer did not enter, finds in
-herself a lamentable void.
-
- * * * * *
-
-The poorest of all family goods are indolent females. If a wife knows
-nothing of domestic duties beyond the parlour or the boudoir, she is a
-dangerous partner in these times of pecuniary uncertainty.
-
- * * * * *
-
-Friendship, love, and piety, ought to be handled with a sort of
-mysterious secrecy; they ought to be spoken of only in the rare moments
-of perfect confidence--to be mutually understood in silence. Many things
-are too delicate to be thought--many more to be spoken.
-
- * * * * *
-
- Printed and published every Saturday by GUNN and CAMERON, at
- the Office of the General Advertiser, No. 6, Church Lane,
- College Green, Dublin.--Agents:--R. GROOMBRIDGE, Panyer Alley,
- Paternoster Row, London; SIMMS and DINHAM, Exchange Street,
- Manchester; C. DAVIES, North John Street, Liverpool; J. DRAKE,
- Birmingham; SLOCOMBE & SIMMS, Leeds; FRASER and CRAWFORD,
- George Street, Edinburgh; and DAVID ROBERTSON, Trongate,
- Glasgow.
-
-
-
-
-
-End of the Project Gutenberg EBook of The Irish Penny Journal, Vol. 1 No.
-27, January 2, 1841, by Various
-
-*** END OF THIS PROJECT GUTENBERG EBOOK IRISH PENNY JOURNAL, JAN 2, 1841 ***
-
-***** This file should be named 54584-0.txt or 54584-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/4/5/8/54584/
-
-Produced by Brownfox and the Online Distributed Proofreading
-Team at http://www.pgdp.net (This file was produced from
-images generously made available by JSTOR www.jstor.org)
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-