summaryrefslogtreecommitdiff
path: root/old/55052-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/55052-0.txt')
-rw-r--r--old/55052-0.txt2185
1 files changed, 0 insertions, 2185 deletions
diff --git a/old/55052-0.txt b/old/55052-0.txt
deleted file mode 100644
index 85ddfe6..0000000
--- a/old/55052-0.txt
+++ /dev/null
@@ -1,2185 +0,0 @@
-The Project Gutenberg EBook of Bramble Brae, by Robert Bridges
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-
-Title: Bramble Brae
-
-Author: Robert Bridges
-
-Release Date: July 5, 2017 [EBook #55052]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK BRAMBLE BRAE ***
-
-
-
-
-Produced by Larry B. Harrison, Chuck Greif and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive)
-
-
-
-
-
-
-
-
-
-
-
- BOOKS IN PROSE BY
-
- ROBERT BRIDGES
-
- (DROCH)
-
-
- OVERHEARD IN ARCADY
-
- Dialogues about Howells, James, Aldrich, Stockton, Davis, Crawford,
- Kipling, Meredith, Stevenson, Barrie. Illustrated, _Fourth
- Edition_, $1.25.
-
-
- SUPPRESSED CHAPTERS, AND OTHER BOOKISHNESS
-
- CONTENTS: Suppressed Chapters--Arcadian Letters--Novels that
- Everybody Read--The Literary Partition of Scotland--Friends in
- Arcady--Arcadian Opinions. _Third Edition_, $1.25.
-
-
-
-
- Bramble Brae
-
-
-
-
- Bramble Brae
-
- By
- Robert Bridges
- (_Droch_)
-
- New York
- Charles Scribner’s Sons
- 1902
-
- Copyright, 1902, by
- CHARLES SCRIBNER’S SONS
-
- _Published March, 1902_
-
- THE DE VINNE PRESS
-
-
-
-
- To my Father
-
-
- You called the old farm Bramble Brae,
- And loved it till your hair was gray
- And footsteps faltered while you trod
- The sloping upland bright with sod.
- It blossomed in your quiet life
- With gowans from the Neuk of Fife;
- And while you walked the waving wheat
- You dreamed of heather and the peat.
- You’ve gane awa! My spirit yearns
- To hear you read the songs of Burns;
- The melody I’ve faintly caught
- Is just the lesson that you taught.
- If any hear your gentle voice
- In verse of mine, then I’ll rejoice
- And sing along my stumbling way,
- “He’s home again in Bramble Brae!”
-
-
-
-
-CONTENTS
-
-
-BETWEEN TWO WORLDS
-
- PAGE
-
-THE UNILLUMINED VERGE 1
-
-FROM ONE LONG DEAD 4
-
-FATHER TO MOTHER 6
-
-THE CHILD TO THE FATHER 8
-
-A PRAYER OF OLD AGE 10
-
-THE RHONE GLACIER--SUNSET 14
-
-JAMES MCCOSH 17
-
-LE BONHEUR DE CE MONDE (_Plantin_) 18
-
-THE HAPPINESS OF THIS WORLD (_Translation_) 19
-
-R. L. S. 20
-
-MCGIFFEN 22
-
-AT THE FARRAGUT STATUE 25
-
-NEWS FROM A MISSING LINER 27
-
-FOR A CLASSMATE DEAD AT SEA 29
-
-
-BRAMBLE BRAE
-
-A TOAST TO OUR NATIVE LAND 33
-
-THE TOWERS OF PRINCETON 34
-
-ROOSEVELT IN WYOMING 36
-
-UNCLE SAM TO KIPLING 38
-
-A NEW YEAR’S WISH FOR THOSE WHO WRITE 40
-
-TO CHLOE 42
-
-TO THE ELF ON MY CALENDAR 43
-
-CAPRICE 44
-
-RETROSPECT 46
-
-IN THE CROWD 47
-
-REMEMBRANCE 48
-
-OFF FORT HAMILTON IN SUMMER 49
-
-OVER THE FERRY 50
-
-BRAMBLE BRAE IN OCTOBER 52
-
-
-WITH FLOWERS
-
-ON A SPRAY OF HEATHER 57
-
-THE HOTHOUSE VIOLET SPEAKS 59
-
-A SONG 61
-
-WHAT THE FLOWERS SAID 63
-
-DIANA’S VALENTINE 65
-
-WITH SOME BIRTHDAY ROSES 67
-
-
-WRITTEN IN BOOKS
-
-IN A VOLUME OF HERRICK 71
-
-IN “SHAKESPEARE’S SONNETS” 73
-
-IN “SONNETS FROM THE PORTUGUESE” 74
-
-IN GEORGE MEREDITH’S POEMS 75
-
-IN “THE KING’S LYRICS” 76
-
-THE SONG OF TEMBINOKA, KING OF APEMAMA 77
-
-IN THE MANNER OF KIPLING 79
-
-FOR A NOVEL OF HALL CAINE’S 80
-
-IN “HELBECK OF BANNISDALE” 81
-
-A CHRISTMAS GREETING 82
-
-IN NICHOLSON’S “ALMANAC OF SPORTS” 83
-
-IN NICHOLSON’S “CITY TYPES” 84
-
-IN “THE GOLDEN TREASURY” 85
-
-A VALENTINE 86
-
-IN “HALLO, MY FANCY!” 87
-
-THE BOOK SPEAKS 88
-
-IN HERFORD’S VERSES 89
-
-IN A BOOK OF GIBSON’S DRAWINGS 90
-
-IN A VOLUME OF MISS GUINEY’S POEMS 91
-
-IN “BARBARA FRIETCHIE--A PLAY” 92
-
-TO C. H. M. AND H. H. M. 94
-
-TO MY MOTHER 96
-
-A BOOK’S SOLILOQUY 97
-
-ENVOY 99
-
-
-
-
- BETWEEN TWO WORLDS
-
- On the dark decline of the unillumined
- verge between the two worlds.
- _George Meredith._
-
-
-
-
- THE UNILLUMINED VERGE
-
- TO A FRIEND DYING
-
-
- They tell you that Death’s at the turn of the road,
- That under the shade of a cypress you’ll find him,
- And, struggling on wearily, lashed by the goad
- Of pain, you will enter the black mist behind him.
-
- I can walk with you up to the ridge of the hill,
- And we’ll talk of the way we have come through the valley;
- Down below there a bird breaks into a trill,
- And a groaning slave bends to the oar of his galley.
-
- You are up on the heights now, you pity the slave--
- “Poor soul, how fate lashes him on at his rowing!
- Yet it’s joyful to live, and it’s hard to be brave
- When you watch the sun sink and the daylight is going.”
-
- We are almost there--our last walk on this height--
- I must bid you good-by at that cross on the mountain.
- See the sun glowing red, and the pulsating light
- Fill the valley, and rise like the flood in a fountain!
-
- And it shines in your face and illumines your soul;
- We are comrades as ever, right here at your going;
- You may rest if you will within sight of the goal,
- While I must return to my oar and the rowing.
-
- We must part now? Well, here is the hand of a friend;
- I will keep you in sight till the road makes its turning
- Just over the ridge within reach of the end
- Of your arduous toil--the beginning of learning.
-
- You will call to me once from the mist, on the verge,
- “Au revoir!” and “good night!” while the twilight is creeping
- Up luminous peaks, and the pale stars emerge?
- Yes, I hear your faint voice: “This is rest, and like sleeping!”
-
-
-
-
- FROM ONE LONG DEAD
-
-
- What! _You_ here in the moonlight and thinking of me?
- Is it you, O my comrade, who laughed at my jest?
- But you wept when I told you I longed to be free,
- And you mourned for a while when they laid me at rest.
-
- I’ve been dead all these years! and to-night in your heart
- There’s a stir of emotion, a vision that slips--
- It’s _my_ face in the moonlight that gives you a start,
- It’s my name that in joy rushes up to your lips!
-
- Yes, I’m young, oh, so young, and so little I know!
- A mere child that is learning to walk and to run;
- While I grasp at the shadows that wave to and fro
- I am dazzled a bit by the light of the Sun.
-
- I am learning the lesson, I try to grow wise,
- But at night I am baffled and worn by the strife;
- I am humbled, and then there’s an impulse to rise,
- And a voice whispers, “Onward and win! This is Life!”
-
- And the Force that is drawing me up to the Height,
- That inspires me and thrills me,--each day a new birth,--
- Is the Force that to Chaos said, “Let there be Light!”
- And it gave us sweet glimpses of Heaven on Earth.
-
- It is Love! and you know it and feel it, my Soul!
- For you love me in spite of the grave and its bars.
- And it moves the whole Universe on to its goal,
- And it draws frail Humanity up to the stars!
-
-
-
-
- FATHER TO MOTHER
-
-
- This is our child, Dear--flesh of our flesh and bone of our bone;
- Here is the end of our youth, and now we begin to atone.
- Now we do feel what their love was--those who have reared us and taught;
- Now do we know of the treasures that neither are sold nor bought.
- Here is the joy of the Race--joy that must grow out of pain;
- Here is the last of our Self--now we are links in the chain.
- Body of yours and mine no more is the measure of grief--
- All that _he_ suffers is ours--and increased while we cry for relief;
- Yea, for our boy, our Beloved, we’ll yearn through the beckoning years--
- Toil for him, laugh with him, struggle, and pour out the
- fountain of tears!
-
-
-
-
- THE CHILD TO THE FATHER
-
-
- Father, it’s your love that safely guides me,
- Always it’s around me, night and day;
- It shelters me, and soothes, but never chides me:
- Yet, father, there’s a shadow in my way.
-
- All the day, my father, I am playing
- Under trees where sunbeams dance and dart--
- But often just at night when I am praying
- I feel this awful hunger in my heart.
-
- Father, there is something--it has missed me;
- I’ve felt it through my little days and years;
- And even when you petted me and kissed me
- I’ve cried myself to sleep with burning tears.
-
- To-day I saw a child and mother walking;
- I caught a gentle shining in her eye,
- And music in her voice when she was talking--
- Oh, father, is it _that_ that makes me cry?
-
- Oh, never can I put my arms around her,
- Or never cuddle closer in the night;
- Mother, oh, my mother! I’ve not found her--
- I look for her and cry from dark to light!
-
-
-
-
- A PRAYER OF OLD AGE
-
-
- O Lord, I am so used to all the byways
- Throughout Thy devious world,
- The little hill-paths, yea, and the great highways
- Where saints are safely whirled!
- And there are crooked ways, forbidden pleasures,
- That lured me with their spell;
- But there I lingered not, and found no treasures--
- Though in the mire I fell.
-
- And now I’m old and worn, and, scarcely seeing
- The beauties of Thy work,
- I catch faint glimpses of the shadows fleeing
- Through valleys in the murk;
- Yet I can feel my way--my mem’ry guides me;
- I bear the yoke and smile.
- I’m used to life, and nothing wounds or chides me;
- Lord, let me live awhile!
-
- And then, dear Lord, I still can feel the thrilling
- Of Nature in the Spring--
- The uplift of Thy hills, the song-birds trilling,
- The lyric joy they bring.
- I’m not too old to see the regal beauty
- Of moon and stars and sun;
- Nature can still reveal to me my duty
- Till my long task is done.
-
- O Lord, to me the pageant is entrancing--
- The march of States and Kings!
- I keenly watch the human race advancing
- And see Man master Things:
- From him who read the secret of the thunder
- And made the lightning kind,
- Down to this marvel--all the growing wonder
- Of force controlled by Mind.
-
- And this dear land of ours, the freeman’s Nation!
- Lord, let me live and see
- Fulfilment of our fathers’ aspiration,
- When each man’s really free!
- When all the strength and skill that move the mountains,
- And pile up riches great,
- Shall sweeten patriotism at its fountains
- And purify the State!
-
- But there are closer ties than these that bind me
- And make me long to stay
- And linger in the dusk where Death may find me
- On Thine own chosen day;
- There’s one who walks beside me in the gloaming
- And holds my faltering hand--
- Without her guidance I can make no homing
- In any distant land.
-
- Some day when we are tired, like children playing,
- And wearied drop our toys--
- When all the work and burden of our staying
- Has mingled with our joys--
- With those we love around--our eyelids drooping,
- Too spent with toil to weep--
- Like some kind nurse o’er drowsy children stooping,
- Lord, take us home to sleep!
-
-
-
-
- THE RHONE GLACIER--SUNSET
-
-
- Like the uncounted years of God it rolls
- From out the sky. The light of heaven shines
- Upon its wrinkled brow, that seems a part
- Of that stupendous dome of boundless blue
- Where, like a pebble in the ocean depths,
- This little world is lost. The sparkling sun
- Plays gently in the deep green, icy clefts
- Like moonlight in the tender eyes of one
- Who looks to heaven to find her lover’s face.
- Silent, serene, implacable it stands--
- A mighty symbol of the Force that moved
- Across the surface of the youthful earth
- And scored the continents with valleys deep,
- As children write upon the yielding sand.
- Back to the dawn of things its lineage runs--
- Countless ages back to that bleak time
- When frightful monsters played upon the hills--
- Always the same, yet moving slowly onward,
- In heaven its head, its feet upon the world.
- The Rhone that trickles from the glacier’s edge--
- Makes valleys smile with grain and flower and fruit
- And turns the wheels that forge the tools of trade--
- Is but the lash with which the giant plays
- And spins the tops that swarm with struggling men.
- “What is Man, that Thou art mindful of him?”--
- This pleasure or this pain, this wealth or want,
- This tragic comedy we call our life!
-
- Across the meadows as the evening falls
- A shepherd drives his sheep, and fondly bears
- Above the rocky stream the weakling lamb;
- The children hear the father’s kindly voice
- And run to greet and cheer his late return,
- While from his humble cottage gleams a light.
-
- The sheep are nestled in their sheltering fold--
- The door springs open to a welcome cry,
- And all at last are safe within the Home.
-
- In cold and awful majesty it stands
- Against the darkening sky,--Force without warmth,
- Strength without passion.
- But at the touch
- Of homely human ways its terrors flee
- And Force is swallowed up in Life with Love.
-
-
-
-
- JAMES McCOSH
-
- 1811-1894
-
-
- Young to the end through sympathy with youth,
- Gray man of learning--champion of truth!
- Direct in rugged speech, alert in mind,
- He felt his kinship with all humankind,
- And never feared to trace development
- Of high from low--assured and full content
- That man paid homage to the Mind above,
- Uplifted by the “Royal Law of Love.”
-
- The laws of nature that he loved to trace
- Have worked, at last, to veil from us his face;
- The dear old elms and ivy-covered walls
- Will miss his presence, and the stately halls
- His trumpet-voice; while in their joys
- Sorrow will shadow those he called “my boys”!
-
-
-
-
- LE BONHEUR DE CE MONDE
-
-(Copie d’un sonnet composé par Plantin au XVIe siècle.)
-
-
- Avoir une maiſon commode, propre & belle,
- Un jardin tapiſſé d’eſpaliers odorans,
- Des fruits, d’excellent vin, peu de train, peu d’enfans,
- Poſſeder ſeul, ſans bruit, une femme fidéle.
- N’avoir dettes, amour, ni procés, ni querelle,
- Ni de partage à faire avecque ſes parens,
- Se contenter de peu, n’eſpérer rien des Grands,
- Régler tous ſes deſſeins sur un juſte modéle.
-
- Vivre avecque franchiſe & ſans ambition,
- S’adonner ſans ſcrupule à la dévotion,
- Domter ſes paſſions, les rendre obéiſſantes.
- Conſerver l’eſprit libre, & le jugement fort,
- Dire ſon Chapelet en cultivant ſes entes,
- C’eſt attendre chez ſoi bien doucement la mort.
-
-
-
-
- THE HAPPINESS OF THIS WORLD
-
- FROM THE FRENCH OF PLANTIN
-
-
- To have a home, convenient for thy life,
- With fragrant fruit-walls in a garden fine,
- Some children, some retainers, and rare wine;
- To live serenely with thy faithful wife;
- To have no debts, nor quarrels, nor legal strife,
- Nor separation from dear kin of thine;
- Expecting nothing from the Great, to shine
- With modest light and just, where greed is rife.
-
- To live with freedom, yet to be devout,
- Ruling thy well-curbed passions--and without
- Ambition’s scourge to thwart thy regnant will;
- Truly to worship God with ardent breath
- Among His shrubs and trees on plain and hill--
- Thus pleasantly shalt thou at home wait Death.
-
-
-
-
- R. L. S.
-
-
- “_Where hath fleeting Beauty led?
- To the doorway of the dead._”
- All the way you followed her
- Tripping through the palms and fir;
- All the way around you flew
- Splendid spirits from the blue--
- Dreams and visions lightly caught
- In the meshes of your thought.
- What a glorious retinue
- Made that arduous chase with you!
- Half the world stood still to see
- Song and Fancy follow free
- At the waving of your wand--
- While the echoing hills respond
- To your voice.
-
- And now the race
- Ends with your averted face;
- At full effort you have sped
- Through that doorway of the dead--
- But the hills and woods remain
- Peopled from your teeming brain!
- All that stately company
- Linger where their eyes may see
- Beauty fling the laurel o’er,
- At the closing of the door!
-
- From _Suppressed Chapters_.
-
-
-
-
- McGIFFEN
-
- THE HERO COMING HOME
-
- His body was clad in his uniform of Captain in the Chinese Navy,
- and sent home to his mother at Washington, Pennsylvania.
-
- _Associated Press._
-
-
- I lent him to my country,
- And he wore the Navy blue;
- I bade him do his duty,
- And he said he would be true.
-
- It’s home they say you’re coming--
- And it’s home you came to me
- When you wore your first blue jacket
- At the old Academy.
- And the neighbors said, “How handsome!
- What a sailor he will be!”
- But I only drew him closer
- In my coddling mother’s joy,
- And said, “Well, what’s a sailor?
- He’s my brave boy!”
-
- And then they told the story
- Of his courage in the fight--
- How he ruled a heathen war-ship
- And fought it with his might.
-
- It’s home he wrote his mother
- When the smoke had cleared away:
- “I can _see_--so don’t you worry--
- Though I’m riddled by the fray.”
- And the neighbors said, “How glorious!
- What a Hero is your son!
- The world is all a-talking
- Of the battle that he won!”
- I said, “Well, what’s a Hero?
- He’s my brave son!”
-
- And now to me he’s coming,
- And he wears a Captain’s bars;
- It’s a foreign nation’s uniform,
- But wrapped in Stripes and Stars.
-
- It’s home at last you’re coming,
- And it’s home at last to me.
- You’re a hero and immortal,
- And you fought to make men free.
- But your heart is cold within you
- And your dear eyes cannot see!
- They say, “Be strong, O mother;
- Proud laurels crown his head!”
- Alas, what’s left of glory?
- My boy, my boy is dead!
-
-
-
-
- AT THE FARRAGUT STATUE
-
-
- To live a hero, then to stand
- In bronze serene above the city’s throng;
- Hero at sea, and now on land
- Revered by thousands as they rush along;
-
- If these were all the gifts of fame--
- To be a shade amid alert reality,
- And win a statue and a name--
- How cold and cheerless immortality!
-
- But when the sun shines in the Square,
- And multitudes are swarming in the street,
- Children are always gathered there,
- Laughing and playing round the hero’s feet.
-
- And in the crisis of the game--
- With boyish grit and ardor it is played--
- You’ll hear some youngster call his name:
- “The Admiral--he never was afraid!”
-
- And so the hero daily lives,
- And boys grow braver as the Man they see!
- The inspiration that he gives
- Still helps to make them loyal, strong, and free!
-
-
-
-
- NEWS FROM A MISSING LINER
-
- TO A CONVALESCENT
-
-
- Crawling back to port again, half her cargo shifted,
- Just enough of fuel left to steam her to the pier;
- Plunging through an icy gale when the fog has lifted,
- Battered by the breakers, but her lights a-burning clear!
-
- Hope almost abandoned, days and nights she floundered--
- Nights when not a star was out and no sea-lights were near;
- All the world believed her lost; men despaired, but wondered
- How the liner could be wrecked and Kipling there to steer!
-
- Now she makes her harbor-lights, glides through seas enchanted--
- Whistles shrieking gayly and thousands at the pier;
- On the bridge the Captain, pale and worn--undaunted!
- “Welcome back to life again!” Hear the people cheer!
-
-
-
-
- FOR A CLASSMATE DEAD AT SEA
-
- (W. F. STOUTENBURGH)
-
-
- His voice was gentle and his eyes were kind;
- No one among us but did call him friend;
- Fond woman’s heart and student’s thoughtful mind
- Together in him did with fitness blend:
- And now he is no more!
-
- We blindly murmur at the bitter Fate
- That summoned him in other lands to roam;
- And when upon him Sickness wrought its hate
- Half round the world, it brought him almost home,
- To die when near our shore.
-
- We blindly murmur--but we only know
- Calm rests his body in old Ocean’s deeps;
- While we are groping in the mists below,
- Serene his soul on other, cloudless steeps--
- Forever--evermore.
-
-
-
-
- BRAMBLE BRAE
-
-
-
-
- A TOAST TO OUR NATIVE LAND
-
-
- Huge and alert, irascible yet strong,
- We make our fitful way ’mid right and wrong.
- One time we pour out millions to be free,
- Then rashly sweep an empire from the sea!
- One time we strike the shackles from the slaves,
- And then, quiescent, we are ruled by knaves.
- Often we rudely break restraining bars,
- And confidently reach out toward the stars.
-
- Yet under all there flows a hidden stream
- Sprung from the Rock of Freedom, the great dream
- Of Washington and Franklin, men of old
- Who knew that freedom is not bought with gold.
- This is the Land we love, our heritage,
- Strange mixture of the gross and fine, yet sage
- And full of promise--destined to be great.
- Drink to Our Native Land! God Bless the State!
-
-
-
-
- THE TOWERS OF PRINCETON
-
- FROM THE TRAIN
-
-
- There they are! above the green trees shining--
- Old towers that top the castles of our dreams,
- Their turrets bright with rays of sun declining--
- A painted glory on the window gleams.
-
- But, oh, the messages to travellers weary
- They signal through the ether in the dark!
- The years are long, the path is steep and dreary,
- But there’s a bell that struck in boyhood--hark!
-
- The note is faint--but ghosts are gayly trooping
- From ivied halls and swarming ’neath the trees.
- Old friends, you bring new life to spirits drooping--
- Your laughter and your joy are in the breeze!
-
- They’re gone in dusk,--the towers and dreams are faded,--
- But something lingers of eternal Youth;
- We’re strong again, though doubting, worn, and jaded;
- We pledge anew to friends and love and truth!
-
-
-
-
- ROOSEVELT IN WYOMING
-
- TOLD BY A GUIDE--1899[1]
-
-
- Do you know Yancey’s? Where the winding trail
- From Washburn Mountain strikes the old stage road,
- And wagons from Cooke City and the mail
- Unhitch awhile, and teamsters shift the load?
-
- A handy bunch of men are round the stove
- At Yancey’s--hunters back from Jackson’s Hole,
- And Ed Hough telling of a mighty drove
- Of elk that he ran down to Teton Bowl.
-
- And Yancey he says: “Mr. Woody, there,
- Can tell a hunting yarn or two--beside,
- He guided Roosevelt when he shot a bear
- And six bull elk with antlers spreading wide.”
-
- But Woody is a guide who doesn’t brag;
- He puffed his pipe awhile, then gravely said:
- “I knew he’d put the Spaniards in a bag,
- For Mister Roosevelt always picked a head.
-
- “That man won’t slosh around in politics
- And waste his time a-killing little game;
- He studies elk, and men, and knows their tricks,
- And when he picks a head he hits the same.”
-
- Now, down at Yancey’s every man’s a sport,
- And free to back his knowledge up with lead;
- And each believes that Roosevelt is the sort
- To run the State, because he “picks a head.”
-
- [1] Tall, silent old Woody, a fine type of the fast-vanishing race of
- game-hunters and Indian-fighters.
-
- Roosevelt’s _The Wilderness Hunter_.
-
-
-
-
-
-
- UNCLE SAM TO KIPLING
-
- (1899)
-
- Take up the White Man’s burden!
- Have done with childish days.
- R. K.
-
-
- Oh, thank you, Mr. Kipling,
- For showing us the way
- To buckle down to business
- And end our “childish day.”
- We know we’re young and frisky
- And haven’t too much sense--
- At least, not in the measure
- We’ll have a few years hence.
-
- Now, this same “White Man’s burden”
- You’re asking us to tote
- Is not so unfamiliar
- As you’re inclined to note.
- We freed three million negroes,
- Their babies and their wives;
- It cost a billion dollars
- And near a million lives!
-
- And while we were a-fighting
- In all those “thankless years”
- We did not get much helping--
- Well, not from English “peers.”
- And so--with best intentions--
- We’re not exactly wild
- To free the Filipino,
- “Half devil and half child.”
-
- Then, thank you, Mr. Kipling;
- Though not disposed to groan
- About the “White Man’s burden,”
- We’ve troubles of our own;
- Enough to keep us busy
- When English friends inquire,
- “Why don’t you use your talons?
- _There are chestnuts in the fire!_”
-
-
-
-
- A NEW YEAR’S WISH FOR THOSE WHO WRITE
-
-
- In this time of joy and cheer
- When we greet the buoyant year,
- Now, old friends, we cherish you,
- Bless the dreams you’ve brought to view--
- Kindly fancy, happy thought,
- Visions from the fairies caught,
- Rhyme and story, song and play,
- Fantasy for holiday--
- All the treasures of your mind
- Spent to make the world more kind.
-
- While we grope in dark and fog,
- Flounder onward through the bog,
- You, serene upon the height,
- Gambol in the cheery light--
- Toss your laughter from the steep,
- Bringing hope to those who weep.
- What fair visions brightly gleam
- Through cloud-rifts! Your dearest dream
- Clothed in beauty on the peak,
- Waiting for the Muse to speak.
-
- Here’s our wish at New Year’s time,
- Faint-expressed in halting rhyme:
- For the men who dream and write
- Make the future clear and bright;
- Thaw the cynic from their heart--
- Love and faith are highest Art.
- Let them picture with their pen
- Not our _manners_ but our _men_.
- Bless them all at New Year’s tide!
- May their skill and fame abide!
- And all women--charming, bright--
- Grant that they may never write!
-
-
-
-
- TO CHLOE
-
- FOR A MENDED GLOVE
-
-
- Fair Chloe looked upon the old torn glove,
- Then touched its ragged edges with her fingers,
- And lo! the rent was closed--as if for love
- Sweet healing follows where her touch but lingers.
-
- If all the rents that follow Chloe’s eyes,
- And all the hearts despairingly defended,
- Were healed so soon--we’d straightway realize
- That love and life are good as new when mended.
-
-
-
-
- TO THE ELF ON MY CALENDAR
-
-
- Sweet Elf, you’ll pipe a merry tune,
- Make days and months all gladness;
- The clear, bright note you sound in June
- Will cheer December’s sadness.
-
- You’ll never pout on rainy days,
- Nor when it’s cold will shiver,
- But sit serene and sing your lays.
- May Old Time bless the giver!
-
-
-
-
- CAPRICE
-
-
- Love laughed awhile,
- And ridiculed my daring
- To rashly crave a smile
- From her, heart-whole, uncaring.
- Oh, how Love laughed!
-
- Love angry grew
- And spoiled her pretty features;
- I was--she vowed it true--
- The most despised of creatures.
- Oh, how Love frowned!
-
- Love dropped a tear,
- Her anger with it falling;
- I felt her blue eyes clear,
- My heart and hopes enthralling.
- Oh, how Love cried!
-
- Her tears Love dried,
- And then she looked up sweetly;
- No more her glance defied--
- I pressed my suit discreetly.
- Love kissed me then!
-
-
-
-
- RETROSPECT
-
-
- At evening, when the breeze dies down,
- And regal Nature doffs her crown,
- When brown-limbed pines, like minarets,
- Fringe all the hills, and tired day frets
- To rest awhile--ah, then, I know,
- Into a shadowed room you go,
- And softly touch the organ keys;
- While pale stars blink amid the trees
- You sing a peaceful vesper hymn
- That rises from your full heart’s brim;
- Your kindly eyes are dimmed with tears--
- You wander through remembered years;
- From gay to grave your fancies fly,
- And end the journey with the cry:
- _My heart played truant from my will!
- I loved him then--I love him still._
-
-
-
-
- IN THE CROWD
-
-
- A pair of brown eyes--no matter where,
- In quiet street or crowded thoroughfare--
- Call up the image of your face to me.
- All others vanish, only you I see;
- Above the din of trade your voice I hear,
- And merry laughter, ringing sweet and clear,
- That fades into a smile away:
- Thus are you with me everywhere and every day.
-
-
-
-
- REMEMBRANCE
-
-
- No, not despair of ever quite forgetting
- The happy romance of those dreamy years,
- The painful weariness of vain regretting
- Through all life’s varied way of love and tear
- Not this the gladness of my heart represses,
- With shadow tinges still each sunny thought
- The fancy that with poignant touch distresses
- Is that by thee I am perhaps forgot!
-
-
-
-
- OFF FORT HAMILTON IN SUMMER
-
-
- Embrasured guns, like wearied hounds, all sleeping,
- Their muzzles resting on the cool, green turf;
- Along the Fort their peaceful watch now keeping
- Above the mimic battle of the surf.
-
- And you, dear one, now that my suit is ended--
- Let passion slumber in your cool dark eyes;
- The wiles by which your heart was well defended
- Embrasured there look love on summer skies.
-
-
-
-
- OVER THE FERRY
-
- ONOMATOPOETIC
-
-
- Clang! Ting-a-ling!
- Then a scream of the whistle.
- Sob! Sob! Sob! Sob!
- Heaves slowly the breast of the iron-sinewed giant;
- And the swift paddles fling,
- Like the down of a thistle,
- White foam from their blades, while the waters defiant
- Groan under their merciless tread; and the throb
- Of the heart grows exultingly faster;
- Now a race with a tug, and then it is past her--
- Glides under the bow of a stately Cunarder--
- The steel-lungèd giant breathing harder and harder
- While nearing the wharves of the City of Vanity
- To roll from its shoulders the load of humanity.
- And up near the bow, with arms crossed on the railing,
- The bold wind with kisses her fair cheeks assailing
- And tossing her hair from her brow, stands sweet Jennie,
- Who hopes on the way to the school to meet Bennie.
- And what he will say she is anticipating--
- Her heart full of pleasure, her blue eyes dilating;
- And what will she say? Ah, now she is blushing.
- There he stands on the pier! How the people are crushing!
- While out from the dock the churned waters are rushing.
- But the song of the wheels is, “I love him--I love him!”
- Then the pilot above
- Signals “Clang! Ting-a-ling!”
- And the slowing wheels sing,
- “Oh, my love--love--love!”
- Clang!
-
-
-
-
- BRAMBLE BRAE IN OCTOBER
-
-
- And now the corn has ripened at Bramble Brae,
- And all the hosts are marshalled for Autumn’s fray;
- The quaint old farm is changing its green for brown,
- Save where the new wheat lifts itself to the light
- And huddles in rows, like wrinkles in some old gown.
- Along the lane the quail are running in fright
- At sound of guns on the upland--the cautious dogs
- Are coursing over the fields, and keen-eyed men
- Watch for the whir of wings; the hickory logs
- Are falling down in the clearing, while in their pen
- The big swine gloat on the heaped-up trough;
- In woods the dead leaves rustle, and red squirrels cough
- And chatter and screech--chasing each other from limb
- To limb, and gather their stores at the roots of trees.
- And part of it all is a boy, and the heart of him
- Glows with the sumach, and sings with the Autumn breeze.
- Down in the valley the ancient village rests,
- Drowsing along the curbs of its quaint old street;
- High and peaked are the roofs, and antique crests
- Are carved on the gables. Fair maids, discreet,
- Sit on the porches and talk with the passing youth;
- For Love goes by, sometimes in homespun clad,
- And sometimes rich in the wealth of truth
- That speaks in the heart and the eyes of the lad.
- For none that pass are the eyes of the bonny girl
- Except for him; she sits and waits by a climbing vine,
- Reading the verses of some old bard; the pearl
- She seeks is love, and only love is the wine
- That colors her cheeks and snaps in her sparkling eyes
- But the lad is shy, and dreams the livelong day
- That love and his lady are proof against all surprise--
- So up on the hillside he longs for the village far away.
-
- * * * * *
-
- Many Autumns have glowed on the hillside there;
- Slender saplings have sprung to giant trees;
- Gray is his head and furrowed his brow with care--
- The heart of the man cries out to the Autumn breeze.
- Dusk in the valley, and cold light on the hill--
- Brown is the sumach, the glory of youth has fled;
- Drowsing cattle shiver, the night is chill,
- Memory lives, but all of his hopes are dead.
- Years has he wandered over the land and sea;
- Friends he has cherished and lost, and women loved;
- Always that vision haunted his fancy free--
- The dreamer worshipped, but never the vision proved.
- Down in the valley the ancient houses sleep,
- Dotted with lights that break through the evening gloom;
- Dreams that stirred the face of the waters deep
- Cover their eyes and flee to a welcoming tomb.
-
-
-
-
- WITH FLOWERS
-
-
-
-
- ON A SPRAY OF HEATHER
-
-
- Far from its native moorland
- Or crest of “wine-red” hill,
- At sight or scent of heather
- The hearts of Scotsmen thrill.
- Though crushed its purple blossoms,
- Its tender stems turned brown,
- It brings romantic Highlands
- Into prosaic town.
- The clans are on the border,
- The chiefs are in the fray;
- We’re keen upon their footsteps
- With Walter Scott to-day.
- Peat smoke from lowland cottage
- Floats curling up, and turns
- Our dreams toward quiet hearthstones
- And melodies of Burns.
- And last our fancy lingers
- With fond regret and vain
- Where sleeps our Tusitala
- Beneath the tropic rain--
- Far from the purple heather
- Or gleaming rowan bough,
- Alone on mountain summit,
- “Our hearts remember how.”
-
- St. Andrew’s Day.
-
-
-
-
- THE HOTHOUSE VIOLET SPEAKS
-
- TO A FAIR WOMAN
-
-
- I’ve calmly lived my sunny little life
- Under the crinkling glass, and free from strife;
- The sky above and all around is blue,
- And from this haven now I come to you.
-
- Fair Lady, tell me have I heard aright
- That other flowers do not live so bright?
- That in dark forests and by noisy streams
- The pale wood violet sheds its purple beams?
-
- While we are merry in this fireside glow
- My humble cousin shivers in the snow;
- And yet a cricket whispered once to me
- That _I_ the captive was--my cousin, free!
-
- Sometimes I’ve dreamed the cricket told me true;
- I’ve longed for freedom and the pleasing view
- Of moss-grown hummocks and great whispering trees,
- With gold-winged songsters humming in the breeze.
-
- The dream is over--I have lived my day
- Nourished in sun with other violets gay;
- And now I’m borne afar to Paradise,
- To find my haven in your gentle eyes.
-
- If I may touch your lips I’ll die content
- Without one glimpse of freedom or days spent
- In woodland dells; oh, murmur, while I fade,
- Your own sweet mem’ries of the forest glade!
-
- Come, tell me quickly, for my brief hours pass;
- What! _You too captive in a house of glass?_
-
-
-
-
- A SONG
-
- WITH A RED ROSE ON HER BIRTHDAY
-
-
- _What the Rose thought:_
- Oh, to be one-and-twenty!
- But I am a rose that must bloom for a day;
- My life is like color and perfume in May;
- To-night I shall fade in her beautiful hair,
- And touch with my petals her proud neck and fair.
- Oh, to be one-and-twenty!
-
- _What She sang, exultingly:_
- Oh, to be one-and-twenty!
- To feel that the glorious days of my youth
- Are only the promise of hope, love, and truth--
- That all joyful things in my bright future gleam,
- And I am to _live_ them and find out my dream.
- Oh, to be one-and-twenty!
-
- _What He wrote, sadly:_
- Oh, to be one-and-twenty!
- To dream that the great world is still all my own,
- And cherish again the ideals that have flown;
- To follow them, hiding with cunning and art,
- And find them all sleeping within her warm heart,
- Her heart that is one-and-twenty!
-
-
-
-
- WHAT THE FLOWERS SAID
-
-
- Here are roses, red and white,
- Each to speak what I would write;
- For, when in your quiet room
- You may smell their sweet perfume,
- I shall whisper through these flowers
- Fancy’s thoughts for evening hours.
- Then, when in the crowded street
- You and I may chance to meet,
- I’ll discover in your eyes
- What you’ve half expressed in sighs;
- For if in your dusky hair
- One red rose you deign to wear
- I shall say, “I know that she
- Wears it for her love of me.”
- But if on your gentle breast
- One white rose may dare to rest,
- Then in rapture I’ll declare,
- “That’s my heart a-resting there.”
- But if neither red nor white
- May your hair or gown bedight,
- Still with confidence I’ll say,
- “That is lovely woman’s way--
- What of life is largest part
- Hides she deepest in her heart!”
-
-
-
-
- DIANA’S VALENTINE
-
- WITH A BUNCH OF VIOLETS
-
-
- _Good Saint Valentine, I pray,
- While around this town you stray,
- You will keep your eyes alert
- For a maid who loves to flirt._
-
- If among the hurrying crowd--
- Beauties fair and beauties proud--
- You should see one like a queen,
- Eyes of blue, with golden sheen
- In her hair that’s flecked with brown,
- And a grace about her gown,
- _That’s Diana!_
-
- Catch her eye
- As she’s gayly tripping by;
- Say you know a sorry wight,
- Slow of speech and slow to write,
- Who would tell her through these flowers
- That her eyes are bright as stars
- In the blue; that her speech
- Haunts his mem’ry (out of reach
- Like their perfume faint but fine);
- That her laugh is like rare wine.
- As you leave her touch her lips;
- Say that men are like old ships,
- Easy towed, but hard to steer;
- Then just whisper in her ear,
- “Lovers change, but friends are true
- Like these violets.” Then, “Adieu.”
-
- _This, Saint Valentine, I pray,
- On the morning of that day
- When you keep your eyes alert
- For all maids who love to flirt._
-
- ARCADY, February fourteenth.
-
-
-
-
- WITH SOME BIRTHDAY ROSES
-
-
- If I were not a speechless flower
- I’d like to talk with you an hour
- And whisper many pretty things
- That thinking of your birthday brings.
-
- (For flowers can dream of happiness
- While you their velvet petals press!)
- But I can’t talk--I know a man
- Who often vainly thinks he can,
-
- And what he wanted me to do
- Was simply to look fair to you
- And wish you joy--and then surprise
- The gentle look in your dear eyes.
-
-
-
-
- WRITTEN IN BOOKS
-
-
-
-
- IN A VOLUME OF HERRICK
-
-
- Dear old worldling gone astray,
- You would rather sing than pray;
- While you wore the preacher’s gown
- How you longed for London Town!
- When your head ached, then, alack!
- You, repentant, gave up sack;
- Old and worn you ruthlessly
- Bade farewell to poesy;
- Full, you never cared for food,
- Sated, you were always good.
- Julia’s beauties you rehearse,
- Sing her charms in wanton verse,
- But to make poor Julia thine
- Not one pleasure you’d resign.
- Flattering, you tried to please;
- Generous, you loved your ease!
- Dear old Herrick, you’re a Man
- Built upon the human plan;
- To the world your fame belongs
- For the beauty of your songs--
- Glorious poet--not a saint--
- Lyric splendor without taint!
-
-
-
-
- IN “SHAKESPEARE’S SONNETS”
-
-
- The Sonnets--bound by Rivière
- And newly illustrated!
- As though the words that Shakespeare wrote
- By outward dress are rated!
-
- The soul--the fine, immortal part
- That lives without the binding,
- Is something from the poet’s heart;
- ’Tis here--and worth the finding.
-
-
-
-
- IN “SONNETS FROM THE PORTUGUESE”
-
-
- In this book a woman wrote her heart--
- Etching there the image of a Man.
- Faithful woman! But the years depart,
- And love is dust, and life a broken span!
-
-
-
-
- IN GEORGE MEREDITH’S POEMS
-
-
- Here is a forest tangle--
- Rank weeds, luxuriant ferns, and giant trees,
- All in a hoarse-voiced wrangle,
- With creaking branches swaying in the breeze.
- But if you care to listen,
- Above the noise you’ll hear the piping of a bird,
- Gay feathers in the tree-tops glisten,
- And over all the sweetest music ever heard.
-
-
-
-
- IN “THE KING’S LYRICS”
-
-
- Behold “The Lyrics of the King”!
- As though a crown on those who sing
- Could make their music sweeter!
- To-day we’ll choose the better part--
- The gentle music of the heart
- That masters rhyme and metre.
-
-
-
-
- THE SONG OF TEMBINOKA, KING OF APEMAMA
-
- TO ROBERT LOUIS STEVENSON
-
-
- Sing, my warriors, sing! men of the sharklike race!
- Sing of the poet who came and greeted us face to face.
- He from the cold, gray North, I, in these tropic isles,
- Meet as brothers and bards, with eloquent songs and smiles--
- Meet as brothers, though singing words that are strange and proud.
- Pale and wan is his face, while mine is a thunder-cloud;
- But the heart of a man is hidden by neither language nor skin--
- To love as a man and a brother maketh the whole world kin.
- The tales that he tells are of heroes who fought like braves
- to the death--
- Bone of our bone are these heroes, the very breath of our breath!
- Then sing, my warriors, sing! men of the sharklike race!
- Sing of the poet who came and greeted us face to face!
-
- From _Overheard in Arcady_.
-
-
-
-
- IN THE MANNER OF KIPLING
-
-
- “Show me the face of Truth,” the Sahib said--
- “Show me its beauty, before I’m dead!”
- “Look!” said the priest, “with unflinching eyes;
- This is the World, and not Paradise.
- Look! It is wicked, and cruel, and strong, and wise!”
-
- From _Overheard in Arcady_.
-
-
-
-
- FOR A NOVEL OF HALL CAINE’S
-
- AFTER KIPLING
-
-
- He sits in a sea-green grotto with a bucket of lurid paint,
- And draws the Thing as it isn’t for the God of Things as they ain’t!
-
-
-
-
- IN “HELBECK OF BANNISDALE”
-
-
- The foolish story of a man and maid
- Who loved each other but were dire afraid
- To follow where their true hearts surely led
- And, risking all things, bravely to be wed.
-
- What’s in a creed to keep two souls apart?
- The universal solvent is the heart!
-
-
-
-
- A CHRISTMAS GREETING
-
-
- Good luck, good cheer, throughout the year!
- A bright fire on the hearthstone burning;
- A gleam of rose at evening’s close
- When, wearied, you are homeward turning!
- By ingle-nook a soothing book--
- A few old friends in Mem’ry’s castle;
- A bit of rhyme at Christmas-time
- To wish you fortune at your wassail!
-
-
-
-
- IN NICHOLSON’S “ALMANAC OF SPORTS”
-
-(WITH VERSES BY KIPLING)
-
-
- In all your Calendar of Sports
- Why, Rudyard, do you slight the wheel?
- Were you, then, never out of sorts
- Until you felt the vibrant steel
- Skim over miles of level track?
- For youth, with all its hope and cheer,
- When we’re a-wheel comes rolling back--
- And it is Summer all the year!
-
-
-
-
- IN NICHOLSON’S “CITY TYPES”
-
-
- The City’s roar is rising from the street;
- The old, bedraggled “types” are shuffling through the strife;
- They plod and push, and elbow as they meet,
- And glare and grin, and sadly call it “life.”
-
- For us the fireside hearth is all aglow,
- And those we love make up the life we know.
-
-
-
-
- IN “THE GOLDEN TREASURY”
-
-
- The year is old, the way is far;
- I catch your image like a star
- That’s mirrored in a crystal brook;
- For love of you I send a book!
-
-
-
-
- A VALENTINE
-
-
- Though all the streams are white with frost
- And all the fields with snow,
- Though earth its greenery has lost,
- And biting gales do blow--
- Still I’ll recall the summer hours,
- The blue skies and the vine--
- The hillsides pink with Alpine flowers
- To greet my Valentine!
-
-
-
-
- IN “HALLO, MY FANCY!”
-
-(BY CHARLES HENRY LÜDERS AND S. D. S., JR.)
-
-
- “Hallo, my Fancy! View Hallo!”
- The nimble game has broken cover
- And skims the valley to and fro;
- By cooling brooks it seems to hover,
- Then bounds along. “Ho, View Hallo!”
- The huntsmen cry from brake to loch;
- The chase grows ardent--“View Hallo!”
- From quiet shelter echoes, _Droch_.
-
-
-
-
- THE BOOK SPEAKS
-
- TO EUGENE FIELD
-
-
- I’m keeping jolly comp’ny
- In a room that’s full of books;
- I’m cheek by jowl with Horace
- And a lot of ancient crooks.
- But the boys I like to play with,
- When the boss takes off his coat,
- Are the wild and woolly heroes
- From Casey’s tabble-dote.
- And when the lamp is lighted
- And cosey hours ensue,
- I talk with All-Aloney
- And the little Boy in Blue.
- But when the man that owns the books
- Throws one kind glance at _me_
- I sing just like the Dinkey
- In the Amfelula Tree.
-
-
-
-
- IN HERFORD’S VERSES
-
-
- To weep with those who weep is human;
- We give our praises to the man of grit,
- And honor with our trust the true man;
- Let’s laugh a little with a man of wit!
-
-
-
-
- IN A BOOK OF GIBSON’S DRAWINGS
-
-
- You may turn these pages over,
- Looking for the priceless pearl;
- You may search from back to cover
- For the finest Gibson girl.
- You can save yourself the trouble--
- It’s no earthly use to look:
- The charming girl who takes the medal
- Is a-holding of the book.
-
-
-
-
- IN A VOLUME OF MISS GUINEY’S POEMS
-
-
- A maker of smooth verse and facile rhymes,
- And lover of quaint legends from old times;
- A joyous singer in New England bleak--
- Her heart is Irish and her mind is Greek.
-
-
-
-
- IN “BARBARA FRIETCHIE--A PLAY”
-
- TO J. M.
-
-
- We met her first in Arcady,
- Where visions fair are apt to be,
- Roaming beneath the arching trees--
- Her laughter cheering up the breeze;
- Sometimes as gay as _Colinette_,
- Then fond and sad as _Juliet_.
- And when we’d had enough of anguish
- She’d make us laugh as _Lydia Languish_.
- No mask or mood was twice the same--
- Yet one fair face behind each name.
- As that bright vixen of the mind,
- The fascinating _Rosalīnd_--
- As _Imogen_ or _Viola_,
- Or, best of all, sweet _Barbara_--
- Always the same alluring grace
- And wit that sparkles in her face!
- The road to Arcady is far
- And sometimes lonely for a star--
- But all the phantoms of the air
- And poets’ dreams that wander there
- Would miss the welcome we extend,
- Not to her Art--just to a friend!
-
-
-
-
- TO C. H. M. AND H. H. M.
-
-
- Here is the story--
- I haven’t half told it;
- The fun and the glory,
- A volume can’t hold it.
- But this is a spray,
- Withered leaves and pressed flowers,
- From a faded bouquet
- That was plucked in gay hours,
- Within sound of the waves
- Of the gentle Pacific,
- Where Nature enslaves
- And the days beatific
- Are sandalled with gold
- And wear gems on their fingers.
- All the tale is not told
- Which slow Fancy weaves,
- But a faint odor lingers
- About these dry leaves
- That may bring recollection
- Of prairie and loch
- With a hint of affection
- From
- Yours ever,
- DROCH.
-
- Dedication of _The Monterey Wedding_.
-
-
-
-
- TO MY MOTHER
-
-
- Long years you’ve kept the door ajar
- To greet me, coming from afar;
- Long years in my accustomed place
- I’ve read my welcome in your face,
- And felt the sunlight of your love
- Drive back the years and gently move
- The telltale shadow ’round to youth.
- You’ve found the very spring, in truth,
- That baffles time--the kindling joy
- That keeps me in your heart a boy.
- And now I send an unknown guest
- To bide with you and snugly rest
- Beside the old home’s ingle-nook.--
- For love of me you’ll love my book.
-
- Dedication of _Overheard in Arcady_.
-
-
-
-
- A BOOK’S SOLILOQUY
-
-
- My lady’s room is full of books
- And easy-chairs and curtained nooks,
- And dainty tea-things on a table,
- And poetry, and tale, and fable,
- And on the hearth a crackling fire
- That welcome gives, and when you tire
- Of pleasant talk you still may find
- A tempting pasture where the mind
- May browse awhile, and read the pages
- Which poets wrote, or fools, or sages.
-
- And here I come to ask a place
- Among these worthies, face to face!
- To be allowed on some low shelf
- To rest and dream, and pride myself
- On being in such company--
- To watch fair women drinking tea;
- And if, perchance, on some lone day,
- The gentle mistress looks my way
- And softly says, “Now I shall see
- What’s going on in Arcady!”
- Then I’ll rejoice that I’m a book
- At which my lady deigns to look.
-
-
-
-
- ENVOY
-
- THE SHEPHERD TO HIS FLOCK
-
-
- The sun is warm upon the ridges now;
- The way was rough and steep;
- I’ll seek the shelter of a leafy bough
- And watch my grazing sheep.
- The smoke is rising from the valley there,
- The hum of wheels and trade;
- The stress of life is in the whirling air
- While I pipe in the shade.
- Where work is fierce amid the striving throng
- And music’s voice is mute,
- Some one may catch the echo of a song--
- The faint note of a lute.
-
-
-
-
-
-End of the Project Gutenberg EBook of Bramble Brae, by Robert Bridges
-
-*** END OF THIS PROJECT GUTENBERG EBOOK BRAMBLE BRAE ***
-
-***** This file should be named 55052-0.txt or 55052-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/5/0/5/55052/
-
-Produced by Larry B. Harrison, Chuck Greif and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive)
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-http://gutenberg.org/license).
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at http://www.pglaf.org.
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-http://pglaf.org/fundraising. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at http://pglaf.org
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit http://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: http://pglaf.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart is the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.