summaryrefslogtreecommitdiff
path: root/old/55066-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/55066-0.txt')
-rw-r--r--old/55066-0.txt1481
1 files changed, 0 insertions, 1481 deletions
diff --git a/old/55066-0.txt b/old/55066-0.txt
deleted file mode 100644
index f7b9adf..0000000
--- a/old/55066-0.txt
+++ /dev/null
@@ -1,1481 +0,0 @@
-The Project Gutenberg EBook of The Irish Penny Journal, Vol. 1, No. 38,
-March 20, 1841, by Various
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-
-
-Title: The Irish Penny Journal, Vol. 1, No. 38, March 20, 1841
-
-Author: Various
-
-Release Date: July 7, 2017 [EBook #55066]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE IRISH PENNY JOURNAL ***
-
-
-
-
-Produced by Brownfox and the Online Distributed Proofreading
-Team at http://www.pgdp.net (This file was produced from
-images generously made available by JSTOR www.jstor.org)
-
-
-
-
-
-
-
-
-
-
- THE IRISH PENNY JOURNAL.
-
- NUMBER 38. SATURDAY, MARCH 20, 1841. VOLUME I.
-
-[Illustration: HOLY-CROSS ABBEY, COUNTY OF TIPPERARY.]
-
-In a recent number of our Journal we led our readers to the banks of that
-beautiful river,
-
- “The gentle Shire, that, making way
- By sweet Clonmel, adorns rich Waterford;”
-
-and we now return to it with pleasure to notice another of the beautiful
-architectural remains of antiquity seated on its banks--the celebrated
-Abbey of the Holy Cross. This noble monastic ruin is situated in the
-barony of Eliogarty, county of Tipperary, three miles from Thurles, on
-the road to Cashel, and seven miles north-east of the latter.
-
-The origin as well as the name of this celebrated monastery is derived
-from a piece of the holy cross for which it was erected as a fitting
-depository. This relic, covered with gold and ornamented with precious
-stones, was, as O’Halloran states, but without naming his authority,
-a present from Pope Pascal II, in 1110, to Murtogh O’Brien, monarch
-of Ireland, and grandson to Brian Boru, who determined to found a
-monastery in its honour, but did not live to complete it. But, however
-true this account may be as to the gift of the relic, there is every
-reason to doubt it as far as the date of the foundation of the monastery
-is concerned, which, as appears from the original charter still in
-existence, was founded by Donald O’Brien, King of Limerick, the son of
-the Murtogh above named, as late as the year 1182, at which time it was
-richly endowed with lands for its support by its founder. These grants
-were confirmed in 1186, by King John, then Lord of Ireland, who further
-ordered that the monks of this abbey should enjoy all chartered liberties
-and freedoms, as appears from the following record of the 20th Edward I.
-A.D. 1320:--
-
-“EDWARD, by the grace of God, King of England, Lord of Ireland, Duke
-of Aquitain, to all to whom these presents shall come, greeting. Know
-ye that brother Thomas, Abbot of the Church of Mary of the Holy Cross,
-near Cashel, came into our Chancery of Ireland the day after the feast
-of Michael the Archangel, in the 13th year of our reign, at Cashel, and
-exhibited in our said Chancery a certain charter, not cancelled, nor in
-any respect vitiated, under the seal of John, formerly Lord of Ireland
-and Earl of Morton, in these words:
-
-‘JOHN, Lord of Ireland and Earl of Morton, to all justices, barons, &c.,
-as well French as English, Welsh and Irish, and all other liege men
-of Ireland, greeting. Know ye, that, for the love of God, and for the
-salvation of my own and the souls of my predecessors and successors, I
-have granted and given, and by these presents do grant and give, to God
-and the blessed Mary of the Holy Cross, and to the Cistertian Monks
-serving God there, in free, pure, and perpetual alms, the under-written
-lands, as fully and freely as Domuald O’Brien, King of Lymberick, gave
-and granted, and by this charter confirmed to the Cistertian Monks of the
-Holy Cross; to wit: Kelkaterlamunu, Ballydubal, Ballyidugin, Ballygirryr,
-Ballymyoletobin, and Ballytheloth, Gardath, Ballaschelagh, Balythougal
-et Ithologin. These lands I have given for the salvation of my soul, and
-those of my predecessors and successors, and for the souls of my soldiers
-who lie there, to enjoy peaceably, with all liberties and free customs,
-without any secular exactions in fields, ways, forests, fisheries, &c. I
-have also granted that they shall be free from all mulcts in my courts,
-for what cause soever they shall be amerced, and also free of all toll
-whatever; they shall sell or buy, for their own use, throughout my land
-of Normandy, England, Wales, and Ireland; and that their lands be not put
-in plevine.--Witnesses, a Bishop of Ferns; John de Courcy, de Angulo,
-Riddel, Chancellor, and David of Wales.’”
-
-It appears also that in 1233 the above charter of King John was confirmed
-by King Henry III, who took this monastery into his protection, which
-protection he again renewed in 1234; and that it was again confirmed by
-King Richard II. in 1395, and that in 1414, James Earl of Ormond, and the
-Lord Deputy Thomas le Botiller or Butler, prior of St John of Jerusalem,
-further granted the protection of the crown to this house.
-
-Thus protected and fostered by royalty, the Abbey of the Holy Cross
-became one of the most magnificent and wealthy in the kingdom, and its
-mitred abbot was styled Earl of Holy Cross, the lands belonging to the
-abbey constituting an earldom. He was also a baron of parliament, and
-usually vicar-general of the Cistertian order in Ireland. The abbey was
-originally a daughter of the Abbey of Maig, or Monaster-Nenagh, in the
-county of Limerick, and was subjected to that of Furnes in Lancashire by
-the Abbot of Clarevaux, in a general chapter of the order in 1249. After
-the dissolution of the monasteries in Ireland, Holy Cross Abbey with its
-appurtenances was granted by Queen Elizabeth in 1563 to Gerald Earl of
-Ormond, _in capite_, at the annual rent of £15, 10s. 4d.; and we believe
-this constitutes at present the estate, by purchase, of a worthy and
-deeply learned fellow of Trinity College, namely, Dr Wall.
-
-As a monastic ruin, the Abbey of Holy Cross ranks in popular esteem as
-one of the first, if not the very first, in Ireland. But though many of
-its architectural features are of remarkable beauty, it is perhaps as
-a whole scarcely deserving of so high a character; and its effect upon
-the mind is greatly diminished by the cabins and other objects of a mean
-character by which it is nearly surrounded. Like most monastic structures
-of considerable importance, its general form is that of a cross,
-consisting of a nave, chancel, and transept, with a lofty square belfry
-at the intersection of the cross; but it is distinguished from other
-structures of the kind in having in both of its transepts two distinct
-chapels beautifully groined--a feature which imparts much interest and
-picturesqueness to the general effect. Between two of these chapels
-and the south transept there is a double row of three pointed arches,
-supported by twisted pillars, each distant about two feet four inches
-from the other, and having a similar pointed arch in front. The object
-of this singular feature has given rise to much conjecture, but the more
-rational opinion seems to be, that it was designed as a resting place
-for the dead bodies of the monks and other persons previous to interment
-in the abbey, or its cemetery. In addition to this, the interior of the
-church has another very unique and remarkable feature, namely, that the
-choir arch is not placed as usual beneath the tower, but thirty feet
-in advance of it, thus making the choir of greater length by fourteen
-feet than the nave, which is but fifty-eight feet long, the entire
-length of the church being one hundred and thirty feet. This peculiarity
-appears, however, to be an after-thought, and not the design of the
-original architect, which was evidently to limit, as usual, the length
-of the choir to the arch in front of the tower, and the second arch is
-unquestionably of more modern construction. The steeple rests on four
-beautifully groined arches, the supporters of which are connected in the
-centre by a great variety of ogives passing diagonally from their angles;
-and the roof of the choir, as well as those of the side chapels, is
-similarly enriched. The nave appears to have been of meaner architecture,
-and has lost its roof; but it has aisles formed by four pointed arches
-on each side, and which lead into the transepts. Of the windows in this
-church we may observe generally, that they are of very elegant taste of
-design.
-
-Thus much of the abbey church itself; but of the ruins of the cloisters,
-which are of meaner architecture, and of all the other edifices
-appertaining to a monastic establishment of this grandeur, though in
-a tolerable state of preservation, it would be tedious to the general
-reader to give a detailed account, nor would our present space permit
-it. Neither can we describe what is of higher interest, the magnificent
-monumental remains for which this abbey is so eminently distinguished.
-But we shall return to the subject in a future number, and in the mean
-time we shall only add, that this abbey is well worthy the attention of
-the antiquary and architectural student, and that to the pleasure tourist
-of cultivated tastes it is of the most delightful interest.
-
- P.
-
-
-
-
-THE ITALIAN ORGAN BOY.
-
-CONCLUSION.
-
-
-Carlo having recovered himself, proceeded as follows:--
-
-“In the thus light-hearted and unmurmuring though tedious and toilsome
-accumulation of the fund that was to purchase station and happiness
-for Bianca, the first of the three years sped prosperously past.
-Francesco--for old Marcolini, confiding in the integrity and industry of
-my father to fulfil the conditional arrangement, laid no restraint upon
-him--was our almost daily visitor, and not rarely a cheerful assistant in
-the lighter labours of our garden, in tending our rich parterres, our fig
-trees, and our vines. One serious drawback on our happiness--the first
-flush of devotion to Bianca over--we soon experienced. Ludovico, though
-at times he worked harder and longer than the rest, and rejected the
-occasional cheap indulgences my father permitted, had unfortunately been
-so entangled with his lawless and loose-living companions, that after a
-while he was again seduced by them into scenes of profligate amusement
-and disgraceful licence. It mischanced that near the close of the year,
-the very day before the great fair of Telese, to which we had long looked
-forward as likely to swell our savings much, our father met with an
-accident which disabled him from going to it. The cart, laden with our
-richest and choicest garden produce, my mother’s eggs and poultry, and
-Bianca’s contribution of nosegays, needlework, and straw plaits, was in
-his unfitness necessarily entrusted to the charge of Ludovico. At the
-fair he unfortunately fell in with some of his low-principled associates,
-who seduced him into a gambling booth, where soon, infected with the
-excitement of play, he hazarded a small sum, which by an evil chance
-was returned to him threefold. Inflamed by the easy acquisition, he
-thought with rapture how much readier a way this was for a lucky fellow,
-as he appeared to be, to make his money, than by the slow and dull
-and difficult returns of labour, and almost anticipated his returning
-home that night with Bianca’s fortune in his pocket, and an immediate
-abridgement, in consequence, of the weary postponement of her wedding. He
-risked a higher sum with success, another with disappointment, and so on
-with varying fortune, till a friendly neighbour, who had heard where he
-was, came in and forced him with difficulty from the fatal fascination.
-He had been at the table but a short time, and had lost but little,
-which, to escape detection, he replaced by a loan; but he was inspired
-with a passion for play, which, whenever an occasion was afforded, he
-eagerly indulged. But notwithstanding this, and the occasional losses
-and anxious evasions to which it exposed us, our efforts flourished,
-and our reserved earnings increased apace. Never before had we gathered
-such abundant returns from our garden and few fields, for never before
-had we tended them with half the care. Our sales were quick as our
-produce was luxuriant, and before half the allotted period had expired,
-Bianca’s purse was by the half more valuable than we had ventured to
-expect. At this time my father was induced by my mother’s influence and
-representations to try and bring the suspense and postponement of the
-nuptials to a close, by borrowing on security what would complete the
-stipulated sum, and engage old Marcolini’s consent to an immediate union.
-This was accordingly done, the necessary sum furnished by a money-lender,
-Marcolini’s approval obtained, a day fixed, our festive arrangements
-made, and all was light and merriment. But, alas and alas! a cruel blow
-was in wait to dash to pieces our fond and joyous schemes, just as they
-seemed to approach reality.
-
-One morning, as by sunrise my father was going to the garden--it
-was to decorate a bridal arbour which we had constructed for the
-occasion--I heard from him, as he passed through the inner room, a cry
-of astonishment and dismay, and hurrying in, found him gazing in horror
-upon an open and, alas, empty box--it was the one in which Bianca’s long
-hoarded dower had been kept! All was gone--the hardly gathered earnings,
-the borrowed money, and with it all our mirthful plans and sparkling
-expectations; and, though a grave, strong-minded man, he was for the time
-quite crushed and broken by the shock. ‘Carlo,’ said he, ‘we are ruined,
-utterly undone. Villains have plundered us: your sister’s heart will be
-broken, and there is nothing left for us but despair. These weakened
-limbs could not go through such another term of trial in the face of
-such misfortune. It will be well if they last long enough to earn what
-will meet the demands of Bartolo the broker. Your brother, to whom we
-might else have looked for aid, is getting worse and worse in his evil
-ways: he has turned--that ever I should have to speak such words of son
-of mine!--yes, turned a worthless profligate and gamester. The God of
-Heaven grant,’ continued he, turning ghastly pale, and staggering against
-the wall as his eye fell upon a well-known knife, that, with its blade
-broken, lay upon the floor, ‘that it be not even worse. Carlo, look
-on that, and tell me, O tell me, that you know it not!’ With horror I
-recognized my unhappy brother’s knife; and a fragment of the steel fixed
-in the box showed too plainly in what base work it had been employed. I
-was struck speechless at the sight; but in defiance of all evidence, when
-I thought of my warm-hearted generous brother, I burned with anger at
-myself for my momentary misgiving, and almost fiercely chid my father for
-his dark suspicion. ‘Carlo,’ answered he gravely, ‘you are yet childish
-and inexperienced, and know not the power of evil company, the blight
-of that accursed vice upon every principle of truth and honesty. Your
-brother, I have told you, is an abandoned gambler--consorts with all the
-dregs and refuse of the country, mocks at the entreaties of a mother, the
-warnings of a father, the honest, ay, till he bore it, the ever honest
-name of his family; and he who does all this, will, time and temptation
-pressing him, but feebly shrink from the basest act. But go,’ added he
-with stern emphasis, ‘call him. Though guilty, I will see him face to
-face before I lay my curse upon him.’ With fear and trembling, for I knew
-how terrible my father’s temper was when roused, I was obliged to confess
-that he had not spent the night at home; and his forehead grew still
-gloomier and more wrinkled as he listened.
-
-He said nothing, but fell upon a seat, folded his arms, and remained
-looking fixedly upon the ground in great and fearful agony of thought.
-
-About half an hour afterwards, my heart leaped within me as I caught the
-sound of Ludovico’s cautiously approaching steps--for on such occasions
-he strove to steal in unnoticed--and I rushed to the door. There indeed
-he was coming up the walk in front. But what a figure!--his eyes were
-bloodshot, his face haggard, his dress disordered, his gait uneven, and
-altogether he appeared still under the power of a deep overnight debauch.
-My father upon hearing rose to meet him, and at the sight of his agitated
-and afflicted features, Ludovico, overcome with dismay and confusion,
-only afforded confirmatory evidence of guilt. Without a word, my father
-beckoned with his hand to him, and walking into the room, pointed to the
-forced and vacant box, fixing his eyes sternly and accusingly upon my
-poor brother, who with fainting knees accompanied him. With constrained
-silence he then lifted up the broken knife from the floor, fitted it
-before Ludovico’s eyes to the fragment remaining in the lid, and then
-turning up the haft, presented it to him. A cry of dismay and horror
-broke from his lips as he recognized his knife, and the terrible truth
-burst upon him.
-
-‘I am innocent, oh, my father, I am innocent,’ he cried as he fell on his
-knees before him. But, alas, the action, in place of removing, was about
-to rivet the evidence of his guilt, for as he stooped, a key fell from
-his pocket--a false one for the door which led from the very room into
-the garden, which he had privately procured for the purpose of secret
-admission when belated in his revels. My father, without other reply,
-seized it, applied it to the door, and opened the lock. He then turned to
-him, as if every stay and doubt were banished, and with a voice in which
-pain and sorrow only aggravated passion, exclaimed, ‘Wretched boy, I
-disown thee! Never shall villain, gambler, robber, liar, be called son of
-mine. Away, then, from my presence and my roof for ever! He who could so
-basely forget every lesson of honesty he was taught from his childhood,
-who could plunder his poor sister of what we have painfully earned for
-her by the sweat of our brows, and doom her to hopelessness and life-long
-loneliness, to feed his own vile profligacy, would not scruple to dip his
-hand in blood, ay, in the blood of his household, for their inheritance.
-We are not safe with such a one. Away to your brigand comrades of the
-hills--lead the villain life you incline to--do what you will--but
-never cross this threshold again!’ My mother and Bianca, roused by the
-noise, now hurried fearfully into the room, and a glance at Ludovico’s
-horror-struck and supplicating posture, at the shattered box, and my
-father’s inflamed and convulsed countenance, was enough without words to
-inform them of the revolting truth.
-
-‘My father’s heart is hardened against me,’ exclaimed Ludovico, ‘and I
-wonder not. I have indeed been loose-lived and disobedient, but never
-base nor dishonest, and let me not be now condemned because these
-appearances are against me. I solemnly swear by----’ My father fiercely
-checked him. ‘Add not perjury to infamy--it needs not swearing--the
-matter can be put beyond a doubt, ay, even beyond your own audacious
-denial. Mark those footsteps in the soft soil before the door: that bed
-was left by me smooth and unruffled yesternight--they are those of the
-villain thief; and, Ludovico, I cannot mistake the footprints of him
-who has wrought by my side since boyhood--wretched father that I am!
-they are _yours_. Deny it if you can.’ Convinced in my own heart of
-his innocence, I sprang forward to apply the test, but soon recoiled
-in horror, as before the anxious eyes of all I proved the accurate
-correspondence of the marks--a shock which for a moment crushed my own
-faith in my brother’s truth. What now availed my mother’s entreaties,
-my sister’s tears, Ludovico’s continued passionate assertion of his
-innocence, to change the stern conviction of my father? He vehemently
-reiterated his sentence of banishment, and counselled him, if he would
-mitigate the keenness of remorse, to confess his crime and return its
-ill-gotten fruits. Ludovico, stung to the quick by his reproaches, and by
-the agonies of my mother and Bianca, felt resentment rise in his heart
-to strengthen him to support his fate, and indignantly rose to depart.
-‘Cease your prayers, my mother and my Bianca. Carlo, you will live, I
-feel, to see me righted, and my father, too, to repent his harshness to
-his son, and his distrust in one whom he has often detected in error,
-but never yet in ignominy. My sister, if my heart’s blood could at this
-moment be coined into treasure to replace that which you have lost, and
-build again your shattered hopes, freely would I pour it out. But words
-are idle to make your heart what it was but an hour ago. I go--better
-any where than here--and if you hear of me again, it will be of one who
-has learned seriousness from suffering, and proved by acts his love and
-interest for you all.’ As he finished speaking, he hurried from the door
-without further farewell, and, plunging among the thickly wooded slopes,
-was speedily lost to my passionate pursuit.
-
-That evening, however, a boy left a billet from him to Bianca, in which
-he mentioned his intention of trying to turn his musical talent to
-account, by proceeding to England, where he was told that money was but
-lightly thought of, and purses were ever open, and where he might readily
-glean both what would support himself, and supply something towards
-enabling my father to meet Bartolo the usurer, and perhaps, too, old
-Marcolini, upon the day first fixed for her union with Francesco. He
-concluded by asking pardon from our offended confidence and affection for
-once more scornfully denying the odious charge--a denial which, amid our
-joint tears over the letter, we believed as firmly as the words of holy
-writ.
-
-Why need I stay to mention all the gloom and grief which was now spread
-over our but lately so bright and hopeful household, for Ludovico,
-despite his thoughtless forwardness, had been the life and spring of all
-our movements.
-
-My father’s dark locks soon became streaked with grey, for his pride
-of honesty in an unblemished name was sorely abased: his heart was
-wounded and enfeebled; and when the fever of his first anger was past,
-he began to think at times that perhaps he had dealt too hardly and
-hastily with Ludovico. My mother often wept: my sister’s cheek became
-wan and pale even with Francesco by her side: my own heart was faint and
-joyless: a cloud of spiritless sadness and depression settled over all,
-and every thing seemed to lament him who was far away among strangers,
-in loneliness and disgrace--him whose bold spirit, athletic form, and
-buoyant beauty, had, notwithstanding his frailties, been the pride and
-glory, secret or avowed, of all.
-
-But Providence is able and merciful to cleanse the character of the
-innocent and calumniated in the end, and after many weary months
-Ludovico’s was cleared before all the village by the death-bed confession
-of one of his former associates, who, under the impulse of a late
-remorse, stated that the robbery had been committed by himself--that
-Ludovico had on the night in question been designedly drugged by some
-of his accomplices--his knife taken and purposely left in the room, and
-his shoes borrowed for the same end, of warding search or suspicion from
-themselves by his condemnation. By way of expiation for the diabolical
-villany, he secretly menaced his partners in the plot that he would
-reveal their names and give them up to justice, unless the money with
-the interest in full was forthwith restored, which in consequence was
-quickly done. And now that his son’s good fame was established in
-the light of day, my father’s breast was lightened of the burthen of
-conscious disgrace, but only to suffer the more keenly the poignancy of
-self-reproach for the extreme and unjust severity of his treatment; and
-often would he bitterly accuse himself of savage inhumanity, and madly
-wish that by the sacrifice of his own life he could restore his exiled
-son to his embrace once more. As I listened to his painful lamentations
-and upbraiding, I formed a scheme, which was no sooner devised than I
-hurried to execute, of following Ludovico to England, of finding him,
-as in the credulity of inexperience I doubted not readily to do, and
-bringing him back with me to home, to reputation, and to happiness.
-Knowing the opposition I would meet if I mentioned my secret, I collected
-as speedily as I could what money I supposed would defray my first
-expenses, procured this organ, and my poor little marmoset, as I knew
-my wandering countrymen were wont to furnish themselves; and leaving a
-letter with a young neighbour to give when I was gone, took my way to
-Naples, whence I got a passage to London. My heart often died within me
-as I wandered through its great and busy streets, and many is the hour
-of sorrow and hardship I endured; but desire for Ludovico, and the hope
-of finding him which never failed me, carried me through all. For nearly
-a year I traversed England, much of Scotland and Ireland, supporting
-myself by grinding this poor music. I have not my brother’s fine voice
-and skill, but the people here are for the most part indulgent, and
-not so delicate to please as those of Italy. But the good God guided
-me at last to a happy meeting with an old Neapolitan, who alone, of
-the hundreds whom I questioned, was able to give me any information of
-Ludovico, with whom he had fortunately fallen in a few months before in
-this very city. With that cordial confidence which one is apt to flare in
-a fellow countryman when cast among strangers, Ludovico had made known
-to him all his story, adding that, having now by prudence and exertion
-of his talent for music--and few could touch a guitar or raise a voice
-like him--gathered a sufficient sum of money, he was about to return
-to Italy and to the neighbourhood of his native village, to apportion
-Bianca once more, and set on foot some inquiry to redeem, if possible,
-his forfeited character, and fix the guilt of the robbery upon the real
-offenders, whom long reflection on the circumstances had erewhile led
-him to suspect. Oh! how my heart thrilled and burned within me as I
-listened to the long-sought blissful words, and knew that in very deed I
-was at last upon the track of him--though the rapture of an unexpected
-meeting in this foreign land I was not to have--after whom I had made
-such a weary pilgrimage in vain. Not in vain neither. I have done what
-I could, and when I stand proudly amid my family once more, and receive
-their embraces and congratulations, say, shall I be without my reward? My
-daily gleanings I hoard with the eagerness of a miser: little do I spend
-on food or lodging: for when I think of my own dear Montanio, of those
-to complete whose happiness I alone am wanting, I have but one wish, one
-prayer--to have wherewithal to carry me to my own beautiful land again,
-to my father’s blessing, my brother’s love, my mother’s and my sister’s
-arms.”
-
-Tears of tenderness and rapture started to the eyes of the ardent and
-devoted youth as he thus concluded his narrative, in which the fervour
-and interest of truth were, as he told it, beautifully blended with much
-of the elevation and singularity of romance.
-
-Further particulars respecting this generous witness to the
-disinterestedness and fortitude with which family and fraternal love can
-inspire the young, the delicate, and the undisciplined, my necessary
-limitation of space compels me to forego. I need scarcely add that I
-was instrumental in furnishing a supplement for his insufficient means,
-and I did not lose sight of the noble lad, till, with mixed emotions of
-buoyant anticipation, and perhaps momentarily regretful gratitude, he
-parted from me on his return to Italy. In imagination I often make one of
-the reunited family, and at times, too, indulge the hope that the chances
-and changes of a shifting lot may some time enable me in very deed to
-look on old Girardi and his spouse, Carlo and the reformed Ludovico, the
-fair Bianca and the faithful Francesco, and claim a return in kind--an
-evening spent among their gleeful rural party--for the fellow-feeling I
-had the good fortune to conceive for the desolation, and the part I was
-privileged to take in abridging the banishment, of the Italian Organ Boy.
-
- J. J. M.
-
-
-
-
-KNOWLEDGE AND IGNORANCE.
-
-Second Article.
-
-BOULDERS--CONTINUED.
-
-
-If the dreary waste of the sandy desert, when the hot and suffocating
-blast sweeps over its parched surface, appears to the affrighted
-traveller invested with all the characters of sublimity, not less
-impressed with awe is the wanderer of polar regions, when, gazing on the
-heart-chilling magnificence of the interminable ice which surrounds him,
-he hears the sigh of the coming snow-storm, fraught with danger or with
-death. But at a time when repeated voyages and spirit-stirring narratives
-have rendered familiar to every one the beauties and the dangers of ice
-in every conceivable form of floe, of field, or of berg, and have excited
-sympathy for the sufferings or admiration of the daring of those who, to
-advance the cause of science, or to pursue for commercial purposes the
-mighty whale, have ventured within the precincts of that icy kingdom, it
-is not necessary to describe the solitary grandeur of a scene in which
-ice spreads like a sea beneath the feet, and rises as a mountain above
-the head. Not even, then, by the side of a cheerful fire, in these more
-temperate regions, shall we unnecessarily indulge in shudderings at the
-thought of distant powers of congelation, or enter further into the
-subject of polar picturesqueness. It is as a geological agent that we
-have now to contemplate ice in the various forms of fields and bergs, or
-of glaciers; its efficiency as a moving power being first considered.
-Scoresby justly denominates ice-fields “one of the wonders of the deep.
-They are often,” he says, “met with of the diameter of twenty or thirty
-miles; and when in a state of such close combination that no interstice
-can be seen, they sometimes extend to a length of fifty, or nearly a
-hundred miles.” The average thickness of these fields is from ten to
-fifteen feet, and their surface is varied by hummocks, which rise to a
-height of from forty to fifty feet. The weight of a piece of field ice,
-one mile square and thirteen feet thick, is, according to Scoresby’s
-estimate, 11,314,284 tons; and from the difference of specific gravity
-between ice and sea-water, this floating mass is sufficiently buoyant to
-support a weight of stones or other heavy bodies equal to 1,257,142, or
-in round numbers one million tons.
-
-Grand, however, as such floating fields of ice are, they are exceeded in
-magnificence by bergs. One of these, Scoresby relates, was one mile in
-circumference, fifteen hundred feet square, and a hundred feet above the
-level of the sea; so that, allowing for the inequalities of its surface,
-he considered its depth in the water seven hundred feet, its total
-thickness eight hundred feet, and its weight about forty-five millions of
-tons--an enormous mass, capable of transporting at least five millions
-of tons of extraneous weight. In number, too, they are as remarkable
-as in magnitude: above five hundred were counted by Scoresby from the
-mast-head at one time, of which scarcely one was less than the hull of
-a ship, about a hundred as high as the ship’s mast, and some twice that
-height, or two hundred feet above the surface of the sea; hence in total
-thickness about sixteen hundred feet. These, then, it must be admitted,
-are mighty engines fitted for the transport of rocks of colossal
-magnitude. But in the reasonings of sound philosophy, the apparent
-fitness of an object to perform some particular function cannot be
-deemed sufficient to establish the reality of its action: further proof
-is necessary, either derived from analogy or from positive facts. In
-respect to ice-fields, the easiest of observation, it is remarkable that
-neither of the Captains Scoresby speaks of having noticed extraneous
-matter upon them, unless the expression “heaps of rubbish,” in a passage
-of the voyage of Scoresby senior, means rubbish of stones as well as
-rubbish of ice. Examples will indeed be quoted from other writers, but
-the comparative scarcity of transported matter on the upper surface of
-the fields of ice, seems a natural consequence of their mode and place
-of formation. Formed in bays or gulfs, some portions of them are broken
-off by the violence of the waves at a distance from the shore, and never
-therefore come in contact with rocks or stones; whilst others, grounding
-in shallow water, encase many in the substance of their lower surface,
-although none are seen on the upper.
-
-The conditions, indeed, which are necessary to ensure a load for the
-carrying ice, such as proximity to the rocks the detached fragments of
-which are to rest on its surface, are more peculiarly present in ice
-formed under or brought into contact with precipitous rocky banks, and
-in that formed in deep narrow gulfs--in short, in ice constituted after
-the manner of glaciers. A large portion, therefore, of field ice must
-necessarily float about unencumbered with rubbish or fragments of rocks.
-Boethlingk, in treating on the diluvial and alluvial formations of South
-Finland, incidentally touches upon this subject. “The dispersion,”
-he observes, “of these blocks, is very probably in accordance with a
-phenomenon which may be observed on many seas and rivers, and which
-depends on the presence of blocks of stone near the shore. Through what
-force and in what manner the deposition of large blocks on the surface
-of all those formations which are at the water’s brink even now happens,
-can be observed every spring, by any one who, at the breaking up of the
-ice, repairs to those parts of the coast where the shore bears testimony,
-by the numerous blocks heaped up one upon the other, of their forcible
-deposition. Near Kiwinjemei, on the Wwoxen, there is, as it were, a wall
-nine feet high, stretching along the flat shore, composed of blocks of
-stone which have been gradually raised by the masses of ice. In several
-places such stones, three feet in diameter, were lying on flakes of ice,
-which, pressing onwards to the shore, had been shoved one over the other
-to the height of six or eight feet; so that no one could doubt the fact
-that the ice-flakes had been the carriers of the stones; and also, where
-the steepness of the ground permits the near approach of ice-shoals to
-the shore, that the blocks would be heaped up one over the other into a
-terrace or wall; whilst, on the contrary, on shallow coasts they would
-be scattered in the water, at a distance from the shore. The deposition
-of blocks depends therefore on the shore being accessible to ice-shoals
-driven in by winds or currents. Small blocks, also, are often cemented
-together by ice when the water over shallows, the bottoms of which are
-covered with loose stones, freezes; and when the water rises in the
-spring, or in consequence of storms setting in from the sea, the ice also
-rises, and with it the encased stones; and being driven out to sea, the
-stones, by the melting of the icy cement, are dropped in various places.
-In this way it is very probable that the boulders which lie scattered
-over the surface of the countries south of the Baltic were transported
-from Scandinavia and Finland on ice-shoals, at a time when the East Sea
-yet spread over those regions. Banks also are thrown up along the shore
-by the ice; they are never composed of large stones, but on flat sandy
-shores principally of sand.
-
-Where the water-level was constant for a considerable time, during which
-banks were formed, they show by their height above the present flow of
-the water how much the condition of the latter has been changed. When two
-such banks lie one behind the other, at the same level, or successively
-like terraces, we are justified in concluding that the level of the water
-has changed and the land been increased, or that the one has sunk and the
-other in consequence advanced upon it. In confined basins this sinking
-may have been the consequence of the outlet widening by wear, and in open
-seas by the upheaving of the land. On all the large lakes of Finland
-are seen banks and terraces, as well as single blocks of stone, on the
-slopes. The terraces often lie one above the other, which indicates
-sudden depressions of the water’s surface at different periods, each
-bank or terrace marking the water-line of a particular period, in which
-were deposited in strata many kinds of detritus mixed up with vegetable
-substances.” These remarks of Boethlingk, originally recorded in the
-“Bulletin of the Academy of Sciences of St Petersburg,” are here cited
-from the “Neues Jahrbuch von Leonhard und Bronn.” They are valuable, as
-results of personal observation, and have doubtless already given a
-tolerable inkling of the reasons upon which this species of explanation
-of the phenomenon of boulders has been founded. Captain Bayfield, of the
-Royal Navy, the able surveyor of the Canadian lakes and of the river St
-Lawrence, records similar facts observed by him in that river. The St
-Lawrence is in winter low, and the ice on the shallows along both banks
-of the river is frozen into one connected mass by a temperature which
-often sinks to thirty degrees below zero, or sixty-two degrees below
-the freezing point. When the thaw sets in, these masses are raised up
-and floated away, and with them an extraordinary quantity of blocks and
-stones which had been encased by the frost in their substance. In like
-manner, anchors which for the security of the ship in winter had been
-fixed near the shore, were obliged to be cut out of the ice, or they
-would have been carried away. Half a ton weight of one of the strongest
-chain cables was torn off and carried many yards away, when means were
-taken to cut it out. Captain Bayfield also mentions the fact that he
-had often seen at sea icebergs laden with stones, in the Straits of
-Belleisle the captain examined one amongst many which must have come
-from Baffin’s Bay; it was thickly covered over with blocks, gravel, and
-stones. M. Reinecke, an officer of the Russian navy employed on a survey
-of the coast of Finland, relates two pleasing though minor incidents of
-a similar kind. The fishermen of Sweaborg pointed out to his officers
-that the sea-bottom of their coast was subject to frequent change, partly
-from the action of the waves in violent storms, but more particularly
-from the force of traction exercised by enormous bodies of ice which
-are set adrift at the breaking up of the frost, and being arrested in
-their progress by some of the numerous headlands of the coast, or by the
-shoals which there encumber the sea, are heaped up one upon the other
-into colossal masses, which, liberated by some new shock, are again
-violently urged forward, and drag along with them the sand of the bottom,
-and even large fragments of the rocks. At the village of Kittelholm,
-near Sweaborg, the inhabitants directed the officers’ special attention
-to two such erratic blocks of stone, which at a very recent period had
-changed their place: resting on a rock of the coast called Witthella,
-and at a height of three sagènes (about 21 feet) above the level of the
-sea, there now appears a block of granite, called by the sailors “sea
-calf,” from its resemblance to a seal basking in the sun. This block
-was first seen in its present position in 1815. It had been encased in
-a mass of ice, which, raised up by the waves in a storm, had rested on
-the level top of the rock, and there melted as it thawed: the boulder,
-brought probably from a distant region, being left where it now stands.
-The other erratic block or boulder of Kittelholm had been observed by
-the inhabitants in the winter of 1806 to shift its place, being dragged
-on by the ice for a distance of about one-third of a mile. But all these
-were carriers of small note and name when compared to those of vast
-bulk and power described by Scoresby. “Many,” says he, “of the icebergs
-contained strata of earth and stones, and some were loaded with beds
-of rock of great thickness, and weighing by calculation from 50,000 to
-100,000 tons.” When, therefore, we see such operations going forward in
-our own time--the iceberg loaded with its freight of gravel and of rocks,
-moving slowly from the frozen north to the south, where, melted by the
-increasing heat, it is destined to discharge its cargo indiscriminately
-on mud, on gravel, or on rock, in the plain or on the hill, in the valley
-or on the mountain top (for all these forms of matter and of feature may
-be reasonably assumed to diversify the bottom of the present ocean, as it
-did that of a former one, now the surface of our dry land)--may we not
-conclude with Lyell or with Wissman, with Murchison or with Darwin, that
-were that bottom exposed dry to our view, it would in like manner exhibit
-its phenomena of gravel and of boulders?
-
-Nor would those appearances be confined to the northern regions; the
-reign of frost and snow has extended over a wider space in the antarctic
-than it has in the arctic circle. Mr Murchison quotes from a letter of
-Captain Harcourt, R. N., who in returning from South America met with a
-vast number of ice-floes in the Pacific, in latitude 50 degrees. Some
-of them were not less than two miles square, and 250 to 300 feet above
-the water, and consequently about 2000 feet thick. It is remarkable
-that this phenomenon occurred from 85 degrees west longitude, at a
-considerable distance from any land, to the meridian of Cape Pillar,
-while the immediate coasts of Chili and Cape Horn offered no trace of
-them. The winter was comparatively mild, which might indeed account for
-the liberation of such large masses of ice from the South Pole, and their
-being wafted into seas usually quite free from them. The number and size
-of these ice-floes were so astonishing, that Captain Harcourt, during the
-long winter moonless nights of eighteen hours, had great difficulty in
-steering through them without shipwreck; their course seemed to be from
-south-east to north-west, and they were met with through five degrees of
-latitude (50 to 55 degrees), which would be the exact position of England
-if transferred to the other hemisphere. May we not then shudder at the
-thought of that dreary future, in which, by some physical changes of the
-earth’s surface, according to the theory of Mr Lyell, the conditions of
-the earth’s superficial temperature may be reversed, and bring down upon
-the coasts of our ill-fated island those frost-bearing monsters to bite
-up every living thing by one common congelation; for we may well suppose,
-that long ere that dismal period our cold-dispelling fuel, turf, coal,
-and all, will have been utterly consumed. But let us comfort ourselves
-with this selfish reflection--it will not be in our day.
-
-Numerous as the icebergs of the antarctic regions are, they have as yet
-afforded few examples of transported materials. One, however, of very
-considerable interest, is thus recorded in a Journal of Discoveries in
-the Antarctic Ocean in 1839, by Mr John Balleny, communicated to the
-Geographical Society by Mr Enderby, the ship-owner. “March 13. Light
-variable winds from the eastward; surrounded by icebergs. In latitude 61
-degrees, longitude 103 degrees 40 minutes, passed within a quarter of a
-mile of an iceberg about 300 feet high, with a block of rock attached
-to it.” The rock is described as about 12 feet in height and about
-one-third up the berg. The nearest certainly known land (Enderby’s Land)
-was distant from the spot 1400 miles; Sabrina Land, if such exists,
-was distant 450 miles; and it is very improbable that any land will be
-discovered within 100 miles. Mr Darwin, in an interesting note on this
-Journal, mentions a preceding case of an iceberg with a considerable
-block lying on it, seen east of South Shetland by Mr Sorrell, when in
-a sealing vessel; and though another voyager, Captain Briscoe, during
-several cruises in the antarctic seas, had never once seen a piece of
-rock in the ice, he remarks, that if but one iceberg in a thousand or in
-ten thousand transports its fragment, the bottom of the antarctic sea
-and the shores of its islands must already be scattered with masses of
-foreign rock, the counterpart of the erratic boulders of the northern
-hemisphere.
-
-Such, then, are the facts on which modern geologists, and more especially
-Mr Lyell, have founded the theory of ice-transported boulders, appealing
-to the experience of that which is now occurring in existing seas as
-evidence of that which did occur in seas not now existing--seas which
-once covered or at least rose to the level of places which exhibit these
-relics of their presence. Presuming, then, for an instant, that the fact
-is conceded, that at some ancient epoch the low lands of a large portion
-of the northern and southern hemispheres were under water, whilst the
-higher hills and mountains were covered with snow, and their gorges and
-valleys filled with glaciers, which on descending to the ocean carried
-with them fragments of rocks, and became as icebergs their carriers to
-distant regions, do we not obtain an explanation of the phenomena of
-boulders more simple and rational than any of those previously advanced?
-For example, Kirwan in his Essays tells us that the Bay of Galway must
-have been occupied by a granitic mountain, which in a great catastrophe
-was shattered and swallowed up, because he found a mass of granite called
-“the Gregory” on one of the isles of Arran, 100 feet above the sea, and
-8 or 10 miles from the nearest granitic locality, the islands themselves
-being limestone. But such a mass, though 20 feet long, 10 high, and 11
-broad, if floated across on an iceberg, could have been deposited at its
-destined place by machinery more simple than such a catastrophe. In like
-manner, how easily the granitic blocks of Scandinavia could by similar
-means have been transported across the Baltic!--and at the same time many
-of the phenomena of drift (a name now given by many geologists to what
-was formerly called diluvian) might be explained, as shown by Mr Lyell in
-his account of the Norfolk drift, by the action of floating fields of ice
-carrying with them sand and gravel, or grating and heaping up the sand
-and gravel of shoals on which they were beginning to ground, as shown in
-the examples cited. The long lines of drift and boulders extending from
-north to south in northern Europe were indeed in all probability the
-result of the joint operation of the marine current which moved onwards
-the floating ice, and of the ice itself. In these lines or trainées,
-two sets have been discovered--one crossing the other at a very acute
-angle, a circumstance which may possibly be explained by supposing two
-currents simultaneously running from the north being inflected by local
-peculiarities into slightly differing directions, and then, on meeting,
-proceeding in a direction the resultant of the two; the direction of
-the resultant varying at different epochs according as one or the other
-current, from varying local causes, possessed the greater or less
-velocity; if so, the natural result of such meeting currents would be to
-deposit along their resulting direction lines of drift, to form in this
-manner shoals on which the floating ice would occasionally ground, and by
-its load of gravel and boulders assist the work of detritic accumulation.
-
-In as far, then, as the phenomenon of boulders is exhibited in the low
-lands of Europe (leaving other countries out of the question), it seems
-quite in conformity with the operations of causes such as have been
-here explained. But it may next be asked, How does the ice-transporting
-theory explain the boulders of the Alps? Had the waters been sufficiently
-elevated to convey icebergs over the Jura chain, the Scandinavian
-mountains would have been deeply submerged, and no longer, therefore, a
-source either of ice or of boulders. This is unquestionably a difficulty,
-unless it be assumed either that some great change of relative altitude
-has taken place by the uplifting of the Alps since the deposition of
-its boulders, or that the Alpine boulders have not been conveyed by
-marine agencies. Lyell supposed it possible that falling “hill-sides”
-might have dammed up the rallies of Switzerland, and have formed lakes,
-on which the icebergs from its uplifted glaciers might have floated
-across to the Jura, and have been carried down to the low country at
-the base of the Alps, by the sudden bursting of the barrier, and the
-flood following it; and Wissmann (who strangely enough ranks Lyell,
-manifestly his precursor in this idea, amongst the advocates of the
-theory of torrents) in like manner assumes the existence of a large sea
-extending over the low portion of Switzerland, the country now bordering
-on the Lake of Constance, and the greater part of Bavaria, on the
-waters of which the ice of falling glaciers with its cargo of boulders
-floated across. This sea was not however, like Lyell’s, the result of a
-secondary accident, but arose, encircled and walled in by mountains, on
-the last upheaving of the Alps. Its waters overflowing their boundary
-at the lowest points, according to Wissmann enlarged the passages of
-discharge, which giving vent to the waters, gradually lowered and finally
-emptied the sea, leaving the valley of the Rhone and of the Rhine as a
-relic. If, however, hypotheses of at least equal probability have been
-rejected either as depending too much on supposititious data, or as
-being imperfect explanations of the phenomena, there seems no greater
-reason for admitting these. Such accidents as those suggested by Mr Lyell
-have indeed occurred in the Alpine regions; rivers have been dammed up
-either by falling hill-sides or by falling masses of ice, and on bursting
-through these obstacles, have poured down in fearful destruction on the
-plain below. But how diminutive are such catastrophes in comparison to
-that which must have attended on the dispersion of the Alpine boulders!
-and although the lake of Wissmann’s hypothesis is sufficiently extensive
-to transport the boulders through a very wide space, it is insufficient
-to account for those in Franche-compté; whilst, if we suppose with him
-that the last elevation of the Alps was prior to the deposition of the
-Molasse, it seems improbable that all the great openings of discharge,
-or vallies, should have been formed since that period. Must we then turn
-from these explanations, and again suppose great relative changes of
-altitude by vast upheavings of mountain chains in comparatively recent
-times, giving rise to diluvial waves, or, as supposed by De Beaumont,
-such upheavings being accompanied by a sudden rise of temperature, to
-the sudden melting of huge masses of snow and ice, and to powerful
-torrents resulting from it? Are we in short to appeal with Kapp to the
-testimony of the Chinese Annals, elucidated by Edward Biot of the French
-Academy, for evidence of such changes? In them, mention is indeed made
-at dates of 2400 and 3300 years before our era, of the elevation of two
-mighty chains of mountains, by which an ancient sea was raised up and
-became the present Marsh of Gobi, having been drained by an arm of the
-Yellow River, or through the valley of Tsischi, and at the same time
-the course of the Yellow and many other rivers were greatly changed.
-But, truly curious as such documents undoubtedly are, and worthy of
-the most attentive research in order to ascertain what support can
-really be given to geological theories by historical evidence, they
-could not be received as conclusive in respect to the face of Europe,
-unless something like a chain of deductive reasoning from observed
-facts could be adduced in support of them. What, then, is the state of
-the case? Must we reject the ice-transporting theory as insufficient,
-and stand in despair of ever finding a clue to our difficulties? Far
-from it: the very difficulty itself points to the true explanation.
-The northern or Scandinavian boulders are not mixed with the Alpine on
-the low grounds at the base of the Jura, and this circumstance shows
-us that there was a limit to the space over which these boulders were
-transported, and that limit was, probably, the result of the elevation
-at which the ocean then stood. Whilst, then, this ancient ocean was
-conveying from the Scandinavian peaks its falling glaciers loaded with
-fragments of rocks, the glaciers of the Alps were conveying over the
-ice-covered land the fragments of its broken pinnacles. Such a union of
-the two modes of transport, combined with sea currents, seems at once
-consistent with reason and efficient in explanation; for example, it
-explains the difficulty experienced in understanding the ancient glaciers
-of the northern face of our Dublin mountains, where we see limestone
-gravel and fragments of red sandstone accumulated against their base
-up to a certain point where they end abruptly, and gravel of primitive
-rocks begins. The limestone gravel and fragments of sandstone may have
-been conveyed there, and heaped up by the pressure of drifting ice,
-whilst the descending glacier conveyed primitive fragments, and pushed
-up before it into a heap the limestone gravel. We have therefore now
-come to the consideration of the glacier theory, which, propounded and
-explained by Agassiz, has assumed not merely a character of sublimity,
-but of demonstration. This I shall enter upon in another article, to
-which I shall also defer some necessary remarks on the supposed causes
-of that great and general refrigeration which Agassiz assumes, and the
-facts support. But even now I cannot refrain from answering a question
-which may possibly be asked by some, Why do you place so abstruse and
-difficult a subject before the readers of a popular work? I do so,
-because, though assuredly of no easy solution, the boulder question is
-one replete with interest, and calculated to excite the attention of
-many who perhaps never before thought that in those time-worn stones was
-matter to exercise the deepest reflection of the philosopher. But this
-is not all. To follow up the theories of the astronomer, instruments,
-and “appliances to boot,” are necessary, which few can possess; but to
-seek for geological data, the inquirer needs only health, his hammer, and
-his bag. When, therefore, as so powerfully urged by Mr Patterson, in his
-beautiful address to the Natural History Society of Belfast, our national
-system of education shall include within it an elementary course of
-natural history, we may hope to see in each of its trained schoolmasters
-not a “village Hampden,” but a “village White” or “village Saussure,”
-and in each locality around him a group of young and ardent naturalists
-growing up with a taste and enthusiasm for scientific research which not
-only will infuse happiness over their own breasts, but multiply the data
-for correct deductions. And in what branch of geological inquiry is such
-a multiplication of materials more required than in the one we have been
-discussing? Happy times, then, for science, morality, and religion, when
-a taste for research shall have been budded on the earliest shoot of
-man’s intelligence!
-
- J. E. P.
-
- * * * * *
-
-CRUELTY TO ANIMALS.--Though civilization may in some degree abate the
-native ferocity which prompts men to torture the brute creation, it
-can never quite extirpate it. The most polished are not ashamed to be
-pleased with scenes of barbarity, and, to the disgrace of human nature,
-to dignify them with the name of sports. They arm cocks with artificial
-weapons, which nature had kindly denied to their malevolence, and with
-shouts of applause and triumph see them plunge them into each other’s
-hearts; they view with delight the trembling deer and defenceless hare,
-flying for hours in the utmost agonies of terror and despair, and at
-last sinking under fatigue, devoured by their merciless pursuers. They
-see with joy the beautiful pheasant and harmless partridge drop from
-their flight, weltering in their blood, or perhaps perishing with wounds
-and hunger, under the cover of some friendly thicket to which they
-have in vain retreated for safety; they triumph over the unsuspecting
-fish, whom they have decoyed by an insidious pretence of feeding, and
-drag him from his native element by a hook fixed to and tearing out his
-entrails; and to add to all this, they spare neither labour nor expense
-to preserve and propagate these innocent animals, for no other, and but
-to multiply the objects of their persecution. What name should we bestow
-on a superior being whose whole endeavours were employed and whose whole
-pleasure consisted in terrifying, ensnaring, tormenting, and destroying
-mankind?--whose superior faculties were exerted in fomenting animosity
-amongst them, in contriving engines of destruction, and inciting them
-to use them in maiming and murdering each other?--whose power over
-them was employed in assisting the rapacious, deceiving the simple,
-and oppressing the innocent?--who, without provocation or advantage,
-should continue from day to day, void of all pity and remorse, thus to
-torment mankind for diversion, and at the same time endeavour with the
-utmost care to preserve their lives, and to propagate their species, in
-order to increase the number of victims devoted to his malevolence, and
-be delighted in proportion to the miseries which he occasioned? I say,
-what name detestable enough could we find for such a being? Yet if we
-impartially consider the case, and our intermediate situation, we must
-acknowledge, that, with regard to inferior animals, just such a being is
-a sportsman.--_Disquisitions on Several Subjects, by Soame Jenyns._
-
-
-
-
-HISTORY OF PAPER-HANGINGS.
-
- Abridged from a paper by Mr Crace, read before the Royal
- Institute of Architects.
-
-
-Paper hangings may be divided into three separate branches, the flock,
-the metal, and the coloured; and each of these seems to have been
-invented at a different time, as an imitation of a distinct material--the
-flock to imitate the tapestries and figured velvets, the metal in
-imitation of the gilt leather, and the coloured as a cheap substitute for
-painted decorations. Professor Beckman says that the former of these, the
-flock, was first manufactured in England, and invented by Jerome Langer,
-who carried on the art in London in the reign of Charles the First,
-and obtained a patent for his discovery, dated May 1st, 1634. Various
-French and German authors give us the credit of this invention, yet it
-is disputed by a Frenchman, M. Tierce, who in the Journal Æconomique
-says, that a man named Francois carried on this art at Rouen so early
-as the years 1620 and 1630, and affirms that the wooden blocks employed
-are still preserved with the before-mentioned dates inscribed on them.
-Francois was succeeded by his son, who followed the business with
-success for fifty years, and died at Rouen in 1748. M. Savary, in his
-Dictionnaire de Commerce, thus describes the manner in which the French
-manufactured their tonture de lane, or flock hangings:--The artist having
-prepared his design, drew on the cloth, with a fat oil or varnish, the
-subject intended to be represented; and then the flocker, from a tray
-containing the different tints of flocks, arranged in divisions, took the
-colours he required, and sprinkled them in a peculiar manner with his
-finger and thumb, so that the various shadows and colours were properly
-blended, and an imitation of the woven tapestry produced.
-
-Of the second branch, the metal papers, I do not find much mentioned
-by the older writers; and of the coloured papers I almost despaired of
-finding any early account, till, in an old French dictionary of commerce,
-printed in 1723, under the head of Dominoterie, I discovered an account
-which seems to give the origin of the present system of paper-staining.
-Dominoterie is an ancient French name for marble paper, such as used by
-bookbinders; and the early French paper-stainers were associated with the
-makers of that article, as a class called dominotiers. The manufacture is
-thus described:--
-
-The design having been drawn in outline, on paper pasted together of the
-size required, the paper was then divided into parts of a suitable size,
-and given to the carver or wood engraver, to cut the designs on blocks
-of pear-tree, much in the same manner as at present. The outline thus
-cut was printed in ink with a press, resembling that then used by the
-letter-press printers, on separate sheets of paper. When dry, they were
-then painted and relieved with different colours in _distemper_, and
-afterwards joined together, so as to form the required design. The author
-then adds, that grotesques and panels in which are intermingled flowers,
-fruits, animals, and small figures, have up to this time succeeded better
-than imitations of landscapes, or other tapestry hangings, which are
-sometimes attempted, and refers to article 61 of the French laws in 1686,
-which confirms the statutes published in 1586, 1618, and 1649, in which
-rules are given as to what kind of presses, &c. are to be used by the
-dominotiers, and prohibiting them under heavy penalties from printing
-with types.
-
-Recurring to the subject as connected with this country: in the year
-1754, a Mr Jackson, a manufacturer of paper-hangings at Battersea,
-published a work on the invention of printing in chiaro oscuro, and the
-application of it to the making of paper-hangings, illustrated with
-prints in proper colours. This book is a sort of advertisement of the
-kinds of papers made, and the mode of manufacture employed by him. He
-adopted a style of paper-hangings executed with blocks in chiaro oscuro,
-in imitation of the most celebrated classic subjects.
-
-To use his words, “The persons who cannot purchase the statues
-themselves, may have these prints in their places, and thus effectually
-show their taste. ’Tis the choice and not the price which discovers
-the true taste of the possessor; and thus the Apollo Belvedere, the
-Medicean Venus, or the Dying Gladiator, may be disposed of in niches, or
-surrounded with a mosaic work in imitation of frames, or with festoons
-and garlands of flowers, with great taste and elegance; or, if preferred,
-landscapes after the most famous masters may be introduced into the
-paper. That it need not be mentioned to any person of taste how much this
-way of finishing with colours, softening into one another with harmony
-and repose, exceeds every other kind of paper-hanging hitherto known,
-though it has none of the gay, glaring colours in patches of red, green,
-yellow, and blue, &c. which are to pass for flowers and other objects in
-the common papers.”
-
-By the account of this gentleman we find that paper-hangings were then
-in common use, and had reached a certain degree of perfection, for that
-even arabesques were executed; and I therefore conceive that the art
-discovered by Lanyer had been continued from his time to the present;
-particularly as in the year 1712, the 10th of Queen Anne, a duty of
-1¾d. per square yard is imposed on this manufacture. In the reign of
-that queen the Chinese paper-hangings were very much employed, and have
-continued in fashion to the present day. These hangings, though parts of
-them may be executed by blocks or stencils, are almost wholly painted
-by hand. Cotemporary with Jackson, I have learned that a Mr Taylor, the
-grandfather of one of our present most eminent manufacturers, carried on
-this business to a considerable extent, and accumulated a large fortune.
-He was succeeded by his son, who, I am informed, visited France, and was
-enabled to give the manufacturers there considerable information. He
-said on his return that he found the French paper-hangings very inferior
-to our own, both as to execution and beauty of design. In those days
-we had an extensive export trade in this material to America and other
-foreign parts, but we are now driven out of this market by the French.
-The paper-hangings at that date, about 1770, were manufactured nearly
-in the same manner as at present; I have indeed seen a flock paper of a
-large rich damask pattern, more than 100 years old, which resembles in
-every way the modern material; it is singular that this art of flocking
-was disused and almost lost during a period of twenty years, and revived
-only about forty years ago; a mode of decorating papers was also formerly
-employed, which is now never adopted. I have seen papers ornamented with
-a substance commonly called frost, a species of talc.
-
-In the year 1786, there was established at Chelsea a manufactory for
-paper-hangings of a superior description, conducted by Messrs George
-and Frederick Echardts, gentlemen of considerable taste and spirit. The
-mode of manufacture was different to that in general use; for, besides
-the usual printing blocks, copper plates, on which were engraved designs
-of great finish and beauty, were likewise employed, and they not only
-printed on paper, but also on silk and linen; and by an underground of
-silver or gold, they obtained very beautiful effects of colour.
-
-Only part of the design was given by printing; it was finished by artists
-constantly retained by the manufacturers, men of considerable talent,
-who again were assisted in the inferior parts by young girls, of whom
-more than fifty were employed; and had this undertaking been supported by
-the government, it would, I think, have been more available as a school
-for our rising artists, and of infinitely greater service, than our
-present school of design, for it would have been a _working school_, and
-no other, I am convinced, will be of any use in forming a talented race
-of decorative artists in this country. There was also about this time
-another establishment similar to the former, conducted by Mr Sheringham,
-in Marlborough-street.
-
-From this time the French began to excel in this superior branch of the
-art, which with us had fallen on such barren ground. Their manufacturers
-were encouraged in every way by their government and the Emperor
-Napoleon to attempt that perfection which they have now so successfully
-attained.--_Engineer and Architect’s Journal._
-
- * * * * *
-
-SIR WALTER SCOTT.--The following extract from the Diary of Sir Walter
-Scott (see his Life by Lockhart) touchingly exemplifies the state of
-his feelings at the period of his ruin, of the total loss of property
-and frustration of all his bright hopes by the bankruptcies of the
-Ballantynes and Constable:--“It is a bitter thought; but if tears start
-at it, let them flow. My heart clings to the place I have created.
-There is scarce a tree on it that does not owe its being to me. What a
-life mine has been!--half educated, almost wholly neglected or left to
-myself; stuffing my head with most nonsensical trash, and undervalued
-by most of my companions for a time; getting forward, and held a bold
-and clever fellow, contrary to the opinion of all who thought me a mere
-dreamer; broken-hearted for two years; my heart handsomely pieced again,
-but the crack will remain till my dying day. Rich and poor four or five
-times; once on the verge of ruin, yet opened a new source of wealth
-almost overflowing. Now to be broken in my pitch of pride, and nearly
-winged (unless good news should come), because London chooses to be in
-an uproar, and in the tumult of bulls and bears, a poor inoffensive lion
-like myself is pushed to the wall. But what is to be the end of it? God
-knows; and so ends the catechism. Nobody in the end can lose a penny
-by me: that is one comfort. Men will think pride has had a fall. Let
-them indulge their own pride in thinking that my fall will make them
-higher, or seem so at least. I have the satisfaction to recollect that
-my prosperity has been of advantage to many, and to hope that some at
-least will forgive my transient wealth on account of the innocence of my
-intentions, and my real wish to do good to the poor. Sad hearts, too, at
-Darnick, and in the cottages of Abbotsford. I have half resolved never
-to see the place again. How could I tread my hall with such a diminished
-crest? How live a poor indebted man, where I was once the wealthy--the
-honoured. I was to have gone there on Saturday in joy and prosperity to
-receive my friends. My dogs will wait for me in vain. It is foolish; but
-the thoughts of parting from these dumb creatures have moved me more than
-any of the painful reflections I have put down. Poor things, I must get
-them kind masters! There may be yet those, who loving me, may love my
-dog, because it has been mine. I must end these gloomy forebodings, or I
-shall lose the tone of mind with which men should meet distress. I feel
-my dogs’ feet on my knees. I hear them whining and seeking me everywhere.
-This is nonsense, but it is what they would do, could they know how
-things may be. An odd thought strikes me--when I die, will the journal of
-these days be taken out of the ebony cabinet at Abbotsford, and read with
-wonder, that the well-seeming baronet should ever have experienced the
-risk of such a hitch? Or will it be found in some obscure lodging-house,
-where the decayed son of chivalry had hung up his scutcheon, and where
-one or two old friends will look grave and whisper to each other, “Poor
-gentleman”--“a well-meaning man”--“nobody’s enemy but his own”--“thought
-his parts would never wear out”--“family poorly left”--“pity he took that
-foolish title.” Who can answer this question?”
-
- * * * * *
-
- Printed and published every Saturday by GUNN and CAMERON, at
- the Office of the General Advertiser, No. 6, Church Lane,
- College Green, Dublin.--Agents:--R. GROOMBRIDGE, Panyer Alley,
- Paternoster Row, London; SIMMS and DINHAM, Exchange Street,
- Manchester; C. DAVIES, North John Street, Liverpool; SLOCOMBE and
- SIMMS, Leeds; J. MENZIES, Prince’s Street, Edinburgh; and DAVID
- ROBERTSON, Trongate, Glasgow.
-
-
-
-
-
-End of the Project Gutenberg EBook of The Irish Penny Journal, Vol. 1, No.
-38, March 20, 1841, by Various
-
-*** END OF THIS PROJECT GUTENBERG EBOOK THE IRISH PENNY JOURNAL ***
-
-***** This file should be named 55066-0.txt or 55066-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/5/0/6/55066/
-
-Produced by Brownfox and the Online Distributed Proofreading
-Team at http://www.pgdp.net (This file was produced from
-images generously made available by JSTOR www.jstor.org)
-
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-