summaryrefslogtreecommitdiff
path: root/old/55079-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/55079-0.txt')
-rw-r--r--old/55079-0.txt4418
1 files changed, 0 insertions, 4418 deletions
diff --git a/old/55079-0.txt b/old/55079-0.txt
deleted file mode 100644
index b036f28..0000000
--- a/old/55079-0.txt
+++ /dev/null
@@ -1,4418 +0,0 @@
-The Project Gutenberg EBook of Poems, by Theodore Maynard
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-
-Title: Poems
-
-Author: Theodore Maynard
-
-Contributor: Gilbert Keith Chesterton
-
-Release Date: July 9, 2017 [EBook #55079]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK POEMS ***
-
-
-
-
-Produced by Larry B. Harrison, Chuck Greif, Bryan Ness and
-the Online Distributed Proofreading Team at
-http://www.pgdp.net (This file was produced from images
-generously made available by The Internet Archive/Canadian
-Libraries)
-
-
-
-
-
-
-
-
-
- POEMS
-
-
-
-
- POEMS
-
- BY
- THEODORE MAYNARD
-
- WITH AN INTRODUCTION BY
- G. K. CHESTERTON
-
- TORONTO
- McCLELLAND AND STEWART, LTD.
- PUBLISHERS
-
- _Copyright, 1917, 1918, by Daniel E. Hudson; Copyright, 1917,
- 1918, by The Sisters of Mercy; Copyright, 1917, 1919, by The
- Missionary Society of St. Paul the Apostle in the State of New
- York._
-
- _Copyright, 1919, by_
- FREDERICK A. STOKES COMPANY
-
- _All Rights Reserved_
-
- PRINTED IN U. S. A.
-
-
-
-
- TO
-
- MY WIFE
-
-
- _We two have seen with our own eyes
- God’s multitudinous disguise;
- Waylaid Him in His voyaging
- Among the buttercups of Spring;
- In valleys where the lilies shone
- More glorious than Solomon
- We met a poet passing by,
- And learned his lyric--you and I!_
-
- _But oh! did kindly Heaven not bless
- Our lives with more than loveliness,
- When, cast on every sapling-rod,
- Was seen the motley of our God;
- When having picked our way with craft
- Up cliffs to hear Him when He laughed,
- We felt, uplifted on the wind,
- His folly blown into our mind?_
-
- _What doubt can touch us? We have heard
- The baby laughter of the Word!
- We mingle with solemnity
- A Catholic note of revelry
- In hypostatic union.
- From love’s carved choir-stalls we con
- The plain-song of the Breviary
- Illumined by hilarity.
- For as each cleansing sacrament
- To our soul’s comforting was sent
- (Through water and oil and wheat and wine,
- Bringing to human the divine),
- So shall we find on lovers’ lips
- The splendour of apocalypse,
- And through the body’s five gates come
- To all the good of Christendom._
-
- _We have no fear that we shall lose
- This joyous Gospel of good news,
- For our symbolic love has stood
- By virtue of its fortitude--
- Knowing a bitter Lenten fast,
- Satan discomforted at last,
- A bowed back scalding with great scars,
- Gethsemane of tears and stars,
- A journey of the cross, and ah,
- Its part and lot in Golgotha!_
-
- _We know--let the marvellous thing be said!--
- Love’s resurrection from the dead ...
- For as Magdalen came with cinnamon
- And aloes to smear Love’s limbs upon,
- But met alone on the Easter grass
- Life’s Lord, though she wist not Who He was--
- So we, till He spoke as He spoke to her,
- Mistook Him for the gardener._
-
-_April 14th, 1918._
-
-
-
-
-NOTE
-
-
-This edition of Theodore Maynard’s poems represents the author’s own
-selection of such of his published verse as he wishes included in a
-permanent collection. With few omissions, it represents the contents of
-the three volumes issued in Great Britain under the titles, “_Laughs and
-Whifts of Song_,” 1915; “_Drums of Defeat_,” 1917; “_Folly_,” 1918, none
-of which has hitherto been published in this country.
-
-
-
-
-ON THEODORE MAYNARD’S POEMS
-
-
-In the case of any poet who has caught and held our recollection, there
-is generally a particular piece of work which remains in our mind, not
-as the crown, but as the key. And ever since I saw in _The New Witness_
-some lines called “A Song of Colours,” by Theodore Maynard, they have
-remained to me as a sort of simplification, or permanent element, of the
-rest of the poet’s writings; and I have felt him especially as a poet of
-colour. They are not by any means the best of his lines. They are
-direct, as is appropriate to a ballad; and they have none of the fine
-whimsicality or the frank humour to be found elsewhere in his work.
-Among these others the choice is hard: but I should say that the finest
-poetry as such is to be found in the images, and even in the very title,
-of “The World’s Miser”: and even more in the poem called “Apocalypse.”
-In this latter the poet imagines a new world which shall be supernatural
-in the strongest sense of the word; that of being more vivid and
-positive than the natural; and not (as it is so often imagined) more
-tenuous and void.
-
- “Or what empurpled blooms to oust the rose
- Or what strange grass to glow like angels’ hair!”
-
-The last line has the touch of the true mystic, which changes a thing
-and yet leaves it familiar. True artistic pugnacity, a thing that
-generally goes with true artistic pleasure, is well-expressed in the
-shrewd lines of the poem printed as a sequel to another poem called “To
-a Good Atheist.” The sequel is called “To a Bad Atheist,” with the
-charming explanation: “Who wrote what he called a trinity of meek
-retorts to the preceding poem, which were not meek, but full of pride
-and abominable heresy.” He describes the bad atheist’s mind as
-containing nothing but sawdust, sun and sand; which is accurate and
-exhaustive. And in so far as poetry appeals to particular temperaments,
-I myself find enjoyment expecially in the part of the collection
-properly to be called “Laughs”; in the ballads of feasting and
-fellowship; and especially in that sublime absolution gravely offered to
-the Duke of Norfolk.
-
-But the sentiment of colour still ran like a thread through the whole
-texture; and I think there is hardly a poem that does not repeat it. And
-this is important; because the whole of Mr. Maynard’s inspiration is
-part of what is the main business of our time: the resurrection of the
-Middle Ages. The modern movement, with its Guild Socialism and its
-military reaction against the fatalism of the Barbarian, is as certainly
-drawing its life from the lost centuries of Catholic Europe, as the
-movement more commonly called the Renaissance drew its life from the
-lost languages and sculptures of antiquity. And, by a quaint
-inconsistency, Hellenists and Neo-Pagans of the school of Mr. Lowes
-Dickinson will call us antiquated for gathering the flowers which still
-grow on the graves of our mediæval ancestors, while they themselves will
-industriously search for the scattered ashes from the more distant pyres
-of the Pagans.
-
-And the visible clue to the Middle Ages is colour. The mediæval man
-could paint before he could draw. In the almost startling inspiration
-which we call stained glass, he discovered something that is almost more
-coloured than colour; something that bears the same relation to mere
-colour that golden flame does to golden sand. He did not, like other
-artists, try in his pictures to paint the sun; he made the sun paint his
-pictures. He mixed the aboriginal light with the paints upon his
-palette. And it is this translucent actuality of colour which I feel in
-the phraseology of this writer, in a way it is not easy to analyse. We
-can only say that when he says--
-
- “Among the yellow primroses
- He holds His summer palaces”
-
-we have an impression, which it is the object of all poetry to produce.
-It can only be described by saying that a primrose by the river’s brim a
-_yellow_ primrose is to him, and it could not possibly be anything more.
-And this almost torrid directness and distinctness of tint is again
-connected with another quality of the poet and his poetic tradition:
-what many would call asceticism alternating with what many would call
-buffoonery. The colour conventions of the Middle Ages were copied very
-beautifully by the school of Rossetti and Swinburne. But they lost the
-exuberance of the Gothic and became a pattern rather than a plan;
-chiefly because they were not seriously inspired by any of the
-enthusiasms of the Middle Ages. Its decorative repetitions sometimes
-became quite dreary and artificial; as in Swinburne’s unfortunate
-couplet about the lilies and languors of virtue and the raptures and
-roses of vice. A little healthy gardening would have taught Swinburne
-that it takes quite as much virtue to grow a rose as to grow a lily. It
-might also have taught him that virtue is never languid, whatever else
-it may be: and that even lilies are not really languid so long as they
-are alive. If such decadents want an image of what it really is that
-holds up the heads of lilies or any other growing things, I can refer
-them to a couplet in this little volume, which is more beautiful and
-more original and means a great deal more--
-
- “What wilful trees of any spring
- Than your young body are more fair?”
-
-These lines contain a principle of life and mark the end of a pagan
-sterility. They contain the secret, not of gathering rosebuds while we
-may, but of growing them when we choose.
-
- G. K. CHESTERTON.
-
-
-
-
-CONTENTS
-
-
- LAUGHS AND WHIFTS OF SONG
- PAGE
-
-A SONG OF COLOURS 3
-
-CECIDIT, CECIDIT BABYLON MAGNA 5
-
-APOCALYPSE 7
-
-GHOSTS 9
-
-PROCESSIONAL 10
-
-A SONG OF LAUGHTER 12
-
-BALLADE IN PRAISE OF ARUNDEL 13
-
-THE TRAMP 15
-
-THE WORLD’S MISER 17
-
-EASTER 19
-
-THE GLORY OF THE ORIFLAMME 20
-
-TO A GOOD ATHEIST 21
-
-TO A BAD ATHEIST 23
-
-PALM SUNDAY 25
-
-WHEN I RIDE INTO THE TOWN 27
-
-REQUIEM 29
-
-AVE ATQUE VALE 30
-
-ALADDIN 31
-
-ADAM 32
-
-THE ENGLISH SPRING 33
-
-AT THE CRIB 35
-
-THE MYSTIC 37
-
-TO ANY SAINT 39
-
-SUNSET ON THE DESERT 40
-
- FOLLY
-
-FOLLY 43
-
-THE SHIPS 45
-
-LAUGHTER 47
-
-VOCATION 49
-
-BLINDNESS 50
-
-DRINKING SONG 52
-
-THREE TRIOLETS 54
-
-A NEW CANTERBURY TALE 56
-
-IN MEMORIAM F. H. M. 62
-
-TO THE IRISH DEAD 63
-
-JOHN REDMOND 64
-
-BEAUTY 65
-
-FAITH’S DIFFICULTY 67
-
-CHRISTMAS ON CRUSADE 69
-
-THE ASCETIC 71
-
-SONNET FOR THE FIFTH OF OCTOBER 75
-
-WARFARE 76
-
-TREASON 77
-
-THERE WAS AN HOUR 78
-
-NOCTURNE 79
-
-PRIDE 80
-
-BALLADE OF SHEEP BELLS 82
-
-BALLADE OF A FEROCIOUS CATHOLIC 84
-
-DAWN 86
-
-SUNSET 87
-
-PEACE 88
-
-CARRION 89
-
-THE BUILDING OF THE CITY 91
-
-EDEN RE-OPENED 93
-
-THE HOLY SPRING 95
-
-VIATICUM 97
-
-PUNISHMENT 98
-
-AFTER COMMUNION 99
-
-THE UNIVERSAL MOTHER 100
-
-THE BOASTER 102
-
-UNWED 104
-
-WED 105
-
-ENGLAND 106
-
-LYRIC LOVE 108
-
-
- DRUMS OF DEFEAT
-
-THE FOOL 113
-
-DON QUIXOTE 115
-
-IRELAND 118
-
-IN MEMORIAM 119
-
-MATER DESOLATA 120
-
-THE STIRRUP CUP 121
-
-THE ENSIGN 122
-
-BALLADE OF ORCHARDS 124
-
-A GREAT WIND 126
-
-BIRTHDAY SONNET 128
-
-SILENCE 129
-
-AT YELVERTON 130
-
-THE JOY OF THE WORLD 132
-
-GRATITUDE 135
-
-IN DOMO JOHANNIS 139
-
-AT WOODCHESTER 140
-
-“FOR THEY SHALL POSSESS THE EARTH” 142
-
-BALLADE OF THE BEST SONG IN THE WORLD 144
-
-TAIL-PIECE 146
-
-AVE 147
-
-A REPLY 149
-
-JOB 151
-
-THE SOIL OF SOLACE 153
-
-TO THE DEAD 154
-
-SPRING, 1916 156
-
-THE RETURN 157
-
-FULFILMENT 158
-
-PROPHECY 159
-
-THE SINGER TO HIS LADY 160
-
-CERTAINTIES 161
-
-FEAR 162
-
-CHARITY 163
-
-SIGHT AND INSIGHT 164
-
-CHRISTMAS CAROL 166
-
-A GARDEN ENCLOSED 167
-
-THE LOVER 169
-
-
-
-
-POEMS
-
-
-
-
-LAUGHS AND WHIFTS OF SONG
-
-
-
-
-A SONG OF COLOURS
-
-
- Gold for the crown of Mary,
- Blue for the sea and sky,
- Green for the woods and meadows
- Where small white daisies lie,
- And red for the colour of Christ’s blood
- When He came to the cross to die.
-
- These things the high God gave us
- And left in the world He made--
- Gold for the hilt’s enrichment,
- And blue for the sword’s good blade,
- And red for the roses a youth may set
- On the white brows of a maid.
-
- Green for the cool, sweet gardens
- Which stretch about the house,
- And the delicate new frondage
- The winds of Spring arouse,
- And red for the wine which a man may drink
- With his fellows in carouse.
-
- Blue and green for the comfort
- Of tired hearts and eyes,
- And red for that sudden hour which comes
- With danger and great emprise,
- And white for the honour of God’s throne
- When the dead shall all arise.
-
- Gold for the cope and chalice,
- For kingly pomp and pride,
- And red for the feathers men wear in their caps
- When they win a war or a bride,
- And red for the robe which they dressed God in
- On the bitter day He died.
-
-
-
-
-CECIDIT, CECIDIT BABYLON MAGNA!
-
-
- The aimless business of your feet,
- Your swinging wheels and piston rods,
- The smoke of every sullen street
- Have passed away with all your Gods.
-
- For in a meadow far from these
- A hodman treads across the loam,
- Bearing his solid sanctities
- To that strange altar called his home.
-
- I watch the tall, sagacious trees
- Turn as the monks do, every one;
- The saplings, ardent novices,
- Turning with them towards the sun,
-
- That Monstrance held in God’s strong hands,
- Burnished in amber and in red;
- God, His Own priest, in blessing stands;
- The earth, adoring, bows her head.
-
- The idols of your market place,
- Your high debates, where are they now?
- Your lawyers’ clamour fades apace--
- A bird is singing on the bough!
-
- Three fragile, sacramental things
- Endure, though all your pomps shall pass--
- A butterfly’s immortal wings,
- A daisy and a blade of grass.
-
-
-
-
-APOCALYPSE
-
-“And I saw a new heaven and a new earth: for the first
-heaven and the first earth were passed away.”--APOC.. xxi, I.
-
-
- Shall summer woods where we have laughed our fill;
- Shall all your grass so good to walk upon;
- Each field which we have loved, each little hill
- Be burnt like paper--as hath said Saint John?
-
- Then not alone they die! For God hath told
- How all His plains of mingled fire and glass,
- His walls of hyacinth, His streets of gold,
- His aureoles of jewelled light shall pass,
-
- That He may make us nobler things than these,
- And in her royal robes of blazing red
- Adorn His bride. Yea, with what mysteries
- And might and mirth shall she be diamonded!
-
- And what new secrets shall our God disclose;
- Or set what suns of burnished brass to flare;
- Or what empurpled blooms to oust the rose;
- Or what strange grass to glow like angels’ hair!
-
- What pinnacles of silver tracery,
- What dizzy rampired towers shall God devise
- Of topaz, beryl and chalcedony
- To make Heaven pleasant to His children’s eyes!
-
- And in what cataclysms of flame and foam
- Shall the first Heaven sink--as red as sin--
- When God hath Cast aside His ancient home
- As far too mean to house His Children in!
-
-
-
-
-GHOSTS
-
-
- Some dismal nights there are when spirits walk
- Who lived and died unhappy in their time,
- To waste the air with vows and whispered talk
- Of tarnished love or hate or secret crime--
- But now the moon moves splendid through the sky;
- The night is brilliant like a silver shield;
- And in their cavalcades come riding by
- The mighty dead of many a tented field.
- On this one night at least of all the year
- The lists are set again, the lines are drawn;
- Again resounds the clang of horse and spear;
- The sweet applause of ladies, till the dawn
- Makes glad the souls of vizored knights--then they,
- Hearing that seneschal, the cock, all troop away.
-
-
-
-
-PROCESSIONAL
-
-
- See how the plated gates unfold,
- How swing the creaking doors of brass!
- With drums and gleaming arms, behold
- Christ’s regal cohorts pass!
-
- Shall Christ not have His chosen men,
- Nor lead His crested knights so tall,
- Superb upon their horses, when
- The world’s last cities fall?
-
- Ah, no! These few, the maimed, the dumb,
- The saints of every lazar’s den,
- The earth’s off-scourings--they come
- From desert and from fen
-
- To break the terror of the night,
- Black dreams and dreadful mysteries,
- And proud, lost empires in their might,
- And chains and tyrannies.
-
- There ride no gold-encinctured kings
- Against the potentates of earth;
- God chooses all the weakest things,
- And gives Himself in birth
- With beaten slaves to draw His breath,
- And sleeps with foxes on the moor,
- With malefactors shares His death,
- Tattered and worn and poor.
-
- See how the plated gates unfold,
- How swing the creaking doors of brass!
- Victorious in defeat--behold,
- Christ and His cohorts pass!
-
-
-
-
-A SONG OF LAUGHTER
-
-
- The stars with their laughter are shaken;
- The long waves laugh at sea;
- And the little Imp of Laughter
- Laughs in the soul of me.
-
- I know the guffaw of a tempest,
- The mirth of a blossom and bud--
- But I laugh when I think of Cuchulain[A] who laughed
- At the Crows with their bills in his blood.
-
- The mother laughs low at her baby,
- The bridegroom with joy in his bride--
- And I think that Christ laughed when they took Him with staves
- On the night before He died.
-
- [A] Pronounced Cuhúlain.
-
-
-
-
-BALLADE IN PRAISE OF ARUNDEL
-
-(Made after a walk through Surrey and Sussex.)
-
-
- I’ve trudged along the Pilgrims’ Way,
- And from St. Martha’s Hill looked down
- O’er Surrey woods and fields which lay
- Green in the sunlight. On the crown
- Of Hindhead and the Punchbowl’s brink
- Of no good thing I’ve been bereaven:
- But Arundel’s the place for drink--
- _The pubs keep open till eleven._
-
- White chalk-cliffs and the stubborn clay
- Are thrown about, and many a town
- Breaks on the sight like breaking day;
- But after all, who but a clown
- Could Arundel with Midhurst link,
- Where men go dry from two till seven?
- In _Arundel_ (no truth I’ll shrink)
- _The pubs keep open till eleven._
-
- A great cool church where men can pray
- Secure from misbelieving frown;
- And in the Square, I beg to say,
- The beer is strong and rich and brown.
- Some poor, misguided people think
- Petworth’s the spot that’s nearest Heaven:
- In _Arundel_ the ale-pots clink--
- _The pubs keep open till eleven._
-
-
- _L’Envoi_
-
- Duke, at the dreadful Judgment Day
- Your soul will surely be well shriven,
- For then all angel trumps shall bray,
- _He kept pubs open till eleven!_
-
-
-
-
-THE TRAMP
-
-
- My brothers stay in cities
- To gather shame and gold,
- But I am for the highway
- And the wind upon the wold.
-
- They take the train each morning
- To a dull, bricked-up place;
- I trudge the living country
- With the sunlight on my face.
-
- I know no home or shelter,
- No bed but good green grass,
- Nor any friends but hedgerows
- To greet me as I pass.
-
- But though the road still calls me
- To places wild and steep,
- I find the going heavy;
- My eyes are full of sleep.
-
- The fields lie all about me;
- The trees are gay with sap--
- As I go weary, weary
- To my great mother’s lap,
-
- To rest me with my mother,
- The kindly earth so brown.
- And Lord! But well contented
- I’ll lay my carcase down.
-
-
-
-
-THE WORLD’S MISER
-
-
-I
-
- A miser with an eager face
- Sees that each roseleaf is in place.
-
- He keeps beneath strong bolts and bars
- The piercing beauty of the stars.
-
- The colours of the dying day
- He hoards as treasure--well He may!--
-
- And saves with care (lest they be lost)
- The dainty diagrams of frost.
-
- He counts the hairs of every head,
- And grieves to see a sparrow dead.
-
-
-II
-
- Among the yellow primroses
- He holds His summer palaces,
-
- And sets the grass about them all
- To guard them as His spearmen small.
-
- He fixes on each wayside stone
- A mark to shew it as His Own,
-
- And knows when raindrops fall through air
- Whether each single one be there,
-
- That gathered into ponds and brooks
- They may become His picture-books,
-
- To shew in every spot and place
- The living glory of His face.
-
-
-
-
-EASTER
-
-
- Among the gay, exultant trees,
- Over the green and growing grass,
- Clothed in immortal mysteries,
- I see His living body pass.
-
- The catkins fling abroad His name,
- While birds from every bush and spray
- Strain feathered necks, and tipped with flame
- The hills all stand to greet His day.
-
- Each violet and bluebell curled
- Wakes with the dead Christ’s waking eye,
- And like burst gravestones clouds are hurled
- Across the wide and waiting sky.
-
- And drenched, for very height of mirth,
- With clean white tears of April rain,
- Like Mary Magdalene the earth
- Finds April’s risen Lord again.
-
-
-
-
-THE GLORY OF THE ORIFLAMME
-
-
- The glory of the Oriflamme,
- Or strange, red flowers of the South
- Hold no such splendours as lie hid
- In your sweet mouth!
-
- The secret honey of the Cliff,
- The lure and laughter of the sea
- Are not the dear delight that is
- Your face to me!
-
- What wilful trees of any spring
- Than your young body are more fair?
- What glamour of forgotten gold
- Lurks in your hair?
-
- The glory of the Oriflamme,
- Or strange, red flowers of the South
- Hold no such splendours as lie hid
- In your sweet mouth!
-
-
-
-
-TO A GOOD ATHEIST
-
-
- That you can keep your crested courage high,
- And hopeless hope without a cause, and wage
- Christ’s warfare, lacking all the panoply
- Of Faith which shall endure the end of age,
-
- You must be made of finely tempered stuff,
- And have a kinship with that Spanish saint,
- Who wrote of his soul’s night--it was enough
- That he should drag his footsteps tired and faint
-
- Along his God-appointed pathway. You
- Have stood against our day of bitter scorn,
- When loudly its triumphant trumpets blew
- Contempt of all God’s poor. Had you been born
-
- But in the time of Jeanne or Catharine,
- Whose charity was as a sword of flame,
- With those who drank up martyrdom like wine
- Had stood your aureoled and ringing name.
-
- Yet, when that secret day of God shall break
- With strange and splendid justice through the skies,
- When last are first, then star-ward you shall take
- The praise and sorrow of your starry eyes.
-
-
-
-
-TO A BAD ATHEIST
-
- NIND
- _who wrote what he called a trinity of meek retorts to the preceding
- poem, which were not meek, but full of pride and
- abominable heresy._
-
-
- You do not love the shadows on the wall,
- Or mists that flee before a blowing wind,
- Or Gothic forests, or light aspen leaves,
- Or skies that melt into a dreamy sea.
- In the hot, glaring noontide of your mind
- (I have your word for it) there is no room
- For anything save sawdust, sun and sand.
-
- No monkish flourishes will do for you;
- Your life must be set down in black and white.
- The quiet half-light of the abbey close,
- The cunning carvings of a chantry tomb,
- The leaden windows pricked with golden saints--
- All these are nothing to your ragtime soul!
-
- Yet, since you are a solemn little chap,
- In spite of all your blasphemy and booze,
- That dreadful sword of satire which you shake
- Hurts no hide but your own,--you cannot use
- A weapon which is bigger than yourself.
-
- Yet some there were who rode all clad in mail,--
- With crosses blazoned on their mighty shields,
- Roland who blew his horn against the Moor,
- Richard who charged for Christ at Ascalon,
- Louis a pilgrim with his chivalry,
- And Blessed Jeanne who saved the crown of France--
- Pah! you may keep your whining Superman!
-
-
-
-
-PALM SUNDAY
-
-
- The grey hairs of Caiaphas
- Shall know the truth to-day,
- For kingly, riding on an ass,
- The Truth has come his way.
-
- (_A thornbush grows upon the hill,
- And Golgotha is empty still!_)
-
- Caiaphas waxes eloquent
- On tittle and on jot,
- But when they cry “Hosanna!”
- Caiaphas answers not.
-
- (_A thornbush grows upon the hill,
- And Golgotha is empty still!_)
-
- In the temple of Caiaphas
- Stand two gold seraphim--
- They do not worship Christ nor shout
- As the grey stones shout for Him.
-
- (_A thornbush grows upon the hill,
- And Golgotha is empty still!_)
-
- The vestments of Caiaphas
- With gold and silver shone--
- They would get soiled if he cast them down
- For the ass to walk upon.
-
- (_A thornbush grows upon the hill,
- And Golgotha is empty still!_)
-
- The religion of Caiaphas
- Is very spick and span,
- It does not love the ill-bred mob,
- The homespun Son of Man!
-
- (_A thornbush grows upon the hill,
- And Golgotha is empty still!_)
-
- The dark soul of Caiaphas
- Is full of sin and pride;
- It does not know the splendour
- Or the triumph of that ride!
-
- (_A thornbush grows upon the hill,
- And Golgotha is empty still!_)
-
-
-
-
-WHEN I RIDE INTO THE TOWN
-
-
- When I go riding into the town,
- When I ride into the town,
- I fill my skin at the nearest inn
- When I ride into the town.
- Oh, what is there then to trouble about?
- There are no such things as despair and doubt--
- For when ale goes in the truth comes out,
- When I ride into the town!
-
- When I go riding out of the town,
- When I ride out of the town,
- I have my men behind me then
- When I ride out of the town;
- Halberd, battle-axe, culverin, bow,
- Four hundred strong as out we go,
- Four hundred yeomen to meet the foe,
- When I ride out of the town!
-
- When I ride into the Town of Death--
- That strange and unknown town!--
- It will not be all _cap-à-pie_,
- But with sword and lance laid down.
- Then may our Lady beside me stand;
- Saint Michael guard at my good right hand--
- God rest my soul and the souls of my band,
- When we ride into the Town!
-
-
-
-
-REQUIEM
-
-
- When my last song is sung and I am dead
- And laid away beneath the kindly clay,
- Set a square stone above my dreamless head,
- And sign me with the cross and signing say:
- “Here lieth one who loved the steadfast things
- Of his own land, its gladness and its grace,
- The stubbled fields, the linnets’ gleaming wings,
- The long, low gables of his native place,
- Its gravelled paths, and the strong wind that rends
- The boughs about the house, the hearth’s red glow,
- The surly, slow good-fellowship of friends,
- The humour of the men he used to know,
- And all their swinging choruses and mirth”--
- Then turn aside and leave my dust in earth.
-
-
-
-
-AVE ATQUE VALE!
-
-
- My friends, I may no longer ride with you
- To bear a sword in your brave company,
- Or follow our poor tattered flag which knew
- No shame or slur--or any victory.
-
- But this at least, with courage and with mirth
- We starveling poets and enthusiasts
- Have shirked no battle for the stricken earth
- Against its tyrants’ spears and arbalests.
-
- And though I go to guard another sign,
- These things, please God, shall stand and never slip--
- (O friends of mine, O splendid friends of mine!)
- Honour and Freedom and Goodfellowship,
- On which and on your ragged chivalry
- I always think with proud humility.
-
-
-
-
-ALADDIN
-
-
- Though worlds all melt away in mist,
- The Heavens’ slender filament,
- The orange and the amethyst,
- Are left me--and I am content!
-
- I stand serene amid the shocks,
- Upheavals, cataclysmic dust,
- The binding fires, the falling rocks,
- The withering of life and lust.
-
- This little burnished lamp I hold
- Has shattered the eternities;
- The glamour of all unknown gold,
- The ancient puissance of the seas,
-
- The sunlight and the love of God
- Are Cast in chains beneath my feet--
- For at my first behest this sod
- Becomes a cosmos, new, complete,
-
- Instinct with unimagined power,
- In colour radiant pole to pole,
- The sudden glory of an hour,
- The epic moment of my soul!
-
-
-
-
-ADAM
-
-
- I saw a red sky boding woe,
- The gleam of an eternal sword,
- And heard the voice that bid me go
- From the green garden of the Lord.
-
- I knew the prick of Destiny,
- The scorn of the relentless stars;
- The very grass looked down on me--
- The first of all the Avatars!
-
- Each flower seemed to see my shame;
- Each bird as though insulted flew
- Before my hateful face--my name
- Was blown about the whole world through!
-
- Even my house with its red roof,
- Dear as it is, looks strange and odd;
- My garden beds are more aloof
- From me than is my angry God!
-
-
-
-
-THE ENGLISH SPRING
-
-
- I love each inch of English earth;
- I love each stone upon the way--
- Whether in Winter’s sullen dearth,
- When the soil is trodden into clay--
- In Autumn ripeness, or the mirth
- Of a Summer’s day.
-
- Something peculiar to our land
- Is hid in even the greyest sky,
- When stiff and stark the tall trees stand
- And the wind is high.
-
- But this one season of our year
- Is so peculiarly an English thing,
- When the woolly catkins first appear,
- And yellow burgeoning
- Upon the little coppice here--
- This native Spring
-
- Which comes to us so suddenly,
- Blown over the hills from the fruitful South;
- Full of the laughter of the laughing sea
- She comes with singing mouth.
-
- The cool, sweet Wiltshire meadows lie
- With buttercups from end to end;
- In secret woods are small blooms, shy
- Bluebells the good gods send.
- There is no cloud that wanders by
- But is my friend.
-
- And now the gorse is gold again;
- The violet hides beneath the leaves;
- And quickened by thin April rain
- The debonair young sapling weaves
- His coat of lightest green; again
- Birds chirp at the eaves.
-
- Each hidden brook and waterfall,
- Each tiny daisy in the sun
- Calls to my heart--the hedgerows all
- So full of twigs, they call, each one;
- And with insistent voices call
- The roads where the wild flowers run.
-
- O set with grass and the English hedge
- Are the long, white roads which wind and wind--
- Roads which reach to the world’s edge,
- Where the world is left behind.
-
-
-
-
-AT THE CRIB
-
-
- Again the royalties are shed,
- Disdiademed the kingly head,
- He lies again--ah, very small!--
- Among the cattle in the stall,
- Or in His slender mother’s arms
- Is snuggled up from baby harms.
-
- The Tower of Ivory leans down
- From Paradise’s topmost crown;
- The House of Gold on earth takes root;
- From Jesse comes a saving shoot,
- For Mary gives (O manifold
- Her courtesies!) that we may hold
- Our little Lord’s poor fragile hands
- And feet, the guerdon of all lands.
-
- No fool need fail to enter in
- The guarded Heaven we strive to win,
- Or miss upon a casual street
- The fiery impress of His feet,
- But touch with every stone and sod
- The extended fingers of our God,
- And see in twigs of the stiff hedgerows,
- Or in the woods where quiet grows
- Among the naked Winter trees,
- A thousand times these mysteries:
- The branching arms with Christly fruit,
- The thorns which bruise His head and foot.
-
- No more with silver shrilly blown
- He treads a conqueror, but, flown
- With swift and silent whitening wings,
- He comes enwrapped in baby things.
- Our God adventures everywhere
- Beneath the cool and Christmas air,
- And setteth still His candid star
- Where Mary and her baby are!
-
-
-
-
-THE MYSTIC
-
-
- When all my long and weary work is done
- (Toiling both soon and late, by candle-light,
- Sewing and sewing while my eyes can see)
- I lay my glasses by and watch the walls--
- The plaster off in patches, stained with smoke--
- Melt as a hoary mist and flee away.
- Then through the splendour of the evening skies,
- Along its star-lit paths, past pearl-white clouds
- I hasten till I reach the region where
- God’s holy city like a virgin keeps
- Its spotless tryst, forever night and day.
- I do not linger here, but take my way
- To Him who sits among the Seraphim;
- And He who knows I am a poor old wife,
- With naught of wit or wealth that I can bring,
- And that my hands are hardened by my toil--
- Sees that ’tis I that need Him most of all.
- Yea, God will have the music hushed (for I
- Am growing somewhat deaf) and we will talk
- Of many things, as friend may talk with friend.
-
- Ah, I have looked, and in the dear Lord’s face
- (More lined with care than any earthly man’s)
- Seen that He suffers too, and understands
- How hard and late I work to keep the wolf
- Outside my door, and bring my children up
- To serve Him always, and to keep them clean
- In body, heart and mind....
-
- At the sun’s call,
- Working with all my strength from early dawn,
- Through the long day, and then by candle-light
- Sewing on buttons while my eyes can see,
- I know the glory of God’s gracious face,
- And at His touch my weary hands grow strong,
- Hearing His voice my heart is glad and gay.
-
-
-
-
-TO ANY SAINT
-
-
- Before the choirs of angels burst to song,
- In night and loneliness your way you trod--
- O valiant heart, O weary feet and strong,
- There are no easy by-paths unto God.
-
- Darkness there was, thick darkness all around;
- Nor spoken word, nor hand to touch you knew,
- But One who walked the self-same stony ground
- And shared your dereliction there with you.
-
- O valiant heart! O fixed, undaunted will!
- While all the heavens hung like brass above,
- You faltered not, but steadfast journeyed still
- Upon the road of sainthood to your Love.
-
- And was not it reward exceeding great
- To kiss at last with passionate lips His side,
- His hands, His feet? O pomp! O regal state!
- O crown of life He gives unto His bride!
-
- Lovers there are with roses chapleted,
- But more than theirs is your Lord’s loveliness;
- Your Love is crowned with thorns upon His head,
- And pain and sorrow woven is His dress.
-
-
-
-
-SUNSET ON THE DESERT
-
-
- As some priest turns, his ritual all done,
- And stretching hands above the kneeling crowd,
- Who rapt and silent, wait with heads all bowed
- For the last holy words of benison--
- “Now God be with thee, ever Three in One”--
- So turns the sun, though all reluctantly.
- One thrilling moment comes to shrub and tree;
- Expectant stillness falls; then dark and dun
-
- The silhouettes of sphinx and pyramid
- Gaze at the last deep amber after-glow;
- The little stars peep down between the palms;
- And all the ghosts that garish daylight hid
- Are quickened--Isis with the breasts of snow
- And Antony with Egypt in his arms.
-
-
-
-
-FOLLY
-
-
-
-
-FOLLY
-
-
- Shall I not wear my motley
- And flaunt my bladder of green
- Before the earls and the bishops
- And the laughing king and queen;
- Though hunger is in my belly
- And jests my lips between?
-
- Men listen a moment idly
- To the foolishness I sing--
- But my words are sharp and bitter
- In savour and in sting,
- And harder than mail in battle
- Where the heavy maces swing.
-
- For full of the sap of folly
- Grow the branches of the Creed,
- The fine adventurous folly
- God gave us in our need,
- When He yielded up to scornful death
- The human brows that bleed.
-
- They nailed the son of Mary
- On a gibbet straight and tall;
- But the eagles of the Roman
- Were struck in Cæsar’s hall,
- And the veil of the Holy of Holies
- Was rent in the temple wall.
-
- Wiser than sage or prophet,
- Or the pedant of the school,
- Than lord or abbot or priest or prince
- Who over the nations rule,
- Are the cap and bells and the motley
- And the laughter of the fool!
-
-_February 12th, 1918._
-
-
-
-
-THE SHIPS
-
-
- The bending sails shall whiten on the sea,
- Guided by hands and eyes made glad for home,
- With graven gems and cedar and ebony
- From Babylon and Rome.
-
- For here a lover cometh as to his bride,
- And there a merchant to his utmost price--
- Oh, hearts will leap to see the good ships ride
- Safely to Paradise!
-
- And this that cuts the waves with brazen prow
- Hath heard the blizzard groaning through her spars;
- Battered with honour swings she nobly now
- Back from her bitter wars.
-
- And that doth bring her silver work and spice,
- Peacocks and apes from Tarshish, and from Tyre
- Great cloaks of velvet stiff with gold device,
- Coloured with sunset fire....
-
- And one, serenely through the golden gate,
- Shall sail and anchor by the ultimate shore,
- Who, plundered of her gold by pirate Fate,
- Still keeps her richer store
-
- Unrifled when her perilous journey ends
- And the strong cable holds her safe again:
- Laughter and memories and the songs of friends
- And the sword edge of pain.
-
-_June 1917._
-
-
-
-
-LAUGHTER
-
-
- Oh, not a poet lives but knows
- The laughing beauty of the rose,
- The heyday humour of the noon,
- The solemn smiling of the moon,--
- When night, as happy as a lover,
- Doth kiss and kiss the earth, and cover
- His face with all her tender hair.
-
- Sweet bride and bridegroom everywhere,
- And mothers, who so softly sing
- Upon their babies’ slumbering,
- Know joy upon their lips, and laughter
- At Joy’s heels that comes tumbling after.
-
- But who shall shake his sides to hear
- That sacred laughter, fraught with fear,
- That laughter strange and mystical--
- The hero laughing in his fall;
- Whene’er a man goes out alone,
- Is thrown and is not overthrown?
-
- The fates shall never bow the head
- That irony hath comforted,
- Nor thrust him down with shameful scars
- Who towers above the reeling stars.
-
- Thus God, Who shaketh roof and rafter
- Of highest heaven with holy laughter;
- Who made fantastic, foolish trees
- Shadow the floors of tropic seas,
- Where finny gargoyles, goggle-eyed,
- Grin monstrously beneath the tide;
- Who made for some titanic joke
- Out of the acorn grow the oak;
- From buried seed and riven rocks,
- Brings death and life--a paradox!
- Who breaks great Kingdoms, and their Kings,
- Upon the knees of helpless things....
- So flesh the Word was made Who gave
- His body to a human grave,
- While devils gnashed their teeth at loss
- To see Him triumph on the cross....
-
- Thus God, Who shaketh roof and rafter
- Of highest heaven with holy laughter!
-
-_October 14th, 1917._
-
-
-
-
-VOCATION
-
-
- Though God has put me in the world to praise
- Each beetle’s burnished wing, each blade of grass,
- To track the manifold and marvellous ways
- Whereon His bright creative footsteps pass;
-
- To glory in the poplars’ summer green,
- To guard the sunset’s glittering hoard of gold,
- To gladden when the fallen leaves careen
- On fairy keels upon the windy wold.
-
- For this, for this, my eager mornings broke,
- For this came sunshine and the lonely rain,
- For this the stiff and sleepy woods awoke
- And every hawthorn hedge along the lane.
-
- For this God gave me all my joy of verse
- That I might shout beneath exultant skies,
- And meet, as one delivered from a curse,
- The pardon and the pity in your eyes.
-
-
-
-
-BLINDNESS
-
-
- Open the casement! From my room,
- Perched high upon this dizzy spire,
- My blinded eyes behold the bloom
- Of gardens in their golden fire.
-
- Oh deep, mysterious recompense--
- Time static to my ardent gaze!
- No longer mortal veils of sense
- Conceal the blissful ray of rays!
-
- Fantastic forests toss their heads
- For my immortal youth; on grass
- Brighter than jewels do the reds
- Of riotous summer roses pass.
-
- I traffic in abysmal seas,
- And dive for pearls and coloured shells,
- Where, over seaweeds tall as trees,
- The waters boom like tenor bells;
-
- Where bearded goblin-fish and sharks,
- With fins as large as eagles’ wings,
- Throw phosphorescent trails of sparks
- Which glitter on drowned Spaniards’ rings.
-
- From star to star I pilgrimage,
- Undaunted in ethereal space;
- And laugh because the sun in rage
- Shoots harmless arrows at my face.
-
- For even if the skies should flare
- In God’s last catastrophic blaze,
- My happy, blinded eyes would stare
- Only upon the ray of rays.
-
-_January 20th, 1918._
-
-
-
-
-DRINKING SONG
-
-
- When Horace wrote his noble verse,
- His brilliant, glowing line,
- He must have gone to bed the worse
- For good Falernian wine.
- No poet yet could praise the rose
- In verse that so serenely flows
- Unless he dipped his Roman nose
- In good Falernian wine.
-
- _Shakespeare and Jonson too_
- _Drank deep of barley brew--_
- _Drank deep of barley brew, my boys,_
- _Drank deep of barley brew!_
-
- When Alexander led his men
- Against the Persian King,
- He broached a hundred hogsheads, then
- They drank like anything.
- They drank by day, they drank by night,
- And when they marshalled for the fight
- Each put a score of foes to flight--
- They drank like anything!
-
- _No warrior worth his salt_
- _But quaffs the mighty malt--_
- _But quaffs the mighty malt, my boys,_
- _But quaffs the mighty malt!_
-
- When Patrick into Ireland went
- The works of God to do,
- It was his excellent intent
- To teach men how to brew.
- The holy saint had in his train
- A man of splendid heart and brain--
- A brewer was this worthy swain--
- To teach men how to brew.
-
- _The snakes he drove away_
- _Were teetotallers they say--_
- _Teetotallers they say, my boys,_
- _Teetotallers they say!_
-
-_September 30th, 1917._
-
-
-
-
-THREE TRIOLETS
-
-
-I
-
-OF AN IMPROBABLE STORY
-
- I heard a story from an oak
- As I was walking in the wood--
- I, of the stupid human-folk,
- I heard a story from an oak.
- Though larches into laughter broke
- I hardly think I understood.
- I heard a story from an oak
- As I was walking in the wood.
-
-
-II
-
-OF DEPLORABLE SENTIMENTS
-
- I wouldn’t sell my noble thirst
- For half-a-dozen bags of gold;
- I’d like to drink until I burst.
- I wouldn’t sell my noble thirst
- For lucre filthy and accurst--
- Such treasures _can’t_ be bought and sold!
- I wouldn’t sell my noble thirst
- For half-a-dozen bags of gold.
-
-
-III
-
-OF LOVE AND LAUGHTER
-
- You scattered joy about my way
- And filled my lips with love and laughter
- In white and yellow fields of May
- You scattered joy about my way.
- Though Winter come with skies of grey
- And grisly death come stalking after,
- You scattered joy about my way
- And filled my lips with love and laughter.
-
-
-
-
-A NEW CANTERBURY TALE
-
-
- In Italie a mony yeer ago
- There lived a little childë Catharine,
- With yongë, merrie hertë clere as snow.
- From hir first youthful hour she did entwyne
- Roses both whyt and reed--Godis columbine
- She was. And for hir holy gaiety
- Was by hir neighbours clept Euphrosyne.
-
- Ech stepp she took upon hir fadirs staires,
- Kneeling she did an Ave Mary say;
- With ful devocioun she seid hir prayers
- Ere that she wentë forth ech day to play;
- Our Blessid Queen was in hir thought alway--
- Our Modir Mary whose humility
- Hath raiséd hir to hevinës magesté.
-
- When only sevin was this childës age
- She vowed hirself to sweet virginity,
- Forsweering eny erthly marriáge,
- That she the clenë bride of Crist schuld be,
- Who on the heavy cross ful cruelly
- The Jewës nailéd, hevin to open wide--
- Crist for hir husëbond, she Cristës bride.
-
- Swich was the litle innocentes intent,
- Hirself unspotted from the world to kepe,
- Al hidden in hir fadirs hous she went.
- Whether in waking or in purë sleep
- She builded hir a closë cellë deep--
- Where Lordë Cristë colde walk with hir,
- And hold alway His sweetë convers there.
-
- So ful she was of gentil charity,
- She diddë tend upon the sick ech day;
- To beggars in their grete necessity
- She gave hir cloke and petticoat away;
- To no poor wightë did she sayë nay--
- And when reprovéd merrily she spoke,
- “God loveth Charity more than my cloke.”
-
- An oldë widow lay al striken sore
- With leprosé, that dreed and foul disease;
- And to hir (filléd to the hertë core
- With love of God) that she schuld bring hir ease
- Did Catharine come, nor did hit hir displese
- That she schuld wash the woundës tenderly,
- And bind hem up for Goddës charity.
-
- And though the pacient waxéd querulous,
- The blessid seintë wearied neer a whit,
- For hir upbrading tong so slanderous,
- Nor even when upon hir handës lit
- The leprosé corrupt and foul--for hit
- Is nothing to the shamë Goddë bore
- When nailes and speares His smoothë flesch y-tore.
-
- But now behold a woundrous miracle!
- For al that Seintë Catharine colde do,
- Hir pacient died and was y-carried wel
- Unto hir gravë by stout men and true.
- When they upon hir corse the cloddës threw,
- Then new as eny childës gan to shine
- The shrivvelled handes of holy Catharine!
-
- There livéd there a youth clept Nicholas,
- Who made in that citee seditioun,
- Causing a gretë riot in that place,
- So that the magistratës of the toun
- Hent him and cast him in a strong prisoun;
- And thilkë wightë they anon did try,
- And for his sin condemnéd him to die.
-
- And Catharine y-waxéd piteous
- To see him brought unto this sorry case,
- And went to him unto the prisoun hous
- To move his soul to Jhesu Cristës grace.
- So yong he was and fresh and faire of face,
- Hir hertë movéd was as to a son,
- And he by hir sweet, gracious wordes was won.
-
- That for his deth he made a good accord,
- And was y-shriven wel of his assoyl,
- And with a humble soul received our Lord
- From the prestes hands. His hertë that did boil
- But little whyles ago--was freed from toil,
- And fixéd on our Lordës precious blood,
- Which for our sak He spilléd on the rood.
-
- And when he came to executioun,
- No feer had he nor eny bitter care,
- But walked among the guardës thurgh the toun
- In joy so hye as if he trod on air.
- Seint Catharine she was y-waiting there
- To cheer his soul against the dreedful end,
- When unto God his soul at last most wend.
-
- And there thilke holy virgin welcomed him;
- “Come, Nicholas,” she said, “my sonnë deere.
- The boul of glorious life is at the brim--
- Come, Nicholas--your nuptials are neer;
- The bridegroom calleth, be you of good cheer.”
- And whyl they madë redy, on hir brest
- She kept the hed of Nicholas at rest.
-
- And when that al in ordre had been set,
- She stretchéd out his nekkë tenderly,
- “This day your soulës bridegroom shal be met.
- Hark! how He calleth, sweet and winsomely.”
- And Nicholas spak to hir ful of glee--
- “Jhesu” and “Catharine” the wordes he seid;
- Then fel the ax and severed off his hed.
-
- And even as his bloody hed did fall,
- She caught hit in her lap and handës faire,
- Nor reckéd that the blood was over al
- Hir robës, but she kissed hit sitting there,
- And smoothéd doun the rough and ragged hair.
- God wot that gretë peace was in hir herte
- That Nicholas in hevin had found his part.
-
- O holy Catharine, pray for us then,
- Be to our soules a modir and a frend;
- We are poor wandering and sinful men,
- And al unstable through the world we wend.
- Pray for us, Catharine, unto the end,
- That filléd with thy gretë charity
- In Goddës love we schuldë live and die.
-
-
-
-
-IN MEMORIAM F. H. M.
-
-KILLED IN ACTION, APRIL 9TH, 1917
-
-
- Though now we see, as through the battle smoke,
- The image of your young uplifted face
- Surprised by death, and broken as it broke
- The hearts of those who loved your eager grace,
- Your noble air and magnanimity--
- A summer perfect in its flowers and leaves,
- Brave promises of fruitfulness to be,
- Which now no hand may bind in goodly sheaves--
- No hand but God’s.... Yet your remembered ways,
- Your eyes alight with gentleness and mirth,
- The lovely honour of your shortened days,
- A new grave gladness on the furrowed earth
- Shall sow for us, a new pride wide and deep--
- And we shall see the corn--and reap, and reap.
-
-
-
-
-TO THE IRISH DEAD
-
-
- You who have died as royally as kings,
- Have seen with eyes ablaze with beauty, eyes
- Nor gold nor ease nor comfort could make wise,
- The glory of imperishable things.
-
- Despite your shame and loneliness and loss--
- Your broken hopes, the hopes that shall not cease,
- Endure in dreams as terrible as peace;
- Your naked folly nailed upon the cross
-
- Has given us more than bread unto our dearth
- And more than water to our aching drouth;
- Though death has been as wormwood in your mouth
- Your blood shall fructify the barren earth.
-
-_August 11th, 1917._
-
-
-
-
-JOHN REDMOND
-
-
- Shall it be told in tragic song and story
- Of two who went embittered all their days,
- Two lovely Queens divided in their ways
- Until their hearts grew hard, their tresses hoary?
- Or shall the flying wings of oratory
- Of him who bore a great hope on his face
- Bring from the grave reunion to the grace
- That men call Ireland and to England’s glory?
-
- Courageous soul, not yet the work is ended:
- The perfect pact you never lived to see,
- The peace between the warring sisters mended
- Must of your patient labours come to be,
- When in a noise of trumpets loud and splendid
- The Gael hears blown the name of liberty.
-
-_March 8th, 1918._
-
-
-
-
-BEAUTY
-
-
-I
-
-(_RELATIVE_)
-
- How many are the forms that beauty shows;
- To what dim shrines of sweet, forgotten art
- She calls; on what wide seas her strong wind blows
- The proud and perilous passion of the heart!
-
- How many are the forms of her decay;
- The blood that stains the dying of the sun,
- The love and loveliness that pass away
- Like roses’ petals scattered one by one.
-
- But there shall issue through the ivory gate,
- Amid a mist of dreams, one dream-come-true,
- Beauty immortal, mighty of estate,
- The beauty that a poet loved in you;
- The goodness God has set as aureole
- Upon the naked meekness of your soul.
-
-_July 22nd, 1917._
-
-
-
-
-BEAUTY
-
-
-II
-
-(_ABSOLUTE_)
-
- Who shall take Beauty in her citadel?
- Her gates will splinter not to battering days;
- Her slender spires can bear the onslaught well.
- Shall any track her through her secret ways
- To snare the pinions of the golden bird?
- A feather falling through the jewelled air,
- Only the echo of a lovely word--
- Nowhere her being is, and everywhere.
-
- But one may come at last through many woes
- And pain and hunger to his resting place,
- The watered garden of the Mystic Rose,
- The contemplation of the Bruisèd Face--
- The quest of all his wild, adventurous pride;
- And, seeing Beauty, shall be satisfied.
-
-_July 29th, 1917._
-
-
-
-
-FAITH’S DIFFICULTY
-
-
- Not these appal
- The soul tip-toeing to belief:
- The ribald call,
- The last black anguish of the thief;
-
- The fellowship
- Of publican and Pharisee,
- The harlot’s lip
- Passionate with humility;
-
- Or the feet kissed
- By her who was the Magdalen--
- The sensualist
- Is one among a world of men!
-
- Oh, I can look
- Upon another’s drama; read
- As in a book
- Things unrelated to my need;
-
- Give faith’s assent
- To that abysmal love outpoured--
- But why was rent
- Thy seamless coat for _me_, dear Lord?
-
- Why didst Thou bow
- Thy bleeding brows for _my_ heart’s good?
- How shall I now
- Reach to the mystic hardihood
-
- Where I can take
- For personal treasure all Thy loss,
- When for my sake,
- My sake, Thou didst endure the cross?
-
- For my soul’s worth
- Was “It is finished!” loudly cried?
- For me the birth,
- The sorrows of the Crucified?
-
-_February 16th, 1918._
-
-
-
-
-CHRISTMAS ON CRUSADE
-
-
- Here shall we bivouac beneath the stars;
- Gather the remnant of our chivalry
- About the crackling fires, and nurse our scars,
- And speak no more as fools must, bitterly.
-
- The roads familiar to His feet we trod;
- We saw the lonely hills whereon He wept,
- Prayed, agonised--dear God of very God!--
- And watched the whole world while the whole world slept.
-
- We speak no more in anger; Christian men
- Our armies rolled upon you, wave and wave:
- But crooked words and swords, O Saracen,
- Can only hold what they have given--a grave!
-
- We know Him, know that gibbet whence was torn
- The pardon that a felon spoke on sin:
- There is more life in His dead crown of thorn
- Than in your sweeping horsemen, Saladin!
-
- We speak no more in anger, we will ride
- Homeless to our own homes. His bruised head
- Had never resting place. Each Christmas-tide
- Blossoms the thorn and we are comforted.
-
- Yea, of the sacred cradle of our creed
- We are despoiled; the kindly tavern door
- Is shut against us in our utmost need--
- We know the awful patience of the poor.
-
- We speak no more in anger, for we share
- His homelessness. We will forget your scorn.
- The bells are ringing in the Christmas air;
- God homeless in our homeless homes is born.
-
-
-
-
-THE ASCETIC
-
-
- A wild wind blows from out the angry sky
- And all the clouds are tossed like thistle-down
- Above the groaning branches of the trees;
- For on this steel-cold night the earth is stirred
- To shake away its rottenness; the leaves
- Are shed like secret unremembered sins
- In the great scourge of the great love of God....
-
- Ere I was learned in the ways of love
- I looked for it in green and pleasant lands,
- In apple orchards and the poppy fields,
- And peered among the silences of woods,
- And meditated the shy notes of birds
- But found it not.
-
- Oh, many a goodly joy
- Of grace and gentle beauty came to me
- On many a clear and cleansing night of stars.
- But when I sat among my happy friends
- (Singing their songs and drinking of their ale,
- Warming my limbs before their kindly hearth)
- My loneliness would seize me like a pain,
- A hunger strong and alien as death.
-
- No comfort stays with such a man as I,
- No resting place amid the dew and dusk,
- Whose head is filled with perilous enterprise
- The endless quest of my wild fruitless love.
-
- But these can tell how they have heard His voice,
- Have seen His face in pure untroubled sleep,
- Or when the twilight gathered on the hills
- Or when the moon shone out beyond the sea!
-
- Have _I_ not seen them? Yet I pilgrimage
- In desolation seeking after peace,
- Learning how hard a thing it is to love.
- There is a love that men find easily,
- Familiar as the latch upon the door,
- Dear as the curling smoke above the thatch--
- But I have loved unto the uttermost
- And know love in the desperate abyss,
- In dereliction and in blasphemy!
- And fly from God to find him, fill my eyes
- With road-dust and with tears and starry hopes,
- Ere I may search out Love unsearchable,
- Eternal Truth and Goodness infinite,
- And the ineffable Beauty that is God.
-
- Empty of scorn and ceasing not to praise
- The meanest stick and stone upon the earth,
- I strive unto the stark Reality,
- The Absolute grasped roundly in my hands.
- Bitter and pitiless it is to love,
- To feel the darkness gather round the soul,
- Love’s abnegation for the sake of love,
- To see my Templed symbols’ slow decay
- Become of every ravenous weed the food,
- Where bats beat hideous wings about the arch
- And ruined roof, where ghosts of tragic kings
- And sleek ecclesiastics come and go
- Upon the shattered pavements of my creed.
-
- Yet Mercy at the last shall lead me in,
- The Bride immaculate and mystical
- Tenderly guide my wayward feet to peace,
- And show me love the likeness of a Man,
- The Slave obedient unto death, the Lamb
- Slain from the first foundations of the world,
- The Word made flesh, the tender new-born Child
- That is the end of all my heart’s desire.
-
- Then shall my spirit, naked of its hopes,
- Stripped of its love unto the very bone,
- Sink simply into Love’s embrace and be
- Made consummate of all its burning bliss.
-
-_August 26th, 1917._
-
-
-
-
-SONNET FOR THE FIFTH OF OCTOBER
-
-
- If I had ridden horses in the lists,
- Fought wars, gone pilgrimage to fabled lands,
- Seen Pharaoh’s drinking cups of amethysts,
- Held dead Queens’ secret jewels in my hands--
- I would have laid my triumphs at your feet,
- And worn with no ignoble pride my scars....
- But I can only offer you, my sweet,
- The songs I made on many a night of stars.
-
- Yet have I worshipped honour, loving you;
- Your graciousness and gentle courtesy,
- With ringing and romantic trumpets blew
- A mighty music through the heart of me,--
- A joy as cleansing as the wind that fills
- The open spaces on the sunny hills.
-
-
-
-
-WARFARE
-
-
- When I consider all thy dignity,
- Thy honour which my baseness doth accuse
- To my own soul, thy pride which doth refuse
- Less than the suffering thou hast given me,
- My hope is chilled to fear. How stealthily
- Must I dispose my forces! With what ruse
- And ambush snatch the bearer of good news,
- Ere I can escalade austerity!
-
- Easier it were to fling the baleful lord
- And the infernal legions of the Pit,
- To ride undaunted at that roaring horde:
- But who shall armour me with delicate wit
- Sufficient for thine overthrow? What sword
- Win to the tower where thy perfections sit?
-
-_March 10th, 1918._
-
-
-
-
-TREASON
-
-
- Thou hast renounced thy proud and royal state;
- Deserted thy strong men-at-arms who stand
- Attentive to imperious command;
- And with a small key at the groaning gate--
- Sweet traitress!--met thine enemy. The great
- Moon threw a white enchantment o’er the land
- When in my hand I caught thy yielded hand,
- And laughing kissed thy laughing lips elate.
-
- For of thy queenly folly thou hast laid
- In sandalwood thy stiff, embroidered gown;
- With happiness apparelled thou hast strayed
- _Incognita_ through many a sunlit town,
- Heedless of our uncaptained hosts arrayed
- Or of the flags their battles shall bring down.
-
-_March 17th, 1918._
-
-
-
-
-THERE WAS AN HOUR
-
-
- There was an hour when stars flung out
- A magical wild melody,
- When all the woods became alive
- With elfin dance and revelry.
-
- A holiday for happy hearts!--
- The trees shone silver in the moon,
- And clapped their gleaming hands to see
- Night like a radiant kindled noon!
-
- For suddenly a new world woke
- At one new touch of wizardry,
- When my love from her mirthful mouth
- Spoke words of sweet true love to me.
-
-_February 9th, 1918._
-
-
-
-
-NOCTURNE
-
-
- When evening hangs her lamp above the hill
- And calls her children to her waiting hearth,
- Where pain is shed away and love and wrath,
- And every tired head lies white and still--
-
- Dear heart, will you not light a lamp for me,
- And gather up the meaning of the lands,
- Silent and luminous within your hands,
- Where peace abides and mirth and mystery?
-
- That I may sit with you beside the fire,
- And ponder on the thing no man may guess,
- Your soul’s great majesty and gentleness,
- Until the last sad tongue of flame expire.
-
-_December 21st, 1916._
-
-
-
-
-PRIDE
-
-
- Who having known through night a great star falling
- With half the host of heaven in its wake,
- And o’er chaotic seas a dread voice calling,
- And a new purple dawn of presage break,
-
- Can hope to conquer thee, proud Son of Morning,
- Arrayed in mighty lusts of heart and eyes,
- With blood-red rubies set for thine adorning
- And sorceries wherein men’s souls grow wise?
-
- Who shall withstand the onslaught of thy chariot,
- Who ride to battle with thy gorgeous kings?
- Dost thou not count the silver to Iscariot,
- And Tyrian scarlet and the marvellous rings?
-
- But ivory limbs and the flung festal roses,
- The maddening music and the Chian wine,
- Are overpast when one glad heart discloses
- A pride more strange and terrible than thine!
-
- That looked unsatisfied upon thy splendour,
- And turned, all shaken with his love, away
- To one dear face that holds him true and tender
- Until the trumpets of the Judgment Day.
-
- A pride that binds him till the last fierce ember
- Shall fade from pride’s tall roaring pyre in hell;
- The gentleness and grace he shall remember,
- The flower she gave, the love that she did tell.
-
-
-
-
-BALLADE OF SHEEP BELLS
-
-
- I left behind the green and gracious weald,
- And climbing stiffly up the steep incline
- Found high above each little cloistered field,
- Above the sombre autumn woods of pine--
- Where gentle skies are clear and crystalline--
- The place remote from dense and foolish towns;
- And there, where all the winds are sharp with brine,
- _I heard the sheep bells ringing on the Downs_.
-
- The sun hung out of heaven like a shield
- Emblazoned o’er with heraldry divine.
- I suddenly saw, as though with eyes unsealed,
- A portent sent me for an awful sign,
- A fairy sea whereon the cold stars shine;
- And standing on the sward of withered browns,
- Burnt by the noontide and cropped close and fine,
- _I heard the sheep bells ringing on the Downs_.
-
- A carillon of delicate music pealed
- And tingled through the steeple of my spine;
- My soul was filled with loveliness and healed.
- I know how joy and anguish intertwine--
- But this shall greatly comfort me as wine,
- Good wine, comforts a man and sweetly drowns
- The many sorrows of this heart of mine--
- _I heard the sheep bells ringing on the Downs_.
-
-
-_L’Envoi_
-
- Prince, old bell-wether of an ancient line,
- When you’re dead mutton I will weave you crowns
- Of living laurel--if on you I dine--
- _I heard the sheep bells ringing on the Downs!_
-
-
-
-
-BALLADE OF A FEROCIOUS CATHOLIC
-
-
- There is a term to every loud dispute,
- A final reckoning I’m glad to say:
- Some people end discussion with their boot;
- Others, the prigs, will simply walk away.
- But I, within a world of rank decay,
- Can face its treasons with a flaming hope,
- Undaunted by faith’s foemen in array--
- _I drain a mighty tankard to the Pope!_
-
- They do not ponder on the Absolute,
- But wander in a fog of words astray.
- They have no rigid creed one can confute,
- No hearty dogmas riotous and gay,
- But feebly mutter through thin lips and grey
- Things foully fashioned out of sin and soap;--
- But I, until my body rests in clay,
- _I drain a mighty tankard to the Pope!_
-
- I’ve often thought that I would like to shoot
- The modernists on some convenient day;
- Pull out eugenists by their noxious root;
- The welfare-worker chattering like a jay
- I’d publicly and pitilessly slay
- With blunderbuss or guillotine or rope,
- Burn at the stake, or boil in oil, or flay--
- _I drain a mighty tankard to the Pope._
-
-
-_L’Envoi_
-
- Prince, proud prince Lucifer, your evil sway
- Is over many who in darkness grope:
- But as for me, I go another way--
- _I drain a mighty tankard to the Pope!_
-
-_March 2nd, 1918._
-
-
-
-
-DAWN
-
-
- I have beheld above the wooded hill
- Thy tender loveliness, O Morning, break;
- Beheld the solemn gladness thou dost spill
- On eyes not yet awake.
-
- But why recall unto the painful day
- Wild passions sleeping like oblivious kings?
- The broad day comes and thou dost speed away
- Westward on swift wide wings!
-
-_December 23rd, 1917._
-
-
-
-
-SUNSET
-
-
- I have seen death in many a varied guise,
- Cruel and tender, rude and beautiful,
- Looking through windows in a young child’s eyes,
- Stealing as soft as shadows in a pool,
- Falling a sudden arrow of dismay,
- Blown on a bugle with an iron note:
- The slow and gentle progress of decay,
- The taking of a strong man by the throat.
-
- I have seen flowers wither and the leaf
- Of lusty Summer burn to hectic red.
- But ah! that splendid death untouched by grief:
- The sun with glad and golden-visaged head
- Superbly standing on his deadly pyre,
- And sinking in a sea of jewelled fire!
-
-_February 10th, 1918._
-
-
-
-
-PEACE
-
-
- Whose lives are bound
- By sleep and custom and tranquillity
- Have never found
- That peace which is a riven mystery
-
- Who only share
- The calm that doth this stream, these orchards bless,
- Breathe but the air
- Of unimpassioned pagan quietness....
-
- Initiate,
- Pain burns about your head, an aureole,
- Who hold in state
- The utter joy which wounds and heals the soul.
-
- You kiss the Rod
- With dumb, glad lips, and bear to worlds apart
- The peace of God
- Which passeth all understanding in your heart.
-
-
-
-
-CARRION
-
-
- The guns are silent for an hour; the sounds
- Of war forget their doom; the work is done--
- Strong men, uncounted corpses heaped in mounds,
- Are rotting in the sun.
-
- Foul carrion--souls till yesterday!--are these
- With piteous faces in the bloodied mire;
- But where are now their generous charities?
- Their laughter, their desire?
-
- In each rent breast, each crushed and shattered skull
- Lived joy and sorrow, tenderness and pain,
- Hope, ardours, passions brave and beautiful
- Among these thousands slain!
-
- A little time ago they heard the call
- Of mating birds in thicket and in brake;
- They wondering saw night’s jewelled curtain fall
- And all the pale stars wake....
-
- Bodies most marvellously fashioned, stark,
- Strewn broadcast out upon the trampled sod--
- These temples of the Holy Ghost--O hark!--
- These images of God!
-
- Flesh, as the Word became in Bethlehem,
- Houses to hold their Sacramental Lord:
- Swiftly and terribly to harvest them
- Swept the relentless sword!
-
- Happy if in your dying you can give
- Some symbol of the Eternal Sacrificed,
- Some pardon to the hearts of those who live--
- Dying the death of Christ!
-
-_Feast of the Epiphany,
-
- January 6th, 1917._
-
-
-
-
-THE BUILDING OF THE CITY
-
-
- I, John, who once was called by Him in jest
- Boanerges, the thunder’s son,
- Who lay in tenderness upon His breast--
- Now that my days are done,
-
- And a great gathering glory fills my sight,
- Would tell my children e’er I go
- Of Him I saw with head and hair as white
- As white wool--white as snow.
-
- The face before which heaven and earth did flee,
- The burnished feet, the eyes of flame,
- The seven stars bright with awful mystery,
- And the Ineffable Name!
-
- Yet I who saw the four dread horsemen ride,
- The vials of the wrath of God,
- Beheld a greater thing: the Lamb’s pure Bride,
- The golden floors she trod.
-
- How Babylon, Babylon was overthrown,
- And how Euphrates flowed with blood--
- Ah, but His mercy through the wide world sown,
- The tree with healing bud!
-
- I heard, among the hosts of Paradise,
- The glad new song that never tires,
- A Lamb as it had been slain in sacrifice
- Enthroned amid the choirs.
-
- After the utmost woes have taken toll,
- And ravens plucked the eyes of kings,
- God’s own strange peace shall come upon the soul
- On gentle, dove-like wings.
-
- The Dragon cast into the voidless night,
- God’s city cometh from above,
- Built by the sword of Michael and his might,
- But founded in God’s love.
-
-
-
-
-EDEN RE-OPENED
-
-
- No man regarded where God sat
- Among the rapt seraphic brows,
- And God’s heart heavy grew thereat,
- At man’s long absence from His house.
-
- Then from the iris-circled throne
- A strange and secret word is said,
- And straightway hath an angel flown,
- On wings of feathered sunlight sped,
- Through space to where the world shone red.
-
- Reddest of all the stars of night
- To the hoar watchers of the spheres,
- But ashy cold to man’s dim sight,
- And filled with sins and woes and fears
- And the waste weariness of years.
-
- (No laughter rippled in the grass,
- No light upon the jewelled sea;
- The sky hung sullenly as brass,
- And men went groping tortuously.)
-
- But the stern warden of the Gate
- Broke his dread sword upon his knees,
- And opened wide the fields where wait
- The loveless unremembered trees,
- The sealed and silent mysteries.
-
- And the scales fell from man’s eyes,
- And his heart woke again, as when
- Adam found Eve in Paradise;
- And joy was made complete ... and then
- God entered in and spoke with men.
-
-
-
-
-THE HOLY SPRING
-
-
- The radiant feet of Christ now lead
- The dancing sunny hours,
- The ancient Earth is young again
- With growing grass and warm white rain
- And hedgerows full of flowers.
-
- The lilac and laburnum show
- The glory of their bud,
- And scattered on each hawthorn spray
- The snow-white and the crimson may--
- The may as red as blood.
-
- The bluebells in the deep dim woods
- Like fallen heavens lie,
- And daffodils and daffodils
- Upon a thousand little hills
- Are waving to the sky.
-
- The corn imprisoned in the mould
- Has burst its wintry tomb,
- And on each burdened orchard tree
- Which stood an austere calvary
- The apple blossom bloom.
-
- The kiss of Christ has brought to life
- The marvel of the sod.
- Oh, joy has rent its chrysalis
- To flash its jewelled wings, and is
- A dream of beauty and of bliss--
- The loveliness of God.
-
-_May 1917._
-
-
-
-
-VIATICUM
-
-
- Dear God, not only do Thou come at last
- When death hath filled my heart with dread affright,
- But when in gathered dark I meet aghast
- The mimic death that falls on me at night.
-
- The daily dying, when alone I tread
- The valley of the shadow, breast the Styx,
- With shrouded soul and body stiff in bed ...
- And no companion from the welcome pyx!
-
- How should I face disarmed and unawares
- The phantoms of the Pit oblivion brings--
- My will surrendered, mind unapt for snares,
- Eyes blinded by the evil, shuddering wings,
-
- Did not the sunset stand encoped in gold
- For priestly offices, ’mid censers swung,
- And with anointed thumb and finger hold
- The symbolled Godhead to my eager tongue?
-
- Then with my body’s trance there doth descend
- Peace on my eyelids, goodness that shall keep
- My wandering feet, and at my side a friend
- Through all the winding caverns of my sleep.
-
-_August 12th, 1917._
-
-
-
-
-PUNISHMENT
-
-
- What vengeful rod
- Is laid upon my bleeding shoulders?
- What scourge, O God,
- Makes known my shame to all beholders?
-
- Through what vast skies
- Crashes Thy wrath like shuddering thunders?
-
- * * * * *
-
- Before my eyes
- Thou dost display the wonder of wonders!
-
- As punishment
- To one whom sin should bind in prison,
- Hath Mercy sent
- Word of the crucified arisen!
-
- Guilt’s penalty
- Exacted--past my reeling reason!--
- Which lays on me
- Love--as a whip fit for my Treason!
-
-_March 3rd, 1918._
-
-
-
-
-AFTER COMMUNION
-
-
- Now art Thou in my house of feeble flesh,
- O Word made flesh! My burning soul by Thine
- Caught mystically in a living mesh!
- Now is the royal banquet, now the wine,
- The body broken by the courteous Host
- Who is my humble Guest--a Guest adored--
- Though once I spat upon, scourged at the post,
- Hounded to Calvary and slew my Lord!
-
- My name is Legion, but separate and alone;
- Wash, wash, dear Crucified, my Pilate hand!
- Rejected Stone, be Thou my corner-stone!
- Like Mary at the cross’s foot I stand;
- Like Magdalene upon my sins I grieve;
- Like Thomas do I touch Thee and believe.
-
-_December 16th, 1917._
-
-
-
-
-THE UNIVERSAL MOTHER
-
-
- Who standing thrilled in his bewilderment
- Can tell thy humble ways,
- The hidden paths on which thy white feet went
- Through all thy lonely days?
-
- From what deep root the Lily of the Lord
- To grace and beauty grew,
- Or in what fires was tempered the keen sword
- That pierced thy bosom through?
-
- But we may turn and find within our hands
- Our souls’ strange bread and wine,
- The gathered meanings of thy starry lands
- Where mystic roses shine.
-
- Heaven’s air might grow for us too cold and tense,
- Her towers far and faint,
- Did we not know thy sorrowful innocence,
- Or soldier, singer, saint,
-
- Earth’s heroes with earth’s poor not kneel and tell
- Their full hearts’ burdenings
- To those dear eyes before which Gabriel
- Bent low with folded wings.
-
- The soldier shall remember whose the heel
- That crushed the serpent’s head,
- How mighty in thy hand hath been the steel
- That dyed thy bosom red.
-
- The singer weave for thee a cloak of light
- Where earth’s wild colours run,
- As God hath crowned thee with the stars of night
- And clothed thee with the sun.
-
- The saint who in a cloister cool and dim
- His difficult road hath kept
- Shall think of thee whose body cloistered Him
- When in thy womb He slept.
-
- And thou shalt call to thee the poor of earth
- To share thy joy with them,
- And fill them with thy magnitude and mirth
- In many a Bethlehem.
-
-_February 4th, 1917._
-
-
-
-
-THE BOASTER
-
-
- If the last blissful star should fade and wither,
- If one by one
- Orion and the Pleiades Crash and Crumble;
- The lordly sun
-
- Be turned away, a beggar, all his triumphs
- Gone down in doom,
- Wandering unregarded through the cosmos,
- None giving him room.
-
- Then would I shout defiant to the whirlwinds;
- Boastingly cry,
- “Go wreck the world, its towering hills and waters!
- But I, even I,
-
- “Whose body was flung out upon the dungheap
- With weeds to rot,
- Still keep my soul unshaken by the ruin
- That harms me not!
-
- “True, I have fled from many a shameful battle,
- Did cringe and cower
- Before my foes, but who can ever rob me
- Of one great hour?”
-
- For joy rang through me like a silver trumpet;
- About my head
- The tiny flowers flapped in the breeze like banners
- Of royal red.
-
- And suddenly the seven deeps of heaven
- Were cloven apart,
- When love stood in your eyes and shone and trembled
- Within your heart.
-
-_February 3rd, 1918._
-
-
-
-
-UNWED
-
-
- If I go down to death uncomforted
- By love’s great conquest and its great surrender,
- Bearing my soul along, unwed, unwed;
- (Your darling hands’ caresses swift and tender
- Lacking upon my head, upon my lips
- Your lips); and in my heart love unfulfilled,
- And in my eyes a blind apocalypse,
- Bereft of all the glory I have willed;
-
- I shall go proudly for your dear love’s sake,
- Triumphant for brief memories, but tragic
- Because of those large hopes that fail and break
- Beneath Fate’s wizard-wand of cruel magic--
- But ah, Fate could not touch me if I stood
- Completed by your love’s beatitude!
-
-_December 15th, 1917._
-
-
-
-
-WED
-
-
- I know the winds are rhythmical
- In unison with your footfall.
- I know that in your heart you keep
- The secret of the woodland’s sleep.
-
- You met the blossom-bearing May--
- Sweet sister!--on the road half way,
- And she has laid upon your hair
- The coloured coronal you wear.
-
- But ah! the white wings of the Dove
- Flutter about the head I love,
- And on your bosom doth repose
- The beauty of the Mystic Rose,
-
- That I must add to poetry
- A dark and fearful ecstasy;
- For in the house of joy you bless
- Unworthiness with holiness.
-
-
-
-
-ENGLAND
-
-
-I
-
- Like some good ship that founders in the sea,
- Like granite towers that crumble into dust,
- So pass the emblems of thine empery.
- But O immortal Mother and august,
- Ardours of English saint and bard and king
- Blend simply with thy soul, even as their bones
- Mingle with English soil. Their spirits sing
- A great song lordly as is a loud wind’s tones.
- Decayed by gold and ease and loathly pride,
- We had forgot our greatness and become
- Huckstering empire-builders, and denied
- The excellent name of freedom ... till the drum
- Woke glory such as met the eyes of Drake,
- Or Alfred when he saw the heathen break!
-
-
-II
-
- Where shall we find thee? In the avarice
- That robs our brave adventures? In the shame
- Spoiling our splendours? In the sacrifice
- Of tears we wrung from Ireland? Nay, thy name
- Is written secretly in kindliness
- Upon the patient faces of the poor,
- In that good anger wherewith thou didst bless
- Our hearts, when beat upon the shaking door
- Strong hands of hell.... Whether before the flood
- We sink, or out of agonies reborn
- Learn once again the meaning of our blood,
- Laughter and liberty--a sacred scorn
- Is ours irrevocably since we stood
- And heard the barbarians’ guns across the morn.
-
-_December 24th and 26th, 1917._
-
-
-
-
-LYRIC LOVE
-
-
- When kindly years have given me grace
- To read your spirit through;
- To see the starlight on your face,
- Upon your hair the dew;
-
- To touch the fingers of your hands,
- The shining wealth they hold;
- To find in dim and dreamy lands
- That tender dusks enfold
-
- The ancient sorrows that were sealed,
- The hidden wells of joy,
- The secrets that were unrevealed
- To one who was a boy.
-
- Then to my patient ponderings
- Will fruits of solace fall,
- When I have learned through many Springs,
- Mighty and mystical,
-
- To hear through sounds of brooks and birds
- Love in the leafy grove,
- As in my lyric heart your words
- Bestir a lyric love.
-
- Then I shall brood, grown good and wise,
- The truth of fairy tales,
- And greet romance with gay surprise
- In woods of nightingales.
-
- And find, with hoary head and sage,
- In songs which I have sung
- The meanings of the end of age--
- The rapture of the young!
-
-_February 11th, 1918._
-
-
-
-
-DRUMS OF DEFEAT
-
-
-
-
-THE FOOL
-
-
- A shout of laughter and of scorn,
- A million jeering lips and eyes--
- And in the sight of all men born
- The wildest of earth’s madmen dies!
-
- Whose trust was put in empty words
- To-day is numbered with the dead;
- To-morrow crows and evil birds
- Shall pluck those strange eyes from his head!
-
- The fellows of this country clown
- Are scattered (fool beyond belief!),
- All blown away like thistledown,
- Except a harlot and a thief.
-
- And shall he shatter fates with _these_?
- (He that would neither strive nor cry)
- Or thunder through the Seven Seas?
- Or shake the stars down from the sky?
-
- Have mercy and humility
- Become unconquerable swords,
- That Caiaphas must tremblingly
- Kneel with the world’s imperial lords
- Before this crazy carpenter--
- This body writhing on a rod--
- And worship in that bloody hair
- The dreadful foolishness of God?
-
- A shout of laughter and of scorn,
- A million jeering lips and eyes--
- And in the sight of all men born
- The wildest of earth’s madmen dies!
-
-
-
-
-DON QUIXOTE
-
-
- The air is valiant with drums
- And honourable the skies,
- When he rides singing as he comes
- With solemn, dreamy eyes--
- Of swinging of the splendid swords,
- And crashing of the nether lords,
- When Hell makes onslaught with its hordes
- In desperate emprise.
-
- He rides along the roads of Spain
- The champion of the world,
- For whom great soldans live again
- With Moorish beards curled--
- But all their spears shall not avail
- With one who weareth magic mail,
- This hero of an epic tale
- And his brave gauntlet hurled!
-
- Clangour of horses and of arms
- Across the quiet fields,
- Herald and trumpeter, alarms
- Of bowmen and of shields;
- When doubt that twists and is afraid
- Is shattered in the last crusade,
- Where flaunts the plume and falls the blade
- The cavalier wields.
-
- Although in that eternal cause
- No liegemen gather now,
- Or flowered dames to grant applause,
- Yet on his naked brow
- The victor’s laurels interwreath;
- But he no dower can bequeath
- But sword snapped short and empty sheath
- And errantry and vow!
-
- Against his foolish innocence
- No man alive can stand,
- Nor any giant drive him hence
- With sling or club or brand--
- For where his angry bugle blows
- There fall unconquerable foes;
- Of mighty men of war none knows
- To stay his witless hand.
-
- All legendary wars grow tame
- And every tale gives place
- Before the knight’s unsullied name
- And his romantic face:
- Yea, he shall break the stoutest bars
- And bear his courage and his scars
- Beyond the whirling moons and stars
- And all the suns of space!
-
-
-
-
-IRELAND
-
-
- Beside your bitter waters rise
- The Mystic Rose, the Holy Tree,
- Immortal courage in your eyes,
- And pain and liberty.
-
- The stricken arms, the cloven shields,
- The trampled plumes, the shattered drum,
- The swords of your lost battlefields
- To hopeless battles come.
-
- And though your scattered remnants know
- Their shameful rout, their fallen kings,
- Yet shall the strong, victorious foe
- Not understand these things:
-
- The broken ranks that never break,
- The merry road your rabble trod,
- The awful laughter they shall take
- Before the throne of God.
-
-
-
-
-IN MEMORIAM
-
-PATRICK HENRY PEARSE
-
-_Executed May 3rd, 1916_
-
-R.I.P.
-
-
- In this grey morning wrapped in mist and rain
- You stood erect beneath the sullen sky,
- A heart which held its peace and noble pain,
- A brave and gentle eye!
-
- The last of all your silver songs are sung;
- Your fledgling dreams on broken wings are dashed--
- For suddenly a tragic sword was swung
- And ten true rifles crashed.
-
- By one who walks aloof in English ways
- Be this high word of praise and sorrow said:
- He lived with honour all his lovely days,
- And is immortal, dead!
-
-
-
-
-MATER DESOLATA
-
-TO MARGARET PEARSE
-
-
- To you the dreary night’s long agony,
- The anguish, and the laden heart that broke
- Its vase of burning tears, the voiceless cry,--
- And then the horror of that blinding stroke!
- To you all this--and yet to you much more.
- God pressed into the chalice of your pain
- A starry triumph, when the sons you bore
- Were written on the roll of Ireland’s slain.
- Let no man touch your glorious heritage,
- Or pluck one pang of sorrow from your heart,
- Or stain with any pity the bright page
- Emblazoning the holy martyrs’ part.
- Ride as a queen your splendid destiny,
- Since death is swallowed up in victory!
-
-
-
-
-THE STIRRUP CUP
-
-
- Draw rein; there’s the inn where the lamps show plain--
- Where we never may drink together again.
- While the stars are lost in the slate-cold sky
- Let us drink good ale before we die
- In the wind and bitter rain!
-
- Your sword is made ready upon your hip?
- Then once again, man, in good-fellowship!
- Though hunted and outlawed and fugitive
- We shall drink together again if we live--
- Set the tankard to your lip!
-
- _Honour and death and_--how goes the tune?
- See the clouds rift and disrobe the moon!
- And a blood-red streak in the sullen skies
- And--_Honour and death and adventure’s eyes_--
- Now spurs--for they’ll be here soon!
-
-
-
-
-THE ENSIGN
-
-
- High up above the wooded ridge
- Beams out a round benignant moon
- Upon the village and the bridge
- Through which the slumberous waters croon.
-
- Now polished silver is the mill;
- And, clad in ghostly mysteries,
- The church tower glimmers on the hill
- Among the sad, abiding trees;
-
- And watched by its familiar star
- Sleeps each small house, so still and white--
- From all the noise and blood of war,
- O God, how far removed to-night!
-
- Unconscious of their destiny
- How many drew this air for breath;
- Here lived and loved ... and now they see
- The terrible, swift shape of death.
-
- The bounty of these quiet skies,
- The tender beauty of these lands,
- Still sheds a peace upon their eyes,
- And binds their hearts and nerves their hands.
-
- That they who only thought to know
- This valley in the moonlight furled,
- Have heard immortal trumpets blow,
- And shake the pillars of the world!
-
-
-
-
-BALLADE OF ORCHARDS
-
-
- Though Jeshurun kicks and grows fatter and fatter,
- And chinks in his pockets the gold of his gain,
- Yet up in the gables the young sparrows chatter,
- The corn-fields are rich with the promise of grain,
- The hedges are yellow, and (balm to the brain!)
- Their pink and white blossoms the cherry trees scatter--
- _The blossoming orchards of England remain!_
-
- Long lines of our soldiers swing by with a clatter,
- To die in their thousands by river and plain,
- In lands where the gathering loud torrents batter,
- They heap the hills high with heroical slain--
- But far in the weald how the misty moons wane!
- And deep in a silence no anger can shatter
- _The blossoming orchards of England remain!_
-
- The world is a fool and as mad as a hatter--
- And poets and lovers were sent her for bane--
- Yet theirs are the ears which can catch the first patter,
- The prophet of all God’s abundance of rain,
- The smell of earth earthy and wholesome again;
- And from the drenched ground where the spent bullets spatter
- _The blossoming orchards of England remain!_
-
-
-_L’Envoi_
-
- Princes and potentates, ye whom men flatter,
- Harken a moment to this my refrain--
- Ye shall pass as a dream, and it will not much matter--
- _The blossoming orchards of England remain!_
-
-
-
-
-A GREAT WIND
-
-
- A great wind blows through the pine trees,
- A clean salt wind from sea,
- A loud wind full of all healing
- Blows kindly but boisterously;
- Oh, a good wind blows through the pine trees
- And the heart and mind of me!
-
- A wind stirs the long grass lightly
- And the dear young flowers of May,
- And blows in the English meadows
- The breath of a Summer’s day--
- But this wind rings with honour
- And is wet with the cold sea spray.
-
- There are straits where the tall ships founder
- And no live thing may draw breath,
- Where men look at splendid, angry skies
- And hear what the thunder saith:
- Where men look their last at glory
- And bravely drink of death.
-
- There is much afoot this evening
- In these pine woods by the sea,
- And no branch shall endure until morning
- That is rotten on the tree--
- Nor any decayed thing endure in my soul
- When God’s wind blows through me!
-
-
-
-
-BIRTHDAY SONNET
-
-
- How shall I find the words of perfect praise,
- To give you back the gladness and the mirth,
- With which you filled my hands, the lyric days
- Your gracious bounty gave me in my dearth?
- My song fails on the wing, and yet I know
- The meaning of Spring’s living ecstasy,
- The laughing prophecy the March winds blow
- Among the buds, and through the heart of me.
-
- I know, I know the rose and silver dress,
- Wherewith God clothed that clear and virginal morn,
- Which came to you in joyful gentleness,
- The hour of shy delight when you were born.
- I know the innocence and sweet surprise,
- The waiting earth made ready for your eyes.
-
-_March 27th, 1917_
-
-
-
-
-SILENCE
-
-
- Though I should deck you with my jewelled rhyme,
- And spread my songs a carpet at your feet,
- Where men may see unchanged through changing time
- Your face a pattern in sad songs and sweet;
- Though I should blow your honour through the earth
- Or touch your gentleness on gentle strings,
- Or sing abroad your beauty and your worth--
- Dearest, yet these were all imperfect things.
-
- Rather in lovely silence will I keep
- The heart’s shut song no words of mine may mar,
- No words of mine enrich. The ways of sleep
- And prayer and pain, all things that lonely are,
- All humble things that worship and rejoice
- Shall weave a spell of silence for my voice.
-
-
-
-
-AT YELVERTON
-
-
- When into Yelverton I came
- I found the bracken all aflame,
- The tors in their unyielding line,
- The air as comforting as wine,
- The swinging wind, the singing sun
- At Yelverton.
-
- At Yelverton the moor is kind
- And blows its healing through my mind,
- The hunchback skyline lies a mist
- Of purple and of amethyst,
- And up and down the smooth roads run
- At Yelverton.
-
- At Yelverton a man may stand,
- The whole of Devon within his hand,
- The tors in their austerity,
- And far away the basking sea,
- A cloth of shining silver spun
- At Yelverton.
-
- At Yelverton a man may keep
- Deep silence and a deeper sleep,
- Yet know the brave recurring dream
- Of kingly cider, queenly cream
- To bless him when his days are done
- At Yelverton.
-
-
-
-
-THE JOY OF THE WORLD
-
-
- For your joy do the long grasses rustle, the tree-tops stir
- Where the wind moves eagerly through the pine and the fir;
- Alert for your coming the woods and the meadows all wait;
- The buttercups grow and the turtle calls to his mate.
-
- And God for your Clothing fashioned in patience the sun,
- A cloak wrought of glory and fire where dreadful dyes run,
- Saffron and Crimson and sapphire and gold, as is meet;
- And stars to be set on your head and stars under your feet.
-
- For you, His most lovely of daughters, the mighty God bowed
- From heaven to give you your dowry of sunset and cloud;
- And splendid in light and in worship were Gabriel’s wings,
- When he breathed in your bosom the hope of impossible things.
-
- Sudden and dear was the secret he whispered to you,
- Of one who should quietly fall to the earth with the dew;
- As dew that at night in the valleys distils upon fleece,
- With no shattering trump did He come but in terrible peace.
-
- In your hands that are sweeter than honey, in all the wide earth
- God laid the desire of the nations, their home and their mirth,
- And gave to your merciful keeping man’s joy and man’s rest,
- And under incredible skies a babe at your breast.
-
- And though the stars wane and the royal deep colours should fade,
- Yet still shall endure in the heart and the lips of a Maid,
- The sweep of the archangel’s pinions--the humble accord--
- The song--the dim stable--the night--and the birth of the Lord!
-
- For your joy do the long grasses rustle, the tree-tops stir
- Where the wind moves eagerly through the pine and the fir;
- Alert for your coming the woods and the meadows all wait;
- The buttercups grow and the turtle calls to his mate.
-
-
-
-
-GRATITUDE
-
-
- How shall I answer God and stand,
- My naked life within my hand,
- To plead upon the Judgment Day?
- Seeing the glory in array
- Of cherubim and seraphim,
- What answer shall I give to Him?
-
- I was too dull of heart and sense
- To read His cryptic providence,
- Its strange and intricate device
- Was hidden from my foolish eyes.
- My gratitude could not reach up
- To the sharing of His awful cup,
- To the blinding light of mystery
- And the painful pomp of sanctity.
-
- But since as a happy child I went
- With love and laughter and content
- Along the road of simple things,
- Making no idle questionings;
- Since young and careless I did keep
- The cool and cloistered halls of sleep,
- And took my daily drink and food,
- Finding them very, very good--
- God may perhaps be pleased to see
- Such signs of sheer felicity.
-
- But if I somehow should be given
- An attic in His storied heaven,
- I’m sure I should be far apart
- From Catherine of the wounded heart,
- Teresa of the flaming soul,
- And Bruno’s sevenfold aureole,
- And be told, of course, I’m not to mix
- With the Bernards or the Dominics,
- Or thrust my company upon
- St. Michael or the great St. John.
-
- Yet God may grant it me to sit
- And sing (with little skill or wit)
- My intimate canticles of praise
- For all life’s dear and gracious days--
- Though hardly a single syllable
- Of what St. Raphael has to tell,
- The triumphs of the cosmic wars,
- The raptures and the jewelled scars
- Of the high lords of martyrdom--
- Hardly a word of this will come
- To strike my understanding ear,
- Hardly a single word, I fear!
-
- * * * * *
-
- But woe upon the Judgment Day
- If my heart gladdened not at May;
- Nor woke to hear with the waking birds
- The morning’s sweet and winsome words;
- Nor loved to see laburnums fling
- Their pennons to the winds of Spring;
- Nor watched among the expectant grass
- The Summer’s painted pageant pass;
- Nor thrilled with blithe beatitude
- Within a kindling Autumn wood
- Or when each separate twig did lie
- Etched sharp upon the wintry sky.
- If out of all my sunny hours
- I brought no chaplet of their flowers;
- If I gave no kiss to His lovely feet
- When they shone as poppies in the wheat;
- If no rose to me were a Mystic Rose,
- No Snow were whiter than the snows;
- If in my baseness I let fall
- At once His cross and His carnival ...
- Then must I take my ungrateful head
- To where the lakes of Hell burn red.
-
-
-
-
-IN DOMO JOHANNIS
-
-
- Here rest the thin worn hands which fondled Him,
- The trembling lips which magnified the Lord,
- Who looked upon His handmaid, the young, slim
- Mary at her meek tasks, and here the sword
- Within the soul of her whose anguished eyes
- Gazed at the stars which watch Gethsemane,
- And saw the sun fail in the stricken skies.
- In these dim rooms she guards the treasury
- Of her white memories--the strange, sweet face
- More marred than any man’s, the tender, fain
- And eager words, the wistful human grace,
- The mysteries of glory, joy and pain,
- And that hope tremulous, half-sob, half-song,
- Ringing through night--“How long, O Lord, how long?”
-
-
-
-
-AT WOODCHESTER
-
-
- Hark how a silver music falls
- Between these meek monastic walls,
- And airy flute and psaltery
- Awaken heavenly melody!
-
- Yet not to unentunèd ears
- May come the joyance of the spheres,
- And only humbled hearts may see
- The humble heart of mystery.
-
- Where tread in light and lilting ways
- Bright angels through the dance’s maze
- On grassy floors to meet the just
- In robes of woven diamond dust.
-
- And jewelled daisies burst to greet
- The flutter of the Blessed’s feet:
- Along the cloister’s gathered gloom
- Lilies and mystic roses bloom.
-
- Grown in the hush of hidden hours
- Thoughts fairer than the summer flowers
- Lift up their sweet and living heads,
- Crystalline whites and sanguine reds!
-
- Who keep in lowly pageantry
- Silence a lovely ceremony;[B]
- Who set a seal upon their eyes
- Responsive only to the skies;
-
- Who in a quick obedience move
- Along the hallowed paths of love,
- Win at last to that secret place
- Adorned with the glory of God’s face.
-
- And as each eve the tired sun
- Sinks softly down, the long day done,
- Upon the bosom of the west--
- So, even so, upon God’s breast
-
- Each weary heart is folded deep
- Into His arms in quiet sleep,
- And sheltered safe, all warm and bright,
- Against the phantoms of the night.
-
- [B] “_Quia silentium est pulchra caeremonia_”:
-
- Ex Constitutionibus Fratrum
- S. Ordinis Prædicatorum.
-
-
-
-
-
-“FOR THEY SHALL POSSESS THE EARTH”
-
-
- You who were beauty’s worshipper,
- Her ardent lover, in this place
- You have seen Beauty face to face;
- And known the wistful eyes of her,
- And kissed the hands of Poverty,
- And praised her tattered bravery.
-
- You shall be humble, give your days
- To silence and simplicity;
- And solitude shall come to be
- The goal of all your winding ways;
- When pride and youthful pomp of words
- Fly far away like startled birds.
-
- Possessing nothing, you shall know
- The heart of all things in the earth,
- Their secret agonies and mirth,
- The awful innocence of snow,
- The sadness of November leaves,
- The joy of fields of girded sheaves.
-
- A shelter from the driving rain
- Your high renouncement of desire;
- Food it shall be and wine and fire;
- And Peace shall enter once again
- As quietly as dreams in sleep
- The hidden trysting-place you keep.
-
- You shall grow humble as the grass,
- And patient as each slow, dumb beast;
- And as their fellow--yea the least--
- Yield stoat and hedgehog room to pass;
- And learn the ignorance of men
- Before the robin and the wren.
-
- The things so terrible and sweet
- You strove to say in accents harsh,
- The frogs are croaking on the marsh,
- The crickets chirping at your feet--
- Oh, they can teach you unafraid
- The meaning of the songs you made.
-
- Till clothed in white humilities,
- Each happening that doth befall,
- Each thought of yours be musical,
- As wind is musical in the trees,
- When strong as sun and clean as dew
- Your old dead songs come back to you.
-
-
-
-
-BALLADE OF THE BEST SONG IN THE WORLD
-
-
- I know a sheaf of splendid songs by heart
- Which stir the blood or move the soul to tears,
- Of death or honour or of love’s sweet smart,
- The runes and legends of a thousand years;
- And some of them go plaintively and slow,
- And some are jolly like the earth in May--
- But this is _really_ the best song I know:
- _I-tiddly-iddly-i-ti-iddly-ay_.
-
- I sang it in a house-boat on the Dart
- To several members of the House of Peers.
- The Editor of the _Exchange and Mart_
- (A man of taste) stood up and led the cheers.
- I carolled it at Christmas in the snow,
- I hummed it on my summer holiday--
- Doh-ray-me-fah-sol-la-fah-me-ray-doh--
- _I-tiddly-iddly-i-ti-iddly-ay_.
-
- It made a gathering of Fabians start
- And put their fingers in their outraged ears.
- They did not understand my subtle art,
- But though they only gave me scoffs and jeers,
- I sang my ditty high, I sang it low,
- I sang it every known (and unknown) way--
- _Crescendo, forte, pianissimo_--
- _I-tiddly-iddly-i-ti-iddly-ay_.
-
-
-_L’Envoi_
-
- Prince, if by some amazing fluke you go
- To heaven, you’ll hear the shawms and citherns play,
- And all the trumpets of the angels blow
- _I-tiddly-iddly-i-ti-iddly-ay_.
-
-
-
-
-TAIL-PIECE
-
-
- A boy goes by the window while I write,
- Whistling--the little demon!--in delight.
- I shake my fist and scowl at him, and curse
- Over the carcase of my murdered verse.
- And yet--which is it that the world most needs,
- His happy laughter or my threadbare screeds?
- There is more poetry in being young
- Than in the finest song that Shakespeare sung--
- And if that’s true of godlike Shakespeare--well,
- Whistle the Marseillaise, and ring the bell,
- And chase the cat, and lose your tennis-ball,
- And tear your trousers on the garden wall,
- Scalp a Red Indian, sail the Spanish seas--
- Do any mortal thing you damn well please.
-
-
-
-
-AVE
-
-
- When all the world was black
- Your courage did not fail;
- No laughter did you lack
- Or fellowship or ale.
-
- And you have made defeat
- A nobler pageantry,
- Your bitterness more sweet
- Than is their victory.
-
- For by your stricken lips
- A gallant song is sung;
- Joy suffers no eclipse,
- Is lyrical and young,
-
- Is rooted in the sod,
- Is ambient in the air,
- Since Hope lifts up to God
- The escalade of prayer.
-
- The tyrants and the kings
- In purple splendour ride,
- But all ironic things
- Go marching at your side
- To nerve your hands with power,
- To salt your souls with scorn,
- Till that awaited hour
- When Freedom shall be born.
-
-
-
-
-A REPLY
-
-_To one who said that to conceive of God as a person was to
-reduce Him to our own level._
-
-
- Oh, we can pierce
- With the swift lightnings far and fierce;
- We can behold
- Him in the sunset’s lucid gold.
-
- Yet not by these
- Do we read His dark mysteries,
- Or tear apart
- The thick veil upon Heaven’s heart....
-
- Kneel with the kings
- Before His dreadful Emptyings,
- And see Him laid
- In the slender arms of a Maid.
-
- The village street
- Knew God’s familiar, weary feet--
- The carpenter’s Son
- Who made the great hills one by one.
-
- No glory slips
- From His sublime apocalypse--
- His homespun dress,
- Hunger, thirst and the wilderness.
-
- To a slave’s death
- He gave his broken body’s breath;
- An outcast hung
- The swart and venomous thieves among.
-
- And still yields He
- Godhead to our humanity,
- Leaving for sign
- Himself in the meek bread and wine.
-
-
-
-
-JOB
-
-
- Can flesh and blood contrive defence
- ’Gainst swords that pierce the spirit through,
- Or meet, not knowing why or whence,
- The blind bolt crashing from the blue?
-
- “Oh, men have held times out of mind
- Their stern and stoic courage bright--
- But if no cry comes on the wind,
- How shall I face the ambushed night?
-
- “How shall I turn to bay, and stand
- To grapple, if I cannot see
- My fierce assailant at my hand,
- The high look of mine enemy?
-
- “If He will answer me, with rod
- And plague and thunder let Him come--
- But how can man dispute with God
- Who writes no book, whose voice is dumb?
-
- “Who rings me round with prison bars
- Through which I peer with sleepless eyes,
- And see the enigmatic stars--
- These only--in the iron skies.”
-
- * * * * *
-
- “_These only?_ These together sang
- At the glad birthday of the earth
- When all the courts of Heaven rang
- With shouting and angelic mirth!
-
- “The night enfolds you with a cloak
- Of silence and of chill affright?
- But when man’s wells of laughter broke,
- Who gave man singing in the night?
-
- “The Rod shall burst to flowers and fruit
- Richer than grew on Aaron’s rod,
- And Mercy clothe you head to foot,
- Beloved and smitten of your God!”
-
-
-
-
-THE SOIL OF SOLACE
-
-
- I may not stand with other men, or ride
- In those grey fields where fall the screaming shells,
- Or mix my blood with blood of those who died
- To find a heaven in their sevenfold hells.
- Honour and death a strident bugle blows,
- Setting an end to death and blasphemy--
- Oh, had I any choice in it, God knows
- Where in this epic day I too would be!
- Yet may I keep some English heart alive
- With a poet’s pleasure in all English things--
- Good-fellowship and kindliness still thrive
- In English soil; the dusk is full of wings;
- And by the river long reeds grow; and still
- A little house sits brooding on the hill!
-
-
-
-
-TO THE DEAD
-
-
- Now lays the king his crown and sceptre down,
- Her gown of taffeta the lovely bride,
- The knight his sword, his cap and bells the clown,
- The poet all his verse’s pomp and pride--
- The eloquent, the beautiful, the brave
- Descend reluctant to the straight, cold grave.
-
- No more shall shine for them the glorious rose,
- Or sunsets stain with red and awful gold,
- Night shall no more for them her stars disclose,
- Or day the grandeur of the Downs unfold,
- Or those eyes dull in death watch solemnly
- The regal splendour of the Sussex sea.
-
- For them the ringing surges are in vain;
- They wake not at the cry of waking bird;
- The sun, the holy hill, the fruitful rain,
- The winds have called them and they have not stirred;
- The woods are widowed of your eager tread,
- O dear and desolate and dungeoned dead!
-
- Yet you shall rest awhile in English earth,
- And ripen many a pleasant English field
- Through the green Summer to the Autumn’s mirth
- And flower unconsciously upon the weald--
- Until that last angelic word be said,
- And the shut graves deliver up their dead!
-
-
-
-
-SPRING, 1916
-
-
- The grey and wrinkled earth again is young
- And lays aside her tattered winter weeds
- For April-coloured gauze, and gives her tongue
- To jocund songs instead of pedants’ screeds.
- Scatter the thin, white ashes of the hearth,
- And throw the brilliant diamond casement wide--
- Oh, wonder of the lonely garden garth!
- Oh, golden glory of the steep hillside
- Where flames the living loveliness of God!...
- But far, far off, beyond the bloom and bud
- A fiercer blossom burgeons from the sod
- Bright with the hues of honour and of blood;
- And men have plucked the sanguine flower of pain
- Where violets might be growing in the rain!
-
-
-
-
-THE RETURN
-
-
- Beyond these hills where sinks the sun in amber,
- Imperial in purple, gold and blood,
- I keep the garden walks where roses clamber,
- Set in still rows with shrub and flower and bud.
-
- After the clash of all the swords that sunder,
- After the headstrong pride of youth that fails,
- After the shattered heavens and the thunder
- Remain the summer woods and nightingales!
-
- So when the fever has died down that urges
- My lips to utterance of whirling words,
- Which, blown among the winds and stormy surges,
- Skim the wild sea-waves like the wild sea-birds.
-
- So when has ceased the tumult and the riot,
- A man may rest his soul a little space,
- And seek your solitary eyes in quiet,
- And all the gracious calmness of your face.
-
-
-
-
-FULFILMENT
-
-(_An Inscription for a Book of Poems_)
-
-
- You who will hold these gathered songs,
- Made, darling, long before we met,
- Must keep the prophecy which belongs
- To those dear eyes, so strangely set
- With peace and laughter, where fulfils
- The rapture of my alien hills.
-
- Unknown, unknown you softly trod
- Among my fruitful silences,
- The last and splendid gift of God.
- The quest of all my Odysseys,
- The meaning of those quiet lands
- Where I found comfort at your hands.
-
- And when the yellowing woods awake,
- And small birds’ twittered loves are told,
- When streams run silver, and there break
- The crocuses to tender gold,
- When quick light winds shall stir my hair,
- Some part of you will wander there.
-
-
-
-
-PROPHECY
-
-
- My eyes look out across the dim grey wold,
- The grey sky and the grey druidic trees,
- Knowing they keep inviolate the gold
- Memories of summer and the prophecies
- That lie imprisoned in the buried seeds
- Of all the lyric gaiety of Spring....
- The sun shall ride again his flaming steeds;
- The dragon-fly dance past on diamond wing;
- The earth distil to music; and the rose
- Flaunt her impassioned loveliness and be
- A symbol of the singing hour that blows
- The tall ship and my gladness home to me--
- When I shall cry: Awake, my heart, awake,
- And deck yourself in beauty for her sake!
-
-
-
-
-THE SINGER TO HIS LADY
-
-
- If any song I sing for you should be
- But made to please a poet’s vanity,
- A richly jewelled and an empty cup
- In which no hallowed wine is offered up,
- A thing of chosen rhyme and cunning phrase,
- Fashioned that it may bring its maker praise;
- If love in me grow only soft and sweet,
- Remembering not with what worn and weary feet
- It journeyed to your fields of golden grain,
- The quiet orchards folded in the rain,
- The twilight gardens and the morning birds;
- If love remembers not and brings you words,
- Words as your thanks; if in an idle hour
- It breaks its sword and plays the troubadour--
- Then may high God, the Universal Lord,
- Break me, as I false knight have broken my sword,
- If I who have touched your hands should bring eclipse
- To love’s nobility with lying lips,
- Having seen more terrible than gleaming spears
- Your gentleness, your sorrow and your tears!
-
-
-
-
-CERTAINTIES
-
-
- Across the fields of unforgotten days
- I see the gorgeous pearl-white morning burst
- Through her fine gauze of dreamy summer haze
- Beyond the rolling flats of Staplehurst,
- To bless the hours with songs of nesting birds,
- And the wild hedge rose and the apple tree,
- And laughter and the ring of friendly words,
- And the noon’s pageant moving languidly.
- I walk again with boys now grown to men,
- And see far off with reminiscent eyes,
- How in the tangled woods of Horsmonden
- The mighty sun, a blood-red dragon, dies....
- Some things there are as rooted as the grass
- In a man’s mind--and these shall never pass.
-
-
-
-
-FEAR
-
-
- Tread softly; we are on enchanted ground:
- One touch and every hidden thing lies bare,
- The deep sea sundered, suddenly unbound
- The awful thunders instinct in the air!
-
- Oh, these we know; but what if we should break
- A secret spell as easily as glass,
- And stumble on their sleeping wrath and wake
- The armies and the million blades of grass?
-
- And find more dread than whirlwinds round our head,
- The sweep of sparrows’ fierce, avenging wings,
- The anger of wild roses burning red,
- The terrible hate of earth’s most helpless things?
-
-
-
-
-CHARITY
-
-
- Who think of Charity as milky-eyed
- Know not of God’s great handmaid’s terrible name,
- Who comes in garments by the rainbow dyed,
- And crowned and winged and charioted with flame.
-
- For Truth and Justice ride abroad with her,
- And Honour’s trumpets peal before her face:
- The high archangels stand and minister
- When she doth sit within her holy place.
-
- None knoweth in the depth nor in the height
- What meaneth Charity, God’s secret word,
- But kiss her feet, and veil their burning sight
- Before her naked heart, her naked sword.
-
-
-
-
-SIGHT AND INSIGHT
-
-
- This hour God’s darkest mysteries
- Are plainer than the screeds of men,
- Tangled and false philosophies
- Fashioned by lying tongue and pen.
-
- Plain as those bastions of cloud,
- Kind as the wide and kindly skies,
- And in the wild winds shouting loud
- The truths concealed from pedants’ eyes.
-
- Pages which he may read who runs,
- Where no unlettered man may fail,
- Candid as are his noonday suns
- Familiar as his cheese and ale.
-
- Him, Whom our eyes may see, our ears
- Hear, Whom our groping hands may touch--
- Him we shall find ere many years,
- And finding fear not overmuch.
-
- Who gave me simple things to keep,--
- Laughter and love and memories,
- A farm, and meadows full of sheep,
- And quiet gardens full of bees,
- And those five gateways of the soul,
- Through which all good may come to me,
- Saints glorious of aureole,
- The flying thunders of the sea,
-
- And feasts, and gracious hands of friends,
- And flowers good to stroke and smell;
- Oh, in the secret woods He sends
- The birds their trembling joys to tell!
-
- He, too, is every day afresh
- Hid and revealed in bread and wine,--
- The awful Word of God made flesh,
- Mortal commingling with divine!
-
- Shadows and evil dreams o’erthrown
- With Dagon and the gods of scorn,
- Since Peace was in the silence blown
- On that dear night when God was born.
-
-
-
-
-CHRISTMAS CAROL
-
-
- Lay quietly Thy kingly head
- O mighty weakness from on high;
- God rest Thee in Thy manger-bed--
- _Sing Lullo-lullo-lullaby_--
- O Splendour hid from every eye!--
- _La-lullo-lullo-lullaby!_
-
- “Ye mild and humble cattle, yield
- Room for my little son to lie;
- Your God and mine is here revealed--
- _Sing Lullo-lullo-lullaby_--
- Naked beneath a naked sky--
- _La-lullo-lullo-lullaby!_
-
- “Deal kindly with Him, moon and sun;
- No bird to Him a song deny;
- Ye winds and showers every one
- _Sing Lullo-lullo-lullaby_--
- For men shall cast Him out to die ...
- _La-lullo-lullo-lullaby!_”
-
-
-
-
-A GARDEN ENCLOSED
-
-
- There is a plot where all the winds are still,
- A hidden garden where no voice is heard,
- Only a splashing fountain and the shrill
- Sweet clamour of a bird.
-
- The poplars guard like tall, grave sentinels
- Its peace inviolate; and in the tower
- With careful ritual ring out the bells
- The end of each dead hour.
-
- Laburnums, hollyhocks and roses run
- By secret paths--but who shall burst the bars?
- Oh, who shall see--except the curious sun
- And all the peering stars?...
-
- And Thou and Thou, my Love, for whom I keep
- My heart a watered garden, all Thine own,
- Where flowers my guardian angel tends in sleep,
- Bright summer blooms, are grown!
-
- Come, my Belovèd, come--behold, the skies
- Are fragrant with the evening scents and dew:
- My soul hath sickened for Thy lips and eyes,
- And laden is with rue!
-
- Oh, Thou shalt fly with soft wings like a dove’s
- And hold me fast beyond all fate and fear,
- And we ’mid flowers shall tell our flowering loves
- Where no one else can hear!
-
-
-
-
-THE LOVER
-
-
- An hour ago I saw Thee ride in gold
- Along the burning highways of the skies;
- And now--Thou comest with soft and suppliant eyes,
- And fearing lest Thy love seem overbold.
-
- In this dear garden set with flower and tree,
- My soul, a maiden whom a great king woos,
- Stands thrilled and silent--Lord, what can she choose,
- Dumbfounded by Thy strange humility?
-
- Since Thou wilt have it so, my Lord, I bare
- In love and shamefastness my soul--Thy soul--
- So lay Thy tender hand, an aureole,
- Upon my beating heart, my chrismed hair.
-
-
-
-
-
-End of the Project Gutenberg EBook of Poems, by Theodore Maynard
-
-*** END OF THIS PROJECT GUTENBERG EBOOK POEMS ***
-
-***** This file should be named 55079-0.txt or 55079-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/5/0/7/55079/
-
-Produced by Larry B. Harrison, Chuck Greif, Bryan Ness and
-the Online Distributed Proofreading Team at
-http://www.pgdp.net (This file was produced from images
-generously made available by The Internet Archive/Canadian
-Libraries)
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-http://gutenberg.org/license).
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at http://www.pglaf.org.
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-http://pglaf.org/fundraising. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at http://pglaf.org
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit http://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: http://pglaf.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart is the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.