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| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:15:15 -0700 |
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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/555-0.txt b/555-0.txt new file mode 100644 index 0000000..56c47bb --- /dev/null +++ b/555-0.txt @@ -0,0 +1,5468 @@ +The Project Gutenberg eBook, The Unbearable Bassington, by Saki + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: The Unbearable Bassington + + +Author: Saki + + + +Release Date: February 4, 2013 [eBook #555] +[Updated edition of: etext96/nbrbl10h.htm] + +Language: English + +Character set encoding: UTF-8 + + +***START OF THE PROJECT GUTENBERG EBOOK THE UNBEARABLE BASSINGTON*** + + +Transcribed from the 1913 John Lane edition by David Price, email +ccx074@pglaf.org + + + + + + THE UNBEARABLE + BASSINGTON + + + :: BY H. H. MUNRO (“SAKI”) :: + + * * * * * + + [Picture: Decorative graphic] + + * * * * * + + LONDON: JOHN LANE, THE BODLEY HEAD + + NEW YORK: JOHN LANE COMPANY + + TORONTO: BELL & COCKBURN. MCMXIII + + * * * * * + + * * * * * + + _SIXTH EDITION_ + + * * * * * + + * * * * * + + PRINTED BY JAS. TRUSCOTT & SON, LTD. LONDON + + * * * * * + + + + +AUTHOR’S NOTE + + +This story has no moral. + +If it points out an evil at any rate it suggests no remedy. + + + + +CHAPTER I + + +FRANCESCA BASSINGTON sat in the drawing-room of her house in Blue Street, +W., regaling herself and her estimable brother Henry with China tea and +small cress sandwiches. The meal was of that elegant proportion which, +while ministering sympathetically to the desires of the moment, is +happily reminiscent of a satisfactory luncheon and blessedly expectant of +an elaborate dinner to come. + +In her younger days Francesca had been known as the beautiful Miss +Greech; at forty, although much of the original beauty remained, she was +just dear Francesca Bassington. No one would have dreamed of calling her +sweet, but a good many people who scarcely knew her were punctilious +about putting in the “dear.” + +Her enemies, in their honester moments, would have admitted that she was +svelte and knew how to dress, but they would have agreed with her friends +in asserting that she had no soul. When one’s friends and enemies agree +on any particular point they are usually wrong. Francesca herself, if +pressed in an unguarded moment to describe her soul, would probably have +described her drawing-room. Not that she would have considered that the +one had stamped the impress of its character on the other, so that close +scrutiny might reveal its outstanding features, and even suggest its +hidden places, but because she might have dimly recognised that her +drawing-room was her soul. + +Francesca was one of those women towards whom Fate appears to have the +best intentions and never to carry them into practice. With the +advantages put at her disposal she might have been expected to command a +more than average share of feminine happiness. So many of the things +that make for fretfulness, disappointment and discouragement in a woman’s +life were removed from her path that she might well have been considered +the fortunate Miss Greech, or later, lucky Francesca Bassington. And she +was not of the perverse band of those who make a rock-garden of their +souls by dragging into them all the stoney griefs and unclaimed troubles +they can find lying around them. Francesca loved the smooth ways and +pleasant places of life; she liked not merely to look on the bright side +of things but to live there and stay there. And the fact that things +had, at one time and another, gone badly with her and cheated her of some +of her early illusions made her cling the closer to such good fortune as +remained to her now that she seemed to have reached a calmer period of +her life. To undiscriminating friends she appeared in the guise of a +rather selfish woman, but it was merely the selfishness of one who had +seen the happy and unhappy sides of life and wished to enjoy to the +utmost what was left to her of the former. The vicissitudes of fortune +had not soured her, but they had perhaps narrowed her in the sense of +making her concentrate much of her sympathies on things that immediately +pleased and amused her, or that recalled and perpetuated the pleasing and +successful incidents of other days. And it was her drawing-room in +particular that enshrined the memorials or tokens of past and present +happiness. + +Into that comfortable quaint-shaped room of angles and bays and alcoves +had sailed, as into a harbour, those precious personal possessions and +trophies that had survived the buffetings and storms of a not very +tranquil married life. Wherever her eyes might turn she saw the embodied +results of her successes, economies, good luck, good management or good +taste. The battle had more than once gone against her, but she had +somehow always contrived to save her baggage train, and her complacent +gaze could roam over object after object that represented the spoils of +victory or the salvage of honourable defeat. The delicious bronze +Fremiet on the mantelpiece had been the outcome of a Grand Prix +sweepstake of many years ago; a group of Dresden figures of some +considerable value had been bequeathed to her by a discreet admirer, who +had added death to his other kindnesses; another group had been a +self-bestowed present, purchased in blessed and unfading memory of a +wonderful nine-days’ bridge winnings at a country-house party. There +were old Persian and Bokharan rugs and Worcester tea-services of glowing +colour, and little treasures of antique silver that each enshrined a +history or a memory in addition to its own intrinsic value. It amused +her at times to think of the bygone craftsmen and artificers who had +hammered and wrought and woven in far distant countries and ages, to +produce the wonderful and beautiful things that had come, one way and +another, into her possession. Workers in the studios of medieval Italian +towns and of later Paris, in the bazaars of Baghdad and of Central Asia, +in old-time English workshops and German factories, in all manner of +queer hidden corners where craft secrets were jealously guarded, nameless +unremembered men and men whose names were world-renowned and deathless. + +And above all her other treasures, dominating in her estimation every +other object that the room contained, was the great Van der Meulen that +had come from her father’s home as part of her wedding dowry. It fitted +exactly into the central wall panel above the narrow buhl cabinet, and +filled exactly its right space in the composition and balance of the +room. From wherever you sat it seemed to confront you as the dominating +feature of its surroundings. There was a pleasing serenity about the +great pompous battle scene with its solemn courtly warriors bestriding +their heavily prancing steeds, grey or skewbald or dun, all gravely in +earnest, and yet somehow conveying the impression that their campaigns +were but vast serious picnics arranged in the grand manner. Francesca +could not imagine the drawing-room without the crowning complement of the +stately well-hung picture, just as she could not imagine herself in any +other setting than this house in Blue Street with its crowded Pantheon of +cherished household gods. + +And herein sprouted one of the thorns that obtruded through the rose-leaf +damask of what might otherwise have been Francesca’s peace of mind. +One’s happiness always lies in the future rather than in the past. With +due deference to an esteemed lyrical authority one may safely say that a +sorrow’s crown of sorrow is anticipating unhappier things. The house in +Blue Street had been left to her by her old friend Sophie Chetrof, but +only until such time as her niece Emmeline Chetrof should marry, when it +was to pass to her as a wedding present. Emmeline was now seventeen and +passably good-looking, and four or five years were all that could be +safely allotted to the span of her continued spinsterhood. Beyond that +period lay chaos, the wrenching asunder of Francesca from the sheltering +habitation that had grown to be her soul. It is true that in imagination +she had built herself a bridge across the chasm, a bridge of a single +span. The bridge in question was her schoolboy son Comus, now being +educated somewhere in the southern counties, or rather one should say the +bridge consisted of the possibility of his eventual marriage with +Emmeline, in which case Francesca saw herself still reigning, a trifle +squeezed and incommoded perhaps, but still reigning in the house in Blue +Street. The Van der Meulen would still catch its requisite afternoon +light in its place of honour, the Fremiet and the Dresden and Old +Worcester would continue undisturbed in their accustomed niches. +Emmeline could have the Japanese snuggery, where Francesca sometimes +drank her after-dinner coffee, as a separate drawing-room, where she +could put her own things. The details of the bridge structure had all +been carefully thought out. Only—it was an unfortunate circumstance that +Comus should have been the span on which everything balanced. + +Francesca’s husband had insisted on giving the boy that strange Pagan +name, and had not lived long enough to judge as to the appropriateness, +or otherwise, of its significance. In seventeen years and some odd +months Francesca had had ample opportunity for forming an opinion +concerning her son’s characteristics. The spirit of mirthfulness which +one associates with the name certainly ran riot in the boy, but it was a +twisted wayward sort of mirth of which Francesca herself could seldom see +the humorous side. In her brother Henry, who sat eating small cress +sandwiches as solemnly as though they had been ordained in some +immemorial Book of Observances, fate had been undisguisedly kind to her. +He might so easily have married some pretty helpless little woman, and +lived at Notting Hill Gate, and been the father of a long string of pale, +clever useless children, who would have had birthdays and the sort of +illnesses that one is expected to send grapes to, and who would have +painted fatuous objects in a South Kensington manner as Christmas +offerings to an aunt whose cubic space for lumber was limited. Instead +of committing these unbrotherly actions, which are so frequent in family +life that they might almost be called brotherly, Henry had married a +woman who had both money and a sense of repose, and their one child had +the brilliant virtue of never saying anything which even its parents +could consider worth repeating. Then he had gone into Parliament, +possibly with the idea of making his home life seem less dull; at any +rate it redeemed his career from insignificance, for no man whose death +can produce the item “another by-election” on the news posters can be +wholly a nonentity. Henry, in short, who might have been an +embarrassment and a handicap, had chosen rather to be a friend and +counsellor, at times even an emergency bank balance; Francesca on her +part, with the partiality which a clever and lazily-inclined woman often +feels for a reliable fool, not only sought his counsel but frequently +followed it. When convenient, moreover, she repaid his loans. + +Against this good service on the part of Fate in providing her with Henry +for a brother, Francesca could well set the plaguy malice of the destiny +that had given her Comus for a son. The boy was one of those untameable +young lords of misrule that frolic and chafe themselves through nursery +and preparatory and public-school days with the utmost allowance of storm +and dust and dislocation and the least possible amount of collar-work, +and come somehow with a laugh through a series of catastrophes that has +reduced everyone else concerned to tears or Cassandra-like forebodings. +Sometimes they sober down in after-life and become uninteresting, +forgetting that they were ever lords of anything; sometimes Fate plays +royally into their hands, and they do great things in a spacious manner, +and are thanked by Parliaments and the Press and acclaimed by gala-day +crowds. But in most cases their tragedy begins when they leave school +and turn themselves loose in a world that has grown too civilised and too +crowded and too empty to have any place for them. And they are very +many. + +Henry Greech had made an end of biting small sandwiches, and settled down +like a dust-storm refreshed, to discuss one of the fashionably prevalent +topics of the moment, the prevention of destitution. + +“It is a question that is only being nibbled at, smelt at, one might say, +at the present moment,” he observed, “but it is one that will have to +engage our serious attention and consideration before long. The first +thing that we shall have to do is to get out of the dilettante and +academic way of approaching it. We must collect and assimilate hard +facts. It is a subject that ought to appeal to all thinking minds, and +yet, you know, I find it surprisingly difficult to interest people in +it.” + +Francesca made some monosyllabic response, a sort of sympathetic grunt +which was meant to indicate that she was, to a certain extent, listening +and appreciating. In reality she was reflecting that Henry possibly +found it difficult to interest people in any topic that he enlarged on. +His talents lay so thoroughly in the direction of being uninteresting, +that even as an eye-witness of the massacre of St. Bartholomew he would +probably have infused a flavour of boredom into his descriptions of the +event. + +“I was speaking down in Leicestershire the other day on this subject,” +continued Henry, “and I pointed out at some length a thing that few +people ever stop to consider—” + +Francesca went over immediately but decorously to the majority that will +not stop to consider. + +“Did you come across any of the Barnets when you were down there?” she +interrupted; “Eliza Barnet is rather taken up with all those subjects.” + +In the propagandist movements of Sociology, as in other arenas of life +and struggle, the fiercest competition and rivalry is frequently to be +found between closely allied types and species. Eliza Barnet shared many +of Henry Greech’s political and social views, but she also shared his +fondness for pointing things out at some length; there had been occasions +when she had extensively occupied the strictly limited span allotted to +the platform oratory of a group of speakers of whom Henry Greech had been +an impatient unit. He might see eye to eye with her on the leading +questions of the day, but he persistently wore mental blinkers as far as +her estimable qualities were concerned, and the mention of her name was a +skilful lure drawn across the trail of his discourse; if Francesca had to +listen to his eloquence on any subject she much preferred that it should +be a disparagement of Eliza Barnet rather than the prevention of +destitution. + +“I’ve no doubt she means well,” said Henry, “but it would be a good thing +if she could be induced to keep her own personality a little more in the +background, and not to imagine that she is the necessary mouthpiece of +all the progressive thought in the countryside. I fancy Canon Besomley +must have had her in his mind when he said that some people came into the +world to shake empires and others to move amendments.” + +Francesca laughed with genuine amusement. + +“I suppose she is really wonderfully well up in all the subjects she +talks about,” was her provocative comment. + +Henry grew possibly conscious of the fact that he was being drawn out on +the subject of Eliza Barnet, and he presently turned on to a more +personal topic. + +“From the general air of tranquillity about the house I presume Comus has +gone back to Thaleby,” he observed. + +“Yes,” said Francesca, “he went back yesterday. Of course, I’m very fond +of him, but I bear the separation well. When he’s here it’s rather like +having a live volcano in the house, a volcano that in its quietest +moments asks incessant questions and uses strong scent.” + +“It is only a temporary respite,” said Henry; “in a year or two he will +be leaving school, and then what?” + +Francesca closed her eyes with the air of one who seeks to shut out a +distressing vision. She was not fond of looking intimately at the future +in the presence of another person, especially when the future was draped +in doubtfully auspicious colours. + +“And then what?” persisted Henry. + +“Then I suppose he will be upon my hands.” + +“Exactly.” + +“Don’t sit there looking judicial. I’m quite ready to listen to +suggestions if you’ve any to make.” + +“In the case of any ordinary boy,” said Henry, “I might make lots of +suggestions as to the finding of suitable employment. From what we know +of Comus it would be rather a waste of time for either of us to look for +jobs which he wouldn’t look at when we’d got them for him.” + +“He must do something,” said Francesca. + +“I know he must; but he never will. At least, he’ll never stick to +anything. The most hopeful thing to do with him will be to marry him to +an heiress. That would solve the financial side of his problem. If he +had unlimited money at his disposal, he might go into the wilds somewhere +and shoot big game. I never know what the big game have done to deserve +it, but they do help to deflect the destructive energies of some of our +social misfits.” + +Henry, who never killed anything larger or fiercer than a trout, was +scornfully superior on the subject of big game shooting. + +Francesca brightened at the matrimonial suggestion. “I don’t know about +an heiress,” she said reflectively. “There’s Emmeline Chetrof of course. +One could hardly call her an heiress, but she’s got a comfortable little +income of her own and I suppose something more will come to her from her +grandmother. Then, of course, you know this house goes to her when she +marries.” + +“That would be very convenient,” said Henry, probably following a line of +thought that his sister had trodden many hundreds of times before him. +“Do she and Comus hit it off at all well together?” + +“Oh, well enough in boy and girl fashion,” said Francesca. “I must +arrange for them to see more of each other in future. By the way, that +little brother of hers that she dotes on, Lancelot, goes to Thaleby this +term. I’ll write and tell Comus to be specially kind to him; that will +be a sure way to Emmeline’s heart. Comus has been made a prefect, you +know. Heaven knows why.” + +“It can only be for prominence in games,” sniffed Henry; “I think we may +safely leave work and conduct out of the question.” + +Comus was not a favourite with his uncle. + +Francesca had turned to her writing cabinet and was hastily scribbling a +letter to her son in which the delicate health, timid disposition and +other inevitable attributes of the new boy were brought to his notice, +and commanded to his care. When she had sealed and stamped the envelope +Henry uttered a belated caution. + +“Perhaps on the whole it would be wiser to say nothing about the boy to +Comus. He doesn’t always respond to directions you know.” + +Francesca did know, and already was more than half of her brother’s +opinion; but the woman who can sacrifice a clean unspoiled penny stamp is +probably yet unborn. + + + + +CHAPTER II + + +LANCELOT CHETROF stood at the end of a long bare passage, restlessly +consulting his watch and fervently wishing himself half an hour older +with a certain painful experience already registered in the past; +unfortunately it still belonged to the future, and what was still more +horrible, to the immediate future. Like many boys new to a school he had +cultivated an unhealthy passion for obeying rules and requirements, and +his zeal in this direction had proved his undoing. In his hurry to be +doing two or three estimable things at once he had omitted to study the +notice-board in more than a perfunctory fashion and had thereby missed a +football practice specially ordained for newly-joined boys. His fellow +juniors of a term’s longer standing had graphically enlightened him as to +the inevitable consequences of his lapse; the dread which attaches to the +unknown was, at any rate, deleted from his approaching doom, though at +the moment he felt scarcely grateful for the knowledge placed at his +disposal with such lavish solicitude. + +“You’ll get six of the very best, over the back of a chair,” said one. + +“They’ll draw a chalk line across you, of course you know,” said another. + +“A chalk line?” + +“Rather. So that every cut can be aimed exactly at the same spot. It +hurts much more that way.” + +Lancelot tried to nourish a wan hope that there might be an element of +exaggeration in this uncomfortably realistic description. + +Meanwhile in the prefects’ room at the other end of the passage, Comus +Bassington and a fellow prefect sat also waiting on time, but in a mood +of far more pleasurable expectancy. Comus was one of the most junior of +the prefect caste, but by no means the least well-known, and outside the +masters’ common-room he enjoyed a certain fitful popularity, or at any +rate admiration. At football he was too erratic to be a really brilliant +player, but he tackled as if the act of bringing his man headlong to the +ground was in itself a sensuous pleasure, and his weird swear-words +whenever he got hurt were eagerly treasured by those who were fortunate +enough to hear them. At athletics in general he was a showy performer, +and although new to the functions of a prefect he had already established +a reputation as an effective and artistic caner. In appearance he +exactly fitted his fanciful Pagan name. His large green-grey eyes seemed +for ever asparkle with goblin mischief and the joy of revelry, and the +curved lips might have been those of some wickedly-laughing faun; one +almost expected to see embryo horns fretting the smoothness of his sleek +dark hair. The chin was firm, but one looked in vain for a redeeming +touch of ill-temper in the handsome, half-mocking, half-petulant face. +With a strain of sourness in him Comus might have been leavened into +something creative and masterful; fate had fashioned him with a certain +whimsical charm, and left him all unequipped for the greater purposes of +life. Perhaps no one would have called him a lovable character, but in +many respects he was adorable; in all respects he was certainly damned. + +Rutley, his companion of the moment, sat watching him and wondering, from +the depths of a very ordinary brain, whether he liked or hated him; it +was easy to do either. + +“It’s not really your turn to cane,” he said. + +“I know it’s not,” said Comus, fingering a very serviceable-looking cane +as lovingly as a pious violinist might handle his Strad. “I gave Greyson +some mint-chocolate to let me toss whether I caned or him, and I won. He +was rather decent over it and let me have half the chocolate back.” + +The droll lightheartedness which won Comus Bassington such measure of +popularity as he enjoyed among his fellows did not materially help to +endear him to the succession of masters with whom he came in contact +during the course of his schooldays. He amused and interested such of +them as had the saving grace of humour at their disposal, but if they +sighed when he passed from their immediate responsibility it was a sigh +of relief rather than of regret. The more enlightened and experienced of +them realised that he was something outside the scope of the things that +they were called upon to deal with. A man who has been trained to cope +with storms, to foresee their coming, and to minimise their consequences, +may be pardoned if he feels a certain reluctance to measure himself +against a tornado. + +Men of more limited outlook and with a correspondingly larger belief in +their own powers were ready to tackle the tornado had time permitted. + +“I think I could tame young Bassington if I had your opportunities,” a +form-master once remarked to a colleague whose House had the embarrassing +distinction of numbering Comus among its inmates. + +“Heaven forbid that I should try,” replied the housemaster. + +“But why?” asked the reformer. + +“Because Nature hates any interference with her own arrangements, and if +you start in to tame the obviously untameable you are taking a fearful +responsibility on yourself.” + +“Nonsense; boys are Nature’s raw material.” + +“Millions of boys are. There are just a few, and Bassington is one of +them, who are Nature’s highly finished product when they are in the +schoolboy stage, and we, who are supposed to be moulding raw material, +are quite helpless when we come in contact with them.” + +“But what happens to them when they grow up?” + +“They never do grow up,” said the housemaster; “that is their tragedy. +Bassington will certainly never grow out of his present stage.” + +“Now you are talking in the language of Peter Pan,” said the form-master. + +“I am not thinking in the manner of Peter Pan,” said the other. “With +all reverence for the author of that masterpiece I should say he had a +wonderful and tender insight into the child mind and knew nothing +whatever about boys. To make only one criticism on that particular work, +can you imagine a lot of British boys, or boys of any country that one +knows of, who would stay contentedly playing children’s games in an +underground cave when there were wolves and pirates and Red Indians to be +had for the asking on the other side of the trap door?” + +The form-master laughed. “You evidently think that the ‘Boy who would +not grow up’ must have been written by a ‘grown-up who could never have +been a boy.’ Perhaps that is the meaning of the ‘Never-never Land.’ I +daresay you’re right in your criticism, but I don’t agree with you about +Bassington. He’s a handful to deal with, as anyone knows who has come in +contact with him, but if one’s hands weren’t full with a thousand and one +other things I hold to my opinion that he could be tamed.” + +And he went his way, having maintained a form-master’s inalienable +privilege of being in the right. + + * * * * * + +In the prefects’ room, Comus busied himself with the exact position of a +chair planted out in the middle of the floor. + +“I think everything’s ready,” he said. + +Rutley glanced at the clock with the air of a Roman elegant in the +Circus, languidly awaiting the introduction of an expected Christian to +an expectant tiger. + +“The kid is due in two minutes,” he said. + +“He’d jolly well better not be late,” said Comus. + +Comus had gone through the mill of many scorching castigations in his +earlier school days, and was able to appreciate to the last ounce the +panic that must be now possessing his foredoomed victim, probably at this +moment hovering miserably outside the door. After all, that was part of +the fun of the thing, and most things have their amusing side if one +knows where to look for it. + +There was a knock at the door, and Lancelot entered in response to a +hearty friendly summons to “come in.” + +“I’ve come to be caned,” he said breathlessly; adding by way of +identification, “my name’s Chetrof.” + +“That’s quite bad enough in itself,” said Comus, “but there is probably +worse to follow. You are evidently keeping something back from us.” + +“I missed a footer practice,” said Lancelot + +“Six,” said Comus briefly, picking up his cane. + +“I didn’t see the notice on the board,” hazarded Lancelot as a forlorn +hope. + +“We are always pleased to listen to excuses, and our charge is two extra +cuts. That will be eight. Get over.” + +And Comus indicated the chair that stood in sinister isolation in the +middle of the room. Never had an article of furniture seemed more +hateful in Lancelot’s eyes. Comus could well remember the time when a +chair stuck in the middle of a room had seemed to him the most horrible +of manufactured things. + +“Lend me a piece of chalk,” he said to his brother prefect. + +Lancelot ruefully recognised the truth of the chalk-line story. + +Comus drew the desired line with an anxious exactitude which he would +have scorned to apply to a diagram of Euclid or a map of the +Russo-Persian frontier. + +“Bend a little more forward,” he said to the victim, “and much tighter. +Don’t trouble to look pleasant, because I can’t see your face anyway. It +may sound unorthodox to say so, but this is going to hurt you much more +than it will hurt me.” + +There was a carefully measured pause, and then Lancelot was made vividly +aware of what a good cane can be made to do in really efficient hands. +At the second cut he projected himself hurriedly off the chair. + +“Now I’ve lost count,” said Comus; “we shall have to begin all over +again. Kindly get back into the same position. If you get down again +before I’ve finished Rutley will hold you over and you’ll get a dozen.” + +Lancelot got back on to the chair, and was re-arranged to the taste of +his executioner. He stayed there somehow or other while Comus made eight +accurate and agonisingly effective shots at the chalk line. + +“By the way,” he said to his gasping and gulping victim when the +infliction was over, “you said Chetrof, didn’t you? I believe I’ve been +asked to be kind to you. As a beginning you can clean out my study this +afternoon. Be awfully careful how you dust the old china. If you break +any don’t come and tell me but just go and drown yourself somewhere; it +will save you from a worse fate.” + +“I don’t know where your study is,” said Lancelot between his chokes. + +“You’d better find it or I shall have to beat you, really hard this time. +Here, you’d better keep this chalk in your pocket, it’s sure to come in +handy later on. Don’t stop to thank me for all I’ve done, it only +embarrasses me.” + +As Comus hadn’t got a study Lancelot spent a feverish half-hour in +looking for it, incidentally missing another footer practice. + +“Everything is very jolly here,” wrote Lancelot to his sister Emmeline. +“The prefects can give you an awful hot time if they like, but most of +them are rather decent. Some are Beasts. Bassington is a prefect though +only a junior one. He is the Limit as Beasts go. At least I think so.” + +Schoolboy reticence went no further, but Emmeline filled in the gaps for +herself with the lavish splendour of feminine imagination. Francesca’s +bridge went crashing into the abyss. + + + + +CHAPTER III + + +ON the evening of a certain November day, two years after the events +heretofore chronicled, Francesca Bassington steered her way through the +crowd that filled the rooms of her friend Serena Golackly, bestowing nods +of vague recognition as she went, but with eyes that were obviously +intent on focussing one particular figure. Parliament had pulled its +energies together for an Autumn Session, and both political Parties were +fairly well represented in the throng. Serena had a harmless way of +inviting a number of more or less public men and women to her house, and +hoping that if you left them together long enough they would constitute a +_salon_. In pursuance of the same instinct she planted the flower +borders at her week-end cottage retreat in Surrey with a large mixture of +bulbs, and called the result a Dutch garden. Unfortunately, though you +may bring brilliant talkers into your home, you cannot always make them +talk brilliantly, or even talk at all; what is worse you cannot restrict +the output of those starling-voiced dullards who seem to have, on all +subjects, so much to say that was well worth leaving unsaid. One group +that Francesca passed was discussing a Spanish painter, who was +forty-three, and had painted thousands of square yards of canvas in his +time, but of whom no one in London had heard till a few months ago; now +the starling-voices seemed determined that one should hear of very little +else. Three women knew how his name was pronounced, another always felt +that she must go into a forest and pray whenever she saw his pictures, +another had noticed that there were always pomegranates in his later +compositions, and a man with an indefensible collar knew what the +pomegranates “meant.” “What I think so splendid about him,” said a stout +lady in a loud challenging voice, “is the way he defies all the +conventions of art while retaining all that the conventions stand for.” +“Ah, but have you noticed—” put in the man with the atrocious collar, and +Francesca pushed desperately on, wondering dimly as she went, what people +found so unsupportable in the affliction of deafness. Her progress was +impeded for a moment by a couple engaged in earnest and voluble +discussion of some smouldering question of the day; a thin spectacled +young man with the receding forehead that so often denotes advanced +opinions, was talking to a spectacled young woman with a similar type of +forehead, and exceedingly untidy hair. It was her ambition in life to be +taken for a Russian girl-student, and she had spent weeks of patient +research in trying to find out exactly where you put the tea-leaves in a +samovar. She had once been introduced to a young Jewess from Odessa, who +had died of pneumonia the following week; the experience, slight as it +was, constituted the spectacled young lady an authority on all things +Russian in the eyes of her immediate set. + +“Talk is helpful, talk is needful,” the young man was saying, “but what +we have got to do is to lift the subject out of the furrow of +indisciplined talk and place it on the threshing-floor of practical +discussion.” + +The young woman took advantage of the rhetorical full-stop to dash in +with the remark which was already marshalled on the tip of her tongue. + +“In emancipating the serfs of poverty we must be careful to avoid the +mistakes which Russian bureaucracy stumbled into when liberating the +serfs of the soil.” + +She paused in her turn for the sake of declamatory effect, but recovered +her breath quickly enough to start afresh on level terms with the young +man, who had jumped into the stride of his next sentence. + +“They got off to a good start that time,” said Francesca to herself; “I +suppose it’s the Prevention of Destitution they’re hammering at. What on +earth would become of these dear good people if anyone started a crusade +for the prevention of mediocrity?” + +Midway through one of the smaller rooms, still questing for an elusive +presence, she caught sight of someone that she knew, and the shadow of a +frown passed across her face. The object of her faintly signalled +displeasure was Courtenay Youghal, a political spur-winner who seemed +absurdly youthful to a generation that had never heard of Pitt. It was +Youghal’s ambition—or perhaps his hobby—to infuse into the greyness of +modern political life some of the colour of Disraelian dandyism, tempered +with the correctness of Anglo-Saxon taste, and supplemented by the +flashes of wit that were inherent from the Celtic strain in him. His +success was only a half-measure. The public missed in him that touch of +blatancy which it looks for in its rising public men; the decorative +smoothness of his chestnut-golden hair, and the lively sparkle of his +epigrams were counted to him for good, but the restrained sumptuousness +of his waistcoats and cravats were as wasted efforts. If he had +habitually smoked cigarettes in a pink coral mouthpiece, or worn spats of +Mackenzie tartan, the great heart of the voting-man, and the gush of the +paragraph-makers might have been unreservedly his. The art of public +life consists to a great extent of knowing exactly where to stop and +going a bit further. + +It was not Youghal’s lack of political sagacity that had brought the +momentary look of disapproval into Francesca’s face. The fact was that +Comus, who had left off being a schoolboy and was now a social problem, +had lately enrolled himself among the young politician’s associates and +admirers, and as the boy knew and cared nothing about politics, and +merely copied Youghal’s waistcoats, and, less successfully, his +conversation, Francesca felt herself justified in deploring the intimacy. +To a woman who dressed well on comparatively nothing a year it was an +anxious experience to have a son who dressed sumptuously on absolutely +nothing. + +The cloud that had passed over her face when she caught sight of the +offending Youghal was presently succeeded by a smile of gratified +achievement, as she encountered a bow of recognition and welcome from a +portly middle-aged gentleman, who seemed genuinely anxious to include her +in the rather meagre group that he had gathered about him. + +“We were just talking about my new charge,” he observed genially, +including in the “we” his somewhat depressed-looking listeners, who in +all human probability had done none of the talking. “I was just telling +them, and you may be interested to hear this—” + +Francesca, with Spartan stoicism, continued to wear an ingratiating +smile, though the character of the deaf adder that stoppeth her ear and +will not hearken, seemed to her at that moment a beautiful one. + +Sir Julian Jull had been a member of a House of Commons distinguished for +its high standard of well-informed mediocrity, and had harmonised so +thoroughly with his surroundings that the most attentive observer of +Parliamentary proceedings could scarcely have told even on which side of +the House he sat. A baronetcy bestowed on him by the Party in power had +at least removed that doubt; some weeks later he had been made Governor +of some West Indian dependency, whether as a reward for having accepted +the baronetcy, or as an application of a theory that West Indian islands +get the Governors they deserve, it would have been hard to say. To Sir +Julian the appointment was, doubtless, one of some importance; during the +span of his Governorship the island might possibly be visited by a member +of the Royal Family, or at the least by an earthquake, and in either case +his name would get into the papers. To the public the matter was one of +absolute indifference; “who is he and where is it?” would have correctly +epitomised the sum total of general information on the personal and +geographical aspects of the case. + +Francesca, however, from the moment she had heard of the likelihood of +the appointment, had taken a deep and lively interest in Sir Julian. As +a Member of Parliament he had not filled any very pressing social want in +her life, and on the rare occasions when she took tea on the Terrace of +the House she was wont to lapse into rapt contemplation of St. Thomas’s +Hospital whenever she saw him within bowing distance. But as Governor of +an island he would, of course, want a private secretary, and as a friend +and colleague of Henry Greech, to whom he was indebted for many little +acts of political support (they had once jointly drafted an amendment +which had been ruled out of order), what was more natural and proper than +that he should let his choice fall on Henry’s nephew Comus? While +privately doubting whether the boy would make the sort of secretary that +any public man would esteem as a treasure, Henry was thoroughly in +agreement with Francesca as to the excellence and desirability of an +arrangement which would transplant that troublesome’ young animal from +the too restricted and conspicuous area that centres in the parish of St. +James’s to some misty corner of the British dominion overseas. Brother +and sister had conspired to give an elaborate and at the same time cosy +little luncheon to Sir Julian on the very day that his appointment was +officially announced, and the question of the secretaryship had been +mooted and sedulously fostered as occasion permitted, until all that was +now needed to clinch the matter was a formal interview between His +Excellency and Comus. The boy had from the first shewn very little +gratification at the prospect of his deportation. To live on a remote +shark-girt island, as he expressed it, with the Jull family as his chief +social mainstay, and Sir Julian’s conversation as a daily item of his +existence, did not inspire him with the same degree of enthusiasm as was +displayed by his mother and uncle, who, after all, were not making the +experiment. Even the necessity for an entirely new outfit did not appeal +to his imagination with the force that might have been expected. But, +however lukewarm his adhesion to the project might be, Francesca and her +brother were clearly determined that no lack of deft persistence on their +part should endanger its success. It was for the purpose of reminding +Sir Julian of his promise to meet Comus at lunch on the following day, +and definitely settle the matter of the secretaryship that Francesca was +now enduring the ordeal of a long harangue on the value of the West +Indian group as an Imperial asset. Other listeners dexterously detached +themselves one by one, but Francesca’s patience outlasted even Sir +Julian’s flow of commonplaces, and her devotion was duly rewarded by a +renewed acknowledgment of the lunch engagement and its purpose. She +pushed her way back through the throng of starling-voiced chatterers +fortified by a sense of well-earned victory. Dear Serena’s absurd +_salons_ served some good purpose after all. + +Francesca was not an early riser and her breakfast was only just +beginning to mobilise on the breakfast-table next morning when a copy of +_The Times_, sent by special messenger from her brother’s house, was +brought up to her room. A heavy margin of blue pencilling drew her +attention to a prominently-printed letter which bore the ironical +heading: “Julian Jull, Proconsul.” The matter of the letter was a cruel +dis-interment of some fatuous and forgotten speeches made by Sir Julian +to his constituents not many years ago, in which the value of some of our +Colonial possessions, particularly certain West Indian islands, was +decried in a medley of pomposity, ignorance and amazingly cheap humour. +The extracts given sounded weak and foolish enough, taken by themselves, +but the writer of the letter had interlarded them with comments of his +own, which sparkled with an ironical brilliance that was Cervantes-like +in its polished cruelty. Remembering her ordeal of the previous evening +Francesca permitted herself a certain feeling of amusement as she read +the merciless stabs inflicted on the newly-appointed Governor; then she +came to the signature at the foot of the letter, and the laughter died +out of her eyes. “Comus Bassington” stared at her from above a thick +layer of blue pencil lines marked by Henry Greech’s shaking hand. + +Comus could no more have devised such a letter than he could have written +an Episcopal charge to the clergy of any given diocese. It was obviously +the work of Courtenay Youghal, and Comus, for a palpable purpose of his +own, had wheedled him into foregoing for once the pride of authorship in +a clever piece of political raillery, and letting his young friend stand +sponsor instead. It was a daring stroke, and there could be no question +as to its success; the secretaryship and the distant shark-girt island +faded away into the horizon of impossible things. Francesca, forgetting +the golden rule of strategy which enjoins a careful choosing of ground +and opportunity before entering on hostilities, made straight for the +bathroom door, behind which a lively din of splashing betokened that +Comus had at least begun his toilet. + +“You wicked boy, what have you done?” she cried, reproachfully. + +“Me washee,” came a cheerful shout; “me washee from the neck all the way +down to the merrythought, and now washee down from the merrythought to—” + +“You have ruined your future. _The Times_ has printed that miserable +letter with your signature.” + +A loud squeal of joy came from the bath. “Oh, Mummy! Let me see!” + +There were sounds as of a sprawling dripping body clambering hastily out +of the bath. Francesca fled. One cannot effectively scold a moist +nineteen-year old boy clad only in a bath-towel and a cloud of steam. + +Another messenger arrived before Francesca’s breakfast was over. This +one brought a letter from Sir Julian Jull, excusing himself from +fulfilment of the luncheon engagement. + + + + +CHAPTER IV + + +FRANCESCA prided herself on being able to see things from other people’s +points of view, which meant, as it usually does, that she could see her +own point of view from various aspects. As regards Comus, whose doings +and non-doings bulked largely in her thoughts at the present moment, she +had mapped out in her mind so clearly what his outlook in life ought to +be, that she was peculiarly unfitted to understand the drift of his +feelings or the impulses that governed them. Fate had endowed her with a +son; in limiting the endowment to a solitary offspring Fate had certainly +shown a moderation which Francesca was perfectly willing to acknowledge +and be thankful for; but then, as she pointed out to a certain complacent +friend of hers who cheerfully sustained an endowment of half-a-dozen male +offsprings and a girl or two, her one child was Comus. Moderation in +numbers was more than counterbalanced in his case by extravagance in +characteristics. + +Francesca mentally compared her son with hundreds of other young men whom +she saw around her, steadily, and no doubt happily, engaged in the +process of transforming themselves from nice boys into useful citizens. +Most of them had occupations, or were industriously engaged in qualifying +for such; in their leisure moments they smoked reasonably-priced +cigarettes, went to the cheaper seats at music-halls, watched an +occasional cricket match at Lord’s with apparent interest, saw most of +the world’s spectacular events through the medium of the cinematograph, +and were wont to exchange at parting seemingly superfluous injunctions to +“be good.” The whole of Bond Street and many of the tributary +thoroughfares of Piccadilly might have been swept off the face of modern +London without in any way interfering with the supply of their daily +wants. They were doubtless dull as acquaintances, but as sons they would +have been eminently restful. With a growing sense of irritation +Francesca compared these deserving young men with her own intractable +offspring, and wondered why Fate should have singled her out to be the +parent of such a vexatious variant from a comfortable and desirable type. +As far as remunerative achievement was concerned, Comus copied the +insouciance of the field lily with a dangerous fidelity. Like his mother +he looked round with wistful irritation at the example afforded by +contemporary youth, but he concentrated his attention exclusively on the +richer circles of his acquaintance, young men who bought cars and polo +ponies as unconcernedly as he might purchase a carnation for his +buttonhole, and went for trips to Cairo or the Tigris valley with less +difficulty and finance-stretching than he encountered in contriving a +week-end at Brighton. + +Gaiety and good-looks had carried Comus successfully and, on the whole, +pleasantly, through schooldays and a recurring succession of holidays; +the same desirable assets were still at his service to advance him along +his road, but it was a disconcerting experience to find that they could +not be relied on to go all distances at all times. In an animal world, +and a fiercely competitive animal world at that, something more was +needed than the decorative _abandon_ of the field lily, and it was just +that something more which Comus seemed unable or unwilling to provide on +his own account; it was just the lack of that something more which left +him sulking with Fate over the numerous breakdowns and stumbling-blocks +that held him up on what he expected to be a triumphal or, at any rate, +unimpeded progress. + +Francesca was, in her own way, fonder of Comus than of anyone else in the +world, and if he had been browning his skin somewhere east of Suez she +would probably have kissed his photograph with genuine fervour every +night before going to bed; the appearance of a cholera scare or rumour of +native rising in the columns of her daily news-sheet would have caused +her a flutter of anxiety, and she would have mentally likened herself to +a Spartan mother sacrificing her best-beloved on the altar of State +necessities. But with the best-beloved installed under her roof, +occupying an unreasonable amount of cubic space, and demanding daily +sacrifices instead of providing the raw material for one, her feelings +were tinged with irritation rather than affection. She might have +forgiven Comus generously for misdeeds of some gravity committed in +another continent, but she could never overlook the fact that out of a +dish of five plovers’ eggs he was certain to take three. The absent may +be always wrong, but they are seldom in a position to be inconsiderate. + +Thus a wall of ice had grown up gradually between mother and son, a +barrier across which they could hold converse, but which gave a wintry +chill even to the sparkle of their lightest words. The boy had the gift +of being irresistibly amusing when he chose to exert himself in that +direction, and after a long series of moody or jangling meal-sittings he +would break forth into a torrential flow of small talk, scandal and +malicious anecdote, true or more generally invented, to which Francesca +listened with a relish and appreciation, that was all the more flattering +from being so unwillingly bestowed. + +“If you chose your friends from a rather more reputable set you would be +doubtless less amusing, but there would be compensating advantages.” + +Francesca snapped the remark out at lunch one day when she had been +betrayed into a broader smile than she considered the circumstances of +her attitude towards Comus warranted. + +“I’m going to move in quite decent society to-night,” replied Comus with +a pleased chuckle; “I’m going to meet you and Uncle Henry and heaps of +nice dull God-fearing people at dinner.” + +Francesca gave a little gasp of surprise and annoyance. + +“You don’t mean to say Caroline has asked you to dinner to-night?” she +said; “and of course without telling me. How exceedingly like her!” + +Lady Caroline Benaresq had reached that age when you can say and do what +you like in defiance of people’s most sensitive feelings and most +cherished antipathies. Not that she had waited to attain her present age +before pursuing that line of conduct; she came of a family whose +individual members went through life, from the nursery to the grave, with +as much tact and consideration as a cactus-hedge might show in going +through a crowded bathing tent. It was a compensating mercy that they +disagreed rather more among themselves than they did with the outside +world; every known variety and shade of religion and politics had been +pressed into the family service to avoid the possibility of any agreement +on the larger essentials of life, and such unlooked-for happenings as the +Home Rule schism, the Tariff-Reform upheaval and the Suffragette crusade +were thankfully seized on as furnishing occasion for further differences +and sub-divisions. Lady Caroline’s favourite scheme of entertaining was +to bring jarring and antagonistic elements into close contact and play +them remorselessly one against the other. “One gets much better results +under those circumstances” she used to observe, “than by asking people +who wish to meet each other. Few people talk as brilliantly to impress a +friend as they do to depress an enemy.” + +She admitted that her theory broke down rather badly if you applied it to +Parliamentary debates. At her own dinner table its success was usually +triumphantly vindicated. + +“Who else is to be there?” Francesca asked, with some pardonable +misgiving. + +“Courtenay Youghal. He’ll probably sit next to you, so you’d better +think out a lot of annihilating remarks in readiness. And Elaine de +Frey.” + +“I don’t think I’ve heard of her. Who is she?” + +“Nobody in particular, but rather nice-looking in a solemn sort of way, +and almost indecently rich.” + +“Marry her” was the advice which sprang to Francesca’s lips, but she +choked it back with a salted almond, having a rare perception of the fact +that words are sometimes given to us to defeat our purposes. + +“Caroline has probably marked her down for Toby or one of the +grand-nephews,” she said, carelessly; “a little money would be rather +useful in that quarter, I imagine.” + +Comus tucked in his underlip with just the shade of pugnacity that she +wanted to see. + +An advantageous marriage was so obviously the most sensible course for +him to embark on that she scarcely dared to hope that he would seriously +entertain it; yet there was just a chance that if he got as far as the +flirtation stage with an attractive (and attracted) girl who was also an +heiress, the sheer perversity of his nature might carry him on to more +definite courtship, if only from the desire to thrust other more +genuinely enamoured suitors into the background. It was a forlorn hope; +so forlorn that the idea even crossed her mind of throwing herself on the +mercy of her _bête noire_, Courtenay Youghal, and trying to enlist the +influence which he seemed to possess over Comus for the purpose of +furthering her hurriedly conceived project. Anyhow, the dinner promised +to be more interesting than she had originally anticipated. + +Lady Caroline was a professed Socialist in politics, chiefly, it was +believed, because she was thus enabled to disagree with most of the +Liberals and Conservatives, and all the Socialists of the day. She did +not permit her Socialism, however, to penetrate below stairs; her cook +and butler had every encouragement to be Individualists. Francesca, who +was a keen and intelligent food critic, harboured no misgivings as to her +hostess’s kitchen and cellar departments; some of the human side-dishes +at the feast gave her more ground for uneasiness. Courtenay Youghal, for +instance, would probably be brilliantly silent; her brother Henry would +almost certainly be the reverse. + +The dinner party was a large one and Francesca arrived late with little +time to take preliminary stock of the guests; a card with the name, “Miss +de Frey,” immediately opposite her own place at the other side of the +table, indicated, however, the whereabouts of the heiress. It was +characteristic of Francesca that she first carefully read the menu from +end to end, and then indulged in an equally careful though less open +scrutiny of the girl who sat opposite her, the girl who was nobody in +particular, but whose income was everything that could be desired. She +was pretty in a restrained nut-brown fashion, and had a look of grave +reflective calm that probably masked a speculative unsettled temperament. +Her pose, if one wished to be critical, was just a little too elaborately +careless. She wore some excellently set rubies with that indefinable air +of having more at home that is so difficult to improvise. Francesca was +distinctly pleased with her survey. + +“You seem interested in your _vis-à-vis_,” said Courtenay Youghal. + +“I almost think I’ve seen her before,” said Francesca; “her face seems +familiar to me.” + +“The narrow gallery at the Louvre; attributed to Leonardo da Vinci,” said +Youghal. + +“Of course,” said Francesca, her feelings divided between satisfaction at +capturing an elusive impression and annoyance that Youghal should have +been her helper. A stronger tinge of annoyance possessed her when she +heard the voice of Henry Greech raised in painful prominence at Lady +Caroline’s end of the table. + +“I called on the Trudhams yesterday,” he announced; “it was their Silver +Wedding, you know, at least the day before was. Such lots of silver +presents, quite a show. Of course there were a great many duplicates, +but still, very nice to have. I think they were very pleased to get so +many.” + +“We must not grudge them their show of presents after their twenty-five +years of married life,” said Lady Caroline, gently; “it is the silver +lining to their cloud.” + +A third of the guests present were related to the Trudhams. + +“Lady Caroline is beginning well,” murmured Courtenay Youghal. + +“I should hardly call twenty-five years of married life a cloud,” said +Henry Greech, lamely. + +“Don’t let’s talk about married life,” said a tall handsome woman, who +looked like some modern painter’s conception of the goddess Bellona; +“it’s my misfortune to write eternally about husbands and wives and their +variants. My public expects it of me. I do so envy journalists who can +write about plagues and strikes and Anarchist plots, and other pleasing +things, instead of being tied down to one stale old topic.” + +“Who is that woman and what has she written?” Francesca asked Youghal; +she dimly remembered having seen her at one of Serena Golackly’s +gatherings, surrounded by a little Court of admirers. + +“I forget her name; she has a villa at San Remo or Mentone, or somewhere +where one does have villas, and plays an extraordinary good game of +bridge. Also she has the reputation, rather rare in your sex, of being a +wonderfully sound judge of wine.” + +“But what has she written?” + +“Oh, several novels of the thinnish ice order. Her last one, ‘The Woman +who wished it was Wednesday,’ has been banned at all the libraries. I +expect you’ve read it.” + +“I don’t see why you should think so,” said Francesca, coldly. + +“Only because Comus lent me your copy yesterday,” said Youghal. He threw +back his handsome head and gave her a sidelong glance of quizzical +amusement. He knew that she hated his intimacy with Comus, and he was +secretly rather proud of his influence over the boy, shallow and negative +though he knew it to be. It had been, on his part, an unsought intimacy, +and it would probably fall to pieces the moment he tried seriously to +take up the _rôle_ of mentor. The fact that Comus’s mother openly +disapproved of the friendship gave it perhaps its chief interest in the +young politician’s eyes. + +Francesca turned her attention to her brother’s end of the table. Henry +Greech had willingly availed himself of the invitation to leave the +subject of married life, and had launched forthwith into the equally +well-worn theme of current politics. He was not a person who was in much +demand for public meetings, and the House showed no great impatience to +hear his views on the topics of the moment; its impatience, indeed, was +manifested rather in the opposite direction. Hence he was prone to +unburden himself of accumulated political wisdom as occasion presented +itself—sometimes, indeed, to assume an occasion that was hardly visible +to the naked intelligence. + +“Our opponents are engaged in a hopelessly uphill struggle, and they know +it,” he chirruped, defiantly; “they’ve become possessed, like the +Gadarene swine, with a whole legion of—” + +“Surely the Gadarene swine went downhill,” put in Lady Caroline in a +gently enquiring voice. + +Henry Greech hastily abandoned simile and fell back on platitude and the +safer kinds of fact. + +Francesca did not regard her brother’s views on statecraft either in the +light of gospel or revelation; as Comus once remarked, they more usually +suggested exodus. In the present instance she found distraction in a +renewed scrutiny of the girl opposite her, who seemed to be only +moderately interested in the conversational efforts of the diners on +either side of her. Comus who was looking and talking his best, was +sitting at the further end of the table, and Francesca was quick to +notice in which direction the girl’s glances were continually straying. +Once or twice the eyes of the young people met and a swift flush of +pleasure and a half-smile that spoke of good understanding came to the +heiress’s face. It did not need the gift of the traditional intuition of +her sex to enable Francesca to guess that the girl with the desirable +banking account was already considerably attracted by the lively young +Pagan who had, when he cared to practise it, such an art of winning +admiration. For the first time for many, many months Francesca saw her +son’s prospects in a rose-coloured setting, and she began, unconsciously, +to wonder exactly how much wealth was summed up in the expressive label +“almost indecently rich.” A wife with a really large fortune and a +correspondingly big dower of character and ambition, might, perhaps, +succeed in turning Comus’s latent energies into a groove which would +provide him, if not with a career, at least with an occupation, and the +young serious face opposite looked as if its owner lacked neither +character or ambition. Francesca’s speculations took a more personal +turn. Out of the well-filled coffers with which her imagination was +toying, an inconsiderable sum might eventually be devoted to the leasing, +or even perhaps the purchase of, the house in Blue Street when the +present convenient arrangement should have come to an end, and Francesca +and the Van der Meulen would not be obliged to seek fresh quarters. + +A woman’s voice, talking in a discreet undertone on the other side of +Courtenay Youghal, broke in on her bridge-building. + +“Tons of money and really very presentable. Just the wife for a rising +young politician. Go in and win her before she’s snapped up by some +fortune hunter.” + +Youghal and his instructress in worldly wisdom were looking straight +across the table at the Leonardo da Vinci girl with the grave reflective +eyes and the over-emphasised air of repose. Francesca felt a quick throb +of anger against her match-making neighbour; why, she asked herself, must +some women, with no end or purpose of their own to serve, except the +sheer love of meddling in the affairs of others, plunge their hands into +plots and schemings of this sort, in which the happiness of more than one +person was concerned? And more clearly than ever she realised how +thoroughly she detested Courtenay Youghal. She had disliked him as an +evil influence, setting before her son an example of showy ambition that +he was not in the least likely to follow, and providing him with a model +of extravagant dandyism that he was only too certain to copy. In her +heart she knew that Comus would have embarked just as surely on his +present course of idle self-indulgence if he had never known of the +existence of Youghal, but she chose to regard that young man as her son’s +evil genius, and now he seemed likely to justify more than ever the +character she had fastened on to him. For once in his life Comus +appeared to have an idea of behaving sensibly and making some use of his +opportunities, and almost at the same moment Courtenay Youghal arrived on +the scene as a possible and very dangerous rival. Against the good looks +and fitful powers of fascination that Comus could bring into the field, +the young politician could match half-a-dozen dazzling qualities which +would go far to recommend him in the eyes of a woman of the world, still +more in those of a young girl in search of an ideal. Good-looking in his +own way, if not on such showy lines as Comus, always well turned-out, +witty, self-confident without being bumptious, with a conspicuous +Parliamentary career alongside him, and heaven knew what else in front of +him, Courtenay Youghal certainly was not a rival whose chances could be +held very lightly. Francesca laughed bitterly to herself as she +remembered that a few hours ago she had entertained the idea of begging +for his good offices in helping on Comus’s wooing. One consolation, at +least, she found for herself: if Youghal really meant to step in and try +and cut out his young friend, the latter at any rate had snatched a +useful start. Comus had mentioned Miss de Frey at luncheon that day, +casually and dispassionately; if the subject of the dinner guests had not +come up he would probably not have mentioned her at all. But they were +obviously already very good friends. It was part and parcel of the state +of domestic tension at Blue Street that Francesca should only have come +to know of this highly interesting heiress by an accidental sorting of +guests at a dinner party. + +Lady Caroline’s voice broke in on her reflections; it was a gentle +purring voice, that possessed an uncanny quality of being able to make +itself heard down the longest dinner table. + +“The dear Archdeacon is getting so absent-minded. He read a list of +box-holders for the opera as the First Lesson the other Sunday, instead +of the families and lots of the tribes of Israel that entered Canaan. +Fortunately no one noticed the mistake.” + + + + +CHAPTER V + + +ON a conveniently secluded bench facing the Northern Pheasantry in the +Zoological Society’s Gardens, Regent’s Park, Courtenay Youghal sat +immersed in mature flirtation with a lady, who, though certainly young in +fact and appearance, was some four or five years his senior. When he was +a schoolboy of sixteen, Molly McQuade had personally conducted him to the +Zoo and stood him dinner afterwards at Kettner’s, and whenever the two of +them happened to be in town on the anniversary of that bygone festivity +they religiously repeated the programme in its entirety. Even the menu +of the dinner was adhered to as nearly as possible; the original +selection of food and wine that schoolboy exuberance, tempered by +schoolboy shyness, had pitched on those many years ago, confronted +Youghal on those occasions, as a drowning man’s past life is said to rise +up and parade itself in his last moments of consciousness. + +The flirtation which was thus perennially restored to its old-time +footing owed its longevity more to the enterprising solicitude of Miss +McQuade than to any conscious sentimental effort on the part of Youghal +himself. Molly McQuade was known to her neighbours in a minor hunting +shire as a hard-riding conventionally unconventional type of young woman, +who came naturally into the classification, “a good sort.” She was just +sufficiently good-looking, sufficiently reticent about her own illnesses, +when she had any, and sufficiently appreciative of her neighbours’ +gardens, children and hunters to be generally popular. Most men liked +her, and the percentage of women who disliked her was not inconveniently +high. One of these days, it was assumed, she would marry a brewer or a +Master of Otter Hounds, and, after a brief interval, be known to the +world as the mother of a boy or two at Malvern or some similar seat of +learning. The romantic side of her nature was altogether unguessed by +the countryside. + +Her romances were mostly in serial form and suffered perhaps in fervour +from their disconnected course what they gained in length of days. Her +affectionate interest in the several young men who figured in her affairs +of the heart was perfectly honest, and she certainly made no attempt +either to conceal their separate existences, or to play them off one +against the other. Neither could it be said that she was a husband +hunter; she had made up her mind what sort of man she was likely to +marry, and her forecast did not differ very widely from that formed by +her local acquaintances. If her married life were eventually to turn out +a failure, at least she looked forward to it with very moderate +expectations. Her love affairs she put on a very different footing and +apparently they were the all-absorbing element in her life. She +possessed the happily constituted temperament which enables a man or +woman to be a “pluralist,” and to observe the sage precaution of not +putting all one’s eggs into one basket. Her demands were not exacting; +she required of her affinity that he should be young, good-looking, and +at least, moderately amusing; she would have preferred him to be +invariably faithful, but, with her own example before her, she was +prepared for the probability, bordering on certainty, that he would be +nothing of the sort. The philosophy of the “Garden of Kama” was the +compass by which she steered her barque and thus far, if she had +encountered some storms and buffeting, she had at least escaped being +either shipwrecked or becalmed. + +Courtenay Youghal had not been designed by Nature to fulfil the _rôle_ of +an ardent or devoted lover, and he scrupulously respected the limits +which Nature had laid down. For Molly, however, he had a certain +responsive affection. She had always obviously admired him, and at the +same time she never beset him with crude flattery; the principal reason +why the flirtation had stood the test of so many years was the fact that +it only flared into active existence at convenient intervals. In an age +when the telephone has undermined almost every fastness of human privacy, +and the sanctity of one’s seclusion depends often on the ability for +tactful falsehood shown by a club pageboy, Youghal was duly appreciative +of the circumstance that his lady fair spent a large part of the year +pursuing foxes, in lieu of pursuing him. Also the honestly admitted fact +that, in her human hunting, she rode after more than one quarry, made the +inevitable break-up of the affair a matter to which both could look +forward without a sense of coming embarrassment and recrimination. When +the time for gathering ye rosebuds should be over, neither of them could +accuse the other of having wrecked his or her entire life. At the most +they would only have disorganised a week-end. + +On this particular afternoon, when old reminiscences had been gone +through, and the intervening gossip of past months duly recounted, a lull +in the conversation made itself rather obstinately felt. Molly had +already guessed that matters were about to slip into a new phase; the +affair had reached maturity long ago, and a new phase must be in the +nature of a wane. + +“You’re a clever brute,” she said, suddenly, with an air of affectionate +regret; “I always knew you’d get on in the House, but I hardly expected +you to come to the front so soon.” + +“I’m coming to the front,” admitted Youghal, judicially; “the problem is, +shall I be able to stay there. Unless something happens in the financial +line before long, I don’t see how I’m to stay in Parliament at all. +Economy is out of the question. It would open people’s eyes, I fancy, if +they knew how little I exist on as it is. And I’m living so far beyond +my income that we may almost be said to be living apart.” + +“It will have to be a rich wife, I suppose,” said Molly, slowly; “that’s +the worst of success, it imposes so many conditions. I rather knew, from +something in your manner, that you were drifting that way.” + +Youghal said nothing in the way of contradiction; he gazed steadfastly at +the aviary in front of him as though exotic pheasants were for the moment +the most absorbing study in the world. As a matter of fact, his mind was +centred on the image of Elaine de Frey, with her clear untroubled eyes +and her Leonardo da Vinci air. He was wondering whether he was likely to +fall into a frame of mind concerning her which would be in the least like +falling in love. + +“I shall mind horribly,” continued Molly, after a pause, “but, of course, +I have always known that something of the sort would have to happen one +of these days. When a man goes into politics he can’t call his soul his +own, and I suppose his heart becomes an impersonal possession in the same +way.” + +“Most people who know me would tell you that I haven’t got a heart,” said +Youghal. + +“I’ve often felt inclined to agree with them,” said Molly; “and then, now +and again, I think you have a heart tucked away somewhere.” + +“I hope I have,” said Youghal, “because I’m trying to break to you the +fact that I think I’m falling in love with somebody.” + +Molly McQuade turned sharply to look at her companion, who still fixed +his gaze on the pheasant run in front of him. + +“Don’t tell me you’re losing your head over somebody useless, someone +without money,” she said; “I don’t think I could stand that.” + +For the moment she feared that Courtenay’s selfishness might have taken +an unexpected turn, in which ambition had given way to the fancy of the +hour; he might be going to sacrifice his Parliamentary career for a life +of stupid lounging in momentarily attractive company. He quickly +undeceived her. + +“She’s got heaps of money.” + +Molly gave a grunt of relief. Her affection for Courtenay had produced +the anxiety which underlay her first question; a natural jealousy +prompted the next one. + +“Is she young and pretty and all that sort of thing, or is she just a +good sort with a sympathetic manner and nice eyes? As a rule that’s the +kind that goes with a lot of money.” + +“Young and quite good-looking in her way, and a distinct style of her +own. Some people would call her beautiful. As a political hostess I +should think she’d be splendid. I imagine I’m rather in love with her.” + +“And is she in love with you?” + +Youghal threw back his head with the slight assertive movement that Molly +knew and liked. + +“She’s a girl who I fancy would let judgment influence her a lot. And +without being stupidly conceited, I think I may say she might do worse +than throw herself away on me. I’m young and quite good-looking, and I’m +making a name for myself in the House; she’ll be able to read all sorts +of nice and horrid things about me in the papers at breakfast-time. I +can be brilliantly amusing at times, and I understand the value of +silence; there is no fear that I shall ever degenerate into that fearsome +thing—a cheerful talkative husband. For a girl with money and social +ambitions I should think I was rather a good thing.” + +“You are certainly in love, Courtenay,” said Molly, “but it’s the old +love and not a new one. I’m rather glad. I should have hated to have +you head-over-heels in love with a pretty woman, even for a short time. +You’ll be much happier as it is. And I’m going to put all my feelings in +the background, and tell you to go in and win. You’ve got to marry a +rich woman, and if she’s nice and will make a good hostess, so much the +better for everybody. You’ll be happier in your married life than I +shall be in mine, when it comes; you’ll have other interests to absorb +you. I shall just have the garden and dairy and nursery and lending +library, as like as two peas to all the gardens and dairies and nurseries +for hundreds of miles round. You won’t care for your wife enough to be +worried every time she has a finger-ache, and you’ll like her well enough +to be pleased to meet her sometimes at your own house. I shouldn’t +wonder if you were quite happy. She will probably be miserable, but any +woman who married you would be.” + +There was a short pause; they were both staring at the pheasant cages. +Then Molly spoke again, with the swift nervous tone of a general who is +hurriedly altering the disposition of his forces for a strategic retreat. + +“When you are safely married and honey-mooned and all that sort of thing, +and have put your wife through her paces as a political hostess, some +time, when the House isn’t sitting, you must come down by yourself, and +do a little hunting with us. Will you? It won’t be quite the same as +old times, but it will be something to look forward to when I’m reading +the endless paragraphs about your fashionable political wedding.” + +“You’re looking forward pretty far,” laughed Youghal; “the lady may take +your view as to the probable unhappiness of a future shared with me, and +I may have to content myself with penurious political bachelorhood. +Anyhow, the present is still with us. We dine at Kettner’s to-night, +don’t we?” + +“Rather,” said Molly, “though it will be more or less a throat-lumpy +feast as far as I am concerned. We shall have to drink to the health of +the future Mrs. Youghal. By the way, it’s rather characteristic of you +that you haven’t told me who she is, and of me that I haven’t asked. And +now, like a dear boy, trot away and leave me. I haven’t got to say +good-bye to you yet, but I’m going to take a quiet farewell of the +Pheasantry. We’ve had some jolly good talks, you and I, sitting on this +seat, haven’t we? And I know, as well as I know anything, that this is +the last of them. Eight o’clock to-night, as punctually as possible.” + +She watched his retreating figure with eyes that grew slowly misty; he +had been such a jolly comely boy-friend, and they had had such good times +together. The mist deepened on her lashes as she looked round at the +familiar rendezvous where they had so often kept tryst since the day when +they had first come there together, he a schoolboy and she but lately out +of her teens. For the moment she felt herself in the thrall of a very +real sorrow. + +Then, with the admirable energy of one who is only in town for a fleeting +fortnight, she raced away to have tea with a world-faring naval admirer +at his club. Pluralism is a merciful narcotic. + + + + +CHAPTER VI + + +ELAINE DE FREY sat at ease—at bodily ease—at any rate—in a low wicker +chair placed under the shade of a group of cedars in the heart of a +stately spacious garden that had almost made up its mind to be a park. +The shallow stone basin of an old fountain, on whose wide ledge a +leaden-moulded otter for ever preyed on a leaden salmon, filled a +conspicuous place in the immediate foreground. Around its rim ran an +inscription in Latin, warning mortal man that time flows as swiftly as +water and exhorting him to make the most of his hours; after which piece +of Jacobean moralising it set itself shamelessly to beguile all who might +pass that way into an abandonment of contemplative repose. On all sides +of it a stretch of smooth turf spread away, broken up here and there by +groups of dwarfish chestnut and mulberry trees, whose leaves and branches +cast a laced pattern of shade beneath them. On one side the lawn sloped +gently down to a small lake, whereon floated a quartette of swans, their +movements suggestive of a certain mournful listlessness, as though a +weary dignity of caste held them back from the joyous bustling life of +the lesser waterfowl. Elaine liked to imagine that they re-embodied the +souls of unhappy boys who had been forced by family interests to become +high ecclesiastical dignitaries and had grown prematurely Right Reverend. +A low stone balustrade fenced part of the shore of the lake, making a +miniature terrace above its level, and here roses grew in a rich +multitude. Other rose bushes, carefully pruned and tended, formed little +oases of colour and perfume amid the restful green of the sward, and in +the distance the eye caught the variegated blaze of a many-hued hedge of +rhododendron. With these favoured exceptions flowers were hard to find +in this well-ordered garden; the misguided tyranny of staring geranium +beds and beflowered archways leading to nowhere, so dear to the suburban +gardener, found no expression here. Magnificent Amherst pheasants, whose +plumage challenged and almost shamed the peacock on his own ground, +stepped to and fro over the emerald turf with the assured self-conscious +pride of reigning sultans. It was a garden where summer seemed a +part-proprietor rather than a hurried visitor. + +By the side of Elaine’s chair under the shadow of the cedars a wicker +table was set out with the paraphernalia of afternoon tea. On some +cushions at her feet reclined Courtenay Youghal, smoothly preened and +youthfully elegant, the personification of decorative repose; equally +decorative, but with the showy restlessness of a dragonfly, Comus +disported his flannelled person over a considerable span of the available +foreground. + +The intimacy existing between the two young men had suffered no immediate +dislocation from the circumstance that they were tacitly paying court to +the same lady. It was an intimacy founded not in the least on friendship +or community of tastes and ideas, but owed its existence to the fact that +each was amused and interested by the other. Youghal found Comus, for +the time being at any rate, just as amusing and interesting as a rival +for Elaine’s favour as he had been in the _rôle_ of scapegrace +boy-about-Town; Comus for his part did not wish to lose touch with +Youghal, who among other attractions possessed the recommendation of +being under the ban of Comus’s mother. She disapproved, it is true, of a +great many of her son’s friends and associates, but this particular one +was a special and persistent source of irritation to her from the fact +that he figured prominently and more or less successfully in the public +life of the day. There was something peculiarly exasperating in reading +a brilliant and incisive attack on the Government’s rash handling of +public expenditure delivered by a young man who encouraged her son in +every imaginable extravagance. The actual extent of Youghal’s influence +over the boy was of the slightest; Comus was quite capable of deriving +encouragement to rash outlay and frivolous conversation from an anchorite +or an East-end parson if he had been thrown into close companionship with +such an individual. Francesca, however, exercised a mother’s privilege +in assuming her son’s bachelor associates to be industrious in labouring +to achieve his undoing. Therefore the young politician was a source of +unconcealed annoyance to her, and in the same degree as she expressed her +disapproval of him Comus was careful to maintain and parade the intimacy. +Its existence, or rather its continued existence, was one of the things +that faintly puzzled the young lady whose sought-for favour might have +been expected to furnish an occasion for its rapid dissolution. + +With two suitors, one of whom at least she found markedly attractive, +courting her at the same moment, Elaine should have had reasonable cause +for being on good terms with the world, and with herself in particular. +Happiness was not, however, at this auspicious moment, her dominant mood. +The grave calm of her face masked as usual a certain degree of grave +perturbation. A succession of well-meaning governesses and a plentiful +supply of moralising aunts on both sides of her family, had impressed on +her young mind the theoretical fact that wealth is a great +responsibility. The consciousness of her responsibility set her +continually wondering, not as to her own fitness to discharge her +“stewardship,” but as to the motives and merits of people with whom she +came in contact. The knowledge that there was so much in the world that +she could buy, invited speculation as to how much there was that was +worth buying. Gradually she had come to regard her mind as a sort of +appeal court before whose secret sittings were examined and judged the +motives and actions, the motives especially, of the world in general. In +her schoolroom days she had sat in conscientious judgment on the motives +that guided or misguided Charles and Cromwell and Monck, Wallenstein and +Savonarola. In her present stage she was equally occupied in examining +the political sincerity of the Secretary for Foreign Affairs, the +good-faith of a honey-tongued but possibly loyal-hearted waiting-maid, +and the disinterestedness of a whole circle of indulgent and flattering +acquaintances. Even more absorbing, and in her eyes, more urgently +necessary, was the task of dissecting and appraising the characters of +the two young men who were favouring her with their attentions. And +herein lay cause for much thinking and some perturbation. Youghal, for +example, might have baffled a more experienced observer of human nature. +Elaine was too clever to confound his dandyism with foppishness or +self-advertisement. He admired his own toilet effect in a mirror from a +genuine sense of pleasure in a thing good to look upon, just as he would +feel a sensuous appreciation of the sight of a well-bred, well-matched, +well-turned-out pair of horses. Behind his careful political flippancy +and cynicism one might also detect a certain careless sincerity, which +would probably in the long run save him from moderate success, and turn +him into one of the brilliant failures of his day. Beyond this it was +difficult to form an exact appreciation of Courtenay Youghal, and Elaine, +who liked to have her impressions distinctly labelled and pigeon-holed, +was perpetually scrutinising the outer surface of his characteristics and +utterances, like a baffled art critic vainly searching beneath the +varnish and scratches of a doubtfully assigned picture for an +enlightening signature. The young man added to her perplexities by his +deliberate policy of never trying to show himself in a favourable light +even when most anxious to impart a favourable impression. He preferred +that people should hunt for his good qualities, and merely took very good +care that as far as possible they should never draw blank; even in the +matter of selfishness, which was the anchor-sheet of his existence, he +contrived to be noted, and justly noted, for doing remarkably unselfish +things. As a ruler he would have been reasonably popular; as a husband +he would probably be unendurable. + +Comus was to a certain extent as great a mystification as Youghal, but +here Elaine was herself responsible for some of the perplexity which +enshrouded his character in her eyes. She had taken more than a passing +fancy for the boy—for the boy as he might be, that was to say—and she was +desperately unwilling to see him and appraise him as he really was. Thus +the mental court of appeal was constantly engaged in examining witnesses +as to character, most of whom signally failed to give any testimony which +would support the favourable judgment which the tribunal was so anxious +to arrive at. A woman with wider experience of the world’s ways and +shortcomings would probably have contented herself with an endeavour to +find out whether her liking for the boy outweighed her dislike of his +characteristics; Elaine took her judgments too seriously to approach the +matter from such a simple and convenient standpoint. The fact that she +was much more than half in love with Comus made it dreadfully important +that she should discover him to have a lovable soul, and Comus, it must +be confessed, did little to help forward the discovery. + +“At any rate he is honest,” she would observe to herself, after some +outspoken admission of unprincipled conduct on his part, and then she +would ruefully recall certain episodes in which he had figured, from +which honesty had been conspicuously absent. What she tried to label +honesty in his candour was probably only a cynical defiance of the laws +of right and wrong. + +“You look more than usually thoughtful this afternoon,” said Comus to +her, “as if you had invented this summer day and were trying to think out +improvements.” + +“If I had the power to create improvements anywhere I think I should +begin with you,” retorted Elaine. + +“I’m sure it’s much better to leave me as I am,” protested Comus; “you’re +like a relative of mine up in Argyllshire, who spends his time producing +improved breeds of sheep and pigs and chickens. So patronising and +irritating to the Almighty I should think, to go about putting superior +finishing touches to Creation.” + +Elaine frowned, and then laughed, and finally gave a little sigh. + +“It’s not easy to talk sense to you,” she said. + +“Whatever else you take in hand,” said Youghal, “you must never improve +this garden. It’s what our idea of Heaven might be like if the Jews +hadn’t invented one for us on totally different lines. It’s dreadful +that we should accept them as the impresarios of our religious dreamland +instead of the Greeks.” + +“You are not very fond of the Jews,” said Elaine. + +“I’ve travelled and lived a good deal in Eastern Europe,” said Youghal. + +“It seems largely a question of geography,” said Elaine; “in England no +one really is anti-Semitic.” + +Youghal shook his head. “I know a great many Jews who are.” + +Servants had quietly, almost reverently, placed tea and its accessories +on the wicker table, and quietly receded from the landscape. Elaine sat +like a grave young goddess about to dispense some mysterious potion to +her devotees. Her mind was still sitting in judgment on the Jewish +question. + +Comus scrambled to his feet. + +“It’s too hot for tea,” he said; “I shall go and feed the swans.” + +And he walked off with a little silver basket-dish containing brown +bread-and-butter. + +Elaine laughed quietly. + +“It’s so like Comus,” she said, “to go off with our one dish of +bread-and-butter.” + +Youghal chuckled responsively. It was an undoubted opportunity for him +to put in some disparaging criticism of Comus, and Elaine sat alert in +readiness to judge the critic and reserve judgment on the criticised. + +“His selfishness is splendid but absolutely futile,” said Youghal; “now +my selfishness is commonplace, but always thoroughly practical and +calculated. He will have great difficulty in getting the swans to accept +his offering, and he incurs the odium of reducing us to a +bread-and-butterless condition. Incidentally he will get very hot.” + +Elaine again had the sense of being thoroughly baffled. If Youghal had +said anything unkind it was about himself. + +“If my cousin Suzette had been here,” she observed, with the shadow of a +malicious smile on her lips, “I believe she would have gone into a flood +of tears at the loss of her bread-and-butter, and Comus would have +figured ever after in her mind as something black and destroying and +hateful. In fact I don’t really know why we took our loss so +unprotestingly.” + +“For two reasons,” said Youghal; “you are rather fond of Comus. And I—am +not very fond of bread-and-butter.” + +The jesting remark brought a throb of pleasure to Elaine’s heart. She +had known full well that she cared for Comus, but now that Courtenay +Youghal had openly proclaimed the fact as something unchallenged and +understood matters seemed placed at once on a more advanced footing. The +warm sunlit garden grew suddenly into a Heaven that held the secret of +eternal happiness. Youth and comeliness would always walk here, under +the low-boughed mulberry trees, as unchanging as the leaden otter that +for ever preyed on the leaden salmon on the edge of the old fountain, and +somehow the lovers would always wear the aspect of herself and the boy +who was talking to the four white swans by the water steps. Youghal was +right; this was the real Heaven of one’s dreams and longings, +immeasurably removed from that Rue de la Paix Paradise about which one +professed utterly insincere hankerings in places of public worship. +Elaine drank her tea in a happy silence; besides being a brilliant talker +Youghal understood the rarer art of being a non-talker on occasion. + +Comus came back across the grass swinging the empty basket-dish in his +hand. + +“Swans were very pleased,” he cried, gaily, “and said they hoped I would +keep the bread-and-butter dish as a souvenir of a happy tea-party. I may +really have it, mayn’t I?” he continued in an anxious voice; “it will do +to keep studs and things in. You don’t want it.” + +“It’s got the family crest on it,” said Elaine. Some of the happiness +had died out of her eyes. + +“I’ll have that scratched off and my own put on,” said Comus. + +“It’s been in the family for generations,” protested Elaine, who did not +share Comus’s view that because you were rich your lesser possessions +could have no value in your eyes. + +“I want it dreadfully,” said Comus, sulkily, “and you’ve heaps of other +things to put bread-and-butter in.” + +For the moment he was possessed by an overmastering desire to keep the +dish at all costs; a look of greedy determination dominated his face, and +he had not for an instant relaxed his grip of the coveted object. + +Elaine was genuinely angry by this time, and was busily telling herself +that it was absurd to be put out over such a trifle; at the same moment a +sense of justice was telling her that Comus was displaying a good deal of +rather shabby selfishness. And somehow her chief anxiety at the moment +was to keep Courtenay Youghal from seeing that she was angry. + +“I know you don’t really want it, so I’m going to keep it,” persisted +Comus. + +“It’s too hot to argue,” said Elaine. + +“Happy mistress of your destinies,” laughed Youghal; “you can suit your +disputations to the desired time and temperature. I have to go and +argue, or what is worse, listen to other people’s arguments, in a hot and +doctored atmosphere suitable to an invalid lizard.” + +“You haven’t got to argue about a bread-and-butter dish,” said Elaine. + +“Chiefly about bread-and-butter,” said Youghal; “our great preoccupation +is other people’s bread-and-butter. They earn or produce the material, +but we busy ourselves with making rules how it shall be cut up, and the +size of the slices, and how much butter shall go on how much bread. That +is what is called legislation. If we could only make rules as to how the +bread-and-butter should be digested we should be quite happy.” + +Elaine had been brought up to regard Parliaments as something to be +treated with cheerful solemnity, like illness or family re-unions. +Youghal’s flippant disparagement of the career in which he was involved +did not, however, jar on her susceptibilities. She knew him to be not +only a lively and effective debater but an industrious worker on +committees. If he made light of his labours, at least he afforded no one +else a loophole for doing so. And certainly, the Parliamentary +atmosphere was not inviting on this hot afternoon. + +“When must you go?” she asked, sympathetically. + +Youghal looked ruefully at his watch. Before he could answer, a cheerful +hoot came through the air, as of an owl joyously challenging the sunlight +with a foreboding of the coming night. He sprang laughing to his feet. + +“Listen! My summons back to my galley,” he cried. “The Gods have given +me an hour in this enchanted garden, so I must not complain.” + +Then in a lower voice he almost whispered, “It’s the Persian debate +to-night.” + +It was the one hint he had given in the midst of his talking and laughing +that he was really keenly enthralled in the work that lay before him. It +was the one little intimate touch that gave Elaine the knowledge that he +cared for her opinion of his work. + +Comus, who had emptied his cigarette-case, became suddenly clamorous at +the prospect of being temporarily stranded without a smoke. Youghal took +the last remaining cigarette from his own case and gravely bisected it. + +“Friendship could go no further,” he observed, as he gave one-half to the +doubtfully appeased Comus, and lit the other himself. + +“There are heaps more in the hall,” said Elaine. + +“It was only done for the Saint Martin of Tours effect,” said Youghal; “I +hate smoking when I’m rushing through the air. Good-bye.” + +The departing galley-slave stepped forth into the sunlight, radiant and +confident. A few minutes later Elaine could see glimpses of his white +car as it rushed past the rhododendron bushes. He woos best who leaves +first, particularly if he goes forth to battle or the semblance of +battle. + +Somehow Elaine’s garden of Eternal Youth had already become clouded in +its imagery. The girl-figure who walked in it was still distinctly and +unchangingly herself, but her companion was more blurred and undefined, +as a picture that has been superimposed on another. + +Youghal sped townward well satisfied with himself. To-morrow, he +reflected, Elaine would read his speech in her morning paper, and he knew +in advance that it was not going to be one of his worst efforts. He knew +almost exactly where the punctuations of laughter and applause would +burst in, he knew that nimble fingers in the Press Gallery would be +taking down each gibe and argument as he flung it at the impassive +Minister confronting him, and that the fair lady of his desire would be +able to judge what manner of young man this was who spent his afternoon +in her garden, lazily chaffing himself and his world. + +And he further reflected, with an amused chuckle, that she would be +vividly reminded of Comus for days to come, when she took her afternoon +tea, and saw the bread-and-butter reposing in an unaccustomed dish. + + + + +CHAPTER VII + + +TOWARDS four o’clock on a hot afternoon Francesca stepped out from a shop +entrance near the Piccadilly end of Bond Street and ran almost into the +arms of Merla Blathlington. The afternoon seemed to get instantly +hotter. Merla was one of those human flies that buzz; in crowded +streets, at bazaars and in warm weather, she attained to the proportions +of a human bluebottle. Lady Caroline Benaresq had openly predicted that +a special fly-paper was being reserved for her accommodation in another +world; others, however, held the opinion that she would be miraculously +multiplied in a future state, and that four or more Merla Blathlingtons, +according to deserts, would be in perpetual and unremitting attendance on +each lost soul. + +“Here we are,” she cried, with a glad eager buzz, “popping in and out of +shops like rabbits; not that rabbits do pop in and out of shops very +extensively.” + +It was evidently one of her bluebottle days. + +“Don’t you love Bond Street?” she gabbled on. “There’s something so +unusual and distinctive about it; no other street anywhere else is quite +like it. Don’t you know those ikons and images and things scattered up +and down Europe, that are supposed to have been painted or carved, as the +case may be, by St. Luke or Zaccheus, or somebody of that sort; I always +like to think that some notable person of those times designed Bond +Street. St. Paul, perhaps. He travelled about a lot.” + +“Not in Middlesex, though,” said Francesca. + +“One can’t be sure,” persisted Merla; “when one wanders about as much as +he did one gets mixed up and forgets where one _has_ been. I can never +remember whether I’ve been to the Tyrol twice and St. Moritz once, or the +other way about; I always have to ask my maid. And there’s something +about the name Bond that suggests St. Paul; didn’t he write a lot about +the bond and the free?” + +“I fancy he wrote in Hebrew or Greek,” objected Francesca; “the word +wouldn’t have the least resemblance.” + +“So dreadfully non-committal to go about pamphleteering in those bizarre +languages,” complained Merla; “that’s what makes all those people so +elusive. As soon as you try to pin them down to a definite statement +about anything you’re told that some vitally important word has fifteen +other meanings in the original. I wonder our Cabinet Ministers and +politicians don’t adopt a sort of dog-Latin or Esperanto jargon to +deliver their speeches in; what a lot of subsequent explaining away would +be saved. But to go back to Bond Street—not that we’ve left it—” + +“I’m afraid I must leave it now,” said Francesca, preparing to turn up +Grafton Street; “Good-bye.” + +“Must you be going? Come and have tea somewhere. I know of a cosy +little place where one can talk undisturbed.” + +Francesca repressed a shudder and pleaded an urgent engagement. + +“I know where you’re going,” said Merla, with the resentful buzz of a +bluebottle that finds itself thwarted by the cold unreasoning resistance +of a windowpane. “You’re going to play bridge at Serena Golackly’s. She +never asks me to her bridge parties.” + +Francesca shuddered openly this time; the prospect of having to play +bridge anywhere in the near neighbourhood of Merla’s voice was not one +that could be contemplated with ordinary calmness. + +“Good-bye,” she said again firmly, and passed out of earshot; it was +rather like leaving the machinery section of an exhibition. Merla’s +diagnosis of her destination had been a correct one; Francesca made her +way slowly through the hot streets in the direction of Serena Golackly’s +house on the far side of Berkeley Square. To the blessed certainty of +finding a game of bridge, she hopefully added the possibility of hearing +some fragments of news which might prove interesting and enlightening. +And of enlightenment on a particular subject, in which she was acutely +and personally interested, she stood in some need. Comus of late had +been provokingly reticent as to his movements and doings; partly, +perhaps, because it was his nature to be provoking, partly because the +daily bickerings over money matters were gradually choking other forms of +conversation. Francesca had seen him once or twice in the Park in the +desirable company of Elaine de Frey, and from time to time she heard of +the young people as having danced together at various houses; on the +other hand, she had seen and heard quite as much evidence to connect the +heiress’s name with that of Courtenay Youghal. Beyond this meagre and +conflicting and altogether tantalising information, her knowledge of the +present position of affairs did not go. If either of the young men was +seriously “making the running,” it was probable that she would hear some +sly hint or open comment about it from one of Serena’s gossip-laden +friends, without having to go out of her way to introduce the subject and +unduly disclose her own state of ignorance. And a game of bridge, played +for moderately high points, gave ample excuse for convenient lapses into +reticence; if questions took an embarrassingly inquisitive turn, one +could always find refuge in a defensive spade. + +The afternoon was too warm to make bridge a generally popular diversion, +and Serena’s party was a comparatively small one. Only one table was +incomplete when Francesca made her appearance on the scene; at it was +seated Serena herself, confronted by Ada Spelvexit, whom everyone was +wont to explain as “one of the Cheshire Spelvexits,” as though any other +variety would have been intolerable. Ada Spelvexit was one of those +naturally stagnant souls who take infinite pleasure in what are called +“movements.” “Most of the really great lessons I have learned have been +taught me by the Poor,” was one of her favourite statements. The one +great lesson that the Poor in general would have liked to have taught +her, that their kitchens and sickrooms were not unreservedly at her +disposal as private lecture halls, she had never been able to assimilate. +She was ready to give them unlimited advice as to how they should keep +the wolf from their doors, but in return she claimed and enforced for +herself the penetrating powers of an east wind or a dust storm. Her +visits among her wealthier acquaintances were equally extensive and +enterprising, and hardly more welcome; in country-house parties, while +partaking to the fullest extent of the hospitality offered her, she made +a practice of unburdening herself of homilies on the evils of leisure and +luxury, which did not particularly endear her to her fellow guests. +Hostesses regarded her philosophically as a form of social measles which +everyone had to have once. + +The third prospective player, Francesca noted without any special +enthusiasm, was Lady Caroline Benaresq. Lady Caroline was far from being +a remarkably good bridge player, but she always managed to domineer +mercilessly over any table that was favoured with her presence, and +generally managed to win. A domineering player usually inflicts the +chief damage and demoralisation on his partner; Lady Caroline’s special +achievement was to harass and demoralise partner and opponents alike. + +“Weak and weak,” she announced in her gentle voice, as she cut her +hostess for a partner; “I suppose we had better play only five shillings +a hundred.” + +Francesca wondered at the old woman’s moderate assessment of the stake, +knowing her fondness for highish play and her usual good luck in card +holding. + +“I don’t mind what we play,” said Ada Spelvexit, with an incautious +parade of elegant indifference; as a matter of fact she was inwardly +relieved and rejoicing at the reasonable figure proposed by Lady +Caroline, and she would certainly have demurred if a higher stake had +been suggested. She was not as a rule a successful player, and money +lost at cards was always a poignant bereavement to her. + +“Then as you don’t mind we’ll make it ten shillings a hundred,” said Lady +Caroline, with the pleased chuckle of one who has spread a net in the +sight of a bird and disproved the vanity of the proceeding. + +It proved a tiresome ding-dong rubber, with the strength of the cards +slightly on Francesca’s side, and the luck of the table going mostly the +other way. She was too keen a player not to feel a certain absorption in +the game once it had started, but she was conscious to-day of a +distracting interest that competed with the momentary importance of leads +and discards and declarations. The little accumulations of talk that +were unpent during the dealing of the hands became as noteworthy to her +alert attention as the play of the hands themselves. + +“Yes, quite a small party this afternoon,” said Serena, in reply to a +seemingly casual remark on Francesca’s part; “and two or three +non-players, which is unusual on a Wednesday. Canon Besomley was here +just before you came; you know, the big preaching man.” + +“I’ve been to hear him scold the human race once or twice,” said +Francesca. + +“A strong man with a wonderfully strong message,” said Ada Spelvexit, in +an impressive and assertive tone. + +“The sort of popular pulpiteer who spanks the vices of his age and +lunches with them afterwards,” said Lady Caroline. + +“Hardly a fair summary of the man and his work,” protested Ada. “I’ve +been to hear him many times when I’ve been depressed or discouraged, and +I simply can’t tell you the impression his words leave—” + +“At least you can tell us what you intend to make trumps,” broke in Lady +Caroline, gently. + +“Diamonds,” pronounced Ada, after a rather flurried survey of her hand. + +“Doubled,” said Lady Caroline, with increased gentleness, and a few +minutes later she was pencilling an addition of twenty-four to her score. + +“I stayed with his people down in Herefordshire last May,” said Ada, +returning to the unfinished theme of the Canon; “such an exquisite rural +retreat, and so restful and healing to the nerves. Real country scenery; +apple blossom everywhere.” + +“Surely only on the apple trees,” said Lady Caroline. + +Ada Spelvexit gave up the attempt to reproduce the decorative setting of +the Canon’s homelife, and fell back on the small but practical +consolation of scoring the odd trick in her opponent’s declaration of +hearts. + +“If you had led your highest club to start with, instead of the nine, we +should have saved the trick,” remarked Lady Caroline to her partner in a +tone of coldly, gentle reproof; “it’s no use, my dear,” she continued, as +Serena flustered out a halting apology, “no earthly use to attempt to +play bridge at one table and try to see and hear what’s going on at two +or three other tables.” + +“I can generally manage to attend to more than one thing at a time,” said +Serena, rashly; “I think I must have a sort of double brain.” + +“Much better to economise and have one really good one,” observed Lady +Caroline. + +“_La belle dame sans merci_ scoring a verbal trick or two as usual,” said +a player at another table in a discreet undertone. + +“Did I tell you Sir Edward Roan is coming to my next big evening,” said +Serena, hurriedly, by way, perhaps, of restoring herself a little in her +own esteem. + +“Poor dear, good Sir Edward. What have you made trumps?” asked Lady +Caroline, in one breath. + +“Clubs,” said Francesca; “and pray, why these adjectives of +commiseration?” + +Francesca was a Ministerialist by family interest and allegiance, and was +inclined to take up the cudgels at the suggested disparagement aimed at +the Foreign Secretary. + +“He amuses me so much,” purred Lady Caroline. Her amusement was usually +of the sort that a sporting cat derives from watching the Swedish +exercises of a well-spent and carefully thought-out mouse. + +“Really? He has been rather a brilliant success at the Foreign Office, +you know,” said Francesca. + +“He reminds one so of a circus elephant—infinitely more intelligent than +the people who direct him, but quite content to go on putting his foot +down or taking it up as may be required, quite unconcerned whether he +steps on a meringue or a hornet’s nest in the process of going where he’s +expected to go.” + +“How can you say such things?” protested Francesca. + +“I can’t,” said Lady Caroline; “Courtenay Youghal said it in the House +last night. Didn’t you read the debate? He was really rather in form. +I disagree entirely with his point of view, of course, but some of the +things he says have just enough truth behind them to redeem them from +being merely smart; for instance, his summing up of the Government’s +attitude towards our embarrassing Colonial Empire in the wistful phrase +‘happy is the country that has no geography.’” + +“What an absurdly unjust thing to say,” put in Francesca; “I daresay some +of our Party at some time have taken up that attitude, but every one +knows that Sir Edward is a sound Imperialist at heart.” + +“Most politicians are something or other at heart, but no one would be +rash enough to insure a politician against heart failure. Particularly +when he happens to be in office.” + +“Anyhow, I don’t see that the Opposition leaders would have acted any +differently in the present case,” said Francesca. + +“One should always speak guardedly of the Opposition leaders,” said Lady +Caroline, in her gentlest voice; “one never knows what a turn in the +situation may do for them.” + +“You mean they may one day be at the head of affairs?” asked Serena, +briskly. + +“I mean they may one day lead the Opposition. One never knows.” + +Lady Caroline had just remembered that her hostess was on the Opposition +side in politics. + +Francesca and her partner scored four tricks in clubs; the game stood +irresolutely at twenty-four all. + +“If you had followed the excellent lyrical advice given to the Maid of +Athens and returned my heart we should have made two more tricks and gone +game,” said Lady Caroline to her partner. + +“Mr. Youghal seems pushing himself to the fore of late,” remarked +Francesca, as Serena took up the cards to deal. Since the young +politician’s name had been introduced into their conversation the +opportunity for turning the talk more directly on him and his affairs was +too good to be missed. + +“I think he’s got a career before him,” said Serena; “the House always +fills when he’s speaking, and that’s a good sign. And then he’s young +and got rather an attractive personality, which is always something in +the political world.” + +“His lack of money will handicap him, unless he can find himself a rich +wife or persuade someone to die and leave him a fat legacy,” said +Francesca; “since M.P.’s have become the recipients of a salary rather +more is expected and demanded of them in the expenditure line than +before.” + +“Yes, the House of Commons still remains rather at the opposite pole to +the Kingdom of Heaven as regards entrance qualifications,” observed Lady +Caroline. + +“There ought to be no difficulty about Youghal picking up a girl with +money,” said Serena; “with his prospects he would make an excellent +husband for any woman with social ambitions.” + +And she half sighed, as though she almost regretted that a previous +matrimonial arrangement precluded her from entering into the competition +on her own account. + +Francesca, under an assumption of languid interest, was watching Lady +Caroline narrowly for some hint of suppressed knowledge of Youghal’s +courtship of Miss de Frey. + +“Whom are you marrying and giving in marriage?” + +The question came from George St. Michael, who had strayed over from a +neighbouring table, attracted by the fragments of small-talk that had +reached his ears. + +St. Michael was one of those dapper bird-like illusorily-active men, who +seem to have been in a certain stage of middle-age for as long as human +memory can recall them. A close-cut peaked beard lent a certain dignity +to his appearance—a loan which the rest of his features and mannerisms +were continually and successfully repudiating. His profession, if he had +one, was submerged in his hobby, which consisted of being an +advance-agent for small happenings or possible happenings that were or +seemed imminent in the social world around him; he found a perpetual and +unflagging satisfaction in acquiring and retailing any stray items of +gossip or information, particularly of a matrimonial nature, that chanced +to come his way. Given the bare outline of an officially announced +engagement he would immediately fill it in with all manner of details, +true or, at any rate, probable, drawn from his own imagination or from +some equally exclusive source. The _Morning Post_ might content itself +with the mere statement of the arrangement which would shortly take +place, but it was St. Michael’s breathless little voice that proclaimed +how the contracting parties had originally met over a salmon-fishing +incident, why the Guards’ Chapel would not be used, why her Aunt Mary had +at first opposed the match, how the question of the children’s religious +upbringing had been compromised, etc., etc., to all whom it might +interest and to many whom it might not. Beyond his industriously-earned +pre-eminence in this special branch of intelligence, he was chiefly +noteworthy for having a wife reputed to be the tallest and thinnest woman +in the Home Counties. The two were sometimes seen together in Society, +where they passed under the collective name of St. Michael and All +Angles. + +“We are trying to find a rich wife for Courtenay Youghal,” said Serena, +in answer to St. Michael’s question. + +“Ah, there I’m afraid you’re a little late,” he observed, glowing with +the importance of pending revelation; “I’m afraid you’re a little late,” +he repeated, watching the effect of his words as a gardener might watch +the development of a bed of carefully tended asparagus. “I think the +young gentleman has been before you and already found himself a rich mate +in prospect.” + +He lowered his voice as he spoke, not with a view to imparting impressive +mystery to his statement, but because there were other table groups +within hearing to whom he hoped presently to have the privilege of +re-disclosing his revelation. + +“Do you mean—?” began Serena. + +“Miss de Frey,” broke in St. Michael, hurriedly, fearful lest his +revelation should be forestalled, even in guesswork; “quite an ideal +choice, the very wife for a man who means to make his mark in politics. +Twenty-four thousand a year, with prospects of more to come, and a +charming place of her own not too far from town. Quite the type of girl, +too, who will make a good political hostess, brains without being brainy, +you know. Just the right thing. Of course, it would be premature to +make any definite announcement at present—” + +“It would hardly be premature for my partner to announce what she means +to make trumps,” interrupted Lady Caroline, in a voice of such sinister +gentleness that St. Michael fled headlong back to his own table. + +“Oh, is it me? I beg your pardon. I leave it,” said Serena. + +“Thank you. No trumps,” declared Lady Caroline. The hand was +successful, and the rubber ultimately fell to her with a comfortable +margin of honours. The same partners cut together again, and this time +the cards went distinctly against Francesca and Ada Spelvexit, and a +heavily piled-up score confronted them at the close of the rubber. +Francesca was conscious that a certain amount of rather erratic play on +her part had at least contributed to the result. St. Michael’s incursion +into the conversation had proved rather a powerful distraction to her +ordinarily sound bridge-craft. + +Ada Spelvexit emptied her purse of several gold pieces and infused a +corresponding degree of superiority into her manner. + +“I must be going now,” she announced; “I’m dining early. I have to give +an address to some charwomen afterwards.” + +“Why?” asked Lady Caroline, with a disconcerting directness that was one +of her most formidable characteristics. + +“Oh, well, I have some things to say to them that I daresay they will +like to hear,” said Ada, with a thin laugh. + +Her statement was received with a silence that betokened profound +unbelief in any such probability. + +“I go about a good deal among working-class women,” she added. + +“No one has ever said it,” observed Lady Caroline, “but how painfully +true it is that the poor have us always with them.” + +Ada Spelvexit hastened her departure; the marred impressiveness of her +retreat came as a culminating discomfiture on the top of her ill-fortune +at the card-table. Possibly, however, the multiplication of her own +annoyances enabled her to survey charwomen’s troubles with increased +cheerfulness. None of them, at any rate, had spent an afternoon with +Lady Caroline. + +Francesca cut in at another table and with better fortune attending on +her, succeeded in winning back most of her losses. A sense of +satisfaction was distinctly dominant as she took leave of her hostess. +St. Michael’s gossip, or rather the manner in which it had been received, +had given her a clue to the real state of affairs, which, however slender +and conjectural, at least pointed in the desired direction. At first she +had been horribly afraid lest she should be listening to a definite +announcement which would have been the death-blow to her hopes, but as +the recitation went on without any of those assured little minor details +which St. Michael so loved to supply, she had come to the conclusion that +it was merely a piece of intelligent guesswork. And if Lady Caroline had +really believed in the story of Elaine de Frey’s virtual engagement to +Courtenay Youghal she would have taken a malicious pleasure in +encouraging St. Michael in his confidences, and in watching Francesca’s +discomfiture under the recital. The irritated manner in which she had +cut short the discussion betrayed the fact, that, as far as the old +woman’s information went, it was Comus and not Courtenay Youghal who held +the field. And in this particular case Lady Caroline’s information was +likely to be nearer the truth than St. Michael’s confident gossip. + +Francesca always gave a penny to the first crossing-sweeper or +match-seller she chanced across after a successful sitting at bridge. +This afternoon she had come out of the fray some fifteen shillings to the +bad, but she gave two pennies to a crossing-sweeper at the north-west +corner of Berkeley Square as a sort of thank-offering to the Gods. + + + + +CHAPTER VIII + + +IT was a fresh rain-repentant afternoon, following a morning that had +been sultry and torrentially wet by turns; the sort of afternoon that +impels people to talk graciously of the rain as having done a lot of +good, its chief merit in their eyes probably having been its recognition +of the art of moderation. Also it was an afternoon that invited bodily +activity after the convalescent languor of the earlier part of the day. +Elaine had instinctively found her way into her riding-habit and sent an +order down to the stables—a blessed oasis that still smelt sweetly of +horse and hay and cleanliness in a world that reeked of petrol, and now +she set her mare at a smart pace through a succession of long-stretching +country lanes. She was due some time that afternoon at a garden-party, +but she rode with determination in an opposite direction. In the first +place neither Comus or Courtenay would be at the party, which fact seemed +to remove any valid reason that could be thought of for inviting her +attendance thereat; in the second place about a hundred human beings +would be gathered there, and human gatherings were not her most crying +need at the present moment. Since her last encounter with her wooers, +under the cedars in her own garden, Elaine realised that she was either +very happy or cruelly unhappy, she could not quite determine which. She +seemed to have what she most wanted in the world lying at her feet, and +she was dreadfully uncertain in her more reflective moments whether she +really wanted to stretch out her hand and take it. It was all very like +some situation in an Arabian Nights tale or a story of Pagan Hellas, and +consequently the more puzzling and disconcerting to a girl brought up on +the methodical lines of Victorian Christianity. Her appeal court was in +permanent session these last few days, but it gave no decisions, at least +none that she would listen to. And the ride on her fast light-stepping +little mare, alone and unattended, through the fresh-smelling leafy lanes +into unexplored country, seemed just what she wanted at the moment. The +mare made some small delicate pretence of being roadshy, not the staring +dolt-like kind of nervousness that shows itself in an irritating +hanging-back as each conspicuous wayside object presents itself, but the +nerve-flutter of an imaginative animal that merely results in a quick +whisk of the head and a swifter bound forward. She might have +paraphrased the mental attitude of the immortalised Peter Bell into + + A basket underneath a tree + A yellow tiger is to me, + If it is nothing more. + +The more really alarming episodes of the road, the hoot and whir of a +passing motor-car or the loud vibrating hum of a wayside +threshing-machine, were treated with indifference. + +On turning a corner out of a narrow coppice-bordered lane into a wider +road that sloped steadily upward in a long stretch of hill Elaine saw, +coming toward her at no great distance, a string of yellow-painted vans, +drawn for the most part by skewbald or speckled horses. A certain rakish +air about these oncoming road-craft proclaimed them as belonging to a +travelling wild-beast show, decked out in the rich primitive colouring +that one’s taste in childhood would have insisted on before it had been +schooled in the artistic value of dulness. It was an unlooked-for and +distinctly unwelcome encounter. The mare had already commenced a sixfold +scrutiny with nostrils, eyes and daintily-pricked ears; one ear made +hurried little backward movements to hear what Elaine was saying about +the eminent niceness and respectability of the approaching caravan, but +even Elaine felt that she would be unable satisfactorily to explain the +elephants and camels that would certainly form part of the procession. +To turn back would seem rather craven, and the mare might take fright at +the manœuvre and try to bolt; a gate standing ajar at the entrance to a +farmyard lane provided a convenient way out of the difficulty. + +As Elaine pushed her way through she became aware of a man standing just +inside the lane, who made a movement forward to open the gate for her. + +“Thank you. I’m just getting out of the way of a wild-beast show,” she +explained; “my mare is tolerant of motors and traction-engines, but I +expect camels—hullo,” she broke off, recognising the man as an old +acquaintance, “I heard you had taken rooms in a farmhouse somewhere. +Fancy meeting you in this way.” + +In the not very distant days of her little-girlhood, Tom Keriway had been +a man to be looked upon with a certain awe and envy; indeed the glamour +of his roving career would have fired the imagination, and wistful desire +to do likewise, of many young Englishmen. It seemed to be the grown-up +realisation of the games played in dark rooms in winter fire-lit +evenings, and the dreams dreamed over favourite books of adventure. +Making Vienna his headquarters, almost his home, he had rambled where he +listed through the lands of the Near and Middle East as leisurely and +thoroughly as tamer souls might explore Paris. He had wandered through +Hungarian horse-fairs, hunted shy crafty beasts on lonely Balkan +hillsides, dropped himself pebble-wise into the stagnant human pool of +some Bulgarian monastery, threaded his way through the strange racial +mosaic of Salonika, listened with amused politeness to the shallow +ultra-modern opinions of a voluble editor or lawyer in some wayside +Russian town, or learned wisdom from a chance tavern companion, one of +the atoms of the busy ant-stream of men and merchandise that moves +untiringly round the shores of the Black Sea. And far and wide as he +might roam he always managed to turn up at frequent intervals, at ball +and supper and theatre, in the gay Hauptstadt of the Habsburgs, haunting +his favourite cafés and wine-vaults, skimming through his favourite +news-sheets, greeting old acquaintances and friends, from ambassadors +down to cobblers in the social scale. He seldom talked of his travels, +but it might be said that his travels talked of him; there was an air +about him that a German diplomat once summed up in a phrase: “a man that +wolves have sniffed at.” + +And then two things happened, which he had not mapped out in his route; a +severe illness shook half the life and all the energy out of him, and a +heavy money loss brought him almost to the door of destitution. With +something, perhaps, of the impulse which drives a stricken animal away +from its kind, Tom Keriway left the haunts where he had known so much +happiness, and withdrew into the shelter of a secluded farmhouse lodging; +more than ever he became to Elaine a hearsay personality. And now the +chance meeting with the caravan had flung her across the threshold of his +retreat. + +“What a charming little nook you’ve got hold of,” she exclaimed with +instinctive politeness, and then looked searchingly round, and discovered +that she had spoken the truth; it really was charming. The farmhouse had +that intensely English look that one seldom sees out of Normandy. Over +the whole scene of rickyard, garden, outbuildings, horsepond and orchard, +brooded that air which seems rightfully to belong to out-of-the-way +farmyards, an air of wakeful dreaminess which suggests that here, man and +beast and bird have got up so early that the rest of the world has never +caught them up and never will. + +Elaine dismounted, and Keriway led the mare round to a little paddock by +the side of a great grey barn. At the end of the lane they could see the +show go past, a string of lumbering vans and great striding beasts that +seemed to link the vast silences of the desert with the noises and sights +and smells, the naphtha-flares and advertisement hoardings and trampled +orange-peel, of an endless succession of towns. + +“You had better let the caravan pass well on its way before you get on +the road again,” said Keriway; “the smell of the beasts may make your +mare nervous and restive going home.” + +Then he called to a boy who was busy with a hoe among some defiantly +prosperous weeds, to fetch the lady a glass of milk and a piece of +currant loaf. + +“I don’t know when I’ve seen anything so utterly charming and peaceful,” +said Elaine, propping herself on a seat that a pear-tree had obligingly +designed in the fantastic curve of its trunk. + +“Charming, certainly,” said Keriway, “but too full of the stress of its +own little life struggle to be peaceful. Since I have lived here I’ve +learnt, what I’ve always suspected, that a country farmhouse, set away in +a world of its own, is one of the most wonderful studies of interwoven +happenings and tragedies that can be imagined. It is like the old +chronicles of medieval Europe in the days when there was a sort of +ordered anarchy between feudal lords and overlords, and burg-grafs, and +mitred abbots, and prince-bishops, robber barons and merchant guilds, and +Electors and so forth, all striving and contending and counter-plotting, +and interfering with each other under some vague code of loosely-applied +rules. Here one sees it reproduced under one’s eyes, like a musty page +of black-letter come to life. Look at one little section of it, the +poultry-life on the farm. Villa poultry, dull egg-machines, with records +kept of how many ounces of food they eat, and how many pennyworths of +eggs they lay, give you no idea of the wonder-life of these farm-birds; +their feuds and jealousies, and carefully maintained prerogatives, their +unsparing tyrannies and persecutions, their calculated courage and +bravado or sedulously hidden cowardice, it might all be some human +chapter from the annals of the old Rhineland or medieval Italy. And +then, outside their own bickering wars and hates, the grim enemies that +come up against them from the woodlands; the hawk that dashes among the +coops like a moss-trooper raiding the border, knowing well that a charge +of shot may tear him to bits at any moment. And the stoat, a creeping +slip of brown fur a few inches long, intently and unstayably out for +blood. And the hunger-taught master of craft, the red fox, who has +waited perhaps half the afternoon for his chance while the fowls were +dusting themselves under the hedge, and just as they were turning +supper-ward to the yard one has stopped a moment to give her feathers a +final shake and found death springing upon her. Do you know,” he +continued, as Elaine fed herself and the mare with morsels of +currant-loaf, “I don’t think any tragedy in literature that I have ever +come across impressed me so much as the first one, that I spelled out +slowly for myself in words of three letters: the bad fox has got the red +hen. There was something so dramatically complete about it; the badness +of the fox, added to all the traditional guile of his race, seemed to +heighten the horror of the hen’s fate, and there was such a suggestion of +masterful malice about the word ‘got.’ One felt that a countryside in +arms would not get that hen away from the bad fox. They used to think me +a slow dull reader for not getting on with my lesson, but I used to sit +and picture to myself the red hen, with its wings beating helplessly, +screeching in terrified protest, or perhaps, if he had got it by the +neck, with beak wide agape and silent, and eyes staring, as it left the +farmyard for ever. I have seen blood-spillings and down-crushings and +abject defeat here and there in my time, but the red hen has remained in +my mind as the type of helpless tragedy.” He was silent for a moment as +if he were again musing over the three-letter drama that had so dwelt in +his childhood’s imagination. “Tell me some of the things you have seen +in your time,” was the request that was nearly on Elaine’s lips, but she +hastily checked herself and substituted another. + +“Tell me more about the farm, please.” + +And he told her of a whole world, or rather of several intermingled +worlds, set apart in this sleepy hollow in the hills, of beast lore and +wood lore and farm craft, at times touching almost the border of +witchcraft—passing lightly here, not with the probing eagerness of those +who know nothing, but with the averted glance of those who fear to see +too much. He told her of those things that slept and those that prowled +when the dusk fell, of strange hunting cats, of the yard swine and the +stalled cattle, of the farm folk themselves, as curious and remote in +their way, in their ideas and fears and wants and tragedies, as the +brutes and feathered stock that they tended. It seemed to Elaine as if a +musty store of old-world children’s books had been fetched down from some +cobwebbed lumber-room and brought to life. Sitting there in the little +paddock, grown thickly with tall weeds and rank grasses, and shadowed by +the weather-beaten old grey barn, listening to this chronicle of +wonderful things, half fanciful, half very real, she could scarcely +believe that a few miles away there was a garden-party in full swing, +with smart frocks and smart conversation, fashionable refreshments and +fashionable music, and a fevered undercurrent of social strivings and +snubbings. Did Vienna and the Balkan Mountains and the Black Sea seem as +remote and hard to believe in, she wondered, to the man sitting by her +side, who had discovered or invented this wonderful fairyland? Was it a +true and merciful arrangement of fate and life that the things of the +moment thrust out the after-taste of the things that had been? Here was +one who had held much that was priceless in the hollow of his hand and +lost it all, and he was happy and absorbed and well-content with the +little wayside corner of the world into which he had crept. And Elaine, +who held so many desirable things in the hollow of her hand, could not +make up her mind to be even moderately happy. She did not even know +whether to take this hero of her childhood down from his pedestal, or to +place him on a higher one; on the whole she was inclined to resent rather +than approve the idea that ill-health and misfortune could so completely +subdue and tame an erstwhile bold and roving spirit. + +The mare was showing signs of delicately-hinted impatience; the paddock, +with its teasing insects and very indifferent grazing, had not thrust out +the image of her own comfortable well-foddered loose-box. Elaine +divested her habit of some remaining crumbs of bun-loaf and jumped +lightly on to her saddle. As she rode slowly down the lane, with Keriway +escorting her as far as its gate, she looked round at what had seemed to +her, a short while ago, just a picturesque old farmstead, a place of +bee-hives and hollyhocks and gabled cart-sheds; now it was in her eyes a +magic city, with an undercurrent of reality beneath its magic. + +“You are a person to be envied,” she said to Keriway; “you have created a +fairyland, and you are living in it yourself.” + +“Envied?” + +He shot the question out with sudden bitterness. She looked down and saw +the wistful misery that had come into his face. + +“Once,” he said to her, “in a German paper I read a short story about a +tame crippled crane that lived in the park of some small town. I forget +what happened in the story, but there was one line that I shall always +remember: ‘it was lame, that is why it was tame.’” + +He had created a fairyland, but assuredly he was not living in it. + + + + +CHAPTER IX + + +IN the warmth of a late June morning the long shaded stretch of raked +earth, gravel-walk and rhododendron bush that is known affectionately as +the Row was alive with the monotonous movement and alert stagnation +appropriate to the time and place. The seekers after health, the seekers +after notoriety and recognition, and the lovers of good exercise were all +well represented on the galloping ground; the gravel-walk and chairs and +long seats held a population whose varied instincts and motives would +have baffled a social catalogue-maker. The children, handled or in +perambulators, might be excused from instinct or motive; they were +brought. + +Pleasingly conspicuous among a bunch of indifferent riders pacing along +by the rails where the onlookers were thickest was Courtenay Youghal, on +his handsome plum-roan gelding Anne de Joyeuse. That delicately stepping +animal had taken a prize at Islington and nearly taken the life of a +stable-boy of whom he disapproved, but his strongest claims to +distinction were his good looks and his high opinion of himself. Youghal +evidently believed in thorough accord between horse and rider. + +“Please stop and talk to me,” said a quiet beckoning voice from the other +side of the rails, and Youghal drew rein and greeted Lady Veula Croot. +Lady Veula had married into a family of commercial solidity and +enterprising political nonentity. She had a devoted husband, some blonde +teachable children, and a look of unutterable weariness in her eyes. To +see her standing at the top of an expensively horticultured staircase +receiving her husband’s guests was rather like watching an animal +performing on a music-hall stage. + +One always tells oneself that the animal likes it, and one always knows +that it doesn’t. + +“Lady Veula is an ardent Free Trader, isn’t she?” someone once remarked +to Lady Caroline. + +“I wonder,” said Lady Caroline, in her gently questioning voice; “a woman +whose dresses are made in Paris and whose marriage has been made in +Heaven might be equally biassed for and against free imports.” + +Lady Veula looked at Youghal and his mount with slow critical +appraisement, and there was a note of blended raillery and wistfulness in +her voice. + +“You two dear things, I should love to stroke you both, but I’m not sure +how Joyeuse would take it. So I’ll stroke you down verbally instead. I +admired your attack on Sir Edward immensely, though of course I don’t +agree with a word of it. Your description of him building a hedge round +the German cuckoo and hoping he was isolating it was rather sweet. +Seriously though, I regard him as one of the pillars of the +Administration.” + +“So do I,” said Youghal; “the misfortune is that he is merely propping up +a canvas roof. It’s just his regrettable solidity and integrity that +makes him so expensively dangerous. The average Briton arrives at the +same judgment about Roan’s handling of foreign affairs as Omar does of +the Supreme Being in his dealings with the world: He’s a good fellow and +’twill all be well.’” + +Lady Veula laughed lightly. “My Party is in power so I may exercise the +privilege of being optimistic. Who is that who bowed to you?” she +continued, as a dark young man with an inclination to stoutness passed by +them on foot; “I’ve seen him about a good deal lately. He’s been to one +or two of my dances.” + +“Andrei Drakoloff,” said Youghal; “he’s just produced a play that has had +a big success in Moscow and is certain to be extremely popular all over +Russia. In the first three acts the heroine is supposed to be dying of +consumption; in the last act they find she is really dying of cancer.” + +“Are the Russians really such a gloomy people?” + +“Gloom-loving but not in the least gloomy. They merely take their +sadness pleasurably, just as we are accused of taking our pleasures +sadly. Have you noticed that dreadful Klopstock youth has been pounding +past us at shortening intervals. He’ll come up and talk if he half +catches your eye.” + +“I only just know him. Isn’t he at an agricultural college or something +of the sort?” + +“Yes, studying to be a gentleman farmer, he told me. I didn’t ask if +both subjects were compulsory.” + +“You’re really rather dreadful,” said Lady Veula, trying to look as if +she thought so; “remember, we are all equal in the sight of Heaven.” + +For a preacher of wholesome truths her voice rather lacked conviction. + +“If I and Ernest Klopstock are really equal in the sight of Heaven,” said +Youghal, with intense complacency, “I should recommend Heaven to consult +an eye specialist.” + +There was a heavy spattering of loose earth, and a squelching of +saddle-leather, as the Klopstock youth lumbered up to the rails and +delivered himself of loud, cheerful greetings. Joyeuse laid his ears well +back as the ungainly bay cob and his appropriately matched rider drew up +beside him; his verdict was reflected and endorsed by the cold stare of +Youghal’s eyes. + +“I’ve been having a nailing fine time,” recounted the newcomer with +clamorous enthusiasm; “I was over in Paris last month and had lots of +strawberries there, then I had a lot more in London, and now I’ve been +having a late crop of them in Herefordshire, so I’ve had quite a lot this +year.” And he laughed as one who had deserved well and received well of +Fate. + +“The charm of that story,” said Youghal, “is that it can be told in any +drawing-room.” And with a sweep of his wide-brimmed hat to Lady Veula he +turned the impatient Joyeuse into the moving stream of horse and +horsemen. + +“That woman reminds me of some verse I’ve read and liked,” thought +Youghal, as Joyeuse sprang into a light showy canter that gave full +recognition to the existence of observant human beings along the side +walk. “Ah, I have it.” + +And he quoted almost aloud, as one does in the exhilaration of a canter: + + “How much I loved that way you had + Of smiling most, when very sad, + A smile which carried tender hints + Of sun and spring, + And yet, more than all other thing, + Of weariness beyond all words.” + +And having satisfactorily fitted Lady Veula on to a quotation he +dismissed her from his mind. With the constancy of her sex she thought +about him, his good looks and his youth and his railing tongue, till late +in the afternoon. + +While Youghal was putting Joyeuse through his paces under the elm trees +of the Row a little drama in which he was directly interested was being +played out not many hundred yards away. Elaine and Comus were indulging +themselves in two pennyworths of Park chair, drawn aside just a little +from the serried rows of sitters who were set out like bedded plants over +an acre or so of turf. Comus was, for the moment, in a mood of +pugnacious gaiety, disbursing a fund of pointed criticism and unsparing +anecdote concerning those of the promenaders or loungers whom he knew +personally or by sight. Elaine was rather quieter than usual, and the +grave serenity of the Leonardo da Vinci portrait seemed intensified in +her face this morning. In his leisurely courtship Comus had relied +almost exclusively on his physical attraction and the fitful drollery of +his wit and high spirits, and these graces had gone far to make him seem +a very desirable and rather lovable thing in Elaine’s eyes. But he had +left out of account the disfavour which he constantly risked and +sometimes incurred from his frank and undisguised indifference to other +people’s interests and wishes, including, at times, Elaine’s. And the +more that she felt that she liked him the more she was irritated by his +lack of consideration for her. Without expecting that her every wish +should become a law to him she would at least have liked it to reach the +formality of a Second Reading. Another important factor he had also left +out of his reckoning, namely the presence on the scene of another suitor, +who also had youth and wit to recommend him, and who certainly did not +lack physical attractions. Comus, marching carelessly through unknown +country to effect what seemed already an assured victory, made the +mistake of disregarding the existence of an unbeaten army on his flank. + +To-day Elaine felt that, without having actually quarrelled, she and +Comus had drifted a little bit out of sympathy with one another. The +fault she knew was scarcely hers, in fact from the most good-natured +point of view it could hardly be denied that it was almost entirely his. +The incident of the silver dish had lacked even the attraction of +novelty; it had been one of a series, all bearing a strong connecting +likeness. There had been small unrepaid loans which Elaine would not +have grudged in themselves, though the application for them brought a +certain qualm of distaste; with the perversity which seemed inseparable +from his doings, Comus had always flung away a portion of his borrowings +in some ostentatious piece of glaring and utterly profitless +extravagance, which outraged all the canons of her upbringing without +bringing him an atom of understandable satisfaction. Under these +repeated discouragements it was not surprising that some small part of +her affection should have slipped away, but she had come to the Park that +morning with an unconfessed expectation of being gently wooed back to the +mood of gracious forgetfulness that she was only too eager to assume. It +was almost worth while being angry with Comus for the sake of +experiencing the pleasure of being coaxed into friendliness again with +the charm which he knew so well how to exert. It was delicious here +under the trees on this perfect June morning, and Elaine had the blessed +assurance that most of the women within range were envying her the +companionship of the handsome merry-hearted youth who sat by her side. +With special complacence she contemplated her cousin Suzette, who was +self-consciously but not very elatedly basking in the attentions of her +fiancé, an earnest-looking young man who was superintendent of a People’s +something-or-other on the south side of the river, and whose clothes +Comus had described as having been made in Southwark rather than in +anger. + +Most of the pleasures in life must be paid for, and the chair-ticket +vendor in due time made his appearance in quest of pennies. + +Comus paid him from out of a varied assortment of coins and then balanced +the remainder in the palm of his hand. Elaine felt a sudden +foreknowledge of something disagreeable about to happen and a red spot +deepened in her cheeks. + +“Four shillings and fivepence and a half-penny,” said Comus, +reflectively. “It’s a ridiculous sum to last me for the next three days, +and I owe a card debt of over two pounds.” + +“Yes?” commented Elaine dryly and with an apparent lack of interest in +his exchequer statement. Surely, she was thinking hurriedly to herself, +he could not be foolish enough to broach the matter of another loan. + +“The card debt is rather a nuisance,” pursued Comus, with fatalistic +persistency. + +“You won seven pounds last week, didn’t you?” asked Elaine; “don’t you +put by any of your winnings to balance losses?” + +“The four shillings and the fivepence and the half-penny represent the +rearguard of the seven pounds,” said Comus; “the rest have fallen by the +way. If I can pay the two pounds to-day I daresay I shall win something +more to go on with; I’m holding rather good cards just now. But if I +can’t pay it of course I shan’t show up at the club. So you see the fix +I am in.” + +Elaine took no notice of this indirect application. The Appeal Court was +assembling in haste to consider new evidence, and this time there was the +rapidity of sudden determination about its movement. + +The conversation strayed away from the fateful topic for a few moments +and then Comus brought it deliberately back to the danger zone. + +“It would be awfully nice if you would let me have a fiver for a few +days, Elaine,” he said quickly; “if you don’t I really don’t know what I +shall do.” + +“If you are really bothered about your card debt I will send you the two +pounds by messenger boy early this afternoon.” She spoke quietly and +with great decision. “And I shall not be at the Connor’s dance +to-night,” she continued; “it’s too hot for dancing. I’m going home now; +please don’t bother to accompany me, I particularly wish to go alone.” + +Comus saw that he had overstepped the mark of her good nature. Wisely he +made no immediate attempt to force himself back into her good graces. He +would wait till her indignation had cooled. + +His tactics would have been excellent if he had not forgotten that +unbeaten army on his flank. + +Elaine de Frey had known very clearly what qualities she had wanted in +Comus, and she had known, against all efforts at self-deception, that he +fell far short of those qualities. She had been willing to lower her +standard of moral requirements in proportion as she was fond of the boy, +but there was a point beyond which she would not go. He had hurt her +pride besides alarming her sense of caution. + +Suzette, on whom she felt a thoroughly justified tendency to look down, +had at any rate an attentive and considerate lover. Elaine walked +towards the Park gates feeling that in one essential Suzette possessed +something that had been denied to her, and at the gates she met Joyeuse +and his spruce young rider preparing to turn homeward. + +“Get rid of Joyeuse and come and take me out to lunch somewhere,” +demanded Elaine. + +“How jolly,” said Youghal. “Let’s go to the Corridor Restaurant. The +head waiter there is an old Viennese friend of mine and looks after me +beautifully. I’ve never been there with a lady before, and he’s sure to +ask me afterwards, in his fatherly way, if we’re engaged.” + +The lunch was a success in every way. There was just enough orchestral +effort to immerse the conversation without drowning it, and Youghal was +an attentive and inspired host. Through an open doorway Elaine could see +the café reading-room, with its imposing array of _Neue Freie Presse_, +_Berliner Tageblatt_, and other exotic newspapers hanging on the wall. +She looked across at the young man seated opposite her, who gave one the +impression of having centred the most serious efforts of his brain on his +toilet and his food, and recalled some of the flattering remarks that the +press had bestowed on his recent speeches. + +“Doesn’t it make you conceited, Courtenay,” she asked, “to look at all +those foreign newspapers hanging there and know that most of them have +got paragraphs and articles about your Persian speech?” + +Youghal laughed. + +“There’s always a chastening corrective in the thought that some of them +may have printed your portrait. When once you’ve seen your features +hurriedly reproduced in the _Matin_, for instance, you feel you would +like to be a veiled Turkish woman for the rest of your life.” + +And Youghal gazed long and lovingly at his reflection in the nearest +mirror, as an antidote against possible incitements to humility in the +portrait gallery of fame. + +Elaine felt a certain soothed satisfaction in the fact that this young +man, whose knowledge of the Middle East was an embarrassment to Ministers +at question time and in debate, was showing himself equally well-informed +on the subject of her culinary likes and dislikes. If Suzette could have +been forced to attend as a witness at a neighbouring table she would have +felt even happier. + +“Did the head waiter ask if we were engaged?” asked Elaine, when +Courtenay had settled the bill, and she had finished collecting her +sunshade and gloves and other impedimenta from the hands of obsequious +attendants. + +“Yes,” said Youghal, “and he seemed quite crestfallen when I had to say +‘no.’” + +“It would be horrid to disappoint him when he’s looked after us so +charmingly,” said Elaine; “tell him that we are.” + + + + +CHAPTER X + + +THE Rutland Galleries were crowded, especially in the neighbourhood of +the tea-buffet, by a fashionable throng of art-patrons which had gathered +to inspect Mervyn Quentock’s collection of Society portraits. Quentock +was a young artist whose abilities were just receiving due recognition +from the critics; that the recognition was not overdue he owed largely to +his perception of the fact that if one hides one’s talent under a bushel +one must be careful to point out to everyone the exact bushel under which +it is hidden. There are two manners of receiving recognition: one is to +be discovered so long after one’s death that one’s grandchildren have to +write to the papers to establish their relationship; the other is to be +discovered, like the infant Moses, at the very outset of one’s career. +Mervyn Quentock had chosen the latter and happier manner. In an age when +many aspiring young men strive to advertise their wares by imparting to +them a freakish imbecility, Quentock turned out work that was +characterised by a pleasing delicate restraint, but he contrived to +herald his output with a certain fanfare of personal eccentricity, +thereby compelling an attention which might otherwise have strayed past +his studio. In appearance he was the ordinary cleanly young Englishman, +except, perhaps, that his eyes rather suggested a library edition of the +Arabian Nights; his clothes matched his appearance and showed no taint of +the sartorial disorder by which the bourgeois of the garden-city and the +Latin Quarter anxiously seeks to proclaim his kinship with art and +thought. His eccentricity took the form of flying in the face of some of +the prevailing social currents of the day, but as a reactionary, never as +a reformer. He produced a gasp of admiring astonishment in fashionable +circles by refusing to paint actresses—except, of course, those who had +left the legitimate drama to appear between the boards of Debrett. He +absolutely declined to execute portraits of Americans unless they hailed +from certain favoured States. His “water-colour-line,” as a New York +paper phrased it, earned for him a crop of angry criticisms and a shoal +of Transatlantic commissions, and criticism and commissions were the +things that Quentock most wanted. + +“Of course he is perfectly right,” said Lady Caroline Benaresq, calmly +rescuing a piled-up plate of caviare sandwiches from the neighbourhood of +a trio of young ladies who had established themselves hopefully within +easy reach of it. “Art,” she continued, addressing herself to the Rev. +Poltimore Vardon, “has always been geographically exclusive. London may +be more important from most points of view than Venice, but the art of +portrait painting, which would never concern itself with a Lord Mayor, +simply grovels at the feet of the Doges. As a Socialist I’m bound to +recognise the right of Ealing to compare itself with Avignon, but one +cannot expect the Muses to put the two on a level.” + +“Exclusiveness,” said the Reverend Poltimore, “has been the salvation of +Art, just as the lack of it is proving the downfall of religion. My +colleagues of the cloth go about zealously proclaiming the fact that +Christianity, in some form or other, is attracting shoals of converts +among all sorts of races and tribes, that one had scarcely ever heard of, +except in reviews of books of travel that one never read. That sort of +thing was all very well when the world was more sparsely populated, but +nowadays, when it simply teems with human beings, no one is particularly +impressed by the fact that a few million, more or less, of converts, of a +low stage of mental development, have accepted the teachings of some +particular religion. It not only chills one’s enthusiasm, it positively +shakes one’s convictions when one hears that the things one has been +brought up to believe as true are being very favourably spoken of by +Buriats and Samoyeds and Kanakas.” + +The Rev. Poltimore Vardon had once seen a resemblance in himself to +Voltaire, and had lived alongside the comparison ever since. + +“No modern cult or fashion,” he continued, “would be favourably +influenced by considerations based on statistics; fancy adopting a +certain style of hat or cut of coat, because it was being largely worn in +Lancashire and the Midlands; fancy favouring a certain brand of champagne +because it was being extensively patronised in German summer resorts. No +wonder that religion is falling into disuse in this country under such +ill-directed methods.” + +“You can’t prevent the heathen being converted if they choose to be,” +said Lady Caroline; “this is an age of toleration.” + +“You could always deny it,” said the Rev. Poltimore, “like the Belgians +do with regrettable occurrences in the Congo. But I would go further +than that. I would stimulate the waning enthusiasm for Christianity in +this country by labelling it as the exclusive possession of a privileged +few. If one could induce the Duchess of Pelm, for instance, to assert +that the Kingdom of Heaven, as far as the British Isles are concerned, is +strictly limited to herself, two of the under-gardeners at Pelmby, and, +possibly, but not certainly, the Dean of Dunster, there would be an +instant reshaping of the popular attitude towards religious convictions +and observances. Once let the idea get about that the Christian Church +is rather more exclusive than the Lawn at Ascot, and you would have a +quickening of religious life such as this generation has never witnessed. +But as long as the clergy and the religious organisations advertise their +creed on the lines of ‘Everybody ought to believe in us: millions do,’ +one can expect nothing but indifference and waning faith.” + +“Time is just as exclusive in its way as Art,” said Lady Caroline. + +“In what way?” said the Reverend Poltimore. + +“Your pleasantries about religion would have sounded quite clever and +advanced in the early ’nineties. To-day they have a dreadfully warmed-up +flavour. That is the great delusion of you would-be advanced satirists; +you imagine you can sit down comfortably for a couple of decades saying +daring and startling things about the age you live in, which, whatever +other defects it may have, is certainly not standing still. The whole of +the Sherard Blaw school of discursive drama suggests, to my mind, Early +Victorian furniture in a travelling circus. However, you will always +have relays of people from the suburbs to listen to the Mocking Bird of +yesterday, and sincerely imagine it is the harbinger of something new and +revolutionising.” + +“_Would_ you mind passing that plate of sandwiches,” asked one of the +trio of young ladies, emboldened by famine. + +“With pleasure,” said Lady Caroline, deftly passing her a nearly empty +plate of bread-and-butter. + +“I meant the place of caviare sandwiches. So sorry to trouble you,” +persisted the young lady. + +Her sorrow was misapplied; Lady Caroline had turned her attention to a +newcomer. + +“A very interesting exhibition,” Ada Spelvexit was saying; “faultless +technique, as far as I am a judge of technique, and quite a master-touch +in the way of poses. But have you noticed how very animal his art is? +He seems to shut out the soul from his portraits. I nearly cried when I +saw dear Winifred depicted simply as a good-looking healthy blonde.” + +“I wish you had,” said Lady Caroline; “the spectacle of a strong, brave +woman weeping at a private view in the Rutland Galleries would have been +so sensational. It would certainly have been reproduced in the next +Drury Lane drama. And I’m so unlucky; I never see these sensational +events. I was ill with appendicitis, you know, when Lulu Braminguard +dramatically forgave her husband, after seventeen years of estrangement, +during a State luncheon party at Windsor. The old queen was furious +about it. She said it was so disrespectful to the cook to be thinking of +such a thing at such a time.” + +Lady Caroline’s recollections of things that hadn’t happened at the Court +of Queen Victoria were notoriously vivid; it was the very widespread fear +that she might one day write a book of reminiscences that made her so +universally respected. + +“As for his full-length picture of Lady Brickfield,” continued Ada, +ignoring Lady Caroline’s commentary as far as possible, “all the +expression seems to have been deliberately concentrated in the feet; +beautiful feet, no doubt, but still, hardly the most distinctive part of +a human being.” + +“To paint the right people at the wrong end may be an eccentricity, but +it is scarcely an indiscretion,” pronounced Lady Caroline. + +One of the portraits which attracted more than a passing flutter of +attention was a costume study of Francesca Bassington. Francesca had +secured some highly desirable patronage for the young artist, and in +return he had enriched her pantheon of personal possessions with a clever +piece of work into which he had thrown an unusual amount of imaginative +detail. He had painted her in a costume of the great Louis’s brightest +period, seated in front of a tapestry that was so prominent in the +composition that it could scarcely be said to form part of the +background. Flowers and fruit, in exotic profusion, were its dominant +note; quinces, pomegranates, passion-flowers, giant convolvulus, great +mauve-pink roses, and grapes that were already being pressed by gleeful +cupids in a riotous Arcadian vintage, stood out on its woven texture. +The same note was struck in the beflowered satin of the lady’s kirtle, +and in the pomegranate pattern of the brocade that draped the couch on +which she was seated. The artist had called his picture “Recolte.” And +after one had taken in all the details of fruit and flower and foliage +that earned the composition its name, one noted the landscape that showed +through a broad casement in the left-hand corner. It was a landscape +clutched in the grip of winter, naked, bleak, black-frozen; a winter in +which things died and knew no rewakening. If the picture typified +harvest, it was a harvest of artificial growth. + +“It leaves a great deal to the imagination, doesn’t it?” said Ada +Spelvexit, who had edged away from the range of Lady Caroline’s tongue. + +“At any rate one can tell who it’s meant for,” said Serena Golackly. + +“Oh, yes, it’s a good likeness of dear Francesca,” admitted Ada; “of +course, it flatters her.” + +“That, too, is a fault on the right side in portrait painting,” said +Serena; “after all, if posterity is going to stare at one for centuries +it’s only kind and reasonable to be looking just a little better than +one’s best.” + +“What a curiously unequal style the artist has,” continued Ada, almost as +if she felt a personal grievance against him; “I was just noticing what a +lack of soul there was in most of his portraits. Dear Winifred, you +know, who speaks so beautifully and feelingly at my gatherings for old +women, he’s made her look just an ordinary dairy-maidish blonde; and +Francesca, who is quite the most soulless woman I’ve ever met, well, he’s +given her quite—” + +“Hush,” said Serena, “the Bassington boy is just behind you.” + +Comus stood looking at the portrait of his mother with the feeling of one +who comes suddenly across a once-familiar half-forgotten acquaintance in +unfamiliar surroundings. The likeness was undoubtedly a good one, but +the artist had caught an expression in Francesca’s eyes which few people +had ever seen there. It was the expression of a woman who had forgotten +for one short moment to be absorbed in the small cares and excitements of +her life, the money worries and little social plannings, and had found +time to send a look of half-wistful friendliness to some sympathetic +companion. Comus could recall that look, fitful and fleeting, in his +mother’s eyes when she had been a few years younger, before her world had +grown to be such a committee-room of ways and means. Almost as a +re-discovery he remembered that she had once figured in his boyish mind +as a “rather good sort,” more ready to see the laughable side of a piece +of mischief than to labour forth a reproof. That the bygone feeling of +good fellowship had been stamped out was, he knew, probably in great part +his own doing, and it was possible that the old friendliness was still +there under the surface of things, ready to show itself again if he +willed it, and friends were becoming scarcer with him than enemies in +these days. Looking at the picture with its wistful hint of a long ago +comradeship, Comus made up his mind that he very much wanted things to be +back on their earlier footing, and to see again on his mother’s face the +look that the artist had caught and perpetuated in its momentary +flitting. If the projected Elaine-marriage came off, and in spite of +recent maladroit behaviour on his part he still counted it an assured +thing, much of the immediate cause for estrangement between himself and +his mother would be removed, or at any rate, easily removable. With the +influence of Elaine’s money behind him he promised himself that he would +find some occupation that would remove from himself the reproach of being +a waster and idler. There were lots of careers, he told himself, that +were open to a man with solid financial backing and good connections. +There might yet be jolly times ahead, in which his mother would have her +share of the good things that were going, and carking thin-lipped Henry +Greech and other of Comus’s detractors could take their sour looks and +words out of sight and hearing. Thus, staring at the picture as though +he were studying its every detail, and seeing really only that wistful +friendly smile, Comus made his plans and dispositions for a battle that +was already fought and lost. + +The crowd grew thicker in the galleries, cheerfully enduring an amount of +overcrowding that would have been fiercely resented in a railway +carriage. Near the entrance Mervyn Quentock was talking to a Serene +Highness, a lady who led a life of obtrusive usefulness, largely imposed +on her by a good-natured inability to say “No.” “That woman creates a +positive draught with the number of bazaars she opens,” a +frivolously-spoken ex-Cabinet Minister had once remarked. At the present +moment she was being whimsically apologetic. + +“When I think of the legions of well-meaning young men and women to whom +I’ve given away prizes for proficiency in art-school curriculum, I feel +that I ought not to show my face inside a picture gallery. I always +imagine that my punishment in another world will be perpetually +sharpening pencils and cleaning palettes for unending relays of misguided +young people whom I deliberately encouraged in their artistic delusions.” + +“Do you suppose we shall all get appropriate punishments in another world +for our sins in this?” asked Quentock. + +“Not so much for our sins as for our indiscretions; they are the things +which do the most harm and cause the greatest trouble. I feel certain +that Christopher Columbus will undergo the endless torment of being +discovered by parties of American tourists. You see I am quite old +fashioned in my ideas about the terrors and inconveniences of the next +world. And now I must be running away; I’ve got to open a Free Library +somewhere. You know the sort of thing that happens—one unveils a bust of +Carlyle and makes a speech about Ruskin, and then people come in their +thousands and read ‘Rabid Ralph, or Should he have Bitten Her?’ Don’t +forget, please, I’m going to have the medallion with the fat cupid +sitting on a sundial. And just one thing more—perhaps I ought not to ask +you, but you have such nice kind eyes, you embolden one to make daring +requests, would you send me the recipe for those lovely +chestnut-and-chicken-liver sandwiches? I know the ingredients of course, +but it’s the proportions that make such a difference—just how much liver +to how much chestnut, and what amount of red pepper and other things. +Thank you so much. I really am going now.” + +Staring round with a vague half-smile at everybody within nodding +distance, Her Serene Highness made one of her characteristic exits, which +Lady Caroline declared always reminded her of a scrambled egg slipping +off a piece of toast. At the entrance she stopped for a moment to +exchange a word or two with a young man who had just arrived. From a +corner where he was momentarily hemmed in by a group of tea-consuming +dowagers, Comus recognised the newcomer as Courtenay Youghal, and began +slowly to labour his way towards him. Youghal was not at the moment the +person whose society he most craved for in the world, but there was at +least the possibility that he might provide an opportunity for a game of +bridge, which was the dominant desire of the moment. The young +politician was already surrounded by a group of friends and +acquaintances, and was evidently being made the recipient of a salvo of +congratulation—presumably on his recent performances in the Foreign +Office debate, Comus concluded. But Youghal himself seemed to be +announcing the event with which the congratulations were connected. Had +some dramatic catastrophe overtaken the Government, Comus wondered. And +then, as he pressed nearer, a chance word, the coupling of two names, +told him the news. + + + + +CHAPTER XI + + +AFTER the momentous lunch at the Corridor Restaurant Elaine had returned +to Manchester Square (where she was staying with one of her numerous +aunts) in a frame of mind that embraced a tangle of competing emotions. +In the first place she was conscious of a dominant feeling of relief; in +a moment of impetuosity, not wholly uninfluenced by pique, she had +settled the problem which hours of hard thinking and serious +heart-searching had brought no nearer to solution, and, although she felt +just a little inclined to be scared at the headlong manner of her final +decision, she had now very little doubt in her own mind that the decision +had been the right one. In fact the wonder seemed rather that she should +have been so long in doubt as to which of her wooers really enjoyed her +honest approval. She had been in love, these many weeks past with an +imaginary Comus, but now that she had definitely walked out of her +dreamland she saw that nearly all the qualities that had appealed to her +on his behalf had been absent from, or only fitfully present in, the +character of the real Comus. And now that she had installed Youghal in +the first place of her affections he had rapidly acquired in her eyes +some of the qualities which ranked highest in her estimation. Like the +proverbial buyer she had the happy feminine tendency of magnifying the +worth of her possession as soon as she had acquired it. And Courtenay +Youghal gave Elaine some justification for her sense of having chosen +wisely. Above all other things, selfish and cynical though he might +appear at times, he was unfailingly courteous and considerate towards +her. That was a circumstance which would always have carried weight with +her in judging any man; in this case its value was enormously heightened +by contrast with the behaviour of her other wooer. And Youghal had in +her eyes the advantage which the glamour of combat, even the combat of +words and wire-pulling, throws over the fighter. He stood well in the +forefront of a battle which however carefully stage-managed, however +honeycombed with personal insincerities and overlaid with calculated +mock-heroics, really meant something, really counted for good or wrong in +the nation’s development and the world’s history. Shrewd parliamentary +observers might have warned her that Youghal would never stand much +higher in the political world than he did at present, as a brilliant +Opposition freelance, leading lively and rather meaningless forays +against the dull and rather purposeless foreign policy of a Government +that was scarcely either to be blamed for or congratulated on its +handling of foreign affairs. The young politician had not the strength +of character or convictions that keeps a man naturally in the forefront +of affairs and gives his counsels a sterling value, and on the other hand +his insincerity was not deep enough to allow him to pose artificially and +successfully as a leader of men and shaper of movements. For the moment, +however, his place in public life was sufficiently marked out to give him +a secure footing in that world where people are counted individually and +not in herds. The woman whom he would make his wife would have the +chance, too, if she had the will and the skill, to become an individual +who counted. + +There was balm to Elaine in this reflection, yet it did not wholly +suffice to drive out the feeling of pique which Comus had called into +being by his slighting view of her as a convenient cash supply in moments +of emergency. She found a certain satisfaction in scrupulously observing +her promise, made earlier on that eventful day, and sent off a messenger +with the stipulated loan. Then a reaction of compunction set in, and she +reminded herself that in fairness she ought to write and tell her news in +as friendly a fashion as possible to her dismissed suitor before it burst +upon him from some other quarter. They had parted on more or less +quarrelling terms it was true, but neither of them had foreseen the +finality of the parting nor the permanence of the breach between them; +Comus might even now be thinking himself half-forgiven, and the awakening +would be rather cruel. The letter, however, did not prove an easy one to +write; not only did it present difficulties of its own but it suffered +from the competing urgency of a desire to be doing something far +pleasanter than writing explanatory and valedictory phrases. Elaine was +possessed with an unusual but quite overmastering hankering to visit her +cousin Suzette Brankley. They met but rarely at each other’s houses and +very seldom anywhere else, and Elaine for her part was never conscious of +feeling that their opportunities for intercourse lacked anything in the +way of adequacy. Suzette accorded her just that touch of patronage which +a moderately well-off and immoderately dull girl will usually try to mete +out to an acquaintance who is known to be wealthy and suspected of +possessing brains. In return Elaine armed herself with that particular +brand of mock humility which can be so terribly disconcerting if properly +wielded. No quarrel of any description stood between them and one could +not legitimately have described them as enemies, but they never disarmed +in one another’s presence. A misfortune of any magnitude falling on one +of them would have been sincerely regretted by the other, but any minor +discomfiture would have produced a feeling very much akin to +satisfaction. Human nature knows millions of these inconsequent little +feuds, springing up and flourishing apart from any basis of racial, +political, religious or economic causes, as a hint perhaps to crass +unseeing altruists that enmity has its place and purpose in the world as +well as benevolence. + +Elaine had not personally congratulated Suzette since the formal +announcement of her engagement to the young man with the dissentient +tailoring effects. The impulse to go and do so now, overmastered her +sense of what was due to Comus in the way of explanation. The letter was +still in its blank unwritten stage, an unmarshalled sequence of sentences +forming in her brain, when she ordered her car and made a hurried but +well-thought-out change into her most sumptuously sober afternoon +toilette. Suzette, she felt tolerably sure, would still be in the +costume that she had worn in the Park that morning, a costume that aimed +at elaboration of detail, and was damned with overmuch success. + +Suzette’s mother welcomed her unexpected visitor with obvious +satisfaction. Her daughter’s engagement, she explained, was not so +brilliant from the social point of view as a girl of Suzette’s +attractions and advantages might have legitimately aspired to, but Egbert +was a thoroughly commendable and dependable young man, who would very +probably win his way before long to membership of the County Council. + +“From there, of course, the road would be open to him to higher things.” + +“Yes,” said Elaine, “he might become an alderman.” + +“Have you seen their photographs, taken together?” asked Mrs. Brankley, +abandoning the subject of Egbert’s prospective career. + +“No, do show me,” said Elaine, with a flattering show of interest; “I’ve +never seen that sort of thing before. It used to be the fashion once for +engaged couples to be photographed together, didn’t it?” + +“It’s _very_ much the fashion now,” said Mrs. Brankley assertively, but +some of the complacency had filtered out of her voice. Suzette came into +the room, wearing the dress that she had worn in the Park that morning. + +“Of course, you’ve been hearing all about _the_ engagement from mother,” +she cried, and then set to work conscientiously to cover the same ground. + +“We met at Grindelwald, you know. He always calls me his Ice Maiden +because we first got to know each other on the skating rink. Quite +romantic, wasn’t it? Then we asked him to tea one day, and we got to be +quite friendly. Then he proposed.” + +“He wasn’t the only one who was smitten with Suzette,” Mrs. Brankley +hastened to put in, fearful lest Elaine might suppose that Egbert had had +things all his own way. “There was an American millionaire who was quite +taken with her, and a Polish count of a very old family. I assure you I +felt quite nervous at some of our tea-parties.” + +Mrs. Brankley had given Grindelwald a sinister but rather alluring +reputation among a large circle of untravelled friends as a place where +the insolence of birth and wealth was held in precarious check from +breaking forth into scenes of savage violence. + +“My marriage with Egbert will, of course, enlarge the sphere of my life +enormously,” pursued Suzette. + +“Yes,” said Elaine; her eyes were rather remorselessly taking in the +details of her cousin’s toilette. It is said that nothing is sadder than +victory except defeat. Suzette began to feel that the tragedy of both +was concentrated in the creation which had given her such unalloyed +gratification, till Elaine had come on the scene. + +“A woman can be so immensely helpful in the social way to a man who is +making a career for himself. And I’m so glad to find that we’ve a great +many ideas in common. We each made out a list of our idea of the hundred +best books, and quite a number of them were the same.” + +“He looks bookish,” said Elaine, with a critical glance at the +photograph. + +“Oh, he’s not at all a bookworm,” said Suzette quickly, “though he’s +tremendously well-read. He’s quite the man of action.” + +“Does he hunt?” asked Elaine. + +“No, he doesn’t get much time or opportunity for riding.” + +“What a pity,” commented Elaine; “I don’t think I could marry a man who +wasn’t fond of riding.” + +“Of course that’s a matter of taste,” said Suzette, stiffly; “horsey men +are not usually gifted with overmuch brains, are they?” + +“There is as much difference between a horseman and a horsey man as there +is between a well-dressed man and a dressy one,” said Elaine, judicially; +“and you may have noticed how seldom a dressy woman really knows how to +dress. As an old lady of my acquaintance observed the other day, some +people are born with a sense of how to clothe themselves, others acquire +it, others look as if their clothes had been thrust upon them.” + +She gave Lady Caroline her due quotation marks, but the sudden +tactfulness with which she looked away from her cousin’s frock was +entirely her own idea. + +A young man entering the room at this moment caused a diversion that was +rather welcome to Suzette. + +“Here comes Egbert,” she announced, with an air of subdued triumph; it +was at least a satisfaction to be able to produce the captive of her +charms, alive and in good condition, on the scene. Elaine might be as +critical as she pleased, but a live lover outweighed any number of +well-dressed straight-riding cavaliers who existed only as a distant +vision of the delectable husband. + +Egbert was one of those men who have no small talk, but possess an +inexhaustible supply of the larger variety. In whatever society he +happened to be, and particularly in the immediate neighbourhood of an +afternoon-tea table, with a limited audience of womenfolk, he gave the +impression of someone who was addressing a public meeting, and would be +happy to answer questions afterwards. A suggestion of gas-lit +mission-halls, wet umbrellas, and discreet applause seemed to accompany +him everywhere. He was an exponent, among other things, of what he +called New Thought, which seemed to lend itself conveniently to the +employment of a good deal of rather stale phraseology. Probably in the +course of some thirty odd years of existence he had never been of any +notable use to man, woman, child or animal, but it was his +firmly-announced intention to leave the world a better, happier, purer +place than he had found it; against the danger of any relapse to earlier +conditions after his disappearance from the scene, he was, of course, +powerless to guard. ’Tis not in mortals to insure succession, and Egbert +was admittedly mortal. + +Elaine found him immensely entertaining, and would certainly have exerted +herself to draw him out if such a proceeding had been at all necessary. +She listened to his conversation with the complacent appreciation that +one bestows on a stage tragedy, from whose calamities one can escape at +any moment by the simple process of leaving one’s seat. When at last he +checked the flow of his opinions by a hurried reference to his watch, and +declared that he must be moving on elsewhere, Elaine almost expected a +vote of thanks to be accorded him, or to be asked to signify herself in +favour of some resolution by holding up her hand. + +When the young man had bidden the company a rapid business-like farewell, +tempered in Suzette’s case by the exact degree of tender intimacy that it +would have been considered improper to omit or overstep, Elaine turned to +her expectant cousin with an air of cordial congratulation. + +“He is exactly the husband I should have chosen for you, Suzette.” + +For the second time that afternoon Suzette felt a sense of waning +enthusiasm for one of her possessions. + +Mrs. Brankley detected the note of ironical congratulation in her +visitor’s verdict. + +“I suppose she means he’s not her idea of a husband, but, he’s good +enough for Suzette,” she observed to herself, with a snort that expressed +itself somewhere in the nostrils of the brain. Then with a smiling air +of heavy patronage she delivered herself of her one idea of a damaging +counter-stroke. + +“And when are we to hear of your engagement, my dear?” + +“Now,” said Elaine quietly, but with electrical effect; “I came to +announce it to you but I wanted to hear all about Suzette first. It will +be formally announced in the papers in a day or two.” + +“But who is it? Is it the young man who was with you in the Park this +morning?” asked Suzette. + +“Let me see, who was I with in the Park this morning? A very +good-looking dark boy? Oh no, not Comus Bassington. Someone you know by +name, anyway, and I expect you’ve seen his portrait in the papers.” + +“A flying-man?” asked Mrs. Brankley. + +“Courtenay Youghal,” said Elaine. + +Mrs. Brankley and Suzette had often rehearsed in the privacy of their +minds the occasion when Elaine should come to pay her personal +congratulations to her engaged cousin. It had never been in the least +like this. + +On her return from her enjoyable afternoon visit Elaine found an express +messenger letter waiting for her. It was from Comus, thanking her for +her loan—and returning it. + +“I suppose I ought never to have asked you for it,” he wrote, “but you +are always so deliciously solemn about money matters that I couldn’t +resist. Just heard the news of your engagement to Courtenay. Congrats. +to you both. I’m far too stoney broke to buy you a wedding present so +I’m going to give you back the bread-and-butter dish. Luckily it still +has your crest on it. I shall love to think of you and Courtenay eating +bread-and-butter out of it for the rest of your lives.” + +That was all he had to say on the matter about which Elaine had been +preparing to write a long and kindly-expressed letter, closing a rather +momentous chapter in her life and his. There was not a trace of regret +or upbraiding in his note; he had walked out of their mutual fairyland as +abruptly as she had, and to all appearances far more unconcernedly. +Reading the letter again and again Elaine could come to no decision as to +whether this was merely a courageous gibe at defeat, or whether it +represented the real value that Comus set on the thing that he had lost. + +And she would never know. If Comus possessed one useless gift to +perfection it was the gift of laughing at Fate even when it had struck +him hardest. One day, perhaps, the laughter and mockery would be silent +on his lips, and Fate would have the advantage of laughing last. + + + + +CHAPTER XII + + +A DOOR closed and Francesca Bassington sat alone in her well-beloved +drawing-room. The visitor who had been enjoying the hospitality of her +afternoon-tea table had just taken his departure. The tête-à-tête had +not been a pleasant one, at any rate as far as Francesca was concerned, +but at least it had brought her the information for which she had been +seeking. Her rôle of looker-on from a tactful distance had necessarily +left her much in the dark concerning the progress of the all-important +wooing, but during the last few hours she had, on slender though +significant evidence, exchanged her complacent expectancy for a +conviction that something had gone wrong. She had spent the previous +evening at her brother’s house, and had naturally seen nothing of Comus +in that uncongenial quarter; neither had he put in an appearance at the +breakfast table the following morning. She had met him in the hall at +eleven o’clock, and he had hurried past her, merely imparting the +information that he would not be in till dinner that evening. He spoke +in his sulkiest tone, and his face wore a look of defeat, thinly masked +by an air of defiance; it was not the defiance of a man who is losing, +but of one who has already lost. + +Francesca’s conviction that things had gone wrong between Comus and +Elaine de Frey grew in strength as the day wore on. She lunched at a +friend’s house, but it was not a quarter where special social information +of any importance was likely to come early to hand. Instead of the news +she was hankering for, she had to listen to trivial gossip and +speculation on the flirtations and “cases” and “affairs” of a string of +acquaintances whose matrimonial projects interested her about as much as +the nesting arrangements of the wildfowl in St. James’s Park. + +“Of course,” said her hostess, with the duly impressive emphasis of a +privileged chronicler, “we’ve always regarded Claire as the marrying one +of the family, so when Emily came to us and said, ‘I’ve got some news for +you,’ we all said, ‘Claire’s engaged!’ ‘Oh, no,’ said Emily, ‘it’s not +Claire this time, it’s me.’ So then we had to guess who the lucky man +was. ‘It can’t be Captain Parminter,’ we all said, ‘because he’s always +been sweet on Joan.’ And then Emily said—” + +The recording voice reeled off the catalogue of inane remarks with a +comfortable purring complacency that held out no hope of an early +abandoning of the topic. Francesca sat and wondered why the innocent +acceptance of a cutlet and a glass of indifferent claret should lay one +open to such unsparing punishment. + +A stroll homeward through the Park after lunch brought no further +enlightenment on the subject that was uppermost in her mind; what was +worse, it brought her, without possibility of escape, within hailing +distance of Merla Blathington, who fastened on to her with the enthusiasm +of a lonely tsetse fly encountering an outpost of civilisation. + +“Just think,” she buzzed inconsequently, “my sister in Cambridgeshire has +hatched out thirty-three White Orpington chickens in her incubator!” + +“What eggs did she put in it?” asked Francesca. + +“Oh, some very special strain of White Orpington.” + +“Then I don’t see anything remarkable in the result. If she had put in +crocodile’s eggs and hatched out White Orpingtons, there might have been +something to write to _Country Life_ about.” + +“What funny fascinating things these little green park-chairs are,” said +Merla, starting off on a fresh topic; “they always look so quaint and +knowing when they’re stuck away in pairs by themselves under the trees, +as if they were having a heart-to-heart talk or discussing a piece of +very private scandal. If they could only speak, what tragedies and +comedies they could tell us of, what flirtations and proposals.” + +“Let us be devoutly thankful that they can’t,” said Francesca, with a +shuddering recollection of the luncheon-table conversation. + +“Of course, it would make one very careful what one said before them—or +above them rather,” Merla rattled on, and then, to Francesca’s infinite +relief, she espied another acquaintance sitting in unprotected solitude, +who promised to supply a more durable audience than her present rapidly +moving companion. Francesca was free to return to her drawing-room in +Blue Street to await with such patience as she could command the coming +of some visitor who might be able to throw light on the subject that was +puzzling and disquieting her. The arrival of George St. Michael boded +bad news, but at any rate news, and she gave him an almost cordial +welcome. + +“Well, you see I wasn’t far wrong about Miss de Frey and Courtenay +Youghal, was I?” he chirruped, almost before he had seated himself. +Francesca was to be spared any further spinning-out of her period of +uncertainty. “Yes, it’s officially given out,” he went on, “and it’s to +appear in the _Morning Post_ to-morrow. I heard it from Colonel Deel +this morning, and he had it direct from Youghal himself. Yes, please, +one lump; I’m not fashionable, you see.” He had made the same remark +about the sugar in his tea with unfailing regularity for at least thirty +years. Fashions in sugar are apparently stationary. “They say,” he +continued, hurriedly, “that he proposed to her on the Terrace of the +House, and a division bell rang, and he had to hurry off before she had +time to give her answer, and when he got back she simply said, ‘the Ayes +have it.’” St. Michael paused in his narrative to give an appreciative +giggle. + +“Just the sort of inanity that would go the rounds,” remarked Francesca, +with the satisfaction of knowing that she was making the criticism direct +to the author and begetter of the inanity in question. Now that the blow +had fallen and she knew the full extent of its weight, her feeling +towards the bringer of bad news, who sat complacently nibbling at her +tea-cakes and scattering crumbs of tiresome small-talk at her feet, was +one of wholehearted dislike. She could sympathise with, or at any rate +understand, the tendency of oriental despots to inflict death or +ignominious chastisement on messengers bearing tidings of misfortune and +defeat, and St. Michael, she perfectly well knew, was thoroughly aware of +the fact that her hopes and wishes had been centred on the possibility of +having Elaine for a daughter-in-law; every purring remark that his mean +little soul prompted him to contribute to the conversation had an easily +recognizable undercurrent of malice. Fortunately for her powers of +polite endurance, which had been put to such searching and repeated tests +that day, St. Michael had planned out for himself a busy little +time-table of afternoon visits, at each of which his self-appointed task +of forestalling and embellishing the newspaper announcements of the +Youghal-de Frey engagement would be hurriedly but thoroughly performed. + +“They’ll be quite one of the best-looking and most interesting couples of +the Season, won’t they?” he cried, by way of farewell. The door closed +and Francesca Bassington sat alone in her drawing-room. + +Before she could give way to the bitter luxury of reflection on the +downfall of her hopes, it was prudent to take precautionary measures +against unwelcome intrusion. Summoning the maid who had just speeded the +departing St. Michael, she gave the order: “I am not at home this +afternoon to Lady Caroline Benaresq.” On second thoughts she extended +the taboo to all possible callers, and sent a telephone message to catch +Comus at his club, asking him to come and see her as soon as he could +manage before it was time to dress for dinner. Then she sat down to +think, and her thinking was beyond the relief of tears. + +She had built herself a castle of hopes, and it had not been a castle in +Spain, but a structure well on the probable side of the Pyrenees. There +had been a solid foundation on which to build. Miss de Frey’s fortune +was an assured and unhampered one, her liking for Comus had been an +obvious fact; his courtship of her a serious reality. The young people +had been much together in public, and their names had naturally been +coupled in the match-making gossip of the day. The only serious shadow +cast over the scene had been the persistent presence, in foreground or +background, of Courtenay Youghal. And now the shadow suddenly stood +forth as the reality, and the castle of hopes was a ruin, a hideous +mortification of dust and débris, with the skeleton outlines of its +chambers still standing to make mockery of its discomfited architect. +The daily anxiety about Comus and his extravagant ways and intractable +disposition had been gradually lulled by the prospect of his making an +advantageous marriage, which would have transformed him from a +ne’er-do-well and adventurer into a wealthy idler. He might even have +been moulded, by the resourceful influence of an ambitious wife, into a +man with some definite purpose in life. The prospect had vanished with +cruel suddenness, and the anxieties were crowding back again, more +insistent than ever. The boy had had his one good chance in the +matrimonial market and missed it; if he were to transfer his attentions +to some other well-dowered girl he would be marked down at once as a +fortune-hunter, and that would constitute a heavy handicap to the most +plausible of wooers. His liking for Elaine had evidently been genuine in +its way, though perhaps it would have been rash to read any deeper +sentiment into it, but even with the spur of his own inclination to +assist him he had failed to win the prize that had seemed so temptingly +within his reach. And in the dashing of his prospects, Francesca saw the +threatening of her own. The old anxiety as to her precarious tenure of +her present quarters put on again all its familiar terrors. One day, she +foresaw, in the horribly near future, George St. Michael would come +pattering up her stairs with the breathless intelligence that Emmeline +Chetrof was going to marry somebody or other in the Guards or the Record +Office as the case might be, and then there would be an uprooting of her +life from its home and haven in Blue Street and a wandering forth to some +cheap unhappy far-off dwelling, where the stately Van der Meulen and its +companion host of beautiful and desirable things would be stuffed and +stowed away in soulless surroundings, like courtly émigrés fallen on evil +days. It was unthinkable, but the trouble was that it had to be thought +about. And if Comus had played his cards well and transformed himself +from an encumbrance into a son with wealth at his command, the tragedy +which she saw looming in front of her might have been avoided or at the +worst whittled down to easily bearable proportions. With money behind +one, the problem of where to live approaches more nearly to the simple +question of where do you wish to live, and a rich daughter-in-law would +have surely seen to it that she did not have to leave her square mile of +Mecca and go out into the wilderness of bricks and mortar. If the house +in Blue Street could not have been compounded for there were other +desirable residences which would have been capable of consoling Francesca +for her lost Eden. And now the detested Courtenay Youghal, with his +mocking eyes and air of youthful cynicism, had stepped in and overthrown +those golden hopes and plans whose non-fulfilment would make such a world +of change in her future. Assuredly she had reason to feel bitter against +that young man, and she was not disposed to take a very lenient view of +Comus’s own mismanagement of the affair; her greeting when he at last +arrived, was not couched in a sympathetic strain. + +“So you have lost your chance with the heiress,” she remarked abruptly. + +“Yes,” said Comus, coolly; “Courtenay Youghal has added her to his other +successes.” + +“And you have added her to your other failures,” pursued Francesca, +relentlessly; her temper had been tried that day beyond ordinary limits. + +“I thought you seemed getting along so well with her,” she continued, as +Comus remained uncommunicative. + +“We hit it off rather well together,” said Comus, and added with +deliberate bluntness, “I suppose she got rather sick at my borrowing +money from her. She thought it was all I was after.” + +“You borrowed money from her!” said Francesca; “you were fool enough to +borrow money from a girl who was favourably disposed towards you, and +with Courtenay Youghal in the background waiting to step in and oust +you!” + +Francesca’s voice trembled with misery and rage. This great stroke of +good luck that had seemed about to fall into their laps had been thrust +aside by an act or series of acts of wanton paltry folly. The good ship +had been lost for the sake of the traditional ha’porth of tar. Comus had +paid some pressing tailor’s or tobacconist’s bill with a loan unwillingly +put at his disposal by the girl he was courting, and had flung away his +chances of securing a wealthy and in every way desirable bride. Elaine +de Frey and her fortune might have been the making of Comus, but he had +hurried in as usual to effect his own undoing. Calmness did not in this +case come with reflection; the more Francesca thought about the matter, +the more exasperated she grew. Comus threw himself down in a low chair +and watched her without a trace of embarrassment or concern at her +mortification. He had come to her feeling rather sorry for himself, and +bitterly conscious of his defeat, and she had met him with a taunt and +without the least hint of sympathy; he determined that she should be +tantalised with the knowledge of how small and stupid a thing had stood +between the realisation and ruin of her hopes for him. + +“And to think she should be captured by Courtenay Youghal,” said +Francesca, bitterly; “I’ve always deplored your intimacy with that young +man.” + +“It’s hardly my intimacy with him that’s made Elaine accept him,” said +Comus. + +Francesca realised the futility of further upbraiding. Through the tears +of vexation that stood in her eyes, she looked across at the handsome boy +who sat opposite her, mocking at his own misfortune, perversely +indifferent to his folly, seemingly almost indifferent to its +consequences. + +“Comus,” she said quietly and wearily, “you are an exact reversal of the +legend of Pandora’s Box. You have all the charm and advantages that a +boy could want to help him on in the world, and behind it all there is +the fatal damning gift of utter hopelessness.” + +“I think,” said Comus, “that is the best description that anyone has ever +given of me.” + +For the moment there was a flush of sympathy and something like outspoken +affection between mother and son. They seemed very much alone in the +world just now, and in the general overturn of hopes and plans, there +flickered a chance that each might stretch out a hand to the other, and +summon back to their lives an old dead love that was the best and +strongest feeling either of them had known. But the sting of +disappointment was too keen, and the flood of resentment mounted too high +on either side to allow the chance more than a moment in which to flicker +away into nothingness. The old fatal topic of estrangement came to the +fore, the question of immediate ways and means, and mother and son faced +themselves again as antagonists on a well-disputed field. + +“What is done is done,” said Francesca, with a movement of tragic +impatience that belied the philosophy of her words; “there is nothing to +be gained by crying over spilt milk. There is the present and the future +to be thought about, though. One can’t go on indefinitely as a +tenant-for-life in a fools’ paradise.” Then she pulled herself together +and proceeded to deliver an ultimatum which the force of circumstances no +longer permitted her to hold in reserve. + +“It’s not much use talking to you about money, as I know from long +experience, but I can only tell you this, that in the middle of the +Season I’m already obliged to be thinking of leaving Town. And you, I’m +afraid, will have to be thinking of leaving England at equally short +notice. Henry told me the other day that he can get you something out in +West Africa. You’ve had your chance of doing something better for +yourself from the financial point of view, and you’ve thrown it away for +the sake of borrowing a little ready money for your luxuries, so now you +must take what you can get. The pay won’t be very good at first, but +living is not dear out there.” + +“West Africa,” said Comus, reflectively; “it’s a sort of modern +substitute for the old-fashioned _oubliette_, a convenient depository for +tiresome people. Dear Uncle Henry may talk lugubriously about the burden +of Empire, but he evidently recognises its uses as a refuse consumer.” + +“My dear Comus, you are talking of the West Africa of yesterday. While +you have been wasting your time at school, and worse than wasting your +time in the West End, other people have been grappling with the study of +tropical diseases, and the West African coast country is being rapidly +transformed from a lethal chamber into a sanatorium.” + +Comus laughed mockingly. + +“What a beautiful bit of persuasive prose; it reminds one of the Psalms +and even more of a company prospectus. If you were honest you’d confess +that you lifted it straight out of a rubber or railway promotion scheme. +Seriously, mother, if I must grub about for a living, why can’t I do it +in England? I could go into a brewery for instance.” + +Francesca shook her head decisively; she could foresee the sort of steady +work Comus was likely to accomplish, with the lodestone of Town and the +minor attractions of race-meetings and similar festivities always +beckoning to him from a conveniently attainable distance, but apart from +that aspect of the case there was a financial obstacle in the way of his +obtaining any employment at home. + +“Breweries and all those sort of things necessitate money to start with; +one has to pay premiums or invest capital in the undertaking, and so +forth. And as we have no money available, and can scarcely pay our debts +as it is, it’s no use thinking about it.” + +“Can’t we sell something?” asked Comus. + +He made no actual suggestion as to what should be sacrificed, but he was +looking straight at the Van der Meulen. + +For a moment Francesca felt a stifling sensation of weakness, as though +her heart was going to stop beating. Then she sat forward in her chair +and spoke with energy, almost fierceness. + +“When I am dead my things can be sold and dispersed. As long as I am +alive I prefer to keep them by me.” + +In her holy place, with all her treasured possessions around her, this +dreadful suggestion had been made. Some of her cherished household gods, +souvenirs and keepsakes from past days, would, perhaps, not have fetched +a very considerable sum in the auction-room, others had a distinct value +of their own, but to her they were all precious. And the Van der Meulen, +at which Comus had looked with impious appraising eyes, was the most +sacred of them all. When Francesca had been away from her Town residence +or had been confined to her bedroom through illness, the great picture +with its stately solemn representation of a long-ago battle-scene, +painted to flatter the flattery-loving soul of a warrior-king who was +dignified even in his campaigns—this was the first thing she visited on +her return to Town or convalescence. If an alarm of fire had been raised +it would have been the first thing for whose safety she would have +troubled. And Comus had almost suggested that it should be parted with, +as one sold railway shares and other soulless things. + +Scolding, she had long ago realised, was a useless waste of time and +energy where Comus was concerned, but this evening she unloosed her +tongue for the mere relief that it gave to her surcharged feelings. He +sat listening without comment, though she purposely let fall remarks that +she hoped might sting him into self-defence or protest. It was an +unsparing indictment, the more damaging in that it was so irrefutably +true, the more tragic in that it came from perhaps the one person in the +world whose opinion he had ever cared for. And he sat through it as +silent and seemingly unmoved as though she had been rehearsing a speech +for some drawing-room comedy. When she had had her say his method of +retort was not the soft answer that turneth away wrath but the +inconsequent one that shelves it. + +“Let’s go and dress for dinner.” + +The meal, like so many that Francesca and Comus had eaten in each other’s +company of late, was a silent one. Now that the full bearings of the +disaster had been discussed in all its aspects there was nothing more to +be said. Any attempt at ignoring the situation, and passing on to less +controversial topics would have been a mockery and pretence which neither +of them would have troubled to sustain. So the meal went forward with +its dragged-out dreary intimacy of two people who were separated by a +gulf of bitterness, and whose hearts were hard with resentment against +one another. + +Francesca felt a sense of relief when she was able to give the maid the +order to serve her coffee upstairs. Comus had a sullen scowl on his +face, but he looked up as she rose to leave the room, and gave his +half-mocking little laugh. + +“You needn’t look so tragic,” he said, “You’re going to have your own +way. I’ll go out to that West African hole.” + + + + +CHAPTER XIII + + +COMUS found his way to his seat in the stalls of the Straw Exchange +Theatre and turned to watch the stream of distinguished and +distinguishable people who made their appearance as a matter of course at +a First Night in the height of the Season. Pit and gallery were already +packed with a throng, tense, expectant and alert, that waited for the +rise of the curtain with the eager patience of a terrier watching a +dilatory human prepare for outdoor exercises. Stalls and boxes filled +slowly and hesitatingly with a crowd whose component units seemed for the +most part to recognise the probability that they were quite as +interesting as any play they were likely to see. Those who bore no +particular face-value themselves derived a certain amount of social +dignity from the near neighbourhood of obvious notabilities; if one could +not obtain recognition oneself there was some vague pleasure in being +able to recognise notoriety at intimately close quarters. + +“Who is that woman with the auburn hair and a rather effective +belligerent gleam in her eyes?” asked a man sitting just behind Comus; +“she looks as if she might have created the world in six days and +destroyed it on the seventh.” + +“I forget her name,” said his neighbour; “she writes. She’s the author +of that book, ‘The Woman who wished it was Wednesday,’ you know. It used +to be the convention that women writers should be plain and dowdy; now we +have gone to the other extreme and build them on extravagantly decorative +lines.” + +A buzz of recognition came from the front rows of the pit, together with +a craning of necks on the part of those in less favoured seats. It +heralded the arrival of Sherard Blaw, the dramatist who had discovered +himself, and who had given so ungrudgingly of his discovery to the world. +Lady Caroline, who was already directing little conversational onslaughts +from her box, gazed gently for a moment at the new arrival, and then +turned to the silver-haired Archdeacon sitting beside her. + +“They say the poor man is haunted by the fear that he will die during a +general election, and that his obituary notices will be seriously +curtailed by the space taken up by the election results. The curse of +our party system, from his point of view, is that it takes up so much +room in the press.” + +The Archdeacon smiled indulgently. As a man he was so exquisitely +worldly that he fully merited the name of the Heavenly Worldling bestowed +on him by an admiring duchess, and withal his texture was shot with a +pattern of such genuine saintliness that one felt that whoever else might +hold the keys of Paradise he, at least, possessed a private latchkey to +that abode. + +“Is it not significant of the altered grouping of things,” he observed, +“that the Church, as represented by me, sympathises with the message of +Sherard Blaw, while neither the man nor his message find acceptance with +unbelievers like you, Lady Caroline.” + +Lady Caroline blinked her eyes. “My dear Archdeacon,” she said, “no one +can be an unbeliever nowadays. The Christian Apologists have left one +nothing to disbelieve.” + +The Archdeacon rose with a delighted chuckle. “I must go and tell that +to De la Poulett,” he said, indicating a clerical figure sitting in the +third row of the stalls; “he spends his life explaining from his pulpit +that the glory of Christianity consists in the fact that though it is not +true it has been found necessary to invent it.” + +The door of the box opened and Courtenay Youghal entered, bringing with +him subtle suggestion of chaminade and an atmosphere of political +tension. The Government had fallen out of the good graces of a section +of its supporters, and those who were not in the know were busy +predicting a serious crisis over a forthcoming division in the Committee +stage of an important Bill. This was Saturday night, and unless some +successful cajolery were effected between now and Monday afternoon, +Ministers would be, seemingly, in danger of defeat. + +“Ah, here is Youghal,” said the Archdeacon; “he will be able to tell us +what is going to happen in the next forty-eight hours. I hear the Prime +Minister says it is a matter of conscience, and they will stand or fall +by it.” + +His hopes and sympathies were notoriously on the Ministerial side. + +Youghal greeted Lady Caroline and subsided gracefully into a chair well +in the front of the box. A buzz of recognition rippled slowly across the +house. + +“For the Government to fall on a matter of conscience,” he said, “would +be like a man cutting himself with a safety razor.” + +Lady Caroline purred a gentle approval. + +“I’m afraid it’s true, Archdeacon,” she said. + +No one can effectively defend a Government when it’s been in office +several years. The Archdeacon took refuge in light skirmishing. + +“I believe Lady Caroline sees the makings of a great Socialist statesman +in you, Youghal,” he observed. + +“Great Socialist statesmen aren’t made, they’re stillborn,” replied +Youghal. + +“What is the play about to-night?” asked a pale young woman who had taken +no part in the talk. + +“I don’t know,” said Lady Caroline, “but I hope it’s dull. If there is +any brilliant conversation in it I shall burst into tears.” + +In the front row of the upper circle a woman with a restless +starling-voice was discussing the work of a temporarily fashionable +composer, chiefly in relation to her own emotions, which she seemed to +think might prove generally interesting to those around her. + +“Whenever I hear his music I feel that I want to go up into a mountain +and pray. Can you understand that feeling?” + +The girl to whom she was unburdening herself shook her head. + +“You see, I’ve heard his music chiefly in Switzerland, and we were up +among the mountains all the time, so it wouldn’t have made any +difference.” + +“In that case,” said the woman, who seemed to have emergency emotions to +suit all geographical conditions, “I should have wanted to be in a great +silent plain by the side of a rushing river.” + +“What I think is so splendid about his music—” commenced another +starling-voice on the further side of the girl. Like sheep that feed +greedily before the coming of a storm the starling-voices seemed impelled +to extra effort by the knowledge of four imminent intervals of acting +during which they would be hushed into constrained silence. + +In the back row of the dress circle a late-comer, after a cursory glance +at the programme, had settled down into a comfortable narrative, which +was evidently the resumed thread of an unfinished taxi-drive monologue. + +“We all said ‘it can’t be Captain Parminter, because he’s always been +sweet on Joan,’ and then Emily said—” + +The curtain went up, and Emily’s contribution to the discussion had to be +held over till the entr’acte. + +The play promised to be a success. The author, avoiding the pitfall of +brilliancy, had aimed at being interesting and as far as possible, +bearing in mind that his play was a comedy, he had striven to be amusing. +Above all he had remembered that in the laws of stage proportions it is +permissible and generally desirable that the part should be greater than +the whole; hence he had been careful to give the leading lady such a +clear and commanding lead over the other characters of the play that it +was impossible for any of them ever to get on level terms with her. The +action of the piece was now and then delayed thereby, but the duration of +its run would be materially prolonged. + +The curtain came down on the first act amid an encouraging instalment of +applause, and the audience turned its back on the stage and began to take +a renewed interest in itself. The authoress of “The Woman who wished it +was Wednesday” had swept like a convalescent whirlwind, subdued but +potentially tempestuous, into Lady Caroline’s box. + +“I’ve just trodden with all my weight on the foot of an eminent publisher +as I was leaving my seat,” she cried, with a peal of delighted laughter. +“He was such a dear about it; I said I hoped I hadn’t hurt him, and he +said, ‘I suppose you think, who drives hard bargains should himself be +hard.’ Wasn’t it pet-lamb of him?” + +“I’ve never trodden on a pet lamb,” said Lady Caroline, “so I’ve no idea +what its behaviour would be under the circumstances.” + +“Tell me,” said the authoress, coming to the front of the box, the better +to survey the house, and perhaps also with a charitable desire to make +things easy for those who might pardonably wish to survey her, “tell me, +please, where is the girl sitting whom Courtenay Youghal is engaged to?” + +Elaine was pointed out to her, sitting in the fourth row of the stalls, +on the opposite side of the house to where Comus had his seat. Once +during the interval she had turned to give him a friendly nod of +recognition as he stood in one of the side gangways, but he was absorbed +at the moment in looking at himself in the glass panel. The grave brown +eyes and the mocking green-grey ones had looked their last into each +other’s depths. + +For Comus this first-night performance, with its brilliant gathering of +spectators, its groups and coteries of lively talkers, even its +counterfoil of dull chatterers, its pervading atmosphere of stage and +social movement, and its intruding undercurrent of political flutter, all +this composed a tragedy in which he was the chief character. It was the +life he knew and loved and basked in, and it was the life he was leaving. +It would go on reproducing itself again and again, with its stage +interest and social interest and intruding outside interests, with the +same lively chattering crowd, the people who had done things being +pointed out by people who recognised them to people who didn’t—it would +all go on with unflagging animation and sparkle and enjoyment, and for +him it would have stopped utterly. He would be in some unheard-of +sun-blistered wilderness, where natives and pariah dogs and +raucous-throated crows fringed round mockingly on one’s loneliness, where +one rode for sweltering miles for the chance of meeting a collector or +police officer, with whom most likely on closer acquaintance one had +hardly two ideas in common, where female society was represented at long +intervals by some climate-withered woman missionary or official’s wife, +where food and sickness and veterinary lore became at last the three +outstanding subjects on which the mind settled or rather sank. That was +the life he foresaw and dreaded, and that was the life he was going to. +For a boy who went out to it from the dulness of some country rectory, +from a neighbourhood where a flower show and a cricket match formed the +social landmarks of the year, the feeling of exile might not be very +crushing, might indeed be lost in the sense of change and adventure. But +Comus had lived too thoroughly in the centre of things to regard life in +a backwater as anything else than stagnation, and stagnation while one is +young he justly regarded as an offence against nature and reason, in +keeping with the perverted mockery that sends decrepit invalids touring +painfully about the world and shuts panthers up in narrow cages. He was +being put aside, as a wine is put aside, but to deteriorate instead of +gaining in the process, to lose the best time of his youth and health and +good looks in a world where youth and health and good looks count for +much and where time never returns lost possessions. And thus, as the +curtain swept down on the close of each act, Comus felt a sense of +depression and deprivation sweep down on himself; bitterly he watched his +last evening of social gaiety slipping away to its end. In less than an +hour it would be over; in a few months’ time it would be an unreal +memory. + +In the third interval, as he gazed round at the chattering house, someone +touched him on the arm. It was Lady Veula Croot. + +“I suppose in a week’s time you’ll be on the high seas,” she said. “I’m +coming to your farewell dinner, you know; your mother has just asked me. +I’m not going to talk the usual rot to you about how much you will like +it and so on. I sometimes think that one of the advantages of Hell will +be that no one will have the impertinence to point out to you that you’re +really better off than you would be anywhere else. What do you think of +the play? Of course one can foresee the end; she will come to her +husband with the announcement that their longed-for child is going to be +born, and that will smooth over everything. So conveniently effective, +to wind up a comedy with the commencement of someone else’s tragedy. And +every one will go away saying ‘I’m glad it had a happy ending.’” + +Lady Veula moved back to her seat, with her pleasant smile on her lips +and the look of infinite weariness in her eyes. + +The interval, the last interval, was drawing to a close and the house +began to turn with fidgetty attention towards the stage for the unfolding +of the final phase of the play. Francesca sat in Serena Golackly’s box +listening to Colonel Springfield’s story of what happened to a +pigeon-cote in his compound at Poona. Everyone who knew the Colonel had +to listen to that story a good many times, but Lady Caroline had +mitigated the boredom of the infliction, and in fact invested it with a +certain sporting interest, by offering a prize to the person who heard it +oftenest in the course of the Season, the competitors being under an +honourable understanding not to lead up to the subject. Ada Spelvexit +and a boy in the Foreign Office were at present at the top of the list +with five recitals each to their score, but the former was suspected of +doubtful adherence to the rules and spirit of the competition. + +“And there, dear lady,” concluded the Colonel, “were the eleven dead +pigeons. What had become of the bandicoot no one ever knew.” + +Francesca thanked him for his story, and complacently inscribed the +figure 4 on the margin of her theatre programme. Almost at the same +moment she heard George St. Michael’s voice pattering out a breathless +piece of intelligence for the edification of Serena Golackly and anyone +else who might care to listen. Francesca galvanised into sudden +attention. + +“Emmeline Chetrof to a fellow in the Indian Forest Department. He’s got +nothing but his pay and they can’t be married for four or five years; an +absurdly long engagement, don’t you think so? All very well to wait +seven years for a wife in patriarchal times, when you probably had others +to go on with, and you lived long enough to celebrate your own +tercentenary, but under modern conditions it seems a foolish +arrangement.” + +St. Michael spoke almost with a sense of grievance. A marriage project +that tied up all the small pleasant nuptial gossip-items about +bridesmaids and honeymoon and recalcitrant aunts and so forth, for an +indefinite number of years seemed scarcely decent in his eyes, and there +was little satisfaction or importance to be derived from early and +special knowledge of an event which loomed as far distant as a +Presidential Election or a change of Viceroy. But to Francesca, who had +listened with startled apprehension at the mention of Emmeline Chetrof’s +name, the news came in a flood of relief and thankfulness. Short of +entering a nunnery and taking celibate vows, Emmeline could hardly have +behaved more conveniently than in tying herself up to a lover whose +circumstances made it necessary to relegate marriage to the distant +future. For four or five years Francesca was assured of undisturbed +possession of the house in Blue Street, and after that period who knew +what might happen? The engagement might stretch on indefinitely, it +might even come to nothing under the weight of its accumulated years, as +sometimes happened with these protracted affairs. Emmeline might lose +her fancy for her absentee lover, and might never replace him with +another. A golden possibility of perpetual tenancy of her present home +began to float once more through Francesca’s mind. As long as Emmeline +had been unbespoken in the marriage market there had always been the +haunting likelihood of seeing the dreaded announcement, “a marriage has +been arranged and will shortly take place,” in connection with her name. +And now a marriage had been arranged and would not shortly take place, +might indeed never take place. St. Michael’s information was likely to +be correct in this instance; he would never have invented a piece of +matrimonial intelligence which gave such little scope for supplementary +detail of the kind he loved to supply. As Francesca turned to watch the +fourth act of the play, her mind was singing a pæan of thankfulness and +exultation. It was as though some artificer sent by the Gods had +reinforced with a substantial cord the horsehair thread that held up the +sword of Damocles over her head. Her love for her home, for her +treasured household possessions, and her pleasant social life was able to +expand once more in present security, and feed on future hope. She was +still young enough to count four or five years as a long time, and +to-night she was optimistic enough to prophesy smooth things of the +future that lay beyond that span. Of the fourth act, with its carefully +held back but obviously imminent reconciliation between the leading +characters, she took in but little, except that she vaguely understood it +to have a happy ending. As the lights went up she looked round on the +dispersing audience with a feeling of friendliness uppermost in her mind; +even the sight of Elaine de Frey and Courtenay Youghal leaving the +theatre together did not inspire her with a tenth part of the annoyance +that their entrance had caused her. Serena’s invitation to go on to the +Savoy for supper fitted in exactly with her mood of exhilaration. It +would be a fit and appropriate wind-up to an auspicious evening. The +cold chicken and modest brand of Chablis waiting for her at home should +give way to a banquet of more festive nature. + +In the crush of the vestibule, friends and enemies, personal and +political, were jostled and locked together in the general effort to +rejoin temporarily estranged garments and secure the attendance of +elusive vehicles. Lady Caroline found herself at close quarters with the +estimable Henry Greech, and experienced some of the joy which comes to +the homeward wending sportsman when a chance shot presents itself on +which he may expend his remaining cartridges. + +“So the Government is going to climb down, after all,” she said, with a +provocative assumption of private information on the subject. + +“I assure you the Government will do nothing of the kind,” replied the +Member of Parliament with befitting dignity; “the Prime Minister told me +last night that under no circumstances—” + +“My dear Mr. Greech,” said Lady Caroline, “we all know that Prime +Ministers are wedded to the truth, but like other wedded couples they +sometimes live apart.” + +For her, at any rate, the comedy had had a happy ending. + +Comus made his way slowly and lingeringly from the stalls, so slowly that +the lights were already being turned down and great shroud-like +dust-cloths were being swaythed over the ornamental gilt-work. The +laughing, chattering, yawning throng had filtered out of the vestibule, +and was melting away in final groups from the steps of the theatre. An +impatient attendant gave him his coat and locked up the cloak room. +Comus stepped out under the portico; he looked at the posters announcing +the play, and in anticipation he could see other posters announcing its +200th performance. Two hundred performances; by that time the Straw +Exchange Theatre would be to him something so remote and unreal that it +would hardly seem to exist or to have ever existed except in his fancy. +And to the laughing chattering throng that would pass in under that +portico to the 200th performance, he would be, to those that had known +him, something equally remote and non-existent. “The good-looking +Bassington boy? Oh, dead, or rubber-growing or sheep-farming or +something of that sort.” + + + + +CHAPTER XIV + + +THE farewell dinner which Francesca had hurriedly organised in honour of +her son’s departure threatened from the outset to be a doubtfully +successful function. In the first place, as he observed privately, there +was very little of Comus and a good deal of farewell in it. His own +particular friends were unrepresented. Courtenay Youghal was out of the +question; and though Francesca would have stretched a point and welcomed +some of his other male associates of whom she scarcely approved, he +himself had been opposed to including any of them in the invitations. On +the other hand, as Henry Greech had provided Comus with this job that he +was going out to, and was, moreover, finding part of the money for the +necessary outfit, Francesca had felt it her duty to ask him and his wife +to the dinner; the obtuseness that seems to cling to some people like a +garment throughout their life had caused Mr. Greech to accept the +invitation. When Comus heard of the circumstance he laughed long and +boisterously; his spirits, Francesca noted, seemed to be rising fast as +the hour for departure drew near. + +The other guests included Serena Golackly and Lady Veula, the latter +having been asked on the inspiration of the moment at the theatrical +first-night. In the height of the Season it was not easy to get together +a goodly selection of guests at short notice, and Francesca had gladly +fallen in with Serena’s suggestion of bringing with her Stephen Thorle, +who was alleged, in loose feminine phrasing, to “know all about” tropical +Africa. His travels and experiences in those regions probably did not +cover much ground or stretch over any great length of time, but he was +one of those individuals who can describe a continent on the strength of +a few days’ stay in a coast town as intimately and dogmatically as a +paleontologist will reconstruct an extinct mammal from the evidence of a +stray shin bone. He had the loud penetrating voice and the prominent +penetrating eyes of a man who can do no listening in the ordinary way and +whose eyes have to perform the function of listening for him. His vanity +did not necessarily make him unbearable, unless one had to spend much +time in his society, and his need for a wide field of audience and +admiration was mercifully calculated to spread his operations over a +considerable human area. Moreover, his craving for attentive listeners +forced him to interest himself in a wonderful variety of subjects on +which he was able to discourse fluently and with a certain semblance of +special knowledge. Politics he avoided; the ground was too well known, +and there was a definite no to every definite yes that could be put +forward. Moreover, argument was not congenial to his disposition, which +preferred an unchallenged flow of dissertation modified by occasional +helpful questions which formed the starting point for new offshoots of +word-spinning. The promotion of cottage industries, the prevention of +juvenile street trading, the extension of the Borstal prison system, the +furtherance of vague talkative religious movements the fostering of +inter-racial _ententes_, all found in him a tireless exponent, a fluent +and entertaining, though perhaps not very convincing, advocate. With the +real motive power behind these various causes he was not very closely +identified; to the spade-workers who carried on the actual labours of +each particular movement he bore the relation of a trowel-worker, delving +superficially at the surface, but able to devote a proportionately far +greater amount of time to the advertisement of his progress and +achievements. Such was Stephen Thorle, a governess in the nursery of +Chelsea-bred religions, a skilled window-dresser in the emporium of his +own personality, and needless to say, evanescently popular amid a wide +but shifting circle of acquaintances. He improved on the record of a +socially much-travelled individual whose experience has become classical, +and went to most of the best houses—twice. + +His inclusion as a guest at this particular dinner-party was not a very +happy inspiration. He was inclined to patronise Comus, as well as the +African continent, and on even slighter acquaintance. With the exception +of Henry Greech, whose feelings towards his nephew had been soured by +many years of overt antagonism, there was an uncomfortable feeling among +those present that the topic of the black-sheep export trade, as Comus +would have himself expressed it, was being given undue prominence in what +should have been a festive farewell banquet. And Comus, in whose honour +the feast was given, did not contribute much towards its success; though +his spirits seemed strung up to a high pitch his merriment was more the +merriment of a cynical and amused onlooker than of one who responds to +the gaiety of his companions. Sometimes he laughed quietly to himself at +some chance remark of a scarcely mirth-provoking nature, and Lady Veula, +watching him narrowly, came to the conclusion that an element of fear was +blended with his seemingly buoyant spirits. Once or twice he caught her +eye across the table, and a certain sympathy seemed to grow up between +them, as though they were both consciously watching some lugubrious +comedy that was being played out before them. + +An untoward little incident had marked the commencement of the meal. A +small still-life picture that hung over the sideboard had snapped its +cord and slid down with an alarming clatter on to the crowded board +beneath it. The picture itself was scarcely damaged, but its fall had +been accompanied by a tinkle of broken glass, and it was found that a +liqueur glass, one out of a set of seven that would be impossible to +match, had been shivered into fragments. Francesca’s almost motherly +love for her possessions made her peculiarly sensible to a feeling of +annoyance and depression at the accident, but she turned politely to +listen to Mrs. Greech’s account of a misfortune in which four soup-plates +were involved. Mrs. Henry was not a brilliant conversationalist, and her +flank was speedily turned by Stephen Thorle, who recounted a slum +experience in which two entire families did all their feeding out of one +damaged soup-plate. + +“The gratitude of those poor creatures when I presented them with a set +of table crockery apiece, the tears in their eyes and in their voices +when they thanked me, would be impossible to describe.” + +“Thank you all the same for describing it,” said Comus. + +The listening eyes went swiftly round the table to gather evidence as to +how this rather disconcerting remark had been received, but Thorle’s +voice continued uninterruptedly to retail stories of East-end gratitude, +never failing to mention the particular deeds of disinterested charity on +his part which had evoked and justified the gratitude. Mrs. Greech had +to suppress the interesting sequel to her broken-crockery narrative, to +wit, how she subsequently matched the shattered soup-plates at Harrod’s. +Like an imported plant species that sometimes flourishes exceedingly, and +makes itself at home to the dwarfing and overshadowing of all native +species, Thorle dominated the dinner-party and thrust its original +purport somewhat into the background. Serena began to look helplessly +apologetic. It was altogether rather a relief when the filling of +champagne glasses gave Francesca an excuse for bringing matters back to +their intended footing. + +“We must all drink a health,” she said; “Comus, my own dear boy, a safe +and happy voyage to you, much prosperity in the life you are going out +to, and in due time a safe and happy return—” + +Her hand gave an involuntary jerk in the act of raising the glass, and +the wine went streaming across the tablecloth in a froth of yellow +bubbles. It certainly was not turning out a comfortable or auspicious +dinner party. + +“My dear mother,” cried Comus, “you must have been drinking healths all +the afternoon to make your hand so unsteady.” + +He laughed gaily and with apparent carelessness, but again Lady Veula +caught the frightened note in his laughter. Mrs. Henry, with practical +sympathy, was telling Francesca two good ways for getting wine stains out +of tablecloths. The smaller economies of life were an unnecessary branch +of learning for Mrs. Greech, but she studied them as carefully and +conscientiously as a stay-at-home plain-dwelling English child commits to +memory the measurements and altitudes of the world’s principal mountain +peaks. Some women of her temperament and mentality know by heart the +favourite colours, flowers and hymn-tunes of all the members of the Royal +Family; Mrs. Greech would possibly have failed in an examination of that +nature, but she knew what to do with carrots that have been over-long in +storage. + +Francesca did not renew her speech-making; a chill seemed to have fallen +over all efforts at festivity, and she contented herself with refilling +her glass and simply drinking to her boy’s good health. The others +followed her example, and Comus drained his glass with a brief “thank you +all very much.” The sense of constraint which hung over the company was +not, however, marked by any uncomfortable pause in the conversation. +Henry Greech was a fluent thinker, of the kind that prefer to do their +thinking aloud; the silence that descended on him as a mantle in the +House of Commons was an official livery of which he divested himself as +thoroughly as possible in private life. He did not propose to sit +through dinner as a mere listener to Mr. Thorle’s personal narrative of +philanthropic movements and experiences, and took the first opportunity +of launching himself into a flow of satirical observations on current +political affairs. Lady Veula was inured to this sort of thing in her +own home circle, and sat listening with the stoical indifference with +which an Esquimau might accept the occurrence of one snowstorm the more, +in the course of an Arctic winter. Serena Golackly felt a certain relief +at the fact that her imported guest was not, after all, monopolising the +conversation. But the latter was too determined a personality to allow +himself to be thrust aside for many minutes by the talkative M.P. Henry +Greech paused for an instant to chuckle at one of his own shafts of +satire, and immediately Thorle’s penetrating voice swept across the +table. + +“Oh, you politicians!” he exclaimed, with pleasant superiority; “you are +always fighting about how things should be done, and the consequence is +you are never able to do anything. Would you like me to tell you what a +Unitarian horsedealer said to me at Brindisi about politicians?” + +A Unitarian horsedealer at Brindisi had all the allurement of the +unexpected. Henry Greech’s witticisms at the expense of the Front +Opposition bench were destined to remain as unfinished as his wife’s +history of the broken soup-plates. Thorle was primed with an ample +succession of stories and themes, chiefly concerning poverty, +thriftlessness, reclamation, reformed characters, and so forth, which +carried him in an almost uninterrupted sequence through the remainder of +the dinner. + +“What I want to do is to make people think,” he said, turning his +prominent eyes on to his hostess; “it’s so hard to make people think.” + +“At any rate you give them the opportunity,” said Comus, cryptically. + +As the ladies rose to leave the table Comus crossed over to pick up one +of Lady Veula’s gloves that had fallen to the floor. + +“I did not know you kept a dog,” said Lady Veula. + +“We don’t,” said Comus, “there isn’t one in the house.” + +“I could have sworn I saw one follow you across the hall this evening,” +she said. + +“A small black dog, something like a schipperke?” asked Comus in a low +voice. + +“Yes, that was it.” + +“I saw it myself to-night; it ran from behind my chair just as I was +sitting down. Don’t say anything to the others about it; it would +frighten my mother.” + +“Have you ever seen it before?” Lady Veula asked quickly. + +“Once, when I was six years old. It followed my father downstairs.” + +Lady Veula said nothing. She knew that Comus had lost his father at the +age of six. + +In the drawing-room Serena made nervous excuses for her talkative friend. + +“Really, rather an interesting man, you know, and up to the eyes in all +sorts of movements. Just the sort of person to turn loose at a +drawing-room meeting, or to send down to a mission-hall in some +unheard-of neighbourhood. Given a sounding-board and a harmonium, and a +titled woman of some sort in the chair, and he’ll be perfectly happy; I +must say I hadn’t realised how overpowering he might be at a small +dinner-party.” + +“I should say he was a very good man,” said Mrs. Greech; she had forgiven +the mutilation of her soup-plate story. + +The party broke up early as most of the guests had other engagements to +keep. With a belated recognition of the farewell nature of the occasion +they made pleasant little good-bye remarks to Comus, with the usual +predictions of prosperity and anticipations of an ultimate auspicious +return. Even Henry Greech sank his personal dislike of the boy for the +moment, and made hearty jocular allusions to a home-coming, which, in the +elder man’s eyes, seemed possibly pleasantly remote. Lady Veula alone +made no reference to the future; she simply said, “Good-bye, Comus,” but +her voice was the kindest of all and he responded with a look of +gratitude. The weariness in her eyes was more marked than ever as she +lay back against the cushions of her carriage. + +“What a tragedy life is,” she said, aloud to herself. + +Serena and Stephen Thorle were the last to leave, and Francesca stood +alone for a moment at the head of the stairway watching Comus laughing +and chatting as he escorted the departing guests to the door. The +ice-wall was melting under the influence of coming separation, and never +had he looked more adorably handsome in her eyes, never had his merry +laugh and mischief-loving gaiety seemed more infectious than on this +night of his farewell banquet. She was glad enough that he was going +away from a life of idleness and extravagance and temptation, but she +began to suspect that she would miss, for a little while at any rate, the +high-spirited boy who could be so attractive in his better moods. Her +impulse, after the guests had gone, was to call him to her and hold him +once more in her arms, and repeat her wishes for his happiness and +good-luck in the land he was going to, and her promise of his welcome +back, some not too distant day, to the land he was leaving. She wanted +to forget, and to make him forget, the months of irritable jangling and +sharp discussions, the months of cold aloofness and indifference and to +remember only that he was her own dear Comus as in the days of yore, +before he had grown from an unmanageable pickle into a weariful problem. +But she feared lest she should break down, and she did not wish to cloud +his light-hearted gaiety on the very eve of his departure. She watched +him for a moment as he stood in the hall, settling his tie before a +mirror, and then went quietly back to her drawing-room. It had not been +a very successful dinner party, and the general effect it had left on her +was one of depression. + +Comus, with a lively musical-comedy air on his lips, and a look of +wretchedness in his eyes, went out to visit the haunts that he was +leaving so soon. + + + + +CHAPTER XV + + +ELAINE YOUGHAL sat at lunch in the Speise Saal of one of Vienna’s +costlier hotels. The double-headed eagle, with its “K.u.K.” legend, +everywhere met the eye and announced the imperial favour in which the +establishment basked. Some several square yards of yellow bunting, +charged with the image of another double-headed eagle, floating from the +highest flag-staff above the building, betrayed to the initiated the fact +that a Russian Grand Duke was concealed somewhere on the premises. +Unannounced by heraldic symbolism but unconcealable by reason of nature’s +own blazonry, were several citizens and citizenesses of the great +republic of the Western world. One or two Cobdenite members of the +British Parliament engaged in the useful task of proving that the cost of +living in Vienna was on an exorbitant scale, flitted with restrained +importance through a land whose fatness they had come to spy out; every +fancied over-charge in their bills was welcome as providing another nail +in the coffin of their fiscal opponents. It is the glory of democracies +that they may be misled but never driven. Here and there, like brave +deeds in a dust-patterned world, flashed and glittered the sumptuous +uniforms of representatives of the Austrian military caste. Also in +evidence, at discreet intervals, were stray units of the Semetic tribe +that nineteen centuries of European neglect had been unable to mislay. + +Elaine sitting with Courtenay at an elaborately appointed luncheon table, +gay with high goblets of Bohemian glassware, was mistress of three +discoveries. First, to her disappointment, that if you frequent the more +expensive hotels of Europe you must be prepared to find, in whatever +country you may chance to be staying, a depressing international likeness +between them all. Secondly, to her relief, that one is not expected to +be sentimentally amorous during a modern honeymoon. Thirdly, rather to +her dismay, that Courtenay Youghal did not necessarily expect her to be +markedly affectionate in private. Someone had described him, after their +marriage, as one of Nature’s bachelors, and she began to see how aptly +the description fitted him. + +“Will those Germans on our left never stop talking?” she asked, as an +undying flow of Teutonic small talk rattled and jangled across the +intervening stretch of carpet. “Not one of those three women has ceased +talking for an instant since we’ve been sitting here.” + +“They will presently, if only for a moment,” said Courtenay; “when the +dish you have ordered comes in there will be a deathly silence at the +next table. No German can see a _plat_ brought in for someone else +without being possessed with a great fear that it represents a more +toothsome morsel or a better money’s worth than what he has ordered for +himself.” + +The exuberant Teutonic chatter was balanced on the other side of the room +by an even more penetrating conversation unflaggingly maintained by a +party of Americans, who were sitting in judgment on the cuisine of the +country they were passing through, and finding few extenuating +circumstances. + +“What Mr. Lonkins wants is a real _deep_ cherry pie,” announced a lady in +a tone of dramatic and honest conviction. + +“Why, yes, that is so,” corroborated a gentleman who was apparently the +Mr. Lonkins in question; “a real _deep_ cherry pie.” + +“We had the same trouble way back in Paris,” proclaimed another lady; +“little Jerome and the girls don’t want to eat any more _crème +renversée_. I’d give anything if they could get some real cherry pie.” + +“Real _deep_ cherry pie,” assented Mr. Lonkins. + +“Way down in Ohio we used to have peach pie that was real good,” said +Mrs. Lonkins, turning on a tap of reminiscence that presently flowed to a +cascade. The subject of pies seemed to lend itself to indefinite +expansion. + +“Do those people think of nothing but their food?” asked Elaine, as the +virtues of roasted mutton suddenly came to the fore and received emphatic +recognition, even the absent and youthful Jerome being quoted in its +favour. + +“On the contrary,” said Courtenay, “they are a widely-travelled set, and +the man has had a notably interesting career. It is a form of +home-sickness with them to discuss and lament the cookery and foods that +they’ve never had the leisure to stay at home and digest. The Wandering +Jew probably babbled unremittingly about some breakfast dish that took so +long to prepare that he had never time to eat it.” + +A waiter deposited a dish of Wiener Nierenbraten in front of Elaine. At +the same moment a magic hush fell upon the three German ladies at the +adjoining table, and the flicker of a great fear passed across their +eyes. Then they burst forth again into tumultuous chatter. Courtenay +had proved a reliable prophet. + +Almost at the same moment as the luncheon-dish appeared on the scene, two +ladies arrived at a neighbouring table, and bowed with dignified +cordiality to Elaine and Courtenay. They were two of the more worldly +and travelled of Elaine’s extensive stock of aunts, and they happened to +be making a short stay at the same hotel as the young couple. They were +far too correct and rationally minded to intrude themselves on their +niece, but it was significant of Elaine’s altered view as to the sanctity +of honeymoon life that she secretly rather welcomed the presence of her +two relatives in the hotel, and had found time and occasion to give them +more of her society than she would have considered necessary or desirable +a few weeks ago. The younger of the two she rather liked, in a +restrained fashion, as one likes an unpretentious watering-place or a +restaurant that does not try to give one a musical education in addition +to one’s dinner. One felt instinctively about her that she would never +wear rather more valuable diamonds than any other woman in the room, and +would never be the only person to be saved in a steamboat disaster or +hotel fire. As a child she might have been perfectly well able to recite +“On Linden when the sun was low,” but one felt certain that nothing ever +induced her to do so. The elder aunt, Mrs. Goldbrook, did not share her +sister’s character as a human rest-cure; most people found her rather +disturbing, chiefly, perhaps, from her habit of asking unimportant +questions with enormous solemnity. Her manner of enquiring after a +trifling ailment gave one the impression that she was more concerned with +the fortunes of the malady than with oneself, and when one got rid of a +cold one felt that she almost expected to be given its postal address. +Probably her manner was merely the defensive outwork of an innate +shyness, but she was not a woman who commanded confidences. + +“A telephone call for Courtenay,” commented the younger of the two women +as Youghal hurriedly flashed through the room; “the telephone system +seems to enter very largely into that young man’s life.” + +“The telephone has robbed matrimony of most of its sting,” said the +elder; “so much more discreet than pen and ink communications which get +read by the wrong people.” + +Elaine’s aunts were conscientiously worldly; they were the natural +outcome of a stock that had been conscientiously straight-laced for many +generations. + +Elaine had progressed to the pancake stage before Courtenay returned. + +“Sorry to be away so long,” he said, “but I’ve arranged something rather +nice for to-night. There’s rather a jolly masquerade ball on. I’ve +’phoned about getting a costume for you and it’s alright. It will suit +you beautifully, and I’ve got my harlequin dress with me. Madame +Kelnicort, excellent soul, is going to chaperone you, and she’ll take you +back any time you like; I’m quite unreliable when I get into fancy dress. +I shall probably keep going till some unearthly hour of the morning.” + +A masquerade ball in a strange city hardly represented Elaine’s idea of +enjoyment. Carefully to disguise one’s identity in a neighbourhood where +one was entirely unknown seemed to her rather meaningless. With +Courtenay, of course, it was different; he seemed to have friends and +acquaintances everywhere. However, the matter had progressed to a point +which would have made a refusal to go seem rather ungracious. Elaine +finished her pancake and began to take a polite interest in her costume. + +“What is your character?” asked Madame Kelnicort that evening, as they +uncloaked, preparatory to entering the already crowded ball-room. + +“I believe I’m supposed to represent Marjolaine de Montfort, whoever she +may have been,” said Elaine. “Courtenay declares he only wanted to marry +me because I’m his ideal of her.” + +“But what a mistake to go as a character you know nothing about. To +enjoy a masquerade ball you ought to throw away your own self and be the +character you represent. Now Courtenay has been Harlequin since half-way +through dinner; I could see it dancing in his eyes. At about six o’clock +to-morrow morning he will fall asleep and wake up a member of the British +House of Parliament on his honeymoon, but to-night he is unrestrainedly +Harlequin.” + +Elaine stood in the ball-room surrounded by a laughing jostling throng of +pierrots, jockeys, Dresden-china shepherdesses, Roumanian peasant-girls +and all the lively make-believe creatures that form the ingredients of a +fancy-dress ball. As she stood watching them she experienced a growing +feeling of annoyance, chiefly with herself. She was assisting, as the +French say, at one of the gayest scenes of Europe’s gayest capital, and +she was conscious of being absolutely unaffected by the gaiety around +her. The costumes were certainly interesting to look at, and the music +good to listen to, and to that extent she was amused, but the _abandon_ +of the scene made no appeal to her. It was like watching a game of which +you did not know the rules, and in the issue of which you were not +interested. Elaine began to wonder what was the earliest moment at which +she could drag Madame Kelnicort away from the revel without being guilty +of sheer cruelty. Then Courtenay wriggled out of the crush and came +towards her, a joyous laughing Courtenay, looking younger and handsomer +than she had ever seen him. She could scarcely recognise in him to-night +the rising young debater who made embarrassing onslaughts on the +Government’s foreign policy before a crowded House of Commons. He +claimed her for the dance that was just starting, and steered her +dexterously into the heart of the waltzing crowd. + +“You look more like Marjolaine than I should have thought a mortal woman +of these days could look,” he declared, “only Marjolaine did smile +sometimes. You have rather the air of wondering if you’d left out enough +tea for the servants’ breakfast. Don’t mind my teasing; I love you to +look like that, and besides, it makes a splendid foil to my Harlequin—my +selfishness coming to the fore again, you see. But you really are to go +home the moment you’re bored; the excellent Kelnicort gets heaps of +dances throughout the winter, so don’t mind sacrificing her.” + +A little later in the evening Elaine found herself standing out a dance +with a grave young gentleman from the Russian Embassy. + +“Monsieur Courtenay enjoys himself, doesn’t he?” he observed, as the +youthful-looking harlequin flashed past them, looking like some restless +gorgeous-hued dragonfly; “why is it that the good God has given your +countrymen the boon of eternal youth? Some of your countrywomen, too, +but all of the men.” + +Elaine could think of many of her countrymen who were not and never could +have been youthful, but as far as Courtenay was concerned she recognised +the fitness of the remark. And the recognition carried with it a sense +of depression. Would he always remain youthful and keen on gaiety and +revelling while she grew staid and retiring? She had thrust the lively +intractable Comus out of her mind, as by his perverseness he had thrust +himself out of her heart, and she had chosen the brilliant young man of +affairs as her husband. He had honestly let her see the selfish side of +his character while he was courting her, but she had been prepared to +make due sacrifices to the selfishness of a public man who had his career +to consider above all other things. Would she also have to make +sacrifices to the harlequin spirit which was now revealing itself as an +undercurrent in his nature? When one has inured oneself to the idea of a +particular form of victimisation it is disconcerting to be confronted +with another. Many a man who would patiently undergo martyrdom for +religion’s sake would be furiously unwilling to be a martyr to neuralgia. + +“I think that is why you English love animals so much,” pursued the young +diplomat; “you are such splendid animals yourselves. You are lively +because you want to be lively, not because people are looking on at you. +Monsieur Courtenay is certainly an animal. I mean it as a high +compliment.” + +“Am I an animal?” asked Elaine. + +“I was going to say you are an angel,” said the Russian, in some +embarrassment, “but I do not think that would do; angels and animals +would never get on together. To get on with animals you must have a +sense of humour, and I don’t suppose angels have any sense of humour; you +see it would be no use to them as they never hear any jokes.” + +“Perhaps,” said Elaine, with a tinge of bitterness in her voice, “perhaps +I am a vegetable.” + +“I think you most remind me of a picture,” said the Russian. + +It was not the first time Elaine had heard the simile. + +“I know,” she said, “the Narrow Gallery at the Louvre; attributed to +Leonardo da Vinci.” + +Evidently the impression she made on people was solely one of externals. + +Was that how Courtenay regarded her? Was that to be her function and +place in life, a painted background, a decorative setting to other +people’s triumphs and tragedies? Somehow to-night she had the feeling +that a general might have who brought imposing forces into the field and +could do nothing with them. She possessed youth and good looks, +considerable wealth, and had just made what would be thought by most +people a very satisfactory marriage. And already she seemed to be +standing aside as an onlooker where she had expected herself to be taking +a leading part. + +“Does this sort of thing appeal to you?” she asked the young Russian, +nodding towards the gay scrimmage of masqueraders and rather prepared to +hear an amused negative.” + +“But yes, of course,” he answered; “costume balls, fancy fairs, café +chantant, casino, anything that is not real life appeals to us Russians. +Real life with us is the sort of thing that Maxim Gorki deals in. It +interests us immensely, but we like to get away from it sometimes.” + +Madame Kelnicort came up with another prospective partner, and Elaine +delivered her ukase: one more dance and then back to the hotel. Without +any special regret she made her retreat from the revel which Courtenay +was enjoying under the impression that it was life and the young Russian +under the firm conviction that it was not. + +Elaine breakfasted at her aunts’ table the next morning at much her usual +hour. Courtenay was sleeping the sleep of a happy tired animal. He had +given instructions to be called at eleven o’clock, from which time onward +the _Neue Freie Presse_, the _Zeit_, and his toilet would occupy his +attention till he appeared at the luncheon table. There were not many +people breakfasting when Elaine arrived on the scene, but the room seemed +to be fuller than it really was by reason of a penetrating voice that was +engaged in recounting how far the standard of Viennese breakfast fare +fell below the expectations and desires of little Jerome and the girls. + +“If ever little Jerome becomes President of the United States,” said +Elaine, “I shall be able to contribute quite an informing article on his +gastronomic likes and dislikes to the papers.” + +The aunts were discreetly inquisitive as to the previous evening’s +entertainment. + +“If Elaine would flirt mildly with somebody it would be such a good +thing,” said Mrs. Goldbrook; “it would remind Courtenay that he’s not the +only attractive young man in the world.” + +Elaine, however, did not gratify their hopes; she referred to the ball +with the detachment she would have shown in describing a drawing-room +show of cottage industries. It was not difficult to discern in her +description of the affair the confession that she had been slightly +bored. From Courtenay, later in the day, the aunts received a much +livelier impression of the festivities, from which it was abundantly +clear that he at any rate had managed to amuse himself. Neither did it +appear that his good opinion of his own attractions had suffered any +serious shock. He was distinctly in a very good temper. + +“The secret of enjoying a honeymoon,” said Mrs. Goldbrook afterwards to +her sister, “is not to attempt too much.” + +“You mean—?” + +“Courtenay is content to try and keep one person amused and happy, and he +thoroughly succeeds.” + +“I certainly don’t think Elaine is going to be very happy,” said her +sister, “but at least Courtenay saved her from making the greatest +mistake she could have made—marrying that young Bassington.” + +“He has also,” said Mrs. Goldbrook, “helped her to make the next biggest +mistake of her life—marrying Courtenay Youghal.” + + + + +CHAPTER XVI + + +IT was late afternoon by the banks of a swiftly rushing river, a river +that gave back a haze of heat from its waters as though it were some +stagnant steaming lagoon, and yet seemed to be whirling onward with the +determination of a living thing, perpetually eager and remorseless, +leaping savagely at any obstacle that attempted to stay its course; an +unfriendly river, to whose waters you committed yourself at your peril. +Under the hot breathless shade of the trees on its shore arose that acrid +all-pervading smell that seems to hang everywhere about the tropics, a +smell as of some monstrous musty still-room where herbs and spices have +been crushed and distilled and stored for hundreds of years, and where +the windows have seldom been opened. In the dazzling heat that still +held undisputed sway over the scene, insects and birds seemed +preposterously alive and active, flitting their gay colours through the +sunbeams, and crawling over the baked dust in the full swing and pursuit +of their several businesses; the flies engaged in Heaven knows what, and +the fly-catchers busy with the flies. Beasts and humans showed no such +indifference to the temperature; the sun would have to slant yet further +downward before the earth would become a fit arena for their revived +activities. In the sheltered basement of a wayside rest-house a gang of +native hammock-bearers slept or chattered drowsily through the last hours +of the long mid-day halt; wide awake, yet almost motionless in the thrall +of a heavy lassitude, their European master sat alone in an upper +chamber, staring out through a narrow window-opening at the native +village, spreading away in thick clusters of huts girt around with +cultivated vegetation. It seemed a vast human ant-hill, which would +presently be astir with its teeming human life, as though the Sun God in +his last departing stride had roused it with a careless kick. Even as +Comus watched he could see the beginnings of the evening’s awakening. +Women, squatting in front of their huts, began to pound away at the rice +or maize that would form the evening meal, girls were collecting their +water pots preparatory to a walk down to the river, and enterprising +goats made tentative forays through gaps in the ill-kept fences of +neighbouring garden plots; their hurried retreats showed that here at +least someone was keeping alert and wakeful vigil. Behind a hut perched +on a steep hillside, just opposite to the rest-house, two boys were +splitting wood with a certain languid industry; further down the road a +group of dogs were leisurely working themselves up to quarrelling pitch. +Here and there, bands of evil-looking pigs roamed about, busy with +foraging excursions that came unpleasantly athwart the border-line of +scavenging. And from the trees that bounded and intersected the village +rose the horrible, tireless, spiteful-sounding squawking of the +iron-throated crows. + +Comus sat and watched it all with a sense of growing aching depression. +It was so utterly trivial to his eyes, so devoid of interest, and yet it +was so real, so serious, so implacable in its continuity. The brain grew +tired with the thought of its unceasing reproduction. It had all gone +on, as it was going on now, by the side of the great rushing swirling +river, this tilling and planting and harvesting, marketing and +store-keeping, feast-making and fetish-worship and love-making, burying +and giving in marriage, child-bearing and child-rearing, all this had +been going on, in the shimmering, blistering heat and the warm nights, +while he had been a youngster at school, dimly recognising Africa as a +division of the earth’s surface that it was advisable to have a certain +nodding acquaintance with. + +It had been going on in all its trifling detail, all its serious +intensity, when his father and his grandfather in their day had been +little boys at school, it would go on just as intently as ever long after +Comus and his generation had passed away, just as the shadows would +lengthen and fade under the mulberry trees in that far away English +garden, round the old stone fountain where a leaden otter for ever preyed +on a leaden salmon. + +Comus rose impatiently from his seat, and walked wearily across the hut +to another window-opening which commanded a broad view of the river. +There was something which fascinated and then depressed one in its +ceaseless hurrying onward sweep, its tons of water rushing on for all +time, as long as the face of the earth should remain unchanged. On its +further shore could be seen spread out at intervals other teeming +villages, with their cultivated plots and pasture clearings, their moving +dots which meant cattle and goats and dogs and children. And far up its +course, lost in the forest growth that fringed its banks, were hidden +away yet more villages, human herding-grounds where men dwelt and worked +and bartered, squabbled and worshipped, sickened and perished, while the +river went by with its endless swirl and rush of gleaming waters. One +could well understand primitive early races making propitiatory +sacrifices to the spirit of a great river on whose shores they dwelt. +Time and the river were the two great forces that seemed to matter here. + +It was almost a relief to turn back to that other outlook and watch the +village life that was now beginning to wake in earnest. The procession +of water-fetchers had formed itself in a long chattering line that +stretched river-wards. Comus wondered how many tens of thousands of +times that procession had been formed since first the village came into +existence. They had been doing it while he was playing in the +cricket-fields at school, while he was spending Christmas holidays in +Paris, while he was going his careless round of theatres, dances, suppers +and card-parties, just as they were doing it now; they would be doing it +when there was no one alive who remembered Comus Bassington. This +thought recurred again and again with painful persistence, a morbid +growth arising in part from his loneliness. + +Staring dumbly out at the toiling sweltering human ant-hill Comus +marvelled how missionary enthusiasts could labour hopefully at the work +of transplanting their religion, with its homegrown accretions of +fatherly parochial benevolence, in this heat-blistered, fever-scourged +wilderness, where men lived like groundbait and died like flies. Demons +one might believe in, if one did not hold one’s imagination in healthy +check, but a kindly all-managing God, never. Somewhere in the west +country of England Comus had an uncle who lived in a rose-smothered +rectory and taught a wholesome gentle-hearted creed that expressed itself +in the spirit of “Little lamb, who made thee?” and faithfully reflected +the beautiful homely Christ-child sentiment of Saxon Europe. What a far +away, unreal fairy story it all seemed here in this West African land, +where the bodies of men were of as little account as the bubbles that +floated on the oily froth of the great flowing river, and where it +required a stretch of wild profitless imagination to credit them with +undying souls. In the life he had come from Comus had been accustomed to +think of individuals as definite masterful personalities, making their +several marks on the circumstances that revolved around them; they did +well or ill, or in most cases indifferently, and were criticised, +praised, blamed, thwarted or tolerated, or given way to. In any case, +humdrum or outstanding, they had their spheres of importance, little or +big. They dominated a breakfast table or harassed a Government, +according to their capabilities or opportunities, or perhaps they merely +had irritating mannerisms. At any rate it seemed highly probable that +they had souls. Here a man simply made a unit in an unnumbered +population, an inconsequent dot in a loosely-compiled deathroll. Even +his own position as a white man exalted conspicuously above a horde of +black natives did not save Comus from the depressing sense of nothingness +which his first experience of fever had thrown over him. He was a lost, +soulless body in this great uncaring land; if he died another would take +his place, his few effects would be inventoried and sent down to the +coast, someone else would finish off any tea or whisky that he left +behind—that would be all. + +It was nearly time to be starting towards the next halting place where he +would dine or at any rate eat something. But the lassitude which the +fever had bequeathed him made the tedium of travelling through +interminable forest-tracks a weariness to be deferred as long as +possible. The bearers were nothing loth to let another half-hour or so +slip by, and Comus dragged a battered paper-covered novel from the pocket +of his coat. It was a story dealing with the elaborately tangled love +affairs of a surpassingly uninteresting couple, and even in his almost +bookless state Comus had not been able to plough his way through more +than two-thirds of its dull length; bound up with the cover, however, +were some pages of advertisement, and these the exile scanned with a +hungry intentness that the romance itself could never have commanded. +The name of a shop, of a street, the address of a restaurant, came to him +as a bitter reminder of the world he had lost, a world that ate and drank +and flirted, gambled and made merry, a world that debated and intrigued +and wire-pulled, fought or compromised political battles—and recked +nothing of its outcasts wandering through forest paths and steamy swamps +or lying in the grip of fever. Comus read and re-read those few lines of +advertisement, just as he treasured a much-crumpled programme of a +first-night performance at the Straw Exchange Theatre; they seemed to +make a little more real the past that was already so shadowy and so +utterly remote. For a moment he could almost capture the sensation of +being once again in those haunts that he loved; then he looked round and +pushed the book wearily from him. The steaming heat, the forest, the +rushing river hemmed him in on all sides. + +The two boys who had been splitting wood ceased from their labours and +straightened their backs; suddenly the smaller of the two gave the other +a resounding whack with a split lath that he still held in his hand, and +flew up the hillside with a scream of laughter and simulated terror, the +bigger lad following in hot pursuit. Up and down the steep bush-grown +slope they raced and twisted and dodged, coming sometimes to close +quarters in a hurricane of squeals and smacks, rolling over and over like +fighting kittens, and breaking away again to start fresh provocation and +fresh pursuit. Now and again they would lie for a time panting in what +seemed the last stage of exhaustion, and then they would be off in +another wild scamper, their dusky bodies flitting through the bushes, +disappearing and reappearing with equal suddenness. Presently two girls +of their own age, who had returned from the water-fetching, sprang out on +them from ambush, and the four joined in one joyous gambol that lit up +the hillside with shrill echoes and glimpses of flying limbs. Comus sat +and watched, at first with an amused interest, then with a returning +flood of depression and heart-ache. Those wild young human kittens +represented the joy of life, he was the outsider, the lonely alien, +watching something in which he could not join, a happiness in which he +had no part or lot. He would pass presently out of the village and his +bearers’ feet would leave their indentations in the dust; that would be +his most permanent memorial in this little oasis of teeming life. And +that other life, in which he once moved with such confident sense of his +own necessary participation in it, how completely he had passed out of +it. Amid all its laughing throngs, its card parties and race-meetings +and country-house gatherings, he was just a mere name, remembered or +forgotten, Comus Bassington, the boy who went away. He had loved himself +very well and never troubled greatly whether anyone else really loved +him, and now he realised what he had made of his life. And at the same +time he knew that if his chance were to come again he would throw it away +just as surely, just as perversely. Fate played with him with loaded +dice; he would lose always. + +One person in the whole world had cared for him, for longer than he could +remember, cared for him perhaps more than he knew, cared for him perhaps +now. But a wall of ice had mounted up between him and her, and across it +there blew that cold-breath that chills or kills affection. + +The words of a well-known old song, the wistful cry of a lost cause, rang +with insistent mockery through his brain: + + “Better loved you canna be, + Will ye ne’er come back again?” + +If it was love that was to bring him back he must be an exile for ever. +His epitaph in the mouths of those that remembered him would be, Comus +Bassington, the boy who never came back. + +And in his unutterable loneliness he bowed his head on his arms, that he +might not see the joyous scrambling frolic on yonder hillside. + + + + +CHAPTER XVII + + +THE bleak rawness of a grey December day held sway over St. James’s Park, +that sanctuary of lawn and tree and pool, into which the bourgeois +innovator has rushed ambitiously time and again, to find that he must +take the patent leather from off his feet, for the ground on which he +stands is hallowed ground. + +In the lonely hour of early afternoon, when the workers had gone back to +their work, and the loiterers were scarcely yet gathered again, Francesca +Bassington made her way restlessly along the stretches of gravelled walk +that bordered the ornamental water. The overmastering unhappiness that +filled her heart and stifled her thinking powers found answering echo in +her surroundings. There is a sorrow that lingers in old parks and +gardens that the busy streets have no leisure to keep by them; the dead +must bury their dead in Whitehall or the Place de la Concorde, but there +are quieter spots where they may still keep tryst with the living and +intrude the memory of their bygone selves on generations that have almost +forgotten them. Even in tourist-trampled Versailles the desolation of a +tragedy that cannot die haunts the terraces and fountains like a +bloodstain that will not wash out; in the Saxon Garden at Warsaw there +broods the memory of long-dead things, coeval with the stately trees that +shade its walks, and with the carp that swim to-day in its ponds as they +doubtless swam there when “Lieber Augustin” was a living person and not +as yet an immortal couplet. And St. James’s Park, with its lawns and +walks and waterfowl, harbours still its associations with a bygone order +of men and women, whose happiness and sadness are woven into its history, +dim and grey as they were once bright and glowing, like the faded pattern +worked into the fabric of an old tapestry. It was here that Francesca +had made her way when the intolerable inaction of waiting had driven her +forth from her home. She was waiting for that worst news of all, the +news which does not kill hope, because there has been none to kill, but +merely ends suspense. An early message had said that Comus was ill, +which might have meant much or little; then there had come that morning a +cablegram which only meant one thing; in a few hours she would get a +final message, of which this was the preparatory forerunner. She already +knew as much as that awaited message would tell her. She knew that she +would never see Comus again, and she knew now that she loved him beyond +all things that the world could hold for her. It was no sudden rush of +pity or compunction that clouded her judgment or gilded her recollection +of him; she saw him as he was, the beautiful, wayward, laughing boy, with +his naughtiness, his exasperating selfishness, his insurmountable folly +and perverseness, his cruelty that spared not even himself, and as he +was, as he always had been, she knew that he was the one thing that the +Fates had willed that she should love. She did not stop to accuse or +excuse herself for having sent him forth to what was to prove his death. +It was, doubtless, right and reasonable that he should have gone out +there, as hundreds of other men went out, in pursuit of careers; the +terrible thing was that he would never come back. The old cruel +hopelessness that had always chequered her pride and pleasure in his good +looks and high spirits and fitfully charming ways had dealt her a last +crushing blow; he was dying somewhere thousands of miles away without +hope of recovery, without a word of love to comfort him, and without hope +or shred of consolation she was waiting to hear of the end. The end; +that last dreadful piece of news which would write “nevermore” across his +life and hers. + +The lively bustle in the streets had been a torture that she could not +bear. It wanted but two days to Christmas and the gaiety of the season, +forced or genuine, rang out everywhere. Christmas shopping, with its +anxious solicitude or self-centred absorption, overspread the West End +and made the pavements scarcely passable at certain favoured points. +Proud parents, parcel-laden and surrounded by escorts of their young +people, compared notes with one another on the looks and qualities of +their offspring and exchanged loud hurried confidences on the difficulty +or success which each had experienced in getting the right presents for +one and all. Shouted directions where to find this or that article at +its best mingled with salvos of Christmas good wishes. To Francesca, +making her way frantically through the carnival of happiness with that +lonely deathbed in her eyes, it had seemed a callous mockery of her pain; +could not people remember that there were crucifixions as well as joyous +birthdays in the world? Every mother that she passed happy in the +company of a fresh-looking clean-limbed schoolboy son sent a fresh stab +at her heart, and the very shops had their bitter memories. There was +the tea-shop where he and she had often taken tea together, or, in the +days of their estrangement, sat with their separate friends at separate +tables. There were other shops where extravagantly-incurred bills had +furnished material for those frequently recurring scenes of +recrimination, and the Colonial outfitters, where, as he had phrased it +in whimsical mockery, he had bought grave-clothes for his burying-alive. +The “oubliette!” She remembered the bitter petulant name he had flung at +his destined exile. There at least he had been harder on himself than +the Fates were pleased to will; never, as long as Francesca lived and had +a brain that served her, would she be able to forget. That narcotic +would never be given to her. Unrelenting, unsparing memory would be with +her always to remind her of those last days of tragedy. Already her mind +was dwelling on the details of that ghastly farewell dinner-party and +recalling one by one the incidents of ill-omen that had marked it; how +they had sat down seven to table and how one liqueur glass in the set of +seven had been shivered into fragments; how her glass had slipped from +her hand as she raised it to her lips to wish Comus a safe return; and +the strange, quiet hopelessness of Lady Veula’s “good-bye”; she +remembered now how it had chilled and frightened her at the moment. + +The park was filling again with its floating population of loiterers, and +Francesca’s footsteps began to take a homeward direction. Something +seemed to tell her that the message for which she waited had arrived and +was lying there on the hall table. Her brother, who had announced his +intention of visiting her early in the afternoon would have gone by now; +he knew nothing of this morning’s bad news—the instinct of a wounded +animal to creep away by itself had prompted her to keep her sorrow from +him as long as possible. His visit did not necessitate her presence; he +was bringing an Austrian friend, who was compiling a work on the +Franco-Flemish school of painting, to inspect the Van der Meulen, which +Henry Greech hoped might perhaps figure as an illustration in the book. +They were due to arrive shortly after lunch, and Francesca had left a +note of apology, pleading an urgent engagement elsewhere. As she turned +to make her way across the Mall into the Green Park a gentle voice hailed +her from a carriage that was just drawing up by the sidewalk. Lady +Caroline Benaresq had been favouring the Victoria Memorial with a long +unfriendly stare. + +“In primitive days,” she remarked, “I believe it was the fashion for +great chiefs and rulers to have large numbers of their relatives and +dependents killed and buried with them; in these more enlightened times +we have invented quite another way of making a great Sovereign +universally regretted. My dear Francesca,” she broke off suddenly, +catching the misery that had settled in the other’s eyes, “what is the +matter? Have you had bad news from out there?” + +“I am waiting for very bad news,” said Francesca, and Lady Caroline knew +what had happened. + +“I wish I could say something; I can’t.” Lady Caroline spoke in a harsh, +grunting voice that few people had ever heard her use. + +Francesca crossed the Mall and the carriage drove on. + +“Heaven help that poor woman,” said Lady Caroline; which was, for her, +startlingly like a prayer. + +As Francesca entered the hall she gave a quick look at the table; several +packages, evidently an early batch of Christmas presents, were there, and +two or three letters. On a salver by itself was the cablegram for which +she had waited. A maid, who had evidently been on the lookout for her, +brought her the salver. The servants were well aware of the dreadful +thing that was happening, and there was pity on the girl’s face and in +her voice. + +“This came for you ten minutes ago, ma’am, and Mr. Greech has been here, +ma’am, with another gentleman, and was sorry you weren’t at home. Mr. +Greech said he would call again in about half-an-hour.” + +Francesca carried the cablegram unopened into the drawing-room and sat +down for a moment to think. There was no need to read it yet, for she +knew what she would find written there. For a few pitiful moments Comus +would seem less hopelessly lost to her if she put off the reading of that +last terrible message. She rose and crossed over to the windows and +pulled down the blinds, shutting out the waning December day, and then +reseated herself. Perhaps in the shadowy half-light her boy would come +and sit with her again for awhile and let her look her last upon his +loved face; she could never touch him again or hear his laughing, +petulant voice, but surely she might look on her dead. And her starving +eyes saw only the hateful soulless things of bronze and silver and +porcelain that she had set up and worshipped as gods; look where she +would they were there around her, the cold ruling deities of the home +that held no place for her dead boy. He had moved in and out among them, +the warm, living, breathing thing that had been hers to love, and she had +turned her eyes from that youthful comely figure to adore a few feet of +painted canvas, a musty relic of a long departed craftsman. And now he +was gone from her sight, from her touch, from her hearing for ever, +without even a thought to flash between them for all the dreary years +that she should live, and these things of canvas and pigment and wrought +metal would stay with her. They were her soul. And what shall it profit +a man if he save his soul and slay his heart in torment? + +On a small table by her side was Mervyn Quentock’s portrait of her—the +prophetic symbol of her tragedy; the rich dead harvest of unreal things +that had never known life, and the bleak thrall of black unending Winter, +a Winter in which things died and knew no re-awakening. + +Francesca turned to the small envelope lying in her lap; very slowly she +opened it and read the short message. Then she sat numb and silent for a +long, long time, or perhaps only for minutes. The voice of Henry Greech +in the hall, enquiring for her, called her to herself. Hurriedly she +crushed the piece of paper out of sight; he would have to be told, of +course, but just yet her pain seemed too dreadful to be laid bare. +“Comus is dead” was a sentence beyond her power to speak. + +“I have bad news for you, Francesca, I’m sorry to say,” Henry announced. +Had he heard, too? + +“Henneberg has been here and looked at the picture,” he continued, +seating himself by her side, “and though he admired it immensely as a +work of art he gave me a disagreeable surprise by assuring me that it’s +not a genuine Van der Meulen. It’s a splendid copy, but still, +unfortunately, only a copy.” + +Henry paused and glanced at his sister to see how she had taken the +unwelcome announcement. Even in the dim light he caught some of the +anguish in her eyes. + +“My dear Francesca,” he said soothingly, laying his hand affectionately +on her arm, “I know that this must be a great disappointment to you, +you’ve always set such store by this picture, but you mustn’t take it too +much to heart. These disagreeable discoveries come at times to most +picture fanciers and owners. Why, about twenty per cent. of the alleged +Old Masters in the Louvre are supposed to be wrongly attributed. And +there are heaps of similar cases in this country. Lady Dovecourt was +telling me the other day that they simply daren’t have an expert in to +examine the Van Dykes at Columbey for fear of unwelcome disclosures. And +besides, your picture is such an excellent copy that it’s by no means +without a value of its own. You must get over the disappointment you +naturally feel, and take a philosophical view of the matter. . . ” + +Francesca sat in stricken silence, crushing the folded morsel of paper +tightly in her hand and wondering if the thin, cheerful voice with its +pitiless, ghastly mockery of consolation would never stop. + + + + +***END OF THE PROJECT GUTENBERG EBOOK THE UNBEARABLE BASSINGTON*** + + +******* This file should be named 555-0.txt or 555-0.zip ******* + + +This and all associated files of various formats will be found in: +http://www.gutenberg.org/dirs/5/5/555 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: The Unbearable Bassington + + +Author: Saki + + + +Release Date: February 4, 2013 [eBook #555] +[Updated edition of: etext96/nbrbl10h.htm] + +Language: English + +Character set encoding: ISO-646-US (US-ASCII) + + +***START OF THE PROJECT GUTENBERG EBOOK THE UNBEARABLE BASSINGTON*** +</pre> +<p>Transcribed from the 1913 John Lane edition by David Price, +email ccx074@pglaf.org</p> +<h1>THE UNBEARABLE<br /> +BASSINGTON</h1> +<p style="text-align: center">:: BY H. H. MUNRO +(“SAKI”) ::</p> +<div class="gapspace"> </div> +<p style="text-align: center"> +<a href="images/p0b.jpg"> +<img alt= +"Decorative graphic" +title= +"Decorative graphic" +src="images/p0s.jpg" /> +</a></p> +<div class="gapspace"> </div> +<p style="text-align: center">LONDON: JOHN LANE, THE BODLEY +HEAD</p> +<p style="text-align: center">NEW YORK: JOHN LANE COMPANY</p> +<p style="text-align: center">TORONTO: BELL & COCKBURN. +MCMXIII</p> +<div class="gapspace"> </div> +<div class="gapmediumdoubleline"> </div> +<p style="text-align: center"><i>SIXTH EDITION</i></p> +<div class="gapmediumdoubleline"> </div> +<div class="gapspace"> </div> +<p style="text-align: center"><span class="GutSmall">PRINTED BY +JAS. TRUSCOTT & SON, LTD. LONDON</span></p> +<div class="gapspace"> </div> +<h2><span class="smcap">Author’s Note</span></h2> +<p>This story has no moral.</p> +<p>If it points out an evil at any rate it suggests no +remedy.</p> +<h2>CHAPTER I</h2> +<p><span class="smcap">Francesca Bassington</span> sat in the +drawing-room of her house in Blue Street, W., regaling herself +and her estimable brother Henry with China tea and small cress +sandwiches. The meal was of that elegant proportion which, +while ministering sympathetically to the desires of the moment, +is happily reminiscent of a satisfactory luncheon and blessedly +expectant of an elaborate dinner to come.</p> +<p>In her younger days Francesca had been known as the beautiful +Miss Greech; at forty, although much of the original beauty +remained, she was just dear Francesca Bassington. No one +would have dreamed of calling her sweet, but a good many people +who scarcely knew her were punctilious about putting in the +“dear.”</p> +<p>Her enemies, in their honester moments, would have admitted +that she was svelte and knew how to dress, but they would have +agreed with her friends in asserting that she had no soul. +When one’s friends and enemies agree on any particular +point they are usually wrong. Francesca herself, if pressed +in an unguarded moment to describe her soul, would probably have +described her drawing-room. Not that she would have +considered that the one had stamped the impress of its character +on the other, so that close scrutiny might reveal its outstanding +features, and even suggest its hidden places, but because she +might have dimly recognised that her drawing-room was her +soul.</p> +<p>Francesca was one of those women towards whom Fate appears to +have the best intentions and never to carry them into +practice. With the advantages put at her disposal she might +have been expected to command a more than average share of +feminine happiness. So many of the things that make for +fretfulness, disappointment and discouragement in a woman’s +life were removed from her path that she might well have been +considered the fortunate Miss Greech, or later, lucky Francesca +Bassington. And she was not of the perverse band of those +who make a rock-garden of their souls by dragging into them all +the stoney griefs and unclaimed troubles they can find lying +around them. Francesca loved the smooth ways and pleasant +places of life; she liked not merely to look on the bright side +of things but to live there and stay there. And the fact +that things had, at one time and another, gone badly with her and +cheated her of some of her early illusions made her cling the +closer to such good fortune as remained to her now that she +seemed to have reached a calmer period of her life. To +undiscriminating friends she appeared in the guise of a rather +selfish woman, but it was merely the selfishness of one who had +seen the happy and unhappy sides of life and wished to enjoy to +the utmost what was left to her of the former. The +vicissitudes of fortune had not soured her, but they had perhaps +narrowed her in the sense of making her concentrate much of her +sympathies on things that immediately pleased and amused her, or +that recalled and perpetuated the pleasing and successful +incidents of other days. And it was her drawing-room in +particular that enshrined the memorials or tokens of past and +present happiness.</p> +<p>Into that comfortable quaint-shaped room of angles and bays +and alcoves had sailed, as into a harbour, those precious +personal possessions and trophies that had survived the +buffetings and storms of a not very tranquil married life. +Wherever her eyes might turn she saw the embodied results of her +successes, economies, good luck, good management or good +taste. The battle had more than once gone against her, but +she had somehow always contrived to save her baggage train, and +her complacent gaze could roam over object after object that +represented the spoils of victory or the salvage of honourable +defeat. The delicious bronze Fremiet on the mantelpiece had +been the outcome of a Grand Prix sweepstake of many years ago; a +group of Dresden figures of some considerable value had been +bequeathed to her by a discreet admirer, who had added death to +his other kindnesses; another group had been a self-bestowed +present, purchased in blessed and unfading memory of a wonderful +nine-days’ bridge winnings at a country-house party. +There were old Persian and Bokharan rugs and Worcester +tea-services of glowing colour, and little treasures of antique +silver that each enshrined a history or a memory in addition to +its own intrinsic value. It amused her at times to think of +the bygone craftsmen and artificers who had hammered and wrought +and woven in far distant countries and ages, to produce the +wonderful and beautiful things that had come, one way and +another, into her possession. Workers in the studios of +medieval Italian towns and of later Paris, in the bazaars of +Baghdad and of Central Asia, in old-time English workshops and +German factories, in all manner of queer hidden corners where +craft secrets were jealously guarded, nameless unremembered men +and men whose names were world-renowned and deathless.</p> +<p>And above all her other treasures, dominating in her +estimation every other object that the room contained, was the +great Van der Meulen that had come from her father’s home +as part of her wedding dowry. It fitted exactly into the +central wall panel above the narrow buhl cabinet, and filled +exactly its right space in the composition and balance of the +room. From wherever you sat it seemed to confront you as +the dominating feature of its surroundings. There was a +pleasing serenity about the great pompous battle scene with its +solemn courtly warriors bestriding their heavily prancing steeds, +grey or skewbald or dun, all gravely in earnest, and yet somehow +conveying the impression that their campaigns were but vast +serious picnics arranged in the grand manner. Francesca +could not imagine the drawing-room without the crowning +complement of the stately well-hung picture, just as she could +not imagine herself in any other setting than this house in Blue +Street with its crowded Pantheon of cherished household gods.</p> +<p>And herein sprouted one of the thorns that obtruded through +the rose-leaf damask of what might otherwise have been +Francesca’s peace of mind. One’s happiness +always lies in the future rather than in the past. With due +deference to an esteemed lyrical authority one may safely say +that a sorrow’s crown of sorrow is anticipating unhappier +things. The house in Blue Street had been left to her by +her old friend Sophie Chetrof, but only until such time as her +niece Emmeline Chetrof should marry, when it was to pass to her +as a wedding present. Emmeline was now seventeen and +passably good-looking, and four or five years were all that could +be safely allotted to the span of her continued +spinsterhood. Beyond that period lay chaos, the wrenching +asunder of Francesca from the sheltering habitation that had +grown to be her soul. It is true that in imagination she +had built herself a bridge across the chasm, a bridge of a single +span. The bridge in question was her schoolboy son Comus, +now being educated somewhere in the southern counties, or rather +one should say the bridge consisted of the possibility of his +eventual marriage with Emmeline, in which case Francesca saw +herself still reigning, a trifle squeezed and incommoded perhaps, +but still reigning in the house in Blue Street. The Van der +Meulen would still catch its requisite afternoon light in its +place of honour, the Fremiet and the Dresden and Old Worcester +would continue undisturbed in their accustomed niches. +Emmeline could have the Japanese snuggery, where Francesca +sometimes drank her after-dinner coffee, as a separate +drawing-room, where she could put her own things. The +details of the bridge structure had all been carefully thought +out. Only—it was an unfortunate circumstance that +Comus should have been the span on which everything balanced.</p> +<p>Francesca’s husband had insisted on giving the boy that +strange Pagan name, and had not lived long enough to judge as to +the appropriateness, or otherwise, of its significance. In +seventeen years and some odd months Francesca had had ample +opportunity for forming an opinion concerning her son’s +characteristics. The spirit of mirthfulness which one +associates with the name certainly ran riot in the boy, but it +was a twisted wayward sort of mirth of which Francesca herself +could seldom see the humorous side. In her brother Henry, +who sat eating small cress sandwiches as solemnly as though they +had been ordained in some immemorial Book of Observances, fate +had been undisguisedly kind to her. He might so easily have +married some pretty helpless little woman, and lived at Notting +Hill Gate, and been the father of a long string of pale, clever +useless children, who would have had birthdays and the sort of +illnesses that one is expected to send grapes to, and who would +have painted fatuous objects in a South Kensington manner as +Christmas offerings to an aunt whose cubic space for lumber was +limited. Instead of committing these unbrotherly actions, +which are so frequent in family life that they might almost be +called brotherly, Henry had married a woman who had both money +and a sense of repose, and their one child had the brilliant +virtue of never saying anything which even its parents could +consider worth repeating. Then he had gone into Parliament, +possibly with the idea of making his home life seem less dull; at +any rate it redeemed his career from insignificance, for no man +whose death can produce the item “another +by-election” on the news posters can be wholly a +nonentity. Henry, in short, who might have been an +embarrassment and a handicap, had chosen rather to be a friend +and counsellor, at times even an emergency bank balance; +Francesca on her part, with the partiality which a clever and +lazily-inclined woman often feels for a reliable fool, not only +sought his counsel but frequently followed it. When +convenient, moreover, she repaid his loans.</p> +<p>Against this good service on the part of Fate in providing her +with Henry for a brother, Francesca could well set the plaguy +malice of the destiny that had given her Comus for a son. +The boy was one of those untameable young lords of misrule that +frolic and chafe themselves through nursery and preparatory and +public-school days with the utmost allowance of storm and dust +and dislocation and the least possible amount of collar-work, and +come somehow with a laugh through a series of catastrophes that +has reduced everyone else concerned to tears or Cassandra-like +forebodings. Sometimes they sober down in after-life and +become uninteresting, forgetting that they were ever lords of +anything; sometimes Fate plays royally into their hands, and they +do great things in a spacious manner, and are thanked by +Parliaments and the Press and acclaimed by gala-day crowds. +But in most cases their tragedy begins when they leave school and +turn themselves loose in a world that has grown too civilised and +too crowded and too empty to have any place for them. And +they are very many.</p> +<p>Henry Greech had made an end of biting small sandwiches, and +settled down like a dust-storm refreshed, to discuss one of the +fashionably prevalent topics of the moment, the prevention of +destitution.</p> +<p>“It is a question that is only being nibbled at, smelt +at, one might say, at the present moment,” he observed, +“but it is one that will have to engage our serious +attention and consideration before long. The first thing +that we shall have to do is to get out of the dilettante and +academic way of approaching it. We must collect and +assimilate hard facts. It is a subject that ought to appeal +to all thinking minds, and yet, you know, I find it surprisingly +difficult to interest people in it.”</p> +<p>Francesca made some monosyllabic response, a sort of +sympathetic grunt which was meant to indicate that she was, to a +certain extent, listening and appreciating. In reality she +was reflecting that Henry possibly found it difficult to interest +people in any topic that he enlarged on. His talents lay so +thoroughly in the direction of being uninteresting, that even as +an eye-witness of the massacre of St. Bartholomew he would +probably have infused a flavour of boredom into his descriptions +of the event.</p> +<p>“I was speaking down in Leicestershire the other day on +this subject,” continued Henry, “and I pointed out at +some length a thing that few people ever stop to +consider—”</p> +<p>Francesca went over immediately but decorously to the majority +that will not stop to consider.</p> +<p>“Did you come across any of the Barnets when you were +down there?” she interrupted; “Eliza Barnet is rather +taken up with all those subjects.”</p> +<p>In the propagandist movements of Sociology, as in other arenas +of life and struggle, the fiercest competition and rivalry is +frequently to be found between closely allied types and +species. Eliza Barnet shared many of Henry Greech’s +political and social views, but she also shared his fondness for +pointing things out at some length; there had been occasions when +she had extensively occupied the strictly limited span allotted +to the platform oratory of a group of speakers of whom Henry +Greech had been an impatient unit. He might see eye to eye +with her on the leading questions of the day, but he persistently +wore mental blinkers as far as her estimable qualities were +concerned, and the mention of her name was a skilful lure drawn +across the trail of his discourse; if Francesca had to listen to +his eloquence on any subject she much preferred that it should be +a disparagement of Eliza Barnet rather than the prevention of +destitution.</p> +<p>“I’ve no doubt she means well,” said Henry, +“but it would be a good thing if she could be induced to +keep her own personality a little more in the background, and not +to imagine that she is the necessary mouthpiece of all the +progressive thought in the countryside. I fancy Canon +Besomley must have had her in his mind when he said that some +people came into the world to shake empires and others to move +amendments.”</p> +<p>Francesca laughed with genuine amusement.</p> +<p>“I suppose she is really wonderfully well up in all the +subjects she talks about,” was her provocative comment.</p> +<p>Henry grew possibly conscious of the fact that he was being +drawn out on the subject of Eliza Barnet, and he presently turned +on to a more personal topic.</p> +<p>“From the general air of tranquillity about the house I +presume Comus has gone back to Thaleby,” he observed.</p> +<p>“Yes,” said Francesca, “he went back +yesterday. Of course, I’m very fond of him, but I +bear the separation well. When he’s here it’s +rather like having a live volcano in the house, a volcano that in +its quietest moments asks incessant questions and uses strong +scent.”</p> +<p>“It is only a temporary respite,” said Henry; +“in a year or two he will be leaving school, and then +what?”</p> +<p>Francesca closed her eyes with the air of one who seeks to +shut out a distressing vision. She was not fond of looking +intimately at the future in the presence of another person, +especially when the future was draped in doubtfully auspicious +colours.</p> +<p>“And then what?” persisted Henry.</p> +<p>“Then I suppose he will be upon my hands.”</p> +<p>“Exactly.”</p> +<p>“Don’t sit there looking judicial. I’m +quite ready to listen to suggestions if you’ve any to +make.”</p> +<p>“In the case of any ordinary boy,” said Henry, +“I might make lots of suggestions as to the finding of +suitable employment. From what we know of Comus it would be +rather a waste of time for either of us to look for jobs which he +wouldn’t look at when we’d got them for +him.”</p> +<p>“He must do something,” said Francesca.</p> +<p>“I know he must; but he never will. At least, +he’ll never stick to anything. The most hopeful thing +to do with him will be to marry him to an heiress. That +would solve the financial side of his problem. If he had +unlimited money at his disposal, he might go into the wilds +somewhere and shoot big game. I never know what the big +game have done to deserve it, but they do help to deflect the +destructive energies of some of our social misfits.”</p> +<p>Henry, who never killed anything larger or fiercer than a +trout, was scornfully superior on the subject of big game +shooting.</p> +<p>Francesca brightened at the matrimonial suggestion. +“I don’t know about an heiress,” she said +reflectively. “There’s Emmeline Chetrof of +course. One could hardly call her an heiress, but +she’s got a comfortable little income of her own and I +suppose something more will come to her from her +grandmother. Then, of course, you know this house goes to +her when she marries.”</p> +<p>“That would be very convenient,” said Henry, +probably following a line of thought that his sister had trodden +many hundreds of times before him. “Do she and Comus +hit it off at all well together?”</p> +<p>“Oh, well enough in boy and girl fashion,” said +Francesca. “I must arrange for them to see more of +each other in future. By the way, that little brother of +hers that she dotes on, Lancelot, goes to Thaleby this +term. I’ll write and tell Comus to be specially kind +to him; that will be a sure way to Emmeline’s heart. +Comus has been made a prefect, you know. Heaven knows +why.”</p> +<p>“It can only be for prominence in games,” sniffed +Henry; “I think we may safely leave work and conduct out of +the question.”</p> +<p>Comus was not a favourite with his uncle.</p> +<p>Francesca had turned to her writing cabinet and was hastily +scribbling a letter to her son in which the delicate health, +timid disposition and other inevitable attributes of the new boy +were brought to his notice, and commanded to his care. When +she had sealed and stamped the envelope Henry uttered a belated +caution.</p> +<p>“Perhaps on the whole it would be wiser to say nothing +about the boy to Comus. He doesn’t always respond to +directions you know.”</p> +<p>Francesca did know, and already was more than half of her +brother’s opinion; but the woman who can sacrifice a clean +unspoiled penny stamp is probably yet unborn.</p> +<h2>CHAPTER II</h2> +<p><span class="smcap">Lancelot Chetrof</span> stood at the end +of a long bare passage, restlessly consulting his watch and +fervently wishing himself half an hour older with a certain +painful experience already registered in the past; unfortunately +it still belonged to the future, and what was still more +horrible, to the immediate future. Like many boys new to a +school he had cultivated an unhealthy passion for obeying rules +and requirements, and his zeal in this direction had proved his +undoing. In his hurry to be doing two or three estimable +things at once he had omitted to study the notice-board in more +than a perfunctory fashion and had thereby missed a football +practice specially ordained for newly-joined boys. His +fellow juniors of a term’s longer standing had graphically +enlightened him as to the inevitable consequences of his lapse; +the dread which attaches to the unknown was, at any rate, deleted +from his approaching doom, though at the moment he felt scarcely +grateful for the knowledge placed at his disposal with such +lavish solicitude.</p> +<p>“You’ll get six of the very best, over the back of +a chair,” said one.</p> +<p>“They’ll draw a chalk line across you, of course +you know,” said another.</p> +<p>“A chalk line?”</p> +<p>“Rather. So that every cut can be aimed exactly at +the same spot. It hurts much more that way.”</p> +<p>Lancelot tried to nourish a wan hope that there might be an +element of exaggeration in this uncomfortably realistic +description.</p> +<p>Meanwhile in the prefects’ room at the other end of the +passage, Comus Bassington and a fellow prefect sat also waiting +on time, but in a mood of far more pleasurable expectancy. +Comus was one of the most junior of the prefect caste, but by no +means the least well-known, and outside the masters’ +common-room he enjoyed a certain fitful popularity, or at any +rate admiration. At football he was too erratic to be a +really brilliant player, but he tackled as if the act of bringing +his man headlong to the ground was in itself a sensuous pleasure, +and his weird swear-words whenever he got hurt were eagerly +treasured by those who were fortunate enough to hear them. +At athletics in general he was a showy performer, and although +new to the functions of a prefect he had already established a +reputation as an effective and artistic caner. In +appearance he exactly fitted his fanciful Pagan name. His +large green-grey eyes seemed for ever asparkle with goblin +mischief and the joy of revelry, and the curved lips might have +been those of some wickedly-laughing faun; one almost expected to +see embryo horns fretting the smoothness of his sleek dark +hair. The chin was firm, but one looked in vain for a +redeeming touch of ill-temper in the handsome, half-mocking, +half-petulant face. With a strain of sourness in him Comus +might have been leavened into something creative and masterful; +fate had fashioned him with a certain whimsical charm, and left +him all unequipped for the greater purposes of life. +Perhaps no one would have called him a lovable character, but in +many respects he was adorable; in all respects he was certainly +damned.</p> +<p>Rutley, his companion of the moment, sat watching him and +wondering, from the depths of a very ordinary brain, whether he +liked or hated him; it was easy to do either.</p> +<p>“It’s not really your turn to cane,” he +said.</p> +<p>“I know it’s not,” said Comus, fingering a +very serviceable-looking cane as lovingly as a pious violinist +might handle his Strad. “I gave Greyson some +mint-chocolate to let me toss whether I caned or him, and I +won. He was rather decent over it and let me have half the +chocolate back.”</p> +<p>The droll lightheartedness which won Comus Bassington such +measure of popularity as he enjoyed among his fellows did not +materially help to endear him to the succession of masters with +whom he came in contact during the course of his +schooldays. He amused and interested such of them as had +the saving grace of humour at their disposal, but if they sighed +when he passed from their immediate responsibility it was a sigh +of relief rather than of regret. The more enlightened and +experienced of them realised that he was something outside the +scope of the things that they were called upon to deal +with. A man who has been trained to cope with storms, to +foresee their coming, and to minimise their consequences, may be +pardoned if he feels a certain reluctance to measure himself +against a tornado.</p> +<p>Men of more limited outlook and with a correspondingly larger +belief in their own powers were ready to tackle the tornado had +time permitted.</p> +<p>“I think I could tame young Bassington if I had your +opportunities,” a form-master once remarked to a colleague +whose House had the embarrassing distinction of numbering Comus +among its inmates.</p> +<p>“Heaven forbid that I should try,” replied the +housemaster.</p> +<p>“But why?” asked the reformer.</p> +<p>“Because Nature hates any interference with her own +arrangements, and if you start in to tame the obviously +untameable you are taking a fearful responsibility on +yourself.”</p> +<p>“Nonsense; boys are Nature’s raw +material.”</p> +<p>“Millions of boys are. There are just a few, and +Bassington is one of them, who are Nature’s highly finished +product when they are in the schoolboy stage, and we, who are +supposed to be moulding raw material, are quite helpless when we +come in contact with them.”</p> +<p>“But what happens to them when they grow up?”</p> +<p>“They never do grow up,” said the housemaster; +“that is their tragedy. Bassington will certainly +never grow out of his present stage.”</p> +<p>“Now you are talking in the language of Peter +Pan,” said the form-master.</p> +<p>“I am not thinking in the manner of Peter Pan,” +said the other. “With all reverence for the author of +that masterpiece I should say he had a wonderful and tender +insight into the child mind and knew nothing whatever about +boys. To make only one criticism on that particular work, +can you imagine a lot of British boys, or boys of any country +that one knows of, who would stay contentedly playing +children’s games in an underground cave when there were +wolves and pirates and Red Indians to be had for the asking on +the other side of the trap door?”</p> +<p>The form-master laughed. “You evidently think that +the ‘Boy who would not grow up’ must have been +written by a ‘grown-up who could never have been a +boy.’ Perhaps that is the meaning of the +‘Never-never Land.’ I daresay you’re +right in your criticism, but I don’t agree with you about +Bassington. He’s a handful to deal with, as anyone +knows who has come in contact with him, but if one’s hands +weren’t full with a thousand and one other things I hold to +my opinion that he could be tamed.”</p> +<p>And he went his way, having maintained a form-master’s +inalienable privilege of being in the right.</p> +<p style="text-align: center">* * * * *</p> +<p>In the prefects’ room, Comus busied himself with the +exact position of a chair planted out in the middle of the +floor.</p> +<p>“I think everything’s ready,” he said.</p> +<p>Rutley glanced at the clock with the air of a Roman elegant in +the Circus, languidly awaiting the introduction of an expected +Christian to an expectant tiger.</p> +<p>“The kid is due in two minutes,” he said.</p> +<p>“He’d jolly well better not be late,” said +Comus.</p> +<p>Comus had gone through the mill of many scorching castigations +in his earlier school days, and was able to appreciate to the +last ounce the panic that must be now possessing his foredoomed +victim, probably at this moment hovering miserably outside the +door. After all, that was part of the fun of the thing, and +most things have their amusing side if one knows where to look +for it.</p> +<p>There was a knock at the door, and Lancelot entered in +response to a hearty friendly summons to “come +in.”</p> +<p>“I’ve come to be caned,” he said +breathlessly; adding by way of identification, “my +name’s Chetrof.”</p> +<p>“That’s quite bad enough in itself,” said +Comus, “but there is probably worse to follow. You +are evidently keeping something back from us.”</p> +<p>“I missed a footer practice,” said Lancelot</p> +<p>“Six,” said Comus briefly, picking up his +cane.</p> +<p>“I didn’t see the notice on the board,” +hazarded Lancelot as a forlorn hope.</p> +<p>“We are always pleased to listen to excuses, and our +charge is two extra cuts. That will be eight. Get +over.”</p> +<p>And Comus indicated the chair that stood in sinister isolation +in the middle of the room. Never had an article of +furniture seemed more hateful in Lancelot’s eyes. +Comus could well remember the time when a chair stuck in the +middle of a room had seemed to him the most horrible of +manufactured things.</p> +<p>“Lend me a piece of chalk,” he said to his brother +prefect.</p> +<p>Lancelot ruefully recognised the truth of the chalk-line +story.</p> +<p>Comus drew the desired line with an anxious exactitude which +he would have scorned to apply to a diagram of Euclid or a map of +the Russo-Persian frontier.</p> +<p>“Bend a little more forward,” he said to the +victim, “and much tighter. Don’t trouble to +look pleasant, because I can’t see your face anyway. +It may sound unorthodox to say so, but this is going to hurt you +much more than it will hurt me.”</p> +<p>There was a carefully measured pause, and then Lancelot was +made vividly aware of what a good cane can be made to do in +really efficient hands. At the second cut he projected +himself hurriedly off the chair.</p> +<p>“Now I’ve lost count,” said Comus; “we +shall have to begin all over again. Kindly get back into +the same position. If you get down again before I’ve +finished Rutley will hold you over and you’ll get a +dozen.”</p> +<p>Lancelot got back on to the chair, and was re-arranged to the +taste of his executioner. He stayed there somehow or other +while Comus made eight accurate and agonisingly effective shots +at the chalk line.</p> +<p>“By the way,” he said to his gasping and gulping +victim when the infliction was over, “you said Chetrof, +didn’t you? I believe I’ve been asked to be +kind to you. As a beginning you can clean out my study this +afternoon. Be awfully careful how you dust the old +china. If you break any don’t come and tell me but +just go and drown yourself somewhere; it will save you from a +worse fate.”</p> +<p>“I don’t know where your study is,” said +Lancelot between his chokes.</p> +<p>“You’d better find it or I shall have to beat you, +really hard this time. Here, you’d better keep this +chalk in your pocket, it’s sure to come in handy later +on. Don’t stop to thank me for all I’ve done, +it only embarrasses me.”</p> +<p>As Comus hadn’t got a study Lancelot spent a feverish +half-hour in looking for it, incidentally missing another footer +practice.</p> +<p>“Everything is very jolly here,” wrote Lancelot to +his sister Emmeline. “The prefects can give you an +awful hot time if they like, but most of them are rather +decent. Some are Beasts. Bassington is a prefect +though only a junior one. He is the Limit as Beasts +go. At least I think so.”</p> +<p>Schoolboy reticence went no further, but Emmeline filled in +the gaps for herself with the lavish splendour of feminine +imagination. Francesca’s bridge went crashing into +the abyss.</p> +<h2>CHAPTER III</h2> +<p><span class="smcap">On</span> the evening of a certain +November day, two years after the events heretofore chronicled, +Francesca Bassington steered her way through the crowd that +filled the rooms of her friend Serena Golackly, bestowing nods of +vague recognition as she went, but with eyes that were obviously +intent on focussing one particular figure. Parliament had +pulled its energies together for an Autumn Session, and both +political Parties were fairly well represented in the +throng. Serena had a harmless way of inviting a number of +more or less public men and women to her house, and hoping that +if you left them together long enough they would constitute a +<i>salon</i>. In pursuance of the same instinct she planted +the flower borders at her week-end cottage retreat in Surrey with +a large mixture of bulbs, and called the result a Dutch +garden. Unfortunately, though you may bring brilliant +talkers into your home, you cannot always make them talk +brilliantly, or even talk at all; what is worse you cannot +restrict the output of those starling-voiced dullards who seem to +have, on all subjects, so much to say that was well worth leaving +unsaid. One group that Francesca passed was discussing a +Spanish painter, who was forty-three, and had painted thousands +of square yards of canvas in his time, but of whom no one in +London had heard till a few months ago; now the starling-voices +seemed determined that one should hear of very little else. +Three women knew how his name was pronounced, another always felt +that she must go into a forest and pray whenever she saw his +pictures, another had noticed that there were always pomegranates +in his later compositions, and a man with an indefensible collar +knew what the pomegranates “meant.” “What +I think so splendid about him,” said a stout lady in a loud +challenging voice, “is the way he defies all the +conventions of art while retaining all that the conventions stand +for.” “Ah, but have you noticed—” +put in the man with the atrocious collar, and Francesca pushed +desperately on, wondering dimly as she went, what people found so +unsupportable in the affliction of deafness. Her progress +was impeded for a moment by a couple engaged in earnest and +voluble discussion of some smouldering question of the day; a +thin spectacled young man with the receding forehead that so +often denotes advanced opinions, was talking to a spectacled +young woman with a similar type of forehead, and exceedingly +untidy hair. It was her ambition in life to be taken for a +Russian girl-student, and she had spent weeks of patient research +in trying to find out exactly where you put the tea-leaves in a +samovar. She had once been introduced to a young Jewess +from Odessa, who had died of pneumonia the following week; the +experience, slight as it was, constituted the spectacled young +lady an authority on all things Russian in the eyes of her +immediate set.</p> +<p>“Talk is helpful, talk is needful,” the young man +was saying, “but what we have got to do is to lift the +subject out of the furrow of indisciplined talk and place it on +the threshing-floor of practical discussion.”</p> +<p>The young woman took advantage of the rhetorical full-stop to +dash in with the remark which was already marshalled on the tip +of her tongue.</p> +<p>“In emancipating the serfs of poverty we must be careful +to avoid the mistakes which Russian bureaucracy stumbled into +when liberating the serfs of the soil.”</p> +<p>She paused in her turn for the sake of declamatory effect, but +recovered her breath quickly enough to start afresh on level +terms with the young man, who had jumped into the stride of his +next sentence.</p> +<p>“They got off to a good start that time,” said +Francesca to herself; “I suppose it’s the Prevention +of Destitution they’re hammering at. What on earth +would become of these dear good people if anyone started a +crusade for the prevention of mediocrity?”</p> +<p>Midway through one of the smaller rooms, still questing for an +elusive presence, she caught sight of someone that she knew, and +the shadow of a frown passed across her face. The object of +her faintly signalled displeasure was Courtenay Youghal, a +political spur-winner who seemed absurdly youthful to a +generation that had never heard of Pitt. It was +Youghal’s ambition—or perhaps his hobby—to +infuse into the greyness of modern political life some of the +colour of Disraelian dandyism, tempered with the correctness of +Anglo-Saxon taste, and supplemented by the flashes of wit that +were inherent from the Celtic strain in him. His success +was only a half-measure. The public missed in him that +touch of blatancy which it looks for in its rising public men; +the decorative smoothness of his chestnut-golden hair, and the +lively sparkle of his epigrams were counted to him for good, but +the restrained sumptuousness of his waistcoats and cravats were +as wasted efforts. If he had habitually smoked cigarettes +in a pink coral mouthpiece, or worn spats of Mackenzie tartan, +the great heart of the voting-man, and the gush of the +paragraph-makers might have been unreservedly his. The art +of public life consists to a great extent of knowing exactly +where to stop and going a bit further.</p> +<p>It was not Youghal’s lack of political sagacity that had +brought the momentary look of disapproval into Francesca’s +face. The fact was that Comus, who had left off being a +schoolboy and was now a social problem, had lately enrolled +himself among the young politician’s associates and +admirers, and as the boy knew and cared nothing about politics, +and merely copied Youghal’s waistcoats, and, less +successfully, his conversation, Francesca felt herself justified +in deploring the intimacy. To a woman who dressed well on +comparatively nothing a year it was an anxious experience to have +a son who dressed sumptuously on absolutely nothing.</p> +<p>The cloud that had passed over her face when she caught sight +of the offending Youghal was presently succeeded by a smile of +gratified achievement, as she encountered a bow of recognition +and welcome from a portly middle-aged gentleman, who seemed +genuinely anxious to include her in the rather meagre group that +he had gathered about him.</p> +<p>“We were just talking about my new charge,” he +observed genially, including in the “we” his somewhat +depressed-looking listeners, who in all human probability had +done none of the talking. “I was just telling them, +and you may be interested to hear this—”</p> +<p>Francesca, with Spartan stoicism, continued to wear an +ingratiating smile, though the character of the deaf adder that +stoppeth her ear and will not hearken, seemed to her at that +moment a beautiful one.</p> +<p>Sir Julian Jull had been a member of a House of Commons +distinguished for its high standard of well-informed mediocrity, +and had harmonised so thoroughly with his surroundings that the +most attentive observer of Parliamentary proceedings could +scarcely have told even on which side of the House he sat. +A baronetcy bestowed on him by the Party in power had at least +removed that doubt; some weeks later he had been made Governor of +some West Indian dependency, whether as a reward for having +accepted the baronetcy, or as an application of a theory that +West Indian islands get the Governors they deserve, it would have +been hard to say. To Sir Julian the appointment was, +doubtless, one of some importance; during the span of his +Governorship the island might possibly be visited by a member of +the Royal Family, or at the least by an earthquake, and in either +case his name would get into the papers. To the public the +matter was one of absolute indifference; “who is he and +where is it?” would have correctly epitomised the sum total +of general information on the personal and geographical aspects +of the case.</p> +<p>Francesca, however, from the moment she had heard of the +likelihood of the appointment, had taken a deep and lively +interest in Sir Julian. As a Member of Parliament he had +not filled any very pressing social want in her life, and on the +rare occasions when she took tea on the Terrace of the House she +was wont to lapse into rapt contemplation of St. Thomas’s +Hospital whenever she saw him within bowing distance. But +as Governor of an island he would, of course, want a private +secretary, and as a friend and colleague of Henry Greech, to whom +he was indebted for many little acts of political support (they +had once jointly drafted an amendment which had been ruled out of +order), what was more natural and proper than that he should let +his choice fall on Henry’s nephew Comus? While +privately doubting whether the boy would make the sort of +secretary that any public man would esteem as a treasure, Henry +was thoroughly in agreement with Francesca as to the excellence +and desirability of an arrangement which would transplant that +troublesome’ young animal from the too restricted and +conspicuous area that centres in the parish of St. James’s +to some misty corner of the British dominion overseas. +Brother and sister had conspired to give an elaborate and at the +same time cosy little luncheon to Sir Julian on the very day that +his appointment was officially announced, and the question of the +secretaryship had been mooted and sedulously fostered as occasion +permitted, until all that was now needed to clinch the matter was +a formal interview between His Excellency and Comus. The +boy had from the first shewn very little gratification at the +prospect of his deportation. To live on a remote shark-girt +island, as he expressed it, with the Jull family as his chief +social mainstay, and Sir Julian’s conversation as a daily +item of his existence, did not inspire him with the same degree +of enthusiasm as was displayed by his mother and uncle, who, +after all, were not making the experiment. Even the +necessity for an entirely new outfit did not appeal to his +imagination with the force that might have been expected. +But, however lukewarm his adhesion to the project might be, +Francesca and her brother were clearly determined that no lack of +deft persistence on their part should endanger its success. +It was for the purpose of reminding Sir Julian of his promise to +meet Comus at lunch on the following day, and definitely settle +the matter of the secretaryship that Francesca was now enduring +the ordeal of a long harangue on the value of the West Indian +group as an Imperial asset. Other listeners dexterously +detached themselves one by one, but Francesca’s patience +outlasted even Sir Julian’s flow of commonplaces, and her +devotion was duly rewarded by a renewed acknowledgment of the +lunch engagement and its purpose. She pushed her way back +through the throng of starling-voiced chatterers fortified by a +sense of well-earned victory. Dear Serena’s absurd +<i>salons</i> served some good purpose after all.</p> +<p>Francesca was not an early riser and her breakfast was only +just beginning to mobilise on the breakfast-table next morning +when a copy of <i>The Times</i>, sent by special messenger from +her brother’s house, was brought up to her room. A +heavy margin of blue pencilling drew her attention to a +prominently-printed letter which bore the ironical heading: +“Julian Jull, Proconsul.” The matter of the +letter was a cruel dis-interment of some fatuous and forgotten +speeches made by Sir Julian to his constituents not many years +ago, in which the value of some of our Colonial possessions, +particularly certain West Indian islands, was decried in a medley +of pomposity, ignorance and amazingly cheap humour. The +extracts given sounded weak and foolish enough, taken by +themselves, but the writer of the letter had interlarded them +with comments of his own, which sparkled with an ironical +brilliance that was Cervantes-like in its polished cruelty. +Remembering her ordeal of the previous evening Francesca +permitted herself a certain feeling of amusement as she read the +merciless stabs inflicted on the newly-appointed Governor; then +she came to the signature at the foot of the letter, and the +laughter died out of her eyes. “Comus +Bassington” stared at her from above a thick layer of blue +pencil lines marked by Henry Greech’s shaking hand.</p> +<p>Comus could no more have devised such a letter than he could +have written an Episcopal charge to the clergy of any given +diocese. It was obviously the work of Courtenay Youghal, +and Comus, for a palpable purpose of his own, had wheedled him +into foregoing for once the pride of authorship in a clever piece +of political raillery, and letting his young friend stand sponsor +instead. It was a daring stroke, and there could be no +question as to its success; the secretaryship and the distant +shark-girt island faded away into the horizon of impossible +things. Francesca, forgetting the golden rule of strategy +which enjoins a careful choosing of ground and opportunity before +entering on hostilities, made straight for the bathroom door, +behind which a lively din of splashing betokened that Comus had +at least begun his toilet.</p> +<p>“You wicked boy, what have you done?” she cried, +reproachfully.</p> +<p>“Me washee,” came a cheerful shout; “me +washee from the neck all the way down to the merrythought, and +now washee down from the merrythought to—”</p> +<p>“You have ruined your future. <i>The Times</i> has +printed that miserable letter with your signature.”</p> +<p>A loud squeal of joy came from the bath. “Oh, +Mummy! Let me see!”</p> +<p>There were sounds as of a sprawling dripping body clambering +hastily out of the bath. Francesca fled. One cannot +effectively scold a moist nineteen-year old boy clad only in a +bath-towel and a cloud of steam.</p> +<p>Another messenger arrived before Francesca’s breakfast +was over. This one brought a letter from Sir Julian Jull, +excusing himself from fulfilment of the luncheon engagement.</p> +<h2>CHAPTER IV</h2> +<p><span class="smcap">Francesca</span> prided herself on being +able to see things from other people’s points of view, +which meant, as it usually does, that she could see her own point +of view from various aspects. As regards Comus, whose +doings and non-doings bulked largely in her thoughts at the +present moment, she had mapped out in her mind so clearly what +his outlook in life ought to be, that she was peculiarly unfitted +to understand the drift of his feelings or the impulses that +governed them. Fate had endowed her with a son; in limiting +the endowment to a solitary offspring Fate had certainly shown a +moderation which Francesca was perfectly willing to acknowledge +and be thankful for; but then, as she pointed out to a certain +complacent friend of hers who cheerfully sustained an endowment +of half-a-dozen male offsprings and a girl or two, her one child +was Comus. Moderation in numbers was more than +counterbalanced in his case by extravagance in +characteristics.</p> +<p>Francesca mentally compared her son with hundreds of other +young men whom she saw around her, steadily, and no doubt +happily, engaged in the process of transforming themselves from +nice boys into useful citizens. Most of them had +occupations, or were industriously engaged in qualifying for +such; in their leisure moments they smoked reasonably-priced +cigarettes, went to the cheaper seats at music-halls, watched an +occasional cricket match at Lord’s with apparent interest, +saw most of the world’s spectacular events through the +medium of the cinematograph, and were wont to exchange at parting +seemingly superfluous injunctions to “be good.” +The whole of Bond Street and many of the tributary thoroughfares +of Piccadilly might have been swept off the face of modern London +without in any way interfering with the supply of their daily +wants. They were doubtless dull as acquaintances, but as +sons they would have been eminently restful. With a growing +sense of irritation Francesca compared these deserving young men +with her own intractable offspring, and wondered why Fate should +have singled her out to be the parent of such a vexatious variant +from a comfortable and desirable type. As far as +remunerative achievement was concerned, Comus copied the +insouciance of the field lily with a dangerous fidelity. +Like his mother he looked round with wistful irritation at the +example afforded by contemporary youth, but he concentrated his +attention exclusively on the richer circles of his acquaintance, +young men who bought cars and polo ponies as unconcernedly as he +might purchase a carnation for his buttonhole, and went for trips +to Cairo or the Tigris valley with less difficulty and +finance-stretching than he encountered in contriving a week-end +at Brighton.</p> +<p>Gaiety and good-looks had carried Comus successfully and, on +the whole, pleasantly, through schooldays and a recurring +succession of holidays; the same desirable assets were still at +his service to advance him along his road, but it was a +disconcerting experience to find that they could not be relied on +to go all distances at all times. In an animal world, and a +fiercely competitive animal world at that, something more was +needed than the decorative <i>abandon</i> of the field lily, and +it was just that something more which Comus seemed unable or +unwilling to provide on his own account; it was just the lack of +that something more which left him sulking with Fate over the +numerous breakdowns and stumbling-blocks that held him up on what +he expected to be a triumphal or, at any rate, unimpeded +progress.</p> +<p>Francesca was, in her own way, fonder of Comus than of anyone +else in the world, and if he had been browning his skin somewhere +east of Suez she would probably have kissed his photograph with +genuine fervour every night before going to bed; the appearance +of a cholera scare or rumour of native rising in the columns of +her daily news-sheet would have caused her a flutter of anxiety, +and she would have mentally likened herself to a Spartan mother +sacrificing her best-beloved on the altar of State +necessities. But with the best-beloved installed under her +roof, occupying an unreasonable amount of cubic space, and +demanding daily sacrifices instead of providing the raw material +for one, her feelings were tinged with irritation rather than +affection. She might have forgiven Comus generously for +misdeeds of some gravity committed in another continent, but she +could never overlook the fact that out of a dish of five +plovers’ eggs he was certain to take three. The +absent may be always wrong, but they are seldom in a position to +be inconsiderate.</p> +<p>Thus a wall of ice had grown up gradually between mother and +son, a barrier across which they could hold converse, but which +gave a wintry chill even to the sparkle of their lightest +words. The boy had the gift of being irresistibly amusing +when he chose to exert himself in that direction, and after a +long series of moody or jangling meal-sittings he would break +forth into a torrential flow of small talk, scandal and malicious +anecdote, true or more generally invented, to which Francesca +listened with a relish and appreciation, that was all the more +flattering from being so unwillingly bestowed.</p> +<p>“If you chose your friends from a rather more reputable +set you would be doubtless less amusing, but there would be +compensating advantages.”</p> +<p>Francesca snapped the remark out at lunch one day when she had +been betrayed into a broader smile than she considered the +circumstances of her attitude towards Comus warranted.</p> +<p>“I’m going to move in quite decent society +to-night,” replied Comus with a pleased chuckle; +“I’m going to meet you and Uncle Henry and heaps of +nice dull God-fearing people at dinner.”</p> +<p>Francesca gave a little gasp of surprise and annoyance.</p> +<p>“You don’t mean to say Caroline has asked you to +dinner to-night?” she said; “and of course without +telling me. How exceedingly like her!”</p> +<p>Lady Caroline Benaresq had reached that age when you can say +and do what you like in defiance of people’s most sensitive +feelings and most cherished antipathies. Not that she had +waited to attain her present age before pursuing that line of +conduct; she came of a family whose individual members went +through life, from the nursery to the grave, with as much tact +and consideration as a cactus-hedge might show in going through a +crowded bathing tent. It was a compensating mercy that they +disagreed rather more among themselves than they did with the +outside world; every known variety and shade of religion and +politics had been pressed into the family service to avoid the +possibility of any agreement on the larger essentials of life, +and such unlooked-for happenings as the Home Rule schism, the +Tariff-Reform upheaval and the Suffragette crusade were +thankfully seized on as furnishing occasion for further +differences and sub-divisions. Lady Caroline’s +favourite scheme of entertaining was to bring jarring and +antagonistic elements into close contact and play them +remorselessly one against the other. “One gets much +better results under those circumstances” she used to +observe, “than by asking people who wish to meet each +other. Few people talk as brilliantly to impress a friend +as they do to depress an enemy.”</p> +<p>She admitted that her theory broke down rather badly if you +applied it to Parliamentary debates. At her own dinner +table its success was usually triumphantly vindicated.</p> +<p>“Who else is to be there?” Francesca asked, with +some pardonable misgiving.</p> +<p>“Courtenay Youghal. He’ll probably sit next +to you, so you’d better think out a lot of annihilating +remarks in readiness. And Elaine de Frey.”</p> +<p>“I don’t think I’ve heard of her. Who +is she?”</p> +<p>“Nobody in particular, but rather nice-looking in a +solemn sort of way, and almost indecently rich.”</p> +<p>“Marry her” was the advice which sprang to +Francesca’s lips, but she choked it back with a salted +almond, having a rare perception of the fact that words are +sometimes given to us to defeat our purposes.</p> +<p>“Caroline has probably marked her down for Toby or one +of the grand-nephews,” she said, carelessly; “a +little money would be rather useful in that quarter, I +imagine.”</p> +<p>Comus tucked in his underlip with just the shade of pugnacity +that she wanted to see.</p> +<p>An advantageous marriage was so obviously the most sensible +course for him to embark on that she scarcely dared to hope that +he would seriously entertain it; yet there was just a chance that +if he got as far as the flirtation stage with an attractive (and +attracted) girl who was also an heiress, the sheer perversity of +his nature might carry him on to more definite courtship, if only +from the desire to thrust other more genuinely enamoured suitors +into the background. It was a forlorn hope; so forlorn that +the idea even crossed her mind of throwing herself on the mercy +of her <i>bête noire</i>, Courtenay Youghal, and trying to +enlist the influence which he seemed to possess over Comus for +the purpose of furthering her hurriedly conceived project. +Anyhow, the dinner promised to be more interesting than she had +originally anticipated.</p> +<p>Lady Caroline was a professed Socialist in politics, chiefly, +it was believed, because she was thus enabled to disagree with +most of the Liberals and Conservatives, and all the Socialists of +the day. She did not permit her Socialism, however, to +penetrate below stairs; her cook and butler had every +encouragement to be Individualists. Francesca, who was a +keen and intelligent food critic, harboured no misgivings as to +her hostess’s kitchen and cellar departments; some of the +human side-dishes at the feast gave her more ground for +uneasiness. Courtenay Youghal, for instance, would probably +be brilliantly silent; her brother Henry would almost certainly +be the reverse.</p> +<p>The dinner party was a large one and Francesca arrived late +with little time to take preliminary stock of the guests; a card +with the name, “Miss de Frey,” immediately opposite +her own place at the other side of the table, indicated, however, +the whereabouts of the heiress. It was characteristic of +Francesca that she first carefully read the menu from end to end, +and then indulged in an equally careful though less open scrutiny +of the girl who sat opposite her, the girl who was nobody in +particular, but whose income was everything that could be +desired. She was pretty in a restrained nut-brown fashion, +and had a look of grave reflective calm that probably masked a +speculative unsettled temperament. Her pose, if one wished +to be critical, was just a little too elaborately careless. +She wore some excellently set rubies with that indefinable air of +having more at home that is so difficult to improvise. +Francesca was distinctly pleased with her survey.</p> +<p>“You seem interested in your +<i>vis-à-vis</i>,” said Courtenay Youghal.</p> +<p>“I almost think I’ve seen her before,” said +Francesca; “her face seems familiar to me.”</p> +<p>“The narrow gallery at the Louvre; attributed to +Leonardo da Vinci,” said Youghal.</p> +<p>“Of course,” said Francesca, her feelings divided +between satisfaction at capturing an elusive impression and +annoyance that Youghal should have been her helper. A +stronger tinge of annoyance possessed her when she heard the +voice of Henry Greech raised in painful prominence at Lady +Caroline’s end of the table.</p> +<p>“I called on the Trudhams yesterday,” he +announced; “it was their Silver Wedding, you know, at least +the day before was. Such lots of silver presents, quite a +show. Of course there were a great many duplicates, but +still, very nice to have. I think they were very pleased to +get so many.”</p> +<p>“We must not grudge them their show of presents after +their twenty-five years of married life,” said Lady +Caroline, gently; “it is the silver lining to their +cloud.”</p> +<p>A third of the guests present were related to the +Trudhams.</p> +<p>“Lady Caroline is beginning well,” murmured +Courtenay Youghal.</p> +<p>“I should hardly call twenty-five years of married life +a cloud,” said Henry Greech, lamely.</p> +<p>“Don’t let’s talk about married life,” +said a tall handsome woman, who looked like some modern +painter’s conception of the goddess Bellona; +“it’s my misfortune to write eternally about husbands +and wives and their variants. My public expects it of +me. I do so envy journalists who can write about plagues +and strikes and Anarchist plots, and other pleasing things, +instead of being tied down to one stale old topic.”</p> +<p>“Who is that woman and what has she written?” +Francesca asked Youghal; she dimly remembered having seen her at +one of Serena Golackly’s gatherings, surrounded by a little +Court of admirers.</p> +<p>“I forget her name; she has a villa at San Remo or +Mentone, or somewhere where one does have villas, and plays an +extraordinary good game of bridge. Also she has the +reputation, rather rare in your sex, of being a wonderfully sound +judge of wine.”</p> +<p>“But what has she written?”</p> +<p>“Oh, several novels of the thinnish ice order. Her +last one, ‘The Woman who wished it was Wednesday,’ +has been banned at all the libraries. I expect you’ve +read it.”</p> +<p>“I don’t see why you should think so,” said +Francesca, coldly.</p> +<p>“Only because Comus lent me your copy yesterday,” +said Youghal. He threw back his handsome head and gave her +a sidelong glance of quizzical amusement. He knew that she +hated his intimacy with Comus, and he was secretly rather proud +of his influence over the boy, shallow and negative though he +knew it to be. It had been, on his part, an unsought +intimacy, and it would probably fall to pieces the moment he +tried seriously to take up the <i>rôle</i> of mentor. +The fact that Comus’s mother openly disapproved of the +friendship gave it perhaps its chief interest in the young +politician’s eyes.</p> +<p>Francesca turned her attention to her brother’s end of +the table. Henry Greech had willingly availed himself of +the invitation to leave the subject of married life, and had +launched forthwith into the equally well-worn theme of current +politics. He was not a person who was in much demand for +public meetings, and the House showed no great impatience to hear +his views on the topics of the moment; its impatience, indeed, +was manifested rather in the opposite direction. Hence he +was prone to unburden himself of accumulated political wisdom as +occasion presented itself—sometimes, indeed, to assume an +occasion that was hardly visible to the naked intelligence.</p> +<p>“Our opponents are engaged in a hopelessly uphill +struggle, and they know it,” he chirruped, defiantly; +“they’ve become possessed, like the Gadarene swine, +with a whole legion of—”</p> +<p>“Surely the Gadarene swine went downhill,” put in +Lady Caroline in a gently enquiring voice.</p> +<p>Henry Greech hastily abandoned simile and fell back on +platitude and the safer kinds of fact.</p> +<p>Francesca did not regard her brother’s views on +statecraft either in the light of gospel or revelation; as Comus +once remarked, they more usually suggested exodus. In the +present instance she found distraction in a renewed scrutiny of +the girl opposite her, who seemed to be only moderately +interested in the conversational efforts of the diners on either +side of her. Comus who was looking and talking his best, +was sitting at the further end of the table, and Francesca was +quick to notice in which direction the girl’s glances were +continually straying. Once or twice the eyes of the young +people met and a swift flush of pleasure and a half-smile that +spoke of good understanding came to the heiress’s +face. It did not need the gift of the traditional intuition +of her sex to enable Francesca to guess that the girl with the +desirable banking account was already considerably attracted by +the lively young Pagan who had, when he cared to practise it, +such an art of winning admiration. For the first time for +many, many months Francesca saw her son’s prospects in a +rose-coloured setting, and she began, unconsciously, to wonder +exactly how much wealth was summed up in the expressive label +“almost indecently rich.” A wife with a really +large fortune and a correspondingly big dower of character and +ambition, might, perhaps, succeed in turning Comus’s latent +energies into a groove which would provide him, if not with a +career, at least with an occupation, and the young serious face +opposite looked as if its owner lacked neither character or +ambition. Francesca’s speculations took a more +personal turn. Out of the well-filled coffers with which +her imagination was toying, an inconsiderable sum might +eventually be devoted to the leasing, or even perhaps the +purchase of, the house in Blue Street when the present convenient +arrangement should have come to an end, and Francesca and the Van +der Meulen would not be obliged to seek fresh quarters.</p> +<p>A woman’s voice, talking in a discreet undertone on the +other side of Courtenay Youghal, broke in on her +bridge-building.</p> +<p>“Tons of money and really very presentable. Just +the wife for a rising young politician. Go in and win her +before she’s snapped up by some fortune hunter.”</p> +<p>Youghal and his instructress in worldly wisdom were looking +straight across the table at the Leonardo da Vinci girl with the +grave reflective eyes and the over-emphasised air of +repose. Francesca felt a quick throb of anger against her +match-making neighbour; why, she asked herself, must some women, +with no end or purpose of their own to serve, except the sheer +love of meddling in the affairs of others, plunge their hands +into plots and schemings of this sort, in which the happiness of +more than one person was concerned? And more clearly than +ever she realised how thoroughly she detested Courtenay +Youghal. She had disliked him as an evil influence, setting +before her son an example of showy ambition that he was not in +the least likely to follow, and providing him with a model of +extravagant dandyism that he was only too certain to copy. +In her heart she knew that Comus would have embarked just as +surely on his present course of idle self-indulgence if he had +never known of the existence of Youghal, but she chose to regard +that young man as her son’s evil genius, and now he seemed +likely to justify more than ever the character she had fastened +on to him. For once in his life Comus appeared to have an +idea of behaving sensibly and making some use of his +opportunities, and almost at the same moment Courtenay Youghal +arrived on the scene as a possible and very dangerous +rival. Against the good looks and fitful powers of +fascination that Comus could bring into the field, the young +politician could match half-a-dozen dazzling qualities which +would go far to recommend him in the eyes of a woman of the +world, still more in those of a young girl in search of an +ideal. Good-looking in his own way, if not on such showy +lines as Comus, always well turned-out, witty, self-confident +without being bumptious, with a conspicuous Parliamentary career +alongside him, and heaven knew what else in front of him, +Courtenay Youghal certainly was not a rival whose chances could +be held very lightly. Francesca laughed bitterly to herself +as she remembered that a few hours ago she had entertained the +idea of begging for his good offices in helping on Comus’s +wooing. One consolation, at least, she found for herself: +if Youghal really meant to step in and try and cut out his young +friend, the latter at any rate had snatched a useful start. +Comus had mentioned Miss de Frey at luncheon that day, casually +and dispassionately; if the subject of the dinner guests had not +come up he would probably not have mentioned her at all. +But they were obviously already very good friends. It was +part and parcel of the state of domestic tension at Blue Street +that Francesca should only have come to know of this highly +interesting heiress by an accidental sorting of guests at a +dinner party.</p> +<p>Lady Caroline’s voice broke in on her reflections; it +was a gentle purring voice, that possessed an uncanny quality of +being able to make itself heard down the longest dinner +table.</p> +<p>“The dear Archdeacon is getting so absent-minded. +He read a list of box-holders for the opera as the First Lesson +the other Sunday, instead of the families and lots of the tribes +of Israel that entered Canaan. Fortunately no one noticed +the mistake.”</p> +<h2>CHAPTER V</h2> +<p><span class="smcap">On</span> a conveniently secluded bench +facing the Northern Pheasantry in the Zoological Society’s +Gardens, Regent’s Park, Courtenay Youghal sat immersed in +mature flirtation with a lady, who, though certainly young in +fact and appearance, was some four or five years his +senior. When he was a schoolboy of sixteen, Molly McQuade +had personally conducted him to the Zoo and stood him dinner +afterwards at Kettner’s, and whenever the two of them +happened to be in town on the anniversary of that bygone +festivity they religiously repeated the programme in its +entirety. Even the menu of the dinner was adhered to as +nearly as possible; the original selection of food and wine that +schoolboy exuberance, tempered by schoolboy shyness, had pitched +on those many years ago, confronted Youghal on those occasions, +as a drowning man’s past life is said to rise up and parade +itself in his last moments of consciousness.</p> +<p>The flirtation which was thus perennially restored to its +old-time footing owed its longevity more to the enterprising +solicitude of Miss McQuade than to any conscious sentimental +effort on the part of Youghal himself. Molly McQuade was +known to her neighbours in a minor hunting shire as a hard-riding +conventionally unconventional type of young woman, who came +naturally into the classification, “a good +sort.” She was just sufficiently good-looking, +sufficiently reticent about her own illnesses, when she had any, +and sufficiently appreciative of her neighbours’ gardens, +children and hunters to be generally popular. Most men +liked her, and the percentage of women who disliked her was not +inconveniently high. One of these days, it was assumed, she +would marry a brewer or a Master of Otter Hounds, and, after a +brief interval, be known to the world as the mother of a boy or +two at Malvern or some similar seat of learning. The +romantic side of her nature was altogether unguessed by the +countryside.</p> +<p>Her romances were mostly in serial form and suffered perhaps +in fervour from their disconnected course what they gained in +length of days. Her affectionate interest in the several +young men who figured in her affairs of the heart was perfectly +honest, and she certainly made no attempt either to conceal their +separate existences, or to play them off one against the +other. Neither could it be said that she was a husband +hunter; she had made up her mind what sort of man she was likely +to marry, and her forecast did not differ very widely from that +formed by her local acquaintances. If her married life were +eventually to turn out a failure, at least she looked forward to +it with very moderate expectations. Her love affairs she +put on a very different footing and apparently they were the +all-absorbing element in her life. She possessed the +happily constituted temperament which enables a man or woman to +be a “pluralist,” and to observe the sage precaution +of not putting all one’s eggs into one basket. Her +demands were not exacting; she required of her affinity that he +should be young, good-looking, and at least, moderately amusing; +she would have preferred him to be invariably faithful, but, with +her own example before her, she was prepared for the probability, +bordering on certainty, that he would be nothing of the +sort. The philosophy of the “Garden of Kama” +was the compass by which she steered her barque and thus far, if +she had encountered some storms and buffeting, she had at least +escaped being either shipwrecked or becalmed.</p> +<p>Courtenay Youghal had not been designed by Nature to fulfil +the <i>rôle</i> of an ardent or devoted lover, and he +scrupulously respected the limits which Nature had laid +down. For Molly, however, he had a certain responsive +affection. She had always obviously admired him, and at the +same time she never beset him with crude flattery; the principal +reason why the flirtation had stood the test of so many years was +the fact that it only flared into active existence at convenient +intervals. In an age when the telephone has undermined +almost every fastness of human privacy, and the sanctity of +one’s seclusion depends often on the ability for tactful +falsehood shown by a club pageboy, Youghal was duly appreciative +of the circumstance that his lady fair spent a large part of the +year pursuing foxes, in lieu of pursuing him. Also the +honestly admitted fact that, in her human hunting, she rode after +more than one quarry, made the inevitable break-up of the affair +a matter to which both could look forward without a sense of +coming embarrassment and recrimination. When the time for +gathering ye rosebuds should be over, neither of them could +accuse the other of having wrecked his or her entire life. +At the most they would only have disorganised a week-end.</p> +<p>On this particular afternoon, when old reminiscences had been +gone through, and the intervening gossip of past months duly +recounted, a lull in the conversation made itself rather +obstinately felt. Molly had already guessed that matters +were about to slip into a new phase; the affair had reached +maturity long ago, and a new phase must be in the nature of a +wane.</p> +<p>“You’re a clever brute,” she said, suddenly, +with an air of affectionate regret; “I always knew +you’d get on in the House, but I hardly expected you to +come to the front so soon.”</p> +<p>“I’m coming to the front,” admitted Youghal, +judicially; “the problem is, shall I be able to stay +there. Unless something happens in the financial line +before long, I don’t see how I’m to stay in +Parliament at all. Economy is out of the question. It +would open people’s eyes, I fancy, if they knew how little +I exist on as it is. And I’m living so far beyond my +income that we may almost be said to be living apart.”</p> +<p>“It will have to be a rich wife, I suppose,” said +Molly, slowly; “that’s the worst of success, it +imposes so many conditions. I rather knew, from something +in your manner, that you were drifting that way.”</p> +<p>Youghal said nothing in the way of contradiction; he gazed +steadfastly at the aviary in front of him as though exotic +pheasants were for the moment the most absorbing study in the +world. As a matter of fact, his mind was centred on the +image of Elaine de Frey, with her clear untroubled eyes and her +Leonardo da Vinci air. He was wondering whether he was +likely to fall into a frame of mind concerning her which would be +in the least like falling in love.</p> +<p>“I shall mind horribly,” continued Molly, after a +pause, “but, of course, I have always known that something +of the sort would have to happen one of these days. When a +man goes into politics he can’t call his soul his own, and +I suppose his heart becomes an impersonal possession in the same +way.”</p> +<p>“Most people who know me would tell you that I +haven’t got a heart,” said Youghal.</p> +<p>“I’ve often felt inclined to agree with +them,” said Molly; “and then, now and again, I think +you have a heart tucked away somewhere.”</p> +<p>“I hope I have,” said Youghal, “because +I’m trying to break to you the fact that I think I’m +falling in love with somebody.”</p> +<p>Molly McQuade turned sharply to look at her companion, who +still fixed his gaze on the pheasant run in front of him.</p> +<p>“Don’t tell me you’re losing your head over +somebody useless, someone without money,” she said; +“I don’t think I could stand that.”</p> +<p>For the moment she feared that Courtenay’s selfishness +might have taken an unexpected turn, in which ambition had given +way to the fancy of the hour; he might be going to sacrifice his +Parliamentary career for a life of stupid lounging in momentarily +attractive company. He quickly undeceived her.</p> +<p>“She’s got heaps of money.”</p> +<p>Molly gave a grunt of relief. Her affection for +Courtenay had produced the anxiety which underlay her first +question; a natural jealousy prompted the next one.</p> +<p>“Is she young and pretty and all that sort of thing, or +is she just a good sort with a sympathetic manner and nice +eyes? As a rule that’s the kind that goes with a lot +of money.”</p> +<p>“Young and quite good-looking in her way, and a distinct +style of her own. Some people would call her +beautiful. As a political hostess I should think +she’d be splendid. I imagine I’m rather in love +with her.”</p> +<p>“And is she in love with you?”</p> +<p>Youghal threw back his head with the slight assertive movement +that Molly knew and liked.</p> +<p>“She’s a girl who I fancy would let judgment +influence her a lot. And without being stupidly conceited, +I think I may say she might do worse than throw herself away on +me. I’m young and quite good-looking, and I’m +making a name for myself in the House; she’ll be able to +read all sorts of nice and horrid things about me in the papers +at breakfast-time. I can be brilliantly amusing at times, +and I understand the value of silence; there is no fear that I +shall ever degenerate into that fearsome thing—a cheerful +talkative husband. For a girl with money and social +ambitions I should think I was rather a good thing.”</p> +<p>“You are certainly in love, Courtenay,” said +Molly, “but it’s the old love and not a new +one. I’m rather glad. I should have hated to +have you head-over-heels in love with a pretty woman, even for a +short time. You’ll be much happier as it is. +And I’m going to put all my feelings in the background, and +tell you to go in and win. You’ve got to marry a rich +woman, and if she’s nice and will make a good hostess, so +much the better for everybody. You’ll be happier in +your married life than I shall be in mine, when it comes; +you’ll have other interests to absorb you. I shall +just have the garden and dairy and nursery and lending library, +as like as two peas to all the gardens and dairies and nurseries +for hundreds of miles round. You won’t care for your +wife enough to be worried every time she has a finger-ache, and +you’ll like her well enough to be pleased to meet her +sometimes at your own house. I shouldn’t wonder if +you were quite happy. She will probably be miserable, but +any woman who married you would be.”</p> +<p>There was a short pause; they were both staring at the +pheasant cages. Then Molly spoke again, with the swift +nervous tone of a general who is hurriedly altering the +disposition of his forces for a strategic retreat.</p> +<p>“When you are safely married and honey-mooned and all +that sort of thing, and have put your wife through her paces as a +political hostess, some time, when the House isn’t sitting, +you must come down by yourself, and do a little hunting with +us. Will you? It won’t be quite the same as old +times, but it will be something to look forward to when I’m +reading the endless paragraphs about your fashionable political +wedding.”</p> +<p>“You’re looking forward pretty far,” laughed +Youghal; “the lady may take your view as to the probable +unhappiness of a future shared with me, and I may have to content +myself with penurious political bachelorhood. Anyhow, the +present is still with us. We dine at Kettner’s +to-night, don’t we?”</p> +<p>“Rather,” said Molly, “though it will be +more or less a throat-lumpy feast as far as I am concerned. +We shall have to drink to the health of the future Mrs. +Youghal. By the way, it’s rather characteristic of +you that you haven’t told me who she is, and of me that I +haven’t asked. And now, like a dear boy, trot away +and leave me. I haven’t got to say good-bye to you +yet, but I’m going to take a quiet farewell of the +Pheasantry. We’ve had some jolly good talks, you and +I, sitting on this seat, haven’t we? And I know, as +well as I know anything, that this is the last of them. +Eight o’clock to-night, as punctually as +possible.”</p> +<p>She watched his retreating figure with eyes that grew slowly +misty; he had been such a jolly comely boy-friend, and they had +had such good times together. The mist deepened on her +lashes as she looked round at the familiar rendezvous where they +had so often kept tryst since the day when they had first come +there together, he a schoolboy and she but lately out of her +teens. For the moment she felt herself in the thrall of a +very real sorrow.</p> +<p>Then, with the admirable energy of one who is only in town for +a fleeting fortnight, she raced away to have tea with a +world-faring naval admirer at his club. Pluralism is a +merciful narcotic.</p> +<h2>CHAPTER VI</h2> +<p><span class="smcap">Elaine de Frey</span> sat at ease—at +bodily ease—at any rate—in a low wicker chair placed +under the shade of a group of cedars in the heart of a stately +spacious garden that had almost made up its mind to be a +park. The shallow stone basin of an old fountain, on whose +wide ledge a leaden-moulded otter for ever preyed on a leaden +salmon, filled a conspicuous place in the immediate +foreground. Around its rim ran an inscription in Latin, +warning mortal man that time flows as swiftly as water and +exhorting him to make the most of his hours; after which piece of +Jacobean moralising it set itself shamelessly to beguile all who +might pass that way into an abandonment of contemplative +repose. On all sides of it a stretch of smooth turf spread +away, broken up here and there by groups of dwarfish chestnut and +mulberry trees, whose leaves and branches cast a laced pattern of +shade beneath them. On one side the lawn sloped gently down +to a small lake, whereon floated a quartette of swans, their +movements suggestive of a certain mournful listlessness, as +though a weary dignity of caste held them back from the joyous +bustling life of the lesser waterfowl. Elaine liked to +imagine that they re-embodied the souls of unhappy boys who had +been forced by family interests to become high ecclesiastical +dignitaries and had grown prematurely Right Reverend. A low +stone balustrade fenced part of the shore of the lake, making a +miniature terrace above its level, and here roses grew in a rich +multitude. Other rose bushes, carefully pruned and tended, +formed little oases of colour and perfume amid the restful green +of the sward, and in the distance the eye caught the variegated +blaze of a many-hued hedge of rhododendron. With these +favoured exceptions flowers were hard to find in this +well-ordered garden; the misguided tyranny of staring geranium +beds and beflowered archways leading to nowhere, so dear to the +suburban gardener, found no expression here. Magnificent +Amherst pheasants, whose plumage challenged and almost shamed the +peacock on his own ground, stepped to and fro over the emerald +turf with the assured self-conscious pride of reigning +sultans. It was a garden where summer seemed a +part-proprietor rather than a hurried visitor.</p> +<p>By the side of Elaine’s chair under the shadow of the +cedars a wicker table was set out with the paraphernalia of +afternoon tea. On some cushions at her feet reclined +Courtenay Youghal, smoothly preened and youthfully elegant, the +personification of decorative repose; equally decorative, but +with the showy restlessness of a dragonfly, Comus disported his +flannelled person over a considerable span of the available +foreground.</p> +<p>The intimacy existing between the two young men had suffered +no immediate dislocation from the circumstance that they were +tacitly paying court to the same lady. It was an intimacy +founded not in the least on friendship or community of tastes and +ideas, but owed its existence to the fact that each was amused +and interested by the other. Youghal found Comus, for the +time being at any rate, just as amusing and interesting as a +rival for Elaine’s favour as he had been in the +<i>rôle</i> of scapegrace boy-about-Town; Comus for his +part did not wish to lose touch with Youghal, who among other +attractions possessed the recommendation of being under the ban +of Comus’s mother. She disapproved, it is true, of a +great many of her son’s friends and associates, but this +particular one was a special and persistent source of irritation +to her from the fact that he figured prominently and more or less +successfully in the public life of the day. There was +something peculiarly exasperating in reading a brilliant and +incisive attack on the Government’s rash handling of public +expenditure delivered by a young man who encouraged her son in +every imaginable extravagance. The actual extent of +Youghal’s influence over the boy was of the slightest; +Comus was quite capable of deriving encouragement to rash outlay +and frivolous conversation from an anchorite or an East-end +parson if he had been thrown into close companionship with such +an individual. Francesca, however, exercised a +mother’s privilege in assuming her son’s bachelor +associates to be industrious in labouring to achieve his +undoing. Therefore the young politician was a source of +unconcealed annoyance to her, and in the same degree as she +expressed her disapproval of him Comus was careful to maintain +and parade the intimacy. Its existence, or rather its +continued existence, was one of the things that faintly puzzled +the young lady whose sought-for favour might have been expected +to furnish an occasion for its rapid dissolution.</p> +<p>With two suitors, one of whom at least she found markedly +attractive, courting her at the same moment, Elaine should have +had reasonable cause for being on good terms with the world, and +with herself in particular. Happiness was not, however, at +this auspicious moment, her dominant mood. The grave calm +of her face masked as usual a certain degree of grave +perturbation. A succession of well-meaning governesses and +a plentiful supply of moralising aunts on both sides of her +family, had impressed on her young mind the theoretical fact that +wealth is a great responsibility. The consciousness of her +responsibility set her continually wondering, not as to her own +fitness to discharge her “stewardship,” but as to the +motives and merits of people with whom she came in contact. +The knowledge that there was so much in the world that she could +buy, invited speculation as to how much there was that was worth +buying. Gradually she had come to regard her mind as a sort +of appeal court before whose secret sittings were examined and +judged the motives and actions, the motives especially, of the +world in general. In her schoolroom days she had sat in +conscientious judgment on the motives that guided or misguided +Charles and Cromwell and Monck, Wallenstein and Savonarola. +In her present stage she was equally occupied in examining the +political sincerity of the Secretary for Foreign Affairs, the +good-faith of a honey-tongued but possibly loyal-hearted +waiting-maid, and the disinterestedness of a whole circle of +indulgent and flattering acquaintances. Even more +absorbing, and in her eyes, more urgently necessary, was the task +of dissecting and appraising the characters of the two young men +who were favouring her with their attentions. And herein +lay cause for much thinking and some perturbation. Youghal, +for example, might have baffled a more experienced observer of +human nature. Elaine was too clever to confound his +dandyism with foppishness or self-advertisement. He admired +his own toilet effect in a mirror from a genuine sense of +pleasure in a thing good to look upon, just as he would feel a +sensuous appreciation of the sight of a well-bred, well-matched, +well-turned-out pair of horses. Behind his careful +political flippancy and cynicism one might also detect a certain +careless sincerity, which would probably in the long run save him +from moderate success, and turn him into one of the brilliant +failures of his day. Beyond this it was difficult to form +an exact appreciation of Courtenay Youghal, and Elaine, who liked +to have her impressions distinctly labelled and pigeon-holed, was +perpetually scrutinising the outer surface of his characteristics +and utterances, like a baffled art critic vainly searching +beneath the varnish and scratches of a doubtfully assigned +picture for an enlightening signature. The young man added +to her perplexities by his deliberate policy of never trying to +show himself in a favourable light even when most anxious to +impart a favourable impression. He preferred that people +should hunt for his good qualities, and merely took very good +care that as far as possible they should never draw blank; even +in the matter of selfishness, which was the anchor-sheet of his +existence, he contrived to be noted, and justly noted, for doing +remarkably unselfish things. As a ruler he would have been +reasonably popular; as a husband he would probably be +unendurable.</p> +<p>Comus was to a certain extent as great a mystification as +Youghal, but here Elaine was herself responsible for some of the +perplexity which enshrouded his character in her eyes. She +had taken more than a passing fancy for the boy—for the boy +as he might be, that was to say—and she was desperately +unwilling to see him and appraise him as he really was. +Thus the mental court of appeal was constantly engaged in +examining witnesses as to character, most of whom signally failed +to give any testimony which would support the favourable judgment +which the tribunal was so anxious to arrive at. A woman +with wider experience of the world’s ways and shortcomings +would probably have contented herself with an endeavour to find +out whether her liking for the boy outweighed her dislike of his +characteristics; Elaine took her judgments too seriously to +approach the matter from such a simple and convenient +standpoint. The fact that she was much more than half in +love with Comus made it dreadfully important that she should +discover him to have a lovable soul, and Comus, it must be +confessed, did little to help forward the discovery.</p> +<p>“At any rate he is honest,” she would observe to +herself, after some outspoken admission of unprincipled conduct +on his part, and then she would ruefully recall certain episodes +in which he had figured, from which honesty had been +conspicuously absent. What she tried to label honesty in +his candour was probably only a cynical defiance of the laws of +right and wrong.</p> +<p>“You look more than usually thoughtful this +afternoon,” said Comus to her, “as if you had +invented this summer day and were trying to think out +improvements.”</p> +<p>“If I had the power to create improvements anywhere I +think I should begin with you,” retorted Elaine.</p> +<p>“I’m sure it’s much better to leave me as I +am,” protested Comus; “you’re like a relative +of mine up in Argyllshire, who spends his time producing improved +breeds of sheep and pigs and chickens. So patronising and +irritating to the Almighty I should think, to go about putting +superior finishing touches to Creation.”</p> +<p>Elaine frowned, and then laughed, and finally gave a little +sigh.</p> +<p>“It’s not easy to talk sense to you,” she +said.</p> +<p>“Whatever else you take in hand,” said Youghal, +“you must never improve this garden. It’s what +our idea of Heaven might be like if the Jews hadn’t +invented one for us on totally different lines. It’s +dreadful that we should accept them as the impresarios of our +religious dreamland instead of the Greeks.”</p> +<p>“You are not very fond of the Jews,” said +Elaine.</p> +<p>“I’ve travelled and lived a good deal in Eastern +Europe,” said Youghal.</p> +<p>“It seems largely a question of geography,” said +Elaine; “in England no one really is +anti-Semitic.”</p> +<p>Youghal shook his head. “I know a great many Jews +who are.”</p> +<p>Servants had quietly, almost reverently, placed tea and its +accessories on the wicker table, and quietly receded from the +landscape. Elaine sat like a grave young goddess about to +dispense some mysterious potion to her devotees. Her mind +was still sitting in judgment on the Jewish question.</p> +<p>Comus scrambled to his feet.</p> +<p>“It’s too hot for tea,” he said; “I +shall go and feed the swans.”</p> +<p>And he walked off with a little silver basket-dish containing +brown bread-and-butter.</p> +<p>Elaine laughed quietly.</p> +<p>“It’s so like Comus,” she said, “to go +off with our one dish of bread-and-butter.”</p> +<p>Youghal chuckled responsively. It was an undoubted +opportunity for him to put in some disparaging criticism of +Comus, and Elaine sat alert in readiness to judge the critic and +reserve judgment on the criticised.</p> +<p>“His selfishness is splendid but absolutely +futile,” said Youghal; “now my selfishness is +commonplace, but always thoroughly practical and +calculated. He will have great difficulty in getting the +swans to accept his offering, and he incurs the odium of reducing +us to a bread-and-butterless condition. Incidentally he +will get very hot.”</p> +<p>Elaine again had the sense of being thoroughly baffled. +If Youghal had said anything unkind it was about himself.</p> +<p>“If my cousin Suzette had been here,” she +observed, with the shadow of a malicious smile on her lips, +“I believe she would have gone into a flood of tears at the +loss of her bread-and-butter, and Comus would have figured ever +after in her mind as something black and destroying and +hateful. In fact I don’t really know why we took our +loss so unprotestingly.”</p> +<p>“For two reasons,” said Youghal; “you are +rather fond of Comus. And I—am not very fond of +bread-and-butter.”</p> +<p>The jesting remark brought a throb of pleasure to +Elaine’s heart. She had known full well that she +cared for Comus, but now that Courtenay Youghal had openly +proclaimed the fact as something unchallenged and understood +matters seemed placed at once on a more advanced footing. +The warm sunlit garden grew suddenly into a Heaven that held the +secret of eternal happiness. Youth and comeliness would +always walk here, under the low-boughed mulberry trees, as +unchanging as the leaden otter that for ever preyed on the leaden +salmon on the edge of the old fountain, and somehow the lovers +would always wear the aspect of herself and the boy who was +talking to the four white swans by the water steps. Youghal +was right; this was the real Heaven of one’s dreams and +longings, immeasurably removed from that Rue de la Paix Paradise +about which one professed utterly insincere hankerings in places +of public worship. Elaine drank her tea in a happy silence; +besides being a brilliant talker Youghal understood the rarer art +of being a non-talker on occasion.</p> +<p>Comus came back across the grass swinging the empty +basket-dish in his hand.</p> +<p>“Swans were very pleased,” he cried, gaily, +“and said they hoped I would keep the bread-and-butter dish +as a souvenir of a happy tea-party. I may really have it, +mayn’t I?” he continued in an anxious voice; +“it will do to keep studs and things in. You +don’t want it.”</p> +<p>“It’s got the family crest on it,” said +Elaine. Some of the happiness had died out of her eyes.</p> +<p>“I’ll have that scratched off and my own put +on,” said Comus.</p> +<p>“It’s been in the family for generations,” +protested Elaine, who did not share Comus’s view that +because you were rich your lesser possessions could have no value +in your eyes.</p> +<p>“I want it dreadfully,” said Comus, sulkily, +“and you’ve heaps of other things to put +bread-and-butter in.”</p> +<p>For the moment he was possessed by an overmastering desire to +keep the dish at all costs; a look of greedy determination +dominated his face, and he had not for an instant relaxed his +grip of the coveted object.</p> +<p>Elaine was genuinely angry by this time, and was busily +telling herself that it was absurd to be put out over such a +trifle; at the same moment a sense of justice was telling her +that Comus was displaying a good deal of rather shabby +selfishness. And somehow her chief anxiety at the moment +was to keep Courtenay Youghal from seeing that she was angry.</p> +<p>“I know you don’t really want it, so I’m +going to keep it,” persisted Comus.</p> +<p>“It’s too hot to argue,” said Elaine.</p> +<p>“Happy mistress of your destinies,” laughed +Youghal; “you can suit your disputations to the desired +time and temperature. I have to go and argue, or what is +worse, listen to other people’s arguments, in a hot and +doctored atmosphere suitable to an invalid lizard.”</p> +<p>“You haven’t got to argue about a bread-and-butter +dish,” said Elaine.</p> +<p>“Chiefly about bread-and-butter,” said Youghal; +“our great preoccupation is other people’s +bread-and-butter. They earn or produce the material, but we +busy ourselves with making rules how it shall be cut up, and the +size of the slices, and how much butter shall go on how much +bread. That is what is called legislation. If we +could only make rules as to how the bread-and-butter should be +digested we should be quite happy.”</p> +<p>Elaine had been brought up to regard Parliaments as something +to be treated with cheerful solemnity, like illness or family +re-unions. Youghal’s flippant disparagement of the +career in which he was involved did not, however, jar on her +susceptibilities. She knew him to be not only a lively and +effective debater but an industrious worker on committees. +If he made light of his labours, at least he afforded no one else +a loophole for doing so. And certainly, the Parliamentary +atmosphere was not inviting on this hot afternoon.</p> +<p>“When must you go?” she asked, +sympathetically.</p> +<p>Youghal looked ruefully at his watch. Before he could +answer, a cheerful hoot came through the air, as of an owl +joyously challenging the sunlight with a foreboding of the coming +night. He sprang laughing to his feet.</p> +<p>“Listen! My summons back to my galley,” he +cried. “The Gods have given me an hour in this +enchanted garden, so I must not complain.”</p> +<p>Then in a lower voice he almost whispered, “It’s +the Persian debate to-night.”</p> +<p>It was the one hint he had given in the midst of his talking +and laughing that he was really keenly enthralled in the work +that lay before him. It was the one little intimate touch +that gave Elaine the knowledge that he cared for her opinion of +his work.</p> +<p>Comus, who had emptied his cigarette-case, became suddenly +clamorous at the prospect of being temporarily stranded without a +smoke. Youghal took the last remaining cigarette from his +own case and gravely bisected it.</p> +<p>“Friendship could go no further,” he observed, as +he gave one-half to the doubtfully appeased Comus, and lit the +other himself.</p> +<p>“There are heaps more in the hall,” said +Elaine.</p> +<p>“It was only done for the Saint Martin of Tours +effect,” said Youghal; “I hate smoking when I’m +rushing through the air. Good-bye.”</p> +<p>The departing galley-slave stepped forth into the sunlight, +radiant and confident. A few minutes later Elaine could see +glimpses of his white car as it rushed past the rhododendron +bushes. He woos best who leaves first, particularly if he +goes forth to battle or the semblance of battle.</p> +<p>Somehow Elaine’s garden of Eternal Youth had already +become clouded in its imagery. The girl-figure who walked +in it was still distinctly and unchangingly herself, but her +companion was more blurred and undefined, as a picture that has +been superimposed on another.</p> +<p>Youghal sped townward well satisfied with himself. +To-morrow, he reflected, Elaine would read his speech in her +morning paper, and he knew in advance that it was not going to be +one of his worst efforts. He knew almost exactly where the +punctuations of laughter and applause would burst in, he knew +that nimble fingers in the Press Gallery would be taking down +each gibe and argument as he flung it at the impassive Minister +confronting him, and that the fair lady of his desire would be +able to judge what manner of young man this was who spent his +afternoon in her garden, lazily chaffing himself and his +world.</p> +<p>And he further reflected, with an amused chuckle, that she +would be vividly reminded of Comus for days to come, when she +took her afternoon tea, and saw the bread-and-butter reposing in +an unaccustomed dish.</p> +<h2>CHAPTER VII</h2> +<p><span class="smcap">Towards</span> four o’clock on a hot +afternoon Francesca stepped out from a shop entrance near the +Piccadilly end of Bond Street and ran almost into the arms of +Merla Blathlington. The afternoon seemed to get instantly +hotter. Merla was one of those human flies that buzz; in +crowded streets, at bazaars and in warm weather, she attained to +the proportions of a human bluebottle. Lady Caroline +Benaresq had openly predicted that a special fly-paper was being +reserved for her accommodation in another world; others, however, +held the opinion that she would be miraculously multiplied in a +future state, and that four or more Merla Blathlingtons, +according to deserts, would be in perpetual and unremitting +attendance on each lost soul.</p> +<p>“Here we are,” she cried, with a glad eager buzz, +“popping in and out of shops like rabbits; not that rabbits +do pop in and out of shops very extensively.”</p> +<p>It was evidently one of her bluebottle days.</p> +<p>“Don’t you love Bond Street?” she gabbled +on. “There’s something so unusual and +distinctive about it; no other street anywhere else is quite like +it. Don’t you know those ikons and images and things +scattered up and down Europe, that are supposed to have been +painted or carved, as the case may be, by St. Luke or Zaccheus, +or somebody of that sort; I always like to think that some +notable person of those times designed Bond Street. St. +Paul, perhaps. He travelled about a lot.”</p> +<p>“Not in Middlesex, though,” said Francesca.</p> +<p>“One can’t be sure,” persisted Merla; +“when one wanders about as much as he did one gets mixed up +and forgets where one <i>has</i> been. I can never remember +whether I’ve been to the Tyrol twice and St. Moritz once, +or the other way about; I always have to ask my maid. And +there’s something about the name Bond that suggests St. +Paul; didn’t he write a lot about the bond and the +free?”</p> +<p>“I fancy he wrote in Hebrew or Greek,” objected +Francesca; “the word wouldn’t have the least +resemblance.”</p> +<p>“So dreadfully non-committal to go about pamphleteering +in those bizarre languages,” complained Merla; +“that’s what makes all those people so elusive. +As soon as you try to pin them down to a definite statement about +anything you’re told that some vitally important word has +fifteen other meanings in the original. I wonder our +Cabinet Ministers and politicians don’t adopt a sort of +dog-Latin or Esperanto jargon to deliver their speeches in; what +a lot of subsequent explaining away would be saved. But to +go back to Bond Street—not that we’ve left +it—”</p> +<p>“I’m afraid I must leave it now,” said +Francesca, preparing to turn up Grafton Street; +“Good-bye.”</p> +<p>“Must you be going? Come and have tea +somewhere. I know of a cosy little place where one can talk +undisturbed.”</p> +<p>Francesca repressed a shudder and pleaded an urgent +engagement.</p> +<p>“I know where you’re going,” said Merla, +with the resentful buzz of a bluebottle that finds itself +thwarted by the cold unreasoning resistance of a +windowpane. “You’re going to play bridge at +Serena Golackly’s. She never asks me to her bridge +parties.”</p> +<p>Francesca shuddered openly this time; the prospect of having +to play bridge anywhere in the near neighbourhood of +Merla’s voice was not one that could be contemplated with +ordinary calmness.</p> +<p>“Good-bye,” she said again firmly, and passed out +of earshot; it was rather like leaving the machinery section of +an exhibition. Merla’s diagnosis of her destination +had been a correct one; Francesca made her way slowly through the +hot streets in the direction of Serena Golackly’s house on +the far side of Berkeley Square. To the blessed certainty +of finding a game of bridge, she hopefully added the possibility +of hearing some fragments of news which might prove interesting +and enlightening. And of enlightenment on a particular +subject, in which she was acutely and personally interested, she +stood in some need. Comus of late had been provokingly +reticent as to his movements and doings; partly, perhaps, because +it was his nature to be provoking, partly because the daily +bickerings over money matters were gradually choking other forms +of conversation. Francesca had seen him once or twice in +the Park in the desirable company of Elaine de Frey, and from +time to time she heard of the young people as having danced +together at various houses; on the other hand, she had seen and +heard quite as much evidence to connect the heiress’s name +with that of Courtenay Youghal. Beyond this meagre and +conflicting and altogether tantalising information, her knowledge +of the present position of affairs did not go. If either of +the young men was seriously “making the running,” it +was probable that she would hear some sly hint or open comment +about it from one of Serena’s gossip-laden friends, without +having to go out of her way to introduce the subject and unduly +disclose her own state of ignorance. And a game of bridge, +played for moderately high points, gave ample excuse for +convenient lapses into reticence; if questions took an +embarrassingly inquisitive turn, one could always find refuge in +a defensive spade.</p> +<p>The afternoon was too warm to make bridge a generally popular +diversion, and Serena’s party was a comparatively small +one. Only one table was incomplete when Francesca made her +appearance on the scene; at it was seated Serena herself, +confronted by Ada Spelvexit, whom everyone was wont to explain as +“one of the Cheshire Spelvexits,” as though any other +variety would have been intolerable. Ada Spelvexit was one +of those naturally stagnant souls who take infinite pleasure in +what are called “movements.” “Most of the +really great lessons I have learned have been taught me by the +Poor,” was one of her favourite statements. The one +great lesson that the Poor in general would have liked to have +taught her, that their kitchens and sickrooms were not +unreservedly at her disposal as private lecture halls, she had +never been able to assimilate. She was ready to give them +unlimited advice as to how they should keep the wolf from their +doors, but in return she claimed and enforced for herself the +penetrating powers of an east wind or a dust storm. Her +visits among her wealthier acquaintances were equally extensive +and enterprising, and hardly more welcome; in country-house +parties, while partaking to the fullest extent of the hospitality +offered her, she made a practice of unburdening herself of +homilies on the evils of leisure and luxury, which did not +particularly endear her to her fellow guests. Hostesses +regarded her philosophically as a form of social measles which +everyone had to have once.</p> +<p>The third prospective player, Francesca noted without any +special enthusiasm, was Lady Caroline Benaresq. Lady +Caroline was far from being a remarkably good bridge player, but +she always managed to domineer mercilessly over any table that +was favoured with her presence, and generally managed to +win. A domineering player usually inflicts the chief damage +and demoralisation on his partner; Lady Caroline’s special +achievement was to harass and demoralise partner and opponents +alike.</p> +<p>“Weak and weak,” she announced in her gentle +voice, as she cut her hostess for a partner; “I suppose we +had better play only five shillings a hundred.”</p> +<p>Francesca wondered at the old woman’s moderate +assessment of the stake, knowing her fondness for highish play +and her usual good luck in card holding.</p> +<p>“I don’t mind what we play,” said Ada +Spelvexit, with an incautious parade of elegant indifference; as +a matter of fact she was inwardly relieved and rejoicing at the +reasonable figure proposed by Lady Caroline, and she would +certainly have demurred if a higher stake had been +suggested. She was not as a rule a successful player, and +money lost at cards was always a poignant bereavement to her.</p> +<p>“Then as you don’t mind we’ll make it ten +shillings a hundred,” said Lady Caroline, with the pleased +chuckle of one who has spread a net in the sight of a bird and +disproved the vanity of the proceeding.</p> +<p>It proved a tiresome ding-dong rubber, with the strength of +the cards slightly on Francesca’s side, and the luck of the +table going mostly the other way. She was too keen a player +not to feel a certain absorption in the game once it had started, +but she was conscious to-day of a distracting interest that +competed with the momentary importance of leads and discards and +declarations. The little accumulations of talk that were +unpent during the dealing of the hands became as noteworthy to +her alert attention as the play of the hands themselves.</p> +<p>“Yes, quite a small party this afternoon,” said +Serena, in reply to a seemingly casual remark on +Francesca’s part; “and two or three non-players, +which is unusual on a Wednesday. Canon Besomley was here +just before you came; you know, the big preaching man.”</p> +<p>“I’ve been to hear him scold the human race once +or twice,” said Francesca.</p> +<p>“A strong man with a wonderfully strong message,” +said Ada Spelvexit, in an impressive and assertive tone.</p> +<p>“The sort of popular pulpiteer who spanks the vices of +his age and lunches with them afterwards,” said Lady +Caroline.</p> +<p>“Hardly a fair summary of the man and his work,” +protested Ada. “I’ve been to hear him many +times when I’ve been depressed or discouraged, and I simply +can’t tell you the impression his words +leave—”</p> +<p>“At least you can tell us what you intend to make +trumps,” broke in Lady Caroline, gently.</p> +<p>“Diamonds,” pronounced Ada, after a rather +flurried survey of her hand.</p> +<p>“Doubled,” said Lady Caroline, with increased +gentleness, and a few minutes later she was pencilling an +addition of twenty-four to her score.</p> +<p>“I stayed with his people down in Herefordshire last +May,” said Ada, returning to the unfinished theme of the +Canon; “such an exquisite rural retreat, and so restful and +healing to the nerves. Real country scenery; apple blossom +everywhere.”</p> +<p>“Surely only on the apple trees,” said Lady +Caroline.</p> +<p>Ada Spelvexit gave up the attempt to reproduce the decorative +setting of the Canon’s homelife, and fell back on the small +but practical consolation of scoring the odd trick in her +opponent’s declaration of hearts.</p> +<p>“If you had led your highest club to start with, instead +of the nine, we should have saved the trick,” remarked Lady +Caroline to her partner in a tone of coldly, gentle reproof; +“it’s no use, my dear,” she continued, as +Serena flustered out a halting apology, “no earthly use to +attempt to play bridge at one table and try to see and hear +what’s going on at two or three other tables.”</p> +<p>“I can generally manage to attend to more than one thing +at a time,” said Serena, rashly; “I think I must have +a sort of double brain.”</p> +<p>“Much better to economise and have one really good +one,” observed Lady Caroline.</p> +<p>“<i>La belle dame sans merci</i> scoring a verbal trick +or two as usual,” said a player at another table in a +discreet undertone.</p> +<p>“Did I tell you Sir Edward Roan is coming to my next big +evening,” said Serena, hurriedly, by way, perhaps, of +restoring herself a little in her own esteem.</p> +<p>“Poor dear, good Sir Edward. What have you made +trumps?” asked Lady Caroline, in one breath.</p> +<p>“Clubs,” said Francesca; “and pray, why +these adjectives of commiseration?”</p> +<p>Francesca was a Ministerialist by family interest and +allegiance, and was inclined to take up the cudgels at the +suggested disparagement aimed at the Foreign Secretary.</p> +<p>“He amuses me so much,” purred Lady +Caroline. Her amusement was usually of the sort that a +sporting cat derives from watching the Swedish exercises of a +well-spent and carefully thought-out mouse.</p> +<p>“Really? He has been rather a brilliant success at +the Foreign Office, you know,” said Francesca.</p> +<p>“He reminds one so of a circus elephant—infinitely +more intelligent than the people who direct him, but quite +content to go on putting his foot down or taking it up as may be +required, quite unconcerned whether he steps on a meringue or a +hornet’s nest in the process of going where he’s +expected to go.”</p> +<p>“How can you say such things?” protested +Francesca.</p> +<p>“I can’t,” said Lady Caroline; +“Courtenay Youghal said it in the House last night. +Didn’t you read the debate? He was really rather in +form. I disagree entirely with his point of view, of +course, but some of the things he says have just enough truth +behind them to redeem them from being merely smart; for instance, +his summing up of the Government’s attitude towards our +embarrassing Colonial Empire in the wistful phrase ‘happy +is the country that has no geography.’”</p> +<p>“What an absurdly unjust thing to say,” put in +Francesca; “I daresay some of our Party at some time have +taken up that attitude, but every one knows that Sir Edward is a +sound Imperialist at heart.”</p> +<p>“Most politicians are something or other at heart, but +no one would be rash enough to insure a politician against heart +failure. Particularly when he happens to be in +office.”</p> +<p>“Anyhow, I don’t see that the Opposition leaders +would have acted any differently in the present case,” said +Francesca.</p> +<p>“One should always speak guardedly of the Opposition +leaders,” said Lady Caroline, in her gentlest voice; +“one never knows what a turn in the situation may do for +them.”</p> +<p>“You mean they may one day be at the head of +affairs?” asked Serena, briskly.</p> +<p>“I mean they may one day lead the Opposition. One +never knows.”</p> +<p>Lady Caroline had just remembered that her hostess was on the +Opposition side in politics.</p> +<p>Francesca and her partner scored four tricks in clubs; the +game stood irresolutely at twenty-four all.</p> +<p>“If you had followed the excellent lyrical advice given +to the Maid of Athens and returned my heart we should have made +two more tricks and gone game,” said Lady Caroline to her +partner.</p> +<p>“Mr. Youghal seems pushing himself to the fore of +late,” remarked Francesca, as Serena took up the cards to +deal. Since the young politician’s name had been +introduced into their conversation the opportunity for turning +the talk more directly on him and his affairs was too good to be +missed.</p> +<p>“I think he’s got a career before him,” said +Serena; “the House always fills when he’s speaking, +and that’s a good sign. And then he’s young and +got rather an attractive personality, which is always something +in the political world.”</p> +<p>“His lack of money will handicap him, unless he can find +himself a rich wife or persuade someone to die and leave him a +fat legacy,” said Francesca; “since M.P.’s have +become the recipients of a salary rather more is expected and +demanded of them in the expenditure line than before.”</p> +<p>“Yes, the House of Commons still remains rather at the +opposite pole to the Kingdom of Heaven as regards entrance +qualifications,” observed Lady Caroline.</p> +<p>“There ought to be no difficulty about Youghal picking +up a girl with money,” said Serena; “with his +prospects he would make an excellent husband for any woman with +social ambitions.”</p> +<p>And she half sighed, as though she almost regretted that a +previous matrimonial arrangement precluded her from entering into +the competition on her own account.</p> +<p>Francesca, under an assumption of languid interest, was +watching Lady Caroline narrowly for some hint of suppressed +knowledge of Youghal’s courtship of Miss de Frey.</p> +<p>“Whom are you marrying and giving in +marriage?”</p> +<p>The question came from George St. Michael, who had strayed +over from a neighbouring table, attracted by the fragments of +small-talk that had reached his ears.</p> +<p>St. Michael was one of those dapper bird-like +illusorily-active men, who seem to have been in a certain stage +of middle-age for as long as human memory can recall them. +A close-cut peaked beard lent a certain dignity to his +appearance—a loan which the rest of his features and +mannerisms were continually and successfully repudiating. +His profession, if he had one, was submerged in his hobby, which +consisted of being an advance-agent for small happenings or +possible happenings that were or seemed imminent in the social +world around him; he found a perpetual and unflagging +satisfaction in acquiring and retailing any stray items of gossip +or information, particularly of a matrimonial nature, that +chanced to come his way. Given the bare outline of an +officially announced engagement he would immediately fill it in +with all manner of details, true or, at any rate, probable, drawn +from his own imagination or from some equally exclusive +source. The <i>Morning Post</i> might content itself with +the mere statement of the arrangement which would shortly take +place, but it was St. Michael’s breathless little voice +that proclaimed how the contracting parties had originally met +over a salmon-fishing incident, why the Guards’ Chapel +would not be used, why her Aunt Mary had at first opposed the +match, how the question of the children’s religious +upbringing had been compromised, etc., etc., to all whom it might +interest and to many whom it might not. Beyond his +industriously-earned pre-eminence in this special branch of +intelligence, he was chiefly noteworthy for having a wife reputed +to be the tallest and thinnest woman in the Home Counties. +The two were sometimes seen together in Society, where they +passed under the collective name of St. Michael and All +Angles.</p> +<p>“We are trying to find a rich wife for Courtenay +Youghal,” said Serena, in answer to St. Michael’s +question.</p> +<p>“Ah, there I’m afraid you’re a little +late,” he observed, glowing with the importance of pending +revelation; “I’m afraid you’re a little +late,” he repeated, watching the effect of his words as a +gardener might watch the development of a bed of carefully tended +asparagus. “I think the young gentleman has been +before you and already found himself a rich mate in +prospect.”</p> +<p>He lowered his voice as he spoke, not with a view to imparting +impressive mystery to his statement, but because there were other +table groups within hearing to whom he hoped presently to have +the privilege of re-disclosing his revelation.</p> +<p>“Do you mean—?” began Serena.</p> +<p>“Miss de Frey,” broke in St. Michael, hurriedly, +fearful lest his revelation should be forestalled, even in +guesswork; “quite an ideal choice, the very wife for a man +who means to make his mark in politics. Twenty-four +thousand a year, with prospects of more to come, and a charming +place of her own not too far from town. Quite the type of +girl, too, who will make a good political hostess, brains without +being brainy, you know. Just the right thing. Of +course, it would be premature to make any definite announcement +at present—”</p> +<p>“It would hardly be premature for my partner to announce +what she means to make trumps,” interrupted Lady Caroline, +in a voice of such sinister gentleness that St. Michael fled +headlong back to his own table.</p> +<p>“Oh, is it me? I beg your pardon. I leave +it,” said Serena.</p> +<p>“Thank you. No trumps,” declared Lady +Caroline. The hand was successful, and the rubber +ultimately fell to her with a comfortable margin of +honours. The same partners cut together again, and this +time the cards went distinctly against Francesca and Ada +Spelvexit, and a heavily piled-up score confronted them at the +close of the rubber. Francesca was conscious that a certain +amount of rather erratic play on her part had at least +contributed to the result. St. Michael’s incursion +into the conversation had proved rather a powerful distraction to +her ordinarily sound bridge-craft.</p> +<p>Ada Spelvexit emptied her purse of several gold pieces and +infused a corresponding degree of superiority into her +manner.</p> +<p>“I must be going now,” she announced; +“I’m dining early. I have to give an address to +some charwomen afterwards.”</p> +<p>“Why?” asked Lady Caroline, with a disconcerting +directness that was one of her most formidable +characteristics.</p> +<p>“Oh, well, I have some things to say to them that I +daresay they will like to hear,” said Ada, with a thin +laugh.</p> +<p>Her statement was received with a silence that betokened +profound unbelief in any such probability.</p> +<p>“I go about a good deal among working-class +women,” she added.</p> +<p>“No one has ever said it,” observed Lady Caroline, +“but how painfully true it is that the poor have us always +with them.”</p> +<p>Ada Spelvexit hastened her departure; the marred +impressiveness of her retreat came as a culminating discomfiture +on the top of her ill-fortune at the card-table. Possibly, +however, the multiplication of her own annoyances enabled her to +survey charwomen’s troubles with increased +cheerfulness. None of them, at any rate, had spent an +afternoon with Lady Caroline.</p> +<p>Francesca cut in at another table and with better fortune +attending on her, succeeded in winning back most of her +losses. A sense of satisfaction was distinctly dominant as +she took leave of her hostess. St. Michael’s gossip, +or rather the manner in which it had been received, had given her +a clue to the real state of affairs, which, however slender and +conjectural, at least pointed in the desired direction. At +first she had been horribly afraid lest she should be listening +to a definite announcement which would have been the death-blow +to her hopes, but as the recitation went on without any of those +assured little minor details which St. Michael so loved to +supply, she had come to the conclusion that it was merely a piece +of intelligent guesswork. And if Lady Caroline had really +believed in the story of Elaine de Frey’s virtual +engagement to Courtenay Youghal she would have taken a malicious +pleasure in encouraging St. Michael in his confidences, and in +watching Francesca’s discomfiture under the recital. +The irritated manner in which she had cut short the discussion +betrayed the fact, that, as far as the old woman’s +information went, it was Comus and not Courtenay Youghal who held +the field. And in this particular case Lady +Caroline’s information was likely to be nearer the truth +than St. Michael’s confident gossip.</p> +<p>Francesca always gave a penny to the first crossing-sweeper or +match-seller she chanced across after a successful sitting at +bridge. This afternoon she had come out of the fray some +fifteen shillings to the bad, but she gave two pennies to a +crossing-sweeper at the north-west corner of Berkeley Square as a +sort of thank-offering to the Gods.</p> +<h2>CHAPTER VIII</h2> +<p><span class="smcap">It</span> was a fresh rain-repentant +afternoon, following a morning that had been sultry and +torrentially wet by turns; the sort of afternoon that impels +people to talk graciously of the rain as having done a lot of +good, its chief merit in their eyes probably having been its +recognition of the art of moderation. Also it was an +afternoon that invited bodily activity after the convalescent +languor of the earlier part of the day. Elaine had +instinctively found her way into her riding-habit and sent an +order down to the stables—a blessed oasis that still smelt +sweetly of horse and hay and cleanliness in a world that reeked +of petrol, and now she set her mare at a smart pace through a +succession of long-stretching country lanes. She was due +some time that afternoon at a garden-party, but she rode with +determination in an opposite direction. In the first place +neither Comus or Courtenay would be at the party, which fact +seemed to remove any valid reason that could be thought of for +inviting her attendance thereat; in the second place about a +hundred human beings would be gathered there, and human +gatherings were not her most crying need at the present +moment. Since her last encounter with her wooers, under the +cedars in her own garden, Elaine realised that she was either +very happy or cruelly unhappy, she could not quite determine +which. She seemed to have what she most wanted in the world +lying at her feet, and she was dreadfully uncertain in her more +reflective moments whether she really wanted to stretch out her +hand and take it. It was all very like some situation in an +Arabian Nights tale or a story of Pagan Hellas, and consequently +the more puzzling and disconcerting to a girl brought up on the +methodical lines of Victorian Christianity. Her appeal +court was in permanent session these last few days, but it gave +no decisions, at least none that she would listen to. And +the ride on her fast light-stepping little mare, alone and +unattended, through the fresh-smelling leafy lanes into +unexplored country, seemed just what she wanted at the +moment. The mare made some small delicate pretence of being +roadshy, not the staring dolt-like kind of nervousness that shows +itself in an irritating hanging-back as each conspicuous wayside +object presents itself, but the nerve-flutter of an imaginative +animal that merely results in a quick whisk of the head and a +swifter bound forward. She might have paraphrased the +mental attitude of the immortalised Peter Bell into</p> +<blockquote><p>A basket underneath a tree<br /> +A yellow tiger is to me,<br /> + If it is nothing +more.</p> +</blockquote> +<p>The more really alarming episodes of the road, the hoot and +whir of a passing motor-car or the loud vibrating hum of a +wayside threshing-machine, were treated with indifference.</p> +<p>On turning a corner out of a narrow coppice-bordered lane into +a wider road that sloped steadily upward in a long stretch of +hill Elaine saw, coming toward her at no great distance, a string +of yellow-painted vans, drawn for the most part by skewbald or +speckled horses. A certain rakish air about these oncoming +road-craft proclaimed them as belonging to a travelling +wild-beast show, decked out in the rich primitive colouring that +one’s taste in childhood would have insisted on before it +had been schooled in the artistic value of dulness. It was +an unlooked-for and distinctly unwelcome encounter. The +mare had already commenced a sixfold scrutiny with nostrils, eyes +and daintily-pricked ears; one ear made hurried little backward +movements to hear what Elaine was saying about the eminent +niceness and respectability of the approaching caravan, but even +Elaine felt that she would be unable satisfactorily to explain +the elephants and camels that would certainly form part of the +procession. To turn back would seem rather craven, and the +mare might take fright at the manœuvre and try to bolt; a +gate standing ajar at the entrance to a farmyard lane provided a +convenient way out of the difficulty.</p> +<p>As Elaine pushed her way through she became aware of a man +standing just inside the lane, who made a movement forward to +open the gate for her.</p> +<p>“Thank you. I’m just getting out of the way +of a wild-beast show,” she explained; “my mare is +tolerant of motors and traction-engines, but I expect +camels—hullo,” she broke off, recognising the man as +an old acquaintance, “I heard you had taken rooms in a +farmhouse somewhere. Fancy meeting you in this +way.”</p> +<p>In the not very distant days of her little-girlhood, Tom +Keriway had been a man to be looked upon with a certain awe and +envy; indeed the glamour of his roving career would have fired +the imagination, and wistful desire to do likewise, of many young +Englishmen. It seemed to be the grown-up realisation of the +games played in dark rooms in winter fire-lit evenings, and the +dreams dreamed over favourite books of adventure. Making +Vienna his headquarters, almost his home, he had rambled where he +listed through the lands of the Near and Middle East as leisurely +and thoroughly as tamer souls might explore Paris. He had +wandered through Hungarian horse-fairs, hunted shy crafty beasts +on lonely Balkan hillsides, dropped himself pebble-wise into the +stagnant human pool of some Bulgarian monastery, threaded his way +through the strange racial mosaic of Salonika, listened with +amused politeness to the shallow ultra-modern opinions of a +voluble editor or lawyer in some wayside Russian town, or learned +wisdom from a chance tavern companion, one of the atoms of the +busy ant-stream of men and merchandise that moves untiringly +round the shores of the Black Sea. And far and wide as he +might roam he always managed to turn up at frequent intervals, at +ball and supper and theatre, in the gay Hauptstadt of the +Habsburgs, haunting his favourite cafés and wine-vaults, +skimming through his favourite news-sheets, greeting old +acquaintances and friends, from ambassadors down to cobblers in +the social scale. He seldom talked of his travels, but it +might be said that his travels talked of him; there was an air +about him that a German diplomat once summed up in a phrase: +“a man that wolves have sniffed at.”</p> +<p>And then two things happened, which he had not mapped out in +his route; a severe illness shook half the life and all the +energy out of him, and a heavy money loss brought him almost to +the door of destitution. With something, perhaps, of the +impulse which drives a stricken animal away from its kind, Tom +Keriway left the haunts where he had known so much happiness, and +withdrew into the shelter of a secluded farmhouse lodging; more +than ever he became to Elaine a hearsay personality. And +now the chance meeting with the caravan had flung her across the +threshold of his retreat.</p> +<p>“What a charming little nook you’ve got hold +of,” she exclaimed with instinctive politeness, and then +looked searchingly round, and discovered that she had spoken the +truth; it really was charming. The farmhouse had that +intensely English look that one seldom sees out of +Normandy. Over the whole scene of rickyard, garden, +outbuildings, horsepond and orchard, brooded that air which seems +rightfully to belong to out-of-the-way farmyards, an air of +wakeful dreaminess which suggests that here, man and beast and +bird have got up so early that the rest of the world has never +caught them up and never will.</p> +<p>Elaine dismounted, and Keriway led the mare round to a little +paddock by the side of a great grey barn. At the end of the +lane they could see the show go past, a string of lumbering vans +and great striding beasts that seemed to link the vast silences +of the desert with the noises and sights and smells, the +naphtha-flares and advertisement hoardings and trampled +orange-peel, of an endless succession of towns.</p> +<p>“You had better let the caravan pass well on its way +before you get on the road again,” said Keriway; “the +smell of the beasts may make your mare nervous and restive going +home.”</p> +<p>Then he called to a boy who was busy with a hoe among some +defiantly prosperous weeds, to fetch the lady a glass of milk and +a piece of currant loaf.</p> +<p>“I don’t know when I’ve seen anything so +utterly charming and peaceful,” said Elaine, propping +herself on a seat that a pear-tree had obligingly designed in the +fantastic curve of its trunk.</p> +<p>“Charming, certainly,” said Keriway, “but +too full of the stress of its own little life struggle to be +peaceful. Since I have lived here I’ve learnt, what +I’ve always suspected, that a country farmhouse, set away +in a world of its own, is one of the most wonderful studies of +interwoven happenings and tragedies that can be imagined. +It is like the old chronicles of medieval Europe in the days when +there was a sort of ordered anarchy between feudal lords and +overlords, and burg-grafs, and mitred abbots, and prince-bishops, +robber barons and merchant guilds, and Electors and so forth, all +striving and contending and counter-plotting, and interfering +with each other under some vague code of loosely-applied +rules. Here one sees it reproduced under one’s eyes, +like a musty page of black-letter come to life. Look at one +little section of it, the poultry-life on the farm. Villa +poultry, dull egg-machines, with records kept of how many ounces +of food they eat, and how many pennyworths of eggs they lay, give +you no idea of the wonder-life of these farm-birds; their feuds +and jealousies, and carefully maintained prerogatives, their +unsparing tyrannies and persecutions, their calculated courage +and bravado or sedulously hidden cowardice, it might all be some +human chapter from the annals of the old Rhineland or medieval +Italy. And then, outside their own bickering wars and +hates, the grim enemies that come up against them from the +woodlands; the hawk that dashes among the coops like a +moss-trooper raiding the border, knowing well that a charge of +shot may tear him to bits at any moment. And the stoat, a +creeping slip of brown fur a few inches long, intently and +unstayably out for blood. And the hunger-taught master of +craft, the red fox, who has waited perhaps half the afternoon for +his chance while the fowls were dusting themselves under the +hedge, and just as they were turning supper-ward to the yard one +has stopped a moment to give her feathers a final shake and found +death springing upon her. Do you know,” he continued, +as Elaine fed herself and the mare with morsels of currant-loaf, +“I don’t think any tragedy in literature that I have +ever come across impressed me so much as the first one, that I +spelled out slowly for myself in words of three letters: the bad +fox has got the red hen. There was something so +dramatically complete about it; the badness of the fox, added to +all the traditional guile of his race, seemed to heighten the +horror of the hen’s fate, and there was such a suggestion +of masterful malice about the word ‘got.’ One +felt that a countryside in arms would not get that hen away from +the bad fox. They used to think me a slow dull reader for +not getting on with my lesson, but I used to sit and picture to +myself the red hen, with its wings beating helplessly, screeching +in terrified protest, or perhaps, if he had got it by the neck, +with beak wide agape and silent, and eyes staring, as it left the +farmyard for ever. I have seen blood-spillings and +down-crushings and abject defeat here and there in my time, but +the red hen has remained in my mind as the type of helpless +tragedy.” He was silent for a moment as if he were +again musing over the three-letter drama that had so dwelt in his +childhood’s imagination. “Tell me some of the +things you have seen in your time,” was the request that +was nearly on Elaine’s lips, but she hastily checked +herself and substituted another.</p> +<p>“Tell me more about the farm, please.”</p> +<p>And he told her of a whole world, or rather of several +intermingled worlds, set apart in this sleepy hollow in the +hills, of beast lore and wood lore and farm craft, at times +touching almost the border of witchcraft—passing lightly +here, not with the probing eagerness of those who know nothing, +but with the averted glance of those who fear to see too +much. He told her of those things that slept and those that +prowled when the dusk fell, of strange hunting cats, of the yard +swine and the stalled cattle, of the farm folk themselves, as +curious and remote in their way, in their ideas and fears and +wants and tragedies, as the brutes and feathered stock that they +tended. It seemed to Elaine as if a musty store of +old-world children’s books had been fetched down from some +cobwebbed lumber-room and brought to life. Sitting there in +the little paddock, grown thickly with tall weeds and rank +grasses, and shadowed by the weather-beaten old grey barn, +listening to this chronicle of wonderful things, half fanciful, +half very real, she could scarcely believe that a few miles away +there was a garden-party in full swing, with smart frocks and +smart conversation, fashionable refreshments and fashionable +music, and a fevered undercurrent of social strivings and +snubbings. Did Vienna and the Balkan Mountains and the +Black Sea seem as remote and hard to believe in, she wondered, to +the man sitting by her side, who had discovered or invented this +wonderful fairyland? Was it a true and merciful arrangement +of fate and life that the things of the moment thrust out the +after-taste of the things that had been? Here was one who +had held much that was priceless in the hollow of his hand and +lost it all, and he was happy and absorbed and well-content with +the little wayside corner of the world into which he had +crept. And Elaine, who held so many desirable things in the +hollow of her hand, could not make up her mind to be even +moderately happy. She did not even know whether to take +this hero of her childhood down from his pedestal, or to place +him on a higher one; on the whole she was inclined to resent +rather than approve the idea that ill-health and misfortune could +so completely subdue and tame an erstwhile bold and roving +spirit.</p> +<p>The mare was showing signs of delicately-hinted impatience; +the paddock, with its teasing insects and very indifferent +grazing, had not thrust out the image of her own comfortable +well-foddered loose-box. Elaine divested her habit of some +remaining crumbs of bun-loaf and jumped lightly on to her +saddle. As she rode slowly down the lane, with Keriway +escorting her as far as its gate, she looked round at what had +seemed to her, a short while ago, just a picturesque old +farmstead, a place of bee-hives and hollyhocks and gabled +cart-sheds; now it was in her eyes a magic city, with an +undercurrent of reality beneath its magic.</p> +<p>“You are a person to be envied,” she said to +Keriway; “you have created a fairyland, and you are living +in it yourself.”</p> +<p>“Envied?”</p> +<p>He shot the question out with sudden bitterness. She +looked down and saw the wistful misery that had come into his +face.</p> +<p>“Once,” he said to her, “in a German paper I +read a short story about a tame crippled crane that lived in the +park of some small town. I forget what happened in the +story, but there was one line that I shall always remember: +‘it was lame, that is why it was tame.’”</p> +<p>He had created a fairyland, but assuredly he was not living in +it.</p> +<h2>CHAPTER IX</h2> +<p><span class="smcap">In</span> the warmth of a late June +morning the long shaded stretch of raked earth, gravel-walk and +rhododendron bush that is known affectionately as the Row was +alive with the monotonous movement and alert stagnation +appropriate to the time and place. The seekers after +health, the seekers after notoriety and recognition, and the +lovers of good exercise were all well represented on the +galloping ground; the gravel-walk and chairs and long seats held +a population whose varied instincts and motives would have +baffled a social catalogue-maker. The children, handled or +in perambulators, might be excused from instinct or motive; they +were brought.</p> +<p>Pleasingly conspicuous among a bunch of indifferent riders +pacing along by the rails where the onlookers were thickest was +Courtenay Youghal, on his handsome plum-roan gelding Anne de +Joyeuse. That delicately stepping animal had taken a prize +at Islington and nearly taken the life of a stable-boy of whom he +disapproved, but his strongest claims to distinction were his +good looks and his high opinion of himself. Youghal +evidently believed in thorough accord between horse and +rider.</p> +<p>“Please stop and talk to me,” said a quiet +beckoning voice from the other side of the rails, and Youghal +drew rein and greeted Lady Veula Croot. Lady Veula had +married into a family of commercial solidity and enterprising +political nonentity. She had a devoted husband, some blonde +teachable children, and a look of unutterable weariness in her +eyes. To see her standing at the top of an expensively +horticultured staircase receiving her husband’s guests was +rather like watching an animal performing on a music-hall +stage.</p> +<p>One always tells oneself that the animal likes it, and one +always knows that it doesn’t.</p> +<p>“Lady Veula is an ardent Free Trader, isn’t +she?” someone once remarked to Lady Caroline.</p> +<p>“I wonder,” said Lady Caroline, in her gently +questioning voice; “a woman whose dresses are made in Paris +and whose marriage has been made in Heaven might be equally +biassed for and against free imports.”</p> +<p>Lady Veula looked at Youghal and his mount with slow critical +appraisement, and there was a note of blended raillery and +wistfulness in her voice.</p> +<p>“You two dear things, I should love to stroke you both, +but I’m not sure how Joyeuse would take it. So +I’ll stroke you down verbally instead. I admired your +attack on Sir Edward immensely, though of course I don’t +agree with a word of it. Your description of him building a +hedge round the German cuckoo and hoping he was isolating it was +rather sweet. Seriously though, I regard him as one of the +pillars of the Administration.”</p> +<p>“So do I,” said Youghal; “the misfortune is +that he is merely propping up a canvas roof. It’s +just his regrettable solidity and integrity that makes him so +expensively dangerous. The average Briton arrives at the +same judgment about Roan’s handling of foreign affairs as +Omar does of the Supreme Being in his dealings with the world: +He’s a good fellow and ’twill all be +well.’”</p> +<p>Lady Veula laughed lightly. “My Party is in power +so I may exercise the privilege of being optimistic. Who is +that who bowed to you?” she continued, as a dark young man +with an inclination to stoutness passed by them on foot; +“I’ve seen him about a good deal lately. +He’s been to one or two of my dances.”</p> +<p>“Andrei Drakoloff,” said Youghal; +“he’s just produced a play that has had a big success +in Moscow and is certain to be extremely popular all over +Russia. In the first three acts the heroine is supposed to +be dying of consumption; in the last act they find she is really +dying of cancer.”</p> +<p>“Are the Russians really such a gloomy +people?”</p> +<p>“Gloom-loving but not in the least gloomy. They +merely take their sadness pleasurably, just as we are accused of +taking our pleasures sadly. Have you noticed that dreadful +Klopstock youth has been pounding past us at shortening +intervals. He’ll come up and talk if he half catches +your eye.”</p> +<p>“I only just know him. Isn’t he at an +agricultural college or something of the sort?”</p> +<p>“Yes, studying to be a gentleman farmer, he told +me. I didn’t ask if both subjects were +compulsory.”</p> +<p>“You’re really rather dreadful,” said Lady +Veula, trying to look as if she thought so; “remember, we +are all equal in the sight of Heaven.”</p> +<p>For a preacher of wholesome truths her voice rather lacked +conviction.</p> +<p>“If I and Ernest Klopstock are really equal in the sight +of Heaven,” said Youghal, with intense complacency, +“I should recommend Heaven to consult an eye +specialist.”</p> +<p>There was a heavy spattering of loose earth, and a squelching +of saddle-leather, as the Klopstock youth lumbered up to the +rails and delivered himself of loud, cheerful greetings. Joyeuse +laid his ears well back as the ungainly bay cob and his +appropriately matched rider drew up beside him; his verdict was +reflected and endorsed by the cold stare of Youghal’s +eyes.</p> +<p>“I’ve been having a nailing fine time,” +recounted the newcomer with clamorous enthusiasm; “I was +over in Paris last month and had lots of strawberries there, then +I had a lot more in London, and now I’ve been having a late +crop of them in Herefordshire, so I’ve had quite a lot this +year.” And he laughed as one who had deserved well +and received well of Fate.</p> +<p>“The charm of that story,” said Youghal, “is +that it can be told in any drawing-room.” And with a +sweep of his wide-brimmed hat to Lady Veula he turned the +impatient Joyeuse into the moving stream of horse and +horsemen.</p> +<p>“That woman reminds me of some verse I’ve read and +liked,” thought Youghal, as Joyeuse sprang into a light +showy canter that gave full recognition to the existence of +observant human beings along the side walk. “Ah, I +have it.”</p> +<p>And he quoted almost aloud, as one does in the exhilaration of +a canter:</p> +<blockquote><p>“How much I loved that way you had<br /> +Of smiling most, when very sad,<br /> +A smile which carried tender hints<br /> +Of sun and spring,<br /> +And yet, more than all other thing,<br /> +Of weariness beyond all words.”</p> +</blockquote> +<p>And having satisfactorily fitted Lady Veula on to a quotation +he dismissed her from his mind. With the constancy of her +sex she thought about him, his good looks and his youth and his +railing tongue, till late in the afternoon.</p> +<p>While Youghal was putting Joyeuse through his paces under the +elm trees of the Row a little drama in which he was directly +interested was being played out not many hundred yards +away. Elaine and Comus were indulging themselves in two +pennyworths of Park chair, drawn aside just a little from the +serried rows of sitters who were set out like bedded plants over +an acre or so of turf. Comus was, for the moment, in a mood +of pugnacious gaiety, disbursing a fund of pointed criticism and +unsparing anecdote concerning those of the promenaders or +loungers whom he knew personally or by sight. Elaine was +rather quieter than usual, and the grave serenity of the Leonardo +da Vinci portrait seemed intensified in her face this +morning. In his leisurely courtship Comus had relied almost +exclusively on his physical attraction and the fitful drollery of +his wit and high spirits, and these graces had gone far to make +him seem a very desirable and rather lovable thing in +Elaine’s eyes. But he had left out of account the +disfavour which he constantly risked and sometimes incurred from +his frank and undisguised indifference to other people’s +interests and wishes, including, at times, Elaine’s. +And the more that she felt that she liked him the more she was +irritated by his lack of consideration for her. Without +expecting that her every wish should become a law to him she +would at least have liked it to reach the formality of a Second +Reading. Another important factor he had also left out of +his reckoning, namely the presence on the scene of another +suitor, who also had youth and wit to recommend him, and who +certainly did not lack physical attractions. Comus, +marching carelessly through unknown country to effect what seemed +already an assured victory, made the mistake of disregarding the +existence of an unbeaten army on his flank.</p> +<p>To-day Elaine felt that, without having actually quarrelled, +she and Comus had drifted a little bit out of sympathy with one +another. The fault she knew was scarcely hers, in fact from +the most good-natured point of view it could hardly be denied +that it was almost entirely his. The incident of the silver +dish had lacked even the attraction of novelty; it had been one +of a series, all bearing a strong connecting likeness. +There had been small unrepaid loans which Elaine would not have +grudged in themselves, though the application for them brought a +certain qualm of distaste; with the perversity which seemed +inseparable from his doings, Comus had always flung away a +portion of his borrowings in some ostentatious piece of glaring +and utterly profitless extravagance, which outraged all the +canons of her upbringing without bringing him an atom of +understandable satisfaction. Under these repeated +discouragements it was not surprising that some small part of her +affection should have slipped away, but she had come to the Park +that morning with an unconfessed expectation of being gently +wooed back to the mood of gracious forgetfulness that she was +only too eager to assume. It was almost worth while being +angry with Comus for the sake of experiencing the pleasure of +being coaxed into friendliness again with the charm which he knew +so well how to exert. It was delicious here under the trees +on this perfect June morning, and Elaine had the blessed +assurance that most of the women within range were envying her +the companionship of the handsome merry-hearted youth who sat by +her side. With special complacence she contemplated her +cousin Suzette, who was self-consciously but not very elatedly +basking in the attentions of her fiancé, an +earnest-looking young man who was superintendent of a +People’s something-or-other on the south side of the river, +and whose clothes Comus had described as having been made in +Southwark rather than in anger.</p> +<p>Most of the pleasures in life must be paid for, and the +chair-ticket vendor in due time made his appearance in quest of +pennies.</p> +<p>Comus paid him from out of a varied assortment of coins and +then balanced the remainder in the palm of his hand. Elaine +felt a sudden foreknowledge of something disagreeable about to +happen and a red spot deepened in her cheeks.</p> +<p>“Four shillings and fivepence and a half-penny,” +said Comus, reflectively. “It’s a ridiculous +sum to last me for the next three days, and I owe a card debt of +over two pounds.”</p> +<p>“Yes?” commented Elaine dryly and with an apparent +lack of interest in his exchequer statement. Surely, she +was thinking hurriedly to herself, he could not be foolish enough +to broach the matter of another loan.</p> +<p>“The card debt is rather a nuisance,” pursued +Comus, with fatalistic persistency.</p> +<p>“You won seven pounds last week, didn’t +you?” asked Elaine; “don’t you put by any of +your winnings to balance losses?”</p> +<p>“The four shillings and the fivepence and the half-penny +represent the rearguard of the seven pounds,” said Comus; +“the rest have fallen by the way. If I can pay the +two pounds to-day I daresay I shall win something more to go on +with; I’m holding rather good cards just now. But if +I can’t pay it of course I shan’t show up at the +club. So you see the fix I am in.”</p> +<p>Elaine took no notice of this indirect application. The +Appeal Court was assembling in haste to consider new evidence, +and this time there was the rapidity of sudden determination +about its movement.</p> +<p>The conversation strayed away from the fateful topic for a few +moments and then Comus brought it deliberately back to the danger +zone.</p> +<p>“It would be awfully nice if you would let me have a +fiver for a few days, Elaine,” he said quickly; “if +you don’t I really don’t know what I shall +do.”</p> +<p>“If you are really bothered about your card debt I will +send you the two pounds by messenger boy early this +afternoon.” She spoke quietly and with great +decision. “And I shall not be at the Connor’s +dance to-night,” she continued; “it’s too hot +for dancing. I’m going home now; please don’t +bother to accompany me, I particularly wish to go +alone.”</p> +<p>Comus saw that he had overstepped the mark of her good +nature. Wisely he made no immediate attempt to force +himself back into her good graces. He would wait till her +indignation had cooled.</p> +<p>His tactics would have been excellent if he had not forgotten +that unbeaten army on his flank.</p> +<p>Elaine de Frey had known very clearly what qualities she had +wanted in Comus, and she had known, against all efforts at +self-deception, that he fell far short of those qualities. +She had been willing to lower her standard of moral requirements +in proportion as she was fond of the boy, but there was a point +beyond which she would not go. He had hurt her pride +besides alarming her sense of caution.</p> +<p>Suzette, on whom she felt a thoroughly justified tendency to +look down, had at any rate an attentive and considerate +lover. Elaine walked towards the Park gates feeling that in +one essential Suzette possessed something that had been denied to +her, and at the gates she met Joyeuse and his spruce young rider +preparing to turn homeward.</p> +<p>“Get rid of Joyeuse and come and take me out to lunch +somewhere,” demanded Elaine.</p> +<p>“How jolly,” said Youghal. +“Let’s go to the Corridor Restaurant. The head +waiter there is an old Viennese friend of mine and looks after me +beautifully. I’ve never been there with a lady +before, and he’s sure to ask me afterwards, in his fatherly +way, if we’re engaged.”</p> +<p>The lunch was a success in every way. There was just +enough orchestral effort to immerse the conversation without +drowning it, and Youghal was an attentive and inspired +host. Through an open doorway Elaine could see the +café reading-room, with its imposing array of <i>Neue +Freie Presse</i>, <i>Berliner Tageblatt</i>, and other exotic +newspapers hanging on the wall. She looked across at the +young man seated opposite her, who gave one the impression of +having centred the most serious efforts of his brain on his +toilet and his food, and recalled some of the flattering remarks +that the press had bestowed on his recent speeches.</p> +<p>“Doesn’t it make you conceited, Courtenay,” +she asked, “to look at all those foreign newspapers hanging +there and know that most of them have got paragraphs and articles +about your Persian speech?”</p> +<p>Youghal laughed.</p> +<p>“There’s always a chastening corrective in the +thought that some of them may have printed your portrait. +When once you’ve seen your features hurriedly reproduced in +the <i>Matin</i>, for instance, you feel you would like to be a +veiled Turkish woman for the rest of your life.”</p> +<p>And Youghal gazed long and lovingly at his reflection in the +nearest mirror, as an antidote against possible incitements to +humility in the portrait gallery of fame.</p> +<p>Elaine felt a certain soothed satisfaction in the fact that +this young man, whose knowledge of the Middle East was an +embarrassment to Ministers at question time and in debate, was +showing himself equally well-informed on the subject of her +culinary likes and dislikes. If Suzette could have been +forced to attend as a witness at a neighbouring table she would +have felt even happier.</p> +<p>“Did the head waiter ask if we were engaged?” +asked Elaine, when Courtenay had settled the bill, and she had +finished collecting her sunshade and gloves and other impedimenta +from the hands of obsequious attendants.</p> +<p>“Yes,” said Youghal, “and he seemed quite +crestfallen when I had to say ‘no.’”</p> +<p>“It would be horrid to disappoint him when he’s +looked after us so charmingly,” said Elaine; “tell +him that we are.”</p> +<h2>CHAPTER X</h2> +<p><span class="smcap">The</span> Rutland Galleries were crowded, +especially in the neighbourhood of the tea-buffet, by a +fashionable throng of art-patrons which had gathered to inspect +Mervyn Quentock’s collection of Society portraits. +Quentock was a young artist whose abilities were just receiving +due recognition from the critics; that the recognition was not +overdue he owed largely to his perception of the fact that if one +hides one’s talent under a bushel one must be careful to +point out to everyone the exact bushel under which it is +hidden. There are two manners of receiving recognition: one +is to be discovered so long after one’s death that +one’s grandchildren have to write to the papers to +establish their relationship; the other is to be discovered, like +the infant Moses, at the very outset of one’s career. +Mervyn Quentock had chosen the latter and happier manner. +In an age when many aspiring young men strive to advertise their +wares by imparting to them a freakish imbecility, Quentock turned +out work that was characterised by a pleasing delicate restraint, +but he contrived to herald his output with a certain fanfare of +personal eccentricity, thereby compelling an attention which +might otherwise have strayed past his studio. In appearance +he was the ordinary cleanly young Englishman, except, perhaps, +that his eyes rather suggested a library edition of the Arabian +Nights; his clothes matched his appearance and showed no taint of +the sartorial disorder by which the bourgeois of the garden-city +and the Latin Quarter anxiously seeks to proclaim his kinship +with art and thought. His eccentricity took the form of +flying in the face of some of the prevailing social currents of +the day, but as a reactionary, never as a reformer. He +produced a gasp of admiring astonishment in fashionable circles +by refusing to paint actresses—except, of course, those who +had left the legitimate drama to appear between the boards of +Debrett. He absolutely declined to execute portraits of +Americans unless they hailed from certain favoured States. +His “water-colour-line,” as a New York paper phrased +it, earned for him a crop of angry criticisms and a shoal of +Transatlantic commissions, and criticism and commissions were the +things that Quentock most wanted.</p> +<p>“Of course he is perfectly right,” said Lady +Caroline Benaresq, calmly rescuing a piled-up plate of caviare +sandwiches from the neighbourhood of a trio of young ladies who +had established themselves hopefully within easy reach of +it. “Art,” she continued, addressing herself to +the Rev. Poltimore Vardon, “has always been geographically +exclusive. London may be more important from most points of +view than Venice, but the art of portrait painting, which would +never concern itself with a Lord Mayor, simply grovels at the +feet of the Doges. As a Socialist I’m bound to +recognise the right of Ealing to compare itself with Avignon, but +one cannot expect the Muses to put the two on a level.”</p> +<p>“Exclusiveness,” said the Reverend Poltimore, +“has been the salvation of Art, just as the lack of it is +proving the downfall of religion. My colleagues of the +cloth go about zealously proclaiming the fact that Christianity, +in some form or other, is attracting shoals of converts among all +sorts of races and tribes, that one had scarcely ever heard of, +except in reviews of books of travel that one never read. +That sort of thing was all very well when the world was more +sparsely populated, but nowadays, when it simply teems with human +beings, no one is particularly impressed by the fact that a few +million, more or less, of converts, of a low stage of mental +development, have accepted the teachings of some particular +religion. It not only chills one’s enthusiasm, it +positively shakes one’s convictions when one hears that the +things one has been brought up to believe as true are being very +favourably spoken of by Buriats and Samoyeds and +Kanakas.”</p> +<p>The Rev. Poltimore Vardon had once seen a resemblance in +himself to Voltaire, and had lived alongside the comparison ever +since.</p> +<p>“No modern cult or fashion,” he continued, +“would be favourably influenced by considerations based on +statistics; fancy adopting a certain style of hat or cut of coat, +because it was being largely worn in Lancashire and the Midlands; +fancy favouring a certain brand of champagne because it was being +extensively patronised in German summer resorts. No wonder +that religion is falling into disuse in this country under such +ill-directed methods.”</p> +<p>“You can’t prevent the heathen being converted if +they choose to be,” said Lady Caroline; “this is an +age of toleration.”</p> +<p>“You could always deny it,” said the Rev. +Poltimore, “like the Belgians do with regrettable +occurrences in the Congo. But I would go further than +that. I would stimulate the waning enthusiasm for +Christianity in this country by labelling it as the exclusive +possession of a privileged few. If one could induce the +Duchess of Pelm, for instance, to assert that the Kingdom of +Heaven, as far as the British Isles are concerned, is strictly +limited to herself, two of the under-gardeners at Pelmby, and, +possibly, but not certainly, the Dean of Dunster, there would be +an instant reshaping of the popular attitude towards religious +convictions and observances. Once let the idea get about +that the Christian Church is rather more exclusive than the Lawn +at Ascot, and you would have a quickening of religious life such +as this generation has never witnessed. But as long as the +clergy and the religious organisations advertise their creed on +the lines of ‘Everybody ought to believe in us: millions +do,’ one can expect nothing but indifference and waning +faith.”</p> +<p>“Time is just as exclusive in its way as Art,” +said Lady Caroline.</p> +<p>“In what way?” said the Reverend Poltimore.</p> +<p>“Your pleasantries about religion would have sounded +quite clever and advanced in the early ’nineties. +To-day they have a dreadfully warmed-up flavour. That is +the great delusion of you would-be advanced satirists; you +imagine you can sit down comfortably for a couple of decades +saying daring and startling things about the age you live in, +which, whatever other defects it may have, is certainly not +standing still. The whole of the Sherard Blaw school of +discursive drama suggests, to my mind, Early Victorian furniture +in a travelling circus. However, you will always have +relays of people from the suburbs to listen to the Mocking Bird +of yesterday, and sincerely imagine it is the harbinger of +something new and revolutionising.”</p> +<p>“<i>Would</i> you mind passing that plate of +sandwiches,” asked one of the trio of young ladies, +emboldened by famine.</p> +<p>“With pleasure,” said Lady Caroline, deftly +passing her a nearly empty plate of bread-and-butter.</p> +<p>“I meant the place of caviare sandwiches. So sorry +to trouble you,” persisted the young lady.</p> +<p>Her sorrow was misapplied; Lady Caroline had turned her +attention to a newcomer.</p> +<p>“A very interesting exhibition,” Ada Spelvexit was +saying; “faultless technique, as far as I am a judge of +technique, and quite a master-touch in the way of poses. +But have you noticed how very animal his art is? He seems +to shut out the soul from his portraits. I nearly cried +when I saw dear Winifred depicted simply as a good-looking +healthy blonde.”</p> +<p>“I wish you had,” said Lady Caroline; “the +spectacle of a strong, brave woman weeping at a private view in +the Rutland Galleries would have been so sensational. It +would certainly have been reproduced in the next Drury Lane +drama. And I’m so unlucky; I never see these +sensational events. I was ill with appendicitis, you know, +when Lulu Braminguard dramatically forgave her husband, after +seventeen years of estrangement, during a State luncheon party at +Windsor. The old queen was furious about it. She said +it was so disrespectful to the cook to be thinking of such a +thing at such a time.”</p> +<p>Lady Caroline’s recollections of things that +hadn’t happened at the Court of Queen Victoria were +notoriously vivid; it was the very widespread fear that she might +one day write a book of reminiscences that made her so +universally respected.</p> +<p>“As for his full-length picture of Lady +Brickfield,” continued Ada, ignoring Lady Caroline’s +commentary as far as possible, “all the expression seems to +have been deliberately concentrated in the feet; beautiful feet, +no doubt, but still, hardly the most distinctive part of a human +being.”</p> +<p>“To paint the right people at the wrong end may be an +eccentricity, but it is scarcely an indiscretion,” +pronounced Lady Caroline.</p> +<p>One of the portraits which attracted more than a passing +flutter of attention was a costume study of Francesca +Bassington. Francesca had secured some highly desirable +patronage for the young artist, and in return he had enriched her +pantheon of personal possessions with a clever piece of work into +which he had thrown an unusual amount of imaginative +detail. He had painted her in a costume of the great +Louis’s brightest period, seated in front of a tapestry +that was so prominent in the composition that it could scarcely +be said to form part of the background. Flowers and fruit, +in exotic profusion, were its dominant note; quinces, +pomegranates, passion-flowers, giant convolvulus, great +mauve-pink roses, and grapes that were already being pressed by +gleeful cupids in a riotous Arcadian vintage, stood out on its +woven texture. The same note was struck in the beflowered +satin of the lady’s kirtle, and in the pomegranate pattern +of the brocade that draped the couch on which she was +seated. The artist had called his picture +“Recolte.” And after one had taken in all the +details of fruit and flower and foliage that earned the +composition its name, one noted the landscape that showed through +a broad casement in the left-hand corner. It was a +landscape clutched in the grip of winter, naked, bleak, +black-frozen; a winter in which things died and knew no +rewakening. If the picture typified harvest, it was a +harvest of artificial growth.</p> +<p>“It leaves a great deal to the imagination, +doesn’t it?” said Ada Spelvexit, who had edged away +from the range of Lady Caroline’s tongue.</p> +<p>“At any rate one can tell who it’s meant +for,” said Serena Golackly.</p> +<p>“Oh, yes, it’s a good likeness of dear +Francesca,” admitted Ada; “of course, it flatters +her.”</p> +<p>“That, too, is a fault on the right side in portrait +painting,” said Serena; “after all, if posterity is +going to stare at one for centuries it’s only kind and +reasonable to be looking just a little better than one’s +best.”</p> +<p>“What a curiously unequal style the artist has,” +continued Ada, almost as if she felt a personal grievance against +him; “I was just noticing what a lack of soul there was in +most of his portraits. Dear Winifred, you know, who speaks +so beautifully and feelingly at my gatherings for old women, +he’s made her look just an ordinary dairy-maidish blonde; +and Francesca, who is quite the most soulless woman I’ve +ever met, well, he’s given her quite—”</p> +<p>“Hush,” said Serena, “the Bassington boy is +just behind you.”</p> +<p>Comus stood looking at the portrait of his mother with the +feeling of one who comes suddenly across a once-familiar +half-forgotten acquaintance in unfamiliar surroundings. The +likeness was undoubtedly a good one, but the artist had caught an +expression in Francesca’s eyes which few people had ever +seen there. It was the expression of a woman who had +forgotten for one short moment to be absorbed in the small cares +and excitements of her life, the money worries and little social +plannings, and had found time to send a look of half-wistful +friendliness to some sympathetic companion. Comus could +recall that look, fitful and fleeting, in his mother’s eyes +when she had been a few years younger, before her world had grown +to be such a committee-room of ways and means. Almost as a +re-discovery he remembered that she had once figured in his +boyish mind as a “rather good sort,” more ready to +see the laughable side of a piece of mischief than to labour +forth a reproof. That the bygone feeling of good fellowship +had been stamped out was, he knew, probably in great part his own +doing, and it was possible that the old friendliness was still +there under the surface of things, ready to show itself again if +he willed it, and friends were becoming scarcer with him than +enemies in these days. Looking at the picture with its +wistful hint of a long ago comradeship, Comus made up his mind +that he very much wanted things to be back on their earlier +footing, and to see again on his mother’s face the look +that the artist had caught and perpetuated in its momentary +flitting. If the projected Elaine-marriage came off, and in +spite of recent maladroit behaviour on his part he still counted +it an assured thing, much of the immediate cause for estrangement +between himself and his mother would be removed, or at any rate, +easily removable. With the influence of Elaine’s +money behind him he promised himself that he would find some +occupation that would remove from himself the reproach of being a +waster and idler. There were lots of careers, he told +himself, that were open to a man with solid financial backing and +good connections. There might yet be jolly times ahead, in +which his mother would have her share of the good things that +were going, and carking thin-lipped Henry Greech and other of +Comus’s detractors could take their sour looks and words +out of sight and hearing. Thus, staring at the picture as +though he were studying its every detail, and seeing really only +that wistful friendly smile, Comus made his plans and +dispositions for a battle that was already fought and lost.</p> +<p>The crowd grew thicker in the galleries, cheerfully enduring +an amount of overcrowding that would have been fiercely resented +in a railway carriage. Near the entrance Mervyn Quentock +was talking to a Serene Highness, a lady who led a life of +obtrusive usefulness, largely imposed on her by a good-natured +inability to say “No.” “That woman +creates a positive draught with the number of bazaars she +opens,” a frivolously-spoken ex-Cabinet Minister had once +remarked. At the present moment she was being whimsically +apologetic.</p> +<p>“When I think of the legions of well-meaning young men +and women to whom I’ve given away prizes for proficiency in +art-school curriculum, I feel that I ought not to show my face +inside a picture gallery. I always imagine that my +punishment in another world will be perpetually sharpening +pencils and cleaning palettes for unending relays of misguided +young people whom I deliberately encouraged in their artistic +delusions.”</p> +<p>“Do you suppose we shall all get appropriate punishments +in another world for our sins in this?” asked Quentock.</p> +<p>“Not so much for our sins as for our indiscretions; they +are the things which do the most harm and cause the greatest +trouble. I feel certain that Christopher Columbus will +undergo the endless torment of being discovered by parties of +American tourists. You see I am quite old fashioned in my +ideas about the terrors and inconveniences of the next +world. And now I must be running away; I’ve got to +open a Free Library somewhere. You know the sort of thing +that happens—one unveils a bust of Carlyle and makes a +speech about Ruskin, and then people come in their thousands and +read ‘Rabid Ralph, or Should he have Bitten +Her?’ Don’t forget, please, I’m going to +have the medallion with the fat cupid sitting on a sundial. +And just one thing more—perhaps I ought not to ask you, but +you have such nice kind eyes, you embolden one to make daring +requests, would you send me the recipe for those lovely +chestnut-and-chicken-liver sandwiches? I know the +ingredients of course, but it’s the proportions that make +such a difference—just how much liver to how much chestnut, +and what amount of red pepper and other things. Thank you +so much. I really am going now.”</p> +<p>Staring round with a vague half-smile at everybody within +nodding distance, Her Serene Highness made one of her +characteristic exits, which Lady Caroline declared always +reminded her of a scrambled egg slipping off a piece of +toast. At the entrance she stopped for a moment to exchange +a word or two with a young man who had just arrived. From a +corner where he was momentarily hemmed in by a group of +tea-consuming dowagers, Comus recognised the newcomer as +Courtenay Youghal, and began slowly to labour his way towards +him. Youghal was not at the moment the person whose society +he most craved for in the world, but there was at least the +possibility that he might provide an opportunity for a game of +bridge, which was the dominant desire of the moment. The +young politician was already surrounded by a group of friends and +acquaintances, and was evidently being made the recipient of a +salvo of congratulation—presumably on his recent +performances in the Foreign Office debate, Comus concluded. +But Youghal himself seemed to be announcing the event with which +the congratulations were connected. Had some dramatic +catastrophe overtaken the Government, Comus wondered. And +then, as he pressed nearer, a chance word, the coupling of two +names, told him the news.</p> +<h2>CHAPTER XI</h2> +<p><span class="smcap">After</span> the momentous lunch at the +Corridor Restaurant Elaine had returned to Manchester Square +(where she was staying with one of her numerous aunts) in a frame +of mind that embraced a tangle of competing emotions. In +the first place she was conscious of a dominant feeling of +relief; in a moment of impetuosity, not wholly uninfluenced by +pique, she had settled the problem which hours of hard thinking +and serious heart-searching had brought no nearer to solution, +and, although she felt just a little inclined to be scared at the +headlong manner of her final decision, she had now very little +doubt in her own mind that the decision had been the right +one. In fact the wonder seemed rather that she should have +been so long in doubt as to which of her wooers really enjoyed +her honest approval. She had been in love, these many weeks +past with an imaginary Comus, but now that she had definitely +walked out of her dreamland she saw that nearly all the qualities +that had appealed to her on his behalf had been absent from, or +only fitfully present in, the character of the real Comus. +And now that she had installed Youghal in the first place of her +affections he had rapidly acquired in her eyes some of the +qualities which ranked highest in her estimation. Like the +proverbial buyer she had the happy feminine tendency of +magnifying the worth of her possession as soon as she had +acquired it. And Courtenay Youghal gave Elaine some +justification for her sense of having chosen wisely. Above +all other things, selfish and cynical though he might appear at +times, he was unfailingly courteous and considerate towards +her. That was a circumstance which would always have +carried weight with her in judging any man; in this case its +value was enormously heightened by contrast with the behaviour of +her other wooer. And Youghal had in her eyes the advantage +which the glamour of combat, even the combat of words and +wire-pulling, throws over the fighter. He stood well in the +forefront of a battle which however carefully stage-managed, +however honeycombed with personal insincerities and overlaid with +calculated mock-heroics, really meant something, really counted +for good or wrong in the nation’s development and the +world’s history. Shrewd parliamentary observers might +have warned her that Youghal would never stand much higher in the +political world than he did at present, as a brilliant Opposition +freelance, leading lively and rather meaningless forays against +the dull and rather purposeless foreign policy of a Government +that was scarcely either to be blamed for or congratulated on its +handling of foreign affairs. The young politician had not +the strength of character or convictions that keeps a man +naturally in the forefront of affairs and gives his counsels a +sterling value, and on the other hand his insincerity was not +deep enough to allow him to pose artificially and successfully as +a leader of men and shaper of movements. For the moment, +however, his place in public life was sufficiently marked out to +give him a secure footing in that world where people are counted +individually and not in herds. The woman whom he would make +his wife would have the chance, too, if she had the will and the +skill, to become an individual who counted.</p> +<p>There was balm to Elaine in this reflection, yet it did not +wholly suffice to drive out the feeling of pique which Comus had +called into being by his slighting view of her as a convenient +cash supply in moments of emergency. She found a certain +satisfaction in scrupulously observing her promise, made earlier +on that eventful day, and sent off a messenger with the +stipulated loan. Then a reaction of compunction set in, and +she reminded herself that in fairness she ought to write and tell +her news in as friendly a fashion as possible to her dismissed +suitor before it burst upon him from some other quarter. +They had parted on more or less quarrelling terms it was true, +but neither of them had foreseen the finality of the parting nor +the permanence of the breach between them; Comus might even now +be thinking himself half-forgiven, and the awakening would be +rather cruel. The letter, however, did not prove an easy +one to write; not only did it present difficulties of its own but +it suffered from the competing urgency of a desire to be doing +something far pleasanter than writing explanatory and valedictory +phrases. Elaine was possessed with an unusual but quite +overmastering hankering to visit her cousin Suzette +Brankley. They met but rarely at each other’s houses +and very seldom anywhere else, and Elaine for her part was never +conscious of feeling that their opportunities for intercourse +lacked anything in the way of adequacy. Suzette accorded +her just that touch of patronage which a moderately well-off and +immoderately dull girl will usually try to mete out to an +acquaintance who is known to be wealthy and suspected of +possessing brains. In return Elaine armed herself with that +particular brand of mock humility which can be so terribly +disconcerting if properly wielded. No quarrel of any +description stood between them and one could not legitimately +have described them as enemies, but they never disarmed in one +another’s presence. A misfortune of any magnitude +falling on one of them would have been sincerely regretted by the +other, but any minor discomfiture would have produced a feeling +very much akin to satisfaction. Human nature knows millions +of these inconsequent little feuds, springing up and flourishing +apart from any basis of racial, political, religious or economic +causes, as a hint perhaps to crass unseeing altruists that enmity +has its place and purpose in the world as well as +benevolence.</p> +<p>Elaine had not personally congratulated Suzette since the +formal announcement of her engagement to the young man with the +dissentient tailoring effects. The impulse to go and do so +now, overmastered her sense of what was due to Comus in the way +of explanation. The letter was still in its blank unwritten +stage, an unmarshalled sequence of sentences forming in her +brain, when she ordered her car and made a hurried but +well-thought-out change into her most sumptuously sober afternoon +toilette. Suzette, she felt tolerably sure, would still be +in the costume that she had worn in the Park that morning, a +costume that aimed at elaboration of detail, and was damned with +overmuch success.</p> +<p>Suzette’s mother welcomed her unexpected visitor with +obvious satisfaction. Her daughter’s engagement, she +explained, was not so brilliant from the social point of view as +a girl of Suzette’s attractions and advantages might have +legitimately aspired to, but Egbert was a thoroughly commendable +and dependable young man, who would very probably win his way +before long to membership of the County Council.</p> +<p>“From there, of course, the road would be open to him to +higher things.”</p> +<p>“Yes,” said Elaine, “he might become an +alderman.”</p> +<p>“Have you seen their photographs, taken together?” +asked Mrs. Brankley, abandoning the subject of Egbert’s +prospective career.</p> +<p>“No, do show me,” said Elaine, with a flattering +show of interest; “I’ve never seen that sort of thing +before. It used to be the fashion once for engaged couples +to be photographed together, didn’t it?”</p> +<p>“It’s <i>very</i> much the fashion now,” +said Mrs. Brankley assertively, but some of the complacency had +filtered out of her voice. Suzette came into the room, +wearing the dress that she had worn in the Park that morning.</p> +<p>“Of course, you’ve been hearing all about +<i>the</i> engagement from mother,” she cried, and then set +to work conscientiously to cover the same ground.</p> +<p>“We met at Grindelwald, you know. He always calls +me his Ice Maiden because we first got to know each other on the +skating rink. Quite romantic, wasn’t it? Then +we asked him to tea one day, and we got to be quite +friendly. Then he proposed.”</p> +<p>“He wasn’t the only one who was smitten with +Suzette,” Mrs. Brankley hastened to put in, fearful lest +Elaine might suppose that Egbert had had things all his own +way. “There was an American millionaire who was quite +taken with her, and a Polish count of a very old family. I +assure you I felt quite nervous at some of our +tea-parties.”</p> +<p>Mrs. Brankley had given Grindelwald a sinister but rather +alluring reputation among a large circle of untravelled friends +as a place where the insolence of birth and wealth was held in +precarious check from breaking forth into scenes of savage +violence.</p> +<p>“My marriage with Egbert will, of course, enlarge the +sphere of my life enormously,” pursued Suzette.</p> +<p>“Yes,” said Elaine; her eyes were rather +remorselessly taking in the details of her cousin’s +toilette. It is said that nothing is sadder than victory +except defeat. Suzette began to feel that the tragedy of +both was concentrated in the creation which had given her such +unalloyed gratification, till Elaine had come on the scene.</p> +<p>“A woman can be so immensely helpful in the social way +to a man who is making a career for himself. And I’m +so glad to find that we’ve a great many ideas in +common. We each made out a list of our idea of the hundred +best books, and quite a number of them were the same.”</p> +<p>“He looks bookish,” said Elaine, with a critical +glance at the photograph.</p> +<p>“Oh, he’s not at all a bookworm,” said +Suzette quickly, “though he’s tremendously +well-read. He’s quite the man of action.”</p> +<p>“Does he hunt?” asked Elaine.</p> +<p>“No, he doesn’t get much time or opportunity for +riding.”</p> +<p>“What a pity,” commented Elaine; “I +don’t think I could marry a man who wasn’t fond of +riding.”</p> +<p>“Of course that’s a matter of taste,” said +Suzette, stiffly; “horsey men are not usually gifted with +overmuch brains, are they?”</p> +<p>“There is as much difference between a horseman and a +horsey man as there is between a well-dressed man and a dressy +one,” said Elaine, judicially; “and you may have +noticed how seldom a dressy woman really knows how to +dress. As an old lady of my acquaintance observed the other +day, some people are born with a sense of how to clothe +themselves, others acquire it, others look as if their clothes +had been thrust upon them.”</p> +<p>She gave Lady Caroline her due quotation marks, but the sudden +tactfulness with which she looked away from her cousin’s +frock was entirely her own idea.</p> +<p>A young man entering the room at this moment caused a +diversion that was rather welcome to Suzette.</p> +<p>“Here comes Egbert,” she announced, with an air of +subdued triumph; it was at least a satisfaction to be able to +produce the captive of her charms, alive and in good condition, +on the scene. Elaine might be as critical as she pleased, +but a live lover outweighed any number of well-dressed +straight-riding cavaliers who existed only as a distant vision of +the delectable husband.</p> +<p>Egbert was one of those men who have no small talk, but +possess an inexhaustible supply of the larger variety. In +whatever society he happened to be, and particularly in the +immediate neighbourhood of an afternoon-tea table, with a limited +audience of womenfolk, he gave the impression of someone who was +addressing a public meeting, and would be happy to answer +questions afterwards. A suggestion of gas-lit +mission-halls, wet umbrellas, and discreet applause seemed to +accompany him everywhere. He was an exponent, among other +things, of what he called New Thought, which seemed to lend +itself conveniently to the employment of a good deal of rather +stale phraseology. Probably in the course of some thirty +odd years of existence he had never been of any notable use to +man, woman, child or animal, but it was his firmly-announced +intention to leave the world a better, happier, purer place than +he had found it; against the danger of any relapse to earlier +conditions after his disappearance from the scene, he was, of +course, powerless to guard. ’Tis not in mortals to +insure succession, and Egbert was admittedly mortal.</p> +<p>Elaine found him immensely entertaining, and would certainly +have exerted herself to draw him out if such a proceeding had +been at all necessary. She listened to his conversation +with the complacent appreciation that one bestows on a stage +tragedy, from whose calamities one can escape at any moment by +the simple process of leaving one’s seat. When at +last he checked the flow of his opinions by a hurried reference +to his watch, and declared that he must be moving on elsewhere, +Elaine almost expected a vote of thanks to be accorded him, or to +be asked to signify herself in favour of some resolution by +holding up her hand.</p> +<p>When the young man had bidden the company a rapid +business-like farewell, tempered in Suzette’s case by the +exact degree of tender intimacy that it would have been +considered improper to omit or overstep, Elaine turned to her +expectant cousin with an air of cordial congratulation.</p> +<p>“He is exactly the husband I should have chosen for you, +Suzette.”</p> +<p>For the second time that afternoon Suzette felt a sense of +waning enthusiasm for one of her possessions.</p> +<p>Mrs. Brankley detected the note of ironical congratulation in +her visitor’s verdict.</p> +<p>“I suppose she means he’s not her idea of a +husband, but, he’s good enough for Suzette,” she +observed to herself, with a snort that expressed itself somewhere +in the nostrils of the brain. Then with a smiling air of +heavy patronage she delivered herself of her one idea of a +damaging counter-stroke.</p> +<p>“And when are we to hear of your engagement, my +dear?”</p> +<p>“Now,” said Elaine quietly, but with electrical +effect; “I came to announce it to you but I wanted to hear +all about Suzette first. It will be formally announced in +the papers in a day or two.”</p> +<p>“But who is it? Is it the young man who was with +you in the Park this morning?” asked Suzette.</p> +<p>“Let me see, who was I with in the Park this +morning? A very good-looking dark boy? Oh no, not +Comus Bassington. Someone you know by name, anyway, and I +expect you’ve seen his portrait in the papers.”</p> +<p>“A flying-man?” asked Mrs. Brankley.</p> +<p>“Courtenay Youghal,” said Elaine.</p> +<p>Mrs. Brankley and Suzette had often rehearsed in the privacy +of their minds the occasion when Elaine should come to pay her +personal congratulations to her engaged cousin. It had +never been in the least like this.</p> +<p>On her return from her enjoyable afternoon visit Elaine found +an express messenger letter waiting for her. It was from +Comus, thanking her for her loan—and returning it.</p> +<p>“I suppose I ought never to have asked you for +it,” he wrote, “but you are always so deliciously +solemn about money matters that I couldn’t resist. +Just heard the news of your engagement to Courtenay. +Congrats. to you both. I’m far too stoney broke to +buy you a wedding present so I’m going to give you back the +bread-and-butter dish. Luckily it still has your crest on +it. I shall love to think of you and Courtenay eating +bread-and-butter out of it for the rest of your lives.”</p> +<p>That was all he had to say on the matter about which Elaine +had been preparing to write a long and kindly-expressed letter, +closing a rather momentous chapter in her life and his. +There was not a trace of regret or upbraiding in his note; he had +walked out of their mutual fairyland as abruptly as she had, and +to all appearances far more unconcernedly. Reading the +letter again and again Elaine could come to no decision as to +whether this was merely a courageous gibe at defeat, or whether +it represented the real value that Comus set on the thing that he +had lost.</p> +<p>And she would never know. If Comus possessed one useless +gift to perfection it was the gift of laughing at Fate even when +it had struck him hardest. One day, perhaps, the laughter +and mockery would be silent on his lips, and Fate would have the +advantage of laughing last.</p> +<h2>CHAPTER XII</h2> +<p><span class="smcap">A door</span> closed and Francesca +Bassington sat alone in her well-beloved drawing-room. The +visitor who had been enjoying the hospitality of her +afternoon-tea table had just taken his departure. The +tête-à-tête had not been a pleasant one, at +any rate as far as Francesca was concerned, but at least it had +brought her the information for which she had been seeking. +Her rôle of looker-on from a tactful distance had +necessarily left her much in the dark concerning the progress of +the all-important wooing, but during the last few hours she had, +on slender though significant evidence, exchanged her complacent +expectancy for a conviction that something had gone wrong. +She had spent the previous evening at her brother’s house, +and had naturally seen nothing of Comus in that uncongenial +quarter; neither had he put in an appearance at the breakfast +table the following morning. She had met him in the hall at +eleven o’clock, and he had hurried past her, merely +imparting the information that he would not be in till dinner +that evening. He spoke in his sulkiest tone, and his face +wore a look of defeat, thinly masked by an air of defiance; it +was not the defiance of a man who is losing, but of one who has +already lost.</p> +<p>Francesca’s conviction that things had gone wrong +between Comus and Elaine de Frey grew in strength as the day wore +on. She lunched at a friend’s house, but it was not a +quarter where special social information of any importance was +likely to come early to hand. Instead of the news she was +hankering for, she had to listen to trivial gossip and +speculation on the flirtations and “cases” and +“affairs” of a string of acquaintances whose +matrimonial projects interested her about as much as the nesting +arrangements of the wildfowl in St. James’s Park.</p> +<p>“Of course,” said her hostess, with the duly +impressive emphasis of a privileged chronicler, +“we’ve always regarded Claire as the marrying one of +the family, so when Emily came to us and said, ‘I’ve +got some news for you,’ we all said, ‘Claire’s +engaged!’ ‘Oh, no,’ said Emily, +‘it’s not Claire this time, it’s +me.’ So then we had to guess who the lucky man +was. ‘It can’t be Captain Parminter,’ we +all said, ‘because he’s always been sweet on +Joan.’ And then Emily said—”</p> +<p>The recording voice reeled off the catalogue of inane remarks +with a comfortable purring complacency that held out no hope of +an early abandoning of the topic. Francesca sat and +wondered why the innocent acceptance of a cutlet and a glass of +indifferent claret should lay one open to such unsparing +punishment.</p> +<p>A stroll homeward through the Park after lunch brought no +further enlightenment on the subject that was uppermost in her +mind; what was worse, it brought her, without possibility of +escape, within hailing distance of Merla Blathington, who +fastened on to her with the enthusiasm of a lonely tsetse fly +encountering an outpost of civilisation.</p> +<p>“Just think,” she buzzed inconsequently, “my +sister in Cambridgeshire has hatched out thirty-three White +Orpington chickens in her incubator!”</p> +<p>“What eggs did she put in it?” asked +Francesca.</p> +<p>“Oh, some very special strain of White +Orpington.”</p> +<p>“Then I don’t see anything remarkable in the +result. If she had put in crocodile’s eggs and +hatched out White Orpingtons, there might have been something to +write to <i>Country Life</i> about.”</p> +<p>“What funny fascinating things these little green +park-chairs are,” said Merla, starting off on a fresh +topic; “they always look so quaint and knowing when +they’re stuck away in pairs by themselves under the trees, +as if they were having a heart-to-heart talk or discussing a +piece of very private scandal. If they could only speak, +what tragedies and comedies they could tell us of, what +flirtations and proposals.”</p> +<p>“Let us be devoutly thankful that they +can’t,” said Francesca, with a shuddering +recollection of the luncheon-table conversation.</p> +<p>“Of course, it would make one very careful what one said +before them—or above them rather,” Merla rattled on, +and then, to Francesca’s infinite relief, she espied +another acquaintance sitting in unprotected solitude, who +promised to supply a more durable audience than her present +rapidly moving companion. Francesca was free to return to +her drawing-room in Blue Street to await with such patience as +she could command the coming of some visitor who might be able to +throw light on the subject that was puzzling and disquieting +her. The arrival of George St. Michael boded bad news, but +at any rate news, and she gave him an almost cordial welcome.</p> +<p>“Well, you see I wasn’t far wrong about Miss de +Frey and Courtenay Youghal, was I?” he chirruped, almost +before he had seated himself. Francesca was to be spared +any further spinning-out of her period of uncertainty. +“Yes, it’s officially given out,” he went on, +“and it’s to appear in the <i>Morning Post</i> +to-morrow. I heard it from Colonel Deel this morning, and +he had it direct from Youghal himself. Yes, please, one +lump; I’m not fashionable, you see.” He had +made the same remark about the sugar in his tea with unfailing +regularity for at least thirty years. Fashions in sugar are +apparently stationary. “They say,” he +continued, hurriedly, “that he proposed to her on the +Terrace of the House, and a division bell rang, and he had to +hurry off before she had time to give her answer, and when he got +back she simply said, ‘the Ayes have +it.’” St. Michael paused in his narrative to +give an appreciative giggle.</p> +<p>“Just the sort of inanity that would go the +rounds,” remarked Francesca, with the satisfaction of +knowing that she was making the criticism direct to the author +and begetter of the inanity in question. Now that the blow +had fallen and she knew the full extent of its weight, her +feeling towards the bringer of bad news, who sat complacently +nibbling at her tea-cakes and scattering crumbs of tiresome +small-talk at her feet, was one of wholehearted dislike. +She could sympathise with, or at any rate understand, the +tendency of oriental despots to inflict death or ignominious +chastisement on messengers bearing tidings of misfortune and +defeat, and St. Michael, she perfectly well knew, was thoroughly +aware of the fact that her hopes and wishes had been centred on +the possibility of having Elaine for a daughter-in-law; every +purring remark that his mean little soul prompted him to +contribute to the conversation had an easily recognizable +undercurrent of malice. Fortunately for her powers of +polite endurance, which had been put to such searching and +repeated tests that day, St. Michael had planned out for himself +a busy little time-table of afternoon visits, at each of which +his self-appointed task of forestalling and embellishing the +newspaper announcements of the Youghal-de Frey engagement would +be hurriedly but thoroughly performed.</p> +<p>“They’ll be quite one of the best-looking and most +interesting couples of the Season, won’t they?” he +cried, by way of farewell. The door closed and Francesca +Bassington sat alone in her drawing-room.</p> +<p>Before she could give way to the bitter luxury of reflection +on the downfall of her hopes, it was prudent to take +precautionary measures against unwelcome intrusion. +Summoning the maid who had just speeded the departing St. +Michael, she gave the order: “I am not at home this +afternoon to Lady Caroline Benaresq.” On second +thoughts she extended the taboo to all possible callers, and sent +a telephone message to catch Comus at his club, asking him to +come and see her as soon as he could manage before it was time to +dress for dinner. Then she sat down to think, and her +thinking was beyond the relief of tears.</p> +<p>She had built herself a castle of hopes, and it had not been a +castle in Spain, but a structure well on the probable side of the +Pyrenees. There had been a solid foundation on which to +build. Miss de Frey’s fortune was an assured and +unhampered one, her liking for Comus had been an obvious fact; +his courtship of her a serious reality. The young people +had been much together in public, and their names had naturally +been coupled in the match-making gossip of the day. The +only serious shadow cast over the scene had been the persistent +presence, in foreground or background, of Courtenay +Youghal. And now the shadow suddenly stood forth as the +reality, and the castle of hopes was a ruin, a hideous +mortification of dust and débris, with the skeleton +outlines of its chambers still standing to make mockery of its +discomfited architect. The daily anxiety about Comus and +his extravagant ways and intractable disposition had been +gradually lulled by the prospect of his making an advantageous +marriage, which would have transformed him from a +ne’er-do-well and adventurer into a wealthy idler. He +might even have been moulded, by the resourceful influence of an +ambitious wife, into a man with some definite purpose in +life. The prospect had vanished with cruel suddenness, and +the anxieties were crowding back again, more insistent than +ever. The boy had had his one good chance in the +matrimonial market and missed it; if he were to transfer his +attentions to some other well-dowered girl he would be marked +down at once as a fortune-hunter, and that would constitute a +heavy handicap to the most plausible of wooers. His liking +for Elaine had evidently been genuine in its way, though perhaps +it would have been rash to read any deeper sentiment into it, but +even with the spur of his own inclination to assist him he had +failed to win the prize that had seemed so temptingly within his +reach. And in the dashing of his prospects, Francesca saw +the threatening of her own. The old anxiety as to her +precarious tenure of her present quarters put on again all its +familiar terrors. One day, she foresaw, in the horribly +near future, George St. Michael would come pattering up her +stairs with the breathless intelligence that Emmeline Chetrof was +going to marry somebody or other in the Guards or the Record +Office as the case might be, and then there would be an uprooting +of her life from its home and haven in Blue Street and a +wandering forth to some cheap unhappy far-off dwelling, where the +stately Van der Meulen and its companion host of beautiful and +desirable things would be stuffed and stowed away in soulless +surroundings, like courtly émigrés fallen on evil +days. It was unthinkable, but the trouble was that it had +to be thought about. And if Comus had played his cards well +and transformed himself from an encumbrance into a son with +wealth at his command, the tragedy which she saw looming in front +of her might have been avoided or at the worst whittled down to +easily bearable proportions. With money behind one, the +problem of where to live approaches more nearly to the simple +question of where do you wish to live, and a rich daughter-in-law +would have surely seen to it that she did not have to leave her +square mile of Mecca and go out into the wilderness of bricks and +mortar. If the house in Blue Street could not have been +compounded for there were other desirable residences which would +have been capable of consoling Francesca for her lost Eden. +And now the detested Courtenay Youghal, with his mocking eyes and +air of youthful cynicism, had stepped in and overthrown those +golden hopes and plans whose non-fulfilment would make such a +world of change in her future. Assuredly she had reason to +feel bitter against that young man, and she was not disposed to +take a very lenient view of Comus’s own mismanagement of +the affair; her greeting when he at last arrived, was not couched +in a sympathetic strain.</p> +<p>“So you have lost your chance with the heiress,” +she remarked abruptly.</p> +<p>“Yes,” said Comus, coolly; “Courtenay +Youghal has added her to his other successes.”</p> +<p>“And you have added her to your other failures,” +pursued Francesca, relentlessly; her temper had been tried that +day beyond ordinary limits.</p> +<p>“I thought you seemed getting along so well with +her,” she continued, as Comus remained uncommunicative.</p> +<p>“We hit it off rather well together,” said Comus, +and added with deliberate bluntness, “I suppose she got +rather sick at my borrowing money from her. She thought it +was all I was after.”</p> +<p>“You borrowed money from her!” said Francesca; +“you were fool enough to borrow money from a girl who was +favourably disposed towards you, and with Courtenay Youghal in +the background waiting to step in and oust you!”</p> +<p>Francesca’s voice trembled with misery and rage. +This great stroke of good luck that had seemed about to fall into +their laps had been thrust aside by an act or series of acts of +wanton paltry folly. The good ship had been lost for the +sake of the traditional ha’porth of tar. Comus had +paid some pressing tailor’s or tobacconist’s bill +with a loan unwillingly put at his disposal by the girl he was +courting, and had flung away his chances of securing a wealthy +and in every way desirable bride. Elaine de Frey and her +fortune might have been the making of Comus, but he had hurried +in as usual to effect his own undoing. Calmness did not in +this case come with reflection; the more Francesca thought about +the matter, the more exasperated she grew. Comus threw +himself down in a low chair and watched her without a trace of +embarrassment or concern at her mortification. He had come +to her feeling rather sorry for himself, and bitterly conscious +of his defeat, and she had met him with a taunt and without the +least hint of sympathy; he determined that she should be +tantalised with the knowledge of how small and stupid a thing had +stood between the realisation and ruin of her hopes for him.</p> +<p>“And to think she should be captured by Courtenay +Youghal,” said Francesca, bitterly; “I’ve +always deplored your intimacy with that young man.”</p> +<p>“It’s hardly my intimacy with him that’s +made Elaine accept him,” said Comus.</p> +<p>Francesca realised the futility of further upbraiding. +Through the tears of vexation that stood in her eyes, she looked +across at the handsome boy who sat opposite her, mocking at his +own misfortune, perversely indifferent to his folly, seemingly +almost indifferent to its consequences.</p> +<p>“Comus,” she said quietly and wearily, “you +are an exact reversal of the legend of Pandora’s Box. +You have all the charm and advantages that a boy could want to +help him on in the world, and behind it all there is the fatal +damning gift of utter hopelessness.”</p> +<p>“I think,” said Comus, “that is the best +description that anyone has ever given of me.”</p> +<p>For the moment there was a flush of sympathy and something +like outspoken affection between mother and son. They +seemed very much alone in the world just now, and in the general +overturn of hopes and plans, there flickered a chance that each +might stretch out a hand to the other, and summon back to their +lives an old dead love that was the best and strongest feeling +either of them had known. But the sting of disappointment +was too keen, and the flood of resentment mounted too high on +either side to allow the chance more than a moment in which to +flicker away into nothingness. The old fatal topic of +estrangement came to the fore, the question of immediate ways and +means, and mother and son faced themselves again as antagonists +on a well-disputed field.</p> +<p>“What is done is done,” said Francesca, with a +movement of tragic impatience that belied the philosophy of her +words; “there is nothing to be gained by crying over spilt +milk. There is the present and the future to be thought +about, though. One can’t go on indefinitely as a +tenant-for-life in a fools’ paradise.” Then she +pulled herself together and proceeded to deliver an ultimatum +which the force of circumstances no longer permitted her to hold +in reserve.</p> +<p>“It’s not much use talking to you about money, as +I know from long experience, but I can only tell you this, that +in the middle of the Season I’m already obliged to be +thinking of leaving Town. And you, I’m afraid, will +have to be thinking of leaving England at equally short +notice. Henry told me the other day that he can get you +something out in West Africa. You’ve had your chance +of doing something better for yourself from the financial point +of view, and you’ve thrown it away for the sake of +borrowing a little ready money for your luxuries, so now you must +take what you can get. The pay won’t be very good at +first, but living is not dear out there.”</p> +<p>“West Africa,” said Comus, reflectively; +“it’s a sort of modern substitute for the +old-fashioned <i>oubliette</i>, a convenient depository for +tiresome people. Dear Uncle Henry may talk lugubriously +about the burden of Empire, but he evidently recognises its uses +as a refuse consumer.”</p> +<p>“My dear Comus, you are talking of the West Africa of +yesterday. While you have been wasting your time at school, +and worse than wasting your time in the West End, other people +have been grappling with the study of tropical diseases, and the +West African coast country is being rapidly transformed from a +lethal chamber into a sanatorium.”</p> +<p>Comus laughed mockingly.</p> +<p>“What a beautiful bit of persuasive prose; it reminds +one of the Psalms and even more of a company prospectus. If +you were honest you’d confess that you lifted it straight +out of a rubber or railway promotion scheme. Seriously, +mother, if I must grub about for a living, why can’t I do +it in England? I could go into a brewery for +instance.”</p> +<p>Francesca shook her head decisively; she could foresee the +sort of steady work Comus was likely to accomplish, with the +lodestone of Town and the minor attractions of race-meetings and +similar festivities always beckoning to him from a conveniently +attainable distance, but apart from that aspect of the case there +was a financial obstacle in the way of his obtaining any +employment at home.</p> +<p>“Breweries and all those sort of things necessitate +money to start with; one has to pay premiums or invest capital in +the undertaking, and so forth. And as we have no money +available, and can scarcely pay our debts as it is, it’s no +use thinking about it.”</p> +<p>“Can’t we sell something?” asked Comus.</p> +<p>He made no actual suggestion as to what should be sacrificed, +but he was looking straight at the Van der Meulen.</p> +<p>For a moment Francesca felt a stifling sensation of weakness, +as though her heart was going to stop beating. Then she sat +forward in her chair and spoke with energy, almost +fierceness.</p> +<p>“When I am dead my things can be sold and +dispersed. As long as I am alive I prefer to keep them by +me.”</p> +<p>In her holy place, with all her treasured possessions around +her, this dreadful suggestion had been made. Some of her +cherished household gods, souvenirs and keepsakes from past days, +would, perhaps, not have fetched a very considerable sum in the +auction-room, others had a distinct value of their own, but to +her they were all precious. And the Van der Meulen, at +which Comus had looked with impious appraising eyes, was the most +sacred of them all. When Francesca had been away from her +Town residence or had been confined to her bedroom through +illness, the great picture with its stately solemn representation +of a long-ago battle-scene, painted to flatter the +flattery-loving soul of a warrior-king who was dignified even in +his campaigns—this was the first thing she visited on her +return to Town or convalescence. If an alarm of fire had +been raised it would have been the first thing for whose safety +she would have troubled. And Comus had almost suggested +that it should be parted with, as one sold railway shares and +other soulless things.</p> +<p>Scolding, she had long ago realised, was a useless waste of +time and energy where Comus was concerned, but this evening she +unloosed her tongue for the mere relief that it gave to her +surcharged feelings. He sat listening without comment, +though she purposely let fall remarks that she hoped might sting +him into self-defence or protest. It was an unsparing +indictment, the more damaging in that it was so irrefutably true, +the more tragic in that it came from perhaps the one person in +the world whose opinion he had ever cared for. And he sat +through it as silent and seemingly unmoved as though she had been +rehearsing a speech for some drawing-room comedy. When she +had had her say his method of retort was not the soft answer that +turneth away wrath but the inconsequent one that shelves it.</p> +<p>“Let’s go and dress for dinner.”</p> +<p>The meal, like so many that Francesca and Comus had eaten in +each other’s company of late, was a silent one. Now +that the full bearings of the disaster had been discussed in all +its aspects there was nothing more to be said. Any attempt +at ignoring the situation, and passing on to less controversial +topics would have been a mockery and pretence which neither of +them would have troubled to sustain. So the meal went +forward with its dragged-out dreary intimacy of two people who +were separated by a gulf of bitterness, and whose hearts were +hard with resentment against one another.</p> +<p>Francesca felt a sense of relief when she was able to give the +maid the order to serve her coffee upstairs. Comus had a +sullen scowl on his face, but he looked up as she rose to leave +the room, and gave his half-mocking little laugh.</p> +<p>“You needn’t look so tragic,” he said, +“You’re going to have your own way. I’ll +go out to that West African hole.”</p> +<h2>CHAPTER XIII</h2> +<p><span class="smcap">Comus</span> found his way to his seat in +the stalls of the Straw Exchange Theatre and turned to watch the +stream of distinguished and distinguishable people who made their +appearance as a matter of course at a First Night in the height +of the Season. Pit and gallery were already packed with a +throng, tense, expectant and alert, that waited for the rise of +the curtain with the eager patience of a terrier watching a +dilatory human prepare for outdoor exercises. Stalls and +boxes filled slowly and hesitatingly with a crowd whose component +units seemed for the most part to recognise the probability that +they were quite as interesting as any play they were likely to +see. Those who bore no particular face-value themselves +derived a certain amount of social dignity from the near +neighbourhood of obvious notabilities; if one could not obtain +recognition oneself there was some vague pleasure in being able +to recognise notoriety at intimately close quarters.</p> +<p>“Who is that woman with the auburn hair and a rather +effective belligerent gleam in her eyes?” asked a man +sitting just behind Comus; “she looks as if she might have +created the world in six days and destroyed it on the +seventh.”</p> +<p>“I forget her name,” said his neighbour; +“she writes. She’s the author of that book, +‘The Woman who wished it was Wednesday,’ you +know. It used to be the convention that women writers +should be plain and dowdy; now we have gone to the other extreme +and build them on extravagantly decorative lines.”</p> +<p>A buzz of recognition came from the front rows of the pit, +together with a craning of necks on the part of those in less +favoured seats. It heralded the arrival of Sherard Blaw, +the dramatist who had discovered himself, and who had given so +ungrudgingly of his discovery to the world. Lady Caroline, +who was already directing little conversational onslaughts from +her box, gazed gently for a moment at the new arrival, and then +turned to the silver-haired Archdeacon sitting beside her.</p> +<p>“They say the poor man is haunted by the fear that he +will die during a general election, and that his obituary notices +will be seriously curtailed by the space taken up by the election +results. The curse of our party system, from his point of +view, is that it takes up so much room in the press.”</p> +<p>The Archdeacon smiled indulgently. As a man he was so +exquisitely worldly that he fully merited the name of the +Heavenly Worldling bestowed on him by an admiring duchess, and +withal his texture was shot with a pattern of such genuine +saintliness that one felt that whoever else might hold the keys +of Paradise he, at least, possessed a private latchkey to that +abode.</p> +<p>“Is it not significant of the altered grouping of +things,” he observed, “that the Church, as +represented by me, sympathises with the message of Sherard Blaw, +while neither the man nor his message find acceptance with +unbelievers like you, Lady Caroline.”</p> +<p>Lady Caroline blinked her eyes. “My dear +Archdeacon,” she said, “no one can be an unbeliever +nowadays. The Christian Apologists have left one nothing to +disbelieve.”</p> +<p>The Archdeacon rose with a delighted chuckle. “I +must go and tell that to De la Poulett,” he said, +indicating a clerical figure sitting in the third row of the +stalls; “he spends his life explaining from his pulpit that +the glory of Christianity consists in the fact that though it is +not true it has been found necessary to invent it.”</p> +<p>The door of the box opened and Courtenay Youghal entered, +bringing with him subtle suggestion of chaminade and an +atmosphere of political tension. The Government had fallen +out of the good graces of a section of its supporters, and those +who were not in the know were busy predicting a serious crisis +over a forthcoming division in the Committee stage of an +important Bill. This was Saturday night, and unless some +successful cajolery were effected between now and Monday +afternoon, Ministers would be, seemingly, in danger of +defeat.</p> +<p>“Ah, here is Youghal,” said the Archdeacon; +“he will be able to tell us what is going to happen in the +next forty-eight hours. I hear the Prime Minister says it +is a matter of conscience, and they will stand or fall by +it.”</p> +<p>His hopes and sympathies were notoriously on the Ministerial +side.</p> +<p>Youghal greeted Lady Caroline and subsided gracefully into a +chair well in the front of the box. A buzz of recognition +rippled slowly across the house.</p> +<p>“For the Government to fall on a matter of +conscience,” he said, “would be like a man cutting +himself with a safety razor.”</p> +<p>Lady Caroline purred a gentle approval.</p> +<p>“I’m afraid it’s true, Archdeacon,” +she said.</p> +<p>No one can effectively defend a Government when it’s +been in office several years. The Archdeacon took refuge in +light skirmishing.</p> +<p>“I believe Lady Caroline sees the makings of a great +Socialist statesman in you, Youghal,” he observed.</p> +<p>“Great Socialist statesmen aren’t made, +they’re stillborn,” replied Youghal.</p> +<p>“What is the play about to-night?” asked a pale +young woman who had taken no part in the talk.</p> +<p>“I don’t know,” said Lady Caroline, +“but I hope it’s dull. If there is any +brilliant conversation in it I shall burst into tears.”</p> +<p>In the front row of the upper circle a woman with a restless +starling-voice was discussing the work of a temporarily +fashionable composer, chiefly in relation to her own emotions, +which she seemed to think might prove generally interesting to +those around her.</p> +<p>“Whenever I hear his music I feel that I want to go up +into a mountain and pray. Can you understand that +feeling?”</p> +<p>The girl to whom she was unburdening herself shook her +head.</p> +<p>“You see, I’ve heard his music chiefly in +Switzerland, and we were up among the mountains all the time, so +it wouldn’t have made any difference.”</p> +<p>“In that case,” said the woman, who seemed to have +emergency emotions to suit all geographical conditions, “I +should have wanted to be in a great silent plain by the side of a +rushing river.”</p> +<p>“What I think is so splendid about his +music—” commenced another starling-voice on the +further side of the girl. Like sheep that feed greedily +before the coming of a storm the starling-voices seemed impelled +to extra effort by the knowledge of four imminent intervals of +acting during which they would be hushed into constrained +silence.</p> +<p>In the back row of the dress circle a late-comer, after a +cursory glance at the programme, had settled down into a +comfortable narrative, which was evidently the resumed thread of +an unfinished taxi-drive monologue.</p> +<p>“We all said ‘it can’t be Captain Parminter, +because he’s always been sweet on Joan,’ and then +Emily said—”</p> +<p>The curtain went up, and Emily’s contribution to the +discussion had to be held over till the entr’acte.</p> +<p>The play promised to be a success. The author, avoiding +the pitfall of brilliancy, had aimed at being interesting and as +far as possible, bearing in mind that his play was a comedy, he +had striven to be amusing. Above all he had remembered that +in the laws of stage proportions it is permissible and generally +desirable that the part should be greater than the whole; hence +he had been careful to give the leading lady such a clear and +commanding lead over the other characters of the play that it was +impossible for any of them ever to get on level terms with +her. The action of the piece was now and then delayed +thereby, but the duration of its run would be materially +prolonged.</p> +<p>The curtain came down on the first act amid an encouraging +instalment of applause, and the audience turned its back on the +stage and began to take a renewed interest in itself. The +authoress of “The Woman who wished it was Wednesday” +had swept like a convalescent whirlwind, subdued but potentially +tempestuous, into Lady Caroline’s box.</p> +<p>“I’ve just trodden with all my weight on the foot +of an eminent publisher as I was leaving my seat,” she +cried, with a peal of delighted laughter. “He was +such a dear about it; I said I hoped I hadn’t hurt him, and +he said, ‘I suppose you think, who drives hard bargains +should himself be hard.’ Wasn’t it pet-lamb of +him?”</p> +<p>“I’ve never trodden on a pet lamb,” said +Lady Caroline, “so I’ve no idea what its behaviour +would be under the circumstances.”</p> +<p>“Tell me,” said the authoress, coming to the front +of the box, the better to survey the house, and perhaps also with +a charitable desire to make things easy for those who might +pardonably wish to survey her, “tell me, please, where is +the girl sitting whom Courtenay Youghal is engaged to?”</p> +<p>Elaine was pointed out to her, sitting in the fourth row of +the stalls, on the opposite side of the house to where Comus had +his seat. Once during the interval she had turned to give +him a friendly nod of recognition as he stood in one of the side +gangways, but he was absorbed at the moment in looking at himself +in the glass panel. The grave brown eyes and the mocking +green-grey ones had looked their last into each other’s +depths.</p> +<p>For Comus this first-night performance, with its brilliant +gathering of spectators, its groups and coteries of lively +talkers, even its counterfoil of dull chatterers, its pervading +atmosphere of stage and social movement, and its intruding +undercurrent of political flutter, all this composed a tragedy in +which he was the chief character. It was the life he knew +and loved and basked in, and it was the life he was +leaving. It would go on reproducing itself again and again, +with its stage interest and social interest and intruding outside +interests, with the same lively chattering crowd, the people who +had done things being pointed out by people who recognised them +to people who didn’t—it would all go on with +unflagging animation and sparkle and enjoyment, and for him it +would have stopped utterly. He would be in some unheard-of +sun-blistered wilderness, where natives and pariah dogs and +raucous-throated crows fringed round mockingly on one’s +loneliness, where one rode for sweltering miles for the chance of +meeting a collector or police officer, with whom most likely on +closer acquaintance one had hardly two ideas in common, where +female society was represented at long intervals by some +climate-withered woman missionary or official’s wife, where +food and sickness and veterinary lore became at last the three +outstanding subjects on which the mind settled or rather +sank. That was the life he foresaw and dreaded, and that +was the life he was going to. For a boy who went out to it +from the dulness of some country rectory, from a neighbourhood +where a flower show and a cricket match formed the social +landmarks of the year, the feeling of exile might not be very +crushing, might indeed be lost in the sense of change and +adventure. But Comus had lived too thoroughly in the centre +of things to regard life in a backwater as anything else than +stagnation, and stagnation while one is young he justly regarded +as an offence against nature and reason, in keeping with the +perverted mockery that sends decrepit invalids touring painfully +about the world and shuts panthers up in narrow cages. He +was being put aside, as a wine is put aside, but to deteriorate +instead of gaining in the process, to lose the best time of his +youth and health and good looks in a world where youth and health +and good looks count for much and where time never returns lost +possessions. And thus, as the curtain swept down on the +close of each act, Comus felt a sense of depression and +deprivation sweep down on himself; bitterly he watched his last +evening of social gaiety slipping away to its end. In less +than an hour it would be over; in a few months’ time it +would be an unreal memory.</p> +<p>In the third interval, as he gazed round at the chattering +house, someone touched him on the arm. It was Lady Veula +Croot.</p> +<p>“I suppose in a week’s time you’ll be on the +high seas,” she said. “I’m coming to your +farewell dinner, you know; your mother has just asked me. +I’m not going to talk the usual rot to you about how much +you will like it and so on. I sometimes think that one of +the advantages of Hell will be that no one will have the +impertinence to point out to you that you’re really better +off than you would be anywhere else. What do you think of +the play? Of course one can foresee the end; she will come +to her husband with the announcement that their longed-for child +is going to be born, and that will smooth over everything. +So conveniently effective, to wind up a comedy with the +commencement of someone else’s tragedy. And every one +will go away saying ‘I’m glad it had a happy +ending.’”</p> +<p>Lady Veula moved back to her seat, with her pleasant smile on +her lips and the look of infinite weariness in her eyes.</p> +<p>The interval, the last interval, was drawing to a close and +the house began to turn with fidgetty attention towards the stage +for the unfolding of the final phase of the play. Francesca +sat in Serena Golackly’s box listening to Colonel +Springfield’s story of what happened to a pigeon-cote in +his compound at Poona. Everyone who knew the Colonel had to +listen to that story a good many times, but Lady Caroline had +mitigated the boredom of the infliction, and in fact invested it +with a certain sporting interest, by offering a prize to the +person who heard it oftenest in the course of the Season, the +competitors being under an honourable understanding not to lead +up to the subject. Ada Spelvexit and a boy in the Foreign +Office were at present at the top of the list with five recitals +each to their score, but the former was suspected of doubtful +adherence to the rules and spirit of the competition.</p> +<p>“And there, dear lady,” concluded the Colonel, +“were the eleven dead pigeons. What had become of the +bandicoot no one ever knew.”</p> +<p>Francesca thanked him for his story, and complacently +inscribed the figure 4 on the margin of her theatre +programme. Almost at the same moment she heard George St. +Michael’s voice pattering out a breathless piece of +intelligence for the edification of Serena Golackly and anyone +else who might care to listen. Francesca galvanised into +sudden attention.</p> +<p>“Emmeline Chetrof to a fellow in the Indian Forest +Department. He’s got nothing but his pay and they +can’t be married for four or five years; an absurdly long +engagement, don’t you think so? All very well to wait +seven years for a wife in patriarchal times, when you probably +had others to go on with, and you lived long enough to celebrate +your own tercentenary, but under modern conditions it seems a +foolish arrangement.”</p> +<p>St. Michael spoke almost with a sense of grievance. A +marriage project that tied up all the small pleasant nuptial +gossip-items about bridesmaids and honeymoon and recalcitrant +aunts and so forth, for an indefinite number of years seemed +scarcely decent in his eyes, and there was little satisfaction or +importance to be derived from early and special knowledge of an +event which loomed as far distant as a Presidential Election or a +change of Viceroy. But to Francesca, who had listened with +startled apprehension at the mention of Emmeline Chetrof’s +name, the news came in a flood of relief and thankfulness. +Short of entering a nunnery and taking celibate vows, Emmeline +could hardly have behaved more conveniently than in tying herself +up to a lover whose circumstances made it necessary to relegate +marriage to the distant future. For four or five years +Francesca was assured of undisturbed possession of the house in +Blue Street, and after that period who knew what might +happen? The engagement might stretch on indefinitely, it +might even come to nothing under the weight of its accumulated +years, as sometimes happened with these protracted affairs. +Emmeline might lose her fancy for her absentee lover, and might +never replace him with another. A golden possibility of +perpetual tenancy of her present home began to float once more +through Francesca’s mind. As long as Emmeline had +been unbespoken in the marriage market there had always been the +haunting likelihood of seeing the dreaded announcement, “a +marriage has been arranged and will shortly take place,” in +connection with her name. And now a marriage had been +arranged and would not shortly take place, might indeed never +take place. St. Michael’s information was likely to +be correct in this instance; he would never have invented a piece +of matrimonial intelligence which gave such little scope for +supplementary detail of the kind he loved to supply. As +Francesca turned to watch the fourth act of the play, her mind +was singing a pæan of thankfulness and exultation. It +was as though some artificer sent by the Gods had reinforced with +a substantial cord the horsehair thread that held up the sword of +Damocles over her head. Her love for her home, for her +treasured household possessions, and her pleasant social life was +able to expand once more in present security, and feed on future +hope. She was still young enough to count four or five +years as a long time, and to-night she was optimistic enough to +prophesy smooth things of the future that lay beyond that +span. Of the fourth act, with its carefully held back but +obviously imminent reconciliation between the leading characters, +she took in but little, except that she vaguely understood it to +have a happy ending. As the lights went up she looked round +on the dispersing audience with a feeling of friendliness +uppermost in her mind; even the sight of Elaine de Frey and +Courtenay Youghal leaving the theatre together did not inspire +her with a tenth part of the annoyance that their entrance had +caused her. Serena’s invitation to go on to the Savoy +for supper fitted in exactly with her mood of exhilaration. +It would be a fit and appropriate wind-up to an auspicious +evening. The cold chicken and modest brand of Chablis +waiting for her at home should give way to a banquet of more +festive nature.</p> +<p>In the crush of the vestibule, friends and enemies, personal +and political, were jostled and locked together in the general +effort to rejoin temporarily estranged garments and secure the +attendance of elusive vehicles. Lady Caroline found herself +at close quarters with the estimable Henry Greech, and +experienced some of the joy which comes to the homeward wending +sportsman when a chance shot presents itself on which he may +expend his remaining cartridges.</p> +<p>“So the Government is going to climb down, after +all,” she said, with a provocative assumption of private +information on the subject.</p> +<p>“I assure you the Government will do nothing of the +kind,” replied the Member of Parliament with befitting +dignity; “the Prime Minister told me last night that under +no circumstances—”</p> +<p>“My dear Mr. Greech,” said Lady Caroline, +“we all know that Prime Ministers are wedded to the truth, +but like other wedded couples they sometimes live +apart.”</p> +<p>For her, at any rate, the comedy had had a happy ending.</p> +<p>Comus made his way slowly and lingeringly from the stalls, so +slowly that the lights were already being turned down and great +shroud-like dust-cloths were being swaythed over the ornamental +gilt-work. The laughing, chattering, yawning throng had +filtered out of the vestibule, and was melting away in final +groups from the steps of the theatre. An impatient +attendant gave him his coat and locked up the cloak room. +Comus stepped out under the portico; he looked at the posters +announcing the play, and in anticipation he could see other +posters announcing its 200th performance. Two hundred +performances; by that time the Straw Exchange Theatre would be to +him something so remote and unreal that it would hardly seem to +exist or to have ever existed except in his fancy. And to +the laughing chattering throng that would pass in under that +portico to the 200th performance, he would be, to those that had +known him, something equally remote and non-existent. +“The good-looking Bassington boy? Oh, dead, or +rubber-growing or sheep-farming or something of that +sort.”</p> +<h2>CHAPTER XIV</h2> +<p><span class="smcap">The</span> farewell dinner which Francesca +had hurriedly organised in honour of her son’s departure +threatened from the outset to be a doubtfully successful +function. In the first place, as he observed privately, +there was very little of Comus and a good deal of farewell in +it. His own particular friends were unrepresented. +Courtenay Youghal was out of the question; and though Francesca +would have stretched a point and welcomed some of his other male +associates of whom she scarcely approved, he himself had been +opposed to including any of them in the invitations. On the +other hand, as Henry Greech had provided Comus with this job that +he was going out to, and was, moreover, finding part of the money +for the necessary outfit, Francesca had felt it her duty to ask +him and his wife to the dinner; the obtuseness that seems to +cling to some people like a garment throughout their life had +caused Mr. Greech to accept the invitation. When Comus +heard of the circumstance he laughed long and boisterously; his +spirits, Francesca noted, seemed to be rising fast as the hour +for departure drew near.</p> +<p>The other guests included Serena Golackly and Lady Veula, the +latter having been asked on the inspiration of the moment at the +theatrical first-night. In the height of the Season it was +not easy to get together a goodly selection of guests at short +notice, and Francesca had gladly fallen in with Serena’s +suggestion of bringing with her Stephen Thorle, who was alleged, +in loose feminine phrasing, to “know all about” +tropical Africa. His travels and experiences in those +regions probably did not cover much ground or stretch over any +great length of time, but he was one of those individuals who can +describe a continent on the strength of a few days’ stay in +a coast town as intimately and dogmatically as a paleontologist +will reconstruct an extinct mammal from the evidence of a stray +shin bone. He had the loud penetrating voice and the +prominent penetrating eyes of a man who can do no listening in +the ordinary way and whose eyes have to perform the function of +listening for him. His vanity did not necessarily make him +unbearable, unless one had to spend much time in his society, and +his need for a wide field of audience and admiration was +mercifully calculated to spread his operations over a +considerable human area. Moreover, his craving for +attentive listeners forced him to interest himself in a wonderful +variety of subjects on which he was able to discourse fluently +and with a certain semblance of special knowledge. Politics +he avoided; the ground was too well known, and there was a +definite no to every definite yes that could be put +forward. Moreover, argument was not congenial to his +disposition, which preferred an unchallenged flow of dissertation +modified by occasional helpful questions which formed the +starting point for new offshoots of word-spinning. The +promotion of cottage industries, the prevention of juvenile +street trading, the extension of the Borstal prison system, the +furtherance of vague talkative religious movements the fostering +of inter-racial <i>ententes</i>, all found in him a tireless +exponent, a fluent and entertaining, though perhaps not very +convincing, advocate. With the real motive power behind +these various causes he was not very closely identified; to the +spade-workers who carried on the actual labours of each +particular movement he bore the relation of a trowel-worker, +delving superficially at the surface, but able to devote a +proportionately far greater amount of time to the advertisement +of his progress and achievements. Such was Stephen Thorle, +a governess in the nursery of Chelsea-bred religions, a skilled +window-dresser in the emporium of his own personality, and +needless to say, evanescently popular amid a wide but shifting +circle of acquaintances. He improved on the record of a +socially much-travelled individual whose experience has become +classical, and went to most of the best houses—twice.</p> +<p>His inclusion as a guest at this particular dinner-party was +not a very happy inspiration. He was inclined to patronise +Comus, as well as the African continent, and on even slighter +acquaintance. With the exception of Henry Greech, whose +feelings towards his nephew had been soured by many years of +overt antagonism, there was an uncomfortable feeling among those +present that the topic of the black-sheep export trade, as Comus +would have himself expressed it, was being given undue prominence +in what should have been a festive farewell banquet. And +Comus, in whose honour the feast was given, did not contribute +much towards its success; though his spirits seemed strung up to +a high pitch his merriment was more the merriment of a cynical +and amused onlooker than of one who responds to the gaiety of his +companions. Sometimes he laughed quietly to himself at some +chance remark of a scarcely mirth-provoking nature, and Lady +Veula, watching him narrowly, came to the conclusion that an +element of fear was blended with his seemingly buoyant +spirits. Once or twice he caught her eye across the table, +and a certain sympathy seemed to grow up between them, as though +they were both consciously watching some lugubrious comedy that +was being played out before them.</p> +<p>An untoward little incident had marked the commencement of the +meal. A small still-life picture that hung over the +sideboard had snapped its cord and slid down with an alarming +clatter on to the crowded board beneath it. The picture +itself was scarcely damaged, but its fall had been accompanied by +a tinkle of broken glass, and it was found that a liqueur glass, +one out of a set of seven that would be impossible to match, had +been shivered into fragments. Francesca’s almost +motherly love for her possessions made her peculiarly sensible to +a feeling of annoyance and depression at the accident, but she +turned politely to listen to Mrs. Greech’s account of a +misfortune in which four soup-plates were involved. Mrs. +Henry was not a brilliant conversationalist, and her flank was +speedily turned by Stephen Thorle, who recounted a slum +experience in which two entire families did all their feeding out +of one damaged soup-plate.</p> +<p>“The gratitude of those poor creatures when I presented +them with a set of table crockery apiece, the tears in their eyes +and in their voices when they thanked me, would be impossible to +describe.”</p> +<p>“Thank you all the same for describing it,” said +Comus.</p> +<p>The listening eyes went swiftly round the table to gather +evidence as to how this rather disconcerting remark had been +received, but Thorle’s voice continued uninterruptedly to +retail stories of East-end gratitude, never failing to mention +the particular deeds of disinterested charity on his part which +had evoked and justified the gratitude. Mrs. Greech had to +suppress the interesting sequel to her broken-crockery narrative, +to wit, how she subsequently matched the shattered soup-plates at +Harrod’s. Like an imported plant species that +sometimes flourishes exceedingly, and makes itself at home to the +dwarfing and overshadowing of all native species, Thorle +dominated the dinner-party and thrust its original purport +somewhat into the background. Serena began to look +helplessly apologetic. It was altogether rather a relief +when the filling of champagne glasses gave Francesca an excuse +for bringing matters back to their intended footing.</p> +<p>“We must all drink a health,” she said; +“Comus, my own dear boy, a safe and happy voyage to you, +much prosperity in the life you are going out to, and in due time +a safe and happy return—”</p> +<p>Her hand gave an involuntary jerk in the act of raising the +glass, and the wine went streaming across the tablecloth in a +froth of yellow bubbles. It certainly was not turning out a +comfortable or auspicious dinner party.</p> +<p>“My dear mother,” cried Comus, “you must +have been drinking healths all the afternoon to make your hand so +unsteady.”</p> +<p>He laughed gaily and with apparent carelessness, but again +Lady Veula caught the frightened note in his laughter. Mrs. +Henry, with practical sympathy, was telling Francesca two good +ways for getting wine stains out of tablecloths. The +smaller economies of life were an unnecessary branch of learning +for Mrs. Greech, but she studied them as carefully and +conscientiously as a stay-at-home plain-dwelling English child +commits to memory the measurements and altitudes of the +world’s principal mountain peaks. Some women of her +temperament and mentality know by heart the favourite colours, +flowers and hymn-tunes of all the members of the Royal Family; +Mrs. Greech would possibly have failed in an examination of that +nature, but she knew what to do with carrots that have been +over-long in storage.</p> +<p>Francesca did not renew her speech-making; a chill seemed to +have fallen over all efforts at festivity, and she contented +herself with refilling her glass and simply drinking to her +boy’s good health. The others followed her example, +and Comus drained his glass with a brief “thank you all +very much.” The sense of constraint which hung over +the company was not, however, marked by any uncomfortable pause +in the conversation. Henry Greech was a fluent thinker, of +the kind that prefer to do their thinking aloud; the silence that +descended on him as a mantle in the House of Commons was an +official livery of which he divested himself as thoroughly as +possible in private life. He did not propose to sit through +dinner as a mere listener to Mr. Thorle’s personal +narrative of philanthropic movements and experiences, and took +the first opportunity of launching himself into a flow of +satirical observations on current political affairs. Lady +Veula was inured to this sort of thing in her own home circle, +and sat listening with the stoical indifference with which an +Esquimau might accept the occurrence of one snowstorm the more, +in the course of an Arctic winter. Serena Golackly felt a +certain relief at the fact that her imported guest was not, after +all, monopolising the conversation. But the latter was too +determined a personality to allow himself to be thrust aside for +many minutes by the talkative M.P. Henry Greech paused for +an instant to chuckle at one of his own shafts of satire, and +immediately Thorle’s penetrating voice swept across the +table.</p> +<p>“Oh, you politicians!” he exclaimed, with pleasant +superiority; “you are always fighting about how things +should be done, and the consequence is you are never able to do +anything. Would you like me to tell you what a Unitarian +horsedealer said to me at Brindisi about politicians?”</p> +<p>A Unitarian horsedealer at Brindisi had all the allurement of +the unexpected. Henry Greech’s witticisms at the +expense of the Front Opposition bench were destined to remain as +unfinished as his wife’s history of the broken +soup-plates. Thorle was primed with an ample succession of +stories and themes, chiefly concerning poverty, thriftlessness, +reclamation, reformed characters, and so forth, which carried him +in an almost uninterrupted sequence through the remainder of the +dinner.</p> +<p>“What I want to do is to make people think,” he +said, turning his prominent eyes on to his hostess; +“it’s so hard to make people think.”</p> +<p>“At any rate you give them the opportunity,” said +Comus, cryptically.</p> +<p>As the ladies rose to leave the table Comus crossed over to +pick up one of Lady Veula’s gloves that had fallen to the +floor.</p> +<p>“I did not know you kept a dog,” said Lady +Veula.</p> +<p>“We don’t,” said Comus, “there +isn’t one in the house.”</p> +<p>“I could have sworn I saw one follow you across the hall +this evening,” she said.</p> +<p>“A small black dog, something like a schipperke?” +asked Comus in a low voice.</p> +<p>“Yes, that was it.”</p> +<p>“I saw it myself to-night; it ran from behind my chair +just as I was sitting down. Don’t say anything to the +others about it; it would frighten my mother.”</p> +<p>“Have you ever seen it before?” Lady Veula asked +quickly.</p> +<p>“Once, when I was six years old. It followed my +father downstairs.”</p> +<p>Lady Veula said nothing. She knew that Comus had lost +his father at the age of six.</p> +<p>In the drawing-room Serena made nervous excuses for her +talkative friend.</p> +<p>“Really, rather an interesting man, you know, and up to +the eyes in all sorts of movements. Just the sort of person +to turn loose at a drawing-room meeting, or to send down to a +mission-hall in some unheard-of neighbourhood. Given a +sounding-board and a harmonium, and a titled woman of some sort +in the chair, and he’ll be perfectly happy; I must say I +hadn’t realised how overpowering he might be at a small +dinner-party.”</p> +<p>“I should say he was a very good man,” said Mrs. +Greech; she had forgiven the mutilation of her soup-plate +story.</p> +<p>The party broke up early as most of the guests had other +engagements to keep. With a belated recognition of the +farewell nature of the occasion they made pleasant little +good-bye remarks to Comus, with the usual predictions of +prosperity and anticipations of an ultimate auspicious +return. Even Henry Greech sank his personal dislike of the +boy for the moment, and made hearty jocular allusions to a +home-coming, which, in the elder man’s eyes, seemed +possibly pleasantly remote. Lady Veula alone made no +reference to the future; she simply said, “Good-bye, +Comus,” but her voice was the kindest of all and he +responded with a look of gratitude. The weariness in her +eyes was more marked than ever as she lay back against the +cushions of her carriage.</p> +<p>“What a tragedy life is,” she said, aloud to +herself.</p> +<p>Serena and Stephen Thorle were the last to leave, and +Francesca stood alone for a moment at the head of the stairway +watching Comus laughing and chatting as he escorted the departing +guests to the door. The ice-wall was melting under the +influence of coming separation, and never had he looked more +adorably handsome in her eyes, never had his merry laugh and +mischief-loving gaiety seemed more infectious than on this night +of his farewell banquet. She was glad enough that he was +going away from a life of idleness and extravagance and +temptation, but she began to suspect that she would miss, for a +little while at any rate, the high-spirited boy who could be so +attractive in his better moods. Her impulse, after the +guests had gone, was to call him to her and hold him once more in +her arms, and repeat her wishes for his happiness and good-luck +in the land he was going to, and her promise of his welcome back, +some not too distant day, to the land he was leaving. She +wanted to forget, and to make him forget, the months of irritable +jangling and sharp discussions, the months of cold aloofness and +indifference and to remember only that he was her own dear Comus +as in the days of yore, before he had grown from an unmanageable +pickle into a weariful problem. But she feared lest she +should break down, and she did not wish to cloud his +light-hearted gaiety on the very eve of his departure. She +watched him for a moment as he stood in the hall, settling his +tie before a mirror, and then went quietly back to her +drawing-room. It had not been a very successful dinner +party, and the general effect it had left on her was one of +depression.</p> +<p>Comus, with a lively musical-comedy air on his lips, and a +look of wretchedness in his eyes, went out to visit the haunts +that he was leaving so soon.</p> +<h2>CHAPTER XV</h2> +<p><span class="smcap">Elaine Youghal</span> sat at lunch in the +Speise Saal of one of Vienna’s costlier hotels. The +double-headed eagle, with its “K.u.K.” legend, +everywhere met the eye and announced the imperial favour in which +the establishment basked. Some several square yards of +yellow bunting, charged with the image of another double-headed +eagle, floating from the highest flag-staff above the building, +betrayed to the initiated the fact that a Russian Grand Duke was +concealed somewhere on the premises. Unannounced by +heraldic symbolism but unconcealable by reason of nature’s +own blazonry, were several citizens and citizenesses of the great +republic of the Western world. One or two Cobdenite members +of the British Parliament engaged in the useful task of proving +that the cost of living in Vienna was on an exorbitant scale, +flitted with restrained importance through a land whose fatness +they had come to spy out; every fancied over-charge in their +bills was welcome as providing another nail in the coffin of +their fiscal opponents. It is the glory of democracies that +they may be misled but never driven. Here and there, like +brave deeds in a dust-patterned world, flashed and glittered the +sumptuous uniforms of representatives of the Austrian military +caste. Also in evidence, at discreet intervals, were stray +units of the Semetic tribe that nineteen centuries of European +neglect had been unable to mislay.</p> +<p>Elaine sitting with Courtenay at an elaborately appointed +luncheon table, gay with high goblets of Bohemian glassware, was +mistress of three discoveries. First, to her +disappointment, that if you frequent the more expensive hotels of +Europe you must be prepared to find, in whatever country you may +chance to be staying, a depressing international likeness between +them all. Secondly, to her relief, that one is not expected +to be sentimentally amorous during a modern honeymoon. +Thirdly, rather to her dismay, that Courtenay Youghal did not +necessarily expect her to be markedly affectionate in +private. Someone had described him, after their marriage, +as one of Nature’s bachelors, and she began to see how +aptly the description fitted him.</p> +<p>“Will those Germans on our left never stop +talking?” she asked, as an undying flow of Teutonic small +talk rattled and jangled across the intervening stretch of +carpet. “Not one of those three women has ceased +talking for an instant since we’ve been sitting +here.”</p> +<p>“They will presently, if only for a moment,” said +Courtenay; “when the dish you have ordered comes in there +will be a deathly silence at the next table. No German can +see a <i>plat</i> brought in for someone else without being +possessed with a great fear that it represents a more toothsome +morsel or a better money’s worth than what he has ordered +for himself.”</p> +<p>The exuberant Teutonic chatter was balanced on the other side +of the room by an even more penetrating conversation unflaggingly +maintained by a party of Americans, who were sitting in judgment +on the cuisine of the country they were passing through, and +finding few extenuating circumstances.</p> +<p>“What Mr. Lonkins wants is a real <i>deep</i> cherry +pie,” announced a lady in a tone of dramatic and honest +conviction.</p> +<p>“Why, yes, that is so,” corroborated a gentleman +who was apparently the Mr. Lonkins in question; “a real +<i>deep</i> cherry pie.”</p> +<p>“We had the same trouble way back in Paris,” +proclaimed another lady; “little Jerome and the girls +don’t want to eat any more <i>crème +renversée</i>. I’d give anything if they could +get some real cherry pie.”</p> +<p>“Real <i>deep</i> cherry pie,” assented Mr. +Lonkins.</p> +<p>“Way down in Ohio we used to have peach pie that was +real good,” said Mrs. Lonkins, turning on a tap of +reminiscence that presently flowed to a cascade. The +subject of pies seemed to lend itself to indefinite +expansion.</p> +<p>“Do those people think of nothing but their food?” +asked Elaine, as the virtues of roasted mutton suddenly came to +the fore and received emphatic recognition, even the absent and +youthful Jerome being quoted in its favour.</p> +<p>“On the contrary,” said Courtenay, “they are +a widely-travelled set, and the man has had a notably interesting +career. It is a form of home-sickness with them to discuss +and lament the cookery and foods that they’ve never had the +leisure to stay at home and digest. The Wandering Jew +probably babbled unremittingly about some breakfast dish that +took so long to prepare that he had never time to eat +it.”</p> +<p>A waiter deposited a dish of Wiener Nierenbraten in front of +Elaine. At the same moment a magic hush fell upon the three +German ladies at the adjoining table, and the flicker of a great +fear passed across their eyes. Then they burst forth again +into tumultuous chatter. Courtenay had proved a reliable +prophet.</p> +<p>Almost at the same moment as the luncheon-dish appeared on the +scene, two ladies arrived at a neighbouring table, and bowed with +dignified cordiality to Elaine and Courtenay. They were two +of the more worldly and travelled of Elaine’s extensive +stock of aunts, and they happened to be making a short stay at +the same hotel as the young couple. They were far too +correct and rationally minded to intrude themselves on their +niece, but it was significant of Elaine’s altered view as +to the sanctity of honeymoon life that she secretly rather +welcomed the presence of her two relatives in the hotel, and had +found time and occasion to give them more of her society than she +would have considered necessary or desirable a few weeks +ago. The younger of the two she rather liked, in a +restrained fashion, as one likes an unpretentious watering-place +or a restaurant that does not try to give one a musical education +in addition to one’s dinner. One felt instinctively +about her that she would never wear rather more valuable diamonds +than any other woman in the room, and would never be the only +person to be saved in a steamboat disaster or hotel fire. +As a child she might have been perfectly well able to recite +“On Linden when the sun was low,” but one felt +certain that nothing ever induced her to do so. The elder +aunt, Mrs. Goldbrook, did not share her sister’s character +as a human rest-cure; most people found her rather disturbing, +chiefly, perhaps, from her habit of asking unimportant questions +with enormous solemnity. Her manner of enquiring after a +trifling ailment gave one the impression that she was more +concerned with the fortunes of the malady than with oneself, and +when one got rid of a cold one felt that she almost expected to +be given its postal address. Probably her manner was merely +the defensive outwork of an innate shyness, but she was not a +woman who commanded confidences.</p> +<p>“A telephone call for Courtenay,” commented the +younger of the two women as Youghal hurriedly flashed through the +room; “the telephone system seems to enter very largely +into that young man’s life.”</p> +<p>“The telephone has robbed matrimony of most of its +sting,” said the elder; “so much more discreet than +pen and ink communications which get read by the wrong +people.”</p> +<p>Elaine’s aunts were conscientiously worldly; they were +the natural outcome of a stock that had been conscientiously +straight-laced for many generations.</p> +<p>Elaine had progressed to the pancake stage before Courtenay +returned.</p> +<p>“Sorry to be away so long,” he said, “but +I’ve arranged something rather nice for to-night. +There’s rather a jolly masquerade ball on. I’ve +’phoned about getting a costume for you and it’s +alright. It will suit you beautifully, and I’ve got +my harlequin dress with me. Madame Kelnicort, excellent +soul, is going to chaperone you, and she’ll take you back +any time you like; I’m quite unreliable when I get into +fancy dress. I shall probably keep going till some +unearthly hour of the morning.”</p> +<p>A masquerade ball in a strange city hardly represented +Elaine’s idea of enjoyment. Carefully to disguise +one’s identity in a neighbourhood where one was entirely +unknown seemed to her rather meaningless. With Courtenay, +of course, it was different; he seemed to have friends and +acquaintances everywhere. However, the matter had +progressed to a point which would have made a refusal to go seem +rather ungracious. Elaine finished her pancake and began to +take a polite interest in her costume.</p> +<p>“What is your character?” asked Madame Kelnicort +that evening, as they uncloaked, preparatory to entering the +already crowded ball-room.</p> +<p>“I believe I’m supposed to represent Marjolaine de +Montfort, whoever she may have been,” said Elaine. +“Courtenay declares he only wanted to marry me because +I’m his ideal of her.”</p> +<p>“But what a mistake to go as a character you know +nothing about. To enjoy a masquerade ball you ought to +throw away your own self and be the character you +represent. Now Courtenay has been Harlequin since half-way +through dinner; I could see it dancing in his eyes. At +about six o’clock to-morrow morning he will fall asleep and +wake up a member of the British House of Parliament on his +honeymoon, but to-night he is unrestrainedly +Harlequin.”</p> +<p>Elaine stood in the ball-room surrounded by a laughing +jostling throng of pierrots, jockeys, Dresden-china +shepherdesses, Roumanian peasant-girls and all the lively +make-believe creatures that form the ingredients of a fancy-dress +ball. As she stood watching them she experienced a growing +feeling of annoyance, chiefly with herself. She was +assisting, as the French say, at one of the gayest scenes of +Europe’s gayest capital, and she was conscious of being +absolutely unaffected by the gaiety around her. The +costumes were certainly interesting to look at, and the music +good to listen to, and to that extent she was amused, but the +<i>abandon</i> of the scene made no appeal to her. It was +like watching a game of which you did not know the rules, and in +the issue of which you were not interested. Elaine began to +wonder what was the earliest moment at which she could drag +Madame Kelnicort away from the revel without being guilty of +sheer cruelty. Then Courtenay wriggled out of the crush and +came towards her, a joyous laughing Courtenay, looking younger +and handsomer than she had ever seen him. She could +scarcely recognise in him to-night the rising young debater who +made embarrassing onslaughts on the Government’s foreign +policy before a crowded House of Commons. He claimed her +for the dance that was just starting, and steered her dexterously +into the heart of the waltzing crowd.</p> +<p>“You look more like Marjolaine than I should have +thought a mortal woman of these days could look,” he +declared, “only Marjolaine did smile sometimes. You +have rather the air of wondering if you’d left out enough +tea for the servants’ breakfast. Don’t mind my +teasing; I love you to look like that, and besides, it makes a +splendid foil to my Harlequin—my selfishness coming to the +fore again, you see. But you really are to go home the +moment you’re bored; the excellent Kelnicort gets heaps of +dances throughout the winter, so don’t mind sacrificing +her.”</p> +<p>A little later in the evening Elaine found herself standing +out a dance with a grave young gentleman from the Russian +Embassy.</p> +<p>“Monsieur Courtenay enjoys himself, doesn’t +he?” he observed, as the youthful-looking harlequin flashed +past them, looking like some restless gorgeous-hued dragonfly; +“why is it that the good God has given your countrymen the +boon of eternal youth? Some of your countrywomen, too, but +all of the men.”</p> +<p>Elaine could think of many of her countrymen who were not and +never could have been youthful, but as far as Courtenay was +concerned she recognised the fitness of the remark. And the +recognition carried with it a sense of depression. Would he +always remain youthful and keen on gaiety and revelling while she +grew staid and retiring? She had thrust the lively +intractable Comus out of her mind, as by his perverseness he had +thrust himself out of her heart, and she had chosen the brilliant +young man of affairs as her husband. He had honestly let +her see the selfish side of his character while he was courting +her, but she had been prepared to make due sacrifices to the +selfishness of a public man who had his career to consider above +all other things. Would she also have to make sacrifices to +the harlequin spirit which was now revealing itself as an +undercurrent in his nature? When one has inured oneself to +the idea of a particular form of victimisation it is +disconcerting to be confronted with another. Many a man who +would patiently undergo martyrdom for religion’s sake would +be furiously unwilling to be a martyr to neuralgia.</p> +<p>“I think that is why you English love animals so +much,” pursued the young diplomat; “you are such +splendid animals yourselves. You are lively because you +want to be lively, not because people are looking on at +you. Monsieur Courtenay is certainly an animal. I +mean it as a high compliment.”</p> +<p>“Am I an animal?” asked Elaine.</p> +<p>“I was going to say you are an angel,” said the +Russian, in some embarrassment, “but I do not think that +would do; angels and animals would never get on together. +To get on with animals you must have a sense of humour, and I +don’t suppose angels have any sense of humour; you see it +would be no use to them as they never hear any jokes.”</p> +<p>“Perhaps,” said Elaine, with a tinge of bitterness +in her voice, “perhaps I am a vegetable.”</p> +<p>“I think you most remind me of a picture,” said +the Russian.</p> +<p>It was not the first time Elaine had heard the simile.</p> +<p>“I know,” she said, “the Narrow Gallery at +the Louvre; attributed to Leonardo da Vinci.”</p> +<p>Evidently the impression she made on people was solely one of +externals.</p> +<p>Was that how Courtenay regarded her? Was that to be her +function and place in life, a painted background, a decorative +setting to other people’s triumphs and tragedies? +Somehow to-night she had the feeling that a general might have +who brought imposing forces into the field and could do nothing +with them. She possessed youth and good looks, considerable +wealth, and had just made what would be thought by most people a +very satisfactory marriage. And already she seemed to be +standing aside as an onlooker where she had expected herself to +be taking a leading part.</p> +<p>“Does this sort of thing appeal to you?” she asked +the young Russian, nodding towards the gay scrimmage of +masqueraders and rather prepared to hear an amused +negative.”</p> +<p>“But yes, of course,” he answered; “costume +balls, fancy fairs, café chantant, casino, anything that +is not real life appeals to us Russians. Real life with us +is the sort of thing that Maxim Gorki deals in. It +interests us immensely, but we like to get away from it +sometimes.”</p> +<p>Madame Kelnicort came up with another prospective partner, and +Elaine delivered her ukase: one more dance and then back to the +hotel. Without any special regret she made her retreat from +the revel which Courtenay was enjoying under the impression that +it was life and the young Russian under the firm conviction that +it was not.</p> +<p>Elaine breakfasted at her aunts’ table the next morning +at much her usual hour. Courtenay was sleeping the sleep of +a happy tired animal. He had given instructions to be +called at eleven o’clock, from which time onward the +<i>Neue Freie Presse</i>, the <i>Zeit</i>, and his toilet would +occupy his attention till he appeared at the luncheon +table. There were not many people breakfasting when Elaine +arrived on the scene, but the room seemed to be fuller than it +really was by reason of a penetrating voice that was engaged in +recounting how far the standard of Viennese breakfast fare fell +below the expectations and desires of little Jerome and the +girls.</p> +<p>“If ever little Jerome becomes President of the United +States,” said Elaine, “I shall be able to contribute +quite an informing article on his gastronomic likes and dislikes +to the papers.”</p> +<p>The aunts were discreetly inquisitive as to the previous +evening’s entertainment.</p> +<p>“If Elaine would flirt mildly with somebody it would be +such a good thing,” said Mrs. Goldbrook; “it would +remind Courtenay that he’s not the only attractive young +man in the world.”</p> +<p>Elaine, however, did not gratify their hopes; she referred to +the ball with the detachment she would have shown in describing a +drawing-room show of cottage industries. It was not +difficult to discern in her description of the affair the +confession that she had been slightly bored. From +Courtenay, later in the day, the aunts received a much livelier +impression of the festivities, from which it was abundantly clear +that he at any rate had managed to amuse himself. Neither +did it appear that his good opinion of his own attractions had +suffered any serious shock. He was distinctly in a very +good temper.</p> +<p>“The secret of enjoying a honeymoon,” said Mrs. +Goldbrook afterwards to her sister, “is not to attempt too +much.”</p> +<p>“You mean—?”</p> +<p>“Courtenay is content to try and keep one person amused +and happy, and he thoroughly succeeds.”</p> +<p>“I certainly don’t think Elaine is going to be +very happy,” said her sister, “but at least Courtenay +saved her from making the greatest mistake she could have +made—marrying that young Bassington.”</p> +<p>“He has also,” said Mrs. Goldbrook, “helped +her to make the next biggest mistake of her life—marrying +Courtenay Youghal.”</p> +<h2>CHAPTER XVI</h2> +<p><span class="smcap">It</span> was late afternoon by the banks +of a swiftly rushing river, a river that gave back a haze of heat +from its waters as though it were some stagnant steaming lagoon, +and yet seemed to be whirling onward with the determination of a +living thing, perpetually eager and remorseless, leaping savagely +at any obstacle that attempted to stay its course; an unfriendly +river, to whose waters you committed yourself at your +peril. Under the hot breathless shade of the trees on its +shore arose that acrid all-pervading smell that seems to hang +everywhere about the tropics, a smell as of some monstrous musty +still-room where herbs and spices have been crushed and distilled +and stored for hundreds of years, and where the windows have +seldom been opened. In the dazzling heat that still held +undisputed sway over the scene, insects and birds seemed +preposterously alive and active, flitting their gay colours +through the sunbeams, and crawling over the baked dust in the +full swing and pursuit of their several businesses; the flies +engaged in Heaven knows what, and the fly-catchers busy with the +flies. Beasts and humans showed no such indifference to the +temperature; the sun would have to slant yet further downward +before the earth would become a fit arena for their revived +activities. In the sheltered basement of a wayside +rest-house a gang of native hammock-bearers slept or chattered +drowsily through the last hours of the long mid-day halt; wide +awake, yet almost motionless in the thrall of a heavy lassitude, +their European master sat alone in an upper chamber, staring out +through a narrow window-opening at the native village, spreading +away in thick clusters of huts girt around with cultivated +vegetation. It seemed a vast human ant-hill, which would +presently be astir with its teeming human life, as though the Sun +God in his last departing stride had roused it with a careless +kick. Even as Comus watched he could see the beginnings of +the evening’s awakening. Women, squatting in front of +their huts, began to pound away at the rice or maize that would +form the evening meal, girls were collecting their water pots +preparatory to a walk down to the river, and enterprising goats +made tentative forays through gaps in the ill-kept fences of +neighbouring garden plots; their hurried retreats showed that +here at least someone was keeping alert and wakeful vigil. +Behind a hut perched on a steep hillside, just opposite to the +rest-house, two boys were splitting wood with a certain languid +industry; further down the road a group of dogs were leisurely +working themselves up to quarrelling pitch. Here and there, +bands of evil-looking pigs roamed about, busy with foraging +excursions that came unpleasantly athwart the border-line of +scavenging. And from the trees that bounded and intersected +the village rose the horrible, tireless, spiteful-sounding +squawking of the iron-throated crows.</p> +<p>Comus sat and watched it all with a sense of growing aching +depression. It was so utterly trivial to his eyes, so +devoid of interest, and yet it was so real, so serious, so +implacable in its continuity. The brain grew tired with the +thought of its unceasing reproduction. It had all gone on, +as it was going on now, by the side of the great rushing swirling +river, this tilling and planting and harvesting, marketing and +store-keeping, feast-making and fetish-worship and love-making, +burying and giving in marriage, child-bearing and child-rearing, +all this had been going on, in the shimmering, blistering heat +and the warm nights, while he had been a youngster at school, +dimly recognising Africa as a division of the earth’s +surface that it was advisable to have a certain nodding +acquaintance with.</p> +<p>It had been going on in all its trifling detail, all its +serious intensity, when his father and his grandfather in their +day had been little boys at school, it would go on just as +intently as ever long after Comus and his generation had passed +away, just as the shadows would lengthen and fade under the +mulberry trees in that far away English garden, round the old +stone fountain where a leaden otter for ever preyed on a leaden +salmon.</p> +<p>Comus rose impatiently from his seat, and walked wearily +across the hut to another window-opening which commanded a broad +view of the river. There was something which fascinated and +then depressed one in its ceaseless hurrying onward sweep, its +tons of water rushing on for all time, as long as the face of the +earth should remain unchanged. On its further shore could +be seen spread out at intervals other teeming villages, with +their cultivated plots and pasture clearings, their moving dots +which meant cattle and goats and dogs and children. And far +up its course, lost in the forest growth that fringed its banks, +were hidden away yet more villages, human herding-grounds where +men dwelt and worked and bartered, squabbled and worshipped, +sickened and perished, while the river went by with its endless +swirl and rush of gleaming waters. One could well +understand primitive early races making propitiatory sacrifices +to the spirit of a great river on whose shores they dwelt. +Time and the river were the two great forces that seemed to +matter here.</p> +<p>It was almost a relief to turn back to that other outlook and +watch the village life that was now beginning to wake in +earnest. The procession of water-fetchers had formed itself +in a long chattering line that stretched river-wards. Comus +wondered how many tens of thousands of times that procession had +been formed since first the village came into existence. +They had been doing it while he was playing in the cricket-fields +at school, while he was spending Christmas holidays in Paris, +while he was going his careless round of theatres, dances, +suppers and card-parties, just as they were doing it now; they +would be doing it when there was no one alive who remembered +Comus Bassington. This thought recurred again and again +with painful persistence, a morbid growth arising in part from +his loneliness.</p> +<p>Staring dumbly out at the toiling sweltering human ant-hill +Comus marvelled how missionary enthusiasts could labour hopefully +at the work of transplanting their religion, with its homegrown +accretions of fatherly parochial benevolence, in this +heat-blistered, fever-scourged wilderness, where men lived like +groundbait and died like flies. Demons one might believe +in, if one did not hold one’s imagination in healthy check, +but a kindly all-managing God, never. Somewhere in the west +country of England Comus had an uncle who lived in a +rose-smothered rectory and taught a wholesome gentle-hearted +creed that expressed itself in the spirit of “Little lamb, +who made thee?” and faithfully reflected the beautiful +homely Christ-child sentiment of Saxon Europe. What a far +away, unreal fairy story it all seemed here in this West African +land, where the bodies of men were of as little account as the +bubbles that floated on the oily froth of the great flowing +river, and where it required a stretch of wild profitless +imagination to credit them with undying souls. In the life +he had come from Comus had been accustomed to think of +individuals as definite masterful personalities, making their +several marks on the circumstances that revolved around them; +they did well or ill, or in most cases indifferently, and were +criticised, praised, blamed, thwarted or tolerated, or given way +to. In any case, humdrum or outstanding, they had their +spheres of importance, little or big. They dominated a +breakfast table or harassed a Government, according to their +capabilities or opportunities, or perhaps they merely had +irritating mannerisms. At any rate it seemed highly +probable that they had souls. Here a man simply made a unit +in an unnumbered population, an inconsequent dot in a +loosely-compiled deathroll. Even his own position as a +white man exalted conspicuously above a horde of black natives +did not save Comus from the depressing sense of nothingness which +his first experience of fever had thrown over him. He was a +lost, soulless body in this great uncaring land; if he died +another would take his place, his few effects would be +inventoried and sent down to the coast, someone else would finish +off any tea or whisky that he left behind—that would be +all.</p> +<p>It was nearly time to be starting towards the next halting +place where he would dine or at any rate eat something. But +the lassitude which the fever had bequeathed him made the tedium +of travelling through interminable forest-tracks a weariness to +be deferred as long as possible. The bearers were nothing +loth to let another half-hour or so slip by, and Comus dragged a +battered paper-covered novel from the pocket of his coat. +It was a story dealing with the elaborately tangled love affairs +of a surpassingly uninteresting couple, and even in his almost +bookless state Comus had not been able to plough his way through +more than two-thirds of its dull length; bound up with the cover, +however, were some pages of advertisement, and these the exile +scanned with a hungry intentness that the romance itself could +never have commanded. The name of a shop, of a street, the +address of a restaurant, came to him as a bitter reminder of the +world he had lost, a world that ate and drank and flirted, +gambled and made merry, a world that debated and intrigued and +wire-pulled, fought or compromised political battles—and +recked nothing of its outcasts wandering through forest paths and +steamy swamps or lying in the grip of fever. Comus read and +re-read those few lines of advertisement, just as he treasured a +much-crumpled programme of a first-night performance at the Straw +Exchange Theatre; they seemed to make a little more real the past +that was already so shadowy and so utterly remote. For a +moment he could almost capture the sensation of being once again +in those haunts that he loved; then he looked round and pushed +the book wearily from him. The steaming heat, the forest, +the rushing river hemmed him in on all sides.</p> +<p>The two boys who had been splitting wood ceased from their +labours and straightened their backs; suddenly the smaller of the +two gave the other a resounding whack with a split lath that he +still held in his hand, and flew up the hillside with a scream of +laughter and simulated terror, the bigger lad following in hot +pursuit. Up and down the steep bush-grown slope they raced +and twisted and dodged, coming sometimes to close quarters in a +hurricane of squeals and smacks, rolling over and over like +fighting kittens, and breaking away again to start fresh +provocation and fresh pursuit. Now and again they would lie +for a time panting in what seemed the last stage of exhaustion, +and then they would be off in another wild scamper, their dusky +bodies flitting through the bushes, disappearing and reappearing +with equal suddenness. Presently two girls of their own +age, who had returned from the water-fetching, sprang out on them +from ambush, and the four joined in one joyous gambol that lit up +the hillside with shrill echoes and glimpses of flying +limbs. Comus sat and watched, at first with an amused +interest, then with a returning flood of depression and +heart-ache. Those wild young human kittens represented the +joy of life, he was the outsider, the lonely alien, watching +something in which he could not join, a happiness in which he had +no part or lot. He would pass presently out of the village +and his bearers’ feet would leave their indentations in the +dust; that would be his most permanent memorial in this little +oasis of teeming life. And that other life, in which he +once moved with such confident sense of his own necessary +participation in it, how completely he had passed out of +it. Amid all its laughing throngs, its card parties and +race-meetings and country-house gatherings, he was just a mere +name, remembered or forgotten, Comus Bassington, the boy who went +away. He had loved himself very well and never troubled +greatly whether anyone else really loved him, and now he realised +what he had made of his life. And at the same time he knew +that if his chance were to come again he would throw it away just +as surely, just as perversely. Fate played with him with +loaded dice; he would lose always.</p> +<p>One person in the whole world had cared for him, for longer +than he could remember, cared for him perhaps more than he knew, +cared for him perhaps now. But a wall of ice had mounted up +between him and her, and across it there blew that cold-breath +that chills or kills affection.</p> +<p>The words of a well-known old song, the wistful cry of a lost +cause, rang with insistent mockery through his brain:</p> +<blockquote><p>“Better loved you canna be,<br /> +Will ye ne’er come back again?”</p> +</blockquote> +<p>If it was love that was to bring him back he must be an exile +for ever. His epitaph in the mouths of those that +remembered him would be, Comus Bassington, the boy who never came +back.</p> +<p>And in his unutterable loneliness he bowed his head on his +arms, that he might not see the joyous scrambling frolic on +yonder hillside.</p> +<h2>CHAPTER XVII</h2> +<p><span class="smcap">The</span> bleak rawness of a grey +December day held sway over St. James’s Park, that +sanctuary of lawn and tree and pool, into which the bourgeois +innovator has rushed ambitiously time and again, to find that he +must take the patent leather from off his feet, for the ground on +which he stands is hallowed ground.</p> +<p>In the lonely hour of early afternoon, when the workers had +gone back to their work, and the loiterers were scarcely yet +gathered again, Francesca Bassington made her way restlessly +along the stretches of gravelled walk that bordered the +ornamental water. The overmastering unhappiness that filled +her heart and stifled her thinking powers found answering echo in +her surroundings. There is a sorrow that lingers in old +parks and gardens that the busy streets have no leisure to keep +by them; the dead must bury their dead in Whitehall or the Place +de la Concorde, but there are quieter spots where they may still +keep tryst with the living and intrude the memory of their bygone +selves on generations that have almost forgotten them. Even +in tourist-trampled Versailles the desolation of a tragedy that +cannot die haunts the terraces and fountains like a bloodstain +that will not wash out; in the Saxon Garden at Warsaw there +broods the memory of long-dead things, coeval with the stately +trees that shade its walks, and with the carp that swim to-day in +its ponds as they doubtless swam there when “Lieber +Augustin” was a living person and not as yet an immortal +couplet. And St. James’s Park, with its lawns and +walks and waterfowl, harbours still its associations with a +bygone order of men and women, whose happiness and sadness are +woven into its history, dim and grey as they were once bright and +glowing, like the faded pattern worked into the fabric of an old +tapestry. It was here that Francesca had made her way when +the intolerable inaction of waiting had driven her forth from her +home. She was waiting for that worst news of all, the news +which does not kill hope, because there has been none to kill, +but merely ends suspense. An early message had said that +Comus was ill, which might have meant much or little; then there +had come that morning a cablegram which only meant one thing; in +a few hours she would get a final message, of which this was the +preparatory forerunner. She already knew as much as that +awaited message would tell her. She knew that she would +never see Comus again, and she knew now that she loved him beyond +all things that the world could hold for her. It was no +sudden rush of pity or compunction that clouded her judgment or +gilded her recollection of him; she saw him as he was, the +beautiful, wayward, laughing boy, with his naughtiness, his +exasperating selfishness, his insurmountable folly and +perverseness, his cruelty that spared not even himself, and as he +was, as he always had been, she knew that he was the one thing +that the Fates had willed that she should love. She did not +stop to accuse or excuse herself for having sent him forth to +what was to prove his death. It was, doubtless, right and +reasonable that he should have gone out there, as hundreds of +other men went out, in pursuit of careers; the terrible thing was +that he would never come back. The old cruel hopelessness +that had always chequered her pride and pleasure in his good +looks and high spirits and fitfully charming ways had dealt her a +last crushing blow; he was dying somewhere thousands of miles +away without hope of recovery, without a word of love to comfort +him, and without hope or shred of consolation she was waiting to +hear of the end. The end; that last dreadful piece of news +which would write “nevermore” across his life and +hers.</p> +<p>The lively bustle in the streets had been a torture that she +could not bear. It wanted but two days to Christmas and the +gaiety of the season, forced or genuine, rang out +everywhere. Christmas shopping, with its anxious solicitude +or self-centred absorption, overspread the West End and made the +pavements scarcely passable at certain favoured points. +Proud parents, parcel-laden and surrounded by escorts of their +young people, compared notes with one another on the looks and +qualities of their offspring and exchanged loud hurried +confidences on the difficulty or success which each had +experienced in getting the right presents for one and all. +Shouted directions where to find this or that article at its best +mingled with salvos of Christmas good wishes. To Francesca, +making her way frantically through the carnival of happiness with +that lonely deathbed in her eyes, it had seemed a callous mockery +of her pain; could not people remember that there were +crucifixions as well as joyous birthdays in the world? +Every mother that she passed happy in the company of a +fresh-looking clean-limbed schoolboy son sent a fresh stab at her +heart, and the very shops had their bitter memories. There +was the tea-shop where he and she had often taken tea together, +or, in the days of their estrangement, sat with their separate +friends at separate tables. There were other shops where +extravagantly-incurred bills had furnished material for those +frequently recurring scenes of recrimination, and the Colonial +outfitters, where, as he had phrased it in whimsical mockery, he +had bought grave-clothes for his burying-alive. The +“oubliette!” She remembered the bitter petulant +name he had flung at his destined exile. There at least he +had been harder on himself than the Fates were pleased to will; +never, as long as Francesca lived and had a brain that served +her, would she be able to forget. That narcotic would never +be given to her. Unrelenting, unsparing memory would be +with her always to remind her of those last days of +tragedy. Already her mind was dwelling on the details of +that ghastly farewell dinner-party and recalling one by one the +incidents of ill-omen that had marked it; how they had sat down +seven to table and how one liqueur glass in the set of seven had +been shivered into fragments; how her glass had slipped from her +hand as she raised it to her lips to wish Comus a safe return; +and the strange, quiet hopelessness of Lady Veula’s +“good-bye”; she remembered now how it had chilled and +frightened her at the moment.</p> +<p>The park was filling again with its floating population of +loiterers, and Francesca’s footsteps began to take a +homeward direction. Something seemed to tell her that the +message for which she waited had arrived and was lying there on +the hall table. Her brother, who had announced his +intention of visiting her early in the afternoon would have gone +by now; he knew nothing of this morning’s bad +news—the instinct of a wounded animal to creep away by +itself had prompted her to keep her sorrow from him as long as +possible. His visit did not necessitate her presence; he +was bringing an Austrian friend, who was compiling a work on the +Franco-Flemish school of painting, to inspect the Van der Meulen, +which Henry Greech hoped might perhaps figure as an illustration +in the book. They were due to arrive shortly after lunch, +and Francesca had left a note of apology, pleading an urgent +engagement elsewhere. As she turned to make her way across +the Mall into the Green Park a gentle voice hailed her from a +carriage that was just drawing up by the sidewalk. Lady +Caroline Benaresq had been favouring the Victoria Memorial with a +long unfriendly stare.</p> +<p>“In primitive days,” she remarked, “I +believe it was the fashion for great chiefs and rulers to have +large numbers of their relatives and dependents killed and buried +with them; in these more enlightened times we have invented quite +another way of making a great Sovereign universally +regretted. My dear Francesca,” she broke off +suddenly, catching the misery that had settled in the +other’s eyes, “what is the matter? Have you had +bad news from out there?”</p> +<p>“I am waiting for very bad news,” said Francesca, +and Lady Caroline knew what had happened.</p> +<p>“I wish I could say something; I +can’t.” Lady Caroline spoke in a harsh, +grunting voice that few people had ever heard her use.</p> +<p>Francesca crossed the Mall and the carriage drove on.</p> +<p>“Heaven help that poor woman,” said Lady Caroline; +which was, for her, startlingly like a prayer.</p> +<p>As Francesca entered the hall she gave a quick look at the +table; several packages, evidently an early batch of Christmas +presents, were there, and two or three letters. On a salver +by itself was the cablegram for which she had waited. A +maid, who had evidently been on the lookout for her, brought her +the salver. The servants were well aware of the dreadful +thing that was happening, and there was pity on the girl’s +face and in her voice.</p> +<p>“This came for you ten minutes ago, ma’am, and Mr. +Greech has been here, ma’am, with another gentleman, and +was sorry you weren’t at home. Mr. Greech said he +would call again in about half-an-hour.”</p> +<p>Francesca carried the cablegram unopened into the drawing-room +and sat down for a moment to think. There was no need to +read it yet, for she knew what she would find written +there. For a few pitiful moments Comus would seem less +hopelessly lost to her if she put off the reading of that last +terrible message. She rose and crossed over to the windows +and pulled down the blinds, shutting out the waning December day, +and then reseated herself. Perhaps in the shadowy +half-light her boy would come and sit with her again for awhile +and let her look her last upon his loved face; she could never +touch him again or hear his laughing, petulant voice, but surely +she might look on her dead. And her starving eyes saw only +the hateful soulless things of bronze and silver and porcelain +that she had set up and worshipped as gods; look where she would +they were there around her, the cold ruling deities of the home +that held no place for her dead boy. He had moved in and +out among them, the warm, living, breathing thing that had been +hers to love, and she had turned her eyes from that youthful +comely figure to adore a few feet of painted canvas, a musty +relic of a long departed craftsman. And now he was gone +from her sight, from her touch, from her hearing for ever, +without even a thought to flash between them for all the dreary +years that she should live, and these things of canvas and +pigment and wrought metal would stay with her. They were +her soul. And what shall it profit a man if he save his +soul and slay his heart in torment?</p> +<p>On a small table by her side was Mervyn Quentock’s +portrait of her—the prophetic symbol of her tragedy; the +rich dead harvest of unreal things that had never known life, and +the bleak thrall of black unending Winter, a Winter in which +things died and knew no re-awakening.</p> +<p>Francesca turned to the small envelope lying in her lap; very +slowly she opened it and read the short message. Then she +sat numb and silent for a long, long time, or perhaps only for +minutes. The voice of Henry Greech in the hall, enquiring +for her, called her to herself. Hurriedly she crushed the piece +of paper out of sight; he would have to be told, of course, but +just yet her pain seemed too dreadful to be laid bare. +“Comus is dead” was a sentence beyond her power to +speak.</p> +<p>“I have bad news for you, Francesca, I’m sorry to +say,” Henry announced. Had he heard, too?</p> +<p>“Henneberg has been here and looked at the +picture,” he continued, seating himself by her side, +“and though he admired it immensely as a work of art he +gave me a disagreeable surprise by assuring me that it’s +not a genuine Van der Meulen. It’s a splendid copy, +but still, unfortunately, only a copy.”</p> +<p>Henry paused and glanced at his sister to see how she had +taken the unwelcome announcement. Even in the dim light he +caught some of the anguish in her eyes.</p> +<p>“My dear Francesca,” he said soothingly, laying +his hand affectionately on her arm, “I know that this must +be a great disappointment to you, you’ve always set such +store by this picture, but you mustn’t take it too much to +heart. These disagreeable discoveries come at times to most +picture fanciers and owners. Why, about twenty per cent. of +the alleged Old Masters in the Louvre are supposed to be wrongly +attributed. And there are heaps of similar cases in this +country. Lady Dovecourt was telling me the other day that +they simply daren’t have an expert in to examine the Van +Dykes at Columbey for fear of unwelcome disclosures. And +besides, your picture is such an excellent copy that it’s +by no means without a value of its own. You must get over +the disappointment you naturally feel, and take a philosophical +view of the matter. . . ”</p> +<p>Francesca sat in stricken silence, crushing the folded morsel +of paper tightly in her hand and wondering if the thin, cheerful +voice with its pitiless, ghastly mockery of consolation would +never stop.</p> +<p>***END OF THE PROJECT GUTENBERG EBOOK THE UNBEARABLE BASSINGTON***</p> +<pre> + + +***** This file should be named 555-h.htm or 555-h.zip****** + + +This and all associated files of various formats will be found in: +http://www.gutenberg.org/dirs/5/5/555 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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You can also find out about how to make a +donation to Project Gutenberg, and how to get involved. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**eBooks Readable By Both Humans and By Computers, Since 1971** + +*****These eBooks Were Prepared By Thousands of Volunteers!***** + + +Title: The Unbearable Bassington + +Author: Saki + +Release Date: Jun, 1996 [EBook #555] +[Yes, we are more than one year ahead of schedule] +[This file was first posted on April 7, 1996] +[Most recently updated: August 27, 2002] + +Edition: 10 + +Language: English + +Character set encoding: ASCII + +*** START OF THE PROJECT GUTENBERG EBOOK, THE UNBEARABLE BASSINGTON *** + + + + +Transcribed from the 1913 John Lane edition by David Price, email +ccx074@coventry.ac.uk + + + + +THE UNBEARABLE BASSINGTON + + + + +CHAPTER I + + + +Francesca Bassington sat in the drawing-room of her house in Blue +Street, W., regaling herself and her estimable brother Henry with +China tea and small cress sandwiches. The meal was of that elegant +proportion which, while ministering sympathetically to the desires +of the moment, is happily reminiscent of a satisfactory luncheon +and blessedly expectant of an elaborate dinner to come. + +In her younger days Francesca had been known as the beautiful Miss +Greech; at forty, although much of the original beauty remained, +she was just dear Francesca Bassington. No one would have dreamed +of calling her sweet, but a good many people who scarcely knew her +were punctilious about putting in the "dear." + +Her enemies, in their honester moments, would have admitted that +she was svelte and knew how to dress, but they would have agreed +with her friends in asserting that she had no soul. When one's +friends and enemies agree on any particular point they are usually +wrong. Francesca herself, if pressed in an unguarded moment to +describe her soul, would probably have described her drawing-room. +Not that she would have considered that the one had stamped the +impress of its character on the other, so that close scrutiny might +reveal its outstanding features, and even suggest its hidden +places, but because she might have dimly recognised that her +drawing-room was her soul. + +Francesca was one of those women towards whom Fate appears to have +the best intentions and never to carry them into practice. With +the advantages put at her disposal she might have been expected to +command a more than average share of feminine happiness. So many +of the things that make for fretfulness, disappointment and +discouragement in a woman's life were removed from her path that +she might well have been considered the fortunate Miss Greech, or +later, lucky Francesca Bassington. And she was not of the perverse +band of those who make a rock-garden of their souls by dragging +into them all the stoney griefs and unclaimed troubles they can +find lying around them. Francesca loved the smooth ways and +pleasant places of life; she liked not merely to look on the bright +side of things but to live there and stay there. And the fact that +things had, at one time and another, gone badly with her and +cheated her of some of her early illusions made her cling the +closer to such good fortune as remained to her now that she seemed +to have reached a calmer period of her life. To undiscriminating +friends she appeared in the guise of a rather selfish woman, but it +was merely the selfishness of one who had seen the happy and +unhappy sides of life and wished to enjoy to the utmost what was +left to her of the former. The vicissitudes of fortune had not +soured her, but they had perhaps narrowed her in the sense of +making her concentrate much of her sympathies on things that +immediately pleased and amused her, or that recalled and +perpetuated the pleasing and successful incidents of other days. +And it was her drawing-room in particular that enshrined the +memorials or tokens of past and present happiness. + +Into that comfortable quaint-shaped room of angles and bays and +alcoves had sailed, as into a harbour, those precious personal +possessions and trophies that had survived the buffetings and +storms of a not very tranquil married life. Wherever her eyes +might turn she saw the embodied results of her successes, +economies, good luck, good management or good taste. The battle +had more than once gone against her, but she had somehow always +contrived to save her baggage train, and her complacent gaze could +roam over object after object that represented the spoils of +victory or the salvage of honourable defeat. The delicious bronze +Fremiet on the mantelpiece had been the outcome of a Grand Prix +sweepstake of many years ago; a group of Dresden figures of some +considerable value had been bequeathed to her by a discreet +admirer, who had added death to his other kindnesses; another group +had been a self-bestowed present, purchased in blessed and unfading +memory of a wonderful nine-days' bridge winnings at a country-house +party. There were old Persian and Bokharan rugs and Worcester tea- +services of glowing colour, and little treasures of antique silver +that each enshrined a history or a memory in addition to its own +intrinsic value. It amused her at times to think of the bygone +craftsmen and artificers who had hammered and wrought and woven in +far distant countries and ages, to produce the wonderful and +beautiful things that had come, one way and another, into her +possession. Workers in the studios of medieval Italian towns and +of later Paris, in the bazaars of Baghdad and of Central Asia, in +old-time English workshops and German factories, in all manner of +queer hidden corners where craft secrets were jealously guarded, +nameless unremembered men and men whose names were world-renowned +and deathless. + +And above all her other treasures, dominating in her estimation +every other object that the room contained, was the great Van der +Meulen that had come from her father's home as part of her wedding +dowry. It fitted exactly into the central wall panel above the +narrow buhl cabinet, and filled exactly its right space in the +composition and balance of the room. From wherever you sat it +seemed to confront you as the dominating feature of its +surroundings. There was a pleasing serenity about the great +pompous battle scene with its solemn courtly warriors bestriding +their heavily prancing steeds, grey or skewbald or dun, all gravely +in earnest, and yet somehow conveying the impression that their +campaigns were but vast serious picnics arranged in the grand +manner. Francesca could not imagine the drawing-room without the +crowning complement of the stately well-hung picture, just as she +could not imagine herself in any other setting than this house in +Blue Street with its crowded Pantheon of cherished household gods. + +And herein sprouted one of the thorns that obtruded through the +rose-leaf damask of what might otherwise have been Francesca's +peace of mind. One's happiness always lies in the future rather +than in the past. With due deference to an esteemed lyrical +authority one may safely say that a sorrow's crown of sorrow is +anticipating unhappier things. The house in Blue Street had been +left to her by her old friend Sophie Chetrof, but only until such +time as her niece Emmeline Chetrof should marry, when it was to +pass to her as a wedding present. Emmeline was now seventeen and +passably good-looking, and four or five years were all that could +be safely allotted to the span of her continued spinsterhood. +Beyond that period lay chaos, the wrenching asunder of Francesca +from the sheltering habitation that had grown to be her soul. It +is true that in imagination she had built herself a bridge across +the chasm, a bridge of a single span. The bridge in question was +her schoolboy son Comus, now being educated somewhere in the +southern counties, or rather one should say the bridge consisted of +the possibility of his eventual marriage with Emmeline, in which +case Francesca saw herself still reigning, a trifle squeezed and +incommoded perhaps, but still reigning in the house in Blue Street. +The Van der Meulen would still catch its requisite afternoon light +in its place of honour, the Fremiet and the Dresden and Old +Worcester would continue undisturbed in their accustomed niches. +Emmeline could have the Japanese snuggery, where Francesca +sometimes drank her after-dinner coffee, as a separate drawing- +room, where she could put her own things. The details of the +bridge structure had all been carefully thought out. Only--it was +an unfortunate circumstance that Comus should have been the span on +which everything balanced. + +Francesca's husband had insisted on giving the boy that strange +Pagan name, and had not lived long enough to judge as to the +appropriateness, or otherwise, of its significance. In seventeen +years and some odd months Francesca had had ample opportunity for +forming an opinion concerning her son's characteristics. The +spirit of mirthfulness which one associates with the name certainly +ran riot in the boy, but it was a twisted wayward sort of mirth of +which Francesca herself could seldom see the humorous side. In her +brother Henry, who sat eating small cress sandwiches as solemnly as +though they had been ordained in some immemorial Book of +Observances, fate had been undisguisedly kind to her. He might so +easily have married some pretty helpless little woman, and lived at +Notting Hill Gate, and been the father of a long string of pale, +clever useless children, who would have had birthdays and the sort +of illnesses that one is expected to send grapes to, and who would +have painted fatuous objects in a South Kensington manner as +Christmas offerings to an aunt whose cubic space for lumber was +limited. Instead of committing these unbrotherly actions, which +are so frequent in family life that they might almost be called +brotherly, Henry had married a woman who had both money and a sense +of repose, and their one child had the brilliant virtue of never +saying anything which even its parents could consider worth +repeating. Then he had gone into Parliament, possibly with the +idea of making his home life seem less dull; at any rate it +redeemed his career from insignificance, for no man whose death can +produce the item "another by-election" on the news posters can be +wholly a nonentity. Henry, in short, who might have been an +embarrassment and a handicap, had chosen rather to be a friend and +counsellor, at times even an emergency bank balance; Francesca on +her part, with the partiality which a clever and lazily-inclined +woman often feels for a reliable fool, not only sought his counsel +but frequently followed it. When convenient, moreover, she repaid +his loans. + +Against this good service on the part of Fate in providing her with +Henry for a brother, Francesca could well set the plaguy malice of +the destiny that had given her Comus for a son. The boy was one of +those untameable young lords of misrule that frolic and chafe +themselves through nursery and preparatory and public-school days +with the utmost allowance of storm and dust and dislocation and the +least possible amount of collar-work, and come somehow with a laugh +through a series of catastrophes that has reduced everyone else +concerned to tears or Cassandra-like forebodings. Sometimes they +sober down in after-life and become uninteresting, forgetting that +they were ever lords of anything; sometimes Fate plays royally into +their hands, and they do great things in a spacious manner, and are +thanked by Parliaments and the Press and acclaimed by gala-day +crowds. But in most cases their tragedy begins when they leave +school and turn themselves loose in a world that has grown too +civilised and too crowded and too empty to have any place for them. +And they are very many. + +Henry Greech had made an end of biting small sandwiches, and +settled down like a dust-storm refreshed, to discuss one of the +fashionably prevalent topics of the moment, the prevention of +destitution. + +"It is a question that is only being nibbled at, smelt at, one +might say, at the present moment," he observed, "but it is one that +will have to engage our serious attention and consideration before +long. The first thing that we shall have to do is to get out of +the dilettante and academic way of approaching it. We must collect +and assimilate hard facts. It is a subject that ought to appeal to +all thinking minds, and yet, you know, I find it surprisingly +difficult to interest people in it." + +Francesca made some monosyllabic response, a sort of sympathetic +grunt which was meant to indicate that she was, to a certain +extent, listening and appreciating. In reality she was reflecting +that Henry possibly found it difficult to interest people in any +topic that he enlarged on. His talents lay so thoroughly in the +direction of being uninteresting, that even as an eye-witness of +the massacre of St. Bartholomew he would probably have infused a +flavour of boredom into his descriptions of the event. + +"I was speaking down in Leicestershire the other day on this +subject," continued Henry, "and I pointed out at some length a +thing that few people ever stop to consider--" + +Francesca went over immediately but decorously to the majority that +will not stop to consider. + +"Did you come across any of the Barnets when you were down there?" +she interrupted; "Eliza Barnet is rather taken up with all those +subjects." + +In the propagandist movements of Sociology, as in other arenas of +life and struggle, the fiercest competition and rivalry is +frequently to be found between closely allied types and species. +Eliza Barnet shared many of Henry Greech's political and social +views, but she also shared his fondness for pointing things out at +some length; there had been occasions when she had extensively +occupied the strictly limited span allotted to the platform oratory +of a group of speakers of whom Henry Greech had been an impatient +unit. He might see eye to eye with her on the leading questions of +the day, but he persistently wore mental blinkers as far as her +estimable qualities were concerned, and the mention of her name was +a skilful lure drawn across the trail of his discourse; if +Francesca had to listen to his eloquence on any subject she much +preferred that it should be a disparagement of Eliza Barnet rather +than the prevention of destitution. + +"I've no doubt she means well," said Henry, "but it would be a good +thing if she could be induced to keep her own personality a little +more in the background, and not to imagine that she is the +necessary mouthpiece of all the progressive thought in the +countryside. I fancy Canon Besomley must have had her in his mind +when he said that some people came into the world to shake empires +and others to move amendments." + +Francesca laughed with genuine amusement. + +"I suppose she is really wonderfully well up in all the subjects +she talks about," was her provocative comment. + +Henry grew possibly conscious of the fact that he was being drawn +out on the subject of Eliza Barnet, and he presently turned on to a +more personal topic. + +"From the general air of tranquillity about the house I presume +Comus has gone back to Thaleby," he observed. + +"Yes," said Francesca, "he went back yesterday. Of course, I'm +very fond of him, but I bear the separation well. When he's here +it's rather like having a live volcano in the house, a volcano that +in its quietest moments asks incessant questions and uses strong +scent." + +"It is only a temporary respite," said Henry; "in a year or two he +will be leaving school, and then what?" + +Francesca closed her eyes with the air of one who seeks to shut out +a distressing vision. She was not fond of looking intimately at +the future in the presence of another person, especially when the +future was draped in doubtfully auspicious colours. + +"And then what?" persisted Henry. + +"Then I suppose he will be upon my hands." + +"Exactly." + +"Don't sit there looking judicial. I'm quite ready to listen to +suggestions if you've any to make." + +"In the case of any ordinary boy," said Henry, "I might make lots +of suggestions as to the finding of suitable employment. From what +we know of Comus it would be rather a waste of time for either of +us to look for jobs which he wouldn't look at when we'd got them +for him." + +"He must do something," said Francesca. + +"I know he must; but he never will. At least, he'll never stick to +anything. The most hopeful thing to do with him will be to marry +him to an heiress. That would solve the financial side of his +problem. If he had unlimited money at his disposal, he might go +into the wilds somewhere and shoot big game. I never know what the +big game have done to deserve it, but they do help to deflect the +destructive energies of some of our social misfits." + +Henry, who never killed anything larger or fiercer than a trout, +was scornfully superior on the subject of big game shooting. + +Francesca brightened at the matrimonial suggestion. "I don't know +about an heiress," she said reflectively. "There's Emmeline +Chetrof of course. One could hardly call her an heiress, but she's +got a comfortable little income of her own and I suppose something +more will come to her from her grandmother. Then, of course, you +know this house goes to her when she marries." + +"That would be very convenient," said Henry, probably following a +line of thought that his sister had trodden many hundreds of times +before him. "Do she and Comus hit it off at all well together?" + +"Oh, well enough in boy and girl fashion," said Francesca. "I must +arrange for them to see more of each other in future. By the way, +that little brother of hers that she dotes on, Lancelot, goes to +Thaleby this term. I'll write and tell Comus to be specially kind +to him; that will be a sure way to Emmeline's heart. Comus has +been made a prefect, you know. Heaven knows why." + +"It can only be for prominence in games," sniffed Henry; "I think +we may safely leave work and conduct out of the question." + +Comus was not a favourite with his uncle. + +Francesca had turned to her writing cabinet and was hastily +scribbling a letter to her son in which the delicate health, timid +disposition and other inevitable attributes of the new boy were +brought to his notice, and commanded to his care. When she had +sealed and stamped the envelope Henry uttered a belated caution. + +"Perhaps on the whole it would be wiser to say nothing about the +boy to Comus. He doesn't always respond to directions you know." + +Francesca did know, and already was more than half of her brother's +opinion; but the woman who can sacrifice a clean unspoiled penny +stamp is probably yet unborn. + + + +CHAPTER II + + + +Lancelot Chetrof stood at the end of a long bare passage, +restlessly consulting his watch and fervently wishing himself half +an hour older with a certain painful experience already registered +in the past; unfortunately it still belonged to the future, and +what was still more horrible, to the immediate future. Like many +boys new to a school he had cultivated an unhealthy passion for +obeying rules and requirements, and his zeal in this direction had +proved his undoing. In his hurry to be doing two or three +estimable things at once he had omitted to study the notice-board +in more than a perfunctory fashion and had thereby missed a +football practice specially ordained for newly-joined boys. His +fellow juniors of a term's longer standing had graphically +enlightened him as to the inevitable consequences of his lapse; the +dread which attaches to the unknown was, at any rate, deleted from +his approaching doom, though at the moment he felt scarcely +grateful for the knowledge placed at his disposal with such lavish +solicitude. + +"You'll get six of the very best, over the back of a chair," said +one. + +"They'll draw a chalk line across you, of course you know," said +another. + +"A chalk line?" + +"Rather. So that every cut can be aimed exactly at the same spot. +It hurts much more that way." + +Lancelot tried to nourish a wan hope that there might be an element +of exaggeration in this uncomfortably realistic description. + +Meanwhile in the prefects' room at the other end of the passage, +Comus Bassington and a fellow prefect sat also waiting on time, but +in a mood of far more pleasurable expectancy. Comus was one of the +most junior of the prefect caste, but by no means the least well- +known, and outside the masters' common-room he enjoyed a certain +fitful popularity, or at any rate admiration. At football he was +too erratic to be a really brilliant player, but he tackled as if +the act of bringing his man headlong to the ground was in itself a +sensuous pleasure, and his weird swear-words whenever he got hurt +were eagerly treasured by those who were fortunate enough to hear +them. At athletics in general he was a showy performer, and +although new to the functions of a prefect he had already +established a reputation as an effective and artistic caner. In +appearance he exactly fitted his fanciful Pagan name. His large +green-grey eyes seemed for ever asparkle with goblin mischief and +the joy of revelry, and the curved lips might have been those of +some wickedly-laughing faun; one almost expected to see embryo +horns fretting the smoothness of his sleek dark hair. The chin was +firm, but one looked in vain for a redeeming touch of ill-temper in +the handsome, half-mocking, half-petulant face. With a strain of +sourness in him Comus might have been leavened into something +creative and masterful; fate had fashioned him with a certain +whimsical charm, and left him all unequipped for the greater +purposes of life. Perhaps no one would have called him a lovable +character, but in many respects he was adorable; in all respects he +was certainly damned. + +Rutley, his companion of the moment, sat watching him and +wondering, from the depths of a very ordinary brain, whether he +liked or hated him; it was easy to do either. + +"It's not really your turn to cane," he said. + +"I know it's not," said Comus, fingering a very serviceable-looking +cane as lovingly as a pious violinist might handle his Strad. "I +gave Greyson some mint-chocolate to let me toss whether I caned or +him, and I won. He was rather decent over it and let me have half +the chocolate back." + +The droll lightheartedness which won Comus Bassington such measure +of popularity as he enjoyed among his fellows did not materially +help to endear him to the succession of masters with whom he came +in contact during the course of his schooldays. He amused and +interested such of them as had the saving grace of humour at their +disposal, but if they sighed when he passed from their immediate +responsibility it was a sigh of relief rather than of regret. The +more enlightened and experienced of them realised that he was +something outside the scope of the things that they were called +upon to deal with. A man who has been trained to cope with storms, +to foresee their coming, and to minimise their consequences, may be +pardoned if he feels a certain reluctance to measure himself +against a tornado. + +Men of more limited outlook and with a correspondingly larger +belief in their own powers were ready to tackle the tornado had +time permitted. + +"I think I could tame young Bassington if I had your +opportunities," a form-master once remarked to a colleague whose +House had the embarrassing distinction of numbering Comus among its +inmates. + +"Heaven forbid that I should try," replied the housemaster. + +"But why?" asked the reformer. + +"Because Nature hates any interference with her own arrangements, +and if you start in to tame the obviously untameable you are taking +a fearful responsibility on yourself." + +"Nonsense; boys are Nature's raw material." + +"Millions of boys are. There are just a few, and Bassington is one +of them, who are Nature's highly finished product when they are in +the schoolboy stage, and we, who are supposed to be moulding raw +material, are quite helpless when we come in contact with them." + +"But what happens to them when they grow up?" + +"They never do grow up," said the housemaster; "that is their +tragedy. Bassington will certainly never grow out of his present +stage." + +"Now you are talking in the language of Peter Pan," said the form- +master. + +"I am not thinking in the manner of Peter Pan," said the other. +"With all reverence for the author of that masterpiece I should say +he had a wonderful and tender insight into the child mind and knew +nothing whatever about boys. To make only one criticism on that +particular work, can you imagine a lot of British boys, or boys of +any country that one knows of, who would stay contentedly playing +children's games in an underground cave when there were wolves and +pirates and Red Indians to be had for the asking on the other side +of the trap door?" + +The form-master laughed. "You evidently think that the 'Boy who +would not grow up' must have been written by a 'grown-up who could +never have been a boy.' Perhaps that is the meaning of the 'Never- +never Land.' I daresay you're right in your criticism, but I don't +agree with you about Bassington. He's a handful to deal with, as +anyone knows who has come in contact with him, but if one's hands +weren't full with a thousand and one other things I hold to my +opinion that he could be tamed." + +And he went his way, having maintained a form-master's inalienable +privilege of being in the right. + +* * * * * + +In the prefects' room, Comus busied himself with the exact position +of a chair planted out in the middle of the floor. + +"I think everything's ready," he said. + +Rutley glanced at the clock with the air of a Roman elegant in the +Circus, languidly awaiting the introduction of an expected +Christian to an expectant tiger. + +"The kid is due in two minutes," he said. + +"He'd jolly well better not be late," said Comus. + +Comus had gone through the mill of many scorching castigations in +his earlier school days, and was able to appreciate to the last +ounce the panic that must be now possessing his foredoomed victim, +probably at this moment hovering miserably outside the door. After +all, that was part of the fun of the thing, and most things have +their amusing side if one knows where to look for it. + +There was a knock at the door, and Lancelot entered in response to +a hearty friendly summons to "come in." + +"I've come to be caned," he said breathlessly; adding by way of +identification, "my name's Chetrof." + +"That's quite bad enough in itself," said Comus, "but there is +probably worse to follow. You are evidently keeping something back +from us." + +"I missed a footer practice," said Lancelot + +"Six," said Comus briefly, picking up his cane. + +"I didn't see the notice on the board," hazarded Lancelot as a +forlorn hope. + +"We are always pleased to listen to excuses, and our charge is two +extra cuts. That will be eight. Get over." + +And Comus indicated the chair that stood in sinister isolation in +the middle of the room. Never had an article of furniture seemed +more hateful in Lancelot's eyes. Comus could well remember the +time when a chair stuck in the middle of a room had seemed to him +the most horrible of manufactured things. + +"Lend me a piece of chalk," he said to his brother prefect. + +Lancelot ruefully recognised the truth of the chalk-line story. + +Comus drew the desired line with an anxious exactitude which he +would have scorned to apply to a diagram of Euclid or a map of the +Russo-Persian frontier. + +"Bend a little more forward," he said to the victim, "and much +tighter. Don't trouble to look pleasant, because I can't see your +face anyway. It may sound unorthodox to say so, but this is going +to hurt you much more than it will hurt me." + +There was a carefully measured pause, and then Lancelot was made +vividly aware of what a good cane can be made to do in really +efficient hands. At the second cut he projected himself hurriedly +off the chair. + +"Now I've lost count," said Comus; "we shall have to begin all over +again. Kindly get back into the same position. If you get down +again before I've finished Rutley will hold you over and you'll get +a dozen." + +Lancelot got back on to the chair, and was re-arranged to the taste +of his executioner. He stayed there somehow or other while Comus +made eight accurate and agonisingly effective shots at the chalk +line. + +"By the way," he said to his gasping and gulping victim when the +infliction was over, "you said Chetrof, didn't you? I believe I've +been asked to be kind to you. As a beginning you can clean out my +study this afternoon. Be awfully careful how you dust the old +china. If you break any don't come and tell me but just go and +drown yourself somewhere; it will save you from a worse fate." + +"I don't know where your study is," said Lancelot between his +chokes. + +"You'd better find it or I shall have to beat you, really hard this +time. Here, you'd better keep this chalk in your pocket, it's sure +to come in handy later on. Don't stop to thank me for all I've +done, it only embarrasses me." + +As Comus hadn't got a study Lancelot spent a feverish half-hour in +looking for it, incidentally missing another footer practice. + +"Everything is very jolly here," wrote Lancelot to his sister +Emmeline. "The prefects can give you an awful hot time if they +like, but most of them are rather decent. Some are Beasts. +Bassington is a prefect though only a junior one. He is the Limit +as Beasts go. At least I think so." + +Schoolboy reticence went no further, but Emmeline filled in the +gaps for herself with the lavish splendour of feminine imagination. +Francesca's bridge went crashing into the abyss. + + + +CHAPTER III + + + +On the evening of a certain November day, two years after the +events heretofore chronicled, Francesca Bassington steered her way +through the crowd that filled the rooms of her friend Serena +Golackly, bestowing nods of vague recognition as she went, but with +eyes that were obviously intent on focussing one particular figure. +Parliament had pulled its energies together for an Autumn Session, +and both political Parties were fairly well represented in the +throng. Serena had a harmless way of inviting a number of more or +less public men and women to her house, and hoping that if you left +them together long enough they would constitute a salon. In +pursuance of the same instinct she planted the flower borders at +her week-end cottage retreat in Surrey with a large mixture of +bulbs, and called the result a Dutch garden. Unfortunately, though +you may bring brilliant talkers into your home, you cannot always +make them talk brilliantly, or even talk at all; what is worse you +cannot restrict the output of those starling-voiced dullards who +seem to have, on all subjects, so much to say that was well worth +leaving unsaid. One group that Francesca passed was discussing a +Spanish painter, who was forty-three, and had painted thousands of +square yards of canvas in his time, but of whom no one in London +had heard till a few months ago; now the starling-voices seemed +determined that one should hear of very little else. Three women +knew how his name was pronounced, another always felt that she must +go into a forest and pray whenever she saw his pictures, another +had noticed that there were always pomegranates in his later +compositions, and a man with an indefensible collar knew what the +pomegranates "meant." "What I think so splendid about him," said a +stout lady in a loud challenging voice, "is the way he defies all +the conventions of art while retaining all that the conventions +stand for." "Ah, but have you noticed--" put in the man with the +atrocious collar, and Francesca pushed desperately on, wondering +dimly as she went, what people found so unsupportable in the +affliction of deafness. Her progress was impeded for a moment by a +couple engaged in earnest and voluble discussion of some +smouldering question of the day; a thin spectacled young man with +the receding forehead that so often denotes advanced opinions, was +talking to a spectacled young woman with a similar type of +forehead, and exceedingly untidy hair. It was her ambition in life +to be taken for a Russian girl-student, and she had spent weeks of +patient research in trying to find out exactly where you put the +tea-leaves in a samovar. She had once been introduced to a young +Jewess from Odessa, who had died of pneumonia the following week; +the experience, slight as it was, constituted the spectacled young +lady an authority on all things Russian in the eyes of her +immediate set. + +"Talk is helpful, talk is needful," the young man was saying, "but +what we have got to do is to lift the subject out of the furrow of +indisciplined talk and place it on the threshing-floor of practical +discussion." + +The young woman took advantage of the rhetorical full-stop to dash +in with the remark which was already marshalled on the tip of her +tongue. + +"In emancipating the serfs of poverty we must be careful to avoid +the mistakes which Russian bureaucracy stumbled into when +liberating the serfs of the soil." + +She paused in her turn for the sake of declamatory effect, but +recovered her breath quickly enough to start afresh on level terms +with the young man, who had jumped into the stride of his next +sentence. + +"They got off to a good start that time," said Francesca to +herself; "I suppose it's the Prevention of Destitution they're +hammering at. What on earth would become of these dear good people +if anyone started a crusade for the prevention of mediocrity?" + +Midway through one of the smaller rooms, still questing for an +elusive presence, she caught sight of someone that she knew, and +the shadow of a frown passed across her face. The object of her +faintly signalled displeasure was Courtenay Youghal, a political +spur-winner who seemed absurdly youthful to a generation that had +never heard of Pitt. It was Youghal's ambition--or perhaps his +hobby--to infuse into the greyness of modern political life some of +the colour of Disraelian dandyism, tempered with the correctness of +Anglo-Saxon taste, and supplemented by the flashes of wit that were +inherent from the Celtic strain in him. His success was only a +half-measure. The public missed in him that touch of blatancy +which it looks for in its rising public men; the decorative +smoothness of his chestnut-golden hair, and the lively sparkle of +his epigrams were counted to him for good, but the restrained +sumptuousness of his waistcoats and cravats were as wasted efforts. +If he had habitually smoked cigarettes in a pink coral mouthpiece, +or worn spats of Mackenzie tartan, the great heart of the voting- +man, and the gush of the paragraph-makers might have been +unreservedly his. The art of public life consists to a great +extent of knowing exactly where to stop and going a bit further. + +It was not Youghal's lack of political sagacity that had brought +the momentary look of disapproval into Francesca's face. The fact +was that Comus, who had left off being a schoolboy and was now a +social problem, had lately enrolled himself among the young +politician's associates and admirers, and as the boy knew and cared +nothing about politics, and merely copied Youghal's waistcoats, +and, less successfully, his conversation, Francesca felt herself +justified in deploring the intimacy. To a woman who dressed well +on comparatively nothing a year it was an anxious experience to +have a son who dressed sumptuously on absolutely nothing. + +The cloud that had passed over her face when she caught sight of +the offending Youghal was presently succeeded by a smile of +gratified achievement, as she encountered a bow of recognition and +welcome from a portly middle-aged gentleman, who seemed genuinely +anxious to include her in the rather meagre group that he had +gathered about him. + +"We were just talking about my new charge," he observed genially, +including in the "we" his somewhat depressed-looking listeners, who +in all human probability had done none of the talking. "I was just +telling them, and you may be interested to hear this--" + +Francesca, with Spartan stoicism, continued to wear an ingratiating +smile, though the character of the deaf adder that stoppeth her ear +and will not hearken, seemed to her at that moment a beautiful one. + +Sir Julian Jull had been a member of a House of Commons +distinguished for its high standard of well-informed mediocrity, +and had harmonised so thoroughly with his surroundings that the +most attentive observer of Parliamentary proceedings could scarcely +have told even on which side of the House he sat. A baronetcy +bestowed on him by the Party in power had at least removed that +doubt; some weeks later he had been made Governor of some West +Indian dependency, whether as a reward for having accepted the +baronetcy, or as an application of a theory that West Indian +islands get the Governors they deserve, it would have been hard to +say. To Sir Julian the appointment was, doubtless, one of some +importance; during the span of his Governorship the island might +possibly be visited by a member of the Royal Family, or at the +least by an earthquake, and in either case his name would get into +the papers. To the public the matter was one of absolute +indifference; "who is he and where is it?" would have correctly +epitomised the sum total of general information on the personal and +geographical aspects of the case. + +Francesca, however, from the moment she had heard of the likelihood +of the appointment, had taken a deep and lively interest in Sir +Julian. As a Member of Parliament he had not filled any very +pressing social want in her life, and on the rare occasions when +she took tea on the Terrace of the House she was wont to lapse into +rapt contemplation of St. Thomas's Hospital whenever she saw him +within bowing distance. But as Governor of an island he would, of +course, want a private secretary, and as a friend and colleague of +Henry Greech, to whom he was indebted for many little acts of +political support (they had once jointly drafted an amendment which +had been ruled out of order), what was more natural and proper than +that he should let his choice fall on Henry's nephew Comus? While +privately doubting whether the boy would make the sort of secretary +that any public man would esteem as a treasure, Henry was +thoroughly in agreement with Francesca as to the excellence and +desirability of an arrangement which would transplant that +troublesome' young animal from the too restricted and conspicuous +area that centres in the parish of St. James's to some misty corner +of the British dominion overseas. Brother and sister had conspired +to give an elaborate and at the same time cosy little luncheon to +Sir Julian on the very day that his appointment was officially +announced, and the question of the secretaryship had been mooted +and sedulously fostered as occasion permitted, until all that was +now needed to clinch the matter was a formal interview between His +Excellency and Comus. The boy had from the first shewn very little +gratification at the prospect of his deportation. To live on a +remote shark-girt island, as he expressed it, with the Jull family +as his chief social mainstay, and Sir Julian's conversation as a +daily item of his existence, did not inspire him with the same +degree of enthusiasm as was displayed by his mother and uncle, who, +after all, were not making the experiment. Even the necessity for +an entirely new outfit did not appeal to his imagination with the +force that might have been expected. But, however lukewarm his +adhesion to the project might be, Francesca and her brother were +clearly determined that no lack of deft persistence on their part +should endanger its success. It was for the purpose of reminding +Sir Julian of his promise to meet Comus at lunch on the following +day, and definitely settle the matter of the secretaryship that +Francesca was now enduring the ordeal of a long harangue on the +value of the West Indian group as an Imperial asset. Other +listeners dexterously detached themselves one by one, but +Francesca's patience outlasted even Sir Julian's flow of +commonplaces, and her devotion was duly rewarded by a renewed +acknowledgment of the lunch engagement and its purpose. She pushed +her way back through the throng of starling-voiced chatterers +fortified by a sense of well-earned victory. Dear Serena's absurd +salons served some good purpose after all. + +Francesca was not an early riser and her breakfast was only just +beginning to mobilise on the breakfast-table next morning when a +copy of The Times, sent by special messenger from her brother's +house, was brought up to her room. A heavy margin of blue +pencilling drew her attention to a prominently-printed letter which +bore the ironical heading: "Julian Jull, Proconsul." The matter +of the letter was a cruel dis-interment of some fatuous and +forgotten speeches made by Sir Julian to his constituents not many +years ago, in which the value of some of our Colonial possessions, +particularly certain West Indian islands, was decried in a medley +of pomposity, ignorance and amazingly cheap humour. The extracts +given sounded weak and foolish enough, taken by themselves, but the +writer of the letter had interlarded them with comments of his own, +which sparkled with an ironical brilliance that was Cervantes-like +in its polished cruelty. Remembering her ordeal of the previous +evening Francesca permitted herself a certain feeling of amusement +as she read the merciless stabs inflicted on the newly-appointed +Governor; then she came to the signature at the foot of the letter, +and the laughter died out of her eyes. "Comus Bassington" stared +at her from above a thick layer of blue pencil lines marked by +Henry Greech's shaking hand. + +Comus could no more have devised such a letter than he could have +written an Episcopal charge to the clergy of any given diocese. It +was obviously the work of Courtenay Youghal, and Comus, for a +palpable purpose of his own, had wheedled him into foregoing for +once the pride of authorship in a clever piece of political +raillery, and letting his young friend stand sponsor instead. It +was a daring stroke, and there could be no question as to its +success; the secretaryship and the distant shark-girt island faded +away into the horizon of impossible things. Francesca, forgetting +the golden rule of strategy which enjoins a careful choosing of +ground and opportunity before entering on hostilities, made +straight for the bathroom door, behind which a lively din of +splashing betokened that Comus had at least begun his toilet. + +"You wicked boy, what have you done?" she cried, reproachfully. + +"Me washee," came a cheerful shout; "me washee from the neck all +the way down to the merrythought, and now washee down from the +merrythought to--" + +"You have ruined your future. The Times has printed that miserable +letter with your signature." + +A loud squeal of joy came from the bath. "Oh, Mummy! Let me see!" + +There were sounds as of a sprawling dripping body clambering +hastily out of the bath. Francesca fled. One cannot effectively +scold a moist nineteen-year old boy clad only in a bath-towel and a +cloud of steam. + +Another messenger arrived before Francesca's breakfast was over. +This one brought a letter from Sir Julian Jull, excusing himself +from fulfilment of the luncheon engagement. + + + +CHAPTER IV + + + +Francesca prided herself on being able to see things from other +people's points of view, which meant, as it usually does, that she +could see her own point of view from various aspects. As regards +Comus, whose doings and non-doings bulked largely in her thoughts +at the present moment, she had mapped out in her mind so clearly +what his outlook in life ought to be, that she was peculiarly +unfitted to understand the drift of his feelings or the impulses +that governed them. Fate had endowed her with a son; in limiting +the endowment to a solitary offspring Fate had certainly shown a +moderation which Francesca was perfectly willing to acknowledge and +be thankful for; but then, as she pointed out to a certain +complacent friend of hers who cheerfully sustained an endowment of +half-a-dozen male offsprings and a girl or two, her one child was +Comus. Moderation in numbers was more than counterbalanced in his +case by extravagance in characteristics. + +Francesca mentally compared her son with hundreds of other young +men whom she saw around her, steadily, and no doubt happily, +engaged in the process of transforming themselves from nice boys +into useful citizens. Most of them had occupations, or were +industriously engaged in qualifying for such; in their leisure +moments they smoked reasonably-priced cigarettes, went to the +cheaper seats at music-halls, watched an occasional cricket match +at Lord's with apparent interest, saw most of the world's +spectacular events through the medium of the cinematograph, and +were wont to exchange at parting seemingly superfluous injunctions +to "be good." The whole of Bond Street and many of the tributary +thoroughfares of Piccadilly might have been swept off the face of +modern London without in any way interfering with the supply of +their daily wants. They were doubtless dull as acquaintances, but +as sons they would have been eminently restful. With a growing +sense of irritation Francesca compared these deserving young men +with her own intractable offspring, and wondered why Fate should +have singled her out to be the parent of such a vexatious variant +from a comfortable and desirable type. As far as remunerative +achievement was concerned, Comus copied the insouciance of the +field lily with a dangerous fidelity. Like his mother he looked +round with wistful irritation at the example afforded by +contemporary youth, but he concentrated his attention exclusively +on the richer circles of his acquaintance, young men who bought +cars and polo ponies as unconcernedly as he might purchase a +carnation for his buttonhole, and went for trips to Cairo or the +Tigris valley with less difficulty and finance-stretching than he +encountered in contriving a week-end at Brighton. + +Gaiety and good-looks had carried Comus successfully and, on the +whole, pleasantly, through schooldays and a recurring succession of +holidays; the same desirable assets were still at his service to +advance him along his road, but it was a disconcerting experience +to find that they could not be relied on to go all distances at all +times. In an animal world, and a fiercely competitive animal world +at that, something more was needed than the decorative ABANDON of +the field lily, and it was just that something more which Comus +seemed unable or unwilling to provide on his own account; it was +just the lack of that something more which left him sulking with +Fate over the numerous breakdowns and stumbling-blocks that held +him up on what he expected to be a triumphal or, at any rate, +unimpeded progress. + +Francesca was, in her own way, fonder of Comus than of anyone else +in the world, and if he had been browning his skin somewhere east +of Suez she would probably have kissed his photograph with genuine +fervour every night before going to bed; the appearance of a +cholera scare or rumour of native rising in the columns of her +daily news-sheet would have caused her a flutter of anxiety, and +she would have mentally likened herself to a Spartan mother +sacrificing her best-beloved on the altar of State necessities. +But with the best-beloved installed under her roof, occupying an +unreasonable amount of cubic space, and demanding daily sacrifices +instead of providing the raw material for one, her feelings were +tinged with irritation rather than affection. She might have +forgiven Comus generously for misdeeds of some gravity committed in +another continent, but she could never overlook the fact that out +of a dish of five plovers' eggs he was certain to take three. The +absent may be always wrong, but they are seldom in a position to be +inconsiderate. + +Thus a wall of ice had grown up gradually between mother and son, a +barrier across which they could hold converse, but which gave a +wintry chill even to the sparkle of their lightest words. The boy +had the gift of being irresistibly amusing when he chose to exert +himself in that direction, and after a long series of moody or +jangling meal-sittings he would break forth into a torrential flow +of small talk, scandal and malicious anecdote, true or more +generally invented, to which Francesca listened with a relish and +appreciation, that was all the more flattering from being so +unwillingly bestowed. + +"If you chose your friends from a rather more reputable set you +would be doubtless less amusing, but there would be compensating +advantages." + +Francesca snapped the remark out at lunch one day when she had been +betrayed into a broader smile than she considered the circumstances +of her attitude towards Comus warranted. + +"I'm going to move in quite decent society to-night," replied Comus +with a pleased chuckle; "I'm going to meet you and Uncle Henry and +heaps of nice dull God-fearing people at dinner." + +Francesca gave a little gasp of surprise and annoyance. + +"You don't mean to say Caroline has asked you to dinner to-night?" +she said; "and of course without telling me. How exceedingly like +her!" + +Lady Caroline Benaresq had reached that age when you can say and do +what you like in defiance of people's most sensitive feelings and +most cherished antipathies. Not that she had waited to attain her +present age before pursuing that line of conduct; she came of a +family whose individual members went through life, from the nursery +to the grave, with as much tact and consideration as a cactus-hedge +might show in going through a crowded bathing tent. It was a +compensating mercy that they disagreed rather more among themselves +than they did with the outside world; every known variety and shade +of religion and politics had been pressed into the family service +to avoid the possibility of any agreement on the larger essentials +of life, and such unlooked-for happenings as the Home Rule schism, +the Tariff-Reform upheaval and the Suffragette crusade were +thankfully seized on as furnishing occasion for further differences +and sub-divisions. Lady Caroline's favourite scheme of +entertaining was to bring jarring and antagonistic elements into +close contact and play them remorselessly one against the other. +"One gets much better results under those circumstances" she used +to observe, "than by asking people who wish to meet each other. +Few people talk as brilliantly to impress a friend as they do to +depress an enemy." + +She admitted that her theory broke down rather badly if you applied +it to Parliamentary debates. At her own dinner table its success +was usually triumphantly vindicated. + +"Who else is to be there?" Francesca asked, with some pardonable +misgiving. + +"Courtenay Youghal. He'll probably sit next to you, so you'd +better think out a lot of annihilating remarks in readiness. And +Elaine de Frey." + +"I don't think I've heard of her. Who is she?" + +"Nobody in particular, but rather nice-looking in a solemn sort of +way, and almost indecently rich." + +"Marry her" was the advice which sprang to Francesca's lips, but +she choked it back with a salted almond, having a rare perception +of the fact that words are sometimes given to us to defeat our +purposes. + +"Caroline has probably marked her down for Toby or one of the +grand-nephews," she said, carelessly; "a little money would be +rather useful in that quarter, I imagine." + +Comus tucked in his underlip with just the shade of pugnacity that +she wanted to see. + +An advantageous marriage was so obviously the most sensible course +for him to embark on that she scarcely dared to hope that he would +seriously entertain it; yet there was just a chance that if he got +as far as the flirtation stage with an attractive (and attracted) +girl who was also an heiress, the sheer perversity of his nature +might carry him on to more definite courtship, if only from the +desire to thrust other more genuinely enamoured suitors into the +background. It was a forlorn hope; so forlorn that the idea even +crossed her mind of throwing herself on the mercy of her bete +noire, Courtenay Youghal, and trying to enlist the influence which +he seemed to possess over Comus for the purpose of furthering her +hurriedly conceived project. Anyhow, the dinner promised to be +more interesting than she had originally anticipated. + +Lady Caroline was a professed Socialist in politics, chiefly, it +was believed, because she was thus enabled to disagree with most of +the Liberals and Conservatives, and all the Socialists of the day. +She did not permit her Socialism, however, to penetrate below +stairs; her cook and butler had every encouragement to be +Individualists. Francesca, who was a keen and intelligent food +critic, harboured no misgivings as to her hostess's kitchen and +cellar departments; some of the human side-dishes at the feast gave +her more ground for uneasiness. Courtenay Youghal, for instance, +would probably be brilliantly silent; her brother Henry would +almost certainly be the reverse. + +The dinner party was a large one and Francesca arrived late with +little time to take preliminary stock of the guests; a card with +the name, "Miss de Frey," immediately opposite her own place at the +other side of the table, indicated, however, the whereabouts of the +heiress. It was characteristic of Francesca that she first +carefully read the menu from end to end, and then indulged in an +equally careful though less open scrutiny of the girl who sat +opposite her, the girl who was nobody in particular, but whose +income was everything that could be desired. She was pretty in a +restrained nut-brown fashion, and had a look of grave reflective +calm that probably masked a speculative unsettled temperament. Her +pose, if one wished to be critical, was just a little too +elaborately careless. She wore some excellently set rubies with +that indefinable air of having more at home that is so difficult to +improvise. Francesca was distinctly pleased with her survey. + +"You seem interested in your vis-a-vis," said Courtenay Youghal. + +"I almost think I've seen her before," said Francesca; "her face +seems familiar to me." + +"The narrow gallery at the Louvre; attributed to Leonardo da +Vinci," said Youghal. + +"Of course," said Francesca, her feelings divided between +satisfaction at capturing an elusive impression and annoyance that +Youghal should have been her helper. A stronger tinge of annoyance +possessed her when she heard the voice of Henry Greech raised in +painful prominence at Lady Caroline's end of the table. + +"I called on the Trudhams yesterday," he announced; "it was their +Silver Wedding, you know, at least the day before was. Such lots +of silver presents, quite a show. Of course there were a great +many duplicates, but still, very nice to have. I think they were +very pleased to get so many." + +"We must not grudge them their show of presents after their twenty- +five years of married life," said Lady Caroline, gently; "it is the +silver lining to their cloud." + +A third of the guests present were related to the Trudhams. + +"Lady Caroline is beginning well," murmured Courtenay Youghal. + +"I should hardly call twenty-five years of married life a cloud," +said Henry Greech, lamely. + +"Don't let's talk about married life," said a tall handsome woman, +who looked like some modern painter's conception of the goddess +Bellona; "it's my misfortune to write eternally about husbands and +wives and their variants. My public expects it of me. I do so +envy journalists who can write about plagues and strikes and +Anarchist plots, and other pleasing things, instead of being tied +down to one stale old topic." + +"Who is that woman and what has she written?" Francesca asked +Youghal; she dimly remembered having seen her at one of Serena +Golackly's gatherings, surrounded by a little Court of admirers. + +"I forget her name; she has a villa at San Remo or Mentone, or +somewhere where one does have villas, and plays an extraordinary +good game of bridge. Also she has the reputation, rather rare in +your sex, of being a wonderfully sound judge of wine." + +"But what has she written?" + +"Oh, several novels of the thinnish ice order. Her last one, 'The +Woman who wished it was Wednesday,' has been banned at all the +libraries. I expect you've read it." + +"I don't see why you should think so," said Francesca, coldly. + +"Only because Comus lent me your copy yesterday," said Youghal. He +threw back his handsome head and gave her a sidelong glance of +quizzical amusement. He knew that she hated his intimacy with +Comus, and he was secretly rather proud of his influence over the +boy, shallow and negative though he knew it to be. It had been, on +his part, an unsought intimacy, and it would probably fall to +pieces the moment he tried seriously to take up the role of mentor. +The fact that Comus's mother openly disapproved of the friendship +gave it perhaps its chief interest in the young politician's eyes. + +Francesca turned her attention to her brother's end of the table. +Henry Greech had willingly availed himself of the invitation to +leave the subject of married life, and had launched forthwith into +the equally well-worn theme of current politics. He was not a +person who was in much demand for public meetings, and the House +showed no great impatience to hear his views on the topics of the +moment; its impatience, indeed, was manifested rather in the +opposite direction. Hence he was prone to unburden himself of +accumulated political wisdom as occasion presented itself-- +sometimes, indeed, to assume an occasion that was hardly visible to +the naked intelligence. + +"Our opponents are engaged in a hopelessly uphill struggle, and +they know it," he chirruped, defiantly; "they've become possessed, +like the Gadarene swine, with a whole legion of--" + +"Surely the Gadarene swine went downhill," put in Lady Caroline in +a gently enquiring voice. + +Henry Greech hastily abandoned simile and fell back on platitude +and the safer kinds of fact. + +Francesca did not regard her brother's views on statecraft either +in the light of gospel or revelation; as Comus once remarked, they +more usually suggested exodus. In the present instance she found +distraction in a renewed scrutiny of the girl opposite her, who +seemed to be only moderately interested in the conversational +efforts of the diners on either side of her. Comus who was looking +and talking his best, was sitting at the further end of the table, +and Francesca was quick to notice in which direction the girl's +glances were continually straying. Once or twice the eyes of the +young people met and a swift flush of pleasure and a half-smile +that spoke of good understanding came to the heiress's face. It +did not need the gift of the traditional intuition of her sex to +enable Francesca to guess that the girl with the desirable banking +account was already considerably attracted by the lively young +Pagan who had, when he cared to practise it, such an art of winning +admiration. For the first time for many, many months Francesca saw +her son's prospects in a rose-coloured setting, and she began, +unconsciously, to wonder exactly how much wealth was summed up in +the expressive label "almost indecently rich." A wife with a +really large fortune and a correspondingly big dower of character +and ambition, might, perhaps, succeed in turning Comus's latent +energies into a groove which would provide him, if not with a +career, at least with an occupation, and the young serious face +opposite looked as if its owner lacked neither character or +ambition. Francesca's speculations took a more personal turn. Out +of the well-filled coffers with which her imagination was toying, +an inconsiderable sum might eventually be devoted to the leasing, +or even perhaps the purchase of, the house in Blue Street when the +present convenient arrangement should have come to an end, and +Francesca and the Van der Meulen would not be obliged to seek fresh +quarters. + +A woman's voice, talking in a discreet undertone on the other side +of Courtenay Youghal, broke in on her bridge-building. + +"Tons of money and really very presentable. Just the wife for a +rising young politician. Go in and win her before she's snapped up +by some fortune hunter." + +Youghal and his instructress in worldly wisdom were looking +straight across the table at the Leonardo da Vinci girl with the +grave reflective eyes and the over-emphasised air of repose. +Francesca felt a quick throb of anger against her match-making +neighbour; why, she asked herself, must some women, with no end or +purpose of their own to serve, except the sheer love of meddling in +the affairs of others, plunge their hands into plots and schemings +of this sort, in which the happiness of more than one person was +concerned? And more clearly than ever she realised how thoroughly +she detested Courtenay Youghal. She had disliked him as an evil +influence, setting before her son an example of showy ambition that +he was not in the least likely to follow, and providing him with a +model of extravagant dandyism that he was only too certain to copy. +In her heart she knew that Comus would have embarked just as surely +on his present course of idle self-indulgence if he had never known +of the existence of Youghal, but she chose to regard that young man +as her son's evil genius, and now he seemed likely to justify more +than ever the character she had fastened on to him. For once in +his life Comus appeared to have an idea of behaving sensibly and +making some use of his opportunities, and almost at the same moment +Courtenay Youghal arrived on the scene as a possible and very +dangerous rival. Against the good looks and fitful powers of +fascination that Comus could bring into the field, the young +politician could match half-a-dozen dazzling qualities which would +go far to recommend him in the eyes of a woman of the world, still +more in those of a young girl in search of an ideal. Good-looking +in his own way, if not on such showy lines as Comus, always well +turned-out, witty, self-confident without being bumptious, with a +conspicuous Parliamentary career alongside him, and heaven knew +what else in front of him, Courtenay Youghal certainly was not a +rival whose chances could be held very lightly. Francesca laughed +bitterly to herself as she remembered that a few hours ago she had +entertained the idea of begging for his good offices in helping on +Comus's wooing. One consolation, at least, she found for herself: +if Youghal really meant to step in and try and cut out his young +friend, the latter at any rate had snatched a useful start. Comus +had mentioned Miss de Frey at luncheon that day, casually and +dispassionately; if the subject of the dinner guests had not come +up he would probably not have mentioned her at all. But they were +obviously already very good friends. It was part and parcel of the +state of domestic tension at Blue Street that Francesca should only +have come to know of this highly interesting heiress by an +accidental sorting of guests at a dinner party. + +Lady Caroline's voice broke in on her reflections; it was a gentle +purring voice, that possessed an uncanny quality of being able to +make itself heard down the longest dinner table. + +"The dear Archdeacon is getting so absent-minded. He read a list +of box-holders for the opera as the First Lesson the other Sunday, +instead of the families and lots of the tribes of Israel that +entered Canaan. Fortunately no one noticed the mistake." + + + +CHAPTER V + + + +On a conveniently secluded bench facing the Northern Pheasantry in +the Zoological Society's Gardens, Regent's Park, Courtenay Youghal +sat immersed in mature flirtation with a lady, who, though +certainly young in fact and appearance, was some four or five years +his senior. When he was a schoolboy of sixteen, Molly McQuade had +personally conducted him to the Zoo and stood him dinner afterwards +at Kettner's, and whenever the two of them happened to be in town +on the anniversary of that bygone festivity they religiously +repeated the programme in its entirety. Even the menu of the +dinner was adhered to as nearly as possible; the original selection +of food and wine that schoolboy exuberance, tempered by schoolboy +shyness, had pitched on those many years ago, confronted Youghal on +those occasions, as a drowning man's past life is said to rise up +and parade itself in his last moments of consciousness. + +The flirtation which was thus perennially restored to its old-time +footing owed its longevity more to the enterprising solicitude of +Miss McQuade than to any conscious sentimental effort on the part +of Youghal himself. Molly McQuade was known to her neighbours in a +minor hunting shire as a hard-riding conventionally unconventional +type of young woman, who came naturally into the classification, "a +good sort." She was just sufficiently good-looking, sufficiently +reticent about her own illnesses, when she had any, and +sufficiently appreciative of her neighbours' gardens, children and +hunters to be generally popular. Most men liked her, and the +percentage of women who disliked her was not inconveniently high. +One of these days, it was assumed, she would marry a brewer or a +Master of Otter Hounds, and, after a brief interval, be known to +the world as the mother of a boy or two at Malvern or some similar +seat of learning. The romantic side of her nature was altogether +unguessed by the countryside. + +Her romances were mostly in serial form and suffered perhaps in +fervour from their disconnected course what they gained in length +of days. Her affectionate interest in the several young men who +figured in her affairs of the heart was perfectly honest, and she +certainly made no attempt either to conceal their separate +existences, or to play them off one against the other. Neither +could it be said that she was a husband hunter; she had made up her +mind what sort of man she was likely to marry, and her forecast did +not differ very widely from that formed by her local acquaintances. +If her married life were eventually to turn out a failure, at least +she looked forward to it with very moderate expectations. Her love +affairs she put on a very different footing and apparently they +were the all-absorbing element in her life. She possessed the +happily constituted temperament which enables a man or woman to be +a "pluralist," and to observe the sage precaution of not putting +all one's eggs into one basket. Her demands were not exacting; she +required of her affinity that he should be young, good-looking, and +at least, moderately amusing; she would have preferred him to be +invariably faithful, but, with her own example before her, she was +prepared for the probability, bordering on certainty, that he would +be nothing of the sort. The philosophy of the "Garden of Kama" was +the compass by which she steered her barque and thus far, if she +had encountered some storms and buffeting, she had at least escaped +being either shipwrecked or becalmed. + +Courtenay Youghal had not been designed by Nature to fulfil the +role of an ardent or devoted lover, and he scrupulously respected +the limits which Nature had laid down. For Molly, however, he had +a certain responsive affection. She had always obviously admired +him, and at the same time she never beset him with crude flattery; +the principal reason why the flirtation had stood the test of so +many years was the fact that it only flared into active existence +at convenient intervals. In an age when the telephone has +undermined almost every fastness of human privacy, and the sanctity +of one's seclusion depends often on the ability for tactful +falsehood shown by a club pageboy, Youghal was duly appreciative of +the circumstance that his lady fair spent a large part of the year +pursuing foxes, in lieu of pursuing him. Also the honestly +admitted fact that, in her human hunting, she rode after more than +one quarry, made the inevitable break-up of the affair a matter to +which both could look forward without a sense of coming +embarrassment and recrimination. When the time for gathering ye +rosebuds should be over, neither of them could accuse the other of +having wrecked his or her entire life. At the most they would only +have disorganised a week-end. + +On this particular afternoon, when old reminiscences had been gone +through, and the intervening gossip of past months duly recounted, +a lull in the conversation made itself rather obstinately felt. +Molly had already guessed that matters were about to slip into a +new phase; the affair had reached maturity long ago, and a new +phase must be in the nature of a wane. + +"You're a clever brute," she said, suddenly, with an air of +affectionate regret; "I always knew you'd get on in the House, but +I hardly expected you to come to the front so soon." + +"I'm coming to the front," admitted Youghal, judicially; "the +problem is, shall I be able to stay there. Unless something +happens in the financial line before long, I don't see how I'm to +stay in Parliament at all. Economy is out of the question. It +would open people's eyes, I fancy, if they knew how little I exist +on as it is. And I'm living so far beyond my income that we may +almost be said to be living apart." + +"It will have to be a rich wife, I suppose," said Molly, slowly; +"that's the worst of success, it imposes so many conditions. I +rather knew, from something in your manner, that you were drifting +that way." + +Youghal said nothing in the way of contradiction; he gazed +steadfastly at the aviary in front of him as though exotic +pheasants were for the moment the most absorbing study in the +world. As a matter of fact, his mind was centred on the image of +Elaine de Frey, with her clear untroubled eyes and her Leonardo da +Vinci air. He was wondering whether he was likely to fall into a +frame of mind concerning her which would be in the least like +falling in love. + +"I shall mind horribly," continued Molly, after a pause, "but, of +course, I have always known that something of the sort would have +to happen one of these days. When a man goes into politics he +can't call his soul his own, and I suppose his heart becomes an +impersonal possession in the same way." + +"Most people who know me would tell you that I haven't got a +heart," said Youghal. + +"I've often felt inclined to agree with them," said Molly; "and +then, now and again, I think you have a heart tucked away +somewhere." + +"I hope I have," said Youghal, "because I'm trying to break to you +the fact that I think I'm falling in love with somebody." + +Molly McQuade turned sharply to look at her companion, who still +fixed his gaze on the pheasant run in front of him. + +"Don't tell me you're losing your head over somebody useless, +someone without money," she said; "I don't think I could stand +that." + +For the moment she feared that Courtenay's selfishness might have +taken an unexpected turn, in which ambition had given way to the +fancy of the hour; he might be going to sacrifice his Parliamentary +career for a life of stupid lounging in momentarily attractive +company. He quickly undeceived her. + +"She's got heaps of money." + +Molly gave a grunt of relief. Her affection for Courtenay had +produced the anxiety which underlay her first question; a natural +jealousy prompted the next one. + +"Is she young and pretty and all that sort of thing, or is she just +a good sort with a sympathetic manner and nice eyes? As a rule +that's the kind that goes with a lot of money." + +"Young and quite good-looking in her way, and a distinct style of +her own. Some people would call her beautiful. As a political +hostess I should think she'd be splendid. I imagine I'm rather in +love with her." + +"And is she in love with you?" + +Youghal threw back his head with the slight assertive movement that +Molly knew and liked. + +"She's a girl who I fancy would let judgment influence her a lot. +And without being stupidly conceited, I think I may say she might +do worse than throw herself away on me. I'm young and quite good- +looking, and I'm making a name for myself in the House; she'll be +able to read all sorts of nice and horrid things about me in the +papers at breakfast-time. I can be brilliantly amusing at times, +and I understand the value of silence; there is no fear that I +shall ever degenerate into that fearsome thing--a cheerful +talkative husband. For a girl with money and social ambitions I +should think I was rather a good thing." + +"You are certainly in love, Courtenay," said Molly, "but it's the +old love and not a new one. I'm rather glad. I should have hated +to have you head-over-heels in love with a pretty woman, even for a +short time. You'll be much happier as it is. And I'm going to put +all my feelings in the background, and tell you to go in and win. +You've got to marry a rich woman, and if she's nice and will make a +good hostess, so much the better for everybody. You'll be happier +in your married life than I shall be in mine, when it comes; you'll +have other interests to absorb you. I shall just have the garden +and dairy and nursery and lending library, as like as two peas to +all the gardens and dairies and nurseries for hundreds of miles +round. You won't care for your wife enough to be worried every +time she has a finger-ache, and you'll like her well enough to be +pleased to meet her sometimes at your own house. I shouldn't +wonder if you were quite happy. She will probably be miserable, +but any woman who married you would be." + +There was a short pause; they were both staring at the pheasant +cages. Then Molly spoke again, with the swift nervous tone of a +general who is hurriedly altering the disposition of his forces for +a strategic retreat. + +"When you are safely married and honey-mooned and all that sort of +thing, and have put your wife through her paces as a political +hostess, some time, when the House isn't sitting, you must come +down by yourself, and do a little hunting with us. Will you? It +won't be quite the same as old times, but it will be something to +look forward to when I'm reading the endless paragraphs about your +fashionable political wedding." + +"You're looking forward pretty far," laughed Youghal; "the lady may +take your view as to the probable unhappiness of a future shared +with me, and I may have to content myself with penurious political +bachelorhood. Anyhow, the present is still with us. We dine at +Kettner's to-night, don't we?" + +"Rather," said Molly, "though it will be more or less a throat- +lumpy feast as far as I am concerned. We shall have to drink to +the health of the future Mrs. Youghal. By the way, it's rather +characteristic of you that you haven't told me who she is, and of +me that I haven't asked. And now, like a dear boy, trot away and +leave me. I haven't got to say good-bye to you yet, but I'm going +to take a quiet farewell of the Pheasantry. We've had some jolly +good talks, you and I, sitting on this seat, haven't we? And I +know, as well as I know anything, that this is the last of them. +Eight o'clock to-night, as punctually as possible." + +She watched his retreating figure with eyes that grew slowly misty; +he had been such a jolly comely boy-friend, and they had had such +good times together. The mist deepened on her lashes as she looked +round at the familiar rendezvous where they had so often kept tryst +since the day when they had first come there together, he a +schoolboy and she but lately out of her teens. For the moment she +felt herself in the thrall of a very real sorrow. + +Then, with the admirable energy of one who is only in town for a +fleeting fortnight, she raced away to have tea with a world-faring +naval admirer at his club. Pluralism is a merciful narcotic. + + + +CHAPTER VI + + + +Elaine de Frey sat at ease--at bodily ease--at any rate--in a low +wicker chair placed under the shade of a group of cedars in the +heart of a stately spacious garden that had almost made up its mind +to be a park. The shallow stone basin of an old fountain, on whose +wide ledge a leaden-moulded otter for ever preyed on a leaden +salmon, filled a conspicuous place in the immediate foreground. +Around its rim ran an inscription in Latin, warning mortal man that +time flows as swiftly as water and exhorting him to make the most +of his hours; after which piece of Jacobean moralising it set +itself shamelessly to beguile all who might pass that way into an +abandonment of contemplative repose. On all sides of it a stretch +of smooth turf spread away, broken up here and there by groups of +dwarfish chestnut and mulberry trees, whose leaves and branches +cast a laced pattern of shade beneath them. On one side the lawn +sloped gently down to a small lake, whereon floated a quartette of +swans, their movements suggestive of a certain mournful +listlessness, as though a weary dignity of caste held them back +from the joyous bustling life of the lesser waterfowl. Elaine +liked to imagine that they re-embodied the souls of unhappy boys +who had been forced by family interests to become high +ecclesiastical dignitaries and had grown prematurely Right +Reverend. A low stone balustrade fenced part of the shore of the +lake, making a miniature terrace above its level, and here roses +grew in a rich multitude. Other rose bushes, carefully pruned and +tended, formed little oases of colour and perfume amid the restful +green of the sward, and in the distance the eye caught the +variegated blaze of a many-hued hedge of rhododendron. With these +favoured exceptions flowers were hard to find in this well-ordered +garden; the misguided tyranny of staring geranium beds and +beflowered archways leading to nowhere, so dear to the suburban +gardener, found no expression here. Magnificent Amherst pheasants, +whose plumage challenged and almost shamed the peacock on his own +ground, stepped to and fro over the emerald turf with the assured +self-conscious pride of reigning sultans. It was a garden where +summer seemed a part-proprietor rather than a hurried visitor. + +By the side of Elaine's chair under the shadow of the cedars a +wicker table was set out with the paraphernalia of afternoon tea. +On some cushions at her feet reclined Courtenay Youghal, smoothly +preened and youthfully elegant, the personification of decorative +repose; equally decorative, but with the showy restlessness of a +dragonfly, Comus disported his flannelled person over a +considerable span of the available foreground. + +The intimacy existing between the two young men had suffered no +immediate dislocation from the circumstance that they were tacitly +paying court to the same lady. It was an intimacy founded not in +the least on friendship or community of tastes and ideas, but owed +its existence to the fact that each was amused and interested by +the other. Youghal found Comus, for the time being at any rate, +just as amusing and interesting as a rival for Elaine's favour as +he had been in the role of scapegrace boy-about-Town; Comus for his +part did not wish to lose touch with Youghal, who among other +attractions possessed the recommendation of being under the ban of +Comus's mother. She disapproved, it is true, of a great many of +her son's friends and associates, but this particular one was a +special and persistent source of irritation to her from the fact +that he figured prominently and more or less successfully in the +public life of the day. There was something peculiarly +exasperating in reading a brilliant and incisive attack on the +Government's rash handling of public expenditure delivered by a +young man who encouraged her son in every imaginable extravagance. +The actual extent of Youghal's influence over the boy was of the +slightest; Comus was quite capable of deriving encouragement to +rash outlay and frivolous conversation from an anchorite or an +East-end parson if he had been thrown into close companionship with +such an individual. Francesca, however, exercised a mother's +privilege in assuming her son's bachelor associates to be +industrious in labouring to achieve his undoing. Therefore the +young politician was a source of unconcealed annoyance to her, and +in the same degree as she expressed her disapproval of him Comus +was careful to maintain and parade the intimacy. Its existence, or +rather its continued existence, was one of the things that faintly +puzzled the young lady whose sought-for favour might have been +expected to furnish an occasion for its rapid dissolution. + +With two suitors, one of whom at least she found markedly +attractive, courting her at the same moment, Elaine should have had +reasonable cause for being on good terms with the world, and with +herself in particular. Happiness was not, however, at this +auspicious moment, her dominant mood. The grave calm of her face +masked as usual a certain degree of grave perturbation. A +succession of well-meaning governesses and a plentiful supply of +moralising aunts on both sides of her family, had impressed on her +young mind the theoretical fact that wealth is a great +responsibility. The consciousness of her responsibility set her +continually wondering, not as to her own fitness to discharge her +"stewardship," but as to the motives and merits of people with whom +she came in contact. The knowledge that there was so much in the +world that she could buy, invited speculation as to how much there +was that was worth buying. Gradually she had come to regard her +mind as a sort of appeal court before whose secret sittings were +examined and judged the motives and actions, the motives +especially, of the world in general. In her schoolroom days she +had sat in conscientious judgment on the motives that guided or +misguided Charles and Cromwell and Monck, Wallenstein and +Savonarola. In her present stage she was equally occupied in +examining the political sincerity of the Secretary for Foreign +Affairs, the good-faith of a honey-tongued but possibly loyal- +hearted waiting-maid, and the disinterestedness of a whole circle +of indulgent and flattering acquaintances. Even more absorbing, +and in her eyes, more urgently necessary, was the task of +dissecting and appraising the characters of the two young men who +were favouring her with their attentions. And herein lay cause for +much thinking and some perturbation. Youghal, for example, might +have baffled a more experienced observer of human nature. Elaine +was too clever to confound his dandyism with foppishness or self- +advertisement. He admired his own toilet effect in a mirror from a +genuine sense of pleasure in a thing good to look upon, just as he +would feel a sensuous appreciation of the sight of a well-bred, +well-matched, well-turned-out pair of horses. Behind his careful +political flippancy and cynicism one might also detect a certain +careless sincerity, which would probably in the long run save him +from moderate success, and turn him into one of the brilliant +failures of his day. Beyond this it was difficult to form an exact +appreciation of Courtenay Youghal, and Elaine, who liked to have +her impressions distinctly labelled and pigeon-holed, was +perpetually scrutinising the outer surface of his characteristics +and utterances, like a baffled art critic vainly searching beneath +the varnish and scratches of a doubtfully assigned picture for an +enlightening signature. The young man added to her perplexities by +his deliberate policy of never trying to show himself in a +favourable light even when most anxious to impart a favourable +impression. He preferred that people should hunt for his good +qualities, and merely took very good care that as far as possible +they should never draw blank; even in the matter of selfishness, +which was the anchor-sheet of his existence, he contrived to be +noted, and justly noted, for doing remarkably unselfish things. As +a ruler he would have been reasonably popular; as a husband he +would probably be unendurable. + +Comus was to a certain extent as great a mystification as Youghal, +but here Elaine was herself responsible for some of the perplexity +which enshrouded his character in her eyes. She had taken more +than a passing fancy for the boy--for the boy as he might be, that +was to say--and she was desperately unwilling to see him and +appraise him as he really was. Thus the mental court of appeal was +constantly engaged in examining witnesses as to character, most of +whom signally failed to give any testimony which would support the +favourable judgment which the tribunal was so anxious to arrive at. +A woman with wider experience of the world's ways and shortcomings +would probably have contented herself with an endeavour to find out +whether her liking for the boy outweighed her dislike of his +characteristics; Elaine took her judgments too seriously to +approach the matter from such a simple and convenient standpoint. +The fact that she was much more than half in love with Comus made +it dreadfully important that she should discover him to have a +lovable soul, and Comus, it must be confessed, did little to help +forward the discovery. + +"At any rate he is honest," she would observe to herself, after +some outspoken admission of unprincipled conduct on his part, and +then she would ruefully recall certain episodes in which he had +figured, from which honesty had been conspicuously absent. What +she tried to label honesty in his candour was probably only a +cynical defiance of the laws of right and wrong. + +"You look more than usually thoughtful this afternoon," said Comus +to her, "as if you had invented this summer day and were trying to +think out improvements." + +"If I had the power to create improvements anywhere I think I +should begin with you," retorted Elaine. + +"I'm sure it's much better to leave me as I am," protested Comus; +"you're like a relative of mine up in Argyllshire, who spends his +time producing improved breeds of sheep and pigs and chickens. So +patronising and irritating to the Almighty I should think, to go +about putting superior finishing touches to Creation." + +Elaine frowned, and then laughed, and finally gave a little sigh. + +"It's not easy to talk sense to you," she said. + +"Whatever else you take in hand," said Youghal, "you must never +improve this garden. It's what our idea of Heaven might be like if +the Jews hadn't invented one for us on totally different lines. +It's dreadful that we should accept them as the impresarios of our +religious dreamland instead of the Greeks." + +"You are not very fond of the Jews," said Elaine. + +"I've travelled and lived a good deal in Eastern Europe," said +Youghal. + +"It seems largely a question of geography," said Elaine; "in +England no one really is anti-Semitic." + +Youghal shook his head. "I know a great many Jews who are." + +Servants had quietly, almost reverently, placed tea and its +accessories on the wicker table, and quietly receded from the +landscape. Elaine sat like a grave young goddess about to dispense +some mysterious potion to her devotees. Her mind was still sitting +in judgment on the Jewish question. + +Comus scrambled to his feet. + +"It's too hot for tea," he said; "I shall go and feed the swans." + +And he walked off with a little silver basket-dish containing brown +bread-and-butter. + +Elaine laughed quietly. + +"It's so like Comus," she said, "to go off with our one dish of +bread-and-butter." + +Youghal chuckled responsively. It was an undoubted opportunity for +him to put in some disparaging criticism of Comus, and Elaine sat +alert in readiness to judge the critic and reserve judgment on the +criticised. + +"His selfishness is splendid but absolutely futile," said Youghal; +"now my selfishness is commonplace, but always thoroughly practical +and calculated. He will have great difficulty in getting the swans +to accept his offering, and he incurs the odium of reducing us to a +bread-and-butterless condition. Incidentally he will get very +hot." + +Elaine again had the sense of being thoroughly baffled. If Youghal +had said anything unkind it was about himself. + +"If my cousin Suzette had been here," she observed, with the shadow +of a malicious smile on her lips, "I believe she would have gone +into a flood of tears at the loss of her bread-and-butter, and +Comus would have figured ever after in her mind as something black +and destroying and hateful. In fact I don't really know why we +took our loss so unprotestingly." + +"For two reasons," said Youghal; "you are rather fond of Comus. +And I--am not very fond of bread-and-butter." + +The jesting remark brought a throb of pleasure to Elaine's heart. +She had known full well that she cared for Comus, but now that +Courtenay Youghal had openly proclaimed the fact as something +unchallenged and understood matters seemed placed at once on a more +advanced footing. The warm sunlit garden grew suddenly into a +Heaven that held the secret of eternal happiness. Youth and +comeliness would always walk here, under the low-boughed mulberry +trees, as unchanging as the leaden otter that for ever preyed on +the leaden salmon on the edge of the old fountain, and somehow the +lovers would always wear the aspect of herself and the boy who was +talking to the four white swans by the water steps. Youghal was +right; this was the real Heaven of one's dreams and longings, +immeasurably removed from that Rue de la Paix Paradise about which +one professed utterly insincere hankerings in places of public +worship. Elaine drank her tea in a happy silence; besides being a +brilliant talker Youghal understood the rarer art of being a non- +talker on occasion. + +Comus came back across the grass swinging the empty basket-dish in +his hand. + +"Swans were very pleased," he cried, gaily, "and said they hoped I +would keep the bread-and-butter dish as a souvenir of a happy tea- +party. I may really have it, mayn't I?" he continued in an anxious +voice; "it will do to keep studs and things in. You don't want +it." + +"It's got the family crest on it," said Elaine. Some of the +happiness had died out of her eyes. + +"I'll have that scratched off and my own put on," said Comus. + +"It's been in the family for generations," protested Elaine, who +did not share Comus's view that because you were rich your lesser +possessions could have no value in your eyes. + +"I want it dreadfully," said Comus, sulkily, "and you've heaps of +other things to put bread-and-butter in." + +For the moment he was possessed by an overmastering desire to keep +the dish at all costs; a look of greedy determination dominated his +face, and he had not for an instant relaxed his grip of the coveted +object. + +Elaine was genuinely angry by this time, and was busily telling +herself that it was absurd to be put out over such a trifle; at the +same moment a sense of justice was telling her that Comus was +displaying a good deal of rather shabby selfishness. And somehow +her chief anxiety at the moment was to keep Courtenay Youghal from +seeing that she was angry. + +"I know you don't really want it, so I'm going to keep it," +persisted Comus. + +"It's too hot to argue," said Elaine. + +"Happy mistress of your destinies," laughed Youghal; "you can suit +your disputations to the desired time and temperature. I have to +go and argue, or what is worse, listen to other people's arguments, +in a hot and doctored atmosphere suitable to an invalid lizard." + +"You haven't got to argue about a bread-and-butter dish," said +Elaine. + +"Chiefly about bread-and-butter," said Youghal; "our great +preoccupation is other people's bread-and-butter. They earn or +produce the material, but we busy ourselves with making rules how +it shall be cut up, and the size of the slices, and how much butter +shall go on how much bread. That is what is called legislation. +If we could only make rules as to how the bread-and-butter should +be digested we should be quite happy." + +Elaine had been brought up to regard Parliaments as something to be +treated with cheerful solemnity, like illness or family re-unions. +Youghal's flippant disparagement of the career in which he was +involved did not, however, jar on her susceptibilities. She knew +him to be not only a lively and effective debater but an +industrious worker on committees. If he made light of his labours, +at least he afforded no one else a loophole for doing so. And +certainly, the Parliamentary atmosphere was not inviting on this +hot afternoon. + +"When must you go?" she asked, sympathetically. + +Youghal looked ruefully at his watch. Before he could answer, a +cheerful hoot came through the air, as of an owl joyously +challenging the sunlight with a foreboding of the coming night. He +sprang laughing to his feet. + +"Listen! My summons back to my galley," he cried. "The Gods have +given me an hour in this enchanted garden, so I must not complain." + +Then in a lower voice he almost whispered, "It's the Persian debate +to-night," + +It was the one hint he had given in the midst of his talking and +laughing that he was really keenly enthralled in the work that lay +before him. It was the one little intimate touch that gave Elaine +the knowledge that he cared for her opinion of his work. + +Comus, who had emptied his cigarette-case, became suddenly +clamorous at the prospect of being temporarily stranded without a +smoke. Youghal took the last remaining cigarette from his own case +and gravely bisected it. + +"Friendship could go no further," he observed, as he gave one-half +to the doubtfully appeased Comus, and lit the other himself. + +"There are heaps more in the hall," said Elaine. + +"It was only done for the Saint Martin of Tours effect," said +Youghal; "I hate smoking when I'm rushing through the air. Good- +bye." + +The departing galley-slave stepped forth into the sunlight, radiant +and confident. A few minutes later Elaine could see glimpses of +his white car as it rushed past the rhododendron bushes. He woos +best who leaves first, particularly if he goes forth to battle or +the semblance of battle. + +Somehow Elaine's garden of Eternal Youth had already become clouded +in its imagery. The girl-figure who walked in it was still +distinctly and unchangingly herself, but her companion was more +blurred and undefined, as a picture that has been superimposed on +another. + +Youghal sped townward well satisfied with himself. To-morrow, he +reflected, Elaine would read his speech in her morning paper, and +he knew in advance that it was not going to be one of his worst +efforts. He knew almost exactly where the punctuations of laughter +and applause would burst in, he knew that nimble fingers in the +Press Gallery would be taking down each gibe and argument as he +flung it at the impassive Minister confronting him, and that the +fair lady of his desire would be able to judge what manner of young +man this was who spent his afternoon in her garden, lazily chaffing +himself and his world. + +And he further reflected, with an amused chuckle, that she would be +vividly reminded of Comus for days to come, when she took her +afternoon tea, and saw the bread-and-butter reposing in an +unaccustomed dish. + + + +CHAPTER VII + + + +Towards four o'clock on a hot afternoon Francesca stepped out from +a shop entrance near the Piccadilly end of Bond Street and ran +almost into the arms of Merla Blathlington. The afternoon seemed +to get instantly hotter. Merla was one of those human flies that +buzz; in crowded streets, at bazaars and in warm weather, she +attained to the proportions of a human bluebottle. Lady Caroline +Benaresq had openly predicted that a special fly-paper was being +reserved for her accommodation in another world; others, however, +held the opinion that she would be miraculously multiplied in a +future state, and that four or more Merla Blathlingtons, according +to deserts, would be in perpetual and unremitting attendance on +each lost soul. + +"Here we are," she cried, with a glad eager buzz, "popping in and +out of shops like rabbits; not that rabbits do pop in and out of +shops very extensively." + +It was evidently one of her bluebottle days. + +"Don't you love Bond Street?" she gabbled on. "There's something +so unusual and distinctive about it; no other street anywhere else +is quite like it. Don't you know those ikons and images and things +scattered up and down Europe, that are supposed to have been +painted or carved, as the case may be, by St. Luke or Zaccheus, or +somebody of that sort; I always like to think that some notable +person of those times designed Bond Street. St. Paul, perhaps. He +travelled about a lot." + +"Not in Middlesex, though," said Francesca. + +"One can't be sure," persisted Merla; "when one wanders about as +much as he did one gets mixed up and forgets where one HAS been. I +can never remember whether I've been to the Tyrol twice and St. +Moritz once, or the other way about; I always have to ask my maid. +And there's something about the name Bond that suggests St. Paul; +didn't he write a lot about the bond and the free?" + +"I fancy he wrote in Hebrew or Greek," objected Francesca; "the +word wouldn't have the least resemblance." + +"So dreadfully non-committal to go about pamphleteering in those +bizarre languages," complained Merla; "that's what makes all those +people so elusive. As soon as you try to pin them down to a +definite statement about anything you're told that some vitally +important word has fifteen other meanings in the original. I +wonder our Cabinet Ministers and politicians don't adopt a sort of +dog-Latin or Esperanto jargon to deliver their speeches in; what a +lot of subsequent explaining away would be saved. But to go back +to Bond Street--not that we've left it--" + +"I'm afraid I must leave it now," said Francesca, preparing to turn +up Grafton Street; "Good-bye." + +"Must you be going? Come and have tea somewhere. I know of a cosy +little place where one can talk undisturbed." + +Francesca repressed a shudder and pleaded an urgent engagement. + +"I know where you're going," said Merla, with the resentful buzz of +a bluebottle that finds itself thwarted by the cold unreasoning +resistance of a windowpane. "You're going to play bridge at Serena +Golackly's. She never asks me to her bridge parties." + +Francesca shuddered openly this time; the prospect of having to +play bridge anywhere in the near neighbourhood of Merla's voice was +not one that could be contemplated with ordinary calmness. + +"Good-bye," she said again firmly, and passed out of earshot; it +was rather like leaving the machinery section of an exhibition. +Merla's diagnosis of her destination had been a correct one; +Francesca made her way slowly through the hot streets in the +direction of Serena Golackly's house on the far side of Berkeley +Square. To the blessed certainty of finding a game of bridge, she +hopefully added the possibility of hearing some fragments of news +which might prove interesting and enlightening. And of +enlightenment on a particular subject, in which she was acutely and +personally interested, she stood in some need. Comus of late had +been provokingly reticent as to his movements and doings; partly, +perhaps, because it was his nature to be provoking, partly because +the daily bickerings over money matters were gradually choking +other forms of conversation. Francesca had seen him once or twice +in the Park in the desirable company of Elaine de Frey, and from +time to time she heard of the young people as having danced +together at various houses; on the other hand, she had seen and +heard quite as much evidence to connect the heiress's name with +that of Courtenay Youghal. Beyond this meagre and conflicting and +altogether tantalising information, her knowledge of the present +position of affairs did not go. If either of the young men was +seriously "making the running," it was probable that she would hear +some sly hint or open comment about it from one of Serena's gossip- +laden friends, without having to go out of her way to introduce the +subject and unduly disclose her own state of ignorance. And a game +of bridge, played for moderately high points, gave ample excuse for +convenient lapses into reticence; if questions took an +embarrassingly inquisitive turn, one could always find refuge in a +defensive spade. + +The afternoon was too warm to make bridge a generally popular +diversion, and Serena's party was a comparatively small one. Only +one table was incomplete when Francesca made her appearance on the +scene; at it was seated Serena herself, confronted by Ada +Spelvexit, whom everyone was wont to explain as "one of the +Cheshire Spelvexits," as though any other variety would have been +intolerable. Ada Spelvexit was one of those naturally stagnant +souls who take infinite pleasure in what are called "movements." +"Most of the really great lessons I have learned have been taught +me by the Poor," was one of her favourite statements. The one +great lesson that the Poor in general would have liked to have +taught her, that their kitchens and sickrooms were not unreservedly +at her disposal as private lecture halls, she had never been able +to assimilate. She was ready to give them unlimited advice as to +how they should keep the wolf from their doors, but in return she +claimed and enforced for herself the penetrating powers of an east +wind or a dust storm. Her visits among her wealthier acquaintances +were equally extensive and enterprising, and hardly more welcome; +in country-house parties, while partaking to the fullest extent of +the hospitality offered her, she made a practice of unburdening +herself of homilies on the evils of leisure and luxury, which did +not particularly endear her to her fellow guests. Hostesses +regarded her philosophically as a form of social measles which +everyone had to have once. + +The third prospective player, Francesca noted without any special +enthusiasm, was Lady Caroline Benaresq. Lady Caroline was far from +being a remarkably good bridge player, but she always managed to +domineer mercilessly over any table that was favoured with her +presence, and generally managed to win. A domineering player +usually inflicts the chief damage and demoralisation on his +partner; Lady Caroline's special achievement was to harass and +demoralise partner and opponents alike. + +"Weak and weak," she announced in her gentle voice, as she cut her +hostess for a partner; "I suppose we had better play only five +shillings a hundred." + +Francesca wondered at the old woman's moderate assessment of the +stake, knowing her fondness for highish play and her usual good +luck in card holding. + +"I don't mind what we play," said Ada Spelvexit, with an incautious +parade of elegant indifference; as a matter of fact she was +inwardly relieved and rejoicing at the reasonable figure proposed +by Lady Caroline, and she would certainly have demurred if a higher +stake had been suggested. She was not as a rule a successful +player, and money lost at cards was always a poignant bereavement +to her. + +"Then as you don't mind we'll make it ten shillings a hundred," +said Lady Caroline, with the pleased chuckle of one who has spread +a net in the sight of a bird and disproved the vanity of the +proceeding. + +It proved a tiresome ding-dong rubber, with the strength of the +cards slightly on Francesca's side, and the luck of the table going +mostly the other way. She was too keen a player not to feel a +certain absorption in the game once it had started, but she was +conscious to-day of a distracting interest that competed with the +momentary importance of leads and discards and declarations. The +little accumulations of talk that were unpent during the dealing of +the hands became as noteworthy to her alert attention as the play +of the hands themselves. + +"Yes, quite a small party this afternoon," said Serena, in reply to +a seemingly casual remark on Francesca's part; "and two or three +non-players, which is unusual on a Wednesday. Canon Besomley was +here just before you came; you know, the big preaching man." + +"I've been to hear him scold the human race once or twice," said +Francesca. + +"A strong man with a wonderfully strong message," said Ada +Spelvexit, in an impressive and assertive tone. + +"The sort of popular pulpiteer who spanks the vices of his age and +lunches with them afterwards," said Lady Caroline. + +"Hardly a fair summary of the man and his work," protested Ada. +"I've been to hear him many times when I've been depressed or +discouraged, and I simply can't tell you the impression his words +leave--" + +"At least you can tell us what you intend to make trumps," broke in +Lady Caroline, gently. + +"Diamonds," pronounced Ada, after a rather flurried survey of her +hand. + +"Doubled," said Lady Caroline, with increased gentleness, and a few +minutes later she was pencilling an addition of twenty-four to her +score. + +"I stayed with his people down in Herefordshire last May," said +Ada, returning to the unfinished theme of the Canon; "such an +exquisite rural retreat, and so restful and healing to the nerves. +Real country scenery; apple blossom everywhere." + +"Surely only on the apple trees," said Lady Caroline. + +Ada Spelvexit gave up the attempt to reproduce the decorative +setting of the Canon's homelife, and fell back on the small but +practical consolation of scoring the odd trick in her opponent's +declaration of hearts. + +"If you had led your highest club to start with, instead of the +nine, we should have saved the trick," remarked Lady Caroline to +her partner in a tone of coldly, gentle reproof; "it's no use, my +dear," she continued, as Serena flustered out a halting apology, +"no earthly use to attempt to play bridge at one table and try to +see and hear what's going on at two or three other tables." + +"I can generally manage to attend to more than one thing at a +time," said Serena, rashly; "I think I must have a sort of double +brain." + +"Much better to economise and have one really good one," observed +Lady Caroline. + +"La belle dame sans merci scoring a verbal trick or two as usual," +said a player at another table in a discreet undertone. + +"Did I tell you Sir Edward Roan is coming to my next big evening," +said Serena, hurriedly, by way, perhaps, of restoring herself a +little in her own esteem. + +"Poor dear, good Sir Edward. What have you made trumps?" asked +Lady Caroline, in one breath. + +"Clubs," said Francesca; "and pray, why these adjectives of +commiseration?" + +Francesca was a Ministerialist by family interest and allegiance, +and was inclined to take up the cudgels at the suggested +disparagement aimed at the Foreign Secretary. + +"He amuses me so much," purred Lady Caroline. Her amusement was +usually of the sort that a sporting cat derives from watching the +Swedish exercises of a well-spent and carefully thought-out mouse. + +"Really? He has been rather a brilliant success at the Foreign +Office, you know," said Francesca. + +"He reminds one so of a circus elephant--infinitely more +intelligent than the people who direct him, but quite content to go +on putting his foot down or taking it up as may be required, quite +unconcerned whether he steps on a meringue or a hornet's nest in +the process of going where he's expected to go." + +"How can you say such things?" protested Francesca. + +"I can't," said Lady Caroline; "Courtenay Youghal said it in the +House last night. Didn't you read the debate? He was really +rather in form. I disagree entirely with his point of view, of +course, but some of the things he says have just enough truth +behind them to redeem them from being merely smart; for instance, +his summing up of the Government's attitude towards our +embarrassing Colonial Empire in the wistful phrase 'happy is the +country that has no geography.'" + +"What an absurdly unjust thing to say," put in Francesca; "I +daresay some of our Party at some time have taken up that attitude, +but every one knows that Sir Edward is a sound Imperialist at +heart." + +"Most politicians are something or other at heart, but no one would +be rash enough to insure a politician against heart failure. +Particularly when he happens to be in office." + +"Anyhow, I don't see that the Opposition leaders would have acted +any differently in the present case," said Francesca. + +"One should always speak guardedly of the Opposition leaders," said +Lady Caroline, in her gentlest voice; "one never knows what a turn +in the situation may do for them." + +"You mean they may one day be at the head of affairs?" asked +Serena, briskly. + +"I mean they may one day lead the Opposition. One never knows." + +Lady Caroline had just remembered that her hostess was on the +Opposition side in politics. + +Francesca and her partner scored four tricks in clubs; the game +stood irresolutely at twenty-four all. + +"If you had followed the excellent lyrical advice given to the Maid +of Athens and returned my heart we should have made two more tricks +and gone game," said Lady Caroline to her partner. + +"Mr. Youghal seems pushing himself to the fore of late," remarked +Francesca, as Serena took up the cards to deal. Since the young +politician's name had been introduced into their conversation the +opportunity for turning the talk more directly on him and his +affairs was too good to be missed. + +"I think he's got a career before him," said Serena; "the House +always fills when he's speaking, and that's a good sign. And then +he's young and got rather an attractive personality, which is +always something in the political world." + +"His lack of money will handicap him, unless he can find himself a +rich wife or persuade someone to die and leave him a fat legacy," +said Francesca; "since M.P.'s have become the recipients of a +salary rather more is expected and demanded of them in the +expenditure line than before." + +"Yes, the House of Commons still remains rather at the opposite +pole to the Kingdom of Heaven as regards entrance qualifications," +observed Lady Caroline. + +"There ought to be no difficulty about Youghal picking up a girl +with money," said Serena; "with his prospects he would make an +excellent husband for any woman with social ambitions." + +And she half sighed, as though she almost regretted that a previous +matrimonial arrangement precluded her from entering into the +competition on her own account. + +Francesca, under an assumption of languid interest, was watching +Lady Caroline narrowly for some hint of suppressed knowledge of +Youghal's courtship of Miss de Frey. + +"Whom are you marrying and giving in marriage?" + +The question came from George St. Michael, who had strayed over +from a neighbouring table, attracted by the fragments of small-talk +that had reached his ears. + +St. Michael was one of those dapper bird-like illusorily-active +men, who seem to have been in a certain stage of middle-age for as +long as human memory can recall them. A close-cut peaked beard +lent a certain dignity to his appearance--a loan which the rest of +his features and mannerisms were continually and successfully +repudiating. His profession, if he had one, was submerged in his +hobby, which consisted of being an advance-agent for small +happenings or possible happenings that were or seemed imminent in +the social world around him; he found a perpetual and unflagging +satisfaction in acquiring and retailing any stray items of gossip +or information, particularly of a matrimonial nature, that chanced +to come his way. Given the bare outline of an officially announced +engagement he would immediately fill it in with all manner of +details, true or, at any rate, probable, drawn from his own +imagination or from some equally exclusive source. The Morning +Post might content itself with the mere statement of the +arrangement which would shortly take place, but it was St. +Michael's breathless little voice that proclaimed how the +contracting parties had originally met over a salmon-fishing +incident, why the Guards' Chapel would not be used, why her Aunt +Mary had at first opposed the match, how the question of the +children's religious upbringing had been compromised, etc., etc., +to all whom it might interest and to many whom it might not. +Beyond his industriously-earned pre-eminence in this special branch +of intelligence, he was chiefly noteworthy for having a wife +reputed to be the tallest and thinnest woman in the Home Counties. +The two were sometimes seen together in Society, where they passed +under the collective name of St. Michael and All Angles. + +"We are trying to find a rich wife for Courtenay Youghal," said +Serena, in answer to St. Michael's question. + +"Ah, there I'm afraid you're a little late," he observed, glowing +with the importance of pending revelation; "I'm afraid you're a +little late," he repeated, watching the effect of his words as a +gardener might watch the development of a bed of carefully tended +asparagus. "I think the young gentleman has been before you and +already found himself a rich mate in prospect." + +He lowered his voice as he spoke, not with a view to imparting +impressive mystery to his statement, but because there were other +table groups within hearing to whom he hoped presently to have the +privilege of re-disclosing his revelation. + +"Do you mean--?" began Serena. + +"Miss de Frey," broke in St. Michael, hurriedly, fearful lest his +revelation should be forestalled, even in guesswork; "quite an +ideal choice, the very wife for a man who means to make his mark in +politics. Twenty-four thousand a year, with prospects of more to +come, and a charming place of her own not too far from town. Quite +the type of girl, too, who will make a good political hostess, +brains without being brainy, you know. Just the right thing. Of +course, it would be premature to make any definite announcement at +present--" + +"It would hardly be premature for my partner to announce what she +means to make trumps," interrupted Lady Caroline, in a voice of +such sinister gentleness that St. Michael fled headlong back to his +own table. + +"Oh, is it me? I beg your pardon. I leave it," said Serena. + +"Thank you. No trumps," declared Lady Caroline. The hand was +successful, and the rubber ultimately fell to her with a +comfortable margin of honours. The same partners cut together +again, and this time the cards went distinctly against Francesca +and Ada Spelvexit, and a heavily piled-up score confronted them at +the close of the rubber. Francesca was conscious that a certain +amount of rather erratic play on her part had at least contributed +to the result. St. Michael's incursion into the conversation had +proved rather a powerful distraction to her ordinarily sound +bridge-craft. + +Ada Spelvexit emptied her purse of several gold pieces and infused +a corresponding degree of superiority into her manner. + +"I must be going now," she announced; "I'm dining early. I have to +give an address to some charwomen afterwards." + +"Why?" asked Lady Caroline, with a disconcerting directness that +was one of her most formidable characteristics. + +"Oh, well, I have some things to say to them that I daresay they +will like to hear," said Ada, with a thin laugh. + +Her statement was received with a silence that betokened profound +unbelief in any such probability. + +"I go about a good deal among working-class women," she added. + +"No one has ever said it," observed Lady Caroline, "but how +painfully true it is that the poor have us always with them." + +Ada Spelvexit hastened her departure; the marred impressiveness of +her retreat came as a culminating discomfiture on the top of her +ill-fortune at the card-table. Possibly, however, the +multiplication of her own annoyances enabled her to survey +charwomen's troubles with increased cheerfulness. None of them, at +any rate, had spent an afternoon with Lady Caroline. + +Francesca cut in at another table and with better fortune attending +on her, succeeded in winning back most of her losses. A sense of +satisfaction was distinctly dominant as she took leave of her +hostess. St. Michael's gossip, or rather the manner in which it +had been received, had given her a clue to the real state of +affairs, which, however slender and conjectural, at least pointed +in the desired direction. At first she had been horribly afraid +lest she should be listening to a definite announcement which would +have been the death-blow to her hopes, but as the recitation went +on without any of those assured little minor details which St. +Michael so loved to supply, she had come to the conclusion that it +was merely a piece of intelligent guesswork. And if Lady Caroline +had really believed in the story of Elaine de Frey's virtual +engagement to Courtenay Youghal she would have taken a malicious +pleasure in encouraging St. Michael in his confidences, and in +watching Francesca's discomfiture under the recital. The irritated +manner in which she had cut short the discussion betrayed the fact, +that, as far as the old woman's information went, it was Comus and +not Courtenay Youghal who held the field. And in this particular +case Lady Caroline's information was likely to be nearer the truth +than St. Michael's confident gossip. + +Francesca always gave a penny to the first crossing-sweeper or +match-seller she chanced across after a successful sitting at +bridge. This afternoon she had come out of the fray some fifteen +shillings to the bad, but she gave two pennies to a crossing- +sweeper at the north-west corner of Berkeley Square as a sort of +thank-offering to the Gods. + + + +CHAPTER VIII + + + +It was a fresh rain-repentant afternoon, following a morning that +had been sultry and torrentially wet by turns; the sort of +afternoon that impels people to talk graciously of the rain as +having done a lot of good, its chief merit in their eyes probably +having been its recognition of the art of moderation. Also it was +an afternoon that invited bodily activity after the convalescent +languor of the earlier part of the day. Elaine had instinctively +found her way into her riding-habit and sent an order down to the +stables--a blessed oasis that still smelt sweetly of horse and hay +and cleanliness in a world that reeked of petrol, and now she set +her mare at a smart pace through a succession of long-stretching +country lanes. She was due some time that afternoon at a garden- +party, but she rode with determination in an opposite direction. +In the first place neither Comus or Courtenay would be at the +party, which fact seemed to remove any valid reason that could be +thought of for inviting her attendance thereat; in the second place +about a hundred human beings would be gathered there, and human +gatherings were not her most crying need at the present moment. +Since her last encounter with her wooers, under the cedars in her +own garden, Elaine realised that she was either very happy or +cruelly unhappy, she could not quite determine which. She seemed +to have what she most wanted in the world lying at her feet, and +she was dreadfully uncertain in her more reflective moments whether +she really wanted to stretch out her hand and take it. It was all +very like some situation in an Arabian Nights tale or a story of +Pagan Hellas, and consequently the more puzzling and disconcerting +to a girl brought up on the methodical lines of Victorian +Christianity. Her appeal court was in permanent session these last +few days, but it gave no decisions, at least none that she would +listen to. And the ride on her fast light-stepping little mare, +alone and unattended, through the fresh-smelling leafy lanes into +unexplored country, seemed just what she wanted at the moment. The +mare made some small delicate pretence of being roadshy, not the +staring dolt-like kind of nervousness that shows itself in an +irritating hanging-back as each conspicuous wayside object presents +itself, but the nerve-flutter of an imaginative animal that merely +results in a quick whisk of the head and a swifter bound forward. +She might have paraphrased the mental attitude of the immortalised +Peter Bell into + + +A basket underneath a tree +A yellow tiger is to me, +If it is nothing more. + + +The more really alarming episodes of the road, the hoot and whir of +a passing motor-car or the loud vibrating hum of a wayside +threshing-machine, were treated with indifference. + +On turning a corner out of a narrow coppice-bordered lane into a +wider road that sloped steadily upward in a long stretch of hill +Elaine saw, coming toward her at no great distance, a string of +yellow-painted vans, drawn for the most part by skewbald or +speckled horses. A certain rakish air about these oncoming road- +craft proclaimed them as belonging to a travelling wild-beast show, +decked out in the rich primitive colouring that one's taste in +childhood would have insisted on before it had been schooled in the +artistic value of dulness. It was an unlooked-for and distinctly +unwelcome encounter. The mare had already commenced a sixfold +scrutiny with nostrils, eyes and daintily-pricked ears; one ear +made hurried little backward movements to hear what Elaine was +saying about the eminent niceness and respectability of the +approaching caravan, but even Elaine felt that she would be unable +satisfactorily to explain the elephants and camels that would +certainly form part of the procession. To turn back would seem +rather craven, and the mare might take fright at the manoeuvre and +try to bolt; a gate standing ajar at the entrance to a farmyard +lane provided a convenient way out of the difficulty. + +As Elaine pushed her way through she became aware of a man standing +just inside the lane, who made a movement forward to open the gate +for her. + +"Thank you. I'm just getting out of the way of a wild-beast show," +she explained; "my mare is tolerant of motors and traction-engines, +but I expect camels--hullo," she broke off, recognising the man as +an old acquaintance, "I heard you had taken rooms in a farmhouse +somewhere. Fancy meeting you in this way." + +In the not very distant days of her little-girlhood, Tom Keriway +had been a man to be looked upon with a certain awe and envy; +indeed the glamour of his roving career would have fired the +imagination, and wistful desire to do likewise, of many young +Englishmen. It seemed to be the grown-up realisation of the games +played in dark rooms in winter fire-lit evenings, and the dreams +dreamed over favourite books of adventure. Making Vienna his +headquarters, almost his home, he had rambled where he listed +through the lands of the Near and Middle East as leisurely and +thoroughly as tamer souls might explore Paris. He had wandered +through Hungarian horse-fairs, hunted shy crafty beasts on lonely +Balkan hillsides, dropped himself pebble-wise into the stagnant +human pool of some Bulgarian monastery, threaded his way through +the strange racial mosaic of Salonika, listened with amused +politeness to the shallow ultra-modern opinions of a voluble editor +or lawyer in some wayside Russian town, or learned wisdom from a +chance tavern companion, one of the atoms of the busy ant-stream of +men and merchandise that moves untiringly round the shores of the +Black Sea. And far and wide as he might roam he always managed to +turn up at frequent intervals, at ball and supper and theatre, in +the gay Hauptstadt of the Habsburgs, haunting his favourite cafes +and wine-vaults, skimming through his favourite news-sheets, +greeting old acquaintances and friends, from ambassadors down to +cobblers in the social scale. He seldom talked of his travels, but +it might be said that his travels talked of him; there was an air +about him that a German diplomat once summed up in a phrase: "a +man that wolves have sniffed at." + +And then two things happened, which he had not mapped out in his +route; a severe illness shook half the life and all the energy out +of him, and a heavy money loss brought him almost to the door of +destitution. With something, perhaps, of the impulse which drives +a stricken animal away from its kind, Tom Keriway left the haunts +where he had known so much happiness, and withdrew into the shelter +of a secluded farmhouse lodging; more than ever he became to Elaine +a hearsay personality. And now the chance meeting with the caravan +had flung her across the threshold of his retreat. + +"What a charming little nook you've got hold of," she exclaimed +with instinctive politeness, and then looked searchingly round, and +discovered that she had spoken the truth; it really was charming. +The farmhouse had that intensely English look that one seldom sees +out of Normandy. Over the whole scene of rickyard, garden, +outbuildings, horsepond and orchard, brooded that air which seems +rightfully to belong to out-of-the-way farmyards, an air of wakeful +dreaminess which suggests that here, man and beast and bird have +got up so early that the rest of the world has never caught them up +and never will. + +Elaine dismounted, and Keriway led the mare round to a little +paddock by the side of a great grey barn. At the end of the lane +they could see the show go past, a string of lumbering vans and +great striding beasts that seemed to link the vast silences of the +desert with the noises and sights and smells, the naphtha-flares +and advertisement hoardings and trampled orange-peel, of an endless +succession of towns. + +"You had better let the caravan pass well on its way before you get +on the road again," said Keriway; "the smell of the beasts may make +your mare nervous and restive going home." + +Then he called to a boy who was busy with a hoe among some +defiantly prosperous weeds, to fetch the lady a glass of milk and a +piece of currant loaf. + +"I don't know when I've seen anything so utterly charming and +peaceful," said Elaine, propping herself on a seat that a pear-tree +had obligingly designed in the fantastic curve of its trunk. + +"Charming, certainly," said Keriway, "but too full of the stress of +its own little life struggle to be peaceful. Since I have lived +here I've learnt, what I've always suspected, that a country +farmhouse, set away in a world of its own, is one of the most +wonderful studies of interwoven happenings and tragedies that can +be imagined. It is like the old chronicles of medieval Europe in +the days when there was a sort of ordered anarchy between feudal +lords and overlords, and burg-grafs, and mitred abbots, and prince- +bishops, robber barons and merchant guilds, and Electors and so +forth, all striving and contending and counter-plotting, and +interfering with each other under some vague code of loosely- +applied rules. Here one sees it reproduced under one's eyes, like +a musty page of black-letter come to life. Look at one little +section of it, the poultry-life on the farm. Villa poultry, dull +egg-machines, with records kept of how many ounces of food they +eat, and how many pennyworths of eggs they lay, give you no idea of +the wonder-life of these farm-birds; their feuds and jealousies, +and carefully maintained prerogatives, their unsparing tyrannies +and persecutions, their calculated courage and bravado or +sedulously hidden cowardice, it might all be some human chapter +from the annals of the old Rhineland or medieval Italy. And then, +outside their own bickering wars and hates, the grim enemies that +come up against them from the woodlands; the hawk that dashes among +the coops like a moss-trooper raiding the border, knowing well that +a charge of shot may tear him to bits at any moment. And the +stoat, a creeping slip of brown fur a few inches long, intently and +unstayably out for blood. And the hunger-taught master of craft, +the red fox, who has waited perhaps half the afternoon for his +chance while the fowls were dusting themselves under the hedge, and +just as they were turning supper-ward to the yard one has stopped a +moment to give her feathers a final shake and found death springing +upon her. Do you know," he continued, as Elaine fed herself and +the mare with morsels of currant-loaf, "I don't think any tragedy +in literature that I have ever come across impressed me so much as +the first one, that I spelled out slowly for myself in words of +three letters: the bad fox has got the red hen. There was +something so dramatically complete about it; the badness of the +fox, added to all the traditional guile of his race, seemed to +heighten the horror of the hen's fate, and there was such a +suggestion of masterful malice about the word 'got.' One felt that +a countryside in arms would not get that hen away from the bad fox. +They used to think me a slow dull reader for not getting on with my +lesson, but I used to sit and picture to myself the red hen, with +its wings beating helplessly, screeching in terrified protest, or +perhaps, if he had got it by the neck, with beak wide agape and +silent, and eyes staring, as it left the farmyard for ever. I have +seen blood-spillings and down-crushings and abject defeat here and +there in my time, but the red hen has remained in my mind as the +type of helpless tragedy." He was silent for a moment as if he +were again musing over the three-letter drama that had so dwelt in +his childhood's imagination. "Tell me some of the things you have +seen in your time," was the request that was nearly on Elaine's +lips, but she hastily checked herself and substituted another. + +"Tell me more about the farm, please." + +And he told her of a whole world, or rather of several intermingled +worlds, set apart in this sleepy hollow in the hills, of beast lore +and wood lore and farm craft, at times touching almost the border +of witchcraft--passing lightly here, not with the probing eagerness +of those who know nothing, but with the averted glance of those who +fear to see too much. He told her of those things that slept and +those that prowled when the dusk fell, of strange hunting cats, of +the yard swine and the stalled cattle, of the farm folk themselves, +as curious and remote in their way, in their ideas and fears and +wants and tragedies, as the brutes and feathered stock that they +tended. It seemed to Elaine as if a musty store of old-world +children's books had been fetched down from some cobwebbed lumber- +room and brought to life. Sitting there in the little paddock, +grown thickly with tall weeds and rank grasses, and shadowed by the +weather-beaten old grey barn, listening to this chronicle of +wonderful things, half fanciful, half very real, she could scarcely +believe that a few miles away there was a garden-party in full +swing, with smart frocks and smart conversation, fashionable +refreshments and fashionable music, and a fevered undercurrent of +social strivings and snubbings. Did Vienna and the Balkan +Mountains and the Black Sea seem as remote and hard to believe in, +she wondered, to the man sitting by her side, who had discovered or +invented this wonderful fairyland? Was it a true and merciful +arrangement of fate and life that the things of the moment thrust +out the after-taste of the things that had been? Here was one who +had held much that was priceless in the hollow of his hand and lost +it all, and he was happy and absorbed and well-content with the +little wayside corner of the world into which he had crept. And +Elaine, who held so many desirable things in the hollow of her +hand, could not make up her mind to be even moderately happy. She +did not even know whether to take this hero of her childhood down +from his pedestal, or to place him on a higher one; on the whole +she was inclined to resent rather than approve the idea that ill- +health and misfortune could so completely subdue and tame an +erstwhile bold and roving spirit. + +The mare was showing signs of delicately-hinted impatience; the +paddock, with its teasing insects and very indifferent grazing, had +not thrust out the image of her own comfortable well-foddered +loose-box. Elaine divested her habit of some remaining crumbs of +bun-loaf and jumped lightly on to her saddle. As she rode slowly +down the lane, with Keriway escorting her as far as its gate, she +looked round at what had seemed to her, a short while ago, just a +picturesque old farmstead, a place of bee-hives and hollyhocks and +gabled cart-sheds; now it was in her eyes a magic city, with an +undercurrent of reality beneath its magic. + +"You are a person to be envied," she said to Keriway; "you have +created a fairyland, and you are living in it yourself." + +"Envied?" + +He shot the question out with sudden bitterness. She looked down +and saw the wistful misery that had come into his face. + +"Once," he said to her, "in a German paper I read a short story +about a tame crippled crane that lived in the park of some small +town. I forget what happened in the story, but there was one line +that I shall always remember: 'it was lame, that is why it was +tame.'" + +He had created a fairyland, but assuredly he was not living in it. + + + +CHAPTER IX + + + +In the warmth of a late June morning the long shaded stretch of +raked earth, gravel-walk and rhododendron bush that is known +affectionately as the Row was alive with the monotonous movement +and alert stagnation appropriate to the time and place. The +seekers after health, the seekers after notoriety and recognition, +and the lovers of good exercise were all well represented on the +galloping ground; the gravel-walk and chairs and long seats held a +population whose varied instincts and motives would have baffled a +social catalogue-maker. The children, handled or in perambulators, +might be excused from instinct or motive; they were brought. + +Pleasingly conspicuous among a bunch of indifferent riders pacing +along by the rails where the onlookers were thickest was Courtenay +Youghal, on his handsome plum-roan gelding Anne de Joyeuse. That +delicately stepping animal had taken a prize at Islington and +nearly taken the life of a stable-boy of whom he disapproved, but +his strongest claims to distinction were his good looks and his +high opinion of himself. Youghal evidently believed in thorough +accord between horse and rider. + +"Please stop and talk to me," said a quiet beckoning voice from the +other side of the rails, and Youghal drew rein and greeted Lady +Veula Croot. Lady Veula had married into a family of commercial +solidity and enterprising political nonentity. She had a devoted +husband, some blonde teachable children, and a look of unutterable +weariness in her eyes. To see her standing at the top of an +expensively horticultured staircase receiving her husband's guests +was rather like watching an animal performing on a music-hall +stage. + +One always tells oneself that the animal likes it, and one always +knows that it doesn't. + +"Lady Veula is an ardent Free Trader, isn't she?" someone once +remarked to Lady Caroline. + +"I wonder," said Lady Caroline, in her gently questioning voice; "a +woman whose dresses are made in Paris and whose marriage has been +made in Heaven might be equally biassed for and against free +imports." + +Lady Veula looked at Youghal and his mount with slow critical +appraisement, and there was a note of blended raillery and +wistfulness in her voice. + +"You two dear things, I should love to stroke you both, but I'm not +sure how Joyeuse would take it. So I'll stroke you down verbally +instead. I admired your attack on Sir Edward immensely, though of +course I don't agree with a word of it. Your description of him +building a hedge round the German cuckoo and hoping he was +isolating it was rather sweet. Seriously though, I regard him as +one of the pillars of the Administration." + +"So do I," said Youghal; "the misfortune is that he is merely +propping up a canvas roof. It's just his regrettable solidity and +integrity that makes him so expensively dangerous. The average +Briton arrives at the same judgment about Roan's handling of +foreign affairs as Omar does of the Supreme Being in his dealings +with the world: He's a good fellow and 'twill all be well.'" + +Lady Veula laughed lightly. "My Party is in power so I may +exercise the privilege of being optimistic. Who is that who bowed +to you?" she continued, as a dark young man with an inclination to +stoutness passed by them on foot; "I've seen him about a good deal +lately. He's been to one or two of my dances." + +"Andrei Drakoloff," said Youghal; "he's just produced a play that +has had a big success in Moscow and is certain to be extremely +popular all over Russia. In the first three acts the heroine is +supposed to be dying of consumption; in the last act they find she +is really dying of cancer." + +"Are the Russians really such a gloomy people?" + +"Gloom-loving but not in the least gloomy. They merely take their +sadness pleasurably, just as we are accused of taking our pleasures +sadly. Have you noticed that dreadful Klopstock youth has been +pounding past us at shortening intervals. He'll come up and talk +if he half catches your eye." + +"I only just know him. Isn't he at an agricultural college or +something of the sort?" + +"Yes, studying to be a gentleman farmer, he told me. I didn't ask +if both subjects were compulsory." + +"You're really rather dreadful," said Lady Veula, trying to look as +if she thought so; "remember, we are all equal in the sight of +Heaven." + +For a preacher of wholesome truths her voice rather lacked +conviction. + +"If I and Ernest Klopstock are really equal in the sight of +Heaven," said Youghal, with intense complacency, "I should +recommend Heaven to consult an eye specialist." + +There was a heavy spattering of loose earth, and a squelching of +saddle-leather, as the Klopstock youth lumbered up to the rails and +delivered himself of loud, cheerful greetings. Joyeuse laid his +ears well back as the ungainly bay cob and his appropriately +matched rider drew up beside him; his verdict was reflected and +endorsed by the cold stare of Youghal's eyes. + +"I've been having a nailing fine time," recounted the newcomer with +clamorous enthusiasm; "I was over in Paris last month and had lots +of strawberries there, then I had a lot more in London, and now +I've been having a late crop of them in Herefordshire, so I've had +quite a lot this year." And he laughed as one who had deserved +well and received well of Fate. + +"The charm of that story," said Youghal, "is that it can be told in +any drawing-room." And with a sweep of his wide-brimmed hat to +Lady Veula he turned the impatient Joyeuse into the moving stream +of horse and horsemen. + +"That woman reminds me of some verse I've read and liked," thought +Youghal, as Joyeuse sprang into a light showy canter that gave full +recognition to the existence of observant human beings along the +side walk. "Ah, I have it." + +And he quoted almost aloud, as one does in the exhilaration of a +canter: + + +"How much I loved that way you had +Of smiling most, when very sad, +A smile which carried tender hints +Of sun and spring, +And yet, more than all other thing, +Of weariness beyond all words." + + +And having satisfactorily fitted Lady Veula on to a quotation he +dismissed her from his mind. With the constancy of her sex she +thought about him, his good looks and his youth and his railing +tongue, till late in the afternoon. + +While Youghal was putting Joyeuse through his paces under the elm +trees of the Row a little drama in which he was directly interested +was being played out not many hundred yards away. Elaine and Comus +were indulging themselves in two pennyworths of Park chair, drawn +aside just a little from the serried rows of sitters who were set +out like bedded plants over an acre or so of turf. Comus was, for +the moment, in a mood of pugnacious gaiety, disbursing a fund of +pointed criticism and unsparing anecdote concerning those of the +promenaders or loungers whom he knew personally or by sight. +Elaine was rather quieter than usual, and the grave serenity of the +Leonardo da Vinci portrait seemed intensified in her face this +morning. In his leisurely courtship Comus had relied almost +exclusively on his physical attraction and the fitful drollery of +his wit and high spirits, and these graces had gone far to make him +seem a very desirable and rather lovable thing in Elaine's eyes. +But he had left out of account the disfavour which he constantly +risked and sometimes incurred from his frank and undisguised +indifference to other people's interests and wishes, including, at +times, Elaine's. And the more that she felt that she liked him the +more she was irritated by his lack of consideration for her. +Without expecting that her every wish should become a law to him +she would at least have liked it to reach the formality of a Second +Reading. Another important factor he had also left out of his +reckoning, namely the presence on the scene of another suitor, who +also had youth and wit to recommend him, and who certainly did not +lack physical attractions. Comus, marching carelessly through +unknown country to effect what seemed already an assured victory, +made the mistake of disregarding the existence of an unbeaten army +on his flank. + +To-day Elaine felt that, without having actually quarrelled, she +and Comus had drifted a little bit out of sympathy with one +another. The fault she knew was scarcely hers, in fact from the +most good-natured point of view it could hardly be denied that it +was almost entirely his. The incident of the silver dish had +lacked even the attraction of novelty; it had been one of a series, +all bearing a strong connecting likeness. There had been small +unrepaid loans which Elaine would not have grudged in themselves, +though the application for them brought a certain qualm of +distaste; with the perversity which seemed inseparable from his +doings, Comus had always flung away a portion of his borrowings in +some ostentatious piece of glaring and utterly profitless +extravagance, which outraged all the canons of her upbringing +without bringing him an atom of understandable satisfaction. Under +these repeated discouragements it was not surprising that some +small part of her affection should have slipped away, but she had +come to the Park that morning with an unconfessed expectation of +being gently wooed back to the mood of gracious forgetfulness that +she was only too eager to assume. It was almost worth while being +angry with Comus for the sake of experiencing the pleasure of being +coaxed into friendliness again with the charm which he knew so well +how to exert. It was delicious here under the trees on this +perfect June morning, and Elaine had the blessed assurance that +most of the women within range were envying her the companionship +of the handsome merry-hearted youth who sat by her side. With +special complacence she contemplated her cousin Suzette, who was +self-consciously but not very elatedly basking in the attentions of +her fiance, an earnest-looking young man who was superintendent of +a People's something-or-other on the south side of the river, and +whose clothes Comus had described as having been made in Southwark +rather than in anger. + +Most of the pleasures in life must be paid for, and the chair- +ticket vendor in due time made his appearance in quest of pennies. + +Comus paid him from out of a varied assortment of coins and then +balanced the remainder in the palm of his hand. Elaine felt a +sudden foreknowledge of something disagreeable about to happen and +a red spot deepened in her cheeks. + +"Four shillings and fivepence and a half-penny," said Comus, +reflectively. "It's a ridiculous sum to last me for the next three +days, and I owe a card debt of over two pounds." + +"Yes?" commented Elaine dryly and with an apparent lack of interest +in his exchequer statement. Surely, she was thinking hurriedly to +herself, he could not be foolish enough to broach the matter of +another loan. + +"The card debt is rather a nuisance," pursued Comus, with +fatalistic persistency. + +"You won seven pounds last week, didn't you?" asked Elaine; "don't +you put by any of your winnings to balance losses?" + +"The four shillings and the fivepence and the half-penny represent +the rearguard of the seven pounds," said Comus; "the rest have +fallen by the way. If I can pay the two pounds to-day I daresay I +shall win something more to go on with; I'm holding rather good +cards just now. But if I can't pay it of course I shan't show up +at the club. So you see the fix I am in." + +Elaine took no notice of this indirect application. The Appeal +Court was assembling in haste to consider new evidence, and this +time there was the rapidity of sudden determination about its +movement. + +The conversation strayed away from the fateful topic for a few +moments and then Comus brought it deliberately back to the danger +zone. + +"It would be awfully nice if you would let me have a fiver for a +few days, Elaine," he said quickly; "if you don't I really don't +know what I shall do." + +"If you are really bothered about your card debt I will send you +the two pounds by messenger boy early this afternoon." She spoke +quietly and with great decision. "And I shall not be at the +Connor's dance to-night," she continued; "it's too hot for dancing. +I'm going home now; please don't bother to accompany me, I +particularly wish to go alone." + +Comus saw that he had overstepped the mark of her good nature. +Wisely he made no immediate attempt to force himself back into her +good graces. He would wait till her indignation had cooled. + +His tactics would have been excellent if he had not forgotten that +unbeaten army on his flank. + +Elaine de Frey had known very clearly what qualities she had wanted +in Comus, and she had known, against all efforts at self-deception, +that he fell far short of those qualities. She had been willing to +lower her standard of moral requirements in proportion as she was +fond of the boy, but there was a point beyond which she would not +go. He had hurt her pride besides alarming her sense of caution. + +Suzette, on whom she felt a thoroughly justified tendency to look +down, had at any rate an attentive and considerate lover. Elaine +walked towards the Park gates feeling that in one essential Suzette +possessed something that had been denied to her, and at the gates +she met Joyeuse and his spruce young rider preparing to turn +homeward. + +"Get rid of Joyeuse and come and take me out to lunch somewhere," +demanded Elaine. + +"How jolly," said Youghal. "Let's go to the Corridor Restaurant. +The head waiter there is an old Viennese friend of mine and looks +after me beautifully. I've never been there with a lady before, +and he's sure to ask me afterwards, in his fatherly way, if we're +engaged." + +The lunch was a success in every way. There was just enough +orchestral effort to immerse the conversation without drowning it, +and Youghal was an attentive and inspired host. Through an open +doorway Elaine could see the cafe reading-room, with its imposing +array of Neue Freie Presse, Berliner Tageblatt, and other exotic +newspapers hanging on the wall. She looked across at the young man +seated opposite her, who gave one the impression of having centred +the most serious efforts of his brain on his toilet and his food, +and recalled some of the flattering remarks that the press had +bestowed on his recent speeches. + +"Doesn't it make you conceited, Courtenay," she asked, "to look at +all those foreign newspapers hanging there and know that most of +them have got paragraphs and articles about your Persian speech?" + +Youghal laughed. + +"There's always a chastening corrective in the thought that some of +them may have printed your portrait. When once you've seen your +features hurriedly reproduced in the Matin, for instance, you feel +you would like to be a veiled Turkish woman for the rest of your +life." + +And Youghal gazed long and lovingly at his reflection in the +nearest mirror, as an antidote against possible incitements to +humility in the portrait gallery of fame. + +Elaine felt a certain soothed satisfaction in the fact that this +young man, whose knowledge of the Middle East was an embarrassment +to Ministers at question time and in debate, was showing himself +equally well-informed on the subject of her culinary likes and +dislikes. If Suzette could have been forced to attend as a witness +at a neighbouring table she would have felt even happier. + +"Did the head waiter ask if we were engaged?" asked Elaine, when +Courtenay had settled the bill, and she had finished collecting her +sunshade and gloves and other impedimenta from the hands of +obsequious attendants. + +"Yes," said Youghal, "and he seemed quite crestfallen when I had to +say 'no.'" + +"It would be horrid to disappoint him when he's looked after us so +charmingly," said Elaine; "tell him that we are." + + + +CHAPTER X + + + +The Rutland Galleries were crowded, especially in the neighbourhood +of the tea-buffet, by a fashionable throng of art-patrons which had +gathered to inspect Mervyn Quentock's collection of Society +portraits. Quentock was a young artist whose abilities were just +receiving due recognition from the critics; that the recognition +was not overdue he owed largely to his perception of the fact that +if one hides one's talent under a bushel one must be careful to +point out to everyone the exact bushel under which it is hidden. +There are two manners of receiving recognition: one is to be +discovered so long after one's death that one's grandchildren have +to write to the papers to establish their relationship; the other +is to be discovered, like the infant Moses, at the very outset of +one's career. Mervyn Quentock had chosen the latter and happier +manner. In an age when many aspiring young men strive to advertise +their wares by imparting to them a freakish imbecility, Quentock +turned out work that was characterised by a pleasing delicate +restraint, but he contrived to herald his output with a certain +fanfare of personal eccentricity, thereby compelling an attention +which might otherwise have strayed past his studio. In appearance +he was the ordinary cleanly young Englishman, except, perhaps, that +his eyes rather suggested a library edition of the Arabian Nights; +his clothes matched his appearance and showed no taint of the +sartorial disorder by which the bourgeois of the garden-city and +the Latin Quarter anxiously seeks to proclaim his kinship with art +and thought. His eccentricity took the form of flying in the face +of some of the prevailing social currents of the day, but as a +reactionary, never as a reformer. He produced a gasp of admiring +astonishment in fashionable circles by refusing to paint actresses- +-except, of course, those who had left the legitimate drama to +appear between the boards of Debrett. He absolutely declined to +execute portraits of Americans unless they hailed from certain +favoured States. His "water-colour-line," as a New York paper +phrased it, earned for him a crop of angry criticisms and a shoal +of Transatlantic commissions, and criticism and commissions were +the things that Quentock most wanted. + +"Of course he is perfectly right," said Lady Caroline Benaresq, +calmly rescuing a piled-up plate of caviare sandwiches from the +neighbourhood of a trio of young ladies who had established +themselves hopefully within easy reach of it. "Art," she +continued, addressing herself to the Rev. Poltimore Vardon, "has +always been geographically exclusive. London may be more important +from most points of view than Venice, but the art of portrait +painting, which would never concern itself with a Lord Mayor, +simply grovels at the feet of the Doges. As a Socialist I'm bound +to recognise the right of Ealing to compare itself with Avignon, +but one cannot expect the Muses to put the two on a level." + +"Exclusiveness," said the Reverend Poltimore, "has been the +salvation of Art, just as the lack of it is proving the downfall of +religion. My colleagues of the cloth go about zealously +proclaiming the fact that Christianity, in some form or other, is +attracting shoals of converts among all sorts of races and tribes, +that one had scarcely ever heard of, except in reviews of books of +travel that one never read. That sort of thing was all very well +when the world was more sparsely populated, but nowadays, when it +simply teems with human beings, no one is particularly impressed by +the fact that a few million, more or less, of converts, of a low +stage of mental development, have accepted the teachings of some +particular religion. It not only chills one's enthusiasm, it +positively shakes one's convictions when one hears that the things +one has been brought up to believe as true are being very +favourably spoken of by Buriats and Samoyeds and Kanakas." + +The Rev. Poltimore Vardon had once seen a resemblance in himself to +Voltaire, and had lived alongside the comparison ever since. + +"No modern cult or fashion," he continued, "would be favourably +influenced by considerations based on statistics; fancy adopting a +certain style of hat or cut of coat, because it was being largely +worn in Lancashire and the Midlands; fancy favouring a certain +brand of champagne because it was being extensively patronised in +German summer resorts. No wonder that religion is falling into +disuse in this country under such ill-directed methods." + +"You can't prevent the heathen being converted if they choose to +be," said Lady Caroline; "this is an age of toleration." + +"You could always deny it," said the Rev. Poltimore, "like the +Belgians do with regrettable occurrences in the Congo. But I would +go further than that. I would stimulate the waning enthusiasm for +Christianity in this country by labelling it as the exclusive +possession of a privileged few. If one could induce the Duchess of +Pelm, for instance, to assert that the Kingdom of Heaven, as far as +the British Isles are concerned, is strictly limited to herself, +two of the under-gardeners at Pelmby, and, possibly, but not +certainly, the Dean of Dunster, there would be an instant reshaping +of the popular attitude towards religious convictions and +observances. Once let the idea get about that the Christian Church +is rather more exclusive than the Lawn at Ascot, and you would have +a quickening of religious life such as this generation has never +witnessed. But as long as the clergy and the religious +organisations advertise their creed on the lines of 'Everybody +ought to believe in us: millions do,' one can expect nothing but +indifference and waning faith." + +"Time is just as exclusive in its way as Art," said Lady Caroline. + +"In what way?" said the Reverend Poltimore. + +"Your pleasantries about religion would have sounded quite clever +and advanced in the early 'nineties. To-day they have a dreadfully +warmed-up flavour. That is the great delusion of you would-be +advanced satirists; you imagine you can sit down comfortably for a +couple of decades saying daring and startling things about the age +you live in, which, whatever other defects it may have, is +certainly not standing still. The whole of the Sherard Blaw school +of discursive drama suggests, to my mind, Early Victorian furniture +in a travelling circus. However, you will always have relays of +people from the suburbs to listen to the Mocking Bird of yesterday, +and sincerely imagine it is the harbinger of something new and +revolutionising." + +"WOULD you mind passing that plate of sandwiches," asked one of the +trio of young ladies, emboldened by famine. + +"With pleasure," said Lady Caroline, deftly passing her a nearly +empty plate of bread-and-butter. + +"I meant the place of caviare sandwiches. So sorry to trouble +you," persisted the young lady + +Her sorrow was misapplied; Lady Caroline had turned her attention +to a newcomer. + +"A very interesting exhibition," Ada Spelvexit was saying; +"faultless technique, as far as I am a judge of technique, and +quite a master-touch in the way of poses. But have you noticed how +very animal his art is? He seems to shut out the soul from his +portraits. I nearly cried when I saw dear Winifred depicted simply +as a good-looking healthy blonde." + +"I wish you had," said Lady Caroline; "the spectacle of a strong, +brave woman weeping at a private view in the Rutland Galleries +would have been so sensational. It would certainly have been +reproduced in the next Drury Lane drama. And I'm so unlucky; I +never see these sensational events. I was ill with appendicitis, +you know, when Lulu Braminguard dramatically forgave her husband, +after seventeen years of estrangement, during a State luncheon +party at Windsor. The old queen was furious about it. She said it +was so disrespectful to the cook to be thinking of such a thing at +such a time." + +Lady Caroline's recollections of things that hadn't happened at the +Court of Queen Victoria were notoriously vivid; it was the very +widespread fear that she might one day write a book of +reminiscences that made her so universally respected. + +"As for his full-length picture of Lady Brickfield," continued Ada, +ignoring Lady Caroline's commentary as far as possible, "all the +expression seems to have been deliberately concentrated in the +feet; beautiful feet, no doubt, but still, hardly the most +distinctive part of a human being." + +"To paint the right people at the wrong end may be an eccentricity, +but it is scarcely an indiscretion," pronounced Lady Caroline. + +One of the portraits which attracted more than a passing flutter of +attention was a costume study of Francesca Bassington. Francesca +had secured some highly desirable patronage for the young artist, +and in return he had enriched her pantheon of personal possessions +with a clever piece of work into which he had thrown an unusual +amount of imaginative detail. He had painted her in a costume of +the great Louis's brightest period, seated in front of a tapestry +that was so prominent in the composition that it could scarcely be +said to form part of the background. Flowers and fruit, in exotic +profusion, were its dominant note; quinces, pomegranates, passion- +flowers, giant convolvulus, great mauve-pink roses, and grapes that +were already being pressed by gleeful cupids in a riotous Arcadian +vintage, stood out on its woven texture. The same note was struck +in the beflowered satin of the lady's kirtle, and in the +pomegranate pattern of the brocade that draped the couch on which +she was seated. The artist had called his picture "Recolte." And +after one had taken in all the details of fruit and flower and +foliage that earned the composition its name, one noted the +landscape that showed through a broad casement in the left-hand +corner. It was a landscape clutched in the grip of winter, naked, +bleak, black-frozen; a winter in which things died and knew no +rewakening. If the picture typified harvest, it was a harvest of +artificial growth. + +"It leaves a great deal to the imagination, doesn't it?" said Ada +Spelvexit, who had edged away from the range of Lady Caroline's +tongue. + +"At any rate one can tell who it's meant for," said Serena +Golackly. + +"Oh, yes, it's a good likeness of dear Francesca," admitted Ada; +"of course, it flatters her." + +"That, too, is a fault on the right side in portrait painting," +said Serena; "after all, if posterity is going to stare at one for +centuries it's only kind and reasonable to be looking just a little +better than one's best." + +"What a curiously unequal style the artist has," continued Ada, +almost as if she felt a personal grievance against him; "I was just +noticing what a lack of soul there was in most of his portraits. +Dear Winifred, you know, who speaks so beautifully and feelingly at +my gatherings for old women, he's made her look just an ordinary +dairy-maidish blonde; and Francesca, who is quite the most soulless +woman I've ever met, well, he's given her quite--" + +"Hush," said Serena, "the Bassington boy is just behind you." + +Comus stood looking at the portrait of his mother with the feeling +of one who comes suddenly across a once-familiar half-forgotten +acquaintance in unfamiliar surroundings. The likeness was +undoubtedly a good one, but the artist had caught an expression in +Francesca's eyes which few people had ever seen there. It was the +expression of a woman who had forgotten for one short moment to be +absorbed in the small cares and excitements of her life, the money +worries and little social plannings, and had found time to send a +look of half-wistful friendliness to some sympathetic companion. +Comus could recall that look, fitful and fleeting, in his mother's +eyes when she had been a few years younger, before her world had +grown to be such a committee-room of ways and means. Almost as a +re-discovery he remembered that she had once figured in his boyish +mind as a "rather good sort," more ready to see the laughable side +of a piece of mischief than to labour forth a reproof. That the +bygone feeling of good fellowship had been stamped out was, he +knew, probably in great part his own doing, and it was possible +that the old friendliness was still there under the surface of +things, ready to show itself again if he willed it, and friends +were becoming scarcer with him than enemies in these days. Looking +at the picture with its wistful hint of a long ago comradeship, +Comus made up his mind that he very much wanted things to be back +on their earlier footing, and to see again on his mother's face the +look that the artist had caught and perpetuated in its momentary +flitting. If the projected Elaine-marriage came off, and in spite +of recent maladroit behaviour on his part he still counted it an +assured thing, much of the immediate cause for estrangement between +himself and his mother would be removed, or at any rate, easily +removable. With the influence of Elaine's money behind him he +promised himself that he would find some occupation that would +remove from himself the reproach of being a waster and idler. +There were lots of careers, he told himself, that were open to a +man with solid financial backing and good connections. There might +yet be jolly times ahead, in which his mother would have her share +of the good things that were going, and carking thin-lipped Henry +Greech and other of Comus's detractors could take their sour looks +and words out of sight and hearing. Thus, staring at the picture +as though he were studying its every detail, and seeing really only +that wistful friendly smile, Comus made his plans and dispositions +for a battle that was already fought and lost. + +The crowd grew thicker in the galleries, cheerfully enduring an +amount of overcrowding that would have been fiercely resented in a +railway carriage. Near the entrance Mervyn Quentock was talking to +a Serene Highness, a lady who led a life of obtrusive usefulness, +largely imposed on her by a good-natured inability to say "No." +"That woman creates a positive draught with the number of bazaars +she opens," a frivolously-spoken ex-Cabinet Minister had once +remarked. At the present moment she was being whimsically +apologetic. + +"When I think of the legions of well-meaning young men and women to +whom I've given away prizes for proficiency in art-school +curriculum, I feel that I ought not to show my face inside a +picture gallery. I always imagine that my punishment in another +world will be perpetually sharpening pencils and cleaning palettes +for unending relays of misguided young people whom I deliberately +encouraged in their artistic delusions." + +"Do you suppose we shall all get appropriate punishments in another +world for our sins in this?" asked Quentock. + +"Not so much for our sins as for our indiscretions; they are the +things which do the most harm and cause the greatest trouble. I +feel certain that Christopher Columbus will undergo the endless +torment of being discovered by parties of American tourists. You +see I am quite old fashioned in my ideas about the terrors and +inconveniences of the next world. And now I must be running away; +I've got to open a Free Library somewhere. You know the sort of +thing that happens--one unveils a bust of Carlyle and makes a +speech about Ruskin, and then people come in their thousands and +read 'Rabid Ralph, or Should he have Bitten Her?' Don't forget, +please, I'm going to have the medallion with the fat cupid sitting +on a sundial. And just one thing more--perhaps I ought not to ask +you, but you have such nice kind eyes, you embolden one to make +daring requests, would you send me the recipe for those lovely +chestnut-and-chicken-liver sandwiches? I know the ingredients of +course, but it's the proportions that make such a difference--just +how much liver to how much chestnut, and what amount of red pepper +and other things. Thank you so much. I really am going now." + +Staring round with a vague half-smile at everybody within nodding +distance, Her Serene Highness made one of her characteristic exits, +which Lady Caroline declared always reminded her of a scrambled egg +slipping off a piece of toast. At the entrance she stopped for a +moment to exchange a word or two with a young man who had just +arrived. From a corner where he was momentarily hemmed in by a +group of tea-consuming dowagers, Comus recognised the newcomer as +Courtenay Youghal, and began slowly to labour his way towards him. +Youghal was not at the moment the person whose society he most +craved for in the world, but there was at least the possibility +that he might provide an opportunity for a game of bridge, which +was the dominant desire of the moment. The young politician was +already surrounded by a group of friends and acquaintances, and was +evidently being made the recipient of a salvo of congratulation-- +presumably on his recent performances in the Foreign Office debate, +Comus concluded. But Youghal himself seemed to be announcing the +event with which the congratulations were connected. Had some +dramatic catastrophe overtaken the Government, Comus wondered. And +then, as he pressed nearer, a chance word, the coupling of two +names, told him the news. + + + +CHAPTER XI + + + +After the momentous lunch at the Corridor Restaurant Elaine had +returned to Manchester Square (where she was staying with one of +her numerous aunts) in a frame of mind that embraced a tangle of +competing emotions. In the first place she was conscious of a +dominant feeling of relief; in a moment of impetuosity, not wholly +uninfluenced by pique, she had settled the problem which hours of +hard thinking and serious heart-searching had brought no nearer to +solution, and, although she felt just a little inclined to be +scared at the headlong manner of her final decision, she had now +very little doubt in her own mind that the decision had been the +right one. In fact the wonder seemed rather that she should have +been so long in doubt as to which of her wooers really enjoyed her +honest approval. She had been in love, these many weeks past with +an imaginary Comus, but now that she had definitely walked out of +her dreamland she saw that nearly all the qualities that had +appealed to her on his behalf had been absent from, or only +fitfully present in, the character of the real Comus. And now that +she had installed Youghal in the first place of her affections he +had rapidly acquired in her eyes some of the qualities which ranked +highest in her estimation. Like the proverbial buyer she had the +happy feminine tendency of magnifying the worth of her possession +as soon as she had acquired it. And Courtenay Youghal gave Elaine +some justification for her sense of having chosen wisely. Above +all other things, selfish and cynical though he might appear at +times, he was unfailingly courteous and considerate towards her. +That was a circumstance which would always have carried weight with +her in judging any man; in this case its value was enormously +heightened by contrast with the behaviour of her other wooer. And +Youghal had in her eyes the advantage which the glamour of combat, +even the combat of words and wire-pulling, throws over the fighter. +He stood well in the forefront of a battle which however carefully +stage-managed, however honeycombed with personal insincerities and +overlaid with calculated mock-heroics, really meant something, +really counted for good or wrong in the nation's development and +the world's history. Shrewd parliamentary observers might have +warned her that Youghal would never stand much higher in the +political world than he did at present, as a brilliant Opposition +freelance, leading lively and rather meaningless forays against the +dull and rather purposeless foreign policy of a Government that was +scarcely either to be blamed for or congratulated on its handling +of foreign affairs. The young politician had not the strength of +character or convictions that keeps a man naturally in the +forefront of affairs and gives his counsels a sterling value, and +on the other hand his insincerity was not deep enough to allow him +to pose artificially and successfully as a leader of men and shaper +of movements. For the moment, however, his place in public life +was sufficiently marked out to give him a secure footing in that +world where people are counted individually and not in herds. The +woman whom he would make his wife would have the chance, too, if +she had the will and the skill, to become an individual who +counted. + +There was balm to Elaine in this reflection, yet it did not wholly +suffice to drive out the feeling of pique which Comus had called +into being by his slighting view of her as a convenient cash supply +in moments of emergency. She found a certain satisfaction in +scrupulously observing her promise, made earlier on that eventful +day, and sent off a messenger with the stipulated loan. Then a +reaction of compunction set in, and she reminded herself that in +fairness she ought to write and tell her news in as friendly a +fashion as possible to her dismissed suitor before it burst upon +him from some other quarter. They had parted on more or less +quarrelling terms it was true, but neither of them had foreseen the +finality of the parting nor the permanence of the breach between +them; Comus might even now be thinking himself half-forgiven, and +the awakening would be rather cruel. The letter, however, did not +prove an easy one to write; not only did it present difficulties of +its own but it suffered from the competing urgency of a desire to +be doing something far pleasanter than writing explanatory and +valedictory phrases. Elaine was possessed with an unusual but +quite overmastering hankering to visit her cousin Suzette Brankley. +They met but rarely at each other's houses and very seldom anywhere +else, and Elaine for her part was never conscious of feeling that +their opportunities for intercourse lacked anything in the way of +adequacy. Suzette accorded her just that touch of patronage which +a moderately well-off and immoderately dull girl will usually try +to mete out to an acquaintance who is known to be wealthy and +suspected of possessing brains. In return Elaine armed herself +with that particular brand of mock humility which can be so +terribly disconcerting if properly wielded. No quarrel of any +description stood between them and one could not legitimately have +described them as enemies, but they never disarmed in one another's +presence. A misfortune of any magnitude falling on one of them +would have been sincerely regretted by the other, but any minor +discomfiture would have produced a feeling very much akin to +satisfaction. Human nature knows millions of these inconsequent +little feuds, springing up and flourishing apart from any basis of +racial, political, religious or economic causes, as a hint perhaps +to crass unseeing altruists that enmity has its place and purpose +in the world as well as benevolence. + +Elaine had not personally congratulated Suzette since the formal +announcement of her engagement to the young man with the +dissentient tailoring effects. The impulse to go and do so now, +overmastered her sense of what was due to Comus in the way of +explanation. The letter was still in its blank unwritten stage, an +unmarshalled sequence of sentences forming in her brain, when she +ordered her car and made a hurried but well-thought-out change into +her most sumptuously sober afternoon toilette. Suzette, she felt +tolerably sure, would still be in the costume that she had worn in +the Park that morning, a costume that aimed at elaboration of +detail, and was damned with overmuch success. + +Suzette's mother welcomed her unexpected visitor with obvious +satisfaction. Her daughter's engagement, she explained, was not so +brilliant from the social point of view as a girl of Suzette's +attractions and advantages might have legitimately aspired to, but +Egbert was a thoroughly commendable and dependable young man, who +would very probably win his way before long to membership of the +County Council. + +"From there, of course, the road would be open to him to higher +things." + +"Yes," said Elaine, "he might become an alderman." + +"Have you seen their photographs, taken together?" asked Mrs. +Brankley, abandoning the subject of Egbert's prospective career. + +"No, do show me," said Elaine, with a flattering show of interest; +"I've never seen that sort of thing before. It used to be the +fashion once for engaged couples to be photographed together, +didn't it?" + +"It's VERY much the fashion now," said Mrs. Brankley assertively, +but some of the complacency had filtered out of her voice. Suzette +came into the room, wearing the dress that she had worn in the Park +that morning. + +"Of course, you've been hearing all about THE engagement from +mother," she cried, and then set to work conscientiously to cover +the same ground. + +"We met at Grindelwald, you know. He always calls me his Ice +Maiden because we first got to know each other on the skating rink. +Quite romantic, wasn't it? Then we asked him to tea one day, and +we got to be quite friendly. Then he proposed." + +"He wasn't the only one who was smitten with Suzette," Mrs. +Brankley hastened to put in, fearful lest Elaine might suppose that +Egbert had had things all his own way. "There was an American +millionaire who was quite taken with her, and a Polish count of a +very old family. I assure you I felt quite nervous at some of our +tea-parties." + +Mrs. Brankley had given Grindelwald a sinister but rather alluring +reputation among a large circle of untravelled friends as a place +where the insolence of birth and wealth was held in precarious +check from breaking forth into scenes of savage violence. + +"My marriage with Egbert will, of course, enlarge the sphere of my +life enormously," pursued Suzette. + +"Yes," said Elaine; her eyes were rather remorselessly taking in +the details of her cousin's toilette. It is said that nothing is +sadder than victory except defeat. Suzette began to feel that the +tragedy of both was concentrated in the creation which had given +her such unalloyed gratification, till Elaine had come on the +scene. + +"A woman can be so immensely helpful in the social way to a man who +is making a career for himself. And I'm so glad to find that we've +a great many ideas in common. We each made out a list of our idea +of the hundred best books, and quite a number of them were the +same." + +"He looks bookish," said Elaine, with a critical glance at the +photograph. + +"Oh, he's not at all a bookworm," said Suzette quickly, "though +he's tremendously well-read. He's quite the man of action." + +"Does he hunt?" asked Elaine. + +"No, he doesn't get much time or opportunity for riding." + +"What a pity," commented Elaine; "I don't think I could marry a man +who wasn't fond of riding." + +"Of course that's a matter of taste," said Suzette, stiffly; +"horsey men are not usually gifted with overmuch brains, are they?" + +"There is as much difference between a horseman and a horsey man as +there is between a well-dressed man and a dressy one," said Elaine, +judicially; "and you may have noticed how seldom a dressy woman +really knows how to dress. As an old lady of my acquaintance +observed the other day, some people are born with a sense of how to +clothe themselves, others acquire it, others look as if their +clothes had been thrust upon them." + +She gave Lady Caroline her due quotation marks, but the sudden +tactfulness with which she looked away from her cousin's frock was +entirely her own idea. + +A young man entering the room at this moment caused a diversion +that was rather welcome to Suzette. + +"Here comes Egbert," she announced, with an air of subdued triumph; +it was at least a satisfaction to be able to produce the captive of +her charms, alive and in good condition, on the scene. Elaine +might be as critical as she pleased, but a live lover outweighed +any number of well-dressed straight-riding cavaliers who existed +only as a distant vision of the delectable husband. + +Egbert was one of those men who have no small talk, but possess an +inexhaustible supply of the larger variety. In whatever society he +happened to be, and particularly in the immediate neighbourhood of +an afternoon-tea table, with a limited audience of womenfolk, he +gave the impression of someone who was addressing a public meeting, +and would be happy to answer questions afterwards. A suggestion of +gas-lit mission-halls, wet umbrellas, and discreet applause seemed +to accompany him everywhere. He was an exponent, among other +things, of what he called New Thought, which seemed to lend itself +conveniently to the employment of a good deal of rather stale +phraseology. Probably in the course of some thirty odd years of +existence he had never been of any notable use to man, woman, child +or animal, but it was his firmly-announced intention to leave the +world a better, happier, purer place than he had found it; against +the danger of any relapse to earlier conditions after his +disappearance from the scene, he was, of course, powerless to +guard. 'Tis not in mortals to insure succession, and Egbert was +admittedly mortal. + +Elaine found him immensely entertaining, and would certainly have +exerted herself to draw him out if such a proceeding had been at +all necessary. She listened to his conversation with the +complacent appreciation that one bestows on a stage tragedy, from +whose calamities one can escape at any moment by the simple process +of leaving one's seat. When at last he checked the flow of his +opinions by a hurried reference to his watch, and declared that he +must be moving on elsewhere, Elaine almost expected a vote of +thanks to be accorded him, or to be asked to signify herself in +favour of some resolution by holding up her hand. + +When the young man had bidden the company a rapid business-like +farewell, tempered in Suzette's case by the exact degree of tender +intimacy that it would have been considered improper to omit or +overstep, Elaine turned to her expectant cousin with an air of +cordial congratulation. + +"He is exactly the husband I should have chosen for you, Suzette." + +For the second time that afternoon Suzette felt a sense of waning +enthusiasm for one of her possessions. + +Mrs. Brankley detected the note of ironical congratulation in her +visitor's verdict. + +"I suppose she means he's not her idea of a husband, but, he's good +enough for Suzette," she observed to herself, with a snort that +expressed itself somewhere in the nostrils of the brain. Then with +a smiling air of heavy patronage she delivered herself of her one +idea of a damaging counter-stroke. + +"And when are we to hear of your engagement, my dear?" + +"Now," said Elaine quietly, but with electrical effect; "I came to +announce it to you but I wanted to hear all about Suzette first. +It will be formally announced in the papers in a day or two." + +"But who is it? Is it the young man who was with you in the Park +this morning?" asked Suzette. + +"Let me see, who was I with in the Park this morning? A very good- +looking dark boy? Oh no, not Comus Bassington. Someone you know +by name, anyway, and I expect you've seen his portrait in the +papers." + +"A flying-man?" asked Mrs. Brankley. + +"Courtenay Youghal," said Elaine. + +Mrs. Brankley and Suzette had often rehearsed in the privacy of +their minds the occasion when Elaine should come to pay her +personal congratulations to her engaged cousin. It had never been +in the least like this. + +On her return from her enjoyable afternoon visit Elaine found an +express messenger letter waiting for her. It was from Comus, +thanking her for her loan--and returning it. + +"I suppose I ought never to have asked you for it," he wrote, "but +you are always so deliciously solemn about money matters that I +couldn't resist. Just heard the news of your engagement to +Courtenay. Congrats. to you both. I'm far too stoney broke to buy +you a wedding present so I'm going to give you back the bread-and- +butter dish. Luckily it still has your crest on it. I shall love +to think of you and Courtenay eating bread-and-butter out of it for +the rest of your lives." + +That was all he had to say on the matter about which Elaine had +been preparing to write a long and kindly-expressed letter, closing +a rather momentous chapter in her life and his. There was not a +trace of regret or upbraiding in his note; he had walked out of +their mutual fairyland as abruptly as she had, and to all +appearances far more unconcernedly. Reading the letter again and +again Elaine could come to no decision as to whether this was +merely a courageous gibe at defeat, or whether it represented the +real value that Comus set on the thing that he had lost. + +And she would never know. If Comus possessed one useless gift to +perfection it was the gift of laughing at Fate even when it had +struck him hardest. One day, perhaps, the laughter and mockery +would be silent on his lips, and Fate would have the advantage of +laughing last. + + + +CHAPTER XII + + + +A door closed and Francesca Bassington sat alone in her well- +beloved drawing-room. The visitor who had been enjoying the +hospitality of her afternoon-tea table had just taken his +departure. The tete-a-tete had not been a pleasant one, at any +rate as far as Francesca was concerned, but at least it had brought +her the information for which she had been seeking. Her role of +looker-on from a tactful distance had necessarily left her much in +the dark concerning the progress of the all-important wooing, but +during the last few hours she had, on slender though significant +evidence, exchanged her complacent expectancy for a conviction that +something had gone wrong. She had spent the previous evening at +her brother's house, and had naturally seen nothing of Comus in +that uncongenial quarter; neither had he put in an appearance at +the breakfast table the following morning. She had met him in the +hall at eleven o'clock, and he had hurried past her, merely +imparting the information that he would not be in till dinner that +evening. He spoke in his sulkiest tone, and his face wore a look +of defeat, thinly masked by an air of defiance; it was not the +defiance of a man who is losing, but of one who has already lost. + +Francesca's conviction that things had gone wrong between Comus and +Elaine de Frey grew in strength as the day wore on. She lunched at +a friend's house, but it was not a quarter where special social +information of any importance was likely to come early to hand. +Instead of the news she was hankering for, she had to listen to +trivial gossip and speculation on the flirtations and "cases" and +"affairs" of a string of acquaintances whose matrimonial projects +interested her about as much as the nesting arrangements of the +wildfowl in St. James's Park. + +"Of course," said her hostess, with the duly impressive emphasis of +a privileged chronicler, "we've always regarded Claire as the +marrying one of the family, so when Emily came to us and said, +'I've got some news for you,' we all said, 'Claire's engaged!' +'Oh, no,' said Emily, 'it's not Claire this time, it's me.' So +then we had to guess who the lucky man was. 'It can't be Captain +Parminter,' we all said, 'because he's always been sweet on Joan.' +And then Emily said--" + +The recording voice reeled off the catalogue of inane remarks with +a comfortable purring complacency that held out no hope of an early +abandoning of the topic. Francesca sat and wondered why the +innocent acceptance of a cutlet and a glass of indifferent claret +should lay one open to such unsparing punishment. + +A stroll homeward through the Park after lunch brought no further +enlightenment on the subject that was uppermost in her mind; what +was worse, it brought her, without possibility of escape, within +hailing distance of Merla Blathington, who fastened on to her with +the enthusiasm of a lonely tsetse fly encountering an outpost of +civilisation. + +"Just think," she buzzed inconsequently, "my sister in +Cambridgeshire has hatched out thirty-three White Orpington +chickens in her incubator!" + +"What eggs did she put in it?" asked Francesca. + +"Oh, some very special strain of White Orpington." + +"Then I don't see anything remarkable in the result. If she had +put in crocodile's eggs and hatched out White Orpingtons, there +might have been something to write to Country Life about." + +"What funny fascinating things these little green park-chairs are," +said Merla, starting off on a fresh topic; "they always look so +quaint and knowing when they're stuck away in pairs by themselves +under the trees, as if they were having a heart-to-heart talk or +discussing a piece of very private scandal. If they could only +speak, what tragedies and comedies they could tell us of, what +flirtations and proposals." + +"Let us be devoutly thankful that they can't," said Francesca, with +a shuddering recollection of the luncheon-table conversation. + +"Of course, it would make one very careful what one said before +them--or above them rather," Merla rattled on, and then, to +Francesca's infinite relief, she espied another acquaintance +sitting in unprotected solitude, who promised to supply a more +durable audience than her present rapidly moving companion. +Francesca was free to return to her drawing-room in Blue Street to +await with such patience as she could command the coming of some +visitor who might be able to throw light on the subject that was +puzzling and disquieting her. The arrival of George St. Michael +boded bad news, but at any rate news, and she gave him an almost +cordial welcome. + +"Well, you see I wasn't far wrong about Miss de Frey and Courtenay +Youghal, was I?" he chirruped, almost before he had seated himself. +Francesca was to be spared any further spinning-out of her period +of uncertainty. "Yes, it's officially given out," he went on, "and +it's to appear in the Morning Post to-morrow. I heard it from +Colonel Deel this morning, and he had it direct from Youghal +himself. Yes, please, one lump; I'm not fashionable, you see." He +had made the same remark about the sugar in his tea with unfailing +regularity for at least thirty years. Fashions in sugar are +apparently stationary. "They say," he continued, hurriedly, "that +he proposed to her on the Terrace of the House, and a division bell +rang, and he had to hurry off before she had time to give her +answer, and when he got back she simply said, 'the Ayes have it.'" +St. Michael paused in his narrative to give an appreciative giggle. + +"Just the sort of inanity that would go the rounds," remarked +Francesca, with the satisfaction of knowing that she was making the +criticism direct to the author and begetter of the inanity in +question. Now that the blow had fallen and she knew the full +extent of its weight, her feeling towards the bringer of bad news, +who sat complacently nibbling at her tea-cakes and scattering +crumbs of tiresome small-talk at her feet, was one of wholehearted +dislike. She could sympathise with, or at any rate understand, the +tendency of oriental despots to inflict death or ignominious +chastisement on messengers bearing tidings of misfortune and +defeat, and St. Michael, she perfectly well knew, was thoroughly +aware of the fact that her hopes and wishes had been centred on the +possibility of having Elaine for a daughter-in-law; every purring +remark that his mean little soul prompted him to contribute to the +conversation had an easily recognizable undercurrent of malice. +Fortunately for her powers of polite endurance, which had been put +to such searching and repeated tests that day, St. Michael had +planned out for himself a busy little time-table of afternoon +visits, at each of which his self-appointed task of forestalling +and embellishing the newspaper announcements of the Youghal-de Frey +engagement would be hurriedly but thoroughly performed. + +"They'll be quite one of the best-looking and most interesting +couples of the Season, won't they?" he cried, by way of farewell. +The door closed and Francesca Bassington sat alone in her drawing- +room. + +Before she could give way to the bitter luxury of reflection on the +downfall of her hopes, it was prudent to take precautionary +measures against unwelcome intrusion. Summoning the maid who had +just speeded the departing St. Michael, she gave the order: "I am +not at home this afternoon to Lady Caroline Benaresq." On second +thoughts she extended the taboo to all possible callers, and sent a +telephone message to catch Comus at his club, asking him to come +and see her as soon as he could manage before it was time to dress +for dinner. Then she sat down to think, and her thinking was +beyond the relief of tears. + +She had built herself a castle of hopes, and it had not been a +castle in Spain, but a structure well on the probable side of the +Pyrenees. There had been a solid foundation on which to build. +Miss de Frey's fortune was an assured and unhampered one, her +liking for Comus had been an obvious fact; his courtship of her a +serious reality. The young people had been much together in +public, and their names had naturally been coupled in the match- +making gossip of the day. The only serious shadow cast over the +scene had been the persistent presence, in foreground or +background, of Courtenay Youghal. And now the shadow suddenly +stood forth as the reality, and the castle of hopes was a ruin, a +hideous mortification of dust and debris, with the skeleton +outlines of its chambers still standing to make mockery of its +discomfited architect. The daily anxiety about Comus and his +extravagant ways and intractable disposition had been gradually +lulled by the prospect of his making an advantageous marriage, +which would have transformed him from a ne'er-do-well and +adventurer into a wealthy idler. He might even have been moulded, +by the resourceful influence of an ambitious wife, into a man with +some definite purpose in life. The prospect had vanished with +cruel suddenness, and the anxieties were crowding back again, more +insistent than ever. The boy had had his one good chance in the +matrimonial market and missed it; if he were to transfer his +attentions to some other well-dowered girl he would be marked down +at once as a fortune-hunter, and that would constitute a heavy +handicap to the most plausible of wooers. His liking for Elaine +had evidently been genuine in its way, though perhaps it would have +been rash to read any deeper sentiment into it, but even with the +spur of his own inclination to assist him he had failed to win the +prize that had seemed so temptingly within his reach. And in the +dashing of his prospects, Francesca saw the threatening of her own. +The old anxiety as to her precarious tenure of her present quarters +put on again all its familiar terrors. One day, she foresaw, in +the horribly near future, George St. Michael would come pattering +up her stairs with the breathless intelligence that Emmeline +Chetrof was going to marry somebody or other in the Guards or the +Record Office as the case might be, and then there would be an +uprooting of her life from its home and haven in Blue Street and a +wandering forth to some cheap unhappy far-off dwelling, where the +stately Van der Meulen and its companion host of beautiful and +desirable things would be stuffed and stowed away in soulless +surroundings, like courtly emigres fallen on evil days. It was +unthinkable, but the trouble was that it had to be thought about. +And if Comus had played his cards well and transformed himself from +an encumbrance into a son with wealth at his command, the tragedy +which she saw looming in front of her might have been avoided or at +the worst whittled down to easily bearable proportions. With money +behind one, the problem of where to live approaches more nearly to +the simple question of where do you wish to live, and a rich +daughter-in-law would have surely seen to it that she did not have +to leave her square mile of Mecca and go out into the wilderness of +bricks and mortar. If the house in Blue Street could not have been +compounded for there were other desirable residences which would +have been capable of consoling Francesca for her lost Eden. And +now the detested Courtenay Youghal, with his mocking eyes and air +of youthful cynicism, had stepped in and overthrown those golden +hopes and plans whose non-fulfilment would make such a world of +change in her future. Assuredly she had reason to feel bitter +against that young man, and she was not disposed to take a very +lenient view of Comus's own mismanagement of the affair; her +greeting when he at last arrived, was not couched in a sympathetic +strain. + +"So you have lost your chance with the heiress," she remarked +abruptly. + +"Yes," said Comus, coolly; "Courtenay Youghal has added her to his +other successes." + +"And you have added her to your other failures," pursued Francesca, +relentlessly; her temper had been tried that day beyond ordinary +limits. + +"I thought you seemed getting along so well with her," she +continued, as Comus remained uncommunicative. + +"We hit it off rather well together," said Comus, and added with +deliberate bluntness, "I suppose she got rather sick at my +borrowing money from her. She thought it was all I was after." + +"You borrowed money from her!" said Francesca; "you were fool +enough to borrow money from a girl who was favourably disposed +towards you, and with Courtenay Youghal in the background waiting +to step in and oust you!" + +Francesca's voice trembled with misery and rage. This great stroke +of good luck that had seemed about to fall into their laps had been +thrust aside by an act or series of acts of wanton paltry folly. +The good ship had been lost for the sake of the traditional +ha'porth of tar. Comus had paid some pressing tailor's or +tobacconist's bill with a loan unwillingly put at his disposal by +the girl he was courting, and had flung away his chances of +securing a wealthy and in every way desirable bride. Elaine de +Frey and her fortune might have been the making of Comus, but he +had hurried in as usual to effect his own undoing. Calmness did +not in this case come with reflection; the more Francesca thought +about the matter, the more exasperated she grew. Comus threw +himself down in a low chair and watched her without a trace of +embarrassment or concern at her mortification. He had come to her +feeling rather sorry for himself, and bitterly conscious of his +defeat, and she had met him with a taunt and without the least hint +of sympathy; he determined that she should be tantalised with the +knowledge of how small and stupid a thing had stood between the +realisation and ruin of her hopes for him. + +"And to think she should be captured by Courtenay Youghal," said +Francesca, bitterly; "I've always deplored your intimacy with that +young man." + +"It's hardly my intimacy with him that's made Elaine accept him," +said Comus. + +Francesca realised the futility of further upbraiding. Through the +tears of vexation that stood in her eyes, she looked across at the +handsome boy who sat opposite her, mocking at his own misfortune, +perversely indifferent to his folly, seemingly almost indifferent +to its consequences. + +"Comus," she said quietly and wearily, "you are an exact reversal +of the legend of Pandora's Box. You have all the charm and +advantages that a boy could want to help him on in the world, and +behind it all there is the fatal damning gift of utter +hopelessness." + +"I think," said Comus, "that is the best description that anyone +has ever given of me." + +For the moment there was a flush of sympathy and something like +outspoken affection between mother and son. They seemed very much +alone in the world just now, and in the general overturn of hopes +and plans, there flickered a chance that each might stretch out a +hand to the other, and summon back to their lives an old dead love +that was the best and strongest feeling either of them had known. +But the sting of disappointment was too keen, and the flood of +resentment mounted too high on either side to allow the chance more +than a moment in which to flicker away into nothingness. The old +fatal topic of estrangement came to the fore, the question of +immediate ways and means, and mother and son faced themselves again +as antagonists on a well-disputed field. + +"What is done is done," said Francesca, with a movement of tragic +impatience that belied the philosophy of her words; "there is +nothing to be gained by crying over spilt milk. There is the +present and the future to be thought about, though. One can't go +on indefinitely as a tenant-for-life in a fools' paradise." Then +she pulled herself together and proceeded to deliver an ultimatum +which the force of circumstances no longer permitted her to hold in +reserve. + +"It's not much use talking to you about money, as I know from long +experience, but I can only tell you this, that in the middle of the +Season I'm already obliged to be thinking of leaving Town. And +you, I'm afraid, will have to be thinking of leaving England at +equally short notice. Henry told me the other day that he can get +you something out in West Africa. You've had your chance of doing +something better for yourself from the financial point of view, and +you've thrown it away for the sake of borrowing a little ready +money for your luxuries, so now you must take what you can get. +The pay won't be very good at first, but living is not dear out +there." + +"West Africa," said Comus, reflectively; "it's a sort of modern +substitute for the old-fashioned oubliette, a convenient depository +for tiresome people. Dear Uncle Henry may talk lugubriously about +the burden of Empire, but he evidently recognises its uses as a +refuse consumer." + +"My dear Comus, you are talking of the West Africa of yesterday. +While you have been wasting your time at school, and worse than +wasting your time in the West End, other people have been grappling +with the study of tropical diseases, and the West African coast +country is being rapidly transformed from a lethal chamber into a +sanatorium." + +Comus laughed mockingly. + +"What a beautiful bit of persuasive prose; it reminds one of the +Psalms and even more of a company prospectus. If you were honest +you'd confess that you lifted it straight out of a rubber or +railway promotion scheme. Seriously, mother, if I must grub about +for a living, why can't I do it in England? I could go into a +brewery for instance." + +Francesca shook her head decisively; she could foresee the sort of +steady work Comus was likely to accomplish, with the lodestone of +Town and the minor attractions of race-meetings and similar +festivities always beckoning to him from a conveniently attainable +distance, but apart from that aspect of the case there was a +financial obstacle in the way of his obtaining any employment at +home. + +"Breweries and all those sort of things necessitate money to start +with; one has to pay premiums or invest capital in the undertaking, +and so forth. And as we have no money available, and can scarcely +pay our debts as it is, it's no use thinking about it." + +"Can't we sell something?" asked Comus. + +He made no actual suggestion as to what should be sacrificed, but +he was looking straight at the Van der Meulen. + +For a moment Francesca felt a stifling sensation of weakness, as +though her heart was going to stop beating. Then she sat forward +in her chair and spoke with energy, almost fierceness. + +"When I am dead my things can be sold and dispersed. As long as I +am alive I prefer to keep them by me." + +In her holy place, with all her treasured possessions around her, +this dreadful suggestion had been made. Some of her cherished +household gods, souvenirs and keepsakes from past days, would, +perhaps, not have fetched a very considerable sum in the auction- +room, others had a distinct value of their own, but to her they +were all precious. And the Van der Meulen, at which Comus had +looked with impious appraising eyes, was the most sacred of them +all. When Francesca had been away from her Town residence or had +been confined to her bedroom through illness, the great picture +with its stately solemn representation of a long-ago battle-scene, +painted to flatter the flattery-loving soul of a warrior-king who +was dignified even in his campaigns--this was the first thing she +visited on her return to Town or convalescence. If an alarm of +fire had been raised it would have been the first thing for whose +safety she would have troubled. And Comus had almost suggested +that it should be parted with, as one sold railway shares and other +soulless things. + +Scolding, she had long ago realised, was a useless waste of time +and energy where Comus was concerned, but this evening she unloosed +her tongue for the mere relief that it gave to her surcharged +feelings. He sat listening without comment, though she purposely +let fall remarks that she hoped might sting him into self-defence +or protest. It was an unsparing indictment, the more damaging in +that it was so irrefutably true, the more tragic in that it came +from perhaps the one person in the world whose opinion he had ever +cared for. And he sat through it as silent and seemingly unmoved +as though she had been rehearsing a speech for some drawing-room +comedy. When she had had her say his method of retort was not the +soft answer that turneth away wrath but the inconsequent one that +shelves it. + +"Let's go and dress for dinner." + +The meal, like so many that Francesca and Comus had eaten in each +other's company of late, was a silent one. Now that the full +bearings of the disaster had been discussed in all its aspects +there was nothing more to be said. Any attempt at ignoring the +situation, and passing on to less controversial topics would have +been a mockery and pretence which neither of them would have +troubled to sustain. So the meal went forward with its dragged-out +dreary intimacy of two people who were separated by a gulf of +bitterness, and whose hearts were hard with resentment against one +another. + +Francesca felt a sense of relief when she was able to give the maid +the order to serve her coffee upstairs. Comus had a sullen scowl +on his face, but he looked up as she rose to leave the room, and +gave his half-mocking little laugh. + +"You needn't look so tragic," he said, "You're going to have your +own way. I'll go out to that West African hole." + + + +CHAPTER XIII + + + +Comus found his way to his seat in the stalls of the Straw Exchange +Theatre and turned to watch the stream of distinguished and +distinguishable people who made their appearance as a matter of +course at a First Night in the height of the Season. Pit and +gallery were already packed with a throng, tense, expectant and +alert, that waited for the rise of the curtain with the eager +patience of a terrier watching a dilatory human prepare for outdoor +exercises. Stalls and boxes filled slowly and hesitatingly with a +crowd whose component units seemed for the most part to recognise +the probability that they were quite as interesting as any play +they were likely to see. Those who bore no particular face-value +themselves derived a certain amount of social dignity from the near +neighbourhood of obvious notabilities; if one could not obtain +recognition oneself there was some vague pleasure in being able to +recognise notoriety at intimately close quarters. + +"Who is that woman with the auburn hair and a rather effective +belligerent gleam in her eyes?" asked a man sitting just behind +Comus; "she looks as if she might have created the world in six +days and destroyed it on the seventh." + +"I forget her name," said his neighbour; "she writes. She's the +author of that book, 'The Woman who wished it was Wednesday,' you +know. It used to be the convention that women writers should be +plain and dowdy; now we have gone to the other extreme and build +them on extravagantly decorative lines." + +A buzz of recognition came from the front rows of the pit, together +with a craning of necks on the part of those in less favoured +seats. It heralded the arrival of Sherard Blaw, the dramatist who +had discovered himself, and who had given so ungrudgingly of his +discovery to the world. Lady Caroline, who was already directing +little conversational onslaughts from her box, gazed gently for a +moment at the new arrival, and then turned to the silver-haired +Archdeacon sitting beside her. + +"They say the poor man is haunted by the fear that he will die +during a general election, and that his obituary notices will be +seriously curtailed by the space taken up by the election results. +The curse of our party system, from his point of view, is that it +takes up so much room in the press." + +The Archdeacon smiled indulgently. As a man he was so exquisitely +worldly that he fully merited the name of the Heavenly Worldling +bestowed on him by an admiring duchess, and withal his texture was +shot with a pattern of such genuine saintliness that one felt that +whoever else might hold the keys of Paradise he, at least, +possessed a private latchkey to that abode. + +"Is it not significant of the altered grouping of things," he +observed, "that the Church, as represented by me, sympathises with +the message of Sherard Blaw, while neither the man nor his message +find acceptance with unbelievers like you, Lady Caroline." + +Lady Caroline blinked her eyes. "My dear Archdeacon," she said, +"no one can be an unbeliever nowadays. The Christian Apologists +have left one nothing to disbelieve." + +The Archdeacon rose with a delighted chuckle. "I must go and tell +that to De la Poulett," he said, indicating a clerical figure +sitting in the third row of the stalls; "he spends his life +explaining from his pulpit that the glory of Christianity consists +in the fact that though it is not true it has been found necessary +to invent it." + +The door of the box opened and Courtenay Youghal entered, bringing +with him subtle suggestion of chaminade and an atmosphere of +political tension. The Government had fallen out of the good +graces of a section of its supporters, and those who were not in +the know were busy predicting a serious crisis over a forthcoming +division in the Committee stage of an important Bill. This was +Saturday night, and unless some successful cajolery were effected +between now and Monday afternoon, Ministers would be, seemingly, in +danger of defeat. + +"Ah, here is Youghal," said the Archdeacon; "he will be able to +tell us what is going to happen in the next forty-eight hours. I +hear the Prime Minister says it is a matter of conscience, and they +will stand or fall by it." + +His hopes and sympathies were notoriously on the Ministerial side. + +Youghal greeted Lady Caroline and subsided gracefully into a chair +well in the front of the box. A buzz of recognition rippled slowly +across the house. + +"For the Government to fall on a matter of conscience," he said, +"would be like a man cutting himself with a safety razor." + +Lady Caroline purred a gentle approval. + +"I'm afraid it's true, Archdeacon," she said. + +No one can effectively defend a Government when it's been in office +several years. The Archdeacon took refuge in light skirmishing. + +"I believe Lady Caroline sees the makings of a great Socialist +statesman in you, Youghal," he observed. + +"Great Socialist statesmen aren't made, they're stillborn," replied +Youghal. + +"What is the play about to-night?" asked a pale young woman who had +taken no part in the talk. + +"I don't know," said Lady Caroline, "but I hope it's dull. If +there is any brilliant conversation in it I shall burst into +tears." + +In the front row of the upper circle a woman with a restless +starling-voice was discussing the work of a temporarily fashionable +composer, chiefly in relation to her own emotions, which she seemed +to think might prove generally interesting to those around her. + +"Whenever I hear his music I feel that I want to go up into a +mountain and pray. Can you understand that feeling?" + +The girl to whom she was unburdening herself shook her head. + +"You see, I've heard his music chiefly in Switzerland, and we were +up among the mountains all the time, so it wouldn't have made any +difference." + +"In that case," said the woman, who seemed to have emergency +emotions to suit all geographical conditions, "I should have wanted +to be in a great silent plain by the side of a rushing river." + +"What I think is so splendid about his music--" commenced another +starling-voice on the further side of the girl. Like sheep that +feed greedily before the coming of a storm the starling-voices +seemed impelled to extra effort by the knowledge of four imminent +intervals of acting during which they would be hushed into +constrained silence. + +In the back row of the dress circle a late-comer, after a cursory +glance at the programme, had settled down into a comfortable +narrative, which was evidently the resumed thread of an unfinished +taxi-drive monologue. + +"We all said 'it can't be Captain Parminter, because he's always +been sweet on Joan,' and then Emily said--" + +The curtain went up, and Emily's contribution to the discussion had +to be held over till the entr'acte. + +The play promised to be a success. The author, avoiding the +pitfall of brilliancy, had aimed at being interesting and as far as +possible, bearing in mind that his play was a comedy, he had +striven to be amusing. Above all he had remembered that in the +laws of stage proportions it is permissible and generally desirable +that the part should be greater than the whole; hence he had been +careful to give the leading lady such a clear and commanding lead +over the other characters of the play that it was impossible for +any of them ever to get on level terms with her. The action of the +piece was now and then delayed thereby, but the duration of its run +would be materially prolonged. + +The curtain came down on the first act amid an encouraging +instalment of applause, and the audience turned its back on the +stage and began to take a renewed interest in itself. The +authoress of "The Woman who wished it was Wednesday" had swept like +a convalescent whirlwind, subdued but potentially tempestuous, into +Lady Caroline's box. + +"I've just trodden with all my weight on the foot of an eminent +publisher as I was leaving my seat," she cried, with a peal of +delighted laughter. "He was such a dear about it; I said I hoped I +hadn't hurt him, and he said, 'I suppose you think, who drives hard +bargains should himself be hard.' Wasn't it pet-lamb of him?" + +"I've never trodden on a pet lamb," said Lady Caroline, "so I've no +idea what its behaviour would be under the circumstances." + +"Tell me," said the authoress, coming to the front of the box, the +better to survey the house, and perhaps also with a charitable +desire to make things easy for those who might pardonably wish to +survey her, "tell me, please, where is the girl sitting whom +Courtenay Youghal is engaged to?" + +Elaine was pointed out to her, sitting in the fourth row of the +stalls, on the opposite side of the house to where Comus had his +seat. Once during the interval she had turned to give him a +friendly nod of recognition as he stood in one of the side +gangways, but he was absorbed at the moment in looking at himself +in the glass panel. The grave brown eyes and the mocking green- +grey ones had looked their last into each other's depths. + +For Comus this first-night performance, with its brilliant +gathering of spectators, its groups and coteries of lively talkers, +even its counterfoil of dull chatterers, its pervading atmosphere +of stage and social movement, and its intruding undercurrent of +political flutter, all this composed a tragedy in which he was the +chief character. It was the life he knew and loved and basked in, +and it was the life he was leaving. It would go on reproducing +itself again and again, with its stage interest and social interest +and intruding outside interests, with the same lively chattering +crowd, the people who had done things being pointed out by people +who recognised them to people who didn't--it would all go on with +unflagging animation and sparkle and enjoyment, and for him it +would have stopped utterly. He would be in some unheard-of sun- +blistered wilderness, where natives and pariah dogs and raucous- +throated crows fringed round mockingly on one's loneliness, where +one rode for sweltering miles for the chance of meeting a collector +or police officer, with whom most likely on closer acquaintance one +had hardly two ideas in common, where female society was +represented at long intervals by some climate-withered woman +missionary or official's wife, where food and sickness and +veterinary lore became at last the three outstanding subjects on +which the mind settled or rather sank. That was the life he +foresaw and dreaded, and that was the life he was going to. For a +boy who went out to it from the dulness of some country rectory, +from a neighbourhood where a flower show and a cricket match formed +the social landmarks of the year, the feeling of exile might not be +very crushing, might indeed be lost in the sense of change and +adventure. But Comus had lived too thoroughly in the centre of +things to regard life in a backwater as anything else than +stagnation, and stagnation while one is young he justly regarded as +an offence against nature and reason, in keeping with the perverted +mockery that sends decrepit invalids touring painfully about the +world and shuts panthers up in narrow cages. He was being put +aside, as a wine is put aside, but to deteriorate instead of +gaining in the process, to lose the best time of his youth and +health and good looks in a world where youth and health and good +looks count for much and where time never returns lost possessions. +And thus, as the curtain swept down on the close of each act, Comus +felt a sense of depression and deprivation sweep down on himself; +bitterly he watched his last evening of social gaiety slipping away +to its end. In less than an hour it would be over; in a few +months' time it would be an unreal memory. + +In the third interval, as he gazed round at the chattering house, +someone touched him on the arm. It was Lady Veula Croot. + +"I suppose in a week's time you'll be on the high seas," she said. +"I'm coming to your farewell dinner, you know; your mother has just +asked me. I'm not going to talk the usual rot to you about how +much you will like it and so on. I sometimes think that one of the +advantages of Hell will be that no one will have the impertinence +to point out to you that you're really better off than you would be +anywhere else. What do you think of the play? Of course one can +foresee the end; she will come to her husband with the announcement +that their longed-for child is going to be born, and that will +smooth over everything. So conveniently effective, to wind up a +comedy with the commencement of someone else's tragedy. And every +one will go away saying 'I'm glad it had a happy ending.'" + +Lady Veula moved back to her seat, with her pleasant smile on her +lips and the look of infinite weariness in her eyes. + +The interval, the last interval, was drawing to a close and the +house began to turn with fidgetty attention towards the stage for +the unfolding of the final phase of the play. Francesca sat in +Serena Golackly's box listening to Colonel Springfield's story of +what happened to a pigeon-cote in his compound at Poona. Everyone +who knew the Colonel had to listen to that story a good many times, +but Lady Caroline had mitigated the boredom of the infliction, and +in fact invested it with a certain sporting interest, by offering a +prize to the person who heard it oftenest in the course of the +Season, the competitors being under an honourable understanding not +to lead up to the subject. Ada Spelvexit and a boy in the Foreign +Office were at present at the top of the list with five recitals +each to their score, but the former was suspected of doubtful +adherence to the rules and spirit of the competition. + +"And there, dear lady," concluded the Colonel, "were the eleven +dead pigeons. What had become of the bandicoot no one ever knew." + +Francesca thanked him for his story, and complacently inscribed the +figure 4 on the margin of her theatre programme. Almost at the +same moment she heard George St. Michael's voice pattering out a +breathless piece of intelligence for the edification of Serena +Golackly and anyone else who might care to listen. Francesca +galvanised into sudden attention. + +"Emmeline Chetrof to a fellow in the Indian Forest Department. +He's got nothing but his pay and they can't be married for four or +five years; an absurdly long engagement, don't you think so? All +very well to wait seven years for a wife in patriarchal times, when +you probably had others to go on with, and you lived long enough to +celebrate your own tercentenary, but under modern conditions it +seems a foolish arrangement." + +St. Michael spoke almost with a sense of grievance. A marriage +project that tied up all the small pleasant nuptial gossip-items +about bridesmaids and honeymoon and recalcitrant aunts and so +forth, for an indefinite number of years seemed scarcely decent in +his eyes, and there was little satisfaction or importance to be +derived from early and special knowledge of an event which loomed +as far distant as a Presidential Election or a change of Viceroy. +But to Francesca, who had listened with startled apprehension at +the mention of Emmeline Chetrof's name, the news came in a flood of +relief and thankfulness. Short of entering a nunnery and taking +celibate vows, Emmeline could hardly have behaved more conveniently +than in tying herself up to a lover whose circumstances made it +necessary to relegate marriage to the distant future. For four or +five years Francesca was assured of undisturbed possession of the +house in Blue Street, and after that period who knew what might +happen? The engagement might stretch on indefinitely, it might +even come to nothing under the weight of its accumulated years, as +sometimes happened with these protracted affairs. Emmeline might +lose her fancy for her absentee lover, and might never replace him +with another. A golden possibility of perpetual tenancy of her +present home began to float once more through Francesca's mind. As +long as Emmeline had been unbespoken in the marriage market there +had always been the haunting likelihood of seeing the dreaded +announcement, "a marriage has been arranged and will shortly take +place," in connection with her name. And now a marriage had been +arranged and would not shortly take place, might indeed never take +place. St. Michael's information was likely to be correct in this +instance; he would never have invented a piece of matrimonial +intelligence which gave such little scope for supplementary detail +of the kind he loved to supply. As Francesca turned to watch the +fourth act of the play, her mind was singing a paean of +thankfulness and exultation. It was as though some artificer sent +by the Gods had reinforced with a substantial cord the horsehair +thread that held up the sword of Damocles over her head. Her love +for her home, for her treasured household possessions, and her +pleasant social life was able to expand once more in present +security, and feed on future hope. She was still young enough to +count four or five years as a long time, and to-night she was +optimistic enough to prophesy smooth things of the future that lay +beyond that span. Of the fourth act, with its carefully held back +but obviously imminent reconciliation between the leading +characters, she took in but little, except that she vaguely +understood it to have a happy ending. As the lights went up she +looked round on the dispersing audience with a feeling of +friendliness uppermost in her mind; even the sight of Elaine de +Frey and Courtenay Youghal leaving the theatre together did not +inspire her with a tenth part of the annoyance that their entrance +had caused her. Serena's invitation to go on to the Savoy for +supper fitted in exactly with her mood of exhilaration. It would +be a fit and appropriate wind-up to an auspicious evening. The +cold chicken and modest brand of Chablis waiting for her at home +should give way to a banquet of more festive nature. + +In the crush of the vestibule, friends and enemies, personal and +political, were jostled and locked together in the general effort +to rejoin temporarily estranged garments and secure the attendance +of elusive vehicles. Lady Caroline found herself at close quarters +with the estimable Henry Greech, and experienced some of the joy +which comes to the homeward wending sportsman when a chance shot +presents itself on which he may expend his remaining cartridges. + +"So the Government is going to climb down, after all," she said, +with a provocative assumption of private information on the +subject. + +"I assure you the Government will do nothing of the kind," replied +the Member of Parliament with befitting dignity; "the Prime +Minister told me last night that under no circumstances--" + +"My dear Mr. Greech," said Lady Caroline, "we all know that Prime +Ministers are wedded to the truth, but like other wedded couples +they sometimes live apart." + +For her, at any rate, the comedy had had a happy ending. + +Comus made his way slowly and lingeringly from the stalls, so +slowly that the lights were already being turned down and great +shroud-like dust-cloths were being swaythed over the ornamental +gilt-work. The laughing, chattering, yawning throng had filtered +out of the vestibule, and was melting away in final groups from the +steps of the theatre. An impatient attendant gave him his coat and +locked up the cloak room. Comus stepped out under the portico; he +looked at the posters announcing the play, and in anticipation he +could see other posters announcing its 200th performance. Two +hundred performances; by that time the Straw Exchange Theatre would +be to him something so remote and unreal that it would hardly seem +to exist or to have ever existed except in his fancy. And to the +laughing chattering throng that would pass in under that portico to +the 200th performance, he would be, to those that had known him, +something equally remote and non-existent. "The good-looking +Bassington boy? Oh, dead, or rubber-growing or sheep-farming or +something of that sort." + + + +CHAPTER XIV + + + +The farewell dinner which Francesca had hurriedly organised in +honour of her son's departure threatened from the outset to be a +doubtfully successful function. In the first place, as he observed +privately, there was very little of Comus and a good deal of +farewell in it. His own particular friends were unrepresented. +Courtenay Youghal was out of the question; and though Francesca +would have stretched a point and welcomed some of his other male +associates of whom she scarcely approved, he himself had been +opposed to including any of them in the invitations. On the other +hand, as Henry Greech had provided Comus with this job that he was +going out to, and was, moreover, finding part of the money for the +necessary outfit, Francesca had felt it her duty to ask him and his +wife to the dinner; the obtuseness that seems to cling to some +people like a garment throughout their life had caused Mr. Greech +to accept the invitation. When Comus heard of the circumstance he +laughed long and boisterously; his spirits, Francesca noted, seemed +to be rising fast as the hour for departure drew near. + +The other guests included Serena Golackly and Lady Veula, the +latter having been asked on the inspiration of the moment at the +theatrical first-night. In the height of the Season it was not +easy to get together a goodly selection of guests at short notice, +and Francesca had gladly fallen in with Serena's suggestion of +bringing with her Stephen Thorle, who was alleged, in loose +feminine phrasing, to "know all about" tropical Africa. His +travels and experiences in those regions probably did not cover +much ground or stretch over any great length of time, but he was +one of those individuals who can describe a continent on the +strength of a few days' stay in a coast town as intimately and +dogmatically as a paleontologist will reconstruct an extinct mammal +from the evidence of a stray shin bone. He had the loud +penetrating voice and the prominent penetrating eyes of a man who +can do no listening in the ordinary way and whose eyes have to +perform the function of listening for him. His vanity did not +necessarily make him unbearable, unless one had to spend much time +in his society, and his need for a wide field of audience and +admiration was mercifully calculated to spread his operations over +a considerable human area. Moreover, his craving for attentive +listeners forced him to interest himself in a wonderful variety of +subjects on which he was able to discourse fluently and with a +certain semblance of special knowledge. Politics he avoided; the +ground was too well known, and there was a definite no to every +definite yes that could be put forward. Moreover, argument was not +congenial to his disposition, which preferred an unchallenged flow +of dissertation modified by occasional helpful questions which +formed the starting point for new offshoots of word-spinning. The +promotion of cottage industries, the prevention of juvenile street +trading, the extension of the Borstal prison system, the +furtherance of vague talkative religious movements the fostering of +inter-racial ententes, all found in him a tireless exponent, a +fluent and entertaining, though perhaps not very convincing, +advocate. With the real motive power behind these various causes +he was not very closely identified; to the spade-workers who +carried on the actual labours of each particular movement he bore +the relation of a trowel-worker, delving superficially at the +surface, but able to devote a proportionately far greater amount of +time to the advertisement of his progress and achievements. Such +was Stephen Thorle, a governess in the nursery of Chelsea-bred +religions, a skilled window-dresser in the emporium of his own +personality, and needless to say, evanescently popular amid a wide +but shifting circle of acquaintances. He improved on the record of +a socially much-travelled individual whose experience has become +classical, and went to most of the best houses--twice. + +His inclusion as a guest at this particular dinner-party was not a +very happy inspiration. He was inclined to patronise Comus, as +well as the African continent, and on even slighter acquaintance. +With the exception of Henry Greech, whose feelings towards his +nephew had been soured by many years of overt antagonism, there was +an uncomfortable feeling among those present that the topic of the +black-sheep export trade, as Comus would have himself expressed it, +was being given undue prominence in what should have been a festive +farewell banquet. And Comus, in whose honour the feast was given, +did not contribute much towards its success; though his spirits +seemed strung up to a high pitch his merriment was more the +merriment of a cynical and amused onlooker than of one who responds +to the gaiety of his companions. Sometimes he laughed quietly to +himself at some chance remark of a scarcely mirth-provoking nature, +and Lady Veula, watching him narrowly, came to the conclusion that +an element of fear was blended with his seemingly buoyant spirits. +Once or twice he caught her eye across the table, and a certain +sympathy seemed to grow up between them, as though they were both +consciously watching some lugubrious comedy that was being played +out before them. + +An untoward little incident had marked the commencement of the +meal. A small still-life picture that hung over the sideboard had +snapped its cord and slid down with an alarming clatter on to the +crowded board beneath it. The picture itself was scarcely damaged, +but its fall had been accompanied by a tinkle of broken glass, and +it was found that a liqueur glass, one out of a set of seven that +would be impossible to match, had been shivered into fragments. +Francesca's almost motherly love for her possessions made her +peculiarly sensible to a feeling of annoyance and depression at the +accident, but she turned politely to listen to Mrs. Greech's +account of a misfortune in which four soup-plates were involved. +Mrs. Henry was not a brilliant conversationalist, and her flank was +speedily turned by Stephen Thorle, who recounted a slum experience +in which two entire families did all their feeding out of one +damaged soup-plate. + +"The gratitude of those poor creatures when I presented them with a +set of table crockery apiece, the tears in their eyes and in their +voices when they thanked me, would be impossible to describe." + +"Thank you all the same for describing it," said Comus. + +The listening eyes went swiftly round the table to gather evidence +as to how this rather disconcerting remark had been received, but +Thorle's voice continued uninterruptedly to retail stories of East- +end gratitude, never failing to mention the particular deeds of +disinterested charity on his part which had evoked and justified +the gratitude. Mrs. Greech had to suppress the interesting sequel +to her broken-crockery narrative, to wit, how she subsequently +matched the shattered soup-plates at Harrod's. Like an imported +plant species that sometimes flourishes exceedingly, and makes +itself at home to the dwarfing and overshadowing of all native +species, Thorle dominated the dinner-party and thrust its original +purport somewhat into the background. Serena began to look +helplessly apologetic. It was altogether rather a relief when the +filling of champagne glasses gave Francesca an excuse for bringing +matters back to their intended footing. + +"We must all drink a health," she said; "Comus, my own dear boy, a +safe and happy voyage to you, much prosperity in the life you are +going out to, and in due time a safe and happy return--" + +Her hand gave an involuntary jerk in the act of raising the glass, +and the wine went streaming across the tablecloth in a froth of +yellow bubbles. It certainly was not turning out a comfortable or +auspicious dinner party. + +"My dear mother," cried Comus, "you must have been drinking healths +all the afternoon to make your hand so unsteady." + +He laughed gaily and with apparent carelessness, but again Lady +Veula caught the frightened note in his laughter. Mrs. Henry, with +practical sympathy, was telling Francesca two good ways for getting +wine stains out of tablecloths. The smaller economies of life were +an unnecessary branch of learning for Mrs. Greech, but she studied +them as carefully and conscientiously as a stay-at-home plain- +dwelling English child commits to memory the measurements and +altitudes of the world's principal mountain peaks. Some women of +her temperament and mentality know by heart the favourite colours, +flowers and hymn-tunes of all the members of the Royal Family; Mrs. +Greech would possibly have failed in an examination of that nature, +but she knew what to do with carrots that have been over-long in +storage. + +Francesca did not renew her speech-making; a chill seemed to have +fallen over all efforts at festivity, and she contented herself +with refilling her glass and simply drinking to her boy's good +health. The others followed her example, and Comus drained his +glass with a brief "thank you all very much." The sense of +constraint which hung over the company was not, however, marked by +any uncomfortable pause in the conversation. Henry Greech was a +fluent thinker, of the kind that prefer to do their thinking aloud; +the silence that descended on him as a mantle in the House of +Commons was an official livery of which he divested himself as +thoroughly as possible in private life. He did not propose to sit +through dinner as a mere listener to Mr. Thorle's personal +narrative of philanthropic movements and experiences, and took the +first opportunity of launching himself into a flow of satirical +observations on current political affairs. Lady Veula was inured +to this sort of thing in her own home circle, and sat listening +with the stoical indifference with which an Esquimau might accept +the occurrence of one snowstorm the more, in the course of an +Arctic winter. Serena Golackly felt a certain relief at the fact +that her imported guest was not, after all, monopolising the +conversation. But the latter was too determined a personality to +allow himself to be thrust aside for many minutes by the talkative +M.P. Henry Greech paused for an instant to chuckle at one of his +own shafts of satire, and immediately Thorle's penetrating voice +swept across the table. + +"Oh, you politicians!" he exclaimed, with pleasant superiority; +"you are always fighting about how things should be done, and the +consequence is you are never able to do anything. Would you like +me to tell you what a Unitarian horsedealer said to me at Brindisi +about politicians?" + +A Unitarian horsedealer at Brindisi had all the allurement of the +unexpected. Henry Greech's witticisms at the expense of the Front +Opposition bench were destined to remain as unfinished as his +wife's history of the broken soup-plates. Thorle was primed with +an ample succession of stories and themes, chiefly concerning +poverty, thriftlessness, reclamation, reformed characters, and so +forth, which carried him in an almost uninterrupted sequence +through the remainder of the dinner. + +"What I want to do is to make people think," he said, turning his +prominent eyes on to his hostess; "it's so hard to make people +think." + +"At any rate you give them the opportunity," said Comus, +cryptically. + +As the ladies rose to leave the table Comus crossed over to pick up +one of Lady Veula's gloves that had fallen to the floor. + +"I did not know you kept a dog," said Lady Veula. + +"We don't," said Comus, "there isn't one in the house." + +"I could have sworn I saw one follow you across the hall this +evening," she said. + +"A small black dog, something like a schipperke?" asked Comus in a +low voice. + +"Yes, that was it." + +"I saw it myself to-night; it ran from behind my chair just as I +was sitting down. Don't say anything to the others about it; it +would frighten my mother." + +"Have you ever seen it before?" Lady Veula asked quickly. + +"Once, when I was six years old. It followed my father +downstairs." + +Lady Veula said nothing. She knew that Comus had lost his father +at the age of six. + +In the drawing-room Serena made nervous excuses for her talkative +friend. + +"Really, rather an interesting man, you know, and up to the eyes in +all sorts of movements. Just the sort of person to turn loose at a +drawing-room meeting, or to send down to a mission-hall in some +unheard-of neighbourhood. Given a sounding-board and a harmonium, +and a titled woman of some sort in the chair, and he'll be +perfectly happy; I must say I hadn't realised how overpowering he +might be at a small dinner-party." + +"I should say he was a very good man," said Mrs. Greech; she had +forgiven the mutilation of her soup-plate story. + +The party broke up early as most of the guests had other +engagements to keep. With a belated recognition of the farewell +nature of the occasion they made pleasant little good-bye remarks +to Comus, with the usual predictions of prosperity and +anticipations of an ultimate auspicious return. Even Henry Greech +sank his personal dislike of the boy for the moment, and made +hearty jocular allusions to a home-coming, which, in the elder +man's eyes, seemed possibly pleasantly remote. Lady Veula alone +made no reference to the future; she simply said, "Good-bye, +Comus," but her voice was the kindest of all and he responded with +a look of gratitude. The weariness in her eyes was more marked +than ever as she lay back against the cushions of her carriage. + +"What a tragedy life is," she said, aloud to herself. + +Serena and Stephen Thorle were the last to leave, and Francesca +stood alone for a moment at the head of the stairway watching Comus +laughing and chatting as he escorted the departing guests to the +door. The ice-wall was melting under the influence of coming +separation, and never had he looked more adorably handsome in her +eyes, never had his merry laugh and mischief-loving gaiety seemed +more infectious than on this night of his farewell banquet. She +was glad enough that he was going away from a life of idleness and +extravagance and temptation, but she began to suspect that she +would miss, for a little while at any rate, the high-spirited boy +who could be so attractive in his better moods. Her impulse, after +the guests had gone, was to call him to her and hold him once more +in her arms, and repeat her wishes for his happiness and good-luck +in the land he was going to, and her promise of his welcome back, +some not too distant day, to the land he was leaving. She wanted +to forget, and to make him forget, the months of irritable jangling +and sharp discussions, the months of cold aloofness and +indifference and to remember only that he was her own dear Comus as +in the days of yore, before he had grown from an unmanageable +pickle into a weariful problem. But she feared lest she should +break down, and she did not wish to cloud his light-hearted gaiety +on the very eve of his departure. She watched him for a moment as +he stood in the hall, settling his tie before a mirror, and then +went quietly back to her drawing-room. It had not been a very +successful dinner party, and the general effect it had left on her +was one of depression. + +Comus, with a lively musical-comedy air on his lips, and a look of +wretchedness in his eyes, went out to visit the haunts that he was +leaving so soon. + + + +CHAPTER XV + + + +Elaine Youghal sat at lunch in the Speise Saal of one of Vienna's +costlier hotels. The double-headed eagle, with its "K.u.K." +legend, everywhere met the eye and announced the imperial favour in +which the establishment basked. Some several square yards of +yellow bunting, charged with the image of another double-headed +eagle, floating from the highest flag-staff above the building, +betrayed to the initiated the fact that a Russian Grand Duke was +concealed somewhere on the premises. Unannounced by heraldic +symbolism but unconcealable by reason of nature's own blazonry, +were several citizens and citizenesses of the great republic of the +Western world. One or two Cobdenite members of the British +Parliament engaged in the useful task of proving that the cost of +living in Vienna was on an exorbitant scale, flitted with +restrained importance through a land whose fatness they had come to +spy out; every fancied over-charge in their bills was welcome as +providing another nail in the coffin of their fiscal opponents. It +is the glory of democracies that they may be misled but never +driven. Here and there, like brave deeds in a dust-patterned +world, flashed and glittered the sumptuous uniforms of +representatives of the Austrian military caste. Also in evidence, +at discreet intervals, were stray units of the Semetic tribe that +nineteen centuries of European neglect had been unable to mislay. + +Elaine sitting with Courtenay at an elaborately appointed luncheon +table, gay with high goblets of Bohemian glassware, was mistress of +three discoveries. First, to her disappointment, that if you +frequent the more expensive hotels of Europe you must be prepared +to find, in whatever country you may chance to be staying, a +depressing international likeness between them all. Secondly, to +her relief, that one is not expected to be sentimentally amorous +during a modern honeymoon. Thirdly, rather to her dismay, that +Courtenay Youghal did not necessarily expect her to be markedly +affectionate in private. Someone had described him, after their +marriage, as one of Nature's bachelors, and she began to see how +aptly the description fitted him. + +"Will those Germans on our left never stop talking?" she asked, as +an undying flow of Teutonic small talk rattled and jangled across +the intervening stretch of carpet. "Not one of those three women +has ceased talking for an instant since we've been sitting here." + +"They will presently, if only for a moment," said Courtenay; "when +the dish you have ordered comes in there will be a deathly silence +at the next table. No German can see a plat brought in for someone +else without being possessed with a great fear that it represents a +more toothsome morsel or a better money's worth than what he has +ordered for himself." + +The exuberant Teutonic chatter was balanced on the other side of +the room by an even more penetrating conversation unflaggingly +maintained by a party of Americans, who were sitting in judgment on +the cuisine of the country they were passing through, and finding +few extenuating circumstances. + +"What Mr. Lonkins wants is a real DEEP cherry pie," announced a +lady in a tone of dramatic and honest conviction. + +"Why, yes, that is so," corroborated a gentleman who was apparently +the Mr. Lonkins in question; "a real DEEP cherry pie." + +"We had the same trouble way back in Paris," proclaimed another +lady; "little Jerome and the girls don't want to eat any more creme +renversee. I'd give anything if they could get some real cherry +pie." + +"Real DEEP cherry pie," assented Mr. Lonkins. + +"Way down in Ohio we used to have peach pie that was real good," +said Mrs. Lonkins, turning on a tap of reminiscence that presently +flowed to a cascade. The subject of pies seemed to lend itself to +indefinite expansion. + +"Do those people think of nothing but their food?" asked Elaine, as +the virtues of roasted mutton suddenly came to the fore and +received emphatic recognition, even the absent and youthful Jerome +being quoted in its favour. + +"On the contrary," said Courtenay, "they are a widely-travelled +set, and the man has had a notably interesting career. It is a +form of home-sickness with them to discuss and lament the cookery +and foods that they've never had the leisure to stay at home and +digest. The Wandering Jew probably babbled unremittingly about +some breakfast dish that took so long to prepare that he had never +time to eat it." + +A waiter deposited a dish of Wiener Nierenbraten in front of +Elaine. At the same moment a magic hush fell upon the three German +ladies at the adjoining table, and the flicker of a great fear +passed across their eyes. Then they burst forth again into +tumultuous chatter. Courtenay had proved a reliable prophet. + +Almost at the same moment as the luncheon-dish appeared on the +scene, two ladies arrived at a neighbouring table, and bowed with +dignified cordiality to Elaine and Courtenay. They were two of the +more worldly and travelled of Elaine's extensive stock of aunts, +and they happened to be making a short stay at the same hotel as +the young couple. They were far too correct and rationally minded +to intrude themselves on their niece, but it was significant of +Elaine's altered view as to the sanctity of honeymoon life that she +secretly rather welcomed the presence of her two relatives in the +hotel, and had found time and occasion to give them more of her +society than she would have considered necessary or desirable a few +weeks ago. The younger of the two she rather liked, in a +restrained fashion, as one likes an unpretentious watering-place or +a restaurant that does not try to give one a musical education in +addition to one's dinner. One felt instinctively about her that +she would never wear rather more valuable diamonds than any other +woman in the room, and would never be the only person to be saved +in a steamboat disaster or hotel fire. As a child she might have +been perfectly well able to recite "On Linden when the sun was +low," but one felt certain that nothing ever induced her to do so. +The elder aunt, Mrs. Goldbrook, did not share her sister's +character as a human rest-cure; most people found her rather +disturbing, chiefly, perhaps, from her habit of asking unimportant +questions with enormous solemnity. Her manner of enquiring after a +trifling ailment gave one the impression that she was more +concerned with the fortunes of the malady than with oneself, and +when one got rid of a cold one felt that she almost expected to be +given its postal address. Probably her manner was merely the +defensive outwork of an innate shyness, but she was not a woman who +commanded confidences. + +"A telephone call for Courtenay," commented the younger of the two +women as Youghal hurriedly flashed through the room; "the telephone +system seems to enter very largely into that young man's life." + +"The telephone has robbed matrimony of most of its sting," said the +elder; "so much more discreet than pen and ink communications which +get read by the wrong people." + +Elaine's aunts were conscientiously worldly; they were the natural +outcome of a stock that had been conscientiously straight-laced for +many generations. + +Elaine had progressed to the pancake stage before Courtenay +returned. + +"Sorry to be away so long," he said, "but I've arranged something +rather nice for to-night. There's rather a jolly masquerade ball +on. I've 'phoned about getting a costume for you and it's alright. +It will suit you beautifully, and I've got my harlequin dress with +me. Madame Kelnicort, excellent soul, is going to chaperone you, +and she'll take you back any time you like; I'm quite unreliable +when I get into fancy dress. I shall probably keep going till some +unearthly hour of the morning." + +A masquerade ball in a strange city hardly represented Elaine's +idea of enjoyment. Carefully to disguise one's identity in a +neighbourhood where one was entirely unknown seemed to her rather +meaningless. With Courtenay, of course, it was different; he +seemed to have friends and acquaintances everywhere. However, the +matter had progressed to a point which would have made a refusal to +go seem rather ungracious. Elaine finished her pancake and began +to take a polite interest in her costume. + +"What is your character?" asked Madame Kelnicort that evening, as +they uncloaked, preparatory to entering the already crowded ball- +room. + +"I believe I'm supposed to represent Marjolaine de Montfort, +whoever she may have been," said Elaine. "Courtenay declares he +only wanted to marry me because I'm his ideal of her." + +"But what a mistake to go as a character you know nothing about. +To enjoy a masquerade ball you ought to throw away your own self +and be the character you represent. Now Courtenay has been +Harlequin since half-way through dinner; I could see it dancing in +his eyes. At about six o'clock to-morrow morning he will fall +asleep and wake up a member of the British House of Parliament on +his honeymoon, but to-night he is unrestrainedly Harlequin." + +Elaine stood in the ball-room surrounded by a laughing jostling +throng of pierrots, jockeys, Dresden-china shepherdesses, Roumanian +peasant-girls and all the lively make-believe creatures that form +the ingredients of a fancy-dress ball. As she stood watching them +she experienced a growing feeling of annoyance, chiefly with +herself. She was assisting, as the French say, at one of the +gayest scenes of Europe's gayest capital, and she was conscious of +being absolutely unaffected by the gaiety around her. The costumes +were certainly interesting to look at, and the music good to listen +to, and to that extent she was amused, but the ABANDON of the scene +made no appeal to her. It was like watching a game of which you +did not know the rules, and in the issue of which you were not +interested. Elaine began to wonder what was the earliest moment at +which she could drag Madame Kelnicort away from the revel without +being guilty of sheer cruelty. Then Courtenay wriggled out of the +crush and came towards her, a joyous laughing Courtenay, looking +younger and handsomer than she had ever seen him. She could +scarcely recognise in him to-night the rising young debater who +made embarrassing onslaughts on the Government's foreign policy +before a crowded House of Commons. He claimed her for the dance +that was just starting, and steered her dexterously into the heart +of the waltzing crowd. + +"You look more like Marjolaine than I should have thought a mortal +woman of these days could look," he declared, "only Marjolaine did +smile sometimes. You have rather the air of wondering if you'd +left out enough tea for the servants' breakfast. Don't mind my +teasing; I love you to look like that, and besides, it makes a +splendid foil to my Harlequin--my selfishness coming to the fore +again, you see. But you really are to go home the moment you're +bored; the excellent Kelnicort gets heaps of dances throughout the +winter, so don't mind sacrificing her." + +A little later in the evening Elaine found herself standing out a +dance with a grave young gentleman from the Russian Embassy. + +"Monsieur Courtenay enjoys himself, doesn't he?" he observed, as +the youthful-looking harlequin flashed past them, looking like some +restless gorgeous-hued dragonfly; "why is it that the good God has +given your countrymen the boon of eternal youth? Some of your +countrywomen, too, but all of the men." + +Elaine could think of many of her countrymen who were not and never +could have been youthful, but as far as Courtenay was concerned she +recognised the fitness of the remark. And the recognition carried +with it a sense of depression. Would he always remain youthful and +keen on gaiety and revelling while she grew staid and retiring? +She had thrust the lively intractable Comus out of her mind, as by +his perverseness he had thrust himself out of her heart, and she +had chosen the brilliant young man of affairs as her husband. He +had honestly let her see the selfish side of his character while he +was courting her, but she had been prepared to make due sacrifices +to the selfishness of a public man who had his career to consider +above all other things. Would she also have to make sacrifices to +the harlequin spirit which was now revealing itself as an +undercurrent in his nature? When one has inured oneself to the +idea of a particular form of victimisation it is disconcerting to +be confronted with another. Many a man who would patiently undergo +martyrdom for religion's sake would be furiously unwilling to be a +martyr to neuralgia. + +"I think that is why you English love animals so much," pursued the +young diplomat; "you are such splendid animals yourselves. You are +lively because you want to be lively, not because people are +looking on at you. Monsieur Courtenay is certainly an animal. I +mean it as a high compliment." + +"Am I an animal?" asked Elaine. + +"I was going to say you are an angel," said the Russian, in some +embarrassment, "but I do not think that would do; angels and +animals would never get on together. To get on with animals you +must have a sense of humour, and I don't suppose angels have any +sense of humour; you see it would be no use to them as they never +hear any jokes." + +"Perhaps," said Elaine, with a tinge of bitterness in her voice, +"perhaps I am a vegetable." + +"I think you most remind me of a picture," said the Russian. + +It was not the first time Elaine had heard the simile. + +"I know," she said, "the Narrow Gallery at the Louvre; attributed +to Leonardo da Vinci." + +Evidently the impression she made on people was solely one of +externals. + +Was that how Courtenay regarded her? Was that to be her function +and place in life, a painted background, a decorative setting to +other people's triumphs and tragedies? Somehow to-night she had +the feeling that a general might have who brought imposing forces +into the field and could do nothing with them. She possessed youth +and good looks, considerable wealth, and had just made what would +be thought by most people a very satisfactory marriage. And +already she seemed to be standing aside as an onlooker where she +had expected herself to be taking a leading part. + +"Does this sort of thing appeal to you?" she asked the young +Russian, nodding towards the gay scrimmage of masqueraders and +rather prepared to hear an amused negative." + +"But yes, of course," he answered; "costume balls, fancy fairs, +cafe chantant, casino, anything that is not real life appeals to us +Russians. Real life with us is the sort of thing that Maxim Gorki +deals in. It interests us immensely, but we like to get away from +it sometimes." + +Madame Kelnicort came up with another prospective partner, and +Elaine delivered her ukase: one more dance and then back to the +hotel. Without any special regret she made her retreat from the +revel which Courtenay was enjoying under the impression that it was +life and the young Russian under the firm conviction that it was +not. + +Elaine breakfasted at her aunts' table the next morning at much her +usual hour. Courtenay was sleeping the sleep of a happy tired +animal. He had given instructions to be called at eleven o'clock, +from which time onward the Neue Freie Presse, the Zeit, and his +toilet would occupy his attention till he appeared at the luncheon +table. There were not many people breakfasting when Elaine arrived +on the scene, but the room seemed to be fuller than it really was +by reason of a penetrating voice that was engaged in recounting how +far the standard of Viennese breakfast fare fell below the +expectations and desires of little Jerome and the girls. + +"If ever little Jerome becomes President of the United States," +said Elaine, "I shall be able to contribute quite an informing +article on his gastronomic likes and dislikes to the papers." + +The aunts were discreetly inquisitive as to the previous evening's +entertainment. + +"If Elaine would flirt mildly with somebody it would be such a good +thing," said Mrs. Goldbrook; "it would remind Courtenay that he's +not the only attractive young man in the world." + +Elaine, however, did not gratify their hopes; she referred to the +ball with the detachment she would have shown in describing a +drawing-room show of cottage industries. It was not difficult to +discern in her description of the affair the confession that she +had been slightly bored. From Courtenay, later in the day, the +aunts received a much livelier impression of the festivities, from +which it was abundantly clear that he at any rate had managed to +amuse himself. Neither did it appear that his good opinion of his +own attractions had suffered any serious shock. He was distinctly +in a very good temper. + +"The secret of enjoying a honeymoon," said Mrs. Goldbrook +afterwards to her sister, "is not to attempt too much." + +"You mean--?" + +"Courtenay is content to try and keep one person amused and happy, +and he thoroughly succeeds." + +"I certainly don't think Elaine is going to be very happy," said +her sister, "but at least Courtenay saved her from making the +greatest mistake she could have made--marrying that young +Bassington." + +"He has also," said Mrs. Goldbrook, "helped her to make the next +biggest mistake of her life--marrying Courtenay Youghal. + + + +CHAPTER XVI + + + +It was late afternoon by the banks of a swiftly rushing river, a +river that gave back a haze of heat from its waters as though it +were some stagnant steaming lagoon, and yet seemed to be whirling +onward with the determination of a living thing, perpetually eager +and remorseless, leaping savagely at any obstacle that attempted to +stay its course; an unfriendly river, to whose waters you committed +yourself at your peril. Under the hot breathless shade of the +trees on its shore arose that acrid all-pervading smell that seems +to hang everywhere about the tropics, a smell as of some monstrous +musty still-room where herbs and spices have been crushed and +distilled and stored for hundreds of years, and where the windows +have seldom been opened. In the dazzling heat that still held +undisputed sway over the scene, insects and birds seemed +preposterously alive and active, flitting their gay colours through +the sunbeams, and crawling over the baked dust in the full swing +and pursuit of their several businesses; the flies engaged in +Heaven knows what, and the fly-catchers busy with the flies. +Beasts and humans showed no such indifference to the temperature; +the sun would have to slant yet further downward before the earth +would become a fit arena for their revived activities. In the +sheltered basement of a wayside rest-house a gang of native +hammock-bearers slept or chattered drowsily through the last hours +of the long mid-day halt; wide awake, yet almost motionless in the +thrall of a heavy lassitude, their European master sat alone in an +upper chamber, staring out through a narrow window-opening at the +native village, spreading away in thick clusters of huts girt +around with cultivated vegetation. It seemed a vast human ant- +hill, which would presently be astir with its teeming human life, +as though the Sun God in his last departing stride had roused it +with a careless kick. Even as Comus watched he could see the +beginnings of the evening's awakening. Women, squatting in front +of their huts, began to pound away at the rice or maize that would +form the evening meal, girls were collecting their water pots +preparatory to a walk down to the river, and enterprising goats +made tentative forays through gaps in the ill-kept fences of +neighbouring garden plots; their hurried retreats showed that here +at least someone was keeping alert and wakeful vigil. Behind a hut +perched on a steep hillside, just opposite to the rest-house, two +boys were splitting wood with a certain languid industry; further +down the road a group of dogs were leisurely working themselves up +to quarrelling pitch. Here and there, bands of evil-looking pigs +roamed about, busy with foraging excursions that came unpleasantly +athwart the border-line of scavenging. And from the trees that +bounded and intersected the village rose the horrible, tireless, +spiteful-sounding squawking of the iron-throated crows. + +Comus sat and watched it all with a sense of growing aching +depression. It was so utterly trivial to his eyes, so devoid of +interest, and yet it was so real, so serious, so implacable in its +continuity. The brain grew tired with the thought of its unceasing +reproduction. It had all gone on, as it was going on now, by the +side of the great rushing swirling river, this tilling and planting +and harvesting, marketing and store-keeping, feast-making and +fetish-worship and love-making, burying and giving in marriage, +child-bearing and child-rearing, all this had been going on, in the +shimmering, blistering heat and the warm nights, while he had been +a youngster at school, dimly recognising Africa as a division of +the earth's surface that it was advisable to have a certain nodding +acquaintance with. + +It had been going on in all its trifling detail, all its serious +intensity, when his father and his grandfather in their day had +been little boys at school, it would go on just as intently as ever +long after Comus and his generation had passed away, just as the +shadows would lengthen and fade under the mulberry trees in that +far away English garden, round the old stone fountain where a +leaden otter for ever preyed on a leaden salmon. + +Comus rose impatiently from his seat, and walked wearily across the +hut to another window-opening which commanded a broad view of the +river. There was something which fascinated and then depressed one +in its ceaseless hurrying onward sweep, its tons of water rushing +on for all time, as long as the face of the earth should remain +unchanged. On its further shore could be seen spread out at +intervals other teeming villages, with their cultivated plots and +pasture clearings, their moving dots which meant cattle and goats +and dogs and children. And far up its course, lost in the forest +growth that fringed its banks, were hidden away yet more villages, +human herding-grounds where men dwelt and worked and bartered, +squabbled and worshipped, sickened and perished, while the river +went by with its endless swirl and rush of gleaming waters. One +could well understand primitive early races making propitiatory +sacrifices to the spirit of a great river on whose shores they +dwelt. Time and the river were the two great forces that seemed to +matter here. + +It was almost a relief to turn back to that other outlook and watch +the village life that was now beginning to wake in earnest. The +procession of water-fetchers had formed itself in a long chattering +line that stretched river-wards. Comus wondered how many tens of +thousands of times that procession had been formed since first the +village came into existence. They had been doing it while he was +playing in the cricket-fields at school, while he was spending +Christmas holidays in Paris, while he was going his careless round +of theatres, dances, suppers and card-parties, just as they were +doing it now; they would be doing it when there was no one alive +who remembered Comus Bassington. This thought recurred again and +again with painful persistence, a morbid growth arising in part +from his loneliness. + +Staring dumbly out at the toiling sweltering human ant-hill Comus +marvelled how missionary enthusiasts could labour hopefully at the +work of transplanting their religion, with its homegrown accretions +of fatherly parochial benevolence, in this heat-blistered, fever- +scourged wilderness, where men lived like groundbait and died like +flies. Demons one might believe in, if one did not hold one's +imagination in healthy check, but a kindly all-managing God, never. +Somewhere in the west country of England Comus had an uncle who +lived in a rose-smothered rectory and taught a wholesome gentle- +hearted creed that expressed itself in the spirit of "Little lamb, +who made thee?" and faithfully reflected the beautiful homely +Christ-child sentiment of Saxon Europe. What a far away, unreal +fairy story it all seemed here in this West African land, where the +bodies of men were of as little account as the bubbles that floated +on the oily froth of the great flowing river, and where it required +a stretch of wild profitless imagination to credit them with +undying souls. In the life he had come from Comus had been +accustomed to think of individuals as definite masterful +personalities, making their several marks on the circumstances that +revolved around them; they did well or ill, or in most cases +indifferently, and were criticised, praised, blamed, thwarted or +tolerated, or given way to. In any case, humdrum or outstanding, +they had their spheres of importance, little or big. They +dominated a breakfast table or harassed a Government, according to +their capabilities or opportunities, or perhaps they merely had +irritating mannerisms. At any rate it seemed highly probable that +they had souls. Here a man simply made a unit in an unnumbered +population, an inconsequent dot in a loosely-compiled deathroll. +Even his own position as a white man exalted conspicuously above a +horde of black natives did not save Comus from the depressing sense +of nothingness which his first experience of fever had thrown over +him. He was a lost, soulless body in this great uncaring land; if +he died another would take his place, his few effects would be +inventoried and sent down to the coast, someone else would finish +off any tea or whisky that he left behind--that would be all. + +It was nearly time to be starting towards the next halting place +where he would dine or at any rate eat something. But the +lassitude which the fever had bequeathed him made the tedium of +travelling through interminable forest-tracks a weariness to be +deferred as long as possible. The bearers were nothing loth to let +another half-hour or so slip by, and Comus dragged a battered +paper-covered novel from the pocket of his coat. It was a story +dealing with the elaborately tangled love affairs of a surpassingly +uninteresting couple, and even in his almost bookless state Comus +had not been able to plough his way through more than two-thirds of +its dull length; bound up with the cover, however, were some pages +of advertisement, and these the exile scanned with a hungry +intentness that the romance itself could never have commanded. The +name of a shop, of a street, the address of a restaurant, came to +him as a bitter reminder of the world he had lost, a world that ate +and drank and flirted, gambled and made merry, a world that debated +and intrigued and wire-pulled, fought or compromised political +battles--and recked nothing of its outcasts wandering through +forest paths and steamy swamps or lying in the grip of fever. +Comus read and re-read those few lines of advertisement, just as he +treasured a much-crumpled programme of a first-night performance at +the Straw Exchange Theatre; they seemed to make a little more real +the past that was already so shadowy and so utterly remote. For a +moment he could almost capture the sensation of being once again in +those haunts that he loved; then he looked round and pushed the +book wearily from him. The steaming heat, the forest, the rushing +river hemmed him in on all sides. + +The two boys who had been splitting wood ceased from their labours +and straightened their backs; suddenly the smaller of the two gave +the other a resounding whack with a split lath that he still held +in his hand, and flew up the hillside with a scream of laughter and +simulated terror, the bigger lad following in hot pursuit. Up and +down the steep bush-grown slope they raced and twisted and dodged, +coming sometimes to close quarters in a hurricane of squeals and +smacks, rolling over and over like fighting kittens, and breaking +away again to start fresh provocation and fresh pursuit. Now and +again they would lie for a time panting in what seemed the last +stage of exhaustion, and then they would be off in another wild +scamper, their dusky bodies flitting through the bushes, +disappearing and reappearing with equal suddenness. Presently two +girls of their own age, who had returned from the water-fetching, +sprang out on them from ambush, and the four joined in one joyous +gambol that lit up the hillside with shrill echoes and glimpses of +flying limbs. Comus sat and watched, at first with an amused +interest, then with a returning flood of depression and heart-ache. +Those wild young human kittens represented the joy of life, he was +the outsider, the lonely alien, watching something in which he +could not join, a happiness in which he had no part or lot. He +would pass presently out of the village and his bearers' feet would +leave their indentations in the dust; that would be his most +permanent memorial in this little oasis of teeming life. And that +other life, in which he once moved with such confident sense of his +own necessary participation in it, how completely he had passed out +of it. Amid all its laughing throngs, its card parties and race- +meetings and country-house gatherings, he was just a mere name, +remembered or forgotten, Comus Bassington, the boy who went away. +He had loved himself very well and never troubled greatly whether +anyone else really loved him, and now he realised what he had made +of his life. And at the same time he knew that if his chance were +to come again he would throw it away just as surely, just as +perversely. Fate played with him with loaded dice; he would lose +always. + +One person in the whole world had cared for him, for longer than he +could remember, cared for him perhaps more than he knew, cared for +him perhaps now. But a wall of ice had mounted up between him and +her, and across it there blew that cold-breath that chills or kills +affection. + +The words of a well-known old song, the wistful cry of a lost +cause, rang with insistent mockery through his brain: + + +"Better loved you canna be, +Will ye ne'er come back again?" + + +If it was love that was to bring him back he must be an exile for +ever. His epitaph in the mouths of those that remembered him would +be, Comus Bassington, the boy who never came back. + +And in his unutterable loneliness he bowed his head on his arms, +that he might not see the joyous scrambling frolic on yonder +hillside. + + + +CHAPTER XVII + + + +The bleak rawness of a grey December day held sway over St. James's +Park, that sanctuary of lawn and tree and pool, into which the +bourgeois innovator has rushed ambitiously time and again, to find +that he must take the patent leather from off his feet, for the +ground on which he stands is hallowed ground. + +In the lonely hour of early afternoon, when the workers had gone +back to their work, and the loiterers were scarcely yet gathered +again, Francesca Bassington made her way restlessly along the +stretches of gravelled walk that bordered the ornamental water. +The overmastering unhappiness that filled her heart and stifled her +thinking powers found answering echo in her surroundings. There is +a sorrow that lingers in old parks and gardens that the busy +streets have no leisure to keep by them; the dead must bury their +dead in Whitehall or the Place de la Concorde, but there are +quieter spots where they may still keep tryst with the living and +intrude the memory of their bygone selves on generations that have +almost forgotten them. Even in tourist-trampled Versailles the +desolation of a tragedy that cannot die haunts the terraces and +fountains like a bloodstain that will not wash out; in the Saxon +Garden at Warsaw there broods the memory of long-dead things, +coeval with the stately trees that shade its walks, and with the +carp that swim to-day in its ponds as they doubtless swam there +when "Lieber Augustin" was a living person and not as yet an +immortal couplet. And St. James's Park, with its lawns and walks +and waterfowl, harbours still its associations with a bygone order +of men and women, whose happiness and sadness are woven into its +history, dim and grey as they were once bright and glowing, like +the faded pattern worked into the fabric of an old tapestry. It +was here that Francesca had made her way when the intolerable +inaction of waiting had driven her forth from her home. She was +waiting for that worst news of all, the news which does not kill +hope, because there has been none to kill, but merely ends +suspense. An early message had said that Comus was ill, which +might have meant much or little; then there had come that morning a +cablegram which only meant one thing; in a few hours she would get +a final message, of which this was the preparatory forerunner. She +already knew as much as that awaited message would tell her. She +knew that she would never see Comus again, and she knew now that +she loved him beyond all things that the world could hold for her. +It was no sudden rush of pity or compunction that clouded her +judgment or gilded her recollection of him; she saw him as he was, +the beautiful, wayward, laughing boy, with his naughtiness, his +exasperating selfishness, his insurmountable folly and +perverseness, his cruelty that spared not even himself, and as he +was, as he always had been, she knew that he was the one thing that +the Fates had willed that she should love. She did not stop to +accuse or excuse herself for having sent him forth to what was to +prove his death. It was, doubtless, right and reasonable that he +should have gone out there, as hundreds of other men went out, in +pursuit of careers; the terrible thing was that he would never come +back. The old cruel hopelessness that had always chequered her +pride and pleasure in his good looks and high spirits and fitfully +charming ways had dealt her a last crushing blow; he was dying +somewhere thousands of miles away without hope of recovery, without +a word of love to comfort him, and without hope or shred of +consolation she was waiting to hear of the end. The end; that last +dreadful piece of news which would write "nevermore" across his +life and hers. + +The lively bustle in the streets had been a torture that she could +not bear. It wanted but two days to Christmas and the gaiety of +the season, forced or genuine, rang out everywhere. Christmas +shopping, with its anxious solicitude or self-centred absorption, +overspread the West End and made the pavements scarcely passable at +certain favoured points. Proud parents, parcel-laden and +surrounded by escorts of their young people, compared notes with +one another on the looks and qualities of their offspring and +exchanged loud hurried confidences on the difficulty or success +which each had experienced in getting the right presents for one +and all. Shouted directions where to find this or that article at +its best mingled with salvos of Christmas good wishes. To +Francesca, making her way frantically through the carnival of +happiness with that lonely deathbed in her eyes, it had seemed a +callous mockery of her pain; could not people remember that there +were crucifixions as well as joyous birthdays in the world? Every +mother that she passed happy in the company of a fresh-looking +clean-limbed schoolboy son sent a fresh stab at her heart, and the +very shops had their bitter memories. There was the tea-shop where +he and she had often taken tea together, or, in the days of their +estrangement, sat with their separate friends at separate tables. +There were other shops where extravagantly-incurred bills had +furnished material for those frequently recurring scenes of +recrimination, and the Colonial outfitters, where, as he had +phrased it in whimsical mockery, he had bought grave-clothes for +his burying-alive. The "oubliette!" She remembered the bitter +petulant name he had flung at his destined exile. There at least +he had been harder on himself than the Fates were pleased to will; +never, as long as Francesca lived and had a brain that served her, +would she be able to forget. That narcotic would never be given to +her. Unrelenting, unsparing memory would be with her always to +remind her of those last days of tragedy. Already her mind was +dwelling on the details of that ghastly farewell dinner-party and +recalling one by one the incidents of ill-omen that had marked it; +how they had sat down seven to table and how one liqueur glass in +the set of seven had been shivered into fragments; how her glass +had slipped from her hand as she raised it to her lips to wish +Comus a safe return; and the strange, quiet hopelessness of Lady +Veula's "good-bye"; she remembered now how it had chilled and +frightened her at the moment. + +The park was filling again with its floating population of +loiterers, and Francesca's footsteps began to take a homeward +direction. Something seemed to tell her that the message for which +she waited had arrived and was lying there on the hall table. Her +brother, who had announced his intention of visiting her early in +the afternoon would have gone by now; he knew nothing of this +morning's bad news--the instinct of a wounded animal to creep away +by itself had prompted her to keep her sorrow from him as long as +possible. His visit did not necessitate her presence; he was +bringing an Austrian friend, who was compiling a work on the +Franco-Flemish school of painting, to inspect the Van der Meulen, +which Henry Greech hoped might perhaps figure as an illustration in +the book. They were due to arrive shortly after lunch, and +Francesca had left a note of apology, pleading an urgent engagement +elsewhere. As she turned to make her way across the Mall into the +Green Park a gentle voice hailed her from a carriage that was just +drawing up by the sidewalk. Lady Caroline Benaresq had been +favouring the Victoria Memorial with a long unfriendly stare. + +"In primitive days," she remarked, "I believe it was the fashion +for great chiefs and rulers to have large numbers of their +relatives and dependents killed and buried with them; in these more +enlightened times we have invented quite another way of making a +great Sovereign universally regretted. My dear Francesca," she +broke off suddenly, catching the misery that had settled in the +other's eyes, "what is the matter? Have you had bad news from out +there?" + +"I am waiting for very bad news," said Francesca, and Lady Caroline +knew what had happened. + +"I wish I could say something; I can't." Lady Caroline spoke in a +harsh, grunting voice that few people had ever heard her use. + +Francesca crossed the Mall and the carriage drove on. + +"Heaven help that poor woman," said Lady Caroline; which was, for +her, startlingly like a prayer. + +As Francesca entered the hall she gave a quick look at the table; +several packages, evidently an early batch of Christmas presents, +were there, and two or three letters. On a salver by itself was +the cablegram for which she had waited. A maid, who had evidently +been on the lookout for her, brought her the salver. The servants +were well aware of the dreadful thing that was happening, and there +was pity on the girl's face and in her voice. + +"This came for you ten minutes ago, ma'am, and Mr. Greech has been +here, ma'am, with another gentleman, and was sorry you weren't at +home. Mr. Greech said he would call again in about half-an-hour." + +Francesca carried the cablegram unopened into the drawing-room and +sat down for a moment to think. There was no need to read it yet, +for she knew what she would find written there. For a few pitiful +moments Comus would seem less hopelessly lost to her if she put off +the reading of that last terrible message. She rose and crossed +over to the windows and pulled down the blinds, shutting out the +waning December day, and then reseated herself. Perhaps in the +shadowy half-light her boy would come and sit with her again for +awhile and let her look her last upon his loved face; she could +never touch him again or hear his laughing, petulant voice, but +surely she might look on her dead. And her starving eyes saw only +the hateful soulless things of bronze and silver and porcelain that +she had set up and worshipped as gods; look where she would they +were there around her, the cold ruling deities of the home that +held no place for her dead boy. He had moved in and out among +them, the warm, living, breathing thing that had been hers to love, +and she had turned her eyes from that youthful comely figure to +adore a few feet of painted canvas, a musty relic of a long +departed craftsman. And now he was gone from her sight, from her +touch, from her hearing for ever, without even a thought to flash +between them for all the dreary years that she should live, and +these things of canvas and pigment and wrought metal would stay +with her. They were her soul. And what shall it profit a man if +he save his soul and slay his heart in torment? + +On a small table by her side was Mervyn Quentock's portrait of her- +-the prophetic symbol of her tragedy; the rich dead harvest of +unreal things that had never known life, and the bleak thrall of +black unending Winter, a Winter in which things died and knew no +re-awakening. + +Francesca turned to the small envelope lying in her lap; very +slowly she opened it and read the short message. Then she sat numb +and silent for a long, long time, or perhaps only for minutes. The +voice of Henry Greech in the hall, enquiring for her, called her to +herself. Hurriedly she crushed the piece of paper out of sight; he +would have to be told, of course, but just yet her pain seemed too +dreadful to be laid bare. "Comus is dead" was a sentence beyond +her power to speak. + +"I have bad news for you, Francesca, I'm sorry to say," Henry +announced. Had he heard, too? + +"Henneberg has been here and looked at the picture," he continued, +seating himself by her side, "and though he admired it immensely as +a work of art he gave me a disagreeable surprise by assuring me +that it's not a genuine Van der Meulen. It's a splendid copy, but +still, unfortunately, only a copy." + +Henry paused and glanced at his sister to see how she had taken the +unwelcome announcement. Even in the dim light he caught some of +the anguish in her eyes. + +"My dear Francesca," he said soothingly, laying his hand +affectionately on her arm, "I know that this must be a great +disappointment to you, you've always set such store by this +picture, but you mustn't take it too much to heart. These +disagreeable discoveries come at times to most picture fanciers and +owners. Why, about twenty per cent. of the alleged Old Masters in +the Louvre are supposed to be wrongly attributed. And there are +heaps of similar cases in this country. Lady Dovecourt was telling +me the other day that they simply daren't have an expert in to +examine the Van Dykes at Columbey for fear of unwelcome +disclosures. And besides, your picture is such an excellent copy +that it's by no means without a value of its own. You must get +over the disappointment you naturally feel, and take a +philosophical view of the matter. . . " + +Francesca sat in stricken silence, crushing the folded morsel of +paper tightly in her hand and wondering if the thin, cheerful voice +with its pitiless, ghastly mockery of consolation would never stop. + + + + +*** END OF THE PROJECT GUTENBERG EBOOK, THE UNBEARABLE BASSINGTON *** + +This file should be named nbrbl10.txt or nbrbl10.zip +Corrected EDITIONS of our eBooks get a new NUMBER, nbrbl11.txt +VERSIONS based on separate sources get new LETTER, nbrbl10a.txt + +Project Gutenberg eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the US +unless a copyright notice is included. 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You can also find out about how to make a +donation to Project Gutenberg, and how to get involved. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**eBooks Readable By Both Humans and By Computers, Since 1971** + +*****These eBooks Were Prepared By Thousands of Volunteers!***** + + +Title: The Unbearable Bassington + +Author: Saki + +Release Date: Jun, 1996 [EBook #555] +[Yes, we are more than one year ahead of schedule] +[This file was first posted on April 7, 1996] +[Most recently updated: August 27, 2002] + +Edition: 10 + +Language: English + +Character set encoding: ASCII +</pre> +<p> +<a name="startoftext"></a> +Transcribed from the 1913 John Lane edition by David Price, email ccx074@coventry.ac.uk<br> +<br> +<br> +<br> +<br> +THE UNBEARABLE BASSINGTON<br> +<br> +<br> +<br> +<br> +CHAPTER I<br> +<br> +<br> +<br> +Francesca Bassington sat in the drawing-room of her house in Blue Street, +W., regaling herself and her estimable brother Henry with China tea +and small cress sandwiches. The meal was of that elegant proportion +which, while ministering sympathetically to the desires of the moment, +is happily reminiscent of a satisfactory luncheon and blessedly expectant +of an elaborate dinner to come.<br> +<br> +In her younger days Francesca had been known as the beautiful Miss Greech; +at forty, although much of the original beauty remained, she was just +dear Francesca Bassington. No one would have dreamed of calling +her sweet, but a good many people who scarcely knew her were punctilious +about putting in the “dear.”<br> +<br> +Her enemies, in their honester moments, would have admitted that she +was svelte and knew how to dress, but they would have agreed with her +friends in asserting that she had no soul. When one’s friends +and enemies agree on any particular point they are usually wrong. +Francesca herself, if pressed in an unguarded moment to describe her +soul, would probably have described her drawing-room. Not that +she would have considered that the one had stamped the impress of its +character on the other, so that close scrutiny might reveal its outstanding +features, and even suggest its hidden places, but because she might +have dimly recognised that her drawing-room was her soul.<br> +<br> +Francesca was one of those women towards whom Fate appears to have the +best intentions and never to carry them into practice. With the +advantages put at her disposal she might have been expected to command +a more than average share of feminine happiness. So many of the +things that make for fretfulness, disappointment and discouragement +in a woman’s life were removed from her path that she might well +have been considered the fortunate Miss Greech, or later, lucky Francesca +Bassington. And she was not of the perverse band of those who +make a rock-garden of their souls by dragging into them all the stoney +griefs and unclaimed troubles they can find lying around them. +Francesca loved the smooth ways and pleasant places of life; she liked +not merely to look on the bright side of things but to live there and +stay there. And the fact that things had, at one time and another, +gone badly with her and cheated her of some of her early illusions made +her cling the closer to such good fortune as remained to her now that +she seemed to have reached a calmer period of her life. To undiscriminating +friends she appeared in the guise of a rather selfish woman, but it +was merely the selfishness of one who had seen the happy and unhappy +sides of life and wished to enjoy to the utmost what was left to her +of the former. The vicissitudes of fortune had not soured her, +but they had perhaps narrowed her in the sense of making her concentrate +much of her sympathies on things that immediately pleased and amused +her, or that recalled and perpetuated the pleasing and successful incidents +of other days. And it was her drawing-room in particular that +enshrined the memorials or tokens of past and present happiness.<br> +<br> +Into that comfortable quaint-shaped room of angles and bays and alcoves +had sailed, as into a harbour, those precious personal possessions and +trophies that had survived the buffetings and storms of a not very tranquil +married life. Wherever her eyes might turn she saw the embodied +results of her successes, economies, good luck, good management or good +taste. The battle had more than once gone against her, but she +had somehow always contrived to save her baggage train, and her complacent +gaze could roam over object after object that represented the spoils +of victory or the salvage of honourable defeat. The delicious +bronze Fremiet on the mantelpiece had been the outcome of a Grand Prix +sweepstake of many years ago; a group of Dresden figures of some considerable +value had been bequeathed to her by a discreet admirer, who had added +death to his other kindnesses; another group had been a self-bestowed +present, purchased in blessed and unfading memory of a wonderful nine-days’ +bridge winnings at a country-house party. There were old Persian +and Bokharan rugs and Worcester tea-services of glowing colour, and +little treasures of antique silver that each enshrined a history or +a memory in addition to its own intrinsic value. It amused her +at times to think of the bygone craftsmen and artificers who had hammered +and wrought and woven in far distant countries and ages, to produce +the wonderful and beautiful things that had come, one way and another, +into her possession. Workers in the studios of medieval Italian +towns and of later Paris, in the bazaars of Baghdad and of Central Asia, +in old-time English workshops and German factories, in all manner of +queer hidden corners where craft secrets were jealously guarded, nameless +unremembered men and men whose names were world-renowned and deathless.<br> +<br> +And above all her other treasures, dominating in her estimation every +other object that the room contained, was the great Van der Meulen that +had come from her father’s home as part of her wedding dowry. +It fitted exactly into the central wall panel above the narrow buhl +cabinet, and filled exactly its right space in the composition and balance +of the room. From wherever you sat it seemed to confront you as +the dominating feature of its surroundings. There was a pleasing +serenity about the great pompous battle scene with its solemn courtly +warriors bestriding their heavily prancing steeds, grey or skewbald +or dun, all gravely in earnest, and yet somehow conveying the impression +that their campaigns were but vast serious picnics arranged in the grand +manner. Francesca could not imagine the drawing-room without the +crowning complement of the stately well-hung picture, just as she could +not imagine herself in any other setting than this house in Blue Street +with its crowded Pantheon of cherished household gods.<br> +<br> +And herein sprouted one of the thorns that obtruded through the rose-leaf +damask of what might otherwise have been Francesca’s peace of +mind. One’s happiness always lies in the future rather than +in the past. With due deference to an esteemed lyrical authority +one may safely say that a sorrow’s crown of sorrow is anticipating +unhappier things. The house in Blue Street had been left to her +by her old friend Sophie Chetrof, but only until such time as her niece +Emmeline Chetrof should marry, when it was to pass to her as a wedding +present. Emmeline was now seventeen and passably good-looking, +and four or five years were all that could be safely allotted to the +span of her continued spinsterhood. Beyond that period lay chaos, +the wrenching asunder of Francesca from the sheltering habitation that +had grown to be her soul. It is true that in imagination she had +built herself a bridge across the chasm, a bridge of a single span. +The bridge in question was her schoolboy son Comus, now being educated +somewhere in the southern counties, or rather one should say the bridge +consisted of the possibility of his eventual marriage with Emmeline, +in which case Francesca saw herself still reigning, a trifle squeezed +and incommoded perhaps, but still reigning in the house in Blue Street. +The Van der Meulen would still catch its requisite afternoon light in +its place of honour, the Fremiet and the Dresden and Old Worcester would +continue undisturbed in their accustomed niches. Emmeline could +have the Japanese snuggery, where Francesca sometimes drank her after-dinner +coffee, as a separate drawing-room, where she could put her own things. +The details of the bridge structure had all been carefully thought out. +Only - it was an unfortunate circumstance that Comus should have been +the span on which everything balanced.<br> +<br> +Francesca’s husband had insisted on giving the boy that strange +Pagan name, and had not lived long enough to judge as to the appropriateness, +or otherwise, of its significance. In seventeen years and some +odd months Francesca had had ample opportunity for forming an opinion +concerning her son’s characteristics. The spirit of mirthfulness +which one associates with the name certainly ran riot in the boy, but +it was a twisted wayward sort of mirth of which Francesca herself could +seldom see the humorous side. In her brother Henry, who sat eating +small cress sandwiches as solemnly as though they had been ordained +in some immemorial Book of Observances, fate had been undisguisedly +kind to her. He might so easily have married some pretty helpless +little woman, and lived at Notting Hill Gate, and been the father of +a long string of pale, clever useless children, who would have had birthdays +and the sort of illnesses that one is expected to send grapes to, and +who would have painted fatuous objects in a South Kensington manner +as Christmas offerings to an aunt whose cubic space for lumber was limited. +Instead of committing these unbrotherly actions, which are so frequent +in family life that they might almost be called brotherly, Henry had +married a woman who had both money and a sense of repose, and their +one child had the brilliant virtue of never saying anything which even +its parents could consider worth repeating. Then he had gone into +Parliament, possibly with the idea of making his home life seem less +dull; at any rate it redeemed his career from insignificance, for no +man whose death can produce the item “another by-election” +on the news posters can be wholly a nonentity. Henry, in short, +who might have been an embarrassment and a handicap, had chosen rather +to be a friend and counsellor, at times even an emergency bank balance; +Francesca on her part, with the partiality which a clever and lazily-inclined +woman often feels for a reliable fool, not only sought his counsel but +frequently followed it. When convenient, moreover, she repaid +his loans.<br> +<br> +Against this good service on the part of Fate in providing her with +Henry for a brother, Francesca could well set the plaguy malice of the +destiny that had given her Comus for a son. The boy was one of +those untameable young lords of misrule that frolic and chafe themselves +through nursery and preparatory and public-school days with the utmost +allowance of storm and dust and dislocation and the least possible amount +of collar-work, and come somehow with a laugh through a series of catastrophes +that has reduced everyone else concerned to tears or Cassandra-like +forebodings. Sometimes they sober down in after-life and become +uninteresting, forgetting that they were ever lords of anything; sometimes +Fate plays royally into their hands, and they do great things in a spacious +manner, and are thanked by Parliaments and the Press and acclaimed by +gala-day crowds. But in most cases their tragedy begins when they +leave school and turn themselves loose in a world that has grown too +civilised and too crowded and too empty to have any place for them. +And they are very many.<br> +<br> +Henry Greech had made an end of biting small sandwiches, and settled +down like a dust-storm refreshed, to discuss one of the fashionably +prevalent topics of the moment, the prevention of destitution.<br> +<br> +“It is a question that is only being nibbled at, smelt at, one +might say, at the present moment,” he observed, “but it +is one that will have to engage our serious attention and consideration +before long. The first thing that we shall have to do is to get +out of the dilettante and academic way of approaching it. We must +collect and assimilate hard facts. It is a subject that ought +to appeal to all thinking minds, and yet, you know, I find it surprisingly +difficult to interest people in it.”<br> +<br> +Francesca made some monosyllabic response, a sort of sympathetic grunt +which was meant to indicate that she was, to a certain extent, listening +and appreciating. In reality she was reflecting that Henry possibly +found it difficult to interest people in any topic that he enlarged +on. His talents lay so thoroughly in the direction of being uninteresting, +that even as an eye-witness of the massacre of St. Bartholomew he would +probably have infused a flavour of boredom into his descriptions of +the event.<br> +<br> +“I was speaking down in Leicestershire the other day on this subject,” +continued Henry, “and I pointed out at some length a thing that +few people ever stop to consider - ”<br> +<br> +Francesca went over immediately but decorously to the majority that +will not stop to consider.<br> +<br> +“Did you come across any of the Barnets when you were down there?” +she interrupted; “Eliza Barnet is rather taken up with all those +subjects.”<br> +<br> +In the propagandist movements of Sociology, as in other arenas of life +and struggle, the fiercest competition and rivalry is frequently to +be found between closely allied types and species. Eliza Barnet +shared many of Henry Greech’s political and social views, but +she also shared his fondness for pointing things out at some length; +there had been occasions when she had extensively occupied the strictly +limited span allotted to the platform oratory of a group of speakers +of whom Henry Greech had been an impatient unit. He might see +eye to eye with her on the leading questions of the day, but he persistently +wore mental blinkers as far as her estimable qualities were concerned, +and the mention of her name was a skilful lure drawn across the trail +of his discourse; if Francesca had to listen to his eloquence on any +subject she much preferred that it should be a disparagement of Eliza +Barnet rather than the prevention of destitution.<br> +<br> +“I’ve no doubt she means well,” said Henry, “but +it would be a good thing if she could be induced to keep her own personality +a little more in the background, and not to imagine that she is the +necessary mouthpiece of all the progressive thought in the countryside. +I fancy Canon Besomley must have had her in his mind when he said that +some people came into the world to shake empires and others to move +amendments.”<br> +<br> +Francesca laughed with genuine amusement.<br> +<br> +“I suppose she is really wonderfully well up in all the subjects +she talks about,” was her provocative comment.<br> +<br> +Henry grew possibly conscious of the fact that he was being drawn out +on the subject of Eliza Barnet, and he presently turned on to a more +personal topic.<br> +<br> +“From the general air of tranquillity about the house I presume +Comus has gone back to Thaleby,” he observed.<br> +<br> +“Yes,” said Francesca, “he went back yesterday. +Of course, I’m very fond of him, but I bear the separation well. +When he’s here it’s rather like having a live volcano in +the house, a volcano that in its quietest moments asks incessant questions +and uses strong scent.”<br> +<br> +“It is only a temporary respite,” said Henry; “in +a year or two he will be leaving school, and then what?”<br> +<br> +Francesca closed her eyes with the air of one who seeks to shut out +a distressing vision. She was not fond of looking intimately at +the future in the presence of another person, especially when the future +was draped in doubtfully auspicious colours.<br> +<br> +“And then what?” persisted Henry.<br> +<br> +“Then I suppose he will be upon my hands.”<br> +<br> +“Exactly.”<br> +<br> +“Don’t sit there looking judicial. I’m quite +ready to listen to suggestions if you’ve any to make.”<br> +<br> +“In the case of any ordinary boy,” said Henry, “I +might make lots of suggestions as to the finding of suitable employment. +From what we know of Comus it would be rather a waste of time for either +of us to look for jobs which he wouldn’t look at when we’d +got them for him.”<br> +<br> +“He must do something,” said Francesca.<br> +<br> +“I know he must; but he never will. At least, he’ll +never stick to anything. The most hopeful thing to do with him +will be to marry him to an heiress. That would solve the financial +side of his problem. If he had unlimited money at his disposal, +he might go into the wilds somewhere and shoot big game. I never +know what the big game have done to deserve it, but they do help to +deflect the destructive energies of some of our social misfits.”<br> +<br> +Henry, who never killed anything larger or fiercer than a trout, was +scornfully superior on the subject of big game shooting.<br> +<br> +Francesca brightened at the matrimonial suggestion. “I don’t +know about an heiress,” she said reflectively. “There’s +Emmeline Chetrof of course. One could hardly call her an heiress, +but she’s got a comfortable little income of her own and I suppose +something more will come to her from her grandmother. Then, of +course, you know this house goes to her when she marries.”<br> +<br> +“That would be very convenient,” said Henry, probably following +a line of thought that his sister had trodden many hundreds of times +before him. “Do she and Comus hit it off at all well together?”<br> +<br> +“Oh, well enough in boy and girl fashion,” said Francesca. +“I must arrange for them to see more of each other in future. +By the way, that little brother of hers that she dotes on, Lancelot, +goes to Thaleby this term. I’ll write and tell Comus to +be specially kind to him; that will be a sure way to Emmeline’s +heart. Comus has been made a prefect, you know. Heaven knows +why.”<br> +<br> +“It can only be for prominence in games,” sniffed Henry; +“I think we may safely leave work and conduct out of the question.”<br> +<br> +Comus was not a favourite with his uncle.<br> +<br> +Francesca had turned to her writing cabinet and was hastily scribbling +a letter to her son in which the delicate health, timid disposition +and other inevitable attributes of the new boy were brought to his notice, +and commanded to his care. When she had sealed and stamped the +envelope Henry uttered a belated caution.<br> +<br> +“Perhaps on the whole it would be wiser to say nothing about the +boy to Comus. He doesn’t always respond to directions you +know.”<br> +<br> +Francesca did know, and already was more than half of her brother’s +opinion; but the woman who can sacrifice a clean unspoiled penny stamp +is probably yet unborn.<br> +<br> +<br> +<br> +CHAPTER II<br> +<br> +<br> +<br> +Lancelot Chetrof stood at the end of a long bare passage, restlessly +consulting his watch and fervently wishing himself half an hour older +with a certain painful experience already registered in the past; unfortunately +it still belonged to the future, and what was still more horrible, to +the immediate future. Like many boys new to a school he had cultivated +an unhealthy passion for obeying rules and requirements, and his zeal +in this direction had proved his undoing. In his hurry to be doing +two or three estimable things at once he had omitted to study the notice-board +in more than a perfunctory fashion and had thereby missed a football +practice specially ordained for newly-joined boys. His fellow +juniors of a term’s longer standing had graphically enlightened +him as to the inevitable consequences of his lapse; the dread which +attaches to the unknown was, at any rate, deleted from his approaching +doom, though at the moment he felt scarcely grateful for the knowledge +placed at his disposal with such lavish solicitude.<br> +<br> +“You’ll get six of the very best, over the back of a chair,” +said one.<br> +<br> +“They’ll draw a chalk line across you, of course you know,” +said another.<br> +<br> +“A chalk line?”<br> +<br> +“Rather. So that every cut can be aimed exactly at the same +spot. It hurts much more that way.”<br> +<br> +Lancelot tried to nourish a wan hope that there might be an element +of exaggeration in this uncomfortably realistic description.<br> +<br> +Meanwhile in the prefects’ room at the other end of the passage, +Comus Bassington and a fellow prefect sat also waiting on time, but +in a mood of far more pleasurable expectancy. Comus was one of +the most junior of the prefect caste, but by no means the least well-known, +and outside the masters’ common-room he enjoyed a certain fitful +popularity, or at any rate admiration. At football he was too +erratic to be a really brilliant player, but he tackled as if the act +of bringing his man headlong to the ground was in itself a sensuous +pleasure, and his weird swear-words whenever he got hurt were eagerly +treasured by those who were fortunate enough to hear them. At +athletics in general he was a showy performer, and although new to the +functions of a prefect he had already established a reputation as an +effective and artistic caner. In appearance he exactly fitted +his fanciful Pagan name. His large green-grey eyes seemed for +ever asparkle with goblin mischief and the joy of revelry, and the curved +lips might have been those of some wickedly-laughing faun; one almost +expected to see embryo horns fretting the smoothness of his sleek dark +hair. The chin was firm, but one looked in vain for a redeeming +touch of ill-temper in the handsome, half-mocking, half-petulant face. +With a strain of sourness in him Comus might have been leavened into +something creative and masterful; fate had fashioned him with a certain +whimsical charm, and left him all unequipped for the greater purposes +of life. Perhaps no one would have called him a lovable character, +but in many respects he was adorable; in all respects he was certainly +damned.<br> +<br> +Rutley, his companion of the moment, sat watching him and wondering, +from the depths of a very ordinary brain, whether he liked or hated +him; it was easy to do either.<br> +<br> +“It’s not really your turn to cane,” he said.<br> +<br> +“I know it’s not,” said Comus, fingering a very serviceable-looking +cane as lovingly as a pious violinist might handle his Strad. +“I gave Greyson some mint-chocolate to let me toss whether I caned +or him, and I won. He was rather decent over it and let me have +half the chocolate back.”<br> +<br> +The droll lightheartedness which won Comus Bassington such measure of +popularity as he enjoyed among his fellows did not materially help to +endear him to the succession of masters with whom he came in contact +during the course of his schooldays. He amused and interested +such of them as had the saving grace of humour at their disposal, but +if they sighed when he passed from their immediate responsibility it +was a sigh of relief rather than of regret. The more enlightened +and experienced of them realised that he was something outside the scope +of the things that they were called upon to deal with. A man who +has been trained to cope with storms, to foresee their coming, and to +minimise their consequences, may be pardoned if he feels a certain reluctance +to measure himself against a tornado.<br> +<br> +Men of more limited outlook and with a correspondingly larger belief +in their own powers were ready to tackle the tornado had time permitted.<br> +<br> +“I think I could tame young Bassington if I had your opportunities,” +a form-master once remarked to a colleague whose House had the embarrassing +distinction of numbering Comus among its inmates.<br> +<br> +“Heaven forbid that I should try,” replied the housemaster.<br> +<br> +“But why?” asked the reformer.<br> +<br> +“Because Nature hates any interference with her own arrangements, +and if you start in to tame the obviously untameable you are taking +a fearful responsibility on yourself.”<br> +<br> +“Nonsense; boys are Nature’s raw material.”<br> +<br> +“Millions of boys are. There are just a few, and Bassington +is one of them, who are Nature’s highly finished product when +they are in the schoolboy stage, and we, who are supposed to be moulding +raw material, are quite helpless when we come in contact with them.”<br> +<br> +“But what happens to them when they grow up?”<br> +<br> +“They never do grow up,” said the housemaster; “that +is their tragedy. Bassington will certainly never grow out of +his present stage.”<br> +<br> +“Now you are talking in the language of Peter Pan,” said +the form-master.<br> +<br> +“I am not thinking in the manner of Peter Pan,” said the +other. “With all reverence for the author of that masterpiece +I should say he had a wonderful and tender insight into the child mind +and knew nothing whatever about boys. To make only one criticism +on that particular work, can you imagine a lot of British boys, or boys +of any country that one knows of, who would stay contentedly playing +children’s games in an underground cave when there were wolves +and pirates and Red Indians to be had for the asking on the other side +of the trap door?”<br> +<br> +The form-master laughed. “You evidently think that the ‘Boy +who would not grow up’ must have been written by a ‘grown-up +who could never have been a boy.’ Perhaps that is the meaning +of the ‘Never-never Land.’ I daresay you’re +right in your criticism, but I don’t agree with you about Bassington. +He’s a handful to deal with, as anyone knows who has come in contact +with him, but if one’s hands weren’t full with a thousand +and one other things I hold to my opinion that he could be tamed.”<br> +<br> +And he went his way, having maintained a form-master’s inalienable +privilege of being in the right.<br> +<br> +* * * * *<br> +<br> +In the prefects’ room, Comus busied himself with the exact position +of a chair planted out in the middle of the floor.<br> +<br> +“I think everything’s ready,” he said.<br> +<br> +Rutley glanced at the clock with the air of a Roman elegant in the Circus, +languidly awaiting the introduction of an expected Christian to an expectant +tiger.<br> +<br> +“The kid is due in two minutes,” he said.<br> +<br> +“He’d jolly well better not be late,” said Comus.<br> +<br> +Comus had gone through the mill of many scorching castigations in his +earlier school days, and was able to appreciate to the last ounce the +panic that must be now possessing his foredoomed victim, probably at +this moment hovering miserably outside the door. After all, that +was part of the fun of the thing, and most things have their amusing +side if one knows where to look for it.<br> +<br> +There was a knock at the door, and Lancelot entered in response to a +hearty friendly summons to “come in.”<br> +<br> +“I’ve come to be caned,” he said breathlessly; adding +by way of identification, “my name’s Chetrof.”<br> +<br> +“That’s quite bad enough in itself,” said Comus, “but +there is probably worse to follow. You are evidently keeping something +back from us.”<br> +<br> +“I missed a footer practice,” said Lancelot<br> +<br> +“Six,” said Comus briefly, picking up his cane.<br> +<br> +“I didn’t see the notice on the board,” hazarded Lancelot +as a forlorn hope.<br> +<br> +“We are always pleased to listen to excuses, and our charge is +two extra cuts. That will be eight. Get over.”<br> +<br> +And Comus indicated the chair that stood in sinister isolation in the +middle of the room. Never had an article of furniture seemed more +hateful in Lancelot’s eyes. Comus could well remember the +time when a chair stuck in the middle of a room had seemed to him the +most horrible of manufactured things.<br> +<br> +“Lend me a piece of chalk,” he said to his brother prefect.<br> +<br> +Lancelot ruefully recognised the truth of the chalk-line story.<br> +<br> +Comus drew the desired line with an anxious exactitude which he would +have scorned to apply to a diagram of Euclid or a map of the Russo-Persian +frontier.<br> +<br> +“Bend a little more forward,” he said to the victim, “and +much tighter. Don’t trouble to look pleasant, because I +can’t see your face anyway. It may sound unorthodox to say +so, but this is going to hurt you much more than it will hurt me.”<br> +<br> +There was a carefully measured pause, and then Lancelot was made vividly +aware of what a good cane can be made to do in really efficient hands. +At the second cut he projected himself hurriedly off the chair.<br> +<br> +“Now I’ve lost count,” said Comus; “we shall +have to begin all over again. Kindly get back into the same position. +If you get down again before I’ve finished Rutley will hold you +over and you’ll get a dozen.”<br> +<br> +Lancelot got back on to the chair, and was re-arranged to the taste +of his executioner. He stayed there somehow or other while Comus +made eight accurate and agonisingly effective shots at the chalk line.<br> +<br> +“By the way,” he said to his gasping and gulping victim +when the infliction was over, “you said Chetrof, didn’t +you? I believe I’ve been asked to be kind to you. +As a beginning you can clean out my study this afternoon. Be awfully +careful how you dust the old china. If you break any don’t +come and tell me but just go and drown yourself somewhere; it will save +you from a worse fate.”<br> +<br> +“I don’t know where your study is,” said Lancelot +between his chokes.<br> +<br> +“You’d better find it or I shall have to beat you, really +hard this time. Here, you’d better keep this chalk in your +pocket, it’s sure to come in handy later on. Don’t +stop to thank me for all I’ve done, it only embarrasses me.”<br> +<br> +As Comus hadn’t got a study Lancelot spent a feverish half-hour +in looking for it, incidentally missing another footer practice.<br> +<br> +“Everything is very jolly here,” wrote Lancelot to his sister +Emmeline. “The prefects can give you an awful hot time if +they like, but most of them are rather decent. Some are Beasts. +Bassington is a prefect though only a junior one. He is the Limit +as Beasts go. At least I think so.”<br> +<br> +Schoolboy reticence went no further, but Emmeline filled in the gaps +for herself with the lavish splendour of feminine imagination. +Francesca’s bridge went crashing into the abyss.<br> +<br> +<br> +<br> +CHAPTER III<br> +<br> +<br> +<br> +On the evening of a certain November day, two years after the events +heretofore chronicled, Francesca Bassington steered her way through +the crowd that filled the rooms of her friend Serena Golackly, bestowing +nods of vague recognition as she went, but with eyes that were obviously +intent on focussing one particular figure. Parliament had pulled +its energies together for an Autumn Session, and both political Parties +were fairly well represented in the throng. Serena had a harmless +way of inviting a number of more or less public men and women to her +house, and hoping that if you left them together long enough they would +constitute a <i>salon</i>. In pursuance of the same instinct she +planted the flower borders at her week-end cottage retreat in Surrey +with a large mixture of bulbs, and called the result a Dutch garden. +Unfortunately, though you may bring brilliant talkers into your home, +you cannot always make them talk brilliantly, or even talk at all; what +is worse you cannot restrict the output of those starling-voiced dullards +who seem to have, on all subjects, so much to say that was well worth +leaving unsaid. One group that Francesca passed was discussing +a Spanish painter, who was forty-three, and had painted thousands of +square yards of canvas in his time, but of whom no one in London had +heard till a few months ago; now the starling-voices seemed determined +that one should hear of very little else. Three women knew how +his name was pronounced, another always felt that she must go into a +forest and pray whenever she saw his pictures, another had noticed that +there were always pomegranates in his later compositions, and a man +with an indefensible collar knew what the pomegranates “meant.” +“What I think so splendid about him,” said a stout lady +in a loud challenging voice, “is the way he defies all the conventions +of art while retaining all that the conventions stand for.” +“Ah, but have you noticed - ” put in the man with the atrocious +collar, and Francesca pushed desperately on, wondering dimly as she +went, what people found so unsupportable in the affliction of deafness. +Her progress was impeded for a moment by a couple engaged in earnest +and voluble discussion of some smouldering question of the day; a thin +spectacled young man with the receding forehead that so often denotes +advanced opinions, was talking to a spectacled young woman with a similar +type of forehead, and exceedingly untidy hair. It was her ambition +in life to be taken for a Russian girl-student, and she had spent weeks +of patient research in trying to find out exactly where you put the +tea-leaves in a samovar. She had once been introduced to a young +Jewess from Odessa, who had died of pneumonia the following week; the +experience, slight as it was, constituted the spectacled young lady +an authority on all things Russian in the eyes of her immediate set.<br> +<br> +“Talk is helpful, talk is needful,” the young man was saying, +“but what we have got to do is to lift the subject out of the +furrow of indisciplined talk and place it on the threshing-floor of +practical discussion.”<br> +<br> +The young woman took advantage of the rhetorical full-stop to dash in +with the remark which was already marshalled on the tip of her tongue.<br> +<br> +“In emancipating the serfs of poverty we must be careful to avoid +the mistakes which Russian bureaucracy stumbled into when liberating +the serfs of the soil.”<br> +<br> +She paused in her turn for the sake of declamatory effect, but recovered +her breath quickly enough to start afresh on level terms with the young +man, who had jumped into the stride of his next sentence.<br> +<br> +“They got off to a good start that time,” said Francesca +to herself; “I suppose it’s the Prevention of Destitution +they’re hammering at. What on earth would become of these +dear good people if anyone started a crusade for the prevention of mediocrity?”<br> +<br> +Midway through one of the smaller rooms, still questing for an elusive +presence, she caught sight of someone that she knew, and the shadow +of a frown passed across her face. The object of her faintly signalled +displeasure was Courtenay Youghal, a political spur-winner who seemed +absurdly youthful to a generation that had never heard of Pitt. +It was Youghal’s ambition - or perhaps his hobby - to infuse into +the greyness of modern political life some of the colour of Disraelian +dandyism, tempered with the correctness of Anglo-Saxon taste, and supplemented +by the flashes of wit that were inherent from the Celtic strain in him. +His success was only a half-measure. The public missed in him +that touch of blatancy which it looks for in its rising public men; +the decorative smoothness of his chestnut-golden hair, and the lively +sparkle of his epigrams were counted to him for good, but the restrained +sumptuousness of his waistcoats and cravats were as wasted efforts. +If he had habitually smoked cigarettes in a pink coral mouthpiece, or +worn spats of Mackenzie tartan, the great heart of the voting-man, and +the gush of the paragraph-makers might have been unreservedly his. +The art of public life consists to a great extent of knowing exactly +where to stop and going a bit further.<br> +<br> +It was not Youghal’s lack of political sagacity that had brought +the momentary look of disapproval into Francesca’s face. +The fact was that Comus, who had left off being a schoolboy and was +now a social problem, had lately enrolled himself among the young politician’s +associates and admirers, and as the boy knew and cared nothing about +politics, and merely copied Youghal’s waistcoats, and, less successfully, +his conversation, Francesca felt herself justified in deploring the +intimacy. To a woman who dressed well on comparatively nothing +a year it was an anxious experience to have a son who dressed sumptuously +on absolutely nothing.<br> +<br> +The cloud that had passed over her face when she caught sight of the +offending Youghal was presently succeeded by a smile of gratified achievement, +as she encountered a bow of recognition and welcome from a portly middle-aged +gentleman, who seemed genuinely anxious to include her in the rather +meagre group that he had gathered about him.<br> +<br> +“We were just talking about my new charge,” he observed +genially, including in the “we” his somewhat depressed-looking +listeners, who in all human probability had done none of the talking. +“I was just telling them, and you may be interested to hear this +- ”<br> +<br> +Francesca, with Spartan stoicism, continued to wear an ingratiating +smile, though the character of the deaf adder that stoppeth her ear +and will not hearken, seemed to her at that moment a beautiful one.<br> +<br> +Sir Julian Jull had been a member of a House of Commons distinguished +for its high standard of well-informed mediocrity, and had harmonised +so thoroughly with his surroundings that the most attentive observer +of Parliamentary proceedings could scarcely have told even on which +side of the House he sat. A baronetcy bestowed on him by the Party +in power had at least removed that doubt; some weeks later he had been +made Governor of some West Indian dependency, whether as a reward for +having accepted the baronetcy, or as an application of a theory that +West Indian islands get the Governors they deserve, it would have been +hard to say. To Sir Julian the appointment was, doubtless, one +of some importance; during the span of his Governorship the island might +possibly be visited by a member of the Royal Family, or at the least +by an earthquake, and in either case his name would get into the papers. +To the public the matter was one of absolute indifference; “who +is he and where is it?” would have correctly epitomised the sum +total of general information on the personal and geographical aspects +of the case.<br> +<br> +Francesca, however, from the moment she had heard of the likelihood +of the appointment, had taken a deep and lively interest in Sir Julian. +As a Member of Parliament he had not filled any very pressing social +want in her life, and on the rare occasions when she took tea on the +Terrace of the House she was wont to lapse into rapt contemplation of +St. Thomas’s Hospital whenever she saw him within bowing distance. +But as Governor of an island he would, of course, want a private secretary, +and as a friend and colleague of Henry Greech, to whom he was indebted +for many little acts of political support (they had once jointly drafted +an amendment which had been ruled out of order), what was more natural +and proper than that he should let his choice fall on Henry’s +nephew Comus? While privately doubting whether the boy would make +the sort of secretary that any public man would esteem as a treasure, +Henry was thoroughly in agreement with Francesca as to the excellence +and desirability of an arrangement which would transplant that troublesome’ +young animal from the too restricted and conspicuous area that centres +in the parish of St. James’s to some misty corner of the British +dominion overseas. Brother and sister had conspired to give an +elaborate and at the same time cosy little luncheon to Sir Julian on +the very day that his appointment was officially announced, and the +question of the secretaryship had been mooted and sedulously fostered +as occasion permitted, until all that was now needed to clinch the matter +was a formal interview between His Excellency and Comus. The boy +had from the first shewn very little gratification at the prospect of +his deportation. To live on a remote shark-girt island, as he +expressed it, with the Jull family as his chief social mainstay, and +Sir Julian’s conversation as a daily item of his existence, did +not inspire him with the same degree of enthusiasm as was displayed +by his mother and uncle, who, after all, were not making the experiment. +Even the necessity for an entirely new outfit did not appeal to his +imagination with the force that might have been expected. But, +however lukewarm his adhesion to the project might be, Francesca and +her brother were clearly determined that no lack of deft persistence +on their part should endanger its success. It was for the purpose +of reminding Sir Julian of his promise to meet Comus at lunch on the +following day, and definitely settle the matter of the secretaryship +that Francesca was now enduring the ordeal of a long harangue on the +value of the West Indian group as an Imperial asset. Other listeners +dexterously detached themselves one by one, but Francesca’s patience +outlasted even Sir Julian’s flow of commonplaces, and her devotion +was duly rewarded by a renewed acknowledgment of the lunch engagement +and its purpose. She pushed her way back through the throng of +starling-voiced chatterers fortified by a sense of well-earned victory. +Dear Serena’s absurd <i>salons</i> served some good purpose after +all.<br> +<br> +Francesca was not an early riser and her breakfast was only just beginning +to mobilise on the breakfast-table next morning when a copy of <i>The +Times</i>, sent by special messenger from her brother’s house, +was brought up to her room. A heavy margin of blue pencilling +drew her attention to a prominently-printed letter which bore the ironical +heading: “Julian Jull, Proconsul.” The matter of the +letter was a cruel dis-interment of some fatuous and forgotten speeches +made by Sir Julian to his constituents not many years ago, in which +the value of some of our Colonial possessions, particularly certain +West Indian islands, was decried in a medley of pomposity, ignorance +and amazingly cheap humour. The extracts given sounded weak and +foolish enough, taken by themselves, but the writer of the letter had +interlarded them with comments of his own, which sparkled with an ironical +brilliance that was Cervantes-like in its polished cruelty. Remembering +her ordeal of the previous evening Francesca permitted herself a certain +feeling of amusement as she read the merciless stabs inflicted on the +newly-appointed Governor; then she came to the signature at the foot +of the letter, and the laughter died out of her eyes. “Comus +Bassington” stared at her from above a thick layer of blue pencil +lines marked by Henry Greech’s shaking hand.<br> +<br> +Comus could no more have devised such a letter than he could have written +an Episcopal charge to the clergy of any given diocese. It was +obviously the work of Courtenay Youghal, and Comus, for a palpable purpose +of his own, had wheedled him into foregoing for once the pride of authorship +in a clever piece of political raillery, and letting his young friend +stand sponsor instead. It was a daring stroke, and there could +be no question as to its success; the secretaryship and the distant +shark-girt island faded away into the horizon of impossible things. +Francesca, forgetting the golden rule of strategy which enjoins a careful +choosing of ground and opportunity before entering on hostilities, made +straight for the bathroom door, behind which a lively din of splashing +betokened that Comus had at least begun his toilet.<br> +<br> +“You wicked boy, what have you done?” she cried, reproachfully.<br> +<br> +“Me washee,” came a cheerful shout; “me washee from +the neck all the way down to the merrythought, and now washee down from +the merrythought to - ”<br> +<br> +“You have ruined your future. <i>The Times</i> has printed +that miserable letter with your signature.”<br> +<br> +A loud squeal of joy came from the bath. “Oh, Mummy! +Let me see!”<br> +<br> +There were sounds as of a sprawling dripping body clambering hastily +out of the bath. Francesca fled. One cannot effectively +scold a moist nineteen-year old boy clad only in a bath-towel and a +cloud of steam.<br> +<br> +Another messenger arrived before Francesca’s breakfast was over. +This one brought a letter from Sir Julian Jull, excusing himself from +fulfilment of the luncheon engagement.<br> +<br> +<br> +<br> +CHAPTER IV<br> +<br> +<br> +<br> +Francesca prided herself on being able to see things from other people’s +points of view, which meant, as it usually does, that she could see +her own point of view from various aspects. As regards Comus, +whose doings and non-doings bulked largely in her thoughts at the present +moment, she had mapped out in her mind so clearly what his outlook in +life ought to be, that she was peculiarly unfitted to understand the +drift of his feelings or the impulses that governed them. Fate +had endowed her with a son; in limiting the endowment to a solitary +offspring Fate had certainly shown a moderation which Francesca was +perfectly willing to acknowledge and be thankful for; but then, as she +pointed out to a certain complacent friend of hers who cheerfully sustained +an endowment of half-a-dozen male offsprings and a girl or two, her +one child was Comus. Moderation in numbers was more than counterbalanced +in his case by extravagance in characteristics.<br> +<br> +Francesca mentally compared her son with hundreds of other young men +whom she saw around her, steadily, and no doubt happily, engaged in +the process of transforming themselves from nice boys into useful citizens. +Most of them had occupations, or were industriously engaged in qualifying +for such; in their leisure moments they smoked reasonably-priced cigarettes, +went to the cheaper seats at music-halls, watched an occasional cricket +match at Lord’s with apparent interest, saw most of the world’s +spectacular events through the medium of the cinematograph, and were +wont to exchange at parting seemingly superfluous injunctions to “be +good.” The whole of Bond Street and many of the tributary +thoroughfares of Piccadilly might have been swept off the face of modern +London without in any way interfering with the supply of their daily +wants. They were doubtless dull as acquaintances, but as sons +they would have been eminently restful. With a growing sense of +irritation Francesca compared these deserving young men with her own +intractable offspring, and wondered why Fate should have singled her +out to be the parent of such a vexatious variant from a comfortable +and desirable type. As far as remunerative achievement was concerned, +Comus copied the insouciance of the field lily with a dangerous fidelity. +Like his mother he looked round with wistful irritation at the example +afforded by contemporary youth, but he concentrated his attention exclusively +on the richer circles of his acquaintance, young men who bought cars +and polo ponies as unconcernedly as he might purchase a carnation for +his buttonhole, and went for trips to Cairo or the Tigris valley with +less difficulty and finance-stretching than he encountered in contriving +a week-end at Brighton.<br> +<br> +Gaiety and good-looks had carried Comus successfully and, on the whole, +pleasantly, through schooldays and a recurring succession of holidays; +the same desirable assets were still at his service to advance him along +his road, but it was a disconcerting experience to find that they could +not be relied on to go all distances at all times. In an animal +world, and a fiercely competitive animal world at that, something more +was needed than the decorative <i>abandon</i> of the field lily, and +it was just that something more which Comus seemed unable or unwilling +to provide on his own account; it was just the lack of that something +more which left him sulking with Fate over the numerous breakdowns and +stumbling-blocks that held him up on what he expected to be a triumphal +or, at any rate, unimpeded progress.<br> +<br> +Francesca was, in her own way, fonder of Comus than of anyone else in +the world, and if he had been browning his skin somewhere east of Suez +she would probably have kissed his photograph with genuine fervour every +night before going to bed; the appearance of a cholera scare or rumour +of native rising in the columns of her daily news-sheet would have caused +her a flutter of anxiety, and she would have mentally likened herself +to a Spartan mother sacrificing her best-beloved on the altar of State +necessities. But with the best-beloved installed under her roof, +occupying an unreasonable amount of cubic space, and demanding daily +sacrifices instead of providing the raw material for one, her feelings +were tinged with irritation rather than affection. She might have +forgiven Comus generously for misdeeds of some gravity committed in +another continent, but she could never overlook the fact that out of +a dish of five plovers’ eggs he was certain to take three. +The absent may be always wrong, but they are seldom in a position to +be inconsiderate.<br> +<br> +Thus a wall of ice had grown up gradually between mother and son, a +barrier across which they could hold converse, but which gave a wintry +chill even to the sparkle of their lightest words. The boy had +the gift of being irresistibly amusing when he chose to exert himself +in that direction, and after a long series of moody or jangling meal-sittings +he would break forth into a torrential flow of small talk, scandal and +malicious anecdote, true or more generally invented, to which Francesca +listened with a relish and appreciation, that was all the more flattering +from being so unwillingly bestowed.<br> +<br> +“If you chose your friends from a rather more reputable set you +would be doubtless less amusing, but there would be compensating advantages.”<br> +<br> +Francesca snapped the remark out at lunch one day when she had been +betrayed into a broader smile than she considered the circumstances +of her attitude towards Comus warranted.<br> +<br> +“I’m going to move in quite decent society to-night,” +replied Comus with a pleased chuckle; “I’m going to meet +you and Uncle Henry and heaps of nice dull God-fearing people at dinner.”<br> +<br> +Francesca gave a little gasp of surprise and annoyance.<br> +<br> +“You don’t mean to say Caroline has asked you to dinner +to-night?” she said; “and of course without telling me. +How exceedingly like her!”<br> +<br> +Lady Caroline Benaresq had reached that age when you can say and do +what you like in defiance of people’s most sensitive feelings +and most cherished antipathies. Not that she had waited to attain +her present age before pursuing that line of conduct; she came of a +family whose individual members went through life, from the nursery +to the grave, with as much tact and consideration as a cactus-hedge +might show in going through a crowded bathing tent. It was a compensating +mercy that they disagreed rather more among themselves than they did +with the outside world; every known variety and shade of religion and +politics had been pressed into the family service to avoid the possibility +of any agreement on the larger essentials of life, and such unlooked-for +happenings as the Home Rule schism, the Tariff-Reform upheaval and the +Suffragette crusade were thankfully seized on as furnishing occasion +for further differences and sub-divisions. Lady Caroline’s +favourite scheme of entertaining was to bring jarring and antagonistic +elements into close contact and play them remorselessly one against +the other. “One gets much better results under those circumstances” +she used to observe, “than by asking people who wish to meet each +other. Few people talk as brilliantly to impress a friend as they +do to depress an enemy.”<br> +<br> +She admitted that her theory broke down rather badly if you applied +it to Parliamentary debates. At her own dinner table its success +was usually triumphantly vindicated.<br> +<br> +“Who else is to be there?” Francesca asked, with some pardonable +misgiving.<br> +<br> +“Courtenay Youghal. He’ll probably sit next to you, +so you’d better think out a lot of annihilating remarks in readiness. +And Elaine de Frey.”<br> +<br> +“I don’t think I’ve heard of her. Who is she?”<br> +<br> +“Nobody in particular, but rather nice-looking in a solemn sort +of way, and almost indecently rich.”<br> +<br> +“Marry her” was the advice which sprang to Francesca’s +lips, but she choked it back with a salted almond, having a rare perception +of the fact that words are sometimes given to us to defeat our purposes.<br> +<br> +“Caroline has probably marked her down for Toby or one of the +grand-nephews,” she said, carelessly; “a little money would +be rather useful in that quarter, I imagine.”<br> +<br> +Comus tucked in his underlip with just the shade of pugnacity that she +wanted to see.<br> +<br> +An advantageous marriage was so obviously the most sensible course for +him to embark on that she scarcely dared to hope that he would seriously +entertain it; yet there was just a chance that if he got as far as the +flirtation stage with an attractive (and attracted) girl who was also +an heiress, the sheer perversity of his nature might carry him on to +more definite courtship, if only from the desire to thrust other more +genuinely enamoured suitors into the background. It was a forlorn +hope; so forlorn that the idea even crossed her mind of throwing herself +on the mercy of her <i>bête</i> <i>noire</i>, Courtenay Youghal, +and trying to enlist the influence which he seemed to possess over Comus +for the purpose of furthering her hurriedly conceived project. +Anyhow, the dinner promised to be more interesting than she had originally +anticipated.<br> +<br> +Lady Caroline was a professed Socialist in politics, chiefly, it was +believed, because she was thus enabled to disagree with most of the +Liberals and Conservatives, and all the Socialists of the day. +She did not permit her Socialism, however, to penetrate below stairs; +her cook and butler had every encouragement to be Individualists. +Francesca, who was a keen and intelligent food critic, harboured no +misgivings as to her hostess’s kitchen and cellar departments; +some of the human side-dishes at the feast gave her more ground for +uneasiness. Courtenay Youghal, for instance, would probably be +brilliantly silent; her brother Henry would almost certainly be the +reverse.<br> +<br> +The dinner party was a large one and Francesca arrived late with little +time to take preliminary stock of the guests; a card with the name, +“Miss de Frey,” immediately opposite her own place at the +other side of the table, indicated, however, the whereabouts of the +heiress. It was characteristic of Francesca that she first carefully +read the menu from end to end, and then indulged in an equally careful +though less open scrutiny of the girl who sat opposite her, the girl +who was nobody in particular, but whose income was everything that could +be desired. She was pretty in a restrained nut-brown fashion, +and had a look of grave reflective calm that probably masked a speculative +unsettled temperament. Her pose, if one wished to be critical, +was just a little too elaborately careless. She wore some excellently +set rubies with that indefinable air of having more at home that is +so difficult to improvise. Francesca was distinctly pleased with +her survey.<br> +<br> +“You seem interested in your <i>vis-à-vis</i>,” said +Courtenay Youghal.<br> +<br> +“I almost think I’ve seen her before,” said Francesca; +“her face seems familiar to me.”<br> +<br> +“The narrow gallery at the Louvre; attributed to Leonardo da Vinci,” +said Youghal.<br> +<br> +“Of course,” said Francesca, her feelings divided between +satisfaction at capturing an elusive impression and annoyance that Youghal +should have been her helper. A stronger tinge of annoyance possessed +her when she heard the voice of Henry Greech raised in painful prominence +at Lady Caroline’s end of the table.<br> +<br> +“I called on the Trudhams yesterday,” he announced; “it +was their Silver Wedding, you know, at least the day before was. +Such lots of silver presents, quite a show. Of course there were +a great many duplicates, but still, very nice to have. I think +they were very pleased to get so many.”<br> +<br> +“We must not grudge them their show of presents after their twenty-five +years of married life,” said Lady Caroline, gently; “it +is the silver lining to their cloud.”<br> +<br> +A third of the guests present were related to the Trudhams.<br> +<br> +“Lady Caroline is beginning well,” murmured Courtenay Youghal.<br> +<br> +“I should hardly call twenty-five years of married life a cloud,” +said Henry Greech, lamely.<br> +<br> +“Don’t let’s talk about married life,” said +a tall handsome woman, who looked like some modern painter’s conception +of the goddess Bellona; “it’s my misfortune to write eternally +about husbands and wives and their variants. My public expects +it of me. I do so envy journalists who can write about plagues +and strikes and Anarchist plots, and other pleasing things, instead +of being tied down to one stale old topic.”<br> +<br> +“Who is that woman and what has she written?” Francesca +asked Youghal; she dimly remembered having seen her at one of Serena +Golackly’s gatherings, surrounded by a little Court of admirers.<br> +<br> +“I forget her name; she has a villa at San Remo or Mentone, or +somewhere where one does have villas, and plays an extraordinary good +game of bridge. Also she has the reputation, rather rare in your +sex, of being a wonderfully sound judge of wine.”<br> +<br> +“But what has she written?”<br> +<br> +“Oh, several novels of the thinnish ice order. Her last +one, ‘The Woman who wished it was Wednesday,’ has been banned +at all the libraries. I expect you’ve read it.”<br> +<br> +“I don’t see why you should think so,” said Francesca, +coldly.<br> +<br> +“Only because Comus lent me your copy yesterday,” said Youghal. +He threw back his handsome head and gave her a sidelong glance of quizzical +amusement. He knew that she hated his intimacy with Comus, and +he was secretly rather proud of his influence over the boy, shallow +and negative though he knew it to be. It had been, on his part, +an unsought intimacy, and it would probably fall to pieces the moment +he tried seriously to take up the <i>rôle</i> of mentor. +The fact that Comus’s mother openly disapproved of the friendship +gave it perhaps its chief interest in the young politician’s eyes.<br> +<br> +Francesca turned her attention to her brother’s end of the table. +Henry Greech had willingly availed himself of the invitation to leave +the subject of married life, and had launched forthwith into the equally +well-worn theme of current politics. He was not a person who was +in much demand for public meetings, and the House showed no great impatience +to hear his views on the topics of the moment; its impatience, indeed, +was manifested rather in the opposite direction. Hence he was +prone to unburden himself of accumulated political wisdom as occasion +presented itself - sometimes, indeed, to assume an occasion that was +hardly visible to the naked intelligence.<br> +<br> +“Our opponents are engaged in a hopelessly uphill struggle, and +they know it,” he chirruped, defiantly; “they’ve become +possessed, like the Gadarene swine, with a whole legion of - ”<br> +<br> +“Surely the Gadarene swine went downhill,” put in Lady Caroline +in a gently enquiring voice.<br> +<br> +Henry Greech hastily abandoned simile and fell back on platitude and +the safer kinds of fact.<br> +<br> +Francesca did not regard her brother’s views on statecraft either +in the light of gospel or revelation; as Comus once remarked, they more +usually suggested exodus. In the present instance she found distraction +in a renewed scrutiny of the girl opposite her, who seemed to be only +moderately interested in the conversational efforts of the diners on +either side of her. Comus who was looking and talking his best, +was sitting at the further end of the table, and Francesca was quick +to notice in which direction the girl’s glances were continually +straying. Once or twice the eyes of the young people met and a +swift flush of pleasure and a half-smile that spoke of good understanding +came to the heiress’s face. It did not need the gift of +the traditional intuition of her sex to enable Francesca to guess that +the girl with the desirable banking account was already considerably +attracted by the lively young Pagan who had, when he cared to practise +it, such an art of winning admiration. For the first time for +many, many months Francesca saw her son’s prospects in a rose-coloured +setting, and she began, unconsciously, to wonder exactly how much wealth +was summed up in the expressive label “almost indecently rich.” +A wife with a really large fortune and a correspondingly big dower of +character and ambition, might, perhaps, succeed in turning Comus’s +latent energies into a groove which would provide him, if not with a +career, at least with an occupation, and the young serious face opposite +looked as if its owner lacked neither character or ambition. Francesca’s +speculations took a more personal turn. Out of the well-filled +coffers with which her imagination was toying, an inconsiderable sum +might eventually be devoted to the leasing, or even perhaps the purchase +of, the house in Blue Street when the present convenient arrangement +should have come to an end, and Francesca and the Van der Meulen would +not be obliged to seek fresh quarters.<br> +<br> +A woman’s voice, talking in a discreet undertone on the other +side of Courtenay Youghal, broke in on her bridge-building.<br> +<br> +“Tons of money and really very presentable. Just the wife +for a rising young politician. Go in and win her before she’s +snapped up by some fortune hunter.”<br> +<br> +Youghal and his instructress in worldly wisdom were looking straight +across the table at the Leonardo da Vinci girl with the grave reflective +eyes and the over-emphasised air of repose. Francesca felt a quick +throb of anger against her match-making neighbour; why, she asked herself, +must some women, with no end or purpose of their own to serve, except +the sheer love of meddling in the affairs of others, plunge their hands +into plots and schemings of this sort, in which the happiness of more +than one person was concerned? And more clearly than ever she +realised how thoroughly she detested Courtenay Youghal. She had +disliked him as an evil influence, setting before her son an example +of showy ambition that he was not in the least likely to follow, and +providing him with a model of extravagant dandyism that he was only +too certain to copy. In her heart she knew that Comus would have +embarked just as surely on his present course of idle self-indulgence +if he had never known of the existence of Youghal, but she chose to +regard that young man as her son’s evil genius, and now he seemed +likely to justify more than ever the character she had fastened on to +him. For once in his life Comus appeared to have an idea of behaving +sensibly and making some use of his opportunities, and almost at the +same moment Courtenay Youghal arrived on the scene as a possible and +very dangerous rival. Against the good looks and fitful powers +of fascination that Comus could bring into the field, the young politician +could match half-a-dozen dazzling qualities which would go far to recommend +him in the eyes of a woman of the world, still more in those of a young +girl in search of an ideal. Good-looking in his own way, if not +on such showy lines as Comus, always well turned-out, witty, self-confident +without being bumptious, with a conspicuous Parliamentary career alongside +him, and heaven knew what else in front of him, Courtenay Youghal certainly +was not a rival whose chances could be held very lightly. Francesca +laughed bitterly to herself as she remembered that a few hours ago she +had entertained the idea of begging for his good offices in helping +on Comus’s wooing. One consolation, at least, she found +for herself: if Youghal really meant to step in and try and cut out +his young friend, the latter at any rate had snatched a useful start. +Comus had mentioned Miss de Frey at luncheon that day, casually and +dispassionately; if the subject of the dinner guests had not come up +he would probably not have mentioned her at all. But they were +obviously already very good friends. It was part and parcel of +the state of domestic tension at Blue Street that Francesca should only +have come to know of this highly interesting heiress by an accidental +sorting of guests at a dinner party.<br> +<br> +Lady Caroline’s voice broke in on her reflections; it was a gentle +purring voice, that possessed an uncanny quality of being able to make +itself heard down the longest dinner table.<br> +<br> +“The dear Archdeacon is getting so absent-minded. He read +a list of box-holders for the opera as the First Lesson the other Sunday, +instead of the families and lots of the tribes of Israel that entered +Canaan. Fortunately no one noticed the mistake.”<br> +<br> +<br> +<br> +CHAPTER V<br> +<br> +<br> +<br> +On a conveniently secluded bench facing the Northern Pheasantry in the +Zoological Society’s Gardens, Regent’s Park, Courtenay Youghal +sat immersed in mature flirtation with a lady, who, though certainly +young in fact and appearance, was some four or five years his senior. + When he was a schoolboy of sixteen, Molly McQuade had personally conducted +him to the Zoo and stood him dinner afterwards at Kettner’s, and +whenever the two of them happened to be in town on the anniversary of +that bygone festivity they religiously repeated the programme in its +entirety. Even the menu of the dinner was adhered to as nearly +as possible; the original selection of food and wine that schoolboy +exuberance, tempered by schoolboy shyness, had pitched on those many +years ago, confronted Youghal on those occasions, as a drowning man’s +past life is said to rise up and parade itself in his last moments of +consciousness.<br> +<br> +The flirtation which was thus perennially restored to its old-time footing +owed its longevity more to the enterprising solicitude of Miss McQuade +than to any conscious sentimental effort on the part of Youghal himself. +Molly McQuade was known to her neighbours in a minor hunting shire as +a hard-riding conventionally unconventional type of young woman, who +came naturally into the classification, “a good sort.” +She was just sufficiently good-looking, sufficiently reticent about +her own illnesses, when she had any, and sufficiently appreciative of +her neighbours’ gardens, children and hunters to be generally +popular. Most men liked her, and the percentage of women who disliked +her was not inconveniently high. One of these days, it was assumed, +she would marry a brewer or a Master of Otter Hounds, and, after a brief +interval, be known to the world as the mother of a boy or two at Malvern +or some similar seat of learning. The romantic side of her nature +was altogether unguessed by the countryside.<br> +<br> +Her romances were mostly in serial form and suffered perhaps in fervour +from their disconnected course what they gained in length of days. +Her affectionate interest in the several young men who figured in her +affairs of the heart was perfectly honest, and she certainly made no +attempt either to conceal their separate existences, or to play them +off one against the other. Neither could it be said that she was +a husband hunter; she had made up her mind what sort of man she was +likely to marry, and her forecast did not differ very widely from that +formed by her local acquaintances. If her married life were eventually +to turn out a failure, at least she looked forward to it with very moderate +expectations. Her love affairs she put on a very different footing +and apparently they were the all-absorbing element in her life. +She possessed the happily constituted temperament which enables a man +or woman to be a “pluralist,” and to observe the sage precaution +of not putting all one’s eggs into one basket. Her demands +were not exacting; she required of her affinity that he should be young, +good-looking, and at least, moderately amusing; she would have preferred +him to be invariably faithful, but, with her own example before her, +she was prepared for the probability, bordering on certainty, that he +would be nothing of the sort. The philosophy of the “Garden +of Kama” was the compass by which she steered her barque and thus +far, if she had encountered some storms and buffeting, she had at least +escaped being either shipwrecked or becalmed.<br> +<br> +Courtenay Youghal had not been designed by Nature to fulfil the <i>rôle</i> +of an ardent or devoted lover, and he scrupulously respected the limits +which Nature had laid down. For Molly, however, he had a certain +responsive affection. She had always obviously admired him, and +at the same time she never beset him with crude flattery; the principal +reason why the flirtation had stood the test of so many years was the +fact that it only flared into active existence at convenient intervals. +In an age when the telephone has undermined almost every fastness of +human privacy, and the sanctity of one’s seclusion depends often +on the ability for tactful falsehood shown by a club pageboy, Youghal +was duly appreciative of the circumstance that his lady fair spent a +large part of the year pursuing foxes, in lieu of pursuing him. +Also the honestly admitted fact that, in her human hunting, she rode +after more than one quarry, made the inevitable break-up of the affair +a matter to which both could look forward without a sense of coming +embarrassment and recrimination. When the time for gathering ye +rosebuds should be over, neither of them could accuse the other of having +wrecked his or her entire life. At the most they would only have +disorganised a week-end.<br> +<br> +On this particular afternoon, when old reminiscences had been gone through, +and the intervening gossip of past months duly recounted, a lull in +the conversation made itself rather obstinately felt. Molly had +already guessed that matters were about to slip into a new phase; the +affair had reached maturity long ago, and a new phase must be in the +nature of a wane.<br> +<br> +“You’re a clever brute,” she said, suddenly, with +an air of affectionate regret; “I always knew you’d get +on in the House, but I hardly expected you to come to the front so soon.”<br> +<br> +“I’m coming to the front,” admitted Youghal, judicially; +“the problem is, shall I be able to stay there. Unless something +happens in the financial line before long, I don’t see how I’m +to stay in Parliament at all. Economy is out of the question. +It would open people’s eyes, I fancy, if they knew how little +I exist on as it is. And I’m living so far beyond my income +that we may almost be said to be living apart.”<br> +<br> +“It will have to be a rich wife, I suppose,” said Molly, +slowly; “that’s the worst of success, it imposes so many +conditions. I rather knew, from something in your manner, that +you were drifting that way.”<br> +<br> +Youghal said nothing in the way of contradiction; he gazed steadfastly +at the aviary in front of him as though exotic pheasants were for the +moment the most absorbing study in the world. As a matter of fact, +his mind was centred on the image of Elaine de Frey, with her clear +untroubled eyes and her Leonardo da Vinci air. He was wondering +whether he was likely to fall into a frame of mind concerning her which +would be in the least like falling in love.<br> +<br> +“I shall mind horribly,” continued Molly, after a pause, +“but, of course, I have always known that something of the sort +would have to happen one of these days. When a man goes into politics +he can’t call his soul his own, and I suppose his heart becomes +an impersonal possession in the same way.”<br> +<br> +“Most people who know me would tell you that I haven’t got +a heart,” said Youghal.<br> +<br> +“I’ve often felt inclined to agree with them,” said +Molly; “and then, now and again, I think you have a heart tucked +away somewhere.”<br> +<br> +“I hope I have,” said Youghal, “because I’m +trying to break to you the fact that I think I’m falling in love +with somebody.”<br> +<br> +Molly McQuade turned sharply to look at her companion, who still fixed +his gaze on the pheasant run in front of him.<br> +<br> +“Don’t tell me you’re losing your head over somebody +useless, someone without money,” she said; “I don’t +think I could stand that.”<br> +<br> +For the moment she feared that Courtenay’s selfishness might have +taken an unexpected turn, in which ambition had given way to the fancy +of the hour; he might be going to sacrifice his Parliamentary career +for a life of stupid lounging in momentarily attractive company. +He quickly undeceived her.<br> +<br> +“She’s got heaps of money.”<br> +<br> +Molly gave a grunt of relief. Her affection for Courtenay had +produced the anxiety which underlay her first question; a natural jealousy +prompted the next one.<br> +<br> +“Is she young and pretty and all that sort of thing, or is she +just a good sort with a sympathetic manner and nice eyes? As a +rule that’s the kind that goes with a lot of money.”<br> +<br> +“Young and quite good-looking in her way, and a distinct style +of her own. Some people would call her beautiful. As a political +hostess I should think she’d be splendid. I imagine I’m +rather in love with her.”<br> +<br> +“And is she in love with you?”<br> +<br> +Youghal threw back his head with the slight assertive movement that +Molly knew and liked.<br> +<br> +“She’s a girl who I fancy would let judgment influence her +a lot. And without being stupidly conceited, I think I may say +she might do worse than throw herself away on me. I’m young +and quite good-looking, and I’m making a name for myself in the +House; she’ll be able to read all sorts of nice and horrid things +about me in the papers at breakfast-time. I can be brilliantly +amusing at times, and I understand the value of silence; there is no +fear that I shall ever degenerate into that fearsome thing - a cheerful +talkative husband. For a girl with money and social ambitions +I should think I was rather a good thing.”<br> +<br> +“You are certainly in love, Courtenay,” said Molly, “but +it’s the old love and not a new one. I’m rather glad. +I should have hated to have you head-over-heels in love with a pretty +woman, even for a short time. You’ll be much happier as +it is. And I’m going to put all my feelings in the background, +and tell you to go in and win. You’ve got to marry a rich +woman, and if she’s nice and will make a good hostess, so much +the better for everybody. You’ll be happier in your married +life than I shall be in mine, when it comes; you’ll have other +interests to absorb you. I shall just have the garden and dairy +and nursery and lending library, as like as two peas to all the gardens +and dairies and nurseries for hundreds of miles round. You won’t +care for your wife enough to be worried every time she has a finger-ache, +and you’ll like her well enough to be pleased to meet her sometimes +at your own house. I shouldn’t wonder if you were quite +happy. She will probably be miserable, but any woman who married +you would be.”<br> +<br> +There was a short pause; they were both staring at the pheasant cages. +Then Molly spoke again, with the swift nervous tone of a general who +is hurriedly altering the disposition of his forces for a strategic +retreat.<br> +<br> +“When you are safely married and honey-mooned and all that sort +of thing, and have put your wife through her paces as a political hostess, +some time, when the House isn’t sitting, you must come down by +yourself, and do a little hunting with us. Will you? It +won’t be quite the same as old times, but it will be something +to look forward to when I’m reading the endless paragraphs about +your fashionable political wedding.”<br> +<br> +“You’re looking forward pretty far,” laughed Youghal; +“the lady may take your view as to the probable unhappiness of +a future shared with me, and I may have to content myself with penurious +political bachelorhood. Anyhow, the present is still with us. +We dine at Kettner’s to-night, don’t we?”<br> +<br> +“Rather,” said Molly, “though it will be more or less +a throat-lumpy feast as far as I am concerned. We shall have to +drink to the health of the future Mrs. Youghal. By the way, it’s +rather characteristic of you that you haven’t told me who she +is, and of me that I haven’t asked. And now, like a dear +boy, trot away and leave me. I haven’t got to say good-bye +to you yet, but I’m going to take a quiet farewell of the Pheasantry. +We’ve had some jolly good talks, you and I, sitting on this seat, +haven’t we? And I know, as well as I know anything, that +this is the last of them. Eight o’clock to-night, as punctually +as possible.”<br> +<br> +She watched his retreating figure with eyes that grew slowly misty; +he had been such a jolly comely boy-friend, and they had had such good +times together. The mist deepened on her lashes as she looked +round at the familiar rendezvous where they had so often kept tryst +since the day when they had first come there together, he a schoolboy +and she but lately out of her teens. For the moment she felt herself +in the thrall of a very real sorrow.<br> +<br> +Then, with the admirable energy of one who is only in town for a fleeting +fortnight, she raced away to have tea with a world-faring naval admirer +at his club. Pluralism is a merciful narcotic.<br> +<br> +<br> +<br> +CHAPTER VI<br> +<br> +<br> +<br> +Elaine de Frey sat at ease - at bodily ease - at any rate - in a low +wicker chair placed under the shade of a group of cedars in the heart +of a stately spacious garden that had almost made up its mind to be +a park. The shallow stone basin of an old fountain, on whose wide +ledge a leaden-moulded otter for ever preyed on a leaden salmon, filled +a conspicuous place in the immediate foreground. Around its rim +ran an inscription in Latin, warning mortal man that time flows as swiftly +as water and exhorting him to make the most of his hours; after which +piece of Jacobean moralising it set itself shamelessly to beguile all +who might pass that way into an abandonment of contemplative repose. +On all sides of it a stretch of smooth turf spread away, broken up here +and there by groups of dwarfish chestnut and mulberry trees, whose leaves +and branches cast a laced pattern of shade beneath them. On one +side the lawn sloped gently down to a small lake, whereon floated a +quartette of swans, their movements suggestive of a certain mournful +listlessness, as though a weary dignity of caste held them back from +the joyous bustling life of the lesser waterfowl. Elaine liked +to imagine that they re-embodied the souls of unhappy boys who had been +forced by family interests to become high ecclesiastical dignitaries +and had grown prematurely Right Reverend. A low stone balustrade +fenced part of the shore of the lake, making a miniature terrace above +its level, and here roses grew in a rich multitude. Other rose +bushes, carefully pruned and tended, formed little oases of colour and +perfume amid the restful green of the sward, and in the distance the +eye caught the variegated blaze of a many-hued hedge of rhododendron. +With these favoured exceptions flowers were hard to find in this well-ordered +garden; the misguided tyranny of staring geranium beds and beflowered +archways leading to nowhere, so dear to the suburban gardener, found +no expression here. Magnificent Amherst pheasants, whose plumage +challenged and almost shamed the peacock on his own ground, stepped +to and fro over the emerald turf with the assured self-conscious pride +of reigning sultans. It was a garden where summer seemed a part-proprietor +rather than a hurried visitor.<br> +<br> +By the side of Elaine’s chair under the shadow of the cedars a +wicker table was set out with the paraphernalia of afternoon tea. +On some cushions at her feet reclined Courtenay Youghal, smoothly preened +and youthfully elegant, the personification of decorative repose; equally +decorative, but with the showy restlessness of a dragonfly, Comus disported +his flannelled person over a considerable span of the available foreground.<br> +<br> +The intimacy existing between the two young men had suffered no immediate +dislocation from the circumstance that they were tacitly paying court +to the same lady. It was an intimacy founded not in the least +on friendship or community of tastes and ideas, but owed its existence +to the fact that each was amused and interested by the other. +Youghal found Comus, for the time being at any rate, just as amusing +and interesting as a rival for Elaine’s favour as he had been +in the <i>rôle</i> of scapegrace boy-about-Town; Comus for his +part did not wish to lose touch with Youghal, who among other attractions +possessed the recommendation of being under the ban of Comus’s +mother. She disapproved, it is true, of a great many of her son’s +friends and associates, but this particular one was a special and persistent +source of irritation to her from the fact that he figured prominently +and more or less successfully in the public life of the day. There +was something peculiarly exasperating in reading a brilliant and incisive +attack on the Government’s rash handling of public expenditure +delivered by a young man who encouraged her son in every imaginable +extravagance. The actual extent of Youghal’s influence over +the boy was of the slightest; Comus was quite capable of deriving encouragement +to rash outlay and frivolous conversation from an anchorite or an East-end +parson if he had been thrown into close companionship with such an individual. +Francesca, however, exercised a mother’s privilege in assuming +her son’s bachelor associates to be industrious in labouring to +achieve his undoing. Therefore the young politician was a source +of unconcealed annoyance to her, and in the same degree as she expressed +her disapproval of him Comus was careful to maintain and parade the +intimacy. Its existence, or rather its continued existence, was +one of the things that faintly puzzled the young lady whose sought-for +favour might have been expected to furnish an occasion for its rapid +dissolution.<br> +<br> +With two suitors, one of whom at least she found markedly attractive, +courting her at the same moment, Elaine should have had reasonable cause +for being on good terms with the world, and with herself in particular. +Happiness was not, however, at this auspicious moment, her dominant +mood. The grave calm of her face masked as usual a certain degree +of grave perturbation. A succession of well-meaning governesses +and a plentiful supply of moralising aunts on both sides of her family, +had impressed on her young mind the theoretical fact that wealth is +a great responsibility. The consciousness of her responsibility +set her continually wondering, not as to her own fitness to discharge +her “stewardship,” but as to the motives and merits of people +with whom she came in contact. The knowledge that there was so +much in the world that she could buy, invited speculation as to how +much there was that was worth buying. Gradually she had come to +regard her mind as a sort of appeal court before whose secret sittings +were examined and judged the motives and actions, the motives especially, +of the world in general. In her schoolroom days she had sat in +conscientious judgment on the motives that guided or misguided Charles +and Cromwell and Monck, Wallenstein and Savonarola. In her present +stage she was equally occupied in examining the political sincerity +of the Secretary for Foreign Affairs, the good-faith of a honey-tongued +but possibly loyal-hearted waiting-maid, and the disinterestedness of +a whole circle of indulgent and flattering acquaintances. Even +more absorbing, and in her eyes, more urgently necessary, was the task +of dissecting and appraising the characters of the two young men who +were favouring her with their attentions. And herein lay cause +for much thinking and some perturbation. Youghal, for example, +might have baffled a more experienced observer of human nature. +Elaine was too clever to confound his dandyism with foppishness or self-advertisement. +He admired his own toilet effect in a mirror from a genuine sense of +pleasure in a thing good to look upon, just as he would feel a sensuous +appreciation of the sight of a well-bred, well-matched, well-turned-out +pair of horses. Behind his careful political flippancy and cynicism +one might also detect a certain careless sincerity, which would probably +in the long run save him from moderate success, and turn him into one +of the brilliant failures of his day. Beyond this it was difficult +to form an exact appreciation of Courtenay Youghal, and Elaine, who +liked to have her impressions distinctly labelled and pigeon-holed, +was perpetually scrutinising the outer surface of his characteristics +and utterances, like a baffled art critic vainly searching beneath the +varnish and scratches of a doubtfully assigned picture for an enlightening +signature. The young man added to her perplexities by his deliberate +policy of never trying to show himself in a favourable light even when +most anxious to impart a favourable impression. He preferred that +people should hunt for his good qualities, and merely took very good +care that as far as possible they should never draw blank; even in the +matter of selfishness, which was the anchor-sheet of his existence, +he contrived to be noted, and justly noted, for doing remarkably unselfish +things. As a ruler he would have been reasonably popular; as a +husband he would probably be unendurable.<br> +<br> +Comus was to a certain extent as great a mystification as Youghal, but +here Elaine was herself responsible for some of the perplexity which +enshrouded his character in her eyes. She had taken more than +a passing fancy for the boy - for the boy as he might be, that was to +say - and she was desperately unwilling to see him and appraise him +as he really was. Thus the mental court of appeal was constantly +engaged in examining witnesses as to character, most of whom signally +failed to give any testimony which would support the favourable judgment +which the tribunal was so anxious to arrive at. A woman with wider +experience of the world’s ways and shortcomings would probably +have contented herself with an endeavour to find out whether her liking +for the boy outweighed her dislike of his characteristics; Elaine took +her judgments too seriously to approach the matter from such a simple +and convenient standpoint. The fact that she was much more than +half in love with Comus made it dreadfully important that she should +discover him to have a lovable soul, and Comus, it must be confessed, +did little to help forward the discovery.<br> +<br> +“At any rate he is honest,” she would observe to herself, +after some outspoken admission of unprincipled conduct on his part, +and then she would ruefully recall certain episodes in which he had +figured, from which honesty had been conspicuously absent. What +she tried to label honesty in his candour was probably only a cynical +defiance of the laws of right and wrong.<br> +<br> +“You look more than usually thoughtful this afternoon,” +said Comus to her, “as if you had invented this summer day and +were trying to think out improvements.”<br> +<br> +“If I had the power to create improvements anywhere I think I +should begin with you,” retorted Elaine.<br> +<br> +“I’m sure it’s much better to leave me as I am,” +protested Comus; “you’re like a relative of mine up in Argyllshire, +who spends his time producing improved breeds of sheep and pigs and +chickens. So patronising and irritating to the Almighty I should +think, to go about putting superior finishing touches to Creation.”<br> +<br> +Elaine frowned, and then laughed, and finally gave a little sigh.<br> +<br> +“It’s not easy to talk sense to you,” she said.<br> +<br> +“Whatever else you take in hand,” said Youghal, “you +must never improve this garden. It’s what our idea of Heaven +might be like if the Jews hadn’t invented one for us on totally +different lines. It’s dreadful that we should accept them +as the impresarios of our religious dreamland instead of the Greeks.”<br> +<br> +“You are not very fond of the Jews,” said Elaine.<br> +<br> +“I’ve travelled and lived a good deal in Eastern Europe,” +said Youghal.<br> +<br> +“It seems largely a question of geography,” said Elaine; +“in England no one really is anti-Semitic.”<br> +<br> +Youghal shook his head. “I know a great many Jews who are.”<br> +<br> +Servants had quietly, almost reverently, placed tea and its accessories +on the wicker table, and quietly receded from the landscape. Elaine +sat like a grave young goddess about to dispense some mysterious potion +to her devotees. Her mind was still sitting in judgment on the +Jewish question.<br> +<br> +Comus scrambled to his feet.<br> +<br> +“It’s too hot for tea,” he said; “I shall go +and feed the swans.”<br> +<br> +And he walked off with a little silver basket-dish containing brown +bread-and-butter.<br> +<br> +Elaine laughed quietly.<br> +<br> +“It’s so like Comus,” she said, “to go off with +our one dish of bread-and-butter.”<br> +<br> +Youghal chuckled responsively. It was an undoubted opportunity +for him to put in some disparaging criticism of Comus, and Elaine sat +alert in readiness to judge the critic and reserve judgment on the criticised.<br> +<br> +“His selfishness is splendid but absolutely futile,” said +Youghal; “now my selfishness is commonplace, but always thoroughly +practical and calculated. He will have great difficulty in getting +the swans to accept his offering, and he incurs the odium of reducing +us to a bread-and-butterless condition. Incidentally he will get +very hot.”<br> +<br> +Elaine again had the sense of being thoroughly baffled. If Youghal +had said anything unkind it was about himself.<br> +<br> +“If my cousin Suzette had been here,” she observed, with +the shadow of a malicious smile on her lips, “I believe she would +have gone into a flood of tears at the loss of her bread-and-butter, +and Comus would have figured ever after in her mind as something black +and destroying and hateful. In fact I don’t really know +why we took our loss so unprotestingly.”<br> +<br> +“For two reasons,” said Youghal; “you are rather fond +of Comus. And I - am not very fond of bread-and-butter.”<br> +<br> +The jesting remark brought a throb of pleasure to Elaine’s heart. +She had known full well that she cared for Comus, but now that Courtenay +Youghal had openly proclaimed the fact as something unchallenged and +understood matters seemed placed at once on a more advanced footing. +The warm sunlit garden grew suddenly into a Heaven that held the secret +of eternal happiness. Youth and comeliness would always walk here, +under the low-boughed mulberry trees, as unchanging as the leaden otter +that for ever preyed on the leaden salmon on the edge of the old fountain, +and somehow the lovers would always wear the aspect of herself and the +boy who was talking to the four white swans by the water steps. +Youghal was right; this was the real Heaven of one’s dreams and +longings, immeasurably removed from that Rue de la Paix Paradise about +which one professed utterly insincere hankerings in places of public +worship. Elaine drank her tea in a happy silence; besides being +a brilliant talker Youghal understood the rarer art of being a non-talker +on occasion.<br> +<br> +Comus came back across the grass swinging the empty basket-dish in his +hand.<br> +<br> +“Swans were very pleased,” he cried, gaily, “and said +they hoped I would keep the bread-and-butter dish as a souvenir of a +happy tea-party. I may really have it, mayn’t I?” +he continued in an anxious voice; “it will do to keep studs and +things in. You don’t want it.”<br> +<br> +“It’s got the family crest on it,” said Elaine. +Some of the happiness had died out of her eyes.<br> +<br> +“I’ll have that scratched off and my own put on,” +said Comus.<br> +<br> +“It’s been in the family for generations,” protested +Elaine, who did not share Comus’s view that because you were rich +your lesser possessions could have no value in your eyes.<br> +<br> +“I want it dreadfully,” said Comus, sulkily, “and +you’ve heaps of other things to put bread-and-butter in.”<br> +<br> +For the moment he was possessed by an overmastering desire to keep the +dish at all costs; a look of greedy determination dominated his face, +and he had not for an instant relaxed his grip of the coveted object.<br> +<br> +Elaine was genuinely angry by this time, and was busily telling herself +that it was absurd to be put out over such a trifle; at the same moment +a sense of justice was telling her that Comus was displaying a good +deal of rather shabby selfishness. And somehow her chief anxiety +at the moment was to keep Courtenay Youghal from seeing that she was +angry.<br> +<br> +“I know you don’t really want it, so I’m going to +keep it,” persisted Comus.<br> +<br> +“It’s too hot to argue,” said Elaine.<br> +<br> +“Happy mistress of your destinies,” laughed Youghal; “you +can suit your disputations to the desired time and temperature. +I have to go and argue, or what is worse, listen to other people’s +arguments, in a hot and doctored atmosphere suitable to an invalid lizard.”<br> +<br> +“You haven’t got to argue about a bread-and-butter dish,” +said Elaine.<br> +<br> +“Chiefly about bread-and-butter,” said Youghal; “our +great preoccupation is other people’s bread-and-butter. +They earn or produce the material, but we busy ourselves with making +rules how it shall be cut up, and the size of the slices, and how much +butter shall go on how much bread. That is what is called legislation. +If we could only make rules as to how the bread-and-butter should be +digested we should be quite happy.”<br> +<br> +Elaine had been brought up to regard Parliaments as something to be +treated with cheerful solemnity, like illness or family re-unions. +Youghal’s flippant disparagement of the career in which he was +involved did not, however, jar on her susceptibilities. She knew +him to be not only a lively and effective debater but an industrious +worker on committees. If he made light of his labours, at least +he afforded no one else a loophole for doing so. And certainly, +the Parliamentary atmosphere was not inviting on this hot afternoon.<br> +<br> +“When must you go?” she asked, sympathetically.<br> +<br> +Youghal looked ruefully at his watch. Before he could answer, +a cheerful hoot came through the air, as of an owl joyously challenging +the sunlight with a foreboding of the coming night. He sprang +laughing to his feet.<br> +<br> +“Listen! My summons back to my galley,” he cried. +“The Gods have given me an hour in this enchanted garden, so I +must not complain.”<br> +<br> +Then in a lower voice he almost whispered, “It’s the Persian +debate to-night,”<br> +<br> +It was the one hint he had given in the midst of his talking and laughing +that he was really keenly enthralled in the work that lay before him. +It was the one little intimate touch that gave Elaine the knowledge +that he cared for her opinion of his work.<br> +<br> +Comus, who had emptied his cigarette-case, became suddenly clamorous +at the prospect of being temporarily stranded without a smoke. +Youghal took the last remaining cigarette from his own case and gravely +bisected it.<br> +<br> +“Friendship could go no further,” he observed, as he gave +one-half to the doubtfully appeased Comus, and lit the other himself.<br> +<br> +“There are heaps more in the hall,” said Elaine.<br> +<br> +“It was only done for the Saint Martin of Tours effect,” +said Youghal; “I hate smoking when I’m rushing through the +air. Good-bye.”<br> +<br> +The departing galley-slave stepped forth into the sunlight, radiant +and confident. A few minutes later Elaine could see glimpses of +his white car as it rushed past the rhododendron bushes. He woos +best who leaves first, particularly if he goes forth to battle or the +semblance of battle.<br> +<br> +Somehow Elaine’s garden of Eternal Youth had already become clouded +in its imagery. The girl-figure who walked in it was still distinctly +and unchangingly herself, but her companion was more blurred and undefined, +as a picture that has been superimposed on another.<br> +<br> +Youghal sped townward well satisfied with himself. To-morrow, +he reflected, Elaine would read his speech in her morning paper, and +he knew in advance that it was not going to be one of his worst efforts. +He knew almost exactly where the punctuations of laughter and applause +would burst in, he knew that nimble fingers in the Press Gallery would +be taking down each gibe and argument as he flung it at the impassive +Minister confronting him, and that the fair lady of his desire would +be able to judge what manner of young man this was who spent his afternoon +in her garden, lazily chaffing himself and his world.<br> +<br> +And he further reflected, with an amused chuckle, that she would be +vividly reminded of Comus for days to come, when she took her afternoon +tea, and saw the bread-and-butter reposing in an unaccustomed dish.<br> +<br> +<br> +<br> +CHAPTER VII<br> +<br> +<br> +<br> +Towards four o’clock on a hot afternoon Francesca stepped out +from a shop entrance near the Piccadilly end of Bond Street and ran +almost into the arms of Merla Blathlington. The afternoon seemed +to get instantly hotter. Merla was one of those human flies that +buzz; in crowded streets, at bazaars and in warm weather, she attained +to the proportions of a human bluebottle. Lady Caroline Benaresq +had openly predicted that a special fly-paper was being reserved for +her accommodation in another world; others, however, held the opinion +that she would be miraculously multiplied in a future state, and that +four or more Merla Blathlingtons, according to deserts, would be in +perpetual and unremitting attendance on each lost soul.<br> +<br> +“Here we are,” she cried, with a glad eager buzz, “popping +in and out of shops like rabbits; not that rabbits do pop in and out +of shops very extensively.”<br> +<br> +It was evidently one of her bluebottle days.<br> +<br> +“Don’t you love Bond Street?” she gabbled on. +“There’s something so unusual and distinctive about it; +no other street anywhere else is quite like it. Don’t you +know those ikons and images and things scattered up and down Europe, +that are supposed to have been painted or carved, as the case may be, +by St. Luke or Zaccheus, or somebody of that sort; I always like to +think that some notable person of those times designed Bond Street. +St. Paul, perhaps. He travelled about a lot.”<br> +<br> +“Not in Middlesex, though,” said Francesca.<br> +<br> +“One can’t be sure,” persisted Merla; “when +one wanders about as much as he did one gets mixed up and forgets where +one <i>has</i> been. I can never remember whether I’ve been +to the Tyrol twice and St. Moritz once, or the other way about; I always +have to ask my maid. And there’s something about the name +Bond that suggests St. Paul; didn’t he write a lot about the bond +and the free?”<br> +<br> +“I fancy he wrote in Hebrew or Greek,” objected Francesca; +“the word wouldn’t have the least resemblance.”<br> +<br> +“So dreadfully non-committal to go about pamphleteering in those +bizarre languages,” complained Merla; “that’s what +makes all those people so elusive. As soon as you try to pin them +down to a definite statement about anything you’re told that some +vitally important word has fifteen other meanings in the original. +I wonder our Cabinet Ministers and politicians don’t adopt a sort +of dog-Latin or Esperanto jargon to deliver their speeches in; what +a lot of subsequent explaining away would be saved. But to go +back to Bond Street - not that we’ve left it - ”<br> +<br> +“I’m afraid I must leave it now,” said Francesca, +preparing to turn up Grafton Street; “Good-bye.”<br> +<br> +“Must you be going? Come and have tea somewhere. I +know of a cosy little place where one can talk undisturbed.”<br> +<br> +Francesca repressed a shudder and pleaded an urgent engagement.<br> +<br> +“I know where you’re going,” said Merla, with the +resentful buzz of a bluebottle that finds itself thwarted by the cold +unreasoning resistance of a windowpane. “You’re going +to play bridge at Serena Golackly’s. She never asks me to +her bridge parties.”<br> +<br> +Francesca shuddered openly this time; the prospect of having to play +bridge anywhere in the near neighbourhood of Merla’s voice was +not one that could be contemplated with ordinary calmness.<br> +<br> +“Good-bye,” she said again firmly, and passed out of earshot; +it was rather like leaving the machinery section of an exhibition. +Merla’s diagnosis of her destination had been a correct one; Francesca +made her way slowly through the hot streets in the direction of Serena +Golackly’s house on the far side of Berkeley Square. To +the blessed certainty of finding a game of bridge, she hopefully added +the possibility of hearing some fragments of news which might prove +interesting and enlightening. And of enlightenment on a particular +subject, in which she was acutely and personally interested, she stood +in some need. Comus of late had been provokingly reticent as to +his movements and doings; partly, perhaps, because it was his nature +to be provoking, partly because the daily bickerings over money matters +were gradually choking other forms of conversation. Francesca +had seen him once or twice in the Park in the desirable company of Elaine +de Frey, and from time to time she heard of the young people as having +danced together at various houses; on the other hand, she had seen and +heard quite as much evidence to connect the heiress’s name with +that of Courtenay Youghal. Beyond this meagre and conflicting +and altogether tantalising information, her knowledge of the present +position of affairs did not go. If either of the young men was +seriously “making the running,” it was probable that she +would hear some sly hint or open comment about it from one of Serena’s +gossip-laden friends, without having to go out of her way to introduce +the subject and unduly disclose her own state of ignorance. And +a game of bridge, played for moderately high points, gave ample excuse +for convenient lapses into reticence; if questions took an embarrassingly +inquisitive turn, one could always find refuge in a defensive spade.<br> +<br> +The afternoon was too warm to make bridge a generally popular diversion, +and Serena’s party was a comparatively small one. Only one +table was incomplete when Francesca made her appearance on the scene; +at it was seated Serena herself, confronted by Ada Spelvexit, whom everyone +was wont to explain as “one of the Cheshire Spelvexits,” +as though any other variety would have been intolerable. Ada Spelvexit +was one of those naturally stagnant souls who take infinite pleasure +in what are called “movements.” “Most of the +really great lessons I have learned have been taught me by the Poor,” +was one of her favourite statements. The one great lesson that +the Poor in general would have liked to have taught her, that their +kitchens and sickrooms were not unreservedly at her disposal as private +lecture halls, she had never been able to assimilate. She was +ready to give them unlimited advice as to how they should keep the wolf +from their doors, but in return she claimed and enforced for herself +the penetrating powers of an east wind or a dust storm. Her visits +among her wealthier acquaintances were equally extensive and enterprising, +and hardly more welcome; in country-house parties, while partaking to +the fullest extent of the hospitality offered her, she made a practice +of unburdening herself of homilies on the evils of leisure and luxury, +which did not particularly endear her to her fellow guests. Hostesses +regarded her philosophically as a form of social measles which everyone +had to have once.<br> +<br> +The third prospective player, Francesca noted without any special enthusiasm, +was Lady Caroline Benaresq. Lady Caroline was far from being a +remarkably good bridge player, but she always managed to domineer mercilessly +over any table that was favoured with her presence, and generally managed +to win. A domineering player usually inflicts the chief damage +and demoralisation on his partner; Lady Caroline’s special achievement +was to harass and demoralise partner and opponents alike.<br> +<br> +“Weak and weak,” she announced in her gentle voice, as she +cut her hostess for a partner; “I suppose we had better play only +five shillings a hundred.”<br> +<br> +Francesca wondered at the old woman’s moderate assessment of the +stake, knowing her fondness for highish play and her usual good luck +in card holding.<br> +<br> +“I don’t mind what we play,” said Ada Spelvexit, with +an incautious parade of elegant indifference; as a matter of fact she +was inwardly relieved and rejoicing at the reasonable figure proposed +by Lady Caroline, and she would certainly have demurred if a higher +stake had been suggested. She was not as a rule a successful player, +and money lost at cards was always a poignant bereavement to her.<br> +<br> +“Then as you don’t mind we’ll make it ten shillings +a hundred,” said Lady Caroline, with the pleased chuckle of one +who has spread a net in the sight of a bird and disproved the vanity +of the proceeding.<br> +<br> +It proved a tiresome ding-dong rubber, with the strength of the cards +slightly on Francesca’s side, and the luck of the table going +mostly the other way. She was too keen a player not to feel a +certain absorption in the game once it had started, but she was conscious +to-day of a distracting interest that competed with the momentary importance +of leads and discards and declarations. The little accumulations +of talk that were unpent during the dealing of the hands became as noteworthy +to her alert attention as the play of the hands themselves.<br> +<br> +“Yes, quite a small party this afternoon,” said Serena, +in reply to a seemingly casual remark on Francesca’s part; “and +two or three non-players, which is unusual on a Wednesday. Canon +Besomley was here just before you came; you know, the big preaching +man.”<br> +<br> +“I’ve been to hear him scold the human race once or twice,” +said Francesca.<br> +<br> +“A strong man with a wonderfully strong message,” said Ada +Spelvexit, in an impressive and assertive tone.<br> +<br> +“The sort of popular pulpiteer who spanks the vices of his age +and lunches with them afterwards,” said Lady Caroline.<br> +<br> +“Hardly a fair summary of the man and his work,” protested +Ada. “I’ve been to hear him many times when I’ve +been depressed or discouraged, and I simply can’t tell you the +impression his words leave - ”<br> +<br> +“At least you can tell us what you intend to make trumps,” +broke in Lady Caroline, gently.<br> +<br> +“Diamonds,” pronounced Ada, after a rather flurried survey +of her hand.<br> +<br> +“Doubled,” said Lady Caroline, with increased gentleness, +and a few minutes later she was pencilling an addition of twenty-four +to her score.<br> +<br> +“I stayed with his people down in Herefordshire last May,” +said Ada, returning to the unfinished theme of the Canon; “such +an exquisite rural retreat, and so restful and healing to the nerves. +Real country scenery; apple blossom everywhere.”<br> +<br> +“Surely only on the apple trees,” said Lady Caroline.<br> +<br> +Ada Spelvexit gave up the attempt to reproduce the decorative setting +of the Canon’s homelife, and fell back on the small but practical +consolation of scoring the odd trick in her opponent’s declaration +of hearts.<br> +<br> +“If you had led your highest club to start with, instead of the +nine, we should have saved the trick,” remarked Lady Caroline +to her partner in a tone of coldly, gentle reproof; “it’s +no use, my dear,” she continued, as Serena flustered out a halting +apology, “no earthly use to attempt to play bridge at one table +and try to see and hear what’s going on at two or three other +tables.”<br> +<br> +“I can generally manage to attend to more than one thing at a +time,” said Serena, rashly; “I think I must have a sort +of double brain.”<br> +<br> +“Much better to economise and have one really good one,” +observed Lady Caroline.<br> +<br> +“<i>La belle dame sans merci</i> scoring a verbal trick or two +as usual,” said a player at another table in a discreet undertone.<br> +<br> +“Did I tell you Sir Edward Roan is coming to my next big evening,” +said Serena, hurriedly, by way, perhaps, of restoring herself a little +in her own esteem.<br> +<br> +“Poor dear, good Sir Edward. What have you made trumps?” +asked Lady Caroline, in one breath.<br> +<br> +“Clubs,” said Francesca; “and pray, why these adjectives +of commiseration?”<br> +<br> +Francesca was a Ministerialist by family interest and allegiance, and +was inclined to take up the cudgels at the suggested disparagement aimed +at the Foreign Secretary.<br> +<br> +“He amuses me so much,” purred Lady Caroline. Her +amusement was usually of the sort that a sporting cat derives from watching +the Swedish exercises of a well-spent and carefully thought-out mouse.<br> +<br> +“Really? He has been rather a brilliant success at the Foreign +Office, you know,” said Francesca.<br> +<br> +“He reminds one so of a circus elephant - infinitely more intelligent +than the people who direct him, but quite content to go on putting his +foot down or taking it up as may be required, quite unconcerned whether +he steps on a meringue or a hornet’s nest in the process of going +where he’s expected to go.”<br> +<br> +“How can you say such things?” protested Francesca.<br> +<br> +“I can’t,” said Lady Caroline; “Courtenay Youghal +said it in the House last night. Didn’t you read the debate? +He was really rather in form. I disagree entirely with his point +of view, of course, but some of the things he says have just enough +truth behind them to redeem them from being merely smart; for instance, +his summing up of the Government’s attitude towards our embarrassing +Colonial Empire in the wistful phrase ‘happy is the country that +has no geography.’”<br> +<br> +“What an absurdly unjust thing to say,” put in Francesca; +“I daresay some of our Party at some time have taken up that attitude, +but every one knows that Sir Edward is a sound Imperialist at heart.”<br> +<br> +“Most politicians are something or other at heart, but no one +would be rash enough to insure a politician against heart failure. +Particularly when he happens to be in office.”<br> +<br> +“Anyhow, I don’t see that the Opposition leaders would have +acted any differently in the present case,” said Francesca.<br> +<br> +“One should always speak guardedly of the Opposition leaders,” +said Lady Caroline, in her gentlest voice; “one never knows what +a turn in the situation may do for them.”<br> +<br> +“You mean they may one day be at the head of affairs?” asked +Serena, briskly.<br> +<br> +“I mean they may one day lead the Opposition. One never +knows.”<br> +<br> +Lady Caroline had just remembered that her hostess was on the Opposition +side in politics.<br> +<br> +Francesca and her partner scored four tricks in clubs; the game stood +irresolutely at twenty-four all.<br> +<br> +“If you had followed the excellent lyrical advice given to the +Maid of Athens and returned my heart we should have made two more tricks +and gone game,” said Lady Caroline to her partner.<br> +<br> +“Mr. Youghal seems pushing himself to the fore of late,” +remarked Francesca, as Serena took up the cards to deal. Since +the young politician’s name had been introduced into their conversation +the opportunity for turning the talk more directly on him and his affairs +was too good to be missed.<br> +<br> +“I think he’s got a career before him,” said Serena; +“the House always fills when he’s speaking, and that’s +a good sign. And then he’s young and got rather an attractive +personality, which is always something in the political world.”<br> +<br> +“His lack of money will handicap him, unless he can find himself +a rich wife or persuade someone to die and leave him a fat legacy,” +said Francesca; “since M.P.’s have become the recipients +of a salary rather more is expected and demanded of them in the expenditure +line than before.”<br> +<br> +“Yes, the House of Commons still remains rather at the opposite +pole to the Kingdom of Heaven as regards entrance qualifications,” +observed Lady Caroline.<br> +<br> +“There ought to be no difficulty about Youghal picking up a girl +with money,” said Serena; “with his prospects he would make +an excellent husband for any woman with social ambitions.”<br> +<br> +And she half sighed, as though she almost regretted that a previous +matrimonial arrangement precluded her from entering into the competition +on her own account.<br> +<br> +Francesca, under an assumption of languid interest, was watching Lady +Caroline narrowly for some hint of suppressed knowledge of Youghal’s +courtship of Miss de Frey.<br> +<br> +“Whom are you marrying and giving in marriage?”<br> +<br> +The question came from George St. Michael, who had strayed over from +a neighbouring table, attracted by the fragments of small-talk that +had reached his ears.<br> +<br> +St. Michael was one of those dapper bird-like illusorily-active men, +who seem to have been in a certain stage of middle-age for as long as +human memory can recall them. A close-cut peaked beard lent a +certain dignity to his appearance - a loan which the rest of his features +and mannerisms were continually and successfully repudiating. +His profession, if he had one, was submerged in his hobby, which consisted +of being an advance-agent for small happenings or possible happenings +that were or seemed imminent in the social world around him; he found +a perpetual and unflagging satisfaction in acquiring and retailing any +stray items of gossip or information, particularly of a matrimonial +nature, that chanced to come his way. Given the bare outline of +an officially announced engagement he would immediately fill it in with +all manner of details, true or, at any rate, probable, drawn from his +own imagination or from some equally exclusive source. The <i>Morning +Post</i> might content itself with the mere statement of the arrangement +which would shortly take place, but it was St. Michael’s breathless +little voice that proclaimed how the contracting parties had originally +met over a salmon-fishing incident, why the Guards’ Chapel would +not be used, why her Aunt Mary had at first opposed the match, how the +question of the children’s religious upbringing had been compromised, +etc., etc., to all whom it might interest and to many whom it might +not. Beyond his industriously-earned pre-eminence in this special +branch of intelligence, he was chiefly noteworthy for having a wife +reputed to be the tallest and thinnest woman in the Home Counties. +The two were sometimes seen together in Society, where they passed under +the collective name of St. Michael and All Angles.<br> +<br> +“We are trying to find a rich wife for Courtenay Youghal,” +said Serena, in answer to St. Michael’s question.<br> +<br> +“Ah, there I’m afraid you’re a little late,” +he observed, glowing with the importance of pending revelation; “I’m +afraid you’re a little late,” he repeated, watching the +effect of his words as a gardener might watch the development of a bed +of carefully tended asparagus. “I think the young gentleman +has been before you and already found himself a rich mate in prospect.”<br> +<br> +He lowered his voice as he spoke, not with a view to imparting impressive +mystery to his statement, but because there were other table groups +within hearing to whom he hoped presently to have the privilege of re-disclosing +his revelation.<br> +<br> +“Do you mean - ?” began Serena.<br> +<br> +“Miss de Frey,” broke in St. Michael, hurriedly, fearful +lest his revelation should be forestalled, even in guesswork; “quite +an ideal choice, the very wife for a man who means to make his mark +in politics. Twenty-four thousand a year, with prospects of more +to come, and a charming place of her own not too far from town. +Quite the type of girl, too, who will make a good political hostess, +brains without being brainy, you know. Just the right thing. +Of course, it would be premature to make any definite announcement at +present - ”<br> +<br> +“It would hardly be premature for my partner to announce what +she means to make trumps,” interrupted Lady Caroline, in a voice +of such sinister gentleness that St. Michael fled headlong back to his +own table.<br> +<br> +“Oh, is it me? I beg your pardon. I leave it,” +said Serena.<br> +<br> +“Thank you. No trumps,” declared Lady Caroline. +The hand was successful, and the rubber ultimately fell to her with +a comfortable margin of honours. The same partners cut together +again, and this time the cards went distinctly against Francesca and +Ada Spelvexit, and a heavily piled-up score confronted them at the close +of the rubber. Francesca was conscious that a certain amount of +rather erratic play on her part had at least contributed to the result. +St. Michael’s incursion into the conversation had proved rather +a powerful distraction to her ordinarily sound bridge-craft.<br> +<br> +Ada Spelvexit emptied her purse of several gold pieces and infused a +corresponding degree of superiority into her manner.<br> +<br> +“I must be going now,” she announced; “I’m dining +early. I have to give an address to some charwomen afterwards.”<br> +<br> +“Why?” asked Lady Caroline, with a disconcerting directness +that was one of her most formidable characteristics.<br> +<br> +“Oh, well, I have some things to say to them that I daresay they +will like to hear,” said Ada, with a thin laugh.<br> +<br> +Her statement was received with a silence that betokened profound unbelief +in any such probability.<br> +<br> +“I go about a good deal among working-class women,” she +added.<br> +<br> +“No one has ever said it,” observed Lady Caroline, “but +how painfully true it is that the poor have us always with them.”<br> +<br> +Ada Spelvexit hastened her departure; the marred impressiveness of her +retreat came as a culminating discomfiture on the top of her ill-fortune +at the card-table. Possibly, however, the multiplication of her +own annoyances enabled her to survey charwomen’s troubles with +increased cheerfulness. None of them, at any rate, had spent an +afternoon with Lady Caroline.<br> +<br> +Francesca cut in at another table and with better fortune attending +on her, succeeded in winning back most of her losses. A sense +of satisfaction was distinctly dominant as she took leave of her hostess. +St. Michael’s gossip, or rather the manner in which it had been +received, had given her a clue to the real state of affairs, which, +however slender and conjectural, at least pointed in the desired direction. +At first she had been horribly afraid lest she should be listening to +a definite announcement which would have been the death-blow to her +hopes, but as the recitation went on without any of those assured little +minor details which St. Michael so loved to supply, she had come to +the conclusion that it was merely a piece of intelligent guesswork. +And if Lady Caroline had really believed in the story of Elaine de Frey’s +virtual engagement to Courtenay Youghal she would have taken a malicious +pleasure in encouraging St. Michael in his confidences, and in watching +Francesca’s discomfiture under the recital. The irritated +manner in which she had cut short the discussion betrayed the fact, +that, as far as the old woman’s information went, it was Comus +and not Courtenay Youghal who held the field. And in this particular +case Lady Caroline’s information was likely to be nearer the truth +than St. Michael’s confident gossip.<br> +<br> +Francesca always gave a penny to the first crossing-sweeper or match-seller +she chanced across after a successful sitting at bridge. This +afternoon she had come out of the fray some fifteen shillings to the +bad, but she gave two pennies to a crossing-sweeper at the north-west +corner of Berkeley Square as a sort of thank-offering to the Gods.<br> +<br> +<br> +<br> +CHAPTER VIII<br> +<br> +<br> +<br> +It was a fresh rain-repentant afternoon, following a morning that had +been sultry and torrentially wet by turns; the sort of afternoon that +impels people to talk graciously of the rain as having done a lot of +good, its chief merit in their eyes probably having been its recognition +of the art of moderation. Also it was an afternoon that invited +bodily activity after the convalescent languor of the earlier part of +the day. Elaine had instinctively found her way into her riding-habit +and sent an order down to the stables - a blessed oasis that still smelt +sweetly of horse and hay and cleanliness in a world that reeked of petrol, +and now she set her mare at a smart pace through a succession of long-stretching +country lanes. She was due some time that afternoon at a garden-party, +but she rode with determination in an opposite direction. In the +first place neither Comus or Courtenay would be at the party, which +fact seemed to remove any valid reason that could be thought of for +inviting her attendance thereat; in the second place about a hundred +human beings would be gathered there, and human gatherings were not +her most crying need at the present moment. Since her last encounter +with her wooers, under the cedars in her own garden, Elaine realised +that she was either very happy or cruelly unhappy, she could not quite +determine which. She seemed to have what she most wanted in the +world lying at her feet, and she was dreadfully uncertain in her more +reflective moments whether she really wanted to stretch out her hand +and take it. It was all very like some situation in an Arabian +Nights tale or a story of Pagan Hellas, and consequently the more puzzling +and disconcerting to a girl brought up on the methodical lines of Victorian +Christianity. Her appeal court was in permanent session these +last few days, but it gave no decisions, at least none that she would +listen to. And the ride on her fast light-stepping little mare, +alone and unattended, through the fresh-smelling leafy lanes into unexplored +country, seemed just what she wanted at the moment. The mare made +some small delicate pretence of being roadshy, not the staring dolt-like +kind of nervousness that shows itself in an irritating hanging-back +as each conspicuous wayside object presents itself, but the nerve-flutter +of an imaginative animal that merely results in a quick whisk of the +head and a swifter bound forward. She might have paraphrased the +mental attitude of the immortalised Peter Bell into<br> +<br> +<br> +A basket underneath a tree<br> +A yellow tiger is to me,<br> +If it is nothing more.<br> +<br> +<br> +The more really alarming episodes of the road, the hoot and whir of +a passing motor-car or the loud vibrating hum of a wayside threshing-machine, +were treated with indifference.<br> +<br> +On turning a corner out of a narrow coppice-bordered lane into a wider +road that sloped steadily upward in a long stretch of hill Elaine saw, +coming toward her at no great distance, a string of yellow-painted vans, +drawn for the most part by skewbald or speckled horses. A certain +rakish air about these oncoming road-craft proclaimed them as belonging +to a travelling wild-beast show, decked out in the rich primitive colouring +that one’s taste in childhood would have insisted on before it +had been schooled in the artistic value of dulness. It was an +unlooked-for and distinctly unwelcome encounter. The mare had +already commenced a sixfold scrutiny with nostrils, eyes and daintily-pricked +ears; one ear made hurried little backward movements to hear what Elaine +was saying about the eminent niceness and respectability of the approaching +caravan, but even Elaine felt that she would be unable satisfactorily +to explain the elephants and camels that would certainly form part of +the procession. To turn back would seem rather craven, and the +mare might take fright at the manoeuvre and try to bolt; a gate standing +ajar at the entrance to a farmyard lane provided a convenient way out +of the difficulty.<br> +<br> +As Elaine pushed her way through she became aware of a man standing +just inside the lane, who made a movement forward to open the gate for +her.<br> +<br> +“Thank you. I’m just getting out of the way of a wild-beast +show,” she explained; “my mare is tolerant of motors and +traction-engines, but I expect camels - hullo,” she broke off, +recognising the man as an old acquaintance, “I heard you had taken +rooms in a farmhouse somewhere. Fancy meeting you in this way.”<br> +<br> +In the not very distant days of her little-girlhood, Tom Keriway had +been a man to be looked upon with a certain awe and envy; indeed the +glamour of his roving career would have fired the imagination, and wistful +desire to do likewise, of many young Englishmen. It seemed to +be the grown-up realisation of the games played in dark rooms in winter +fire-lit evenings, and the dreams dreamed over favourite books of adventure. +Making Vienna his headquarters, almost his home, he had rambled where +he listed through the lands of the Near and Middle East as leisurely +and thoroughly as tamer souls might explore Paris. He had wandered +through Hungarian horse-fairs, hunted shy crafty beasts on lonely Balkan +hillsides, dropped himself pebble-wise into the stagnant human pool +of some Bulgarian monastery, threaded his way through the strange racial +mosaic of Salonika, listened with amused politeness to the shallow ultra-modern +opinions of a voluble editor or lawyer in some wayside Russian town, +or learned wisdom from a chance tavern companion, one of the atoms of +the busy ant-stream of men and merchandise that moves untiringly round +the shores of the Black Sea. And far and wide as he might roam +he always managed to turn up at frequent intervals, at ball and supper +and theatre, in the gay Hauptstadt of the Habsburgs, haunting his favourite +cafés and wine-vaults, skimming through his favourite news-sheets, +greeting old acquaintances and friends, from ambassadors down to cobblers +in the social scale. He seldom talked of his travels, but it might +be said that his travels talked of him; there was an air about him that +a German diplomat once summed up in a phrase: “a man that wolves +have sniffed at.”<br> +<br> +And then two things happened, which he had not mapped out in his route; +a severe illness shook half the life and all the energy out of him, +and a heavy money loss brought him almost to the door of destitution. +With something, perhaps, of the impulse which drives a stricken animal +away from its kind, Tom Keriway left the haunts where he had known so +much happiness, and withdrew into the shelter of a secluded farmhouse +lodging; more than ever he became to Elaine a hearsay personality. +And now the chance meeting with the caravan had flung her across the +threshold of his retreat.<br> +<br> +“What a charming little nook you’ve got hold of,” +she exclaimed with instinctive politeness, and then looked searchingly +round, and discovered that she had spoken the truth; it really was charming. +The farmhouse had that intensely English look that one seldom sees out +of Normandy. Over the whole scene of rickyard, garden, outbuildings, +horsepond and orchard, brooded that air which seems rightfully to belong +to out-of-the-way farmyards, an air of wakeful dreaminess which suggests +that here, man and beast and bird have got up so early that the rest +of the world has never caught them up and never will.<br> +<br> +Elaine dismounted, and Keriway led the mare round to a little paddock +by the side of a great grey barn. At the end of the lane they +could see the show go past, a string of lumbering vans and great striding +beasts that seemed to link the vast silences of the desert with the +noises and sights and smells, the naphtha-flares and advertisement hoardings +and trampled orange-peel, of an endless succession of towns.<br> +<br> +“You had better let the caravan pass well on its way before you +get on the road again,” said Keriway; “the smell of the +beasts may make your mare nervous and restive going home.”<br> +<br> +Then he called to a boy who was busy with a hoe among some defiantly +prosperous weeds, to fetch the lady a glass of milk and a piece of currant +loaf.<br> +<br> +“I don’t know when I’ve seen anything so utterly charming +and peaceful,” said Elaine, propping herself on a seat that a +pear-tree had obligingly designed in the fantastic curve of its trunk.<br> +<br> +“Charming, certainly,” said Keriway, “but too full +of the stress of its own little life struggle to be peaceful. +Since I have lived here I’ve learnt, what I’ve always suspected, +that a country farmhouse, set away in a world of its own, is one of +the most wonderful studies of interwoven happenings and tragedies that +can be imagined. It is like the old chronicles of medieval Europe +in the days when there was a sort of ordered anarchy between feudal +lords and overlords, and burg-grafs, and mitred abbots, and prince-bishops, +robber barons and merchant guilds, and Electors and so forth, all striving +and contending and counter-plotting, and interfering with each other +under some vague code of loosely-applied rules. Here one sees +it reproduced under one’s eyes, like a musty page of black-letter +come to life. Look at one little section of it, the poultry-life +on the farm. Villa poultry, dull egg-machines, with records kept +of how many ounces of food they eat, and how many pennyworths of eggs +they lay, give you no idea of the wonder-life of these farm-birds; their +feuds and jealousies, and carefully maintained prerogatives, their unsparing +tyrannies and persecutions, their calculated courage and bravado or +sedulously hidden cowardice, it might all be some human chapter from +the annals of the old Rhineland or medieval Italy. And then, outside +their own bickering wars and hates, the grim enemies that come up against +them from the woodlands; the hawk that dashes among the coops like a +moss-trooper raiding the border, knowing well that a charge of shot +may tear him to bits at any moment. And the stoat, a creeping +slip of brown fur a few inches long, intently and unstayably out for +blood. And the hunger-taught master of craft, the red fox, who +has waited perhaps half the afternoon for his chance while the fowls +were dusting themselves under the hedge, and just as they were turning +supper-ward to the yard one has stopped a moment to give her feathers +a final shake and found death springing upon her. Do you know,” +he continued, as Elaine fed herself and the mare with morsels of currant-loaf, +“I don’t think any tragedy in literature that I have ever +come across impressed me so much as the first one, that I spelled out +slowly for myself in words of three letters: the bad fox has got the +red hen. There was something so dramatically complete about it; +the badness of the fox, added to all the traditional guile of his race, +seemed to heighten the horror of the hen’s fate, and there was +such a suggestion of masterful malice about the word ‘got.’ +One felt that a countryside in arms would not get that hen away from +the bad fox. They used to think me a slow dull reader for not +getting on with my lesson, but I used to sit and picture to myself the +red hen, with its wings beating helplessly, screeching in terrified +protest, or perhaps, if he had got it by the neck, with beak wide agape +and silent, and eyes staring, as it left the farmyard for ever. +I have seen blood-spillings and down-crushings and abject defeat here +and there in my time, but the red hen has remained in my mind as the +type of helpless tragedy.” He was silent for a moment as +if he were again musing over the three-letter drama that had so dwelt +in his childhood’s imagination. “Tell me some of the +things you have seen in your time,” was the request that was nearly +on Elaine’s lips, but she hastily checked herself and substituted +another.<br> +<br> +“Tell me more about the farm, please.”<br> +<br> +And he told her of a whole world, or rather of several intermingled +worlds, set apart in this sleepy hollow in the hills, of beast lore +and wood lore and farm craft, at times touching almost the border of +witchcraft - passing lightly here, not with the probing eagerness of +those who know nothing, but with the averted glance of those who fear +to see too much. He told her of those things that slept and those +that prowled when the dusk fell, of strange hunting cats, of the yard +swine and the stalled cattle, of the farm folk themselves, as curious +and remote in their way, in their ideas and fears and wants and tragedies, +as the brutes and feathered stock that they tended. It seemed +to Elaine as if a musty store of old-world children’s books had +been fetched down from some cobwebbed lumber-room and brought to life. +Sitting there in the little paddock, grown thickly with tall weeds and +rank grasses, and shadowed by the weather-beaten old grey barn, listening +to this chronicle of wonderful things, half fanciful, half very real, +she could scarcely believe that a few miles away there was a garden-party +in full swing, with smart frocks and smart conversation, fashionable +refreshments and fashionable music, and a fevered undercurrent of social +strivings and snubbings. Did Vienna and the Balkan Mountains and +the Black Sea seem as remote and hard to believe in, she wondered, to +the man sitting by her side, who had discovered or invented this wonderful +fairyland? Was it a true and merciful arrangement of fate and +life that the things of the moment thrust out the after-taste of the +things that had been? Here was one who had held much that was +priceless in the hollow of his hand and lost it all, and he was happy +and absorbed and well-content with the little wayside corner of the +world into which he had crept. And Elaine, who held so many desirable +things in the hollow of her hand, could not make up her mind to be even +moderately happy. She did not even know whether to take this hero +of her childhood down from his pedestal, or to place him on a higher +one; on the whole she was inclined to resent rather than approve the +idea that ill-health and misfortune could so completely subdue and tame +an erstwhile bold and roving spirit.<br> +<br> +The mare was showing signs of delicately-hinted impatience; the paddock, +with its teasing insects and very indifferent grazing, had not thrust +out the image of her own comfortable well-foddered loose-box. +Elaine divested her habit of some remaining crumbs of bun-loaf and jumped +lightly on to her saddle. As she rode slowly down the lane, with +Keriway escorting her as far as its gate, she looked round at what had +seemed to her, a short while ago, just a picturesque old farmstead, +a place of bee-hives and hollyhocks and gabled cart-sheds; now it was +in her eyes a magic city, with an undercurrent of reality beneath its +magic.<br> +<br> +“You are a person to be envied,” she said to Keriway; “you +have created a fairyland, and you are living in it yourself.”<br> +<br> +“Envied?”<br> +<br> +He shot the question out with sudden bitterness. She looked down +and saw the wistful misery that had come into his face.<br> +<br> +“Once,” he said to her, “in a German paper I read +a short story about a tame crippled crane that lived in the park of +some small town. I forget what happened in the story, but there +was one line that I shall always remember: ‘it was lame, that +is why it was tame.’”<br> +<br> +He had created a fairyland, but assuredly he was not living in it.<br> +<br> +<br> +<br> +CHAPTER IX<br> +<br> +<br> +<br> +In the warmth of a late June morning the long shaded stretch of raked +earth, gravel-walk and rhododendron bush that is known affectionately +as the Row was alive with the monotonous movement and alert stagnation +appropriate to the time and place. The seekers after health, the +seekers after notoriety and recognition, and the lovers of good exercise +were all well represented on the galloping ground; the gravel-walk and +chairs and long seats held a population whose varied instincts and motives +would have baffled a social catalogue-maker. The children, handled +or in perambulators, might be excused from instinct or motive; they +were brought.<br> +<br> +Pleasingly conspicuous among a bunch of indifferent riders pacing along +by the rails where the onlookers were thickest was Courtenay Youghal, +on his handsome plum-roan gelding Anne de Joyeuse. That delicately +stepping animal had taken a prize at Islington and nearly taken the +life of a stable-boy of whom he disapproved, but his strongest claims +to distinction were his good looks and his high opinion of himself. +Youghal evidently believed in thorough accord between horse and rider.<br> +<br> +“Please stop and talk to me,” said a quiet beckoning voice +from the other side of the rails, and Youghal drew rein and greeted +Lady Veula Croot. Lady Veula had married into a family of commercial +solidity and enterprising political nonentity. She had a devoted +husband, some blonde teachable children, and a look of unutterable weariness +in her eyes. To see her standing at the top of an expensively +horticultured staircase receiving her husband’s guests was rather +like watching an animal performing on a music-hall stage.<br> +<br> +One always tells oneself that the animal likes it, and one always knows +that it doesn’t.<br> +<br> +“Lady Veula is an ardent Free Trader, isn’t she?” +someone once remarked to Lady Caroline.<br> +<br> +“I wonder,” said Lady Caroline, in her gently questioning +voice; “a woman whose dresses are made in Paris and whose marriage +has been made in Heaven might be equally biassed for and against free +imports.”<br> +<br> +Lady Veula looked at Youghal and his mount with slow critical appraisement, +and there was a note of blended raillery and wistfulness in her voice.<br> +<br> +“You two dear things, I should love to stroke you both, but I’m +not sure how Joyeuse would take it. So I’ll stroke you down +verbally instead. I admired your attack on Sir Edward immensely, +though of course I don’t agree with a word of it. Your description +of him building a hedge round the German cuckoo and hoping he was isolating +it was rather sweet. Seriously though, I regard him as one of +the pillars of the Administration.”<br> +<br> +“So do I,” said Youghal; “the misfortune is that he +is merely propping up a canvas roof. It’s just his regrettable +solidity and integrity that makes him so expensively dangerous. +The average Briton arrives at the same judgment about Roan’s handling +of foreign affairs as Omar does of the Supreme Being in his dealings +with the world: He’s a good fellow and ‘twill all be well.’”<br> +<br> +Lady Veula laughed lightly. “My Party is in power so I may +exercise the privilege of being optimistic. Who is that who bowed +to you?” she continued, as a dark young man with an inclination +to stoutness passed by them on foot; “I’ve seen him about +a good deal lately. He’s been to one or two of my dances.”<br> +<br> +“Andrei Drakoloff,” said Youghal; “he’s just +produced a play that has had a big success in Moscow and is certain +to be extremely popular all over Russia. In the first three acts +the heroine is supposed to be dying of consumption; in the last act +they find she is really dying of cancer.”<br> +<br> +“Are the Russians really such a gloomy people?”<br> +<br> +“Gloom-loving but not in the least gloomy. They merely take +their sadness pleasurably, just as we are accused of taking our pleasures +sadly. Have you noticed that dreadful Klopstock youth has been +pounding past us at shortening intervals. He’ll come up +and talk if he half catches your eye.”<br> +<br> +“I only just know him. Isn’t he at an agricultural +college or something of the sort?”<br> +<br> +“Yes, studying to be a gentleman farmer, he told me. I didn’t +ask if both subjects were compulsory.”<br> +<br> +“You’re really rather dreadful,” said Lady Veula, +trying to look as if she thought so; “remember, we are all equal +in the sight of Heaven.”<br> +<br> +For a preacher of wholesome truths her voice rather lacked conviction.<br> +<br> +“If I and Ernest Klopstock are really equal in the sight of Heaven,” +said Youghal, with intense complacency, “I should recommend Heaven +to consult an eye specialist.”<br> +<br> +There was a heavy spattering of loose earth, and a squelching of saddle-leather, +as the Klopstock youth lumbered up to the rails and delivered himself +of loud, cheerful greetings. Joyeuse laid his ears well back as the +ungainly bay cob and his appropriately matched rider drew up beside +him; his verdict was reflected and endorsed by the cold stare of Youghal’s +eyes.<br> +<br> +“I’ve been having a nailing fine time,” recounted +the newcomer with clamorous enthusiasm; “I was over in Paris last +month and had lots of strawberries there, then I had a lot more in London, +and now I’ve been having a late crop of them in Herefordshire, +so I’ve had quite a lot this year.” And he laughed +as one who had deserved well and received well of Fate.<br> +<br> +“The charm of that story,” said Youghal, “is that +it can be told in any drawing-room.” And with a sweep of +his wide-brimmed hat to Lady Veula he turned the impatient Joyeuse into +the moving stream of horse and horsemen.<br> +<br> +“That woman reminds me of some verse I’ve read and liked,” +thought Youghal, as Joyeuse sprang into a light showy canter that gave +full recognition to the existence of observant human beings along the +side walk. “Ah, I have it.”<br> +<br> +And he quoted almost aloud, as one does in the exhilaration of a canter:<br> +<br> +<br> +“How much I loved that way you had<br> +Of smiling most, when very sad,<br> +A smile which carried tender hints<br> +Of sun and spring,<br> +And yet, more than all other thing,<br> +Of weariness beyond all words.”<br> +<br> +<br> +And having satisfactorily fitted Lady Veula on to a quotation he dismissed +her from his mind. With the constancy of her sex she thought about +him, his good looks and his youth and his railing tongue, till late +in the afternoon.<br> +<br> +While Youghal was putting Joyeuse through his paces under the elm trees +of the Row a little drama in which he was directly interested was being +played out not many hundred yards away. Elaine and Comus were +indulging themselves in two pennyworths of Park chair, drawn aside just +a little from the serried rows of sitters who were set out like bedded +plants over an acre or so of turf. Comus was, for the moment, +in a mood of pugnacious gaiety, disbursing a fund of pointed criticism +and unsparing anecdote concerning those of the promenaders or loungers +whom he knew personally or by sight. Elaine was rather quieter +than usual, and the grave serenity of the Leonardo da Vinci portrait +seemed intensified in her face this morning. In his leisurely +courtship Comus had relied almost exclusively on his physical attraction +and the fitful drollery of his wit and high spirits, and these graces +had gone far to make him seem a very desirable and rather lovable thing +in Elaine’s eyes. But he had left out of account the disfavour +which he constantly risked and sometimes incurred from his frank and +undisguised indifference to other people’s interests and wishes, +including, at times, Elaine’s. And the more that she felt +that she liked him the more she was irritated by his lack of consideration +for her. Without expecting that her every wish should become a +law to him she would at least have liked it to reach the formality of +a Second Reading. Another important factor he had also left out +of his reckoning, namely the presence on the scene of another suitor, +who also had youth and wit to recommend him, and who certainly did not +lack physical attractions. Comus, marching carelessly through +unknown country to effect what seemed already an assured victory, made +the mistake of disregarding the existence of an unbeaten army on his +flank.<br> +<br> +To-day Elaine felt that, without having actually quarrelled, she and +Comus had drifted a little bit out of sympathy with one another. +The fault she knew was scarcely hers, in fact from the most good-natured +point of view it could hardly be denied that it was almost entirely +his. The incident of the silver dish had lacked even the attraction +of novelty; it had been one of a series, all bearing a strong connecting +likeness. There had been small unrepaid loans which Elaine would +not have grudged in themselves, though the application for them brought +a certain qualm of distaste; with the perversity which seemed inseparable +from his doings, Comus had always flung away a portion of his borrowings +in some ostentatious piece of glaring and utterly profitless extravagance, +which outraged all the canons of her upbringing without bringing him +an atom of understandable satisfaction. Under these repeated discouragements +it was not surprising that some small part of her affection should have +slipped away, but she had come to the Park that morning with an unconfessed +expectation of being gently wooed back to the mood of gracious forgetfulness +that she was only too eager to assume. It was almost worth while +being angry with Comus for the sake of experiencing the pleasure of +being coaxed into friendliness again with the charm which he knew so +well how to exert. It was delicious here under the trees on this +perfect June morning, and Elaine had the blessed assurance that most +of the women within range were envying her the companionship of the +handsome merry-hearted youth who sat by her side. With special +complacence she contemplated her cousin Suzette, who was self-consciously +but not very elatedly basking in the attentions of her fiancé, +an earnest-looking young man who was superintendent of a People’s +something-or-other on the south side of the river, and whose clothes +Comus had described as having been made in Southwark rather than in +anger.<br> +<br> +Most of the pleasures in life must be paid for, and the chair-ticket +vendor in due time made his appearance in quest of pennies.<br> +<br> +Comus paid him from out of a varied assortment of coins and then balanced +the remainder in the palm of his hand. Elaine felt a sudden foreknowledge +of something disagreeable about to happen and a red spot deepened in +her cheeks.<br> +<br> +“Four shillings and fivepence and a half-penny,” said Comus, +reflectively. “It’s a ridiculous sum to last me for +the next three days, and I owe a card debt of over two pounds.”<br> +<br> +“Yes?” commented Elaine dryly and with an apparent lack +of interest in his exchequer statement. Surely, she was thinking +hurriedly to herself, he could not be foolish enough to broach the matter +of another loan.<br> +<br> +“The card debt is rather a nuisance,” pursued Comus, with +fatalistic persistency.<br> +<br> +“You won seven pounds last week, didn’t you?” asked +Elaine; “don’t you put by any of your winnings to balance +losses?”<br> +<br> +“The four shillings and the fivepence and the half-penny represent +the rearguard of the seven pounds,” said Comus; “the rest +have fallen by the way. If I can pay the two pounds to-day I daresay +I shall win something more to go on with; I’m holding rather good +cards just now. But if I can’t pay it of course I shan’t +show up at the club. So you see the fix I am in.”<br> +<br> +Elaine took no notice of this indirect application. The Appeal +Court was assembling in haste to consider new evidence, and this time +there was the rapidity of sudden determination about its movement.<br> +<br> +The conversation strayed away from the fateful topic for a few moments +and then Comus brought it deliberately back to the danger zone.<br> +<br> +“It would be awfully nice if you would let me have a fiver for +a few days, Elaine,” he said quickly; “if you don’t +I really don’t know what I shall do.”<br> +<br> +“If you are really bothered about your card debt I will send you +the two pounds by messenger boy early this afternoon.” She +spoke quietly and with great decision. “And I shall not +be at the Connor’s dance to-night,” she continued; “it’s +too hot for dancing. I’m going home now; please don’t +bother to accompany me, I particularly wish to go alone.”<br> +<br> +Comus saw that he had overstepped the mark of her good nature. +Wisely he made no immediate attempt to force himself back into her good +graces. He would wait till her indignation had cooled.<br> +<br> +His tactics would have been excellent if he had not forgotten that unbeaten +army on his flank.<br> +<br> +Elaine de Frey had known very clearly what qualities she had wanted +in Comus, and she had known, against all efforts at self-deception, +that he fell far short of those qualities. She had been willing +to lower her standard of moral requirements in proportion as she was +fond of the boy, but there was a point beyond which she would not go. +He had hurt her pride besides alarming her sense of caution.<br> +<br> +Suzette, on whom she felt a thoroughly justified tendency to look down, +had at any rate an attentive and considerate lover. Elaine walked +towards the Park gates feeling that in one essential Suzette possessed +something that had been denied to her, and at the gates she met Joyeuse +and his spruce young rider preparing to turn homeward.<br> +<br> +“Get rid of Joyeuse and come and take me out to lunch somewhere,” +demanded Elaine.<br> +<br> +“How jolly,” said Youghal. “Let’s go to +the Corridor Restaurant. The head waiter there is an old Viennese +friend of mine and looks after me beautifully. I’ve never +been there with a lady before, and he’s sure to ask me afterwards, +in his fatherly way, if we’re engaged.”<br> +<br> +The lunch was a success in every way. There was just enough orchestral +effort to immerse the conversation without drowning it, and Youghal +was an attentive and inspired host. Through an open doorway Elaine +could see the café reading-room, with its imposing array of <i>Neue +Freie</i> <i>Presse, Berliner Tageblatt</i>, and other exotic newspapers +hanging on the wall. She looked across at the young man seated +opposite her, who gave one the impression of having centred the most +serious efforts of his brain on his toilet and his food, and recalled +some of the flattering remarks that the press had bestowed on his recent +speeches.<br> +<br> +“Doesn’t it make you conceited, Courtenay,” she asked, +“to look at all those foreign newspapers hanging there and know +that most of them have got paragraphs and articles about your Persian +speech?”<br> +<br> +Youghal laughed.<br> +<br> +“There’s always a chastening corrective in the thought that +some of them may have printed your portrait. When once you’ve +seen your features hurriedly reproduced in the <i>Matin</i>, for instance, +you feel you would like to be a veiled Turkish woman for the rest of +your life.”<br> +<br> +And Youghal gazed long and lovingly at his reflection in the nearest +mirror, as an antidote against possible incitements to humility in the +portrait gallery of fame.<br> +<br> +Elaine felt a certain soothed satisfaction in the fact that this young +man, whose knowledge of the Middle East was an embarrassment to Ministers +at question time and in debate, was showing himself equally well-informed +on the subject of her culinary likes and dislikes. If Suzette +could have been forced to attend as a witness at a neighbouring table +she would have felt even happier.<br> +<br> +“Did the head waiter ask if we were engaged?” asked Elaine, +when Courtenay had settled the bill, and she had finished collecting +her sunshade and gloves and other impedimenta from the hands of obsequious +attendants.<br> +<br> +“Yes,” said Youghal, “and he seemed quite crestfallen +when I had to say ‘no.’”<br> +<br> +“It would be horrid to disappoint him when he’s looked after +us so charmingly,” said Elaine; “tell him that we are.”<br> +<br> +<br> +<br> +CHAPTER X<br> +<br> +<br> +<br> +The Rutland Galleries were crowded, especially in the neighbourhood +of the tea-buffet, by a fashionable throng of art-patrons which had +gathered to inspect Mervyn Quentock’s collection of Society portraits. +Quentock was a young artist whose abilities were just receiving due +recognition from the critics; that the recognition was not overdue he +owed largely to his perception of the fact that if one hides one’s +talent under a bushel one must be careful to point out to everyone the +exact bushel under which it is hidden. There are two manners of +receiving recognition: one is to be discovered so long after one’s +death that one’s grandchildren have to write to the papers to +establish their relationship; the other is to be discovered, like the +infant Moses, at the very outset of one’s career. Mervyn +Quentock had chosen the latter and happier manner. In an age when +many aspiring young men strive to advertise their wares by imparting +to them a freakish imbecility, Quentock turned out work that was characterised +by a pleasing delicate restraint, but he contrived to herald his output +with a certain fanfare of personal eccentricity, thereby compelling +an attention which might otherwise have strayed past his studio. +In appearance he was the ordinary cleanly young Englishman, except, +perhaps, that his eyes rather suggested a library edition of the Arabian +Nights; his clothes matched his appearance and showed no taint of the +sartorial disorder by which the bourgeois of the garden-city and the +Latin Quarter anxiously seeks to proclaim his kinship with art and thought. +His eccentricity took the form of flying in the face of some of the +prevailing social currents of the day, but as a reactionary, never as +a reformer. He produced a gasp of admiring astonishment in fashionable +circles by refusing to paint actresses - except, of course, those who +had left the legitimate drama to appear between the boards of Debrett. +He absolutely declined to execute portraits of Americans unless they +hailed from certain favoured States. His “water-colour-line,” +as a New York paper phrased it, earned for him a crop of angry criticisms +and a shoal of Transatlantic commissions, and criticism and commissions +were the things that Quentock most wanted.<br> +<br> +“Of course he is perfectly right,” said Lady Caroline Benaresq, +calmly rescuing a piled-up plate of caviare sandwiches from the neighbourhood +of a trio of young ladies who had established themselves hopefully within +easy reach of it. “Art,” she continued, addressing +herself to the Rev. Poltimore Vardon, “has always been geographically +exclusive. London may be more important from most points of view +than Venice, but the art of portrait painting, which would never concern +itself with a Lord Mayor, simply grovels at the feet of the Doges. +As a Socialist I’m bound to recognise the right of Ealing to compare +itself with Avignon, but one cannot expect the Muses to put the two +on a level.”<br> +<br> +“Exclusiveness,” said the Reverend Poltimore, “has +been the salvation of Art, just as the lack of it is proving the downfall +of religion. My colleagues of the cloth go about zealously proclaiming +the fact that Christianity, in some form or other, is attracting shoals +of converts among all sorts of races and tribes, that one had scarcely +ever heard of, except in reviews of books of travel that one never read. +That sort of thing was all very well when the world was more sparsely +populated, but nowadays, when it simply teems with human beings, no +one is particularly impressed by the fact that a few million, more or +less, of converts, of a low stage of mental development, have accepted +the teachings of some particular religion. It not only chills +one’s enthusiasm, it positively shakes one’s convictions +when one hears that the things one has been brought up to believe as +true are being very favourably spoken of by Buriats and Samoyeds and +Kanakas.”<br> +<br> +The Rev. Poltimore Vardon had once seen a resemblance in himself to +Voltaire, and had lived alongside the comparison ever since.<br> +<br> +“No modern cult or fashion,” he continued, “would +be favourably influenced by considerations based on statistics; fancy +adopting a certain style of hat or cut of coat, because it was being +largely worn in Lancashire and the Midlands; fancy favouring a certain +brand of champagne because it was being extensively patronised in German +summer resorts. No wonder that religion is falling into disuse +in this country under such ill-directed methods.”<br> +<br> +“You can’t prevent the heathen being converted if they choose +to be,” said Lady Caroline; “this is an age of toleration.”<br> +<br> +“You could always deny it,” said the Rev. Poltimore, “like +the Belgians do with regrettable occurrences in the Congo. But +I would go further than that. I would stimulate the waning enthusiasm +for Christianity in this country by labelling it as the exclusive possession +of a privileged few. If one could induce the Duchess of Pelm, +for instance, to assert that the Kingdom of Heaven, as far as the British +Isles are concerned, is strictly limited to herself, two of the under-gardeners +at Pelmby, and, possibly, but not certainly, the Dean of Dunster, there +would be an instant reshaping of the popular attitude towards religious +convictions and observances. Once let the idea get about that +the Christian Church is rather more exclusive than the Lawn at Ascot, +and you would have a quickening of religious life such as this generation +has never witnessed. But as long as the clergy and the religious +organisations advertise their creed on the lines of ‘Everybody +ought to believe in us: millions do,’ one can expect nothing but +indifference and waning faith.”<br> +<br> +“Time is just as exclusive in its way as Art,” said Lady +Caroline.<br> +<br> +“In what way?” said the Reverend Poltimore.<br> +<br> +“Your pleasantries about religion would have sounded quite clever +and advanced in the early ‘nineties. To-day they have a +dreadfully warmed-up flavour. That is the great delusion of you +would-be advanced satirists; you imagine you can sit down comfortably +for a couple of decades saying daring and startling things about the +age you live in, which, whatever other defects it may have, is certainly +not standing still. The whole of the Sherard Blaw school of discursive +drama suggests, to my mind, Early Victorian furniture in a travelling +circus. However, you will always have relays of people from the +suburbs to listen to the Mocking Bird of yesterday, and sincerely imagine +it is the harbinger of something new and revolutionising.”<br> +<br> +“<i>Would</i> you mind passing that plate of sandwiches,” +asked one of the trio of young ladies, emboldened by famine.<br> +<br> +“With pleasure,” said Lady Caroline, deftly passing her +a nearly empty plate of bread-and-butter.<br> +<br> +“I meant the place of caviare sandwiches. So sorry to trouble +you,” persisted the young lady<br> +<br> +Her sorrow was misapplied; Lady Caroline had turned her attention to +a newcomer.<br> +<br> +“A very interesting exhibition,” Ada Spelvexit was saying; +“faultless technique, as far as I am a judge of technique, and +quite a master-touch in the way of poses. But have you noticed +how very animal his art is? He seems to shut out the soul from +his portraits. I nearly cried when I saw dear Winifred depicted +simply as a good-looking healthy blonde.”<br> +<br> +“I wish you had,” said Lady Caroline; “the spectacle +of a strong, brave woman weeping at a private view in the Rutland Galleries +would have been so sensational. It would certainly have been reproduced +in the next Drury Lane drama. And I’m so unlucky; I never +see these sensational events. I was ill with appendicitis, you +know, when Lulu Braminguard dramatically forgave her husband, after +seventeen years of estrangement, during a State luncheon party at Windsor. +The old queen was furious about it. She said it was so disrespectful +to the cook to be thinking of such a thing at such a time.”<br> +<br> +Lady Caroline’s recollections of things that hadn’t happened +at the Court of Queen Victoria were notoriously vivid; it was the very +widespread fear that she might one day write a book of reminiscences +that made her so universally respected.<br> +<br> +“As for his full-length picture of Lady Brickfield,” continued +Ada, ignoring Lady Caroline’s commentary as far as possible, “all +the expression seems to have been deliberately concentrated in the feet; +beautiful feet, no doubt, but still, hardly the most distinctive part +of a human being.”<br> +<br> +“To paint the right people at the wrong end may be an eccentricity, +but it is scarcely an indiscretion,” pronounced Lady Caroline.<br> +<br> +One of the portraits which attracted more than a passing flutter of +attention was a costume study of Francesca Bassington. Francesca +had secured some highly desirable patronage for the young artist, and +in return he had enriched her pantheon of personal possessions with +a clever piece of work into which he had thrown an unusual amount of +imaginative detail. He had painted her in a costume of the great +Louis’s brightest period, seated in front of a tapestry that was +so prominent in the composition that it could scarcely be said to form +part of the background. Flowers and fruit, in exotic profusion, +were its dominant note; quinces, pomegranates, passion-flowers, giant +convolvulus, great mauve-pink roses, and grapes that were already being +pressed by gleeful cupids in a riotous Arcadian vintage, stood out on +its woven texture. The same note was struck in the beflowered +satin of the lady’s kirtle, and in the pomegranate pattern of +the brocade that draped the couch on which she was seated. The +artist had called his picture “Recolte.” And after +one had taken in all the details of fruit and flower and foliage that +earned the composition its name, one noted the landscape that showed +through a broad casement in the left-hand corner. It was a landscape +clutched in the grip of winter, naked, bleak, black-frozen; a winter +in which things died and knew no rewakening. If the picture typified +harvest, it was a harvest of artificial growth.<br> +<br> +“It leaves a great deal to the imagination, doesn’t it?” +said Ada Spelvexit, who had edged away from the range of Lady Caroline’s +tongue.<br> +<br> +“At any rate one can tell who it’s meant for,” said +Serena Golackly.<br> +<br> +“Oh, yes, it’s a good likeness of dear Francesca,” +admitted Ada; “of course, it flatters her.”<br> +<br> +“That, too, is a fault on the right side in portrait painting,” +said Serena; “after all, if posterity is going to stare at one +for centuries it’s only kind and reasonable to be looking just +a little better than one’s best.”<br> +<br> +“What a curiously unequal style the artist has,” continued +Ada, almost as if she felt a personal grievance against him; “I +was just noticing what a lack of soul there was in most of his portraits. +Dear Winifred, you know, who speaks so beautifully and feelingly at +my gatherings for old women, he’s made her look just an ordinary +dairy-maidish blonde; and Francesca, who is quite the most soulless +woman I’ve ever met, well, he’s given her quite - ”<br> +<br> +“Hush,” said Serena, “the Bassington boy is just behind +you.”<br> +<br> +Comus stood looking at the portrait of his mother with the feeling of +one who comes suddenly across a once-familiar half-forgotten acquaintance +in unfamiliar surroundings. The likeness was undoubtedly a good +one, but the artist had caught an expression in Francesca’s eyes +which few people had ever seen there. It was the expression of +a woman who had forgotten for one short moment to be absorbed in the +small cares and excitements of her life, the money worries and little +social plannings, and had found time to send a look of half-wistful +friendliness to some sympathetic companion. Comus could recall +that look, fitful and fleeting, in his mother’s eyes when she +had been a few years younger, before her world had grown to be such +a committee-room of ways and means. Almost as a re-discovery he +remembered that she had once figured in his boyish mind as a “rather +good sort,” more ready to see the laughable side of a piece of +mischief than to labour forth a reproof. That the bygone feeling +of good fellowship had been stamped out was, he knew, probably in great +part his own doing, and it was possible that the old friendliness was +still there under the surface of things, ready to show itself again +if he willed it, and friends were becoming scarcer with him than enemies +in these days. Looking at the picture with its wistful hint of +a long ago comradeship, Comus made up his mind that he very much wanted +things to be back on their earlier footing, and to see again on his +mother’s face the look that the artist had caught and perpetuated +in its momentary flitting. If the projected Elaine-marriage came +off, and in spite of recent maladroit behaviour on his part he still +counted it an assured thing, much of the immediate cause for estrangement +between himself and his mother would be removed, or at any rate, easily +removable. With the influence of Elaine’s money behind him +he promised himself that he would find some occupation that would remove +from himself the reproach of being a waster and idler. There were +lots of careers, he told himself, that were open to a man with solid +financial backing and good connections. There might yet be jolly +times ahead, in which his mother would have her share of the good things +that were going, and carking thin-lipped Henry Greech and other of Comus’s +detractors could take their sour looks and words out of sight and hearing. +Thus, staring at the picture as though he were studying its every detail, +and seeing really only that wistful friendly smile, Comus made his plans +and dispositions for a battle that was already fought and lost.<br> +<br> +The crowd grew thicker in the galleries, cheerfully enduring an amount +of overcrowding that would have been fiercely resented in a railway +carriage. Near the entrance Mervyn Quentock was talking to a Serene +Highness, a lady who led a life of obtrusive usefulness, largely imposed +on her by a good-natured inability to say “No.” “That +woman creates a positive draught with the number of bazaars she opens,” +a frivolously-spoken ex-Cabinet Minister had once remarked. At +the present moment she was being whimsically apologetic.<br> +<br> +“When I think of the legions of well-meaning young men and women +to whom I’ve given away prizes for proficiency in art-school curriculum, +I feel that I ought not to show my face inside a picture gallery. +I always imagine that my punishment in another world will be perpetually +sharpening pencils and cleaning palettes for unending relays of misguided +young people whom I deliberately encouraged in their artistic delusions.”<br> +<br> +“Do you suppose we shall all get appropriate punishments in another +world for our sins in this?” asked Quentock.<br> +<br> +“Not so much for our sins as for our indiscretions; they are the +things which do the most harm and cause the greatest trouble. +I feel certain that Christopher Columbus will undergo the endless torment +of being discovered by parties of American tourists. You see I +am quite old fashioned in my ideas about the terrors and inconveniences +of the next world. And now I must be running away; I’ve +got to open a Free Library somewhere. You know the sort of thing +that happens - one unveils a bust of Carlyle and makes a speech about +Ruskin, and then people come in their thousands and read ‘Rabid +Ralph, or Should he have Bitten Her?’ Don’t forget, +please, I’m going to have the medallion with the fat cupid sitting +on a sundial. And just one thing more - perhaps I ought not to +ask you, but you have such nice kind eyes, you embolden one to make +daring requests, would you send me the recipe for those lovely chestnut-and-chicken-liver +sandwiches? I know the ingredients of course, but it’s the +proportions that make such a difference - just how much liver to how +much chestnut, and what amount of red pepper and other things. +Thank you so much. I really am going now.”<br> +<br> +Staring round with a vague half-smile at everybody within nodding distance, +Her Serene Highness made one of her characteristic exits, which Lady +Caroline declared always reminded her of a scrambled egg slipping off +a piece of toast. At the entrance she stopped for a moment to +exchange a word or two with a young man who had just arrived. +From a corner where he was momentarily hemmed in by a group of tea-consuming +dowagers, Comus recognised the newcomer as Courtenay Youghal, and began +slowly to labour his way towards him. Youghal was not at the moment +the person whose society he most craved for in the world, but there +was at least the possibility that he might provide an opportunity for +a game of bridge, which was the dominant desire of the moment. +The young politician was already surrounded by a group of friends and +acquaintances, and was evidently being made the recipient of a salvo +of congratulation - presumably on his recent performances in the Foreign +Office debate, Comus concluded. But Youghal himself seemed to +be announcing the event with which the congratulations were connected. +Had some dramatic catastrophe overtaken the Government, Comus wondered. +And then, as he pressed nearer, a chance word, the coupling of two names, +told him the news.<br> +<br> +<br> +<br> +CHAPTER XI<br> +<br> +<br> +<br> +After the momentous lunch at the Corridor Restaurant Elaine had returned +to Manchester Square (where she was staying with one of her numerous +aunts) in a frame of mind that embraced a tangle of competing emotions. +In the first place she was conscious of a dominant feeling of relief; +in a moment of impetuosity, not wholly uninfluenced by pique, she had +settled the problem which hours of hard thinking and serious heart-searching +had brought no nearer to solution, and, although she felt just a little +inclined to be scared at the headlong manner of her final decision, +she had now very little doubt in her own mind that the decision had +been the right one. In fact the wonder seemed rather that she +should have been so long in doubt as to which of her wooers really enjoyed +her honest approval. She had been in love, these many weeks past +with an imaginary Comus, but now that she had definitely walked out +of her dreamland she saw that nearly all the qualities that had appealed +to her on his behalf had been absent from, or only fitfully present +in, the character of the real Comus. And now that she had installed +Youghal in the first place of her affections he had rapidly acquired +in her eyes some of the qualities which ranked highest in her estimation. +Like the proverbial buyer she had the happy feminine tendency of magnifying +the worth of her possession as soon as she had acquired it. And +Courtenay Youghal gave Elaine some justification for her sense of having +chosen wisely. Above all other things, selfish and cynical though +he might appear at times, he was unfailingly courteous and considerate +towards her. That was a circumstance which would always have carried +weight with her in judging any man; in this case its value was enormously +heightened by contrast with the behaviour of her other wooer. +And Youghal had in her eyes the advantage which the glamour of combat, +even the combat of words and wire-pulling, throws over the fighter. +He stood well in the forefront of a battle which however carefully stage-managed, +however honeycombed with personal insincerities and overlaid with calculated +mock-heroics, really meant something, really counted for good or wrong +in the nation’s development and the world’s history. +Shrewd parliamentary observers might have warned her that Youghal would +never stand much higher in the political world than he did at present, +as a brilliant Opposition freelance, leading lively and rather meaningless +forays against the dull and rather purposeless foreign policy of a Government +that was scarcely either to be blamed for or congratulated on its handling +of foreign affairs. The young politician had not the strength +of character or convictions that keeps a man naturally in the forefront +of affairs and gives his counsels a sterling value, and on the other +hand his insincerity was not deep enough to allow him to pose artificially +and successfully as a leader of men and shaper of movements. For +the moment, however, his place in public life was sufficiently marked +out to give him a secure footing in that world where people are counted +individually and not in herds. The woman whom he would make his +wife would have the chance, too, if she had the will and the skill, +to become an individual who counted.<br> +<br> +There was balm to Elaine in this reflection, yet it did not wholly suffice +to drive out the feeling of pique which Comus had called into being +by his slighting view of her as a convenient cash supply in moments +of emergency. She found a certain satisfaction in scrupulously +observing her promise, made earlier on that eventful day, and sent off +a messenger with the stipulated loan. Then a reaction of compunction +set in, and she reminded herself that in fairness she ought to write +and tell her news in as friendly a fashion as possible to her dismissed +suitor before it burst upon him from some other quarter. They +had parted on more or less quarrelling terms it was true, but neither +of them had foreseen the finality of the parting nor the permanence +of the breach between them; Comus might even now be thinking himself +half-forgiven, and the awakening would be rather cruel. The letter, +however, did not prove an easy one to write; not only did it present +difficulties of its own but it suffered from the competing urgency of +a desire to be doing something far pleasanter than writing explanatory +and valedictory phrases. Elaine was possessed with an unusual +but quite overmastering hankering to visit her cousin Suzette Brankley. +They met but rarely at each other’s houses and very seldom anywhere +else, and Elaine for her part was never conscious of feeling that their +opportunities for intercourse lacked anything in the way of adequacy. +Suzette accorded her just that touch of patronage which a moderately +well-off and immoderately dull girl will usually try to mete out to +an acquaintance who is known to be wealthy and suspected of possessing +brains. In return Elaine armed herself with that particular brand +of mock humility which can be so terribly disconcerting if properly +wielded. No quarrel of any description stood between them and +one could not legitimately have described them as enemies, but they +never disarmed in one another’s presence. A misfortune of +any magnitude falling on one of them would have been sincerely regretted +by the other, but any minor discomfiture would have produced a feeling +very much akin to satisfaction. Human nature knows millions of +these inconsequent little feuds, springing up and flourishing apart +from any basis of racial, political, religious or economic causes, as +a hint perhaps to crass unseeing altruists that enmity has its place +and purpose in the world as well as benevolence.<br> +<br> +Elaine had not personally congratulated Suzette since the formal announcement +of her engagement to the young man with the dissentient tailoring effects. +The impulse to go and do so now, overmastered her sense of what was +due to Comus in the way of explanation. The letter was still in +its blank unwritten stage, an unmarshalled sequence of sentences forming +in her brain, when she ordered her car and made a hurried but well-thought-out +change into her most sumptuously sober afternoon toilette. Suzette, +she felt tolerably sure, would still be in the costume that she had +worn in the Park that morning, a costume that aimed at elaboration of +detail, and was damned with overmuch success.<br> +<br> +Suzette’s mother welcomed her unexpected visitor with obvious +satisfaction. Her daughter’s engagement, she explained, +was not so brilliant from the social point of view as a girl of Suzette’s +attractions and advantages might have legitimately aspired to, but Egbert +was a thoroughly commendable and dependable young man, who would very +probably win his way before long to membership of the County Council.<br> +<br> +“From there, of course, the road would be open to him to higher +things.”<br> +<br> +“Yes,” said Elaine, “he might become an alderman.”<br> +<br> +“Have you seen their photographs, taken together?” asked +Mrs. Brankley, abandoning the subject of Egbert’s prospective +career.<br> +<br> +“No, do show me,” said Elaine, with a flattering show of +interest; “I’ve never seen that sort of thing before. +It used to be the fashion once for engaged couples to be photographed +together, didn’t it?”<br> +<br> +“It’s <i>very</i> much the fashion now,” said Mrs. +Brankley assertively, but some of the complacency had filtered out of +her voice. Suzette came into the room, wearing the dress that +she had worn in the Park that morning.<br> +<br> +“Of course, you’ve been hearing all about <i>the</i> engagement +from mother,” she cried, and then set to work conscientiously +to cover the same ground.<br> +<br> +“We met at Grindelwald, you know. He always calls me his +Ice Maiden because we first got to know each other on the skating rink. +Quite romantic, wasn’t it? Then we asked him to tea one +day, and we got to be quite friendly. Then he proposed.”<br> +<br> +“He wasn’t the only one who was smitten with Suzette,” +Mrs. Brankley hastened to put in, fearful lest Elaine might suppose +that Egbert had had things all his own way. “There was an +American millionaire who was quite taken with her, and a Polish count +of a very old family. I assure you I felt quite nervous at some +of our tea-parties.”<br> +<br> +Mrs. Brankley had given Grindelwald a sinister but rather alluring reputation +among a large circle of untravelled friends as a place where the insolence +of birth and wealth was held in precarious check from breaking forth +into scenes of savage violence.<br> +<br> +“My marriage with Egbert will, of course, enlarge the sphere of +my life enormously,” pursued Suzette.<br> +<br> +“Yes,” said Elaine; her eyes were rather remorselessly taking +in the details of her cousin’s toilette. It is said that +nothing is sadder than victory except defeat. Suzette began to +feel that the tragedy of both was concentrated in the creation which +had given her such unalloyed gratification, till Elaine had come on +the scene.<br> +<br> +“A woman can be so immensely helpful in the social way to a man +who is making a career for himself. And I’m so glad to find +that we’ve a great many ideas in common. We each made out +a list of our idea of the hundred best books, and quite a number of +them were the same.”<br> +<br> +“He looks bookish,” said Elaine, with a critical glance +at the photograph.<br> +<br> +“Oh, he’s not at all a bookworm,” said Suzette quickly, +“though he’s tremendously well-read. He’s quite +the man of action.”<br> +<br> +“Does he hunt?” asked Elaine.<br> +<br> +“No, he doesn’t get much time or opportunity for riding.”<br> +<br> +“What a pity,” commented Elaine; “I don’t think +I could marry a man who wasn’t fond of riding.”<br> +<br> +“Of course that’s a matter of taste,” said Suzette, +stiffly; “horsey men are not usually gifted with overmuch brains, +are they?”<br> +<br> +“There is as much difference between a horseman and a horsey man +as there is between a well-dressed man and a dressy one,” said +Elaine, judicially; “and you may have noticed how seldom a dressy +woman really knows how to dress. As an old lady of my acquaintance +observed the other day, some people are born with a sense of how to +clothe themselves, others acquire it, others look as if their clothes +had been thrust upon them.”<br> +<br> +She gave Lady Caroline her due quotation marks, but the sudden tactfulness +with which she looked away from her cousin’s frock was entirely +her own idea.<br> +<br> +A young man entering the room at this moment caused a diversion that +was rather welcome to Suzette.<br> +<br> +“Here comes Egbert,” she announced, with an air of subdued +triumph; it was at least a satisfaction to be able to produce the captive +of her charms, alive and in good condition, on the scene. Elaine +might be as critical as she pleased, but a live lover outweighed any +number of well-dressed straight-riding cavaliers who existed only as +a distant vision of the delectable husband.<br> +<br> +Egbert was one of those men who have no small talk, but possess an inexhaustible +supply of the larger variety. In whatever society he happened +to be, and particularly in the immediate neighbourhood of an afternoon-tea +table, with a limited audience of womenfolk, he gave the impression +of someone who was addressing a public meeting, and would be happy to +answer questions afterwards. A suggestion of gas-lit mission-halls, +wet umbrellas, and discreet applause seemed to accompany him everywhere. +He was an exponent, among other things, of what he called New Thought, +which seemed to lend itself conveniently to the employment of a good +deal of rather stale phraseology. Probably in the course of some +thirty odd years of existence he had never been of any notable use to +man, woman, child or animal, but it was his firmly-announced intention +to leave the world a better, happier, purer place than he had found +it; against the danger of any relapse to earlier conditions after his +disappearance from the scene, he was, of course, powerless to guard. +‘Tis not in mortals to insure succession, and Egbert was admittedly +mortal.<br> +<br> +Elaine found him immensely entertaining, and would certainly have exerted +herself to draw him out if such a proceeding had been at all necessary. +She listened to his conversation with the complacent appreciation that +one bestows on a stage tragedy, from whose calamities one can escape +at any moment by the simple process of leaving one’s seat. +When at last he checked the flow of his opinions by a hurried reference +to his watch, and declared that he must be moving on elsewhere, Elaine +almost expected a vote of thanks to be accorded him, or to be asked +to signify herself in favour of some resolution by holding up her hand.<br> +<br> +When the young man had bidden the company a rapid business-like farewell, +tempered in Suzette’s case by the exact degree of tender intimacy +that it would have been considered improper to omit or overstep, Elaine +turned to her expectant cousin with an air of cordial congratulation.<br> +<br> +“He is exactly the husband I should have chosen for you, Suzette.”<br> +<br> +For the second time that afternoon Suzette felt a sense of waning enthusiasm +for one of her possessions.<br> +<br> +Mrs. Brankley detected the note of ironical congratulation in her visitor’s +verdict.<br> +<br> +“I suppose she means he’s not her idea of a husband, but, +he’s good enough for Suzette,” she observed to herself, +with a snort that expressed itself somewhere in the nostrils of the +brain. Then with a smiling air of heavy patronage she delivered +herself of her one idea of a damaging counter-stroke.<br> +<br> +“And when are we to hear of your engagement, my dear?”<br> +<br> +“Now,” said Elaine quietly, but with electrical effect; +“I came to announce it to you but I wanted to hear all about Suzette +first. It will be formally announced in the papers in a day or +two.”<br> +<br> +“But who is it? Is it the young man who was with you in +the Park this morning?” asked Suzette.<br> +<br> +“Let me see, who was I with in the Park this morning? A +very good-looking dark boy? Oh no, not Comus Bassington. +Someone you know by name, anyway, and I expect you’ve seen his +portrait in the papers.”<br> +<br> +“A flying-man?” asked Mrs. Brankley.<br> +<br> +“Courtenay Youghal,” said Elaine.<br> +<br> +Mrs. Brankley and Suzette had often rehearsed in the privacy of their +minds the occasion when Elaine should come to pay her personal congratulations +to her engaged cousin. It had never been in the least like this.<br> +<br> +On her return from her enjoyable afternoon visit Elaine found an express +messenger letter waiting for her. It was from Comus, thanking +her for her loan - and returning it.<br> +<br> +“I suppose I ought never to have asked you for it,” he wrote, +“but you are always so deliciously solemn about money matters +that I couldn’t resist. Just heard the news of your engagement +to Courtenay. Congrats. to you both. I’m far too stoney +broke to buy you a wedding present so I’m going to give you back +the bread-and-butter dish. Luckily it still has your crest on +it. I shall love to think of you and Courtenay eating bread-and-butter +out of it for the rest of your lives.”<br> +<br> +That was all he had to say on the matter about which Elaine had been +preparing to write a long and kindly-expressed letter, closing a rather +momentous chapter in her life and his. There was not a trace of +regret or upbraiding in his note; he had walked out of their mutual +fairyland as abruptly as she had, and to all appearances far more unconcernedly. +Reading the letter again and again Elaine could come to no decision +as to whether this was merely a courageous gibe at defeat, or whether +it represented the real value that Comus set on the thing that he had +lost.<br> +<br> +And she would never know. If Comus possessed one useless gift +to perfection it was the gift of laughing at Fate even when it had struck +him hardest. One day, perhaps, the laughter and mockery would +be silent on his lips, and Fate would have the advantage of laughing +last.<br> +<br> +<br> +<br> +CHAPTER XII<br> +<br> +<br> +<br> +A door closed and Francesca Bassington sat alone in her well-beloved +drawing-room. The visitor who had been enjoying the hospitality +of her afternoon-tea table had just taken his departure. The tête-à-tête +had not been a pleasant one, at any rate as far as Francesca was concerned, +but at least it had brought her the information for which she had been +seeking. Her rôle of looker-on from a tactful distance had +necessarily left her much in the dark concerning the progress of the +all-important wooing, but during the last few hours she had, on slender +though significant evidence, exchanged her complacent expectancy for +a conviction that something had gone wrong. She had spent the +previous evening at her brother’s house, and had naturally seen +nothing of Comus in that uncongenial quarter; neither had he put in +an appearance at the breakfast table the following morning. She +had met him in the hall at eleven o’clock, and he had hurried +past her, merely imparting the information that he would not be in till +dinner that evening. He spoke in his sulkiest tone, and his face +wore a look of defeat, thinly masked by an air of defiance; it was not +the defiance of a man who is losing, but of one who has already lost.<br> +<br> +Francesca’s conviction that things had gone wrong between Comus +and Elaine de Frey grew in strength as the day wore on. She lunched +at a friend’s house, but it was not a quarter where special social +information of any importance was likely to come early to hand. +Instead of the news she was hankering for, she had to listen to trivial +gossip and speculation on the flirtations and “cases” and +“affairs” of a string of acquaintances whose matrimonial +projects interested her about as much as the nesting arrangements of +the wildfowl in St. James’s Park.<br> +<br> +“Of course,” said her hostess, with the duly impressive +emphasis of a privileged chronicler, “we’ve always regarded +Claire as the marrying one of the family, so when Emily came to us and +said, ‘I’ve got some news for you,’ we all said, ‘Claire’s +engaged!’ ‘Oh, no,’ said Emily, ‘it’s +not Claire this time, it’s me.’ So then we had to +guess who the lucky man was. ‘It can’t be Captain +Parminter,’ we all said, ‘because he’s always been +sweet on Joan.’ And then Emily said - ”<br> +<br> +The recording voice reeled off the catalogue of inane remarks with a +comfortable purring complacency that held out no hope of an early abandoning +of the topic. Francesca sat and wondered why the innocent acceptance +of a cutlet and a glass of indifferent claret should lay one open to +such unsparing punishment.<br> +<br> +A stroll homeward through the Park after lunch brought no further enlightenment +on the subject that was uppermost in her mind; what was worse, it brought +her, without possibility of escape, within hailing distance of Merla +Blathington, who fastened on to her with the enthusiasm of a lonely +tsetse fly encountering an outpost of civilisation.<br> +<br> +“Just think,” she buzzed inconsequently, “my sister +in Cambridgeshire has hatched out thirty-three White Orpington chickens +in her incubator!”<br> +<br> +“What eggs did she put in it?” asked Francesca.<br> +<br> +“Oh, some very special strain of White Orpington.”<br> +<br> +“Then I don’t see anything remarkable in the result. +If she had put in crocodile’s eggs and hatched out White Orpingtons, +there might have been something to write to <i>Country Life</i> about.”<br> +<br> +“What funny fascinating things these little green park-chairs +are,” said Merla, starting off on a fresh topic; “they always +look so quaint and knowing when they’re stuck away in pairs by +themselves under the trees, as if they were having a heart-to-heart +talk or discussing a piece of very private scandal. If they could +only speak, what tragedies and comedies they could tell us of, what +flirtations and proposals.”<br> +<br> +“Let us be devoutly thankful that they can’t,” said +Francesca, with a shuddering recollection of the luncheon-table conversation.<br> +<br> +“Of course, it would make one very careful what one said before +them - or above them rather,” Merla rattled on, and then, to Francesca’s +infinite relief, she espied another acquaintance sitting in unprotected +solitude, who promised to supply a more durable audience than her present +rapidly moving companion. Francesca was free to return to her +drawing-room in Blue Street to await with such patience as she could +command the coming of some visitor who might be able to throw light +on the subject that was puzzling and disquieting her. The arrival +of George St. Michael boded bad news, but at any rate news, and she +gave him an almost cordial welcome.<br> +<br> +“Well, you see I wasn’t far wrong about Miss de Frey and +Courtenay Youghal, was I?” he chirruped, almost before he had +seated himself. Francesca was to be spared any further spinning-out +of her period of uncertainty. “Yes, it’s officially +given out,” he went on, “and it’s to appear in the +<i>Morning Post</i> to-morrow. I heard it from Colonel Deel this +morning, and he had it direct from Youghal himself. Yes, please, +one lump; I’m not fashionable, you see.” He had made +the same remark about the sugar in his tea with unfailing regularity +for at least thirty years. Fashions in sugar are apparently stationary. +“They say,” he continued, hurriedly, “that he proposed +to her on the Terrace of the House, and a division bell rang, and he +had to hurry off before she had time to give her answer, and when he +got back she simply said, ‘the Ayes have it.’” +St. Michael paused in his narrative to give an appreciative giggle.<br> +<br> +“Just the sort of inanity that would go the rounds,” remarked +Francesca, with the satisfaction of knowing that she was making the +criticism direct to the author and begetter of the inanity in question. +Now that the blow had fallen and she knew the full extent of its weight, +her feeling towards the bringer of bad news, who sat complacently nibbling +at her tea-cakes and scattering crumbs of tiresome small-talk at her +feet, was one of wholehearted dislike. She could sympathise with, +or at any rate understand, the tendency of oriental despots to inflict +death or ignominious chastisement on messengers bearing tidings of misfortune +and defeat, and St. Michael, she perfectly well knew, was thoroughly +aware of the fact that her hopes and wishes had been centred on the +possibility of having Elaine for a daughter-in-law; every purring remark +that his mean little soul prompted him to contribute to the conversation +had an easily recognizable undercurrent of malice. Fortunately +for her powers of polite endurance, which had been put to such searching +and repeated tests that day, St. Michael had planned out for himself +a busy little time-table of afternoon visits, at each of which his self-appointed +task of forestalling and embellishing the newspaper announcements of +the Youghal-de Frey engagement would be hurriedly but thoroughly performed.<br> +<br> +“They’ll be quite one of the best-looking and most interesting +couples of the Season, won’t they?” he cried, by way of +farewell. The door closed and Francesca Bassington sat alone in +her drawing-room.<br> +<br> +Before she could give way to the bitter luxury of reflection on the +downfall of her hopes, it was prudent to take precautionary measures +against unwelcome intrusion. Summoning the maid who had just speeded +the departing St. Michael, she gave the order: “I am not at home +this afternoon to Lady Caroline Benaresq.” On second thoughts +she extended the taboo to all possible callers, and sent a telephone +message to catch Comus at his club, asking him to come and see her as +soon as he could manage before it was time to dress for dinner. +Then she sat down to think, and her thinking was beyond the relief of +tears.<br> +<br> +She had built herself a castle of hopes, and it had not been a castle +in Spain, but a structure well on the probable side of the Pyrenees. +There had been a solid foundation on which to build. Miss de Frey’s +fortune was an assured and unhampered one, her liking for Comus had +been an obvious fact; his courtship of her a serious reality. +The young people had been much together in public, and their names had +naturally been coupled in the match-making gossip of the day. +The only serious shadow cast over the scene had been the persistent +presence, in foreground or background, of Courtenay Youghal. And +now the shadow suddenly stood forth as the reality, and the castle of +hopes was a ruin, a hideous mortification of dust and débris, +with the skeleton outlines of its chambers still standing to make mockery +of its discomfited architect. The daily anxiety about Comus and +his extravagant ways and intractable disposition had been gradually +lulled by the prospect of his making an advantageous marriage, which +would have transformed him from a ne’er-do-well and adventurer +into a wealthy idler. He might even have been moulded, by the +resourceful influence of an ambitious wife, into a man with some definite +purpose in life. The prospect had vanished with cruel suddenness, +and the anxieties were crowding back again, more insistent than ever. +The boy had had his one good chance in the matrimonial market and missed +it; if he were to transfer his attentions to some other well-dowered +girl he would be marked down at once as a fortune-hunter, and that would +constitute a heavy handicap to the most plausible of wooers. His +liking for Elaine had evidently been genuine in its way, though perhaps +it would have been rash to read any deeper sentiment into it, but even +with the spur of his own inclination to assist him he had failed to +win the prize that had seemed so temptingly within his reach. +And in the dashing of his prospects, Francesca saw the threatening of +her own. The old anxiety as to her precarious tenure of her present +quarters put on again all its familiar terrors. One day, she foresaw, +in the horribly near future, George St. Michael would come pattering +up her stairs with the breathless intelligence that Emmeline Chetrof +was going to marry somebody or other in the Guards or the Record Office +as the case might be, and then there would be an uprooting of her life +from its home and haven in Blue Street and a wandering forth to some +cheap unhappy far-off dwelling, where the stately Van der Meulen and +its companion host of beautiful and desirable things would be stuffed +and stowed away in soulless surroundings, like courtly émigrés +fallen on evil days. It was unthinkable, but the trouble was that +it had to be thought about. And if Comus had played his cards +well and transformed himself from an encumbrance into a son with wealth +at his command, the tragedy which she saw looming in front of her might +have been avoided or at the worst whittled down to easily bearable proportions. +With money behind one, the problem of where to live approaches more +nearly to the simple question of where do you wish to live, and a rich +daughter-in-law would have surely seen to it that she did not have to +leave her square mile of Mecca and go out into the wilderness of bricks +and mortar. If the house in Blue Street could not have been compounded +for there were other desirable residences which would have been capable +of consoling Francesca for her lost Eden. And now the detested +Courtenay Youghal, with his mocking eyes and air of youthful cynicism, +had stepped in and overthrown those golden hopes and plans whose non-fulfilment +would make such a world of change in her future. Assuredly she +had reason to feel bitter against that young man, and she was not disposed +to take a very lenient view of Comus’s own mismanagement of the +affair; her greeting when he at last arrived, was not couched in a sympathetic +strain.<br> +<br> +“So you have lost your chance with the heiress,” she remarked +abruptly.<br> +<br> +“Yes,” said Comus, coolly; “Courtenay Youghal has +added her to his other successes.”<br> +<br> +“And you have added her to your other failures,” pursued +Francesca, relentlessly; her temper had been tried that day beyond ordinary +limits.<br> +<br> +“I thought you seemed getting along so well with her,” she +continued, as Comus remained uncommunicative.<br> +<br> +“We hit it off rather well together,” said Comus, and added +with deliberate bluntness, “I suppose she got rather sick at my +borrowing money from her. She thought it was all I was after.”<br> +<br> +“You borrowed money from her!” said Francesca; “you +were fool enough to borrow money from a girl who was favourably disposed +towards you, and with Courtenay Youghal in the background waiting to +step in and oust you!”<br> +<br> +Francesca’s voice trembled with misery and rage. This great +stroke of good luck that had seemed about to fall into their laps had +been thrust aside by an act or series of acts of wanton paltry folly. +The good ship had been lost for the sake of the traditional ha’porth +of tar. Comus had paid some pressing tailor’s or tobacconist’s +bill with a loan unwillingly put at his disposal by the girl he was +courting, and had flung away his chances of securing a wealthy and in +every way desirable bride. Elaine de Frey and her fortune might +have been the making of Comus, but he had hurried in as usual to effect +his own undoing. Calmness did not in this case come with reflection; +the more Francesca thought about the matter, the more exasperated she +grew. Comus threw himself down in a low chair and watched her +without a trace of embarrassment or concern at her mortification. +He had come to her feeling rather sorry for himself, and bitterly conscious +of his defeat, and she had met him with a taunt and without the least +hint of sympathy; he determined that she should be tantalised with the +knowledge of how small and stupid a thing had stood between the realisation +and ruin of her hopes for him.<br> +<br> +“And to think she should be captured by Courtenay Youghal,” +said Francesca, bitterly; “I’ve always deplored your intimacy +with that young man.”<br> +<br> +“It’s hardly my intimacy with him that’s made Elaine +accept him,” said Comus.<br> +<br> +Francesca realised the futility of further upbraiding. Through +the tears of vexation that stood in her eyes, she looked across at the +handsome boy who sat opposite her, mocking at his own misfortune, perversely +indifferent to his folly, seemingly almost indifferent to its consequences.<br> +<br> +“Comus,” she said quietly and wearily, “you are an +exact reversal of the legend of Pandora’s Box. You have +all the charm and advantages that a boy could want to help him on in +the world, and behind it all there is the fatal damning gift of utter +hopelessness.”<br> +<br> +“I think,” said Comus, “that is the best description +that anyone has ever given of me.”<br> +<br> +For the moment there was a flush of sympathy and something like outspoken +affection between mother and son. They seemed very much alone +in the world just now, and in the general overturn of hopes and plans, +there flickered a chance that each might stretch out a hand to the other, +and summon back to their lives an old dead love that was the best and +strongest feeling either of them had known. But the sting of disappointment +was too keen, and the flood of resentment mounted too high on either +side to allow the chance more than a moment in which to flicker away +into nothingness. The old fatal topic of estrangement came to +the fore, the question of immediate ways and means, and mother and son +faced themselves again as antagonists on a well-disputed field.<br> +<br> +“What is done is done,” said Francesca, with a movement +of tragic impatience that belied the philosophy of her words; “there +is nothing to be gained by crying over spilt milk. There is the +present and the future to be thought about, though. One can’t +go on indefinitely as a tenant-for-life in a fools’ paradise.” +Then she pulled herself together and proceeded to deliver an ultimatum +which the force of circumstances no longer permitted her to hold in +reserve.<br> +<br> +“It’s not much use talking to you about money, as I know +from long experience, but I can only tell you this, that in the middle +of the Season I’m already obliged to be thinking of leaving Town. +And you, I’m afraid, will have to be thinking of leaving England +at equally short notice. Henry told me the other day that he can +get you something out in West Africa. You’ve had your chance +of doing something better for yourself from the financial point of view, +and you’ve thrown it away for the sake of borrowing a little ready +money for your luxuries, so now you must take what you can get. +The pay won’t be very good at first, but living is not dear out +there.”<br> +<br> +“West Africa,” said Comus, reflectively; “it’s +a sort of modern substitute for the old-fashioned <i>oubliette</i>, +a convenient depository for tiresome people. Dear Uncle Henry +may talk lugubriously about the burden of Empire, but he evidently recognises +its uses as a refuse consumer.”<br> +<br> +“My dear Comus, you are talking of the West Africa of yesterday. +While you have been wasting your time at school, and worse than wasting +your time in the West End, other people have been grappling with the +study of tropical diseases, and the West African coast country is being +rapidly transformed from a lethal chamber into a sanatorium.”<br> +<br> +Comus laughed mockingly.<br> +<br> +“What a beautiful bit of persuasive prose; it reminds one of the +Psalms and even more of a company prospectus. If you were honest +you’d confess that you lifted it straight out of a rubber or railway +promotion scheme. Seriously, mother, if I must grub about for +a living, why can’t I do it in England? I could go into +a brewery for instance.”<br> +<br> +Francesca shook her head decisively; she could foresee the sort of steady +work Comus was likely to accomplish, with the lodestone of Town and +the minor attractions of race-meetings and similar festivities always +beckoning to him from a conveniently attainable distance, but apart +from that aspect of the case there was a financial obstacle in the way +of his obtaining any employment at home.<br> +<br> +“Breweries and all those sort of things necessitate money to start +with; one has to pay premiums or invest capital in the undertaking, +and so forth. And as we have no money available, and can scarcely +pay our debts as it is, it’s no use thinking about it.”<br> +<br> +“Can’t we sell something?” asked Comus.<br> +<br> +He made no actual suggestion as to what should be sacrificed, but he +was looking straight at the Van der Meulen.<br> +<br> +For a moment Francesca felt a stifling sensation of weakness, as though +her heart was going to stop beating. Then she sat forward in her +chair and spoke with energy, almost fierceness.<br> +<br> +“When I am dead my things can be sold and dispersed. As +long as I am alive I prefer to keep them by me.”<br> +<br> +In her holy place, with all her treasured possessions around her, this +dreadful suggestion had been made. Some of her cherished household +gods, souvenirs and keepsakes from past days, would, perhaps, not have +fetched a very considerable sum in the auction-room, others had a distinct +value of their own, but to her they were all precious. And the +Van der Meulen, at which Comus had looked with impious appraising eyes, +was the most sacred of them all. When Francesca had been away +from her Town residence or had been confined to her bedroom through +illness, the great picture with its stately solemn representation of +a long-ago battle-scene, painted to flatter the flattery-loving soul +of a warrior-king who was dignified even in his campaigns - this was +the first thing she visited on her return to Town or convalescence. +If an alarm of fire had been raised it would have been the first thing +for whose safety she would have troubled. And Comus had almost +suggested that it should be parted with, as one sold railway shares +and other soulless things.<br> +<br> +Scolding, she had long ago realised, was a useless waste of time and +energy where Comus was concerned, but this evening she unloosed her +tongue for the mere relief that it gave to her surcharged feelings. +He sat listening without comment, though she purposely let fall remarks +that she hoped might sting him into self-defence or protest. It +was an unsparing indictment, the more damaging in that it was so irrefutably +true, the more tragic in that it came from perhaps the one person in +the world whose opinion he had ever cared for. And he sat through +it as silent and seemingly unmoved as though she had been rehearsing +a speech for some drawing-room comedy. When she had had her say +his method of retort was not the soft answer that turneth away wrath +but the inconsequent one that shelves it.<br> +<br> +“Let’s go and dress for dinner.”<br> +<br> +The meal, like so many that Francesca and Comus had eaten in each other’s +company of late, was a silent one. Now that the full bearings +of the disaster had been discussed in all its aspects there was nothing +more to be said. Any attempt at ignoring the situation, and passing +on to less controversial topics would have been a mockery and pretence +which neither of them would have troubled to sustain. So the meal +went forward with its dragged-out dreary intimacy of two people who +were separated by a gulf of bitterness, and whose hearts were hard with +resentment against one another.<br> +<br> +Francesca felt a sense of relief when she was able to give the maid +the order to serve her coffee upstairs. Comus had a sullen scowl +on his face, but he looked up as she rose to leave the room, and gave +his half-mocking little laugh.<br> +<br> +“You needn’t look so tragic,” he said, “You’re +going to have your own way. I’ll go out to that West African +hole.”<br> +<br> +<br> +<br> +CHAPTER XIII<br> +<br> +<br> +<br> +Comus found his way to his seat in the stalls of the Straw Exchange +Theatre and turned to watch the stream of distinguished and distinguishable +people who made their appearance as a matter of course at a First Night +in the height of the Season. Pit and gallery were already packed +with a throng, tense, expectant and alert, that waited for the rise +of the curtain with the eager patience of a terrier watching a dilatory +human prepare for outdoor exercises. Stalls and boxes filled slowly +and hesitatingly with a crowd whose component units seemed for the most +part to recognise the probability that they were quite as interesting +as any play they were likely to see. Those who bore no particular +face-value themselves derived a certain amount of social dignity from +the near neighbourhood of obvious notabilities; if one could not obtain +recognition oneself there was some vague pleasure in being able to recognise +notoriety at intimately close quarters.<br> +<br> +“Who is that woman with the auburn hair and a rather effective +belligerent gleam in her eyes?” asked a man sitting just behind +Comus; “she looks as if she might have created the world in six +days and destroyed it on the seventh.”<br> +<br> +“I forget her name,” said his neighbour; “she writes. +She’s the author of that book, ‘The Woman who wished it +was Wednesday,’ you know. It used to be the convention that +women writers should be plain and dowdy; now we have gone to the other +extreme and build them on extravagantly decorative lines.”<br> +<br> +A buzz of recognition came from the front rows of the pit, together +with a craning of necks on the part of those in less favoured seats. +It heralded the arrival of Sherard Blaw, the dramatist who had discovered +himself, and who had given so ungrudgingly of his discovery to the world. +Lady Caroline, who was already directing little conversational onslaughts +from her box, gazed gently for a moment at the new arrival, and then +turned to the silver-haired Archdeacon sitting beside her.<br> +<br> +“They say the poor man is haunted by the fear that he will die +during a general election, and that his obituary notices will be seriously +curtailed by the space taken up by the election results. The curse +of our party system, from his point of view, is that it takes up so +much room in the press.”<br> +<br> +The Archdeacon smiled indulgently. As a man he was so exquisitely +worldly that he fully merited the name of the Heavenly Worldling bestowed +on him by an admiring duchess, and withal his texture was shot with +a pattern of such genuine saintliness that one felt that whoever else +might hold the keys of Paradise he, at least, possessed a private latchkey +to that abode.<br> +<br> +“Is it not significant of the altered grouping of things,” +he observed, “that the Church, as represented by me, sympathises +with the message of Sherard Blaw, while neither the man nor his message +find acceptance with unbelievers like you, Lady Caroline.”<br> +<br> +Lady Caroline blinked her eyes. “My dear Archdeacon,” +she said, “no one can be an unbeliever nowadays. The Christian +Apologists have left one nothing to disbelieve.”<br> +<br> +The Archdeacon rose with a delighted chuckle. “I must go +and tell that to De la Poulett,” he said, indicating a clerical +figure sitting in the third row of the stalls; “he spends his +life explaining from his pulpit that the glory of Christianity consists +in the fact that though it is not true it has been found necessary to +invent it.”<br> +<br> +The door of the box opened and Courtenay Youghal entered, bringing with +him subtle suggestion of chaminade and an atmosphere of political tension. +The Government had fallen out of the good graces of a section of its +supporters, and those who were not in the know were busy predicting +a serious crisis over a forthcoming division in the Committee stage +of an important Bill. This was Saturday night, and unless some +successful cajolery were effected between now and Monday afternoon, +Ministers would be, seemingly, in danger of defeat.<br> +<br> +“Ah, here is Youghal,” said the Archdeacon; “he will +be able to tell us what is going to happen in the next forty-eight hours. +I hear the Prime Minister says it is a matter of conscience, and they +will stand or fall by it.”<br> +<br> +His hopes and sympathies were notoriously on the Ministerial side.<br> +<br> +Youghal greeted Lady Caroline and subsided gracefully into a chair well +in the front of the box. A buzz of recognition rippled slowly +across the house.<br> +<br> +“For the Government to fall on a matter of conscience,” +he said, “would be like a man cutting himself with a safety razor.”<br> +<br> +Lady Caroline purred a gentle approval.<br> +<br> +“I’m afraid it’s true, Archdeacon,” she said.<br> +<br> +No one can effectively defend a Government when it’s been in office +several years. The Archdeacon took refuge in light skirmishing.<br> +<br> +“I believe Lady Caroline sees the makings of a great Socialist +statesman in you, Youghal,” he observed.<br> +<br> +“Great Socialist statesmen aren’t made, they’re stillborn,” +replied Youghal.<br> +<br> +“What is the play about to-night?” asked a pale young woman +who had taken no part in the talk.<br> +<br> +“I don’t know,” said Lady Caroline, “but I hope +it’s dull. If there is any brilliant conversation in it +I shall burst into tears.”<br> +<br> +In the front row of the upper circle a woman with a restless starling-voice +was discussing the work of a temporarily fashionable composer, chiefly +in relation to her own emotions, which she seemed to think might prove +generally interesting to those around her.<br> +<br> +“Whenever I hear his music I feel that I want to go up into a +mountain and pray. Can you understand that feeling?”<br> +<br> +The girl to whom she was unburdening herself shook her head.<br> +<br> +“You see, I’ve heard his music chiefly in Switzerland, and +we were up among the mountains all the time, so it wouldn’t have +made any difference.”<br> +<br> +“In that case,” said the woman, who seemed to have emergency +emotions to suit all geographical conditions, “I should have wanted +to be in a great silent plain by the side of a rushing river.”<br> +<br> +“What I think is so splendid about his music - ” commenced +another starling-voice on the further side of the girl. Like sheep +that feed greedily before the coming of a storm the starling-voices +seemed impelled to extra effort by the knowledge of four imminent intervals +of acting during which they would be hushed into constrained silence.<br> +<br> +In the back row of the dress circle a late-comer, after a cursory glance +at the programme, had settled down into a comfortable narrative, which +was evidently the resumed thread of an unfinished taxi-drive monologue.<br> +<br> +“We all said ‘it can’t be Captain Parminter, because +he’s always been sweet on Joan,’ and then Emily said - ”<br> +<br> +The curtain went up, and Emily’s contribution to the discussion +had to be held over till the entr’acte.<br> +<br> +The play promised to be a success. The author, avoiding the pitfall +of brilliancy, had aimed at being interesting and as far as possible, +bearing in mind that his play was a comedy, he had striven to be amusing. +Above all he had remembered that in the laws of stage proportions it +is permissible and generally desirable that the part should be greater +than the whole; hence he had been careful to give the leading lady such +a clear and commanding lead over the other characters of the play that +it was impossible for any of them ever to get on level terms with her. +The action of the piece was now and then delayed thereby, but the duration +of its run would be materially prolonged.<br> +<br> +The curtain came down on the first act amid an encouraging instalment +of applause, and the audience turned its back on the stage and began +to take a renewed interest in itself. The authoress of “The +Woman who wished it was Wednesday” had swept like a convalescent +whirlwind, subdued but potentially tempestuous, into Lady Caroline’s +box.<br> +<br> +“I’ve just trodden with all my weight on the foot of an +eminent publisher as I was leaving my seat,” she cried, with a +peal of delighted laughter. “He was such a dear about it; +I said I hoped I hadn’t hurt him, and he said, ‘I suppose +you think, who drives hard bargains should himself be hard.’ +Wasn’t it pet-lamb of him?”<br> +<br> +“I’ve never trodden on a pet lamb,” said Lady Caroline, +“so I’ve no idea what its behaviour would be under the circumstances.”<br> +<br> +“Tell me,” said the authoress, coming to the front of the +box, the better to survey the house, and perhaps also with a charitable +desire to make things easy for those who might pardonably wish to survey +her, “tell me, please, where is the girl sitting whom Courtenay +Youghal is engaged to?”<br> +<br> +Elaine was pointed out to her, sitting in the fourth row of the stalls, +on the opposite side of the house to where Comus had his seat. +Once during the interval she had turned to give him a friendly nod of +recognition as he stood in one of the side gangways, but he was absorbed +at the moment in looking at himself in the glass panel. The grave +brown eyes and the mocking green-grey ones had looked their last into +each other’s depths.<br> +<br> +For Comus this first-night performance, with its brilliant gathering +of spectators, its groups and coteries of lively talkers, even its counterfoil +of dull chatterers, its pervading atmosphere of stage and social movement, +and its intruding undercurrent of political flutter, all this composed +a tragedy in which he was the chief character. It was the life +he knew and loved and basked in, and it was the life he was leaving. +It would go on reproducing itself again and again, with its stage interest +and social interest and intruding outside interests, with the same lively +chattering crowd, the people who had done things being pointed out by +people who recognised them to people who didn’t - it would all +go on with unflagging animation and sparkle and enjoyment, and for him +it would have stopped utterly. He would be in some unheard-of +sun-blistered wilderness, where natives and pariah dogs and raucous-throated +crows fringed round mockingly on one’s loneliness, where one rode +for sweltering miles for the chance of meeting a collector or police +officer, with whom most likely on closer acquaintance one had hardly +two ideas in common, where female society was represented at long intervals +by some climate-withered woman missionary or official’s wife, +where food and sickness and veterinary lore became at last the three +outstanding subjects on which the mind settled or rather sank. +That was the life he foresaw and dreaded, and that was the life he was +going to. For a boy who went out to it from the dulness of some +country rectory, from a neighbourhood where a flower show and a cricket +match formed the social landmarks of the year, the feeling of exile +might not be very crushing, might indeed be lost in the sense of change +and adventure. But Comus had lived too thoroughly in the centre +of things to regard life in a backwater as anything else than stagnation, +and stagnation while one is young he justly regarded as an offence against +nature and reason, in keeping with the perverted mockery that sends +decrepit invalids touring painfully about the world and shuts panthers +up in narrow cages. He was being put aside, as a wine is put aside, +but to deteriorate instead of gaining in the process, to lose the best +time of his youth and health and good looks in a world where youth and +health and good looks count for much and where time never returns lost +possessions. And thus, as the curtain swept down on the close +of each act, Comus felt a sense of depression and deprivation sweep +down on himself; bitterly he watched his last evening of social gaiety +slipping away to its end. In less than an hour it would be over; +in a few months’ time it would be an unreal memory.<br> +<br> +In the third interval, as he gazed round at the chattering house, someone +touched him on the arm. It was Lady Veula Croot.<br> +<br> +“I suppose in a week’s time you’ll be on the high +seas,” she said. “I’m coming to your farewell +dinner, you know; your mother has just asked me. I’m not +going to talk the usual rot to you about how much you will like it and +so on. I sometimes think that one of the advantages of Hell will +be that no one will have the impertinence to point out to you that you’re +really better off than you would be anywhere else. What do you +think of the play? Of course one can foresee the end; she will +come to her husband with the announcement that their longed-for child +is going to be born, and that will smooth over everything. So +conveniently effective, to wind up a comedy with the commencement of +someone else’s tragedy. And every one will go away saying +‘I’m glad it had a happy ending.’”<br> +<br> +Lady Veula moved back to her seat, with her pleasant smile on her lips +and the look of infinite weariness in her eyes.<br> +<br> +The interval, the last interval, was drawing to a close and the house +began to turn with fidgetty attention towards the stage for the unfolding +of the final phase of the play. Francesca sat in Serena Golackly’s +box listening to Colonel Springfield’s story of what happened +to a pigeon-cote in his compound at Poona. Everyone who knew the +Colonel had to listen to that story a good many times, but Lady Caroline +had mitigated the boredom of the infliction, and in fact invested it +with a certain sporting interest, by offering a prize to the person +who heard it oftenest in the course of the Season, the competitors being +under an honourable understanding not to lead up to the subject. +Ada Spelvexit and a boy in the Foreign Office were at present at the +top of the list with five recitals each to their score, but the former +was suspected of doubtful adherence to the rules and spirit of the competition.<br> +<br> +“And there, dear lady,” concluded the Colonel, “were +the eleven dead pigeons. What had become of the bandicoot no one +ever knew.”<br> +<br> +Francesca thanked him for his story, and complacently inscribed the +figure 4 on the margin of her theatre programme. Almost at the +same moment she heard George St. Michael’s voice pattering out +a breathless piece of intelligence for the edification of Serena Golackly +and anyone else who might care to listen. Francesca galvanised +into sudden attention.<br> +<br> +“Emmeline Chetrof to a fellow in the Indian Forest Department. +He’s got nothing but his pay and they can’t be married for +four or five years; an absurdly long engagement, don’t you think +so? All very well to wait seven years for a wife in patriarchal +times, when you probably had others to go on with, and you lived long +enough to celebrate your own tercentenary, but under modern conditions +it seems a foolish arrangement.”<br> +<br> +St. Michael spoke almost with a sense of grievance. A marriage +project that tied up all the small pleasant nuptial gossip-items about +bridesmaids and honeymoon and recalcitrant aunts and so forth, for an +indefinite number of years seemed scarcely decent in his eyes, and there +was little satisfaction or importance to be derived from early and special +knowledge of an event which loomed as far distant as a Presidential +Election or a change of Viceroy. But to Francesca, who had listened +with startled apprehension at the mention of Emmeline Chetrof’s +name, the news came in a flood of relief and thankfulness. Short +of entering a nunnery and taking celibate vows, Emmeline could hardly +have behaved more conveniently than in tying herself up to a lover whose +circumstances made it necessary to relegate marriage to the distant +future. For four or five years Francesca was assured of undisturbed +possession of the house in Blue Street, and after that period who knew +what might happen? The engagement might stretch on indefinitely, +it might even come to nothing under the weight of its accumulated years, +as sometimes happened with these protracted affairs. Emmeline +might lose her fancy for her absentee lover, and might never replace +him with another. A golden possibility of perpetual tenancy of +her present home began to float once more through Francesca’s +mind. As long as Emmeline had been unbespoken in the marriage +market there had always been the haunting likelihood of seeing the dreaded +announcement, “a marriage has been arranged and will shortly take +place,” in connection with her name. And now a marriage +had been arranged and would not shortly take place, might indeed never +take place. St. Michael’s information was likely to be correct +in this instance; he would never have invented a piece of matrimonial +intelligence which gave such little scope for supplementary detail of +the kind he loved to supply. As Francesca turned to watch the +fourth act of the play, her mind was singing a paean of thankfulness +and exultation. It was as though some artificer sent by the Gods +had reinforced with a substantial cord the horsehair thread that held +up the sword of Damocles over her head. Her love for her home, +for her treasured household possessions, and her pleasant social life +was able to expand once more in present security, and feed on future +hope. She was still young enough to count four or five years as +a long time, and to-night she was optimistic enough to prophesy smooth +things of the future that lay beyond that span. Of the fourth +act, with its carefully held back but obviously imminent reconciliation +between the leading characters, she took in but little, except that +she vaguely understood it to have a happy ending. As the lights +went up she looked round on the dispersing audience with a feeling of +friendliness uppermost in her mind; even the sight of Elaine de Frey +and Courtenay Youghal leaving the theatre together did not inspire her +with a tenth part of the annoyance that their entrance had caused her. +Serena’s invitation to go on to the Savoy for supper fitted in +exactly with her mood of exhilaration. It would be a fit and appropriate +wind-up to an auspicious evening. The cold chicken and modest +brand of Chablis waiting for her at home should give way to a banquet +of more festive nature.<br> +<br> +In the crush of the vestibule, friends and enemies, personal and political, +were jostled and locked together in the general effort to rejoin temporarily +estranged garments and secure the attendance of elusive vehicles. +Lady Caroline found herself at close quarters with the estimable Henry +Greech, and experienced some of the joy which comes to the homeward +wending sportsman when a chance shot presents itself on which he may +expend his remaining cartridges.<br> +<br> +“So the Government is going to climb down, after all,” she +said, with a provocative assumption of private information on the subject.<br> +<br> +“I assure you the Government will do nothing of the kind,” +replied the Member of Parliament with befitting dignity; “the +Prime Minister told me last night that under no circumstances - ”<br> +<br> +“My dear Mr. Greech,” said Lady Caroline, “we all +know that Prime Ministers are wedded to the truth, but like other wedded +couples they sometimes live apart.”<br> +<br> +For her, at any rate, the comedy had had a happy ending.<br> +<br> +Comus made his way slowly and lingeringly from the stalls, so slowly +that the lights were already being turned down and great shroud-like +dust-cloths were being swaythed over the ornamental gilt-work. +The laughing, chattering, yawning throng had filtered out of the vestibule, +and was melting away in final groups from the steps of the theatre. +An impatient attendant gave him his coat and locked up the cloak room. +Comus stepped out under the portico; he looked at the posters announcing +the play, and in anticipation he could see other posters announcing +its 200th performance. Two hundred performances; by that time +the Straw Exchange Theatre would be to him something so remote and unreal +that it would hardly seem to exist or to have ever existed except in +his fancy. And to the laughing chattering throng that would pass +in under that portico to the 200th performance, he would be, to those +that had known him, something equally remote and non-existent. +“The good-looking Bassington boy? Oh, dead, or rubber-growing +or sheep-farming or something of that sort.”<br> +<br> +<br> +<br> +CHAPTER XIV<br> +<br> +<br> +<br> +The farewell dinner which Francesca had hurriedly organised in honour +of her son’s departure threatened from the outset to be a doubtfully +successful function. In the first place, as he observed privately, +there was very little of Comus and a good deal of farewell in it. +His own particular friends were unrepresented. Courtenay Youghal +was out of the question; and though Francesca would have stretched a +point and welcomed some of his other male associates of whom she scarcely +approved, he himself had been opposed to including any of them in the +invitations. On the other hand, as Henry Greech had provided Comus +with this job that he was going out to, and was, moreover, finding part +of the money for the necessary outfit, Francesca had felt it her duty +to ask him and his wife to the dinner; the obtuseness that seems to +cling to some people like a garment throughout their life had caused +Mr. Greech to accept the invitation. When Comus heard of the circumstance +he laughed long and boisterously; his spirits, Francesca noted, seemed +to be rising fast as the hour for departure drew near.<br> +<br> +The other guests included Serena Golackly and Lady Veula, the latter +having been asked on the inspiration of the moment at the theatrical +first-night. In the height of the Season it was not easy to get +together a goodly selection of guests at short notice, and Francesca +had gladly fallen in with Serena’s suggestion of bringing with +her Stephen Thorle, who was alleged, in loose feminine phrasing, to +“know all about” tropical Africa. His travels and +experiences in those regions probably did not cover much ground or stretch +over any great length of time, but he was one of those individuals who +can describe a continent on the strength of a few days’ stay in +a coast town as intimately and dogmatically as a paleontologist will +reconstruct an extinct mammal from the evidence of a stray shin bone. +He had the loud penetrating voice and the prominent penetrating eyes +of a man who can do no listening in the ordinary way and whose eyes +have to perform the function of listening for him. His vanity +did not necessarily make him unbearable, unless one had to spend much +time in his society, and his need for a wide field of audience and admiration +was mercifully calculated to spread his operations over a considerable +human area. Moreover, his craving for attentive listeners forced +him to interest himself in a wonderful variety of subjects on which +he was able to discourse fluently and with a certain semblance of special +knowledge. Politics he avoided; the ground was too well known, +and there was a definite no to every definite yes that could be put +forward. Moreover, argument was not congenial to his disposition, +which preferred an unchallenged flow of dissertation modified by occasional +helpful questions which formed the starting point for new offshoots +of word-spinning. The promotion of cottage industries, the prevention +of juvenile street trading, the extension of the Borstal prison system, +the furtherance of vague talkative religious movements the fostering +of inter-racial <i>ententes</i>, all found in him a tireless exponent, +a fluent and entertaining, though perhaps not very convincing, advocate. +With the real motive power behind these various causes he was not very +closely identified; to the spade-workers who carried on the actual labours +of each particular movement he bore the relation of a trowel-worker, +delving superficially at the surface, but able to devote a proportionately +far greater amount of time to the advertisement of his progress and +achievements. Such was Stephen Thorle, a governess in the nursery +of Chelsea-bred religions, a skilled window-dresser in the emporium +of his own personality, and needless to say, evanescently popular amid +a wide but shifting circle of acquaintances. He improved on the +record of a socially much-travelled individual whose experience has +become classical, and went to most of the best houses - twice.<br> +<br> +His inclusion as a guest at this particular dinner-party was not a very +happy inspiration. He was inclined to patronise Comus, as well +as the African continent, and on even slighter acquaintance. With +the exception of Henry Greech, whose feelings towards his nephew had +been soured by many years of overt antagonism, there was an uncomfortable +feeling among those present that the topic of the black-sheep export +trade, as Comus would have himself expressed it, was being given undue +prominence in what should have been a festive farewell banquet. +And Comus, in whose honour the feast was given, did not contribute much +towards its success; though his spirits seemed strung up to a high pitch +his merriment was more the merriment of a cynical and amused onlooker +than of one who responds to the gaiety of his companions. Sometimes +he laughed quietly to himself at some chance remark of a scarcely mirth-provoking +nature, and Lady Veula, watching him narrowly, came to the conclusion +that an element of fear was blended with his seemingly buoyant spirits. +Once or twice he caught her eye across the table, and a certain sympathy +seemed to grow up between them, as though they were both consciously +watching some lugubrious comedy that was being played out before them.<br> +<br> +An untoward little incident had marked the commencement of the meal. +A small still-life picture that hung over the sideboard had snapped +its cord and slid down with an alarming clatter on to the crowded board +beneath it. The picture itself was scarcely damaged, but its fall +had been accompanied by a tinkle of broken glass, and it was found that +a liqueur glass, one out of a set of seven that would be impossible +to match, had been shivered into fragments. Francesca’s +almost motherly love for her possessions made her peculiarly sensible +to a feeling of annoyance and depression at the accident, but she turned +politely to listen to Mrs. Greech’s account of a misfortune in +which four soup-plates were involved. Mrs. Henry was not a brilliant +conversationalist, and her flank was speedily turned by Stephen Thorle, +who recounted a slum experience in which two entire families did all +their feeding out of one damaged soup-plate.<br> +<br> +“The gratitude of those poor creatures when I presented them with +a set of table crockery apiece, the tears in their eyes and in their +voices when they thanked me, would be impossible to describe.”<br> +<br> +“Thank you all the same for describing it,” said Comus.<br> +<br> +The listening eyes went swiftly round the table to gather evidence as +to how this rather disconcerting remark had been received, but Thorle’s +voice continued uninterruptedly to retail stories of East-end gratitude, +never failing to mention the particular deeds of disinterested charity +on his part which had evoked and justified the gratitude. Mrs. +Greech had to suppress the interesting sequel to her broken-crockery +narrative, to wit, how she subsequently matched the shattered soup-plates +at Harrod’s. Like an imported plant species that sometimes +flourishes exceedingly, and makes itself at home to the dwarfing and +overshadowing of all native species, Thorle dominated the dinner-party +and thrust its original purport somewhat into the background. +Serena began to look helplessly apologetic. It was altogether +rather a relief when the filling of champagne glasses gave Francesca +an excuse for bringing matters back to their intended footing.<br> +<br> +“We must all drink a health,” she said; “Comus, my +own dear boy, a safe and happy voyage to you, much prosperity in the +life you are going out to, and in due time a safe and happy return - +”<br> +<br> +Her hand gave an involuntary jerk in the act of raising the glass, and +the wine went streaming across the tablecloth in a froth of yellow bubbles. +It certainly was not turning out a comfortable or auspicious dinner +party.<br> +<br> +“My dear mother,” cried Comus, “you must have been +drinking healths all the afternoon to make your hand so unsteady.”<br> +<br> +He laughed gaily and with apparent carelessness, but again Lady Veula +caught the frightened note in his laughter. Mrs. Henry, with practical +sympathy, was telling Francesca two good ways for getting wine stains +out of tablecloths. The smaller economies of life were an unnecessary +branch of learning for Mrs. Greech, but she studied them as carefully +and conscientiously as a stay-at-home plain-dwelling English child commits +to memory the measurements and altitudes of the world’s principal +mountain peaks. Some women of her temperament and mentality know +by heart the favourite colours, flowers and hymn-tunes of all the members +of the Royal Family; Mrs. Greech would possibly have failed in an examination +of that nature, but she knew what to do with carrots that have been +over-long in storage.<br> +<br> +Francesca did not renew her speech-making; a chill seemed to have fallen +over all efforts at festivity, and she contented herself with refilling +her glass and simply drinking to her boy’s good health. +The others followed her example, and Comus drained his glass with a +brief “thank you all very much.” The sense of constraint +which hung over the company was not, however, marked by any uncomfortable +pause in the conversation. Henry Greech was a fluent thinker, +of the kind that prefer to do their thinking aloud; the silence that +descended on him as a mantle in the House of Commons was an official +livery of which he divested himself as thoroughly as possible in private +life. He did not propose to sit through dinner as a mere listener +to Mr. Thorle’s personal narrative of philanthropic movements +and experiences, and took the first opportunity of launching himself +into a flow of satirical observations on current political affairs. +Lady Veula was inured to this sort of thing in her own home circle, +and sat listening with the stoical indifference with which an Esquimau +might accept the occurrence of one snowstorm the more, in the course +of an Arctic winter. Serena Golackly felt a certain relief at +the fact that her imported guest was not, after all, monopolising the +conversation. But the latter was too determined a personality +to allow himself to be thrust aside for many minutes by the talkative +M.P. Henry Greech paused for an instant to chuckle at one of his +own shafts of satire, and immediately Thorle’s penetrating voice +swept across the table.<br> +<br> +“Oh, you politicians!” he exclaimed, with pleasant superiority; +“you are always fighting about how things should be done, and +the consequence is you are never able to do anything. Would you +like me to tell you what a Unitarian horsedealer said to me at Brindisi +about politicians?”<br> +<br> +A Unitarian horsedealer at Brindisi had all the allurement of the unexpected. +Henry Greech’s witticisms at the expense of the Front Opposition +bench were destined to remain as unfinished as his wife’s history +of the broken soup-plates. Thorle was primed with an ample succession +of stories and themes, chiefly concerning poverty, thriftlessness, reclamation, +reformed characters, and so forth, which carried him in an almost uninterrupted +sequence through the remainder of the dinner.<br> +<br> +“What I want to do is to make people think,” he said, turning +his prominent eyes on to his hostess; “it’s so hard to make +people think.”<br> +<br> +“At any rate you give them the opportunity,” said Comus, +cryptically.<br> +<br> +As the ladies rose to leave the table Comus crossed over to pick up +one of Lady Veula’s gloves that had fallen to the floor.<br> +<br> +“I did not know you kept a dog,” said Lady Veula.<br> +<br> +“We don’t,” said Comus, “there isn’t one +in the house.”<br> +<br> +“I could have sworn I saw one follow you across the hall this +evening,” she said.<br> +<br> +“A small black dog, something like a schipperke?” asked +Comus in a low voice.<br> +<br> +“Yes, that was it.”<br> +<br> +“I saw it myself to-night; it ran from behind my chair just as +I was sitting down. Don’t say anything to the others about +it; it would frighten my mother.”<br> +<br> +“Have you ever seen it before?” Lady Veula asked quickly.<br> +<br> +“Once, when I was six years old. It followed my father downstairs.”<br> +<br> +Lady Veula said nothing. She knew that Comus had lost his father +at the age of six.<br> +<br> +In the drawing-room Serena made nervous excuses for her talkative friend.<br> +<br> +“Really, rather an interesting man, you know, and up to the eyes +in all sorts of movements. Just the sort of person to turn loose +at a drawing-room meeting, or to send down to a mission-hall in some +unheard-of neighbourhood. Given a sounding-board and a harmonium, +and a titled woman of some sort in the chair, and he’ll be perfectly +happy; I must say I hadn’t realised how overpowering he might +be at a small dinner-party.”<br> +<br> +“I should say he was a very good man,” said Mrs. Greech; +she had forgiven the mutilation of her soup-plate story.<br> +<br> +The party broke up early as most of the guests had other engagements +to keep. With a belated recognition of the farewell nature of +the occasion they made pleasant little good-bye remarks to Comus, with +the usual predictions of prosperity and anticipations of an ultimate +auspicious return. Even Henry Greech sank his personal dislike +of the boy for the moment, and made hearty jocular allusions to a home-coming, +which, in the elder man’s eyes, seemed possibly pleasantly remote. +Lady Veula alone made no reference to the future; she simply said, “Good-bye, +Comus,” but her voice was the kindest of all and he responded +with a look of gratitude. The weariness in her eyes was more marked +than ever as she lay back against the cushions of her carriage.<br> +<br> +“What a tragedy life is,” she said, aloud to herself.<br> +<br> +Serena and Stephen Thorle were the last to leave, and Francesca stood +alone for a moment at the head of the stairway watching Comus laughing +and chatting as he escorted the departing guests to the door. +The ice-wall was melting under the influence of coming separation, and +never had he looked more adorably handsome in her eyes, never had his +merry laugh and mischief-loving gaiety seemed more infectious than on +this night of his farewell banquet. She was glad enough that he +was going away from a life of idleness and extravagance and temptation, +but she began to suspect that she would miss, for a little while at +any rate, the high-spirited boy who could be so attractive in his better +moods. Her impulse, after the guests had gone, was to call him +to her and hold him once more in her arms, and repeat her wishes for +his happiness and good-luck in the land he was going to, and her promise +of his welcome back, some not too distant day, to the land he was leaving. +She wanted to forget, and to make him forget, the months of irritable +jangling and sharp discussions, the months of cold aloofness and indifference +and to remember only that he was her own dear Comus as in the days of +yore, before he had grown from an unmanageable pickle into a weariful +problem. But she feared lest she should break down, and she did +not wish to cloud his light-hearted gaiety on the very eve of his departure. +She watched him for a moment as he stood in the hall, settling his tie +before a mirror, and then went quietly back to her drawing-room. +It had not been a very successful dinner party, and the general effect +it had left on her was one of depression.<br> +<br> +Comus, with a lively musical-comedy air on his lips, and a look of wretchedness +in his eyes, went out to visit the haunts that he was leaving so soon.<br> +<br> +<br> +<br> +CHAPTER XV<br> +<br> +<br> +<br> +Elaine Youghal sat at lunch in the Speise Saal of one of Vienna’s +costlier hotels. The double-headed eagle, with its “K.u.K.” +legend, everywhere met the eye and announced the imperial favour in +which the establishment basked. Some several square yards of yellow +bunting, charged with the image of another double-headed eagle, floating +from the highest flag-staff above the building, betrayed to the initiated +the fact that a Russian Grand Duke was concealed somewhere on the premises. +Unannounced by heraldic symbolism but unconcealable by reason of nature’s +own blazonry, were several citizens and citizenesses of the great republic +of the Western world. One or two Cobdenite members of the British +Parliament engaged in the useful task of proving that the cost of living +in Vienna was on an exorbitant scale, flitted with restrained importance +through a land whose fatness they had come to spy out; every fancied +over-charge in their bills was welcome as providing another nail in +the coffin of their fiscal opponents. It is the glory of democracies +that they may be misled but never driven. Here and there, like +brave deeds in a dust-patterned world, flashed and glittered the sumptuous +uniforms of representatives of the Austrian military caste. Also +in evidence, at discreet intervals, were stray units of the Semetic +tribe that nineteen centuries of European neglect had been unable to +mislay.<br> +<br> +Elaine sitting with Courtenay at an elaborately appointed luncheon table, +gay with high goblets of Bohemian glassware, was mistress of three discoveries. +First, to her disappointment, that if you frequent the more expensive +hotels of Europe you must be prepared to find, in whatever country you +may chance to be staying, a depressing international likeness between +them all. Secondly, to her relief, that one is not expected to +be sentimentally amorous during a modern honeymoon. Thirdly, rather +to her dismay, that Courtenay Youghal did not necessarily expect her +to be markedly affectionate in private. Someone had described +him, after their marriage, as one of Nature’s bachelors, and she +began to see how aptly the description fitted him.<br> +<br> +“Will those Germans on our left never stop talking?” she +asked, as an undying flow of Teutonic small talk rattled and jangled +across the intervening stretch of carpet. “Not one of those +three women has ceased talking for an instant since we’ve been +sitting here.”<br> +<br> +“They will presently, if only for a moment,” said Courtenay; +“when the dish you have ordered comes in there will be a deathly +silence at the next table. No German can see a <i>plat</i> brought +in for someone else without being possessed with a great fear that it +represents a more toothsome morsel or a better money’s worth than +what he has ordered for himself.”<br> +<br> +The exuberant Teutonic chatter was balanced on the other side of the +room by an even more penetrating conversation unflaggingly maintained +by a party of Americans, who were sitting in judgment on the cuisine +of the country they were passing through, and finding few extenuating +circumstances.<br> +<br> +“What Mr. Lonkins wants is a real <i>deep</i> cherry pie,” +announced a lady in a tone of dramatic and honest conviction.<br> +<br> +“Why, yes, that is so,” corroborated a gentleman who was +apparently the Mr. Lonkins in question; “a real <i>deep</i> cherry +pie.”<br> +<br> +“We had the same trouble way back in Paris,” proclaimed +another lady; “little Jerome and the girls don’t want to +eat any more <i>crème renversée</i>. I’d give +anything if they could get some real cherry pie.”<br> +<br> +“Real <i>deep</i> cherry pie,” assented Mr. Lonkins.<br> +<br> +“Way down in Ohio we used to have peach pie that was real good,” +said Mrs. Lonkins, turning on a tap of reminiscence that presently flowed +to a cascade. The subject of pies seemed to lend itself to indefinite +expansion.<br> +<br> +“Do those people think of nothing but their food?” asked +Elaine, as the virtues of roasted mutton suddenly came to the fore and +received emphatic recognition, even the absent and youthful Jerome being +quoted in its favour.<br> +<br> +“On the contrary,” said Courtenay, “they are a widely-travelled +set, and the man has had a notably interesting career. It is a +form of home-sickness with them to discuss and lament the cookery and +foods that they’ve never had the leisure to stay at home and digest. +The Wandering Jew probably babbled unremittingly about some breakfast +dish that took so long to prepare that he had never time to eat it.”<br> +<br> +A waiter deposited a dish of Wiener Nierenbraten in front of Elaine. +At the same moment a magic hush fell upon the three German ladies at +the adjoining table, and the flicker of a great fear passed across their +eyes. Then they burst forth again into tumultuous chatter. +Courtenay had proved a reliable prophet.<br> +<br> +Almost at the same moment as the luncheon-dish appeared on the scene, +two ladies arrived at a neighbouring table, and bowed with dignified +cordiality to Elaine and Courtenay. They were two of the more +worldly and travelled of Elaine’s extensive stock of aunts, and +they happened to be making a short stay at the same hotel as the young +couple. They were far too correct and rationally minded to intrude +themselves on their niece, but it was significant of Elaine’s +altered view as to the sanctity of honeymoon life that she secretly +rather welcomed the presence of her two relatives in the hotel, and +had found time and occasion to give them more of her society than she +would have considered necessary or desirable a few weeks ago. +The younger of the two she rather liked, in a restrained fashion, as +one likes an unpretentious watering-place or a restaurant that does +not try to give one a musical education in addition to one’s dinner. +One felt instinctively about her that she would never wear rather more +valuable diamonds than any other woman in the room, and would never +be the only person to be saved in a steamboat disaster or hotel fire. +As a child she might have been perfectly well able to recite “On +Linden when the sun was low,” but one felt certain that nothing +ever induced her to do so. The elder aunt, Mrs. Goldbrook, did +not share her sister’s character as a human rest-cure; most people +found her rather disturbing, chiefly, perhaps, from her habit of asking +unimportant questions with enormous solemnity. Her manner of enquiring +after a trifling ailment gave one the impression that she was more concerned +with the fortunes of the malady than with oneself, and when one got +rid of a cold one felt that she almost expected to be given its postal +address. Probably her manner was merely the defensive outwork +of an innate shyness, but she was not a woman who commanded confidences.<br> +<br> +“A telephone call for Courtenay,” commented the younger +of the two women as Youghal hurriedly flashed through the room; “the +telephone system seems to enter very largely into that young man’s +life.”<br> +<br> +“The telephone has robbed matrimony of most of its sting,” +said the elder; “so much more discreet than pen and ink communications +which get read by the wrong people.”<br> +<br> +Elaine’s aunts were conscientiously worldly; they were the natural +outcome of a stock that had been conscientiously straight-laced for +many generations.<br> +<br> +Elaine had progressed to the pancake stage before Courtenay returned.<br> +<br> +“Sorry to be away so long,” he said, “but I’ve +arranged something rather nice for to-night. There’s rather +a jolly masquerade ball on. I’ve ‘phoned about getting +a costume for you and it’s alright. It will suit you beautifully, +and I’ve got my harlequin dress with me. Madame Kelnicort, +excellent soul, is going to chaperone you, and she’ll take you +back any time you like; I’m quite unreliable when I get into fancy +dress. I shall probably keep going till some unearthly hour of +the morning.”<br> +<br> +A masquerade ball in a strange city hardly represented Elaine’s +idea of enjoyment. Carefully to disguise one’s identity +in a neighbourhood where one was entirely unknown seemed to her rather +meaningless. With Courtenay, of course, it was different; he seemed +to have friends and acquaintances everywhere. However, the matter +had progressed to a point which would have made a refusal to go seem +rather ungracious. Elaine finished her pancake and began to take +a polite interest in her costume.<br> +<br> +“What is your character?” asked Madame Kelnicort that evening, +as they uncloaked, preparatory to entering the already crowded ball-room.<br> +<br> +“I believe I’m supposed to represent Marjolaine de Montfort, +whoever she may have been,” said Elaine. “Courtenay +declares he only wanted to marry me because I’m his ideal of her.”<br> +<br> +“But what a mistake to go as a character you know nothing about. +To enjoy a masquerade ball you ought to throw away your own self and +be the character you represent. Now Courtenay has been Harlequin +since half-way through dinner; I could see it dancing in his eyes. +At about six o’clock to-morrow morning he will fall asleep and +wake up a member of the British House of Parliament on his honeymoon, +but to-night he is unrestrainedly Harlequin.”<br> +<br> +Elaine stood in the ball-room surrounded by a laughing jostling throng +of pierrots, jockeys, Dresden-china shepherdesses, Roumanian peasant-girls +and all the lively make-believe creatures that form the ingredients +of a fancy-dress ball. As she stood watching them she experienced +a growing feeling of annoyance, chiefly with herself. She was +assisting, as the French say, at one of the gayest scenes of Europe’s +gayest capital, and she was conscious of being absolutely unaffected +by the gaiety around her. The costumes were certainly interesting +to look at, and the music good to listen to, and to that extent she +was amused, but the <i>abandon</i> of the scene made no appeal to her. +It was like watching a game of which you did not know the rules, and +in the issue of which you were not interested. Elaine began to +wonder what was the earliest moment at which she could drag Madame Kelnicort +away from the revel without being guilty of sheer cruelty. Then +Courtenay wriggled out of the crush and came towards her, a joyous laughing +Courtenay, looking younger and handsomer than she had ever seen him. +She could scarcely recognise in him to-night the rising young debater +who made embarrassing onslaughts on the Government’s foreign policy +before a crowded House of Commons. He claimed her for the dance +that was just starting, and steered her dexterously into the heart of +the waltzing crowd.<br> +<br> +“You look more like Marjolaine than I should have thought a mortal +woman of these days could look,” he declared, “only Marjolaine +did smile sometimes. You have rather the air of wondering if you’d +left out enough tea for the servants’ breakfast. Don’t +mind my teasing; I love you to look like that, and besides, it makes +a splendid foil to my Harlequin - my selfishness coming to the fore +again, you see. But you really are to go home the moment you’re +bored; the excellent Kelnicort gets heaps of dances throughout the winter, +so don’t mind sacrificing her.”<br> +<br> +A little later in the evening Elaine found herself standing out a dance +with a grave young gentleman from the Russian Embassy.<br> +<br> +“Monsieur Courtenay enjoys himself, doesn’t he?” he +observed, as the youthful-looking harlequin flashed past them, looking +like some restless gorgeous-hued dragonfly; “why is it that the +good God has given your countrymen the boon of eternal youth? +Some of your countrywomen, too, but all of the men.”<br> +<br> +Elaine could think of many of her countrymen who were not and never +could have been youthful, but as far as Courtenay was concerned she +recognised the fitness of the remark. And the recognition carried +with it a sense of depression. Would he always remain youthful +and keen on gaiety and revelling while she grew staid and retiring? +She had thrust the lively intractable Comus out of her mind, as by his +perverseness he had thrust himself out of her heart, and she had chosen +the brilliant young man of affairs as her husband. He had honestly +let her see the selfish side of his character while he was courting +her, but she had been prepared to make due sacrifices to the selfishness +of a public man who had his career to consider above all other things. +Would she also have to make sacrifices to the harlequin spirit which +was now revealing itself as an undercurrent in his nature? When +one has inured oneself to the idea of a particular form of victimisation +it is disconcerting to be confronted with another. Many a man +who would patiently undergo martyrdom for religion’s sake would +be furiously unwilling to be a martyr to neuralgia.<br> +<br> +“I think that is why you English love animals so much,” +pursued the young diplomat; “you are such splendid animals yourselves. +You are lively because you want to be lively, not because people are +looking on at you. Monsieur Courtenay is certainly an animal. +I mean it as a high compliment.”<br> +<br> +“Am I an animal?” asked Elaine.<br> +<br> +“I was going to say you are an angel,” said the Russian, +in some embarrassment, “but I do not think that would do; angels +and animals would never get on together. To get on with animals +you must have a sense of humour, and I don’t suppose angels have +any sense of humour; you see it would be no use to them as they never +hear any jokes.”<br> +<br> +“Perhaps,” said Elaine, with a tinge of bitterness in her +voice, “perhaps I am a vegetable.”<br> +<br> +“I think you most remind me of a picture,” said the Russian.<br> +<br> +It was not the first time Elaine had heard the simile.<br> +<br> +“I know,” she said, “the Narrow Gallery at the Louvre; +attributed to Leonardo da Vinci.”<br> +<br> +Evidently the impression she made on people was solely one of externals.<br> +<br> +Was that how Courtenay regarded her? Was that to be her function +and place in life, a painted background, a decorative setting to other +people’s triumphs and tragedies? Somehow to-night she had +the feeling that a general might have who brought imposing forces into +the field and could do nothing with them. She possessed youth +and good looks, considerable wealth, and had just made what would be +thought by most people a very satisfactory marriage. And already +she seemed to be standing aside as an onlooker where she had expected +herself to be taking a leading part.<br> +<br> +“Does this sort of thing appeal to you?” she asked the young +Russian, nodding towards the gay scrimmage of masqueraders and rather +prepared to hear an amused negative.”<br> +<br> +“But yes, of course,” he answered; “costume balls, +fancy fairs, café chantant, casino, anything that is not real +life appeals to us Russians. Real life with us is the sort of +thing that Maxim Gorki deals in. It interests us immensely, but +we like to get away from it sometimes.”<br> +<br> +Madame Kelnicort came up with another prospective partner, and Elaine +delivered her ukase: one more dance and then back to the hotel. +Without any special regret she made her retreat from the revel which +Courtenay was enjoying under the impression that it was life and the +young Russian under the firm conviction that it was not.<br> +<br> +Elaine breakfasted at her aunts’ table the next morning at much +her usual hour. Courtenay was sleeping the sleep of a happy tired +animal. He had given instructions to be called at eleven o’clock, +from which time onward the <i>Neue Freie Presse</i>, the <i>Zeit</i>, +and his toilet would occupy his attention till he appeared at the luncheon +table. There were not many people breakfasting when Elaine arrived +on the scene, but the room seemed to be fuller than it really was by +reason of a penetrating voice that was engaged in recounting how far +the standard of Viennese breakfast fare fell below the expectations +and desires of little Jerome and the girls.<br> +<br> +“If ever little Jerome becomes President of the United States,” +said Elaine, “I shall be able to contribute quite an informing +article on his gastronomic likes and dislikes to the papers.”<br> +<br> +The aunts were discreetly inquisitive as to the previous evening’s +entertainment.<br> +<br> +“If Elaine would flirt mildly with somebody it would be such a +good thing,” said Mrs. Goldbrook; “it would remind Courtenay +that he’s not the only attractive young man in the world.”<br> +<br> +Elaine, however, did not gratify their hopes; she referred to the ball +with the detachment she would have shown in describing a drawing-room +show of cottage industries. It was not difficult to discern in +her description of the affair the confession that she had been slightly +bored. From Courtenay, later in the day, the aunts received a +much livelier impression of the festivities, from which it was abundantly +clear that he at any rate had managed to amuse himself. Neither +did it appear that his good opinion of his own attractions had suffered +any serious shock. He was distinctly in a very good temper.<br> +<br> +“The secret of enjoying a honeymoon,” said Mrs. Goldbrook +afterwards to her sister, “is not to attempt too much.”<br> +<br> +“You mean - ?”<br> +<br> +“Courtenay is content to try and keep one person amused and happy, +and he thoroughly succeeds.”<br> +<br> +“I certainly don’t think Elaine is going to be very happy,” +said her sister, “but at least Courtenay saved her from making +the greatest mistake she could have made - marrying that young Bassington.”<br> +<br> +“He has also,” said Mrs. Goldbrook, “helped her to +make the next biggest mistake of her life - marrying Courtenay Youghal.<br> +<br> +<br> +<br> +CHAPTER XVI<br> +<br> +<br> +<br> +It was late afternoon by the banks of a swiftly rushing river, a river +that gave back a haze of heat from its waters as though it were some +stagnant steaming lagoon, and yet seemed to be whirling onward with +the determination of a living thing, perpetually eager and remorseless, +leaping savagely at any obstacle that attempted to stay its course; +an unfriendly river, to whose waters you committed yourself at your +peril. Under the hot breathless shade of the trees on its shore +arose that acrid all-pervading smell that seems to hang everywhere about +the tropics, a smell as of some monstrous musty still-room where herbs +and spices have been crushed and distilled and stored for hundreds of +years, and where the windows have seldom been opened. In the dazzling +heat that still held undisputed sway over the scene, insects and birds +seemed preposterously alive and active, flitting their gay colours through +the sunbeams, and crawling over the baked dust in the full swing and +pursuit of their several businesses; the flies engaged in Heaven knows +what, and the fly-catchers busy with the flies. Beasts and humans +showed no such indifference to the temperature; the sun would have to +slant yet further downward before the earth would become a fit arena +for their revived activities. In the sheltered basement of a wayside +rest-house a gang of native hammock-bearers slept or chattered drowsily +through the last hours of the long mid-day halt; wide awake, yet almost +motionless in the thrall of a heavy lassitude, their European master +sat alone in an upper chamber, staring out through a narrow window-opening +at the native village, spreading away in thick clusters of huts girt +around with cultivated vegetation. It seemed a vast human ant-hill, +which would presently be astir with its teeming human life, as though +the Sun God in his last departing stride had roused it with a careless +kick. Even as Comus watched he could see the beginnings of the +evening’s awakening. Women, squatting in front of their +huts, began to pound away at the rice or maize that would form the evening +meal, girls were collecting their water pots preparatory to a walk down +to the river, and enterprising goats made tentative forays through gaps +in the ill-kept fences of neighbouring garden plots; their hurried retreats +showed that here at least someone was keeping alert and wakeful vigil. +Behind a hut perched on a steep hillside, just opposite to the rest-house, +two boys were splitting wood with a certain languid industry; further +down the road a group of dogs were leisurely working themselves up to +quarrelling pitch. Here and there, bands of evil-looking pigs +roamed about, busy with foraging excursions that came unpleasantly athwart +the border-line of scavenging. And from the trees that bounded +and intersected the village rose the horrible, tireless, spiteful-sounding +squawking of the iron-throated crows.<br> +<br> +Comus sat and watched it all with a sense of growing aching depression. +It was so utterly trivial to his eyes, so devoid of interest, and yet +it was so real, so serious, so implacable in its continuity. The +brain grew tired with the thought of its unceasing reproduction. +It had all gone on, as it was going on now, by the side of the great +rushing swirling river, this tilling and planting and harvesting, marketing +and store-keeping, feast-making and fetish-worship and love-making, +burying and giving in marriage, child-bearing and child-rearing, all +this had been going on, in the shimmering, blistering heat and the warm +nights, while he had been a youngster at school, dimly recognising Africa +as a division of the earth’s surface that it was advisable to +have a certain nodding acquaintance with.<br> +<br> +It had been going on in all its trifling detail, all its serious intensity, +when his father and his grandfather in their day had been little boys +at school, it would go on just as intently as ever long after Comus +and his generation had passed away, just as the shadows would lengthen +and fade under the mulberry trees in that far away English garden, round +the old stone fountain where a leaden otter for ever preyed on a leaden +salmon.<br> +<br> +Comus rose impatiently from his seat, and walked wearily across the +hut to another window-opening which commanded a broad view of the river. +There was something which fascinated and then depressed one in its ceaseless +hurrying onward sweep, its tons of water rushing on for all time, as +long as the face of the earth should remain unchanged. On its +further shore could be seen spread out at intervals other teeming villages, +with their cultivated plots and pasture clearings, their moving dots +which meant cattle and goats and dogs and children. And far up +its course, lost in the forest growth that fringed its banks, were hidden +away yet more villages, human herding-grounds where men dwelt and worked +and bartered, squabbled and worshipped, sickened and perished, while +the river went by with its endless swirl and rush of gleaming waters. +One could well understand primitive early races making propitiatory +sacrifices to the spirit of a great river on whose shores they dwelt. +Time and the river were the two great forces that seemed to matter here.<br> +<br> +It was almost a relief to turn back to that other outlook and watch +the village life that was now beginning to wake in earnest. The +procession of water-fetchers had formed itself in a long chattering +line that stretched river-wards. Comus wondered how many tens +of thousands of times that procession had been formed since first the +village came into existence. They had been doing it while he was +playing in the cricket-fields at school, while he was spending Christmas +holidays in Paris, while he was going his careless round of theatres, +dances, suppers and card-parties, just as they were doing it now; they +would be doing it when there was no one alive who remembered Comus Bassington. +This thought recurred again and again with painful persistence, a morbid +growth arising in part from his loneliness.<br> +<br> +Staring dumbly out at the toiling sweltering human ant-hill Comus marvelled +how missionary enthusiasts could labour hopefully at the work of transplanting +their religion, with its homegrown accretions of fatherly parochial +benevolence, in this heat-blistered, fever-scourged wilderness, where +men lived like groundbait and died like flies. Demons one might +believe in, if one did not hold one’s imagination in healthy check, +but a kindly all-managing God, never. Somewhere in the west country +of England Comus had an uncle who lived in a rose-smothered rectory +and taught a wholesome gentle-hearted creed that expressed itself in +the spirit of “Little lamb, who made thee?” and faithfully +reflected the beautiful homely Christ-child sentiment of Saxon Europe. +What a far away, unreal fairy story it all seemed here in this West +African land, where the bodies of men were of as little account as the +bubbles that floated on the oily froth of the great flowing river, and +where it required a stretch of wild profitless imagination to credit +them with undying souls. In the life he had come from Comus had +been accustomed to think of individuals as definite masterful personalities, +making their several marks on the circumstances that revolved around +them; they did well or ill, or in most cases indifferently, and were +criticised, praised, blamed, thwarted or tolerated, or given way to. +In any case, humdrum or outstanding, they had their spheres of importance, +little or big. They dominated a breakfast table or harassed a +Government, according to their capabilities or opportunities, or perhaps +they merely had irritating mannerisms. At any rate it seemed highly +probable that they had souls. Here a man simply made a unit in +an unnumbered population, an inconsequent dot in a loosely-compiled +deathroll. Even his own position as a white man exalted conspicuously +above a horde of black natives did not save Comus from the depressing +sense of nothingness which his first experience of fever had thrown +over him. He was a lost, soulless body in this great uncaring +land; if he died another would take his place, his few effects would +be inventoried and sent down to the coast, someone else would finish +off any tea or whisky that he left behind - that would be all.<br> +<br> +It was nearly time to be starting towards the next halting place where +he would dine or at any rate eat something. But the lassitude +which the fever had bequeathed him made the tedium of travelling through +interminable forest-tracks a weariness to be deferred as long as possible. +The bearers were nothing loth to let another half-hour or so slip by, +and Comus dragged a battered paper-covered novel from the pocket of +his coat. It was a story dealing with the elaborately tangled +love affairs of a surpassingly uninteresting couple, and even in his +almost bookless state Comus had not been able to plough his way through +more than two-thirds of its dull length; bound up with the cover, however, +were some pages of advertisement, and these the exile scanned with a +hungry intentness that the romance itself could never have commanded. +The name of a shop, of a street, the address of a restaurant, came to +him as a bitter reminder of the world he had lost, a world that ate +and drank and flirted, gambled and made merry, a world that debated +and intrigued and wire-pulled, fought or compromised political battles +- and recked nothing of its outcasts wandering through forest paths +and steamy swamps or lying in the grip of fever. Comus read and +re-read those few lines of advertisement, just as he treasured a much-crumpled +programme of a first-night performance at the Straw Exchange Theatre; +they seemed to make a little more real the past that was already so +shadowy and so utterly remote. For a moment he could almost capture +the sensation of being once again in those haunts that he loved; then +he looked round and pushed the book wearily from him. The steaming +heat, the forest, the rushing river hemmed him in on all sides.<br> +<br> +The two boys who had been splitting wood ceased from their labours and +straightened their backs; suddenly the smaller of the two gave the other +a resounding whack with a split lath that he still held in his hand, +and flew up the hillside with a scream of laughter and simulated terror, +the bigger lad following in hot pursuit. Up and down the steep +bush-grown slope they raced and twisted and dodged, coming sometimes +to close quarters in a hurricane of squeals and smacks, rolling over +and over like fighting kittens, and breaking away again to start fresh +provocation and fresh pursuit. Now and again they would lie for +a time panting in what seemed the last stage of exhaustion, and then +they would be off in another wild scamper, their dusky bodies flitting +through the bushes, disappearing and reappearing with equal suddenness. +Presently two girls of their own age, who had returned from the water-fetching, +sprang out on them from ambush, and the four joined in one joyous gambol +that lit up the hillside with shrill echoes and glimpses of flying limbs. +Comus sat and watched, at first with an amused interest, then with a +returning flood of depression and heart-ache. Those wild young +human kittens represented the joy of life, he was the outsider, the +lonely alien, watching something in which he could not join, a happiness +in which he had no part or lot. He would pass presently out of +the village and his bearers’ feet would leave their indentations +in the dust; that would be his most permanent memorial in this little +oasis of teeming life. And that other life, in which he once moved +with such confident sense of his own necessary participation in it, +how completely he had passed out of it. Amid all its laughing +throngs, its card parties and race-meetings and country-house gatherings, +he was just a mere name, remembered or forgotten, Comus Bassington, +the boy who went away. He had loved himself very well and never +troubled greatly whether anyone else really loved him, and now he realised +what he had made of his life. And at the same time he knew that +if his chance were to come again he would throw it away just as surely, +just as perversely. Fate played with him with loaded dice; he +would lose always.<br> +<br> +One person in the whole world had cared for him, for longer than he +could remember, cared for him perhaps more than he knew, cared for him +perhaps now. But a wall of ice had mounted up between him and +her, and across it there blew that cold-breath that chills or kills +affection.<br> +<br> +The words of a well-known old song, the wistful cry of a lost cause, +rang with insistent mockery through his brain:<br> +<br> +<br> +“Better loved you canna be,<br> +Will ye ne’er come back again?”<br> +<br> +<br> +If it was love that was to bring him back he must be an exile for ever. +His epitaph in the mouths of those that remembered him would be, Comus +Bassington, the boy who never came back.<br> +<br> +And in his unutterable loneliness he bowed his head on his arms, that +he might not see the joyous scrambling frolic on yonder hillside.<br> +<br> +<br> +<br> +CHAPTER XVII<br> +<br> +<br> +<br> +The bleak rawness of a grey December day held sway over St. James’s +Park, that sanctuary of lawn and tree and pool, into which the bourgeois +innovator has rushed ambitiously time and again, to find that he must +take the patent leather from off his feet, for the ground on which he +stands is hallowed ground.<br> +<br> +In the lonely hour of early afternoon, when the workers had gone back +to their work, and the loiterers were scarcely yet gathered again, Francesca +Bassington made her way restlessly along the stretches of gravelled +walk that bordered the ornamental water. The overmastering unhappiness +that filled her heart and stifled her thinking powers found answering +echo in her surroundings. There is a sorrow that lingers in old +parks and gardens that the busy streets have no leisure to keep by them; +the dead must bury their dead in Whitehall or the Place de la Concorde, +but there are quieter spots where they may still keep tryst with the +living and intrude the memory of their bygone selves on generations +that have almost forgotten them. Even in tourist-trampled Versailles +the desolation of a tragedy that cannot die haunts the terraces and +fountains like a bloodstain that will not wash out; in the Saxon Garden +at Warsaw there broods the memory of long-dead things, coeval with the +stately trees that shade its walks, and with the carp that swim to-day +in its ponds as they doubtless swam there when “Lieber Augustin” +was a living person and not as yet an immortal couplet. And St. +James’s Park, with its lawns and walks and waterfowl, harbours +still its associations with a bygone order of men and women, whose happiness +and sadness are woven into its history, dim and grey as they were once +bright and glowing, like the faded pattern worked into the fabric of +an old tapestry. It was here that Francesca had made her way when +the intolerable inaction of waiting had driven her forth from her home. +She was waiting for that worst news of all, the news which does not +kill hope, because there has been none to kill, but merely ends suspense. +An early message had said that Comus was ill, which might have meant +much or little; then there had come that morning a cablegram which only +meant one thing; in a few hours she would get a final message, of which +this was the preparatory forerunner. She already knew as much +as that awaited message would tell her. She knew that she would +never see Comus again, and she knew now that she loved him beyond all +things that the world could hold for her. It was no sudden rush +of pity or compunction that clouded her judgment or gilded her recollection +of him; she saw him as he was, the beautiful, wayward, laughing boy, +with his naughtiness, his exasperating selfishness, his insurmountable +folly and perverseness, his cruelty that spared not even himself, and +as he was, as he always had been, she knew that he was the one thing +that the Fates had willed that she should love. She did not stop +to accuse or excuse herself for having sent him forth to what was to +prove his death. It was, doubtless, right and reasonable that +he should have gone out there, as hundreds of other men went out, in +pursuit of careers; the terrible thing was that he would never come +back. The old cruel hopelessness that had always chequered her +pride and pleasure in his good looks and high spirits and fitfully charming +ways had dealt her a last crushing blow; he was dying somewhere thousands +of miles away without hope of recovery, without a word of love to comfort +him, and without hope or shred of consolation she was waiting to hear +of the end. The end; that last dreadful piece of news which would +write “nevermore” across his life and hers.<br> +<br> +The lively bustle in the streets had been a torture that she could not +bear. It wanted but two days to Christmas and the gaiety of the +season, forced or genuine, rang out everywhere. Christmas shopping, +with its anxious solicitude or self-centred absorption, overspread the +West End and made the pavements scarcely passable at certain favoured +points. Proud parents, parcel-laden and surrounded by escorts +of their young people, compared notes with one another on the looks +and qualities of their offspring and exchanged loud hurried confidences +on the difficulty or success which each had experienced in getting the +right presents for one and all. Shouted directions where to find +this or that article at its best mingled with salvos of Christmas good +wishes. To Francesca, making her way frantically through the carnival +of happiness with that lonely deathbed in her eyes, it had seemed a +callous mockery of her pain; could not people remember that there were +crucifixions as well as joyous birthdays in the world? Every mother +that she passed happy in the company of a fresh-looking clean-limbed +schoolboy son sent a fresh stab at her heart, and the very shops had +their bitter memories. There was the tea-shop where he and she +had often taken tea together, or, in the days of their estrangement, +sat with their separate friends at separate tables. There were +other shops where extravagantly-incurred bills had furnished material +for those frequently recurring scenes of recrimination, and the Colonial +outfitters, where, as he had phrased it in whimsical mockery, he had +bought grave-clothes for his burying-alive. The “oubliette!” +She remembered the bitter petulant name he had flung at his destined +exile. There at least he had been harder on himself than the Fates +were pleased to will; never, as long as Francesca lived and had a brain +that served her, would she be able to forget. That narcotic would +never be given to her. Unrelenting, unsparing memory would be +with her always to remind her of those last days of tragedy. Already +her mind was dwelling on the details of that ghastly farewell dinner-party +and recalling one by one the incidents of ill-omen that had marked it; +how they had sat down seven to table and how one liqueur glass in the +set of seven had been shivered into fragments; how her glass had slipped +from her hand as she raised it to her lips to wish Comus a safe return; +and the strange, quiet hopelessness of Lady Veula’s “good-bye”; +she remembered now how it had chilled and frightened her at the moment.<br> +<br> +The park was filling again with its floating population of loiterers, +and Francesca’s footsteps began to take a homeward direction. +Something seemed to tell her that the message for which she waited had +arrived and was lying there on the hall table. Her brother, who +had announced his intention of visiting her early in the afternoon would +have gone by now; he knew nothing of this morning’s bad news - +the instinct of a wounded animal to creep away by itself had prompted +her to keep her sorrow from him as long as possible. His visit +did not necessitate her presence; he was bringing an Austrian friend, +who was compiling a work on the Franco-Flemish school of painting, to +inspect the Van der Meulen, which Henry Greech hoped might perhaps figure +as an illustration in the book. They were due to arrive shortly +after lunch, and Francesca had left a note of apology, pleading an urgent +engagement elsewhere. As she turned to make her way across the +Mall into the Green Park a gentle voice hailed her from a carriage that +was just drawing up by the sidewalk. Lady Caroline Benaresq had +been favouring the Victoria Memorial with a long unfriendly stare.<br> +<br> +“In primitive days,” she remarked, “I believe it was +the fashion for great chiefs and rulers to have large numbers of their +relatives and dependents killed and buried with them; in these more +enlightened times we have invented quite another way of making a great +Sovereign universally regretted. My dear Francesca,” she +broke off suddenly, catching the misery that had settled in the other’s +eyes, “what is the matter? Have you had bad news from out +there?”<br> +<br> +“I am waiting for very bad news,” said Francesca, and Lady +Caroline knew what had happened.<br> +<br> +“I wish I could say something; I can’t.” Lady +Caroline spoke in a harsh, grunting voice that few people had ever heard +her use.<br> +<br> +Francesca crossed the Mall and the carriage drove on.<br> +<br> +“Heaven help that poor woman,” said Lady Caroline; which +was, for her, startlingly like a prayer.<br> +<br> +As Francesca entered the hall she gave a quick look at the table; several +packages, evidently an early batch of Christmas presents, were there, +and two or three letters. On a salver by itself was the cablegram +for which she had waited. A maid, who had evidently been on the +lookout for her, brought her the salver. The servants were well +aware of the dreadful thing that was happening, and there was pity on +the girl’s face and in her voice.<br> +<br> +“This came for you ten minutes ago, ma’am, and Mr. Greech +has been here, ma’am, with another gentleman, and was sorry you +weren’t at home. Mr. Greech said he would call again in +about half-an-hour.”<br> +<br> +Francesca carried the cablegram unopened into the drawing-room and sat +down for a moment to think. There was no need to read it yet, +for she knew what she would find written there. For a few pitiful +moments Comus would seem less hopelessly lost to her if she put off +the reading of that last terrible message. She rose and crossed +over to the windows and pulled down the blinds, shutting out the waning +December day, and then reseated herself. Perhaps in the shadowy +half-light her boy would come and sit with her again for awhile and +let her look her last upon his loved face; she could never touch him +again or hear his laughing, petulant voice, but surely she might look +on her dead. And her starving eyes saw only the hateful soulless +things of bronze and silver and porcelain that she had set up and worshipped +as gods; look where she would they were there around her, the cold ruling +deities of the home that held no place for her dead boy. He had +moved in and out among them, the warm, living, breathing thing that +had been hers to love, and she had turned her eyes from that youthful +comely figure to adore a few feet of painted canvas, a musty relic of +a long departed craftsman. And now he was gone from her sight, +from her touch, from her hearing for ever, without even a thought to +flash between them for all the dreary years that she should live, and +these things of canvas and pigment and wrought metal would stay with +her. They were her soul. And what shall it profit a man +if he save his soul and slay his heart in torment?<br> +<br> +On a small table by her side was Mervyn Quentock’s portrait of +her - the prophetic symbol of her tragedy; the rich dead harvest of +unreal things that had never known life, and the bleak thrall of black +unending Winter, a Winter in which things died and knew no re-awakening.<br> +<br> +Francesca turned to the small envelope lying in her lap; very slowly +she opened it and read the short message. Then she sat numb and +silent for a long, long time, or perhaps only for minutes. The +voice of Henry Greech in the hall, enquiring for her, called her to +herself. Hurriedly she crushed the piece of paper out of sight; he would +have to be told, of course, but just yet her pain seemed too dreadful +to be laid bare. “Comus is dead” was a sentence beyond +her power to speak.<br> +<br> +“I have bad news for you, Francesca, I’m sorry to say,” +Henry announced. Had he heard, too?<br> +<br> +“Henneberg has been here and looked at the picture,” he +continued, seating himself by her side, “and though he admired +it immensely as a work of art he gave me a disagreeable surprise by +assuring me that it’s not a genuine Van der Meulen. It’s +a splendid copy, but still, unfortunately, only a copy.”<br> +<br> +Henry paused and glanced at his sister to see how she had taken the +unwelcome announcement. Even in the dim light he caught some of +the anguish in her eyes.<br> +<br> +“My dear Francesca,” he said soothingly, laying his hand +affectionately on her arm, “I know that this must be a great disappointment +to you, you’ve always set such store by this picture, but you +mustn’t take it too much to heart. These disagreeable discoveries +come at times to most picture fanciers and owners. Why, about +twenty per cent. of the alleged Old Masters in the Louvre are supposed +to be wrongly attributed. And there are heaps of similar cases +in this country. Lady Dovecourt was telling me the other day that +they simply daren’t have an expert in to examine the Van Dykes +at Columbey for fear of unwelcome disclosures. And besides, your +picture is such an excellent copy that it’s by no means without +a value of its own. You must get over the disappointment you naturally +feel, and take a philosophical view of the matter. . . ”<br> +<br> +Francesca sat in stricken silence, crushing the folded morsel of paper +tightly in her hand and wondering if the thin, cheerful voice with its +pitiless, ghastly mockery of consolation would never stop.<br> +<br> +<br> +<br> +<br> +<br> +*** END OF THE PROJECT GUTENBERG EBOOK, THE UNBEARABLE BASSINGTON ***<br> +<pre> + +******This file should be named nbrbl10h.htm or nbrbl10h.zip****** +Corrected EDITIONS of our EBooks get a new NUMBER, nbrbl11h.htm +VERSIONS based on separate sources get new LETTER, nbrbl10ah.htm + +Project Gutenberg eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the US +unless a copyright notice is included. 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