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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..0393034 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #55550 (https://www.gutenberg.org/ebooks/55550) diff --git a/old/55550-0.txt b/old/55550-0.txt deleted file mode 100644 index 51c2118..0000000 --- a/old/55550-0.txt +++ /dev/null @@ -1,14655 +0,0 @@ -Project Gutenberg's A Valiant Ignorance; vol 3 of 3, by Mary Angela Dickens - -This eBook is for the use of anyone anywhere in the United States and most -other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms of -the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you'll have -to check the laws of the country where you are located before using this ebook. - -Title: A Valiant Ignorance; vol 3 of 3 - A Novel in Three Volumes - -Author: Mary Angela Dickens - -Release Date: September 14, 2017 [EBook #55550] - -Language: English - -Character set encoding: UTF-8 - -*** START OF THIS PROJECT GUTENBERG EBOOK A VALIANT IGNORANCE; VOL 3 OF 3 *** - - - - -Produced by MFR and the Online Distributed Proofreading -Team at http://www.pgdp.net (This file was produced from -images generously made available by The Internet Archive) - - - - - - - - - - - A VALIANT IGNORANCE - - - - - A - - VALIANT IGNORANCE - - A Novel - - BY - - MARY ANGELA DICKENS - - AUTHOR OF “CROSS CURRENTS,” “A MERE CYPHER,” ETC. - - “Thy gold is brass!” - PRINCE HOHENSTIEL SCHWANGAU - - _IN THREE VOLUMES_ - - VOL. III. - - London MACMILLAN & CO. AND NEW YORK 1894 - - - - - A VALIANT IGNORANCE - - - - -CHAPTER I - - -It was not generally known among his acquaintances that Marston Loring -had come back from Africa accompanied by a new friend; this new friend -was not introduced by Loring at either of his clubs, and yet the two -met at least once every day. He was a man named Alfred Ramsay; a small, -insignificant-looking man, with sandy hair, which had turned--in -streaks--the peculiar grey which such hair assumes, and small, dull eyes -that never seemed to move in his head. - -It was nearly three o’clock on the afternoon following that on which -Loring had called on Mrs. Romayne, and he and his new friend were -together in his chambers in the Temple. Mr. Ramsay had been there -several times before, and he was sitting now in an arm-chair in the -sunshine with an air of total want of interest in his surroundings, -which was characteristic of him. Loring was walking up and down the room -thoughtfully. - -“Romayne!” observed Ramsay. “Not a particularly good name on the market! -It belonged to a first-class swindler twenty years ago--William Romayne. -This young gentleman is no connexion, I suppose?” - -The remark broke a short silence, and Loring stopped in his walk and -leant back against the mantelpiece as he answered. - -“Yes,” he said tersely, “he’s his son. He has never been in his father’s -line, though--I doubt whether he knows anything about him, though it’s an -odd thing that he shouldn’t! As to the name, why, it’s an old story, and -won’t affect any one nowadays, I take it. The point is that he has this -respectable capital, and is--exceedingly keen on increasing it.” - -There was a dryness in Loring’s voice as he said the last words, which -implied a great deal more than did his words. And it was apparently to -that significance that the other man replied. - -“A chip of the old block,” said Ramsay musingly. “I wonder, now, how far -it goes?” - -The last words were spoken very slowly, and the dull eyes looked straight -before them. - -Loring looked down at him with a cynical smile just touching his lips. -He knew considerably more about his new friend’s character than he would -have chosen to put into words, and he could guess, not inaccurately, what -was passing in his mind at the moment. And the realisation of the shadowy -possibilities with which Ramsay was occupied was no part of Marston -Loring’s designs. He made no direct answer. - -“He should be here by this time,” he said carelessly. - -And as he spoke there was a sharp, cheery rap at the door; it opened -quickly, and Julian Romayne appeared, very boyish, very good-looking, and -with a curious, veiled keenness in his eyes. - -“We were just expecting you,” said Loring, greeting him with a friendly -nod. “Let me introduce you to Mr. Alfred Ramsay.” - -Mr. Alfred Ramsay had risen to honour the introduction, turning his whole -head slowly round as he looked at Julian, so that his eyes still gazed -straight before them as they rested on the young man’s face. - -“Pleased to know you,” he said indifferently. - -“Very glad to make your acquaintance,” responded Julian pleasantly. “I -hope I’m not behind time?” - -“Pretty fair,” said Loring, laying his hand on the young man’s shoulder -with kindly patronage. “But Ramsay is a busy man, you know, so suppose we -get to business at once. Ramsay,” he continued, in a brisk, businesslike -voice, as the three sat down about the table, “Romayne knows nothing of -the affair whatever. I shall begin by running over the preliminaries with -him. And, first of all,” he went on, turning to Julian, “of course it is -understood, Romayne, that we keep the matter to ourselves.” - -He spoke in a curt, off-hand manner, and as Julian made a quick gesture -of acquiescence, he went on in the same businesslike tone. - -“I don’t know whether you know anything about the Welcome Diamond Mining -Company?” he said. “Probably not. It was floated about this time last -year, and the greater part of the business came into my hands. The shares -were taken up all right, but--well, it didn’t come to anything, and its -affairs had something to do with my going out to the Cape. It was in -connection with those same affairs that I and Ramsay met.” - -Julian had listened so far with a clouded countenance, and now, as Loring -paused, he leant back in his chair with a movement of irrepressible -disappointment. - -“Oh!” he said shortly. “It’s a mine, then?” - -“There is a mine in connection with it,” replied Loring imperturbably. -“But you need not trouble yourself about the mine. That is only -the figure-head, you understand. The affair itself is a matter -of--arrangement. Look here, Romayne,” he went on, as Julian leant -suddenly forward across the table, “shares in the Welcome Diamond Mining -Company are at this moment worth about five shillings each.” - -He paused. He had been leaning carelessly back in his chair, and now he -moved, uncrossing his legs, and leaning one arm on the table. - -“In a few days,” he went on deliberately and significantly, “they will -fall to two shillings.” He paused again, with a slight, matter-of-course -gesture. “That will be worked, of course,” he said. - -Julian nodded comprehension. - -“Yes?” he said. - -“At that price,” continued Loring, “all the shares will be bought up by -two or three men, in consequence of private information received from the -Cape.” - -The last words came from Loring slowly and deliberately, and his eyes -met Julian’s significantly. A quick flash of understanding passed across -Julian’s face, and Loring continued easily: - -“Reports to this effect will get about. The fact of the presence in -London of a mining engineer from the vicinity of the Welcome will -also get about. Perhaps he may allow himself to be interviewed, you -know--nothing definite, of course. The shares will go up with a run.” - -He paused, and Julian threw himself back in his chair, tapping the table -meditatively with one hand. His gaze was fixed upon the wall just over -Loring’s head, and there was a curious expression on his face which -combined the keen matter-of-fact calculation of the habitual speculator -with a certain unconscious gleam of hungry excitement which was eloquent -of youth and inexperience. A minute or two passed, during which Mr. -Ramsay’s eyes rested indifferently on the young man’s face, and then -Julian spoke. His voice, also, in spite of his evident attempt at -emulation of Loring’s businesslike nonchalance, was just touched by that -youthful incapacity for holding keen personal interest in abeyance. - -“And the private information received from the Cape will be -supplied----?” he said interrogatively. - -“Will be supplied by Ramsay,” returned Loring. - -The words were spoken with the slightest possible movement of the -eyelids. Julian made a quick gesture of comprehension, and there was a -moment’s silence. Then Loring went on crisply, darting a quick glance at -Julian’s face in its calculating eagerness. - -“In a private speculation of this kind, of course, it is a case of -working together and share and share alike. Now, we propose--Ramsay and -I, you understand--to make up a joint capital for the purchase of these -shares. We are prepared to put into it fifteen thousand pounds between -us, and we want another ten thousand at least. If you are prepared to put -in that sum, or more, on the understanding that the profits--after each -man has received back his original investment--are divided into three -equal shares, we are willing to take you in with us.” - -Julian looked up at him quickly. - -“Into three equal shares?” he said, with a stress on the adjective. - -“Into three equal shares,” returned Loring drily. “Capital is not the -sole requisite in this affair, and the other factors are supplied by -Ramsay and myself.” - -A dark flush mounted to Julian’s forehead, and the avidity in his eyes -developed. - -“It’s a large order, though,” he said. “I don’t quite see where I come -in at that rate, after all.” - -Loring leant back in his chair and looked him full in the face. - -“You can please yourself, of course,” he said. “Take it or leave it. You -will come in to the tune of something like thirty thousand. If you see -your way to trebling your capital by any other means, do so. Lots of -fellows will be glad to take your place with us.” - -Julian’s eyes gleamed greedily, and he wavered obviously. - -“Those are your final terms?” he said. - -“Our final terms,” said Loring concisely, looking at Ramsay, who nodded -nonchalantly in confirmation of the words. - -A silence ensued. Julian sat staring down at the table, his brows knit, -evidently in close thought. At last he glanced up suddenly at the two men -who had been waiting carelessly for his decision. - -“I call it rather rough,” he said brusquely; “but--all right. If the -thing looks all right when you’ve trotted it out, I accept.” - -He passed on instantly, with a brief, telling question, to the inner -working of the scheme. - -There is perhaps nothing by which self-revelation is more frankly and -unconsciously made than through the means by which a man may be most -easily roused to enthusiasm. Enthusiasm--a genuine quickening of his -mental pulses, even--had been a condition of things practically unknown -to the easy-going, commonplace Julian Romayne of a year before; but -in the course of the last two months he had experienced it often. To -hear of large sums of money, large profits, rapid returns on striking -investments, touched him, instinctively, as a record of artistic -achievements will touch an artist, as triumphs of research will touch an -historian, as prodigies of physical prowess will touch an athlete. And -as Loring answered him now, and went on with fuller and more technical -detail, his face changed strikingly. His eyes brightened, and an eager, -fascinated light came into them; he leant farther forward, listening, -commenting, questioning, with quick and always increasing excitement. - -Half an hour passed, and still the three men sat about the table, -talking in terse, businesslike fashion; three-quarters of an hour, an -hour. At the end of that time, Julian, his face flushed and eager, -his eyes glistening and sparkling, his hand absolutely shaking with -excitement, was holding that hand out to Mr. Ramsay with a gesture which -witnessed to the work of that hour, as volumes could not have done. -As far as words went, he and Mr. Ramsay had hardly exchanged three -sentences; it was the bond that lay behind the words that had drawn them -together. Mr. Ramsay had spoken very little, indeed, but his silent -presence had never for a moment seemed superfluous, or without a certain -indefinite weight; and there was a dull approval in his slow eyes now as -he turned them on the young man. - -“We’ve settled so much, then,” said Julian, in a quick, familiar way, -“and we meet here on Thursday at two. Until then----” He turned to -Loring, and stretched out his hand eagerly. “Thanks, old man,” he said in -a low, quick voice. “Thanks.” - - - - -CHAPTER II - - -Miss Pomeroy’s visit to Mrs. Romayne was postponed for a fortnight. At -one time, indeed, it seemed not impossible that Mrs. Pomeroy’s visit -to her sister in Devonshire might be postponed indefinitely, and Mrs. -Romayne was charmingly inconsolable over her prospective disappointment. - -It was a delightful thing to have a girl in the house! Mrs. Romayne -made the discovery and the statement as the very first evening of Miss -Pomeroy’s stay with her drew to a close. And certainly, the evening, -signalised by a little dinner-party, had been pleasant enough to warrant -satisfaction. Julian had been in the best possible spirits, elated -apparently by the presence of his mother’s visitor, at whose side he -was to be found whenever his duties as host allowed such concentration -of his attention. Miss Pomeroy herself had been a model of gentle -amiability, and had looked more than usually bright and pretty. Loring, -who had made one of the dinner guests, had also been at his best and most -amusing. No conversation of any length had, of course, been possible -between him and his hostess; but a quick, low-toned word or two passed -between them in the movement that ensued upon the reappearance of the men -in the drawing-room after dinner. - -And on the tone of that first evening, that of the fortnight into which -Miss Pomeroy’s stay lengthened itself was modelled. They were very -dissipated, Mrs. Romayne asserted laughingly; and she further declared -that she had never enjoyed dissipation so much. Julian’s hard-working -impulses seemed to be in partial abeyance for the time being; their -demands on him, though peremptory when they did occur, did not prevent a -great deal of attendance on his mother and her guest. Loring also seemed -hardly to have settled back into his usual routine, and frequently made -one of the party. His appearance on the scene, and the recognition of -that compact between them which he never failed to make, either by a -glance or a few quiet words, were never without a certain effect on Mrs. -Romayne; not on her spirits, for they never varied in their gaiety; but -on a hard restlessness in her eyes, always lessened for the moment by -that look or word from Loring. - -The last day of June was also the last day of Mrs. Pomeroy’s absence from -London, and it was, moreover, the day fixed for a certain dance which -was to stand out from all the other dances of the season. The givers of -this dance were parvenus of the most pronounced type, and during the past -three seasons, they had paid their way into London society by spending -fortunes on the entertainments they gave. This season they had issued -cards of invitation, on which each guest was requested to wear mediæval -Florentine dress, and it had been whispered abroad that thousands were to -be spent in providing such a setting for these costumes as should eclipse -anything hitherto seen. Fortunately for the projectors--and nobody knew -better than they how absolutely impossible it was to calculate in such a -matter--the idea caught society’s fancy; it was taken up with the wild -enthusiasm which alternates in the modern mind with blank indifference; -and as every one with an invitation had spent some three weeks in ardent -consideration of his or her dress for the occasion, that occasion had -acquired a fictitious importance of a colossal nature, and was absolutely -looked forward to as promising something quite unusual--and equally -indefinite--in the way of amusement. - -The whole thing had evidently been arranged, Mrs. Romayne declared gaily, -to give a final touch of triumph to the end of Maud Pomeroy’s visit to -her. It was about four o’clock in the afternoon of the day in question, -and she and Miss Pomeroy, with Julian as escort, were taking what she -described as “a little turn” in the Park when she expressed this opinion. -It was a perfect June afternoon, the Park was very full, and all three -seemed to be exhilarated either by the sunshine, the movement, or the -prospect of the evening. The fortnight’s intimate association with -her present companions had apparently had no effect whatever upon Miss -Pomeroy’s demure conventionality of manner, but her word was readier than -usual, and her expression was brighter; Mrs. Romayne talked and laughed -and kept the ball of chatter going; and about Julian’s hilarity there was -a touch of excitement which was a characteristic which had grown upon -him markedly in the course of the last month. He turned upon his mother, -protesting gaily. - -“That’s much too depressing a point of view,” he said. “It forces on us -exactly what we want to forget--that it is the end. Now, I’ve made up -my mind to cut the connection between to-night and both yesterday and -to-morrow, and enjoy myself tremendously.” - -“And is ‘cutting the connection’--it sounds as if something might blow -up--an indispensable preliminary?” laughed Mrs. Romayne. - -“Why, of course.” He glanced at Miss Pomeroy as he spoke, and the colour -deepened in her cheeks by just a shade as she turned to Mrs. Romayne and -said, with one of her little smiles and a rather poor attempt at mock -confidence: - -“Mr. Romayne wants to forget the terrific anxiety which he has already -suffered over that gorgeous dress of his, and the terrific bill from -which he has still to suffer.” - -Julian’s protestations were as eager and boyish in manner as they were -delicate and skilful in matter, and Mrs. Romayne broke in upon them with -a laughing apology and a request that Julian would tell the coachman to -turn out into Piccadilly and drive to a house in Grosvenor Place. Julian -gave the order, and added to it: - -“You can pull up when you get out of the Park.” - -Mrs. Romayne took up the words instantly. - -“Are you not coming with us, bad boy?” she said. “Come and help us -pay one call, at any rate. We are going straight home after that to -prepare ourselves for the triumphs of the evening by a little refreshing -laziness, are we not, Maud?” - -“I should like to immensely!” returned Julian ardently as Miss Pomeroy -smiled a response. “But I’m afraid I must go down to the club. I promised -to meet Loring there! Dinner at eight, I suppose?” he added as the -carriage drew up and he jumped out. - -He stepped back on the pavement, lifting his hat as the carriage drove -off. Then he jumped into a hansom and gave the word to drive, not to the -club but to the Temple. Arrived there he ran upstairs, the excitement -about him gaining ground moment by moment, to Marston Loring’s rooms. -Loring was there alone. He was seated at the writing-table writing -rapidly, his face keen and intent, and he suspended his work for an -instant only as he glanced up on the opening of the door and nodded a -greeting. - -Julian’s life for the last month had been lived at that high pressure -which is only produced in a man by the consciousness that he has burnt -his ships. Every shilling that he had accumulated during the previous -six months was invested in the scheme propounded to him a month ago by -Marston Loring; and the history of his real life during the interval -would have been a history of the stages through which that scheme had -passed. The affairs of the Welcome Diamond Mining Company had followed -precisely the course indicated by Loring during that first interview -on the subject between Loring, Ramsay, and Julian. Shortly after that -interview “Welcomes” had fallen to a nominal price; they had then been -bought up according to arrangement. A slight rise had followed as a -matter of course, followed by an interval of vacillation, and a slow -succession of trifling advances, which had again been succeeded by a -period of quiet. - -So far the excitement with which every hour had been instinct for Julian -had been the excitement of preparation solely; the ground had been tilled -and the seed sown. And what that soil was in which he had sown his seed; -what were the characteristics that were to prove so stimulating; it was -not in him to consider. He was perfectly well aware of the nature of the -transaction in which he was engaged; he had understood at the outset that -the “private information received from the Cape” on which the shares -were to be bought up was a “put up thing,” as he would have expressed -it, between Ramsay and Marston Loring; and the knowledge affected him -not at all. That black thread in the warp of his character was running -strong and deep now, and to such considerations his sensibilities were -absolutely dormant. - -“Well?” The monosyllable broke from him eager and impetuous, as though -it contained the pent-up suspense and excitement of hours. He had come -up rapidly to Loring’s side, and the latter, without lifting his eyes, -signed to an evening paper which lay on the table as he said briefly: - -“All right!” - -Julian’s face turned quite white; he snatched up the paper and turned -with breathless eagerness to the column devoted to the money market. - -“Welcome Diamond Company Shares.” - -The blue eyes seemed to leap at the line and fasten on it with a hungry -avidity pitiful to see, and he stood there gazing at it with glittering, -fascinated eyes, with a curious stillness upon him from head to foot, as -though all remembrance of his actual surroundings, all thought even of -Loring, had faded. Nearly five minutes had passed when Loring laid down -his pen and leant back in his chair, turning a little that he might fix -his eyes on Julian as he stood rather behind him. - -“Pretty fair?” he said carelessly. - -Julian lifted his eyes from the paper and turned his white face to -Loring. He nodded as though the feelings of the moment were not to be put -into speech, and then the slow, deep colour of excitement began to creep -over his features. - -“Have you seen Ramsay?” he said in a low, quick voice. - -“Saw him this morning. He told me things were beginning to move. It was -that paragraph yesterday that did it!” - -“And what about keeping it up?” said Julian. “This is the ticklish -moment, I take it! What’s the next move?” - -He had thrown himself into a chair as he spoke; his voice was jerking -with eagerness, as though some of his excitement were finding expression. -Loring looked at him for an instant before he answered. He was asking -himself a question which had formulated itself in his mind more than once -in the last month; namely, was it merely the influence of his blood which -made young Romayne so keen a speculator; or was there something concealed -in the background of his life which made money a desperate necessity with -him? - -“This is the next move,” he answered, indicating the sheets of manuscript -paper which lay before him. “This will be in one or two of the papers -to-morrow, and if I’m not mistaken it will have a big effect!” - -Julian stretched out his hand impulsively for the sheets and ran through -them, now and then breaking into an eager comment; and as he finished he -rose impetuously and began to pace excitedly up and down the room. His -face was flushed now, and his eyes glowing. - -“Yes, that ought to take us a long way!” he said. “And Ramsay backing it -up all the while, of course? Loring, what do you make of it? An affair -of--weeks?” - -“An affair of two or three weeks, all told!” returned Loring -nonchalantly. “The inside of a month ought to put the best part of thirty -thousand into each of our pockets, my boy.” - -He rose as he spoke, and gathered together the sheets of manuscript, but -as he did so his quick ear caught a strange, sharp catch in Julian’s -breath. He fastened up the papers, and directed them with another of -those slight smiles, and then turned again to the younger man. Julian was -standing at the window staring almost stupidly out. - -“I’m going to turn you out now!” said Loring lightly. “Coming down to the -club with me?” - -Julian turned round, but the words seemed to penetrate slowly to his -consciousness. - -“No!” he said at last. “No, thanks, old man. I--I’m going to get home.” - -He had to go to his own chambers first, it appeared, however, and Loring -left him with a careless “All right! See you to-night, of course!” - -The sunshine had left Julian’s room, bright as it still was outside, and -it looked, perhaps, the darker by contrast as he opened the door and shut -himself in alone. He paused a moment, with his hand on the lock, and then -walked aimlessly across to the writing-table and sat down. There was a -pale, dazed look about him. - -The line in the evening paper at which he had gazed with such devouring -eyes had chronicled the first important rise of those shares on which -his hopes were staked; chronicled, in fact, the beginning of the end. -As he sat there alone, the words seemed to stand out all about him; to -meet his eyes in every direction; and it was little wonder that, as -he realised that the seed so eagerly sown had indeed broken ground at -last, the perfect fruit seemed to be already in his hand, and he was -dazed and intoxicated with anticipated triumph. He had the blood of a -speculator and a gambler in his veins, and as he sprang up suddenly from -his chair and began to pace up and down the room, it was the surging of -the speculator’s instinct that flushed his face and glittered in his -eyes; the rioting of that money passion which, to the man who has never -felt its fever, is the strangest and most repulsive--as it is the most -abnormal--of all passions. - -But little by little, without volition or even consciousness on his part, -the current of his thoughts changed. Gradually that greedy, tumultuous -contemplation of money as an end wavered, altered into a contemplation of -money as a means, into a passing over of that means in the realisation -of the end which it was to bring about. He was thinking of Clemence, -thinking of her in a tumult of excitement in which the goading of that -two-edged dart of love and shame which quivered always in his better -nature was absolutely unfelt; thinking of her in a very hallucination -of intoxicated triumph. He was living out with her a future life of -triumphant satisfaction; a life so utterly incompatible with the facts of -the case, with all that had come and gone, and must still come and go, -as to be a most pathetic imagining; when the sound of a clock striking -brought him suddenly to himself. - -His first conscious thought was a certain vague surprise at his -surroundings; as far as externals went he had left Loring’s room and had -come to his own like a man walking in his sleep. Then he realised the -nature of the sound that had roused him, and drew out his watch to see -what hour it was that had struck. It was seven, and the fact, with the -pressing necessity for his return home which it involved, gave a turn -to the current of his thoughts by which, without changing their main -character, they were blended in with the actual practicalities of the -moment. He thought of his mother with a certain bitter triumph. “It’s -not for long,” he said to himself, “not for long now.” His mind ran on -over the details of the evening before him; the little dinner--“only -ourselves,” Mrs. Romayne had said gaily; the artificialities that would -pass between himself and his mother; the effective flirtation which he -would have to keep up with Miss Pomeroy--the flirtation which in the -excitement of the past month he had carried on recklessly. And then with -his hand on the door he stopped abruptly--stopped and stood quite still -with a strange, defiant recklessness growing in his face. Whether it was -some curious effect of the tumult through which he had passed, whether -it originated in those jubilant visions of Clemence from which he had -so recently awakened, it is not possible to say. But on that instant -there had risen within him an impulse of fierce, overmastering repulsion -against his mother, against Miss Pomeroy, against the part he had chosen -to play. Almost before he had realised the sudden sense of overwhelming -revolt and distaste which had seized him, its obverse was upon him. -Clemence! To see Clemence! To speak to Clemence! To satisfy the hungry -longing which, for the moment, seemed absolutely to possess him! - -Such a longing, in various forms and degrees, had shaken and torn him -often before, but hitherto something--some influence from Clemence’s own -words, some jarring and throbbing of that better nature in himself--had -held him back. But now, strung up and carried out of himself by his -excitement, he was impervious to all considerations save that of his own -overmastering craving. The end was very near now, he told himself. It was -a question of a week or two only. He must see her; she herself would see -that it was only reasonable that he should see her! - -His plans were laid in the passing of a few seconds. The only address -Clemence had given him was that of the house of business where she -worked--where she had worked when he met her first--his only chance of -seeing her lay in meeting her when she left her work at night. He would -not go home to dinner, he decided; he would telegraph to his mother, and -dine at a quiet restaurant. That would bring him, as he knew well enough, -to the earliest hour at which the “hands,” of whom Clemence made one, -were likely to be released, and he would wait in the little by-street in -which the “hands’” entrance was situated until she came. - -He went out of the room with a quick, assured step, sent off his -telegram--a brief “Detained. Inconsolable”--from an office in Fleet -Street, and then, carefully avoiding the fashionable resorts, he walked -to the restaurant he had mentally selected. - -The little street which, for some scores of men and women, formed the -picture evoked by a name which, for the shopping population of London, -involved a mental vision of a busy thoroughfare and a considerable -expanse of plate-glass windows, ran parallel to that thoroughfare, -divided from it only by a long block of buildings; and bearing in mind -the slight nature of the division between the two, the contrast presented -was almost startling. The little street was a thoroughfare inasmuch as -it led from one side-street to another; but these streets were very -little frequented, and the connecting-link between them was a short -cut to nowhere. It represented simply so many back entrances to places -of business, and these being to a great extent monopolised by a single -firm, the comings and goings at stated times of the hands employed by -that firm was often the only movement that broke the quiet from morning -until night. In the intervals between these comings and goings there -brooded over the street such a silence and stillness as seemed strangely -incompatible with the thought of all the labour and effort that it held; -with the hard day’s work towards which those coming footsteps in the -morning were bent; with the hard day’s work which lay behind those -departing footsteps in the evening. The street itself had a squalid, -neglected look, too, as though life and activity had passed it by. - -The day’s work was not over yet, though the evening light was making -long shadows, and the setting sun was turning the upper windows of the -opposite houses into ruddy fire; the street was absolutely silent and -deserted when Julian turned quickly into it. He pulled up and surveyed -his surroundings with a rapid, comprehensive glance. - -It was too early yet. He looked at his watch and told himself so with -somewhat over-elaborated carelessness, and took out his cigarette-case. -He lighted a cigarette; and pacing slowly up and down the pavement on -the opposite side of the street to that on which he expected Clemence to -emerge, he began to reckon with himself the chances for and against her -speedy or tardy appearance. - -But such practical, matter-of-fact considerations involved a deliberate -mental action on his part, and having gone through it, urged by that -curious instinct under which intense excitement always desires to assert -itself as absolute calm and sanity, he gradually let himself slip away -again from the practical and the actual, and gave himself up to the tide -of his exhilarated imaginings. - -There is nothing more exciting, nothing that sooner quickens the mental -pulses into a very fever of confusion, than the sudden indulgence of an -impulse long resisted. The hour that had passed since the idea, of which -his presence in that quiet little street was the outcome, had flashed -into Julian’s mind and dominated it, had carried him as completely out -of himself, and out of touch with realities, as is a man under the -influence of absinthe. As a man so exhilarated will be impervious to a -considerable amount of physical pain, so Julian was for the time being -absolutely unconscious of anything painful or shameful in his position. -The circumstances under which he had parted from Clemence; all the bitter -pain and longing under which he had smarted and writhed with such fierce -rebellion; the attitude towards himself which his conduct might only -too justly have created in his wife; were absolutely obliterated from -his mind. He was waiting now--husband, master, altogether the superior; -triumphant, successful, self-assured--for his mistaken but doubtless -submissive wife; conscious, and rather pleased with the consciousness, -that he loved her in spite of her faults. - -One quarter after another chimed out from a neighbouring clock. He had -been waiting nearly an hour, oblivious, in his elation, of tedium or -weariness; oblivious of the claim upon him of the life of Queen Anne -Street as though it had no existence for him. The slight feeling of -impatience with which he realised that the fourth quarter was chiming -was entirely unconnected with such externals; and it was an eloquent -testimony to his mental attitude that it took the form of a faint sense -of irritation with Clemence for delaying so long. A vague feeling of -lordly disapproval of her conduct stirred in him, as he paused at the -top of the street and glanced across at the still fast-closed doors. He -was just looking dubiously at his cigarette-case when the click of a -latch, instantly followed by the sound of girls’ voices, made him start -violently. He thrust the case hastily into his pocket and walked quickly -down the street, until he was standing just opposite the door from which -a little stream of girls and women was pouring forth. - -Several figures had already detached themselves from the stream and were -moving rapidly away, either singly or in pairs; but one quick glance told -him that neither of these was Clemence, and he fixed his eyes with eager -confidence on the doorway through which she had still to pass. His face -was flushed with intense excitement. On came the stream, girls and women -following one another in unbroken succession; pretty girls, plain girls, -shabby girls, smart girls, some arm in arm, some laughing and talking in -loud-voiced groups; several of these groups noticed his waiting figure -and commented upon it in giggling whispers, turning back as they passed -down the street to look at it again, but Julian only saw that none of -these was Clemence. The stream was beginning to dwindle; stragglers -followed one another now at irregular intervals; the two girls who had -been the last to appear had nearly reached the end of the street, and -still Julian’s eyes were riveted on the open doorway. - -The girls turned the corner, and down the dim passage into which he was -looking there came slowly another figure quite alone. Before it had -emerged into the light Julian was across the road, as though that one -great throb with which his heart leapt up to meet her had impelled him -physically, and as Clemence passed out into the soft dusk of the June -evening he spoke her name, eagerly at first, then with a strange break in -his voice: - -“Clemence! Clemence!” - -At the first sound of his voice--evidently the first sign to her that -he was near--a low, indescribable cry broke from Clemence; she turned -towards him trembling, swaying as she stood, and Julian caught her in his -arms lest she should fall. - -“You’ve come!” she cried, and before the exquisite rapture and relief of -her faint, quivering voice, with all that it implied of suffering past, -a harder man than Julian might have melted. “My dear, my dear, I knew -you’d come! I knew! I knew!” - -But that pathetic voice had not been needed. The first sight of her face -as she turned it upon him with that wonderful irradiation of joy upon it, -had shrivelled into nothingness all the exultation, all the triumph and -self-satisfaction of the past few hours, and Julian held her in his arms, -his trance over, self-convicted, self-condemned; his whole consciousness -absorbed in that heavy, throbbing agony of his better nature which had -leapt into sudden relentless life. What it was that so penetrated him -he could not have defined. Where and in what proportion old influence -revived, touched, and was blended with a heart-piercing sense of the -change in her, he could not have said; he did not even know that these -were indeed the powers that had struck him. The change in her, even as he -gazed down at her face with agonised, remorseful eyes, as it rested for -one moment on his shoulder, he rather felt than traced and understood. - -That change was very great. Those past six months had dealt heavily -with that thin, white face, and the marks of their passing were plain -to see, even in that moment of absolute transfiguration. Every curve, -every suggestion of girlishness seemed to have been worn away; worn -away by those cruel twin refiners, never so pitiless as when they work -together--physical suffering and mental distress. The outline of her -features had lost some of its beauty in that intense accentuation; the -colourless lips were slightly drawn, and under the sunken eyes were heavy -shadows. But no remembrance of the physical loveliness which she had lost -could stand for an instant before the spiritual loveliness which she had -gained. It was as though those twin refiners, before whom nothing earthly -or external can stand and flourish, had strengthened that which lay -behind the externals with which they had dealt so ruthlessly. The eyes, -so indescribably beautiful as they looked now into Julian’s, had been -beautiful even in that moment before she realised his presence; beautiful -in their heaviness as no brightness, as no common happiness could have -made them; beautiful with the perfect patience and dignity of accepted -suffering. The tired mouth had been beautiful in its repose, as it was -beautiful now in its tremulous rapture; beautiful in its quiet constancy -and self-abnegation. - -She let herself rest for a moment in his arms; clinging to him with -something in her touch which he had never felt before; looking up into -his face as her head lay back against his shoulder with a strange, -tremulous, tender light quivering on every feature, shaken from head -to foot by little tremulous, tearless sobs--the sobs of utter relief -and peace. Then she disengaged herself gently, and drew herself away, -something of that first ecstasy dying out of her face to leave it soft -and happy beyond all words. That strange light still shone in her eyes, -and, as she moved, one thin hand retained its clinging hold on his arm, -as though some instinct of dependence influenced her involuntarily. She -was dressed, not as the other girls had been, in a light summer jacket, -but in a long cloak, and as she drew it about her with the other hand, -the softest touch of colour came into her white cheek. - -“My dear!” she said softly. “My dear!” - -And Julian whispered hoarsely as he had whispered again and again: - -“Clemmie! Clemmie!” - -He made no attempt to take her in his arms again. Even the gesture with -which he laid his hand upon those clinging fingers on his sleeve was -diffident and almost tremulous; tender and reverent as no gesture of his -had ever been in all his life before. He could find no words. In her -presence everything--all the triumph, all that had seemed to him the -necessities and realities of life--seemed to have fallen away from him. -He was nothing. He had nothing! He could say nothing to her. - -There was a silence; silence which for Clemence as her fingers closed -round his, and that soft colour came and went in her cheeks, breathed an -ineffable content; silence which for Julian held the blackest depths of -self-revelation and self-contempt. It was broken at last by Clemence. - -“Is it done, dear?” she said gently. - -Julian’s hand turned cold in hers, and his eyes fell away from her face. - -“Not--not yet, Clemmie!” he faltered wretchedly. “I--I came to tell -you--to tell you that----” - -“That you are going to do it? That you are going to do it? My dear, my -dear, you mean that? Oh, you mean that, don’t you?” - -She had not raised her voice or changed her pose, but that touch upon his -arm had become a close, convulsive grip, and even the clutch of the worn, -blanched hand upon her cloak witnessed to the agony of supplication with -which every nerve was strained and quivering. Her low voice thrilled and -vibrated with it; her white face, to which his first words had brought a -look of heart-sick disappointment, was an embodied prayer. He could not -answer on the instant; it cut him like a lash; and she went on rapidly, -her low, beseeching voice breaking and trembling with the intense -feeling that flickered on her face like a light. - -“Julian, for my sake, for your wife’s sake, dear! I love you so! I--I -need you so! Don’t part us any longer! If it was for your good, if -it was to make you happy, there’s nothing I would not face, and face -cheerfully--ah, you know that, don’t you? But you’re doing wrong, and I -think of it always, and it makes the loneliness so that I can’t bear it. -Oh, I can’t bear it!” - -She broke suddenly into low shuddering sobs and tears, and her head -fell forward helplessly on to his breast, though she still kept her -convulsive hold upon his arm. He put his other arm round her and drew her -towards him, and as he did so he seemed to realise with a kind of double -consciousness the course he would take and its utter contemptibility. - -“Don’t, Clemmie dear! Don’t! don’t!” he said in a broken, uneven voice. -“It’s all right, dear! I’m going to do it! I came to tell you so! It’s -all right!” - -“You’re going to--tell her?” - -“I am, Clemence! I promise you I am! Only--only not for a week or two. -There’s--there’s something I must wait for!” - -“But you are going to? You are? You are?” - -“On my--on my soul, yes, Clemence!” - -There was a moment’s silence, broken only by her low, tremulous sobs; -then these too died away. At last, with a long sighing breath, she raised -herself and looked into his pale, miserable face, with her own quiet and -exhausted. - -“Must you wait?” she said, with an indescribable accent on the first -bitter word. “Must you?” - -“I--I must, dear!” he said desperately, his eyes trying wretchedly to -avoid hers. “It shan’t be long, I promise you; but I must wait just a -little longer!” - -She paused a moment, still looking into his face. Then, with a sudden -light in her eyes, she made a slight movement as though she would have -bent his head down that she might murmur in his ear. She stopped herself, -however, and there settled down upon her face a look of unutterable -sadness. By Julian, in his helpless misery of self-contempt, the gesture -had passed utterly unheeded. - -“Don’t let it be much longer, dear!” she said. “Good night!” - -Julian caught at the last word as though it gave him some sort of chance -of restoring his writhing self-respect. - -“Good night!” he echoed. “Not yet, Clemence! I’m going to see you home, -of course!” - -But Clemence shook her head. - -“No!” she said steadfastly, “no, dear!” Something in her tone, -something in the touch she laid upon him, took from him all power of -self-assertion, all power of resistance to her will. She drew his head -towards her now, kissed him softly on the forehead, and then turned and -went away down the street, leaving him alone. - - - - -CHAPTER III - - -“Romayne, at last! By Jove, old man, we thought you were going to throw -us over!” - -The voice, a young man’s voice, struck out, as it were, from an -indescribable medley of incongruous sound. The background was formed -by the lightest and most melodious dance music, produced solely from -stringed instruments; lutes and guitars seemed to predominate, and the -result had a character and rhythm of its own which was essentially -graceful, picturesque, and Italian; against the background, a -high-pitched discord compounded of every imaginable key, there clashed a -very Babel of tongues--the eminently unmusical voice of modern society, -with all its faults of modulation and pronunciation, blended into a whole -full of a character absolutely incompatible with the old-time southern -harmonies with which it mingled. - -The speaker’s figure, as he stopped suddenly in a hurried passage across -the room, stood out from a blaze of colour, light, and gorgeousness -of every description, which fell without pause or cessation into ever -fresh combination, as the beautifully dressed crowd moved to and fro -in its magnificent setting. And the spectacle presented to the eye -was as curiously jarring, as strikingly suggestive of the ludicrous -inconsistencies of dreamland, as were the sounds that saluted the ear. -There was hardly a man or woman to be seen whose dress was not as -faithful a copy of the costume prevalent among the Florentine nobles -under the magnificent rule of the Medici as time and money could make it. -There was not a false note in the surroundings; money had been poured -out like water in order that a perfect reproduction of an old Florentine -palace might be achieved; and as far as art could go nothing was left -to be desired. The fault lay with nature. The old Italians doubtless -had their own mannerisms, possibly their own vulgarities, of carriage, -gesture, and general demeanour; but theirs were not the mannerisms and -vulgarities of modern “smart” society. - -The young man who had greeted Julian exemplified in his own person all -the preposterous incongruity of the whole. His dress was a marvel of -correctness to the minutest detail. Its wearer’s face was of the heavy, -inanimate, bull-dog type; his movement as he shook hands with Julian -was an exaggerated specimen of the approved affectation of the moment; -his speech was clipped and drawled after the most approved model among -“mashers.” He was the son of the house, and there was a kind of slow -excitement about his manner, struggling with a nonchalant carelessness -which he evidently wished to present to the world as his mental attitude -of the moment. There was a note of excitement also in the medley of -voices about him. The “affair” was “a huge go”--as the young man himself -would have expressed it. And neither he nor any one of his father’s -guests was troubled for one instant by any sense of the ludicrousness of -the effect produced. - -Julian had that instant entered the room and had paused on the threshold. -There is perhaps no type of costume more picturesque in its magnificence -than that of the Italian noble of the Middle Ages--this is perhaps the -reason why it has been so extensively vulgarised--and Julian’s dress -was an admirable specimen of its kind, rich, graceful, and becoming. -There was a subtle difference between his bearing and that of his host, -though Julian’s demeanour, too, was modern to the finest shade. He -wore the dress well, with none of the other man’s awkwardness, but on -the contrary with an absolute ease and unconsciousness which implied a -certain excited tension of nerve. His face was colourless and very hard; -but upon the hardness there was a mask of animation and gaiety which was -all-sufficient for the present occasion. - -“I’m awfully sorry, dear boy!” he said now, lightly and eagerly, and with -an exaggerated gesture of deprecation. “It’s horribly late, I know! Give -you my word I couldn’t help it! By Jove, what a magnificent thing you’ve -made of this!” - -The other glanced round with a satisfaction which he tried in vain to -repress. - -“Not so bad, is it?” he said carelessly. “Only these fellows are such -fools, even the best of them; they always blunder if they can.” With this -wholesale condemnation of the workmen among whom, some fifty years ago, -his grandfather might have been found, he screwed his eyeglass into his -eye, serenely unconscious of the comic effect produced, for the better -contemplation of a pretty girl at the farther end of the room. “Lady -Pamela looks awfully fit, doesn’t she?” he observed parenthetically; -continuing almost in the same breath: “The gardens are the best part, -seems to me. Awfully like the real thing, don’t you know!” - -Julian’s only direct answer was an expressive gesture of appreciation and -apology. - -“Awfully well done!” he said. “Excuse me, dear boy, I see my mother, -and she’ll want to know why I’ve not turned up before. I must go and -explain.” - -His companion laughed; the laugh was rather derisive, and the glance -he cast on Julian through his eyeglass was stupidly inquisitive and -incredulous. - -“What a fellow you are, Romayne!” he said. “They ought to put you in a -glass case and label you the model son.” - -Another gay, expressive gesture from Julian. - -“Why not?” he said lightly. “We’re a model pair, you know.” - -And the next moment he was threading his way quickly across the room. A -sudden movement of the crowd had shown him his mother’s figure, and he -had realised instinctively that she had seen him. He came up to her with -a manner about which there was something indescribably reckless, and made -her a low bow of gay and abject apology. - -“I beg ten thousand million pardons!” he said. “Language fails to express -my feelings.” - -Mrs. Romayne’s dress was not a success--that is to say, it was perfect -in itself, and failed only as a setting for its wearer; to deprive her -appearance of any possibility of “chic” or “dash” was to deprive it of -all its brilliancy. But no unsuitability of colouring or cut in her gown -could have been responsible for the look which underlay her smile, as she -turned to Julian now and struck a little attitude of mock implacability, -with a light, high-pitched laugh. - -“Then the conversation must be carried on in dumb show,” she said, “for -language also fails to express my feelings, sir. What have you to say for -yourself?” - -Her voice, for all its gaiety, was thin and strained. - -“Please, nothing,” was the mock-humility answer. “I met a fellow, and he -beguiled me. He was just off to America.” - -He was standing with his hands folded and his eyes cast down, and he did -not see--he would not have understood if he had seen--the strange flash -in those hard, blue eyes--such a flash as might leap up in the eyes of a -woman in the silent endurance of a swift stab of pain. - -“A very poor excuse,” declared Mrs. Romayne gaily. “No, I don’t think I -shall forgive you yet. Such unscrupulous desertion must be visited as it -deserves. Don’t you think so?” - -Lord Garstin had come up to them, and the question was addressed to him -with a light laugh as she gave him her hand. He nodded pleasantly to -Julian as he answered: - -“Who has deserted? Not this boy of yours, eh?” - -Mrs. Romayne laughed again, and pushed Julian playfully with her fan. - -“Oh, I forgot! You don’t know his wickedness, of course! Take me away -from him, Lord Garstin, do, and I’ll confide in you. Gorgeous affair -this, isn’t it? I wonder what it cost?” - -Lord Garstin looked round with a rather lofty smile. There were times -when it pleased him to pose as an isolated representative of a bygone age -by the traditions of which, in matters of taste and breeding, the present -age was utterly condemned. - -“Rather too gorgeous to please an old man,” he said now with a fine -reserve. “These dear good people would be more to my taste, do you know, -if they had a little less money. Have you been outside, by-the-bye? It’s -really not badly done.” - -Mrs. Romayne turned away with him, laughing and nodding to Julian, and -then she stopped and went towards her son again, touching his shoulder -lightly. - -“Every one isn’t so stony-hearted as I am, bad boy,” she whispered gaily. -“Somebody has actually kept you some dances, I believe, if you apologise -properly. Look, there she is.” - -She made a little gesture with her fan towards the entrance to the -dancing-room, from which Maud Pomeroy was just emerging, looking like a -picture in a white dress of the simplest form, her long hair loose on -her shoulders, and crowned with a wreath of flowers. The dance music had -stopped, and the music which still filled the air came from the garden. -With that hard recklessness growing stronger on his face, Julian made -a slight, graceful gesture towards his mother as though he would have -kissed his hand to her in gratitude, turned away, and moved rapidly over -to Miss Pomeroy. - -More than three hours had gone by since Julian had found himself standing -alone gazing stupidly in the direction in which Clemence had disappeared, -and how the first two of those hours had passed he hardly knew. He had -turned abruptly away and left the little street, to walk mechanically on -and on, struggling blindly in a black abyss of self-contempt, in which -his love lived only as additional torture. - -He had emerged gradually from that abyss, or rather his sense of its -surrounding blackness had faded by degrees, as all such acute sensations -must. And so completely had that blackness walled him in, and deadened -all his outward perceptions, that it was only little by little, and with -a dull sense of surprise, that his material surroundings dawned on him -again, and he realised that he was standing looking down into the river -from the Thames Embankment. His consciousness had come back to that life -and world which he believed to constitute the only practical realities; -but it had brought with it that which turned all its environment to -bitterness and gall. As he stood leaning on the parapet, staring -sullenly down, counting the reflection of the lamps in the dark water -beneath him in the moody vacancy of reaction, the necessities of his life -began to surround him once more; he saw them all as they were, sordid -and base, and yet he neither saw nor attempted to see any possibility of -self-extrication. The sound of Big Ben as it struck eleven had brought -back to his mind the claims upon him of that particular evening. - -At eleven o’clock the carriage had been ordered to take Mrs. Romayne and -her party to the dance, and a grim, cynical smile touched his set, white -lips as he thought of his mother. He had broken loose, temporarily, he -told himself bitterly. He must take up his part again and play the farce -out. - -That he should throw himself into the task with a wild oblivion of all -proportion and limitation, was the inevitable result of all that had gone -before; of all the perception and all the blindness with which he was -racked and baffled. - -Miss Pomeroy saw him coming, and turning her face away, she produced -a pretty, well-turned comment on the arrangement of the rooms for the -benefit of her cavalier. The next instant Julian stood beside her. - -“Don’t turn your back on me,” he implored gaily. “No fellow ever had such -hard luck as I’ve had to-night. Be a great deal kinder to me than I seem -to deserve, and forgive me. Please!” - -Miss Pomeroy turned her head and looked at him with a serene calm on -her pretty face, which seemed to relegate him to a place among inferior -objects entirely indifferent to her. Her voice was perhaps a little too -indifferent. - -“Oh, Mr. Romayne!” she said. “You’ve actually appeared!” - -“I have,” he said. “At last! There’s a poor fellow I’ve seen a good deal -of--not one of the regular set, you know, but a thoroughly unlucky chap, -always in the wars. He’s just off to try his luck on the other side of -the world, and I met him this evening most awfully blue and lonely--he -hasn’t a friend in the world. Of course I had to try and cheer him up a -bit, and--there, I couldn’t leave him, don’t you know. I packed him into -the mail train at last, and bolted here as fast as wheels could bring me.” - -Something of the blank serenity of Miss Pomeroy’s face gave way. She -lifted the feather fan that hung at her girdle and began to ruffle the -feathers lightly against her other hand with lowered eyelids. - -“I don’t think I should have troubled to hurry as it was so late!” she -said, and there was a touch of reproach and resentment in her voice. -Her cavalier had drifted away by this time, and in the midst of the -constantly moving stream of people she and Julian were practically alone. -Julian answered her quickly with eager significance. - -“You would--in my place!” he said. “You would if you had had the hope of -even one of the dances to which you had been looking forward--well, I -won’t say how, or for how long. Was it altogether a vain hope? Am I quite -too late?” - -“You are very late!” was the answer; but the tone was distant and -indifferent no longer; and as the sound of the violins rose softly and -invitingly once more from the other room a quick question from Julian -received a soft affirmative in reply, and he led her triumphantly towards -the music. - -The room was not too full. The garden, the supper, the “show”--as -the guests called it amongst themselves--as a whole, prevented any -overcrowding in the dancing-room. But dancing among such cunningly -arranged accessories was by no means a commonplace business. The -unfamiliar picturesqueness of the room, with its softly scented air, -the wonderful effects of colour and light, and above all a certain wild -passion and sweetness about the music, was not wholly without effect even -on the jaded, torpid receptivity of men and women of the world. - -Even Miss Pomeroy’s calm was apparently not wholly proof against the -intoxication; by the time the music died away there was a bright colour -on her cheeks, and a bright light in her eyes. On Julian the atmosphere -and the music had had much the same effect as an excessive quantity of -champagne might have had. His pale face had flushed hotly, and his eyes -were glittering with excitement. - -He had become aware during their last turn round the room that his mother -was standing in the doorway watching them, this time with Loring in -attendance; and with a feverish flash of callous defiance he so guided -their movements that they came to a standstill finally close before her. - -“Congratulate us!” he cried gaily, “we’ve broken the record! And -congratulate me individually, for I’ve had the most awfully glorious -dance of my life! Hullo, Loring, old man!” - -“I’ll congratulate you both,” was Mrs. Romayne’s ready answer, as Loring -nodded. “You both look as if you had had a good time. Wonderful show, -isn’t it? It isn’t possible to say what it must have cost. Something -appalling, of course. Maud, dear, have you come across Claudia Eden? Over -there, don’t you see? Isn’t it outrageous?” - -“By Jove!” ejaculated Julian lightly, looking in the direction indicated -by a slight movement of his mother’s fan, as Miss Pomeroy uttered an -exclamation of pretty amazement. Conspicuous against all the magnificence -about her was a girl in a kind of burlesque of an Italian contadina -dress of the period, with very short skirts, very low-cut bodice, very -exaggerated head-dress. She was talking and laughing with a little crowd -of men; her manner was as pronounced and as unrefined as her dress; -but there was about her that absolutely unconscious and impenetrable -self-possession and self-assurance which stamped her as being by birth -that which she was certainly not in appearance--a lady, and a very highly -born lady. - -“She would do anything to make a sensation,” murmured Miss Pomeroy, -contemplating her critically. - -“But have you two seen the gardens?” went on Mrs. Romayne gaily. “No? -Then you must simply go instantly. The most marvellous thing I ever saw! -Go along at once.” - -With a laugh Julian turned to Miss Pomeroy. “We must do as we are bidden, -of course,” he said. “Will it bore you frightfully?” - -A smile and the slightest possible shrug of the shoulders constituted -Miss Pomeroy’s answer, and they were turning away together, followed by -a keen glance from Loring, when the girl in the contadina dress, passing -close to them with her somewhat noisy court, intercepted their passing. - -“‘Evening, Maud,” she said in a loud, good-natured voice, which might -have been delicate and high-bred if fashion had not demanded other -characteristics. “Hullo, Mr. Romayne! Like my frock, Maud?” - -Miss Pomeroy murmured something gracefully inaudible, and Mrs. Romayne -said, with a smile: - -“Most original, Lady Claudia.” - -A restless gleam had come into Mrs. Romayne’s eyes at the momentary -pause, but there was a certain satisfaction, too, in her smile as the -two girls stood face to face. Maud Pomeroy certainly never appeared to -greater advantage than in contrast with a pronounced type of the modern -society girl. The juxtaposition seemed to bring into strong relief -everything about her appearance and demeanour which was dainty, gentle, -and sweet, and to throw into shade all her more negative charm. Her -voice, now, perfectly modulated and absolutely even, made the other girl -seem “quite too vulgar,” as Mrs. Romayne said to herself. She echoed Mrs. -Romayne’s words, and added: - -“How came you to think of it?” - -“I thought it would score,” returned the other, with a laugh. “I can’t -stand these people, don’t you know! I thought of getting a whole lot of -us to do it; it would have been no end of a joke! Then I thought that I’d -keep it to myself. Ta-ta!” - -And with a rough, ungraceful gesture of farewell she passed on. - -“Lady Claudia’s hostess would strangle her, cheerfully, with her own -hands,” remarked Loring placidly. - -Mrs. Romayne laughed. - -“So would a great many other people,” she said. “But come, you two be off -and see these gardens.” - -Julian and Miss Pomeroy moved away as if with one consent, and Mrs. -Romayne watched them as they went with such a strange intentness in her -face, that she looked for the moment as though her consciousness were -actually leaving her to follow the two on whom her eyes were fixed. - -The idea of the whole entertainment had originated, so people said, in -the fact that its giver had spent enormous sums of money in the course -of the past three years on the transformation of his grounds into an -Italian garden, and the scene from the terrace, as Julian and Miss -Pomeroy stepped out on to it, was indeed extraordinarily effective. There -was no moon, and thousands of coloured lamps, skilfully disposed, shed a -picturesque, uncertain light, under which the long ilex-shaded alleys, -the box hedges, the fountains, and the statues produced an illusion which -was almost perfect. - -“By Jove!” exclaimed Julian in the same strained, excited voice. -“Capital, isn’t it? It must be almost worth while to live away here in -the wilds of Fulham to have a place capable of being turned into a show -like this. Don’t you think so?” - -Miss Pomeroy did not answer immediately. Apparently, the excitement -created by their dance had rather strengthened than diminished during the -interval, and she was playing almost nervously with her fan. Miss Pomeroy -was not a nervous person as a rule. - -“I don’t know,” she said vaguely. “Yes, it’s very pretty, isn’t it? But I -don’t think I should much care to have a big place, do you know. I don’t -think places make much difference.” - -Her voice was low, and very prettily modulated, and Julian threw a quick -sideways glance at her. Except for a flush, and a certain look in her -eyes which he could not see, her face was as demure and placid as ever. - -“Don’t you?” he said. “You are right, of course, and I am wrong. I can -imagine circumstances under which all this would be a howling wilderness -to me.” - -He looked at her very differently this time, with his eyes recklessly -eloquent. She dropped her own eyes quickly, and said softly: - -“Can you?” - -They had strolled down the steps as they talked, and at their right hand -a picturesque little alley, with a vista of fountain and statue against -a grove of ilex-trees, led away from the more open space in front of the -house. Down this alley, secluded and apparently deserted, Miss Pomeroy -turned, as if unconsciously, before she spoke again. Julian followed her -lead with an ugly smile on his face. - -Then she said in the same pretty, low voice: - -“Tell me what circumstances?” - -Julian laughed, and his laugh might well have been construed as a sign of -extreme nervousness and agitation. - -“I think not!” he said. “I might make you angry.” - -“You would not make me angry!” - -They came to the end of the alley as she spoke; it opened out on a quaint -little corner containing a fish-pond surrounded by a stone balustrade, -the fountain in the middle sparkling and dancing in the gleam of the -artificial moonlight which had been arranged here and there about -the grounds to give the finishing touch to sundry “bits.” Into this -moonlight Maud Pomeroy stepped, and stood leaning gracefully over the -balustrade gazing down into the water, as she said in a voice just low -and hesitating enough to be perfectly distinct: - -“Mr. Romayne, will you tell me--did you think me very angry when you came -to-night?” - -“I hope you are not angry now, at least!” was the answer, spoken with -eager anxiety. “But I would rather think you had been angry than believe -that you were quite indifferent as to whether I came or not!” - -“I am not--indifferent!” Maud Pomeroy paused. There was no colour at -all in her cheeks now, and her lips were drawn together in a hard, thin -line such as no one had ever seen on her face before. There was a dead -silence. A sudden stillness had come over Julian’s figure as he stood -also leaning against the balustrade, but with his back to the water. His -hand was clenched fiercely against the stone. - -“I have no right to be angry with you,” Maud Pomeroy went on; her voice -was thin and hard as if its steadiness was the result of deliberate -effort. “I have no rights at all. If I had----” She let her voice die -away again with deliberate intention. - -The silence that followed had something ghastly in it. At last, with his -face as white as death, and keeping his eyes fixed steadily before him, -Julian moved. - -“You will catch cold, I’m afraid!” he said, a little hoarsely. “Shall we -go in?” - -Without a single word Miss Pomeroy moved also and retraced her steps -up the alley. For one moment, and for one moment only, her face was -no longer that of a gentle and amiable girl, but of a spiteful and -vindictive woman. - - - - -CHAPTER IV - - -More than one of the people who had talked to Mrs. Romayne in the -interval had been vaguely aware of a certain incontrollable preoccupation -behind her manner; though the intense, suppressed excitement in which -that preoccupation originated passed undetected. Her restless eyes -fastened upon Miss Pomeroy and Julian on the very instant of their -reappearance in the room, and as they came towards her that excitement -leapt up suddenly and lit up her whole face with a wild flash of hope -and anticipation. They drew nearer and it died down again even more -suddenly than it had sprung up; and in its passing it seemed to have -aged her face curiously, and to have left upon it a stamp of heart-sick -disappointment, touched with a creeping anxiety. Miss Pomeroy was pale, -and her usual still placidity seemed to be accentuated into absolute -stupidity. Julian’s face was quite colourless, and beneath the travesty -of his usual manner which he assumed in speaking to his mother, there was -an indefinable expression which made him look ten years older and twenty -years harder and more bitter. - -Scruples on his part as to crushing their dress prevented his going home -with them. He would follow in a hansom, he said. But before he arrived -Miss Pomeroy had said good night to Mrs. Romayne with a neatly-turned -and quite meaningless expression of the pleasure the evening had given -her, and had retired to her room. Mrs. Romayne, looking haggard and worn, -lingered until Julian came in, and went out to meet him. - -“Good night, mother,” he said, and went straight upstairs without pausing. - -It was many, many years since he had left her at night without a kiss; -and as Mrs. Romayne went slowly up to her room through the silent house, -she stumbled once or twice as though her wide, dry eyes hardly saw the -stairs before her. - -That creeping anxiety had gained ground greatly in her face the next -morning when she came down at about half-past ten, to learn from the -servant that “Mr. Julian” had already breakfasted and had gone to the -Temple. Even more pathetic than the anxiety itself was the courage that -battled against it; that strove so hard to become confidence as she -led--and, indeed, sustained--the conversation, as she and Miss Pomeroy, -who was late in putting in an appearance, breakfasted together. She -talked lightly and gaily of Julian’s defection on this, their visitor’s -last morning; she deplored the fact that it was indeed the last morning, -talking of various half-formed schemes for such constant meetings as -would be practically a continuance of the intimate association of the -past fortnight. But of response she obtained little or none. An access -of conventionality, demureness, and insipidity seemed to be inspiring -Miss Pomeroy; an access characterised by a certain absolute obstinacy -of colourlessness. She had no opinions, no sentiments of any sort or -kind to offer; her expressions of regret at leaving were as unmeaning -as they were correct. Mrs. Romayne’s plans seemed to wither under her -little non-committal smile and comment; and she took her irreproachable -leave an hour later with a vaguely expressed hope that they might meet -“somewhere,” and apparently without hearing Mrs. Romayne’s parting -allusion to Julian. - -Each one of the days that followed seemed to leave upon Mrs. Romayne’s -face some such effect as might have been produced upon a marble -counterpart of that face by the delicate application of a sharp modelling -tool. Every feature became a little sharper; every line a little deeper, -a little harder. Nobody noticed the fact, and nobody could have traced -it to its source had they done so. But there were times when she was -alone; times when that chisel under which she grew more haggard every day -revealed itself as heart-sick, gnawing anxiety. - -For three or four days Miss Pomeroy’s hope that they might meet -“somewhere” remained unfulfilled; and Mrs. Romayne made little jokes at -what she assumed to be Julian’s disconsolate condition; jokes which, -taken in conjunction with the look in her eyes as she spoke them, were -almost ghastly. Then the meeting took place at a party from which, as it -appeared, Miss Pomeroy and her mother were just departing; so that a few -words of greeting on either side was all that passed. - -Mrs. Pomeroy and her daughter called on Mrs. Romayne a day or two later. -It was Mrs. Romayne’s “day,” of course; the room was very full, and -as Mrs. Pomeroy said, with an expression as near apprehension as was -compatible with her placidity in the eyes which kept turning to her -daughter’s demure face: “Wednesday is such a popular day, and we’ve -really dozens of calls to pay, haven’t we, Maud?” Consequently they -stayed barely ten minutes, and exchanged half-a-dozen sentences with -their hostess. But short and formal as the call was, it was supplemented -by no more intimate intercourse. They met, of course, nearly every day. -That is to say, Mrs. Romayne, as she went about indefatigably from party -to party, caught constant glimpses of Miss Pomeroy and her mother just -arriving as she left, just leaving as she arrived, just going to supper, -to tea, to fulfil some social duty or other which made it impossible -that more than a word or two should pass. When Mrs. Romayne pressed Miss -Pomeroy, with sprightly reproaches, to come and see her, she was met -invariably with unmeaning smiles, and vague words about engagements, -which, gentle as they sounded, proved as little capable of manipulation -as a stone. Once or twice after such a meeting, Mrs. Romayne’s jokes -at Julian’s expense, as she told him of them airily afterwards--Julian -and Miss Pomeroy never seemed to meet now--took the form of hints and -innuendoes as to whether he was not at the bottom of “the mystery,” as -she called it; and whether he could not perhaps sweep it away. There was -a terrible contrast between the casual gaiety with which such hints were -dropped by her, and the something which lay behind; something which gave -her voice a strange, unnatural ring, and cut her words off almost before -they had any meaning; something the name of which, as it lurked in the -hard, bright eyes which never met Julian’s, was nervous fear. - -Such hints were always met and turned by Julian as lightly as they were -uttered. - -Before a fortnight had passed since Miss Pomeroy’s departure, Mrs. -Romayne had acquired a habit of giving one quick, almost furtive, glance -round any room she entered in which people were assembled, and that -look was particularly eager and intent as she entered a drawing-room to -fulfil an engagement for a luncheon-party one day at the beginning of -the third week. A luncheon is by no means a bad opportunity for a “quiet -chat.” She did not see the figures she was in search of, though no one -could have detected that fact from her expression. Nor could any one have -interpreted the sudden exclamation of surprise she uttered. - -“Why, it’s Dennis Falconer!” she said prettily. “I had no idea you were -in town.” - -It was Dennis Falconer; not a little altered by the past eight months, -and altered for the better. Six months earlier he had disappeared from -the ken of his society acquaintances; disappeared quietly, almost -imperceptibly. By-and-by, when his absence began to be commented upon, -rumour had whispered it abroad that he was “laid up or something.” The -fact, so lightly stated and equally lightly commented on, had meant for -Falconer a realisation of the possibilities hinted at by his doctor early -in November. He had passed from the dreariness of unoccupied and somewhat -lonely club life into the infinitely heavier dreariness of a solitary -sick-room. - -Within his own limits and on his own lines Dennis Falconer was a strong -man. With his dark hour absolutely upon him he braced himself to meet -it with stern dignity; and he endured four months of physical suffering -and mental tedium--from which that suffering, weary and unremitting -as it was, was seldom acute enough to relieve him--with uncomplaining -fortitude. He was quite alone. Circumstances had occurred to detain -Dr. Aston in India, and his solitude was not realised by any of his -club acquaintances. It was a period on which, in after life, he never -willingly looked back; a dark hour, in truth. But it was lived through at -last, and as it passed away it gave place to a clear and steady light, -in which the shadows which had preceded it had vanished. Severe as had -been the means, the end was amply attained. He emerged from his sick-room -in such perfect physical health as he had not known for years. All the -disabilities under which he had laboured during the preceding summer were -removed, and in every nerve and muscle he was conscious of vigorous life. -In May he had received his doctor’s permission to return to his work, and -he was in London now to arrange the preliminaries of an expedition with -which he hoped to leave England early in the autumn. - -The physical change in him was conspicuous as he stepped forward to -return Mrs. Romayne’s greeting. He looked ten years younger than he -had been wont to look; the worn look of endurance had gone, and there -was an air of strength and power about him which was very noticeable. -Hardly less striking was the change in his expression. Much of the grim -austerity of his demeanour during the previous summer had originated in -the painful depression consequent on his state of health; much also in -his realisation of his position as a man laid aside and solacing himself -as best he might. The gravity and reserve of his expression remained, but -the heaviness had disappeared completely. - -His manner to Mrs. Romayne, as he shook the hand she held out to him, -was significant of the lighter and more tolerant point of view from -which his own lighter prospects unconsciously led him to contemplate -his fellow-creatures. It was neither expansive nor friendly, but it -lacked that undercurrent of stiff condemnation which had previously -characterised it. - -“I have intended to call on you,” he said with grave directness. “I am -sorry to appear negligent. But my time is no longer at my own disposal.” - -Mrs. Romayne put aside the claim on his time which he imputed to her with -a quick gesture and a laugh. - -“You are quite recovered, I hope?” she said easily. “Tiresome business, -convalescence, isn’t it?” - -“I am quite recovered, I am thankful to say,” responded Falconer; he -was so keenly conscious of all that the words meant for him that he was -insensible even to the jarring effect her manner had always had for him. -“I hope before very long to be at work again. Indeed, I am practically at -work now.” - -“Yes?” said Mrs. Romayne prettily. “Are you thinking of going abroad -again?” - -“I am going out to Africa. I shall hardly be in England again for another -five years.” - -Mrs. Romayne had been looking vaguely about the room, evidently bestowing -a modicum of her attention only on Falconer. But as he spoke the last -words the slightest possible start passed through her frame and her -wandering eyes suddenly ceased to wander. There was a moment’s pause, and -then she turned them on Falconer’s face. - -“Really? And when do you go?” - -There was something rather odd beneath the carelessness of her voice, and -her eyes, as she fixed them on Falconer’s, were odd too. - -“I hope to leave England early in October.” - -Mrs. Romayne made no reply. Her face suggested curiously that the -actual exigencies of the situation had faded for her, that she was -not in the present at all. For the moment there was no trace of that -satisfaction and relief which would have been the natural consummation, -on such news, of the defiance and distaste so hardly repressed in her -manner to her “connexion” during the past year. She looked, apparently -unconsciously, into the grave, steady man’s face above her, and there -was a vague, half-formed expression in her eyes, which might have been a -suddenly-stirred sense of loneliness or foreboding. - -It was gone again in an instant. And as the man who was to take her in to -lunch approached her, she turned from Falconer with the lightest possible -“au revoir.” - -Falconer found himself very well situated at luncheon. A question came -up on which his word carried weight, and the discussion which ensued -brought home to him that sense of renewed power and standing in the world -so grateful to him after his long period of inaction. He was full of -grave content and satisfaction, when, after lunch, circumstances threw -him again with Mrs. Romayne; and his whole mental attitude was suffused -with a dignified kindliness. He began to speak at once with grave, but -not unfriendly interest, and as though he were conscious of a certain -remissness. - -“I am glad to hear of your son! I hope it is quite satisfactory to you?” - -Mrs. Romayne had acknowledged his vicinity with a conventional word and -smile. Circumstances demanded of her at the moment no active exertion; -she was standing aside, as it were, for the instant, and there were -tired lines faintly visible about her mouth. They disappeared, however, -as if by magic, beneath the hard intentness which leapt into her face -as she turned sharply to Falconer on his first words. The movement was -apparently involuntary, for she turned away, lifting with elaborate -carelessness the long eye-glasses which she had lately adopted, as though -to cover the first movement, and said, as she looked through them at -something at the other end of the room: - -“It’s very stupid of me, no doubt, but I must ask you to explain!” - -The neutrality of her previous conversation with him had vanished -as completely as the strange suggestion with which it had ended had -vanished. The old defiance, apparently entirely uncalled-for, rang in her -elaborately indifferent voice. - -“Is it so old a story?” said Falconer. “Or is it, perhaps, a mistake?” -he added with genuine regret. “I hope not. A sensible marriage is such a -safeguard--a covenant with society. I heard of your son’s engagement some -three weeks ago on what purported to be excellent authority.” - -“Did you hear the name of the young lady by any chance?” - -Mrs. Romayne achieved a harsh little laugh as she spoke. - -Falconer glanced round the room and lowered his voice. - -“Miss Maud Pomeroy!” he said. “A most desirable wife for him, I should -have said!” - -Eight months before, under the inexplicable influence of the face and -manner of the pale, dignified woman who had faced him so bravely in the -little lodging in Camden Town, Dennis Falconer had been almost ready to -urge upon Julian Romayne marriage with the girl he was supposed to have -ruined. But he would have done so convinced, in the recesses of his heart -to which that woman’s influence could not penetrate, that such a course -must mean ruin to the young man; and in the grim severity of his mental -attitude at the time, he would have said that such ruin was the just and -righteous consequence of the young man’s guilt. Clemence’s disappearance -had frustrated the possibility of any such action on his part; time and -the pressing actualities of his own life had obliterated the impression -made on him; and the whole affair had gradually faded into the past. -Insensibly to himself he looked upon it now, conventionally enough, as -one of those dark episodes which are in no way to be obliterated or -lightened, but which may and must be overlaid. To that end it seemed to -him, in the relaxation of his sterner attitude, a thing so natural as to -be necessarily condoned that Julian should marry in his own class and -settle down. - -A moment’s pause followed on his words. Mrs. Romayne was sweeping the -room with her eye-glasses. The hand which held them shook a little, and, -if the man beside her could have known it, she saw absolutely nothing. - -“Maud Pomeroy!” she said at last, and she seemed to be unconscious of -that moment’s interval of silence. “Ah! Well, to tell you the truth, that -is not such an extraordinary report, though it hardly represents the -fact--at present. Young people will be young people, you know, and they -must be allowed their little wilfulnesses!” - -She also had lowered her voice, though it was high-pitched, and her -speech was almost exaggeratedly confidential. Influenced by the tone into -which they had thus fallen, Falconer said, meaningly and not unkindly: - -“You have had to make no more serious allowances, I hope--since?” - -With a laugh so light and high as to be painfully out of tune, Mrs. -Romayne answered him gaily in the negative. One little peccadillo, she -said, was not such a very terrible thing in a young man’s record, and she -was charmed to say that with that little affair of which they both knew -her anxieties on Julian’s account had begun and ended. She held out her -hand to Falconer as she finished her assurance, parting with him with her -brightest air of society friendliness, and as he wished her good-bye, -looking down into the trivial vivacity of her face, Falconer felt himself -stirred for the first time by a certain touch of pity for her. Coming -upon his softer mood and the comparatively friendly nature of their talk, -the eager assurance with which she spoke struck him as being not without -pathos. He had no confidence in Julian, and it occurred to him vaguely -and with a sense of surprise that if the security so superficially -founded should prove false, the blow would be somewhat disproportionate -to the lightness of the nature on which it must fall. The next instant he -recollected how largely her own actions would have contributed to bring -about the blow, and he dismissed her sternly from his thoughts as she -passed out of the room. - -Mrs. Romayne went straight home, though she had numerous calls on her -list for the afternoon; her eyes were even desperately bright and -defiant; and that same evening Marston Loring received a note asking him -to come and see her on the following day. - -He found her waiting for him in the drawing-room at the hour she had -appointed, and she plunged into the matter in hand with an affectation of -spontaneous confidence which was most effective. - -She had sent for him in his capacity of fellow-conspirator, she told him; -she was in a little perplexity and she was turning to him, as usual--this -with a charming smile--to help her. From this prelude she went on to -speak of the strange change which had come about in the relations between -herself and Julian on the one hand, and the Pomeroys on the other. -Loring’s keen eyes had detected this change some time since--by this -time, indeed, it was being whispered about somewhat freely--but he only -listened with grave attention. The upshot of her speech was: did Loring -know anything about it? Had Julian said anything? Had he spoken of any -quarrel, of any misunderstanding? Had his friend any kind of clue to give -her as to his feelings on the subject? - -The ease and gaiety of her manner, which strove to give to the whole -thing something the air of a joke, was disturbed and broken as she came -to the point by a feverishness about which there was nothing gay or -light. And some uncertainty as to how far she had gone seemed to pervade -her mind and to produce a feeling that some kind of explanation was -necessary. - -“You see,” she said, “it isn’t always safe to go to the fountain-head in -these little matters! A young man doesn’t always care to be questioned by -his mother! One might ‘give offence,’ you know!” Her tone was playful, -but her eyes were filled with the nervous fear which lurked in them -so often when she and Julian were alone together, and the look on her -face as she spoke her last words seemed to give to that fear a definite -object. It was the fear of “giving offence” to her son. - -Loring put the explanation aside with a smile, but he had no words of -enlightenment for her. Julian, he said, had preserved a total silence on -the subject. - -“I will see what I can do,” he said finally, with a smile that cancelled -the offensiveness of the intention conveyed of “pumping” his friend. “And -we will confer further. Meanwhile, I know you will like to hear that his -financial proceedings are prospering exceedingly, and are discretion -itself!” - -But the further conference, which took place in a day or two, was -entirely fruitless as far as its nominal purpose was concerned. Loring -did not reveal to Mrs. Romayne the exceeding brevity and decision -with which Julian had dealt with any and every attempt to lead the -conversation towards the Pomeroys, but he gave her to understand that at -present he had nothing to tell her. - -One night, about a week later, when she and her son came home in the dawn -of the July day from a series of “at homes,” Mrs. Romayne, instead of -saying good night to Julian at the door of her room, as was her custom, -laid her hand suddenly on his arm and drew him just across the threshold. -Her face was white to the very lips, and there was a set desperation in -it stronger even than the fear with which her eyes were full. Her voice, -as she spoke, was breathless and uncertain as though her heart beat with -painful rapidity. - -“Julian,” she said, “what is it that has gone wrong between you and Maud -Pomeroy?” - -A flash, so quick in the passing that its intense bitterness was not to -be detected, passed across Julian’s face; it seemed to leave him armed -with an expression of determined brightness which defied all emotion or -sentiment. - -“I don’t know that anything has ‘gone wrong,’ dear,” he said lightly. - -His mother’s hold on his arm tightened desperately. - -“I saw what happened to-night in the supper-room,” she said. “Won’t -you”--her voice broke, and there came to it a strangely beseeching -note--“won’t you tell me what it is?” - -Julian’s face grew rather set, and he paused a moment. Then he said, -still in the same tone: - -“It is nothing that I need worry you about, dear.” - -“Something might be done. If I knew what it was it could be set right, I -know.” - -“No, dear!” The words came from Julian quickly and instantly, and there -was a decision and significance behind his light tone now. Her speech had -created a necessity, and he rose instinctively to meet it. “I’m awfully -sorry to distress you, but I assure you nothing can be done. A girl must -be allowed to know her own mind, you know. And a certain little question -asked and answered, the only thing left to the fellow is to retire -gracefully. I’m awfully sorry you are cut up about it; I was afraid you -would be. Never mind, dear. I’m in no particular hurry.” - -He had gained in fluency and expansiveness of manner as he proceeded; the -expedient had only occurred to him on the spur of the moment; and as he -finished he bent down and kissed her lightly on the forehead. - -“Good night,” he said. “Sleep as well as I intend to do.” - -He left her with a nod and a smile, shutting the door behind him, and -Mrs. Romayne stood for a moment motionless, as she had received his kiss, -staring at the door through which he had disappeared. Then she began -to rub her hands feebly against one another as though a great cold had -seized her. She was trembling from head to foot. - -“Failed!” - -She spoke the word half aloud in a low, shivering tone, which gave to its -isolated utterance a strangely weird effect. - - - - -CHAPTER V - - -Marston Loring was sitting at his writing-table, writing with an -intentness which harmonised oddly with the suggestion of his evening -dress--correct and up-to-date in the minutest particular. He had -come rapidly out from the inner room two or three minutes before, -evidently acting upon a recently-formed determination; and he was -writing now swiftly and decisively. But there was nothing of rashness -or impulsiveness about his face or manner as he wrote; they were even -keener, more calculating and cynical than usual. He finished his note, -directed it with the same decision, pushed it aside, and, taking up an -open letter which had been lying before him as he wrote, leant back -in his chair, and began to re-read it. The note, on which the ink was -scarcely dry, was addressed to a broker in the City. The letter which he -had taken up bore the postmark of a small town in South Africa, and was -marked “Private” and “Urgent.” - -Three days had passed since Julian’s explanation to his mother as to his -relations with Miss Pomeroy. - -Marston Loring had come back from South Africa three months before, -with some very excellent machinery ready to his hand for the production -of what would materially simplify and embellish his future career--a -large fortune. That the machinery was such as a man of honour would have -hesitated to put in motion; that the hands which worked it could hardly -escape unstained, affected him not at all. The stains were not such as -could be pointed at; it was hardly likely that they would be detected. -Certain fellow mechanics were necessary to the proceedings; one of these -he had found in Ramsay; the other he had created, so to speak, in Julian -Romayne. - -The first noticeable production of that machinery had been that -first decisive rise in “Welcomes” at the end of June; and since that -time it had been worked--mainly by the master-mechanics, Ramsay and -Loring--with unceasing skill, energy, and unscrupulousness. Various -causes had co-operated to prevent such a speedy consummation as Loring -had anticipated when he told Julian that the inside of a month would see -the end of the proceedings. The month had gone by, and the shares, though -they were now worth ten times as much as had been paid for them by the -three in whose hands they lay, had not yet touched the highest value to -which it was proposed to raise them--to which they were rising, as a -matter of fact, with ever-increasing rapidity. And yet, notwithstanding -the apparent certainty that in another week his shares would have -materially increased in value, the note which Loring had just written -contained instructions for the disposal of all his interest in the -Welcome Diamond Mining Company, without fail, on the following day. - -A very small stone will put out of gear the most skilfully constructed -and reliable machine. A very small modicum of fact will reduce the most -skilful and elaborate fiction to its elements. The letter which Loring -was studying now with knit brows and compressed lips brought him private -information, which he knew might be public property twenty-four hours -later, to the effect that the Welcome Diamond Mine was under water. As -soon as that fact was generally made known, shares in the Company would -be practically worthless. - -He folded the letter and sat for a moment tapping it meditatively against -the table. He was thinking deeply; not now about the actual contents -of the letter, but of a question which they had raised in his mind; a -question interwoven and complicated with other carefully-laid plans. -Finally he threw the letter down on the table with a movement of sudden -resolution. - -“I must!” he said to himself. “It won’t do to risk a row.” - -He glanced hastily at his watch, and then drew out a sheet of note-paper -and wrote rapidly: - -“DEAR JULIAN, - - “Be here to-morrow at ten sharp. Don’t fail. - -“Yours, - -“MARSTON LORING.” - -He directed the letter, and then rose quickly, took up the hat and light -overcoat lying on a chair near him, and went out with the letter in his -hand. At the porter’s lodge he stopped. “Get this sent by hand this -evening,” he said, giving the man the letter addressed to Julian. The -other letter he posted himself as he passed along the Strand. - -He was on his way to dine in Curzon Street, and among his subsequent -engagements for the evening the Academy soirée occupied a prominent place. - -It was nearly twelve o’clock when he arrived at Burlington House, and -the vestibule and staircase were alike crowded with people going up and -coming down; smiling, nodding, and generally obstructing the way, with a -bland oblivion of any but their own individual rights to a passage. - -At the foot of the stairs Loring was seized upon and absorbed in a -portentous obstruction, of which the centre figure was Mrs. Halse, a -truly electrifying figure in a painfully fashionable evening “frock” of a -brilliant green. - -“I was just looking for a man,” she said, in her usual strident tones. -“They get such an extraordinary lot of people together here that picking -out any one one knows is like looking for a needle in a bundle of hay. I -suppose nobody ever did look for a needle in a bundle of hay, by-the-bye. -Mr. Halse isn’t here, of course”--Mr. Halse was seldom known to appear -in public, and when he did so, his meek presence was obviously entirely -devoid of interest for his wife--“and I’m looking after Hilda Compton; -her husband’s coming to fetch her, but he doesn’t care about her going -about alone. Quite right, too, I tell him,” she added, with a laugh. “But -of course it won’t last.” - -Hilda Compton, a three months’ bride, was standing by looking like a -Hilda Newton who had been born and bred in the centre of London society, -daring in dress, self-possessed in manner, audaciously pretty in face. - -She echoed Mrs. Halse’s laugh, and the latter went on, to Loring: - -“You can come upstairs with us. It’s such a bore not to have a man!” and -turning, led the way. - -That characteristic feature in her vociferous personality--Mrs. Halse’s -hobbies--had become crystallised to a great extent since Hilda Newton’s -engagement and marriage into a passion for matrimonial affairs; not -necessarily for match-making; match-marring was quite as keen an interest -with her. - -The comments with which she beguiled their way into the first room were -mainly called forth by the young men and maidens of her acquaintance -who happened to catch her eye, and whom she suspected of mutual likings -or loathings. They had drifted halfway across the room without coming -within speaking distance of any one they knew, when Mrs. Halse broke off -in an energetically-whispered account of a certain pretty young woman’s -partiality for--according to Mrs. Halse--an unresponsive young man, and -exclaimed suddenly: - -“That’s Maud Pomeroy over there, isn’t it? It’s my belief that she wears -those ridiculous white dresses so that people may have something to -remember her by. There’s nothing in her face, that’s certain!” - -Loring glanced through the doorway into the other room, to where Miss -Pomeroy, in white silk, was smiling very prettily upon a young man who -was obviously, if his countenance was to be relied upon, making inane -remarks to her. He was a very rich young man, and he had lately succeeded -to a title. Loring smiled rather enigmatically. - -“It is surely impossible to associate two such dissimilar ideas as -artifice and Miss Pomeroy--oil and water, you know.” - -“Milk and water, you mean!” put in Mrs. Compton, with a laugh. - -Mrs. Halse responded to the little witticism with obstreperous hilarity, -and then turned suddenly and confidentially to Loring, and spoke in an -eager semi-whisper: - -“Now, perhaps you can tell me,” she said; “nobody who knows her seems -to have been able to pick up anything--not that she has any intimate -friends, that kind of girl never has. But you know him, and men gossip -much more than women, when all’s said and done. Has she behaved -infamously to him, or has he behaved infamously to her?” - -“Has who behaved infamously to whom?” said Loring, smiling. - -Mrs. Halse unfurled her fan, and began to waft it vigorously and -excitedly to and fro. - -“You do know something about it!” she exclaimed. “Hilda, he wouldn’t -fence like that unless he knew something. But you’re not going to get -out of it like that,” she continued, addressing herself again to Loring. -“I’ll tell you plainly of whom I am talking, and you’ll tell me plainly -what has happened. Maud Pomeroy is the she, and young Romayne is the he. -Now, then.” - -“I give you my word that I know nothing about it.” - -“I don’t believe you,” was the answer, given with uncompromising vigour -and directness. “Good heavens! Somebody must know something about it. A -month ago the Romaynes and the Pomeroys were never apart. You couldn’t go -into a room without seeing him making eyes at her, and her simpering up -at him, and their respective mammas exchanging confidences in corners. -I was within an ace of congratulating them all round heaps of times. -I lived with my mouth open to do it, so to speak; they all seemed so -keen about it, it was evidently a matter for fervent congratulation. -Though why Mrs. Pomeroy should have cared about it I can’t think!” this -parenthetically. “He won’t have anything of his own while his mother -lives. I suppose Maud fancied him! It’s my belief that that poor woman -daren’t call her soul her own where Miss Maud is concerned!” - -Mrs. Halse paused, but only for the purpose of taking breath. That very -necessary process being accomplished, she continued her summary of the -position: - -“Then she goes to stay with prospective mamma-in-law, and we all stand on -tip-toe and hold our breath. She spends a fortnight there, and the next -thing we know is that the whole affair is apparently off! Off, if you -please! No more making of eyes, no more simperings, no more confidences. -And no explanation of any sort or kind. Mr. Loring, I cannot stand it, -and I insist on knowing what you know.” - -“Mrs. Halse, you do know what I know--that is--nothing.” - -If a large and smart lady could by any possibility permit herself to -stamp a large and heavy foot in the midst of a crowded and fashionable -assembly, Mrs. Halse stamped hers at that moment. She gazed for an -instant into Loring’s imperturbable face, and then, becoming convinced of -his sincerity, she turned to Mrs. Compton with a gesture of despair. - -“Hilda!” she said, “if somebody doesn’t find out something soon, I shall -die of suspense!” - -As it seemed not improbable from her demeanour at the moment that she -would obviate the chances of such a calamity by hurling herself upon one -of the objects of her interest and wresting a solution of the mystery -from him or her by main force, it was perhaps as well that at that moment -a temporary distraction presented itself in the shape of a popular actor. -Mrs. Halse was very fond of popular actors; they had been a hobby with -her at one time. And in the movement and breaking up of the group which -ensued, Loring drifted quietly away. - -He had made his way gradually into the big room, when he suddenly -quickened his steps and began to thread his way skilfully and rapidly -through the crowd. Mrs. Romayne was standing on the opposite side of the -room, smiling an invitation to him to come and speak to her. - -Mrs. Romayne had not been looking her best lately. Somehow the piquant -style and daring colour which she affected hardly suited her as they had -been wont to do. To-night there was a tired look upon her face which -seemed to reveal some recently-traced lines about her mouth; lines of -intense and almost dogged determination; and to her sparkling eyes, if -she allowed them a moment’s repose, there came a haggard look, which had -seemed for the last three days to lie only just beneath the surface. -But these were subtle, hardly perceptible points, and for the rest she -remained a noticeably attractive woman of the most pronounced artificial -type. - -“Where’s the boy?” said Loring easily, when they had shaken hands. “Is he -here?” - -Mrs. Romayne shook her head and laughed. - -“No!” she said. “He rather bars the soirée. A mistake, I think. One must -take it for what it is, of course; an omnium-gatherum of a perfectly -preposterous nature; looked at from that point of view it’s not unfunny! -Do look at that girl over there! She thinks her garment is a revelation -to all beholders!” - -“So it is,” returned Loring drily. - -Mrs. Romayne laughed, and dropped the glasses with which she had been -coolly surveying the garment in question. - -“That was rather obvious, wasn’t it?” she said gaily. “By-the-bye, did -you want to see Julian?” - -There was a moment’s pause after Loring had replied, pleasantly enough, -in the negative, and then Mrs. Romayne looked up at him suddenly, and -said: - -“It’s frightfully hot in here, don’t you think? Suppose we try one of -the less popular rooms?” She stopped a moment, and then added with her -most artificial laugh: “Of course, you gather from that that I’m going to -victimise you again? Yes; I do want a little quiet talk with you. Who’d -be a conspirator?” - -There was nothing of the unwilling victim, at least, in Loring’s tone or -manner as he deprecated her words. Nor was there either reluctance or -tedium in his face as he followed her through the room. On the contrary, -it was almost lighted up by an expression of sudden purpose. - -Mrs. Romayne led the way to the almost deserted miniature room, and they -began to walk slowly up and down, to all intents and purposes alone -together. There seemed to be no particular point to Mrs. Romayne’s -desire for a private conference with her fellow-conspirator. She talked -about Julian; talked about him carelessly, artificially, but with a -persistence which only another mother could have understood; slipping in -little questions now and then on all sorts of details connected with that -business side of a man’s life, as to which, she said, “women are always -so in the dark;” and reverting again and again to her satisfaction and -reliance in his mentor. - -“It’s rather absurd to quote those ridiculous old proverbs,” she said -at last, laughing affectedly, “but isn’t there one, or a fable, or -something, about a duck whose chickens--no, a hen whose chickens, it -would be, wouldn’t it?--would take to the water, and agitated her awfully -because she couldn’t go after them? That’s exactly what I feel like, I -assure you. And I look upon you as an exceptionally sensible water-bird -who is also at home on the land--a kind of connecting link. Humiliating -similes, aren’t they?” - -Loring smiled in answer to her laugh. But his tone as he answered her was -rather grave. - -“Not by any means humiliating as far as I am concerned,” he said; “for -you assume a certain amount of sympathy between yourself and me. May I -tell you what a pleasure that idea gives me?” - -He spoke slowly and deliberately, and Mrs. Romayne started slightly. -She glanced up at his face for an instant, unfurling her fan, and using -it gently, as though the movement were an outlet for some sort of faint -agitation. Loring was not looking at her, his eyes were fixed for the -moment on the opposite wall, and his profile told her nothing. There -was a hardly perceptible pause, and then he went on, with an admirable -mixture of deference, admiration--the depth of which seemed the greater -in that it was rather suggested than expressed--and the practical -confidence of a man of the world. - -“Don’t think that I am underrating Julian,” he said, “or that my regard -for him, personally, is anything but a very warm and sincere affair, when -I tell you that it is a long time now since Julian has figured in my -thoughts as anything but his mother’s son. Because he is his mother’s son -there are very few things I would not do for him, very little trouble I -would not take for him.” - -He hardly paused. Mrs. Romayne, rather, broke in on his speech with a -high-pitched laugh. - -“That’s very kind and flattering,” she said, and there was something -astonishingly hasty and nervous in the way she spoke. - -“I hope it doesn’t come upon you quite as a surprise,” answered Loring, -with the slightest suggestion of a cynical smile unseen by Mrs. Romayne. -“I hope it doesn’t need any words of mine to show you what I have tried -to show you in more practical ways. You have honoured me with a great -deal of confidence, and you have honoured me still further by putting it -in my power to be of some slight service to you. Will you not give me -still further powers in that direction? Will you not make our interests -practically one by becoming my wife?” - -He turned to her as he finished, and in spite of the admirable composure -and deference with which he had spoken, his eyes were very eager and -elated, almost as though with anticipated triumph. - -Mrs. Romayne met his eyes, and stood for a moment gazing into them -speechless and motionless, as though the blank astonishment written on -every line of her face had absolutely paralysed her. - -“Mr. Loring!” she said at last, and there was an almost bewildered -remonstrance in her low, astonished tone. “My dear Mr. Loring!” - -“One moment,” he interposed quickly. “Of course, I don’t ask you to look -upon it as anything but a question of expediency and mutual goodwill and -esteem. We are both of us very well aware that London is not Arcadia! -You won’t consider it brutal frankness on my part, I’m sure, if I tell -you that from a financial point of view our positions are not unequal. I -have been exceptionally fortunate lately, and I can offer you an income -of about five thousand a year. And if a man’s assistance and support -counts for something in your life, as I hope it may----” - -Mrs. Romayne interrupted him. With all the tact and practicality of a -woman of the world, she had mastered her amazement and was mistress of -the situation. She spoke kindly and composedly, with just that touch of -delicate concern which the occasion demanded. - -“Don’t say any more, please; it is really quite impossible.” - -A sudden flash of surprise passed across Marston Loring’s face, and he -paused a moment, his keen eyes fixed scrutinisingly on her face. He was -trying to detect there some signs of that coquetry or affectation of -reluctance which he believed must surely underlie her words. His scrutiny -failed to detect anything of the kind, however, and an unpleasant -glitter came into his eyes. - -“Impossible is a rather curt word,” he said. “May I ask you to amplify -it?” - -He saw the colour rise beneath her paint as she answered: - -“I have not the faintest intention of marrying, in the first place. -And even if there were not innumerable other reasons against what you -propose, I’m afraid I have no fancy for making myself ridiculous! Oh, of -course I am well aware”--she laughed a little--“that in my capacity of -silly old mother I am as ridiculous as any woman need be! But really, I -cannot add another farcical part to that farcical rôle.” - -“And that farcical part would be----?” enquired Loring. - -“That of the old wife of a young husband,” she answered, with artificial -mirth. “Mr. Loring, I am really sorrier, if you are indeed disappointed, -than I can tell you. If you have thought that I encouraged you---- -But that is too utterly preposterous! I have considered you simply as -my son’s friend--almost my son’s contemporary--a young man with an -exceptionally wise and reliable head. Certainly not as a young man who -would be foolish enough to want to marry a woman old enough to be his -mother.” - -Loring’s lips were rather thin, and his eyes glittered dangerously. As -she stood looking at him then, with a certain softening excitement about -her face, there was no slightest suggestion of age about her; nothing but -an admirably developed and preserved maturity. And Loring was a young man -in nothing but years. - -“That is a mere form of words, if you will pardon my saying so,” he said, -and his voice was dangerously quiet and controlled. “There is difference -between us in years, of course, but that goes for nothing. In experience, -in knowledge of the world, if I may say so, the difference between us -is practically nil. I am, as you say, your son’s friend. But is that a -reason for refusing me a larger form of the right which you yourself have -pressed upon me, to watch over him and to supplement your care where it -must inevitably fall short? For Julian’s sake!” - -He was confronting her now, looking straight down at her, and as he -spoke the last words, all the concern and agitation, partly affected, -partly real, with which her face had been moved, vanished before a set -expression of unalterable resolution. - -“For Julian’s sake,” she said, in a low, decisive voice, “it is -impossible.” - -He stood for a moment watching her, all the evil of his face standing -out in intense relief, and then he made a slight, cold gesture of -acquiescence. - -“May I take you back into the large room?” he said. - -She held out her hand to him with an eager gesture of apology and appeal. - -“We are friends still?” she murmured. And the murmur was almost -pathetically genuine in its anxiety. “It makes no difference?” - -Loring’s mouth was not good to look at as he answered in a tone -absolutely destitute of expression: - -“Certainly not!” - - - - -CHAPTER VI - - -If evil thoughts and evil passions could have a tangible effect upon -the physical atmosphere, the air of Marston Loring’s room, an hour -later, should have been thick and heavy. He was sitting thrown back in -an easy-chair, his evening coat replaced by a smoking jacket, a glass -of whisky and seltzer-water close to his hand. There were also cigars -on the table, but he was not smoking. He was staring straight before -him into vacancy. His face was pale and set with vindictive passion, -to the existence of which in his nature the general callousness of his -expression gave no clue. - -It was many years since Marston Loring had felt as he felt to-night. It -was many years since he had been foiled and thwarted--“made a fool of,” -as he himself would have said; and all that was blackest and worst in -the man was roused by the process. His life, ever since he had realised, -at the age of twenty-five, that there were prizes in the world which some -men obtained and other men failed to obtain, had been ruled by a series -of carefully made and elaborately worked out calculations. Everything he -had done, and everything he had not done, had been included in one or -other of these calculations; carefully designed to meet certain ends, -all of which met and culminated in the one great end of existence as he -conceived it--material prosperity and position. - -He had been, perhaps, as vicious a youth as could have been found in -London, and he had not ceased to be vicious as a man. But he so managed -his vices that even the reputation which clung to him had contributed -to his success. The question of marriage he had discussed with himself -on more than one occasion, always solely from the point of view of -expediency. And just about the time when Mrs. Romayne made her appearance -in London society he had come to the conclusion that, given the right -sort of woman, the step might possibly prove advantageous. He had been -considerably struck by Mrs. Romayne from the first; she was the kind of -woman he greatly admired, and he was well aware that to be on terms of -intimacy with such a social power was an excellent thing for a man in his -position; a position which, as he was also well aware, was by no means -so secure as most people supposed. It was from this point of view that -he had cultivated Julian, and, at first, from this point of view only. -The idea of Mrs. Romayne as a possible wife occurred to him later. But -when it did occur, it developed into active intention with considerable -rapidity. - -He had looked at the question from every possible point of view, and -decided that nothing could suit him better. He had no taste for young -women. He admired Mrs. Romayne as much as it was possible to him to -admire any one; she was “the kind of woman he could get on with,” he told -himself. She possessed exceptional advantages in the matter of social -standing, and she had money. Her eager cultivation of him during the -autumn that followed her first season in town convinced him that with -a little trouble she could be brought to forget the disadvantage of his -comparative poverty; and he would have proposed to her in the ensuing -winter had not his voyage to the Cape prevented. He had come back with -the prospect of a fortune of his own. But the fact made no difference -to his matrimonial plans. Where there is money more money is always to -be desired. Mrs. Romayne’s fortune was no longer absolutely necessary -to him, but it had not ceased to be desirable, and her other advantages -remained intact. She had received him with enthusiasm, she had cultivated -him assiduously; she had absolutely led him on, as it seemed to Loring. -He, in common with the rest of the world, regarded her relations with -her son as the merest pose, and her appeal for his help with Julian had -seemed to him simply the most transparent of subterfuges. He had no more -doubted that she would accept him than he had doubted his own existence. -And now his plans were frustrated, his calculations were falsified, and -his very practical and material castles in the air were laid in the dust. -He was refused. - -He roused himself at last, and the faintest suggestion of a cruel smile -curved his thin lips. He lifted the glass by his side, drank off its -contents, and then turned out the lamp and went into the inner room. - -His face was quite itself the next morning; the scowl and the cruelty -had alike disappeared; and it was with an even less cynical smile than -usual that he looked up from his morning paper at a few minutes past -ten o’clock, as the door opened with a hasty knock, and Julian Romayne -appeared. - -“Good morning, dear boy!” said Loring pleasantly. - -“Morning, old man!” responded Julian. - -He was looking rather pale and anxious, and he went on quickly: - -“Nothing wrong with ‘Welcomes,’ I hope?” - -Loring smiled again. - -“Nothing in the world, as far as I know,” he said gaily. “What a nervous -fellow you are!” - -“What an unreasonable fellow you are!” retorted Julian, the cloud -vanishing from his face as if by magic. “What do you mean by dragging a -poor wretch down here at this hour in the morning, whether he will or no? -What’s up?” - -It was some legal business, it appeared; and Loring proceeded to go into -it with great circumstance. It sounded very important as he put it, but -Julian took his leave, declaring gaily that he “didn’t see where the -urgency came in.” - -“You’re such an abominably hard-working fellow!” he said lightly. - -“Perhaps!” returned Loring. “It’s not such a bad principle, and it’s an -excellent character to have, let me tell you. By-the-bye, Julian,” he -continued, as the young man turned away with a laugh, and laid his hand -on the door, “how would you like to have a few more Welcomes?” - -He rose as he spoke, and stood leaning against the mantelpiece with his -back to the empty grate, confronting Julian as the young man turned -sharply towards him. - -“What do you mean?” said Julian. “Are there any in the market?” - -“Well, yes,” said Loring quietly. “The fact is, there’s a certain -shooting in Scotland which I have coveted for years. It’s for sale -now, and on uncommonly reasonable terms. Of course, it’s appalling -extravagance on my part, for the shares are going up every day. But I am -going to sell a thousand pounds’ worth of Welcomes to-day and buy that -moor.” - -“It is extravagance!” said Julian, and there was an eager light in his -blue eyes. - -“Like to have the shares?” said Loring imperturbably. - -Julian hesitated. - -“I should like them, of course,” he said, rather breathlessly. “So would -lots of other fellows. But, you see, my thousands, what there were of -them, are all locked up in the Welcome already.” - -“You wouldn’t think it worth while to borrow, I suppose?” enquired Loring -carelessly. - -“There’s a little difficulty known as security.” - -“For some fellows, of course,” was the answer. “But not for you. You’ve -got money coming to you.” - -Julian coloured a dull red, and looked down at the carpet, moving his -foot to and fro uneasily. - -The idea of raising money on a reversion for such a purpose was for the -moment inexpressibly repugnant to him. - -“The shares are going up every day,” said Loring; “you ought to make -a good thing of it; and you’ll sell at the end of this week, I take -it? However, of course, I don’t want to press you. They’ll go off fast -enough.” - -Julian lifted his head suddenly, and drove his clenched hand deep down -into his pocket. - -“I’ll do it,” he said. “All right, Loring, I’ll take them.” - -“To-day?” said Loring suavely. - -“To-day!” returned Julian, almost fiercely. - -He turned and left the room abruptly, without another word. And Loring, -with the smile of the night before touching his lips once more, took up -his paper again. Apparently he had forgotten the letter he had received -from South Africa on the previous day, and the news it contained. - - - - -CHAPTER VII - - -It was six o’clock on the following day, and in the sunset light of -the July evening--a light with which the bustling, hurrying, unlovely -crowd on which it fell seemed strangely out of harmony--the current of -human life was setting strongly in every direction from the City. Along -Cornhill, going against the stream, but driven, nevertheless, at a pace -which was looked upon far from favourably by the police occupied in -regulating the traffic, there came a hansom cab. In the cab, with one -hand gripping the doors until the knuckles stood out white, was Julian -Romayne. His hat was pulled slightly forward over his brow, as if with -some half-conscious sense of the ghastliness of his face, some instinct -to hide that ghastliness from casual eyes. His face was of a livid -pallor. There were grey shadows about the mouth, which was set into -hard lines of temporary and difficult self-control. His nostrils, not -sensitive as a rule, quivered slightly as the pace of his horse slackened -perforce now and again; he gave no other slightest sign of consciousness -of his surroundings. - -The cab turned out of Cornhill, and in another second pulled up suddenly. -Almost before the cab had stopped, Julian flung open the doors and leapt -out. He paid the man double his fare, dashed into the building before -which they had stopped, and up the stairs to an office on the second -floor. His hand was shaking like a leaf as he stretched it out to try the -lock of the door. It yielded to his touch, and he flung it roughly open -and passed rapidly in. The outer office had only one occupant, a rather -feeble-looking little man, who was trying to improve the appearance of a -shabby hat by a careful application of his coat-sleeve. He looked up with -a start on Julian’s entrance, and an expression of comprehending concern -dawned on his face. He was the messenger of the Welcome Diamond Mining -Company. Before he could speak, however, a hoarse, peremptory question -broke from Julian: - -“Mr. Ramsay’s not gone?” - -“Not yet, sir,” was the answer, given with timid alacrity. “He’s here -later than usual to-night, you see, in consequence----” - -But before the first words were fairly uttered, Julian had crossed the -room, and as he reached the second door leading into the inner office, -it opened quietly, and Ramsay stood on the threshold. He was looking -as imperturbable and uninterested as usual, and his voice was dry -indifference itself as he observed: - -“I have been expecting you all day.” - -Without a word Julian strode past him into the manager’s room, and then, -as Ramsay shut the door calmly, he said, in a quick, unnatural tone, -which also carried with it a curious suggestion that he had not even -heard Ramsay’s words: - -“It’s a mistake! It’s a mistake! It must be!” - -Ramsay’s only answer was a slight shrug of the shoulders as his dull eyes -rested, apparently with complete indifference, upon Julian’s face; and -the latter went on, rapidly and unevenly: - -“I’ve only just heard. I’ve been out of town all day. I’ve come to -hear--to see what can be done.” - -The last words were hardly audible, as though his mouth was so parched -that he could hardly articulate. He lifted his hand as if involuntarily, -and pushed back his hat, fixing a pair of fierce, burning eyes upon -Ramsay. - -“There’s nothing to be done, of course,” said Ramsay drily. “The thing’s -collapsed.” - -A harsh, wild laugh rang through the room, its faint echoes startling the -little man in the outer office. - -“Collapsed!” cried Julian. “Collapsed, by Heaven!” - -He put out one hand gropingly, caught at a chair near him and dropped -heavily into it, letting his face fall forward upon his folded arms as -they rested upon its back. - -Only half an hour had passed since he had gone to his rooms in the Temple -after a picnic on the river, to find waiting for him there a telegram -from Ramsay. And into that half-hour had been compressed such a desperate -stand against despair as is little less terrible than despair itself. -The telegram had told him that on the opening of the Stock Exchange that -morning it had been spread abroad on unimpeachable authority that the -Welcome Diamond Mine was under water. This evening, the inevitable sequel -of such a fact, as he knew too well, shares in the Welcome Diamond Mining -Company were so much waste-paper. - -Ramsay stood for a moment looking at him, with a rather curious -expression on his inexpressive face. - -“It’s a turn of the game,” he said drily. “If you stand to win, you must -stand to lose, too. You hadn’t thought of that, I suppose?” - -With a sudden tumultuous movement, as though his agony of mind was no -longer to be endured in stillness, Julian sprang from his chair and began -to walk up and down the room with hasty, uneven strides. - -“Thought of it!” he cried. “What was there to make one think of it? It -was a certainty yesterday, man; a certainty!” - -A spasm passed across his face, and seemed to cut off his words, and -Ramsay observed sententiously: - -“It’s a mistake to reckon anything as a certainty till you hold it in -your hand.” - -Julian faced round suddenly and confronted him, his eyes blazing, every -feature working. - -“What the devil is the good of saying things like that?” he demanded. -“Can’t you understand that I have reckoned on it, as you call it? Can’t -you understand that it was all or nothing with me, and I am just done? -Can’t you understand----” - -He broke off suddenly, and, turning away with a heavy groan, flung -himself into a chair, and let his face fall forward on the table. For -all that he was face to face with at that moment he could have found no -words. The remorse, the sense of failure and helplessness, the despair -which seemed to be tearing his heart to pieces, were one intolerable -anguish. - -Ramsay followed him with his eyes, and then crossed the room quietly, and -stood beside his bowed figure, which was shaken now and again from head -to foot. - -“Is it so bad as this, boy?” he said quietly. Then, as there came no -answer, he went on meditatively: “Ten thousand pounds! Ten thousand isn’t -so much to lose. Counters in the game, that’s all.” - -He paused, and after a moment Julian lifted his face, haggard and drawn. - -“It’s the stake you must look to,” he said. “My stake was heavy, Ramsay. -Oh, you’re right enough. Ten thousand pounds isn’t much. I borrowed a -thousand yesterday--raised it on a reversion--to get hold of some shares -Loring wanted to sell. That wasn’t much either, of course.” - -He had spoken in a dreary, monotonous voice, which was inexpressibly -hopeless. And Ramsay’s eyes were fixed keenly on him as their owner said -drily: - -“You bought a thousand pounds’ worth of Loring’s shares yesterday? Did -you know that he was selling out all his interest in the Welcome?” - -Julian turned with a quick, startled movement, and then paused. - -“All his interest?” he repeated. “He wanted a thousand to pay for a -Scotch moor, that was all.” - -“He sold every share he had yesterday,” returned Ramsay. “Curious -coincidence.” - -“You don’t mean to tell me----” - -The eyes of the two men met; and Julian sprang to his feet with a fierce -imprecation. - -“He knew it?” he cried; “he knew it, and kept it dark, that he might keep -the market to himself? It isn’t possible, Ramsay; it isn’t possible!” - -“Nothing is impossible,” returned Ramsay quietly. - -A savage, hissing breath came from between Julian’s set teeth, and he -seemed literally alive with passion. Without a word he stretched out his -hand for his hat and turned to leave the room. Ramsay quietly intercepted -his passage. - -“Where are you going?” he said. - -“I’m going to see Mr. Loring.” - -The slightest possible smile touched the elder man’s lips, and he said: - -“All right. I shall have something to say to Mr. Loring, too. But listen -to me, first. Was it a desperate necessity to you to pull off this -affair?” - -Julian did not speak. His lips twitched for a moment, then settled into a -thin line; and the look in his eyes was answer enough. - -“Very good, then,” said Ramsay. “Come and see me here to-morrow at six. I -may be able to give you a hand.” - -With a gesture of uncomprehending assent, but with no word of answer, -Julian turned away and left the room. - - * * * * * - -Three-quarters of an hour later he was coming rapidly down the staircase -which led from Loring’s chambers. His face was flushed and quivering, -and every pulse was beating madly, like the pulses of a man who has -just given unrestrained expression to furious passion. He turned on to -the Embankment, and began to walk away in a headlong fashion, evidently -neither knowing nor caring where he was going. - -And as he walked the tumultuous life and glow of his face died slowly -out, and settled into a haggard, sullen mask of dull despair. He had -spoken his mind to Loring, and now there was nothing more for him to do. - - - - -CHAPTER VIII - - -“We are all the slaves of man, my dear Lady Bracondale. You are kept in -town because Parliament insists on keeping your husband; and I am kept in -town because--oh, because the most capricious young man in London happens -to be my son!” - -An afternoon call in the first week of August is distinctly an anomaly, -and seems to partake somewhat of the nature of a visit of condolence. -Parliament was sitting late this year, and those hapless wives who -considered it their duty to wait in town until their legislating husbands -were released, visited one another, and were visited by the one or two -acquaintances detained in London by other causes, in a manner which -betrayed a combination of martyrdom and shamefacedness. - -Lady Bracondale, who was nothing if not a personification of duty done, -or in the act of doing, was being condoled with, or called upon, on -this particular August afternoon, by two distinct sets of sympathising -acquaintances; two sets, which, in spite of placid words and pretty -speeches, seemed to be entirely incapable of amalgamation; Mrs. Romayne, -and Mrs. Pomeroy and her daughter, who had arrived a few minutes later. -And it was to Mrs. Pomeroy that Lady Bracondale--who had a peculiar gift -for saying in a stately and condescending manner the things which quicker -perceptions would have recognised as not being precisely the best things -to be said under the circumstances--turned, as Mrs. Romayne stopped -speaking. - -“I suppose Mrs. Romayne looks upon you as the exception that proves her -rule,” she said. “For it is not a case of manly compulsion with you, I -believe? I hope your sister goes on well?” - -Mrs. Pomeroy, having neither husband nor son, was detained in town by -the presence in her house of the sister whom she had visited earlier in -the year, and who had spent the last month under the care of a London -doctor. But her tone was as placid as ever as she replied: - -“Thank you, I believe they consider her nearly recovered, for the time -being. She hopes to go home this week. And then Maud and I will go and -pay some country visits. We don’t think of going abroad this year. I -shouldn’t feel easy to be out of England while my sister remains in this -state.” - -“But that’s not compulsion at all!” exclaimed Mrs. Romayne gaily. “You -are acting entirely on your own impulse. Now, just consider my hard -case. We were going to Pontresina; you know I’m very fond of Pontresina; -it’s such a dear, bright, amusing place. And we were to have started -yesterday. Now, imagine my feelings when, two nights ago, that boy of -mine came home, and said that, on the whole, he thought he’d rather not -go abroad this year; he’s taken with an enthusiasm for his profession, if -you please, and he must needs stay somewhere quiet--so he says--and work -at it. I must do him the justice to say that he was awfully apologetic, -dear fellow!” Mrs. Romayne laughed her little affected, maternal laugh. -“He was very anxious that I should go without him, and even offered to -give up his own plan when he found how preposterous I thought that part -of his idea.” - -There was not the faintest difference in Mrs. Romayne’s voice by which it -would have been possible to tell that her last statement was even less -veracious than any other part of her speech, and that Julian’s proposal -to give up his plan was a figment of the moment only. - -“And then of course I gave in,” she continued. “Of course, he knew I -should--the wretch! And we’re to have a cottage on the river, and spend -six weeks there.” - -She finished with a little grimace, and Lady Bracondale observed politely: - -“I’m afraid you will find it rather dull.” - -“I shall find it very dull,” returned Mrs. Romayne with ingenuous -frankness. “I shall be bored to death. But, then, you all know that I am -really a very ridiculous woman, and if my lord and master is content, -there is nothing more to be said. He’s kind enough to assure me that -there are lots of nice people about! I don’t know what kind of nice -people one is likely to find about the river in August and September, but -I take his word for it.” - -“I believe the Comptons have a house-boat somewhere,” observed Miss -Pomeroy. - -It was her first contribution to the conversation, and it was made -apparently rather because conventionality by this time demanded a remark -of some sort from her, than from any interest in the subject. Before any -reply could be made, the door opened, and Marston Loring was announced. - -Mrs. Romayne had been looking rather sharp-featured, and there was a -great restlessness in her eyes. It seemed to leap up and then settle -suddenly into comparative repose as they rested on Marston Loring, and -as he turned to shake hands with her she greeted him gaily. It was their -first meeting since the night of the Academy soirée, but Loring’s manner -was absolutely unmoved. His greeting to her differed in nowise from his -greeting to the other two ladies, and if that fact in itself involved a -subtle change in his demeanour towards her, the change was observed by -one pair of eyes only--a pair of demure brown eyes. Miss Pomeroy had been -a good deal interested in Marston Loring’s comings and goings during the -fortnight she spent in Queen Anne Street. - -“I thought you were gone,” Mrs. Romayne said lightly. “What are you doing -in town to-day, may one ask, when you were booked to start for Norway -yesterday?” - -“Business,” he returned in a tone which addressed the whole company -rather than any member of it individually. “I am investing in a Scotch -moor, and I can’t leave London till I have signed and sealed.” - -There was a delicate implication of wealth about the statement which -seemed to give a curious fillip to the conversation; and an animated -discussion ensued on Scotland, its charms and its disadvantages. - -Mrs. Romayne held her part in the discussion with unfailing readiness, -and as the subject exhausted itself she rose to take leave. She said -good-bye in her usual charming manner to her hostess, and to Mrs. -Pomeroy and her daughter, and then she turned to Loring. - -“By-the-bye,” she said carelessly, “I’ve a piece of property of yours in -the carriage. Did you know you had lost something when you called the -other day? No, I shan’t tell you what it is, you very careless person! -But I’ll give it you if you like to come down for it.” - -She turned away; Loring followed her perforce; and there was an ugly -smile on his face as he did so. At the foot of the stairs she paused; -then with a quick glance towards an open door which led into a dining -room, she went rapidly towards it, signing to him to follow her. Once -within the room, she turned and faced him. She was smiling still, but the -smile was stiff and mechanical, and her eyes, as she fixed them on his -face, were desperately anxious. There was a curious ring of conscious -helplessness and reliance on the man to whom she spoke, about her voice -as she began to speak. - -“I wanted to speak to you,” she said. “I’m so glad to see you. I’m rather -perplexed. Julian has taken it into his head to stop in town, or, -rather, close to town. He won’t go abroad; he won’t visit. Can you tell -me the reason? Will you try and find out the reason? May I rely on you? -But of course I know I may.” - -There was a tone almost of relief in her voice, as if in the mere making -of the confidence, in the sense of companionship and support it gave her, -she found some sort of ease. - -And Loring smiled again as he met her eyes. - -“I’m sorry to have to dispel an illusion which is so flattering to me,” -he said, with the slightest possible accentuation of his usual quiet -cynicism of manner. “But it’s useless to assume that I can be of any -further service to you.” - -He stopped, watching with keen, relentless eyes the effect of his words. -A startled look came to the face turned towards him. The eyebrows were -lifted and contracted with a quick movement of perplexity. Evidently she -believed that she had not fully understood him, for she did not speak, -and he went on: - -“Your son and I have quarrelled. He has insulted me grossly. For the -future we are strangers to one another. Consequently you will see that I -shall be no longer able to keep him out of mischief.” - -There was an indescribable tone in his voice, ominous and vindictive. And -as he spoke, Mrs. Romayne’s face seemed to grow old, and her eyes dilated. - -“It can be put right,” she said, in a quick, uncertain voice. “He will -apologise. You will forgive----” - -Loring interrupted her, very coldly and incisively. - -“He will not apologise!” he said. “And I should not accept any apology. -I needn’t suggest, of course, that, under the circumstances, our -acquaintance, much as I regret this, had perhaps better cease.” - -They faced each other for another moment, and into Mrs. Romayne’s eyes -there crept a sick despair strangely incongruous with the surface -appearance of the position. Then she seemed to recover herself as if with -a tremendous effort of will. She drew herself up, bowed her head with -grave dignity, and moved to leave the room. He held the door open for -her with an absolutely expressionless countenance. She passed down the -hall to where the servant was waiting at the door, went out, and got into -her carriage alone. - -Loring stood at the foot of the stairs watching her, and then turned -with a cruel contentment in his eyes, and went upstairs again to the -drawing-room. - -The two elder ladies were sitting with their heads very close together, -as he opened the drawing-room door, evidently deep in some question -of domestic importance. And standing by a conservatory window at the -other end of the room, a rather bored-looking figure in its solitary -girlishness, was Maud Pomeroy. The occasion being, as has been said, -something of an anomaly, conventions were not so strict as usual. Lady -Bracondale just glanced up with a vague smile as Loring reappeared, -and then became absorbed in conversation as he strolled across to Maud -Pomeroy. She looked up at him with a faint smile. - -“Has Mrs. Romayne gone?” she said. - -He signified a careless assent, and then said: - -“You are looking rather bored, do you know, Miss Pomeroy? Suppose we go -and look at the flowers until we’re wanted?” - -She hesitated a moment, and then moved idly into the conservatory, -looking back at Loring with a smile as he followed her. - -“I was a little bored,” she confessed. “It is very kind of you to come -and amuse me.” - -For the next moment or two Loring could hardly be said to prove -himself very amusing. He sauntered round the little conservatory at -his companion’s side, his eyes fixed keenly upon her impassive profile -with something very calculating in their depths. Miss Pomeroy also was -apparently absorbed in thought, and did not notice his silence. - -“You are a great friend of the Romaynes, are you not?” she said at last, -in her thin, even, very “proper” tones. - -Loring glanced at her again. - -“Well,” he said, “that’s not a question that it’s particularly easy for -me to answer, to-day. I have been on fairly intimate terms with them, as -you know. But do you know what that kind of thing sometimes leads to?” - -Miss Pomeroy shook her head. - -“Well, there is such a thing as knowing people too well,” said Loring -deliberately. “And then you find out little traits that don’t do. To tell -you the truth, Romayne and I have quarrelled.” - -“I’m glad of that,” said Miss Pomeroy softly. - -He looked at her quickly, but he was not quick enough to catch the -spiteful gleam in her eyes. - -“Would it be inquisitive to enquire why?” he said. - -“I don’t think Mr. Romayne is a nice young man,” was the answer. “I would -rather people I like----” She broke off in pretty confusion. “I would -rather you weren’t a friend of his, Mr. Loring. I think there’s a great -deal about him that nobody knows.” - -“Indeed!” said Loring, interrogatively and quietly. - -“You see,” she said, with charming seriousness, “I think a girl can often -feel whether a man is nice or nasty quicker than another man can. Mr. -Loring, has Mr. Romayne ever said anything to you--Oh, please don’t think -it’s very odd of me to say such things to you! Has he ever said anything -that made you think he might be married?” - -There was a hardly perceptible pause--a hardly perceptible flash of -comprehension on Loring’s face, and the vindictive satisfaction in his -eyes deepened. - -“What makes you ask me that?” he said, in a tone which seemed to fence -gravely with the suggestion rather than to repudiate it. - -Miss Pomeroy responded with growing conviction. - -“Because I’m quite sure that he is married. And, of course, as he doesn’t -own it, there must be something--something not nice about it. And it does -seem to me so wrong that people should like him so much when he isn’t a -bit what they think he is.” - -The man’s eyes and the girl’s eyes met at that moment for the first time. -The girl’s were perfectly clear, mild, and expressionless, and into the -man’s there stole a cynical tinge of admiration. - -“By Jove,” he said to himself, “she is clever!” - -At that instant Mrs. Pomeroy’s voice was heard from the drawing-room -calling placidly for her daughter. And Miss Pomeroy moved forward with -graceful promptitude into the drawing-room. - -“We shall meet in Scotland by-and-by, I believe,” said Loring pleasantly, -as he shook hands with Miss Pomeroy. “You were to be at the Stewarts’, I -believe, in the last week of September, and so am I. I shall look forward -to it. Good-bye, Miss Pomeroy.” - -“Good-bye, Mr. Loring.” - -A few minutes later Loring also took leave of Lady Bracondale and went -away. The satisfaction was stronger than ever in his eyes. Maud Pomeroy’s -words had somehow or other carried instantaneous conviction to his mind, -and in the fact he believed them to contain he saw certain social ruin -for Julian Romayne. - -“He’s done for himself all round,” he said to himself as he let himself -into his rooms half an hour later. “That nice little house in Chelsea -will be to let next season.” - -At that same moment, in the manager’s room at the offices of the Welcome -Diamond Mining Company, Julian Romayne was standing by the table, looking -down at Ramsay as the latter sat leaning back in his chair, indifferent -enough in attitude, but with a hard intensity of expression in his dull -eyes. Julian had evidently just risen, pushing back his chair, the back -of which he was gripping almost convulsively. His face was ashen, his -eyes were dilated with an expression of desperate, intolerable temptation. - -“I’ll do it,” he was saying in a harsh, unnatural voice. “I’ll do it, -Ramsay. Shake hands on it.” - - - - -CHAPTER IX - - -The cottage which Mrs. Romayne had taken for August and September, on -Julian’s refusal to go abroad, was situated a few miles above Henley. -It was a very charming little house, to which the term “cottage” was -applicable only in mock humility; and it was very charmingly situated. It -had a delightful garden, not large, but full of “roses, and sunflowers, -and all sorts of things,” as Mrs. Romayne explained to Julian after her -visit of inspection. Its lawns sloped down to the river, and altogether, -on the same authority, it was a wonderful chance to get hold of it. - -The statement which Mrs. Romayne had made to Lady Bracondale on Julian’s -authority, that there were “nice people about,” had originated, as a -matter of fact, not with Julian, but with his mother herself. It was -quite true, nevertheless; but apparently Julian’s sudden desire for quiet -had proved infectious. The acquaintance between herself and her present -neighbours being of the slightest, Mrs. Romayne made no such attempt as -might have been expected of her to develope that acquaintance. - -She seemed to be strangely without impetus in herself towards action -of any kind. She was “resting,” some people might have said; she was -pausing, certainly. But whether, as the days went on, her life did not -signify rather temporary and enforced quiescence, than the peaceful and -pleasant suspension of labour, might have been an open question. - -It was a hot, bright August; day after day the sun shone steadily down, -as Julian departed for town after an early breakfast, at which his mother -never failed to appear. Day after day it shone through all the long, -little-broken hours upon the quiet house and garden, about which the one -woman’s figure moved in almost total solitude, until, with the evening, -Julian returned again. Evening after evening the mother and son spent -alone, but by no means always together. After their dinner, during which -conversation seldom flagged between them, any more than it would have -flagged between two friendly and well-bred acquaintances, Mrs. Romayne -would sit in the drawing-room with a bit of fashionable fancy-work in -her hand, into which she only occasionally put a stitch; and sometimes -Julian would spend half an hour with her there, reading the newspaper and -carrying on the talk of dinner; or sometimes he would stroll out into the -garden at once, and come in only just before bed-time. - -Mrs. Romayne never followed him and never questioned him. Perhaps it -was the curiously still life she led which brought so strange and still -an expression to her face; a stillness which suggested a slow, wearing -waiting, and a mingled concentration, watchfulness, and patience. - -It was an evening in the second week of September, and she was walking -up and down the lawn in the fading sunset light. She was moving with -slow, regular steps, with the monotonous motion of a woman to whom the -even movement brought some sort of relief or soothing. There was an -indescribable touch of desolateness about her lonely figure as she moved -up and down before the empty house. - -A servant came out to her by-and-by with some newly-arrived letters. She -took them, and then, her monotonous motion being perforce suspended, a -sense of physical fatigue seemed to assert itself, and she sat down on a -low basket-chair. - -A sigh came from her as she did so, one of those sighs which in their -unconsciousness are so suggestive of habitual suffering. She paused a -moment, looking away into space with absent eyes. Then she seemed to -rouse herself, and took up one of the letters as if forcing herself -to seek relief from the current of her monotonous thoughts. She had -opened the envelope and read the letter half through in a mechanical, -uninterested way, when its contents seemed suddenly to arrest her -attention. A change came to her expression, a change which in its slight -quickening and revival showed how dulled, almost numbed, it had been -before. - -She turned once more to the beginning of the letter and read it again. - - “GLENFYLE, ROSS-SHIRE. - -“DEAR MRS. ROMAYNE, - - “I am so sorry to have to ask you to postpone the visit which - you had promised us for the end of this month. I find that - by some stupid mistake my husband and I have given separate - invitations for the same date. As there is, unfortunately, no - doubt that his invitation was given first, there falls upon me - the very disagreeable task of explaining the situation to you - and your son, and begging you to forgive me. - - “Yours truly, - - “MARION STEWART.” - -Mrs. Romayne leant back in her chair, not indolently, but with an intent -consideration in every line of her figure; and letting the hand that held -the letter fall on her knee, she sat gazing at the written words with -sharp, angrily sparkling eyes, which looked as though they were bent on -piercing through the words themselves to the meaning which she believed -they hid. She was evidently surprised and annoyed; as evidently she gave -not an instant’s credence to the reason alleged for the postponement of -the visit in question; and the slight involved in this postponement, -indefinite, as she noticed with an unpleasant little smile, seemed to -stimulate her. - -Her face had grown even vindictive, when her eyes fell on the postmark -of the second letter lying on her knee. It was that of the same little -Scotch town, the name of which was stamped upon the already opened -envelope. She took it up eagerly, and as she saw the handwriting, she -paused for an instant, and a flash of intense consideration passed across -her face. Then she tore it hastily open. It was from Mrs. Pomeroy, and it -conveyed in three long-winded and incoherent sheets a piece of news which -the writer was sure would delight Mrs. Romayne. - -“Dear Maud,” the letter said, was just engaged to “that charming Mr. -Loring.” Mrs. Pomeroy’s mind seemed to be in a state of somewhat -considerable confusion between a theoretical and conventional sense that -it was very sad for her to lose her daughter, and a certain practical and -actual sense, which by no means harmonised with the theoretical one, and -all unconsciously threw a good deal of light on the relations between -the mother and daughter, as they actually existed. The coherence of the -letter was further disturbed by sundry sentences, which dovetailed so -oddly into the general fabric that they had somewhat the appearance of -being inserted to order; sentences which conveyed various repetitions of -“dear Maud’s” assurance of Mrs. Romayne’s congratulations; and various -repetitions of the statement that Mr. Loring’s financial position had -recently improved amazingly, and that he was sure of a seat in Parliament -at the forthcoming general election. - -“He has been staying with the Stewarts during the whole of our visit to -them,” the letter ended. “Dear Lady Marion has been so kind about it, and -taken such an interest.” - -“Ah!” - -The exclamation, uttered, evidently involuntarily, just above her breath, -came from Mrs. Romayne’s lips sharply and bitterly. She had read the -letter through with certain quick movements of her eyebrows, and mocking -smiles coming and going about her thin lips, and they smiled again as she -folded the letter deliberately and put it back into its envelope. She was -looking thoroughly roused now, and there was a confidence in her alert, -determined expression. It was the kindling up of martial spirit at a -challenging trumpet-call from a well-known battlefield. - -If Marston Loring and his future wife were indeed arranging their -forces for the undermining of Mrs. Romayne’s social position--and Miss -Pomeroy and Loring between them could have pieced out a very sufficient -explanation of Lady Marion Stewart’s note--the campaign, judging from -appearances at that moment, was likely to be far from a tame one. - -Mrs. Romayne was still sitting with the letters in her hand, tapping one -foot with impatient vigour upon the grass, and there was the same eager -intentness in her eyes, when from the house behind her the sound of a -dinner-bell rang out. She started violently, and in the start something -seemed to fall between her and the subject on which her thoughts had been -busy. A curious shade of that new stillness replaced the energy on her -face. It was the dressing-bell, and she rose mechanically; and as she -turned towards the house her eyes fell upon the figure of Julian. He had -evidently been standing on the verandah, and as she rose he had turned, -and was disappearing into the house. Another shade of stillness fell upon -her face, as though the letters she had received, and the feelings they -had stirred, had receded into the distance. - -It often happened that the mother and son did not meet, on Julian’s -return home in the evening, until dinner-time, and it happened so -this evening. The dinner-bell was ringing when Julian came downstairs -with a quick word or two of apology, and followed his mother into the -dining-room. - -Julian looked as though his month’s hard work had by no means agreed -with him. His face was even painfully thin and worn, and there was -an expression of hard concentration about it which seemed to age it -strangely. His eyes were rather sunken. It was a curious feature of a -change in him less easily defined, that his likeness to his mother had -faded considerably. All the character of his face now seemed to originate -about his mouth; that mouth of which Mrs. Romayne had been wont to say -with affected gaiety that it was like nobody in particular; that mouth -which had been a somewhat weak and undecided feature. There was nothing -undecided about it now, and Mrs. Romayne never looked at it without a -deepening of that stillness on her face. It was set into heavy, resolute -lines. - -No one, indeed, judging from the bare outline of Julian’s daily life -during that hot August, could have wondered at the signs of physical wear -and tear that he exhibited. Ten o’clock, on every one of those sultry -days, found him at work, not indeed in the Temple, but in an office in -the City; and it was from the same office that he would issue forth at -about five o’clock to catch the train for Henley, sometimes with sullen -determination, sometimes with a pale, fierce excitement on his face. - -The affairs of the Welcome Diamond Mining Company had readjusted -themselves, after the blow which had threatened the company’s very -existence, as hardly the most sanguine could have hoped. Ten days -after the announcement of the presence of water in the mine, some of -the newspapers published another telegram which had been received by -the directors. The passage of the water, by which the existing mine -was rendered practically useless, had revealed hitherto unsuspected -possibilities, and there appeared to be little doubt that the first mine -had been, as it were, only a pledge of still richer strata yet to be -worked. One telegram followed another, confirming the report in greater -detail. Prospectuses were issued, setting forth a proposal to utilise the -opportunity thus opened, and debentures were issued for the providing of -the necessary funds. These debentures were taken up somewhat slowly at -first, but on the arrival in England of specimens of diamonds from the -new lead, together with a circumstantial report, they were taken up with -a rush. Works were understood to be already on foot, and dividends were -looked for at an early date. The new managing director of the company was -Julian Romayne. - -There was a kind of dry excitement about him to-night behind the -deliberate assumption of conversational interest which was his -never-changing manner with his mother now, and his hand shook a little as -he poured himself out more wine than usual. - -He did not rejoin his mother in the drawing-room, saying something as she -left him about having letters to write; and two hours afterwards he was -walking up and down the lawn in the moonlight with a cigar. - -There was a fierce restlessness in his step, and there was a fierce -restlessness in his face, too. He had been walking there for half an hour -when a shadow passed across the blind of the drawing-room window--the -night was very hot and the window was wide open--and the blind was drawn -up. Mrs. Romayne’s figure stood there outlined by the lamplight within. -The drawing-room window was shadowed from the moonlight by an angle of -the house. - -“Good night, Julian!” she called. - -Julian stopped in his walk mechanically. - -“Good night, mother!” he answered. The figure in the window seemed to -hesitate for a moment; then Mrs. Romayne moved and drew down the blind, -the lights in the room behind went out one by one, and Julian resumed his -walk in the moonlight as mechanically as he had stopped it. - -It was his custom to go, every morning, first to his room in the Temple -in case any letters might be waiting for him there; and on the following -morning, a slight accident on the line having considerably delayed his -train, he paused a moment before giving his order to the cabman. He was -very late, and there was a feverish impatience in every line of his face. -He had almost decided that any private letters might wait until the next -day, when, with a sudden, unaccountable reaction, he sprang into the cab -and told the man to drive to the Temple. - -He had apparently repented of the resolution by the time the cab stopped, -for he sprang out with a muttered imprecation on the delay. There was -only one letter waiting for him, and he caught it up fiercely. Then the -handwriting in which it was directed caught his eye. - -All the tumultuous heat and impatience of his face died out suddenly -and utterly. He stood for a moment staring down at the letter, white -to the very lips. Then he seemed absolutely and physically to set his -teeth, and in the intense hardness of determination which set its mark -on every muscle of his face, his whole expression would have seemed to -deteriorate, markedly and terribly, but for the desperation in his eyes -which was little short of agony. - -He moved abruptly, crossed the room, unlocked a drawer in his -writing-table, and thrust the letter in with quick, deliberate movements, -unopened. He locked the drawer again sharply, and turned and went hastily -out of the room. - -The letter was from Clemence; it was the first sign of her existence -which he had received since their parting on that June evening nearly -three months ago. - -He was looking only older, harder, and more recklessly resolute when -about a quarter of an hour later he entered the office of the Welcome -Diamond Mining Company. The feeble-looking little messenger was in -solitary possession, and he looked up rather uneasily as Julian wished -him a brief good morning and crossed to the door of the manager’s room. - -“Mr. Ramsay’s just gone out, Mr. Romayne,” he said. “I was to say he -would be in again directly.” - -Julian made a curt gesture of assent and went on into the private room. -There was plenty of work waiting for him, it appeared, and he was still -applying himself to it with dogged concentration, when, nearly an hour -later, the door opened and Ramsay appeared. - -“There you are!” he said indifferently. “I thought you weren’t going to -turn up this morning.” - -Julian had just glanced up from the letter he was writing to acknowledge -the other man’s entrance, and he went on writing as he explained briefly -that his train had been delayed. - -“No particular reason for wanting me, I suppose?” he said in a brief, -businesslike way, as he laid down his pen. - -Ramsay sat down deliberately, and put his hand into the breast-pocket of -his coat. - -“Well, yes,” he said. “There’s a matter here which rather calls for the -attention of the managing director.” - -He held out a letter as he spoke, and Julian took it and read it quickly. -Then he laid it down on the table before him, and looked up slowly at -Ramsay. His face was rather pale. - -“A general meeting of shareholders!” he said. “Demanded!” - -There was a moment’s pause, while he looked steadily into Ramsay’s -immoveable face, and then he added in the same rather difficult tone: - -“Did you expect this, Ramsay?” - -“I never expect,” returned Ramsay drily. “Such a thing was on the cards, -of course.” - -Julian’s face grew dark and calculating. - -“Well,” he said harshly, after another moment’s pause, “it must be -arranged for, of course. What do you propose?” - -Ramsay answered the question by another. - -“Do you happen to know anything,” he said, “of a man named -Compton--Howard Compton?” - -Julian’s brows contracted as if with an involuntary effort to detect the -relevancy of the question as he answered tersely: - -“Yes. He and I belong to the same club.” - -“You didn’t know, I suppose, that some shares in the Welcome have drifted -into his hands?” - -Julian shook his head with a quick frown of vexation. - -“Ah!” observed Ramsay; “they have, though. And it has come to my -knowledge that various enquiries have been made into the state of the -Welcome Diamond Mine; made on the spot, and made in secret. And I’ve -traced these enquiries to this Mr. Howard Compton.” - -A dreadful grey pallor had begun to spread itself over Julian’s face, and -the muscles seemed to have grown rigid with the intense force with which -he held them to their expression of dogged determination. He did not -speak, and Ramsay went on in the same dry, indifferent way: - -“He is either a very clever hand, or very cleverly advised. The one point -we score, at present, is that he has not done as he intended to do, and -taken us by surprise.” - -“Do you mean to say----” - -The words seemed to come from between Julian’s dry, white lips almost -without consciousness on his part. His eyes were fixed upon Ramsay with -a hard, unseeing kind of stare, his voice was hoarse, uneven, and hardly -audible, and it died away, leaving the sentence unfinished. - -“The meaning is obvious, of course,” returned Ramsay. “An affair of this -kind is a ticklish thing to pull off, and a hitch of this kind is always -possible, though I never came across an affair in which it seemed less -probable. I don’t know yet exactly how much our friend knows. The meeting -won’t be a particularly placid affair, of course, and you’re likely to -have a warm time of it. But, of course, there’s a chance that he mayn’t -know quite enough, and we may be able to pull it through, yet.” - -“And if not?” - -Something seemed to rattle in Julian’s throat as he spoke the words, and -they came out thick and husky. - -“If not?” repeated Ramsay. “Well, if not, I think I wouldn’t go to that -meeting if I were you.” - -There was a moment’s dead silence, broken only by Julian’s heavy, -laboured breathing. The two men sat there face to face, and their eyes -met with a terrible significance of what was better unexpressed in words. -Then Ramsay’s dull eyes took a deliberate survey of Julian’s face. It was -drawn and livid, and the elder man rose and took from the cupboard some -brandy. He poured it into a glass with a slightly contemptuous smile, and -put it into Julian’s hand. - -“You’re the very devil to work,” he said drily. “And for all I know you -may be first-rate as a winner; but I can’t say you’re a good loser. And -it’s a useful lesson to learn in this business.” - -Julian drank the brandy and rose mechanically. The strong stimulant -hardly seemed to touch the blanched horror of his face. - -“What do you propose to do?” he said in a stiff, toneless voice. - -“Personally, nothing,” returned Ramsay, “until I know more. Business will -go on as usual. You’ll call the meeting, of course. I’ll tell Harrison -to get the forms ready for you to sign. They must be sent out to-morrow. -Going?” - -“Yes,” said Julian heavily. “There’s nothing more I need do to-day.” - -He took his hat and went slowly out of the office, looking straight -before him like a man walking in his sleep. Ramsay looked after him, and -stood for a minute rubbing his chin thoughtfully. - -“Not quite what I thought he was,” he said to himself; “though he has -served this purpose well enough. Pity he hasn’t a little more of his -father in him. Got all the makings of the right sort, but he can’t stay.” - - - - -CHAPTER X - - -The early sunlight of a lovely September morning was streaming into the -room through every crack and chink in the blinds and curtains, making the -light from the still burning lamp look yellow, dim, and unnatural. It was -Julian’s sitting-room in the house in Chelsea, and the light, falling -here and there, touched into distinctness many of those little luxurious -details on which the evening light had fallen on that winter day eighteen -months before, when Mrs. Romayne had stood upon the threshold and looked -round upon her completed arrangements, waiting then for the use which -was to give them life. On a chair by the writing-table, his head dropped -sideways on his arm as it rested on the table, sat Julian Romayne asleep. - -He was asleep, but he was not at rest. His face was grey and drawn; -it twitched painfully, and his hand was fiercely clenched. Gradually -an expression of terror and despair gathered on his features, until -they were almost convulsed, and with a strangled, gasping cry he woke -and started to his feet, trembling in every limb, and with great drops -standing on his forehead. He stood clutching at a chair for support, -while the first poignant impression of his dream subsided, and then he -moved as though impelled by some reactionary impulse to collect himself. -He glanced at the clock and saw that the hands pointed to a quarter past -six. He was vaguely conscious of having heard it strike six, so that he -could have slept for a few moments only. His lips twitched slightly at -the thought of what those few moments had held for him. Then he realised -that he was cold, that all his limbs were stiff and aching, and he -dragged himself slowly across the room, drew the curtains and the blinds, -and stood there in the sunshine. - -It was the first movement of physical consciousness which he had felt -since he left the office of the Welcome Diamond Mining Company on the -morning of the previous day. - -How that day had passed he did not know. Here and there in the blackness -a picture of himself stood out with uncertain distinctness. He knew that -he had telegraphed to his mother to the effect that he might not return -to Henley for some time. He remembered writing the words though he could -recall no mental process by which the elaborate excuse he had made had -occurred to him. He knew that somewhere dinner had been placed before -him, though where, and whether he had eaten, he knew not at all. For the -rest, an impression of ceaseless walking, of interminable streets giving -place imperceptibly to the four walls of his own room, made up the only -actual background in his memory to the intense mental consciousness which -had usurped for the time being the tangibility of material things. - -The favourable turn in the affairs of the Welcome Diamond Mining Company -had been founded on a deliberate system of forgery and fraud, planned by -Ramsay, subscribed to and participated in by Julian. The telegram as to -the new lead had been concocted in the office in the City; the diamonds -exhibited as earnest of the future yield of the mine had been bought -for that purpose; and not one penny of the money paid in debentures had -ever been intended for application to the working of the ruined mine. If -these facts should come to light--and hostile enquiries once instituted -on the spot, only one of those incredibly lucky chances to which gamblers -and swindlers alike owe so much could avert such a catastrophe--the -consequences were obvious. Public exposure, public ignominy and -execration, wholesale and irremediable loss of position, were absolutely -inevitable. And as inevitable if he remained in England, the dark gulf -in which his life must be swallowed up and closed--as far as everything -which constituted life for him was concerned--whether he fled from it or -whether it clutched him, was the legitimate reward of his doings; penal -servitude. - -He could not realise it. He could not face it. He had beaten it back, -he had thrust it down again and again during that long day and night, -and again and again the horror had swept over him, gaining always in -certainty and reality. Struggle against it as he might and did, clutching -at his consciousness, shaking and rending it with a force not to be -resisted, and growing ever stronger and stronger, there dawned a dazed, -bewildered conviction that the end he saw before him was indeed the -inevitable end; that in that black gulf, and no other, all his efforts -and fierce strivings were to find their consummation. - -He had digged it with his own hands; he had followed on towards it in -a very desperation of defiance and recklessness, goaded by a grinding -sense of failure and frustration to a wild daring which had looked like -courage and resolution. But the spirit which had stimulated him was not -in himself. All unconscious of it as he was, he had been drunk with the -thought of what lay beyond that gulf; drunk with a desperate, unreasoning -anticipation of triumph. The hideous possibility of failure confronted -him now practically for the first time, and before it all his fictitious -stamina shrivelled away, as in its very nature it was bound to do. A -vague, confounded comprehension of the consequences which he had brought -upon himself rose upon him, walling him in on every side; and about -those consequences, as connected with himself, there was all the ghastly -incongruity and unreality of a hideous nightmare. He had never understood -the realities of life. He had crushed down their impulses in his heart. -He had called superficialities essentials; selfish ignorance, practical -sense; and he had worked and fought in a false atmosphere, and for a -false aim. - -And now, instead of that fictitious triumph which he had looked to grasp, -he found himself face to face with facts so sordid and so relentless that -he could hardly recognise them as facts at all. His world was tottering -into ruins all about him; the clash and crisis of imminent downfall and -disgrace was stunning him and shaking him through and through; and in the -wild tumult and confusion all the limitations of his nature seemed to -break up, as it were, into one blind chaos of protest and repudiation, -dominated only by despair. Nothing fixed or steadfast held its place. -The very passions by which he had been driven on had been borne down and -numbed. The thought of Clemence had become merely a vague element in the -confusion. Of his mother he did not think at all. Even that dark factor -in his being--the perversion of his instincts as to truth and falsehood, -honesty and dishonesty--which had asserted its grim presence with the -very awakening of his character; which had dictated the first steps along -the path of which he stood now at the end; was swept into solution, -now, with every other element in his character. It had held its place, -hitherto, side by side with the other motive powers by which his life had -been regulated; dictating the lines on which those powers should work, -strengthening and developing with the demands they put upon it. But it -had remained the servant of a stronger passion, and as far as any power -of support or guidance was concerned it had gone down in the flood. He -had no perception, truly, of the moral aspect of his position, no sense -of guilt or of remorse. He only knew that he was beaten, that it was all -over with him. - -He stood there at the window staring out into the sunshine, seeing -nothing, conscious of nothing but the gulf before him; as utterly and -absolutely isolated in his misery as though he had been the only creature -living in the world. The desperate struggle with facts was sinking -into a hopeless confused acceptance of them; into a dazed, bewildered -contemplation of details which seemed to rise slowly into distinctness -out of the fog which hung about them; to rise and fade again without -volition on his part. Details connected with the future came first, and -he looked at them and understood them with stunned composure as though -they stood outside him all together. Then he found himself wondering -heavily as to the time that must pass before the certainty that was in -himself became literal knowledge. There was no sense of any possible -chance of salvation in his mind. - -By-and-by he became heavily and confusedly aware that another day had -begun; another day through which he must carry his horrible, bewildering -burden--no longer in the semi-unconsciousness of yesterday, but alive now -in every fibre to its intolerable pressure. - -He went out into the sunshine by-and-by, out into the streets he knew so -well; and as he walked along there came upon him a ghastly sense of being -but a shadow among shadows. The life about him seemed to have receded -to an incalculable distance, to have lost all substance. He himself, as -he appeared to other people, had no existence; and his real self had -no existence for any one but himself. He was face to face with black, -implacable reality, and before its presence all the superficialities and -conventionalities which had usurped its place vanished like the shades -they were. - -He walked, always with that chill sense of isolation on him, from -Chelsea to the City; in motion, in continual motion only, was his misery -endurable. Ramsay was not at the office when he arrived, and a message -from him, left with the secretary, informed Julian that he would not be -there that day. His absence affected Julian not at all. There was no -suspense in his mental attitude to make him crave for even a blow to -end it. To his battered consciousness delay before the final agony had -something of the appearance of rest or respite. He did the work he had -come to do with a numbed comprehension of its import, and then as he -passed out again into those horribly unreal streets there came upon him a -desperate longing for human companionship; a desperate longing to break -through his solitude and touch another human creature. He would go to -the club, he thought dully. He must speak to some one; he must get some -assurance of his own identity, or its unfamiliarity would drive him mad. - -There were two or three men only who were known to him in the room when -he arrived, and even as they greeted him they seemed to elude him; to -retreat and to lose all tangibility beyond the yawning gulf which lay -between himself and them. He tried to talk, he tried desperately to -bridge the gulf. In vain. He turned away and went out into the streets -again, alone with the one terrible reality which the world seemed to -contain. - -The failure broke him down. An unendurable horror of himself and of the -world; a very terror of his misery; rolled down upon him and overwhelmed -him. It was one of those realisations of the impotency of humanity -before the strokes of the infinitely greater than humanity which seize -upon a man sometimes when all the wrappings of life and custom are -stripped from him, and he finds himself in primeval defencelessness. He -could only fight wildly with it. Those instincts and affinities through -which such moments work out strength and comprehension were utterly -submerged in him, now; the experience could be for him nothing but a -blind horror, giving place at last to the old stunned, hopeless confusion -and despair. And when at last he dragged himself upstairs to his room -in the Temple late at night he was utterly exhausted, mentally and -physically. He dropped into a chair and sank into a heavy sleep. - -Ten days followed; ten long days giving place to heavy nights; ten nights -passing into monotonous days. By degrees Julian fell into a species of -dull routine, in which he ate and drank, and even slept; passed to and -fro along the London streets; stunned almost to stupefaction. He went -each day to the office and sat there all day long doing little; sitting, -for the most part, staring into space or walking up and down with heavy, -regular steps. He was rarely disturbed. Ramsay appeared but seldom; his -visits were brief, and he was uncommunicative. - -At last there came a morning when he reached the office to find upon his -desk a letter in Ramsay’s familiar handwriting. - -Julian sat down before it and looked at it for a moment, his face -twitching slightly. Then he broke the seal. - -“DEAR ROMAYNE,” he read,-- - - “Your friend, Compton, holds the whole affair in his hand. - Marston Loring gave him the tip. You will do as you think best - about meeting the shareholders. I shall not be present myself, - as I am leaving England, for the present, to-night. - - “Yours, - - “ALFRED RAMSAY.” - -The letter bore date of the previous day. - - - - -CHAPTER XI - - -A white face, drawn and set into a look which pitifully travestied -the calmness of despair; bloodshot eyes with something in them of the -incomprehending agony of a hunted animal; quivering lips which would not -take the rigid line at which they aimed, and from which seemed to radiate -an indescribable suggestion of youthfulness, which made the bewildered -desperation of the face infinitely piteous. Two hours had passed, and -Julian was seated at his writing-table in his room at the Temple. He held -a pen in his hand, and before him lay a sheet of paper bearing three -words only, “My dear Clemence.” On the table behind him lay a roughly -packed travelling-bag and a “Bradshaw.” - -Flight, instant flight, was the one course that had occurred to him. -Such a necessity had been present to him from the first, and in the -almost insane terror which had mastered him on finding himself deserted -by Ramsay, thoughts which had lain dormant in his mind during the last -ten days had taken shape almost without volition on his part, and he had -made his plans with wild haste. He knew nothing, he thought of nothing -but that he must go at once, that at any moment he might find himself -stopped, at any moment it might be too late! - -No thought of that last refuge of the detected criminal, suicide, -presented itself to him. The realities of life were as yet strange to -him; wrenched from his moorings, tossed away to drift on the pitiless -sea, he could not realise what was the depth of that sea, how futile must -be his struggles to keep himself afloat. The reality of death had never -touched his superficial nature. - -He made his preparations with the promptitude of desperation, and as -each detail was despatched, one deed that must be done began to prick -into his consciousness. Some word must be sent to Clemence. With this -necessity he found himself at last confronted with no further possibility -of postponement. - -But no words would come to him. Little as he understood it, all the -bewildered misery of his heart was what he wanted to convey to her; all -the incoherent horror which was tossing him to and fro. What words were -possible where there was no reason, only blind, agonised feeling? There -was one aspect of his shipwreck now in which it appeared only as the end -and consummation of his ten weeks of silence towards Clemence; those ten -weeks in which he saw, now, only cruelty and futility where he had seen -before wisdom and necessity. His failure, his ruin, had a side on which -they touched him only in his connection with her; it became the failure -to keep the promise he had made her when he saw her last; the ruin of -his vision of a life with her. He sat there, staring stupidly at the -paper, and gradually all thoughts slipped away from him but the thought -of Clemence herself. A hunger, such as his selfish young heart had never -known, rose in him for her presence, her pity. His misery turned to -her, stretching forth empty, despairing hands, until the sick longing -dominated his whole consciousness. - -Then out of the aching yearning there came to him suddenly a recollection -of the letter he had received ten days before; the letter which he had -thrust into a drawer, in his blind, foolhardy determination, unopened. -The end on which he had set himself to wait had vanished for ever. -Everything by which he had held was overturned and submerged. But the -letter was there still. The letter had come from Clemence. - -He unlocked with trembling eagerness the drawer in which he had placed -it, drew out the envelope and tore it open. That it could bring no -comfort to him, that there could, indeed, be only aggravation of his -wretchedness in it, was as nothing to him. It was to touch Clemence that -he wanted; Clemence, and Clemence only was the cry of his whole being. -The letter was very short, a few lines only. He ran his eyes over it -with hungry avidity, and then they seemed to stop suddenly, and all the -quivering life seemed to freeze on his features. A moment passed and a -great, dry sob broke from him; he dashed his head down upon the table -with a bitter boyish cry: - -“Clemmie! Clemmie!” - -Simple, beautiful with that wonderful new tenderness which comes to -a woman with the consummation of her womanhood, pathetic in their -gentleness beyond all words, the few brief lines brought him from -Clemence the most sacred tidings that can pass between husband and wife, -tidings of the birth of their child. - -“Clemmie!” - -The word broke from him again, a pitiful, despairing sob, and then he lay -there, long, dry sobs shaking him from head to foot as that bitterest of -all waves, the unavailing realisation of what might have been contrasted -with what is, swept over him and overwhelmed him. The reality, touched -into life by her letter as though Clemence’s voice had spoken to him, -which he had thrown away; the reality on which, in doing so, he had -hurled himself; stood out before him in pitiless distinctness; and in -his ignorance and blindness, in his utter want of comprehension of the -moral aspect of his acts and the stern justice of the retribution he was -meeting, there was no light or cohesion for him anywhere in the world, -and darkness and chaos had closed about him. - -Nearly an hour passed before he moved, and lifted a white, haggard face, -marred with the agony of impotent regret. He looked about him vaguely, -pushing his hair back heavily from his forehead, and as his eye fell upon -the travelling-bag that instinctive sense of the necessity upon him, -which had stirred him with no consciousness on his part, deepened into a -mechanically active impulse. He must go. He paused a moment, and then he -drew out a fresh sheet of paper. - -“Falconer!” he muttered. “Falconer will see to them. There’s no one else!” - -It was as though the fire through which he was passing had burnt away -from him all recollection, even, of his mother. He had thought of her for -long only as the source of all that was unpleasant in his life. Now in -the sharpness of his pain a haze had spread itself over the past, and all -thought of the means by which the present position had been brought about -was obliterated. - -He wrote for a few minutes, rapidly, desperately, in a handwriting which -was hardly legible; then he thrust the letter into an envelope, which he -directed to Dennis Falconer; and rose. His original intention of writing -to Clemence had left him. It had become an impossibility. And side by -side with his sense of his utter incapacity to find any words in which to -speak to her, there had risen in him a heart-broken impulse to see her -face once more and for the last time. - -The sunshine of the day had given place to a drizzling rain when he -turned into that quiet little street which had witnessed their last -meeting. The dazed sense of the necessity for flight was strong upon him. -Darkness had fallen; he had left his room for the last time; in another -hour he would be in the Liverpool train, a fugitive from justice; and in -the terror and confusion of the realisation of that one all-absorbing -fact, the only other thought that lived in him was his blind desire for -one sight of Clemence. He had come to the little street unreasoningly, -weighing no probabilities as to whether or no she would be at work; -not even understanding that there were probabilities to weigh; coming -there simply because he had seen her there before and knew of no other -chance of seeing her. He took up his position in a doorway by which she -must pass, and waited. It seemed to him that he had been standing there, -utterly alone, for hours, when the door, from which his haggard, sunken -eyes had never stirred, opened. - -As on that other occasion Clemence was the last to come out, but she -came this time walking quickly and eagerly. For an instant as she passed -beneath the lamp the light fell on her face, and as Julian’s eyes rested -on it for that instant, he clutched at the railing by which he stood. -Then she came on in the shadow, still followed by those hungry eyes. - -Perhaps she felt their gaze. Perhaps her own heart felt the pang that -was rending his. In the very act of passing him she stopped suddenly and -turned towards him, looking into the dimness in which he was shrouded. -She stretched out her hands with a low, inarticulate cry. - -He had her in his arms in an instant, straining her to him with a -despairing passion which he had never known before, and she clung to him -half frightened by his touch. - -“Julian!” she whispered. Then as no word came from him, only his burning -kisses pressed upon her upturned face, she went on softly: “Dear, weren’t -you going to speak to me?” Still he did not speak, and with a look and -accent indescribably beautiful in their tender womanliness, she said: -“You didn’t think I would reproach you?” - -“It’s good-bye, Clemmie,” he muttered hoarsely. “Good-bye! I--I’m going -away for--for a little while.” - -He could as easily have killed her, at that moment, as have told her the -truth. - -“Going away!” she echoed, with a little catch in her breath. “Where, -dear?” - -“To--to America.” He could not tell her all the truth, but there was no -power in him to originate an unnecessary lie. He felt her arms tighten -about him, and he answered the appeal hoarsely, hurrying out the words. -“I--I’m leaving a letter about you, and----” his voice died away in his -throat as he tried to speak of his child, and then he went on rapidly -and unevenly: “It will be--all right. Clemence! Clemence! try to forgive -me. Good-bye, dear, good-bye!” - -He drew her hands from about his neck, kissing them wildly. Her hold -tightened instinctively upon his fingers, and she was trembling very much. - -“You’re not going--now?” she whispered. - -“Yes,” he answered hoarsely. “Now!” - -Then, as he saw the look which came over her face, the desperate -necessity for reassuring her came upon him. He tried to smile. - -“America is nothing nowadays, you know,” he said in a harsh, unnatural -tone. “It’s no distance. I shall be--back directly. Say good-bye to me, -won’t you? I must go.” - -She let her face fall on his shoulder, pressing it closer and closer, as -though she could never tear herself away. - -“I’m frightened for you, dear,” she said. “I’m frightened. Are you sure, -sure, there is nothing--wrong?” - -“Quite sure--of course.” - -“You will be back soon?” - -“Quite soon.” - -There was a moment’s quivering silence, and then Clemence slowly lifted -her face. He took her in his arms again, and their lips met in one long -agonised kiss. Neither spoke again. When he released her, Julian, with -a face like death, turned and went away down the street, his head bent, -his whole figure tense as though he were facing a blinding wind. Clemence -stood for a moment still as a statue, her eyes wide, her face quite -quiet. Then she too went away through the night. - - - - -CHAPTER XII - - -Over the country about Henley, that same day, the sun was shining -gloriously. - -It was about five o’clock in the afternoon, and there was a clearness -about the light, a distinctness about the shadows, which, taken in -conjunction with the heavy bank of clouds into which the sun would -presently sink, argued coming rain. For the present, however, nature was -lovely to look at; and a garden-party which was going on in the large, -old-fashioned garden of a large, old-fashioned country house, about a -mile from the river, had the benefit of every advantage which atmosphere -and surroundings could give. - -It was a large party, and the scene was very bright and animated. On the -larger of the two lawns, conspicuous among the well-dressed but by no -means striking-looking women about her, stood Mrs. Romayne, talking to a -local magnate. - -She had arrived about half an hour before, and the politely concealed -satisfaction and surprise with which she had been received had testified -to the fact that her appearance at such a function was a phenomenon -in the neighbourhood. Invitations had showered in on her during her -residence at the “cottage,” but it had gradually become an established -fact that she was “going out very little.” This was in truth the first -party she had attended. It was fortunate that her hostess was not a -particularly observant person. There had been something about Mrs. -Romayne when she arrived which might have dashed that hostess’s personal -elation with a suspicion that her guest’s appearance had been dictated -by motives not wholly complimentary to the party; lines about the mouth -which suggested the enforced endurance of a burden from which she was -seeking temporary relief, however fictitious; a restlessness in the -eyes which suggested an attempt at the eluding of the too insistent -companionship of her own thoughts. - -Her eyes were painfully bright, and there was a nervous tension about -her manner as she stood there on the lawn, talking and laughing. But -her companion of the moment--a worthy old gentleman, with not much -acquaintance among women of the world--thought her simply the most -astonishingly charming woman he had ever met; and seeking in his mind for -lines on which to make himself agreeable to her, he recollected to have -heard something about her son. - -“You have a son here, I believe?” he said, with ponderous interest. “I -should greatly like to make his acquaintance.” - -Mrs. Romayne laughed. - -“I have a son,” she said, “but he is not here, I’m sorry to say. He is -hard at work just at present. Ah!” she broke off with an exclamation -of surprise. “I see a friend of mine over there! I must go and speak -to her.” And with a bow and a smile to her admirer, she broke off the -conversation which had, perhaps, seemed longer to one party than to the -other, and moved across the lawn to where Hilda Compton was standing -watching her with an uncertain but not particularly pleasant expression -on her pretty face. - -“Are you staying in the neighbourhood?” said Mrs. Romayne prettily, when -they had shaken hands. She was apparently entirely oblivious of something -cold and disagreeable in the younger woman’s manner. “Is your husband -here?” - -Hilda Compton glanced at her with a certain tentative triumph in her eyes. - -“No!” she said. “He’s not here. I’m staying on a house-boat, but he is -kept in town over some troublesome business!” - -She paused, and then, as Mrs. Romayne made a rather patronising gesture -of sympathy, that gleam of triumph strengthened into something distinctly -malicious. Hilda Compton had never forgotten or forgiven that moment in -the Norfolk garden twelve months ago. It had been no part of her policy -to resent it when such resentment must necessarily have rebounded to her -own disadvantage; she had accepted Mrs. Romayne’s society friendliness -during the past season with just such a manner as might sting but could -not, in very self-respect, be impugned by the elder woman; a manner -cleverly tinged with that deference which points the sense of superiority -with which a certain type of girl recognises the fact that the present -is to her, and not to the previous generation. But she had hoped always -that the day might come when she would find herself in a position to take -more active measures, and she felt, now, that even what she knew to be a -slight breach of conjugal faith would be venial, if it would straighten -what she would have called her “score” against Julian Romayne’s mother. - -“Yes, it’s rather a bore!” she said. “City business, you know! Don’t you -think it’s very foolish of men to speculate, Mrs. Romayne? Of course I -haven’t a quarter of your experience, but I think so. They always seem -to get into trouble of some sort! But you know more than I do about this -affair, no doubt, since Mr. Romayne is mixed up in it, and he’s such a -devoted son. Husbands don’t tell one much, I find!” - -Self-command is a wonderful thing, even when it originates in no higher -motive than the instinct of a woman of the world for the retention of her -society demeanour. Mrs. Romayne’s lips were ashen and her fingers were -clenched round the sunshade she held until her rings cut into them, but -she faced Hilda Compton steadily, and with a mechanical smile, her eyes, -a little dull and contracted, meeting the girl’s pretty, unfeeling ones. -Hilda Compton noticed the change of colour even behind the artificial -tinting, and rejoiced at the slip of the tongue by which her foolish -young husband had put such a weapon into her hand. If only she had -succeeded in making Howard tell her more, instead of making him lose his -temper! She reflected, however, that perhaps the truth was not so very -bad after all, and hints might possibly sound worse than the actual facts. - -“Do tell Mr. Romayne, from me, that I hope he hasn’t done anything very -shocking!” she said, with a laugh. “I wanted Howard to tell me just what -it was, but he would not. Isn’t it funny how men seem to lose their heads -altogether when they get on to that silly Stock Exchange? The last men -one would expect, too! Who would have thought of Mr. Romayne’s getting -into trouble of that kind?” - -Somewhat to her disgust, Hilda Compton found as she proceeded that it -was impossible to give such significance to her words as she would -have wished. She realised that it would never do to allow herself to -be brought to book, and consequently conventionality demanded that she -should adopt a jesting tone, and trust to Mrs. Romayne’s possessing some -half knowledge which should give the words the barb she wished for them. -She had a pleasant conviction, as Mrs. Romayne answered her, that she -had done something, at least, towards wiping out that old score. The -elder woman’s words were preceded by a harsh little laugh, and there was -something indistinct about their utterance. - -“Just so. Who would have thought----” - -Mrs. Romayne stopped abruptly, and a sharp, extraordinary spasm passed -across her face, leaving it fixed and old. - -The girl by her side could not flatter herself that the effect was -produced by her words, for Mrs. Romayne was gazing to the other side of -the garden, and it was evidently something she had seen there which had -affected her so powerfully. Turning her own curious eyes in the same -direction, Hilda Compton saw nothing calculated to account for such an -effect. The crowd had drifted away to some extent to the other lawn, and -the tennis-courts, and there was a considerable space, sparsely sprinkled -with people, between where they stood and the last group on the lawn; a -group of ladies to whom the host was introducing a little alert, elderly -man with grey hair; a little man who looked to-day--though only one pair -of the two pair of women’s eyes fixed upon him across the lawn recognised -this--exactly as he had looked twenty years ago. - -Hilda Compton did not know him, and she was wondering curiously whether -Mrs. Romayne did, when she heard their hostess’s voice and turned -quickly. Mrs. Romayne, roused apparently by finding herself addressed, -had turned also--very quickly it seemed to Hilda Compton, and rather as -though she did not wish her face to be seen by some one on the other side -of the garden--and was listening with a dazed, strained expression of -enforced attention. - -“I want to introduce a connexion of mine, my dear Mrs. Romayne. Something -of a traveller, and something of an eccentricity; but, really, worth -talking to. There he is!” indicating the little alert, elderly man on the -other side of the lawn. “He is a Dr. Aston. May I fetch him?” - -To Hilda Compton’s astonishment Mrs. Romayne stretched out her hand -hurriedly in unmistakeable dissent, and it was shaking like a leaf. - -“I’m afraid I must say ‘no,’” she said, in a hoarse, hurried tone which -sounded as though she could hardly control it. “I have a long drive, you -know, and I must run away.” - -She took her leave so briefly and hurriedly that her hostess came to the -conclusion that illness must be the cause of the seclusion in which -she was living, and that she must have miscalculated her strength that -afternoon. - -She might have thought so with even more reason if she had seen the -strange collapse of her whole figure with which Mrs. Romayne sank back -into the corner of her carriage as she was driven home along the country -roads. If her attendance at the garden-party had been indeed a desperate -attempt at finding some sort of temporary oblivion or distraction, that -attempt had obviously failed. Her face was drawn and set, and in her -eyes, as they stared unseeingly before her, there was a look as of a -woman who is quivering still under the influence of some horrible shock. - -She had, as she had said, a long drive home, and as she neared her own -house that look in her eyes faded, displaced by a sick hunger of anxiety. -She got out of the carriage quickly, helping herself a good deal as she -rose, however, as if that shock had affected her physical strength. - -“Has Mr. Julian come?” she said to the servant who opened the door; then -as the woman answered in the negative, she moved swiftly on to where her -letters lay waiting for her, and looked them rapidly over. There was none -from Julian, and she carried them listlessly upstairs as she went to -dress for her solitary dinner. - -The rain, which was falling fast by this time in London, was just -beginning to patter slowly on the window when she came into the -dining-room; and the wind was rising and moving gustily round the house. -They were dreary sounds, both of them, and Mrs. Romayne shivered a -little as she sat down. Apparently the monotonous pattering, growing -quicker and quicker as dinner went on, or the low howling of the wind, -made her nervous. She ate nothing, and when at last, the form of dinner -having been gone through with, and the servant having left the room, -she rose and walked aimlessly to the fireplace, her lips were strangely -compressed, and she seemed to control the expression of her eyes with -a determined effort. It was as though she were controlling something -within of which the tendency frightened her. She stood there forgetting, -apparently, to go into the drawing-room, her face fixed and intent as -though she were reasoning or arguing with herself. At last she shivered -sharply and her lips twitched. Then rousing herself forcibly, as it -seemed, she rang the bell fiercely, and gave orders that a fire should be -lighted in the drawing-room. It was a wretched evening, she said to the -servant, as though the audible expression of a tangible reason for the -nervous discomfort which seemed to be upon her was some sort of relief to -her. The fire lighted, she drew a chair in front of it, and taking up a -novel, set herself to read with a desperate determination in every line -of her face. - -Down one page, line by line, on through the next, still line by line, -her eyes travelled steadily, mechanically; and then, as mechanically, -her hand moved, turned the leaf, and her eyes moved on again. But unless -her face greatly belied her, the sense of the words she read so intently -never penetrated to her brain. By-and-by that movement of her eyes -ceased; she sat staring fixedly at the page before her; then she let the -hand that held the book sink gradually on her knee, and sat staring into -space as she had sat staring at the printed words. Her face was drawn, -and there was an intense, indefinite dread about it which was none the -less ghastly in that it would have been impossible to say in which of her -set features its shadow lurked. - -The room was absolutely still. Outside the rain fell and the wind moaned. -Inside the intense quiet seemed to be taking a weirdly tangible form, and -to be creeping closer and closer round her motionless figure with every -breath she drew. - -With a sudden, sharp movement, as though, in taking a too sharply -piercing point, her thoughts had roused her to a desperate resistance of -them, she rose, and began to walk restlessly up and down the room. - -Her brows were drawn to a concentration which made her whole face look -thin and very old. There was an expression of deliberate, self-conscious -self-contempt about her mouth, but in her eyes there lurked the battling -horror against which all her force seemed to be fiercely arrayed. Up -and down she walked, no muscle of her set face relaxing; until, quite -suddenly, there swept across it, breaking up all its rigid lines, a very -agony of yearning. It was as though some sudden and most inopportune -realisation, in no wise to be resisted, had shaken her through and -through. - -“If only I had dared to ask him! If only, if only I dared to speak!” - -The words had broken from her half aloud, a sharp, low cry, and as she -uttered them she stopped in her walk, gripping and clinging to a chair as -if for physical support in a moment of terrible mental conflict. She was -evidently fighting desperately inch by inch for the self-control which -was slipping from her; the self-control which she dreaded to lose as she -dreaded nothing else in life; the self-control to which she clung with -the tenacity of instinctive self-preservation. - -She lifted her face at last, still and hard as resolution could make it. -She crossed the room with quick, resolute steps, looking neither to the -right nor the left, and went rapidly upstairs to her own room. A desk -containing a quantity of papers stood on the chest of drawers. They were -old bills and receipts that needed sorting and destroying, and she had -brought them into the country saying that she never had time for such -work in town. She went up to this desk now, lifted it in her two hands, -and placing it on the table, sat down before it and unlocked it. All -her movements were the quick, concentrated movements of a woman to whom -employment, close, tedious employment, has become an absolute necessity. - -A telegram ten days old was not among the papers to be sorted, but Mrs. -Romayne held one in her hand as she sat there at her writing-table. She -had drawn it from the front of her dress and she read and re-read it, -oblivious of the task she had set herself, with an intensity in her eyes -which seemed as though it would wring a hidden meaning from the words. -It was the telegram Julian had sent her ten days before. She folded it -at last with a quick defiant gesture and drew towards her a packet of -receipts. - -She untied the string that fastened the papers, and out from among them -there fell a folded letter, yellow with age, and crumpled. It had -evidently worked its way into that packet by accident, as papers will -when many are kept together, for it was obviously a letter and not a -bill. Mrs. Romayne stretched out her hand mechanically and picked it up -and opened it. Her eyes were met by the words, written in a childish, -scrawling, much blotted handwriting: “My dear mamma.” - -It was the letter which she had received from Julian twenty years ago at -Nice. - -In an instant, even as her eyes fell on those faded baby characters, -so suddenly and so utterly that she never realised her loss, the -self-control to which she had clung so fiercely melted away from Mrs. -Romayne. Before the flash and quiver of recognition had subsided on her -face she had seized the bell-rope and was ringing furiously for her maid. -The woman, appearing breathless and alarmed a moment later, found her -mistress searching feverishly for bonnet and cloak. - -“I am going to London, Dawson. Order the carriage at once.” - -The voice was harsh, rapid, and peremptory; but the bewildered woman -hesitated. - -“Now, ma’am?” - -Mrs. Romayne turned on her with such a face as her maid had never seen -before. - -“At once, I said. At once!” - -The last train was just steaming into the station when Mrs. Romayne’s -carriage dashed up, the horse smoking and covered with foam. - -She had thrust that yellow little letter half-unconsciously into her -pocket, and all through the journey she sat motionless, clasping it -tightly in her hand, her eyes wild, her features forced into a quiescence -which sat upon them like a mask. - -That mask seemed to get thin, to break away now and again, as she drove -through the London streets at last, as though the wild emotion which -it hid was growing too strong for it. Her breath was coming faster and -faster, until her white, parted lips took an involuntary line of physical -pain. - -There were no lights in the house in Chelsea as her cab drew up. It was -twelve o’clock. She rang violently, and waited, her rapid breathing -almost suffocating her. No one came. She rang again, pausing this time -with her hand on the bell; again and again, furiously, as a wild, -unreasoning horror seemed to seize upon her and tear at her heart. At -last there was a sound as of the tentative undoing of bolts and turning -of keys. The door was opened an inch or two, and a frightened woman’s -voice said: - -“Who is it?” - -A moment later there was no possibility of doubt on that score. The door -was hurriedly thrown open, and Mrs. Romayne moved swiftly into the hall, -turning fiercely to confront the astonished, partially-dressed servant, -whose bedroom candle seemed to be the only light in the house. - -“Has Mr. Julian gone to bed?” she demanded, and the woman hardly -recognised her mistress’s voice. - -“Mr. Julian is not here, ma’am!” she answered. “He has not been here -since the day before yesterday.” - - - - -CHAPTER XIII - - -“Mr. Falconer, sir! Mr. Falconer!” - -Dennis Falconer was a light sleeper, and he was awake on the first call, -low and hurried as it was. It must be a very bad morning, he said to -himself, for the light was not nearly so strong as it usually was when he -was called at eight o’clock. - -“All right!” he called back. - -But the retreating footsteps that usually ensued upon his answer did not -follow. - -“There’s a lady, sir, to see you, please. She’s waiting in the -sitting-room. ‘Mrs. Romayne,’ she told me to say.” - -“What!” It was a sharp exclamation of inexpressible astonishment, and -as he uttered it Falconer sprang out of bed. As he did so he realised -that the unusualness of the light was due to the unusualness of the -hour--seven o’clock only. “Some one from Mrs. Romayne, you mean?” he -called, his strong, deep voice full of incredulity and apprehension. -Then, as the answer came through the door, “‘Mrs. Romayne,’ sir, the lady -said,” he called back hurriedly: “Say I will be with her in a moment.” - -Very few moments indeed had passed before Falconer’s bedroom door opened -and he came out with a rapid step. He opened his sitting-room door and -passed in, shutting the door hastily behind him, and as he did so the -words of grave concern with which he had entered died upon his lips. - -In the disorder and dreariness of a room from which the traces of -yesterday’s usage had not yet been obliterated; in the cold grey light of -the early September morning; a woman was pacing up and down with almost -frenzied steps. For a moment, as he caught his first glimpse of the face, -he thought vaguely that it was not Mrs. Romayne; then it turned and -confronted him, and, meeting the eyes, he recognised, not the woman whom -he had known during the past two years, but the woman into whose face he -had looked with so strange a shock of unfamiliarity, and for one moment -only, as he and Dr. Aston had confronted it together twenty years ago in -Nice. Every trace of the Mrs. Romayne of to-day seemed to have vanished, -scorched away by the consuming fire which burnt in her blue eyes and -seemed to be the only thing that lived behind that ghastly face; even her -features were drawn and sunken almost beyond recognition. - -An almost paralysing sense of unreality fell upon Dennis Falconer, for -all his practical common sense; and before he could recover himself -sufficiently for speech, Mrs. Romayne had crossed the room to him, -attempting no greeting, swept away on a tide before which all the -barriers of her life--all the safeguards, as they had seemed to her--had -gone down in one common ruin. - -“Dennis Falconer,” she cried hoarsely, “my boy is gone--gone! Help me to -think what I must do--help me to think how I can find him! Help me! Help -me!” - -The words themselves were an appeal, but they rang out in that harsh, -untuned voice with all the fierce peremptoriness of a command, and as -she spoke them Mrs. Romayne beat her hands one against the other, as -though her agony were indeed too great to be endured. Falconer, utterly -confounded--more by her manner than by her tidings, which, indeed, in his -slow and bewildered sense of the extraordinarily direct communication -which her words had established between herself and him, he hardly -grasped--echoed the one word which seemed to contain a definite statement. - -“Gone?” he said. “Gone?” - -“Gone!” she returned, repeating the word as she had done before in a kind -of hoarse cry. “Oh, let me try and make you understand clearly, that -we may lose no time. Time! Ah! who knows how much may have been lost -already? My boy! my boy!” - -She strangled the cry in her very throat, and laying one hand on -Falconer’s arm with a convulsive grip, as if to steady herself, she -lifted the other to her head, pushing the hair back from her forehead and -pressing her fingers down as though to force herself to think and speak -coherently. - -“I had a telegram from him,” she said, speaking in short, quick -sentences with heavy, panting breaths between, “ten days ago. It said -that he was going to stop in town for a few days. Yesterday I heard -something that made me uneasy. I came up to speak to him late last night. -I expected to find him in Queen Anne Street. He was not there. He has not -been there for the last two nights. He is gone!” She stopped as though -in those three words she had summed up all the horror of the situation; -and with that strange sense of unreality making his voice stiff and -constrained, Falconer said: - -“But must you necessarily apprehend anything alarming? Some private -visit, perhaps; a painful discovery, of course----” - -She tore her hand away from his arm, wringing it fiercely with its fellow -as she faced him, breaking in upon his words with a passionate cry. - -“Apprehend! Apprehend! I know, I tell you, I know! Ah! have I been -watching and fighting for so many years; have I planned and struggled and -sickened with fear; not to know, now that it has overtaken me at last? -Dennis Falconer, don’t palter with me. You know what lies about my boy. -You know what horrible inheritance I have had to battle with for him. -Good Heaven! when have you spared me your knowledge of it? When have you -failed to thrust it on me, to force me to shudder and sicken even when I -felt most secure?” - -She paused, battling for breath; and then, as Falconer tried to speak, -she put out her hand to stop him, and went on hurriedly: - -“That’s all over! It’s done with! Now you must help me. Your knowledge -must help me. You are a man. You will know what to do; how he can be -saved! He must be saved! He must!” - -She turned away from him with a wild, unconscious gesture, as though his -personality had no existence for her save and except as he could serve -her purpose, and began once more to pace up and down the room. - -Falconer followed her with his eyes, standing motionless and confounded. -The very foundation on which stood his every conception with regard -to the woman before him, and the life she lived, had suddenly melted -into nothingness before her passionate words, and there seemed for -the time being to be no stability anywhere about him. It was no -light that her words let in upon him. Rather, they rolled over that -mental tract of country which had been to him perfectly familiar and -commonplace, a darkness in which every landmark was obliterated. In -those first bewildered seconds his most prominent sensation was one of -utter blackness--the mental counterpart of the effect produced upon the -physical vision by the sudden substitution of illimitable darkness for a -narrow and well-known scene. - -“What do you fear?” he said. He spoke almost like an automaton, in a low, -tentative tone. - -“He has been speculating.” She never stopped in her rushing walk. “I have -known it for months, and I have been in torment.” There was a strange, -scathed look on her face which gave the words a terrible reality. “He has -had some heavy anxiety on his mind all the summer--what, I don’t know. -But this is the end of it. Oh, my boy, my darling, what have I done that -you should shut your mother out? I have slaved for you! I have slaved -for you, and I will slave for you as long as I live! Why have you gone -away from me?” - -She was not crying. To Falconer, watching her and listening to her, no -tears could have been so terrible as that bitter, dry-eyed wail which -seemed to him to echo in a void, where nothing answering to it could have -been nurtured into life. The contrast between the artificial woman he had -known hitherto, and the woman in the consuming anguish of her motherhood -with whom he now found himself face to face, was so amazing that he could -make no attempt to grapple with it. He took desperate and instinctive -refuge in the practical. - -“Do you know anything of his City associations?” he said. - -She made a despairing gesture of negation. - -“I did!” she said hoarsely. “I did all I knew to keep in touch with him. -Two months ago Marston Loring could have told me anything. But everything -failed me! Everything crumbled away! They quarrelled.” - -Already, with that matter-of-fact tendency inherent in all men--and -particularly in unimaginative men--which assimilates a revelation, and -reduces it involuntarily to a commonplace, Falconer had become almost -accustomed to the new point of view which had been forced upon him. -The darkness was lifting, and he was aware of vast tracts of mental -country, destitute of those landmarks which his soul loved, but no longer -enveloped in a dense atmosphere of confusion. - -A man of Falconer’s narrow temperament, confirmed in his rigidity by -many years of life, having his set conceptions suddenly overthrown and -forcibly enlarged, will be totally incapable of any just appreciation of -the new horizon then created; he will be conscious of the spaces about -him only as confusing unrealities; the limitations solidified by the -mental habits of years will retain some sort of ghostly influence over -him long after they have ceased to have any actual existence. His first -conscious and deliberate movement will be an instinctive attempt to -reconcile the new condition of things with these old limitations, rather -than to reconcile himself with the new conditions. The facts which Mrs. -Romayne’s words recalled to him; the character of the man whom she had -encouraged as her son’s chief intimate; the character of the life to -which she had bred him; gave definite force to the vague movement towards -such reconciliation already stirring in Falconer’s mind. He accepted the -revelation of unsuspected mother’s love and mother’s dread, and ceased to -contemplate it as he concentrated his mental vision on the selfish vanity -and worldliness with which Mrs. Romayne had stood endued in his thoughts -for twenty years; and as his point of view readjusted itself on these -lines, her present position, with all the suffering which it involved, -presented itself to him solely as the inevitable climax of a simple and -eminently comprehensible sequence of cause and effect. - -His voice was low and stern as he said: - -“Can you not think of any other friend who could give us some clue to his -recent movements?” - -“I can’t!” she cried, stopping in her rapid walk, and confronting him -fiercely. “It is because there is no one left; because I don’t know what -to do, or where to turn, that I have come to you! Should I be wasting -time like this if I could think of any other means of acting? I’m tied -hand and foot in the dark--tied to the rack, man! We can do nothing till -we find him--till we know what has happened. Think, think, think! How are -we to find him? How are we to----” - -Her voice, which had risen into an agonised cry, broke suddenly; a -greyish tint spread itself over her face, and all her features were -contorted as if with horrible physical pain. She stretched out her hand -feebly and gropingly, caught at an arm-chair, and fell into it, letting -her face fall forward on its back as her nails pressed themselves -pitilessly into her thin hands. - -“It--it’s nothing!” she gasped, in a tight, suppressed voice, fighting -desperately, as it seemed, to utter words rather than groans. “I have -been ill! The night----” - -The words died away, caught and strangled by the relentless, stabbing -pain, and Falconer, utterly at a loss, stood for a moment helplessly -watching her, and then strode across the room meaning to call a woman -to his aid. He opened the door hurriedly and then stopped short. On the -shelf fixed against the wall facing him there lay his morning letters, -and on the top of the pile lay one directed in Julian’s handwriting. -Mrs. Romayne’s physical distress sank into insignificance for him. The -physical suffering which had fallen to his lot during the past year had -by no means obliterated the lifelong instinct which led him to look -upon such weakness as a detail to be disregarded, and of women he knew -nothing. He turned back into the room with the letter in his hand, and -shutting the door again opened it hastily. It was the letter Julian had -written on the previous day in his room in the Temple. - - “DEAR FALCONER,” he read,--“I’ve done for myself all round, - and by the time you get this I shall be out of England. It’s - penal servitude if I stay. The smash will come in a day or two - and you will understand. It’s all up with me; but there’s my - wife and child--for Heaven’s sake be kind to them. This is the - address.” The address followed, and then the signature. - -For another moment Dennis Falconer stood motionless with his eyes fixed -on the letter, so despairing in its hopeless brevity, so terribly -eloquent of immeasurable disgrace and wrong. Then he lifted his head -and turned towards Mrs. Romayne. She had not moved, she was apparently -unconscious of his presence; the tense rigidity of her position had -passed into a total collapse, in which all her figure seemed to have -fallen together as if in absolute exhaustion. To Falconer she presented -an appearance only of most desirable quiet, and he hesitated simply as -to how he should so break to her what must be broken, as to excite her -least. She would have to see the letter! He glanced at it again on the -thought, and a cold shock seemed to strike him as he realised the total -oblivion of his mother to which the young man’s last appeal bore witness. - -“I have received some news,” he said. - -His tone, as he spoke, was curiously different from any in which he -had ever before addressed her. It was grave, straightforward, and not -unkindly, and it very subtly--and quite unconsciously--conveyed the -altered attitude of a stern and narrow moralist towards wrong-doing, no -longer triumphant and serene, but writhing under its merited suffering. -A certain stern compassion the new position of affairs demanded of him, -and he gave it; but it was that lofty compassion which is more than half -composed of a sense of the righteousness of the retribution meted out; -with sympathy or respect it was utterly untouched. He was prepared to -help her to the utmost; he was steady reliability itself; but his help -was permeated, as was his compassion, with a superior recognition of the -justice of the trouble which rendered that help necessary. - -As though there was something between her and her surroundings through -which his voice must penetrate before it reached her brain, a second or -two elapsed before Mrs. Romayne gave any sign of having heard him. Then -she moved and turned her face towards him, looking at him as though from -a long way off. Her forehead and the hair about it, strangely colourless -and dead-looking, were damp. Grey shadows had fallen about her mouth. -There was a faint struggle in her dull eyes, as though she had heard his -words and was trying to force her way to an understanding of them through -overwhelming physical disabilities. - -“I am sorry to say it is far from reassuring,” continued Falconer. - -A sudden flash of understanding and conviction flashed across her -features, and its spirit dominated her weakness as its light transfigured -her face. She rose, clinging to the chair, but evidently absolutely -unconscious of any physical sensation, and held out her hand, still -clammy and tremulous with pain. - -“Give it me,” she said, indicating the letter he held. Her voice was a -thin whisper. Then, as he hesitated: “You’re wasting time. Give it me.” - -He gave it her without a word and turned away. It would break her down, -of course, he thought; perhaps into some wild form of hysteria at -the position in which the young man confessed himself; perhaps into -passionate repudiation of the son who had so deceived her, and who was -leaving her without word or sign. Moments passed, three or four perhaps, -and then a tense, insistent touch fell on his arm and he turned. Mrs. -Romayne was standing by his side, Julian’s letter held tightly in her -hand, which trembled no longer. Her eyes were bright, almost hard in -their determination, and every line and muscle of her face and figure was -braced and set into a vivid strength and resolution. - -“We must see this woman at once,” she said, and her voice was as strange -in its desperate energy as was her face. Then, as Falconer only looked at -her blankly, she added, in the same absorbed, concentrated way: “You will -come with me?” - -“You mean you will see----” - -“I must see this woman,” she repeated, tapping the paper impatiently with -her hand. “Don’t you see she will probably know where he is? She must -know! Let us go at once!” - -“But if she does know?” - -“If she does know! Why, that is everything! I can follow him. He is -frightened--he has lost his head. If he goes away like this he is lost. I -am going to stop him.” - -“But----” - -She silenced him with a movement of her hand, before which his words died -on his lips. - -“Dennis Falconer,” she said, “help me or refuse to help me as you like, -but don’t try to stop me. The shadow of a horror such as this has haunted -me for twenty years. I bring the nerve and desperation of twenty years to -meet it now, and I am going to save him. Will you come?” - -Dominated against his will, sternly disapproving, but powerless to assert -his disapprobation in the face of the intensity of her determination, -Falconer made a slight gesture of enforced assent. Mrs. Romayne hardly -waited for it before she turned and went swiftly out of the room and down -the stairs. - -It was early still--not yet eight o’clock--and cabs were hardly to be -found. They met one at last, and Falconer put her into it and looked -at her, obviously with an intention of uttering the protest with which -his face was full. She made a peremptory sign that he should give the -address, holding out the letter containing it, and instantly reclaiming -it. Her nerves were evidently strung beyond the possibility of irrelevant -or unnecessary speech. A long drive followed to a dingy, poverty-stricken -neighbourhood, and then, in a dreary-looking little street, the cab -stopped. Mrs. Romayne got out with the same rapid, concentrated -movements, signing again, with a movement of her set lips, to Falconer -that he should ring and make the necessary enquiries. The bell was -answered, after an appreciable interval, by a slatternly-looking girl. - -“A young woman lodges here, I believe,” said Falconer sternly--“a young -married woman. Mrs.--Mrs. Roden, or Romayne?” - -The girl stared at him for a moment with bold, curious eyes, and then -transferred the stare to Mrs. Romayne, with a coarse giggle. - -“Young married woman?” she repeated, with a toss of the head. “Oh, yes; -of course! Top floor back!” - -Before the last words, which conveyed a general intimation that visitors -for the top floor back were expected to show themselves up, were well -uttered, Mrs. Romayne had crossed the dirty little passage with swift -steps and was mounting the stairs. She went straight on until she reached -the top landing, and then she turned sharply to Falconer, who had -followed her closely. His judgement condemned her proceedings utterly, -but his stern sense of her claim upon him remained untouched, and he -believed himself to be merely waiting until her impulse should fail her, -as it seemed to him it must before long, to take matters into his own -hands. - -“Knock!” she said. - -Falconer obeyed her; the door was opened with a quiet, sad-toned “Yes?” -and Clemence stood on the threshold. - -She was looking very fragile and very white; the haggard look of -suffering had left her, but it had taken with it in the passing all -the physical strength from her face. Her eyes were heavy as with -sleeplessness and tears, and from their depths there seemed to emanate -the quiet grief which spoke in every line of her face. She held her -baby in her arms, and her whole personality seemed to be touched by -the mysterious influence of motherhood into a new dignity and beauty. -To Falconer the change in her since he had seen her in Camden Town was -so great as to give him a moment’s absolute shock; it was the same -woman, and yet not the same. The difference lay, for him, rather in the -evidences of long suffering which spoke so eloquently about that woman’s -face and form, than in the work effected by that suffering; and the -feeling that the sight of her stirred in him was one of pity; a man’s -half indignant, half patronising pity for weakness and trust abused. - -But Falconer she did not seem to see. Instantly, as she opened the door, -her eyes had passed to where Mrs. Romayne stood confronting her, her face -absorbed, concentrated, hard as steel. A faint flush of colour flooded -Clemence’s face; then she lowered her eyes, and stood with her head a -little bent over her child, motionless. - -“You are my son’s wife?” - -The words came from Mrs. Romayne quick, terse, utterly untouched and -unemotional, as though the situation in itself were absolutely devoid of -meaning for her. - -“My husband’s name is Julian Romayne,” was the low answer. - -Mrs. Romayne made a quick, imperious gesture indicative of her desire -to pass into the little room, on the threshold of which Clemence was -standing. Clemence made way for her with quiet dignity, and then followed -her in. Falconer hesitated an instant and took up his position in the -doorway, holding himself in grave, attentive readiness until the moment -when his presence should be required. The little room was scrupulously -neat and clean. Facing him, a strangely incongruous figure amid such poor -surroundings, but apparently as absolutely unconscious of them as of -the child--at which she never glanced--stood Mrs. Romayne. Facing Mrs. -Romayne stood Clemence, paler now than before, and with her head bent a -little lower. Falconer could see that she trembled slightly. Mrs. Romayne -began to speak instantly, in the same hard, rapid tone. - -“Where is my son?” she said. “You have been told, perhaps, to say you do -not know--to keep his plans secret. You must give them up instantly to -me. He has made a mistake, and only prompt action can redeem it. When did -you see him last? What did he tell you?” - -As though some subtle influence from the one woman had penetrated to the -heart of the other, Clemence’s face had turned quite white. For her, -too, the personal aspect of the situation seemed suddenly to sink into -abeyance. Her head was lifted, and her eyes, filled with a creeping -apprehension, were fixed full upon Mrs. Romayne, oblivious of anything -but the one interest which they held in common. - -The man watching them was vaguely conscious of something about the two -women which put him quite away from them; which made him the merest -spectator of something to which he had no key. - -“I saw him last night,” said Clemence, hurriedly and fearfully; “he came -to say good-bye!” - -A kind of hoarse cry broke from Mrs. Romayne. - -“Good-bye!” she cried, as though appealing to some encircling environment -of fate. “And she let him go! She let him go!” She stopped herself, -forcing down her passion with an iron hand, and went on in a tone only -colder and more decisive in its greater rapidity than before. “He has -made a mistake; you cannot understand, of course. No doubt it seems -to you that everything to be desired is comprised in the miserable -subterfuge of flight. No doubt----” - -She was interrupted. With a low cry of unutterable horror Clemence had -drawn a step nearer to her, pressing her baby passionately to her heart. - -“Flight!” she cried. “Flight! Ah, I knew! I knew there was something -wrong! What is it? Oh, what is it? My dear, my dear, what have you done? -What have you done?” - -There was an instant’s dead silence as the cry died away and Clemence -stood with her beseeching eyes dark and dilated, her uplifted face white -and quivering, appealing, as it seemed, for an answer, to Julian himself. -Falconer was looking straight before him, his face set and grim, -passive, not only with the natural passivity of a man in the presence of -inevitable anguish, but with the involuntary self-forgetfulness of a man -in the presence of a power greater than he can understand. Mrs. Romayne -had paused as though stopped by some kind of hard, annoyed surprise. - -Then Mrs. Romayne went on in a thin, tense voice: - -“There is no time to waste over what has been done; the point is to -retrieve it! He must come back at once. Where is he?” - -With a sudden quick movement Clemence turned, crossed the room, and laid -the child tenderly in the little cot standing by the fire. She pressed -her face down for one instant to the tiny sleep-flushed cheek, and then -rose and came back to Mrs. Romayne and Falconer, her face white and -resolute, her eyes shining, glancing from one to the other as she spoke. - -“Will there be time?” she said. “Can I get to him before he sails? There -is a woman downstairs who will take care of my child. He is alone! He -may be doing----Flight! What can flight do for him if he has done wrong? -He doesn’t always know! I am his wife, and I must go and help him. Will -there be time?” - -It was Falconer to whom her eyes finally turned, vaguely conscious of -the absence of womanly sympathy, and appealing in the void for a man’s -knowledge and assistance. It was Falconer who answered her. Instinctively -and involuntarily he answered her directly, the current of his thoughts -seeming to submit itself to hers without an impulse to resist or control -her. - -“Where was he going?” he said. - -“To America!” was the answer, eager and low, as though life and death -hung on the response it should elicit. “He was going then, he told me. -That was at nine o’clock last night! Oh, if I go at once I shall be in -time? I shall be in time?” - -A hard, nervous irritation was disturbing the concentration of Mrs. -Romayne’s face. Futile and utterly to be ignored as seemed to her -any impulse on the part of the woman to whom, in the face of the -terrible issues with which she stood confronted, she gave no personal -consideration whatever; the introduction of such futility seemed, in -the strained, tense condition of her nerves, to involve irrelevancy -and delay, which she was utterly unable to meet with any self-command. -She broke in now, her voice harsh and vibrating with uncontrollable -impatience. - -“There is no need,” she said. “I am on my way to him now. You--there is -no need for you! You can do nothing!” - -“I am his wife!” said Clemence. - -She did not raise her voice; no colour came to her dead, white face; only -she turned to Julian’s mother, with her hands crushed tightly together -against her heart, and such a light shining in her eyes as seemed to -transfigure her whole face and figure. For an instant the eyes of the two -women met and held one another. Then Mrs. Romayne, with a gesture which -seemed to repudiate and deny the influence which nevertheless she was -powerless to resist, turned to Falconer and moved swiftly towards the -door. “What does it matter?” she said, in a tone of fierce impatience, -which relegated Clemence to the position of the merest nonentity. “The -only thing of consequence is time!” - -She swept out of the room as she spoke, and Clemence turned again to -Falconer, stretching out beseeching hands. - -“Help me!” she said. - -The movement which he had thought to guide and control so easily had -passed beyond Falconer’s control, and he knew it. He could only follow -it, waiting until the turn of events should throw it, as he still -believed they must, upon a man’s strength and experience. But as Clemence -had touched him once before against his will, she touched him now against -his judgement, and he answered her in one word: - -“Come!” - -Throughout the terrible hours that followed; during the drive to the -station, the sickening suspense, the brief interval of waiting for a -train, the long journey; neither by word nor sign did Mrs. Romayne evince -the slightest consciousness of Clemence’s presence. Her face, almost -stony now in its set determination, never altered. After they were seated -in the train she never spoke at all. She sat gazing straight before -her, motionless as a statue, like a woman living only by her hold upon -a moment in the future, to which each present second as it passed was -bringing her nearer. - -There had been no time to ascertain the probabilities as to their -forestalling the sailing of the boat in which Julian had presumably -intended to leave England. Falconer, while admitting to himself that -the young man might have over-estimated, panic-stricken, the danger in -which he had placed himself, had but faint hope that any steps other -than the promotion of his speedy departure would be possible when they -should be in possession of the facts; even should their arrival be in -time to frustrate his original determination. But Mrs. Romayne weighed -no probabilities. She looked neither to the right nor to the left. She -saw before her only the climax and consummation of the struggle of twenty -years, and on that consummation was concentrated her whole existence. - - - - -CHAPTER XIV - - -The room was very still; even the clock upon the mantelpiece was not -going, so that not even a low tick disturbed the perfect quiet. It was a -sitting-room in one of the Liverpool hotels, and quite alone in it was -Clemence. She was sitting near the window, motionless, her hands clasped -tightly together on her knee. Her face was lifted slightly towards the -sky, and its calm, broken now and again by a slight quiver of the lips, -was that of intense absorption. Clemence’s was one of those natures -in which great mental suffering of any kind passes instinctively into -unformed prayer; and she was praying now with her whole being, with no -faintest consciousness of herself or her mental attitude. - -She had been sitting there alone and motionless for more than an hour, -when a touch fell upon the handle of the door. She started violently, and -rose involuntarily to her feet as it opened to admit Falconer. She did -not speak; all her agony of questioning seemed to have passed into the -eyes she fixed upon him, and into those tightly-clasped hands. - -Falconer crossed the room quickly to her, and spoke as though in answer -to audible words. - -“I have found him!” he said. “There has been some delay. The boat will -not leave until to-morrow, and till then he is here.” - -A breath of unutterable relief and thanksgiving broke from Clemence’s -white lips, and she let her face fall forward for a moment on her hands. -Then she lifted it again, tremulous and shaken. “Is it--right--that he -should go?” she said. - -“It is necessary!” returned Falconer sternly. But the sternness was not -for her. - -A look of trouble and perplexity passed into her face; her lips were -parted to speak again when a door at the other end of the room opened -sharply--not the door by which Falconer had entered, but a second, -leading, presumably, into a bedroom--and Mrs. Romayne appeared. The -rigidity of her self-control had given place, apparently, to a consuming -fever. Her eyes were glittering, the dry skin seemed to be too tightly -drawn across her sharpened features. There was no paint upon her -now--no mask, less tangible but no less effective, of artificiality of -expression. It was the very woman, stripped of all the trappings of -her life, bearing the ravages of past struggles thick upon her, driven -to bay, and braced to hold the struggle on which she was entering with -the last breath in her body. She was still dressed for walking, and the -contrast between the smart, somewhat youthful, apparel which she had -always affected, and her face, was terrible to see. - -She came straight up to Falconer, utterly unconscious, apparently, as -far as feeling and realisation constitute consciousness, of Clemence’s -presence. “You have found him?” she said, and the words were less a -question than an assertion. “Let us go at once. Stop, though!” she added -abruptly, laying a burning hand on Falconer’s arm, as though in the haste -and pressure of her own impulses she ascribed a similar impatience to -him. “I had better know the facts first. What has he told you?” - -Falconer hesitated. His words, when he spoke, ignored her final question, -and answered the idea which vibrated behind every word of her speech. He -glanced at Clemence as he began to speak as though he wished his words to -apply to her also. - -“I do not think,” he said, “that anything will be gained by your seeing -him--except extreme distress for all concerned. I fear there is nothing -to be done!” - -He had spoken very firmly, as though the moment had arrived, in his -estimation, for that stand on manly judgement which he had involuntarily -postponed for so long; and he paused as though to accentuate the weight -of his words. - -Mrs. Romayne, with a gesture of irrepressible, tortured impatience, but -otherwise with no recognition whatever of his having spoken, repeated her -question: - -“What has he told you?” - -Clemence’s eyes, fixed upon Falconer’s face, dilated slightly, and then -the shadow of a smile touched her parted lips. - -“I fear there is no doubt that it is a bad affair,” continued Falconer. -“There are forged documents connected with it, and misappropriation of -money fraudulently come by; and detection seems to be inevitable. His -only hope of safety lies in flight.” - -As though with the very tangibility and imminence of the danger she had -come forth to meet Mrs. Romayne’s spirit rose higher, the only sort of -change brought to her face by the words was an intensifying of all its -previous characteristics of growing courage and determination. From -Clemence’s lips the little tremulous light had died, quenched in such a -horror of vicarious shame, of pity, love, and anguish unspeakable, as -seemed to freeze her where she stood. - -“The facts! The facts!” The words came from Mrs. Romayne sharp and tense, -seeming to put aside and ignore any extraneous comment or opinion. - -Falconer hesitated again for a moment and scanned her face closely, -absolutely unconscious of his own incapacity for reading what was written -there. So far was he from an adequate conception of the realities of the -situation, that he thought that a plain statement of details would crush -out for ever the hope of which he was conscious in her. And he decided -that such instantaneous crushing was the only mercy he could show her. - -Gravely and concisely, with no unnecessary comment, he told her the -whole story as he had gathered it half an hour earlier from Julian’s -incoherent, despairing words. He finished and paused, holding himself -braced for the outbreak of despair which he expected. - -His words were followed by a dead silence. His eyes were fixed on Mrs. -Romayne with a vague fear for her reason, and he felt rather than saw -that Clemence had turned away and was standing with her face hidden in -her hands. Mrs. Romayne’s brows had contracted as if in intense thought, -and her eyes were extraordinarily bright and keen. At last, with no -slightest relaxation of the intent calculation of her face, she asked -one or two questions as to details of business procedure, the words -coming from her sharp and distinct; questions of which Falconer, as he -answered them, tried in vain to see the drift. Then she moved with a -gesture of determination, so self-absorbed that it seemed to isolate her -utterly. - -“Take me to him at once!” she said. - -A sharp exclamation broke from Falconer, and, as she moved towards the -door, he followed her hastily, indescribably disturbed and confused by so -entirely unexpected a course of action. - -“To what purpose?” he said quickly. “I beg of you to be advised by me. -The boy must go! Nothing can be gained but a parting----” - -Mrs. Romayne turned upon him and faced him suddenly. - -“I am here to see my son,” she said, and there was something in her -voice--rather in what its intense restraint suggested than in its tones -themselves--absolutely dominating and conclusive. “You came to help me. -Take me to him, or tell me where to find him.” - -Intensely annoyed and disapproving; keenly alive to the fear that Julian, -so taken by surprise, might impute to him some definitely treacherous -intention in withholding, as he had done, the fact that he was not -alone; Falconer yet felt himself powerless. He had no shadow of a right -to stand between mother and son. He had made his stand, and he might as -effectually have opposed himself to the wind. His words, his judgement, -were as nothing to her. That he should so far fail to carry into effect -his conception of his duty as her escort, as to let her go alone was, -of course, impossible in his eyes. He made a sternly unwilling sign to -the effect that he would perforce accompany her, and then, as she passed -quickly out of the room, he looked at Clemence. There was a stunned look -upon her face now; she did not even glance at him in answer, but she -moved mechanically, as it seemed, and like a woman walking in her sleep, -and followed Mrs. Romayne. - -Not one word was spoken by either of the trio until they stood, a quarter -of an hour later, before a rather dingy door in a dreary passage of an -unpretentious and obscure private hotel. Then Falconer spoke in a low, -stern tone. - -“Here!” he said, indicating the door before them. - -Mrs. Romayne moved swiftly forward and turned the handle. For one -instant, as the door opened, there was a vision of a dull, bare little -sitting-room, touched with a strange glory by a red ray from the setting -sun, which slanted right across it; and in the middle of the room, in the -full light of that red ray, which fell with an almost weird effect of -irradiation upon his attitude of despair, Julian sitting by the table, -his head buried on his outstretched arms. For an instant only the picture -was visible; then Julian turned his head sharply and sprang to his feet -with a cry. His mother was advancing rapidly towards him, but it was not -his mother that he saw. It was the figure behind her with the dazed white -face all breaking up now into quivering lines. It was to that figure that -he stretched out his hands with the hoarse, heart-broken sob: - -“Clemmie! Clemmie! They’ve told you!” - -Before the words were uttered, Clemence had rushed past Mrs. Romayne, and -was clinging to him in such a sudden agony of sobs and tears as seemed to -rend her very heart. - -Mrs. Romayne stopped abruptly. Falconer, who was close to her with his -back to the door which he had shut swiftly on Julian’s cry, saw a spasm -of pain cut across the concentration of her face for an instant; and -in the flash of anger and impatience which succeeded it, she seemed to -recognise Clemence’s presence practically for the first time. She fell -back a step or two, waiting with contemptuous self-control, her eyes -fixed upon the pair before her as they clung together, and Julian tried -brokenly and despairingly to soothe the pitiful abandonment of grief -with which Clemence was shaken. His own distress increased with every -incoherent word of self-reproach he uttered; and it was a sense of his -anguish that seemed, at last, to reach Clemence, and produce in her a -woman’s instinct towards the suppression of her own pain. She disengaged -herself gently, forcing back the heavy sob that trembled on her lips, -and looked from Julian towards Mrs. Romayne with a tacit recognition of -his mother’s claims which was as beautiful as it was instinctive. - -“You will listen!” she said in a choked, beseeching voice, “you will -listen and come back!” - -She turned away as she spoke, making him a sign that he should not speak -to her; and as she drew away from him Mrs. Romayne advanced rapidly, -every movement, every line of her face, every tone of her voice, claiming -as an inalienable right her son’s attention. Her face was very hard, far -harder than it had been before that spasm of pain had shaken it, and -there was no touch of emotion in her hard, quick voice. She seemed to -have put all sentiment deliberately aside. - -“Julian,” she said, “you have made a terrible mistake! You are taking -just the one false step that would be absolutely irretrievable. You must -come back to town at once!” - -Her manner; her voice; some influence from the long past days when her -word, for all her affectation of weak indulgence, had been his law; -had arrested his attention almost without his own consent. He stood now -looking at her; looking at her across such a gulf of ignorance, mistake, -and wrong as had swallowed even that bitterness with which he had once -regarded her, leaving him absolutely cold and dead to her. - -“Town and I have parted company, mother!” he said. He spoke hoarsely, but -the emotion in his tone was the reflex of that through which he had just -passed in meeting Clemence; his manner was even callous. - -“That would be true indeed,” was the quick answer, “if you had succeeded -in leaving England! Not only town and you, but life and you--everything -that makes life worth living--would have parted company! To go away now -is to cut your own throat!” - -Julian turned to Falconer. - -“Haven’t you told them?” he said thickly. “Don’t they know that--that is -done?” - -Falconer drew a step nearer. - -“Your mother knows----” he began; but Mrs. Romayne interposed, lifting -her hand peremptorily without even glancing at him. - -“I know everything,” she said. “I know that you are in hideous danger, -and if you run away from it it is indeed all over with you. You must face -it; you must defy it!” - -As though in her last words she had touched and given form and life to -the very core of the determination which had nerved her since she had -first read Julian’s letter that morning, her voice rose as she spoke them -into a ring of indomitable courage, vibrating with the very triumph of -that defiance of which she spoke. Her slight, haggard physique seemed to -expand, to gain in dignity and power; as the whole room seemed to fill -with the magnetism of her intense resolution. There was an instant’s -pause, and then an exclamation broke alike from Julian and from Falconer. -Julian’s was almost derisive in its absolute repudiation of her words; -Falconer’s was sternly incredulous. Clemence was standing a little apart. -No sound came from her, but she lifted her face suddenly and turned it -towards Mrs. Romayne. A vague horror and confusion had dawned in her eyes. - -Before the annihilating words with which Falconer obviously intended -to follow up his first ejaculation could be uttered, Mrs. Romayne was -speaking again--in a rapid, businesslike tone now, but always with that -ring of triumph behind it. - -“You must come back with me to-night and take up your position as if -nothing could shake it. You must fight for your credit and your social -status tooth and nail. When you have lost them you have lost everything! -You have not lost them yet, and no risk is too great to run for their -retention.” - -“Not penal servitude?” asked Julian, with a ghastly smile. - -“Not penal servitude, not hanging--if that were the risk,” returned his -mother passionately. “What are you better off if you escape--disgraced, -ostracised, ruined beyond all hope of reclamation--than you would be in -a convict’s cell? What would you have to live for--to hope for? When you -have lost your position with the world you have lost everything. What -does it matter that you go down in one wave rather than another?” She -paused a moment, battling with her fierce horror and repulsion. Then she -went on again in another tone, eager and decided. “But the risk is not -so frightful after all,” she said. “Show it a bold front and we shall -triumph over it! Now, listen to me, Julian. This other man--this man -Ramsay--was the actual forger?” - -She paused for an answer, and apparently the insistence of her tone -forced one from Julian in spite of himself. - -“As far as the actual commission of the forgery goes--yes,” he said -sullenly. “But----” - -“Then what is there to prove--to prove, mind--that you were a party to -it?” - -Julian glanced round at Clemence as if involuntarily. Then he looked -recklessly back at his mother and laughed harshly. - -“The facts----” he began. - -His mother caught up the words. - -“The facts? Yes!” she said. “But if the facts are denied? Can they be -proved? If you face this meeting and say that you yourself have been -deceived? Even if it should come to a prosecution there are always -loopholes! With good counsel and facing it out ourselves unflinchingly, -you would come through untouched! It is the only chance, Julian, and we -must dare it.” - - - - -CHAPTER XV - - -The red glow from the setting sun had shifted a little. It fell now -behind Julian and between him and Clemence, and its light seemed to -isolate the mother and son, shutting them in alone together. Mrs. Romayne -stood a few paces from Julian, not touching him or appealing to him, -concentrating all her forces on the dominating of his weaker nature. -Julian stood doggedly before her, his hands clenched, his face set. Near -the window, looking across the shabby little room from which those two -figures, eloquent of struggle and crisis, stood out so strangely, was -Clemence; her eyes fixed upon Julian now as though life and death hung on -his looks. Aloof alike from Clemence and from the mother and son, a grim -spectator holding in reserve his weight of condemnation until the upshot -of the scene should declare itself, was Dennis Falconer. - -For all answer, as though her ringing words had touched him so little -that he found them not even worth the trouble of an articulate denial, -Julian shook his head sullenly. The gesture witnessed to a heavy dead -weight of dissent likely to be more difficult to act upon than the most -vehement opposition, and Mrs. Romayne paused for a moment, looking at -him, her lips taking a firmer line, her eyes flashing. - -“You don’t realise the position,” she said. “Look at it and understand -the choice before you. On the one hand is ignominy, ruin, the end of your -career; to reach it you have only to give way to your nerves, to act -under the influence of panic, to run away, in short. On the other hand,” -she moved a step nearer to him with a tense, emphatic gesture, which -seemed an outlet for some of the passionate urgency which she was keeping -resolutely in hand; “on the other hand is the very reverse of all this. -Social position, consideration, the prosperous life to which you have -always looked forward--all this is to be retained by one bold stroke, by -a little courage and resolution, and at the risk of what is by no means -worse than the life which must inevitably be yours if you do not nerve -yourself to run it. Julian, think what is at stake!” - -Falconer’s eyes had been fixed on Mrs. Romayne, severe, inexorable in -their condemnation. They travelled, now, to Julian. - -Again Julian made that dull gesture of negation. - -“It’s all over,” he said doggedly. “I’ve staked and lost.” - -“You have not lost--yet,” his mother cried; the vibration in her voice -was stronger now, and there were white patches coming and going faintly -about her mouth. “You shall not lose while I can lift a hand to save -you. Think!--think! It’s all before you still--happiness, success, life! -You’ve only to grasp them instead of letting go. Think!” - -Julian had been standing with his haggard young face averted from her, -staring sullenly at the ground. He turned upon her suddenly, his face -quivering with an impotent misery of regret, his voice ringing with -hopeless bitterness. - -“They’re gone,” he said. “I’ve thrown them all away. I might as well be -dead, that’s true enough. It might be possible to brazen it out--I don’t -know, I don’t care! It wouldn’t give me anything worth having. Social -position, credit, standing! What good would they be to me? I’m sick of -the whole thing! I’ve done with it!” - -His incoherent, hardly articulated words stopped abruptly, and he seemed -to struggle fiercely for means of expression; so fiercely that the blind, -impotent wrestle with the limitations of a lifetime seemed to dominate -the situation for the moment, and in Mrs. Romayne’s agonised face, as she -watched him, the life seemed arrested. It was as though he were groping -and fighting among sensations and instincts so new to him that he had -no words in his vocabulary in which to clothe them; and the effort to -express them was instinct with the despair of conscious futility. He -seemed to break away at last and rush upon a wild, confused declaration -which comprised all that he could grasp. - -“Why should I fight for what I don’t want?” he cried hoarsely. “There’s -nothing worth having now.” - -“My boy!” The cry arrested Clemence, moving towards Julian with shining -eyes and white, parted lips. It arrested Falconer, who had drawn nearer -to Mrs. Romayne, with a desperate impulse to end the struggle by throwing -into the scale, against Mrs. Romayne, the weight of his opinion. “My -boy, my boy! don’t talk like that, for Heaven’s sake! For Heaven’s sake! -Julian, my darling, if not for yourself, for your mother! I have lived -for you. I have had no thought in life but you--to save you, to protect -you, to keep you from ruin such as this! Don’t break my heart. Ah!” she -broke into a low, wailing moan, wringing her hands together as her eyes -fastened on his face, transfixed into an expression of blank surprise -as his eyes met hers for the first time. “Don’t look like that! Julian, -Julian! In all these years have you never understood? Have you never -understood how I have loved you?” - -They were face to face, mother and son, all the artificialities and -conventionalities of their lives scorched and burnt away. But between -them lay that unbridgeable gulf of ignorance and wrong, and her -outstretched hands appealed to him in vain. He looked at her coldly, -uncertainly, as though she were a stranger to him. - -Then, with one strange, gasping cry, she seemed to thrust all -consciousness of herself fiercely on one side in her realisation of his -great need. In the very crisis of her agony, in the very crisis as it -seemed of her defeat, there came upon her a great dignity. - -“My son,” she said, “there is something in your life of which you have -never known--something which accident might have revealed to you at any -time, but which I kept from you, hoping that fortune might favour me--as -it has done--and preserve your ignorance; believing that in happiness -and self-respect lay one of your safeguards, and dreading that knowledge -might bring to you some sort of morbid temptation. Julian, it is the -toil and struggle of twenty years that you are trampling on in throwing -down your life like this. Twenty years ago your father died by his own -hand--a swindler, liar, and thief. A few chance words brought home to me -the possibility that some such dreadful taint might rest on you. To keep -you from its awful consequence; to give you such a life as should obviate -the possibility of temptation; to hedge you in with every security that -money and position could create for you; to give you such a standing -in the world as should leave you nothing to wish for; has been the one -thought, the one motive of my life from that time until now.” - -The speech--so terrible a declaration of a struggle foredoomed by its own -essence to failure, a struggle in which the foe was real, the combatant -in desperate earnest, and the weapons straws--trembled into an abrupt, -palpitating silence, as though her feelings were too intense for speech. -There was a moment’s stillness like the stillness of death; a stillness -broken only by Julian’s long, laboured breaths as he stood facing her, -his face blanched and frozen into an image of horror. Then he spoke. - -“Is it true?” He had turned mechanically to Dennis Falconer, and the -words came from him in a hoarse whisper. - -Dennis Falconer was white to the lips. Far down in his nature, at the -root of the rigid and conventional morality by which he lived, was a -pulse which palpitated in harmony with the divine realities of life. And, -as like answers to like, that pulse in him had recognised its counterpart -at last, through all the cramped distortion that had concealed it for so -long, beating full and strong, instinct with the throbbing life of the -same great realities, in a dwarfed and darkened woman’s soul. Perfect -mother love, absolute self-abnegation, let them clothe themselves in what -mistaken form they may, are an earnest of ideal love and beauty, and in -their presence condemnation must give place to reverence. Conscious, for -the first time in his life, that he stood in the midst of that which -was beyond his power to analyse or to estimate, he made no attempt at -speech. He bowed his head in silence. - -Julian looked at him for a moment longer, and then he turned his face -once more upon his mother. As though what she saw there struck into -her very heart, a cry of pity and tenderness broke from her. She moved -swiftly to him, putting her arms about him, trying to draw him into her -embrace as though he had been once more her little child. - -“Julian!” she cried, “my boy! my boy! Try to understand--try to -understand why I have told you this now! I don’t ask you to think of -me--to think what such a repetition of the past as threatens me in you -would be to me--a blow infinitely heavier, an agony infinitely crueller -than what came upon me twenty years ago, because of the long struggle -to which it would bring defeat, because of the long hope and resolution -which it would take out of my heart, because of my love for you, my -darling--my darling!” She was kissing his hands now passionately, with -that oblivion of any other presence in the room which she had evinced -throughout; and Falconer, watching her, fascinated, almost awestruck, -saw her, as she went on, lift one of the young man’s hands and press it -to her cheek, stroking it with a wild, nervous movement of her own thin -fingers. - -“But there’s a motive power for you in it, Julian! A lever for your own -pride, your own strength of will. You are panic-stricken, unnerved, -worn out. Danger is new to you, my darling! Look at your father’s -fate--wholesale ruin, disgrace, and obloquy--and let it nerve you to -turn away from it. Look down the precipice on the brink of which you -are standing, and lay firm hold upon the only rope that can save you. -Take your courage in both hands, and we will face the danger and conquer -together. Oh, my boy, if it is a hot fire to pass through it won’t last -long! It leads to safety, to firmer standing-ground, to a new lease of -life!” - -She was clinging to him convulsively, touching his hands, his hair, his -face, as though speech alone afforded an all-insufficient outlet for -her agonised beseeching. And as she spoke the last words he seized her -hands in his and thrust her from him, not with any personal roughness, -but rather unconsciously and involuntarily as in the very isolation of -despair. - -“Life!” he cried. “What can life give to me beyond what I’ve got already? -I’ve got my billet! Like father like son! I’m bound for the dogs sooner -or later, and I don’t care to spin out the journey. Who’s going to fight -against his fate?” - -“It is not fate.” - -Through that little room, across and above the passion and despair that -filled it, the words rang out strong and clear, and Julian turned with a -convulsive start to meet them. - -Clemence had come swiftly across the room and was standing beside him, -facing him as he turned to her; facing Falconer, arrested in a quick -movement to interpose, blindly and instinctively as it seemed, between -Julian and his mother; facing Mrs. Romayne, as she stood leaning heavily -on the back of a chair, her eyes strained and terrible to see, her face -ghastly. All that humanity can touch of the beautiful and the inspiring; -all the burning faith; the quivering personal realisation of that unseen -of which each man is a part; the human love acting upon and reacted on -by the divine instinct; was shining out from Clemence’s face. She paused -hardly for an instant as her clear eyes, dark and deep with the intensity -of her fervour, rested on Julian, as though they saw him and him only in -all the world. Then her voice rang out again, sweet and full. - -“There’s no such thing as fate,” she said. “Not like that! Not fate that -makes us bad. There’s God, Julian! It’s trying to do right that matters; -nothing else in life; and that we can all do. There’s nothing, nothing -can prevent us! Oh, I don’t say”--her voice broke into a great pity and -tenderness--“I don’t say that it’s not harder for some than for others. -But it’s what’s hard that is best worth doing! Julian!”--she drew a -step nearer to him, stretching out both her hands--“you’re looking at -it wrong, dear! The things you’ve lost for good are not the things that -matter. What one has, what people think of one--that’s nothing. It’s what -one is, it’s oneself that’s the only thing to mind about.” - -She stopped, her whole face stirred and tremulous with her conviction, -and Julian, with an impulsive movement, caught her hands in his, and -pressed his forehead down upon them in a blind agony of self-abasement. - -“I’m a swindler, Clemmie!” he cried thickly. It was as though he had -hardly taken in the full sense of her words, but was clinging to her, and -confessing to her under some blunted, bewildered impetus. “A cheat and a -thief all round! That’s what I am!” - -“But that’s not for ever!” she cried, such love, and hope, and courage -shining in her eyes as would not let her great tears fall. “You can -retrieve the past! You can repent and begin again. Ah, I know, of course, -that what is done can’t ever be undone! What you have done remains the -same for always! But you can change! You can be different, and nothing -else but you yourself matters at all! What does it matter if people think -you a cheat if you are an honest man? Nothing! No more than it matters to -yourself if they call you an honest man for ever, when you’re a cheat!” -She paused again, but this time he did not speak; he lifted his head and -drew her to him, crushing her hands against his breast, and looking into -her eyes with a strange, agonised struggle towards comprehension dawning -in his own. - -There was a moment’s dead silence. There was that passing between -Clemence and Julian which no words could have touched--the final struggle -towards dominion of a man’s better nature. Falconer had fallen back. All -that was narrow and conventional about his morality had shrivelled into -nothingness, and stood confessed to his own consciousness for what it -was. He knew that the great question now at issue was beyond the reach of -his man’s practicality, and that he could only stand aside. - -Mrs. Romayne was gripping heavily at the chair by which she stood; -impotent, frozen despair paralysing her from head to foot, leaving alive -and sentient only her eyes. - -“You must go back, dear.” The words fell from Clemence’s lips tender, -distinct, immutable as the laws of right and wrong. “You must take the -consequences of what you’ve done, and through that pain and shame you’ll -get above it to begin again.” - -Julian’s lips, white now as ashes, moved stiffly. - -“The consequences?” he whispered. “The consequences, Clemmie?” - -“The consequences,” she replied, and in the ring of her voice, in the -clasp with which her hands closed over his, was all the courage and -conviction with which she sought to nerve him. “Ah, I don’t know--I don’t -understand--but are there no innocent people who may suffer for your -fault unless you are there to take it on yourself? Besides, how else, -dear? How can you begin again without having made amends? How can you -free yourself of the past without acknowledging what’s black and bad in -it? And if you acknowledge what’s black and bad, how can you hesitate to -take its punishment?” - -And as if that struggling life in him were growing and stirring under her -influence, a strange flickering light crept into Julian’s face and the -struggle in his eyes grew into a faint suggestion of victory. He paused a -moment, his breath coming thick and fast. - -“But suppose--suppose it isn’t any good?” His voice, tense, hardly -audible, seemed to catch and strain like that of a man at the very crisis -of his life. “Suppose it’s in me and I must----” - -“It isn’t so!” she cried, and as she spoke she drew away from him as -though carried beyond herself, beyond her womanly love for him, in that -supreme declaration of the truth that was her very being. “You know it -isn’t so! There is no ‘must’ except God’s ‘must’ to us that we should -follow Him. There is no power can tear us from His hand unless we throw -ourselves away by saying that His hand is without strength to save us. -Good and evil lie before every one of us, and we must all choose. And -nothing else is real and living in this life except that choice and the -end to which it leads us!” - -Through all the limitations of the phraseology in which her faith was -clothed, the great truth which makes the mystery of humanity, the truth -which words can only belittle and obscure, which lives not in words but -in the silent consciousness of each man’s soul, rang out, all-penetrating -and all-dominating. And as she faced him, her eyes shining, her whole -face radiant, Julian caught her in his arms with a great cry. - -“I will,” he cried. “Clemence, I choose. Help me! I will go back.” - -She yielded to his touch, with a low sob, and as they stood clasped in -one another’s arms, a shuddering moan rang through the room, and Mrs. -Romayne fell heavily forward at their feet. - - - - -CHAPTER XVI - - -“Will she suffer any more?” - -On the upper landing of the hotel in which Falconer had found Julian, -Clemence was standing, one hand resting on the handle of a door which -she had just closed behind her, looking in the uncertain light of a -flickering gas-jet into the face of the man to whom she spoke. He was a -quick, capable-looking man, with a brisk, professional manner, evidently -a doctor. Clemence’s face was pale and tired, as though with strain or -watching, and her low voice shook a little. The doctor was drawing on his -left-hand glove, and he paused to answer her. - -“I should say that she would not,” he said. “It is practically over.” He -gave a keen, rather curious look at Clemence and then added: “You are -alone with the lady?” - -“Yes,” said Clemence simply. - -A long night and a long day had passed, and between Mrs. Romayne and the -one absorbing passion of her life had fallen that solemn shadow before -which all earthly passions pale and fade away; that solemn shadow before -whose creeping touch not strength of will, not love itself, can stand. As -she fell to the ground before her son she had loosed her hold perforce on -all the struggle and burning resolution which was life to her; she had -followed the guide whom none may resist into that valley through which -every one must pass, and its mists had lifted from her no more. From -that one long faint she had been brought back only to fall into another; -in such total unconsciousness, which had yielded twice to intervals of -physical pain terrible to see, the long hours had passed. - -And in one of these spaces of blank unconsciousness Julian Romayne had -seen his mother for the last time. The necessity for his departure was -pressing and relentless. The meeting of the shareholders was imminent, -and that meeting he must face. He had left his mother’s room in the grey -light of the early morning with a look on his face which Clemence, the -only witness of that mute parting, never forgot; and he had gone away -with Dennis Falconer to make those preparations for his surrender of -himself to justice which were not to be delayed. - -And now the day was drawing to a close. The doctor had paid his last -visit, and the night was drawing on. - -There was a moment’s pause after Clemence’s words. Then the doctor wished -her a professional good-night, and, as he went downstairs, she turned and -went back into the room. - -It was a small room, the best which the hotel cared to place at the -disposal of sudden illness, but somewhat dingy and ill-appointed. The -gaslight, shaded from the face upon the bed, but shedding a garish light -upon the rest of the room, touched nothing luxurious, nothing which its -present occupant could have realised in connection with herself. Her very -rings lying upon the dressing-table and flashing under the gaslight, -seemed to protest against such poor surroundings. - -But the figure on the bed lay motionless, protesting never more. It lay -in blank unconsciousness even when Clemence, crossing the room, stood -for a moment looking down, her whole face tender and quivering, and then -sank gently on her knees and pressed her lips, with a womanly gesture of -infinite pity, to the pale, inanimate hand upon the bed. It was over now, -practically, as the doctor, looking at that waning life from a purely -physical point of view, had said--all the struggle and the dread, all the -courage and the hope, the valiant ignorance of twenty years. And the face -upon the pillow was the face of the vanquished--the face of one whose -last vivid consciousness of earthly things had been the consciousness of -failure. - -For many minutes Clemence knelt there, all the feeling of her woman’s -soul seeming to expend itself in that soft, mute pressure. Then she rose -quietly and moved across the room to make some final preparation for the -night. That done, she came back again to the bedside, and doing so she -started. The shadowy hands were moving feebly upon the counterpane. -From out the grey, pinched face upon the pillow two glazed blue eyes -were looking with a restless, searching movement as though in want of -something. They rested upon Clemence with no recognition in them; but as -her son’s wife drew nearer to her quickly and gently, Mrs. Romayne moved -feebly and tried to turn her head upon the pillow, as though moved by -some vague, indefinite, and far-away sense of dislike and repulsion. Her -white lips moved uncertainly as she did so, and faint sounds came from -between them. Clemence bent over her tenderly and tried to catch the -words; and they grew gradually a little clearer. - -“My boy!” the faint, uncertain voice muttered, “my little boy!” - -A great wave of pity and yearning swept over Clemence, and she sank once -more to her knees, fixing her eyes on the poor, worn face. Was it of any -use to speak? Could her voice reach to those dim lands where the mother -groped for her “little boy”? - -“He will come!” she said. “He will come--by-and-by!” - -As though the voice had roused her without penetrating to her brain, Mrs. -Romayne moved again--that slight, feeble movement so eloquent of the -extremity of weakness. Her eyes turned to Clemence with that glance of -vague, unrecognising dislike. - -“No,” she said, as though answering her--“no, he’s too little.” She -paused, and again there was that groping movement of her hands. “His -letter,” she muttered, “his letter! My dear mamma! my dear mamma!” - -There was a restless distress in the glazed eyes now, and their glance -tore Clemence’s heart. The feeble hands were moving painfully, and as she -watched, with her tears falling fast in her impotent pity and longing to -satisfy their craving, something in their movements, all unmeaning as -they seemed at first, penetrated to Clemence’s understanding with one of -those strange flashes of comprehension only possible under so tense a -strain of sympathy. Those nerveless hands were feeling for a pocket! In -an instant Clemence had risen, crossed the room, and put her hand into -the pocket of the dress which Mrs. Romayne had worn. Her finger touched -a paper, and she drew it out instantly. She saw that it was yellow and -faded with age, and she moved quickly back with it to the bedside. The -hands and the eyes were still moving, but the muttered words were audible -no longer, and as Clemence put the paper gently between the thin fingers, -she felt with a sudden thrill of awe that they were growing cold. - -But the touch seemed to rouse Mrs. Romayne once more. Her fingers closed -on the paper as if instinctively, and the restless distress died out of -her eyes as she tried--vainly--to unfold the paper. Clemence put out -her hand gently, and did the work for which the dying fingers had no -strength, and on the dying face there dawned a pale, shadowy smile. - -“Yes!” she said. “Yes! ‘My dear mamma!’ My dear mamma! Your -loving--son--Julian!” - -And with her son’s name on her lips, Mrs. Romayne left him behind, and -passed from ignorance to knowledge. - - * * * * * - -The trial and conviction of Julian Romayne were a nine days’ wonder in -society. The people who had most readily and carelessly received the -widow and son of William Romayne, asked one another with the martyred air -of those whose charity has been abused and their feelings for morality -outraged, what was to be expected after all of the son of such a father? -The people whose feelings for morality had been outraged at the outset by -Mrs. Romayne’s reappearance in London, and soothed subsequently by the -simplicity of the position, observed sagely that they had always said so. -Both parties were unanimous in the assertion that the young man’s life -was practically at an end. He had forfeited his place in society for ever. - -But Julian himself realised gradually and painfully during the years of -his punishment; with the strength of a manhood attained through pain, -when he went away to a new country with his wife and child; that his life -had just begun. - -THE END - -F. M. 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Map and Plates. 2 -vols. 4to. 90_s._ net. - - -Ornithology. - -COUES (Elliott).--KEY TO NORTH AMERICAN BIRDS. Illustrated. 8vo. 2_l._ -2_s._ - ----- HANDBOOK OF FIELD AND GENERAL ORNITHOLOGY. Illustrated. 8vo. 10_s._ -net. - -FOWLER (W. W.). (_See_ NATURAL HISTORY.) - -WHITE (Gilbert). (_See_ NATURAL HISTORY.) - - - - -INDEX. - - - PAGE - - - ABBEY (E. A.), 13, 41 - - ABBOT (F. E.), 36 - - ABBOTT (E. A.), 3, 14, 33, 36 - - ACLAND (Sir H. W.), 24 - - ADAMS (Sir F. O.), 31 - - ADDISON, 4, 20, 22 - - AGASSIZ (L.), 3 - - AINGER (Rev. A.), 4, 5, 17, 23, 36 - - AINSLIE (A. D.), 15 - - AIRY (Sir G. B.), 2, 29 - - AITKEN (Mary C.), 22 - - AITKEN (Sir W.), 26 - - ALBEMARLE (Earl of), 3 - - ALDOUS (J. C. P.), 35 - - ALDRICH (T. B.), 14 - - ALEXANDER (C. F.), 22 - - ALEXANDER (T.), 9 - - ALEXANDER (Bishop), 36 - - ALLBUTT (T. C.), 24 - - ALLEN (G.), 6 - - ALLINGHAM (W.), 21 - - AMIEL (H. F.), 3 - - ANDERSON (A.), 15 - - ANDERSON (Dr. McCall), 24 - - ANDREWS (C. M.), 10 - - ANDREWS (Dr. Thomas), 29 - - APPLETON (T. G.), 40 - - ARCHER-HIND (R. D.), 40 - - ARNOLD (M.), 8, 15, 21, 22, 31, 33 - - ARNOLD (Dr. T.), 10 - - ARNOLD (W. T.), 10 - - ASHLEY (W. J.), 3 - - ATKINSON (J. B.), 2 - - ATKINSON (Rev. J. C.), 1, 41 - - ATTWELL (H.), 22 - - AUSTIN (Alfred), 15 - - AUTENRIETH (Georg), 8 - - AWDRY (F.), 41 - - - BACON (Francis), 3, 21, 22 - - BADENOCH (L. N.), 43 - - BAINES (Rev. E.), 36 - - BAKER (Sir S. W.), 31, 32, 40, 41, 42 - - BALCH (Elizabeth), 12 - - BALDWIN (Prof. J. M.), 28 - - BALFOUR (F. M.), 6 - - BALFOUR (J. B.), 6 - - BALL (V.), 41 - - BALL (W. Platt), 6 - - BALL (W. W. R.), 24 - - BALLANCE (C. A.), 24 - - BARKER (G. F.), 29 - - BARKER (Lady), 2, 8, 41 - - BARNARD (C.), 29 - - BARNES (W.), 3 - - BARNETT (E. A.), 8 - - BARTHOLOMEW (J. G.), 3 - - BARTLETT (J.), 8 - - BARWELL (R.), 24 - - BASTABLE (Prof. C. F.), 30 - - BASTIAN (H. C.), 6, 25 - - BATES (K. L.), 21 - - BATESON (W.), 6 - - BATH (Marquis of), 31 - - BATHER (Archdeacon), 36 - - BAXTER (L.), 3 - - BEESLY (Mrs.), 4, 10 - - BENHAM (Rev. W.), 5, 21, 22, 35 - - BENSON (Archbishop), 36 - - BENSON (W. A. S.), 32 - - BERLIOZ (H.), 3 - - BERNARD (C. E.), 3 - - BERNARD (J. H.), 27 - - BERNARD (H. M.), 6 - - BERNARD (M.), 13 - - BERNARD (T. D.), 36 - - BERNERS (J.), 12 - - BESANT (W.), 4 - - BETHUNE-BAKER (J. F.), 36 - - BETTANY (G. T.), 6 - - BICKERTON (T. H.), 25 - - BIGELOW (M. M.), 13 - - BIKÉLAS (D.), 18 - - BINNIE (Rev. W.), 36 - - BIRKS (T. R.), 6, 27, 33, 36 - - BJÖRNSON (B.), 18 - - BLACK (W.), 4 - - BLACKBURNE (E.), 3 - - BLACKIE (J. S.), 10, 15, 21 - - BLAKE (J. F.), 3 - - BLAKE (W.), 3 - - BLAKISTON (J. R.), 8 - - BLANFORD (H. F.), 9, 30 - - BLANFORD (W. T.), 9, 26 - - BLENNERHASSETT (R.), 41 - - BLOMFIELD (R.), 9 - - BLYTH (A. W.), 12 - - BÖHM-BAWERK (Prof.), 30 - - BOISSEVAIN (G. M.), 30 - - BOLDREWOOD (Rolf), 18 - - BONAR (J.), 30 - - BOND (Rev. J.), 34 - - BOOLE (G.), 28 - - BOOTH (C.), 32 - - BOSE (W. P. du), 37 - - BOUGHTON (G. H.), 41 - - BOUTMY (E.), 13 - - BOWEN (H. C.), 27 - - BOWER (F. O.), 6 - - BRETT (R. B.), 10 - - BRIDGES (J. A.), 21 - - BRIGHT (H. A.), 9 - - BRIGHT (John), 31 - - BRIMLEY (G.), 21 - - BRODIE (Sir B. C.), 7 - - BRODRIBB (W. J.), 14, 40 - - BROOKE (Sir J.), 3 - - BROOKE (S. A.), 14, 15, 21, 35, 36 - - BROOKS (Bishop), 36, 41 - - BROWN (A. C.), 29 - - BROWN (J. A.), 1 - - BROWN (Dr. James), 4 - - BROWN (T. E.), 15 - - BROWNE (J. H. B.), 12 - - BROWNE (Sir T.), 22 - - BRUNTON (Dr. T. Lauder), 25, 36 - - BRYCE (James), 10, 31, 41 - - BUCHHEIM (C. A.), 21 - - BUCKLAND (A.), 5, 31 - - BUCKLEY (A. B.), 10, 11 - - BUCKNILL (Dr. J. C.), 25 - - BUCKTON (G. B.), 43 - - BUNYAN, 4, 21, 22 - - BURGON (J. W.), 15 - - BURKE (E.), 31 - - BURN (R.), 1 - - BURNETT (F. Hodgson), 18 - - BURNS, 15, 21 - - BURY (J. B.), 10 - - BUTCHER (Prof. S. H.), 14, 21, 40 - - BUTLER (A. J.), 14, 40 - - BUTLER (Rev. G.), 36 - - BUTLER (Samuel), 15 - - BUTLER (W. Archer), 36 - - BUTLER (Sir W. F.), 4 - - BUXTON (Mrs. S.), 33 - - BYRON, 22 - - - CAIRNES (J. E.), 30, 31 - - CALDECOTT (R.), 13, 41 - - CALDERON, 15 - - CALDERWOOD (Prof. H.), 6, 8, 27, 28 - - CALVERT (Rev. A.), 34 - - CAMERON (V. L.), 41 - - CAMPBELL (G.), 3 - - CAMPBELL (J. D.), 15 - - CAMPBELL (J. F.), 41 - - CAMPBELL (Dr. J. M.), 36 - - CAMPBELL (Prof. Lewis), 5, 14 - - CANTILLON, 30 - - CAPES (W. W.), 14 - - CARLES (W. R.), 41 - - CARLYLE (T.), 3 - - CARMARTHEN (Lady), 18 - - CARNARVON (Earl of), 40 - - CARNOT (N. L. G.), 29 - - CARPENTER (Bishop), 36 - - CARR (J. C.), 2 - - CARROLL (Lewis), 28, 42 - - CARTER (R. Brudenell), 25 - - CASSEL (Dr. D.), 10 - - CAUTLEY (G. S.), 15 - - CAZENOVE (J. G.), 36 - - CHALMERS (J. B.), 9 - - CHALMERS (M. D.), 31 - - CHAPMAN (Elizabeth R.), 14 - - CHAPPELL (W.), 26 - - CHASE (Rev. F. H.), 34 - - CHASSERESSE (Diana), 32 - - CHERRY (R. R.), 13 - - CHEYNE (C. H. H.), 3 - - CHEYNE (T. K.), 33 - - CHRISTIE (J.), 25 - - CHRISTIE (W. D.), 21 - - CHURCH (Prof. A. H.), 6 - - CHURCH (Rev. A. J.), 4, 33, 40 - - CHURCH (F. J.), 22, 40 - - CHURCH (Dean), 4, 5, 21, 34, 37 - - CLARE (G.), 30 - - CLARK (J. W.), 22 - - CLARK (L.), 3 - - CLARK (R.), 32 - - CLARK (S.), 4 - - CLARKE (C. B.), 9, 30 - - CLEVELAND (Duchess), 4 - - CLIFFORD (Ed.), 4 - - CLIFFORD (W. K.), 21, 28 - - CLIFFORD (Mrs. W. K.), 42 - - CLOUGH (A. H.), 15, 21 - - COBDEN (R.), 31 - - COHEN (J. B.), 7 - - COLENSO (J. W.), 35 - - COLERIDGE (C. R.), 20 - - COLERIDGE (S. T.), 15 - - COLLIER (Hon. John), 2 - - COLLINS (J. Churton), 21 - - COLQUHOUN (F. S.), 15 - - COLVIN (Sidney), 4, 22, 23 - - COMBE (G.), 8 - - COMMONS (J. R.), 30 - - CONGREVE (Rev. J.), 37 - - CONWAY (Hugh), 18 - - COOK (E. T.), 2 - - COOKE (C. Kinloch), 26 - - COOKE (J. P.), 7, 37 - - COOPER (E. H.), 18 - - CORBETT (J.), 4, 18, 42 - - CORFIELD (W. H.), 12 - - COSSA (L.), 30 - - COTTERILL (J. H.), 9 - - COTTON (Bishop), 37 - - COTTON (C.), 13 - - COTTON (J. S.), 31 - - COUES (E.), 43 - - COURTHOPE (W. J.), 4 - - COWELL (G.), 25 - - COWPER, 21, 22 - - COX (G. V.), 10 - - CRAIK (Mrs.), 15, 18, 21, 22, 41, 42 - - CRAIK (H.), 8, 21, 31 - - CRANE (Lucy), 42 - - CRANE (Walter), 42 - - CRAVEN (Mrs. D.), 8 - - CRAWFORD (F. M.), 18, 21 - - CREIGHTON (Bishop M.), 4, 11 - - CRICHTON-BROWNE (Sir J.), 8 - - CROSS (J. A.), 33 - - CROSSKEY (R.), 12 - - CROSSLEY (E.), 3 - - CROSSLEY (H.), 40 - - CUMMING (L.), 29 - - CUNLIFFE (J. W.), 21 - - CUNNINGHAM (C.), 31 - - CUNNINGHAM (Sir H. S.), 18 - - CUNNINGHAM (Rev. J.), 34 - - CUNNINGHAM (Rev. W), 34, 36, 37 - - CUNYNGHAME (Sir A. T.), 26 - - CURTEIS (Rev. G. H.), 35, 37 - - - DAHLSTROM (K. P.), 9 - - DAHN (F.), 18 - - DAKYNS (H. G.), 40 - - DALE (A. W. W.), 34 - - DALTON (Rev. J. N.), 40 - - DANIELL (Alfred), 29 - - DANTE, 4, 14, 40 - - DAVIES (Rev. J. Ll.), 34, 35, 37 - - DAVIES (W.), 5 - - DAWKINS (W. B.), 1 - - DAWSON (G. M.), 9 - - DAWSON (Sir J. W.), 9 - - DAWSON (W. J.), 15 - - DAY (L. B.), 18 - - DAY (R. E.), 29 - - DEFOE (D.), 4, 21, 22 - - DEIGHTON (K.), 5, 16 - - DELAMOTTE (P. H.), 2 - - DELL (E. C.), 12 - - DE MORGAN (M.), 42 - - DE VARIGNY (H.), 6 - - DE VERE (A.), 15, 21 - - DICEY (A. V.), 3, 31 - - DICKENS (C.), 5, 18, 21 - - DICKENS (M. A.), 18, 21 - - DIGGLE (Rev. J. W.), 37 - - DILKE (Ashton W.), 20 - - DILKE (Sir Charles W.), 26, 31 - - DILLWYN (E. A.), 18 - - DOBBIN (L.), 7 - - DOBSON (A.), 4 - - DONALDSON (J.), 36 - - DONISTHORPE (W.), 31 - - DOWDEN (E.), 4, 14, 17 - - DOYLE (Sir F. H.), 15 - - DOYLE (J. A.), 11 - - DRAKE (B.), 40 - - DRUMMOND (Prof. J.), 37 - - DRYDEN, 21 - - DU CANE (E. F.), 31 - - DUFF (Sir M. E. G.), 5, 21, 31, 41 - - DUNSMUIR (A.), 19 - - DÜNTZER (H.), 5 - - DURAND (Sir R.), 19 - - DYER (L.), 2, 30 - - - EADIE (J.), 4, 33, 34 - - EASTLAKE (Lady), 35 - - EBERS (G.), 19 - - ECCLES (A. S.), 25 - - EDGEWORTH (Prof. F. Y.), 30 - - EDMUNDS (Dr. W.), 24 - - EDWARDS-MOSS (Sir J. E.), 32 - - EIMER (G. H. T.), 6 - - ELDERTON (W. A.), 9 - - ELLERTON (Rev. J.), 37 - - ELLIOT (Hon. A.), 31 - - ELLIS (T.), 2 - - EMERSON (R. W.), 4, 21 - - EVANS (S.), 15 - - EVERETT (J. D.), 29 - - - FALCONER (Lanoe), 19 - - FARRAR (Archdeacon), 6, 33, 37 - - FARRER (Sir T. H.), 31 - - FAULKNER (F.), 7 - - FAWCETT (Prof. H.), 30, 32 - - FAWCETT (M. G.), 6, 31, 32 - - FAY (Amy), 26 - - FEARNLEY (W.), 30 - - FEARON (D. R.), 8 - - FERREL (W.), 30 - - FESSENDEN (C.), 29 - - FINCK (H. T.), 1 - - FINLAYSON (T. C.), 21 - - FISHER (Rev. O.), 29, 30 - - FISKE (J.), 6, 10, 27, 32, 37 - - FISON (L.), 1 - - FITCH (J. G.), 8 - - FITZ GERALD (Caroline), 15 - - FITZGERALD (Edward), 15, 21 - - FITZMAURICE (Lord E.), 5 - - FLEISCHER (E.), 7 - - FLEMING (G.), 19 - - FLOWER (Sir W. H.), 43 - - FLÜCKIGER (F. A.), 25 - - FORBES (A.), 4, 41 - - FORBES (Prof. G.), 3 - - FORBES (Rev. G. H.), 37 - - FORBES-MITCHELL (W.), 4 - - FOSTER (Prof. M.), 6, 30 - - FOTHERGILL (Dr. J. M.), 8, 25 - - FOWLE (Rev. T. W.), 31, 37 - - FOWLER (Rev. T.), 4, 28 - - FOWLER (W. W.), 2, 26 - - FOX (Dr. Wilson), 25 - - FOXWELL (Prof. H. S), 31 - - FRAMJI (D.), 10 - - FRANKLAND (P. F.), 1 - - FRASER (Bishop), 37 - - FRASER-TYTLER (C. C.), 15 - - FRAZER (J. G.), 1 - - FREEMAN (Prof. E. A.), 2, 4, 10, 11, 32, 35 - - FRENCH (G. R.), 14 - - FRIEDMANN (P.), 3 - - FROST (A. B.), 42 - - FROUDE (J. A.), 4 - - FULLERTON (W. M.), 41 - - FURNISS (Harry), 42 - - FURNIVALL (F. J.), 15 - - FYFFE (C. A.), 11 - - FYFE (H. H.), 10 - - - GAIRDNER (J.), 4 - - GAISFORD (H.), 9 - - GALTON (F.), 1 - - GAMGEE (Arthur), 30 - - GARDNER (Percy), 2 - - GARNETT (R.), 15 - - GARNETT (W.), 5 - - GASKELL (Mrs.), 12 - - GASKOIN (Mrs. H.), 33 - - GEDDES (W. D.), 14, 40 - - GEE (W. H.), 29 - - GEIKIE (Sir A.), 9, 10, 30 - - GENNADIUS (J.), 18 - - GIBBINS (H. de B.), 10 - - GIBBON (Charles), 4 - - GILCHRIST (A.), 3 - - GILES (P.), 27 - - GILMAN (N. P.), 31, 32 - - GILMORE (Rev. J.), 13 - - GLADSTONE (Dr. J. H.), 7, 8 - - GLADSTONE (W. E.), 14 - - GLAISTER (E.), 2, 8 - - GODFRAY (H.), 3 - - GODKIN (G. S.), 5 - - GOETHE, 3, 5, 15, 21 - - GOLDSMITH, 4, 12, 15, 21, 22 - - GOODALE (Prof. G. L.), 6 - - GOODFELLOW (J.), 12 - - GORDON (General C. G.), 5 - - GORDON (Lady Duff), 41 - - GORDON (H.), 29 - - GOSCHEN (Rt. Hon. G. J.), 31 - - GOSSE (Edmund), 4, 14 - - GOW (J.), 2 - - GRAHAM (D.), 15 - - GRAHAM (J. W.), 19 - - GRAND’HOMME (E.), 8 - - GRAY (Prof. Andrew), 29 - - GRAY (Asa), 6, 22 - - GRAY, 4, 15, 22 - - GRAY (J. L.), 22 - - GREEN (J. R.), 9, 11, 12, 22 - - GREEN (Mrs. J. R.), 4, 9, 11 - - GREEN (W. S.), 41 - - GREENHILL (W. A.), 22 - - GREENWOOD (F.), 22 - - GREENWOOD (J. E.), 42 - - GRENFELL (Mrs.), 8 - - GRIFFITHS (W. H.), 25 - - GRIMM, 42 - - GROVE (Sir G.), 9, 26 - - GUEST (E.), 11 - - GUEST (M. J.), 11 - - GUILLEMIN (A.), 26, 29 - - GUIZOT (F. P. G.), 6 - - GUNTON (G.), 31 - - GWATKIN (H. M.), 34 - - - HALES (J. W.), 15, 18, 21 - - HALLWARD (R. F.), 12 - - HAMERTON (P. G.), 2, 12, 22 - - HAMILTON (Prof. D. J.), 25 - - HAMILTON (J.), 37 - - HANBURY (D.), 7, 25 - - HANNAY (David), 4 - - HARDWICK (Archd. C.), 34, 37 - - HARDY (A. S.), 19 - - HARDY (T.), 19 - - HARE (A. W.), 22 - - HARE (J. C.), 37 - - HARPER (Father Thos.), 37 - - HARRIS (Rev. G. C.), 37 - - HARRISON (F.), 4, 6, 12, 22 - - HARRISON (Miss J.), 2 - - HARTE (Bret), 19 - - HARTIG (Dr. R.), 7 - - HARTLEY (Prof. W. N.), 7 - - HARWOOD (G.), 22, 32, 35 - - HAUSER (K.), 5 - - HAYES (A.), 15 - - HEADLAM (A. C.), 2 - - HEADLAM (W.), 40 - - HEAVISIDE (O.), 29 - - HELPS (Sir A.), 22 - - HEMPEL (Dr. W.), 7 - - HERODOTUS, 40 - - HERRICK, 22 - - HERRMANN (G.), 9 - - HERTEL (Dr.), 9 - - HICKIE (W. J.), 33 - - HILL (D. J.), 28 - - HILL (F. Davenport), 32 - - HILL (O.), 32 - - HIORNS (A. H.), 26 - - HOBART (Lord), 22 - - HOBDAY (E.), 9 - - HODGSON (Rev. J. T.), 5 - - HÖFFDING (Prof. H.), 28 - - HOFMANN (A. W.), 7 - - HOLE (Rev. C.), 8, 11 - - HOLIDAY (Henry), 42 - - HOLLAND (T. E.), 13, 32 - - HOLLWAY-CALTHROP (H.), 41 - - HOLMES (O. W., junr.), 13 - - HOMER, 14, 40 - - HOOD (T.), 12 - - HOOKER (Sir J. D.), 7, 41 - - HOOLE (C. H.), 33 - - HOOPER (G.), 4 - - HOOPER (W. H.), 2 - - HOPE (F. J.), 9 - - HOPKINS (E.), 15 - - HOPPUS (M. A. M.), 19 - - HORACE, 14, 21, 40 - - HORT (F. J. A.), 33, 35, 37 - - HORTON (Hon. S. D.), 31 - - HOSKEN (J. D.), 15 - - HOVENDEN (R. M.), 40 - - HOWELL (George), 31 - - HOWES (G. B.), 43 - - HOWITT (A. W.), 1 - - HOWSON (Very Rev. J. S.), 35 - - HOZIER (Col. H. M.), 26 - - HÜBNER (Baron), 41 - - HUGHES (T.), 3, 4, 5, 15, 19, 22, 41 - - HULL (E.), 2, 10 - - HULLAH (J.), 2, 23, 26 - - HUME (D.), 4 - - HUMPHRY (Prof. Sir G. M.), 30, 43 - - HUNT (W.), 11 - - HUNT (W. M.), 2 - - HUTCHINSON (G. W. C.), 2 - - HUTTON (R. H.), 4, 22 - - HUXLEY (T.), 4, 23, 28, 30, 32, 43 - - - ILLINGWORTH (Rev. J. R.), 37 - - INGRAM (T. D.), 11 - - IRELAND (A.), 23 - - IRVING (H.), 17 - - IRVING (J.), 10 - - IRVING (Washington), 13 - - - JACKSON (D. C.), 29 - - JACKSON (Helen), 19 - - JACOB (Rev. J. A.), 37 - - JAMES (Henry), 4, 19, 23 - - JAMES (Rev. H.), 37 - - JAMES (Prof. W.), 28 - - JARDINE (Rev. R.), 28 - - JEANS (Rev. G. E.), 37, 40 - - JEBB (Prof. R. C.), 4, 11, 14, 23 - - JELLETT (Rev. J. H.), 37 - - JENKS (Prof. Ed.), 32 - - JENNINGS (A. C.), 11, 33 - - JEPHSON (H.), 32 - - JEVONS (W. S.), 5, 28, 31, 32 - - JEX-BLAKE (Sophia), 8 - - JOHNSON (Amy), 29 - - JOHNSON (Samuel), 5, 14 - - JOLLEY (A. J.), 33 - - JONES (H. Arthur), 15 - - JONES (Prof. D. E.), 29 - - JONES (F.), 7 - - - KALM, 41 - - KANT, 28 - - KARI, 42 - - KAVANAGH (Rt. Hn. A. M.), 5 - - KAY (Rev. W.), 34 - - KEARY (Annie), 11, 19, 33, 42 - - KEARY (Eliza), 42 - - KEATS, 4, 22, 23 - - KELLNER (Dr. L.), 27 - - KELLOGG (Rev. S. H.), 37 - - KELVIN (Lord), 27, 29 - - KEMPE (A. B.), 29 - - KENNEDY (Prof. A. B. W.), 9 - - KENNEDY (B. H.), 40 - - KENNEDY (P.), 19 - - KEYNES (J. N.), 28, 31 - - KIEPERT (H.), 9 - - KILLEN (W. D.), 35 - - KINGSLEY (Charles), 5, 9, 11, 12, 13, 14, 16, 19, 23, 26, 35, 41, 42 - - KINGSLEY (Henry), 21, 41 - - KIPLING (J. L.), 41 - - KIPLING (Rudyard), 19 - - KIRKPATRICK (Prof.), 37 - - KLEIN (Dr. E.), 6, 25, 26 - - KNIGHT (W.), 14, 28 - - KUENEN (Prof. A.), 33 - - KYNASTON (Rev. H.), 37, 40 - - - LABBERTON (R. H.), 3 - - LAFARGUE (P.), 19 - - LAMB, 5, 22, 23 - - LANCIANI (Prof. R.), 2 - - LANDAUER (J.), 7 - - LANDOR, 4, 22 - - LANE-POOLE (S.), 22 - - LANFREY (P.), 5 - - LANG (Andrew), 13, 22, 40 - - LANG (Prof. Arnold), 43 - - LANGLEY (J. N.), 30 - - LANGMAID (T.), 9 - - LANKESTER (Prof. Ray), 6, 23 - - LASLETT (T.), 7 - - LAURIE (A. P.), 1 - - LEA (A. S.), 29 - - LEAF (W.), 14, 40 - - LEAHY (Sergeant), 32 - - LEE (M.), 20 - - LEE (S.), 21, 40 - - LEEPER (A.), 40 - - LEGGE (A. O.), 11, 37 - - LEMON (Mark), 22 - - LESLIE (G. D.), 23 - - LETHABY (W. R.), 32 - - LETHBRIDGE (Sir Roper), 5, 11 - - LEVY (Amy), 20 - - LEWIS (R.), 13 - - LIGHTFOOT (Bp.), 23, 33, 34, 36, 38 - - LIGHTWOOD (J. M.), 13 - - LINDSAY (Dr. J. A.), 25 - - LITTLEDALE (H.), 14 - - LOCKYER (J. N.), 3, 7, 30 - - LODGE (Prof. O. J.), 3, 23, 29 - - LOEWY (B.), 29 - - LOFTIE (Mrs. W. J.), 2 - - LONGFELLOW (H. W.), 22 - - LONSDALE (J.), 21, 40 - - LOWE (W. H.), 32, 33 - - LOWELL (J. R.), 13, 16, 23 - - LUBBOCK (Sir J.), 6, 7, 9, 23, 43 - - LUCAS (F.), 16 - - LUCAS (Joseph), 40 - - LUPTON (S.), 7 - - LYALL (Sir Alfred), 4 - - LYSAGHT (S. R.), 20 - - LYTE (H. C. M.), 11 - - LYTTELTON (E.), 23 - - LYTTON (Earl of), 20 - - - MACALISTER (D.), 26 - - MACARTHUR (M.), 11 - - MACAULAY (G. C.), 17, 40 - - MACAULAY (Lord), 23 - - MACCOLL (Norman), 15 - - M’COSH (Dr. J.), 28 - - MACDONALD (G.), 18 - - MACKAIL (J. W.), 40 - - MACLAGAN (Dr. T.), 25 - - MACLAREN (Rev. Alex.), 38 - - MACLAREN (Archibald), 42 - - MACLEAN (W. C.), 25 - - MACLEAR (Rev. Dr.), 32, 33, 35 - - M’LENNAN (J. F.), 1 - - M’LENNAN (Malcolm), 20 - - MACMILLAN (Rev. H.), 23, 38 - - MACMILLAN (Michael), 5, 16 - - MACNAMARA (C.), 25 - - MACQUOID (K. S.), 20 - - MADOC (F.), 20 - - MAGUIRE (J. F.), 42 - - MAHAFFY (Prof. J. P.), 2, 11, 14, 23, 28, 38, 41 - - MAITLAND (F. W.), 13, 31 - - MALET (L.), 20 - - MALORY (Sir T.), 21 - - MANSFIELD (C. B.), 7 - - MARKHAM (C. R.), 4 - - MARRIOTT (J. A. R.), 6 - - MARSHALL (Prof. A.), 31 - - MARTEL (C.), 26 - - MARTIN (Frances), 3, 42 - - MARTIN (Frederick), 31 - - MARTIN (H. N.), 43 - - MARTINEAU (H.), 6 - - MASSON (D.), 4, 5, 16, 21, 28 - - MASSON (G.), 8, 21 - - MASSON (R. O.), 18 - - MATURIN (Rev. W.), 38 - - MAUDSLEY (Dr. H.), 28 - - MAURICE (F.), 9, 23, 28, 32-35, 38 - - MAURICE (Col. F.), 4, 5, 26, 31 - - MAX MÜLLER (F.), 28 - - MAYER (A. M.), 29 - - MAYOR (J. B.), 34 - - MAYOR (Prof. J. E. B.), 3, 5 - - MAZINI (L.), 42 - - M’CORMICK (W. S.), 14 - - MELDOLA (Prof. R.), 7, 28, 30 - - MENDENHALL (T. C.), 29 - - MERCIER (Dr. C.), 25 - - MERCUR (Prof. J.), 26 - - MEREDITH (G.), 16 - - MEREDITH (L. A.), 13 - - MEYER (E. von), 7 - - MICHELET (M.), 11 - - MIERS (H. A.), 12 - - MILL (H. R.), 9 - - MILLER (R. K.), 3 - - MILLIGAN (Rev. W.), 34, 38 - - MILTON, 5, 14, 16, 21 - - MINTO (Prof. W.), 4, 20 - - MITFORD (A. B.), 20 - - MITFORD (M. R.), 13 - - MIVART (St. George), 30 - - MIXTER (W. G.), 7 - - MOHAMMAD, 22 - - MOLESWORTH (Mrs.), 42 - - MOLLOY (G.), 29 - - MONAHAN (J. H.), 13 - - MONTELIUS (O.), 1 - - MOORE (C. H.), 2 - - MOORHOUSE (Bishop), 38 - - MORISON (J. C.), 3, 4 - - MORLEY (John), 3, 4, 17, 23 - - MORRIS (Mowbray), 4, 21 - - MORRIS (R.), 21, 27 - - MORSHEAD (E. D. A.), 40 - - MOULTON (L. C.), 16 - - MUDIE (C. E.), 16 - - MUIR (M. M. P.), 7 - - MÜLLER (H.), 7 - - MULLINGER (J. B.), 11 - - MUNRO (J. E. C.), 13 - - MURPHY (J. J.), 6, 28, 38 - - MURRAY (D. Christie), 20 - - MYERS (E.), 16, 40 - - MYERS (F. W. H.), 4, 16, 23 - - MYLNE (Bishop), 38 - - - NADAL (E. S.), 23 - - NETTLESHIP (H.), 14 - - NEWCASTLE (Duke and Duchess), 22 - - NEWCOMB (S.), 3 - - NEWTON (Sir C. T.), 2 - - NICHOL (J.), 4, 14 - - NICHOLLS (H. A. A.), 1 - - NISBET (J.), 7 - - NOEL (Lady A.), 20 - - NORDENSKIÖLD (A. E.), 41 - - NORGATE (Kate), 11 - - NORRIS (W. E.), 20 - - NORTON (Charles Eliot), 3, 40 - - NORTON (Hon. Mrs.), 16, 20 - - - OLIPHANT (T. L. K.), 24, 27 - - OLIPHANT (Mrs. M. O. W.), 4, 11, 14, 20, 22, 42 - - OLIVER (Prof. D.), 7 - - OLIVER (Capt. S. P.), 41 - - OMAN (C. W.), 4 - - ORR (H. B.), 1 - - OSTWALD (Prof.), 7 - - OTTÉ (E. C.), 11 - - - PAGE (T. E.), 34 - - PALGRAVE (Sir F.), 11 - - PALGRAVE (F. T.), 2, 16, 18, 21, 22, 36, 42 - - PALGRAVE (R. H. Inglis), 30 - - PALGRAVE (W. G.), 16, 32, 41 - - PALMER (Lady S.), 20 - - PARKER (T. J.), 5, 6, 43 - - PARKER (W. K.), 5 - - PARKER (W. N.), 43 - - PARKIN (G. R.), 32 - - PARKINSON (S.), 29 - - PARKMAN (F.), 11 - - PARRY (G.), 20 - - PARSONS (Alfred), 13 - - PASTEUR (L.), 7 - - PATER (W. H.), 2, 20, 24 - - PATERSON (J.), 13 - - PATMORE (Coventry), 22, 42 - - PATTESON (J. C.), 5 - - PATTISON (Mark), 4, 5, 38 - - PAYNE (E. J.), 11, 31 - - PEABODY (C. H.), 9, 29 - - PEARSON (C. H.), 32 - - PEEL (E.), 16 - - PEILE (J.), 27 - - PELLISSIER (E.), 27 - - PENNINGTON (R.), 10 - - PENROSE (F. C.), 1 - - PERCIVAL (H. M.), 16 - - PERKINS (J. B.), 11 - - PERRY (Prof. J.), 29 - - PETTIGREW (J. B.), 7, 30, 43 - - PHILLIMORE (J. G.), 13 - - PHILLIPS (J. A.), 26 - - PHILLIPS (W. C.), 2 - - PICTON (J. A.), 24 - - PIFFARD (H. G.), 25 - - PIKE (W.), 41 - - PLATO, 22, 40 - - PLUMPTRE (Dean), 38 - - POLLARD (A. W.), 14, 40 - - POLLOCK (Sir Fk., 2nd Bart.), 5 - - POLLOCK (Sir F., Bt.), 13, 24, 31, 32 - - POLLOCK (Lady), 2 - - POLLOCK (W. H.), 2 - - POOLE (M. E.), 24 - - POOLE (R. L.), 12 - - POPE, 4, 21 - - POSTE (E.), 30, 40 - - POTTER (L.), 24 - - POTTER (R.), 38 - - PRESTON (T.), 29 - - PRICE (L. L. F. R.), 31 - - PRICKARD (A. O.), 24 - - PRINCE ALBERT VICTOR, 40 - - PRINCE GEORGE, 40 - - PROCTER (F.), 35 - - PROPERT (J. L.), 2 - - - RADCLIFFE (C. B.), 3 - - RAMSAY (W.), 7 - - RANSOME (C.), 14 - - RATHBONE (W.), 8 - - RAWLINSON (W. G.), 13 - - RAWNSLEY (H. D.), 16 - - RAY (P. K.), 28 - - RAYLEIGH (Lord), 29 - - REICHEL (Bishop), 38 - - REID (J. S.), 40 - - REMSEN (I.), 7 - - RENAN (E.), 5 - - RENDALL (Rev. F.), 34, 38 - - RENDU (M. le C.), 10 - - REYNOLDS (H. R.), 38 - - REYNOLDS (J. R.), 25 - - REYNOLDS (O.), 12 - - RHOADES (J.), 20 - - RHODES (J. F.), 12 - - RICHARDSON (B. W.), 12, 25 - - RICHEY (A. G.), 13 - - RITCHIE (A.), 5 - - ROBINSON (Preb. H. G.), 38 - - ROBINSON (J. L.), 27 - - ROBINSON (Matthew), 5 - - ROCHESTER (Bishop of), 5 - - ROCKSTRO (W. S.), 5 - - ROGERS (J. E. T.), 12, 32 - - ROMANES (G. J.), 6 - - ROSCOE (Sir H. E.), 7, 8 - - ROSCOE (W. C.), 16 - - ROSEBERY (Earl of), 4 - - ROSEVEAR (E.), 8 - - ROSS (P.), 20 - - ROSSETTI (C. G.), 16, 43 - - ROUTLEDGE (J.), 32 - - ROWE (F. J.), 17 - - RÜCKER (Prof. A. W.), 8 - - RUMFORD (Count), 24 - - RUSHBROOKE (W. G.), 33 - - RUSSELL (Dean), 38 - - RUSSELL (Sir Charles), 32 - - RUSSELL (W. Clark), 4, 20 - - RYLAND (F.), 14 - - RYLE (Prof. H. E.), 33, 38 - - - ST. JOHNSTON (A.), 20, 41, 43 - - SADLER (H.), 3 - - SAINTSBURY (G.), 4, 14 - - SALMON (Rev. G.), 38 - - SANDFORD (Bishop), 38 - - SANDFORD (M. E.), 5 - - SANDYS (J. E.), 41 - - SAYCE (A. H.), 12 - - SCAIFE (W. B.), 24 - - SCARTAZZINI (G. A.), 14 - - SCHLIEMANN (Dr.), 2 - - SCHORLEMMER (C.), 7 - - SCOTT (Sir W.), 16, 21 - - SCRATCHLEY (Sir Peter), 26 - - SCUDDER (S. H.), 43 - - SEATON (Dr. E. C.), 25 - - SEELEY (J. R.), 12 - - SEILER (Dr. Carl), 25, 30 - - SELBORNE (Earl of), 22, 35, 36 - - SELLERS (E.), 2 - - SERVICE (J.), 35, 38 - - SEWELL (E. M.), 12 - - SHADWELL (C. L.), 40 - - SHAIRP (J. C.), 4, 16 - - SHAKESPEARE, 14, 16, 21, 22 - - SHANN (G.), 9, 29 - - SHARP (W.), 5 - - SHELLEY, 17, 22 - - SHIRLEY (W. N.), 38 - - SHORTHOUSE (J. H.), 20 - - SHORTLAND (Admiral), 27 - - SHUCHHARDT (Carl), 2 - - SHUCKBURGH (E. S.), 12, 40 - - SHUFELDT (R. W.), 43 - - SIBSON (Dr. F.), 25 - - SIDGWICK (Prof. H.), 28, 31, 32 - - SIME (J.), 9, 11 - - SIMPSON (Rev. W.), 35 - - SKEAT (W. W.), 14 - - SKRINE (J. H.), 5 - - SLADE (J. H.), 9 - - SLEEMAN (L.), 41 - - SLOMAN (Rev. A.), 34 - - SMART (W.), 31 - - SMALLEY (G. W.), 24 - - SMETHAM (J. and S.), 5 - - SMITH (A.), 21 - - SMITH (C. B.), 17 - - SMITH (Goldw.), 4, 6, 18, 24, 32, 41 - - SMITH (H.), 17 - - SMITH (J.), 7 - - SMITH (Rev. T.), 38 - - SMITH (W. G.), 7 - - SMITH (W. S.), 39 - - SOMERVILLE (Prof. W.), 7 - - SOUTHEY, 5 - - SPENDER (J. K.), 25 - - SPENSER, 17, 21 - - SPOTTISWOODE (W.), 29 - - STANLEY (Dean), 39 - - STANLEY (Hon. Maude), 32 - - STATHAM (R.), 32 - - STEBBING (W.), 4 - - STEEL (F. A.), 20 - - STEPHEN (C. 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B.), 8 - - TEMPLE (Bishop), 39 - - TEMPLE (Sir R.), 4 - - TENNANT (Dorothy), 42 - - TENNIEL, 42 - - TENNYSON, 14, 17,22 - - TENNYSON (Frederick), 17 - - TENNYSON (Hallam), 13, 43 - - THEODOLI (Marchesa), 20 - - THOMPSON (D’A. W.), 7 - - THOMPSON (E.), 11 - - THOMPSON (H. M.), 31 - - THOMPSON (S. P.), 29 - - THOMSON (A. W.), 9 - - THOMSON (Sir C. W.), 43 - - THOMSON (Hugh), 12 - - THORNE (Dr. Thorne), 25 - - THORNTON (J.), 6 - - THORNTON (W. T.), 28, 32, 40 - - THORPE (T. E.), 8 - - THRING (E.), 9, 24 - - THRUPP (J. F.), 33 - - THURSFIELD (J. R.), 4 - - TODHUNTER (I.), 5 - - TORRENS (W. M.), 5 - - TOURGÉNIEF (I. S.), 20 - - TOUT (T. F.), 4, 12 - - TOZER (H. F.), 9 - - TRAILL (H. D.), 4, 31 - - TRENCH (Capt. F.), 32 - - TRENCH (Archbishop), 39 - - TREVELYAN (Sir G. O.), 12 - - TRIBE (A.), 7 - - TRISTRAM (W. O.), 13 - - TROLLOPE (A.), 4 - - TRUMAN (J.), 17 - - TUCKER (T. G.), 39 - - TUCKWELL (W.), 5 - - TUFTS (J. H.), 28 - - TULLOCH (Principal), 39 - - TURNER (C. 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You may copy it, give it away or re-use it under the terms of -the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you'll have -to check the laws of the country where you are located before using this ebook. - -Title: A Valiant Ignorance; vol 3 of 3 - A Novel in Three Volumes - -Author: Mary Angela Dickens - -Release Date: September 14, 2017 [EBook #55550] - -Language: English - -Character set encoding: UTF-8 - -*** START OF THIS PROJECT GUTENBERG EBOOK A VALIANT IGNORANCE; VOL 3 OF 3 *** - - - - -Produced by MFR and the Online Distributed Proofreading -Team at http://www.pgdp.net (This file was produced from -images generously made available by The Internet Archive) - - - - - - -</pre> - - -<hr class="full" /> - -<div class="figcenter"> -<a href="images/cover_lg.jpg"> -<img src="images/cover.jpg" width="358" height="500" alt="" title="" /></a> -</div> - -<p class="center">A VALIANT IGNORANCE</p> - -<p class="center larger">A<br /> -<br /> -VALIANT IGNORANCE</p> - -<p class="center"> -<span class="gothic">A Novel</span><br /> -<br /><br /> -BY<br /> -<br /> -MARY ANGELA DICKENS<br /> -<br /> -<span class="smaller">AUTHOR OF “CROSS CURRENTS,” “A MERE CYPHER,” ETC.</span></p> - -<div class="poetry-container"> -<div class="poetry"> -<div class="stanza"> -<div class="verse">“Thy gold is brass!”</div> -<div class="verse i5"><span class="smcap">Prince Hohenstiel Schwangau</span></div> -</div> -</div> -</div> - -<p class="center"><i>IN THREE VOLUMES</i><br /> -<br /> -VOL. III.<br /> -<br /> -<span class="gothic">London</span><br /> -MACMILLAN & CO.<br /> -AND NEW YORK<br /> -1894<br /> -</p> - -<p class="chp"> -<a href="#CHAPTER_I"><span class="smcap">Chapter</span> I, </a> -<a href="#CHAPTER_II">II, </a> -<a href="#CHAPTER_III">III, </a> -<a href="#CHAPTER_IV">IV, </a> -<a href="#CHAPTER_V">V, </a> -<a href="#CHAPTER_VI">VI, </a> -<a href="#CHAPTER_VII">VII, </a> -<a href="#CHAPTER_VIII">VIII, </a> -<a href="#CHAPTER_IX">IX, </a> -<a href="#CHAPTER_X">X, </a> -<a href="#CHAPTER_XI">XI, </a> -<a href="#CHAPTER_XII">XII, </a> -<a href="#CHAPTER_XIII">XIII, </a> -<a href="#CHAPTER_XIV">XIV,</a> -<a href="#CHAPTER_XV">XV,</a> -<a href="#CHAPTER_XVI">XVI.</a> -</p> - -<p><span class="pagenum"><a name="Page_1" id="Page_1">{1}</a></span></p> - -<h1>A VALIANT IGNORANCE</h1> - -<h2 id="CHAPTER_I">CHAPTER I</h2> - -<p class="noindent"><span class="smcap">It</span> was not generally known among his -acquaintances that Marston Loring had come -back from Africa accompanied by a new -friend; this new friend was not introduced -by Loring at either of his clubs, and yet the -two met at least once every day. He was a -man named Alfred Ramsay; a small, insignificant-looking -man, with sandy hair, which -had turned—in streaks—the peculiar grey -which such hair assumes, and small, dull -eyes that never seemed to move in his head.</p> - -<p>It was nearly three o’clock on the afternoon -following that on which Loring had -called on Mrs. Romayne, and he and his -new friend were together in his chambers -in the Temple. Mr. Ramsay had been there -several times before, and he was sitting now -in an arm-chair in the sunshine with an air<span class="pagenum"><a name="Page_2" id="Page_2">{2}</a></span> -of total want of interest in his surroundings, -which was characteristic of him. Loring -was walking up and down the room thoughtfully.</p> - -<p>“Romayne!” observed Ramsay. “Not -a particularly good name on the market! It -belonged to a first-class swindler twenty years -ago—William Romayne. This young gentleman -is no connexion, I suppose?”</p> - -<p>The remark broke a short silence, and -Loring stopped in his walk and leant back -against the mantelpiece as he answered.</p> - -<p>“Yes,” he said tersely, “he’s his son. -He has never been in his father’s line, though—I -doubt whether he knows anything about -him, though it’s an odd thing that he -shouldn’t! As to the name, why, it’s an old -story, and won’t affect any one nowadays, -I take it. The point is that he has this -respectable capital, and is—exceedingly keen -on increasing it.”</p> - -<p>There was a dryness in Loring’s voice as -he said the last words, which implied a great -deal more than did his words. And it was -apparently to that significance that the other -man replied.</p> - -<p><span class="pagenum"><a name="Page_3" id="Page_3">{3}</a></span></p> - -<p>“A chip of the old block,” said Ramsay -musingly. “I wonder, now, how far it goes?”</p> - -<p>The last words were spoken very slowly, -and the dull eyes looked straight before them.</p> - -<p>Loring looked down at him with a cynical -smile just touching his lips. He knew considerably -more about his new friend’s character -than he would have chosen to put into -words, and he could guess, not inaccurately, -what was passing in his mind at the moment. -And the realisation of the shadowy possibilities -with which Ramsay was occupied was no -part of Marston Loring’s designs. He made -no direct answer.</p> - -<p>“He should be here by this time,” he said -carelessly.</p> - -<p>And as he spoke there was a sharp, cheery -rap at the door; it opened quickly, and -Julian Romayne appeared, very boyish, very -good-looking, and with a curious, veiled -keenness in his eyes.</p> - -<p>“We were just expecting you,” said -Loring, greeting him with a friendly nod. -“Let me introduce you to Mr. Alfred Ramsay.”</p> - -<p>Mr. Alfred Ramsay had risen to honour -the introduction, turning his whole head<span class="pagenum"><a name="Page_4" id="Page_4">{4}</a></span> -slowly round as he looked at Julian, so that -his eyes still gazed straight before them as -they rested on the young man’s face.</p> - -<p>“Pleased to know you,” he said indifferently.</p> - -<p>“Very glad to make your acquaintance,” -responded Julian pleasantly. “I hope I’m -not behind time?”</p> - -<p>“Pretty fair,” said Loring, laying his -hand on the young man’s shoulder with -kindly patronage. “But Ramsay is a busy -man, you know, so suppose we get to business -at once. Ramsay,” he continued, in a brisk, -businesslike voice, as the three sat down -about the table, “Romayne knows nothing -of the affair whatever. I shall begin by -running over the preliminaries with him. -And, first of all,” he went on, turning to -Julian, “of course it is understood, Romayne, -that we keep the matter to ourselves.”</p> - -<p>He spoke in a curt, off-hand manner, -and as Julian made a quick gesture of -acquiescence, he went on in the same businesslike -tone.</p> - -<p>“I don’t know whether you know anything -about the Welcome Diamond Mining<span class="pagenum"><a name="Page_5" id="Page_5">{5}</a></span> -Company?” he said. “Probably not. It -was floated about this time last year, and -the greater part of the business came into -my hands. The shares were taken up all -right, but—well, it didn’t come to anything, -and its affairs had something to do with -my going out to the Cape. It was in connection -with those same affairs that I and -Ramsay met.”</p> - -<p>Julian had listened so far with a clouded -countenance, and now, as Loring paused, he -leant back in his chair with a movement of -irrepressible disappointment.</p> - -<p>“Oh!” he said shortly. “It’s a mine, -then?”</p> - -<p>“There is a mine in connection with it,” -replied Loring imperturbably. “But you -need not trouble yourself about the mine. -That is only the figure-head, you understand. -The affair itself is a matter of—arrangement. -Look here, Romayne,” he went on, as Julian -leant suddenly forward across the table, -“shares in the Welcome Diamond Mining -Company are at this moment worth about five -shillings each.”</p> - -<p>He paused. He had been leaning carelessly<span class="pagenum"><a name="Page_6" id="Page_6">{6}</a></span> -back in his chair, and now he moved, uncrossing -his legs, and leaning one arm on the -table.</p> - -<p>“In a few days,” he went on deliberately -and significantly, “they will fall to two -shillings.” He paused again, with a slight, -matter-of-course gesture. “That will be -worked, of course,” he said.</p> - -<p>Julian nodded comprehension.</p> - -<p>“Yes?” he said.</p> - -<p>“At that price,” continued Loring, “all -the shares will be bought up by two or three -men, in consequence of private information -received from the Cape.”</p> - -<p>The last words came from Loring slowly -and deliberately, and his eyes met Julian’s -significantly. A quick flash of understanding -passed across Julian’s face, and Loring continued -easily:</p> - -<p>“Reports to this effect will get about. -The fact of the presence in London of a -mining engineer from the vicinity of the -Welcome will also get about. Perhaps he -may allow himself to be interviewed, you -know—nothing definite, of course. The -shares will go up with a run.”</p> - -<p><span class="pagenum"><a name="Page_7" id="Page_7">{7}</a></span></p> - -<p>He paused, and Julian threw himself back -in his chair, tapping the table meditatively -with one hand. His gaze was fixed upon the -wall just over Loring’s head, and there was a -curious expression on his face which combined -the keen matter-of-fact calculation of the -habitual speculator with a certain unconscious -gleam of hungry excitement which was -eloquent of youth and inexperience. A -minute or two passed, during which Mr. -Ramsay’s eyes rested indifferently on the -young man’s face, and then Julian spoke. -His voice, also, in spite of his evident attempt -at emulation of Loring’s businesslike nonchalance, -was just touched by that youthful -incapacity for holding keen personal interest -in abeyance.</p> - -<p>“And the private information received -from the Cape will be supplied——?” he said -interrogatively.</p> - -<p>“Will be supplied by Ramsay,” returned -Loring.</p> - -<p>The words were spoken with the slightest -possible movement of the eyelids. Julian -made a quick gesture of comprehension, and -there was a moment’s silence. Then Loring<span class="pagenum"><a name="Page_8" id="Page_8">{8}</a></span> -went on crisply, darting a quick glance at -Julian’s face in its calculating eagerness.</p> - -<p>“In a private speculation of this kind, of -course, it is a case of working together and -share and share alike. Now, we propose—Ramsay -and I, you understand—to make up -a joint capital for the purchase of these -shares. We are prepared to put into it fifteen -thousand pounds between us, and we want -another ten thousand at least. If you are -prepared to put in that sum, or more, on -the understanding that the profits—after -each man has received back his original -investment—are divided into three equal -shares, we are willing to take you in with -us.”</p> - -<p>Julian looked up at him quickly.</p> - -<p>“Into three equal shares?” he said, -with a stress on the adjective.</p> - -<p>“Into three equal shares,” returned -Loring drily. “Capital is not the sole requisite -in this affair, and the other factors are -supplied by Ramsay and myself.”</p> - -<p>A dark flush mounted to Julian’s forehead, -and the avidity in his eyes developed.</p> - -<p>“It’s a large order, though,” he said. “I<span class="pagenum"><a name="Page_9" id="Page_9">{9}</a></span> -don’t quite see where I come in at that rate, -after all.”</p> - -<p>Loring leant back in his chair and looked -him full in the face.</p> - -<p>“You can please yourself, of course,” -he said. “Take it or leave it. You will -come in to the tune of something like thirty -thousand. If you see your way to trebling -your capital by any other means, do so. Lots -of fellows will be glad to take your place -with us.”</p> - -<p>Julian’s eyes gleamed greedily, and he -wavered obviously.</p> - -<p>“Those are your final terms?” he said.</p> - -<p>“Our final terms,” said Loring concisely, -looking at Ramsay, who nodded nonchalantly -in confirmation of the words.</p> - -<p>A silence ensued. Julian sat staring down -at the table, his brows knit, evidently in close -thought. At last he glanced up suddenly at -the two men who had been waiting carelessly -for his decision.</p> - -<p>“I call it rather rough,” he said brusquely; -“but—all right. If the thing looks all right -when you’ve trotted it out, I accept.”</p> - -<p>He passed on instantly, with a brief, telling<span class="pagenum"><a name="Page_10" id="Page_10">{10}</a></span> -question, to the inner working of the -scheme.</p> - -<p>There is perhaps nothing by which self-revelation -is more frankly and unconsciously -made than through the means by which a man -may be most easily roused to enthusiasm. Enthusiasm—a -genuine quickening of his mental -pulses, even—had been a condition of things -practically unknown to the easy-going, commonplace -Julian Romayne of a year before; but -in the course of the last two months he had -experienced it often. To hear of large sums -of money, large profits, rapid returns on -striking investments, touched him, instinctively, -as a record of artistic achievements -will touch an artist, as triumphs of research -will touch an historian, as prodigies of physical -prowess will touch an athlete. And as Loring -answered him now, and went on with fuller -and more technical detail, his face changed -strikingly. His eyes brightened, and an eager, -fascinated light came into them; he leant -farther forward, listening, commenting, questioning, -with quick and always increasing -excitement.</p> - -<p>Half an hour passed, and still the three men<span class="pagenum"><a name="Page_11" id="Page_11">{11}</a></span> -sat about the table, talking in terse, businesslike -fashion; three-quarters of an hour, an -hour. At the end of that time, Julian, his -face flushed and eager, his eyes glistening and -sparkling, his hand absolutely shaking with -excitement, was holding that hand out to -Mr. Ramsay with a gesture which witnessed -to the work of that hour, as volumes could -not have done. As far as words went, he and -Mr. Ramsay had hardly exchanged three -sentences; it was the bond that lay behind -the words that had drawn them together. -Mr. Ramsay had spoken very little, indeed, -but his silent presence had never for a moment -seemed superfluous, or without a certain indefinite -weight; and there was a dull approval -in his slow eyes now as he turned them on the -young man.</p> - -<p>“We’ve settled so much, then,” said -Julian, in a quick, familiar way, “and we -meet here on Thursday at two. Until -then——” He turned to Loring, and -stretched out his hand eagerly. “Thanks, -old man,” he said in a low, quick voice. -“Thanks.”</p> - -<p><span class="pagenum"><a name="Page_12" id="Page_12">{12}</a></span></p> - -<h2 id="CHAPTER_II">CHAPTER II</h2> - -<p class="noindent"><span class="smcap">Miss</span> Pomeroy’s visit to Mrs. Romayne was -postponed for a fortnight. At one time, -indeed, it seemed not impossible that Mrs. -Pomeroy’s visit to her sister in Devonshire -might be postponed indefinitely, and Mrs. -Romayne was charmingly inconsolable over -her prospective disappointment.</p> - -<p>It was a delightful thing to have a girl -in the house! Mrs. Romayne made the -discovery and the statement as the very -first evening of Miss Pomeroy’s stay with -her drew to a close. And certainly, the -evening, signalised by a little dinner-party, -had been pleasant enough to warrant satisfaction. -Julian had been in the best possible -spirits, elated apparently by the presence of -his mother’s visitor, at whose side he was -to be found whenever his duties as host<span class="pagenum"><a name="Page_13" id="Page_13">{13}</a></span> -allowed such concentration of his attention. -Miss Pomeroy herself had been a model of -gentle amiability, and had looked more than -usually bright and pretty. Loring, who had -made one of the dinner guests, had also -been at his best and most amusing. No -conversation of any length had, of course, been -possible between him and his hostess; but -a quick, low-toned word or two passed -between them in the movement that ensued -upon the reappearance of the men in the -drawing-room after dinner.</p> - -<p>And on the tone of that first evening, -that of the fortnight into which Miss -Pomeroy’s stay lengthened itself was modelled. -They were very dissipated, Mrs. Romayne -asserted laughingly; and she further declared -that she had never enjoyed dissipation so -much. Julian’s hard-working impulses seemed -to be in partial abeyance for the time being; -their demands on him, though peremptory -when they did occur, did not prevent a -great deal of attendance on his mother and -her guest. Loring also seemed hardly to -have settled back into his usual routine, -and frequently made one of the party. His<span class="pagenum"><a name="Page_14" id="Page_14">{14}</a></span> -appearance on the scene, and the recognition -of that compact between them which he -never failed to make, either by a glance or -a few quiet words, were never without a -certain effect on Mrs. Romayne; not on her -spirits, for they never varied in their gaiety; -but on a hard restlessness in her eyes, always -lessened for the moment by that look or -word from Loring.</p> - -<p>The last day of June was also the last -day of Mrs. Pomeroy’s absence from London, -and it was, moreover, the day fixed for a -certain dance which was to stand out from -all the other dances of the season. The -givers of this dance were parvenus of the -most pronounced type, and during the past -three seasons, they had paid their way into -London society by spending fortunes on the -entertainments they gave. This season they -had issued cards of invitation, on which -each guest was requested to wear mediæval -Florentine dress, and it had been whispered -abroad that thousands were to be spent in -providing such a setting for these costumes -as should eclipse anything hitherto seen. -Fortunately for the projectors—and nobody<span class="pagenum"><a name="Page_15" id="Page_15">{15}</a></span> -knew better than they how absolutely impossible -it was to calculate in such a matter—the -idea caught society’s fancy; it was -taken up with the wild enthusiasm which -alternates in the modern mind with blank -indifference; and as every one with an -invitation had spent some three weeks in -ardent consideration of his or her dress for -the occasion, that occasion had acquired a -fictitious importance of a colossal nature, -and was absolutely looked forward to as -promising something quite unusual—and -equally indefinite—in the way of amusement.</p> - -<p>The whole thing had evidently been -arranged, Mrs. Romayne declared gaily, to -give a final touch of triumph to the end -of Maud Pomeroy’s visit to her. It was -about four o’clock in the afternoon of the -day in question, and she and Miss Pomeroy, -with Julian as escort, were taking what she -described as “a little turn” in the Park -when she expressed this opinion. It was -a perfect June afternoon, the Park was very -full, and all three seemed to be exhilarated -either by the sunshine, the movement, or -the prospect of the evening. The fortnight’s<span class="pagenum"><a name="Page_16" id="Page_16">{16}</a></span> -intimate association with her present companions -had apparently had no effect whatever -upon Miss Pomeroy’s demure conventionality -of manner, but her word was readier than -usual, and her expression was brighter; Mrs. -Romayne talked and laughed and kept the -ball of chatter going; and about Julian’s -hilarity there was a touch of excitement -which was a characteristic which had grown -upon him markedly in the course of the last -month. He turned upon his mother, protesting -gaily.</p> - -<p>“That’s much too depressing a point -of view,” he said. “It forces on us exactly -what we want to forget—that it is the end. -Now, I’ve made up my mind to cut the -connection between to-night and both -yesterday and to-morrow, and enjoy myself -tremendously.”</p> - -<p>“And is ‘cutting the connection’—it -sounds as if something might blow up—an -indispensable preliminary?” laughed Mrs. -Romayne.</p> - -<p>“Why, of course.” He glanced at Miss -Pomeroy as he spoke, and the colour deepened -in her cheeks by just a shade as she turned<span class="pagenum"><a name="Page_17" id="Page_17">{17}</a></span> -to Mrs. Romayne and said, with one of -her little smiles and a rather poor attempt -at mock confidence:</p> - -<p>“Mr. Romayne wants to forget the -terrific anxiety which he has already suffered -over that gorgeous dress of his, and the -terrific bill from which he has still to -suffer.”</p> - -<p>Julian’s protestations were as eager and -boyish in manner as they were delicate and -skilful in matter, and Mrs. Romayne broke -in upon them with a laughing apology and -a request that Julian would tell the coachman -to turn out into Piccadilly and drive -to a house in Grosvenor Place. Julian gave -the order, and added to it:</p> - -<p>“You can pull up when you get out of -the Park.”</p> - -<p>Mrs. Romayne took up the words instantly.</p> - -<p>“Are you not coming with us, bad boy?” -she said. “Come and help us pay one call, -at any rate. We are going straight home -after that to prepare ourselves for the -triumphs of the evening by a little refreshing -laziness, are we not, Maud?”</p> - -<p>“I should like to immensely!” returned<span class="pagenum"><a name="Page_18" id="Page_18">{18}</a></span> -Julian ardently as Miss Pomeroy smiled a -response. “But I’m afraid I must go down -to the club. I promised to meet Loring -there! Dinner at eight, I suppose?” he -added as the carriage drew up and he jumped -out.</p> - -<p>He stepped back on the pavement, lifting -his hat as the carriage drove off. Then he -jumped into a hansom and gave the word to -drive, not to the club but to the Temple. -Arrived there he ran upstairs, the excitement -about him gaining ground moment by moment, -to Marston Loring’s rooms. Loring was there -alone. He was seated at the writing-table -writing rapidly, his face keen and intent, and -he suspended his work for an instant only as -he glanced up on the opening of the door and -nodded a greeting.</p> - -<p>Julian’s life for the last month had been -lived at that high pressure which is only produced -in a man by the consciousness that -he has burnt his ships. Every shilling that -he had accumulated during the previous six -months was invested in the scheme propounded -to him a month ago by Marston -Loring; and the history of his real life during<span class="pagenum"><a name="Page_19" id="Page_19">{19}</a></span> -the interval would have been a history of -the stages through which that scheme had -passed. The affairs of the Welcome Diamond -Mining Company had followed precisely the -course indicated by Loring during that first -interview on the subject between Loring, -Ramsay, and Julian. Shortly after that interview -“Welcomes” had fallen to a nominal -price; they had then been bought up -according to arrangement. A slight rise -had followed as a matter of course, followed -by an interval of vacillation, and a slow -succession of trifling advances, which had -again been succeeded by a period of quiet.</p> - -<p>So far the excitement with which every -hour had been instinct for Julian had been -the excitement of preparation solely; the -ground had been tilled and the seed sown. -And what that soil was in which he had -sown his seed; what were the characteristics -that were to prove so stimulating; it was -not in him to consider. He was perfectly -well aware of the nature of the transaction -in which he was engaged; he had understood -at the outset that the “private information -received from the Cape” on which the shares<span class="pagenum"><a name="Page_20" id="Page_20">{20}</a></span> -were to be bought up was a “put up thing,” -as he would have expressed it, between Ramsay -and Marston Loring; and the knowledge -affected him not at all. That black thread -in the warp of his character was running -strong and deep now, and to such considerations -his sensibilities were absolutely -dormant.</p> - -<p>“Well?” The monosyllable broke from -him eager and impetuous, as though it contained -the pent-up suspense and excitement -of hours. He had come up rapidly to Loring’s -side, and the latter, without lifting his eyes, -signed to an evening paper which lay on the -table as he said briefly:</p> - -<p>“All right!”</p> - -<p>Julian’s face turned quite white; he -snatched up the paper and turned with -breathless eagerness to the column devoted -to the money market.</p> - -<p>“Welcome Diamond Company Shares.”</p> - -<p>The blue eyes seemed to leap at the line -and fasten on it with a hungry avidity pitiful -to see, and he stood there gazing at it with -glittering, fascinated eyes, with a curious -stillness upon him from head to foot, as<span class="pagenum"><a name="Page_21" id="Page_21">{21}</a></span> -though all remembrance of his actual surroundings, -all thought even of Loring, had -faded. Nearly five minutes had passed when -Loring laid down his pen and leant back in -his chair, turning a little that he might fix -his eyes on Julian as he stood rather behind -him.</p> - -<p>“Pretty fair?” he said carelessly.</p> - -<p>Julian lifted his eyes from the paper and -turned his white face to Loring. He nodded -as though the feelings of the moment were -not to be put into speech, and then the slow, -deep colour of excitement began to creep over -his features.</p> - -<p>“Have you seen Ramsay?” he said in a -low, quick voice.</p> - -<p>“Saw him this morning. He told me -things were beginning to move. It was that -paragraph yesterday that did it!”</p> - -<p>“And what about keeping it up?” said -Julian. “This is the ticklish moment, I take -it! What’s the next move?”</p> - -<p>He had thrown himself into a chair as -he spoke; his voice was jerking with eagerness, -as though some of his excitement were -finding expression. Loring looked at him for<span class="pagenum"><a name="Page_22" id="Page_22">{22}</a></span> -an instant before he answered. He was asking -himself a question which had formulated itself -in his mind more than once in the last month; -namely, was it merely the influence of his -blood which made young Romayne so keen -a speculator; or was there something concealed -in the background of his life which -made money a desperate necessity with -him?</p> - -<p>“This is the next move,” he answered, -indicating the sheets of manuscript paper -which lay before him. “This will be in -one or two of the papers to-morrow, and -if I’m not mistaken it will have a big -effect!”</p> - -<p>Julian stretched out his hand impulsively -for the sheets and ran through them, now -and then breaking into an eager comment; -and as he finished he rose impetuously and -began to pace excitedly up and down the -room. His face was flushed now, and his eyes -glowing.</p> - -<p>“Yes, that ought to take us a long way!” -he said. “And Ramsay backing it up all the -while, of course? Loring, what do you make -of it? An affair of—weeks?”</p> - -<p><span class="pagenum"><a name="Page_23" id="Page_23">{23}</a></span></p> - -<p>“An affair of two or three weeks, all -told!” returned Loring nonchalantly. “The -inside of a month ought to put the best part -of thirty thousand into each of our pockets, -my boy.”</p> - -<p>He rose as he spoke, and gathered together -the sheets of manuscript, but as he did so -his quick ear caught a strange, sharp catch -in Julian’s breath. He fastened up the papers, -and directed them with another of those slight -smiles, and then turned again to the younger -man. Julian was standing at the window -staring almost stupidly out.</p> - -<p>“I’m going to turn you out now!” said -Loring lightly. “Coming down to the club -with me?”</p> - -<p>Julian turned round, but the words -seemed to penetrate slowly to his consciousness.</p> - -<p>“No!” he said at last. “No, thanks, old -man. I—I’m going to get home.”</p> - -<p>He had to go to his own chambers first, -it appeared, however, and Loring left him -with a careless “All right! See you to-night, -of course!”</p> - -<p>The sunshine had left Julian’s room, bright<span class="pagenum"><a name="Page_24" id="Page_24">{24}</a></span> -as it still was outside, and it looked, perhaps, -the darker by contrast as he opened the door -and shut himself in alone. He paused a -moment, with his hand on the lock, and then -walked aimlessly across to the writing-table -and sat down. There was a pale, dazed look -about him.</p> - -<p>The line in the evening paper at which -he had gazed with such devouring eyes had -chronicled the first important rise of those -shares on which his hopes were staked; -chronicled, in fact, the beginning of the end. -As he sat there alone, the words seemed to -stand out all about him; to meet his eyes -in every direction; and it was little wonder -that, as he realised that the seed so eagerly -sown had indeed broken ground at last, the -perfect fruit seemed to be already in his hand, -and he was dazed and intoxicated with anticipated -triumph. He had the blood of a -speculator and a gambler in his veins, and -as he sprang up suddenly from his chair and -began to pace up and down the room, it was -the surging of the speculator’s instinct that -flushed his face and glittered in his eyes; the -rioting of that money passion which, to the<span class="pagenum"><a name="Page_25" id="Page_25">{25}</a></span> -man who has never felt its fever, is the -strangest and most repulsive—as it is the -most abnormal—of all passions.</p> - -<p>But little by little, without volition or -even consciousness on his part, the current -of his thoughts changed. Gradually that -greedy, tumultuous contemplation of money -as an end wavered, altered into a contemplation -of money as a means, into a passing over -of that means in the realisation of the end -which it was to bring about. He was thinking -of Clemence, thinking of her in a tumult of -excitement in which the goading of that two-edged -dart of love and shame which quivered -always in his better nature was absolutely -unfelt; thinking of her in a very hallucination -of intoxicated triumph. He was living out -with her a future life of triumphant satisfaction; -a life so utterly incompatible with the -facts of the case, with all that had come and -gone, and must still come and go, as to be -a most pathetic imagining; when the sound -of a clock striking brought him suddenly to -himself.</p> - -<p>His first conscious thought was a certain -vague surprise at his surroundings; as far<span class="pagenum"><a name="Page_26" id="Page_26">{26}</a></span> -as externals went he had left Loring’s room -and had come to his own like a man walking -in his sleep. Then he realised the nature -of the sound that had roused him, and drew -out his watch to see what hour it was that -had struck. It was seven, and the fact, with -the pressing necessity for his return home -which it involved, gave a turn to the current -of his thoughts by which, without changing -their main character, they were blended in -with the actual practicalities of the moment. -He thought of his mother with a certain bitter -triumph. “It’s not for long,” he said to -himself, “not for long now.” His mind ran -on over the details of the evening before him; -the little dinner—“only ourselves,” Mrs. -Romayne had said gaily; the artificialities -that would pass between himself and his -mother; the effective flirtation which he -would have to keep up with Miss Pomeroy—the -flirtation which in the excitement of -the past month he had carried on recklessly. -And then with his hand on the -door he stopped abruptly—stopped and stood -quite still with a strange, defiant recklessness -growing in his face. Whether it was some<span class="pagenum"><a name="Page_27" id="Page_27">{27}</a></span> -curious effect of the tumult through which -he had passed, whether it originated in those -jubilant visions of Clemence from which he -had so recently awakened, it is not possible -to say. But on that instant there had risen -within him an impulse of fierce, overmastering -repulsion against his mother, against Miss -Pomeroy, against the part he had chosen to -play. Almost before he had realised the -sudden sense of overwhelming revolt and -distaste which had seized him, its obverse was -upon him. Clemence! To see Clemence! To -speak to Clemence! To satisfy the hungry -longing which, for the moment, seemed absolutely -to possess him!</p> - -<p>Such a longing, in various forms and -degrees, had shaken and torn him often before, -but hitherto something—some influence from -Clemence’s own words, some jarring and -throbbing of that better nature in himself—had -held him back. But now, strung up and -carried out of himself by his excitement, he -was impervious to all considerations save that -of his own overmastering craving. The end was -very near now, he told himself. It was a -question of a week or two only. He must<span class="pagenum"><a name="Page_28" id="Page_28">{28}</a></span> -see her; she herself would see that it was -only reasonable that he should see her!</p> - -<p>His plans were laid in the passing of a -few seconds. The only address Clemence had -given him was that of the house of business -where she worked—where she had worked -when he met her first—his only chance -of seeing her lay in meeting her when she -left her work at night. He would not go -home to dinner, he decided; he would telegraph -to his mother, and dine at a quiet -restaurant. That would bring him, as he -knew well enough, to the earliest hour at -which the “hands,” of whom Clemence made -one, were likely to be released, and he would -wait in the little by-street in which the -“hands’” entrance was situated until she -came.</p> - -<p>He went out of the room with a quick, -assured step, sent off his telegram—a brief -“Detained. Inconsolable”—from an office -in Fleet Street, and then, carefully avoiding -the fashionable resorts, he walked to the -restaurant he had mentally selected.</p> - -<p>The little street which, for some scores of -men and women, formed the picture evoked<span class="pagenum"><a name="Page_29" id="Page_29">{29}</a></span> -by a name which, for the shopping population -of London, involved a mental vision of a -busy thoroughfare and a considerable expanse -of plate-glass windows, ran parallel to that -thoroughfare, divided from it only by a long -block of buildings; and bearing in mind the -slight nature of the division between the -two, the contrast presented was almost -startling. The little street was a thoroughfare -inasmuch as it led from one side-street -to another; but these streets were very little -frequented, and the connecting-link between -them was a short cut to nowhere. It represented -simply so many back entrances to -places of business, and these being to a great -extent monopolised by a single firm, the -comings and goings at stated times of the -hands employed by that firm was often the -only movement that broke the quiet from -morning until night. In the intervals between -these comings and goings there brooded -over the street such a silence and stillness -as seemed strangely incompatible with the -thought of all the labour and effort that it -held; with the hard day’s work towards -which those coming footsteps in the morning<span class="pagenum"><a name="Page_30" id="Page_30">{30}</a></span> -were bent; with the hard day’s work which -lay behind those departing footsteps in the -evening. The street itself had a squalid, -neglected look, too, as though life and activity -had passed it by.</p> - -<p>The day’s work was not over yet, though -the evening light was making long shadows, -and the setting sun was turning the upper -windows of the opposite houses into ruddy -fire; the street was absolutely silent and -deserted when Julian turned quickly into it. -He pulled up and surveyed his surroundings -with a rapid, comprehensive glance.</p> - -<p>It was too early yet. He looked at his -watch and told himself so with somewhat -over-elaborated carelessness, and took out -his cigarette-case. He lighted a cigarette; -and pacing slowly up and down the pavement -on the opposite side of the street to -that on which he expected Clemence to -emerge, he began to reckon with himself the -chances for and against her speedy or tardy -appearance.</p> - -<p>But such practical, matter-of-fact considerations -involved a deliberate mental action -on his part, and having gone through it,<span class="pagenum"><a name="Page_31" id="Page_31">{31}</a></span> -urged by that curious instinct under which -intense excitement always desires to assert -itself as absolute calm and sanity, he gradually -let himself slip away again from the practical -and the actual, and gave himself up to the -tide of his exhilarated imaginings.</p> - -<p>There is nothing more exciting, nothing -that sooner quickens the mental pulses into -a very fever of confusion, than the sudden -indulgence of an impulse long resisted. The -hour that had passed since the idea, of which -his presence in that quiet little street was -the outcome, had flashed into Julian’s mind -and dominated it, had carried him as completely -out of himself, and out of touch -with realities, as is a man under the influence -of absinthe. As a man so exhilarated will -be impervious to a considerable amount of -physical pain, so Julian was for the time -being absolutely unconscious of anything -painful or shameful in his position. The -circumstances under which he had parted -from Clemence; all the bitter pain and -longing under which he had smarted and -writhed with such fierce rebellion; the attitude -towards himself which his conduct might<span class="pagenum"><a name="Page_32" id="Page_32">{32}</a></span> -only too justly have created in his wife; -were absolutely obliterated from his mind. -He was waiting now—husband, master, -altogether the superior; triumphant, successful, -self-assured—for his mistaken but doubtless -submissive wife; conscious, and rather -pleased with the consciousness, that he loved -her in spite of her faults.</p> - -<p>One quarter after another chimed out -from a neighbouring clock. He had been -waiting nearly an hour, oblivious, in his -elation, of tedium or weariness; oblivious -of the claim upon him of the life of Queen -Anne Street as though it had no existence -for him. The slight feeling of impatience -with which he realised that the fourth -quarter was chiming was entirely unconnected -with such externals; and it was an eloquent -testimony to his mental attitude that it took -the form of a faint sense of irritation with -Clemence for delaying so long. A vague -feeling of lordly disapproval of her conduct -stirred in him, as he paused at the top of -the street and glanced across at the still -fast-closed doors. He was just looking -dubiously at his cigarette-case when the<span class="pagenum"><a name="Page_33" id="Page_33">{33}</a></span> -click of a latch, instantly followed by the -sound of girls’ voices, made him start -violently. He thrust the case hastily into -his pocket and walked quickly down the -street, until he was standing just opposite -the door from which a little stream of girls -and women was pouring forth.</p> - -<p>Several figures had already detached -themselves from the stream and were -moving rapidly away, either singly or in -pairs; but one quick glance told him that -neither of these was Clemence, and he fixed -his eyes with eager confidence on the doorway -through which she had still to pass. -His face was flushed with intense excitement. -On came the stream, girls and women following -one another in unbroken succession; -pretty girls, plain girls, shabby girls, smart -girls, some arm in arm, some laughing and -talking in loud-voiced groups; several of -these groups noticed his waiting figure and -commented upon it in giggling whispers, -turning back as they passed down the street -to look at it again, but Julian only saw -that none of these was Clemence. The -stream was beginning to dwindle; stragglers<span class="pagenum"><a name="Page_34" id="Page_34">{34}</a></span> -followed one another now at irregular intervals; -the two girls who had been the -last to appear had nearly reached the end -of the street, and still Julian’s eyes were -riveted on the open doorway.</p> - -<p>The girls turned the corner, and down -the dim passage into which he was looking -there came slowly another figure quite -alone. Before it had emerged into the light -Julian was across the road, as though that -one great throb with which his heart leapt -up to meet her had impelled him physically, -and as Clemence passed out into the soft -dusk of the June evening he spoke her -name, eagerly at first, then with a strange -break in his voice:</p> - -<p>“Clemence! Clemence!”</p> - -<p>At the first sound of his voice—evidently -the first sign to her that he was near—a -low, indescribable cry broke from Clemence; -she turned towards him trembling, swaying -as she stood, and Julian caught her in his -arms lest she should fall.</p> - -<p>“You’ve come!” she cried, and before -the exquisite rapture and relief of her faint, -quivering voice, with all that it implied of<span class="pagenum"><a name="Page_35" id="Page_35">{35}</a></span> -suffering past, a harder man than Julian -might have melted. “My dear, my dear, -I knew you’d come! I knew! I knew!”</p> - -<p>But that pathetic voice had not been -needed. The first sight of her face as she -turned it upon him with that wonderful -irradiation of joy upon it, had shrivelled -into nothingness all the exultation, all the -triumph and self-satisfaction of the past few -hours, and Julian held her in his arms, his -trance over, self-convicted, self-condemned; -his whole consciousness absorbed in that -heavy, throbbing agony of his better nature -which had leapt into sudden relentless -life. What it was that so penetrated him -he could not have defined. Where and -in what proportion old influence revived, -touched, and was blended with a heart-piercing -sense of the change in her, he -could not have said; he did not even know -that these were indeed the powers that had -struck him. The change in her, even as -he gazed down at her face with agonised, -remorseful eyes, as it rested for one moment -on his shoulder, he rather felt than traced -and understood.</p> - -<p><span class="pagenum"><a name="Page_36" id="Page_36">{36}</a></span></p> - -<p>That change was very great. Those -past six months had dealt heavily with -that thin, white face, and the marks of -their passing were plain to see, even in -that moment of absolute transfiguration. -Every curve, every suggestion of girlishness -seemed to have been worn away; worn -away by those cruel twin refiners, never -so pitiless as when they work together—physical -suffering and mental distress. The -outline of her features had lost some of -its beauty in that intense accentuation; -the colourless lips were slightly drawn, and -under the sunken eyes were heavy shadows. -But no remembrance of the physical loveliness -which she had lost could stand for an -instant before the spiritual loveliness which -she had gained. It was as though those -twin refiners, before whom nothing earthly -or external can stand and flourish, had -strengthened that which lay behind the -externals with which they had dealt so -ruthlessly. The eyes, so indescribably beautiful -as they looked now into Julian’s, had -been beautiful even in that moment before -she realised his presence; beautiful in their<span class="pagenum"><a name="Page_37" id="Page_37">{37}</a></span> -heaviness as no brightness, as no common -happiness could have made them; beautiful -with the perfect patience and dignity of -accepted suffering. The tired mouth had -been beautiful in its repose, as it was -beautiful now in its tremulous rapture; -beautiful in its quiet constancy and self-abnegation.</p> - -<p>She let herself rest for a moment in his -arms; clinging to him with something in -her touch which he had never felt before; -looking up into his face as her head lay -back against his shoulder with a strange, -tremulous, tender light quivering on every -feature, shaken from head to foot by little -tremulous, tearless sobs—the sobs of utter -relief and peace. Then she disengaged herself -gently, and drew herself away, something -of that first ecstasy dying out of her face -to leave it soft and happy beyond all words. -That strange light still shone in her eyes, -and, as she moved, one thin hand retained -its clinging hold on his arm, as though -some instinct of dependence influenced her -involuntarily. She was dressed, not as the -other girls had been, in a light summer<span class="pagenum"><a name="Page_38" id="Page_38">{38}</a></span> -jacket, but in a long cloak, and as she -drew it about her with the other hand, the -softest touch of colour came into her white -cheek.</p> - -<p>“My dear!” she said softly. “My -dear!”</p> - -<p>And Julian whispered hoarsely as he had -whispered again and again:</p> - -<p>“Clemmie! Clemmie!”</p> - -<p>He made no attempt to take her in his -arms again. Even the gesture with which -he laid his hand upon those clinging fingers -on his sleeve was diffident and almost -tremulous; tender and reverent as no gesture -of his had ever been in all his life before. -He could find no words. In her presence -everything—all the triumph, all that had -seemed to him the necessities and realities -of life—seemed to have fallen away from him. -He was nothing. He had nothing! He -could say nothing to her.</p> - -<p>There was a silence; silence which for -Clemence as her fingers closed round his, -and that soft colour came and went in her -cheeks, breathed an ineffable content; silence -which for Julian held the blackest depths<span class="pagenum"><a name="Page_39" id="Page_39">{39}</a></span> -of self-revelation and self-contempt. It was -broken at last by Clemence.</p> - -<p>“Is it done, dear?” she said gently.</p> - -<p>Julian’s hand turned cold in hers, and his -eyes fell away from her face.</p> - -<p>“Not—not yet, Clemmie!” he faltered -wretchedly. “I—I came to tell you—to tell -you that——”</p> - -<p>“That you are going to do it? That -you are going to do it? My dear, my dear, -you mean that? Oh, you mean that, don’t -you?”</p> - -<p>She had not raised her voice or changed -her pose, but that touch upon his arm had -become a close, convulsive grip, and even -the clutch of the worn, blanched hand -upon her cloak witnessed to the agony of -supplication with which every nerve was -strained and quivering. Her low voice -thrilled and vibrated with it; her white -face, to which his first words had brought -a look of heart-sick disappointment, was an -embodied prayer. He could not answer on -the instant; it cut him like a lash; and -she went on rapidly, her low, beseeching -voice breaking and trembling with the intense<span class="pagenum"><a name="Page_40" id="Page_40">{40}</a></span> -feeling that flickered on her face like -a light.</p> - -<p>“Julian, for my sake, for your wife’s -sake, dear! I love you so! I—I need you -so! Don’t part us any longer! If it was -for your good, if it was to make you happy, -there’s nothing I would not face, and face -cheerfully—ah, you know that, don’t you? -But you’re doing wrong, and I think of it -always, and it makes the loneliness so that -I can’t bear it. Oh, I can’t bear it!”</p> - -<p>She broke suddenly into low shuddering -sobs and tears, and her head fell forward -helplessly on to his breast, though she still -kept her convulsive hold upon his arm. -He put his other arm round her and drew -her towards him, and as he did so he seemed -to realise with a kind of double consciousness -the course he would take and its utter -contemptibility.</p> - -<p>“Don’t, Clemmie dear! Don’t! don’t!” -he said in a broken, uneven voice. “It’s -all right, dear! I’m going to do it! I came -to tell you so! It’s all right!”</p> - -<p>“You’re going to—tell her?”</p> - -<p>“I am, Clemence! I promise you I<span class="pagenum"><a name="Page_41" id="Page_41">{41}</a></span> -am! Only—only not for a week or two. -There’s—there’s something I must wait -for!”</p> - -<p>“But you are going to? You are? -You are?”</p> - -<p>“On my—on my soul, yes, Clemence!”</p> - -<p>There was a moment’s silence, broken -only by her low, tremulous sobs; then these -too died away. At last, with a long sighing -breath, she raised herself and looked into -his pale, miserable face, with her own quiet -and exhausted.</p> - -<p>“Must you wait?” she said, with an indescribable -accent on the first bitter word. -“Must you?”</p> - -<p>“I—I must, dear!” he said desperately, -his eyes trying wretchedly to avoid hers. -“It shan’t be long, I promise you; but I -must wait just a little longer!”</p> - -<p>She paused a moment, still looking into -his face. Then, with a sudden light in -her eyes, she made a slight movement -as though she would have bent his head -down that she might murmur in his ear. -She stopped herself, however, and there -settled down upon her face a look of unutterable<span class="pagenum"><a name="Page_42" id="Page_42">{42}</a></span> -sadness. By Julian, in his helpless -misery of self-contempt, the gesture had -passed utterly unheeded.</p> - -<p>“Don’t let it be much longer, dear!” -she said. “Good night!”</p> - -<p>Julian caught at the last word as though -it gave him some sort of chance of restoring -his writhing self-respect.</p> - -<p>“Good night!” he echoed. “Not yet, -Clemence! I’m going to see you home, of -course!”</p> - -<p>But Clemence shook her head.</p> - -<p>“No!” she said steadfastly, “no, dear!” -Something in her tone, something in the -touch she laid upon him, took from him -all power of self-assertion, all power of -resistance to her will. She drew his head -towards her now, kissed him softly on the -forehead, and then turned and went away -down the street, leaving him alone.</p> - -<p><span class="pagenum"><a name="Page_43" id="Page_43">{43}</a></span></p> - -<h2 id="CHAPTER_III">CHAPTER III</h2> - -<p class="noindent"><span class="smcap">“Romayne,</span> at last! By Jove, old man, -we thought you were going to throw us -over!”</p> - -<p>The voice, a young man’s voice, struck -out, as it were, from an indescribable medley -of incongruous sound. The background was -formed by the lightest and most melodious -dance music, produced solely from stringed -instruments; lutes and guitars seemed to -predominate, and the result had a character -and rhythm of its own which was essentially -graceful, picturesque, and Italian; against the -background, a high-pitched discord compounded -of every imaginable key, there -clashed a very Babel of tongues—the eminently -unmusical voice of modern society, with all -its faults of modulation and pronunciation, -blended into a whole full of a character<span class="pagenum"><a name="Page_44" id="Page_44">{44}</a></span> -absolutely incompatible with the old-time -southern harmonies with which it mingled.</p> - -<p>The speaker’s figure, as he stopped suddenly -in a hurried passage across the room, -stood out from a blaze of colour, light, and -gorgeousness of every description, which fell -without pause or cessation into ever fresh -combination, as the beautifully dressed crowd -moved to and fro in its magnificent setting. -And the spectacle presented to the eye was -as curiously jarring, as strikingly suggestive -of the ludicrous inconsistencies of dreamland, -as were the sounds that saluted the ear. -There was hardly a man or woman to be seen -whose dress was not as faithful a copy of the -costume prevalent among the Florentine -nobles under the magnificent rule of the -Medici as time and money could make it. -There was not a false note in the surroundings; -money had been poured out like water in -order that a perfect reproduction of an old -Florentine palace might be achieved; and as -far as art could go nothing was left to be -desired. The fault lay with nature. The -old Italians doubtless had their own<span class="pagenum"><a name="Page_45" id="Page_45">{45}</a></span> -mannerisms, possibly their own vulgarities, -of carriage, gesture, and general demeanour; -but theirs were not the mannerisms and -vulgarities of modern “smart” society.</p> - -<p>The young man who had greeted Julian -exemplified in his own person all the preposterous -incongruity of the whole. His dress -was a marvel of correctness to the minutest -detail. Its wearer’s face was of the heavy, -inanimate, bull-dog type; his movement as he -shook hands with Julian was an exaggerated -specimen of the approved affectation of the -moment; his speech was clipped and drawled -after the most approved model among -“mashers.” He was the son of the house, -and there was a kind of slow excitement -about his manner, struggling with a nonchalant -carelessness which he evidently -wished to present to the world as his mental -attitude of the moment. There was a note of -excitement also in the medley of voices about -him. The “affair” was “a huge go”—as the -young man himself would have expressed it. -And neither he nor any one of his father’s -guests was troubled for one instant by any<span class="pagenum"><a name="Page_46" id="Page_46">{46}</a></span> -sense of the ludicrousness of the effect -produced.</p> - -<p>Julian had that instant entered the room -and had paused on the threshold. There is -perhaps no type of costume more picturesque -in its magnificence than that of the Italian -noble of the Middle Ages—this is perhaps the -reason why it has been so extensively vulgarised—and -Julian’s dress was an admirable -specimen of its kind, rich, graceful, and -becoming. There was a subtle difference between -his bearing and that of his host, though -Julian’s demeanour, too, was modern to the -finest shade. He wore the dress well, with -none of the other man’s awkwardness, but on -the contrary with an absolute ease and unconsciousness -which implied a certain excited -tension of nerve. His face was colourless and -very hard; but upon the hardness there was -a mask of animation and gaiety which was -all-sufficient for the present occasion.</p> - -<p>“I’m awfully sorry, dear boy!” he said -now, lightly and eagerly, and with an -exaggerated gesture of deprecation. “It’s -horribly late, I know! Give you my word<span class="pagenum"><a name="Page_47" id="Page_47">{47}</a></span> -I couldn’t help it! By Jove, what a magnificent -thing you’ve made of this!”</p> - -<p>The other glanced round with a satisfaction -which he tried in vain to repress.</p> - -<p>“Not so bad, is it?” he said carelessly. -“Only these fellows are such fools, even the -best of them; they always blunder if they -can.” With this wholesale condemnation of -the workmen among whom, some fifty years -ago, his grandfather might have been found, -he screwed his eyeglass into his eye, serenely -unconscious of the comic effect produced, for -the better contemplation of a pretty girl at -the farther end of the room. “Lady Pamela -looks awfully fit, doesn’t she?” he observed -parenthetically; continuing almost in the -same breath: “The gardens are the best part, -seems to me. Awfully like the real thing, -don’t you know!”</p> - -<p>Julian’s only direct answer was an expressive -gesture of appreciation and apology.</p> - -<p>“Awfully well done!” he said. “Excuse -me, dear boy, I see my mother, and she’ll -want to know why I’ve not turned up before. -I must go and explain.”</p> - -<p><span class="pagenum"><a name="Page_48" id="Page_48">{48}</a></span></p> - -<p>His companion laughed; the laugh was -rather derisive, and the glance he cast on -Julian through his eyeglass was stupidly -inquisitive and incredulous.</p> - -<p>“What a fellow you are, Romayne!” he -said. “They ought to put you in a glass case -and label you the model son.”</p> - -<p>Another gay, expressive gesture from -Julian.</p> - -<p>“Why not?” he said lightly. “We’re a -model pair, you know.”</p> - -<p>And the next moment he was threading -his way quickly across the room. A sudden -movement of the crowd had shown him his -mother’s figure, and he had realised instinctively -that she had seen him. He came -up to her with a manner about which there was -something indescribably reckless, and made -her a low bow of gay and abject apology.</p> - -<p>“I beg ten thousand million pardons!” -he said. “Language fails to express my -feelings.”</p> - -<p>Mrs. Romayne’s dress was not a success—that -is to say, it was perfect in itself, and -failed only as a setting for its wearer; to<span class="pagenum"><a name="Page_49" id="Page_49">{49}</a></span> -deprive her appearance of any possibility of -“chic” or “dash” was to deprive it of all -its brilliancy. But no unsuitability of -colouring or cut in her gown could have been -responsible for the look which underlay her -smile, as she turned to Julian now and -struck a little attitude of mock implacability, -with a light, high-pitched laugh.</p> - -<p>“Then the conversation must be carried -on in dumb show,” she said, “for language -also fails to express my feelings, sir. What -have you to say for yourself?”</p> - -<p>Her voice, for all its gaiety, was thin and -strained.</p> - -<p>“Please, nothing,” was the mock-humility -answer. “I met a fellow, and he beguiled -me. He was just off to America.”</p> - -<p>He was standing with his hands folded -and his eyes cast down, and he did not see—he -would not have understood if he had seen—the -strange flash in those hard, blue eyes—such -a flash as might leap up in the eyes -of a woman in the silent endurance of a swift -stab of pain.</p> - -<p>“A very poor excuse,” declared Mrs. -Romayne gaily. “No, I don’t think I shall<span class="pagenum"><a name="Page_50" id="Page_50">{50}</a></span> -forgive you yet. Such unscrupulous desertion -must be visited as it deserves. Don’t you -think so?”</p> - -<p>Lord Garstin had come up to them, and -the question was addressed to him with a -light laugh as she gave him her hand. He -nodded pleasantly to Julian as he answered:</p> - -<p>“Who has deserted? Not this boy of -yours, eh?”</p> - -<p>Mrs. Romayne laughed again, and pushed -Julian playfully with her fan.</p> - -<p>“Oh, I forgot! You don’t know his -wickedness, of course! Take me away from -him, Lord Garstin, do, and I’ll confide in -you. Gorgeous affair this, isn’t it? I wonder -what it cost?”</p> - -<p>Lord Garstin looked round with a rather -lofty smile. There were times when it -pleased him to pose as an isolated representative -of a bygone age by the traditions of -which, in matters of taste and breeding, the -present age was utterly condemned.</p> - -<p>“Rather too gorgeous to please an old -man,” he said now with a fine reserve. -“These dear good people would be more to -my taste, do you know, if they had a little<span class="pagenum"><a name="Page_51" id="Page_51">{51}</a></span> -less money. Have you been outside, by-the-bye? -It’s really not badly done.”</p> - -<p>Mrs. Romayne turned away with him, -laughing and nodding to Julian, and then -she stopped and went towards her son again, -touching his shoulder lightly.</p> - -<p>“Every one isn’t so stony-hearted as I -am, bad boy,” she whispered gaily. “Somebody -has actually kept you some dances, I -believe, if you apologise properly. Look, -there she is.”</p> - -<p>She made a little gesture with her fan -towards the entrance to the dancing-room, -from which Maud Pomeroy was just emerging, -looking like a picture in a white dress of -the simplest form, her long hair loose -on her shoulders, and crowned with a -wreath of flowers. The dance music had -stopped, and the music which still filled -the air came from the garden. With that -hard recklessness growing stronger on his -face, Julian made a slight, graceful gesture -towards his mother as though he would -have kissed his hand to her in gratitude, -turned away, and moved rapidly over to Miss -Pomeroy.</p> - -<p><span class="pagenum"><a name="Page_52" id="Page_52">{52}</a></span></p> - -<p>More than three hours had gone by since -Julian had found himself standing alone -gazing stupidly in the direction in which -Clemence had disappeared, and how the first -two of those hours had passed he hardly -knew. He had turned abruptly away and -left the little street, to walk mechanically on -and on, struggling blindly in a black abyss -of self-contempt, in which his love lived only -as additional torture.</p> - -<p>He had emerged gradually from that abyss, -or rather his sense of its surrounding blackness -had faded by degrees, as all such acute -sensations must. And so completely had that -blackness walled him in, and deadened all -his outward perceptions, that it was only -little by little, and with a dull sense of surprise, -that his material surroundings dawned -on him again, and he realised that he was -standing looking down into the river from -the Thames Embankment. His consciousness -had come back to that life and world which -he believed to constitute the only practical -realities; but it had brought with it that -which turned all its environment to bitterness -and gall. As he stood leaning on the<span class="pagenum"><a name="Page_53" id="Page_53">{53}</a></span> -parapet, staring sullenly down, counting the -reflection of the lamps in the dark water -beneath him in the moody vacancy of reaction, -the necessities of his life began to surround -him once more; he saw them all as they -were, sordid and base, and yet he neither -saw nor attempted to see any possibility of -self-extrication. The sound of Big Ben as -it struck eleven had brought back to his -mind the claims upon him of that particular -evening.</p> - -<p>At eleven o’clock the carriage had been -ordered to take Mrs. Romayne and her party -to the dance, and a grim, cynical smile -touched his set, white lips as he thought -of his mother. He had broken loose, temporarily, -he told himself bitterly. He must -take up his part again and play the farce -out.</p> - -<p>That he should throw himself into the -task with a wild oblivion of all proportion -and limitation, was the inevitable result of -all that had gone before; of all the perception -and all the blindness with which he -was racked and baffled.</p> - -<p>Miss Pomeroy saw him coming, and turning<span class="pagenum"><a name="Page_54" id="Page_54">{54}</a></span> -her face away, she produced a pretty, well-turned -comment on the arrangement of the -rooms for the benefit of her cavalier. The -next instant Julian stood beside her.</p> - -<p>“Don’t turn your back on me,” he implored -gaily. “No fellow ever had such hard -luck as I’ve had to-night. Be a great deal -kinder to me than I seem to deserve, and -forgive me. Please!”</p> - -<p>Miss Pomeroy turned her head and looked -at him with a serene calm on her pretty -face, which seemed to relegate him to a -place among inferior objects entirely indifferent -to her. Her voice was perhaps a little too -indifferent.</p> - -<p>“Oh, Mr. Romayne!” she said. “You’ve -actually appeared!”</p> - -<p>“I have,” he said. “At last! There’s a -poor fellow I’ve seen a good deal of—not -one of the regular set, you know, but a -thoroughly unlucky chap, always in the wars. -He’s just off to try his luck on the other side -of the world, and I met him this evening -most awfully blue and lonely—he hasn’t a -friend in the world. Of course I had to try -and cheer him up a bit, and—there, I couldn’t<span class="pagenum"><a name="Page_55" id="Page_55">{55}</a></span> -leave him, don’t you know. I packed him -into the mail train at last, and bolted here -as fast as wheels could bring me.”</p> - -<p>Something of the blank serenity of Miss -Pomeroy’s face gave way. She lifted the -feather fan that hung at her girdle and began -to ruffle the feathers lightly against her other -hand with lowered eyelids.</p> - -<p>“I don’t think I should have troubled -to hurry as it was so late!” she said, and -there was a touch of reproach and resentment -in her voice. Her cavalier had drifted away -by this time, and in the midst of the constantly -moving stream of people she and -Julian were practically alone. Julian answered -her quickly with eager significance.</p> - -<p>“You would—in my place!” he said. -“You would if you had had the hope of -even one of the dances to which you had -been looking forward—well, I won’t say how, -or for how long. Was it altogether a vain -hope? Am I quite too late?”</p> - -<p>“You are very late!” was the answer; -but the tone was distant and indifferent no -longer; and as the sound of the violins -rose softly and invitingly once more from<span class="pagenum"><a name="Page_56" id="Page_56">{56}</a></span> -the other room a quick question from Julian -received a soft affirmative in reply, and he -led her triumphantly towards the music.</p> - -<p>The room was not too full. The garden, -the supper, the “show”—as the guests called -it amongst themselves—as a whole, prevented -any overcrowding in the dancing-room. -But dancing among such cunningly arranged -accessories was by no means a commonplace -business. The unfamiliar picturesqueness of -the room, with its softly scented air, the -wonderful effects of colour and light, and -above all a certain wild passion and sweetness -about the music, was not wholly without -effect even on the jaded, torpid receptivity -of men and women of the world.</p> - -<p>Even Miss Pomeroy’s calm was apparently -not wholly proof against the intoxication; -by the time the music died away there was -a bright colour on her cheeks, and a bright -light in her eyes. On Julian the atmosphere -and the music had had much the same effect -as an excessive quantity of champagne might -have had. His pale face had flushed hotly, -and his eyes were glittering with excitement.</p> - -<p><span class="pagenum"><a name="Page_57" id="Page_57">{57}</a></span></p> - -<p>He had become aware during their last -turn round the room that his mother was -standing in the doorway watching them, this -time with Loring in attendance; and with -a feverish flash of callous defiance he so -guided their movements that they came to -a standstill finally close before her.</p> - -<p>“Congratulate us!” he cried gaily, “we’ve -broken the record! And congratulate me -individually, for I’ve had the most awfully -glorious dance of my life! Hullo, Loring, -old man!”</p> - -<p>“I’ll congratulate you both,” was Mrs. -Romayne’s ready answer, as Loring nodded. -“You both look as if you had had a good -time. Wonderful show, isn’t it? It isn’t -possible to say what it must have cost. -Something appalling, of course. Maud, dear, -have you come across Claudia Eden? Over -there, don’t you see? Isn’t it outrageous?”</p> - -<p>“By Jove!” ejaculated Julian lightly, -looking in the direction indicated by a slight -movement of his mother’s fan, as Miss -Pomeroy uttered an exclamation of pretty -amazement. Conspicuous against all the -magnificence about her was a girl in a kind<span class="pagenum"><a name="Page_58" id="Page_58">{58}</a></span> -of burlesque of an Italian contadina dress of -the period, with very short skirts, very low-cut -bodice, very exaggerated head-dress. She -was talking and laughing with a little crowd -of men; her manner was as pronounced and -as unrefined as her dress; but there was -about her that absolutely unconscious and -impenetrable self-possession and self-assurance -which stamped her as being by birth that -which she was certainly not in appearance—a -lady, and a very highly born lady.</p> - -<p>“She would do anything to make a -sensation,” murmured Miss Pomeroy, contemplating -her critically.</p> - -<p>“But have you two seen the gardens?” -went on Mrs. Romayne gaily. “No? Then -you must simply go instantly. The most -marvellous thing I ever saw! Go along at -once.”</p> - -<p>With a laugh Julian turned to Miss -Pomeroy. “We must do as we are bidden, -of course,” he said. “Will it bore you -frightfully?”</p> - -<p>A smile and the slightest possible shrug -of the shoulders constituted Miss Pomeroy’s -answer, and they were turning away together,<span class="pagenum"><a name="Page_59" id="Page_59">{59}</a></span> -followed by a keen glance from Loring, when -the girl in the contadina dress, passing close -to them with her somewhat noisy court, -intercepted their passing.</p> - -<p>“‘Evening, Maud,” she said in a loud, -good-natured voice, which might have been -delicate and high-bred if fashion had not -demanded other characteristics. “Hullo, -Mr. Romayne! Like my frock, Maud?”</p> - -<p>Miss Pomeroy murmured something gracefully -inaudible, and Mrs. Romayne said, with -a smile:</p> - -<p>“Most original, Lady Claudia.”</p> - -<p>A restless gleam had come into Mrs. -Romayne’s eyes at the momentary pause, -but there was a certain satisfaction, too, in -her smile as the two girls stood face to face. -Maud Pomeroy certainly never appeared to -greater advantage than in contrast with a -pronounced type of the modern society girl. -The juxtaposition seemed to bring into strong -relief everything about her appearance and -demeanour which was dainty, gentle, and -sweet, and to throw into shade all her more -negative charm. Her voice, now, perfectly -modulated and absolutely even, made the<span class="pagenum"><a name="Page_60" id="Page_60">{60}</a></span> -other girl seem “quite too vulgar,” as Mrs. -Romayne said to herself. She echoed Mrs. -Romayne’s words, and added:</p> - -<p>“How came you to think of it?”</p> - -<p>“I thought it would score,” returned the -other, with a laugh. “I can’t stand these -people, don’t you know! I thought of -getting a whole lot of us to do it; it would -have been no end of a joke! Then I thought -that I’d keep it to myself. Ta-ta!”</p> - -<p>And with a rough, ungraceful gesture of -farewell she passed on.</p> - -<p>“Lady Claudia’s hostess would strangle -her, cheerfully, with her own hands,” remarked -Loring placidly.</p> - -<p>Mrs. Romayne laughed.</p> - -<p>“So would a great many other people,” -she said. “But come, you two be off and -see these gardens.”</p> - -<p>Julian and Miss Pomeroy moved away -as if with one consent, and Mrs. Romayne -watched them as they went with such a -strange intentness in her face, that she -looked for the moment as though her -consciousness were actually leaving her to -follow the two on whom her eyes were fixed.</p> - -<p><span class="pagenum"><a name="Page_61" id="Page_61">{61}</a></span></p> - -<p>The idea of the whole entertainment had -originated, so people said, in the fact that -its giver had spent enormous sums of money -in the course of the past three years on the -transformation of his grounds into an Italian -garden, and the scene from the terrace, as -Julian and Miss Pomeroy stepped out on to -it, was indeed extraordinarily effective. There -was no moon, and thousands of coloured -lamps, skilfully disposed, shed a picturesque, -uncertain light, under which the long ilex-shaded -alleys, the box hedges, the fountains, -and the statues produced an illusion which -was almost perfect.</p> - -<p>“By Jove!” exclaimed Julian in the -same strained, excited voice. “Capital, isn’t -it? It must be almost worth while to live -away here in the wilds of Fulham to have -a place capable of being turned into a show -like this. Don’t you think so?”</p> - -<p>Miss Pomeroy did not answer immediately. -Apparently, the excitement created -by their dance had rather strengthened than -diminished during the interval, and she was -playing almost nervously with her fan. Miss -Pomeroy was not a nervous person as a rule.</p> - -<p><span class="pagenum"><a name="Page_62" id="Page_62">{62}</a></span></p> - -<p>“I don’t know,” she said vaguely. “Yes, -it’s very pretty, isn’t it? But I don’t -think I should much care to have a big -place, do you know. I don’t think places -make much difference.”</p> - -<p>Her voice was low, and very prettily -modulated, and Julian threw a quick sideways -glance at her. Except for a flush, and -a certain look in her eyes which he could -not see, her face was as demure and placid -as ever.</p> - -<p>“Don’t you?” he said. “You are right, -of course, and I am wrong. I can imagine -circumstances under which all this would be -a howling wilderness to me.”</p> - -<p>He looked at her very differently this -time, with his eyes recklessly eloquent. She -dropped her own eyes quickly, and said -softly:</p> - -<p>“Can you?”</p> - -<p>They had strolled down the steps as -they talked, and at their right hand a -picturesque little alley, with a vista of -fountain and statue against a grove of ilex-trees, -led away from the more open space -in front of the house. Down this alley,<span class="pagenum"><a name="Page_63" id="Page_63">{63}</a></span> -secluded and apparently deserted, Miss -Pomeroy turned, as if unconsciously, before -she spoke again. Julian followed her lead -with an ugly smile on his face.</p> - -<p>Then she said in the same pretty, low -voice:</p> - -<p>“Tell me what circumstances?”</p> - -<p>Julian laughed, and his laugh might well -have been construed as a sign of extreme -nervousness and agitation.</p> - -<p>“I think not!” he said. “I might make -you angry.”</p> - -<p>“You would not make me angry!”</p> - -<p>They came to the end of the alley as she -spoke; it opened out on a quaint little -corner containing a fish-pond surrounded by -a stone balustrade, the fountain in the middle -sparkling and dancing in the gleam of the -artificial moonlight which had been arranged -here and there about the grounds to give -the finishing touch to sundry “bits.” Into -this moonlight Maud Pomeroy stepped, and -stood leaning gracefully over the balustrade -gazing down into the water, as she said in -a voice just low and hesitating enough to -be perfectly distinct:</p> - -<p><span class="pagenum"><a name="Page_64" id="Page_64">{64}</a></span></p> - -<p>“Mr. Romayne, will you tell me—did -you think me very angry when you came -to-night?”</p> - -<p>“I hope you are not angry now, at -least!” was the answer, spoken with eager -anxiety. “But I would rather think you -had been angry than believe that you were -quite indifferent as to whether I came or -not!”</p> - -<p>“I am not—indifferent!” Maud -Pomeroy paused. There was no colour at -all in her cheeks now, and her lips were -drawn together in a hard, thin line such as -no one had ever seen on her face before. -There was a dead silence. A sudden -stillness had come over Julian’s figure as he -stood also leaning against the balustrade, -but with his back to the water. His hand -was clenched fiercely against the stone.</p> - -<p>“I have no right to be angry with you,” -Maud Pomeroy went on; her voice was thin -and hard as if its steadiness was the result -of deliberate effort. “I have no rights at -all. If I had——” She let her voice die -away again with deliberate intention.</p> - -<p>The silence that followed had something<span class="pagenum"><a name="Page_65" id="Page_65">{65}</a></span> -ghastly in it. At last, with his face as -white as death, and keeping his eyes fixed -steadily before him, Julian moved.</p> - -<p>“You will catch cold, I’m afraid!” he -said, a little hoarsely. “Shall we go in?”</p> - -<p>Without a single word Miss Pomeroy -moved also and retraced her steps up the -alley. For one moment, and for one moment -only, her face was no longer that of a gentle -and amiable girl, but of a spiteful and -vindictive woman.</p> - -<p><span class="pagenum"><a name="Page_66" id="Page_66">{66}</a></span></p> - -<h2 id="CHAPTER_IV">CHAPTER IV</h2> - -<p class="noindent"><span class="smcap">More</span> than one of the people who had talked -to Mrs. Romayne in the interval had been -vaguely aware of a certain incontrollable preoccupation -behind her manner; though the -intense, suppressed excitement in which that -preoccupation originated passed undetected. -Her restless eyes fastened upon Miss Pomeroy -and Julian on the very instant of their -reappearance in the room, and as they came -towards her that excitement leapt up suddenly -and lit up her whole face with a wild flash of -hope and anticipation. They drew nearer and -it died down again even more suddenly than -it had sprung up; and in its passing it seemed -to have aged her face curiously, and to have -left upon it a stamp of heart-sick disappointment, -touched with a creeping anxiety. -Miss Pomeroy was pale, and her usual still<span class="pagenum"><a name="Page_67" id="Page_67">{67}</a></span> -placidity seemed to be accentuated into -absolute stupidity. Julian’s face was quite -colourless, and beneath the travesty of his -usual manner which he assumed in speaking -to his mother, there was an indefinable expression -which made him look ten years older -and twenty years harder and more bitter.</p> - -<p>Scruples on his part as to crushing their -dress prevented his going home with them. -He would follow in a hansom, he said. But -before he arrived Miss Pomeroy had said good -night to Mrs. Romayne with a neatly-turned -and quite meaningless expression of the -pleasure the evening had given her, and had -retired to her room. Mrs. Romayne, looking -haggard and worn, lingered until Julian came -in, and went out to meet him.</p> - -<p>“Good night, mother,” he said, and went -straight upstairs without pausing.</p> - -<p>It was many, many years since he had -left her at night without a kiss; and as Mrs. -Romayne went slowly up to her room through -the silent house, she stumbled once or twice -as though her wide, dry eyes hardly saw the -stairs before her.</p> - -<p>That creeping anxiety had gained ground<span class="pagenum"><a name="Page_68" id="Page_68">{68}</a></span> -greatly in her face the next morning when she -came down at about half-past ten, to learn from -the servant that “Mr. Julian” had already -breakfasted and had gone to the Temple. Even -more pathetic than the anxiety itself was the -courage that battled against it; that strove so -hard to become confidence as she led—and, -indeed, sustained—the conversation, as she -and Miss Pomeroy, who was late in putting in -an appearance, breakfasted together. She -talked lightly and gaily of Julian’s defection -on this, their visitor’s last morning; she -deplored the fact that it was indeed the last -morning, talking of various half-formed -schemes for such constant meetings as -would be practically a continuance of the -intimate association of the past fortnight. -But of response she obtained little or none. -An access of conventionality, demureness, and -insipidity seemed to be inspiring Miss Pomeroy; -an access characterised by a certain absolute -obstinacy of colourlessness. She had no -opinions, no sentiments of any sort or kind to -offer; her expressions of regret at leaving were -as unmeaning as they were correct. Mrs.<span class="pagenum"><a name="Page_69" id="Page_69">{69}</a></span> -Romayne’s plans seemed to wither under her -little non-committal smile and comment; and -she took her irreproachable leave an hour -later with a vaguely expressed hope that they -might meet “somewhere,” and apparently -without hearing Mrs. Romayne’s parting -allusion to Julian.</p> - -<p>Each one of the days that followed seemed -to leave upon Mrs. Romayne’s face some such -effect as might have been produced upon a -marble counterpart of that face by the delicate -application of a sharp modelling tool. Every -feature became a little sharper; every line a -little deeper, a little harder. Nobody noticed -the fact, and nobody could have traced it to its -source had they done so. But there were -times when she was alone; times when that -chisel under which she grew more haggard -every day revealed itself as heart-sick, gnawing -anxiety.</p> - -<p>For three or four days Miss Pomeroy’s hope -that they might meet “somewhere” remained -unfulfilled; and Mrs. Romayne made little -jokes at what she assumed to be Julian’s disconsolate -condition; jokes which, taken in<span class="pagenum"><a name="Page_70" id="Page_70">{70}</a></span> -conjunction with the look in her eyes as she -spoke them, were almost ghastly. Then the -meeting took place at a party from which, as -it appeared, Miss Pomeroy and her mother -were just departing; so that a few words -of greeting on either side was all that -passed.</p> - -<p>Mrs. Pomeroy and her daughter called on -Mrs. Romayne a day or two later. It was -Mrs. Romayne’s “day,” of course; the room -was very full, and as Mrs. Pomeroy said, with -an expression as near apprehension as was compatible -with her placidity in the eyes which -kept turning to her daughter’s demure face: -“Wednesday is such a popular day, and -we’ve really dozens of calls to pay, haven’t -we, Maud?” Consequently they stayed -barely ten minutes, and exchanged half-a-dozen -sentences with their hostess. But short -and formal as the call was, it was supplemented -by no more intimate intercourse. -They met, of course, nearly every day. That -is to say, Mrs. Romayne, as she went about -indefatigably from party to party, caught -constant glimpses of Miss Pomeroy and her -mother just arriving as she left, just leaving<span class="pagenum"><a name="Page_71" id="Page_71">{71}</a></span> -as she arrived, just going to supper, to tea, to -fulfil some social duty or other which made it -impossible that more than a word or two -should pass. When Mrs. Romayne pressed -Miss Pomeroy, with sprightly reproaches, to -come and see her, she was met invariably with -unmeaning smiles, and vague words about -engagements, which, gentle as they sounded, -proved as little capable of manipulation as a -stone. Once or twice after such a meeting, -Mrs. Romayne’s jokes at Julian’s expense, as -she told him of them airily afterwards—Julian -and Miss Pomeroy never seemed to -meet now—took the form of hints and innuendoes -as to whether he was not at the -bottom of “the mystery,” as she called it; -and whether he could not perhaps sweep it -away. There was a terrible contrast between -the casual gaiety with which such hints -were dropped by her, and the something -which lay behind; something which gave her -voice a strange, unnatural ring, and cut her -words off almost before they had any meaning; -something the name of which, as it lurked in -the hard, bright eyes which never met Julian’s, -was nervous fear.</p> - -<p><span class="pagenum"><a name="Page_72" id="Page_72">{72}</a></span></p> - -<p>Such hints were always met and turned -by Julian as lightly as they were uttered.</p> - -<p>Before a fortnight had passed since Miss -Pomeroy’s departure, Mrs. Romayne had -acquired a habit of giving one quick, almost -furtive, glance round any room she entered in -which people were assembled, and that look -was particularly eager and intent as she -entered a drawing-room to fulfil an engagement -for a luncheon-party one day at the -beginning of the third week. A luncheon is -by no means a bad opportunity for a “quiet -chat.” She did not see the figures she was -in search of, though no one could have -detected that fact from her expression. Nor -could any one have interpreted the sudden -exclamation of surprise she uttered.</p> - -<p>“Why, it’s Dennis Falconer!” she said -prettily. “I had no idea you were in town.”</p> - -<p>It was Dennis Falconer; not a little -altered by the past eight months, and altered -for the better. Six months earlier he had -disappeared from the ken of his society -acquaintances; disappeared quietly, almost -imperceptibly. By-and-by, when his absence -began to be commented upon, rumour had<span class="pagenum"><a name="Page_73" id="Page_73">{73}</a></span> -whispered it abroad that he was “laid up or -something.” The fact, so lightly stated and -equally lightly commented on, had meant -for Falconer a realisation of the possibilities -hinted at by his doctor early in November. -He had passed from the dreariness of unoccupied -and somewhat lonely club life into -the infinitely heavier dreariness of a solitary -sick-room.</p> - -<p>Within his own limits and on his own -lines Dennis Falconer was a strong man. -With his dark hour absolutely upon him -he braced himself to meet it with stern -dignity; and he endured four months of -physical suffering and mental tedium—from -which that suffering, weary and unremitting -as it was, was seldom acute enough -to relieve him—with uncomplaining fortitude. -He was quite alone. Circumstances had -occurred to detain Dr. Aston in India, and -his solitude was not realised by any of his -club acquaintances. It was a period on which, -in after life, he never willingly looked back; -a dark hour, in truth. But it was lived -through at last, and as it passed away it gave -place to a clear and steady light, in which the<span class="pagenum"><a name="Page_74" id="Page_74">{74}</a></span> -shadows which had preceded it had vanished. -Severe as had been the means, the end was -amply attained. He emerged from his sick-room -in such perfect physical health as he had -not known for years. All the disabilities -under which he had laboured during the -preceding summer were removed, and in every -nerve and muscle he was conscious of vigorous -life. In May he had received his doctor’s -permission to return to his work, and he was -in London now to arrange the preliminaries -of an expedition with which he hoped to leave -England early in the autumn.</p> - -<p>The physical change in him was conspicuous -as he stepped forward to return Mrs. Romayne’s -greeting. He looked ten years -younger than he had been wont to look; the -worn look of endurance had gone, and there -was an air of strength and power about him -which was very noticeable. Hardly less -striking was the change in his expression. -Much of the grim austerity of his demeanour -during the previous summer had originated -in the painful depression consequent on his -state of health; much also in his realisation of -his position as a man laid aside and solacing<span class="pagenum"><a name="Page_75" id="Page_75">{75}</a></span> -himself as best he might. The gravity and -reserve of his expression remained, but the -heaviness had disappeared completely.</p> - -<p>His manner to Mrs. Romayne, as he shook -the hand she held out to him, was significant -of the lighter and more tolerant point of view -from which his own lighter prospects unconsciously -led him to contemplate his fellow-creatures. -It was neither expansive nor -friendly, but it lacked that undercurrent of -stiff condemnation which had previously characterised -it.</p> - -<p>“I have intended to call on you,” he said -with grave directness. “I am sorry to appear -negligent. But my time is no longer at my -own disposal.”</p> - -<p>Mrs. Romayne put aside the claim on his -time which he imputed to her with a quick -gesture and a laugh.</p> - -<p>“You are quite recovered, I hope?” she -said easily. “Tiresome business, convalescence, -isn’t it?”</p> - -<p>“I am quite recovered, I am thankful to -say,” responded Falconer; he was so keenly -conscious of all that the words meant for him -that he was insensible even to the jarring<span class="pagenum"><a name="Page_76" id="Page_76">{76}</a></span> -effect her manner had always had for -him. “I hope before very long to be at -work again. Indeed, I am practically at work -now.”</p> - -<p>“Yes?” said Mrs. Romayne prettily. -“Are you thinking of going abroad again?”</p> - -<p>“I am going out to Africa. I shall -hardly be in England again for another five -years.”</p> - -<p>Mrs. Romayne had been looking vaguely -about the room, evidently bestowing a -modicum of her attention only on Falconer. -But as he spoke the last words the slightest -possible start passed through her frame -and her wandering eyes suddenly ceased -to wander. There was a moment’s pause, -and then she turned them on Falconer’s -face.</p> - -<p>“Really? And when do you go?”</p> - -<p>There was something rather odd beneath -the carelessness of her voice, and her eyes, -as she fixed them on Falconer’s, were odd -too.</p> - -<p>“I hope to leave England early in -October.”</p> - -<p>Mrs. Romayne made no reply. Her face<span class="pagenum"><a name="Page_77" id="Page_77">{77}</a></span> -suggested curiously that the actual exigencies -of the situation had faded for her, that she -was not in the present at all. For the moment -there was no trace of that satisfaction and -relief which would have been the natural -consummation, on such news, of the defiance -and distaste so hardly repressed in her manner -to her “connexion” during the past year. -She looked, apparently unconsciously, into the -grave, steady man’s face above her, and -there was a vague, half-formed expression -in her eyes, which might have been a -suddenly-stirred sense of loneliness or foreboding.</p> - -<p>It was gone again in an instant. And as -the man who was to take her in to lunch -approached her, she turned from Falconer -with the lightest possible “au revoir.”</p> - -<p>Falconer found himself very well situated -at luncheon. A question came up on which -his word carried weight, and the discussion -which ensued brought home to him that sense -of renewed power and standing in the world -so grateful to him after his long period of -inaction. He was full of grave content and -satisfaction, when, after lunch, circumstances<span class="pagenum"><a name="Page_78" id="Page_78">{78}</a></span> -threw him again with Mrs. Romayne; and -his whole mental attitude was suffused with a -dignified kindliness. He began to speak at -once with grave, but not unfriendly interest, -and as though he were conscious of a certain -remissness.</p> - -<p>“I am glad to hear of your son! I hope -it is quite satisfactory to you?”</p> - -<p>Mrs. Romayne had acknowledged his -vicinity with a conventional word and smile. -Circumstances demanded of her at the moment -no active exertion; she was standing aside, as -it were, for the instant, and there were tired -lines faintly visible about her mouth. They -disappeared, however, as if by magic, beneath -the hard intentness which leapt into her face -as she turned sharply to Falconer on his first -words. The movement was apparently involuntary, -for she turned away, lifting with -elaborate carelessness the long eye-glasses -which she had lately adopted, as though to -cover the first movement, and said, as she -looked through them at something at the other -end of the room:</p> - -<p>“It’s very stupid of me, no doubt, but I -must ask you to explain!”</p> - -<p><span class="pagenum"><a name="Page_79" id="Page_79">{79}</a></span></p> - -<p>The neutrality of her previous conversation -with him had vanished as completely as -the strange suggestion with which it had ended -had vanished. The old defiance, apparently -entirely uncalled-for, rang in her elaborately -indifferent voice.</p> - -<p>“Is it so old a story?” said Falconer. -“Or is it, perhaps, a mistake?” he added -with genuine regret. “I hope not. A sensible -marriage is such a safeguard—a covenant with -society. I heard of your son’s engagement -some three weeks ago on what purported to be -excellent authority.”</p> - -<p>“Did you hear the name of the young -lady by any chance?”</p> - -<p>Mrs. Romayne achieved a harsh little laugh -as she spoke.</p> - -<p>Falconer glanced round the room and -lowered his voice.</p> - -<p>“Miss Maud Pomeroy!” he said. “A -most desirable wife for him, I should have -said!”</p> - -<p>Eight months before, under the inexplicable -influence of the face and manner of the -pale, dignified woman who had faced him so -bravely in the little lodging in Camden Town,<span class="pagenum"><a name="Page_80" id="Page_80">{80}</a></span> -Dennis Falconer had been almost ready to -urge upon Julian Romayne marriage with the -girl he was supposed to have ruined. But he -would have done so convinced, in the recesses -of his heart to which that woman’s influence -could not penetrate, that such a course must -mean ruin to the young man; and in the grim -severity of his mental attitude at the time, -he would have said that such ruin was the -just and righteous consequence of the young -man’s guilt. Clemence’s disappearance had -frustrated the possibility of any such action -on his part; time and the pressing actualities -of his own life had obliterated the impression -made on him; and the whole affair had -gradually faded into the past. Insensibly to -himself he looked upon it now, conventionally -enough, as one of those dark episodes which -are in no way to be obliterated or lightened, -but which may and must be overlaid. To -that end it seemed to him, in the relaxation -of his sterner attitude, a thing so natural -as to be necessarily condoned that Julian -should marry in his own class and settle -down.</p> - -<p>A moment’s pause followed on his words.<span class="pagenum"><a name="Page_81" id="Page_81">{81}</a></span> -Mrs. Romayne was sweeping the room with -her eye-glasses. The hand which held them -shook a little, and, if the man beside -her could have known it, she saw absolutely -nothing.</p> - -<p>“Maud Pomeroy!” she said at last, and -she seemed to be unconscious of that moment’s -interval of silence. “Ah! Well, to tell you -the truth, that is not such an extraordinary -report, though it hardly represents the fact—at -present. Young people will be young -people, you know, and they must be allowed -their little wilfulnesses!”</p> - -<p>She also had lowered her voice, though -it was high-pitched, and her speech was -almost exaggeratedly confidential. Influenced -by the tone into which they had thus fallen, -Falconer said, meaningly and not unkindly:</p> - -<p>“You have had to make no more serious -allowances, I hope—since?”</p> - -<p>With a laugh so light and high as to be -painfully out of tune, Mrs. Romayne answered -him gaily in the negative. One little peccadillo, -she said, was not such a very terrible -thing in a young man’s record, and she was -charmed to say that with that little affair<span class="pagenum"><a name="Page_82" id="Page_82">{82}</a></span> -of which they both knew her anxieties on -Julian’s account had begun and ended. She -held out her hand to Falconer as she finished -her assurance, parting with him with her -brightest air of society friendliness, and as -he wished her good-bye, looking down into -the trivial vivacity of her face, Falconer felt -himself stirred for the first time by a certain -touch of pity for her. Coming upon his -softer mood and the comparatively friendly -nature of their talk, the eager assurance with -which she spoke struck him as being not -without pathos. He had no confidence in -Julian, and it occurred to him vaguely and -with a sense of surprise that if the security -so superficially founded should prove false, -the blow would be somewhat disproportionate -to the lightness of the nature on which it -must fall. The next instant he recollected -how largely her own actions would have -contributed to bring about the blow, and -he dismissed her sternly from his thoughts -as she passed out of the room.</p> - -<p>Mrs. Romayne went straight home, though -she had numerous calls on her list for the -afternoon; her eyes were even desperately<span class="pagenum"><a name="Page_83" id="Page_83">{83}</a></span> -bright and defiant; and that same evening -Marston Loring received a note asking him -to come and see her on the following day.</p> - -<p>He found her waiting for him in the -drawing-room at the hour she had appointed, -and she plunged into the matter in hand with -an affectation of spontaneous confidence which -was most effective.</p> - -<p>She had sent for him in his capacity of -fellow-conspirator, she told him; she was in -a little perplexity and she was turning to -him, as usual—this with a charming smile—to -help her. From this prelude she went -on to speak of the strange change which had -come about in the relations between herself -and Julian on the one hand, and the Pomeroys -on the other. Loring’s keen eyes had detected -this change some time since—by this time, -indeed, it was being whispered about somewhat -freely—but he only listened with grave -attention. The upshot of her speech was: did -Loring know anything about it? Had Julian -said anything? Had he spoken of any -quarrel, of any misunderstanding? Had his -friend any kind of clue to give her as to his -feelings on the subject?</p> - -<p><span class="pagenum"><a name="Page_84" id="Page_84">{84}</a></span></p> - -<p>The ease and gaiety of her manner, which -strove to give to the whole thing something -the air of a joke, was disturbed and broken -as she came to the point by a feverishness -about which there was nothing gay or light. -And some uncertainty as to how far she had -gone seemed to pervade her mind and to produce -a feeling that some kind of explanation -was necessary.</p> - -<p>“You see,” she said, “it isn’t always safe -to go to the fountain-head in these little -matters! A young man doesn’t always care -to be questioned by his mother! One might -‘give offence,’ you know!” Her tone was -playful, but her eyes were filled with the -nervous fear which lurked in them so often -when she and Julian were alone together, and -the look on her face as she spoke her last -words seemed to give to that fear a definite -object. It was the fear of “giving offence” -to her son.</p> - -<p>Loring put the explanation aside with a -smile, but he had no words of enlightenment -for her. Julian, he said, had preserved a -total silence on the subject.</p> - -<p>“I will see what I can do,” he said finally,<span class="pagenum"><a name="Page_85" id="Page_85">{85}</a></span> -with a smile that cancelled the offensiveness -of the intention conveyed of “pumping” his -friend. “And we will confer further. Meanwhile, -I know you will like to hear that his -financial proceedings are prospering exceedingly, -and are discretion itself!”</p> - -<p>But the further conference, which took -place in a day or two, was entirely fruitless -as far as its nominal purpose was concerned. -Loring did not reveal to Mrs. Romayne the -exceeding brevity and decision with which -Julian had dealt with any and every attempt -to lead the conversation towards the Pomeroys, -but he gave her to understand that at -present he had nothing to tell her.</p> - -<p>One night, about a week later, when she -and her son came home in the dawn of the -July day from a series of “at homes,” Mrs. -Romayne, instead of saying good night to -Julian at the door of her room, as was her -custom, laid her hand suddenly on his arm -and drew him just across the threshold. Her -face was white to the very lips, and there -was a set desperation in it stronger even than -the fear with which her eyes were full. Her -voice, as she spoke, was breathless and uncertain<span class="pagenum"><a name="Page_86" id="Page_86">{86}</a></span> -as though her heart beat with painful -rapidity.</p> - -<p>“Julian,” she said, “what is it that has -gone wrong between you and Maud Pomeroy?”</p> - -<p>A flash, so quick in the passing that its -intense bitterness was not to be detected, -passed across Julian’s face; it seemed to leave -him armed with an expression of determined -brightness which defied all emotion or sentiment.</p> - -<p>“I don’t know that anything has ‘gone -wrong,’ dear,” he said lightly.</p> - -<p>His mother’s hold on his arm tightened -desperately.</p> - -<p>“I saw what happened to-night in the -supper-room,” she said. “Won’t you”—her -voice broke, and there came to it a -strangely beseeching note—“won’t you tell -me what it is?”</p> - -<p>Julian’s face grew rather set, and he -paused a moment. Then he said, still in -the same tone:</p> - -<p>“It is nothing that I need worry you -about, dear.”</p> - -<p>“Something might be done. If I knew -what it was it could be set right, I know.”</p> - -<p><span class="pagenum"><a name="Page_87" id="Page_87">{87}</a></span></p> - -<p>“No, dear!” The words came from -Julian quickly and instantly, and there was -a decision and significance behind his light -tone now. Her speech had created a necessity, -and he rose instinctively to meet it. “I’m -awfully sorry to distress you, but I assure -you nothing can be done. A girl must be -allowed to know her own mind, you know. -And a certain little question asked and -answered, the only thing left to the fellow -is to retire gracefully. I’m awfully sorry you -are cut up about it; I was afraid you would -be. Never mind, dear. I’m in no particular -hurry.”</p> - -<p>He had gained in fluency and expansiveness -of manner as he proceeded; the expedient -had only occurred to him on the spur of the -moment; and as he finished he bent down -and kissed her lightly on the forehead.</p> - -<p>“Good night,” he said. “Sleep as well -as I intend to do.”</p> - -<p>He left her with a nod and a smile, -shutting the door behind him, and Mrs. -Romayne stood for a moment motionless, -as she had received his kiss, staring at the -door through which he had disappeared.<span class="pagenum"><a name="Page_88" id="Page_88">{88}</a></span> -Then she began to rub her hands feebly -against one another as though a great cold -had seized her. She was trembling from -head to foot.</p> - -<p>“Failed!”</p> - -<p>She spoke the word half aloud in a low, -shivering tone, which gave to its isolated -utterance a strangely weird effect.</p> - -<p><span class="pagenum"><a name="Page_89" id="Page_89">{89}</a></span></p> - -<h2 id="CHAPTER_V">CHAPTER V</h2> - -<p class="noindent"><span class="smcap">Marston</span> Loring was sitting at his writing-table, -writing with an intentness which -harmonised oddly with the suggestion of his -evening dress—correct and up-to-date in the -minutest particular. He had come rapidly -out from the inner room two or three minutes -before, evidently acting upon a recently-formed -determination; and he was writing now -swiftly and decisively. But there was nothing -of rashness or impulsiveness about his face -or manner as he wrote; they were even -keener, more calculating and cynical than -usual. He finished his note, directed it with -the same decision, pushed it aside, and, taking -up an open letter which had been lying before -him as he wrote, leant back in his chair, and -began to re-read it. The note, on which the -ink was scarcely dry, was addressed to a<span class="pagenum"><a name="Page_90" id="Page_90">{90}</a></span> -broker in the City. The letter which he had -taken up bore the postmark of a small town -in South Africa, and was marked “Private” -and “Urgent.”</p> - -<p>Three days had passed since Julian’s -explanation to his mother as to his relations -with Miss Pomeroy.</p> - -<p>Marston Loring had come back from -South Africa three months before, with some -very excellent machinery ready to his hand -for the production of what would materially -simplify and embellish his future career—a -large fortune. That the machinery was such -as a man of honour would have hesitated to -put in motion; that the hands which worked -it could hardly escape unstained, affected him -not at all. The stains were not such as could -be pointed at; it was hardly likely that they -would be detected. Certain fellow mechanics -were necessary to the proceedings; one of these -he had found in Ramsay; the other he had -created, so to speak, in Julian Romayne.</p> - -<p>The first noticeable production of that -machinery had been that first decisive rise -in “Welcomes” at the end of June; and -since that time it had been worked—mainly<span class="pagenum"><a name="Page_91" id="Page_91">{91}</a></span> -by the master-mechanics, Ramsay and Loring—with -unceasing skill, energy, and unscrupulousness. -Various causes had co-operated -to prevent such a speedy consummation as -Loring had anticipated when he told Julian -that the inside of a month would see the end -of the proceedings. The month had gone by, -and the shares, though they were now worth -ten times as much as had been paid for them -by the three in whose hands they lay, -had not yet touched the highest value to -which it was proposed to raise them—to which -they were rising, as a matter of fact, with -ever-increasing rapidity. And yet, notwithstanding -the apparent certainty that in -another week his shares would have materially -increased in value, the note which Loring -had just written contained instructions for the -disposal of all his interest in the Welcome -Diamond Mining Company, without fail, on -the following day.</p> - -<p>A very small stone will put out of gear -the most skilfully constructed and reliable -machine. A very small modicum of fact will -reduce the most skilful and elaborate fiction -to its elements. The letter which Loring was<span class="pagenum"><a name="Page_92" id="Page_92">{92}</a></span> -studying now with knit brows and compressed -lips brought him private information, which -he knew might be public property twenty-four -hours later, to the effect that the Welcome -Diamond Mine was under water. As soon as -that fact was generally made known, shares in -the Company would be practically worthless.</p> - -<p>He folded the letter and sat for a moment -tapping it meditatively against the table. -He was thinking deeply; not now about the -actual contents of the letter, but of a question -which they had raised in his mind; a question -interwoven and complicated with other carefully-laid -plans. Finally he threw the letter -down on the table with a movement of sudden -resolution.</p> - -<p>“I must!” he said to himself. “It won’t -do to risk a row.”</p> - -<p>He glanced hastily at his watch, and then -drew out a sheet of note-paper and wrote -rapidly:</p> - -<div class="blockquote"> - -<p class="noindent">“<span class="smcap">Dear Julian</span>,</p> - -<p>“Be here to-morrow at ten sharp. -Don’t fail.</p> - -<p class="center">“Yours,</p> - -<p class="center">“<span class="smcap">Marston Loring</span>.”</p> - -</div> - -<p><span class="pagenum"><a name="Page_93" id="Page_93">{93}</a></span></p> - -<p>He directed the letter, and then rose -quickly, took up the hat and light overcoat -lying on a chair near him, and went -out with the letter in his hand. At the -porter’s lodge he stopped. “Get this sent -by hand this evening,” he said, giving the -man the letter addressed to Julian. The -other letter he posted himself as he passed -along the Strand.</p> - -<p>He was on his way to dine in Curzon -Street, and among his subsequent engagements -for the evening the Academy soirée occupied -a prominent place.</p> - -<p>It was nearly twelve o’clock when he -arrived at Burlington House, and the vestibule -and staircase were alike crowded with people -going up and coming down; smiling, nodding, -and generally obstructing the way, with a -bland oblivion of any but their own individual -rights to a passage.</p> - -<p>At the foot of the stairs Loring was -seized upon and absorbed in a portentous -obstruction, of which the centre figure was -Mrs. Halse, a truly electrifying figure in a -painfully fashionable evening “frock” of a -brilliant green.</p> - -<p><span class="pagenum"><a name="Page_94" id="Page_94">{94}</a></span></p> - -<p>“I was just looking for a man,” she said, -in her usual strident tones. “They get such -an extraordinary lot of people together here -that picking out any one one knows is like -looking for a needle in a bundle of hay. I -suppose nobody ever did look for a needle in -a bundle of hay, by-the-bye. Mr. Halse isn’t -here, of course”—Mr. Halse was seldom -known to appear in public, and when he did -so, his meek presence was obviously entirely -devoid of interest for his wife—“and I’m -looking after Hilda Compton; her husband’s -coming to fetch her, but he doesn’t care about -her going about alone. Quite right, too, I -tell him,” she added, with a laugh. “But of -course it won’t last.”</p> - -<p>Hilda Compton, a three months’ bride, -was standing by looking like a Hilda Newton -who had been born and bred in the centre -of London society, daring in dress, self-possessed -in manner, audaciously pretty in face.</p> - -<p>She echoed Mrs. Halse’s laugh, and the -latter went on, to Loring:</p> - -<p>“You can come upstairs with us. It’s -such a bore not to have a man!” and turning, -led the way.</p> - -<p><span class="pagenum"><a name="Page_95" id="Page_95">{95}</a></span></p> - -<p>That characteristic feature in her vociferous -personality—Mrs. Halse’s hobbies—had -become crystallised to a great extent since -Hilda Newton’s engagement and marriage -into a passion for matrimonial affairs; not -necessarily for match-making; match-marring -was quite as keen an interest with -her.</p> - -<p>The comments with which she beguiled -their way into the first room were mainly -called forth by the young men and maidens -of her acquaintance who happened to catch -her eye, and whom she suspected of mutual -likings or loathings. They had drifted halfway -across the room without coming within -speaking distance of any one they knew, when -Mrs. Halse broke off in an energetically-whispered -account of a certain pretty young -woman’s partiality for—according to Mrs. -Halse—an unresponsive young man, and -exclaimed suddenly:</p> - -<p>“That’s Maud Pomeroy over there, isn’t -it? It’s my belief that she wears those -ridiculous white dresses so that people may -have something to remember her by. There’s -nothing in her face, that’s certain!”</p> - -<p><span class="pagenum"><a name="Page_96" id="Page_96">{96}</a></span></p> - -<p>Loring glanced through the doorway into -the other room, to where Miss Pomeroy, in -white silk, was smiling very prettily upon -a young man who was obviously, if his -countenance was to be relied upon, making -inane remarks to her. He was a very rich -young man, and he had lately succeeded to -a title. Loring smiled rather enigmatically.</p> - -<p>“It is surely impossible to associate two -such dissimilar ideas as artifice and Miss -Pomeroy—oil and water, you know.”</p> - -<p>“Milk and water, you mean!” put in -Mrs. Compton, with a laugh.</p> - -<p>Mrs. Halse responded to the little witticism -with obstreperous hilarity, and then turned -suddenly and confidentially to Loring, and -spoke in an eager semi-whisper:</p> - -<p>“Now, perhaps you can tell me,” she -said; “nobody who knows her seems to -have been able to pick up anything—not -that she has any intimate friends, that kind -of girl never has. But you know him, and -men gossip much more than women, when -all’s said and done. Has she behaved infamously -to him, or has he behaved infamously -to her?”</p> - -<p><span class="pagenum"><a name="Page_97" id="Page_97">{97}</a></span></p> - -<p>“Has who behaved infamously to whom?” -said Loring, smiling.</p> - -<p>Mrs. Halse unfurled her fan, and began to -waft it vigorously and excitedly to and fro.</p> - -<p>“You do know something about it!” she -exclaimed. “Hilda, he wouldn’t fence like -that unless he knew something. But you’re -not going to get out of it like that,” she -continued, addressing herself again to Loring. -“I’ll tell you plainly of whom I am talking, -and you’ll tell me plainly what has happened. -Maud Pomeroy is the she, and young Romayne -is the he. Now, then.”</p> - -<p>“I give you my word that I know -nothing about it.”</p> - -<p>“I don’t believe you,” was the answer, -given with uncompromising vigour and directness. -“Good heavens! Somebody must know -something about it. A month ago the Romaynes -and the Pomeroys were never apart. -You couldn’t go into a room without seeing -him making eyes at her, and her simpering -up at him, and their respective mammas -exchanging confidences in corners. I was -within an ace of congratulating them all -round heaps of times. I lived with my<span class="pagenum"><a name="Page_98" id="Page_98">{98}</a></span> -mouth open to do it, so to speak; they all -seemed so keen about it, it was evidently -a matter for fervent congratulation. Though -why Mrs. Pomeroy should have cared about -it I can’t think!” this parenthetically. “He -won’t have anything of his own while his -mother lives. I suppose Maud fancied him! -It’s my belief that that poor woman daren’t -call her soul her own where Miss Maud is -concerned!”</p> - -<p>Mrs. Halse paused, but only for the purpose -of taking breath. That very necessary -process being accomplished, she continued her -summary of the position:</p> - -<p>“Then she goes to stay with prospective -mamma-in-law, and we all stand on tip-toe -and hold our breath. She spends a fortnight -there, and the next thing we know is that -the whole affair is apparently off! Off, if -you please! No more making of eyes, no -more simperings, no more confidences. And -no explanation of any sort or kind. Mr. -Loring, I cannot stand it, and I insist on -knowing what you know.”</p> - -<p>“Mrs. Halse, you do know what I know—that -is—nothing.”</p> - -<p><span class="pagenum"><a name="Page_99" id="Page_99">{99}</a></span></p> - -<p>If a large and smart lady could by any -possibility permit herself to stamp a large -and heavy foot in the midst of a crowded -and fashionable assembly, Mrs. Halse stamped -hers at that moment. She gazed for an -instant into Loring’s imperturbable face, and -then, becoming convinced of his sincerity, -she turned to Mrs. Compton with a gesture -of despair.</p> - -<p>“Hilda!” she said, “if somebody doesn’t -find out something soon, I shall die of -suspense!”</p> - -<p>As it seemed not improbable from her -demeanour at the moment that she would -obviate the chances of such a calamity by -hurling herself upon one of the objects of -her interest and wresting a solution of the -mystery from him or her by main force, it -was perhaps as well that at that moment a -temporary distraction presented itself in the -shape of a popular actor. Mrs. Halse was -very fond of popular actors; they had been -a hobby with her at one time. And in the -movement and breaking up of the group -which ensued, Loring drifted quietly away.</p> - -<p>He had made his way gradually into the<span class="pagenum"><a name="Page_100" id="Page_100">{100}</a></span> -big room, when he suddenly quickened his -steps and began to thread his way skilfully -and rapidly through the crowd. Mrs. Romayne -was standing on the opposite side of -the room, smiling an invitation to him to -come and speak to her.</p> - -<p>Mrs. Romayne had not been looking her -best lately. Somehow the piquant style and -daring colour which she affected hardly suited -her as they had been wont to do. To-night -there was a tired look upon her face which -seemed to reveal some recently-traced lines -about her mouth; lines of intense and almost -dogged determination; and to her sparkling -eyes, if she allowed them a moment’s repose, -there came a haggard look, which had seemed -for the last three days to lie only just -beneath the surface. But these were subtle, -hardly perceptible points, and for the rest -she remained a noticeably attractive woman -of the most pronounced artificial type.</p> - -<p>“Where’s the boy?” said Loring easily, -when they had shaken hands. “Is he here?”</p> - -<p>Mrs. Romayne shook her head and -laughed.</p> - -<p>“No!” she said. “He rather bars the<span class="pagenum"><a name="Page_101" id="Page_101">{101}</a></span> -soirée. A mistake, I think. One must take -it for what it is, of course; an omnium-gatherum -of a perfectly preposterous nature; -looked at from that point of view it’s not -unfunny! Do look at that girl over there! -She thinks her garment is a revelation to all -beholders!”</p> - -<p>“So it is,” returned Loring drily.</p> - -<p>Mrs. Romayne laughed, and dropped the -glasses with which she had been coolly -surveying the garment in question.</p> - -<p>“That was rather obvious, wasn’t it?” -she said gaily. “By-the-bye, did you want -to see Julian?”</p> - -<p>There was a moment’s pause after Loring -had replied, pleasantly enough, in the negative, -and then Mrs. Romayne looked up at him -suddenly, and said:</p> - -<p>“It’s frightfully hot in here, don’t you -think? Suppose we try one of the less -popular rooms?” She stopped a moment, -and then added with her most artificial laugh: -“Of course, you gather from that that I’m -going to victimise you again? Yes; I do -want a little quiet talk with you. Who’d be -a conspirator?”</p> - -<p><span class="pagenum"><a name="Page_102" id="Page_102">{102}</a></span></p> - -<p>There was nothing of the unwilling victim, -at least, in Loring’s tone or manner as he -deprecated her words. Nor was there either -reluctance or tedium in his face as he followed -her through the room. On the contrary, it -was almost lighted up by an expression of -sudden purpose.</p> - -<p>Mrs. Romayne led the way to the almost -deserted miniature room, and they began to -walk slowly up and down, to all intents and -purposes alone together. There seemed to be -no particular point to Mrs. Romayne’s desire -for a private conference with her fellow-conspirator. -She talked about Julian; talked -about him carelessly, artificially, but with a -persistence which only another mother could -have understood; slipping in little questions -now and then on all sorts of details connected -with that business side of a man’s life, as -to which, she said, “women are always so -in the dark;” and reverting again and again -to her satisfaction and reliance in his -mentor.</p> - -<p>“It’s rather absurd to quote those ridiculous -old proverbs,” she said at last, laughing -affectedly, “but isn’t there one, or a fable,<span class="pagenum"><a name="Page_103" id="Page_103">{103}</a></span> -or something, about a duck whose chickens—no, -a hen whose chickens, it would be, -wouldn’t it?—would take to the water, and -agitated her awfully because she couldn’t go -after them? That’s exactly what I feel like, -I assure you. And I look upon you as an -exceptionally sensible water-bird who is also -at home on the land—a kind of connecting -link. Humiliating similes, aren’t they?”</p> - -<p>Loring smiled in answer to her laugh. -But his tone as he answered her was rather -grave.</p> - -<p>“Not by any means humiliating as far -as I am concerned,” he said; “for you assume -a certain amount of sympathy between yourself -and me. May I tell you what a pleasure -that idea gives me?”</p> - -<p>He spoke slowly and deliberately, and -Mrs. Romayne started slightly. She glanced -up at his face for an instant, unfurling her -fan, and using it gently, as though the movement -were an outlet for some sort of faint -agitation. Loring was not looking at her, -his eyes were fixed for the moment on the -opposite wall, and his profile told her nothing. -There was a hardly perceptible pause, and<span class="pagenum"><a name="Page_104" id="Page_104">{104}</a></span> -then he went on, with an admirable mixture -of deference, admiration—the depth of which -seemed the greater in that it was rather -suggested than expressed—and the practical -confidence of a man of the world.</p> - -<p>“Don’t think that I am underrating -Julian,” he said, “or that my regard for him, -personally, is anything but a very warm and -sincere affair, when I tell you that it is a -long time now since Julian has figured in my -thoughts as anything but his mother’s son. -Because he is his mother’s son there are very -few things I would not do for him, very little -trouble I would not take for him.”</p> - -<p>He hardly paused. Mrs. Romayne, rather, -broke in on his speech with a high-pitched -laugh.</p> - -<p>“That’s very kind and flattering,” she -said, and there was something astonishingly -hasty and nervous in the way she -spoke.</p> - -<p>“I hope it doesn’t come upon you quite -as a surprise,” answered Loring, with the -slightest suggestion of a cynical smile unseen -by Mrs. Romayne. “I hope it doesn’t need -any words of mine to show you what I have<span class="pagenum"><a name="Page_105" id="Page_105">{105}</a></span> -tried to show you in more practical ways. -You have honoured me with a great deal of -confidence, and you have honoured me still -further by putting it in my power to be of -some slight service to you. Will you not -give me still further powers in that direction? -Will you not make our interests practically -one by becoming my wife?”</p> - -<p>He turned to her as he finished, and in -spite of the admirable composure and deference -with which he had spoken, his eyes -were very eager and elated, almost as though -with anticipated triumph.</p> - -<p>Mrs. Romayne met his eyes, and stood -for a moment gazing into them speechless -and motionless, as though the blank astonishment -written on every line of her face had -absolutely paralysed her.</p> - -<p>“Mr. Loring!” she said at last, and there -was an almost bewildered remonstrance in -her low, astonished tone. “My dear Mr. -Loring!”</p> - -<p>“One moment,” he interposed quickly. -“Of course, I don’t ask you to look upon -it as anything but a question of expediency -and mutual goodwill and esteem. We are<span class="pagenum"><a name="Page_106" id="Page_106">{106}</a></span> -both of us very well aware that London is -not Arcadia! You won’t consider it brutal -frankness on my part, I’m sure, if I tell -you that from a financial point of view our -positions are not unequal. I have been -exceptionally fortunate lately, and I can -offer you an income of about five thousand -a year. And if a man’s assistance and -support counts for something in your life, -as I hope it may——”</p> - -<p>Mrs. Romayne interrupted him. With -all the tact and practicality of a woman of -the world, she had mastered her amazement -and was mistress of the situation. She -spoke kindly and composedly, with just that -touch of delicate concern which the occasion -demanded.</p> - -<p>“Don’t say any more, please; it is really -quite impossible.”</p> - -<p>A sudden flash of surprise passed across -Marston Loring’s face, and he paused a -moment, his keen eyes fixed scrutinisingly -on her face. He was trying to detect there -some signs of that coquetry or affectation -of reluctance which he believed must surely -underlie her words. His scrutiny failed to<span class="pagenum"><a name="Page_107" id="Page_107">{107}</a></span> -detect anything of the kind, however, and -an unpleasant glitter came into his eyes.</p> - -<p>“Impossible is a rather curt word,” he -said. “May I ask you to amplify it?”</p> - -<p>He saw the colour rise beneath her paint -as she answered:</p> - -<p>“I have not the faintest intention of -marrying, in the first place. And even if -there were not innumerable other reasons -against what you propose, I’m afraid I -have no fancy for making myself ridiculous! -Oh, of course I am well aware”—she laughed -a little—“that in my capacity of silly old -mother I am as ridiculous as any woman -need be! But really, I cannot add another -farcical part to that farcical rôle.”</p> - -<p>“And that farcical part would be——?” -enquired Loring.</p> - -<p>“That of the old wife of a young -husband,” she answered, with artificial mirth. -“Mr. Loring, I am really sorrier, if you -are indeed disappointed, than I can tell -you. If you have thought that I encouraged -you—— But that is too utterly -preposterous! I have considered you simply -as my son’s friend—almost my son’s<span class="pagenum"><a name="Page_108" id="Page_108">{108}</a></span> -contemporary—a young man with an exceptionally -wise and reliable head. Certainly -not as a young man who would be foolish -enough to want to marry a woman old -enough to be his mother.”</p> - -<p>Loring’s lips were rather thin, and his -eyes glittered dangerously. As she stood -looking at him then, with a certain softening -excitement about her face, there was no -slightest suggestion of age about her; nothing -but an admirably developed and preserved -maturity. And Loring was a young man -in nothing but years.</p> - -<p>“That is a mere form of words, if you -will pardon my saying so,” he said, and -his voice was dangerously quiet and controlled. -“There is difference between us in -years, of course, but that goes for nothing. -In experience, in knowledge of the world, -if I may say so, the difference between us is -practically nil. I am, as you say, your son’s -friend. But is that a reason for refusing me -a larger form of the right which you yourself -have pressed upon me, to watch over him -and to supplement your care where it must -inevitably fall short? For Julian’s sake!”</p> - -<p><span class="pagenum"><a name="Page_109" id="Page_109">{109}</a></span></p> - -<p>He was confronting her now, looking -straight down at her, and as he spoke the -last words, all the concern and agitation, -partly affected, partly real, with which her -face had been moved, vanished before a set -expression of unalterable resolution.</p> - -<p>“For Julian’s sake,” she said, in a low, -decisive voice, “it is impossible.”</p> - -<p>He stood for a moment watching her, -all the evil of his face standing out in -intense relief, and then he made a slight, -cold gesture of acquiescence.</p> - -<p>“May I take you back into the large -room?” he said.</p> - -<p>She held out her hand to him with an -eager gesture of apology and appeal.</p> - -<p>“We are friends still?” she murmured. -And the murmur was almost pathetically -genuine in its anxiety. “It makes no -difference?”</p> - -<p>Loring’s mouth was not good to look at -as he answered in a tone absolutely destitute -of expression:</p> - -<p>“Certainly not!”</p> - -<p><span class="pagenum"><a name="Page_110" id="Page_110">{110}</a></span></p> - -<h2 id="CHAPTER_VI">CHAPTER VI</h2> - -<p class="noindent"><span class="smcap">If</span> evil thoughts and evil passions could have -a tangible effect upon the physical atmosphere, -the air of Marston Loring’s room, an hour -later, should have been thick and heavy. He -was sitting thrown back in an easy-chair, his -evening coat replaced by a smoking jacket, a -glass of whisky and seltzer-water close to his -hand. There were also cigars on the table, -but he was not smoking. He was staring -straight before him into vacancy. His face -was pale and set with vindictive passion, to -the existence of which in his nature the -general callousness of his expression gave no -clue.</p> - -<p>It was many years since Marston Loring -had felt as he felt to-night. It was many -years since he had been foiled and thwarted—“made -a fool of,” as he himself would have<span class="pagenum"><a name="Page_111" id="Page_111">{111}</a></span> -said; and all that was blackest and worst in -the man was roused by the process. His life, -ever since he had realised, at the age of -twenty-five, that there were prizes in the -world which some men obtained and other -men failed to obtain, had been ruled by a -series of carefully made and elaborately worked -out calculations. Everything he had done, -and everything he had not done, had been -included in one or other of these calculations; -carefully designed to meet certain ends, all of -which met and culminated in the one great -end of existence as he conceived it—material -prosperity and position.</p> - -<p>He had been, perhaps, as vicious a youth -as could have been found in London, and he -had not ceased to be vicious as a man. But -he so managed his vices that even the reputation -which clung to him had contributed to -his success. The question of marriage he had -discussed with himself on more than one -occasion, always solely from the point of view -of expediency. And just about the time -when Mrs. Romayne made her appearance in -London society he had come to the conclusion -that, given the right sort of woman, the step<span class="pagenum"><a name="Page_112" id="Page_112">{112}</a></span> -might possibly prove advantageous. He had -been considerably struck by Mrs. Romayne -from the first; she was the kind of woman he -greatly admired, and he was well aware that -to be on terms of intimacy with such a social -power was an excellent thing for a man in -his position; a position which, as he was -also well aware, was by no means so -secure as most people supposed. It was from -this point of view that he had cultivated -Julian, and, at first, from this point of view -only. The idea of Mrs. Romayne as a possible -wife occurred to him later. But when it did -occur, it developed into active intention with -considerable rapidity.</p> - -<p>He had looked at the question from every -possible point of view, and decided that -nothing could suit him better. He had -no taste for young women. He admired -Mrs. Romayne as much as it was possible to -him to admire any one; she was “the kind of -woman he could get on with,” he told himself. -She possessed exceptional advantages in the -matter of social standing, and she had money. -Her eager cultivation of him during the -autumn that followed her first season in town<span class="pagenum"><a name="Page_113" id="Page_113">{113}</a></span> -convinced him that with a little trouble she -could be brought to forget the disadvantage of -his comparative poverty; and he would have -proposed to her in the ensuing winter had not -his voyage to the Cape prevented. He had -come back with the prospect of a fortune of his -own. But the fact made no difference to his -matrimonial plans. Where there is money -more money is always to be desired. Mrs. -Romayne’s fortune was no longer absolutely -necessary to him, but it had not ceased to be -desirable, and her other advantages remained -intact. She had received him with enthusiasm, -she had cultivated him assiduously; -she had absolutely led him on, as it seemed to -Loring. He, in common with the rest of the -world, regarded her relations with her son as -the merest pose, and her appeal for his help -with Julian had seemed to him simply the -most transparent of subterfuges. He had no -more doubted that she would accept him -than he had doubted his own existence. And -now his plans were frustrated, his calculations -were falsified, and his very practical and -material castles in the air were laid in the -dust. He was refused.</p> - -<p><span class="pagenum"><a name="Page_114" id="Page_114">{114}</a></span></p> - -<p>He roused himself at last, and the faintest -suggestion of a cruel smile curved his thin -lips. He lifted the glass by his side, drank -off its contents, and then turned out the lamp -and went into the inner room.</p> - -<p>His face was quite itself the next morning; -the scowl and the cruelty had alike disappeared; -and it was with an even less -cynical smile than usual that he looked up -from his morning paper at a few minutes -past ten o’clock, as the door opened with a -hasty knock, and Julian Romayne appeared.</p> - -<p>“Good morning, dear boy!” said Loring -pleasantly.</p> - -<p>“Morning, old man!” responded Julian.</p> - -<p>He was looking rather pale and anxious, -and he went on quickly:</p> - -<p>“Nothing wrong with ‘Welcomes,’ I -hope?”</p> - -<p>Loring smiled again.</p> - -<p>“Nothing in the world, as far as I know,” -he said gaily. “What a nervous fellow you -are!”</p> - -<p>“What an unreasonable fellow you are!” -retorted Julian, the cloud vanishing from his -face as if by magic. “What do you mean by<span class="pagenum"><a name="Page_115" id="Page_115">{115}</a></span> -dragging a poor wretch down here at this hour -in the morning, whether he will or no? -What’s up?”</p> - -<p>It was some legal business, it appeared; -and Loring proceeded to go into it with great -circumstance. It sounded very important as -he put it, but Julian took his leave, declaring -gaily that he “didn’t see where the urgency -came in.”</p> - -<p>“You’re such an abominably hard-working -fellow!” he said lightly.</p> - -<p>“Perhaps!” returned Loring. “It’s not -such a bad principle, and it’s an excellent -character to have, let me tell you. By-the-bye, -Julian,” he continued, as the young man -turned away with a laugh, and laid his hand -on the door, “how would you like to have a -few more Welcomes?”</p> - -<p>He rose as he spoke, and stood leaning -against the mantelpiece with his back to the -empty grate, confronting Julian as the young -man turned sharply towards him.</p> - -<p>“What do you mean?” said Julian. -“Are there any in the market?”</p> - -<p>“Well, yes,” said Loring quietly. “The -fact is, there’s a certain shooting in Scotland<span class="pagenum"><a name="Page_116" id="Page_116">{116}</a></span> -which I have coveted for years. It’s for sale -now, and on uncommonly reasonable terms. -Of course, it’s appalling extravagance on my -part, for the shares are going up every day. -But I am going to sell a thousand pounds’ -worth of Welcomes to-day and buy that -moor.”</p> - -<p>“It is extravagance!” said Julian, and -there was an eager light in his blue eyes.</p> - -<p>“Like to have the shares?” said Loring -imperturbably.</p> - -<p>Julian hesitated.</p> - -<p>“I should like them, of course,” he said, -rather breathlessly. “So would lots of other -fellows. But, you see, my thousands, what -there were of them, are all locked up in the -Welcome already.”</p> - -<p>“You wouldn’t think it worth while -to borrow, I suppose?” enquired Loring carelessly.</p> - -<p>“There’s a little difficulty known as -security.”</p> - -<p>“For some fellows, of course,” was the -answer. “But not for you. You’ve got money -coming to you.”</p> - -<p>Julian coloured a dull red, and looked<span class="pagenum"><a name="Page_117" id="Page_117">{117}</a></span> -down at the carpet, moving his foot to and fro -uneasily.</p> - -<p>The idea of raising money on a reversion -for such a purpose was for the moment inexpressibly -repugnant to him.</p> - -<p>“The shares are going up every day,” -said Loring; “you ought to make a good -thing of it; and you’ll sell at the end of -this week, I take it? However, of course, I -don’t want to press you. They’ll go off fast -enough.”</p> - -<p>Julian lifted his head suddenly, and -drove his clenched hand deep down into his -pocket.</p> - -<p>“I’ll do it,” he said. “All right, Loring, -I’ll take them.”</p> - -<p>“To-day?” said Loring suavely.</p> - -<p>“To-day!” returned Julian, almost -fiercely.</p> - -<p>He turned and left the room abruptly, -without another word. And Loring, with -the smile of the night before touching his lips -once more, took up his paper again. Apparently -he had forgotten the letter he had -received from South Africa on the previous -day, and the news it contained.</p> - -<p><span class="pagenum"><a name="Page_118" id="Page_118">{118}</a></span></p> - -<h2 id="CHAPTER_VII">CHAPTER VII</h2> - -<p class="noindent"><span class="smcap">It</span> was six o’clock on the following day, and -in the sunset light of the July evening—a -light with which the bustling, hurrying, -unlovely crowd on which it fell seemed -strangely out of harmony—the current of -human life was setting strongly in every -direction from the City. Along Cornhill, going -against the stream, but driven, nevertheless, -at a pace which was looked upon far from -favourably by the police occupied in regulating -the traffic, there came a hansom cab. In the -cab, with one hand gripping the doors until -the knuckles stood out white, was Julian -Romayne. His hat was pulled slightly forward -over his brow, as if with some half-conscious -sense of the ghastliness of his face, some -instinct to hide that ghastliness from casual -eyes. His face was of a livid pallor. There<span class="pagenum"><a name="Page_119" id="Page_119">{119}</a></span> -were grey shadows about the mouth, which -was set into hard lines of temporary and -difficult self-control. His nostrils, not sensitive -as a rule, quivered slightly as the pace of his -horse slackened perforce now and again; he -gave no other slightest sign of consciousness -of his surroundings.</p> - -<p>The cab turned out of Cornhill, and in -another second pulled up suddenly. Almost -before the cab had stopped, Julian flung open -the doors and leapt out. He paid the man -double his fare, dashed into the building before -which they had stopped, and up the stairs -to an office on the second floor. His hand -was shaking like a leaf as he stretched it out -to try the lock of the door. It yielded to his -touch, and he flung it roughly open and passed -rapidly in. The outer office had only one -occupant, a rather feeble-looking little man, -who was trying to improve the appearance of -a shabby hat by a careful application of his -coat-sleeve. He looked up with a start on -Julian’s entrance, and an expression of comprehending -concern dawned on his face. -He was the messenger of the Welcome -Diamond Mining Company. Before he could<span class="pagenum"><a name="Page_120" id="Page_120">{120}</a></span> -speak, however, a hoarse, peremptory question -broke from Julian:</p> - -<p>“Mr. Ramsay’s not gone?”</p> - -<p>“Not yet, sir,” was the answer, given -with timid alacrity. “He’s here later -than usual to-night, you see, in consequence——”</p> - -<p>But before the first words were fairly -uttered, Julian had crossed the room, and -as he reached the second door leading into the -inner office, it opened quietly, and Ramsay -stood on the threshold. He was looking as -imperturbable and uninterested as usual, -and his voice was dry indifference itself as he -observed:</p> - -<p>“I have been expecting you all day.”</p> - -<p>Without a word Julian strode past him -into the manager’s room, and then, as Ramsay -shut the door calmly, he said, in a quick, -unnatural tone, which also carried with it a -curious suggestion that he had not even heard -Ramsay’s words:</p> - -<p>“It’s a mistake! It’s a mistake! It -must be!”</p> - -<p>Ramsay’s only answer was a slight shrug -of the shoulders as his dull eyes rested, apparently<span class="pagenum"><a name="Page_121" id="Page_121">{121}</a></span> -with complete indifference, upon -Julian’s face; and the latter went on, rapidly -and unevenly:</p> - -<p>“I’ve only just heard. I’ve been out of -town all day. I’ve come to hear—to see what -can be done.”</p> - -<p>The last words were hardly audible, as -though his mouth was so parched that he -could hardly articulate. He lifted his hand -as if involuntarily, and pushed back his hat, -fixing a pair of fierce, burning eyes upon -Ramsay.</p> - -<p>“There’s nothing to be done, of course,” -said Ramsay drily. “The thing’s collapsed.”</p> - -<p>A harsh, wild laugh rang through the -room, its faint echoes startling the little man -in the outer office.</p> - -<p>“Collapsed!” cried Julian. “Collapsed, -by Heaven!”</p> - -<p>He put out one hand gropingly, caught -at a chair near him and dropped heavily -into it, letting his face fall forward upon -his folded arms as they rested upon its -back.</p> - -<p>Only half an hour had passed since he -had gone to his rooms in the Temple after<span class="pagenum"><a name="Page_122" id="Page_122">{122}</a></span> -a picnic on the river, to find waiting for him -there a telegram from Ramsay. And into that -half-hour had been compressed such a desperate -stand against despair as is little less terrible -than despair itself. The telegram had told -him that on the opening of the Stock Exchange -that morning it had been spread abroad on -unimpeachable authority that the Welcome -Diamond Mine was under water. This evening, -the inevitable sequel of such a fact, as he -knew too well, shares in the Welcome -Diamond Mining Company were so much -waste-paper.</p> - -<p>Ramsay stood for a moment looking at -him, with a rather curious expression on his -inexpressive face.</p> - -<p>“It’s a turn of the game,” he said drily. -“If you stand to win, you must stand to -lose, too. You hadn’t thought of that, I -suppose?”</p> - -<p>With a sudden tumultuous movement, -as though his agony of mind was no longer -to be endured in stillness, Julian sprang -from his chair and began to walk up and -down the room with hasty, uneven strides.</p> - -<p>“Thought of it!” he cried. “What was<span class="pagenum"><a name="Page_123" id="Page_123">{123}</a></span> -there to make one think of it? It was a -certainty yesterday, man; a certainty!”</p> - -<p>A spasm passed across his face, and seemed -to cut off his words, and Ramsay observed -sententiously:</p> - -<p>“It’s a mistake to reckon anything as a -certainty till you hold it in your hand.”</p> - -<p>Julian faced round suddenly and confronted -him, his eyes blazing, every feature -working.</p> - -<p>“What the devil is the good of saying -things like that?” he demanded. “Can’t -you understand that I have reckoned on -it, as you call it? Can’t you understand -that it was all or nothing with me, -and I am just done? Can’t you understand——”</p> - -<p>He broke off suddenly, and, turning away -with a heavy groan, flung himself into a chair, -and let his face fall forward on the table. For -all that he was face to face with at that -moment he could have found no words. The -remorse, the sense of failure and helplessness, -the despair which seemed to be -tearing his heart to pieces, were one intolerable -anguish.</p> - -<p><span class="pagenum"><a name="Page_124" id="Page_124">{124}</a></span></p> - -<p>Ramsay followed him with his eyes, -and then crossed the room quietly, and -stood beside his bowed figure, which was -shaken now and again from head to foot.</p> - -<p>“Is it so bad as this, boy?” he said -quietly. Then, as there came no answer, -he went on meditatively: “Ten thousand -pounds! Ten thousand isn’t so much to lose. -Counters in the game, that’s all.”</p> - -<p>He paused, and after a moment Julian -lifted his face, haggard and drawn.</p> - -<p>“It’s the stake you must look to,” he said. -“My stake was heavy, Ramsay. Oh, you’re -right enough. Ten thousand pounds isn’t -much. I borrowed a thousand yesterday—raised -it on a reversion—to get hold of some -shares Loring wanted to sell. That wasn’t -much either, of course.”</p> - -<p>He had spoken in a dreary, monotonous -voice, which was inexpressibly hopeless. And -Ramsay’s eyes were fixed keenly on him as -their owner said drily:</p> - -<p>“You bought a thousand pounds’ worth of -Loring’s shares yesterday? Did you know -that he was selling out all his interest in the -Welcome?”</p> - -<p><span class="pagenum"><a name="Page_125" id="Page_125">{125}</a></span></p> - -<p>Julian turned with a quick, startled movement, -and then paused.</p> - -<p>“All his interest?” he repeated. “He -wanted a thousand to pay for a Scotch moor, -that was all.”</p> - -<p>“He sold every share he had yesterday,” -returned Ramsay. “Curious coincidence.”</p> - -<p>“You don’t mean to tell me——”</p> - -<p>The eyes of the two men met; and Julian -sprang to his feet with a fierce imprecation.</p> - -<p>“He knew it?” he cried; “he knew it, -and kept it dark, that he might keep the -market to himself? It isn’t possible, Ramsay; -it isn’t possible!”</p> - -<p>“Nothing is impossible,” returned Ramsay -quietly.</p> - -<p>A savage, hissing breath came from between -Julian’s set teeth, and he seemed -literally alive with passion. Without a word -he stretched out his hand for his hat and -turned to leave the room. Ramsay quietly -intercepted his passage.</p> - -<p>“Where are you going?” he said.</p> - -<p>“I’m going to see Mr. Loring.”</p> - -<p>The slightest possible smile touched the -elder man’s lips, and he said:</p> - -<p><span class="pagenum"><a name="Page_126" id="Page_126">{126}</a></span></p> - -<p>“All right. I shall have something to say -to Mr. Loring, too. But listen to me, first. -Was it a desperate necessity to you to pull off -this affair?”</p> - -<p>Julian did not speak. His lips twitched -for a moment, then settled into a thin -line; and the look in his eyes was answer -enough.</p> - -<p>“Very good, then,” said Ramsay. “Come -and see me here to-morrow at six. I may -be able to give you a hand.”</p> - -<p>With a gesture of uncomprehending assent, -but with no word of answer, Julian turned -away and left the room.</p> - -<p class="tb">Three-quarters of an hour later he was -coming rapidly down the staircase which led -from Loring’s chambers. His face was flushed -and quivering, and every pulse was beating -madly, like the pulses of a man who has just -given unrestrained expression to furious -passion. He turned on to the Embankment, -and began to walk away in a headlong fashion, -evidently neither knowing nor caring where he -was going.</p> - -<p>And as he walked the tumultuous life and<span class="pagenum"><a name="Page_127" id="Page_127">{127}</a></span> -glow of his face died slowly out, and settled -into a haggard, sullen mask of dull despair. -He had spoken his mind to Loring, and now -there was nothing more for him to do.</p> - -<p><span class="pagenum"><a name="Page_128" id="Page_128">{128}</a></span></p> - -<h2 id="CHAPTER_VIII">CHAPTER VIII</h2> - -<p class="noindent"><span class="smcap">“We</span> are all the slaves of man, my dear -Lady Bracondale. You are kept in town -because Parliament insists on keeping your -husband; and I am kept in town because—oh, -because the most capricious young man -in London happens to be my son!”</p> - -<p>An afternoon call in the first week of -August is distinctly an anomaly, and seems -to partake somewhat of the nature of a visit -of condolence. Parliament was sitting late -this year, and those hapless wives who considered -it their duty to wait in town until -their legislating husbands were released, visited -one another, and were visited by the one -or two acquaintances detained in London -by other causes, in a manner which betrayed -a combination of martyrdom and shamefacedness.</p> - -<p><span class="pagenum"><a name="Page_129" id="Page_129">{129}</a></span></p> - -<p>Lady Bracondale, who was nothing if -not a personification of duty done, or in the -act of doing, was being condoled with, or called -upon, on this particular August afternoon, -by two distinct sets of sympathising acquaintances; -two sets, which, in spite of placid -words and pretty speeches, seemed to be -entirely incapable of amalgamation; Mrs. -Romayne, and Mrs. Pomeroy and her daughter, -who had arrived a few minutes later. And -it was to Mrs. Pomeroy that Lady Bracondale—who -had a peculiar gift for saying in a -stately and condescending manner the things -which quicker perceptions would have recognised -as not being precisely the best things -to be said under the circumstances—turned, -as Mrs. Romayne stopped speaking.</p> - -<p>“I suppose Mrs. Romayne looks upon -you as the exception that proves her rule,” -she said. “For it is not a case of manly -compulsion with you, I believe? I hope your -sister goes on well?”</p> - -<p>Mrs. Pomeroy, having neither husband -nor son, was detained in town by the presence -in her house of the sister whom she had -visited earlier in the year, and who had spent<span class="pagenum"><a name="Page_130" id="Page_130">{130}</a></span> -the last month under the care of a London -doctor. But her tone was as placid as ever -as she replied:</p> - -<p>“Thank you, I believe they consider her -nearly recovered, for the time being. She -hopes to go home this week. And then Maud -and I will go and pay some country visits. -We don’t think of going abroad this year. -I shouldn’t feel easy to be out of England -while my sister remains in this state.”</p> - -<p>“But that’s not compulsion at all!” exclaimed -Mrs. Romayne gaily. “You are -acting entirely on your own impulse. Now, -just consider my hard case. We were going -to Pontresina; you know I’m very fond of -Pontresina; it’s such a dear, bright, amusing -place. And we were to have started yesterday. -Now, imagine my feelings when, two nights -ago, that boy of mine came home, and said -that, on the whole, he thought he’d rather -not go abroad this year; he’s taken with -an enthusiasm for his profession, if you please, -and he must needs stay somewhere quiet—so -he says—and work at it. I must do him -the justice to say that he was awfully apologetic, -dear fellow!” Mrs. Romayne laughed<span class="pagenum"><a name="Page_131" id="Page_131">{131}</a></span> -her little affected, maternal laugh. “He was -very anxious that I should go without him, -and even offered to give up his own plan -when he found how preposterous I thought -that part of his idea.”</p> - -<p>There was not the faintest difference in -Mrs. Romayne’s voice by which it would -have been possible to tell that her last -statement was even less veracious than any -other part of her speech, and that Julian’s -proposal to give up his plan was a figment -of the moment only.</p> - -<p>“And then of course I gave in,” she continued. -“Of course, he knew I should—the -wretch! And we’re to have a cottage -on the river, and spend six weeks there.”</p> - -<p>She finished with a little grimace, and -Lady Bracondale observed politely:</p> - -<p>“I’m afraid you will find it rather dull.”</p> - -<p>“I shall find it very dull,” returned Mrs. -Romayne with ingenuous frankness. “I -shall be bored to death. But, then, you -all know that I am really a very ridiculous -woman, and if my lord and master is content, -there is nothing more to be said. He’s kind -enough to assure me that there are lots of<span class="pagenum"><a name="Page_132" id="Page_132">{132}</a></span> -nice people about! I don’t know what -kind of nice people one is likely to find -about the river in August and September, -but I take his word for it.”</p> - -<p>“I believe the Comptons have a house-boat -somewhere,” observed Miss Pomeroy.</p> - -<p>It was her first contribution to the conversation, -and it was made apparently -rather because conventionality by this time -demanded a remark of some sort from her, -than from any interest in the subject. -Before any reply could be made, the door -opened, and Marston Loring was announced.</p> - -<p>Mrs. Romayne had been looking rather -sharp-featured, and there was a great restlessness -in her eyes. It seemed to leap up and -then settle suddenly into comparative repose -as they rested on Marston Loring, and as -he turned to shake hands with her she -greeted him gaily. It was their first meeting -since the night of the Academy soirée, -but Loring’s manner was absolutely unmoved. -His greeting to her differed in nowise from -his greeting to the other two ladies, and -if that fact in itself involved a subtle -change in his demeanour towards her, the<span class="pagenum"><a name="Page_133" id="Page_133">{133}</a></span> -change was observed by one pair of eyes -only—a pair of demure brown eyes. Miss -Pomeroy had been a good deal interested -in Marston Loring’s comings and goings -during the fortnight she spent in Queen -Anne Street.</p> - -<p>“I thought you were gone,” Mrs. Romayne -said lightly. “What are you doing in town -to-day, may one ask, when you were booked -to start for Norway yesterday?”</p> - -<p>“Business,” he returned in a tone which -addressed the whole company rather than -any member of it individually. “I am -investing in a Scotch moor, and I can’t -leave London till I have signed and -sealed.”</p> - -<p>There was a delicate implication of wealth -about the statement which seemed to give -a curious fillip to the conversation; and an -animated discussion ensued on Scotland, its -charms and its disadvantages.</p> - -<p>Mrs. Romayne held her part in the -discussion with unfailing readiness, and as -the subject exhausted itself she rose to -take leave. She said good-bye in her -usual charming manner to her hostess, and<span class="pagenum"><a name="Page_134" id="Page_134">{134}</a></span> -to Mrs. Pomeroy and her daughter, and -then she turned to Loring.</p> - -<p>“By-the-bye,” she said carelessly, “I’ve -a piece of property of yours in the carriage. -Did you know you had lost something when -you called the other day? No, I shan’t -tell you what it is, you very careless person! -But I’ll give it you if you like to come -down for it.”</p> - -<p>She turned away; Loring followed her -perforce; and there was an ugly smile on -his face as he did so. At the foot of the -stairs she paused; then with a quick glance -towards an open door which led into a -dining room, she went rapidly towards it, -signing to him to follow her. Once within -the room, she turned and faced him. She -was smiling still, but the smile was stiff -and mechanical, and her eyes, as she fixed -them on his face, were desperately anxious. -There was a curious ring of conscious -helplessness and reliance on the man to -whom she spoke, about her voice as she -began to speak.</p> - -<p>“I wanted to speak to you,” she said. -“I’m so glad to see you. I’m rather perplexed.<span class="pagenum"><a name="Page_135" id="Page_135">{135}</a></span> -Julian has taken it into his head -to stop in town, or, rather, close to town. -He won’t go abroad; he won’t visit. Can -you tell me the reason? Will you try and -find out the reason? May I rely on you? -But of course I know I may.”</p> - -<p>There was a tone almost of relief in her -voice, as if in the mere making of the -confidence, in the sense of companionship -and support it gave her, she found some -sort of ease.</p> - -<p>And Loring smiled again as he met her -eyes.</p> - -<p>“I’m sorry to have to dispel an illusion -which is so flattering to me,” he said, with -the slightest possible accentuation of his -usual quiet cynicism of manner. “But it’s -useless to assume that I can be of any -further service to you.”</p> - -<p>He stopped, watching with keen, relentless -eyes the effect of his words. A startled -look came to the face turned towards him. -The eyebrows were lifted and contracted with -a quick movement of perplexity. Evidently -she believed that she had not fully understood -him, for she did not speak, and he went on:</p> - -<p><span class="pagenum"><a name="Page_136" id="Page_136">{136}</a></span></p> - -<p>“Your son and I have quarrelled. He -has insulted me grossly. For the future -we are strangers to one another. Consequently -you will see that I shall be no -longer able to keep him out of mischief.”</p> - -<p>There was an indescribable tone in his -voice, ominous and vindictive. And as he -spoke, Mrs. Romayne’s face seemed to grow -old, and her eyes dilated.</p> - -<p>“It can be put right,” she said, in a -quick, uncertain voice. “He will apologise. -You will forgive——”</p> - -<p>Loring interrupted her, very coldly and -incisively.</p> - -<p>“He will not apologise!” he said. “And -I should not accept any apology. I needn’t -suggest, of course, that, under the circumstances, -our acquaintance, much as I regret -this, had perhaps better cease.”</p> - -<p>They faced each other for another moment, -and into Mrs. Romayne’s eyes there crept -a sick despair strangely incongruous with -the surface appearance of the position. Then -she seemed to recover herself as if with a -tremendous effort of will. She drew herself -up, bowed her head with grave dignity,<span class="pagenum"><a name="Page_137" id="Page_137">{137}</a></span> -and moved to leave the room. He held -the door open for her with an absolutely -expressionless countenance. She passed down -the hall to where the servant was waiting at -the door, went out, and got into her carriage -alone.</p> - -<p>Loring stood at the foot of the stairs -watching her, and then turned with a cruel -contentment in his eyes, and went upstairs -again to the drawing-room.</p> - -<p>The two elder ladies were sitting with -their heads very close together, as he -opened the drawing-room door, evidently -deep in some question of domestic importance. -And standing by a conservatory -window at the other end of the room, a -rather bored-looking figure in its solitary -girlishness, was Maud Pomeroy. The occasion -being, as has been said, something of an -anomaly, conventions were not so strict as -usual. Lady Bracondale just glanced up -with a vague smile as Loring reappeared, -and then became absorbed in conversation -as he strolled across to Maud Pomeroy. She -looked up at him with a faint smile.</p> - -<p>“Has Mrs. Romayne gone?” she said.</p> - -<p><span class="pagenum"><a name="Page_138" id="Page_138">{138}</a></span></p> - -<p>He signified a careless assent, and then -said:</p> - -<p>“You are looking rather bored, do you -know, Miss Pomeroy? Suppose we go and -look at the flowers until we’re wanted?”</p> - -<p>She hesitated a moment, and then -moved idly into the conservatory, looking -back at Loring with a smile as he followed -her.</p> - -<p>“I was a little bored,” she confessed. -“It is very kind of you to come and amuse -me.”</p> - -<p>For the next moment or two Loring -could hardly be said to prove himself very -amusing. He sauntered round the little -conservatory at his companion’s side, his -eyes fixed keenly upon her impassive profile -with something very calculating in their -depths. Miss Pomeroy also was apparently -absorbed in thought, and did not notice -his silence.</p> - -<p>“You are a great friend of the Romaynes, -are you not?” she said at last, in her thin, -even, very “proper” tones.</p> - -<p>Loring glanced at her again.</p> - -<p>“Well,” he said, “that’s not a question<span class="pagenum"><a name="Page_139" id="Page_139">{139}</a></span> -that it’s particularly easy for me to answer, -to-day. I have been on fairly intimate terms -with them, as you know. But do you know -what that kind of thing sometimes leads to?”</p> - -<p>Miss Pomeroy shook her head.</p> - -<p>“Well, there is such a thing as knowing -people too well,” said Loring deliberately. -“And then you find out little traits that -don’t do. To tell you the truth, Romayne -and I have quarrelled.”</p> - -<p>“I’m glad of that,” said Miss Pomeroy -softly.</p> - -<p>He looked at her quickly, but he was -not quick enough to catch the spiteful gleam -in her eyes.</p> - -<p>“Would it be inquisitive to enquire -why?” he said.</p> - -<p>“I don’t think Mr. Romayne is a nice -young man,” was the answer. “I would -rather people I like——” She broke off -in pretty confusion. “I would rather you -weren’t a friend of his, Mr. Loring. I think -there’s a great deal about him that nobody -knows.”</p> - -<p>“Indeed!” said Loring, interrogatively -and quietly.</p> - -<p><span class="pagenum"><a name="Page_140" id="Page_140">{140}</a></span></p> - -<p>“You see,” she said, with charming -seriousness, “I think a girl can often feel -whether a man is nice or nasty quicker -than another man can. Mr. Loring, has -Mr. Romayne ever said anything to you—Oh, -please don’t think it’s very odd of me -to say such things to you! Has he ever -said anything that made you think he might -be married?”</p> - -<p>There was a hardly perceptible pause—a -hardly perceptible flash of comprehension -on Loring’s face, and the vindictive satisfaction -in his eyes deepened.</p> - -<p>“What makes you ask me that?” he -said, in a tone which seemed to fence -gravely with the suggestion rather than to -repudiate it.</p> - -<p>Miss Pomeroy responded with growing -conviction.</p> - -<p>“Because I’m quite sure that he is -married. And, of course, as he doesn’t -own it, there must be something—something -not nice about it. And it does seem to -me so wrong that people should like him -so much when he isn’t a bit what they think -he is.”</p> - -<p><span class="pagenum"><a name="Page_141" id="Page_141">{141}</a></span></p> - -<p>The man’s eyes and the girl’s eyes met -at that moment for the first time. The girl’s -were perfectly clear, mild, and expressionless, -and into the man’s there stole a cynical tinge -of admiration.</p> - -<p>“By Jove,” he said to himself, “she is -clever!”</p> - -<p>At that instant Mrs. Pomeroy’s voice -was heard from the drawing-room calling -placidly for her daughter. And Miss -Pomeroy moved forward with graceful -promptitude into the drawing-room.</p> - -<p>“We shall meet in Scotland by-and-by, -I believe,” said Loring pleasantly, as he -shook hands with Miss Pomeroy. “You -were to be at the Stewarts’, I believe, in -the last week of September, and so am I. I -shall look forward to it. Good-bye, Miss -Pomeroy.”</p> - -<p>“Good-bye, Mr. Loring.”</p> - -<p>A few minutes later Loring also took -leave of Lady Bracondale and went away. -The satisfaction was stronger than ever in -his eyes. Maud Pomeroy’s words had somehow -or other carried instantaneous conviction -to his mind, and in the fact he believed<span class="pagenum"><a name="Page_142" id="Page_142">{142}</a></span> -them to contain he saw certain social ruin -for Julian Romayne.</p> - -<p>“He’s done for himself all round,” he -said to himself as he let himself into his -rooms half an hour later. “That nice -little house in Chelsea will be to let next -season.”</p> - -<p>At that same moment, in the manager’s -room at the offices of the Welcome Diamond -Mining Company, Julian Romayne was standing -by the table, looking down at Ramsay -as the latter sat leaning back in his chair, -indifferent enough in attitude, but with a -hard intensity of expression in his dull -eyes. Julian had evidently just risen, -pushing back his chair, the back of which -he was gripping almost convulsively. His -face was ashen, his eyes were dilated -with an expression of desperate, intolerable -temptation.</p> - -<p>“I’ll do it,” he was saying in a harsh, -unnatural voice. “I’ll do it, Ramsay. -Shake hands on it.”</p> - -<p><span class="pagenum"><a name="Page_143" id="Page_143">{143}</a></span></p> - -<h2 id="CHAPTER_IX">CHAPTER IX</h2> - -<p class="noindent"><span class="smcap">The</span> cottage which Mrs. Romayne had -taken for August and September, on Julian’s -refusal to go abroad, was situated a few -miles above Henley. It was a very -charming little house, to which the term -“cottage” was applicable only in mock -humility; and it was very charmingly -situated. It had a delightful garden, not -large, but full of “roses, and sunflowers, -and all sorts of things,” as Mrs. Romayne -explained to Julian after her visit of inspection. -Its lawns sloped down to the -river, and altogether, on the same authority, -it was a wonderful chance to get hold of it.</p> - -<p>The statement which Mrs. Romayne had -made to Lady Bracondale on Julian’s -authority, that there were “nice people -about,” had originated, as a matter of fact,<span class="pagenum"><a name="Page_144" id="Page_144">{144}</a></span> -not with Julian, but with his mother herself. -It was quite true, nevertheless; but -apparently Julian’s sudden desire for quiet -had proved infectious. The acquaintance -between herself and her present neighbours -being of the slightest, Mrs. Romayne made -no such attempt as might have been expected -of her to develope that acquaintance.</p> - -<p>She seemed to be strangely without -impetus in herself towards action of any -kind. She was “resting,” some people -might have said; she was pausing, certainly. -But whether, as the days went -on, her life did not signify rather temporary -and enforced quiescence, than the -peaceful and pleasant suspension of labour, -might have been an open question.</p> - -<p>It was a hot, bright August; day after -day the sun shone steadily down, as Julian -departed for town after an early breakfast, -at which his mother never failed to appear. -Day after day it shone through all the -long, little-broken hours upon the quiet -house and garden, about which the one -woman’s figure moved in almost total -solitude, until, with the evening, Julian<span class="pagenum"><a name="Page_145" id="Page_145">{145}</a></span> -returned again. Evening after evening -the mother and son spent alone, but by -no means always together. After their -dinner, during which conversation seldom -flagged between them, any more than it -would have flagged between two friendly -and well-bred acquaintances, Mrs. Romayne -would sit in the drawing-room with a bit -of fashionable fancy-work in her hand, -into which she only occasionally put a -stitch; and sometimes Julian would spend -half an hour with her there, reading the -newspaper and carrying on the talk of -dinner; or sometimes he would stroll out -into the garden at once, and come in only -just before bed-time.</p> - -<p>Mrs. Romayne never followed him and -never questioned him. Perhaps it was the -curiously still life she led which brought so -strange and still an expression to her face; -a stillness which suggested a slow, wearing -waiting, and a mingled concentration, watchfulness, -and patience.</p> - -<p>It was an evening in the second week of -September, and she was walking up and -down the lawn in the fading sunset light.<span class="pagenum"><a name="Page_146" id="Page_146">{146}</a></span> -She was moving with slow, regular steps, -with the monotonous motion of a woman -to whom the even movement brought some -sort of relief or soothing. There was an -indescribable touch of desolateness about -her lonely figure as she moved up and -down before the empty house.</p> - -<p>A servant came out to her by-and-by -with some newly-arrived letters. She took -them, and then, her monotonous motion -being perforce suspended, a sense of -physical fatigue seemed to assert itself, -and she sat down on a low basket-chair.</p> - -<p>A sigh came from her as she did so, one -of those sighs which in their unconsciousness -are so suggestive of habitual suffering. She -paused a moment, looking away into space -with absent eyes. Then she seemed to -rouse herself, and took up one of the letters -as if forcing herself to seek relief from the -current of her monotonous thoughts. She -had opened the envelope and read the -letter half through in a mechanical, uninterested -way, when its contents seemed -suddenly to arrest her attention. A change -came to her expression, a change which<span class="pagenum"><a name="Page_147" id="Page_147">{147}</a></span> -in its slight quickening and revival showed -how dulled, almost numbed, it had been -before.</p> - -<p>She turned once more to the beginning -of the letter and read it again.</p> - -<div class="blockquote"> - -<p class="right">“<span class="smcap">Glenfyle, Ross-shire.</span></p> - -<p class="noindent">“<span class="smcap">Dear Mrs. Romayne</span>,</p> - -<p>“I am so sorry to have to ask you to -postpone the visit which you had promised -us for the end of this month. I find that -by some stupid mistake my husband and -I have given separate invitations for the -same date. As there is, unfortunately, no -doubt that his invitation was given first, -there falls upon me the very disagreeable -task of explaining the situation to you and -your son, and begging you to forgive me.</p> - -<p class="center">“Yours truly,</p> - -<p class="center">“<span class="smcap">Marion Stewart</span>.”</p> - -</div> - -<p>Mrs. Romayne leant back in her chair, -not indolently, but with an intent consideration -in every line of her figure; and -letting the hand that held the letter fall -on her knee, she sat gazing at the written -words with sharp, angrily sparkling eyes,<span class="pagenum"><a name="Page_148" id="Page_148">{148}</a></span> -which looked as though they were bent on -piercing through the words themselves to -the meaning which she believed they hid. -She was evidently surprised and annoyed; -as evidently she gave not an instant’s -credence to the reason alleged for the postponement -of the visit in question; and the -slight involved in this postponement, indefinite, -as she noticed with an unpleasant little -smile, seemed to stimulate her.</p> - -<p>Her face had grown even vindictive, -when her eyes fell on the postmark of the -second letter lying on her knee. It was that -of the same little Scotch town, the name of -which was stamped upon the already opened -envelope. She took it up eagerly, and as -she saw the handwriting, she paused for an -instant, and a flash of intense consideration -passed across her face. Then she tore it -hastily open. It was from Mrs. Pomeroy, -and it conveyed in three long-winded and -incoherent sheets a piece of news which -the writer was sure would delight Mrs. -Romayne.</p> - -<p>“Dear Maud,” the letter said, was just -engaged to “that charming Mr. Loring.”<span class="pagenum"><a name="Page_149" id="Page_149">{149}</a></span> -Mrs. Pomeroy’s mind seemed to be in a -state of somewhat considerable confusion -between a theoretical and conventional -sense that it was very sad for her to lose -her daughter, and a certain practical and -actual sense, which by no means harmonised -with the theoretical one, and all unconsciously -threw a good deal of light on the relations -between the mother and daughter, as they -actually existed. The coherence of the letter -was further disturbed by sundry sentences, -which dovetailed so oddly into the general -fabric that they had somewhat the appearance -of being inserted to order; sentences which -conveyed various repetitions of “dear Maud’s” -assurance of Mrs. Romayne’s congratulations; -and various repetitions of the statement -that Mr. Loring’s financial position had -recently improved amazingly, and that he -was sure of a seat in Parliament at the -forthcoming general election.</p> - -<p>“He has been staying with the Stewarts -during the whole of our visit to them,” the -letter ended. “Dear Lady Marion has -been so kind about it, and taken such an -interest.”</p> - -<p><span class="pagenum"><a name="Page_150" id="Page_150">{150}</a></span></p> - -<p>“Ah!”</p> - -<p>The exclamation, uttered, evidently involuntarily, -just above her breath, came from -Mrs. Romayne’s lips sharply and bitterly. -She had read the letter through with certain -quick movements of her eyebrows, and -mocking smiles coming and going about her -thin lips, and they smiled again as she folded -the letter deliberately and put it back into -its envelope. She was looking thoroughly -roused now, and there was a confidence in -her alert, determined expression. It was -the kindling up of martial spirit at a -challenging trumpet-call from a well-known -battlefield.</p> - -<p>If Marston Loring and his future wife -were indeed arranging their forces for the -undermining of Mrs. Romayne’s social position—and -Miss Pomeroy and Loring between -them could have pieced out a very sufficient -explanation of Lady Marion Stewart’s note—the -campaign, judging from appearances at -that moment, was likely to be far from a tame -one.</p> - -<p>Mrs. Romayne was still sitting with the -letters in her hand, tapping one foot with<span class="pagenum"><a name="Page_151" id="Page_151">{151}</a></span> -impatient vigour upon the grass, and there -was the same eager intentness in her eyes, -when from the house behind her the sound -of a dinner-bell rang out. She started -violently, and in the start something seemed -to fall between her and the subject on which -her thoughts had been busy. A curious shade -of that new stillness replaced the energy on -her face. It was the dressing-bell, and she -rose mechanically; and as she turned towards -the house her eyes fell upon the figure of -Julian. He had evidently been standing on -the verandah, and as she rose he had turned, -and was disappearing into the house. -Another shade of stillness fell upon her face, -as though the letters she had received, and -the feelings they had stirred, had receded into -the distance.</p> - -<p>It often happened that the mother and -son did not meet, on Julian’s return home -in the evening, until dinner-time, and it -happened so this evening. The dinner-bell -was ringing when Julian came downstairs -with a quick word or two of apology, and -followed his mother into the dining-room.</p> - -<p>Julian looked as though his month’s hard<span class="pagenum"><a name="Page_152" id="Page_152">{152}</a></span> -work had by no means agreed with him. -His face was even painfully thin and worn, -and there was an expression of hard concentration -about it which seemed to age it -strangely. His eyes were rather sunken. It -was a curious feature of a change in him less -easily defined, that his likeness to his mother -had faded considerably. All the character of -his face now seemed to originate about his -mouth; that mouth of which Mrs. Romayne -had been wont to say with affected gaiety -that it was like nobody in particular; that -mouth which had been a somewhat weak and -undecided feature. There was nothing undecided -about it now, and Mrs. Romayne -never looked at it without a deepening of -that stillness on her face. It was set into -heavy, resolute lines.</p> - -<p>No one, indeed, judging from the bare -outline of Julian’s daily life during that hot -August, could have wondered at the signs of -physical wear and tear that he exhibited. -Ten o’clock, on every one of those sultry days, -found him at work, not indeed in the Temple, -but in an office in the City; and it was from -the same office that he would issue forth at<span class="pagenum"><a name="Page_153" id="Page_153">{153}</a></span> -about five o’clock to catch the train for -Henley, sometimes with sullen determination, -sometimes with a pale, fierce excitement on -his face.</p> - -<p>The affairs of the Welcome Diamond Mining -Company had readjusted themselves, after -the blow which had threatened the company’s -very existence, as hardly the most sanguine -could have hoped. Ten days after the -announcement of the presence of water in the -mine, some of the newspapers published -another telegram which had been received by -the directors. The passage of the water, by -which the existing mine was rendered -practically useless, had revealed hitherto unsuspected -possibilities, and there appeared -to be little doubt that the first mine had -been, as it were, only a pledge of -still richer strata yet to be worked. One -telegram followed another, confirming the -report in greater detail. Prospectuses were -issued, setting forth a proposal to utilise the -opportunity thus opened, and debentures were -issued for the providing of the necessary funds. -These debentures were taken up somewhat -slowly at first, but on the arrival in England<span class="pagenum"><a name="Page_154" id="Page_154">{154}</a></span> -of specimens of diamonds from the new lead, -together with a circumstantial report, they -were taken up with a rush. Works were -understood to be already on foot, and -dividends were looked for at an early date. -The new managing director of the company -was Julian Romayne.</p> - -<p>There was a kind of dry excitement about -him to-night behind the deliberate assumption -of conversational interest which was his never-changing -manner with his mother now, and -his hand shook a little as he poured himself -out more wine than usual.</p> - -<p>He did not rejoin his mother in the -drawing-room, saying something as she left -him about having letters to write; and two -hours afterwards he was walking up and -down the lawn in the moonlight with a -cigar.</p> - -<p>There was a fierce restlessness in his step, -and there was a fierce restlessness in his face, -too. He had been walking there for half an -hour when a shadow passed across the blind -of the drawing-room window—the night was -very hot and the window was wide open—and -the blind was drawn up. Mrs. Romayne’s<span class="pagenum"><a name="Page_155" id="Page_155">{155}</a></span> -figure stood there outlined by the lamplight -within. The drawing-room window was -shadowed from the moonlight by an angle of -the house.</p> - -<p>“Good night, Julian!” she called.</p> - -<p>Julian stopped in his walk mechanically.</p> - -<p>“Good night, mother!” he answered. -The figure in the window seemed to hesitate -for a moment; then Mrs. Romayne moved -and drew down the blind, the lights in the -room behind went out one by one, and Julian -resumed his walk in the moonlight as -mechanically as he had stopped it.</p> - -<p>It was his custom to go, every morning, -first to his room in the Temple in case any -letters might be waiting for him there; and -on the following morning, a slight accident -on the line having considerably delayed his -train, he paused a moment before giving his -order to the cabman. He was very late, and -there was a feverish impatience in every line -of his face. He had almost decided that any -private letters might wait until the next day, -when, with a sudden, unaccountable reaction, -he sprang into the cab and told the man to -drive to the Temple.</p> - -<p><span class="pagenum"><a name="Page_156" id="Page_156">{156}</a></span></p> - -<p>He had apparently repented of the -resolution by the time the cab stopped, for he -sprang out with a muttered imprecation on -the delay. There was only one letter waiting -for him, and he caught it up fiercely. Then -the handwriting in which it was directed -caught his eye.</p> - -<p>All the tumultuous heat and impatience of -his face died out suddenly and utterly. He -stood for a moment staring down at the letter, -white to the very lips. Then he seemed -absolutely and physically to set his teeth, and -in the intense hardness of determination -which set its mark on every muscle of his -face, his whole expression would have seemed -to deteriorate, markedly and terribly, but for -the desperation in his eyes which was little -short of agony.</p> - -<p>He moved abruptly, crossed the room, -unlocked a drawer in his writing-table, and -thrust the letter in with quick, deliberate -movements, unopened. He locked the drawer -again sharply, and turned and went hastily -out of the room.</p> - -<p>The letter was from Clemence; it was the -first sign of her existence which he had<span class="pagenum"><a name="Page_157" id="Page_157">{157}</a></span> -received since their parting on that June -evening nearly three months ago.</p> - -<p>He was looking only older, harder, and -more recklessly resolute when about a quarter -of an hour later he entered the office of the -Welcome Diamond Mining Company. The -feeble-looking little messenger was in solitary -possession, and he looked up rather uneasily -as Julian wished him a brief good morning -and crossed to the door of the manager’s -room.</p> - -<p>“Mr. Ramsay’s just gone out, Mr. Romayne,” -he said. “I was to say he would -be in again directly.”</p> - -<p>Julian made a curt gesture of assent and -went on into the private room. There was -plenty of work waiting for him, it appeared, -and he was still applying himself to it with -dogged concentration, when, nearly an hour -later, the door opened and Ramsay appeared.</p> - -<p>“There you are!” he said indifferently. -“I thought you weren’t going to turn up this -morning.”</p> - -<p>Julian had just glanced up from the letter -he was writing to acknowledge the other -man’s entrance, and he went on writing as<span class="pagenum"><a name="Page_158" id="Page_158">{158}</a></span> -he explained briefly that his train had been -delayed.</p> - -<p>“No particular reason for wanting me, I -suppose?” he said in a brief, businesslike -way, as he laid down his pen.</p> - -<p>Ramsay sat down deliberately, and put -his hand into the breast-pocket of his coat.</p> - -<p>“Well, yes,” he said. “There’s a matter -here which rather calls for the attention of -the managing director.”</p> - -<p>He held out a letter as he spoke, and -Julian took it and read it quickly. Then he -laid it down on the table before him, and -looked up slowly at Ramsay. His face was -rather pale.</p> - -<p>“A general meeting of shareholders!” he -said. “Demanded!”</p> - -<p>There was a moment’s pause, while he -looked steadily into Ramsay’s immoveable -face, and then he added in the same rather -difficult tone:</p> - -<p>“Did you expect this, Ramsay?”</p> - -<p>“I never expect,” returned Ramsay drily. -“Such a thing was on the cards, of course.”</p> - -<p>Julian’s face grew dark and calculating.</p> - -<p>“Well,” he said harshly, after another<span class="pagenum"><a name="Page_159" id="Page_159">{159}</a></span> -moment’s pause, “it must be arranged for, of -course. What do you propose?”</p> - -<p>Ramsay answered the question by another.</p> - -<p>“Do you happen to know anything,” he -said, “of a man named Compton—Howard -Compton?”</p> - -<p>Julian’s brows contracted as if with an -involuntary effort to detect the relevancy -of the question as he answered tersely:</p> - -<p>“Yes. He and I belong to the same -club.”</p> - -<p>“You didn’t know, I suppose, that some -shares in the Welcome have drifted into -his hands?”</p> - -<p>Julian shook his head with a quick frown -of vexation.</p> - -<p>“Ah!” observed Ramsay; “they have, -though. And it has come to my knowledge -that various enquiries have been made into -the state of the Welcome Diamond Mine; -made on the spot, and made in secret. -And I’ve traced these enquiries to this Mr. -Howard Compton.”</p> - -<p>A dreadful grey pallor had begun to -spread itself over Julian’s face, and the -muscles seemed to have grown rigid with<span class="pagenum"><a name="Page_160" id="Page_160">{160}</a></span> -the intense force with which he held them -to their expression of dogged determination. -He did not speak, and Ramsay went on -in the same dry, indifferent way:</p> - -<p>“He is either a very clever hand, or -very cleverly advised. The one point we -score, at present, is that he has not done as he -intended to do, and taken us by surprise.”</p> - -<p>“Do you mean to say——”</p> - -<p>The words seemed to come from between -Julian’s dry, white lips almost without consciousness -on his part. His eyes were fixed -upon Ramsay with a hard, unseeing kind -of stare, his voice was hoarse, uneven, and -hardly audible, and it died away, leaving -the sentence unfinished.</p> - -<p>“The meaning is obvious, of course,” -returned Ramsay. “An affair of this kind -is a ticklish thing to pull off, and a hitch -of this kind is always possible, though I -never came across an affair in which it -seemed less probable. I don’t know yet -exactly how much our friend knows. The -meeting won’t be a particularly placid affair, -of course, and you’re likely to have a warm -time of it. But, of course, there’s a chance<span class="pagenum"><a name="Page_161" id="Page_161">{161}</a></span> -that he mayn’t know quite enough, and we -may be able to pull it through, yet.”</p> - -<p>“And if not?”</p> - -<p>Something seemed to rattle in Julian’s -throat as he spoke the words, and they -came out thick and husky.</p> - -<p>“If not?” repeated Ramsay. “Well, if -not, I think I wouldn’t go to that meeting -if I were you.”</p> - -<p>There was a moment’s dead silence, -broken only by Julian’s heavy, laboured -breathing. The two men sat there face to -face, and their eyes met with a terrible -significance of what was better unexpressed -in words. Then Ramsay’s dull eyes took -a deliberate survey of Julian’s face. It was -drawn and livid, and the elder man rose -and took from the cupboard some brandy. -He poured it into a glass with a slightly -contemptuous smile, and put it into Julian’s -hand.</p> - -<p>“You’re the very devil to work,” he -said drily. “And for all I know you may -be first-rate as a winner; but I can’t say -you’re a good loser. And it’s a useful lesson -to learn in this business.”</p> - -<p><span class="pagenum"><a name="Page_162" id="Page_162">{162}</a></span></p> - -<p>Julian drank the brandy and rose -mechanically. The strong stimulant hardly -seemed to touch the blanched horror of his -face.</p> - -<p>“What do you propose to do?” he said -in a stiff, toneless voice.</p> - -<p>“Personally, nothing,” returned Ramsay, -“until I know more. Business will go on -as usual. You’ll call the meeting, of course. -I’ll tell Harrison to get the forms ready -for you to sign. They must be sent out -to-morrow. Going?”</p> - -<p>“Yes,” said Julian heavily. “There’s -nothing more I need do to-day.”</p> - -<p>He took his hat and went slowly out -of the office, looking straight before him -like a man walking in his sleep. Ramsay -looked after him, and stood for a minute -rubbing his chin thoughtfully.</p> - -<p>“Not quite what I thought he was,” -he said to himself; “though he has served -this purpose well enough. Pity he hasn’t -a little more of his father in him. Got -all the makings of the right sort, but he -can’t stay.”</p> - -<p><span class="pagenum"><a name="Page_163" id="Page_163">{163}</a></span></p> - -<h2 id="CHAPTER_X">CHAPTER X</h2> - -<p class="noindent"><span class="smcap">The</span> early sunlight of a lovely September -morning was streaming into the room through -every crack and chink in the blinds and -curtains, making the light from the still -burning lamp look yellow, dim, and unnatural. -It was Julian’s sitting-room in the house in -Chelsea, and the light, falling here and there, -touched into distinctness many of those little -luxurious details on which the evening light -had fallen on that winter day eighteen months -before, when Mrs. Romayne had stood upon -the threshold and looked round upon her -completed arrangements, waiting then for the -use which was to give them life. On a chair -by the writing-table, his head dropped sideways -on his arm as it rested on the table, -sat Julian Romayne asleep.</p> - -<p>He was asleep, but he was not at rest.<span class="pagenum"><a name="Page_164" id="Page_164">{164}</a></span> -His face was grey and drawn; it twitched -painfully, and his hand was fiercely clenched. -Gradually an expression of terror and despair -gathered on his features, until they were -almost convulsed, and with a strangled, -gasping cry he woke and started to his feet, -trembling in every limb, and with great drops -standing on his forehead. He stood clutching -at a chair for support, while the first poignant -impression of his dream subsided, and then -he moved as though impelled by some reactionary -impulse to collect himself. He -glanced at the clock and saw that the hands -pointed to a quarter past six. He was vaguely -conscious of having heard it strike six, so -that he could have slept for a few moments -only. His lips twitched slightly at the -thought of what those few moments had held -for him. Then he realised that he was cold, -that all his limbs were stiff and aching, and -he dragged himself slowly across the room, -drew the curtains and the blinds, and stood -there in the sunshine.</p> - -<p>It was the first movement of physical -consciousness which he had felt since he left -the office of the Welcome Diamond Mining<span class="pagenum"><a name="Page_165" id="Page_165">{165}</a></span> -Company on the morning of the previous -day.</p> - -<p>How that day had passed he did not -know. Here and there in the blackness a -picture of himself stood out with uncertain -distinctness. He knew that he had telegraphed -to his mother to the effect that he -might not return to Henley for some time. -He remembered writing the words though -he could recall no mental process by which -the elaborate excuse he had made had occurred -to him. He knew that somewhere dinner had -been placed before him, though where, and -whether he had eaten, he knew not at all. -For the rest, an impression of ceaseless -walking, of interminable streets giving place -imperceptibly to the four walls of his own -room, made up the only actual background -in his memory to the intense mental consciousness -which had usurped for the time -being the tangibility of material things.</p> - -<p>The favourable turn in the affairs of the -Welcome Diamond Mining Company had been -founded on a deliberate system of forgery -and fraud, planned by Ramsay, subscribed to -and participated in by Julian. The telegram<span class="pagenum"><a name="Page_166" id="Page_166">{166}</a></span> -as to the new lead had been concocted in -the office in the City; the diamonds exhibited -as earnest of the future yield of the mine had -been bought for that purpose; and not one -penny of the money paid in debentures had -ever been intended for application to the -working of the ruined mine. If these facts -should come to light—and hostile enquiries -once instituted on the spot, only one of those -incredibly lucky chances to which gamblers -and swindlers alike owe so much could avert -such a catastrophe—the consequences were -obvious. Public exposure, public ignominy -and execration, wholesale and irremediable -loss of position, were absolutely inevitable. -And as inevitable if he remained in England, -the dark gulf in which his life must be -swallowed up and closed—as far as everything -which constituted life for him was concerned—whether -he fled from it or whether it -clutched him, was the legitimate reward of his -doings; penal servitude.</p> - -<p>He could not realise it. He could not -face it. He had beaten it back, he had thrust -it down again and again during that long day -and night, and again and again the horror had<span class="pagenum"><a name="Page_167" id="Page_167">{167}</a></span> -swept over him, gaining always in certainty -and reality. Struggle against it as he might -and did, clutching at his consciousness, shaking -and rending it with a force not to be resisted, -and growing ever stronger and stronger, there -dawned a dazed, bewildered conviction that -the end he saw before him was indeed the -inevitable end; that in that black gulf, and -no other, all his efforts and fierce strivings -were to find their consummation.</p> - -<p>He had digged it with his own hands; he -had followed on towards it in a very desperation -of defiance and recklessness, goaded by a -grinding sense of failure and frustration to a -wild daring which had looked like courage and -resolution. But the spirit which had stimulated -him was not in himself. All unconscious -of it as he was, he had been drunk with the -thought of what lay beyond that gulf; drunk -with a desperate, unreasoning anticipation of -triumph. The hideous possibility of failure -confronted him now practically for the first -time, and before it all his fictitious stamina -shrivelled away, as in its very nature it was -bound to do. A vague, confounded comprehension -of the consequences which he had<span class="pagenum"><a name="Page_168" id="Page_168">{168}</a></span> -brought upon himself rose upon him, walling -him in on every side; and about those consequences, -as connected with himself, there -was all the ghastly incongruity and unreality -of a hideous nightmare. He had never understood -the realities of life. He had crushed -down their impulses in his heart. He had -called superficialities essentials; selfish ignorance, -practical sense; and he had worked -and fought in a false atmosphere, and for a -false aim.</p> - -<p>And now, instead of that fictitious triumph -which he had looked to grasp, he found himself -face to face with facts so sordid and so -relentless that he could hardly recognise them -as facts at all. His world was tottering into -ruins all about him; the clash and crisis of -imminent downfall and disgrace was stunning -him and shaking him through and through; -and in the wild tumult and confusion all the -limitations of his nature seemed to break up, -as it were, into one blind chaos of protest -and repudiation, dominated only by despair. -Nothing fixed or steadfast held its place. -The very passions by which he had been -driven on had been borne down and numbed.<span class="pagenum"><a name="Page_169" id="Page_169">{169}</a></span> -The thought of Clemence had become merely -a vague element in the confusion. Of his -mother he did not think at all. Even that -dark factor in his being—the perversion of -his instincts as to truth and falsehood, honesty -and dishonesty—which had asserted its grim -presence with the very awakening of his -character; which had dictated the first steps -along the path of which he stood now at the -end; was swept into solution, now, with every -other element in his character. It had held -its place, hitherto, side by side with the other -motive powers by which his life had been -regulated; dictating the lines on which those -powers should work, strengthening and developing -with the demands they put upon -it. But it had remained the servant of a -stronger passion, and as far as any power -of support or guidance was concerned it had -gone down in the flood. He had no perception, -truly, of the moral aspect of his position, -no sense of guilt or of remorse. He only -knew that he was beaten, that it was all -over with him.</p> - -<p>He stood there at the window staring -out into the sunshine, seeing nothing, conscious<span class="pagenum"><a name="Page_170" id="Page_170">{170}</a></span> -of nothing but the gulf before him; -as utterly and absolutely isolated in his misery -as though he had been the only creature -living in the world. The desperate struggle -with facts was sinking into a hopeless confused -acceptance of them; into a dazed, bewildered -contemplation of details which seemed to rise -slowly into distinctness out of the fog which -hung about them; to rise and fade again -without volition on his part. Details connected -with the future came first, and he -looked at them and understood them with -stunned composure as though they stood outside -him all together. Then he found himself -wondering heavily as to the time that must -pass before the certainty that was in himself -became literal knowledge. There was no -sense of any possible chance of salvation in -his mind.</p> - -<p>By-and-by he became heavily and confusedly -aware that another day had begun; -another day through which he must carry his -horrible, bewildering burden—no longer in -the semi-unconsciousness of yesterday, but -alive now in every fibre to its intolerable -pressure.</p> - -<p><span class="pagenum"><a name="Page_171" id="Page_171">{171}</a></span></p> - -<p>He went out into the sunshine by-and-by, -out into the streets he knew so well; and as -he walked along there came upon him a ghastly -sense of being but a shadow among shadows. -The life about him seemed to have receded to -an incalculable distance, to have lost all substance. -He himself, as he appeared to other -people, had no existence; and his real self had -no existence for any one but himself. He -was face to face with black, implacable -reality, and before its presence all the superficialities -and conventionalities which had -usurped its place vanished like the shades they -were.</p> - -<p>He walked, always with that chill sense of -isolation on him, from Chelsea to the City; in -motion, in continual motion only, was his -misery endurable. Ramsay was not at the -office when he arrived, and a message from -him, left with the secretary, informed Julian -that he would not be there that day. His -absence affected Julian not at all. There was -no suspense in his mental attitude to make -him crave for even a blow to end it. To his -battered consciousness delay before the final -agony had something of the appearance of<span class="pagenum"><a name="Page_172" id="Page_172">{172}</a></span> -rest or respite. He did the work he had come -to do with a numbed comprehension of its -import, and then as he passed out again into -those horribly unreal streets there came upon -him a desperate longing for human companionship; -a desperate longing to break through -his solitude and touch another human creature. -He would go to the club, he thought dully. -He must speak to some one; he must -get some assurance of his own identity, -or its unfamiliarity would drive him mad.</p> - -<p>There were two or three men only who -were known to him in the room when he -arrived, and even as they greeted him they -seemed to elude him; to retreat and to lose -all tangibility beyond the yawning gulf which -lay between himself and them. He tried to -talk, he tried desperately to bridge the gulf. -In vain. He turned away and went out into -the streets again, alone with the one terrible -reality which the world seemed to contain.</p> - -<p>The failure broke him down. An unendurable -horror of himself and of the world; a -very terror of his misery; rolled down upon -him and overwhelmed him. It was one of -those realisations of the impotency of<span class="pagenum"><a name="Page_173" id="Page_173">{173}</a></span> -humanity before the strokes of the infinitely -greater than humanity which seize upon a -man sometimes when all the wrappings of life -and custom are stripped from him, and he -finds himself in primeval defencelessness. He -could only fight wildly with it. Those -instincts and affinities through which such -moments work out strength and comprehension -were utterly submerged in him, now; -the experience could be for him nothing but a -blind horror, giving place at last to the old -stunned, hopeless confusion and despair. And -when at last he dragged himself upstairs to -his room in the Temple late at night he was -utterly exhausted, mentally and physically. -He dropped into a chair and sank into a heavy -sleep.</p> - -<p>Ten days followed; ten long days giving -place to heavy nights; ten nights passing -into monotonous days. By degrees Julian -fell into a species of dull routine, in which he -ate and drank, and even slept; passed to and -fro along the London streets; stunned almost -to stupefaction. He went each day to the -office and sat there all day long doing little; -sitting, for the most part, staring into space<span class="pagenum"><a name="Page_174" id="Page_174">{174}</a></span> -or walking up and down with heavy, regular -steps. He was rarely disturbed. Ramsay -appeared but seldom; his visits were brief, -and he was uncommunicative.</p> - -<p>At last there came a morning when -he reached the office to find upon his -desk a letter in Ramsay’s familiar handwriting.</p> - -<p>Julian sat down before it and looked at it -for a moment, his face twitching slightly. -Then he broke the seal.</p> - -<div class="blockquote"> - -<p class="noindent">“<span class="smcap">Dear Romayne</span>,” he read,—</p> - -<p>“Your friend, Compton, holds the -whole affair in his hand. Marston Loring -gave him the tip. You will do as you -think best about meeting the shareholders. -I shall not be present myself, as I am leaving -England, for the present, to-night.</p> - -<p class="center">“Yours,</p> - -<p class="center">“<span class="smcap">Alfred Ramsay</span>.”</p> - -</div> - -<p>The letter bore date of the previous -day.</p> - -<p><span class="pagenum"><a name="Page_175" id="Page_175">{175}</a></span></p> - -<h2 id="CHAPTER_XI">CHAPTER XI</h2> - -<p class="noindent"><span class="smcap">A white</span> face, drawn and set into a look which -pitifully travestied the calmness of despair; -bloodshot eyes with something in them of the -incomprehending agony of a hunted animal; -quivering lips which would not take the rigid -line at which they aimed, and from which -seemed to radiate an indescribable suggestion of -youthfulness, which made the bewildered desperation -of the face infinitely piteous. Two -hours had passed, and Julian was seated at his -writing-table in his room at the Temple. He -held a pen in his hand, and before him lay a -sheet of paper bearing three words only, “My -dear Clemence.” On the table behind him lay -a roughly packed travelling-bag and a “Bradshaw.”</p> - -<p>Flight, instant flight, was the one course<span class="pagenum"><a name="Page_176" id="Page_176">{176}</a></span> -that had occurred to him. Such a necessity -had been present to him from the -first, and in the almost insane terror which -had mastered him on finding himself deserted -by Ramsay, thoughts which had lain dormant -in his mind during the last ten days -had taken shape almost without volition -on his part, and he had made his plans with -wild haste. He knew nothing, he thought -of nothing but that he must go at once, that at -any moment he might find himself stopped, at -any moment it might be too late!</p> - -<p>No thought of that last refuge of the -detected criminal, suicide, presented itself to -him. The realities of life were as yet strange -to him; wrenched from his moorings, tossed -away to drift on the pitiless sea, he could not -realise what was the depth of that sea, how -futile must be his struggles to keep himself -afloat. The reality of death had never touched -his superficial nature.</p> - -<p>He made his preparations with the -promptitude of desperation, and as each detail -was despatched, one deed that must be done -began to prick into his consciousness. Some -word must be sent to Clemence. With this<span class="pagenum"><a name="Page_177" id="Page_177">{177}</a></span> -necessity he found himself at last confronted -with no further possibility of postponement.</p> - -<p>But no words would come to him. Little -as he understood it, all the bewildered misery -of his heart was what he wanted to convey -to her; all the incoherent horror which was -tossing him to and fro. What words were -possible where there was no reason, only blind, -agonised feeling? There was one aspect of -his shipwreck now in which it appeared only as -the end and consummation of his ten weeks of -silence towards Clemence; those ten weeks in -which he saw, now, only cruelty and futility -where he had seen before wisdom and -necessity. His failure, his ruin, had a side on -which they touched him only in his connection -with her; it became the failure to keep the -promise he had made her when he saw her -last; the ruin of his vision of a life with her. -He sat there, staring stupidly at the paper, -and gradually all thoughts slipped away from -him but the thought of Clemence herself. A -hunger, such as his selfish young heart had -never known, rose in him for her presence, -her pity. His misery turned to her, stretching -forth empty, despairing hands, until the<span class="pagenum"><a name="Page_178" id="Page_178">{178}</a></span> -sick longing dominated his whole consciousness.</p> - -<p>Then out of the aching yearning there -came to him suddenly a recollection of the -letter he had received ten days before; the -letter which he had thrust into a drawer, in his -blind, foolhardy determination, unopened. -The end on which he had set himself to wait -had vanished for ever. Everything by which -he had held was overturned and submerged. -But the letter was there still. The letter had -come from Clemence.</p> - -<p>He unlocked with trembling eagerness the -drawer in which he had placed it, drew out -the envelope and tore it open. That it could -bring no comfort to him, that there could, -indeed, be only aggravation of his wretchedness -in it, was as nothing to him. It was to -touch Clemence that he wanted; Clemence, -and Clemence only was the cry of his whole -being. The letter was very short, a few lines -only. He ran his eyes over it with -hungry avidity, and then they seemed to stop -suddenly, and all the quivering life seemed to -freeze on his features. A moment passed and -a great, dry sob broke from him; he dashed<span class="pagenum"><a name="Page_179" id="Page_179">{179}</a></span> -his head down upon the table with a bitter -boyish cry:</p> - -<p>“Clemmie! Clemmie!”</p> - -<p>Simple, beautiful with that wonderful new -tenderness which comes to a woman with the -consummation of her womanhood, pathetic in -their gentleness beyond all words, the few -brief lines brought him from Clemence the -most sacred tidings that can pass between -husband and wife, tidings of the birth of their -child.</p> - -<p>“Clemmie!”</p> - -<p>The word broke from him again, a pitiful, -despairing sob, and then he lay there, long, -dry sobs shaking him from head to foot as that -bitterest of all waves, the unavailing realisation -of what might have been contrasted with what -is, swept over him and overwhelmed him. -The reality, touched into life by her letter as -though Clemence’s voice had spoken to him, -which he had thrown away; the reality on -which, in doing so, he had hurled himself; -stood out before him in pitiless distinctness; -and in his ignorance and blindness, in his -utter want of comprehension of the moral -aspect of his acts and the stern justice of the<span class="pagenum"><a name="Page_180" id="Page_180">{180}</a></span> -retribution he was meeting, there was no light -or cohesion for him anywhere in the world, -and darkness and chaos had closed about -him.</p> - -<p>Nearly an hour passed before he moved, -and lifted a white, haggard face, marred with -the agony of impotent regret. He looked -about him vaguely, pushing his hair back -heavily from his forehead, and as his eye -fell upon the travelling-bag that instinctive -sense of the necessity upon him, which had -stirred him with no consciousness on his part, -deepened into a mechanically active impulse. -He must go. He paused a moment, and then -he drew out a fresh sheet of paper.</p> - -<p>“Falconer!” he muttered. “Falconer -will see to them. There’s no one else!”</p> - -<p>It was as though the fire through which -he was passing had burnt away from him -all recollection, even, of his mother. He had -thought of her for long only as the source of -all that was unpleasant in his life. Now in -the sharpness of his pain a haze had spread -itself over the past, and all thought of the -means by which the present position had been -brought about was obliterated.</p> - -<p><span class="pagenum"><a name="Page_181" id="Page_181">{181}</a></span></p> - -<p>He wrote for a few minutes, rapidly, desperately, -in a handwriting which was hardly -legible; then he thrust the letter into an -envelope, which he directed to Dennis Falconer; -and rose. His original intention of -writing to Clemence had left him. It had -become an impossibility. And side by side -with his sense of his utter incapacity to find -any words in which to speak to her, there -had risen in him a heart-broken impulse to -see her face once more and for the last time.</p> - -<p>The sunshine of the day had given place -to a drizzling rain when he turned into that -quiet little street which had witnessed their -last meeting. The dazed sense of the necessity -for flight was strong upon him. Darkness -had fallen; he had left his room for the last -time; in another hour he would be in the -Liverpool train, a fugitive from justice; and -in the terror and confusion of the realisation -of that one all-absorbing fact, the only other -thought that lived in him was his blind -desire for one sight of Clemence. He had -come to the little street unreasoningly, weighing -no probabilities as to whether or no she -would be at work; not even understanding<span class="pagenum"><a name="Page_182" id="Page_182">{182}</a></span> -that there were probabilities to weigh; coming -there simply because he had seen her there -before and knew of no other chance of seeing -her. He took up his position in a doorway -by which she must pass, and waited. It -seemed to him that he had been standing -there, utterly alone, for hours, when the door, -from which his haggard, sunken eyes had -never stirred, opened.</p> - -<p>As on that other occasion Clemence was -the last to come out, but she came this time -walking quickly and eagerly. For an instant -as she passed beneath the lamp the light fell -on her face, and as Julian’s eyes rested on -it for that instant, he clutched at the railing -by which he stood. Then she came on in -the shadow, still followed by those hungry -eyes.</p> - -<p>Perhaps she felt their gaze. Perhaps her -own heart felt the pang that was rending -his. In the very act of passing him she -stopped suddenly and turned towards him, -looking into the dimness in which he was -shrouded. She stretched out her hands with -a low, inarticulate cry.</p> - -<p>He had her in his arms in an instant,<span class="pagenum"><a name="Page_183" id="Page_183">{183}</a></span> -straining her to him with a despairing passion -which he had never known before, and she -clung to him half frightened by his touch.</p> - -<p>“Julian!” she whispered. Then as no -word came from him, only his burning kisses -pressed upon her upturned face, she went on -softly: “Dear, weren’t you going to speak -to me?” Still he did not speak, and with -a look and accent indescribably beautiful in -their tender womanliness, she said: “You -didn’t think I would reproach you?”</p> - -<p>“It’s good-bye, Clemmie,” he muttered -hoarsely. “Good-bye! I—I’m going away -for—for a little while.”</p> - -<p>He could as easily have killed her, at that -moment, as have told her the truth.</p> - -<p>“Going away!” she echoed, with a little -catch in her breath. “Where, dear?”</p> - -<p>“To—to America.” He could not tell -her all the truth, but there was no power -in him to originate an unnecessary lie. He -felt her arms tighten about him, and he -answered the appeal hoarsely, hurrying out -the words. “I—I’m leaving a letter about -you, and——” his voice died away in his -throat as he tried to speak of his child, and<span class="pagenum"><a name="Page_184" id="Page_184">{184}</a></span> -then he went on rapidly and unevenly: “It -will be—all right. Clemence! Clemence! try -to forgive me. Good-bye, dear, good-bye!”</p> - -<p>He drew her hands from about his neck, -kissing them wildly. Her hold tightened -instinctively upon his fingers, and she was -trembling very much.</p> - -<p>“You’re not going—now?” she whispered.</p> - -<p>“Yes,” he answered hoarsely. “Now!”</p> - -<p>Then, as he saw the look which came over -her face, the desperate necessity for reassuring -her came upon him. He tried to smile.</p> - -<p>“America is nothing nowadays, you know,” -he said in a harsh, unnatural tone. “It’s no -distance. I shall be—back directly. Say -good-bye to me, won’t you? I must go.”</p> - -<p>She let her face fall on his shoulder, -pressing it closer and closer, as though she -could never tear herself away.</p> - -<p>“I’m frightened for you, dear,” she said. -“I’m frightened. Are you sure, sure, there -is nothing—wrong?”</p> - -<p>“Quite sure—of course.”</p> - -<p>“You will be back soon?”</p> - -<p>“Quite soon.”</p> - -<p>There was a moment’s quivering silence,<span class="pagenum"><a name="Page_185" id="Page_185">{185}</a></span> -and then Clemence slowly lifted her face. -He took her in his arms again, and their -lips met in one long agonised kiss. Neither -spoke again. When he released her, Julian, -with a face like death, turned and went away -down the street, his head bent, his whole -figure tense as though he were facing a -blinding wind. Clemence stood for a moment -still as a statue, her eyes wide, her face quite -quiet. Then she too went away through the -night.</p> - -<p><span class="pagenum"><a name="Page_186" id="Page_186">{186}</a></span></p> - -<h2 id="CHAPTER_XII">CHAPTER XII</h2> - -<p class="noindent"><span class="smcap">Over</span> the country about Henley, that same -day, the sun was shining gloriously.</p> - -<p>It was about five o’clock in the afternoon, -and there was a clearness about the light, -a distinctness about the shadows, which, taken -in conjunction with the heavy bank of clouds -into which the sun would presently sink, -argued coming rain. For the present, however, -nature was lovely to look at; and -a garden-party which was going on in the -large, old-fashioned garden of a large, old-fashioned -country house, about a mile from -the river, had the benefit of every advantage -which atmosphere and surroundings could -give.</p> - -<p>It was a large party, and the scene was -very bright and animated. On the larger -of the two lawns, conspicuous among the<span class="pagenum"><a name="Page_187" id="Page_187">{187}</a></span> -well-dressed but by no means striking-looking -women about her, stood Mrs. -Romayne, talking to a local magnate.</p> - -<p>She had arrived about half an hour -before, and the politely concealed satisfaction -and surprise with which she had been received -had testified to the fact that her -appearance at such a function was a phenomenon -in the neighbourhood. Invitations -had showered in on her during her residence -at the “cottage,” but it had gradually become -an established fact that she was “going -out very little.” This was in truth the first -party she had attended. It was fortunate -that her hostess was not a particularly -observant person. There had been something -about Mrs. Romayne when she arrived -which might have dashed that hostess’s -personal elation with a suspicion that her -guest’s appearance had been dictated by -motives not wholly complimentary to the -party; lines about the mouth which suggested -the enforced endurance of a burden -from which she was seeking temporary -relief, however fictitious; a restlessness in -the eyes which suggested an attempt at<span class="pagenum"><a name="Page_188" id="Page_188">{188}</a></span> -the eluding of the too insistent companionship -of her own thoughts.</p> - -<p>Her eyes were painfully bright, and -there was a nervous tension about her -manner as she stood there on the lawn, -talking and laughing. But her companion -of the moment—a worthy old gentleman, -with not much acquaintance among women -of the world—thought her simply the most -astonishingly charming woman he had ever -met; and seeking in his mind for lines on -which to make himself agreeable to her, -he recollected to have heard something -about her son.</p> - -<p>“You have a son here, I believe?” he -said, with ponderous interest. “I should -greatly like to make his acquaintance.”</p> - -<p>Mrs. Romayne laughed.</p> - -<p>“I have a son,” she said, “but he is -not here, I’m sorry to say. He is hard at -work just at present. Ah!” she broke off -with an exclamation of surprise. “I see -a friend of mine over there! I must go -and speak to her.” And with a bow and -a smile to her admirer, she broke off the conversation -which had, perhaps, seemed longer<span class="pagenum"><a name="Page_189" id="Page_189">{189}</a></span> -to one party than to the other, and moved -across the lawn to where Hilda Compton -was standing watching her with an uncertain -but not particularly pleasant expression on -her pretty face.</p> - -<p>“Are you staying in the neighbourhood?” -said Mrs. Romayne prettily, when they had -shaken hands. She was apparently entirely -oblivious of something cold and disagreeable -in the younger woman’s manner. “Is your -husband here?”</p> - -<p>Hilda Compton glanced at her with a -certain tentative triumph in her eyes.</p> - -<p>“No!” she said. “He’s not here. I’m -staying on a house-boat, but he is kept in -town over some troublesome business!”</p> - -<p>She paused, and then, as Mrs. Romayne -made a rather patronising gesture of sympathy, -that gleam of triumph strengthened -into something distinctly malicious. Hilda -Compton had never forgotten or forgiven -that moment in the Norfolk garden twelve -months ago. It had been no part of her -policy to resent it when such resentment -must necessarily have rebounded to her -own disadvantage; she had accepted Mrs.<span class="pagenum"><a name="Page_190" id="Page_190">{190}</a></span> -Romayne’s society friendliness during the -past season with just such a manner as -might sting but could not, in very self-respect, -be impugned by the elder woman; -a manner cleverly tinged with that deference -which points the sense of superiority with -which a certain type of girl recognises the -fact that the present is to her, and not -to the previous generation. But she had -hoped always that the day might come -when she would find herself in a position -to take more active measures, and she felt, -now, that even what she knew to be a slight -breach of conjugal faith would be venial, if -it would straighten what she would have -called her “score” against Julian Romayne’s -mother.</p> - -<p>“Yes, it’s rather a bore!” she said. -“City business, you know! Don’t you -think it’s very foolish of men to speculate, -Mrs. Romayne? Of course I haven’t a -quarter of your experience, but I think so. -They always seem to get into trouble of -some sort! But you know more than I -do about this affair, no doubt, since Mr. -Romayne is mixed up in it, and he’s such<span class="pagenum"><a name="Page_191" id="Page_191">{191}</a></span> -a devoted son. Husbands don’t tell one -much, I find!”</p> - -<p>Self-command is a wonderful thing, even -when it originates in no higher motive -than the instinct of a woman of the world -for the retention of her society demeanour. -Mrs. Romayne’s lips were ashen and her -fingers were clenched round the sunshade -she held until her rings cut into them, but -she faced Hilda Compton steadily, and -with a mechanical smile, her eyes, a little -dull and contracted, meeting the girl’s -pretty, unfeeling ones. Hilda Compton -noticed the change of colour even behind -the artificial tinting, and rejoiced at the -slip of the tongue by which her foolish -young husband had put such a weapon -into her hand. If only she had succeeded -in making Howard tell her more, instead -of making him lose his temper! She reflected, -however, that perhaps the truth -was not so very bad after all, and hints -might possibly sound worse than the actual -facts.</p> - -<p>“Do tell Mr. Romayne, from me, that -I hope he hasn’t done anything very shocking!”<span class="pagenum"><a name="Page_192" id="Page_192">{192}</a></span> -she said, with a laugh. “I wanted -Howard to tell me just what it was, but -he would not. Isn’t it funny how men -seem to lose their heads altogether when -they get on to that silly Stock Exchange? -The last men one would expect, too! Who -would have thought of Mr. Romayne’s -getting into trouble of that kind?”</p> - -<p>Somewhat to her disgust, Hilda Compton -found as she proceeded that it was impossible -to give such significance to her words as -she would have wished. She realised that -it would never do to allow herself to be -brought to book, and consequently conventionality -demanded that she should adopt -a jesting tone, and trust to Mrs. Romayne’s -possessing some half knowledge which should -give the words the barb she wished for them. -She had a pleasant conviction, as Mrs. -Romayne answered her, that she had done -something, at least, towards wiping out that -old score. The elder woman’s words were -preceded by a harsh little laugh, and there -was something indistinct about their utterance.</p> - -<p>“Just so. Who would have thought——”</p> - -<p>Mrs. Romayne stopped abruptly, and a<span class="pagenum"><a name="Page_193" id="Page_193">{193}</a></span> -sharp, extraordinary spasm passed across her -face, leaving it fixed and old.</p> - -<p>The girl by her side could not flatter -herself that the effect was produced by her -words, for Mrs. Romayne was gazing to -the other side of the garden, and it was -evidently something she had seen there -which had affected her so powerfully. Turning -her own curious eyes in the same -direction, Hilda Compton saw nothing -calculated to account for such an effect. -The crowd had drifted away to some extent -to the other lawn, and the tennis-courts, -and there was a considerable space, sparsely -sprinkled with people, between where they -stood and the last group on the lawn; a -group of ladies to whom the host was -introducing a little alert, elderly man with -grey hair; a little man who looked to-day—though -only one pair of the two pair of -women’s eyes fixed upon him across the -lawn recognised this—exactly as he had -looked twenty years ago.</p> - -<p>Hilda Compton did not know him, and -she was wondering curiously whether Mrs. -Romayne did, when she heard their hostess’s<span class="pagenum"><a name="Page_194" id="Page_194">{194}</a></span> -voice and turned quickly. Mrs. Romayne, -roused apparently by finding herself addressed, -had turned also—very quickly it seemed to -Hilda Compton, and rather as though she -did not wish her face to be seen by some -one on the other side of the garden—and was -listening with a dazed, strained expression of -enforced attention.</p> - -<p>“I want to introduce a connexion of mine, -my dear Mrs. Romayne. Something of a -traveller, and something of an eccentricity; -but, really, worth talking to. There he is!” -indicating the little alert, elderly man on the -other side of the lawn. “He is a Dr. Aston. -May I fetch him?”</p> - -<p>To Hilda Compton’s astonishment Mrs. -Romayne stretched out her hand hurriedly in -unmistakeable dissent, and it was shaking like -a leaf.</p> - -<p>“I’m afraid I must say ‘no,’” she said, -in a hoarse, hurried tone which sounded as -though she could hardly control it. “I have -a long drive, you know, and I must run -away.”</p> - -<p>She took her leave so briefly and -hurriedly that her hostess came to the conclusion<span class="pagenum"><a name="Page_195" id="Page_195">{195}</a></span> -that illness must be the cause of the -seclusion in which she was living, and that -she must have miscalculated her strength that -afternoon.</p> - -<p>She might have thought so with even -more reason if she had seen the strange -collapse of her whole figure with which Mrs. -Romayne sank back into the corner of her -carriage as she was driven home along the -country roads. If her attendance at the -garden-party had been indeed a desperate -attempt at finding some sort of temporary -oblivion or distraction, that attempt had -obviously failed. Her face was drawn and set, -and in her eyes, as they stared unseeingly -before her, there was a look as of a woman -who is quivering still under the influence of -some horrible shock.</p> - -<p>She had, as she had said, a long drive -home, and as she neared her own house that -look in her eyes faded, displaced by a sick -hunger of anxiety. She got out of the -carriage quickly, helping herself a good deal -as she rose, however, as if that shock had -affected her physical strength.</p> - -<p>“Has Mr. Julian come?” she said to the<span class="pagenum"><a name="Page_196" id="Page_196">{196}</a></span> -servant who opened the door; then as the -woman answered in the negative, she moved -swiftly on to where her letters lay waiting -for her, and looked them rapidly over. There -was none from Julian, and she carried them -listlessly upstairs as she went to dress for her -solitary dinner.</p> - -<p>The rain, which was falling fast by this -time in London, was just beginning to patter -slowly on the window when she came into -the dining-room; and the wind was rising -and moving gustily round the house. They -were dreary sounds, both of them, and Mrs. -Romayne shivered a little as she sat down. -Apparently the monotonous pattering, growing -quicker and quicker as dinner went on, or -the low howling of the wind, made her -nervous. She ate nothing, and when at last, -the form of dinner having been gone through -with, and the servant having left the room, -she rose and walked aimlessly to the fireplace, -her lips were strangely compressed, and -she seemed to control the expression of her -eyes with a determined effort. It was as -though she were controlling something within -of which the tendency frightened her. She<span class="pagenum"><a name="Page_197" id="Page_197">{197}</a></span> -stood there forgetting, apparently, to go into -the drawing-room, her face fixed and intent -as though she were reasoning or arguing with -herself. At last she shivered sharply and -her lips twitched. Then rousing herself -forcibly, as it seemed, she rang the bell -fiercely, and gave orders that a fire should -be lighted in the drawing-room. It was a -wretched evening, she said to the servant, -as though the audible expression of a tangible -reason for the nervous discomfort which -seemed to be upon her was some sort of -relief to her. The fire lighted, she drew a -chair in front of it, and taking up a novel, -set herself to read with a desperate determination -in every line of her face.</p> - -<p>Down one page, line by line, on through -the next, still line by line, her eyes travelled -steadily, mechanically; and then, as mechanically, -her hand moved, turned the leaf, and -her eyes moved on again. But unless her -face greatly belied her, the sense of the words -she read so intently never penetrated to her -brain. By-and-by that movement of her -eyes ceased; she sat staring fixedly at the -page before her; then she let the hand that<span class="pagenum"><a name="Page_198" id="Page_198">{198}</a></span> -held the book sink gradually on her knee, -and sat staring into space as she had sat -staring at the printed words. Her face was -drawn, and there was an intense, indefinite -dread about it which was none the less -ghastly in that it would have been impossible -to say in which of her set features its shadow -lurked.</p> - -<p>The room was absolutely still. Outside -the rain fell and the wind moaned. Inside -the intense quiet seemed to be taking a -weirdly tangible form, and to be creeping -closer and closer round her motionless figure -with every breath she drew.</p> - -<p>With a sudden, sharp movement, as -though, in taking a too sharply piercing -point, her thoughts had roused her to a -desperate resistance of them, she rose, and -began to walk restlessly up and down the -room.</p> - -<p>Her brows were drawn to a concentration -which made her whole face look thin and -very old. There was an expression of deliberate, -self-conscious self-contempt about -her mouth, but in her eyes there lurked the -battling horror against which all her force<span class="pagenum"><a name="Page_199" id="Page_199">{199}</a></span> -seemed to be fiercely arrayed. Up and down -she walked, no muscle of her set face relaxing; -until, quite suddenly, there swept across it, -breaking up all its rigid lines, a very agony -of yearning. It was as though some sudden -and most inopportune realisation, in no wise -to be resisted, had shaken her through and -through.</p> - -<p>“If only I had dared to ask him! If -only, if only I dared to speak!”</p> - -<p>The words had broken from her half aloud, -a sharp, low cry, and as she uttered them -she stopped in her walk, gripping and clinging -to a chair as if for physical support in a -moment of terrible mental conflict. She was -evidently fighting desperately inch by inch -for the self-control which was slipping -from her; the self-control which she dreaded -to lose as she dreaded nothing else in life; -the self-control to which she clung with the -tenacity of instinctive self-preservation.</p> - -<p>She lifted her face at last, still and hard -as resolution could make it. She crossed the -room with quick, resolute steps, looking -neither to the right nor the left, and went -rapidly upstairs to her own room. A desk<span class="pagenum"><a name="Page_200" id="Page_200">{200}</a></span> -containing a quantity of papers stood on the -chest of drawers. They were old bills and -receipts that needed sorting and destroying, -and she had brought them into the country -saying that she never had time for such work -in town. She went up to this desk now, -lifted it in her two hands, and placing it on -the table, sat down before it and unlocked it. -All her movements were the quick, concentrated -movements of a woman to whom -employment, close, tedious employment, has -become an absolute necessity.</p> - -<p>A telegram ten days old was not among -the papers to be sorted, but Mrs. Romayne -held one in her hand as she sat there at her -writing-table. She had drawn it from the -front of her dress and she read and re-read -it, oblivious of the task she had set herself, -with an intensity in her eyes which seemed -as though it would wring a hidden meaning -from the words. It was the telegram Julian -had sent her ten days before. She folded it -at last with a quick defiant gesture and drew -towards her a packet of receipts.</p> - -<p>She untied the string that fastened the -papers, and out from among them there fell a<span class="pagenum"><a name="Page_201" id="Page_201">{201}</a></span> -folded letter, yellow with age, and crumpled. It -had evidently worked its way into that packet -by accident, as papers will when many are -kept together, for it was obviously a letter -and not a bill. Mrs. Romayne stretched out -her hand mechanically and picked it up and -opened it. Her eyes were met by the words, -written in a childish, scrawling, much blotted -handwriting: “My dear mamma.”</p> - -<p>It was the letter which she had received -from Julian twenty years ago at Nice.</p> - -<p>In an instant, even as her eyes fell on -those faded baby characters, so suddenly and -so utterly that she never realised her loss, -the self-control to which she had clung so -fiercely melted away from Mrs. Romayne. -Before the flash and quiver of recognition -had subsided on her face she had seized -the bell-rope and was ringing furiously -for her maid. The woman, appearing breathless -and alarmed a moment later, found her -mistress searching feverishly for bonnet and -cloak.</p> - -<p>“I am going to London, Dawson. Order -the carriage at once.”</p> - -<p>The voice was harsh, rapid, and peremptory;<span class="pagenum"><a name="Page_202" id="Page_202">{202}</a></span> -but the bewildered woman hesitated.</p> - -<p>“Now, ma’am?”</p> - -<p>Mrs. Romayne turned on her with -such a face as her maid had never seen -before.</p> - -<p>“At once, I said. At once!”</p> - -<p>The last train was just steaming into -the station when Mrs. Romayne’s carriage -dashed up, the horse smoking and covered -with foam.</p> - -<p>She had thrust that yellow little letter -half-unconsciously into her pocket, and all -through the journey she sat motionless, -clasping it tightly in her hand, her eyes wild, -her features forced into a quiescence which sat -upon them like a mask.</p> - -<p>That mask seemed to get thin, to break -away now and again, as she drove through -the London streets at last, as though the -wild emotion which it hid was growing too -strong for it. Her breath was coming faster -and faster, until her white, parted lips took -an involuntary line of physical pain.</p> - -<p>There were no lights in the house in -Chelsea as her cab drew up. It was twelve<span class="pagenum"><a name="Page_203" id="Page_203">{203}</a></span> -o’clock. She rang violently, and waited, her -rapid breathing almost suffocating her. No -one came. She rang again, pausing this time -with her hand on the bell; again and again, -furiously, as a wild, unreasoning horror seemed -to seize upon her and tear at her heart. -At last there was a sound as of the tentative -undoing of bolts and turning of keys. The -door was opened an inch or two, and a -frightened woman’s voice said:</p> - -<p>“Who is it?”</p> - -<p>A moment later there was no possibility -of doubt on that score. The door was -hurriedly thrown open, and Mrs. Romayne -moved swiftly into the hall, turning fiercely -to confront the astonished, partially-dressed -servant, whose bedroom candle seemed to be -the only light in the house.</p> - -<p>“Has Mr. Julian gone to bed?” she -demanded, and the woman hardly recognised -her mistress’s voice.</p> - -<p>“Mr. Julian is not here, ma’am!” she -answered. “He has not been here since -the day before yesterday.”</p> - -<p><span class="pagenum"><a name="Page_204" id="Page_204">{204}</a></span></p> - -<h2 id="CHAPTER_XIII">CHAPTER XIII</h2> - -<p class="noindent"><span class="smcap">“Mr. Falconer,</span> sir! Mr. Falconer!”</p> - -<p>Dennis Falconer was a light sleeper, -and he was awake on the first call, low and -hurried as it was. It must be a very bad -morning, he said to himself, for the light -was not nearly so strong as it usually was -when he was called at eight o’clock.</p> - -<p>“All right!” he called back.</p> - -<p>But the retreating footsteps that usually -ensued upon his answer did not follow.</p> - -<p>“There’s a lady, sir, to see you, please. -She’s waiting in the sitting-room. ‘Mrs. -Romayne,’ she told me to say.”</p> - -<p>“What!” It was a sharp exclamation -of inexpressible astonishment, and as he -uttered it Falconer sprang out of bed. As -he did so he realised that the unusualness -of the light was due to the unusualness of the<span class="pagenum"><a name="Page_205" id="Page_205">{205}</a></span> -hour—seven o’clock only. “Some one from -Mrs. Romayne, you mean?” he called, his -strong, deep voice full of incredulity and -apprehension. Then, as the answer came -through the door, “‘Mrs. Romayne,’ sir, -the lady said,” he called back hurriedly: -“Say I will be with her in a moment.”</p> - -<p>Very few moments indeed had passed -before Falconer’s bedroom door opened and -he came out with a rapid step. He opened -his sitting-room door and passed in, shutting -the door hastily behind him, and as he did -so the words of grave concern with which -he had entered died upon his lips.</p> - -<p>In the disorder and dreariness of a room -from which the traces of yesterday’s usage -had not yet been obliterated; in the cold -grey light of the early September morning; -a woman was pacing up and down with almost -frenzied steps. For a moment, as he caught -his first glimpse of the face, he thought -vaguely that it was not Mrs. Romayne; -then it turned and confronted him, and, -meeting the eyes, he recognised, not the -woman whom he had known during the past -two years, but the woman into whose face<span class="pagenum"><a name="Page_206" id="Page_206">{206}</a></span> -he had looked with so strange a shock of -unfamiliarity, and for one moment only, as -he and Dr. Aston had confronted it together -twenty years ago in Nice. Every trace of -the Mrs. Romayne of to-day seemed to have -vanished, scorched away by the consuming -fire which burnt in her blue eyes and seemed -to be the only thing that lived behind that -ghastly face; even her features were drawn and -sunken almost beyond recognition.</p> - -<p>An almost paralysing sense of unreality -fell upon Dennis Falconer, for all his practical -common sense; and before he could recover -himself sufficiently for speech, Mrs. Romayne -had crossed the room to him, attempting -no greeting, swept away on a tide before -which all the barriers of her life—all the safeguards, -as they had seemed to her—had gone -down in one common ruin.</p> - -<p>“Dennis Falconer,” she cried hoarsely, -“my boy is gone—gone! Help me to think -what I must do—help me to think how I -can find him! Help me! Help me!”</p> - -<p>The words themselves were an appeal, -but they rang out in that harsh, untuned -voice with all the fierce peremptoriness of<span class="pagenum"><a name="Page_207" id="Page_207">{207}</a></span> -a command, and as she spoke them Mrs. -Romayne beat her hands one against the -other, as though her agony were indeed too -great to be endured. Falconer, utterly confounded—more -by her manner than by her -tidings, which, indeed, in his slow and bewildered -sense of the extraordinarily direct -communication which her words had established -between herself and him, he hardly -grasped—echoed the one word which seemed -to contain a definite statement.</p> - -<p>“Gone?” he said. “Gone?”</p> - -<p>“Gone!” she returned, repeating the -word as she had done before in a kind of -hoarse cry. “Oh, let me try and make you -understand clearly, that we may lose no time. -Time! Ah! who knows how much may have -been lost already? My boy! my boy!”</p> - -<p>She strangled the cry in her very throat, -and laying one hand on Falconer’s arm with -a convulsive grip, as if to steady herself, she -lifted the other to her head, pushing the hair -back from her forehead and pressing her -fingers down as though to force herself to -think and speak coherently.</p> - -<p>“I had a telegram from him,” she said,<span class="pagenum"><a name="Page_208" id="Page_208">{208}</a></span> -speaking in short, quick sentences with heavy, -panting breaths between, “ten days ago. It -said that he was going to stop in town for -a few days. Yesterday I heard something -that made me uneasy. I came up to speak -to him late last night. I expected to find -him in Queen Anne Street. He was not -there. He has not been there for the last -two nights. He is gone!” She stopped as -though in those three words she had summed -up all the horror of the situation; and with -that strange sense of unreality making his -voice stiff and constrained, Falconer said:</p> - -<p>“But must you necessarily apprehend anything -alarming? Some private visit, perhaps; -a painful discovery, of course——”</p> - -<p>She tore her hand away from his arm, -wringing it fiercely with its fellow as she -faced him, breaking in upon his words with -a passionate cry.</p> - -<p>“Apprehend! Apprehend! I know, I tell -you, I know! Ah! have I been watching and -fighting for so many years; have I planned -and struggled and sickened with fear; not -to know, now that it has overtaken me at -last? Dennis Falconer, don’t palter with me.<span class="pagenum"><a name="Page_209" id="Page_209">{209}</a></span> -You know what lies about my boy. You -know what horrible inheritance I have had -to battle with for him. Good Heaven! when -have you spared me your knowledge of it? -When have you failed to thrust it on me, to -force me to shudder and sicken even when -I felt most secure?”</p> - -<p>She paused, battling for breath; and then, -as Falconer tried to speak, she put out her -hand to stop him, and went on hurriedly:</p> - -<p>“That’s all over! It’s done with! Now -you must help me. Your knowledge must -help me. You are a man. You will know -what to do; how he can be saved! He must -be saved! He must!”</p> - -<p>She turned away from him with a wild, -unconscious gesture, as though his personality -had no existence for her save and except as -he could serve her purpose, and began once -more to pace up and down the room.</p> - -<p>Falconer followed her with his eyes, standing -motionless and confounded. The very -foundation on which stood his every conception -with regard to the woman before -him, and the life she lived, had suddenly -melted into nothingness before her passionate<span class="pagenum"><a name="Page_210" id="Page_210">{210}</a></span> -words, and there seemed for the time being -to be no stability anywhere about him. It -was no light that her words let in upon -him. Rather, they rolled over that mental -tract of country which had been to him perfectly -familiar and commonplace, a darkness -in which every landmark was obliterated. In -those first bewildered seconds his most prominent -sensation was one of utter blackness—the -mental counterpart of the effect produced -upon the physical vision by the -sudden substitution of illimitable darkness -for a narrow and well-known scene.</p> - -<p>“What do you fear?” he said. He -spoke almost like an automaton, in a low, -tentative tone.</p> - -<p>“He has been speculating.” She never -stopped in her rushing walk. “I have -known it for months, and I have been in -torment.” There was a strange, scathed -look on her face which gave the words a -terrible reality. “He has had some heavy -anxiety on his mind all the summer—what, -I don’t know. But this is the end of it. -Oh, my boy, my darling, what have I done -that you should shut your mother out? I<span class="pagenum"><a name="Page_211" id="Page_211">{211}</a></span> -have slaved for you! I have slaved for -you, and I will slave for you as long as -I live! Why have you gone away from -me?”</p> - -<p>She was not crying. To Falconer, watching -her and listening to her, no tears could -have been so terrible as that bitter, dry-eyed -wail which seemed to him to echo -in a void, where nothing answering to it -could have been nurtured into life. The -contrast between the artificial woman he -had known hitherto, and the woman in the -consuming anguish of her motherhood with -whom he now found himself face to face, -was so amazing that he could make no -attempt to grapple with it. He took desperate -and instinctive refuge in the practical.</p> - -<p>“Do you know anything of his City -associations?” he said.</p> - -<p>She made a despairing gesture of negation.</p> - -<p>“I did!” she said hoarsely. “I did all -I knew to keep in touch with him. Two -months ago Marston Loring could have told -me anything. But everything failed me! -Everything crumbled away! They quarrelled.”</p> - -<p>Already, with that matter-of-fact tendency<span class="pagenum"><a name="Page_212" id="Page_212">{212}</a></span> -inherent in all men—and particularly in -unimaginative men—which assimilates a -revelation, and reduces it involuntarily to a -commonplace, Falconer had become almost -accustomed to the new point of view which -had been forced upon him. The darkness -was lifting, and he was aware of vast tracts -of mental country, destitute of those landmarks -which his soul loved, but no longer -enveloped in a dense atmosphere of confusion.</p> - -<p>A man of Falconer’s narrow temperament, -confirmed in his rigidity by many years of -life, having his set conceptions suddenly -overthrown and forcibly enlarged, will be -totally incapable of any just appreciation of -the new horizon then created; he will be -conscious of the spaces about him only as -confusing unrealities; the limitations solidified -by the mental habits of years will retain -some sort of ghostly influence over him long -after they have ceased to have any actual -existence. His first conscious and deliberate -movement will be an instinctive attempt to -reconcile the new condition of things with -these old limitations, rather than to reconcile<span class="pagenum"><a name="Page_213" id="Page_213">{213}</a></span> -himself with the new conditions. The facts -which Mrs. Romayne’s words recalled to him; -the character of the man whom she had -encouraged as her son’s chief intimate; the -character of the life to which she had bred -him; gave definite force to the vague movement -towards such reconciliation already stirring -in Falconer’s mind. He accepted the -revelation of unsuspected mother’s love and -mother’s dread, and ceased to contemplate -it as he concentrated his mental vision on -the selfish vanity and worldliness with which -Mrs. Romayne had stood endued in his -thoughts for twenty years; and as his point -of view readjusted itself on these lines, her -present position, with all the suffering which -it involved, presented itself to him solely as -the inevitable climax of a simple and eminently -comprehensible sequence of cause and -effect.</p> - -<p>His voice was low and stern as he said:</p> - -<p>“Can you not think of any other friend -who could give us some clue to his recent -movements?”</p> - -<p>“I can’t!” she cried, stopping in her -rapid walk, and confronting him fiercely.<span class="pagenum"><a name="Page_214" id="Page_214">{214}</a></span> -“It is because there is no one left; because -I don’t know what to do, or where to turn, -that I have come to you! Should I be -wasting time like this if I could think of -any other means of acting? I’m tied hand -and foot in the dark—tied to the rack, -man! We can do nothing till we find him—till -we know what has happened. Think, -think, think! How are we to find him? -How are we to——”</p> - -<p>Her voice, which had risen into an -agonised cry, broke suddenly; a greyish tint -spread itself over her face, and all her features -were contorted as if with horrible physical -pain. She stretched out her hand feebly -and gropingly, caught at an arm-chair, and -fell into it, letting her face fall forward on -its back as her nails pressed themselves -pitilessly into her thin hands.</p> - -<p>“It—it’s nothing!” she gasped, in a tight, -suppressed voice, fighting desperately, as it -seemed, to utter words rather than groans. -“I have been ill! The night——”</p> - -<p>The words died away, caught and strangled -by the relentless, stabbing pain, and Falconer, -utterly at a loss, stood for a moment helplessly<span class="pagenum"><a name="Page_215" id="Page_215">{215}</a></span> -watching her, and then strode across -the room meaning to call a woman to his -aid. He opened the door hurriedly and then -stopped short. On the shelf fixed against the -wall facing him there lay his morning letters, -and on the top of the pile lay one directed -in Julian’s handwriting. Mrs. Romayne’s -physical distress sank into insignificance for -him. The physical suffering which had fallen -to his lot during the past year had by no -means obliterated the lifelong instinct which -led him to look upon such weakness as a -detail to be disregarded, and of women he -knew nothing. He turned back into the -room with the letter in his hand, and shutting -the door again opened it hastily. It was the -letter Julian had written on the previous -day in his room in the Temple.</p> - -<div class="blockquote"> - -<p class="noindent">“<span class="smcap">Dear Falconer</span>,” he read,—“I’ve done -for myself all round, and by the time you -get this I shall be out of England. It’s penal -servitude if I stay. The smash will come -in a day or two and you will understand. -It’s all up with me; but there’s my wife -and child—for Heaven’s sake be kind to<span class="pagenum"><a name="Page_216" id="Page_216">{216}</a></span> -them. This is the address.” The address -followed, and then the signature.</p> - -</div> - -<p>For another moment Dennis Falconer -stood motionless with his eyes fixed on the -letter, so despairing in its hopeless brevity, -so terribly eloquent of immeasurable disgrace -and wrong. Then he lifted his head and -turned towards Mrs. Romayne. She had not -moved, she was apparently unconscious of -his presence; the tense rigidity of her position -had passed into a total collapse, in which -all her figure seemed to have fallen together -as if in absolute exhaustion. To Falconer -she presented an appearance only of most -desirable quiet, and he hesitated simply as -to how he should so break to her what -must be broken, as to excite her least. She -would have to see the letter! He glanced -at it again on the thought, and a cold shock -seemed to strike him as he realised the total -oblivion of his mother to which the young -man’s last appeal bore witness.</p> - -<p>“I have received some news,” he said.</p> - -<p>His tone, as he spoke, was curiously -different from any in which he had ever<span class="pagenum"><a name="Page_217" id="Page_217">{217}</a></span> -before addressed her. It was grave, straightforward, -and not unkindly, and it very subtly—and -quite unconsciously—conveyed the -altered attitude of a stern and narrow moralist -towards wrong-doing, no longer triumphant -and serene, but writhing under its merited -suffering. A certain stern compassion the -new position of affairs demanded of him, -and he gave it; but it was that lofty -compassion which is more than half composed -of a sense of the righteousness of -the retribution meted out; with sympathy -or respect it was utterly untouched. He -was prepared to help her to the utmost; -he was steady reliability itself; but his help -was permeated, as was his compassion, -with a superior recognition of the justice -of the trouble which rendered that help -necessary.</p> - -<p>As though there was something between -her and her surroundings through which his -voice must penetrate before it reached her -brain, a second or two elapsed before Mrs. -Romayne gave any sign of having heard -him. Then she moved and turned her face -towards him, looking at him as though from a<span class="pagenum"><a name="Page_218" id="Page_218">{218}</a></span> -long way off. Her forehead and the hair about -it, strangely colourless and dead-looking, were -damp. Grey shadows had fallen about her -mouth. There was a faint struggle in her -dull eyes, as though she had heard his words -and was trying to force her way to an -understanding of them through overwhelming -physical disabilities.</p> - -<p>“I am sorry to say it is far from reassuring,” -continued Falconer.</p> - -<p>A sudden flash of understanding and -conviction flashed across her features, and -its spirit dominated her weakness as its -light transfigured her face. She rose, clinging -to the chair, but evidently absolutely unconscious -of any physical sensation, and held -out her hand, still clammy and tremulous -with pain.</p> - -<p>“Give it me,” she said, indicating the -letter he held. Her voice was a thin whisper. -Then, as he hesitated: “You’re wasting time. -Give it me.”</p> - -<p>He gave it her without a word and -turned away. It would break her down, of -course, he thought; perhaps into some wild -form of hysteria at the position in which<span class="pagenum"><a name="Page_219" id="Page_219">{219}</a></span> -the young man confessed himself; perhaps -into passionate repudiation of the son who -had so deceived her, and who was leaving -her without word or sign. Moments passed, -three or four perhaps, and then a tense, -insistent touch fell on his arm and he turned. -Mrs. Romayne was standing by his side, -Julian’s letter held tightly in her hand, which -trembled no longer. Her eyes were bright, -almost hard in their determination, and every -line and muscle of her face and figure was -braced and set into a vivid strength and -resolution.</p> - -<p>“We must see this woman at once,” she -said, and her voice was as strange in its -desperate energy as was her face. Then, -as Falconer only looked at her blankly, she -added, in the same absorbed, concentrated -way: “You will come with me?”</p> - -<p>“You mean you will see——”</p> - -<p>“I must see this woman,” she repeated, -tapping the paper impatiently with her hand. -“Don’t you see she will probably know where -he is? She must know! Let us go at -once!”</p> - -<p>“But if she does know?”</p> - -<p><span class="pagenum"><a name="Page_220" id="Page_220">{220}</a></span></p> - -<p>“If she does know! Why, that is everything! -I can follow him. He is frightened—he -has lost his head. If he goes away like -this he is lost. I am going to stop him.”</p> - -<p>“But——”</p> - -<p>She silenced him with a movement of her -hand, before which his words died on his -lips.</p> - -<p>“Dennis Falconer,” she said, “help me or -refuse to help me as you like, but don’t try to -stop me. The shadow of a horror such as this -has haunted me for twenty years. I bring -the nerve and desperation of twenty years to -meet it now, and I am going to save him. -Will you come?”</p> - -<p>Dominated against his will, sternly disapproving, -but powerless to assert his disapprobation -in the face of the intensity of her -determination, Falconer made a slight gesture -of enforced assent. Mrs. Romayne hardly -waited for it before she turned and went -swiftly out of the room and down the -stairs.</p> - -<p>It was early still—not yet eight o’clock—and -cabs were hardly to be found. They met -one at last, and Falconer put her into it and<span class="pagenum"><a name="Page_221" id="Page_221">{221}</a></span> -looked at her, obviously with an intention of -uttering the protest with which his face was -full. She made a peremptory sign that he -should give the address, holding out the letter -containing it, and instantly reclaiming it. -Her nerves were evidently strung beyond the -possibility of irrelevant or unnecessary speech. -A long drive followed to a dingy, poverty-stricken -neighbourhood, and then, in a dreary-looking -little street, the cab stopped. Mrs. -Romayne got out with the same rapid, concentrated -movements, signing again, with a -movement of her set lips, to Falconer that he -should ring and make the necessary enquiries. -The bell was answered, after an appreciable -interval, by a slatternly-looking girl.</p> - -<p>“A young woman lodges here, I believe,” -said Falconer sternly—“a young married -woman. Mrs.—Mrs. Roden, or Romayne?”</p> - -<p>The girl stared at him for a moment -with bold, curious eyes, and then transferred -the stare to Mrs. Romayne, with a coarse -giggle.</p> - -<p>“Young married woman?” she repeated, -with a toss of the head. “Oh, yes; of course! -Top floor back!”</p> - -<p><span class="pagenum"><a name="Page_222" id="Page_222">{222}</a></span></p> - -<p>Before the last words, which conveyed a -general intimation that visitors for the top -floor back were expected to show themselves -up, were well uttered, Mrs. Romayne had -crossed the dirty little passage with swift -steps and was mounting the stairs. She went -straight on until she reached the top landing, -and then she turned sharply to Falconer, who -had followed her closely. His judgement -condemned her proceedings utterly, but his -stern sense of her claim upon him remained -untouched, and he believed himself to be -merely waiting until her impulse should fail -her, as it seemed to him it must before long, -to take matters into his own hands.</p> - -<p>“Knock!” she said.</p> - -<p>Falconer obeyed her; the door was opened -with a quiet, sad-toned “Yes?” and Clemence -stood on the threshold.</p> - -<p>She was looking very fragile and very -white; the haggard look of suffering had left -her, but it had taken with it in the passing -all the physical strength from her face. Her -eyes were heavy as with sleeplessness and tears, -and from their depths there seemed to emanate -the quiet grief which spoke in every line<span class="pagenum"><a name="Page_223" id="Page_223">{223}</a></span> -of her face. She held her baby in her -arms, and her whole personality seemed to -be touched by the mysterious influence of -motherhood into a new dignity and beauty. -To Falconer the change in her since he had -seen her in Camden Town was so great as to -give him a moment’s absolute shock; it was -the same woman, and yet not the same. The -difference lay, for him, rather in the evidences -of long suffering which spoke so eloquently -about that woman’s face and form, than -in the work effected by that suffering; and -the feeling that the sight of her stirred in -him was one of pity; a man’s half indignant, -half patronising pity for weakness and -trust abused.</p> - -<p>But Falconer she did not seem to see. -Instantly, as she opened the door, her eyes -had passed to where Mrs. Romayne stood -confronting her, her face absorbed, concentrated, -hard as steel. A faint flush of -colour flooded Clemence’s face; then she -lowered her eyes, and stood with her head a -little bent over her child, motionless.</p> - -<p>“You are my son’s wife?”</p> - -<p>The words came from Mrs. Romayne<span class="pagenum"><a name="Page_224" id="Page_224">{224}</a></span> -quick, terse, utterly untouched and unemotional, -as though the situation in itself were -absolutely devoid of meaning for her.</p> - -<p>“My husband’s name is Julian Romayne,” -was the low answer.</p> - -<p>Mrs. Romayne made a quick, imperious -gesture indicative of her desire to pass into -the little room, on the threshold of which -Clemence was standing. Clemence made way -for her with quiet dignity, and then followed -her in. Falconer hesitated an instant and -took up his position in the doorway, holding -himself in grave, attentive readiness until -the moment when his presence should be required. -The little room was scrupulously neat -and clean. Facing him, a strangely incongruous -figure amid such poor surroundings, but -apparently as absolutely unconscious of them -as of the child—at which she never glanced—stood -Mrs. Romayne. Facing Mrs. Romayne -stood Clemence, paler now than before, and -with her head bent a little lower. Falconer -could see that she trembled slightly. Mrs. -Romayne began to speak instantly, in the -same hard, rapid tone.</p> - -<p>“Where is my son?” she said. “You<span class="pagenum"><a name="Page_225" id="Page_225">{225}</a></span> -have been told, perhaps, to say you do not -know—to keep his plans secret. You must -give them up instantly to me. He has made -a mistake, and only prompt action can -redeem it. When did you see him last? -What did he tell you?”</p> - -<p>As though some subtle influence from the -one woman had penetrated to the heart of the -other, Clemence’s face had turned quite white. -For her, too, the personal aspect of the -situation seemed suddenly to sink into -abeyance. Her head was lifted, and her eyes, -filled with a creeping apprehension, were -fixed full upon Mrs. Romayne, oblivious of -anything but the one interest which they held -in common.</p> - -<p>The man watching them was vaguely -conscious of something about the two women -which put him quite away from them; which -made him the merest spectator of something -to which he had no key.</p> - -<p>“I saw him last night,” said Clemence, -hurriedly and fearfully; “he came to say -good-bye!”</p> - -<p>A kind of hoarse cry broke from Mrs. -Romayne.</p> - -<p><span class="pagenum"><a name="Page_226" id="Page_226">{226}</a></span></p> - -<p>“Good-bye!” she cried, as though appealing -to some encircling environment of fate. -“And she let him go! She let him go!” -She stopped herself, forcing down her passion -with an iron hand, and went on in a tone -only colder and more decisive in its greater -rapidity than before. “He has made a -mistake; you cannot understand, of course. -No doubt it seems to you that everything to -be desired is comprised in the miserable -subterfuge of flight. No doubt——”</p> - -<p>She was interrupted. With a low cry of -unutterable horror Clemence had drawn a step -nearer to her, pressing her baby passionately -to her heart.</p> - -<p>“Flight!” she cried. “Flight! Ah, -I knew! I knew there was something wrong! -What is it? Oh, what is it? My dear, -my dear, what have you done? What have -you done?”</p> - -<p>There was an instant’s dead silence as the -cry died away and Clemence stood with her -beseeching eyes dark and dilated, her uplifted -face white and quivering, appealing, as it -seemed, for an answer, to Julian himself. -Falconer was looking straight before him, his<span class="pagenum"><a name="Page_227" id="Page_227">{227}</a></span> -face set and grim, passive, not only with -the natural passivity of a man in the presence -of inevitable anguish, but with the involuntary -self-forgetfulness of a man in the presence -of a power greater than he can understand. -Mrs. Romayne had paused as though stopped -by some kind of hard, annoyed surprise.</p> - -<p>Then Mrs. Romayne went on in a thin, -tense voice:</p> - -<p>“There is no time to waste over what has -been done; the point is to retrieve it! He -must come back at once. Where is he?”</p> - -<p>With a sudden quick movement Clemence -turned, crossed the room, and laid the child -tenderly in the little cot standing by the fire. -She pressed her face down for one instant to -the tiny sleep-flushed cheek, and then rose -and came back to Mrs. Romayne and Falconer, -her face white and resolute, her eyes shining, -glancing from one to the other as she spoke.</p> - -<p>“Will there be time?” she said. “Can I -get to him before he sails? There is a woman -downstairs who will take care of my child. -He is alone! He may be doing——Flight! -What can flight do for him if he has done -wrong? He doesn’t always know! I am his<span class="pagenum"><a name="Page_228" id="Page_228">{228}</a></span> -wife, and I must go and help him. Will there -be time?”</p> - -<p>It was Falconer to whom her eyes -finally turned, vaguely conscious of the -absence of womanly sympathy, and appealing -in the void for a man’s knowledge and -assistance. It was Falconer who answered -her. Instinctively and involuntarily he -answered her directly, the current of his -thoughts seeming to submit itself to hers -without an impulse to resist or control her.</p> - -<p>“Where was he going?” he said.</p> - -<p>“To America!” was the answer, eager and -low, as though life and death hung on the -response it should elicit. “He was going -then, he told me. That was at nine o’clock last -night! Oh, if I go at once I shall be in time? -I shall be in time?”</p> - -<p>A hard, nervous irritation was disturbing -the concentration of Mrs. Romayne’s face. -Futile and utterly to be ignored as seemed -to her any impulse on the part of the woman -to whom, in the face of the terrible issues -with which she stood confronted, she gave -no personal consideration whatever; the introduction -of such futility seemed, in the<span class="pagenum"><a name="Page_229" id="Page_229">{229}</a></span> -strained, tense condition of her nerves, to -involve irrelevancy and delay, which she -was utterly unable to meet with any self-command. -She broke in now, her voice -harsh and vibrating with uncontrollable -impatience.</p> - -<p>“There is no need,” she said. “I am -on my way to him now. You—there is no -need for you! You can do nothing!”</p> - -<p>“I am his wife!” said Clemence.</p> - -<p>She did not raise her voice; no colour -came to her dead, white face; only she -turned to Julian’s mother, with her hands -crushed tightly together against her heart, -and such a light shining in her eyes as seemed -to transfigure her whole face and figure. For -an instant the eyes of the two women met and -held one another. Then Mrs. Romayne, with -a gesture which seemed to repudiate and -deny the influence which nevertheless she -was powerless to resist, turned to Falconer -and moved swiftly towards the door. “What -does it matter?” she said, in a tone of fierce -impatience, which relegated Clemence to the -position of the merest nonentity. “The only -thing of consequence is time!”</p> - -<p><span class="pagenum"><a name="Page_230" id="Page_230">{230}</a></span></p> - -<p>She swept out of the room as she spoke, -and Clemence turned again to Falconer, -stretching out beseeching hands.</p> - -<p>“Help me!” she said.</p> - -<p>The movement which he had thought to -guide and control so easily had passed beyond -Falconer’s control, and he knew it. He could -only follow it, waiting until the turn of -events should throw it, as he still believed -they must, upon a man’s strength and experience. -But as Clemence had touched him -once before against his will, she touched him -now against his judgement, and he answered -her in one word:</p> - -<p>“Come!”</p> - -<p>Throughout the terrible hours that followed; -during the drive to the station, the sickening -suspense, the brief interval of waiting for a -train, the long journey; neither by word nor -sign did Mrs. Romayne evince the slightest -consciousness of Clemence’s presence. Her -face, almost stony now in its set determination, -never altered. After they were seated -in the train she never spoke at all. She sat -gazing straight before her, motionless as a -statue, like a woman living only by her hold<span class="pagenum"><a name="Page_231" id="Page_231">{231}</a></span> -upon a moment in the future, to which each -present second as it passed was bringing her -nearer.</p> - -<p>There had been no time to ascertain the -probabilities as to their forestalling the sailing -of the boat in which Julian had presumably -intended to leave England. Falconer, while -admitting to himself that the young man -might have over-estimated, panic-stricken, the -danger in which he had placed himself, had -but faint hope that any steps other than -the promotion of his speedy departure would -be possible when they should be in possession -of the facts; even should their arrival be in -time to frustrate his original determination. -But Mrs. Romayne weighed no probabilities. -She looked neither to the right nor to the -left. She saw before her only the climax -and consummation of the struggle of twenty -years, and on that consummation was concentrated -her whole existence.</p> - -<p><span class="pagenum"><a name="Page_232" id="Page_232">{232}</a></span></p> - -<h2 id="CHAPTER_XIV">CHAPTER XIV</h2> - -<p class="noindent"><span class="smcap">The</span> room was very still; even the clock -upon the mantelpiece was not going, so that -not even a low tick disturbed the perfect -quiet. It was a sitting-room in one of the -Liverpool hotels, and quite alone in it was -Clemence. She was sitting near the window, -motionless, her hands clasped tightly together -on her knee. Her face was lifted -slightly towards the sky, and its calm, -broken now and again by a slight quiver -of the lips, was that of intense absorption. -Clemence’s was one of those natures in which -great mental suffering of any kind passes -instinctively into unformed prayer; and she -was praying now with her whole being, with -no faintest consciousness of herself or her -mental attitude.</p> - -<p>She had been sitting there alone and<span class="pagenum"><a name="Page_233" id="Page_233">{233}</a></span> -motionless for more than an hour, when a -touch fell upon the handle of the door. -She started violently, and rose involuntarily -to her feet as it opened to admit Falconer. -She did not speak; all her agony of -questioning seemed to have passed into the -eyes she fixed upon him, and into those -tightly-clasped hands.</p> - -<p>Falconer crossed the room quickly to -her, and spoke as though in answer to -audible words.</p> - -<p>“I have found him!” he said. “There -has been some delay. The boat will not -leave until to-morrow, and till then he is -here.”</p> - -<p>A breath of unutterable relief and thanksgiving -broke from Clemence’s white lips, and -she let her face fall forward for a moment -on her hands. Then she lifted it again, -tremulous and shaken. “Is it—right—that -he should go?” she said.</p> - -<p>“It is necessary!” returned Falconer -sternly. But the sternness was not for her.</p> - -<p>A look of trouble and perplexity passed -into her face; her lips were parted to speak -again when a door at the other end of the<span class="pagenum"><a name="Page_234" id="Page_234">{234}</a></span> -room opened sharply—not the door by which -Falconer had entered, but a second, leading, -presumably, into a bedroom—and Mrs. -Romayne appeared. The rigidity of her -self-control had given place, apparently, to -a consuming fever. Her eyes were glittering, -the dry skin seemed to be too tightly drawn -across her sharpened features. There was no -paint upon her now—no mask, less tangible -but no less effective, of artificiality of expression. -It was the very woman, stripped -of all the trappings of her life, bearing the -ravages of past struggles thick upon her, -driven to bay, and braced to hold the struggle -on which she was entering with the last -breath in her body. She was still dressed -for walking, and the contrast between the -smart, somewhat youthful, apparel which -she had always affected, and her face, was -terrible to see.</p> - -<p>She came straight up to Falconer, utterly -unconscious, apparently, as far as feeling -and realisation constitute consciousness, of -Clemence’s presence. “You have found -him?” she said, and the words were less -a question than an assertion. “Let us<span class="pagenum"><a name="Page_235" id="Page_235">{235}</a></span> -go at once. Stop, though!” she added -abruptly, laying a burning hand on Falconer’s -arm, as though in the haste and pressure -of her own impulses she ascribed a similar -impatience to him. “I had better know the -facts first. What has he told you?”</p> - -<p>Falconer hesitated. His words, when -he spoke, ignored her final question, and -answered the idea which vibrated behind -every word of her speech. He glanced at -Clemence as he began to speak as though -he wished his words to apply to her also.</p> - -<p>“I do not think,” he said, “that anything -will be gained by your seeing him—except -extreme distress for all concerned. I fear -there is nothing to be done!”</p> - -<p>He had spoken very firmly, as though -the moment had arrived, in his estimation, -for that stand on manly judgement which he -had involuntarily postponed for so long; and -he paused as though to accentuate the weight -of his words.</p> - -<p>Mrs. Romayne, with a gesture of irrepressible, -tortured impatience, but otherwise -with no recognition whatever of his having -spoken, repeated her question:</p> - -<p><span class="pagenum"><a name="Page_236" id="Page_236">{236}</a></span></p> - -<p>“What has he told you?”</p> - -<p>Clemence’s eyes, fixed upon Falconer’s -face, dilated slightly, and then the shadow -of a smile touched her parted lips.</p> - -<p>“I fear there is no doubt that it is a -bad affair,” continued Falconer. “There are -forged documents connected with it, and -misappropriation of money fraudulently come -by; and detection seems to be inevitable. -His only hope of safety lies in flight.”</p> - -<p>As though with the very tangibility and -imminence of the danger she had come forth -to meet Mrs. Romayne’s spirit rose higher, -the only sort of change brought to her face -by the words was an intensifying of all its -previous characteristics of growing courage -and determination. From Clemence’s lips -the little tremulous light had died, quenched -in such a horror of vicarious shame, of pity, -love, and anguish unspeakable, as seemed to -freeze her where she stood.</p> - -<p>“The facts! The facts!” The words -came from Mrs. Romayne sharp and tense, -seeming to put aside and ignore any extraneous -comment or opinion.</p> - -<p>Falconer hesitated again for a moment and<span class="pagenum"><a name="Page_237" id="Page_237">{237}</a></span> -scanned her face closely, absolutely unconscious -of his own incapacity for reading -what was written there. So far was he from -an adequate conception of the realities of the -situation, that he thought that a plain statement -of details would crush out for ever the -hope of which he was conscious in her. And -he decided that such instantaneous crushing -was the only mercy he could show her.</p> - -<p>Gravely and concisely, with no unnecessary -comment, he told her the whole -story as he had gathered it half an hour -earlier from Julian’s incoherent, despairing -words. He finished and paused, holding -himself braced for the outbreak of despair -which he expected.</p> - -<p>His words were followed by a dead -silence. His eyes were fixed on Mrs. -Romayne with a vague fear for her reason, -and he felt rather than saw that Clemence -had turned away and was standing with -her face hidden in her hands. Mrs. -Romayne’s brows had contracted as if in -intense thought, and her eyes were extraordinarily -bright and keen. At last, with -no slightest relaxation of the intent calculation<span class="pagenum"><a name="Page_238" id="Page_238">{238}</a></span> -of her face, she asked one or two -questions as to details of business procedure, -the words coming from her sharp -and distinct; questions of which Falconer, -as he answered them, tried in vain to see -the drift. Then she moved with a gesture -of determination, so self-absorbed that it -seemed to isolate her utterly.</p> - -<p>“Take me to him at once!” she said.</p> - -<p>A sharp exclamation broke from Falconer, -and, as she moved towards the door, he -followed her hastily, indescribably disturbed -and confused by so entirely unexpected a -course of action.</p> - -<p>“To what purpose?” he said quickly. “I -beg of you to be advised by me. The boy -must go! Nothing can be gained but a -parting——”</p> - -<p>Mrs. Romayne turned upon him and faced -him suddenly.</p> - -<p>“I am here to see my son,” she said, and -there was something in her voice—rather in -what its intense restraint suggested than in -its tones themselves—absolutely dominating -and conclusive. “You came to help me. Take -me to him, or tell me where to find him.”</p> - -<p><span class="pagenum"><a name="Page_239" id="Page_239">{239}</a></span></p> - -<p>Intensely annoyed and disapproving; -keenly alive to the fear that Julian, so -taken by surprise, might impute to him some -definitely treacherous intention in withholding, -as he had done, the fact that he -was not alone; Falconer yet felt himself -powerless. He had no shadow of a right -to stand between mother and son. He had -made his stand, and he might as effectually -have opposed himself to the wind. His -words, his judgement, were as nothing to her. -That he should so far fail to carry into effect -his conception of his duty as her escort, as to -let her go alone was, of course, impossible in -his eyes. He made a sternly unwilling sign -to the effect that he would perforce accompany -her, and then, as she passed quickly out of -the room, he looked at Clemence. There was -a stunned look upon her face now; she did -not even glance at him in answer, but she -moved mechanically, as it seemed, and like a -woman walking in her sleep, and followed -Mrs. Romayne.</p> - -<p>Not one word was spoken by either of the -trio until they stood, a quarter of an hour -later, before a rather dingy door in a dreary<span class="pagenum"><a name="Page_240" id="Page_240">{240}</a></span> -passage of an unpretentious and obscure -private hotel. Then Falconer spoke in a low, -stern tone.</p> - -<p>“Here!” he said, indicating the door -before them.</p> - -<p>Mrs. Romayne moved swiftly forward and -turned the handle. For one instant, as the -door opened, there was a vision of a dull, -bare little sitting-room, touched with a strange -glory by a red ray from the setting sun, -which slanted right across it; and in the -middle of the room, in the full light of that -red ray, which fell with an almost weird -effect of irradiation upon his attitude of -despair, Julian sitting by the table, his head -buried on his outstretched arms. For an -instant only the picture was visible; then -Julian turned his head sharply and sprang to -his feet with a cry. His mother was advancing -rapidly towards him, but it was not -his mother that he saw. It was the figure -behind her with the dazed white face all -breaking up now into quivering lines. It was -to that figure that he stretched out his hands -with the hoarse, heart-broken sob:</p> - -<p>“Clemmie! Clemmie! They’ve told you!”</p> - -<p><span class="pagenum"><a name="Page_241" id="Page_241">{241}</a></span></p> - -<p>Before the words were uttered, Clemence -had rushed past Mrs. Romayne, and was -clinging to him in such a sudden agony of -sobs and tears as seemed to rend her very -heart.</p> - -<p>Mrs. Romayne stopped abruptly. Falconer, -who was close to her with his back -to the door which he had shut swiftly on -Julian’s cry, saw a spasm of pain cut across -the concentration of her face for an instant; -and in the flash of anger and impatience -which succeeded it, she seemed to recognise -Clemence’s presence practically for the first -time. She fell back a step or two, waiting -with contemptuous self-control, her eyes fixed -upon the pair before her as they clung -together, and Julian tried brokenly and -despairingly to soothe the pitiful abandonment -of grief with which Clemence was shaken. -His own distress increased with every incoherent -word of self-reproach he uttered; and -it was a sense of his anguish that seemed, at -last, to reach Clemence, and produce in her -a woman’s instinct towards the suppression -of her own pain. She disengaged herself -gently, forcing back the heavy sob that<span class="pagenum"><a name="Page_242" id="Page_242">{242}</a></span> -trembled on her lips, and looked from Julian -towards Mrs. Romayne with a tacit recognition -of his mother’s claims which was as beautiful -as it was instinctive.</p> - -<p>“You will listen!” she said in a choked, -beseeching voice, “you will listen and come -back!”</p> - -<p>She turned away as she spoke, making -him a sign that he should not speak to her; -and as she drew away from him Mrs. Romayne -advanced rapidly, every movement, every line -of her face, every tone of her voice, claiming -as an inalienable right her son’s attention. -Her face was very hard, far harder than it had -been before that spasm of pain had shaken it, -and there was no touch of emotion in her -hard, quick voice. She seemed to have put -all sentiment deliberately aside.</p> - -<p>“Julian,” she said, “you have made a -terrible mistake! You are taking just the one -false step that would be absolutely irretrievable. -You must come back to town at -once!”</p> - -<p>Her manner; her voice; some influence -from the long past days when her word, for -all her affectation of weak indulgence, had<span class="pagenum"><a name="Page_243" id="Page_243">{243}</a></span> -been his law; had arrested his attention -almost without his own consent. He stood -now looking at her; looking at her across such -a gulf of ignorance, mistake, and wrong as had -swallowed even that bitterness with which he -had once regarded her, leaving him absolutely -cold and dead to her.</p> - -<p>“Town and I have parted company, -mother!” he said. He spoke hoarsely, but -the emotion in his tone was the reflex of -that through which he had just passed in -meeting Clemence; his manner was even -callous.</p> - -<p>“That would be true indeed,” was the -quick answer, “if you had succeeded in -leaving England! Not only town and you, -but life and you—everything that makes life -worth living—would have parted company! -To go away now is to cut your own -throat!”</p> - -<p>Julian turned to Falconer.</p> - -<p>“Haven’t you told them?” he said -thickly. “Don’t they know that—that is -done?”</p> - -<p>Falconer drew a step nearer.</p> - -<p>“Your mother knows——” he began;<span class="pagenum"><a name="Page_244" id="Page_244">{244}</a></span> -but Mrs. Romayne interposed, lifting her -hand peremptorily without even glancing at -him.</p> - -<p>“I know everything,” she said. “I know -that you are in hideous danger, and if you -run away from it it is indeed all over -with you. You must face it; you must defy -it!”</p> - -<p>As though in her last words she had -touched and given form and life to the very -core of the determination which had nerved -her since she had first read Julian’s letter that -morning, her voice rose as she spoke them -into a ring of indomitable courage, vibrating -with the very triumph of that defiance of -which she spoke. Her slight, haggard physique -seemed to expand, to gain in dignity -and power; as the whole room seemed to fill -with the magnetism of her intense resolution. -There was an instant’s pause, and then an -exclamation broke alike from Julian and from -Falconer. Julian’s was almost derisive in its -absolute repudiation of her words; Falconer’s -was sternly incredulous. Clemence was -standing a little apart. No sound came from -her, but she lifted her face suddenly and<span class="pagenum"><a name="Page_245" id="Page_245">{245}</a></span> -turned it towards Mrs. Romayne. A vague -horror and confusion had dawned in her -eyes.</p> - -<p>Before the annihilating words with which -Falconer obviously intended to follow up his -first ejaculation could be uttered, Mrs. Romayne -was speaking again—in a rapid, -businesslike tone now, but always with that -ring of triumph behind it.</p> - -<p>“You must come back with me to-night -and take up your position as if nothing could -shake it. You must fight for your credit and -your social status tooth and nail. When you -have lost them you have lost everything! -You have not lost them yet, and no risk is too -great to run for their retention.”</p> - -<p>“Not penal servitude?” asked Julian, -with a ghastly smile.</p> - -<p>“Not penal servitude, not hanging—if -that were the risk,” returned his mother -passionately. “What are you better off if -you escape—disgraced, ostracised, ruined beyond -all hope of reclamation—than you -would be in a convict’s cell? What would -you have to live for—to hope for? When -you have lost your position with the world<span class="pagenum"><a name="Page_246" id="Page_246">{246}</a></span> -you have lost everything. What does it -matter that you go down in one wave rather -than another?” She paused a moment, -battling with her fierce horror and repulsion. -Then she went on again in another tone, -eager and decided. “But the risk is not so -frightful after all,” she said. “Show it a bold -front and we shall triumph over it! Now, -listen to me, Julian. This other man—this -man Ramsay—was the actual forger?”</p> - -<p>She paused for an answer, and apparently -the insistence of her tone forced one from -Julian in spite of himself.</p> - -<p>“As far as the actual commission of -the forgery goes—yes,” he said sullenly. -“But——”</p> - -<p>“Then what is there to prove—to prove, -mind—that you were a party to it?”</p> - -<p>Julian glanced round at Clemence as if -involuntarily. Then he looked recklessly -back at his mother and laughed harshly.</p> - -<p>“The facts——” he began.</p> - -<p>His mother caught up the words.</p> - -<p>“The facts? Yes!” she said. “But if -the facts are denied? Can they be proved? -If you face this meeting and say that you<span class="pagenum"><a name="Page_247" id="Page_247">{247}</a></span> -yourself have been deceived? Even if it -should come to a prosecution there are always -loopholes! With good counsel and facing it -out ourselves unflinchingly, you would come -through untouched! It is the only chance, -Julian, and we must dare it.”</p> - -<p><span class="pagenum"><a name="Page_248" id="Page_248">{248}</a></span></p> - -<h2 id="CHAPTER_XV">CHAPTER XV</h2> - -<p class="noindent"><span class="smcap">The</span> red glow from the setting sun had -shifted a little. It fell now behind Julian -and between him and Clemence, and its -light seemed to isolate the mother and son, -shutting them in alone together. Mrs. -Romayne stood a few paces from Julian, -not touching him or appealing to him, -concentrating all her forces on the dominating -of his weaker nature. Julian stood -doggedly before her, his hands clenched, his -face set. Near the window, looking across -the shabby little room from which those -two figures, eloquent of struggle and crisis, -stood out so strangely, was Clemence; her -eyes fixed upon Julian now as though life -and death hung on his looks. Aloof alike -from Clemence and from the mother and -son, a grim spectator holding in reserve his<span class="pagenum"><a name="Page_249" id="Page_249">{249}</a></span> -weight of condemnation until the upshot -of the scene should declare itself, was Dennis -Falconer.</p> - -<p>For all answer, as though her ringing -words had touched him so little that he -found them not even worth the trouble of -an articulate denial, Julian shook his head -sullenly. The gesture witnessed to a heavy -dead weight of dissent likely to be more -difficult to act upon than the most vehement -opposition, and Mrs. Romayne paused for a -moment, looking at him, her lips taking a -firmer line, her eyes flashing.</p> - -<p>“You don’t realise the position,” she -said. “Look at it and understand the -choice before you. On the one hand is -ignominy, ruin, the end of your career; to -reach it you have only to give way to your -nerves, to act under the influence of panic, -to run away, in short. On the other hand,” -she moved a step nearer to him with a tense, -emphatic gesture, which seemed an outlet -for some of the passionate urgency which -she was keeping resolutely in hand; “on -the other hand is the very reverse of all -this. Social position, consideration, the<span class="pagenum"><a name="Page_250" id="Page_250">{250}</a></span> -prosperous life to which you have always -looked forward—all this is to be retained -by one bold stroke, by a little courage and -resolution, and at the risk of what is by -no means worse than the life which must -inevitably be yours if you do not nerve -yourself to run it. Julian, think what is at -stake!”</p> - -<p>Falconer’s eyes had been fixed on Mrs. -Romayne, severe, inexorable in their condemnation. -They travelled, now, to Julian.</p> - -<p>Again Julian made that dull gesture of -negation.</p> - -<p>“It’s all over,” he said doggedly. “I’ve -staked and lost.”</p> - -<p>“You have not lost—yet,” his mother -cried; the vibration in her voice was stronger -now, and there were white patches coming -and going faintly about her mouth. “You -shall not lose while I can lift a hand to -save you. Think!—think! It’s all before -you still—happiness, success, life! You’ve -only to grasp them instead of letting go. -Think!”</p> - -<p>Julian had been standing with his haggard -young face averted from her, staring sullenly<span class="pagenum"><a name="Page_251" id="Page_251">{251}</a></span> -at the ground. He turned upon her suddenly, -his face quivering with an impotent misery -of regret, his voice ringing with hopeless -bitterness.</p> - -<p>“They’re gone,” he said. “I’ve thrown -them all away. I might as well be dead, -that’s true enough. It might be possible -to brazen it out—I don’t know, I don’t -care! It wouldn’t give me anything worth -having. Social position, credit, standing! -What good would they be to me? I’m sick -of the whole thing! I’ve done with it!”</p> - -<p>His incoherent, hardly articulated words -stopped abruptly, and he seemed to struggle -fiercely for means of expression; so fiercely -that the blind, impotent wrestle with the -limitations of a lifetime seemed to dominate -the situation for the moment, and in Mrs. -Romayne’s agonised face, as she watched -him, the life seemed arrested. It was as -though he were groping and fighting among -sensations and instincts so new to him that -he had no words in his vocabulary in which -to clothe them; and the effort to express -them was instinct with the despair of conscious -futility. He seemed to break away<span class="pagenum"><a name="Page_252" id="Page_252">{252}</a></span> -at last and rush upon a wild, confused -declaration which comprised all that he -could grasp.</p> - -<p>“Why should I fight for what I don’t -want?” he cried hoarsely. “There’s nothing -worth having now.”</p> - -<p>“My boy!” The cry arrested Clemence, -moving towards Julian with shining eyes -and white, parted lips. It arrested Falconer, -who had drawn nearer to Mrs. Romayne, -with a desperate impulse to end the struggle -by throwing into the scale, against Mrs. -Romayne, the weight of his opinion. “My -boy, my boy! don’t talk like that, for -Heaven’s sake! For Heaven’s sake! Julian, -my darling, if not for yourself, for your -mother! I have lived for you. I have -had no thought in life but you—to save -you, to protect you, to keep you from ruin -such as this! Don’t break my heart. Ah!” -she broke into a low, wailing moan, wringing -her hands together as her eyes fastened on -his face, transfixed into an expression of -blank surprise as his eyes met hers for the -first time. “Don’t look like that! Julian, -Julian! In all these years have you never<span class="pagenum"><a name="Page_253" id="Page_253">{253}</a></span> -understood? Have you never understood -how I have loved you?”</p> - -<p>They were face to face, mother and son, -all the artificialities and conventionalities of -their lives scorched and burnt away. But -between them lay that unbridgeable gulf of -ignorance and wrong, and her outstretched -hands appealed to him in vain. He looked -at her coldly, uncertainly, as though she -were a stranger to him.</p> - -<p>Then, with one strange, gasping cry, -she seemed to thrust all consciousness of -herself fiercely on one side in her realisation -of his great need. In the very crisis of -her agony, in the very crisis as it seemed -of her defeat, there came upon her a great -dignity.</p> - -<p>“My son,” she said, “there is something -in your life of which you have never known—something -which accident might have revealed -to you at any time, but which I -kept from you, hoping that fortune might -favour me—as it has done—and preserve -your ignorance; believing that in happiness -and self-respect lay one of your safeguards, -and dreading that knowledge might bring<span class="pagenum"><a name="Page_254" id="Page_254">{254}</a></span> -to you some sort of morbid temptation. -Julian, it is the toil and struggle of twenty -years that you are trampling on in throwing -down your life like this. Twenty years ago -your father died by his own hand—a swindler, -liar, and thief. A few chance words brought -home to me the possibility that some such -dreadful taint might rest on you. To keep -you from its awful consequence; to give you -such a life as should obviate the possibility -of temptation; to hedge you in with every -security that money and position could create -for you; to give you such a standing in -the world as should leave you nothing to -wish for; has been the one thought, the -one motive of my life from that time until -now.”</p> - -<p>The speech—so terrible a declaration of -a struggle foredoomed by its own essence -to failure, a struggle in which the foe was -real, the combatant in desperate earnest, -and the weapons straws—trembled into an -abrupt, palpitating silence, as though her -feelings were too intense for speech. There -was a moment’s stillness like the stillness -of death; a stillness broken only by<span class="pagenum"><a name="Page_255" id="Page_255">{255}</a></span> -Julian’s long, laboured breaths as he stood -facing her, his face blanched and frozen -into an image of horror. Then he spoke.</p> - -<p>“Is it true?” He had turned mechanically -to Dennis Falconer, and the words -came from him in a hoarse whisper.</p> - -<p>Dennis Falconer was white to the lips. -Far down in his nature, at the root of the -rigid and conventional morality by which -he lived, was a pulse which palpitated in -harmony with the divine realities of life. -And, as like answers to like, that pulse -in him had recognised its counterpart at -last, through all the cramped distortion -that had concealed it for so long, beating -full and strong, instinct with the throbbing -life of the same great realities, in a dwarfed -and darkened woman’s soul. Perfect mother -love, absolute self-abnegation, let them clothe -themselves in what mistaken form they may, -are an earnest of ideal love and beauty, and -in their presence condemnation must give -place to reverence. Conscious, for the first -time in his life, that he stood in the -midst of that which was beyond his power -to analyse or to estimate, he made no<span class="pagenum"><a name="Page_256" id="Page_256">{256}</a></span> -attempt at speech. He bowed his head in -silence.</p> - -<p>Julian looked at him for a moment -longer, and then he turned his face once -more upon his mother. As though what she -saw there struck into her very heart, a cry -of pity and tenderness broke from her. She -moved swiftly to him, putting her arms -about him, trying to draw him into her -embrace as though he had been once more -her little child.</p> - -<p>“Julian!” she cried, “my boy! my boy! -Try to understand—try to understand why -I have told you this now! I don’t ask you -to think of me—to think what such a repetition -of the past as threatens me in you would -be to me—a blow infinitely heavier, an agony -infinitely crueller than what came upon me -twenty years ago, because of the long struggle -to which it would bring defeat, because of -the long hope and resolution which it would -take out of my heart, because of my love -for you, my darling—my darling!” She was -kissing his hands now passionately, with that -oblivion of any other presence in the room -which she had evinced throughout; and Falconer,<span class="pagenum"><a name="Page_257" id="Page_257">{257}</a></span> -watching her, fascinated, almost awestruck, -saw her, as she went on, lift one of -the young man’s hands and press it to her -cheek, stroking it with a wild, nervous movement -of her own thin fingers.</p> - -<p>“But there’s a motive power for you in it, -Julian! A lever for your own pride, your own -strength of will. You are panic-stricken, -unnerved, worn out. Danger is new to -you, my darling! Look at your father’s -fate—wholesale ruin, disgrace, and obloquy—and -let it nerve you to turn away from -it. Look down the precipice on the brink -of which you are standing, and lay firm hold -upon the only rope that can save you. -Take your courage in both hands, and we -will face the danger and conquer together. -Oh, my boy, if it is a hot fire to pass through -it won’t last long! It leads to safety, to firmer -standing-ground, to a new lease of life!”</p> - -<p>She was clinging to him convulsively, -touching his hands, his hair, his face, as -though speech alone afforded an all-insufficient -outlet for her agonised beseeching. -And as she spoke the last words he seized -her hands in his and thrust her from him,<span class="pagenum"><a name="Page_258" id="Page_258">{258}</a></span> -not with any personal roughness, but rather -unconsciously and involuntarily as in the very -isolation of despair.</p> - -<p>“Life!” he cried. “What can life give -to me beyond what I’ve got already? I’ve -got my billet! Like father like son! I’m -bound for the dogs sooner or later, and I don’t -care to spin out the journey. Who’s going to -fight against his fate?”</p> - -<p>“It is not fate.”</p> - -<p>Through that little room, across and above -the passion and despair that filled it, the -words rang out strong and clear, and Julian -turned with a convulsive start to meet them.</p> - -<p>Clemence had come swiftly across the -room and was standing beside him, facing him -as he turned to her; facing Falconer, arrested -in a quick movement to interpose, blindly and -instinctively as it seemed, between Julian and -his mother; facing Mrs. Romayne, as she -stood leaning heavily on the back of a chair, -her eyes strained and terrible to see, her face -ghastly. All that humanity can touch of the -beautiful and the inspiring; all the burning -faith; the quivering personal realisation of -that unseen of which each man is a<span class="pagenum"><a name="Page_259" id="Page_259">{259}</a></span> -part; the human love acting upon and -reacted on by the divine instinct; was shining -out from Clemence’s face. She paused hardly -for an instant as her clear eyes, dark and deep -with the intensity of her fervour, rested on -Julian, as though they saw him and him only -in all the world. Then her voice rang out -again, sweet and full.</p> - -<p>“There’s no such thing as fate,” she said. -“Not like that! Not fate that makes us bad. -There’s God, Julian! It’s trying to do right -that matters; nothing else in life; and that -we can all do. There’s nothing, nothing can -prevent us! Oh, I don’t say”—her voice -broke into a great pity and tenderness—“I -don’t say that it’s not harder for some than -for others. But it’s what’s hard that is best -worth doing! Julian!”—she drew a step -nearer to him, stretching out both her hands—“you’re -looking at it wrong, dear! The -things you’ve lost for good are not the things -that matter. What one has, what people think -of one—that’s nothing. It’s what one is, it’s -oneself that’s the only thing to mind about.”</p> - -<p>She stopped, her whole face stirred and -tremulous with her conviction, and Julian,<span class="pagenum"><a name="Page_260" id="Page_260">{260}</a></span> -with an impulsive movement, caught her -hands in his, and pressed his forehead down -upon them in a blind agony of self-abasement.</p> - -<p>“I’m a swindler, Clemmie!” he cried -thickly. It was as though he had hardly -taken in the full sense of her words, but -was clinging to her, and confessing to her -under some blunted, bewildered impetus. “A -cheat and a thief all round! That’s what -I am!”</p> - -<p>“But that’s not for ever!” she cried, -such love, and hope, and courage shining in -her eyes as would not let her great tears fall. -“You can retrieve the past! You can repent -and begin again. Ah, I know, of course, that -what is done can’t ever be undone! What -you have done remains the same for always! -But you can change! You can be different, -and nothing else but you yourself matters at -all! What does it matter if people think you -a cheat if you are an honest man? Nothing! -No more than it matters to yourself if they -call you an honest man for ever, when you’re a -cheat!” She paused again, but this time he -did not speak; he lifted his head and drew<span class="pagenum"><a name="Page_261" id="Page_261">{261}</a></span> -her to him, crushing her hands against his -breast, and looking into her eyes with a -strange, agonised struggle towards comprehension -dawning in his own.</p> - -<p>There was a moment’s dead silence. There -was that passing between Clemence and -Julian which no words could have touched—the -final struggle towards dominion of a man’s -better nature. Falconer had fallen back. -All that was narrow and conventional about -his morality had shrivelled into nothingness, -and stood confessed to his own consciousness -for what it was. He knew that the great -question now at issue was beyond the reach of -his man’s practicality, and that he could only -stand aside.</p> - -<p>Mrs. Romayne was gripping heavily at the -chair by which she stood; impotent, frozen -despair paralysing her from head to foot, -leaving alive and sentient only her eyes.</p> - -<p>“You must go back, dear.” The words -fell from Clemence’s lips tender, distinct, immutable -as the laws of right and wrong. -“You must take the consequences of what -you’ve done, and through that pain and shame -you’ll get above it to begin again.”</p> - -<p><span class="pagenum"><a name="Page_262" id="Page_262">{262}</a></span></p> - -<p>Julian’s lips, white now as ashes, moved -stiffly.</p> - -<p>“The consequences?” he whispered. “The -consequences, Clemmie?”</p> - -<p>“The consequences,” she replied, and in -the ring of her voice, in the clasp with which -her hands closed over his, was all the courage -and conviction with which she sought to -nerve him. “Ah, I don’t know—I don’t -understand—but are there no innocent people -who may suffer for your fault unless you are -there to take it on yourself? Besides, how -else, dear? How can you begin again without -having made amends? How can you free -yourself of the past without acknowledging -what’s black and bad in it? And if you -acknowledge what’s black and bad, how can -you hesitate to take its punishment?”</p> - -<p>And as if that struggling life in him were -growing and stirring under her influence, -a strange flickering light crept into Julian’s -face and the struggle in his eyes grew -into a faint suggestion of victory. He -paused a moment, his breath coming thick -and fast.</p> - -<p>“But suppose—suppose it isn’t any<span class="pagenum"><a name="Page_263" id="Page_263">{263}</a></span> -good?” His voice, tense, hardly audible, -seemed to catch and strain like that of a -man at the very crisis of his life. “Suppose -it’s in me and I must——”</p> - -<p>“It isn’t so!” she cried, and as she spoke -she drew away from him as though carried -beyond herself, beyond her womanly love -for him, in that supreme declaration of the -truth that was her very being. “You know -it isn’t so! There is no ‘must’ except God’s -‘must’ to us that we should follow Him. -There is no power can tear us from His hand -unless we throw ourselves away by saying -that His hand is without strength to save -us. Good and evil lie before every one of -us, and we must all choose. And nothing -else is real and living in this life except -that choice and the end to which it leads -us!”</p> - -<p>Through all the limitations of the -phraseology in which her faith was clothed, -the great truth which makes the mystery of -humanity, the truth which words can only -belittle and obscure, which lives not in words -but in the silent consciousness of each man’s -soul, rang out, all-penetrating and all-dominating.<span class="pagenum"><a name="Page_264" id="Page_264">{264}</a></span> -And as she faced him, her eyes -shining, her whole face radiant, Julian caught -her in his arms with a great cry.</p> - -<p>“I will,” he cried. “Clemence, I choose. -Help me! I will go back.”</p> - -<p>She yielded to his touch, with a low sob, -and as they stood clasped in one another’s -arms, a shuddering moan rang through the -room, and Mrs. Romayne fell heavily forward -at their feet.</p> - -<p><span class="pagenum"><a name="Page_265" id="Page_265">{265}</a></span></p> - -<h2 id="CHAPTER_XVI">CHAPTER XVI</h2> - -<p class="noindent"><span class="smcap">“Will</span> she suffer any more?”</p> - -<p>On the upper landing of the hotel in -which Falconer had found Julian, Clemence -was standing, one hand resting on the -handle of a door which she had just closed -behind her, looking in the uncertain light -of a flickering gas-jet into the face of the -man to whom she spoke. He was a quick, -capable-looking man, with a brisk, professional -manner, evidently a doctor. Clemence’s face -was pale and tired, as though with strain -or watching, and her low voice shook a -little. The doctor was drawing on his left-hand -glove, and he paused to answer her.</p> - -<p>“I should say that she would not,” he -said. “It is practically over.” He gave a -keen, rather curious look at Clemence and then -added: “You are alone with the lady?”</p> - -<p><span class="pagenum"><a name="Page_266" id="Page_266">{266}</a></span></p> - -<p>“Yes,” said Clemence simply.</p> - -<p>A long night and a long day had -passed, and between Mrs. Romayne and -the one absorbing passion of her life had -fallen that solemn shadow before which all -earthly passions pale and fade away; that -solemn shadow before whose creeping touch -not strength of will, not love itself, can -stand. As she fell to the ground before -her son she had loosed her hold perforce -on all the struggle and burning resolution -which was life to her; she had followed -the guide whom none may resist into -that valley through which every one must -pass, and its mists had lifted from her -no more. From that one long faint she -had been brought back only to fall into -another; in such total unconsciousness, which -had yielded twice to intervals of physical -pain terrible to see, the long hours had -passed.</p> - -<p>And in one of these spaces of blank -unconsciousness Julian Romayne had seen -his mother for the last time. The necessity -for his departure was pressing and relentless. -The meeting of the shareholders was<span class="pagenum"><a name="Page_267" id="Page_267">{267}</a></span> -imminent, and that meeting he must face. -He had left his mother’s room in the grey -light of the early morning with a look on -his face which Clemence, the only witness -of that mute parting, never forgot; and he -had gone away with Dennis Falconer to -make those preparations for his surrender -of himself to justice which were not to be -delayed.</p> - -<p>And now the day was drawing to a close. -The doctor had paid his last visit, and the -night was drawing on.</p> - -<p>There was a moment’s pause after -Clemence’s words. Then the doctor wished -her a professional good-night, and, as he went -downstairs, she turned and went back into the -room.</p> - -<p>It was a small room, the best which the -hotel cared to place at the disposal of sudden -illness, but somewhat dingy and ill-appointed. -The gaslight, shaded from the face upon the -bed, but shedding a garish light upon the rest -of the room, touched nothing luxurious, nothing -which its present occupant could have -realised in connection with herself. Her very -rings lying upon the dressing-table and flashing<span class="pagenum"><a name="Page_268" id="Page_268">{268}</a></span> -under the gaslight, seemed to protest -against such poor surroundings.</p> - -<p>But the figure on the bed lay motionless, -protesting never more. It lay in blank unconsciousness -even when Clemence, crossing -the room, stood for a moment looking down, -her whole face tender and quivering, and -then sank gently on her knees and pressed -her lips, with a womanly gesture of infinite -pity, to the pale, inanimate hand upon the -bed. It was over now, practically, as the -doctor, looking at that waning life from a -purely physical point of view, had said—all -the struggle and the dread, all the courage and -the hope, the valiant ignorance of twenty -years. And the face upon the pillow was the -face of the vanquished—the face of one whose -last vivid consciousness of earthly things had -been the consciousness of failure.</p> - -<p>For many minutes Clemence knelt there, -all the feeling of her woman’s soul seeming to -expend itself in that soft, mute pressure. -Then she rose quietly and moved across the -room to make some final preparation for the -night. That done, she came back again to -the bedside, and doing so she started. The<span class="pagenum"><a name="Page_269" id="Page_269">{269}</a></span> -shadowy hands were moving feebly upon the -counterpane. From out the grey, pinched -face upon the pillow two glazed blue eyes -were looking with a restless, searching movement -as though in want of something. They -rested upon Clemence with no recognition in -them; but as her son’s wife drew nearer to -her quickly and gently, Mrs. Romayne moved -feebly and tried to turn her head upon the -pillow, as though moved by some vague, indefinite, -and far-away sense of dislike and -repulsion. Her white lips moved uncertainly -as she did so, and faint sounds came from -between them. Clemence bent over her -tenderly and tried to catch the words; and -they grew gradually a little clearer.</p> - -<p>“My boy!” the faint, uncertain voice -muttered, “my little boy!”</p> - -<p>A great wave of pity and yearning swept -over Clemence, and she sank once more to her -knees, fixing her eyes on the poor, worn face. -Was it of any use to speak? Could her voice -reach to those dim lands where the mother -groped for her “little boy”?</p> - -<p>“He will come!” she said. “He will -come—by-and-by!”</p> - -<p><span class="pagenum"><a name="Page_270" id="Page_270">{270}</a></span></p> - -<p>As though the voice had roused her without -penetrating to her brain, Mrs. Romayne -moved again—that slight, feeble movement so -eloquent of the extremity of weakness. Her -eyes turned to Clemence with that glance of -vague, unrecognising dislike.</p> - -<p>“No,” she said, as though answering her—“no, -he’s too little.” She paused, and again -there was that groping movement of her -hands. “His letter,” she muttered, “his -letter! My dear mamma! my dear mamma!”</p> - -<p>There was a restless distress in the glazed -eyes now, and their glance tore Clemence’s -heart. The feeble hands were moving painfully, -and as she watched, with her tears -falling fast in her impotent pity and longing -to satisfy their craving, something in their -movements, all unmeaning as they seemed at -first, penetrated to Clemence’s understanding -with one of those strange flashes of comprehension -only possible under so tense a strain -of sympathy. Those nerveless hands were -feeling for a pocket! In an instant Clemence -had risen, crossed the room, and put her hand -into the pocket of the dress which Mrs. -Romayne had worn. Her finger touched a<span class="pagenum"><a name="Page_271" id="Page_271">{271}</a></span> -paper, and she drew it out instantly. She -saw that it was yellow and faded with age, and -she moved quickly back with it to the bedside. -The hands and the eyes were still moving, -but the muttered words were audible no longer, -and as Clemence put the paper gently between -the thin fingers, she felt with a sudden thrill -of awe that they were growing cold.</p> - -<p>But the touch seemed to rouse Mrs. -Romayne once more. Her fingers closed on -the paper as if instinctively, and the restless -distress died out of her eyes as she tried—vainly—to -unfold the paper. Clemence put out her -hand gently, and did the work for which the -dying fingers had no strength, and on the -dying face there dawned a pale, shadowy -smile.</p> - -<p>“Yes!” she said. “Yes! ‘My dear -mamma!’ My dear mamma! Your loving—son—Julian!”</p> - -<p>And with her son’s name on her lips, -Mrs. Romayne left him behind, and passed -from ignorance to knowledge.</p> - -<p class="tb">The trial and conviction of Julian -Romayne were a nine days’ wonder in<span class="pagenum"><a name="Page_272" id="Page_272">{272}</a></span> -society. The people who had most readily -and carelessly received the widow and son -of William Romayne, asked one another -with the martyred air of those whose -charity has been abused and their feelings -for morality outraged, what was to be -expected after all of the son of such a -father? The people whose feelings for -morality had been outraged at the outset -by Mrs. Romayne’s reappearance in London, -and soothed subsequently by the simplicity -of the position, observed sagely that they -had always said so. Both parties were -unanimous in the assertion that the young -man’s life was practically at an end. He -had forfeited his place in society for ever.</p> - -<p>But Julian himself realised gradually and -painfully during the years of his punishment; -with the strength of a manhood attained -through pain, when he went away to a new -country with his wife and child; that his -life had just begun.</p> - -<p class="center">THE END</p> - -<p class="center smaller">F. M. EVANS & CO., LIMITED, PRINTERS, CRYSTAL PALACE, S.E.</p> - -<hr class="chap" /> - -<div class="catalogue"> - -<p><span class="pagenum"><a name="Catalogue_Page_1" id="Catalogue_Page_1">{1}</a></span></p> - -<p class="right">January, 1894.</p> - -<h2>A CLASSIFIED<br /> -<br /> -CATALOGUE OF BOOKS<br /> -<br /> -IN GENERAL LITERATURE<br /> -<br /> -PUBLISHED BY<br /> -<br /> -MACMILLAN AND CO.</h2> - -<p class="center">BEDFORD STREET, STRAND, LONDON, W.C.</p> - -<p class="center"><i>For purely Educational Works see</i> <span class="smcap">Macmillan and Co.’s</span> <i>Educational Catalogue</i>.</p> - -<h3 id="AGRICULTURE">AGRICULTURE.</h3> - -<p class="center">(<i>See also</i> <a href="#BOTANY"><span class="smcap">Botany</span></a>; <a href="#GARDENING"><span class="smcap">Gardening</span></a>.)</p> - -<p>FRANKLAND (Prof. P. F.).—<span class="smcap">A Handbook -of Agricultural Chemical Analysis.</span> -Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>LAURIE (A. 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Cr. 8vo. 8<i>s.</i> 6<i>d.</i></p> - -<p>HOOPER (W. H.) and PHILLIPS (W.C.).—<span class="smcap">A -Manual of Marks on Pottery and -Porcelain.</span> 16mo. 4<i>s.</i> 6<i>d.</i></p> - -<p>HUNT (W.).—<span class="smcap">Talks about Art.</span> With a -Letter from Sir <span class="smcap">J. E. Millais</span>, Bart., R.A. -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>HUTCHINSON (G. W. C.).—<span class="smcap">Some Hints -on Learning to Draw.</span> Roy. 8vo. 8<i>s.</i> 6<i>d.</i></p> - -<p>LECTURES ON ART. By <span class="smcap">Regd. Stuart -Poole</span>, Professor <span class="smcap">W. B. Richmond</span>, <span class="smcap">E. J. -Poynter</span>, R.A., <span class="smcap">J. T. Micklethwaite</span>, -and <span class="smcap">William Morris</span>. Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>NEWTON (Sir C. T.). (<i>See</i> <a href="#ANTIQUITIES"><span class="smcap">Antiquities</span></a>.)</p> - -<p>PALGRAVE (Prof. F. T.).—<span class="smcap">Essays on Art.</span> -Ext. fcp. 8vo. 6<i>s.</i></p> - -<p>PATER (W.).—<span class="smcap">The Renaissance</span>: Studies -in Art and Poetry. 5th Edit. Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>PROPERT (J. Lumsden).—<span class="smcap">A History of -Miniature Art.</span> Illustrated. Super roy. -4to. 3<i>l.</i> 13<i>s.</i> 6<i>d.</i>—Bound in vellum. 4<i>l.</i> 14<i>s.</i> 6<i>d.</i></p> - -<p>TAYLOR (E. R.).—<span class="smcap">Drawing and Design.</span> -Ob. cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>TURNER’S LIBER STUDIORUM: <span class="smcap">A -Description and a Catalogue.</span> By <span class="smcap">W. G. -Rawlinson</span>. Med. 8vo. 12<i>s.</i> 6<i>d.</i></p> - -<p>TYRWHITT (Rev. R. St. John).—<span class="smcap">Our -Sketching Club.</span> 5th Edit. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>WYATT (Sir M. Digby).—<span class="smcap">Fine Art</span>: A -Sketch of its History, Theory, Practice, and -Application to Industry. 8vo. 5<i>s.</i></p> - -<h3 id="ASTRONOMY">ASTRONOMY.</h3> - -<p>AIRY (Sir G. B.).—<span class="smcap">Popular Astronomy.</span> -Illustrated. 7th Edit. Fcp. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Gravitation.</span> An Elementary Explanation -of the Principal Perturbations in the -Solar System. 2nd Edit. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p><span class="pagenum"><a name="Catalogue_Page_3" id="Catalogue_Page_3">{3}</a></span></p> - -<p>BLAKE (J. F.).—<span class="smcap">Astronomical Myths.</span> -With Illustrations. Cr. 8vo. 9<i>s.</i></p> - -<p>CHEYNE (C. H. H.).—<span class="smcap">An Elementary -Treatise on the Planetary Theory.</span> -Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>CLARK (L.) and SADLER (H.).—<span class="smcap">The Star -Guide.</span> Roy. 8vo. 5<i>s.</i></p> - -<p>CROSSLEY (E.), GLEDHILL (J.), and -WILSON (J. 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H.).—<span class="smcap">New Historical -Atlas and General History.</span> 4to. 15<i>s.</i></p> - -<h3 id="BIBLE">BIBLE.</h3> - -<p class="center">(<i>See under</i> <a href="#THEOLOGY"><span class="smcap">Theology</span>, p. 33</a>.)</p> - -<h3 id="BIBLIOGRAPHY">BIBLIOGRAPHY.</h3> - -<p>A BIBLIOGRAPHICAL CATALOGUE OF -MACMILLAN AND CO.’S PUBLICATIONS, -1843-89. Med. 8vo. 10<i>s.</i> net.</p> - -<p>MAYOR (Prof. John E. B.).—<span class="smcap">A Bibliographical -Clue to Latin Literature.</span> Cr. -8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>RYLAND (F.).—<span class="smcap">Chronological Outlines -of English Literature.</span> Cr. 8vo. 6<i>s.</i></p> - -<h3 id="BIOGRAPHY">BIOGRAPHY.</h3> - -<p class="center">(<i>See also</i> <a href="#HISTORY"><span class="smcap">History</span></a>.)</p> - -<p><i>For other subjects of</i> <span class="smcap">Biography</span>, <i>see</i> <a href="#ENGLISH_MEN_OF_LETTERS"><span class="smcap">English -Men of Letters</span></a>, <a href="#ENGLISH_MEN_OF_ACTION"><span class="smcap">English Men of -Action</span></a>, <a href="#ENGLISH_STATESMEN"><span class="smcap">Twelve English Statesmen</span></a>.</p> - -<p>ABBOTT (E. A.).—<span class="smcap">The Anglican Career -of Cardinal Newman.</span> 2 vols. 8vo. 25<i>s.</i> net.</p> - -<p>AGASSIZ (Louis): <span class="smcap">His Life and Correspondence</span>. -Edited by <span class="smcap">Elizabeth Cary -Agassiz</span>. 2 vols. Cr. 8vo. 18<i>s.</i></p> - -<p>ALBEMARLE (Earl of).—<span class="smcap">Fifty Years of -My Life.</span> 3rd Edit., revised. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>ALFRED THE GREAT. By <span class="smcap">Thomas -Hughes</span>. Cr. 8vo. 6<i>s.</i></p> - -<p>AMIEL (H. F.)—<span class="smcap">The Journal Intime.</span> Trans. -Mrs. <span class="smcap">Humphry Ward</span>. 2nd Ed. Cr. 8vo. 6<i>s.</i></p> - -<p>ANDREWS (Dr. Thomas). (<i>See</i> <a href="#PHYSICS"><span class="smcap">Physics</span></a>.)</p> - -<p>ARNAULD, ANGELIQUE. By <span class="smcap">Frances -Martin</span>. Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>ARTEVELDE. <span class="smcap">James and Philip van -Artevelde.</span> By <span class="smcap">W. J. Ashley</span>. Cr. 8vo. 6<i>s.</i></p> - -<p>BACON (Francis): <span class="smcap">An Account of his Life -and Works</span>. By <span class="smcap">E. A. Abbott</span>. 8vo. 14<i>s.</i></p> - -<p>BARNES. <span class="smcap">Life of William Barnes, Poet -and Philologist.</span> By his Daughter, <span class="smcap">Lucy -Baxter</span> (“Leader Scott”). Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>BERLIOZ (Hector): <span class="smcap">Autobiography of</span>. -Trns. by <span class="smcap">R. & E. Holmes</span>. 2 vols. Cr. 8vo. 21<i>s.</i></p> - -<p>BERNARD (St.). <span class="smcap">The Life and Times of -St. Bernard, Abbot of Clairvaux.</span> By -<span class="smcap">J. C. Morison</span>, M.A. Cr. 8vo. 6<i>s.</i></p> - -<p>BLACKBURNE. <span class="smcap">Life of the Right Hon. -Francis Blackburne</span>, late Lord Chancellor -of Ireland, by his Son, <span class="smcap">Edward Blackburne</span>. -With Portrait. 8vo. 12<i>s.</i></p> - -<p>BLAKE. <span class="smcap">Life of William Blake.</span> With -Selections from his Poems, etc. Illustr. from -Blake’s own Works. By <span class="smcap">Alexander Gilchrist</span>. -2 vols. Med. 8vo. 42<i>s.</i></p> - -<p>BOLEYN (Anne): <span class="smcap">A Chapter of English -History, 1527-36</span>. By <span class="smcap">Paul Friedmann</span>. -2 vols. 8vo. 28<i>s.</i></p> - -<p>BROOKE (Sir Jas.), <span class="smcap">The Raja of Sarawak</span> -(Life of). By <span class="smcap">Gertrude L. Jacob</span>. -2 vols. 8vo. 25<i>s.</i></p> - -<p>BURKE. By <span class="smcap">John Morley</span>. Globe 8vo. 5<i>s.</i></p> - -<p>CALVIN. (<i>See</i> <a href="#SELECT_BIOGRAPHY"><span class="smcap">Select Biography</span>, p. 6</a>.)</p> - -<p>CAMPBELL (Sir G.).—<span class="smcap">Memoirs of my Indian -Career.</span> Edited by Sir <span class="smcap">C. E. Bernard</span>. -2 vols. 8vo. 21<i>s.</i> net.</p> - -<p>CARLYLE (Thomas). Edited by <span class="smcap">Charles -E. Norton</span>. Cr. 8vo.</p> - -<p>—— <span class="smcap">Reminiscences.</span> 2 vols. 12<i>s.</i></p> - -<p>—— <span class="smcap">Early Letters</span>, 1814-26. 2 vols. 18<i>s.</i></p> - -<p>—— <span class="smcap">Letters</span>, 1826-36. 2 vols. 18<i>s.</i></p> - -<p id="CARLYLE">—— <span class="smcap">Correspondence between Goethe -and Carlyle.</span> 9<i>s.</i></p> - -<p><span class="pagenum"><a name="Catalogue_Page_4" id="Catalogue_Page_4">{4}</a></span></p> - -<p>CARSTARES (Wm.): <span class="smcap">A Character and -Career of the Revolutionary Epoch</span> -(1649-1715). By <span class="smcap">R. H. Story</span>. 8vo. 12<i>s.</i></p> - -<p>CAVOUR. (<i>See</i> <a href="#SELECT_BIOGRAPHY"><span class="smcap">Select Biography</span>, p. 6</a>.)</p> - -<p>CHATTERTON: <span class="smcap">A Story of the Year -1770</span>. By Prof. <span class="smcap">David Masson</span>. Cr. 8vo. 5<i>s.</i></p> - -<p>—— <span class="smcap">A Biographical Study.</span> By Sir <span class="smcap">Daniel -Wilson</span>. Cr. 8vo. 6<i>s.</i> 6<i>d.</i></p> - -<p>CLARK. <span class="smcap">Memorials from Journals and -Letters of Samuel Clark, M.A.</span> Edited -by <span class="smcap">His Wife</span>. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>CLEVELAND (Duchess of).—<span class="smcap">True Story -of Kaspar Hauser.</span> Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>CLOUGH (A. H.). (<i>See</i> <a href="#LITERATURE"><span class="smcap">Literature</span>, p. 21</a>.)</p> - -<p>COMBE. <span class="smcap">Life of George Combe.</span> By -<span class="smcap">Charles Gibbon</span>. 2 vols. 8vo. 32<i>s.</i></p> - -<p>CROMWELL. (<i>See</i> <a href="#SELECT_BIOGRAPHY"><span class="smcap">Select Biography</span>, p. 6</a>.)</p> - -<p>DAMIEN (Father): <span class="smcap">A Journey from Cashmere -to his Home in Hawaii</span>. By <span class="smcap">Edward -Clifford</span>. Portrait. Cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">DANTE: and other Essays.</span> By Dean -Church. Globe 8vo. 5<i>s.</i></p> - -<p>DARWIN (Charles): <span class="smcap">Memorial Notices</span>. -By <span class="smcap">T. H. Huxley</span>, <span class="smcap">G. J. Romanes</span>, Sir -<span class="smcap">Arch. Geikie</span>, and <span class="smcap">W. Thiselton Dyer</span>. -With Portrait. Cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>DEAK (Francis): <span class="smcap">Hungarian Statesman</span>. -A Memoir. 8vo. 12<i>s.</i> 6<i>d.</i></p> - -<p>DRUMMOND OF HAWTHORNDEN. By -Prof. <span class="smcap">D. Masson</span>. Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>EADIE. Life of John Eadie, D.D. By -<span class="smcap">James Brown</span>, D.D. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>ELLIOTT. <span class="smcap">Life of H. V. Elliott, of -Brighton.</span> By <span class="smcap">J. Bateman</span>. Cr. 8vo. 6<i>s.</i></p> - -<p>EMERSON. <span class="smcap">Life of Ralph Waldo Emerson.</span> -By <span class="smcap">J. L. Cabot</span>. 2 vols. Cr. 8vo. 18<i>s.</i></p> - -<p>ENGLISH MEN OF ACTION. Cr. 8vo. -With Portraits. 2<i>s.</i> 6<i>d.</i> each.</p> - -<div class="blockquote"> - -<p><span class="smcap">Clive.</span> By Colonel Sir <span class="smcap">Charles Wilson</span>.</p> - -<p><span class="smcap">Cook (Captain).</span> By <span class="smcap">Walter Besant</span>.</p> - -<p><span class="smcap">Dampier.</span> By <span class="smcap">W. Clark Russell</span>.</p> - -<p><span class="smcap">Drake.</span> By <span class="smcap">Julian Corbett</span>.</p> - -<p><span class="smcap">Gordon (General).</span> By Col. Sir <span class="smcap">W. Butler</span>.</p> - -<p><span class="smcap">Hastings (Warren).</span> By Sir <span class="smcap">A. Lyall</span>.</p> - -<p><span class="smcap">Havelock (Sir Henry).</span> By <span class="smcap">A. Forbes</span>.</p> - -<p><span class="smcap">Henry V.</span> By the Rev. <span class="smcap">A. J. Church</span>.</p> - -<p><span class="smcap">Lawrence (Lord).</span> By Sir <span class="smcap">Rich. Temple</span>.</p> - -<p><span class="smcap">Livingstone.</span> By <span class="smcap">Thomas Hughes</span>.</p> - -<p><span class="smcap">Monk.</span> By <span class="smcap">Julian Corbett</span>.</p> - -<p><span class="smcap">Montrose.</span> By <span class="smcap">Mowbray Morris</span>.</p> - -<p><span class="smcap">Moore (Sir John).</span> By Col. <span class="smcap">Maurice</span>. [<i>In prep.</i></p> - -<p><span class="smcap">Napier (Sir Charles).</span> By Colonel Sir -<span class="smcap">Wm. Butler</span>.</p> - -<p><span class="smcap">Peterborough.</span> By <span class="smcap">W. Stebbing</span>.</p> - -<p><span class="smcap">Rodney.</span> By <span class="smcap">David Hannay</span>.</p> - -<p><span class="smcap">Simon de Montfort.</span> By <span class="smcap">G. W. 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Froude</span>.</p> - -<p><span class="smcap">Burke.</span> By <span class="smcap">John Morley</span>.</p> - -<p><span class="smcap">Burns.</span> By Principal <span class="smcap">Shairp</span>.</p> - -<p><span class="smcap">Byron.</span> By <span class="smcap">John Nichol</span>.</p> - -<p><span class="smcap">Carlyle.</span> By <span class="smcap">John Nichol</span>.</p> - -<p><span class="smcap">Chaucer.</span> By Prof. <span class="smcap">A. W. Ward</span>.</p> - -<p><span class="smcap">Coleridge.</span> By <span class="smcap">H. D. Traill</span>.</p> - -<p><span class="smcap">Cowper.</span> By <span class="smcap">Goldwin Smith</span>.</p> - -<p><span class="smcap">Defoe.</span> By <span class="smcap">W. Minto</span>.</p> - -<p><span class="smcap">De Quincey.</span> By Prof. <span class="smcap">Masson</span>.</p> - -<p><span class="smcap">Dickens.</span> By <span class="smcap">A. W. Ward</span>.</p> - -<p><span class="smcap">Dryden.</span> By <span class="smcap">G. Saintsbury</span>.</p> - -<p><span class="smcap">Fielding.</span> By <span class="smcap">Austin Dobson</span>.</p> - -<p><span class="smcap">Gibbon.</span> By <span class="smcap">J. Cotter Morison</span>.</p> - -<p><span class="smcap">Goldsmith.</span> By <span class="smcap">William Black</span>.</p> - -<p><span class="smcap">Gray.</span> By <span class="smcap">Edmund Gosse</span>.</p> - -<p><span class="smcap">Hawthorne.</span> By <span class="smcap">Henry James</span>.</p> - -<p><span class="smcap">Hume.</span> By <span class="smcap">T. H. Huxley</span>.</p> - -<p><span class="smcap">Johnson.</span> By <span class="smcap">Leslie Stephen</span>.</p> - -<p><span class="smcap">Keats.</span> By <span class="smcap">Sidney Colvin</span>.</p> - -<p><span class="smcap">Lamb.</span> By Rev. <span class="smcap">Alfred Ainger</span>.</p> - -<p><span class="smcap">Landor.</span> By <span class="smcap">Sidney Colvin</span>.</p> - -<p><span class="smcap">Locke.</span> By Prof. <span class="smcap">Fowler</span>.</p> - -<p><span class="smcap">Macaulay.</span> By <span class="smcap">J. Cotter Morison</span>.</p> - -<p><span class="smcap">Milton.</span> By <span class="smcap">Mark Pattison</span>.</p> - -<p><span class="smcap">Pope.</span> By <span class="smcap">Leslie Stephen</span>.</p> - -<p><span class="smcap">Scott.</span> By <span class="smcap">R. H. Hutton</span>.</p> - -<p><span class="smcap">Shelley.</span> By <span class="smcap">J. A. Symonds</span>.</p> - -<p><span class="smcap">Sheridan.</span> By Mrs. <span class="smcap">Oliphant</span>.</p> - -<p><span class="smcap">Sidney.</span> By <span class="smcap">J. A. Symonds</span>.</p> - -<p><span class="smcap">Southey.</span> By Prof. <span class="smcap">Dowden</span>.</p> - -<p><span class="smcap">Spenser.</span> By Dean <span class="smcap">Church</span>.</p> - -<p><span class="smcap">Sterne.</span> By <span class="smcap">H. D. Traill</span>.</p> - -<p><span class="smcap">Swift.</span> By <span class="smcap">Leslie Stephen</span>.</p> - -<p><span class="smcap">Thackeray.</span> By <span class="smcap">Anthony Trollope</span>.</p> - -<p><span class="smcap">Wordsworth.</span> By <span class="smcap">F. W. H. Myers</span>.</p> - -</div> - -<p>ENGLISH STATESMEN, TWELVE -Cr. 8vo. 2<i>s.</i> 6<i>d.</i> each.</p> - -<div class="blockquote"> - -<p><span class="smcap">William the Conqueror</span>. By <span class="smcap">Edward -A. Freeman</span>, D.C.L., LL.D.</p> - -<p><span class="smcap">Henry II.</span> By Mrs. <span class="smcap">J. R. Green</span>.</p> - -<p><span class="smcap">Edward I.</span> By <span class="smcap">T. F. Tout</span>, M.A.</p> - -<p><span class="smcap">Henry VII.</span> By <span class="smcap">James Gairdner</span>.</p> - -<p><span class="smcap">Cardinal Wolsey.</span> By Bp. <span class="smcap">Creighton</span>.</p> - -<p><span class="smcap">Elizabeth.</span> By <span class="smcap">E. S. Beesly</span>.</p> - -<p><span class="smcap">Oliver Cromwell.</span> By <span class="smcap">F. Harrison</span>.</p> - -<p><span class="smcap">William III.</span> By <span class="smcap">H. D. Traill</span>.</p> - -<p><span class="smcap">Walpole.</span> By <span class="smcap">John Morley</span>.</p> - -<p><span class="smcap">Chatham.</span> By <span class="smcap">John Morley</span>. [<i>In the Press.</i></p> - -<p><span class="smcap">Pitt.</span> By <span class="smcap">Lord Rosebery</span>.</p> - -<p><span class="smcap">Peel.</span> By <span class="smcap">J. R. Thursfield</span>.</p> - -</div> - -<p>EPICTETUS. (<i>See</i> <a href="#SELECT_BIOGRAPHY"><span class="smcap">Select Biography</span>, p. 6</a>.)</p> - -<p>FAIRFAX. <span class="smcap">Life of Robert Fairfax of -Steeton</span>, Vice-Admiral, Alderman, and -Member for York, <span class="smcap">A.D.</span> 1666-1725. By <span class="smcap">Clements -R. Markham</span>, C.B. 8vo. 12<i>s.</i> 6<i>d.</i></p> - -<p>FITZGERALD (Edward). (<i>See</i> <a href="#LITERATURE"><span class="smcap">Literature</span>, -p. 21</a>.)</p> - -<p>FORBES (Edward): <span class="smcap">Memoir of</span>. By <span class="smcap">George -Wilson</span>, M.P., and Sir <span class="smcap">Archibald Geikie</span>, -F.R.S., etc. 8vo. 14<i>s.</i></p> - -<p>FORBES-MITCHELL (W.)—<span class="smcap">Reminiscences -of the Great Mutiny</span>. Cr. 8vo. 8<i>s.</i> 6<i>d.</i> net.</p> - -<p>FRANCIS OF ASSISI. By Mrs. <span class="smcap">Oliphant</span>. -Cr. 8vo. 6<i>s.</i></p> - -<p>FRASER. <span class="smcap">James Fraser, Second Bishop -of Manchester</span>: A Memoir. By <span class="smcap">T. -Hughes</span>. Cr. 8vo. 6<i>s.</i></p> - -<p>GARIBALDI. (<i>See</i> <a href="#SELECT_BIOGRAPHY"><span class="smcap">Select Biography</span>, p. 6</a>.)</p> - -<p><span class="pagenum"><a name="Catalogue_Page_5" id="Catalogue_Page_5">{5}</a></span></p> - -<p><span class="smcap">GOETHE: Life of.</span> By Prof. <span class="smcap">Heinrich -Düntzer</span>. Translated by <span class="smcap">T. W. Lyster</span>. -2 vols. Cr. 8vo. 21<i>s.</i></p> - -<p>GOETHE AND CARLYLE. (<i>See</i> <a href="#CARLYLE"><span class="smcap">Carlyle</span></a>.)</p> - -<p>GORDON (General): <span class="smcap">A Sketch</span>. By <span class="smcap">Reginald -H. Barnes</span>. Cr. 8vo. 1<i>s.</i></p> - -<p>—— <span class="smcap">Letters of General C. G. Gordon -to his Sister, M. A. Gordon</span>. 4th Edit. -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">HANDEL: Life of.</span> By <span class="smcap">W. S. Rockstro</span>. -Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>HOBART. (<i>See</i> <a href="#COLLECTED_WORKS"><span class="smcap">Collected Works</span>, p. 22</a>.)</p> - -<p>HODGSON. <span class="smcap">Memoir of Rev. Francis -Hodgson, B.D.</span> By his Son, Rev. <span class="smcap">James T. -Hodgson</span>, M.A. 2 vols. Cr. 8vo. 18<i>s.</i></p> - -<p>JEVONS (W. Stanley).—<span class="smcap">Letters and Journal.</span> -Edited by <span class="smcap">His Wife</span>. 8vo. 14<i>s.</i></p> - -<p>KAVANAGH (Rt. Hon. A. McMurrough): <span class="smcap">A -Biography</span>. From papers chiefly unpublished, -compiled by his Cousin, <span class="smcap">Sarah L. -Steele</span>. With Portrait. 8vo. 14<i>s.</i> net.</p> - -<p>KINGSLEY: <span class="smcap">His Letters, and Memories -of his Life</span>. Edited by <span class="smcap">His Wife</span>. 2 vols. -Cr. 8vo. 12<i>s.</i>—Cheap Edition. 1 vol. 6<i>s.</i></p> - -<p>LAMB. <span class="smcap">The Life of Charles Lamb.</span> By -Rev. <span class="smcap">Alfred Ainger</span>, M.A. Globe 8vo. 5<i>s.</i></p> - -<p>LETHBRIDGE (Sir R.).—<span class="smcap">Golden Book of -India.</span> Royal 8vo. 40<i>s.</i></p> - -<p>LOUIS (St.). (<i>See</i> <a href="#SELECT_BIOGRAPHY"><span class="smcap">Select Biography</span>, p. 6</a>.)</p> - -<p>MACMILLAN (D). <span class="smcap">Memoir of Daniel -Macmillan.</span> By <span class="smcap">Thomas Hughes</span>, Q.C. -With Portrait. Cr. 8vo. 4<i>s.</i> 6<i>d.</i>—Cheap -Edition. Cr. 8vo., sewed, 1<i>s.</i></p> - -<p>MALTHUS AND HIS WORK. By <span class="smcap">James -Bonar</span>. 8vo. 12<i>s.</i> 6<i>d.</i></p> - -<p>MARCUS AURELIUS. (<i>See</i> <a href="#SELECT_BIOGRAPHY"><span class="smcap">Select Biography</span>, -p. 6</a>.)</p> - -<p>MATHEWS. <span class="smcap">The Life of Charles J. -Mathews.</span> Edited by <span class="smcap">Charles Dickens</span>. -With Portraits. 2 vols. 8vo. 25<i>s.</i></p> - -<p>MAURICE. <span class="smcap">Life of Frederick Denison -Maurice.</span> By his Son, <span class="smcap">Frederick Maurice</span>. -Two Portraits. 2 vols. 8vo. 36<i>s.</i>—Popular -Edit. (4th Thousand). 2 vols. Cr. 8vo. 16<i>s.</i></p> - -<p>MAXWELL. <span class="smcap">Professor Clerk Maxwell, -A Life of.</span> By Prof. <span class="smcap">L. Campbell</span>, M.A., -and <span class="smcap">W. Garnett</span>, M.A. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>MAZZINI. (<i>See</i> <a href="#SELECT_BIOGRAPHY"><span class="smcap">Select Biography</span>, p. 6</a>.)</p> - -<p>MELBOURNE. <span class="smcap">Memoirs of Viscount -Melbourne.</span> By <span class="smcap">W. M. Torrens</span>. With -Portrait. 2nd Edit. 2 vols. 8vo. 32<i>s.</i></p> - -<p>MILTON. <span class="smcap">The Life of John Milton.</span> -By Prof. <span class="smcap">David Masson</span>. Vol. I., 21<i>s.</i>; -Vol. III., 18<i>s.</i>; Vols. IV. and V., 32<i>s.</i>; Vol. -VI., with Portrait, 21<i>s.</i> (<i>See also</i> <a href="#Catalogue_Page_16">p. 16</a>.)</p> - -<p>MILTON, JOHNSON’S LIFE OF. With -Introduction and Notes by <span class="smcap">K. Deighton</span>. -Globe 8vo. 1<i>s.</i> 9<i>d.</i></p> - -<p>NAPOLEON I., HISTORY OF. By <span class="smcap">P. -Lanfrey</span>. 4 vols. Cr. 8vo. 30<i>s.</i></p> - -<p>NELSON. <span class="smcap">Southey’s Life of Nelson.</span> -With Introduction and Notes by <span class="smcap">Michael -Macmillan</span>, B.A. Globe 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>NORTH (M.).—<span class="smcap">Recollections of a Happy -Life.</span> Being the Autobiography of <span class="smcap">Marianne -North</span>. Ed. by Mrs. <span class="smcap">J. A. Symonds</span>. 2nd -Edit. 2 vols. Ex. cr. 8vo. 17<i>s.</i> net.</p> - -<p>—— <span class="smcap">Some Further Recollections of a -Happy Life.</span> Cr. 8vo. 8<i>s.</i> 6<i>d.</i> net.</p> - -<p>OXFORD MOVEMENT, THE, 1833-45. -By Dean <span class="smcap">Church</span>. Gl. 8vo. 5<i>s.</i></p> - -<p>PARKER (W. K.)—<span class="smcap">A Biographical Sketch</span>. -By <span class="smcap">His Son</span>. Cr. 8vo. 4<i>s.</i> net.</p> - -<p>PATTESON. <span class="smcap">Life and Letters of John -Coleridge Patteson, D.D., Missionary -Bishop.</span> By <span class="smcap">C. M. Yonge</span>. 2 vols. Cr. 8vo. -12<i>s.</i> (<i>See also</i> <a href="#YOUNG"><span class="smcap">Books for the Young</span>, p. 41</a>.)</p> - -<p>PATTISON (M.).—<span class="smcap">Memoirs.</span> Cr. 8vo. 8<i>s.</i> 6<i>d.</i></p> - -<p>PITT. (<i>See</i> <a href="#SELECT_BIOGRAPHY"><span class="smcap">Select Biography</span>, p. 6</a>.)</p> - -<p>POLLOCK (Sir Frdk., 2nd Bart.).—<span class="smcap">Personal -Remembrances.</span> 2 vols. Cr. 8vo. 16<i>s.</i></p> - -<p>POOLE, THOS., AND HIS FRIENDS. -By Mrs. <span class="smcap">Sandford</span>. 2nd edit. Cr. 8vo. 6<i>s.</i></p> - -<p>RENAN (Ernest).—<span class="smcap">In Memoriam.</span> By Sir -<span class="smcap">M. E. Grant Duff</span>. Cr. 8vo. 6<i>s.</i></p> - -<p>RITCHIE (Mrs.).—<span class="smcap">Records of Tennyson, -Ruskin, and Browning.</span> Globe 8vo. 5<i>s.</i></p> - -<p>ROBINSON (Matthew): <span class="smcap">Autobiography of</span>. -Edited by <span class="smcap">J. E. B. Mayor</span>. Fcp. 8vo. 5<i>s.</i></p> - -<p>ROSSETTI (Dante Gabriel): <span class="smcap">A Record and -a Study</span>. By <span class="smcap">W. Sharp</span>. Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>RUMFORD. (<i>See</i> <a href="#COLLECTED_WORKS"><span class="smcap">Collected Works</span>, p. 24</a>.)</p> - -<p>SCHILLER, <span class="smcap">Life of</span>. By Prof. <span class="smcap">H. Düntzer</span>. -Trans. by <span class="smcap">P. E. Pinkerton</span>. Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>SHELBURNE. <span class="smcap">Life of William, Earl -of Shelburne.</span> By Lord <span class="smcap">Edmond Fitzmaurice</span>. -In 3 vols.—Vol. I. 8vo. 12<i>s.</i>—Vol. -II. 8vo. 12<i>s.</i>—Vol. III. 8vo. 16<i>s.</i></p> - -<p>SIBSON. (<i>See</i> <a href="#MEDICINE"><span class="smcap">Medicine</span></a>.)</p> - -<p>SMETHAM (Jas.).: <span class="smcap">Letters of</span>. Ed. by -<span class="smcap">Sarah Smetham</span> and <span class="smcap">W. Davies</span>. Portrait. -Globe 8vo. 5<i>s.</i></p> - -<p>——- <span class="smcap">The Literary Works.</span> Gl. 8vo. 5<i>s.</i></p> - -<p>TAIT. <span class="smcap">The Life of Archibald Campbell -Tait, Archbishop of Canterbury.</span> By -the <span class="smcap">Bishop of Rochester</span> and Rev. <span class="smcap">W. -Benham</span>, B.D. 2 vols. Cr. 8vo. 10<i>s.</i> net.</p> - -<p>—— <span class="smcap">Catharine and Crawfurd Tait, -Wife and Son of Archibald Campbell, -Archbishop of Canterbury</span>: A Memoir. -Ed. by Rev. <span class="smcap">W. Benham</span>, B.D. Cr. 8vo. 6<i>s.</i>—Popular -Edit., abridged. Cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>THRING (Edward): <span class="smcap">A Memory of</span>. By -<span class="smcap">J. H. Skrine</span>. Cr. 8vo. 6<i>s.</i></p> - -<p>TUCKWELL (W.).—<span class="smcap">The Ancient Ways: -Winchester Fifty Years Ago.</span> Globe -8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>VICTOR EMMANUEL II., FIRST KING -OF ITALY. By <span class="smcap">G. S. Godkin</span>. Cr. 8vo. 6<i>s.</i></p> - -<p>WARD. <span class="smcap">William George Ward and the -Oxford Movement.</span> By his Son, <span class="smcap">Wilfrid -Ward</span>. With Portrait. 8vo. 14<i>s.</i></p> - -<p>—— <span class="smcap">William George Ward and the Catholic -Revival.</span> 8vo. 14<i>s.</i></p> - -<p>WATSON. <span class="smcap">A Record of Ellen Watson.</span> -By <span class="smcap">Anna Buckland</span>. Cr. 8vo. 6<i>s.</i></p> - -<p>WHEWELL. <span class="smcap">Dr. William Whewell</span>, late -Master of Trinity College, Cambridge. An -Account of his Writings, with Selections from -his Literary and Scientific Correspondence. -By <span class="smcap">I. Todhunter</span>, M.A. 2 vols. 8vo. 25<i>s.</i></p> - -<p>WILLIAMS (Montagu).—<span class="smcap">Leaves of a Life.</span> -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Later Leaves.</span> Being further Reminiscences. -With Portrait. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Round London, down East and up -West.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p><span class="pagenum"><a name="Catalogue_Page_6" id="Catalogue_Page_6">{6}</a></span></p> - -<p>WILSON. <span class="smcap">Memoir of Prof. George Wilson, -M.D.</span> By <span class="smcap">His Sister</span>. With Portrait. -2nd Edit. Cr. 8vo. 6<i>s.</i></p> - -<p>WORDSWORTH. <span class="smcap">Dove Cottage, Wordsworth’s -Home 1800-8.</span> Gl. 8vo., swd. 1<i>s.</i></p> - -<h4 id="SELECT_BIOGRAPHY">Select Biography.</h4> - -<p>BIOGRAPHIES OF EMINENT PERSONS. -Reprinted from the <i>Times</i>. 4 vols. -Cr. 8vo. 3<i>s.</i> 6<i>d.</i> each.</p> - -<p>FARRAR (Archdeacon).—<span class="smcap">Seekers after -God.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>FAWCETT (Mrs. H.).—<span class="smcap">Some Eminent -Women of our Times.</span> Cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>GUIZOT.—<span class="smcap">Great Christians of France: -St. Louis and Calvin.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>HARRISON (Frederic).—<span class="smcap">The New Calendar -of Great Men.</span> Ex. cr. 8vo. 7<i>s.</i> 6<i>d.</i> net.</p> - -<p>MARRIOTT (J. A. R.).—<span class="smcap">The Makers of -Modern Italy: Mazzini, Cavour, Garibaldi.</span> -Cr. 8vo. 1<i>s.</i> 6<i>d.</i></p> - -<p>MARTINEAU (Harriet).—<span class="smcap">Biographical -Sketches, 1852-75.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>NEW HOUSE OF COMMONS, JULY, -1892. Reprinted from the <i>Times</i>. 16mo. 1<i>s.</i></p> - -<p>SMITH (Goldwin).—<span class="smcap">Three English Statesmen: -Cromwell, Pym, Pitt.</span> Cr. 8vo. 5<i>s.</i></p> - -<p>STEVENSON (F. S.).—<span class="smcap">Historic Personality.</span> -Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>WINKWORTH (Catharine).—<span class="smcap">Christian -Singers of Germany.</span> Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>YONGE (Charlotte M.).—<span class="smcap">The Pupils of St. -John.</span> Illustrated. Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Pioneers and Founders</span>; or, Recent -Workers in the Mission Field. Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">A Book of Worthies.</span> Pott 8vo. 2<i>s.</i> 6<i>d.</i> -net.</p> - -<p>—— <span class="smcap">A Book of Golden Deeds.</span> Pott 8vo. -2<i>s.</i> 6<i>d.</i> net.—<i>Globe Readings Edition.</i> Globe -8vo. 2<i>s.</i>—<i>Abridged Edition.</i> Pott 8vo. 1<i>s.</i></p> - -<h3 id="BIOLOGY">BIOLOGY.</h3> - -<p class="center">(<i>See also</i> <a href="#BOTANY"><span class="smcap">Botany</span></a>; <a href="#NATURAL_HISTORY"><span class="smcap">Natural History</span></a>; -<a href="#PHYSIOLOGY"><span class="smcap">Physiology</span></a>; <a href="#ZOOLOGY"><span class="smcap">Zoology</span></a>.)</p> - -<p>BALFOUR (F. M.).—<span class="smcap">Comparative Embryology.</span> -Illustrated. 2 vols. 8vo. Vol. I. -18<i>s.</i> Vol. II. 21<i>s.</i></p> - -<p>BALL (W. P.).—<span class="smcap">Are the Effects of Use -and Disuse Inherited?</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>BASTIAN (H. Charlton).—<span class="smcap">The Beginnings -of Life.</span> 2 vols. Crown 8vo. 28<i>s.</i></p> - -<p>—— <span class="smcap">Evolution and the Origin of Life.</span> -Cr. 8vo. 6<i>s.</i> 6<i>d.</i></p> - -<p>BATESON (W.).—<span class="smcap">Materials for the -Study of Variation in Animals.</span> Part I. -<span class="smcap">Discontinuous Variation.</span> Illustr. 8vo.</p> - -<p>BERNARD (H. M.).—<span class="smcap">The Apodidae.</span> Cr. -8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>BIRKS (T. R.).—<span class="smcap">Modern Physical Fatalism, -and the Doctrine of Evolution.</span> -Including an Examination of Mr. Herbert -Spencer’s “First Principles.” Cr. 8vo. 6<i>s.</i></p> - -<p>CALDERWOOD (H.).—<span class="smcap">Evolution and -Man’s Place in Nature.</span> Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>DE VARIGNY (H.).—<span class="smcap">Experimental Evolution.</span> -Cr. 8vo. 5<i>s.</i></p> - -<p>EIMER (G. H. T.).—<span class="smcap">Organic Evolution -as the Result of the Inheritance of -Acquired Characters according to the -Laws of Organic Growth.</span> Translated by -<span class="smcap">J. T. Cunningham</span>, M.A. 8vo. 12<i>s.</i> 6<i>d.</i></p> - -<p>FISKE (John).—<span class="smcap">Outlines of Cosmic Philosophy, -based on the Doctrine of Evolution.</span> -2 vols. 8vo. 25<i>s.</i></p> - -<p>—— <span class="smcap">Man’s Destiny Viewed in the Light -of his Origin.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>FOSTER (Prof. M.) and BALFOUR (F. M.).—<span class="smcap">The -Elements of Embryology.</span> Ed. <span class="smcap">A. -Sedgwick</span>, and <span class="smcap">Walter Heape</span>. Illus. 3rd -Edit., revised and enlarged. Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>HUXLEY (T. H.) and MARTIN (H. N.). (<i>See -under</i> <a href="#ZOOLOGY"><span class="smcap">Zoology</span>, p. 43</a>.)</p> - -<p>KLEIN (Dr. E.).—<span class="smcap">Micro-Organisms and -Disease.</span> With 121 Engravings. 3rd Edit. -Cr. 8vo. 6<i>s.</i></p> - -<p>LANKESTER (Prof. E. Ray).—<span class="smcap">Comparative -Longevity in Man and the Lower -Animals.</span> Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>LUBBOCK (Sir John, Bart.).—<span class="smcap">Scientific -Lectures.</span> Illustrated. 2nd Edit. 8vo. 8<i>s.</i> 6<i>d.</i></p> - -<p>MURPHY (J. J.).—<span class="smcap">Natural Selection.</span> -Gl. 8vo. 5<i>s.</i></p> - -<p>PARKER (T. Jeffery).—<span class="smcap">Lessons in Elementary -Biology.</span> Illustr. Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>ROMANES (G. J.).—<span class="smcap">Scientific Evidences -of Organic Evolution.</span> Cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>WALLACE (Alfred R.).—<span class="smcap">Darwinism</span>: An -Exposition of the Theory of Natural Selection. -Illustrated. 3rd Edit. Cr. 8vo. 9<i>s.</i></p> - -<p>—— <span class="smcap">Contributions to the Theory of -Natural Selection, and Tropical Nature</span>: -and other Essays. New Ed. Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">The Geographical Distribution of -Animals.</span> Illustrated. 2 vols. 8vo. 42<i>s.</i></p> - -<p>—— <span class="smcap">Island Life.</span> Illustr. Ext. Cr. 8vo. 6<i>s.</i></p> - -<h3 id="BIRDS">BIRDS.</h3> - -<p class="center">(<i>See</i> <a href="#ZOOLOGY"><span class="smcap">Zoology</span></a>; <a href="#ORNITHOLOGY"><span class="smcap">Ornithology</span></a>.)</p> - -<h3 id="BOOK-KEEPING">BOOK-KEEPING.</h3> - -<p>THORNTON (J.).—<span class="smcap">First Lessons in Book -keeping.</span> New Edition. Cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Key.</span> Oblong 4to. 10<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Primer of Book-keeping.</span> Pott 8vo. 1<i>s.</i></p> - -<p>—— <span class="smcap">Key.</span> Demy 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Exercises in Book-keeping.</span> Pott -8vo. 1<i>s.</i></p> - -<h3 id="BOTANY">BOTANY.</h3> - -<p class="center">(<i>See also</i> <a href="#AGRICULTURE"><span class="smcap">Agriculture</span></a>; <a href="#GARDENING"><span class="smcap">Gardening</span></a>.)</p> - -<p>ALLEN (Grant).—<span class="smcap">On the Colours of -Flowers.</span> Illustrated. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>BALFOUR (Prof. J. B.) and WARD (Prof. -H. M.).—<span class="smcap">A General Text-Book of -Botany.</span> 8vo. [<i>In preparation.</i></p> - -<p>BETTANY (G. T.).—<span class="smcap">First Lessons in Practical -Botany.</span> Pott 8vo. 1<i>s.</i></p> - -<p>BOWER (Prof. F. O.).—<span class="smcap">A Course of Practical -Instruction in Botany.</span> Cr. 8vo. -10<i>s.</i> 6<i>d.</i>—Abridged Edition. [<i>In preparation.</i></p> - -<p>CHURCH (Prof. A. H.) and VINES (S. H.).—<span class="smcap">Manual -of Vegetable Physiology.</span> -Illustrated. Crown 8vo. [<i>In preparation.</i></p> - -<p>GOODALE (Prof. G. L.).—<span class="smcap">Physiological -Botany.</span>—1. <span class="smcap">Outlines of the Histology -of Phænogamous Plants</span>; 2. <span class="smcap">Vegetable -Physiology</span>. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>GRAY (Prof. Asa).—<span class="smcap">Structural Botany</span>; -or, Organography on the Basis of Morphology. -8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Scientific Papers of Asa Gray.</span> -Selected by C. S. Sargent. 2 vols. 8vo. 21<i>s.</i></p> - -<p><span class="pagenum"><a name="Catalogue_Page_7" id="Catalogue_Page_7">{7}</a></span></p> - -<p>HANBURY (Daniel).—<span class="smcap">Science Papers, -chiefly Pharmacological and Botanical.</span> -Med. 8vo. 14<i>s.</i></p> - -<p>HARTIG (Dr. Robert).—<span class="smcap">Text-Book of the -Diseases of Trees.</span> Transl. by Prof. <span class="smcap">Wm. -Somerville</span>, B.Sc. With Introduction by -Prof. <span class="smcap">H. Marshall Ward</span>. 8vo.</p> - -<p>HOOKER (Sir Joseph D.).—<span class="smcap">The Student’s -Flora of the British Islands.</span> 3rd -Edit. Globe 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">A Primer of Botany.</span> Pott 8vo. 1<i>s.</i></p> - -<p>LASLETT (Thomas).—<span class="smcap">Timber and Timber -Trees, Native and Foreign.</span> Cr. 8vo. -8<i>s.</i> 6<i>d.</i></p> - -<p>LUBBOCK (Sir John, Bart.).—<span class="smcap">On British -Wild Flowers considered in Relation -to Insects.</span> Illustrated. Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Flowers, Fruits, and Leaves.</span> With -Illustrations. Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>MÜLLER-THOMPSON.—<span class="smcap">The Fertilisation -of Flowers.</span> By Prof. <span class="smcap">H. Müller</span>. -Transl. by <span class="smcap">D’Arcy W. Thompson</span>. Preface -by <span class="smcap">Charles Darwin</span>, F.R.S. 8vo. 21<i>s.</i></p> - -<p>NISBET (J.).—<span class="smcap">British Forest Trees and -their Sylvicultural Characteristics -and Treatment.</span> Cr. 8vo. 6<i>s.</i> net.</p> - -<p>OLIVER (Prof. Daniel).—<span class="smcap">Lessons in Elementary -Botany.</span> Illustr. Fcp. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">First Book of Indian Botany.</span> Illustrated. -Ext. fcp. 8vo. 6<i>s.</i> 6<i>d.</i></p> - -<p>PETTIGREW (J. Bell).—<span class="smcap">The Physiology -of the Circulation in Plants, in the -Lower Animals, and in Man.</span> 8vo. 12<i>s.</i></p> - -<p>SMITH (J.).—<span class="smcap">Economic Plants, Dictionary -of Popular Names of; Their History, -Products, and Uses.</span> 8vo. 14<i>s.</i></p> - -<p>SMITH (W. G.).—<span class="smcap">Diseases of Field and -Garden Crops, chiefly such as are -caused by Fungi.</span> Illust. Fcp. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>WARD (Prof. H. M.).—<span class="smcap">Timber and some of -its Diseases.</span> Illustrated. Cr. 8vo. 6<i>s.</i></p> - -<p>YONGE (C. M.).-<span class="smcap">The Herb of the Field.</span> -New Edition, revised. Cr. 8vo. 5<i>s.</i></p> - -<h3 id="BREWING">BREWING AND WINE.</h3> - -<p>PASTEUR—FAULKNER.—<span class="smcap">Studies on -Fermentation: The Diseases of Beer, -their Causes, and the means of preventing -them.</span> By <span class="smcap">L. Pasteur</span>. Translated -by <span class="smcap">Frank Faulkner</span>. 8vo. 21<i>s.</i></p> - -<h3 id="CHEMISTRY">CHEMISTRY.</h3> - -<p class="center">(<i>See also</i> <a href="#METALLURGY"><span class="smcap">Metallurgy</span></a>.)</p> - -<p>BRODIE (Sir Benjamin).—<span class="smcap">Ideal Chemistry.</span> -Cr. 8vo. 2<i>s.</i></p> - -<p>COHEN (J. B.).—<span class="smcap">The Owens College -Course of Practical Organic Chemistry.</span> -Fcp. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>COOKE (Prof. J. P., jun.).—<span class="smcap">Principles of -Chemical Philosophy.</span> New Ed. 8vo. 19<i>s.</i></p> - -<p>DOBBIN (L.) and WALKER (Jas.).—<span class="smcap">Chemical -Theory for Beginners.</span> Pott 8vo. -2<i>s.</i> 6<i>d.</i></p> - -<p>FLEISCHER (Emil).—<span class="smcap">A System of Volumetric -Analysis.</span> Transl. with Additions, -by M. M. P. Muir, F.R.S.E. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>FRANKLAND (Prof. P. F.). (<i>See</i> <a href="#AGRICULTURE"><span class="smcap">Agriculture</span></a>.)</p> - -<p>GLADSTONE (J. H.) and TRIBE (A.).—<span class="smcap">The -Chemistry of the Secondary Batteries -of Planté and Faure.</span> Cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>HARTLEY (Prof. W. N.).—<span class="smcap">A Course of -Quantitative Analysis for Students.</span> -Globe 8vo. 5<i>s.</i></p> - -<p>HEMPEL (Dr. W.).—<span class="smcap">Methods of Gas -Analysis.</span> Translated by <span class="smcap">L. M. Dennis</span> -Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>HOFMANN (Prof. A. W.).—<span class="smcap">The Life Work -of Liebig in Experimental and Philosophic -Chemistry.</span> 8vo. 5<i>s.</i></p> - -<p>JONES (Francis).—<span class="smcap">The Owens College -Junior Course of Practical Chemistry.</span> -Illustrated. Fcp. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Questions on Chemistry.</span> Fcp. 8vo. 3<i>s.</i></p> - -<p>LANDAUER (J.).—<span class="smcap">Blowpipe Analysis.</span>. -Translated by <span class="smcap">J. Taylor</span>. Gl. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>LOCKYER (J. Norman, F.R.S.).—<span class="smcap">The -Chemistry of the Sun.</span> Illustr. 8vo. 14<i>s.</i></p> - -<p>LUPTON (S.).—<span class="smcap">Chemical Arithmetic.</span>. -With 1200 Problems. Fcp. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>MANSFIELD (C. B.).—<span class="smcap">A Theory of Salts.</span> -Cr. 8vo. 14<i>s.</i></p> - -<p>MELDOLA (Prof. R.).—<span class="smcap">The Chemistry of -Photography.</span> Illustrated. Cr. 8vo. 6<i>s.</i></p> - -<p>MEYER (E. von).—<span class="smcap">History of Chemistry -from Earliest Times to the Present -Day.</span> Trans. G. McGowan. 8vo. 14<i>s.</i> net.</p> - -<p>MIXTER (Prof. W. G.).—<span class="smcap">An Elementary -Text-Book of Chemistry.</span> Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>MUIR (M. M. P.).—<span class="smcap">Practical Chemistry -for Medical Students</span> (First M. B. Course). -Fcp. 8vo. 1<i>s.</i> 6<i>d.</i></p> - -<p>MUIR (M. M. P.) and WILSON (D. M.).—<span class="smcap">Elements -of Thermal Chemistry.</span> 12<i>s.</i> 6<i>d.</i></p> - -<p>OSTWALD (Prof.).—<span class="smcap">Outlines of General -Chemistry.</span> Trans. Dr. <span class="smcap">J. Walker</span>. 10<i>s.</i> net.</p> - -<p>RAMSAY (Prof. William).—<span class="smcap">Experimental -Proofs of Chemical Theory for Beginners.</span> -Pott 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>REMSEN (Prof. Ira).—<span class="smcap">The Elements of -Chemistry.</span> Fcp. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">An Introduction to the Study of -Chemistry (Inorganic Chemistry).</span> Cr. -8vo. 6<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">A Text-Book of Inorganic Chemistry.</span> -8vo. 16<i>s.</i></p> - -<p>—— <span class="smcap">Compounds of Carbon</span>; or, An Introduction -to the Study of Organic Chemistry -Cr. 8vo. 6<i>s.</i> 6<i>d.</i></p> - -<p>ROSCOE (Sir Henry E., F.R.S.).—<span class="smcap">A Primer -of Chemistry.</span> Illustrated. Pott 8vo. 1<i>s.</i></p> - -<p>—— <span class="smcap">Lessons in Elementary Chemistry -Inorganic and Organic.</span> Fcp. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>ROSCOE (Sir H. E.) and SCHORLEMMER -(Prof. C.).—<span class="smcap">A Complete Treatise on Inorganic -and Organic Chemistry.</span> Illustr. -8vo.—Vols. I. and II. <span class="smcap">Inorganic Chemistry</span>: -Vol. I. <span class="smcap">The Non-Metallic Elements</span>, -2nd Edit., 21<i>s.</i> Vol. II. Parts I. -and II. <span class="smcap">Metals</span>, 18<i>s.</i> each.—Vol. III. <span class="smcap">Organic -Chemistry: The Chemistry of the -Hydro-Carbons and their Derivatives.</span> -Parts I. II. IV. and VI. 21<i>s.</i>; Parts III. and -V. 18<i>s.</i> each.</p> - -<p><span class="pagenum"><a name="Catalogue_Page_8" id="Catalogue_Page_8">{8}</a></span></p> - -<p>ROSCOE (Sir H. E.) and SCHUSTER (A.).—<span class="smcap">Spectrum -Analysis.</span> By Sir <span class="smcap">Henry E. -Roscoe</span>. 4th Edit., revised by the Author -and <span class="smcap">A. Schuster</span>, F.R.S. With Coloured -Plates. 8vo. 21<i>s.</i></p> - -<p>THORPE (Prof. T. E.) and TATE (W.).—<span class="smcap">A -Series of Chemical Problems.</span> With -<span class="smcap">Key</span>. Fcp. 8vo. 2<i>s.</i></p> - -<p>THORPE (Prof. T. E.) and RÜCKER (Prof. -A. W.).—<span class="smcap">A Treatise on Chemical Physics.</span> -Illustrated. 8vo. [<i>In preparation.</i></p> - -<p>WURTZ (Ad.).—<span class="smcap">A History of Chemical -Theory.</span> Transl. by H. Watts. Cr. 8vo. 6<i>s.</i></p> - -<h3 id="CHRISTIAN_CHURCH">CHRISTIAN CHURCH, History of the.</h3> - -<p class="center">(<i>See under</i> <a href="#THEOLOGY"><span class="smcap">Theology</span>, p. 34</a>.)</p> - -<h3 id="CHURCH_OF_ENGLAND">CHURCH OF ENGLAND, The.</h3> - -<p class="center">(<i>See under</i> <a href="#THEOLOGY"><span class="smcap">Theology</span>, p. 35</a>.)</p> - -<h3 id="COLLECTED_WORKS">COLLECTED WORKS.</h3> - -<p class="center">(<i>See under</i> <a href="#LITERATURE"><span class="smcap">Literature</span>, p. 20</a>.)</p> - -<h3 id="COMPARATIVE_ANATOMY">COMPARATIVE ANATOMY.</h3> - -<p class="center">(<i>See under</i> <a href="#ZOOLOGY"><span class="smcap">Zoology</span>, p. 43</a>.)</p> - -<h3 id="COOKERY">COOKERY.</h3> - -<p class="center">(<i>See under</i> <a href="#DOMESTIC_ECONOMY"><span class="smcap">Domestic Economy</span>, <i>below</i></a>.)</p> - -<h3 id="DEVOTIONAL_BOOKS">DEVOTIONAL BOOKS.</h3> - -<p class="center">(<i>See under</i> <a href="#THEOLOGY"><span class="smcap">Theology</span>, p. 35</a>.)</p> - -<h3 id="DICTIONARIES">DICTIONARIES AND GLOSSARIES.</h3> - -<p>AUTENRIETH (Dr. G.).—<span class="smcap">An Homeric -Dictionary.</span> Translated from the German, -by <span class="smcap">R. P. Keep</span>, Ph.D. Cr. 8vo. 6<i>s.</i></p> - -<p>BARTLETT (J.).—<span class="smcap">Familiar Quotations.</span> -Cr. 8vo. 12<i>s.</i> 6<i>d.</i></p> - -<p>GROVE (Sir George).—<span class="smcap">A Dictionary of -Music and Musicians.</span> (<i>See</i> <a href="#MUSIC"><span class="smcap">Music</span></a>.)</p> - -<p>HOLE (Rev. C.).—<span class="smcap">A Brief Biographical -Dictionary.</span> 2nd Edit. Pott 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>MASSON (Gustave).—<span class="smcap">A Compendious Dictionary -of the French Language.</span> -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>PALGRAVE (R. H. I.).—<span class="smcap">A Dictionary of -Political Economy.</span> (<i>See</i> <a href="#POLITICAL_ECONOMY"><span class="smcap">Political -Economy</span></a>.)</p> - -<p>WHITNEY (Prof. W. D.).—<span class="smcap">A Compendious -German and English Dictionary.</span> Cr. -8vo. 5<i>s.</i>—German-English Part separately. -3<i>s.</i> 6<i>d.</i></p> - -<p>WRIGHT (W. Aldis).—<span class="smcap">The Bible Word-Book.</span> -2nd Edit. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>YONGE (Charlotte M.).—<span class="smcap">History of Christian -Names.</span> Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<h3 id="DOMESTIC_ECONOMY">DOMESTIC ECONOMY.</h3> - -<p><i>Cookery—Nursing—Needlework.</i></p> - -<h4>Cookery.</h4> - -<p>BARKER (Lady).—<span class="smcap">First Lessons in the -Principles of Cooking.</span> 3rd Edit. Pott -8vo. 1<i>s.</i></p> - -<p>BARNETT (E. A) and O’NEILL (H. C.).—<span class="smcap">Primer -of Domestic Economy.</span> Pott -8vo. 1<i>s.</i></p> - -<p>MIDDLE-CLASS COOKERY BOOK, <span class="smcap">The</span>. -Compiled for the Manchester School of -Cookery. Pott 8vo. 1<i>s.</i> 6<i>d.</i></p> - -<p>TEGETMEIER (W. B.).—<span class="smcap">Household Management -and Cookery.</span> Pott 8vo. 1<i>s.</i></p> - -<p>WRIGHT (Miss Guthrie).—<span class="smcap">The School -Cookery-Book.</span> Pott 8vo. 1<i>s.</i></p> - -<h4>Nursing.</h4> - -<p>CRAVEN (Mrs. Dacre).—<span class="smcap">A Guide to District -Nurses.</span> Cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>FOTHERGILL (Dr. J. M.).—<span class="smcap">Food for the -Invalid, the Convalescent, the Dyspeptic, -and the Gouty.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>JEX-BLAKE (Dr. Sophia).—<span class="smcap">The Care of -Infants.</span> Pott 8vo. 1<i>s.</i></p> - -<p>RATHBONE (Wm.).—<span class="smcap">The History and -Progress of District Nursing, from 1859 -to the Present Date.</span> Cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>RECOLLECTIONS OF A NURSE. By -E. D. Cr. 8vo. 2<i>s.</i></p> - -<p>STEPHEN (Caroline E.).—<span class="smcap">The Service of -the Poor.</span> Cr. 8vo. 6<i>s.</i> 6<i>d.</i></p> - -<h4>Needlework.</h4> - -<p>GLAISTER (Elizabeth).—<span class="smcap">Needlework.</span> Cr. -8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>GRAND’HOMME.—<span class="smcap">Cutting Out and -Dressmaking.</span> From the French of Mdlle. -<span class="smcap">E. Grand’homme</span>. Pott 8vo. 1<i>s.</i></p> - -<p>GRENFELL (Mrs.)—<span class="smcap">Dressmaking</span>. Pott -8vo. 1<i>s.</i></p> - -<p>ROSEVEAR (E.).—<span class="smcap">Needlework, Knitting, -and Cutting Out.</span> Cr. 8vo. 6<i>s.</i></p> - -<h3 id="DRAMA">DRAMA, The.</h3> - -<p class="center">(<i>See under</i> <a href="#LITERATURE"><span class="smcap">Literature</span>, p. 14</a>.)</p> - -<h3 id="ELECTRICITY">ELECTRICITY.</h3> - -<p class="center">(<i>See under</i> <a href="#PHYSICS"><span class="smcap">Physics</span>, p. 29</a>.)</p> - -<h3 id="EDUCATION">EDUCATION.</h3> - -<p>ARNOLD (Matthew).—<span class="smcap">Higher Schools and -Universities in Germany.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Reports on Elementary Schools, -1852-82.</span> Ed. by Lord <span class="smcap">Sandford</span>. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">A French Eton: or Middle Class -Education and the State.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>BLAKISTON (J. R.).—<span class="smcap">The Teacher: Hints -on School Management.</span> Cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>CALDERWOOD (Prof. H.).—<span class="smcap">On Teaching.</span> -4th Edit. Ext. fcp. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>COMBE (George).—<span class="smcap">Education: Its Principles -and Practice as Developed by -George Combe.</span> Ed. by <span class="smcap">W. Jolly</span>. 8vo. 15<i>s.</i></p> - -<p>CRAIK (Henry).—<span class="smcap">The State in its Relation -to Education.</span> Cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>FEARON (D. R.).—<span class="smcap">School Inspection.</span> -6th Edit. Cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>FITCH (J. G.).—<span class="smcap">Notes on American -Schools and Training Colleges.</span> Reprinted -by permission. Globe 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>GLADSTONE (J. H.).—<span class="smcap">Spelling Reform -from an Educational Point of View.</span> -3rd Edit. Cr. 8vo. 1<i>s.</i> 6<i>d.</i></p> - -<p><span class="pagenum"><a name="Catalogue_Page_9" id="Catalogue_Page_9">{9}</a></span></p> - -<p>HERTEL (Dr.).—<span class="smcap">Overpressure in High -Schools in Denmark.</span> With Introduction -by Sir <span class="smcap">J. Crichton-Browne</span>. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>KINGSLEY (Charles).—<span class="smcap">Health and Education.</span> -Cr. 8vo. 6<i>s.</i></p> - -<p>LUBBOCK (Sir John, Bart.).—<span class="smcap">Political and -Educational Addresses.</span> 8vo. 8<i>s.</i> 6<i>d.</i></p> - -<p>MAURICE (F. D.).—<span class="smcap">Learning and Working.</span> -Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>RECORD OF TECHNICAL AND SECONDARY -EDUCATION. Crown 8vo. -Sewed, 2<i>s.</i> net. No. I. Nov. 1891.</p> - -<p>THRING (Rev. Edward).—<span class="smcap">Education and -School.</span> 2nd Edit. Cr. 8vo. 6<i>s.</i></p> - -<h3 id="ENGINEERING">ENGINEERING.</h3> - -<p>ALEXANDER (T.) and THOMSON (A. 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W.).—<span class="smcap">Simple Practical Methods -of Calculating Strains on Girders, -Arches, and Trusses.</span> 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<h3 id="ENGLISH_CITIZEN_SERIES">ENGLISH CITIZEN SERIES.</h3> - -<p class="center">(<i>See</i> <a href="#POLITICS"><span class="smcap">Politics</span></a>.)</p> - -<h3 id="ENGLISH_MEN_OF_ACTION">ENGLISH MEN OF ACTION.</h3> - -<p class="center">(<i>See</i> <a href="#BIOGRAPHY"><span class="smcap">Biography</span></a>.)</p> - -<h3 id="ENGLISH_MEN_OF_LETTERS">ENGLISH MEN OF LETTERS.</h3> - -<p class="center">(<i>See</i> <a href="#BIOGRAPHY"><span class="smcap">Biography</span></a>.)</p> - -<h3 id="ENGLISH_STATESMEN">ENGLISH STATESMEN, Twelve.</h3> - -<p class="center">(<i>See</i> <a href="#BIOGRAPHY"><span class="smcap">Biography</span></a>.)</p> - -<h3 id="ENGRAVING">ENGRAVING.</h3> - -<p class="center">(<i>See</i> <a href="#ART"><span class="smcap">Art</span></a>.)</p> - -<h3 id="ESSAYS">ESSAYS.</h3> - -<p class="center">(<i>See under</i> <a href="#LITERATURE"><span class="smcap">Literature</span>, p. 20</a>.)</p> - -<h3 id="ETCHING">ETCHING.</h3> - -<p class="center">(<i>See</i> <a href="#ART"><span class="smcap">Art</span></a>.)</p> - -<h3 id="ETHICS">ETHICS.</h3> - -<p class="center">(<i>See under</i> <a href="#PHILOSOPHY"><span class="smcap">Philosophy</span>, p. 27</a>.)</p> - -<h3 id="FATHERS">FATHERS, The.</h3> - -<p class="center">(<i>See under</i> <a href="#THEOLOGY"><span class="smcap">Theology</span>, p. 36</a>.)</p> - -<h3 id="FICTION">FICTION, Prose.</h3> - -<p class="center">(<i>See under</i> <a href="#LITERATURE"><span class="smcap">Literature</span>, p. 18</a>.)</p> - -<h3 id="GARDENING">GARDENING.</h3> - -<p class="center">(<i>See also</i> <a href="#AGRICULTURE"><span class="smcap">Agriculture</span></a>; <a href="#BOTANY"><span class="smcap">Botany</span></a>.)</p> - -<p>BLOMFIELD (R.) and THOMAS (F. I.).—<span class="smcap">The -Formal Garden in England.</span> Illustrated. -Ex. cr. 8vo. 7<i>s.</i> 6<i>d.</i> net.</p> - -<p>BRIGHT (H. A.).—<span class="smcap">The English Flower -Garden.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">A Year in a Lancashire Garden.</span> Cr. -8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>HOBDAY (E.).—<span class="smcap">Villa Gardening.</span> A -Handbook for Amateur and Practical Gardeners. -Ext. cr. 8vo. 6<i>s.</i></p> - -<p>HOPE (Frances J.).—<span class="smcap">Notes and Thoughts -on Gardens and Woodlands.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>WRIGHT (J.).—<span class="smcap">A Primer of Practical -Horticulture.</span> Pott 8vo. 1<i>s.</i></p> - -<h3 id="GEOGRAPHY">GEOGRAPHY.</h3> - -<p class="center">(<i>See also</i> <a href="#ATLASES"><span class="smcap">Atlases</span></a>.)</p> - -<p>BLANFORD (H. F.).—<span class="smcap">Elementary Geography -of India, Burma, and Ceylon.</span> -Globe 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>CLARKE (C. B.).—<span class="smcap">A Geographical Reader -and Companion to the Atlas.</span> Cr. 8vo. 2<i>s.</i></p> - -<p>—— <span class="smcap">A Class-Book of Geography.</span> With 18 -Coloured Maps. Fcp. 8vo. 3<i>s.</i>; swd., 2<i>s.</i> 6<i>d.</i></p> - -<p>DAWSON (G. M.) and SUTHERLAND (A.).—<span class="smcap">Elementary -Geography of the British -Colonies.</span> Globe 8vo. 3<i>s.</i></p> - -<p>ELDERTON (W. A.).—<span class="smcap">Maps and Map-Drawing.</span> -Pott 8vo. 1<i>s.</i></p> - -<p>GEIKIE (Sir Archibald).—<span class="smcap">The Teaching of -Geography.</span> A Practical Handbook for the -use of Teachers. Globe 8vo. 2<i>s.</i></p> - -<p>—— <span class="smcap">Geography of the British Isles.</span> -Pott 8vo. 1<i>s.</i></p> - -<p>GREEN (J. R. and A. S.).—<span class="smcap">A Short Geography -of the British Islands.</span> Fcp. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>GROVE (Sir George).—<span class="smcap">A Primer of Geography.</span> -Maps. Pott 8vo. 1<i>s.</i></p> - -<p>KIEPERT (H.).—<span class="smcap">Manual of Ancient -Geography.</span> Cr. 8vo. 5<i>s.</i></p> - -<p>MILL (H. R.).—<span class="smcap">Elementary Class-Book -of General Geography.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>SIME (James).—<span class="smcap">Geography of Europe.</span> -With Illustrations. Globe 8vo. 3<i>s.</i></p> - -<p>STRACHEY (Lieut.-Gen. R.).—<span class="smcap">Lectures on -Geography.</span> Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>SUTHERLAND (A.).—<span class="smcap">Geography of Victoria.</span> -Pott 8vo. 1<i>s.</i></p> - -<p>TOZER (H. F.).—<span class="smcap">A Primer of Classical -Geography.</span> Pott 8vo. 1<i>s.</i></p> - -<h3 id="GEOLOGY">GEOLOGY AND MINERALOGY.</h3> - -<p>BLANFORD (W. 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H.).—<span class="smcap">Elements of Crystallography.</span> -Cr. 8vo. 6<i>s.</i></p> - -<h3 id="GLOBE_LIBRARY">GLOBE LIBRARY.</h3> - -<p class="center">(<i>See</i> <a href="#LITERATURE"><span class="smcap">Literature</span>, p. 21</a>.)</p> - -<h3 id="GLOSSARIES">GLOSSARIES.</h3> - -<p class="center">(<i>See</i> <a href="#DICTIONARIES"><span class="smcap">Dictionaries</span></a>.)</p> - -<h3 id="GOLDEN_TREASURY">GOLDEN TREASURY SERIES.</h3> - -<p class="center">(<i>See</i> <a href="#LITERATURE"><span class="smcap">Literature</span>, p. 21</a>.)</p> - -<h3 id="GRAMMAR">GRAMMAR.</h3> - -<p class="center">(<i>See</i> <a href="#PHILOLOGY"><span class="smcap">Philology</span></a>.)</p> - -<h3 id="HEALTH">HEALTH.</h3> - -<p class="center">(<i>See</i> <a href="#HYGIENE"><span class="smcap">Hygiene</span></a>.)</p> - -<h3 id="HEAT">HEAT.</h3> - -<p class="center">(<i>See under</i> <a href="#PHYSICS"><span class="smcap">Physics</span>, p. 29</a>.)</p> - -<h3 id="HISTOLOGY">HISTOLOGY.</h3> - -<p class="center">(<i>See</i> <a href="#PHYSIOLOGY"><span class="smcap">Physiology</span></a>.)</p> - -<h3 id="HISTORY">HISTORY.</h3> - -<p class="center">(<i>See also</i> <a href="#BIOGRAPHY"><span class="smcap">Biography</span></a>.)</p> - -<p>ANDREWS (C. M.).—<span class="smcap">The Old English -Manor: A Study in Economic History.</span> -Royal 8vo. 6<i>s.</i> net.</p> - -<p>ANNALS OF OUR TIME. A Diurnal of -Events, Social and Political, Home and -Foreign. By <span class="smcap">Joseph Irving</span>. 8vo.—Vol. I. -June 20th, 1837, to Feb. 28th, 1871, 18<i>s.</i>; -Vol. II. Feb. 24th, 1871, to June 24th, 1887, -18<i>s.</i> Also Vol. II. in 3 parts: Part I. Feb. -24th, 1871, to March 19th, 1874, 4<i>s.</i> 6<i>d.</i>; Part -II. March 20th, 1874, to July 22nd, 1878, -4<i>s.</i> 6<i>d.</i>; Part III. July 23rd, 1878, to June -24th, 1887, 9<i>s.</i> Vol. III. By <span class="smcap">H. H. Fyfe</span>. -Part I. June 25th, 1887, to Dec. 30th, 1890. -4<i>s.</i> 6<i>d.</i>; sewed, 3<i>s.</i> 6<i>d.</i> Part II. 1891, 1<i>s.</i> 6<i>d.</i>; -sewed, 1<i>s.</i></p> - -<p>ANNUAL SUMMARIES. Reprinted from -the <i>Times</i>. 2 Vols. Cr. 8vo. 3<i>s.</i> 6<i>d.</i> each.</p> - -<p>ARNOLD (T.).—<span class="smcap">The Second Punic War.</span> -By <span class="smcap">Thomas Arnold</span>, D.D. Ed. by <span class="smcap">W. T. -Arnold</span>, M.A. With 8 Maps. Cr. 8vo. 5<i>s.</i></p> - -<p>ARNOLD (W. T.).—<span class="smcap">A History of the -Early Roman Empire.</span> Cr. 8vo. [<i>In prep.</i></p> - -<p>BEESLY (Mrs.).—<span class="smcap">Stories from the History -of Rome.</span> Fcp. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>BLACKIE (Prof. John Stuart).—<span class="smcap">What Does -History Teach?</span> Globe 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>BRETT (R. B.).—<span class="smcap">Footprints of Statesmen -during the Eighteenth Century -in England.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>BRYCE (James, M.P.).—<span class="smcap">The Holy Roman -Empire.</span> 8th Edit. Cr. 8vo. 7<i>s.</i> 6<i>d.</i>—<i>Library -Edition.</i> 8vo. 14<i>s.</i></p> - -<p>BUCKLEY (Arabella).—<span class="smcap">History of England -for Beginners.</span> Globe 8vo. 3<i>s.</i></p> - -<p>—— <span class="smcap">Primer of English History.</span> Pott -8vo. 1<i>s.</i></p> - -<p>BURKE (Edmund). (<i>See</i> <a href="#POLITICS"><span class="smcap">Politics</span></a>.)</p> - -<p>BURY (J. B.).—<span class="smcap">A History of the Later -Roman Empire from Arcadius to Irene, -A. D. 390-800.</span> 2 vols. 8vo. 32<i>s.</i></p> - -<p>CASSEL (Dr. D.).—<span class="smcap">Manual of Jewish -History and Literature.</span> Translated by -Mrs. <span class="smcap">Henry Lucas</span>. Fcp. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>COX (G. V.).—<span class="smcap">Recollections of Oxford.</span> -2nd Edit. Cr. 8vo. 6<i>s.</i></p> - -<p>ENGLISH STATESMEN, TWELVE. -(<i>See</i> <a href="#BIOGRAPHY"><span class="smcap">Biography</span>, p. 4</a>.)</p> - -<p>FISKE (John).—<span class="smcap">The Critical Period in -American History, 1783-89.</span> Ext. cr. -8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Beginnings of New England</span>; -or, The Puritan Theocracy in its Relations to -Civil and Religious Liberty. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The American Revolution.</span> 2 vols. -Cr. 8vo. 18<i>s.</i></p> - -<p>—— <span class="smcap">The Discovery of America.</span> 2 vols. -Cr. 8vo. 18<i>s.</i></p> - -<p>FRAMJI (Dosabhai).—<span class="smcap">History of the -Parsis, including their Manners, Customs, -Religion, and Present Position.</span> -With Illustrations. 2 vols. Med. 8vo. 36<i>s.</i></p> - -<p>FREEMAN (Prof. E. 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(<i>See</i> <a href="#BIOGRAPHY"><span class="smcap">Biography</span></a>.)</p> - -<p>GIBBINS (H. de B.).—<span class="smcap">History of Commerce -in Europe.</span> Globe 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p><span class="pagenum"><a name="Catalogue_Page_11" id="Catalogue_Page_11">{11}</a></span></p> - -<p>GREEN (John Richard).—<span class="smcap">A Short History -of the English People.</span> New Edit., revised. -159th Thousand. Cr. 8vo. 8<i>s.</i> 6<i>d.</i>—Also -in Parts, with Analysis. 3<i>s.</i> each.—Part I. -607-1265; II. 1204-1553; III. 1540-1689; -IV. 1660-1873.—<i>Illustrated Edition</i>, in -Parts. Super roy. 8vo. 1<i>s.</i> each net.—Part -I. Oct. 1891. Vols. I. II. 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With an Introduction by -<span class="smcap">John Skelton</span>, C.B., LL.D., and Descriptive -Notes by <span class="smcap">W. St. John Hope</span>. Folio, -half morocco, gilt edges. 10<i>l.</i> 10<i>s.</i> net.</p> - -<p>TENNYSON (Lord).—<span class="smcap">Jack and the -Bean-Stalk.</span> English Hexameters. Illustrated -by <span class="smcap">R. Caldecott</span>. Fcp. 4to. 3<i>s.</i> 6<i>d.</i></p> - -<p>TRISTRAM (W. O.).—<span class="smcap">Coaching Days and -Coaching Ways.</span> Illust. <span class="smcap">H. Railton</span> and -<span class="smcap">Hugh Thomson</span>. Cr. 8vo. 6<i>s.</i>—Also with -uncut edges, paper label, 6<i>s.</i>—Large Paper -Edition, 30<i>s.</i> net.</p> - -<p>TURNER’S LIBER STUDIORUM: <span class="smcap">A -Description and a Catalogue</span>. By <span class="smcap">W. G. -Rawlinson</span>. Med. 8vo. 12<i>s.</i> 6<i>d.</i></p> - -<p>WALTON and COTTON—LOWELL.—<span class="smcap">The -Complete Angler.</span> With Introduction by -<span class="smcap">Jas. 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Introduction by Sir <span class="smcap">F. -Pollock</span>, Bart. Cr. 8vo. 6<i>s.</i></p> - -<p>CHERRY (R. R.).—<span class="smcap">Lectures on the -Growth of Criminal Law in Ancient -Communities.</span> 8vo. 5<i>s.</i> net.</p> - -<p>DICEY (Prof. A. V.).—<span class="smcap">Introduction to -the Study of the Law of the Constitution.</span> -4th Edit. 8vo. 12<i>s.</i> 6<i>d.</i></p> - -<p>ENGLISH CITIZEN SERIES, THE. -(<i>See</i> <a href="#POLITICS"><span class="smcap">Politics</span></a>.)</p> - -<p>HOLLAND (Prof. T. E.).—<span class="smcap">The Treaty Relations -of Russia and Turkey, from -1774 to 1853.</span> Cr. 8vo. 2<i>s.</i></p> - -<p>HOLMES (O. W., jun.).—<span class="smcap">The Common -Law.</span> 8vo. 12<i>s.</i></p> - -<p>LIGHTWOOD (J. M.).—<span class="smcap">The Nature of -Positive Law.</span> 8vo. 12<i>s.</i> 6<i>d.</i></p> - -<p>MAITLAND (F. 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Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">A Digest of the Criminal Law: -Crimes and Punishments.</span> 4th Ed. 8vo. 16<i>s.</i></p> - -<p>—— <span class="smcap">A Digest of the Law of Criminal -Procedure in Indictable Offences.</span> By -Sir J. F., Bart., and <span class="smcap">Herbert Stephen</span>, -LL.M. 8vo. 12<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">A History of the Criminal Law of -England.</span> 3 vols. 8vo. 48<i>s.</i></p> - -<p>—— <span class="smcap">A General View of the Criminal -Law of England.</span> 2nd Edit. 8vo. 14<i>s.</i></p> - -<p>STEPHEN (J. K.).—<span class="smcap">International Law -and International Relations.</span> Cr. -8vo. 6<i>s.</i></p> - -<p>WILLIAMS (S. E.).—<span class="smcap">Forensic Facts and -Fallacies.</span> Globe 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<h3 id="LETTERS">LETTERS.</h3> - -<p class="center">(<i>See under</i> <a href="#LITERATURE"><span class="smcap">Literature</span>, p. 20</a>.)</p> - -<h3 id="LIFE_BOAT">LIFE-BOAT.</h3> - -<p>GILMORE (Rev. John).—<span class="smcap">Storm Warriors</span>; -or, Life-Boat Work on the Goodwin Sands. -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>LEWIS (Richard).—<span class="smcap">History of the Life-Boat -and its Work.</span> Cr. 8vo. 5<i>s.</i></p> - -<p><span class="pagenum"><a name="Catalogue_Page_14" id="Catalogue_Page_14">{14}</a></span></p> - -<h3 id="LIGHT">LIGHT.</h3> - -<p class="center">(<i>See under</i> <a href="#PHYSICS"><span class="smcap">Physics</span>, p. 29</a>.)</p> - -<h3 id="LITERATURE">LITERATURE.</h3> - -<p><i>History and Criticism of—Commentaries, -etc.—Poetry and the Drama—Poetical Collections -and Selections—Prose Fiction—Collected -Works, Essays, Lectures, Letters, -Miscellaneous Works.</i></p> - -<h4>History and Criticism of.</h4> - -<p class="center">(<i>See also</i> <a href="#ESSAYS"><span class="smcap">Essays</span>, p. 20</a>.)</p> - -<p>ARNOLD (M.). (<i>See</i> <a href="#ESSAYS"><span class="smcap">Essays</span>, p. 21</a>.)</p> - -<p>BROOKE (Stopford A.).—<span class="smcap">A Primer of English -Literature.</span> Pott 8vo. 1<i>s.</i>—Large -Paper Edition. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">A History of Early English Literature.</span> -2 vols. 8vo. 20<i>s.</i> net.</p> - -<p>CLASSICAL WRITERS. Edited by <span class="smcap">John -Richard Green</span>. Fcp. 8vo. 1<i>s.</i> 6<i>d.</i> each.</p> - -<div class="blockquote"> - -<p><span class="smcap">Demosthenes.</span> By Prof. <span class="smcap">Butcher</span>, M.A.</p> - -<p><span class="smcap">Euripides.</span> By Prof. <span class="smcap">Mahaffy</span>.</p> - -<p><span class="smcap">Livy.</span> By the Rev. <span class="smcap">W. W. Capes</span>, M.A.</p> - -<p><span class="smcap">Milton.</span> By <span class="smcap">Stopford A. Brooke</span>.</p> - -<p><span class="smcap">Sophocles.</span> By Prof. <span class="smcap">L. Campbell</span>, M.A.</p> - -<p><span class="smcap">Tacitus.</span> By Messrs. <span class="smcap">Church</span> and <span class="smcap">Brodribb</span>.</p> - -<p><span class="smcap">Vergil.</span> By Prof. <span class="smcap">Nettleship</span>, M.A.</p> - -</div> - -<p>ENGLISH MEN OF LETTERS. (<i>See</i> -<a href="#BIOGRAPHY"><span class="smcap">Biography</span>, p. 4</a>.)</p> - -<p>HISTORY OF ENGLISH LITERATURE. -In 4 vols. Cr. 8vo.</p> - -<div class="blockquote"> - -<p><span class="smcap">Early English Literature.</span> By <span class="smcap">Stopford -Brooke</span>, M.A. [<i>In preparation.</i></p> - -<p><span class="smcap">Elizabethan Literature</span> (1560-1665). -By <span class="smcap">George Saintsbury</span>. 7<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">Eighteenth Century Literature (1660-1780).</span> -By <span class="smcap">Edmund Gosse</span>, M.A. 7<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">The Modern Period.</span> By Prof. <span class="smcap">Dowden</span>. [<i>In preparation.</i></p> - -</div> - -<p>JEBB (Prof. R. C.).—<span class="smcap">A Primer of Greek -Literature.</span> Pott 8vo. 1<i>s.</i></p> - -<p>—— <span class="smcap">The Attic Orators, from Antiphon -to Isaeos.</span> 2nd Edit. 2 vols 8vo. 25<i>s.</i></p> - -<p>JOHNSON’S LIVES OF THE POETS. -<span class="smcap">Milton, Dryden, Pope, Addison, Swift, -and Gray.</span> With Macaulay’s “Life of -Johnson” Ed. by <span class="smcap">M. Arnold</span>. Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>KINGSLEY (Charles).—<span class="smcap">Literary and -General Lectures.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>MAHAFFY (Prof. J. P.).—<span class="smcap">A History of -Classical Greek Literature.</span> 2 vols. -Cr. 8vo.—Vol. 1. <span class="smcap">The Poets.</span> With an -Appendix on Homer by Prof. <span class="smcap">Sayce</span>. In 2 -Parts.—Vol. 2. <span class="smcap">The Prose Writers.</span> In 2 -Parts. 4<i>s.</i> 6<i>d.</i> each.</p> - -<p>MORLEY (John). (<i>See</i> <a href="#COLLECTED_WORKS"><span class="smcap">Collected Works</span>, -p. 23</a>.)</p> - -<p>NICHOL (Prof. J.) and McCORMICK (Prof -W. S.).—<span class="smcap">A Short History of English -Literature.</span> Globe 8vo. [<i>In preparation.</i></p> - -<p>OLIPHANT (Mrs. M. O. W.).—<span class="smcap">The Literary -History of England in the End -of the 18th and Beginning of the 19th -Century.</span> 3 vols. 8vo. 21<i>s.</i></p> - -<p>RYLAND (F.).—<span class="smcap">Chronological Outlines -of English Literature.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>WARD (Prof. A. W.).—<span class="smcap">A History of English -Dramatic Literature, to the -Death of Queen Anne.</span> 2 vols. 8vo. 32<i>s.</i></p> - -<p>WILKINS (Prof. A. S.).—<span class="smcap">A Primer of Roman -Literature.</span> Pott 8vo. 1<i>s.</i></p> - -<h4>Commentaries, etc.</h4> - -<h5>BROWNING.</h5> - -<p><span class="smcap">A Primer on Browning.</span> By <span class="smcap">Mary Wilson</span>. -Cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<h5>CHAUCER.</h5> - -<p><span class="smcap">A Primer of Chaucer.</span> By <span class="smcap">A. W. Pollard</span>. -Pott 8vo. 1<i>s.</i></p> - -<p>DANTE.</p> - -<p><span class="smcap">Readings on the Purgatorio of Dante.</span> -Chiefly based on the Commentary of Benvenuto -da Imola. By the Hon. <span class="smcap">W. W. -Vernon</span>, M.A. With an Introduction by -Dean <span class="smcap">Church</span>. 2 vols. Cr. 8vo. 24<i>s.</i></p> - -<p><span class="smcap">Companion to Dante.</span> From <span class="smcap">G. A. Scartazzini</span>. -By <span class="smcap">A. J. Butler</span>. Cr. 8vo. -10<i>s.</i> 6<i>d.</i></p> - -<h5>HOMER.</h5> - -<p><span class="smcap">Homeric Dictionary.</span> (<i>See</i> <a href="#DICTIONARIES"><span class="smcap">Dictionaries</span></a>.)</p> - -<p><span class="smcap">The Problem of the Homeric Poems.</span> -By Prof. <span class="smcap">W. D. Geddes</span>. 8vo. 14<i>s.</i></p> - -<p><span class="smcap">Homeric Synchronism.</span> An Inquiry into -the Time and Place of Homer. By the -Rt. Hon. <span class="smcap">W. E. Gladstone</span>. Cr. 8vo. 6<i>s.</i></p> - -<p><span class="smcap">Primer of Homer.</span> By same. Pott 8vo. 1<i>s.</i></p> - -<p><span class="smcap">Landmarks of Homeric Study, together -with an Essay on the Points of Contact -between the Assyrian Tablets -and the Homeric Text.</span> By the same. -Cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">Companion to the Iliad for English -Readers.</span> By <span class="smcap">W. Leaf</span>, Litt.D. Crown -8vo. 7<i>s.</i> 6<i>d.</i></p> - -<h5>HORACE.</h5> - -<p><span class="smcap">Studies, Literary and Historical, in -the Odes of Horace.</span> By <span class="smcap">A. W. Verrall</span>, -Litt.D. 8vo. 8<i>s.</i> 6<i>d.</i></p> - -<h5>SHAKESPEARE.</h5> - -<p><span class="smcap">A Primer of Shakspere.</span> By Prof. <span class="smcap">Dowden</span>. -Pott 8vo. 1<i>s.</i></p> - -<p><span class="smcap">A Shakespearian Grammar.</span> By Rev. -<span class="smcap">E. A. Abbott</span>. Ext. fcp. 8vo. 6<i>s.</i></p> - -<p><span class="smcap">Shakespeareana Genealogica.</span> By <span class="smcap">G. R. -French</span>. 8vo. 15<i>s.</i></p> - -<p><span class="smcap">A Selection from the Lives in North’s -Plutarch which illustrate Shakespeare’s -Plays.</span> Edited by Rev. <span class="smcap">W. W. -Skeat</span>, M.A. Cr. 8vo. 6<i>s.</i></p> - -<p><span class="smcap">Short Studies of Shakespeare’s Plots.</span> -By Prof. <span class="smcap">Cyril Ransome</span>. Cr. 8vo. 3<i>s.</i> 6<i>d.</i>—Also -separately: <span class="smcap">Hamlet</span>, 9<i>d.</i>; <span class="smcap">Macbeth</span>, -9<i>d.</i>; <span class="smcap">Tempest</span>, 9<i>d.</i></p> - -<p><span class="smcap">Caliban</span>: A Critique on “The Tempest” -and “A Midsummer Night’s Dream.” By -Sir <span class="smcap">Daniel Wilson</span>. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<h5>TENNYSON.</h5> - -<p><span class="smcap">A Companion to “In Memoriam.”</span> By -<span class="smcap">Elizabeth R. Chapman</span>. Globe 8vo. 2<i>s.</i></p> - -<p><span class="smcap">Essays on the Idylls of the King.</span> By -<span class="smcap">H. Littledale</span>, M.A. Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">A Study of the Works of Alfred Lord -Tennyson.</span> By <span class="smcap">E. C. Tainsh</span>. New Ed. -Cr. 8vo. 6<i>s.</i></p> - -<h5>WORDSWORTH.</h5> - -<p><span class="smcap">Wordsworthiana</span>: A Selection of Papers -read to the Wordsworth Society. Edited -by <span class="smcap">W. Knight</span>. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<h4>Poetry and the Drama.</h4> - -<p>ALDRICH (T. Bailey).—<span class="smcap">The Sisters’ Tragedy</span>: -with other Poems, Lyrical and Dramatic. -Fcp. 8vo. 3<i>s.</i> 6<i>d.</i> net.</p> - -<p><span class="pagenum"><a name="Catalogue_Page_15" id="Catalogue_Page_15">{15}</a></span></p> - -<p>AN ANCIENT CITY: <span class="smcap">and other Poems</span>. -Ext. fcp. 8vo. 6<i>s.</i></p> - -<p>ANDERSON (A.).—<span class="smcap">Ballads and Sonnets.</span> -Cr. 8vo. 5<i>s.</i></p> - -<p>ARNOLD (Matthew).—<span class="smcap">The Complete -Poetical Works.</span> New Edition. 3 vols. -Cr. 8vo. 7<i>s.</i> 6<i>d.</i> each.</p> - -<div class="blockquote"> - -<p>Vol. 1. <span class="smcap">Early Poems, Narrative Poems -and Sonnets.</span></p> - -<p>Vol. 2. <span class="smcap">Lyric and Elegiac Poems.</span></p> - -<p>Vol. 3. <span class="smcap">Dramatic and Later Poems.</span></p> - -</div> - -<p>—— <span class="smcap">Complete Poetical Works.</span> 1 vol. -Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Selected Poems.</span> Pott 8vo. 2<i>s.</i> 6<i>d.</i> net.</p> - -<p>AUSTIN (Alfred).—<span class="smcap">Poetical Works.</span> New -Collected Edition. 6 vols. Cr. 8vo. 5<i>s.</i> each.</p> - -<div class="blockquote"> - -<p>Vol. 1. <span class="smcap">The Tower of Babel.</span></p> - -<p>Vol. 2. <span class="smcap">Savonarola</span>, etc.</p> - -<p>Vol. 3. <span class="smcap">Prince Lucifer.</span></p> - -<p>Vol. 4. <span class="smcap">The Human Tragedy.</span></p> - -<p>Vol. 5. <span class="smcap">Lyrical Poems.</span></p> - -<p>Vol. 6. <span class="smcap">Narrative Poems.</span></p> - -<p>—— <span class="smcap">Soliloquies in Song.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">At the Gate of the Convent</span>: and -other Poems. Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Madonna’s Child.</span> Cr. 4to. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Rome or Death.</span> Cr. 4to. 9<i>s.</i></p> - -<p>—— <span class="smcap">The Golden Age.</span> Cr. 8vo. 5<i>s.</i></p> - -<p>—— <span class="smcap">The Season.</span> Cr. 8vo. 5<i>s.</i></p> - -<p>—— <span class="smcap">Love’s Widowhood.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">English Lyrics.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Fortunatus the Pessimist.</span> Cr. 8vo. 6<i>s.</i></p> - -</div> - -<p>BETSY LEE: <span class="smcap">A Fo’c’s’le Yarn</span>. Ext. fcp. -8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>BLACKIE (John Stuart).—<span class="smcap">Messis Vitae</span>: -Gleanings of Song from a Happy Life. Cr. -8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Wise Men of Greece.</span> In a Series -of Dramatic Dialogues. Cr. 8vo. 9<i>s.</i></p> - -<p id="BLACKIE">—— <span class="smcap">Goethe’s Faust.</span> Translated into English -Verse. 2nd Edit. Cr. 8vo. 9<i>s.</i></p> - -<p>BLAKE. (<i>See</i> <a href="#BIOGRAPHY"><span class="smcap">Biography</span>, p. 3</a>.)</p> - -<p>BROOKE (Stopford A.).—<span class="smcap">Riquet of The -Tuft</span>: A Love Drama. Ext. cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Poems.</span> Globe 8vo. 6<i>s.</i></p> - -<p>BROWN (T. E.).—<span class="smcap">The Manx Witch</span>: and -other Poems. Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Old John, and other Poems.</span> Crown -8vo. 6<i>s.</i></p> - -<p>BURGON (Dean).—<span class="smcap">Poems.</span> Ex. fcp. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>BURNS. <span class="smcap">The Poetical Works.</span> With a -Biographical Memoir by <span class="smcap">Alexander Smith</span>. -In 2 vols. Fcp. 8vo. 10<i>s.</i> (<i>See also</i> <a href="#GLOBE_LIBRARY"><span class="smcap">Globe -Library</span>, p. 21</a>.)</p> - -<p>BUTLER (Samuel).—<span class="smcap">Hudibras.</span> Edit. by -<span class="smcap">Alfred Milnes</span>. Fcp. 8vo.—Part I. 3<i>s.</i> 6<i>d.</i>; -Parts II. and III. 4<i>s.</i> 6<i>d.</i></p> - -<p>BYRON. (<i>See</i> <a href="#GOLDEN_TREASURY"><span class="smcap">Golden Treasury Series</span>, -p. 22</a>.)</p> - -<p>CALDERON.—<span class="smcap">Select Plays.</span> Edited by -<span class="smcap">Norman Maccoll</span>. Cr. 8vo. 14<i>s.</i></p> - -<p>CAUTLEY (G. S.).—<span class="smcap">A Century of Emblems.</span> -With Illustrations by Lady <span class="smcap">Marion -Alford</span>. Small 4to. 10<i>s.</i> 6<i>d.</i></p> - -<p>CLOUGH (A. H.).—<span class="smcap">Poems.</span> Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>COLERIDGE: <span class="smcap">Poetical and Dramatic -Works</span>. 4 vols. Fcp. 8vo. 31<i>s.</i> 6<i>d.</i>—Also -an Edition on Large Paper, 2<i>l.</i> 12<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Complete Poetical Works.</span> With Introduction -by <span class="smcap">J. D. Campbell</span>, and Portrait. -Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>COLQUHOUN.—<span class="smcap">Rhymes and Chimes.</span> By -<span class="smcap">F. S. Colquhoun</span> (<i>née</i> <span class="smcap">F. S. Fuller Maitland</span>). -Ext. fcp. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>COWPER. (<i>See</i> <a href="#GLOBE_LIBRARY"><span class="smcap">Globe Library</span>, p. 21</a>; -<a href="#GOLDEN_TREASURY"><span class="smcap">Golden Treasury Series</span>, p. 22</a>.)</p> - -<p>CRAIK (Mrs.).—<span class="smcap">Poems.</span> Ext. fcp. 8vo. 6<i>s.</i></p> - -<p>DAWSON (W. J.).—<span class="smcap">Poems and Lyrics.</span> -Fcp. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>DE VERE (A.).—<span class="smcap">Poetical Works.</span> 7 vols. -Cr. 8vo. 5<i>s.</i> each.</p> - -<p>DOYLE (Sir F. H.).—<span class="smcap">The Return of the -Guards</span>: and other Poems. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>DRYDEN. (<i>See</i> <a href="#GLOBE_LIBRARY"><span class="smcap">Globe Library</span>, p. 21</a>.)</p> - -<p>EMERSON. (<i>See</i> <a href="#COLLECTED_WORKS"><span class="smcap">Collected Works</span>, p. 21</a>.)</p> - -<p>EVANS (Sebastian).—<span class="smcap">Brother Fabian’s -Manuscript</span>: and other Poems. Fcp. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">In the Studio</span>: A Decade of Poems. -Ext. fcp. 8vo. 5<i>s.</i></p> - -<p>FITZ GERALD (Caroline).—<span class="smcap">Venetia Victrix</span>: -and other Poems. Ext. fcp. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>FITZGERALD (Edward).—<span class="smcap">The Rubâiyat -of Omar Kháyyäm.</span> Ext. cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>FOAM. Pott 8vo. 2<i>s.</i> 6<i>d.</i> net.</p> - -<p>FO’C’SLE YARNS, including “Betsy Lee,” -and other Poems. Cr. 8vo. 6<i>s.</i></p> - -<p>FRASER-TYTLER.—<span class="smcap">Songs in Minor -Keys.</span> By <span class="smcap">C. C. Fraser-Tytler</span> (Mrs. -<span class="smcap">Edward Liddell</span>). 2nd Edit. Pott 8vo. 6<i>s.</i></p> - -<p>FURNIVALL (F. J.).—<span class="smcap">Le Morte Arthur.</span> -Edited from the Harleian MSS. 2252, in the -British Museum. Fcp. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>GARNETT (R.).—<span class="smcap">Idylls and Epigrams.</span> -Chiefly from the Greek Anthology. Fcp. -8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>GOETHE.—<span class="smcap">Faust.</span> (<i>See</i> <a href="#BLACKIE"><span class="smcap">Blackie</span></a>.)</p> - -<p>—— <span class="smcap">Reynard the Fox.</span> Transl. into English -Verse by <span class="smcap">A. D. Ainslie</span>. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>GOLDSMITH.—<span class="smcap">The Traveller and the -Deserted Village.</span> With Introduction and -Notes, by <span class="smcap">Arthur Barrett</span>, B.A. 1<i>s.</i> 9<i>d.</i>; -sewed, 1<i>s.</i> 6<i>d.</i>—<span class="smcap">The Traveller</span> (separately), -sewed, 1<i>s.</i>—By <span class="smcap">J. W. Hales.</span> Cr. 8vo. 6<i>d.</i> -(<i>See also</i> <a href="#GLOBE_LIBRARY"><span class="smcap">Globe Library</span>, p. 21</a>.)</p> - -<p>GRAHAM (David).—<span class="smcap">King James I.</span> An -Historical Tragedy. Globe 8vo. 7<i>s.</i></p> - -<p>GRAY.—<span class="smcap">Poems.</span> With Introduction and Notes, -by <span class="smcap">J. Bradshaw</span>, LL.D. Gl. 8vo. 1<i>s.</i> 9<i>d.</i>; -sewed, 1<i>s.</i> 6<i>d.</i> (<i>See also</i> <a href="#COLLECTED_WORKS"><span class="smcap">Collected Works</span>, -p. 22</a>.)</p> - -<p>HALLWARD. (<i>See</i> <a href="#ILLUSTRATED_BOOKS"><span class="smcap">Illustrated Books</span></a>.)</p> - -<p>HAYES (A.).—<span class="smcap">The March of Man</span>: and -other Poems. Fcp. 8vo. 3<i>s.</i> 6<i>d.</i> net.</p> - -<p>HERRICK. (<i>See</i> <a href="#GOLDEN_TREASURY"><span class="smcap">Golden Treasury Series</span>, -p. 22</a>.)</p> - -<p>HOPKINS (Ellice).—<span class="smcap">Autumn Swallows</span>: -A Book of Lyrics. Ext. fcp. 8vo. 6<i>s.</i></p> - -<p>HOSKEN (J. D.).—<span class="smcap">Phaon and Sappho, and -Nimrod.</span> Fcp. 8vo. 5<i>s.</i></p> - -<p>JONES (H. A.).—<span class="smcap">Saints and Sinners.</span> -Ext. fcp. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Crusaders.</span> Fcp. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>KEATS. (<i>See</i> <a href="#GOLDEN_TREASURY"><span class="smcap">Golden Treasury Series</span>, -p. 22</a>.)</p> - -<p><span class="pagenum"><a name="Catalogue_Page_16" id="Catalogue_Page_16">{16}</a></span></p> - -<p>KINGSLEY (Charles).—<span class="smcap">Poems.</span> Cr. 8vo. -3<i>s.</i> 6<i>d.</i>—<i>Pocket Edition.</i> Pott 8vo. 1<i>s.</i> 6<i>d.</i>—<i>Eversley -Edition.</i> 2 vols. Cr. 8vo. 10<i>s.</i></p> - -<p>LAMB. (<i>See</i> <a href="#COLLECTED_WORKS"><span class="smcap">Collected Works</span>, p. 23</a>.)</p> - -<p>LANDOR. (<i>See</i> <a href="#GOLDEN_TREASURY"><span class="smcap">Golden Treasury Series</span>, -p. 22</a>.)</p> - -<p>LONGFELLOW. (<i>See</i> <a href="#GOLDEN_TREASURY"><span class="smcap">Golden Treasury -Series</span>, p. 22</a>.)</p> - -<p>LOWELL (Jas. Russell).—<span class="smcap">Complete Poetical -Works.</span> Pott 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— With Introduction by <span class="smcap">Thomas Hughes</span>, -and Portrait. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Heartsease and Rue.</span> Cr. 8vo. 5<i>s.</i></p> - -<p>—— <span class="smcap">Old English Dramatists.</span> Cr. 8vo. 5<i>s.</i> -(<i>See also</i> <a href="#COLLECTED_WORKS"><span class="smcap">Collected Works</span>, p. 23</a>.)</p> - -<p>LUCAS (F.).—<span class="smcap">Sketches of Rural Life.</span> -Poems. Globe 8vo. 5<i>s.</i></p> - -<p>MEREDITH (George).—<span class="smcap">A Reading of -Earth.</span> Ext. fcp. 8vo. 5<i>s.</i></p> - -<p>—— <span class="smcap">Poems and Lyrics of the Joy of -Earth.</span> Ext. fcp. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Ballads and Poems of Tragic Life.</span> -Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Modern Love.</span> Ex. fcap. 8vo. 5<i>s.</i></p> - -<p>—— <span class="smcap">The Empty Purse.</span> Fcp. 8vo. 5<i>s.</i></p> - -<p>MILTON.—<span class="smcap">Poetical Works.</span> Edited, with -Introductions and Notes, by Prof. <span class="smcap">David -Masson</span>, M.A. 3 vols. 8vo. 2<i>l.</i> 2<i>s.</i>—[Uniform -with the Cambridge Shakespeare.]</p> - -<p>———— Edited by Prof. <span class="smcap">Masson</span>. 3 vols. -Globe 8vo. 15<i>s.</i></p> - -<p>———— <i>Globe Edition.</i> Edited by Prof. -<span class="smcap">Masson</span>. Globe 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Paradise Lost</span>, <span class="smcap">Books</span> 1 and 2. Edited -by <span class="smcap">Michael Macmillan</span>, B.A. 1<i>s.</i> 9<i>d.</i>; -sewed, 1<i>s.</i> 6<i>d.</i>—<span class="smcap">Books</span> 1 and 2 (separately), -1<i>s.</i> 3<i>d.</i> each; sewed, 1<i>s.</i> each.</p> - -<p>—— <span class="smcap">L’Allegro, Il Penseroso, Lycidas, -Arcades, Sonnets, etc.</span> Edited by <span class="smcap">Wm. -Bell</span>, M.A. 1<i>s.</i> 9<i>d.</i>; sewed, 1<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Comus.</span> By the same. 1<i>s.</i> 3<i>d.</i>; swd. 1<i>s.</i></p> - -<p>—— <span class="smcap">Samson Agonistes.</span> Edited by <span class="smcap">H. M. -Percival</span>, M.A. 2<i>s.</i>; sewed, 1<i>s.</i> 9<i>d.</i></p> - -<p>MOULTON (Louise Chandler).—<span class="smcap">In the -Garden of Dreams</span>: Lyrics and Sonnets. -Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Swallow Flights.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>MUDIE (C. E.).—<span class="smcap">Stray Leaves</span>: Poems. -4th Edit. Ext. fcp. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>MYERS (E.).—<span class="smcap">The Puritans</span>: A Poem. -Ext. fcp. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Poems.</span> Ext. fcp. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Defence of Rome</span>: and other -Poems. Ext. fcp. 8vo. 5<i>s.</i></p> - -<p>—— <span class="smcap">The Judgment of Prometheus</span>: and -other Poems. Ext. fcp. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>MYERS (F. W. H.).—<span class="smcap">The Renewal of -Youth</span>: and other Poems. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">St. Paul</span>: A Poem. Ext. fcp. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>NORTON (Hon. Mrs.).—<span class="smcap">The Lady of La -Garaye.</span> 9th Edit. Fcp. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>PALGRAVE (Prof. F. T.).—<span class="smcap">Original Hymns.</span> -3rd Edit. Pott 8vo. 1<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Lyrical Poems.</span> Ext. fcp. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Visions of England.</span> Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Amenophis.</span> Pott 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>PALGRAVE (W. G.).—<span class="smcap">A Vision of Life: -Semblance and Reality.</span> Cr. 8vo. 7<i>s.</i> net.</p> - -<p>PEEL (Edmund).—<span class="smcap">Echoes from Horeb</span>: -and other Poems. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>POPE. (<i>See</i> <a href="#GLOBE_LIBRARY"><span class="smcap">Globe Library</span>, p. 21</a>.)</p> - -<p>RAWNSLEY (H. D.).—<span class="smcap">Poems, Ballads, -and Bucolics.</span> Fcp. 8vo. 5<i>s.</i></p> - -<p>ROSCOE (W. C.).—<span class="smcap">Poems.</span> Edit. by <span class="smcap">E. M. -Roscoe</span>. Cr. 8vo. 7<i>s.</i> net.</p> - -<p>ROSSETTI (Christina).—<span class="smcap">Poems.</span> New Collected -Edition. Globe 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Sing-Song</span>: A Nursery Rhyme Book. -Small 4to. Illustrated. 4<i>s.</i> 6<i>d.</i></p> - -<p>SCOTT.—<span class="smcap">The Lay of the Last Minstrel</span>, -and <span class="smcap">The Lady of the Lake</span>. Edited by -Prof. <span class="smcap">F. T. Palgrave</span>. 1<i>s.</i></p> - -<p>—— <span class="smcap">The Lay of the Last Minstrel.</span> By -<span class="smcap">G. H. Stuart</span>, M.A., and <span class="smcap">E. H. Elliot</span>, -B.A. Globe 8vo. 2<i>s.</i>; sewed, 1<i>s.</i> 9<i>d.</i>—Canto -I. 9<i>d.</i>—Cantos I.-III. and IV.-VI. 1<i>s.</i> 3<i>d.</i> -each; sewed, 1<i>s.</i> each.</p> - -<p>—— <span class="smcap">Marmion.</span> Edited by <span class="smcap">Michael Macmillan</span>, -B.A. 3<i>s.</i>; sewed, 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Marmion</span>, and <span class="smcap">The Lord of the Isles</span>. -By Prof. <span class="smcap">F. T. Palgrave</span>. 1<i>s.</i></p> - -<p>—— <span class="smcap">The Lady of the Lake.</span> By <span class="smcap">G. H. -Stuart</span>, M.A. Gl. 8vo. 2<i>s.</i> 6<i>d.</i>; swd. 2<i>s.</i></p> - -<p>—— <span class="smcap">Rokeby.</span> By <span class="smcap">Michael Macmillan</span>, -B.A. 3<i>s.</i>; sewed, 2<i>s.</i> 6<i>d.</i></p> - -<p class="center">(<i>See also</i> <a href="#GLOBE_LIBRARY"><span class="smcap">Globe Library</span>, p. 21</a>.)</p> - -<p>SHAIRP (John Campbell).—<span class="smcap">Glen Desseray</span>: -and other Poems, Lyrical and Elegiac. Ed. -by <span class="smcap">F. T. Palgrave</span>. Cr. 8vo. 6<i>s.</i></p> - -<p>SHAKESPEARE.—<span class="smcap">The Works of William -Shakespeare.</span> <i>Cambridge Edition.</i> New -and Revised Edition, by <span class="smcap">W. Aldis Wright</span>, -M.A. 9 vols. 8vo. 10<i>s.</i> 6<i>d.</i> each.—<i>Edition -de Luxe.</i> 40 vols. Sup. roy. 8vo. 6<i>s.</i> each net.</p> - -<p>———— <i>Victoria Edition.</i> In 3 vols.—<span class="smcap">Comedies; -Histories; Tragedies.</span> Cr. 8vo. -6<i>s.</i> each.</p> - -<p>—— <span class="smcap">The Tempest.</span> With Introduction and -Notes, by <span class="smcap">K. Deighton.</span> Gl. 8vo. 1<i>s.</i> 9<i>d.</i>; -sewed, 1<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Much Ado about Nothing.</span> 2<i>s.</i>; sewed, -1<i>s.</i> 9<i>d.</i></p> - -<p>—— <span class="smcap">A Midsummer Night’s Dream.</span> 1<i>s.</i> 9<i>d.</i>; -sewed, 1<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Merchant of Venice.</span> 1<i>s.</i> 9<i>d.</i>; -sewed, 1<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">As You Like It.</span> 1<i>s.</i> 9<i>d.</i>; sewed, 1<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Twelfth Night.</span> 1<i>s.</i> 9<i>d.</i>; sewed, 1<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Winter’s Tale.</span> 2<i>s.</i>; sewed, 1<i>s.</i> 9<i>d.</i></p> - -<p>—— <span class="smcap">King John.</span> 1<i>s.</i> 9<i>d.</i>; sewed, 1<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Richard II.</span> 1<i>s.</i> 9<i>d.</i>; sewed, 1<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Henry IV.</span> Part I. 2<i>s.</i> 6<i>d.</i>; sewed, 2<i>s.</i></p> - -<p>—— <span class="smcap">Henry IV.</span> Part II. 2<i>s.</i> 6<i>d.</i>; sewed, 1<i>s.</i></p> - -<p>—— <span class="smcap">Henry V.</span> 1<i>s.</i> 9<i>d.</i>; sewed, 1<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Richard III.</span> By <span class="smcap">C. H. Tawney</span>, M.A. -2<i>s.</i> 6<i>d.</i>; sewed, 2<i>s.</i></p> - -<p>—— <span class="smcap">Coriolanus.</span> By <span class="smcap">K. Deighton</span>. 2<i>s.</i> 6<i>d.</i> -sewed, 2<i>s.</i></p> - -<p>—— <span class="smcap">Romeo and Juliet.</span> 2<i>s.</i> 6<i>d.</i>; sewed 2<i>s.</i></p> - -<p>—— <span class="smcap">Julius Cæsar.</span> 1<i>s.</i> 9<i>d.</i>; sewed, 1<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Macbeth.</span> 1<i>s.</i> 9<i>d.</i>; sewed, 1<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Hamlet.</span> 2<i>s.</i> 6<i>d.</i>; sewed, 2<i>s.</i></p> - -<p>—— <span class="smcap">King Lear.</span> 1<i>s.</i> 9<i>d.</i>; sewed, 1<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Othello.</span> 2<i>s.</i>; sewed, 1<i>s.</i> 9<i>d.</i></p> - -<p>—— <span class="smcap">Antony and Cleopatra.</span> 2<i>s.</i> 6<i>d.</i>; swd. 2<i>s.</i></p> - -<p>—— <span class="smcap">Cymbeline.</span> 2<i>s.</i> 6<i>d.</i>; sewed, 2<i>s.</i></p> - -<p class="center">(<i>See also</i> <a href="#GLOBE_LIBRARY"><span class="smcap">Globe Library</span>, p. 21</a>; <a href="#GOLDEN_TREASURY"><span class="smcap">Golden -Treasury Series</span>, p. 22</a>.)</p> - -<p><span class="pagenum"><a name="Catalogue_Page_17" id="Catalogue_Page_17">{17}</a></span></p> - -<p>SHELLEY.—<span class="smcap">Complete Poetical Works.</span> -Edited by Prof. <span class="smcap">Dowden</span>. Portrait. Cr. 8vo -7<i>s.</i> 6<i>d.</i> (<i>See</i> <a href="#GOLDEN_TREASURY"><span class="smcap">Golden Treasury Series</span>, p. 22</a>.)</p> - -<p>SMITH (C. Barnard).—<span class="smcap">Poems.</span> Fcp. 8vo. 5<i>s.</i></p> - -<p>SMITH (Horace).—<span class="smcap">Poems.</span> Globe 8vo. 5<i>s.</i></p> - -<p>—— <span class="smcap">Interludes.</span> Cr. 8vo. 5<i>s.</i></p> - -<p>SPENSER.—<span class="smcap">Fairie Queene.</span> Book I. By -<span class="smcap">H. M. Percival</span>, M.A. Gl. 8vo. 3<i>s.</i>; swd., -2<i>s.</i> 6<i>d.</i> (<i>See also</i> <a href="#GLOBE_LIBRARY"><span class="smcap">Globe Library</span>, p. 21</a>.)</p> - -<p>STEPHENS (J. B.).—<span class="smcap">Convict Once</span>: and -other Poems. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>STRETTELL (Alma).—<span class="smcap">Spanish and Italian -Folk Songs.</span> Illustr. Roy. 16mo. 12<i>s.</i> 6<i>d.</i></p> - -<p>SYMONS (Arthur).—<span class="smcap">Days and Nights.</span>. -Globe 8vo. 6<i>s.</i></p> - -<p>TENNYSON (Lord).—<span class="smcap">Complete Works.</span> -New and Enlarged Edition, with Portrait. -Cr. 8vo. 7<i>s.</i> 6<i>d.</i>—<i>School Edition.</i> In Four -Parts. Cr. 8vo. 2<i>s.</i> 6<i>d.</i> each.</p> - -<p>—— <span class="smcap">Poetical Works.</span> <i>Pocket Edition.</i> -Pott 8vo., morocco, gilt edges. 7<i>s.</i> 6<i>d.</i> net.</p> - -<p>—— <span class="smcap">Works.</span> <i>Library Edition.</i> In 9 vols. -Globe 8vo. 5<i>s.</i> each. [Each volume may be -had separately.]—<span class="smcap">Poems</span>, 2 vols.—<span class="smcap">Idylls of -the King.</span>—<span class="smcap">The Princess</span>, and <span class="smcap">Maud</span>.—<span class="smcap">Enoch -Arden</span>, and <span class="smcap">In Memoriam</span>.—<span class="smcap">Ballads</span>, -and other Poems.—<span class="smcap">Queen Mary</span>, and -<span class="smcap">Harold</span>.—<span class="smcap">Becket</span>, and other Plays.—<span class="smcap">Demeter</span>, -and other Poems.</p> - -<p>—— <span class="smcap">Works.</span> <i>Ext. fcp. 8vo. Edition</i>, on Handmade -Paper. In 10 vols. (supplied in sets -only). 5<i>l.</i> 5<i>s.</i> 0<i>d.</i>—<span class="smcap">Early Poems.</span>—<span class="smcap">Lucretius</span>, -and other Poems.—<span class="smcap">Idylls of the -King.</span>—<span class="smcap">The Princess</span>, and <span class="smcap">Maud</span>.—<span class="smcap">Enoch -Arden</span>, and <span class="smcap">In Memoriam</span>.—<span class="smcap">Queen Mary</span>, -and <span class="smcap">Harold</span>.—<span class="smcap">Ballads</span>, and other Poems.—<span class="smcap">Becket, -The Cup.</span>—<span class="smcap">The Foresters, -The Falcon, The Promise of May.</span>—<span class="smcap">Tiresias</span>, -and other Poems.</p> - -<p>—— <span class="smcap">Works.</span> <i>Miniature Edition</i>, in 16 vols., -viz. <span class="smcap">The Poetical Works</span>. 12 vols. in a -box. 25<i>s.</i>—<span class="smcap">The Dramatic Works.</span> 4 vols. -in a box. 10<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Works.</span> <i>Miniature Edition on India -Paper.</i> <span class="smcap">Poetical and Dramatic Works.</span> -8 vols. in a box. 40<i>s.</i> net.</p> - -<p>—— <i>The Original Editions.</i> Fcp. 8vo.</p> - -<div class="blockquote"> - -<p><span class="smcap">Poems.</span> 6<i>s.</i></p> - -<p><span class="smcap">Maud</span>: and other Poems. 3<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">The Princess.</span> 3<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">The Holy Grail</span>: and other Poems. 4<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">Ballads</span>: and other Poems. 5<i>s.</i></p> - -<p><span class="smcap">Harold</span>: A Drama. 6<i>s.</i></p> - -<p><span class="smcap">Queen Mary</span>: A Drama. 6<i>s.</i></p> - -<p><span class="smcap">The Cup</span>, and <span class="smcap">The Falcon</span>. 5<i>s.</i></p> - -<p><span class="smcap">Becket.</span> 6<i>s.</i></p> - -<p><span class="smcap">Tiresias</span>: and other Poems. 6<i>s.</i></p> - -<p><span class="smcap">Locksley Hall sixty years after</span>, etc. 6<i>s.</i></p> - -<p><span class="smcap">Demeter</span>: and other Poems. 6<i>s.</i></p> - -<p><span class="smcap">The Foresters: Robin Hood and Maid -Marian.</span> 6<i>s.</i></p> - -<p><span class="smcap">The Death of Oenone, Akbar’s Dream, -and other Poems.</span> 6<i>s.</i></p> - -</div> - -<p>—— <span class="smcap">Poems by Two Brothers.</span> Fcp. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Maud.</span> <i>Kelmscott Edition.</i> Small 4to., -vellum. 42<i>s.</i> net.</p> - -<p>—— <span class="smcap">Poems.</span> Reprint of 1857 Edition. Original -Illustrations. 4to. 21<i>s.</i>—<i>Edition de -Luxe.</i> Roy. 8vo. 42<i>s.</i> net.</p> - -<p>—— <i>The Royal Edition.</i> 1 vol. 8vo. 16<i>s.</i></p> - -<p>—— <span class="smcap">The Tennyson Birthday Book.</span> Edit. -by <span class="smcap">Emily Shakespear</span>. Pott 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Becket.</span> As arranged -for the Stage by <span class="smcap">H. Irving</span>. 8vo. swd. 2<i>s.</i> net.</p> - -<p>—— <span class="smcap">The Brook.</span> With 20 Illustrations by <span class="smcap">A. -Woodruff</span>. 32mo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Songs from Tennyson’s Writings.</span> -Square 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Selections from Tennyson.</span> With Introduction -and Notes, by <span class="smcap">F. J. Rowe</span>, M.A., -and <span class="smcap">W. T. Webb</span>, M.A. Globe 8vo. 3<i>s.</i> 6<i>d.</i> -Or Part I. 2<i>s.</i> 6<i>d.</i>; Part II. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Enoch Arden.</span> By <span class="smcap">W. T. Webb</span>, M.A. -Globe 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Aylmer’s Field.</span> By <span class="smcap">W. T. Webb</span>, M.A. -Globe 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Coming of Arthur</span>, and <span class="smcap">The Passing -of Arthur</span>. By <span class="smcap">F. J. Rowe</span>. Gl. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Princess.</span> By <span class="smcap">P. M. Wallace</span>, M.A. -Globe 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Gareth and Lynette.</span> By <span class="smcap">G. C. -Macaulay</span>, M.A. Globe 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Geraint and Enid.</span> By <span class="smcap">G. C. Macaulay</span>, -M.A. Globe 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Holy Grail.</span> By <span class="smcap">G. C. Macaulay</span>, -M.A. Globe 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Tennyson for the Young.</span> By Canon -<span class="smcap">Ainger</span>. Pott 8vo. 1<i>s.</i> net.—Large Paper, -uncut, 3<i>s.</i> 6<i>d.</i>; gilt edges, 4<i>s.</i> 6<i>d.</i></p> - -<p>TENNYSON (Frederick).—<span class="smcap">The Isles of -Greece: Sappho and Alcaeus.</span> Cr. 8vo. -7<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Daphne</span>: and other Poems. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>TENNYSON (Lord). (<i>See</i> <a href="#ILLUSTRATED_BOOKS"><span class="smcap">Illustrated -Books</span></a>.)</p> - -<p>TRUMAN (Jos.).—<span class="smcap">After-thoughts</span>: Poems. -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>TURNER (Charles Tennyson).—<span class="smcap">Collected -Sonnets, Old and New.</span> Ext. fcp. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>TYRWHITT (R. St. John).—<span class="smcap">Free Field.</span> -Lyrics, chiefly Descriptive. Gl. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Battle and After, concerning Sergeant -Thomas Atkins, Grenadier -Guards</span>: and other Verses. Gl. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>WARD (Samuel).—<span class="smcap">Lyrical Recreations.</span> -Fcp. 8vo. 6<i>s.</i></p> - -<p>WATSON (W.).—<span class="smcap">Poems.</span> Fcap. 8vo. 5<i>s.</i></p> - -<p>—— <span class="smcap">Lachrymae Musarum.</span> Fcp. 8vo. 4<i>s.</i> 6<i>d.</i> -(<i>See also</i> <a href="#GOLDEN_TREASURY"><span class="smcap">Golden Treasury Series</span>, p. 21</a>.)</p> - -<p>WEBSTER (A.).—<span class="smcap">Portraits.</span> Fcp. 8vo. 5<i>s.</i></p> - -<p>—— <span class="smcap">Selections from Verse.</span> Fcp. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Disguises</span>: A Drama. Fcp. 8vo. 5<i>s.</i></p> - -<p>—— <span class="smcap">In a Day</span>: A Drama. Fcp. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Sentence</span>: A Drama. Fcp. 8vo. -3<i>s.</i> 6<i>d.</i></p> - -<p>WHITTIER.—<span class="smcap">Complete Poetical Works -of John Greenleaf Whittier.</span> With -Portrait. Pott 8vo. 4<i>s.</i> 6<i>d.</i> (<i>See also</i> <a href="#COLLECTED_WORKS"><span class="smcap">Collected -Works</span>, p. 24</a>.)</p> - -<p>WILLS (W. G.).—<span class="smcap">Melchior.</span> Cr. 8vo. 9<i>s.</i></p> - -<p>WOOD (Andrew Goldie).—<span class="smcap">The Isles of the -Blest</span>: and other Poems. Globe 8vo. 5<i>s.</i></p> - -<p>WOOLNER (Thomas).—<span class="smcap">My Beautiful -Lady.</span> 3rd Edit. Fcp. 8vo. 5<i>s.</i></p> - -<p>—— <span class="smcap">Pygmalion.</span> Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Silenus.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>WORDSWORTH.—<span class="smcap">Complete Poetical -Works.</span> Copyright Edition. With an Introduction -by <span class="smcap">John Morley</span>, and Portrait. -Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Recluse.</span> Fcp. 8vo. 2<i>s.</i> 6<i>d.</i>—Large -Paper Edition. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p class="center">(<i>See also</i> <a href="#GOLDEN_TREASURY"><span class="smcap">Golden Treasury Series</span>, p. 22</a>.)</p> - -<p><span class="pagenum"><a name="Catalogue_Page_18" id="Catalogue_Page_18">{18}</a></span></p> - -<h4>Poetical Collections and Selections.</h4> - -<p class="center">(<i>See also</i> <a href="#GOLDEN_TREASURY"><span class="smcap">Golden Treasury Series</span>, p. 21</a>; -<a href="#YOUNG"><span class="smcap">Books for the Young</span>, p. 41</a>.)</p> - -<p>HALES (Prof. J. W.).—<span class="smcap">Longer English -Poems.</span> With Notes, Philological and Explanatory, -and an Introduction on the Teaching -of English. Ext. fcp. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>MACDONALD (George).—<span class="smcap">England’s Antiphon.</span> -Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>MARTIN (F.). (<i>See</i> <a href="#YOUNG"><span class="smcap">Books for the Young</span>, -p. 42</a>.)</p> - -<p>MASSON (R. O. and D.).—<span class="smcap">Three Centuries -of English Poetry.</span> Being Selections from -Chaucer to Herrick. Globe 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>PALGRAVE (Prof. F. T.).—<span class="smcap">The Golden -Treasury of the best Songs and Lyrical -Poems in the English Language.</span> Large -Type. Cr. 8vo. 10<i>s.</i> 6<i>d.</i> (<i>See also</i> <a href="#GOLDEN_TREASURY"><span class="smcap">Golden -Treasury Series</span>, p. 22</a>; <a href="#YOUNG"><span class="smcap">Books for the -Young</span>, p. 42</a>.)</p> - -<p>SMITH (G.).—<span class="smcap">Bay Leaves.</span> Translations -from Latin Poets. Globe 8vo. 5<i>s.</i></p> - -<p>WARD (T. H.).—<span class="smcap">English Poets.</span> Selections, -with Critical Introductions by various Writers, -and a General Introduction by <span class="smcap">Matthew -Arnold</span>. Edited by <span class="smcap">T. H. Ward</span>, M.A. -4 vols. 2nd Edit. Cr. 8vo. 7<i>s.</i> 6<i>d.</i> each.—Vol. -I. <span class="smcap">Chaucer to Donne</span>; II. <span class="smcap">Ben Jonson -to Dryden</span>; III. <span class="smcap">Addison to Blake</span>; -IV. <span class="smcap">Wordsworth to Rossetti</span>.</p> - -<p id="COLLECTIONS">WOODS (M. A.).—<span class="smcap">A First Poetry Book.</span> -Fcp. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">A Second Poetry Book.</span> 2 Parts. Fcp. -8vo. 2<i>s.</i> 6<i>d.</i> each.—Complete, 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">A Third Poetry Book.</span> Fcp. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>WORDS FROM THE POETS. With a Vignette -and Frontispiece. 12th Edit. 18mo. 1<i>s.</i></p> - -<h4 id="PROSE_FICTION">Prose Fiction.</h4> - -<p>BIKELAS (D.).—<span class="smcap">Loukis Laras</span>; or, The -Reminiscences of a Chiote Merchant during -the Greek War of Independence. Translated -by <span class="smcap">J. Gennadius</span>. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>BJÖRNSON (B.).—<span class="smcap">Synnövë Solbakken.</span> -Translated by <span class="smcap">Julie Sutter</span>. Cr. 8vo. 6<i>s.</i></p> - -<p>BOLDREWOOD (Rolf).—<i>Uniform Edition.</i> -Cr. 8vo. 3<i>s.</i> 6<i>d.</i> each.</p> - -<div class="blockquote"> - -<p><span class="smcap">Robbery Under Arms.</span></p> - -<p><span class="smcap">The Miner’s Right.</span></p> - -<p><span class="smcap">The Squatter’s Dream.</span></p> - -<p><span class="smcap">A Sydney-Side Saxon.</span></p> - -<p><span class="smcap">A Colonial Reformer.</span></p> - -<p><span class="smcap">Nevermore.</span></p> - -</div> - -<p>BURNETT (F. H.).—<span class="smcap">Haworth’s.</span> Gl. 8vo. 2<i>s.</i></p> - -<p>—— <span class="smcap">Louisiana</span>, and <span class="smcap">That Lass o’ Lowrie’s</span>. -Illustrated. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>CALMIRE. 2 vols. Cr. 8vo. 21<i>s.</i></p> - -<p>CARMARTHEN (Marchioness of).—<span class="smcap">A -Lover of the Beautiful.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>CONWAY (Hugh).—<span class="smcap">A Family Affair.</span> -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Living or Dead.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>COOPER (E. H.).—<span class="smcap">Richard Escott.</span> Cr. -8vo. 6<i>s.</i></p> - -<p>CORBETT (Julian).—<span class="smcap">The Fall of Asgard</span>: -A Tale of St. Olaf’s Day. 2 vols. Gl. 8vo. 12<i>s.</i></p> - -<p>—— <span class="smcap">For God and Gold.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Kophetua the Thirteenth.</span> 2 vols. -Globe 8vo. 12<i>s.</i></p> - -<p>CRAIK (Mrs.).—<i>Uniform Edition.</i> Cr. 8vo. -3<i>s.</i> 6<i>d.</i> each.</p> - -<div class="blockquote"> - -<p><span class="smcap">Olive.</span></p> - -<p><span class="smcap">The Ogilvies.</span> Also Globe 8vo., 2<i>s.</i></p> - -<p><span class="smcap">Agatha’s Husband.</span> Also Globe 8vo., 2<i>s.</i></p> - -<p><span class="smcap">The Head of the Family.</span></p> - -<p><span class="smcap">Two Marriages.</span> Also Globe 8vo., 2<i>s.</i></p> - -<p><span class="smcap">The Laurel Bush.</span></p> - -<p><span class="smcap">My Mother and I.</span></p> - -<p><span class="smcap">Miss Tommy</span>: A Mediæval Romance.</p> - -<p><span class="smcap">King Arthur</span>: Not a Love Story.</p> - -</div> - -<p>CRAWFORD (F. Marion).—<i>Uniform Edition.</i> -Cr. 8vo. 3<i>s.</i> 6<i>d.</i> each.</p> - -<div class="blockquote"> - -<p><span class="smcap">Mr. Isaacs</span>: A Tale of Modern India.</p> - -<p><span class="smcap">Dr. Claudius.</span></p> - -<p><span class="smcap">A Roman Singer.</span></p> - -<p><span class="smcap">Zoroaster.</span></p> - -<p><span class="smcap">A Tale of a Lonely Parish.</span></p> - -<p><span class="smcap">Marzio’s Crucifix.</span></p> - -<p><span class="smcap">Paul Patoff.</span></p> - -<p><span class="smcap">With the Immortals.</span></p> - -<p><span class="smcap">Greifenstein.</span></p> - -<p><span class="smcap">Sant’ Ilario.</span></p> - -<p><span class="smcap">A Cigarette Maker’s Romance.</span></p> - -<p><span class="smcap">Khaled</span>: A Tale of Arabia.</p> - -<p><span class="smcap">The Witch of Prague.</span></p> - -<p><span class="smcap">The Three Fates.</span></p> - -</div> - -<p>—— <span class="smcap">Don Orsino.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Children of the King.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Pietro Ghisleri.</span> 3 vols. Cr. 8vo. 31<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Marion Darche.</span> 2 vols. Gl. 8vo. 12<i>s.</i></p> - -<p>CUNNINGHAM (Sir H. S.).—<span class="smcap">The Cœruleans</span>: -A Vacation Idyll. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Heriots.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Wheat and Tares.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>DAGONET THE JESTER. Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>DAHN (Felix).—<span class="smcap">Felicitas.</span> Translated by -M. A. C. E. Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>DAY (Rev. Lal Behari).—<span class="smcap">Bengal Peasant -Life.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Folk Tales of Bengal.</span> Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>DEFOE (D.). (<i>See</i> <a href="#GLOBE_LIBRARY"><span class="smcap">Globe Library</span>, p. 21</a>; -<a href="#GOLDEN_TREASURY"><span class="smcap">Golden Treasury Series</span>, p. 22</a>.)</p> - -<p>DEMOCRACY: <span class="smcap">An American Novel.</span> Cr. -8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>DICKENS (Charles).—<i>Uniform Edition.</i> -Cr. 8vo. 3<i>s.</i> 6<i>d.</i> each.</p> - -<div class="blockquote"> - -<p><span class="smcap">The Pickwick Papers.</span></p> - -<p><span class="smcap">Oliver Twist.</span></p> - -<p><span class="smcap">Nicholas Nickleby.</span></p> - -<p><span class="smcap">Martin Chuzzlewit.</span></p> - -<p><span class="smcap">The Old Curiosity Shop.</span></p> - -<p><span class="smcap">Barnaby Rudge.</span></p> - -<p><span class="smcap">Dombey and Son.</span></p> - -<p><span class="smcap">Christmas Books.</span></p> - -<p><span class="smcap">Sketches by Boz.</span></p> - -<p><span class="smcap">David Copperfield.</span></p> - -<p><span class="smcap">American Notes, and Pictures from -Italy.</span></p> - -</div> - -<p>—— <span class="smcap">The Posthumous Papers of the Pickwick -Club.</span> Illust. Edit. by <span class="smcap">C. Dickens</span>, -Jun. 2 vols. Ext. cr. 8vo. 21<i>s.</i></p> - -<p>DICKENS (M. A.).—<span class="smcap">A Mere Cypher.</span> Cr. -8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>DILLWYN (E. A.).—<span class="smcap">Jill.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Jill and Jack.</span> 2 vols. Globe 8vo. 12<i>s.</i></p> - -<p><span class="pagenum"><a name="Catalogue_Page_19" id="Catalogue_Page_19">{19}</a></span></p> - -<p>DUNSMUIR (Amy).—<span class="smcap">Vida</span>: Study of a -Girl. 3rd Edit. Cr. 8vo. 6<i>s.</i></p> - -<p>DURAND (Sir M.).—<span class="smcap">Helen Treveryan.</span> -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>EBERS (Dr. George).—<span class="smcap">The Burgomaster’s -Wife.</span> Transl. by <span class="smcap">C. Bell</span>. Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Only a Word.</span> Translated by <span class="smcap">Clara -Bell</span>. Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>“ESTELLE RUSSELL” (The Author of).—<span class="smcap">Harmonia.</span> -3 vols. Cr. 8vo. 31<i>s.</i> 6<i>d.</i></p> - -<p>FALCONER (Lanoe).—<span class="smcap">Cecilia de Noel.</span> -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>FLEMING (G.).—<span class="smcap">A Nile Novel.</span> Gl. 8vo. 2<i>s.</i></p> - -<p>—— <span class="smcap">Mirage</span>: A Novel. Globe 8vo. 2<i>s.</i></p> - -<p>—— <span class="smcap">The Head of Medusa.</span> Globe 8vo. 2<i>s.</i></p> - -<p>—— <span class="smcap">Vestigia.</span> Globe 8vo. 2<i>s.</i></p> - -<p>FRATERNITY: A Romance. 2 vols. Cr. -8vo. 21<i>s.</i></p> - -<p>“FRIENDS IN COUNCIL” (The Author -of).—<span class="smcap">Realmah.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>GRAHAM (John W.).—<span class="smcap">Neæra</span>: A Tale of -Ancient Rome. Cr. 8vo. 6<i>s.</i></p> - -<p>HARBOUR BAR, THE. Cr. 8vo. 6<i>s.</i></p> - -<p>HARDY (Arthur Sherburne).—<span class="smcap">But yet a -Woman</span>: A Novel. Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Wind of Destiny.</span> 2 vols. Gl. 8vo. 12<i>s.</i></p> - -<p>HARDY (Thomas).—<span class="smcap">The Woodlanders.</span> -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Wessex Tales.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>HARTE (Bret).—<span class="smcap">Cressy.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Heritage of Dedlow Marsh</span>: -and other Tales. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">A First Family of Tasajara.</span> Cr. -8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>“HOGAN, M.P.” (The Author of).—<span class="smcap">Hogan, -M.P.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Hon. Miss Ferrard.</span> Gl. 8vo. 2<i>s.</i></p> - -<p>—— <span class="smcap">Flitters, Tatters, and the Counsellor, -etc.</span> Globe 8vo. 2<i>s.</i></p> - -<p>—— <span class="smcap">Christy Carew.</span> Globe 8vo. 2<i>s.</i></p> - -<p>—— <span class="smcap">Ismay’s Children.</span> Globe 8vo. 2<i>s.</i></p> - -<p>HOPPUS (Mary).—<span class="smcap">A Great Treason</span>: A -Story of the War of Independence. 2 vols. -Cr. 8vo. 9<i>s.</i></p> - -<p>HUGHES (Thomas).—<span class="smcap">Tom Brown’s School -Days.</span> By <span class="smcap">An Old Boy</span>.—Golden Treasury -Edition. 2<i>s.</i> 6<i>d.</i> net.—Uniform Edit. 3<i>s.</i> 6<i>d.</i>—People’s -Edition. 2<i>s.</i>—People’s Sixpenny -Edition. Illustr. Med. 4to. 6<i>d.</i>—Uniform -with Sixpenny Kingsley. Med. 8vo. 6<i>d.</i></p> - -<p>—— <span class="smcap">Tom Brown at Oxford.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Scouring of the White Horse</span>, -and <span class="smcap">The Ashen Faggot</span>. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>IRVING (Washington). (<i>See</i> <a href="#ILLUSTRATED_BOOKS"><span class="smcap">Illustrated -Books</span>, p. 12</a>.)</p> - -<p>JACKSON (Helen).—<span class="smcap">Ramona.</span> Gl. 8vo. 2<i>s.</i></p> - -<p>JAMES (Henry).—<span class="smcap">The Europeans</span>: A Novel. -Cr. 8vo. 6<i>s.</i>; Pott 8vo. 2<i>s.</i></p> - -<p>—— <span class="smcap">Daisy Miller</span>: and other Stories. Cr. -8vo. 6<i>s.</i>; Globe 8vo. 2<i>s.</i></p> - -<p>—— <span class="smcap">The American.</span> Cr. 8vo. 6<i>s.</i>—Pott 8vo. -2 vols. 4<i>s.</i></p> - -<p>—— <span class="smcap">Roderick Hudson.</span> Cr. 8vo. 6<i>s.</i>; Gl. -8vo. 2<i>s.</i>; Pott 8vo. 2 vols. 4<i>s.</i></p> - -<p>JAMES (Henry).—<span class="smcap">The Madonna of the -Future</span>: and other Tales. Cr. 8vo. 6<i>s.</i>; -Globe 8vo. 2<i>s.</i></p> - -<p>—— <span class="smcap">Washington Square, the Pension -Beaurepas.</span> Globe 8vo. 2<i>s.</i></p> - -<p>—— <span class="smcap">The Portrait of a Lady.</span> Cr. 8vo. -6<i>s.</i> Pott 8vo. 3 vols. 6<i>s.</i></p> - -<p>—— <span class="smcap">Stories Revived.</span> In Two Series. -Cr. 8vo. 6<i>s.</i> each.</p> - -<p>—— <span class="smcap">The Bostonians.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Novels and Tales.</span> Pocket Edition. -Pott 8vo. 2<i>s.</i> each volume.</p> - -<div class="blockquote"> - -<p><span class="smcap">Confidence.</span> 1 vol.</p> - -<p><span class="smcap">The Siege of London; Madame de -Mauves.</span> 1 vol.</p> - -<p><span class="smcap">An International Episode; The Pension -Beaurepas; The Point of View.</span> -1 vol.</p> - -<p><span class="smcap">Daisy Miller</span>, a Study; <span class="smcap">Four Meetings</span>; -<span class="smcap">Longstaff’s Marriage</span>; <span class="smcap">Benvolio</span>. -1 vol.</p> - -<p><span class="smcap">The Madonna of the Future; A -Bundle of Letters; The Diary of -a Man of Fifty; Eugene Pickering.</span> -1 vol.</p> - -</div> - -<p>—— <span class="smcap">Tales of Three Cities.</span> Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Princess Casamassima.</span> Cr. 8vo. -6<i>s.</i>; Globe 8vo. 2<i>s.</i></p> - -<p>—— <span class="smcap">The Reverberator.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">The Aspern Papers; Louisa Pallant; -The Modern Warning.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">A London Life.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Tragic Muse.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Lesson of the Master, and -other Stories.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">The Real Thing, and other Tale.</span> -Cr. 8vo. 6<i>s.</i></p> - -<p>KEARY (Annie).—<span class="smcap">Janet’s Home.</span> Cr. 8vo. -3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Clemency Franklyn.</span> Globe 8vo. 2<i>s.</i></p> - -<p>—— <span class="smcap">Oldbury.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">A York and a Lancaster Rose.</span> Cr. -8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Castle Daly.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">A Doubting Heart.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>KENNEDY (P.).—<span class="smcap">Legendary Fictions of -the Irish Celts.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>KINGSLEY (Charles).—<i>Eversley Edition.</i> -13 vols. Globe 8vo. 5<i>s.</i> each.—<span class="smcap">Westward -Ho!</span> 2 vols.—<span class="smcap">Two Years Ago.</span> 2 vols.—<span class="smcap">Hypatia.</span> -2 vols.—<span class="smcap">Yeast.</span> 1 vol.—<span class="smcap">Alton -Locke.</span> 2 vols.—<span class="smcap">Hereward the Wake.</span> -2 vols.</p> - -<p>—— <i>Complete Edition.</i> Cr. 8vo. 3<i>s.</i> 6<i>d.</i> each.—<span class="smcap">Westward -Ho!</span> With a Portrait.—<span class="smcap">Hypatia.</span>—<span class="smcap">Yeast.</span>—<span class="smcap">Alton -Locke.</span>—<span class="smcap">Two -Years Ago.</span>—<span class="smcap">Hereward the Wake.</span></p> - -<p>—— <i>Sixpenny Edition.</i> Med. 8vo. 6<i>d.</i> -each.—<span class="smcap">Westward Ho!</span>—<span class="smcap">Hypatia.</span>—<span class="smcap">Yeast.</span>—<span class="smcap">Alton -Locke.</span>—<span class="smcap">Two Years Ago.</span>—<span class="smcap">Hereward -the Wake.</span></p> - -<p>KIPLING (Rudyard).—<span class="smcap">Plain Tales from -the Hills.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">The Light that Failed.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Life’s Handicap</span>: Being Stories of mine -own People. Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Many Inventions.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>LAFARGUE (Philip).—<span class="smcap">The New Judgment -of Paris.</span> 2 vols. Globe 8vo. 12<i>s.</i></p> - -<p><span class="pagenum"><a name="Catalogue_Page_20" id="Catalogue_Page_20">{20}</a></span></p> - -<p>LEE (Margaret).—<span class="smcap">Faithful and Unfaithful.</span> -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>LEVY (A.).—<span class="smcap">Reuben Sachs.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>LITTLE PILGRIM IN THE UNSEEN, A. -24th Thousand. Cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>“LITTLE PILGRIM IN THE UNSEEN, -A” (Author of).—<span class="smcap">The Land of Darkness.</span> -Cr. 8vo. 5<i>s.</i></p> - -<p>LYSAGHT (S. R.).—<span class="smcap">The Marplot.</span> Cr. -8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>LYTTON (Earl of).—<span class="smcap">The Ring of Amasis</span>: -A Romance. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>McLENNAN (Malcolm).—<span class="smcap">Muckle Jock</span>; -and other Stories of Peasant Life in the North. -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>MACQUOID (K. S.).—<span class="smcap">Patty.</span> Gl. 8vo. 2<i>s.</i></p> - -<p>MADOC (Fayr).—<span class="smcap">The Story of Melicent.</span> -Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>MALET (Lucas).—Mrs. <span class="smcap">Lorimer</span>: A Sketch -in Black and White. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>MALORY (Sir Thos.). (<i>See</i> <a href="#GLOBE_LIBRARY"><span class="smcap">Globe Library</span>, -p. 21</a>.)</p> - -<p>MINTO (W.).—<span class="smcap">The Mediation of Ralph -Hardelot.</span> 3 vols. Cr. 8vo. 31<i>s.</i> 6<i>d.</i></p> - -<p>MITFORD (A. B.).—<span class="smcap">Tales of Old Japan.</span> -With Illustrations. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">MIZ MAZE (THE); or, The Winkworth -Puzzle.</span> A Story in Letters by Nine -Authors. Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>MURRAY (D. Christie).—<span class="smcap">Aunt Rachel.</span> -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Schwartz.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Weaker Vessel.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">John Vale’s Guardian.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>MURRAY (D. Christie) and HERMAN (H.).—<span class="smcap">He -Fell Among Thieves.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">NEW ANTIGONE, THE: A Romance.</span> -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>NOEL (Lady Augusta).—<span class="smcap">Hithersea Mere.</span> -3 vols. Cr. 8vo. 31<i>s.</i> 6<i>d.</i></p> - -<p>NORRIS (W. E.).—<span class="smcap">My Friend Jim.</span> Globe -8vo. 2<i>s.</i></p> - -<p>—— <span class="smcap">Chris.</span> Globe 8vo. 2<i>s.</i></p> - -<p>NORTON (Hon. Mrs.).—<span class="smcap">Old Sir Douglas.</span> -Cr. 8vo. 6<i>s.</i></p> - -<p>OLIPHANT (Mrs. M. O. W.).—<span class="smcap">A Son of -the Soil.</span> Globe 8vo. 2<i>s.</i></p> - -<p>—— <span class="smcap">The Curate in Charge.</span> Globe 8vo. 2<i>s.</i></p> - -<p>—— <span class="smcap">Young Musgrave.</span> Globe 8vo. 2<i>s.</i></p> - -<p>—— <span class="smcap">He that will not when He may.</span> -Cr. 8vo. 3<i>s.</i> 6<i>d.</i>—Globe 8vo. 2<i>s.</i></p> - -<p>—— <span class="smcap">Sir Tom.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i>—Gl. 8vo. 2<i>s.</i></p> - -<p>—— <span class="smcap">Hester.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Wizard’s Son.</span> Globe 8vo. 2<i>s.</i></p> - -<p>—— <span class="smcap">The Country Gentleman and his -Family.</span> Globe 8vo. 2<i>s.</i></p> - -<p>—— <span class="smcap">The Second Son.</span> Globe 8vo. 2<i>s.</i></p> - -<p>—— <span class="smcap">Neighbours on the Green.</span> Cr. 8vo. -3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Joyce.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">A Beleaguered City.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Kirsteen.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Railway Man and his Children.</span> -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>OLIPHANT (Mrs. M. O. W.).—<span class="smcap">The Marriage -Of Elinor.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Heir-Presumptive and the Heir-Apparent.</span> -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>PALMER (Lady Sophia).—<span class="smcap">Mrs. Penicott’s -Lodger</span>: and other Stories. Cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>PARRY (Gambier).—<span class="smcap">The Story of Dick.</span> -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>PATER (Walter).—<span class="smcap">Marius the Epicurean: -His Sensations and Ideas.</span> 3rd Edit. 2 -vols. 8vo. 12<i>s.</i></p> - -<p>RHOADES (J.).—<span class="smcap">The Story of John Trevennick.</span> -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>ROSS (Percy).—<span class="smcap">A Misguidit Lassie.</span> Cr. -8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>RUSSELL (W. Clark).—<span class="smcap">Marooned.</span> Cr. -8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">A Strange Elopement.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>ST. JOHNSTON (A.).—<span class="smcap">A South Sea -Lover</span>: A Romance. Cr. 8vo. 6<i>s.</i></p> - -<p>SHORTHOUSE (J. Henry).—<i>Uniform Edition.</i> -Cr. 8vo. 3<i>s.</i> 6<i>d.</i> each.</p> - -<div class="blockquote"> - -<p><span class="smcap">John Inglesant</span>: A Romance.</p> - -<p><span class="smcap">Sir Percival</span>: a Story of the Past and of -the Present.</p> - -<p><span class="smcap">The Little Schoolmaster Mark</span>: A -Spiritual Romance.</p> - -<p><span class="smcap">The Countess Eve.</span></p> - -<p><span class="smcap">A Teacher of the Violin</span>: and other Tales.</p> - -</div> - -<p>—— <span class="smcap">Blanche, Lady Falaise.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>SLIP IN THE FENS, A. Globe 8vo. 2<i>s.</i></p> - -<p>STEEL (Mrs. F. A.).—<span class="smcap">Miss Stuart’s Legacy.</span> -3 vols. Cr. 8vo. 31<i>s.</i> 6<i>d.</i></p> - -<p>THEODOLI (Marchesa).—<span class="smcap">Under Pressure</span>. -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>TIM. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>TOURGÉNIEF.—<span class="smcap">Virgin Soil.</span> Translated -by <span class="smcap">Ashton W. Dilke</span>. Cr. 8vo. 6<i>s.</i></p> - -<p>VELEY (Margaret).—<span class="smcap">A Garden of Memories; -Mrs. Austin; Lizzie’s Bargain.</span> -Three Stories. 2 vols. Globe 8vo. 12<i>s.</i></p> - -<p>VICTOR (H.).—<span class="smcap">Mariam: or Twenty-One -Days.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>VOICES CRYING IN THE WILDERNESS: -<span class="smcap">A Novel</span>. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>WARD (Mrs. T. Humphry).—<span class="smcap">Miss Bretherton.</span> -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>WEST (M.).—<span class="smcap">A Born Player.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>WORTHEY (Mrs.).—<span class="smcap">The New Continent</span>: -A Novel. 2 vols. Globe 8vo. 12<i>s.</i></p> - -<p>YONGE (C. M.).—<span class="smcap">Grisly Grisell.</span> 2 vols. -Cr. 8vo. 12<i>s.</i> (<i>See also</i> <a href="#Catalogue_Page_24">p. 24</a>.)</p> - -<p>YONGE (C. M.) and COLERIDGE (C. R.).—<span class="smcap">Strolling -Players</span>. Cr. 8vo. 6<i>s.</i></p> - -<h4>Collected Works; Essays; Lectures; -Letters; Miscellaneous Works.</h4> - -<p>ADDISON.—<span class="smcap">Selections from the “Spectator.”</span> -With Introduction and Notes by -<span class="smcap">K. Deighton</span>. Globe 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>AN AUTHOR’S LOVE. Being the Unpublished -Letters of <span class="smcap">Prosper Mérimée’s</span> -“Inconnue.” 2 vols. Ext. cr. 8vo. 12<i>s.</i></p> - -<p><span class="pagenum"><a name="Catalogue_Page_21" id="Catalogue_Page_21">{21}</a></span></p> - -<p>ARNOLD (Matthew).—<span class="smcap">Essays in Criticism.</span> -6th Edit. Cr. 8vo. 9<i>s.</i></p> - -<p>—— <span class="smcap">Essays in Criticism.</span> Second Series. -Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Discourses in America.</span> Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>BACON.—<span class="smcap">Essays.</span> With Introduction and -Notes, by <span class="smcap">F. G. Selby</span>, M.A. Gl. 8vo. 3<i>s.</i>; -swd., 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Advancement of Learning.</span> By the -same. Gl. 8vo. Book I. 2<i>s.</i> Book II. 3<i>s.</i> 6<i>d.</i></p> - -<p class="center">(<i>See also</i> <a href="#GOLDEN_TREASURY"><span class="smcap">Golden Treasury Series</span>, p. 22</a>.)</p> - -<p>BATES (K. L.).—<span class="smcap">English Religious Drama</span>. -Cr. 8vo. 6<i>s.</i> 6<i>d.</i> net.</p> - -<p>BLACKIE (J. S.).—<span class="smcap">Lay Sermons.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>BRIDGES (John A.).—<span class="smcap">Idylls of a Lost -Village.</span> Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>BRIMLEY (George).—<span class="smcap">Essays.</span> Globe 8vo. 5<i>s.</i></p> - -<p>BUNYAN (John).—<span class="smcap">The Pilgrim’s Progress -from this World to that which is to -Come.</span> Pott 8vo. 2<i>s.</i> 6<i>d.</i> net.</p> - -<p>BUTCHER (Prof. S. H.).—<span class="smcap">Some Aspects of -the Greek Genius</span>. Cr. 8vo. 7<i>s.</i> net.</p> - -<p>CARLYLE (Thomas). (<i>See</i> <a href="#BIOGRAPHY"><span class="smcap">Biography</span></a>.)</p> - -<p>CHURCH (Dean).—<span class="smcap">Miscellaneous Writings.</span> -Collected Edition. 6 vols. Globe -8vo. 5<i>s.</i> each.—Vol. I. <span class="smcap">Miscellaneous -Essays.</span>—II. <span class="smcap">Dante: and other Essays.</span>—III. -<span class="smcap">St. Anselm.</span>—IV. <span class="smcap">Spenser.</span>—V. -<span class="smcap">Bacon.</span>—VI. <span class="smcap">The Oxford Movement, -1833-45.</span></p> - -<p>CLIFFORD (Prof. W. K.).—<span class="smcap">Lectures and -Essays.</span> Edited by <span class="smcap">Leslie Stephen</span> and -Sir <span class="smcap">F. Pollock</span>. Cr. 8vo. 8<i>s.</i> 6<i>d.</i></p> - -<p>CLOUGH (A. H.).—<span class="smcap">Prose Remains.</span> With -a Selection from his Letters, and a Memoir -by <span class="smcap">His Wife</span>. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>COLLINS (J. Churton).—<span class="smcap">The Study of -English Literature.</span> Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>CRAIK (H.).—<span class="smcap">English Prose Selections.</span> -With Critical Introductions by various writers, -and General Introductions to each Period. -Edited by <span class="smcap">H. Craik</span>, C.B. Vol. I. Crown -8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>CRAIK (Mrs.).—<span class="smcap">Concerning Men</span>: and -other Papers. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">About Money</span>: and other Things. Cr. -8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Sermons Out of Church.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>CRAWFORD (F. M.).—<span class="smcap">The Novel: what -it is.</span> Pott 8vo. 3<i>s.</i></p> - -<p>CUNLIFFE (J. W.).—<span class="smcap">The Influence of -Seneca on Elizabethan Tragedy.</span> 4<i>s.</i> net.</p> - -<p>DE VERE (Aubrey).—<span class="smcap">Essays Chiefly on -Poetry.</span> 2 vols. 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Globe 8vo. 5<i>s.</i> each.—I. -<span class="smcap">Miscellanies.</span> With an Introductory -Essay by <span class="smcap">John Morley</span>.—II. <span class="smcap">Essays.</span>—III. -<span class="smcap">Poems.</span>—IV. <span class="smcap">English Traits; Representative -Men.</span>—V. <span class="smcap">Conduct of Life; -Society and Solitude.</span>—VI. <span class="smcap">Letters; -Social Aims, etc.</span></p> - -<p>FINLAYSON (T. C.).—<span class="smcap">Essays, Addresses, -and Lyrical Translations.</span> Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>FITZGERALD (Edward): <span class="smcap">Letters and -Literary Remains of</span>. Ed. by <span class="smcap">W. Aldis -Wright</span>, M.A. 3 vols. Cr. 8vo. 31<i>s.</i> 6<i>d.</i></p> - -<p>GLOBE LIBRARY. Gl. 8vo. 3<i>s.</i> 6<i>d.</i> each:</p> - -<div class="blockquote"> - -<p><span class="smcap">Boswell’s Life of Johnson.</span> Introduction -by <span class="smcap">Mowbray Morris</span>.</p> - -<p><span class="smcap">Burns.</span>—<span class="smcap">Complete Poetical Works and -Letters.</span> Edited, with Life and Glossarial -Index, by <span class="smcap">Alexander Smith</span>.</p> - -<p><span class="smcap">Cowper.</span>—<span class="smcap">Poetical Works.</span> Edited by -the Rev. <span class="smcap">W. Benham</span>, B.D.</p> - -<p><span class="smcap">Defoe.</span>—<span class="smcap">The Adventures of Robinson -Crusoe.</span> Introduction by <span class="smcap">H. Kingsley</span>.</p> - -<p><span class="smcap">Dryden.</span>—<span class="smcap">Poetical Works.</span> A Revised -Text and Notes. By <span class="smcap">W. D. 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Strachey</span>, Bart.</p> - -<p><span class="smcap">Milton.</span>—<span class="smcap">Poetical Works.</span> Edited, with -Introductions, by Prof. <span class="smcap">Masson</span>.</p> - -<p><span class="smcap">Pope.</span>—<span class="smcap">Poetical Works.</span> Edited, with -Memoir and Notes, by Prof. <span class="smcap">Ward</span>.</p> - -<p><span class="smcap">Scott.</span>—<span class="smcap">Poetical Works.</span> With Essay -by Prof. <span class="smcap">Palgrave</span>.</p> - -<p><span class="smcap">Shakespeare.</span>—<span class="smcap">Complete Works.</span> Edit. -by <span class="smcap">W. G. Clark</span> and <span class="smcap">W. Aldis Wright</span>. -<i>India Paper Edition.</i> Cr. 8vo., cloth extra, -gilt edges. 10<i>s.</i> 6<i>d.</i> net.</p> - -<p><span class="smcap">Spenser.</span>—<span class="smcap">Complete Works.</span> Edited by -<span class="smcap">R. Morris</span>. Memoir by <span class="smcap">J. W. Hales</span>, M.A.</p> - -<p><span class="smcap">Virgil.</span>—<span class="smcap">Works.</span> Rendered into English -Prose by <span class="smcap">James Lonsdale</span> and <span class="smcap">S. Lee</span>.</p> - -</div> - -<p>GOETHE.—<span class="smcap">Maxims and Reflections.</span> -Trans. by <span class="smcap">T. B. Saunders</span>. Gl. 8vo. 5<i>s.</i></p> - -<p>—— <span class="smcap">Nature Aphorisms.</span> Transl. by <span class="smcap">T. B. -Saunders</span>. Pott 8vo. 6<i>d.</i> net.</p> - -<p>GOLDEN TREASURY SERIES.—Uniformly -printed in Pott 8vo., with Vignette -Titles by Sir <span class="smcap">J. E. Millais</span>, Sir <span class="smcap">Noel -Paton</span>, <span class="smcap">T. Woolner</span>, <span class="smcap">W. Holman Hunt</span>, -<span class="smcap">Arthur Hughes</span>, etc. 2<i>s.</i> 6<i>d.</i> net each.</p> - -<div class="blockquote"> - -<p><span class="smcap">Balladen und Romanzen.</span> Being a Selection -of the best German Ballads and -Romances. 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Edited by -<span class="smcap">William Allingham</span>.</p> - -<p><span class="pagenum"><a name="Catalogue_Page_22" id="Catalogue_Page_22">{22}</a></span></p> - -<p><span class="smcap">Book of Golden Thoughts, A.</span> By Sir -<span class="smcap">Henry Attwell</span>.</p> - -<p><span class="smcap">Book of Praise, The.</span> From the Best English -Hymn Writers. Selected by <span class="smcap">Roundell, -Earl of Selborne</span>.</p> - -<p><span class="smcap">Children’s Garland from the Best Poets, -The.</span> Selected by <span class="smcap">Coventry Patmore</span>.</p> - -<p><span class="smcap">Fairy Book, The: the Best Popular -Fairy Stories.</span> Selected by Mrs. <span class="smcap">Craik</span>, -Author of “John Halifax, Gentleman.”</p> - -<p><span class="smcap">Golden Treasury of the Best Songs and -Lyrical Poems in the English Language, -The.</span> Selected and arranged, with -Notes, by Prof. <span class="smcap">F. T. Palgrave</span>.—Large -Type. Cr. 8vo. 10<i>s.</i> 6<i>d.</i>—Large Paper -Edition. 8vo. 10<i>s.</i> 6<i>d.</i> net.</p> - -<p><span class="smcap">Golden Treasury Psalter.</span> By Four -Friends.</p> - -<p><span class="smcap">Scottish Song.</span> Compiled by <span class="smcap">Mary Carlyle -Aitken</span>.</p> - -<p><span class="smcap">Song Book, The.</span> Words and Tunes selected -and arranged by <span class="smcap">John Hullah</span>.</p> - -<p><span class="smcap">Sunday Book of Poetry for the Young, -The.</span> Selected by <span class="smcap">C. F. Alexander</span>.</p> - -<p><span class="smcap">Theologia Germanica.</span> By <span class="smcap">S. Winkworth</span>.</p> - -<p><span class="smcap">Matthew Arnold.</span>—<span class="smcap">Selected Poems.</span></p> - -<p><span class="smcap">Addison.</span>—<span class="smcap">Essays.</span> Chosen and Edited by -<span class="smcap">John Richard Green</span>.</p> - -<p><span class="smcap">Bacon.</span>—<span class="smcap">Essays</span>, and <span class="smcap">Colours of Good -and Evil</span>. With Notes and Glossarial -Index by <span class="smcap">W. Aldis Wright</span>, M.A.—Large -Paper Edition. 8vo. 10<i>s.</i> 6<i>d.</i>, net.</p> - -<p><span class="smcap">Bunyan.</span>—<span class="smcap">The Pilgrim’s Progress from -this World to that which is to Come.</span>—Large -Paper Edition. 8vo. 10<i>s.</i> 6<i>d.</i> net.</p> - -<p><span class="smcap">Byron.</span>—<span class="smcap">Poetry.</span> Chosen and arranged -by <span class="smcap">M. Arnold</span>.—Large Paper Edit. 9<i>s.</i></p> - -<p><span class="smcap">Cowper.</span>—<span class="smcap">Letters.</span> Edited, with Introduction, -by Rev. <span class="smcap">W. Benham</span>.</p> - -<p>—— <span class="smcap">Selections from Poems.</span> With an Introduction -by Mrs. <span class="smcap">Oliphant</span>.</p> - -<p><span class="smcap">Defoe.</span>—<span class="smcap">The Adventures of Robinson -Crusoe.</span> Edited by <span class="smcap">J. W. Clark</span>, M.A.</p> - -<p><span class="smcap">Gracian (Balthasar).</span>—<span class="smcap">Art of Worldly -Wisdom.</span> Translated by <span class="smcap">J. Jacobs</span>.</p> - -<p><span class="smcap">Herrick.</span>—<span class="smcap">Chrysomela.</span> Edited by Prof. -<span class="smcap">F. T. Palgrave</span>.</p> - -<p><span class="smcap">Hughes.</span>—<span class="smcap">Tom Brown’s School Days.</span></p> - -<p><span class="smcap">Keats.</span>—<span class="smcap">The Poetical Works.</span> Edited -by Prof. <span class="smcap">F. T. Palgrave</span>.</p> - -<p><span class="smcap">Lamb.</span>—<span class="smcap">Tales from Shakspeare.</span> Edited -by Rev. <span class="smcap">Alfred Ainger</span>, M.A.</p> - -<p><span class="smcap">Landor.</span>—<span class="smcap">Selections.</span> Ed. by <span class="smcap">S. Colvin</span>.</p> - -<p><span class="smcap">Longfellow.</span>—<span class="smcap">Ballads, Lyrics, and -Sonnets.</span></p> - -<p><span class="smcap">Mohammad.</span>—<span class="smcap">Speeches and Table-Talk.</span> -Translated by <span class="smcap">Stanley Lane-Poole</span>.</p> - -<p><span class="smcap">Newcastle.</span>—<span class="smcap">The Cavalier and his -Lady.</span> Selections from the Works of the -First Duke and Duchess of Newcastle. -With Introductory Essay by <span class="smcap">E. Jenkins</span>.</p> - -<p><span class="smcap">Plato.</span>—<span class="smcap">The Republic.</span> Translated by -<span class="smcap">J. Ll. Davies</span>, M.A., and <span class="smcap">D. J. Vaughan</span>.—Large -Paper Edition. 8vo. 10<i>s.</i> 6<i>d.</i> net.</p> - -<p>—— <span class="smcap">The Trial and Death of Socrates.</span> -Being the Euthyphron, Apology, Crito -and Phaedo of Plato. Trans. by <span class="smcap">F. 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Arranged by <span class="smcap">Mark Lemon</span>.</p> - -<p><span class="smcap">Wordsworth.</span>—<span class="smcap">Poems.</span> Chosen and Edited -by <span class="smcap">M. Arnold</span>.—Large Paper Edition, -10s. 6<i>d.</i> net.</p> - -<p><span class="smcap">Hare.</span>—<span class="smcap">Guesses at Truth.</span> By Two -Brothers. 4<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">Longfellow.</span>—<span class="smcap">Poems of Places: England -and Wales.</span> Edited by <span class="smcap">H. W. -Longfellow</span>. 2 vols. 9<i>s.</i></p> - -<p><span class="smcap">Tennyson.</span>—<span class="smcap">Lyrical Poems.</span> Selected and -Annotated by Prof. <span class="smcap">F. T. Palgrave</span>. 4<i>s.</i> 6<i>d.</i>—Large -Paper Edition. 9<i>s.</i></p> - -<p>—— <span class="smcap">In Memoriam.</span> 4<i>s.</i> 6<i>d.</i>—Large Paper -Edition. 9<i>s.</i></p> - -<p><span class="smcap">Yonge.</span>—<span class="smcap">A Book of Golden Deeds.</span></p> - -<p>—— <span class="smcap">A Book of Worthies.</span></p> - -<p>—— <span class="smcap">The Story of the Christians and -Moors in Spain.</span></p> - -</div> - -<p>GOLDSMITH, <span class="smcap">Essays of</span>. Edited by <span class="smcap">C. D. -Yonge</span>, M.A. Fcp. 8vo. 2<i>s.</i> 6<i>d.</i> (<i>See also</i> -<a href="#GLOBE_LIBRARY"><span class="smcap">Globe Library</span>, p. 21</a>; <a href="#ILLUSTRATED_BOOKS"><span class="smcap">Illustrated -Books</span>, p. 12</a>.)</p> - -<p>GRAY (Asa).—<span class="smcap">Letters.</span> Edited by <span class="smcap">J. L. -Gray</span>. 2 vols. Cr. 8vo. 15<i>s.</i> net.</p> - -<p>GRAY (Thomas).—<span class="smcap">Works.</span> Edited by <span class="smcap">Edmund -Gosse</span>. In 4 vols. Globe 8vo. 20<i>s.</i>—Vol. -I. <span class="smcap">Poems, Journals, and Essays.</span>—II. -<span class="smcap">Letters.</span>—III. <span class="smcap">Letters.</span>—IV. <span class="smcap">Notes -on Aristophanes and Plato.</span></p> - -<p>GREEN (J. R.).—<span class="smcap">Stray Studies from -England and Italy.</span> Globe 8vo. 5<i>s.</i></p> - -<p>GREENWOOD (F.).—<span class="smcap">The Lover’s Lexicon.</span> -Cr. 8vo. 6<i>s.</i></p> - -<p>HAMERTON (P. G.).—<span class="smcap">The Intellectual -Life.</span> Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Human Intercourse.</span> Cr. 8vo. 8<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">French and English</span>: A Comparison. -Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>HARRISON (Frederic).—<span class="smcap">The Choice of -Books.</span> Gl. 8vo. 6<i>s.</i>—Large Paper Ed. 15<i>s.</i></p> - -<p>HARWOOD (George).—<span class="smcap">From Within.</span> Cr. -8vo. 6<i>s.</i></p> - -<p>HELPS (Sir Arthur).—<span class="smcap">Essays Written in -the Intervals of Business.</span> With Introduction -and Notes, by <span class="smcap">F. J. Rowe</span>, M.A., -and <span class="smcap">W. T. Webb</span>, M.A. 1<i>s.</i> 9<i>d.</i>; swd. 1<i>s.</i> 6<i>d.</i></p> - -<p>HOBART (Lord).—<span class="smcap">Essays and Miscellaneous -Writings.</span> With Biographical -Sketch. Ed. Lady <span class="smcap">Hobart</span>. 2 vols. 8vo. 25<i>s.</i></p> - -<p>HUTTON (R. H.).—<span class="smcap">Essays on some of the -Modern Guides of English Thought in -Matters of Faith.</span> Globe 8vo. 5<i>s.</i></p> - -<p>—— <span class="smcap">Essays.</span> 2 vols. Gl. 8vo. 5<i>s.</i> each.—Vol. -I. Literary; II. Theological.</p> - -<p><span class="pagenum"><a name="Catalogue_Page_23" id="Catalogue_Page_23">{23}</a></span></p> - -<p>HUXLEY (Prof. T. H.).—<span class="smcap">Collected Works.</span> -Monthly Volumes, from Oct. 1893. Gl. 8vo. -5<i>s.</i> each.—I. <span class="smcap">Method and Results.</span>—II. -<span class="smcap">Darwiniana.</span>—III. <span class="smcap">Science and Education.</span>—IV. -<span class="smcap">Science and Hebrew Tradition.</span>—V. -<span class="smcap">Science and Christian Tradition.</span>—VI. -<span class="smcap">Hume.</span>—VII. <span class="smcap">Ethical and -Philosophical Essays.</span>—VIII. <span class="smcap">Man’s -Place in Nature.</span>—IX. <span class="smcap">Essays in -Science.</span></p> - -<p>—— <span class="smcap">Lay Sermons, Addresses, and Reviews.</span> -8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Critiques and Addresses.</span> 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">American Addresses, with a Lecture -on the Study of Biology.</span> 8vo. 6<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Science and Culture, and other -Essays.</span> 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Introductory Science Primer.</span> 18mo. 1<i>s.</i></p> - -<p>—— <span class="smcap">Essays upon some Controverted -Questions.</span> 8vo. 14<i>s.</i></p> - -<p>IRELAND (A.).—<span class="smcap">Book-Lover’s Enchiridion.</span> -Fcp. 8vo. 7<i>s.</i>; vellum, 10<i>s.</i> 6<i>d.</i></p> - -<p>JAMES (Henry).—<span class="smcap">French Poets and Novelists.</span> -New Edition. 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Ray).—<span class="smcap">The Advancement -of Science.</span> Occasional Essays and -Addresses. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>LESLIE (G. D.).—<span class="smcap">Letters to Marco.</span> Ex. -cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>LETTERS FROM SOUTH AFRICA. Reprinted -from the <i>Times</i>. Cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>LETTERS FROM QUEENSLAND. Reprinted -from the <i>Times</i>. Cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>LODGE (Prof. Oliver).—<span class="smcap">The Pioneers of -Science.</span> Illustrated. Ext. cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>LOWELL (Jas. Russell).—<span class="smcap">Complete Works.</span> -10 vols. Cr. 8vo. 6<i>s.</i> each.—Vols. I.-IV. -<span class="smcap">Literary Essays.</span>—V. <span class="smcap">Political Essays.</span>—VI. -<span class="smcap">Literary and Political Addresses.</span> -VII.-X. <span class="smcap">Poetical Works.</span></p> - -<p>—— <span class="smcap">Political Essays.</span> Ext. cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Latest Literary Essays.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>LUBBOCK (Rt. Hon. Sir John, Bart.).—<span class="smcap">Scientific -Lectures.</span> Illustrated. 2nd Edit. -revised. 8vo. 8<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Political and Educational Addresses.</span> -8vo. 8<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Fifty Years of Science</span>: Address to -the British Association, 1881. 5th Edit. -Cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Pleasures of Life.</span> New Edit. 60th -Thousand. Gl. 8vo. 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P.).—<span class="smcap">The Principles -of the Art of Conversation.</span> Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>MAURICE (F. D.).—<span class="smcap">The Friendship of -Books</span>: and other Lectures. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>MORLEY (John).—<span class="smcap">Works.</span> Collected Edit. -In 11 vols. Globe 8vo. 5<i>s.</i> each.—<span class="smcap">Voltaire.</span> -1 vol.—<span class="smcap">Rousseau.</span> 2 vols.—<span class="smcap">Diderot and -the Encylopædists.</span> 2 vols.—<span class="smcap">On Compromise.</span> -1 vol.—<span class="smcap">Miscellanies.</span> 3 vols.—<span class="smcap">Burke.</span> -1 vol.—<span class="smcap">Studies in Literature.</span> -1 vol.</p> - -<p>MYERS (F. W. H.).—<span class="smcap">Essays.</span> 2 vols. Cr. 8vo. -4<i>s.</i> 6<i>d.</i> each.—I. <span class="smcap">Classical</span>; II. <span class="smcap">Modern</span>.</p> - -<p>—— <span class="smcap">Science and a Future Life.</span> Gl. 8vo. 5<i>s.</i></p> - -<p>NADAL (E. S.).—<span class="smcap">Essays at Home and -Elsewhere.</span> Cr. 8vo. 6<i>s.</i></p> - -<p><span class="pagenum"><a name="Catalogue_Page_24" id="Catalogue_Page_24">{24}</a></span></p> - -<p>OLIPHANT (T. L. Kington).—<span class="smcap">The Duke and -the Scholar</span>: and other Essays. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>OWENS COLLEGE ESSAYS AND ADDRESSES. -By Professors and Lecturers -of the College. 8vo. 14<i>s.</i></p> - -<p>PATER (W.).—<span class="smcap">The Renaissance</span>; Studies -in Art and Poetry. 4th Ed. Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Imaginary Portraits.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Appreciations.</span> With an Essay on -“Style.” 2nd Edit. Cr. 8vo. 8<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Marius the Epicurean.</span> 2 vols. Cr. -8vo. 12<i>s.</i></p> - -<p>—— <span class="smcap">Plato and Platonism.</span> Ex. cr. 8vo. 8<i>s.</i> 6<i>d.</i></p> - -<p>PICTON (J. A.).—<span class="smcap">The Mystery of Matter</span>: -and other Essays. Cr. 8vo. 6<i>s.</i></p> - -<p>POLLOCK (Sir F., Bart.).—<span class="smcap">Oxford Lectures</span>: -and other Discourses. 8vo. 9<i>s.</i></p> - -<p>POOLE (M. E.).—<span class="smcap">Pictures of Cottage -Life in the West of England.</span> 2nd Ed. -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>POTTER (Louisa).—<span class="smcap">Lancashire Memories.</span> -Cr. 8vo. 6<i>s.</i></p> - -<p>PRICKARD (A. O.).—<span class="smcap">Aristotle on the -Art of Poetry.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>RUMFORD.—<span class="smcap">Complete Works of Count -Rumford.</span> Memoir by <span class="smcap">G. Ellis</span>. Portrait. -5 vols. 8vo. 4<i>l.</i> 14<i>s.</i> 6<i>d.</i></p> - -<p>SCAIFE (W. B.).—<span class="smcap">Florentine Life during -the Renaissance.</span> 8vo. 6<i>s.</i> net.</p> - -<p>SCIENCE LECTURES AT SOUTH KENSINGTON. -Illustr. 2 vols. Cr. 8vo. 6<i>s.</i> each.</p> - -<p>SMALLEY (George W.).—<span class="smcap">London Letters -and some others.</span> 2 vols. 8vo. 32<i>s.</i></p> - -<p>SMITH (G.).—<span class="smcap">Greek Tragedy.</span> 2 vols. 10<i>s.</i></p> - -<p>STEPHEN (Sir James F., Bart.).—<span class="smcap">Horae -Sabbaticae.</span> Three Series. Gl. 8vo. 5<i>s.</i> -each.</p> - -<p>THRING (Edward).—<span class="smcap">Thoughts on Life -Science.</span> 2nd Edit. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>WARD (W.).—<span class="smcap">Witnesses to the Unseen.</span> -8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>WESTCOTT (Bishop). (<i>See</i> <a href="#THEOLOGY"><span class="smcap">Theology</span>, p. 39</a>.)</p> - -<p>WILSON (Dr. George).—<span class="smcap">Religio Chemici.</span> -Cr. 8vo. 8<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Five Gateways of Knowledge.</span> -9th Edit. Ext. fcp. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>WHITTIER (John Greenleaf).—<span class="smcap">The Complete -Works.</span> 7 vols. Cr. 8vo. 6<i>s.</i> each.—Vol. -I. <span class="smcap">Narrative and Legendary Poems.</span>—II. -<span class="smcap">Poems of Nature; Poems Subjective -and Reminiscent; Religious Poems.</span>—III. -<span class="smcap">Anti-Slavery Poems; Songs of -Labour and Reform.</span>—IV. <span class="smcap">Personal -Poems; Occasional Poems; The Tent on -the Beach</span>; with the Poems of <span class="smcap">Elizabeth -H. Whittier</span>, and an Appendix containing -Early and Uncollected Verses.—V. <span class="smcap">Margaret -Smith’s Journal; Tales and -Sketches.</span>—VI. <span class="smcap">Old Portraits and Modern -Sketches; Personal Sketches and -Tributes; Historical Papers.</span>—VII. <span class="smcap">The -Conflict with Slavery, Politics, and -Reform; The Inner Life, Criticism.</span></p> - -<p>YONGE (Charlotte M.).—<i>Uniform Edition.</i> -Cr. 8vo. 3<i>s.</i> 6<i>d.</i> each.</p> - -<div class="blockquote"> - -<p><span class="smcap">The Heir of Redclyffe.</span></p> - -<p><span class="smcap">Heartsease.</span></p> - -<p><span class="smcap">Hopes and Fears.</span></p> - -<p><span class="smcap">Dynevor Terrace.</span></p> - -<p><span class="smcap">The Daisy Chain.</span></p> - -<p><span class="smcap">The Trial</span>: More Links of the Daisy Chain.</p> - -<p><span class="smcap">Pillars of the House.</span> Vol. I.</p> - -<p><span class="smcap">Pillars of the House.</span> Vol. II.</p> - -<p><span class="smcap">The Young Stepmother.</span></p> - -<p><span class="smcap">Clever Woman of the Family.</span></p> - -<p><span class="smcap">The Three Brides.</span></p> - -<p><span class="smcap">My Young Alcides.</span></p> - -<p><span class="smcap">The Caged Lion.</span></p> - -<p><span class="smcap">The Dove in the Eagle’s Nest.</span></p> - -<p><span class="smcap">The Chaplet of Pearls.</span></p> - -<p><span class="smcap">Lady Hester</span>, and <span class="smcap">The Danvers Papers</span>.</p> - -<p><span class="smcap">Magnum Bonum.</span></p> - -<p><span class="smcap">Love and Life.</span></p> - -<p><span class="smcap">Unknown to History.</span></p> - -<p><span class="smcap">Stray Pearls.</span></p> - -<p><span class="smcap">The Armourer’s Prentices.</span></p> - -<p><span class="smcap">The Two Sides of the Shield.</span></p> - -<p><span class="smcap">Nuttie’s Father.</span></p> - -<p><span class="smcap">Scenes and Characters.</span></p> - -<p><span class="smcap">Chantry House.</span></p> - -<p><span class="smcap">A Modern Telemachus.</span></p> - -<p><span class="smcap">Bye Words.</span></p> - -<p><span class="smcap">Beechcroft at Rockstone.</span></p> - -<p><span class="smcap">More Bywords.</span></p> - -<p><span class="smcap">A Reputed Changeling.</span></p> - -<p><span class="smcap">The Little Duke, Richard the Fearless.</span></p> - -<p><span class="smcap">The Lances of Lynwood.</span></p> - -<p><span class="smcap">The Prince and the Page.</span></p> - -<p><span class="smcap">P’s and Q’s: Little Lucy’s Wonderful -Globe.</span></p> - -<p><span class="smcap">The Two Penniless Princesses.</span></p> - -<p><span class="smcap">That Stick.</span></p> - -<p><span class="smcap">An Old Woman’s Outlook.</span></p> - -</div> - -<h3 id="LOGIC">LOGIC.</h3> - -<p class="center">(<i>See under</i> <a href="#PHILOSOPHY"><span class="smcap">Philosophy</span>, p. 28</a>.)</p> - -<h3 id="MAGAZINES">MAGAZINES.</h3> - -<p class="center">(<i>See</i> <a href="#PERIODICALS"><span class="smcap">Periodicals</span>, p. 27</a>.)</p> - -<h3 id="MAGNETISM">MAGNETISM.</h3> - -<p class="center">(<i>See under</i> <a href="#PHYSICS"><span class="smcap">Physics</span>, p. 29</a>.)</p> - -<h3 id="MATHEMATICS">MATHEMATICS, History of.</h3> - -<p>BALL (W. W. R.).—<span class="smcap">A Short Account of -the History of Mathematics.</span> 2nd Ed. -Cr. 8vo. 10<i>s.</i> net.</p> - -<p>—— <span class="smcap">Mathematical Recreations and -Problems.</span> Cr. 8vo. 7<i>s.</i> net.</p> - -<p>—— <span class="smcap">An Essay on Newton’s Principia.</span> -Cr. 8vo. 6<i>s.</i> net.</p> - -<h3 id="MEDICINE">MEDICINE.</h3> - -<p class="center">(<i>See also</i> <a href="#DOMESTIC_ECONOMY"><span class="smcap">Domestic Economy</span></a>; <a href="#NURSING"><span class="smcap">Nursing</span></a>; -<a href="#HYGIENE"><span class="smcap">Hygiene</span></a>; <a href="#PHYSIOLOGY"><span class="smcap">Physiology</span></a>.)</p> - -<p>ACLAND (Sir H. W.).—<span class="smcap">The Army Medical -School</span>: Address at Netley Hospital. 1<i>s.</i></p> - -<p>ALLBUTT (Dr. T. Clifford).—<span class="smcap">On the Use -of the Ophthalmoscope.</span> 8vo. 15<i>s.</i></p> - -<p>ANDERSON (Dr. McCall).—<span class="smcap">Lectures on -Clinical Medicine.</span> Illustr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>BALLANCE (C. A.) and EDMUNDS (Dr. W.).—<span class="smcap">Ligation -in Continuity.</span> Illustr. Roy. 8vo. -30<i>s.</i> net.</p> - -<p>BARWELL (Richard, F.R.C.S.).—<span class="smcap">The -Causes and Treatment of Lateral -Curvature of the Spine.</span> Cr. 8vo. 5<i>s.</i></p> - -<p>—— <span class="smcap">On Aneurism, especially of the -Thorax and Root of the Neck.</span> 3<i>s.</i> 6<i>d.</i></p> - -<p><span class="pagenum"><a name="Catalogue_Page_25" id="Catalogue_Page_25">{25}</a></span></p> - -<p>BASTIAN (H. Charlton).—<span class="smcap">On Paralysis -from Brain Disease in its Common -Forms.</span> Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>BICKERTON (T. H.).—<span class="smcap">On Colour Blindness.</span> -Cr. 8vo.</p> - -<p>BRAIN: <span class="smcap">A Journal of Neurology</span>. Edited -for the Neurological Society of London, by -<span class="smcap">A. De Watteville</span>, Quarterly. 8vo. 3<i>s.</i> 6<i>d.</i> -(Part I. in Jan. 1878.) Vols. I. to XII. 8vo. -15<i>s.</i> each. [Cloth covers for binding, 1<i>s.</i> each.]</p> - -<p>BRUNTON (Dr. T. Lauder).—<span class="smcap">A Text-Book -of Pharmacology, Therapeutics, -and Materia Medica.</span> 3rd Edit. Med. -8vo. 21<i>s.</i>—Or in 2 vols. 22<i>s.</i> 6<i>d.</i>—<span class="smcap">Supplement</span>, -1<i>s.</i></p> - -<p>—— <span class="smcap">Disorders of Digestion: their Consequences -and Treatment.</span> 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Pharmacology and Therapeutics</span>; or, -Medicine Past and Present. Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Tables of Materia Medica</span>: A Companion -to the Materia Medica Museum. -8vo. 5<i>s.</i></p> - -<p>—— <span class="smcap">An Introduction To Modern Therapeutics.</span> -Croonian Lectures on the Relationship -between Chemical Structure and -Physiological Action. 8vo. 3<i>s.</i> 6<i>d.</i> net.</p> - -<p>BUCKNILL (Dr.).—<span class="smcap">The Care of the Insane.</span> -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>CARTER (R. 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(<i>See</i> <a href="#ELECTRICITY"><span class="smcap">Electricity</span></a>.)</p> - -<p>WRIGHT (Lewis).—<span class="smcap">Light.</span> A Course of -Experimental Optics. Illust. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<h3 id="PHYSIOGRAPHY">PHYSIOGRAPHY and METEOROLOGY.</h3> - -<p>ARATUS.—<span class="smcap">The Skies and Weather Forecasts -of Aratus.</span> Translated by <span class="smcap">E. Poste</span>, -M.A. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>BLANFORD (H. F.).—<span class="smcap">The Rudiments of -Physical Geography for the Use of -Indian Schools.</span> Illustr. Cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">A Practical Guide to the Climates -and Weather of India, Ceylon and -Burmah, and the Storms of Indian -Seas.</span> 8vo. 12<i>s.</i> 6<i>d.</i></p> - -<p>FERREL (Prof. W.).—<span class="smcap">A Popular Treatise -on the Winds.</span> 2nd Ed. 8vo. 17<i>s.</i> net.</p> - -<p>FISHER (Rev. Osmond).—<span class="smcap">Physics of the -Earth’s Crust.</span> 2nd Edit. 8vo. 12<i>s.</i></p> - -<p>GEIKIE (Sir Archibald).—<span class="smcap">A Primer of Physical -Geography.</span> Illustr. Pott 8vo. 1<i>s.</i></p> - -<p>—— <span class="smcap">Elementary Lessons in Physical -Geography.</span> Illustrated. Fcp. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Questions on the same.</span> 1<i>s.</i> 6<i>d.</i></p> - -<p>HUXLEY (Prof. T. H.).—<span class="smcap">Physiography.</span> -Illustrated. Cr. 8vo. 6<i>s.</i></p> - -<p>LOCKYER (J. Norman).—<span class="smcap">Outlines of Physiography: -the Movements of the -Earth.</span> Illustrated. 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July, 1891.)</p> - -<p>ECONOMIC JOURNAL, THE.—<span class="smcap">The -Journal of the British Economic Association.</span> -Edit. by Prof. <span class="smcap">F. Y. Edgeworth</span>. -Published Quarterly. 8vo. 5<i>s.</i> (Part I. -April, 1891.) Vol. I. 21<i>s.</i> [Cloth Covers for -binding Volumes, 1<i>s.</i> 6<i>d.</i> each.]</p> - -<p>ECONOMICS: <span class="smcap">The Quarterly Journal -of.</span> Vol. II. Parts II. III. IV. 2<i>s.</i> 6<i>d.</i> each.—Vol. -III. 4 parts. 2<i>s.</i> 6<i>d.</i> each.—Vol. IV. -4 parts. 2<i>s.</i> 6<i>d.</i> each.—Vol. V. 4 parts. 2<i>s.</i> 6<i>d.</i> -each.—Vol. VI. 4 parts. 2<i>s.</i> 6<i>d.</i> each.—Vol. -VII. 4 parts. 2<i>s.</i> 6<i>d.</i> each.</p> - -<p>FAWCETT (Henry).—<span class="smcap">Manual of Political -Economy.</span> 7th Edit. Cr. 8vo. 12<i>s.</i></p> - -<p>—— <span class="smcap">An Explanatory Digest of the above.</span> -By <span class="smcap">C. A. Waters</span>. 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Maude).—<span class="smcap">Clubs for -Working Girls.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<h3 id="SOUND">SOUND.</h3> - -<p class="center">(<i>See under</i> <a href="#PHYSICS"><span class="smcap">Physics</span>, p. 29</a>.)</p> - -<h3 id="SPORT">SPORT.</h3> - -<p>BAKER (Sir Samuel W.).—<span class="smcap">Wild Beasts -and their Ways: Reminiscences of -Europe, Asia, Africa, America, from -1845-88.</span> Illustrated. Ext. cr. 8vo. 12<i>s.</i> 6<i>d.</i></p> - -<p>CHASSERESSE (D.).—<span class="smcap">Sporting Sketches.</span> -Illustrated. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>CLARK (R.).—<span class="smcap">Golf</span>: A Royal and Ancient -Game. Small 4to. 8<i>s.</i> 6<i>d.</i> net.</p> - -<p>EDWARDS-MOSS (Sir J. E., Bart.).—<span class="smcap">A -Season in Sutherland.</span> Cr. 8vo. 1<i>s.</i> 6<i>d.</i></p> - -<h3 id="STATISTICS">STATISTICS.</h3> - -<p>STATESMAN’S YEAR-BOOK, THE. Statistical -and Historical Annual of the States -of the World for the Year 1893. Revised after -Official Returns. Ed. by <span class="smcap">J. Scott Keltie</span>. -Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<h3 id="SURGERY">SURGERY.</h3> - -<p class="center">(<i>See</i> <a href="#MEDICINE"><span class="smcap">Medicine</span></a>.)</p> - -<h3 id="SWIMMING">SWIMMING.</h3> - -<p>LEAHY (Sergeant).—<span class="smcap">The Art of Swimming -in the Eton Style.</span> Cr. 8vo. 2<i>s.</i></p> - -<h3 id="TECHNOLOGY">TECHNOLOGY.</h3> - -<p>BENSON (W. A. S.).—<span class="smcap">Handicraft and -Design.</span> Cr. 8vo. 5<i>s.</i> net.</p> - -<p>LETHABY (W. 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Abbott</span>. -Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">Side-Lights upon Bible History.</span> By -Mrs. <span class="smcap">Sydney Buxton</span>. Cr. 8vo. 5<i>s.</i></p> - -<p><span class="smcap">Stories from the Bible.</span> By Rev. <span class="smcap">A. J. -Church</span>. Illust. Cr. 8vo. 2 parts. 3<i>s.</i> 6<i>d.</i> each.</p> - -<p><span class="smcap">Bible Readings selected from the Pentateuch -and the Book of Joshua.</span> -By Rev. <span class="smcap">J. A. Cross</span>. Gl. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">The Children’s Treasury of Bible -Stories.</span> By Mrs. <span class="smcap">H. Gaskoin</span>. 18mo. -1<i>s.</i> each.—Part I. Old Testament; II. -New Testament; III. The Apostles.</p> - -<p><span class="smcap">The Nations Around Israel.</span> By <span class="smcap">A. -Keary</span>. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">A Class-Book of Old Testament History.</span> -By Rev. Dr. <span class="smcap">Maclear</span>. Pott 8vo. -4<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">A Class-Book of New Testament History.</span> -By the same. Pott 8vo. 5<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">A Shilling Book of Old Testament -History.</span> By the same. Pott 8vo. 1<i>s.</i></p> - -<p><span class="smcap">A Shilling Book of New Testament -History.</span> By the same. Pott 8vo. 1<i>s.</i></p> - -<h5><i>The Old Testament</i>—</h5> - -<p><span class="smcap">Scripture Readings for Schools and -Families.</span> By <span class="smcap">C. M. Yonge</span>. Globe 8vo. -1<i>s.</i> 6<i>d.</i> each: also with comments, 3<i>s.</i> 6<i>d.</i> -each.—<span class="smcap">Genesis to Deuteronomy.</span>—<span class="smcap">Joshua -to Solomon.</span>—<span class="smcap">Kings and the -Prophets.</span>—<span class="smcap">The Gospel Times.</span>—<span class="smcap">Apostolic -Times.</span></p> - -<p><span class="smcap">The Patriarchs and Lawgivers of the -Old Testament.</span> By <span class="smcap">F. D. Maurice</span>. -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">The Prophets and Kings of the Old -Testament.</span> By same. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">The Canon of the Old Testament.</span> By -Prof <span class="smcap">H. E. Ryle</span>. Cr. 8vo. 6<i>s.</i></p> - -<h5><i>The Pentateuch</i>—</h5> - -<p><span class="smcap">An Historico-Critical Inquiry into the -Origin and Composition of the Hexa-Teuch -(Pentateuch and Book of -Joshua).</span> By Prof. <span class="smcap">A. Kuenen</span>. Trans. -by <span class="smcap">P. H. Wicksteed</span>, M.A. 8vo. 14<i>s.</i></p> - -<h5><i>The Psalms</i>—</h5> - -<p><span class="smcap">The Psalms Chronologically Arranged.</span> -By <span class="smcap">Four Friends</span>. Cr. 8vo. 5<i>s.</i> net.</p> - -<p><span class="smcap">Golden Treasury Psalter.</span> Student’s -Edition of the above. Pott 8vo. 2<i>s.</i> 6<i>d.</i> net.</p> - -<p><span class="smcap">The Psalms.</span> With Introduction and Notes. -By <span class="smcap">A. C. Jennings</span>, M.A., and <span class="smcap">W. H. -Lowe</span>, M.A. 2 vols. Cr. 8vo. 10<i>s.</i> 6<i>d.</i> each.</p> - -<p><span class="smcap">Introduction to the Study and Use of -the Psalms.</span> By Rev. <span class="smcap">J. F. Thrupp</span>. -2nd Edit. 2 vols. 8vo. 21<i>s.</i></p> - -<h5><i>Isaiah</i>—</h5> - -<p><span class="smcap">Isaiah XL.-LXVI.</span> With the Shorter Prophecies -allied to it. Edited by <span class="smcap">Matthew -Arnold</span>. Cr. 8vo. 5<i>s.</i></p> - -<p><span class="smcap">Isaiah of Jerusalem.</span> In the Authorised -English Version, with Introduction and -Notes. By <span class="smcap">Matthew Arnold</span>. Cr. 8vo. -4<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">A Bible-Reading for Schools.</span> The Great -Prophecy of Israel’s Restoration (Isaiah -xl.-lxvi.). Arranged and Edited for Young -Learners. By the same. Pott 8vo. 1<i>s.</i></p> - -<p><span class="smcap">Commentary on the Book of Isaiah</span>: -Critical, Historical, and Prophetical; including -a Revised English Translation. -By <span class="smcap">T. R. Birks</span>. 2nd Edit. 8vo. 12<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">The Book of Isaiah Chronologically -Arranged.</span> By <span class="smcap">T. K. Cheyne</span>. Cr. -8vo. 7<i>s.</i> 6<i>d.</i></p> - -<h5><i>Zechariah</i>—</h5> - -<p><span class="smcap">The Hebrew Student’s Commentary on -Zechariah</span>, Hebrew and LXX. By <span class="smcap">W. H. -Lowe</span>, M.A. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<h5><i>The New Testament</i>—</h5> - -<p><span class="smcap">The New Testament.</span> Essay on the Right -Estimation of MS. Evidence in the Text -of the New Testament. By <span class="smcap">T. R. Birks</span>. -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">The Messages of the Books.</span> Discourses -and Notes on the Books of the New Testament. -By Archd. <span class="smcap">Farrar</span>. 8vo. 14<i>s.</i></p> - -<p><span class="smcap">The Classical Element in the New -Testament.</span> Considered as a Proof of its -Genuineness, with an Appendix on the -Oldest Authorities used in the Formation -of the Canon. By C. H. <span class="smcap">Hoole</span>. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">On a Fresh Revision of the English -New Testament.</span> With an Appendix on -the last Petition of the Lord’s Prayer. By -Bishop <span class="smcap">Lightfoot</span>. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">The Unity of the New Testament.</span> By -<span class="smcap">F. D. Maurice</span>. 2 vols. Cr. 8vo. 12<i>s.</i></p> - -<p><span class="smcap">The Synoptic Problem for English -Readers.</span> By <span class="smcap">A. J. Jolley</span>. Cr. 8vo. -3<i>s.</i> net.</p> - -<p><span class="smcap">A General Survey of the History of -the Canon of the New Testament -during the First Four Centuries.</span> By -Bishop <span class="smcap">Westcott</span>. Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">Greek-English Lexicon to the New -Testament.</span> By <span class="smcap">W. J. Hickie</span>, M.A. -Pott 8vo. 3<i>s.</i></p> - -<p><span class="smcap">The New Testament in the Original -Greek.</span> The Text revised by Bishop -<span class="smcap">Westcott</span>, D.D., and Prof. <span class="smcap">F. J. A. -Hort</span>, D.D. 2 vols. Cr. 8vo. 10<i>s.</i> 6<i>d.</i> -each.—Vol. I. Text.—Vol. II. Introduction -and Appendix.</p> - -<p><span class="smcap">School Edition of the above.</span> Pott 8vo., -4<i>s.</i> 6<i>d.</i>; Pott 8vo., roan, 5<i>s.</i> 6<i>d.</i>; morocco, -gilt edges, 6<i>s.</i> 6<i>d.</i></p> - -<h5><i>The Gospels</i>—</h5> - -<p><span class="smcap">The Common Tradition of the Synoptic -Gospels.</span> In the Text of the Revised -Version. By Rev. <span class="smcap">E. A. Abbott</span> and -<span class="smcap">W. G. Rushbrooke</span>. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">Synopticon</span>: An Exposition of the Common -Matter of the Synoptic Gospels. By <span class="smcap">W. G. -Rushbrooke</span>. Printed in Colours. In Six -Parts, and Appendix. 4to.—Part I. 3<i>s.</i> 6<i>d.</i>—Parts -II. and III. 7<i>s.</i>—Parts IV. V. and -VI., with Indices, 10<i>s.</i> 6<i>d.</i>—Appendices, -10<i>s.</i> 6<i>d.</i>—Complete in 1 vol. 35<i>s.</i></p> - -<p><span class="smcap">Introduction to the Study of the Four -Gospels.</span> By Bp. <span class="smcap">Westcott</span>. Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">The Composition of the Four Gospels.</span> -By Rev. <span class="smcap">Arthur Wright</span>. Cr. 8vo. 5<i>s.</i></p> - -<p><span class="pagenum"><a name="Catalogue_Page_34" id="Catalogue_Page_34">{34}</a></span></p> - -<p><span class="smcap">The Akhmim Fragment of the Apocryphal -Gospel of St. Peter.</span> By <span class="smcap">H. B. -Swete</span>. 8vo. 5<i>s.</i> net.</p> - -<h5><i>Gospel of St. Matthew</i>—</h5> - -<p><span class="smcap">The Greek Text</span>, with Introduction and -Notes by Rev. <span class="smcap">A. Sloman</span>. Fcp. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">Choice Notes on St. Matthew.</span> Drawn -from Old and New Sources. Cr. 8vo. 4<i>s.</i> 6<i>d.</i> -(St. Matthew and St. Mark in 1 vol. 9<i>s.</i>)</p> - -<h5><i>Gospel of St. Mark</i>—</h5> - -<p><span class="smcap">School Readings in the Greek Testament.</span> -Being the Outlines of the Life of -our Lord as given by St. Mark, with additions -from the Text of the other Evangelists. -Edited, with Notes and Vocabulary, -by Rev. <span class="smcap">A. Calvert</span>, M.A. Fcp. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">Choice Notes on St. Mark.</span> Drawn from -Old and New Sources. Cr. 8vo. 4<i>s.</i> 6<i>d.</i> -(St. Matthew and St. Mark in 1 vol. 9<i>s.</i>)</p> - -<h5><i>Gospel of St. Luke</i>—</h5> - -<p><span class="smcap">Greek Text</span>, with Introduction and Notes -by Rev. <span class="smcap">J. Bond</span>, M.A. Fcp. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">Choice Notes on St. Luke.</span> Drawn from -Old and New Sources. Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">The Gospel of the Kingdom of Heaven.</span> -A Course of Lectures on the Gospel of St. -Luke. By <span class="smcap">F. D. Maurice</span>. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<h5><i>Gospel of St. John</i>—</h5> - -<p><span class="smcap">The Gospel of St. John.</span> By <span class="smcap">F. D. -Maurice</span>. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">Choice Notes on St. John.</span> Drawn from -Old and New Sources. Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<h5><i>The Acts of the Apostles</i>—</h5> - -<p><span class="smcap">The Old Syriac Element in the Text -of the Codex Bezæ.</span> By <span class="smcap">F. H. Chase</span>. -8vo. 7<i>s.</i> 6<i>d.</i> net.</p> - -<p><span class="smcap">Greek Text</span>, with Notes by <span class="smcap">T. E. Page</span>, -M.A. Fcp. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">The Church of the First Days: The -Church of Jerusalem, The Church of -the Gentiles, The Church of the -World.</span> Lectures on the Acts of the -Apostles. By Very Rev. <span class="smcap">C. J. Vaughan</span>. -Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<h5><i>The Epistles of St. Paul</i>—</h5> - -<p><span class="smcap">The Epistle to the Romans.</span> The -Greek Text, with English Notes. By the -Very Rev. <span class="smcap">C. J. Vaughan</span>. 7th Edit. -Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">The Epistles to the Corinthians.</span> Greek -Text, with Commentary. By Rev. <span class="smcap">W. -Kay</span>. 8vo. 9<i>s.</i></p> - -<p><span class="smcap">The Epistle to the Galatians</span>. A -Revised Text, with Introduction, Notes, -and Dissertations. By Bishop <span class="smcap">Lightfoot</span>. -10th Edit. 8vo. 12<i>s.</i></p> - -<p><span class="smcap">The Epistle to the Philippians.</span> A -Revised Text, with Introduction, Notes, -and Dissertations. By the same. 8vo. 12<i>s.</i></p> - -<p><span class="smcap">The Epistle to the Philippians.</span> With -Translation, Paraphrase, and Notes for -English Readers. By the Very Rev. <span class="smcap">C. J. -Vaughan</span>. Cr. 8vo. 5<i>s.</i></p> - -<p><span class="smcap">The Epistles to the Colossians and -to Philemon.</span> A Revised Text, with Introductions, -etc. By Bishop <span class="smcap">Lightfoot</span>. -9th Edit. 8vo. 12<i>s.</i></p> - -<p><span class="smcap">The Epistles to the Ephesians, the -Colossians, and Philemon.</span> With Introduction -and Notes. By Rev. <span class="smcap">J. Ll. -Davies</span>. 2nd Edit. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">The First Epistle to the Thessalonians.</span> -By Very Rev. <span class="smcap">C. J. Vaughan</span>. -8vo., sewed. 1<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">The Epistles to the Thessalonians.</span> -Commentary on the Greek Text. By Prof. -<span class="smcap">John Eadie</span>. 8vo. 12<i>s.</i></p> - -<h5><i>The Epistle of St. James</i>—</h5> - -<p><span class="smcap">The Greek Text</span>, with Introduction and -Notes. By Rev. <span class="smcap">Joseph B. Mayor</span>. 8vo. 14<i>s.</i></p> - -<h5><i>The Epistles of St. John</i>—</h5> - -<p><span class="smcap">The Epistles of St. John.</span> By <span class="smcap">F. D. -Maurice</span>. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— The Greek Text, with Notes, by Bishop -<span class="smcap">Westcott</span>. 3rd Edit. 8vo. 12<i>s.</i> 6<i>d.</i></p> - -<h5><i>The Epistle to the Hebrews</i>—</h5> - -<p><span class="smcap">Greek and English.</span> Edited by Rev. -<span class="smcap">Frederic Rendall</span>. Cr. 8vo. 6<i>s.</i></p> - -<p><span class="smcap">English Text</span>, with Commentary. By the -same. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">The Greek Text</span>, with Notes, by Very -Rev <span class="smcap">C. J. Vaughan</span>. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">The Greek Text</span>, with Notes and Essays, -by Bishop <span class="smcap">Westcott</span>. 8vo. 14<i>s.</i></p> - -<h5><i>Revelation</i>—</h5> - -<p><span class="smcap">Lectures on the Apocalypse.</span> By <span class="smcap">F. D. -Maurice</span>. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">The Revelation of St. John.</span> By Rev. -Prof. <span class="smcap">W. Milligan</span>. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">Lectures on the Apocalypse.</span> By the -same. Crown 8vo. 5<i>s.</i></p> - -<p><span class="smcap">Discussions on the Apocalypse.</span> By the -same. Cr. 8vo. 5<i>s.</i></p> - -<p><span class="smcap">Lectures on the Revelation of St. -John.</span> By Very Rev. <span class="smcap">C. J. Vaughan</span>. -5th Edit. Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<hr class="ov" /> - -<p><span class="smcap">The Bible Word-Book.</span> By <span class="smcap">W. Aldis -Wright</span>. 2nd Edit. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<h4>History of the Christian Church.</h4> - -<p>CHURCH (Dean).—<span class="smcap">The Oxford Movement, -1833-45</span>. Gl. 8vo. 5<i>s.</i></p> - -<p>CUNNINGHAM (Rev. John).—<span class="smcap">The Growth -of the Church in its Organisation and -Institutions.</span> 8vo. 9<i>s.</i></p> - -<p>CUNNINGHAM (Rev. William).—<span class="smcap">The -Churches of Asia</span>: A Methodical Sketch -of the Second Century. Cr. 8vo. 6<i>s.</i></p> - -<p>DALE (A. W. W.).—<span class="smcap">The Synod of Elvira, -and Christian Life in the Fourth Century.</span> -Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>GWATKIN (H. M.).—<span class="smcap">Selections from -Early Writers illustrative of Church -History to the Time of Constantine.</span> -Cr. 8vo. 4<i>s.</i> net.</p> - -<p>HARDWICK (Archdeacon).—<span class="smcap">A History of -the Christian Church: Middle Age.</span> -Edited by Bp. <span class="smcap">Stubbs</span>. Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">A History of the Christian Church -during the Reformation.</span> 9th Edit., revised -by Bishop <span class="smcap">Stubbs</span>. Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p><span class="pagenum"><a name="Catalogue_Page_35" id="Catalogue_Page_35">{35}</a></span></p> - -<p>HORT (Dr. F. J. A.).—<span class="smcap">Two Dissertations.</span> -I. <span class="smcap">On ΜΟΝΟΓΕΝΗΣ ΘΕΟΣ in Scripture -and Tradition</span>. II. <span class="smcap">On the “Constantinopolitan” -Creed and other Eastern -Creeds of the Fourth Century.</span> 8vo. -7<i>s.</i> 6<i>d.</i></p> - -<p>KILLEN (W. 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By <span class="smcap">Geo. -Harwood</span>. 8vo. 12<i>s.</i></p> - -<p><span class="smcap">A Defence of the Church of England -against Disestablishment.</span> By <span class="smcap">Roundell, -Earl of Selborne</span>. Cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">Ancient Facts and Fictions concerning -Churches and Tithes.</span> By the same. -2nd Edit. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<h5><i>Dissent in its Relation to</i>—</h5> - -<p><span class="smcap">Dissent in its Relation to the Church -of England.</span> By Rev. <span class="smcap">G. H. Curteis</span>. -Bampton Lectures for 1871. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<h5><i>Holy Communion</i>—</h5> - -<p><span class="smcap">Those Holy Mysteries.</span> By Rev. <span class="smcap">J. C. P. -Aldous</span>. 16mo. 1<i>s.</i> net.</p> - -<p><span class="smcap">The Communion Service from the Book -of Common Prayer.</span> With Select Readings -from the Writings of the Rev. <span class="smcap">F. 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Pott 8vo. [<i>In Press.</i></p> - -<p><span class="smcap">A History of the Book of Common -Prayer.</span> By Rev <span class="smcap">F. Procter</span>. 18th -Edit. Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">An Elementary Introduction to the -Book of Common Prayer.</span> By Rev. <span class="smcap">F. -Procter</span> and Rev. Canon <span class="smcap">Maclear</span>. -Pott 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">Twelve Discourses on Subjects connected -with the Liturgy and Worship -of the Church of England.</span> By -Very Rev. <span class="smcap">C. J. Vaughan</span>. Fcp. 8vo. 6<i>s.</i></p> - -<p><span class="smcap">A Companion to the Lectionary.</span> By -Rev. <span class="smcap">W. Benham</span>, B.D. Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<h4>Devotional Books.</h4> - -<p>EASTLAKE (Lady).—<span class="smcap">Fellowship: Letters -addressed to my Sister-Mourners.</span> -Cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>IMITATIO CHRISTI. Libri IV. Printed -in Borders after Holbein, Dürer, and other -old Masters, containing Dances of Death, -Acts of Mercy, Emblems, etc. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>KINGSLEY (Charles).—<span class="smcap">Out of the Deep: -Words for the Sorrowful.</span> From the -Writings of <span class="smcap">Charles Kingsley</span>. Ext. fcp. -8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Daily Thoughts.</span> Selected from the -Writings of <span class="smcap">Charles Kingsley</span>. By <span class="smcap">His -Wife</span>. Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">From Death to Life.</span> Fragments of -Teaching to a Village Congregation. Edit. -by <span class="smcap">His Wife</span>. Fcp. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>MACLEAR (Rev. Canon).—<span class="smcap">A Manual of -Instruction for Confirmation and -First Communion, with Prayers and -Devotions.</span> 32mo. 2<i>s.</i></p> - -<p>—— <span class="smcap">The Hour of Sorrow</span>; or, The Office -for the Burial of the Dead. 32mo. 2<i>s.</i></p> - -<p>MAURICE (F. D.).—<span class="smcap">Lessons of Hope.</span> -Readings from the Works of <span class="smcap">F. D. Maurice</span>. -Selected by Rev. <span class="smcap">J. Ll. Davies</span>, M.A. Cr. -8vo. 5<i>s.</i></p> - -<p>RAYS OF SUNLIGHT FOR DARK DAYS. -With a Preface by Very Rev. <span class="smcap">C. J. Vaughan</span>. -D.D. New Edition. Pott 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>SERVICE (Rev. J.).—<span class="smcap">Prayers for Public -Worship.</span> Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>THE WORSHIP OF GOD, AND FELLOWSHIP -AMONG MEN. By Prof. -<span class="smcap">Maurice</span> and others. Fcp. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>WELBY-GREGORY (Hon. Lady).—<span class="smcap">Links -and Clues.</span> 2nd Edit. Cr. 8vo. 6<i>s.</i></p> - -<p>WESTCOTT (Rt. Rev. Bishop).—<span class="smcap">Thoughts -on Revelation and Life.</span> Selections from -the Writings of Bishop <span class="smcap">Westcott</span>. Edited -by Rev. <span class="smcap">S. Phillips</span>. Cr. 8vo. 6<i>s.</i></p> - -<p><span class="pagenum"><a name="Catalogue_Page_36" id="Catalogue_Page_36">{36}</a></span></p> - -<p>WILBRAHAM (Francis M.).—<span class="smcap">In the Sere -and Yellow Leaf: Thoughts and Recollections -for Old and Young.</span> Globe -8vo. 3<i>s.</i> 6<i>d.</i></p> - -<h4>The Fathers.</h4> - -<p>DONALDSON (Prof. James).—<span class="smcap">The Apostolic -Fathers.</span> A Critical Account of their -Genuine Writings, and of their Doctrines. -2nd Edit. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<h5><i>Works of the Greek and Latin Fathers</i>:</h5> - -<p><span class="smcap">The Apostolic Fathers.</span> Revised Texts, -with Introductions, Notes, Dissertations, -and Translations. By Bishop <span class="smcap">Lightfoot</span>.—Part -I. <span class="smcap">St. Clement of Rome.</span> 2 vols. -8vo. 32<i>s.</i>—Part II. <span class="smcap">St. Ignatius to St. -Polycarp.</span> 3 vols. 2nd Edit. 8vo. 48<i>s.</i></p> - -<p><span class="smcap">The Apostolic Fathers.</span> Abridged Edit. -With Short Introductions, Greek Text, and -English Translation. By same. 8vo. 16<i>s.</i></p> - -<p><span class="smcap">The Epistle of St. Barnabas.</span> Its Date -and Authorship. With Greek Text, Latin -Version, Translation and Commentary. By -Rev. <span class="smcap">W. Cunningham</span>. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">Index of Noteworthy Words and -Phrases found in the Clementine -Writings.</span> 8vo. 5<i>s.</i></p> - -<h4>Hymnology.</h4> - -<p>BROOKE (S. A.).—<span class="smcap">Christian Hymns.</span> Gl. -8vo. 2<i>s.</i> 6<i>d.</i> net.—<span class="smcap">Christian Hymns and Service -Book of Bedford Chapel, Bloomsbury.</span> -Gl. 8vo. 3<i>s.</i> 6<i>d.</i> net.—<span class="smcap">Service Book.</span> -Gl. 8vo. 1<i>s.</i> net.</p> - -<p>PALGRAVE (Prof. F. T.).—<span class="smcap">Original -Hymns.</span> 3rd Edit. Pott 8vo. 1<i>s.</i> 6<i>d.</i></p> - -<p>SELBORNE (Roundell, Earl of).—<span class="smcap">The Book -of Praise.</span> Pott 8vo. 2<i>s.</i> 6<i>d.</i> net.</p> - -<p>—— <span class="smcap">A Hymnal.</span> Chiefly from “The Book of -Praise.”—A. Royal 32mo, limp. 6<i>d.</i>—B. -18mo, larger type. 1<i>s.</i>—C. Fine paper. 1<i>s.</i> 6<i>d.</i>—With -Music, Selected, Harmonised, and -Composed by <span class="smcap">John Hullah</span>. Pott 8vo. -3<i>s.</i> 6<i>d.</i></p> - -<p>WOODS (Miss M. A.).—<span class="smcap">Hymns for School -Worship.</span> Pott 8vo. 1<i>s.</i> 6<i>d.</i></p> - -<h4>Sermons, Lectures, Addresses, and -Theological Essays.</h4> - -<p>ABBOT (F. E.).—<span class="smcap">Scientific Theism.</span> Cr. -8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Way out of Agnosticism</span>; or, The -Philosophy of Free Religion. Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>ABBOTT (Rev. E. A.).—<span class="smcap">Cambridge Sermons.</span> -8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Oxford Sermons.</span> 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Philomythus.</span> A discussion of Cardinal -Newman’s Essay on Ecclesiastical Miracles. -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Newmanianism.</span> Cr. 8vo. 1<i>s.</i> net.</p> - -<p>AINGER (Canon).—<span class="smcap">Sermons Preached in -the Temple Church.</span> Ext. fcp. 8vo. 6<i>s.</i></p> - -<p>ALEXANDER (W., Bishop of Derry and -Raphoe).—<span class="smcap">The Leading Ideas of the -Gospels.</span> New Edit. Cr. 8vo. 6<i>s.</i></p> - -<p>BAINES (Rev. Edward).—<span class="smcap">Sermons.</span> Preface -and Memoir by Bishop <span class="smcap">Barry</span>. Cr. 8vo. 6<i>s.</i></p> - -<p>BATHER (Archdeacon).—<span class="smcap">On Some Ministerial -Duties, Catechising, Preaching</span>, -Etc. Edited, with a Preface, by Very Rev. -<span class="smcap">C. J. Vaughan</span>, D.D. Fcp. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>BERNARD (Canon).—<span class="smcap">The Central Teaching -of Christ.</span> Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>BETHUNE-BAKER (J. F.).—<span class="smcap">The Influence -of Christianity on War.</span> 8vo. 5<i>s.</i></p> - -<p>—— <span class="smcap">The Sternness of Christ’s Teaching, -and its Relation to the Law of Forgiveness.</span> -Cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>BINNIE (Rev. W.).—<span class="smcap">Sermons.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>BIRKS (Thomas Rawson).—<span class="smcap">The Difficulties -of Belief in Connection with the -Creation and the Fall, Redemption, -and Judgment.</span> 2nd Edit. Cr. 8vo. 5<i>s.</i></p> - -<p>—— <span class="smcap">Justification and Imputed Righteousness.</span> -A Review. Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Supernatural Revelation</span>; or, First -Principles of Moral Theology. 8vo. 8<i>s.</i></p> - -<p>BROOKE (S. A.).—<span class="smcap">Short Sermons.</span> Crown -8vo. 6<i>s.</i></p> - -<p>BROOKS (Bishop Phillips).—<span class="smcap">The Candle of -the Lord</span>: and other Sermons. Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Sermons Preached in English -Churches.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Twenty Sermons.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Tolerance.</span> Cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Light of the World.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Mystery of Iniquity.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>BRUNTON (T. Lauder).—<span class="smcap">The Bible and -Science.</span> Illustrated. Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>BUTLER (Archer).—<span class="smcap">Sermons, Doctrinal -and Practical.</span> 11th Edit. 8vo. 8<i>s.</i></p> - -<p>—— <span class="smcap">Second Series of Sermons.</span> 8vo. 7<i>s.</i></p> - -<p>—— <span class="smcap">Letters on Romanism.</span> 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>BUTLER (Rev. Geo.).—<span class="smcap">Sermons Preached -in Cheltenham Coll. Chapel.</span> 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>CAMPBELL (Dr. John M’Leod).—<span class="smcap">The Nature -of the Atonement.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Reminiscences and Reflections.</span> -Edited by his Son, <span class="smcap">Donald Campbell</span>, -M.A. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Thoughts on Revelation.</span> Cr. 8vo. 5<i>s.</i></p> - -<p>—— <span class="smcap">Responsibility for the Gift of -Eternal Life.</span> Compiled from Sermons -preached 1829-31. Cr. 8vo. 5<i>s.</i></p> - -<p>CANTERBURY (Edward White, Archbishop -of).—<span class="smcap">Boy-Life: its Trial, its Strength, -its Fulness.</span> Sundays in Wellington College, -1859-73. Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">The Seven Gifts.</span> Primary Visitation -Address. Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Christ and His Times.</span> Second Visitation -Address. Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">A Pastoral Letter to the Diocese -of Canterbury, 1890.</span> 8vo., sewed. 1<i>d.</i></p> - -<p>CARPENTER (W. Boyd, Bishop of Ripon).—<span class="smcap">Truth -in Tale.</span> Addresses, chiefly to -Children. Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Twilight Dreams.</span> Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Permanent Elements of Religion.</span> -2nd Edit. Cr. 8vo. 6<i>s.</i></p> - -<p>CAZENOVE (J. Gibson).—<span class="smcap">Concerning the -Being and Attributes of God.</span> 8vo. 5<i>s.</i></p> - -<p><span class="pagenum"><a name="Catalogue_Page_37" id="Catalogue_Page_37">{37}</a></span></p> - -<p>CHURCH (Dean).—<span class="smcap">Human Life and its -Conditions.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">The Gifts of Civilisation</span>: and other -Sermons and Letters. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Discipline of the Christian Character</span>; -and other Sermons. Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Advent Sermons, 1885.</span> Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Village Sermons.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Cathedral and University Sermons.</span> -Cr. 8vo. 6<i>s.</i></p> - -<p>CLERGYMAN’S SELF-EXAMINATION -CONCERNING THE APOSTLES’ -CREED. Ext. fcp. 8vo. 1<i>s.</i> 6<i>d.</i></p> - -<p>CONGREVE (Rev. John).—<span class="smcap">High Hopes -and Pleadings for a Reasonable Faith, -Nobler Thoughts, and Larger Charity.</span> -Cr. 8vo. 5<i>s.</i></p> - -<p>COOKE (Josiah P., jun.).—<span class="smcap">Religion and -Chemistry.</span> Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Credentials of Science, The -Warrant of Faith.</span> 8vo. 8<i>s.</i> 6<i>d.</i> net.</p> - -<p>COTTON (Bishop).—<span class="smcap">Sermons preached to -English Congregations in India.</span> Cr. -8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>CUNNINGHAM (Rev. W.).—<span class="smcap">Christian -Civilisation, with Special Reference -to India.</span> Cr. 8vo. 5<i>s.</i></p> - -<p>CURTEIS (Rev. G. H.).—<span class="smcap">The Scientific -Obstacles to Christian Belief.</span> The -Boyle Lectures, 1884. Cr. 8vo. 6<i>s.</i></p> - -<p>DAVIES (Rev. J. Llewelyn).—<span class="smcap">The Gospel -and Modern Life.</span> Ext. fcp. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Social Questions from the Point of -View of Christian Theology.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Warnings against Superstition.</span> Ext. -fcp. 8vo. 2 <i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Christian Calling.</span> Ext. fcp. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Order and Growth as Involved in -the Spiritual Constitution of Human -Society.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Baptism, Confirmation, and the -Lord’s Supper.</span> Addresses. Pott 8vo. 1<i>s.</i></p> - -<p>DIGGLE (Rev. J. W.).—<span class="smcap">Godliness and -Manliness.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>DRUMMOND (Prof. Jas.).—<span class="smcap">Introduction -to the Study of Theology.</span> Cr. 8vo. 5<i>s.</i></p> - -<p>DU BOSE (W. P.).—<span class="smcap">The Soteriology of -the New Testament.</span> By <span class="smcap">W. P. Du Bose</span>. -Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>ECCE HOMO: <span class="smcap">A Survey of the Life and -Work of Jesus Christ.</span> Globe 8vo. 6<i>s.</i></p> - -<p>ELLERTON (Rev. John).—<span class="smcap">The Holiest -Manhood, and its Lessons for Busy -Lives.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>FAITH AND CONDUCT: <span class="smcap">An Essay on -Verifiable Religion</span>. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>FARRAR (Ven. Archdeacon).—<span class="smcap">Works.</span> <i>Uniform -Edition.</i> Cr. 8vo. 3<i>s.</i> 6<i>d.</i> each.</p> - -<div class="blockquote"> - -<p><span class="smcap">Seekers after God.</span></p> - -<p><span class="smcap">Eternal Hope.</span> Westminster Abbey -Sermons.</p> - -<p><span class="smcap">The Fall of Man</span>: and other Sermons.</p> - -<p><span class="smcap">The Witness of History to Christ.</span> -Hulsean Lectures, 1870.</p> - -<p><span class="smcap">The Silence and Voices of God.</span> Sermons.</p> - -<p><span class="smcap">In the Days of Thy Youth.</span> Marlborough -College Sermons.</p> - -<p><span class="smcap">Saintly Workers.</span> Five Lenten Lectures.</p> - -<p><span class="smcap">Ephphatha</span>; or, The Amelioration of the World.</p> - -<p><span class="smcap">Mercy and Judgment.</span></p> - -<p><span class="smcap">Sermons and Addresses delivered in -America.</span></p> - -</div> - -<p>—— <span class="smcap">The History of Interpretation.</span> -Bampton Lectures, 1885. 8vo. 16<i>s.</i></p> - -<p>FISKE (John).—<span class="smcap">Man’s Destiny Viewed in -the Light of his Origin.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>FORBES (Rev. Granville).—<span class="smcap">The Voice of -God in the Psalms.</span> Cr. 8vo. 6<i>s.</i> 6<i>d.</i></p> - -<p>FOWLE (Rev. T. W.).—<span class="smcap">A New Analogy -between Revealed Religion and the -Course and Constitution of Nature.</span> -Cr. 8vo. 6<i>s.</i></p> - -<p>FRASER (Bishop).—<span class="smcap">Sermons.</span> Edited by -<span class="smcap">John W. Diggle</span>. 2 vols. Cr. 8vo. 6<i>s.</i> each.</p> - -<p>HAMILTON (John).—<span class="smcap">On Truth and Error.</span> -Cr. 8vo. 5<i>s.</i></p> - -<p>—— <span class="smcap">Arthur’s Seat</span>; or, The Church of the -Banned. Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Above and Around</span>: Thoughts on God -and Man. 12mo. 2<i>s.</i> 6<i>d.</i></p> - -<p>HARDWICK (Archdeacon).—<span class="smcap">Christ and -other Masters.</span> 6th Edit. Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>HARE (Julius Charles).—<span class="smcap">The Mission of -the Comforter.</span> New Edition. Edited -by Dean <span class="smcap">Plumptre</span>. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>HARPER (Father Thomas).—<span class="smcap">The Metaphysics -of the School.</span> Vols. I. and II. -8vo. 18<i>s.</i> each.—Vol. III. Part I. 12<i>s.</i></p> - -<p>HARRIS (Rev. G. C.).—<span class="smcap">Sermons.</span> With a -Memoir by <span class="smcap">C. M. Yonge</span>. Ext. fcp. 8vo. 6<i>s.</i></p> - -<p>HORT (F. J. A.).—<span class="smcap">The Way, the Truth, -the Life.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>HUTTON (R. H.). (<i>See</i> <a href="#Catalogue_Page_22">p. 22</a>.)</p> - -<p>ILLINGWORTH (Rev. J. R.).—<span class="smcap">Sermons -preached in a College Chapel.</span> Cr. 8vo. 5<i>s.</i></p> - -<p>—— <span class="smcap">University and Cathedral Sermons.</span> -Crown 8vo. 5<i>s.</i></p> - -<p>JACOB (Rev. J. A.).—<span class="smcap">Building in Silence</span>: -and other Sermons. Ext. fcp. 8vo. 6<i>s.</i></p> - -<p>JAMES (Rev. Herbert).—<span class="smcap">The Country -Clergyman and his Work.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>JEANS (Rev. G. E.).—<span class="smcap">Haileybury Chapel</span>: -and other Sermons. Fcp. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>JELLETT (Rev. Dr.).—<span class="smcap">The Elder Son</span>: -and other Sermons. Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">The Efficacy of Prayer.</span> Cr. 8vo. 5<i>s.</i></p> - -<p>KELLOGG (Rev. S. H.).—<span class="smcap">The Light of -Asia and the Light of the World.</span> Cr. -8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Genesis and Growth of Religion.</span> -Cr. 8vo. 6<i>s.</i></p> - -<p>KINGSLEY (Charles). (<i>See</i> <a href="#COLLECTED_WORKS"><span class="smcap">Collected -Works</span>, p. 23</a>.)</p> - -<p>KIRKPATRICK (Prof.).—<span class="smcap">The Divine Library -of the Old Testament.</span> Cr. 8vo. -3<i>s.</i> net.</p> - -<p>—— <span class="smcap">Doctrine of the Prophets.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>KYNASTON (Rev. Herbert, D.D.).—<span class="smcap">Cheltenham -College Sermons.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>LEGGE (A. O.).—<span class="smcap">The Growth of the Temporal -Power of the Papacy.</span> Cr. 8vo. 8<i>s.</i> 6<i>d.</i></p> - -<p><span class="pagenum"><a name="Catalogue_Page_38" id="Catalogue_Page_38">{38}</a></span></p> - -<p>LIGHTFOOT (Bishop).—<span class="smcap">Leaders in the -Northern Church</span>: Sermons. Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Ordination Addresses and Counsels -to Clergy.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Cambridge Sermons.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Sermons preached in St. Paul’s -Cathedral.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Sermons on Special Occasions.</span> 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">A Charge delivered to the Clergy -of the Diocese of Durham, 1886.</span> 8vo. 2<i>s.</i></p> - -<p>—— <span class="smcap">Essays on the Work entitled “Supernatural -Religion.”</span> 2nd Edit. 8vo. -10<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">On a Fresh Revision of the English -New Testament.</span> Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Dissertations on the Apostolic Age.</span> -8vo. 14<i>s.</i></p> - -<p>—— <span class="smcap">Biblical Essays.</span> 8vo. 12<i>s.</i></p> - -<p>MACLAREN (Rev. A.).—<span class="smcap">Sermons preached -at Manchester.</span> 11th Ed. Fcp. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Second Series.</span> 7th Ed. Fcp. 8vo 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Third Series.</span> 6th Ed. Fcp. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Week-Day Evening Addresses.</span> 4th -Edit. Fcp. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Secret of Power</span>: and other Sermons. -Fcp. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>MACMILLAN (Rev. Hugh).—<span class="smcap">Bible Teachings -in Nature.</span> 15th Edit. Globe 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">The True Vine</span>; or, The Analogies of -our Lord’s Allegory. 5th Edit. Gl. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">The Ministry of Nature.</span> 8th Edit. -Globe 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">The Sabbath of the Fields.</span> 6th -Edit. Globe 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">The Marriage in Cana.</span> Globe 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Two Worlds are Ours.</span> Gl. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">The Olive Leaf.</span> Globe 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">The Gate Beautiful</span>: and other Bible -Teachings for the Young. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>MAHAFFY (Prof. J. P.).—<span class="smcap">The Decay of -Modern Preaching.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>MATURIN (Rev. W.).—<span class="smcap">The Blessedness -of the Dead in Christ.</span> Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>MAURICE (Frederick Denison).—<span class="smcap">The Kingdom -of Christ.</span> 3rd Ed. 2 vols. Cr. 8vo. 12<i>s.</i></p> - -<p>—— <span class="smcap">Expository Sermons on the Prayer-Book, -and the Lord’s Prayer.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Sermons Preached in Country -Churches.</span> 2nd Edit. Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">The Conscience</span>: Lectures on Casuistry. -3rd Edit. Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Dialogues on Family Worship.</span> Cr. -8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Doctrine of Sacrifice Deduced -from the Scriptures.</span> 2nd Edit. Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">The Religions of the World.</span> 6th -Edit. Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">On the Sabbath Day; The Character -of the Warrior; and on the Interpretation -of History.</span> Fcp. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Learning and Working.</span> Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Lord’s Prayer, the Creed, and -the Commandments.</span> Pott 8vo. 1<i>s.</i></p> - -<p>—— <span class="smcap">Sermons Preached in Lincoln’s Inn -Chapel.</span> 6 vols. Cr. 8vo. 3<i>s.</i> 6<i>d.</i> each.</p> - -<p>—— <span class="smcap">Collected Works.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i> each.</p> - -<div class="blockquote"> - -<p><span class="smcap">Christmas Day and other Sermons.</span></p> - -<p><span class="smcap">Theological Essays.</span></p> - -<p><span class="smcap">Prophets and Kings.</span></p> - -<p><span class="smcap">Patriarchs and Lawgivers.</span></p> - -<p><span class="smcap">The Gospel of the Kingdom of Heaven.</span></p> - -<p><span class="smcap">Gospel of St. John.</span></p> - -<p><span class="smcap">Epistle of St. John.</span></p> - -<p><span class="smcap">Lectures on the Apocalypse.</span></p> - -<p><span class="smcap">Friendship of Books.</span></p> - -<p><span class="smcap">Social Morality.</span></p> - -<p><span class="smcap">Prayer Book and Lord’s Prayer.</span></p> - -<p><span class="smcap">The Doctrine of Sacrifice.</span></p> - -</div> - -<p>MILLIGAN (Rev. Prof. W.).—<span class="smcap">The Resurrection -of our Lord.</span> 2nd Edit. Cr. 8vo. 5<i>s.</i></p> - -<p>—— <span class="smcap">The Ascension and Heavenly Priesthood -of our Lord.</span> Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>MOORHOUSE (J., Bishop of Manchester).—<span class="smcap">Jacob</span>: -Three Sermons. Ext. fcp. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Teaching of Christ</span>: its Conditions, -Secret, and Results. Cr. 8vo. 3<i>s.</i> net.</p> - -<p>MURPHY (J. J.).—<span class="smcap">Natural Selection and -Spiritual Freedom.</span> Gl. 8vo. 5<i>s.</i></p> - -<p>MYLNE (L. G., Bishop of Bombay).—<span class="smcap">Sermons -Preached in St. Thomas’s -Cathedral, Bombay.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>NATURAL RELIGION. By the Author of -“Ecce Homo.” 3rd Edit. Globe 8vo. 6<i>s.</i></p> - -<p>PATTISON (Mark).—<span class="smcap">Sermons.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>PAUL OF TARSUS. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>PHILOCHRISTUS: <span class="smcap">Memoirs of a Disciple -of the Lord.</span> 3rd. Edit. 8vo. 12<i>s.</i></p> - -<p>PLUMPTRE (Dean).—<span class="smcap">Movements in Religious -Thought.</span> Fcp. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>POTTER (R.).—<span class="smcap">The Relation of Ethics -to Religion.</span> Cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>REASONABLE FAITH: <span class="smcap">A Short Essay</span> -By “Three Friends.” Cr. 8vo. 1<i>s.</i></p> - -<p>REICHEL (C. P., Bishop of Meath).—<span class="smcap">The -Lord’s Prayer.</span> Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Cathedral and University Sermons.</span> -Cr. 8vo. 6<i>s.</i></p> - -<p>RENDALL (Rev. F.).—<span class="smcap">The Theology of -the Hebrew Christians.</span> Cr. 8vo. 5<i>s.</i></p> - -<p>REYNOLDS (H. R.).—<span class="smcap">Notes of the Christian -Life.</span> Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>ROBINSON (Prebendary H. G.).—<span class="smcap">Man in -the Image of God</span>: and other Sermons. -Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>RUSSELL (Dean).—<span class="smcap">The Light that Lighteth -every Man</span>: Sermons. With an Introduction -by Dean <span class="smcap">Plumptre</span>, D.D. Cr. 8vo. 6<i>s.</i></p> - -<p>RYLE (Rev. Prof. H.).—<span class="smcap">The Early Narratives -of Genesis.</span> Cr. 8vo. 3<i>s.</i> net.</p> - -<p>SALMON (Rev. George, D.D.).—<span class="smcap">Non-Miraculous -Christianity</span>: and other Sermons. -2nd Edit. Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Gnosticism and Agnosticism</span>: and -other Sermons. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>SANDFORD (Rt. Rev. C. W., Bishop of Gibraltar).—<span class="smcap">Counsel -to English Churchmen -Abroad.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>SCOTCH SERMONS, 1880. By Principal -<span class="smcap">Caird</span> and others. 3rd Edit. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>SERVICE (Rev. J.).—<span class="smcap">Sermons.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>SHIRLEY (W. N.).—<span class="smcap">Elijah</span>: Four University -Sermons. Fcp. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>SMITH (Rev. Travers).—<span class="smcap">Man’s Knowledge -of Man and of God.</span> Cr. 8vo. 6<i>s.</i></p> - -<p><span class="pagenum"><a name="Catalogue_Page_39" id="Catalogue_Page_39">{39}</a></span></p> - -<p>SMITH (W. Saumarez).—<span class="smcap">The Blood of the -New Covenant</span>: An Essay. Cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>STANLEY (Dean).—<span class="smcap">The National Thanksgiving.</span> -Sermons Preached in Westminster -Abbey. 2nd Edit. Cr. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Addresses and Sermons</span> delivered in -America, 1878. Cr. 8vo. 6<i>s.</i></p> - -<p>STEWART (Prof. Balfour) and TAIT (Prof. -P. G.).—<span class="smcap">The Unseen Universe, or Physical -Speculations on a Future State.</span> -15th Edit. Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Paradoxical Philosophy</span>: A Sequel to -the above. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>STUBBS (Rev. C. W.).—<span class="smcap">For Christ and -City.</span> Sermons and Addresses. Cr. 8vo. 6<i>s.</i></p> - -<p>TAIT (Archbp.).—<span class="smcap">The Present Condition -of the Church of England.</span> Primary -Visitation Charge. 3rd Edit. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Duties of the Church of England.</span> -Second Visitation Addresses. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Church of the Future.</span> Quadrennial -Visitation Charges. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>TAYLOR (Isaac).—<span class="smcap">The Restoration of -Belief.</span> Cr. 8vo. 8<i>s.</i> 6<i>d.</i></p> - -<p>TEMPLE (Frederick, Bishop of London).—<span class="smcap">Sermons -Preached in the Chapel of -Rugby School.</span> Second Series. Ex. fcp. 8vo. -6<i>s.</i> Third Series 4th Edit. Ext. fcp. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">The Relations Between Religion -and Science.</span> Bampton Lectures, 1884. -7th and Cheaper Edition. Cr. 8vo. 6<i>s.</i></p> - -<p>TRENCH (Archbishop).—<span class="smcap">The Hulsean -Lectures for 1845-6.</span> 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>TULLOCH (Principal).—<span class="smcap">The Christ of the -Gospels and the Christ of Modern -Criticism.</span> Ext. fcp. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>VAUGHAN (C. J., Dean of Llandaff).—<span class="smcap">Memorials -of Harrow Sundays.</span> 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Epiphany, Lent, and Easter.</span> 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Heroes of Faith.</span> 2nd Edit. Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Life’s Work and God’s Discipline.</span> -Ext. fcp. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Wholesome Words of Jesus -Christ.</span> 2nd Edit. Fcp. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Foes of Faith.</span> 2nd Edit. Fcp. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Christ Satisfying the Instincts of -Humanity.</span> 2nd Edit. Ext. fcp. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Counsels for Young Students.</span> Fcp. -8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Two Great Temptations.</span> 2nd -Edit. Fcp. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Addresses for Young Clergymen.</span> -Ext. fcp. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— “<span class="smcap">My Son, Give Me Thine Heart.</span>” -Ext. fcp. 8vo. 5<i>s.</i></p> - -<p>—— <span class="smcap">Rest Awhile.</span> Addresses to Toilers in -the Ministry. Ext. fcp. 8vo. 5<i>s.</i></p> - -<p>—— <span class="smcap">Temple Sermons.</span> Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Authorised or Revised?</span> Sermons. -Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Lessons of the Cross and Passion; -Words from the Cross; The Reign of -Sin; The Lord’s Prayer.</span> Four Courses -of Lent Lectures. Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">University Sermons, New and Old.</span> -Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Prayers of Jesus Christ.</span> Globe -8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Doncaster Sermons; Lessons of Life -and Godliness; Words from the Gospels.</span> -Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>VAUGHAN (C. J., Dean of Llandaff).—<span class="smcap">Notes -for Lectures on Confirmation.</span> -14th Edit. Fcp. 8vo. 1<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Restful Thoughts in Restless Times.</span> -Crown 8vo. 5<i>s.</i></p> - -<p>VAUGHAN (Rev. D. J.).—<span class="smcap">The Present -Trial of Faith.</span> Cr. 8vo. 5<i>s.</i></p> - -<p>VAUGHAN (Rev. E. T.).—<span class="smcap">Some Reasons of -our Christian Hope</span>. Hulsean Lectures -for 1875. Cr. 8vo. 6<i>s.</i> 6<i>d.</i></p> - -<p>VAUGHAN (Rev. Robert).—<span class="smcap">Stones from -the Quarry.</span> Sermons. Cr. 8vo. 5<i>s.</i></p> - -<p>VENN (Rev. John).—<span class="smcap">On Some Characteristics -of Belief, Scientific, and Religious.</span> -Hulsean Lectures, 1869. 8vo. 6<i>s.</i> 6<i>d.</i></p> - -<p>WELLDON (Rev. J. E. C.).—<span class="smcap">The Spiritual -Life</span>: and other Sermons. Cr. 8vo. 6<i>s.</i></p> - -<p>WESTCOTT (Rt. Rev. B. F., Bishop of Durham).—<span class="smcap">On -the Religious Office of the -Universities.</span> Sermons. Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Gifts for Ministry.</span> Addresses to Candidates -for Ordination. Cr. 8vo. 1<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Victory of the Cross.</span> Sermons -Preached in 1888. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">From Strength to Strength.</span> Three -Sermons (In Memoriam J. B. D.). Cr. 8vo. 2<i>s.</i></p> - -<p>—— <span class="smcap">The Revelation of the Risen Lord.</span> -4th Edit. Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">The Historic Faith.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">The Gospel of the Resurrection.</span> -6th Edit. Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">The Revelation of the Father.</span> Cr. -8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Christus Consummator.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Some Thoughts from the Ordinal.</span> -Cr. 8vo. 1<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Social Aspects of Christianity.</span> Cr. -8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">The Gospel of Life.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Essays in the History of Religious -Thought in the West.</span> Globe 8vo. 5<i>s.</i></p> - -<p>WHITTUCK (C. A.).—<span class="smcap">Church of England -and Recent Religious Thought.</span> Cr. -8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>WICKHAM (Rev. E. C.).—<span class="smcap">Wellington -College Sermons.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>WILKINS (Prof. A. S.).—<span class="smcap">The Light of the -World</span>: An Essay. 2nd Ed. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>WILLINK (A.).—<span class="smcap">The World of the Unseen.</span> -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>WILSON (J. M., Archdeacon of Manchester).—<span class="smcap">Sermons -Preached in Clifton College -Chapel.</span> 2nd Series, 1888-90. Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Essays and Addresses.</span> Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Some Contributions to the Religious -Thought of our Time.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>WOOD (C. J.).—<span class="smcap">Survivals in Christianity.</span> -Crown 8vo. 6<i>s.</i></p> - -<p>WOOD (Rev. E. G.).—<span class="smcap">The Regal Power -of the Church.</span> 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<h3 id="THERAPEUTICS">THERAPEUTICS.</h3> - -<p class="center">(<i>See</i> <a href="#MEDICINE"><span class="smcap">Medicine</span>, p. 24</a>.)</p> - -<h3 id="TRANSLATIONS">TRANSLATIONS.</h3> - -<p><i>From the Greek—From the Italian—From the -Latin—Into Latin and Greek Verse.</i></p> - -<h4>From the Greek.</h4> - -<p>AESCHYLUS.—<span class="smcap">The Supplices.</span> With Translation, -by <span class="smcap">T. G. Tucker</span>, Litt.D. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p><span class="pagenum"><a name="Catalogue_Page_40" id="Catalogue_Page_40">{40}</a></span></p> - -<p>AESCHYTUS.—<span class="smcap">The Seven Against Thebes.</span> -With Translation, by <span class="smcap">A. W. Verrall</span>, -Litt.D. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Choephori.</span> With Translation. By -the same. 8vo. 12<i>s.</i></p> - -<p>—— <span class="smcap">Eumenides.</span> With Verse Translation, -by <span class="smcap">Bernard Drake</span>, M.A. 8vo. 5<i>s.</i></p> - -<p>ARATUS. (<i>See</i> <a href="#PHYSIOGRAPHY"><span class="smcap">Physiography</span>, p. 30</a>.)</p> - -<p>ARISTOPHANES.—<span class="smcap">The Birds.</span> Trans. into -English Verse, by <span class="smcap">B. H. Kennedy</span>. 8vo. 6<i>s.</i></p> - -<p>ARISTOTLE ON FALLACIES; <span class="smcap">or, The -Sophistici Elenchi</span>. With Translation, by -<span class="smcap">E. Poste</span>, M.A. 8vo. 8<i>s.</i> 6<i>d.</i></p> - -<p>ARISTOTLE.—<span class="smcap">The First Book of the -Metaphysics of Aristotle.</span> By a Cambridge -Graduate. 8vo. 5<i>s.</i></p> - -<p>—— <span class="smcap">The Politics.</span> By <span class="smcap">J. E. C. Welldon</span>, -M.A. Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Rhetoric.</span> By same. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Nicomachean Ethics.</span> By same. -Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">On the Constitution of Athens.</span> By -<span class="smcap">E. Poste</span>. 2nd Edit. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>BION. (<i>See</i> <a href="#THEOCRITUS"><span class="smcap">Theocritus</span></a>.)</p> - -<p>HERODOTUS.—<span class="smcap">The History.</span> By <span class="smcap">G. C. -Macaulay</span>, M.A. 2 vols. Cr. 8vo. 18<i>s.</i></p> - -<p>HOMER.—<span class="smcap">The Odyssey done into English -Prose</span>, by <span class="smcap">S. H. Butcher</span>, M.A., and -<span class="smcap">A. Lang</span>, M.A. Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">The Odyssey.</span> Books I.-XII. Transl. -into English Verse by <span class="smcap">Earl of Carnarvon</span>. -Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Iliad done into English Prose</span>, -by <span class="smcap">Andrew Lang</span>, <span class="smcap">Walter Leaf</span>, and -<span class="smcap">Ernest Myers</span>. Cr. 8vo. 12<i>s.</i> 6<i>d.</i></p> - -<p>MELEAGER.—<span class="smcap">Fifty Poems.</span> Translated -into English Verse by <span class="smcap">Walter Headlam</span>. -Fcp. 4to. 7<i>s.</i> 6<i>d.</i></p> - -<p>MOSCHUS. (<i>See</i> <a href="#THEOCRITUS"><span class="smcap">Theocritus</span></a>).</p> - -<p>PINDAR.—<span class="smcap">The Extant Odes.</span> By <span class="smcap">Ernest -Myers</span>. Cr. 8vo. 5<i>s.</i></p> - -<p>PLATO.—<span class="smcap">Timæus.</span> With Translation, by -<span class="smcap">R. D. Archer-Hind</span>, M.A. 8vo. 16<i>s.</i></p> - -<p class="center">(<i>See also</i> <a href="#GOLDEN_TREASURY"><span class="smcap">Golden Treasury Series</span>, p. 22</a>.)</p> - -<p>POLYBIUS.—<span class="smcap">The Histories.</span> By <span class="smcap">E. S. -Shuckburgh</span>. Cr. 8vo. 24<i>s.</i></p> - -<p>SOPHOCLES.—<span class="smcap">Œdipus the King.</span> Translated -into English Verse by <span class="smcap">E. D. A. Morshead</span>, -M.A. Fcp. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p id="THEOCRITUS"><span class="smcap">THEOCRITUS, BION, and MOSCHUS.</span> -By <span class="smcap">A. Lang</span>, M.A. 18mo. 2<i>s.</i> 6<i>d.</i> net.—Large -Paper Edition. 8vo. 9<i>s.</i></p> - -<p>XENOPHON.—<span class="smcap">The Complete Works.</span> -By <span class="smcap">H. G. Dakyns</span>, M.A. Cr. 8vo.—Vols. I. -and II. 10<i>s.</i> 6<i>d.</i> each.</p> - -<h4>From the Italian.</h4> - -<p>DANTE.—<span class="smcap">The Purgatory.</span> With Transl. -and Notes, by <span class="smcap">A. J. Butler</span>. Cr. 8vo. 12<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Paradise.</span> By the same. 2nd Edit. -Cr. 8vo. 12<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Hell.</span> By the same. Cr. 8vo. 12<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">De Monarchia.</span> By <span class="smcap">F. J. Church</span>. -8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Divine Comedy.</span> By <span class="smcap">C. E. Norton</span>. -I. <span class="smcap">Hell.</span> II. <span class="smcap">Purgatory.</span> III. -<span class="smcap">Paradise.</span> Cr. 8vo. 6<i>s.</i> each.</p> - -<p>DANTE.—<span class="smcap">New Life of Dante.</span> Transl. by -<span class="smcap">C. E. Norton</span>. 5<i>s.</i></p> - -<p>—— <span class="smcap">The Purgatory.</span> Transl. by <span class="smcap">C. L. -Shadwell</span>. Ext. cr. 8vo. 10<i>s.</i> net.</p> - -<h4>From the Latin.</h4> - -<p>CICERO.—<span class="smcap">The Life and Letters of Marcus -Tullius Cicero.</span> By the Rev. <span class="smcap">G. E. -Jeans</span>, M.A. 2nd Edit. Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Academics.</span> By <span class="smcap">J. S. Reid</span>. 8vo. 5<i>s.</i> 6<i>d.</i></p> - -<p>HORACE: <span class="smcap">The Works of</span>. By <span class="smcap">J. Lonsdale</span>. -M.A., and <span class="smcap">S. Lee</span>, M.A. Gl. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Odes in a Metrical Paraphrase.</span> -By <span class="smcap">R. M. Hovenden</span>, B.A. Ext. fcp. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Life and Character: an Epitome of -his Satires and Epistles.</span> By <span class="smcap">R. M. -Hovenden</span>, B.A. Ext. fcp. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Word for Word from Horace</span>: The -Odes Literally Versified. By <span class="smcap">W. T. Thornton</span>, -C.B. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>JUVENAL.—<span class="smcap">Thirteen Satires.</span> By <span class="smcap">Alex. -Leeper</span>, LL.D. New Ed. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>LIVY.—Books XXI.-XXV. <span class="smcap">The Second -Punic War.</span> By <span class="smcap">A. J. Church</span>, M.A., and -<span class="smcap">W. J. Brodribb</span>, M.A. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>MARCUS AURELIUS ANTONINUS.—<span class="smcap">Book -IV. of the Meditations.</span> With -Translation and Commentary, by <span class="smcap">H. Crossley</span>, -M.A. 8vo. 6<i>s.</i></p> - -<p>SALLUST.—<span class="smcap">The Conspiracy of Catiline -and the Jugurthine War.</span> By <span class="smcap">A. W. -Pollard</span>. Cr. 8vo. 6<i>s.</i>—<span class="smcap">Catiline.</span> 3<i>s.</i></p> - -<p>TACITUS, <span class="smcap">The Works of</span>. By <span class="smcap">A. J. -Church</span>, M.A., and <span class="smcap">W. J. Brodribb</span>, M.A.</p> - -<div class="blockquote"> - -<p><span class="smcap">The History.</span> 4th Edit. Cr. 8vo. 6<i>s.</i></p> - -<p><span class="smcap">The Agricola and Germania.</span> With the -Dialogue on Oratory. Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">The Annals.</span> 5th Edit. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -</div> - -<p>VIRGIL: <span class="smcap">The Works of</span>. By <span class="smcap">J. Lonsdale</span>, -M.A., and <span class="smcap">S. Lee</span>, M.A. Globe 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Æneid.</span> By <span class="smcap">J. W. Mackail</span>, M.A. -Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<h4>Into Latin and Greek Verse.</h4> - -<p>CHURCH (Rev. A. J.).—<span class="smcap">Latin Version of -Selections from Tennyson.</span> By Prof. -<span class="smcap">Conington</span>, Prof. <span class="smcap">Seeley</span>, Dr. <span class="smcap">Hessey</span>, -<span class="smcap">T. E. Kebbel</span>, &c. Edited by <span class="smcap">A. J. Church</span>, -M.A. Ext. fcp. 8vo. 6<i>s.</i></p> - -<p>GEDDES (Prof. W. D.).—<span class="smcap">Flosculi Græci -Boreales.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>KYNASTON (Herbert D.D.).—<span class="smcap">Exemplaria -Cheltoniensia.</span> Ext. fcp. 8vo. 5<i>s.</i></p> - -<h3 id="VOYAGES_AND_TRAVELS">VOYAGES AND TRAVELS.</h3> - -<p class="center">(<i>See also</i> <a href="#HISTORY"><span class="smcap">History</span>, p. 10</a>; <a href="#SPORT"><span class="smcap">Sport</span>, p. 32</a>.)</p> - -<p>APPLETON (T. G.).—<span class="smcap">A Nile Journal.</span> -Illustrated by <span class="smcap">Eugene Benson</span>. Cr. 8vo. 6<i>s.</i></p> - -<p>“BACCHANTE.” <span class="smcap">The Cruise of H.M.S. -“Bacchante,” 1879-1882.</span> Compiled from -the Private Journals, Letters and Note-books -of <span class="smcap">Prince Albert Victor</span> and <span class="smcap">Prince -George of Wales</span>. By the Rev. Canon -<span class="smcap">Dalton</span>. 2 vols. Med. 8vo. 52<i>s.</i> 6<i>d.</i></p> - -<p>BAKER (Sir Samuel W.).—<span class="smcap">Ismailia.</span> A -Narrative of the Expedition to Central -Africa for the Suppression of the Slave Trade, -organised by <span class="smcap">Ismail</span>, Khedive of Egypt. -Cr. 8vo. 6<i>s.</i></p> - -<p><span class="pagenum"><a name="Catalogue_Page_41" id="Catalogue_Page_41">{41}</a></span></p> - -<p>BAKER (Sir Samuel W.).—<span class="smcap">The Nile Tributaries -of Abyssinia, and the Sword -Hunters of the Hamran Arabs.</span> Cr. -8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">The Albert N’yanza Great Basin of -the Nile and Exploration of the Nile -Sources.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Cyprus as I saw it in 1879.</span> 8vo. 12<i>s.</i> 6<i>d.</i></p> - -<p>BARKER (Lady).—<span class="smcap">A Year’s Housekeeping -in South Africa.</span> Illustr. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Station Life in New Zealand.</span> Cr. -8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Letters to Guy.</span> Cr. 8vo. 5<i>s.</i></p> - -<p>BLENNERHASSETT (R.) and SLEEMAN -(L.).—<span class="smcap">Adventures in Mashonaland</span>. Ext. -cr. 8vo. 8<i>s.</i> 6<i>d.</i> net.</p> - -<p>BOUGHTON (G. H.) and ABBEY (E. A.).—<span class="smcap">Sketching -Rambles in Holland.</span> With -Illustrations. Fcp. 4to. 21<i>s.</i></p> - -<p>BROOKS (P.).—<span class="smcap">Letters of Travel.</span> Ext. -cr. 8vo. 8<i>s.</i> 6<i>d.</i> net.</p> - -<p>BRYCE (James, M.P.).—<span class="smcap">Transcaucasia -and Ararat.</span> 3rd Edit. Cr. 8vo. 9<i>s.</i></p> - -<p>CAMERON (V. L.).—<span class="smcap">Our Future Highway -to India.</span> 2 vols. Cr. 8vo. 21<i>s.</i></p> - -<p>CAMPBELL (J. F.).—<span class="smcap">My Circular Notes.</span> -Cr. 8vo. 6<i>s.</i></p> - -<p>CARLES (W. R.).—<span class="smcap">Life in Corea.</span> 8vo. 12<i>s.</i> 6<i>d.</i></p> - -<p>CAUCASUS: <span class="smcap">Notes on the</span>. By “<span class="smcap">Wanderer</span>.” -8vo. 9<i>s.</i></p> - -<p>CRAIK (Mrs.).—<span class="smcap">An Unknown Country.</span> -Illustr. by <span class="smcap">F. Noel Paton</span>. Roy. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">An Unsentimental Journey through -Cornwall.</span> Illustrated. 4to. 12<i>s.</i> 6<i>d.</i></p> - -<p>DILKE (Sir Charles). (<i>See</i> pp. <a href="#Catalogue_Page_26">26</a>, <a href="#Catalogue_Page_31">31</a>.)</p> - -<p>DUFF (Right Hon. Sir M. E. Grant).—<span class="smcap">Notes -of an Indian Journey.</span> 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>FORBES (Archibald).—<span class="smcap">Souvenirs of some -Continents.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Barracks, Bivouacs, and Battles.</span> -Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>FORBES-MITCHELL (W.).—<span class="smcap">Reminiscences -of the Great Mutiny</span>. Cr. 8vo. 8<i>s.</i> 6<i>d.</i> net.</p> - -<p>FULLERTON (W. M.).—<span class="smcap">In Cairo.</span> Fcp. -8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>GONE TO TEXAS: <span class="smcap">Letters from Our -Boys.</span> Ed. by <span class="smcap">Thos. Hughes</span>. Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>GORDON (Lady Duff).—<span class="smcap">Last Letters -from Egypt, to which are added Letters -from the Cape.</span> 2nd Edit. Cr. 8vo. 9<i>s.</i></p> - -<p>GREEN (W. S.).—<span class="smcap">Among the Selkirk -Glaciers.</span> Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>HOOKER (Sir Joseph D.) and BALL (J.).—<span class="smcap">Journal -of a Tour in Marocco and the -Great Atlas.</span> 8vo. 21<i>s.</i></p> - -<p>HÜBNER (Baron von).—<span class="smcap">A Ramble Round -the World.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>HUGHES (Thos.).—<span class="smcap">Rugby, Tennessee.</span> Cr. -8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>KALM.—<span class="smcap">Account of his Visit to England.</span> -Trans. by <span class="smcap">J. Lucas</span>. Illus. 8vo. 12<i>s.</i> net.</p> - -<p>KINGSLEY (Charles).—<span class="smcap">At Last</span>: A Christmas -in the West Indies. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>KINGSLEY (Henry).—<span class="smcap">Tales of Old -Travel.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>KIPLING (J. L.).—<span class="smcap">Beast and Man in -India.</span> Illustrated. Ext. cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>MAHAFFY (Prof. J. P.).—<span class="smcap">Rambles and -Studies in Greece.</span> Illust. Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>MAHAFFY (Prof. J. P.) and ROGERS -(J. E.).—<span class="smcap">Sketches from a Tour through -Holland and Germany.</span> Illustrated by -<span class="smcap">J. E. Rogers</span>. Ext. cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>NORDENSKIÖLD.—<span class="smcap">Voyage of the -“Vega” round Asia and Europe.</span> By -Baron <span class="smcap">A. E. Von Nordenskiöld</span>. Trans. by -<span class="smcap">Alex. Leslie</span>. 400 Illustrations, Maps, etc. -2 vols. 8vo. 45<i>s.</i>—<i>Popular Edit.</i> Cr. 8vo. 6<i>s.</i></p> - -<p>OLIPHANT (Mrs.). (<i>See</i> <a href="#HISTORY"><span class="smcap">History</span>, p. 11</a>.)</p> - -<p>OLIVER (Capt. S. P.).—<span class="smcap">Madagascar: An -Historical and Descriptive Account of -the Island.</span> 2 vols. Med. 8vo. 52<i>s.</i> 6<i>d.</i></p> - -<p>PALGRAVE (W. Gifford).—<span class="smcap">A Narrative -of a Year’s Journey through Central -and Eastern Arabia, 1862-63.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>—— <span class="smcap">Dutch Guiana.</span> 8vo. 9<i>s.</i></p> - -<p>—— <span class="smcap">Ulysses</span>; or, Scenes and Studies in -many Lands. 8vo. 12<i>s.</i> 6<i>d.</i></p> - -<p>PERSIA, EASTERN. <span class="smcap">An Account of the -Journeys of the Persian Boundary -Commission, 1870-71-72.</span> 2 vols. 8vo. 42<i>s.</i></p> - -<p>PIKE (W.).—<span class="smcap">The Barren Ground of Northern -Canada</span>. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>ST. JOHNSTON (A.).—<span class="smcap">Camping among -Cannibals.</span> Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>SANDYS (J. E.).—<span class="smcap">An Easter Vacation in -Greece.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>SMITH (G.).—<span class="smcap">A Trip to England</span>. Pott -8vo. 3<i>s.</i></p> - -<p>STRANGFORD (Viscountess).—<span class="smcap">Egyptian -Sepulchres and Syrian Shrines.</span> New -Edition. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> - -<p>TAVERNIER (Baron): <span class="smcap">Travels in India -of Jean Baptiste Tavernier</span>. Transl. -by <span class="smcap">V. Ball</span>, LL.D. 2 vols. 8vo. 42<i>s.</i></p> - -<p>TRISTRAM. (<i>See</i> <a href="#ILLUSTRATED_BOOKS"><span class="smcap">Illustrated Books</span></a>.)</p> - -<p>TURNER (Rev. G.). (<i>See</i> <a href="#ANTHROPOLOGY"><span class="smcap">Anthropology</span></a>.)</p> - -<p>WALLACE (A. R.). (<i>See</i> <a href="#NATURAL_HISTORY"><span class="smcap">Natural History</span></a>.)</p> - -<p>WATERTON (Charles).—<span class="smcap">Wanderings in -South America, the North-West of -the United States, and the Antilles.</span> -Edited by Rev. <span class="smcap">J. G. Wood</span>. Illustr. Cr. -8vo. 6<i>s.</i>—<i>People’s Edition.</i> 4to. 6<i>d.</i></p> - -<p>WATSON (R. Spence).—<span class="smcap">A Visit to Wazan, -the Sacred City of Morocco.</span> 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<h3 id="YOUNG">YOUNG, Books for the.</h3> - -<p class="center">(<i>See also</i> <a href="#BIBLICAL_HISTORY"><span class="smcap">Biblical History</span>, p. 33</a>.)</p> - -<p>ÆSOP—CALDECOTT.—<span class="smcap">Some of Æsop’s -Fables</span>, with Modern Instances, shown in -Designs by <span class="smcap">Randolph Caldecott</span>. 4to. 5<i>s.</i></p> - -<p>ARIOSTO.—<span class="smcap">Paladin and Saracen.</span> Stories -from Ariosto. By <span class="smcap">H. C. Hollway-Calthrop</span>. -Illustrated. Cr. 8vo. 6<i>s.</i></p> - -<p>ATKINSON (Rev. J. C.).—<span class="smcap">The Last of -the Giant Killers.</span> Globe 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Walks, Talks, Travels, and Exploits -of two Schoolboys.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Playhours and Half-Holidays, or -Further Experiences of two Schoolboys.</span> -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Scenes in Fairyland.</span> Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>AWDRY (Frances).—<span class="smcap">The Story of a Fellow -Soldier.</span> (A Life of Bishop Patteson -for the Young.) Globe 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p><span class="pagenum"><a name="Catalogue_Page_42" id="Catalogue_Page_42">{42}</a></span></p> - -<p>BAKER (Sir S. W.).—<span class="smcap">True Tales for my -Grandsons.</span> Illustrated. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Cast up by the Sea: or, The Adventures -of Ned Gray.</span> Illust. Cr. 8vo. 6<i>s.</i></p> - -<p>CARROLL (Lewis).—<span class="smcap">Alice’s Adventures -in Wonderland.</span> With 42 Illustrations by -<span class="smcap">Tenniel</span>. Cr. 8vo. 6<i>s.</i> net.</p> - -<div class="blockquote"> - -<p><i>Peoples Edition.</i> With all the original -Illustrations. Cr. 8vo. 2<i>s.</i> 6<i>d.</i> net.</p> - -<p><span class="smcap">A German Translation of the same.</span> -Cr. 8vo. 6<i>s.</i> net. <span class="smcap">A French Translation -of the same.</span> Cr. 8vo. 6<i>s.</i> net. -<span class="smcap">An Italian Translation of the same.</span> -Cr. 8vo. 6<i>s.</i> net.</p> - -</div> - -<p>—— <span class="smcap">Alice’s Adventures Under-ground</span>, -Being a Facsimile of the Original MS. Book, -afterwards developed into “Alice’s Adventures -in Wonderland.” With 27 Illustrations -by the Author. Cr. 8vo. 4<i>s.</i> net.</p> - -<p>CARROLL (Lewis).—<span class="smcap">Through the Looking-Glass -and what Alice found there.</span> -With 50 Illustrations by <span class="smcap">Tenniel</span>. Cr. 8vo. -6<i>s.</i> net.</p> - -<div class="blockquote"> - -<p><i>People’s Edition.</i> With all the original -Illustrations. Cr. 8vo. 2<i>s.</i> 6<i>d.</i> net.</p> - -<p>People’s Edition of “Alice’s Adventures in -Wonderland,” and “Through the Looking-Glass.” -1 vol. Cr. 8vo. 4<i>s.</i> 6<i>d.</i> net.</p> - -</div> - -<p>—— <span class="smcap">Rhyme? and Reason?</span> With 65 Illustrations -by <span class="smcap">Arthur B. Frost</span>, and 9 by -<span class="smcap">Henry Holiday</span>. Cr. 8vo. 6<i>s.</i> net.</p> - -<p>—— <span class="smcap">A Tangled Tale.</span> With 6 Illustrations -by <span class="smcap">Arthur B. Frost</span>. Cr. 8vo. 4<i>s.</i> 6<i>d.</i> net.</p> - -<p>—— <span class="smcap">Sylvie and Bruno.</span> With 46 Illustrations -by <span class="smcap">Harry Furniss</span>. Cr. 8vo. 7<i>s.</i> 6<i>d.</i> net.</p> - -<p>———— (<i>Concluded</i>). With Illustrations by -<span class="smcap">Harry Furniss</span>. Cr. 8vo. 7<i>s.</i> 6<i>d.</i> net.</p> - -<p>—— <span class="smcap">The Nursery “Alice.”</span> Twenty Coloured -Enlargements from <span class="smcap">Tenniel’s</span> Illustrations -to “Alice’s Adventures in Wonderland,” -with Text adapted to Nursery Readers. -4to. 4<i>s.</i> net.—<i>People’s Edition.</i> 4to. 2<i>s.</i> net.</p> - -<p>—— <span class="smcap">The Hunting of the Snark, An agony -in Eight Fits.</span> With 9 Illustrations by -<span class="smcap">Henry Holiday</span>. Cr. 8vo. 4<i>s.</i> 6<i>d.</i> net.</p> - -<p>CLIFFORD (Mrs. W. K.).—<span class="smcap">Anyhow Stories.</span> -With Illustrations by <span class="smcap">Dorothy Tennant</span>. -Cr. 8vo. 1<i>s.</i> 6<i>d.</i>; paper covers, 1<i>s.</i></p> - -<p>CORBETT (Julian).—<span class="smcap">For God and Gold.</span> -Cr. 8vo. 6<i>s.</i></p> - -<p>CRAIK (Mrs.).—<span class="smcap">Alice Learmont: A Fairy -Tale.</span> Illustrated. Globe 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Adventures of a Brownie.</span> Illustrated -by Mrs. <span class="smcap">Allingham</span>. Gl. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Little Lame Prince and his -Travelling Cloak.</span> Illustrated by <span class="smcap">J. McL. -Ralston</span>. Globe 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Our Year: A Child’s Book in Prose -and Verse.</span> Illustrated. Gl. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Little Sunshine’s Holiday.</span> Globe -8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">The Fairy Book: The Best Popular -Fairy Stories.</span> Pott 8vo. 2<i>s.</i> 6<i>d.</i> net.</p> - -<p>—— <span class="smcap">Children’s Poetry.</span> Ex. fcp. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Songs of our Youth.</span> Small 4to. 6<i>s.</i></p> - -<p>DE MORGAN (Mary).—<span class="smcap">The Necklace of -Princess Fiorimonde, and other Stories.</span> -Illustrated by <span class="smcap">Walter Crane</span>. Ext. fcp. -8vo. 3<i>s.</i> 6<i>d.</i>—Large Paper Ed., with Illustrations -on India Paper. 100 copies printed.</p> - -<p>FOWLER (W. W.). (<i>See</i> <a href="#NATURAL_HISTORY"><span class="smcap">Natural History</span></a>.)</p> - -<p>GREENWOOD (Jessy E.).—<span class="smcap">The Moon -Maiden: and other Stories.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>GRIMM’S FAIRY TALES. Translated by -<span class="smcap">Lucy Crane</span>, and Illustrated by <span class="smcap">Walter -Crane</span>. Cr. 8vo. 6<i>s.</i></p> - -<p>KEARY (A. and E.).—<span class="smcap">The Heroes of -Asgard.</span> Tales from Scandinavian Mythology. -Globe 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>KEARY (E.).—<span class="smcap">The Magic Valley.</span> Illustr. -by “E.V.B.” Globe 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>KINGSLEY (Charles).—<span class="smcap">The Heroes</span>; or, -Greek Fairy Tales for my Children. Cr. 8vo. -3<i>s.</i> 6<i>d.</i>—<i>Presentation Ed.</i>, gilt edges. 7<i>s.</i> 6<i>d.</i></p> - -<div class="blockquote"> - -<p><span class="smcap">Madam How and Lady Why</span>; or, First -Lessons in Earth-Lore. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">The Water-Babies</span>: A Fairy Tale for a -Land Baby. Cr. 8vo. 3<i>s.</i> 6<i>d.</i>—New Edit. -Illus. by <span class="smcap">L. Sambourne</span>. Fcp. 4to. 12<i>s.</i> 6<i>d.</i></p> - -</div> - -<p>MACLAREN (Arch.).—<span class="smcap">The Fairy Family.</span> -A Series of Ballads and Metrical Tales. -Cr. 8vo. 5<i>s.</i></p> - -<p>MACMILLAN (Hugh). (<i>See</i> <a href="#Catalogue_Page_38">p. 38</a>.)</p> - -<p>MADAME TABBY’S ESTABLISHMENT. -By <span class="smcap">Kari</span>. Illust. by <span class="smcap">L. Wain</span>. Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>MAGUIRE (J. F.).—<span class="smcap">Young Prince Marigold.</span> -Illustrated. Globe 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>MARTIN (Frances).—<span class="smcap">The Poet’s Hour.</span> -Poetry selected for Children. Pott 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Spring-Time with the Poets.</span> Pott 8vo. -3<i>s.</i> 6<i>d.</i></p> - -<p>MAZINI (Linda).—<span class="smcap">In the Golden Shell.</span> -With Illustrations. Globe 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>MOLESWORTH (Mrs.).—<span class="smcap">Works.</span> Illustr. -Globe 8vo. 2<i>s.</i> 6<i>d.</i> each.</p> - -<div class="blockquote"> - -<p><span class="smcap">“Carrots,” Just a Little Boy.</span></p> - -<p><span class="smcap">A Christmas Child.</span></p> - -<p><span class="smcap">Christmas-Tree Land.</span></p> - -<p><span class="smcap">The Cuckoo Clock.</span></p> - -<p><span class="smcap">Four Winds Farm.</span></p> - -<p><span class="smcap">Grandmother Dear.</span></p> - -<p><span class="smcap">Herr Baby.</span></p> - -<p><span class="smcap">Little Miss Peggy.</span></p> - -<p><span class="smcap">The Rectory Children.</span></p> - -<p><span class="smcap">Rosy.</span></p> - -<p><span class="smcap">The Tapestry Room.</span></p> - -<p><span class="smcap">Tell Me a Story.</span></p> - -<p><span class="smcap">Two Little Waifs.</span></p> - -<p>“<span class="smcap">Us</span>”: An Old-Fashioned Story.</p> - -<p><span class="smcap">Children of the Castle.</span></p> - -<p><span class="smcap">A Christmas Posy.</span></p> - -<p><span class="smcap">Nurse Heatherdale’s Story.</span></p> - -<p><span class="smcap">The Girls and I.</span></p> - -</div> - -<p>—— <span class="smcap">Mary.</span> Illustrated by <span class="smcap">L. Brooke.</span> Cr. -8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Four Ghost Stories.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>OLIPHANT (Mrs.).—<span class="smcap">Agnes Hopetoun’s -Schools and Holidays.</span> Illust. Gl. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>PALGRAVE (Francis Turner).—<span class="smcap">The Five -Days’ Entertainments at Wentworth -Grange.</span> Small 4to. 6<i>s.</i></p> - -<p>—— <span class="smcap">The Children’s Treasury of Lyrical -Poetry.</span> Pott 8vo. 2<i>s.</i> 6<i>d.</i>—Or in 2 parts, -1<i>s.</i> each.</p> - -<p>PATMORE (C.).—<span class="smcap">The Children’s Garland -from the Best Poets.</span> Pott 8vo. -2<i>s.</i> 6<i>d.</i> net.</p> - -<p><span class="pagenum"><a name="Catalogue_Page_43" id="Catalogue_Page_43">{43}</a></span></p> - -<p>ROSSETTI (Christina).—<span class="smcap">Speaking Likenesses.</span> -Illust. by <span class="smcap">A. Hughes</span>. Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Sing-Song</span>: A Nursery Rhyme-Book. -Small 4to. 4<i>s.</i> 6<i>d.</i></p> - -<p>RUTH AND HER FRIENDS: <span class="smcap">A Story -for Girls.</span> Illustrated. Globe 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>ST. JOHNSTON (A.).—<span class="smcap">Camping among -Cannibals.</span> Cr. 8vo. 4<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">Charlie Asgarde</span>: <span class="smcap">The Story of a -Friendship</span>. Illustrated by <span class="smcap">Hugh Thomson</span>. -Cr. 8vo. 5<i>s.</i></p> - -<p>“ST. OLAVE’S” (Author of). Illustrated. -Globe 8vo.</p> - -<div class="blockquote"> - -<p><span class="smcap">When I was a Little Girl.</span> 2<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">Nine Years Old.</span> 2<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">When Papa Comes Home.</span> 4<i>s.</i> 6<i>d.</i></p> - -<p><span class="smcap">Pansie’s Flour Bin.</span> 4<i>s.</i> 6<i>d.</i></p> - -</div> - -<p>STEWART (Aubrey).—<span class="smcap">The Tale of Troy.</span> -Done into English. Globe 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>TENNYSON (Lord).—<span class="smcap">Jack and the -Bean-Stalk.</span> English Hexameters. Illust. -by <span class="smcap">R. Caldecott</span>. Fcp. 4to. 3<i>s.</i> 6<i>d.</i></p> - -<p>“WANDERING WILLIE” (Author of).—<span class="smcap">Conrad -the Squirrel.</span> Globe 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>WARD (Mrs. T. Humphry).—<span class="smcap">Milly and -Olly.</span> With Illustrations by Mrs. <span class="smcap">Alma -Tadema</span>. Globe 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<p>WEBSTER (Augusta).—<span class="smcap">Daffodil and the -Croäxaxicans.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>WILLOUGHBY (F.).—<span class="smcap">Fairy Guardians.</span> -Illustr. by <span class="smcap">Townley Green</span>. Cr. 8vo. 5<i>s.</i></p> - -<p>WOODS (M. A.). (<i>See</i> <a href="#COLLECTIONS"><span class="smcap">Collections</span>, p. 18</a>.)</p> - -<p>YONGE (Charlotte M.).—<span class="smcap">The Prince and -the Page.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">A Book of Golden Deeds.</span> Pott 8vo. -2<i>s.</i> 6<i>d.</i> net. Globe 8vo. 2<i>s.</i>—<i>Abridged Edition.</i> -1<i>s.</i></p> - -<p>—— <span class="smcap">Lances of Lynwood.</span> Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">P’s and Q’s</span>; and <span class="smcap">Little Lucy’s Wonderful -Globe</span>. Illustrated. Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>—— <span class="smcap">A Storehouse of Stories.</span> 2 vols. -Globe 8vo. 2<i>s.</i> 6<i>d.</i> each.</p> - -<p>—— <span class="smcap">The Population of an Old Pear-Tree</span>; -or, Stories of Insect Life. From <span class="smcap">E. -Van Bruyssel</span>. Illustr. Gl. 8vo. 2<i>s.</i> 6<i>d.</i></p> - -<h3 id="ZOOLOGY">ZOOLOGY.</h3> - -<p><i>Comparative Anatomy—Practical Zoology—Entomology—Ornithology.</i></p> - -<p class="center">(<i>See also</i> <a href="#BIOLOGY"><span class="smcap">Biology</span></a>; <a href="#NATURAL_HISTORY"><span class="smcap">Natural History</span></a>; -<a href="#PHYSIOLOGY"><span class="smcap">Physiology</span></a>.)</p> - -<h4>Comparative Anatomy.</h4> - -<p>FLOWER (Sir W. H.).—<span class="smcap">An Introduction -to the Osteology of the Mammalia.</span> -Illustrated. 3rd Edit., revised with the assistance -of <span class="smcap">Hans Gadow</span>, Ph.D. Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>HUMPHRY (Prof. Sir G. M.).—<span class="smcap">Observations -in Myology.</span> 8vo. 6<i>s.</i></p> - -<p>LANG (Prof. Arnold).—<span class="smcap">Text-Book of Comparative -Anatomy.</span> Transl. by H. M. and -<span class="smcap">M. Bernard</span>. Preface by Prof. <span class="smcap">E. Haeckel</span>. -Illustr. 2 vols. 8vo. Part I. 17<i>s.</i> net.</p> - -<p>PARKER (T. Jeffery).—<span class="smcap">A Course of Instruction -in Zootomy (Vertebrata).</span> -Illustrated. Cr. 8vo. 8<i>s.</i> 6<i>d.</i></p> - -<p>PETTIGREW (J. Bell).—<span class="smcap">The Physiology -of the Circulation in Plants, in the -Lower Animals, and in Man.</span> 8vo. 12<i>s.</i></p> - -<p>SHUFELDT (R. W.).—<span class="smcap">The Myology of -the Raven</span> (<i>Corvus corax Sinuatus</i>). A -Guide to the Study of the Muscular System -in Birds. Illustrated. 8vo. 13<i>s.</i> net.</p> - -<p>WIEDERSHEIM (Prof. R.).—<span class="smcap">Elements of -the Comparative Anatomy of Vertebrates.</span> -Adapted by <span class="smcap">W. Newton Parker</span>. -With Additions. Illustrated. 8vo. 12<i>s.</i> 6<i>d.</i></p> - -<h4>Practical Zoology.</h4> - -<p>HOWES (Prof. G. B.).—<span class="smcap">An Atlas of Practical -Elementary Biology.</span> With a Preface -by Prof. <span class="smcap">Huxley</span>. 4to. 14<i>s.</i></p> - -<p>HUXLEY (T. H.) and MARTIN (H. N.).—<span class="smcap">A -Course of Elementary Instruction -in Practical Biology.</span> Revised and extended -by Prof. <span class="smcap">G. B. Howes</span> and <span class="smcap">D. H. -Scott</span>, Ph.D. Cr. 8vo. 10<i>s.</i> 6<i>d.</i></p> - -<p>THOMSON (Sir C. Wyville).—<span class="smcap">The Voyage -of the “Challenger”: The Atlantic.</span> -With Illustrations, Coloured Maps, Charts, -etc. 2 vols. 8vo. 45<i>s.</i></p> - -<p>THOMSON (Sir C. Wyville).—<span class="smcap">The Depths -of the Sea.</span> An Account of the Results of -the Dredging Cruises of H.M.SS. “Lightning” -and “Porcupine,” 1868-69-70. With -Illustrations, Maps, and Plans. 8vo. 31<i>s.</i> 6<i>d.</i></p> - -<h4>Entomology.</h4> - -<p>BADENOCH (L. N.).—<span class="smcap">Romance of the -Insect World.</span> Cr. 8vo. 6<i>s.</i></p> - -<p>BUCKTON (G. B.).—<span class="smcap">Monograph of the -British Cicadæ, or Tettigidæ.</span> 2 vols. -42<i>s.</i> net; or in 8 Parts. 8<i>s.</i> each net.</p> - -<p>LUBBOCK (Sir John).—<span class="smcap">The Origin and -Metamorphoses of Insects.</span> Illustrated. -Cr. 8vo. 3<i>s.</i> 6<i>d.</i></p> - -<p>SCUDDER (S. H.).—<span class="smcap">Fossil Insects of -North America.</span> Map and Plates. 2 -vols. 4to. 90<i>s.</i> net.</p> - -<h4 id="ORNITHOLOGY">Ornithology.</h4> - -<p>COUES (Elliott).—<span class="smcap">Key to North American -Birds.</span> Illustrated. 8vo. 2<i>l.</i> 2<i>s.</i></p> - -<p>—— <span class="smcap">Handbook of Field and General Ornithology.</span> -Illustrated. 8vo. 10<i>s.</i> net.</p> - -<p>FOWLER (W. W.). (<i>See</i> <a href="#NATURAL_HISTORY"><span class="smcap">Natural History</span></a>.)</p> - -<p>WHITE (Gilbert). (<i>See</i> <a href="#NATURAL_HISTORY"><span class="smcap">Natural History</span></a>.)</p> - -<hr class="chap" /> - -<p><span class="pagenum"><a name="Catalogue_Page_44" id="Catalogue_Page_44">{44}</a></span></p> - -<h3 id="INDEX">INDEX.</h3> - -<ul> -<li class="ifrst"><span style="margin-left: 10em;">PAGE</span></li> -<li class="ifrst"><span class="smcap">Abbey</span> (E. A.), <a href="#Catalogue_Page_13">13</a>, <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Abbot</span> (F. E.), <a href="#Catalogue_Page_36">36</a></li> -<li class="indx"><span class="smcap">Abbott</span> (E. A.), <a href="#Catalogue_Page_3">3</a>, <a href="#Catalogue_Page_14">14</a>, <a href="#Catalogue_Page_33">33</a>, <a href="#Catalogue_Page_36">36</a></li> -<li class="indx"><span class="smcap">Acland</span> (Sir H. W.), <a href="#Catalogue_Page_24">24</a></li> -<li class="indx"><span class="smcap">Adams</span> (Sir F. O.), <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Addison</span>, <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_20">20</a>, <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Agassiz</span> (L.), <a href="#Catalogue_Page_3">3</a></li> -<li class="indx"><span class="smcap">Ainger</span> (Rev. A.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_5">5</a>, <a href="#Catalogue_Page_17">17</a>, <a href="#Catalogue_Page_23">23</a>, <a href="#Catalogue_Page_36">36</a></li> -<li class="indx"><span class="smcap">Ainslie</span> (A. D.), <a href="#Catalogue_Page_15">15</a></li> -<li class="indx"><span class="smcap">Airy</span> (Sir G. B.), <a href="#Catalogue_Page_2">2</a>, <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Aitken</span> (Mary C.), <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Aitken</span> (Sir W.), <a href="#Catalogue_Page_26">26</a></li> -<li class="indx"><span class="smcap">Albemarle</span> (Earl of), <a href="#Catalogue_Page_3">3</a></li> -<li class="indx"><span class="smcap">Aldous</span> (J. C. P.), <a href="#Catalogue_Page_35">35</a></li> -<li class="indx"><span class="smcap">Aldrich</span> (T. B.), <a href="#Catalogue_Page_14">14</a></li> -<li class="indx"><span class="smcap">Alexander</span> (C. F.), <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Alexander</span> (T.), <a href="#Catalogue_Page_9">9</a></li> -<li class="indx"><span class="smcap">Alexander</span> (Bishop), <a href="#Catalogue_Page_36">36</a></li> -<li class="indx"><span class="smcap">Allbutt</span> (T. C.), <a href="#Catalogue_Page_24">24</a></li> -<li class="indx"><span class="smcap">Allen</span> (G.), <a href="#Catalogue_Page_6">6</a></li> -<li class="indx"><span class="smcap">Allingham</span> (W.), <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Amiel</span> (H. F.), <a href="#Catalogue_Page_3">3</a></li> -<li class="indx"><span class="smcap">Anderson</span> (A.), <a href="#Catalogue_Page_15">15</a></li> -<li class="indx"><span class="smcap">Anderson</span> (Dr. McCall), <a href="#Catalogue_Page_24">24</a></li> -<li class="indx"><span class="smcap">Andrews</span> (C. M.), <a href="#Catalogue_Page_10">10</a></li> -<li class="indx"><span class="smcap">Andrews</span> (Dr. Thomas), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Appleton</span> (T. G.), <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Archer-Hind</span> (R. D.), <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Arnold</span> (M.), <a href="#Catalogue_Page_8">8</a>, <a href="#Catalogue_Page_15">15</a>, <a href="#Catalogue_Page_21">21</a>, <a href="#Catalogue_Page_22">22</a>, <a href="#Catalogue_Page_31">31</a>, <a href="#Catalogue_Page_33">33</a></li> -<li class="indx"><span class="smcap">Arnold</span> (Dr. T.), <a href="#Catalogue_Page_10">10</a></li> -<li class="indx"><span class="smcap">Arnold</span> (W. T.), <a href="#Catalogue_Page_10">10</a></li> -<li class="indx"><span class="smcap">Ashley</span> (W. J.), <a href="#Catalogue_Page_3">3</a></li> -<li class="indx"><span class="smcap">Atkinson</span> (J. B.), <a href="#Catalogue_Page_2">2</a></li> -<li class="indx"><span class="smcap">Atkinson</span> (Rev. J. C.), <a href="#Catalogue_Page_1">1</a>, <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Attwell</span> (H.), <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Austin</span> (Alfred), <a href="#Catalogue_Page_15">15</a></li> -<li class="indx"><span class="smcap">Autenrieth</span> (Georg), <a href="#Catalogue_Page_8">8</a></li> -<li class="indx"><span class="smcap">Awdry</span> (F.), <a href="#Catalogue_Page_41">41</a></li> -<li class="ifrst"><span class="smcap">Bacon</span> (Francis), <a href="#Catalogue_Page_3">3</a>, <a href="#Catalogue_Page_21">21</a>, <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Badenoch</span> (L. N.), <a href="#Catalogue_Page_43">43</a></li> -<li class="indx"><span class="smcap">Baines</span> (Rev. E.), <a href="#Catalogue_Page_36">36</a></li> -<li class="indx"><span class="smcap">Baker</span> (Sir S. W.), <a href="#Catalogue_Page_31">31</a>, <a href="#Catalogue_Page_32">32</a>, <a href="#Catalogue_Page_40">40</a>, <a href="#Catalogue_Page_41">41</a>, <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">Balch</span> (Elizabeth), <a href="#Catalogue_Page_12">12</a></li> -<li class="indx"><span class="smcap">Baldwin</span> (Prof. J. M.), <a href="#Catalogue_Page_28">28</a></li> -<li class="indx"><span class="smcap">Balfour</span> (F. M.), <a href="#Catalogue_Page_6">6</a></li> -<li class="indx"><span class="smcap">Balfour</span> (J. B.), <a href="#Catalogue_Page_6">6</a></li> -<li class="indx"><span class="smcap">Ball</span> (V.), <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Ball</span> (W. Platt), <a href="#Catalogue_Page_6">6</a></li> -<li class="indx"><span class="smcap">Ball</span> (W. W. R.), <a href="#Catalogue_Page_24">24</a></li> -<li class="indx"><span class="smcap">Ballance</span> (C. A.), <a href="#Catalogue_Page_24">24</a></li> -<li class="indx"><span class="smcap">Barker</span> (G. F.), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Barker</span> (Lady), <a href="#Catalogue_Page_2">2</a>, <a href="#Catalogue_Page_8">8</a>, <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Barnard</span> (C.), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Barnes</span> (W.), <a href="#Catalogue_Page_3">3</a></li> -<li class="indx"><span class="smcap">Barnett</span> (E. A.), <a href="#Catalogue_Page_8">8</a></li> -<li class="indx"><span class="smcap">Bartholomew</span> (J. G.), <a href="#Catalogue_Page_3">3</a></li> -<li class="indx"><span class="smcap">Bartlett</span> (J.), <a href="#Catalogue_Page_8">8</a></li> -<li class="indx"><span class="smcap">Barwell</span> (R.), <a href="#Catalogue_Page_24">24</a></li> -<li class="indx"><span class="smcap">Bastable</span> (Prof. C. F.), <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Bastian</span> (H. C.), <a href="#Catalogue_Page_6">6</a>, <a href="#Catalogue_Page_25">25</a></li> -<li class="indx"><span class="smcap">Bates</span> (K. L.), <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Bateson</span> (W.), <a href="#Catalogue_Page_6">6</a></li> -<li class="indx"><span class="smcap">Bath</span> (Marquis of), <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Bather</span> (Archdeacon), <a href="#Catalogue_Page_36">36</a></li> -<li class="indx"><span class="smcap">Baxter</span> (L.), <a href="#Catalogue_Page_3">3</a></li> -<li class="indx"><span class="smcap">Beesly</span> (Mrs.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_10">10</a></li> -<li class="indx"><span class="smcap">Benham</span> (Rev. W.), <a href="#Catalogue_Page_5">5</a>, <a href="#Catalogue_Page_21">21</a>, <a href="#Catalogue_Page_22">22</a>, <a href="#Catalogue_Page_35">35</a></li> -<li class="indx"><span class="smcap">Benson</span> (Archbishop), <a href="#Catalogue_Page_36">36</a></li> -<li class="indx"><span class="smcap">Benson</span> (W. A. S.), <a href="#Catalogue_Page_32">32</a></li> -<li class="indx"><span class="smcap">Berlioz</span> (H.), <a href="#Catalogue_Page_3">3</a></li> -<li class="indx"><span class="smcap">Bernard</span> (C. E.), <a href="#Catalogue_Page_3">3</a></li> -<li class="indx"><span class="smcap">Bernard</span> (J. H.), <a href="#Catalogue_Page_27">27</a></li> -<li class="indx"><span class="smcap">Bernard</span> (H. M.), <a href="#Catalogue_Page_6">6</a></li> -<li class="indx"><span class="smcap">Bernard</span> (M.), <a href="#Catalogue_Page_13">13</a></li> -<li class="indx"><span class="smcap">Bernard</span> (T. D.), <a href="#Catalogue_Page_36">36</a></li> -<li class="indx"><span class="smcap">Berners</span> (J.), <a href="#Catalogue_Page_12">12</a></li> -<li class="indx"><span class="smcap">Besant</span> (W.), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Bethune-Baker</span> (J. F.), <a href="#Catalogue_Page_36">36</a></li> -<li class="indx"><span class="smcap">Bettany</span> (G. T.), <a href="#Catalogue_Page_6">6</a></li> -<li class="indx"><span class="smcap">Bickerton</span> (T. H.), <a href="#Catalogue_Page_25">25</a></li> -<li class="indx"><span class="smcap">Bigelow</span> (M. M.), <a href="#Catalogue_Page_13">13</a></li> -<li class="indx"><span class="smcap">Bikélas</span> (D.), <a href="#Catalogue_Page_18">18</a></li> -<li class="indx"><span class="smcap">Binnie</span> (Rev. W.), <a href="#Catalogue_Page_36">36</a></li> -<li class="indx"><span class="smcap">Birks</span> (T. R.), <a href="#Catalogue_Page_6">6</a>, <a href="#Catalogue_Page_27">27</a>, <a href="#Catalogue_Page_33">33</a>, <a href="#Catalogue_Page_36">36</a></li> -<li class="indx"><span class="smcap">Björnson</span> (B.), <a href="#Catalogue_Page_18">18</a></li> -<li class="indx"><span class="smcap">Black</span> (W.), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Blackburne</span> (E.), <a href="#Catalogue_Page_3">3</a></li> -<li class="indx"><span class="smcap">Blackie</span> (J. S.), <a href="#Catalogue_Page_10">10</a>, <a href="#Catalogue_Page_15">15</a>, <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Blake</span> (J. F.), <a href="#Catalogue_Page_3">3</a></li> -<li class="indx"><span class="smcap">Blake</span> (W.), <a href="#Catalogue_Page_3">3</a></li> -<li class="indx"><span class="smcap">Blakiston</span> (J. R.), <a href="#Catalogue_Page_8">8</a></li> -<li class="indx"><span class="smcap">Blanford</span> (H. F.), <a href="#Catalogue_Page_9">9</a>, <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Blanford</span> (W. T.), <a href="#Catalogue_Page_9">9</a>, <a href="#Catalogue_Page_26">26</a></li> -<li class="indx"><span class="smcap">Blennerhassett</span> (R.), <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Blomfield</span> (R.), <a href="#Catalogue_Page_9">9</a></li> -<li class="indx"><span class="smcap">Blyth</span> (A. W.), <a href="#Catalogue_Page_12">12</a></li> -<li class="indx"><span class="smcap">Böhm-Bawerk</span> (Prof.), <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Boissevain</span> (G. M.), <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Boldrewood</span> (Rolf), <a href="#Catalogue_Page_18">18</a></li> -<li class="indx"><span class="smcap">Bonar</span> (J.), <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Bond</span> (Rev. J.), <a href="#Catalogue_Page_34">34</a></li> -<li class="indx"><span class="smcap">Boole</span> (G.), <a href="#Catalogue_Page_28">28</a></li> -<li class="indx"><span class="smcap">Booth</span> (C.), <a href="#Catalogue_Page_32">32</a></li> -<li class="indx"><span class="smcap">Bose</span> (W. P. du), <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">Boughton</span> (G. H.), <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Boutmy</span> (E.), <a href="#Catalogue_Page_13">13</a></li> -<li class="indx"><span class="smcap">Bowen</span> (H. C.), <a href="#Catalogue_Page_27">27</a></li> -<li class="indx"><span class="smcap">Bower</span> (F. O.), <a href="#Catalogue_Page_6">6</a></li> -<li class="indx"><span class="smcap">Brett</span> (R. B.), <a href="#Catalogue_Page_10">10</a></li> -<li class="indx"><span class="smcap">Bridges</span> (J. A.), <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Bright</span> (H. A.), <a href="#Catalogue_Page_9">9</a></li> -<li class="indx"><span class="smcap">Bright</span> (John), <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Brimley</span> (G.), <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Brodie</span> (Sir B. C.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Brodribb</span> (W. J.), <a href="#Catalogue_Page_14">14</a>, <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Brooke</span> (Sir J.), <a href="#Catalogue_Page_3">3</a></li> -<li class="indx"><span class="smcap">Brooke</span> (S. A.), <a href="#Catalogue_Page_14">14</a>, <a href="#Catalogue_Page_15">15</a>, <a href="#Catalogue_Page_21">21</a>, <a href="#Catalogue_Page_35">35</a>, <a href="#Catalogue_Page_36">36</a></li> -<li class="indx"><span class="smcap">Brooks</span> (Bishop), <a href="#Catalogue_Page_36">36</a>, <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Brown</span> (A. C.), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Brown</span> (J. A.), <a href="#Catalogue_Page_1">1</a></li> -<li class="indx"><span class="smcap">Brown</span> (Dr. James), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Brown</span> (T. E.), <a href="#Catalogue_Page_15">15</a></li> -<li class="indx"><span class="smcap">Browne</span> (J. H. B.), <a href="#Catalogue_Page_12">12</a></li> -<li class="indx"><span class="smcap">Browne</span> (Sir T.), <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Brunton</span> (Dr. T. Lauder), <a href="#Catalogue_Page_25">25</a>, <a href="#Catalogue_Page_36">36</a></li> -<li class="indx"><span class="smcap">Bryce</span> (James), <a href="#Catalogue_Page_10">10</a>, <a href="#Catalogue_Page_31">31</a>, <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Buchheim</span> (C. A.), <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Buckland</span> (A.), <a href="#Catalogue_Page_5">5</a>, <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Buckley</span> (A. B.), <a href="#Catalogue_Page_10">10</a>, <a href="#Catalogue_Page_11">11</a></li> -<li class="indx"><span class="smcap">Bucknill</span> (Dr. J. C.), <a href="#Catalogue_Page_25">25</a></li> -<li class="indx"><span class="smcap">Buckton</span> (G. B.), <a href="#Catalogue_Page_43">43</a></li> -<li class="indx"><span class="smcap">Bunyan</span>, <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_21">21</a>, <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Burgon</span> (J. W.), <a href="#Catalogue_Page_15">15</a></li> -<li class="indx"><span class="smcap">Burke</span> (E.), <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Burn</span> (R.), <a href="#Catalogue_Page_1">1</a></li> -<li class="indx"><span class="smcap">Burnett</span> (F. Hodgson), <a href="#Catalogue_Page_18">18</a></li> -<li class="indx"><span class="smcap">Burns</span>, <a href="#Catalogue_Page_15">15</a>, <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Bury</span> (J. B.), <a href="#Catalogue_Page_10">10</a></li> -<li class="indx"><span class="smcap">Butcher</span> (Prof. S. H.), <a href="#Catalogue_Page_14">14</a>, <a href="#Catalogue_Page_21">21</a>, <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Butler</span> (A. J.), <a href="#Catalogue_Page_14">14</a>, <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Butler</span> (Rev. G.), <a href="#Catalogue_Page_36">36</a></li> -<li class="indx"><span class="smcap">Butler</span> (Samuel), <a href="#Catalogue_Page_15">15</a></li> -<li class="indx"><span class="smcap">Butler</span> (W. Archer), <a href="#Catalogue_Page_36">36</a></li> -<li class="indx"><span class="smcap">Butler</span> (Sir W. F.), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Buxton</span> (Mrs. S.), <a href="#Catalogue_Page_33">33</a></li> -<li class="indx"><span class="smcap">Byron</span>, <a href="#Catalogue_Page_22">22</a></li> -<li class="ifrst"><span class="smcap">Cairnes</span> (J. E.), <a href="#Catalogue_Page_30">30</a>, <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Caldecott</span> (R.), <a href="#Catalogue_Page_13">13</a>, <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Calderon</span>, <a href="#Catalogue_Page_15">15</a></li> -<li class="indx"><span class="smcap">Calderwood</span> (Prof. H.), <a href="#Catalogue_Page_6">6</a>, <a href="#Catalogue_Page_8">8</a>, <a href="#Catalogue_Page_27">27</a>, <a href="#Catalogue_Page_28">28</a></li> -<li class="indx"><span class="smcap">Calvert</span> (Rev. A.), <a href="#Catalogue_Page_34">34</a></li> -<li class="indx"><span class="smcap">Cameron</span> (V. L.), <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Campbell</span> (G.), <a href="#Catalogue_Page_3">3</a></li> -<li class="indx"><span class="smcap">Campbell</span> (J. D.), <a href="#Catalogue_Page_15">15</a></li> -<li class="indx"><span class="smcap">Campbell</span> (J. F.), <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Campbell</span> (Dr. J. M.), <a href="#Catalogue_Page_36">36</a></li> -<li class="indx"><span class="smcap">Campbell</span> (Prof. Lewis), <a href="#Catalogue_Page_5">5</a>, <a href="#Catalogue_Page_14">14</a></li> -<li class="indx"><span class="smcap">Cantillon</span>, <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Capes</span> (W. W.), <a href="#Catalogue_Page_14">14</a></li> -<li class="indx"><span class="smcap">Carles</span> (W. R.), <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Carlyle</span> (T.), <a href="#Catalogue_Page_3">3</a></li> -<li class="indx"><span class="smcap">Carmarthen</span> (Lady), <a href="#Catalogue_Page_18">18</a></li> -<li class="indx"><span class="smcap">Carnarvon</span> (Earl of), <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Carnot</span> (N. L. G.), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Carpenter</span> (Bishop), <a href="#Catalogue_Page_36">36</a></li> -<li class="indx"><span class="smcap">Carr</span> (J. C.), <a href="#Catalogue_Page_2">2</a></li> -<li class="indx"><span class="smcap">Carroll</span> (Lewis), <a href="#Catalogue_Page_28">28</a>, <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">Carter</span> (R. Brudenell), <a href="#Catalogue_Page_25">25</a></li> -<li class="indx"><span class="smcap">Cassel</span> (Dr. D.), <a href="#Catalogue_Page_10">10</a></li> -<li class="indx"><span class="smcap">Cautley</span> (G. S.), <a href="#Catalogue_Page_15">15</a></li> -<li class="indx"><span class="smcap">Cazenove</span> (J. G.), <a href="#Catalogue_Page_36">36</a></li> -<li class="indx"><span class="smcap">Chalmers</span> (J. B.), <a href="#Catalogue_Page_9">9</a></li> -<li class="indx"><span class="smcap">Chalmers</span> (M. D.), <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Chapman</span> (Elizabeth R.), <a href="#Catalogue_Page_14">14</a></li> -<li class="indx"><span class="smcap">Chappell</span> (W.), <a href="#Catalogue_Page_26">26</a></li> -<li class="indx"><span class="smcap">Chase</span> (Rev. F. H.), <a href="#Catalogue_Page_34">34</a></li> -<li class="indx"><span class="smcap">Chasseresse</span> (Diana), <a href="#Catalogue_Page_32">32</a></li> -<li class="indx"><span class="smcap">Cherry</span> (R. R.), <a href="#Catalogue_Page_13">13</a></li> -<li class="indx"><span class="smcap">Cheyne</span> (C. H. H.), <a href="#Catalogue_Page_3">3</a></li> -<li class="indx"><span class="smcap">Cheyne</span> (T. K.), <a href="#Catalogue_Page_33">33</a></li> -<li class="indx"><span class="smcap">Christie</span> (J.), <a href="#Catalogue_Page_25">25</a></li> -<li class="indx"><span class="smcap">Christie</span> (W. D.), <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Church</span> (Prof. A. H.), <a href="#Catalogue_Page_6">6</a></li> -<li class="indx"><span class="smcap">Church</span> (Rev. A. J.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_33">33</a>, <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Church</span> (F. J.), <a href="#Catalogue_Page_22">22</a>, <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Church</span> (Dean), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_5">5</a>, <a href="#Catalogue_Page_21">21</a>, <a href="#Catalogue_Page_34">34</a>, <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">Clare</span> (G.), <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Clark</span> (J. W.), <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Clark</span> (L.), <a href="#Catalogue_Page_3">3</a></li> -<li class="indx"><span class="smcap">Clark</span> (R.), <a href="#Catalogue_Page_32">32</a></li> -<li class="indx"><span class="smcap">Clark</span> (S.), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Clarke</span> (C. B.), <a href="#Catalogue_Page_9">9</a>, <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Cleveland</span> (Duchess), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="pagenum"><a name="Catalogue_Page_45" id="Catalogue_Page_45">{45}</a></span><span class="smcap">Clifford</span> (Ed.), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Clifford</span> (W. K.), <a href="#Catalogue_Page_21">21</a>, <a href="#Catalogue_Page_28">28</a></li> -<li class="indx"><span class="smcap">Clifford</span> (Mrs. W. K.), <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">Clough</span> (A. H.), <a href="#Catalogue_Page_15">15</a>, <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Cobden</span> (R.), <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Cohen</span> (J. B.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Colenso</span> (J. W.), <a href="#Catalogue_Page_35">35</a></li> -<li class="indx"><span class="smcap">Coleridge</span> (C. R.), <a href="#Catalogue_Page_20">20</a></li> -<li class="indx"><span class="smcap">Coleridge</span> (S. T.), <a href="#Catalogue_Page_15">15</a></li> -<li class="indx"><span class="smcap">Collier</span> (Hon. John), <a href="#Catalogue_Page_2">2</a></li> -<li class="indx"><span class="smcap">Collins</span> (J. Churton), <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Colquhoun</span> (F. S.), <a href="#Catalogue_Page_15">15</a></li> -<li class="indx"><span class="smcap">Colvin</span> (Sidney), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_22">22</a>, <a href="#Catalogue_Page_23">23</a></li> -<li class="indx"><span class="smcap">Combe</span> (G.), <a href="#Catalogue_Page_8">8</a></li> -<li class="indx"><span class="smcap">Commons</span> (J. R.), <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Congreve</span> (Rev. J.), <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">Conway</span> (Hugh), <a href="#Catalogue_Page_18">18</a></li> -<li class="indx"><span class="smcap">Cook</span> (E. T.), <a href="#Catalogue_Page_2">2</a></li> -<li class="indx"><span class="smcap">Cooke</span> (C. Kinloch), <a href="#Catalogue_Page_26">26</a></li> -<li class="indx"><span class="smcap">Cooke</span> (J. P.), <a href="#Catalogue_Page_7">7</a>, <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">Cooper</span> (E. H.), <a href="#Catalogue_Page_18">18</a></li> -<li class="indx"><span class="smcap">Corbett</span> (J.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_18">18</a>, <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">Corfield</span> (W. H.), <a href="#Catalogue_Page_12">12</a></li> -<li class="indx"><span class="smcap">Cossa</span> (L.), <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Cotterill</span> (J. H.), <a href="#Catalogue_Page_9">9</a></li> -<li class="indx"><span class="smcap">Cotton</span> (Bishop), <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">Cotton</span> (C.), <a href="#Catalogue_Page_13">13</a></li> -<li class="indx"><span class="smcap">Cotton</span> (J. S.), <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Coues</span> (E.), <a href="#Catalogue_Page_43">43</a></li> -<li class="indx"><span class="smcap">Courthope</span> (W. J.), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Cowell</span> (G.), <a href="#Catalogue_Page_25">25</a></li> -<li class="indx"><span class="smcap">Cowper</span>, <a href="#Catalogue_Page_21">21</a>, <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Cox</span> (G. V.), <a href="#Catalogue_Page_10">10</a></li> -<li class="indx"><span class="smcap">Craik</span> (Mrs.), <a href="#Catalogue_Page_15">15</a>, <a href="#Catalogue_Page_18">18</a>, <a href="#Catalogue_Page_21">21</a>, <a href="#Catalogue_Page_22">22</a>, <a href="#Catalogue_Page_41">41</a>, <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">Craik</span> (H.), <a href="#Catalogue_Page_8">8</a>, <a href="#Catalogue_Page_21">21</a>, <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Crane</span> (Lucy), <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">Crane</span> (Walter), <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">Craven</span> (Mrs. D.), <a href="#Catalogue_Page_8">8</a></li> -<li class="indx"><span class="smcap">Crawford</span> (F. M.), <a href="#Catalogue_Page_18">18</a>, <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Creighton</span> (Bishop M.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_11">11</a></li> -<li class="indx"><span class="smcap">Crichton-Browne</span> (Sir J.), <a href="#Catalogue_Page_8">8</a></li> -<li class="indx"><span class="smcap">Cross</span> (J. A.), <a href="#Catalogue_Page_33">33</a></li> -<li class="indx"><span class="smcap">Crosskey</span> (R.), <a href="#Catalogue_Page_12">12</a></li> -<li class="indx"><span class="smcap">Crossley</span> (E.), <a href="#Catalogue_Page_3">3</a></li> -<li class="indx"><span class="smcap">Crossley</span> (H.), <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Cumming</span> (L.), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Cunliffe</span> (J. W.), <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Cunningham</span> (C.), <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Cunningham</span> (Sir H. S.), <a href="#Catalogue_Page_18">18</a></li> -<li class="indx"><span class="smcap">Cunningham</span> (Rev. J.), <a href="#Catalogue_Page_34">34</a></li> -<li class="indx"><span class="smcap">Cunningham</span> (Rev. W), <a href="#Catalogue_Page_34">34</a>, <a href="#Catalogue_Page_36">36</a>, <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">Cunynghame</span> (Sir A. T.), <a href="#Catalogue_Page_26">26</a></li> -<li class="indx"><span class="smcap">Curteis</span> (Rev. G. H.), <a href="#Catalogue_Page_35">35</a>, <a href="#Catalogue_Page_37">37</a></li> -<li class="ifrst"><span class="smcap">Dahlstrom</span> (K. P.), <a href="#Catalogue_Page_9">9</a></li> -<li class="indx"><span class="smcap">Dahn</span> (F.), <a href="#Catalogue_Page_18">18</a></li> -<li class="indx"><span class="smcap">Dakyns</span> (H. G.), <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Dale</span> (A. W. W.), <a href="#Catalogue_Page_34">34</a></li> -<li class="indx"><span class="smcap">Dalton</span> (Rev. J. N.), <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Daniell</span> (Alfred), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Dante</span>, <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_14">14</a>, <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Davies</span> (Rev. J. Ll.), <a href="#Catalogue_Page_34">34</a>, <a href="#Catalogue_Page_35">35</a>, <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">Davies</span> (W.), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Dawkins</span> (W. B.), <a href="#Catalogue_Page_1">1</a></li> -<li class="indx"><span class="smcap">Dawson</span> (G. M.), <a href="#Catalogue_Page_9">9</a></li> -<li class="indx"><span class="smcap">Dawson</span> (Sir J. W.), <a href="#Catalogue_Page_9">9</a></li> -<li class="indx"><span class="smcap">Dawson</span> (W. J.), <a href="#Catalogue_Page_15">15</a></li> -<li class="indx"><span class="smcap">Day</span> (L. B.), <a href="#Catalogue_Page_18">18</a></li> -<li class="indx"><span class="smcap">Day</span> (R. E.), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Defoe</span> (D.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_21">21</a>, <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Deighton</span> (K.), <a href="#Catalogue_Page_5">5</a>, <a href="#Catalogue_Page_16">16</a></li> -<li class="indx"><span class="smcap">Delamotte</span> (P. H.), <a href="#Catalogue_Page_2">2</a></li> -<li class="indx"><span class="smcap">Dell</span> (E. C.), <a href="#Catalogue_Page_12">12</a></li> -<li class="indx"><span class="smcap">De Morgan</span> (M.), <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">De Varigny</span> (H.), <a href="#Catalogue_Page_6">6</a></li> -<li class="indx"><span class="smcap">De Vere</span> (A.), <a href="#Catalogue_Page_15">15</a>, <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Dicey</span> (A. V.), <a href="#Catalogue_Page_3">3</a>, <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Dickens</span> (C.), <a href="#Catalogue_Page_5">5</a>, <a href="#Catalogue_Page_18">18</a>, <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Dickens</span> (M. A.), <a href="#Catalogue_Page_18">18</a>, <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Diggle</span> (Rev. J. W.), <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">Dilke</span> (Ashton W.), <a href="#Catalogue_Page_20">20</a></li> -<li class="indx"><span class="smcap">Dilke</span> (Sir Charles W.), <a href="#Catalogue_Page_26">26</a>, <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Dillwyn</span> (E. A.), <a href="#Catalogue_Page_18">18</a></li> -<li class="indx"><span class="smcap">Dobbin</span> (L.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Dobson</span> (A.), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Donaldson</span> (J.), <a href="#Catalogue_Page_36">36</a></li> -<li class="indx"><span class="smcap">Donisthorpe</span> (W.), <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Dowden</span> (E.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_14">14</a>, <a href="#Catalogue_Page_17">17</a></li> -<li class="indx"><span class="smcap">Doyle</span> (Sir F. H.), <a href="#Catalogue_Page_15">15</a></li> -<li class="indx"><span class="smcap">Doyle</span> (J. A.), <a href="#Catalogue_Page_11">11</a></li> -<li class="indx"><span class="smcap">Drake</span> (B.), <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Drummond</span> (Prof. J.), <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">Dryden</span>, <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Du Cane</span> (E. F.), <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Duff</span> (Sir M. E. G.), <a href="#Catalogue_Page_5">5</a>, <a href="#Catalogue_Page_21">21</a>, <a href="#Catalogue_Page_31">31</a>, <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Dunsmuir</span> (A.), <a href="#Catalogue_Page_19">19</a></li> -<li class="indx"><span class="smcap">Düntzer</span> (H.), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Durand</span> (Sir R.), <a href="#Catalogue_Page_19">19</a></li> -<li class="indx"><span class="smcap">Dyer</span> (L.), <a href="#Catalogue_Page_2">2</a>, <a href="#Catalogue_Page_30">30</a></li> -<li class="ifrst"><span class="smcap">Eadie</span> (J.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_33">33</a>, <a href="#Catalogue_Page_34">34</a></li> -<li class="indx"><span class="smcap">Eastlake</span> (Lady), <a href="#Catalogue_Page_35">35</a></li> -<li class="indx"><span class="smcap">Ebers</span> (G.), <a href="#Catalogue_Page_19">19</a></li> -<li class="indx"><span class="smcap">Eccles</span> (A. S.), <a href="#Catalogue_Page_25">25</a></li> -<li class="indx"><span class="smcap">Edgeworth</span> (Prof. F. Y.), <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Edmunds</span> (Dr. W.), <a href="#Catalogue_Page_24">24</a></li> -<li class="indx"><span class="smcap">Edwards-Moss</span> (Sir J. E.), <a href="#Catalogue_Page_32">32</a></li> -<li class="indx"><span class="smcap">Eimer</span> (G. H. T.), <a href="#Catalogue_Page_6">6</a></li> -<li class="indx"><span class="smcap">Elderton</span> (W. A.), <a href="#Catalogue_Page_9">9</a></li> -<li class="indx"><span class="smcap">Ellerton</span> (Rev. J.), <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">Elliot</span> (Hon. A.), <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Ellis</span> (T.), <a href="#Catalogue_Page_2">2</a></li> -<li class="indx"><span class="smcap">Emerson</span> (R. W.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Evans</span> (S.), <a href="#Catalogue_Page_15">15</a></li> -<li class="indx"><span class="smcap">Everett</span> (J. D.), <a href="#Catalogue_Page_29">29</a></li> -<li class="ifrst"><span class="smcap">Falconer</span> (Lanoe), <a href="#Catalogue_Page_19">19</a></li> -<li class="indx"><span class="smcap">Farrar</span> (Archdeacon), <a href="#Catalogue_Page_6">6</a>, <a href="#Catalogue_Page_33">33</a>, <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">Farrer</span> (Sir T. H.), <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Faulkner</span> (F.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Fawcett</span> (Prof. H.), <a href="#Catalogue_Page_30">30</a>, <a href="#Catalogue_Page_32">32</a></li> -<li class="indx"><span class="smcap">Fawcett</span> (M. G.), <a href="#Catalogue_Page_6">6</a>, <a href="#Catalogue_Page_31">31</a>, <a href="#Catalogue_Page_32">32</a></li> -<li class="indx"><span class="smcap">Fay</span> (Amy), <a href="#Catalogue_Page_26">26</a></li> -<li class="indx"><span class="smcap">Fearnley</span> (W.), <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Fearon</span> (D. R.), <a href="#Catalogue_Page_8">8</a></li> -<li class="indx"><span class="smcap">Ferrel</span> (W.), <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Fessenden</span> (C.), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Finck</span> (H. T.), <a href="#Catalogue_Page_1">1</a></li> -<li class="indx"><span class="smcap">Finlayson</span> (T. C.), <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Fisher</span> (Rev. O.), <a href="#Catalogue_Page_29">29</a>, <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Fiske</span> (J.), <a href="#Catalogue_Page_6">6</a>, <a href="#Catalogue_Page_10">10</a>, <a href="#Catalogue_Page_27">27</a>, <a href="#Catalogue_Page_32">32</a>, <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">Fison</span> (L.), <a href="#Catalogue_Page_1">1</a></li> -<li class="indx"><span class="smcap">Fitch</span> (J. G.), <a href="#Catalogue_Page_8">8</a></li> -<li class="indx"><span class="smcap">Fitz Gerald</span> (Caroline), <a href="#Catalogue_Page_15">15</a></li> -<li class="indx"><span class="smcap">Fitzgerald</span> (Edward), <a href="#Catalogue_Page_15">15</a>, <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Fitzmaurice</span> (Lord E.), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Fleischer</span> (E.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Fleming</span> (G.), <a href="#Catalogue_Page_19">19</a></li> -<li class="indx"><span class="smcap">Flower</span> (Sir W. H.), <a href="#Catalogue_Page_43">43</a></li> -<li class="indx"><span class="smcap">Flückiger</span> (F. A.), <a href="#Catalogue_Page_25">25</a></li> -<li class="indx"><span class="smcap">Forbes</span> (A.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Forbes</span> (Prof. G.), <a href="#Catalogue_Page_3">3</a></li> -<li class="indx"><span class="smcap">Forbes</span> (Rev. G. H.), <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">Forbes-Mitchell</span> (W.), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Foster</span> (Prof. M.), <a href="#Catalogue_Page_6">6</a>, <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Fothergill</span> (Dr. J. M.), <a href="#Catalogue_Page_8">8</a>, <a href="#Catalogue_Page_25">25</a></li> -<li class="indx"><span class="smcap">Fowle</span> (Rev. T. W.), <a href="#Catalogue_Page_31">31</a>, <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">Fowler</span> (Rev. T.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_28">28</a></li> -<li class="indx"><span class="smcap">Fowler</span> (W. W.), <a href="#Catalogue_Page_2">2</a>, <a href="#Catalogue_Page_26">26</a></li> -<li class="indx"><span class="smcap">Fox</span> (Dr. Wilson), <a href="#Catalogue_Page_25">25</a></li> -<li class="indx"><span class="smcap">Foxwell</span> (Prof. H. S), <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Framji</span> (D.), <a href="#Catalogue_Page_10">10</a></li> -<li class="indx"><span class="smcap">Frankland</span> (P. F.), <a href="#Catalogue_Page_1">1</a></li> -<li class="indx"><span class="smcap">Fraser</span> (Bishop), <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">Fraser-Tytler</span> (C. C.), <a href="#Catalogue_Page_15">15</a></li> -<li class="indx"><span class="smcap">Frazer</span> (J. G.), <a href="#Catalogue_Page_1">1</a></li> -<li class="indx"><span class="smcap">Freeman</span> (Prof. E. A.), <a href="#Catalogue_Page_2">2</a>, <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_10">10</a>, <a href="#Catalogue_Page_11">11</a>, <a href="#Catalogue_Page_32">32</a>, <a href="#Catalogue_Page_35">35</a></li> -<li class="indx"><span class="smcap">French</span> (G. R.), <a href="#Catalogue_Page_14">14</a></li> -<li class="indx"><span class="smcap">Friedmann</span> (P.), <a href="#Catalogue_Page_3">3</a></li> -<li class="indx"><span class="smcap">Frost</span> (A. B.), <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">Froude</span> (J. A.), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Fullerton</span> (W. M.), <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Furniss</span> (Harry), <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">Furnivall</span> (F. J.), <a href="#Catalogue_Page_15">15</a></li> -<li class="indx"><span class="smcap">Fyffe</span> (C. A.), <a href="#Catalogue_Page_11">11</a></li> -<li class="indx"><span class="smcap">Fyfe</span> (H. H.), <a href="#Catalogue_Page_10">10</a></li> -<li class="ifrst"><span class="smcap">Gairdner</span> (J.), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Gaisford</span> (H.), <a href="#Catalogue_Page_9">9</a></li> -<li class="indx"><span class="smcap">Galton</span> (F.), <a href="#Catalogue_Page_1">1</a></li> -<li class="indx"><span class="smcap">Gamgee</span> (Arthur), <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Gardner</span> (Percy), <a href="#Catalogue_Page_2">2</a></li> -<li class="indx"><span class="smcap">Garnett</span> (R.), <a href="#Catalogue_Page_15">15</a></li> -<li class="indx"><span class="smcap">Garnett</span> (W.), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Gaskell</span> (Mrs.), <a href="#Catalogue_Page_12">12</a></li> -<li class="indx"><span class="smcap">Gaskoin</span> (Mrs. H.), <a href="#Catalogue_Page_33">33</a></li> -<li class="indx"><span class="smcap">Geddes</span> (W. D.), <a href="#Catalogue_Page_14">14</a>, <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Gee</span> (W. H.), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Geikie</span> (Sir A.), <a href="#Catalogue_Page_9">9</a>, <a href="#Catalogue_Page_10">10</a>, <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Gennadius</span> (J.), <a href="#Catalogue_Page_18">18</a></li> -<li class="indx"><span class="smcap">Gibbins</span> (H. de B.), <a href="#Catalogue_Page_10">10</a></li> -<li class="indx"><span class="smcap">Gibbon</span> (Charles), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Gilchrist</span> (A.), <a href="#Catalogue_Page_3">3</a></li> -<li class="indx"><span class="smcap">Giles</span> (P.), <a href="#Catalogue_Page_27">27</a></li> -<li class="indx"><span class="smcap">Gilman</span> (N. P.), <a href="#Catalogue_Page_31">31</a>, <a href="#Catalogue_Page_32">32</a></li> -<li class="indx"><span class="smcap">Gilmore</span> (Rev. J.), <a href="#Catalogue_Page_13">13</a></li> -<li class="indx"><span class="smcap">Gladstone</span> (Dr. J. H.), <a href="#Catalogue_Page_7">7</a>, <a href="#Catalogue_Page_8">8</a></li> -<li class="indx"><span class="smcap">Gladstone</span> (W. E.), <a href="#Catalogue_Page_14">14</a></li> -<li class="indx"><span class="smcap">Glaister</span> (E.), <a href="#Catalogue_Page_2">2</a>, <a href="#Catalogue_Page_8">8</a></li> -<li class="indx"><span class="smcap">Godfray</span> (H.), <a href="#Catalogue_Page_3">3</a></li> -<li class="indx"><span class="smcap">Godkin</span> (G. S.), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Goethe</span>, <a href="#Catalogue_Page_3">3</a>, <a href="#Catalogue_Page_5">5</a>, <a href="#Catalogue_Page_15">15</a>, <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Goldsmith</span>, <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_12">12</a>, <a href="#Catalogue_Page_15">15</a>, <a href="#Catalogue_Page_21">21</a>, <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Goodale</span> (Prof. G. L.), <a href="#Catalogue_Page_6">6</a></li> -<li class="indx"><span class="smcap">Goodfellow</span> (J.), <a href="#Catalogue_Page_12">12</a></li> -<li class="indx"><span class="smcap">Gordon</span> (General C. G.), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Gordon</span> (Lady Duff), <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Gordon</span> (H.), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Goschen</span> (Rt. Hon. G. J.), <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Gosse</span> (Edmund), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_14">14</a></li> -<li class="indx"><span class="smcap">Gow</span> (J.), <a href="#Catalogue_Page_2">2</a></li> -<li class="indx"><span class="smcap">Graham</span> (D.), <a href="#Catalogue_Page_15">15</a></li> -<li class="indx"><span class="smcap">Graham</span> (J. W.), <a href="#Catalogue_Page_19">19</a></li> -<li class="indx"><span class="smcap">Grand’homme</span> (E.), <a href="#Catalogue_Page_8">8</a></li> -<li class="indx"><span class="smcap">Gray</span> (Prof. Andrew), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Gray</span> (Asa), <a href="#Catalogue_Page_6">6</a>, <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Gray</span>, <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_15">15</a>, <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Gray</span> (J. L.), <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Green</span> (J. R.), <a href="#Catalogue_Page_9">9</a>, <a href="#Catalogue_Page_11">11</a>, <a href="#Catalogue_Page_12">12</a>, <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Green</span> (Mrs. J. R.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_9">9</a>, <a href="#Catalogue_Page_11">11</a></li> -<li class="indx"><span class="smcap">Green</span> (W. S.), <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Greenhill</span> (W. A.), <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Greenwood</span> (F.), <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Greenwood</span> (J. E.), <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">Grenfell</span> (Mrs.), <a href="#Catalogue_Page_8">8</a></li> -<li class="indx"><span class="smcap">Griffiths</span> (W. H.), <a href="#Catalogue_Page_25">25</a></li> -<li class="indx"><span class="smcap">Grimm</span>, <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">Grove</span> (Sir G.), <a href="#Catalogue_Page_9">9</a>, <a href="#Catalogue_Page_26">26</a></li> -<li class="indx"><span class="smcap">Guest</span> (E.), <a href="#Catalogue_Page_11">11</a></li> -<li class="indx"><span class="smcap">Guest</span> (M. J.), <a href="#Catalogue_Page_11">11</a></li> -<li class="indx"><span class="smcap">Guillemin</span> (A.), <a href="#Catalogue_Page_26">26</a>, <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Guizot</span> (F. P. G.), <a href="#Catalogue_Page_6">6</a></li> -<li class="indx"><span class="smcap">Gunton</span> (G.), <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Gwatkin</span> (H. M.), <a href="#Catalogue_Page_34">34</a></li> -<li class="ifrst"><span class="smcap">Hales</span> (J. W.), <a href="#Catalogue_Page_15">15</a>, <a href="#Catalogue_Page_18">18</a>, <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Hallward</span> (R. F.), <a href="#Catalogue_Page_12">12</a></li> -<li class="indx"><span class="smcap">Hamerton</span> (P. G.), <a href="#Catalogue_Page_2">2</a>, <a href="#Catalogue_Page_12">12</a>, <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Hamilton</span> (Prof. D. J.), <a href="#Catalogue_Page_25">25</a></li> -<li class="indx"><span class="pagenum"><a name="Catalogue_Page_46" id="Catalogue_Page_46">{46}</a></span><span class="smcap">Hamilton</span> (J.), <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">Hanbury</span> (D.), <a href="#Catalogue_Page_7">7</a>, <a href="#Catalogue_Page_25">25</a></li> -<li class="indx"><span class="smcap">Hannay</span> (David), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Hardwick</span> (Archd. C.), <a href="#Catalogue_Page_34">34</a>, <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">Hardy</span> (A. S.), <a href="#Catalogue_Page_19">19</a></li> -<li class="indx"><span class="smcap">Hardy</span> (T.), <a href="#Catalogue_Page_19">19</a></li> -<li class="indx"><span class="smcap">Hare</span> (A. W.), <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Hare</span> (J. C.), <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">Harper</span> (Father Thos.), <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">Harris</span> (Rev. G. C.), <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">Harrison</span> (F.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_6">6</a>, <a href="#Catalogue_Page_12">12</a>, <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Harrison</span> (Miss J.), <a href="#Catalogue_Page_2">2</a></li> -<li class="indx"><span class="smcap">Harte</span> (Bret), <a href="#Catalogue_Page_19">19</a></li> -<li class="indx"><span class="smcap">Hartig</span> (Dr. R.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Hartley</span> (Prof. W. N.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Harwood</span> (G.), <a href="#Catalogue_Page_22">22</a>, <a href="#Catalogue_Page_32">32</a>, <a href="#Catalogue_Page_35">35</a></li> -<li class="indx"><span class="smcap">Hauser</span> (K.), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Hayes</span> (A.), <a href="#Catalogue_Page_15">15</a></li> -<li class="indx"><span class="smcap">Headlam</span> (A. C.), <a href="#Catalogue_Page_2">2</a></li> -<li class="indx"><span class="smcap">Headlam</span> (W.), <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Heaviside</span> (O.), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Helps</span> (Sir A.), <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Hempel</span> (Dr. W.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Herodotus</span>, <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Herrick</span>, <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Herrmann</span> (G.), <a href="#Catalogue_Page_9">9</a></li> -<li class="indx"><span class="smcap">Hertel</span> (Dr.), <a href="#Catalogue_Page_9">9</a></li> -<li class="indx"><span class="smcap">Hickie</span> (W. J.), <a href="#Catalogue_Page_33">33</a></li> -<li class="indx"><span class="smcap">Hill</span> (D. J.), <a href="#Catalogue_Page_28">28</a></li> -<li class="indx"><span class="smcap">Hill</span> (F. Davenport), <a href="#Catalogue_Page_32">32</a></li> -<li class="indx"><span class="smcap">Hill</span> (O.), <a href="#Catalogue_Page_32">32</a></li> -<li class="indx"><span class="smcap">Hiorns</span> (A. H.), <a href="#Catalogue_Page_26">26</a></li> -<li class="indx"><span class="smcap">Hobart</span> (Lord), <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Hobday</span> (E.), <a href="#Catalogue_Page_9">9</a></li> -<li class="indx"><span class="smcap">Hodgson</span> (Rev. J. T.), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Höffding</span> (Prof. H.), <a href="#Catalogue_Page_28">28</a></li> -<li class="indx"><span class="smcap">Hofmann</span> (A. W.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Hole</span> (Rev. C.), <a href="#Catalogue_Page_8">8</a>, <a href="#Catalogue_Page_11">11</a></li> -<li class="indx"><span class="smcap">Holiday</span> (Henry), <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">Holland</span> (T. E.), <a href="#Catalogue_Page_13">13</a>, <a href="#Catalogue_Page_32">32</a></li> -<li class="indx"><span class="smcap">Hollway-Calthrop</span> (H.), <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Holmes</span> (O. W., junr.), <a href="#Catalogue_Page_13">13</a></li> -<li class="indx"><span class="smcap">Homer</span>, <a href="#Catalogue_Page_14">14</a>, <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Hood</span> (T.), <a href="#Catalogue_Page_12">12</a></li> -<li class="indx"><span class="smcap">Hooker</span> (Sir J. D.), <a href="#Catalogue_Page_7">7</a>, <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Hoole</span> (C. H.), <a href="#Catalogue_Page_33">33</a></li> -<li class="indx"><span class="smcap">Hooper</span> (G.), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Hooper</span> (W. H.), <a href="#Catalogue_Page_2">2</a></li> -<li class="indx"><span class="smcap">Hope</span> (F. J.), <a href="#Catalogue_Page_9">9</a></li> -<li class="indx"><span class="smcap">Hopkins</span> (E.), <a href="#Catalogue_Page_15">15</a></li> -<li class="indx"><span class="smcap">Hoppus</span> (M. A. M.), <a href="#Catalogue_Page_19">19</a></li> -<li class="indx"><span class="smcap">Horace</span>, <a href="#Catalogue_Page_14">14</a>, <a href="#Catalogue_Page_21">21</a>, <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Hort</span> (F. J. A.), <a href="#Catalogue_Page_33">33</a>, <a href="#Catalogue_Page_35">35</a>, <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">Horton</span> (Hon. S. D.), <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Hosken</span> (J. D.), <a href="#Catalogue_Page_15">15</a></li> -<li class="indx"><span class="smcap">Hovenden</span> (R. M.), <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Howell</span> (George), <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Howes</span> (G. B.), <a href="#Catalogue_Page_43">43</a></li> -<li class="indx"><span class="smcap">Howitt</span> (A. W.), <a href="#Catalogue_Page_1">1</a></li> -<li class="indx"><span class="smcap">Howson</span> (Very Rev. J. S.), <a href="#Catalogue_Page_35">35</a></li> -<li class="indx"><span class="smcap">Hozier</span> (Col. H. M.), <a href="#Catalogue_Page_26">26</a></li> -<li class="indx"><span class="smcap">Hübner</span> (Baron), <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Hughes</span> (T.), <a href="#Catalogue_Page_3">3</a>, <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_5">5</a>, <a href="#Catalogue_Page_15">15</a>, <a href="#Catalogue_Page_19">19</a>, <a href="#Catalogue_Page_22">22</a>, <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Hull</span> (E.), <a href="#Catalogue_Page_2">2</a>, <a href="#Catalogue_Page_10">10</a></li> -<li class="indx"><span class="smcap">Hullah</span> (J.), <a href="#Catalogue_Page_2">2</a>, <a href="#Catalogue_Page_23">23</a>, <a href="#Catalogue_Page_26">26</a></li> -<li class="indx"><span class="smcap">Hume</span> (D.), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Humphry</span> (Prof. Sir G. M.), <a href="#Catalogue_Page_30">30</a>, <a href="#Catalogue_Page_43">43</a></li> -<li class="indx"><span class="smcap">Hunt</span> (W.), <a href="#Catalogue_Page_11">11</a></li> -<li class="indx"><span class="smcap">Hunt</span> (W. M.), <a href="#Catalogue_Page_2">2</a></li> -<li class="indx"><span class="smcap">Hutchinson</span> (G. W. C.), <a href="#Catalogue_Page_2">2</a></li> -<li class="indx"><span class="smcap">Hutton</span> (R. H.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Huxley</span> (T.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_23">23</a>, <a href="#Catalogue_Page_28">28</a>, <a href="#Catalogue_Page_30">30</a>, <a href="#Catalogue_Page_32">32</a>, <a href="#Catalogue_Page_43">43</a></li> -<li class="ifrst"><span class="smcap">Illingworth</span> (Rev. J. R.), <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">Ingram</span> (T. D.), <a href="#Catalogue_Page_11">11</a></li> -<li class="indx"><span class="smcap">Ireland</span> (A.), <a href="#Catalogue_Page_23">23</a></li> -<li class="indx"><span class="smcap">Irving</span> (H.), <a href="#Catalogue_Page_17">17</a></li> -<li class="indx"><span class="smcap">Irving</span> (J.), <a href="#Catalogue_Page_10">10</a></li> -<li class="indx"><span class="smcap">Irving</span> (Washington), <a href="#Catalogue_Page_13">13</a></li> -<li class="ifrst"><span class="smcap">Jackson</span> (D. C.), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Jackson</span> (Helen), <a href="#Catalogue_Page_19">19</a></li> -<li class="indx"><span class="smcap">Jacob</span> (Rev. J. A.), <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">James</span> (Henry), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_19">19</a>, <a href="#Catalogue_Page_23">23</a></li> -<li class="indx"><span class="smcap">James</span> (Rev. H.), <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">James</span> (Prof. W.), <a href="#Catalogue_Page_28">28</a></li> -<li class="indx"><span class="smcap">Jardine</span> (Rev. R.), <a href="#Catalogue_Page_28">28</a></li> -<li class="indx"><span class="smcap">Jeans</span> (Rev. G. E.), <a href="#Catalogue_Page_37">37</a>, <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Jebb</span> (Prof. R. C.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_11">11</a>, <a href="#Catalogue_Page_14">14</a>, <a href="#Catalogue_Page_23">23</a></li> -<li class="indx"><span class="smcap">Jellett</span> (Rev. J. H.), <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">Jenks</span> (Prof. Ed.), <a href="#Catalogue_Page_32">32</a></li> -<li class="indx"><span class="smcap">Jennings</span> (A. C.), <a href="#Catalogue_Page_11">11</a>, <a href="#Catalogue_Page_33">33</a></li> -<li class="indx"><span class="smcap">Jephson</span> (H.), <a href="#Catalogue_Page_32">32</a></li> -<li class="indx"><span class="smcap">Jevons</span> (W. S.), <a href="#Catalogue_Page_5">5</a>, <a href="#Catalogue_Page_28">28</a>, <a href="#Catalogue_Page_31">31</a>, <a href="#Catalogue_Page_32">32</a></li> -<li class="indx"><span class="smcap">Jex-Blake</span> (Sophia), <a href="#Catalogue_Page_8">8</a></li> -<li class="indx"><span class="smcap">Johnson</span> (Amy), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Johnson</span> (Samuel), <a href="#Catalogue_Page_5">5</a>, <a href="#Catalogue_Page_14">14</a></li> -<li class="indx"><span class="smcap">Jolley</span> (A. J.), <a href="#Catalogue_Page_33">33</a></li> -<li class="indx"><span class="smcap">Jones</span> (H. Arthur), <a href="#Catalogue_Page_15">15</a></li> -<li class="indx"><span class="smcap">Jones</span> (Prof. D. E.), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Jones</span> (F.), <a href="#Catalogue_Page_7">7</a></li> -<li class="ifrst"><span class="smcap">Kalm</span>, <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Kant</span>, <a href="#Catalogue_Page_28">28</a></li> -<li class="indx"><span class="smcap">Kari</span>, <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">Kavanagh</span> (Rt. Hn. A. M.), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Kay</span> (Rev. W.), <a href="#Catalogue_Page_34">34</a></li> -<li class="indx"><span class="smcap">Keary</span> (Annie), <a href="#Catalogue_Page_11">11</a>, <a href="#Catalogue_Page_19">19</a>, <a href="#Catalogue_Page_33">33</a>, <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">Keary</span> (Eliza), <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">Keats</span>, <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_22">22</a>, <a href="#Catalogue_Page_23">23</a></li> -<li class="indx"><span class="smcap">Kellner</span> (Dr. L.), <a href="#Catalogue_Page_27">27</a></li> -<li class="indx"><span class="smcap">Kellogg</span> (Rev. S. H.), <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">Kelvin</span> (Lord), <a href="#Catalogue_Page_27">27</a>, <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Kempe</span> (A. B.), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Kennedy</span> (Prof. A. B. W.), <a href="#Catalogue_Page_9">9</a></li> -<li class="indx"><span class="smcap">Kennedy</span> (B. H.), <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Kennedy</span> (P.), <a href="#Catalogue_Page_19">19</a></li> -<li class="indx"><span class="smcap">Keynes</span> (J. N.), <a href="#Catalogue_Page_28">28</a>, <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Kiepert</span> (H.), <a href="#Catalogue_Page_9">9</a></li> -<li class="indx"><span class="smcap">Killen</span> (W. D.), <a href="#Catalogue_Page_35">35</a></li> -<li class="indx"><span class="smcap">Kingsley</span> (Charles), <a href="#Catalogue_Page_5">5</a>, <a href="#Catalogue_Page_9">9</a>, <a href="#Catalogue_Page_11">11</a>, <a href="#Catalogue_Page_12">12</a>, <a href="#Catalogue_Page_13">13</a>, <a href="#Catalogue_Page_14">14</a>, <a href="#Catalogue_Page_16">16</a>, <a href="#Catalogue_Page_19">19</a>, <a href="#Catalogue_Page_23">23</a>, <a href="#Catalogue_Page_26">26</a>, <a href="#Catalogue_Page_35">35</a>, <a href="#Catalogue_Page_41">41</a>, <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">Kingsley</span> (Henry), <a href="#Catalogue_Page_21">21</a>, <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Kipling</span> (J. L.), <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Kipling</span> (Rudyard), <a href="#Catalogue_Page_19">19</a></li> -<li class="indx"><span class="smcap">Kirkpatrick</span> (Prof.), <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">Klein</span> (Dr. E.), <a href="#Catalogue_Page_6">6</a>, <a href="#Catalogue_Page_25">25</a>, <a href="#Catalogue_Page_26">26</a></li> -<li class="indx"><span class="smcap">Knight</span> (W.), <a href="#Catalogue_Page_14">14</a>, <a href="#Catalogue_Page_28">28</a></li> -<li class="indx"><span class="smcap">Kuenen</span> (Prof. A.), <a href="#Catalogue_Page_33">33</a></li> -<li class="indx"><span class="smcap">Kynaston</span> (Rev. H.), <a href="#Catalogue_Page_37">37</a>, <a href="#Catalogue_Page_40">40</a></li> -<li class="ifrst"><span class="smcap">Labberton</span> (R. H.), <a href="#Catalogue_Page_3">3</a></li> -<li class="indx"><span class="smcap">Lafargue</span> (P.), <a href="#Catalogue_Page_19">19</a></li> -<li class="indx"><span class="smcap">Lamb</span>, <a href="#Catalogue_Page_5">5</a>, <a href="#Catalogue_Page_22">22</a>, <a href="#Catalogue_Page_23">23</a></li> -<li class="indx"><span class="smcap">Lanciani</span> (Prof. R.), <a href="#Catalogue_Page_2">2</a></li> -<li class="indx"><span class="smcap">Landauer</span> (J.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Landor</span>, <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Lane-Poole</span> (S.), <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Lanfrey</span> (P.), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Lang</span> (Andrew), <a href="#Catalogue_Page_13">13</a>, <a href="#Catalogue_Page_22">22</a>, <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Lang</span> (Prof. Arnold), <a href="#Catalogue_Page_43">43</a></li> -<li class="indx"><span class="smcap">Langley</span> (J. N.), <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Langmaid</span> (T.), <a href="#Catalogue_Page_9">9</a></li> -<li class="indx"><span class="smcap">Lankester</span> (Prof. Ray), <a href="#Catalogue_Page_6">6</a>, <a href="#Catalogue_Page_23">23</a></li> -<li class="indx"><span class="smcap">Laslett</span> (T.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Laurie</span> (A. P.), <a href="#Catalogue_Page_1">1</a></li> -<li class="indx"><span class="smcap">Lea</span> (A. S.), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Leaf</span> (W.), <a href="#Catalogue_Page_14">14</a>, <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Leahy</span> (Sergeant), <a href="#Catalogue_Page_32">32</a></li> -<li class="indx"><span class="smcap">Lee</span> (M.), <a href="#Catalogue_Page_20">20</a></li> -<li class="indx"><span class="smcap">Lee</span> (S.), <a href="#Catalogue_Page_21">21</a>, <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Leeper</span> (A.), <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Legge</span> (A. O.), <a href="#Catalogue_Page_11">11</a>, <a href="#Catalogue_Page_37">37</a></li> -<li class="indx"><span class="smcap">Lemon</span> (Mark), <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Leslie</span> (G. D.), <a href="#Catalogue_Page_23">23</a></li> -<li class="indx"><span class="smcap">Lethaby</span> (W. R.), <a href="#Catalogue_Page_32">32</a></li> -<li class="indx"><span class="smcap">Lethbridge</span> (Sir Roper), <a href="#Catalogue_Page_5">5</a>, <a href="#Catalogue_Page_11">11</a></li> -<li class="indx"><span class="smcap">Levy</span> (Amy), <a href="#Catalogue_Page_20">20</a></li> -<li class="indx"><span class="smcap">Lewis</span> (R.), <a href="#Catalogue_Page_13">13</a></li> -<li class="indx"><span class="smcap">Lightfoot</span> (Bp.), <a href="#Catalogue_Page_23">23</a>, <a href="#Catalogue_Page_33">33</a>, <a href="#Catalogue_Page_34">34</a>, <a href="#Catalogue_Page_36">36</a>, <a href="#Catalogue_Page_38">38</a></li> -<li class="indx"><span class="smcap">Lightwood</span> (J. M.), <a href="#Catalogue_Page_13">13</a></li> -<li class="indx"><span class="smcap">Lindsay</span> (Dr. J. A.), <a href="#Catalogue_Page_25">25</a></li> -<li class="indx"><span class="smcap">Littledale</span> (H.), <a href="#Catalogue_Page_14">14</a></li> -<li class="indx"><span class="smcap">Lockyer</span> (J. N.), <a href="#Catalogue_Page_3">3</a>, <a href="#Catalogue_Page_7">7</a>, <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Lodge</span> (Prof. O. J.), <a href="#Catalogue_Page_3">3</a>, <a href="#Catalogue_Page_23">23</a>, <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Loewy</span> (B.), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Loftie</span> (Mrs. W. J.), <a href="#Catalogue_Page_2">2</a></li> -<li class="indx"><span class="smcap">Longfellow</span> (H. W.), <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Lonsdale</span> (J.), <a href="#Catalogue_Page_21">21</a>, <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Lowe</span> (W. H.), <a href="#Catalogue_Page_32">32</a>, <a href="#Catalogue_Page_33">33</a></li> -<li class="indx"><span class="smcap">Lowell</span> (J. R.), <a href="#Catalogue_Page_13">13</a>, <a href="#Catalogue_Page_16">16</a>, <a href="#Catalogue_Page_23">23</a></li> -<li class="indx"><span class="smcap">Lubbock</span> (Sir J.), <a href="#Catalogue_Page_6">6</a>, <a href="#Catalogue_Page_7">7</a>, <a href="#Catalogue_Page_9">9</a>, <a href="#Catalogue_Page_23">23</a>, <a href="#Catalogue_Page_43">43</a></li> -<li class="indx"><span class="smcap">Lucas</span> (F.), <a href="#Catalogue_Page_16">16</a></li> -<li class="indx"><span class="smcap">Lucas</span> (Joseph), <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Lupton</span> (S.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Lyall</span> (Sir Alfred), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Lysaght</span> (S. R.), <a href="#Catalogue_Page_20">20</a></li> -<li class="indx"><span class="smcap">Lyte</span> (H. C. M.), <a href="#Catalogue_Page_11">11</a></li> -<li class="indx"><span class="smcap">Lyttelton</span> (E.), <a href="#Catalogue_Page_23">23</a></li> -<li class="indx"><span class="smcap">Lytton</span> (Earl of), <a href="#Catalogue_Page_20">20</a></li> -<li class="ifrst"><span class="smcap">MacAlister</span> (D.), <a href="#Catalogue_Page_26">26</a></li> -<li class="indx"><span class="smcap">Macarthur</span> (M.), <a href="#Catalogue_Page_11">11</a></li> -<li class="indx"><span class="smcap">Macaulay</span> (G. C.), <a href="#Catalogue_Page_17">17</a>, <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Macaulay</span> (Lord), <a href="#Catalogue_Page_23">23</a></li> -<li class="indx"><span class="smcap">Maccoll</span> (Norman), <a href="#Catalogue_Page_15">15</a></li> -<li class="indx"><span class="smcap">M’Cosh</span> (Dr. J.), <a href="#Catalogue_Page_28">28</a></li> -<li class="indx"><span class="smcap">Macdonald</span> (G.), <a href="#Catalogue_Page_18">18</a></li> -<li class="indx"><span class="smcap">Mackail</span> (J. W.), <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Maclagan</span> (Dr. T.), <a href="#Catalogue_Page_25">25</a></li> -<li class="indx"><span class="smcap">Maclaren</span> (Rev. Alex.), <a href="#Catalogue_Page_38">38</a></li> -<li class="indx"><span class="smcap">Maclaren</span> (Archibald), <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">Maclean</span> (W. C.), <a href="#Catalogue_Page_25">25</a></li> -<li class="indx"><span class="smcap">Maclear</span> (Rev. Dr.), <a href="#Catalogue_Page_32">32</a>, <a href="#Catalogue_Page_33">33</a>, <a href="#Catalogue_Page_35">35</a></li> -<li class="indx"><span class="smcap">M’Lennan</span> (J. F.), <a href="#Catalogue_Page_1">1</a></li> -<li class="indx"><span class="smcap">M’Lennan</span> (Malcolm), <a href="#Catalogue_Page_20">20</a></li> -<li class="indx"><span class="smcap">Macmillan</span> (Rev. H.), <a href="#Catalogue_Page_23">23</a>, <a href="#Catalogue_Page_38">38</a></li> -<li class="indx"><span class="smcap">Macmillan</span> (Michael), <a href="#Catalogue_Page_5">5</a>, <a href="#Catalogue_Page_16">16</a></li> -<li class="indx"><span class="smcap">Macnamara</span> (C.), <a href="#Catalogue_Page_25">25</a></li> -<li class="indx"><span class="smcap">Macquoid</span> (K. S.), <a href="#Catalogue_Page_20">20</a></li> -<li class="indx"><span class="smcap">Madoc</span> (F.), <a href="#Catalogue_Page_20">20</a></li> -<li class="indx"><span class="smcap">Maguire</span> (J. F.), <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">Mahaffy</span> (Prof. J. P.), <a href="#Catalogue_Page_2">2</a>, <a href="#Catalogue_Page_11">11</a>, <a href="#Catalogue_Page_14">14</a>, <a href="#Catalogue_Page_23">23</a>, <a href="#Catalogue_Page_28">28</a>, <a href="#Catalogue_Page_38">38</a>, <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Maitland</span> (F. W.), <a href="#Catalogue_Page_13">13</a>, <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Malet</span> (L.), <a href="#Catalogue_Page_20">20</a></li> -<li class="indx"><span class="smcap">Malory</span> (Sir T.), <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Mansfield</span> (C. B.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Markham</span> (C. R.), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Marriott</span> (J. A. R.), <a href="#Catalogue_Page_6">6</a></li> -<li class="indx"><span class="smcap">Marshall</span> (Prof. A.), <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Martel</span> (C.), <a href="#Catalogue_Page_26">26</a></li> -<li class="indx"><span class="smcap">Martin</span> (Frances), <a href="#Catalogue_Page_3">3</a>, <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">Martin</span> (Frederick), <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Martin</span> (H. N.), <a href="#Catalogue_Page_43">43</a></li> -<li class="indx"><span class="smcap">Martineau</span> (H.), <a href="#Catalogue_Page_6">6</a></li> -<li class="indx"><span class="smcap">Masson</span> (D.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_5">5</a>, <a href="#Catalogue_Page_16">16</a>, <a href="#Catalogue_Page_21">21</a>, <a href="#Catalogue_Page_28">28</a></li> -<li class="indx"><span class="smcap">Masson</span> (G.), <a href="#Catalogue_Page_8">8</a>, <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Masson</span> (R. O.), <a href="#Catalogue_Page_18">18</a></li> -<li class="indx"><span class="smcap">Maturin</span> (Rev. W.), <a href="#Catalogue_Page_38">38</a></li> -<li class="indx"><span class="smcap">Maudsley</span> (Dr. H.), <a href="#Catalogue_Page_28">28</a></li> -<li class="indx"><span class="smcap">Maurice</span> (F.), <a href="#Catalogue_Page_9">9</a>, <a href="#Catalogue_Page_23">23</a>, <a href="#Catalogue_Page_28">28</a>, <a href="#Catalogue_Page_32">32-35</a>, <a href="#Catalogue_Page_38">38</a></li> -<li class="indx"><span class="smcap">Maurice</span> (Col. F.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_5">5</a>, <a href="#Catalogue_Page_26">26</a>, <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Max Müller</span> (F.), <a href="#Catalogue_Page_28">28</a></li> -<li class="indx"><span class="smcap">Mayer</span> (A. M.), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Mayor</span> (J. B.), <a href="#Catalogue_Page_34">34</a></li> -<li class="indx"><span class="smcap">Mayor</span> (Prof. J. E. B.), <a href="#Catalogue_Page_3">3</a>, <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Mazini</span> (L.), <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">M’Cormick</span> (W. S.), <a href="#Catalogue_Page_14">14</a></li> -<li class="indx"><span class="pagenum"><a name="Catalogue_Page_47" id="Catalogue_Page_47">{47}</a></span><span class="smcap">Meldola</span> (Prof. R.), <a href="#Catalogue_Page_7">7</a>, <a href="#Catalogue_Page_28">28</a>, <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Mendenhall</span> (T. C.), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Mercier</span> (Dr. C.), <a href="#Catalogue_Page_25">25</a></li> -<li class="indx"><span class="smcap">Mercur</span> (Prof. J.), <a href="#Catalogue_Page_26">26</a></li> -<li class="indx"><span class="smcap">Meredith</span> (G.), <a href="#Catalogue_Page_16">16</a></li> -<li class="indx"><span class="smcap">Meredith</span> (L. A.), <a href="#Catalogue_Page_13">13</a></li> -<li class="indx"><span class="smcap">Meyer</span> (E. von), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Michelet</span> (M.), <a href="#Catalogue_Page_11">11</a></li> -<li class="indx"><span class="smcap">Miers</span> (H. A.), <a href="#Catalogue_Page_12">12</a></li> -<li class="indx"><span class="smcap">Mill</span> (H. R.), <a href="#Catalogue_Page_9">9</a></li> -<li class="indx"><span class="smcap">Miller</span> (R. K.), <a href="#Catalogue_Page_3">3</a></li> -<li class="indx"><span class="smcap">Milligan</span> (Rev. W.), <a href="#Catalogue_Page_34">34</a>, <a href="#Catalogue_Page_38">38</a></li> -<li class="indx"><span class="smcap">Milton</span>, <a href="#Catalogue_Page_5">5</a>, <a href="#Catalogue_Page_14">14</a>, <a href="#Catalogue_Page_16">16</a>, <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Minto</span> (Prof. W.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_20">20</a></li> -<li class="indx"><span class="smcap">Mitford</span> (A. B.), <a href="#Catalogue_Page_20">20</a></li> -<li class="indx"><span class="smcap">Mitford</span> (M. R.), <a href="#Catalogue_Page_13">13</a></li> -<li class="indx"><span class="smcap">Mivart</span> (St. George), <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Mixter</span> (W. G.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Mohammad</span>, <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Molesworth</span> (Mrs.), <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">Molloy</span> (G.), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Monahan</span> (J. H.), <a href="#Catalogue_Page_13">13</a></li> -<li class="indx"><span class="smcap">Montelius</span> (O.), <a href="#Catalogue_Page_1">1</a></li> -<li class="indx"><span class="smcap">Moore</span> (C. H.), <a href="#Catalogue_Page_2">2</a></li> -<li class="indx"><span class="smcap">Moorhouse</span> (Bishop), <a href="#Catalogue_Page_38">38</a></li> -<li class="indx"><span class="smcap">Morison</span> (J. C.), <a href="#Catalogue_Page_3">3</a>, <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Morley</span> (John), <a href="#Catalogue_Page_3">3</a>, <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_17">17</a>, <a href="#Catalogue_Page_23">23</a></li> -<li class="indx"><span class="smcap">Morris</span> (Mowbray), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Morris</span> (R.), <a href="#Catalogue_Page_21">21</a>, <a href="#Catalogue_Page_27">27</a></li> -<li class="indx"><span class="smcap">Morshead</span> (E. D. A.), <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Moulton</span> (L. C.), <a href="#Catalogue_Page_16">16</a></li> -<li class="indx"><span class="smcap">Mudie</span> (C. E.), <a href="#Catalogue_Page_16">16</a></li> -<li class="indx"><span class="smcap">Muir</span> (M. M. P.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Müller</span> (H.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Mullinger</span> (J. B.), <a href="#Catalogue_Page_11">11</a></li> -<li class="indx"><span class="smcap">Munro</span> (J. E. C.), <a href="#Catalogue_Page_13">13</a></li> -<li class="indx"><span class="smcap">Murphy</span> (J. J.), <a href="#Catalogue_Page_6">6</a>, <a href="#Catalogue_Page_28">28</a>, <a href="#Catalogue_Page_38">38</a></li> -<li class="indx"><span class="smcap">Murray</span> (D. Christie), <a href="#Catalogue_Page_20">20</a></li> -<li class="indx"><span class="smcap">Myers</span> (E.), <a href="#Catalogue_Page_16">16</a>, <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Myers</span> (F. W. H.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_16">16</a>, <a href="#Catalogue_Page_23">23</a></li> -<li class="indx"><span class="smcap">Mylne</span> (Bishop), <a href="#Catalogue_Page_38">38</a></li> -<li class="ifrst"><span class="smcap">Nadal</span> (E. S.), <a href="#Catalogue_Page_23">23</a></li> -<li class="indx"><span class="smcap">Nettleship</span> (H.), <a href="#Catalogue_Page_14">14</a></li> -<li class="indx"><span class="smcap">Newcastle</span> (Duke and Duchess), <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Newcomb</span> (S.), <a href="#Catalogue_Page_3">3</a></li> -<li class="indx"><span class="smcap">Newton</span> (Sir C. T.), <a href="#Catalogue_Page_2">2</a></li> -<li class="indx"><span class="smcap">Nichol</span> (J.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_14">14</a></li> -<li class="indx"><span class="smcap">Nicholls</span> (H. A. A.), <a href="#Catalogue_Page_1">1</a></li> -<li class="indx"><span class="smcap">Nisbet</span> (J.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Noel</span> (Lady A.), <a href="#Catalogue_Page_20">20</a></li> -<li class="indx"><span class="smcap">Nordenskiöld</span> (A. E.), <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Norgate</span> (Kate), <a href="#Catalogue_Page_11">11</a></li> -<li class="indx"><span class="smcap">Norris</span> (W. E.), <a href="#Catalogue_Page_20">20</a></li> -<li class="indx"><span class="smcap">Norton</span> (Charles Eliot), <a href="#Catalogue_Page_3">3</a>, <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Norton</span> (Hon. Mrs.), <a href="#Catalogue_Page_16">16</a>, <a href="#Catalogue_Page_20">20</a></li> -<li class="ifrst"><span class="smcap">Oliphant</span> (T. L. K.), <a href="#Catalogue_Page_24">24</a>, <a href="#Catalogue_Page_27">27</a></li> -<li class="indx"><span class="smcap">Oliphant</span> (Mrs. M. O. W.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_11">11</a>, <a href="#Catalogue_Page_14">14</a>, <a href="#Catalogue_Page_20">20</a>, <a href="#Catalogue_Page_22">22</a>, <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">Oliver</span> (Prof. D.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Oliver</span> (Capt. S. P.), <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Oman</span> (C. W.), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Orr</span> (H. B.), <a href="#Catalogue_Page_1">1</a></li> -<li class="indx"><span class="smcap">Ostwald</span> (Prof.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Otté</span> (E. C.), <a href="#Catalogue_Page_11">11</a></li> -<li class="ifrst"><span class="smcap">Page</span> (T. E.), <a href="#Catalogue_Page_34">34</a></li> -<li class="indx"><span class="smcap">Palgrave</span> (Sir F.), <a href="#Catalogue_Page_11">11</a></li> -<li class="indx"><span class="smcap">Palgrave</span> (F. T.), <a href="#Catalogue_Page_2">2</a>, <a href="#Catalogue_Page_16">16</a>, <a href="#Catalogue_Page_18">18</a>, <a href="#Catalogue_Page_21">21</a>, <a href="#Catalogue_Page_22">22</a>, <a href="#Catalogue_Page_36">36</a>, <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">Palgrave</span> (R. H. Inglis), <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Palgrave</span> (W. G.), <a href="#Catalogue_Page_16">16</a>, <a href="#Catalogue_Page_32">32</a>, <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Palmer</span> (Lady S.), <a href="#Catalogue_Page_20">20</a></li> -<li class="indx"><span class="smcap">Parker</span> (T. J.), <a href="#Catalogue_Page_5">5</a>, <a href="#Catalogue_Page_6">6</a>, <a href="#Catalogue_Page_43">43</a></li> -<li class="indx"><span class="smcap">Parker</span> (W. K.), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Parker</span> (W. N.), <a href="#Catalogue_Page_43">43</a></li> -<li class="indx"><span class="smcap">Parkin</span> (G. R.), <a href="#Catalogue_Page_32">32</a></li> -<li class="indx"><span class="smcap">Parkinson</span> (S.), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Parkman</span> (F.), <a href="#Catalogue_Page_11">11</a></li> -<li class="indx"><span class="smcap">Parry</span> (G.), <a href="#Catalogue_Page_20">20</a></li> -<li class="indx"><span class="smcap">Parsons</span> (Alfred), <a href="#Catalogue_Page_13">13</a></li> -<li class="indx"><span class="smcap">Pasteur</span> (L.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Pater</span> (W. H.), <a href="#Catalogue_Page_2">2</a>, <a href="#Catalogue_Page_20">20</a>, <a href="#Catalogue_Page_24">24</a></li> -<li class="indx"><span class="smcap">Paterson</span> (J.), <a href="#Catalogue_Page_13">13</a></li> -<li class="indx"><span class="smcap">Patmore</span> (Coventry), <a href="#Catalogue_Page_22">22</a>, <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">Patteson</span> (J. C.), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Pattison</span> (Mark), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_5">5</a>, <a href="#Catalogue_Page_38">38</a></li> -<li class="indx"><span class="smcap">Payne</span> (E. J.), <a href="#Catalogue_Page_11">11</a>, <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Peabody</span> (C. H.), <a href="#Catalogue_Page_9">9</a>, <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Pearson</span> (C. H.), <a href="#Catalogue_Page_32">32</a></li> -<li class="indx"><span class="smcap">Peel</span> (E.), <a href="#Catalogue_Page_16">16</a></li> -<li class="indx"><span class="smcap">Peile</span> (J.), <a href="#Catalogue_Page_27">27</a></li> -<li class="indx"><span class="smcap">Pellissier</span> (E.), <a href="#Catalogue_Page_27">27</a></li> -<li class="indx"><span class="smcap">Pennington</span> (R.), <a href="#Catalogue_Page_10">10</a></li> -<li class="indx"><span class="smcap">Penrose</span> (F. C.), <a href="#Catalogue_Page_1">1</a></li> -<li class="indx"><span class="smcap">Percival</span> (H. M.), <a href="#Catalogue_Page_16">16</a></li> -<li class="indx"><span class="smcap">Perkins</span> (J. B.), <a href="#Catalogue_Page_11">11</a></li> -<li class="indx"><span class="smcap">Perry</span> (Prof. J.), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Pettigrew</span> (J. B.), <a href="#Catalogue_Page_7">7</a>, <a href="#Catalogue_Page_30">30</a>, <a href="#Catalogue_Page_43">43</a></li> -<li class="indx"><span class="smcap">Phillimore</span> (J. G.), <a href="#Catalogue_Page_13">13</a></li> -<li class="indx"><span class="smcap">Phillips</span> (J. A.), <a href="#Catalogue_Page_26">26</a></li> -<li class="indx"><span class="smcap">Phillips</span> (W. C.), <a href="#Catalogue_Page_2">2</a></li> -<li class="indx"><span class="smcap">Picton</span> (J. A.), <a href="#Catalogue_Page_24">24</a></li> -<li class="indx"><span class="smcap">Piffard</span> (H. G.), <a href="#Catalogue_Page_25">25</a></li> -<li class="indx"><span class="smcap">Pike</span> (W.), <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Plato</span>, <a href="#Catalogue_Page_22">22</a>, <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Plumptre</span> (Dean), <a href="#Catalogue_Page_38">38</a></li> -<li class="indx"><span class="smcap">Pollard</span> (A. W.), <a href="#Catalogue_Page_14">14</a>, <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Pollock</span> (Sir Fk., 2nd Bart.), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Pollock</span> (Sir F., Bt.), <a href="#Catalogue_Page_13">13</a>, <a href="#Catalogue_Page_24">24</a>, <a href="#Catalogue_Page_31">31</a>, <a href="#Catalogue_Page_32">32</a></li> -<li class="indx"><span class="smcap">Pollock</span> (Lady), <a href="#Catalogue_Page_2">2</a></li> -<li class="indx"><span class="smcap">Pollock</span> (W. H.), <a href="#Catalogue_Page_2">2</a></li> -<li class="indx"><span class="smcap">Poole</span> (M. E.), <a href="#Catalogue_Page_24">24</a></li> -<li class="indx"><span class="smcap">Poole</span> (R. L.), <a href="#Catalogue_Page_12">12</a></li> -<li class="indx"><span class="smcap">Pope</span>, <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Poste</span> (E.), <a href="#Catalogue_Page_30">30</a>, <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Potter</span> (L.), <a href="#Catalogue_Page_24">24</a></li> -<li class="indx"><span class="smcap">Potter</span> (R.), <a href="#Catalogue_Page_38">38</a></li> -<li class="indx"><span class="smcap">Preston</span> (T.), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Price</span> (L. L. F. R.), <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Prickard</span> (A. O.), <a href="#Catalogue_Page_24">24</a></li> -<li class="indx"><span class="smcap">Prince Albert Victor</span>, <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Prince George</span>, <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Procter</span> (F.), <a href="#Catalogue_Page_35">35</a></li> -<li class="indx"><span class="smcap">Propert</span> (J. L.), <a href="#Catalogue_Page_2">2</a></li> -<li class="ifrst"><span class="smcap">Radcliffe</span> (C. B.), <a href="#Catalogue_Page_3">3</a></li> -<li class="indx"><span class="smcap">Ramsay</span> (W.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Ransome</span> (C.), <a href="#Catalogue_Page_14">14</a></li> -<li class="indx"><span class="smcap">Rathbone</span> (W.), <a href="#Catalogue_Page_8">8</a></li> -<li class="indx"><span class="smcap">Rawlinson</span> (W. G.), <a href="#Catalogue_Page_13">13</a></li> -<li class="indx"><span class="smcap">Rawnsley</span> (H. D.), <a href="#Catalogue_Page_16">16</a></li> -<li class="indx"><span class="smcap">Ray</span> (P. K.), <a href="#Catalogue_Page_28">28</a></li> -<li class="indx"><span class="smcap">Rayleigh</span> (Lord), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Reichel</span> (Bishop), <a href="#Catalogue_Page_38">38</a></li> -<li class="indx"><span class="smcap">Reid</span> (J. S.), <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Remsen</span> (I.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Renan</span> (E.), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Rendall</span> (Rev. F.), <a href="#Catalogue_Page_34">34</a>, <a href="#Catalogue_Page_38">38</a></li> -<li class="indx"><span class="smcap">Rendu</span> (M. le C.), <a href="#Catalogue_Page_10">10</a></li> -<li class="indx"><span class="smcap">Reynolds</span> (H. R.), <a href="#Catalogue_Page_38">38</a></li> -<li class="indx"><span class="smcap">Reynolds</span> (J. R.), <a href="#Catalogue_Page_25">25</a></li> -<li class="indx"><span class="smcap">Reynolds</span> (O.), <a href="#Catalogue_Page_12">12</a></li> -<li class="indx"><span class="smcap">Rhoades</span> (J.), <a href="#Catalogue_Page_20">20</a></li> -<li class="indx"><span class="smcap">Rhodes</span> (J. F.), <a href="#Catalogue_Page_12">12</a></li> -<li class="indx"><span class="smcap">Richardson</span> (B. W.), <a href="#Catalogue_Page_12">12</a>, <a href="#Catalogue_Page_25">25</a></li> -<li class="indx"><span class="smcap">Richey</span> (A. G.), <a href="#Catalogue_Page_13">13</a></li> -<li class="indx"><span class="smcap">Ritchie</span> (A.), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Robinson</span> (Preb. H. G.), <a href="#Catalogue_Page_38">38</a></li> -<li class="indx"><span class="smcap">Robinson</span> (J. L.), <a href="#Catalogue_Page_27">27</a></li> -<li class="indx"><span class="smcap">Robinson</span> (Matthew), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Rochester</span> (Bishop of), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Rockstro</span> (W. S.), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Rogers</span> (J. E. T.), <a href="#Catalogue_Page_12">12</a>, <a href="#Catalogue_Page_32">32</a></li> -<li class="indx"><span class="smcap">Romanes</span> (G. J.), <a href="#Catalogue_Page_6">6</a></li> -<li class="indx"><span class="smcap">Roscoe</span> (Sir H. E.), <a href="#Catalogue_Page_7">7</a>, <a href="#Catalogue_Page_8">8</a></li> -<li class="indx"><span class="smcap">Roscoe</span> (W. C.), <a href="#Catalogue_Page_16">16</a></li> -<li class="indx"><span class="smcap">Rosebery</span> (Earl of), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Rosevear</span> (E.), <a href="#Catalogue_Page_8">8</a></li> -<li class="indx"><span class="smcap">Ross</span> (P.), <a href="#Catalogue_Page_20">20</a></li> -<li class="indx"><span class="smcap">Rossetti</span> (C. G.), <a href="#Catalogue_Page_16">16</a>, <a href="#Catalogue_Page_43">43</a></li> -<li class="indx"><span class="smcap">Routledge</span> (J.), <a href="#Catalogue_Page_32">32</a></li> -<li class="indx"><span class="smcap">Rowe</span> (F. J.), <a href="#Catalogue_Page_17">17</a></li> -<li class="indx"><span class="smcap">Rücker</span> (Prof. A. W.), <a href="#Catalogue_Page_8">8</a></li> -<li class="indx"><span class="smcap">Rumford</span> (Count), <a href="#Catalogue_Page_24">24</a></li> -<li class="indx"><span class="smcap">Rushbrooke</span> (W. G.), <a href="#Catalogue_Page_33">33</a></li> -<li class="indx"><span class="smcap">Russell</span> (Dean), <a href="#Catalogue_Page_38">38</a></li> -<li class="indx"><span class="smcap">Russell</span> (Sir Charles), <a href="#Catalogue_Page_32">32</a></li> -<li class="indx"><span class="smcap">Russell</span> (W. Clark), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_20">20</a></li> -<li class="indx"><span class="smcap">Ryland</span> (F.), <a href="#Catalogue_Page_14">14</a></li> -<li class="indx"><span class="smcap">Ryle</span> (Prof. H. E.), <a href="#Catalogue_Page_33">33</a>, <a href="#Catalogue_Page_38">38</a></li> -<li class="ifrst"><span class="smcap">St. Johnston</span> (A.), <a href="#Catalogue_Page_20">20</a>, <a href="#Catalogue_Page_41">41</a>, <a href="#Catalogue_Page_43">43</a></li> -<li class="indx"><span class="smcap">Sadler</span> (H.), <a href="#Catalogue_Page_3">3</a></li> -<li class="indx"><span class="smcap">Saintsbury</span> (G.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_14">14</a></li> -<li class="indx"><span class="smcap">Salmon</span> (Rev. G.), <a href="#Catalogue_Page_38">38</a></li> -<li class="indx"><span class="smcap">Sandford</span> (Bishop), <a href="#Catalogue_Page_38">38</a></li> -<li class="indx"><span class="smcap">Sandford</span> (M. E.), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Sandys</span> (J. E.), <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Sayce</span> (A. H.), <a href="#Catalogue_Page_12">12</a></li> -<li class="indx"><span class="smcap">Scaife</span> (W. B.), <a href="#Catalogue_Page_24">24</a></li> -<li class="indx"><span class="smcap">Scartazzini</span> (G. A.), <a href="#Catalogue_Page_14">14</a></li> -<li class="indx"><span class="smcap">Schliemann</span> (Dr.), <a href="#Catalogue_Page_2">2</a></li> -<li class="indx"><span class="smcap">Schorlemmer</span> (C.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Scott</span> (Sir W.), <a href="#Catalogue_Page_16">16</a>, <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Scratchley</span> (Sir Peter), <a href="#Catalogue_Page_26">26</a></li> -<li class="indx"><span class="smcap">Scudder</span> (S. H.), <a href="#Catalogue_Page_43">43</a></li> -<li class="indx"><span class="smcap">Seaton</span> (Dr. E. C.), <a href="#Catalogue_Page_25">25</a></li> -<li class="indx"><span class="smcap">Seeley</span> (J. R.), <a href="#Catalogue_Page_12">12</a></li> -<li class="indx"><span class="smcap">Seiler</span> (Dr. Carl), <a href="#Catalogue_Page_25">25</a>, <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Selborne</span> (Earl of), <a href="#Catalogue_Page_22">22</a>, <a href="#Catalogue_Page_35">35</a>, <a href="#Catalogue_Page_36">36</a></li> -<li class="indx"><span class="smcap">Sellers</span> (E.), <a href="#Catalogue_Page_2">2</a></li> -<li class="indx"><span class="smcap">Service</span> (J.), <a href="#Catalogue_Page_35">35</a>, <a href="#Catalogue_Page_38">38</a></li> -<li class="indx"><span class="smcap">Sewell</span> (E. M.), <a href="#Catalogue_Page_12">12</a></li> -<li class="indx"><span class="smcap">Shadwell</span> (C. L.), <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Shairp</span> (J. C.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_16">16</a></li> -<li class="indx"><span class="smcap">Shakespeare</span>, <a href="#Catalogue_Page_14">14</a>, <a href="#Catalogue_Page_16">16</a>, <a href="#Catalogue_Page_21">21</a>, <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Shann</span> (G.), <a href="#Catalogue_Page_9">9</a>, <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Sharp</span> (W.), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Shelley</span>, <a href="#Catalogue_Page_17">17</a>, <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Shirley</span> (W. N.), <a href="#Catalogue_Page_38">38</a></li> -<li class="indx"><span class="smcap">Shorthouse</span> (J. H.), <a href="#Catalogue_Page_20">20</a></li> -<li class="indx"><span class="smcap">Shortland</span> (Admiral), <a href="#Catalogue_Page_27">27</a></li> -<li class="indx"><span class="smcap">Shuchhardt</span> (Carl), <a href="#Catalogue_Page_2">2</a></li> -<li class="indx"><span class="smcap">Shuckburgh</span> (E. S.), <a href="#Catalogue_Page_12">12</a>, <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Shufeldt</span> (R. W.), <a href="#Catalogue_Page_43">43</a></li> -<li class="indx"><span class="smcap">Sibson</span> (Dr. F.), <a href="#Catalogue_Page_25">25</a></li> -<li class="indx"><span class="smcap">Sidgwick</span> (Prof. H.), <a href="#Catalogue_Page_28">28</a>, <a href="#Catalogue_Page_31">31</a>, <a href="#Catalogue_Page_32">32</a></li> -<li class="indx"><span class="smcap">Sime</span> (J.), <a href="#Catalogue_Page_9">9</a>, <a href="#Catalogue_Page_11">11</a></li> -<li class="indx"><span class="smcap">Simpson</span> (Rev. W.), <a href="#Catalogue_Page_35">35</a></li> -<li class="indx"><span class="smcap">Skeat</span> (W. W.), <a href="#Catalogue_Page_14">14</a></li> -<li class="indx"><span class="smcap">Skrine</span> (J. H.), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Slade</span> (J. H.), <a href="#Catalogue_Page_9">9</a></li> -<li class="indx"><span class="smcap">Sleeman</span> (L.), <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Sloman</span> (Rev. A.), <a href="#Catalogue_Page_34">34</a></li> -<li class="indx"><span class="smcap">Smart</span> (W.), <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Smalley</span> (G. W.), <a href="#Catalogue_Page_24">24</a></li> -<li class="indx"><span class="smcap">Smetham</span> (J. and S.), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Smith</span> (A.), <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Smith</span> (C. B.), <a href="#Catalogue_Page_17">17</a></li> -<li class="indx"><span class="smcap">Smith</span> (Goldw.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_6">6</a>, <a href="#Catalogue_Page_18">18</a>, <a href="#Catalogue_Page_24">24</a>, <a href="#Catalogue_Page_32">32</a>, <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Smith</span> (H.), <a href="#Catalogue_Page_17">17</a></li> -<li class="indx"><span class="smcap">Smith</span> (J.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Smith</span> (Rev. T.), <a href="#Catalogue_Page_38">38</a></li> -<li class="indx"><span class="smcap">Smith</span> (W. G.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Smith</span> (W. S.), <a href="#Catalogue_Page_39">39</a></li> -<li class="indx"><span class="smcap">Somerville</span> (Prof. W.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Southey</span>, <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="pagenum"><a name="Catalogue_Page_48" id="Catalogue_Page_48">{48}</a></span><span class="smcap">Spender</span> (J. K.), <a href="#Catalogue_Page_25">25</a></li> -<li class="indx"><span class="smcap">Spenser</span>, <a href="#Catalogue_Page_17">17</a>, <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Spottiswoode</span> (W.), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Stanley</span> (Dean), <a href="#Catalogue_Page_39">39</a></li> -<li class="indx"><span class="smcap">Stanley</span> (Hon. Maude), <a href="#Catalogue_Page_32">32</a></li> -<li class="indx"><span class="smcap">Statham</span> (R.), <a href="#Catalogue_Page_32">32</a></li> -<li class="indx"><span class="smcap">Stebbing</span> (W.), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Steel</span> (F. A.), <a href="#Catalogue_Page_20">20</a></li> -<li class="indx"><span class="smcap">Stephen</span> (C. E.), <a href="#Catalogue_Page_8">8</a></li> -<li class="indx"><span class="smcap">Stephen</span> (H.), <a href="#Catalogue_Page_13">13</a></li> -<li class="indx"><span class="smcap">Stephen</span> (Sir J. F.), <a href="#Catalogue_Page_12">12</a>, <a href="#Catalogue_Page_13">13</a>, <a href="#Catalogue_Page_24">24</a></li> -<li class="indx"><span class="smcap">Stephen</span> (J. K.), <a href="#Catalogue_Page_13">13</a></li> -<li class="indx"><span class="smcap">Stephen</span> (L.), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Stephens</span> (J. B.), <a href="#Catalogue_Page_17">17</a></li> -<li class="indx"><span class="smcap">Stevenson</span> (F. S.), <a href="#Catalogue_Page_6">6</a></li> -<li class="indx"><span class="smcap">Stevenson</span> (J. J.), <a href="#Catalogue_Page_2">2</a></li> -<li class="indx"><span class="smcap">Stewart</span> (A.), <a href="#Catalogue_Page_43">43</a></li> -<li class="indx"><span class="smcap">Stewart</span> (Baltour), <a href="#Catalogue_Page_29">29</a>, <a href="#Catalogue_Page_30">30</a>, <a href="#Catalogue_Page_39">39</a></li> -<li class="indx"><span class="smcap">Stokes</span> (Sir G. G.), <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Story</span> (R. H.), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Stone</span> (W. H.), <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Strachey</span> (Sir E.), <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Strachey</span> (Gen. R.), <a href="#Catalogue_Page_9">9</a></li> -<li class="indx"><span class="smcap">Strangford</span> (Viscountess), <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Strettell</span> (A.), <a href="#Catalogue_Page_17">17</a></li> -<li class="indx"><span class="smcap">Stubbs</span> (Rev. C. W.), <a href="#Catalogue_Page_39">39</a></li> -<li class="indx"><span class="smcap">Stubbs</span> (Bishop), <a href="#Catalogue_Page_34">34</a></li> -<li class="indx"><span class="smcap">Sutherland</span> (A.), <a href="#Catalogue_Page_9">9</a></li> -<li class="indx"><span class="smcap">Swete</span> (Prof. H. B.), <a href="#Catalogue_Page_34">34</a></li> -<li class="indx"><span class="smcap">Symonds</span> (J. A.), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Symonds</span> (Mrs. J. A.), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Symons</span> (A.), <a href="#Catalogue_Page_17">17</a></li> -<li class="ifrst"><span class="smcap">Tainsh</span> (E. C.), <a href="#Catalogue_Page_14">14</a></li> -<li class="indx"><span class="smcap">Tait</span> (Archbishop), <a href="#Catalogue_Page_39">39</a></li> -<li class="indx"><span class="smcap">Tait</span> (C. W. A.), <a href="#Catalogue_Page_12">12</a></li> -<li class="indx"><span class="smcap">Tait</span> (Prof. P. G.), <a href="#Catalogue_Page_29">29</a>, <a href="#Catalogue_Page_30">30</a>, <a href="#Catalogue_Page_39">39</a></li> -<li class="indx"><span class="smcap">Tanner</span> (H.), <a href="#Catalogue_Page_1">1</a></li> -<li class="indx"><span class="smcap">Tavernier</span> (J. B.), <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Taylor</span> (E. R.), <a href="#Catalogue_Page_2">2</a></li> -<li class="indx"><span class="smcap">Taylor</span> (Franklin), <a href="#Catalogue_Page_26">26</a></li> -<li class="indx"><span class="smcap">Taylor</span> (Isaac), <a href="#Catalogue_Page_27">27</a>, <a href="#Catalogue_Page_39">39</a></li> -<li class="indx"><span class="smcap">Taylor</span> (Sedley), <a href="#Catalogue_Page_26">26</a>, <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Tegetmeier</span> (W. B.), <a href="#Catalogue_Page_8">8</a></li> -<li class="indx"><span class="smcap">Temple</span> (Bishop), <a href="#Catalogue_Page_39">39</a></li> -<li class="indx"><span class="smcap">Temple</span> (Sir R.), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Tennant</span> (Dorothy), <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">Tenniel</span>, <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">Tennyson</span>, 14, 17,<a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Tennyson</span> (Frederick), <a href="#Catalogue_Page_17">17</a></li> -<li class="indx"><span class="smcap">Tennyson</span> (Hallam), <a href="#Catalogue_Page_13">13</a>, <a href="#Catalogue_Page_43">43</a></li> -<li class="indx"><span class="smcap">Theodoli</span> (Marchesa), <a href="#Catalogue_Page_20">20</a></li> -<li class="indx"><span class="smcap">Thompson</span> (D’A. W.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Thompson</span> (E.), <a href="#Catalogue_Page_11">11</a></li> -<li class="indx"><span class="smcap">Thompson</span> (H. M.), <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Thompson</span> (S. P.), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Thomson</span> (A. W.), <a href="#Catalogue_Page_9">9</a></li> -<li class="indx"><span class="smcap">Thomson</span> (Sir C. W.), <a href="#Catalogue_Page_43">43</a></li> -<li class="indx"><span class="smcap">Thomson</span> (Hugh), <a href="#Catalogue_Page_12">12</a></li> -<li class="indx"><span class="smcap">Thorne</span> (Dr. Thorne), <a href="#Catalogue_Page_25">25</a></li> -<li class="indx"><span class="smcap">Thornton</span> (J.), <a href="#Catalogue_Page_6">6</a></li> -<li class="indx"><span class="smcap">Thornton</span> (W. T.), <a href="#Catalogue_Page_28">28</a>, <a href="#Catalogue_Page_32">32</a>, <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Thorpe</span> (T. E.), <a href="#Catalogue_Page_8">8</a></li> -<li class="indx"><span class="smcap">Thring</span> (E.), <a href="#Catalogue_Page_9">9</a>, <a href="#Catalogue_Page_24">24</a></li> -<li class="indx"><span class="smcap">Thrupp</span> (J. F.), <a href="#Catalogue_Page_33">33</a></li> -<li class="indx"><span class="smcap">Thursfield</span> (J. R.), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Todhunter</span> (I.), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Torrens</span> (W. M.), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Tourgénief</span> (I. S.), <a href="#Catalogue_Page_20">20</a></li> -<li class="indx"><span class="smcap">Tout</span> (T. F.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_12">12</a></li> -<li class="indx"><span class="smcap">Tozer</span> (H. F.), <a href="#Catalogue_Page_9">9</a></li> -<li class="indx"><span class="smcap">Traill</span> (H. D.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Trench</span> (Capt. F.), <a href="#Catalogue_Page_32">32</a></li> -<li class="indx"><span class="smcap">Trench</span> (Archbishop), <a href="#Catalogue_Page_39">39</a></li> -<li class="indx"><span class="smcap">Trevelyan</span> (Sir G. O.), <a href="#Catalogue_Page_12">12</a></li> -<li class="indx"><span class="smcap">Tribe</span> (A.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Tristram</span> (W. O.), <a href="#Catalogue_Page_13">13</a></li> -<li class="indx"><span class="smcap">Trollope</span> (A.), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Truman</span> (J.), <a href="#Catalogue_Page_17">17</a></li> -<li class="indx"><span class="smcap">Tucker</span> (T. G.), <a href="#Catalogue_Page_39">39</a></li> -<li class="indx"><span class="smcap">Tuckwell</span> (W.), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Tufts</span> (J. H.), <a href="#Catalogue_Page_28">28</a></li> -<li class="indx"><span class="smcap">Tulloch</span> (Principal), <a href="#Catalogue_Page_39">39</a></li> -<li class="indx"><span class="smcap">Turner</span> (C. Tennyson), <a href="#Catalogue_Page_17">17</a></li> -<li class="indx"><span class="smcap">Turner</span> (G.), <a href="#Catalogue_Page_1">1</a></li> -<li class="indx"><span class="smcap">Turner</span> (H. H.), <a href="#Catalogue_Page_29">29</a></li> -<li class="indx"><span class="smcap">Turner</span> (J. M. W.), <a href="#Catalogue_Page_13">13</a></li> -<li class="indx"><span class="smcap">Tylor</span> (E. B.), <a href="#Catalogue_Page_1">1</a></li> -<li class="indx"><span class="smcap">Tyrwhitt</span> (R. St. J.), <a href="#Catalogue_Page_2">2</a>, <a href="#Catalogue_Page_17">17</a></li> -<li class="ifrst"><span class="smcap">Vaughan</span> (C. J.), <a href="#Catalogue_Page_34">34</a>, <a href="#Catalogue_Page_35">35</a>, <a href="#Catalogue_Page_39">39</a></li> -<li class="indx"><span class="smcap">Vaughan</span> (Rev. D. J.), <a href="#Catalogue_Page_22">22</a>, <a href="#Catalogue_Page_39">39</a></li> -<li class="indx"><span class="smcap">Vaughan</span> (Rev. E. T.), <a href="#Catalogue_Page_39">39</a></li> -<li class="indx"><span class="smcap">Vaughan</span> (Rev. R.), <a href="#Catalogue_Page_39">39</a></li> -<li class="indx"><span class="smcap">Veley</span> (M.), <a href="#Catalogue_Page_20">20</a></li> -<li class="indx"><span class="smcap">Venn</span> (Rev. J.), <a href="#Catalogue_Page_28">28</a>, <a href="#Catalogue_Page_39">39</a></li> -<li class="indx"><span class="smcap">Vernon</span> (Hon. W. W.), <a href="#Catalogue_Page_14">14</a></li> -<li class="indx"><span class="smcap">Verrall</span> (A. W.), <a href="#Catalogue_Page_14">14</a>, <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">Verrall</span> (Mrs.), <a href="#Catalogue_Page_2">2</a></li> -<li class="indx"><span class="smcap">Victor</span> (H.), <a href="#Catalogue_Page_20">20</a></li> -<li class="indx"><span class="smcap">Vines</span> (S. H.), <a href="#Catalogue_Page_6">6</a></li> -<li class="ifrst"><span class="smcap">Wain</span> (Louis), <a href="#Catalogue_Page_42">42</a></li> -<li class="indx"><span class="smcap">Waldstein</span> (C.), <a href="#Catalogue_Page_2">2</a></li> -<li class="indx"><span class="smcap">Walker</span> (Prof. F. A.), <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Walker</span> (Jas.), <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Wallace</span> (A. R.), <a href="#Catalogue_Page_6">6</a>, <a href="#Catalogue_Page_26">26</a>, <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Wallace</span> (Sir D. M.), <a href="#Catalogue_Page_32">32</a></li> -<li class="indx"><span class="smcap">Walpole</span> (S.), <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Walton</span> (I.), <a href="#Catalogue_Page_13">13</a></li> -<li class="indx"><span class="smcap">Ward</span> (A. W.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_14">14</a>, <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Ward</span> (H. M.), <a href="#Catalogue_Page_6">6</a>, <a href="#Catalogue_Page_7">7</a></li> -<li class="indx"><span class="smcap">Ward</span> (S.), <a href="#Catalogue_Page_17">17</a></li> -<li class="indx"><span class="smcap">Ward</span> (T. H.), <a href="#Catalogue_Page_18">18</a></li> -<li class="indx"><span class="smcap">Ward</span> (Mrs. T. H.), <a href="#Catalogue_Page_20">20</a>, <a href="#Catalogue_Page_43">43</a></li> -<li class="indx"><span class="smcap">Ward</span> (W.), <a href="#Catalogue_Page_5">5</a>, <a href="#Catalogue_Page_24">24</a>, <a href="#Catalogue_Page_35">35</a></li> -<li class="indx"><span class="smcap">Waters</span> (C. A.), <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Waterton</span> (Charles), <a href="#Catalogue_Page_26">26</a>, <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Watson</span> (E.), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Watson</span> (R. S.), <a href="#Catalogue_Page_41">41</a></li> -<li class="indx"><span class="smcap">Watson</span> (W.), <a href="#Catalogue_Page_17">17</a>, <a href="#Catalogue_Page_21">21</a></li> -<li class="indx"><span class="smcap">Webb</span> (W. T.), <a href="#Catalogue_Page_17">17</a></li> -<li class="indx"><span class="smcap">Webster</span> (Mrs. A.), <a href="#Catalogue_Page_17">17</a>, <a href="#Catalogue_Page_43">43</a></li> -<li class="indx"><span class="smcap">Weisbach</span> (J.), <a href="#Catalogue_Page_9">9</a></li> -<li class="indx"><span class="smcap">Welby-Gregory</span> (Lady), <a href="#Catalogue_Page_35">35</a></li> -<li class="indx"><span class="smcap">Welldon</span> (Rev. J. E. C.), <a href="#Catalogue_Page_39">39</a>, <a href="#Catalogue_Page_40">40</a></li> -<li class="indx"><span class="smcap">West</span> (M.), <a href="#Catalogue_Page_20">20</a></li> -<li class="indx"><span class="smcap">Westcott</span> (Bp.), <a href="#Catalogue_Page_33">33</a>, <a href="#Catalogue_Page_34">34</a>, <a href="#Catalogue_Page_35">35</a>, <a href="#Catalogue_Page_39">39</a></li> -<li class="indx"><span class="smcap">Westermarck</span> (E.), <a href="#Catalogue_Page_1">1</a></li> -<li class="indx"><span class="smcap">Wetherell</span> (J.), <a href="#Catalogue_Page_27">27</a></li> -<li class="indx"><span class="smcap">Wheeler</span> (J. T.), <a href="#Catalogue_Page_12">12</a></li> -<li class="indx"><span class="smcap">Whewell</span> (W.), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">White</span> (Gilbert), <a href="#Catalogue_Page_26">26</a></li> -<li class="indx"><span class="smcap">White</span> (Dr. W. Hale), <a href="#Catalogue_Page_25">25</a></li> -<li class="indx"><span class="smcap">White</span> (W.), <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Whitney</span> (W. D.), <a href="#Catalogue_Page_8">8</a></li> -<li class="indx"><span class="smcap">Whittier</span> (J. G.), <a href="#Catalogue_Page_17">17</a>, <a href="#Catalogue_Page_24">24</a></li> -<li class="indx"><span class="smcap">Whittuck</span> (C. A.), <a href="#Catalogue_Page_39">39</a></li> -<li class="indx"><span class="smcap">Wickham</span> (Rev. E. C.), <a href="#Catalogue_Page_39">39</a></li> -<li class="indx"><span class="smcap">Wicksteed</span> (P. H.), <a href="#Catalogue_Page_31">31</a>, <a href="#Catalogue_Page_33">33</a></li> -<li class="indx"><span class="smcap">Wiedersheim</span> (R.), <a href="#Catalogue_Page_43">43</a></li> -<li class="indx"><span class="smcap">Wieser</span> (F. von), <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Wilbraham</span> (F. M.), <a href="#Catalogue_Page_36">36</a></li> -<li class="indx"><span class="smcap">Wilkins</span> (Prof. A. S.), <a href="#Catalogue_Page_2">2</a>, <a href="#Catalogue_Page_14">14</a>, <a href="#Catalogue_Page_39">39</a></li> -<li class="indx"><span class="smcap">Wilkinson</span> (S.), <a href="#Catalogue_Page_26">26</a></li> -<li class="indx"><span class="smcap">Williams</span> (C. M.), <a href="#Catalogue_Page_28">28</a></li> -<li class="indx"><span class="smcap">Williams</span> (G. H.), <a href="#Catalogue_Page_10">10</a></li> -<li class="indx"><span class="smcap">Williams</span> (Montagu), <a href="#Catalogue_Page_5">5</a></li> -<li class="indx"><span class="smcap">Williams</span> (S. E.), <a href="#Catalogue_Page_13">13</a></li> -<li class="indx"><span class="smcap">Willink</span> (A.), <a href="#Catalogue_Page_39">39</a></li> -<li class="indx"><span class="smcap">Willoughby</span> (E. F.), <a href="#Catalogue_Page_12">12</a></li> -<li class="indx"><span class="smcap">Willoughby</span> (F.), <a href="#Catalogue_Page_43">43</a></li> -<li class="indx"><span class="smcap">Wills</span> (W. G.), <a href="#Catalogue_Page_17">17</a></li> -<li class="indx"><span class="smcap">Wilson</span> (A. J.), <a href="#Catalogue_Page_31">31</a></li> -<li class="indx"><span class="smcap">Wilson</span> (Sir C.), <a href="#Catalogue_Page_4">4</a></li> -<li class="indx"><span class="smcap">Wilson</span> (Sir D.), <a href="#Catalogue_Page_1">1</a>, <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_14">14</a></li> -<li class="indx"><span class="smcap">Wilson</span> (Dr. G.), <a href="#Catalogue_Page_4">4</a>, <a href="#Catalogue_Page_6">6</a>, <a href="#Catalogue_Page_24">24</a></li> -<li class="indx"><span class="smcap">Wilson</span> (Archdeacon), <a href="#Catalogue_Page_39">39</a></li> -<li class="indx"><span class="smcap">Wilson</span> (Mary), <a href="#Catalogue_Page_14">14</a></li> -<li class="indx"><span class="smcap">Windelband</span> (W.), <a href="#Catalogue_Page_28">28</a></li> -<li class="indx"><span class="smcap">Wingate</span> (Major F. R.), <a href="#Catalogue_Page_26">26</a></li> -<li class="indx"><span class="smcap">Winkworth</span> (C.), <a href="#Catalogue_Page_6">6</a></li> -<li class="indx"><span class="smcap">Winkworth</span> (S.), <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Winter</span> (W.), <a href="#Catalogue_Page_13">13</a></li> -<li class="indx"><span class="smcap">Wolseley</span> (Gen. Viscount), <a href="#Catalogue_Page_26">26</a></li> -<li class="indx"><span class="smcap">Wood</span> (A. G.), <a href="#Catalogue_Page_17">17</a></li> -<li class="indx"><span class="smcap">Wood</span> (C. J.), <a href="#Catalogue_Page_39">39</a></li> -<li class="indx"><span class="smcap">Wood</span> (Rev. E. G.), <a href="#Catalogue_Page_39">39</a></li> -<li class="indx"><span class="smcap">Woods</span> (Rev. F. H.), <a href="#Catalogue_Page_1">1</a></li> -<li class="indx"><span class="smcap">Woods</span> (Miss M. A.), <a href="#Catalogue_Page_18">18</a>, <a href="#Catalogue_Page_36">36</a></li> -<li class="indx"><span class="smcap">Woodward</span> (C. M.), <a href="#Catalogue_Page_9">9</a></li> -<li class="indx"><span class="smcap">Woolner</span> (T.), <a href="#Catalogue_Page_17">17</a></li> -<li class="indx"><span class="smcap">Wordsworth</span>, <a href="#Catalogue_Page_6">6</a>, <a href="#Catalogue_Page_14">14</a>, <a href="#Catalogue_Page_17">17</a>, <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Worthey</span> (Mrs.), <a href="#Catalogue_Page_20">20</a></li> -<li class="indx"><span class="smcap">Wright</span> (Rev. A.), <a href="#Catalogue_Page_33">33</a></li> -<li class="indx"><span class="smcap">Wright</span> (C. E. G.), <a href="#Catalogue_Page_8">8</a></li> -<li class="indx"><span class="smcap">Wright</span> (J.), <a href="#Catalogue_Page_9">9</a></li> -<li class="indx"><span class="smcap">Wright</span> (J.), <a href="#Catalogue_Page_22">22</a></li> -<li class="indx"><span class="smcap">Wright</span> (L.), <a href="#Catalogue_Page_30">30</a></li> -<li class="indx"><span class="smcap">Wright</span> (W. A.), <a href="#Catalogue_Page_8">8</a>, <a href="#Catalogue_Page_16">16</a>, <a href="#Catalogue_Page_21">21</a>, <a href="#Catalogue_Page_27">27</a>, <a href="#Catalogue_Page_34">34</a></li> -<li class="indx"><span class="smcap">Wurtz</span> (Ad.), <a href="#Catalogue_Page_8">8</a></li> -<li class="indx"><span class="smcap">Wyatt</span> (Sir M. D.), <a href="#Catalogue_Page_2">2</a></li> -<li class="ifrst"><span class="smcap">Yonge</span> (C. M.), <a href="#Catalogue_Page_5">5</a>, <a href="#Catalogue_Page_6">6</a>, <a href="#Catalogue_Page_7">7</a>, <a href="#Catalogue_Page_8">8</a>, <a href="#Catalogue_Page_11">11</a>, <a href="#Catalogue_Page_12">12</a>, <a href="#Catalogue_Page_20">20</a>, <a href="#Catalogue_Page_22">22</a>, <a href="#Catalogue_Page_24">24</a>, <a href="#Catalogue_Page_27">27</a>, <a href="#Catalogue_Page_33">33</a>, <a href="#Catalogue_Page_43">43</a></li> -<li class="indx"><span class="smcap">Young</span> (E. W.), <a href="#Catalogue_Page_9">9</a></li> -<li class="ifrst"><span class="smcap">Ziegler</span> (Dr. E.), <a href="#Catalogue_Page_26">26</a></li> -</ul> - -<p class="center">MACMILLAN AND CO., LONDON.</p> - -<p class="center">J. PALMER, PRINTER, ALEXANDRA STREET, CAMBRIDGE.</p> - -</div> - - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of A Valiant Ignorance; vol 3 of 3, by -Mary Angela Dickens - -*** END OF THIS PROJECT GUTENBERG EBOOK A VALIANT IGNORANCE; VOL 3 OF 3 *** - -***** This file should be named 55550-h.htm or 55550-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/5/5/5/5/55550/ - -Produced by MFR and the Online Distributed Proofreading -Team at http://www.pgdp.net (This file was produced from -images generously made available by The Internet Archive) - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. 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