diff options
Diffstat (limited to '59801-0.txt')
| -rw-r--r-- | 59801-0.txt | 2149 |
1 files changed, 2149 insertions, 0 deletions
diff --git a/59801-0.txt b/59801-0.txt new file mode 100644 index 0000000..1025ee7 --- /dev/null +++ b/59801-0.txt @@ -0,0 +1,2149 @@ +The Project Gutenberg EBook of Cartoons by Sir John Tenniel, by John Tenniel + +This eBook is for the use of anyone anywhere in the United States and +most other parts of the world at no cost and with almost no restrictions +whatsoever. You may copy it, give it away or re-use it under the terms +of the Project Gutenberg License included with this eBook or online at +www.gutenberg.org. If you are not located in the United States, you'll +have to check the laws of the country where you are located before using +this ebook. + + + +Title: Cartoons by Sir John Tenniel + Selected from the pages of "Punch" + +Author: John Tenniel + +Release Date: June 24, 2019 [EBook #59801] + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK CARTOONS BY SIR JOHN TENNIEL *** + + + + +Produced by Chris Curnow, Robert Tonsing, and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by The Internet Archive) + + + + + + +[Illustration: _Elliott & Fry_] [_London._ + +Sir John Tenniel.] + + + + + Cartoons + + + by + Sir John Tenniel + + Selected from the Pages of “PUNCH.” + + LONDON: + “PUNCH” OFFICE, 10, BOUVERIE STREET. + + BRADBURY, AGNEW & CO., LTD., PRINTERS, + LONDON AND TONBRIDGE. + + + + + Prefatory Note. + + +The present collection of Sir John Tenniel’s Cartoons is intended to be +a selection comprising the more memorable of those which have appeared +in “Punch” during the last 50 years. The first in the collection bears +the date of 1851, and the last is Sir John Tenniel’s final Cartoon in +January, 1901. Short explanatory notes have been provided, but as most +of them will, perhaps, be unnecessary to those to whom the Cartoons +themselves are familiar, they have been grouped together and combined +with the Table of Contents at the commencement of the volume, where +they can readily be referred to. + + _March, 1901._ + + + + + Contents. + + + PAGE + + May Day, 1851 2-3 + The Great Exhibition of All Nations was opened in Hyde Park + on May Day, 1851, by the Queen and the Prince Consort. + + The Bear and the Bees.—A New Version of an Old Story 4 + The invasion of Turkey by the Russian forces had been met by + an unexpected resistance, and had aroused the hostility of + the European Powers. + + What Nicholas Heard in the Shell 5 + The Emperor Nicholas of Russia had provoked a declaration of + war by England and France, and his armies had already + suffered several defeats. + + The British Lion’s Vengeance on the Bengal Tiger 6-7 + The horrible misdeeds of the native Indian soldiers after + the Mutiny aroused throughout the country an + uncontrollable desire for revenge. + + The Quaker and the Bauble 8 + Mr. Bright, at this time, in his zeal for Parliamentary + Reform, was unsparing in his attacks upon the Landed + Interest and the Aristocracy. + + John Bull Guards his Pudding 9 + This year marks the formation of the Volunteer force, which + elicited an enthusiastic response from all classes. + + Dame Cobden’s New Pupil 10 + Richard Cobden was the means of procuring a Treaty of + Commerce between France and England—beneficial to both + countries. + + Lyndhurst as Nestor rebukes the Chiefs 11 + Lord Lyndhurst—the Nestor of the House of Lords—in a + speech of great power reproved the Government for their + neglect of the Navy. + + Right Leg in the Boot at Last 12 + Victor Emmanuel, King of Sardinia, was patriotically urged + by General Garibaldi to aid in the liberation of the Italian + Peninsula. + + New Elgin Marbles 13 + Lord Elgin, having with the English and French forces + occupied Pekin, compelled the Chinese Emperor to pay the + indemnity for the last war. + + “Beggar my Neighbour” 14 + The Emperor Napoleon was making great additions to the + French Navy, provoking a corresponding increase by Great + Britain. + + Papal Allocution.—Snuffing out Modern Civilisation 15 + Pope Pius the Ninth had issued an Allocution condemning + without reserve all aspirations for Reform at home and abroad. + + King Cotton Bound 16 + The outbreak of the Civil War in the United States prevented + the exportation of cotton, and produced great misery in our + manufacturing districts. + + Waiting for an Answer 17 + The intrusion on a British ship by United States officials + and the seizure therefrom of Envoys from the Southern States, + led to a demand from Great Britain for their release. + + Columbia’s Fix 18 + The justice of Great Britain’s demand was eventually + acknowledged by the United States, and the Envoys were set + at liberty. + + Peace 19 + “Mr. Punch’s” design for a Colossal Statue, which ought to + have been placed in the International Exhibition. + + The “Sensation” Struggle in America 20 + The Civil War in the United States was being conducted with + great courage on both sides, and many bloody battles had + been fought. + + Britannia Discovering the Source of the Nile 21 + The sources of the river Nile, which previously had been + unknown, were discovered by two British travellers, Captains + Speke and Grant. + + At Home and Abroad 22-23 + The Princess Alexandra of Denmark (now our Queen) made her + entry into London amidst an amazing outburst of affection + from all classes. + + Miranda and Prospero 24 + The signs of unrest amongst the European Nationalities were + attributed to the unscrupulous policy of the Emperor of the + French. + + Shakspeare and the Pigmies 25 + The celebration of the Tercentenary of the birth of + Shakspeare was believed to have been productive of much + self-advertisement amongst professional journalists. + + The American Juggernaut 26-27 + The long-continued intensity of the Civil War in the United + States had been accompanied by enormous losses on both sides. + + Britannia Sympathises with Columbia 28 + The murder of Abraham Lincoln, President of the United + States, after the conclusion of the Civil War, evoked + widespread feelings of sympathy from all classes of society. + + Vulcan’s Best Customer 29 + The overmastering success of the Prussian Needle-gun in the + Austro-Prussian War had given an immense impetus to the + manufacture of arms of precision. + + Gladiators preparing for the Arena 30-31 + The Conservatives being at this time in office, Parliament + opened with indications of an unusual bitterness of party + warfare. + + “Onward!” 32 + Impressed by the indications of unrest in France, the + Emperor had proposed to grant a modified form of + Constitutional Government. + + France, Sept. 4, 1870 33 + The surrender of the French Emperor at Sedan was followed + by the fall of the Empire and the establishment of the + Republic at Paris. + + A Vision on the Way. “BEWARE!” 34-35 + France had declared war against Germany, and the Emperor + Napoleon and his son had left Paris to take command. The + shade of the Great Napoleon forebodes the disasters which + followed. + + Versailles, Oct. 5, 1870 36 + Versailles from this date became the head-quarters of the + German army investing Paris, and the Prussian King was here + proclaimed Emperor in Germany. + + Ajax Defying the Lightning 37 + Mr. Gladstone, after being defeated on the question of + Abolition of Purchase, advised the Queen to put an end to + purchase by Royal Warrant. + + “Vae Victis!” 38-39 + On March 1st, after the conclusion of Peace at Versailles, + the German army marched into Paris. + + Suspense 40 + The country was in great anxiety on account of the critical + condition of the Prince of Wales. + + The Loving Cup 41 + In respect to the “Alabama” Claims Great Britain was judged + responsible for a sum of 15,500,000 dollars in gold, in + full satisfaction of all claims. + + Paradise and the Peri 42 + The General Election had given the Conservatives a majority, + and Mr. Disraeli became Premier for the second time. + + Dearly Bought 43 + Sir Garnet Wolseley’s march to Coomassie involved much loss + of life, with little more result than the possession of the + Umbrella, the symbol of Ashanti sovereignty. + + The Damp Roman Candle 44 + The fulminations of the Vatican against the + Anti-Infallibility pamphlet of Mr. Gladstone had failed to + produce the effect intended. + + “Mosé in Egitto!!!” 45 + Mr. Disraeli had successfully effected the purchase from the + Khedive, for the sum of £4,000,000, of all his shares in the + Suez Canal. + + Waiting to be Won 46-47 + An Arctic expedition in search of the North Pole, consisting + of H.M. ships _Alert_ and _Discovery_, had sailed on the + 29th of May. + + Stuck in the Mud 48 + After the death of M. Thiers, Marshal MacMahon maintained a + stubborn attitude; he was believed to be under the influence + of reactionary advisers. + + The “Pas de Deux!” 49 + Upon their return from Berlin Lords Beaconsfield and + Salisbury were invested with the Order of the Garter. + + Imperium et Libertas! 50-51 + An adaptation of Lord Beaconsfield’s phrase, suggested by + the state of things in Russia, where there had been another + Nihilist attempt upon the life of the Emperor. + + The School of Musketry 52 + At the battle of Majuba Hill the Boers had shown their + superiority in marksmanship. “Mr. Punch” points the lesson + for the benefit of the Duke of Cambridge. + + A Common Sorrow 53 + General Garfield, President of the United States, had + succumbed to the effect of the shot of the assassin Guiteau, + who had fired at him on July 2nd. + + “Out of the Wood!” 54-55 + The Irish Land Bill, designed in the interests of Hibernia, + after many difficulties had finally passed. + + Change of Address 56 + The new Royal Courts of Justice in the Strand were opened + by Queen Victoria on the 4th December. + + On the Trail 57 + Seventeen persons suspected of complicity with the Phœnix + Park murders had been arrested. There was a good hope of at + length securing the clue to the series of crimes. + + Snubbed! 58 + An exchange of visits, the first for the last 200 years, had + taken place between the German and Spanish Courts. This + aroused jealousy in France, where the Spanish King had + recently been rudely received. + + “Mirage” 59 + At this time General Gordon at Khartoum was isolated. His + appeal for assistance and the opening of communications with + Khartoum by the Suakin-Berber route, was still delayed. + + “Mrs. Micawber” 60 + This Cartoon refers to Mr. Gladstone’s vacillating Egyptian + policy, and pictures him as “Micawber waiting for something + to turn up.” The Liberal Party, however, like Mrs. Micawber, + remained loyal to the Premier. + + “Wait till the Clouds roll by” 61 + Mr. Gladstone, burdened with political complications at home + and abroad, ill-health and impaired voice, was resting and + recruiting at Hawarden. The advice here tendered to him was + the title of a popular song. + + “Too Late!” 62 + When Sir Charles Wilson at last succeeded in approaching + Khartoum, the Mahdi’s flag was flying upon what had been + Gordon’s citadel. Khartoum had fallen, and its dauntless + defender with it. + + “Only his Play” (!!!) 63 + The Russians had attacked the Afghans at Penjdeh, and each + side charged the other with provoking the conflict. + + The Broken Covenant 64 + On April 27 Mr. Gladstone made use of the above significant + words with reference to an arrangement or covenant with + Russia concerning Afghanistan, which Russia appeared to have + broken. + + Our Protean Premier! 65 + On May 4 Mr. Gladstone removed all immediate fear of war, by + announcing that Russia and England would resume negotiations + for the delimitation of the Afghan frontier. + + The “Irrepressible” Tourist 66 + The occupation by Germany of the Caroline Islands had + excited Spanish feeling. England, too, regarded with + apprehension the active “Colonial Policy” of Bismarck at + this time. + + The Waits 67 + At the end of the year, Lord Salisbury determined to remain + in office, though left by the General Election in a minority. + + The Grand Young Man!! 68 + Lord Randolph Churchill had been appointed Chancellor of the + Exchequer and Leader of the House of Commons in the new + Salisbury Ministry. + + Sink or Swim!! 69 + Mr. Gladstone had introduced his Home Rule Bill, and had + deliberately set his fortune and that of his party upon the + policy thereby involved. + + “1886” 70-71 + This travesty depicts the retreat of the Liberal Party on + the defeat of the second reading of Mr. Gladstone’s Home + Rule Bill. + + The Tempter 72 + Certain Socialists and Anarchists had taken advantage of the + prevailing poverty and lack of work to make inflammatory + appeals to the unemployed. + + Salisbury Sisyphus 73 + Lord Salisbury had to face the difficulties of the Irish + question—a task as formidable to him as to his + predecessors. + + “What of the Night?” 74-75 + The action of Russia (the Great Northern Bear) in Bulgaria + and elsewhere at this time seemed likely to involve a + disturbance of the peace of Europe. + + “Quite English, you know” 76 + President Cleveland was at this time advocating in America + the adoption of the English system of Free Trade. + + Bear or Bug-Bear? 77 + Russia, in consequence of her huge armaments and equivocal + policy, seemed a standing menace to the peace of Europe. + + In the Arena 78-79 + The two sides are shown parading before the reassembling of + Parliament—the Unionists (Tory and Liberal) under Lord + Salisbury, the Home Rulers under Mr. Gladstone. + + Germany, March 9, 1888 80 + On this date Germany was plunged into mourning owing to the + death of the Emperor William. + + Consol-ation 81 + Mr. Goschen’s National Debt Conversion Bill provided for the + conversion of the 3 per cent. Stocks into a new Stock + bearing 2-3/4 per cent. interest for fifteen years, and + thereafter a guaranteed 2-1/2 per cent. for 20 years. + + What next? 82 + The popularity of General Boulanger suggested the idea that + France was growing weary of a Republican “regime.” + + “Panic amongst the Pigs!” 83 + A Papal Rescript, condemning the Plan of Campaign and the + practice of Boycotting, caused some excitement among the + Irish Nationalists. + + Plain English! 84 + England was aggrieved by the action of Portugal in reference + to the Delagoa Railway, and by insults to the British flag + committed by the Portuguese. + + From the Nile to the Neva 85 + “And the Egyptians made the children of Israel to serve with + rigour. And they made their lives bitter with hard + bondage.”—EXODUS. + + Dropping the Pilot 86-87 + In consequence of disagreement with the German Emperor, + Prince Bismarck resigned his post of Chancellor. + + The McGladstone! 88 + Mr. Gladstone had started for Midlothian to carry on another + political campaign for the rallying of his forces. + + “Separatists” 89 + Owing to the scandal arising out of the O’Shea divorce case, + Mr. Gladstone refused to co-operate any longer with Mr. + Parnell as leading the Irish Home Rule Party. + + Arbitration 90 + The Americans claimed to make the Behring Sea a mare clausum, + and it was thought advisable to establish a “close-time” for + the seals. + + “Retire!—What do _you_ think?” 91 + A rumour that Mr. Gladstone was about to retire from + political life proved to be without foundation. + + Coriolanus 92 + Prince Bismarck had inspired in the columns of the Hamburger + Nachrichten, incessant attacks upon the Imperial policy, and + especially upon the proceedings of his successor, Caprivi. + + “Advance, Australia!” 93 + A scheme, advocated by Sir Henry Parkes, was under + consideration for establishing “one great Union Government” + amongst the Australian Colonies. + + Mr. Punch’s Jubilee Pageant 94-95 + In July “Mr. Punch” celebrated his Jubilee. The sketches + surrounding the Pageant are of selected cartoons + illustrating events ranging over 50 years. + + “Turning the Tables” 96 + The suggestion of “Turning the Tables” was that on this + occasion the Man (France) was dancing to the tune of the + Bear acting as leader. + + “What will he do with it?” 97 + It was hoped that some portion of the large Russian loan + might be applied to the relief of misery rather than for war + preparations. + + Trying it on! 98 + A rapprochement between Russia and Italy was considered + likely to weaken the strength of the Triple Alliance. + + The Coming of Ninety-Two 99 + + “Short-’anded” 100 + “The whole legal machinery is out of gear, and the country + is too busy to put it right.”—_Law Times._ + + The Attack on the “Capital” 101 + The Liberal Party, which had organised great public meetings + in London, were making a determined effort to capture the + Tory stronghold. + + “Her Majesty’s Servants” 102-103 + The Parliament opened for its last Session previous to the + General Election in July, which gave Mr. Gladstone a small + majority. + + Younger than ever! 104 + The great Liberal leader, who had been recruiting his health + in the South of France, had returned and resumed the + leadership. + + The Dynamite Dragon 105 + The Dynamitards had committed many outrages on the Continent, + and the destruction of property by dynamite had been made a + capital offence by the French Chamber. + + The New “Queen of the May” 106 + Incendiary Manifestoes having been issued by the French + proletariat, it was feared that disturbances might ensue + during the May Day celebrations on the Continent. + + “When Greek meets Greek” 107 + The two great leaders had issued stirring addresses to the + constituencies, and were preparing to grapple for supremacy + at the approaching General Election. + + Mischief! 108 + Mr. Labouchere’s promises of support to the Government were + largely discounted by the report that he considered himself + slighted at being left out of office. + + A Pilgrim’s Progress 109 + The Liberal leader was resolved to persevere with his Home + Rule Bill, despite the lukewarm support of the Irish + Nationalists and the fierce opposition of the Ulster + Unionists. + + Uncle Toby and Widow Wadman 110 + The Ulster Defence Union had issued a Manifesto antagonistic + to the Home Rule scheme, and mass meetings were held at + Belfast and other parts of Ulster. + + “The Minstrel Boy” 111 + The Marquis of Salisbury had visited Belfast, and assisted + in the demonstrations against the Home Rule Bill. + + “Father William” 112 + The German Army Bill, which had been vehemently opposed and + rejected in the previous Parliament, was eventually passed. + + The French Wolf and the Siamese Lamb 113 + Disputes having arisen between the French and Siamese + Governments concerning the boundary of the river Mekong, + an ultimatum was sent by France and unconditionally + accepted. + + “Over the Hills and Far Away!” 114 + The Premier had gone to Scotland for a well-earned holiday + rest after his arduous exertions during the debates on the + Second Home Rule Bill. + + The “Forlorn Hope” 115 + After the summary rejection of the Home Rule Bill by the + Peers, the liberal Party were daily awaiting the signal for + an attack on the House of Lords. + + A Dirty Crossing 116 + The management of the Bank of England had been freely + criticised in the Press. + + “Confidences” 117 + There had been a debate in the Chamber of Deputies which + provoked comparisons between the French and English Navies. + + “Pluck’d!” 118 + The Local Government Bill had been severely dealt with by + the Lords in Committee, notably the clauses dealing with the + Parish Councils. + + Unarming 119 + On March 1, 1894, Mr. Gladstone delivered his last speech + in the House of Commons previous to his final retirement + from political life. + + Lemon-Squash 120 + The Chancellor of the Exchequer increased the Income Tax + from 7_d._ to 8_d._ + + “Vive la République!” 121 + A stringent anti-Anarchist Bill had been passed by the + French Chamber after the assassination at Lyons of + President Carnot. + + Jap the Giant-Killer 122 + In the war arising out of the Corean dispute between China + and Japan, the Japanese forces gained easy victories, both + on land and sea. + + “Vested Interests” 123 + The House of Lords had survived the repeated attacks made + upon it, both in the Commons and by its own Members. + + “All’s Well!” 124 + The Russian Press at this time suggested that an + Anglo-Russian understanding would be of great advantage to + the two nations. + + The New Passenger 125 + The year 1894 had been marked by many dynamite outrages on + the Continent, and specially by the assassination of + President Carnot. The New Year opened under brighter + auspices. + + “Who said—‘_Atrocities_’?” 126 + Mr. Gladstone had expressed his strong indignation at the + atrocities in Armenia, which had profoundly shocked the + mind of the country. + + Silent! 127 + The British occupation of Egypt still continued, the + Egyptian Government being powerless to suppress outrages on + Europeans in Alexandria. + + An Easter ’Oliday 128 + The House of Commons had adjourned for the Easter vacation. + Both leaders were glad of repose after the exciting debates + on the Welsh Disestablishment and Irish Land Bills. + + “William! ahoy!” 129 + The Welsh Disestablishment Bill having been warmly discussed + in the Commons, Mr. Gladstone had withdrawn his pair with + Mr. Villiers in order to keep “an open mind” on the question. + + The Old Crusaders! 130-131 + The Duke of Argyll had presided at an indignation meeting + held in St. James’s Hall to protest against the Armenian + atrocities. + + Old Warder William 132 + After Sir William Harcourt’s defeat at Derby he was elected + for West Monmouthshire, the Radical candidate having retired + in his favour. + + “Just a-goin’ to Begin!” 133 + It was thought that in the coming Session the Jameson raid + would bring trouble to the Ministry, but this was averted by + the skillful management of Mr. Balfour and the Colonial + Secretary. + + The Tug of War 134-135 + On an appeal from the Uitlanders at Johannesburg, Dr. + Jameson crossed the Transvaal frontier with an armed force. + Mr. Chamberlain, however, intervened, and ordered him to + retire. + + The Patient Ass 136 + The Budget having shown a considerable surplus, an idea was + prevalent that the Chancellor of the Exchequer would relieve + the income-tax payer. + + A Turkish Bath 137 + The Porte at length realised the gravity of the situation in + Crete. + + Preparing his Speech 138 + A genial allusion to the many changes which had marked Mr. + Chamberlain’s political career. + + “Turkey Limited” 139 + It was reported that the Powers had considered a scheme for + a Turkish loan, to be applied under European control to the + cost of the Judiciary, Revenue and Police service. + + “Seaside Lodgings” 140 + The Cartoon foreshadowed Russian designs upon the Chinese + naval arsenal at Port Arthur, which in fact came into her + possession a year later. + + The Queen’s Year! 141 + In June of this year Queen Victoria celebrated her Jubilee. + + Against the Grain 142 + The Cretans having revolted against Turkish misrule, Greece + intervened with an armed force, but was ordered by the + Allied Powers to withdraw. + + Tender Mercies! 143 + The Allied Powers had decided to grant autonomy to Crete, + but under Turkish suzerainty. + + “Who says ‘Sick Man’ now?” 144 + After the recall of the Greek army, the Turkish forces were + successful in a conflict with the Cretan insurgents. + + Spithead, June 26 145 + At this great Review of the Fleet there were present 165 + British war-ships. Official representatives from the various + Colonies participated in the display. + + “For Queen and Empire!!” 146-147 + The Cartoon is typical of the great celebrations which + marked the Queen’s Diamond Jubilee. The Colonial, Asiatic, + and African contingents took part in the procession on June + 22. + + “Brothers in Arms” 148 + A treacherous attack had been made at Maizar on the + Political Officer’s escort. The British loss was heavy, but + the Native Infantry behaved with the greatest gallantry. + + Saved! 149 + England, Russia and France, the Powers originally + responsible for the freedom of Greece, agreed to jointly + guarantee a loan to that country. + + “Financial Relations” 150 + Colonel Saunderson, Mr. Healy, and Mr. Lecky had united in + supporting the Irish Local Government Bill, which assigned + £700,000 a year to Ireland. + + Bull-Baiting 151 + Continental ill-feeling against Great Britain was at this + time more than usually manifested. + + Sentinels 152 + The occupation of Port Arthur by Russia seemed to leave + Great Britain no alternative but to adopt a similar course + with Wei-Hai-Wei. + + The Duello 153 + The United States, on account of Spanish misrule in Cuba, + had declared war against Spain. + + Bismarck 154-155 + Prince Bismarck, the great Chancellor of the German Empire, + died on July 30, 1898. + + Honour à la Russe 156 + When the Russians occupied Talien-Wan it was understood + that it was to be a free port. + + Our Masters’ Masters 157 + Sympathy for the Costers had led to the rejection of a + municipal bye-law for the repression of street shouting. + + Khartoum! 158-159 + Khartoum was captured by the Mahdi on Jan. 26, 1885, and + General Gordon assassinated. On Sept. 2, 1898, General + Kitchener annihilated the Khalifa’s army and re-entered the + town. + + A Fixture 160 + The conquest of the Soudan seemed to indicate a permanence + of the British occupation of Egypt. + + Under the Mistletoe 161 + Sir William Harcourt had written to Mr. John Morley + announcing his retirement from the leadership of the Liberal + Party. + + A New Year’s Greeting 162 + Thanks to Mr. Henneker Heaton, some of the Colonies had + accepted the principle of an International Penny Postage. + + Diogenes-Morley 163 + Mr. Morley was one of the few who remained faithful to the + traditions of the old Liberal Party. + + A Free Hand! 164 + Parliament had been prorogued, and the Government would in + the interim, it was thought, have a free hand in the South + African and other questions. + + Open at Last! 165 + The Russians had made Talien-Wan a free port. There had been + some doubt as to Russia’s intentions. + + Plain English 166 + The Transvaal Government had sent an insolent Ultimatum to + Great Britain, requiring the withdrawal within forty-eight + hours of the British forces from the Boer frontiers. + + Who said “Dead”? 167 + On Feb. 27, 1900, the anniversary of the Majuba Hill + disaster, General Cronje surrendered to General Roberts. + + Full of Resource 168 + The Chancellor of the Exchequer had announced in his Budget + speech that he hoped to recover a large proportion of the + war expenses by taxation of the Transvaal. + + Good Wishes! 169 + “Mr. Punch” here expresses his good wishes for the success + of the Paris Exhibition, which was shortly to be opened. + + The Avenger! 170-171 + Thrilling details had been published of the reported + massacre of the British and Foreign Ministers in Pekin. + Happily this proved to be unfounded. + + The Imperial Dispensary 172 + Great satisfaction was felt in the Colonies at the + introduction by Mr. Chamberlain of his Commonwealth of + Australia Bill. + + Shifting his Capital 173 + President Kruger had abandoned Pretoria on the near approach + of the British forces, taking with him, it was reported, + bullion to the value of £2,000,000. + + In the Movement 174 + On the advance of the Allied troops to Pekin the Empress and + the Chinese Court had fled to the interior. + + Reporting Himself 175 + The City of London Imperial Volunteers met with an + enthusiastic reception in the City and elsewhere on their + return from South-Africa. + + Time’s Appeal 176-177 + + + + + Cartoons + by + Sir John Tenniel. + +[Illustration: May Day, Eighteen hundred and Fifty-one.] + +[Illustration: _July, 1853._ + + The Bear and the Bees.—A New Version of an Old Story.] + +[Illustration: _June, 1854._ + + What Nicholas heard in the Shell.] + +[Illustration: _August, 1857._ + + The British Lion’s Vengeance on the Bengal Tiger.] + +[Illustration: _February, 1859._ + + The Quaker and the Bauble. + + “It is the Land which the territorial party represents in + Parliament.... That is the theory of the Constitution: Blackstone + says so. But it is a thing which is not likely to be respected much + longer, and it must go, even if involving the destruction of the + Constitution.”—Mr. BRIGHT.] + +[Illustration: _December, 1859._ + + John Bull Guards his Pudding.] + +[Illustration: _January, 1860._ + + Dame Cobden’s New Pupil.] + +[Illustration: _May, 1860._ + + Lyndhurst as Nestor rebukes the Chiefs.] + +[Illustration: _November, 1860._ + + Right Leg in the Boot at last. + + GARIBALDI. “If it won’t go on, Sire, try a little more powder.”] + +[Illustration: _November, 1860._ + + New Elgin Marbles. + + ELGIN TO EMPEROR. “Come, knuckle down! No cheating this time!”] + +[Illustration: _March, 1861._ + + “Beggar my Neighbour.” + + PAM. “Is not your Majesty tired of this foolish game?”] + +[Illustration: _April, 1861._ + + Papal Allocution.—Snuffing out Modern Civilisation.] + +[Illustration: _November, 1861._ + + King Cotton Bound; + + Or, The Modern Prometheus.] + +[Illustration: _December, 1861._ + + Waiting for an Answer.] + +[Illustration: _December, 1861._ + + Columbia’s Fix. + + COLUMBIA. “Which answer shall I send?”] + +[Illustration: _May, 1862._ + + Peace. + + Mr. PUNCH’S Design for a colossal Statue which ought to have been + placed in the International Exhibition.] + +[Illustration: _June, 1862._ + + The “Sensation” Struggle in America.] + +[Illustration: _June, 1863._ + + Britannia Discovering the Source of the Nile. + + BRITANNIA. “Aha, Mr. Nilus! So I’ve found you at last!”] + +[Illustration: _March, 1863._ + + At Home and Abroad.] + +[Illustration: _January, 1864._ + + Miranda and Prospero. + + MIRANDA (EUROPE). “If by your art, my dearest Louis, you have put + the wild waters in this roar, allay them.”] + +[Illustration: _January, 1864._ + + Shakspeare and the Pigmies.] + +[Illustration: _September, 1864._ + + The American Juggernaut.] + +[Illustration: _May, 1865._ + + Britannia Sympathises with Columbia.] + +[Illustration: _September, 1866._ + + Vulcan’s Best Customer. + + PEACE. “Not much doing, I suppose, Mr. Vulcan?” + VULCAN. “Doing! Thanks to you, Miss, I’ve a’most more work than I + can manage.”] + +[Illustration: _February, 1867._ + + J. A. ROEBUCK. E. HORSMAN. T. HUGHES. LORD CRANBORNE. + S. H. WALPOLE. SIR JOHN PAKINGTON. LORD STANLEY. R. LOWE. J. S. + MILL. + LORD JOHN RUSSEL. W. E. GLADSTONE. EARL OF DERBY. B. DISRAELI. JOHN + BRIGHT. + + Gladiators preparing for the Arena.] + +[Illustration: _January, 1870._ + + “Onward!”] + +[Illustration: _September, 1870._ + + France, Sept. 4, 1870. + + “Aux armes, Citoyens; + Formez vos bataillons!” + _The “Marseillaise.”_] + +[Illustration: _July, 1870._ + + A Vision on the Way. “BEWARE!”] + +[Illustration: _October, 1870._ + + Versailles, Oct. 5, 1870. + + GHOST OF LOUIS THE FOURTEENTH (to GHOST OF NAPOLEON THE FIRST). + “Is this the end of ‘All the Glories?’”] + +[Illustration: _July, 1871._ + + Ajax Defying the Lightning.] + +[Illustration: _March, 1871._ + + “Væ Victis!” + + Paris, March 1st, 1871.] + +[Illustration: _December, 1871._ + + Suspense.] + +[Illustration: _September, 1872._ + + The Loving Cup. + + “In this we bury all unkindness!”—SHAKSPEARE.] + +[Illustration: _February, 1874._ + + Paradise and the Peri. + + “Joy, joy for ever! My task is done— + The gates are passed, and Heaven is won!” + _Lalla Rookh._] + +[Illustration: _March, 1874._ + +Dearly Bought. + + SIR GARNET. “It don’t look much, Madam, but it has cost good money, + and better lives.” + BRITANNIA. “And but for you, Sir Garnet, might have cost more of + both!”] + +[Illustration: _December, 1874._ + + The Damp Roman Candle. + + PAPA PIUS. “But it won’t go off!”] + +[Illustration: _December, 1875._ + + “Mosé in Egitto!!!”] + +[Illustration: _June, 1875._ + + Waiting to be Won.] + +[Illustration: _November, 1877._ + + Stuck in the Mud. + + M. LE MARÉCHAL (loq.). “J’y suis! J’y reste!” (?)] + +[Illustration: _August, 1878._ + + The “Pas de Deux!” + + (From the “Scène de Triomphe” in the Grand Anglo-Turkish Ballet + d’Action.)] + +[Illustration: _February, 1880._ + + Imperium et Libertas! + + (Russ. Translation.)] + +[Illustration: _May, 1881._ + + The School of Musketry. + + BOER (to F. M. H. R. H. THE COMMANDER-IN-CHIEF). “I say, Dook! You + don’t happen to want a practical ‘Musketry Instructor,’ do you?”] + +[Illustration: _October, 1881._ + + A Common Sorrow.] + +[Illustration: _August, 1881._ + + “Out of the Wood!”] + +[Illustration: _December, 1882._ + + Change of Address. + + “For Despatch of Business.” + + Mr. PUNCH (to Themis). “Well, Madam, now that your New + Establishment is open, I trust the system you mean to adopt is—Low + Charges and no Delays.”] + +[Illustration: _February, 1883._ + + On the Trail.] + +[Illustration: _November, 1883._ + + Snubbed! + + MOSSOO (aside). “Ha!—with my hated Rival! Why was I so rude to her?!”] + +[Illustration: _April, 1884._ + + “Mirage.” + + GENERAL GORDON.... “What is it that I seem to see + Across the sand waste? Is it the quick gleam + Of English steel, or but a desert-dream? + Help—or that last illusion of distress, + The mocking Mirage of the wilderness?”] + +[Illustration: _May, 1884._ + + “Mrs. Micawber.” + + Mrs. M. (hysterically). “I never will do it! It’s of no use asking + me! I never will desert Mr. Micawber!!” + _David Copperfield_.] + +[Illustration: _January, 1885._ + + “Wait till the Clouds roll by!”] + +[Illustration: _February, 1885._ + + “Too Late!”] + +[Illustration: _April, 1885._ + + “Only his Play.” (!!!) + + “The Russian Government hope that this unlucky incident may not + prevent the continuance of the negotiations. (Laughter.)”—Mr. + Gladstone, quoting M. de Giers.] + +[Illustration: _May, 1885._ + + The Broken Covenant. + + “We cannot close this book, and say we will look into it no + more.”—Mr. Gladstone’s Speech, April 27th.] + +[Illustration: _May, 1885._ + + Our Protean Premier! + + (As “The Angel of Peace,” in his Unrivalled + Variety-and-Quick-Change Entertainment.)] + +[Illustration: _August, 1885._ + + The “Irrepressible” Tourist. + + BISMARCK. “H’m!—Ha!—Where shall I go next?”] + +[Illustration: _December, 1885._ + + The Waits.] + +[Illustration: _August, 1886._ + + The Grand Young Man!! + + SHADE OF “DIZZY.” “Dear me! Quite reminds one of old times!!”] + +[Illustration: _April, 1886._ + + Sink or Swim!!] + +[Illustration: _June, 1886._ + + “1885.” + + (A Playful Adaptation of Meissonier’s Famous Picture, “1814.”)] + +[Illustration: _November, 1886._ + + The Tempter. + + SPIRIT OF ANARCHY. “What! No work! Come and enlist with me—I’ll + find work for you!!”] + +[Illustration: _April, 1887._ + + Salisbury Sisyphus. + + “Unending task!” ... + * * * * * + “Swift roll the years, and still the ceaseless round, + The toilsome press up the precipitous ground, + The sullen slow ascent, the swift rebound!”] + +[Illustration: _October, 1886._ + + “What of the Night?”] + +[Illustration: _December, 1887._ + + “Quite English, you know.” + + PRESIDENT CLEVELAND (to COLUMBIA). “Will you allow me to introduce + this Young Lady?”] + +[Illustration: _January, 1888._ + + Bear or Bug-bear? + + “Thou com’st in such a questionable shape!”—_Hamlet._] + +[Illustration: _February, 1888._ + + In the Arena. + + The “Parade” before the Conflict.] + +[Illustration: _March, 1888._ + + Germany. March 9, 1888.] + +[Illustration: _March, 1888._ + + Consol-ation; + + Or, “A Fair Exchange no Robbery.” + + SWEET SIMPLICITY. “I AM sorry to part with him!” + SHREWD BUT SEDUCTIVE SHEPHERD. “Nay, dear Child! What though this + one be but indifferent fair to look on at present? He’ll last + longer—and you will LEARN TO LOVE HIM!!”] + +[Illustration: _April, 1888._ + + What Next?] + +[Illustration: _May, 1888._ + + “Panic amongst the Pigs!”] + +[Illustration: _January, 1890._ + + Plain English! + + JOHN BULL. “Look here, my little Friend, I don’t want to hurt your + little feelings—but, COME OFF THAT FLAG!!!”] + +[Illustration: _August, 1890._ + + From the Nile to the Neva. + + SHADE OF PHARAOH. “Forbear! That weapon always wounds the hand that + wields it.” + +[Illustration: _March, 1890._ + + Dropping the Pilot.] + +[Illustration: _October, 1890._ + + The McGladstone! + + “To land McGladstone lightly sprang, + And thrice aloud his bugle rang + With note prolong’d and varied strain, + Till bold Ben-Ghoil replied again.” + + “_Lora of the Isles._” Canto IV.] + +[Illustration: _December, 1890._ + + “Separatists.” + + Douglas ... MR. GLADSTONE. Marmion ... MR. PARNELL. + + DOUGLAS. “The hand of Douglas is his own; + And never shall in friendly grasp + The hand of such as Marmion clasp!”—_Marmion._ Canto VI.] + +[Illustration: _January, 1891._ + +Arbitration. + + THE SEAL. “Belay, you two Johnnies!—avast quarrelling! Give me a + ‘Close-time,’ and leave the ‘Sea’ an open question.”] + +[Illustration: _February, 1891._ + + “Retire!—What do *You* Think?”] + +[Illustration: _February, 1891._ + + Coriolanus. + + “Such a nature, + Tickled with good success, disdains the shadow + Which he treads on at noon.”—_Coriolanus_, Act I., Sc. 1.] + +[Illustration: _March, 1891._ + + “Advance, Australia!” + + BRITISH LION. “Bravo, Boys!—SWING TOGETHER!!”] + +[Illustration: _July, 1891._ + + Mr. Punch’s Jubilee Pageant. + + (As reflected in Punch’s Magic Mirror.)] + +[Illustration: _September, 1891._ + + “Turning the Tables.”] + +[Illustration: _October, 1891._ + + “What will he do with it?” + + STARVING RUSSIAN PEASANT. “Is none of that for ME, ‘Little Father’?”] + +[Illustration: _October, 1891._ + + Trying it on! + + RUSSIA. “SS-S-T! (Whispers.) I want to speak to you, my dear!”] + +[Illustration: _January, 1892._ + + The Coming of Ninety-Two + + To the Modern Merlin, MR. PUNCH. + + “And down the wave, and in the flame was borne + A naked babe, and rode to PUNCH’S feet, + Who stoopt, and caught the babe, and cried, ‘The Year! + Here is an heir for Ninety-One!’”—_Adapted from Tennyson’s “Coming of Arthur.”_] + +[Illustration: _January, 1892._ + + “Short ’Anded.” + + MRS. HALSBURY. “I tell you what it is, Mrs. Coley, Mum—if all this + ’ere dirty linen’s to be got through, we must ’ave ’ELP, Mum!!”] + +[Illustration: _February, 1892._ + + The Attack on the “Capit*a*l.”] + +[Illustration: _February, 1892._ + + “Her Majesty’s Servants.” + + View of the Stage on the re-opening of the Theatre Royal Westminster.] + +[Illustration: _March, 1892._ + + Younger than Ever! + + The G.O.M. “Now then, Harcourt!—Tuck in your tuppenny!——Over!!”] + +[Illustration: _April, 1892._ + + The Dynamite Dragon.] + +[Illustration: _April, 1892._ + + The New “Queen of the May.”] + +[Illustration: _June, 1892._ + + “When Greek meets Greek.”] + +[Illustration: _January, 1893._ + + Mischief!] + +[Illustration: _April, 1893._ + + A Pilgrim’s Progress.] + +[Illustration: _April, 1893._ + + Uncle Toby and Widow Wadman. + + (Modern Ulster Version. After C. R. Leslie, R.A.’s celebrated + picture.) + + MRS. ULSTER. “Now, Mr. Bull, do you see any ‘GREEN’ in my eye?”] + +[Illustration: _May, 1893._ + + “The Minstrel Boy.” + + LORD SALISBURY (sings). “I’ll harp wild war, aye, from sea to sea, + Ere the Loyalists stoop to slavery!”] + +[Illustration: _July, 1893._ + + “Father William.” + + “You are old,” said the Youth; “one would hardly suppose + That your eye was as steady as ever; + Yet you balance that Eel on the end of your nose— + What makes you so awfully clever?”] + +[Illustration: _August, 1893._ + + The French Wolf and the Siamese Lamb.] + +[Illustration: _September, 1893._ + + “Over the Hills and Far Away!”] + +[Illustration: _September, 1893._ + + The “Forlorn Hope.”] + +[Illustration: _January, 1894._ + + A Dirty Crossing. + + THE OLD LADY OF THREADNEEDLE STREET (loq.). “O dear, O dear! I wish + I were out of this nasty mess!”] + +[Illustration: _February, 1894._ + + “Confidences.” + + JOHN BULL. “Did you ever see anything worse than my Navy?” + JEAN CRAPAUD. “Yes—MINE!!”] + +[Illustration: _February, 1894._ + + “Pluck’d!” + + PARISH COUNCILS COCKATOO (sadly). “I’ve had a doose of a time of + it!!!”] + +[Illustration: _March, 1894._ + + Unarming. + + “Unarm!—the long day’s task is done!”—_Antony and Cleopatra_, Act + IV., Sc. 12.] + +[Illustration: _April, 1894._ + + Lemon-Squash. + + WILLIAM HARCOURT (the Barman). “Wonder if I can squeeze any more + out of HIM?”] + +[Illustration: _July, 1894._ + + “Vive la République!” + + “The tear that brimmeth, blindeth not her eye, + So fixed aloft it lowereth not to greet + The writhing reptile bruised by her unfaltering feet!”] + +[Illustration: _September, 1894._ + + Jap the Giant-Killer.] + +[Illustration: _October, 1894._ + + “Vested Interests.” + + HOUSE OF LORDS CHARWOMAN. “Well! them Rogeberries, and ’Erbert + Gladstings, and Haskwidges, and the rest on ’em may tork—and they + may tork—but they h’aint turned HUS out yet!!”] + +[Illustration: _December, 1894._ + + “All’s Well!” + + BRITISH LION AND RUSSIAN BEAR (together). “What a pity we didn’t + know each other before!”] + +[Illustration: _January, 1895._ + + The New Passenger.] + +[Illustration: _January, 1895._ + + “Who said ‘*Atrocities*’?” + + (After the Popular Engraving.) + “Old as I am, my feelings have not been deadened in regard to + matters of such a dreadful description.” + _Mr. Gladstone’s Speech at Hawarden, December 29._ + +[Illustration: _March, 1895._ + + Silent! + + LITTLE KHEDIVE. “Tell me, great Sphinx—is Egypt for the Egyptians?”] + +[Illustration: _April, 1895._ + + An Easter ’Oliday. + + Duet (’ARCOURT and HARTHUR sing while being jolted). + + “La-a-zi-ly la-a-zi-ly! Drow-ow-ow-sily! Drow-ow-ow-sily!” etc.] + +[Illustration: _June, 1895._ + + “William! ahoy!” + + OPEN-MINDED WILLIAM (having come ashore from “The Stormy Petrel”). + “Avast there, Messmates! The statesman who would lay his hands on a + steeple-hatted female in distress—save in the way of ke-indness,” + etc., etc. + [_The “Messmates” “avast” accordingly_. + +[Illustration: _May, 1895._ + + The Old Crusaders! + + The Duke of Argyll and Mr. Gladstone “Brothers in Arms” again! + + BULGARIA, 1876. ARMENIA, 1895.] + +[Illustration: _July, 1895._ + + Old Warder William. + + THE VETERAN (loquitur). “Dear me! What HAS become of Harcourt?”] + +[Illustration: _February, 1896._ + + “Just a-goin’ to Begin!” + + PROFESSOR SALISBURY (P.P.R.). “Now, my Sportin’ Gents, ’ere’s the + ’Atfield Pet and the Brummagem Bruiser—Who’ll have ’em on with + either of ’em?”] + +[Illustration: _January, 1896._ + + The Tug of War.] + +[Illustration: _April, 1896._ + + The Patient Ass. + + THE INCOME-TAXED ONE MURMURETH. “I don’t grumble, but—I SHOULD like + just a little taken off.”] + +[Illustration: _August, 1896._ + + A Turkish Bath. + + SULTAN. “They gave it me pretty hot in that Armenian room! But + Bismillah! This is——Phew!!”] + +[Illustration: _October, 1896._ + + Preparing his Speech. + + MR. JOE CHAMBERLAIN (to himself). “‘In short, Gentlemen—if you are + only true to your principles, any one of you may become—as I have + done—a Minister in a Liber—I should say in a Conserv—I beg pardon—I + should say in an Unionist Government.’ H’m rather confusing—I don’t + think THAT’ll quite do!”] + +[Illustration: _November, 1896._ + +“Turkey Limited.” + +SULTAN. “Bismillah! Make me into a Limited Company? M’m—ah s’pose +they’ll allow me to join the Board after allotment!”] + +[Illustration: _December, 1896._ + + “Seaside Lodgings.” + + RUSSIAN BEAR. “Nice view of the sea! Just what I wanted! Think + I’ll take ’em!”] + +[Illustration: _January, 1897._ + + The Queen’s Year!] + +[Illustration: _February, 1897._ + + Against the Grain. + + JOHN BULL (loq.). “Ah! that Greek’s a plucky little chap! Precious + sorry that me and my Forin’ Mates has to stop him!”] + +[Illustration: _March, 1897._ + + Tender Mercies! + + DAME EUROPA (to LITTLE CRETE). “Don’t cry, my little Man. I’ve + asked this nice, kind Turkish Policeman to stay and take care of + you!”] + +[Illustration: _May, 1897._ + + “Who says ‘Sick Man’ now?”] + +[Illustration: _June, 1897._ + + Spithead. June 26. + + BRITISH LION (taking the Young Lions out to see the Great Naval + Review). “Lor’ love yer, my Lads, this is the proudest moment of my + life!”] + +[Illustration: _June, 1897._ + + “For Queen and Empire!!”] + +[Illustration: _September, 1897._ + + “Brothers in Arms.”] + +[Illustration: _February, 1898._ + + Saved! + + (Scene from Grand International Nautical Melodrama, first performed + in 1833, and now revived with all the Original Scenery and Effects.) + + THE THREE SAILORS (together). “Avast there! you lubberly Swab! + Take the gold, and let the Gy-url go free!!”] + +[Illustration: _February, 1898._ + + “Financial Relations.” + + Chorus of Long-lost Brothers. + + SAUNDERSON, HEALY, LECKY (singing): + + “It’s the most disthressful counthry that ever you did see! + We want Siv’n Hundred Thousand Pounds from the Saxon Treasuree!”] + +[Illustration: _March, 1898._ + + “Bull-Baiting.”] + +[Illustration: _April, 1898._ + + Sentinels.] + +[Illustration: _April, 1898._ + + The Duello. + + “Oh, the pity of it!”] + +[Illustration: _August, 1898._ + +Bismarck.] + +[Illustration: _May, 1898._ + +Honour à la Russe. + +BRITISH LION. “What! Not come in here! Why, you gave me your word!” + +RUSSIAN BEAR. “My friend! HOW you misunderstand me!” + +BRITISH LION. “Do I! All right! NEVER NO MORE!”] + +[Illustration: _July, 1898._ + +Our Masters’ Masters. + +NEWSPAPER HAWKER. “Shout away, Bill! We’re safe enough as long as we +votes ‘Progressive’!!”] + +[Illustration: _September, 1898._ + +Khartoum! + +Monday, January 26, 1885. Friday, September 2, 1898.] + +[Illustration: _November, 1898._ + +A Fixture.] + +[Illustration: _December, 1898._ + +Under the Mistletoe. + +MISS WILHELMINA HARCOURT (to MISS JOANNA MORLEY). “Really, my dear, +I don’t think it seems much use our staying here any longer.... They +won’t come!”] + +[Illustration: _January, 1899._ + +A New Year’s Greeting.] + +[Illustration: _January, 1899._ + +Diogenes-Morley. + +(In search of a genuine Liberal.) + +D.-M. “Can’t see one anywhere.” + [_Gives it up._] + +[Illustration: _August, 1899._ + +A Free Hand! + +HARTHUR B. (to the Butler). “Well, thank ’Evins, Mr. Salisbury, they’ve +all left the ’Ouse!” + +JOE (the Buttons). “Now we can do just as we like, and no questions +arst.”] + +[Illustration: _August, 1899._ + +Open at Last! + +RUSSIAN BEAR (politely). “Come in, Miss. How COULD I keep my door +closed against YOU!”] + +[Illustration: _October, 1899._ + +Plain English. + +JOHN BULL (to Boer). “As you WILL fight, you shall have it. THIS time +it’s a fight to a finish.”] + +[Illustration: _March, 1900._ + +Who said “Dead”?] + +[Illustration: _March, 1900._ + +Full of Resource. + +PRESIDENT KRUGER (reading the Chancellor of the Exchequer’s speech on +the Budget debate):—“I am not going to bind myself as to what I will do +on the termination of the War. I look first to the Transvaal.” + +“Oh, DOES he? I know what I’M going to do on the termination of the +war. I’M going through the BANKRUPTCY COURT!”] + +[Illustration: _April, 1900._ + +Good Wishes!] + +[Illustration: _July, 1900._ + +The Avenger!] + +[Illustration: _May, 1900._ + +The Imperial Dispensary. + +THE KANGAROO. “I’ve got a sort of—er—feeling of oppression. My doctor +at home gave me that Prescription!” + +MR. CHAMBERLAIN (Colonial Chemist and Druggist according to the British +Pharmacopœia). “‘Abolition of Appeal to Privy Council’—of course, I +COULD make it up for you, but I think I can give you something that +will exactly suit your constitution!”] + +[Illustration: _June, 1900._ + +Shifting his Capital.] + +[Illustration: _August, 1900._ + +In the Movement. + +OOM PAUL (to himself). “Shifting her Capital? My idea!”] + +[Illustration: _September, 1900._ + +Reporting Himself. + + You that answered England’s call + At the darkest of the night, + Come and take your coronal + Won in many a gallant fight! + + She that armed your eager ranks, + She from whom you have your name, + London’s city yields you thanks + For your gift of added fame!] + +[Illustration: _January, 1901._ + +Time’s appeal.] + + + + +Transcriber’s Notes: + + - Text enclosed by underscores is in italics (_italics_). + - Text enclosed by asterisks is underlined (*underlined*). + - Blank page has been removed. + - Redundant title page removed. + - Page 33: “Marseilliase” corrected to “Marseillaise”. + + + + + +End of Project Gutenberg's Cartoons by Sir John Tenniel, by John Tenniel + +*** END OF THIS PROJECT GUTENBERG EBOOK CARTOONS BY SIR JOHN TENNIEL *** + +***** This file should be named 59801-0.txt or 59801-0.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/5/9/8/0/59801/ + +Produced by Chris Curnow, Robert Tonsing, and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by The Internet Archive) + + +Updated editions will replace the previous one--the old editions will +be renamed. + +Creating the works from print editions not protected by U.S. copyright +law means that no one owns a United States copyright in these works, +so the Foundation (and you!) can copy and distribute it in the United +States without permission and without paying copyright +royalties. Special rules, set forth in the General Terms of Use part +of this license, apply to copying and distributing Project +Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm +concept and trademark. Project Gutenberg is a registered trademark, +and may not be used if you charge for the eBooks, unless you receive +specific permission. If you do not charge anything for copies of this +eBook, complying with the rules is very easy. You may use this eBook +for nearly any purpose such as creation of derivative works, reports, +performances and research. They may be modified and printed and given +away--you may do practically ANYTHING in the United States with eBooks +not protected by U.S. copyright law. Redistribution is subject to the +trademark license, especially commercial redistribution. + +START: FULL LICENSE + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full +Project Gutenberg-tm License available with this file or online at +www.gutenberg.org/license. + +Section 1. General Terms of Use and Redistributing Project +Gutenberg-tm electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or +destroy all copies of Project Gutenberg-tm electronic works in your +possession. If you paid a fee for obtaining a copy of or access to a +Project Gutenberg-tm electronic work and you do not agree to be bound +by the terms of this agreement, you may obtain a refund from the +person or entity to whom you paid the fee as set forth in paragraph +1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this +agreement and help preserve free future access to Project Gutenberg-tm +electronic works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the +Foundation" or PGLAF), owns a compilation copyright in the collection +of Project Gutenberg-tm electronic works. Nearly all the individual +works in the collection are in the public domain in the United +States. If an individual work is unprotected by copyright law in the +United States and you are located in the United States, we do not +claim a right to prevent you from copying, distributing, performing, +displaying or creating derivative works based on the work as long as +all references to Project Gutenberg are removed. Of course, we hope +that you will support the Project Gutenberg-tm mission of promoting +free access to electronic works by freely sharing Project Gutenberg-tm +works in compliance with the terms of this agreement for keeping the +Project Gutenberg-tm name associated with the work. You can easily +comply with the terms of this agreement by keeping this work in the +same format with its attached full Project Gutenberg-tm License when +you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are +in a constant state of change. If you are outside the United States, +check the laws of your country in addition to the terms of this +agreement before downloading, copying, displaying, performing, +distributing or creating derivative works based on this work or any +other Project Gutenberg-tm work. The Foundation makes no +representations concerning the copyright status of any work in any +country outside the United States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other +immediate access to, the full Project Gutenberg-tm License must appear +prominently whenever any copy of a Project Gutenberg-tm work (any work +on which the phrase "Project Gutenberg" appears, or with which the +phrase "Project Gutenberg" is associated) is accessed, displayed, +performed, viewed, copied or distributed: + + This eBook is for the use of anyone anywhere in the United States and + most other parts of the world at no cost and with almost no + restrictions whatsoever. You may copy it, give it away or re-use it + under the terms of the Project Gutenberg License included with this + eBook or online at www.gutenberg.org. If you are not located in the + United States, you'll have to check the laws of the country where you + are located before using this ebook. + +1.E.2. If an individual Project Gutenberg-tm electronic work is +derived from texts not protected by U.S. copyright law (does not +contain a notice indicating that it is posted with permission of the +copyright holder), the work can be copied and distributed to anyone in +the United States without paying any fees or charges. If you are +redistributing or providing access to a work with the phrase "Project +Gutenberg" associated with or appearing on the work, you must comply +either with the requirements of paragraphs 1.E.1 through 1.E.7 or +obtain permission for the use of the work and the Project Gutenberg-tm +trademark as set forth in paragraphs 1.E.8 or 1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any +additional terms imposed by the copyright holder. Additional terms +will be linked to the Project Gutenberg-tm License for all works +posted with the permission of the copyright holder found at the +beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including +any word processing or hypertext form. However, if you provide access +to or distribute copies of a Project Gutenberg-tm work in a format +other than "Plain Vanilla ASCII" or other format used in the official +version posted on the official Project Gutenberg-tm web site +(www.gutenberg.org), you must, at no additional cost, fee or expense +to the user, provide a copy, a means of exporting a copy, or a means +of obtaining a copy upon request, of the work in its original "Plain +Vanilla ASCII" or other form. Any alternate format must include the +full Project Gutenberg-tm License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works +provided that + +* You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is owed + to the owner of the Project Gutenberg-tm trademark, but he has + agreed to donate royalties under this paragraph to the Project + Gutenberg Literary Archive Foundation. Royalty payments must be paid + within 60 days following each date on which you prepare (or are + legally required to prepare) your periodic tax returns. Royalty + payments should be clearly marked as such and sent to the Project + Gutenberg Literary Archive Foundation at the address specified in + Section 4, "Information about donations to the Project Gutenberg + Literary Archive Foundation." + +* You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or destroy all + copies of the works possessed in a physical medium and discontinue + all use of and all access to other copies of Project Gutenberg-tm + works. + +* You provide, in accordance with paragraph 1.F.3, a full refund of + any money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days of + receipt of the work. + +* You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project +Gutenberg-tm electronic work or group of works on different terms than +are set forth in this agreement, you must obtain permission in writing +from both the Project Gutenberg Literary Archive Foundation and The +Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm +trademark. Contact the Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +works not protected by U.S. copyright law in creating the Project +Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm +electronic works, and the medium on which they may be stored, may +contain "Defects," such as, but not limited to, incomplete, inaccurate +or corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged disk or +other medium, a computer virus, or computer codes that damage or +cannot be read by your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium +with your written explanation. The person or entity that provided you +with the defective work may elect to provide a replacement copy in +lieu of a refund. If you received the work electronically, the person +or entity providing it to you may choose to give you a second +opportunity to receive the work electronically in lieu of a refund. If +the second copy is also defective, you may demand a refund in writing +without further opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO +OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of +damages. If any disclaimer or limitation set forth in this agreement +violates the law of the state applicable to this agreement, the +agreement shall be interpreted to make the maximum disclaimer or +limitation permitted by the applicable state law. The invalidity or +unenforceability of any provision of this agreement shall not void the +remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in +accordance with this agreement, and any volunteers associated with the +production, promotion and distribution of Project Gutenberg-tm +electronic works, harmless from all liability, costs and expenses, +including legal fees, that arise directly or indirectly from any of +the following which you do or cause to occur: (a) distribution of this +or any Project Gutenberg-tm work, (b) alteration, modification, or +additions or deletions to any Project Gutenberg-tm work, and (c) any +Defect you cause. + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of +computers including obsolete, old, middle-aged and new computers. It +exists because of the efforts of hundreds of volunteers and donations +from people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future +generations. To learn more about the Project Gutenberg Literary +Archive Foundation and how your efforts and donations can help, see +Sections 3 and 4 and the Foundation information page at +www.gutenberg.org Section 3. Information about the Project Gutenberg +Literary Archive Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg Literary +Archive Foundation are tax deductible to the full extent permitted by +U.S. federal laws and your state's laws. + +The Foundation's principal office is in Fairbanks, Alaska, with the +mailing address: PO Box 750175, Fairbanks, AK 99775, but its +volunteers and employees are scattered throughout numerous +locations. Its business office is located at 809 North 1500 West, Salt +Lake City, UT 84116, (801) 596-1887. Email contact links and up to +date contact information can be found at the Foundation's web site and +official page at www.gutenberg.org/contact + +For additional contact information: + + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To SEND +DONATIONS or determine the status of compliance for any particular +state visit www.gutenberg.org/donate + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. To +donate, please visit: www.gutenberg.org/donate + +Section 5. General Information About Project Gutenberg-tm electronic works. + +Professor Michael S. Hart was the originator of the Project +Gutenberg-tm concept of a library of electronic works that could be +freely shared with anyone. For forty years, he produced and +distributed Project Gutenberg-tm eBooks with only a loose network of +volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as not protected by copyright in +the U.S. unless a copyright notice is included. Thus, we do not +necessarily keep eBooks in compliance with any particular paper +edition. + +Most people start at our Web site which has the main PG search +facility: www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + |