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diff --git a/5982-h/5982-h.htm b/5982-h/5982-h.htm new file mode 100644 index 0000000..e44f18b --- /dev/null +++ b/5982-h/5982-h.htm @@ -0,0 +1,812 @@ +<?xml version="1.0" encoding="us-ascii"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml" lang="en"> + <head> + <title> + Eeldrop and Appleplex, by T.S. Eliot + </title> + <style type="text/css" xml:space="preserve"> + + body { margin:5%; background:#faebd0; text-align:justify} + P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + div.fig { display:block; margin:0 auto; text-align:center; } + div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + .pagenum {display:inline; font-size: 70%; font-style:normal; + margin: 0; padding: 0; position: absolute; right: 1%; + text-align: right;} + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + +</style> + </head> + <body> +<pre xml:space="preserve"> + +The Project Gutenberg EBook of Eeldrop and Appleplex, by T.S. Eliot + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Eeldrop and Appleplex + +Author: T.S. Eliot + +Release Date: March 28, 2009 [EBook #5982] +Last Updated: January 25, 2013 + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK EELDROP AND APPLEPLEX *** + + + + +Produced by An Anonymous Volunteer, and David Widger + + + + + + +</pre> + <p> + <br /><br /> + </p> + <h1> + EELDROP AND APPLEPLEX + </h1> + <p> + <br /><br /> + </p> + <h2> + By T.S. Eliot + </h2> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> + </p> + <h3> + Contents + </h3> + <table summary="" style="margin-right: auto; margin-left: auto"> + <tr> + <td> + <p class="toc"> + <a href="#link2H_4_0001"> I </a> + </p> + <p class="toc"> + <a href="#link2H_4_0002"> II </a> + </p> + </td> + </tr> + </table> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001"> + <!-- H2 anchor --> </a> + </p> + <h2> + I + </h2> + <p> + Eeldrop and Appleplex rented two small rooms in a disreputable part of + town. Here they sometimes came at nightfall, here they sometimes slept, + and after they had slept, they cooked oatmeal and departed in the morning + for destinations unknown to each other. They sometimes slept, more often + they talked, or looked out of the window. + </p> + <p> + They had chosen the rooms and the neighborhood with great care. There are + evil neighborhoods of noise and evil neighborhoods of silence, and Eeldrop + and Appleplex preferred the latter, as being the more evil. It was a shady + street, its windows were heavily curtained; and over it hung the cloud of + a respectability which has something to conceal. Yet it had the advantage + of more riotous neighborhoods near by, and Eeldrop and Appleplex commanded + from their windows the entrance of a police station across the way. This + alone possessed an irresistible appeal in their eyes. From time to time + the silence of the street was broken; whenever a malefactor was + apprehended, a wave of excitement curled into the street and broke upon + the doors of the police station. Then the inhabitants of the street would + linger in dressing-gowns, upon their doorsteps: then alien visitors would + linger in the street, in caps; long after the centre of misery had been + engulphed in his cell. Then Eeldrop and Appleplex would break off their + discourse, and rush out to mingle with the mob. Each pursued his own line + of enquiry. Appleplex, who had the gift of an extraordinary address with + the lower classes of both sexes, questioned the onlookers, and usually + extracted full and inconsistent histories: Eeldrop preserved a more + passive demeanor, listened to the conversation of the people among + themselves, registered in his mind their oaths, their redundance of + phrase, their various manners of spitting, and the cries of the victim + from the hall of justice within. When the crowd dispersed, Eeldrop and + Appleplex returned to their rooms: Appleplex entered the results of his + inquiries into large notebooks, filed according to the nature of the case, + from A (adultery) to Y (yeggmen). Eeldrop smoked reflectively. It may be + added that Eeldrop was a sceptic, with a taste for mysticism, and + Appleplex a materialist with a leaning toward scepticism; that Eeldrop was + learned in theology, and that Appleplex studied the physical and + biological sciences. + </p> + <p> + There was a common motive which led Eeldrop and Appleplex thus to separate + themselves from time to time, from the fields of their daily employments + and their ordinarily social activities. Both were endeavoring to escape + not the commonplace, respectable or even the domestic, but the too well + pigeonholed, too taken-for-granted, too highly systematized areas, and,—in + the language of those whom they sought to avoid—they wished "to + apprehend the human soul in its concrete individuality." + </p> + <p> + "Why," said Eeldrop, "was that fat Spaniard, who sat at the table with us + this evening, and listened to our conversation with occasional curiosity, + why was he himself for a moment an object of interest to us? He wore his + napkin tucked into his chin, he made unpleasant noises while eating, and + while not eating, his way of crumbling bread between fat fingers made me + extremely nervous: he wore a waistcoat cafe au lait, and black boots with + brown tops. He was oppressively gross and vulgar; he belonged to a type, + he could easily be classified in any town of provincial Spain. Yet under + the circumstances—when we had been discussing marriage, and he + suddenly leaned forward and exclaimed: 'I was married once myself'—we + were able to detach him from his classification and regard him for a + moment as an unique being, a soul, however insignificant, with a history + of its own, once for all. It is these moments which we prize, and which + alone are revealing. For any vital truth is incapable of being applied to + another case: the essential is unique. Perhaps that is why it is so + neglected: because it is useless. What we learned about that Spaniard is + incapable of being applied to any other Spaniard, or even recalled in + words. With the decline of orthodox theology and its admirable theory of + the soul, the unique importance of events has vanished. A man is only + important as he is classed. Hence there is no tragedy, or no appreciation + of tragedy, which is the same thing. We had been talking of young + Bistwick, who three months ago married his mother's housemaid and now is + aware of the fact. Who appreciates the truth of the matter? Not the + relatives, for they are only moved by affection, by regard for Bistwick's + interests, and chiefly by their collective feeling of family disgrace. Not + the generous minded and thoughtful outsider, who regards it merely as + evidence for the necessity of divorce law reform. Bistwick is classed + among the unhappily married. But what Bistwick feels when he wakes up in + the morning, which is the great important fact, no detached outsider + conceives. The awful importance of the ruin of a life is overlooked. Men + are only allowed to be happy or miserable in classes. In Gopsum Street a + man murders his mistress. The important fact is that for the man the act + is eternal, and that for the brief space he has to live, he is already + dead. He is already in a different world from ours. He has crossed the + frontier. The important fact is that something is done which can not be + undone—a possibility which none of us realize until we face it + ourselves. For the man's neighbors the important fact is what the man + killed her with? And at precisely what time? And who found the body? For + the 'enlightened public' the case is merely evidence for the Drink + question, or Unemployment, or some other category of things to be + reformed. But the mediaeval world, insisting on the eternity of + punishment, expressed something nearer the truth." + </p> + <p> + "What you say," replied Appleplex, "commands my measured adherence. I + should think, in the case of the Spaniard, and in the many other + interesting cases which have come under our attention at the door of the + police station, what we grasp in that moment of pure observation on which + we pride ourselves, is not alien to the principle of classification, but + deeper. We could, if we liked, make excellent comment upon the nature of + provincial Spaniards, or of destitution (as misery is called by the + philanthropists), or on homes for working girls. But such is not our + intention. We aim at experience in the particular centres in which alone + it is evil. We avoid classification. We do not deny it. But when a man is + classified something is lost. The majority of mankind live on paper + currency: they use terms which are merely good for so much reality, they + never see actual coinage." + </p> + <p> + "I should go even further than that," said Eeldrop. "The majority not only + have no language to express anything save generalized man; they are for + the most part unaware of themselves as anything but generalized men. They + are first of all government officials, or pillars of the church, or trade + unionists, or poets, or unemployed; this cataloguing is not only + satisfactory to other people for practical purposes, it is sufficient to + themselves for their 'life of the spirit.' Many are not quite real at any + moment. When Wolstrip married, I am sure he said to himself: 'Now I am + consummating the union of two of the best families in Philadelphia.'" + </p> + <p> + "The question is," said Appleplex, "what is to be our philosophy. This + must be settled at once. Mrs. Howexden recommends me to read Bergson. He + writes very entertainingly on the structure of the eye of the frog." + </p> + <p> + "Not at all," interrupted his friend. "Our philosophy is quite irrelevant. + The essential is, that our philosophy should spring from our point of view + and not return upon itself to explain our point of view. A philosophy + about intuition is somewhat less likely to be intuitive than any other. We + must avoid having a platform." + </p> + <p> + "But at least," said Appleplex, "we are..." + </p> + <p> + "Individualists. No!! nor anti-intellectualists. These also are labels. + The 'individualist' is a member of a mob as fully as any other man: and + the mob of individualists is the most unpleasing, because it has the least + character. Nietzsche was a mob-man, just as Bergson is an intellectualist. + We cannot escape the label, but let it be one which carries no + distinction, and arouses no self-consciousness. Sufficient that we should + find simple labels, and not further exploit them. I am, I confess to you, + in private life, a bank-clerk...." + </p> + <p> + "And should, according to your own view, have a wife, three children, and + a vegetable garden in a suburb," said Appleplex. + </p> + <p> + "Such is precisely the case," returned Eeldrop, "but I had not thought it + necessary to mention this biographical detail. As it is Saturday night, I + shall return to my suburb. Tomorrow will be spent in that garden...." + </p> + <p> + "I shall pay my call on Mrs. Howexden," murmured Appleplex. + </p> + <p> + <a name="link2H_4_0002" id="link2H_4_0002"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + II + </h2> + <p> + The suburban evening was grey and yellow on Sunday; the gardens of the + small houses to left and right were rank with ivy and tall grass and lilac + bushes; the tropical South London verdure was dusty above and mouldy + below; the tepid air swarmed with flies. Eeldrop, at the window, welcomed + the smoky smell of lilac, the gramaphones, the choir of the Baptist + chapel, and the sight of three small girls playing cards on the steps of + the police station. + </p> + <p> + "On such a night as this," said Eeldrop, "I often think of Scheherazade, + and wonder what has become of her." + </p> + <p> + Appleplex rose without speaking and turned to the files which contained + the documents for his "Survey of Contemporary Society." He removed the + file marked London from between the files Barcelona and Boston where it + had been misplaced, and turned over the papers rapidly. "The lady you + mention," he rejoined at last, "whom I have listed not under S. but as + Edith, alias Scheherazade, has left but few evidences in my possession. + Here is an old laundry account which she left for you to pay, a cheque + drawn by her and marked 'R/D,' a letter from her mother in Honolulu (on + ruled paper), a poem written on a restaurant bill—'To Atthis'—and + a letter by herself, on Lady Equistep's best notepaper, containing some + damaging but entertaining information about Lady Equistep. Then there are + my own few observations on two sheets of foolscap." + </p> + <p> + "Edith," murmured Eeldrop, who had not been attending to this catalogue, + "I wonder what has become of her. 'Not pleasure, but fulness of life... to + burn ever with a hard gem-like flame,' those were her words. What + curiosity and passion for experience! Perhaps that flame has burnt itself + out by now." + </p> + <p> + "You ought to inform yourself better," said Appleplex severely, "Edith + dines sometimes with Mrs. Howexden, who tells me that her passion for + experience has taken her to a Russian pianist in Bayswater. She is also + said to be present often at the Anarchist Tea Rooms, and can usually be + found in the evening at the Cafe de l'Orangerie." + </p> + <p> + "Well," replied Eeldrop, "I confess that I prefer to wonder what has + become of her. I do not like to think of her future. Scheherazade grown + old! I see her grown very plump, full-bosomed, with blond hair, living in + a small flat with a maid, walking in the Park with a Pekinese, motoring + with a Jewish stock-broker. With a fierce appetite for food and drink, + when all other appetite is gone, all other appetite gone except the + insatiable increasing appetite of vanity; rolling on two wide legs, + rolling in motorcars, rolling toward a diabetic end in a seaside watering + place." + </p> + <p> + "Just now you saw that bright flame burning itself out," said Appleplex, + "now you see it guttering thickly, which proves that your vision was + founded on imagination, not on feeling. And the passion for experience—have + you remained so impregnably Pre-Raphaelite as to believe in that? What + real person, with the genuine resources of instinct, has ever believed in + the passion for experience? The passion for experience is a criticism of + the sincere, a creed only of the histrionic. The passionate person is + passionate about this or that, perhaps about the least significant things, + but not about experience. But Marius, des Esseintes, Edith..." + </p> + <p> + "But consider," said Eeldrop, attentive only to the facts of Edith's + history, and perhaps missing the point of Appleplex's remarks, "her + unusual career. The daughter of a piano tuner in Honolulu, she secured a + scholarship at the University of California, where she graduated with + Honors in Social Ethics. She then married a celebrated billiard + professional in San Francisco, after an acquaintance of twelve hours, + lived with him for two days, joined a musical comedy chorus, and was + divorced in Nevada. She turned up several years later in Paris and was + known to all the Americans and English at the Cafe du Dome as Mrs. Short. + She reappeared in London as Mrs. Griffiths, published a small volume of + verse, and was accepted in several circles known to us. And now, as I + still insist, she has disappeared from society altogether." + </p> + <p> + "The memory of Scheherazade," said Appleplex, "is to me that of Bird's + custard and prunes in a Bloomsbury boarding house. It is not my intention + to represent Edith as merely disreputable. Neither is she a tragic figure. + I want to know why she misses. I cannot altogether analyse her 'into a + combination of known elements' but I fail to touch anything definitely + unanalysable. + </p> + <p> + "Is Edith, in spite of her romantic past, pursuing steadily some hidden + purpose of her own? Are her migrations and eccentricities the sign of some + unguessed consistency? I find in her a quantity of shrewd observation, an + excellent fund of criticism, but I cannot connect them into any peculiar + vision. Her sarcasm at the expense of her friends is delightful, but I + doubt whether it is more than an attempt to mould herself from outside, by + the impact of hostilities, to emphasise her isolation. Everyone says of + her, 'How perfectly impenetrable!' I suspect that within there is only the + confusion of a dusty garret." + </p> + <p> + "I test people," said Eeldrop, "by the way in which I imagine them as + waking up in the morning. I am not drawing upon memory when I imagine + Edith waking to a room strewn with clothes, papers, cosmetics, letters and + a few books, the smell of Violettes de Parme and stale tobacco. The + sunlight beating in through broken blinds, and broken blinds keeping out + the sun until Edith can compel herself to attend to another day. Yet the + vision does not give me much pain. I think of her as an artist without the + slightest artistic power." + </p> + <p> + "The artistic temperament—" began Appleplex. + </p> + <p> + "No, not that." Eeldrop snatched away the opportunity. "I mean that what + holds the artist together is the work which he does; separate him from his + work and he either disintegrates or solidifies. There is no interest in + the artist apart from his work. And there are, as you said, those people + who provide material for the artist. Now Edith's poem 'To Atthis' proves + beyond the shadow of a doubt that she is not an artist. On the other hand + I have often thought of her, as I thought this evening, as presenting + possibilities for poetic purposes. But the people who can be material for + art must have in them something unconscious, something which they do not + fully realise or understand. Edith, in spite of what is called her + impenetrable mask, presents herself too well. I cannot use her; she uses + herself too fully. Partly for the same reason I think, she fails to be an + artist: she does not live at all upon instinct. The artist is part of him + a drifter, at the mercy of impressions, and another part of him allows + this to happen for the sake of making use of the unhappy creature. But in + Edith the division is merely the rational, the cold and detached part of + the artist, itself divided. Her material, her experience that is, is + already a mental product, already digested by reason. Hence Edith (I only + at this moment arrive at understanding) is really the most orderly person + in existence, and the most rational. Nothing ever happens to her; + everything that happens is her own doing." + </p> + <p> + "And hence also," continued Appleplex, catching up the thread, "Edith is + the least detached of all persons, since to be detached is to be detached + from one's self, to stand by and criticise coldly one's own passions and + vicissitudes. But in Edith the critic is coaching the combatant." + </p> + <p> + "Edith is not unhappy." + </p> + <p> + "She is dissatisfied, perhaps." + </p> + <p> + "But again I say, she is not tragic: she is too rational. And in her + career there is no progression, no decline or degeneration. Her condition + is once and for always. There is and will be no catastrophe. + </p> + <p> + "But I am tired. I still wonder what Edith and Mrs. Howexden have in + common. This invites the consideration (you may not perceive the + connection) of Sets and Society, a subject which we can pursue tomorrow + night." + </p> + <p> + Appleplex looked a little embarrassed. "I am dining with Mrs. Howexden," + he said. "But I will reflect upon the topic before I see you again." + </p> + <p> + <br /><br /><br /><br /> + </p> +<pre xml:space="preserve"> + + + + + +End of the Project Gutenberg EBook of Eeldrop and Appleplex, by T.S. 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