summaryrefslogtreecommitdiff
path: root/old/60529-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/60529-0.txt')
-rw-r--r--old/60529-0.txt12245
1 files changed, 0 insertions, 12245 deletions
diff --git a/old/60529-0.txt b/old/60529-0.txt
deleted file mode 100644
index c54361d..0000000
--- a/old/60529-0.txt
+++ /dev/null
@@ -1,12245 +0,0 @@
-The Project Gutenberg EBook of The Fascinating Stranger And Other Stories, by
-Booth Tarkington
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: The Fascinating Stranger And Other Stories
-
-Author: Booth Tarkington
-
-Release Date: October 19, 2019 [EBook #60529]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK FASCINATING STRANGER, OTHER STORIES ***
-
-
-
-
-Produced by Al Haines, Cindy Beyer & the online Distributed
-Proofreaders Canada team at https://www.pgdpcanada.net
-
-
-
-
-
-
-
-
-
-
-
- [Dustcover Illustration]
- [Cover Illustration]
-
-
-
-
- B O O K S B Y
- B O O T H T A R K I N G T O N
-
- ALICE ADAMS
- BEASLEY’S CHRISTMAS PARTY
- BEAUTY AND THE JACOBIN
- CHERRY
- CONQUEST OF CANAAN
- GENTLE JULIA
- HARLEQUIN AND COLUMBINE
- HIS OWN PEOPLE
- IN THE ARENA
- MONSIEUR BEAUCAIRE
- PENROD
- PENROD AND SAM
- RAMSEY MILHOLLAND
- SEVENTEEN
- THE BEAUTIFUL LADY
- THE FASCINATING STRANGER AND
- OTHER STORIES
- THE FLIRT
- THE GENTLEMAN FROM INDIANA
- THE GUEST OF QUESNAY
- THE MAGNIFICENT AMBERSONS
- THE MAN FROM HOME
- THE TURMOIL
- THE TWO VANREVELS
-
-
-
-
- The
- Fascinating Stranger
- And Other Stories
-
- By
- Booth Tarkington
-
- [Illustration]
-
- Garden City New York
- Doubleday, Page & Company
- 1923
-
-
-
-
- COPYRIGHT, 1923, BY
- DOUDLEDAY, PAGE & COMPANY
-
- ALL RIGHTS RESERVED, INCLUDING THAT OF TRANSLATION
- INTO FOREIGN LANGUAGES, INCLUDING THE SCANDINAVIAN
-
- COPYRIGHT, 1912, BY THE CURTIS PUBLISHING COMPANY IN THE UNITED STATES
- AND GREAT BRITAIN
-
- COPYRIGHT, 1916, BY THE RIDGWAY COMPANY IN THE UNITED STATES
- AND GREAT BRITAIN
-
- COPYRIGHT, 1921, 1922, BY CONSOLIDATED MAGAZINES CORPORATION
- (THE RED BOOK MAGAZINE) ALL RIGHTS RESERVED
-
- COPYRIGHT, 1922, BY THE McCALL COMPANY, AND UNITED FEATURE SYNDICATE
-
- PRINTED IN THE UNITED STATES
- AT
- THE COUNTRY LIFE PRESS, GARDEN CITY, N. Y.
-
- _First Edition_
- _After the Printing of 377 De Luxe Copies_
-
-
-
-
- TO
- S. K. T.
-
-
-
-
- C O N T E N T S
-
- PAGE
- THE FASCINATING STRANGER........... 1
- THE PARTY.......................... 57
- THE ONE-HUNDRED-DOLLAR BILL........ 85
- JEANNETTE.......................... 121
- THE SPRING CONCERT................. 159
- WILLAMILLA......................... 194
- THE ONLY CHILD..................... 236
- LADIES’ WAYS....................... 275
- MAYTIME IN MARLOW.................. 312
- “YOU”.............................. 360
- “US”............................... 391
- THE TIGER.......................... 418
- MARY SMITH......................... 460
-
-
-
-
- THE FASCINATING STRANGER
- AND OTHER STORIES
-
-
-
-
- THE FASCINATING STRANGER
-
-
-MR. GEORGE TUTTLE, reclining at ease in his limousine, opened one eye
-just enough to perceive that daylight had reached his part of the world,
-then closed that eye, and murmured languidly. What he said, however, was
-not, “Home, Parker,” or “To the club, Eugene;” this murmur of his was
-not only languid but plaintive. A tear appeared upon the lower lid of
-the eye that had opened, for it was a weak and drowsy eye, and after
-hours of solid darkness the light fretted it. Moreover, the tear, as a
-greeting to the new day, harmonized perfectly with Mr. Tuttle’s murmur,
-which was so little more than a husky breathing that only an acute ear
-close by could have caught it: “Oh, Gosh!” Then he turned partly over,
-shifting his body so as to lie upon his left side among the shavings
-that made his limousine such a comfortable bedroom.
-
-After thousands of years of wrangling, economists still murder one
-another to emphasize varying ideas of what constitutes the ownership of
-anything; and some people (the most emphatic of all) maintain that
-everybody owns everything, which is obviously the same as saying that
-nobody owns anything, especially his own right hand. So it may be a
-little hasty to speak of this limousine, in which Mr. Tuttle lay
-finishing his night’s sleep, as belonging to him in particular; but he
-was certainly the only person who had the use of it, and no other person
-in the world believed himself to be its owner. A doubt better founded
-may rest upon a definition of the word “limousine;” for Mr. Tuttle’s
-limousine was not an automobile; it had no engine, no wheels, no
-steering-gear; neither had it cushions nor glass; yet Mr. Tuttle thought
-of it and spoke of it as his limousine, and took some pleasure in such
-thinking and speaking.
-
-Definitely, it was what is known as a “limousine body” in an extreme but
-permanent state of incompletion. That is to say, the wooden parts of a
-“limousine body” had been set up, put together on a “buck,” or trestle,
-and then abandoned with apparently the same abruptness and finality that
-marked the departure of the Pompeiian baker who hurried out of his
-bakery and left his bread two thousand years in the oven. So sharply the
-“post-war industrial depression” had struck the factory, that the
-workmen seemed to have run for their lives from the place, leaving
-everything behind them just as it happened to be at the moment of panic.
-And then, one cold evening, eighteen months afterward, the excavator,
-Tuttle, having dug within the neighbouring city dump-heap to no
-profitable result, went to explore the desert spaces where once had been
-the bustling industries, and found this body of a limousine, just as it
-had been abandoned by the workmen fleeing from ruin. He furnished it
-plainly with simple shavings and thus made a home.
-
-His shelter was double, for this little house of his itself stood
-indoors, under a roof that covered acres. When the watery eye of Mr.
-Tuttle opened, it beheld a room vaster than any palace hall, and so
-littered with unaccountable other automobile bodies in embryo that their
-shapes grew vague and small in the distance. But nothing living was here
-except himself; what leather had been in the great place was long since
-devoured, and the rats had departed. A night-watchman, paid by the
-receiver-in-bankruptcy, walked through the long shops once or twice a
-night, swinging a flashlight; but he was unaware of the tenant, and
-usually Mr. Tuttle, in slumber, was unaware of him.
-
-The watery eye, having partly opened and then wholly closed, remained
-closed for another hour. All round about, inside and outside the great
-room, there was silence; for beyond these shops there were only other
-shops and others and others, covering square miles, and all as still as
-a village midnight. They were as quiet as that every day in the week;
-but on weekdays the cautious Tuttle usually went out rather early,
-because sometimes a clerk from the receiver’s office dawdled about the
-place with a notebook. To-day was Sunday; no one would come; so he slept
-as long as he could.
-
-His reasons were excellent as reasons, though immoral at the
-source;—that is to say, he should not have had such reasons. He was not
-well, and sleep is healing; his reasons for sleeping were therefore
-good: but he should not have been unwell; his indisposition was produced
-by sin; he had broken the laws of his country and had drunk of illegal
-liquor, atrocious in quality; his reasons for sleeping were therefore
-bad. His sleep was not a good sleep.
-
-From time to time little manifestations proved its gross character; he
-lay among the shavings like a fat grampus basking in sea-foam, and he
-breathed like one; but sometimes his mouth would be pushed upward in
-misdirected expansions; his cheeks would distend, and then suddenly
-collapse, after explosion. Lamentable sounds came from within his
-corrugated throat, and from deeper tubes; a shoulder now and then jumped
-suddenly; and his upper ear, long and soiled, frequently twitched enough
-to move the curl of shaving that lay upon it. For a time one of his legs
-trembled violently; then of its own free will and without waking him, it
-bent and straightened repeatedly, using the motions of a leg that is
-walking and confident that it is going somewhere. Having arrived at its
-destination, it rested; whereupon its owner shivered, and, thinking he
-pulled a blanket higher about his shoulders, raked a few more shavings
-upon him. Finally, he woke, and, still keeping his eyes closed, stroked
-his beard.
-
-It was about six weeks old and no uncommon ornament with Mr. Tuttle; for
-usually he wore either a beard or something on the way to become one; he
-was indifferent which, though he might have taken pride in so much
-originality in an over-razored age. His round and somewhat oily head,
-decorated with this beard upon a face a little blurred by puffiness, was
-a relic; the last survival of a type of head long ago gloriously
-portrayed and set before a happy public by that adept in the most
-perishable of the arts, William Hoey. Mr. Tuttle was heavier in body
-than the blithe comedian’s creation, it is true; he was incomparably
-slower in wit and lower in spirits, yet he might well enough have sat
-for the portrait of an older brother of Mr. Hoey’s masterpiece, “Old
-Hoss.”
-
-Having stroked his beard with a fat and dingy hand, he uttered detached
-guttural complaints in Elizabethan monosyllables, followed these with
-sighing noises; then, at the instigation of some abdominal feeling of
-horror, shuddered excessively, opened his eyes to a startled wideness
-and abruptly sat up in his bed. To the interior of his bosky ear, just
-then, was borne the faint religious sound of church bells chiming in a
-steeple miles away in the centre of the city, and he was not pleased. An
-expression of disfavour slightly altered the contours of his face; he
-muttered defiantly, and decided to rise and go forth.
-
-Nothing could have been simpler. The April night had been chilly, and he
-had worn his shoes; no nightgear had to be exchanged for other
-garments;—in fact no more was to be done than to step out of the
-limousine. He did so, taking his greenish and too plastic “Derby” hat
-with him; and immediately he stood forth upon the factory floor as well
-equipped to face the public as ever. Thus, except for several
-safety-pins, glinting too brightly where they might least have been
-expected, he was a most excellent specimen of the protective coloration
-exhibited by man; for man has this instinct, undoubtedly. On the bright
-beaches by the sea, how gaily he conforms is to be noted by the dullest
-observer; in the autumnal woods man goes dull green and dead leaf brown;
-and in the smoky city all men, inside and out, are the colour of smoke.
-Mr. Tuttle stood forth, the colour of the grimy asphalt streets on which
-he lived; and if at any time he had chosen to rest in a gutter, no
-extraneous tint would have hinted of his presence.
-
-Not far from him was a faucet over a sink; and he went to it, but not
-for the purpose of altering his appearance. Lacking more stimulating
-liquid, it was the inner man that wanted water; and he set his mouth to
-the faucet, drinking long, but not joyously. Then he went out to the
-sunshine of that spring morning, with the whole world before him, and
-his the choice of what to do with it.
-
-He chose to walk toward the middle part of the city, the centre of
-banking and trade; but he went slowly, his eye wandering over the
-pavement; and so, before long, he decided to smoke. He was near the
-great building of the railway station at the time, and, lighting what
-was now his cigarette (for he had a match of his own) he leaned back
-against a stone pilaster, smoked and gazed unfavourably upon the
-taxicabs in the open square before the station.
-
-As he stood thus, easing his weight against the stone and musing, he was
-hailed by an acquaintance, a tall negro, unusually limber at the knees
-and naïvely shabby in dress, but of amiable expression and soothing
-manners.
-
-“How do, Mist’ Tuttle,” he said genially, in a light tenor voice. “How
-the worl’ treatin’ you vese days, Mist’ Tuttle? I hope evathing movin’
-the ri’ way to please you nicely.”
-
-Mr. Tuttle shook his head. “Yeh!” he returned sarcastically. “Seems like
-it, don’t it! Look at ’em, I jest ast you! _Look_ at ’em!”
-
-“Look at who?”
-
-“At them taxicabs,” Mr. Tuttle replied, with sudden heat. “That’s a nice
-sight fer decent people to haf to look at!” And he added, with rancour:
-“On a Sunday, too!”
-
-“Well, you take them taxicabs now,” the negro said, mildly
-argumentative, “an’ what hurt they doin’ to nobody to jes’ look at ’em,
-Mist’ Tuttle? I fine myse’f in some difficulty to git the point of what
-you was a-settin’ you’se’f to point out, Mist’ Tuttle. What make you so
-industrious ’gains’ them taxicabs?”
-
-“I’ll tell you soon enough,” Mr. Tuttle said ominously. “I reckon if
-they’s a man alive in this here world to-day, I’m the one ’t can tell
-you jest exackly what I got against them taxicabs. In the first place,
-take and look where the United States stood twenty years ago, when they
-wasn’t any o’ them things, and then take and look where the United
-States stands to-day, when it’s full of ’em! I don’t ast you to take my
-word fer it; I only ast you to use your own eyes and take and look
-around you and see where the United States stands to-day and what it’s
-comin’ to!”
-
-But the coloured man’s perplexity was not dispelled; he pushed back his
-ancient soft hat in order to assist his brain, but found the organ still
-unstimulated after adjacent friction, and said plaintively: “I cain’
-seem to grasp jes’ whur you aiminin’ at. What you say the United States
-comin’ to?”
-
-“Why, nowhere at all!” Mr. Tuttle replied grimly. “This country’s be’n
-all ruined up. You take and look at what’s left of it, and what’s the
-use of it? I jest ast you the one simple question: What’s the use of it?
-Just tell me that, Bojus.”
-
-“You got me, Cap’n!” Bojus admitted. “I doe’ know what you aiminin’ to
-say ’t all! What _do_ all them taxicabs do?”
-
-“Do?” his friend repeated hotly. “Wha’d they do? You take and look at
-this city. You know how many people it’s got in it?”
-
-“No, I don’t, Mist’ Tuttle. Heap of ’em, though!”
-
-“Heap? I sh’d say they was! They’s hunderds and hunderds and hunderds o’
-thousands o’ men, women and chuldern in this city; you know that as well
-as I do, Bojus. Well, with all the hunderds o’ thousands o’ men, women
-and chuldern in this city, I ast you, how many livery-stables has this
-city got in it?”
-
-“Livvy-stables, Mist’ Tuttle? Lemme see. I ain’t made the observation of
-no livvy-stable fer long time.”
-
-Tuttle shook a soiled forefinger at him severely. “You ain’t answered my
-question. Didn’t you hear me? I ast you the simple question: How many
-livery-stables is they?”
-
-“Well, I ain’t _see_ none lately; I guess I doe’ know, Cap’n.”
-
-“Then I’ll tell you,” said Tuttle fiercely. “They ain’t _any_! What’s
-more, I’ll bet twenty thousand dollars they ain’t five livery-stables
-left in the whole United States! That’s a nice thing, ain’t it!”
-
-Bojus looked at him inquiringly, still rather puzzled. “You interust
-you’se’f in livvy-stables, Mist’ Tuttle?”
-
-At this Mr. Tuttle looked deeply annoyed; then he thought better of it
-and smiled tolerantly. “Listen here,” he said. “You listen, my friend,
-and I’ll tell you something ’t’s worth any man’s while to try and
-understand the this-and-that of it. I grew up in the livery-stable
-business, and I guess if they’s a man alive to-day, why, I know more
-about the livery-stable business than all the rest the men, women and
-chuldern in this city put together.”
-
-“Yes, suh. You own a livvy-stable one time, Mist’ Tuttle?”
-
-“I didn’t exackly own one,” said the truthful Tuttle, “but that’s the
-business I grew up in. I’m a horse man, and I like to sleep around a
-horse. I drove a hack for the old B. P. Thomas Livery and Feed Company
-more than twenty years, off and on;—off and on, I did. I was a horse
-man all my life and I was in the horse business. I could go anywhere in
-the United States and I didn’t haf to carry no money with me when I
-travelled; I could go into any town on the map and make all the money
-I’d care to handle. I’d never go to a boarding-house. What’s the use of
-a hired room and all the useless fixin’s in it they stick you fer? No
-man that’s got the gumption of a man wants to waste his money like that
-when they’s a whole nice livery-stable to sleep in. You take some
-people—women, most likely!—and they git finicky and say it makes you
-kind of smell. ‘Oh, don’t come near _me_!’ they’ll say. Now, what kind
-of talk is that? You take me, why, I _like_ to smell like a horse.”
-
-“Yes, suh,” said Bojus. “Hoss smell ri’ pleasan’ smell.”
-
-“Well, I should _say_ it is!” Mr. Tuttle agreed emphatically. “But you
-take a taxicab, all you ever git a chance to smell, it’s burnt grease
-and gasoline. Yes, sir, that’s what you got to smell of if you run one
-o’ them things. Nice fer a man to carry around on him, ain’t it?” He
-laughed briefly, in bitterness; and continued: “No, sir; the first time
-I ever laid eyes on one, I hollered, ‘Git a horse!’ but if you was to
-holler that at one of ’em to-day, the feller’d prob’ly answer, ‘Where’m
-I goin’ to git one?’ I ain’t seen a horse I’d be willin’ to _call_ a
-horse, not fer I don’t know how long!”
-
-“No, suh,” Bojus assented. “I guess so. Man go look fer good hoss he
-fine mighty fewness of ’em. I guess automobile put hoss out o’
-business—an’ hoss man, too, Mist’ Tuttle.”
-
-“Yes, sir, I guess it did! First four five years, when them things come
-in, why, us men in the livery-stable business, we jest laughed at ’em.
-Then, by and by, one or two stables begun keepin’ a few of ’em to hire.
-Perty soon after that they all wanted ’em, and a man had to learn to run
-one of ’em or he was liable to lose his livin’. They kep’ gittin’ worse
-and worse—and then, my goodness! didn’t even the undertakers go and git
-’em? ‘Well,’ I says, ‘I give up! _I_ give up!’ I says. ‘Men in this
-business that’s young enough and ornery enough,’ I says, ‘why, they can
-go ahead and learn to run them things. I can git along nice with a
-horse,’ I says. ‘A horse knows what you say to him, but I ain’t goin’ to
-try and talk to no engine!’”
-
-He paused, frowning, and applied the flame of a match to the half-inch
-of cigarette that still remained to him. “Them things ought to be
-throwed in the ocean,” he said. “That’s what _I’d_ do with ’em!”
-
-“You doe’ like no automobile?” Bojus inquired. “You take you’ enjoyment
-some way else, I guess, Mist’ Tuttle.”
-
-“There’s jest one simple question I want to ast you,” Mr. Tuttle said.
-“S’pose a man’s been drinkin’ a little; well, he can git along with a
-horse all right—like as not a horse’ll take him right on back home to
-the stable—but where’s one o’ _them_ things liable to take him?”
-
-“Jail,” Bojus suggested.
-
-“Yes, sir, or right over the bank into some creek, maybe. I don’t want
-nothin’ to do with ’em, and that’s what I says from the first. I don’t
-want nothin’ to do with ’em, I says, and I’ve stuck to it.” Here he was
-interrupted by a demand upon his attention, for his cigarette had become
-too short to be held with the fingers; he inhaled a final breath of
-smoke and tossed the tiny fragment away. “I own one of ’em, though,” he
-said lightly.
-
-At this the eyes of Bojus widened. “You own automobile, Mist’ Tuttle?”
-
-“Yes, I got a limousine.”
-
-“What!” Bojus cried, and stared the more incredulously. “You got a
-limousine? Whur you got it?”
-
-“I got it,” Mr. Tuttle replied coldly. “That’s enough fer me. I got it,
-but I don’t go around in it none.”
-
-“What you _do_ do with it?”
-
-“I use it,” said Tuttle, with an air of reticence. “I got my own use fer
-it. I don’t go showin’ off like some men.”
-
-Bojus was doubtful, yet somewhat impressed, and his incredulous
-expression lapsed to a vagueness. “No,” he said. “Mighty nice to ride
-roun’ in, though. I doe’ know where evabody git all the money. Money
-ain’t come knockin’ on Bojus’ do’ beggin’ ‘Lemme in, honey!’ No, suh;
-the way money act with me, it act like it think I ain’ goin’ use it
-right. Money act like I ain’t its lovin’ frien’!”
-
-He laughed, and Mr. Tuttle smiled condescendingly. “Money don’t amount
-to so much, Bojus,” he said. “Anybody can make money!”
-
-“They _kin_?”
-
-“Why, you take a thousand dollars,” said Tuttle; “and you take and put
-it out at compound interest; jest leave it lay and go on about your
-business—why, it’ll pile up and pile up, you can’t stop it. You know
-how much it’d amount to in twenty-five years? More than a million
-dollars.”
-
-“Whur all that million dolluhs come from?”
-
-“It comes from the poor,” said Mr. Tuttle solemnly. “That’s the way all
-them rich men git their money, gougin’ the poor.”
-
-“Well, suh,” Bojus inquired reasonably, “what about me? I like git rich,
-too. Whur’s some poor I kin go gouge? I’m willin’ to do the gougin’ if I
-kin git the money.”
-
-“Money ain’t everything,” his friend reminded him. “Some day the people
-o’ this country’s goin’ to raise and take all that money away from them
-rich robbers. What _right_ they got to it? That’s what I want to know.
-We’re goin’ to take it and divide it among the people that need it.”
-
-Bojus laughed cheerfully. “Tell Bojus when you goin’ begin dividin’!
-_He_ be on han’!”
-
-“Why, anybody could have all the money he wants, any time,” Tuttle
-continued, rather inconsistently. “Anybody could.”
-
-“How anybody goin’ git it?”
-
-“I didn’t say anybody _was_ goin’ to; I said anybody _could_.”
-
-“How could?”
-
-“Well, you take me,” said Tuttle. “John Rockafeller could drive right up
-here now, if he wanted to. S’pose he did; s’pose he was to drive right
-up to that curbstone there and s’pose he was to lean out and say, ‘Howdy
-do, Mr. Tuttle. Git right in and set down, and let’s take a drive. Now,
-how much money would you like me to hand you, Mr. Tuttle?’”
-
-“Hoo-_oo_!” cried Bojus in high pleasure, for the sketch seemed
-beautiful to him; so he amplified it. “‘How much money you be so kine as
-to invite me to p’litely han’ ovuh to you?’ _Hoo!_ Jom B. Rockfelluh
-take an’ ast _me_, I tell ’im, ‘Well, jes han’ me out six, sevvum,
-eight, nine hunnud dolluhs; that’ll do fer _this_ week, but you come
-’roun’ _nex’_ Sunday an’ ast me same. Don’t let me ketch you not comin’
-roun’ every Sunday, now!’ _Hoo!_ I go Mist’ Rockfelluh’s house to
-dinnuh; he say, ‘What dish I serve you p’litely, Mist’ Bojus?’ I say,
-‘Please pass me that big gol’ dish o’ money an’ a scoop, so’s I kin fill
-my soup-plate!’ Hoo-_oo_!” He laughed joyously; and then, with some
-abruptness descended from these roseate heights and looked upon the
-actual earth. “I reckon Jom B. Rockfelluh ain’ stedyin’ about how much
-money you and me like to use, Mist’ Tuttle,” he concluded. “He ain’
-comin’ roun’ _this_ Sunday, nohow!”
-
-“No, and I didn’t say he was,” Mr. Tuttle protested. “I says he _could_,
-and you certainly know enough to know he _could_, don’t you, Bojus?”
-
-“Well,” said Bojus, “whyn’t he go on ahead an’ do it, then? If he kin do
-it as well as not, what make him all time decide fer _not_? Res’ of us
-willin’!”
-
-“That’s jest the trouble,” Tuttle complained, with an air of reproof.
-“You’re willin’ but you don’t use your brains.”
-
-“Brains?” said Bojus, and laughed. “Brains ain’ goin’ make Bojus no
-money. What I need is a good lawn-mo’. If I could take an’ buy me a nice
-good lawn-mo’, I could make all the money I’m a-goin’ a need the
-live-long summuh.”
-
-“Lawn-mower?” his friend inquired. “You ain’t got no house and lot, have
-you? What you want of a lawn-mower?”
-
-“I awready got a rake,” Bojus explained. “If I had a lawn-mo’ I could
-make th’ee, fo’, fi’ dolluhs a day. See that spring sun settin’ up there
-a-gittin’ ready to shine so hot? She’s goin’ to bring up the grass
-knee-high, honey, ’less somebody take a lawn-mo’ an’ cut it down. I kin
-take a lawn-mo’ an’ walk ’long all vese resident’al streets; git a dozen
-jobs a day if I kin do ’em. I truly would like to git me a nice good
-lawn-mo’, but I ain’ got no money. I got a diamon’ ring, though. I give
-a diamon’ ring fer a good lawn-mo’.”
-
-“Diamon’ ring?” Mr. Tuttle inquired with some interest. “Le’ss see it.”
-
-“Gran’ big diamon’ ring,” Bojus said, and held forth his right hand for
-inspection. Upon the little finger appeared a gem of notable dimensions,
-for it was a full quarter of an inch in width, but no one could have
-called it lustrous; it sparkled not at all. Yet its dimness might have
-been a temporary condition that cleaning would relieve, and what struck
-Mr. Tuttle most unfavourably was the fact that it was set in a metal of
-light colour.
-
-“Why, it ain’t even gold,” he said. “That’s a perty pore sample of a
-diamon’ ring I expect, Bojus. Nobody’d want to wear a diamon’ ring with
-the ring part made o’ silver. Truth is, I never see no diamon’ ring jest
-made o’ silver, before. Where’d you git it?”
-
-“Al Joles.”
-
-“Wha’d you give Al Joles fer it?”
-
-“Nothin’,” said Bojus, and laughed. “Al Joles, he come to where my
-cousin Mamie live, las’ Feb’uary an ’bo’de with ’er week or so, ’cause
-he tryin’ keep ’way f’m jail. One day he say this city too hot; he got
-to leave, an’ Mamie tuck an’ clean up after him an’ she foun’ this ring
-in a crack behine the washstan’. Al Joles drop it an’ fergit it, I
-reckon. He had _plenty_ rings!”
-
-“I reckon!”
-
-“Al Joles show Mamie fo’ watches an’ a whole big han’ful o’ diamon’ pins
-and rings an’ chains. Say he got ’em in Chicago an’ he tuck ’em all with
-him when he lit out. Mamie she say this ring worf fi’, six thousan’
-dolluhs.”
-
-“Then what fer’d she take and give it to you, Bojus?”
-
-“She di’n’,” said Bojus. “She tuck an’ try to sell it to Hillum’s secon’
-han’ joolry sto’ an’ Hillum say he won’ bargain fer it ’count its bein’
-silvuh. So she trade it to me fer a nice watch chain. I like silvuh ring
-well as gol’ ring. ’S the diamon’ counts: diamon’ worf fi’, six thousan’
-dolluhs, I ain’ carin’ what jes’ the _ring_ part is.”
-
-“Well, it’s right perty,” Tuttle observed, glancing at it with some
-favour. “I don’t hardly expect you could trade it fer no lawn-mower,
-though. I expect——” But at this moment a symptom of his indisposition
-interrupted his remarks. A slight internal convulsion caused him to
-shudder heavily; he fanned his suddenly bedewed forehead with his hat,
-and seemed to eat an impalpable but distasteful food.
-
-“You feel sick, Mist’ Tuttle?” Bojus inquired sympathetically, for his
-companion’s appearance was a little disquieting. “You feel bad?”
-
-“Well, I do,” Tuttle admitted feebly. “I eat a hambone yestiddy that up
-and disagreed on me. I ain’t be’n feelin’ none too well all morning, if
-the truth must be told. The fact is, what I need right now—and I need
-it right bad,” he added—“it’s a little liquor.”
-
-“Yes, suh; I guess so,” his friend agreed. “That’s somep’n ain’ goin’
-hurt nobody. I be willin’ use a little myse’f.”
-
-“You know where any is?”
-
-“Don’t I!” the negro exclaimed. “I know whur plenty _is_, but the
-trouble is: How you an’ me goin’ git it?”
-
-“Where is it?”
-
-“Ri’ dow’ my cousin Mamie’ celluh. My cousin Mamie’ celluh plum full o’
-Whi’ Mule. Man say he goin’ buy it off her but ain’ show up with no
-money. Early ’s mawn’ I say, ‘Mamie, gi’ me little nice smell o’ you’
-nice whisky?’ No, suh! Take an’ fretten me with a brade-knife! Mad
-’cause man ain’ paid ’er, I reckon.”
-
-“Le’ss go on up there and ast her again,” Tuttle suggested. “She might
-be feelin’ in a nicer temper by this time. Me bein’ sick, and it’s
-Sunday and all, why, she ought to show some decency about it. Anyways,
-it wouldn’t hurt anything to jest try.”
-
-“No, suh, tha’s so, Mist’ Tuttle,” the negro agreed with ready
-hopefulness. “If she say no, she say no; but if she say yes, we all fix
-fine! Le’ss go!”
-
-They went up the street, walking rather slowly, as Mr. Tuttle, though
-eager, found his indisposition increased with any rapidity of movement;
-then they turned down an alley, followed it to another alley, and at the
-intersection of that with another, entered a smoke-coloured cottage of
-small pretensions, though it still displayed in a front window the card
-of a Red Cross subscriber to the “drive” of 1918.
-
-“Mamie!” Bojus called, when they had closed the door behind them.
-“Mamie!”
-
-Then, as they heard the response to this call, both of them had the
-warming sense of sunshine rushing over them: the world grew light and
-bright and they perceived that luck did not always run against worthy
-people. Mamie’s answer was not in words, yet it was a vocal sound and
-human: somewhere within her something quickened to the call and
-endeavoured to speak. Silently they opened the door of her bedroom and
-looked upon her where she reposed.
-
-She had consoled herself for her disappointment; she was peaceful
-indeed; and the callers at once understood that for several hours, at
-least, she could deny them nothing they would ask. They paused but a
-moment to gaze, and then, without a word of comment upon their
-incredible good fortune, they exchanged a single hurried glance, and
-forthwith descended to the cellar.
-
-An hour later they were singing there, in that cool dimness. They sang
-of romantic love, of maternal sacrifices, of friendship; and this last
-theme held them longest, for Tuttle prevailed upon his companion to join
-him many, many times in a nineteenth century tribute to brotherly
-affection. With their hands resting fondly upon each other’s shoulders,
-they sang over and over:
-
- Comrades, comrades, _ev_-er since we was boys,
- Sharing each other’s sorrows, sharing each other’s joys,
- Comrades when manhood was _daw_-ning——
-
-Our own, our native land, somewhat generally lawless in mood of late,
-has produced few illegal commodities more effective than the ferocious
-liquid rich in fusel oil and known as White Mule. Given out of the
-imaginative heart of a race that has a genius for naming things, this
-perfect name tells everything of the pale liquor it so precisely labels.
-The silence of the mule is there, the sinister inertia of his apparent
-complete placidity as he stands in an interval of seeming patience;—for
-this is the liquor as it rests in the bottle. And the mule’s sudden
-utter violence is there, with a hospital cot as a never-remote
-contingency for those who misunderstand.
-
-Over-confidence in himself was not a failing of the experienced Tuttle;
-and he well knew the potencies of the volcanic stuff with which he
-dealt. His sincere desire was but to rid himself of the indisposition
-and nervousness that depressed him, and he indulged himself to-day with
-a lighter hand than usual. He wished to be at ease in body and mind, to
-be happy and to remain happy; therefore he stopped at the convivial,
-checking himself firmly, and took a little water. Not so the less
-calculating Bojus who had nothing of the epicure about him. Half an hour
-after the two friends had begun to sing “Comrades,” Bojus became
-unmusical in execution, though his impression was that he still sang;
-and a little later Mr. Tuttle found himself alone, so far as song,
-conversation and companionship were concerned. Bojus still lived, but
-had no animation.
-
-His more cautious friend, on the contrary, felt life freshening within
-him; his physical uncertainties had disappeared from his active
-consciousness; he was a new man, and said so. “Hah!” he said with great
-satisfaction and in a much stronger voice than he had dared to use
-earlier in the day. “I’m a new man!” And he slapped himself on the
-chest, repeatedly. Optimism came to him; he began to believe that he was
-at the end of all his troubles, and he decided to return to the fresh
-air, the sunshine and an interesting world. “Le’ss git outdoors and see
-what all’s goin’ _on_!” he said heartily.
-
-But first he took some precautions for the sake of friendship. Fearing
-that all might not go well with Bojus if Mamie were the first to be
-stirring and happened to look into her cellar, he went to the top of the
-stairs and locked the door there upon the inside. Then he came down
-again and once more proved his moderation by placing only one flask of
-Mamie’s distillation in his pocket. He could have taken much more if he
-wished, but he sometimes knew when to say no. In fact, he now said it
-aloud and praised himself a little. “No! No, sir!” he said to some
-applicant within him. “I know what’s good fer you and what ain’t. If you
-take any more you’re liable to go make a hog of yourself again. Why,
-jest look how you felt when you woke up this morning! I’m the man that
-knows and I’m perty smart, too, if you ever happen to notice! You take
-and let well enough alone.”
-
-He gave a last glance at Bojus, a glance that lingered with some
-interest upon the peculiar diamond ring; but he decided not to carry it
-away with him, because Bojus might be overwhelmingly suspicious later.
-“No, sir,” he said. “You come along now and let well enough alone. We
-want to git out and see what’s goin’ on all over town!”
-
-The inward pleader consented, he placed a box against the wall, mounted
-it and showed a fine persistence in overcoming what appeared to be
-impossibilities as he contrived to wriggle himself through a window
-narrower than he was. Then, emerging worm-like upon a dirty brick path
-beside the cottage, he arose brightly and went forth from that quarter
-of the city.
-
-It suited his new mood to associate himself now with all that was most
-brilliant and prosperous; and so, at a briskish saunter he walked those
-streets where stood fine houses in brave lawns. It was now an hour and
-more after noon, the air was lively yet temperate in the sunshine, and
-the wealth he saw in calm display about him invigorated him. Shining
-cars passed by, proud ladies at ease within them; rich little children
-played about neat nursemaids as they strolled the cement pavements;
-haughty young men strode along, flashing their walking-sticks; noble big
-dogs with sparkling collars galloped over the bright grass under tall
-trees; and with all of this, Tuttle now felt himself congenial, and even
-intimate. Moreover, he had the conviction that some charming and
-dramatic adventure was about to befall him; it seemed to be just ahead.
-
-The precise nature of this adventure remained indefinite in his
-imagination for a time, but gradually the thought of eating (abhorrent
-to him earlier in the day) again became pleasant, and he sketched some
-little scenes climaxing in banquets. “One these here millionaires could
-do it easy as not,” he said, speaking only in fancy and not vocally.
-“One of ’em might jest as well as not look out his big window, see me,
-and come down his walk and say, ‘Step right in, Mr. Tuttle. We got quite
-a dinner-party to-day, but they’s always room fer you, Mr. Tuttle. Now
-what’d you like to have to eat? Liver and chili and baked beans and ham
-and eggs and a couple of ice-cold muskmelons? We can open three or four
-cans o’ sardines fer you, too, if you’d like to have ’em. You only got
-to say the word, Mr. Tuttle.’”
-
-He began to regret Bojus’s diamond ring a little; perhaps he could have
-traded it for a can of sardines at a negro restaurant he knew; but the
-regret was a slight one; he worried himself little about obtaining food,
-for people will always give it. However, he did not ask for it among the
-millionaires, whose servants are sometimes cold-hearted; but turned into
-an unpretentious cross-street and walked a little more slowly,
-estimating the houses. He had not gone far when he began to smell his
-dinner.
-
-The odour came from the open front door of a neat white frame house in a
-yard of fair size; and here, near the steps of the small veranda, a man
-of sixty and his wife were discussing the progress of a row of tulips
-about to bloom. Their clothes new-looking, decorous and worn with a
-little unfamiliarity, told everybody that this man and his wife had been
-to church; that they dined at two o’clock on Sunday, owned their house,
-owned a burial lot in the cemetery, paid their bills, and had something
-comfortable in a safety deposit box. Tuttle immediately walked into the
-yard, took off his hat and addressed the wife.
-
-“Lady,” he said, in a voice hoarser from too much singing than he would
-have liked to make it, “Lady, I be’n out o’ work fer some time back. I
-took sick, too, and I be’n in the hospital. What I reely wish to ast fer
-is work, but the state of unemployment in this city is awful bad. I
-don’t ast fer no money; all I want is a chance to work.”
-
-“On Sunday?” she said reprovingly. “Of course there isn’t any work on
-Sunday.”
-
-Tuttle stepped a little closer to her—a mistake—and looked appealing.
-“Then how’m I a-goin’ to git no nourishment?” he asked. “If you can’t
-give me no work, I ain’t eat nothin’ at all since day before yestiddy
-and I’d be truly thankful if you felt you could spare me a little
-nourishment.”
-
-But she moved back from him, her nostrils dilating slightly and her
-expression unfavourable. “I’d be glad to give you all you want to eat,”
-she said coldly, “but I think you’d better sign the pledge first.”
-
-“Ma’am?” said Tuttle in plaintive astonishment.
-
-“I think you’ve been drinking.”
-
-“No, lady! No!”
-
-“I’m sure you have. I don’t believe in doing anything for people that
-drink; it doesn’t do them any good.”
-
-“Lady——” Tuttle began, and he was about to continue his protest to
-her, when her husband interfered.
-
-“Run along!” he said, and tossed the applicant for nourishment a dime.
-
-Tuttle looked sadly at the little round disk of silver as it lay shining
-in his asphalt coloured palm; then he looked at the donor and murmured:
-“I ast fer bread—and they give me a stone!”
-
-“Go along!” said the man.
-
-Tuttle went slowly, seeming to be bowed in thoughtful melancholy; he
-went the more reluctantly because there was a hint of fried chicken on
-the air; and before he reached the pavement a buxom fair woman, readily
-guessed to be of Scandinavian descent, appeared in the doorway.
-“Dinner’s served, Mrs. Pinney,” she called briskly.
-
-Tuttle turned and looked at Mrs. Pinney with eloquence, but she shook
-her head disapprovingly. “You ought to sign the pledge!” she said.
-
-“Yes, lady,” he said, and abruptly turned away. He walked out into the
-street, where a trolley car at that moment happened to stop for another
-passenger, jumped on the step, waved his hand cordially, and continued
-to wave it as the car went down the street.
-
-“Well of _all_!” Mrs. Pinney exclaimed, dumfounded, but her husband
-laughed aloud.
-
-“That’s a good one!” he said. “Begged for ‘nourishment’ and when I gave
-him a dime went off for a street-car ride! Come on in to dinner, ma; I
-guess he’s passed out of our lives!”
-
-Nothing was further from Mr. Tuttle’s purpose, however; and Mr. and Mrs.
-Pinney had not finished their dinner, half an hour later, when he pushed
-the bell-button in their small vestibule, and the buxom woman opened the
-door, but not invitingly, for she made the aperture a narrow one when
-she saw who stood before her.
-
-“Howdydo,” he said affably. “Ole lady still here, isn’t she?”
-
-“What you want?” the woman inquired.
-
-“Jest ast her to look this over,” he said, and proffered a small
-paper-bound Bible, open, with a card between the leaves. “I’ll wait
-here,” he added serenely, as she closed the door.
-
-She took the Bible to the dining-room, and handed it to Mrs. Pinney,
-remarking, “That tramp’s back. He says to give you this. He’s waitin’.”
-
-The Bible was marked with a rubber stamp: “Presented by Door of Hope
-Rescue Mission 337 South Maryland Street,” and the card was a solemn
-oath and pledge to refrain from intoxicants, thenceforth and forever. It
-was dated that day, and signed, in ink still almost wet, “Arthur T. De
-Morris.”
-
-Mrs. Pinney stared at the pledge, at first frowningly, then with a
-tendency toward a slight emotion; and without speaking she passed it to
-her husband for inspection, whereupon he became incredulous enough to
-laugh.
-
-“That’s about the suddenest conversion on record, I guess!” he said.
-“Used the dime to get down to the Door of Hope and back before our
-dinner was over. It beats all!”
-
-“You don’t think it could be genuine, Henry?”
-
-“Well, no; not in twenty minutes.”
-
-“It _could_ be—just possibly,” she said gently. “We never know when the
-right word _may_ touch some poor fellow’s heart.”
-
-“Now, ma,” he remonstrated, “don’t you go and get one of your spells of
-religious vanity. That was about as tough an old soak as I ever saw, and
-I’m afraid it’ll take more than one of your ‘right words’ to convert
-him.”
-
-“Still——” she said, and a gentle pride showed in her expression. “We
-can’t tell. It seems a little quick, of course, but he may have been
-just at the spiritual point for the right word to reach him. Anyhow, he
-did go right away and get a pledge and sign it—and got a Bible, too. It
-might be—I don’t say it probably is, but it just might be the beginning
-of a new life for him, and it wouldn’t be right to discourage him.
-Besides he must really be hungry: he’s proved that, anyhow.” She turned
-to the woman in waiting. “Give him back the Bible and his card, Tilly,”
-she said, “and take him out in the kitchen and let him have all he wants
-to eat. Tell him to wait when he gets through; and you let me know; I’ll
-come and talk to him. His name’s Mr. De Morris, Tilly, when you speak to
-him.”
-
-Tilly’s expression was not enthusiastic, but she obeyed the order,
-conducted the convert to the kitchen and set excellent food before him
-in great plenty; whereupon Mr. Tuttle, being not without gallantry, put
-his hat on the floor beside his chair, and thanked her warmly before he
-sat down. His appetite was now vigorous, and at first he gave all his
-attention to the fried chicken, but before long he began to glance
-appreciatively, now and then, at the handmaiden who had served him. She
-was a well-shaped blonde person of thirty-five or so, tall, comely,
-reliable looking, visibly energetic, and, like her kitchen, incredibly
-clean. His glances failed to interest her, if she took note of them; and
-presently she made evident her sense of a social gulf. She prepared a
-plate for herself, placed it upon a table across the room from him and
-sat there, with her profile toward him, apparently unconscious of his
-presence.
-
-“Plenty room at my table,” he suggested hospitably. “_I_ jest as soon
-you eat over here.”
-
-“No,” she said discouragingly.
-
-Not abashed, but diplomatic, he was silent for a time, then he inquired
-casually, “Do all the work here?”
-
-“Yep.”
-
-“Well, well,” he said. “You look too young fer sech a rough job. Don’t
-they have nobody ’tend the furnace and cut the grass?”
-
-“Did,” said Tilly. “Died last week.”
-
-“Well, ain’t that too bad! Nice pleasant feller was he?”
-
-“Coloured man,” said Tilly.
-
-“You Swedish?” Tuttle inquired.
-
-“No. My folks was.”
-
-“Well sir, that’s funny,” Tuttle said genially, “I knowed they was
-_some_p’n Swedish about you, because I always did like Swedish people. I
-don’t know why, but I always did taken a kind o’ likin’ to Swedish
-people, and Swedish people always taken kind of a likin’ to me. My ways
-always seem to suit Swedish people—after we git well acquainted I mean.
-The better Swedish people git acquainted with me the more they always
-seem to taken a likin’ to me. I ast a Swedish man oncet why it was he
-taken sech a likin’ to me and he says it was my ways. ‘It’s jest your
-ways, George,’ he says. ‘It’s because Swedish people like them ways you
-got, George,’ he says.” Here Tuttle laughed deprecatingly and added, “I
-guess he must ’a’ be’n right, though.”
-
-Tilly made no response; she did not even glance at him, but continued
-gravely to eat her dinner. Then, presently, she said, without any
-emphasis: “I thought your name was Arthur.”
-
-“What?”
-
-“That pledge you signed,” Tilly said, still not looking at him, but
-going on with her dinner;—“ain’t it signed Arthur T. De Morris?”
-
-For the moment Mr. Tuttle was a little demoralized, but he recovered
-himself, coughed, and explained. “Yes, that’s my _name_,” he said. “But
-you take the name George, now, it’s more kind of a nickname I have when
-anybody gits real well acquainted with me like this Swedish man I was
-tellin’ you about; and besides that, it was up in _Dee_-troit. Most
-everybody I knowed up in _Dee_-troit, they most always called me George
-fer a nickname like. You know anybody in _Dee_-troit?”
-
-“No.”
-
-“Married?” Tuttle inquired.
-
-“No.”
-
-“Never be’n?” he said.
-
-“No.”
-
-“Well, now, that’s too bad,” he said sympathetically. “It ain’t the
-right way to live. I’m a widower myself, and I ain’t never be’n the same
-man since I lost my first wife. She was an Irish lady from Chicago.” He
-sighed; finished the slice of lemon pie Tilly had given him, and drank
-what was left of his large cup of coffee, holding the protruding spoon
-between two fingers to keep it out of his eye. He set the cup down,
-gazed upon it with melancholy, then looked again at the unresponsive
-Tilly.
-
-She had charm for him; and his expression, not wholly lacking a kind of
-wistfulness, left no doubt of it. No doubt, too, there fluttered a wing
-of fancy somewhere in his head: some picture of what might-have-been
-trembled across his mind’s-eye’s field of vision. For an instant he may
-have imagined a fireside, with such a competent fair creature upon one
-side of it, himself on the other, and merry children on the hearth-rug
-between. Certainly he had a moment of sentiment and sweet longing.
-
-“You ever think about gittin’ married again?” he said, rather
-unfortunately.
-
-“I told you I ain’t been married.”
-
-“Excuse _me_!” he hastened to say. “I was thinkin’ about myself. I mean
-when I says ‘again’ I was thinkin’ about myself. I mean I was astin’
-you: You think about gittin’ married at all?”
-
-“No.”
-
-“I s’pose not,” he assented regretfully; and added in a gentle tone:
-“Well, you’re a mighty fine-lookin’ woman; I never see no better build
-than what you got on you.”
-
-Tilly went out and came back with Mrs. Pinney, who mystified him with
-her first words. “Well, De Morris?” she said.
-
-“What?” he returned blankly, then luckily remembered, and said, “Oh,
-yes, ma’am?”
-
-“I _hope_ you meant it when you signed that pledge, De Morris.”
-
-“Why, lady, of course I did,” he assured her warmly. “If the truth must
-be told, I don’t never drink hardly at all, anyways. Now we got
-prohibition you take a poor man out o’ work, why where’s _he_ goin’ to
-git any liquor, lady? It’s only rich people that’s usually able to git
-any reel good stew on, these days, if I’m allowable to used the
-expression, so to speak. But that’s the unfairness of it, and it makes
-poor people ready to break out most anytime. Not that it concerns me,
-because I put all that behind me when I signed the pledge like you told
-me to. If the truth must be told, I was goin’ to sign the pledge some
-time back, but I kep’ kind o’ puttin’ it off. Well, lady, it’s done now,
-and I’m thankful fer it.”
-
-“I do hope so, I’m sure,” Mrs. Pinney said earnestly. “And I want to
-help you; I’ll be glad to. You said you wanted some work.”
-
-“Yes’m,” he said promptly, and if apprehension rose within him he kept
-it from appearing upon the surface. Behind Mrs. Pinney stood Tilly,
-looking straight at him with a frigid skepticism of which he was fully
-conscious. “Yes’m. Any honest work I can turn my hand to, that’s all I
-ast of anybody. I’d be glad to help wash the dishes if it’s what you had
-in your mind, lady.”
-
-“No. But if you’ll come back to-morrow morning about nine or ten
-o’clock, I’ll give you two dollars for cutting the grass. It isn’t a
-_very_ large yard, and you can get through by evening.”
-
-“I ain’t got no lawn-mower, lady.”
-
-“We have one in the cellar,” said Mrs. Pinney. “If you come back,
-Tilly’ll have it on the back porch for you. That’s all to-day, De
-Morris.”
-
-“All right, lady. I thank you for your hospitillity and I’ll be back in
-the morning,” he said, and as he turned toward the door he glanced aside
-at Tilly and saw that her mouth quivered into the shape of a slight
-smile—a knowing smile. “I will!” he said defiantly. “I’ll be back here
-at ten o’clock to-morrow morning. You’ll see!”
-
-But when the door closed behind him, Tilly laughed aloud—and was at
-once reproved by her mistress. “We always ought to have faith that the
-better side of people will conquer, Tilly. I really think he’ll come.”
-
-“Yes’m, like that last one ’t said he was comin’ back, and stole the
-knife and fork he ate with,” said Tilly, laughing again.
-
-“But this one didn’t steal anything.”
-
-“No’m, but he’ll never come back, to _work_,” said Tilly. “He said
-‘You’ll see,’ and you will, but you won’t see _him_!”
-
-They had a mild argument upon the point, and then Mrs. Pinney returned
-to her husband, who was waiting for her to put on her Sunday wrap and
-hat, and go with him to spend their weekly afternoon among the babies at
-their son’s house. She found her husband to be strongly of Tilly’s
-opinion, and when they came home that evening, she renewed the argument
-with both of them; so that this mild and orderly little household was
-slightly disturbed (a most uncommon thing in its even life) over the
-question of the vagrant’s return. Thus, Mrs. Pinney prepared a little
-triumph for herself;—at ten o’clock the next morning Tuttle opened the
-door of Tilly’s bright kitchen and inquired:
-
-“Where’s that lawn-mower?”
-
-He was there. He had defeated the skeptic and proved himself a worthy
-man, but at a price; for again he was far from well, and every movement
-he made increased well-founded inward doubts of his constitution.
-Unfortunately, he had taken his flask of White Mule to bed with him in
-his limousine, and in that comfortable security moderation had seemed
-useless to the verge of absurdity. The point of knowing when to say no
-rests in the “when;” and when a man is already at home and safe in bed,
-“Why, my Glory!” he had reasoned it, “Why, if they ever _is_ a time to
-say yes, it must be then!” So he had said “Yes,” to the White Mule and
-in the morning awoke feeling most perishable. Even then, as in the
-night, from time to time he had vagrant thoughts of Tilly and her noble
-build, of the white and shining kitchen, and of those disbelieving cool
-blue eyes that seemed to triumph over him and indict him, accusing him
-of things she appeared to think he would do if he had the chance. There
-was something in her look that provoked him, as if she would stir his
-conscience, and though his conscience disturbed him no more than a
-baby’s disturbs a baby, he was indeed somewhat disquieted by that cold
-look of hers. And so, when he had collected his mind a little, upon
-waking, he muttered feebly. “I’ll show her!” Something strange and
-forgotten worked faintly within him, fluttered a little; and so, walking
-carefully, he kept his word and came to her door.
-
-She looked at him in a startled way. Unquestionably he caused her to
-feel something like an emotion, and she said not a word, but went
-straightway and brought him the lawn-mower. He looked in her eyes as he
-took it from her hand.
-
-“You thought I wouldn’t come,” he said.
-
-“Yes,” she admitted gravely.
-
-“Well,” he said, and smiled affably, “you certainly got a fine build on
-you!” And with that, pushing the lawn-mower before him, he went out to
-his work, leaving her visibly not offended.
-
-“You showed her!” he said to himself.
-
-In the yard he looked thoughtfully upon the grass, which was rather long
-and had not been cut since the spring had enlivened it to a new growing.
-The lot seemed longer than it had the day before; he saw that it must be
-two hundred feet from the street on which it fronted to the alley in the
-rear; it was a hundred feet wide, at least, and except for the area
-occupied by the house, which was of modest proportions, all of this was
-grass. He sighed profoundly: “Oh, Gosh!” he mourned. But he meant to do
-the work, and began it manfully.
-
-With the mower rolling before him, reversed, the knives upward, he went
-to the extreme front of the lot, turned the machine over, and, surveying
-the prospect, decided to attack the lawn with long straight swathes,
-running from the front clear through to the alley—though, even before
-he began, the alley seemed far, far away. However, he turned up the
-sleeves of his ancient coat an inch or two, and went at his task with a
-good heart. That is to say, he started with a good heart, but the
-lawn-mower was neither new nor sharp; the grass was tough, the sun hot,
-and his sense of unwellness formidable. When he had gone ten feet, he
-paused, wiped his forehead with a sleeve, and leaned upon the handle of
-the mower in an attitude not devoid of pathos. But he was yet
-determined; he thought of the blue eyes in the kitchen and resolved that
-they should not grow scornful again. Once more he set the mower in
-motion.
-
-Mrs. Pinney heard the sound of it in her room upstairs, looked from the
-window, and with earnest pleasure beheld the workman at his toil. Her
-heart rejoiced her to have been the cause of a reformation, and
-presently she went down to the kitchen to gloat gently over a defeated
-antagonist in argument.
-
-“Yes’m,” Tilly admitted meekly. “He fooled me.”
-
-“You see I was right, Tilly. We always ought to have faith that the best
-part of our natures will conquer.”
-
-“Yes’m; it looks so.”
-
-“Have we some buttermilk in the refrigerator, Tilly?”
-
-“Yes’m.”
-
-“Then I think you might have some ready for him, if he gets too hot. I
-don’t think he looks very well and you might ask him if he’d like some.
-You might ask him now, Tilly.”
-
-“Now?” Tilly asked, and coloured a little. “You mean right now, Mrs.
-Pinney?”
-
-“Yes. It might do him good and help keep him strong for his work.”
-
-“All right,” Tilly said, and turned toward the ice-box; but at a thought
-she paused. “I don’t hear the lawn-mower,” she said. “It seems to me I
-ain’t heard it since we began talking.”
-
-“Perhaps he’s resting,” Mrs. Pinney suggested, but her voice trembled a
-little with foreboding. “We might just go out and see.”
-
-They went out and saw. Down the full length of the yard, from the street
-to the alley, there was one long swathe of mowed grass; and but one,
-though it was perfect. Particularly as the trail of a fugitive it was
-perfect, and led straight to the alley, which, being paved with brick,
-offered to the searchers the complete bafflement of a creek to the
-bloodhound. A brick alley shows no trace of a reversed lawn-mower
-hurrying over it—yet nothing was clearer than that such a hurrying must
-have taken place. For Arthur T. De Morris was gone, and so was the
-lawn-mower.
-
-“Mr. Pinney’ll laugh at me I guess, too!” Mrs. Pinney said, swallowing,
-as she stood with Tilly, staring at the complete vacancy of the brick
-alley.
-
-“Yes’m, he will,” said Tilly, and laughed again, a little harshly.
-
- • • • • • • •
-
-The fugitive, already some blocks distant, propelled the ravished mower
-before him, and went so openly through the streets in the likeness of an
-honest toiler seeking lawns to mow that he had to pause and decline
-several offers, on his hurried way. He took note of these opportunities,
-however, remembering the friend he was on his way to see, and, after
-some difficulty, finding him in a negro pool-room, proffered him the
-lawn-mower in exchange for five dollars, spot cash.
-
-“I ain’ got it,” replied Bojus, flaccid upon a bench. “I ain’ feelin’
-like cuttin’ nobody’s grass to-day, nohow, an’ besides I’m goin’ stay
-right here till coas’ clear. Mamie ain’ foun’ out who make all her
-trouble, ’cause I clim’ out the window whiles she was engage’ kickin’ on
-celluh do’; but neighbours say she mighty s’picious who ’twas. I don’
-need no lawn-mo’ in a pool-room.”
-
-“Well, you ain’t goin’ to stay in no pool-room forever; you got to git
-out and earn your livin’ some time,” Tuttle urged him. “Every man that’s
-got the gumption of a man, he’s got to do that!” And upon Bojus’s
-lifeless admission of the truth of this statement, the bargaining began.
-It ended with Bojus’s becoming the proprietor of the lawn-mower and
-Tuttle’s leaving the pool-room after taking possession of everything in
-the world that Bojus owned except a hat, a coat, a pair of trousers, a
-shirt, two old shoes and four safety-pins. The spoil consisted of
-seventy-eight cents in money, half of a package of bent cigarettes, a
-pair of dice, a “mouth-organ” and the peculiar diamond ring.
-
-This latter Mr. Tuttle placed upon his little finger, and as he walked
-along he regarded it with some pleasure; but he decided to part with it,
-and carried it to a pawn-shop he knew, having had some acquaintance with
-the proprietor in happier days.
-
-He entered the place with a polite air, removing his hat and bowing, for
-the shop was a prosperous one.
-
-“Golly!” said the proprietor, who happened to be behind a counter,
-instructing a new clerk. “I believe it’s old George the hackman.”
-
-“That’s who, Mr. Breitman,” Tuttle responded. “Many’s the cold night I
-yousta drive you all over town and——”
-
-“Never mind, George,” the pawnbroker interrupted crisply. “You payin’ me
-just a social call, or you got some business you want to do?”
-
-“Business,” said Tuttle. “If the truth must be told, Mr. Breitman, I got
-a diamon’ ring worth somewheres along about five or six thousand
-dollars, I don’t know which.”
-
-Breitman laughed, “Oh, you got a ring worth either five or six thousand,
-you don’t know which, and you come in to ask me to settle it. Is that
-it?”
-
-“Yes. I don’t want to hock her; I jest want to git a notion if I ever do
-decide to sell her.” He set the ring upon the glass counter before
-Breitman. “Ain’t she a beauty?”
-
-Breitman glanced at the ring and laughed, upon which the owner hastily
-protested: “Oh, I know the ring part ain’t gold: you needn’t think I
-don’t know that much! It’s the diamon’ I’m talkin’ about. Jest set your
-eye on her.”
-
-The pawnbroker set his eye on her—that is, he put on a pair of
-spectacles, picked up the ring and looked at it carelessly, but after
-his first glance his expression became more attentive. “So you say I
-needn’t think you don’t know the ‘ring part’ ain’t gold, George? So you
-knew it was platinum, did you?”
-
-“Of course, I knowed it was plapmun,” Tuttle said promptly, rising to
-the occasion, though he had never before heard of this metal. “I reckon
-I know plapmun when I see it.”
-
-“I think it’s worth about ten or twelve dollars,” Breitman said. “I’ll
-give you twelve if you want to sell it.”
-
-Eager acceptance rushed to Tuttle’s lips, but hung there unspoken as
-caution checked him. He drew a deep breath and said huskily, “Why, you
-can’t fool me on this here ring, Mr. Breitman. I ain’t worryin’ about
-what I can git fer the plapmun part; all I want to know is how much I
-ought ast fer the diamon’. I ain’t fixin’ to sell it to you; I’m fixin’
-to sell it to somebody else.”
-
-“Oh, so that’s it,” said Breitman, still looking at the ring. “Where’d
-you get it?”
-
-Tuttle laughed ingratiatingly. “It’s kind of funny,” he said, “how I got
-that ring. Yet it’s all open and above-board, too. If the truth must be
-told, it belonged to a lady-cousin o’ mine in Auburndale, Wisconsin, and
-her aunt-by-marriage left it to her. Well, this here lady-cousin o’
-mine, I was visitin’ her last summer, and she found I had a good claim
-on the house and lot she was livin’ in, account of my never havin’
-knowed that my grandfather—he was her grandfather, too—well, he never
-left no will, and this house and lot come down to her, but I never made
-no claim on it because I thought it had be’n willed to her till I found
-out it hadn’t, when I went up there. Well, the long and short of it come
-out like this: the house and lot’s worth about nine or ten thousand
-dollars, but she didn’t have no money, so she handed me over this ring
-to settle my claim. Name’s Mrs. Moscoe, Mrs. Wilbur N. Moscoe,
-three-thirty-two South Liberty Street, Auburndale, Wisconsin.”
-
-“I see,” Breitman said absently. “Just wait here a minute, George; I
-ain’t going to steal it.” And, taking the ring with him, he went into a
-room behind the shop, remaining there closeted long enough for Tuttle to
-grow a little uneasy.
-
-“Hay!” he called. “You ain’t tryin’ to eat that plapmun ring are you,
-Mr. Breitman?”
-
-Breitman appeared in the doorway. There was a glow in his eyes, and
-although he concealed all other traces of a considerable excitement,
-somehow Tuttle caught a vibration out of the air, and began to feel the
-presence of Fortune. “Step in here and sit down, George,” the pawnbroker
-said. “I wanted to look at this stone a little closer, and of course I
-had to go over my lists and see if it was on any of ’em.”
-
-“What lists?” Tuttle asked as he took a chair.
-
-“From the police. Stolen goods.”
-
-“Looky here! I told you how that ring come to me. My cousin ain’t no
-crook. Her name’s Mrs. Wilbur N. Moscoe, South Liberty Street,
-Auburnd——”
-
-“Never mind,” Breitman interrupted. “_I_ ain’t sayin’ it ain’t so.
-Anyway, this ring ain’t on any of the lists and——”
-
-“I should say it ain’t!”
-
-“Well, don’t get excited. Now look here, George”—Breitman seated
-himself close to his client and spoke in a confidential tone—“George,
-you know I always took a kind of interest in you, and I want to tell you
-what you need. You ought to go get yourself all fixed up. You ought to
-go to a barber’s and get your hair cut and your whiskers trimmed. Don’t
-go to no cheap barber’s; go to a good one, and tell ’em to fix your
-whiskers so’s you’ll have a Van Dyke——”
-
-“A what?”
-
-“A Van Dyke beard. It’s swell,” said Breitman. “Then you go get you a
-fine pearl-gray Fedora hat, with a black band around it, and a light
-overcoat, and some gray gloves with black stitching, and a nice cane and
-a nobby suit o’ clo’es and some fancy top shoes——”
-
-“Listen here!” Tuttle said hoarsely, and he set a shaking hand on the
-other’s knee, “how much you willin’ to bid on my plapmun ring?”
-
-“Don’t go so fast!” Breitman said, but his eyes were becoming more and
-more luminous. He had the hope of a great bargain; yet feared that
-Tuttle might have a fairly accurate idea of the value of the diamond.
-“Hold your hosses a little, George! You don’t need so awful much to go
-and get yourself fixed up like I’m tellin’ you, and you’ll have a lot o’
-money left to go around and see high life with. I’ll send right over to
-the bank and let you have it in cash, too, if you meet my views.”
-
-“How much?” Tuttle gasped. “How much?”
-
-Breitman looked at him shrewdly. “Well, I’m takin’ chances: the market
-on stones is awful down these days, George. Your cousin must have fooled
-you _bad_ when she talked about four or five thousand dollars! That’s
-ridiculous!”
-
-“How _much_?”
-
-“Well, I’ll say!—I’ll say seven hundred and fifty dollars.”
-
-Tuttle’s head swam. “Yes!” he gasped.
-
- • • • • • • •
-
-No doubt as he began that greatest period in his whole career, half an
-hour later, he thought seriously of a pair of blue eyes in a white
-kitchen;—seven hundred and fifty dollars, with a competent Swedish wife
-to take care of it and perhaps set up a little shop that would keep her
-husband out of mischief and busy—— But there the thought stopped short
-and his expression became one of disillusion: the idea of orderliness
-and energy and profit was not appetizing. He had seven hundred and fifty
-dollars in his pocket; and Tuttle knew what romance could come to him
-instantly at the bidding of this illimitable cash: he knew where the big
-crap games were; he knew where the gay flats and lively ladies were; he
-knew where the fine liquor gurgled—not White Mule; he knew how to find
-the lights, the lights and the music!
-
-Forthwith he approached that imperial orgy of one heaped and glorious
-week, all of high-lights, that summit of his life to be remembered with
-never-failing pride when he went back, after it was all over, to his
-limousine and the shavings.
-
-It was glorious straight through to the end, and the end was its perfect
-climax: the most dazzling memory of all. He forgave automobiles, on that
-last day, and in the afternoon he hired a splendid, red new open car,
-with a curly-haired chauffeur to drive it. Then driving to a large
-hardware store he spent eighteen dollars, out of his final fifty, upon
-the best lawn-mower the store could offer him. He had it placed in the
-car and drove away, smoking a long cigar in a long holder. Such was his
-remarkable whim; and it marks him as an extraordinary man.
-
-That nothing might be lacking, his destiny arranged that Mrs. Pinney was
-superintending Tilly in the elimination of dandelions from the front
-yard when the glittering equipage, to their surprise, stopped at the
-gate. Seated beside the lawn-mower in the tonneau they beheld a superb
-stranger, portly and of notable presence. His pearl-gray hat sat amiably
-upon his head; the sleeves of his fawn-coloured overcoat ran pleasantly
-down to pearl gloves; his Van Dyke beard, a little grizzled, conveyed an
-impression of distinction not contradicted by a bagginess of the
-eyelids; for it is strangely true that dissipation sometimes even adds
-distinction to certain types of faces. All in all, here was a man who
-might have recalled to a student of courts some aroma of the entourage
-of the late King Edward at Hombourg. There was just that about him.
-
-He alighted slowly—he might well have been credited with the gout—and
-entering the yard, approached with a courteous air, being followed by
-the chauffeur, who brought the lawn-mower.
-
-“Good afternoon, lady and Tilly,” he said, in a voice unfortunately
-hoarse; and he removed his pearl-gray hat with a dignified gesture.
-
-They stared incredulously, not believing their eyes.
-
-“I had a little trouble with your lawn-mower, so I up and got it fixed,”
-he said. “It’s the same one. I took and got it painted up some.”
-
-“Oh, me!” Tilly said, in a whisper. “Oh, me!” And she put her hand to
-her heart.
-
-He perceived that he dazzled her; that she felt deeply; and almost he
-wished, just for this moment, to be sober. He was not—profoundly
-not—yet he maintained his dignity and his balance throughout the
-interview. “I thought you might need it again some day,” he said.
-
-“Mis-ter De _Mor_-ris!” Mrs. Pinney cried, in awed recognition. “Why,
-what on earth——”
-
-“Nothin’,” he returned lightly. “Nothin’ at all.” He waved his hand to
-the car. “One o’ my little automobiles,” he said.
-
-With that he turned, and, preceded by the chauffeur, walked down the
-path to the gate. Putting his whole mind upon it, he contrived to walk
-without wavering; and at the gate, he paused and looked wistfully back
-at Tilly. “You certainly got a good build on you,” he said.
-
-Then beautifully and romantically he concluded this magnificent
-gesture—this unsolvable mystery story that the Pinneys’ very
-grandchildren were to tell in after years, and that kept Tilly a maiden
-for many months in the hope of the miraculous stranger’s return—at
-least to tell her who and what he was!
-
-He climbed into the car, placed the long holder of the long cigar in his
-mouth, and, as the silent wheels began to turn, he took off his hat
-again and waved it to them graciously.
-
-“I kept the pledge!” he said.
-
-
-
-
- THE PARTY
-
-
-THE thoughts of a little girl are not the thoughts of a little boy. Some
-will say that a little girl’s thoughts are the gentler; and this may be,
-for the boy roves more with his tribe and follows its hardier leaders;
-but during the eighth or ninth year, and sometimes a little earlier,
-there usually becomes evident the beginning of a more profound
-difference. The little girl has a greater self-consciousness than the
-boy has, but conceals hers better than he does his; moreover, she has
-begun to discover the art of getting her way indirectly, which mystifies
-him and outrages his sense of justice. Above all, she is given
-precedence and preference over him, and yet he is expected to suppress
-what is almost his strongest natural feeling, and be polite to her! The
-result is that long feud between the sexes during the period running
-from the ages of seven and eight to fifteen, sixteen and seventeen, when
-reconciliation and reconstruction set in—often rapidly.
-
-Of course the period varies with individuals;—however, to deal in
-averages, a male of five will play with females of similar age almost as
-contentedly as with other males, but when he has reached eight, though
-he may still at times “play with girls,” he feels a guilt, or at least a
-weakness, in doing so; for within him the long hatred has begun to
-smoulder.
-
-Many a parent and many an aunt will maintain that the girls are passive,
-that it is the boys who keep the quarrel alive, though this is merely to
-deny the relation between cause and result, and the truth is that the
-boys are only the noisier and franker in the exchange of reciprocal
-provocations. And since adults are but experienced children, we find
-illumination upon such a point in examples of the feud’s revival in
-middle age; for it is indeed sometimes revived, even under conditions of
-matrimony. A great deal of coldness was shown to the suburban butcher
-who pushed his wife into his sausage vat. “Stay!” the philosopher
-protested. “We do not know what she had said to him.”
-
-The feud is often desultory and intermittent; and of course it does not
-exist between every boy and every girl; a _Montagu_ may hate the
-_Capulets_ with all his vitals, yet feel an extraordinary kindness
-toward one exceptional _Capulet_. Thus, Master Laurence Coy, nine,
-permitted none to surpass him in hating girls. He proclaimed his
-bitterness, and made the proclamation in public. (At a party in his own
-house and given in his own honour, with girls for half his guests, he
-went so far as to state—not in a corner, whispering, but in the centre
-of the largest room and shouting—that he hated every last thing about
-’em. It seemed that he wished to avoid ambiguity.) And yet, toward one
-exceptional little girl he was as water.
-
-Was what he felt for Elsie Threamer love? Naturally, the answer must
-depend upon a definition of the word; and there are definitions varying
-from the frivolous _mots_ tossed off by clergymen to the fanatical
-dogmas of coquettes. Mothers, in particular, have their own definitions,
-which are so often different from those of their sons that no one will
-ever be able to compute the number of mothers who have informed sons,
-ranging in age from fourteen to sixty-two, that what those sons mistook
-for love, and insisted was love, was not love. Yet the conclusion seems
-to be inevitable that behind all the definitions there is but one actual
-thing itself; that it may be either a force, or a condition produced by
-a force, or both; and that although the phenomena by which its presence
-may be recognized are of the widest diversity, they may be somewhat
-roughly classified according to the ages of the persons affected.
-Finally, a little honest research will convince anybody that these ages
-range from seven months to one hundred and thirty-four years; and if
-scriptural records are accepted, the latter figure must be much
-expanded.
-
-Hence there appears to be warranted accuracy in the statement that
-Laurence Coy was in a state of love. When he proclaimed his hatred of
-all girls and every last thing about ’em, that very proclamation was
-produced by his condition—it was a phenomenon related to the phenomena
-of crime, to those uncalled-for proclamations of innocence that are
-really the indications of guilt. He was indeed inimical to all other
-girls; but even as he declared his animosity, he hoped Elsie was
-noticing him.
-
-Whenever he looked at her, he swallowed and had a warm but sinking
-sensation in his lower chest. If he continued to be in her presence for
-some time—that is, for more than four or five minutes—these symptoms
-were abated but did not wholly disappear; the neck was still a little
-uneasy, moving in a peculiar manner at intervals, as if to release
-itself from contact with the collar, and there was a feeling of
-looseness about the stomach.
-
-In absence, her image was not ever and always within his doting fancy
-shrined; far from it! When he did think of her, the image was fair,
-doubtless; yet he had in mind nothing in particular he wished to say to
-its original. And when he heard that she had the scarlet fever, he did
-not worry. No, he only wondered if she could see him from a window as he
-went by her house, and took occasion to pass that way with a new kite.
-Truth to say, here was the gist of his love in absence; it consisted
-almost entirely of a wish to have her for an audience while he
-performed; and that’s not so far from the gist of divers older loves.
-
-In her presence it was another matter; self-consciousness expanded to
-the point of explosion, for here was actually the audience of his
-fragmentary day-dreams, and great performances were demanded. Just at
-this point, however, there was a difficulty;—having developed neither a
-special talent nor even a design of any kind, he was forced back upon
-the more rudimentary forms of self-expression. Thus it comes about that
-sweet love itself will often be found the hidden cause of tumults that
-break up children’s parties.
-
-The moment of Elsie’s arrival at Laurence’s party could have been
-determined by an understanding person even if Elsie had been invisible
-to that person. Until then Laurence was decorous, greeting his arriving
-guests with a little arrogance natural to the occasion, since this was
-his own party and on his own premises; but the instant his glance fell
-upon the well-known brazen glow of apparently polished curls, as Elsie
-came toward him from the hall where she had left her pretty hat and
-little white coat, his decorum vanished conspicuously.
-
-The familiar symptoms had assailed him, and automatically he reacted to
-prevent their unmanning him. Girls, generically, had been mentioned by
-no one, and he introduced the topic without prelude, stating at the top
-of his voice that he hated every last thing about ’em. Then, not waiting
-for Elsie to greet him, not even appearing to be aware of her approach,
-or of her existence, he ran across the room, shouting, “Hay, there,
-Mister!” and hurled himself against a boy whose back was toward him.
-Rebounding, he dashed upon another, bumping into him violently, with the
-same cry of “Hay, there, Mister!” and went careening on, from boy to
-boy, repeating the bellow with the bumping as he went.
-
-Such easy behaviour on the part of the host immediately dispersed that
-formal reticence which characterizes the early moments of most
-children’s parties; the other boys fell in with Laurence’s idea and
-began to plunge about the room, bumping one another with a glad
-disregard of little girls who unfortunately got in their way. “Hay,
-there, Mister!” was the favoured cry, shouted as loudly as possible; and
-the bumping was as vigorous as the slogan. Falls were many and
-uproarious; annoyed little girls were upset; furniture also fell; the
-noise became glorious; and thus Laurence Coy’s party was a riot almost
-from the start.
-
- * * * * *
-
-Now when boys at a party get this mob mood going, the state of mind of
-the little girls is warrantably that of grown ladies among drunken men.
-There is this difference, of course: that the adult ladies leave the
-place and go home as soon as they can extricate themselves, whereas the
-little girls are incapable of even imagining such a course of action;
-they cannot imagine leaving a party before the serving of
-“refreshments,” at the earliest. For that matter, children of both sexes
-sometimes have a miserable time at a party yet remain to the bitter end
-for no reason except that their minds are not equal to the conception of
-a departure. A child who of his own impulse leaves a party before it is
-over may be set down as either morbid or singularly precocious—he may
-be a genius.
-
-When the bumping and bellowing broke out at Laurence’s party, most of
-the little girls huddled discontentedly close to the walls or in
-corners, where they were joined by those who had been overturned; and
-these last were especially indignant as they smoothed down their rumpled
-attire. It cannot be said, however, that the little girls reduced the
-general clamour; on the contrary, they increased it by the loudest
-criticism.
-
-Every one of the rumpled naturally singled out the bellowing bumper who
-had overturned herself, and declared him to be the worst of the
-malefactors bent upon “spoiling the party.” But as the rioting
-continued, the ladies’ criticism shifted in a remarkable way, and
-presently all of it became hotly concentrated upon one particular
-rioter. The strange thing about this was that the individual thus made
-the centre of odium was not Laurence, the founder of the objectionable
-game and the ringleader of the ruffians; not fat Bobby Eliot, the
-heaviest and most careless of his followers; not Thomas Kimball, the
-noisiest; not any of the boys, indeed, but on the peculiar contrary, a
-person of the resentful critics’ own sex.
-
-One little girl alone, among those overturned, had neither fled to the
-wall nor sought the protection of a corner; she remained upon the floor
-where Laurence, too blindly bumping, had left her; and it must be
-related that, thus recumbent, she kicked repeatedly at all who happened
-to pass her way. “Hay there, Mister!” she said. “_I’ll_ show you!”
-
-Her posture had no dignity; her action lacked womanliness; she seemed
-unconventional and but little aware of those qualities which a young
-female appearing in society should at least affect to possess. Hence it
-is no wonder that even before she decided to stop kicking and rise from
-the floor, she was already being censured. And what indeed was the
-severity of that censure, when after rising, she bounced herself
-violently against Laurence, ricocheted upon Thomas Kimball, and
-shrilling, “Hay, there, Mister! _I’ll_ show you!” proceeded to enter
-into the game with an enthusiasm surpassing that of any other
-participant!
-
-It cannot be said that she was welcomed by the male players; they made
-it as clear as possible that they considered her enthusiasm gratuitous.
-“Here, you!” the fat Eliot boy objected sternly, as she caromed into
-him. “You ole Daisy Mears, you! You ought to know you might ruin a
-person’s stummick, doing like that with your elbow.”
-
-But Miss Mears was not affected by his severity; she projected herself
-at him again. “Hay, there, Mister!” she whooped. “_I’ll_ show you!” And
-so bounced on to the next boy.
-
-Her voice, shrill beyond compare, could be heard—and by a sensitive ear
-heard painfully—far above the bellowing and the criticism. Her
-“Hay-there-Mister-_I’ll_-show-you!” was both impetuous and continuous;
-and she covered more ground than any of the boys. Floored again, not
-once but many times, she recovered herself by a method of her own; the
-feet were quickly elevated as high as possible, then brought down, while
-a simultaneous swing of the shoulders threw the body forward; and never
-for an instant did she lose her up-and-at-’em spirit. She devised a new
-manner of bumping—charging upon a boy, she would turn just at the
-instant of contact, and back into him with the full momentum acquired in
-the charge. Usually they both fell, but she had the advantage of being
-the upper, which not only softened the fall for her but enabled her to
-rise with greater ease because of her opponent’s efforts to hoist her
-from him.
-
-Now, here was a strange thing: the addition of this blithe companion
-seemed to dull the sport for those who most keenly loved it. In
-proportion as her eagerness for it increased, their own appeared to
-diminish. Dozens of times, probably, she was advised to “cut it out,”
-and with even greater frankness requested to “get on out o’ here!”
-Inquiries were directed to her, implying doubts of her sanity and even
-of her consciousness of her own acts. “Hay, listen!” several said to
-her. “Do you think you know what you’re doin’?”
-
-Finally she was informed, once more by implication, that she was
-underweight—though here was a paradox, for her weight was visibly
-enough to have overthrown the informer, who was Laurence. But this was
-the second time she had done it, and his warmth of feeling was natural.
-
-“Get off o’ me,” he said, and added the paradoxical appraisement of her
-figure. His words were definite, but to the point only as reprisal for
-her assault; Daisy Mears was properly a person, not a “thing”; neither
-was she “old,” being a month or so younger than Laurence; nor did his
-loose use of another adjective do credit to his descriptive accuracy. It
-was true that Daisy’s party manners had lacked suavity, true that her
-extreme vivacity had been uncalled-for, true that she was not beautiful;
-but she was no thinner than she was stout, and she must have wished to
-insist upon a recognition of this fact.
-
-She was in the act of rising from a sitting posture upon Laurence when
-he used the inaccurate word; and he had struggled to his hands and
-knees, elevating her; but at once she sat again, with violence,
-flattening him. “_Who’s_ skinny?” she inquired.
-
-“You get up off o’ me!” he said fiercely.
-
-She rose, laughing with all her shrillness, and Laurence would have
-risen too, but Miss Mears, shouting, “Hay, there, Mister!” easily pushed
-him down, for the polished floor was slippery and gave no footing.
-Laurence tried again, and again the merry damsel aided him to prostrate
-himself. This mortifying process was repeated and repeated until it
-attracted the attention of most of the guests, while bumping stopped and
-the bumpers gathered to look on; even to take an uproarious part in the
-contest. Some of them pushed Daisy; some of them pushed Laurence; and
-the latter, furious and scarlet, with his struggling back arched, and
-his head lowering among his guests’ shoes and slippers, uttered many
-remonstrances in a strangled voice.
-
-Finally, owing to the resentful activity of the fat Eliot boy, who
-remembered his stummick and pushed Daisy with ungallant vigour, the
-dishevelled Laurence once more resumed the upright position of a man,
-but only to find himself closely surrounded by rosily flushed faces, all
-unpleasantly mirthful at his expense. The universe seemed to be made of
-protuberant, taunting eyes and noisy open mouths.
-
-“Ya-a-a-ay, Laur-runce!” they vociferated.
-
-A lock of his own hair affected the sight of one of his eyes; a single
-hair of his late opponent was in his mouth, where he considered a hair
-of anybody’s out of place, and this one peculiarly so, considering its
-source. Miss Mears herself, still piercing every tympanum with her
-shrillness, rolled upon the floor but did not protract her hilarity
-there. Instead she availed herself of him, and with unabated disrespect,
-came up him hand-over-hand as if he had been a rope.
-
-Then, as he strove to evade her too-familiar grasp, there fell a sorry
-blow. Beyond the nearer spectators his unhampered eye caught the brazen
-zigzag gleam of orderly curls moving to the toss of a dainty head; and
-he heard the voice of Elsie, incurably sweet in tone, but oh, how
-destroying in the words! Elsie must have heard some grown person say
-them, and stored them for effective use.
-
-“Pooh! Fighting with that rowdy child!”
-
-“Fightin’?” shouted Miss Mears. “_That_ wasn’t fightin’!”
-
-“It wasn’t?” Thomas Kimball inquired waggishly. “What was it?” And he
-added with precocious satire: “I s’pose you call it makin’ love!”
-
-To Laurence’s horror, Master Kimball’s waggish idea spread like a
-virulent contagion, even to Laurence’s most intimate friends. “Ya-a-ay,
-Laur-runce!” they shouted. “Daisy Mears is your _girl_! Daisy Mears is
-Laurunce’s _girl_! Oh, Laur-_runce_!”
-
-He could only rage and bellow. “She is _not_! You hush up! I hate her! I
-hate her worse’n I do _any_body!”
-
-But his protests were disallowed and shouted down; the tormentors
-pranced, pointing at him with hateful forefingers, making other dreadful
-signs, sickening him unutterably. “Day-zy Mears and Laur-runce Coy!
-Daisy Mears is Laurunce’s _girl_!”
-
-“She is _not_!” he bawled. “You hush _opp_! I hate her! I hate her
-worse’n I do—worse’n I do—I hate her worse’n I do garbidge!”
-
-It may have been that this comparison, so frankly unbowdlerized, helped
-to inspire Miss Daisy Mears. More probably what moved her was merely a
-continuation of the impulse propelling her from the moment of her first
-fall to the floor upon being accidentally bumped by Laurence.
-Surprisingly enough, in view of her present elations, Daisy had always
-been thought a quiet and unobtrusive little girl; indeed, she had always
-believed herself to be that sort of little girl. Never, until this
-afternoon, had she attracted special notice at a party, or anywhere
-else. Her nose, in particular, was almost unfortunately inconspicuous,
-her hair curled so temporarily, even upon artificial compulsion, that
-two small pigtails were found to be its best expression. She was the
-most commonplace of little girls; yet it has never been proved that
-commonplace people are content with their condition. Finding herself
-upon the floor and kicking, this afternoon, Daisy Mears discovered, for
-the first time in her life, that she occupied a prominent position and
-was being talked about. Then and there rose high the impulse to increase
-her prominence. What though comment were adverse, she was for once and
-at last the centre of it! And for some natures, to taste distinction is
-to determine upon the whole drunken cup: Daisy Mears had entered upon an
-orgy.
-
-Laurence’s choice of a phrase to illustrate the disfavour in which he
-held her had a striking effect upon all his guests: the little girls
-were shocked, said “Oh!” and allowed their mouths to remain open
-indefinitely; the boys were seemingly maddened by their host’s free
-expression—they howled, leaped, beat one another; but the most novel
-course of action was that adopted by the newly ambitious Daisy. She ran
-upon Laurence from behind, and threw her arms about him in a manner
-permitting some question whether her intention might be an embrace or a
-wrestling match. Her indiscreet words, however, dismissed the doubt.
-
-“He’s my dear little pet!” she shouted.
-
-For a moment Laurence was incredulous; then in a dazed way he began to
-realize his dreadful position. He knew himself to be worse than
-compromised: a ruinous claim to him seemed upon the point of being
-established; and all the spectators instantly joined in the effort to
-establish it. They circled about him, leaping and pointing. They bawled
-incessantly within the very cup of his ear.
-
-“She _is_! She is _too_ your girl! She says so _herself_!”
-
-To Laurence the situation was simply what it would have been to Romeo
-had an unattractive hoyden publicly claimed him for her own, embracing
-him in Juliet’s presence, with the entire population of Verona
-boisterously insisting upon the hoyden’s right to him. Moreover, Romeo’s
-experience would have given him an advantage over Laurence. Romeo would
-have known how to point out that it takes two to make a bargain, would
-have requested the claimant to set forth witnesses or documents; he
-could have turned the public in his favour, could have extricated
-himself, and might have done so even with some grace. The Veronese would
-have respected his argument.
-
-Not so with Laurence’s public—for indeed his whole public now
-surrounded him. This was a public upon whom evidence and argument were
-wasted; besides, he had neither. He had only a dim kind of reasoning,
-very hurried—a perception that his only way out was to make his conduct
-toward Daisy Mears so consistently injurious that neither she nor the
-public could pretend to believe that anything so monstrous as affection
-existed between them. And since his conception of the first thing to be
-done was frankly elemental, it was well for his reputation as a
-gentleman and a host that his mother and his Aunt Ella happened to come
-into the living-room just then, bringing some boxes of games and
-favours. The mob broke up, and hurried in that direction.
-
-Mrs. Coy looked benevolently over their heads, and completely mistaking
-a gesture of her son, called to him smilingly: “Come, Laurence; you can
-play tag with little Daisy after a while. Just now we’ve got some other
-games for you.” Then, as he morosely approached, attended by Daisy, Mrs.
-Coy offered them a brightly coloured cardboard box. “Here’s a nice
-game,” she said, and continued unfortunately: “Since you want to play
-with Daisy, you can amuse yourselves with that. It’s a game for just
-two.”
-
-“I won’t!” Laurence returned, and added distinctly: “I rather die!”
-
-“But I thought you wanted to play with little Daisy,” Mrs. Coy explained
-in her surprise. “I thought——”
-
-“I rather die!” said Laurence, speaking so that everybody might hear
-him. “I rather die a hunderd times!” And that no one at all might
-mistake his meaning, he concluded: “I’d rather eat a million boxes of
-rat-poison than play with her!”
-
-So firm and loud a declaration of preference, especially in the
-unpreferred person’s presence, caused a slight embarrassment to Mrs.
-Coy. “But Laurence, dear,” she began, “you mustn’t——”
-
-“I would!” he insisted. “I rather eat a million, _million_ boxes of
-rat-poison than play with her! She——”
-
-“_She’s your girl!_”
-
-The sly interruption stopped him. It came from a person to be identified
-only as one of a group clustering about his Aunt Ella’s boxes; and it
-was accompanied by a general giggle but half-suppressed in spite of the
-adult presences.
-
-“You hush _opp_!” Laurence shouted.
-
-“Laurence! Laurence!” said Mrs. Coy. “What _is_ the matter, dear? It
-seems to me you’re really not at all polite to poor little Daisy.”
-
-Laurence pursued the line of conduct he had set for himself as his only
-means of safety. “I wouldn’t be polite to her,” he said; “I wouldn’t be
-polite to her if I had to eat a million——”
-
-“Laurence!”
-
-“I wouldn’t!” he stoutly maintained. “Not if I had to eat a million,
-_million_——”
-
-“Never mind!” his mother said with some emphasis. “Plenty of the other
-boys will be delighted to play with dear little Daisy.”
-
-“No,” said Daisy brightly, “I _got_ to play with Laurence.”
-
-Laurence looked at her. When a grown person looks at another in that
-way, it is time for the police, and Mrs. Coy was conscious of an
-emergency. She took Laurence by the shoulders, faced him about and told
-him to run and play with some one else; then she turned back to Daisy.
-“We’ll find some _nice_ little boy——” she began. But Daisy had
-followed Laurence.
-
-She gave him a lively tap on the shoulder. “Got your tag!” she cried,
-and darted away, but as he did not follow, she returned to him. “Well,
-what _are_ we goin’ to play?” she inquired.
-
-Laurence gave her another look. “You hang around me a little longer,” he
-said, “an’ I’ll—I’ll—I’ll——”
-
-Again came the giggled whisper:
-
-“_She’s your girl!_”
-
-Laurence ran amuck. Head down, he charged into the group whence came the
-whisper, and successfully dispersed it. The component parts fled,
-squawking; Laurence pursued; boys tripped one another, wrestled,
-skirmished in groups; and, such moods being instantly contagious among
-males under twelve, many joined in the assault with a liveliness not
-remote, at least in appearance, from lunacy.
-
-“Laurence! Laurence!” his mother exclaimed in vain, for he was the chief
-disturber; but he was too actively occupied in that capacity to be aware
-of her. She and Aunt Ella could only lament and begin to teach the
-little girls and two or three of the older and nobler boys to “play
-games,” while troups of gangsters swept out of the room, then through it
-and out again, through other rooms, through halls and then were heard
-whooping and thumping on the front stairway.
-
-One little girl was not with the rather insulted players of the
-cardboard games in the living-room. She accompanied the gangsters,
-rioting with the best, her little muslin skirt fluttering with the speed
-of her going; while ever was heard, with slight intermission, her
-piercing battle-cry: “_Hay_, there, Mister! _I’ll_ show you!” But the
-male chorus had a new libretto to work from, evidently: all through the
-house, upstairs, downstairs and in my lady’s chamber, their merciless
-gaieties resounded:
-
-“Ya-a-ay, Laur-runce! Wait for your _girl_! Your _girl_ wants you,
-Laurunce!”
-
-“What a curious child that Daisy Mears is!” Aunt Ella said to Laurence’s
-mother. “I’d always thought she was such a quiet little girl.”
-
-“‘_Quiet!_’” Mrs. Coy exclaimed. And then as a series of shocks overhead
-noticeably jarred the ceiling, she started. “Good heavens! They’re
-upstairs—they’ll have the roof on us!”
-
-She hurried into the hall, but the outlaws were already descending. Just
-ahead of them plunged Laurence, fleeing like some rabid thing. Behind
-him, in the ruck of boys, Daisy Mears seemed to reach for him at the
-full length of her extended arms; and so the rout went on and out
-through the open front doors to the yard, where still was heard above
-all other cries, “_Hay_, there, Mister! _I’ll_ show you!”
-
-Mrs. Coy returned helplessly to the guests of sweeter behaviour, and did
-what she could to amuse them, but presently she was drawn to a window by
-language without.
-
-It was the voice of her son in frenzy. He stood on the lawn, swinging a
-rake about him circularly. “Let her try it!” he said. “Let her try it
-just once more, an’ _I’ll_ show her!”
-
-For audience, out of reach of the rake, he had Daisy Mears and all his
-male guests save the two or three spiritless well-mannered at feeble
-play in the living-room; and this entire audience, including Miss Mears,
-replied in chanting chorus: “Daisy Mears an’ Laurunce Coy! She’s your
-_girl_!” Such people are hard to convince.
-
-Laurence swung the rake, repeating:
-
-“Just let her try it; that’s all I ast! Just let her try to come near me
-again!”
-
-“_Laurence!_” said his mother from the window.
-
-He looked up, and there was the sincerest bitterness in his tone as he
-said: “Well, I stood _enough_ around here this afternoon!”
-
-“Put down the rake,” she said. “The idea of shaking a rake at a little
-girl!”
-
-The idea she mentioned seemed reasonable to Laurence, in his present
-state of mind, and in view of what he had endured. “I bet _you’d_ shake
-it at her,” he said, “if she’d been doin’ to you what she’s been doin’
-to me!”
-
-Now, from Mrs. Coy’s standpoint, that was nothing short of grotesque;
-yet actually there was something in what he said. Mrs. Coy was in love
-with Mr. Coy; and if another man—one whom she disliked and thought
-homely and unattractive—had bumped into her at a party, upsetting her
-frequently, sitting on her, pushing her over repeatedly as she attempted
-to rise, then embracing her and claiming her as his own, and following
-her about, and pursuing her even when she fled, insisting upon his claim
-to her and upon embracing her again and again, causing Mr. Coy to
-criticize her with outspoken superiority—and if all this had taken
-place with the taunting connivance of absolutely every one of the best
-people she knew—why, under such parallel circumstances, Mrs. Coy might
-or might not have armed herself with a rake, but this would have
-depended, probably, on whether or not there was a rake handy, and
-supposing there was, upon whether or not she became too hysterical to
-use it.
-
-Mrs. Coy had no realization whatever that any such parallel could be
-drawn; she coldly suggested that the party was being spoiled and that
-Laurence might well be ashamed of himself. “It’s really _very_ naughty
-of you,” she said; and at a word from Aunt Ella, she added: “Now you’ve
-all had enough of this rough romping and you must come in quietly and
-behave yourselves like little gentlemen—and like a little lady! The
-pianist from the dancing-school has come, and dear little Elsie Threamer
-is going to do her fancy dance for us.”
-
-With that, under her eye, the procession filed into the house—and took
-seats in the living-room without any renewal of undesirable
-demonstrations. Laurence had the brooding air of a person who has been
-dangerously trifled with; but he seated himself in an orderly manner,
-and unfortunately did not observe which of his guests just afterward
-came to occupy the next chair. Elsie, exquisitely dainty, a lovely
-sight, was standing alone in the open space in the centre of the room.
-
-The piano rippled out a tinkling run of little bells, and the graceful
-child began to undulate and pirouette. Her conscientious eyes she kept
-all the while downcast, with never a glance to any spectator, least of
-all to the lorn Laurence; but he had a miserable sense of what those
-veiled eyes thought about him, and he felt low and contaminated by the
-repulsive events connected with another of his guests. As he dumbly
-looked at Elsie, while she danced so prettily, beautiful things seemed
-to be floating about him in a summer sky: angels like pigeons with
-lovely faces, large glass globes in rainbow colours, and round, pure
-white icing cakes. His spiritual nature was uplifted; and almost his
-sufferings had left him, when his spine chilled at a sound behind him—a
-choked giggle and a hoarse but piercing whisper.
-
-“Look at who Laurence is sittin’ by! _Oh_, oh!”
-
-He turned and found Daisy in the chair next to his. Her small bright
-eyes were fixed upon him in an intolerable mirth; her shoulders were
-humped with the effect to control that same, and her right hand tensely
-covered her mouth. From behind him came further gurgles and the words:
-
-“Sittin’ by his _girl_!”
-
-At this moment Elsie was just concluding her dance with a series of
-charming curtseys. Laurence could not wait for them to be finished; he
-jumped from his chair, and crossed before the lovely dancer to a seat on
-the other side of the room, a titter following him. More than the titter
-followed him, in fact. Daisy walked on tiptoe just behind him.
-
-But when she reached the centre of the room, she was suddenly inspired
-by the perception of a new way to increase her noticeableness. She
-paused before the curtseying _danseuse_ and also sank in curtseys as
-deep, though not so adept. Then she too began to dance, and the piano
-having stopped, accompanied herself by singing loudly, “Ti-didy-um-tum,
-dee-dee-dee!” She pirouetted, undulated, hopped on one leg with the
-other stiff and rather high before her; she pranced in a posture of
-outrageous convexity from one point of view, of incredible concavity
-from the other. Then she curtsied again, in recognizable burlesque of
-the original, and flounced into the chair next to Laurence’s, for he had
-been so shortsighted as to leave a vacancy beside him. This time his
-Aunt Ella had to take him out into the hall by force and talk to him.
-
-A little later, when ice-cream, paper caps, and favours had been
-distributed, the party was over; and among those who presented
-themselves in the polite formalities of leavetaking was, naturally,
-Daisy Mears. On account of continued surveillance on the part of his
-Aunt Ella, Laurence was unable to respond in words, but his expression
-said a thousand eloquent things for him.
-
-Daisy curtsied demurely. “G’by. Thank you for a wunnaful time,
-Laurence,” she said; and went out of the house with a character that had
-changed permanently during the brief course of a children’s party.
-
-As for Laurence, he had been through a dog’s time; and he showed it.
-Every night, after he said his bedside prayers, there was an additional
-rite his mother had arranged for him; he was to say: “I know that I have
-a character, and I know that I am a soul.” But to-night he balked.
-
-“Go on,” his mother bade him. “Say it, Laurence.”
-
-“I doe’ want to,” he said dully.
-
-Mrs. Coy sighed. “I don’t know what’s the matter with you: you behave so
-queerly sometimes! Don’t you know you ought to appreciate what your
-mamma does for you—when she went to all the trouble to give you a nice
-party just to make you happy? Oughtn’t you to do what she wants you to,
-to pay her for all that happiness?”
-
-“I guess so.” The poor child somehow believed it—but as he went through
-his formula and muttered that he knew he had a character, it is probable
-that he felt a strong doubt in the matter. This may have caused his
-aversion to saying it.
-
-
-
-
- THE ONE-HUNDRED-DOLLAR BILL
-
-
-THE new one-hundred-dollar bill, clean and green, freshening the heart
-with the colour of springtime, slid over the glass of the teller’s
-counter and passed under his grille to a fat hand, dingy on the
-knuckles, but brightened by a flawed diamond. This interesting hand was
-a part of one of those men who seem to have too much fattened muscle for
-their clothes: his shoulders distended his overcoat; his calves strained
-the sprightly checked cloth, a little soiled, of his trousers; his short
-neck bulged above the glossy collar. His hat, round and black as a pot,
-and appropriately small, he wore slightly obliqued; while under its
-curled brim his small eyes twinkled surreptitiously between those upper
-and nether puffs of flesh that mark the too faithful practitioner of
-unhallowed gaieties. Such was the first individual owner of the new
-one-hundred-dollar bill, and he at once did what might have been
-expected of him.
-
-Moving away from the teller’s grille, he made a cylindrical packet of
-bills smaller in value—“ones” and “fives”—then placed round them, as a
-wrapper, the beautiful one-hundred-dollar bill, snapped a rubber band
-over it; and the desired inference was plain: a roll all of
-hundred-dollar bills, inside as well as outside. Something more was
-plain, too: obviously the man’s small head had a sportive plan in it,
-for the twinkle between his eye-puffs hinted of liquor in the offing and
-lively women impressed by a show of masterly riches. Here, in brief, was
-a man who meant to make a night of it; who would feast, dazzle, compel
-deference, and be loved. For money gives power, and power is loved; no
-doubt he would be loved. He was happy, and went out of the bank
-believing that money is made for joy.
-
-So little should we be certain of our happiness in this world: the
-splendid one-hundred-dollar bill was taken from him untimely, before
-nightfall that very evening. At the corner of two busy streets he parted
-with it to the law, though in a mood of excruciating reluctance and only
-after a cold-blooded threatening on the part of the lawyer. This latter
-walked away thoughtfully, with the one-hundred-dollar bill, now not
-quite so clean, in his pocket.
-
-Collinson was the lawyer’s name, and in years he was only twenty-eight,
-but already had the slightly harried appearance that marks the young
-husband who begins to suspect that the better part of his life has been
-his bachelorhood. His dark, ready-made clothes, his twice-soled shoes
-and his hair, which was too long for a neat and businesslike aspect,
-were symptoms of necessary economy; but he did not wear the eager look
-of a man who saves to “get on for himself”: Collinson’s look was that of
-an employed man who only deepens his rut with his pacing of it.
-
-An employed man he was, indeed; a lawyer without much hope of ever
-seeing his name on the door or on the letters of the firm that employed
-him, and his most important work was the collection of small debts. This
-one-hundred-dollar bill now in his pocket was such a collection, small
-to the firm and the client, though of a noble size to himself and the
-long-pursued debtor from whom he had just collected it.
-
-The banks were closed; so was the office, for it was six o’clock, and
-Collinson was on his way home when by chance he encountered the debtor:
-there was nothing to do but to keep the bill over night. This was no
-hardship, however, as he had a faint pleasure in the unfamiliar
-experience of walking home with such a thing in his pocket; and he felt
-a little important by proxy when he thought of it.
-
-Upon the city the November evening had come down dark and moist, holding
-the smoke nearer the ground and enveloping the buildings in a soiling
-black mist. Lighted windows and street lamps appeared and disappeared in
-the altering thicknesses of fog, but at intervals, as Collinson walked
-on northward, he passed a small shop, or a cluster of shops, where the
-light was close to him and bright, and at one of these oases of
-illumination he lingered a moment, with a thought to buy a toy in the
-window for his three-year-old little girl. The toy was a gaily coloured
-acrobatic monkey that willingly climbed up and down a string, and he
-knew that the “baby,” as he and his wife still called their child, would
-scream with delight at the sight of it. He hesitated, staring into the
-window rather longingly, and wondering if he ought to make such a
-purchase. He had twelve dollars of his own in his pocket, but the toy
-was marked “35 cents” and he decided he could not afford it. So he
-sighed and went on, turning presently into a darker street.
-
-Here the air was like that of a busy freight-yard, thick with coal-dust
-and at times almost unbreathable so that Collinson was glad to get out
-of it even though the exchange was for the early-evening smells of the
-cheap apartment house where he lived.
-
-His own “kitchenette” was contributing its share, he found, the baby was
-crying over some inward perplexity not to be explained; and his wife,
-pretty and a little frowzy, was as usual, and as he had expected. That
-is to say, he found her irritated by cooking, bored by the baby, and
-puzzled by the dull life she led. Other women, it appeared, had happy
-and luxurious homes, and, during the malnutritious dinner she had
-prepared, she mentioned many such women by name, laying particular
-stress upon the achievements of their husbands. Why should she (“alone,”
-as she put it) lead the life she did in one room and a kitchenette,
-without even being able to afford to go to the movies more than once or
-twice a month? Mrs. Theodore Thompson’s husband had bought a perfectly
-beautiful little sedan automobile; he gave his wife everything she
-wanted. Mrs. Will Gregory had merely mentioned that her old Hudson seal
-coat was wearing a little, and her husband had instantly said, “What’ll
-a new one come to, girlie? Four or five hundred? Run and get it!” Why
-were other women’s husbands like that—and why, oh, why! was hers like
-_this_? An eavesdropper might well have deduced from Mrs. Collinson’s
-harangue that her husband owned somewhere a storehouse containing all
-the good things she wanted and that he withheld them from her out of his
-perverse wilfulness. Moreover, he did not greatly help his case by
-protesting that the gratification of her desires was beyond his powers.
-
-“My goodness!” he said. “You talk as if I had sedans and sealskin coats
-and theatre tickets _on_ me! Well, I haven’t; that’s all!”
-
-“Then go out and get ’em!” she said fiercely. “Go out and get ’em!”
-
-“What with?” he inquired. “I have twelve dollars in my pocket, and a
-balance of seventeen dollars at the bank; that’s twenty-nine. I get
-twenty-five from the office day after to-morrow—Saturday; that makes
-fifty-four; but we have to pay forty-five for rent on Monday; so that’ll
-leave us nine dollars. Shall I buy you a sedan and a sealskin coat on
-Tuesday out of the nine?”
-
-Mrs. Collinson began to weep a little. “The old, old story!” she said.
-“Six long, long years it’s been going on now! I ask you how much you’ve
-got, and you say, ‘Nine dollars,’ or ‘Seven dollars,’ or ‘Four dollars’;
-and once it was sixty-five cents! Sixty-five cents; that’s what we have
-to live on! Sixty-five _cents_!”
-
-“Oh, hush!” he said wearily.
-
-“Hadn’t you better hush a little yourself?” she retorted. “You come home
-with twelve dollars in your pocket and tell your wife to hush! That’s
-nice! Why can’t you do what decent men do?”
-
-“What’s that?”
-
-“Why, give their wives something to live for. What do you give me, I’d
-like to know! Look at the clothes I wear, please!”
-
-“Well, it’s your own fault,” he muttered.
-
-“What did you say? Did you say it’s my fault I wear clothes any woman I
-know wouldn’t be _seen_ in?”
-
-“Yes, I did. If you hadn’t made me get you that platinum ring——”
-
-“What!” she cried, and flourished her hand at him across the table.
-“Look at it! It’s platinum, yes; but look at the stone in it, about the
-size of a pin-head, so’t I’m ashamed to wear it when any of my friends
-see me! A hundred and sixteen dollars is what this magnificent ring cost
-you, and how long did I have to beg before I got even _that_ little out
-of you? And it’s the best thing I own and the only thing I ever did get
-out of you!”
-
-“Oh, Lordy!” he moaned.
-
-“I wish you’d seen Charlie Loomis looking at this ring to-day,” she
-said, with a desolate laugh. “He happened to notice it, and I saw him
-keep glancing at it, and I wish you’d seen Charlie Loomis’s expression!”
-
-Collinson’s own expression became noticeable upon her introduction of
-this name; he stared at her gravely until he completed the mastication
-of one of the indigestibles she had set before him; then he put down his
-fork and said:
-
-“So you saw Charlie Loomis again to-day. Where?”
-
-“Oh, my!” she sighed. “Have we got to go over all that again?”
-
-“Over all what?”
-
-“Over all the fuss you made the last time I mentioned Charlie’s name. I
-thought we settled it you were going to be a little more sensible about
-him.”
-
-“Yes,” Collinson returned. “I was going to be more sensible about him,
-because you were going to be more sensible about him. Wasn’t that the
-agreement?”
-
-She gave him a hard glance, tossed her head so that the curls of her
-bobbed hair fluttered prettily, and with satiric mimicry repeated his
-question: “‘Agreement! Wasn’t that the agreement?’ Oh, my, but you do
-make me tired, talking about ‘agreements’! As if it was a crime my going
-to a vaudeville matinée with a man kind enough to notice that my husband
-never takes me anywhere!”
-
-“Did you go to a vaudeville with him to-day?”
-
-“No, I didn’t!” she said. “I was talking about the time when you made
-such a fuss. I didn’t go anywhere with him to-day.”
-
-“I’m glad to hear it,” Collinson said. “I wouldn’t have stood for it.”
-
-“Oh, you wouldn’t?” she cried, and added a shrill laugh as further
-comment. “You ‘wouldn’t have stood for it!’ How very, very dreadful!”
-
-“Never mind,” he returned doggedly. “We went over all that the last
-time, and you understand me: I’ll have no more foolishness about Charlie
-Loomis.”
-
-“How nice of you! He’s a friend of yours; you go with him yourself; but
-your wife mustn’t even look at him just because he happens to be the one
-man that amuses her a little. That’s fine!”
-
-“Never mind,” Collinson said again. “You say you saw him to-day. I want
-to know where.”
-
-“Suppose I don’t choose to tell you.”
-
-“You’d better tell me, I think.”
-
-“Do you? I’ve got to answer for every minute of my day, do I?”
-
-“I want to know where you saw Charlie Loomis.”
-
-She tossed her curls again, and laughed. “Isn’t it funny!” she said.
-“Just because I like a man, he’s the one person I can’t have anything to
-do with! Just because he’s kind and jolly and amusing and I like his
-jokes and his thoughtfulness toward a woman, when he’s with her, I’m not
-to be allowed to see him at all! But my _husband_—oh, that’s entirely
-different! _He_ can go out with Charlie whenever he likes and have a
-good time, while I stay home and wash the dishes! Oh, it’s a lovely
-life!”
-
-“Where did you see him to-day?”
-
-Instead of answering his question, she looked at him plaintively, and
-allowed tears to shine along her lower eyelids. “Why do you treat me
-like this?” she asked in a feeble voice. “Why can’t I have a man friend
-if I want to? I do like Charlie Loomis. I do like him——”
-
-“Yes! That’s what I noticed!”
-
-“Well, but what’s the good of always insulting me about him? He has time
-on his hands of afternoons, and so have I. Our janitor’s wife is crazy
-about the baby and just adores to have me leave her in their flat—the
-longer the better. Why shouldn’t I go to a matinée or a picture-show
-sometimes with Charlie? Why should I just have to sit around instead of
-going out and having a nice time when he wants me to?”
-
-“I want to know where you saw him to-day!”
-
-Mrs. Collinson jumped up. “You make me sick!” she said, and began to
-clear away the dishes.
-
-“I want to know where——”
-
-“Oh, hush up!” she cried. “He came here to leave a note for you.”
-
-“Oh,” said her husband. “I beg your pardon. That’s different.”
-
-“How sweet of you!”
-
-“Where’s the note, please?”
-
-She took it from her pocket and tossed it to him. “So long as it’s a
-note for _you_ it’s all right, of course!” she said. “I wonder what
-you’d do if he’d written one to me!”
-
-“Never mind,” said Collinson, and read the note.
-
- DEAR COLLIE: Dave and Smithie and Old Bill and Sammy Hoag and
- maybe Steinie and Sol are coming over to the shack about
- eight-thirt. Home-brew and the old pastime. _You_ know! Don’t
- fail.—CHARLIE.
-
-“You’ve read this, of course,” Collinson said. “The envelope wasn’t
-sealed.”
-
-“I have not,” his wife returned, covering the prevarication with a cold
-dignity. “I’m not in the habit of reading other peoples’s
-correspondence, thank you! I suppose you think I do so because you’d
-never hesitate to read any note _I_ get; but I don’t do everything you
-do, you see!”
-
-“Well, you can read it now,” he said, and gave her the note.
-
-Her eyes swept the writing briefly, and she made a sound of wonderment,
-as if amazed to find herself so true a prophet. “And the words weren’t
-more than out of mouth! _You_ can go and have a grand party right in his
-flat, while your wife stays home and gets the baby to bed and washes the
-dishes!”
-
-“I’m not going.”
-
-“Oh, no!” she said mockingly. “I suppose not! I see you missing one of
-Charlie’s stag-parties!”
-
-“I’ll miss this one.”
-
-But it was not to Mrs. Collinson’s purpose that he should miss the
-party; she wished him to be as intimate as possible with the debonair
-Charlie Loomis; and so, after carrying some dishes into the kitchenette
-in meditative silence, she reappeared with a changed manner. She went to
-her husband, gave him a shy little pat on the shoulder and laughed
-good-naturedly. “Of course you’ll go,” she said. “I do think you’re
-silly about my never going out with him when it would give me a little
-innocent pleasure and when you’re not home to take me, yourself; but I
-wasn’t really in such terrible earnest, all I said. You work hard the
-whole time, honey, and the only pleasure you ever do have, it’s when you
-get a chance to go to one of these little penny-ante stag-parties. You
-haven’t been to one for ever so long, and you never stay after twelve;
-it’s really all right with me. I want you to go.”
-
-“Oh, no,” said Collinson. “It’s only penny-ante, but I couldn’t afford
-to lose anything at all.”
-
-“But you never do. You always win a little.”
-
-“I know,” he said. “I’ve figured out I’m about sixteen dollars ahead at
-penny-ante on the whole year. I cleaned up seven dollars and sixty cents
-at Charlie’s last party; but of course my luck might change, and we
-couldn’t afford it.”
-
-“If you did lose, it’d only be a few cents,” she said. “What’s the
-difference, if it gives you a little fun? You’ll work all the better if
-you go out and enjoy yourself once in a while.”
-
-“Well, if you really look at it that way, I’ll go.”
-
-“That’s right, dear,” she said, smiling. “Better put on a fresh collar
-and your other suit, hadn’t you?”
-
-“I suppose so,” he assented, and began to make the changes she
-suggested. He went about them in a leisurely way, played with the baby
-at intervals, while Mrs. Collinson sang cheerfully over her work; and
-when he had completed his toilet, it was time for him to go. She came in
-from the kitchenette, kissed him, and then looked up into his eyes,
-letting him see a fond and brightly amiable expression.
-
-“There, honey,” she said. “Run along and have a nice time. Then maybe
-you’ll be a little more sensible about some of _my_ little pleasures.”
-
-He held the one-hundred-dollar bill, folded, in his hand, meaning to
-leave it with her, but as she spoke a sudden recurrence of suspicion
-made him forget his purpose. “Look here,” he said. “I’m not making any
-bargain with you. You talk as if you thought I was going to let you run
-around to vaudevilles with Charlie because you let me go to this party.
-Is that your idea?”
-
-It was, indeed, precisely Mrs. Collinson’s idea, and she was instantly
-angered enough to admit it in her retort. “Oh, aren’t you _mean_!” she
-cried. “I might know better than to look for any fairness in a man like
-you!”
-
-“See here——”
-
-“Oh, hush up!” she said. “Shame on you! Go on to your party!” With that
-she put both hands upon his breast, and pushed him toward the door.
-
-“I won’t go. I’ll stay here.”
-
-“You will, too, go!” she cried shrewishly. “_I_ don’t want to look at
-you around here all evening. It’d make me sick to look at a man without
-an ounce of fairness in his whole mean little body!”
-
-“All right,” said Collinson, violently, “I _will_ go!”
-
-“Yes! Get out of my sight!”
-
-And he did, taking the one-hundred-dollar bill with him to the
-penny-ante poker party.
-
-The gay Mr. Charlie Loomis called his apartment “the shack” in jocular
-depreciation of its beauty and luxury, but he regarded it as a perfect
-thing, and in one way it was; for it was perfectly in the family
-likeness of a thousand such “shacks.” It had a ceiling with false beams,
-walls of green burlap spotted with coloured “coaching prints,” brown
-shelves supporting pewter plates and mugs, “mission” chairs, a leather
-couch with violent cushions, silver-framed photographs of lady-friends
-and officer-friends, a drop-light of pink-shot imitation alabaster, a
-papier-mâché skull tobacco-jar among moving-picture magazines on the
-round card-table; and, of course, the final Charlie Loomis touch—a
-Japanese man-servant.
-
-The master of all this was one of those neat, stoutish young men with
-fat, round heads, sleek, fair hair, immaculate, pale complexions and
-infirm little pink mouths—in fact, he was of the type that may suggest
-to the student of resemblances a fastidious and excessively clean white
-pig with transparent ears. Nevertheless, Charlie Loomis was of a
-free-handed habit in some matters, being particularly indulgent to
-pretty women and their children. He spoke of the latter as “the
-kiddies,” of course, and liked to call their mothers “kiddo,” or
-“girlie.” One of his greatest pleasures was to tell a woman that she was
-“the dearest, bravest little girlie in the world.” Naturally he was a
-welcome guest in many households, and would often bring a really
-magnificent toy to the child of some friend whose wife he was courting.
-Moreover, at thirty-three, he had already done well enough in business
-to take things easily, and he liked to give these little card-parties,
-not for gain, but for pastime. He was cautious and disliked high stakes
-in a game of chance.
-
-That is to say, he disliked the possibility of losing enough money to
-annoy him, though of course he set forth his principles as resting upon
-a more gallant and unselfish basis. “I don’t consider it hospitality to
-have any man go out o’ my shack sore,” he was wont to say. “Myself, I’m
-a bachelor and got no obligations; I’ll shoot any man that can afford it
-for anything he wants to. Trouble is, you never can tell when a man
-_can’t_ afford it, or what harm his losin’ might mean to the little
-girlie at home and the kiddies. No, boys, penny-ante and ten-cent limit
-is the highest we go in this ole shack. Penny-ante and a few steins of
-the ole home-brew that hasn’t got a divorce in a barrel of it!”
-
-Penny-ante and the ole home-brew had been in festal operation for half
-an hour when the morose Collinson arrived this evening. Mr. Loomis and
-his guests sat about the round table under the alabaster drop-light;
-their coats were off; cigars were worn at the deliberative poker angle;
-colourful chips and cards glistened on the cloth; one of the players
-wore a green shade over his eyes; and all in all, here was a little
-poker party for a lithograph. To complete the picture, several of the
-players continued to concentrate upon their closely held cards, and paid
-no attention to the newcomer or to their host’s lively greeting of him.
-
-“Ole Collie, b’gosh!” Mr. Loomis shouted, humorously affecting the
-bucolic. “Here’s your vacant cheer; stack all stuck out for you ’n’
-ever’thin’! Set daown, neighbour, an’ Smithie’ll deal you in, next hand.
-What made you so late? Helpin’ the little girlie at home get the kiddy
-to bed? That’s a great kiddy of yours, Collie. I got a little Christmas
-gift for her I’m goin’ to bring around some day soon. Yes, sir, that’s a
-great little kiddy Collie’s got over at his place, boys.”
-
-Collinson took the chair that had been left for him, counted his chips,
-and then as the playing of a “hand” still preoccupied three of the
-company, he picked up a silver dollar that lay upon the table near him.
-“What’s this?” he asked. “A side bet? Or did somebody just leave it here
-for me?”
-
-“Yes; for you to look at,” Mr. Loomis explained. “It’s Smithie’s.”
-
-“What’s wrong with it?”
-
-“Nothin’. Smithie was just showin’ it to us. Look at it.”
-
-Collinson turned the coin over and saw a tiny inscription that had been
-lined into the silver with a point of steel. “‘Luck,’” he read;—“‘Luck
-hurry back to me!’” Then he spoke to the owner of this marked dollar. “I
-suppose you put that on there, Smithie, to help make sure of getting our
-money to-night.”
-
-But Smithie shook his head, which was a large, gaunt head, as it
-happened—a head fronted with a sallow face shaped much like a coffin,
-but inconsistently genial in expression. “No,” he said. “It just came in
-over my counter this afternoon, and I noticed it when I was checkin’ up
-the day’s cash. Funny, ain’t it: ‘Luck hurry back to me!’”
-
-“Who do you suppose marked that on it?” Collinson said thoughtfully.
-
-“Golly!” his host exclaimed. “It won’t do you much good to wonder about
-that!”
-
-Collinson frowned, continuing to stare at the marked dollar. “I guess
-not, but really I should like to know.”
-
-“I would, too,” Smithie said. “I been thinkin’ about it. Might ’a’ been
-somebody in Seattle or somebody in Ipswich, Mass., or New Orleans or St.
-Paul. How you goin’ to tell? Might ’a’ been a woman; might ’a’ been a
-man. The way I guess it out, this poor boob, whoever he was, well,
-prob’ly he’d had good times for a while, and maybe carried this dollar
-for a kind of pocket piece, the way some people do, you know. Then he
-got in trouble—or she did, whichever it was—and got flat broke and had
-to spend this last dollar he had—for something to eat, most likely.
-Well, he thought a while before he spent it, and the way I guess it out,
-he said to himself, he said, ‘Well,’ he said, ‘most of the good luck
-I’ve enjoyed lately,’ he said, ‘it’s been while I had this dollar on me.
-I got to kiss ’em good-bye now, good luck and good dollar together; but
-maybe I’ll get ’em both back some day, so I’ll just mark the wish on the
-dollar, like this: Luck hurry back to me! That’ll help some, maybe, and
-anyhow I’ll _know_ my luck dollar if I ever do get it back.’ That’s the
-way I guess it out, anyhow. It’s funny how some people like to believe
-luck depends on some little thing like that.”
-
-“Yes, it is,” Collinson assented, still brooding over the coin.
-
-The philosophic Smithie extended his arm across the table, collecting
-the cards to deal them, for the “hand” was finished. “Yes, sir, it’s
-funny,” he repeated. “Nobody knows exactly what luck is, but the way I
-guess it out, it lays in a man’s _believin’_ he’s in luck, and some
-little object like this makes him kind of concentrate his mind on
-thinkin’ he’s goin’ to be lucky, because of course you often _know_
-you’re goin’ to win, and then you do win. You don’t win when you _want_
-to win, or when you need to; you win when you _believe_ you’ll win. I
-don’t know who was the dummy that said, ‘Money’s the root of all evil’;
-but I guess he didn’t have _too_ much sense! I suppose if some man
-killed some other man for a dollar, the poor fish that said that would
-let the man out and send the dollar to the chair. No, sir; money’s just
-as good as it is bad; and it’ll come your way if you _feel_ it will; so
-you take this marked dollar o’ mine——”
-
-But here this garrulous and discursive guest was interrupted by
-immoderate protests from several of his colleagues. “Cut it out!” “My
-Lord!” “_Do_ something!” “Smith_ie_! Are you ever goin’ to _deal_?”
-
-“I’m goin’ to shuffle first,” he responded, suiting the action to the
-word, though with deliberation, and at the same time continuing his
-discourse. “It’s a mighty interesting thing, a piece o’ money. You take
-this dollar, now: Who’s it belonged to? Where’s it been? What different
-kind o’ funny things has it been spent for sometimes? What funny kind of
-secrets do you suppose it could ’a’ heard if it had ears? Good people
-have had it and bad people have had it: why, a dollar could tell more
-about the human race—why, it could tell _all_ about it!”
-
-“I guess it couldn’t tell all about the way you’re dealin’ these cards,”
-said the man with the green shade. “You’re mixin’ things all up.”
-
-“I’ll straighten ’em all out then,” said Smithie cheerfully. “I knew of
-a twenty-dollar bill once; a pickpocket prob’ly threw it in the gutter
-to keep from havin’ it found on him when they searched him, but anyway a
-woman I knew found it and sent it to her young sister out in Michigan to
-take some music lessons with, and the sister was so excited she took
-this bill out of the letter and kissed it. That’s where they thought she
-got the germ she died of a couple o’ weeks later, and the undertaker got
-the twenty-dollar bill, and got robbed of it the same night. Nobody
-knows where it went then. They say, ‘Money talks.’ Golly! If it _could_
-talk, what couldn’t it tell? _No_body’d be safe. _I_ got this dollar
-now, but who’s it goin’ to belong to next, and what’ll _he_ do with it?
-And then after _that_! Why for years and years and years it’ll go on
-from one pocket to another, in a millionaire’s house one day, in some
-burglar’s flat the next, maybe, and in one person’s hand money’ll do
-good, likely, and in another’s it’ll do harm. We all _want_ money; but
-some say it’s a bad thing, like that dummy I was talkin’ about. Lordy!
-Goodness or badness, I’ll take all anybody——”
-
-He was interrupted again, and with increased vehemence. Collinson, who
-sat next to him, complied with the demand to “ante up,” then placed the
-dollar near his little cylinders of chips, and looked at his cards. They
-proved unencouraging, and he turned to his neighbour. “I’d sort of like
-to have that marked dollar, Smithie,” he said. “I’ll give you a paper
-dollar and a nickel for it.”
-
-But Smithie laughed, shook his head, and slid the coin over toward his
-own chips. “No, sir. I’m goin’ to keep it—awhile, anyway.”
-
-“So you do think it’ll bring you luck, after all!”
-
-“No. But I’ll hold onto it for this evening, anyhow.”
-
-“Not if we clean you out, you won’t,” said Charlie Loomis. “You know the
-rules o’ the ole shack: only cash goes in _this_ game; no I. O. U. stuff
-ever went here or ever will. Tell you what I’ll do, though, before you
-lose it: I’ll give you a dollar and a quarter for your ole silver
-dollar, Smithie.”
-
-“Oh, you want it, too, do you? I guess I can spot what sort of luck
-_you_ want it for, Charlie.”
-
-“Well, Mr. Bones, what sort of luck do I want it for?”
-
-“_You_ win, Smithie,” one of the other players said. “We all know what
-sort o’ luck ole Charlie wants your dollar for—he wants it for luck
-with the dames.”
-
-“Well, I might,” Charlie admitted, not displeased. “I haven’t been so
-lucky that way lately—not so dog-_gone_ lucky!”
-
-All of his guests, except one, laughed at this; but Collinson frowned,
-still staring at the marked dollar. For a reason he could not have put
-into words just then, it began to seem almost vitally important to him
-to own this coin if he could, and to prevent Charlie Loomis from getting
-possession of it. The jibe, “He wants it for luck with the dames,”
-rankled in Collinson’s mind: somehow it seemed to refer to his wife.
-
-“I’ll tell you what I’ll do, Smithie,” he said. “I’ll bet two dollars
-against that dollar of yours that I hold a higher hand next deal than
-you do.”
-
-“Here! Here!” Charlie remonstrated. “Shack rules! Ten-cent limit.”
-
-“That’s only for the game,” Collinson said, turning upon his host with a
-sudden sharpness. “This is an outside bet between Smithie and me. Will
-you do it, Smithie? Where’s your sporting spirit?”
-
-So liberal a proposal at once roused the spirit to which it appealed.
-“Well, I might, if some o’ the others’ll come in too, and make it really
-worth my while.”
-
-“I’m in,” the host responded with prompt inconsistency; and others of
-the party, it appeared, were desirous of owning the talisman. They
-laughed and said it was “crazy stuff,” yet they all “came in,” and, for
-the first time in the history of this “shack,” what Mr. Loomis called
-“real money” was seen upon the table as a stake. It was won, and the
-silver dollar with it, by the largest and oldest of the gamesters, a fat
-man with a walrus moustache that inevitably made him known in this
-circle as “Old Bill.” He smiled condescendingly, and would have put the
-dollar in his pocket with the “real money,” but Mr. Loomis protested.
-
-“Here! What you doin’?” he shouted, catching Old Bill by the arm. “Put
-that dollar back on the table.”
-
-“What for?”
-
-“What _for_? Why, we’re goin’ to play for it again. Here’s two dollars
-against it I beat you on the next hand.”
-
-“No,” said Old Bill calmly. “It’s worth more than two dollars to me.
-It’s worth five.”
-
-“Well, five then,” his host returned. “I want that dollar!”
-
-“So do I,” said Collinson. “I’ll put in five dollars if you do.”
-
-“Anybody else in?” Old Bill inquired, dropping the coin on the table;
-and all of the others again “came in.” Old Bill won again; but once more
-Charlie Loomis prevented him from putting the silver dollar in his
-pocket.
-
-“Come on now!” Mr. Loomis exclaimed. “Anybody else but me in on this for
-five dollars next time?”
-
-“I am,” said Collinson, swallowing with a dry throat; and he set forth
-all that remained to him of his twelve dollars. In return he received a
-pair of deuces, and the jubilant Charlie won.
-
-He was vainglorious in his triumph. “Didn’t that little luck piece just
-keep on tryin’ to find the right man?” he cried, and read the
-inscription loudly. “‘Luck hurry back to me!’ Righto! You’re home where
-you belong, girlie! Now we’ll settle down to our reg’lar little game
-again.”
-
-“Oh, no,” said Old Bill. “You wouldn’t let me keep it. Put it out there
-and play for it again.”
-
-“I won’t. She’s mine now.”
-
-“I want my luck piece back myself,” said Smithie. “Put it out and play
-for it. You made Old Bill.”
-
-“I won’t do it.”
-
-“Yes, you will,” Collinson said, and he spoke without geniality. “You
-put it out there.”
-
-“Oh, yes, I will,” Mr. Loomis returned mockingly. “I will for ten
-dollars.”
-
-“Not I,” said Old Bill. “Five is foolish enough.” And Smithie agreed
-with him. “Nor me!”
-
-“All right, then. If you’re afraid of ten, I keep it. I thought the
-ten’d scare you.”
-
-“Put that dollar on the table,” Collinson said. “I’ll put ten against
-it.”
-
-There was a little commotion among these mild gamesters; and someone
-said, “You’re crazy, Collie. What do you want to do that for?”
-
-“I don’t care,” said Collinson. “That dollar’s already cost me enough,
-and I’m going after it.”
-
-“Well, you see, I want it, too,” Charlie Loomis retorted cheerfully; and
-he appealed to the others. “I’m not askin’ him to put up ten against it,
-am I?”
-
-“Maybe not,” Old Bill assented. “But how long is this thing goin’ to
-keep on? It’s already balled our game all up, and if we keep on foolin’
-with these side bets, why, what’s the use?”
-
-“My goodness!” the host exclaimed. “_I_’m not pushin’ this thing, am I?
-_I_ don’t want to risk my good old luck piece, do I? It’s Collie that’s
-crazy to go on, ain’t it?” He laughed. “He hasn’t showed his money yet,
-though, I notice, and this ole shack is run on strickly cash principles.
-I don’t believe he’s got ten dollars more on him!”
-
-“Oh, yes, I have.”
-
-“Let’s see it then.”
-
-Collinson’s nostrils distended a little; but he said nothing, fumbled in
-his pocket, and then tossed the one-hundred-dollar bill, rather
-crumpled, upon the table.
-
-“Great heavens!” shouted Old Bill. “Call the doctor: I’m all of a
-swoon!”
-
-“Look at what’s spilled over our nice clean table!” another said, in an
-awed voice. “Did you claim he didn’t have _ten_ on him, Charlie?”
-
-“Well, it’s nice to look at,” Smithie observed. “But I’m with Old Bill.
-How long are you two goin’ to keep this thing goin’? If Collie wins the
-luck piece, I suppose Charlie’ll bet him fifteen against it, and
-then——”
-
-“No, I won’t,” Charlie interrupted. “Ten’s the limit.”
-
-“Goin’ to keep on bettin’ ten against it all night?”
-
-“No,” said Charlie. “I tell you what I’ll do with you, Collinson; we
-both of us seem kind o’ set on this luck piece, and you’re already out
-some on it. I’ll give you a square chance at it and at catchin’ even.
-It’s twenty minutes after nine. I’ll keep on these side bets with you
-till ten o’clock, but when my clock hits ten, we’re through, and the one
-that’s got it then keeps it, and no more foolin’. You want to do that,
-or quit now? I’m game either way.”
-
-“Go ahead and deal,” said Collinson. “Whichever one of us has it at ten
-o’clock, it’s his, and we quit.”
-
-But when the little clock on Charlie’s green-painted mantel shelf struck
-ten, the luck piece was Charlie’s and with it an overwhelming lien on
-the one-hundred-dollar bill. He put both in his pocket; “Remember this
-ain’t my fault; it was you that insisted,” he said, and handed Collinson
-four five-dollar bills as change.
-
-Old Bill, platonically interested, discovered that his cigar was
-sparkless, applied a match, and casually set forth his opinion. “Well, I
-guess that was about as poor a way of spendin’ eighty dollars as I ever
-saw, but it all goes to show there’s truth in the old motto that
-anything at all can happen in any poker game! That was a mighty nice
-hundred-dollar bill you had on you, Collie; but it’s like what Smithie
-said: a piece o’ money goes hoppin’ around from one person to
-another—_it_ don’t care!—and yours has gone and hopped to Charlie. The
-question is, Who’s it goin’ to hop to next?” He paused to laugh, glanced
-over the cards that had been dealt him, and concluded: “My guess is ’t
-some good-lookin’ woman’ll prob’ly get a pretty fair chunk o’ that
-hundred-dollar bill out o’ Charlie. Well, let’s settle down to the ole
-army game.”
-
-They settled down to it, and by twelve o’clock (the invariable closing
-hour of these pastimes in the old shack) Collinson had lost four dollars
-and thirty cents more. He was commiserated by his fellow gamesters as
-they put on their coats and overcoats, preparing to leave the hot little
-room. They shook their heads, laughed ruefully in sympathy, and told him
-he oughtn’t to carry hundred-dollar bills upon his person when he went
-out among friends. Old Bill made what is sometimes called an unfortunate
-remark.
-
-“Don’t worry about Collie,” he said jocosely. “That hundred-dollar bill
-prob’ly belonged to some rich client of his.”
-
-“What!” Collinson said, staring.
-
-“Never mind, Collie; I wasn’t in earnest,” the joker explained. “Of
-course I didn’t mean it.”
-
-“Well, you oughtn’t to say it,” Collinson protested. “People say a thing
-like that about a man in a joking way, but other people hear it
-sometimes and don’t know he’s joking, and a story gets started.”
-
-“My goodness, but you’re serious!” Old Bill exclaimed. “You look like
-you had a misery in your chest, as the rubes say; and I don’t blame you!
-Get on out in the fresh night air and you’ll feel better.”
-
-He was mistaken, however; the night air failed to improve Collinson’s
-spirits as he walked home alone through the dark and chilly streets.
-There was indeed a misery in his chest, where stirred a sensation
-vaguely nauseating; his hands were tremulous and his knees infirm as he
-walked. In his mind was a confusion of pictures and sounds, echoes from
-Charlie Loomis’s shack: he could not clear his mind’s eye of the
-one-hundred-dollar bill; and its likeness, as it lay crumpled on the
-green cloth under the drop-light, haunted and hurt him as a face in a
-coffin haunts and hurts the new mourner. Bits of Smithie’s
-discursiveness resounded in his mind’s ear, keeping him from thinking.
-“In one person’s hands money’ll do good likely, and in another’s it’ll
-do harm.”—“The dummy that said, ‘Money’s the root of all evil!’”
-
-It seemed to Collinson then that money was the root of all evil and the
-root of all good, the root and branch of all life, indeed. With money,
-his wife would have been amiable, not needing gay bachelors to take her
-to vaudevilles. Her need of money was the true foundation of the
-jealousy that had sent him out morose and reckless to-night; of the
-jealousy that had made it seem, when he gambled with Charlie Loomis for
-the luck dollar, as though they really gambled for luck with her.
-
-It still seemed to him that they had gambled for luck with her: Charlie
-had wanted the talisman, as Smithie said, in order to believe in his
-luck—his luck with women—and therefore actually be lucky with them;
-and Charlie had won. But as Collinson plodded homeward in the chilly
-midnight, his shoulders sagging and his head drooping, he began to
-wonder how he could have risked money that belonged to another man. What
-on earth had made him do what he had done? Was it the mood his wife had
-set him in as he went out that evening? No; he had gone out feeling like
-that often enough, and nothing had happened.
-
-Something had brought this trouble on him, he thought; for it appeared
-to Collinson that he had been an automaton, having nothing to do with
-his own actions. He must bear the responsibility for them; but he had
-not willed them. If the one-hundred-dollar bill had not happened to be
-in his pocket—— That was it! And at the thought he mumbled desolately
-to himself: “I’d been all right if it hadn’t been for that.” If the
-one-hundred-dollar bill had not happened to be in his pocket, he’d have
-been “all right.” The one-hundred-dollar bill had done this to him. And
-Smithie’s romancing again came back to him: “In one person’s hands
-money’ll do good, likely; in another’s it’ll do harm.” It was the money
-that did harm or good, not the person; and the money in his hands had
-done this harm to himself.
-
-He had to deliver a hundred dollars at the office in the morning,
-somehow, for he dared not take the risk of the client’s meeting the
-debtor. There was a balance of seventeen dollars in his bank, and he
-could pawn his watch for twenty-five, as he knew well enough, by
-experience. That would leave fifty-eight dollars to be paid, and there
-was only one way to get it. His wife would have to let him pawn her
-ring. She’d _have_ to!
-
-Without any difficulty he could guess what she would say and do when he
-told her of his necessity: and he knew that never in her life would she
-forego the advantage over him she would gain from it. He knew, too, what
-stipulations she would make, and he had to face the fact that he was in
-no position to reject them. The one-hundred-dollar bill had cost him the
-last vestiges of mastery in his own house; and Charlie Loomis had really
-won not only the bill and the luck, but the privilege of taking
-Collinson’s wife to vaudevilles. But it all came back to the same
-conclusion: the one-hundred-dollar bill had done it to him. “What kind
-of a thing _is_ this life?” Collinson mumbled to himself, finding
-matters wholly perplexing in a world made into tragedy at the caprice of
-a little oblong slip of paper.
-
-Then, as he went on his way to wake his wife and face her with the
-soothing proposal to pawn her ring early the next morning, something
-happened to Collinson. Of itself the thing that happened was nothing,
-but he was aware of his folly as if it stood upon a mountain top against
-the sun—and so he gathered knowledge of himself and a little of the
-wisdom that is called better than happiness.
-
-His way was now the same as upon the latter stretch of his walk home
-from the office that evening. The smoke fog had cleared, and the air was
-clean with a night wind that moved briskly from the west; in all the
-long street there was only one window lighted, but it was sharply
-outlined now, and fell as a bright rhomboid upon the pavement before
-Collinson. When he came to it he paused at the hint of an inward impulse
-he did not think to trace; and, frowning, he perceived that this was the
-same shop window that had detained him on his homeward way, when he had
-thought of buying a toy for the baby.
-
-The toy was still there in the bright window; the gay little acrobatic
-monkey that would climb up or down a red string as the string slacked or
-straightened; but Collinson’s eye fixed itself upon the card marked with
-the price: “35 cents.”
-
-He stared and stared. “Thirty-five cents!” he said to himself.
-“Thirty-five cents!”
-
-Then suddenly he burst into loud and prolonged laughter.
-
-The sound was startling in the quiet night, and roused the interest of a
-meditative policeman who stood in the darkened doorway of the next shop.
-He stepped out, not unfriendly.
-
-“What _you_ havin’ such a good time over, this hour o’ the night?” he
-inquired. “What’s all the joke?”
-
-Collinson pointed to the window. “It’s that monkey on the string,” he
-said. “Something about it struck me as mighty funny!”
-
-So, with a better spirit, he turned away, still laughing, and went home
-to face his wife.
-
-
-
-
- JEANNETTE
-
-
-THE nurses at the sanitarium were all fond of the gentlest patient in
-the place, and they spoke of him as “Uncle Charlie,” though he was so
-sweetly dignified that usually they addressed him as “Mr. Blake,” even
-when it was necessary to humour his delusion. The delusion was peculiar
-and of apparently interminable persistence; he had but the one during
-his sixteen years of incarceration—yet it was a misfortune painful only
-to himself (painful through the excessive embarrassment it cost him) and
-was never for an instant of the slightest distress to any one else,
-except as a stimulant of sympathy. For all that, it closed him in,
-shutting out the moving world from him as completely as if he had been
-walled up in concrete. Moreover, he had been walled up overnight—one
-day he was a sane man, and the next he was in custody as a lunatic; yet
-nothing had happened in this little interval, or during any preceding
-interval in his life, to account for a seizure so instantaneous.
-
-In 1904 no more commonplace young man could have been found in any of
-the great towns of our Eastern and near-Eastern levels. “Well brought
-up,” as we used to say, he had inherited the quiet manner, the good
-health, and the moderate wealth of his parents; and not engaging in any
-business or profession, he put forth the best that was in him when he
-planned a lunch for a pretty “visiting girl,” or, again, when he bought
-a pair of iron candle-snuffers for what he thought of as his
-“collection.” This “collection,” consisting of cheerless utensils and
-primitive furniture once used by woodsmen and farmers, and naturally
-discarded by their descendants, gave him his principal occupation,
-though he was sometimes called upon to lead a cotillion, being
-favourably regarded in the waltz and two-step; but he had no
-eccentricities, no habitual vices, and was never known to exhibit
-anything in the nature of an imagination.
-
-It was in the autumn of the year just mentioned that he went for the
-first time to Europe, accompanying his sister, Mrs. Gordon Troup, an
-experienced traveller. She took him through the English cathedrals, then
-across the Channel; and they arrived unfatigued at her usual hotel in
-Paris after dark on a clear November evening—the fated young
-gentleman’s last evening of sanity. Yet, as Mrs. Troup so often recalled
-later, never in his life had her brother been more “absolutely normal”
-than all that day: not even the Channel had disturbed him, for it was as
-still as syrup in a pantry jug; he slept on the French train, and when
-he awoke, played gently with Mrs. Troup’s three-year-old daughter
-Jeannette who, with a nurse, completed the small party. His talk was not
-such as to cause anxiety, being in the main concerned with a tailor who
-had pleased him in London, and a haberdasher he made sure would please
-him in Paris.
-
-They dined in the salon of their apartment; and at about nine o’clock,
-as they finished their coffee, flavoured with a little burnt cognac,
-Mrs. Troup suggested the theatre—a pantomime or ballet for preference,
-since her brother’s unfamiliarity with the French language rapidly
-spoken might give him a dull evening at a comedy. So, taking their
-leisure, they went to the Marigny, where they saw part of a potpourri
-called a “revue,” which Mrs. Troup declared to be at once too feeble and
-too bold to detain them as spectators; and they left the Marigny for the
-Folies Bergères, where she had once seen a fine pantomime; but here they
-found another “revue,” and fared no better. The “revue” at the Folies
-Bergères was even feebler, she observed to her brother, and much bolder
-than that at the Marigny: the feebleness was in the wit, the boldness in
-the anatomical exposures, which were somewhat discomfiting—“even for
-Paris!” she said.
-
-She remembered afterward that he made no response to her remark but
-remained silent, frowning at the stage, where some figurantes just then
-appeared to be dressed in ball gowns, until they turned, when they
-appeared to be dressed almost not at all. “Mercy!” said Mrs. Troup; and
-presently, as the costume designer’s ideas became less and less
-reassuring, she asked her brother if he would mind taking her back to
-the hotel: so much dullness and so much brazenness together fatigued
-her, she explained.
-
-He assented briefly, though with some emphasis; and they left during the
-entr’acte, making their way through the outer room where a “Hungarian”
-band played stormily for a painted and dangerous-looking procession
-slowly circling like torpid skaters in a rink. The _bang-whang_ of the
-music struck full in the face like an impulsive blow from a fist; so did
-the savage rouging of the promenaders; and young Mr. Blake seemed to be
-startled: he paused for a moment, looking confused. But Mrs. Troup
-pressed his arm. “Let’s get out to the air,” she said. “Did you ever see
-anything like it?”
-
-He replied that he never did, went on quickly; they stepped into a cab
-at the door; and on the way to the hotel Mrs. Troup expressed contrition
-as a courier. “I shouldn’t have given you this for your first impression
-of Paris,” she said. “We ought to have waited until morning and then
-gone to the Sainte Chapelle. I’ll try to make up for to-night by taking
-you there the first thing to-morrow.”
-
-He murmured something to the effect that he would be glad to see
-whatever she chose to show him, and afterward she could not remember
-that they had any further conversation until they reached their
-apartment in the hotel. There she again expressed her regret, not with
-particular emphasis, of course, but rather lightly; for to her mind, at
-least, the evening’s experience was the slightest of episodes; and her
-brother told her not to “bother,” but to “forget it.” He spoke casually,
-even negligently, but she was able to recall that as he went into his
-own room and closed the door, his forehead still showed the same frown,
-perhaps of disapproval, that she had observed in the theatre.
-
-The outer door of the apartment, giving entrance to their little
-hallway, opened upon a main corridor of the hotel; she locked this door
-and took the key with her into her bedchamber, having some vague idea
-that her jewels were thus made safer; and this precaution of hers later
-made it certain that her brother had not gone out again, but without
-doubt passed the night in his own room—in his own room and asleep, so
-far as might be guessed.
-
- * * * * *
-
-Her little girl’s nurse woke her the next morning; and the woman’s voice
-and expression showed such distress, even to eyes just drowsily opening,
-that Mrs. Troup jumped up at once. “Is something wrong with Jeannette?”
-
-“No, ma’am. It is Mr. Blake.”
-
-“Is he ill?”
-
-“I think so. That is, I don’t know, ma’am. A _valet-de-chambre_ went
-into his room half an hour ago, and Mr. Blake hid himself under the
-bed.”
-
-“What?”
-
-“Perhaps you’d better come and see, ma’am. The _valet-de-chambre_ is
-very frightened of him.”
-
-But it was poor young Mr. Blake who was afraid of the
-_valet-de-chambre_, and of everybody else, for that matter, as Mrs.
-Troup discovered. He declined to come out from under the bed so long as
-she and the nurse and the valet were present, and in response to his
-sister’s entreaties, he earnestly insisted that she should leave the
-room at once and take the servants with her.
-
-“But what’s the matter, Charlie dear?” she asked, greatly disturbed.
-“_Why_ are you under the bed?”
-
-In his voice, as he replied, a pathetic indignation was audible:
-“Because I haven’t got any clothes on!”
-
-At this her relief was manifest, and she began to laugh. “Good
-heavens——”
-
-“But no, madame!” the valet explained. “He has his clothes on. He is
-dressed all entirely. If you will stoop and look——”
-
-She did as he suggested, and saw that her brother was fully dressed and
-making gestures as eloquently plaintive as the limited space permitted.
-“Can’t you take these people away?” he cried pettishly. “Do you think
-it’s nice to stand around looking at a person that’s got nothing on?”
-
-He said the same thing an hour later to the doctor Mrs. Troup summoned,
-though by that time he had left his shelter under the bed and had locked
-himself in a wardrobe. And thus, out of a clear sky and with no
-premonitory vagaries, began his delusion—his long, long delusion, which
-knew no variation in the sixteen years it possessed him. From first to
-last he was generally regarded as a “strange case;” yet his state of
-mind may easily be realized by anybody who dreams; for in dreams,
-everybody has undergone, however briefly, experiences similar to those
-in which Mr. Blake fancied himself so continuously involved.
-
-He was taken from the hotel to a private asylum near Paris, where he
-remained until the following year, when Mrs. Troup had him quietly
-brought home to a suburban sanitarium convenient for her to visit at
-intervals; and here he remained, his condition changing neither for the
-better nor for the worse. He was violent only once or twice in the whole
-period, and, though he was sometimes a little peevish, he was the most
-tractable patient in the institution, so long as his delusion was
-discreetly humoured; yet it is probable that the complete records of
-kleptomania would not disclose a more expert thief.
-
-This was not a new form of his disease, but a natural by-product and
-outgrowth of it, which within a year or two had developed to the point
-of fine legerdemain; and at the end of ten years Doctor Cowrie, the
-chief at the sanitarium, declared that his patient, Uncle Charlie Blake,
-could “steal the trousers off a man’s legs without the man’s knowing
-it.” The alienist may have exaggerated; but it is certain that “Uncle
-Charlie” could steal the most carefully fastened and safety-pinned apron
-from a nurse, without the nurse’s being aware of it. Indeed, attendants,
-nurses and servants who wore aprons learned to remove them before
-entering his room; for the most watchful could seldom prevent what
-seemed a miraculous exchange, and “Uncle Charlie” would be wearing the
-apron that had seemed, but a moment before, to be secure upon the
-intruder. It may be said that he spent most of his time purloining and
-collecting aprons; for quantities of them were frequently discovered
-hidden in his room, and taken away, though he always wore several, by
-permission. Nor were other garments safe from him: it was found that he
-could not be allowed to take his outdoor exercise except in those
-portions of the grounds remotest from the laundry yard; and even then as
-he was remarkably deft in concealing himself behind trees and among
-shrubberies, he was sometimes able to strip a whole length of
-clothesline, to don many of the damp garments, and to hide the others,
-before being detected.
-
-He read nothing, had no diversions, and was immersed in the sole
-preoccupation of devising means to obtain garments, which, immediately
-after he put them on, were dissolved into nothingness so far as his
-consciousness was concerned. Mrs. Troup could not always resist the
-impulse to argue with him as if he were a rational man; and she made
-efforts to interest him in “books and the outside world,” kindly efforts
-that only irritated him. “How can I read books and newspapers?” he
-inquired peevishly from under the bed, where he always remained when he
-received her. “Don’t you know any better than to talk about intellectual
-pursuits to a man that hasn’t got a stitch of clothes to his name? Try
-it yourself if you want to know how it feels. Find yourself totally
-undressed, with all sorts of people likely to drop in on you at any
-minute, and then sit down and read a newspaper! Please use your _reason_
-a little, Frances!”
-
-Mrs. Troup sighed, and rose to depart—but found that her fur cloak had
-disappeared under the bed.
-
-In fact, though Mrs. Troup failed to comprehend this, he had explained
-his condition to her quite perfectly: it was merely an excessive
-protraction of the nervous anxiety experienced by a rational person
-whose entire wardrobe is missing. No sensitive gentleman, under such
-circumstances, has attention to spare from his effort to clothe himself;
-and all information not bearing upon that effort will fail of important
-effect upon his mind. You may bring him the news that the Brooklyn
-Bridge has fallen with a great splash, but the gravity of the event will
-be lost upon him until he has obtained trousers.
-
-Thus, year after year, while Uncle Charlie Blake became more and more
-dextrous at stealing aprons, history paced on outside the high iron
-fence inclosing the grounds of the sanitarium, and all the time he was
-so concerned with his embarrassment, and with his plans and campaigns to
-relieve it, that there was no room left in his mind for the plans and
-campaigns of Joffre and Hindenburg and Haig and Foch. Armistice Day, as
-celebrated by Uncle Charlie, was the day when, owing to some cheerful
-preoccupation on the part of doctors and attendants, he stole nine
-aprons, three overcoats, a waistcoat and seventeen pillow-slips.
-
- * * * * *
-
-Rip Van Winkle beat Uncle Charlie by four years. The likeness between
-the two experiences is pathetically striking, and the difference between
-them more apparent than actual; for though Rip Van Winkle’s body lay
-upon the hill like a stone, the while his slumber was vaguely decorated
-with thousands of dreams, and although Uncle Charlie Blake had the full
-use of his body, and was all the time lost in one particular and
-definite dream, still if Rip Van Winkle could wake, so could Uncle
-Charlie. At least, this was the view of the younger alienist, Doctor
-Morphy, who succeeded Doctor Cowrie in 1919.
-
-In the course of some long and sympathetic talks with his patient,
-Doctor Morphy slightly emphasized a suggestion that of late tin had come
-to be considered the most desirable clothing material: the stiffness and
-glitter of tin, as well as the sound of it, enabled a person to be
-pretty sure he had something over him, so long as he wore one of the new
-tin suits, the Doctor explained. Then he took an engraving of _Don
-Quixote_ in armour to a tinsmith, had him make a suit of armour in tin,
-and left it in Uncle Charlie’s corridor to be stolen.
-
-The awakening, or cure, began there; for the patient accepted the tin
-armour as substance, even when it was upon him, the first apparel he had
-believed to be tangible and opaque enough for modesty since the night
-his sister had taken him to the Folies Bergères in 1904. The patient’s
-satisfaction when he had put on this _Don Quixote_ armour was instant,
-but so profound that at first he could express it only in long sighs,
-like those of a swimmer who has attained the land with difficulty and
-lies upon the bank flaccid with both his struggle and his relief. That
-morning, for the first time, he made no dive under his bed at the sound
-of a knock upon the door, and when he went out for his exercise, he
-broke his long habit of darting from the shelter of one tree to another.
-He was even so confident as to walk up to a woman nurse and remark that
-it was a pleasant day.
-
-Thence onward, the measures to be taken for his restoration to society
-were obvious. The tin greaves pinched him at the joints when he moved,
-and Doctor Morphy pointed out that silver cloth, with rows of tiny bells
-sewed upon it here and there, would glitter and sound even better than
-tin. Then, when the patient had worn a suit of this silver cloth,
-instead of tin, for a few weeks, the bells were gradually removed, a row
-at a time, until finally they were all gone, and Uncle Charlie was
-convinced by only the glitter that he went apparelled. After that, the
-silver was secretly tarnished, yet the patient remained satisfied. Next
-a woollen suit of vivid green and red plaid was substituted; and others
-followed, each milder than its predecessor, until at last Uncle Charlie
-grew accustomed to the daily thought that he was clothed, and, relieved
-of his long anxiety, began to play solitaire in his room. His delusion
-had been gradually worn away, but not to make room for another;
-moreover, as it lost actuality to him, he began to forget it. His
-intelligence cleared, in fact, until upon Thanksgiving Day, 1920, when
-Mrs. Troup came to take him away, he was in everything—except a body
-forty-six years old—the same young man who had arrived in Paris on a
-November evening in 1904. His information, his point of view and his
-convictions were those of a commonplace, well-brought-up, conventional
-young American of that period; he had merely to bridge the gap.
-
-Doctor Morphy advised Mrs. Troup that the bridging must be done with as
-little strain as possible upon the convalescent’s mind—a mind never too
-hardily robust—and therefore the devoted lady took her brother to a
-mountain health resort, where for a month they lived in a detached
-cottage, walked footpaths in the woods, went to bed at nine, and made no
-acquaintances. Mrs. Troup dispensed with newspapers for the time (her
-charge did not appear to be aware of their absence) but she had brought
-such books as she thought might be useful; and every day she talked to
-him, as instructively as she could, of the terrific culminations history
-had seen during the latter part of his incarceration.
-
-Of Bolshevism he appeared unable to make anything at all, though Mrs.
-Troup’s explanations struck out a single spark from his memory. “Oh,
-yes,” he said, “I remember a rather talky chap—he was one of the guests
-at that queer place where I used to live, you know—well, he used to
-make speeches the whole day long. He said the doctors got all the money
-and it was _our_ money. If it wasn’t for us, the doctors wouldn’t have a
-cent, he said; and since we produced all the wealth, we ought to
-organize, and lock the doctors up in the cellar, and get the money
-ourselves. I remember some of the other guests seemed to think there was
-a good deal in the talky chap’s speeches, and I suppose it must be
-something of this sort that’s happened in Russia. It’s very confusing,
-though.”
-
-And when her lessons, as mild as she could make them, had proceeded
-somewhat further, he passed his hand over his brow, professing himself
-more confused than ever.
-
-“I declare!” he said. “No sensible person could make head or tail of it,
-if I may use such an expression. I never dreamed anything could actually
-come of all these eccentricities—women’s rights, socialism, blue
-Sundays, prohibition and what not. I’ve heard of such people—heard
-jokes about ’em—but never in my life _met_ a person that went in
-seriously for any of ’em, except that speechifying chap I told you
-about. How on earth did it all _happen_?”
-
-Upon this she was able to enlighten him but feebly, and he rubbed his
-forehead again.
-
-“It’s no use,” he told her. “There’s no _reason_ behind these things:
-the only thing to do is to realize that the world’s gone crazy. We used
-to think that civilization was something made of parts working together
-as they do in an engine; but from what you tell me, it must have been
-trying to split itself up, all the time. The nations split up and began
-to fight one another; and as soon as they’d all got so crippled and in
-debt that they couldn’t fight any more, the other splits began.
-Everybody had to be on the side of the women or on the side of the men,
-and the women won. Now everybody has to be either a capitalist or a
-labourer, it seems, no matter what _else_ he is; and even if he doesn’t
-know which he is, he’ll have to fight, because somebody’s sure to hit
-him. And besides _that_, the people have gone and split themselves into
-those that drink and the others that won’t let ’em. How many _more_
-splits are there going to be, with the people on each side just bound to
-run the world their way? There are plenty of other _kinds_ of splits
-that could be made, and I suppose we might as well expect ’em; for
-instance, we can have all the married people on one side in a
-‘class-conscious class,’ as you were explaining, and all the unmarried
-ones on the other. Or all the parents on one side and all the children
-on the other.” He paused, and laughed, adding: “However, I don’t suppose
-it’s gone quite so far as children versus parents yet, has it?”
-
-Mrs. Troup looked thoughtful. “I suppose it always _has_ been ‘children
-versus parents’ at least, in a sense,” she said. “I’ve been thinking
-lately, though, that since all revolts are more apt to take place
-against feeble governments than against strong ones, if the children
-_are_ in revolt, it must be because the parents are showing greater
-laxity than they used to.”
-
-Mr. Blake went to his afternoon nap, shaking his head, but in silence.
-Naturally he was confused by what he heard from her, and once or twice
-he was confused by some things he saw, though in their seclusion he saw
-little. One mistake he made, however, amazed his sister.
-
-From their pleasant veranda a rounded green slope descended slowly to
-the level lawn surrounding the Georgian upheavings of an endless hotel;
-and at a porte cochère of this hotel a dozen young women, come from a
-ride on the hills, were getting down from their saddles. Mr. Blake, upon
-the veranda of the cottage a hundred yards distant, observed them
-thoughtfully.
-
-“It may be only the difference in fashions,” he remarked; “but people’s
-figures look very queer to me. The actual shapes seem to have changed as
-much as the clothes. You’re used to them, I suppose, and so they don’t
-surprise you, but down there at that porte cochère, for instance, the
-figures all look odd and—well, sort of bunchy. To me, every single one
-of those boys seems to be either knock-kneed or bow-legged.”
-
-“‘Boys!’” Mrs. Troup cried.
-
-He stared at her. “What are they?”
-
-“Good gracious! Don’t you see? They’re women!”
-
-He still stared at her, while his incredulous expression slowly changed
-to one of troubled perplexity. But he said nothing at all, and after a
-moment more, turned away and went to his room, where he remained until
-dinner-time. When he appeared at the table, he made no reference to his
-mistake, but reverted to the topic of which they had been speaking that
-afternoon before his attention wandered to the horsewomen at the porte
-cochère.
-
-“Prohibition must have altered a great many people’s lives quite
-violently,” he said. “I suppose it was quite a shock for people who’d
-always had wine or Scotch at dinner—giving it up so suddenly.”
-
-“I suppose so—I don’t know——” A little colour showed below Mrs.
-Troup’s eyes. “Of course, quite a number of people had supplies on hand
-when the day came.”
-
-“But most of that must be gone by this time.”
-
-“Quite a good deal of it is gone, yes; you don’t see wine very often any
-more. People who have any left are getting very piggish about it, I
-believe.”
-
-“It must be odd,” he said contemplatively, “the whole country’s being
-absolutely sober and dry, like this.”
-
-“Well——” she began; then, after a pause, went on: “It isn’t like
-that—exactly. You see——”
-
-“Oh, of course there would be a few moonshine stills and low dives,” he
-interrupted. “But people of our circle——”
-
-“Aren’t exactly ‘dry,’ Charles.”
-
-“But if they have no wine or——”
-
-“It’s my impression,” said Mrs. Troup, “that certain queer kinds of
-whisky and gin——”
-
-“But we were speaking of ‘our circle’—the kind of people _we_——”
-
-“Yes, I know,” she said. “They carry these liquids about with them in
-the most exquisite flasks. Jeannette has one—a boy friend gave it to
-her—and it must have been made by a silversmith who is a real artist.
-It must have been fearfully expensive.”
-
-Mr. Blake’s open mouth remained distended for a moment. “Your
-Jeannette!” he exclaimed. “Why, she’s only——”
-
-“Oh, she’s nineteen,” his sister informed him soothingly.
-
-“But was it exactly nice for her to receive such a gift from a young
-man?”
-
-“Oh, he’s one of the nicest boys we know,” Mrs. Troup explained. “They
-swim together every day.”
-
-“‘Swim together’?” her brother inquired feebly.
-
-“Yes,” said Mrs. Troup. “His aunt has a tank.”
-
-“‘His aunt has a tank,’” the convalescent repeated in a low voice, as if
-he wished to get the sentence by heart. “‘His aunt has a tank.’”
-
-Mrs. Troup coughed placatively. “It may be a little difficult for you to
-understand,” she said. “Of course, even I feel obliged to have something
-in the house at home—a certain amount of whisky. I don’t approve of
-such things, naturally, but Jeannette feels it’s necessary on account of
-the young men and the other girls. She doesn’t like whisky and never
-touches it herself.”
-
-Jeannette’s uncle uttered a sigh of relief. “I should think not! I was
-afraid, from what you told me of her flask——”
-
-“Oh, in that,” said Mrs. Troup, “she keeps gin.”
-
-“Gin?” he said in a whisper. “Gin?”
-
-“She’s rather fond of gin,” Mrs. Troup informed him. “She makes it
-herself from a recipe; it’s quite simple I believe.”
-
-“And she _carries_ this flask——”
-
-“Oh, not all the time!” Mrs. Troup protested, laughing. “Only to dances
-and girls’ lunches.” And, observing her brother’s expression, she added:
-“Of course, she never takes too _much_; you mustn’t get a wrong idea of
-Jeannette. She and all the girls of her set don’t believe in _that_, at
-all—I’m positive none of them has ever been intoxicated. They have the
-very highest principles.”
-
-“They have?”
-
-“Yes; you see, Jeannette has read Wells and Shaw since she was twelve.
-When we go home and you meet Jeannette, you must try to understand that
-she belongs to a different generation, Charles. You see, Jeannette has
-had so _many_ influences that didn’t affect your own youth at all. For
-instance, she always insisted on going to the movies even when she was a
-little girl, and I rather enjoy them myself, when I’m tired; and then
-there’s the new stage—and the new novel—you know, we have everything
-on the stage and in books that we used to think could only be in books
-and on the stage in France, because here the police——”
-
-“But in France,” he interrupted, “—in France they didn’t let the _jeune
-fille_ read the books or go to the theatre.”
-
-“No,” she agreed. “But of course over here we’ve had feminism——”
-
-“What’s that?”
-
-“I don’t know exactly, but I think it’s something to do with the
-emancipation of women.” She paused, then added thoughtfully: “Of course,
-Jeannette smokes.”
-
-“What!”
-
-“Oh, that’s nothing at all,” she said hastily. “They’ve had to permit it
-in nearly all the restaurants.”
-
-He rose, leaning heavily upon his chair, as if for support, and looking
-rather more pallid than usual. In fact, his brow was damp from the
-exertion its interior workings had undergone in the effort to comprehend
-his sister’s conversation. “I think, if you don’t mind,” he murmured,
-“I’ll go directly to bed and rest.”
-
-“Do,” she said sympathetically. “We’ll talk some more about Jeannette
-to-morrow. She’s the most lovably pretty thing in the world, and you’ll
-be cra——” She changed the phrase hastily. “You’ll be delighted to have
-such a niece.”
-
-But, as it happened, when she began to speak of Jeannette the next day,
-he gently protested, asking her to choose another topic. “I’m sure I
-couldn’t understand,” he said, “and the effort rather upsets me. It
-would be better to wait and let me form my own impressions when I see
-her.”
-
-His sister assented without debate; and nothing more was said about
-Jeannette until a week later when they were on the train, and half the
-way home. A telegram was handed to Mrs. Troup by the porter, and after
-reading it, she glanced rather apprehensively toward her brother, who,
-in the opposite seat, was so deeply attentive to a book that he had not
-noticed the delivery of the telegram; in fact, he did not observe it,
-still in her hand, when he looked up vaguely, after a time, to speak a
-thought suggested by his reading.
-
-“So many of these books about the war and the after-effects of the war
-say that there is to be a ‘new world.’ All the young people have made up
-their minds that the old world was a failure and they’re going to have
-something different. I don’t know just what they mean by this ‘new
-world’ the writers talk so much about, because they never go into the
-details of the great change. It’s clear, though, that the young people
-intend the new world to be much more spiritual than the old one. Well,
-I’m anxious to see it, and, of course, it’s a great advantage to me,
-because I stayed so long at that queer place—where the doctors were—it
-will be easier to start in with a new world than it would be, maybe, to
-get used to the changes in the old one. I’m mighty anxious to see these
-new young people who——”
-
-His sister interrupted him. “You’ll see some of them soon enough, it
-appears. I really think Jeannette shouldn’t have done this.” And she
-handed him the telegram to read.
-
- =Thought I better let you know in case you prefer taking
- Uncle Charles to hotel for first night at home as am throwing
- toddle about forty couples at house sausage breakfast at four am
- to finish the show and blackamaloo band might disturb Uncle
- Charles=.
-
-Uncle Charles was somewhat disturbed, in fact, by the telegram itself.
-“‘Am throwing toddle’——” he murmured.
-
-“She means she’s giving a dance,” his sister explained, frowning. “It’s
-really not very considerate of her, our first evening at home; but
-Jeannette is just made of impulses. She’s given I don’t know how many
-dances since I went away with you, and she might have let this one drop.
-I’m afraid it may be very upsetting for you, Charles.”
-
-“You could send her a telegram from the next station,” he suggested.
-“You could ask her to telephone her friends and postpone the——”
-
-“Not Jeannette!” Mrs. Troup laughed. “I could wire, but she wouldn’t pay
-any attention. _I_ have no influence with her.”
-
-“You haven’t?”
-
-“No.” And upon this Mrs. Troup became graver. “I don’t think her father
-would have had any either, if he had lived; he was so easy-going and
-used to sing so loudly after dinner. Jeannette always seemed to think he
-was just a joke, even when she was a child. The truth is, she’s like a
-great many of her friends: they seem to lack the quality of respect.
-When we were young, Charles, we had that, at least; our parents taught
-us to have that quality.”
-
-“But haven’t you taught Jeannette to have it?”
-
-“Indeed I have,” Mrs. Troup sighed. “I’ve told her every day for years
-that she hadn’t any. I noticed it first when she was thirteen years old.
-It seemed to break out on her, as it were, that year.”
-
-“How did it happen?”
-
-“Why, we were staying at a summer hotel, a rather gay place, and I’m
-afraid I left her too much to her governess—I was feeling pretty blue
-that summer and I wanted distraction. I liked tangoing——”
-
-“‘Tangoing’?” he said inquiringly. “Was it a game?”
-
-“No; a dance. They called it ‘the tango’; I don’t know why. And there
-was ‘turkey-trotting,’ too——”
-
-“‘Turkey-trotting’?” he said huskily.
-
-“Well, that,” she explained, “was really the _machiche_ that tourists
-used to see in Paris at the _Bal Bullier_. In fact, you saw it yourself,
-Charles. A couple danced the _machiche_ that night at the Folies
-Ber——” She checked herself hastily, bit her lip, and then, recovering,
-she said: “I got quite fond of all those dances after we imported them.”
-
-“You mean you got used to looking at them?” he asked slowly. “You went
-to see them at places where they were allowed?”
-
-At this she laughed. “No, of course not! I danced them myself.”
-
-“_What!_”
-
-“Why, of course!”
-
-“No one——” He faltered. “No one ever _saw_ you do it?”
-
-“Why, of course. It’s a little difficult to explain this to you,
-Charles, but all those dances that used to seem so shocking to us when
-we went to look on at them in foreign places—well, it turned out that
-they were _perfectly_ all right and proper when you dance them yourself.
-Of course I danced them, and enjoyed them very much; and besides, it’s a
-wholesome exercise and good for the health. _Everybody_ danced them.
-People who’d given up dancing for years—the oldest _kind_ of
-people—danced them. It began the greatest revival of dancing the
-world’s ever seen, Charles, and the——”
-
-He interrupted her. “Go a little slower, please,” he said, and applied a
-handkerchief to his forehead. “About your seeming to lose your authority
-with Jeannette——”
-
-“Yes; I was trying to tell you. She used to sit up watching us dancing
-in the hotel ballroom that summer, and I just _couldn’t_ make her go to
-bed! That was the first time she deliberately disobeyed me, but it was a
-radical change in her; and I’ve never since then seemed to have any
-weight with her—none at all; she’s just done exactly what she pleased.
-I’ve often thought perhaps that governess had a bad influence on her.”
-
-He wiped his forehead again, and inquired: “You say she’s given dances
-while you’ve been away with me?”
-
-“Oh, she asks plenty of married people, of course.”
-
-“And it wouldn’t be any use to telegraph her to postpone this one?”
-
-“No. She’d just go ahead, and when we got home, she’d be rather annoyed
-with me for thinking a dance _could_ be postponed at the last minute. We
-must make the best of it.”
-
-“I suppose so.”
-
-“We won’t reach the house till almost nine, and you can go straight to
-bed, Charles. I’m afraid the music may disturb you; that’s all. Dance
-music is rather loudish, nowadays.”
-
-“I was thinking,” he said slowly, “—I was thinking maybe I’d dress and
-look on for a while; I do want to see these new young people. It might
-be a good thing for me to begin to get accustomed——”
-
-“So it might,” she agreed, brightening. “I was only bothered on your
-account, and if you take it that way, it will be all right.” She
-laughed. “The truth is, I enjoy Jeannette’s dances myself. I like to
-enter into things with her and be more like a sisterly companion than a
-mother in the old-fashioned strict sense. That’s the modern spirit,
-Charles; to be a hail-fellow of your children—more a wise comrade than
-a parent. So, if you feel that you would be interested in looking on,
-and won’t be disturbed—well, that’s just too lovely! And you’ll adore
-Jeannette!”
-
-He was sure of that, he said; and added that as he was Jeannette’s uncle
-he supposed it would be proper to kiss her when she met them at the
-station.
-
-“Oh, she won’t be at the station,” said his sister. “In fact, I’ll be
-surprised if she remembers to send the car for us.”
-
-But as it happened, Mrs. Troup was surprised: Jeannette sent the car,
-and they were comfortably taken homeward through a city that presented
-nothing familiar to Charles Blake, though he had spent his youth in it.
-The first thing he found recognizable was the exterior of his sister’s
-big house, for she had lived in it ever since her marriage; but indoors
-she had remodelled it, and he was as lost as he had been under the great
-flares of light down-town. Mrs. Troup led him up to his room and left
-him there. “Jeannette’s dressing, they tell me,” she said. “Hurry and
-dress, yourself, so as to see her a minute before she gets too busy
-dancing. It’s late.”
-
-In spite of her instruction, he was too nervous to dress quickly, and
-several times decided to get into bed instead of proceeding with his
-toilet; but an ardent curiosity prevailed over his timidity, and he
-continued to prepare himself for a state appearance, until a strange
-event upset him.
-
-There were a few thin squeaks and low blats of warning—small noises
-incomprehensible to him, and seemingly distant—when suddenly burst
-forth the most outrageous uproar he had ever heard, and he thought it
-just outside his door. When it happened, he was standing with his right
-foot elevated to penetrate the orifice of that leg of his trousers, but
-the shock of sound overturned him; his foot became entangled, and he
-fell upon the floor.
-
-Lying there, helpless, he heard a voice sweet as silver bells, even when
-it screamed, as it had to scream now to make itself heard. “No, _no_! I
-don’t want ‘The Maiden’s Dream’! _Stop it; dam it!_” And the outrage
-became silence, murmurously broken by only the silvery voice which was
-itself now indistinguishable, except as ineffable sound; he could not
-make out the words.
-
-Fingers tapped on his door. “Do hurry, Charles dear,” Mrs. Troup said.
-“Jeannette’s arguing with the musicians, but she might have a moment or
-two to see you now. People are just beginning to come.”
-
-“With whom?” he asked hoarsely, not attempting to move.
-
-“‘With whom’ what? I don’t understand,” his sister inquired, shouting
-through the closed door.
-
-“You said she’s arguing. With whom?”
-
-“With the musicians.”
-
-“With whom?”
-
-“The musicians. They began to play ‘The Maiden’s Dream,’ but she doesn’t
-like it: she wants something livelier.”
-
-“Livelier?”
-
-“I must run,” Mrs. Troup shouted. “Do hurry, Charles.”
-
-In spite of this departing urgency, Charles remained inert for some
-time, his cheek upon a rug, his upper eye contemplating the baseboard of
-the wall, and his right foot shackled in his trousers. Meanwhile, voices
-began to rise without in an increasing strident babble, until finally
-they roused him. He rose, completed his toilet and stepped outside his
-door.
-
-He found himself upon a gallery which looked down upon a broad hall
-floored in wood now darkly lustrous with wax. He had a confused
-impression of strewn and drifting great tropical flowers in haphazard
-clusters and flaring again, in their unfamiliar colours, from the
-reflecting darkness of the polished floor; such dresses as he had never
-seen; and flesh-tints, too, of ivory and rose so emphasized and in such
-profusion as likewise he had never seen. And from these clusters and
-from the short-coated men among them, the shouting voices rose to him in
-such uproarious garbling chorus that though he had heard choruses not
-very different, long ago, it increased his timidity; and a little
-longing floated into his emotion—a homesickness for the old asylum,
-where everything had been so orderly and reasonable.
-
-Suddenly he jumped: his hands were clutched upon the railing of the
-gallery, and they remained there; but his feet leaped inches into the
-air with the shock; for the crash that so startled him came from
-directly beneath the part of the gallery where he stood. In his
-nervousness, he seemed about to vault over the railing, but as his feet
-descended, he recognized the sound: it was of a nature similar to that
-which had overcome him in his room, and was produced by those whom his
-sister had defined as “the musicians:” they had just launched the dance
-music. The clusters of tropical flowers were agitated, broke up. The
-short black coats seized upon them, and they seized upon the short black
-coats; something indescribable began.
-
-The dance music did not throb—the nervous gentleman in the gallery
-remembered dance music that throbbed, dance music that tinkled merrily,
-dance music that swam, dance music that sang, and sometimes sang sadly
-and perhaps too sweetly of romantic love—but this was incredible: it
-beat upon his brain with bludgeons and blackjacks, rose in hideous
-upheavals of sound, fell into chaos, squawked in convulsions, seemed
-about to die, so that eighty pairs of shoes and slippers were heard in
-husky whispers against the waxed floor; then this music leaped to life
-again more ferociously than ever.
-
-The thumping and howling of it brought to the gallery listener a dim
-recollection: once, in his boyhood, he had been taken through a
-slaughter-house; and this was what came back to him now. Pigs have
-imaginations, and as they are forced, crowding against one another,
-through the chute, their feet pounding the thunderous floor, the
-terrible steams they smell warn them of the murderers’ wet knives ahead:
-the pigs scream horror with their utmost lungs; and the dumfounded
-gentleman recalled these mortal squealings now, though there was more to
-this music. There should be added, among other noises, all the agony
-three poisoned cats can feel in their entrails, the belabourings of
-hollow-log tomtoms by Aruwimi witch-doctors, and incessant cries of
-passion from the depths of negroes ecstasized with toddy.
-
-A plump hand touched Mr. Blake’s shoulder, and lifting his pale glance
-from below he found that his sister had ascended the gallery stairs to
-speak to him.
-
-“What are they doing down there?” he shouted.
-
-“Toddling.”
-
-“You mean _dancing_?”
-
-“Yes; toddling. It’s dancing—great fun, too!”
-
-He was still incredulous, and turned to look again. To his perturbed
-mind everybody seemed bent upon the imitation of an old coloured woman
-he had once seen swaying on the banks of a creek, at a baptism. She
-jiggled the upper portions of her, he remembered, as if she were at once
-afflicted and uplifted by her emotions; and at the same time she
-shuffled slowly about, her very wide-apart feet keeping well to the
-ground. All of these couples appeared to have studied some such ancient
-religious and coloured person anxiously; but this was not all that
-interested the returned Mr. Blake. Partners in the performance below him
-clung to each other with a devotion he had never seen except once or
-twice, and then under chance circumstances which had cost him a hurried
-apology. Some, indeed, had set their cheeks together for better harmony;
-moreover, the performers, who in this exhibition of comedy abandoned
-forever all hope of ever being taken seriously by any spectator, were by
-no means all of the youthfulness with which any such recklessness of
-dignity had heretofore been associated in Mr. Blake’s mind: heads white
-as clouds moved here and there among the toddlers; so did dyed heads,
-and so did portly figures.
-
-“I came up to point Jeannette out to you,” Mrs. Troup explained,
-shouting in her brother’s ear. “I wanted you to see her dancing: she
-looks so beautiful. There she is! See! _Doesn’t_ she look pretty?”
-
-His eyes aimed along her extended forefinger and found Jeannette.
-
-Jeannette did “look pretty” indeed, even when she toddled—there could
-be no test more cruel. She was a glowing, dark-eyed, dark-haired,
-exquisite young thing shimmering with innocent happiness. One of her
-childish shoulders bore a jewelled string; the other nothing. Most of
-her back and a part of each of her sides were untrammelled; and her
-skirt came several inches below the knee, unless she sat. Nothing her
-uncle had ever seen had been so pretty as Jeannette.
-
-To her four grandparents, Jeannette would have been merely unbelievable.
-Her eight great-grandparents, pioneers and imaginative, might have
-believed her and her clothes possible, but they would have believed with
-horror. In fact, to find ancestors who would not be shocked at
-Jeannette, one would have to go back to the Restoration of Charles
-Stuart. At that time she had five hundred and twelve
-great-great-great-great-great-great-grandparents, and probably some of
-them were familiar with the court. They would have misunderstood
-Jeannette, and they would not have been shocked.
-
-“I just wanted you to see her,” Mrs. Troup shouted. “I must run back to
-my partner and finish this. Come down when this number is over and meet
-some people.”
-
-He did not attempt to reply, but stared at her blankly. As she turned
-away, more of her was seen than when she stood beside him; and a
-sculptor would have been interested. “Don’t forget to come down,” she
-called back, as she descended the stairway.
-
-But he did not appear at the end of the dance; nor could she find him in
-the gallery or in his room; so, a little anxious, she sent a maid to
-look for him; and presently the maid came back and said that she had
-found him standing alone in the dining-room, but that when she told him
-Mrs. Troup was looking for him, he said nothing; he had walked away in
-the direction of the kitchen.
-
-“How strange!” Mrs. Troup murmured; but as her troubled eyes happened to
-glance downward, both of her hands rose in a gesture of alarm. “Jennie,
-where’s your _apron_?” she cried.
-
-“It’s on me, ma’am,” said Jennie; then she discovered that it wasn’t.
-“Why, how in the world——”
-
-But Mrs. Troup was already fluttering to the kitchen. She found trouble
-there between the caterer’s people and her own: the caterer’s _chef_ was
-accusing Mrs. Troup’s cook of having stolen a valuable apron.
-
-Uncle Charles was discovered in the coal cellar. He had upon him both of
-the missing aprons, several others, a fur overcoat belonging to one of
-the guests, and most of the coal.
-
-
-
-
- THE SPRING CONCERT
-
-
-THE town was only about eighty years old, but it loved to think of
-itself as a “good old place,” and it habitually spoke of the residence
-of its principal citizen as “that old-fashioned Ricketts property.”
-
-This was an under-statement: the Ricketts place was more than merely
-old-fashioned. So rapidly do fashions change in houses, nowadays, in
-small towns as well as in big, and so quickly does life become history,
-that the “Ricketts property” at fifty years of age was an actual
-archæological relic. Contemplating the place you contemplated a
-prevalent way of life already abandoned, and learned a bit of Midland
-history. The Ricketts place was a left-over from that period when every
-Midland townsman was his own farmer, according to his means; and if he
-was able, kept his cow and chickens, and raised corn and pigs at home.
-
-The barn was a farm barn, with a barnyard about it; here were the empty
-pig-pens and the chicken house, the latter still inhabited. In summer,
-sweet corn was still grown in the acre lot adjoining the barnyard; and,
-between that lot and the driveway from the barn, there was a kitchen
-garden, there was an asparagus bed, and there was a strawberry patch
-fringed with currant-bushes. Behind the house were out-buildings: the
-storeroom, the washhouse, the smoke-house. Here was the long
-grape-arbour, and here stood the two pumps: one of iron, for the
-cistern; the other a wooden flute that sang higher and higher to an
-incredible pitch before it fetched the water.
-
-The house was a large, pensive-looking, honest old brick thing, with a
-“front porch” all across it; and the most casual passer-by must have
-guessed that there was a great deal of clean oilcloth on the hall
-floors, and that cool mattings were laid, in summer, in all the
-rooms—mattings pleasant to the bare feet of children. It was a house
-that “smelled good”: aromas at once sweet and spicy were wont to swim
-down the mild breezes of Pawpaw Street, whereon the Ricketts place
-fronted.
-
-In the latter part of April the perfume of apple-blossoms was adrift on
-those breezes, too; for all the west side of the big yard was an apple
-orchard, and trees stood so close to the house that a branch of blossoms
-could be gathered from one of the “sitting-room” windows—and on a warm
-end-of-April day, when that orchard was full abloom, there sat reading a
-book, beneath the carnival clouds of blossom, an apple-blossom of a
-girl.
-
-So she was informed by Mr. Lucius Brutus Allen. Mr. Allen came walking
-up Pawpaw Street from Main Street, about five o’clock in the afternoon;
-a broad, responsible figure with a broad, irresponsible face, and a
-good, solid, reddish-haired head behind the face. He was warm, it
-appeared; inclined to refresh his legs with a pause of leisure, his nose
-with the smell of the orchard, his eyes with the sight of its occupant.
-He halted, rested his stout forearms upon the top of the picket fence,
-and in his own way made the lady acquainted with his idea of her
-appearance.
-
-“A generous soil makes a generous people, Miss Mary,” he observed; and
-she looked up gravely from her book at the sound of his tremulous tenor
-voice. “You see, most of this country in the Ohio and Mississippi
-valleys is fertile. We don’t have to scratch the rocks for our crops, so
-we have time to pronounce our _r_’s. We’ve even got the leisure to drawl
-a little. A Yankee, now, he’s too pinched for time, between his hard
-rocks and his hard winters, to pronounce his _r_’s; so he calls his
-mother ‘motha’, and hurries on. But he’s conscientious, Miss Mary; he
-knows he’s neglected something, and so, to make up for it, he calls his
-sister ‘Mariar.’ Down South it’s too hot for a fellow to trouble about
-the whole blame alphabet, so he says, ‘Lessee, which lettuhs goin’ to be
-the easies’ to leave out?’ he says. ‘Well, the _r_’s, I reckon,’ he
-says. ‘An’ _g_,’ he says. ‘I’ll leave _r_ out most the time, an’ _g_
-whenevuh I get the chance—an’ sometimes _d_ an’ _t_. That’ll be a heap
-easiuh,’ he says, ‘when I’m claimin’ my little boy is the smahtis’ chile
-in the worl’.”
-
-Mr. Allen paused genially, then concluded: “You see, Miss Mary, I’ve
-just been leading up logically to the question: Which is you and which
-is the rest of the apple-blossoms?”
-
-Miss Ricketts made no vocal reply, but there was a slight concentration
-of the fine space between her eyebrows; decidedly no symptom of
-pleasure, though she might properly have enjoyed the loiterer’s little
-extravagance, which was far from being inaccurate as extravagances go.
-Mr. Allen was forced to remind himself that “nobody loves a fat man,”
-though he decided not to set his thoughts before the lady.
-
-A smile of some ruefulness became just visible upon the ample surface of
-his face, then withdrew to the interior, and was transmuted into a
-quality of his odd and pleasant voice, which was distinctly rueful, as
-he said:
-
-“It’s the weather, Miss Mary. You mustn’t mind what anybody says along
-during the first warm days in spring. People are liable to say anything
-at all.”
-
-“Yes,” Miss Ricketts returned, not mollified. “I’ve just noticed.” She
-gave him one dark glance, wholly unfavourable, as she spoke, and then
-looked down at her book again, allowing him no possible doubt that she
-wished to proceed with her reading.
-
-“I’m a hard man to discourage,” said Mr. Allen. “The band’s going to
-play in the Square to-night. It’s been practising ‘Annie Laurie’ and
-‘Tenting To-night’ all winter, up in the storeroom over Tom Leggett’s
-wall-paper and book emporium, and of course the boys are anxious to give
-their first concert. What I wanted to say was this: If I came by for you
-after supper, would you care to go?”
-
-“No,” said Miss Ricketts quietly, not looking up.
-
-Before continuing and concluding the conversation, Lucius Brutus Allen
-paused to contemplate the top of her pink-and-white hat, which was
-significantly presented to his view as she bent over her book; and the
-pause was a wistful one on his part. “Seeing as that’s the case,” he
-said, finally, “I may be a hard man to discourage, and I _was_ on my way
-home, but I believe I’ll just turn right square around and go on back to
-the National House bar—and get me a drink of lemonade. I want to show
-people I’m as desperate as anybody, when I’m crossed.”
-
-Immediately, with an air of resolution, Mr. Allen set off upon the path
-by which he had come. He debouched upon Main Street, at the foot of
-Pawpaw, crossed the Square to the dismal brick pile much too plainly
-labelled, “National House, Will Wheen Propr,” and passed between two
-swinging green doors on the ground floor. “George,” he said to the
-bartender, “I’m not happy. Have you any lemons?”
-
-The bartender rubbed the back of his neck, stooped, and poked and peered
-variously beneath the long bar. “Seems like I _did_ have some, Lu,” he
-said thoughtfully. “I remember seein’ them lemons last Mon——”
-
-“No,” Mr. Allen interrupted, sighing. “I’ve been through this before
-with you, George. I’ll take buttermilk.”
-
-“Oh, got plenty _buttermilk_!” the bartender said, brightening; and
-supplied his customer from a large, bedewed white pitcher. “Buttermilk
-goes good this weather, don’t it, Lu?”
-
-“It do,” said Lucius gravely.
-
-Glass in hand, he went to a small round table where sat the only other
-present patron of the bar—a young man well-favoured, but obviously in a
-state morbid if not moribund. He did not look up at Mr. Allen’s
-approach; continuing to sit motionless with his far-away gaze marooned
-upon a stratum of amber light in his glass on the table before him.
-
-He was a picturesque young man, and, with his rumpled black hair, so
-thick and wavy about his brooding white face, the picture he most
-resembled was that of a provincial young lawyer stricken with the
-stage-disease and bound to play _Hamlet_. This was no more than a
-resemblance, however; his intentions were different, as he roused
-himself to make clear presently, though without altering his attitude,
-or even the direction of his glance.
-
-“What do you mean?” he inquired huskily, a moment after Mr. Allen had
-seated himself at the table. “What do you mean, slamming a glass of
-buttermilk down on my table, Lucius Brutus Allen?”
-
-Mr. Allen put on a pair of eye-glasses, and thoughtfully examined the
-morose gentleman’s countenance before replying, “I would consume this
-flagon of buttermilk in congenial melancholy, Joseph Pitney Perley.”
-
-Mr. Perley, still motionless, demanded: “Can’t you see what I’m doing?”
-
-“What are you doing, Joe?”
-
-“Drinking!”
-
-“Professionally?” Mr. Allen inquired. “Or only for the afternoon?”
-
-“I don’t want to be talked to!”
-
-“I do,” said Lucius. “Talk to me.”
-
-Here the bartender permitted himself the intervention of a giggle, and
-wiped his dry bar industriously—his favourite gesture. “You ain’t goin’
-to git much talk out o’ _Joe_, Lu!” he said. “All he’s said sence he
-come in here was jest, ‘Gimme same, George.’ _I_ tell him he ain’t goin’
-to be in no condition to ’tend the band concert ’s evening if he keeps
-on another couple hours or so. Me, I don’t mind seein’ a man drink some,
-but I like to see him git a little fun out of it!”
-
-“Have you considered the band concert, Joe?” Mr. Allen inquired. “Do you
-realize what strange euphonies you’ll miss unless you keep sober until
-seven-thirty?”
-
-The sombre Perley relaxed his gaze, and uttered a fierce monosyllable of
-denunciation. “Sober!” he added, afterward. “I’m sober. That’s my
-trouble. I’ve been trying to get tight for three hours!”
-
-“I’ll say this fer you,” the bartender volunteered—“you been tryin’
-_good_, too!”
-
-“Ever experiment any?” Lucius suggested. “Why don’t you go over to Doc
-Willis’s Painless Dental Parlours? He’s got a tank of gas there, and all
-you do is put a rubber thing over your nose and breathe. Without any
-trouble at all you’ll be completely out of business in forty-five
-seconds.”
-
-“Yeh,” said the bartender. “But it don’t last more’n about four
-minutes.”
-
-“No; that’s true,” Lucius admitted. “But maybe Joe could hire Doc to tap
-him behind the ear with one of those little lead mallets when he sees
-him coming out of the gas. Joe’d feel just about the same to-morrow as
-he will if he stays here running up a bill with you. Fact is, I believe
-he’d feel better.”
-
-“I tell you,” said Mr. Perley, with emphasis, “I’m drinking!” And for
-further emphasis he rattled his glass. “Give me the same, George,” he
-said.
-
-George held a bottle to the light. He meditated, rubbing the back of his
-head; then spoke: “Tell you what I’ll do. The wife’s waitin’ supper fer
-me now; I want to git back up-town early fer the trade before the
-concert, because I look fer quite a rush——”
-
-“Yes,” interrupted Mr. Allen musingly. “Our community is going to see a
-night of wine and music, George.”
-
-“I’ll jest open a fresh bottle fer you, Joe,” the bartender continued;
-“and when I git back I’ll charge you with how many drinks you take out
-of it. I’m goin’ on home to supper. You want any more buttermilk, Lu?”
-
-“Bring the pitcher,” said Mr. Allen. “I will sup upon it.”
-
-“All right.” And George brought to the table the pitcher of buttermilk,
-a dim saucer of crackers and cheese, a brown bottle, ice-water, and
-fresh glasses. After that he doffed his apron, put on his hat, but no
-coat, and went to the door, where he turned to say: “If anybody else
-comes in here before I git back——”
-
-“And calls for liquor,” Mr. Allen took up the sentence, as George paused
-in thought, “we shall be glad to——”
-
-“Tell ’em,” said George, “they don’t git it!” He departed.
-
-Mr. Allen helped himself to buttermilk, ate a cracker, leaned back in
-his chair, and began to hum “Annie Laurie.”
-
-“Stop that!” said Perley sharply.
-
-“Certainly,” said Lucius. “I’ll whistle instead.”
-
-“If you do,” the troubled young man warned him, apparently in good
-faith, “I’ll kill you!”
-
-“What can I do to entertain you, Joe?”
-
-“You might clear out,” his friend suggested darkly. “God knows I haven’t
-asked for your society!”
-
-“No,” said Lucius. “Our fairest gifts do oft arrive without petition.
-What an unusual thought! Have you noticed——”
-
-But the other burst out suddenly in a tragic fury: “Shut up! What’s the
-matter with you? Can’t you see I want to be alone?”
-
-Mr. Allen remained placid. “What difference do I make?” he asked. “I
-thought you said you were ‘drinking’? If you’re really in earnest about
-it you don’t care who’s here or anywhere else.”
-
-“Don’t you see I’m in _misery_?” cried Perley.
-
-“The ayes have it.”
-
-“Well, then, why in Heaven’s name can’t you——”
-
-“I’ll tell you,” said Lucius. “I’m in misery, too. Terrible!”
-
-“Well, what the devil do _I_ care for that?”
-
-“Haven’t I got a right to sit here?” Lucius inquired mildly. “Haven’t I
-got a right to sit here and drink, and cuss inside my innards, and take
-on the way you’re doing? Mary Ricketts just told me that she wouldn’t go
-to the band concert with me.”
-
-“Oh, do dry up!”
-
-“Well, you’re responsible for Mary’s treatment of me, aren’t you?” said
-Lucius. “I thought probably there’d be trouble when I saw you headed
-this way this afternoon.”
-
-“You do beat any ordinary lunatic!” the distressed young man protested.
-“I ‘headed this way’ this afternoon because I got one of my spells. You
-know well enough how it is with me, and how it was with my father before
-me—every so often the spell come on me, and I’ve _got_ to drink. What
-in the Lord’s name has that to do with Mary Ricketts? I don’t suppose
-I’ve even seen her for a month. Never did see anything of her, to speak
-of, in my life.”
-
-Mr. Allen replenished his glass from the pitcher of buttermilk before
-replying, and appeared to muse sorrowfully. “Well, maybe I was
-mistaken,” he said. “But I——” He broke off a line of thought; then
-sighed and inquired: “When this ‘spell’ comes on you, Joe, you feel that
-you’ve ‘_got_’ to go on until——”
-
-“You know I do! I don’t want to talk about it.”
-
-“But suppose,” said Lucius, “suppose something took your mind off of
-it.”
-
-“Nothing could. Nothing on earth!”
-
-“But just suppose something did turn up—right in the start of a spell,
-say—something you found you’d rather do. You know, Joe, I believe if it
-did and you found something else was _really_ pleasanter, it might be
-you’d never start in again. You’d understand it wasn’t the fun you think
-it is, maybe.”
-
-“Fun!” Joe cried. “I don’t _want_ to drink!”
-
-And at that his stocky companion burst into outright laughter. “I know
-you think so, Joe,” he said apologetically, when his hilarity was
-sufficiently diminished. “Of course you believe it. I’m not denying
-that.”
-
-“By George!” the unfortunate young man explained. “You _do_ make me
-sick! I suppose if I had smallpox you’d say you weren’t denying I
-believed I had it! You sit there and drink your buttermilk, and laugh at
-me like a ninny because you can’t understand! No man on earth can
-understand, unless he has the thirst come on him the way mine does on
-me! And yet you tell me I only ‘believe’ I have it!”
-
-“Yes, I ought to explain,” said Mr. Allen soothingly. “It did sound
-unfeeling. One of the reasons you drink, Joe, is because this is a small
-town;—you have an active mind, a lot of the time there’s nothing much
-to do, and you get bored.”
-
-“I told you nobody could understand such a thirst as mine—nobody except
-the man that’s got one like it!”
-
-“This hankering is something inside you, isn’t it, Joe?”
-
-“What of that?”
-
-“It comes on you about every so often?”
-
-“Yes.”
-
-“If there weren’t any liquor in the world, you’d have the thirst for it
-just the same, would you?”
-
-“Just the same,” Perley answered. “And go crazy from it.”
-
-“Whereas,” Mr. Allen returned, “since liquor’s obtainable you prefer to
-go crazy from the imbibing of it instead of from the hanker for it. You
-find that more ossedalious, and nobody can blame you. But suppose
-alcohol had never been discovered, would you have the hanker?”
-
-“No, because I wouldn’t have inherited it from my father. You know as
-well as I do, how it runs in my family.”
-
-“So I do, Joe; so I do!” Mr. Allen sighed reminiscently. “Both your
-father and your Uncle Sam went that way. I remember them very well, and
-how they enjoyed it. That’s different from you, Joe.”
-
-“Different!” Joe laughed bitterly. “Do you suppose I get any ‘enjoyment’
-out of it? Three days I’ll drink now; then I’ll be in hell—and I’ve got
-to go on. I’ve _got_ to!”
-
-“Funny about its being hereditary,” said Lucius, musing aloud. “I expect
-you rather looked forward to that, Joe?”
-
-His companion stared at him fiercely. “What do you mean by that?” he
-demanded.
-
-“You always thought it was _going_ to be hereditary, didn’t you, Joe?
-From almost when you were a boy?”
-
-“Yes, I did. What of it?”
-
-“And maybe—” Lucius suggested, with the utmost mildness—“just
-possibly, say about the time you began to use liquor a little at first,
-you decided that this hereditary thing was inevitable, and the idea made
-you melancholy about yourself, of course; but after all, you felt that
-the hereditary thing made a pretty fair excuse to yourself, didn’t you?”
-
-“See here,” Joe said angrily, “I’m not in any mood to stand——”
-
-“Pshaw!” Lucius interrupted. “I was only going on to say that it’s more
-and more curious to me about this hereditary notion. I’m thirty-five,
-and you’re only twenty-six. I remember well when your father began to
-drink especially. I was seventeen years old, and you were about eight.
-You see you were already born then, and so I can’t understand about the
-thirst being heredi——”
-
-“Damn it all!” Joe Perley shouted; and he struck the table with his
-fist. “I told you I don’t want to talk, didn’t I? Didn’t you hear me say
-I was _drinking_!”
-
-The amiable man across the table produced two cigars from his coat
-pocket. “We’ll change the subject,” he said. “Smoke, Joe?”
-
-“No, thank you.”
-
-“We’ll change the subject,” Lucius repeated. “I gather that this one is
-painful to you. You don’t mind my staying here if we talk about
-something else?”
-
-“No—not much.”
-
-“I mentioned that I asked Mary Ricketts to go with me to the band
-concert to-night, didn’t I?” Mr. Allen inquired, as he lit his cigar. “I
-was telling you about that, wasn’t I, Joe?”
-
-“You said something about it,” Mr. Perley replied with evident ennui.
-
-“You know, Joe,” said Lucius, his tone becoming confidential, “I walk
-past the old Ricketts property every afternoon on my way home. It’s
-quite considerable out of my way, but I always do. Fact is,” he chuckled
-ruefully, “I can’t help it.”
-
-“I suppose you want me to ask you why,” said his gloomy companion, with
-sincere indifference.
-
-“Yes, Joe, will you?”
-
-“All right. Why can’t you help it?”
-
-“Well, there’s something about that old place so kind of pleasant and
-healthy and reliable. This is a funny world: there’s a lot of things a
-fellow’s got to be afraid of in it, and the older he gets the more he
-sees to scare him. I think what I like best about that old Ricketts
-property is the kind of _safe_ look it has. It looks as if anybody that
-belonged in there was safe from ’most any kind of disaster—bankruptcy,
-lunacy, ‘social ambition,’ money ambition, evil thoughts, or turning
-into a darn fool of any kind. You don’t happen to walk by there much, do
-you, Joe?”
-
-“No, I don’t.”
-
-“Well, sir, you ought to!” said Lucius genially. “The orchard’s in
-bloom, and you ought to see it. The Ricketts orchard is the show of this
-county. The good old judge has surely looked after those old apple-trees
-of his; they’re every one just solid blossom. Yes, sir, every last one!
-Why, it made me feel like a dryad!”
-
-“Like a who?”
-
-“You mean that I’m thirty-five”—so Mr. Allen thought fit to interpret
-this question—“and that I’m getting a little fat, some baldish and a
-whole lot reddish. So I am; but I’ll tell you something, young Joseph:
-romance is a thing inside a person, just the same as your thirst. It
-doesn’t matter what his outside is like. My trousers always bag at the
-knees, even when they’re new, but my knees themselves are pure Grecian.
-It’s the skinny seamstress of forty that dreams the most of marquises in
-silver armour; and darky boys in school forget the lesson in reveries
-about themselves—they think of themselves on horseback as generals with
-white faces and straight blond hair. And everybody knows that the best
-poets are almost always outrageously ordinary to look at. This is
-springtime, Joseph; and the wren lays an egg no bigger than a fairy’s.
-The little birds——”
-
-“By George!” Mr. Perley exclaimed, in real astonishment. “See here!” he
-said. “Had you been drinking, yourself, before you came in? If not, it’s
-the first time I knew a person could get a talking jag on buttermilk.”
-
-“No,” said Lucius, correcting him. “It’s on apple-blossoms. She was
-sitting under ’em pretending to read a book, but I suppose she was
-thinking about you, Joe.”
-
-“Who was?”
-
-“Mary,” Mr. Allen replied quietly. “Mary Ricketts.”
-
-“You say she was thinking about _me_?”
-
-“Probably she was, Joe. She was sitting there, and the little birds——”
-
-“I know you’re a good lawyer,” Joe interrupted, shaking his head in
-gloomy wonder, “but everybody in town thinks you’re a nut, except when
-you’re on a law case, and I guess they’re about right. You certainly
-talk like one!”
-
-Mr. Allen nodded. “A reputation like that is mighty helpful sometimes.”
-
-“Well, if you like it you’re free to refer all inquirers to me,” said
-Joe heartily. “You’re trying to tell me Mary Ricketts was ‘thinking’
-about me, and I don’t suppose I’ve seen her as much as five times this
-year; and I haven’t known her—not to speak of—since we were children.
-I don’t suppose I’ve had twenty minutes’ talk with her, all told, since
-I got back from college. The only girl I ever see anything of at all is
-Molly Baker, and that’s only because she happens to live next door. I
-don’t see even Molly to speak to more than once or twice a month. I
-don’t have anything to do with _any_ of the girls. I keep _away_ from
-’em, because a man with the curse I’ve got hanging over me——”
-
-“Thought you didn’t want to talk about that, Joe.”
-
-“I don’t,” the young man said angrily. “But I want to know what you mean
-by this nonsense about Mary Ricketts and me.”
-
-“I don’t know if I ought to tell you—exactly.” Here Lucius frowned as
-with a pressure of conscience. “I’m not sure I ought to. Do you insist
-on it, Joe?”
-
-“Not if you’ve got to talk any more about ‘the little birds!’” Joe
-returned with sour promptness. “But if you can leave them out and talk
-in a regular way, I’d like to hear you.”
-
-“Have you ever noticed,” Mr. Allen began, “that Mary Ricketts is a
-beautiful girl?”
-
-“She’s not,” said Joe. “She’s not anything like ‘beautiful.’ Everybody
-in town knows and always has known that Mary Ricketts is an ordinarily
-good-looking girl. You can call her pretty if you want to stretch it a
-little, but that’s all.”
-
-“That all, you think?”
-
-“Certainly!”
-
-“You ought to see her in the orchard, Joe!”
-
-“Well, I’m not very likely to.”
-
-“Well, just why not, now?”
-
-“Well, why should I?”
-
-“You mean you’ve never given much thought to her?”
-
-“Certainly I haven’t,” said Joe. “Why should I?”
-
-“Isn’t it strange now!” Mr. Allen shook his head wistfully. “I mentioned
-that I asked her to go to the band concert with me, didn’t I, Joe?”
-
-“You did.”
-
-“And did I tell you that she refused?”
-
-“Lord, yes!”
-
-“Well, that was it,” said Mr. Allen gently. “She just said, ‘No!’ She
-didn’t say ‘No, thank you.’ No, sir, nothing like that; just plain ‘No!’
-‘Well,’ I thought to myself, ‘now why is that? Naturally, she’d _want_
-to go to the concert, wouldn’t she? Why, of course she would; it’s the
-first public event that’s happened since the lecture on “Liquid Air” at
-Masonic Hall, along back in February. Certainly she’d want to go. Well,
-then, what’s the matter? It must be simply she doesn’t want to go with
-_you_, Lucius Brutus Allen!’ That’s what I said to myself, Joe. ‘You’re
-practically a fat old man from _her_ point of view,’ I said to myself.
-‘She wants to go, but you aren’t the fellow she wants to go _with_.
-Well, who is it? Evidently,’ I reasoned, ‘evidently he hasn’t turned up,
-because she’s just the least bit snappish the way she tells me she isn’t
-pining for _my_ escort.’ Well, sir, I began to cast around in my mind to
-think who on earth it could be. ‘It isn’t Henry Wheen,’ I thought,
-‘because she discouraged Henry so hard, more than a year ago, that Henry
-went and married that waitress here at his father’s hotel. And it isn’t
-Bax Lewis,’ I thought, ‘because she showed Bax _he_ didn’t stand any
-chance from the first. And it isn’t Charlie McGregor or Cal Veedis,’ I
-thought, ‘because she just _wouldn’t_ have anything to do with either of
-them, though they both tried to make her till the judge pretty near had
-to tell ’em right out that they’d better stay away. Well, it isn’t Doc
-Willis, and it isn’t Carlos Bollingbroke Thompson, nor Whit Connor,’ I
-thought, ‘because they’re _old_ bachelors like me—and that just about
-finishes the list.’ Well, sir, there’s where I had to scratch my head.
-‘It must be somebody,’ I thought, ‘somebody that hasn’t been coming
-around the Ricketts property at all, so far, because she’s never gone
-any place she could help with those that _have_ been coming around
-there.’ Then I thought of you, Joe. ‘By George!’ I thought. ‘By George,
-it might be Joe Perley! He’s the only young man in town not married,
-engaged, or feeble-minded, that hasn’t ever showed any interest in Miss
-Mary. There’s no two ways about it: likely as not it’s liable to be Joe
-Perley!’”
-
-“I never heard anything crazier in my life!” Joe said. “I don’t suppose
-Mary Ricketts has given me two thoughts in the last five years.”
-
-Mr. Allen tilted back in his chair, his feet upon a rung of the table.
-He placed his cigar at the left extremity of his mouth, gazed at the
-ceiling, and waved his right hand in a take-it-or-leave-it gesture.
-
-“Well, _why_ would she?” Joe demanded. “There’s nothing about _me_
-that——”
-
-“No,” said his friend. “Nothing except she doesn’t know you very well.”
-
-At that Joe Perley laughed. “You are the funniest old Lucius!” he said.
-“Just because I’ve never been around there and the rest have, you say
-that proves——”
-
-Mr. Allen waved his hand again. “I only say there’s _somebody_ could get
-her to go to that concert with him. Absolutely! Why absolutely? It’s
-springtime; she’s twenty-three. Of course, if it _is_ you, she isn’t
-very liable to hear the music except along with her family—not when
-you’ve got such pressing engagements _here_, of course! I’m thinking of
-going up there again pretty soon myself, to see if maybe Judge and Mrs.
-Ricketts aren’t going to walk up-town for the concert, and maybe I can
-sort of push myself in among the family so that I can walk anyway in the
-same _group_ with Mary! It’s going to be moonlight, and as balmy as a
-night in a piece of poetry! By George! you can smell apple-blossoms from
-one end of the town to the other, Joe!”
-
-“How you hate talking!” Mr. Perley remarked discouragingly.
-
-“I hear the band is going to try ‘Schubert’s Serenade,’” Lucius
-continued. “The boys aren’t so bad as we make out, after all; the truth
-is, they play almighty well. I expect you’ll be able to hear some of it
-from in here, Joe; but take _me_ now—I want to be out in the moonlight
-in that apple-blossom smell when they play ‘Schubert’s Serenade!’ I want
-to be somewhere where I can see the moonshine shadow of Mary Ricketts’s
-hat fall across her cheek, so I can spend my time guessing whether she’s
-listening to the music with her eyes shut or open. It’s a pink-and-white
-hat, and she’s wearing a pink-and-white dress, too, to-day, Joe. She was
-sitting under those apple-blossoms, and the little bir——”
-
-Sudden, loud and strong expressions suffered him not to continue for
-several moments.
-
-“Certainly, Joe,” Mr. Allen then resumed. “I will not mention them
-again. I was only leading to the remark that nightingales serenading
-through the almond-groves of Sicily probably have nothing particular on
-our enterprising little city during a night in apple-blossom time. My
-great trouble, Joe, is never getting _used_ to its being springtime.
-Every year when it comes around again it hits me just the same
-way—maybe a little more so each year that I grow older. And this has
-been the first plumb genuine spring day we’ve had. At the present hour
-this first true blue spring day is hushing itself down into the first
-spring evening, and in a little while there’ll be another miracle: the
-first scented and silvered spring night. All over town the old folks are
-coming out from their suppers to sit on their front porches, and the
-children are beginning to play hi-spy in and out among the trees. Pretty
-soon they’ll all, old and young, be strolling up-town to hear the band
-play on the courthouse steps. I expect some of the young couples already
-_have_ started; they like to walk slowly and not say much, on the way to
-the spring concert, you know.”
-
-Mr. Allen drank another glass of buttermilk, smiled, then murmured with
-repletion and the pathos of a concluding bit of enthusiasm. “Oh, Lordy,
-Lordy!” he said, “What it is to be twenty or twenty-five in springtime!”
-
-“Not for me,” Mr. Perley rejoined, shaking his head.
-
-“No, I suppose not. It does seem pretty rough,” said Lucius,
-sympathetically, “to think of you sitting here in this reeky hole, when
-pretty nearly every other young fellow in town will be strolling through
-the apple-blossom smell in the moonlight with a girl on his arm, and the
-band playing, and all. Old soak Beeslum’ll probably be in here to join
-you after while, though; and four or five farm hands, and some of the
-regular Saturday-night town drunks, and maybe two or three Swedes. Oh, I
-expect you’ll have _company_ enough, Joe!”
-
-“I guess so. Anyhow, I haven’t much choice! This thing’s got me, and
-I’ve got to go through with it, Lucius.”
-
-“I see. Yes, sir, it’s too bad! Too bad!” And Lucius looked
-sympathetically down, then cheerfully up again, as the swinging-doors
-parted to admit the entrance of the returned bartender. “Hello, George!”
-
-“Back a’ready,” said George self-approvingly. “Ham, fried potatoes,
-coffee, and griddle-cakes, all tucked inside o’ me, too! Didn’t miss any
-customers, did I?”
-
-“No.”
-
-George came to the table. “Lemme look how many drinks you owe me fer
-sence I went out, Joe,” he said. “I had the place where she come to in
-the neck of the bottle marked with my thumb.” He lifted the bottle,
-regarded it thoughtfully at first, then with some surprise. He set it
-down upon the table without comment, began to whistle “Little Annie
-Rooney,” went behind the bar, doffed his hat, resumed his apron, and
-continued to whistle.
-
-Mr. Allen rose, dusting some crumbs of cracker from his attire. “I guess
-I must have won the buttermilk record, George,” he said, as he placed a
-silver dollar upon the bar. “If buttermilk were intoxicating there
-wouldn’t be a sober creature on the face of the earth. Trouble with your
-other stuff, George, it _tastes_ so rotten!”
-
-“I take buttermilk sometimes myself, Lu,” said George as he made change.
-“I guess there ain’t nobody seen me carryin’ much hard liquor sence my
-second child was born. That was the time they had to jug me, and—whoo,
-_gosh!_ you’d ought to seen what I went through when I got home that
-night! She’s little and she was sick-abed, too, but that didn’t git in
-_her_ way none! No, sir!”
-
-“Good night,” said Lucius cheerily. “I’m going to stroll along Pawpaw
-Street before the band starts. Moon’ll be ’way up in a little while now,
-and on such a night as this is going to be did Jessica, the Jew’s
-daughter—— _You_ know what I mean, George.”
-
-“Yep,” said George blankly. “I gotcha, Lu.”
-
-“I’m going,” said Lucius, “to go and push in with some folks to listen
-to the band with. Good night, Joe.”
-
-Joe Perley did not turn his head, but sat staring fixedly at the table,
-his attitude being much the same as that in which Lucius had discovered
-him.
-
-“Good night, Joe,” the departing gentleman paused to repeat.
-
-“What?”
-
-“Nothing,” said Lucius. “I only said ‘good night.’”
-
-“All right,” said Joe absently. “Good night.”
-
-Mr. Allen took a musical departure. “Oh, as I strolled out one summer
-evening,” he sang, “for to meet Miss Nellie Green, all the birds and the
-flow’rs was singing sweetly, wherev-urr they was to be seen!”
-
-Thus, singing heartily, he passed between the swinging-doors and out to
-the street. Here he continued his euphonic mood, but moderated his
-expression of it to an inconspicuous humming. Dusk had fallen, a dusk as
-scented and as alive with spring as he had claimed it would be; and a
-fair shaft of the rising moon already struck upon the white cupola of
-the courthouse.
-
- * * * * *
-
-. . . Mary Ricketts was leaning upon the front gate of the Ricketts
-place when he came there.
-
-“Good evening, Miss Mary,” he said. “Are the Judge and your mother at
-home?”
-
-“They’re right there on the front porch, Mr. Allen,” she said cordially.
-“Won’t you come in?”
-
-“In a minute,” he responded. “It does me good to hear you answer when I
-ask for your parents, Miss Mary.”
-
-“How is that?”
-
-“Why,” he said, “you always sound so friendly when I ask for _them_!”
-
-She laughed, and explained her laughter by saying, “It’s funny you don’t
-always ask for them!”
-
-“Just so,” he agreed. “I’ve been thinking about that. Are you all going
-up to the Square pretty soon, to hear the concert?”
-
-“Father and mother are, I think,” she said. “I’m not.”
-
-“Just ‘waiting at the gate’?”
-
-“Not _for_ any one!”
-
-Lucius took off his hat and fanned himself, a conciliatory gesture. “I
-tell you I feel mighty sorry for one young man in this town to-night,”
-he said.
-
-“Who’s that, Mr. Allen?”
-
-“Well——” he hesitated. “I don’t know if I ought to tell _you_ about
-it.”
-
-“Why not me?” she asked, not curiously.
-
-“Well—it’s that young Joe Perley.”
-
-Miss Ricketts was mildly amused; Lucius’s tone was serious, and if she
-had any interest whatever in Mr. Perley it was of a quality most casual
-and remote. “Why should you either tell me or not tell me anything about
-him?” she asked.
-
-“You know he’s such a good-looking young fellow,” said Lucius. “And he’s
-going to make a fine lawyer, too; I’ve had him with me in a couple of
-cases, and I’ve an idea he might have something like a real career,
-if——” He paused.
-
-“Yes?” she said idly. “If what? And why is it you feel so sorry for him,
-and why did you hesitate to tell _me_? What’s it all about, Mr. Allen?”
-
-“I suppose I’d better explain, now I’ve gone this far,” he said, a
-little embarrassed. “I was talking with Joe to-day, and—well, the fact
-is we got to talking about you.”
-
-“You did?” Her tone betokened an indifference unmistakably genuine.
-“Well?”
-
-Lucius laughed with increased embarrassment. “Well—the fact is we
-talked about you a long while.”
-
-“Indeed?” she said coldly, but there was a slight interest now
-perceptible under the coldness; for Miss Mary Ricketts was not unhuman.
-“Was there a verdict?”
-
-“It—it wasn’t so much what he said, exactly—no, not so much that,”
-Lucius circumlocuted. “It was more the—the length of time we were
-talking about you. That was the thing that struck _me_ about it, because
-I didn’t know—that is, I’d never heard—I——”
-
-“What _are_ you trying to say, Mr. Allen?”
-
-“Well, I mean,” said Lucius, “I mean I hadn’t known that he came around
-here at all.”
-
-“He doesn’t.”
-
-“That’s why I was so surprised.”
-
-“Surprised at what?” she said impatiently.
-
-“Why,” said Lucius, “surprised at the length of time that we were
-talking about you!”
-
-“What nonsense!” she cried. “_What_ nonsense! I don’t suppose he’s said
-two words to me or I to him in two years!”
-
-“Yes,” Lucius assented. “That’s what makes it all the more remarkable! I
-supposed the only girl he ever thought _anything_ about was Molly Baker,
-but he told me the only reason he ever goes there is just because she
-lives next door to him.”
-
-“Not very polite to Molly!” said Miss Ricketts, and she laughed with
-some indulgence for this ungallantry.
-
-“Still, Molly’s a determined girl,” Lucius suggested; “and she
-might——”
-
-“She might what?”
-
-“Nothing,” said Lucius. “I was only remembering I’d always heard she was
-such a—such a _grasping_ sort of girl.”
-
-“Had you?”
-
-“Yes, hadn’t you?”
-
-She was thoughtful for a moment. “Oh, I don’t know.”
-
-“So it seemed to me—well——” He laughed hesitatingly. “Well, it
-certainly was curious, the length of time we were talking about you
-to-day!” And he paused again as if awaiting her comment; but she offered
-none. “Well,” he said, finally, “I expect I better go join the old folks
-on the porch where I belong.”
-
-He was heartily received and made welcome in that sedate retreat, where,
-as he said, he belonged; but throughout the greetings and the subsequent
-conversation he kept a corner of his eye upon the dim white figure in
-the shadow of the maple trees down by the gate.
-
-Presently another figure, a dark one, graceful and young, came slowly
-along the sidewalk—slowly, and rather hesitatingly. This figure paused,
-took a few steps onward again; then definitely halted near the gate.
-
-“Who is that young man out there, talking to Mary?” asked Mary’s mother.
-“Can you make out, father?”
-
-“It’s that young Joe Perley.”
-
-“I’ve heard he drinks a good deal sometimes,” said Mrs. Ricketts
-thoughtfully. “His mother says he tries not to, but that it comes over
-him, and that he’s afraid he’ll turn out like his father.”
-
-Mr. Allen laughed cheerfully. “Anybody at Joe’s age can turn out any way
-he wants to,” he said. “Mrs. Perley needn’t worry about Joe any more. I
-just sat with him an hour down at the National House, and there was an
-open whisky bottle on the table before us, and he never once touched it
-all the time I was talking with him.”
-
-“Well, I’m glad of that,” said Mrs. Ricketts. “That ought to show he has
-plenty of will-power, anyhow.”
-
-“Plenty,” said Lucius.
-
-Then Mary’s young voice called from the spaces of night. “I’m going to
-walk up-town to the concert with Mr. Perley, mother. You’d better wear
-your shawl if _you_ come.”
-
-And there was the click of the gate as she passed out.
-
-“We might as well be going along then, I suppose,” said Mrs. Ricketts,
-rising. “You’ll come with us old folks, Lucius?”
-
- * * * * *
-
-As the three old folks sauntered along the moon-speckled sidewalk the
-two slim young figures in advance were faintly revealed to them,
-likewise sauntering. And Lucius was right: you could smell
-apple-blossoms from one end of the town to the other.
-
-“I hope our boys will win the band tournament at the county fair next
-summer,” said Mrs. Ricketts. “Don’t you think there’s a pretty good
-chance of it, Lucius?”
-
-For a moment he appeared not to have heard her, and she gently repeated
-her question:
-
-“Don’t you think there’s a pretty good chance of it?”
-
-“Yes, more than a chance,” he dreamily replied. “It only takes a hint in
-springtime. They’ll do practically anything you tell ’em to. It’s mostly
-the apple-blossoms and the little birds.”
-
-
-
-
- WILLAMILLA
-
-
-MASTER LAURENCE COY, aged nine, came down the shady sidewalk one summer
-afternoon, in a magnificence that escaped observation. To the careless
-eye he was only a little boy pretending to be a drummer; for although he
-had no drum and his clenched fingers held nothing, it was plain that he
-drummed. But to be merely a drummer was far below the scope of his
-intentions; he chose to employ his imagination on the grand scale, and
-to his own way of thinking, he was a full drum-corps, marching between
-lines of tumultuous spectators. And as he came gloriously down the
-shouting lane of citizenry he pranced now and then; whereupon, without
-interrupting his drumming, he said sharply: “Whoa there, Jenny! Git up
-there, Gray!” This drum-corps was mounted.
-
-He vocalized the bass drums and the snare drums in a staccato chant,
-using his deepest voice for the bass, and tones pitched higher, and in
-truth somewhat painfully nasal, for the snare; meanwhile he swung his
-right arm ponderously on the booms, then resumed the rapid employment of
-both imaginary sticks for the rattle of the tenor drums. Thus he
-projected and sketched, all at the same time, every detail of this great
-affair.
-
-“_Boom!_” he said. “_Boom! Boomety, boomety, boom!_” Then he added:
-
- “Boom! Boom!
- Boom bought a rat trap,
- Bigger than a bat trap,
- Bigger than a _cat_ trap!
- Boom! Boom!
- Boomety, boomety, boom!”
-
-So splendid was the effect upon himself of all this pomp and realism,
-that the sidewalk no longer contented him. Vociferating for the moment
-as a bugle, the drum-corps swung to the right and debouched to the
-middle of the street, where such a martial body was more in place, and
-thenceforth marched, resounding. “_Boom! Boom! Boomety, boomety, boom!_”
-There followed repetitions of the chant concerning the celebrated trap
-purchased by Mr. Boom.
-
-A little girl leaned upon a gate that gave admission to a pleasant yard,
-shaded by a vast old walnut tree, and from this point she watched the
-approach of the procession. She was a homely little girl, as people say;
-but a student of small affairs would have guessed that she had been
-neatly dressed earlier in the day; and even now it could be seen that
-the submergence of her right stocking into its own folds was not due to
-any lack of proper equipment, for equipment was visible. She stood
-behind the gate, eagerly looking forth, and by a coincidence not unusual
-in that neighbourhood, a beautiful little girl was at the gate of the
-next yard, some eighty or a hundred feet beyond; but this second little
-girl’s unspotted attire had suffered no disarrangements, and her face
-was clean; even her hands were miraculously clean.
-
-When the sonorous Laurence came nearer, the homely little girl almost
-disappeared behind her gate; her arms rested upon the top of it, and
-only her hair, forehead and eyes could be seen above her arms. The eyes,
-however, had become exceedingly sharp, and they shone with an elfin
-mirth that grew even brighter as the drum-corps drew closer.
-
-“_Boom!_” said Laurence. “_Boomety, boomety, boom!_” And again he gave
-an account of Mr. Boom’s purchase; but he condescended to offer no sign
-betokening a consciousness of the two spectators at their gates. He went
-by the first of these in high military order, executing a manœuvre as he
-went—again briefly becoming a trumpeter, swinging to the right, then to
-the left, and so forward once more, as he resumed the drums. “_Boom!
-Boom! Boomety, boomety, boom!_
-
- “Boom! Boom!
- Boom bought a rat trap,
- Bigger than a bat trap——”
-
-But here he was profoundly annoyed by the conduct of the homely little
-girl. She darted out of her gate, ran to the middle of the street and
-pranced behind him in outrageous mockery. In a thin and straining voice,
-altogether inappropriate for the representation of a drum-corps, she
-piped:
-
- “Boom bought a rat trap,
- Bigger than a bat trap,
- Bigger than a _cat_ trap!
- Boom!”
-
-Laurence turned upon her. “For heavenses’ sakes!” he said. “My
-good-_nuss_, Daisy Mears, haven’t you got _any_ sense? For heavenses’
-sakes, pull up your ole stockin’s!”
-
-“I won’t,” Miss Mears returned with instant resentment. “I guess you
-can’t order _me_ around, Mister Laurence Coy! I doe’ know who ever
-’pointed you to be _my_ boss! Besides, only one of ’em’s fell down.”
-
-“Well, pull _it_ up, then,” he said crossly. “Or else don’t come hangin’
-around me!”
-
-“Oh, you don’t say so!” she retorted. “Thank you ever so kinely an’
-p’litely for your complimunts just the same, but I pull up my stockin’s
-whenever _I_ want to, not when every person I happen to meet in the
-street goes an’ takes an’ tells me to!”
-
-“Well, you better!” said Laurence, at a venture, for he was not
-absolutely certain of her meaning. “Anyway, you needn’t hang around _me_
-unless——”
-
-He stopped, for Daisy Mears had begun, not to hang around him indeed,
-but to dance around him, and indecorously at that! She levelled her
-small, grimy right forefinger at him, appearing to whet it with her left
-forefinger, which was equally begrimed, and at the same time she
-capered, squealing triumphantly: “Ya-ay, Laurunce! Showin’ off! Showin’
-off ’cause Elsie Threamer’s lookin’ at you! Showin’ off for Elsie!
-Showin’ off for Elsie!”
-
-“I am not!” Laurence made loud denial, but he coloured and glanced
-wretchedly at the other little girl, who had remained at her own gate.
-Her lovely, shadowy eyes appeared to be unaware of the dispute in the
-street; and, crooning almost soundlessly to herself, she had that
-perfect detachment from environment and events so often observed in
-Beauties.
-
-“I am _not_!” Laurence repeated. “If I was goin’ to show off before
-anybody, I wouldn’t show off before Elsie!” And on the spur of the
-moment, to prove what he said, he made a startling misrepresentation of
-his sentiments. “I hate her!” he shouted.
-
-But his tormentress was accustomed to deal with wild allegations of this
-sort, and to discount them. “Ya-ay, Laur-runce!” she cried. “Showin’ off
-for Elsie! Yes, you were! Showin’ off for Elsie! Show-win’ off for
-Ell-_see_!” And circling round him in a witch dance, she repeated the
-taunt till it nauseated him, his denials became agonized and his
-assertions that he hated Elsie, uproarious. Thus within the space of
-five minutes a pompous drum-corps passed from a state of discipline to
-one of demoralization.
-
-“Children! Children!” a woman’s voice called from an open window. “Get
-out of the street, children. Look out for the automobiles!”
-
-Thereupon the witch dance stopped, and the taunting likewise; Daisy
-returned to the sidewalk with a thoughtful air; and Master Coy followed
-her, looking rather morbid, but saying nothing. They leaned against the
-hedge near where the indifferent and dreamy Elsie stood at her gate; and
-for some time none of the three spoke: they had one of those apparently
-inexplicable silences that come upon children. It was Laurence who broke
-it, with a muttering.
-
-“Anyways, I wasn’t,” he said, seemingly to himself.
-
-“You was, too,” Daisy said quietly.
-
-“Well, how you goin’ to prove it?” Laurence inquired, speaking louder.
-“If it’s so, then you got to prove it. You either got to prove it or
-else you got to take it back.”
-
-“I don’t either haf to!”
-
-“You do too haf to!”
-
-“All right, then,” said Daisy. “I’ll prove it by Elsie. He was, wasn’t
-he, Elsie?”
-
-“What?” Elsie inquired vaguely.
-
-“Wasn’t Laurence showin’ off out in the street? He _was_ showin’ off,
-wasn’t he?”
-
-“I was not!”
-
-“You was, too! Wasn’t he, Elsie?”
-
-“I doe’ know,” Elsie said, paying no attention to them; for she was
-observing a little group that had made its appearance at the next
-corner, a few moments earlier, and now came slowly along the sidewalk in
-the mottled shade of the maple trees. “Oh, look!” she cried. “Just look
-at that _darling_ little coloured baby!”
-
-Her companions turned to look where she pointed, and Daisy instantly
-became as ecstasized as Elsie. “Oh, _look_ at the precious, darling,
-little _thing_!” she shouted.
-
-As for Laurence, what he saw roused little enthusiasm within his bosom;
-on the contrary, he immediately felt a slight but distinct antipathy;
-and he wondered as, upon occasion he had wondered before, why in the
-world little girls of his own age, and even younger girls, as well as
-older girls and grown-up women, so often fell into a gesticular and
-vocal commotion at the sight of a baby. However, he took some interest
-in the dog accompanying this one.
-
-The baby sat in a small and rickety wooden wagon which appeared to be of
-home manufacture, since it was merely a brown box on small wheels or
-disks of solid wood. A long handle projected behind as a propelling
-device, but the course of the vehicle was continually a little devious,
-on account of a most visible eccentricity of the front wheels. The
-infant was comfortable among cushions, however, and over its head a
-little, ancient, fringed red parasol had been ingeniously erected,
-probably as much for style as for shade. Moreover, this note of fashion
-was again touched in the baby’s ribboned cap, and in the embroidered
-scarf that served as a coverlet, and, though plainly a relic, still
-exhibited a lively colour.
-
-An unevenly ponderous old coloured woman pushed the wagon; but her
-complexion was incomparably darker than the occupant’s, which was an
-extremely light tan, so that no one would have guessed them to be as
-nearly related as they really were. And although this deeply coloured
-woman’s weight was such a burden to her that she advanced at a slow,
-varying gait, more a sag-and-shuffle than a walk, she was of an
-exuberantly gracious aspect. In fact, her expression was so benevolent
-that it was more than striking; it was surprising. Her eyes, rolling and
-curiously streaked, were visibly moist with kindness; her mouth was
-murmurous in loving phrases addressed sometimes to life generally,
-sometimes to the baby, and sometimes to the dog accompanying the
-cortège.
-
-This dog was one of those dogs who feel themselves out of place in the
-street, and show that they do by the guardedness of their expressions.
-Their relief when they reach an alley is evident; then they relax at
-once; the look of strain vanishes from their eyes, and their nerves
-permit them once more to sit when they massage their ears. They seem
-intended to be white, but the intention appears to have become early
-enfeebled, leaving them the colour of a pale oyster;—and they do not
-wear collars, these dogs. A collar upon one of them would alter his
-status disturbingly, and he would understand that, and feel confused and
-troubled. In a word, even when these dogs are seen in an aristocratic
-environment, for some straying moment, they are dogs instantly
-recognizable as belonging to coloured persons.
-
-This one was valued highly by his owners; at least that was implied by
-what the benevolent old woman said to him as they moved slowly along the
-sidewalk toward the three children at Elsie Threamer’s gate.
-
-“Hossifer,” she said, addressing the dog, “Hossifer, I b’lieve my soul
-you the fines’ dog in a worl’! I feel the lovin’es’ to you I ever feel
-any dog. You wuff fo’, fi’ hunnud dolluhs, Hossifer. You wuff fousan’
-dolluhs; yes, you is! You a lovin’ dog, Hossifer!” Then she spoke to the
-baby, but affection and happiness almost overcame her coherence.
-“Dah-li-dah-li-dah-li-deedums!” she said. “Oh, but you the lovin’,
-lovin’, lovin’ baby, honey! You is my swee’, swee’, li’l dee-dee-do! Oh,
-oh, oh, bless Lawd, ain’ it a fine day! Fine day fer my honey lovin’
-baby! Fine day f’um lovin’ heaven! Oh, oh, oh, I’m a-happy! Swee’ lovin’
-livin’, lem me sing! _Oh_, lem me _sing_!”
-
-She sang, and so loudly that she astonished the children; whereupon,
-observing their open mouths and earnestly staring eyes, she halted near
-them and laughed.
-
-“Why all you look at me so funny?” she inquired hilariously. “Li’l whi’
-boy, what fer you open you’ mouf at me, honey?”
-
-“I didn’t,” Laurence said.
-
-“Yes’m, indeed you did, honey,” she gaily insisted. “You all free did.
-Open you’ moufs and look so funny at me—make me laugh an’ holler!” And
-with unconventional vivacity she whooped and cackled strangely.
-
-Finding her thus so vociferously amiable, Daisy felt encouraged to
-approach the wagon; and bending down over it, she poked the mulatto baby
-repeatedly in an affectionate manner. “Oh!” she exclaimed. “I do think
-this is the darlingest baby!”
-
-“Ain’ it!” the coloured woman cried. “Ain’ it! Yes’m, you say what’s
-_so_! Ain’ it!”
-
-“Does it belong to you?” Daisy inquired.
-
-“Yes’m, indeed do! I’m baby’ grammaw. Baby my li’l lovin’ gran’chile.”
-
-It was plain that all three children thought the statement remarkable;
-they repeatedly looked from the light tan grandchild to the dark brown
-grandmother and back again, while Daisy, in particular, had an air of
-doubt. “Are you _sure_?” she asked. “Are you _sure_ you’re its gran’ma?”
-
-“Yes’m indeed!”
-
-“Honest?”
-
-“Yes’m indeed!”
-
-“Well——” Daisy began, and was about to mention the grounds of her
-doubt; but tact prevailed with her, and she asked a question instead.
-
-“What’s its name?”
-
-“Name Willamilla.”
-
-“What?”
-
-“Name Willamilla.”
-
-“Willamilla?” said Daisy. “I never heard it before, but it’s a right
-pretty name.”
-
-“Yes’m indeed!” the coloured woman agreed enthusiastically. “Willamilla
-lovin’, happy, _gran’_ name!”
-
-“What’s the dog’s name?” Laurence asked.
-
-“Hossifer.”
-
-Laurence frowned importantly. “Is he full-blooded?” he inquired.
-
-“Is he who?”
-
-“I guess he isn’t very full-blooded,” Laurence said. “Will he bite?”
-
-“Hossifer?” she said. “Hossifer, he a mighty lovin’ dog! Bite? He ain’
-bite nobody. Hossifer, he a lovin’-hearted dog.”
-
-Elsie had come out of her gate, and she bent over the wagon with Daisy.
-“Oh, my!” she said wistfully. “I do wish we could have this baby to play
-with.”
-
-“Couldn’t we?” Daisy asked of the baby’s grandmother. “Would you be
-willing to sell it to us?”
-
-“No’m,” the coloured woman replied, though she manifested no surprise at
-the question. “No’m; my son-’law, he wouldn’ lem me sell no Willamilla.”
-
-“Well, would you give it to us, then?”
-
-“No’m. Can’ give Willamilla ’way.”
-
-“Oh, my!” Daisy exclaimed. “I do wish we could have this baby to play
-with awhile, anyway.”
-
-The woman appeared to consider this, and her processes of considering it
-interested the children. Her streaked eyes were unusually large and
-protuberant; she closed them, letting the cumbrous lids roll slowly down
-over them, and she swayed alarmingly as she did this, almost losing her
-balance, but she recovered herself, opened her eyes widely, and said:
-
-“How long you want play with Willamilla, honey?”
-
-“Oh!” Daisy cried. “Will you let us? Oh, all afternoon!”
-
-“Listen me,” said Willamilla’s grandmother. “I got errand I love to go
-on. Wagon push ri’ heavy, too. I leave Willamilla with you lovin’ li’l
-whi’ chillun, an’ come back free o’clock.”
-
-“Oh, lovely!” Daisy and Elsie both shouted.
-
-“Free o’clock,” said the coloured woman.
-
-“That’ll give us _lots_ o’ time,” said Elsie. “Maybe almost an hour!”
-
-The woman took a parcel from the wagon; it was wrapped in an old
-newspaper, and its shape was the shape of a bottle, though not that of
-an infant’s milk-bottle. Also, the cork was not quite secure, and the
-dampened paper about the neck of this bottle gave forth a faint odour of
-sweet spirits of niter mingled with the spicy fragrance of a decoction
-from juniper, but naturally neither the odour nor the shape of the
-parcel meant anything to the children. It meant a great, great deal to
-Willamilla’s grandma, however; and her lovingness visibly increased as
-she took the parcel in her arms.
-
-“I’m go’ take this nice loaf o’ bread to some po’ ole sick folks whut
-live up the alley ovuh yonnuh,” she said. “Hossifer he go’ stay with
-Willamilla an’ li’l wagon.” She moved away, but paused to speak to
-Hossifer, who followed her. “Hossifer, you the lovin’est dog in a wide
-worl’, but you go on back, honey!” She petted him, then waved him away.
-“Go on back, Hossifer!” And Hossifer returned to the wagon, while she
-crossed the street toward the mouth of an alley.
-
-The children stared after her, being even more interested just then in
-her peculiar progress than they were in their extraordinary new
-plaything. When the coloured woman reached a point about half way across
-the street, she found a difficulty in getting forward; her feet bore her
-slowly sidewise for some paces; she seemed to wander and waver; then,
-with an effort at concentration, she appeared to see a new path before
-her, followed it, and passed from sight down the alley.
-
-Behind her she left a strongly favourable impression. Never had Daisy
-and Elsie met an adult more sympathetic to their wishes or one more
-easily persuaded than this obliging woman, and they turned to the baby
-with a pleasure in which there was mingled a slight surprise. They began
-to shout endearing words at Willamilla immediately, however, and even
-Master Coy looked upon the infant with a somewhat friendly eye, for he
-was warmed toward it by a sense of temporary proprietorship, and also by
-a feeling of congeniality, due to a supposition of his in regard to
-Willamilla’s sex. But of course Laurence’s greater interest was in
-Hossifer, though the latter’s manner was not encouraging. Hossifer’s
-brow became furrowed with lines of suspicion; he withdrew to a distance
-of a dozen yards or so, and made a gesture indicating that he was about
-to sit down, but upon Laurence’s approaching him, he checked the
-impulse, and moved farther away, muttering internally.
-
-“Good doggie!” Laurence said. “_I_ won’t hurt you. Hyuh, Hossifer! Hyuh,
-Hossifer!”
-
-Hossifer’s mutterings became more audible, his brow more furrowed, and
-his eyes more undecided. Thus by every means he sought to make plain
-that he might adopt any course of action whatever, that he but awaited
-the decisive impulse, would act as it impelled, and declined
-responsibility for what he should happen to do on the spur of the
-moment. Laurence made a second effort to gain his confidence, but after
-failing conspicuously he thought best to return to Willamilla and the
-ladies.
-
-“My goodness!” he said. “What on earth you doin’ to that baby?”
-
-Chattering in the busiest and most important way, they had taken
-Willamilla from the wagon and had settled which one was to have the
-“first turn.” This fell to Daisy, and holding Willamilla in her arms
-rather laboriously—for Willamilla was fourteen months old and fat—she
-began to walk up and down, crooning something she no doubt believed to
-be a lullaby.
-
-“It’s my turn,” Elsie said. “I’ve counted a hunderd.”
-
-“No fair!” Daisy protested at once. “You counted too fast.” And she
-continued to pace the sidewalk with Willamilla while Elsie walked beside
-her, insisting upon a rightful claim.
-
-“Here!” Laurence said, coming up to them. “Listen! You’re holdin’ him
-all sprawled out and everything—you better put him back in the wagon. I
-bet if you hold him that way much longer you’ll spoil somep’m in him.”
-
-“_Him?_” Both of his fair friends shouted; and they stared at Laurence
-with widening eyes. “Well, I declare!” Elsie said pettishly. “Haven’t
-you even got sense enough to know it’s a girl, Laurence Coy?”
-
-“It is not!”
-
-“It is, too!” they both returned.
-
-“Listen here!” said Laurence. “Look at his name! I guess that settles
-it, don’t it?”
-
-“It settles it he’s a girl,” Daisy cried. “I bet you don’t even know
-what her name is.”
-
-“Oh, I don’t?”
-
-“Well, what is it, then?”
-
-“Willie Miller.”
-
-“What?”
-
-“Willie Miller!” Laurence said. “That’s what his own gran’mother said
-his name was. She said his name’s Willie Miller.”
-
-Upon this the others shouted in derision; and with the greatest
-vehemence they told him over and over that Willamilla’s name was
-Willamilla, that Willamilla was a girl’s name, that Willamilla was
-consequently a girl, that she was a girl anyhow, no matter what her name
-was, but that her name actually was Willamilla, as her own grandmother
-had informed them. Grandmothers, Daisy and Elsie explained pityingly,
-are supposed to know the names of their own grandchildren.
-
-Laurence resisted all this information as well as he was able, setting
-forth his own convictions in the matter, and continuing his argument
-while they continued theirs, but finally, in desperation, he proposed a
-compromise.
-
-“Go on an’ _call_ him Willamilla,” he said bitterly, “—if you got to!
-_I_ doe’ care if you haven’t got any more sense’n to call him Willamilla
-when his real name’s Willie Miller an’ his own gran’mother says so!
-_I_’m goin’ to call him Willie Miller till I die; only for heavenses’
-sake, hush up!”
-
-The ladies declined to do as he suggested; whereupon he withdrew from
-the dispute, and while they talked on, deriding as well as instructing
-him, he leaned upon the gate and looked gloomily at the ground. However,
-at intervals, he formed with his lips, though soundlessly, the stubborn
-words, “His name’s Willie Miller!”
-
-“Oh, I tell you what’d be lovely!” Daisy cried. “Maybe she knows how to
-_walk_! Let’s put her down and see—and if she doesn’t know how already,
-why, we can teach her!”
-
-Elsie gladly fell in with her friend’s idea, and together they
-endeavoured to place Willamilla upon her feet on the ground. In this
-they were confronted with insuperable difficulties: Willamilla proved
-unable to comprehend their intentions; and although Daisy knelt and
-repeatedly placed the small feet in position, the experiment was wholly
-unsuccessful. Nevertheless the experimenters, not at all discouraged,
-continued it with delight, for they _played_ that Willamilla was
-walking. They heaped praises upon her.
-
-“My darling baby!” Daisy cried. “Doesn’t she walk _beautiful_?”
-
-“The precious little love!” Elsie echoed. “She just walks _beautiful_!”
-
-At this the gloomy person in the background permitted himself to sneer.
-“That ain’t walkin’,” he said.
-
-“It is, too! You doe’ know what you’re talkin’ about!” the chorus of two
-retorted, not interrupting their procedure.
-
-“He ain’t walkin’,” Laurence maintained.
-
-“She is, too!” said Elsie.
-
-“She’s walkin’ now,” said Daisy. “She’s walkin’ all the time.”
-
-“No, he’s not,” Laurence said. “His feet are sort of curly, and they’re
-_’way_ too wide apart. I bet there’s somep’m the matter with him.”
-
-“There is not!” The two little girls looked round at him indignantly;
-for this unwarranted intimation of some structural imperfection roused
-them. “Shame on you!” Daisy said; and to Willamilla: “Show mamma how
-beautiful she walks.”
-
-“He can’t do it,” Laurence said obdurately. “I bet there _is_ somep’m
-the matter with him.”
-
-“There is _not_!”
-
-“Yes, sir,” said Laurence, and he added, with conviction: “His legs
-ain’t fixed on him right.”
-
-“Shame on you, Laurence Coy!”
-
-But Laurence persisted in his view.
-
-“Listen!” he said, arguing. “Look at _my_ legs. Look at anybody’s legs
-that can walk. Well, are they fixed on ’em the way _his_ are?”
-
-“Yes, they are!” Daisy returned sharply. “Only hers are fixed on better
-than yours!”
-
-“They ain’t,” said Laurence. “Mine are fixed on like other people’s, and
-his are—well, they’re terrable!”
-
-“Oh, isn’t he tiresome?” Elsie said pettishly. “Do be quiet about your
-ole legs!”
-
-“Yes, _do_!” said Daisy; and then she jumped up, a new idea lighting her
-eyes. “_I_ tell you what let’s do,” she cried. “Let’s put her back in
-the wagon, an’ play we’re takin’ a walk on Sunday with our baby an’ all
-the family.”
-
-“How’ll we play it?” Elsie asked.
-
-“Well, _I_’ll be the mamma and push the wagon,” Daisy said excitedly.
-“Elsie, you be some lady that’s visitin’ us, an’ sort of walk along with
-us, an’——”
-
-“No,” Elsie interrupted. “_I_ want to be the mamma and push the wagon,
-an’ _you_ be some lady that’s visitin’ _us_.”
-
-Daisy looked a little annoyed, but she compromised. “Well, we’ll go a
-long walk, and I’ll be the mamma the first block, an’ then the next
-block you can be the mamma, and I’ll be the lady that’s visitin’ us, an’
-then the next block it’ll be my turn again.”
-
-“All right,” said Elsie. “What’ll we have Laurence be?”
-
-“We’ll have him be the father.”
-
-Laurence frowned; the idea was rather distasteful to him, and for some
-reason a little embarrassing. “Listen!” he said. “What do I haf to do?”
-
-“Oh, just walk along and kind of talk an’ everything.”
-
-“Well——” he said uncertainly; then he brightened a little. “I’ll be
-smokin’ cigars,” he said.
-
-“All right, you can.” And having placed Willamilla in the wagon, Daisy
-grasped the handle, pushing the vehicle before her. Laurence put a twig
-in his mouth, puffing elaborately; Elsie walked beside Willamilla; and
-so the procession moved—Hossifer, still in a mood of indecision,
-following at a varying distance. And Daisy sang her lullaby as they
-went.
-
-This singing of hers had an unfavourable effect upon Laurence. For a few
-minutes after they started he smoked his twig with a little satisfaction
-and had a slight enjoyment in the thought that he was the head of a
-family—but something within him kept objecting to the game; he found
-that really he did not like it. He bore it better on the second and
-fourth blocks, for Elsie was the mother then, but he felt a strong
-repulsion when Daisy assumed that relation. He intensely disliked being
-the father when she was the mother, and he was reluctant to have anybody
-see him serving in that capacity. Daisy’s motherhood was aggressive; she
-sang louder and louder, and even without the singing the procession
-attracted a great deal of attention from pedestrians. Laurence felt that
-Daisy’s music was in bad taste, especially as she had not yet pulled up
-her stocking.
-
-She made up the tune, as well as the words, of her lullaby; the tune
-held beauty for no known ears except her own and these were the words:
-
- “Oh, my da-ar-luh-un baby,
- My-y lit-tull baby!
- Go to sleep! Go to _slee_-heep!
- Oh, my dear lit-_tull_ baby!
- My baby, my dar-luh-un bay-bee,
- My bay-bee, my bay-_hay_-bee!”
-
-As she thus soothed the infant, who naturally slumbered not, with
-Daisy’s shrill voice so near, some people on the opposite side of the
-street looked across and laughed; and this caused a blush of
-mortification to spread over the face of the father.
-
-“Listen!” he remonstrated. “You don’t haf to make all that noise.”
-
-She paid no attention but went on singing.
-
-“Listen!” said Laurence nervously. “Anyways, you don’t haf to open your
-mouth so wide when you sing, do you? It looks terrable!”
-
-She opened it even wider and sang still louder:
-
- “My lit-tull baby, my da-ar-_luh_-un _bay_-bee!
- My _bay_-bee! My bay-_hay_-bee!”
-
-“Oh, my!” Laurence said, and he retired to the rear; whereupon Hossifer
-gave him a look and fell back a little farther. “Listen!” Laurence
-called to Daisy. “You scared the dog!”
-
-Daisy stopped singing and glanced back over her shoulder. “I did not!”
-she said. “You scared her yourself.”
-
-“_Who?_” Laurence advanced to the side of the wagon, staring
-incredulously. “Who you talkin’ about?”
-
-“She was walkin’ along nice only a little way behind us,” Daisy said,
-“until you went near her.”
-
-“I went near _who_?” Laurence asked, looking very much disturbed. “_Who_
-was walkin’ along nice?”
-
-“Hossifer was. You said _I_ scared her, and all the time she——”
-
-“Listen!” said Laurence, breathing rapidly. “I won’t stand it. This dog
-isn’t a girl!”
-
-“Hossifer’s a girl’s name,” said Daisy placidly. “I bet you never heard
-of a boy by that name in your life!”
-
-“Well, what if I never?”
-
-“Well,” said Daisy authoritatively, “that proves it. Hossifer’s a girl’s
-name and you just the same as said so yourself. Elsie, didn’t he say
-Hossifer isn’t a boy’s name, an’ doesn’t that prove Hossifer’s a girl?”
-
-“Yes, it does,” Elsie returned with decision.
-
-Laurence looked at them; then he shook his head. “Oh, _my_!” he said
-morosely, for these two appeared set upon allowing him no colleagues or
-associates whatever, and he felt himself at the end of his resources.
-
-Daisy began to sing again at once.
-
-“Oh, my dar-lun lit-_tull_ bay-hay-_bee_-hee!” she sang; and she may
-have been too vehement for Willamilla, who had thus far remained
-remarkably placid under her new circumstances; Willamilla began to cry.
-
-She began in a mild way, with a whimper, inaudible on account of the
-lullaby; then she slightly increased her protest, making use of a voice
-like the tinnier tones of a light saxophone; and having employed this
-mild mechanism for some time, without securing any relief from the
-shrillness that bothered her, she came to the conclusion that she was
-miserable. Now, she was of this disposition: once she arrived at such a
-conclusion, she remained at it, and nothing could convey to her mind
-that altered conditions had removed what annoyed her, until she became
-so exhausted by the protraction of her own protests that she slept,
-forgot and woke to a new life.
-
-She marked the moment of her decision, this afternoon, by the utterance
-of a wail that rose high over the singing; she lifted up her voice and
-used the full power of lungs and throat to produce such a sound that
-even the heart of the father was disquieted, while the mamma and the
-visiting lady at once flung themselves on their knees beside the wagon.
-
-“Whassa _matta_? Whassa _matta_?” Daisy and Elsie inquired some dozens
-of times, and they called Willamilla a “peshus baby” even oftener, but
-were unable to quiet her. Indeed, as they shouted their soothing
-endearments, her tears reached a point almost torrential, and she beat
-the coverlet with her small fat hands.
-
-“He’s mad about somep’m, I guess,” the father observed, looking down
-upon her. “Or else he’s got a spasm, maybe.”
-
-“She hasn’t either,” Daisy said. “She’ll stop in a minute.”
-
-“Well, it might not be spasms,” Laurence said. “But I bet whatever it
-is, it happened from all that singin’.”
-
-Daisy was not pleased with his remark. “I’ll thank you not to be so
-kinely complimentary, Mister Laurence Coy!” she said, and she took up
-Willamilla in her arms, and rather staggeringly began to walk to and fro
-with her, singing:
-
- “Oh, my peshus litt-_tull_ bay-_hay_-bee-hee!”
-
-Elsie walked beside her, singing too, while Willamilla beat upon the air
-with desperate hands and feet, closed her effervescent eyes as tightly
-as she could, opened her mouth till the orifice appeared as the most
-part of her visage, and allowed the long-sustained and far-reaching
-ululations therefrom to issue. Laurence began to find his position
-intolerable.
-
-“For heavenses’ sakes!” he said. “If this keeps up much longer, _I_’m
-goin’ _home_. Everybody’s a-lookin’ at us all up an’ down the street!
-Whyn’t you quit singin’ an’ give him a chance to get over whatever’s the
-matter with him?”
-
-“Well, why don’t you do somep’m to help stop her from cryin’, yourself?”
-Elsie asked crossly.
-
-“Well, I will,” he promised, much too rashly. “I’d stop him in a minute
-if I had my way.”
-
-“All right,” Daisy said unexpectedly, halting with Willamilla just in
-front of him. “Go on an’ stop her, you know so much!”
-
-“He’ll stop when _I_ tell him to,” Laurence said, in the grim tone his
-father sometimes used, and with an air of power and determination, he
-rolled up the right sleeve of his shirtwaist, exposing the slender arm
-as far as the elbow. Then he shook his small fist in Willamilla’s face.
-
-“You quit your noise!” he said sternly. “You hush up! Hush up this
-minute! Hush _opp_!”
-
-Willamilla abated nothing.
-
-“Didn’t you hear me tell you to hush up?” Laurence asked her fiercely.
-“You goin’ to _do_ it?” And he shook his fist at her again.
-
-Upon this, Willamilla seemed vaguely to perceive something personal to
-herself in his gesture, and to direct her own flagellating arms as if to
-beat at his approaching fist.
-
-“Look out!” Laurence said threateningly. “Don’t you try any o’ that with
-_me_, Mister!”
-
-But the mulatto baby’s squirmings were now too much for Daisy; she
-staggered, and in fear of dropping the lively burden, suddenly thrust it
-into Laurence’s arms.
-
-“Here!” she gasped. “I’m ’most worn out! Take her!”
-
-“Oh, golly!” Laurence said.
-
-“Don’t _drop_ her!” both ladies screamed. “Put her back in the wagon.”
-
-Obeying them willingly for once, he turned to the wagon to replace
-Willamilla therein; but as he stooped, he was forced to pause and stoop
-no farther. Hossifer had stationed himself beside the wagon and made it
-clear that he would not allow Willamilla to be replaced. He growled; his
-upper lip quivered in a way that exhibited almost his whole set of teeth
-as Laurence stooped, and when Laurence went round to the other side of
-the wagon, and bent over it with his squirming and noisy bundle,
-Hossifer followed, and repeated the demonstration. He heightened its
-eloquence, in fact, making feints and little jumps, and increasing the
-visibility of his teeth, as well as the poignancy of his growling. Thus
-menaced, Laurence straightened up and moved backward a few steps, while
-his two friends, some distance away, kept telling him, with unreasonable
-insistence, to do as they had instructed him.
-
-“Put her in the wagon, and come _on_!” they called. “We got to go
-_back_! It’s after three _o’clock_! Come _on_!”
-
-Laurence explained the difficulty in which he found himself. “He won’t
-let me,” he said.
-
-“Who won’t?” Daisy asked, coming nearer.
-
-“This dog. He won’t let me put him back in the wagon; he almost bit me
-when I tried it. Here!” And he tried to restore Willamilla to Daisy.
-“You take her an’ put her in.”
-
-But Daisy, retreating, emphatically declined—which was likewise the
-course adopted by Elsie when Laurence approached her. Both said that
-Hossifer “must _want_” Laurence to keep Willamilla, for thus they
-interpreted Hossifer’s conduct.
-
-“Well, I _won’t_ keep her,” Laurence said hotly. “I don’t expect to go
-deaf just because some old dog don’t want her in the wagon! I’m goin’ to
-slam her down on the sidewalk and let her lay there! I’m gettin’ mighty
-tired of all this.”
-
-But when he moved to do as he threatened, and would have set Willamilla
-upon the pavement, the unreasonable Hossifer again refused permission.
-He placed himself close to Laurence, growling loudly, displaying his
-teeth, bristling, poising dangerously, and Laurence was forced to
-straighten himself once more without having deposited the infant, whom
-he now hated poisonously.
-
-“My _good_nuss!” he said desperately.
-
-“Don’t you see?” Daisy cried, and her tone was less sympathetic than
-triumphant. “It’s just the way we said; Hossifer _wants_ you to keep
-her!”
-
-Elsie agreed with her, and both seemed pleased with themselves for
-having divined Hossifer’s intentions so readily, though as a matter of
-fact they were entirely mistaken in this intuitional analysis. Hossifer
-cared nothing at all about Laurence’s retaining Willamilla; neither was
-the oyster-coloured dog’s conduct so irrational as the cowed and
-wretched Laurence thought it. In the first place, Hossifer was never
-quite himself away from an alley; he had been upon a strain all that
-afternoon. Then, when the elderly coloured woman had forbidden him to
-accompany her, and he found himself with strangers, including a white
-boy, and away from everything familiar, except Willamilla, in whom he
-had never taken any personal interest, he became uneasy and fell into a
-querulous mood. His uneasiness naturally concerned itself with the boy,
-and was deepened by two definite attempts of this boy to approach him.
-
-When the family Sunday walk was undertaken, Hossifer followed Willamilla
-and the wagon; for of course he realized that this was one of those
-things about which there can be no question: one does them, and that’s
-all. But his thoughts were constantly upon the boy, and he resolved to
-be the first to act if the boy made the slightest hostile gesture.
-Meanwhile, his nerves were unfavourably affected by the strange singing,
-and they were presently more upset by the blatancies of Willamilla. Her
-wailing acted unpleasantly upon the sensitive apparatus of his ear—the
-very thing that made him so strongly dislike tinny musical instruments
-and brass bands. And then, just as he was feeling most disorganized, he
-saw the boy stoop. Hossifer did not realize that Laurence stooped
-because he desired to put Willamilla into the wagon; Hossifer did not
-connect Willamilla with the action at all. He saw only that the boy
-stooped. Now, why does a boy stoop? He stoops to pick up something to
-throw at a dog. Hossifer made up his mind not to let Laurence stoop.
-
-That was all; he was perfectly willing for Willamilla to be put back in
-the wagon, and the father, the mother and the visiting lady were alike
-mistaken—especially the father, whose best judgment was simply that
-Hossifer was of a disordered mind and had developed a monomania for a
-very special persecution. Hossifer was sane, and his motives were
-rational. Dogs who are over two years of age never do anything without a
-motive; Hossifer was nearing seven.
-
-Daisy and Elsie, mistaken though they were, insisted strongly upon their
-own point-of-view in regard to him. “She _wants_ you to keep her! She
-_wants_ you to keep her!” they cried, and they chanted it as a sort of
-refrain; they clapped their hands and capered, adding their noise to
-Willamilla’s, and showing little appreciation of the desperate state of
-mind into which events had plunged their old friend Laurence.
-
-“She _wants_ you to keep her!” they chanted. “She _wants_ you to keep
-her. She _wants_ you to keep her, Laurence!”
-
-Laurence piteously entreated them to call Hossifer away; but the latter
-was cold to their rather sketchy attempts to gain his attention.
-However, they succeeded in making him more excited, and he began to bark
-furiously, in a bass voice. Having begun, he barked without
-intermission, so that with Hossifer’s barking, Willamilla’s relentless
-wailing, and the joyous shouting of Daisy and Elsie, Laurence might well
-despair of making himself heard. He seemed to rave in a pantomime of
-oral gestures, his arms and hands being occupied.
-
-A man wearing soiled overalls, with a trowel in his hand, came from
-behind a house near by and walking crossly over the lawn, arrived at the
-picket fence beside which stood the abandoned wagon.
-
-“Gosh, I never _did_!” he said, bellowing to be audible. “Git away from
-here! Don’t you s’pose nobody’s got no _ears_? There’s a sick lady in
-this house right here, and she don’t propose to have you kill her! Go on
-git away from here now! Go on! I never _did_!”
-
-Annoyed by this labourer’s coarseness, Elsie and Daisy paused to stare
-at him in as aristocratic a manner as they could, but he was little
-impressed.
-
-“_Gosh_, I never did!” he repeated. “Git on out the neighbourhood and go
-where you b’long; you don’t b’long around here!”
-
-“I should think _not_,” Daisy agreed crushingly. “Where _we_ live, if
-there’s any sick ladies, they take ’em out an’ bury ’em!” Just what she
-meant by this, if indeed she meant anything, it is difficult to imagine,
-but she felt no doubt that she had put the man in his ignoble and proper
-place. Tossing her head, she picked up the handle of the wagon and moved
-haughtily away, her remarkably small nose in the air. Elsie went with
-her in a similar attitude.
-
-“Go on! You hear me?” The man motioned fiercely with his trowel at
-Laurence. “Did you hear me tell you to take that noise away from here?
-How many more times I got to——”
-
-“My gracious!” Laurence interrupted thickly. “_I_ doe’ want to stay
-here!”
-
-He feared to move; he was apprehensive that Hossifer might not like it,
-but upon the man’s threatening to vault over the fence and hurry him
-with the trowel, he ventured some steps; whereupon Hossifer stopped
-barking and followed closely, but did nothing worse. Laurence therefore
-went on, and presently made another attempt to place Willamilla upon the
-pavement—and again Hossifer supported the ladies’ theory that he wanted
-Laurence to keep Willamilla.
-
-“_Listen!_” Laurence said passionately to Hossifer. “_I_ never did
-anything to you! What’s got the matter of you, anyway? How long I got to
-keep all this _up_?”
-
-Then he called to Elsie and Daisy, who were hurrying ahead and
-increasing the distance between him and them, for Willamilla’s weight
-made his progress slow and sometimes uncertain. “Wait!” he called. “Can’
-chu _wait_? What’s the _matter_ of you? Can’ chu even _wait_ for me?”
-
-But they hurried on, chattering busily together, and his troubles were
-deepened by his isolation with the uproarious Willamilla and Hossifer.
-Passers-by observed him with hearty amusement; and several boys, total
-strangers to him, gave up a game of marbles and accompanied him for a
-hundred yards or so, speculating loudly upon his relationship to
-Willamilla, but finally deciding that Laurence was in love with her and
-carrying her off to a minister’s to marry her.
-
-He felt that his detachment from the rest of his party was largely
-responsible for exposing him to these insults, and when he had shaken
-off the marble-players, whose remarks filled him with horror, he made a
-great effort to overtake the two irresponsible little girls.
-
-“_Hay!_ Can’ chu _wait_?” he bawled. “Oh, my good-_nuss_! For heavenses’
-sakes! Dog-_gone_ it. Can’ chu _wait_! _I_ can’t carry this baby _all_
-the way!”
-
-But he did. Panting, staggering, perspiring, with Willamilla never
-abating her complaint for an instant, and Hossifer warning him fiercely
-at every one of his many attempts to set her down, Laurence struggled
-on, far behind the cheery vanguard. Five blocks of anguish he covered
-before he finally arrived at Elsie Threamer’s gate, whence this
-unfortunate expedition had set out.
-
-Elsie and Daisy were standing near the gate, looking thoughtfully at
-Willamilla’s grandmother, who was seated informally on the curbstone,
-and whistling to herself.
-
-Laurence staggered to her. “_Oh_, my! Oh, _my_!” he quavered, and would
-have placed Willamilla in her grandmother’s arms, but once more Hossifer
-interfered—for his was a mind bent solely upon one idea at a time—and
-Laurence had to straighten himself quickly.
-
-“Make him _quit_ that!” he remonstrated. “He’s done it to me more than
-five hunderd times, an’ I’m mighty tired of all this around here!”
-
-But the coloured woman seemed to have no idea that he was saying
-anything important, or even that he was addressing himself to her. She
-rolled her eyes, indeed, but not in his direction, and continued her
-whistling.
-
-“Listen! _Look!_” Laurence urged her. “It’s Willie Miller! I wish he was
-dead; _then_ I wouldn’t hold him any longer, I bet you! I’d just throw
-him away like I ought to!” And as she went on whistling, not even
-looking at him, he inquired despairingly: “My goodness, what’s the
-_matter_ around here, anyways?”
-
-“_Elsie!_” a voice called from a window of the house.
-
-“Yes, mamma.”
-
-“Come in, dear. Come in quickly.”
-
-“Yes’m.”
-
-She had no more than departed when another voice called from a window of
-the house next door, “Daisy! Come in right away! Do you hear, Daisy?”
-
-“Yes, mamma.” And Daisy went hurriedly upon the summons.
-
-Laurence was left alone in a world of nightmare. The hated Willamilla
-howled within his ear and weighed upon him like a house; his arms ached,
-his head rang; his heart was shaken with the fear of Hossifer; and
-Willamilla’s grandmother sat upon the curbstone, whistling musically,
-with no apparent consciousness that there was a busy world about her, or
-that she had ever a grandchild or a dog. His terrible and mystifying
-condition began to appear to Laurence as permanent, and the accursed
-Willamilla an Old-Man-of-the-Sea to be his burden forever. A weariness
-of life—a sense of the futility of it all—came upon him, and yet he
-could not even sink down under it.
-
-Then, when there was no hope beneath the sky, out of the alley across
-the street came a delivering angel—a middle-aged, hilarious coloured
-man seated in an enfeebled open wagon, and driving a thin gray antique
-shaped like a horse. Upon the side of the wagon was painted, “P. SkoNe
-MoVeiNG & DeLiVRys,” and the cheerful driver was probably P. Skone
-himself.
-
-He brought his wagon to the curb, descended giggling to Willamilla’s
-grandmother, and by the exertion of a muscular power beyond his
-appearance, got her upon her feet. She became conscious of his presence,
-called him her lovin’ Peter, blessed and embraced him, and then,
-consenting to test the tensile strength of the wagon, reclined upon him
-while he assisted her into it. After performing this feat, he extended
-his arms for Willamilla.
-
-“He won’t let me,” Laurence said, swallowing piteously. “He wants me to
-keep him, an’ he’ll bite me if I——”
-
-“Who go’ bite you, white boy?” the cheerful coloured man inquired.
-“Hossifer?” Laughing, he turned to the faithful animal, and swept the
-horizon with a gesture. “Hossifer, you git in nat wagon!”
-
-With the manner of a hunted fugitive, Hossifer instantly obeyed; the man
-lifted Willamilla’s little vehicle into the wagon, took Willamilla in
-his arms, and climbed chuckling to the driver’s seat. “Percy,” he said
-to the antique, “you git up!”
-
-Then this heavenly coloured man drove slowly off with Willamilla, her
-grandmother, Hossifer and the baby-wagon, while Laurence sank down upon
-the curbstone, wiped his face upon his polka-dotted sleeve and watched
-them disappear into the dusty alley. Willamilla was still crying; and to
-one listener it seemed that she had been crying throughout long,
-indefinite seasons, and would probably continue to cry forever, or at
-least until a calamity should arrive to her, in regard to the nature of
-which he had a certain hope.
-
-He sat, his breast a vacancy where lately so much emotion had been, and
-presently two gay little voices chirped in the yard behind him. They
-called his name; and he turned to behold his fair friends. They were
-looking brightly at him over the hedge.
-
-“Mamma called me to come in,” Daisy said.
-
-“So’d mine,” said Elsie.
-
-“Mamma told me I better stay in the house while that ole coloured woman
-was out here,” Daisy continued. “Mamma said she wasn’t very nice.”
-
-“So’d mine,” Elsie added.
-
-“What did you do, Laurence?” Daisy asked.
-
-“Well——” said Laurence. “They’re gone down that alley.”
-
-“Come on in,” Daisy said eagerly. “We’re goin’ to play I-Spy. It’s lots
-more fun with three. Come on!”
-
-“Come on!” Elsie echoed. “Hurry, Laurence.”
-
-He went in, and a moment later, unconcernedly and without a care in the
-world, or the recollection of any, began to play I-Spy with the lady of
-his heart and her next neighbour.
-
-
-
-
- THE ONLY CHILD
-
-
-THE little boy was afraid to go into the dark room on the other side of
-the hall, and the little boy’s father was disgusted with him. “Aren’t
-you ashamed of yourself, Ludlum Thomas?” the father called from his seat
-by the library lamp. “Eight years old and scared! Scared to step into a
-room and turn the light on! Why, when I was your age I used to go out to
-the barn after dark in the winter-time, and up into the loft, all by
-myself, and pitch hay down to the horse through the chute. You walk
-straight into that dining-room, turn on the light, and get what you
-want; and don’t let’s have any more fuss about it. You hear me?”
-
-Ludlum disregarded this speech. “Mamma,” he called, plaintively, “I want
-you to come and turn the light on for me. _Please_, mamma!”
-
-Mrs. Thomas, across the library table from her husband, looked troubled,
-and would have replied, but the head of the house checked her.
-
-“Now let me,” he said. Then he called again: “You going in there and do
-what I say, or not?”
-
-“Please come on, mamma,” Ludlum begged. “Mamma, I lef’ my bow-an’-arry
-in the dining-room, an’ I want to get it out o’ there so’s I can take it
-up to bed with me. Mamma, won’t you please come turn the light on for
-me?”
-
-“No, she will not!” Mr. Thomas shouted. “What on earth are you afraid
-of?”
-
-“Mamma——”
-
-“Stop calling your mother! She’s not coming. You were sitting in the
-dining-room yourself, not more than an hour ago, at dinner, and you
-weren’t afraid then, were you?”
-
-Ludlum appeared between the brown curtains of the library doorway—the
-sketch of a rather pale child-prince in black velvet. “No, but——” he
-said.
-
-“But what?”
-
-“It was all light in there then. Mamma an’ you were in there, too.”
-
-“Now look here!” Mr. Thomas paused, rested his book upon his knee, and
-spoke slowly. “You know there’s nothing in that dining-room except the
-table and the chairs and the sideboard, don’t you?”
-
-Ludlum’s eyes were not upon his father but upon the graceful figure at
-the other side of the table. “Mamma,” he said, “won’t you _please_ come
-get my bow-an’-arry for me?”
-
-“Did you hear what I said?”
-
-“Yes, sir,” the boy replied, with eyes still pleadingly upon his mother.
-
-“Well, then, what is there to be afraid of?”
-
-“I’m not afraid,” said Ludlum. “It’s dark in there.”
-
-“It won’t be dark if you turn on the light, will it?”
-
-“Mamma——”
-
-“Now, that’s enough!” the father interrupted testily. “It’s after eight.
-You go on up to bed.”
-
-Ludlum’s tone began to indicate a mental strain. “I don’t _want_ to go
-to bed without my bow-an’-arry!”
-
-“What do you want your bow and arrow when you’re in bed for?”
-
-“I got to have it!”
-
-“See here!” said Mr. Thomas. “You march up to bed and quit talking about
-your bow and arrow. You can take them with you if you go in there right
-quick and get them; but whether you do that or not you’ll march to bed
-inside of one minute from now!”
-
-“I _got_ to have my bow-an’-arry. I got to, to go upstairs _with_.”
-
-“You don’t want your bow and arrow in bed with you, do you?”
-
-“Mamma!” Thus Ludlum persisted in his urgent appeal to that court in
-whose clemency he trusted. “Mamma, will you _please_ come get my
-bow-an’——”
-
-“No, she won’t.”
-
-“Then will you come upstairs with me, mamma?”
-
-“No, she won’t! You’ll go by yourself, like a man.”
-
-“Mamma——”
-
-Mrs. Thomas intervened cheerily. “Don’t be afraid, dearie,” she said.
-“Your papa thinks you ought to begin to learn how to be manly; but the
-lights are lit all the way, and I told Annie to turn on the one in your
-room. You just go ahead like a good boy, and when you’re all undressed
-and ready to jump in bed, then you just whistle for me——”
-
-“I don’t want to whistle,” said Ludlum irritably. “I want my
-bow-an’-arry!”
-
-“Look here!” cried his father. “You start for——”
-
-“I got to have my bow-an’——”
-
-“You mean to disobey me?”
-
-“I _got_ to have my——”
-
-Mr. Thomas rose; his look became ominous. “We’ll see about that!” he
-said; and he approached his son, whose apprehensions were expressed in a
-loud cry.
-
-“_Mamma!_”
-
-“Don’t hurt his feel——” Mrs. Thomas began.
-
-“Something’s got to be done,” her husband said grimly, and his hand fell
-upon Ludlum’s shoulder. “You march!”
-
-Ludlum muttered vaguely.
-
-“You march!”
-
-“I got to have my bow-an’-arry! I _can’t_ go to bed ’less mamma comes
-with me! She’s _got_ to come with me!”
-
-Suddenly he made a scene. Having started it, he went in for all he was
-worth and made it a big one. He shrieked, writhed away from his father’s
-hand, darted to his mother, and clung to her with spasmodic violence
-throughout the protracted efforts of the sterner parent to detach him.
-
-When these efforts were finally successful, Ludlum plunged upon the
-floor, and fastened himself to the leg of a heavy table. Here, for a
-considerable time, he proved the superiority of an earnest boy’s wind
-and agility over those of a man: as soon as one part of him was
-separated from the leg of the table another part of him became attached
-to it; and all the while he was vehemently eloquent, though
-unrhetorical.
-
-The pain he thus so powerfully expressed was undeniable; and nowadays
-few adults are capable of resisting such determined agony. The end of it
-was, that when Ludlum retired he was accompanied by both parents, his
-father carrying him, and Mrs. Thomas following close behind with the
-bow-an’-arry.
-
-They were thoughtful when they returned to the library.
-
-“I _would_ like to know what got him into such a state,” said the
-father, groaning, as he picked up his book from the floor. “He used to
-march upstairs like a little man, and he wasn’t afraid of the dark, or
-of anything else; but he’s beginning to be afraid of his own shadow.
-What’s the matter with him?”
-
-Mrs. Thomas shook her head. “I think it’s his constitution,” she said.
-“I don’t believe he’s as strong as we thought he was.”
-
-“‘Strong!’” her husband repeated incredulously. “Have I been dreaming,
-or _were_ you looking on when I was trying to pry him loose from that
-table-leg?”
-
-“I mean nervously,” she said. “I don’t think his nerves are what they
-ought to be at all.”
-
-“His nerve isn’t!” he returned. “That’s what I’m talking about! Why was
-he afraid to step into our dining-room—not thirty feet from where we
-were sitting?”
-
-“Because it was dark in there. Poor child, he _did_ want his bow and
-arrow!”
-
-“Well, he got ’em! What did he want ’em for?”
-
-“To protect himself on the way to bed.”
-
-“To keep off burglars on our lighted stairway?”
-
-“I suppose so,” said Mrs. Thomas. “Burglars or something.”
-
-“Well, where’d he get such ideas _from_?”
-
-“I don’t know. Nearly all children do get them.”
-
-“I know one thing,” Mr. Thomas asserted, “_I_ certainly never was afraid
-like that, and none of my brothers was, either. Do you suppose the
-children Ludlum plays with tell him things that make him afraid of the
-dark?”
-
-“I don’t think so, because he plays with the same children now that he
-played with before he got so much this way. Of course he’s always been a
-_little_ timid.”
-
-“Well, I’d like to know what’s at the root of it. Something’s got into
-his head. That’s certain, isn’t it?”
-
-“I don’t know,” Mrs. Thomas said musingly. “I believe fear of the dark
-is a sort of instinct, don’t you?”
-
-“Then why does he keep having it more and more? Instinct? No, sir! I
-don’t know where he gets this silly scaredness from, nor what makes it,
-but I know that it won’t do to humour him in it. We’ve got to be firmer
-with him after this than we were to-night. I’m not going to have a son
-of mine grow up to be afraid!”
-
-“Yes; I suppose we ought to be a _little_ firmer with him,” she said
-dreamily.
-
-However, for several days and nights there was no occasion to exercise
-this new policy of firmness with Ludlum, one reason being that he was
-careful not to leave his trusty bow and arrow in an unlighted room after
-dark. Three successive evenings, weapon in hand, he “marched” sturdily
-to bed; but on the fourth he was reluctant, even though equipped as
-usual.
-
-“Is Annie upstairs?” he inquired querulously, when informed that his
-hour had struck.
-
-“I’m not sure, dearie,” said his mother. “I think so. It’s her evening
-out, but I don’t think she’s gone.”
-
-Standing in the library doorway, Ludlum sent upward a series of piercing
-cries: “Annie! Ann_ee_! Ann-_ee_! Oh, _Ann-nee-ee_!”
-
-“Stop it!” Mr. Thomas commanded fiercely. “You want to break your
-mother’s ear-drums?”
-
-“Ann-nee-_eeee_!”
-
-“Stop that noise!”
-
-“Ann——”
-
-“Stop it!” Mr. Thomas made the gesture of rising, and Ludlum,
-interrupting himself abruptly, was silent until he perceived that his
-father’s threat to rise was only a gesture, whereupon he decided that
-his vocalizations might safely be renewed.
-
-“Ann-_nee-ee_!”
-
-“What _is_ the matter with him?”
-
-“Ludlum, dear,” said Mrs. Thomas, “what is it you want Annie for?”
-
-“I want to know if she’s upstairs.”
-
-“But what for?”
-
-Ludlum’s expression became one of determination. “Well, I want to know,”
-he replied. “I got to know if Annie’s upstairs.”
-
-“By George!” Mr. Thomas exclaimed suddenly. “I believe _now_ he’s afraid
-to go upstairs unless he knows the housemaid’s up there!”
-
-“Martha’s probably upstairs if Annie isn’t,” Mrs. Thomas hurriedly
-intervened. “You needn’t worry about whether Annie’s up there, Luddie,
-if Martha is. Martha wouldn’t let anything hurt you any more than Annie
-would, dear.”
-
-“Great heavens!” her husband cried. “There’s nothing up there that’s
-going to hurt him whether a hundred cooks and housemaids are upstairs or
-downstairs, or in the house or out of it! _That’s_ no way to talk to
-him, Jennie! Ludlum, you march straight——”
-
-“Ann-_nee-ee_!”
-
-“But, dearie,” said Mrs. Thomas, “I told you that Martha wouldn’t let
-anything hurt——”
-
-“She isn’t there,” Ludlum declared. “I can hear her chinkin’ tin and
-dishes around in the kitchen.” And, again exerting all his vocal powers
-of penetration, “_Oh, Ann-ee-ee!_” he bawled.
-
-“By George!” Mr. Thomas exclaimed. “This is awful! It’s just awful!”
-
-“Don’t call any more, darling,” the mother gently urged. “It disturbs
-your papa.”
-
-“But, Jennie, that isn’t the reason he oughtn’t to call. It does disturb
-me, but the real reason he oughtn’t to do it is because he oughtn’t to
-be afraid to——”
-
-“_Ann-ee-EE!_”
-
-Mr. Thomas uttered a loud cry of his own, and, dismissing gestures, rose
-from his chair prepared to act. But his son briskly disappeared from the
-doorway; he had been reassured from the top of the stairs. Annie had
-responded, and Ludlum sped upward cheerfully. The episode was
-closed—except in meditation.
-
-There was another one during the night, however. At least, Mr. Thomas
-thought so, for at the breakfast table he inquired: “Was any one out of
-bed about half-past two? Something half woke me, and I thought it
-sounded like somebody knocking on a door, and then whispering.”
-
-Mrs. Thomas laughed. “It was only Luddie,” she explained. “He had bad
-dreams, and came to my door, so I took him in with me for the rest of
-the night. He’s all right, now, aren’t you, Luddie? Mamma didn’t let the
-bad dream hurt her little boy, did she?”
-
-“It wasn’t dreams,” said Ludlum. “I was awake. I thought there was
-somep’m in my room. I bet there _was_ somep’m in there, las’ night!”
-
-“Oh, murder!” his father lamented. “Boy nine years old got to go and
-wake up his _mamma_ in the middle of the night, because he’s scared to
-sleep in his own bed with a hall-light shining through the transom! What
-on earth were you afraid of?”
-
-Ludlum’s eyes clung to the consoling face of his mother. “I never said I
-_was_ afraid. I woke up, an’ I thought I saw somep’m in there.”
-
-“What kind of a ‘something’?”
-
-Ludlum looked resentful. “Well, I guess I know what I’m talkin’ about,”
-he said importantly. “I bet there _was_ somep’m, too!”
-
-“I declare I’m ashamed,” Mr. Thomas groaned. “Here’s the boy’s godfather
-coming to visit us, and how’s he going to help find out we’re raising a
-coward?”
-
-“John!” his wife exclaimed. “The idea of speaking like that just because
-Luddie can’t help being a little imaginative!”
-
-“Well, it’s true,” he said. “I’m ashamed for Lucius to find it out.”
-
-Mrs. Thomas laughed, and then, finding the large eyes of Ludlum fixed
-upon her hopefully, she shook her head. “Don’t you worry, darling,” she
-reassured him. “You needn’t be afraid of what Uncle Lucius will think of
-his dear little Luddie.”
-
-“I’m not,” Ludlum returned complacently. “He gave me a dollar las’ time
-he was here.”
-
-“Well, he won’t this time,” his father declared crossly. “Not after the
-way you’ve been behaving lately. I’ll see to that!”
-
-Ludlum’s lower lip moved pathetically and his eyes became softly
-brilliant—manifestations that increased the remarkable beauty he
-inherited from his mother.
-
-“John!” cried Mrs. Thomas indignantly.
-
-Ludlum wept at once, and between his gulpings implored his mother to
-prevent his father from influencing Uncle Lucius against the giving of
-dollars. “Don’t _let_ him, mamma!” he quavered. “An’ ’fif Uncle Lucius
-wuw-wants to give me a dollar, he’s got a right to, hasn’t he, mamma?
-_Hasn’t_ he got a right to, mamma?”
-
-“There, dearie! Of course!” she comforted him. “Papa won’t tell Uncle
-Lucius. Papa is sorry, and only wants you to be happy and not cry any
-more.”
-
-Papa’s manner indicated somewhat less sympathy than she implied;
-nevertheless, he presently left the house in a condition vaguely
-remorseful, which still prevailed, to the extent of a slight
-preoccupation, when he met Uncle Lucius at the train at noon.
-
-Uncle Lucius—Lucius Brutus Allen, attorney-at-law of Marlow, Illinois,
-population more than three thousand, if you believed him—this Uncle
-Lucius was a reassuring sight, even to the eyes of a remorseful father
-who had been persecuting the beautiful child of a lovely mother.
-
-Mr. Allen was no legal uncle to Ludlum: he was really Mrs. Thomas’s
-second cousin, and, ever since she was eighteen and he twenty-four, had
-been her favoured squire. In fact, during her young womanhood, Mrs.
-Thomas and others had taken it as a matter of course that Lucius was in
-love with her; certainly that appeared to be his condition.
-
-However, with the advent of Mr. John Thomas, Lucius Brutus Allen gave
-ground without resistance, and even assisted matters in a way which
-might have suggested to an outsider that he was something of a
-matchmaker as well as something of a lover. With a bravery that touched
-both the bride and bridegroom, he had stood up to the functions of Best
-Man without a quaver—and, of course, since the day of Ludlum’s arrival
-in the visible world, had been “Uncle Lucius.”
-
-He was thirty-five; of a stoutish, stocky figure; large-headed and
-thin-haired; pinkish and cheerful and warm. His warmth was due partly to
-the weather, and led to a continuous expectancy on the part of Ludlum,
-for it was the habit of Uncle Lucius to keep his handkerchief in a
-pocket of his trousers. From the hour of his arrival, every time that
-Uncle Lucius put his hand in his pocket and drew forth a handkerchief to
-dry his dewy brow, Ludlum suffered a disappointment.
-
-In fact, the air was so sticky that these disappointments were almost
-continuous, with the natural result that Ludlum became peevish; for
-nobody can be distinctly disappointed a dozen or so times an hour,
-during the greater part of an afternoon, and remain buoyantly amiable.
-
-Finally he could bear it no longer. He had followed his parents and
-Uncle Lucius out to the comfortable porch, which gave them ampler air
-and the pretty sight of Mrs. Thomas’s garden, but no greater coolness;
-and here Uncle Lucius, instead of bringing forth from his pocket a
-dollar, produced, out of that storage, a fresh handkerchief.
-
-“Goodness me, but you got to wipe your ole face a lot!” said Ludlum in a
-voice of pure spitefulness. “I guess why you’re so hot mus’ be you stuff
-yourself at meals, an’ got all fat the way you are!”
-
-Wherewith, he emitted a shrill and bitter laugh of self-applause for
-wit, while his parents turned to gaze upon him—Mrs. Thomas with
-surprise, and Mr. Thomas with dismay. To both of them his rudeness
-crackled out of a clear sky; they saw it as an effect detached from
-cause; therefore inexplicable.
-
-“Ludlum!” said the father sharply.
-
-“Dearie!” said the mother.
-
-But the visitor looked closely at the vexed face. “What is it you’ve
-decided you don’t like about me, Luddie?” he asked.
-
-“You’re too fat!” said Ludlum.
-
-Both parents uttered exclamations of remonstrance, but Mr. Allen
-intervened. “I’m not so very fat,” he said. “I’ve just realized what the
-trouble between us is, Luddie. I overlooked something entirely, but I’ll
-fix it all right when we’re alone together. Now that I’ve explained
-about it, you won’t mind how often I take my handkerchief out of my
-pocket, will you?”
-
-“What in the world!” Mrs. Thomas exclaimed. “What are you talking
-about?”
-
-“It’s all right,” said Lucius.
-
-Ludlum laughed; his face was restored to its serene beauty. Obviously,
-he again loved his Uncle Lucius, and a perfect understanding, mysterious
-to the parents, now existed between godfather and godson. In
-celebration, Ludlum shouted and ran to caper in the garden.
-
-“By George!” said John Thomas. “You seem to understand him! I don’t. I
-don’t know what the dickens is in his mind, half the time.”
-
-Mrs. Thomas laughed condescendingly. “No wonder!” she said. “You’re
-down-town all the daytime and never see him except at breakfast and in
-the evenings.”
-
-“There’s one thing puzzles me about it,” said John. “If you understand
-him so well, why don’t you ever tell _me_ how to? What made him so
-smart-alecky to Lucius just now?”
-
-Again she laughed with condescension. “Why, Luddie didn’t mean to be
-fresh at all. He just spoke without thinking.”
-
-But upon hearing this interpretation, Mr. Allen cast a rueful glance at
-his lovely cousin. “Quite so!” he said. “Children can’t tell their
-reasons, but they’ve always got ’em!”
-
-“Oh, no, they haven’t,” she laughed. And then she jumped, for there came
-a heavy booming of thunder from that part of the sky which the roof of
-the porch concealed from them. The sunshine over the pink-speckled
-garden vanished; all the blossoms lost colour and grew wan, fluttering
-in an ominous breeze; at once a high wind whipped round the house and
-the row of straight poplars beyond the garden showed silver sides.
-
-“_Luddie!_” shrieked Mrs. Thomas; and he shrieked in answer; came
-running, just ahead of the rain. She seized his hand, and fled with him
-into the house.
-
-“You remember how afraid they are of lightning,” said John
-apologetically. “Lightning and thunder. I never could understand it, but
-I suppose it’s genuine and painful.”
-
-“It’s both,” the visitor remarked. “You wouldn’t think I’m that way,
-too, would you?”
-
-“You are?”
-
-“Makes me nervous as a cat.”
-
-“Did you inherit it?”
-
-“I don’t think so,” said Lucius; and he waved his host’s silent offer of
-a cigar. “No, thanks. Never want to smoke in a thunder-storm.
-I—_Whoo!_” he interrupted himself, as a flare of light and a
-catastrophe of sound came simultaneously. “Let’s go in,” he said mildly.
-
-“Not I. I love to watch it.”
-
-“Well——” Lucius paused, but at a renewal of the catastrophe, “Excuse
-_me_!” he said, and tarried no longer.
-
-He found Mrs. Thomas and Ludlum in the centre of the darkened
-drawing-room. She was sitting in a gilt chair with her feet off the
-floor and upon a rung of the chair; and four heavy, flat-bottomed
-drinking-glasses were upon the floor, each of them containing the foot
-of a leg of the gilt chair. Ludlum was upon her lap.
-
-“Don’t you believe in insulation, Lucius?” she asked anxiously. “As long
-as we sit like this, we can’t be struck, can we?”
-
-He put on his glasses and gave her a solemn stare before replying. “I
-don’t know about that,” he said. “Of course John is safer out on the
-porch than we are in here.”
-
-“Oh, no, no!” she cried. “A porch is the most dangerous place there
-_is_!”
-
-“I don’t know whether or not he’s safe from the lightning,” Lucius
-explained. “I mean he’s safe from being troubled about it the way we
-are.”
-
-“I don’t call that being safe,” his lady-cousin began. “I don’t see
-what——”
-
-But she broke off to find place for a subdued shriek, as an admiral’s
-salute of great guns jarred the house. Other salutes followed,
-interjected, in spite of drawn shades and curtains, with spurts of light
-into the room, and at each spurt Mrs. Thomas shivered and said “Oh!” in
-a low voice, whereupon Ludlum jumped and said “Ouch!” likewise in a low
-voice. Then, at the ensuing crash, Mrs. Thomas emitted a little scream,
-and Ludlum emitted a large one.
-
-“Ouch! _Ow!_” he vociferated. “Mamma, I want it to stop! Mamma, I can’t
-stand it! I can’t _stand_ it!”
-
-“It’s odd,” said Lucius, during an interregnum. “The thunder frightens
-us more than the lightning, doesn’t it?”
-
-“They’re both so horrible,” she murmured. “I’m glad they affect you this
-way, too, Lucius. It’s comforting. Do you think it’s almost over?”
-
-“I’ll see,” he said; and he went to a window, whither Ludlum, having
-jumped down, followed him.
-
-“Don’t open the curtains much,” Mrs. Thomas begged, not leaving her
-chair. “Windows are always dangerous. And come away from the window,
-Luddie. The lightning might——”
-
-She shrieked at a flash and boom, and Luddie came away from the window.
-Voiceless—he was so startled—he scrambled toward his mother, his arms
-outstretched, his feet slipping on the polished floor; then, leaping
-upon her lap, he clung to her wildly; gulped, choked, and found his
-voice. He howled.
-
-“That was about the last, I think,” observed Lucius, from the window.
-“It’s beginning to clear already. Nothing but a shower to make things
-cooler for us. Let’s go play with old John again. Come on, Luddie.”
-
-But Ludlum clung to his mother, remonstrating. “No!” he cried. “Mamma,
-you got to stay in the house. I don’t want to go out there. It might
-begin again!”
-
-She laughed soothingly. “But Uncle Lucius says it’s all over now,
-darling. Let’s go and——”
-
-“I _d’wawn_’ to! I won’t go out of the house. You tell me a story.”
-
-“Well,” she began, “once upon a time there was a good fairy and there
-was a bad fairy——”
-
-“Where’d they live?”
-
-“Oh, in a town—under some flowers in a garden in the town.”
-
-“Like our garden?”
-
-“I suppose so,” she assented. “And the good fairy——”
-
-“Listen, mamma,” said Ludlum. “If they lived in the garden like those
-fairies you were tellin’ me about yesterday, they could come in the
-windows of the house where the pretty little boy lived, couldn’t they?”
-
-“I suppose so.”
-
-At this Ludlum’s expression became apprehensive and his voice peevish.
-“Well, then,” he complained, “if there was a window open at night, or
-just maybe through a crack under the door, the bad fairy could slip up
-behind the pretty little boy, or into the pretty little boy’s bedroom,
-an’——”
-
-“No, no!” his mother laughed, stroking his head. “You see, the good
-fairy would always be watching, too, and the good fairy wouldn’t let the
-bad fairy hurt the pretty little boy.”
-
-The apprehensive expression was not altogether soothed from the pretty
-little boy’s face. However, he said: “Go on. Tell what happened. Did the
-pretty little boy——”
-
-“Lucius!” Mrs. Thomas exclaimed, “don’t stay here to be bored by Luddie
-and me. I’ve got to tell him this story——”
-
-“Yes,” Ludlum eagerly agreed. “An’ then afterward she has to read me a
-chapter in our book.”
-
-“So you go and make John tell _you_ a story, Lucius. I have to be polite
-to Luddie because he’s had such a fright, poor blessed child!”
-
-Lucius was obedient: he rejoined John upon the porch, and the two men
-chatted for a time.
-
-“What book is Jennie reading to the boy?” Mr. Allen inquired, after a
-subsequent interval of silence.
-
-“I don’t know just now. Classic fiction of some sort, probably. She’s
-great on preparing his mind to be literary; reads an hour to him every
-day, and sometimes longer—translations—mythology—everything. All
-about gods and goddesses appearing out of the air to heroes, and Medusa
-heads and what not. Then standard works: Cooper, Bulwer, Scott,
-Hugo—some of the great romances.”
-
-“I see,” said Lucius. “She always did go at things thoroughly. I
-remember,” he went on, with a musing chuckle, “I remember how I got hold
-of Bulwer’s ‘Zanoni’ and ‘Strange Story’ when I was about ten years old.
-By George! I’ve been afraid to go home in the dark ever since!”
-
-“You have?” John smiled; then sent a serious and inquiring glance at the
-visitor, who remained placid. “Of course Jennie doesn’t read ‘Zanoni’ to
-Ludlum.”
-
-“No, she wouldn’t,” said Lucius. “Not till he’s older. She’d read him
-much less disturbing things at his age, of course.”
-
-His host made no additional comment upon the subject, but appeared to
-sit in some perplexity.
-
-Mr. Allen observed him calmly; then, after a time, went into the
-house—to get a cigar of his own, he said.
-
-In the hall he paused, listening. From the library came Mrs. Thomas’s
-voice, reading with fine dramatic fire:
-
-“‘What! thou frontless dastard, thou—thou who didst wait for opened
-gate and lowered bridge, when Conrad Horst forced his way over moat and
-wall, must _thou_ be malapert? Knit him up to the stanchions of the
-hall-window! He shall beat time with his feet while we drink a cup to
-his safe passage to the devil!’
-
-“‘The doom was scarce sooner pronounced than accomplished; and in a
-moment the wretch wrestled out his last agonies, suspended from the iron
-bars. His body still hung there when our young hero entered the hall,
-and, intercepting the pale moonbeam, threw on the castle-floor an
-uncertain shadow, which dubiously yet fearfully intimated the nature of
-the substance which produced it.
-
-“‘When the syndic——’”
-
-Ludlum interrupted. “Mamma, what’s a stanchion?” His voice was low and a
-little husky.
-
-“It’s a kind of an iron bar, or something, I think,” Mrs. Thomas
-answered. “I’m not sure.”
-
-“Well, does it mean—mamma, what does it mean when it says ‘he wrested
-out his last annogies?’”
-
-“‘Agonies,’ dear. It doesn’t mean anything that little boys ought to
-think about. This is a very unpleasant part of the book, and we’ll hurry
-on to where it’s all about knights and ladies, and pennons fluttering in
-the sunshine and——”
-
-“No; I don’t want you to hurry. I like to hear this part, too. It’s
-nice. Go on, mamma.”
-
-She continued, and between the curtains at the door, Lucius caught a
-glimpse of them. Sunlight touched them through a window; she sat in a
-high-backed chair; the dark-curled boy, upon a stool, huddling to her
-knee; and, as they sat thus, reading “Quentin Durward,” they were like a
-mother and son in stained glass—or like a Countess, in an old romance,
-reading to the Young Heir. And Lucius Brutus Allen had the curious
-impression that, however dimly, both of them were conscious of some such
-picturesque resemblance.
-
-Unseen, he withdrew from the renewed sound of the reading, and again
-went out to sit with John upon the porch, but Mrs. Thomas and Ludlum did
-not rejoin them until the announcement of dinner. When the meal was
-over, Lucius and his hostess played cribbage in the library; something
-they did at all their reunions—a commemoration of an evening habit of
-old days. But to-night their game was interrupted, a whispering in the
-hall becoming more and more audible as it increased in virility; while
-protests on the part of a party of the second part punctuated and
-accented the whispering:
-
-“I _d’wawn_’ to!” . . . “I won’t!” . . . “I _will_ ast mama!” . . .
-“Leggo!”
-
-The whispering became a bass staccato, though subdued, under the breath;
-protests became monosyllabic, but increased in passion; short-clipped
-squealings and infantile grunts were heard—and then suddenly, yet
-almost deliberately, a wide-mouthed roar of human agony dismayed the
-echoing walls.
-
-The cavern whence issued the horrid sound was the most conspicuous thing
-in the little world of that house, as Ludlum dashed into the library.
-Even in her stress of sympathy, the mother could not forbear to cry:
-“Don’t, Luddie! Don’t stretch your mouth like that! You’ll spoil the
-shape of it.”
-
-But Ludlum cared nothing for shape. Open to all the winds, he plunged
-toward his mother; and cribbage-board, counters, and cards went to the
-floor.
-
-“Darling!” she implored. “What has hurt mamma’s little boy so awfully?
-Tell mamma!”
-
-In her arms, his inclement eyes salting his cheeks, the vocal pitch of
-his despair rose higher and higher like the voice of a reluctant pump.
-
-“_Papa twissud my wrist!_” he finally became coherent enough to declare.
-
-“What!”
-
-“He did!” All in falsetto Ludlum sobbed his version of things. “He—he
-suss-said I had to gug-go up to bed all—all alone. He grabbed me! He
-hurt! He said I couldn’t interrup’ your ole gug-game! ’N’ he said, ‘I’ll
-show you!’ ’N’ then—then—then—he _twissud_ my _wrist_!”
-
-At that she gathered him closer to her, and rose, holding him in her
-arms. Her face was deeply flushed, and her shining eyes avoided her
-husband, who stood near the doorway.
-
-“Put him down, Jennie,” he said mildly. “I——”
-
-Straightway she strode by him, carrying her child. She did not pause,
-nor speak aloud, yet Lucius and John both heard the whispered word that
-crumpled the latter as the curtains waved with the angry breeze of her
-passing. “Shame!”
-
-Meanwhile, Lucius, on his knees—for he never regarded his trousers
-seriously—began to collect dispersed cards and pegs. “What say?” he
-inquired, upon some gaspings of his unfortunate friend, John.
-
-“She believed it!” (These stricken words came from a deep chair in the
-shadows.) “She thought I actually did twist his wrist!”
-
-“Oh, no,” said Lucius. “She didn’t believe anything of the kind. Darn
-that peg!” With face to the floor and in an attitude of Oriental
-devotion, he appeared to be worshipping the darkness under a divan. “She
-was merely reacting to the bellow of her offspring. She knew he invented
-it, as well as you did.”
-
-“It’s incredible!” said John. “The cold-blooded cunning of it! He was
-bound to have his way, and make her go up with him; and I’d turned him
-toward the stairway by his shoulders, and he tried to hold himself back
-by catching at one of those big chairs in the hall. I caught his wrist
-to keep him from holding to the chair—and I held him a second or two,
-not moving. The little pirate decided on the thing then and there, in
-his mind. He understood perfectly well he could make it all the more
-horrible because you were here, visiting us. I swear it appals me! What
-sort of a nature _is_ that?”
-
-“Oh,” said Lucius, “just natural nature. Same as you and me.”
-
-“I’d hate to believe that!”
-
-“You and I got ashamed long ago of the tricks that came in our minds to
-play,” said Lucius, groping under the divan. “We got ashamed so often
-that they don’t come any more.”
-
-“Yes, but it ought to be time they stopped coming into that boy’s mind.
-He was eight last month.”
-
-“Yes—darn that peg!—there seems to be something in what you say. But
-of course Luddie thought he was in a fix that was just as bad to him as
-it would be to me if somebody were trying to make me walk into Pancho
-Villa’s camp all alone. _I’d_ make a fuss about that, if the fuss would
-bring up the whole United States Army to go with me. That’s what it
-amounted to with Luddie.”
-
-“I suppose so,” groaned the father. “It all comes down to his being a
-coward.”
-
-“It all comes down to the air being full of queer things when he’s
-alone,” said Lucius.
-
-“Well, I’d like to know what makes it full of queer things. Where does
-his foolishness come _from_?”
-
-“And echo answers——” Lucius added, managing to get his head and
-shoulders under the divan, and thrusting with arms and legs to get more
-of himself under.
-
-But a chime of laughter from the doorway answered in place of echo.
-“What are you doing, Lucius?” Mrs. Thomas inquired. “Swimming lessons? I
-never saw anything——” And laughter so overcame her that she could
-speak no further, but dropped into a chair, her handkerchief to her
-mouth.
-
-Lucius emerged crabwise, and placed a cribbage-peg upon the table, but
-made no motion to continue the game. Instead he dusted himself
-uselessly, lit a cigar, and sat.
-
-“Luddie’s all right,” said the lady, having recovered her calmness. “I
-think probably something he ate at dinner upset him a little. Anyhow, he
-was all right as soon as he got upstairs. Annie’s sitting with him and
-telling him stories.”
-
-“I wonder if that lightning struck anything this afternoon,” Lucius said
-absently. “Some of it seemed mighty near.”
-
-“It was awful.”
-
-“Do you remember,” Lucius asked her, “when you first began to be nervous
-about it?”
-
-“Oh, I’ve always been that way, ever since I was a little child. I
-haven’t the faintest idea how it got hold of me. Children just get
-afraid of certain things, it seems to me, and that’s all there is to it.
-You know how Luddie is about lightning, John.”
-
-John admitted that he knew how Luddie was about lightning. “I do,” was
-all he said.
-
-Mrs. Thomas’s expression became charmingly fond, even a little
-complacent. “I suppose he inherits it from me,” she said.
-
-“My mother has that fear to this day,” Lucius remarked. “And I have it,
-too, but I didn’t inherit it from her.”
-
-“How do you know?” his cousin asked quickly. “What makes you think you
-didn’t inherit it?”
-
-“Because my father used to tell me that when I was three and four years
-old he would sit out on the porch during a thunder-storm, and hold me in
-his lap, and every time the thunder came both of us would laugh, and
-shout ‘Boom!’ Children naturally like a big noise. But when I got a
-little bit older and more imaginative, and began to draw absurd
-conclusions from things, I found that my mother was frightened during
-thunder-storms—though she tried her best to conceal it—and, of course,
-seeing _her_ frightened, I thought something pretty bad must be the
-matter. So the fear got fastened on me, and I can’t shake it off though
-I’m thirty-five years old. Curious thing it is!”
-
-Mrs. Thomas’s brilliant eyes were fixed upon her cousin throughout this
-narrative with an expression at first perplexed, then reproachful,
-finally hostile. A change, not subtle but simple and vivid, came upon
-her face, while its habitual mobility departed, leaving it radiantly
-still, with a fierce smoldering just underneath. How deep and fast her
-breathing became, was too easily visible.
-
-“Everything’s curious, though, for the matter o’ that,” Lucius added.
-And without looking at his cousin—without needing to look at her, to
-understand the deadliness of her silence—he smoked unconcernedly. “Yes,
-sir, it’s all curious; and _we’re_ all curious,” he continued,
-permitting himself the indulgence of a reminiscent chuckle. “You know I
-believe my father and mother got to be rather at outs about me—one
-thing and another, goodness knows what!—and it was years before they
-came together and found a real sympathy between them again. Truth is, I
-suspect where people aren’t careful, their children have about twice as
-much to do with driving ’em apart as with drawing ’em
-together—especially in the case of an only child. I really do think
-that if _I_ hadn’t been an only child my father and mother might have
-been——”
-
-A sibilant breath, not a word and not quite a hiss, caused Lucius to
-pause for a moment, though not to glance in the direction of the lips
-whence came the sound. He appeared to forget the sentence he had left
-incomplete; at all events he neglected to finish it. However, he went
-on, composedly:
-
-“Some of my aunts tell me I was the worst nuisance they ever knew. In
-fact, some of ’em go out of their way to tell me that, even yet. They
-never could figure out what was the matter with me—except that I was
-spoiled; but I never meet Aunt Mira Hooper on the street at home, to
-this day, that she doesn’t stop to tell me she hasn’t learned to like
-me, because she got such a set against me when I was a child—and I meet
-her three or four times a week! She claims there was _some_ kind of a
-little tragedy over me, in our house, every day or so, for years and
-years. She blames _me_ for it, but Lord knows it wasn’t my fault. For
-instance, a lot of it was my father’s.”
-
-“What did he do?” asked John.
-
-Lucius chuckled again. “The worst he did was to tell me stories about
-Indians and pioneer days. Sounds harmless enough, but father was a good
-story-teller, and that was the trouble. You see, the foundation of
-nearly all romance, whether it’s Indian stories or fairy-stories—it’s
-all hero and villain. Something evil is always just going to jump out of
-somewhere at the hero, and the reader or the listener is always the
-hero. Why, _I_ got so I wouldn’t go into a darkened room, even in the
-daytime! As we grow older we forget the horrible visions we had when we
-were children; and what’s worse, we forget there’s no need for children
-to have ’em. Children ought to be raised in the _real_ world, not the
-dream one. Yes, sir, I lay all my Aunt Mira Hooper’s grudge against me
-to my father’s telling me stories so well and encouraging me to read the
-classics and——”
-
-“Lucius,” Mrs. Thomas spoke in a low voice, but in a tone that checked
-him abruptly.
-
-“Yes, Jennie?”
-
-“Don’t you think that’s enough?”
-
-“I suppose it is tiresome,” he said. “Too much autobiography. I was just
-rambling on about——”
-
-“You meant me!” she cried.
-
-“You, Jennie?”
-
-“You did! And you meant Ludlum was a ‘nuisance’; not you. And I don’t
-think it’s very nice! Do you?”
-
-“Why, I nev——”
-
-But his cousin’s emotions were no longer to be controlled. She rose,
-trembling. “What a fool I was this afternoon!” she exclaimed bitterly.
-“I didn’t suspect you; yet I never remembered your being nervous in a
-thunder-storm before. I thought you were sympathetic, and all the time
-you were thinking these cruel, wicked things about Luddie and me!”
-
-Lucius rose, too. “You know what I think about you, all the time,
-Jennie,” he said genially. “John, if you can remember where you put my
-umbrella when we came in, it’s about time for me to be catching a
-street-car down to the station.”
-
-She opposed him with a passionate gesture. “No!” she cried fiercely.
-“You can’t say such things to me and then slip out like that! You tell
-me I’ve taught my child to be a coward and that I’ve made a spoilt brat
-of him——”
-
-“Jennie!” he protested. “I was talking about _me_!”
-
-“Shame on you to pretend!” she said. “You think I’m making John _hate_
-Luddie——”
-
-“_Jennie!_” he shouted in genuine astonishment.
-
-“You do! And you come here pretending to be such a considerate,
-sympathetic friend—and every minute you’re criticizing and condemning
-me in your heart for all my little stories to my child—all
-because—because—” suddenly she uttered a dry sob—“because I want to
-raise my boy to be a—a poet!”
-
-“John,” said Lucius desperately, “_do_ you think you can find that
-umbrella?”
-
-With almost startling alacrity John rose and vanished from the room, and
-Lucius would have followed, but the distressed lady detained him. She
-caught a sagging pocket of his coat, and he found it necessary to remain
-until she should release him.
-
-“You sha’n’t!” she cried. “Not till you’ve taken back that accusation.”
-
-“But what accusa——”
-
-“Shame on you! Ah, I didn’t think you’d ever come here and do such a
-thing to me. And this morning I was looking forward to a happy day! It’s
-a good thing you’re a bachelor!”
-
-With which final insult she hurled his pocket from her—at least that
-was the expression of her gesture—and sank into a chair, weeping
-heart-brokenly. “You don’t understand!” she sobbed. “How could any man
-understand—or any woman not a mother! You think these hard things of
-me, but—but John doesn’t always love Luddie. Don’t you get even a
-little glimpse of what that means to me? There are times when John
-doesn’t even _like_ Luddie!”
-
-“Take care,” said Lucius gently. “Take care that those times don’t come
-oftener.”
-
-She gasped, and would have spoken, but for a moment she could not, and
-was able only to gaze at him fiercely through her tears. Yet there was a
-hint of fear behind the anger.
-
-“You dare to say such a thing as that to a mother?” she said, when she
-could speak.
-
-Lucius’s eyes twinkled genially; he touched her upon the shoulder, and
-she suffered him. “Mother,” he said lightly, “have pity on your child!”
-Somehow, he managed to put more solemnity into this parting prayer of
-his than if he had spoken it solemnly; and she was silent.
-
-Then he left the room, and, on his way, stumbled over a chair, as he
-usually did at the dramatic moments in his life.
-
-John was standing in the open doorway, Lucius’s umbrella in his hand. “I
-think I hear a car coming, old fellow,” he said.
-
-“Got to get my hat,” Mr. Allen muttered. He had been reminded of
-something; a small straw hat, with a blue ribbon round it, was upon the
-table, and he fumbled with it a moment before seizing his own and
-rushing for the door at the increasing warning of a brass gong in the
-near distance. Thus, when he had gone, a silver dollar was pocketed
-within the inside band of the small straw hat with the blue ribbon.
-. . . John Thomas, returning in sharp trepidation to the lovely,
-miserable figure in the library, encountered one of the many surprises
-of his life.
-
-“He never could tell the truth to save his life!” she said. “He doesn’t
-know what truth _means_! Did you hear him sitting up there and telling
-us he was ‘an only child’? He has a brother and four sisters living, and
-I don’t know how many dead!”
-
-“You don’t mean it!” said John, astounded. “That certainly was pecu——”
-
-He lost his breath at that moment. She rose and threw her arms round him
-with the utmost heartiness. “He’s such an old smart Aleck!” she cried,
-still weeping. “That’s why I married you instead of him. I love you for
-not being one! If you want to spank Luddie for telling that story about
-his wrist I wish you’d go and wake him up and do it!”
-
-“No,” said John. “Lucius called to me as he was running for the car that
-he’s going to be married next week. I’ll wait and spank one of his
-children. They’ll be the worst spoiled children in the world!”
-
-
-
-
- LADIES’ WAYS
-
-
-TWO young people, just out of college and pleasing to the eye, ought to
-appreciate the advantage of living across the street from each other:
-but Miss Muriel Eliot’s mood, that summer, was so advanced and
-intellectual that she found all round about her only a cultural desert,
-utterly savourless. This was her own definition of her surroundings, and
-when she expressed herself thus impressively to Mr. Renfrew Mears, the
-young gentleman who lived directly opposite her, he was granted little
-choice but to suppose himself included among the unspiced vacancies she
-mentioned. “The whole deadly environment crushes me,” she told him, as
-they paused at her gate on returning from a walk. “This town is really a
-base thing.”
-
-“Do you think so, Muriel?” he said. “Well, I don’t know; around here
-it’s a right pleasant place to live—nice big yards and trees and all.
-And you know the population is increasing by fifteen to twenty thousand
-every year. The papers say——”
-
-“Listen, Renfrew,” she interrupted, and then said deliberately: “It is a
-cultural desert, utterly savourless!”
-
-When she had spoken in this way, the first feeling of young Mr. Mears
-appeared to be one of admiration, and perhaps she understood, or even
-expected, that some such sensation on his part would be inevitable, for
-she allowed her eyes to remain uplifted gloomily toward the summer sky
-above them, so that he might look at her a little while without her
-seeming to know it. Then she repeated slowly, with a slight shake of the
-head: “Yes—a cultural desert, utterly savourless!”
-
-But Renfrew now became uneasy. “You mean the _looks_ of the place and
-the——”
-
-“I mean the whole environment,” she said. “These Victorian houses with
-their Victorian interiors and the Victorian thoughts of the people that
-live in ’em. It’s all, _all_ Victorian!”
-
-“‘Victorian?’” said Renfrew doubtfully, for he was far from certain of
-her meaning. His vague impression was that the word might in some remote
-way bear upon an issue of bonds with which he had some recent
-familiarity through an inheritance from his grandfather. “You think
-it’s—Victorian—do you, Muriel?” he thought best to inquire.
-
-“Absolutely!” she said. “Culturally it’s a Victorian desert and utterly
-savourless.”
-
-“But you don’t mean all of it?” he ventured, being now certain that
-“Victorian” meant something unfavourable. “That is, not the people?”
-
-“It’s the people I’m talking about,” explained Muriel coldly.
-
-“Well—but not _all_ of ’em?”
-
-“Yes, everybody!”
-
-“You don’t mean every last one of ’em, though, do you, Muriel?” he asked
-plaintively.
-
-“Yes, I do.”
-
-“Well, but look here,” he said. “You couldn’t mean _that_. It would
-include your own family, and all your old family neighbours. Why, it
-might include some of your very best friends!”
-
-She sighed. “Since I’ve come home, I’ve felt that really I had nothing
-in common with a single soul in the place. I don’t live on the same
-plane. I don’t think the same thoughts. I don’t speak the same
-language.”
-
-He appeared to swallow a little air and to find some difficulty in doing
-so. “I know,” he said, “you do talk a lot more intellectually than the
-rest of us dubs around here. It’s because you’ve got a more intellectual
-nature, and everything like that; and that’s one of the reasons I look
-up to you the way I do. I always used to think that a girl that usually
-had an intellectual nature had to wear horn spectacles and have her
-dress higher on one side than it was on the other, and wear these
-sensible-looking shoes, and everything like that. But you’ve showed me I
-was mistaken, Muriel. You made me see that a girl could have an
-intellectual nature and be prettier and dress niftilier than all the
-brainless ones put together. But what worries _me_ is——” He paused
-uncomfortably, and repeated, “What worries _me_ is——” then paused
-again, and, with his head on one side, moved his forefinger to and fro
-between his collar and his neck as if he felt a serious tightness there.
-
-“Well?” Muriel said, after waiting for some time. “Do you wish me to
-understand it’s your neckwear that worries you, Renfrew?”
-
-“No,” he said absently, and frowning in his pained earnestness, again
-repeated: “What worries _me_ is——” Once more he stopped.
-
-“Well, well!”
-
-“It’s simply this,” he said. “What worries me is simply this. It’s like
-this. For instance, do you think it’s absolutely necessary for them
-_both_ to have an intellectual nature?”
-
-“‘Both?’” she inquired. “What do you mean—‘both?’”
-
-“I mean the man and the woman,” he said. “Do you think they _both_ have
-to have——”
-
-“_What_ man and woman?”
-
-“I mean,” said Renfrew, “I mean the husband and the wife.”
-
-“Why, what in the world——”
-
-“Would they _both_ have to have one?” he asked hopefully. “They wouldn’t
-_both_ have to have an intellectual nature, would they?”
-
-“I haven’t the slightest idea what you’re talking about,” she said with
-emphasis, though a delicate colour had risen in her cheeks, and people
-seldom blush on account of being puzzled. “I don’t believe you know what
-you mean, yourself.”
-
-“Yes, I do,” he insisted, his earnestness constantly increasing. “I
-mean, for instance, wouldn’t it be all right for the woman to go on
-following her intellectual nature in her own way, if the man provided
-the house and the food and everything like that? Even if he didn’t have
-an intellectual nature himself, don’t you think they could get along
-together all right, especially if he respected hers and looked up to it
-and was glad she had one, and so—well, and so they could go on and on
-together—and on and on——”
-
-“Renfrew!” she cried. “How long are _you_ going ‘on and on’ about
-nothing?”
-
-He looked depressed. “I only meant—did you—did you really mean
-_everybody_, Muriel?”
-
-“When?”
-
-“When you said that about—about the savage desert that didn’t have any
-culture or anything.”
-
-“That wasn’t what I said, Renfrew,” she reminded him, and her expression
-became one of cold disapproval. “I said, ‘A cultural!——’”
-
-“Well, anyway,” he urged, “you didn’t really mean _everybody_, did you?”
-
-“Seriously, Renfrew,” she said; “—seriously, I don’t understand how you
-can live the life you do.”
-
-“Why, I’m not living any life,” he said reproachfully. “I never did do
-anything very dissipated.”
-
-“I don’t mean that,” she returned impatiently. “I mean what are you
-doing with your mind, your soul, your spirit? You never have a thought
-that the common herd around us doesn’t have. You never read a book that
-the common herd doesn’t read, and you don’t even read many of _them_!
-What do you do with your time? I’m asking you!”
-
-“Well, the truth is,” he said meekly, “if you come right down _to_ it:
-why, most of the time I loaf around in our front yard waiting to see if
-you’re not coming out or anything.”
-
-His truthfulness did little to appease her. “Yes!” she said. “You sit
-hours and hours under that walnut tree over there in a perfect vacuum!”
-
-“Well, it _is_ like that,” he agreed, “when you don’t come out, Muriel.”
-
-“I’m not talking about anything of that sort!” she said quickly. “I
-mean, how can you bear to stay on such a plane? You don’t have to just
-sit down and live on what your grandfather left you, do you?”
-
-“Well, _but_,” he protested, “I told you I was thinking of trying to run
-for the legislature!”
-
-She stared at him. “Good heavens!” she said. “Do you think _that_ would
-be rising to a higher plane?”
-
-“A person has to begin,” he ventured to remind her. “Even at that, they
-tell me I probably couldn’t get nominated till I tried for it two or
-three times. They tell me I have to keep on going around till I get well
-known.”
-
-“Renfrew!”
-
-“Well, I haven’t made up my mind about it,” he said. “I see you don’t
-think much of it, and I’m not sure I do, myself. What do you think I
-ought to do?”
-
-“What do I think you ought to do?” she cried. “Why, do
-anything—_anything_ rather than be one of the commonplace herd on the
-commonplace plane!”
-
-“Well, what do I have to do to get off of it?”
-
-“What?”
-
-“I mean, what’s the best way for me to get on some other plane, the kind
-you mean? If you think it’s no good my trying for the legislature, what
-do you think I _had_ better do?”
-
-He asked for information; in all honesty he simply wanted to be told. “I
-just don’t know how to go about it,” he added; “I don’t know how to even
-start; that’s the trouble. What had I better do first?”
-
-Muriel stared at him; for in truth, she found herself at a loss. Faced
-with a request for grovelling details of the lofty but somewhat
-indefinite processes she had sketched, she was as completely a vacancy
-as could be found in all the cultural desert about her.
-
-“Really!” she said. “If you don’t know such things for yourself, I don’t
-believe you could ever find out from anybody else!”
-
-In this almost epigrammatic manner she concealed from him—and almost
-from herself—that she had no instructions to give him; nor was she
-aware that she had employed an instinctive device of no great novelty.
-Self-protection inspires it wherever superiority must be preserved; it
-has high official and military usages, but is most frequently in
-operation upon the icier intellectual summits. Yet, like a sword with a
-poisonous hilt, it always avenges its victim, and he who employs it will
-be irritable for some time afterward—he is really irritated with
-himself, but naturally prefers to think the irritation is with the
-stupidity that stumped him.
-
-Thus Muriel departed abruptly, clashing the gate for all her expression
-of farewell, and left startled young Mr. Mears standing there, a figure
-of obvious pathos. She went indoors, and, having ascended to her own
-room, presently sat down and engaged herself with writing materials.
-Little shadows of despondency played upon her charming forehead as she
-wrote:
-
- “Life is so terrible!
- Far off—far, far—oh, infinitely distant—oh,
- Where far-flung fleets and argosies
- Of nobler thoughts abound
- Than those I find around me
- In this crass, provincial town,
- I must go!
- For I am lonely here,
- One lonely, lonely little figure
- Upbearing still one white, white light invisible.
- How could those see whose thoughts are all
- Of marts and churches, dancing, and the links?”
-
-She paused to apply the blotter upon a tiny area of ink, oozed from the
-pen to her forefinger, which had pressed too ardently, being tense with
-creative art; and having thus broken the spell of composition, she
-glanced frowningly out of the window beside her desk. Across the way,
-she could see Renfrew Mears sitting under the walnut tree in his own
-yard. He was not looking toward her, but leaned back in a wicker chair,
-and to a sympathetic observation his attitude and absent skyward gaze
-might have expressed a contemplative bafflement. However, this was not
-Muriel’s interpretation, for she wrote:
-
- “Across the street, ignoble in content,
- Under a dusty walnut tree,
- A young man flanneled sits,
- And dreams his petty burgher dreams
- Of burghers’ petty offices.
- He’s nothing.
- So, lonely in the savourless place, I find
- No comrade for my white, white light,
- No single soul that understands,
- Or glimpses just, my meanings.”
-
-Again the lonely girl looked out of the window, but this time with the
-sharpest annoyance, and wished herself even lonelier and more remote
-than her poem declared. Half a dozen lively children, including her own
-fat little brother Robert, had begun to play in the yard across the
-street, where the young man flanneled sat; and sometimes one of them
-came to hide behind his chair, though Renfrew was so immersed in his
-petty burgher dreams that he did not appear to know it. The shouting of
-the children interfered with composition, however, and while the poetess
-struggled on, the interference grew so poignant that it became actually
-a part of the texture of her poem:
-
- “Oh, I am lonely in this world of noises,
- This world of piercing senseless outcries,
- I hate it so! I hear the shrill,
- Malignant yowls of children,
- Growing up like all the rest
- Without the power of thinking.
- Oh, noises how accursed——”
-
-Here her poem came to an end forever—that is to say, it had no end, was
-never completed, remained a fragment. Muriel jumped up, and the
-expressions she employed were appropriate for a maddened poet’s use,
-though they befitted not a maiden’s. The accursed noises across the
-street had become unbearable; they roused Renfrew from his petty dreams,
-and he straightened up in his chair to see what was going on.
-
-“Here, here!” he said. “This isn’t the Fourth of July. Quiet down a
-little, will you?”
-
-Four boys, Masters Robert Eliot, Laurence Coy, Thomas Kimball and
-Freddie Mears, an eight-year-old cousin of Renfrew’s, were advancing
-upon him, each evidently operating an imaginary machine-gun. “Bang!
-Bang! Bang! Bangity, Bangity, Bang! _Bang!_” they shouted with the
-utmost violence of their lungs.
-
-“Stop it!” Renfrew commanded, and as the machine-guns seemed to be
-levelled straight at himself, he added: “Let me alone. I haven’t done
-anything to you. What do you want to kill _me_ for?”
-
-He mistook their meaning, as he discovered immediately. “_Ping! Ping!
-Ping!_” a shrill voice cried out from the ground just behind his
-chair—another machine-gun, or else an “ottomatick.”
-
-“_Pingity, pingity, ping. Ur-r-r-r-r-ping!_”
-
-The voice was that of Renfrew’s nine-year-old sister Daisy; and looking
-round and down, he discovered her crouching low behind his chair, firing
-continuously. Renfrew perceived that he was a fortification of some
-sort; for although the presence of a grown person has naturally a
-stultifying effect upon children, they readily forget him if he remains
-in his own sphere; then he becomes but part of their landscape; they
-will use him as a castle, or perhaps as a distant Indian. Renfrew was
-now a log cabin.
-
-“_Ping! Ping! Pingety ur-r-r-r-r-ping!_” Daisy shrieked from behind him.
-“You’re all dead! Lay down!”
-
-“You’re dead yourself,” Robert Eliot retorted. “I guess all us four
-filled you fuller o’ wounds than you did us, didn’t we? Lay down
-yourself!”
-
-“I won’t!” And Daisy, rising, began to argue the question vehemently. “I
-saw you all the time when you came around the house. I shot you first,
-didn’t I? Wasn’t I sayin’ ‘_Ping_,’ before ever any one of you said
-‘Bang?’”
-
-“No, you wasn’t,” Laurence Coy hotly replied. “Why, if we’d of had real
-guns, they wouldn’t be enough left o’ you to bury in a hen’s nest.”
-
-“They would, too!” Daisy shouted. “If I’d had a real gun, they wouldn’t
-be enough left of you to bury in _half_ a hen’s nest!”
-
-“They would, too!” Laurence retorted, and his comrades in arms loudly
-echoed him. “They would, too!” they shouted.
-
-“You’re _dead_!” Daisy insisted. “You got to all four lay down. You got
-to!”
-
-But upon this they raised such a chorus of jeering that she stamped her
-foot. “You _got_ to!” she cried.
-
-“Listen!” said Laurence. “Listen here! I killed you myself, first thing
-when we came around the house. I leave it to Elsie Threamer.”
-
-He referred to the one other little girl who was present, though she
-took no part in these military encounters and seemed, in fact, to
-disapprove of them. Fastidiously remaining at a distance from the
-belligerents, she sat alone upon the steps of the large front porch—a
-dainty little figure in strong contrast to the strident Daisy. Elsie was
-in smooth and unspotted white linen; and Daisy, too, had been in smooth
-and unspotted white linen—for a few minutes—but this one point of
-resemblance was now lost. Elsie was a beautiful child, whereas even the
-fonder of Daisy’s two grandmothers had never gone so far as to say that
-Daisy was a beauty. Elsie was known for her sweet disposition, though
-some people thought that living next door to Daisy was injuring it. When
-Elsie came into a room where grown people were, they looked pleased;
-when Daisy came into a room where grown people were, they looked at
-their watches.
-
-“Yes,” said Robert Eliot, confirming Master Coy’s choice of an umpire.
-“_I_ leave it to Elsie. Whoever Elsie says is dead, why, they got to
-_be_ dead.”
-
-“Leave it to Elsie,” the other boys agreed. “Daisy’s dead, isn’t she,
-Elsie?”
-
-“I am _not_!” Daisy cried. “I don’t care what Elsie says. I killed every
-last one of you, and if you don’t lay down, I’ll make you.”
-
-“You will?” the bulky Robert inquired. “How you goin’ to make us?”
-
-“I’ll _frow_ you down,” said the determined Daisy; and she added
-vindictively: “Then I’ll walk all over you!”
-
-The enemy received this with unanimous hootings. “Yes, you will!”
-Laurence Coy boasted satirically. “Come on and try it if you don’t know
-any better!” And he concluded darkly: “Why, you wouldn’t live a minute!”
-
-“Anyway,” Daisy insisted, “I won’t leave it to Elsie, whether I’m dead
-or not.”
-
-“You got to,” said Laurence, and walking toward Elsie, he pointed to
-Daisy, and spoke with some deference. “Tell her she’s dead, Elsie.”
-
-Elsie shook her head. “I doe’ care ’nything about it,” she said coldly.
-“I doe’ care whether she’s dead or whether she isn’t.”
-
-“But she didn’t kill _us_, did she, Elsie?” Laurence urged her. “Our
-side’s alive, isn’t it, Elsie?”
-
-“I doe’ care whether you are or whether you’re not,” the cold and
-impartial Miss Threamer returned. “I doe’ care ’nything about it which
-you are.”
-
-“I am _not_ dead!” Daisy shouted, jumping up and down as she pranced
-toward the steps where sat the indifferent judge. “I doe’ care if Elsie
-says I’m dead a thousan’ times, I guess I got my rights, haven’t I?”
-
-“No, you haven’t,” Robert Eliot informed her harshly.
-
-“I have, too!” she cried. “I have, too, got my rights.”
-
-“You haven’t, either,” Laurence said. “You haven’t got any rights.
-Whatever Elsie says is goin’ to be the rights.”
-
-Daisy strained her voice to its utmost limits: “I got my RIGHTS!” she
-bawled.
-
-They crowded about Elsie, arguing, jeering, gesticulating, a shrill and
-active little mob; meanwhile Elsie, seated somewhat above them, rested
-her chin on her clean little hand, and looked out over their heads with
-large, far-away eyes that seemed to take no account of them and their
-sordid bickerings. And Renfrew, marking how aloof from them she seemed,
-was conscious of a vague resemblance; Elsie, like Muriel, seemed to
-dwell above the common herd.
-
-Then, as she watched the clamorous group, he noticed that whenever
-Laurence Coy appealed to Elsie, his voice, though loud, betrayed a
-certain breathlessness, while frequently after speaking to her he opened
-his mouth and took in a little air, which he then swallowed with some
-difficulty, his neck becoming obviously uneasy. Indeed, this symptom was
-so pronounced that Renfrew, observing it with great interest, felt that
-there was something reminiscent about it—that is, it reminded him of
-something; he could not think just what. But he began to feel that
-Laurence perceived that Elsie was on a higher plane.
-
-Elsie seemed to think so herself. “I doe’ care ’nything about it,”
-remained her unaltered verdict. “I doe’ care a thing which is dead or
-which isn’t.”
-
-“Well, then,” said Laurence Coy, “we might as well play somep’m else.”
-
-“All right,” Daisy agreed. “Le’s play I’m a grea’ big Injun woyer, an’
-all the rest of you are children I got to come an’ scalp.”
-
-Her proposal met with no general favour—with no favour at all, in fact.
-“For heaven’s sakes!” Thomas Kimball said. “I’d like to know what you
-take us for!” And in this scornful view he was warmly seconded by all
-his fellows.
-
-“Well, this is my yard,” Daisy reminded them severely. “I guess as long
-as you’re in my yard, you’ll please be p’lite enough to play what I say.
-I guess I got _some_ rights in my own yard, haven’t I?”
-
-“I guess you better remember you ast us over here to play with you,”
-Laurence Coy retorted, and his severity was more than equal to hers. “We
-never came an’ ast you if we _could_, did we? You better learn sense
-enough to know that long as you ast _us_, we got a right to play what we
-want to, because we’re company, an’ we aren’t goin’ to play have you
-scalp us!”
-
-“You _haf_ to,” Daisy insisted. “I got a perfect right to play what I
-want to in my own yard.”
-
-“You go on play it, an’ scalp yourself, then,” Laurence returned
-ungallantly. “Elsie, what _you_ want to play?”
-
-“I doe’ want to play rough games,” Elsie said. “I doe’ like those
-fighting games.”
-
-“Well, what do you like?”
-
-“Well, nice quiet games,” she replied. “I’d be willing to play school.”
-
-“How do you play it?”
-
-“Well, I’d be willing to be the teacher,” she said. “You all sit down in
-a row, an’ I’ll say what punishments you haf to have.”
-
-Daisy instantly objected. “No, _I’ll_ be the teacher!”
-
-“You won’t!” Laurence said. “Elsie’s got to be the teacher because she’s
-company, an’ anyway she said so first.” And the majority agreeing to
-this, it was so ordered; whereupon Daisy, after some further futile
-objections, took her place with the boys. They sat in a row upon the
-grass, facing Elsie, who stood on the steps confronting them.
-
-“Now, the first thing to do,” she said, “I better find out who’s the
-worst; because you every one been very, very naughty an’ deserve the
-terrablest punishments I can think of. I haf to think what I’m goin’ to
-do to you.” She paused, then pointed at Laurence. “Laurence Coy, you’re
-the very worst one of this whole school.”
-
-“What did I do?” Laurence inquired.
-
-“You said you hated girls.”
-
-“Well, I did say that,” he admitted; and then, lest his comrades suspect
-him of weakening, he added: “I hate every last thing about ’em!”
-
-“I bet you don’t,” said Daisy Mears, giggling.
-
-Laurence blushed. “I _do_!” he shouted. “I hate every last——”
-
-“Hush!” said the teacher. “That’s very, very, very naughty, and you haf
-to be punished. You haf to be—well, I guess you haf to be spanked.”
-
-“I doe’ care!” Laurence said, seeming to forget that this was only a
-game. “I hate girls and every last thing about ’em!”
-
-“Hush!” Elsie said again. “I ’point Robert Eliot and Freddie Mears
-monitors. Robert must hold you while Freddie spanks you.”
-
-But Daisy jumped up, uncontrollably vociferous. “No, no!” she shouted.
-“_I’m_ goin’ to be a monitor! This is my yard, an’ I guess I got _some_
-rights around here! Robert can hold him, but I got to spank him.”
-
-“Very well,” said Elsie primly. “I ’point Daisy in Freddie’s place.”
-
-Master Coy did not take this well; he rose and moved backward from the
-enthusiastic Daisy. “I won’t do it,” he said. “I won’t let her spank
-me.”
-
-“You _haf_ to,” Daisy told him, clapping her hands. “You haf to do
-whatever Elsie says. You said so yourself; you said she had to be the
-teacher, an’ we haf to do whatever she tells us.”
-
-“I won’t!” he responded doggedly, for now he felt that his honour was
-concerned. “I won’t do it!”
-
-“Robert Eliot!” Elsie said reprovingly. “Did you hear me ’point you a
-monitor to hold Laurence while he’s punished?”
-
-“You better keep away from me,” Laurence warned Robert, as the latter
-approached, nothing loth. “I won’t do it!”
-
-“_I’m_ goin’ to do it,” said Daisy. “All you haf to do is hold still.”
-
-“I won’t!” said Laurence.
-
-“I guess I better do it with this,” Daisy remarked, and, removing her
-left slipper as she and Robert continued their advance upon Laurence,
-she waved it merrily in the air. “What you so ’fraid of, Laurence?” she
-inquired boastingly. “This isn’t goin’ to hurt you—_much_!”
-
-“No, it isn’t,” he agreed. “And you better put it back where it was if
-you ever want to see it again. I’ll take that ole slipper, an’ I’ll——”
-
-“Teacher!” Daisy called, looking back to where Elsie stood. “Didn’t you
-say this naughty boy had to be spanked?”
-
-“Yes, I did,” Elsie replied. “You hurry up and do it!”
-
-Her voice was sweet; yet she spoke with sharpness, even with a hint of
-acidity, which the grown-up observer, forgotten by the children, noted
-with some surprise. Renfrew had been sure that he detected in Master Coy
-the symptoms of a tender feeling for Elsie. Laurence had deferred to
-her, had been the first to appeal to her when she sat aloof, had
-insisted that she should choose the game to play, and when she had
-chosen, hotly championed her claim to be the “teacher.” Above all was
-the difference in his voice when he spoke to her, and that swallowing of
-air, that uneasiness of the neck. Renfrew was sure, too, that Elsie
-herself must be at least dimly aware of these things, must have some
-appreciation of the preference for her that they portended—and yet when
-she was given authority, her very first use of it was to place Master
-Coy in a position unspeakably distasteful to himself. Sometimes children
-were impossible to understand, Renfrew thought—and so were some grown
-people, he added, in his mind, with a despondent glance across the
-street.
-
-Having glanced that way, his eyes came to rest upon the open window of a
-room upstairs, where the corner of a little satinwood writing-table was
-revealed—Muriel’s, he knew. Branches of a tall maple tree gave half the
-window a rococo frame, and beyond this bordering verdure sometimes he
-had caught glimpses of a graceful movement, shadowy within the room—a
-white hand would appear for an instant moving something on the desk, or
-adjusting the window-shade for a better light; or at the best, it might
-be half revealed, half guessed, that Muriel was putting on her hat at a
-mirror. But this befell only on days when she was in a gentle mood with
-him, and so it was seldom. Certainly it was not to-day, though she might
-be there; for when she was gloomiest about her environment (of which he
-was so undeniably a part) she might indeed sit at that charming little
-satinwood table to write, but sat invisible to him, the curtains veiling
-her. Of course, at such times, there was only one thing left for Renfrew
-to do, and legend offers the parallel of the niggardly mother who locked
-up the butter in the pantry, but let her children rub their dry bread on
-the knob of the pantry door. Renfrew could look at the window.
-
-The trouble was that when he looked at it, he was apt to continue to
-look at it for an indefinite period of time, during which his faculties
-lost their usefulness; people whom he knew might pass along the
-sidewalk, nod graciously to him, and then, not realizing his condition,
-vow never to speak again to so wooden a young snob. And into such a
-revery—if revery it were that held no thoughts, no visions, but only
-the one glamorous portrait of an empty window—he fell to-day. The
-voices of the children, sharp with purpose, shrill with protest, but
-died in his tranced ear as if they came from far away. The whole summer
-day, the glancing amber of the sunshine, the white clouds ballooning
-overhead between the tree-tops, the warm touch and smell of the
-air—these fell away from his consciousness. “He’s nothing,” the lonely
-poetess brusquely wrote of him; and now, for the time, it was almost
-true, since he was little more than a thought of a vacant window.
-
-When Renfrew was in this jellied state, something rather unusual was
-needed to rouse him—though a fire-department ladder-truck going by,
-with the gong palavering, had done it. What roused him to-day were
-sounds less metallic, but comparable in volume and in certain ways more
-sensational. As he stood, fixed upon the window, he slowly and vaguely
-became aware that the children seemed to be excited about something.
-Like some woodland dreamer who discovers that a crow commune overhead
-has been in hot commotion for some time without his noticing it, he was
-not perturbed, but gradually wakened enough to wonder what the matter
-was. Then he turned and looked mildly about him.
-
-His sister Daisy still held her slipper, but it was now in her left
-hand; in her right she had a shingle. Accompanied by Robert Eliot, she
-was advancing in a taunting manner upon Laurence Coy; and all three, as
-well as the rest of the children, may be described as continuously
-active and poignantly vociferous. Master Coy had armed himself with a
-croquet mallet, and his face expressed nothing short of red desperation;
-he was making a last stand. He warned the world that he would not be
-responsible for what he did with this mallet.
-
-Master Eliot also had a mallet; he and Daisy moved toward Laurence,
-feinting, charging and retreating, while the other children whooped,
-squealed, danced and gave shrill advice how the outlaw might best be
-taken.
-
-Daisy was the noisiest of all. “_I’ll_ show you, Mister Laurence Coy!”
-she cried. “You went an’ tore my collar, an’ you hit me with your elbow
-on my nose, an’——”
-
-“I’m glad I did!” Laurence returned.
-
-“It _hurts_ me, too!” Daisy proclaimed.
-
-“I’m glad it does! You had no business to grab me, an’ I’m glad I——”
-
-“_We’ll_ show you!” she promised him. “Soon as we get hold of you I’m
-goin’ to spank you till this shingle’s all wore out, an’ then I’m goin’
-to keep on till my slipper’s all wore out, an’ then I’m goin’ to take
-off my _other_ slipper an’——”
-
-“_Look_, Daisy!” Elsie Threamer cried. “While Robert keeps in front of
-him, why don’t you go round behind him? Then you could grab his mallet,
-and Robert could throw him down.”
-
-At this the dreamy Renfrew looked at Elsie in a moderate surprise.
-Elsie, earlier so aloof upon her higher plane, was the lady who had
-objected to roughness; it was she who said she didn’t like “those
-fighting games.” Yet here she was now, dancing and cheering on the
-attack, as wolfish as the rest, as intent as any upon violence to the
-unfortunate Laurence. Nay, it was she who had devised and set in motion
-the very engine for his undoing.
-
-“Get behind him, Daisy,” she squealed. “That’ll fix him!”
-
-“She better _not_ get behind me!” the grim Laurence warned them. “Her
-ole nose got _one_ crack already to-day, an’ if it gets another——”
-
-“I’ll take care o’ that, Mister Laurence Coy!” Daisy assured him. “I’ll
-look after my own nose, I kinely thank you.”
-
-“Yes, you will!” he retorted bitterly. “It ain’t hardly big enough to
-see it, an’ I bet if it comes off on this mallet, nobody could tell it
-was gone.”
-
-“I’ll—I’ll show you!” Daisy returned, finding no better repartee,
-though she evidently strove. “I’ll pay you with this paddle for every
-one of your ole insulks!”
-
-“Run _behind_ him!” Elsie urged her. “Why didn’t you run behind and grab
-him?”
-
-“You watch!” Daisy cried. “You keep pokin’ at him in front, Robert.” And
-she darted behind Laurence, striking at the swinging mallet with her
-shingle.
-
-But Laurence turned too, pivoting; and as he did, Robert Eliot, swinging
-his own weapon, rushed forward. The two mallets clattered together;
-there was a struggle—a confused one, for there were three parties to
-it, Daisy seeming to be at once the most involved and the most vigorous
-of the three. Her left arm clung about Laurence’s neck, with the sole of
-her slipper pressed against his face, which he strove hard to disengage
-from this undesirable juxtaposition; her right arm rose and fell
-repeatedly, producing a series of muffled sounds.
-
-“I’ll show you!” she said. “I’ll show you whose nose you better talk
-about so much!”
-
-“Ya-a-ay, Laurence!” the other children shouted. “Gettin’ spanked by a
-_girl_! Ya-ay, Laur-_runce_!”
-
-They uproariously capered between Renfrew and the writhing group; but it
-struck him that the two mallets, which were both moving rather wildly,
-might do damage; and he moved toward the mêlée.
-
-“Here!” he called. “What’s all this nonsense? Put down those mallets.”
-
-He spoke too late. The maddened Laurence’s feelings differed little from
-those of a warrior manhandled by a squaw in the midst of the taunting
-tribe; and in his anguish his strength waxed exceedingly. His mallet
-described a brief arc in the air, and not Daisy’s nose, but the more
-evident nose of fat Robert Eliot, was the recipient. Contact was
-established audibly.
-
-Robert squawked. He dropped his mallet, clasped his nose, and lay upon
-the good earth. Then when he looked at his ensanguined fingers, he
-seemed to feel that his end was hard upon him. He shrieked indeed.
-
-Daisy also complained, an accident having befallen her, though she took
-it for no accident. “_Ooh!_” she said. “You made your elbow hit me in
-the stummick, Laurence Coy!” She stood as a semicircle, and clasped
-herself, while the noise of the other children was hushed—except the
-extreme noise of Robert—and the discomfort of sudden calamity fell upon
-them. Their silent mouths were all open, particularly that of Laurence
-Coy, whom Daisy did little to reassure.
-
-“I bet I haf to have the doctor,” she prophesied ominously; and then,
-pointing to the fallen, she added: “An’ I bet Robert’s goin’ to _die_.”
-
-“Nonsense!” her brother said, bending over Robert. “Nonsense!”
-
-But Laurence Coy did not hear this optimistic word. Laurence had no
-familiarity with mortal wounds;—to his quaking eye, Robert bore a fatal
-appearance, and Daisy’s chill prophecy seemed horribly plausible.
-Laurence departed. One moment he stood there, pallid and dumfounded, but
-present; and the next, no one could have defined his whereabouts with
-certainty. All that could be known was that he had gone, and from the
-manner of his going, it might well be thought that he was shocked to
-find himself forgetting a rendezvous appointed for this very moment at
-some distant spot;—he had a hurried air.
-
-Others were almost as deeply affected by Daisy’s gloomy prophecy. As
-soon as she put the thought in their minds, Thomas Kimball, Freddie
-Mears and the remarkable Elsie were all convinced that Robert was near
-his passing, and with natural solicitude they had but the one thought in
-common: to establish an alibi.
-
-“Well, _I_ never went anywhere near him,” Elsie said. “I never even
-_touched_ a mallet!”
-
-“Neither’d I!” said Thomas Kimball. “I wasn’t in ten feet of him.”
-
-“_I_ wasn’t in a hunderd!” said Freddie.
-
-“It wasn’t _me_!” Thomas protested. “_I_ didn’t have anything to do with
-it.”
-
-“It was Laurence Coy,” said Freddie. “_That’s_ who it was.”
-
-“It was every _bit_ Laurence Coy,” said Elsie. “I _told_ them not to
-play such rough games.”
-
-Thus protesting, the three moved shyly toward various exits from the
-yard, and protesting still, went forth toward their several
-dwelling-places—and went unnoticed, for Robert was the centre of
-attention. The volume of sound he produced was undiminished, though the
-tone had elevated somewhat in pitch, and he seemed to intend words,
-probably of a reproachful nature; but as his excess of emotion enabled
-him to produce only vowels, the effect was confused, and what he wished
-to say could be little more than guessed.
-
-“Hush, hush!” said Renfrew, trying to get him to stand up. “You’ll bring
-the whole town here!”
-
-Robert became more coherent. “He _him_ me om my _mose_!”
-
-“I know,” said Renfrew. “But you’re not much hurt.”
-
-Appearing to resent this, Robert cried the louder. “I am, too!” he
-wailed. “I bet I _do_ die!”
-
-“Nonsense!”
-
-“_I_ bet he does,” said the gloomy Daisy. “He _is_ goin’ to die,
-Renfrew.”
-
-Pessimism is useful sometimes, but this was not one of the times. When
-Robert heard Daisy thus again express her conviction, he gave forth an
-increased bellowing; and it was with difficulty that Renfrew got him to
-a hydrant in the side yard. Here, plaintively lowing, with his head
-down, Robert incarnadined Renfrew’s trousers at intervals, while the
-young man made a cold compress of a handkerchief and applied it to the
-swelling nose.
-
-“If I—’f I—’f I die,” the patient blubbered, during this process,
-“they got to ketch that lull-little Lull-Laurence Coy and huh-hang him!”
-
-“Nonsense!” said Renfrew. “Stand still; your nose isn’t even broken.”
-
-“Well, my stummick is,” Daisy said, attending upon them and still in the
-semicircular attitude she had assumed for greater comfort. “I guess he
-broke _that_, if he never broke anything else, and whether he gets hung
-or not, I bet my mother’ll tell his mother she’s got to whip him, when
-she finds out.”
-
-“When she finds out what?” Renfrew asked.
-
-“When she finds out what he did to my stummick!”
-
-“Pooh,” said Renfrew. “Both of you were teasing Laurence, and worrying
-him till he hardly knew what he was doing. Besides, there isn’t really
-anything to speak of the matter with either of you.”
-
-Both resented his making light of injuries so sensational as theirs; and
-Robert released his voice in an intolerable howl. “There is, _too_! An’
-if I got to _die_——”
-
-“Stop that!” Renfrew commanded. “How many times must I tell you? You’re
-not any more likely to die than I am!”
-
-With that he was aware of a furious maiden entering the gate and running
-toward them across the lawn, and even as she sped, completing a hasty
-“putting up” of her hair.
-
-“If he isn’t ‘likely to die,’” she cried, “I’d be glad to know whose
-fault it is! Not yours, I think, Renfrew Mears!”
-
-At sight of his sister, Master Eliot bellowed anew; he wanted to tell
-his troubles all over again; but emotion in the presence of sympathy was
-too much for him; and once more he became all vowels, so that nothing
-definite could be gathered. Muriel clasped him to her. “Poor darling
-Bobby!” she said. “Don’t cry, darling! _Sister’ll_ take care of you!”
-
-“Here,” said Renfrew, proffering a fresh handkerchief. “Be careful. His
-nose isn’t _quite_——”
-
-She took the handkerchief and applied it, but gave the donor no thanks.
-“I never in all my life saw anything like it!” she exclaimed. “I never
-saw anything to compare with it!”
-
-“Why, it didn’t amount to so very much,” Renfrew said mildly, though he
-was surprised at her vehemence. “The children were playing, and they got
-to teasing, and Robert got tapped on the——”
-
-“‘Tapped!’” she cried. “He might have been killed! But what I meant was
-_you_!”
-
-“Me?”
-
-“Certainly! You! I never saw anything like your behaviour, and I saw it
-all from the sofa in my room. If I hadn’t had to dress, I’d have been
-over here in time to stop it long before you did, Renfrew Mears!”
-
-“Why, I don’t understand at all,” he protested feebly. “You seem angry
-with _me_! But all I’ve done was to put cold water on Robert’s nose.”
-
-“That’s it!” she cried. “You stood there—I _saw_ you. You stood there,
-and never lifted a finger while those children were having the most
-dreadful fight _with croquet mallets_, not forty feet from you! They
-might _all_ have been killed; and my poor darling little brother almost
-_was_ killed——”
-
-At this, Robert interrupted her with fresh outcries, and clung to her
-pitifully. She soothed him, and turned her flashing and indignant eyes
-upon Renfrew.
-
-“You stood there, not like a man but like a block of wood,” she said.
-“You didn’t even _look_ at them!”
-
-“Why, no,” said Renfrew. “I was looking at your window.”
-
-Apparently he felt that this was an explanation that explained
-everything. He seemed to imply that any man would naturally demean
-himself like a block of wood while engaged in the act of observation he
-mentioned, even though surrounded by circumstances of murder.
-
-It routed Muriel. She had no words to express her feeling about a person
-who talked like that; and giving him but one instant to take in the full
-meaning of her compressed lips, her irate colour and indignant
-breathing, she turned pointedly away. Then, with Robert clinging to her,
-she went across the lawn and forth from the gate, while Mr. Mears and
-his small sister watched in an impressed silence.
-
-Some one else watched Muriel as she supported the feeble steps of the
-weeping fat boy across the street; and this was the self-styled
-woman-hater and celebrated malleteer, Master Laurence Coy. He was at a
-far distance down the street, and in the thorny middle of a hedge where
-no sheriff might behold him; but he could see, and he was relieved
-(though solely on his own account) to discover that Robert was still
-breathing. He was about to come out from the hedge when the disquieting
-afterthought struck him: Robert might have expressed a wish to be taken
-to die in his own home. Therefore Laurence remained yet a while where he
-was.
-
-By the hydrant, Daisy was so interested in the departure of the injured
-brother and raging sister that she had forgotten her broken stummick and
-the semicircular position she had assumed to assuage it, or possibly to
-keep the broken parts together. She stood upright, watching the two
-emotional Eliots till they had disappeared round their own house in the
-direction of their own hydrant. Then she turned and looked up brightly
-at her brother.
-
-“She’s fearful mad, isn’t she?” Daisy said, laughing. “She treats you
-awful, don’t she?”
-
-“Never mind,” Renfrew said, and then he remembered something that had
-puzzled him not so painfully; and he wondered if Daisy might shed a
-light on this. “Daisy, what in the world made you pick on poor little
-Laurence the way you did?”
-
-“Me?” she asked, surprised. “Why, it was Elsie told us to.”
-
-“That’s it,” Renfrew said. “That’s what I want to know. Laurence was
-just as nice to her as he could be; he did everything he could think of
-to please her, and the first chance she got, she set the whole pack of
-you on him. What did she do a thing like that for?”
-
-Daisy picked a dandelion from the grass and began to eat it. “What?” she
-inquired.
-
-“What makes Elsie so mean to poor little Laurence Coy?”
-
-“Oh, well,” said Daisy casually, “she likes him best. She likes him best
-of all the boys in town.” And then, swallowing some petals of the
-dandelion, she added: “She treats him awful.”
-
-Renfrew looked at her thoughtfully; then his wondering eyes moved slowly
-upward till they rested once more upon the maple-embowered window over
-the way, and into his expression there came a hint of something almost
-hopeful.
-
-“So she does!” he said.
-
-
-
-
- MAYTIME IN MARLOW
-
-
-IN MAY, when the maple leaves are growing large, the Midland county seat
-and market town called Marlow so disappears into the foliage that
-travellers, gazing from Pullman windows, wonder why a railroad train
-should stop to look at four or five preoccupied chickens in a back yard.
-On the other hand, this neighbourly place is said to have a population
-numbering more than three thousand. At least, that is what a man from
-Marlow will begin to claim as soon as he has journeyed fifteen or twenty
-miles from home; but to display the daring of Midland patriotism in a
-word, there have been Saturdays (with the farmers in town) when
-strangers of open-minded appearance have been told, right down on the
-Square itself, that Marlow consisted of upwards of four thousand mighty
-enterprising inhabitants.
-
-After statistics so dashing, it seems fairly conservative to declare
-that upon the third Saturday of last May one idea possessed the minds
-and governed the actions of all the better bachelors of Marlow who were
-at that time between the ages of seventeen and ninety, and that the same
-idea likewise possessed and governed all the widowers, better and worse,
-age unlimited.
-
-She was first seen on the Main Street side of the Square at about nine
-o’clock in the morning. To people familiar with Marlow this will mean
-that all the most influential business men obtained a fair view of her
-at an early hour, so that the news had time to spread to the
-manufacturers and professional men before noon.
-
-Mr. Rolfo Williams, whose hardware establishment occupies a corner, was
-the first of the business men to see her. He was engaged within a cool
-alcove of cutlery when he caught a glimpse of her through a window; but
-in spite of his weight he managed to get near the wide-spread front
-doors of his store in time to see her framed by the doorway as a passing
-silhouette of blue against the sunshine of the Square. His clerk, a
-young married man, was only a little ahead of him in reaching the
-sidewalk.
-
-“My goodness, George!” Mr. Williams murmured. “Who _is_ that?”
-
-“Couldn’t be from a bit more’n half a mile this side o’ New York!” said
-George, marvelling. “Look at the clo’es!”
-
-“No, George,” his employer corrected him gently. “To me it’s more the
-figger.”
-
-The lady was but thirty or forty feet away, and though she did not catch
-their words, the murmur of the two voices attracted her attention. Not
-pausing in her light stride forward, she looked back over her shoulder,
-and her remarkable eyes twinkled with recognition. She smiled
-charmingly, then nodded twice—first, unmistakably to Mr. Williams, and
-then, with equal distinctness, to George.
-
-These dumfounded men, staring in almost an agony of blankness, were
-unable to return the salutation immediately. The attractive back of her
-head was once more turned to them by the time they recovered
-sufficiently to bow, but both of them did bow, in spite of that, being
-ultimately conscientious no matter how taken aback. Even so, they were
-no more flustered than was old Mr. Newton Truscom (Clothier, Hatter, and
-Gents’ Furnisher), just emerging from his place of business next door;
-for Mr. Truscom was likewise sunnily greeted.
-
-“My goodness!” Mr. Williams gasped. “I never saw her from Adam!”
-
-Mr. Truscom, walking backward, joined the hardware men. “Seems like
-fine-lookin’ girls liable to take considerable of a fancy to us three
-fellers,” he said; “whether they know us or not!”
-
-“Shame on you, Newt!” George returned. “Didn’t you see her give me the
-eye? Of course, after that, she wanted to be polite to you and Mr.
-Williams. Thought him and you were prob’ly my pappy and gran’daddy!”
-
-“Look!” said Mr. Truscom. “She’s goin’ in Milo Carter’s drug-store.
-Sody-water, I shouldn’t wonder!”
-
-“It just this minute occurred to me how a nectar and pineapple was what
-I needed,” said George. “Mr. Williams, I’ll be back at the store in a
-few min—”
-
-“No, George,” his employer interrupted. “I don’t mind your lollin’
-around on the sidewalk till she comes out again, because that’s about
-what I’m liable to do myself, but if you don’t contain yourself from no
-nectar and pineapple, I’m goin’ to tell your little bride about it—and
-you know what Birdie will say!”
-
-“Rolfo, did you notice them _shoes_?” Mr. Truscom asked, with sudden
-intensity. “If Baker and Smith had the enterprise to introduce a pattern
-like that in our community——”
-
-“No, Newt, I didn’t take so much notice of her shoes. To me,” said Mr.
-Williams dreamily, “to me it was more the whole figger, as it were.”
-
-The three continued to stare at the pleasing glass front of Milo
-Carter’s drug-store; and presently they were joined by two other men of
-business who had perceived from their own doorways that something
-unusual was afoot; while that portion of Main Street lying beyond Milo
-Carter’s also showed signs of being up with the times. Emerging from
-this section, P. Borodino Thompson and Calvin Burns, partners in
-Insurance, Real Estate, Mortgages and Loans, appeared before the
-drug-store, hovered a moment in a non-committal manner that was really
-brazen, then walked straight into the store and bought a two-cent stamp
-for the firm.
-
-Half an hour later, Mortimer Fole was as busy as he could be. That is to
-say, Mortimer woke from his first slumber in a chair in front of the
-National House, heard the news, manœuvred until he obtained a view of
-its origin, and then drifted about the Square exchanging comment with
-other shirt-sleeved gossips. (Mortimer was usually unemployed; but there
-was a Mexican War pension in the family.)
-
-“Heard about it?” he inquired, dropping into E. J. Fuller’s (E. J.
-Fuller & Co., Furniture, Carpets and Wall-Paper).
-
-“Yes, Mortimore,” E. J. Fuller replied. “Anybody know anything?”
-
-“Some of ’em claim they do,” said Mortimer. “Couple fellers _I_ heard
-says she must belong with some new picture theatre they claim an
-out-o’-town firm’s goin’ to git goin’ here, compete with the Vertabena.
-Howk, he says thinks not; claims it’s a lady he heard was comin’ to
-settle here from Wilkes-Barry, Pennsylvania, and give embroidery lessons
-and card-playin’. Cousin of the Ferrises and Wheelers, so Howk claims. I
-says, ‘She is, is she?’ ‘Well,’ he says, ‘that’s the way _I_ look at
-it.’ ‘Oh, you do, do you?’ I says. ‘Then what about her speakin’ to
-everybody?’ I ast him, right to his face; and you’d ought to seen him!
-Him and all of ’em are wrong.”
-
-“How do you know, Mortimore?” asked Mr. Fuller. “What makes you think
-so?”
-
-“Listen here, Ed,” said Mortimer. “What’d she do when she went into
-Charlie Murdock’s and bought a paper o’ pins? You heard about that,
-yet?”
-
-“No.”
-
-“She went in there,” said Mr. Fole, “and spoke right _to_ Charlie. ‘How
-are you, Mister Murdock?’ she says. Charlie like to fell over backwards!
-And then, when he got the pins wrapped up and handed ’em to her she
-says, ‘How’s your wife, Mr. Murdock?’ Well, sir, _Charlie_ says his wife
-was just about the last woman in the world he had in his mind right
-then!”
-
-“Where’s she supposed to be now?” Mr. Fuller inquired, not referring to
-Mrs. Murdock. “Over at the hotel?”
-
-“Nope,” Mortimer replied. “She ain’t puttin’ up there. Right now she’s
-went upstairs in the Garfield Block to Lu Allen’s office. Haven’t heard
-what Lu’s got to say or whether she’s come out. You git to see her yet?”
-
-“No, sir,” Mr. Fuller returned, rather indifferently. “What’s she look
-like, Mortimore?”
-
-“Well, sir, I can give you a right good notion about that,” said
-Mortimer. “I expect I’m perty much the only man in town that could, too.
-You remember the time me and you went over to Athens City and took in
-the Athens City lodge’s excursion to Chicago? Well, remember somebody
-got us to go to a matinée show without any much cuttin’ up or singin’ in
-it, but we got so we liked it anyhow—and went back there again same
-night?”
-
-“Yes, sir. Maude Adams.”
-
-“Well, sir, it ain’t her, but that’s who she kind o’ put me in mind of.
-Carryin’ a blue parasol, too.”
-
-Mr. Fuller at once set down the roll of wall-paper he was measuring, and
-came out from behind his counter.
-
-“Where goin’, Ed?” Mortimer inquired, stretching himself elaborately,
-though somewhat surprised at Mr. Fuller’s abrupt action—for Mortimer
-was indeed capable of stretching himself in a moment of astonishment.
-
-“What?”
-
-“Where goin’?”
-
-Mr. Fuller, making for the open, was annoyed by the question. “Out!” he
-replied.
-
-“I got nothin’ much to do right now,” said the sociable Mortimer. “I’ll
-go with you. Where’d you say you was goin’, Ed?”
-
-“Business!” Mr. Fuller replied crossly.
-
-“That suits _me_, Ed. I kind o’ want to see Lu Allen, myself!”
-
-Thereupon they set forth across the Square, taking a path that ran
-through the courthouse yard; but when they came out from behind the old,
-red brick building and obtained a fair view of the Garfield Block, they
-paused. She of the blue parasol was disappearing into the warm obscurity
-of Pawpaw Street; and beside her sauntered Mr. Lucius Brutus Allen,
-Attorney at Law, his stoutish figure and celebrated pongee coat as
-unmistakable from the rear as from anywhere. In the deep, congenial
-shade of the maple trees her parasol was unnecessary, and Lucius dangled
-it from his hand, or poked its ferule idly at bugs in shrubberies
-trembling against the picket fences that lined the way.
-
-At any distance it could be seen that his air was attentive and
-gallant—perhaps more than that, for there was even a tenderness
-expressed in the oblique position of his shoulders, which seemed to
-incline toward his companion. Mr. Rolfo Williams, to describe this mood
-of Lucius Allen’s, made free use of the word “sag.” Mr. Williams stood
-upon the corner with his wife, that amiable matron, and P. Borodino
-Thompson, all three staring unaffectedly. “That’s Lu Allen’s lady-walk,”
-said Rolfo, as E. J. Fuller and Mortimer joined them. “He always kind o’
-sags when he goes out walkin’ with the girls. Sags toe-_ward_ ’em. I’ll
-say this much: I never see him sag deeper than what he is right now.
-Looks to me like he’s just about fixin’ to lean on her!”
-
-“Don’t you worry!” his wife said testily. “Lucy’d slap him in a minute!
-She always was that kind of a girl.”
-
-“‘Lucy!’” Mortimer echoed. “Lucy who?”
-
-“Lucy Cope.”
-
-“What on earth are you talkin’ about, Miz Williams? That ain’t Lucy
-Cope!”
-
-Mrs. Williams laughed. “Just why ain’t it?” she asked satirically. “I
-expect some o’ the men in this town better go get the eye-doctor to take
-a look at ’em! Especially”—she gave her husband a compassionate
-glance—“especially the fat, old ones! Mrs. Cal Burns come past my house
-’while ago; says, ‘Miz Williams, I expect you better go on up-town look
-after your husband,’ she says. ‘I been huntin’ fer mine,’ she says, ‘but
-I couldn’t locate him, because he knows better than to let me to,’ she
-says, ‘after what P. Borodino Thompson’s just been tellin’ me about him!
-Lucy Cope Ricketts is back in town,’ she says, ‘and none the men
-reckanized her yet,’ she says, ‘and you better go on up to the Square
-and take a look for yourself how they’re behavin’! _I_ hear,’ she says,
-‘_I_ hear hasn’t anybody been able to get waited on at any store-counter
-in town so far this morning, except Lucy herself.’”
-
-“Well, sir,” Mr. Williams declared. “I couldn’t hardly of believed it,
-but it certainly is her.” He shook his head solemnly at Mrs. Williams,
-and, gently detaching her palm-leaf fan from her hand, used it for his
-own benefit, as he continued: “Boys, what I’m always tellin’ ma here is
-that there ain’t nothin’ on earth like bein’ a widow to bring out the
-figger!”
-
-“You hush up!” she said, but was constrained to laugh and add, “I guess
-you’d be after _me_ all right if I was a widow!”
-
-“No, Carrie,” he said, “I wouldn’t be after nobody if you was a widow.”
-
-“I mean if I was anybody else’s,” Mrs. Williams explained. “Look how
-George says you been actin’ all morning about this one!”
-
-Mr. Fuller intervened in search of information. He was not a native, and
-had been a citizen of Marlow a little less than four years. “Did you say
-this lady was one of the Ricketts family, Mrs. Williams?” he inquired.
-
-“No. She married a Ricketts. She’s a Cope; she’s all there is left of
-the Copes.”
-
-“Did I understand you to say she was a widow?”
-
-“I didn’t say she was one,” Mrs. Williams replied. “She is one now,
-though. Her and Tom Ricketts got married ten years ago and went to live
-in California. He’s been dead quite some time—three-four years
-maybe—and she’s come back to live in the Copes’ ole house, because it
-belongs to her, I expect. Everybody knew she was comin’ some time this
-spring—everybody’d heard all about it—but none you _men_ paid any
-attention to it. I’ll have to let you off, Mr. Fuller. You’re a widower
-and ain’t lived here long, and you needn’t take what I’m sayin’ to
-yourself. But the rest of all you rag-tag and bob-tail aren’t goin’ to
-hear the last o’ this for some time! Mr. Fuller, if you want to know why
-they never took any interest up to this morning in Lucy Cope Ricketts’
-goin’ to come back and live here again, it’s because all they ever
-remembered her she was kind of a peakid girl; sort of thin, and never
-seemed to have much complexion to speak of. You wouldn’t think it to
-look at her now, but that’s the way she was up to when she got married
-and went away. Now she’s back here, and a _widow_, not a one of ’em
-reckanized her till Mrs. Cal Burns come up-town and told ’em—and look
-how they been actin’!”
-
-“It all goes to show what I say,” said Rolfo. “She always did have kind
-of a sweet-lookin’ face, but I claim that there’s nothin’ in the world
-like being a happy widow to bring out the complexion and the——”
-
-“Listen to you!” his wife interrupted. “How you do keep out o’ jail so
-long _I_ certainly don’t know!” She turned to the others. “That man’s a
-born bigamist,” she declared. “And at that I don’t expect he’s so much
-worse’n the rest of you!”
-
-“You ought to leave me out along with E. J. Fuller, Mrs. Williams,” Mr.
-Thompson protested. “I’ve never even been married at all.”
-
-But this only served to provoke Rolfo’s fat chuckle, and the barbed
-comment: “It _is_ a heap cheaper at mealtimes, Bore!”
-
-“How’s it happen Lu Allen’s so thick with Mrs. Ricketts?” E. J. Fuller
-inquired. “How’s it come that he——”
-
-“He’s her lawyer,” Mrs. Williams informed him, “and he was executor of
-the Cope will, and all. Besides that, he used to be awful attentive to
-her, and nobody was hardly certain which she was goin’ to take, Lu Allen
-or Tom Ricketts, right up to a year or two before she got married. Looks
-like Lu was goin’ to get a second chance, and money throwed in!”
-
-“Well, Lu’s a talker, but he’ll have to talk some now!” P. Borodino
-Thompson announced thoughtfully. “I used to know her, too, but I never
-expected she was going to turn out like this!”
-
-“You and I been gettin’ to be pretty fair friends, Bore,” said Mr.
-Fuller, genially, as the group broke up. “Think you could kind of slide
-me in along with you when you go up there to call?”
-
-“No, sir!” Mr. Thompson replied emphatically. “Red-headed Lu Allen isn’t
-much of a rival, but he’s enough for me. If _you_ think of starting in,
-first thing I do I’m going to tell her you’re an embezzler. I’m going
-home now to get out my cutaway suit and white vest, and you can tell ’em
-all to keep out of my road! I’m going calling this evening, right after
-supper!”
-
-“Never mind!” Fuller warned him. “I’ll get up there _some_ way!”
-
-Meanwhile, in the sun-checkered shadow of a honeysuckle vine that
-climbed a green trellis beside an old doorway, Mr. Lucius Brutus Allen
-was taking leave of his lovely friend.
-
-“Will you come this evening, Lucius, and help me decide on some
-remodeling for the house?” she asked; and probably no more
-matter-of-fact question ever inspired a rhapsody in the bosom of a man
-of thirty-five.
-
-“No, thanks,” said Mr. Allen. “I never could decide which I thought your
-voice was like, Lucy: a harp or a violin. It’s somewhere between, I
-suspect; but there are pictures in it, too. Doesn’t make any difference
-what you _say_, whenever you speak a person can’t help thinking of wild
-roses shaking the dew off of ’em in the breezes that blow along about
-sunrise. You might be repeating the multiplication table or talking
-about hiring a cook, but the sound of your voice would make pictures
-like that, just the same. I had to hear it again to find out how I’ve
-been missing it. I must have been missing it every single day of these
-ten years whether I knew it or not. It almost makes me sorry you’ve come
-back, because if you hadn’t I’d never have found out how I must have
-been suffering.”
-
-Mrs. Ricketts looked at him steadily from within the half-shadow of the
-rim of her pretty hat. “When will you come and help me with the plans?”
-she asked.
-
-“I don’t know,” Mr. Allen returned absently; and he added with immediate
-enthusiasm: “I never in my life saw any girl whose hair made such a
-lovely shape to her head as yours, Lucy! It’s just where you want a
-girl’s hair to be, and it’s not any place you don’t want it to be. It’s
-the one thing in the world without any fault _at all_—the only thing
-the Lord made just perfect—except your nose and maybe the Parthenon
-when it was new.”
-
-That brought a laugh from her, and Lucius, who was pink naturally and
-pinker with the warm day, grew rosy as he listened to Lucy’s laughter.
-“By George!” he said. “To hear you laugh again!”
-
-“You always did make me laugh, Lucius.”
-
-“Especially if I had anything the matter with me,” he said. “If I had a
-headache or toothache I’d always come around to get you to laugh.
-Sometimes if the pain was pretty bad, it wouldn’t go away till you
-laughed two or three times!”
-
-She laughed the more; then she sighed. “Over ten years, almost
-eleven—and you saying things like this to every girl and woman you met,
-all the time!”
-
-“Well,” Mr. Allen said thoughtfully, “nobody takes much notice what a
-chunky kind of man with a reddish head and getting a little bald says.
-It’s quite a privilege.”
-
-She laughed again, and sighed again. “Do you remember how we used to sit
-out here in the evenings under the trees, Lucius? One of the things I’ve
-often thought about since then was how when _you_ were here, papa and
-mamma would bring their chairs and join us, and you’d talk about the
-moon, and astronomy, and the Hundred Years War, and——”
-
-“Yes!” Lucius interrupted ruefully. “And then some other young fellow
-would turn up—some slim, dark-haired Orlando—and you’d go off walking
-with him while I stayed with the old folks. I’d be talking astronomy
-with them, but you and Orlando were strolling under the stars—and
-didn’t care what they were made of!”
-
-“No,” she said. “I mean what I’ve thought about was that papa and mamma
-never joined us unless _you_ were here. It took me a long while to
-understand that, Lucius; but finally I did.” She paused, musing a
-moment; then she asked: “Do the girls and boys still sit out on front
-steps and porches, or under the trees in the yard in the evenings the
-way we used to? Do you remember how we’d always see old Doctor Worley
-jogging by in his surrey exactly as the courthouse bell rang nine, every
-night; his wife on the back seat and the old doctor on the front one,
-coming home from their evening drive? There are so many things I
-remember like that, and they all seem lovely now—and I believe they
-must be why I’ve come back here to live—though I didn’t think much
-about them at the time. Do the girls and boys still sit out in the yards
-in the evening, Lucius?”
-
-Lucius dangled the ferule of the long-handled blue parasol over the
-glowing head of a dandelion in the grass. “Not so much,” he answered.
-“And old Doc Worley and his wife don’t drive in their surrey in the
-summer evenings any more. They’re both out in the cemetery now, and the
-surrey’s somewhere in the air we breathe, because it was burnt on a
-trash-heap the other day, though I’ve seemed to see it driving home in
-the dusk a hundred times since it fell to pieces. Nowadays hardly any,
-even of the old folks, ride in surreys. These ten years have changed the
-world, Lucy. Money and gasoline. Even Marlow’s got into the world; and
-in the evenings they go out snorting and sirening and blowing-out and
-smoking blue oil all over creation. Bore Thompson’s about the only man
-in town that’s still got any use for a hitching-post. He drives an old
-white horse to a phaeton, and by to-morrow afternoon at the latest
-you’ll find that old horse and phaeton tied to the ring in the hand of
-that little old cast-iron stripe-shirted nigger-boy in front of your
-gate yonder.”
-
-Mrs. Ricketts glanced frowningly at the obsolete decoration he
-mentioned; then she smiled. “That’s one of the things I want you to
-advise me about,” she said. “I don’t know how much of the place to alter
-and how much to leave as it is. And _why_ will I find Mr. Thompson’s
-horse tied to our poor old cast-iron darky boy?”
-
-“He’s seen you, hasn’t he?”
-
-“Yes, but he looked startled when I spoke to him. Besides, he used to
-see me when I was a girl, and he was one of the beaux of the town, and
-he never came then.”
-
-“He will now,” said Lucius.
-
-“Oh, surely not!” she protested, a little dismayed.
-
-“He couldn’t help it if he tried, poor thing!”
-
-At that she affected to drop him a curtsey, but nevertheless appeared
-not over-pleased. “You seem to be able to help it, Lucius,” she said;
-and the colour in his cheeks deepened a little as she went on: “Of
-course you don’t know that the way you declined to come this evening is
-one of the things that make life seem such a curious and mixed-up thing
-to me. After I—when I’d gone away from here to live, you were what I
-always remembered when I thought of Marlow, Lucius. And I remembered
-things you’d said to me that I hadn’t thought of at all when you were
-saying them. It was so strange! I’ve got to knowing you better and
-better all the long, long time I’ve been away from you—and I could
-always remember you more clearly than anybody else. It seems queer and
-almost a little wicked to say it, but I could remember you even more
-clearly than I could papa and mamma—and, oh! how I’ve looked forward to
-seeing you again and to having you talk to me about _everything_! Why
-won’t you come this evening? Aren’t you really glad I’m home again?”
-
-“That’s the trouble!” he said; and seemed to feel that he had offered a
-satisfactory explanation.
-
-“What in the world do you mean?” she cried.
-
-“I gather,” he said slowly, “from what you’ve said, that you think more
-about me when I’m not around where you have to look at me! Besides——”
-
-“Besides what?” she insisted, as he moved toward the gate.
-
-“I’m afraid!” said Lucius; and his voice was husky and honest. “I’m
-afraid,” he repeated seriously, as he closed the gate behind him. “I’m
-afraid to meet Maud and Bill.”
-
-She uttered half of a word of protest, not more than that; and it went
-unheard. Frowning, she compressed her lips, and in troubled silence
-stood watching his departure. Then, all at once, the frown vanished from
-her forehead, the perplexity from her eyes; and she pressed an
-insignificant handkerchief to a charming mouth overtaken by sudden
-laughter. But she made no sound or gesture that would check Lucius
-Brutus Allen or rouse him to the realization of what he was doing.
-
-The sturdy gentleman was marching up Pawpaw Street toward the Square,
-unconscious that he had forgotten to return the long-handled blue
-parasol to its owner—and that he was now jauntily carrying it over his
-right shoulder after the manner of a musket. Above the fence, the blue
-parasol and the head of Lucius bobbed rhythmically with his gait, and
-Mrs. Ricketts, still with her handkerchief to her lips, watched that
-steady bobbing until intervening shrubberies closed the exhibition.
-Then, as she opened the door of the old frame house, she spoke
-half-aloud:
-
-“Nobody—not one—never _any_where!” she said; and she meant that Lucius
-was unparalleled.
-
- * * * * *
-
-When Mr. Allen debouched upon Main Street from Pawpaw, he encountered
-Mortimer Fole, who addressed him with grave interest:
-
-“Takin’ it to git mended, I suppose, Lu?”
-
-“Get what mended?” asked Lucius, pausing.
-
-“Her parasol,” Mr. Fole responded. “If you’ll show me where it’s out of
-order, I expect I could get it fixed up about as well as anybody. Frank
-Smith that works over at E. J. Fuller’s store, he’s considerable of a
-tinker, and I reckon he’d do it fer nothin’ if it was me ast him to. I’d
-be willin’ to carry it up to her house for you, too. I go by there
-anyhow, on my way home.”
-
-“No, Mortimore, thank you.” Lucius brought the parasol down from his
-shoulder and stood regarding it seriously. “No; it isn’t out of order.
-I—I just brought it with me. What’s the news?”
-
-“Well, I don’t know of much,” said Mortimer, likewise staring
-attentively at the parasol. “Some wall-paperin’ goin’ on here and there
-over town, E. J. Fuller says. Ed says P. Borodino Thompson told him he
-was goin’ to drop round and _call_ this evening, he says; but afterwards
-I was up at the hardware store, and Bore come in there and Rolfo
-Williams’s wife talked him out o’ goin’. ‘My heavens!’ she says, ‘can’t
-you even give her a couple days to git unpacked and straighten up the
-house?’ So Bore says he guessed he’d wait till to-morrow afternoon and
-ast her to go buggy-ridin’ in that ole mud-coloured phaeton of his. Milo
-Carter’s fixin’ to go up there before long, and I hear Henry Ledyard
-says _he’s_ liable to start in mighty soon, too. You and Bore better
-look out, Lu. Henry’s some years younger than what you and Bore are. He
-ain’t as stocky as what you are, nor as skinny as what Bore is, and he
-certainly out-dresses the both of you every day in the week an’ twicet
-on Sunday!”
-
-“Thank you, Mortimore,” Lucius responded, nodding. “I’d been calculating
-a little on a new necktie—but probably it wouldn’t be much use if Henry
-Ledyard’s going to——”
-
-“No, sir,” Mortimer interrupted to agree. “Henry buys ’em a couple or
-more at a time. Newt Truscom’s goin’ to be a rich man if Henry don’t
-quit. So long, Lu!”
-
-Mr. Allen, turning in at the entrance to the stairway that led to his
-office, waved his left hand in farewell, his right being employed in an
-oddly solicitous protection of the parasol—though nothing threatened
-it. But Mortimer, having sauntered on a few steps, halted, and returned
-to the stairway entrance, whence he called loudly upward:
-
-“Lu! Oh, Lu Allen!”
-
-“What is it?”
-
-“I forgot to mention it. You want to be lookin’ out your window along
-around three o’clock or half-past, to-morrow afternoon.”
-
-“What for?”
-
-“Why, P. Borodino was talkin’ and all so much, about that buggy-ride,
-you know, so Rolfo Williams bet him a safety-razor against three
-dollars’ worth of accident insurance that he wouldn’t git her to go with
-him, and Bore’s got to drive around the Square, first thing after they
-start, to prove it. There’s quite a heap of interest around town in all
-this and that; and you better keep your eye out your window from three
-o’clock on!”
-
-Thus, at three o’clock, the next afternoon, Mr. Allen was in fact
-looking—though somewhat crossly—out of his office window. Below, P.
-Borodino Thompson was in view, seated in his slowly moving phaeton,
-exuberantly clad for a man of his special reputation for “closeness,”
-and with his legs concealed by a new dust-robe, brilliantly bordered;
-but he was as yet unaccompanied.
-
-A loud and husky voice ascended to the window: “On his way!” And Lucius
-marked the form and suspender of Mortimer upon the sidewalk below;
-whereupon Mortimer, seeing that Lucius observed him, clapped hand to
-mouth, and simulated a jocular writhing in mockery of P. Borodino. “Hay,
-Bore!” he bellowed. “Floyd Kilbert’s wife’s got a sewin’-machine she
-wants you to move fer her in that empty seat you’ll have in your phaeton
-when you git back here to the Square in a few minutes!”
-
-Mr. Thompson waved his whip condescendingly, attempting no other retort;
-and turned into the maple shade of Pawpaw Street. Five minutes later,
-“General,” the elderly white horse, was nosing the unyielding hand of
-the cast-iron darky boy, and the prophecy made by Mr. Allen on the
-preceding morning was fulfilled.
-
-A neat young woman, descendant of vikings, but tamed in all except
-accent, showed Mr. Thompson into an Eighteen-Eighty parlour; went away,
-returned, and addressed him as “yentleman.” Mrs. Ricketts would be glad
-to see him, she reported, adding: “Yust wait some minute.”
-
-The visitor waited some minutes, then examined his reflection in the
-glass over the Eastlake mantel; and a slight rustling in the hall, near
-the doorway, failed to attract his attention, for he was engaged in a
-fundamental rearrangement of his tie.
-
-“Wookin’ at himseff in the wookin’-gwass!”
-
-This unfavourable comment caused him to tuck his tie back into the neck
-of his white waistcoat in haste, and to face the doorway somewhat
-confusedly. Two pretty little children stood there, starchy and fresh,
-and lustrously clean, dressed in white: a boy about seven and a girl
-about five—and both had their mother’s blue eyes and amber hair.
-
-“He’s dressin’ himself,” said the boy.
-
-“Wookin’ at himseff in the wookin’-gwass!” the little girl repeated,
-and, pointing a curling forefinger, she asked: “Who? Who that man?”
-
-“Well, tots,” the visitor said, rather uncomfortably, but with proper
-graciousness, “who are _you_? What’s your name, little girl?”
-
-“Maud,” the little girl replied, without any shyness.
-
-“What’s yours, little man?”
-
-“Bill,” said the boy. “Bill Ricketts. You got somep’m stickin’ out of
-your vest at the top.”
-
-Mr. Thompson incautiously followed an impulse to turn again to the
-mirror, whereupon the child, Maud, instantly shouted:
-
-“Wookin’ at himseff in the wookin’-gwass!”
-
-Her voice was so loud, and the information it imparted so discomfiting,
-that the visitor felt himself breaking out suddenly into a light
-perspiration. Foolishly, he attempted to defend himself against the
-accusation. “Why, no, I wasn’t, little Maudie,” he said, with an uneasy
-laugh.
-
-To his horror, she responded by shouting at an even higher pitch than
-before:
-
-“_Wookin’ at himseff in the wookin’-gwass!_”
-
-She did not stop at that, for children in such moods are terrible, and
-they have no pity. P. Borodino Thompson, substantial citizen, of
-considerable importance financially, not only in Marlow but throughout
-the county, and not without dignity to maintain, found himself at the
-mercy of this child who appeared to be possessed (for no reason
-whatever) by the old original Fiend of malice. She began to leap into
-the air repeatedly; leaping higher and higher, clapping her hands
-together, at arms’-length above her head, while she shrieked, squealed,
-and in all ways put pressure upon her lungs and vocal organs to
-distribute over the world the scandal that so horridly fascinated her:
-
-“Caught him! Wookin’ at himseff in the wookin’-gwass! Caught him wookin’
-at himseff in the _wookin’-gwass_! Wookin’ at himseff in the
-wookin’-GWASS!”
-
-Meanwhile, her brother did not escape infection. He, likewise, began to
-leap and to vociferate, so that it was not possible to imagine any part
-of the house, or of the immediate neighbourhood, to which the indictment
-was not borne.
-
-“Stickin’ out of his vest!” shouted Bill. “Got somep’n stickin’ out of
-his vest! Out of his vest, vest, vest! Out of his vest, vest, VEST!”
-
-Then, without warning, he suddenly slapped his sister heartily upon the
-shoulder. “Got your tag!” he cried; darted away, and out through the
-open front door to the green sunshiny yard, whither Maud instantly
-pursued him.
-
-Round and round the front yard they went, the two little flitting white
-figures, and round the house, and round and round the old back yard with
-its long grape-arbour and empty stable. By and by, when each had fallen
-separately four or five times, they collided and fell together,
-remaining prone, as by an unspoken agreement. Panting, they thus
-remained for several minutes; then Bill rose and walked into the stable,
-until now unexplored; and Maud followed him.
-
-When they came out, two minutes later, Bill was carrying, to the extreme
-damage of his white blouse, a large can of red paint, while Maud was
-swinging a paint-brush that had been reposing in the can; and the look
-upon their two flushed faces was studious but inscrutable.
-
-Maud applied the brush to the side of the house, leaving a broad red
-streak upon the gray weather-boarding; but Bill indignantly snatched the
-brush from her hand.
-
-“Shame!” he said. “You know what you got once!”
-
-“When?” Maud demanded. “When did I got it?”
-
-“_You_ know!” her brother responded darkly. “For markin’ on the nurs’ry
-wall with my little box o’ paints.”
-
-“She did not!”
-
-“She did, too!”
-
-“Not!”
-
-“Did!” said Bill. “And you’ll get one now if she finds out you stuck
-paint on the house. You will!”
-
-“I won’t!”
-
-“Will, too! You _know_ it’s wrong to stick paint on a house.”
-
-“’Tisn’t!” Maud insisted. “She spanks you more’n she spanks me.”
-
-“You wait an’ see!”
-
-He shook his head ominously, and for a moment Maud was depressed, but
-the signs of foreboding vanished from her angelic brow, and she made the
-natural inquiry:
-
-“What we _goin’_ to paint?”
-
-To Bill also, it was evident that something had to be painted; but as he
-looked about him, the available material seemed sparse. As a being
-possessed of reason, he understood that a spanking applied to his sister
-in order to emphasize the immunity of houses, might well be thought to
-indicate that stables and fences were also morally unpaintable. Little
-appeared to remain at the disposal of a person who had just
-providentially acquired a can of red paint and a brush. Shrubberies were
-obviously impracticable, and Bill had his doubts about the trunks of
-trees: they were made of wood, he knew, like many houses and fences and
-stables.
-
-As he stood, thinking profoundly, there came loudly through the still
-afternoon the sound of General, shaking his harness and stamping the
-ground, as a May fly persisted in annoying him.
-
-Maud pointed with her curling forefinger. “Wet’s paint that,” she said.
-
-“That” was the horse; Maud was pointing at General. And immediately
-Bill’s eyes showed his relief from a great strain, and became eager and
-confident: nobody had ever told him not to paint a horse.
-
-Hand-in-hand, the brother and sister approached General. The kind old
-horse, worried by the fly and the heat, was pleased to have the fly
-chased away; and after the first stroke of the cool wet brush on his
-right foreleg, he closed one eye in hushed ecstasy and stood motionless,
-lest he break the spell.
-
-General’s owner, meanwhile, in the quiet parlour, had not quite
-recovered his usual pallor; but the departure of the children mightily
-relieved him, and he found time to complete the bestowal of his tie.
-Thereafter, Mrs. Ricketts still not making her appearance, he had
-leisure to acquaint himself with the design of romantic musical
-instruments inlaid in pearl upon the top of the centre-table; and with
-the two tall alabaster pitchers upon the mantelpiece, each bearing the
-carved word “Souvenir;” and with the Toreador burnt upon a panel of wood
-and painted, but obscure with years of standing in an empty
-house—though nothing was dusty, for plainly the daughter of vikings had
-been “over” everything thoroughly. Altogether, Mr. Thompson considered
-the room (which spoke of Lucy Cope’s mother rather than of Lucy) a
-pleasant and comfortable one—that is, if those children——
-
-A step descending the stair, a whispering of silk—and Mr. Thompson,
-after a last settling of his neck into his collar, coughed reassuringly,
-and faced the door with a slight agitation. More would have been
-warranted by the vision that appeared there.
-
-She came quickly toward him and gave him her hand. “How kind of you to
-remember me and come to see me!” she said. “And how inhospitable you’re
-thinking me to have kept you waiting so long in such a stuffy room!” She
-turned to the nearest window as she spoke, and began to struggle
-delicately with the catch of the old-fashioned “inside shutters.” “We’ll
-let some air in and some light, too; so that we can both see how little
-we’ve changed. The children were the reason I was so long: they were
-washed and dressed like little clean angels, but they’re in rather high
-spirits—you know how children are for the first few days after coming
-to a new place—and they slipped down into the cellar, which we haven’t
-had time to get put in order yet, and they found an old air-passage to
-the furnace, and crawled through it, and so they had to be all washed
-and dressed over again; and when I got through doing it, _I_ had to be
-all washed and dressed over again! I hope they didn’t annoy you, Mr.
-Thompson: I thought I heard them romping down here, somewhere. They’re
-really not so wild as they must seem; it’s only that coming to a place
-altogether strange to them has upset them a little, and—— There!” The
-catch yielded, and she spread the shutters wide. “Now we can have a
-little more li——”
-
-She paused in the middle of the word, gazing fixedly out of the window.
-
-But the caller did not follow the direction of Mrs. Ricketts’s gaze; he
-was looking at her with concentrated approval, and mentally preparing
-the invitation it was his purpose to extend. After coughing rather
-formally, “I have called,” he said, “or, rather, I have stopped by on my
-way to take a drive, because I thought, perhaps, as the weather was
-warm, it might be cooler than sitting indoors to take a turn around the
-Square first and then drive out toward the Athens City Pike, and return
-by way of——”
-
-“_Mercy!_” exclaimed Mrs. Ricketts in a tone so remarkable that he
-stopped short; and then his eyes followed the direction of hers.
-
-He uttered a stricken cry.
-
-All four of General’s legs had been conscientiously painted, and Maud,
-standing directly under his stomach, so to speak, was holding the can of
-paint clasped in her arms, while the older artist began work on the
-under side of General’s ribs. General’s expression was one of dreamy
-happiness, though his appearance, and that of the children’s clothes,
-hands, cheeks, and noses suggested a busy day at the abattoir.
-
-“Don’t move!” Mrs. Ricketts called suddenly, but not alarmingly, as she
-raised the window. “Stand still, Maud! Now walk straight this way—walk
-toward _me_. Instantly!”
-
-And as Maud obeyed, her mother jumped out of the window, a proceeding
-that both children recognized as extraordinary and ill-omened. Bill
-instinctively began to defend himself.
-
-“You never _told_ us we couldn’t paint horses!” he said hotly. “We
-haven’t painted him much, we’ve only——”
-
-“March!” said his mother in the tone that meant the worst. “Round to the
-kitchen—not through the _house_! Both of you! Quick!”
-
-Bill opened his mouth to protest further, but, almost to his own
-surprise, a wail came forth instead of an argument, and at that sound,
-Maud dropped the sanguinary can and joined him in loud dole. Shouting
-with woe, holding their unspeakable hands far from them, with fingers
-spread wide, they marched. Round the corner of the house went the dread
-pageant, and the green grass looked like murder where it passed. But
-when Mrs. Ricketts returned, after delivering Maud and Bill into the
-hands of a despairing servitress, General and the phaeton were gone.
-
-“Oh, oh, _oh_!” she murmured, and, overcome by the dreadful picture that
-rose before her imagination, she went droopingly into the house. In her
-mind’s eye she saw Mr. Thompson in all his special dressiness and
-lemon-yellow tie, driving through the streets and explaining to people:
-“Yes, Lucy Ricketts has come back and her children did this!” She saw
-him telling Lucius—and she remembered what Lucius had said: “I’m afraid
-to meet Maud and Bill!”
-
-She began to feel strickenly sure that Lucius would return her parasol
-by a messenger. If he did that (she thought) what was the use of coming
-all the way from California to live in a town like Marlow!
-
-But the parasol was not sent, nor did Lucius bring it. It remained, as
-did Mr. Allen himself, obscured from her sight and from her knowledge.
-Nor was there brought to her any account of P. Borodino’s making a
-dreadful progress through the town as she had imagined. Mr. Thompson
-had, in fact, led General as hastily as possible into the nearest
-alley—so Mortimer Fole explained to Lucius one week later, almost to
-the hour.
-
-Mortimer had dropped into Mr. Allen’s office and had expressed surprise
-at finding its tenant in town. “I been up here two three times a day fer
-a week, Lu,” he said, seating himself. “Where on earth you been?”
-
-“Argument before the Federal court in Springfield,” Lucius answered.
-“What did you want to see me about, Mortimer?”
-
-“Well, they’s been some talk about our pension goin’ out the family,”
-said Mortimer, “in case it happened my wife’s stepmother _was_ to die.
-It comes through that branch, you know, Lu.”
-
-“Is she ailing?”
-
-“No,” said Mortimer. “She gits the best of care. We were only talkin’ it
-over, and some of ’em says, ‘Suppose she _was_ to go, what then?’”
-
-“I wouldn’t worry about it until she did,” his legal adviser suggested.
-“Anything else?”
-
-Mortimer removed his hat, and from the storage of its inner band took
-half of a cigar, which, with a reflective air, he placed in the corner
-of his mouth. Then he put his hat on again, tilted back against the
-wall, and hooked his heels over a rung of his chair. “Heard about Henry
-Ledyard yet?” he inquired.
-
-“No.”
-
-“Well, sir, he went up there,” said Mortimer. “He only went oncet!”
-
-“What was the trouble?”
-
-Mr. Fole cast his eyes high aloft, an ocular gesture expressing
-deplorable things.
-
-“Maud and Bill,” he said.
-
-“What did they do?”
-
-“Henry was settin’ in the parlour talkin’ to their mother, and, the way
-I heard it, all of a sudden they heard somep’n go ‘Pop!’ outside, in the
-hall, and when they come to look, it was that new, stiff, high-crowned
-straw hat he went and ordered from New York and had shipped out here by
-express. They got a woman up there cookin’ and a Norwegian lady to do
-extra work, and I hear this here Norwegian tells some that the way it
-happened was Maud was settin’ on it, kind of jouncin’ around to see if
-it wouldn’t bounce her up and down. Seems this Norwegian she says
-spankin’ and shuttin’ up in the closet don’t do neither of ’em one
-little bit o’ good. Says there ain’t nothin’ in the world’ll take it out
-of ’em. Them two chuldern have just about got this town buffaloed, Lu!”
-
-“Oh, only breaking a straw hat,” said Lucius. “I don’t see how
-that’s——”
-
-“The two of ’em come up-town,” Mortimer interrupted firmly. “They come
-up-town to the Square, the next afternoon after they busted Henry’s
-twelve-dollar hat, and they went into E. J. Fuller’s store and Ed says
-they come mighty near drivin’ him crazy, walkin’ up and down behind him
-singin’ ‘Gran’-mammy Tipsytoe.’ Then they went on over to Milo Carter’s,
-and they had a dollar and forty cents with ’em that they’d went and got
-out of their little bank. They et seven big ice-cream sodies apiece and
-got sick right in the store. Milo had to telephone fer their mother, and
-her and the Norwegian come and had to about carry ’em home. And _that_
-ain’t half of it!”
-
-“What’s the other half?” Lucius asked gravely.
-
-“Well, you heard about _Bore_, of course.”
-
-“No, I haven’t.”
-
-Mortimer again removed his hat, this time to rub his head. “I reckon
-that might be so,” he admitted. “I guess you must of left town by the
-time it leaked out.”
-
-“By the time what leaked out?”
-
-“Well, you remember how he started off, that day,” Mortimer began, “to
-git her to go out buggy-ridin’ in his phaeton with ole General?”
-
-“Yes.”
-
-“Well, sir, you know he was goin’ to drive back here and around the
-Square to win that bet off o’ Rolfo, and he never come. ’Stead o’ that
-he turned up at the hardware store about two hours later and settled the
-bet. Says he lost it because she wasn’t feelin’ too well when he got
-there, and so they just set around and talked, instead of ridin’. But
-Bore never went back there, and ain’t goin’ to, you bet, any more than
-what Henry Ledyard is! There ain’t hardly a man in town but what Maud
-and Bill’s got buffaloed, Lu.”
-
-Mr. Allen occupied himself with the sharpening of a pencil. “What did
-they do to Thompson?” he asked casually.
-
-“Well, sir, fer the first few days I expect I was the only man in town
-knowed what it was.” Mr. Fole spoke with a little natural pride. “You
-see, after he went up there and wasn’t no sign of him on the Square fer
-awhile, why I didn’t have nothin’ much to do just then, and thinks I,
-‘Why not go see what’s come of him?’ thinks I. So I walked around there
-the back way, by Copes’s alley, and just as I was turnin’ in one end the
-alley, by Glory! here come P. Borodino Thompson leadin’ ole General and
-the phaeton in at the other end, and walkin’ as fur away from him as he
-could and yet still lead him.
-
-“Well, sir, I almost let out a holler: first thing I thought was they
-must of been in the worst accident this town had ever saw. Why, pore ole
-General—honest, he looked more like a slaughter-house than he did like
-a horse, Lu! ‘What in the name of God is the matter, Bore!’ I says, and
-you never hear a man take on the way he done.
-
-“Seems Maud and Bill had painted ole General red, and they painted him
-thick, too, while Bore was in the house fixin’ to take their mother out
-on this here buggy-ride. And, well, sir, to hear him take on, you’d of
-thought _I_ was responsible for the whole business! Says it might as
-well be all over town, now he’d ran into _me_! Truth is, he talked like
-he was out of his mind, but I kind o’ soothed him down, and last I fixed
-it up with him to give me credit fer a little insurance my wife’s been
-wantin’ to take out on her stepmother, if I’d put General and the
-phaeton in George Coles’s empty barn, there in the alley, until after
-dark, and not say nothin’ to George or anybody about it, and then drive
-him over to Bore’s and unhitch him and wash him off with turpentine that
-night.
-
-“Well, sir, we got it all fixed up, and I done everything I said I
-would, but of course you can’t expect a thing like that not to leak out
-_some_ way or other; so I’m not breakin’ any obligation by tellin’ you
-about it, because it got all over town several days ago. If I’ve told
-Bore Thompson once I’ve told him a hunderd times, what’s the use his
-actin’ the fool about it! ‘What earthly good’s it goin’ to do,’ I says,
-‘to go around _mad_,’ I says, ‘and abusin’ the very ones,’ I says, ‘that
-done the most to help you out? The boys are bound to have their joke,’ I
-says to him, ‘and if it hadn’t been you, why, like as not they might of
-been riggin’ somep’n on Lu Allen or Cal Burns, or even me,’ I says,
-‘because _they_ don’t spare _no_body! Why, look,’ I says. ‘Ain’t they
-goin’ after Milo Carter almost as much as they are you and Henry,’ I
-says, ‘on account of what happened to Milo’s store?’ I says, ‘And look
-at E. J. Fuller,’ I says. ‘Ain’t the name o’ Gran’-mammy Tipsytoe perty
-near fastened on him fer good? _He_ don’t go all up and down pickin’ at
-his best friend,’ I says. ‘E. J. Fuller’s got a little common _sense_!’
-I says. Yes, sir, that’s the way _I_ look at it, Lu.”
-
-Mortimer unhooked his heels, and, stretching himself, elevated his legs
-until the alternation thus effected in the position of his centre of
-gravity brought his tilted chair to a level—whereupon he rose,
-stretched again, sighed, and prepared to conclude the interview.
-
-“Speakin’ o’ the devil, Lu,” he said, as he moved to the door—“yes,
-sir, them two chuldern, Maud and Bill, have perty much got our whole
-little city buffaloed! They’s quite some talk goin’ on about the brain
-work _you_ been showin’ Lu. I expect your reputation never did stand no
-higher in that line than what it does right to-day. I shouldn’t wonder
-it’d bring you a good deal extry law-practice, Lu: Mrs. Rolfo Williams
-says she always _did_ know you were the smartest man in this town!”
-
-“_Now_ what are you talking about?” Lucius demanded sharply, but he was
-growing red to the ears, and over them.
-
-“Goin’ out o’ town,” said Mortimer admiringly. “Keepin’ out the way o’
-them chuldern and lettin’ other fellers take the brunt of ’em. Yes, sir;
-there isn’t a soul raises the question but what their mother is the
-finest-lookin’ lady that ever lived here, or but what she does every
-last thing any mortal could do in the line o’ disci_plinn_; but much as
-everybody’d enjoy to git better acquainted with her and begin to see
-somep’n of her, they all think she’s liable to lead kind of a lonesome
-life in our community unless—” Mortimer paused with his hand upon the
-door-knob—“unless somep’n happens to Maud and Bill!”
-
-He departed languidly, his farewell coming back from the stairway: “So
-long, Lu!”
-
-But the blush that had extended to include Mr. Allen’s ears, at the
-sound of so much praise of himself, did not vanish with the caller; it
-lingered and for a time grew even deeper. When it was gone, and its
-victim restored to his accustomed moderate pink, he pushed aside his
-work and went to a locked recess beneath his book-shelves. Therefrom he
-took the blue parasol, and a small volume in everything dissimilar to
-the heavy, calf-bound legal works that concealed all the walls of the
-room; and, returning to his swivel-chair, placed the parasol gently upon
-the desk. Then, allowing his left hand to remain lightly upon the
-parasol, he held the little book in his right and read musingly.
-
-He read, thus, for a long time—in fact, until the setting in of
-twilight; and, whatever the slight shiftings of his position, he always
-kept one hand in light contact with the parasol. Some portions of the
-book he read over and over, though all of it was long since familiar to
-him; and there was one part of it in which his interest seemed quite
-unappeasable. Again and again he turned back to the same page; but at
-last, as the room had grown darker, and his eye-glasses tired him, he
-let the book rest in his lap, took off the glasses and used them to beat
-time to the rhythm of the cadences, as he murmured, half-aloud:
-
- “The lamplight seems to glimmer with a flicker of surprise,
- As I turn it low to rest me of the dazzle in my eyes.
- And light my pipe in silence, save a sigh that seems to yoke
- Its fate with my tobacco and to vanish with the smoke.
- ’Tis a fragrant retrospection—for the loving thoughts that start
- Into being are like perfume from the blossoms of the heart:
- And to dream the old dreams over is a luxury divine——
- When my truant fancy wanders with that old sweet-heart of mine.”
-
-He fell silent; then his lips moved again:
-
- “And I thrill beneath the glances of a pair of azure eyes
- As glowing as the summer and as tender as the skies.
- I can see——”
-
-Suddenly he broke off, and groaned aloud: “My Lord!” he said all in a
-breath. “And thirty-five years old—blame near thirty-six!”
-
-He needs interpretation, this unfortunate Lucius. He meant that it was
-inexplicable and disgraceful for a man of his age to be afraid of a boy
-of seven and a girl of five. He had never been afraid of anybody else’s
-children. No; it had to be _hers_! And that was why he was afraid of
-them; he knew the truth well enough: he was afraid of them because they
-_were_ hers. He was a man who had always “got on” with children
-beautifully; but he was afraid of Maud and Bill. He was afraid of what
-they would do to him and of what they would think of him.
-
-There, in brief, is the overwhelming part that children can play in true
-romance!
-
-“Lordy, Lordy!” sighed Lucius Brutus Allen. “_Oh_, Lordy!”
-
-But at last he bestirred himself. He knew that Saruly, his elderly darky
-cook, must be waiting for him with impatience; she would complain
-bitterly of dishes overcooked because of his tardiness. Having glanced
-down into the Square and found it virtually devoid of life, for this was
-the universal hour of supper, he set his brown straw hat upon his head,
-and took the parasol under his arm—not because he meant to return it.
-He took it with him merely for the pleasure of its society.
-
-Upon the bottom step of the flight of stairs that led down to the
-street, he found seated a small figure in a white “sailor suit.” This
-figure rose and spoke politely.
-
-“How do you do?” it said. “Are you Uncle Lucius?”
-
-“Who—— What’s your name?”
-
-“Bill. Bill Ricketts,” said Bill.
-
-Lucius made a hasty motion to reascend the stairs, but Bill confidingly
-proffered a small, clean hand that Mr. Allen was constrained to accept.
-Once having accepted it, he found himself expected to retain it.
-
-“Mamma lef’ me sittin’ here to wait till you came downstairs,” Bill
-explained. “That man that came out said he couldn’t say but he was
-pretty sure you were up there. She told me to wait till either you came
-downstairs or she came back for me. She wants her parasol. Come on!”
-
-“Come on where?”
-
-“Up to your house,” said Bill. “She lef’ Maud waitin’ up _there_ for
-you.”
-
-It was the truth. And after a rather hurried walk, during which the boy
-spoke not once unless spoken to, but trotted contentedly at Lucius’s
-side, confidingly hand-in-hand with him, when they came in sight of the
-small brick house in the big yard, where Lucius lived, a tiny white
-figure was discernible through the dusk, rocking patiently in a wicker
-rocking-chair on the veranda.
-
-At sight of them she jumped up and came running to the gate to meet
-them. But there she paused, gravely.
-
-She made a curtsey, formal but charming.
-
-“How do do, Uncka Wucius?” she said. “Mamma would wike her paraso’.”
-
-Saruly, looming dark and large behind her, supplemented this
-information: “Miz Ricketts done lef’ the little girl here to wait fer
-you, Mist’ Allen. She tell me ask you please be so kine as to bring the
-chillun along home with you, an’ her parasol with ’em. She tell _me_ the
-chillun been a little upset, jest at first, ’count o’ movin’ to a new
-place, but they all quieted down now, an’ she think it’ll be safe fer
-you to stay to dinnuh. An’ as ev’ything in my kitchen’s plum done to a
-crisp ’count o’ you bein’ so late, Mist’ Allen, if you leave it to me I
-think you bettuh.”
-
-“I’ll leave it to you, Saruly,” said Lucius, gently. “I think I’d
-better.”
-
-And then, with the parasol under his arm, and the hand of a child
-resting quietly in each of his, he turned with Bill and Maud, and, under
-the small, bright stars of the May evening, set forth from his own gate
-on his way to Lucy’s.
-
-
-
-
- “YOU”
-
-
-MURIEL ELIOT’S friends and contemporaries were in the habit of
-describing her as “the most brilliant girl in town.” She was “up on
-simply everything,” they said, and it was customary to add the
-exclamation: “How on earth she finds the _time_!” And since Muriel also
-found time to be always charmingly dressed, in harmony with her notable
-comeliness, the marvel of so much upness in her infant twenties may
-indeed need a little explaining.
-
-Her own conception was that she was a “serious” person and cared for
-“serious reading”—that is to say, after she left college, she read, not
-what is acceptably called literature, but young journalists’ musings
-about what aspires to be called that; she was not at all interested in
-buildings or pictures or statues themselves, but thought she was, read a
-little of what is printed about such things in reviews, and spoke of
-“art” and “literature” with authoritative conviction. She was a
-kind-hearted girl, and she believed that “capitalism” was the cunning
-device of greedy men to keep worthy persons under heel; hence it
-followed that all “capital” should be taken away from the “capitalist
-class” by the “people;” and, not picturing herself as in any way
-uncomfortably affected by the process of seizure, she called herself a
-“socialist.”
-
-In addition to all this, Muriel’s upness included “the new psychology”
-and the appropriate humorous contempt for the Victorian Period, that
-elastic conception of something-or-other which, according to the writing
-young ladies and gentlemen who were her authorities, seemed to extend
-from about the time of Custer’s Last Fight to the close of President
-Wilson’s first administration. Muriel, like her original sources of
-information, was just becoming conscious of herself as an authority at
-about the latter date—she was sixteen then; and at twenty she began to
-speak of having spent her youth in the Late Victorian Period. That
-obscure decade before her birth, that time so formless and dark between
-the years of our Lord 1890 and 1900, was Mid-Victorian; people still
-mistook Tennyson and Longfellow for poets.
-
-Sometimes older women thought Muriel a little hard; she was both
-brilliant and scholarly, they admitted; but the papers she wrote for the
-women’s clubs were so “purely intellectual,” so icily scientific, so
-little reticent in the discussion of love, marriage and children, that
-these ladies shook their heads. The new generation, as expressed by
-Muriel, lacked something important, they complained; for nothing less
-than maidenliness itself had been lost, and with it the rosebud
-reveries, the twilight half-dreams of a coming cavalier, the embowered
-guitar at moonrise. In a word, the charm of maidenhood was lost because
-romance was lost. Muriel lacked the romantic imagination, they said, a
-quality but ill replaced by so much “new thought.”
-
-They made this mistake the more naturally because Muriel herself made
-it, though of course she did not think of her supposed lack of romance
-as a fault. She believed herself to be a severely practical person, and
-an originally thinking person, as a quotation from one of her essays may
-partly explain. “I face the actual world as it is; I face it without
-superstition, and without tradition. Despising both the nonsense and the
-misery into which former generations have been led by romance, I permit
-no illusions to guide my thinking. I respect nothing merely because it
-is established; I examine mathematically; I think mathematically; I
-believe nothing that I do not prove. I am a realist.”
-
-When she wrote this, she was serious and really thought it true; but as
-a matter of fact, what she believed to be her thinking was the
-occasional mulling over of scattered absorptions from her reading. Her
-conception of her outward appearance, being somewhat aided by mirrors,
-came appreciably near the truth, but her conception of her mind had no
-such guide. Her mind spent the greater part of its time adrift in
-half-definite dreaming, and although she did not even suspect such a
-thing, her romantic imagination was the abode in which she really dwelt.
-
-There is an astronomer who knows as much about the moon as can yet be
-known; but when that moon is new in the sky, each month, he will be a
-little troubled if he fails to catch his first glimpse of it over the
-right shoulder. When he does fail, his disappointment is so slight that
-he forgets all about it the next moment, and should you ask him if he
-has any superstition he will laugh disdainfully, with no idea that he
-deceives both his questioner and himself. This is the least of the
-mistakes he makes about his own thoughts; he is mistaken about most of
-them; and yet he is a great man, less given to mistakes than the rest of
-us. Muriel Eliot’s grandmother, who used to sing “Robin Adair,” who
-danced the Spanish Fandango at the Orphan Asylum Benefit in 1877, and
-wrote an anonymous love-letter to Lawrence Barrett, was not actually so
-romantic as Muriel.
-
-The point is that Muriel’s dreaminess, of which she was so little aware,
-had a great deal more to do with governing her actions than had her
-mathematical examinings and what she believed to be her thinking.
-Moreover, this was the cause of her unkindness to young Renfrew Mears,
-who lived across the street. Even to herself she gave other reasons for
-rejecting him; but the motive lay deep in her romanticism; for Muriel,
-without knowing it, believed in fairies.
-
-Had she been truly practical, she would have seen that young Mr. Mears
-was what is called an “ideal match” for her. His grandfather, a cautious
-banker, had thought so highly of the young man’s good sense as to leave
-him the means for a comfortable independence; yet Renfrew continued to
-live at home with his family and was almost always in bed by eleven
-o’clock. He was of a pleasant appearance; he was kind, modest,
-thoughtfully polite, and in everything the perfect material from which
-the equerry or background husband of a brilliant woman is constructed.
-No wonder her mother asked her what on earth she _did_ want! Muriel
-replied that she despised the capitalistic institution of marriage, and
-she believed that she meant what she said; but of course what she really
-wanted was a fairy-story.
-
-In those wandering and somewhat shapeless reveries that controlled her
-so much more than she guessed, there were various repetitions that had
-become rather definite, though never quite so. One of these was the
-figure of her Mate. Her revery-self never showed her this mystery
-clearly in contours and colours, but rather in shadowy outlines, though
-she was sure that her Mate had dark and glowing eyes. He was somewhere,
-and sometime she would see him. When she did see him, she would
-recognize him instantly; the first look exchanged would bring the full
-revelation to both of them—they would ever have little need of spoken
-words. But her most frequent picture of this mystic encounter was a
-painful one: she saw herself a bride upon the bridegroom’s arm and
-coming down the steps of the church;—a passing stranger, halting
-abruptly upon the pavement, gave her one look from dark and glowing
-eyes, a look fateful with reproach and a tragic derision, seeming to
-say: “You did not wait till _I_ came, but took that fool!”
-
-Then he passed on, forever; and it was unfortunate for young Mr. Mears
-that the figure of the bridegroom in these foreshadowings invariably
-bore a general resemblance to his own. Renfrew had more to overcome than
-appeared upon the surface; he had shadows to fight; and so have other
-lovers—more of them than is guessed—when ladies are reluctant. For
-that matter, the thing is almost universal; and rare is the girl,
-however willing, who says “Yes,” without giving up at least some faint
-little tremulous shadow of a dream—though she may forget it and deny it
-as honestly as that astronomer forgets and denies the moon and his right
-shoulder.
-
-Renfrew’s case with his pretty neighbour was also weakened by the liking
-and approval of her father and mother, who made the mistake of
-frequently praising him to her; for when parents do this, with the
-daughter adverse, the poor lover is usually ruined—the reasons being
-obvious to everybody except the praising parents. Mrs. Eliot talked
-Renfrew Mears and his virtues at her daughter till the latter naturally
-declared that she hated him. “I do!” she said one morning. “I really do
-hate him, mamma!”
-
-“What nonsense!” her mother exclaimed. “When I heard the two of you
-chatting together on the front porch for at least an hour, only last
-evening!”
-
-“Chatting!” Muriel repeated scornfully. “Chatting together! That shows
-how much you observe, mamma! I don’t think he said more than a dozen
-words the whole evening.”
-
-“Well, don’t you like a good listener?”
-
-“Yes,” Muriel replied emphatically. “Indeed, I do! A good listener is
-one who understands what you’re saying. Renfrew Mears has just lately
-learned enough to keep quiet, for fear if he speaks at all, it’ll show
-he doesn’t understand _any_thing!”
-
-“Well, if he doesn’t, why did you talk to him?”
-
-“Good gracious!” Muriel cried. “We can’t always express ourselves as we
-wish to in this life, mamma; I should think you’d know that by this
-time! I can’t throw rocks at him and say, ‘Go back home!’ every time he
-comes poking over here, can I? I have to be polite, even to Renfrew
-Mears, don’t you suppose?”
-
-The mother, sighing, gave her daughter one of those little
-half-surreptitious glances in which mothers seem to review troubled
-scenes with their own mothers; then she said gently: “Your father and I
-do wish you could feel a little more kindly toward the poor boy,
-Muriel.”
-
-“Well, I can’t, and I don’t want to. What’s more, I wouldn’t marry him
-if I did.”
-
-“Not if you were in love?”
-
-“Poor mamma!” Muriel said compassionately. “What has love to do with
-marrying? I expect to retain my freedom; I don’t propose to enter upon a
-period of child-rearing——”
-
-“Oh, good gracious!” Mrs. Eliot cried. “What a way to talk!”
-
-“But if I did,” Muriel continued, with some sharpness, “I should never
-select Renfrew Mears to be my assistant in the task. And as for what you
-call ‘love,’ it seems to me a rather unhealthy form of excitement that
-I’m not subject to, fortunately.”
-
-“You _are_ so queer,” her mother murmured; whereupon Muriel laughed.
-
-No doubt her laughter was a little condescending. “Queer?” she said.
-“No—only modern. Only frank and wholesome! Thinking people look at life
-as it really is, nowadays, mamma. I am a child of the new age; but more
-than that, I am not the slave of my emotions; I am the product of my
-thinking. Unwholesome excitement and queer fancies have no part in my
-life, mamma.”
-
-“I hope not,” her mother responded with a little spirit. “I’m not
-exactly urging anything unwholesome upon you, Muriel. You’re very
-inconsistent, it seems to me.”
-
-“I!” Muriel said haughtily. “Inconsistent!”
-
-“Why, when I just mention that your father and I’d be glad if you could
-feel a little kinder toward a good-looking, fine young man that we know
-all about, you begin talking, and pretty soon it sounds as though we
-were trying to get you to do something criminal! And then you go on to
-say you haven’t got any ‘queer fancies!’ Isn’t it a queer fancy to think
-we’d want you to do anything unhealthy or excited? That’s why I say
-you’re inconsistent.”
-
-Muriel coloured; her breathing quickened; and her eyes became
-threateningly bright. “The one thing I _won’t_ be called,” she said, “is
-‘inconsistent!’”
-
-“Well, but——”
-
-“I won’t!” she cried, and choked. “You _know_ it makes me furious;
-that’s why you do it!”
-
-“Did I understand you to say you never permitted your emotions to
-control you?” her mother asked dryly.
-
-In retort, Muriel turned to the closet where she kept her hats; for her
-favourite way of meeting these persecutions was to go out of the house
-abruptly, leaving her mother to occupy it in full remorse; but this time
-Mrs. Eliot forestalled her. A servant appeared in the doorway and
-summoned her: “There’s someone downstairs wants to see you; I took him
-in the library.”
-
-“I’ll come,” said Mrs. Eliot, and with a single dignified glance at her
-daughter, she withdrew, leaving Muriel to digest a discomfiture. For the
-art of domestic altercation lies almost wholly in the withdrawal, since
-here the field is won by abandoning it. In family embroilments she
-proves herself right, and the others wrong, who adroitly seizes the
-proper moment to make an unexpected departure either with dignity or in
-tears. People under stress of genuine emotion have been known to
-practice this art, seeming thereby to indicate the incompatible presence
-of a cool dramatist somewhere in the back of their heads; yet where is
-there anything that is not incompatible? Muriel, injured by the word
-“inconsistent,” had meant to withdraw in silent pain, thus putting her
-mother in the wrong; but, in the sometimes invaluable argot of the
-race-course, Mrs. Eliot got away first. Muriel felt severely baffled.
-
-There remained to her, however, a retreat somewhat enfeebled by her
-mother’s successful withdrawal: Mrs. Eliot had gone out of the room;
-Muriel could still go out of the house. Therefore she put on a hat,
-descended the stairs and went toward the front door in a manner intended
-to symbolize insulted pride taking a much more important departure than
-the mere walking out of a room.
-
-Her mother, of course, was intended to see her pass the open double
-doors of the library, but Mrs. Eliot’s back happened to be toward these
-doors, and she was denied the moving-picture of the daughter sweeping
-through the hall. The caller, however, suffered no such deprivation; he
-sat facing the doorway, and although Muriel did not look directly at
-him, she became aware of a distinguished presence. The library was
-shadowy, the hall much lighter; she passed the doors quickly; but she
-was almost startled by the impression made upon her by this young man
-whom she had never before seen. Then, as she went on toward the front
-door, she had suddenly a sensation queerly like dizziness; it seemed to
-her that this stranger had looked at her profoundly as she passed, and
-that the gaze he bent upon her had come from a pair of dark and glowing
-eyes.
-
-She went out into the yard, but not, as she had intended, to the street;
-and turning the corner of the house, she crossed the sunny lawn to some
-hydrangea bushes in blossom, where she paused and stood, apparently in
-contemplation of the flowers. She was trembling a little, so strong was
-her queer consciousness of the stranger in the library and of his dark
-and glowing eyes. Such sensations as hers have often been described as
-“unreal;” that is to say, “she seemed to be in a dream.” Her own eyes
-had not fully encountered the dark and glowing ones, but never had any
-person made so odd and instantaneous an impression upon her. What else
-was she to conclude but that there must have been “something psychic”
-about it? And how, except by telepathy, could she have so suddenly found
-in her mind the conviction that the distinguished-looking young man was
-a painter? For to her own amazement, she was sure of this.
-
-After a time she went back into the house, and again passed through the
-hall and by the open doors, but now her bearing was different. In a
-sweet, low voice she hummed a careless air from Naples, while in her
-arms she bore a sheaf of splendid hydrangea blossoms, thus offering, in
-the momentary framing of the broad doorway, a composition rich in colour
-and also of no mean decorative charm in contour, it may be said. “The
-Girl from the Garden” might have been the title she wished to suggest to
-a painter’s mind, but when she came into the view of her mother’s
-caller, consciousness of him increased all at once so overwhelmingly
-that she forgot herself. She had meant to pass the doorway with a cool
-leisureliness and entirely in profile—a Girl from the Garden with no
-other thought than to enliven her room with an armful of hydrangea
-blossoms—but she came almost to a halt midway, and, for the greater
-part of a second packed with drama, looked full upon the visitor.
-
-He was one of those black-and-white young men: clothes black, linen
-white, a black bow at the collar, thick black hair, the face of a fine
-pallor, and black eyes lustrously comprehending. What they must have
-comprehended now was at least a little of the significance of the
-arrested attitude beyond the doorway, and more than a little of what was
-meant by the dark and lustrous eyes that with such poignant inquiry met
-his own. For Muriel’s fairly shouted at him the startled question: “Who
-are _you_?”
-
-Time, life and love are made of seconds and bits of seconds: Muriel had
-gone on, carrying her question clamouring down the hall with her, before
-this full second elapsed. She ran up the stairs and into her own room,
-dropped the hydrangeas upon a table, and in two strides confronted a
-mirror. A moment later she took up the hydrangeas again, with a care to
-hold them as she had held them in the hall below, then walked by the
-mirror, paused, gave the glass a deep, questioning look and went on.
-After that she seated herself beside an open window that commanded a
-view of the front gate, and waited, the great question occupying her
-tumultuously.
-
-By this time the great question had grown definite, and of course it
-was, “Is this He?” Other questions came tumbling after it: How did she
-know he was a painter, this young man of whom she had never heard? It is
-only in the moving pictures that a doctor must look like a doctor, a
-judge like a judge, an anarchist like an anarchist, a painter like a
-painter; the age of machines, hygiene and single-type clothing has so
-blurred men into indistinguishability that only a few musicians still
-look like musicians, a feat accomplished simply by the slight
-impoverishment of barbers. The young man in the library was actually a
-painter, but Muriel may well have been amazed that she knew it; for
-nowadays it is a commonplace that a Major General in mufti may
-reasonably be taken for a plumber, while an unimportant person
-soliciting alms at the door is shown into the house under the impression
-that a Senator is calling.
-
-Why (Muriel asked herself) had her mother not mentioned such an
-appointment? But perhaps there had been no appointment; perhaps he had
-called without one. What for? To ask permission to paint the daughter’s
-portrait? Had he seen her somewhere before to-day? Where did he live? In
-Paris?
-
-The front door could be heard closing below, and she looked down upon a
-white straw hat with a black band. This hat moved quickly down the path
-to the gate, and the young stranger was disclosed beneath the hat: a
-manly figure with an elastic step. Outside the gate he paused, looking
-back thoughtfully with his remarkable eyes; and Muriel, who had
-instantly withdrawn into the concealment of a window-curtain, marked
-that this look of his had the quality of covering the whole front of the
-house at a glance. It was a look, moreover, that seemed to comprehend
-the type of the house and even to measure its dimensions—a look of the
-kind that “takes in everything,” as people say. Muriel trembled again.
-Did he say to himself: “This is Her house?” Did he think: “I should like
-to set my easel here by the gate and paint this house, because it is the
-house where She dwells”?
-
-His pause at the gate was only a momentary one; he turned toward the
-region of commerce and hotels and walked quickly away, the intervening
-foliage of the trees almost immediately cutting him off from the
-observation of the girl at the window. Then she heard her mother coming
-up the stairs and through the upper hall; whereupon Muriel, still
-tremulous, began hastily to alter the position of the little silver
-implements upon her dressing-table, thus sketching a preoccupation with
-small housewifery, if Mrs. Eliot should come into the room. But to the
-daughter’s acute disappointment, the mother passed the open door without
-even looking in, and retired to her own apartment.
-
-Muriel most urgently wished to follow her and shower her with questions:
-“Who _is_ he? Isn’t he a painter? Why did he come to see you? What were
-you talking about? When is he coming again? What did he say when he saw
-me?” But remembering the terms upon which she and her mother had so
-recently parted, and that odious word “inconsistent,” Muriel could not
-bend to the intimacy of such a questioning. In fact, her own thought
-took the form, “I’d rather die!”
-
-She turned to the window again, looked out at that gate so lately made
-significant by the passage of the stranger—and there was young Mr.
-Renfrew Mears, just coming in. He was a neat picture of a summer young
-gentleman for any girl’s eye; but to Muriel he was a too-familiar
-object, and just now about as interesting as a cup of tepid
-barley-water. She tried to move away before he saw her, but Renfrew had
-always a fatal quickness for seeing her. He called to her.
-
-“Oh, Muriel!”
-
-“Well—what?” she said reluctantly.
-
-“There’s something I want to ask you about. Will you come down a few
-minutes?”
-
-“Oh, well—I suppose so,” was her not too heartening response; but on
-the way downstairs a thought brightened her. Perhaps Renfrew might know
-something about a dark young man—a painter—lately come to town.
-
-He was blank upon this subject, however, as she discovered when they had
-seated themselves upon a wicker settee on the veranda. “No,” he said. “I
-haven’t heard of any artist that’s come here lately. Where’d you hear
-about one?”
-
-“Oh, around,” she said casually. “I’m not absolutely certain he’s an
-artist, but I got that idea somewhere. The reason I wanted to know is
-because I thought he might be one of the new group that have broken
-away, like Matisse and Gaugin.”
-
-“Who?”
-
-“Never mind. Haven’t you heard of anybody at _all_ that’s a stranger
-here—visiting somebody, perhaps?”
-
-“Not exactly,” Renfrew replied, thinking it over conscientiously. “I
-don’t believe I have, exactly.”
-
-“What do you mean, you don’t think you have ‘exactly’?” she asked
-irritably. “Have you, or haven’t you?”
-
-“Well,” he said, “my Aunt Milly from Burnetsville is visiting my
-cousins, the Thomases, but she’s an invalid and you probably
-wouldn’t——”
-
-“No, I wouldn’t!” Muriel said. “Don’t strain your mind any more,
-Renfrew.”
-
-“I could inquire around,” he suggested. “I thought it wouldn’t likely be
-my aunt, but you said ‘anybody at all.’”
-
-“Never mind! What was it you wanted to ask me?”
-
-“Well, it’s something that’s rather important, but of course maybe you
-won’t think so, Muriel. Anyway, though, I hope you’ll think it’s _sort_
-of important.”
-
-“But what _is_ it? Don’t hang fire so, Renfrew!”
-
-“I just wanted to lead up to it a little,” he explained mildly. “I’ve
-been thinking about getting a new car, and I wondered what sort you
-think I’d better look at. I didn’t want to get one you wouldn’t like.”
-
-Her lips parted to project that little series of sibilances commonly
-employed by adults to make children conscious of error. “Why on earth
-should you ask me?” she said sharply. “Is that your idea of an important
-question?”
-
-Renfrew’s susceptible complexion showed an increase of colour, but he
-was growing more and more accustomed to be used as a doormat, and he
-responded, without rancour: “I meant I hoped you’d sort of think it
-important, my not wanting to get one you wouldn’t like.”
-
-“Now, what do you mean by that?”
-
-“Well,” he said, “I mean I hoped you’d think it was important, my
-thinking it was important to ask you.”
-
-“I don’t,” she returned as a complete answer.
-
-“You say——”
-
-“I say I don’t,” she repeated. “I don’t. I don’t think it’s important.
-Isn’t that clear enough, Renfrew?”
-
-“Yes,” he said, and looked plaintively away from her. “I guess I don’t
-need any new car.”
-
-“Is there anything more this morning?” she was cruel enough to inquire.
-
-“No,” he answered, rising. “I guess that’s all.” Then, having received
-another of his almost daily rejections, he went away, leaving her to
-watch his departing figure with some exasperation, though she might well
-have admired him for his ingenuity: every day or two he invented a new
-way of proposing to her. In comparison, her refusals were commonplace,
-but of course she neither realized that nor cared to be brilliant for
-Renfrew; and also, this was a poor hour for him, when the electric
-presence of the black-and-white stranger was still vibrant in the very
-air. Muriel returned to her room and put the hydrangeas in a big silver
-vase; she moved them gently, with a touch both reverent and caressing,
-for they had borne a part in a fateful scene, and already she felt it
-possible that in the after years she would never see hydrangeas in
-blossom without remembering to-day and the First Meeting.
-
-Impulsively she went to her desk and wrote:
-
-“Is it true that You have come? My hand trembles, and I know that if I
-spoke to my mother about You, my voice would tremble. Oh, I could never
-ask her a question about You! A moment ago I sat upon the veranda with a
-dull man who wants to marry me. It seemed a desecration to listen to
-him—an offense to You! He has always bored me. How much more terribly
-he bored me when perhaps I had just seen You for the first time in my
-life! Perhaps it is not for the first time in eternity, though! Was I
-ever a Queen in Egypt and were You a Persian sculptor? Did we meet in
-Ephesus once?
-
-“It is a miracle that we should meet at all. I might have lived in
-another century—or on another planet! Should we then have gone seeking,
-seeking one another always vainly? All my life I have been waiting for
-You. Always I have known that I was waiting, but until to-day I did not
-know it was for just You. My whole being trembled when I saw You—if it
-_was_ You? I am trembling now as I think of You, as I write of
-You—write _to_ You! A new life has possibly begun for me in this hour!
-
-“And some day will I show You this writing? That thought is like fire
-and like ice. I burn with it and freeze with it, in terror of You! See!
-Here is my heart opened like a book for your reading!
-
-“Oh, is it, _is_ it You? I think that You are a painter; that is all I
-know of You—and why do I think it? It _came_ to me as I stood in a
-garden, thrilling with my first quick glimpse of You. Was that the proof
-of our destiny, yours and mine? Yes, the miracle of my knowing that You
-are a painter when I do not even know your name—that is the answer! It
-must be You! I tremble with excitement as I write that word ‘You’ which
-has suddenly leaped into such fiery life and meaning: I tremble and I
-could weep! Oh, You—You—You! _Is_ it?”
-
-Twice, during the latter phases of this somewhat hasty record of ardour,
-she had been summoned to lunch, and after hurrying the final words upon
-the page, she put the paper into a notebook and locked it inside her
-desk. Then she descended the stairs and went toward the dining-room, but
-halted suddenly, unseen, outside the door. She had caught the word
-“painter,” spoken by her father.
-
-“Well, I’m glad you liked that painter.”
-
-“Yes,” Mrs. Eliot said. “I talked it over with him, and I’m afraid he
-agreed with you instead of with me. Naturally, he would, though! I was
-quite interested in him.”
-
-“You were?”
-
-“Yes—such an unexpected type.”
-
-“Well, no,” Mr. Eliot said. “Nobody’s an unexpected type nowadays. Isn’t
-Muriel coming down at all?”
-
-“Jennie’s been up for her twice,” his wife informed him. “I suppose
-she’ll come eventually. She’s cross this morning.”
-
-“What about?”
-
-“Oh, I just asked her if she couldn’t be a little fairer to a certain
-somebody. I suppose I’d better not have mentioned it, because it made
-her very peevish.”
-
-Upon this, Muriel made her entrance swiftly enough to let her mother
-know that the last words had been overheard, an advantage the daughter
-could not forego. She took her place at the table opposite to her
-gourmandizing little brother Robert, and in silence permitted her facial
-expression alone to mention what she thought of a mother who called her
-“peevish” when she was not present to defend herself.
-
-Only a moment before, she had been thrilled inexpressibly: the
-black-and-white stranger, so mysteriously spoken of by her parents, was
-indeed a painter. That proved his You-ness, proved everything! Her whole
-being (as she would have said) shook with the revelation, and her
-anxiety to hear more of him was consuming; but the word “peevish”
-brought about an instantaneous reversion. She entered the dining-room in
-an entirely different mood, for her whole being was now that of a
-daughter embattled with a parent who attacks unfairly—so intricately
-elastic are the ways of our whole beings!
-
-Mrs. Eliot offered only the defense of a patient smile; Mr. Eliot looked
-puzzled and oppressed; and for a time there was no conversation during
-the further progress of this uncomfortable meal. Nothing was to be heard
-in the room except the movements of a servant and the audible eating of
-fat little Robert, who was incurably natural with his food.
-
-It was Muriel who finally decided to speak. “I’m sorry to have
-interrupted your conversation,” she said frostily. “Perhaps, though,
-you’d prefer not to say any more about me to papa and Robert while I’m
-here to explain what really happened, mamma.”
-
-“Oh, nonsense!” Mr. Eliot said. “I suppose even the Pope gets ‘peevish’
-now and then; it’s no deadly insult to say a person got a little
-peevish. We weren’t having a ‘conversation’ about you at all. We were
-talking about other matters, and just barely mentioned you.”
-
-Muriel looked at him quickly. “What other things were you talking
-about?”
-
-He laughed. “My! How suspicious you are!”
-
-“Not at all; I simply asked you what other things you were talking
-about.”
-
-Instead of replying, “About a distinguished young painter who saw you on
-the street and wants to paint your portrait,” Mr. Eliot laughed again
-and rose, having finished his coffee. He came round the table to her and
-pinched her ear on his way to the door. “Good gracious!” he said. “Don’t
-you suppose your mother and I ever talk about anything except what a
-naughty daughter we have?” And with that he departed. Mrs. Eliot said,
-“Excuse me,” rather coldly to Muriel, followed him to the front door,
-and failed to return.
-
-Muriel did not see her mother again during the afternoon, and in the
-evening Mr. and Mrs. Eliot went out to a dinner of their bridge-club,
-leaving their daughter to dine in the too audible company of Robert. She
-dressed exquisitely, though not for Robert, whose naturalness at the
-table brought several annoyed glances from her. “_Can’t_ you manage it
-more quietly, Robert?” she asked at last, with the dessert. “Try!”
-
-“Whaffor?” he inquired.
-
-“Only because it’s so hideous!”
-
-“Oh, hush!” he said rudely, and, being offended, became more natural
-than ever, on purpose.
-
-She sighed. With the falling of the dusk, her whole being, not
-antagonized by her mother’s presence, had become an uplifted and
-mysterious expectation; and the sounds made by the gross child Robert
-were not to be borne. She left the table, went out into the starlight,
-and stood by the hydrangeas, an ethereal figure in draperies of mist.
-
-“Oh, You!” she whispered, and let a bare arm be caressed by the clumps
-of great blossoms. “When are you coming again, You? To-night?”
-
-She quivered with the sense of impending drama; it seemed to her certain
-that the next moment she would see him—that he would come to her out of
-the darkness. The young painter should have done so; he should have
-stepped out of the vague night-shadows, a poetic and wistful figure,
-melancholy with mystery yet ineffably radiant. “Mademoiselle, step
-lightly!” he should have said. “Do you not see the heart beneath your
-slipper? It was mine until I threw it there!”
-
-“Ah, You!” she murmured to the languorous hydrangeas.
-
-At such a moment the sound of peanuts being eaten, shells and all, could
-not fail to prove inharmonious. She shivered with the sudden anguish of
-a dislocated mood; but she was Robert’s next of available kin and
-recognized a duty. She crossed the lawn to the veranda, where he sat,
-busy with a small paper sack upon his knee.
-
-“Robert! Stop that!”
-
-“I ain’t doin’ anything,” he said crossly.
-
-“You _are_. What do you mean, eating peanuts when you’ve just finished
-an enormous dinner?”
-
-“Well, what hurt is that?”
-
-“And with the shells on!” she cried.
-
-“Makes more _to_ ’em,” he explained.
-
-“Stop it!”
-
-“I won’t,” Robert said doggedly. “I’m goin’ to do what I please
-to-night, no matter how much trouble I get into to-morrow!”
-
-“What ‘trouble’ do you expect to-morrow?”
-
-“Didn’t you hear about it?” he asked. “Papa and mamma were talkin’ about
-it at lunch.”
-
-“I didn’t hear them.”
-
-“I guess it was before you came down,” Robert said; and then he gave her
-a surprise. “The painter was here this morning, and they got it all
-fixed up.”
-
-Muriel moved back from him a step, and inexplicably a dismal foreboding
-took her. “What?” she said.
-
-“Well, the thing that bothers _me_ is simply this,” Robert informed her:
-“He told mamma he’d have to bring his little boy along and let him play
-around here as long as the work went on. He said he has to take this boy
-along with him, because his wife’s a dentist’s ’sistant and can’t keep
-him around a dentist office, and they haven’t got any place to leave
-him. He’s about nine years old, and I’ll bet anything I have trouble
-with him before the day’s over.”
-
-“Do you mean the—the painter is married, Robert?”
-
-“Yes, and got this boy,” Robert said, shaking his head. “I bet I _do_
-have trouble with him, if he’s got to be around here until they get
-three coats o’ paint on our house. Mamma thought they only needed two,
-but papa said three, and the painter talked mamma into it this morning.”
-
-“The house?” Muriel said. “We’re going to have the—the house painted?”
-
-Robert was rather surprised. “Why, don’t you remember how much papa and
-mamma were talkin’ about it, two or three weeks ago? And then they
-thought not and didn’t say so much about it, but for a while papa was
-goin’ to have every painter in town come up here and make a bid. Don’t
-you remember?”
-
-“I do now,” Muriel said feebly; and a moment later she glanced toward
-the bright windows of the house across the street. “Robert,” she said,
-“if you’ve finished those horrible peanuts, you might run and ask Mr.
-Renfrew Mears if he’d mind coming over a little while.”
-
-She had been deeply stirred by the subject that had occupied her all
-day, and it was a spiritual necessity for her (so to say) to continue
-upon the topic with somebody—even with Renfrew Mears! However, she
-rejected him again, though with a much greater consideration for his
-feelings than was customary; and when he departed, she called after him:
-
-“Look out for your clothes when you come over to-morrow. We’re going to
-have the house painted.”
-
-Then, smiling contentedly, she went indoors and up to her room. The
-great vase of hydrangeas stood upon a table; she looked at it absently,
-and was reminded of something. She took some sheets of written paper
-from a notebook in her desk, tossed them into a waste-basket, yawned,
-and went to bed.
-
-
-
-
- “US”
-
-
-“HIGHLAND PLACE” was one of those new little cross-streets in a new
-little bosky neighbourhood, that had “grown up over night,” as we say,
-meaning grown up in four or five years; so that when citizens of the
-older and more solid and soiled central parts of the city come driving
-through the new part, of a Sunday afternoon in spring, they are pleased
-to be surprised. “My goodness!” they exclaim. “When did all _this_
-happen? Why, it doesn’t seem more’n a year or so since we used to have
-Fourth o’ July picnics out here! And now just look at it—all built up
-with bride-and-groom houses!”
-
-“Highland Place” was the name given to this cross-street by the
-speculative land company that “developed” it, and they did not call it
-“Waverley Place” because they had already produced a “Waverley Place” a
-block below. Both “Places” were lined with green-trimmed small white
-houses, “frame” or stucco; and although the honeymoon suggestion was
-architecturally so strong, as a matter of fact most of the inhabitants
-held themselves to be “settled old married people,” some of the couples
-having almost attained to a Tin Wedding Anniversary.
-
-The largest of the houses in “Highland Place” was the “hollow-tile and
-stucco residence of Mr. and Mrs. George M. Sullender.” Thus it had been
-defined, under a photographic reproduction, with the caption “New
-Highland Place Sullender Home,” in one of the newspapers, not long after
-the little street had been staked out and paved; and since the
-“Sullender Home” was not only the largest house but the first to be
-built in the “Place,” and had its picture in the paper, it naturally
-took itself for granted as being the most important.
-
-Young Mrs. William Sperry, whose equally young husband had just bought
-the smallest but most conspicuously bride-and-groom cottage in the whole
-“Place,” was not so deeply impressed with the Sullender importance as
-she should have been, since the Sperrys were the newcomers of the
-neighbourhood, had not yet been admitted to its intimacies, and might
-well have displayed a more amiable deference to what is established.
-
-“No,” Mrs. Sperry said to her husband, when they got home after their
-first experience of the “Place’s” hospitality, a bridge-party at the
-Sullenders’—“I just can’t stand those people, Will. They’re really
-_awful_!”
-
-“Why, what’s the matter with ’em?” he inquired. “I thought they were
-first rate. They seemed perfectly friendly and hospitable and——”
-
-“Oh, yes! Lord and Lady of the Manor entertaining the tenantry! I don’t
-mind being tenantry,” young Mrs. Sperry explained;—“but I can’t stand
-the Lord-and-Lady-of-the-Manor style in people with a nine-room house
-and a one-car garage.”
-
-“It may be one-car,” her husband laughed; “but it has two stories. They
-have a chauffeur, you know, and he lives in the upstairs of the garage.”
-
-“So that entitles the Sullenders to the Manor style?”
-
-“But I didn’t notice any of that style,” he protested. “I thought they
-seemed right nice and cordial. Of course Sullender feels that he’s been
-making quite a success in business and it naturally gives him a rather
-condescending air, but he’s really all right.”
-
-“He certainly was condescending,” she grumbled, and went on with some
-satire: “Did you hear him allude to himself as a ‘Realtor?’”
-
-“Well, why shouldn’t he? He _is_ one. That’s his business.”
-
-“My Lord the Realtor!” Mrs. Sperry cried mockingly. “There ought to be
-an opera written called ‘Il Realtor’ like the one there used to be with
-the title ‘Il Janitor.’ Those are such romantic words! ‘Toreador,’
-‘Realtor,’ ‘Humidor’——”
-
-“Here, here!” her husband said. “Calm down! You seem to have got
-yourself worked up into a mighty sarcastic mood for some reason. Those
-people only want to be nice to us and they’re all right.”
-
-Mrs. Sperry looked at him coldly. “Did you hear Mr. Sullender saying
-that his company had sold seven ‘_homes_’ this month?” she inquired.
-
-“Oh, you can’t expect everybody to know all the purist niceties of the
-English language,” he said. “Sullender’s all right and his wife struck
-me as one of the nicest, kindest women I ever——”
-
-“Kind!” Mrs. Sperry echoed loudly. “She doesn’t stop at being ‘kind’!
-She’s so caressingly tender, so angelically loving, that she can’t
-possibly pronounce a one-syllabled word without making two syllables of
-it! Did you notice that she said ‘yay-yus’ for ‘yes’, and ‘no-oh’ for
-‘no’? I do hate the turtle-dove style of talking, and I never met a
-worse case of it. Mrs. Sullender’s the sweetest sweet-woman I ever saw
-in my life and I’m positive she leads her husband a dog’s life!”
-
-“What nonsense!”
-
-“It serves him right for his Realtoring, though,” Mrs. Sperry added
-thoughtfully. “He _ought_ to have that kind of a wife!”
-
-“But you just said she was the sweetest——”
-
-“Yes, the sweetest sweet-woman I ever saw. I do hate the whole clan of
-sweet-women!”
-
-The young husband looked perplexed. “I don’t know what you’re talking
-about,” he admitted. “I always thought——”
-
-“I’m talking about the sweet-woman type that Mrs. Sullender belongs to.
-They use _intended_ sweetness. They speak to total strangers with
-sweetness. They wear expressions of saintly sweetness. Everybody speaks
-of a sweet-woman with loving reverence, and it’s generally felt that it
-would be practically immoral to contradict one of ’em. To be actually
-sassy to a sweet-woman would be a cardinal sin! They let their voices
-linger beautifully on the air; and they listen, themselves, to the
-lovely sounds they make. They always have the most exquisitely
-self-sacrificing reasons for every action of their lives; but they _do_
-just exactly what they _want_ to do, and everybody else has to do what a
-sweet-woman wants him to. That’s why I’m sure Mr. Sullender, in spite of
-all his pomposity, leads a dog’s life at home.”
-
-“Of all the foolish talk!” young Sperry exclaimed. “Why, everybody says
-they’re the most ideally married couple and that they lead the happiest
-life together that——”
-
-“‘Everybody says!’” she mocked him, interrupting. “How often have you
-known what ‘everybody says’ turn out to be the truth about anything? And
-besides, we don’t know a thing about any of these people, and we don’t
-know anybody else that does! Who is this ‘everybody’ that’s told you how
-happy the Sullenders are?”
-
-“Well, it’s just a general impression I got,” he admitted. “I think I
-heard someone down-town alluding to Sullender’s domestic relations being
-very fortunate and pleasant.”
-
-“Oh, you _think_ so? Is _that_ all? You don’t really know a thing about
-it, then.”
-
-“No matter. You’re wrong this time, Bella. The Sullenders——”
-
-But Bella shook her pretty young head, interrupting him again. “You’ll
-see! I do hope there won’t have to be too much intimacy but you can’t
-live across the street from people very long, in a neighbourhood like
-this, without getting to know the real truth about ’em. You wait and see
-what we get to know about the Sullenders!”
-
-“Yes, I’ll wait,” he laughed. “But how long?”
-
-“Oh, I don’t know; maybe a year, maybe a month——”
-
-“Let’s make it a month, Bella,” he said, and put his arm about her. “If
-we don’t find out in a month that the Sullenders are miserable together,
-will you admit you’re wrong?”
-
-“No, I won’t! But you’ll probably have to admit that I’m right before
-that long. I have a _sense_ for these things, Will, and I never go wrong
-when I trust it. Women know intuitively things that men never suspect. I
-_know_ I’m right about Mrs. Sullender.”
-
-Her husband permitted the discussion to end with this, wisely fearing
-that if he sought further to defend his position Bella might plausibly
-accuse him of “always insisting upon the last word.” And so, for that
-night, at least, the matter was dropped from their conversation, though
-not from the thoughts of Mrs. Sperry. Truth to tell, she was what is
-sometimes called an “obstinate little body,” and, also, she appreciated
-the advisability of a young wife’s building for future and lifelong use
-the foundations of infallibility. That is to say, she was young and
-therefore inexperienced, but she had foresight.
-
-Moreover, she had attentively observed the matrimonial condition of her
-parents and aunts and uncles. Many and many a time had she heard a
-middle-aged husband speak to his wife of like years somewhat in this
-manner: “No, Fannie, you’re wrong again. You’re mistaken about this now,
-just as you were about James Thompson’s adding machine in 1897. And you
-were wrong about painting the house, the year after that, too. Don’t you
-remember how you insisted dark green was the right colour, and finally
-had to admit, yourself, that dark green was awful, and light yellow
-would have been just right, as I all along said it would?”
-
-Thus, young Mrs. Sperry, looking to times far ahead, had determined to
-be wrong about nothing whatever during these early years of her
-matrimony. Moreover, since argument had arisen concerning the
-Sullenders, she had made up her mind to be right about them, and to
-“prove” herself right, “whether she really _was_ or not!” And that is
-why, on the morning after her arraignment of sweet-women generally, and
-of her too gracious neighbour particularly, the pretty newcomer in
-“Highland Place” found herself most pleasurably excited by the naïve but
-sinister revelations of a stranger eight years of age.
-
-At a little before nine o’clock, Mr. William Sperry had departed (in a
-young husband’s car) for his place of business, some five miles distant
-in the smoky heart of the city; and not long afterward the thoughtful
-Bella, charmingly accoutred as a gardener, came forth with a trowel to
-uproot weeds that threatened a row of iris she had set out along the
-gravel path leading from the tiny white veranda to the white picket
-gate. Thus engaged, she became aware of a small presence fumbling at the
-latch of this gate, and she changed her position from that of one on all
-fours, who gropes intently in the earth, to that of one upright from the
-knees, but momentarily relaxed.
-
-“Do you want to come in?” she inquired, looking out from the shade of
-her broad hat to where the little figure in blue overalls was marked off
-into stripes of sunshine and shadow by the intervening pickets of the
-gate. “Is there something you want here, little boy?”
-
-He succeeded in operating the latch, came in, and looked attentively
-over her excavations. “Have you found any nice worms?” he asked.
-
-“No, I haven’t found any at all,” she said, somewhat surprised by his
-adjective. “But I don’t think there are any ‘nice’ worms anywhere. Worms
-are all pretty horrid.”
-
-“No, they ain’t,” he returned promptly and seriously. “There’s lots o’
-nice worms.”
-
-“Oh, I don’t think so.”
-
-“Yes, there is.”
-
-“Oh, no.”
-
-“There is, too,” he said stubbornly and with some asperity. “Everybody
-knows there’s plenty of nice worms.”
-
-“Where did you get such nonsense in your head?” Bella asked, a little
-sharply. “Whoever told you there are nice worms?”
-
-“Well, there is!”
-
-“But what makes you think so?” she insisted.
-
-“Well——” He hesitated, then said with a conclusive air, settling the
-question: “My mother. I guess _she_ knows!”
-
-Bella stared at him incredulously for a moment.
-
-“What’s your name?”
-
-“My name’s George. My name’s George, the same as my papa,” he replied
-somewhat challengingly.
-
-“Don’t you live just across the street?” she asked.
-
-“Yes, I do.” He turned, pointing to the “George M. Sullender residence”;
-and Bella thought she detected a note of inherited pride in his tone as
-he added, “That’s where _I_ live!”
-
-“But, George, you don’t mean,” she insisted curiously;—“you don’t mean
-that your _mother_ told you there are nice worms? Surely not!”
-
-“My mother did,” he asserted, and then with a little caution, modified
-the assertion. “My mother just the _same_ as did.”
-
-“How was that?”
-
-And his reply, so unexpected by his questioner, sent a thrill of coming
-triumph through her. “My mother called my father a worm.”
-
-“What!”
-
-“She did,” said George. “She called him a worm over and over——”
-
-“What!”
-
-“And if he’s a worm,” George went on, stoutly, “well, I guess _he’s_
-nice, isn’t he? So there got to be plenty nice worms if he’s one.”
-
-“George!”
-
-“She calls him a worm most every little while, _these_ days,” said
-George, expanding, and he added, in cold blood, “I like him a great deal
-better than what I do her.”
-
-“You do?”
-
-“She hit him this morning,” George thought fit to mention.
-
-“_What?_”
-
-“With a cloe’s-brush,” he said, dropping into detail. “She hit him on
-the back of the head with the wooden part of it and he said, ‘_Ooh_’!”
-
-“But she was just in fun, of course!”
-
-“No, she wasn’t; she was mad and said she was goin’ to take me with her
-and go back to my grampaw’s. I won’t go with her. She’s mad all the
-time, _these_ days.”
-
-Bella stared, her lips parted, and she wished him to continue, but
-remembered her upbringing and tried to be a lady. “Georgie,” she said
-severely;—“you shouldn’t tell such things. Don’t you know better than
-to speak in this way of what happens between your poor papa and your
-mother?”
-
-The effect upon George was nothing, for even at eight years of age a
-child is able to understand what interests an adult listener, and
-children deeply enjoy being interesting. In response to her admonition,
-he said simply: “Yesterday she threw a glass o’ water at him and cut
-where his ear is. It made a big mark on him.”
-
-“Georgie! I’m afraid you’re telling me a dreadful, dreadful story!”
-Bella said, though it may not be denied that in company with this
-suspicion there arrived a premonitory symptom of disappointment. “Why, I
-saw your papa yesterday evening, myself, and there wasn’t any mark or
-anything like——”
-
-“It don’t show,” George explained. “It took him a good while, but he got
-it fixed up so’s it didn’t show much. Then he brushed his hair over
-where it was.”
-
-“Oh!”
-
-“My mother hates my papa,” said George. “She just hates and hates him!”
-
-“What _for_?” Bella couldn’t stop this question.
-
-“She wants him to have more money and he says what good would that do
-because she’d only throw it around.”
-
-“No!”
-
-“Yes,” said George. “And she’s mad because once he got so mad at her he
-hit _her_.”
-
-“What!”
-
-“He did, too,” George informed her, nodding, his large eyes as honest as
-they were earnest. “She said she was goin’ to see my grampaw and she
-left me at home, but my papa catched her at the Pitcher Show with Mr.
-Grumbaugh.”
-
-“Who?”
-
-“Mr. Grumbaugh,” George repeated, with the air of explaining everything.
-“So my papa made her come home and he hit her, and she hit him, too!”
-
-“Before _you_!” Bella exclaimed, horrified.
-
-“Sure!” George said, and looked upon her with some superiority. “They do
-it all before me. Last week they had a _big_ fight——”
-
-He would have continued willingly, but at this point he was interrupted.
-Across the street a door opened, and out of it came Mrs. Sullender,
-leading a five-year-old girl by the hand. She called loudly, though in a
-carefully sweet and musical tone:
-
-“George? Jaw—_aurge_? Oh, Jaw-_aur_-gie?”
-
-“Yes’m?” he shouted.
-
-Mrs. Sullender nodded smilingly to Bella, and called across: “Georgie,
-you dear little naughty thing! Didn’t I tell you half an hour ago to
-come indoors and play with poor dear little Natalie? She’s been waiting
-and waiting so patiently!”
-
-George looked morose, but began to move in the desired direction. “I’m
-comin’,” he muttered, and was so gross as to add, under his breath,
-“Doggone you!”
-
-However, he went across the street; and then Mrs. Sullender,
-benevolently leading the two children by the hand, nodded again to Bella
-with a sweetness that was evident even at a distance, and reëntered the
-house, taking George and the tiny Natalie with her.
-
-Bella remained upon her knees, staring violently at the “Sullender
-Home,” and her thoughts were centred upon her husband. “Just _wait_ till
-he gets here!” she thought.
-
-But she saved her triumph until after dinner, when he had made himself
-comfortable upon the lounge in their tiny “living-room” and seemed to be
-in good content with his briar pipe.
-
-“I had a caller after you left, this morning,” she informed him sunnily.
-
-“Who was it?”
-
-“Mr. George M. Sullender.”
-
-“So? That’s odd,” said Sperry. “I saw him starting down-town in his car
-just before I did. How did he happen to come back here?”
-
-“He didn’t. This was Mr. George M. Sullender, Junior.”
-
-“Who’s that?”
-
-“Their little boy,” said Bella. “You’ve seen him playing in their yard
-with the little sister.”
-
-“Oh, yes. Did his mother send him over on an errand?”
-
-“No. He came to see if I’d found any ‘nice worms’,” Bella said, and
-added, in a carefully casual tone, but with a flashing little glance
-from the corner of her eye: “He said _some_ worms must be nice because
-Mrs. Sullender is in the habit of calling Mr. Sullender a worm, and
-Georgie thinks his father is nice.”
-
-Young Mr. Sperry took his pipe from his mouth and looked at his wife
-incredulously. “What did you say about Mrs. Sullender’s calling Mr.
-Sullender——”
-
-“A ‘worm,’ William,” said Bella. “She calls him a ‘worm,’ William,
-because he doesn’t make even more money than he does, poor man. The
-child really hates his mother: he never once spoke of her as ‘mamma’ but
-he always said ‘my papa’ when he mentioned Mr. Sullender. I think I must
-have misjudged that poor creature a little, by the way. Of course he
-_is_ pompous, but I think his pomposity is probably just assumed to
-cover up his agony of mind. He has a recent scar that his wife put on
-his head, too, to cover up.”
-
-“Bella!”
-
-“Yes,” she said reflectively. “I think he’s mainly engaged in covering
-things up, poor thing. Of course he does _strike_ his sweet-woman, now
-and then, when he finds her at the movies with gentlemen he doesn’t
-approve of; but one can hardly blame him, considering the life she leads
-him. It was last week, though, when they had their _big_ fight, I
-understand—with the children looking on.”
-
-But at this, William rose to his feet and confronted her. “What on earth
-are you talking about, Bella?”
-
-“The Sullenders,” she said. “It was curious. It was like having the
-front of their house taken off, the way a curtain rolls up at the
-theatre and shows you one of those sordid Russian plays, for instance.
-There was the whole sickening actual life of this dreadful family laid
-bare before me: the continual petty bickerings that every hour or so
-grow into bitter quarrels with blows and epithets—and then, when other
-people are there, as we were, last night, the assumption of suavity, the
-false, too-sweet sweetness and absurd pomposities—oh, what an ugly
-revelation it is, Will! It’s so ugly it makes me almost sorry you were
-wrong about them—as you’re rather likely to be in your flash judgments,
-you poor dear!”
-
-Bella (who was “literary” sometimes) delivered herself of this speech
-with admirable dramatic quality, especially when she made her terse
-little realistic picture of the daily life of the Sullenders, but there
-was just a shade of happy hypocrisy and covert triumph in the final
-sentence, and she even thought fit to add a little more on the point.
-“How strange it is to think that only last night we were arguing about
-it!” she exclaimed. “And that I said we’d not need to wait a month to
-prove that I was right! Here it is only the next day, and it’s proved I
-was a thousand times righter than I said I was!”
-
-“Well, perhaps you’ll enlighten me——” he began, and she complied so
-willingly that she didn’t let him finish his request.
-
-She gave him Georgie’s revelation in detail, emphasizing and colouring
-it somewhat with her own interpretations of many things only suggested
-by the child’s meagre vocabulary; and she was naturally a little
-indignant when, at first, her husband declined to admit his defeat.
-
-“Why, it’s simply not believable,” he said. “Those people _couldn’t_
-seem what they seemed to be last night, and be so depraved. They were
-genuinely affectionate in the tone they used with each other and
-they——”
-
-“Good gracious!” Bella cried. “Do you think I’m making this up?”
-
-“No, of course not,” he returned hastily. “But the child may have made
-it up.”
-
-“About his own father and mother?”
-
-“Oh, I know; yet some children are the most wonderful little
-story-tellers: they tell absolutely inexplicable lies and hardly know
-why themselves.”
-
-But at this, Bella looked at him pityingly. “Listen a moment! There was
-all the sordid daily life of these people laid out before me in the poor
-little child’s prattle: a whole realistic novel, complete and
-consistent, and I’d like to know how you account for a child of seven or
-eight being able to compose such a thing—and on the spur of the moment,
-too! When children make up stories they make ’em up about extraordinary
-and absurd things, not about the sordid tragedies of everyday domestic
-life. Do you actually think this child made up what he told me?”
-
-“Well, it certainly does seem peculiar!”
-
-“‘Peculiar?’ Why, it’s terrible and it’s _true_!”
-
-“Well, if it is,” he said gloomily, “we certainly don’t want to get
-mixed up in it. We don’t want to come into a new neighbourhood and get
-involved in a scandal—or even in gossiping about one. We must be
-careful not to say anything about this, Bella.”
-
-She looked away from him thoughtfully. “I suppose so, though of course
-these people aren’t friends of ours; they’re hardly acquaintances.”
-
-“No, but that’s all the more reason for our not appearing to be
-interested in their troubles. We’ll certainly be careful not to say
-anything about this, won’t we, Bella?”
-
-“Oh, I suppose so,” she returned absently. “Since the people are really
-nothing to us, though, I don’t suppose it matters whether we say
-anything or not.”
-
-“Oh, but it does!” he insisted, and then, something in her tone having
-caught his attention, he inquired: “You _haven’t_ said anything to any
-one about it, have you, Bella?”
-
-“What?”
-
-“You haven’t repeated to any one what the child told you, have you?”
-
-“Oh, no,” she said lightly. “Not to any one who would have any personal
-interest in it.”
-
-“Oh, my!” William exclaimed, dismayed. “Who’d you tell?”
-
-“Nobody that has the slightest interest in the Sullenders,” Bella
-replied, with cold dignity. “Nobody that cares the slightest thing about
-them.”
-
-“Well, then, what in the world did you tell ’em _for_?”
-
-“Why, to pass the time, I suppose,” Bella said, a little offended.
-“Cousin Ethel dropped in for a while this afternoon and the whole thing
-was so extraordinary I just sketched it to her. What are you making such
-a fuss about?”
-
-“I’m not,” he protested feebly. “But even if the thing’s true, we don’t
-want to get the name of people that gossip about their——”
-
-“Oh, my!” she sighed impatiently. “I’ve told you Cousin Ethel hasn’t the
-slightest personal interest in these people, and besides she’ll never
-repeat what I told her.”
-
-“Well, if she doesn’t, it’ll be the first time!”
-
-“Will, please!”
-
-“Golly, I hope it won’t get back to the Sullenders!”
-
-“Such horrible people as that, what difference would it make?” Bella
-demanded. “And how could it get back? Cousin Ethel doesn’t move in
-Sullender circles. Not precisely!”
-
-“No, but her close friend, Mrs. Howard Peebles, is the aunt of Mrs.
-Frank Deem and Frank Deem is Sullender’s business partner.”
-
-“Oh, a Realtor, is he?” Bella said icily.
-
-William returned to the lounge, but did not recline. Instead, he sat
-down and took his head in his hands. “I do wish you hadn’t talked about
-it,” he said gloomily.
-
-Bella was sensitive; therefore she began to be angry. “Do you think it’s
-very intelligent,” she asked, “to imply that I don’t know enough not to
-make neighbourhood trouble? You may not recall that only last night you
-were sure that you were right and I was wrong about what sort of people
-these Sullenders are. Already, the very next day, you’ve had to confess
-that you were utterly mistaken and that your wife is wholly in the
-right. I suppose you may feel a little depressed about that and want to
-change the question to something else and claim I’m in the wrong about
-_that_. But don’t you think it’s a little bit childish of you, Will?
-Don’t you think that the way you’re taking your defeat is just a little
-bit—small?”
-
-He was hurt, and looked up at her with an expression that showed the
-injury. “I’d hardly have expected you’d call me that,” he said. “At
-least, not quite so soon after our wedding-trip!”
-
-“Well, I might have expected you wouldn’t be accusing me of gossiping
-harmfully,” she retorted. “Not _quite_ so soon!”
-
-Young Mr. Sperry rose again. “Do you think that’s as bad as using the
-epithet ‘small’ to your husband?”
-
-“‘Epithet’?” she echoed. “You charge me with using ‘epithets’?”
-
-“Well, but didn’t——”
-
-“I think I’ll ask you to excuse me,” Bella said, with an aspect of
-nobility in suffering. Thereupon, proudly, she betook herself from the
-room.
-
-It was a tiff. Next day they were as polite to each other as if they had
-just been introduced, and this ceremonial formality was maintained
-between them until the third evening after its installation, when a
-calamity caused them to abandon it. After a stately dinner in their
-hundred square feet of dining-room, Bella had gone out into the twilight
-to refresh her strips of iris with fair water from the garden hose, and
-William reclined upon his lounge, solitary with a gloomy pipe.
-Unexpectedly, he was summoned: Bella looked in upon him from the door
-and spoke hastily. “Uh—Mr. and Mrs. Sullender——” she said. “Uh——”
-And as hastily she withdrew.
-
-Perturbed, he rose and went out to the little veranda, where, with a
-slightly nervous hospitality, Bella was now offering chairs to Mrs.
-George M. Sullender and her husband. Mrs. Sullender smilingly, and in
-her angelic voice, declined the offer.
-
-“Oh, no,” she said. “We came in for a moment to admire your lovely
-irises at closer range; we’re just passing on our way to some friends in
-Waverley Place.”
-
-“We’d be so glad——” Bella fluttered.
-
-“No, no, no,” Mrs. Sullender murmured caressingly. “We’ve only a
-moment—I’m so sorry you disturbed your husband—we’re just going over
-for bridge. I suppose you know most of the people in Waverley Place?”
-
-“No, I don’t think I know any.”
-
-“Well, of course _we_ don’t think it compares to Highland Place,” Mrs.
-Sullender said, with a little deprecatory laugh. “I’m afraid it’s
-rather—well, gossipy.”
-
-“Oh——” Bella said. “Is it?”
-
-“I’m afraid so,” the gentle-mannered lady returned. “Of course that’s a
-great pity, too, in such a new little community where people are bound
-to be thrown together a great deal. Don’t you think it’s a great pity,
-Mrs. Sperry?”
-
-“Oh—naturally,” Bella acquiesced. “Yes, indeed.”
-
-“I knew you would. Of course it’s just thoughtlessness—most of the
-people who live there are so young—but we heard a really dreadful story
-only yesterday. It came from a _very_ young newly-married couple, and my
-husband and I were _so_ sorry to hear they’d started out by telling such
-dreadful things about their neighbours. Don’t you think it’s most
-unwise, Mrs. Sperry?”
-
-Mrs. Sullender’s voice, wholly unruffled, and as indomitably tender as
-ever, gave no intimation that she spoke with a peculiar significance;
-but William Sperry was profoundly alarmed, and, with a sympathy that
-held no triumph in it, he knew that Bella was in a similar or worse
-condition.
-
-“Ye-es,” Bella murmured. “Of—of course I do.”
-
-“I knew you _would_ feel that way,” said Mrs. Sullender soothingly.
-“It’s unwise, because gossip travels so. It nearly always goes straight
-back to the people it’s about. In fact, I don’t believe I ever knew of
-one single case where it didn’t. Did you, Mrs. Sperry?”
-
-“I—I don’t—that is, well, no,” Bella stammered.
-
-“No. It’s _so_ unwise!” Mrs. Sullender insisted, with a little murmur of
-tender laughter. Then she took the arm of her solemn and silent husband,
-and they turned together toward the gate, but paused. “Oh, I’d meant to
-tell you, Mrs. Sperry——”
-
-“Uh—yes?”
-
-“That dear little boy Georgie—the little boy you were chatting with the
-other morning when I called him in to play with my little girl—you
-remember, Mrs. Sperry?”
-
-“Yes!” Bella gasped.
-
-“I thought you made such friends with him you’d be sorry to know you
-won’t see him any more.”
-
-“No?”
-
-“No,” Mrs. Sullender cooed gently. “Poor little Georgie Goble!”
-
-“Georgie—who?”
-
-“Georgie Goble,” said Mrs. Sullender. “He was Goble, our chauffeur’s
-little boy. They lived over our garage and had quite a distressing time
-of it, poor things! The wife finally persuaded Goble to move to another
-town where she thinks chauffeurs’ pay is higher. I was sure you’d be
-sorry to hear the poor dear little boy had gone. They left yesterday.
-Good night. Good night, Mr. Sperry.”
-
-With that, followed by somewhat feeble good-nights from both the
-Sperrys, she passed through the gate with her husband, and a moment
-later disappeared in the clean dusk of “Highland Place.”
-
-Then Bella turned to her troubled William. “She—she certainly made it
-pl-plain!”
-
-“Yes,” he said. “But after all, she really did let us down pretty easy.”
-
-“‘Us,’” the young wife demanded sharply. “Did you say ‘_Us?_’”
-
-“Yes,” he answered. “I think she let us down about as easy as we could
-have expected.”
-
-Bella instantly threw herself in his arms. “Oh, William!” she cried.
-“William, _do_ be the kind of husband that won’t throw this up at me
-when we’re forty and fifty! William, _promise_ me you’ll always say ‘Us’
-when I get us in trouble!”
-
-And William promised and William did.
-
-
-
-
- THE TIGER
-
-
-THE two little girls, Daisy Mears and Elsie Threamer, were nine years
-old, and they lived next door to each other; but there the coincidence
-came to an end; and even if any further similarity between them had been
-perceptible, it could not have been mentioned openly without causing
-excitement in Elsie’s family. Elsie belonged to that small class of
-exquisite children seen on canvas in the days when a painter would
-exhibit without shame a picture called “Ideal Head.” She was one of
-those rare little fair creatures at whom grown people, murmuring
-tenderly, turn to stare; and her childhood was attended by the
-exclamations not only of strangers but of people who knew her well.
-“Greuze!” they said, or “A child Saint Cecilia!” or “That angelic
-sweetness!” But whatever form preliminary admiration might take, the
-concluding tribute was almost always the same: “And so unconscious, with
-it all!” When some unobservant and rambling-minded person did wander
-from the subject without mentioning Elsie’s unconsciousness, she was apt
-to take a dislike to him.
-
-People often wondered what that ineffable child with the shadowy
-downcast eyes was thinking about. They would “give _anything_,” they
-declared, to know what she was thinking about. But nobody wondered what
-Daisy Mears was thinking about—on the contrary, people were frequently
-only too sure they knew what Daisy was thinking about.
-
-From the days of her earliest infancy, Elsie, without making any effort,
-was a child continually noticed and acclaimed; whereas her next
-neighbour was but an inconspicuous bit of background, which may have
-been more trying for Daisy than any one realized. No doubt it also
-helped great aspirations to sprout within her, and was thus the very
-cause of the abrupt change in her character during their mutual tenth
-summer. For it was at this time that Daisy all at once began to be more
-talked about than Elsie had ever been. All over the neighbourhood and
-even beyond its borders, she was spoken of probably dozens of times as
-often as Elsie was—and with more feeling, more emphasis, more
-gesticulation, than Elsie had ever evoked.
-
-Daisy had accidentally made the discovery that the means of becoming
-prominent are at hand for anybody, and that the process of using them is
-the simplest in the world; for of course all that a person desirous of
-prominence needs to do is to follow his unconventional impulses. In this
-easy way prodigious events can be produced at the cost of the most
-insignificant exertion, as is well understood by people who have felt a
-temptation to step from the roof of a high building, or to speak out
-inappropriately in church. Daisy still behaved rather properly in
-church, but several times she made herself prominent in Sunday school;
-and she stepped off the roof of her father’s garage, merely to become
-more prominent among a small circle of coloured people who stood in the
-alley begging her not to do it.
-
-She spent the rest of that day in bed—for after all, while fame may so
-easily be obtained, it has its price, and the bill is inevitably sent
-in—but she was herself again the next morning, and at about ten o’clock
-announced to her mother that she had decided to “go shopping.”
-
-Mrs. Mears laughed, and, just to hear what Daisy would say, asked
-quizzically: “‘Go shopping?’ What in the world do you mean, Daisy?”
-
-“Well, I think it would be a nice thing for me to do, mamma,” Daisy
-explained. “You an’ grandma an’ Aunt Clara, you always keep sayin’, ‘I
-believe I’ll go shopping.’ _I_ want to, too.”
-
-“What would you do?”
-
-“Why, I’d go shopping the way _you_ do. I’d walk in a store an’ say:
-‘Have you got any unb’eached muslin? Oh, I thought _this’d_ be only six
-cents a yard! Haven’t you got anything nicer?’ Everything like that. _I_
-know, mamma. I know any amount o’ things to say when I go shopping.
-_Can’t_ I go shopping, mamma?”
-
-“Yes, of course,” her mother said, smiling. “You can pretend our big
-walnut tree is a department store and shop all you want.”
-
-“Well——” Daisy began, and then realizing that the recommendation of
-the walnut tree was only a suggestion, and not a command, she said,
-“Well, thank you, mamma,” and ran outdoors, swinging her brown straw hat
-by its elastic cord. The interview had taken place in the front hall,
-and Mrs. Hears watched the lively little figure for a moment as it was
-silhouetted against the ardent sunshine at the open doors; then she
-turned away, smiling, and for the rest of the morning her serene thought
-of Daisy was the picture of a ladylike child playing quietly near the
-walnut tree in the front yard.
-
-Daisy skipped out to the gate, but upon the public sidewalk, just
-beyond, she moderated her speed and looked as important as she could,
-assuming at once the rôle she had selected in the little play she was
-making up as she went along. In part, too, her importance was meant to
-interest Elsie Threamer, who was standing in graceful idleness by the
-hedge that separated the Threamers’ yard from the sidewalk.
-
-“Where you goin’, Daisy?” the angelic neighbour inquired.
-
-Daisy paused and tried to increase a distortion of her face, which was
-her conception of a businesslike concentration upon “shopping.” “What?”
-she inquired, affecting absent-mindedness.
-
-“Where you goin’?”
-
-“I haf to go shopping to-day, Elsie.”
-
-Elsie laughed. “No, you don’t.”
-
-“I do, too. I go shopping almost all the time lately. I haf to.”
-
-“You don’t, either,” Elsie said. “You don’t either haf to.”
-
-“I do, _too_, haf to!” Daisy retorted. “I’m almos’ worn out, I haf to go
-shopping so much.”
-
-“Where?”
-
-“Every single place,” Daisy informed her impressively. “I haf to go
-shopping all the way down-town. I’ll take you with me if you haf to go
-shopping, too. D’you want to?”
-
-Elsie glanced uneasily over her shoulder, but no one was visible at any
-of the windows of her house. Obviously, she was interested in her
-neighbour’s proposal, though she was a little timorous. “Well——” she
-said. “Of course I _ought_ to go shopping, because the truth is I got
-more shopping to do than ’most anybody. I haf to go shopping so _much_ I
-just have the backache all the time! I guess——”
-
-“Come on,” said Daisy. “I haf to go shopping in every single store
-down-town, and there’s lots o’ stores on the way we can go shopping in
-before we get there.”
-
-“All right,” her friend agreed. “I guess I rilly better.”
-
-She came out to the sidewalk, and the two turned toward the city’s
-central quarter of trade, walking quickly and talking with an
-accompaniment of many little gestures. “I rilly don’t know how I do it
-all,” said Elsie, assuming a care-worn air. “I got so much shopping to
-do an’ everything, my fam’ly all say they wonder I don’t break down an’
-haf to go to a sanitanarian or somep’m because I _do_ so much.”
-
-“Oh, it’s worse’n that with _me_, my dear!” said Daisy. “I declare I
-doe’ know how I do live through it all! Every single day, it’s like
-this: I haf to go shopping all day _long_, my dear!”
-
-“Well, I haf to, too, my dear! I _never_ get time to even sit _down_, my
-dear!”
-
-Daisy shook her head ruefully. “Well, goodness knows the last time _I_
-sat down, my dear!” she said. “My fam’ly say I got to take _some_ rest,
-but how can I, with all this terrable shopping to do?”
-
-“Oh, my dear!” Elsie exclaimed. “Why, my dear, _I_ haven’t sat down
-since Christmus!”
-
-Thus they enacted a little drama, improvising the dialogue, for of
-course every child is both playwright and actor, and spends most of his
-time acting in scenes of his own invention—which is one reason that
-going to school may be painful to him; lessons are not easily made into
-plays, though even the arithmetic writers do try to help a little, with
-their dramas of grocers and eggs, and farmers and bushels and quarts. A
-child is a player, and an actor is a player; and both “play” in almost
-the same sense—the essential difference being that the child’s art is
-instinctive, so that he is not so conscious of just where reality begins
-and made-up drama ends. Daisy and Elsie were now representing and
-exaggerating their two mothers, with a dash of aunt thrown in; they felt
-that they _were_ the grown people they played they were; and the more
-they developed these “secondary personalities,” the better they believed
-in them.
-
-“An’ with all my trouble an’ everything,” Daisy said, “I jus’ never get
-a minute to myself. Even my shopping, it’s all for the fam’ly.”
-
-“So’s mine,” Elsie said promptly. “Mine’s every single bit for the
-fam’ly, an’ I never, never get through.”
-
-“Well, look at _me_!” Daisy exclaimed, her hands fluttering in movements
-she believed to be illustrative of the rush she lived in. “My fam’ly
-keep me on the run from the minute I get up till after I go to bed. I
-declare I don’t get time to say my prayers! To-day I thought I _might_
-get a little rest for once in my life. But no! I haf to go shopping!”
-
-“So do I, my dear! I haf to look at—— Well, what do _you_ haf to look
-at when we go in the stores?”
-
-“Me? I haf to look at everything! There isn’t a thing left in our house.
-I haf to look at doilies, an’ all kinds embrawdries, an’ some aperns for
-the servants, an’ taffeta, an’ two vases for the liberry mantelpice, an’
-some new towerls, an’ kitchen-stove-polish, an’ underwear, an’ oilcloth,
-an’ lamp-shades, an’ some orstrich feathers for my blue vevvut hat. An’
-then I got to get some——”
-
-“Oh, my dear! _I_ got more’n that _I_ haf to look at,” Elsie
-interrupted. And she, likewise, went into details; but as Daisy
-continued with her own, and they both talked at the same time, the
-effect was rather confused, though neither seemed to be at all disturbed
-on that account. Probably they were pleased to think they were thus all
-the more realistically adult.
-
-It was while they were chattering in this way that Master Laurence Coy
-came wandering along a side-street that crossed their route, and,
-catching sight of them, considered the idea of joining them. He had a
-weakness for Elsie, and an antipathy for Daisy, the latter feeling
-sometimes not unmingled with the most virulent repulsion; but there was
-a fair balance struck; in order to be with Elsie, he could bear being
-with Daisy. Yet both were girls, and, regarded in that light alone, not
-the company he cared to be thought of as deliberately choosing.
-Nevertheless, he had found no boys at home that morning; he was at a
-loss what to do with himself, and bored. Under these almost compulsory
-circumstances, he felt justified in consenting to join the ladies; and,
-overtaking them at the crossing, he stopped and spoke to them.
-
-“Hay, there,” he said, taking care not to speak too graciously. “Where
-you two goin’, talkin’ so much?”
-
-They paid not the slightest attention to him, but continued busily on
-their way.
-
-“My _dear_ Mrs. Smith!” Daisy exclaimed, speaking with increased
-loudness. “_I_ jus’ pozza_tiv_ely never have a _minute_ to my own
-affairs! If I doe’ get a rest from my housekeepin’ pretty soon, I doe’
-know what on earth’s goin’ to become o’ my nerves!”
-
-“Oh, Mrs. Jones!” Elsie exclaimed. “It’s the same way with me, my dear.
-_I_ haf to have the _doctor_ for _my_ nerves, every morning at seven or
-eight o’clock. Why, my dear, I never——”
-
-“_Hay!_” Laurence called. “I said: ‘Where you goin’, talkin’ so much?’
-Di’n’chu hear me?”
-
-But they were already at some distance from him and hurrying on as if
-they had seen and heard nothing whatever. Staring after them, he caught
-a dozen more “my dears” and exclamatory repetitions of “Mrs. Smith, you
-don’t say so!” and “Why, _Mis-suz_ Jones!” He called again, but the two
-little figures, heeding him less than they did the impalpable sunshine
-about them, hastened on down the street, their voices gabbling, their
-heads waggling importantly, their arms and hands incessantly lively in
-airy gesticulation.
-
-Laurence was thus granted that boon so often defined by connoisseurs of
-twenty as priceless—a new experience. But he had no gratitude for it;
-what he felt was indignation. He lifted up his voice and bawled:
-
-“HAY! Di’n’chu hear what I SAID? Haven’t you got ’ny EARS?”
-
-Well he knew they had ears, and that these ears heard him; but on the
-spur of the moment he was unable to think of anything more scathing than
-this inquiry. The shoppers went on, impervious, ignoring him with all
-their previous airiness—with a slight accentuation of it, indeed—even
-when he bellowed at them a second time and a third. Stung, he was
-finally inspired to add: “_Hay!_ Are you gone _crazy_?” But they were
-halfway to the next crossing.
-
-A bitterness came upon Laurence. “What _I_ care?” he muttered. “I’ll
-_show_ you what I care!” However, his action seemed to deny his words,
-for instead of setting about some other business to prove his
-indifference, he slowly followed the shoppers. He was driven by a
-necessity he felt to make them comprehend his displeasure with their
-injurious flouting of himself and of etiquette in general. “Got ’ny
-politeness?” he muttered, and replied morosely: “No, they haven’t—they
-haven’t got sense enough to know what politeness means! Well, _I’ll_
-show ’em! They’ll _see_ before _I_ get through with ’em! _Oh_, oh! Jus’
-wait a little: they’ll be beggin’ me quick enough to speak to ’em. ‘Oh,
-Laur-runce, _please_!’ they’ll say. ‘_Please_ speak to us, Laur-runce.
-Won’ chu _please_ speak to us, Laurunce? We’d jus’ give _anything_ to
-have you speak to us, Laurunce! Won’ chu, Laurunce, pull-_lease_?’ Then
-I’ll say: ‘_Yes_, I’ll speak to you, an’ you better listen if you want
-to learn some sense!’ Then I’ll call ’em everything I can think of!”
-
-It might have been supposed that he had some definite plan for bringing
-them thus to their knees in supplication, but he was only solacing
-himself by sketching a triumphant climax founded upon nothing. Meanwhile
-he continued morbidly to follow, keeping about fifty yards behind them.
-
-“Poot!” he sneered. “Think they’re wunnaful, don’t they? You wait!
-They’ll see!”
-
-He came to a halt, staring. “_Now_ what they doin’?”
-
-Elsie and Daisy had gone into a small drug-store, where Daisy
-straightway approached the person in charge, an elderly man of weary
-appearance. “Do you keep taffeta?” she asked importantly. Since she and
-her friend were “playing” that they were shopping, of course they found
-it easily consistent to “play” that the druggist was a clerk in a
-department store; and no doubt, too, the puzzlement of the elderly man
-gave them a profound if secret enjoyment.
-
-He moved toward his rather shabby soda-fountain, replying: “I got
-chocolate and strawb’ry and v’nilla. I don’t keep no fancy syrups.”
-
-“Oh, my, no!” Daisy exclaimed pettishly. “I mean taffeta you wear.”
-
-“What?”
-
-“I mean taffeta you wear.”
-
-“‘Wear’?” he said.
-
-“I want to look at some _taffeta_,” Daisy said impatiently. “_Taffeta._”
-
-“Taffy?” the man said. “I don’t keep no line of candies.”
-
-Daisy frowned, and shook her head. “I guess he’s kind of deaf or
-somep’m,” she said to Elsie; and then she shouted again at the elderly
-man: “Taffe_tah_! It’s somep’m you _wear_. You wear it _on_ you!”
-
-“What for?” he said. “I ain’t deaf. You mean some brand of porous
-plaster? Mustard plaster?”
-
-“Oh, my, _no_!” Daisy exclaimed, and turned to Elsie. “This is just the
-way it is. Whenever I go shopping, they’re _always_ out of everything I
-want!”
-
-“Oh, it’s exackly the same with me, my dear,” Elsie returned. “It’s too
-provoking! Rilly, the shops in this town——”
-
-“Listen here,” the proprietor interrupted, and he regarded these
-fastidious customers somewhat unfavourably. “You’re wastin’ my time on
-me. Say what it is you want or go somewheres else.”
-
-“Well, have you got some _very_ nice blue-silk lamp-shades?” Daisy
-inquired, and she added: “With gold fringe an’ tassels?”
-
-“Lamp-shades!” he said, and he had the air of a person who begins to
-feel seriously annoyed. “Listen! Go on out o’ here!”
-
-But Daisy ignored his rudeness. “Have you got any _very_ good unb’eached
-muslin?” she asked.
-
-“You go on out o’ here!” the man shouted. “You go on out o’ here or I’ll
-untie my dog.”
-
-“Well, I declare!” Elsie exclaimed as she moved toward the door. “I
-never was treated like this in all my days!”
-
-“What kind of a dog is it?” Daisy asked, for she was interested.
-
-“It’s a _biting_ dog,” the drug-store man informed her; and she thought
-best to retire with Elsie. The two came out to the sidewalk and went on
-their way, giggling surreptitiously, and busier than ever with their
-chatter. After a moment the injured party in the background again
-followed them.
-
-“They’ll find _out_ what’s goin’ to happen to ’em,” he muttered,
-continuing his gloomy rhapsody. “‘_Please_ speak to us, Laurunce,’
-they’ll say. ‘Oh, Laurunce, pull-_lease_!’ An’ then I’ll jus’ keep on
-laughin’ at ’em an’ callin’ ’em everything the worst I ever heard, while
-they keep hollerin’: ‘Oh, Laur-runce, pull-_lease_!’”
-
-A passer-by, a kind-faced woman of middle age, caught the murmur from
-his slightly moving lips, and halted inquiringly.
-
-“What is it, little boy?” she asked.
-
-“What?” he said.
-
-“Were you speaking to me, little boy? Didn’t you say ‘Please’?”
-
-“No, I didn’t,” he replied, colouring high; for he did not like to be
-called “little boy” by anybody, and he was particularly averse to this
-form of address on the lips of a total stranger. Moreover, no indignant
-person who is talking to himself cares to be asked what he is saying. “I
-never said a thing to you,” he added crossly. “What’s the matter of you,
-anyhow?”
-
-“Good gracious!” she exclaimed. “What a bad, rude little boy! Shame on
-you!”
-
-“I ain’t a little boy, an’ shame on your own self!” he retorted; but she
-had already gone upon her way, and he was again following the busy
-shoppers. As he went on his mouth was slightly in motion, though it was
-careful not to open, and his slender neck was imperceptibly distended by
-small explosions of sound, for he continued his dialogues, but omitted
-any enunciation that might attract the impertinence of strangers. “It’s
-none o’ your ole biznuss!” he said, addressing the middle-aged woman in
-this internal manner. “_I’ll_ show you who you’re talkin’ to! I guess
-when you get through with _me_ you’ll know somep’m! Shame on your own
-self!” Then his eyes grew large as they followed the peculiar behaviour
-of the two demoiselles before him. “My goodness!” he said.
-
-Daisy was just preceding Elsie into a barber-shop.
-
-“Do you keep taffeta or—or lamp-shades?” Daisy asked of the barber
-nearest the door.
-
-This was a fat coloured man, a mulatto. He had a towel over the jowl and
-eyes of his helpless customer, and standing behind the chair, employed
-his thumbs and fingers in a slow and rhythmic manipulation of the man’s
-forehead. Meanwhile he continued an unctuous monologue, paying no
-attention whatever to Daisy’s inquiry. “I dess turn roun’ an’ walk away
-little bit,” said the barber. “’N’en I turn an’ look ’er over up an’
-down from head to foot. ‘Yes,’ I say. ‘You use you’ mouth full freely,’
-I say, ‘but dess kinely gim me leave fer to tell you, you ain’t got
-nothin’ to rouse up no int’est o’ _mine_ in you. I make mo’ money,’ I
-say, ‘I make mo’ money in a day than whut Henry ever see in a full year,
-an’ if you tryin’ to climb out o’ Henry’s class an’ into mine——’”
-
-“Listen!” Daisy said, raising her voice. “Do you keep taffeta or——”
-
-“Whut you say?” the barber asked, looking coldly upon her and her
-companion.
-
-“We’re out shopping,” Daisy explained. “We want to look at some——”
-
-“Listen me,” the barber interrupted. “Run out o’ here. Run out.”
-
-Daisy moved nearer him. “What you doin’ to that man’s face?” she asked.
-
-“Nem mine! Nem mine!” he said haughtily.
-
-“What were you tellin’ him?” Daisy inquired. “I mean all about Henry’s
-class an’ usin’ her mouth so full freely. Who was?”
-
-“Run _out_!” the barber shouted. “Run _out_!”
-
-“Well, I declare!” Daisy exclaimed, as she and Elsie followed his
-suggestion and emerged from the shop. “It’s just this same way whenever
-I go shopping! I never _can_ find the things I want; they act almos’
-like they don’t care whether they keep ’em or not.”
-
-“It’s dreadful!” Elsie agreed, and, greatly enjoying the air of
-annoyance they were affecting, they proceeded on their way. No one would
-have believed them aware that they were being followed; and neither had
-spoken a word referring to Master Coy; but they must have understood
-each other perfectly in the matter, for presently Daisy’s head turned
-ever so slightly, and she sent a backward glance out of the very tail of
-her eye. “_He’s still comin’!_” she said in a whisper that was ecstatic
-with mirth. And Elsie, in the same suppressed but joyous fashion, said:
-“Course he is, the ole thing!” This was the only break in their manner
-of being the busiest shoppers in the world; and immediately after it
-they became more flauntingly shoppers than ever.
-
-As for Laurence, his curiosity was now almost equal to his bitterness.
-The visit to the drug-store he could understand, but that to the
-barber-shop astounded him; and when he came to the shop he paused to
-flatten his nose upon the window. The fat mulatto barber nearest the
-window was still massaging the face of the recumbent customer and
-continuing his narrative; the other barbers were placidly grooming the
-occupants of their chairs, while two or three waiting patrons, lounging
-on a bench, read periodicals of a worn and flaccid appearance. Nothing
-gave any clue to the errand of Laurence’s fair friends; on the contrary,
-everything that was revealed to his staring eyes made their visit seem
-all the more singular.
-
-He went in, and addressed himself to the fat barber. “Listen,” he said.
-“Listen. I want to ast you somep’m.”
-
-“Dess ’bout when she was fixin’ to holler,” the barber continued, to his
-patron, “I take an’ slap my money ri’ back in my pocket. ‘You talk ’bout
-tryin’ show me some _class_,’ I say. ‘Dess lem me——’”
-
-“Listen!” Laurence said, speaking louder. “I want to ast you somep’m.”
-
-“‘Dess lem me tell you, if you fixin’ show me some class,’” the barber
-went on; “‘if you fixin’ show me some class,’ I say. ‘Dess lem me tell
-you if——’”
-
-“_Listen!_” Laurence insisted. “I want to ast you somep’m.”
-
-For a moment the barber ceased to manipulate his customer and gave
-Laurence a look of disapproval. “Listen _me_, boy!” he said. “Nex’ time
-you flatten you’ face on nat window you don’ haf to breave on nat glass,
-do you? Ain’ you’ folks taught you no better’n go roun’ dirtyin’ up nice
-clean window?”
-
-“What I want to know,” Laurence said: “—What were they doin’ in here?”
-
-“What were who doin’ in here?”
-
-“Those two little girls that were in here just now. What did they come
-here for?”
-
-“My goo’nuss!” the barber exclaimed. “Man’d think barber got nothin’ do
-but stan’ here all day ’nanswer questions! Run out, boy!”
-
-“But, listen!” Laurence urged him. “What were they——”
-
-“Run out, boy!” the barber said, and his appearance became formidable.
-“Run _out_, boy!”
-
-Laurence departed silently, though in his mind he added another outrage
-to the revenge he owed the world for the insults and mistreatments he
-was receiving that morning. “I’ll show you!” he mumbled in his throat as
-he came out of the shop. “You’ll wish you had some _sense_, when I get
-through with you, you ole barber, you!”
-
-Then, as he looked before him, his curiosity again surpassed his sense
-of injury. The busy shoppers were just coming out of a harness-shop,
-which was making a bitter struggle to survive the automobile; and as
-they emerged from the place, they had for a moment the hasty air of
-ejected persons. But this was a detail that escaped Laurence’s
-observation, for the gestures and chatter were instantly resumed, and
-the two hurried on as before.
-
-“My gracious!” said Laurence, and when he came to the harness-shop he
-halted and looked in through the open door; but the expression of the
-bearded man behind a counter was so discouraging that he thought it best
-to make no inquiries.
-
-The bearded man was as irritable as he looked. “Listen!” he called.
-“Don’t block up that door, d’you hear me? Go on, get away from there and
-let some air in. Gosh!”
-
-Laurence obeyed morosely. “Well, doggone it!” he said.
-
-He had no idea that the pair preceding him might have been received as
-cavalierly, for their air of being people engaged in matters of
-importance had all the effect upon him they desired, and deceived him
-perfectly. Moreover, the mystery of what they had done in the
-barber-shop and in the harness-shop was actually dismaying; they were
-his colleagues in age and his inferiors in sex; and yet all upon a
-sudden, this morning, they appeared to deal upon the adult plane and to
-have business with strange grown people. Laurence was unwilling to give
-them the slightest ground for a conceited supposition that he took any
-interest in them, or their doings, but he made up his mind that if they
-went into another shop, he would place himself in a position to observe
-what they did, even at the risk of their seeing him.
-
-Four or five blocks away, the business part of the city began to be
-serious; buildings of ten or twelve stories, several of much more than
-that, were piled against the sky; but here, where walked the shoppers
-and their disturbed shadower, the street had fallen upon slovenly days.
-Farther out, in the quarter whence they had come, it led a life of
-domestic prosperity, but gradually, as it descended southward, its
-character altered dismally until just before it began to be respectable
-again, as a business street, it was not only shabby but had a covert air
-of underhand enterprise. And the shop windows had not been arranged with
-the idea of offering a view of the interiors.
-
-Of course Elsie and Daisy did not concern themselves with the changed
-character of the street; one shop was as good as another for the
-purposes involved in the kind of shopping that engaged them this
-morning; and they were having too glorious a time to give much
-consideration to anything. Elsie had fallen under the spell of a daring
-leadership; she was as excited as Daisy, as intent as she upon
-preserving the illusion they maintained between them; and both of them
-were delightedly aware that they must be goading their frowning follower
-with a splendid series of mysteries.
-
-“I declare!” Daisy said, affecting peevishness. “I forgot to look at
-orstrich feathers an’ unb’eached muslin at both those two last places we
-went. Let’s try in here.”
-
-By “in here” she referred to a begrimed and ignoble façade once painted
-dark green, but now the colour of street dust mixed with soot. Admission
-was to be obtained by double doors, with the word “_Café_” upon both of
-the panels. “_Café_” was also repeated upon a window, where a
-sign-painter of great inexperience had added the details: “_Soft Drinks
-Candys Cigars & C._” And upon three shelves in the window were
-displayed, as convincing proof of the mercantile innocence of the place,
-three or four corncob pipes, some fly-specked packets of tobacco,
-several packages of old popcorn and a small bottle of catsup.
-
-Daisy tugged at the greasy brass knob projecting from one of the once
-green doors, and after some reluctance it yielded. “Come on,” she said.
-The two then walked importantly into the place, and the door closed
-behind them.
-
-Laurence immediately hurried forward; but what he beheld was
-discouraging. The glass of the double door was frankly opaque; and that
-of the window was so dirty and besooted, and so obstructed by the
-shelves of sparse merchandise, that he could see nothing whatever beyond
-the shelves.
-
-“Well, dog-_gone_ it!” he said.
-
- * * * * *
-
-Daisy and Elsie found themselves the only visible occupants of an
-interior unexampled in their previous experience. Along one side of the
-room, from wall to wall, there ran what they took to be a counter for
-the display of goods, though it had nothing upon it except a blackened
-little jar of matches and a short thick glass goblet, dimmed at the
-bottom with an ancient sediment. A brass rail extended along the base of
-the counter, and on the wall, behind, was a long mirror, once lustrous,
-no doubt, but now coated with a white substance that had begun to suffer
-from soot. Upon the wall opposite the mirror there were two old
-lithographs, one of a steamboat, the other of a horse and jockey; and
-there were some posters advertising cigarettes, but these decorations
-completed the invoice of all that was visible to the shoppers.
-
-“Oh, dear!” Daisy said. “Wouldn’t it be too provoking if they’d gone to
-lunch or somep’m!” And she tapped as loudly as she could upon the
-counter, calling: “Here! Somebody come an’ wait on us! I want to look at
-some of your nicest unb’eached muslin an’ some orstrich feathers.”
-
-There was a door at the other end of the room and it stood open,
-revealing a narrow and greasy passage, with decrepit walls that showed
-the laths, here and there, where areas of plaster had fallen. “I guess I
-better go call in that little hallway,” said Daisy. “They don’t seem to
-care _how_ long they keep their customers waitin’!”
-
-But as she approached the door, the sound of several muffled explosions
-came from the rear of the building and reached the shoppers through the
-funnel of the sinister passage.
-
-“That’s funny,” said Daisy. “I guess somebody’s shootin’ off
-firecrackers back there.”
-
-“What for?” Elsie asked.
-
-“I guess they think it must be the Fourth o’ July,” Daisy answered; and
-she called down the passageway: “Here! Come wait on us. We want to look
-at some unb’eached muslin an’ _orstrich_ feathers. Can’t you hurry
-_up_?”
-
-No one replied, but voices became audible, approaching;—voices in
-simultaneous outbursts, and manifesting such poignant emotion that
-although there were only two of them, a man’s and a woman’s, Daisy and
-Elsie at first supposed that seven or eight people were engaged in the
-controversy. For a moment they also supposed the language to be foreign,
-but discovered that some of the expressions used were familiar, though
-they had been accustomed to hear them under more decorous circumstances.
-
-“They’re makin’ an awful fuss,” Elsie said. “What _are_ they talkin’
-about?”
-
-“The way it sounds,” said Daisy, “it sounds like they’re talkin’ about
-things in the Bible.”
-
-Then another explosion was heard, closer; it seemed to come from a
-region just beyond the passageway; and it was immediately followed by a
-clatter of lumber and an increase of eloquence in the vocal argument.
-
-“You _quit_ that!” the man’s voice bellowed plaintively. “You don’t know
-what you’re doin’; you blame near croaked me that time! You _quit_ that,
-Mabel!”
-
-“I’m a-goin’ to learn you!” the woman’s voice announced. “You come out
-from under them boards, and I’ll learn you whether I know what I’m doin’
-or not! Come out!”
-
-“_Please_ go on away and lea’ me alone,” the man implored. “_I_ never
-done nothin’ to you. I never seen a _cent_ o’ that money! _Honest_,
-George never give me a cent of it. Why’n’t you go an ast _him_? He’s
-right in yonder. Oh, my goodness, whyn’t you ast _him_?”
-
-“Come out from under them boards!”
-
-The man’s voice became the more passionate in its protesting. “Oh, my
-goodness! Mabel, can’t you jest ast George? He ain’t left the place;
-_you_ know _that_! He can’t show his face in daytime, and he’s right
-there in the bar, and so’s Limpy. Limpy’ll tell you jest the same as
-what George will, if you’ll only go and ast ’em. _Why_ can’t you go and
-_ast_ ’em?”
-
-“Yes!” the woman cried. “And while I’m in there astin’ ’em, where’ll
-_you_ be? Over the alley fence and a mile away! You come out from under
-them boards and git croaked like you’re a-goin’ to!”
-
-“Oh, my _good_ness!” the man wailed. “I _wish_ I had somep’m on me to
-lam you with! Jest once! That’s all I’d ast—jest one little short crack
-at you!”
-
-“You come out from under them boards!”
-
-“I won’t! I’ll lay here till——”
-
-“We’ll _see_!” the woman cried. “I’m a-goin’ to dig you out. I’m a-goin’
-to take them boards off o’ you and then I’m a-goin’ to croak you. I am!”
-
-Elsie moved toward the outer door. “They talk so—so funny!” she said
-with a little anxiety. “I doe’ b’lieve it’s about the Bible.”
-
-“I guess she’s mad at somebody about somep’m,” Daisy said, much amused;
-and stepping nearer the passageway, she called: “_Here!_ We want to look
-at some unb’eached muslin an’ _orstrich_ feathers!”
-
-But the room beyond the passage was now in turmoil: planks were
-clattering again, and both voices were uproarious. The man’s became a
-squawk as another explosion took place; he added an incomplete
-Scriptural glossary in falsetto; and Elsie began to be nervous.
-
-“That’s awful big firecrackers they’re usin’,” she said. “I guess we
-ought to go home, Daisy.”
-
-“Oh, they’re just kind of quarrellin’ or somep’m,” Daisy explained, not
-at all disturbed. “If you listen up our alley, you can hear coloured
-people talkin’ like that lots o’ times. They do this way, an’ they
-settle down again, or else they’re only in fun. But I do wish these
-people’d come, because I just _haf_ to finish my shopping!” And, as yet
-another explosion was heard, she exclaimed complacently: “My! That’s a
-big one!”
-
-Then, beyond the passage, there seemed to be a final upheaval of lumber;
-the discussion reached a climax of vociferation, and a powerful,
-bald-headed man, without a coat, plunged through the passage and into
-the room. His unscholarly brow and rotund jowls were beaded; his
-agonized eyes saw nothing; he ran to the bar, and vaulted over it,
-vanishing behind it half a second before the person looking for him
-appeared in the doorway.
-
-She was a small, rather shabby woman, who held one hand concealed in the
-folds of her skirt, while with the other she hastily cleared her eyes of
-some loosened strands of her reddish hair.
-
-“I got you, Chollie!” she said. “You’re behind the bar, and I’m a-goin’
-to make a good job of it, and get George and Limpy, too. I’m goin’ to
-get all three of you!”
-
-With that she darted across the room and ran behind the bar; whereupon
-Daisy and Elsie were treated to a scene like a conjuror’s trick. Until
-the bald-headed man’s arrival, they had supposed themselves to be quite
-alone in the room, but as the little woman ran behind the counter, not
-only this fugitive popped up from it, but two other panic-stricken men
-besides—one with uneven whiskers all over his mottled face, the other a
-well-dressed person, elderly, but just now supremely agile. The three
-shot up simultaneously like three Jacks-in-the-box, and, scrambling over
-the counter, dropped flat on the floor in front of it, leaving the
-little woman behind.
-
-“Crawl up to the end o’ the bar, George,” the bald-headed man said
-hoarsely. “When she comes out from behind it, jump and grab her wrist.”
-
-“Think I’m deef?” the little woman inquired raucously. “George’s got a
-fat chance to grab _my_ wrist!”
-
-Then her eyes, somewhat inflamed, fell upon Daisy and Elsie. “Well,
-what—what—what——” she said.
-
-Daisy stepped toward the counter, for she felt that she had indeed
-delayed her business long enough.
-
-“We’d like to look at some nice unb’eached muslin,” she said, “an’ some
-of your _very_ best orstrich feathers.”
-
-The subsequent commotions, as well as the preceding ones, were
-indistinctly audible to the mystified person who waited upon the
-sidewalk outside the place. Finding that his eyes revealed nothing of
-the interior, he had placed his ear against the window, and the muffled
-reports, mistaken for firecrackers by Daisy and Elsie, were similarly
-interpreted by Laurence; but he supposed Daisy and Elsie to have a
-direct connection with the sounds. A thought of the Fourth of July
-entered his mind, as it had Daisy’s, but it solved nothing for him: the
-Fourth was long past; this was not the sort of store that promised
-firecrackers; and even if Daisy and Elsie had taken firecrackers with
-them, how had it happened that they were allowed to explode them
-indoors? As for an “ottomatick” or a “revolaver,” he knew that neither
-maiden would touch such a thing, for he had heard them express their
-aversion to the antics of Robert Eliot, on an occasion when Master Eliot
-had surreptitiously borrowed his father’s “good ole six-shooter” to
-disport himself with in the Threamers’ garage.
-
-Nothing could have been more evident than that Daisy and Elsie had
-definite affairs to transact in this café; the air with which they
-entered it was a conclusive demonstration of that. But the firecrackers
-made guessing at the nature of those affairs even more hopeless than
-when the pair had visited the barber-shop and the harness-shop. Then, as
-a closer report sounded, Laurence jumped. “_Giant_ firecracker!” he
-exclaimed huskily, and his eyes still widened; for now vague noises of
-tumult and altercation could be heard.
-
-“Well, my go-o-od-_nuss_!” he said.
-
-Two pedestrians halted near him.
-
-“Say, listen,” one of them said. “What’s goin’ on in there?”
-
-“Golly!” the other exclaimed, adding: “I happen to know it’s a blind
-tiger.”
-
-Laurence’s jaw dropped, and he stared at the man incredulously.
-“Wha-wha’d you say?”
-
-“Listen,” the man returned. “How long’s all this been goin’ on in
-there?”
-
-“Just since _they_ went in there. It was just a little while ago. Wha’d
-you say about——”
-
-But he was interrupted. Several other passers-by had paused, and they
-began to make interested inquiries of the first two.
-
-“What’s the trouble in there? What’s going on here? What’s all the
-shooting? What’s——”
-
-“There’s _something_ pretty queer goin’ on,” said the man who had spoken
-to Laurence; and he added: “It’s a blind tiger.”
-
-“Yes, _I_ know that,” another said. “I was in there once, and I know
-from my own eyes it’s a blind tiger.”
-
-Laurence began to be disconcerted.
-
-“‘A blind tiger’?” he gasped. “A blind tiger?” What caused his emotion
-was not anxiety for the safety of his friends; the confident importance
-with which they had entered the place convinced him that if there
-actually was a blind tiger within, they were perfectly aware of the
-circumstance and knew what they were doing when they entered the
-animal’s presence. His feeling about them was indefinite and hazy; yet
-it was certainly a feeling incredulous but awed, such as any one might
-have about people well known to him, who suddenly appear to be possessed
-of supernatural powers. “Honest, d’you b’lieve there’s a blind tiger in
-there?” he asked of the man who had confirmed the strange information.
-
-“Sure!”
-
-“Honest, is one in there? Do you _honest_——”
-
-But no one paid him any further attention. By this time a dozen or more
-people had gathered; others were arriving; and as the tumult behind the
-formerly green door increased, hurried discussion became general on the
-sidewalk. Several men said that somebody ought to go in and see what the
-matter was; others said that they themselves would be willing to go in,
-but they didn’t like to do it without a warrant; and two or three
-declared that nobody ought to go in just at that time. One of these was
-emphatic, especially upon the duty men owe to themselves. “A man owes
-_something_ to himself,” he said. “A man owes it to himself not to git
-no forty-four in his gizzard by takin’ and pushin’ into a place where
-somebody’s _usin’_ a forty-four. A man owes it to himself to keep out o’
-trouble unless he’s got some call to take and go bullin’ into it;
-_that’s_ what he owes to himself!”
-
-Another seemed to be depressed by the scandal involved. He was an
-unshaven person of a general appearance naïvely villainous, and, without
-a hat or coat, he had hurried across the street from an establishment
-not essentially unlike that under discussion—precisely like it, in
-fact, in declaring itself (though without the accent) to be a place
-where coffee in the French manner might be expected. “What worries _me_
-is,” he said gloomily, and he repeated this over and over, “what worries
-_me_ is, it gives the neighbourhood kind of a poor name. What worries
-_me_, it’s gittin’ the neighbourhood all talked about and everything,
-the way you wouldn’t want it to, yourself.”
-
-Laurence took a fancy to this man, whose dejection had a quality of
-pathos that seemed to imply a sympathetic nature.
-
-“_Is_ there one—honestly?” Laurence asked him. “Cross your _heart_
-there is one?”
-
-The gloomy man continued to address his lament to the one or two
-acquaintances who were listening to him. “It’s just like this—what
-worries _me_ is——”
-
-But Laurence tugged at his soiled shirt-sleeve. “Is there _honest_ one
-in there?”
-
-“Is there one _what_ in there?” the man asked with unexpected gruffness.
-
-“A blind tiger!”
-
-The gloomy man instantly became of a terrifying aspect. He roared:
-
-“Git away f’m here!”
-
-Then, as Laurence hastily retreated, the man shook his head, and added
-to his grown listeners: “Ain’t that jest what I says? It gits everybody
-to talkin’—even a lot of awnry dressed-up little boys! It ain’t
-_right_, and Chollie and Mabel ought to have some consideration. Other
-folks has got to live as well as them! Why, I tell you——”
-
-He stopped, and with a woeful exclamation pointed to the street-corner
-south of them. “Look there! It’s that blame sister-in-law o’ George’s. I
-reckon _she_ must of run out through the alley. Now they _have_ done
-it!”
-
-His allusion was to a most blonde young woman, whose toilet, evidently
-of the hastiest, had called upon one or two garments for the street as
-an emergency supplement to others eloquent of the intimate boudoir. She
-came hurrying, her blue crocheted slippers scurrying in and out of
-variegated draperies; and all the while she talked incessantly, and with
-agitation, to a patrolman in uniform who hastened beside her. Naturally,
-they brought behind them an almost magically increasing throng of
-citizens, aliens and minors.
-
-They hurried to the once green doors; the patrolman swung these open,
-and he and the blonde young woman went in. So did the crowd, thus headed
-and protected by the law’s very symbol; and Laurence went with them.
-Carried along, jostled and stepped upon, he could see nothing; and
-inside the solidly filled room he found himself jammed against a woman
-who surged in front of him. She was a fat woman, and tall, with a great,
-bulbous, black cotton cloth back; and just behind Laurence there pressed
-a short and muscular man who never for an instant relaxed the most
-passionate efforts to see over the big woman. He stood on tiptoe,
-stretching himself and pushing hard down on Laurence’s shoulders; and he
-constantly shoved forward, inclosing Laurence’s head between himself and
-the big woman’s waist, so that Laurence found breathing difficult and
-uncomfortable. The black cotton cloth, against which his nose was pushed
-out of shape, smelled as if it had been in the rain—at least that was
-the impression obtained by means of his left nostril, which remained
-partially unobstructed; and he did not like it.
-
-In a somewhat dazed and hazy way he had expected to see Daisy and Elsie
-and a blind tiger, but naturally, under these circumstances, no such
-expectation could be realized. Nor did he hear anything said about
-either the tiger or the little girls; the room was a chaos of voices,
-though bits of shrill protestation, and gruffer interruptions from the
-central group, detached themselves.
-
-“I _never_!” cried the shrillest voice. “I never even _pointed_ it at
-_any_ of ’em! So help me——”
-
-“Now look _here_——” Laurence somehow got an idea that this was the
-policeman’s voice. “Now look _here_——” it said loudly, over and over,
-but was never able to get any further; for the shrill woman and the
-plaintive but insistent voices of three men interrupted at that point,
-and persisted in interrupting as long as Laurence was in the room.
-
-He could bear the black cotton back no longer, and, squirming, he made
-his elbow uncomfortable to the aggressive man who tortured him.
-
-“_Here!_” this person said indignantly. “Take your elbow out o’ my
-stomach and stand still. How d’you expect anybody to see what’s going on
-with _you_ making all this fuss? Be quiet!”
-
-“I won’t,” said Laurence thickly. “You lea’ me out o’ here!”
-
-“Well, for heaven’s sakes!” the oppressive little man exclaimed. “Make
-some _more_ trouble for people that want to see something! Go on and
-_get_ out, then! _Oh_, Lordy!”
-
-This last was a petulant wail as Laurence squirmed round him; then the
-pressure of the crowd filled the gap by throwing the little man against
-the fat woman’s back. “Dam _boy_!” he raved, putting all his troubles
-under one head.
-
-But Laurence heard him not; he was writhing his way to the wall; and,
-once he reached it, he struggled toward the open doors, using his
-shoulder as a wedge between spectators and the wall. Thus he won free of
-the press and presently got himself out to the sidewalk, panting. And
-then, looking about him, he glanced up the street.
-
-At the next crossing to the north two busy little figures were walking
-rapidly homeward. They were gesturing importantly; their heads were
-waggling to confirm these gestures; and they were chattering
-incessantly.
-
-“Well—dog-_gone_ it!” Laurence whispered.
-
-He followed them; but now his lips moved not at all, and there was no
-mumbling in his throat. He stared at them amazedly, in a great mental
-silence.
-
- * * * * *
-
-“What wears _me_ out the _most_,” Daisy said, as they came into their
-own purlieus again, “it’s this shopping, shopping, shopping, and they
-never have one single thing!”
-
-“No, they don’t,” Elsie agreed. “Not a thing! It just wears me _out_!”
-
-“F’instance,” Daisy continued, “look at how they acted in that las’
-place when I wanted to see some orstrich feathers. Just said ‘What!’
-about seven hundred times! An’ then that ole pleeceman came in!”
-
-For a moment Elsie dropped her rôle as a tired shopper, and giggled
-nervously. “I was scared!” she said.
-
-But Daisy tossed her head. “It’s no use goin’ shopping in a store like
-that; they never _have_ anything, and I’ll never waste my time on ’em
-again. Crazy things!”
-
-“They did act crazy,” Elsie said thoughtfully, as they paused at her
-gate. “I guess we better not tell about it to our mothers, maybe.”
-
-“No,” Daisy agreed; and then with an elaborate gesture of fatigue she
-said: “_Well_, my dear, I hope you’re not as worn out as _I_ am! My
-nerves are jus’ comp’etely _gone_, my dear!”
-
-“So’re mine!” said Elsie; and then, after a quick glance to the south,
-she giggled. “There’s that ole _thing_, still comin’ along;—no, he’s
-stopped, an’ lookin’ at us!” She went into the yard. “Well, my dear, I
-must go in an’ lay down an’ rest myself. We’ll go shopping again just as
-soon as my nerves get better, my dear!”
-
-She skipped into the house, and Daisy, humming to herself, walked to her
-own gate, went in, and sat in a wicker rocking-chair under the walnut
-tree. She rocked herself and sang a wordless song, but becoming aware of
-a presence that lingered upon the sidewalk near the gate, she checked
-both her song and the motion of the chair and looked that way. Master
-Coy was staring over the gate at her; and she had never known that he
-had such large eyes.
-
-He was full of formless questions, but he had no vocabulary; in truth,
-his whole being was one intensified interrogation.
-
-“What you want?” Daisy called.
-
-“I was there,” he announced solemnly. “I was there, too. I was in that
-place where the pleeceman was.”
-
-“_I_ doe’ care,” Daisy said, and began to sing and to rock the chair
-again. “_I_ doe’ care where you went,” she said.
-
-“I was there,” said Laurence. “_I_ saw that ole bline tiger. That’s
-nothin’!”
-
-Daisy had no idea of what he meant, but she remained undisturbed. “I
-doe’ care,” she sang. “I doe’ care, I doe’ care, I doe’ care what you
-saw.”
-
-“Well, I did!” said Laurence, and he moved away, walking backward and
-staring at her.
-
-She went on singing, “I doe’ care,” and rocking, and Laurence continued
-to walk backward and stare at her. He walked backward, still staring,
-all the way to the next corner. There, as it was necessary for him to
-turn toward his own home, he adopted a more customary and convenient
-manner of walking—but his eyes continued to be of unnatural dimensions.
-
-
-
-
- MARY SMITH
-
-
-HENRY MILLICK CHESTER, rising early from intermittent slumbers, found
-himself the first of the crowded Pullman to make a toilet in the men’s
-smoke-and-wash-room, and so had the place to himself—an advantage of
-high dramatic value to a person of his age and temperament, on account
-of the mirrors which, set at various angles, afford a fine view of the
-profile. Henry Millick Chester, scouring cinders and stickiness from his
-eyes and rouging his ears with honest friction, enriched himself of this
-too unfamiliar opportunity. He smiled and was warmly interested in the
-results of his smile in reflection, particularly in some pleasant
-alterations it effected upon an outline of the cheek usually invisible
-to the bearer. He smiled graciously, then he smiled sardonically. Other
-smiles he offered—the tender smile, the forbidding smile, the austere
-and the seductive, the haughty and the pleading, the mordant and the
-compassionate, the tolerant but incredulous smile of a man of the world,
-and the cold, ascetic smile that shows a woman that her shallow soul has
-been read all too easily—pastimes abandoned only with the purely
-decorative application of shaving lather to his girlish chin. However,
-as his unbeetling brow was left unobscured, he was able to pursue his
-physiognomical researches and to produce for his continued enlightenment
-a versatile repertory of frowns—the stern, the quizzical, the bitter,
-the treacherous, the bold, the agonized, the inquisitive, the ducal, and
-the frown of the husband who says: “I forgive you. Go!” A few minutes
-later Mr. Chester, abruptly pausing in the operation of fastening his
-collar, bent a sudden, passionate interest upon his right forearm,
-without apparent cause and with the air of never having seen it until
-that moment. He clenched his fingers tightly, producing a slight
-stringiness above the wrist, then crooked his elbow with intensity,
-noting this enormous effect in all the mirrors. Regretfully, he let his
-shirtsleeves fall and veil the rare but private beauties just
-discovered, rested his left hand negligently upon his hip, extended his
-right in a gesture of flawlessly aristocratic grace, and, with a slight
-inclination of his head, uttered aloud these simple but befitting words:
-“I thank ye, my good people.” T’ yoong Maister was greeting the loyal
-tenantry who acclaimed his return to Fielding Manor, a flowered progress
-thoroughly incomprehensible to the Pullman porter whose transfixed
-eye—glazed upon an old-gold face intruded through the narrow
-doorway—Mr. Chester encountered in the glass above the nickeled
-washbasins. The Libyan withdrew in a cloud of silence, and t’ yoong
-Maister, flushing somewhat, resumed his toilet with annoyed precision
-and no more embroidery. He had yesterday completed his sophomore year;
-the brushes he applied to his now adult locks were those of a junior.
-And with a man’s age had come a man’s cares and responsibilities.
-Several long years had rolled away since for the last time he had made
-himself sick on a train in a club-car orgy of cubebs and sarsaparilla
-pop.
-
-Zigzagging through shoe-bordered aisles of sleepers in morning
-dishevelment, he sought the dining car, where the steward escorted him
-to an end table for two. He would have assumed his seat with that air of
-negligent hauteur which was his chosen manner for public appearances,
-had not the train, taking a curve at high speed, heaved him into the
-undesirable embrace of an elderly man breakfasting across the aisle.
-“Keep your feet, sonny; keep your feet,” said this barbarian, little
-witting that he addressed a member of the nineteen-something prom.
-committee. People at the next table laughed genially, and Mr. Chester,
-muttering a word of hostile apology, catapulted into his assigned place,
-his cheeks hot with the triple outrage.
-
-He relieved himself a little by the icy repulsion with which he
-countered the cordial advances of the waiter, who took his order and
-wished him a good morning, hoped he had slept well, declared the weather
-delightful and, unanswered, yet preserved his beautiful courtesy
-unimpaired. When this humble ambassador had departed on his mission to
-the kitchen Henry Millick Chester, unwarrantably persuaded that all eyes
-were searching his every inch and angle—an impression not
-uncharacteristic of his years—gazed out of the window with an
-indifference which would have been obtrusive if any of the other
-breakfasters had happened to notice it. The chill exclusiveness of his
-expression was a rebuke to such prying members of the proletariat as
-might be striving to read his thoughts, and barred his fellow passengers
-from every privilege to his consideration. The intensely reserved
-gentleman was occupied with interests which were the perquisites of only
-his few existing peers in birth, position, and intelligence, none of
-whom, patently, was in that car.
-
-He looked freezingly upon the abashed landscape, which fled in shame;
-nor was that wintry stare relaxed when the steward placed someone
-opposite him at the little table. Nay, our frosty scholar now
-intensified the bleakness of his isolation, retiring quite to the pole
-in reproval of this too close intrusion. He resolutely denied the
-existence of his vis-à-vis, refused consciousness of its humanity, even
-of its sex, and then inconsistently began to perspire with the horrible
-impression that it was glaring at him fixedly. It was a dreadful
-feeling. He felt himself growing red, and coughed vehemently to afford
-the public an explanation of his change of colour. At last, his
-suffering grown unendurable, he desperately turned his eyes full upon
-the newcomer. She was not looking at him at all, but down at the edge of
-the white cloth on her own side of the table; and she was the very
-prettiest girl he had ever seen in his life.
-
-She was about his own age. Her prettiness was definitely extreme, and
-its fair delicacy was complete and without any imperfection whatever.
-She was dressed in pleasant shades of tan and brown. A brown veil misted
-the rim of her hat, tan gloves were folded back from her wrists; and
-they, and all she wore, were fresh and trim and ungrimed by the dusty
-journey. She was charming. Henry Millick Chester’s first gasping
-appraisal of her was perfectly accurate, for she _was_ a peach—or a
-rose, or anything that is dewy and fresh and delectable. She was indeed
-some smooth. She was the smoothest thing in the world, and the world
-knows it!
-
-She looked up.
-
-Henry Millick Chester was lost.
-
-At the same instant that the gone feeling came over him she dropped her
-eyes again to the edge of the table. Who can tell if she knew what she
-had done?
-
-The conversation began with appalling formalities, which preluded the
-most convenient placing of a sugar bowl and the replenishing of an
-exhausted salt cellar. Then the weather, spurned as the placative
-offering of the gentle waiter, fell from the lips of the princess in
-words of diamonds and rubies and pearls. Our Henry took up the weather
-where she left it; he put it to its utmost; he went forward with it,
-prophesying weather; he went backward with it, recalling weather; he
-spun it out and out, while she agreed to all he said, until this
-overworked weather got so stringy that each obscurely felt it to be
-hideous. The thread broke; fragments wandered in the air for a few
-moments, but disappeared; a desperate propriety descended, and they fell
-into silence over their eggs.
-
-Frantically Mr. Chester searched his mind for some means to pursue the
-celestial encounter. According to the rules, something ought to happen
-that would reveal her as Patricia Beekman, the sister of his roommate,
-Schuyler Beekman, and to-night he should be handing the imperturbable
-Dawkins a wire to send: “My dear Schuyler, I married your sister this
-afternoon.” But it seemed unlikely, because his roommate’s name was Jake
-Schmulze, and Jake lived in Cedar Rapids; and, besides, this train
-wasn’t coming from or going to Palm Beach—it was going to St. Louis
-eventually, and now hustled earnestly across the placid and largely
-unbutlered plains of Ohio.
-
-Often—as everyone knows—people have been lost to each other forever
-through the lack of a word, and few have realized this more poignantly
-than our Henry, as he helplessly suffered the precious minutes to
-accumulate vacancy. True, he had thought of something to say, yet he
-abandoned it. Probably he was wiser to wait, as what he thought of
-saying was: “Will you be my wife?” It might seem premature, he feared.
-
-The strain was relieved by a heavenly accident which saved the life of a
-romance near perishing at birth. That charming girl, relaxing slightly
-in her chair, made some small, indefinite, and entirely ladylike
-movement of restfulness that reached its gentle culmination upon the two
-feet of Mr. Chester which, obviously mistaken for structural adjuncts of
-the table, were thereby glorified and became beautiful on the mountains.
-He was not the man to criticise the remarkable ignorance of dining car
-table architecture thus displayed, nor did he in any wise resent being
-mistaken up to the ankles for metal or wood. No. The light pressure of
-her small heels hardly indented the stout toes of his brown shoes; the
-soles of her slippers reposed upon his two insteps, and rapture shook
-his soul to its foundations, while the ineffable girl gazed lustrously
-out of the window, the clear serenity of her brilliant eyes making plain
-her complete unconsciousness of the nature of what added to her new
-comfort.
-
-A terrific blush sizzled all over him, and to conceal its visible area
-he bent low to his coffee. She was unaware. He was transported, she—to
-his eyes—transfigured. Glamour diffused itself about her, sprayed about
-them both like showers of impalpable gold-dust, and filled the humble
-dining car—it filled the whole world. Transformed, seraphic waiters
-passed up and down the aisle in a sort of obscure radiance. A nimbus
-hovered faintly above the brown veil; a sacred luminosity was exhaled by
-the very tablecloth, where an angel’s pointed fingers drummed absently.
-
-It would be uncharitable to believe that a spirit of retaliation
-inspired the elderly and now replete man across the aisle, and yet, when
-he rose, he fell upon the neck of Henry as Henry had fallen upon his,
-and the shock of it jarred four shoes from the acute neighbourliness of
-their juxtaposition. The accursed graybeard, giggling in his senility,
-passed on; but that angel leaped backward in her chair while her
-beautiful eyes, wide open, stunned, her beautiful mouth, wide open,
-incredulous, gave proof that horror can look bewitching.
-
-“Murder!” she gasped. “Were those your _feet_?”
-
-And as he could compass no articulate reply, she grew as pink as he,
-murmured inaudibly, and stared at him in wider and wilder amazement.
-
-“It—it didn’t hurt,” he finally managed to stammer.
-
-At this she covered her blushes with her two hands and began to gurgle
-and shake with laughter. She laughed and laughed and laughed. It became
-a paroxysm. He laughed, too, because she laughed. Other passengers
-looked at them and laughed. The waiters laughed; they approved—coloured
-waiters always approve of laughter—and a merry spirit went abroad in
-the car.
-
-At last she controlled herself long enough to ask:
-
-“But what did you think of me?”
-
-“It—it didn’t hurt,” he repeated idiotically, to his own mortification,
-for he passionately aspired to say something airy and winsome; but, as
-he couldn’t think of anything like that, he had to let it go. “Oh, not
-at all,” he added feebly.
-
-However, “though not so deep as a well,” it served, ’twas enough, for
-she began to laugh again, and there loomed no further barrier in the way
-of acquaintance. Therefore it was pleasantly without constraint, and
-indeed as a matter of course, that he dropped into a chair beside her
-half an hour later, in the observation car; and something in the way she
-let the _Illustrated London News_ slide into the vacant chair on the
-other side of her might have suggested that she expected him.
-
-“I was still wondering what you must have thought of me.”
-
-This gave him an opportunity, because he had thought out a belated reply
-for the first time she had said it. Hence, quick as a flash, he made the
-dashing rejoinder:
-
-“It wasn’t so much what I thought of you, but what I thought of
-myself—I thought I was in heaven!”
-
-She must have known what pretty sounds her laughter made. She laughed a
-great deal. She even had a way of laughing in the middle of some of her
-words, and it gave them a kind of ripple. There are girls who naturally
-laugh like that; others learn to; a few won’t, and some can’t. It isn’t
-fair to the ones that can’t.
-
-“But you oughtn’t to tell me that,” she said.
-
-It was in the middle of “oughtn’t” that she rippled. A pen cannot
-express it, neither can a typewriter, and no one has yet invented a way
-of writing with a flute; but the effect on Henry shows what a wonderful
-ripple it was. Henry trembled. From this moment she had only to ripple
-to make Henry tremble. Henry was more in love than he had been at
-breakfast. Henry was a Goner.
-
-“Why oughtn’t I to?” he demanded with white intensity. “If anything’s
-true it’s right to tell it, isn’t it? I believe that everybody has a
-right to tell the truth, don’t you?”
-
-“Ye-es——”
-
-“You take the case of a man that’s in love,” said this rather
-precipitate gentleman; “isn’t it right for him to——”
-
-“But suppose,” she interrupted, becoming instantly serious with the
-introduction of the great topic—“Suppose he isn’t _really_ in love.
-Don’t you think there are very few cases of people truly and deeply
-caring for each other?”
-
-“There are men,” he said firmly, “who know how to love truly and deeply,
-and could never in their lives care for anybody but the one woman they
-have picked out. I don’t say all men feel that way; I don’t think they
-do. But there are a few that are capable of it.” The seats in an
-observation car are usually near neighbours, and it happened that the
-brown cuff of a tan sleeve, extended reposefully on the arm of her
-chair, just touched the back of his hand, which rested on the arm of
-his. This ethereally light contact continued. She had no apparent
-cognizance of it, but a vibrant thrill passed through him, and possibly
-quite a hearty little fire might have been built under him without his
-perceiving good cause for moving. He shook, gulped, and added: “I am!”
-
-“But how could you be sure of that,” she said thoughtfully, “until you
-tried?” And as he seemed about to answer, perhaps too impulsively, she
-checked him with a smiling, “At your age!”
-
-“You don’t know how old I am. I’m older than you!”
-
-“How old are you?”
-
-“Twenty-one next March.”
-
-“What day?”
-
-“The seventh.”
-
-“That is singular!”
-
-“Why?”
-
-“Because,” she began in a low tone and with full recognition of the
-solemn import of the revelation—“Because my birthday is only one day
-after yours. I was twenty years old the eighth of last March.”
-
-“By George!” The exclamation came from him, husky with awe.
-
-There was a fateful silence.
-
-“Yes, I was born on the eighth,” she said slowly.
-
-“And me on the seventh!” At such a time no man is a purist.
-
-“It is strange,” she said.
-
-“Strange! I came into the world just one day before you did!”
-
-They looked at each other curiously, deeply stirred. Coincidence could
-not account for these birthdays of theirs, nor chance for their meeting
-on a train “like this.” Henry Millick Chester was breathless. The
-mysteries were glimpsed. No doubt was possible—he and the wondrous
-creature at his side were meant for each other, intended from the
-beginning of eternity.
-
-She dropped her eyes slowly from his, but he was satisfied that she had
-felt the marvel precisely as he had felt it.
-
-“Don’t you think,” she said gently, “that a girl has seen more of the
-world at twenty than a man?”
-
-Mr. Chester well wished to linger upon the subject of birthdays;
-however, the line of original research suggested by her question was
-alluring also. “Yes—and no,” he answered with admirable impartiality.
-“In some ways, yes. In some ways, no. For instance, you take the case of
-a man that’s in love——”
-
-“Well,” interrupted the lady, “I think, for instance, that a girl
-understands men better at twenty than men do women.”
-
-“It may be,” he admitted, nodding. “I like to think about the deeper
-things like this sometimes.”
-
-“So do I. I think they’re interesting,” she said with that perfect
-sympathy of understanding which he believed she was destined to extend
-to him always and in all things. “Life itself is interesting. Don’t you
-think so?”
-
-“I think it’s the most interesting subject there can be. Real life, that
-is, though—not just on the surface. Now, for instance, you take the
-case of a man that’s in——”
-
-“Do you go in much for reading?” she asked.
-
-“Sure. But as I was saying, you take——”
-
-“I think reading gives us so many ideas, don’t you?”
-
-“Yes. I get a lot out of it. I——”
-
-“I do, too. I try to read only the best things,” she said. “I don’t
-believe in reading everything, and there’s so much to read nowadays that
-isn’t really good.”
-
-“Who do you think,” he inquired with deference, “is the best author
-now?”
-
-It was not a question to be settled quite offhand; she delayed her
-answer slightly, then, with a gravity appropriate to the literary
-occasion, temporized: “Well, since Victor Hugo is dead, it’s hard to say
-just who is the best.”
-
-“Yes, it is,” he agreed. “We get that in the English course in college.
-There aren’t any great authors any more. I expect probably Swinburne’s
-the best.”
-
-She hesitated. “Perhaps; but more as a poet.”
-
-He assented. “Yes, that’s so. I expect he would be classed more as a
-poet. Come to think of it, I believe he’s dead, too. I’m not sure,
-though; maybe it was Beerbohm Tree—somebody like that. I’ve forgotten;
-but, anyway, it doesn’t matter. I didn’t mean poetry; I meant who do you
-think writes the best books? Mrs. Humphry Ward?”
-
-“Yes, she’s good, and so’s Henry James.”
-
-“I’ve never read anything by Henry James. I guess I’ll read some of his
-this summer. What’s the best one to begin on?”
-
-The exquisite pink of her cheeks extended its area almost imperceptibly.
-“Oh, any one. They’re all pretty good. Do you care for Nature?”
-
-“Sure thing,” he returned quickly. “Do you?”
-
-“I love it!”
-
-“So do I. I can’t do much for mathematics, though.”
-
-“Br-r!” She shivered prettily. “I hate it!”
-
-“So do I. I can’t give astronomy a whole lot, either.”
-
-She turned a softly reproachful inquiry upon him. “Oh, don’t you love to
-look at the stars?”
-
-In horror lest the entrancing being think him a brute, he responded with
-breathless haste: “Oh, rath-er-r! To look at ’em, sure thing! I meant
-astronomy in college; that’s mostly math, you know—just figures. But
-stars to look at—of course that’s different. Why, I look up at ’em for
-hours sometimes!” He believed what he was saying. “I look up at ’em, and
-think and think and think——”
-
-“So do I.” Her voice was low and hushed; there was something almost holy
-in the sound of it, and a delicate glow suffused her lovely, upraised
-face—like that picture of Saint Cecilia, he thought. “Oh, I love the
-stars! And music—and flowers——”
-
-“And birds,” he added automatically in a tone that, could it by some
-miracle have been heard at home, would have laid his nine-year-old
-brother flat on the floor in a might-be mortal swoon.
-
-A sweet warmth centred in the upper part of his diaphragm and softly
-filtered throughout him. The delicious future held no doubts or shadows
-for him. It was assured. He and this perfect woman had absolutely
-identical tastes; their abhorrences and their enthusiasms marched
-together; they would never know a difference in all their lives to come.
-Destiny unrolled before him a shining pathway which they two would walk
-hand-in-hand through the summer days to a calm and serene autumn,
-respected and admired by the world, but finding ever their greatest and
-most sacred joy in the light of each other’s eyes—that light none other
-than the other could evoke.
-
-Could it be possible, he wondered, that he was the same callow boy who
-but yesterday pranced and exulted in the “pee-rade” of the new juniors!
-How absurd and purposeless that old life seemed; how far away, how
-futile, and how childish! Well, it was over, finished. By this time
-to-morrow he would have begun his business career.
-
-Back in the old life, he had expected to go through a law school after
-graduating from college, subsequently to enter his father’s office. That
-meant five years before even beginning to practice, an idea merely
-laughable now. There was a men’s furnishing store on a popular corner at
-home; it was an establishment which had always attracted him, and what
-pleasanter way to plow the road to success than through acres of
-variously woven fabrics, richly coloured silks, delicate linens, silver
-mountings and odorous leathers, in congenial association with neckties,
-walking-sticks, hosiery, and stickpins? He would be at home a few hours
-hence, and he would not delay. After lunch he would go boldly to his
-father and say: “Father, I have reached man’s estate and I have put away
-childish things. I have made up my mind upon a certain matter and you
-will only waste time by any effort to alter this, my firm determination.
-Father, I here and now relinquish all legal ambitions, for the reason
-that a mercantile career is more suited to my inclinations and my
-abilities. Father, I have met the one and only woman I can ever care
-for, and I intend to make her my wife. Father, you have always dealt
-squarely with me; I will deal squarely with you. I ask you the simple
-question: Will you or will you not advance me the funds to purchase an
-interest in Paul H. Hoy & Company’s Men’s Outfitting Establishment? If
-you will not, then I shall seek help elsewhere.”
-
-Waking dreams are as swift, sometimes, as the other kind—which, we
-hear, thread mazes so labyrinthine “between the opening and the closing
-of a door”; and a twenty-year-old fancy, fermenting in the inclosure of
-a six-and-seven-eighth plaid cap, effervesces with a power of sizzling
-and sparkling and popping.
-
-“I believe I love music best of all,” said the girl dreamily.
-
-“Do you play?” he asked, and his tone and look were those of one who
-watches at the sick-bed of a valued child.
-
-“Yes, a little.”
-
-“I love the piano.” He was untroubled by any remorse for what he and
-some of his gang had done only two days since to a previously fine
-instrument in his dormitory entry. He had forgotten the dead past in his
-present vision, which was of a luxurious room in a spacious mansion, and
-a tired man of affairs coming quietly into that room—from a conference
-at which he had consolidated the haberdashery trade of the world—and
-sinking noiselessly upon a rich divan, while a beautiful woman in a
-dress of brown and tan, her hair slightly silvered, played to him
-through the twilight upon a grand piano, the only other sound in the
-great house being the softly murmurous voices of perfectly trained
-children being put to bed in a distant nursery upstairs.
-
-“I like the stage, too,” she said. “Don’t you?”
-
-“You know! Did you see The Tinkle-Dingle Girl?”
-
-“Yes. I liked it.”
-
-“It’s a peach show.” He spoke with warranted authority. During the
-university term just finished he had gone eight times to New York, and
-had enriched his critical perceptions of music and the drama by ten
-visits to The Tinkle-Dingle Girl, two of his excursions having fallen on
-matinée days. “Those big birds that played the comedy parts were funny
-birds, weren’t they?”
-
-“The tramp and the brewer? Yes. Awfully funny.”
-
-“We’ll go lots to the theatre!” He spoke eagerly and with superb
-simplicity, quite without consciousness that he was skipping much that
-would usually be thought necessarily intermediate. An enchanting vision
-engrossed his mind’s eye. He saw himself night after night at The
-Tinkle-Dingle Girl, his lovely wife beside him—growing matronly,
-perhaps, but slenderly matronly—with a grace of years that only added
-to her beauty, and always wearing tan gloves and a brown veil.
-
-The bewilderment of her expression was perhaps justified.
-
-“What!”
-
-At this he realized the import of what he had said and what, in a
-measure, it did assume. He became pinkish, then pink, then more pink;
-and so did she. Paralyzed, the blushing pair looked at each other
-throughout this duet in colour, something like a glint of alarm
-beginning to show through the wide astonishment in her eyes; and with
-the perception of this he was assailed by an acute perturbation. He had
-spoken thoughtlessly, even hastily, he feared; he should have given her
-more time. Would she rise now with chilling dignity and leave him, it
-might be forever? Was he to lose her just when he had found her? He
-shuddered at the ghastly abyss of loneliness disclosed by the
-possibility. But this was only the darkest moment before a radiance that
-shot heavenward like the flaming javelins of an equatorial sunrise.
-
-Her eyes lowered slowly till the long, brown lashes shadowed the
-rose-coloured cheek and the fall of her glance came to rest upon the
-arms of their two chairs, where the edge of her coat sleeve just touched
-the knuckle of his little finger. Two people were passing in front of
-them; there was no one who could see; and with a lightning-swift impulse
-she turned her wrist and for a half second, while his heart stopped
-beating, touched all his fingers with her own, then as quickly withdrew
-her hand and turned as far away from him as the position of her chair
-permitted.
-
-It was a caress of incredible brevity, and so fleeting, so airy, that it
-was little more than a touch of light itself, like the faint quick light
-from a flying star one might just glimpse on one’s hand as it passed.
-But in our pleasant world important things have resulted from touches as
-evanescent as that. Nature has its uses for the ineffable.
-
-Blazing with glory, dumb with rapture, Henry Millick Chester felt his
-heart rebound to its work, while his withheld breath upheaved in a gulp
-that half suffocated him. Thus, blinded by the revelation of the
-stupefying beauty of life, he sat through a heaven-stricken interval,
-and time was of no moment. Gradually he began to perceive, in the midst
-of the effulgence which surrounded the next chair like a bright mist,
-the adorable contour of a shoulder in a tan coat and the ravishing
-outline of a rosy cheek that belonged to this divine girl who was his.
-
-By and by he became dreamily aware of other objects beyond that cheek
-and that shoulder, of a fat man and his fat wife on the opposite side of
-the car near the end. Unmistakably they were man and wife, but it seemed
-to Henry that they had no reason to be—such people had no right to be
-married. They had no obvious right to exist at all; certainly they had
-no right whatever to exist in that car. Their relation to each other had
-become a sickening commonplace, the bleakness of it as hideously evident
-as their overfed convexity. It was visible that they looked upon each
-other as inevitable nuisances which had to be tolerated. They were
-horrible. Had Love ever known these people? It was unthinkable! For lips
-such as theirs to have pronounced the name of the god would have been
-blasphemy; for those fat hands ever to have touched, desecration! Henry
-hated the despicable pair.
-
-All at once his emotion changed: he did not hate them, he pitied them.
-From an immense height he looked down with compassion upon their
-wretched condition. He pitied everybody except himself and the roseate
-being beside him; they floated together upon a tiny golden cloud, alone
-in the vast sky at an immeasurable altitude above the squalid universe.
-A wave of pity for the rest of mankind flooded over him, but most of all
-he pitied that miserable, sodden, befleshed old married couple.
-
-He was dimly aware of a change that came over these fat people, a
-strangeness; but he never did realize that at this crisis his eyes,
-fixed intently upon them and aided by his plastic countenance, had
-expressed his feelings and sentiments regarding them in the most lively
-and vivid way. For at the moment when the stout gentleman laid his paper
-down, preparatory to infuriated inquiry, both he and his wife were
-expunged from Henry’s consciousness forever and were seen of him
-thenceforth no more than if they had been ether and not solid flesh. The
-exquisite girl had been pretending to pick a thread out of her left
-sleeve with her right hand—but now at last she leaned back in her chair
-and again turned her face partly toward Henry. Her under lip was caught
-in slightly beneath her upper teeth, as if she had been doing something
-that possibly she oughtn’t to be doing, and though the pause in the
-conversation had been protracted—it is impossible to calculate how
-long—her charming features were still becomingly overspread with rose.
-She looked toward her rapt companion, not at him, and her eyes were
-preoccupied, tender, and faintly embarrassed.
-
-The pause continued.
-
-He leaned a little closer to her. And he looked at her and looked at her
-and looked at her. At intervals his lips moved as if he were speaking,
-and yet he was thinking wordlessly. Leaning thus toward her, his gaze
-and attitude had all the intensity of one who watches a ninth-inning tie
-in the deciding game of a championship series. And as he looked and
-looked and looked, the fat man and his wife, quite unaware of their
-impalpability, also looked and looked and looked in grateful
-fascination.
-
-“Did you——” Henry Millick Chester finally spoke these words in a voice
-he had borrowed, evidently from a stranger, for it did not fit his
-throat and was so deep that it disappeared—it seemed to fall down a
-coal-hole and ended in a dusty choke. “Did you——” he began again, two
-octaves higher, and immediately squeaked out. He said “Did you” five
-times before he subjugated the other two words.
-
-“Did you—mean that?”
-
-“What?” Her own voice was so low that he divined rather than heard what
-she said. He leaned even a little closer—and the fat man nudged his
-wife, who elbowed his thumb out of her side morbidly: she wasn’t missing
-anything.
-
-“Did you—did you mean that?”
-
-“Mean what?”
-
-“That!”
-
-“I don’t know what you mean.”
-
-“When you—when you—oh, you know!”
-
-“No, I don’t.”
-
-“When you—when you took my hand.”
-
-“I!”
-
-With sudden, complete self-possession she turned quickly to face him,
-giving him a look of half-shocked, half-amused astonishment.
-
-“When I took your hand?” she repeated incredulously. “What are you
-saying?”
-
-“You—you know,” he stammered. “A while ago when—when—you—you——”
-
-“I didn’t do anything of the kind!” Impending indignation began to cloud
-the delicate face ominously. “Why in the world should I?”
-
-“But you——”
-
-“I didn’t!” She cut him off sharply. “I couldn’t. Why, it wouldn’t have
-been nice! What made you dream I would do a thing like that? How dare
-you imagine such things!”
-
-At first dumfounded, then appalled, he took the long, swift, sickening
-descent from his golden cloud with his mouth open, but it snapped tight
-at the bump with which he struck the earth. He lay prone, dismayed,
-abject. The lovely witch could have made him believe anything; at least
-it is the fact that for a moment she made him believe he had imagined
-that angelic little caress; and perhaps it was the sight of his utter
-subjection that melted her. For she flashed upon him suddenly with a
-dazing smile, and then, blushing again but more deeply than before, her
-whole attitude admitting and yielding, she offered full and amazing
-confession, her delicious laugh rippling tremulously throughout every
-word of it.
-
-“It must have been an accident—partly!”
-
-“I love you!” he shouted.
-
-The translucent fat man and his wife groped for each other feverishly,
-and a coloured porter touched Henry Millick Chester on the shoulder.
-
-“Be in Richmon’ less’n fi’ minutes now,” said the porter. He tapped the
-youth’s shoulder twice more; it is his office to awaken the rapt
-dreamer. “Richmon,’ In’iana, less’n fi’ minutes now,” he repeated more
-slowly.
-
-Henry gave him a stunned and dishevelled “What?”
-
-“You get off Richmon’, don’t you?”
-
-“What of it? We haven’t passed Dayton yet.”
-
-“Yessuh, long ’go. Pass’ Dayton eight-fifty. Be in Richmon’ mighty quick
-now.”
-
-The porter appeared to be a malicious liar. Henry appealed pitifully to
-the girl.
-
-“But we haven’t passed Dayton?”
-
-“Yes, just after you sat down by me. We stopped several minutes.”
-
-“Yessuh. Train don’t stop no minutes in Richmon’ though,” said the
-porter with a hard laugh, waving his little broom at some outlying
-freight cars they were passing. “Gittin’ in now. I got you’ bag on
-platfawm.”
-
-“I don’t want to be brushed,” Henry said, almost sobbing. “For heaven’s
-sake, get out!”
-
-Porters expect anything. This one went away solemnly without even
-lifting his eyebrows.
-
-The brakes were going on.
-
-One class of railway tragedies is never recorded, though it is the most
-numerous of all and fills the longest list of heartbreaks; the statics
-ignore it, yet no train ever leaves its shed, or moves, that is not
-party to it. It is time and overtime that the safety-device inventors
-should turn their best attention to it, so that the happy day may come
-at last when we shall see our common carriers equipped with something to
-prevent these lovers’ partings.
-
-The train began to slow down.
-
-Henry Millick Chester got waveringly to his feet; she rose at the same
-time and stood beside him.
-
-“I am no boy,” he began, hardly knowing what he said, but automatically
-quoting a fragment from his forthcoming address to his father. “I have
-reached man’s estate and I have met the only——” He stopped short with
-an exclamation of horror. “You—you haven’t even told me your name!”
-
-“My name?” the girl said, a little startled.
-
-“Yes! And your address!”
-
-“I’m not on my way home now,” she said. “I’ve been visiting in New York
-and I’m going to St. Louis to make another visit.”
-
-“But your name!”
-
-She gave him an odd glance of mockery, a little troubled.
-
-“You mightn’t like my name!”
-
-“Oh, please, please!”
-
-“Besides, do you think it’s quite proper for me to——”
-
-“Oh, please! To talk of that now! Please!” The train had stopped.
-
-The glint of a sudden decision shone in the lovely eyes. “I’ll write it
-for you so you won’t forget.”
-
-She went quickly to the writing desk at the end of the compartment, he
-with her, the eyes of the fat man and his wife following them like two
-pairs of searchlights swung by the same mechanism.
-
-“And where you live,” urged Henry. “I shall write to you every day.” He
-drew a long, deep breath and threw back his head. “Till the day—the day
-when I come for you.”
-
-“Don’t look over my shoulder.” She laughed shyly, wrote hurriedly upon a
-loose sheet, placed it in an envelope, sealed the envelope, and then, as
-he reached to take it, withheld it tantalizingly. “No. It’s my name and
-where I live, but you can’t have it. Not till you’ve promised not to
-open it until the train is clear out of the station.”
-
-Outside the window sounded the twice-repeated “Awl aboh-oh,” and far
-ahead a fatal bell was clanging.
-
-“I promise,” he gulped.
-
-“Then take it!”
-
-With a strange, new-born masterfulness he made a sudden impetuous
-gesture and lifted both the precious envelope and the fingers that
-inclosed it to his lips. Then he turned and dashed to the forward end of
-the car where a porter remained untipped as Henry leaped from the
-already rapidly moving steps of the car to the ground. Instantly the
-wonderful girl was drawn past him, leaning and waving from the railed
-rear platform whither she had run for this farewell. And in the swift
-last look that they exchanged there was in her still-flushing, lovely
-face a light of tenderness and of laughter, of kindness and of something
-like a fleeting regret.
-
-The train gained momentum, skimming onward and away, the end of the
-observation car dwindling and condensing into itself like a magician’s
-disappearing card, while a white handkerchief, waving from the platform,
-quickly became an infinitesimal shred of white—and then there was
-nothing. The girl was gone.
-
-Probably Henry Millick Chester owes his life to the fact that there are
-no gates between the station building and the tracks at Richmond. For
-gates and a ticket-clipping official might have delayed Henry’s father
-in the barely successful dash he made to drag from the path of a backing
-local a boy wholly lost to the outward world in a state of helpless
-puzzlement, which already threatened to become permanent as he stared
-and stared at a sheet of railway notepaper whereon was written in a
-charming hand:
-
- Mary Smith
- Chicago
- Ill.
-
-
-
-
- TRANSCRIBER NOTES
-
-Misspelled words and printer errors have been corrected. Where multiple
-spellings occur, majority use has been employed.
-
-Punctuation has been maintained except where obvious printer errors
-occur.
-
-
-
-
-
-
-
-
-
-End of the Project Gutenberg EBook of The Fascinating Stranger And Other
-Stories, by Booth Tarkington
-
-*** END OF THIS PROJECT GUTENBERG EBOOK FASCINATING STRANGER, OTHER STORIES ***
-
-***** This file should be named 60529-0.txt or 60529-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/6/0/5/2/60529/
-
-Produced by Al Haines, Cindy Beyer & the online Distributed
-Proofreaders Canada team at https://www.pgdpcanada.net
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-