summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--6256.txt2745
-rw-r--r--6256.zipbin0 -> 54704 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
5 files changed, 2761 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/6256.txt b/6256.txt
new file mode 100644
index 0000000..d6fd6e3
--- /dev/null
+++ b/6256.txt
@@ -0,0 +1,2745 @@
+The Project Gutenberg EBook Donovan Pasha, by Gilbert Parker, v1
+#83 in our series by Gilbert Parker
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+
+Please read the "legal small print," and other information about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**EBooks Readable By Both Humans and By Computers, Since 1971**
+
+*****These EBooks Were Prepared By Thousands of Volunteers*****
+
+
+Title: Donovan Pasha And Some People of Egypt, Volume 1.
+
+Author: Gilbert Parker
+
+Release Date: August, 2004 [EBook #6256]
+[Yes, we are more than one year ahead of schedule]
+[This file was first posted on November 7, 2002]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+
+
+
+
+
+*** START OF THE PROJECT GUTENBERG EBOOK DONOVAN PASHA, PARKER, V1 ***
+
+
+
+This eBook was produced by David Widger
+
+
+
+
+
+DONOVAN PASHA AND SOME PEOPLE OF EGYPT
+
+By Gilbert Parker
+
+Volume 1.
+
+
+
+CONTENTS
+
+Volume 1.
+WHILE THE LAMP HOLDS OUT TO BURN
+THE PRICE OF THE GRINDSTONE-AND THE DRUM
+THE DESERTION OF MAHOMMED SELIMON
+THE REEF OF NORMAN'S WOE
+
+Volume 2.
+FIELDING HAD AN ORDERLY
+THE EYE OF THE NEEDLE
+A TREATY OF PEACE
+AT THE MERCY OF TIBERIUS
+ALL THE WORLD'S MAD
+
+Volume 3.
+THE MAN AT THE WHEEL
+A TYRANT AND A LADY
+
+Volume 4.
+A YOUNG LION OF DEDAN
+HE WOULD NOT BE DENIED
+THE FLOWER OF THE FLOCK
+THE LIGHT OF OTHER DAYS
+
+
+
+INTRODUCTION
+
+To the FOREWORD of this book I have practically nothing to add. It
+describes how the book was planned, and how at last it came to be
+written. The novel--'The Weavers'--of which it was the herald, as one
+might say, was published in 1907. The reception of Donovan Pasha
+convinced me beyond peradventure, that the step I took in enlarging my
+field of work was as wise in relation to my art as in its effect upon my
+mind, temperament and faculty for writing. I knew Egypt by study quite
+as well as I knew the Dominion of Canada, the difference being, of
+course, that the instinct for the life of Canada was part of my very
+being itself; but there are great numbers of people who live their lives
+for fifty or seventy or eighty years in a country, and have no real
+instinct for understanding. There are numberless Canadians who do not
+understand Canada, Englishmen who know nothing of England, and Americans
+who do not understand the United States. If it is so that I have some
+instinct for the life of Canada, and have expressed it to the world
+with some accuracy and fidelity, it is apparent that the capacity for
+understanding could not be limited absolutely to one environment. That I
+understood Canada could not be established by the fact that I had spent
+my boyhood there, but only by the fact that some inner vision permitted
+me to see it as it really was. That inner vision, however, if it was
+anything at all was not in blinders, seeing only one section of the life
+of the world. Relatively it might see more deeply, more intimately in
+that place where habit of life had made the man familiar with all its
+detail, but the same vision turned elsewhere to fields where study and
+sympathy played a devoted part, could not fail to see; though the
+workman's craft, which made material the vision, might fail.
+
+The reception given Donovan Pasha convinced me that neither the vision
+nor the craftsmanship had wholly failed, whatever the degree of success
+which had been reached. Anglo-Egyptians approved the book. Its pages
+passed through the hands of an Englishman who had done over twenty years'
+service in the British army in Egypt and in official positions in the
+Egyptian administration, and I do not think that he made six corrections
+in the whole three hundred pages. He had himself a great gift for both
+music and painting; he was essentially exacting where any literature
+touching Egypt was concerned; but I am glad to think that, whatever he
+thought of the book as fiction, he did not find it necessary to grant
+absolution as to the facts and the details of incidents in character and
+life pourtrayed in Donovan Pasha.
+
+Who the original of 'Donovan Pasha' was I shall never say, but he was
+real. There is, however, in the House of Commons today a young and
+active politician once in the Egyptian service, and who bears a most
+striking resemblance to the purely imaginary portrait which Mr. Talbot
+Kelly, the artist, drew of the Dicky Donovan of the book. This young
+politician, with his experience in the diplomatic service, is in manner,
+disposition, capacity, and in his neat, fine, and alert physical frame,
+the very image of Dicky Donovan, as in my mind I perceived him; and when
+I first saw him I was almost thunderstruck, because he was to me Dicky
+Donovan come to life. There was nothing Dicky Donovan did or said or saw
+or heard which had not its counterpart in actual things in Egypt. The
+germ of most of the stories was got from things told me, or things that I
+saw, heard of, or experienced in Egypt itself. The first story of the
+book--'While the Lamp Holds out to Burn'--was suggested to me by an
+incident which I saw at a certain village on the Nile, which I will not
+name. Suffice it to say that the story in the main was true. Also the
+chief incident of the story, called 'The Price of the Grindstone--and the
+Drum', is true. The Mahommed Seti of that story was the servant of a
+friend of mine, and he did in life what I made him do in the tale.
+'On the Reef of Norman's Woe', which more than one journal singled out as
+showing what extraordinary work was being done in Egypt by a handful of
+British officials, had its origin in something told me by my friend Sir
+John Rogers, who at one time was at the head of the Sanitary Department
+of the Government of Egypt.
+
+I could take the stories one by one, and show the seeds from which this
+little plantation of fiction sprang, but I will not go further than to
+refer to a story called 'Fielding Had an Orderly', the idea of which was
+contained in the experience of a British official whose courage was as
+cool as his wit, and both were extremely dangerous weapons, used at times
+against those who were opposed to him. When I read a book like 'Said the
+Fisherman', however, with its wonderfully intimate knowledge of Oriental
+life and the thousand nuances which only the born Orientalist can give,
+I look with tempered pride upon Donovan Pasha. Still I think that it
+caught and held some phases of Egyptian life which the author of 'Said
+the Fisherman' might perhaps miss, since the observation of every artist
+has its own idiosyncrasy, and what strikes one observer will not strike
+another.
+
+
+
+
+A FOREWORD
+
+It is now twelve years since I began giving to the public tales of life
+in lands well known to me. The first of them were drawn from Australia
+and the Islands of the Southern Pacific, where I had lived and roamed in
+the middle and late Eighties. They appeared in various English
+magazines, and were written in London far from the scenes which suggested
+them. None of them were written on the spot, as it were. I did not
+think then, and I do not think now, that this was perilous to their
+truthfulness. After many years of travel and home-staying observation
+I have found that all worth remembrance, the salient things and scenes,
+emerge clearly out of myriad impressions, and become permanent in mind
+and memory. Things so emerging are typical at least, and probably true.
+
+Those tales of the Far South were given out with some prodigality. They
+did not appear in book form, however; for, at the time I was sending out
+these Antipodean sketches, I was also writing--far from the scenes where
+they were laid--a series of Canadian tales, many of which appeared in the
+'Independent' of New York, in the 'National Observer', edited by Mr.
+Henley, and in the 'Illustrated London News'. By accident, and on the
+suggestion of my friend Mr. Henley, the Canadian tales 'Pierre and his
+People' were published first; with the result that the stories of the
+Southern Hemisphere were withheld from publication, though they have been
+privately printed and duly copyrighted. Some day I may send them forth,
+but meanwhile I am content to keep them in my own care.
+
+Moved always by deep interest in the varied manifestations of life in
+different portions of the Empire, five or six years ago I was attracted
+to the Island of Jersey, in the Channel Sea, by the likeness of the
+origin of her people with that of the French-Canadians. I went to live
+at St. Heliers for a time, and there wrote a novel called 'The Battle of
+the Strong'.
+
+Nor would it be thought strange that, having visited another and newer
+sphere of England's influence, Egypt to wit, in 1889, I should then
+determine that, when I could study the country at leisure, I should try
+to write of the life there, so full of splendour and of primitive
+simplicity; of mystery and guilt; of cruel indolence and beautiful
+industry; of tyranny and devoted slavery; of the high elements of a true
+democracy and the shameful practices of a false autocracy; all touched
+off by the majesty of an ancient charm, the nobility of the remotest
+history.
+
+The years went by, and, four times visiting Egypt, at last I began to
+write of her. That is now five years ago. From time to time the stories
+which I offer to the public in this volume were given forth. It is
+likely that the old Anglo-Egyptian and the historical student may find
+some anachronisms and other things to criticise; but the anachronisms are
+deliberate, and even as in writing of Canada and Australia, which I know
+very well, I have here, perhaps, sacrificed superficial exactness while
+trying to give the more intimate meaning and spirit. I have never
+thought it necessary to apologise for this disregard of photographic
+accuracy,--that may be found in my note-books,--and I shall not begin to
+do so now. I shall be sufficiently grateful if this series of tales does
+no more than make ready the way for the novel of Egyptian life on which I
+have been working for some years. It is an avant courier. I hope,
+however, that it may be welcomed for its own sake.
+ G. P.
+
+
+NOTE: A Glossary will be found at the end of the volume.
+
+
+
+
+WHILE THE LAMP HOLDS OUT TO BURN
+
+There is a town on the Nile which Fielding Bey called Hasha, meaning
+"Heaven Forbid!" He loathed inspecting it. Going up the Nile, he would
+put off visiting it till he came down; coming down, he thanked his fates
+if accident carried him beyond it. Convenient accidents sometimes did
+occur: a murder at one of the villages below it, asking his immediate
+presence; a telegram from his Minister at Cairo, requiring his return;
+or a very low Nile, when Hasha suddenly found itself a mile away from the
+channel and there was no good place to land. So it was that Hasha, with
+little inspection, was the least reputable and almost the dirtiest town
+on the Nile; for even in those far-off days the official Englishman had
+his influence, especially when Kubar Pasha was behind him. Kubar had his
+good points.
+
+There were certain definite reasons, however, why Fielding Bey shrank
+from visiting Hasha. Donovan Pasha saw something was wrong from the
+first moment Hasha was mentioned.
+
+On a particular day they were lying below at another village, on the
+Amenhotep. Hasha was the next place marked red on the map, and that
+meant inspection. When Dicky Donovan mentioned Hasha, Fielding Bey
+twisted a shoulder and walked nervously up and down the deck. He stayed
+here for hours: to wait for the next post, he said-serious matters
+expected from head quarters. He appeared not to realise that letters
+would get to Hasha by rail as quickly as by the Amenhotep.
+
+Every man has a weak spot in his character, a sub-rosa, as it were, in
+his business of life; and Dicky fancied he had found Fielding Bey's.
+While they waited, Fielding made a pretence of working hard--for he
+really was conscientious--sending his orderly for the mamour--
+[magistrate]--and the omdah--[head of a village]--, and holding fatuous
+conferences; turning the hose on the local dairymen and butchers and
+dategrowers, who came with backsheesh in kind; burying his nose in
+official papers; or sending for Holgate, the Yorkshire engineer, to find
+out what the run would be to the next stopping-place beyond Hasha. Twice
+he did this; which was very little like Fielding Bey. The second time,
+when Holgate came below to his engine, Dicky was there playing with a
+Farshoot dog.
+
+"We don't stop at Hasha, then?" Dicky asked, and let the Farshoot fasten
+on his leggings.
+
+Holgate swung round and eyed Dicky curiously, a queer smile at his lips.
+
+"Not if Goovnur can 'elp, aw give ye ma woord, sir," answered Holgate.
+
+Fielding was affectionately called "the Governor" by his subordinates and
+friends.
+
+"We all have our likes and dislikes," rejoined Dicky casually, and blew
+smoke in the eyes of the Farshoot. "Aye, aw've seen places that bad!
+but Hasha has taaste of its own in Goovnur's mouth, ma life on't!"
+"Never can tell when a thing'll pall on the taste. Hasha's turn with the
+Governor now, eh?" rejoined Dicky.
+
+Dicky's way of getting information seemed guileless, and Holgate opened
+his basket as wide as he knew. "Toorn, didst tha sway" (Holgate talked
+broadly to Dicky always, for Dicky had told him of his aunt, Lady
+Carmichael, who lived near Halifax in Yorkshire), "toorn, aw warrant!
+It be reg'lar as kitchen-fire, this Hasha business, for three years, ever
+sin' aw been scrapin' mud o' Nile River."
+
+"That was a nasty row they had over the cemetery three years ago, the
+Governor against the lot, from mamour to wekeel!"
+
+Holgate's eyes flashed, and he looked almost angrily down at Dicky, whose
+hand was between the teeth of the playful Farshoot.
+
+"Doost think--noa, tha canst not think that Goovnur be 'feared o' Hasha
+fook. Thinks't tha, a man that told 'em all--a thousand therr--that he'd
+hang on nearest tree the foorst that disobeyed him, thinks't tha that
+Goovnur's lost his nerve by that?"
+
+"The Governor never loses his nerve, Holgate," said Dicky, smiling and
+offering a cigar. "There's such a thing as a man being afraid to trust
+himself where he's been in a mess, lest he hit out, and doesn't want to."
+
+Holgate, being excited, was in a fit state to tell the truth, if he knew
+it; which was what Dicky had worked for; but Holgate only said:
+
+"It bean't fear, and it bean't milk o' human kindness. It be soort o'
+thing a man gets. Aw had it once i' Bradford, in Little Cornish Street.
+Aw saw a faace look out o' window o' hoose by tinsmith's shop, an' that
+faace was like hell's picture-aye, 'twas a killiagous faace that! Aw
+never again could pass that house. 'Twas a woman's faace. Horrible
+'twas, an' sore sad an' flootered aw were, for t' faace was like a lass
+aw loved when aw wur a lad."
+
+"I should think it was something like that," answered Dicky, his eyes
+wandering over the peninsula beyond which lay Hasha.
+
+"Summat, aw be sure," answered Holgate, "an' ma woord on't . . . ah,
+yon coomes orderly wi' post for Goovnur. Now it be Hasha, or it be not
+Hasha, it be time for steam oop."
+
+Holgate turned to his engine as Dicky mounted the stairs and went to
+Fielding's cabin, where the orderly was untying a handkerchief
+overflowing with letters.
+
+As Fielding read his official letters his face fell more and more. When
+he had read the last, he sat for a minute without speaking, his brow very
+black. There was no excuse for pushing past Hasha. He had not been
+there for over a year. It was his duty to inspect the place: he had a
+conscience; there was time to get to Hasha that afternoon. With an
+effort he rose, hurried along the deck, and called down to Holgate:
+"Full-steam to Hasha!"
+
+Then, with a quick command to the reis, who was already at the wheel, he
+lighted a cigar, and, joining Dicky Donovan, began to smoke and talk
+furiously. But he did not talk of Hasha.
+
+At sunset the Amenhotep drew in to the bank by Hasha, and, from the deck,
+Fielding Bey saluted the mamour, the omdah and his own subordinates, who,
+buttoning up their coats as they came, hurried to the bank to make
+salaams to him. Behind them, at a distance, came villagers, a dozen
+ghaffirs armed with naboots of dom-wood, and a brace of well-mounted,
+badly-dressed policemen, with seats like a monkey on a stick. The
+conferences with the mamour and omdah were short, in keeping with the
+temper of "Fielding Saadat"; and long into the night Dicky lay and looked
+out of his cabin window to the fires on the banks, where sat Mahommed
+Seti the servant, the orderly, and some attendant ghaffirs, who, feasting
+on the remains of the effendi's supper, kept watch. For Hasha was noted
+for its robbers. It was even rumoured that the egregious Selamlik Pasha,
+with the sugar plantation near by--"Trousers," Dicky called him when he
+saw him on the morrow, because of the elephantine breeks he wore--was not
+averse to sending his Abyssinian slaves through the sugar-cane to waylay
+and rob, and worse, maybe.
+
+By five o'clock next day the inspection was over. The streets had been
+swept for the Excellency--which is to say Saadat--the first time in a
+year. The prison had been cleaned of visible horrors, the first time in
+a month. The last time it was ordered there had been a riot among the
+starving, infested prisoners; earth had been thrown over the protruding
+bones of the dear lamented dead in the cemetery; the water of the
+ablution places in the mosque had been changed; the ragged policemen had
+new putties; the kourbashes of the tax-gatherers were hid in their
+yeleks; the egregious Pasha wore a greasy smile, and the submudir, as he
+conducted Fielding--"whom God preserve and honour!"--through the prison
+and through the hospital, where goat's milk had been laid on for this
+especial day, smirked gently through the bazaar above his Parisian
+waistcoat.
+
+But Fielding, as he rode on Selamlik Pasha's gorgeous black donkey from
+Assiout, with its crimson trappings, knew what proportion of improvement
+this "hankypanky," as Dicky called it, bore to the condition of things at
+the last inspection. He had spoken little all day, and Dicky had noticed
+that his eye was constantly turning here and there, as though looking for
+an unwelcome something or somebody.
+
+At last the thing was over, and they were just crossing the canal, the
+old Bahr-el-Yusef, which cuts the town in twain as the river Abana does
+Damascus, when Dicky saw nearing them a heavily-laden boat, a cross
+between a Thames house-boat and an Italian gondola, being drawn by one
+poor raw-bone--raw-bone in truth, for there was on each shoulder a round
+red place, made raw by the unsheathed ropes used as harness. The beast's
+sides were scraped as a tree is barked, and the hind quarters gored as
+though by a harrow. Dicky was riding with the mamour of the district,
+Fielding was a distance behind with Trousers and the Mudir. Dicky pulled
+up his donkey, got off and ran towards the horse, pale with fury; for he
+loved animals better than men, and had wasted his strength beating
+donkey-boys with the sticks they used on their victims. The boat had now
+reached a point opposite the mudirieh, its stopping-place; and the raw-
+bone, reeking with sweat and blood, stood still and trembled, its knees
+shaking with the strain just taken off them, its head sunk nearly to the
+ground.
+
+Dicky had hardly reached the spot when a figure came running to the poor
+waler with a quick stumbling motion. Dicky drew back in wonder, for
+never had he seen eyes so painful as these that glanced from the tortured
+beast to himself--staring, bulbous, bloodshot, hunted eyes; but they were
+blue, a sickly, faded blue; and they were English! Dicky's hand was, on
+his pistol, for his first impulse had been to shoot the rawbone; but it
+dropped away in sheer astonishment at the sight of this strange figure in
+threadbare dirty clothes and riding-breeches made by shearing the legs of
+a long pair--cut with an unsteady hand, for the edges were jagged and
+uneven, and the man's bare leg showed above the cast-off putties of a
+policeman. The coat was an old khaki jacket of a Gippy soldier, and,
+being scant of buttons, doubtful linen showed beneath. Above the hook-
+nose, once aristocratic, now vulture-like and shrunken like that of
+Rameses in his glass case at Ghizeh, was a tarboosh tilting forward over
+the eyes, nearly covering the forehead. The figure must have been very
+tall once, but it was stooped now, though the height was still well above
+medium. Hunted, haunted, ravaged and lost, was the face, and the long
+grey moustache, covering the chin almost, seemed to cover an immeasurable
+depravity.
+
+Dicky took it all in at a glance, and wondered with a bitter wonder; for
+this was an Englishman, and behind him and around him, though not very
+near him, were Arabs, Soudanese, and Fellaheen, with sneering yet
+apprehensive faces.
+
+As Dicky's hand dropped away from his pistol, the other shot out
+trembling, graceful, eager fingers, the one inexpressibly gentlemanly
+thing about him.
+
+"Give it to me--quick!" he said, and he threw a backward glance towards
+the approaching group--Fielding, the egregious Pasha, and the rest.
+
+Dicky did not hesitate; he passed the pistol over. The Lost One took the
+pistol, cocked it, and held it to the head of the waler, which feebly
+turned to him in recognition.
+
+"Good-bye, old man!" he said, and fired.
+
+The horse dropped, kicked, struggled once or twice, and was gone.
+
+"If you know the right spot, there's hardly a kick," said the Lost One,
+and turned to face the Pasha, who had whipped his donkey forward on them,
+and sat now livid with rage, before the two. He stood speechless for a
+moment, for his anger had forced the fat of his neck up into his throat.
+
+But Dicky did not notice the Pasha. His eye was fixed on Fielding Bey,
+and the eye of Fielding Bey was on the Lost One. All at once Dicky
+understood why it was that Fielding Bey had shrunk from coming to Hasha.
+Fielding might have offered many reasons, but this figure before them was
+the true one. Trouble, pity, anxiety, pride, all were in Fielding's
+face. Because the Lost One was an Englishman, and the race was shamed
+and injured by this outcast? Not that alone. Fielding had the natural
+pride of his race, but this look was personal. He glanced at the dead
+horse, at the scarred sides, the raw shoulders, the corrugated haunches,
+he saw the pistol in the Lost One's hand, and then, as a thread of light
+steals between the black trees of a jungle, a light stole across
+Fielding's face for a moment. He saw the Lost One hand the pistol back
+to Dicky and fix his debauched blue eyes on the Pasha. These blue eyes
+did not once look at Fielding, though they were aware of his presence.
+
+"Son of a dog!" said the Pasha, and his fat forefinger convulsively
+pointed to the horse.
+
+The Lost One's eyes wavered a second, as though their owner had not the
+courage to abide the effect of his action, then they quickened to a point
+of steadiness, as a lash suddenly knots for a crack in the hand of a
+postilion.
+
+"Swine!" said the Lost One into the Pasha's face, and his round
+shoulders drew up a little farther, so that he seemed more like a man
+among men. His hands fell on his hips as, in his mess, an officer with
+no pockets drops his knuckles on his waist-line for a stand-at-ease.
+
+The egregious Selamlik Pasha stood high in favour with the Khedive: was
+it not he who had suggested a tax on the earnings of the dancing girls,
+the Ghazeeyehs, and did he not himself act as the first tax-gatherer?
+Was it not Selamlik Pasha also who whispered into the ear of the
+Mouffetish that a birth-tax and a burial-tax should be instituted?
+And had he not seen them carried out in the mudiriehs under his own
+supervision? Had he not himself made the Fellaheen pay thrice over for
+water for their onion-fields? Had he not flogged an Arab to death with
+his own hand, the day before Fielding's and Dicky's arrival, and had he
+not tried to get this same Arab's daughter into his harem--this Selamlik
+Pasha!
+
+The voice of the Lost One suddenly rose shrill and excited, and he
+shouted at the Pasha. "Swine! swine! swine! . . . Kill your slaves
+with a kourbash if you like, but a bullet's the thing for a waler!--Swine
+of a leper!"
+
+The whole frame of the Lost One was still, but the voice was shaking,
+querulous, half hysterical; the eyes were lighted with a terrible
+excitement, the lips under the grey moustache twitched; the nervous
+slipshod dignity of carriage was in curious contrast to the disordered
+patchwork dress.
+
+The trouble on Fielding's face glimmered with a little ray of hope now.
+Dicky came over to him, and was about to speak, but a motion of
+Fielding's hand stopped him. The hand said: "Let them fight it out."
+
+In a paroxysm of passion Selamlik Pasha called two Abyssinian slaves
+standing behind. "This brother of a toad to prison!" he said.
+
+The Lost One's eyes sought Dicky like a flash. Without a word, and as
+quick as the tick of a clock, Dicky tossed over his pistol to the Lost
+One, who caught it smoothly, turned it in his hand, and levelled it at
+the Abyssinians.
+
+"No more of this damned nonsense, Pasha," said Fielding suddenly. "He
+doesn't put a high price on his life, and you do on yours. I'd be
+careful!"
+
+"Steady, Trousers!" said Dicky in a soft voice, and smiled his girlish
+smile.
+
+Selamlik Pasha stared for a moment in black anger, then stuttered forth:
+"Will you speak for a dog of a slave that his own country vomits out?"
+
+"Your mother was a slave of Darfur, Pasha," answered Fielding, in a low
+voice; "your father lost his life stealing slaves. Let's have no airs
+and graces."
+
+Dicky's eyes had been fixed on the Lost One, and his voice now said in
+its quaint treble: "Don't get into a perspiration. He's from where we
+get our bad manners, and he messes with us to-night, Pasha."
+
+The effect of these words was curious. Fielding's face was a blank
+surprise, and his mouth opened to say no, but he caught Dicky's look and
+the word was not uttered. The Pasha's face showed curious incredulity;
+under the pallor of the Lost One's a purplish flush crept, stayed a
+moment, then faded away, and left it paler than before.
+
+"We've no more business, I think, Pasha," said Fielding brusquely, and
+turned his donkey towards the river. The Pasha salaamed without a word,
+his Abyssinian slaves helped him on his great white donkey, and he
+trotted away towards the palace, the trousers flapping about his huge
+legs. The Lost One stood fingering the revolver. Presently he looked up
+at Dicky, and, standing still, held out the pistol.
+
+"Better keep it," said Dicky; "I'll give you some peas for it to-night.
+Speak to the poor devil, Fielding," he added quickly, in a low tone.
+
+Fielding turned in his saddle. "Seven's the hour," he said, and rode on.
+
+"Thanks, you fellows," said the Lost One, and walked swiftly away.
+
+As they rode to the Amenhotep Dicky did not speak, but once he turned
+round to look after the outcast, who was shambling along the bank of the
+canal.
+
+When Fielding and Dicky reached the deck of the Amenhotep, and Mahommed
+Seti had brought refreshment, Dicky said: "What did he do?"
+
+Fielding's voice was constrained and hard: "Cheated at cards."
+
+Dicky's lips tightened. "Where?"
+
+"At Hong Kong."
+
+"Officer?"
+
+"In the Buffs."
+
+Dicky drew a long breath. "He's paid the piper."
+
+"Naturally. He cheated twice."
+
+"Cheated twice--at cards!" Dicky's voice was hard now. "Who was he?"
+
+"Heatherby--Bob Heatherby!"
+
+"Bob Heatherby--gad! Fielding, I'm sorry--I couldn't have guessed, old
+man. Mrs. Henshaw's brother!"
+
+Fielding nodded. Dicky turned his head away; for Fielding was in love
+with Mrs. Henshaw, the widow of Henshaw of the Buffs. He realised now
+why Fielding loathed Hasha so.
+
+"Forgive me for asking him to mess, guv'nor."
+
+Fielding laughed a little uneasily. "Never mind. You see, it isn't the
+old scores only that bar him. He's been a sweep out here. Nothing he
+hasn't done. Gone lower and lower and lower. Tax-gatherer with a
+kourbash for old Selamlik the beast. Panderer for the same. Sweep of
+the lowest sort!"
+
+Dicky's eyes flashed. "I say, Fielding, it would be rather strange if he
+hadn't gone down, down, down. A man that's cheated at cards never finds
+anybody to help him up, up, up. The chances are dead against him. But
+he stood up well to-day, eh?"
+
+"I suppose blood will tell at last in the very worst."
+
+ "'And while the lamp holds out to burn
+ The vilest sinner may return--'"
+
+hummed Dicky musingly. Then he added slowly: "Fielding, fellows of that
+kind always flare up a bit according to Cavendish, just before the end.
+I've seen it once or twice before. It's the last clutch at the grass as
+they go slip--slip--slipping down. Take my word for it, Heatherby's near
+the finish."
+
+"I shouldn't wonder. Selamlik, the old leper, 'll lay in wait for him.
+He'll get lost in the sugar-cane one of these evenings soon."
+
+"Couldn't we . . ." Dicky paused.
+
+Fielding started, looked at Dicky intently, and then shook his head
+sadly. "It's no good, Dicky. It never is."
+
+"'While the lamp holds out to burn . . .'" said Dicky, and lighted
+another cigarette.
+
+Precisely at seven o'clock Heatherby appeared. He had on a dress-suit,
+brown and rusty, a white tie made of a handkerchief torn in two, and a
+pair of patent leather shoes, scraggy and cracked.
+
+Fielding behaved well, Dicky was amiable and attentive, and the dinner
+being ready to the instant, there was no waiting, there were no awkward
+pauses. No names of English people were mentioned, England was not
+named; nor Cairo, nor anything that English people abroad love to
+discuss. The fellah, the pasha, the Soudan were the only topics. Under
+Fielding's courtesy and Dicky's acute suggestions, Heatherby's weakened
+brain awaked, and he talked intelligently, till the moment coffee was
+brought in. Then, as Mahommed Seti retired, Heatherby suddenly threw
+himself forward, his arms on the table, and burst into sobs.
+
+"Oh, you fellows, you fellows!" he said. There was silence for a
+minute, then he sobbed out again: "It's the first time I've been treated
+like a gentleman by men that knew me, these fifteen years. It--it gets
+me in the throat!"
+
+His body shook with sobs. Fielding and Dicky were uncomfortable, for
+these were not the sobs of a driveller or a drunkard. Behind them was
+the blank failure of a life--fifteen years of miserable torture, of
+degradation, of a daily descent lower into the pit, of the servitude of
+shame. When at last he raised his streaming eyes, Fielding and Dicky
+could see the haunting terror of the soul, at whose elbow, as it were,
+every man cried: "You are without the pale!" That look told them how
+Heatherby of the Buffs had gone from table d'hote to table d'hote of
+Europe, from town to town, from village to village, to make acquaintances
+who repulsed him when they discovered who he really was.
+
+Shady Heatherby, who cheated at cards!
+
+Once Fielding made as if to put a hand on his shoulder and speak to him,
+but Dicky intervened with a look. The two drank their coffee, Fielding
+a little uneasily; but yet in his face there was a new look: of inquiry,
+of kindness, even of hope.
+
+Presently Dicky flashed a look and nodded towards the door, and Fielding
+dropped his cigar and went on deck, and called down to Holgate the
+engineer:
+
+"Get up steam, and make for Luxor. It's moonlight, and we're safe enough
+in this high Nile, eh, Holgate?"
+
+"Safe enough, or aw'm a Dootchman," said Holgate. Then they talked in a
+low voice together. Down in the saloon, Dicky sat watching Heatherby.
+At last the Lost One raised his head again.
+
+"It's worth more to me, this night, than you fellows know," he said
+brokenly.
+
+"That's all right," said Dicky. "Have a cigar?"
+
+He shook his head. "It's come at the right time. I wanted to be treated
+like an Englishman once more--just once more."
+
+"Don't worry. Take in a reef and go steady for a bit. The milk's spilt,
+but there are other meadows. . . ." Dicky waved an arm up the river,
+up towards the Soudan!
+
+The Lost One nodded, then his eyes blazed up and took on a hungry look.
+His voice suddenly came in a whisper.
+
+"Gordon was a white man. Gordon said to me three years ago: 'Come with
+me, I'll help you on. You don't need to live, if you don't want to.
+Most of us will get knocked out up there in the Soudan.' Gordon said
+that to me. But there was another fellow with Gordon who knew me,
+and I couldn't face it. So I stayed behind here. I've been everything,
+anything, to that swine, Selamlik Pasha; but when he told me yesterday to
+bring him the daughter of the Arab he killed with his kourbash, I jibbed.
+I couldn't stand that. Her father had fed me more than once. I jibbed
+--by God, I jibbed! I said I was an Englishman, and I'd see him damned
+first. I said it, and I shot the horse, and I'd have shot him--what's
+that?"
+
+There was a churning below. The Amenhotep was moving from the bank.
+
+"She's going--the boat's going," said the Lost One, trembling to his
+feet.
+
+"Sit down," said Dicky, and gripped him by the arm. "Where are you
+taking me?" asked Heatherby, a strange, excited look in his face.
+
+"Up the river."
+
+He seemed to read Dicky's thoughts--the clairvoyance of an overwrought
+mind: "To--to Assouan?" The voice had a curious far-away sound.
+
+"You shall go beyond Assouan," said Dicky. "To--to Gordon?" Heatherby's
+voice was husky and indistinct.
+
+"Yes, here's Fielding; he'll give you the tip. Sit down." Dicky gently
+forced him down into a chair. Six months later, a letter came to Dicky
+from an Egyptian officer, saying that Heatherby of the Buffs had died
+gallantly fighting in a sortie sent by Gordon into the desert.
+
+"He had a lot of luck," mused Dicky as he read. "They don't end that way
+as a rule."
+
+Then he went to Fielding, humming a certain stave from one of Watts's
+hymns.
+
+
+
+
+
+
+THE PRICE OF THE GRINDSTONE--AND THE DRUM
+
+He lived in the days of Ismail the Khedive, and was familiarly known as
+the Murderer. He had earned his name, and he had no repentance. From
+the roof of a hut in his native village of Manfaloot he had dropped a
+grindstone on the head of Ebn Haroun, who contended with him for the
+affections of Ahassa, the daughter of Haleel the barber, and Ebn Haroun's
+head was flattened like the cover of a pie. Then he had broken a cake of
+dourha bread on the roof for the pigeons above him, and had come down
+grinning to the street, where a hesitating mounted policeman fumbled with
+his weapon, and four ghaffirs waited for him with their naboots.
+
+Seti then had weighed his chances, had seen the avenging friends of Ebn
+Haroun behind the ghaffirs, and therefore permitted himself to be marched
+off to the mudirieh. There the Mudir glared at him and had him loaded
+with chains and flung into the prison, where two hundred convicts arrayed
+themselves against myriad tribes which, killed individually, made a spot
+on the wall no bigger than a threepenny-bit! The carnage was great, and
+though Seti was sleepless night after night it was not because of his
+crime. He found some solace, however, in provoking his fellow-prisoners
+to assaults upon each other; and every morning he grinned as he saw the
+dead and wounded dragged out into the clear sunshine.
+
+The end to this came when the father of Seti, Abou Seti, went at night to
+the Mudir and said deceitfully: "Effendi, by the mercy of Heaven I have
+been spared even to this day; for is it not written in the Koran that a
+man shall render to his neighbour what is his neighbour's? What should
+Abou Seti do with ten feddans of land, while the servant of Allah, the
+Effendi Insagi, lives? What is honestly mine is eight feddans, and the
+rest, by the grace of God, is thine, O effendi."
+
+Every feddan he had he had honestly earned, but this was his way of
+offering backsheesh.
+
+And the Mudir had due anger and said: "No better are ye than a Frank to
+have hidden the truth so long and waxed fat as the Nile rises and falls.
+The two feddans, as thou sayest, are mine."
+
+Abou Seti bowed low, and rejoined, "Now shall I sleep in peace, by the
+grace of Heaven, and all my people under my date-trees--and all my
+people?" he added, with an upward look at the Mudir.
+
+"But the rentals of the two feddans of land these ten years--thou hast
+eased thy soul by bringing the rentals thereof?"
+
+Abou Seti's glance fell and his hands twitched. His fingers fumbled with
+his robe of striped silk. He cursed the Mudir in his heart for his
+bitter humour; but was not his son in prison, and did it not lie with the
+Mudir whether he lived or died? So he answered:
+
+"All-seeing and all-knowing art thou, O effendi, and I have reckoned the
+rentals even to this hour for the ten years--fifty piastres for each
+feddan--"
+
+"A hundred for the five years of high Nile," interposed the Mudir.
+
+"Fifty for the five lean years, and a hundred for the five fat years,"
+said Abou Seti, and wished that his words were poisoned arrows, that they
+might give the Mudir many deaths at once. "And may Allah give thee
+greatness upon thy greatness!"
+
+"God prosper thee also, Abou Seti, and see that thou keep only what is
+thine own henceforth. Get thee gone in peace."
+
+"At what hour shall I see the face of my son alive?" asked Abou Seti in
+a low voice, placing his hand upon his turban in humility.
+
+"To-morrow at even, when the Muezzin calls from the mosque of El Hassan,
+be thou at the west wall of the prison by the Gate of the Prophet's
+Sorrow, with thy fastest camel. Your son shall ride for me through the
+desert even to Farafreh, and bear a letter to the bimbashi there. If he
+bear it safely, his life is his own; if he fail, look to thy feddans of
+land!"
+
+"God is merciful, and Seti is bone of my bone," said Abou Seti, and laid
+his hand again upon his turban. That was how Mahommed Seti did not at
+once pay the price of the grindstone, but rode into the desert bearing
+the message of the Mudir and returned safely with the answer, and was
+again seen in the cafes of Manfaloot. And none of Ebn Haroun's friends
+did aught, for the world knew through whom it was that Seti lived--and
+land was hard to keep in Manfaloot and the prison near.
+
+But one day a kavass of the Khedive swooped down on Manfaloot, and twenty
+young men were carried off in conscription. Among them was Seti, now
+married to Ahassa, the fellah maid for whom the grindstone had fallen on
+Ebn Haroun's head. When the fatal number fell to him and it was ordained
+that he must go to Dongola to serve in the Khedive's legions, he went to
+his father, with Ahassa wailing behind him.
+
+"Save thyself," said the old man with a frown.
+
+"I have done what I could--I have sold my wife's jewels," answered Seti.
+
+"Ten piastres!" said old Abou Seti grimly. "Twelve," said Seti, grinning
+from ear to ear. Thou wilt add four feddans of land to that I will
+answer for the Mudir."
+
+"Thy life only cost me two feddans. Shall I pay four to free thee of
+serving thy master the Khedive? Get thee gone into the Soudan. I do not
+fear for thee: thou wilt live on. Allah is thy friend. Peace be with
+thee!"
+
+
+
+II
+
+So it was that the broad-shouldered Seti went to be a soldier, with all
+the women of the village wailing behind him, and Ahassa his wife covering
+her head with dust and weeping by his side as he stepped out towards
+Dongola. For himself, Seti was a philosopher; that is to say, he was a
+true Egyptian. Whatever was, was to be; and Seti had a good digestion,
+which is a great thing in the desert. Moreover, he had a capacity for
+foraging--or foray. The calmness with which he risked his life for an
+onion or a water-bag would have done credit to a prince of buccaneers.
+He was never flustered. He had dropped a grindstone on the head of his
+rival, but the smile that he smiled then was the same smile with which he
+suffered and forayed and fought and filched in the desert. With a back
+like a door, and arms as long and strong as a gorilla's, with no moral
+character to speak of, and an imperturbable selfishness, even an ignorant
+Arab like Seti may go far. More than once his bimbashi drew a sword to
+cut him down for the peaceful insolent grin with which he heard himself
+suddenly charged with very original crimes; but even the officer put his
+sword up again, because he remembered that though Seti was the curse of
+the regiment on the march, there was no man like him in the day of
+battle. Covered with desert sand and blood, and fighting and raging
+after the manner of a Sikh, he could hold ten companies together like a
+wall against a charge of Dervishes. The bimbashi rejoiced at this, for
+he was a coward; likewise his captain was a coward, and so was his
+lieutenant: for they were half Turks, half Gippies, who had seen Paris
+and had not the decency to die there. Also it had been discovered that
+no man made so good a spy or envoy as Seti. His gift for lying was
+inexpressible: confusion never touched him; for the flattest
+contradictions in the matter of levying backsheesh he always found an
+excuse. Where the bimbashi and his officers were afraid to go lest the
+bald-headed eagle and the vulture should carry away their heads as tit-
+bits to the Libyan hills, Seti was sent. In more than one way he always
+kept his head. He was at once the curse and the pride of the regiment.
+For his sins he could not be punished, and his virtues were of value only
+to save his life.
+
+In this fashion, while his regiment thinned out by disease, famine,
+fighting, and the midnight knife, Seti came on to Dongola, to Berber, to
+Khartoum; and he grinned with satisfaction when he heard that they would
+make even for Kordofan. He had outlived all the officers who left
+Manfaloot with the regiment save the bimbashi, and the bimbashi was
+superstitious and believed that while Seti lived he would live.
+Therefore, no clansman ever watched his standard flying in the van as the
+bimbashi--from behind--watched the long arm of Seti slaying, and heard
+his voice like a brass horn above all others shouting his war-cry.
+
+But at Khartoum came Seti's fall. Many sorts of original sin had been
+his, with profit and prodigious pleasure, but when, by the supposed
+orders of the bimbashi, he went through Khartoum levying a tax upon every
+dancing-girl in the place and making her pay upon the spot at the point
+of a merciless tongue, he went one step too far. For his genius had
+preceded that of Selamlik Pasha, the friend of the Mouffetish at Cairo,
+by one day only. Selamlik himself had collected taxes on dancing-girls
+all the way from Cairo to Khartoum; and to be hoist by an Arab in a foot
+regiment having no authority and only a limitless insolence, was more
+than the Excellency could bear.
+
+To Selamlik Pasha the bimbashi hastily disowned all knowledge of Seti's
+perfidy, but both were brought out to have their hands and feet and heads
+cut off in the Beit-el-Mal, in the presence of the dancing-girls and the
+populace. In the appointed place, when Seti saw how the bimbashi wept--
+for he had been to Paris and had no Arab blood in him; how he wrung his
+hands--for had not absinthe weakened his nerves in the cafes of St.
+Michel?--when Seti saw that he was no Arab and was afraid to die, then he
+told the truth to Selamlik Pasha. He even boldly offered to tell the
+pasha where half his own ill-gotten gains were hid, if he would let the
+bimbashi go. Now, Selamlik Pasha was an Egyptian, and is it not written
+in the Book of Egypt that no man without the most dangerous reason may
+refuse backsheesh? So it was that Selamlik talked to the Ulema, the holy
+men, who were there, and they urged him to clemency, as holy men will,
+even in Egypt--at a price.
+
+So it was also that the bimbashi went back to his regiment with all his
+limbs intact. Seti and the other half of his ill-gotten gains were left.
+His hands were about to be struck off, when he realised of how little
+account his gold would be without them; so he offered it to Selamlik
+Pasha for their sake. The pasha promised, and then, having found the
+money, serenely prepared the execution. For his anger was great. Was
+not the idea of taxing the dancing-girls his very own, the most original
+tax ever levied in Egypt? And to have the honour of it filched from him
+by a soldier of Manfaloot--no, Mahommed Seti should be crucified!
+
+And Seti, the pride and the curse of his regiment, would have been
+crucified between two palms on the banks of the river had it not been for
+Fielding Bey, the Englishman--Fielding of St. Bartholomew's--who had
+burned gloriously to reform Egypt root and branch, and had seen the fire
+of his desires die down. Fielding Bey saved Seti, but not with
+backsheesh.
+
+Fielding intervened. He knew Selamlik Pasha well, and the secret of his
+influence over him is for telling elsewhere. But whatever its source, it
+gave Mahommed Seti his life. It gave him much more, for it expelled him
+from the Khedive's army. Now soldiers without number, gladly risking
+death, had deserted from the army of the Khedive; they had bought
+themselves out with enormous backsheesh, they had been thieves,
+murderers, panderers, that they might be freed from service by some
+corrupt pasha or bimbashi; but no one in the knowledge of the world had
+ever been expelled from the army of the Khedive.
+
+There was a satanic humour in the situation pleasant to the soul of
+Mahommed Seti, if soul his subconsciousness might be called. In the
+presence of his regiment, drawn up in the Beit-el-Mal, before his
+trembling bimbashi, whose lips were now pale with terror at the loss of
+his mascot, Mahommed Seti was drummed out of line, out of his regiment,
+out of the Beit-el-Mal. It was opera boufe, and though Seti could not
+know what opera boufe was, he did know that it was a ridiculous fantasia,
+and he grinned his insolent grin all the way, even to the corner of the
+camel-market, where the drummer and the sergeant and his squad turned
+back from ministering a disgrace they would gladly have shared.
+
+Left at the corner of the camel-market, Mahommed Seti planned his future.
+At first it was to steal a camel and take the desert for Berber. Then he
+thought of the English hakim, Fielding Bey, who had saved his life. Now,
+a man who has saved your life once may do it again; one favour is always
+the promise of another. So Seti, with a sudden inspiration, went
+straight to the house of Fielding Bey and sat down before it on his mat.
+
+With the setting of the sun came a clatter of tins and a savoury odour
+throughout Khartoum to its farthest precincts, for it was Ramadan, and no
+man ate till sunset. Seti smiled an avid smile, and waited. At last he
+got up, turned his face towards Mecca, and said his prayers. Then he
+lifted the latch of Fielding's hut, entered, eyed the medicine bottles
+and the surgical case with childish apprehension, and made his way to the
+kitchen. There he foraged. He built a fire; his courage grew; he ran to
+the bazaar, and came back with an armful of meats and vegetables.
+
+So it was that when Fielding returned he found Mahommed Seti and a
+savoury mess awaiting him. Also there was coffee and a bottle of brandy
+which Seti had looted in the bazaar. In one doorway stood Fielding; in
+another stood Mahommed Seti, with the same grin which had served his
+purpose all the way from Cairo, his ugly face behind it, and his
+prodigious shoulders below it, and the huge chest from which came forth,
+like the voice of a dove:
+
+"God give thee long life, saadat el bey!"
+
+Now an M.D. degree and a course in St. Bartholomew's Hospital do not
+necessarily give a knowledge of the human soul, though the outlying lands
+of the earth have been fattened by those who thought there was knowledge
+and salvation in a conquered curriculum. Fielding Bey, however, had
+never made pretence of understanding the Oriental mind, so he discreetly
+took his seat and made no remarks. From sheer instinct, however, when he
+came to the coffee he threw a boot which caught Mahommed Seti in the
+middle of the chest, and said roughly: "French, not Turkish, idiot!"
+
+Then Mahommed Seti grinned, and he knew that he was happy; for it was
+deep in his mind that that was the Inglesi's way of offering a long
+engagement. In any case Seti had come to stay. Three times he made
+French coffee that night before it suited, and the language of Fielding
+was appropriate in each case. At last a boot, a native drum, and a wood
+sculpture of Pabst the lion-headed goddess, established perfect relations
+between them. They fell into their places of master and man as
+accurately as though the one had smitten and the other served
+for twenty years.
+
+The only acute differences they had were upon two points--the cleaning of
+the medicine bottles and surgical instruments, and the looting. But it
+was wonderful to see how Mahommed Seti took the kourbash at the hands of
+Fielding, when he shied from the medicine bottles. He could have broken,
+or bent double with one twist, the weedy, thin-chested Fielding. But
+though he saw a deadly magic and the evil eye in every stopper, and
+though to him the surgical instruments were torturing steels which the
+devil had forged for his purposes, he conquered his own prejudices so far
+as to assist in certain bad cases which came in Fielding's way on the
+journey down the Nile.
+
+The looting was a different matter. Had not Mahommed Seti looted all his
+life--looted from his native village to the borders of Kordofan? Did he
+not take to foray as a wild ass to bersim? Moreover, as little Dicky
+Donovan said humorously yet shamelessly when he joined them at Korosko:
+"What should a native do but loot who came from Manfaloot?"
+
+Dicky had a prejudice against the Murderer, because he was a murderer;
+and Mahommed Seti viewed with scorn any white man who was not Fielding;
+much more so one who was only five feet and a trifle over. So for a time
+there was no sympathy between the two. But each conquered the other in
+the end. Seti was conquered first.
+
+One day Dicky, with a sudden burst of generosity--for he had a button to
+his pocket--gave Mahommed Seti a handful of cigarettes. The next day
+Seti said to Fielding: "Behold, God has given thee strong men for
+friends. Thou hast Mahommed Seti"--his chest blew out like a bellows--
+"and thou hast Donovan Pasha."
+
+Fielding grunted. He was not a fluent man, save in forbidden language,
+and Seti added:
+
+"Behold thou, saadat el bey, who opens a man's body and turns over his
+heart with a sword-point, and sewing him up with silken cords bids him
+live again, greatness is in thy house! Last night thy friend, Donovan
+Pasha, gave into my hands a score of those cigarettes which are like the
+smell of a camel-yard. In the evening, having broken bread and prayed,
+I sat down at the door of the barber in peace to smoke, as becomes a man
+who loves God and His benefits. Five times I puffed, and then I stayed
+my lips, for why should a man die of smoke when he can die by the sword?
+But there are many men in Korosko whose lives are not as clean linen.
+These I did not love. I placed in their hands one by one the cigarettes,
+and with their blessings following me I lost myself in the dusk and
+waited."
+
+Mahommed Seti paused. On his face was a smile of sardonic retrospection.
+
+"Go on, you fool!" grunted Fielding.
+
+"Nineteen sick men, unworthy followers of the Prophet, thanked Allah in
+the mosque to-day that their lives were spared. Donovan Pasha is a great
+man and a strong, effendi! We be three strong men together."
+
+Dicky Donovan's conversion to a lasting belief in Mahommed Seti came a
+year later.
+
+The thing happened at a little sortie from the Nile. Fielding was chief
+medical officer, and Dicky, for the moment, was unattached. When the
+time came for starting, Mahommed Seti brought round Fielding's horse and
+also Dicky Donovan's. Now, Mahommed Seti loved a horse as well as a
+Bagarra Arab, and he had come to love Fielding's waler Bashi-Bazouk as a
+Farshoot dog loves his master. And Bashi-Bazouk was worthy of Seti's
+love. The sand of the desert, Seti's breath and the tail of his yelek
+made the coat of Bashi-Bazouk like silk. It was the joy of the regiment,
+and the regiment knew that Seti had added a new chapter to the Koran
+concerning horses, in keeping with Mahomet's own famous passage
+
+ "By the CHARGERS that pant,
+ And the hoofs that strike fire,
+ And the scourers at dawn,
+ Who stir up the dust with it,
+ And cleave through a host with it!"
+
+But Mahomet's phrases were recited in the mosque, and Seti's, as he
+rubbed Bashi-Bazouk with the tail of his yelek.
+
+There was one thing, however, that Seti loved more than horses, or at
+least as much. Life to him was one long possible Donnybrook Fair. That
+was why, although he was no longer in the army, when Fielding and Dicky
+mounted for the sortie he said to Fielding:
+
+"Oh, brother of Joshua and all the fighters of Israel, I have a bobtailed
+Arab. Permit me to ride with thee." And Fielding replied: "You will
+fight the barn-yard fowl for dinner; get back to your stew-pots."
+
+But Seti was not to be fobbed off. "It is written that the Lord, the
+Great One, is compassionate and merciful. Wilt thou then, O saadat."
+
+Fielding interrupted: "Go, harry the onion-field for dinner. You're a
+dog of a slave, and a murderer too: you must pay the price of that
+grindstone!"
+
+But Seti hung by the skin of his teeth to the fringe of Fielding's good-
+nature--Fielding's words only were sour and wrathful. So Seti grinned
+and said: "For the grindstone, behold it sent Ebn Haroun to the mercy of
+God. Let him rest, praise be to God!"
+
+"You were drummed out of the army. You can't fight," said Fielding
+again; but he was smiling under his long moustache.
+
+"Is not a bobtailed nag sufficient shame? Let thy friend ride the
+bobtailed nag and pay the price of the grindstone and the drum," said
+Seti.
+
+"Fall in!" rang the colonel's command, and Fielding, giving Seti a
+friendly kick in the ribs, galloped away to the troop.
+
+Seti turned to the little onion-garden. His eye harried it for a moment,
+and he grinned. He turned to the doorway where a stew-pot rested, and
+his mind dwelt cheerfully on the lamb he had looted for Fielding's
+dinner. But last of all his eye rested upon his bobtailed Arab, the
+shameless thing in an Arab country, where every horse rears his tail as a
+peacock spreads his feathers, as a marching Albanian lifts his foot. The
+bobtailed Arab's nose was up, his stump was high. A hundred times he had
+been in battle; he was welted and scarred like a shoe-maker's apron. He
+snorted his cry towards the dust rising like a surf behind the heels of
+the colonel's troop.
+
+Suddenly Seti answered the cry--he answered the cry and sprang forward.
+
+That was how in the midst of a desperate melee twenty miles away on the
+road to Dongola little Dicky Donovan saw Seti riding into the thick of
+the fight armed only with a naboot of domwood, his call, "Allala-Akbar!"
+rising like a hoarse-throated bugle, as it had risen many a time in the
+old days on the road from Manfaloot. Seti and his bobtailed Arab, two
+shameless ones, worked their way to the front. Not Seti's strong right
+arm alone and his naboot were at work, but the bobtailed Arab, like an
+iron-handed razor toothed shrew, struck and bit his way, his eyes
+bloodred like Seti's. The superstitious Dervishes fell back before this
+pair of demons; for their madness was like the madness of those who at
+the Dosah throw themselves beneath the feet of the Sheikh's horse by the
+mosque of El Hassan in Cairo. The bobtailed Arab's lips were drawn back
+over his assaulting teeth in a horrible grin. Seti grinned too, the grin
+of fury and of death.
+
+Fielding did not know how it was that, falling wounded from his horse,
+he was caught by strong arms, as Bashi-Bazouk cleared him at a bound and
+broke into the desert. But Dicky Donovan, with his own horse lanced
+under him, knew that Seti made him mount the bobtailed Arab with Fielding
+in front of him, and that a moment later they had joined the little band
+retreating to Korosko, having left sixty of their own dead on the field,
+and six times that number of Dervishes.
+
+It was Dicky Donovan who cooked Fielding's supper that night, having
+harried the onion-field and fought the barn-yard fowl, as Fielding had
+commanded Seti.
+
+But next evening at sunset Mahommed Seti came into the fort, slashed and
+bleeding, with Bashi-Bazouk limping heavily after him.
+
+Fielding said that Seti's was the good old game for which V.C.'s were the
+reward--to run terrible risks to save a life in the face of the enemy;
+but, heretofore, it had always been the life of a man, not of a horse.
+To this day the Gippies of that regiment still alive do not understand
+why Seti should have stayed behind and risked his life to save a horse
+and bring him wounded back to his master. But little Dicky Donovan
+understood, and Fielding understood; and Fielding never afterwards
+mounted Bashi-Bazouk but he remembered. It was Mahommed Seti who taught
+him the cry of Mahomet:
+
+ "By the CHARGERS that pant,
+ And the hoofs that strike fire,
+ And the scourers at dawn,
+ Who stir up the dust with it,
+ And cleave through a host with it!"
+
+And in the course of time Mahommed Seti managed to pay the price of the
+grindstone and also of the drum.
+
+
+
+
+
+
+THE DESERTION OF MAHOMMED SELIM
+
+The business began during Ramadan; how it ended and where was in the
+mouth of every soldier between Beni Souef and Dongola, and there was not
+a mud hut or a mosque within thirty miles of Mahommed Selim's home, not a
+khiassa or felucca dropping anchor for gossip and garlic below the
+mudirieh, but knew the story of Soada, the daughter of Wassef the camel-
+driver.
+
+Soada was pretty and upright, with a full round breast and a slim figure.
+She carried a balass of water on her head as gracefully as a princess a
+tiara. This was remarked by occasional inspectors making their official
+rounds, and by more than one khowagah putting in with his dahabeah where
+the village maidens came to fill their water-jars. Soada's trinkets and
+bracelets were perhaps no better than those of her companions, but her
+one garment was of the linen of Beni Mazar, as good as that worn by the
+Sheikh-Elbeled himself.
+
+Wassef the camel-driver, being proud of Soada, gave her the advantage of
+his frequent good fortune in desert loot and Nile backsheesh. But Wassef
+was a hard man for all that, and he grew bitter and morose at last,
+because he saw that camel-driving must suffer by the coming of the
+railway. Besides, as a man gets older he likes the season of Ramadan
+less, for he must fast from sunrise to sunset, though his work goes on;
+and, with broken sleep, having his meals at night, it is ten to one but
+he gets irritable.
+
+So it happened that one evening just at sunset, Wassef came to his hut,
+with the sun like the red rim of a huge thumb-nail in the sky behind him,
+ready beyond telling for his breakfast, and found nothing. On his way
+home he had seen before the houses and cafes silent Mussulmans with
+cigarettes and matches in their fingers, cooks with their hands on the
+lids of the cooking pots, where the dourha and onions boiled; but here
+outside his own doorway there was no odour, and there was silence within.
+
+"Now, by the beard of the Prophet," he muttered, "is it for this I have
+fed the girl and clothed her with linen from Beni Mazar all these years!"
+And he turned upon his heel, and kicked a yellow cur in the ribs; then he
+went to the nearest cafe, and making huge rolls of forcemeat with his
+fingers crammed them into his mouth, grunting like a Berkshire boar. Nor
+did his anger cease thereafter, for this meal of meat had cost him five
+piastres--the second meal of meat in a week.
+
+As Wassef sat on the mastaba of the cafe sullen and angry, the village
+barber whispered in his ear that Mahommed Selim and Soada had been
+hunting jackals in the desert all afternoon. Hardly had the barber fled
+from the anger of Wassef, when a glittering kavass of the Mouffetish at
+Cairo passed by on a black errand of conscription. With a curse Wassef
+felt in his vest for his purse, and called to the kavass--the being more
+dreaded in Egypt than the plague.
+
+That very night the conscription descended upon Mahommed Selim, and by
+sunrise he was standing in front of the house of the Mamour with twelve
+others, to begin the march to Dongola. Though the young man's father
+went secretly to the Mamour, and offered him backsheesh, even to the tune
+of a feddan of land, the Mamour refused to accept it. That was a very
+peculiar thing, because every Egyptian official, from the Khedive down to
+the ghafhr of the cane-fields, took backsheesh in the name of Allah.
+
+Wassef the camel-driver was the cause. He was a deep man and a strong;
+and it was through him the conscription descended upon Mahommed Selim--
+"son of a burnt father," as he called him--who had gone shooting jackals
+in the desert with his daughter, and had lost him his breakfast.
+Wassef's rage was quiet but effective, for he had whispered to some
+purpose in the ear of the Mamour as well as in that of the dreaded kavass
+of conscription. Afterwards, he had gone home and smiled at Soada his
+daughter when she lied to him about the sunset breakfast.
+
+With a placid smile and lips that murmured, "Praise be to God," the
+malignant camel-driver watched the shrieking women of the village
+throwing dust on their heads and lamenting loudly for the thirteen young
+men of Beni Souef who were going forth never to return--or so it seemed
+to them; for of all the herd of human kine driven into the desert before
+whips and swords, but a moiety ever returned, and that moiety so battered
+that their mothers did not know them. Therefore, at Beni Souef that
+morning women wept, and men looked sullenly upon the ground--all but
+Wassef the camel-driver.
+
+It troubled the mind of Wassef that Mahommed Selim made no outcry at his
+fate. He was still more puzzled when the Mamour whispered to him that
+Mahommed Selim had told the kavass and his own father that since it was
+the will of God, then the will of God was his will, and he would go.
+Wassef replied that the Mamour did well not to accept the backsheesh of
+Mahommed Selim's father, for the Mouffetish at the palace of Ismail would
+have heard of it, and there would have been an end to the Mamour. It was
+quite a different matter when it was backsheesh for sending Mahommed
+Selim to the Soudan.
+
+With a shameless delight Wassef went to the door of his own home, and,
+calling to Soada, told her that Mahommed Selim was among the conscripts.
+He also told her that the young man was willing to go, and that the
+Mamour would take no backsheesh from his father. He looked to see her
+burst into tears and wailing, but she only stood and looked at him like
+one stricken blind. Wassef laughed, and turned on his heel; and went
+out: for what should he know of the look in a woman's face--he to whom
+most women were alike, he who had taken dancing-girls with his camels
+into the desert many a time? What should he know of that love which
+springs once in every woman's heart, be she fellah or Pharaoh's daughter?
+
+When he had gone, Soada groped her way blindly to the door and out into
+the roadway. Her lips moved, but she only said: "Mahommed--Mahommed
+Selim!" Her father's words knelled in her ear that her lover was willing
+to go, and she kept saying brokenly: "Mahommed--Mahommed Selim!" As the
+mist left her eyes she saw the conscripts go by, and Mahommed Selim was
+in the rear rank. He saw her also, but he kept his head turned away,
+taking a cigarette from young Yusef, the drunken ghaffir, as they passed
+on.
+
+Unlike the manner of her people, Soada turned and went back into her
+house, and threw herself upon the mud floor, and put the folds of her
+garment in her mouth lest she should cry out in her agony. A whole day
+she lay there and did not stir, save to drink from the water-bottle which
+old Fatima, the maker of mats, had placed by her side. For Fatima
+thought of the far-off time when she loved Hassan the potter, who had
+been dragged from his wheel by a kavass of conscription and lost among
+the sands of the Libyan desert; and she read the girl's story.
+
+That evening, as Wassef the camel-driver went to the mosque to pray,
+Fatima cursed him, because now all the village laughed secretly at the
+revenge that Wassef had taken upon the lover of his daughter. A few
+laughed the harder because they knew Wassef would come to feel it had
+been better to have chained Mahommed Selim to a barren fig-tree and kept
+him there until he married Soada, than to let him go. He had
+mischievously sent him into that furnace which eats the Fellaheen to the
+bones, and these bones thereafter mark white the road of the Red Sea
+caravans and the track of the Khedive's soldiers in the yellow sands.
+
+When Fatima cursed Wassef he turned and spat at her; and she went back
+and sat on the ground beside Soada, and mumbled tags from the Koran above
+her for comfort. Then she ate greedily the food which Soada should have
+eaten; snatching scraps of consolation in return for the sympathy she
+gave.
+
+The long night went, the next day came, and Soada got up and began to
+work again. And the months went by.
+
+
+
+
+II
+
+One evening, on a day which had been almost too hot for even the seller
+of liquorice-water to go by calling and clanging, Wassef the camel-driver
+sat at the door of a malodorous cafe and listened to a wandering welee
+chanting the Koran. Wassef was in an ill-humour: first, because the day
+had been so hot; secondly, because he had sold his ten-months' camel at a
+price almost within the bounds of honesty; and thirdly, because a score
+of railway contractors and subs. were camped outside the town. Also,
+Soada had scarcely spoken to him for three days past.
+
+In spite of all, Soada had been the apple of his eye, although he had
+sworn again and again that next to a firman of the Sultan, a ten-months'
+camel was the most beautiful thing on earth. He was in a bitter humour.
+This had been an intermittent disease with him almost since the day
+Mahommed Selim had been swallowed up by the Soudan; for, like her mother
+before her, Soada had no mind to be a mat for his feet. Was it not even
+said that Soada's mother was descended from an English slave with red
+hair, who in the terrible disaster at Damietta in 1805 had been carried
+away into captivity on the Nile, where he married a fellah woman and died
+a good Mussulman?
+
+Soada's mother had had red-brown hair, and not black as becomes a fellah
+woman; but Wassef was proud of this ancient heritage of red hair, which
+belonged to a field-marshal of Great Britain--so he swore by the beard of
+the Prophet. That is why he had not beaten Soada these months past when
+she refused to answer him, when with cold stubbornness she gave him
+his meals or withheld them at her will. He was even a little awed by her
+silent force of will, and at last he had to ask her humbly for a savoury
+dish which her mother had taught her to make--a dish he always ate upon
+the birthday of Mahomet Ali, who had done him the honour to flog him with
+his own kourbash for filching the rations of his Arab charger.
+
+But this particular night Wassef was bitter, and watched with stolid
+indifference the going down of the sun, the time when he usually said his
+prayers. He was in so ill a humour that he would willingly have met his
+old enemy, Yusef, the drunken ghaffir, and settled their long-standing
+dispute for ever. But Yusef came not that way. He was lying drunk with
+hashish outside the mosque El Hassan, with a letter from Mahommed Selim
+in his green turban--for Yusef had been a pilgrimage to Mecca and might
+wear the green turban.
+
+But if Yusef came not by the cafe where Wassef sat glooming, some one
+else came who quickly roused Wassef from his phlegm. It was Donovan
+Pasha, the young English official, who had sat with him many a time at
+the door of his but and asked him questions about Dongola and Berber and
+the Soudanese. And because Dicky spoke Arabic, and was never known to
+have aught to do with the women of Beni Souef, he had been welcome; and
+none the less because he never frowned when an Arab told a lie.
+
+"Nehar-ak koom said, Mahommed Wassef," said Dicky; and sat upon a bench
+and drew a narghileh to him, wiping the ivory mouthpiece with his
+handkerchief.
+
+"Nehar-ak said, saadat el Pasha," answered Wassef, and touched lips,
+breast, and forehead with his hand. Then they shook hands, thumbs up,
+after the ancient custom. And once more, Wassef touched his breast, his
+lips, and his forehead.
+
+They sat silent too long for Wassef's pleasure, for he took pride in what
+he was pleased to call his friendship with Donovan Pasha, and he could
+see his watchful neighbours gathering at a little distance. It did not
+suit his book that they two should not talk together.
+
+"May Allah take them to his mercy!--A regiment was cut to pieces by the
+Dervishes at Dongola last quarter of the moon," he said.
+
+"It was not the regiment of Mahommed Selim," Dicky answered slowly, with
+a curious hard note in his voice.
+
+"All blessings do not come at once--such is the will of God!" answered
+Wassef with a sneer.
+
+"You brother of asses," said Dicky, showing his teeth a little, "you
+brother of asses of Bagdad!"
+
+"Saadat el basha!" exclaimed Wassef, angry and dumfounded.
+
+"You had better have gone yourself, and left Mahommed Selim your camels
+and your daughter," continued Dicky, his eyes straight upon Wassef's.
+
+"God knows your meaning," said Wassef in a sudden fright; for the
+Englishman's tongue was straight, as he well knew.
+
+"They sneer at you behind your back, Mahommed Wassef. No man in the
+village dare tell you, for you have no friends, but I tell you, that you
+may save Soada before it is too late. Mahommed Selim lives; or lived
+last quarter of the moon, so says Yusef the ghaffir. Sell your ten-
+months' camel, buy the lad out, and bring him back to Soada."
+
+"Saadat!" said Wassef, in a quick fear, and dropped the stem of the
+narghileh, and got to his feet. "Saadat el basha!"
+
+"Before the Nile falls and you may plant yonder field with onions,"
+answered Dicky, jerking his head towards the flooded valley, "her time
+will be come!"
+
+Wassef's lips were drawn, like shrivelled parchment over his red gums,
+the fingers of his right hand fumbled in his robe.
+
+"There's no one to kill--keep quiet!" said Dicky, But Wassef saw near by
+the faces of the villagers, and on every face he thought he read a smile,
+a sneer; though in truth none sneered, for they were afraid of his
+terrible anger. Mad with fury he snatched the turban from his head and
+threw it on the ground. Then suddenly he gave one cry, "Allah!" a
+vibrant clack like a pistol-shot, for he saw Yusef, the drunken ghaffir,
+coming down the road.
+
+Yusef heard that cry of "Allah!" and he knew that the hour had come for
+settling old scores. The hashish clouds lifted from his brain, and he
+gripped his naboot of the hard wood of the dom-palm, and, with a cry like
+a wolf, came on.
+
+It would have been well for Wassef the camel-driver if he had not taken
+the turban from his head, for before he could reach Yusef with his
+dagger, he went down, his skull cracking like the top of an egg under a
+spoon.
+
+
+
+
+III
+
+Thus it was that Soada was left to fight her battle alone. She did not
+weep or wail when Wassef's body was brought home and the moghassil and
+hanouti came to do their offices. She did not smear her hair with mud,
+nor was she moved by the wailing of the mourning women nor the chanters
+of the Koran. She only said to Fatima when all was over: "It is well;
+he is gone from my woe to the mercy of God! Praise be to God!" And she
+held her head high in the village still, though her heart was in the
+dust.
+
+She would have borne her trouble alone to the end, but that she was
+bitten on the arm by one of her father's camels the day they were sold in
+the marketplace. Then, helpless and suffering and fevered, she yielded
+to the thrice-repeated request of Dicky Donovan, and was taken to the
+hospital at Assiout, which Fielding Bey, Dicky's friend, had helped to
+found.
+
+But Soada, as her time drew near and the terror of it stirred her heart,
+cast restless eyes upon the whitewashed walls and rough floors of the
+hospital. She longed for the mud hut at Beni Souef, and the smell of the
+river and the little field of onions she planted every year. Day by day
+she grew harder of heart against those who held her in the hospital--for
+to her it was but a prison. She would not look when the doctor came, and
+she would not answer, but kept her eyes closed; and she did not shrink
+when they dressed the arm so cruelly wounded by the camel's teeth, but
+lay still and dumb.
+
+Now, a strange thing happened, for her hair which had been so black
+turned brown, and grew browner and browner till it was like the hair of
+her mother, who, so the Niline folk said, was descended from the English
+soldier-slave with red hair.
+
+Fielding Bey and Dicky came to see her in hospital once before they
+returned to Cairo; but Soada would not even speak to them, though she
+smiled when they spoke to her; and no one else ever saw her smile during
+the days she spent in that hospital with the red floor and white walls
+and the lazy watchman walking up and down before the door. She kept her
+eyes closed in the daytime; but at night they were always open--always.
+Pictures of all she had lived and seen came back to her then--pictures of
+days long before Mahommed Selim came into her life. Mahommed Selim! She
+never spoke the words now, but whenever she thought them her heart shrank
+in pain. Mahommed Selim had gone like a coward into the desert, leaving
+her alone.
+
+Her mind dwelt on the little mud hut and the onion field, and she saw
+down by the foreshore of the river the great khiassas from Assouan and
+Luxor laden with cotton or dourha or sugar-cane, their bent prows hooked
+in the Nile mud. She saw again the little fires built along the shore
+and atop of the piles of grain, round which sat the white, the black, and
+the yellow-robed riverine folk in the crimson glare; while from the banks
+came the cry: "Alla-haly, 'm alla-haly!" as stalwart young Arabs drew in
+from the current to the bank some stubborn, overloaded khiassa. She
+heard the snarl of the camels as they knelt down before her father's but
+to rest before the journey into the yellow plains of sand beyond. She
+saw the seller of sweetmeats go by calling--calling. She heard the
+droning of the children in the village school behind the hut, the dull
+clatter of Arabic consonants galloping through the Koran. She saw the
+moon--the full moon-upon the Nile, the wide acreage of silver water
+before the golden-yellow and yellow-purple of the Libyan hills behind.
+
+She saw through her tears the sweet mirage of home, and her heart
+rebelled against the prison where she lay. What should she know of
+hospitals--she whose medicaments had been herbs got from the Nile valley
+and the cool Nile mud? Was it not the will of God if we lived or the
+will of God if we died? Did we not all lie in the great mantle of the
+mercy of God, ready to be lifted up or to be set down as He willed? They
+had prisoned her here; there were bars upon the windows, there were
+watchmen at the door.
+
+At last she could bear it no longer; the end of it all came. She stole
+out over the bodies of the sleeping watchmen, out into the dusty road
+under the palms, down to the waterside, to the Nile--the path leading
+homewards. She must go down the Nile, hiding by day, travelling by
+night--the homing bird with a broken wing-back to the but where she had
+lived so long with Wassef the camel-driver; back where she could lie in
+the dusk of her windowless home, shutting out the world from her
+solitude. There she could bear the agony of her hour.
+
+Drinking the water of the Nile, eating the crumbs of dourha bread she had
+brought from the hospital, getting an onion from a field, chewing shreds
+of sugarcane, hiding by day and trudging on by night, hourly growing
+weaker, she struggled towards Beni Souef. Fifty--forty--thirty--ten--
+five miles! Oh! the last two days, her head so hot and her brain
+bursting, and a thousand fancies swimming before her eyes, her heart
+fluttering, fluttering--stopping, going on--stopping, going on.
+
+It was only the sound of the river--the Nile, Mother of Egypt, crooning
+to her disordered spirit, which kept her on her feet. Five miles, four
+miles, three miles, two, and then--she never quite remembered how she
+came to the hut where she was born. Two miles--two hours of incredible
+agony, now running, now leaning against a palm tree, now dropping to her
+knees, now fighting on and on, she came at last to the one spot in the
+world where she could die in peace.
+
+As she staggered, stumbled, through the village, Yusef, the drunken
+ghaffir, saw her. He did not dare speak to her, for had he not killed
+her father, and had he not bought himself free of punishment from the
+Mudir? So he ran to old Fatima and knocked upon her door with his
+naboot, crying: "In the name of Allah get thee to the hut of Wassef the
+camel-driver!"
+
+Thus it was that Soada, in her agony, heard a voice say out of the
+infinite distance: "All praise to Allah, he hath even now the strength of
+a year-old child!"
+
+
+
+
+IV
+
+That night at sunset, as Soada lay upon the sheepskin spread for her,
+with the child nestled between her arm and her breast, a figure darkened
+the doorway, and old Fatima cried out:
+
+"Mahommed Selim!"
+
+With a gasping sound Soada gathered the child quickly to her breast, and
+shrank back to the wall. This surely was the ghost of Mahommed Selim--
+this gaunt, stooping figure covered with dust.
+
+"Soada, in the name of Allah the Compassionate, the Merciful, Soada,
+beautiful one!"
+
+Mahommed Selim, once the lithe, the straight, the graceful, now bent,
+awkward, fevered, all the old daring gone from him, stood still in the
+middle of the room, humbled before the motherhood in his sight.
+
+"Brother of jackals," cried old Fatima, "what dost thou here? What dost
+thou here, dog of dogs!" She spat at him.
+
+He took no notice. "Soada," he said eagerly, prayerfully, and his voice,
+though hoarse, was softer than she had ever heard it. "Soada, I have
+come through death to thee--Listen, Soada! At night, when sleep was upon
+the barrack-house, I stole out to come to thee. My heart had been hard.
+I had not known how much I loved thee--"
+
+Soada interrupted him. "What dost thou know of love, Mahommed Selim?
+The blood of the dead cries from the ground."
+
+He came a step nearer. "The blood of Wassef the camel-driver is upon my
+head," he said. "In the desert there came news of it. In the desert,
+even while we fought the wild tribes, one to ten, a voice kept crying in
+my ear, even as thou hast cried, 'What didst thou know of love, Mahommed
+Selim!' One by one the men of Beni Souef fell round me; one by one they
+spoke of their village and of their women, and begged for a drop of
+water, and died. And my heart grew hot within me, and a spirit kept
+whispering in my ear: 'Mahommed Selim, think of the village thou hast
+shamed, of Soada thou hast wronged! No drop of water shall cheer thy
+soul in dying!'"
+
+Fatima and Soada listened now with bated breath, for this was the voice
+of one who had drunk the vinegar and gall of life.
+
+"When the day was done, and sleep was upon the barrack-house, my heart
+waked up and I knew that I loved Soada as I had never loved her. I ran
+into the desert, and the jackals flew before me--outcasts of the desert,
+they and I. Coming to the tomb of Amshar the sheikh, by which was a
+well, there I found a train of camels. One of these I stole, and again I
+ran into the desert, and left the jackals behind. Hour after hour, day
+and night, I rode on. But faintness was upon me, and dreams came. For
+though only the sands were before me, I seemed to watch the Nile running-
+-running, and thou beside it, hastening with it, hastening, hastening
+towards thy home. And Allah put a thorn into my heart, that a sharp pain
+went through my body--and at last I fell."
+
+Soada's eyes were on him now with a strange, swimming brilliancy.
+
+"Mahommed--Mahommed Selim, Allah touched thine eyes that thou didst see
+truly," she said eagerly. "Speak not till I have done," he answered.
+"When I waked again I was alone in the desert, no food, no water, and the
+dead camel beside me. But I had no fear. 'If it be God's will,' said I,
+'then I shall come unto Soada. If it be not God's will, so be it: for
+are we not on the cushion of His mercy, to sleep or to wake, to live or
+to die?'"
+
+He paused, tottering, and presently sank upon the ground, his hands
+drooped before him, his head bent down. Old Fatima touched him on the
+shoulder.
+
+"Brother of vultures didst thou go forth; brother of eagles dost thou
+return," she said. "Eat, drink, in the house of thy child and its
+mother."
+
+"Shall the unforgiven eat or drink?" he asked, and he rocked his body to
+and fro, like one who chants the Koran in a corner of El Azhar,
+forgetting and forgotten.
+
+Soada's eyes were on him now as though they might never leave him again;
+and she dragged herself little by little towards him, herself and the
+child--little by little, until at last she touched his feet, and the
+child's face was turned towards him from its mother's breast.
+
+"Thou art my love, Mahommed Selim," she said. He raised his head from
+his hands, a hunger of desire in his face.
+
+"Thou art my lord," she added: "art thou not forgiven? The little one is
+thine and mine," she whispered. "Wilt thou not speak to him?"
+
+"Lest Allah should strike me with blindness and dry up the juice of my
+veins, I will not touch thee or the child until all be righted. Food
+will I not eat, nor water drink until thou art mine--by the law of the
+Prophet, mine."
+
+Laying down the water-jar, and the plate of dourha bread, old Fatima
+gathered her robe about her, and cried as she ran from the house:
+"Marriage and fantasia thou shalt have this hour."
+
+The stiffness seemed to pass from her bones as she ran through the
+village to the house of the Omdah. Her voice, lifting shrilly, sang the
+Song of Haleel, the song of the newly married, till it met the chant of
+the Muezzin on the tower of the mosque El Hassan, and mingled with it,
+dying away over the fields of bersim and the swift-flowing Nile.
+
+That night Mahommed Selim and Soada the daughter of Wassef the camel-
+driver were married, but the only fantasia they held was their own low
+laughter over the child. In the village, however, people were little
+moved to smile, for they knew that Mahommed Selim was a deserter from the
+army of the Khedive at Dongola, and that meant death. But no one told
+Soada this, and she did not think; she was content to rest in the
+fleeting dream.
+
+"Give them twenty-four hours," said the black-visaged fat sergeant of
+cavalry come to arrest Mahommed Selim for desertion.
+
+The father of Mahommed Selim again offered the Mamour a feddan of land if
+the young man might go free, and to the sergeant he offered a she-camel
+and a buffalo. To no purpose. It was Mahommed Selim himself who saved
+his father's goods to him. He sent this word to the sergeant by Yusef
+the drunken ghaffir: "Give me to another sunset and sunrise, and what I
+have is thine--three black donkeys of Assiout rented to old Abdullah the
+sarraf."
+
+Because with this offer he should not only have backsheesh but the man
+also, the fat sergeant gave him leave. When the time was up, and
+Mahommed Selim drew Soada's face to his breast, he knew that it was the
+last look and last embrace.
+
+"I am going back," he said; "my place is empty at Dongola."
+
+"No, no, thou shalt not go," she cried. "See how the little one loves
+thee," she urged, and, sobbing, she held the child up to him.
+
+But he spoke softly to her, and at last she said: "Kiss me, Mahommed
+Selim. Behold now thy discharge shall be bought from the palace of the
+Khedive, and soon thou wilt return," she cried.
+
+"If it be the will of God," he answered; "but the look of thine eyes I
+will take with me, and the face of the child here." He thrust a finger
+into the palm of the child, and the little dark hand closed round it.
+But when he would have taken it away, the little hand still clung, though
+the eyes were scarce opened upon life.
+
+"See, Mahommed Selim," Soada cried, "he would go with thee."
+
+"He shall come to me one day, by the mercy of God," answered Mahommed
+Selim.
+
+Then he went out into the market-place and gave himself up to the fat
+sergeant. As they reached the outskirts of the village a sorry camel
+came with a sprawling gallop after them, and swaying and rolling above it
+was Yusef, the drunken ghaffir, his naboot of dom-wood across his knees.
+
+"What dost thou come for, friend of the mercy of God?" asked Mahommed
+Selim.
+
+"To be thy messenger, praise be to God!" answered Yusef, swinging his
+water-bottle clear for a drink.
+
+
+
+
+V
+
+In Egypt, the longest way round is not the shortest way home, and that
+was why Mahommed Selim's court-martial took just three minutes and a
+half; and the bimbashi who judged him found even that too long, for he
+yawned in the deserter's face as he condemned him to death.
+
+Mahommed Selim showed no feeling when the sentence was pronounced. His
+face had an apathetic look. It seemed as if it were all one to him. But
+when they had turned him round to march to the shed where he was to be
+kept, till hung like a pig at sunrise, his eyes glanced about restlessly.
+For even as the sentence had been pronounced a new idea had come into his
+mind. Over the heads of the Gippy soldiers, with their pipestem legs,
+his look flashed eagerly, then a little painfully--then suddenly stayed,
+for it rested on the green turban of Yusef, the drunken ghaffir. Yusef's
+eyes were almost shut; his face had the grey look of fresh-killed veal,
+for he had come from an awful debauch of hashish.
+
+"Allah! Allah!" cried Mahommed Selim, for that was the sound which
+always waked the torpid brain of Yusef since Wassef the camel-driver's
+skull had crackled under his naboot.
+
+Yusef's wide shoulders straightened back, his tongue licked his lips, his
+eyes stared before him, his throat was dry. He licked his lips again.
+"Allah!" he cried and ran forward.
+
+The soldiers thrust Yusef back. Mahommed Selim turned and whispered to
+the sergeant.
+
+"Backsheesh!" he said; "my grey Arab for a word with Yusef the ghaffir."
+
+"Malaish!" said the sergeant; and the soldiers cleared a way for Yusef.
+
+The palms of the men from Beni Souef met once, twice, thrice; they
+touched their lips, their breasts, their foreheads, with their hands,
+three times. Then Mahommed Selim fell upon the breast of Yusef and
+embraced him. Doing so he whispered in his ear:
+
+"In the name of Allah, tell Soada I died fighting the Dervishes!"
+
+"So be it, in God's name!" said Yusef. "A safe journey to you, brother
+of giants."
+
+Next morning at sunrise, between two dom-palms, stood Mahommed Selim; but
+scarce a handful of the soldiers sent to see him die laughed when the
+rope was thrown over his head. For his story had gone abroad, and it was
+said that he was mad--none but a madman would throw away his life for a
+fellah woman. And was it not written that a madman was one beloved of
+Allah, who had taken his spirit up into heaven, leaving only the
+disordered body behind?
+
+If, at the last moment, Mahommed Selim had but cried out: "I am mad; with
+my eyes I have seen God!" no man would have touched the rope that hanged
+him up that day.
+
+But, according to the sacred custom, he only asked for a bowl of water,
+drank it, said "Allah!" and bowed his head three times towards Mecca--
+and bowed his head no more.
+
+Before another quarter was added to the moon, Yusef, the drunken ghaffir,
+at the door of Soada's hut in Beni Souef, told old Fatima the most
+wonderful tale, how Mahommed Selim had died on his sheepskin, having
+killed ten Dervishes with his own hand; and that a whole regiment had
+attended his funeral.
+
+This is to the credit of Yusef's account, that the last half of his
+statement was no lie.
+
+
+
+
+
+
+ON THE REEF OF NORMAN'S WOE
+
+ "It was the schooner Hesperus
+ That sailed the wintry sea;
+ And the skipper had taken his little daughter
+ To bear him company.
+ -------------------
+ Such was the wreck of the Hesperus
+ In the midnight and the snow!
+ Christ save us all from a death like this,
+ On the reef of Norman's woe!"
+
+Only it was not the schooner Hesperus, and she did not sail the wintry
+sea. It was the stern-wheeled tub Amenhotep, which churned her way up
+and down the Nile, scraping over sand banks, butting the shores with
+gaiety embarrassing--for it was the time of cholera, just before the
+annual rise of the Nile. Fielding Bey, the skipper, had not taken his
+little daughter, for he had none; but he had taken little Dicky Donovan,
+who had been in at least three departments of the Government, with
+advantage to all.
+
+Dicky was dining with Fielding at the Turf Club, when a telegram came
+saying that cholera had appeared at a certain village on the Nile.
+Fielding had dreaded this, had tried to make preparation for it, had
+begged of the Government this reform and that--to no purpose. He knew
+that the saving of the country from an epidemic lay with his handful of
+Englishmen and the faithful native officials; but chiefly with the
+Englishmen. He was prepared only as a forlorn hope is prepared, with
+energy, with personal courage, with knowledge; and never were these more
+needed.
+
+With the telegram in his hand, he thought of his few English assistants,
+and sighed; for the game they would play was the game of Hercules and
+Death over the body of Alcestis.
+
+Dicky noted the sigh, read the telegram, drank another glass of claret,
+lighted a cigarette, drew his coffee to him, and said: "The Khedive is
+away--I'm off duty; take me."
+
+Fielding looked surprised, yet with an eye of hope. If there was one man
+in Egypt who could do useful work in the business, it was little Dicky
+Donovan, who had a way with natives such as no man ever had in Egypt; who
+knew no fear of anything mortal; who was as tireless as a beaver, as
+keen-minded as a lynx is sharp-eyed. It was said to Dicky's discredit
+that he had no heart, but Fielding knew better. When Dicky offered
+himself now, Fielding said, almost feverishly: "But, dear old D., you
+don't see--"
+
+"Don't I?--Well, then,
+
+ "'What are the blessings of the sight?--
+ Oh, tell your poor blind boy!'"
+
+What Fielding told him did not alter his intention, nor was it Fielding's
+wish that it should, though he felt it right to warn the little man what
+sort of thing was in store for them.
+
+"As if I don't know, old lime-burner!" answered Dicky coolly.
+
+In an hour they were on the Amenhotep, and in two hours they were on the
+way--a floating hospital--to the infected district of Kalamoun. There
+the troubles began. It wasn't the heat, and it wasn't the work, and it
+wasn't the everlasting care of the sick: it was the ceaseless hunt for
+the disease-stricken, the still, tireless opposition of the natives, the
+remorseless deception, the hopeless struggle against the covert odds.
+With nothing behind: no support from the Government, no adequate
+supplies, few capable men; and all the time the dead, inert, dust-
+powdered air; the offices of policeman, doctor, apothecary, even
+undertaker and gravedigger, to perform; and the endless weeks of it all.
+A handful of good men under two leaders of nerve, conscience and ability,
+to fight an invisible enemy, which, gaining headway, would destroy its
+scores of thousands!
+
+At the end of the first two months Fielding Bey became hopeless.
+
+"We can't throttle it," he said to Dicky Donovan. "They don't give us
+the ghost of a chance. To-day I found a dead-un hid in an oven under a
+heap of flour to be used for to-morrow's baking; I found another doubled
+up in a cupboard, and another under a pile of dourha which will be ground
+into flour."
+
+"With twenty ghaffirs I beat five cane and dourha fields this morning,"
+said Dicky. "Found three cases. They'd been taken out of the village
+during the night."
+
+"Bad ones?"
+
+"So so. They'll be worse before they're better. That was my morning's
+flutter. This afternoon I found the huts these gentlemen call their
+homes. I knocked holes in the roofs per usual, burnt everything that
+wasn't wood, let in the light o' heaven, and splashed about limewash and
+perchloride. That's my day's tot-up. Any particular trouble?" he
+added, eyeing Fielding closely.
+
+Fielding fretfully jerked his foot on the floor, and lighted his pipe,
+the first that day.
+
+"Heaps. I've put the barber in prison, and given the sarraf twenty
+lashes for certifying that the death of the son of the Mamour was el
+aadah--the ordinary. It was one of the worst cases I've ever seen. He
+fell ill at ten and was dead at two, the permis d'inhumation was given at
+four, and the usual thing occurred: the bodywashers got the bedding and
+clothing, and the others the coverlet. God only knows who'll wear that
+clothing, who'll sleep in that bed!"
+
+"If the Lord would only send them sense, we'd supply sublimate solution--
+douche and spray, and zinc for their little long boxes of bones," mused
+Dicky, his eyes half shut, as he turned over in his hands some scarabs a
+place-hunting official had brought him that day. "Well, that isn't all?"
+he added, with a quick upward glance and a quizzical smile. His eyes,
+however, as they fell on Fielding's, softened in a peculiar way, and a
+troubled look flashed through them; for Fielding's face was drawn and
+cold, though the eyes were feverish, and a bright spot burned on his high
+cheek-bones.
+
+"No, it isn't all, Dicky. The devil's in the whole business. Steady,
+sullen opposition meets us at every hand. Norman's been here--rode over
+from Abdallah--twenty-five miles. A report's going through the native
+villages, started at Abdallah, that our sanitary agents are throwing
+yellow handkerchiefs in the faces of those they're going to isolate."
+
+"That's Hoskai Bey's yellow handkerchief. He's a good man, but he blows
+his nose too much, and blows it with a flourish. . . . Has Norman
+gone back?"
+
+"No, I've made him lie down in my cabin. He says he can't sleep, says he
+can only work. He looks ten years older. Abdallah's an awful place, and
+it's a heavy district. The Mamour there's a scoundrel. He has
+influenced the whole district against Norman and our men. Norman--you
+know what an Alexander-Hannibal baby it is, all the head of him good for
+the best sort of work anywhere, all the fat heart of him dripping
+sentiment--gave a youngster a comfit the other day. By some infernal
+accident the child fell ill two days afterwards--it had been sucking its
+father's old shoe--and Norman just saved its life by the skin of his
+teeth. If the child had died, there'd have been a riot probably. As it
+is, there's talk that we're scattering poisoned sweetmeats to spread the
+disease. He's done a plucky thing, though. . . ." He paused. Dicky
+looked up inquiringly, and Fielding continued. "There's a fellow called
+Mustapha Kali, a hanger-on of the Mudir of the province. He spread a
+report that this business was only a scare got up by us; that we poisoned
+the people and buried them alive. What does Norman do? He promptly
+arrests him, takes him to the Mudir, and says that the brute must be
+punished or he'll carry the matter to the Khedive."
+
+"Here's to you, Mr. Norman!" said Dicky, with a little laugh. "What
+does the Mudir do?"
+
+"Doesn't know what to do. He tells Norman to say to me that if he puts
+the fellow in prison there'll be a riot, for they'll make a martyr of
+him. If he fines him it won't improve matters. So he asks me to name
+a punishment which'll suit our case. He promises to give it 'his most
+distinguished consideration.'"
+
+"And what's your particular poison for him?" asked Dicky, with his eyes
+on the Cholera Hospital a few hundred yards away.
+
+"I don't know. If he's punished in the ordinary way it will only make
+matters worse, as the Mudir says. Something's needed that will play our
+game and turn the tables on the reptile too."
+
+"A sort of bite himself with his own fangs, eh?" Dicky seemed only idly
+watching the moving figures by the hospital.
+
+"Yes, but what is it? I can't inoculate him with bacilli. That's what'd
+do the work, I fancy."
+
+"Pocket your fancy, Fielding," answered Dicky. "Let me have a throw."
+
+"Go on. If you can't hit it off, it's no good, for my head doesn't think
+these days: it only sees, and hears, and burns."
+
+Dicky eyed Fielding keenly, and then, pouring out some whiskey for
+himself, put the bottle on the floor beside him, casually as it were.
+Then he said, with his girlish laugh, not quite so girlish these days:
+"I've got his sentence pat--it'll meet the case, or you may say, 'Cassio,
+never more be officer of mine.'"
+
+He drew over a piece of paper lying on the piano--for there was a piano
+on the Amenhotep, and with what seemed an audacious levity Fielding
+played in those rare moments when they were not working or sleeping; and
+Fielding could really play! As Dicky wrote he read aloud in a kind of
+legal monotone:
+
+ The citizen Mustapha Kali having asserted that there is no cholera,
+ and circulated various false statements concerning the treatment of
+ patients, is hereby appointed as hospital-assistant for three
+ months, in the Cholera Hospital of Kalamoun, that he may have
+ opportunity of correcting his opinions.
+ --Signed Ebn ben Hari, Mudir of Abdallah.
+
+Fielding lay back and laughed--the first laugh on his lips for a
+fortnight. He laughed till his dry, fevered lips took on a natural
+moisture, and he said at last: "You've pulled it off, D. That's
+masterly. You and Norman have the only brains in this show. I get
+worse every day; I do--upon my soul!"
+
+There was a curious anxious look in Dicky's eyes, but he only said: "You
+like it? Think it fills the bill, eh?"
+
+"If the Mudir doesn't pass the sentence I'll shut up shop." He leaned
+over anxiously to Dicky and gripped his arm. "I tell you this pressure
+of opposition has got to be removed, or we'll never get this beast of an
+epidemic under, but we'll go under instead, my boy."
+
+"Oh, we're doing all right," Dicky answered, with only apparent
+carelessness. "We've got inspection of the trains, we've got some sort
+of command of the foreshores, we've got the water changed in the mosques,
+we've closed the fountains, we've stopped the markets, we've put
+Sublimate Pasha and Limewash Effendi on the war-path, and--"
+
+"And the natives believe in lighted tar-barrels and a cordon sanitaire!
+No, D., things must take a turn, or the game's lost and we'll go with it.
+Success is the only thing that'll save their lives--and ours: we couldn't
+stand failure in this. A man can walk to the gates of hell to do the
+hardest trick, and he'll come back one great blister and live, if he's
+done the thing he set out for; but if he doesn't do it, he falls into the
+furnace. He never comes back. Dicky, things must be pulled our way, or
+we go to deep damnation."
+
+Dicky turned a little pale, for there was high nervous excitement in
+Fielding's words; and for a moment he found it hard to speak. He was
+about to say something, however, when Fielding continued.
+
+"Norman there,"--he pointed to the deck-cabin, "Norman's the same. He
+says it's do or die; and he looks it. It isn't like a few fellows
+besieged by a host. For in that case you wait to die, and you fight to
+the last, and you only have your own lives. But this is different.
+We're fighting to save these people from themselves; and this slow,
+quiet, deadly work, day in, day out, in the sickening sun and smell-
+faugh! the awful smell in the air--it kills in the end, if you don't
+pull your game off. You know it's true."
+
+His eyes had an eager, almost prayerful look; he was like a child in his
+simple earnestness. His fingers moved over the maps on the table, in
+which were little red and white and yellow flags, the white flags to mark
+the towns and villages where they had mastered the disease, the red flags
+to mark the new ones attacked, the yellow to indicate those where the
+disease was raging. His fingers touched one of the flags, and he looked
+down.
+
+"See, D. Here are two new places attacked to-day.
+
+"I must ride over to Abdallah when Norman goes. It's all so hopeless!"
+
+"Things will take a turn," rejoined Dicky, with a forced gaiety. "You
+needn't ride over to Abdallah. I'll go with Norman, and what's more I'll
+come back here with Mustapha Kali."
+
+"You'll go to the Mudir?" asked Fielding eagerly. He seemed to set so
+much store by this particular business.
+
+"I'll bring the Mudir too, if there's any trouble," said Dicky grimly;
+though it is possible he did not mean what he said.
+
+Two hours later Fielding, Dicky, and Norman were in conference, extending
+their plans of campaign. Fielding and Norman were eager and nervous, and
+their hands and faces seemed to have taken on the arid nature of the
+desert. Before they sat down Dicky had put the bottle of whiskey out of
+easy reach; for Fielding, under ordinary circumstances the most
+abstemious of men, had lately, in his great fatigue and overstrain,
+unconsciously emptied his glass more often than was wise for a campaign
+of long endurance. Dicky noticed now, as they sat round the table, that
+Norman's hand went to the coffee-pot as Fielding's had gone to his glass.
+What struck him as odd also was that Fielding seemed to have caught
+something of Norman's manner. There was the same fever in the eyes,
+though Norman's face was more worn and the eyes more sunken. He looked
+like a man that was haunted. There was, too, a certain air of
+helplessness about him, a primitive intensity almost painful. Dicky saw
+Fielding respond to this in a curious way--it was the kind of fever that
+passes quickly from brain to brain when there is not sound bodily health
+commanded by a cool intelligence to insulate it. Fielding had done the
+work of four men for over two months, and, like most large men, his
+nerves had given in before Dicky's, who had done six men's work at least,
+and, by his power of organisation and his labour-saving intelligence,
+conserved the work of another fifty.
+
+The three were sitting silent, having arranged certain measures, when
+Norman sprang to his feet excitedly and struck the table with his hand.
+
+"It's no use, sir," he said to Fielding, "I'll have to go. I'm no good.
+I neglect my duty. I was to be back at Abdallah at five. I forgot all
+about it. A most important thing. A load of fessikh was landed at
+Minkari, five miles beyond Abdallah. We've prohibited fessikh. I was
+going to seize it. . . . It's no good. It's all so hopeless here."
+
+Dicky knew now that the beginning of the end had come for Norman. There
+were only two things to do: get him away shooting somewhere, or humour
+him here. But there was no chance for shooting till things got very much
+better. The authorities in Cairo would never understand, and the
+babbling social-military folk would say that they had calmly gone
+shooting while pretending to stay the cholera epidemic. It wouldn't be
+possible to explain that Norman was in a bad way, and that it was done to
+give him half a chance of life.
+
+Fielding also ought to have a few days clear away from this constant
+pressure and fighting, and the sounds and the smells of death; but it
+could not be yet. Therefore, to humour them both was the only thing,
+and Norman's was the worse case. After all, they had got a system of
+sanitary supervision, they had the disease by the throat, and even in
+Cairo the administration was waking up a little. The crisis would soon
+pass perhaps, if a riot could be stayed and the natives give up their
+awful fictions of yellow handkerchiefs, poisoned sweetmeats, deadly
+limewash, and all such nonsense.
+
+So Dicky said now, "All right, Norman; come along. You'll seize that
+fessikh, and I'll bring back Mustapha Kali. We'll work him as he has
+never worked in his life. He'll be a living object-lesson. We'll have
+all Upper Egypt on the banks of the Nile waiting to see what happens to
+Mustapha."
+
+Dicky laughed, and Fielding responded feebly; but Norman was looking at
+the hospital with a look too bright for joy, too intense for despair.
+
+"I found ten in a corner of a cane-field yesterday," he said dreamily.
+"Four were dead, and the others had taken the dead men's smocks as
+covering." He shuddered. "I see nothing but limewash, smell nothing but
+carbolic. It's got into my head. Look here, old man, I can't stand it.
+I'm no use," he added pathetically to Fielding.
+
+"You're right enough, if you'll not take yourself so seriously," said
+Dicky jauntily. "You mustn't try to say, 'Alone I did it.' Come along.
+Fill your tobacco-pouch. There are the horses. I'm ready."
+
+He turned to Fielding.
+
+"It's going to be a stiff ride, Fielding. But I'll do it in twenty-four
+hours, and bring Mustapha Kali too--for a consideration."
+
+He paused, and Fielding said, with an attempt at playfulness: "Name your
+price."
+
+"That you play for me, when I get back, the overture of 'Tannhauser'.
+Play it, mind; no tuning-up sort of thing, like last Sunday's
+performance. Practise it, my son! Is it a bargain? I'm not going to
+work for nothing a day."
+
+He watched the effect of his words anxiously, for he saw how needful
+it was to divert Fielding's mind in the midst of all this "plague,
+pestilence, and famine." For days Fielding had not touched the piano,
+the piano which Mrs. Henshaw, widow of Henshaw of the Buffs, had insisted
+on his taking with him a year before, saying that it would be a cure for
+loneliness when away from her. During the first of these black days
+Fielding had played intermittently for a few moments at a time, and Dicky
+had noticed that after playing he seemed in better spirits. But lately
+the disease of a ceaseless unrest, of constant sleepless work, was on
+him. He had not played for near a week, saying, in response to Dicky's
+urging, that there was no time for music. And Dicky knew that presently
+there would be no time to eat, and then no time to sleep; and then, the
+worst!
+
+Dicky had pinned his faith and his friendship to Fielding, and he saw no
+reason why he should lose his friend because Madame Cholera was stalking
+the native villages, driving the fellaheen before her like sheep to the
+slaughter.
+
+"Is it a bargain?" he added, as Fielding did not at once reply. If
+Fielding would but play it would take the strain off his mind at times.
+
+"All right, D., I'll see what I can do with it," said Fielding, and with
+a nod turned to the map with the little red and white and yellow flags,
+and began to study it.
+
+He did not notice that one of his crew abaft near the wheel was watching
+him closely, while creeping along the railing on the pretence of cleaning
+it. Fielding was absorbed in making notes upon a piece of paper and
+moving the little flags about. Now he lit a cigar and began walking up
+and down the deck.
+
+The Arab disappeared, but a few minutes afterwards returned. The deck
+was empty. Fielding had ridden away to the village. The map was still
+on the table. With a frightened face the Arab peered at it, then going
+to the side he called down softly, and there came up from the lower deck
+a Copt, the sarraf of the village, who could read English fairly. The
+Arab pointed to the map, and the Copt approached cautiously. A few feet
+away he tried to read what was on the map, but, unable to do so, drew
+closer, pale-faced and knockkneed, and stared at the map and the little
+flags. An instant after he drew back, and turned to the Arab. "May God
+burn his eyes! He sends the death to the village by moving the flags.
+May God change him into a dog to be beaten to death! The red is to
+begin, the white flag is for more death, the yellow is for enough.
+See--may God cut off his hand!--he has moved the white flag to our
+village." He pointed in a trembling fear, half real, half assumed--
+for he was of a nation of liars.
+
+During the next half-hour at least a dozen Arabs came to look at the map,
+but they disappeared like rats in a hole when, near midnight, Fielding's
+tall form appeared on the bank above.
+
+It was counted to him as a devil's incantation, the music that he played
+that night, remembering his promise to Dicky Donovan. It was music
+through which breathed the desperate, troubled, aching heart and tortured
+mind of an overworked strong man. It cried to the night its trouble; but
+far over in the Cholera Hospital the sick heard it and turned their faces
+towards it eagerly. It pierced the apathy of the dying. It did more,
+for it gave Fielding five hours' sleep that night; and though he waked to
+see one of his own crew dead on the bank, he tackled the day's labour
+with more hope than he had had for a fortnight.
+
+As the day wore on, however, his spirits fell, for on every hand was
+suspicion, unrest, and opposition, and his native assistants went
+sluggishly about their work. It was pathetic and disheartening to see
+people refusing to be protected, the sick refusing to be relieved, all
+stricken with fear, yet inviting death by disobeying the Inglesi.
+
+Kalamoun was hopeless; yet twenty-four hours earlier Fielding had fancied
+there was a little light in the darkness. That night Fielding's music
+gave him but two hours' sleep, and he had to begin the day on a brandy-
+and-soda. Wherever he went open resistance blocked his way, hisses and
+mutterings followed him, the sick were hid in all sorts of places, and
+two of his assistants deserted before noon. Things looked ominous
+enough, and at five o'clock he made up his mind that Egypt would be
+overrun with cholera, and that he should probably have to defend himself
+and the Amenhotep from rioters, for the native police would be useless.
+
+But at five o'clock Dicky Donovan came in a boat, and with him Mustapha
+Kali under a native guard of four men. The Mudir's sense of humour had
+been touched, and this sense of humour probably saved the Mudir from
+trouble, for it played Dicky's game for him.
+
+Mustapha Kali had been sentenced to serve in the Cholera Hospital of
+Kalamoun, that he might be cured of his unbelief. At first he had taken
+his fate hardly, but Dicky had taunted him and then had suggested that a
+man whose conscience was clear and convictions good would carry a high
+head in trouble. Dicky challenged him to prove his libels by probing the
+business to the bottom, like a true scientist. All the way from Abdallah
+Dicky talked to him so, and at last the only answer Mustapha Kali would
+make was, "Malaish no matter!"
+
+Mustapha Kali pricked up his ears with hope as he saw the sullen crowds
+from Kalamoun gathering on the shore to watch his deportation to the
+Cholera Hospital; and, as he stepped from the khiassa, he called out
+loudly:
+
+"They are all dogs and sons of dogs, and dogs were their grandsires. No
+good is in a dog the offspring of a dog. Whenever these dogs scratch the
+ground the dust of poison is in the air, and we die."
+
+"You are impolite, Mustapha Kali," said Dicky coolly, and offered him a
+cigarette.
+
+The next three days were the darkest in Dicky Donovan's career. On the
+first day there came word that Norman, overwrought, had shot himself. On
+the next, Mustapha Kali in a fit of anger threw a native policeman into
+the river, and when his head appeared struck it with a barge-pole, and
+the man sank to rise no more. The three remaining policemen, two of whom
+were Soudanese, and true to Dicky, bound him and shut him up in a hut.
+When that evening Fielding refused to play, Dicky knew that Norman's fate
+had taken hold of him, and that he must watch his friend every minute--
+that awful vigilance which kills the watcher in the end. Dicky said to
+himself more than once that day:
+
+ "Christ save us all from a death like this,
+ On the reef of Norman's woe!"
+
+But it was not Dicky who saved Fielding. On the third day the long-
+deferred riot broke out. The Copt and the Arab had spread the report
+that Fielding brought death to the villages by moving the little flags
+on his map. The populace rose.
+
+Fielding was busy with the map at the dreaded moment that hundreds of the
+villagers appeared upon the bank and rushed the Amenhotep. Fielding and
+Dicky were both armed, but Fielding would not fire until he saw that his
+own crew had joined the rioters on the bank. Then, amid a shower of
+missiles, he shot the Arab who had first spread the report about the map
+and the flags.
+
+Now Dicky and he were joined by Holgate, the Yorkshire engineer of the
+Amenhotep, and together the three tried to hold the boat. Every native
+had left them. They were obliged to retreat aft to the deckcabin.
+Placing their backs against it, they prepared to die hard. No one could
+reach them from behind, at least.
+
+It was an unequal fight. All three had received slight wounds, but the
+blood-letting did them all good. Fielding was once more himself; nervous
+anxiety, unrest, had gone from him. He was as cool as a cucumber. He
+would not go shipwreck now "on the reef of Norman's woe." Here was a
+better sort of death. No men ever faced it with quieter minds than did
+the three. Every instant brought it nearer.
+
+All at once there was a cry and a stampede in the rear of the attacking
+natives. The crowd suddenly parted like two waves, and retreated; and
+Mustapha Kali, almost naked, and supported by a stolid Soudanese, stood
+before the three. He was pallid, his hands and brow were dripping sweat,
+and there was a look of death in his eyes.
+
+"I have cholera, effendi!" he cried. "Take me to Abdallah to die, that
+I may be buried with my people and from mine own house."
+
+"Is it not poison?" asked Fielding grimly, yet seeing now a ray of hope
+in the sickening business.
+
+"It is cholera, effendi. Take me home to die."
+
+"Very well. Tell the people so, and I will take you home, and I will
+bury you with your fathers," said Fielding.
+
+Mustapha Kali turned slowly. "I am sick of cholera," he said as loudly
+as he could to the awe-stricken crowd. "May God not cool my resting-
+place if it be not so!"
+
+"Tell the people to go to their homes and obey us," said Dicky, putting
+away his pistol.
+
+"These be good men, I have seen with mine own eyes," said Mustapha
+hoarsely to the crowd. "It is for your good they do all. Have I not
+seen? Let God fill both my hands with dust if it be not so! God hath
+stricken me, and behold I give myself into the hands of the Inglesi, for
+I believe!"
+
+He would have fallen to the ground, but Dicky and the Soudanese caught
+him and carried him down to the bank, while the crowd scuttled from the
+boat, and Fielding made ready to bear the dying man to Abdallah--a race
+against death.
+
+Fielding brought Mustapha Kali to Abdallah in time to die there, and
+buried him with his fathers; and Dicky stayed behind to cleanse Kalamoun
+with perchloride and limewash.
+
+The story went abroad and travelled fast, and the words of Mustapha Kali,
+oft repeated, became as the speech of a holy man; and the people no
+longer hid their dead, but brought them to the Amenhotep.
+
+This was the beginning of better things; the disease was stayed.
+
+And for all the things that these men did--Fielding Bey and Donovan
+Pasha--they got naught but an Egyptian ribbon to wear on the breast and
+a laboured censure from the Administration for overrunning the budget
+allowance.
+
+Dicky, however, seemed satisfied, for Fielding's little barque of life
+had not gone down "On the reef of Norman's woe." Mrs. Henshaw felt so
+also when she was told all, and she disconcerted Dicky by bursting into
+tears.
+
+"Why those tears?" said Dicky to Fielding afterwards; "I wasn't
+eloquent."
+
+
+
+GLOSSARY
+
+Aiwa, effendi----Yea, noble sir.
+Allah----God.
+Allah-haly 'm alla-haly----A singsong of river-workers.
+Allah Kerim----God is bountiful.
+Allshu Akbar----God is most Great.
+A'l'meh----Female professional singers
+Antichi----Antiquities.
+
+Backsheesh----Tip, douceur, bribe.
+Balass----Earthen vessel for carrying water.
+Basha----Pasha.
+Bersim----Grass.
+Bimbashi----Major.
+Bishareen----A native tribe.
+Bismillah----In the name of God.
+Bowab----A doorkeeper.
+
+Corvee----Forced labour.
+
+Dahabeah----A Nile houseboat with large lateen sails.
+Darabukkeh----A drum made of a skin stretched over an earthenware funnel.
+Doash----(Literally) Treading. A ceremony performed on the return of the
+ Holy Carpet from Mecca.
+Dourha----Maize.
+
+Effendina----Highness.
+El aadah----The ordinary.
+El Azhar----The Arab University at Cairo.
+Fantasia----Celebration with music, dancing, and processions.
+Farshoot----The name of a native tribe.
+Fatihah----The opening chapter of the Koran, recited at weddings, etc.
+
+Feddan----The most common measure of land--a little less than an acre.
+ Also dried hay.
+Fellah (plu. fellaheen)----The Egyptian peasant.
+Felucca----A small boat, propelled by oars or sails.
+Fessikh----Salted fish.
+Ghaffirs----Humble village officials.
+Ghawdzee----The tribe of public dancing-girls. A female of this tribe is
+ called "Ghazeeyeh," and a man "Ghazee," but the plural
+ Ghawazee is generally understood as applying to the female.
+Ghimah----The Mahommedan Sunday.
+
+Gippy----Colloquial name for an Egyptian soldier.
+Goolah----Porous water-jar of Nile mud.
+Hakim----Doctor.
+Hanouti----Funeral attendants.
+Hari-kari----An Oriental form of suicide.
+Hashish----Leaves of hemp.
+Inshallah----God willing.
+Jibbeh----Long coat or smock, worn by dervishes.
+Kavass----An orderly.
+Kemengeh----A cocoanut fiddle.
+Khamsin----A hot wind of Egypt and the Soudan.
+Khedive----The title granted in 1867 by the Sultan of Turkey to the ruler
+ of Egypt.
+Khiassa----Small boat.
+Khowagah----Gentleman.
+Koran----The Scriptures of the Mahommedans.
+Kourbash----A stick, a whip.
+
+La ilaha illa-llah----There is no God but God.
+Mafish----Nothing.
+Magnoon----Fool.
+Malaish----No matter.
+Mamour----A magistrate.
+Mankalah----A game.
+Mastaba----A bench.
+Mejidieh----A Turkish Order.
+Mirkaz----District.
+Moghassils----Washers of the dead.
+Moufetish----High steward.
+Mudir----A Governor of a Mudirieh or province.
+Muezzin----The sheikh of the mosque who calls to prayer.
+Mushrabieh----Lattice window.
+
+Naboot----Quarter staff.
+Narghileh----The Oriental tobacco-pipe.
+Nehar-ak koom said----Greeting to you.
+Omdah----The head of a village.
+Ooster----One of the best sort.
+
+Ramadan----The Mahommedan season of fasting.
+Reis----Pilot.
+
+Saadat el basha----Excellency.
+Sais----Groom.
+Sakkia----Persian water-wheel.
+Salaam----A salutation of the East; an obeisance, performed by bowing
+ very low and placing the right palm on the forehead and on the
+ breast.
+Sarraf----An accountant.
+Shadoof----Bucket and pole used by natives for lifting water.
+Sha'er----A reciter. (The singular of Sho'ara, properly signifying a
+ poet.)
+Sheikh-el-beled----Head of a village.
+Shintiyan----Very wide trousers, worn by the women of the middle and
+ higher orders.
+Sitt----"The Lady."
+
+Tarboosh----Fez or native turban.
+Tarah----A veil for the head.
+Ulema----Learned men.
+
+Waled----A boy.
+Wekeel----A deputy.
+Welee----A favourite of Heaven; colloquially a saint.
+
+Yashmak----A veil for the lower part of the face.
+Yelek----A long vest or smock, worn over the shirt and shintiyan.
+
+Zeriba----A palisade.
+
+
+
+
+ETEXT EDITOR'S BOOKMARKS:
+
+A look too bright for joy, too intense for despair
+His gift for lying was inexpressible
+One favour is always the promise of another
+
+
+
+
+
+*** END OF THE PROJECT GUTENBERG EBOOK DONOVAN PASHA, PARKER, V1 ***
+
+******* This file should be named 6256.txt or 6256.zip *******
+
+This eBook was produced by David Widger
+
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+https://gutenberg.org or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+ 1 1971 July
+ 10 1991 January
+ 100 1994 January
+ 1000 1997 August
+ 1500 1998 October
+ 2000 1999 December
+ 2500 2000 December
+ 3000 2001 November
+ 4000 2001 October/November
+ 6000 2002 December*
+ 9000 2003 November*
+10000 2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information online at:
+
+https://www.gutenberg.org/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+
+*BEFORE!* YOU USE OR READ THIS EBOOK
+By using or reading any part of this PROJECT GUTENBERG-tm
+eBook, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM EBOOKS
+This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's eBooks and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ eBook or this "small print!" statement. You may however,
+ if you wish, distribute this eBook in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The eBook, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The eBook may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the eBook (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ eBook in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the eBook refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this eBook's header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
diff --git a/6256.zip b/6256.zip
new file mode 100644
index 0000000..f84b651
--- /dev/null
+++ b/6256.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..8544318
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #6256 (https://www.gutenberg.org/ebooks/6256)