summaryrefslogtreecommitdiff
path: root/627-h/627-h.htm
diff options
context:
space:
mode:
Diffstat (limited to '627-h/627-h.htm')
-rw-r--r--627-h/627-h.htm7572
1 files changed, 7572 insertions, 0 deletions
diff --git a/627-h/627-h.htm b/627-h/627-h.htm
new file mode 100644
index 0000000..8a89d1e
--- /dev/null
+++ b/627-h/627-h.htm
@@ -0,0 +1,7572 @@
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=US-ASCII" />
+<title>Essays of Travel, by Robert Louis Stevenson</title>
+ <style type="text/css">
+/*<![CDATA[ XML blockout */
+<!--
+ P { margin-top: .75em;
+ margin-bottom: .75em;
+ }
+ P.gutsumm { margin-left: 5%;}
+ P.poetry {margin-left: 3%; }
+ H1, H2 {
+ text-align: center;
+ margin-top: 2em;
+ margin-bottom: 2em;
+ }
+ H3, H4, H5 {
+ text-align: center;
+ margin-top: 1em;
+ margin-bottom: 1em;
+ }
+ BODY{margin-left: 10%;
+ margin-right: 10%;
+ }
+ table { border-collapse: collapse; }
+table {margin-left:auto; margin-right:auto;}
+ td { vertical-align: top; border: 1px solid black;}
+ td p { margin: 0.2em; }
+ .blkquot {margin-left: 4em; margin-right: 4em;} /* block indent */
+
+ .smcap {font-variant: small-caps;}
+
+ .pagenum {position: absolute;
+ left: 92%;
+ font-size: small;
+ text-align: right;
+ font-weight: normal;
+ color: gray;
+ }
+ img { border: none; }
+ img.dc { float: left; width: 50px; height: 50px; }
+ div.gapspace { height: 0.8em; }
+ div.gapline { height: 0.8em; width: 30%; }
+ div.gapshortdoubleline { height: 0.3em; width: 20%;
+ margin-left: 40%; border-top: 1px solid;
+ border-bottom: 1px solid; }
+ div.gapdoubleline { height: 0.3em; width: 50%;
+ margin-left: 25%; border-top: 1px solid;
+ border-bottom: 1px solid;}
+ div.gapshortline { height: 0.3em; width: 20%; margin-left:40%;
+ border-top: 1px solid; }
+ .citation {vertical-align: super;
+ font-size: .8em;
+ text-decoration: none;}
+ img.floatleft { float: left;
+ margin-right: 1em;
+ margin-top: 0.5em; margin-bottom: 0.5em; }
+ img.floatright { float: right;
+ margin-left: 1em; margin-top: 0.5em;
+ margin-bottom: 0.5em; }
+ img.clearcenter {display: block;
+ margin-left: auto;
+ margin-right: auto; margin-top: 0.5em;
+ margin-bottom: 0.5em}
+ -->
+ /* XML end ]]>*/
+ </style>
+</head>
+<body>
+<pre>
+
+The Project Gutenberg eBook, Essays of Travel, by Robert Louis Stevenson
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: Essays of Travel
+
+
+Author: Robert Louis Stevenson
+
+
+
+Release Date: December 28, 2010 [eBook #627]
+[This file was first posted on July 3, 1996]
+Last Updated: November 12, 2017
+
+Language: English
+
+Character set encoding: ISO-646-US (US-ASCII)
+
+
+***START OF THE PROJECT GUTENBERG EBOOK ESSAYS OF TRAVEL***
+</pre>
+<p>Transcribed from the 1905 Chatto &amp; Windus edition by David
+Price, email ccx074@pglaf.org</p>
+<h1>ESSAYS OF TRAVEL</h1>
+<p style="text-align: center"><span class="smcap">by</span></p>
+<p style="text-align: center">ROBERT LOUIS STEVENSON</p>
+<p style="text-align: center">
+<a href="images/p0b.jpg">
+<img alt=
+"Decorative image"
+title=
+"Decorative image"
+src="images/p0s.jpg" />
+</a></p>
+<p style="text-align: center">LONDON<br />
+CHATTO &amp; WINDUS<br />
+1905</p>
+<p style="text-align: center"><span class="smcap">second
+impression</span></p>
+<p style="text-align: center">Contents</p>
+<table>
+<tr>
+<td><p>&nbsp;</p>
+</td>
+<td><p>&nbsp;</p>
+</td>
+<td><p style="text-align: right"><span
+class="smcap">page</span></p>
+</td>
+</tr>
+<tr>
+<td><p>I.</p>
+</td>
+<td><p>The Amateur Emigrant: From The Clyde To Sandy
+Hook&mdash;</p>
+</td>
+<td><p style="text-align: right">&nbsp;</p>
+</td>
+</tr>
+<tr>
+<td><p>&nbsp;</p>
+</td>
+<td><p>&nbsp;&nbsp;&nbsp;The Second Cabin</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page3">3</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>&nbsp;</p>
+</td>
+<td><p>&nbsp;&nbsp;&nbsp;Early Impressions</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page11">11</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>&nbsp;</p>
+</td>
+<td><p>&nbsp;&nbsp;&nbsp;Steerage Scenes</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page21">21</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>&nbsp;</p>
+</td>
+<td><p>&nbsp;&nbsp;&nbsp;Steerage Types</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page30">30</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>&nbsp;</p>
+</td>
+<td><p>&nbsp;&nbsp;&nbsp;The Sick Man</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page42">42</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>&nbsp;</p>
+</td>
+<td><p>&nbsp;&nbsp;&nbsp;The Stowaways</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page53">53</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>&nbsp;</p>
+</td>
+<td><p>&nbsp;&nbsp;&nbsp;Personal Experience And Review</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page69">69</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>&nbsp;</p>
+</td>
+<td><p>&nbsp;&nbsp;&nbsp;New York</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page81">81</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>II.</p>
+</td>
+<td><p>Cockermouth And Keswick</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page93">93</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>&nbsp;</p>
+</td>
+<td><p>&nbsp;&nbsp;&nbsp;Cockermouth</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page94">94</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>&nbsp;</p>
+</td>
+<td><p>&nbsp;&nbsp;&nbsp;An Evangelist</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page97">97</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>&nbsp;</p>
+</td>
+<td><p>&nbsp;&nbsp;&nbsp;Another</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page100">100</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>&nbsp;</p>
+</td>
+<td><p>&nbsp;&nbsp;&nbsp;Last Of Smethurst</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page102">102</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>III.</p>
+</td>
+<td><p>An Autumn Effect</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page106">106</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>IV.</p>
+</td>
+<td><p>A Winter&rsquo;s Walk In Carrick And Galloway</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page131">131</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>V.</p>
+</td>
+<td><p>Forest Notes&mdash;</p>
+</td>
+<td><p style="text-align: right">&nbsp;</p>
+</td>
+</tr>
+<tr>
+<td><p>&nbsp;</p>
+</td>
+<td><p>&nbsp;&nbsp;&nbsp;On The Plains</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page144">144</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>&nbsp;</p>
+</td>
+<td><p>&nbsp;&nbsp;&nbsp;In The Season</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page149">149</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>&nbsp;</p>
+</td>
+<td><p>&nbsp;&nbsp;&nbsp;Idle Hours</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page153">153</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>&nbsp;</p>
+</td>
+<td><p>&nbsp;&nbsp;&nbsp;A Pleasure-Party</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page157">157</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>&nbsp;</p>
+</td>
+<td><p>&nbsp;&nbsp;&nbsp;The Woods In Spring</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page164">164</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>&nbsp;</p>
+</td>
+<td><p>&nbsp;&nbsp;&nbsp;Morality</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page169">169</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>VI.</p>
+</td>
+<td><p>A Mountain Town In France</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page175">175</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>VII.</p>
+</td>
+<td><p>Random Memories: <i>Rosa Quo Locorum</i></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page189">189</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>VII.</p>
+</td>
+<td><p>The Ideal House</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page199">199</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>IX.</p>
+</td>
+<td><p>Davos In Winter</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page207">207</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>X.</p>
+</td>
+<td><p>Health And Mountains</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page212">212</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>XI.</p>
+</td>
+<td><p>Alpine Diversion</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page217">217</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>XII.</p>
+</td>
+<td><p>The Stimulation Of The Alps</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page222">222</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>XIII.</p>
+</td>
+<td><p>Roads</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page227">227</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>XIV.</p>
+</td>
+<td><p>On The Enjoyment Of Unpleasant Places</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page237">237</a></span></p>
+</td>
+</tr>
+</table>
+<h2><!-- page 1--><a name="page1"></a><span class="pagenum">p.
+1</span>I.<br />
+THE AMATEUR EMIGRANT</h2>
+<h3><!-- page 2--><a name="page2"></a><span class="pagenum">p.
+2</span>To<br />
+ROBERT ALAN MOWBRAY STEVENSON</h3>
+<p>Our friendship was not only founded before we were born by a
+community of blood, but is in itself near as old as my
+life.&nbsp; It began with our early ages, and, like a history,
+has been continued to the present time.&nbsp; Although we may not
+be old in the world, we are old to each other, having so long
+been intimates.&nbsp; We are now widely separated, a great sea
+and continent intervening; but memory, like care, mounts into
+iron ships and rides post behind the horseman.&nbsp; Neither time
+nor space nor enmity can conquer old affection; and as I dedicate
+these sketches, it is not to you only, but to all in the old
+country, that I send the greeting of my heart.</p>
+<p style="text-align: right">R.L.S.</p>
+<p>1879.</p>
+<h3><!-- page 3--><a name="page3"></a><span class="pagenum">p.
+3</span>THE SECOND CABIN</h3>
+<p>I first encountered my fellow-passengers on the Broomielaw in
+Glasgow.&nbsp; Thence we descended the Clyde in no familiar
+spirit, but looking askance on each other as on possible
+enemies.&nbsp; A few Scandinavians, who had already grown
+acquainted on the North Sea, were friendly and voluble over their
+long pipes; but among English speakers distance and suspicion
+reigned supreme.&nbsp; The sun was soon overclouded, the wind
+freshened and grew sharp as we continued to descend the widening
+estuary; and with the falling temperature the gloom among the
+passengers increased.&nbsp; Two of the women wept.&nbsp; Any one
+who had come aboard might have supposed we were all absconding
+from the law.&nbsp; There was scarce a word interchanged, and no
+common sentiment but that of cold united us, until at length,
+having touched at Greenock, a pointing arm and a rush to the
+starboard now announced that our ocean steamer was in
+sight.&nbsp; There she lay in mid-river, at the Tail of the Bank,
+her sea-signal flying: a wall of bulwark, a street of white
+deck-houses, an aspiring forest of spars, larger than a church,
+and soon to be as populous as many an incorporated town in the
+land to which she was to bear us.</p>
+<p>I was not, in truth, a steerage passenger.&nbsp; Although
+anxious to see the worst of emigrant life, I had some work to
+finish on the voyage, and was advised to go by the second cabin,
+where at least I should have a table at command.&nbsp; The advice
+was excellent; but to understand the choice, and what I gained,
+some outline of the internal disposition of the ship will first
+be necessary.&nbsp; In her very nose is Steerage No. 1, down two
+pair of stairs.&nbsp; A little abaft, another companion, labelled
+Steerage No. 2 and 3, gives admission to three galleries, two
+running forward towards Steerage No. 1, and the third aft towards
+the engines.&nbsp; The starboard forward gallery is the second
+cabin.&nbsp; Away abaft the engines and below the officers&rsquo;
+cabins, to complete our survey of the vessel, there is yet a
+third nest of steerages, labelled 4 and 5.&nbsp; The second
+cabin, to return, is thus a modified oasis in the very heart of
+the steerages.&nbsp; Through the thin partition you can hear the
+steerage passengers being sick, the rattle of tin dishes as they
+sit at meals, the varied accents in which they converse, the
+crying of their children terrified by this new experience, or the
+clean flat smack of the parental hand in chastisement.</p>
+<p>There are, however, many advantages for the inhabitant of this
+strip.&nbsp; He does not require to bring his own bedding or
+dishes, but finds berths and a table completely if somewhat
+roughly furnished.&nbsp; He enjoys a distinct superiority in
+diet; but this, strange to say, differs not only on different
+ships, but on the same ship according as her head is to the east
+or west.&nbsp; In my own experience, the principal difference
+between our table and that of the true steerage passenger was the
+table itself, and the crockery plates from which we ate.&nbsp;
+But lest I should show myself ungrateful, let me recapitulate
+every advantage.&nbsp; At breakfast we had a choice between tea
+and coffee for beverage; a choice not easy to make, the two were
+so surprisingly alike.&nbsp; I found that I could sleep after the
+coffee and lay awake after the tea, which is proof conclusive of
+some chemical disparity; and even by the palate I could
+distinguish a smack of snuff in the former from a flavour of
+boiling and dish-cloths in the second.&nbsp; As a matter of fact,
+I have seen passengers, after many sips, still doubting which had
+been supplied them.&nbsp; In the way of eatables at the same meal
+we were gloriously favoured; for in addition to porridge, which
+was common to all, we had Irish stew, sometimes a bit of fish,
+and sometimes rissoles.&nbsp; The dinner of soup, roast fresh
+beef, boiled salt junk, and potatoes, was, I believe, exactly
+common to the steerage and the second cabin; only I have heard it
+rumoured that our potatoes were of a superior brand; and twice a
+week, on pudding-days, instead of duff, we had a saddle-bag
+filled with currants under the name of a plum-pudding.&nbsp; At
+tea we were served with some broken meat from the saloon;
+sometimes in the comparatively elegant form of spare patties or
+rissoles; but as a general thing mere chicken-bones and flakes of
+fish, neither hot nor cold.&nbsp; If these were not the scrapings
+of plates their looks belied them sorely; yet we were all too
+hungry to be proud, and fell to these leavings greedily.&nbsp;
+These, the bread, which was excellent, and the soup and porridge
+which were both good, formed my whole diet throughout the voyage;
+so that except for the broken meat and the convenience of a table
+I might as well have been in the steerage outright.&nbsp; Had
+they given me porridge again in the evening, I should have been
+perfectly contented with the fare.&nbsp; As it was, with a few
+biscuits and some whisky and water before turning in, I kept my
+body going and my spirits up to the mark.</p>
+<p>The last particular in which the second cabin passenger
+remarkably stands ahead of his brother of the steerage is one
+altogether of sentiment.&nbsp; In the steerage there are males
+and females; in the second cabin ladies and gentlemen.&nbsp; For
+some time after I came aboard I thought I was only a male; but in
+the course of a voyage of discovery between decks, I came on a
+brass plate, and learned that I was still a gentleman.&nbsp;
+Nobody knew it, of course.&nbsp; I was lost in the crowd of males
+and females, and rigorously confined to the same quarter of the
+deck.&nbsp; Who could tell whether I housed on the port or
+starboard side of steerage No. 2 and 3?&nbsp; And it was only
+there that my superiority became practical; everywhere else I was
+incognito, moving among my inferiors with simplicity, not so much
+as a swagger to indicate that I was a gentleman after all, and
+had broken meat to tea.&nbsp; Still, I was like one with a patent
+of nobility in a drawer at home; and when I felt out of spirits I
+could go down and refresh myself with a look of that brass
+plate.</p>
+<p>For all these advantages I paid but two guineas.&nbsp; Six
+guineas is the steerage fare; eight that by the second cabin; and
+when you remember that the steerage passenger must supply bedding
+and dishes, and, in five cases out of ten, either brings some
+dainties with him, or privately pays the steward for extra
+rations, the difference in price becomes almost nominal.&nbsp;
+Air comparatively fit to breathe, food comparatively varied, and
+the satisfaction of being still privately a gentleman, may thus
+be had almost for the asking.&nbsp; Two of my fellow-passengers
+in the second cabin had already made the passage by the cheaper
+fare, and declared it was an experiment not to be repeated.&nbsp;
+As I go on to tell about my steerage friends, the reader will
+perceive that they were not alone in their opinion.&nbsp; Out of
+ten with whom I was more or less intimate, I am sure not fewer
+than five vowed, if they returned, to travel second cabin; and
+all who had left their wives behind them assured me they would go
+without the comfort of their presence until they could afford to
+bring them by saloon.</p>
+<p>Our party in the second cabin was not perhaps the most
+interesting on board.&nbsp; Perhaps even in the saloon there was
+as much good-will and character.&nbsp; Yet it had some elements
+of curiosity.&nbsp; There was a mixed group of Swedes, Danes, and
+Norsemen, one of whom, generally known by the name of
+&lsquo;Johnny,&rsquo; in spite of his own protests, greatly
+diverted us by his clever, cross-country efforts to speak
+English, and became on the strength of that an universal
+favourite&mdash;it takes so little in this world of shipboard to
+create a popularity.&nbsp; There was, besides, a Scots mason,
+known from his favourite dish as &lsquo;Irish Stew,&rsquo; three
+or four nondescript Scots, a fine young Irishman, O&rsquo;Reilly,
+and a pair of young men who deserve a special word of
+condemnation.&nbsp; One of them was Scots; the other claimed to
+be American; admitted, after some fencing, that he was born in
+England; and ultimately proved to be an Irishman born and
+nurtured, but ashamed to own his country.&nbsp; He had a sister
+on board, whom he faithfully neglected throughout the voyage,
+though she was not only sick, but much his senior, and had nursed
+and cared for him in childhood.&nbsp; In appearance he was like
+an imbecile Henry the Third of France.&nbsp; The Scotsman, though
+perhaps as big an ass, was not so dead of heart; and I have only
+bracketed them together because they were fast friends, and
+disgraced themselves equally by their conduct at the table.</p>
+<p>Next, to turn to topics more agreeable, we had a newly-married
+couple, devoted to each other, with a pleasant story of how they
+had first seen each other years ago at a preparatory school, and
+that very afternoon he had carried her books home for her.&nbsp;
+I do not know if this story will be plain to southern readers;
+but to me it recalls many a school idyll, with wrathful swains of
+eight and nine confronting each other stride-legs, flushed with
+jealousy; for to carry home a young lady&rsquo;s books was both a
+delicate attention and a privilege.</p>
+<p>Then there was an old lady, or indeed I am not sure that she
+was as much old as antiquated and strangely out of place, who had
+left her husband, and was travelling all the way to Kansas by
+herself.&nbsp; We had to take her own word that she was married;
+for it was sorely contradicted by the testimony of her
+appearance.&nbsp; Nature seemed to have sanctified her for the
+single state; even the colour of her hair was incompatible with
+matrimony, and her husband, I thought, should be a man of saintly
+spirit and phantasmal bodily presence.&nbsp; She was ill, poor
+thing; her soul turned from the viands; the dirty tablecloth
+shocked her like an impropriety; and the whole strength of her
+endeavour was bent upon keeping her watch true to Glasgow time
+till she should reach New York.&nbsp; They had heard reports, her
+husband and she, of some unwarrantable disparity of hours between
+these two cities; and with a spirit commendably scientific, had
+seized on this occasion to put them to the proof.&nbsp; It was a
+good thing for the old lady; for she passed much leisure time in
+studying the watch.&nbsp; Once, when prostrated by sickness, she
+let it run down.&nbsp; It was inscribed on her harmless mind in
+letters of adamant that the hands of a watch must never be turned
+backwards; and so it behoved her to lie in wait for the exact
+moment ere she started it again.&nbsp; When she imagined this was
+about due, she sought out one of the young second-cabin Scotsmen,
+who was embarked on the same experiment as herself and had
+hitherto been less neglectful.&nbsp; She was in quest of two
+o&rsquo;clock; and when she learned it was already seven on the
+shores of Clyde, she lifted up her voice and cried
+&lsquo;Gravy!&rsquo;&nbsp; I had not heard this innocent
+expletive since I was a young child; and I suppose it must have
+been the same with the other Scotsmen present, for we all laughed
+our fill.</p>
+<p>Last but not least, I come to my excellent friend Mr.
+Jones.&nbsp; It would be difficult to say whether I was his
+right-hand man, or he mine, during the voyage.&nbsp; Thus at
+table I carved, while he only scooped gravy; but at our concerts,
+of which more anon, he was the president who called up performers
+to sing, and I but his messenger who ran his errands and pleaded
+privately with the over-modest.&nbsp; I knew I liked Mr. Jones
+from the moment I saw him.&nbsp; I thought him by his face to be
+Scottish; nor could his accent undeceive me.&nbsp; For as there
+is a <i>lingua franca</i> of many tongues on the moles and in the
+feluccas of the Mediterranean, so there is a free or common
+accent among English-speaking men who follow the sea.&nbsp; They
+catch a twang in a New England Port; from a cockney skipper, even
+a Scotsman sometimes learns to drop an <i>h</i>; a word of a
+dialect is picked up from another band in the forecastle; until
+often the result is undecipherable, and you have to ask for the
+man&rsquo;s place of birth.&nbsp; So it was with Mr. Jones.&nbsp;
+I thought him a Scotsman who had been long to sea; and yet he was
+from Wales, and had been most of his life a blacksmith at an
+inland forge; a few years in America and half a score of ocean
+voyages having sufficed to modify his speech into the common
+pattern.&nbsp; By his own account he was both strong and skilful
+in his trade.&nbsp; A few years back, he had been married and
+after a fashion a rich man; now the wife was dead and the money
+gone.&nbsp; But his was the nature that looks forward, and goes
+on from one year to another and through all the extremities of
+fortune undismayed; and if the sky were to fall to-morrow, I
+should look to see Jones, the day following, perched on a
+step-ladder and getting things to rights.&nbsp; He was always
+hovering round inventions like a bee over a flower, and lived in
+a dream of patents.&nbsp; He had with him a patent medicine, for
+instance, the composition of which he had bought years ago for
+five dollars from <!-- page 11--><a name="page11"></a><span
+class="pagenum">p. 11</span>an American pedlar, and sold the
+other day for a hundred pounds (I think it was) to an English
+apothecary.&nbsp; It was called Golden Oil, cured all maladies
+without exception; and I am bound to say that I partook of it
+myself with good results.&nbsp; It is a character of the man that
+he was not only perpetually dosing himself with Golden Oil, but
+wherever there was a head aching or a finger cut, there would be
+Jones with his bottle.</p>
+<p>If he had one taste more strongly than another, it was to
+study character.&nbsp; Many an hour have we two walked upon the
+deck dissecting our neighbours in a spirit that was too purely
+scientific to be called unkind; whenever a quaint or human trait
+slipped out in conversation, you might have seen Jones and me
+exchanging glances; and we could hardly go to bed in comfort till
+we had exchanged notes and discussed the day&rsquo;s
+experience.&nbsp; We were then like a couple of anglers comparing
+a day&rsquo;s kill.&nbsp; But the fish we angled for were of a
+metaphysical species, and we angled as often as not in one
+another&rsquo;s baskets.&nbsp; Once, in the midst of a serious
+talk, each found there was a scrutinising eye upon himself; I own
+I paused in embarrassment at this double detection; but Jones,
+with a better civility, broke into a peal of unaffected laughter,
+and declared, what was the truth, that there was a pair of us
+indeed.</p>
+<h3>EARLY IMPRESSIONS</h3>
+<p>We steamed out of the Clyde on Thursday night, and early on
+the Friday forenoon we took in our last batch of emigrants at
+Lough Foyle, in Ireland, and said farewell to Europe.&nbsp; The
+company was now complete, and began to draw together, by
+inscrutable magnetisms, upon the decks.&nbsp; There were Scots
+and Irish in plenty, a few English, a few Americans, a good
+handful of Scandinavians, a German or two, and one Russian; all
+now belonging for ten days to one small iron country on the
+deep.</p>
+<p>As I walked the deck and looked round upon my
+fellow-passengers, thus curiously assorted from all northern
+Europe, I began for the first time to understand the nature of
+emigration.&nbsp; Day by day throughout the passage, and
+thenceforward across all the States, and on to the shores of the
+Pacific, this knowledge grew more clear and melancholy.&nbsp;
+Emigration, from a word of the most cheerful import, came to
+sound most dismally in my ear.&nbsp; There is nothing more
+agreeable to picture and nothing more pathetic to behold.&nbsp;
+The abstract idea, as conceived at home, is hopeful and
+adventurous.&nbsp; A young man, you fancy, scorning restraints
+and helpers, issues forth into life, that great battle, to fight
+for his own hand.&nbsp; The most pleasant stories of ambition, of
+difficulties overcome, and of ultimate success, are but as
+episodes to this great epic of self-help.&nbsp; The epic is
+composed of individual heroisms; it stands to them as the
+victorious war which subdued an empire stands to the personal act
+of bravery which spiked a single cannon and was adequately
+rewarded with a medal.&nbsp; For in emigration the young men
+enter direct and by the shipload on their heritage of work; empty
+continents swarm, as at the bo&rsquo;s&rsquo;un&rsquo;s whistle,
+with industrious hands, and whole new empires are domesticated to
+the service of man.</p>
+<p>This is the closet picture, and is found, on trial, to consist
+mostly of embellishments.&nbsp; The more I saw of my
+fellow-passengers, the less I was tempted to the lyric
+note.&nbsp; Comparatively few of the men were below thirty; many
+were married, and encumbered with families; not a few were
+already up in years; and this itself was out of tune with my
+imaginations, for the ideal emigrant should certainly be
+young.&nbsp; Again, I thought he should offer to the eye some
+bold type of humanity, with bluff or hawk-like features, and the
+stamp of an eager and pushing disposition.&nbsp; Now those around
+me were for the most part quiet, orderly, obedient citizens,
+family men broken by adversity, elderly youths who had failed to
+place themselves in life, and people who had seen better
+days.&nbsp; Mildness was the prevailing character; mild mirth and
+mild endurance.&nbsp; In a word, I was not taking part in an
+impetuous and conquering sally, such as swept over Mexico or
+Siberia, but found myself, like Marmion, &lsquo;in the lost
+battle, borne down by the flying.&rsquo;</p>
+<p>Labouring mankind had in the last years, and throughout Great
+Britain, sustained a prolonged and crushing series of
+defeats.&nbsp; I had heard vaguely of these reverses; of whole
+streets of houses standing deserted by the Tyne, the cellar-doors
+broken and removed for firewood; of homeless men loitering at the
+street-corners of Glasgow with their chests beside them; of
+closed factories, useless strikes, and starving girls.&nbsp; But
+I had never taken them home to me or represented these distresses
+livingly to my imagination.</p>
+<p>A turn of the market may be a calamity as disastrous as the
+French retreat from Moscow; but it hardly lends itself to lively
+treatment, and makes a trifling figure in the morning
+papers.&nbsp; We may struggle as we please, we are not born
+economists.&nbsp; The individual is more affecting than the
+mass.&nbsp; It is by the scenic accidents, and the appeal to the
+carnal eye, that for the most part we grasp the significance of
+tragedies.&nbsp; Thus it was only now, when I found myself
+involved in the rout, that I began to appreciate how sharp had
+been the battle.&nbsp; We were a company of the rejected; the
+drunken, the incompetent, the weak, the prodigal, all who had
+been unable to prevail against circumstances in the one land,
+were now fleeing pitifully to another; and though one or two
+might still succeed, all had already failed.&nbsp; We were a
+shipful of failures, the broken men of England.&nbsp; Yet it must
+not be supposed that these people exhibited depression.&nbsp; The
+scene, on the contrary, was cheerful.&nbsp; Not a tear was shed
+on board the vessel.&nbsp; All were full of hope for the future,
+and showed an inclination to innocent gaiety.&nbsp; Some were
+heard to sing, and all began to scrape acquaintance with small
+jests and ready laughter.</p>
+<p>The children found each other out like dogs, and ran about the
+decks scraping acquaintance after their fashion also.&nbsp;
+&lsquo;What do you call your mither?&rsquo; I heard one
+ask.&nbsp; &lsquo;Mawmaw,&rsquo; was the reply, indicating, I
+fancy, a shade of difference in the social scale.&nbsp; When
+people pass each other on the high seas of life at so early an
+age, the contact is but slight, and the relation more like what
+we may imagine to be the friendship of flies than that of men; it
+is so quickly joined, so easily dissolved, so open in its
+communications and so devoid of deeper human qualities.&nbsp; The
+children, I observed, were all in a band, and as thick as thieves
+at a fair, while their elders were still ceremoniously
+man&oelig;uvring on the outskirts of acquaintance.&nbsp; The sea,
+the ship, and the seamen were soon as familiar as home to these
+half-conscious little ones.&nbsp; It was odd to hear them,
+throughout the voyage, employ shore words to designate portions
+of the vessel.&nbsp; &lsquo;Go &rsquo;way doon to yon
+dyke,&rsquo; I heard one say, probably meaning the bulwark.&nbsp;
+I often had my heart in my mouth, watching them climb into the
+shrouds or on the rails, while the ship went swinging through the
+waves; and I admired and envied the courage of their mothers, who
+sat by in the sun and looked on with composure at these perilous
+feats.&nbsp; &lsquo;He&rsquo;ll maybe be a sailor,&rsquo; I heard
+one remark; &lsquo;now&rsquo;s the time to learn.&rsquo;&nbsp; I
+had been on the point of running forward to interfere, but stood
+back at that, reproved.&nbsp; Very few in the more delicate
+classes have the nerve to look upon the peril of one dear to
+them; but the life of poorer folk, where necessity is so much
+more immediate and imperious, braces even a mother to this
+extreme of endurance.&nbsp; And perhaps, after all, it is better
+that the lad should break his neck than that you should break his
+spirit.</p>
+<p>And since I am here on the chapter of the children, I must
+mention one little fellow, whose family belonged to Steerage No.
+4 and 5, and who, wherever he went, was like a strain of music
+round the ship.&nbsp; He was an ugly, merry, unbreeched child of
+three, his lint-white hair in a tangle, his face smeared with
+suet and treacle; but he ran to and fro with so natural a step,
+and fell and picked himself up again with such grace and
+good-humour, that he might fairly be called beautiful when he was
+in motion.&nbsp; To meet him, crowing with laughter and beating
+an accompaniment to his own mirth with a tin spoon upon a tin
+cup, was to meet a little triumph of the human species.&nbsp;
+Even when his mother and the rest of his family lay sick and
+prostrate around him, he sat upright in their midst and sang
+aloud in the pleasant heartlessness of infancy.</p>
+<p>Throughout the Friday, intimacy among us men made but a few
+advances.&nbsp; We discussed the probable duration of the voyage,
+we exchanged pieces of information, naming our trades, what we
+hoped to find in the new world, or what we were fleeing from in
+the old; and, above all, we condoled together over the food and
+the vileness of the steerage.&nbsp; One or two had been so near
+famine that you may say they had run into the ship with the devil
+at their heels; and to these all seemed for the best in the best
+of possible steamers.&nbsp; But the majority were hugely
+contented.&nbsp; Coming as they did from a country in so low a
+state as Great Britain, many of them from Glasgow, which
+commercially speaking was as good as dead, and many having long
+been out of work, I was surprised to find them so dainty in their
+notions.&nbsp; I myself lived almost exclusively on bread,
+porridge, and soup, precisely as it was supplied to them, and
+found it, if not luxurious, at least sufficient.&nbsp; But these
+working men were loud in their outcries.&nbsp; It was not
+&lsquo;food for human beings,&rsquo; it was &lsquo;only fit for
+pigs,&rsquo; it was &lsquo;a disgrace.&rsquo;&nbsp; Many of them
+lived almost entirely upon biscuit, others on their own private
+supplies, and some paid extra for better rations from the
+ship.&nbsp; This marvellously changed my notion of the degree of
+luxury habitual to the artisan.&nbsp; I was prepared to hear him
+grumble, for grumbling is the traveller&rsquo;s pastime; but I
+was not prepared to find him turn away from a diet which was
+palatable to myself.&nbsp; Words I should have disregarded, or
+taken with a liberal allowance; but when a man prefers dry
+biscuit there can be no question of the sincerity of his
+disgust.</p>
+<p>With one of their complaints I could most heartily
+sympathise.&nbsp; A single night of the steerage had filled them
+with horror.&nbsp; I had myself suffered, even in my
+decent-second-cabin berth, from the lack of air; and as the night
+promised to be fine and quiet, I determined to sleep on deck, and
+advised all who complained of their quarters to follow my
+example.&nbsp; I dare say a dozen of others agreed to do so, and
+I thought we should have been quite a party.&nbsp; Yet, when I
+brought up my rug about seven bells, there was no one to be seen
+but the watch.&nbsp; That chimerical terror of good night-air,
+which makes men close their windows, list their doors, and seal
+themselves up with their own poisonous exhalations, had sent all
+these healthy workmen down below.&nbsp; One would think we had
+been brought up in a fever country; yet in England the most
+malarious districts are in the bedchambers.</p>
+<p>I felt saddened at this defection, and yet half-pleased to
+have the night so quietly to myself.&nbsp; The wind had hauled a
+little ahead on the starboard bow, and was dry but chilly.&nbsp;
+I found a shelter near the fire-hole, and made myself snug for
+the night.</p>
+<p>The ship moved over the uneven sea with a gentle and cradling
+movement.&nbsp; The ponderous, organic labours of the engine in
+her bowels occupied the mind, and prepared it for slumber.&nbsp;
+From time to time a heavier lurch would disturb me as I lay, and
+recall me to the obscure borders of consciousness; or I heard, as
+it were through a veil, the clear note of the clapper on the
+brass and the beautiful sea-cry, &lsquo;All&rsquo;s
+well!&rsquo;&nbsp; I know nothing, whether for poetry or music,
+that can surpass the effect of these two syllables in the
+darkness of a night at sea.</p>
+<p>The day dawned fairly enough, and during the early part we had
+some pleasant hours to improve acquaintance in the open air; but
+towards nightfall the wind freshened, the rain began to fall, and
+the sea rose so high that it was difficult to keep ones footing
+on the deck.&nbsp; I have spoken of our concerts.&nbsp; We were
+indeed a musical ship&rsquo;s company, and cheered our way into
+exile with the fiddle, the accordion, and the songs of all
+nations.&nbsp; Good, bad, or indifferent&mdash;Scottish, English,
+Irish, Russian, German or Norse,&mdash;the songs were received
+with generous applause.&nbsp; Once or twice, a recitation, very
+spiritedly rendered in a powerful Scottish accent, varied the
+proceedings; and once we sought in vain to dance a quadrille,
+eight men of us together, to the music of the violin.&nbsp; The
+performers were all humorous, frisky fellows, who loved to cut
+capers in private life; but as soon as they were arranged for the
+dance, they conducted themselves like so many mutes at a
+funeral.&nbsp; I have never seen decorum pushed so far; and as
+this was not expected, the quadrille was soon whistled down, and
+the dancers departed under a cloud.&nbsp; Eight Frenchmen, even
+eight Englishmen from another rank of society, would have dared
+to make some fun for themselves and the spectators; but the
+working man, when sober, takes an extreme and even melancholy
+view of personal deportment.&nbsp; A fifth-form schoolboy is not
+more careful of dignity.&nbsp; He dares not be comical; his fun
+must escape from him unprepared, and above all, it must be
+unaccompanied by any physical demonstration.&nbsp; I like his
+society under most circumstances, but let me never again join
+with him in public gambols.</p>
+<p>But the impulse to sing was strong, and triumphed over modesty
+and even the inclemencies of sea and sky.&nbsp; On this rough
+Saturday night, we got together by the main deck-house, in a
+place sheltered from the wind and rain.&nbsp; Some clinging to a
+ladder which led to the hurricane deck, and the rest knitting
+arms or taking hands, we made a ring to support the women in the
+violent lurching of the ship; and when we were thus disposed,
+sang to our hearts&rsquo; content.&nbsp; Some of the songs were
+appropriate to the scene; others strikingly the reverse.&nbsp;
+Bastard doggrel of the music-hall, such as, &lsquo;Around her
+splendid form, I weaved the magic circle,&rsquo; sounded bald,
+bleak, and pitifully silly.&nbsp; &lsquo;We don&rsquo;t want to
+fight, but, by Jingo, if we do,&rsquo; was in some measure saved
+by the vigour and unanimity with which the chorus was thrown
+forth into the night.&nbsp; I observed a Platt-Deutsch mason,
+entirely innocent of English, adding heartily to the general
+effect.&nbsp; And perhaps the German mason is but a fair example
+of the sincerity with which the song was rendered; for nearly all
+with whom I conversed upon the subject were bitterly opposed to
+war, and attributed their own misfortunes, and frequently their
+own taste for whisky, to the campaigns in Zululand and
+Afghanistan.</p>
+<p>Every now and again, however, some song that touched the
+pathos of our situation was given forth; and you could hear by
+the voices that took up the burden how the sentiment came home to
+each, &lsquo;The Anchor&rsquo;s Weighed&rsquo; was true for
+us.&nbsp; We were indeed &lsquo;Rocked on the bosom of the stormy
+deep.&rsquo;&nbsp; How many of us could say with the singer,
+&lsquo;I&rsquo;m lonely to-night, love, without you,&rsquo; or,
+&lsquo;Go, some one, and tell them from me, to write me a letter
+from home&rsquo;!&nbsp; And when was there a more appropriate
+moment for &lsquo;Auld Lang Syne&rsquo; than now, when the land,
+the friends, and the affections of that mingled but beloved time
+were fading and fleeing behind us in the vessel&rsquo;s
+wake?&nbsp; It pointed forward to the hour when these labours
+should be overpast, to the return voyage, and to many a meeting
+in the sanded inn, when those who had parted in the spring of
+youth should again drink a cup of kindness in their age.&nbsp;
+Had not Burns contemplated emigration, I scarce believe he would
+have found that note.</p>
+<p>All Sunday the weather remained wild and cloudy; many were
+prostrated by sickness; only five sat down to tea in the second
+cabin, and two of these departed abruptly ere the meal was at an
+end.&nbsp; The Sabbath was observed strictly by the majority of
+the emigrants.&nbsp; I heard an old woman express her surprise
+that &lsquo;the ship didna gae doon,&rsquo; as she saw some one
+pass her with a chess-board on the holy day.&nbsp; Some sang
+Scottish psalms.&nbsp; Many went to service, and in <!-- page
+21--><a name="page21"></a><span class="pagenum">p. 21</span>true
+Scottish fashion came back ill pleased with their divine.&nbsp;
+&lsquo;I didna think he was an experienced preacher,&rsquo; said
+one girl to me.</p>
+<p>Is was a bleak, uncomfortable day; but at night, by six bells,
+although the wind had not yet moderated, the clouds were all
+wrecked and blown away behind the rim of the horizon, and the
+stars came out thickly overhead.&nbsp; I saw Venus burning as
+steadily and sweetly across this hurly-burly of the winds and
+waters as ever at home upon the summer woods.&nbsp; The engine
+pounded, the screw tossed out of the water with a roar, and shook
+the ship from end to end; the bows battled with loud reports
+against the billows: and as I stood in the lee-scuppers and
+looked up to where the funnel leaned out, over my head, vomiting
+smoke, and the black and monstrous top-sails blotted, at each
+lurch, a different crop of stars, it seemed as if all this
+trouble were a thing of small account, and that just above the
+mast reigned peace unbroken and eternal.</p>
+<h3>STEERAGE SCENES</h3>
+<p>Our companion (Steerage No. 2 and 3) was a favourite
+resort.&nbsp; Down one flight of stairs there was a comparatively
+large open space, the centre occupied by a hatchway, which made a
+convenient seat for about twenty persons, while barrels, coils of
+rope, and the carpenter&rsquo;s bench afforded perches for
+perhaps as many more.&nbsp; The canteen, or steerage bar, was on
+one side of the stair; on the other, a no less attractive spot,
+the cabin of the indefatigable interpreter.</p>
+<p>I have seen people packed into this space like herrings in a
+barrel, and many merry evenings prolonged there until five bells,
+when the lights were ruthlessly extinguished and all must go to
+roost.</p>
+<p>It had been rumoured since Friday that there was a fiddler
+aboard, who lay sick and unmelodious in Steerage No. 1; and on
+the Monday forenoon, as I came down the companion, I was saluted
+by something in Strathspey time.&nbsp; A white-faced Orpheus was
+cheerily playing to an audience of white-faced women.&nbsp; It
+was as much as he could do to play, and some of his hearers were
+scarce able to sit; yet they had crawled from their bunks at the
+first experimental flourish, and found better than medicine in
+the music.&nbsp; Some of the heaviest heads began to nod in time,
+and a degree of animation looked from some of the palest
+eyes.&nbsp; Humanly speaking, it is a more important matter to
+play the fiddle, even badly, than to write huge works upon
+recondite subjects.&nbsp; What could Mr. Darwin have done for
+these sick women?&nbsp; But this fellow scraped away; and the
+world was positively a better place for all who heard him.&nbsp;
+We have yet to understand the economical value of these mere
+accomplishments.&nbsp; I told the fiddler he was a happy man,
+carrying happiness about with him in his fiddle-case, and he
+seemed alive to the fact.</p>
+<p>&lsquo;It is a privilege,&rsquo; I said.&nbsp; He thought a
+while upon the word, turning it over in his Scots head, and then
+answered with conviction, &lsquo;Yes, a privilege.&rsquo;</p>
+<p>That night I was summoned by &lsquo;Merrily danced the
+Quake&rsquo;s wife&rsquo; into the companion of Steerage No. 4
+and 5.&nbsp; This was, properly speaking, but a strip across a
+deck-house, lit by a sickly lantern which swung to and fro with
+the motion of the ship.&nbsp; Through the open slide-door we had
+a glimpse of a grey night sea, with patches of phosphorescent
+foam flying, swift as birds, into the wake, and the horizon
+rising and falling as the vessel rolled to the wind.&nbsp; In the
+centre the companion ladder plunged down sheerly like an open
+pit.&nbsp; Below, on the first landing, and lighted by another
+lamp, lads and lasses danced, not more than three at a time for
+lack of space, in jigs and reels and hornpipes.&nbsp; Above, on
+either side, there was a recess railed with iron, perhaps two
+feet wide and four long, which stood for orchestra and seats of
+honour.&nbsp; In the one balcony, five slatternly Irish lasses
+sat woven in a comely group.&nbsp; In the other was posted
+Orpheus, his body, which was convulsively in motion, forming an
+odd contrast to his somnolent, imperturbable Scots face.&nbsp;
+His brother, a dark man with a vehement, interested countenance,
+who made a god of the fiddler, sat by with open mouth, drinking
+in the general admiration and throwing out remarks to kindle
+it.</p>
+<p>&lsquo;That&rsquo;s a bonny hornpipe now,&rsquo; he would say,
+&lsquo;it&rsquo;s a great favourite with performers; they dance
+the sand dance to it.&rsquo;&nbsp; And he expounded the sand
+dance.&nbsp; Then suddenly, it would be a long,
+&lsquo;Hush!&rsquo; with uplifted finger and glowing,
+supplicating eyes, &lsquo;he&rsquo;s going to play &ldquo;Auld
+Robin Gray&rdquo; on one string!&rsquo;&nbsp; And throughout this
+excruciating movement,&mdash;&lsquo;On one string, that&rsquo;s
+on one string!&rsquo; he kept crying.&nbsp; I would have given
+something myself that it had been on none; but the hearers were
+much awed.&nbsp; I called for a tune or two, and thus introduced
+myself to the notice of the brother, who directed his talk to me
+for some little while, keeping, I need hardly mention, true to
+his topic, like the seamen to the star.&nbsp; &lsquo;He&rsquo;s
+grand of it,&rsquo; he said confidentially.&nbsp; &lsquo;His
+master was a music-hall man.&rsquo;&nbsp; Indeed the music-hall
+man had left his mark, for our fiddler was ignorant of many of
+our best old airs; &lsquo;Logie o&rsquo; Buchan,&rsquo; for
+instance, he only knew as a quick, jigging figure in a set of
+quadrilles, and had never heard it called by name.&nbsp; Perhaps,
+after all, the brother was the more interesting performer of the
+two.&nbsp; I have spoken with him afterwards repeatedly, and
+found him always the same quick, fiery bit of a man, not without
+brains; but he never showed to such advantage as when he was thus
+squiring the fiddler into public note.&nbsp; There is nothing
+more becoming than a genuine admiration; and it shares this with
+love, that it does not become contemptible although
+misplaced.</p>
+<p>The dancing was but feebly carried on.&nbsp; The space was
+almost impracticably small; and the Irish wenches combined the
+extreme of bashfulness about this innocent display with a
+surprising impudence and roughness of address.&nbsp; Most often,
+either the fiddle lifted up its voice unheeded, or only a couple
+of lads would be footing it and snapping fingers on the
+landing.&nbsp; And such was the eagerness of the brother to
+display all the acquirements of his idol, and such the sleepy
+indifference of the performer, that the tune would as often as
+not be changed, and the hornpipe expire into a ballad before the
+dancers had cut half a dozen shuffles.</p>
+<p>In the meantime, however, the audience had been growing more
+and more numerous every moment; there was hardly standing-room
+round the top of the companion; and the strange instinct of the
+race moved some of the newcomers to close both the doors, so that
+the atmosphere grew insupportable.&nbsp; It was a good place, as
+the saying is, to leave.</p>
+<p>The wind hauled ahead with a head sea.&nbsp; By ten at night
+heavy sprays were flying and drumming over the forecastle; the
+companion of Steerage No. 1 had to be closed, and the door of
+communication through the second cabin thrown open.&nbsp; Either
+from the convenience of the opportunity, or because we had
+already a number of acquaintances in that part of the ship, Mr.
+Jones and I paid it a late visit.&nbsp; Steerage No. 1 is shaped
+like an isosceles triangle, the sides opposite the equal angles
+bulging outward with the contour of the ship.&nbsp; It is lined
+with eight pens of sixteen bunks apiece, four bunks below and
+four above on either side.&nbsp; At night the place is lit with
+two lanterns, one to each table.&nbsp; As the steamer beat on her
+way among the rough billows, the light passed through violent
+phases of change, and was thrown to and fro and up and down with
+startling swiftness.&nbsp; You were tempted to wonder, as you
+looked, how so thin a glimmer could control and disperse such
+solid blackness.&nbsp; When Jones and I entered we found a little
+company of our acquaintances seated together at the triangular
+foremost table.&nbsp; A more forlorn party, in more dismal
+circumstances, it would be hard to imagine.&nbsp; The motion here
+in the ship&rsquo;s nose was very violent; the uproar of the sea
+often overpoweringly loud.&nbsp; The yellow flicker of the
+lantern spun round and round and tossed the shadows in
+masses.&nbsp; The air was hot, but it struck a chill from its
+foetor.</p>
+<p>From all round in the dark bunks, the scarcely human noises of
+the sick joined into a kind of farmyard chorus.&nbsp; In the
+midst, these five friends of mine were keeping up what heart they
+could in company.&nbsp; Singing was their refuge from
+discomfortable thoughts and sensations.&nbsp; One piped, in
+feeble tones, &lsquo;Oh why left I my hame?&rsquo; which seemed a
+pertinent question in the circumstances.&nbsp; Another, from the
+invisible horrors of a pen where he lay dog-sick upon the
+upper-shelf, found courage, in a blink of his sufferings, to give
+us several verses of the &lsquo;Death of Nelson&rsquo;; and it
+was odd and eerie to hear the chorus breathe feebly from all
+sorts of dark corners, and &lsquo;this day has done his
+dooty&rsquo; rise and fall and be taken up again in this dim
+inferno, to an accompaniment of plunging, hollow-sounding bows
+and the rattling spray-showers overhead.</p>
+<p>All seemed unfit for conversation; a certain dizziness had
+interrupted the activity of their minds; and except to sing they
+were tongue-tied.&nbsp; There was present, however, one tall,
+powerful fellow of doubtful nationality, being neither quite
+Scotsman nor altogether Irish, but of surprising clearness of
+conviction on the highest problems.&nbsp; He had gone nearly
+beside himself on the Sunday, because of a general backwardness
+to indorse his definition of mind as &lsquo;a living, thinking
+substance which cannot be felt, heard, or seen&rsquo;&mdash;nor,
+I presume, although he failed to mention it, smelt.&nbsp; Now he
+came forward in a pause with another contribution to our
+culture.</p>
+<p>&lsquo;Just by way of change,&rsquo; said he,
+&lsquo;I&rsquo;ll ask you a Scripture riddle.&nbsp; There&rsquo;s
+profit in them too,&rsquo; he added ungrammatically.</p>
+<p>This was the riddle&mdash;</p>
+<blockquote><p>C and P<br />
+Did agree<br />
+To cut down C;<br />
+But C and P<br />
+Could not agree<br />
+Without the leave of G;<br />
+All the people cried to see<br />
+The crueltie<br />
+Of C and P.</p>
+</blockquote>
+<p>Harsh are the words of Mercury after the songs of
+Apollo!&nbsp; We were a long while over the problem, shaking our
+heads and gloomily wondering how a man could be such a fool; but
+at length he put us out of suspense and divulged the fact that C
+and P stood for Caiaphas and Pontius Pilate.</p>
+<p>I think it must have been the riddle that settled us; but the
+motion and the close air likewise hurried our departure.&nbsp; We
+had not been gone long, we heard next morning, ere two or even
+three out of the five fell sick.&nbsp; We thought it little
+wonder on the whole, for the sea kept contrary all night.&nbsp; I
+now made my bed upon the second cabin floor, where, although I
+ran the risk of being stepped upon, I had a free current of air,
+more or less vitiated indeed, and running only from steerage to
+steerage, but at least not stagnant; and from this couch, as well
+as the usual sounds of a rough night at sea, the hateful coughing
+and retching of the sick and the sobs of children, I heard a man
+run wild with terror beseeching his friend for
+encouragement.&nbsp; &lsquo;The ship&rsquo;s going down!&rsquo;
+he cried with a thrill of agony.&nbsp; &lsquo;The ship&rsquo;s
+going down!&rsquo; he repeated, now in a blank whisper, now with
+his voice rising towards a sob; and his friend might reassure
+him, reason with him, joke at him&mdash;all was in vain, and the
+old cry came back, &lsquo;The ship&rsquo;s going
+down!&rsquo;&nbsp; There was something panicky and catching in
+the emotion of his tones; and I saw in a clear flash what an
+involved and hideous tragedy was a disaster to an emigrant
+ship.&nbsp; If this whole parishful of people came no more to
+land, into how many houses would the newspaper carry woe, and
+what a great part of the web of our corporate human life would be
+rent across for ever!</p>
+<p>The next morning when I came on deck I found a new world
+indeed.&nbsp; The wind was fair; the sun mounted into a cloudless
+heaven; through great dark blue seas the ship cut a swath of
+curded foam.&nbsp; The horizon was dotted all day with
+companionable sails, and the sun shone pleasantly on the long,
+heaving deck.</p>
+<p>We had many fine-weather diversions to beguile the time.&nbsp;
+There was a single chess-board and a single pack of cards.&nbsp;
+Sometimes as many as twenty of us would be playing dominoes for
+love.&nbsp; Feats of dexterity, puzzles for the intelligence,
+some arithmetical, some of the same order as the old problem of
+the fox and goose and cabbage, were always welcome; and the
+latter, I observed, more popular as well as more conspicuously
+well done than the former.&nbsp; We had a regular daily
+competition to guess the vessel&rsquo;s progress; and twelve
+o&rsquo;clock, when the result was published in the wheel-house,
+came to be a moment of considerable interest.&nbsp; But the
+interest was unmixed.&nbsp; Not a bet was laid upon our
+guesses.&nbsp; From the Clyde to Sandy Hook I never heard a wager
+offered or taken.&nbsp; We had, besides, romps in plenty.&nbsp;
+Puss in the Corner, which we had rebaptized, in more manly style,
+Devil and four Corners, was my own favourite game; but there were
+many who preferred another, the humour of which was to box a
+person&rsquo;s ears until he found out who had cuffed him.</p>
+<p>This Tuesday morning we were all delighted with the change of
+weather, and in the highest possible spirits.&nbsp; We got in a
+cluster like bees, sitting between each other&rsquo;s feet under
+lee of the deck-houses.&nbsp; Stories and laughter went
+around.&nbsp; The children climbed about the shrouds.&nbsp; White
+faces appeared for the first time, and began to take on colour
+from the wind.&nbsp; I was kept hard at work making cigarettes
+for one amateur after another, and my less than moderate skill
+was heartily admired.&nbsp; Lastly, down sat the fiddler in our
+midst and began to discourse his reels, and jigs, and ballads,
+with now and then a voice or two to take up the air and throw in
+the interest of human speech.</p>
+<p>Through this merry and good-hearted scene there came three
+cabin passengers, a gentleman and two young ladies, picking their
+way with little gracious titters of indulgence, and a
+Lady-Bountiful air about nothing, which galled me to the
+quick.&nbsp; I have little of the radical in social questions,
+and have always nourished an idea that one person was as good as
+another.&nbsp; But I began to be troubled by this episode.&nbsp;
+It was astonishing what insults these people managed to convey by
+their presence.&nbsp; They seemed to throw their clothes in our
+faces.&nbsp; Their eyes searched us all over for tatters and
+incongruities.&nbsp; A laugh was ready at their lips; but they
+were too well-mannered to indulge it in our hearing.&nbsp; Wait a
+bit, till they were all back in the saloon, and then hear how
+wittily <!-- page 30--><a name="page30"></a><span
+class="pagenum">p. 30</span>they would depict the manners of the
+steerage.&nbsp; We were in truth very innocently, cheerfully, and
+sensibly engaged, and there was no shadow of excuse for the
+swaying elegant superiority with which these damsels passed among
+us, or for the stiff and waggish glances of their squire.&nbsp;
+Not a word was said; only when they were gone Mackay sullenly
+damned their impudence under his breath; but we were all
+conscious of an icy influence and a dead break in the course of
+our enjoyment.</p>
+<h3>STEERAGE TYPES</h3>
+<p>We had a fellow on board, an Irish-American, for all the world
+like a beggar in a print by Callot; one-eyed, with great, splay
+crow&rsquo;s-feet round the sockets; a knotty squab nose coming
+down over his moustache; a miraculous hat; a shirt that had been
+white, ay, ages long ago; an alpaca coat in its last sleeves;
+and, without hyperbole, no buttons to his trousers.&nbsp; Even in
+these rags and tatters, the man twinkled all over with impudence
+like a piece of sham jewellery; and I have heard him offer a
+situation to one of his fellow-passengers with the air of a
+lord.&nbsp; Nothing could overlie such a fellow; a kind of base
+success was written on his brow.&nbsp; He was then in his ill
+days; but I can imagine him in Congress with his mouth full of
+bombast and sawder.&nbsp; As we moved in the same circle, I was
+brought necessarily into his society.&nbsp; I do not think I ever
+heard him say anything that was true, kind, or interesting; but
+there was entertainment in the man&rsquo;s demeanour.&nbsp; You
+might call him a half-educated Irish Tigg.</p>
+<p>Our Russian made a remarkable contrast to this impossible
+fellow.&nbsp; Rumours and legends were current in the steerages
+about his antecedents.&nbsp; Some said he was a Nihilist
+escaping; others set him down for a harmless spendthrift, who had
+squandered fifty thousand roubles, and whose father had now
+despatched him to America by way of penance.&nbsp; Either tale
+might flourish in security; there was no contradiction to be
+feared, for the hero spoke not one word of English.&nbsp; I got
+on with him lumberingly enough in broken German, and learned from
+his own lips that he had been an apothecary.&nbsp; He carried the
+photograph of his betrothed in a pocket-book, and remarked that
+it did not do her justice.&nbsp; The cut of his head stood out
+from among the passengers with an air of startling
+strangeness.&nbsp; The first natural instinct was to take him for
+a desperado; but although the features, to our Western eyes, had
+a barbaric and unhomely cast, the eye both reassured and
+touched.&nbsp; It was large and very dark and soft, with an
+expression of dumb endurance, as if it had often looked on
+desperate circumstances and never looked on them without
+resolution.</p>
+<p>He cried out when I used the word. &lsquo;No, no,&rsquo; he
+said, &lsquo;not resolution.&rsquo;</p>
+<p>&lsquo;The resolution to endure,&rsquo; I explained.</p>
+<p>And then he shrugged his shoulders, and said,
+&lsquo;<i>Ach</i>, <i>ja</i>,&rsquo; with gusto, like a man who
+has been flattered in his favourite pretensions.&nbsp; Indeed, he
+was always hinting at some secret sorrow; and his life, he said,
+had been one of unusual trouble and anxiety; so the legends of
+the steerage may have represented at least some shadow of the
+truth.&nbsp; Once, and once only, he sang a song at our concerts;
+standing forth without embarrassment, his great stature somewhat
+humped, his long arms frequently extended, his Kalmuck head
+thrown backward.&nbsp; It was a suitable piece of music, as deep
+as a cow&rsquo;s bellow and wild like the White Sea.&nbsp; He was
+struck and charmed by the freedom and sociality of our
+manners.&nbsp; At home, he said, no one on a journey would speak
+to him, but those with whom he would not care to speak; thus
+unconsciously involving himself in the condemnation of his
+countrymen.&nbsp; But Russia was soon to be changed; the ice of
+the Neva was softening under the sun of civilisation; the new
+ideas, &lsquo;<i>wie eine feine Violine</i>,&rsquo; were audible
+among the big empty drum notes of Imperial diplomacy; and he
+looked to see a great revival, though with a somewhat indistinct
+and childish hope.</p>
+<p>We had a father and son who made a pair of
+Jacks-of-all-trades.&nbsp; It was the son who sang the
+&lsquo;Death of Nelson&rsquo; under such contrarious
+circumstances.&nbsp; He was by trade a shearer of ship plates;
+but he could touch the organ, and led two choirs, and played the
+flute and piccolo in a professional string band.&nbsp; His
+repertory of songs was, besides, inexhaustible, and ranged
+impartially from the very best to the very worst within his
+reach.&nbsp; Nor did he seem to make the least distinction
+between these extremes, but would cheerily follow up &lsquo;Tom
+Bowling&rsquo; with &lsquo;Around her splendid form.&rsquo;</p>
+<p>The father, an old, cheery, small piece of man-hood, could do
+everything connected with tinwork from one end of the process to
+the other, use almost every carpenter&rsquo;s tool, and make
+picture frames to boot.&nbsp; &lsquo;I sat down with silver plate
+every Sunday,&rsquo; said he, &lsquo;and pictures on the
+wall.&nbsp; I have made enough money to be rolling in my
+carriage.&nbsp; But, sir,&rsquo; looking at me unsteadily with
+his bright rheumy eyes, &lsquo;I was troubled with a drunken
+wife.&rsquo;&nbsp; He took a hostile view of matrimony in
+consequence.&nbsp; &lsquo;It&rsquo;s an old saying,&rsquo; he
+remarked: &lsquo;God made &rsquo;em, and the devil he mixed
+&rsquo;em.&rsquo;</p>
+<p>I think he was justified by his experience.&nbsp; It was a
+dreary story.&nbsp; He would bring home three pounds on Saturday,
+and on Monday all the clothes would be in pawn.&nbsp; Sick of the
+useless struggle, he gave up a paying contract, and contented
+himself with small and ill-paid jobs.&nbsp; &lsquo;A bad job was
+as good as a good job for me,&rsquo; he said; &lsquo;it all went
+the same way.&rsquo;&nbsp; Once the wife showed signs of
+amendment; she kept steady for weeks on end; it was again worth
+while to labour and to do one&rsquo;s best.&nbsp; The husband
+found a good situation some distance from home, and, to make a
+little upon every hand, started the wife in a cook-shop; the
+children were here and there, busy as mice; savings began to grow
+together in the bank, and the golden age of hope had returned
+again to that unhappy family.&nbsp; But one week my old
+acquaintance, getting earlier through with his work, came home on
+the Friday instead of the Saturday, and there was his wife to
+receive him reeling drunk.&nbsp; He &lsquo;took and gave her a
+pair o&rsquo; black eyes,&rsquo; for which I pardon him, nailed
+up the cook-shop door, gave up his situation, and resigned
+himself to a life of poverty, with the workhouse at the
+end.&nbsp; As the children came to their full age they fled the
+house, and established themselves in other countries; some did
+well, some not so well; but the father remained at home alone
+with his drunken wife, all his sound-hearted pluck and varied
+accomplishments depressed and negatived.</p>
+<p>Was she dead now? or, after all these years, had he broken the
+chain, and run from home like a schoolboy?&nbsp; I could not
+discover which; but here at least he was out on the adventure,
+and still one of the bravest and most youthful men on board.</p>
+<p>&lsquo;Now, I suppose, I must put my old bones to work
+again,&rsquo; said he; &lsquo;but I can do a turn yet.&rsquo;</p>
+<p>And the son to whom he was going, I asked, was he not able to
+support him?</p>
+<p>&lsquo;Oh yes,&rsquo; he replied.&nbsp; &lsquo;But I&rsquo;m
+never happy without a job on hand.&nbsp; And I&rsquo;m stout; I
+can eat a&rsquo;most anything.&nbsp; You see no craze about
+me.&rsquo;</p>
+<p>This tale of a drunken wife was paralleled on board by another
+of a drunken father.&nbsp; He was a capable man, with a good
+chance in life; but he had drunk up two thriving businesses like
+a bottle of sherry, and involved his sons along with him in
+ruin.&nbsp; Now they were on board with us, fleeing his
+disastrous neighbourhood.</p>
+<p>Total abstinence, like all ascetical conclusions, is
+unfriendly to the most generous, cheerful, and human parts of
+man; but it could have adduced many instances and arguments from
+among our ship&rsquo;s company.&nbsp; I was, one day conversing
+with a kind and happy Scotsman, running to fat and perspiration
+in the physical, but with a taste for poetry and a genial sense
+of fun.&nbsp; I had asked him his hopes in emigrating.&nbsp; They
+were like those of so many others, vague and unfounded; times
+were bad at home; they were said to have a turn for the better in
+the States; a man could get on anywhere, he thought.&nbsp; That
+was precisely the weak point of his position; for if he could get
+on in America, why could he not do the same in Scotland?&nbsp;
+But I never had the courage to use that argument, though it was
+often on the tip of my tongue, and instead I agreed with him
+heartily adding, with reckless originality, &lsquo;If the man
+stuck to his work, and kept away from drink.&rsquo;</p>
+<p>&lsquo;Ah!&rsquo; said he slowly, &lsquo;the drink!&nbsp; You
+see, that&rsquo;s just my trouble.&rsquo;</p>
+<p>He spoke with a simplicity that was touching, looking at me at
+the same time with something strange and timid in his eye,
+half-ashamed, half-sorry, like a good child who knows he should
+be beaten.&nbsp; You would have said he recognised a destiny to
+which he was born, and accepted the consequences mildly.&nbsp;
+Like the merchant Abudah, he was at the same time fleeing from
+his destiny and carrying it along with him, the whole at an
+expense of six guineas.</p>
+<p>As far as I saw, drink, idleness, and incompetency were the
+three great causes of emigration, and for all of them, and drink
+first and foremost, this trick of getting transported overseas
+appears to me the silliest means of cure.&nbsp; You cannot run
+away from a weakness; you must some time fight it out or perish;
+and if that be so, why not now, and where you stand?&nbsp;
+<i>Coelum non animam</i>.&nbsp; Change Glenlivet for Bourbon, and
+it is still whisky, only not so good.&nbsp; A sea-voyage will not
+give a man the nerve to put aside cheap pleasure; emigration has
+to be done before we climb the vessel; an aim in life is the only
+fortune worth the finding; and it is not to be found in foreign
+lands, but in the heart itself.</p>
+<p>Speaking generally, there is no vice of this kind more
+contemptible than another; for each is but a result and outward
+sign of a soul tragically ship-wrecked.&nbsp; In the majority of
+cases, cheap pleasure is resorted to by way of anodyne.&nbsp; The
+pleasure-seeker sets forth upon life with high and difficult
+ambitions; he meant to be nobly good and nobly happy, though at
+as little pains as possible to himself; and it is because all has
+failed in his celestial enterprise that you now behold him
+rolling in the garbage.&nbsp; Hence the comparative success of
+the teetotal pledge; because to a man who had nothing it sets at
+least a negative aim in life.&nbsp; Somewhat as prisoners beguile
+their days by taming a spider, the reformed drunkard makes an
+interest out of abstaining from intoxicating drinks, and may live
+for that negation.&nbsp; There is something, at least, <i>not to
+be done</i> each day; and a cold triumph awaits him every
+evening.</p>
+<p>We had one on board with us, whom I have already referred to
+under the name Mackay, who seemed to me not only a good instance
+of this failure in life of which we have been speaking, but a
+good type of the intelligence which here surrounded me.&nbsp;
+Physically he was a small Scotsman, standing a little back as
+though he were already carrying the elements of a corporation,
+and his looks somewhat marred by the smallness of his eyes.&nbsp;
+Mentally, he was endowed above the average.&nbsp; There were but
+few subjects on which he could not converse with understanding
+and a dash of wit; delivering himself slowly and with gusto like
+a man who enjoyed his own sententiousness.&nbsp; He was a dry,
+quick, pertinent debater, speaking with a small voice, and
+swinging on his heels to launch and emphasise an argument.&nbsp;
+When he began a discussion, he could not bear to leave it off,
+but would pick the subject to the bone, without once
+relinquishing a point.&nbsp; An engineer by trade, Mackay
+believed in the unlimited perfectibility of all machines except
+the human machine.&nbsp; The latter he gave up with ridicule for
+a compound of carrion and perverse gases.&nbsp; He had an
+appetite for disconnected facts which I can only compare to the
+savage taste for beads.&nbsp; What is called information was
+indeed a passion with the man, and he not only delighted to
+receive it, but could pay you back in kind.</p>
+<p>With all these capabilities, here was Mackay, already no
+longer young, on his way to a new country, with no prospects, no
+money, and but little hope.&nbsp; He was almost tedious in the
+cynical disclosures of his despair.&nbsp; &lsquo;The ship may go
+down for me,&rsquo; he would say, &lsquo;now or to-morrow.&nbsp;
+I have nothing to lose and nothing to hope.&rsquo;&nbsp; And
+again: &lsquo;I am sick of the whole damned
+performance.&rsquo;&nbsp; He was, like the kind little man,
+already quoted, another so-called victim of the bottle.&nbsp; But
+Mackay was miles from publishing his weakness to the world; laid
+the blame of his failure on corrupt masters and a corrupt State
+policy; and after he had been one night overtaken and had played
+the buffoon in his cups, sternly, though not without tact,
+suppressed all reference to his escapade.&nbsp; It was a treat to
+see him manage this: the various jesters withered under his gaze,
+and you were forced to recognise in him a certain steely force,
+and a gift of command which might have ruled a senate.</p>
+<p>In truth it was not whisky that had ruined him; he was ruined
+long before for all good human purposes but conversation.&nbsp;
+His eyes were sealed by a cheap, school-book materialism.&nbsp;
+He could see nothing in the world but money and
+steam-engines.&nbsp; He did not know what you meant by the word
+happiness.&nbsp; He had forgotten the simple emotions of
+childhood, and perhaps never encountered the delights of
+youth.&nbsp; He believed in production, that useful figment of
+economy, as if it had been real like laughter; and production,
+without prejudice to liquor, was his god and guide.&nbsp; One day
+he took me to task&mdash;novel cry to me&mdash;upon the
+over-payment of literature.&nbsp; Literary men, he said, were
+more highly paid than artisans; yet the artisan made
+threshing-machines and butter-churns, and the man of letters,
+except in the way of a few useful handbooks, made nothing worth
+the while.&nbsp; He produced a mere fancy article.&nbsp;
+Mackay&rsquo;s notion of a book was <i>Hoppus&rsquo;s
+Measurer</i>.&nbsp; Now in my time I have possessed and even
+studied that work; but if I were to be left to-morrow on Juan
+Fernandez, Hoppus&rsquo;s is not the book that I should choose
+for my companion volume.</p>
+<p>I tried to fight the point with Mackay.&nbsp; I made him own
+that he had taken pleasure in reading books otherwise, to his
+view, insignificant; but he was too wary to advance a step beyond
+the admission.&nbsp; It was in vain for me to argue that here was
+pleasure ready-made and running from the spring, whereas his
+ploughs and butter-churns were but means and mechanisms to give
+men the necessary food and leisure before they start upon the
+search for pleasure; he jibbed and ran away from such
+conclusions.&nbsp; The thing was different, he declared, and
+nothing was serviceable but what had to do with food.&nbsp;
+&lsquo;Eat, eat, eat!&rsquo; he cried; &lsquo;that&rsquo;s the
+bottom and the top.&rsquo;&nbsp; By an odd irony of circumstance,
+he grew so much interested in this discussion that he let the
+hour slip by unnoticed and had to go without his tea.&nbsp; He
+had enough sense and humour, indeed he had no lack of either, to
+have chuckled over this himself in private; and even to me he
+referred to it with the shadow of a smile.</p>
+<p>Mackay was a hot bigot.&nbsp; He would not hear of
+religion.&nbsp; I have seen him waste hours of time in argument
+with all sorts of poor human creatures who understood neither him
+nor themselves, and he had had the boyishness to dissect and
+criticise even so small a matter as the riddler&rsquo;s
+definition of mind.&nbsp; He snorted aloud with zealotry and the
+lust for intellectual battle.&nbsp; Anything, whatever it was,
+that seemed to him likely to discourage the continued passionate
+production of corn and steam-engines he resented like a
+conspiracy against the people.&nbsp; Thus, when I put in the plea
+for literature, that it was only in good books, or in the society
+of the good, that a man could get help in his conduct, he
+declared I was in a different world from him.&nbsp; &lsquo;Damn
+my conduct!&rsquo; said he.&nbsp; &lsquo;I have given it up for a
+bad job.&nbsp; My question is, &ldquo;Can I drive a
+nail?&rdquo;&rsquo; And he plainly looked upon me as one who was
+insidiously seeking to reduce the people&rsquo;s annual bellyful
+of corn and steam-engines.</p>
+<p>It may be argued that these opinions spring from the defect of
+culture; that a narrow and pinching way of life not only
+exaggerates to a man the importance of material conditions, but
+indirectly, by denying him the necessary books and leisure, keeps
+his mind ignorant of larger thoughts; and that hence springs this
+overwhelming concern about diet, and hence the bald view of
+existence professed by Mackay.&nbsp; Had this been an English
+peasant the conclusion would be tenable.&nbsp; But Mackay had
+most of the elements of a liberal education.&nbsp; He had skirted
+metaphysical and mathematical studies.&nbsp; He had a thoughtful
+hold of what he knew, which would be exceptional among
+bankers.&nbsp; He had been brought up in the midst of hot-house
+piety, and told, with incongruous pride, the story of his own
+brother&rsquo;s deathbed ecstasies.&nbsp; Yet he had somehow
+failed to fulfil himself, and was adrift like a dead thing among
+external circumstances, without hope or lively preference or
+shaping aim.&nbsp; And further, there seemed a tendency among
+many of his fellows to fall into the same blank and unlovely
+opinions.&nbsp; One thing, indeed, is not to be learned in
+Scotland, and that is the way to be happy.&nbsp; Yet that is the
+whole of culture, and perhaps two-thirds of morality.&nbsp; Can
+it be that the Puritan school, by divorcing a man from nature, by
+thinning out his instincts, and setting a stamp of its
+disapproval on whole fields of human activity and interest, leads
+at last directly to material greed?</p>
+<p>Nature is a good guide through life, and the love of simple
+pleasures next, if not superior, to virtue; and we had on board
+an Irishman who based his claim to the widest and most
+affectionate popularity precisely upon these two qualities, that
+he was natural and happy.&nbsp; He boasted a fresh colour, a
+tight little figure, unquenchable gaiety, and indefatigable
+goodwill.&nbsp; His clothes puzzled the diagnostic mind, until
+you heard he had been once a private coachman, when they became
+eloquent and seemed a part of his biography.&nbsp; His face
+contained the rest, and, I fear, a prophecy of the future; the
+hawk&rsquo;s nose above accorded so ill with the pink
+baby&rsquo;s mouth below.&nbsp; His spirit and his pride
+belonged, you might say, to the nose; while it was the general
+shiftlessness expressed by the other that had thrown him from
+situation to situation, and at length on board the emigrant
+ship.&nbsp; Barney ate, so to speak, nothing from the galley; his
+own tea, butter, and eggs supported him throughout the voyage;
+and about mealtime you might often find him up to the elbows in
+amateur cookery.&nbsp; His was the first voice heard singing
+among all the passengers; he was the first who fell to
+dancing.&nbsp; From Loch Foyle to Sandy Hook, there was not a
+piece of fun undertaken but there was Barney in the midst.</p>
+<p>You ought to have seen him when he stood up to sing at our
+concerts&mdash;his tight little figure stepping to and fro, and
+his feet shuffling to the air, his eyes seeking and bestowing
+encouragement&mdash;and to have enjoyed the bow, so nicely
+calculated between jest and earnest, between grace and
+clumsiness, with which he brought each song to a
+conclusion.&nbsp; He was not only a great favourite among
+ourselves, but his songs attracted the lords of the saloon, who
+often leaned to hear him over the rails of the
+hurricane-deck.&nbsp; He was somewhat pleased, but not at all
+abashed, by this attention; and one night, in the midst of his
+famous performance of &lsquo;Billy Keogh,&rsquo; I saw him spin
+half round in a pirouette and throw an audacious wink to an old
+gentleman above.</p>
+<p><!-- page 42--><a name="page42"></a><span class="pagenum">p.
+42</span>This was the more characteristic, as, for all his
+daffing, he was a modest and very polite little fellow among
+ourselves.</p>
+<p>He would not have hurt the feelings of a fly, nor throughout
+the passage did he give a shadow of offence; yet he was always,
+by his innocent freedoms and love of fun, brought upon that
+narrow margin where politeness must be natural to walk without a
+fall.&nbsp; He was once seriously angry, and that in a grave,
+quiet manner, because they supplied no fish on Friday; for Barney
+was a conscientious Catholic.&nbsp; He had likewise strict
+notions of refinement; and when, late one evening, after the
+women had retired, a young Scotsman struck up an indecent song,
+Barney&rsquo;s drab clothes were immediately missing from the
+group.&nbsp; His taste was for the society of gentlemen, of whom,
+with the reader&rsquo;s permission, there was no lack in our five
+steerages and second cabin; and he avoided the rough and positive
+with a girlish shrinking.&nbsp; Mackay, partly from his superior
+powers of mind, which rendered him incomprehensible, partly from
+his extreme opinions, was especially distasteful to the
+Irishman.&nbsp; I have seen him slink off with backward looks of
+terror and offended delicacy, while the other, in his witty, ugly
+way, had been professing hostility to God, and an extreme
+theatrical readiness to be shipwrecked on the spot.&nbsp; These
+utterances hurt the little coachman&rsquo;s modesty like a bad
+word.</p>
+<h3>THE SICK MAN</h3>
+<p>One night Jones, the young O&rsquo;Reilly, and myself were
+walking arm-in-arm and briskly up and down the deck.&nbsp; Six
+bells had rung; a head-wind blew chill and fitful, the fog was
+closing in with a sprinkle of rain, and the fog-whistle had been
+turned on, and now divided time with its unwelcome outcries, loud
+like a bull, thrilling and intense like a mosquito.&nbsp; Even
+the watch lay somewhere snugly out of sight.</p>
+<p>For some time we observed something lying black and huddled in
+the scuppers, which at last heaved a little and moaned
+aloud.&nbsp; We ran to the rails.&nbsp; An elderly man, but
+whether passenger or seaman it was impossible in the darkness to
+determine, lay grovelling on his belly in the wet scuppers, and
+kicking feebly with his outspread toes.&nbsp; We asked him what
+was amiss, and he replied incoherently, with a strange accent and
+in a voice unmanned by terror, that he had cramp in the stomach,
+that he had been ailing all day, had seen the doctor twice, and
+had walked the deck against fatigue till he was overmastered and
+had fallen where we found him.</p>
+<p>Jones remained by his side, while O&rsquo;Reilly and I hurried
+off to seek the doctor.&nbsp; We knocked in vain at the
+doctor&rsquo;s cabin; there came no reply; nor could we find any
+one to guide us.&nbsp; It was no time for delicacy; so we ran
+once more forward; and I, whipping up a ladder and touching my
+hat to the officer of the watch, addressed him as politely as I
+could&mdash;</p>
+<p>&lsquo;I beg your pardon, sir; but there is a man lying bad
+with cramp in the lee scuppers; and I can&rsquo;t find the
+doctor.&rsquo;</p>
+<p>He looked at me peeringly in the darkness; and then, somewhat
+harshly, &lsquo;Well, <i>I</i> can&rsquo;t leave the bridge, my
+man,&rsquo; said he.</p>
+<p>&lsquo;No, sir; but you can tell me what to do,&rsquo; I
+returned.</p>
+<p>&lsquo;Is it one of the crew?&rsquo; he asked.</p>
+<p>&lsquo;I believe him to be a fireman,&rsquo; I replied.</p>
+<p>I dare say officers are much annoyed by complaints and
+alarmist information from their freight of human creatures; but
+certainly, whether it was the idea that the sick man was one of
+the crew, or from something conciliatory in my address, the
+officer in question was immediately relieved and mollified; and
+speaking in a voice much freer from constraint, advised me to
+find a steward and despatch him in quest of the doctor, who would
+now be in the smoking-room over his pipe.</p>
+<p>One of the stewards was often enough to be found about this
+hour down our companion, Steerage No. 2 and 3; that was his
+smoking-room of a night.&nbsp; Let me call him Blackwood.&nbsp;
+O&rsquo;Reilly and I rattled down the companion, breathing hurry;
+and in his shirt-sleeves and perched across the carpenters bench
+upon one thigh, found Blackwood; a neat, bright, dapper,
+Glasgow-looking man, with a bead of an eye and a rank twang in
+his speech.&nbsp; I forget who was with him, but the pair were
+enjoying a deliberate talk over their pipes.&nbsp; I dare say he
+was tired with his day&rsquo;s work, and eminently comfortable at
+that moment; and the truth is, I did not stop to consider his
+feelings, but told my story in a breath.</p>
+<p>&lsquo;Steward,&rsquo; said I, &lsquo;there&rsquo;s a man
+lying bad with cramp, and I can&rsquo;t find the
+doctor.&rsquo;</p>
+<p>He turned upon me as pert as a sparrow, but with a black look
+that is the prerogative of man; and taking his pipe out of his
+mouth&mdash;</p>
+<p>&lsquo;That&rsquo;s none of my business,&rsquo; said he.&nbsp;
+&lsquo;I don&rsquo;t care.&rsquo;</p>
+<p>I could have strangled the little ruffian where he sat.&nbsp;
+The thought of his cabin civility and cabin tips filled me with
+indignation.&nbsp; I glanced at O&rsquo;Reilly; he was pale and
+quivering, and looked like assault and battery, every inch of
+him.&nbsp; But we had a better card than violence.</p>
+<p>&lsquo;You will have to make it your business,&rsquo; said I,
+&lsquo;for I am sent to you by the officer on the
+bridge.&rsquo;</p>
+<p>Blackwood was fairly tripped.&nbsp; He made no answer, but put
+out his pipe, gave me one murderous look, and set off upon his
+errand strolling.&nbsp; From that day forward, I should say, he
+improved to me in courtesy, as though he had repented his evil
+speech and were anxious to leave a better impression.</p>
+<p>When we got on deck again, Jones was still beside the sick
+man; and two or three late stragglers had gathered round, and
+were offering suggestions.&nbsp; One proposed to give the patient
+water, which was promptly negatived.&nbsp; Another bade us hold
+him up; he himself prayed to be let lie; but as it was at least
+as well to keep him off the streaming decks, O&rsquo;Reilly and I
+supported him between us.&nbsp; It was only by main force that we
+did so, and neither an easy nor an agreeable duty; for he fought
+in his paroxysms like a frightened child, and moaned miserably
+when he resigned himself to our control.</p>
+<p>&lsquo;O let me lie!&rsquo; he pleaded.&nbsp;
+&lsquo;I&rsquo;ll no&rsquo; get better anyway.&rsquo;&nbsp; And
+then, with a moan that went to my heart, &lsquo;O why did I come
+upon this miserable journey?&rsquo;</p>
+<p>I was reminded of the song which I had heard a little while
+before in the close, tossing steerage: &lsquo;O why left I my
+hame?&rsquo;</p>
+<p>Meantime Jones, relieved of his immediate charge, had gone off
+to the galley, where we could see a light.&nbsp; There he found a
+belated cook scouring pans by the radiance of two lanterns, and
+one of these he sought to borrow.&nbsp; The scullion was
+backward.&nbsp; &lsquo;Was it one of the crew?&rsquo; he
+asked.&nbsp; And when Jones, smitten with my theory, had assured
+him that it was a fireman, he reluctantly left his scouring and
+came towards us at an easy pace, with one of the lanterns
+swinging from his finger.&nbsp; The light, as it reached the
+spot, showed us an elderly man, thick-set, and grizzled with
+years; but the shifting and coarse shadows concealed from us the
+expression and even the design of his face.</p>
+<p>So soon as the cook set eyes on him he gave a sort of
+whistle.</p>
+<p>&lsquo;<i>It&rsquo;s only a passenger</i>!&rsquo; said he; and
+turning about, made, lantern and all, for the galley.</p>
+<p>&lsquo;He&rsquo;s a man anyway,&rsquo; cried Jones in
+indignation.</p>
+<p>&lsquo;Nobody said he was a woman,&rsquo; said a gruff voice,
+which I recognised for that of the bo&rsquo;s&rsquo;un.</p>
+<p>All this while there was no word of Blackwood or the doctor;
+and now the officer came to our side of the ship and asked, over
+the hurricane-deck rails, if the doctor were not yet come.&nbsp;
+We told him not.</p>
+<p>&lsquo;No?&rsquo; he repeated with a breathing of anger; and
+we saw him hurry aft in person.</p>
+<p>Ten minutes after the doctor made his appearance deliberately
+enough and examined our patient with the lantern.&nbsp; He made
+little of the case, had the man brought aft to the dispensary,
+dosed him, and sent him forward to his bunk.&nbsp; Two of his
+neighbours in the steerage had now come to our assistance,
+expressing loud sorrow that such &lsquo;a fine cheery body&rsquo;
+should be sick; and these, claiming a sort of possession, took
+him entirely under their own care.&nbsp; The drug had probably
+relieved him, for he struggled no more, and was led along
+plaintive and patient, but protesting.&nbsp; His heart recoiled
+at the thought of the steerage.&nbsp; &lsquo;O let me lie down
+upon the bieldy side,&rsquo; he cried; &lsquo;O dinna take me
+down!&rsquo;&nbsp; And again: &lsquo;O why did ever I come upon
+this miserable voyage?&rsquo;&nbsp; And yet once more, with a
+gasp and a wailing prolongation of the fourth word: &lsquo;I had
+no <i>call</i> to come.&rsquo;&nbsp; But there he was; and by the
+doctor&rsquo;s orders and the kind force of his two shipmates
+disappeared down the companion of Steerage No. 1 into the den
+allotted him.</p>
+<p>At the foot of our own companion, just where I found
+Blackwood, Jones and the bo&rsquo;s&rsquo;un were now engaged in
+talk.&nbsp; This last was a gruff, cruel-looking seaman, who must
+have passed near half a century upon the seas; square-headed,
+goat-bearded, with heavy blond eyebrows, and an eye without
+radiance, but inflexibly steady and hard.&nbsp; I had not
+forgotten his rough speech; but I remembered also that he had
+helped us about the lantern; and now seeing him in conversation
+with Jones, and being choked with indignation, I proceeded to
+blow off my steam.</p>
+<p>&lsquo;Well,&rsquo; said I, &lsquo;I make you my compliments
+upon your steward,&rsquo; and furiously narrated what had
+happened.</p>
+<p>&lsquo;I&rsquo;ve nothing to do with him,&rsquo; replied the
+bo&rsquo;s&rsquo;un.&nbsp; &lsquo;They&rsquo;re all alike.&nbsp;
+They wouldn&rsquo;t mind if they saw you all lying dead one upon
+the top of another.&rsquo;</p>
+<p>This was enough.&nbsp; A very little humanity went a long way
+with me after the experience of the evening.&nbsp; A sympathy
+grew up at once between the bo&rsquo;s&rsquo;un and myself; and
+that night, and during the next few days, I learned to appreciate
+him better.&nbsp; He was a remarkable type, and not at all the
+kind of man you find in books.&nbsp; He had been at Sebastopol
+under English colours; and again in a States ship, &lsquo;after
+the <i>Alabama</i>, and praying God we shouldn&rsquo;t find
+her.&rsquo;&nbsp; He was a high Tory and a high Englishman.&nbsp;
+No manufacturer could have held opinions more hostile to the
+working man and his strikes.&nbsp; &lsquo;The workmen,&rsquo; he
+said, &lsquo;think nothing of their country.&nbsp; They think of
+nothing but themselves.&nbsp; They&rsquo;re damned greedy,
+selfish fellows.&rsquo;&nbsp; He would not hear of the decadence
+of England.&nbsp; &lsquo;They say they send us beef from
+America,&rsquo; he argued; &lsquo;but who pays for it?&nbsp; All
+the money in the world&rsquo;s in England.&rsquo;&nbsp; The Royal
+Navy was the best of possible services, according to him.&nbsp;
+&lsquo;Anyway the officers are gentlemen,&rsquo; said he;
+&lsquo;and you can&rsquo;t get hazed to death by a damned
+non-commissioned&mdash;as you can in the army.&rsquo;&nbsp; Among
+nations, England was the first; then came France.&nbsp; He
+respected the French navy and liked the French people; and if he
+were forced to make a new choice in life, &lsquo;by God, he would
+try Frenchmen!&rsquo;&nbsp; For all his looks and rough, cold
+manners, I observed that children were never frightened by him;
+they divined him at once to be a friend; and one night when he
+had chalked his hand and clothes, it was incongruous to hear this
+formidable old salt chuckling over his boyish monkey trick.</p>
+<p>In the morning, my first thought was of the sick man.&nbsp; I
+was afraid I should not recognise him, baffling had been the
+light of the lantern; and found myself unable to decide if he
+were Scots, English, or Irish.&nbsp; He had certainly employed
+north-country words and elisions; but the accent and the
+pronunciation seemed unfamiliar and incongruous in my ear.</p>
+<p>To descend on an empty stomach into Steerage No. 1, was an
+adventure that required some nerve.&nbsp; The stench was
+atrocious; each respiration tasted in the throat like some
+horrible kind of cheese; and the squalid aspect of the place was
+aggravated by so many people worming themselves into their
+clothes in twilight of the bunks.&nbsp; You may guess if I was
+pleased, not only for him, but for myself also, when I heard that
+the sick man was better and had gone on deck.</p>
+<p>The morning was raw and foggy, though the sun suffused the fog
+with pink and amber; the fog-horn still blew, stertorous and
+intermittent; and to add to the discomfort, the seamen were just
+beginning to wash down the decks.&nbsp; But for a sick man this
+was heaven compared to the steerage.&nbsp; I found him standing
+on the hot-water pipe, just forward of the saloon deck
+house.&nbsp; He was smaller than I had fancied, and
+plain-looking; but his face was distinguished by strange and
+fascinating eyes, limpid grey from a distance, but, when looked
+into, full of changing colours and grains of gold.&nbsp; His
+manners were mild and uncompromisingly plain; and I soon saw
+that, when once started, he delighted to talk.&nbsp; His accent
+and language had been formed in the most natural way, since he
+was born in Ireland, had lived a quarter of a century on the
+banks of Tyne, and was married to a Scots wife.&nbsp; A fisherman
+in the season, he had fished the east coast from Fisherrow to
+Whitby.&nbsp; When the season was over, and the great boats,
+which required extra hands, were once drawn up on shore till the
+next spring, he worked as a labourer about chemical furnaces, or
+along the wharves unloading vessels.&nbsp; In this comparatively
+humble way of life he had gathered a competence, and could speak
+of his comfortable house, his hayfield, and his garden.&nbsp; On
+this ship, where so many accomplished artisans were fleeing from
+starvation, he was present on a pleasure trip to visit a brother
+in New York.</p>
+<p>Ere he started, he informed me, he had been warned against the
+steerage and the steerage fare, and recommended to bring with him
+a ham and tea and a spice loaf.&nbsp; But he laughed to scorn
+such counsels.&nbsp; &lsquo;I&rsquo;m not afraid,&rsquo; he had
+told his adviser; &lsquo;I&rsquo;ll get on for ten days.&nbsp;
+I&rsquo;ve not been a fisherman for nothing.&rsquo;&nbsp; For it
+is no light matter, as he reminded me, to be in an open boat,
+perhaps waist-deep with herrings, day breaking with a scowl, and
+for miles on every hand lee-shores, unbroken, iron-bound,
+surf-beat, with only here and there an anchorage where you dare
+not lie, or a harbour impossible to enter with the wind that
+blows.&nbsp; The life of a North Sea fisher is one long chapter
+of exposure and hard work and insufficient fare; and even if he
+makes land at some bleak fisher port, perhaps the season is bad
+or his boat has been unlucky and after fifty hours&rsquo;
+unsleeping vigilance and toil, not a shop will give him credit
+for a loaf of bread.&nbsp; Yet the steerage of the emigrant ship
+had been too vile for the endurance of a man thus rudely
+trained.&nbsp; He had scarce eaten since he came on board, until
+the day before, when his appetite was tempted by some excellent
+pea-soup.&nbsp; We were all much of the same mind on board, and
+beginning with myself, had dined upon pea-soup not wisely but too
+well; only with him the excess had been punished, perhaps because
+he was weakened by former abstinence, and his first meal had
+resulted in a cramp.&nbsp; He had determined to live henceforth
+on biscuit; and when, two months later, he should return to
+England, to make the passage by saloon.&nbsp; The second cabin,
+after due inquiry, he scouted as another edition of the
+steerage.</p>
+<p>He spoke apologetically of his emotion when ill.&nbsp;
+&lsquo;Ye see, I had no call to be here,&rsquo; said he;
+&lsquo;and I thought it was by with me last night.&nbsp;
+I&rsquo;ve a good house at home, and plenty to nurse me, and I
+had no real call to leave them.&rsquo;&nbsp; Speaking of the
+attentions he had received from his shipmates generally,
+&lsquo;they were all so kind,&rsquo; he said, &lsquo;that
+there&rsquo;s none to mention.&rsquo;&nbsp; And except in so far
+as I might share in this, he troubled me with no reference to my
+services.</p>
+<p>But what affected me in the most lively manner was the wealth
+of this day-labourer, paying a two months&rsquo; pleasure visit
+to the States, and preparing to return in the saloon, and the new
+testimony rendered by his story, not so much to the horrors of
+the steerage as to the habitual comfort of the working
+classes.&nbsp; One foggy, frosty December evening, I encountered
+on Liberton Hill, near Edinburgh, an Irish labourer trudging
+homeward from the fields.&nbsp; Our roads lay together, and it
+was natural that we should fall into talk.&nbsp; He was covered
+with mud; an inoffensive, ignorant creature, who thought the
+Atlantic Cable was a secret contrivance of the masters the better
+to oppress labouring mankind; and I confess I was astonished to
+learn that he had nearly three hundred pounds in the bank.&nbsp;
+But this man had travelled over most of the world, and enjoyed
+wonderful opportunities on some American railroad, with two
+dollars a shift and double pay on Sunday and at night; whereas my
+fellow-passenger had never quitted Tyneside, and had made all
+that he possessed in that same accursed, down-falling England,
+whence skilled mechanics, engineers, millwrights, and carpenters
+were fleeing as from the native country of starvation.</p>
+<p>Fitly enough, we slid off on the subject of strikes and wages
+and hard times.&nbsp; Being from the Tyne, and a man who had
+gained and lost in his own pocket by these fluctuations, he had
+much to say, and held strong opinions on the subject.&nbsp; He
+spoke sharply of the masters, and, when I led him on, of the men
+also.&nbsp; The masters had been selfish and obstructive, the men
+selfish, silly, and light-headed.&nbsp; He rehearsed to me the
+course of a meeting at which he had been present, and the
+somewhat long discourse which he had there pronounced, calling
+into question the wisdom and even the good faith of the Union
+delegates; and although he had escaped himself through flush
+times and starvation times with a handsomely provided purse, he
+had so little faith in either man or master, and so profound a
+terror for the unerring Nemesis of mercantile affairs, that he
+<!-- page 53--><a name="page53"></a><span class="pagenum">p.
+53</span>could think of no hope for our country outside of a
+sudden and complete political subversion.&nbsp; Down must go
+Lords and Church and Army; and capital, by some happy direction,
+must change hands from worse to better, or England stood
+condemned.&nbsp; Such principles, he said, were growing
+&lsquo;like a seed.&rsquo;</p>
+<p>From this mild, soft, domestic man, these words sounded
+unusually ominous and grave.&nbsp; I had heard enough
+revolutionary talk among my workmen fellow-passengers; but most
+of it was hot and turgid, and fell discredited from the lips of
+unsuccessful men.&nbsp; This man was calm; he had attained
+prosperity and ease; he disapproved the policy which had been
+pursued by labour in the past; and yet this was his
+panacea,&mdash;to rend the old country from end to end, and from
+top to bottom, and in clamour and civil discord remodel it with
+the hand of violence.</p>
+<h3>THE STOWAWAYS</h3>
+<p>On the Sunday, among a party of men who were talking in our
+companion, Steerage No. 2 and 3, we remarked a new figure.&nbsp;
+He wore tweed clothes, well enough made if not very fresh, and a
+plain smoking-cap.&nbsp; His face was pale, with pale eyes, and
+spiritedly enough designed; but though not yet thirty, a sort of
+blackguardly degeneration had already overtaken his
+features.&nbsp; The fine nose had grown fleshy towards the point,
+the pale eyes were sunk in fat.&nbsp; His hands were strong and
+elegant; his experience of life evidently varied; his speech full
+of pith and verve; his manners forward, but perfectly
+presentable.&nbsp; The lad who helped in the second cabin told
+me, in answer to a question, that he did not know who he was, but
+thought, &lsquo;by his way of speaking, and because he was so
+polite, that he was some one from the saloon.&rsquo;</p>
+<p>I was not so sure, for to me there was something equivocal in
+his air and bearing.&nbsp; He might have been, I thought, the son
+of some good family who had fallen early into dissipation and run
+from home.&nbsp; But, making every allowance, how admirable was
+his talk!&nbsp; I wish you could have heard him tell his own
+stories.&nbsp; They were so swingingly set forth, in such
+dramatic language, and illustrated here and there by such
+luminous bits of acting, that they could only lose in any
+reproduction.&nbsp; There were tales of the P. and O. Company,
+where he had been an officer; of the East Indies, where in former
+years he had lived lavishly; of the Royal Engineers, where he had
+served for a period; and of a dozen other sides of life, each
+introducing some vigorous thumb-nail portrait.&nbsp; He had the
+talk to himself that night, we were all so glad to listen.&nbsp;
+The best talkers usually address themselves to some particular
+society; there they are kings, elsewhere camp-followers, as a man
+may know Russian and yet be ignorant of Spanish; but this fellow
+had a frank, headlong power of style, and a broad, human choice
+of subject, that would have turned any circle in the world into a
+circle of hearers.&nbsp; He was a Homeric talker, plain, strong,
+and cheerful; and the things and the people of which he spoke
+became readily and clearly present to the minds of those who
+heard him.&nbsp; This, with a certain added colouring of rhetoric
+and rodomontade, must have been the style of Burns, who equally
+charmed the ears of duchesses and hostlers.</p>
+<p>Yet freely and personally as he spoke, many points remained
+obscure in his narration.&nbsp; The Engineers, for instance, was
+a service which he praised highly; it is true there would be
+trouble with the sergeants; but then the officers were gentlemen,
+and his own, in particular, one among ten thousand.&nbsp; It
+sounded so far exactly like an episode in the rakish, topsy-turvy
+life of such an one as I had imagined.&nbsp; But then there came
+incidents more doubtful, which showed an almost impudent greed
+after gratuities, and a truly impudent disregard for truth.&nbsp;
+And then there was the tale of his departure.&nbsp; He had
+wearied, it seems, of Woolwich, and one fine day, with a
+companion, slipped up to London for a spree.&nbsp; I have a
+suspicion that spree was meant to be a long one; but God disposes
+all things; and one morning, near Westminster Bridge, whom should
+he come across but the very sergeant who had recruited him at
+first!&nbsp; What followed?&nbsp; He himself indicated cavalierly
+that he had then resigned.&nbsp; Let us put it so.&nbsp; But
+these resignations are sometimes very trying.</p>
+<p>At length, after having delighted us for hours, he took
+himself away from the companion; and I could ask Mackay who and
+what he was.&nbsp; &lsquo;That?&rsquo; said Mackay.&nbsp;
+&lsquo;Why, that&rsquo;s one of the stowaways.&rsquo;</p>
+<p>&lsquo;No man,&rsquo; said the same authority, &lsquo;who has
+had anything to do with the sea, would ever think of paying for a
+passage.&rsquo;&nbsp; I give the statement as Mackay&rsquo;s,
+without endorsement; yet I am tempted to believe that it contains
+a grain of truth; and if you add that the man shall be impudent
+and thievish, or else dead-broke, it may even pass for a fair
+representation of the facts.&nbsp; We gentlemen of England who
+live at home at ease have, I suspect, very insufficient ideas on
+the subject.&nbsp; All the world over, people are stowing away in
+coal-holes and dark corners, and when ships are once out to sea,
+appearing again, begrimed and bashful, upon deck.&nbsp; The
+career of these sea-tramps partakes largely of the
+adventurous.&nbsp; They may be poisoned by coal-gas, or die by
+starvation in their place of concealment; or when found they may
+be clapped at once and ignominiously into irons, thus to be
+carried to their promised land, the port of destination, and
+alas! brought back in the same way to that from which they
+started, and there delivered over to the magistrates and the
+seclusion of a county jail.&nbsp; Since I crossed the Atlantic,
+one miserable stowaway was found in a dying state among the fuel,
+uttered but a word or two, and departed for a farther country
+than America.</p>
+<p>When the stowaway appears on deck, he has but one thing to
+pray for: that he be set to work, which is the price and sign of
+his forgiveness.&nbsp; After half an hour with a swab or a
+bucket, he feels himself as secure as if he had paid for his
+passage.&nbsp; It is not altogether a bad thing for the company,
+who get more or less efficient hands for nothing but a few plates
+of junk and duff; and every now and again find themselves better
+paid than by a whole family of cabin passengers.&nbsp; Not long
+ago, for instance, a packet was saved from nearly certain loss by
+the skill and courage of a stowaway engineer.&nbsp; As was no
+more than just, a handsome subscription rewarded him for his
+success: but even without such exceptional good fortune, as
+things stand in England and America, the stowaway will often make
+a good profit out of his adventure.&nbsp; Four engineers stowed
+away last summer on the same ship, the <i>Circassia</i>; and
+before two days after their arrival each of the four had found a
+comfortable berth.&nbsp; This was the most hopeful tale of
+emigration that I heard from first to last; and as you see, the
+luck was for stowaways.</p>
+<p>My curiosity was much inflamed by what I heard; and the next
+morning, as I was making the round of the ship, I was delighted
+to find the ex-Royal Engineer engaged in washing down the white
+paint of a deck house.&nbsp; There was another fellow at work
+beside him, a lad not more than twenty, in the most miraculous
+tatters, his handsome face sown with grains of beauty and lighted
+up by expressive eyes.&nbsp; Four stowaways had been found aboard
+our ship before she left the Clyde, but these two had alone
+escaped the ignominy of being put ashore.&nbsp; Alick, my
+acquaintance of last night, was Scots by birth, and by trade a
+practical engineer; the other was from Devonshire, and had been
+to sea before the mast.&nbsp; Two people more unlike by training,
+character, and habits it would be hard to imagine; yet here they
+were together, scrubbing paint.</p>
+<p>Alick had held all sorts of good situations, and wasted many
+opportunities in life.&nbsp; I have heard him end a story with
+these words: &lsquo;That was in my golden days, when I used
+finger-glasses.&rsquo;&nbsp; Situation after situation failed
+him; then followed the depression of trade, and for months he had
+hung round with other idlers, playing marbles all day in the West
+Park, and going home at night to tell his landlady how he had
+been seeking for a job.&nbsp; I believe this kind of existence
+was not unpleasant to Alick himself, and he might have long
+continued to enjoy idleness and a life on tick; but he had a
+comrade, let us call him Brown, who grew restive.&nbsp; This
+fellow was continually threatening to slip his cable for the
+States, and at last, one Wednesday, Glasgow was left widowed of
+her Brown.&nbsp; Some months afterwards, Alick met another old
+chum in Sauchiehall Street.</p>
+<p>&lsquo;By the bye, Alick,&rsquo; said he, &lsquo;I met a
+gentleman in New York who was asking for you.&rsquo;</p>
+<p>&lsquo;Who was that?&rsquo; asked Alick.</p>
+<p>&lsquo;The new second engineer on board the
+<i>So-and-so</i>,&rsquo; was the reply.</p>
+<p>&lsquo;Well, and who is he?&rsquo;</p>
+<p>&lsquo;Brown, to be sure.&rsquo;</p>
+<p>For Brown had been one of the fortunate quartette aboard the
+<i>Circassia</i>.&nbsp; If that was the way of it in the States,
+Alick thought it was high time to follow Brown&rsquo;s
+example.&nbsp; He spent his last day, as he put it,
+&lsquo;reviewing the yeomanry,&rsquo; and the next morning says
+he to his landlady, &lsquo;Mrs. X., I&rsquo;ll not take porridge
+to-day, please; I&rsquo;ll take some eggs.&rsquo;</p>
+<p>&lsquo;Why, have you found a job?&rsquo; she asked,
+delighted.</p>
+<p>&lsquo;Well, yes,&rsquo; returned the perfidious Alick;
+&lsquo;I think I&rsquo;ll start to-day.&rsquo;</p>
+<p>And so, well lined with eggs, start he did, but for
+America.&nbsp; I am afraid that landlady has seen the last of
+him.</p>
+<p>It was easy enough to get on board in the confusion that
+attends a vessel&rsquo;s departure; and in one of the dark
+corners of Steerage No. 1, flat in a bunk and with an empty
+stomach, Alick made the voyage from the Broomielaw to
+Greenock.&nbsp; That night, the ship&rsquo;s yeoman pulled him
+out by the heels and had him before the mate.&nbsp; Two other
+stowaways had already been found and sent ashore; but by this
+time darkness had fallen, they were out in the middle of the
+estuary, and the last steamer had left them till the morning.</p>
+<p>&lsquo;Take him to the forecastle and give him a meal,&rsquo;
+said the mate, &lsquo;and see and pack him off the first thing
+to-morrow.&rsquo;</p>
+<p>In the forecastle he had supper, a good night&rsquo;s rest,
+and breakfast; and was sitting placidly with a pipe, fancying all
+was over and the game up for good with that ship, when one of the
+sailors grumbled out an oath at him, with a &lsquo;What are you
+doing there?&rsquo; and &lsquo;Do you call that hiding,
+anyway?&rsquo;&nbsp; There was need of no more; Alick was in
+another bunk before the day was older.&nbsp; Shortly before the
+passengers arrived, the ship was cursorily inspected.&nbsp; He
+heard the round come down the companion and look into one pen
+after another, until they came within two of the one in which he
+lay concealed.&nbsp; Into these last two they did not enter, but
+merely glanced from without; and Alick had no doubt that he was
+personally favoured in this escape.&nbsp; It was the character of
+the man to attribute nothing to luck and but little to kindness;
+whatever happened to him he had earned in his own right amply;
+favours came to him from his singular attraction and adroitness,
+and misfortunes he had always accepted with his eyes open.&nbsp;
+Half an hour after the searchers had departed, the steerage began
+to fill with legitimate passengers, and the worst of
+Alick&rsquo;s troubles was at an end.&nbsp; He was soon making
+himself popular, smoking other people&rsquo;s tobacco, and
+politely sharing their private stock delicacies, and when night
+came he retired to his bunk beside the others with composure.</p>
+<p>Next day by afternoon, Lough Foyle being already far behind,
+and only the rough north-western hills of Ireland within view,
+Alick appeared on deck to court inquiry and decide his
+fate.&nbsp; As a matter of fact, he was known to several on
+board, and even intimate with one of the engineers; but it was
+plainly not the etiquette of such occasions for the authorities
+to avow their information.&nbsp; Every one professed surprise and
+anger on his appearance, and he was led prison before the
+captain.</p>
+<p>&lsquo;What have you got to say for yourself?&rsquo; inquired
+the captain.</p>
+<p>&lsquo;Not much,&rsquo; said Alick; &lsquo;but when a man has
+been a long time out of a job, he will do things he would not
+under other circumstances.&rsquo;</p>
+<p>&lsquo;Are you willing to work?&rsquo;</p>
+<p>Alick swore he was burning to be useful.</p>
+<p>&lsquo;And what can you do?&rsquo; asked the captain.</p>
+<p>He replied composedly that he was a brass-fitter by trade.</p>
+<p>&lsquo;I think you will be better at engineering?&rsquo;
+suggested the officer, with a shrewd look.</p>
+<p>&lsquo;No, sir,&rsquo; says Alick
+simply.&mdash;&lsquo;There&rsquo;s few can beat me at a
+lie,&rsquo; was his engaging commentary to me as he recounted the
+affair.</p>
+<p>&lsquo;Have you been to sea?&rsquo; again asked the
+captain.</p>
+<p>&lsquo;I&rsquo;ve had a trip on a Clyde steamboat, sir, but no
+more,&rsquo; replied the unabashed Alick.</p>
+<p>&lsquo;Well, we must try and find some work for you,&rsquo;
+concluded the officer.</p>
+<p>And hence we behold Alick, clear of the hot engine-room,
+lazily scraping paint and now and then taking a pull upon a
+sheet.&nbsp; &lsquo;You leave me alone,&rsquo; was his
+deduction.&nbsp; &lsquo;When I get talking to a man, I can get
+round him.&rsquo;</p>
+<p>The other stowaway, whom I will call the Devonian&mdash;it was
+noticeable that neither of them told his name&mdash;had both been
+brought up and seen the world in a much smaller way.&nbsp; His
+father, a confectioner, died and was closely followed by his
+mother.&nbsp; His sisters had taken, I think, to
+dressmaking.&nbsp; He himself had returned from sea about a year
+ago and gone to live with his brother, who kept the &lsquo;George
+Hotel&rsquo;&mdash;&lsquo;it was not quite a real hotel,&rsquo;
+added the candid fellow&mdash;&lsquo;and had a hired man to mind
+the horses.&rsquo;&nbsp; At first the Devonian was very welcome;
+but as time went on his brother not unnaturally grew cool towards
+him, and he began to find himself one too many at the
+&lsquo;George Hotel.&rsquo;&nbsp; &lsquo;I don&rsquo;t think
+brothers care much for you,&rsquo; he said, as a general
+reflection upon life.&nbsp; Hurt at this change, nearly
+penniless, and too proud to ask for more, he set off on foot and
+walked eighty miles to Weymouth, living on the journey as he
+could.&nbsp; He would have enlisted, but he was too small for the
+army and too old for the navy; and thought himself fortunate at
+last to find a berth on board a trading dandy.&nbsp; Somewhere in
+the Bristol Channel the dandy sprung a leak and went down; and
+though the crew were picked up and brought ashore by fishermen,
+they found themselves with nothing but the clothes upon their
+back.&nbsp; His next engagement was scarcely better starred; for
+the ship proved so leaky, and frightened them all so heartily
+during a short passage through the Irish Sea, that the entire
+crew deserted and remained behind upon the quays of Belfast.</p>
+<p>Evil days were now coming thick on the Devonian.&nbsp; He
+could find no berth in Belfast, and had to work a passage to
+Glasgow on a steamer.&nbsp; She reached the Broomielaw on a
+Wednesday: the Devonian had a bellyful that morning, laying in
+breakfast manfully to provide against the future, and set off
+along the quays to seek employment.&nbsp; But he was now not only
+penniless, his clothes had begun to fall in tatters; he had begun
+to have the look of a street Arab; and captains will have nothing
+to say to a ragamuffin; for in that trade, as in all others, it
+is the coat that depicts the man.&nbsp; You may hand, reef, and
+steer like an angel, but if you have a hole in your trousers, it
+is like a millstone round your neck.&nbsp; The Devonian lost
+heart at so many refusals.&nbsp; He had not the impudence to beg;
+although, as he said, &lsquo;when I had money of my own, I always
+gave it.&rsquo;&nbsp; It was only on Saturday morning, after
+three whole days of starvation, that he asked a scone from a
+milkwoman, who added of her own accord a glass of milk.&nbsp; He
+had now made up his mind to stow away, not from any desire to see
+America, but merely to obtain the comfort of a place in the
+forecastle and a supply of familiar sea-fare.&nbsp; He lived by
+begging, always from milkwomen, and always scones and milk, and
+was not once refused.&nbsp; It was vile wet weather, and he could
+never have been dry.&nbsp; By night he walked the streets, and by
+day slept upon Glasgow Green, and heard, in the intervals of his
+dozing, the famous theologians of the spot clear up intricate
+points of doctrine and appraise the merits of the clergy.&nbsp;
+He had not much instruction; he could &lsquo;read bills on the
+street,&rsquo; but was &lsquo;main bad at writing&rsquo;; yet
+these theologians seem to have impressed him with a genuine sense
+of amusement.&nbsp; Why he did not go to the Sailors&rsquo; House
+I know not; I presume there is in Glasgow one of these
+institutions, which are by far the happiest and the wisest effort
+of contemporaneous charity; but I must stand to my author, as
+they say in old books, and relate the story as I heard it.&nbsp;
+In the meantime, he had tried four times to stow away in
+different vessels, and four times had been discovered and handed
+back to starvation.&nbsp; The fifth time was lucky; and you may
+judge if he were pleased to be aboard ship again, at his old
+work, and with duff twice a week.&nbsp; He was, said Alick,
+&lsquo;a devil for the duff.&rsquo;&nbsp; Or if devil was not the
+word, it was one if anything stronger.</p>
+<p>The difference in the conduct of the two was remarkable.&nbsp;
+The Devonian was as willing as any paid hand, swarmed aloft among
+the first, pulled his natural weight and firmly upon a rope, and
+found work for himself when there was none to show him.&nbsp;
+Alick, on the other hand, was not only a skulker in the grain,
+but took a humorous and fine gentlemanly view of the
+transaction.&nbsp; He would speak to me by the hour in
+ostentatious idleness; and only if the bo&rsquo;s&rsquo;un or a
+mate came by, fell-to languidly for just the necessary time till
+they were out of sight. &lsquo;I&rsquo;m not breaking my heart
+with it,&rsquo; he remarked.</p>
+<p>Once there was a hatch to be opened near where he was
+stationed; he watched the preparations for a second or so
+suspiciously, and then, &lsquo;Hullo,&rsquo; said he,
+&lsquo;here&rsquo;s some real work coming&mdash;I&rsquo;m
+off,&rsquo; and he was gone that moment.&nbsp; Again, calculating
+the six guinea passage-money, and the probable duration of the
+passage, he remarked pleasantly that he was getting six shillings
+a day for this job, &lsquo;and it&rsquo;s pretty dear to the
+company at that.&rsquo;&nbsp; &lsquo;They are making nothing by
+me,&rsquo; was another of his observations; &lsquo;they&rsquo;re
+making something by that fellow.&rsquo;&nbsp; And he pointed to
+the Devonian, who was just then busy to the eyes.</p>
+<p>The more you saw of Alick, the more, it must be owned, you
+learned to despise him.&nbsp; His natural talents were of no use
+either to himself or others; for his character had degenerated
+like his face, and become pulpy and pretentious.&nbsp; Even his
+power of persuasion, which was certainly very surprising, stood
+in some danger of being lost or neutralised by
+over-confidence.&nbsp; He lied in an aggressive, brazen manner,
+like a pert criminal in the dock; and he was so vain of his own
+cleverness that he could not refrain from boasting, ten minutes
+after, of the very trick by which he had deceived you.&nbsp;
+&lsquo;Why, now I have more money than when I came on
+board,&rsquo; he said one night, exhibiting a sixpence,
+&lsquo;and yet I stood myself a bottle of beer before I went to
+bed yesterday.&nbsp; And as for tobacco, I have fifteen sticks of
+it.&rsquo;&nbsp; That was fairly successful indeed; yet a man of
+his superiority, and with a less obtrusive policy, might, who
+knows? have got the length of half a crown.&nbsp; A man who
+prides himself upon persuasion should learn the persuasive
+faculty of silence, above all as to his own misdeeds.&nbsp; It is
+only in the farce and for dramatic purposes that Scapin enlarges
+on his peculiar talents to the world at large.</p>
+<p>Scapin is perhaps a good name for this clever, unfortunate
+Alick; for at the bottom of all his misconduct there was a
+guiding sense of humour that moved you to forgive him.&nbsp; It
+was more than half a jest that he conducted his existence.&nbsp;
+&lsquo;Oh, man,&rsquo; he said to me once with unusual emotion,
+like a man thinking of his mistress, &lsquo;I would give up
+anything for a lark.&rsquo;</p>
+<p>It was in relation to his fellow-stowaway that Alick showed
+the best, or perhaps I should say the only good, points of his
+nature.&nbsp; &lsquo;Mind you,&rsquo; he said suddenly, changing
+his tone, &lsquo;mind you that&rsquo;s a good boy.&nbsp; He
+wouldn&rsquo;t tell you a lie.&nbsp; A lot of them think he is a
+scamp because his clothes are ragged, but he isn&rsquo;t;
+he&rsquo;s as good as gold.&rsquo;&nbsp; To hear him, you become
+aware that Alick himself had a taste for virtue.&nbsp; He thought
+his own idleness and the other&rsquo;s industry equally
+becoming.&nbsp; He was no more anxious to insure his own
+reputation as a liar than to uphold the truthfulness of his
+companion; and he seemed unaware of what was incongruous in his
+attitude, and was plainly sincere in both characters.</p>
+<p>It was not surprising that he should take an interest in the
+Devonian, for the lad worshipped and served him in love and
+wonder.&nbsp; Busy as he was, he would find time to warn Alick of
+an approaching officer, or even to tell him that the coast was
+clear, and he might slip off and smoke a pipe in safety.&nbsp;
+&lsquo;Tom,&rsquo; he once said to him, for that was the name
+which Alick ordered him to use, &lsquo;if you don&rsquo;t like
+going to the galley, I&rsquo;ll go for you.&nbsp; You ain&rsquo;t
+used to this kind of thing, you ain&rsquo;t.&nbsp; But I&rsquo;m
+a sailor; and I can understand the feelings of any fellow, I
+can.&rsquo;&nbsp; Again, he was hard up, and casting about for
+some tobacco, for he was not so liberally used in this respect as
+others perhaps less worthy, when Alick offered him the half of
+one of his fifteen sticks.&nbsp; I think, for my part, he might
+have increased the offer to a whole one, or perhaps a pair of
+them, and not lived to regret his liberality.&nbsp; But the
+Devonian refused.&nbsp; &lsquo;No,&rsquo; he said,
+&lsquo;you&rsquo;re a stowaway like me; I won&rsquo;t take it
+from you, I&rsquo;ll take it from some one who&rsquo;s not down
+on his luck.&rsquo;</p>
+<p>It was notable in this generous lad that he was strongly under
+the influence of sex.&nbsp; If a woman passed near where he was
+working, his eyes lit up, his hand paused, and his mind wandered
+instantly to other thoughts.&nbsp; It was natural that he should
+exercise a fascination proportionally strong upon women.&nbsp; He
+begged, you will remember, from women only, and was never
+refused.&nbsp; Without wishing to explain away the charity of
+those who helped him, I cannot but fancy he may have owed a
+little to his handsome face, and to that quick, responsive
+nature, formed for love, which speaks eloquently through all
+disguises, and can stamp an impression in ten minutes&rsquo; talk
+or an exchange of glances.&nbsp; He was the more dangerous in
+that he was far from bold, but seemed to woo in spite of himself,
+and with a soft and pleading eye.&nbsp; Ragged as he was, and
+many a scarecrow is in that respect more comfortably furnished,
+even on board he was not without some curious admirers.</p>
+<p>There was a girl among the passengers, a tall, blonde,
+handsome, strapping Irishwoman, with a wild, accommodating eye,
+whom Alick had dubbed Tommy, with that transcendental
+appropriateness that defies analysis.&nbsp; One day the Devonian
+was lying for warmth in the upper stoke-hole, which stands open
+on the deck, when Irish Tommy came past, very neatly attired, as
+was her custom.</p>
+<p>&lsquo;Poor fellow,&rsquo; she said, stopping, &lsquo;you
+haven&rsquo;t a vest.&rsquo;</p>
+<p>&lsquo;No,&rsquo; he said; &lsquo;I wish I
+&rsquo;ad.&rsquo;</p>
+<p>Then she stood and gazed on him in silence, until, in his
+embarrassment, for he knew not how to look under this scrutiny,
+he pulled out his pipe and began to fill it with tobacco.</p>
+<p>&lsquo;Do you want a match?&rsquo; she asked.&nbsp; And before
+he had time to reply, she ran off and presently returned with
+more than one.</p>
+<p>That was the beginning and the end, as far as our passage is
+concerned, of what I will make bold to call this
+love-affair.&nbsp; There are many relations which go on to
+marriage and last during a lifetime, in which less human feeling
+is engaged than in this scene of five minutes at the
+stoke-hole.</p>
+<p>Rigidly speaking, this would end the chapter of the stowaways;
+but in a larger sense of the word I have yet more to add.&nbsp;
+Jones had discovered and pointed out to me a young woman who was
+remarkable among her fellows for a pleasing and interesting
+air.&nbsp; She was poorly clad, to the verge, if not over the
+line, of disrespectability, with a ragged old jacket and a bit of
+a sealskin cap no bigger than your fist; but her eyes, her whole
+expression, and her manner, even in ordinary moments, told of a
+true womanly nature, capable of love, anger, and devotion.&nbsp;
+She had a look, too, of refinement, like one who might have been
+a better lady than most, had she been allowed the
+opportunity.&nbsp; When alone she seemed preoccupied and sad; but
+she was not often alone; there was usually by her side a heavy,
+dull, gross man in rough clothes, chary of speech and
+gesture&mdash;not from caution, but poverty of disposition; a man
+like a ditcher, unlovely and uninteresting; whom she petted and
+tended and waited on with her eyes as if he had been Amadis of
+Gaul.&nbsp; It was strange to see this hulking fellow dog-sick,
+and this delicate, sad woman caring for him.&nbsp; He seemed,
+from first to last, insensible of her caresses and attentions,
+and she seemed unconscious of his insensibility.&nbsp; The Irish
+husband, who sang his wife to sleep, and this Scottish girl
+serving her Orson, were the two bits of human nature that most
+appealed to me throughout the voyage.</p>
+<p>On the Thursday before we arrived, the tickets were collected;
+and soon a rumour began to go round the vessel; and this girl,
+with her bit of sealskin cap, became the centre of whispering and
+pointed fingers.&nbsp; She also, it was said, was a stowaway of a
+sort; for she was on board with neither ticket nor money; and the
+man with whom she travelled was the father of a family, who had
+left wife and children to be hers.&nbsp; The ship&rsquo;s
+officers discouraged the story, which may therefore have been a
+story and no more; but it was believed in the steerage, and the
+poor girl had to encounter many curious eyes from that day
+forth.</p>
+<h3><!-- page 69--><a name="page69"></a><span class="pagenum">p.
+69</span>PERSONAL EXPERIENCE AND REVIEW</h3>
+<p>Travel is of two kinds; and this voyage of mine across the
+ocean combined both.&nbsp; &lsquo;Out of my country and myself I
+go,&rsquo; sings the old poet: and I was not only travelling out
+of my country in latitude and longitude, but out of myself in
+diet, associates, and consideration.&nbsp; Part of the interest
+and a great deal of the amusement flowed, at least to me, from
+this novel situation in the world.</p>
+<p>I found that I had what they call fallen in life with absolute
+success and verisimilitude.&nbsp; I was taken for a steerage
+passenger; no one seemed surprised that I should be so; and there
+was nothing but the brass plate between decks to remind me that I
+had once been a gentleman.&nbsp; In a former book, describing a
+former journey, I expressed some wonder that I could be readily
+and naturally taken for a pedlar, and explained the accident by
+the difference of language and manners between England and
+France.&nbsp; I must now take a humbler view; for here I was
+among my own countrymen, somewhat roughly clad to be sure, but
+with every advantage of speech and manner; and I am bound to
+confess that I passed for nearly anything you please except an
+educated gentleman.&nbsp; The sailors called me
+&lsquo;mate,&rsquo; the officers addressed me as &lsquo;my
+man,&rsquo; my comrades accepted me without hesitation for a
+person of their own character and experience, but with some
+curious information.&nbsp; One, a mason himself, believed I was a
+mason; several, and among these at least one of the seaman,
+judged me to be a petty officer in the American navy; and I was
+so often set down for a practical engineer that at last I had not
+the heart to deny it.&nbsp; From all these guesses I drew one
+conclusion, which told against the insight of my
+companions.&nbsp; They might be close observers in their own way,
+and read the manners in the face; but it was plain that they did
+not extend their observation to the hands.</p>
+<p>To the saloon passengers also I sustained my part without a
+hitch.&nbsp; It is true I came little in their way; but when we
+did encounter, there was no recognition in their eye, although I
+confess I sometimes courted it in silence.&nbsp; All these, my
+inferiors and equals, took me, like the transformed monarch in
+the story, for a mere common, human man.&nbsp; They gave me a
+hard, dead look, with the flesh about the eye kept unrelaxed.</p>
+<p>With the women this surprised me less, as I had already
+experimented on the sex by going abroad through a suburban part
+of London simply attired in a sleeve-waistcoat.&nbsp; The result
+was curious.&nbsp; I then learned for the first time, and by the
+exhaustive process, how much attention ladies are accustomed to
+bestow on all male creatures of their own station; for, in my
+humble rig, each one who went by me caused me a certain shock of
+surprise and a sense of something wanting.&nbsp; In my normal
+circumstances, it appeared every young lady must have paid me
+some tribute of a glance; and though I had often not detected it
+when it was given, I was well aware of its absence when it was
+withheld.&nbsp; My height seemed to decrease with every woman who
+passed me, for she passed me like a dog.&nbsp; This is one of my
+grounds for supposing that what are called the upper classes may
+sometimes produce a disagreeable impression in what are called
+the lower; and I wish some one would continue my experiment, and
+find out exactly at what stage of toilette a man becomes
+invisible to the well-regulated female eye.</p>
+<p>Here on shipboard the matter was put to a more complete test;
+for, even with the addition of speech and manner, I passed among
+the ladies for precisely the average man of the steerage.&nbsp;
+It was one afternoon that I saw this demonstrated.&nbsp; A very
+plainly dressed woman was taken ill on deck.&nbsp; I think I had
+the luck to be present at every sudden seizure during all the
+passage; and on this occasion found myself in the place of
+importance, supporting the sufferer.&nbsp; There was not only a
+large crowd immediately around us, but a considerable knot of
+saloon passengers leaning over our heads from the
+hurricane-deck.&nbsp; One of these, an elderly managing woman,
+hailed me with counsels.&nbsp; Of course I had to reply; and as
+the talk went on, I began to discover that the whole group took
+me for the husband.&nbsp; I looked upon my new wife, poor
+creature, with mingled feelings; and I must own she had not even
+the appearance of the poorest class of city servant-maids, but
+looked more like a country wench who should have been employed at
+a roadside inn.&nbsp; Now was the time for me to go and study the
+brass plate.</p>
+<p>To such of the officers as knew about me&mdash;the doctor, the
+purser, and the stewards&mdash;I appeared in the light of a broad
+joke.&nbsp; The fact that I spent the better part of my day in
+writing had gone abroad over the ship and tickled them all
+prodigiously.&nbsp; Whenever they met me they referred to my
+absurd occupation with familiarity and breadth of humorous
+intention.&nbsp; Their manner was well calculated to remind me of
+my fallen fortunes.&nbsp; You may be sincerely amused by the
+amateur literary efforts of a gentleman, but you scarce publish
+the feeling to his face. &lsquo;Well!&rsquo; they would say:
+&lsquo;still writing?&rsquo;&nbsp; And the smile would widen into
+a laugh.&nbsp; The purser came one day into the cabin, and,
+touched to the heart by my misguided industry, offered me some
+other kind of writing, &lsquo;for which,&rsquo; he added
+pointedly, &lsquo;you will be paid.&rsquo;&nbsp; This was nothing
+else than to copy out the list of passengers.</p>
+<p>Another trick of mine which told against my reputation was my
+choice of roosting-place in an active draught upon the cabin
+floor.&nbsp; I was openly jeered and flouted for this
+eccentricity; and a considerable knot would sometimes gather at
+the door to see my last dispositions for the night.&nbsp; This
+was embarrassing, but I learned to support the trial with
+equanimity.</p>
+<p>Indeed I may say that, upon the whole, my new position sat
+lightly and naturally upon my spirits.&nbsp; I accepted the
+consequences with readiness, and found them far from difficult to
+bear.&nbsp; The steerage conquered me; I conformed more and more
+to the type of the place, not only in manner but at heart,
+growing hostile to the officers and cabin passengers who looked
+down upon me, and day by day greedier for small delicacies.&nbsp;
+Such was the result, as I fancy, of a diet of bread and butter,
+soup and porridge.&nbsp; We think we have no sweet tooth as long
+as we are full to the brim of molasses; but a man must have
+sojourned in the workhouse before he boasts himself indifferent
+to dainties.&nbsp; Every evening, for instance, I was more and
+more preoccupied about our doubtful fare at tea.&nbsp; If it was
+delicate my heart was much lightened; if it was but broken fish I
+was proportionally downcast.&nbsp; The offer of a little jelly
+from a fellow-passenger more provident than myself caused a
+marked elevation in my spirits.&nbsp; And I would have gone to
+the ship&rsquo;s end and back again for an oyster or a chipped
+fruit.</p>
+<p>In other ways I was content with my position.&nbsp; It seemed
+no disgrace to be confounded with my company; for I may as well
+declare at once I found their manners as gentle and becoming as
+those of any other class.&nbsp; I do not mean that my friends
+could have sat down without embarrassment and laughable disaster
+at the table of a duke.&nbsp; That does not imply an inferiority
+of breeding, but a difference of usage.&nbsp; Thus I flatter
+myself that I conducted myself well among my fellow-passengers;
+yet my most ambitious hope is not to have avoided faults, but to
+have committed as few as possible.&nbsp; I know too well that my
+tact is not the same as their tact, and that my habit of a
+different society constituted, not only no qualification, but a
+positive disability to move easily and becomingly in this.&nbsp;
+When Jones complimented me&mdash;because I &lsquo;managed to
+behave very pleasantly&rsquo; to my fellow-passengers, was how he
+put it&mdash;I could follow the thought in his mind, and knew his
+compliment to be such as we pay foreigners on their proficiency
+in English.&nbsp; I dare say this praise was given me immediately
+on the back of some unpardonable solecism, which had led him to
+review my conduct as a whole.&nbsp; We are all ready to laugh at
+the ploughman among lords; we should consider also the case of a
+lord among the ploughmen.&nbsp; I have seen a lawyer in the house
+of a Hebridean fisherman; and I know, but nothing will induce me
+to disclose, which of these two was the better gentleman.&nbsp;
+Some of our finest behaviour, though it looks well enough from
+the boxes, may seem even brutal to the gallery.&nbsp; We boast
+too often manners that are parochial rather than universal; that,
+like a country wine, will not bear transportation for a hundred
+miles, nor from the parlour to the kitchen.&nbsp; To be a
+gentleman is to be one all the world over, and in every relation
+and grade of society.&nbsp; It is a high calling, to which a man
+must first be born, and then devote himself for life.&nbsp; And,
+unhappily, the manners of a certain so-called upper grade have a
+kind of currency, and meet with a certain external acceptation
+throughout all the others, and this tends to keep us well
+satisfied with slight acquirements and the amateurish
+accomplishments of a clique.&nbsp; But manners, like art, should
+be human and central.</p>
+<p>Some of my fellow-passengers, as I now moved among them in a
+relation of equality, seemed to me excellent gentlemen.&nbsp;
+They were not rough, nor hasty, nor disputatious; debated
+pleasantly, differed kindly; were helpful, gentle, patient, and
+placid.&nbsp; The type of manners was plain, and even heavy;
+there was little to please the eye, but nothing to shock; and I
+thought gentleness lay more nearly at the spring of behaviour
+than in many more ornate and delicate societies.&nbsp; I say
+delicate, where I cannot say refined; a thing may be fine, like
+ironwork, without being delicate, like lace.&nbsp; There was here
+less delicacy; the skin supported more callously the natural
+surface of events, the mind received more bravely the crude facts
+of human existence; but I do not think that there was less
+effective refinement, less consideration for others, less polite
+suppression of self.&nbsp; I speak of the best among my
+fellow-passengers; for in the steerage, as well as in the saloon,
+there is a mixture.&nbsp; Those, then, with whom I found myself
+in sympathy, and of whom I may therefore hope to write with a
+greater measure of truth, were not only as good in their manners,
+but endowed with very much the same natural capacities, and about
+as wise in deduction, as the bankers and barristers of what is
+called society.&nbsp; One and all were too much interested in
+disconnected facts, and loved information for its own sake with
+too rash a devotion; but people in all classes display the same
+appetite as they gorge themselves daily with the miscellaneous
+gossip of the newspaper.&nbsp; Newspaper-reading, as far as I can
+make out, is often rather a sort of brown study than an act of
+culture.&nbsp; I have myself palmed off yesterday&rsquo;s issue
+on a friend, and seen him re-peruse it for a continuance of
+minutes with an air at once refreshed and solemn.&nbsp; Workmen,
+perhaps, pay more attention; but though they may be eager
+listeners, they have rarely seemed to me either willing or
+careful thinkers.&nbsp; Culture is not measured by the greatness
+of the field which is covered by our knowledge, but by the nicety
+with which we can perceive relations in that field, whether great
+or small.&nbsp; Workmen, certainly those who were on board with
+me, I found wanting in this quality or habit of the mind.&nbsp;
+They did not perceive relations, but leaped to a so-called cause,
+and thought the problem settled.&nbsp; Thus the cause of
+everything in England was the form of government, and the cure
+for all evils was, by consequence, a revolution.&nbsp; It is
+surprising how many of them said this, and that none should have
+had a definite thought in his head as he said it.&nbsp; Some
+hated the Church because they disagreed with it; some hated Lord
+Beaconsfield because of war and taxes; all hated the masters,
+possibly with reason.&nbsp; But these failings were not at the
+root of the matter; the true reasoning of their souls ran
+thus&mdash;I have not got on; I ought to have got on; if there
+was a revolution I should get on.&nbsp; How?&nbsp; They had no
+idea.&nbsp; Why?&nbsp; Because&mdash;because&mdash;well, look at
+America!</p>
+<p>To be politically blind is no distinction; we are all so, if
+you come to that.&nbsp; At bottom, as it seems to me, there is
+but one question in modern home politics, though it appears in
+many shapes, and that is the question of money; and but one
+political remedy, that the people should grow wiser and
+better.&nbsp; My workmen fellow-passengers were as impatient and
+dull of hearing on the second of these points as any member of
+Parliament; but they had some glimmerings of the first.&nbsp;
+They would not hear of improvement on their part, but wished the
+world made over again in a crack, so that they might remain
+improvident and idle and debauched, and yet enjoy the comfort and
+respect that should accompany the opposite virtues; and it was in
+this expectation, as far as I could see, that many of them were
+now on their way to America.&nbsp; But on the point of money they
+saw clearly enough that inland politics, so far as they were
+concerned, were reducible to the question of annual income; a
+question which should long ago have been settled by a revolution,
+they did not know how, and which they were now about to settle
+for themselves, once more they knew not how, by crossing the
+Atlantic in a steamship of considerable tonnage.</p>
+<p>And yet it has been amply shown them that the second or income
+question is in itself nothing, and may as well be left undecided,
+if there be no wisdom and virtue to profit by the change.&nbsp;
+It is not by a man&rsquo;s purse, but by his character that he is
+rich or poor.&nbsp; Barney will be poor, Alick will be poor,
+Mackay will be poor; let them go where they will, and wreck all
+the governments under heaven, they will be poor until they
+die.</p>
+<p>Nothing is perhaps more notable in the average workman than
+his surprising idleness, and the candour with which he confesses
+to the failing.&nbsp; It has to me been always something of a
+relief to find the poor, as a general rule, so little oppressed
+with work.&nbsp; I can in consequence enjoy my own more fortunate
+beginning with a better grace.&nbsp; The other day I was living
+with a farmer in America, an old frontiersman, who had worked and
+fought, hunted and farmed, from his childhood up.&nbsp; He
+excused himself for his defective education on the ground that he
+had been overworked from first to last.&nbsp; Even now, he said,
+anxious as he was, he had never the time to take up a book.&nbsp;
+In consequence of this, I observed him closely; he was occupied
+for four or, at the extreme outside, for five hours out of the
+twenty-four, and then principally in walking; and the remainder
+of the day he passed in born idleness, either eating fruit or
+standing with his back against a door.&nbsp; I have known men do
+hard literary work all morning, and then undergo quite as much
+physical fatigue by way of relief as satisfied this powerful
+frontiersman for the day.&nbsp; He, at least, like all the
+educated class, did so much homage to industry as to persuade
+himself he was industrious.&nbsp; But the average mechanic
+recognises his idleness with effrontery; he has even, as I am
+told, organised it.</p>
+<p>I give the story as it was told me, and it was told me for a
+fact.&nbsp; A man fell from a housetop in the city of Aberdeen,
+and was brought into hospital with broken bones.&nbsp; He was
+asked what was his trade, and replied that he was a
+<i>tapper</i>.&nbsp; No one had ever heard of such a thing
+before; the officials were filled with curiosity; they besought
+an explanation.&nbsp; It appeared that when a party of slaters
+were engaged upon a roof, they would now and then be taken with a
+fancy for the public-house.&nbsp; Now a seamstress, for example,
+might slip away from her work and no one be the wiser; but if
+these fellows adjourned, the tapping of the mallets would cease,
+and thus the neighbourhood be advertised of their
+defection.&nbsp; Hence the career of the tapper.&nbsp; He has to
+do the tapping and keep up an industrious bustle on the housetop
+during the absence of the slaters.&nbsp; When he taps for only
+one or two the thing is child&rsquo;s-play, but when he has to
+represent a whole troop, it is then that he earns his money in
+the sweat of his brow.&nbsp; Then must he bound from spot to
+spot, reduplicate, triplicate, sexduplicate his single
+personality, and swell and hasten his blows, until he produce a
+perfect illusion for the ear, and you would swear that a crowd of
+emulous masons were continuing merrily to roof the house.&nbsp;
+It must be a strange sight from an upper window.</p>
+<p>I heard nothing on board of the tapper; but I was astonished
+at the stories told by my companions.&nbsp; Skulking, shirking,
+malingering, were all established tactics, it appeared.&nbsp;
+They could see no dishonesty where a man who is paid for an hour's
+work gives half an hour&rsquo;s consistent idling in its
+place.&nbsp; Thus the tapper would refuse to watch for the police
+during a burglary, and call himself a honest man.&nbsp; It is not
+sufficiently recognised that our race detests to work.&nbsp; If I
+thought that I should have to work every day of my life as hard
+as I am working now, I should be tempted to give up the
+struggle.&nbsp; And the workman early begins on his career of
+toil.&nbsp; He has never had his fill of holidays in the past,
+and his prospect of holidays in the future is both distant and
+uncertain.&nbsp; In the circumstances, it would require a high
+degree of virtue not to snatch alleviations for the moment.</p>
+<p>There were many good talkers on the ship; and I believe good
+talking of a certain sort is a common accomplishment among
+working men.&nbsp; Where books are comparatively scarce, a
+greater amount of information will be given and received by word
+of mouth; and this tends to produce good talkers, and, what is no
+less needful for conversation, good listeners.&nbsp; They could
+all tell a story with effect.&nbsp; I am sometimes tempted to
+think that the less literary class show always better in
+narration; they have so much more patience with detail, are so
+much less hurried to reach the points, and preserve so much
+juster a proportion among the facts.&nbsp; At the same time their
+talk is dry; they pursue a topic ploddingly, have not an agile
+fancy, do not throw sudden lights from unexpected quarters, and
+when the talk is over they often leave the matter where it
+was.&nbsp; They mark time instead of marching.&nbsp; They think
+only to argue, not to reach new conclusions, and use their reason
+rather as a weapon of offense than as a tool for
+self-improvement.&nbsp; Hence the talk of some of the cleverest
+was unprofitable in result, because there was no give and take;
+they would grant you as little as possible for premise, and begin
+to dispute under an oath to conquer or to die.</p>
+<p>But the talk of a workman is apt to be more interesting than
+that of a wealthy merchant, because the thoughts, hopes, and
+fears of which the workman&rsquo;s life is built lie nearer to
+necessity and nature.&nbsp; They are more immediate to human
+life.&nbsp; An income calculated by the week is a far more human
+thing than one calculated by the year, and a small income, simply
+from its smallness, than a large one.&nbsp; I never wearied
+listening to the details of a workman&rsquo;s economy, because
+every item stood for some real pleasure.&nbsp; If he could afford
+pudding twice a week, you know that twice a week the man ate with
+genuine gusto and was physically happy; while if you learn that a
+rich man has seven courses a day, ten to one the half of them
+remain untasted, and the whole is but misspent money and a
+weariness to the flesh.</p>
+<p>The difference between England and America to a working man
+was thus most humanly put to me by a fellow-passenger: &lsquo;In
+America,&rsquo; said he, &lsquo;you get pies and
+puddings.&rsquo;&nbsp; I do not hear enough, in economy books, of
+pies and pudding.&nbsp; A man lives in <!-- page 81--><a
+name="page81"></a><span class="pagenum">p. 81</span>and for the
+delicacies, adornments, and accidental attributes of life, such
+as pudding to eat and pleasant books and theatres to occupy his
+leisure.&nbsp; The bare terms of existence would be rejected with
+contempt by all.&nbsp; If a man feeds on bread and butter, soup
+and porridge, his appetite grows wolfish after dainties.&nbsp;
+And the workman dwells in a borderland, and is always within
+sight of those cheerless regions where life is more difficult to
+sustain than worth sustaining.&nbsp; Every detail of our
+existence, where it is worth while to cross the ocean after pie
+and pudding, is made alive and enthralling by the presence of
+genuine desire; but it is all one to me whether Cr&oelig;sus has
+a hundred or a thousand thousands in the bank.&nbsp; There is
+more adventure in the life of the working man who descends as a
+common solder into the battle of life, than in that of the
+millionaire who sits apart in an office, like Von Moltke, and
+only directs the man&oelig;uvres by telegraph.&nbsp; Give me to
+hear about the career of him who is in the thick of business; to
+whom one change of market means empty belly, and another a
+copious and savoury meal.&nbsp; This is not the philosophical,
+but the human side of economics; it interests like a story; and
+the life all who are thus situated partakes in a small way the
+charm of <i>Robinson Crusoe</i>; for every step is critical and
+human life is presented to you naked and verging to its lowest
+terms.</p>
+<h3>NEW YORK</h3>
+<p>As we drew near to New York I was at first amused, and then
+somewhat staggered, by the cautious and the grisly tales that
+went the round.&nbsp; You would have thought we were to land upon
+a cannibal island.&nbsp; You must speak to no one in the streets,
+as they would not leave you till you were rooked and
+beaten.&nbsp; You must enter a hotel with military precautions;
+for the least you had to apprehend was to awake next morning
+without money or baggage, or necessary raiment, a lone forked
+radish in a bed; and if the worst befell, you would instantly and
+mysteriously disappear from the ranks of mankind.</p>
+<p>I have usually found such stories correspond to the least
+modicum of fact.&nbsp; Thus I was warned, I remember, against the
+roadside inns of the C&eacute;vennes, and that by a learned
+professor; and when I reached Pradelles the warning was
+explained&mdash;it was but the far-away rumour and reduplication
+of a single terrifying story already half a century old, and half
+forgotten in the theatre of the events.&nbsp; So I was tempted to
+make light of these reports against America.&nbsp; But we had on
+board with us a man whose evidence it would not do to put
+aside.&nbsp; He had come near these perils in the body; he had
+visited a robber inn.&nbsp; The public has an old and
+well-grounded favour for this class of incident, and shall be
+gratified to the best of my power.</p>
+<p>My fellow-passenger, whom we shall call M&rsquo;Naughten, had
+come from New York to Boston with a comrade, seeking work.&nbsp;
+They were a pair of rattling blades; and, leaving their baggage
+at the station, passed the day in beer saloons, and with
+congenial spirits, until midnight struck.&nbsp; Then they applied
+themselves to find a lodging, and walked the streets till two,
+knocking at houses of entertainment and being refused admittance,
+or themselves declining the terms.&nbsp; By two the inspiration
+of their liquor had begun to wear off; they were weary and
+humble, and after a great circuit found themselves in the same
+street where they had begun their search, and in front of a
+French hotel where they had already sought accommodation.&nbsp;
+Seeing the house still open, they returned to the charge.&nbsp; A
+man in a white cap sat in an office by the door.&nbsp; He seemed
+to welcome them more warmly than when they had first presented
+themselves, and the charge for the night had somewhat
+unaccountably fallen from a dollar to a quarter.&nbsp; They
+thought him ill-looking, but paid their quarter apiece, and were
+shown upstairs to the top of the house.&nbsp; There, in a small
+room, the man in the white cap wished them pleasant slumbers.</p>
+<p>It was furnished with a bed, a chair, and some
+conveniences.&nbsp; The door did not lock on the inside; and the
+only sign of adornment was a couple of framed pictures, one close
+above the head of the bed, and the other opposite the foot, and
+both curtained, as we may sometimes see valuable water-colours,
+or the portraits of the dead, or works of art more than usually
+skittish in the subject.&nbsp; It was perhaps in the hope of
+finding something of this last description that
+M&rsquo;Naughten&rsquo;s comrade pulled aside the curtain of the
+first.&nbsp; He was startlingly disappointed.&nbsp; There was no
+picture.&nbsp; The frame surrounded, and the curtain was designed
+to hide, an oblong aperture in the partition, through which they
+looked forth into the dark corridor.&nbsp; A person standing
+without could easily take a purse from under the pillow, or even
+strangle a sleeper as he lay abed.&nbsp; M&rsquo;Naughten and his
+comrade stared at each other like Vasco&rsquo;s seamen,
+&lsquo;with a wild surmise&rsquo;; and then the latter, catching
+up the lamp, ran to the other frame and roughly raised the
+curtain.&nbsp; There he stood, petrified; and M&rsquo;Naughten,
+who had followed, grasped him by the wrist in terror.&nbsp; They
+could see into another room, larger in size than that which they
+occupied, where three men sat crouching and silent in the
+dark.&nbsp; For a second or so these five persons looked each
+other in the eyes, then the curtain was dropped, and
+M&rsquo;Naughten and his friend made but one bolt of it out of
+the room and downstairs.&nbsp; The man in the white cap said
+nothing as they passed him; and they were so pleased to be once
+more in the open night that they gave up all notion of a bed, and
+walked the streets of Boston till the morning.</p>
+<p>No one seemed much cast down by these stories, but all
+inquired after the address of a respectable hotel; and I, for my
+part, put myself under the conduct of Mr. Jones.&nbsp; Before
+noon of the second Sunday we sighted the low shores outside of
+New York harbour; the steerage passengers must remain on board to
+pass through Castle Garden on the following morning; but we of
+the second cabin made our escape along with the lords of the
+saloon; and by six o&rsquo;clock Jones and I issued into West
+Street, sitting on some straw in the bottom of an open
+baggage-wagon.&nbsp; It rained miraculously; and from that moment
+till on the following night I left New York, there was scarce a
+lull, and no cessation of the downpour.&nbsp; The roadways were
+flooded; a loud strident noise of falling water filled the air;
+the restaurants smelt heavily of wet people and wet clothing.</p>
+<p>It took us but a few minutes, though it cost us a good deal of
+money, to be rattled along West Street to our destination:
+&lsquo;Reunion House, No. 10 West Street, one minutes walk from
+Castle Garden; convenient to Castle Garden, the Steamboat
+Landings, California Steamers and Liverpool Ships; Board and
+Lodging per day 1 dollar, single meals 25 cents, lodging per
+night 25 cents; private rooms for families; no charge for storage
+or baggage; satisfaction guaranteed to all persons; Michael
+Mitchell, Proprietor.&rsquo;&nbsp; Reunion House was, I may go
+the length of saying, a humble hostelry.&nbsp; You entered
+through a long bar-room, thence passed into a little dining-room,
+and thence into a still smaller kitchen.&nbsp; The furniture was
+of the plainest; but the bar was hung in the American taste, with
+encouraging and hospitable mottoes.</p>
+<p>Jones was well known; we were received warmly; and two minutes
+afterwards I had refused a drink from the proprietor, and was
+going on, in my plain European fashion, to refuse a cigar, when
+Mr. Mitchell sternly interposed, and explained the
+situation.&nbsp; He was offering to treat me, it appeared,
+whenever an American bar-keeper proposes anything, it must be
+borne in mind that he is offering to treat; and if I did not want
+a drink, I must at least take the cigar.&nbsp; I took it
+bashfully, feeling I had begun my American career on the wrong
+foot.&nbsp; I did not enjoy that cigar; but this may have been
+from a variety of reasons, even the best cigar often failing to
+please if you smoke three-quarters of it in a drenching rain.</p>
+<p>For many years America was to me a sort of promised land;
+&lsquo;westward the march of empire holds its way&rsquo;; the
+race is for the moment to the young; what has been and what is we
+imperfectly and obscurely know; what is to be yet lies beyond the
+flight of our imaginations.&nbsp; Greece, Rome, and Jud&aelig;a
+are gone by forever, leaving to generations the legacy of their
+accomplished work; China still endures, an old-inhabited house in
+the brand-new city of nations; England has already declined,
+since she has lost the States; and to these States, therefore,
+yet undeveloped, full of dark possibilities, and grown, like
+another Eve, from one rib out of the side of their own old land,
+the minds of young men in England turn naturally at a certain
+hopeful period of their age.&nbsp; It will be hard for an
+American to understand the spirit.&nbsp; But let him imagine a
+young man, who shall have grown up in an old and rigid circle,
+following bygone fashions and taught to distrust his own fresh
+instincts, and who now suddenly hears of a family of cousins, all
+about his own age, who keep house together by themselves and live
+far from restraint and tradition; let him imagine this, and he
+will have some imperfect notion of the sentiment with which
+spirited English youths turn to the thought of the American
+Republic.&nbsp; It seems to them as if, out west, the war of life
+was still conducted in the open air, and on free barbaric terms;
+as if it had not yet been narrowed into parlours, nor begun to be
+conducted, like some unjust and dreary arbitration, by
+compromise, costume, forms of procedure, and sad, senseless
+self-denial.&nbsp; Which of these two he prefers, a man with any
+youth still left in him will decide rightly for himself.&nbsp; He
+would rather be houseless than denied a pass-key; rather go
+without food than partake of stalled ox in stiff, respectable
+society; rather be shot out of hand than direct his life
+according to the dictates of the world.</p>
+<p>He knows or thinks nothing of the Maine Laws, the Puritan
+sourness, the fierce, sordid appetite for dollars, or the dreary
+existence of country towns.&nbsp; A few wild story-books which
+delighted his childhood form the imaginative basis of his picture
+of America.&nbsp; In course of time, there is added to this a
+great crowd of stimulating details&mdash;vast cities that grow up
+as by enchantment; the birds, that have gone south in autumn,
+returning with the spring to find thousands camped upon their
+marshes, and the lamps burning far and near along populous
+streets; forests that disappear like snow; countries larger than
+Britain that are cleared and settled, one man running forth with
+his household gods before another, while the bear and the Indian
+are yet scarce aware of their approach; oil that gushes from the
+earth; gold that is washed or quarried in the brooks or glens of
+the Sierras; and all that bustle, courage, action, and constant
+kaleidoscopic change that Walt Whitman has seized and set forth
+in his vigorous, cheerful, and loquacious verses.</p>
+<p>Here I was at last in America, and was soon out upon New York
+streets, spying for things foreign.&nbsp; The place had to me an
+air of Liverpool; but such was the rain that not Paradise itself
+would have looked inviting.&nbsp; We were a party of four, under
+two umbrellas; Jones and I and two Scots lads, recent immigrants,
+and not indisposed to welcome a compatriot.&nbsp; They had been
+six weeks in New York, and neither of them had yet found a single
+job or earned a single halfpenny.&nbsp; Up to the present they
+were exactly out of pocket by the amount of the fare.</p>
+<p>The lads soon left us.&nbsp; Now I had sworn by all my gods to
+have such a dinner as would rouse the dead; there was scarce any
+expense at which I should have hesitated; the devil was in it,
+but Jones and I should dine like heathen emperors.&nbsp; I set to
+work, asking after a restaurant; and I chose the wealthiest and
+most gastronomical-looking passers-by to ask from.&nbsp; Yet,
+although I had told them I was willing to pay anything in reason,
+one and all sent me off to cheap, fixed-price houses, where I
+would not have eaten that night for the cost of twenty
+dinners.&nbsp; I do not know if this were characteristic of New
+York, or whether it was only Jones and I who looked un-dinerly
+and discouraged enterprising suggestions.&nbsp; But at length, by
+our own sagacity, we found a French restaurant, where there was a
+French waiter, some fair French cooking, some so-called French
+wine, and French coffee to conclude the whole.&nbsp; I never
+entered into the feelings of Jack on land so completely as when I
+tasted that coffee.</p>
+<p>I suppose we had one of the &lsquo;private rooms for
+families&rsquo; at Reunion House.&nbsp; It was very small,
+furnished with a bed, a chair, and some clothes-pegs; and it
+derived all that was necessary for the life of the human animal
+through two borrowed lights; one looking into the passage, and
+the second opening, without sash, into another apartment, where
+three men fitfully snored, or in intervals of wakefulness,
+drearily mumbled to each other all night long.&nbsp; It will be
+observed that this was almost exactly the disposition of the room
+in M&rsquo;Naughten&rsquo;s story.&nbsp; Jones had the bed; I
+pitched my camp upon the floor; he did not sleep until near
+morning, and I, for my part, never closed an eye.</p>
+<p>At sunrise I heard a cannon fired; and shortly afterwards the
+men in the next room gave over snoring for good, and began to
+rustle over their toilettes.&nbsp; The sound of their voices as
+they talked was low and like that of people watching by the
+sick.&nbsp; Jones, who had at last begun to doze, tumbled and
+murmured, and every now and then opened unconscious eyes upon me
+where I lay.&nbsp; I found myself growing eerier and eerier, for
+I dare say I was a little fevered by my restless night, and
+hurried to dress and get downstairs.</p>
+<p>You had to pass through the rain, which still fell thick and
+resonant, to reach a lavatory on the other side of the
+court.&nbsp; There were three basin-stands, and a few crumpled
+towels and pieces of wet soap, white and slippery like fish; nor
+should I forget a looking-glass and a pair of questionable
+combs.&nbsp; Another Scots lad was here, scrubbing his face with
+a good will.&nbsp; He had been three months in New York and had
+not yet found a single job nor earned a single halfpenny.&nbsp;
+Up to the present, he also was exactly out of pocket by the
+amount of the fare.&nbsp; I began to grow sick at heart for my
+fellow-emigrants.</p>
+<p>Of my nightmare wanderings in New York I spare to tell.&nbsp;
+I had a thousand and one things to do; only the day to do them
+in, and a journey across the continent before me in the
+evening.&nbsp; It rained with patient fury; every now and then I
+had to get under cover for a while in order, so to speak, to give
+my mackintosh a rest; for under this continued drenching it began
+to grow damp on the inside.&nbsp; I went to banks, post-offices,
+railway-offices, restaurants, publishers, booksellers,
+money-changers, and wherever I went a pool would gather about my
+feet, and those who were careful of their floors would look on
+with an unfriendly eye.&nbsp; Wherever I went, too, the same
+traits struck me: the people were all surprisingly rude and
+surprisingly kind.&nbsp; The money-changer cross-questioned me
+like a French commissary, asking my age, my business, my average
+income, and my destination, beating down my attempts at evasion,
+and receiving my answers in silence; and yet when all was over,
+he shook hands with me up to the elbows, and sent his lad nearly
+a quarter of a mile in the rain to get me books at a
+reduction.&nbsp; Again, in a very large publishing and
+bookselling establishment, a man, who seemed to be the manager,
+received me as I had certainly never before been received in any
+human shop, indicated squarely that he put no faith in my
+honesty, and refused to look up the names of books or give me the
+slightest help or information, on the ground, like the steward,
+that it was none of his business.&nbsp; I lost my temper at last,
+said I was a stranger in America and not learned in their
+etiquette; but I would assure him, if he went to any bookseller
+in England, of more handsome usage.&nbsp; The boast was perhaps
+exaggerated; but like many a long shot, it struck the gold.&nbsp;
+The manager passed at once from one extreme to the other; I may
+say that from that moment he loaded me with kindness; he gave me
+all sorts of good advice, wrote me down addresses, and came
+bareheaded into the rain to point me out a restaurant, where I
+might lunch, nor even then did he seem to think that he had done
+enough.&nbsp; These are (it is as well to be bold in statement)
+the manners of America.&nbsp; It is this same opposition that has
+most struck me in people of almost all classes and from east to
+west.&nbsp; By the time a man had about strung me up to be the
+death of him by his insulting behaviour, he himself would be just
+upon the point of melting into confidence and serviceable
+attentions.&nbsp; Yet I suspect, although I have met with the
+like in so many parts, that this must be the character of some
+particular state or group of states, for in America, and this
+again in all classes, you will find some of the softest-mannered
+gentlemen in the world.</p>
+<p>I was so wet when I got back to Mitchell&rsquo;s toward the
+evening, that I had simply to divest myself of my shoes, socks,
+and trousers, and leave them behind for the benefit of New York
+city.&nbsp; No fire could have dried them ere I had to start; and
+to pack them in their present condition was to spread ruin among
+my other possessions.&nbsp; With a heavy heart I said farewell to
+them as they lay a pulp in the middle of a pool upon the floor of
+Mitchell&rsquo;s kitchen.&nbsp; I wonder if they are dry by
+now.&nbsp; Mitchell hired a man to carry my baggage to the
+station, which was hard by, accompanied me thither himself, and
+recommended me to the particular attention of the
+officials.&nbsp; No one could have been kinder.&nbsp; Those who
+are out of pocket may go safely to Reunion House, where they will
+get decent meals and find an honest and obliging landlord.&nbsp;
+I owed him this word of thanks, before I enter fairly on the
+second <a name="citation92"></a><a href="#footnote92"
+class="citation">[92]</a> and far less agreeable chapter of my
+emigrant experience.</p>
+<h2><!-- page 93--><a name="page93"></a><span class="pagenum">p.
+93</span>II.<br />
+COCKERMOUTH AND KESWICK<br />
+A FRAGMENT<br />
+1871</h2>
+<p>Very much as a painter half closes his eyes so that some
+salient unity may disengage itself from among the crowd of
+details, and what he sees may thus form itself into a whole; very
+much on the same principle, I may say, I allow a considerable
+lapse of time to intervene between any of my little journeyings
+and the attempt to chronicle them.&nbsp; I cannot describe a
+thing that is before me at the moment, or that has been before me
+only a very little while before; I must allow my recollections to
+get thoroughly strained free from all chaff till nothing be
+except the pure gold; allow my memory to choose out what is truly
+memorable by a process of natural selection; and I piously
+believe that in this way I ensure the Survival of the
+Fittest.&nbsp; If I make notes for future use, or if I am obliged
+to write letters during the course of my little excursion, I so
+interfere with the process that I can never again find out what
+is worthy of being preserved, or what should be given in full
+length, what in torso, or what merely in profile.&nbsp; This
+process of incubation may be unreasonably prolonged; and I am
+somewhat afraid that I have made this <!-- page 94--><a
+name="page94"></a><span class="pagenum">p. 94</span>mistake with
+the present journey.&nbsp; Like a bad daguerreotype, great part
+of it has been entirely lost; I can tell you nothing about the
+beginning and nothing about the end; but the doings of some fifty
+or sixty hours about the middle remain quite distinct and
+definite, like a little patch of sunshine on a long, shadowy
+plain, or the one spot on an old picture that has been restored
+by the dexterous hand of the cleaner.&nbsp; I remember a tale of
+an old Scots minister called upon suddenly to preach, who had
+hastily snatched an old sermon out of his study and found himself
+in the pulpit before he noticed that the rats had been making
+free with his manuscript and eaten the first two or three pages
+away; he gravely explained to the congregation how he found
+himself situated: &lsquo;And now,&rsquo; said he, &lsquo;let us
+just begin where the rats have left off.&rsquo;&nbsp; I must
+follow the divine&rsquo;s example, and take up the thread of my
+discourse where it first distinctly issues from the limbo of
+forgetfulness.</p>
+<h3>COCKERMOUTH</h3>
+<p>I was lighting my pipe as I stepped out of the inn at
+Cockermouth, and did not raise my head until I was fairly in the
+street.&nbsp; When I did so, it flashed upon me that I was in
+England; the evening sunlight lit up English houses, English
+faces, an English conformation of street,&mdash;as it were, an
+English atmosphere blew against my face.&nbsp; There is nothing
+perhaps more puzzling (if one thing in sociology can ever really
+be more unaccountable than another) than the great gulf that is
+set between England and Scotland&mdash;a gulf so easy in
+appearance, in reality so difficult to traverse.&nbsp; Here are
+two people almost identical in blood; pent up together on one
+small island, so that their intercourse (one would have thought)
+must be as close as that of prisoners who shared one cell of the
+Bastille; the same in language and religion; and yet a few years
+of quarrelsome isolation&mdash;a mere forenoon&rsquo;s tiff, as
+one may call it, in comparison with the great historical
+cycles&mdash;has so separated their thoughts and ways that not
+unions, not mutual dangers, nor steamers, nor railways, nor all
+the king&rsquo;s horses and all the king&rsquo;s men, seem able
+to obliterate the broad distinction.&nbsp; In the trituration of
+another century or so the corners may disappear; but in the
+meantime, in the year of grace 1871, I was as much in a new
+country as if I had been walking out of the Hotel St. Antoine at
+Antwerp.</p>
+<p>I felt a little thrill of pleasure at my heart as I realised
+the change, and strolled away up the street with my hands behind
+my back, noting in a dull, sensual way how foreign, and yet how
+friendly, were the slopes of the gables and the colour of the
+tiles, and even the demeanour and voices of the gossips round
+about me.</p>
+<p>Wandering in this aimless humour, I turned up a lane and found
+myself following the course of the bright little river.&nbsp; I
+passed first one and then another, then a third, several couples
+out love-making in the spring evening; and a consequent feeling
+of loneliness was beginning to grow upon me, when I came to a dam
+across the river, and a mill&mdash;a great, gaunt promontory of
+building,&mdash;half on dry ground and half arched over the
+stream.&nbsp; The road here drew in its shoulders and crept
+through between the landward extremity of the mill and a little
+garden enclosure, with a small house and a large signboard within
+its privet hedge.&nbsp; I was pleased to fancy this an inn, and
+drew little etchings in fancy of a sanded parlour, and
+three-cornered spittoons, and a society of parochial gossips
+seated within over their churchwardens; but as I drew near, the
+board displayed its superscription, and I could read the name of
+Smethurst, and the designation of &lsquo;Canadian Felt Hat
+Manufacturers.&rsquo;&nbsp; There was no more hope of evening
+fellowship, and I could only stroll on by the river-side, under
+the trees.&nbsp; The water was dappled with slanting sunshine,
+and dusted all over with a little mist of flying insects.&nbsp;
+There were some amorous ducks, also, whose lovemaking reminded me
+of what I had seen a little farther down.&nbsp; But the road grew
+sad, and I grew weary; and as I was perpetually haunted with the
+terror of a return of the tie that had been playing such ruin in
+my head a week ago, I turned and went back to the inn, and
+supper, and my bed.</p>
+<p>The next morning, at breakfast, I communicated to the smart
+waitress my intention of continuing down the coast and through
+Whitehaven to Furness, and, as I might have expected, I was
+instantly confronted by that last and most worrying form of
+interference, that chooses to introduce tradition and authority
+into the choice of a man&rsquo;s own pleasures.&nbsp; I can
+excuse a person combating my religious or philosophical heresies,
+because them I have deliberately accepted, and am ready to
+justify by present argument.&nbsp; But I do not seek to justify
+my pleasures.&nbsp; <!-- page 97--><a name="page97"></a><span
+class="pagenum">p. 97</span>If I prefer tame scenery to grand, a
+little hot sunshine over lowland parks and woodlands to the war
+of the elements round the summit of Mont Blanc; or if I prefer a
+pipe of mild tobacco, and the company of one or two chosen
+companions, to a ball where I feel myself very hot, awkward, and
+weary, I merely state these preferences as facts, and do not seek
+to establish them as principles.&nbsp; This is not the general
+rule, however, and accordingly the waitress was shocked, as one
+might be at a heresy, to hear the route that I had sketched out
+for myself.&nbsp; Everybody who came to Cockermouth for pleasure,
+it appeared, went on to Keswick.&nbsp; It was in vain that I put
+up a little plea for the liberty of the subject; it was in vain
+that I said I should prefer to go to Whitehaven.&nbsp; I was told
+that there was &lsquo;nothing to see there&rsquo;&mdash;that
+weary, hackneyed, old falsehood; and at last, as the handmaiden
+began to look really concerned, I gave way, as men always do in
+such circumstances, and agreed that I was to leave for Keswick by
+a train in the early evening.</p>
+<h3>AN EVANGELIST</h3>
+<p>Cockermouth itself, on the same authority, was a Place with
+&lsquo;nothing to see&rsquo;; nevertheless I saw a good deal, and
+retain a pleasant, vague picture of the town and all its
+surroundings.&nbsp; I might have dodged happily enough all day
+about the main street and up to the castle and in and out of
+byways, but the curious attraction that leads a person in a
+strange place to follow, day after day, the same round, and to
+make set habits for himself in a week or ten days, led me half
+unconsciously up the same, road that I had gone the evening
+before.&nbsp; When I came up to the hat manufactory, Smethurst
+himself was standing in the garden gate.&nbsp; He was brushing
+one Canadian felt hat, and several others had been put to await
+their turn one above the other on his own head, so that he looked
+something like the typical Jew old-clothes man.&nbsp; As I drew
+near, he came sidling out of the doorway to accost me, with so
+curious an expression on his face that I instinctively prepared
+myself to apologise for some unwitting trespass.&nbsp; His first
+question rather confirmed me in this belief, for it was whether
+or not he had seen me going up this way last night; and after
+having answered in the affirmative, I waited in some alarm for
+the rest of my indictment.&nbsp; But the good man&rsquo;s heart
+was full of peace; and he stood there brushing his hats and
+prattling on about fishing, and walking, and the pleasures of
+convalescence, in a bright shallow stream that kept me pleased
+and interested, I could scarcely say how.&nbsp; As he went on, he
+warmed to his subject, and laid his hats aside to go along the
+water-side and show me where the large trout commonly lay,
+underneath an overhanging bank; and he was much disappointed, for
+my sake, that there were none visible just then.&nbsp; Then he
+wandered off on to another tack, and stood a great while out in
+the middle of a meadow in the hot sunshine, trying to make out
+that he had known me before, or, if not me, some friend of mine,
+merely, I believe, out of a desire that we should feel more
+friendly and at our ease with one another.&nbsp; At last he made
+a little speech to me, of which I wish I could recollect the very
+words, for they were so simple and unaffected that they put all
+the best writing and speaking to the blush; as it is, I can
+recall only the sense, and that perhaps imperfectly.&nbsp; He
+began by saying that he had little things in his past life that
+it gave him especial pleasure to recall; and that the faculty of
+receiving such sharp impressions had now died out in himself, but
+must at my age be still quite lively and active.&nbsp; Then he
+told me that he had a little raft afloat on the river above the
+dam which he was going to lend me, in order that I might be able
+to look back, in after years, upon having done so, and get great
+pleasure from the recollection.&nbsp; Now, I have a friend of my
+own who will forgo present enjoyments and suffer much present
+inconvenience for the sake of manufacturing &lsquo;a
+reminiscence&rsquo; for himself; but there was something
+singularly refined in this pleasure that the hatmaker found in
+making reminiscences for others; surely no more simple or
+unselfish luxury can be imagined.&nbsp; After he had unmoored his
+little embarkation, and seen me safely shoved off into midstream,
+he ran away back to his hats with the air of a man who had only
+just recollected that he had anything to do.</p>
+<p>I did not stay very long on the raft.&nbsp; It ought to have
+been very nice punting about there in the cool shade of the
+trees, or sitting moored to an over-hanging root; but perhaps the
+very notion that I was bound in gratitude specially to enjoy my
+little cruise, and cherish its recollection, turned the whole
+thing from a pleasure into a duty.&nbsp; Be that as it may, there
+is no doubt that I soon wearied and came ashore again, and that
+it gives me more pleasure to recall the man himself and his
+simple, happy <!-- page 100--><a name="page100"></a><span
+class="pagenum">p. 100</span>conversation, so full of gusto and
+sympathy, than anything possibly connected with his crank,
+insecure embarkation.&nbsp; In order to avoid seeing him, for I
+was not a little ashamed of myself for having failed to enjoy his
+treat sufficiently, I determined to continue up the river, and,
+at all prices, to find some other way back into the town in time
+for dinner.&nbsp; As I went, I was thinking of Smethurst with
+admiration; a look into that man&rsquo;s mind was like a
+retrospect over the smiling champaign of his past life, and very
+different from the Sinai-gorges up which one looks for a
+terrified moment into the dark souls of many good, many wise, and
+many prudent men.&nbsp; I cannot be very grateful to such men for
+their excellence, and wisdom, and prudence.&nbsp; I find myself
+facing as stoutly as I can a hard, combative existence, full of
+doubt, difficulties, defeats, disappointments, and dangers, quite
+a hard enough life without their dark countenances at my elbow,
+so that what I want is a happy-minded Smethurst placed here and
+there at ugly corners of my life&rsquo;s wayside, preaching his
+gospel of quiet and contentment.</p>
+<h3>ANOTHER</h3>
+<p>I was shortly to meet with an evangelist of another
+stamp.&nbsp; After I had forced my way through a
+gentleman&rsquo;s grounds, I came out on the high road, and sat
+down to rest myself on a heap of stones at the top of a long
+hill, with Cockermouth lying snugly at the bottom.&nbsp; An Irish
+beggar-woman, with a beautiful little girl by her side, came up
+to ask for alms, and gradually fell to telling me the little
+tragedy of her life.&nbsp; Her own sister, she told me, had
+seduced her husband from her after many years of married life,
+and the pair had fled, leaving her destitute, with the little
+girl upon her hands.&nbsp; She seemed quite hopeful and cheery,
+and, though she was unaffectedly sorry for the loss of her
+husband&rsquo;s earnings, she made no pretence of despair at the
+loss of his affection; some day she would meet the fugitives, and
+the law would see her duly righted, and in the meantime the
+smallest contribution was gratefully received.&nbsp; While she
+was telling all this in the most matter-of-fact way, I had been
+noticing the approach of a tall man, with a high white hat and
+darkish clothes.&nbsp; He came up the hill at a rapid pace, and
+joined our little group with a sort of half-salutation.&nbsp;
+Turning at once to the woman, he asked her in a business-like way
+whether she had anything to do, whether she were a Catholic or a
+Protestant, whether she could read, and so forth; and then, after
+a few kind words and some sweeties to the child, he despatched
+the mother with some tracts about Biddy and the Priest, and the
+Orangeman&rsquo;s Bible.&nbsp; I was a little amused at his
+abrupt manner, for he was still a young man, and had somewhat the
+air of a navy officer; but he tackled me with great
+solemnity.&nbsp; I could make fun of what he said, for I do not
+think it was very wise; but the subject does not appear to me
+just now in a jesting light, so I shall only say that he related
+to me his own conversion, which had been effected (as is very
+often the case) through the agency of a gig accident, and that,
+after having examined me and diagnosed my case, he selected some
+suitable tracts from his repertory, gave them to me, and, bidding
+me God-speed, went on his way.</p>
+<h3><!-- page 102--><a name="page102"></a><span
+class="pagenum">p. 102</span>LAST OF SMETHURST</h3>
+<p>That evening I got into a third-class carriage on my way for
+Keswick, and was followed almost immediately by a burly man in
+brown clothes.&nbsp; This fellow-passenger was seemingly ill at
+ease, and kept continually putting his head out of the window,
+and asking the bystanders if they saw <i>him</i> coming.&nbsp; At
+last, when the train was already in motion, there was a commotion
+on the platform, and a way was left clear to our carriage
+door.&nbsp; <i>He</i> had arrived.&nbsp; In the hurry I could
+just see Smethurst, red and panting, thrust a couple of clay
+pipes into my companion&rsquo;s outstretched band, and hear him
+crying his farewells after us as we slipped out of the station at
+an ever accelerating pace.&nbsp; I said something about it being
+a close run, and the broad man, already engaged in filling one of
+the pipes, assented, and went on to tell me of his own stupidity
+in forgetting a necessary, and of how his friend had
+good-naturedly gone down town at the last moment to supply the
+omission.&nbsp; I mentioned that I had seen Mr. Smethurst
+already, and that he had been very polite to me; and we fell into
+a discussion of the hatter&rsquo;s merits that lasted some time
+and left us quite good friends at its conclusion.&nbsp; The topic
+was productive of goodwill.&nbsp; We exchanged tobacco and talked
+about the season, and agreed at last that we should go to the
+same hotel at Keswick and sup in company.&nbsp; As he had some
+business in the town which would occupy him some hour or so, on
+our arrival I was to improve the time and go down to the lake,
+that I might see a glimpse of the promised wonders.</p>
+<p>The night had fallen already when I reached the water-side, at
+a place where many pleasure-boats are moored and ready for hire;
+and as I went along a stony path, between wood and water, a
+strong wind blew in gusts from the far end of the lake.&nbsp; The
+sky was covered with flying scud; and, as this was ragged, there
+was quite a wild chase of shadow and moon-glimpse over the
+surface of the shuddering water.&nbsp; I had to hold my hat on,
+and was growing rather tired, and inclined to go back in disgust,
+when a little incident occurred to break the tedium.&nbsp; A
+sudden and violent squall of wind sundered the low underwood, and
+at the same time there came one of those brief discharges of
+moonlight, which leaped into the opening thus made, and showed me
+three girls in the prettiest flutter and disorder.&nbsp; It was
+as though they had sprung out of the ground.&nbsp; I accosted
+them very politely in my capacity of stranger, and requested to
+be told the names of all manner of hills and woods and places
+that I did not wish to know, and we stood together for a while
+and had an amusing little talk.&nbsp; The wind, too, made himself
+of the party, brought the colour into their faces, and gave them
+enough to do to repress their drapery; and one of them, amid much
+giggling, had to pirouette round and round upon her toes (as
+girls do) when some specially strong gust had got the advantage
+over her.&nbsp; They were just high enough up in the social order
+not to be afraid to speak to a gentleman; and just low enough to
+feel a little tremor, a nervous consciousness of
+wrong-doing&mdash;of stolen waters, that gave a considerable zest
+to our most innocent interview.&nbsp; They were as much
+discomposed and fluttered, indeed, as if I had been a wicked
+baron proposing to elope with the whole trio; but they showed no
+inclination to go away, and I had managed to get them off hills
+and waterfalls and on to more promising subjects, when a young
+man was descried coming along the path from the direction of
+Keswick.&nbsp; Now whether he was the young man of one of my
+friends, or the brother of one of them, or indeed the brother of
+all, I do not know; but they incontinently said that they must be
+going, and went away up the path with friendly salutations.&nbsp;
+I need not say that I found the lake and the moonlight rather
+dull after their departure, and speedily found my way back to
+potted herrings and whisky-and-water in the commercial room with
+my late fellow-traveller.&nbsp; In the smoking-room there was a
+tall dark man with a moustache, in an ulster coat, who had got
+the best place and was monopolising most of the talk; and, as I
+came in, a whisper came round to me from both sides, that this
+was the manager of a London theatre.&nbsp; The presence of such a
+man was a great event for Keswick, and I must own that the
+manager showed himself equal to his position.&nbsp; He had a
+large fat pocket-book, from which he produced poem after poem,
+written on the backs of letters or hotel-bills; and nothing could
+be more humorous than his recitation of these elegant extracts,
+except perhaps the anecdotes with which he varied the
+entertainment.&nbsp; Seeing, I suppose, something less
+countrified in my appearance than in most of the company, he
+singled me out to corroborate some statements as to the depravity
+and vice of the aristocracy, and when he went on to describe some
+gilded saloon experiences, I am proud to say that he honoured my
+sagacity with one little covert wink before a second time
+appealing to me for confirmation.&nbsp; The wink was not thrown
+away; I went in up to the elbows with the manager, until I think
+that some of the glory of that great man settled by reflection
+upon me, and that I was as noticeably the second person in the
+smoking-room as he was the first.&nbsp; For a young man, this was
+a position of some distinction, I think you will admit. . . .</p>
+<h2><!-- page 106--><a name="page106"></a><span
+class="pagenum">p. 106</span>III.<br />
+AN AUTUMN EFFECT<br />
+1875</h2>
+<blockquote><p>&lsquo;Nous ne d&eacute;crivons jamais mieux la
+nature que lorsque nous nous effor&ccedil;ons d&rsquo;exprimer
+sobrement et simplement l&rsquo;impression que nous en avons
+re&ccedil;ue.&rsquo;&mdash;<span class="smcap">M. Andr&eacute;
+Theuriet</span>, &lsquo;L&rsquo;Automne dans les Bois,&rsquo;
+Revue des Deux Mondes, 1st Oct. 1874, p.562. <a
+name="citation106"></a><a href="#footnote106"
+class="citation">[106]</a></p>
+</blockquote>
+<p>A country rapidly passed through under favourable auspices may
+leave upon us a unity of impression that would only be disturbed
+and dissipated if we stayed longer.&nbsp; Clear vision goes with
+the quick foot.&nbsp; Things fall for us into a sort of natural
+perspective when we see them for a moment in going by; we
+generalise boldly and simply, and are gone before the sun is
+overcast, before the rain falls, before the season can steal like
+a dial-hand from his figure, before the lights and shadows,
+shifting round towards nightfall, can show us the other side of
+things, and belie what they showed us in the morning.&nbsp; We
+expose our mind to the landscape (as we would expose the prepared
+plate in the camera) for the moment only during which the effect
+endures; and we are away before the effect can change.&nbsp;
+Hence we shall have in our memories a long scroll of continuous
+wayside pictures, all imbued already with the prevailing
+sentiment of the season, the weather and the landscape, and
+certain to be unified more and more, as time goes on, by the
+unconscious processes of thought.&nbsp; So that we who have only
+looked at a country over our shoulder, so to speak, as we went
+by, will have a conception of it far more memorable and
+articulate than a man who has lived there all his life from a
+child upwards, and had his impression of to-day modified by that
+of to-morrow, and belied by that of the day after, till at length
+the stable characteristics of the country are all blotted out
+from him behind the confusion of variable effect.</p>
+<p>I begin my little pilgrimage in the most enviable of all
+humours: that in which a person, with a sufficiency of money and
+a knapsack, turns his back on a town and walks forward into a
+country of which he knows only by the vague report of
+others.&nbsp; Such an one has not surrendered his will and
+contracted for the next hundred miles, like a man on a
+railway.&nbsp; He may change his mind at every finger-post, and,
+where ways meet, follow vague preferences freely and go the low
+road or the high, choose the shadow or the sun-shine, suffer
+himself to be tempted by the lane that turns immediately into the
+woods, or the broad road that lies open before him into the
+distance, and shows him the far-off spires of some city, or a
+range of mountain-tops, or a rim of sea, perhaps, along a low
+horizon.&nbsp; In short, he may gratify his every whim and fancy,
+without a pang of reproving conscience, or the least jostle to
+his self-respect.&nbsp; It is true, however, that most men do not
+possess the faculty of free action, the priceless gift of being
+able to live for the moment only; and as they begin to go forward
+on their journey, they will find that they have made for
+themselves new fetters.&nbsp; Slight projects they may have
+entertained for a moment, half in jest, become iron laws to them,
+they know not why.&nbsp; They will be led by the nose by these
+vague reports of which I spoke above; and the mere fact that
+their informant mentioned one village and not another will compel
+their footsteps with inexplicable power.&nbsp; And yet a little
+while, yet a few days of this fictitious liberty, and they will
+begin to hear imperious voices calling on them to return; and
+some passion, some duty, some worthy or unworthy expectation,
+will set its hand upon their shoulder and lead them back into the
+old paths.&nbsp; Once and again we have all made the
+experiment.&nbsp; We know the end of it right well.&nbsp; And yet
+if we make it for the hundredth time to-morrow: it will have the
+same charm as ever; our heart will beat and our eyes will be
+bright, as we leave the town behind us, and we shall feel once
+again (as we have felt so often before) that we are cutting
+ourselves loose for ever from our whole past life, with all its
+sins and follies and circumscriptions, and go forward as a new
+creature into a new world.</p>
+<p>It was well, perhaps, that I had this first enthusiasm to
+encourage me up the long hill above High Wycombe; for the day was
+a bad day for walking at best, and now began to draw towards
+afternoon, dull, heavy, and lifeless.&nbsp; A pall of grey cloud
+covered the sky, and its colour reacted on the colour of the
+landscape.&nbsp; Near at hand, indeed, the hedgerow trees were
+still fairly green, shot through with bright autumnal yellows,
+bright as sunshine.&nbsp; But a little way off, the solid bricks
+of woodland that lay squarely on slope and hill-top were not
+green, but russet and grey, and ever less russet and more grey as
+they drew off into the distance.&nbsp; As they drew off into the
+distance, also, the woods seemed to mass themselves together, and
+lie thin and straight, like clouds, upon the limit of one&rsquo;s
+view.&nbsp; Not that this massing was complete, or gave the idea
+of any extent of forest, for every here and there the trees would
+break up and go down into a valley in open order, or stand in
+long Indian file along the horizon, tree after tree relieved,
+foolishly enough, against the sky.&nbsp; I say foolishly enough,
+although I have seen the effect employed cleverly in art, and
+such long line of single trees thrown out against the customary
+sunset of a Japanese picture with a certain fantastic effect that
+was not to be despised; but this was over water and level land,
+where it did not jar, as here, with the soft contour of hills and
+valleys.&nbsp; The whole scene had an indefinable look of being
+painted, the colour was so abstract and correct, and there was
+something so sketchy and merely impressional about these distant
+single trees on the horizon that one was forced to think of it
+all as of a clever French landscape.&nbsp; For it is rather in
+nature that we see resemblance to art, than in art to nature; and
+we say a hundred times, &lsquo;How like a picture!&rsquo; for
+once that we say, &lsquo;How like the truth!&rsquo;&nbsp; The
+forms in which we learn to think of landscape are forms that we
+have got from painted canvas.&nbsp; Any man can see and
+understand a picture; it is reserved for the few to separate
+anything out of the confusion of nature, and see that distinctly
+and with intelligence.</p>
+<p>The sun came out before I had been long on my way; and as I
+had got by that time to the top of the ascent, and was now
+treading a labyrinth of confined by-roads, my whole view
+brightened considerably in colour, for it was the distance only
+that was grey and cold, and the distance I could see no
+longer.&nbsp; Overhead there was a wonderful carolling of larks
+which seemed to follow me as I went.&nbsp; Indeed, during all the
+time I was in that country the larks did not desert me.&nbsp; The
+air was alive with them from High Wycombe to Tring; and as, day
+after day, their &lsquo;shrill delight&rsquo; fell upon me out of
+the vacant sky, they began to take such a prominence over other
+conditions, and form so integral a part of my conception of the
+country, that I could have baptized it &lsquo;The Country of
+Larks.&rsquo;&nbsp; This, of course, might just as well have been
+in early spring; but everything else was deeply imbued with the
+sentiment of the later year.&nbsp; There was no stir of insects
+in the grass.&nbsp; The sunshine was more golden, and gave less
+heat than summer sunshine; and the shadows under the hedge were
+somewhat blue and misty.&nbsp; It was only in autumn that you
+could have seen the mingled green and yellow of the elm foliage,
+and the fallen leaves that lay about the road, and covered the
+surface of wayside pools so thickly that the sun was reflected
+only here and there from little joints and pinholes in that brown
+coat of proof; or that your ear would have been troubled, as you
+went forward, by the occasional report of fowling-pieces from all
+directions and all degrees of distance.</p>
+<p>For a long time this dropping fire was the one sign of human
+activity that came to disturb me as I walked.&nbsp; The lanes
+were profoundly still.&nbsp; They would have been sad but for the
+sunshine and the singing of the larks.&nbsp; And as it was, there
+came over me at times a feeling of isolation that was not
+disagreeable, and yet was enough to make me quicken my steps
+eagerly when I saw some one before me on the road.&nbsp; This
+fellow-voyager proved to be no less a person than the parish
+constable.&nbsp; It had occurred to me that in a district which
+was so little populous and so well wooded, a criminal of any
+intelligence might play hide-and-seek with the authorities for
+months; and this idea was strengthened by the aspect of the
+portly constable as he walked by my side with deliberate dignity
+and turned-out toes.&nbsp; But a few minutes&rsquo; converse set
+my heart at rest.&nbsp; These rural criminals are very tame
+birds, it appeared.&nbsp; If my informant did not immediately lay
+his hand on an offender, he was content to wait; some evening
+after nightfall there would come a tap at his door, and the
+outlaw, weary of outlawry, would give himself quietly up to
+undergo sentence, and resume his position in the life of the
+country-side.&nbsp; Married men caused him no disquietude
+whatever; he had them fast by the foot.&nbsp; Sooner or later
+they would come back to see their wives, a peeping neighbour
+would pass the word, and my portly constable would walk quietly
+over and take the bird sitting.&nbsp; And if there were a few who
+had no particular ties in the neighbourhood, and preferred to
+shift into another county when they fell into trouble, their
+departure moved the placid constable in no degree.&nbsp; He was
+of Dogberry&rsquo;s opinion; and if a man would not stand in the
+Prince&rsquo;s name, he took no note of him, but let him go, and
+thanked God he was rid of a knave.&nbsp; And surely the crime and
+the law were in admirable keeping; rustic constable was well met
+with rustic offender.&nbsp; The officer sitting at home over a
+bit of fire until the criminal came to visit him, and the
+criminal coming&mdash;it was a fair match.&nbsp; One felt as if
+this must have been the order in that delightful seaboard Bohemia
+where Florizel and Perdita courted in such sweet accents, and the
+Puritan sang Psalms to hornpipes, and the four-and-twenty
+shearers danced with nosegays in their bosoms, and chanted their
+three songs apiece at the old shepherd&rsquo;s festival; and one
+could not help picturing to oneself what havoc among good peoples
+purses, and tribulation for benignant constables, might be worked
+here by the arrival, over stile and footpath, of a new
+Autolycus.</p>
+<p>Bidding good-morning to my fellow-traveller, I left the road
+and struck across country.&nbsp; It was rather a revelation to
+pass from between the hedgerows and find quite a bustle on the
+other side, a great coming and going of school-children upon
+by-paths, and, in every second field, lusty horses and stout
+country-folk a-ploughing.&nbsp; The way I followed took me
+through many fields thus occupied, and through many strips of
+plantation, and then over a little space of smooth turf, very
+pleasant to the feet, set with tall fir-trees and clamorous with
+rooks making ready for the winter, and so back again into the
+quiet road.&nbsp; I was now not far from the end of my
+day&rsquo;s journey.&nbsp; A few hundred yards farther, and,
+passing through a gap in the hedge, I began to go down hill
+through a pretty extensive tract of young beeches.&nbsp; I was
+soon in shadow myself, but the afternoon sun still coloured the
+upmost boughs of the wood, and made a fire over my head in the
+autumnal foliage.&nbsp; A little faint vapour lay among the slim
+tree-stems in the bottom of the hollow; and from farther up I
+heard from time to time an outburst of gross laughter, as though
+clowns were making merry in the bush.&nbsp; There was something
+about the atmosphere that brought all sights and sounds home to
+one with a singular purity, so that I felt as if my senses had
+been washed with water.&nbsp; After I had crossed the little zone
+of mist, the path began to remount the hill; and just as I,
+mounting along with it, had got back again, from the head
+downwards, into the thin golden sunshine, I saw in front of me a
+donkey tied to a tree.&nbsp; Now, I have a certain liking for
+donkeys, principally, I believe, because of the delightful things
+that Sterne has written of them.&nbsp; But this was not after the
+pattern of the ass at Lyons.&nbsp; He was of a white colour, that
+seemed to fit him rather for rare festal occasions than for
+constant drudgery.&nbsp; Besides, he was very small, and of the
+daintiest portions you can imagine in a donkey.&nbsp; And so,
+sure enough, you had only to look at him to see he had never
+worked.&nbsp; There was something too roguish and wanton in his
+face, a look too like that of a schoolboy or a street Arab, to
+have survived much cudgelling.&nbsp; It was plain that these feet
+had kicked off sportive children oftener than they had plodded
+with a freight through miry lanes.&nbsp; He was altogether a
+fine-weather, holiday sort of donkey; and though he was just then
+somewhat solemnised and rueful, he still gave proof of the levity
+of his disposition by impudently wagging his ears at me as I drew
+near.&nbsp; I say he was somewhat solemnised just then; for, with
+the admirable instinct of all men and animals under restraint, he
+had so wound and wound the halter about the tree that he could go
+neither back nor forwards, nor so much as put down his head to
+browse.&nbsp; There he stood, poor rogue, part puzzled, part
+angry, part, I believe, amused.&nbsp; He had not given up hope,
+and dully revolved the problem in his head, giving ever and again
+another jerk at the few inches of free rope that still remained
+unwound.&nbsp; A humorous sort of sympathy for the creature took
+hold upon me.&nbsp; I went up, and, not without some trouble on
+my part, and much distrust and resistance on the part of Neddy,
+got him forced backwards until the whole length of the halter was
+set loose, and he was once more as free a donkey as I dared to
+make him.&nbsp; I was pleased (as people are) with this friendly
+action to a fellow-creature in tribulation, and glanced back over
+my shoulder to see how he was profiting by his freedom.&nbsp; The
+brute was looking after me; and no sooner did he catch my eye
+than he put up his long white face into the air, pulled an
+impudent mouth at me, and began to bray derisively.&nbsp; If ever
+any one person made a grimace at another, that donkey made a
+grimace at me.&nbsp; The hardened ingratitude of his behaviour,
+and the impertinence that inspired his whole face as he curled up
+his lip, and showed his teeth, and began to bray, so tickled me,
+and was so much in keeping with what I had imagined to myself
+about his character, that I could not find it in my heart to be
+angry, and burst into a peal of hearty laughter.&nbsp; This
+seemed to strike the ass as a repartee, so he brayed at me again
+by way of rejoinder; and we went on for a while, braying and
+laughing, until I began to grow aweary of it, and, shouting a
+derisive farewell, turned to pursue my way.&nbsp; In so
+doing&mdash;it was like going suddenly into cold water&mdash;I
+found myself face to face with a prim little old maid.&nbsp; She
+was all in a flutter, the poor old dear!&nbsp; She had concluded
+beyond question that this must be a lunatic who stood laughing
+aloud at a white donkey in the placid beech-woods.&nbsp; I was
+sure, by her face, that she had already recommended her spirit
+most religiously to Heaven, and prepared herself for the
+worst.&nbsp; And so, to reassure her, I uncovered and besought
+her, after a very staid fashion, to put me on my way to Great
+Missenden.&nbsp; Her voice trembled a little, to be sure, but I
+think her mind was set at rest; and she told me, very explicitly,
+to follow the path until I came to the end of the wood, and then
+I should see the village below me in the bottom of the
+valley.&nbsp; And, with mutual courtesies, the little old maid
+and I went on our respective ways.</p>
+<p>Nor had she misled me.&nbsp; Great Missenden was close at
+hand, as she had said, in the trough of a gentle valley, with
+many great elms about it.&nbsp; The smoke from its chimneys went
+up pleasantly in the afternoon sunshine.&nbsp; The sleepy hum of
+a threshing-machine filled the neighbouring fields and hung about
+the quaint street corners.&nbsp; A little above, the church sits
+well back on its haunches against the hillside&mdash;an attitude
+for a church, you know, that makes it look as if it could be ever
+so much higher if it liked; and the trees grew about it thickly,
+so as to make a density of shade in the churchyard.&nbsp; A very
+quiet place it looks; and yet I saw many boards and posters about
+threatening dire punishment against those who broke the church
+windows or defaced the precinct, and offering rewards for the
+apprehension of those who had done the like already.&nbsp; It was
+fair day in Great Missenden.&nbsp; There were three stalls set
+up, <i>sub jove</i>, for the sale of pastry and cheap toys; and a
+great number of holiday children thronged about the stalls and
+noisily invaded every corner of the straggling village.&nbsp;
+They came round me by coveys, blowing simultaneously upon penny
+trumpets as though they imagined I should fall to pieces like the
+battlements of Jericho.&nbsp; I noticed one among them who could
+make a wheel of himself like a London boy, and seemingly enjoyed
+a grave pre-eminence upon the strength of the
+accomplishment.&nbsp; By and by, however, the trumpets began to
+weary me, and I went indoors, leaving the fair, I fancy, at its
+height.</p>
+<p>Night had fallen before I ventured forth again.&nbsp; It was
+pitch-dark in the village street, and the darkness seemed only
+the greater for a light here and there in an uncurtained window
+or from an open door.&nbsp; Into one such window I was rude
+enough to peep, and saw within a charming <i>genre</i>
+picture.&nbsp; In a room, all white wainscot and crimson
+wall-paper, a perfect gem of colour after the black, empty
+darkness in which I had been groping, a pretty girl was telling a
+story, as well as I could make out, to an attentive child upon
+her knee, while an old woman sat placidly dozing over the
+fire.&nbsp; You may be sure I was not behindhand with a story for
+myself&mdash;a good old story after the manner of G. P. R. James
+and the village melodramas, with a wicked squire, and poachers,
+and an attorney, and a virtuous young man with a genius for
+mechanics, who should love, and protect, and ultimately marry the
+girl in the crimson room.&nbsp; Baudelaire has a few dainty
+sentences on the fancies that we are inspired with when we look
+through a window into other people&rsquo;s lives; and I think
+Dickens has somewhere enlarged on the same text.&nbsp; The
+subject, at least, is one that I am seldom weary of
+entertaining.&nbsp; I remember, night after night, at Brussels,
+watching a good family sup together, make merry, and retire to
+rest; and night after night I waited to see the candles lit, and
+the salad made, and the last salutations dutifully exchanged,
+without any abatement of interest.&nbsp; Night after night I
+found the scene rivet my attention and keep me awake in bed with
+all manner of quaint imaginations.&nbsp; Much of the pleasure of
+the <i>Arabian Nights</i> hinges upon this Asmodean interest; and
+we are not weary of lifting other people&rsquo;s roofs, and going
+about behind the scenes of life with the Caliph and the
+serviceable Giaffar.&nbsp; It is a salutary exercise, besides; it
+is salutary to get out of ourselves and see people living
+together in perfect unconsciousness of our existence, as they
+will live when we are gone.&nbsp; If to-morrow the blow falls,
+and the worst of our ill fears is realised, the girl will none
+the less tell stories to the child on her lap in the cottage at
+Great Missenden, nor the good Belgians light their candle, and
+mix their salad, and go orderly to bed.</p>
+<p>The next morning was sunny overhead and damp underfoot, with a
+thrill in the air like a reminiscence of frost.&nbsp; I went up
+into the sloping garden behind the inn and smoked a pipe
+pleasantly enough, to the tune of my landlady&rsquo;s
+lamentations over sundry cabbages and cauliflowers that had been
+spoiled by caterpillars.&nbsp; She had been so much pleased in
+the summer-time, she said, to see the garden all hovered over by
+white butterflies.&nbsp; And now, look at the end of it!&nbsp;
+She could nowise reconcile this with her moral sense.&nbsp; And,
+indeed, unless these butterflies are created with a side-look to
+the composition of improving apologues, it is not altogether
+easy, even for people who have read Hegel and Dr. M&rsquo;Cosh,
+to decide intelligibly upon the issue raised.&nbsp; Then I fell
+into a long and abstruse calculation with my landlord; having for
+object to compare the distance driven by him during eight
+years&rsquo; service on the box of the Wendover coach with the
+girth of the round world itself.&nbsp; We tackled the question
+most conscientiously, made all necessary allowance for Sundays
+and leap-years, and were just coming to a triumphant conclusion
+of our labours when we were stayed by a small lacuna in my
+information.&nbsp; I did not know the circumference of the
+earth.&nbsp; The landlord knew it, to be sure&mdash;plainly he
+had made the same calculation twice and once before,&mdash;but he
+wanted confidence in his own figures, and from the moment I
+showed myself so poor a second seemed to lose all interest in the
+result.</p>
+<p>Wendover (which was my next stage) lies in the same valley
+with Great Missenden, but at the foot of it, where the hills
+trend off on either hand like a coast-line, and a great
+hemisphere of plain lies, like a sea, before one, I went up a
+chalky road, until I had a good outlook over the place.&nbsp; The
+vale, as it opened out into the plain, was shallow, and a little
+bare, perhaps, but full of graceful convolutions.&nbsp; From the
+level to which I have now attained the fields were exposed before
+me like a map, and I could see all that bustle of autumn
+field-work which had been hid from me yesterday behind the
+hedgerows, or shown to me only for a moment as I followed the
+footpath.&nbsp; Wendover lay well down in the midst, with
+mountains of foliage about it.&nbsp; The great plain stretched
+away to the northward, variegated near at hand with the quaint
+pattern of the fields, but growing ever more and more indistinct,
+until it became a mere hurly-burly of trees and bright crescents
+of river, and snatches of slanting road, and finally melted into
+the ambiguous cloud-land over the horizon.&nbsp; The sky was an
+opal-grey, touched here and there with blue, and with certain
+faint russets that looked as if they were reflections of the
+colour of the autumnal woods below.&nbsp; I could hear the
+ploughmen shouting to their horses, the uninterrupted carol of
+larks innumerable overhead, and, from a field where the shepherd
+was marshalling his flock, a sweet tumultuous tinkle of
+sheep-bells.&nbsp; All these noises came to me very thin and
+distinct in the clear air.&nbsp; There was a wonderful sentiment
+of distance and atmosphere about the day and the place.</p>
+<p>I mounted the hill yet farther by a rough staircase of chalky
+footholds cut in the turf.&nbsp; The hills about Wendover and, as
+far as I could see, all the hills in Buckinghamshire, wear a sort
+of hood of beech plantation; but in this particular case the hood
+had been suffered to extend itself into something more like a
+cloak, and hung down about the shoulders of the hill in wide
+folds, instead of lying flatly along the summit.&nbsp; The trees
+grew so close, and their boughs were so matted together, that the
+whole wood looked as dense as a bush of heather.&nbsp; The
+prevailing colour was a dull, smouldering red, touched here and
+there with vivid yellow.&nbsp; But the autumn had scarce advanced
+beyond the outworks; it was still almost summer in the heart of
+the wood; and as soon as I had scrambled through the hedge, I
+found myself in a dim green forest atmosphere under eaves of
+virgin foliage.&nbsp; In places where the wood had itself for a
+background and the trees were massed together thickly, the colour
+became intensified and almost gem-like: a perfect fire green,
+that seemed none the less green for a few specks of autumn
+gold.&nbsp; None of the trees were of any considerable age or
+stature; but they grew well together, I have said; and as the
+road turned and wound among them, they fell into pleasant
+groupings and broke the light up pleasantly.&nbsp; Sometimes
+there would be a colonnade of slim, straight tree-stems with the
+light running down them as down the shafts of pillars, that
+looked as if it ought to lead to something, and led only to a
+corner of sombre and intricate jungle.&nbsp; Sometimes a spray of
+delicate foliage would be thrown out flat, the light lying flatly
+along the top of it, so that against a dark background it seemed
+almost luminous.&nbsp; There was a great bush over the thicket
+(for, indeed, it was more of a thicket than a wood); and the
+vague rumours that went among the tree-tops, and the occasional
+rustling of big birds or hares among the undergrowth, had in them
+a note of almost treacherous stealthiness, that put the
+imagination on its guard and made me walk warily on the russet
+carpeting of last year&rsquo;s leaves.&nbsp; The spirit of the
+place seemed to be all attention; the wood listened as I went,
+and held its breath to number my footfalls.&nbsp; One could not
+help feeling that there ought to be some reason for this
+stillness; whether, as the bright old legend goes, Pan lay
+somewhere near in siesta, or whether, perhaps, the heaven was
+meditating rain, and the first drops would soon come pattering
+through the leaves.&nbsp; It was not unpleasant, in such an
+humour, to catch sight, ever and anon, of large spaces of the
+open plain.&nbsp; This happened only where the path lay much upon
+the slope, and there was a flaw in the solid leafy thatch of the
+wood at some distance below the level at which I chanced myself
+to be walking; then, indeed, little scraps of foreshortened
+distance, miniature fields, and Lilliputian houses and hedgerow
+trees would appear for a moment in the aperture, and grow larger
+and smaller, and change and melt one into another, as I continued
+to go forward, and so shift my point of view.</p>
+<p>For ten minutes, perhaps, I had heard from somewhere before me
+in the wood a strange, continuous noise, as of clucking, cooing,
+and gobbling, now and again interrupted by a harsh scream.&nbsp;
+As I advanced towards this noise, it began to grow lighter about
+me, and I caught sight, through the trees, of sundry gables and
+enclosure walls, and something like the tops of a rickyard.&nbsp;
+And sure enough, a rickyard it proved to be, and a neat little
+farm-steading, with the beech-woods growing almost to the door of
+it.&nbsp; Just before me, however, as I came upon the path, the
+trees drew back and let in a wide flood of daylight on to a
+circular lawn.&nbsp; It was here that the noises had their
+origin.&nbsp; More than a score of peacocks (there are altogether
+thirty at the farm), a proper contingent of peahens, and a great
+multitude that I could not number of more ordinary barn-door
+fowls, were all feeding together on this little open lawn among
+the beeches.&nbsp; They fed in a dense crowd, which swayed to and
+fro, and came hither and thither as by a sort of tide, and of
+which the surface was agitated like the surface of a sea as each
+bird guzzled his head along the ground after the scattered
+corn.&nbsp; The clucking, cooing noise that had led me thither
+was formed by the blending together of countless expressions of
+individual contentment into one collective expression of
+contentment, or general grace during meat.&nbsp; Every now and
+again a big peacock would separate himself from the mob and take
+a stately turn or two about the lawn, or perhaps mount for a
+moment upon the rail, and there shrilly publish to the world his
+satisfaction with himself and what he had to eat.&nbsp; It
+happened, for my sins, that none of these admirable birds had
+anything beyond the merest rudiment of a tail.&nbsp; Tails, it
+seemed, were out of season just then.&nbsp; But they had their
+necks for all that; and by their necks alone they do as much
+surpass all the other birds of our grey climate as they fall in
+quality of song below the blackbird or the lark.&nbsp; Surely the
+peacock, with its incomparable parade of glorious colour and the
+scannel voice of it issuing forth, as in mockery, from its
+painted throat, must, like my landlady&rsquo;s butterflies at
+Great Missenden, have been invented by some skilful fabulist for
+the consolation and support of homely virtue: or rather, perhaps,
+by a fabulist not quite so skilful, who made points for the
+moment without having a studious enough eye to the complete
+effect; for I thought these melting greens and blues so beautiful
+that afternoon, that I would have given them my vote just then
+before the sweetest pipe in all the spring woods.&nbsp; For
+indeed there is no piece of colour of the same extent in nature,
+that will so flatter and satisfy the lust of a man&rsquo;s eyes;
+and to come upon so many of them, after these acres of
+stone-coloured heavens and russet woods, and grey-brown
+ploughlands and white roads, was like going three whole
+days&rsquo; journey to the southward, or a month back into the
+summer.</p>
+<p>I was sorry to leave <i>Peacock Farm</i>&mdash;for so the
+place is called, after the name of its splendid
+pensioners&mdash;and go forwards again in the quiet woods.&nbsp;
+It began to grow both damp and dusk under the beeches; and as the
+day declined the colour faded out of the foliage; and shadow,
+without form and void, took the place of all the fine tracery of
+leaves and delicate gradations of living green that had before
+accompanied my walk.&nbsp; I had been sorry to leave <i>Peacock
+Farm</i>, but I was not sorry to find myself once more in the
+open road, under a pale and somewhat troubled-looking evening
+sky, and put my best foot foremost for the inn at Wendover.</p>
+<p>Wendover, in itself, is a straggling, purposeless sort of
+place.&nbsp; Everybody seems to have had his own opinion as to
+how the street should go; or rather, every now and then a man
+seems to have arisen with a new idea on the subject, and led away
+a little sect of neighbours to join in his heresy.&nbsp; It would
+have somewhat the look of an abortive watering-place, such as we
+may now see them here and there along the coast, but for the age
+of the houses, the comely quiet design of some of them, and the
+look of long habitation, of a life that is settled and rooted,
+and makes it worth while to train flowers about the windows, and
+otherwise shape the dwelling to the humour of the
+inhabitant.&nbsp; The church, which might perhaps have served as
+rallying-point for these loose houses, and pulled the township
+into something like intelligible unity, stands some distance off
+among great trees; but the inn (to take the public buildings in
+order of importance) is in what I understand to be the principal
+street: a pleasant old house, with bay-windows, and three peaked
+gables, and many swallows&rsquo; nests plastered about the
+eaves.</p>
+<p>The interior of the inn was answerable to the outside: indeed,
+I never saw any room much more to be admired than the low
+wainscoted parlour in which I spent the remainder of the
+evening.&nbsp; It was a short oblong in shape, save that the
+fireplace was built across one of the angles so as to cut it
+partially off, and the opposite angle was similarly truncated by
+a corner cupboard.&nbsp; The wainscot was white, and there was a
+Turkey carpet on the floor, so old that it might have been
+imported by Walter Shandy before he retired, worn almost through
+in some places, but in others making a good show of blues and
+oranges, none the less harmonious for being somewhat faded.&nbsp;
+The corner cupboard was agreeable in design; and there were just
+the right things upon the shelves&mdash;decanters and tumblers,
+and blue plates, and one red rose in a glass of water.&nbsp; The
+furniture was old-fashioned and stiff.&nbsp; Everything was in
+keeping, down to the ponderous leaden inkstand on the round
+table.&nbsp; And you may fancy how pleasant it looked, all
+flushed and flickered over by the light of a brisk companionable
+fire, and seen, in a strange, tilted sort of perspective, in the
+three compartments of the old mirror above the chimney.&nbsp; As
+I sat reading in the great armchair, I kept looking round with
+the tail of my eye at the quaint, bright picture that was about
+me, and could not help some pleasure and a certain childish pride
+in forming part of it.&nbsp; The book I read was about Italy in
+the early Renaissance, the pageantries and the light loves of
+princes, the passion of men for learning, and poetry, and art;
+but it was written, by good luck, after a solid, prosaic fashion,
+that suited the room infinitely more nearly than the matter; and
+the result was that I thought less, perhaps, of Lippo Lippi, or
+Lorenzo, or Politian, than of the good Englishman who had written
+in that volume what he knew of them, and taken so much pleasure
+in his solemn polysyllables.</p>
+<p>I was not left without society.&nbsp; My landlord had a very
+pretty little daughter, whom we shall call Lizzie.&nbsp; If I had
+made any notes at the time, I might be able to tell you something
+definite of her appearance.&nbsp; But faces have a trick of
+growing more and more spiritualised and abstract in the memory,
+until nothing remains of them but a look, a haunting expression;
+just that secret quality in a face that is apt to slip out
+somehow under the cunningest painter&rsquo;s touch, and leave the
+portrait dead for the lack of it.&nbsp; And if it is hard to
+catch with the finest of camel&rsquo;s-hair pencils, you may
+think how hopeless it must be to pursue after it with clumsy
+words.&nbsp; If I say, for instance, that this look, which I
+remember as Lizzie, was something wistful that seemed partly to
+come of slyness and in part of simplicity, and that I am inclined
+to imagine it had something to do with the daintiest suspicion of
+a cast in one of her large eyes, I shall have said all that I
+can, and the reader will not be much advanced towards
+comprehension.&nbsp; I had struck up an acquaintance with this
+little damsel in the morning, and professed much interest in her
+dolls, and an impatient desire to see the large one which was
+kept locked away for great occasions.&nbsp; And so I had not been
+very long in the parlour before the door opened, and in came Miss
+Lizzie with two dolls tucked clumsily under her arm.&nbsp; She
+was followed by her brother John, a year or so younger than
+herself, not simply to play propriety at our interview, but to
+show his own two whips in emulation of his sister&rsquo;s
+dolls.&nbsp; I did my best to make myself agreeable to my
+visitors, showing much admiration for the dolls and dolls&rsquo;
+dresses, and, with a very serious demeanour, asking many
+questions about their age and character.&nbsp; I do not think
+that Lizzie distrusted my sincerity, but it was evident that she
+was both bewildered and a little contemptuous.&nbsp; Although she
+was ready herself to treat her dolls as if they were alive, she
+seemed to think rather poorly of any grown person who could fall
+heartily into the spirit of the fiction.&nbsp; Sometimes she
+would look at me with gravity and a sort of disquietude, as
+though she really feared I must be out of my wits.&nbsp;
+Sometimes, as when I inquired too particularly into the question
+of their names, she laughed at me so long and heartily that I
+began to feel almost embarrassed.&nbsp; But when, in an evil
+moment, I asked to be allowed to kiss one of them, she could keep
+herself no longer to herself.&nbsp; Clambering down from the
+chair on which she sat perched to show me, Cornelia-like, her
+jewels, she ran straight out of the room and into the
+bar&mdash;it was just across the passage,&mdash;and I could hear
+her telling her mother in loud tones, but apparently more in
+sorrow than in merriment, that <i>the gentleman in the parlour
+wanted to kiss Dolly</i>.&nbsp; I fancy she was determined to
+save me from this humiliating action, even in spite of myself,
+for she never gave me the desired permission.&nbsp; She reminded
+me of an old dog I once knew, who would never suffer the master
+of the house to dance, out of an exaggerated sense of the dignity
+of that master&rsquo;s place and carriage.</p>
+<p>After the young people were gone there was but one more
+incident ere I went to bed.&nbsp; I heard a party of children go
+up and down the dark street for a while, singing together
+sweetly.&nbsp; And the mystery of this little incident was so
+pleasant to me that I purposely refrained from asking who they
+were, and wherefore they went singing at so late an hour.&nbsp;
+One can rarely be in a pleasant place without meeting with some
+pleasant accident.&nbsp; I have a conviction that these children
+would not have gone singing before the inn unless the inn-parlour
+had been the delightful place it was.&nbsp; At least, if I had
+been in the customary public room of the modern hotel, with all
+its disproportions and discomforts, my ears would have been dull,
+and there would have been some ugly temper or other uppermost in
+my spirit, and so they would have wasted their songs upon an
+unworthy hearer.</p>
+<p>Next morning I went along to visit the church.&nbsp; It is a
+long-backed red-and-white building, very much restored, and
+stands in a pleasant graveyard among those great trees of which I
+have spoken already.&nbsp; The sky was drowned in a mist.&nbsp;
+Now and again pulses of cold wind went about the enclosure, and
+set the branches busy overhead, and the dead leaves scurrying
+into the angles of the church buttresses.&nbsp; Now and again,
+also, I could hear the dull sudden fall of a chestnut among the
+grass&mdash;the dog would bark before the rectory door&mdash;or
+there would come a clinking of pails from the stable-yard
+behind.&nbsp; But in spite of these occasional
+interruptions&mdash;in spite, also, of the continuous autumn
+twittering that filled the trees&mdash;the chief impression
+somehow was one as of utter silence, insomuch that the little
+greenish bell that peeped out of a window in the tower disquieted
+me with a sense of some possible and more inharmonious
+disturbance.&nbsp; The grass was wet, as if with a hoar frost
+that had just been melted.&nbsp; I do not know that ever I saw a
+morning more autumnal.&nbsp; As I went to and fro among the
+graves, I saw some flowers set reverently before a recently
+erected tomb, and drawing near, was almost startled to find they
+lay on the grave a man seventy-two years old when he died.&nbsp;
+We are accustomed to strew flowers only over the young, where
+love has been cut short untimely, and great possibilities have
+been restrained by death.&nbsp; We strew them there in token,
+that these possibilities, in some deeper sense, shall yet be
+realised, and the touch of our dead loves remain with us and
+guide us to the end.&nbsp; And yet there was more significance,
+perhaps, and perhaps a greater consolation, in this little
+nosegay on the grave of one who had died old.&nbsp; We are apt to
+make so much of the tragedy of death, and think so little of the
+enduring tragedy of some men&rsquo;s lives, that we see more to
+lament for in a life cut off in the midst of usefulness and love,
+than in one that miserably survives all love and usefulness, and
+goes about the world the phantom of itself, without hope, or joy,
+or any consolation.&nbsp; These flowers seemed not so much the
+token of love that survived death, as of something yet more
+beautiful&mdash;of love that had lived a man&rsquo;s life out to
+an end with him, and been faithful and companionable, and not
+weary of loving, throughout all these years.</p>
+<p>The morning cleared a little, and the sky was once more the
+old stone-coloured vault over the sallow meadows and the russet
+woods, as I set forth on a dog-cart from Wendover to Tring.&nbsp;
+The road lay for a good distance along the side of the hills,
+with the great plain below on one hand, and the beech-woods above
+on the other.&nbsp; The fields were busy with people ploughing
+and sowing; every here and there a jug of ale stood in the angle
+of the hedge, and I could see many a team wait smoking in the
+furrow as ploughman or sower stepped aside for a moment to take a
+draught.&nbsp; Over all the brown ploughlands, and under all the
+leafless hedgerows, there was a stout piece of labour abroad,
+and, as it were, a spirit of picnic.&nbsp; The horses smoked and
+the men laboured and shouted and drank in the sharp autumn
+morning; so that one had a strong effect of large, open-air
+existence.&nbsp; The fellow who drove me was something of a
+humourist; and his conversation was all in praise of an
+agricultural labourer&rsquo;s way of life.&nbsp; It was he who
+called my attention to these jugs of ale by the hedgerow; he
+could not sufficiently express the liberality of these
+men&rsquo;s wages; he told me how sharp an appetite was given by
+breaking up the earth in the morning air, whether with plough or
+spade, and cordially admired this provision of nature.&nbsp; He
+sang <i>O fortunatos agricolas</i>! indeed, in every possible
+key, and with many cunning inflections, till I began to wonder
+what was the use of such people as Mr. Arch, and to sing the same
+air myself in a more diffident manner.</p>
+<p>Tring was reached, and then Tring railway-station; for the two
+are not very near, the good people of Tring having held the
+railway, of old days, in extreme apprehension, lest some day it
+should break loose in the town and work mischief.&nbsp; I had a
+last walk, among russet beeches as usual, and the air filled, as
+usual, with the carolling of larks; I heard shots fired in the
+distance, and saw, as a new sign of the fulfilled autumn, two
+horsemen exercising a pack of fox-hounds.&nbsp; And then the
+train came and carried me back to London.</p>
+<h2><!-- page 131--><a name="page131"></a><span
+class="pagenum">p. 131</span>IV.<br />
+A WINTER&rsquo;S WALK IN CARRICK AND GALLOWAY<br />
+A FRAGMENT<br />
+1876</h2>
+<p>At the famous bridge of Doon, Kyle, the central district of
+the shire of Ayr, marches with Carrick, the most southerly.&nbsp;
+On the Carrick side of the river rises a hill of somewhat gentle
+conformation, cleft with shallow dells, and sown here and there
+with farms and tufts of wood.&nbsp; Inland, it loses itself,
+joining, I suppose, the great herd of similar hills that occupies
+the centre of the Lowlands.&nbsp; Towards the sea it swells out
+the coast-line into a protuberance, like a bay-window in a plan,
+and is fortified against the surf behind bold crags.&nbsp; This
+hill is known as the Brown Hill of Carrick, or, more shortly,
+Brown Carrick.</p>
+<p>It had snowed overnight.&nbsp; The fields were all sheeted up;
+they were tucked in among the snow, and their shape was modelled
+through the pliant counterpane, like children tucked in by a fond
+mother.&nbsp; The wind had made ripples and folds upon the
+surface, like what the sea, in quiet weather, leaves upon the
+sand.&nbsp; There was a frosty stifle in the air.&nbsp; An
+effusion of coppery light on the summit of Brown Carrick showed
+where the sun was trying to look through; but along the horizon
+clouds of cold fog had settled down, so that there was no
+distinction of sky and sea.&nbsp; Over the white shoulders of the
+headlands, or in the opening of bays, there was nothing but a
+great vacancy and blackness; and the road as it drew near the
+edge of the cliff seemed to skirt the shores of creation and void
+space.</p>
+<p>The snow crunched under foot, and at farms all the dogs broke
+out barking as they smelt a passer-by upon the road.&nbsp; I met
+a fine old fellow, who might have sat as the father in &lsquo;The
+Cottar&rsquo;s Saturday Night,&rsquo; and who swore most
+heathenishly at a cow he was driving.&nbsp; And a little after I
+scraped acquaintance with a poor body tramping out to gather
+cockles.&nbsp; His face was wrinkled by exposure; it was broken
+up into flakes and channels, like mud beginning to dry, and
+weathered in two colours, an incongruous pink and grey.&nbsp; He
+had a faint air of being surprised&mdash;which, God knows, he
+might well be&mdash;that life had gone so ill with him.&nbsp; The
+shape of his trousers was in itself a jest, so strangely were
+they bagged and ravelled about his knees; and his coat was all
+bedaubed with clay as tough he had lain in a rain-dub during the
+New Year&rsquo;s festivity.&nbsp; I will own I was not sorry to
+think he had had a merry New Year, and been young again for an
+evening; but I was sorry to see the mark still there.&nbsp; One
+could not expect such an old gentleman to be much of a dandy or a
+great student of respectability in dress; but there might have
+been a wife at home, who had brushed out similar stains after
+fifty New Years, now become old, or a round-armed daughter, who
+would wish to have him neat, were it only out of self-respect and
+for the ploughman sweetheart when he looks round at night.&nbsp;
+Plainly, there was nothing of this in his life, and years and
+loneliness hung heavily on his old arms.&nbsp; He was
+seventy-six, he told me; and nobody would give a day&rsquo;s work
+to a man that age: they would think he couldn&rsquo;t do
+it.&nbsp; &lsquo;And, &rsquo;deed,&rsquo; he went on, with a sad
+little chuckle, &lsquo;&rsquo;deed, I doubt if I
+could.&rsquo;&nbsp; He said goodbye to me at a footpath, and
+crippled wearily off to his work.&nbsp; It will make your heart
+ache if you think of his old fingers groping in the snow.</p>
+<p>He told me I was to turn down beside the school-house for
+Dunure.&nbsp; And so, when I found a lone house among the snow,
+and heard a babble of childish voices from within, I struck off
+into a steep road leading downwards to the sea.&nbsp; Dunure lies
+close under the steep hill: a haven among the rocks, a breakwater
+in consummate disrepair, much apparatus for drying nets, and a
+score or so of fishers&rsquo; houses.&nbsp; Hard by, a few shards
+of ruined castle overhang the sea, a few vaults, and one tall
+gable honeycombed with windows.&nbsp; The snow lay on the beach
+to the tidemark.&nbsp; It was daubed on to the sills of the ruin:
+it roosted in the crannies of the rock like white sea-birds; even
+on outlying reefs there would be a little cock of snow, like a
+toy lighthouse.&nbsp; Everything was grey and white in a cold and
+dolorous sort of shepherd&rsquo;s plaid.&nbsp; In the profound
+silence, broken only by the noise of oars at sea, a horn was
+sounded twice; and I saw the postman, girt with two bags, pause a
+moment at the end of the clachan for letters.</p>
+<p>It is, perhaps, characteristic of Dunure that none were
+brought him.</p>
+<p>The people at the public-house did not seem well pleased to
+see me, and though I would fain have stayed by the kitchen fire,
+sent me &lsquo;ben the hoose&rsquo; into the guest-room.&nbsp;
+This guest-room at Dunure was painted in quite &aelig;sthetic
+fashion.&nbsp; There are rooms in the same taste not a hundred
+miles from London, where persons of an extreme sensibility meet
+together without embarrassment.&nbsp; It was all in a fine dull
+bottle-green and black; a grave harmonious piece of colouring,
+with nothing, so far as coarser folk can judge, to hurt the
+better feelings of the most exquisite purist.&nbsp; A cherry-red
+half window-blind kept up an imaginary warmth in the cold room,
+and threw quite a glow on the floor.&nbsp; Twelve cockle-shells
+and a half-penny china figure were ranged solemnly along the
+mantel-shelf.&nbsp; Even the spittoon was an original note, and
+instead of sawdust contained sea-shells.&nbsp; And as for the
+hearthrug, it would merit an article to itself, and a coloured
+diagram to help the text.&nbsp; It was patchwork, but the
+patchwork of the poor; no glowing shreds of old brocade and
+Chinese silk, shaken together in the kaleidoscope of some
+tasteful housewife&rsquo;s fancy; but a work of art in its own
+way, and plainly a labour of love.&nbsp; The patches came
+exclusively from people&rsquo;s raiment.&nbsp; There was no
+colour more brilliant than a heather mixture; &lsquo;My
+Johnny&rsquo;s grey breeks,&rsquo; well polished over the oar on
+the boat&rsquo;s thwart, entered largely into its
+composition.&nbsp; And the spoils of an old black cloth coat,
+that had been many a Sunday to church, added something (save the
+mark!) of preciousness to the material.</p>
+<p>While I was at luncheon four carters came
+in&mdash;long-limbed, muscular Ayrshire Scots, with lean,
+intelligent faces.&nbsp; Four quarts of stout were ordered; they
+kept filling the tumbler with the other hand as they drank; and
+in less time than it takes me to write these words the four
+quarts were finished&mdash;another round was proposed, discussed,
+and negatived&mdash;and they were creaking out of the village
+with their carts.</p>
+<p>The ruins drew you towards them.&nbsp; You never saw any place
+more desolate from a distance, nor one that less belied its
+promise near at hand.&nbsp; Some crows and gulls flew away
+croaking as I scrambled in.&nbsp; The snow had drifted into the
+vaults.&nbsp; The clachan dabbled with snow, the white hills, the
+black sky, the sea marked in the coves with faint circular
+wrinkles, the whole world, as it looked from a loop-hole in
+Dunure, was cold, wretched, and out-at-elbows.&nbsp; If you had
+been a wicked baron and compelled to stay there all the
+afternoon, you would have had a rare fit of remorse.&nbsp; How
+you would have heaped up the fire and gnawed your fingers!&nbsp;
+I think it would have come to homicide before the
+evening&mdash;if it were only for the pleasure of seeing
+something red!&nbsp; And the masters of Dunure, it is to be
+noticed, were remarkable of old for inhumanity.&nbsp; One of
+these vaults where the snow had drifted was that &lsquo;black
+route&rsquo; where &lsquo;Mr. Alane Stewart, Commendatour of
+Crossraguel,&rsquo; endured his fiery trials.&nbsp; On the 1st
+and 7th of September 1570 (ill dates for Mr. Alan!), Gilbert,
+Earl of Cassilis, his chaplain, his baker, his cook, his
+pantryman, and another servant, bound the Poor Commendator
+&lsquo;betwix an iron chimlay and a fire,&rsquo; and there
+cruelly roasted him until he signed away his abbacy.&nbsp; It is
+one of the ugliest stories of an ugly period, but not, somehow,
+without such a flavour of the ridiculous as makes it hard to
+sympathise quite seriously with the victim.&nbsp; And it is
+consoling to remember that he got away at last, and kept his
+abbacy, and, over and above, had a pension from the Earl until he
+died.</p>
+<p>Some way beyond Dunure a wide bay, of somewhat less unkindly
+aspect, opened out.&nbsp; Colzean plantations lay all along the
+steep shore, and there was a wooded hill towards the centre,
+where the trees made a sort of shadowy etching over the
+snow.&nbsp; The road went down and up, and past a
+blacksmith&rsquo;s cottage that made fine music in the
+valley.&nbsp; Three compatriots of Burns drove up to me in a
+cart.&nbsp; They were all drunk, and asked me jeeringly if this
+was the way to Dunure.&nbsp; I told them it was; and my answer
+was received with unfeigned merriment.&nbsp; One gentleman was so
+much tickled he nearly fell out of the cart; indeed, he was only
+saved by a companion, who either had not so fine a sense of
+humour or had drunken less.</p>
+<p>&lsquo;The toune of Mayboll,&rsquo; says the inimitable
+Abercrummie, <a name="citation136"></a><a href="#footnote136"
+class="citation">[136]</a> &lsquo;stands upon an ascending ground
+from east to west, and lyes open to the south.&nbsp; It hath one
+principals street, with houses upon both sides, built of
+freestone; and it is beautifyed with the situation of two
+castles, one at each end of this street.&nbsp; That on the east
+belongs to the Erle of Cassilis.&nbsp; On the west end is a
+castle, which belonged sometime to the laird of Blairquan, which
+is now the tolbuith, and is adorned with a pyremide [conical
+roof], and a row of ballesters round it raised from the top of
+the staircase, into which they have mounted a fyne clock.&nbsp;
+There be four lanes which pass from the principall street; one is
+called the Black Vennel, which is steep, declining to the
+south-west, and leads to a lower street, which is far larger than
+the high chiefe street, and it runs from the Kirkland to the Well
+Trees, in which there have been many pretty buildings, belonging
+to the severall gentry of the countrey, who were wont to resort
+thither in winter, and divert themselves in converse together at
+their owne houses.&nbsp; It was once the principall street of the
+town; but many of these houses of the gentry having been decayed
+and ruined, it has lost much of its ancient beautie.&nbsp; Just
+opposite to this vennel, there is another that leads north-west,
+from the chiefe street to the green, which is a pleasant plott of
+ground, enclosed round with an earthen wall, wherein they were
+wont to play football, but now at the Gowff and
+byasse-bowls.&nbsp; The houses of this towne, on both sides of
+the street, have their several gardens belonging to them; and in
+the lower street there be some pretty orchards, that yield store
+of good fruit.&rsquo;&nbsp; As Patterson says, this description
+is near enough even to-day, and is mighty nicely written to
+boot.&nbsp; I am bound to add, of my own experience, that Maybole
+is tumbledown and dreary.&nbsp; Prosperous enough in reality, it
+has an air of decay; and though the population has increased, a
+roofless house every here and there seems to protest the
+contrary.&nbsp; The women are more than well-favoured, and the
+men fine tall fellows; but they look slipshod and
+dissipated.&nbsp; As they slouched at street corners, or stood
+about gossiping in the snow, it seemed they would have been more
+at home in the slums of a large city than here in a country place
+betwixt a village and a town.&nbsp; I heard a great deal about
+drinking, and a great deal about religious revivals: two things
+in which the Scottish character is emphatic and most
+unlovely.&nbsp; In particular, I heard of clergymen who were
+employing their time in explaining to a delighted audience the
+physics of the Second Coming.&nbsp; It is not very likely any of
+us will be asked to help.&nbsp; If we were, it is likely we
+should receive instructions for the occasion, and that on more
+reliable authority.&nbsp; And so I can only figure to myself a
+congregation truly curious in such flights of theological fancy,
+as one of veteran and accomplished saints, who have fought the
+good fight to an end and outlived all worldly passion, and are to
+be regarded rather as a part of the Church Triumphant than the
+poor, imperfect company on earth.&nbsp; And yet I saw some young
+fellows about the smoking-room who seemed, in the eyes of one who
+cannot count himself strait-laced, in need of some more practical
+sort of teaching.&nbsp; They seemed only eager to get drunk, and
+to do so speedily.&nbsp; It was not much more than a week after
+the New Year; and to hear them return on their past bouts with a
+gusto unspeakable was not altogether pleasing.&nbsp; Here is one
+snatch of talk, for the accuracy of which I can vouch&mdash;</p>
+<p>&lsquo;Ye had a spree here last Tuesday?&rsquo;</p>
+<p>&lsquo;We had that!&rsquo;</p>
+<p>&lsquo;I wasna able to be oot o&rsquo; my bed.&nbsp; Man, I
+was awful bad on Wednesday.&rsquo;</p>
+<p>&lsquo;Ay, ye were gey bad.&rsquo;</p>
+<p>And you should have seen the bright eyes, and heard the
+sensual accents!&nbsp; They recalled their doings with devout
+gusto and a sort of rational pride.&nbsp; Schoolboys, after their
+first drunkenness, are not more boastful; a cock does not plume
+himself with a more unmingled satisfaction as he paces forth
+among his harem; and yet these were grown men, and by no means
+short of wit.&nbsp; It was hard to suppose they were very eager
+about the Second Coming: it seemed as if some elementary notions
+of temperance for the men and seemliness for the women would have
+gone nearer the mark.&nbsp; And yet, as it seemed to me typical
+of much that is evil in Scotland, Maybole is also typical of much
+that is best.&nbsp; Some of the factories, which have taken the
+place of weaving in the town&rsquo;s economy, were originally
+founded and are still possessed by self-made men of the sterling,
+stout old breed&mdash;fellows who made some little bit of an
+invention, borrowed some little pocketful of capital, and then,
+step by step, in courage, thrift and industry, fought their way
+upwards to an assured position.</p>
+<p>Abercrummie has told you enough of the Tolbooth; but, as a bit
+of spelling, this inscription on the Tolbooth bell seems too
+delicious to withhold: &lsquo;This bell is founded at Maiboll Bi
+Danel Geli, a Frenchman, the 6th November, 1696, Bi appointment
+of the heritors of the parish of Maiyboll.&rsquo;&nbsp; The
+Castle deserves more notice.&nbsp; It is a large and shapely
+tower, plain from the ground upwards, but with a zone of
+ornamentation running about the top.&nbsp; In a general way this
+adornment is perched on the very summit of the chimney-stacks;
+but there is one corner more elaborate than the rest.&nbsp; A
+very heavy string-course runs round the upper story, and just
+above this, facing up the street, the tower carries a small oriel
+window, fluted and corbelled and carved about with stone
+heads.&nbsp; It is so ornate it has somewhat the air of a
+shrine.&nbsp; And it was, indeed, the casket of a very precious
+jewel, for in the room to which it gives light lay, for long
+years, the heroine of the sweet old ballad of &lsquo;Johnnie
+Faa&rsquo;&mdash;she who, at the call of the gipsies&rsquo;
+songs, &lsquo;came tripping down the stair, and all her maids
+before her.&rsquo;&nbsp; Some people say the ballad has no basis
+in fact, and have written, I believe, unanswerable papers to the
+proof.&nbsp; But in the face of all that, the very look of that
+high oriel window convinces the imagination, and we enter into
+all the sorrows of the imprisoned dame.&nbsp; We conceive the
+burthen of the long, lack-lustre days, when she leaned her sick
+head against the mullions, and saw the burghers loafing in
+Maybole High Street, and the children at play, and ruffling
+gallants riding by from hunt or foray.&nbsp; We conceive the
+passion of odd moments, when the wind threw up to her some snatch
+of song, and her heart grew hot within her, and her eyes
+overflowed at the memory of the past.&nbsp; And even if the tale
+be not true of this or that lady, or this or that old tower, it
+is true in the essence of all men and women: for all of us, some
+time or other, hear the gipsies singing; over all of us is the
+glamour cast.&nbsp; Some resist and sit resolutely by the
+fire.&nbsp; Most go and are brought back again, like Lady
+Cassilis.&nbsp; A few, of the tribe of Waring, go and are seen no
+more; only now and again, at springtime, when the gipsies&rsquo;
+song is afloat in the amethyst evening, we can catch their voices
+in the glee.</p>
+<p>By night it was clearer, and Maybole more visible than during
+the day.&nbsp; Clouds coursed over the sky in great masses; the
+full moon battled the other way, and lit up the snow with gleams
+of flying silver; the town came down the hill in a cascade of
+brown gables, bestridden by smooth white roofs, and sprangled
+here and there with lighted windows.&nbsp; At either end the snow
+stood high up in the darkness, on the peak of the Tolbooth and
+among the chimneys of the Castle.&nbsp; As the moon flashed a
+bull&rsquo;s-eye glitter across the town between the racing
+clouds, the white roofs leaped into relief over the gables and
+the chimney-stacks, and their shadows over the white roofs.&nbsp;
+In the town itself the lit face of the clock peered down the
+street; an hour was hammered out on Mr. Geli&rsquo;s bell, and
+from behind the red curtains of a public-house some one trolled
+out&mdash;a compatriot of Burns, again!&mdash;&lsquo;The saut
+tear blin&rsquo;s my e&rsquo;e.&rsquo;</p>
+<p>Next morning there was sun and a flapping wind.&nbsp; From the
+street corners of Maybole I could catch breezy glimpses of green
+fields.&nbsp; The road underfoot was wet and heavy&mdash;part
+ice, part snow, part water, and any one I met greeted me, by way
+of salutation, with &lsquo;A fine thowe&rsquo; (thaw).&nbsp; My
+way lay among rather bleak bills, and past bleak ponds and
+dilapidated castles and monasteries, to the Highland-looking
+village of Kirkoswald.&nbsp; It has little claim to notice, save
+that Burns came there to study surveying in the summer of 1777,
+and there also, in the kirkyard, the original of Tam o&rsquo;
+Shanter sleeps his last sleep.&nbsp; It is worth noticing,
+however, that this was the first place I thought
+&lsquo;Highland-looking.&rsquo;&nbsp; Over the bill from
+Kirkoswald a farm-road leads to the coast.&nbsp; As I came down
+above Turnberry, the sea view was indeed strangely different from
+the day before.&nbsp; The cold fogs were all blown away; and
+there was Ailsa Craig, like a refraction, magnified and deformed,
+of the Bass Rock; and there were the chiselled mountain-tops of
+Arran, veined and tipped with snow; and behind, and fainter, the
+low, blue land of Cantyre.&nbsp; Cottony clouds stood in a great
+castle over the top of Arran, and blew out in long streamers to
+the south.&nbsp; The sea was bitten all over with white; little
+ships, tacking up and down the Firth, lay over at different
+angles in the wind.&nbsp; On Shanter they were ploughing lea; a
+cart foal, all in a field by himself, capered and whinnied as if
+the spring were in him.</p>
+<p>The road from Turnberry to Girvan lies along the shore, among
+sand-hills and by wildernesses of tumbled bent.&nbsp; Every here
+and there a few cottages stood together beside a bridge.&nbsp;
+They had one odd feature, not easy to describe in words: a
+triangular porch projected from above the door, supported at the
+apex by a single upright post; a secondary door was hinged to the
+post, and could be hasped on either cheek of the real entrance;
+so, whether the wind was north or south, the cotter could make
+himself a triangular bight of shelter where to set his chair and
+finish a pipe with comfort.&nbsp; There is one objection to this
+device; for, as the post stands in the middle of the fairway, any
+one precipitately issuing from the cottage must run his chance of
+a broken head.&nbsp; So far as I am aware, it is peculiar to the
+little corner of country about Girvan.&nbsp; And that corner is
+noticeable for more reasons: it is certainly one of the most
+characteristic districts in Scotland, It has this movable porch
+by way of architecture; it has, as we shall see, a sort of
+remnant of provincial costume, and it has the handsomest
+population in the Lowlands. . . .</p>
+<h2><!-- page 144--><a name="page144"></a><span
+class="pagenum">p. 144</span>V.<br />
+FOREST NOTES 1875&ndash;6</h2>
+<h3>ON THE PLAIN</h3>
+<p>Perhaps the reader knows already the aspect of the great
+levels of the G&acirc;tinais, where they border with the wooded
+hills of Fontainebleau.&nbsp; Here and there a few grey rocks
+creep out of the forest as if to sun themselves.&nbsp; Here and
+there a few apple-trees stand together on a knoll.&nbsp; The
+quaint, undignified tartan of a myriad small fields dies out into
+the distance; the strips blend and disappear; and the dead flat
+lies forth open and empty, with no accident save perhaps a thin
+line of trees or faint church spire against the sky.&nbsp; Solemn
+and vast at all times, in spite of pettiness in the near details,
+the impression becomes more solemn and vast towards
+evening.&nbsp; The sun goes down, a swollen orange, as it were
+into the sea.&nbsp; A blue-clad peasant rides home, with a harrow
+smoking behind him among the dry clods.&nbsp; Another still works
+with his wife in their little strip.&nbsp; An immense shadow
+fills the plain; these people stand in it up to their shoulders;
+and their heads, as they stoop over their work and rise again,
+are relieved from time to time against the golden sky.</p>
+<p>These peasant farmers are well off nowadays, and not by any
+means overworked; but somehow you always see in them the
+historical representative of the serf of yore, and think not so
+much of present times, which may be prosperous enough, as of the
+old days when the peasant was taxed beyond possibility of
+payment, and lived, in Michelet&rsquo;s image, like a hare
+between two furrows.&nbsp; These very people now weeding their
+patch under the broad sunset, that very man and his wife, it
+seems to us, have suffered all the wrongs of France.&nbsp; It is
+they who have been their country&rsquo;s scapegoat for long ages;
+they who, generation after generation, have sowed and not reaped,
+reaped and another has garnered; and who have now entered into
+their reward, and enjoy their good things in their turn.&nbsp;
+For the days are gone by when the Seigneur ruled and
+profited.&nbsp; &lsquo;Le Seigneur,&rsquo; says the old formula,
+&lsquo;enferme ses manants comme sous porte et gonds, du ciel
+&agrave; la terre.&nbsp; Tout est &agrave; lui, for&ecirc;t
+chenue, oiseau dans l&rsquo;air, poisson dans l&rsquo;eau,
+b&ecirc;te an buisson, l&rsquo;onde qui coule, la cloche dont le
+son au loin roule.&rsquo;&nbsp; Such was his old state of
+sovereignty, a local god rather than a mere king.&nbsp; And now
+you may ask yourself where he is, and look round for vestiges of
+my late lord, and in all the country-side there is no trace of
+him but his forlorn and fallen mansion.&nbsp; At the end of a
+long avenue, now sown with grain, in the midst of a close full of
+cypresses and lilacs, ducks and crowing chanticleers and droning
+bees, the old ch&acirc;teau lifts its red chimneys and peaked
+roofs and turning vanes into the wind and sun.&nbsp; There is a
+glad spring bustle in the air, perhaps, and the lilacs are all in
+flower, and the creepers green about the broken balustrade: but
+no spring shall revive the honour of the place.&nbsp; Old women
+of the people, little, children of the people, saunter and gambol
+in the walled court or feed the ducks in the neglected
+moat.&nbsp; Plough-horses, mighty of limb, browse in the long
+stables.&nbsp; The dial-hand on the clock waits for some better
+hour.&nbsp; Out on the plain, where hot sweat trickles into
+men&rsquo;s eyes, and the spade goes in deep and comes up slowly,
+perhaps the peasant may feel a movement of joy at his heart when
+he thinks that these spacious chimneys are now cold, which have
+so often blazed and flickered upon gay folk at supper, while he
+and his hollow-eyed children watched through the night with empty
+bellies and cold feet.&nbsp; And perhaps, as he raises his head
+and sees the forest lying like a coast-line of low hills along
+the sea-level of the plain, perhaps forest and ch&acirc;teau hold
+no unsimilar place in his affections.</p>
+<p>If the ch&acirc;teau was my lord&rsquo;s, the forest was my
+lord the king&rsquo;s; neither of them for this poor
+Jacques.&nbsp; If he thought to eke out his meagre way of life by
+some petty theft of wood for the fire, or for a new roof-tree, he
+found himself face to face with a whole department, from the
+Grand Master of the Woods and Waters, who was a high-born lord,
+down to the common sergeant, who was a peasant like himself, and
+wore stripes or a bandoleer by way of uniform.&nbsp; For the
+first offence, by the Salic law, there was a fine of fifteen
+sols; and should a man be taken more than once in fault, or
+circumstances aggravate the colour of his guilt, he might be
+whipped, branded, or hanged.&nbsp; There was a hangman over at
+Melun, and, I doubt not, a fine tall gibbet hard by the town
+gate, where Jacques might see his fellows dangle against the sky
+as he went to market.</p>
+<p>And then, if he lived near to a cover, there would be the more
+hares and rabbits to eat out his harvest, and the more hunters to
+trample it down.&nbsp; My lord has a new horn from England.&nbsp;
+He has laid out seven francs in decorating it with silver and
+gold, and fitting it with a silken leash to hang about his
+shoulder.&nbsp; The hounds have been on a pilgrimage to the
+shrine of Saint Mesmer, or Saint Hubert in the Ardennes, or some
+other holy intercessor who has made a speciality of the health of
+hunting-dogs.&nbsp; In the grey dawn the game was turned and the
+branch broken by our best piqueur.&nbsp; A rare day&rsquo;s
+hunting lies before us.&nbsp; Wind a jolly flourish, sound the
+<i>bien-aller</i> with all your lungs.&nbsp; Jacques must stand
+by, hat in hand, while the quarry and hound and huntsman sweep
+across his field, and a year&rsquo;s sparing and labouring is as
+though it had not been.&nbsp; If he can see the ruin with a good
+enough grace, who knows but he may fall in favour with my lord;
+who knows but his son may become the last and least among the
+servants at his lordship&rsquo;s kennel&mdash;one of the two poor
+varlets who get no wages and sleep at night among the hounds? <a
+name="citation147"></a><a href="#footnote147"
+class="citation">[147]</a></p>
+<p>For all that, the forest has been of use to Jacques, not only
+warming him with fallen wood, but giving him shelter in days of
+sore trouble, when my lord of the ch&acirc;teau, with all his
+troopers and trumpets, had been beaten from field after field
+into some ultimate fastness, or lay over-seas in an English
+prison.&nbsp; In these dark days, when the watch on the church
+steeple saw the smoke of burning villages on the sky-line, or a
+clump of spears and fluttering pensions drawing nigh across the
+plain, these good folk gat them up, with all their household
+gods, into the wood, whence, from some high spur, their timid
+scouts might overlook the coming and going of the marauders, and
+see the harvest ridden down, and church and cottage go up to
+heaven all night in flame.&nbsp; It was but an unhomely refuge
+that the woods afforded, where they must abide all change of
+weather and keep house with wolves and vipers.&nbsp; Often there
+was none left alive, when they returned, to show the old
+divisions of field from field.&nbsp; And yet, as times went, when
+the wolves entered at night into depopulated Paris, and perhaps
+De Retz was passing by with a company of demons like himself,
+even in these caves and thickets there were glad hearts and
+grateful prayers.</p>
+<p>Once or twice, as I say, in the course of the ages, the forest
+may have served the peasant well, but at heart it is a royal
+forest, and noble by old associations.&nbsp; These woods have
+rung to the horns of all the kings of France, from Philip
+Augustus downwards.&nbsp; They have seen Saint Louis exercise the
+dogs he brought with him from Egypt; Francis I. go a-hunting with
+ten thousand horses in his train; and Peter of Russia following
+his first stag.&nbsp; And so they are still haunted for the
+imagination by royal hunts and progresses, and peopled with the
+faces of memorable men of yore.&nbsp; And this distinction is not
+only in virtue of the pastime of dead monarchs.&nbsp; <!-- page
+149--><a name="page149"></a><span class="pagenum">p.
+149</span>Great events, great revolutions, great cycles in the
+affairs of men, have here left their note, here taken shape in
+some significant and dramatic situation.&nbsp; It was hence that
+Gruise and his leaguers led Charles the Ninth a prisoner to
+Paris.&nbsp; Here, booted and spurred, and with all his dogs
+about him, Napoleon met the Pope beside a woodland cross.&nbsp;
+Here, on his way to Elba not so long after, he kissed the eagle
+of the Old Guard, and spoke words of passionate farewell to his
+soldiers.&nbsp; And here, after Waterloo, rather than yield its
+ensign to the new power, one of his faithful regiments burned
+that memorial of so much toil and glory on the Grand
+Master&rsquo;s table, and drank its dust in brandy, as a devout
+priest consumes the remnants of the Host.</p>
+<h3>IN THE SEASON</h3>
+<p>Close into the edge of the forest, so close that the trees of
+the <i>bornage</i> stand pleasantly about the last houses, sits a
+certain small and very quiet village.&nbsp; There is but one
+street, and that, not long ago, was a green lane, where the
+cattle browsed between the doorsteps.&nbsp; As you go up this
+street, drawing ever nearer the beginning of the wood, you will
+arrive at last before an inn where artists lodge.&nbsp; To the
+door (for I imagine it to be six o&rsquo;clock on some fine
+summer&rsquo;s even), half a dozen, or maybe half a score, of
+people have brought out chairs, and now sit sunning themselves,
+and waiting the omnibus from Melun.&nbsp; If you go on into the
+court you will find as many more, some in billiard-room over
+absinthe and a match of corks some without over a last cigar and
+a vermouth.&nbsp; The doves coo and flutter from the dovecot;
+Hortense is drawing water from the well; and as all the rooms
+open into the court, you can see the white-capped cook over the
+furnace in the kitchen, and some idle painter, who has stored his
+canvases and washed his brushes, jangling a waltz on the crazy,
+tongue-tied piano in the salle-&agrave;-manger.&nbsp;
+&lsquo;<i>Edmond</i>, <i>encore un vermouth</i>,&rsquo; cries a
+man in velveteen, adding in a tone of apologetic afterthought,
+&lsquo;<i>un double</i>, <i>s&rsquo;il vous
+pla&icirc;t</i>.&rsquo;&nbsp; &lsquo;Where are you
+working?&rsquo; asks one in pure white linen from top to
+toe.&nbsp; &lsquo;At the Carrefour de
+l&rsquo;&Eacute;pine,&rsquo; returns the other in corduroy (they
+are all gaitered, by the way).&nbsp; &lsquo;I couldn&rsquo;t do a
+thing to it.&nbsp; I ran out of white.&nbsp; Where were
+you?&rsquo;&nbsp; &lsquo;I wasn&rsquo;t working.&nbsp; I was
+looking for motives.&rsquo;&nbsp; Here is an outbreak of
+jubilation, and a lot of men clustering together about some
+new-comer with outstretched hands; perhaps the
+&lsquo;correspondence&rsquo; has come in and brought So-and-so
+from Paris, or perhaps it is only So-and-so who has walked over
+from Chailly to dinner.</p>
+<p>&lsquo;<i>&Agrave; table</i>, <i>Messieurs</i>!&rsquo; cries
+M. Siron, bearing through the court the first tureen of
+soup.&nbsp; And immediately the company begins to settle down
+about the long tables in the dining-room, framed all round with
+sketches of all degrees of merit and demerit.&nbsp; There&rsquo;s
+the big picture of the huntsman winding a horn with a dead boar
+between his legs, and his legs&mdash;well, his legs in
+stockings.&nbsp; And here is the little picture of a raw
+mutton-chop, in which Such-a-one knocked a hole last summer with
+no worse a missile than a plum from the dessert.&nbsp; And under
+all these works of art so much eating goes forward, so much
+drinking, so much jabbering in French and English, that it would
+do your heart good merely to peep and listen at the door.&nbsp;
+One man is telling how they all went last year to the f&ecirc;te
+at Fleury, and another how well so-and-so would sing of an
+evening: and here are a third and fourth making plans for the
+whole future of their lives; and there is a fifth imitating a
+conjurer and making faces on his clenched fist, surely of all
+arts the most difficult and admirable!&nbsp; A sixth has eaten
+his fill, lights a cigarette, and resigns himself to
+digestion.&nbsp; A seventh has just dropped in, and calls for
+soup.&nbsp; Number eight, meanwhile, has left the table, and is
+once more trampling the poor piano under powerful and uncertain
+fingers.</p>
+<p>Dinner over, people drop outside to smoke and chat.&nbsp;
+Perhaps we go along to visit our friends at the other end of the
+village, where there is always a good welcome and a good talk,
+and perhaps some pickled oysters and white wine to close the
+evening.&nbsp; Or a dance is organised in the dining-room, and
+the piano exhibits all its paces under manful jockeying, to the
+light of three or four candles and a lamp or two, while the
+waltzers move to and fro upon the wooden floor, and sober men,
+who are not given to such light pleasures, get up on the table or
+the sideboard, and sit there looking on approvingly over a pipe
+and a tumbler of wine.&nbsp; Or sometimes&mdash;suppose my lady
+moon looks forth, and the court from out the half-lit dining-room
+seems nearly as bright as by day, and the light picks out the
+window-panes, and makes a clear shadow under every vine-leaf on
+the wall&mdash;sometimes a picnic is proposed, and a basket made
+ready, and a good procession formed in front of the hotel.&nbsp;
+The two trumpeters in honour go before; and as we file down the
+long alley, and up through devious footpaths among rocks and
+pine-trees, with every here and there a dark passage of shadow,
+and every here and there a spacious outlook over moonlit woods,
+these two precede us and sound many a jolly flourish as they
+walk.&nbsp; We gather ferns and dry boughs into the cavern, and
+soon a good blaze flutters the shadows of the old bandits&rsquo;
+haunt, and shows shapely beards and comely faces and toilettes
+ranged about the wall.&nbsp; The bowl is lit, and the punch is
+burnt and sent round in scalding thimblefuls.&nbsp; So a good
+hour or two may pass with song and jest.&nbsp; And then we go
+home in the moonlit morning, straggling a good deal among the
+birch tufts and the boulders, but ever called together again, as
+one of our leaders winds his horn.&nbsp; Perhaps some one of the
+party will not heed the summons, but chooses out some by-way of
+his own.&nbsp; As he follows the winding sandy road, he hears the
+flourishes grow fainter and fainter in the distance, and die
+finally out, and still walks on in the strange coolness and
+silence and between the crisp lights and shadows of the moonlit
+woods, until suddenly the bell rings out the hour from far-away
+Chailly, and he starts to find himself alone.&nbsp; No surf-bell
+on forlorn and perilous shores, no passing knell over the busy
+market-place, can speak with a more heavy and disconsolate tongue
+to human ears.&nbsp; Each stroke calls up a host of ghostly
+reverberations in his mind.&nbsp; And as he stands rooted, it has
+grown once more so utterly silent that it seems to him he might
+hear the church bells ring the hour out all the world over, not
+at Chailly only, but in Paris, and <!-- page 153--><a
+name="page153"></a><span class="pagenum">p. 153</span>away in
+outlandish cities, and in the village on the river, where his
+childhood passed between the sun and flowers.</p>
+<h3>IDLE HOURS</h3>
+<p>The woods by night, in all their uncanny effect, are not
+rightly to be understood until you can compare them with the
+woods by day.&nbsp; The stillness of the medium, the floor of
+glittering sand, these trees that go streaming up like monstrous
+sea-weeds and waver in the moving winds like the weeds in
+submarine currents, all these set the mind working on the thought
+of what you may have seen off a foreland or over the side of a
+boat, and make you feel like a diver, down in the quiet water,
+fathoms below the tumbling, transitory surface of the sea.&nbsp;
+And yet in itself, as I say, the strangeness of these nocturnal
+solitudes is not to be felt fully without the sense of
+contrast.&nbsp; You must have risen in the morning and seen the
+woods as they are by day, kindled and coloured in the sun&rsquo;s
+light; you must have felt the odour of innumerable trees at even,
+the unsparing heat along the forest roads, and the coolness of
+the groves.</p>
+<p>And on the first morning you will doubtless rise
+betimes.&nbsp; If you have not been wakened before by the visit
+of some adventurous pigeon, you will be wakened as soon as the
+sun can reach your window&mdash;for there are no blind or
+shutters to keep him out&mdash;and the room, with its bare wood
+floor and bare whitewashed walls, shines all round you in a sort
+of glory of reflected lights.&nbsp; You may doze a while longer
+by snatches, or lie awake to study the charcoal men and dogs and
+horses with which former occupants have defiled the partitions:
+Thiers, with wily profile; local celebrities, pipe in hand; or,
+maybe, a romantic landscape splashed in oil.&nbsp; Meanwhile
+artist after artist drops into the salle-&agrave;-manger for
+coffee, and then shoulders easel, sunshade, stool, and paint-box,
+bound into a fagot, and sets of for what he calls his
+&lsquo;motive.&rsquo;&nbsp; And artist after artist, as he goes
+out of the village, carries with him a little following of
+dogs.&nbsp; For the dogs, who belong only nominally to any
+special master, hang about the gate of the forest all day long,
+and whenever any one goes by who hits their fancy, profit by his
+escort, and go forth with him to play an hour or two at
+hunting.&nbsp; They would like to be under the trees all
+day.&nbsp; But they cannot go alone.&nbsp; They require a
+pretext.&nbsp; And so they take the passing artist as an excuse
+to go into the woods, as they might take a walking-stick as an
+excuse to bathe.&nbsp; With quick ears, long spines, and bandy
+legs, or perhaps as tall as a greyhound and with a
+bulldog&rsquo;s head, this company of mongrels will trot by your
+side all day and come home with you at night, still showing white
+teeth and wagging stunted tail.&nbsp; Their good humour is not to
+be exhausted.&nbsp; You may pelt them with stones if you please,
+and all they will do is to give you a wider berth.&nbsp; If once
+they come out with you, to you they will remain faithful, and
+with you return; although if you meet them next morning in the
+street, it is as like as not they will cut you with a countenance
+of brass.</p>
+<p>The forest&mdash;a strange thing for an Englishman&mdash;is
+very destitute of birds.&nbsp; This is no country where every
+patch of wood among the meadows gibes up an increase of song, and
+every valley wandered through by a streamlet rings and
+reverberates from side to with a profusion of clear notes.&nbsp;
+And this rarity of birds is not to be regretted on its own
+account only.&nbsp; For the insects prosper in their absence, and
+become as one of the plagues of Egypt.&nbsp; Ants swarm in the
+hot sand; mosquitos drone their nasal drone; wherever the sun
+finds a hole in the roof of the forest, you see a myriad
+transparent creatures coming and going in the shaft of light; and
+even between-whiles, even where there is no incursion of sun-rays
+into the dark arcade of the wood, you are conscious of a
+continual drift of insects, an ebb and flow of infinitesimal
+living things between the trees.&nbsp; Nor are insects the only
+evil creatures that haunt the forest.&nbsp; For you may plump
+into a cave among the rocks, and find yourself face to face with
+a wild boar, or see a crooked viper slither across the road.</p>
+<p>Perhaps you may set yourself down in the bay between two
+spreading beech-roots with a book on your lap, and be awakened
+all of a sudden by a friend: &lsquo;I say, just keep where you
+are, will you?&nbsp; You make the jolliest motive.&rsquo;&nbsp;
+And you reply: &lsquo;Well, I don&rsquo;t mind, if I may
+smoke.&rsquo;&nbsp; And thereafter the hours go idly by.&nbsp;
+Your friend at the easel labours doggedly a little way off, in
+the wide shadow of the tree; and yet farther, across a strait of
+glaring sunshine, you see another painter, encamped in the shadow
+of another tree, and up to his waist in the fern.&nbsp; You
+cannot watch your own effigy growing out of the white trunk, and
+the trunk beginning to stand forth from the rest of the wood, and
+the whole picture getting dappled over with the flecks of sun
+that slip through the leaves overhead, and, as a wind goes by and
+sets the trees a-talking, flicker hither and thither like
+butterflies of light.&nbsp; But you know it is going forward;
+and, out of emulation with the painter, get ready your own
+palette, and lay out the colour for a woodland scene in
+words.</p>
+<p>Your tree stands in a hollow paved with fern and heather, set
+in a basin of low hills, and scattered over with rocks and
+junipers.&nbsp; All the open is steeped in pitiless
+sunlight.&nbsp; Everything stands out as though it were cut in
+cardboard, every colour is strained into its highest key.&nbsp;
+The boulders are some of them upright and dead like monolithic
+castles, some of them prone like sleeping cattle.&nbsp; The
+junipers&mdash;looking, in their soiled and ragged mourning, like
+some funeral procession that has gone seeking the place of
+sepulchre three hundred years and more in wind and rain&mdash;are
+daubed in forcibly against the glowing ferns and heather.&nbsp;
+Every tassel of their rusty foliage is defined with
+pre-Raphaelite minuteness.&nbsp; And a sorry figure they make out
+there in the sun, like misbegotten yew-trees!&nbsp; The scene is
+all pitched in a key of colour so peculiar, and lit up with such
+a discharge of violent sunlight, as a man might live fifty years
+in England and not see.</p>
+<p>Meanwhile at your elbow some one tunes up a song, words of
+Ronsard to a pathetic tremulous air, of how the poet loved his
+mistress long ago, and pressed on her the flight of time, and
+told her how white and quiet the dead lay under the stones, and
+how the boat dipped and pitched as the shades embarked for the
+passionless land.&nbsp; Yet a little while, sang the poet, and
+there shall be no more <!-- page 157--><a
+name="page157"></a><span class="pagenum">p. 157</span>love; only
+to sit and remember loves that might have been.&nbsp; There is a
+falling flourish in the air that remains in the memory and comes
+back in incongruous places, on the seat of hansoms or in the warm
+bed at night, with something of a forest savour.</p>
+<p>&lsquo;You can get up now,&rsquo; says the painter;
+&lsquo;I&rsquo;m at the background.&rsquo;</p>
+<p>And so up you get, stretching yourself, and go your way into
+the wood, the daylight becoming richer and more golden, and the
+shadows stretching farther into the open.&nbsp; A cool air comes
+along the highways, and the scents awaken.&nbsp; The fir-trees
+breathe abroad their ozone.&nbsp; Out of unknown thickets comes
+forth the soft, secret, aromatic odour of the woods, not like a
+smell of the free heaven, but as though court ladies, who had
+known these paths in ages long gone by, still walked in the
+summer evenings, and shed from their brocades a breath of musk or
+bergamot upon the woodland winds.&nbsp; One side of the long
+avenues is still kindled with the sun, the other is plunged in
+transparent shadow.&nbsp; Over the trees the west begins to burn
+like a furnace; and the painters gather up their chattels, and go
+down, by avenue or footpath, to the plain.</p>
+<h3>A PLEASURE-PARTY</h3>
+<p>As this excursion is a matter of some length, and, moreover,
+we go in force, we have set aside our usual vehicle, the
+pony-cart, and ordered a large wagonette from
+Lejosne&rsquo;s.&nbsp; It has been waiting for near an hour,
+while one went to pack a knapsack, and t&rsquo;other hurried over
+his toilette and coffee; but now it is filled from end to end
+with merry folk in summer attire, the coachman cracks his whip,
+and amid much applause from round the inn door off we rattle at a
+spanking trot.&nbsp; The way lies through the forest, up hill and
+down dale, and by beech and pine wood, in the cheerful morning
+sunshine.&nbsp; The English get down at all the ascents and walk
+on ahead for exercise; the French are mightily entertained at
+this, and keep coyly underneath the tilt.&nbsp; As we go we carry
+with us a pleasant noise of laughter and light speech, and some
+one will be always breaking out into a bar or two of opera
+bouffe.&nbsp; Before we get to the Route Ronde here comes
+Desprez, the colourman from Fontainebleau, trudging across on his
+weekly peddle with a case of merchandise; and it is
+&lsquo;Desprez, leave me some malachite green&rsquo;;
+&lsquo;Desprez, leave me so much canvas&rsquo;; &lsquo;Desprez,
+leave me this, or leave me that&rsquo;; M. Desprez standing the
+while in the sunlight with grave face and many salutations.&nbsp;
+The next interruption is more important.&nbsp; For some time back
+we have had the sound of cannon in our ears; and now, a little
+past Franchard, we find a mounted trooper holding a led horse,
+who brings the wagonette to a stand.&nbsp; The artillery is
+practising in the Quadrilateral, it appears; passage along the
+Route Ronde formally interdicted for the moment.&nbsp; There is
+nothing for it but to draw up at the glaring cross-roads and get
+down to make fun with the notorious Cocardon, the most ungainly
+and ill-bred dog of all the ungainly and ill-bred dogs of
+Barbizon, or clamber about the sandy banks.&nbsp; And meanwhile
+the doctor, with sun umbrella, wide Panama, and patriarchal
+beard, is busy wheedling and (for aught the rest of us know)
+bribing the too facile sentry.&nbsp; His speech is smooth and
+dulcet, his manner dignified and insinuating.&nbsp; It is not for
+nothing that the Doctor has voyaged all the world over, and
+speaks all languages from French to Patagonian.&nbsp; He has not
+come borne from perilous journeys to be thwarted by a corporal of
+horse.&nbsp; And so we soon see the soldier&rsquo;s mouth relax,
+and his shoulders imitate a relenting heart.&nbsp; &lsquo;<i>En
+voiture</i>, <i>Messieurs</i>, <i>Mesdames</i>,&rsquo; sings the
+Doctor; and on we go again at a good round pace, for black care
+follows hard after us, and discretion prevails not a little over
+valour in some timorous spirits of the party.&nbsp; At any moment
+we may meet the sergeant, who will send us back.&nbsp; At any
+moment we may encounter a flying shell, which will send us
+somewhere farther off than Grez.</p>
+<p>Grez&mdash;for that is our destination&mdash;has been highly
+recommended for its beauty.&nbsp; &lsquo;<i>Il y a de
+l&rsquo;eau</i>,&rsquo; people have said, with an emphasis, as if
+that settled the question, which, for a French mind, I am rather
+led to think it does.&nbsp; And Grez, when we get there, is
+indeed a place worthy of some praise.&nbsp; It lies out of the
+forest, a cluster of houses, with an old bridge, an old castle in
+ruin, and a quaint old church.&nbsp; The inn garden descends in
+terraces to the river; stable-yard, kailyard, orchard, and a
+space of lawn, fringed with rushes and embellished with a green
+arbour.&nbsp; On the opposite bank there is a reach of
+English-looking plain, set thickly with willows and
+poplars.&nbsp; And between the two lies the river, clear and
+deep, and full of reeds and floating lilies.&nbsp; Water-plants
+cluster about the starlings of the long low bridge, and stand
+half-way up upon the piers in green luxuriance.&nbsp; They catch
+the dipped oar with long antenn&aelig;, and chequer the slimy
+bottom with the shadow of their leaves.&nbsp; And the river
+wanders and thither hither among the islets, and is smothered and
+broken up by the reeds, like an old building in the lithe, hardy
+arms of the climbing ivy.&nbsp; You may watch the box where the
+good man of the inn keeps fish alive for his kitchen, one oily
+ripple following another over the top of the yellow deal.&nbsp;
+And you can hear a splashing and a prattle of voices from the
+shed under the old kirk, where the village women wash and wash
+all day among the fish and water-lilies.&nbsp; It seems as if
+linen washed there should be specially cool and sweet.</p>
+<p>We have come here for the river.&nbsp; And no sooner have we
+all bathed than we board the two shallops and push off gaily, and
+go gliding under the trees and gathering a great treasure of
+water-lilies.&nbsp; Some one sings; some trail their hands in the
+cool water; some lean over the gunwale to see the image of the
+tall poplars far below, and the shadow of the boat, with the
+balanced oars and their own head protruded, glide smoothly over
+the yellow floor of the stream.&nbsp; At last, the day
+declining&mdash;all silent and happy, and up to the knees in the
+wet lilies&mdash;we punt slowly back again to the landing-place
+beside the bridge.&nbsp; There is a wish for solitude on
+all.&nbsp; One hides himself in the arbour with a cigarette;
+another goes a walk in the country with Cocardon; a third
+inspects the church.&nbsp; And it is not till dinner is on the
+table, and the inn&rsquo;s best wine goes round from glass to
+glass, that we begin to throw off the restraint and fuse once
+more into a jolly fellowship.</p>
+<p>Half the party are to return to-night with the wagonette; and
+some of the others, loath to break up company, will go with them
+a bit of the way and drink a stirrup-cup at Marlotte.&nbsp; It is
+dark in the wagonette, and not so merry as it might have
+been.&nbsp; The coachman loses the road.&nbsp; So-and-so tries to
+light fireworks with the most indifferent success.&nbsp; Some
+sing, but the rest are too weary to applaud; and it seems as if
+the festival were fairly at an end&mdash;</p>
+<blockquote><p>&lsquo;Nous avons fait la noce,<br />
+Rentrons &agrave; nos foyers!&rsquo;</p>
+</blockquote>
+<p>And such is the burthen, even after we have come to Marlotte
+and taken our places in the court at Mother
+Antonine&rsquo;s.&nbsp; There is punch on the long table out in
+the open air, where the guests dine in summer weather.&nbsp; The
+candles flare in the night wind, and the faces round the punch
+are lit up, with shifting emphasis, against a background of
+complete and solid darkness.&nbsp; It is all picturesque enough;
+but the fact is, we are aweary.&nbsp; We yawn; we are out of the
+vein; we have made the wedding, as the song says, and now, for
+pleasure&rsquo;s sake, let&rsquo;s make an end on&rsquo;t.&nbsp;
+When here comes striding into the court, booted to mid-thigh,
+spurred and splashed, in a jacket of green cord, the great,
+famous, and redoubtable Blank; and in a moment the fire kindles
+again, and the night is witness of our laughter as he imitates
+Spaniards, Germans, Englishmen, picture-dealers, all eccentric
+ways of speaking and thinking, with a possession, a fury, a
+strain of mind and voice, that would rather suggest a nervous
+crisis than a desire to please.&nbsp; We are as merry as ever
+when the trap sets forth again, and say farewell noisily to all
+the good folk going farther.&nbsp; Then, as we are far enough
+from thoughts of sleep, we visit Blank in his quaint house, and
+sit an hour or so in a great tapestried chamber, laid with furs,
+littered with sleeping hounds, and lit up, in fantastic shadow
+and shine, by a wood fire in a medi&aelig;val chimney.&nbsp; And
+then we plod back through the darkness to the inn beside the
+river.</p>
+<p>How quick bright things come to confusion!&nbsp; When we arise
+next morning, the grey showers fall steadily, the trees hang
+limp, and the face of the stream is spoiled with dimpling
+raindrops.&nbsp; Yesterday&rsquo;s lilies encumber the garden
+walk, or begin, dismally enough, their voyage towards the Seine
+and the salt sea.&nbsp; A sickly shimmer lies upon the dripping
+house-roofs, and all the colour is washed out of the green and
+golden landscape of last night, as though an envious man had
+taken a water-colour sketch and blotted it together with a
+sponge.&nbsp; We go out a-walking in the wet roads.&nbsp; But the
+roads about Grez have a trick of their own.&nbsp; They go on for
+a while among clumps of willows and patches of vine, and then,
+suddenly and without any warning, cease and determine in some
+miry hollow or upon some bald knowe; and you have a short period
+of hope, then right-about face, and back the way you came!&nbsp;
+So we draw about the kitchen fire and play a round game of cards
+for ha&rsquo;pence, or go to the billiard-room, for a match at
+corks and by one consent a messenger is sent over for the
+wagonette&mdash;Grez shall be left to-morrow.</p>
+<p>To-morrow dawns so fair that two of the party agree to walk
+back for exercise, and let their kidnap-sacks follow by the
+trap.&nbsp; I need hardly say they are neither of them French;
+for, of all English phrases, the phrase &lsquo;for
+exercise&rsquo; is the least comprehensible across the Straits of
+Dover.&nbsp; All goes well for a while with the
+pedestrians.&nbsp; The wet woods are full of scents in the
+noontide.&nbsp; At a certain cross, where there is a guardhouse,
+they make a halt, for the forester&rsquo;s wife is the daughter
+of their good host at Barbizon.&nbsp; And so there they are
+hospitably received by the comely woman, with one child in her
+arms and another prattling and tottering at her gown, and drink
+some syrup of quince in the back parlour, with a map of the
+forest on the wall, and some prints of love-affairs and the great
+Napoleon hunting.&nbsp; As they draw near the Quadrilateral, and
+hear once more the report of the big guns, they take a by-road to
+avoid the sentries, and go on a while somewhat vaguely, with the
+sound of the cannon in their ears and the rain beginning to
+fall.&nbsp; The ways grow wider and sandier; here and there there
+are real sand-hills, as though by the sea-shore; the fir-wood is
+open and grows in clumps upon the hillocks, and the race of
+sign-posts is no more.&nbsp; One begins to look at the other
+doubtfully.&nbsp; &lsquo;I am sure we should keep more to the
+right,&rsquo; says one; and the other is just as certain they
+should hold to the left.&nbsp; And now, suddenly, the heavens
+open, and the rain falls &lsquo;sheer and strong and loud,&rsquo;
+as out of a shower-bath.&nbsp; In a moment they are as wet as
+shipwrecked sailors.&nbsp; They cannot see out of their eyes for
+the drift, and the water churns and gurgles in their boots.&nbsp;
+They leave the track and try across country with a
+gambler&rsquo;s desperation, for it seems as if it were
+impossible to make <!-- page 164--><a name="page164"></a><span
+class="pagenum">p. 164</span>the situation worse; and, for the
+next hour, go scrambling from boulder to boulder, or plod along
+paths that are now no more than rivulets, and across waste
+clearings where the scattered shells and broken fir-trees tell
+all too plainly of the cannon in the distance.&nbsp; And meantime
+the cannon grumble out responses to the grumbling thunder.&nbsp;
+There is such a mixture of melodrama and sheer discomfort about
+all this, it is at once so grey and so lurid, that it is far more
+agreeable to read and write about by the chimney-corner than to
+suffer in the person.&nbsp; At last they chance on the right
+path, and make Franchard in the early evening, the sorriest pair
+of wanderers that ever welcomed English ale.&nbsp; Thence, by the
+Bois d&rsquo;Hyver, the Ventes-Alexandre, and the Pins
+Brul&eacute;s, to the clean hostelry, dry clothes, and
+dinner.</p>
+<h3>THE WOODS IN SPRING</h3>
+<p>I think you will like the forest best in the sharp early
+springtime, when it is just beginning to reawaken, and
+innumerable violets peep from among the fallen leaves; when two
+or three people at most sit down to dinner, and, at table, you
+will do well to keep a rug about your knees, for the nights are
+chill, and the salle-&agrave;-manger opens on the court.&nbsp;
+There is less to distract the attention, for one thing, and the
+forest is more itself.&nbsp; It is not bedotted with
+artists&rsquo; sunshades as with unknown mushrooms, nor bestrewn
+with the remains of English picnics.&nbsp; The hunting still goes
+on, and at any moment your heart may be brought into your mouth
+as you hear far-away horns; or you may be told by an agitated
+peasant that the Vicomte has gone up the avenue, not ten minutes
+since, &lsquo;<i>&agrave; fond de train</i>, <i>monsieur</i>,
+<i>et avec douze pipuers</i>.&rsquo;</p>
+<p>If you go up to some coign of vantage in the system of low
+hills that permeates the forest, you will see many different
+tracts of country, each of its own cold and melancholy neutral
+tint, and all mixed together and mingled the one into the other
+at the seams.&nbsp; You will see tracts of leafless beeches of a
+faint yellowish grey, and leafless oaks a little ruddier in the
+hue.&nbsp; Then zones of pine of a solemn green; and, dotted
+among the pines, or standing by themselves in rocky clearings,
+the delicate, snow-white trunks of birches, spreading out into
+snow-white branches yet more delicate, and crowned and canopied
+with a purple haze of twigs.&nbsp; And then a long, bare ridge of
+tumbled boulders, with bright sand-breaks between them, and
+wavering sandy roads among the bracken and brown heather.&nbsp;
+It is all rather cold and unhomely.&nbsp; It has not the perfect
+beauty, nor the gem-like colouring, of the wood in the later
+year, when it is no more than one vast colonnade of verdant
+shadow, tremulous with insects, intersected here and there by
+lanes of sunlight set in purple heather.&nbsp; The loveliness of
+the woods in March is not, assuredly, of this blowzy rustic
+type.&nbsp; It is made sharp with a grain of salt, with a touch
+of ugliness.&nbsp; It has a sting like the sting of bitter ale;
+you acquire the love of it as men acquire a taste for
+olives.&nbsp; And the wonderful clear, pure air wells into your
+lungs the while by voluptuous inhalations, and makes the eyes
+bright, and sets the heart tinkling to a new tune&mdash;or,
+rather, to an old tune; for you remember in your boyhood
+something akin to this spirit of adventure, this thirst for
+exploration, that now takes you masterfully by the hand, plunges
+you into many a deep grove, and drags you over many a stony
+crest.&nbsp; It is as if the whole wood were full of friendly
+voice, calling you farther in, and you turn from one side to
+another, like Buridan&rsquo;s donkey, in a maze of pleasure.</p>
+<p>Comely beeches send up their white, straight, clustered
+branches, barred with green moss, like so many fingers from a
+half-clenched hand.&nbsp; Mighty oaks stand to the ankles in a
+fine tracery of underwood; thence the tall shaft climbs upwards,
+and the great forest of stalwart boughs spreads out into the
+golden evening sky, where the rooks are flying and calling.&nbsp;
+On the sward of the Bois d&rsquo;Hyver the firs stand well
+asunder with outspread arms, like fencers saluting; and the air
+smells of resin all around, and the sound of the axe is rarely
+still.&nbsp; But strangest of all, and in appearance oldest of
+all, are the dim and wizard upland districts of young wood.&nbsp;
+The ground is carpeted with fir-tassel, and strewn with
+fir-apples and flakes of fallen bark.&nbsp; Rocks lie crouching
+in the thicket, guttered with rain, tufted with lichen, white
+with years and the rigours of the changeful seasons.&nbsp; Brown
+and yellow butterflies are sown and carried away again by the
+light air&mdash;like thistledown.&nbsp; The loneliness of these
+coverts is so excessive, that there are moments when pleasure
+draws to the verge of fear.&nbsp; You listen and listen for some
+noise to break the silence, till you grow half mesmerised by the
+intensity of the strain; your sense of your own identity is
+troubled; your brain reels, like that of some gymnosophist poring
+on his own nose in Asiatic jungles; and should you see your own
+outspread feet, you see them, not as anything of yours, but as a
+feature of the scene around you.</p>
+<p>Still the forest is always, but the stillness is not always
+unbroken.&nbsp; You can hear the wind pass in the distance over
+the tree-tops; sometimes briefly, like the noise of a train;
+sometimes with a long steady rush, like the breaking of
+waves.&nbsp; And sometimes, close at band, the branches move, a
+moan goes through the thicket, and the wood thrills to its
+heart.&nbsp; Perhaps you may hear a carriage on the road to
+Fontainebleau, a bird gives a dry continual chirp, the dead
+leaves rustle underfoot, or you may time your steps to the steady
+recurrent strokes of the woodman&rsquo;s axe.&nbsp; From time to
+time, over the low grounds, a flight of rooks goes by; and from
+time to time the cooing of wild doves falls upon the ear, not
+sweet and rich and near at hand as in England, but a sort of
+voice of the woods, thin and far away, as fits these solemn
+places.&nbsp; Or you hear suddenly the hollow, eager, violent
+barking of dogs; scared deer flit past you through the fringes of
+the wood; then a man or two running, in green blouse, with gun
+and game-bag on a bandoleer; and then, out of the thick of the
+trees, comes the jar of rifle-shots.&nbsp; Or perhaps the hounds
+are out, and horns are blown, and scarlet-coated huntsmen flash
+through the clearings, and the solid noise of horses galloping
+passes below you, where you sit perched among the rocks and
+heather.&nbsp; The boar is afoot, and all over the forest, and in
+all neighbouring villages, there is a vague excitement and a
+vague hope; for who knows whither the chase may lead? and even to
+have seen a single piqueur, or spoken to a single sportsman, is
+to be a man of consequence for the night.</p>
+<p>Besides men who shoot and men who ride with the hounds, there
+are few people in the forest, in the early spring, save
+woodcutters plying their axes steadily, and old women and
+children gathering wood for the fire.&nbsp; You may meet such a
+party coming home in the twilight: the old woman laden with a
+fagot of chips, and the little ones hauling a long branch behind
+them in her wake.&nbsp; That is the worst of what there is to
+encounter; and if I tell you of what once happened to a friend of
+mine, it is by no means to tantalise you with false hopes; for
+the adventure was unique.&nbsp; It was on a very cold, still,
+sunless morning, with a flat grey sky and a frosty tingle in the
+air, that this friend (who shall here be nameless) heard the
+notes of a key-bugle played with much hesitation, and saw the
+smoke of a fire spread out along the green pine-tops, in a remote
+uncanny glen, hard by a hill of naked boulders.&nbsp; He drew
+near warily, and beheld a picnic party seated under a tree in an
+open.&nbsp; The old father knitted a sock, the mother sat staring
+at the fire.&nbsp; The eldest son, in the uniform of a private of
+dragoons, was choosing out notes on a key-bugle.&nbsp; Two or
+three daughters lay in the neighbourhood picking violets.&nbsp;
+And the whole party as grave and silent as the woods around
+them!&nbsp; My friend watched for a long time, he says; but all
+held their peace; not one spoke or smiled; only the dragoon kept
+choosing out single notes upon the bugle, and the father knitted
+away at his work and made strange movements the while with his
+flexible eyebrows.&nbsp; They took no notice <!-- page 169--><a
+name="page169"></a><span class="pagenum">p. 169</span>whatever of
+my friend&rsquo;s presence, which was disquieting in itself, and
+increased the resemblance of the whole party to mechanical
+waxworks.&nbsp; Certainly, he affirms, a wax figure might have
+played the bugle with more spirit than that strange
+dragoon.&nbsp; And as this hypothesis of his became more certain,
+the awful insolubility of why they should be left out there in
+the woods with nobody to wind them up again when they ran down,
+and a growing disquietude as to what might happen next, became
+too much for his courage, and he turned tail, and fairly took to
+his heels.&nbsp; It might have been a singing in his ears, but he
+fancies he was followed as he ran by a peal of Titanic
+laughter.&nbsp; Nothing has ever transpired to clear up the
+mystery; it may be they were automata; or it may be (and this is
+the theory to which I lean myself) that this is all another
+chapter of Heine&rsquo;s &lsquo;Gods in Exile&rsquo;; that the
+upright old man with the eyebrows was no other than Father Jove,
+and the young dragoon with the taste for music either Apollo or
+Mars.</p>
+<h3>MORALITY</h3>
+<p>Strange indeed is the attraction of the forest for the minds
+of men.&nbsp; Not one or two only, but a great chorus of grateful
+voices have arisen to spread abroad its fame.&nbsp; Half the
+famous writers of modern France have had their word to say about
+Fontainebleau.&nbsp; Chateaubriand, Michelet, B&eacute;ranger,
+George Sand, de Senancour, Flaubert, Murger, the brothers
+Goncourt, Th&eacute;odore de Banville, each of these has done
+something to the eternal praise and memory of these woods.&nbsp;
+Even at the very worst of times, even when the picturesque was
+anathema in the eyes of all Persons of Taste, the forest still
+preserved a certain reputation for beauty.&nbsp; It was in 1730
+that the Abb&eacute; Guilbert published his <i>Historical
+Description of the Palace</i>, <i>Town</i>, <i>and Forest of
+Fontainebleau</i>.&nbsp; And very droll it is to see him, as he
+tries to set forth his admiration in terms of what was then
+permissible.&nbsp; The monstrous rocks, etc., says the
+Abb&eacute; &lsquo;sont admir&eacute;es avec surprise des
+voyageurs qui s&rsquo;&eacute;crient aussit&ocirc;t avec Horace:
+Ut mihi devio rupee et vacuum nemus mirari libet.&rsquo;&nbsp;
+The good man is not exactly lyrical in his praise; and you see
+how he sets his back against Horace as against a trusty
+oak.&nbsp; Horace, at any rate, was classical.&nbsp; For the
+rest, however, the Abb&eacute; likes places where many alleys
+meet; or which, like the Belle-&Eacute;toile, are kept up
+&lsquo;by a special gardener,&rsquo; and admires at the Table du
+Roi the labours of the Grand Master of Woods and Waters, the
+Sieur de la Falure, &lsquo;qui a fait faire ce magnifique
+endroit.&rsquo;</p>
+<p>But indeed, it is not so much for its beauty that the forest
+makes a claim upon men&rsquo;s hearts, as for that subtle
+something, that quality of the air, that emanation from the old
+trees, that so wonderfully changes and renews a weary
+spirit.&nbsp; Disappointed men, sick Francis Firsts and
+vanquished Grand Monarchs, time out of mind have come here for
+consolation.&nbsp; Hither perplexed folk have retired out of the
+press of life, as into a deep bay-window on some night of
+masquerade, and here found quiet and silence, and rest, the
+mother of wisdom.&nbsp; It is the great moral spa; this forest
+without a fountain is itself the great fountain of
+Juventius.&nbsp; It is the best place in the world to bring an
+old sorrow that has been a long while your friend and enemy; and
+if, like B&eacute;ranger&rsquo;s your gaiety has run away from
+home and left open the door for sorrow to come in, of all covers
+in Europe, it is here you may expect to find the truant
+hid.&nbsp; With every hour you change.&nbsp; The air penetrates
+through your clothes, and nestles to your living body.&nbsp; You
+love exercise and slumber, long fasting and full meals.&nbsp; You
+forget all your scruples and live a while in peace and freedom,
+and for the moment only.&nbsp; For here, all is absent that can
+stimulate to moral feeling.&nbsp; Such people as you see may be
+old, or toil-worn, or sorry; but you see them framed in the
+forest, like figures on a painted canvas; and for you, they are
+not people in any living and kindly sense.&nbsp; You forget the
+grim contrariety of interests.&nbsp; You forget the narrow lane
+where all men jostle together in unchivalrous contention, and the
+kennel, deep and unclean, that gapes on either hand for the
+defeated.&nbsp; Life is simple enough, it seems, and the very
+idea of sacrifice becomes like a mad fancy out of a last
+night&rsquo;s dream.</p>
+<p>Your ideal is not perhaps high, but it is plain and
+possible.&nbsp; You become enamoured of a life of change and
+movement and the open air, where the muscles shall be more
+exercised than the affections.&nbsp; When you have had your will
+of the forest, you may visit the whole round world.&nbsp; You may
+buckle on your knapsack and take the road on foot.&nbsp; You may
+bestride a good nag, and ride forth, with a pair of saddle-bags,
+into the enchanted East.&nbsp; You may cross the Black Forest,
+and see Germany wide-spread before you, like a map, dotted with
+old cities, walled and spired, that dream all day on their own
+reflections in the Rhine or Danube.&nbsp; You may pass the spinal
+cord of Europe and go down from Alpine glaciers to where Italy
+extends her marble moles and glasses her marble palaces in the
+midland sea.&nbsp; You may sleep in flying trains or wayside
+taverns.&nbsp; You may be awakened at dawn by the scream of the
+express or the small pipe of the robin in the hedge.&nbsp; For
+you the rain should allay the dust of the beaten road; the wind
+dry your clothes upon you as you walked.&nbsp; Autumn should hang
+out russet pears and purple grapes along the lane; inn after inn
+proffer you their cups of raw wine; river by river receive your
+body in the sultry noon.&nbsp; Wherever you went warm valleys and
+high trees and pleasant villages should compass you about; and
+light fellowships should take you by the arm, and walk with you
+an hour upon your way.&nbsp; You may see from afar off what it
+will come to in the end&mdash;the weather-beaten red-nosed
+vagabond, consumed by a fever of the feet, cut off from all near
+touch of human sympathy, a waif, an Ishmael, and an
+outcast.&nbsp; And yet it will seem well&mdash;and yet, in the
+air of the forest, this will seem the best&mdash;to break all the
+network bound about your feet by birth and old companionship and
+loyal love, and bear your shovelful of phosphates to and fro, in
+town country, until the hour of the great dissolvent.</p>
+<p>Or, perhaps, you will keep to the cover.&nbsp; For the forest
+is by itself, and forest life owns small kinship with life in the
+dismal land of labour.&nbsp; Men are so far sophisticated that
+they cannot take the world as it is given to them by the sight of
+their eyes.&nbsp; Not only what they see and hear, but what they
+know to be behind, enter into their notion of a place.&nbsp; If
+the sea, for instance, lie just across the hills, sea-thoughts
+will come to them at intervals, and the tenor of their dreams
+from time to time will suffer a sea-change.&nbsp; And so here, in
+this forest, a knowledge of its greatness is for much in the
+effect produced.&nbsp; You reckon up the miles that lie between
+you and intrusion.&nbsp; You may walk before you all day long,
+and not fear to touch the barrier of your Eden, or stumble out of
+fairyland into the land of gin and steam-hammers.&nbsp; And there
+is an old tale enhances for the imagination the grandeur of the
+woods of France, and secures you in the thought of your
+seclusion.&nbsp; When Charles VI. hunted in the time of his wild
+boyhood near Senlis, there was captured an old stag, having a
+collar of bronze about his neck, and these words engraved on the
+collar: &lsquo;C&aelig;sar mihi hoc donavit.&rsquo;&nbsp; It is
+no wonder if the minds of men were moved at this occurrence and
+they stood aghast to find themselves thus touching hands with
+forgotten ages, and following an antiquity with hound and
+horn.&nbsp; And even for you, it is scarcely in an idle curiosity
+that you ponder how many centuries this stag had carried its free
+antlers through the wood, and how many summers and winters had
+shone and snowed on the imperial badge.&nbsp; If the extent of
+solemn wood could thus safeguard a tall stag from the
+hunter&rsquo;s hounds and houses, might not you also play
+hide-and-seek, in these groves, with all the pangs and
+trepidations of man&rsquo;s life, and elude Death, the mighty
+hunter, for more than the span of human years?&nbsp; Here, also,
+crash his arrows; here, in the farthest glade, sounds the gallop
+of the pale horse.&nbsp; But he does not hunt this cover with all
+his hounds, for the game is thin and small: and if you were but
+alert and wary, if you lodged ever in the deepest thickets, you
+too might live on into later generations and astonish men by your
+stalwart age and the trophies of an immemorial success.</p>
+<p>For the forest takes away from you all excuse to die.&nbsp;
+There is nothing here to cabin or thwart your free desires.&nbsp;
+Here all the impudencies of the brawling world reach you no
+more.&nbsp; You may count your hours, like Endymion, by the
+strokes of the lone woodcutter, or by the progression of the
+lights and shadows and the sun wheeling his wide circuit through
+the naked heavens.&nbsp; Here shall you see no enemies but winter
+and rough weather.&nbsp; And if a pang comes to you at all, it
+will be a pang of healthful hunger.&nbsp; All the puling sorrows,
+all the carking repentance, all this talk of duty that is no
+duty, in the great peace, in the pure daylight of these woods,
+fall away from you like a garment.&nbsp; And if perchance you
+come forth upon an eminence, where the wind blows upon you large
+and fresh, and the pines knock their long stems together, like an
+ungainly sort of puppets, and see far away over the plain a
+factory chimney defined against the pale horizon&mdash;it is for
+you, as for the staid and simple peasant when, with his plough,
+he upturns old arms and harness from the furrow of the
+glebe.&nbsp; Ay, sure enough, there was a battle there in the old
+times; and, sure enough, there is a world out yonder where men
+strive together with a noise of oaths and weeping and clamorous
+dispute.&nbsp; So much you apprehend by an athletic act of the
+imagination.&nbsp; A faint far-off rumour as of Merovingian wars;
+a legend as of some dead religion.</p>
+<h2><!-- page 175--><a name="page175"></a><span
+class="pagenum">p. 175</span>VI.<br />
+A MOUNTAIN TOWN IN FRANCE <a name="citation175"></a><a
+href="#footnote175" class="citation">[175]</a><br />
+A FRAGMENT<br />
+1879</h2>
+<p class="gutsumm"><i>Originally intended to serve as the opening
+chapter of</i> &lsquo;<i>Travels with a Donkey in the
+Cevennes</i>.&rsquo;</p>
+<p>Le Monastier is the chief place of a hilly canton in Haute
+Loire, the ancient Velay.&nbsp; As the name betokens, the town is
+of monastic origin; and it still contains a towered bulk of
+monastery and a church of some architectural pretensions, the
+seat of an arch-priest and several vicars.&nbsp; It stands on the
+side of hill above the river Gazeille, about fifteen miles from
+Le Puy, up a steep road where the wolves sometime pursue the
+diligence in winter.&nbsp; The road, which is bound for Vivarais,
+passes through the town from end to end in a single narrow
+street; there you may see the fountain where women fill their
+pitchers; there also some old houses with carved doors and
+pediment and ornamental work in iron.&nbsp; For Monastier, like
+Maybole in Ayrshire, was a sort of country capital, where the
+local aristocracy had their town mansions for the winter; and
+there is a certain baron still alive and, I am told, extremely
+penitent, who found means to ruin himself by high living in this
+village on the hills.&nbsp; He certainly has claims to be
+considered the most remarkable spendthrift on record.&nbsp; How
+he set about it, in a place where there are no luxuries for sale,
+and where the board at the best inn comes to little more than a
+shilling a day, is a problem for the wise.&nbsp; His son, ruined
+as the family was, went as far as Paris to sow his wild oats; and
+so the cases of father and son mark an epoch in the history of
+centralisation in France.&nbsp; Not until the latter had got into
+the train was the work of Richelieu complete.</p>
+<p>It is a people of lace-makers.&nbsp; The women sit in the
+streets by groups of five or six; and the noise of the bobbins is
+audible from one group to another.&nbsp; Now and then you will
+hear one woman clattering off prayers for the edification of the
+others at their work.&nbsp; They wear gaudy shawls, white caps
+with a gay ribbon about the head, and sometimes a black felt
+brigand hat above the cap; and so they give the street colour and
+brightness and a foreign air.&nbsp; A while ago, when England
+largely supplied herself from this district with the lace called
+<i>torchon</i>, it was not unusual to earn five francs a day; and
+five francs in Monastier is worth a pound in London.&nbsp; Now,
+from a change in the market, it takes a clever and industrious
+work-woman to earn from three to four in the week, or less than
+an eighth of what she made easily a few years ago.&nbsp; The tide
+of prosperity came and went, as with our northern pitmen, and
+left nobody the richer.&nbsp; The women bravely squandered their
+gains, kept the men in idleness, and gave themselves up, as I was
+told, to sweethearting and a merry life.&nbsp; From week&rsquo;s
+end to week&rsquo;s end it was one continuous gala in Monastier;
+people spent the day in the wine-shops, and the drum or the
+bagpipes led on the <i>bourr&eacute;es</i> up to ten at
+night.&nbsp; Now these dancing days are over.&nbsp; &lsquo;<i>Il
+n&rsquo;y a plus de jeunesse</i>,&rsquo; said Victor the
+gar&ccedil;on.&nbsp; I hear of no great advance in what are
+thought the essentials of morality; but the
+<i>bourr&eacute;e</i>, with its rambling, sweet, interminable
+music, and alert and rustic figures, has fallen into disuse, and
+is mostly remembered as a custom of the past.&nbsp; Only on the
+occasion of the fair shall you hear a drum discreetly in a
+wine-shop or perhaps one of the company singing the measure while
+the others dance.&nbsp; I am sorry at the change, and marvel once
+more at the complicated scheme of things upon this earth, and how
+a turn of fashion in England can silence so much mountain
+merriment in France.&nbsp; The lace-makers themselves have not
+entirely forgiven our country-women; and I think they take a
+special pleasure in the legend of the northern quarter of the
+town, called L&rsquo;Anglade, because there the English
+free-lances were arrested and driven back by the potency of a
+little Virgin Mary on the wall.</p>
+<p>From time to time a market is held, and the town has a season
+of revival; cattle and pigs are stabled in the streets; and
+pickpockets have been known to come all the way from Lyons for
+the occasion.&nbsp; Every Sunday the country folk throng in with
+daylight to buy apples, to attend mass, and to visit one of the
+wine-shops, of which there are no fewer than fifty in this little
+town.&nbsp; Sunday wear for the men is a green tailcoat of some
+coarse sort of drugget, and usually a complete suit to
+match.&nbsp; I have never set eyes on such degrading
+raiment.&nbsp; Here it clings, there bulges; and the human body,
+with its agreeable and lively lines, is turned into a mockery and
+laughing-stock.&nbsp; Another piece of Sunday business with the
+peasants is to take their ailments to the chemist for
+advice.&nbsp; It is as much a matter for Sunday as
+church-going.&nbsp; I have seen a woman who had been unable to
+speak since the Monday before, wheezing, catching her breath,
+endlessly and painfully coughing; and yet she had waited upwards
+of a hundred hours before coming to seek help, and had the week
+been twice as long, she would have waited still.&nbsp; There was
+a canonical day for consultation; such was the ancestral habit,
+to which a respectable lady must study to conform.</p>
+<p>Two conveyances go daily to Le Puy, but they rival each other
+in polite concessions rather than in speed.&nbsp; Each will wait
+an hour or two hours cheerfully while an old lady does her
+marketing or a gentleman finishes the papers in a
+caf&eacute;.&nbsp; The <i>Courrier</i> (such is the name of one)
+should leave Le Puy by two in the afternoon and arrive at
+Monastier in good on the return voyage, and arrive at Monastier
+in good time for a six-o&rsquo;clock dinner.&nbsp; But the driver
+dares not disoblige his customers.&nbsp; He will postpone his
+departure again and again, hour after hour; and I have known the
+sun to go down on his delay.&nbsp; These purely personal favours,
+this consideration of men&rsquo;s fancies, rather than the hands
+of a mechanical clock, as marking the advance of the abstraction,
+time, makes a more humorous business of stage-coaching than we
+are used to see it.</p>
+<p>As far as the eye can reach, one swelling line of hill top
+rises and falls behind another; and if you climb an eminence, it
+is only to see new and father ranges behind these.&nbsp; Many
+little rivers run from all sides in cliffy valleys; and one of
+them, a few miles from Monastier, bears the great name of
+Loire.&nbsp; The mean level of the country is a little more than
+three thousand feet above the sea, which makes the atmosphere
+proportionally brisk and wholesome.&nbsp; There is little timber
+except pines, and the greater part of the country lies in
+moorland pasture.&nbsp; The country is wild and tumbled rather
+than commanding; an upland rather than a mountain district; and
+the most striking as well as the most agreeable scenery lies low
+beside the rivers.&nbsp; There, indeed, you will find many
+corners that take the fancy; such as made the English noble
+choose his grave by a Swiss streamlet, where nature is at her
+freshest, and looks as young as on the seventh morning.&nbsp;
+Such a place is the course of the Gazeille, where it waters the
+common of Monastier and thence downwards till it joins the Loire;
+a place to hear birds singing; a place for lovers to
+frequent.&nbsp; The name of the river was perhaps suggested by
+the sound of its passage over the stones; for it is a great
+warbler, and at night, after I was in bed at Monastier, I could
+hear it go singing down the valley till I fell asleep.</p>
+<p>On the whole, this is a Scottish landscape, although not so
+noble as the best in Scotland; and by an odd coincidence, the
+population is, in its way, as Scottish as the country.&nbsp; They
+have abrupt, uncouth, Fifeshire manners, and accost you, as if
+you were trespassing, an &lsquo;O&ugrave;&rsquo;st-ce que vous
+allez?&rsquo; only translatable into the Lowland &lsquo;Whaur ye
+gaun?&rsquo;&nbsp; They keep the Scottish Sabbath.&nbsp; There is
+no labour done on that day but to drive in and out the various
+pigs and sheep and cattle that make so pleasant a tinkling in the
+meadows.&nbsp; The lace-makers have disappeared from the
+street.&nbsp; Not to attend mass would involve social
+degradation; and you may find people reading Sunday books, in
+particular a sort of Catholic <i>Monthly Visitor</i> on the
+doings of Our Lady of Lourdes.&nbsp; I remember one Sunday, when
+I was walking in the country, that I fell on a hamlet and found
+all the inhabitants, from the patriarch to the baby, gathered in
+the shadow of a gable at prayer.&nbsp; One strapping lass stood
+with her back to the wall and did the solo part, the rest chiming
+in devoutly.&nbsp; Not far off, a lad lay flat on his face asleep
+among some straw, to represent the worldly element.</p>
+<p>Again, this people is eager to proselytise; and the
+postmaster&rsquo;s daughter used to argue with me by the
+half-hour about my heresy, until she grew quite flushed.&nbsp; I
+have heard the reverse process going on between a Scotswoman and
+a French girl; and the arguments in the two cases were
+identical.&nbsp; Each apostle based her claim on the superior
+virtue and attainments of her clergy, and clenched the business
+with a threat of hell-fire.&nbsp; &lsquo;<i>Pas bong
+pr&ecirc;tres ici</i>,&rsquo; said the Presbyterian,
+&lsquo;<i>bong pr&ecirc;tres en Ecosse</i>.&rsquo;&nbsp; And the
+postmaster&rsquo;s daughter, taking up the same weapon, plied me,
+so to speak, with the butt of it instead of the bayonet.&nbsp; We
+are a hopeful race, it seems, and easily persuaded for our
+good.&nbsp; One cheerful circumstance I note in these guerilla
+missions, that each side relies on hell, and Protestant and
+Catholic alike address themselves to a supposed misgiving in
+their adversary&rsquo;s heart.&nbsp; And I call it cheerful, for
+faith is a more supporting quality than imagination.</p>
+<p>Here, as in Scotland, many peasant families boast a son in
+holy orders.&nbsp; And here also, the young men have a tendency
+to emigrate.&nbsp; It is certainly not poverty that drives them
+to the great cities or across the seas, for many peasant
+families, I was told, have a fortune of at least 40,000
+francs.&nbsp; The lads go forth pricked with the spirit of
+adventure and the desire to rise in life, and leave their
+homespun elders grumbling and wondering over the event.&nbsp;
+Once, at a village called Laussonne, I met one of these
+disappointed parents: a drake who had fathered a wild swan and
+seen it take wing and disappear.&nbsp; The wild swan in question
+was now an apothecary in Brazil.&nbsp; He had flown by way of
+Bordeaux, and first landed in America, bareheaded and barefoot,
+and with a single halfpenny in his pocket.&nbsp; And now he was
+an apothecary!&nbsp; Such a wonderful thing is an adventurous
+life!&nbsp; I thought he might as well have stayed at home; but
+you never can tell wherein a man&rsquo;s life consists, nor in
+what he sets his pleasure: one to drink, another to marry, a
+third to write scurrilous articles and be repeatedly caned in
+public, and now this fourth, perhaps, to be an apothecary in
+Brazil.&nbsp; As for his old father, he could conceive no reason
+for the lad&rsquo;s behaviour.&nbsp; &lsquo;I had always bread
+for him,&rsquo; he said; &lsquo;he ran away to annoy me.&nbsp; He
+loved to annoy me.&nbsp; He had no gratitude.&rsquo;&nbsp; But at
+heart he was swelling with pride over his travelled offspring,
+and he produced a letter out of his pocket, where, as he said, it
+was rotting, a mere lump of paper rags, and waved it gloriously
+in the air.&nbsp; &lsquo;This comes from America,&rsquo; he
+cried, &lsquo;six thousand leagues away!&rsquo;&nbsp; And the
+wine-shop audience looked upon it with a certain thrill.</p>
+<p>I soon became a popular figure, and was known for miles in the
+country.&nbsp; <i>O&ugrave;&rsquo;st que vous allez</i>? was
+changed for me into <i>Quoi</i>, <i>vous rentrez au Monastier</i>
+and in the town itself every urchin seemed to know my name,
+although no living creature could pronounce it.&nbsp; There was
+one particular group of lace-makers who brought out a chair for
+me whenever I went by, and detained me from my walk to
+gossip.&nbsp; They were filled with curiosity about England, its
+language, its religion, the dress of the women, and were never
+weary of seeing the Queen&rsquo;s head on English postage-stamps,
+or seeking for French words in English Journals.&nbsp; The
+language, in particular, filled them with surprise.</p>
+<p>&lsquo;Do they speak <i>patois</i> in England?&rsquo;&nbsp; I
+was once asked; and when I told them not, &lsquo;Ah, then,
+French?&rsquo; said they.</p>
+<p>&lsquo;No, no,&rsquo; I said, &lsquo;not French.&rsquo;</p>
+<p>&lsquo;Then,&rsquo; they concluded, &lsquo;they speak
+<i>patois</i>.&rsquo;</p>
+<p>You must obviously either speak French or <i>patios</i>.&nbsp;
+Talk of the force of logic&mdash;here it was in all its
+weakness.&nbsp; I gave up the point, but proceeding to give
+illustrations of my native jargon, I was met with a new
+mortification.&nbsp; Of all <i>patios</i> they declared that mine
+was the most preposterous and the most jocose in sound.&nbsp; At
+each new word there was a new explosion of laughter, and some of
+the younger ones were glad to rise from their chairs and stamp
+about the street in ecstasy; and I looked on upon their mirth in
+a faint and slightly disagreeable bewilderment.&nbsp;
+&lsquo;Bread,&rsquo; which sounds a commonplace, plain-sailing
+monosyllable in England, was the word that most delighted these
+good ladies of Monastier; it seemed to them frolicsome and racy,
+like a page of Pickwick; and they all got it carefully by heart,
+as a stand-by, I presume, for winter evenings.&nbsp; I have tried
+it since then with every sort of accent and inflection, but I
+seem to lack the sense of humour.</p>
+<p>They were of all ages: children at their first web of lace, a
+stripling girl with a bashful but encouraging play of eyes, solid
+married women, and grandmothers, some on the top of their age and
+some falling towards decrepitude.&nbsp; One and all were pleasant
+and natural, ready to laugh and ready with a certain quiet
+solemnity when that was called for by the subject of our
+talk.&nbsp; Life, since the fall in wages, had begun to appear to
+them with a more serious air.&nbsp; The stripling girl would
+sometimes laugh at me in a provocative and not unadmiring manner,
+if I judge aright; and one of the grandmothers, who was my great
+friend of the party, gave me many a sharp word of judgment on my
+sketches, my heresy, or even my arguments, and gave them with a
+wry mouth and a humorous twinkle in her eye that were eminently
+Scottish.&nbsp; But the rest used me with a certain reverence, as
+something come from afar and not entirely human.&nbsp; Nothing
+would put them at their ease but the irresistible gaiety of my
+native tongue.&nbsp; Between the old lady and myself I think
+there was a real attachment.&nbsp; She was never weary of sitting
+to me for her portrait, in her best cap and brigand hat, and with
+all her wrinkles tidily composed, and though she never failed to
+repudiate the result, she would always insist upon another
+trial.&nbsp; It was as good as a play to see her sitting in
+judgment over the last.&nbsp; &lsquo;No, no,&rsquo; she would
+say, &lsquo;that is not it.&nbsp; I am old, to be sure, but I am
+better-looking than that.&nbsp; We must try again.&rsquo;&nbsp;
+When I was about to leave she bade me good-bye for this life in a
+somewhat touching manner.&nbsp; We should not meet again, she
+said; it was a long farewell, and she was sorry.&nbsp; But life
+is so full of crooks, old lady, that who knows?&nbsp; I have said
+good-bye to people for greater distances and times, and, please
+God, I mean to see them yet again.</p>
+<p>One thing was notable about these women, from the youngest to
+the oldest, and with hardly an exception.&nbsp; In spite of their
+piety, they could twang off an oath with Sir Toby Belch in
+person.&nbsp; There was nothing so high or so low, in heaven or
+earth or in the human body, but a woman of this neighbourhood
+would whip out the name of it, fair and square, by way of
+conversational adornment.&nbsp; My landlady, who was pretty and
+young, dressed like a lady and avoided <i>patois</i> like a
+weakness, commonly addressed her child in the language of a
+drunken bully.&nbsp; And of all the swearers that I ever heard,
+commend me to an old lady in Gondet, a village of the
+Loire.&nbsp; I was making a sketch, and her curse was not yet
+ended when I had finished it and took my departure.&nbsp; It is
+true she had a right to be angry; for here was her son, a hulking
+fellow, visibly the worse for drink before the day was well
+begun.&nbsp; But it was strange to hear her unwearying flow of
+oaths and obscenities, endless like a river, and now and then
+rising to a passionate shrillness, in the clear and silent air of
+the morning.&nbsp; In city slums, the thing might have passed
+unnoticed; but in a country valley, and from a plain and honest
+countrywoman, this beastliness of speech surprised the ear.</p>
+<p>The <i>Conductor</i>, as he is called, <i>of Roads and
+Bridges</i> was my principal companion.&nbsp; He was generally
+intelligent, and could have spoken more or less falsetto on any
+of the trite topics; but it was his specially to have a generous
+taste in eating.&nbsp; This was what was most indigenous in the
+man; it was here he was an artist; and I found in his company
+what I had long suspected, that enthusiasm and special knowledge
+are the great social qualities, and what they are about, whether
+white sauce or Shakespeare&rsquo;s plays, an altogether secondary
+question.</p>
+<p>I used to accompany the Conductor on his professional rounds,
+and grew to believe myself an expert in the business.&nbsp; I
+thought I could make an entry in a stone-breaker&rsquo;s
+time-book, or order manure off the wayside with any living
+engineer in France.&nbsp; Gondet was one of the places we visited
+together; and Laussonne, where I met the apothecary&rsquo;s
+father, was another.&nbsp; There, at Laussonne, George Sand spent
+a day while she was gathering materials for the <i>Marquis de
+Villemer</i>; and I have spoken with an old man, who was then a
+child running about the inn kitchen, and who still remembers her
+with a sort of reverence.&nbsp; It appears that he spoke French
+imperfectly; for this reason George Sand chose him for companion,
+and whenever he let slip a broad and picturesque phrase in
+<i>patois</i>, she would make him repeat it again and again till
+it was graven in her memory.&nbsp; The word for a frog
+particularly pleased her fancy; and it would be curious to know
+if she afterwards employed it in her works.&nbsp; The peasants,
+who knew nothing of betters and had never so much as heard of
+local colour, could not explain her chattering with this backward
+child; and to them she seemed a very homely lady and far from
+beautiful: the most famous man-killer of the age appealed so
+little to Velaisian swine-herds!</p>
+<p>On my first engineering excursion, which lay up by Crouzials
+towards Mount Mezenc and the borders of Ard&egrave;che, I began
+an improving acquaintance with the foreman road-mender.&nbsp; He
+was in great glee at having me with him, passed me off among his
+subalterns as the supervising engineer, and insisted on what he
+called &lsquo;the gallantry&rsquo; of paying for my breakfast in
+a roadside wine-shop.&nbsp; On the whole, he was a man of great
+weather-wisdom, some spirits, and a social temper.&nbsp; But I am
+afraid he was superstitious.&nbsp; When he was nine years old, he
+had seen one night a company of <i>bourgeois et dames qui
+faisaient la man&egrave;ge avec des chaises</i>, and concluded
+that he was in the presence of a witches&rsquo; Sabbath.&nbsp; I
+suppose, but venture with timidity on the suggestion, that this
+may have been a romantic and nocturnal picnic party.&nbsp; Again,
+coming from Pradelles with his brother, they saw a great empty
+cart drawn by six enormous horses before them on the road.&nbsp;
+The driver cried aloud and filled the mountains with the cracking
+of his whip.&nbsp; He never seemed to go faster than a walk, yet
+it was impossible to overtake him; and at length, at the comer of
+a hill, the whole equipage disappeared bodily into the
+night.&nbsp; At the time, people said it was the devil <i>qui
+s&rsquo;amusait &agrave; faire ca</i>.</p>
+<p>I suggested there was nothing more likely, as he must have
+some amusement.</p>
+<p>The foreman said it was odd, but there was less of that sort
+of thing than formerly.&nbsp; &lsquo;<i>C&rsquo;est
+difficile</i>,&rsquo; he added, &lsquo;<i>&agrave;
+expliquer</i>.&rsquo;</p>
+<p>When we were well up on the moors and the <i>Conductor</i> was
+trying some road-metal with the gauge&mdash;</p>
+<p>&lsquo;Hark!&rsquo; said the foreman, &lsquo;do you hear
+nothing?&rsquo;</p>
+<p>We listened, and the wind, which was blowing chilly out of the
+east, brought a faint, tangled jangling to our ears.</p>
+<p>&lsquo;It is the flocks of Vivarais,&rsquo; said he.</p>
+<p>For every summer, the flocks out of all Ard&egrave;che are
+brought up to pasture on these grassy plateaux.</p>
+<p>Here and there a little private flock was being tended by a
+girl, one spinning with a distaff, another seated on a wall and
+intently making lace.&nbsp; This last, when we addressed her,
+leaped up in a panic and put out her arms, like a person
+swimming, to keep us at a distance, and it was some seconds
+before we could persuade her of the honesty of our
+intentions.</p>
+<p>The <i>Conductor</i> told me of another herdswoman from whom
+he had once asked his road while he was yet new to the country,
+and who fled from him, driving her beasts before her, until he
+had given up the information in despair.&nbsp; A tale of old
+lawlessness may yet be read in these uncouth timidities.</p>
+<p>The winter in these uplands is a dangerous and melancholy
+time.&nbsp; Houses are snowed up, and way-farers lost in a flurry
+within hail of their own fireside.&nbsp; No man ventures abroad
+without meat and a bottle of wine, which he replenishes at every
+wine-shop; and even thus equipped he takes the road with
+terror.&nbsp; All day the family sits about the fire in a foul
+and airless hovel, and equally without work or diversion.&nbsp;
+The father may carve a rude piece of furniture, but that is all
+that will be done until the spring sets in again, and along with
+it the labours of the field.&nbsp; It is not for nothing that you
+find a clock in the meanest of these mountain habitations.&nbsp;
+A clock and an almanac, you would fancy, were indispensable in
+such a life . . .</p>
+<h2><!-- page 189--><a name="page189"></a><span
+class="pagenum">p. 189</span>VII.<br />
+RANDOM MEMORIES: <i>ROSA QUO LOCORUM</i></h2>
+<p>Through what little channels, by what hints and premonitions,
+the consciousness of the man&rsquo;s art dawns first upon the
+child, it should be not only interesting but instructive to
+inquire.&nbsp; A matter of curiosity to-day, it will become the
+ground of science to-morrow.&nbsp; From the mind of childhood
+there is more history and more philosophy to be fished up than
+from all the printed volumes in a library.&nbsp; The child is
+conscious of an interest, not in literature but in life.&nbsp; A
+taste for the precise, the adroit, or the comely in the use of
+words, comes late; but long before that he has enjoyed in books a
+delightful dress rehearsal of experience.&nbsp; He is first
+conscious of this material&mdash;I had almost said this
+practical&mdash;pre-occupation; it does not follow that it really
+came the first.&nbsp; I have some old fogged negatives in my
+collection that would seem to imply a prior stage &lsquo;The Lord
+is gone up with a shout, and God with the sound of a
+trumpet&rsquo;&mdash;memorial version, I know not where to find
+the text&mdash;rings still in my ear from my first childhood, and
+perhaps with something of my nurses accent.&nbsp; There was
+possibly some sort of image written in my mind by these loud
+words, but I believe the words themselves were what I
+cherished.&nbsp; I had about the same time, and under the same
+influence&mdash;that of my dear nurse&mdash;a favourite author:
+it is possible the reader has not heard of him&mdash;the Rev.
+Robert Murray M&rsquo;Cheyne.&nbsp; My nurse and I admired his
+name exceedingly, so that I must have been taught the love of
+beautiful sounds before I was breeched; and I remember two
+specimens of his muse until this day:&mdash;</p>
+<blockquote><p>&lsquo;Behind the hills of Naphtali<br />
+&nbsp;&nbsp; The sun went slowly down,<br />
+Leaving on mountain, tower, and tree,<br />
+&nbsp;&nbsp; A tinge of golden brown.&rsquo;</p>
+</blockquote>
+<p>There is imagery here, and I set it on one side.&nbsp; The
+other&mdash;it is but a verse&mdash;not only contains no image,
+but is quite unintelligible even to my comparatively instructed
+mind, and I know not even how to spell the outlandish vocable
+that charmed me in my childhood:</p>
+<blockquote><p>&lsquo;Jehovah Tschidkenu is nothing to
+her&rsquo;;&mdash;<a name="citation190"></a><a
+href="#footnote190" class="citation">[190]</a></p>
+</blockquote>
+<p>I may say, without flippancy, that he was nothing to me
+either, since I had no ray of a guess of what he was about; yet
+the verse, from then to now, a longer interval than the life of a
+generation, has continued to haunt me.</p>
+<p>I have said that I should set a passage distinguished by
+obvious and pleasing imagery, however faint; for the child thinks
+much in images, words are very live to him, phrases that imply a
+picture eloquent beyond their value.&nbsp; Rummaging in the dusty
+pigeon-holes of memory, I came once upon a graphic version of the
+famous Psalm, &lsquo;The Lord is my shepherd&rsquo;: and from the
+places employed in its illustration, which are all in the
+immediate neighbourhood of a house then occupied by my father, I
+am able, to date it before the seventh year of my age, although
+it was probably earlier in fact.&nbsp; The &lsquo;pastures
+green&rsquo; were represented by a certain suburban
+stubble-field, where I had once walked with my nurse, under an
+autumnal sunset, on the banks of the Water of Leith: the place is
+long ago built up; no pastures now, no stubble-fields; only a
+maze of little streets and smoking chimneys and shrill
+children.&nbsp; Here, in the fleecy person of a sheep, I seemed
+to myself to follow something unseen, unrealised, and yet
+benignant; and close by the sheep in which I was
+incarnated&mdash;as if for greater security&mdash;rustled the
+skirt, of my nurse.&nbsp; &lsquo;Death&rsquo;s dark vale&rsquo;
+was a certain archway in the Warriston Cemetery: a formidable yet
+beloved spot, for children love to be afraid,&mdash;in measure as
+they love all experience of vitality.&nbsp; Here I beheld myself
+some paces ahead (seeing myself, I mean, from behind) utterly
+alone in that uncanny passage; on the one side of me a rude,
+knobby, shepherd&rsquo;s staff, such as cheers the heart of the
+cockney tourist, on the other a rod like a billiard cue, appeared
+to accompany my progress; the stiff sturdily upright, the
+billiard cue inclined confidentially, like one whispering,
+towards my ear.&nbsp; I was aware&mdash;I will never tell you
+how&mdash;that the presence of these articles afforded me
+encouragement.&nbsp; The third and last of my pictures
+illustrated words:&mdash;</p>
+<blockquote><p>&lsquo;My table Thou hast furnished<br />
+&nbsp;&nbsp; In presence of my foes:<br />
+My head Thou dost with oil anoint,<br />
+&nbsp;&nbsp; And my cup overflows&rsquo;:</p>
+</blockquote>
+<p>and this was perhaps the most interesting of the series.&nbsp;
+I saw myself seated in a kind of open stone summer-house at
+table; over my shoulder a hairy, bearded, and robed presence
+anointed me from an authentic shoe-horn; the summer-house was
+part of the green court of a ruin, and from the far side of the
+court black and white imps discharged against me ineffectual
+arrows.&nbsp; The picture appears arbitrary, but I can trace
+every detail to its source, as Mr. Brock analysed the dream of
+Alan Armadale.&nbsp; The summer-house and court were muddled
+together out of Billings&rsquo; <i>Antiquities of Scotland</i>;
+the imps conveyed from Bagster&rsquo;s <i>Pilgrim&rsquo;s
+Progress</i>; the bearded and robed figure from any one of the
+thousand Bible pictures; and the shoe-horn was plagiarised from
+an old illustrated Bible, where it figured in the hand of Samuel
+anointing Saul, and had been pointed out to me as a jest by my
+father.&nbsp; It was shown me for a jest, remark; but the serious
+spirit of infancy adopted it in earnest.&nbsp; Children are all
+classics; a bottle would have seemed an intermediary too
+trivial&mdash;that divine refreshment of whose meaning I had no
+guess; and I seized on the idea of that mystic shoe-horn with
+delight, even as, a little later, I should have written flagon,
+chalice, hanaper, beaker, or any word that might have appealed to
+me at the moment as least contaminate with mean
+associations.&nbsp; In this string of pictures I believe the gist
+of the psalm to have consisted; I believe it had no more to say
+to me; and the result was consolatory.&nbsp; I would go to sleep
+dwelling with restfulness upon these images; they passed before
+me, besides, to an appropriate music; for I had already singled
+out from that rude psalm the one lovely verse which dwells in the
+minds of all, not growing old, not disgraced by its association
+with long Sunday tasks, a scarce conscious joy in childhood, in
+age a companion thought:&mdash;</p>
+<blockquote><p>&lsquo;In pastures green Thou leadest me,<br />
+&nbsp;&nbsp; The quiet waters by.&rsquo;</p>
+</blockquote>
+<p>The remainder of my childish recollections are all of the
+matter of what was read to me, and not of any manner in the
+words.&nbsp; If these pleased me it was unconsciously; I listened
+for news of the great vacant world upon whose edge I stood; I
+listened for delightful plots that I might re-enact in play, and
+romantic scenes and circumstances that I might call up before me,
+with closed eyes, when I was tired of Scotland, and home, and
+that weary prison of the sick-chamber in which I lay so long in
+durance.&nbsp; <i>Robinson Crusoe</i>; some of the books of that
+cheerful, ingenious, romantic soul, Mayne Reid; and a work rather
+gruesome and bloody for a child, but very picturesque, called
+<i>Paul Blake</i>; these are the three strongest impressions I
+remember: <i>The Swiss Family Robinson</i> came next, <i>longo
+intervallo</i>.&nbsp; At these I played, conjured up their
+scenes, and delighted to hear them rehearsed unto seventy times
+seven.&nbsp; I am not sure but what <i>Paul Blake</i> came after
+I could read.&nbsp; It seems connected with a visit to the
+country, and an experience unforgettable.&nbsp; The day had been
+warm; H--- and I had played together charmingly <!-- page
+194--><a name="page194"></a><span class="pagenum">p.
+194</span>all day in a sandy wilderness across the road; then
+came the evening with a great flash of colour and a heavenly
+sweetness in the air.&nbsp; Somehow my play-mate had vanished, or
+is out of the story, as the sages say, but I was sent into the
+village on an errand; and, taking a book of fairy tales, went
+down alone through a fir-wood, reading as I walked.&nbsp; How
+often since then has it befallen me to be happy even so; but that
+was the first time: the shock of that pleasure I have never since
+forgot, and if my mind serves me to the last, I never shall, for
+it was then that I knew I loved reading.</p>
+<h3>II</h3>
+<p>To pass from hearing literature to reading it is to take a
+great and dangerous step.&nbsp; With not a few, I think a large
+proportion of their pleasure then comes to an end; &lsquo;the
+malady of not marking&rsquo; overtakes them; they read
+thenceforward by the eye alone and hear never again the chime of
+fair words or the march of the stately period.&nbsp; <i>Non
+ragioniam</i> of these.&nbsp; But to all the step is dangerous;
+it involves coming of age; it is even a kind of second
+weaning.&nbsp; In the past all was at the choice of others; they
+chose, they digested, they read aloud for us and sang to their
+own tune the books of childhood.&nbsp; In the future we are to
+approach the silent, inexpressive type alone, like pioneers; and
+the choice of what we are to read is in our own hands
+thenceforward.&nbsp; For instance, in the passages already
+adduced, I detect and applaud the ear of my old nurse; they were
+of her choice, and she imposed them on my infancy, reading the
+works of others as a poet would scarce dare to read his own;
+gloating on the rhythm, dwelling with delight on assonances and
+alliterations.&nbsp; I know very well my mother must have been
+all the while trying to educate my taste upon more secular
+authors; but the vigour and the continual opportunities of my
+nurse triumphed, and after a long search, I can find in these
+earliest volumes of my autobiography no mention of anything but
+nursery rhymes, the Bible, and Mr. M&rsquo;Cheyne.</p>
+<p>I suppose all children agree in looking back with delight on
+their school Readers.&nbsp; We might not now find so much pathos
+in &lsquo;Bingen on the Rhine,&rsquo; &lsquo;A soldier of the
+Legion lay dying in Algiers,&rsquo; or in &lsquo;The
+Soldier&rsquo;s Funeral,&rsquo; in the declamation of which I was
+held to have surpassed myself.&nbsp; &lsquo;Robert&rsquo;s
+voice,&rsquo; said the master on this memorable occasion,
+&lsquo;is not strong, but impressive&rsquo;: an opinion which I
+was fool enough to carry home to my father; who roasted me for
+years in consequence.&nbsp; I am sure one should not be so
+deliciously tickled by the humorous pieces:&mdash;</p>
+<blockquote><p>&lsquo;What, crusty? cries Will in a taking,<br />
+Who would not be crusty with half a year&rsquo;s
+baking?&rsquo;</p>
+</blockquote>
+<p>I think this quip would leave us cold.&nbsp; The &lsquo;Isles
+of Greece&rsquo; seem rather tawdry too; but on the
+&lsquo;Address to the Ocean,&rsquo; or on &lsquo;The Dying
+Gladiator,&rsquo; &lsquo;time has writ no wrinkle.&rsquo;</p>
+<blockquote><p>&rsquo;Tis the morn, but dim and dark,<br />
+Whither flies the silent lark?&rsquo;&mdash;</p>
+</blockquote>
+<p>does the reader recall the moment when his eye first fell upon
+these lines in the Fourth Reader; and &lsquo;surprised with joy,
+impatient as the wind,&rsquo; he plunged into the sequel?&nbsp;
+And there was another piece, this time in prose, which none can
+have forgotten; many like me must have searched Dickens with zeal
+to find it again, and in its proper context, and have perhaps
+been conscious of some inconsiderable measure of disappointment,
+that it was only Tom Pinch who drove, in such a pomp of poetry,
+to London.</p>
+<p>But in the Reader we are still under guides.&nbsp; What a boy
+turns out for himself, as he rummages the bookshelves, is the
+real test and pleasure.&nbsp; My father&rsquo;s library was a
+spot of some austerity; the proceedings of learned societies,
+some Latin divinity, cyclop&aelig;dias, physical science, and,
+above all, optics, held the chief place upon the shelves, and it
+was only in holes and corners that anything really legible
+existed as by accident.&nbsp; The <i>Parent&rsquo;s
+Assistant</i>, <i>Rob Roy</i>, <i>Waverley</i>, and <i>Guy
+Mannering</i>, the <i>Voyages of Captain Woods Rogers</i>,
+Fuller&rsquo;s and Bunyan&rsquo;s <i>Holy Wars</i>,<i> The
+Reflections of Robinson Crusoe</i>, <i>The Female Bluebeard</i>,
+G. Sand&rsquo;s <i>Mare au Diable</i>&mdash;(how came it in that
+grave assembly!), Ainsworth&rsquo;s <i>Tower of London</i>, and
+four old volumes of Punch&mdash;these were the chief
+exceptions.&nbsp; In these latter, which made for years the chief
+of my diet, I very early fell in love (almost as soon as I could
+spell) with the Snob Papers.&nbsp; I knew them almost by heart,
+particularly the visit to the Pontos; and I remember my surprise
+when I found, long afterwards, that they were famous, and signed
+with a famous name; to me, as I read and admired them, they were
+the works of Mr. Punch.&nbsp; Time and again I tried to read
+<i>Rob Roy</i>, with whom of course I was acquainted from the
+<i>Tales of a Grandfather</i>; time and again the early part,
+with Rashleigh and (think of it!) the adorable Diana, choked me
+off; and I shall never forget the pleasure and surprise with
+which, lying on the floor one summer evening, I struck of a
+sudden into the first scene with Andrew Fairservice.&nbsp;
+&lsquo;The worthy Dr. Lightfoot&rsquo;&mdash;&lsquo;mistrysted
+with a bogle&rsquo;&mdash;&lsquo;a wheen green
+trash&rsquo;&mdash;&lsquo;Jenny, lass, I think I ha&rsquo;e
+her&rsquo;: from that day to this the phrases have been
+unforgotten.&nbsp; I read on, I need scarce say; I came to
+Glasgow, I bided tryst on Glasgow Bridge, I met Rob Roy and the
+Bailie in the Tolbooth, all with transporting pleasure; and then
+the clouds gathered once more about my path; and I dozed and
+skipped until I stumbled half-asleep into the clachan of
+Aberfoyle, and the voices of Iverach and Galbraith recalled me to
+myself.&nbsp; With that scene and the defeat of Captain Thornton
+the book concluded; Helen and her sons shocked even the little
+schoolboy of nine or ten with their unreality; I read no more, or
+I did not grasp what I was reading; and years elapsed before I
+consciously met Diana and her father among the hills, or saw
+Rashleigh dying in the chair.&nbsp; When I think of that novel
+and that evening, I am impatient with all others; they seem but
+shadows and impostors; they cannot satisfy the appetite which
+this awakened; and I dare be known to think it the best of Sir
+Walter&rsquo;s by nearly as much as Sir Walter is the best of
+novelists.&nbsp; Perhaps Mr. Lang is right, and our first friends
+in the land of fiction are always the most real.&nbsp; And yet I
+had read before this <i>Guy Mannering</i>, and some of
+<i>Waverley</i>, with no such delighted sense of truth and
+humour, and I read immediately after the greater part of the
+Waverley Novels, and was never moved again in the same way or to
+the same degree.&nbsp; One circumstance is suspicious: my
+critical estimate of the Waverley Novels has scarce changed at
+all since I was ten.&nbsp; <i>Rob Roy</i>, <i>Guy Mannering</i>,
+and <i>Redgauntlet</i> first; then, a little lower; <i>The
+Fortunes of Nigel</i>; then, after a huge gulf, <i>Ivanhoe</i>
+and <i>Anne of Geierstein</i>: the rest nowhere; such was the
+verdict of the boy.&nbsp; Since then <i>The Antiquary</i>, <i>St.
+Ronan&rsquo;s Well</i>, <i>Kenilworth</i>, and <i>The Heart of
+Midlothian</i> have gone up in the scale; perhaps <i>Ivanhoe and
+Anne of Geierstein</i> have gone a trifle down; Diana Vernon has
+been added to my admirations in that enchanted world of <i>Rob
+Roy</i>; I think more of the letters in <i>Redgauntlet</i>, and
+Peter Peebles, that dreadful piece of realism, I can now read
+about with equanimity, interest, and I had almost said pleasure,
+while to the childish critic he often caused unmixed
+distress.&nbsp; But the rest is the same; I could not finish
+<i>The Pirate</i> when I was a child, I have never finished it
+yet; <i>Peveril of the Peak</i> dropped half way through from my
+schoolboy hands, and though I have since waded to an end in a
+kind of wager with myself, the exercise was quite without
+enjoyment.&nbsp; There is something disquieting in these
+considerations.&nbsp; I still think the visit to Ponto&rsquo;s
+the best part of the <i>Book of Snobs</i>: does that mean that I
+was right when I was a child, or does it mean that I have never
+grown since then, that the child is not the man&rsquo;s father,
+but the man? and that I came into the world with all my faculties
+complete, and have only learned sinsyne to be more tolerant of
+boredom? . . .</p>
+<h2><!-- page 199--><a name="page199"></a><span
+class="pagenum">p. 199</span>VIII.<br />
+THE IDEAL HOUSE</h2>
+<p>Two things are necessary in any neighbourhood where we propose
+to spend a life: a desert and some living water.</p>
+<p>There are many parts of the earth&rsquo;s face which offer the
+necessary combination of a certain wildness with a kindly
+variety.&nbsp; A great prospect is desirable, but the want may be
+otherwise supplied; even greatness can be found on the small
+scale; for the mind and the eye measure differently.&nbsp; Bold
+rocks near hand are more inspiriting than distant Alps, and the
+thick fern upon a Surrey heath makes a fine forest for the
+imagination, and the dotted yew trees noble mountains.&nbsp; A
+Scottish moor with birches and firs grouped here and there upon a
+knoll, or one of those rocky seaside deserts of Provence
+overgrown with rosemary and thyme and smoking with aroma, are
+places where the mind is never weary.&nbsp; Forests, being more
+enclosed, are not at first sight so attractive, but they exercise
+a spell; they must, however, be diversified with either heath or
+rock, and are hardly to be considered perfect without
+conifers.&nbsp; Even sand-hills, with their intricate plan, and
+their gulls and rabbits, will stand well for the necessary
+desert.</p>
+<p>The house must be within hail of either a little river or the
+sea.&nbsp; A great river is more fit for poetry than to adorn a
+neighbourhood; its sweep of waters increases the scale of the
+scenery and the distance of one notable object from another; and
+a lively burn gives us, in the space of a few yards, a greater
+variety of promontory and islet, of cascade, shallow goil, and
+boiling pool, with answerable changes both of song and colour,
+than a navigable stream in many hundred miles.&nbsp; The fish,
+too, make a more considerable feature of the brookside, and the
+trout plumping in the shadow takes the ear.&nbsp; A stream
+should, besides, be narrow enough to cross, or the burn hard by a
+bridge, or we are at once shut out of Eden.&nbsp; The quantity of
+water need be of no concern, for the mind sets the scale, and can
+enjoy a Niagara Fall of thirty inches.&nbsp; Let us approve the
+singer of</p>
+<blockquote><p>&lsquo;Shallow rivers, by whose falls<br />
+Melodious birds sing madrigals.&rsquo;</p>
+</blockquote>
+<p>If the sea is to be our ornamental water, choose an open
+seaboard with a heavy beat of surf; one much broken in outline,
+with small havens and dwarf headlands; if possible a few islets;
+and as a first necessity, rocks reaching out into deep
+water.&nbsp; Such a rock on a calm day is a better station than
+the top of Teneriffe or Chimborazo.&nbsp; In short, both for the
+desert and the water, the conjunction of many near and bold
+details is bold scenery for the imagination and keeps the mind
+alive.</p>
+<p>Given these two prime luxuries, the nature of the country
+where we are to live is, I had almost said, indifferent; after
+that inside the garden, we can construct a country of our
+own.&nbsp; Several old trees, a considerable variety of level,
+several well-grown hedges to divide our garden into provinces, a
+good extent of old well-set turf, and thickets of shrubs and
+ever-greens to be cut into and cleared at the new owner&rsquo;s
+pleasure, are the qualities to be sought for in your chosen
+land.&nbsp; Nothing is more delightful than a succession of small
+lawns, opening one out of the other through tall hedges; these
+have all the charm of the old bowling-green repeated, do not
+require the labour of many trimmers, and afford a series of
+changes.&nbsp; You must have much lawn against the early summer,
+so as to have a great field of daisies, the year&rsquo;s morning
+frost; as you must have a wood of lilacs, to enjoy to the full
+the period of their blossoming.&nbsp; Hawthorn is another of the
+Spring&rsquo;s ingredients; but it is even best to have a rough
+public lane at one side of your enclosure which, at the right
+season, shall become an avenue of bloom and odour.&nbsp; The old
+flowers are the best and should grow carelessly in corners.&nbsp;
+Indeed, the ideal fortune is to find an old garden, once very
+richly cared for, since sunk into neglect, and to tend, not
+repair, that neglect; it will thus have a smack of nature and
+wildness which skilful dispositions cannot overtake.&nbsp; The
+gardener should be an idler, and have a gross partiality to the
+kitchen plots: an eager or toilful gardener misbecomes the garden
+landscape; a tasteful gardener will be ever meddling, will keep
+the borders raw, and take the bloom off nature.&nbsp; Close
+adjoining, if you are in the south, an olive-yard, if in the
+north, a swarded apple-orchard reaching to the stream, completes
+your miniature domain; but this is perhaps best entered through a
+door in the high fruit-wall; so that you close the door behind
+you on your sunny plots, your hedges and evergreen jungle, when
+you go down to watch the apples falling in the pool.&nbsp; It is
+a golden maxim to cultivate the garden for the nose, and the eyes
+will take care of themselves.&nbsp; Nor must the ear be
+forgotten: without birds a garden is a prison-yard.&nbsp; There
+is a garden near Marseilles on a steep hill-side, walking by
+which, upon a sunny morning, your ear will suddenly be ravished
+with a burst of small and very cheerful singing: some score of
+cages being set out there to sun their occupants.&nbsp; This is a
+heavenly surprise to any passer-by; but the price paid, to keep
+so many ardent and winged creatures from their liberty, will make
+the luxury too dear for any thoughtful pleasure-lover.&nbsp;
+There is only one sort of bird that I can tolerate caged, though
+even then I think it hard, and that is what is called in France
+the Bec-d&rsquo;Argent.&nbsp; I once had two of these pigmies in
+captivity; and in the quiet, hire house upon a silent street
+where I was then living, their song, which was not much louder
+than a bee&rsquo;s, but airily musical, kept me in a perpetual
+good humour.&nbsp; I put the cage upon my table when I worked,
+carried it with me when I went for meals, and kept it by my head
+at night: the first thing in the morning, these <i>maestrini</i>
+would pipe up.&nbsp; But these, even if you can pardon their
+imprisonment, are for the house.&nbsp; In the garden the wild
+birds must plant a colony, a chorus of the lesser warblers that
+should be almost deafening, a blackbird in the lilacs, a
+nightingale down the lane, so that you must stroll to hear it,
+and yet a little farther, tree-tops populous with rooks.</p>
+<p>Your house should not command much outlook; it should be set
+deep and green, though upon rising ground, or, if possible,
+crowning a knoll, for the sake of drainage.&nbsp; Yet it must be
+open to the east, or you will miss the sunrise; sunset occurring
+so much later, you can go up a few steps and look the other
+way.&nbsp; A house of more than two stories is a mere barrack;
+indeed the ideal is of one story, raised upon cellars.&nbsp; If
+the rooms are large, the house may be small: a single room,
+lofty, spacious, and lightsome, is more palatial than a castleful
+of cabinets and cupboards.&nbsp; Yet size in a house, and some
+extent and intricacy of corridor, is certainly delightful to the
+flesh.&nbsp; The reception room should be, if possible, a place
+of many recesses, which are &lsquo;petty retiring places for
+conference&rsquo;; but it must have one long wall with a divan:
+for a day spent upon a divan, among a world of cushions, is as
+full of diversion as to travel.&nbsp; The eating-room, in the
+French mode, should be <i>ad hoc</i>: unfurnished, but with a
+buffet, the table, necessary chairs, one or two of
+Canaletto&rsquo;s etchings, and a tile fire-place for the
+winter.&nbsp; In neither of these public places should there be
+anything beyond a shelf or two of books; but the passages may be
+one library from end to end, and the stair, if there be one,
+lined with volumes in old leather, very brightly carpeted, and
+leading half-way up, and by way of landing, to a windowed recess
+with a fire-place; this window, almost alone in the house, should
+command a handsome prospect.&nbsp; Husband and wife must each
+possess a studio; on the woman&rsquo;s sanctuary I hesitate to
+dwell, and turn to the man&rsquo;s.&nbsp; The walls are shelved
+waist-high for books, and the top thus forms a continuous table
+running round the wall.&nbsp; Above are prints, a large map of
+the neighbourhood, a Corot and a Claude or two.&nbsp; The room is
+very spacious, and the five tables and two chairs are but as
+islands.&nbsp; One table is for actual work, one close by for
+references in use; one, very large, for MSS. or proofs that wait
+their turn; one kept clear for an occasion; and the fifth is the
+map table, groaning under a collection of large-scale maps and
+charts.&nbsp; Of all books these are the least wearisome to read
+and the richest in matter; the course of roads and rivers, the
+contour lines and the forests in the maps&mdash;the reefs,
+soundings, anchors, sailing marks and little pilot-pictures in
+the charts&mdash;and, in both, the bead-roll of names, make them
+of all printed matter the most fit to stimulate and satisfy the
+fancy.&nbsp; The chair in which you write is very low and easy,
+and backed into a corner; at one elbow the fire twinkles; close
+at the other, if you are a little inhumane, your cage of
+silver-bills are twittering into song.</p>
+<p>Joined along by a passage, you may reach the great, sunny,
+glass-roofed, and tiled gymnasium, at the far end of which, lined
+with bright marble, is your plunge and swimming bath, fitted with
+a capacious boiler.</p>
+<p>The whole loft of the house from end to end makes one
+undivided chamber; here are set forth tables on which to model
+imaginary or actual countries in putty or plaster, with tools and
+hardy pigments; a carpenter&rsquo;s bench; and a spared corner
+for photography, while at the far end a space is kept clear for
+playing soldiers.&nbsp; Two boxes contain the two armies of some
+five hundred horse and foot; two others the ammunition of each
+side, and a fifth the foot-rules and the three colours of chalk,
+with which you lay down, or, after a day&rsquo;s play, refresh
+the outlines of the country; red or white for the two kinds of
+road (according as they are suitable or not for the passage of
+ordnance), and blue for the course of the obstructing
+rivers.&nbsp; Here I foresee that you may pass much happy time;
+against a good adversary a game may well continue for a month;
+for with armies so considerable three moves will occupy an
+hour.&nbsp; It will be found to set an excellent edge on this
+diversion if one of the players shall, every day or so, write a
+report of the operations in the character of army
+correspondent.</p>
+<p>I have left to the last the little room for winter
+evenings.&nbsp; This should be furnished in warm positive
+colours, and sofas and floor thick with rich furs.&nbsp; The
+hearth, where you burn wood of aromatic quality on silver dogs,
+tiled round about with Bible pictures; the seats deep and easy; a
+single Titian in a gold frame; a white bust or so upon a bracket;
+a rack for the journals of the week; a table for the books of the
+year; and close in a corner the three shelves full of eternal
+books that never weary: Shakespeare, Moli&egrave;re, Montaigne,
+Lamb, Sterne, De Musset&rsquo;s comedies (the one volume open at
+<i>Carmosine</i> and the other at <i>Fantasio</i>); the
+<i>Arabian Nights</i>, and kindred stories, in Weber&rsquo;s
+solemn volumes; Borrow&rsquo;s <i>Bible in Spain</i>, the
+<i>Pilgrim&rsquo;s Progress</i>, <i>Guy Mannering</i> and <i>Rob
+Roy</i>, <i>Monte Cristo</i> and the <i>Vicomte de
+Bragelonne</i>, immortal Boswell sole among biographers, Chaucer,
+Herrick, and the <i>State Trials</i>.</p>
+<p>The bedrooms are large, airy, with almost no furniture, floors
+of varnished wood, and at the bed-head, in case of insomnia, one
+shelf of books of a particular and dippable order, such as
+<i>Pepys</i>, the <i>Paston Letters</i>, Burt&rsquo;s <i>Letters
+from the Highlands</i>, or the <i>Newgate Calendar</i>. . . .</p>
+<h2><!-- page 207--><a name="page207"></a><span
+class="pagenum">p. 207</span>IX.<br />
+DAVOS IN WINTER</h2>
+<p>A mountain valley has, at the best, a certain prison-like
+effect on the imagination, but a mountain valley, an Alpine
+winter, and an invalid&rsquo;s weakness make up among them a
+prison of the most effective kind.&nbsp; The roads indeed are
+cleared, and at least one footpath dodging up the hill; but to
+these the health-seeker is rigidly confined.&nbsp; There are for
+him no cross-cuts over the field, no following of streams, no
+unguided rambles in the wood.&nbsp; His walks are cut and
+dry.&nbsp; In five or six different directions he can push as
+far, and no farther, than his strength permits; never deviating
+from the line laid down for him and beholding at each repetition
+the same field of wood and snow from the same corner of the
+road.&nbsp; This, of itself, would be a little trying to the
+patience in the course of months; but to this is added, by the
+heaped mantle of the snow, an almost utter absence of detail and
+an almost unbroken identity of colour.&nbsp; Snow, it is true, is
+not merely white.&nbsp; The sun touches it with roseate and
+golden lights.&nbsp; Its own crushed infinity of crystals, its
+own richness of tiny sculpture, fills it, when regarded near at
+hand, with wonderful depths of coloured shadow, and, though
+wintrily transformed, it is still water, and has watery tones of
+blue.&nbsp; But, when all is said, these fields of white and
+blots of crude black forest are but a trite and staring
+substitute for the infinite variety and pleasantness of the
+earth&rsquo;s face.&nbsp; Even a boulder, whose front is too
+precipitous to have retained the snow, seems, if you come upon it
+in your walk, a perfect gem of colour, reminds you almost
+painfully of other places, and brings into your head the delights
+of more Arcadian days&mdash;the path across the meadow, the hazel
+dell, the lilies on the stream, and the scents, the colours, and
+the whisper of the woods.&nbsp; And scents here are as rare as
+colours.&nbsp; Unless you get a gust of kitchen in passing some
+hotel, you shall smell nothing all day long but the faint and
+choking odour of frost.&nbsp; Sounds, too, are absent: not a bird
+pipes, not a bough waves, in the dead, windless atmosphere.&nbsp;
+If a sleigh goes by, the sleigh-bells ring, and that is all; you
+work all winter through to no other accompaniment but the
+crunching of your steps upon the frozen snow.</p>
+<p>It is the curse of the Alpine valleys to be each one village
+from one end to the other.&nbsp; Go where you please, houses will
+still be in sight, before and behind you, and to the right and
+left.&nbsp; Climb as high as an invalid is able, and it is only
+to spy new habitations nested in the wood.&nbsp; Nor is that all;
+for about the health resort the walks are besieged by single
+people walking rapidly with plaids about their shoulders, by
+sudden troops of German boys trying to learn to j&ouml;del, and
+by German couples silently and, as you venture to fancy, not
+quite happily, pursuing love&rsquo;s young dream.&nbsp; You may
+perhaps be an invalid who likes to make bad verses as he walks
+about.&nbsp; Alas! no muse will suffer this imminence of
+interruption&mdash;and at the second stampede of j&ouml;dellers
+you find your modest inspiration fled.&nbsp; Or you may only have
+a taste for solitude; it may try your nerves to have some one
+always in front whom you are visibly overtaking, and some one
+always behind who is audibly overtaking you, to say nothing of a
+score or so who brush past you in an opposite direction.&nbsp; It
+may annoy you to take your walks and seats in public view.&nbsp;
+Alas! there is no help for it among the Alps.&nbsp; There are no
+recesses, as in Gorbio Valley by the oil-mill; no sacred solitude
+of olive gardens on the Roccabruna-road; no nook upon Saint
+Martin&rsquo;s Cape, haunted by the voice of breakers, and
+fragrant with the threefold sweetness of the rosemary and the
+sea-pines and the sea.</p>
+<p>For this publicity there is no cure, and no alleviation; but
+the storms of which you will complain so bitterly while they
+endure, chequer and by their contrast brighten the sameness of
+the fair-weather scenes.&nbsp; When sun and storm contend
+together&mdash;when the thick clouds are broken up and pierced by
+arrows of golden daylight&mdash;there will be startling
+rearrangements and transfigurations of the mountain
+summits.&nbsp; A sun-dazzling spire of alp hangs suspended in
+mid-sky among awful glooms and blackness; or perhaps the edge of
+some great mountain shoulder will be designed in living gold, and
+appear for the duration of a glance bright like a constellation,
+and alone &lsquo;in the unapparent.&rsquo;&nbsp; You may think
+you know the figure of these hills; but when they are thus
+revealed, they belong no longer to the things of
+earth&mdash;meteors we should rather call them, appearances of
+sun and air that endure but for a moment and return no
+more.&nbsp; Other variations are more lasting, as when, for
+instance, heavy and wet snow has fallen through some windless
+hours, and the thin, spiry, mountain pine trees stand each
+stock-still and loaded with a shining burthen.&nbsp; You may
+drive through a forest so disguised, the tongue-tied torrent
+struggling silently in the cleft of the ravine, and all still
+except the jingle of the sleigh bells, and you shall fancy
+yourself in some untrodden northern territory&mdash;Lapland,
+Labrador, or Alaska.</p>
+<p>Or, possibly, you arise very early in the morning; totter down
+stairs in a state of somnambulism; take the simulacrum of a meal
+by the glimmer of one lamp in the deserted coffee-room; and find
+yourself by seven o&rsquo;clock outside in a belated moonlight
+and a freezing chill.&nbsp; The mail sleigh takes you up and
+carries you on, and you reach the top of the ascent in the first
+hour of the day.&nbsp; To trace the fires of the sunrise as they
+pass from peak to peak, to see the unlit tree-tops stand out
+soberly against the lighted sky, to be for twenty minutes in a
+wonderland of clear, fading shadows, disappearing vapours, solemn
+blooms of dawn, hills half glorified already with the day and
+still half confounded with the greyness of the western
+heaven&mdash;these will seem to repay you for the discomforts of
+that early start; but as the hour proceeds, and these
+enchantments vanish, you will find yourself upon the farther side
+in yet another Alpine valley, snow white and coal black, with
+such another long-drawn congeries of hamlets and such another
+senseless watercourse bickering along the foot.&nbsp; You have
+had your moment; but you have not changed the scene.&nbsp; The
+mountains are about you like a trap; you cannot foot it up a
+hillside and behold the sea as a great plain, but live in holes
+and corners, and can change only one for another.</p>
+<h2><!-- page 212--><a name="page212"></a><span
+class="pagenum">p. 212</span>X.<br />
+HEALTH AND MOUNTAINS</h2>
+<p>There has come a change in medical opinion, and a change has
+followed in the lives of sick folk.&nbsp; A year or two ago and
+the wounded soldiery of mankind were all shut up together in some
+basking angle of the Riviera, walking a dusty promenade or
+sitting in dusty olive-yards within earshot of the interminable
+and unchanging surf&mdash;idle among spiritless idlers; not
+perhaps dying, yet hardly living either, and aspiring, sometimes
+fiercely, after livelier weather and some vivifying change.&nbsp;
+These were certainly beautiful places to live in, and the climate
+was wooing in its softness.&nbsp; Yet there was a later shiver in
+the sunshine; you were not certain whether you were being wooed;
+and these mild shores would sometimes seem to you to be the
+shores of death.&nbsp; There was a lack of a manly element; the
+air was not reactive; you might write bits of poetry and practise
+resignation, but you did not feel that here was a good spot to
+repair your tissue or regain your nerve.&nbsp; And it appears,
+after all, that there was something just in these
+appreciations.&nbsp; The invalid is now asked to lodge on wintry
+Alps; a ruder air shall medicine him; the demon of cold is no
+longer to be fled from, but bearded in his den.&nbsp; For even
+Winter has his &lsquo;dear domestic cave,&rsquo; and in those
+places where he may be said to dwell for ever tempers his
+austerities.</p>
+<p>Any one who has travelled westward by the great
+transcontinental railroad of America must remember the joy with
+which he perceived, after the tedious prairies of Nebraska and
+across the vast and dismal moorlands of Wyoming, a few snowy
+mountain summits alone, the southern sky.&nbsp; It is among these
+mountains in the new State of Colorado that the sick man may
+find, not merely an alleviation of his ailments, but the
+possibility of an active life and an honest livelihood.&nbsp;
+There, no longer as a lounger in a plaid, but as a working
+farmer, sweating at his work, he may prolong and begin anew his
+life.&nbsp; Instead of the bath-chair, the spade; instead of the
+regulated walk, rough journeys in the forest, and the pure, rare
+air of the open mountains for the miasma of the
+sick-room&mdash;these are the changes offered him, with what
+promise of pleasure and of self-respect, with what a revolution
+in all his hopes and terrors, none but an invalid can know.&nbsp;
+Resignation, the cowardice that apes a kind of courage and that
+lives in the very air of health resorts, is cast aside at a
+breath of such a prospect.&nbsp; The man can open the door; he
+can be up and doing; he can be a kind of a man after all and not
+merely an invalid.</p>
+<p>But it is a far cry to the Rocky Mountains.&nbsp; We cannot
+all of us go farming in Colorado; and there is yet a middle term,
+which combines the medical benefits of the new system with the
+moral drawbacks of the old.&nbsp; Again the invalid has to lie
+aside from life and its wholesome duties; again he has to be an
+idler among idlers; but this time at a great altitude, far among
+the mountains, with the snow piled before his door and the frost
+flowers every morning on his window.&nbsp; The mere fact is tonic
+to his nerves.&nbsp; His choice of a place of wintering has
+somehow to his own eyes the air of an act of bold contract; and,
+since he has wilfully sought low temperatures, he is not so apt
+to shudder at a touch of chill.&nbsp; He came for that, he looked
+for it, and he throws it from him with the thought.</p>
+<p>A long straight reach of valley, wall-like mountains upon
+either hand that rise higher and higher and shoot up new summits
+the higher you climb; a few noble peaks seen even from the
+valley; a village of hotels; a world of black and
+white&mdash;black pine-woods, clinging to the sides of the
+valley, and white snow flouring it, and papering it between the
+pine-woods, and covering all the mountains with a dazzling curd;
+add a few score invalids marching to and fro upon the snowy road,
+or skating on the ice-rinks, possibly to music, or sitting under
+sunshades by the door of the hotel&mdash;and you have the larger
+features of a mountain sanatorium.&nbsp; A certain furious river
+runs curving down the valley; its pace never varies, it has not a
+pool for as far as you can follow it; and its unchanging,
+senseless hurry is strangely tedious to witness.&nbsp; It is a
+river that a man could grow to hate.&nbsp; Day after day breaks
+with the rarest gold upon the mountain spires, and creeps,
+growing and glowing, down into the valley.&nbsp; From end to end
+the snow reverberates the sunshine; from end to end the air
+tingles with the light, clear and dry like crystal.&nbsp; Only
+along the course of the river, but high above it, there hangs far
+into the noon, one waving scarf of vapour.&nbsp; It were hard to
+fancy a more engaging feature in a landscape; perhaps it is
+harder to believe that delicate, long-lasting phantom of the
+atmosphere, a creature of the incontinent stream whose course it
+follows.&nbsp; By noon the sky is arrayed in an unrivalled pomp
+of colour&mdash;mild and pale and melting in the north, but
+towards the zenith, dark with an intensity of purple blue.&nbsp;
+What with this darkness of heaven and the intolerable lustre of
+the snow, space is reduced again to chaos.&nbsp; An English
+painter, coming to France late in life, declared with natural
+anger that &lsquo;the values were all wrong.&rsquo;&nbsp; Had he
+got among the Alps on a bright day he might have lost his
+reason.&nbsp; And even to any one who has looked at landscape
+with any care, and in any way through the spectacles of
+representative art, the scene has a character of insanity.&nbsp;
+The distant shining mountain peak is here beside your eye; the
+neighbouring dull-coloured house in comparison is miles away; the
+summit, which is all of splendid snow, is close at hand; the nigh
+slopes, which are black with pine trees, bear it no relation, and
+might be in another sphere.&nbsp; Here there are none of those
+delicate gradations, those intimate, misty joinings-on and
+spreadings-out into the distance, nothing of that art of air and
+light by which the face of nature explains and veils itself in
+climes which we may be allowed to think more lovely.&nbsp; A
+glaring piece of crudity, where everything that is not white is a
+solecism and defies the judgment of the eyesight; a scene of
+blinding definition; a parade of daylight, almost scenically
+vulgar, more than scenically trying, and yet hearty and healthy,
+making the nerves to tighten and the mouth to smile: such is the
+winter daytime in the Alps.</p>
+<p>With the approach of evening all is changed.&nbsp; A mountain
+will suddenly intercept the sun; a shadow fall upon the valley;
+in ten minutes the thermometer will drop as many degrees; the
+peaks that are no longer shone upon dwindle into ghosts; and
+meanwhile, overhead, if the weather be rightly characteristic of
+the place, the sky fades towards night through a surprising key
+of colours.&nbsp; The latest gold leaps from the last
+mountain.&nbsp; Soon, perhaps, the moon shall rise, and in her
+gentler light the valley shall be mellowed and misted, and here
+and there a wisp of silver cloud upon a hilltop, and here and
+there a warmly glowing window in a house, between fire and
+starlight, kind and homely in the fields of snow.</p>
+<p>But the valley is not seated so high among the clouds to be
+eternally exempt from changes.&nbsp; The clouds gather, black as
+ink; the wind bursts rudely in; day after day the mists drive
+overhead, the snow-flakes flutter down in blinding disarray;
+daily the mail comes in later from the top of the pass; people
+peer through their windows and foresee no end but an entire
+seclusion from Europe, and death by gradual dry-rot, each in his
+indifferent inn; and when at last the storm goes, and the sun
+comes again, behold a world of unpolluted snow, glossy like fur,
+bright like daylight, a joy to wallowing dogs and cheerful to the
+souls of men.&nbsp; Or perhaps from across storied and malarious
+Italy, a wind cunningly winds about the mountains and breaks,
+warm and unclean, upon our mountain valley.&nbsp; Every nerve is
+set ajar; the conscience recognises, at a gust, a load of sins
+and negligences hitherto unknown; and the whole invalid world
+huddles into its private chambers, and silently recognises the
+empire of the F&ouml;hn.</p>
+<h2><!-- page 217--><a name="page217"></a><span
+class="pagenum">p. 217</span>XI.<br />
+ALPINE DIVERSIONS</h2>
+<p>There will be no lack of diversion in an Alpine
+sanitarium.&nbsp; The place is half English, to be sure, the
+local sheet appearing in double column, text and translation; but
+it still remains half German; and hence we have a band which is
+able to play, and a company of actors able, as you will be told,
+to act.&nbsp; This last you will take on trust, for the players,
+unlike the local sheet, confine themselves to German and though
+at the beginning of winter they come with their wig-boxes to each
+hotel in turn, long before Christmas they will have given up the
+English for a bad job.&nbsp; There will follow, perhaps, a
+skirmish between the two races; the German element seeking, in
+the interest of their actors, to raise a mysterious item, the
+<i>Kur-taxe</i>, which figures heavily enough already in the
+weekly bills, the English element stoutly resisting.&nbsp;
+Meantime in the English hotels home-played farces,
+<i>tableaux-vivants</i>, and even balls enliven the evenings; a
+charity bazaar sheds genial consternation; Christmas and New Year
+are solemnised with Pantagruelian dinners, and from time to time
+the young folks carol and revolve untunefully enough through the
+figures of a singing quadrille.</p>
+<p>A magazine club supplies you with everything, from the
+<i>Quarterly</i> to the <i>Sunday at Home</i>.&nbsp; Grand
+tournaments are organised at chess, draughts, billiards and
+whist.&nbsp; Once and again wandering artists drop into our
+mountain valley, coming you know not whence, going you cannot
+imagine whither, and belonging to every degree in the hierarchy
+of musical art, from the recognised performer who announces a
+concert for the evening, to the comic German family or solitary
+long-haired German baritone, who surprises the guests at
+dinner-time with songs and a collection.&nbsp; They are all of
+them good to see; they, at least, are moving; they bring with
+them the sentiment of the open road; yesterday, perhaps, they
+were in Tyrol, and next week they will be far in Lombardy, while
+all we sick folk still simmer in our mountain prison.&nbsp; Some
+of them, too, are welcome as the flowers in May for their own
+sake; some of them may have a human voice; some may have that
+magic which transforms a wooden box into a song-bird, and what we
+jeeringly call a fiddle into what we mention with respect as a
+violin.&nbsp; From that grinding lilt, with which the blind man,
+seeking pence, accompanies the beat of paddle wheels across the
+ferry, there is surely a difference rather of kind than of degree
+to that unearthly voice of singing that bewails and praises the
+destiny of man at the touch of the true virtuoso.&nbsp; Even that
+you may perhaps enjoy; and if you do so you will own it
+impossible to enjoy it more keenly than here, <i>im Schnee der
+Alpen</i>.&nbsp; A hyacinth in a pot, a handful of primroses
+packed in moss, or a piece of music by some one who knows the way
+to the heart of a violin, are things that, in this invariable
+sameness of the snows and frosty air, surprise you like an
+adventure.&nbsp; It is droll, moreover, to compare the respect
+with which the invalids attend a concert, and the ready contempt
+with which they greet the dinner-time performers.&nbsp; Singing
+which they would hear with real enthusiasm&mdash;possibly with
+tears&mdash;from a corner of a drawing-room, is listened to with
+laughter when it is offered by an unknown professional and no
+money has been taken at the door.</p>
+<p>Of skating little need be said; in so snowy a climate the
+rinks must be intelligently managed; their mismanagement will
+lead to many days of vexation and some petty quarrelling, but
+when all goes well, it is certainly curious, and perhaps rather
+unsafe, for the invalid to skate under a burning sun, and walk
+back to his hotel in a sweat, through long tracts of glare and
+passages of freezing shadow.&nbsp; But the peculiar outdoor sport
+of this district is tobogganing.&nbsp; A Scotchman may remember
+the low flat board, with the front wheels on a pivot, which was
+called a <i>hurlie</i>; he may remember this contrivance, laden
+with boys, as, laboriously started, it ran rattling down the
+brae, and was, now successfully, now unsuccessfully, steered
+round the corner at the foot; he may remember scented summer
+evenings passed in this diversion, and many a grazed skin, bloody
+cockscomb, and neglected lesson.&nbsp; The toboggan is to the
+hurlie what the sled is to the carriage; it is a hurlie upon
+runners; and if for a grating road you substitute a long
+declivity of beaten snow, you can imagine the giddy career of the
+tobogganist.&nbsp; The correct position is to sit; but the
+fantastic will sometimes sit hind-foremost, or dare the descent
+upon their belly or their back.&nbsp; A few steer with a pair of
+pointed sticks, but it is more classical to use the feet.&nbsp;
+If the weight be heavy and the track smooth, the toboggan takes
+the bit between its teeth; and to steer a couple of full-sized
+friends in safety requires not only judgment but desperate
+exertion.&nbsp; On a very steep track, with a keen evening frost,
+you may have moments almost too appalling to be called enjoyment;
+the head goes, the world vanishes; your blind steed bounds below
+your weight; you reach the foot, with all the breath knocked out
+of your body, jarred and bewildered as though you had just been
+subjected to a railway accident.&nbsp; Another element of joyful
+horror is added by the formation of a train; one toboggan being
+tied to another, perhaps to the number of half a dozen, only the
+first rider being allowed to steer, and all the rest pledged to
+put up their feet and follow their leader, with heart in mouth,
+down the mad descent.&nbsp; This, particularly if the track
+begins with a headlong plunge, is one of the most exhilarating
+follies in the world, and the tobogganing invalid is early
+reconciled to somersaults.</p>
+<p>There is all manner of variety in the nature of the tracks,
+some miles in length, others but a few yards, and yet like some
+short rivers, furious in their brevity.&nbsp; All degrees of
+skill and courage and taste may be suited in your
+neighbourhood.&nbsp; But perhaps the true way to toboggan is
+alone and at night.&nbsp; First comes the tedious climb, dragging
+your instrument behind you.&nbsp; Next a long breathing-space,
+alone with snow and pinewoods, cold, silent and solemn to the
+heart.&nbsp; Then you push of; the toboggan fetches way; she
+begins to feel the hill, to glide, to, swim, to gallop.&nbsp; In
+a breath you are out from under the pine trees, and a whole
+heavenful of stars reels and flashes overhead.&nbsp; Then comes a
+vicious effort; for by this time your wooden steed is speeding
+like the wind, and you are spinning round a corner, and the whole
+glittering valley and all the lights in all the great hotels lie
+for a moment at your feet; and the next you are racing once more
+in the shadow of the night with close-shut teeth and beating
+heart.&nbsp; Yet a little while and you will be landed on the
+highroad by the door of your own hotel.&nbsp; This, in an
+atmosphere tingling with forty degrees of frost, in a night made
+luminous with stars and snow, and girt with strange white
+mountains, teaches the pulse an unaccustomed tune and adds a new
+excitement to the life of man upon his planet.</p>
+<h2><!-- page 222--><a name="page222"></a><span
+class="pagenum">p. 222</span>XII.<br />
+THE STIMULATION OF THE ALPS</h2>
+<p>To any one who should come from a southern sanitarium to the
+Alps, the row of sun-burned faces round the table would present
+the first surprise.&nbsp; He would begin by looking for the
+invalids, and he would lose his pains, for not one out of five of
+even the bad cases bears the mark of sickness on his face.&nbsp;
+The plump sunshine from above and its strong reverberation from
+below colour the skin like an Indian climate; the treatment,
+which consists mainly of the open air, exposes even the sickliest
+to tan, and a tableful of invalids comes, in a month or two, to
+resemble a tableful of hunters.&nbsp; But although he may be thus
+surprised at the first glance, his astonishment will grow
+greater, as he experiences the effects of the climate on
+himself.&nbsp; In many ways it is a trying business to reside
+upon the Alps: the stomach is exercised, the appetite often
+languishes; the liver may at times rebel; and because you have
+come so far from metropolitan advantages, it does not follow that
+you shall recover.&nbsp; But one thing is undeniable&mdash;that
+in the rare air, clear, cold, and blinding light of Alpine
+winters, a man takes a certain troubled delight in his existence
+which can nowhere else be paralleled.&nbsp; He is perhaps no
+happier, but he is stingingly alive.&nbsp; It does not, perhaps,
+come out of him in work or exercise, yet he feels an enthusiasm
+of the blood unknown in more temperate climates.&nbsp; It may not
+be health, but it is fun.</p>
+<p>There is nothing more difficult to communicate on paper than
+this baseless ardour, this stimulation of the brain, this sterile
+joyousness of spirits.&nbsp; You wake every morning, see the gold
+upon the snow-peaks, become filled with courage, and bless God
+for your prolonged existence.&nbsp; The valleys are but a stride
+to you; you cast your shoe over the hilltops; your ears and your
+heart sing; in the words of an unverified quotation from the
+Scotch psalms, you feel yourself fit &lsquo;on the wings of all
+the winds&rsquo; to &lsquo;come flying all abroad.&rsquo;&nbsp;
+Europe and your mind are too narrow for that flood of
+energy.&nbsp; Yet it is notable that you are hard to root out of
+your bed; that you start forth, singing, indeed, on your walk,
+yet are unusually ready to turn home again; that the best of you
+is volatile; and that although the restlessness remains till
+night, the strength is early at an end.&nbsp; With all these
+heady jollities, you are half conscious of an underlying languor
+in the body; you prove not to be so well as you had fancied; you
+weary before you have well begun; and though you mount at morning
+with the lark, that is not precisely a song-bird&rsquo;s heart
+that you bring back with you when you return with aching limbs
+and peevish temper to your inn.</p>
+<p>It is hard to say wherein it lies, but this joy of Alpine
+winters is its own reward.&nbsp; Baseless, in a sense, it is more
+than worth more permanent improvements.&nbsp; The dream of health
+is perfect while it lasts; and if, in trying to realise it, you
+speedily wear out the dear hallucination, still every day, and
+many times a day, you are conscious of a strength you scarce
+possess, and a delight in living as merry as it proves to be
+transient.</p>
+<p>The brightness&mdash;heaven and earth conspiring to be
+bright&mdash;the levity and quiet of the air; the odd stirring
+silence&mdash;more stirring than a tumult; the snow, the frost,
+the enchanted landscape: all have their part in the effect and on
+the memory, &lsquo;<i>tous vous tapent sur la
+t&eacute;te</i>&rsquo;; and yet when you have enumerated all, you
+have gone no nearer to explain or even to qualify the delicate
+exhilaration that you feel&mdash;delicate, you may say, and yet
+excessive, greater than can be said in prose, almost greater than
+an invalid can bear.&nbsp; There is a certain wine of France
+known in England in some gaseous disguise, but when drunk in the
+land of its nativity still as a pool, clean as river water, and
+as heady as verse.&nbsp; It is more than probable that in its
+noble natural condition this was the very wine of Anjou so
+beloved by Athos in the &lsquo;Musketeers.&rsquo;&nbsp; Now, if
+the reader has ever washed down a liberal second breakfast with
+the wine in question, and gone forth, on the back of these
+dilutions, into a sultry, sparkling noontide, he will have felt
+an influence almost as genial, although strangely grosser, than
+this fairy titillation of the nerves among the snow and sunshine
+of the Alps.&nbsp; That also is a mode, we need not say of
+intoxication, but of insobriety.&nbsp; Thus also a man walks in a
+strong sunshine of the mind, and follows smiling, insubstantial
+meditations.&nbsp; And whether he be really so clever or so
+strong as he supposes, in either case he will enjoy his chimera
+while it lasts.</p>
+<p>The influence of this giddy air displays itself in many
+secondary ways.&nbsp; A certain sort of laboured pleasantry has
+already been recognised, and may perhaps have been remarked in
+these papers, as a sort peculiar to that climate.&nbsp; People
+utter their judgments with a cannonade of syllables; a big word
+is as good as a meal to them; and the turn of a phrase goes
+further than humour or wisdom.&nbsp; By the professional writer
+many sad vicissitudes have to be undergone.&nbsp; At first he
+cannot write at all.&nbsp; The heart, it appears, is unequal to
+the pressure of business, and the brain, left without
+nourishment, goes into a mild decline.&nbsp; Next, some power of
+work returns to him, accompanied by jumping headaches.&nbsp;
+Last, the spring is opened, and there pours at once from his pen
+a world of blatant, hustling polysyllables, and talk so high as,
+in the old joke, to be positively offensive in hot weather.&nbsp;
+He writes it in good faith and with a sense of inspiration; it is
+only when he comes to read what he has written that surprise and
+disquiet seize upon his mind.&nbsp; What is he to do, poor
+man?&nbsp; All his little fishes talk like whales.&nbsp; This
+yeasty inflation, this stiff and strutting architecture of the
+sentence has come upon him while he slept; and it is not he, it
+is the Alps, who are to blame.&nbsp; He is not, perhaps, alone,
+which somewhat comforts him.&nbsp; Nor is the ill without a
+remedy.&nbsp; Some day, when the spring returns, he shall go down
+a little lower in this world, and remember quieter inflections
+and more modest language.&nbsp; But here, in the meantime, there
+seems to swim up some outline of a new cerebral hygiene and a
+good time coming, when experienced advisers shall send a man to
+the proper measured level for the ode, the biography, or the
+religious tract; and a nook may be found between the sea and
+Chimborazo, where Mr. Swinburne shall be able to write more
+continently, and Mr. Browning somewhat slower.</p>
+<p>Is it a return of youth, or is it a congestion of the
+brain?&nbsp; It is a sort of congestion, perhaps, that leads the
+invalid, when all goes well, to face the new day with such a
+bubbling cheerfulness.&nbsp; It is certainly congestion that
+makes night hideous with visions, all the chambers of a
+many-storeyed caravanserai, haunted with vociferous nightmares,
+and many wakeful people come down late for breakfast in the
+morning.&nbsp; Upon that theory the cynic may explain the whole
+affair&mdash;exhilaration, nightmares, pomp of tongue and
+all.&nbsp; But, on the other hand, the peculiar blessedness of
+boyhood may itself be but a symptom of the same complaint, for
+the two effects are strangely similar; and the frame of mind of
+the invalid upon the Alps is a sort of intermittent youth, with
+periods of lassitude.&nbsp; The fountain of Juventus does not
+play steadily in these parts; but there it plays, and possibly
+nowhere else.</p>
+<h2><!-- page 227--><a name="page227"></a><span
+class="pagenum">p. 227</span>XIII.<br />
+ROADS<br />
+1873</h2>
+<p>No amateur will deny that he can find more pleasure in a
+single drawing, over which he can sit a whole quiet forenoon, and
+so gradually study himself into humour with the artist, than he
+can ever extract from the dazzle and accumulation of incongruous
+impressions that send him, weary and stupefied, out of some
+famous picture-gallery.&nbsp; But what is thus admitted with
+regard to art is not extended to the (so-called) natural beauties
+no amount of excess in sublime mountain outline or the graces of
+cultivated lowland can do anything, it is supposed, to weaken or
+degrade the palate.&nbsp; We are not at all sure, however, that
+moderation, and a regimen tolerably austere, even in scenery, are
+not healthful and strengthening to the taste; and that the best
+school for a lover of nature is not to the found in one of those
+countries where there is no stage effect&mdash;nothing salient or
+sudden,&mdash;but a quiet spirit of orderly and harmonious beauty
+pervades all the details, so that we can patiently attend to each
+of the little touches that strike in us, all of them together,
+the subdued note of the landscape.&nbsp; It is in scenery such as
+this that we find ourselves in the right temper to seek out small
+sequestered loveliness.&nbsp; The constant recurrence of similar
+combinations of colour and outline gradually forces upon us a
+sense of how the harmony has been built up, and we become
+familiar with something of nature&rsquo;s mannerism.&nbsp; This
+is the true pleasure of your &lsquo;rural
+voluptuary,&rsquo;&mdash;not to remain awe-stricken before a
+Mount Chimborazo; not to sit deafened over the big drum in the
+orchestra, but day by day to teach himself some new
+beauty&mdash;to experience some new vague and tranquil sensation
+that has before evaded him.&nbsp; It is not the people who
+&lsquo;have pined and hungered after nature many a year, in the
+great city pent,&rsquo; as Coleridge said in the poem that made
+Charles Lamb so much ashamed of himself; it is not those who make
+the greatest progress in this intimacy with her, or who are most
+quick to see and have the greatest gusto to enjoy.&nbsp; In this,
+as in everything else, it is minute knowledge and long-continued
+loving industry that make the true dilettante.&nbsp; A man must
+have thought much over scenery before he begins fully to enjoy
+it.&nbsp; It is no youngling enthusiasm on hilltops that can
+possess itself of the last essence of beauty.&nbsp; Probably most
+people&rsquo;s heads are growing bare before they can see all in
+a landscape that they have the capability of seeing; and, even
+then, it will be only for one little moment of consummation
+before the faculties are again on the decline, and they that look
+out of the windows begin to be darkened and restrained in
+sight.&nbsp; Thus the study of nature should be carried forward
+thoroughly and with system.&nbsp; Every gratification should be
+rolled long under the tongue, and we should be always eager to
+analyse and compare, in order that we may be able to give some
+plausible reason for our admirations.&nbsp; True, it is difficult
+to put even approximately into words the kind of feelings thus
+called into play.&nbsp; There is a dangerous vice inherent in any
+such intellectual refining upon vague sensation.&nbsp; The
+analysis of such satisfactions lends itself very readily to
+literary affectations; and we can all think of instances where it
+has shown itself apt to exercise a morbid influence, even upon an
+author&rsquo;s choice of language and the turn of his
+sentences.&nbsp; And yet there is much that makes the attempt
+attractive; for any expression, however imperfect, once given to
+a cherished feeling, seems a sort of legitimation of the pleasure
+we take in it.&nbsp; A common sentiment is one of those great
+goods that make life palatable and ever new.&nbsp; The knowledge
+that another has felt as we have felt, and seen things, even if
+they are little things, not much otherwise than we have seen
+them, will continue to the end to be one of life&rsquo;s choicest
+pleasures.</p>
+<p>Let the reader, then, betake himself in the spirit we have
+recommended to some of the quieter kinds of English
+landscape.&nbsp; In those homely and placid agricultural
+districts, familiarity will bring into relief many things worthy
+of notice, and urge them pleasantly home to him by a sort of
+loving repetition; such as the wonderful life-giving speed of
+windmill sails above the stationary country; the occurrence and
+recurrence of the same church tower at the end of one long vista
+after another: and, conspicuous among these sources of quiet
+pleasure, the character and variety of the road itself, along
+which he takes his way.&nbsp; Not only near at hand, in the lithe
+contortions with which it adapts itself to the interchanges of
+level and slope, but far away also, when he sees a few hundred
+feet of it upheaved against a hill and shining in the afternoon
+sun, he will find it an object so changeful and enlivening that
+he can always pleasurably busy his mind about it.&nbsp; He may
+leave the river-side, or fall out of the way of villages, but the
+road he has always with him; and, in the true humour of
+observation, will find in that sufficient company.&nbsp; From its
+subtle windings and changes of level there arises a keen and
+continuous interest, that keeps the attention ever alert and
+cheerful.&nbsp; Every sensitive adjustment to the contour of the
+ground, every little dip and swerve, seems instinct with life and
+an exquisite sense of balance and beauty.&nbsp; The road rolls
+upon the easy slopes of the country, like a long ship in the
+hollows of the sea.&nbsp; The very margins of waste ground, as
+they trench a little farther on the beaten way, or recede again
+to the shelter of the hedge, have something of the same free
+delicacy of line&mdash;of the same swing and wilfulness.&nbsp;
+You might think for a whole summer&rsquo;s day (and not have
+thought it any nearer an end by evening) what concourse and
+succession of circumstances has produced the least of these
+deflections; and it is, perhaps, just in this that we should look
+for the secret of their interest.&nbsp; A foot-path across a
+meadow&mdash;in all its human waywardness and unaccountability,
+in all the <i>grata protervitas</i> of its varying
+direction&mdash;will always be more to us than a railroad well
+engineered through a difficult country. <a
+name="citation231"></a><a href="#footnote231"
+class="citation">[231]</a>&nbsp; No reasoned sequence is thrust
+upon our attention: we seem to have slipped for one lawless
+little moment out of the iron rule of cause and effect; and so we
+revert at once to some of the pleasant old heresies of
+personification, always poetically orthodox, and attribute a sort
+of free-will, an active and spontaneous life, to the white riband
+of road that lengthens out, and bends, and cunningly adapts
+itself to the inequalities of the land before our eyes.&nbsp; We
+remember, as we write, some miles of fine wide highway laid out
+with conscious &aelig;sthetic artifice through a broken and
+richly cultivated tract of country.&nbsp; It is said that the
+engineer had Hogarth&rsquo;s line of beauty in his mind as he
+laid them down.&nbsp; And the result is striking.&nbsp; One
+splendid satisfying sweep passes with easy transition into
+another, and there is nothing to trouble or dislocate the strong
+continuousness of the main line of the road.&nbsp; And yet there
+is something wanting.&nbsp; There is here no saving imperfection,
+none of those secondary curves and little trepidations of
+direction that carry, in natural roads, our curiosity actively
+along with them.&nbsp; One feels at once that this road has not
+has been laboriously grown like a natural road, but made to
+pattern; and that, while a model may be academically correct in
+outline, it will always be inanimate and cold.&nbsp; The
+traveller is also aware of a sympathy of mood between himself and
+the road he travels.&nbsp; We have all seen ways that have
+wandered into heavy sand near the sea-coast, and trail wearily
+over the dunes like a trodden serpent.&nbsp; Here we too must
+plod forward at a dull, laborious pace; and so a sympathy is
+preserved between our frame of mind and the expression of the
+relaxed, heavy curves of the roadway.&nbsp; Such a phenomenon,
+indeed, our reason might perhaps resolve with a little
+trouble.&nbsp; We might reflect that the present road had been
+developed out of a tract spontaneously followed by generations of
+primitive wayfarers; and might see in its expression a testimony
+that those generations had been affected at the same ground, one
+after another, in the same manner as we are affected
+to-day.&nbsp; Or we might carry the reflection further, and
+remind ourselves that where the air is invigorating and the
+ground firm under the traveller&rsquo;s foot, his eye is quick to
+take advantage of small undulations, and he will turn carelessly
+aside from the direct way wherever there is anything beautiful to
+examine or some promise of a wider view; so that even a bush of
+wild roses may permanently bias and deform the straight path over
+the meadow; whereas, where the soil is heavy, one is preoccupied
+with the labour of mere progression, and goes with a bowed head
+heavily and unobservantly forward.&nbsp; Reason, however, will
+not carry us the whole way; for the sentiment often recurs in
+situations where it is very hard to imagine any possible
+explanation; and indeed, if we drive briskly along a good,
+well-made road in an open vehicle, we shall experience this
+sympathy almost at its fullest.&nbsp; We feel the sharp settle of
+the springs at some curiously twisted corner; after a steep
+ascent, the fresh air dances in our faces as we rattle
+precipitately down the other side, and we find it difficult to
+avoid attributing something headlong, a sort of <i>abandon</i>,
+to the road itself.</p>
+<p>The mere winding of the path is enough to enliven a long
+day&rsquo;s walk in even a commonplace or dreary
+country-side.&nbsp; Something that we have seen from miles back,
+upon an eminence, is so long hid from us, as we wander through
+folded valleys or among woods, that our expectation of seeing it
+again is sharpened into a violent appetite, and as we draw nearer
+we impatiently quicken our steps and turn every corner with a
+beating heart.&nbsp; It is through these prolongations of
+expectancy, this succession of one hope to another, that we live
+out long seasons of pleasure in a few hours&rsquo; walk.&nbsp; It
+is in following these capricious sinuosities that we learn, only
+bit by bit and through one coquettish reticence after another,
+much as we learn the heart of a friend, the whole loveliness of
+the country.&nbsp; This disposition always preserves something
+new to be seen, and takes us, like a careful cicerone, to many
+different points of distant view before it allows us finally to
+approach the hoped-for destination.</p>
+<p>In its connection with the traffic, and whole friendly
+intercourse with the country, there is something very pleasant in
+that succession of saunterers and brisk and business-like
+passers-by, that peoples our ways and helps to build up what Walt
+Whitman calls &lsquo;the cheerful voice of the public road, the
+gay, fresh sentiment of the road.&rsquo;&nbsp; But out of the
+great network of ways that binds all life together from the
+hill-farm to the city, there is something individual to most,
+and, on the whole, nearly as much choice on the score of company
+as on the score of beauty or easy travel.&nbsp; On some we are
+never long without the sound of wheels, and folk pass us by so
+thickly that we lose the sense of their number.&nbsp; But on
+others, about little-frequented districts, a meeting is an affair
+of moment; we have the sight far off of some one coming towards
+us, the growing definiteness of the person, and then the brief
+passage and salutation, and the road left empty in front of us
+for perhaps a great while to come.&nbsp; Such encounters have a
+wistful interest that can hardly be understood by the dweller in
+places more populous.&nbsp; We remember standing beside a
+countryman once, in the mouth of a quiet by-street in a city that
+was more than ordinarily crowded and bustling; he seemed stunned
+and bewildered by the continual passage of different faces; and
+after a long pause, during which he appeared to search for some
+suitable expression, he said timidly that there seemed to be a
+<i>great deal of meeting thereabouts</i>.&nbsp; The phrase is
+significant.&nbsp; It is the expression of town-life in the
+language of the long, solitary country highways.&nbsp; A meeting
+of one with one was what this man had been used to in the
+pastoral uplands from which he came; and the concourse of the
+streets was in his eyes only an extraordinary multiplication of
+such &lsquo;meetings.&rsquo;</p>
+<p>And now we come to that last and most subtle quality of all,
+to that sense of prospect, of outlook, that is brought so
+powerfully to our minds by a road.&nbsp; In real nature, as well
+as in old landscapes, beneath that impartial daylight in which a
+whole variegated plain is plunged and saturated, the line of the
+road leads the eye forth with the vague sense of desire up to the
+green limit of the horizon.&nbsp; Travel is brought home to us,
+and we visit in spirit every grove and hamlet that tempts us in
+the distance.&nbsp; <i>Sehnsucht</i>&mdash;the passion for what
+is ever beyond&mdash;is livingly expressed in that white riband
+of possible travel that severs the uneven country; not a
+ploughman following his plough up the shining furrow, not the
+blue smoke of any cottage in a hollow, but is brought to us with
+a sense of nearness and attainability by this wavering line of
+junction.&nbsp; There is a passionate paragraph in <i>Werther</i>
+that strikes the very key.&nbsp; &lsquo;When I came
+hither,&rsquo; he writes, &lsquo;how the beautiful valley invited
+me on every side, as I gazed down into it from the
+hill-top!&nbsp; There the wood&mdash;ah, that I might mingle in
+its shadows! there the mountain summits&mdash;ah, that I might
+look down from them over the broad country! the interlinked
+hills! the secret valleys!&nbsp; Oh to lose myself among their
+mysteries!&nbsp; I hurried into the midst, and came back without
+finding aught I hoped for.&nbsp; Alas! the distance is like the
+future.&nbsp; A vast whole lies in the twilight before our
+spirit; sight and feeling alike plunge and lose themselves in the
+prospect, and we yearn to surrender our whole being, and let it
+be filled full with all the rapture of one single glorious
+sensation; and alas! when we hasten to the fruition, when
+<i>there</i> is changed to <i>here</i>, all is afterwards as it
+was before, and we stand in our indigent and cramped estate, and
+our soul thirsts after a still ebbing elixir.&rsquo;&nbsp; It is
+to this wandering and uneasy spirit of anticipation that roads
+minister.&nbsp; Every little vista, every little glimpse that we
+have of what lies before us, gives the impatient imagination
+rein, so that it can outstrip the body and already plunge into
+the shadow of the woods, and overlook from the hill-top the plain
+beyond it, and wander in the windings of the valleys that are
+still far in front.&nbsp; The road is already there&mdash;we
+shall not be long behind.&nbsp; It is as if we were marching with
+the rear of a great army, and, from far before, heard the
+acclamation of the people as the vanguard entered some friendly
+and jubilant city.&nbsp; Would not every man, through all the
+long miles of march, feel as if he also were within the
+gates?</p>
+<h2><!-- page 237--><a name="page237"></a><span
+class="pagenum">p. 237</span>XIV.<br />
+ON THE ENJOYMENT OF UNPLEASANT PLACES<br />
+1874</h2>
+<p>It is a difficult matter to make the most of any given place,
+and we have much in our own power.&nbsp; Things looked at
+patiently from one side after another generally end by showing a
+side that is beautiful.&nbsp; A few months ago some words were
+said in the <i>Portfolio</i> as to an &lsquo;austere regimen in
+scenery&rsquo;; and such a discipline was then recommended as
+&lsquo;healthful and strengthening to the taste.&rsquo;&nbsp;
+That is the text, so to speak, of the present essay.&nbsp; This
+discipline in scenery, it must be understood, is something more
+than a mere walk before breakfast to whet the appetite.&nbsp; For
+when we are put down in some unsightly neighbourhood, and
+especially if we have come to be more or less dependent on what
+we see, we must set ourselves to hunt out beautiful things with
+all the ardour and patience of a botanist after a rye
+plant.&nbsp; Day by day we perfect ourselves in the art of seeing
+nature more favourably.&nbsp; We learn to live with her, as
+people learn to live with fretful or violent spouses: to dwell
+lovingly on what is good, and shut our eyes against all that is
+bleak or inharmonious.&nbsp; We learn, also, to come to each
+place in the right spirit.&nbsp; The traveller, as Brant&ocirc;me
+quaintly tells us, &lsquo;<i>fait des discours en soi pour
+soutenir en chemin</i>&rsquo;; and into these discourses he
+weaves something out of all that he sees and suffers by the way;
+they take their tone greatly from the varying character of the
+scene; a sharp ascent brings different thoughts from a level
+road; and the man&rsquo;s fancies grow lighter as he comes out of
+the wood into a clearing.&nbsp; Nor does the scenery any more
+affect the thoughts than the thoughts affect the scenery.&nbsp;
+We see places through our humours as through differently coloured
+glasses.&nbsp; We are ourselves a term in the equation, a note of
+the chord, and make discord or harmony almost at will.&nbsp;
+There is no fear for the result, if we can but surrender
+ourselves sufficiently to the country that surrounds and follows
+us, so that we are ever thinking suitable thoughts or telling
+ourselves some suitable sort of story as we go.&nbsp; We become
+thus, in some sense, a centre of beauty; we are provocative of
+beauty, much as a gentle and sincere character is provocative of
+sincerity and gentleness in others.&nbsp; And even where there is
+no harmony to be elicited by the quickest and most obedient of
+spirits, we may still embellish a place with some attraction of
+romance.&nbsp; We may learn to go far afield for associations,
+and handle them lightly when we have found them.&nbsp; Sometimes
+an old print comes to our aid; I have seen many a spot lit up at
+once with picturesque imaginations, by a reminiscence of Callot,
+or Sadeler, or Paul Brill.&nbsp; Dick Turpin has been my lay
+figure for many an English lane.&nbsp; And I suppose the
+Trossachs would hardly be the Trossachs for most tourists if a
+man of admirable romantic instinct had not peopled it for them
+with harmonious figures, and brought them thither with minds
+rightly prepared for the impression.&nbsp; There is half the
+battle in this preparation.&nbsp; For instance: I have rarely
+been able to visit, in the proper spirit, the wild and
+inhospitable places of our own Highlands.&nbsp; I am happier
+where it is tame and fertile, and not readily pleased without
+trees.&nbsp; I understand that there are some phases of mental
+trouble that harmonise well with such surroundings, and that some
+persons, by the dispensing power of the imagination, can go back
+several centuries in spirit, and put themselves into sympathy
+with the hunted, houseless, unsociable way of life that was in
+its place upon these savage hills.&nbsp; Now, when I am sad, I
+like nature to charm me out of my sadness, like David before
+Saul; and the thought of these past ages strikes nothing in me
+but an unpleasant pity; so that I can never hit on the right
+humour for this sort of landscape, and lose much pleasure in
+consequence.&nbsp; Still, even here, if I were only let alone,
+and time enough were given, I should have all manner of
+pleasures, and take many clear and beautiful images away with me
+when I left.&nbsp; When we cannot think ourselves into sympathy
+with the great features of a country, we learn to ignore them,
+and put our head among the grass for flowers, or pore, for long
+times together, over the changeful current of a stream.&nbsp; We
+come down to the sermon in stones, when we are shut out from any
+poem in the spread landscape.&nbsp; We begin to peep and
+botanise, we take an interest in birds and insects, we find many
+things beautiful in miniature.&nbsp; The reader will recollect
+the little summer scene in <i>Wuthering Heights</i>&mdash;the one
+warm scene, perhaps, in all that powerful, miserable
+novel&mdash;and the great feature that is made therein by grasses
+and flowers and a little sunshine: this is in the spirit of which
+I now speak.&nbsp; And, lastly, we can go indoors; interiors are
+sometimes as beautiful, often more picturesque, than the shows of
+the open air, and they have that quality of shelter of which I
+shall presently have more to say.</p>
+<p>With all this in mind, I have often been tempted to put forth
+the paradox that any place is good enough to live a life in,
+while it is only in a few, and those highly favoured, that we can
+pass a few hours agreeably.&nbsp; For, if we only stay long
+enough we become at home in the neighbourhood.&nbsp;
+Reminiscences spring up, like flowers, about uninteresting
+corners.&nbsp; We forget to some degree the superior loveliness
+of other places, and fall into a tolerant and sympathetic spirit
+which is its own reward and justification.&nbsp; Looking back the
+other day on some recollections of my own, I was astonished to
+find how much I owed to such a residence; six weeks in one
+unpleasant country-side had done more, it seemed, to quicken and
+educate my sensibilities than many years in places that jumped
+more nearly with my inclination.</p>
+<p>The country to which I refer was a level and tree-less
+plateau, over which the winds cut like a whip.&nbsp; For miles
+and miles it was the same.&nbsp; A river, indeed, fell into the
+sea near the town where I resided; but the valley of the river
+was shallow and bald, for as far up as ever I had the heart to
+follow it.&nbsp; There were roads, certainly, but roads that had
+no beauty or interest; for, as there was no timber, and but
+little irregularity of surface, you saw your whole walk exposed
+to you from the beginning: there was nothing left to fancy,
+nothing to expect, nothing to see by the wayside, save here and
+there an unhomely-looking homestead, and here and there a
+solitary, spectacled stone-breaker; and you were only
+accompanied, as you went doggedly forward, by the gaunt
+telegraph-posts and the hum of the resonant wires in the keen
+sea-wind.&nbsp; To one who had learned to know their song in warm
+pleasant places by the Mediterranean, it seemed to taunt the
+country, and make it still bleaker by suggested contrast.&nbsp;
+Even the waste places by the side of the road were not, as
+Hawthorne liked to put it, &lsquo;taken back to Nature&rsquo; by
+any decent covering of vegetation.&nbsp; Wherever the land had
+the chance, it seemed to lie fallow.&nbsp; There is a certain
+tawny nudity of the South, bare sunburnt plains, coloured like a
+lion, and hills clothed only in the blue transparent air; but
+this was of another description&mdash;this was the nakedness of
+the North; the earth seemed to know that it was naked, and was
+ashamed and cold.</p>
+<p>It seemed to be always blowing on that coast.&nbsp; Indeed,
+this had passed into the speech of the inhabitants, and they
+saluted each other when they met with &lsquo;Breezy,
+breezy,&rsquo; instead of the customary &lsquo;Fine day&rsquo; of
+farther south.&nbsp; These continual winds were not like the
+harvest breeze, that just keeps an equable pressure against your
+face as you walk, and serves to set all the trees talking over
+your head, or bring round you the smell of the wet surface of the
+country after a shower.&nbsp; They were of the bitter, hard,
+persistent sort, that interferes with sight and respiration, and
+makes the eyes sore.&nbsp; Even such winds as these have their
+own merit in proper time and place.&nbsp; It is pleasant to see
+them brandish great masses of shadow.&nbsp; And what a power they
+have over the colour of the world!&nbsp; How they ruffle the
+solid woodlands in their passage, and make them shudder and
+whiten like a single willow!&nbsp; There is nothing more
+vertiginous than a wind like this among the woods, with all its
+sights and noises; and the effect gets between some painters and
+their sober eyesight, so that, even when the rest of their
+picture is calm, the foliage is coloured like foliage in a
+gale.&nbsp; There was nothing, however, of this sort to be
+noticed in a country where there were no trees and hardly any
+shadows, save the passive shadows of clouds or those of rigid
+houses and walls.&nbsp; But the wind was nevertheless an occasion
+of pleasure; for nowhere could you taste more fully the pleasure
+of a sudden lull, or a place of opportune shelter.&nbsp; The
+reader knows what I mean; he must remember how, when he has sat
+himself down behind a dyke on a hillside, he delighted to hear
+the wind hiss vainly through the crannies at his back; how his
+body tingled all over with warmth, and it began to dawn upon him,
+with a sort of slow surprise, that the country was beautiful, the
+heather purple, and the far-away hills all marbled with sun and
+shadow.&nbsp; Wordsworth, in a beautiful passage of the
+&lsquo;Prelude,&rsquo; has used this as a figure for the feeling
+struck in us by the quiet by-streets of London after the uproar
+of the great thoroughfares; and the comparison may be turned the
+other way with as good effect:&mdash;</p>
+<blockquote><p>&lsquo;Meanwhile the roar continues, till at
+length,<br />
+Escaped as from an enemy, we turn<br />
+Abruptly into some sequester&rsquo;d nook,<br />
+Still as a shelter&rsquo;d place when winds blow loud!&rsquo;</p>
+</blockquote>
+<p>I remember meeting a man once, in a train, who told me of what
+must have been quite the most perfect instance of this pleasure
+of escape.&nbsp; He had gone up, one sunny, windy morning, to the
+top of a great cathedral somewhere abroad; I think it was Cologne
+Cathedral, the great unfinished marvel by the Rhine; and after a
+long while in dark stairways, he issued at last into the
+sunshine, on a platform high above the town.&nbsp; At that
+elevation it was quite still and warm; the gale was only in the
+lower strata of the air, and he had forgotten it in the quiet
+interior of the church and during his long ascent; and so you may
+judge of his surprise when, resting his arms on the sunlit
+balustrade and looking over into the <i>Place</i> far below him,
+he saw the good people holding on their hats and leaning hard
+against the wind as they walked.&nbsp; There is something, to my
+fancy, quite perfect in this little experience of my
+fellow-traveller&rsquo;s.&nbsp; The ways of men seem always very
+trivial to us when we find ourselves alone on a church-top, with
+the blue sky and a few tall pinnacles, and see far below us the
+steep roofs and foreshortened buttresses, and the silent activity
+of the city streets; but how much more must they not have seemed
+so to him as he stood, not only above other men&rsquo;s business,
+but above other men&rsquo;s climate, in a golden zone like
+Apollo&rsquo;s!</p>
+<p>This was the sort of pleasure I found in the country of which
+I write.&nbsp; The pleasure was to be out of the wind, and to
+keep it in memory all the time, and hug oneself upon the
+shelter.&nbsp; And it was only by the sea that any such sheltered
+places were to be found.&nbsp; Between the black worm-eaten
+head-lands there are little bights and havens, well screened from
+the wind and the commotion of the external sea, where the sand
+and weeds look up into the gazer&rsquo;s face from a depth of
+tranquil water, and the sea-birds, screaming and flickering from
+the ruined crags, alone disturb the silence and the
+sunshine.&nbsp; One such place has impressed itself on my memory
+beyond all others.&nbsp; On a rock by the water&rsquo;s edge, old
+fighting men of the Norse breed had planted a double castle; the
+two stood wall to wall like semi-detached villas; and yet feud
+had run so high between their owners, that one, from out of a
+window, shot the other as he stood in his own doorway.&nbsp;
+There is something in the juxtaposition of these two enemies full
+of tragic irony.&nbsp; It is grim to think of bearded men and
+bitter women taking hateful counsel together about the two
+hall-fires at night, when the sea boomed against the foundations
+and the wild winter wind was loose over the battlements.&nbsp;
+And in the study we may reconstruct for ourselves some pale
+figure of what life then was.&nbsp; Not so when we are there;
+when we are there such thoughts come to us only to intensify a
+contrary impression, and association is turned against
+itself.&nbsp; I remember walking thither three afternoons in
+succession, my eyes weary with being set against the wind, and
+how, dropping suddenly over the edge of the down, I found myself
+in a new world of warmth and shelter.&nbsp; The wind, from which
+I had escaped, &lsquo;as from an enemy,&rsquo; was seemingly
+quite local.&nbsp; It carried no clouds with it, and came from
+such a quarter that it did not trouble the sea within view.&nbsp;
+The two castles, black and ruinous as the rocks about them, were
+still distinguishable from these by something more insecure and
+fantastic in the outline, something that the last storm had left
+imminent and the next would demolish entirely.&nbsp; It would be
+difficult to render in words the sense of peace that took
+possession of me on these three afternoons.&nbsp; It was helped
+out, as I have said, by the contrast.&nbsp; The shore was
+battered and bemauled by previous tempests; I had the memory at
+heart of the insane strife of the pigmies who had erected these
+two castles and lived in them in mutual distrust and enmity, and
+knew I had only to put my head out of this little cup of shelter
+to find the hard wind blowing in my eyes; and yet there were the
+two great tracts of motionless blue air and peaceful sea looking
+on, unconcerned and apart, at the turmoil of the present moment
+and the memorials of the precarious past.&nbsp; There is ever
+something transitory and fretful in the impression of a high wind
+under a cloudless sky; it seems to have no root in the
+constitution of things; it must speedily begin to faint and
+wither away like a cut flower.&nbsp; And on those days the
+thought of the wind and the thought of human life came very near
+together in my mind.&nbsp; Our noisy years did indeed seem
+moments in the being of the eternal silence; and the wind, in the
+face of that great field of stationary blue, was as the wind of a
+butterfly&rsquo;s wing.&nbsp; The placidity of the sea was a
+thing likewise to be remembered.&nbsp; Shelley speaks of the sea
+as &lsquo;hungering for calm,&rsquo; and in this place one
+learned to understand the phrase.&nbsp; Looking down into these
+green waters from the broken edge of the rock, or swimming
+leisurely in the sunshine, it seemed to me that they were
+enjoying their own tranquillity; and when now and again it was
+disturbed by a wind ripple on the surface, or the quick black
+passage of a fish far below, they settled back again (one could
+fancy) with relief.</p>
+<p>On shore too, in the little nook of shelter, everything was so
+subdued and still that the least particular struck in me a
+pleasurable surprise.&nbsp; The desultory crackling of the
+whin-pods in the afternoon sun usurped the ear.&nbsp; The hot,
+sweet breath of the bank, that had been saturated all day long
+with sunshine, and now exhaled it into my face, was like the
+breath of a fellow-creature.&nbsp; I remember that I was haunted
+by two lines of French verse; in some dumb way they seemed to fit
+my surroundings and give expression to the contentment that was
+in me, and I kept repeating to myself&mdash;</p>
+<blockquote><p>&lsquo;Mon c&oelig;ur est un luth suspendu,<br />
+Sit&ocirc;t qu&rsquo;on le touche, il r&eacute;sonne.&rsquo;</p>
+</blockquote>
+<p>I can give no reason why these lines came to me at this time;
+and for that very cause I repeat them here.&nbsp; For all I know,
+they may serve to complete the impression in the mind of the
+reader, as they were certainly a part of it for me.</p>
+<p>And this happened to me in the place of all others where I
+liked least to stay.&nbsp; When I think of it I grow ashamed of
+my own ingratitude.&nbsp; &lsquo;Out of the strong came forth
+sweetness.&rsquo;&nbsp; There, in the bleak and gusty North, I
+received, perhaps, my strongest impression of peace.&nbsp; I saw
+the sea to be great and calm; and the earth, in that little
+corner, was all alive and friendly to me.&nbsp; So, wherever a
+man is, he will find something to please and pacify him: in the
+town he will meet pleasant faces of men and women, and see
+beautiful flowers at a window, or hear a cage-bird singing at the
+corner of the gloomiest street; and for the country, there is no
+country without some amenity&mdash;let him only look for it in
+the right spirit, and he will surely find.</p>
+<h2>Footnotes</h2>
+<p><a name="footnote92"></a><a href="#citation92"
+class="footnote">[92]</a>&nbsp; The Second Part here referred to
+is entitled &lsquo;<span class="smcap">Across the
+Plains</span>,&rsquo; and is printed in the volume so entitled,
+together with other Memories and Essays.</p>
+<p><a name="footnote106"></a><a href="#citation106"
+class="footnote">[106]</a>&nbsp; I had nearly finished the
+transcription of the following pages when I saw on a
+friend&rsquo;s table the number containing the piece from which
+this sentence is extracted, and, struck with a similarity of
+title, took it home with me and read it with indescribable
+satisfaction.&nbsp; I do not know whether I more envy M. Theuriet
+the pleasure of having written this delightful article, or the
+reader the pleasure, which I hope he has still before him, of
+reading it once and again, and lingering over the passages that
+please him most.</p>
+<p><a name="footnote136"></a><a href="#citation136"
+class="footnote">[136]</a>&nbsp; William Abercrombie.&nbsp; See
+<i>Fasti Ecclesia Scotican&aelig;</i>, under
+&lsquo;Maybole&rsquo; (Part iii.).</p>
+<p><a name="footnote147"></a><a href="#citation147"
+class="footnote">[147]</a>&nbsp; &lsquo;Duex poures varlez qui
+n&rsquo;ont nulz gages et qui gissoient la nuit avec les
+chiens.&rsquo;&nbsp; See Champollion&mdash;Figeac&rsquo;s
+<i>Louis et Charles d&rsquo;Orl&eacute;ans</i>, i. 63, and for my
+lord&rsquo;s English horn, <i>ibid.</i> 96.</p>
+<p><a name="footnote175"></a><a href="#citation175"
+class="footnote">[175]</a>&nbsp; Reprinted by permission of John
+Lane.</p>
+<p><a name="footnote190"></a><a href="#citation190"
+class="footnote">[190]</a>&nbsp; &lsquo;Jehovah Tsidkenu,&rsquo;
+translated in the Authorised Version as &lsquo;The Lord our
+Righteousness&rsquo; (Jeremiah xxiii. 6 and xxxiii. 16).</p>
+<p><a name="footnote231"></a><a href="#citation231"
+class="footnote">[231]</a>&nbsp; Compare Blake, in the
+<i>Marriage of Heaven and Hell</i>: &lsquo;Improvement makes
+straight roads; but the crooked roads, without improvement, are
+roads of Genius.&rsquo;</p>
+<p>***END OF THE PROJECT GUTENBERG EBOOK ESSAYS OF TRAVEL***</p>
+<pre>
+
+
+***** This file should be named 627-h.htm or 627-h.zip******
+
+
+This and all associated files of various formats will be found in:
+http://www.gutenberg.org/dirs/6/2/627
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://www.gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://www.gutenberg.org/fundraising/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit:
+http://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+</pre></body>
+</html>