NormalizeHEADmain

1 files changed, 0 insertions, 1387 deletions

diff --git a/old/62928.txt b/old/62928.txt
deleted file mode 100644
index be810f3..0000000
--- a/old/62928.txt
+++ /dev/null
@@ -1,1387 +0,0 @@
-The Project Gutenberg EBook of Child Whispers, by Enid Blyton
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever.  You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org.  If you are not located in the United States, you'll
-have to check the laws of the country where you are located before using
-this ebook.
-
-
-
-Title: Child Whispers
-
-Author: Enid Blyton
-
-Release Date: August 14, 2020 [EBook #62928]
-
-Language: English
-
-Character set encoding: ASCII
-
-*** START OF THIS PROJECT GUTENBERG EBOOK CHILD WHISPERS ***
-
-
-
-
-Produced by Laura Natal Rodrigues at Free Literature (Images
-generously made available by The Internet Archive.)
-
-
-
-
-
-
-CHILD WHISPERS
-
-By
-
-ENID BLYTON
-
-LONDON
-
-J. SAVILLE & CO. LIMITED
-
-EDUCATIONAL PUBLISHERS,
-
-5, GOWER STREET, W.C.I
-
-1923
-
-
-
-
-DEDICATED TO FOUR LITTLE BROTHERS
-
-DAVID, BRIAN, PETER
-AND JOHN
-
-
-
-
-CONTENTS
-
-Preface
-Rosamunda
-Disappointment
-On Strike
-Fairy Sight
-A Fairy Necklace
-Paying a Call
-Before Breakfast
-Goblins
-The Fairy's Bedtime
-Poppies
-A Queer Butterfly
-Lovely Frocks
-The Jolly Wind
-The Witch's Balloons
-Fairy Music
-The Little Folk on the Hill
-The Moon at Tea-Time
-April
-The Silent Pool
-This Afternoon
-The "Feeling"
-The Naughty Gnome
-Six o'clock
-The Imp's Mistake
-Put to Bed
-The Merry Breeze
-An Accident
-A Happy Ending
-
-
-
-
-PREFACE
-
-
-The children of nowadays are different in
-many of their likes and dislikes, from the
-children of ten years ago. This change of
-attitude is noticeable as much in the world of
-children's poetry as it is in other things.
-
-In my experience of teaching I have found
-the children delight in two distinct types of
-verses. These are the humorous type and the
-imaginative poetical type--but the humour
-must be from the child's point of view and not
-from the "grown-up's"--a very different
-thing. And the imagination in the second
-type of poem must be clear and whimsical,
-otherwise the appeal fails and the child does
-not respond.
-
-As I found a lack of suitable poems of the
-types I wanted, I began to write them myself
-for the children under my supervision, taking,
-in many cases, the ideas, humorous or whimsical,
-of the children themselves, as the theme
-of the poems. Finding them to be successful,
-I continued, until the suggestion was made to
-me that many children, other than those in
-my own school, might enjoy hearing and
-learning the poems. Accordingly this collection
-of verses is put forward in the hope that
-it will be a source of sincere enjoyment to the
-little people of the world.
-
-
-ENID BLYTON.
-
-
-
-
-ROSAMUNDA
-
-
-In the garden very early
-Rosamunda's walking,
-And to her surprise she hears
-Lots of fairies talking.
-
-She looks around but cannot see
-Where they can be hiding;
-Not on any butterfly
-Nor bee, are they a-riding.
-
-She goes to where the tulips grow
-And finds a sight of wonder,
-For out pop fairy elves and say,
-"Good-morning, Rosamunda!"
-
-
-
-
-DISAPPOINTMENT
-
-
-Once I found a fairy
-In my cup of tea.
-She was nearly drowned
-And wet as wet could be.
-
-I picked her out and dried her
-And asked her if she'd stay;
-"Oh, no," she said, "_I mustn't_,"
-And off she flew away.
-
-
-
-
-ON STRIKE
-
-
-My dollies are so naughty,
-I'm afraid they've gone on strike;
-They won't let me undress them,
-But just do what they like.
-
-They say they want a penny
-To spend on Saturday,
-And 'less I let them have it,
-They'll not join in my play.
-
-I can't let them behave so,
-They'll never grow up right--
-But I know they will be sorry
-When I don't kiss them good-night.
-
-
-
-
-FAIRY SIGHT
-
-
-If you want to see a fairy,
-In the middle of the night,
-Wrap the blanket round you,
-And shut your eyes up tight.
-Say "Akral dafarray!"
-And open your right eye,
-And (if you've been a good child)
-A fairy flutters by!
-
-
-
-
-A FAIRY NECKLACE
-
-
-The rain had rained all morning,
-And then the sun shone fair,
-And all the garden glittered
-With raindrops everywhere!
-
-There were raindrops on the grasses,
-And raindrops on the trees,
-And how they shook and shivered,
-Like diamonds, in the breeze!
-
-And oh, I saw a fairy
-Come flying right by me;
-She shook a score of raindrops,
-From off the hazel tree.
-
-She slung them on a spider's thread,
-A necklace made of rain!
-She clasped them round her little neck,
-And off she flew again!
-
-
-
-
-PAYING A CALL
-
-
-I put on my hat with the band of blue,
-And my frock with the frilly lace,
-I took my sunshade, and held it up,
-To keep the sun off my face.
-
-I thought I'd go calling like Mother does,
-And have pretty cakes for tea,
-And sit on the edge of a chair and talk
-With a tea-cup on my knee.
-
-I walked all along the sunny road,
-Till I came to Mrs. Leroy's.
-I climbed the steps, and I rang the bell--
-It made such a jangley noise.
-
-And then I suddenly felt afraid,
-And couldn't think what I would say
-When they opened the door--so I jumped
-the steps,
-And I ran back home all the way.
-
-Nurse saw me coining in my best frock,
-And oh, how she scolded me!
-And that's why I'm wearing an overall now,
-And not having jam for tea.
-
-
-
-
-BEFORE BREAKFAST
-
-
-I go round the garden early, when the grass is
-bright with dew,
-And I have to put goloshes on my feet.
-I'll tell you all I do there, right away from
-people's view,
-When the world is half-awake and very
-sweet.
-
-I shake the lady hollyhocks to make the bees
-fly out,
-And I see how much they've grown since
-yesterday.
-I pop the fattest fuchsia buds, if gardener's
-not about,
-And I blow the dandelion clocks away.
-
-I smell the honeysuckle and the lavender as
-well,
-I take the rose-leaves fallen down beyond;
-They're pink and white and beautiful, just like
-a fairy shell,
-And I save them up for sailing on the pond.
-
-I stand upon the mossy wall, and smell the
-new mown hay,
-And I feel the wind that blows the clouds
-along;
-I think there never, _never_ could be such a
-lovely day--
-And then, I hear that horrid breakfast gong!
-
-
-
-
-GOBLINS
-
-
-When I am cross as I can be, and nothing's
-ever right,
-Then Mummy says there's naughty goblins,
-hiding out of sight,
-Who try to make me do what's wrong, and try
-to make me bad,
-They like me to forget things, and make other
-people sad.
-
-I've never found them anywhere, I don't know
-where to look,
-I've only seen them in the pages of my
-picture-book,
-But oh, I'm _sure_ they're all about in
-everybody's house,
-Little creepy-crawley things, as quiet as a
-mouse.
-
-When cook forgets to put the sugar in the
-Sunday cake,
-And gardener breaks the barrow-wheel, and
-loses Daddie's rake,
-And Nurse is very cross indeed, and won't let
-me go out,
-I always know those nasty little goblins are
-about.
-
-I play next-door with Peter, and there's
-goblins even there,
-Altho' it's such a lovely house, I can't think
-how they dare,
-But often Peter's Daddie is as grumpy as can
-be,
-All over nothing, so the goblins must be there,
-you see.
-
-Whenever things go very wrong, I hide myself
-away,
-To try and see those goblins, and I'm sure I
-shall some day.
-And if they bother you at all, you try and
-catch them, too,
-And _will_ you save them up for me to look at,
-if you do?
-
-
-
-
-THE FAIRY'S BEDTIME
-
-
-Just before they go to bed,
-The fairy babes are told
-To sit upon their toadstools, and
-To be as good as gold.
-
-So down they sit, all in a ring,
-It's supper-time, they know,
-For look, their little acorn cups
-Are standing in a row.
-
-A fairy fills the little cups,
-With dew and honey sweet
-And gives one to each little babe
-With something nice to eat.
-
-Then off into the trees they fly
-And curl themselves up tight
-Inside a leaf that's soft and warm,
-And there they sleep all night.
-
-
-
-
-POPPIES
-
-
-Up the lane behind our house
-A little hill you climb,
-And at the top on either side
-There is in Summer time--
-A cornfield waving in the wind,
-Where poppies shake their head
-And peep at you between the corn,
-A glowing dancing red--
-I'll tell you what I did one day
-When nurse was cross with me,
-And pulled my hair back in a plait,
-As tight as tight could be--
-I crept up to the swaying corn
-And in the poppies there
-I sat down by myself, and then
-I undid all my hair!
-I picked some gleaming poppies red,
-The biggest I could find,
-I wound them tightly in my curls,
-And some hung down behind.
-I walked about so very grand
-Till it began to rain,
-When one by one the poppies fell,
-And I went home again.
-
-
-
-
-A QUEER BUTTERFLY
-
-
-I caught a lovely butterfly,
-In Marianna's net.
-It was the sweetest blue and gold,
-The prettiest I'd seen yet.
-
-But Marianna came and said
-The butterfly should be
-Not mine, but _hers_, because the net
-Belonged to her, not me.
-
-We quarrelled hard, and didn't stop,
-Until my frock was torn,
-And then she pointed down to where
-The net lay, on the lawn.
-
-The butterfly was creeping out
-And spread its wings of blue,
-And then _stood up_, just fancy that!
-You'd hardly think it true!
-
-We saw then what it really was,
-A fairy, come to play,
-And all because we quarrelled so,
-She fluttered right away.
-
-
-
-
-LOVELY FROCKS
-
-
-In my Mummy's wardrobe, there are lots of
-lovely frocks,
-I know because I've seen them hanging
-there;
-There's purple, and there's orange, and a frilly
-one of blue,
-And a yellow that is shiny like her hair.
-
-The satin frocks make Mummy look just like a
-fairy Queen--
-But she can't cuddle me at all in those--
-And when she wears a silken frock, it rustles
-like the trees--
-But I can't kiss her 'cos I spoils the bows.
-
-And tho' I love her pretty dresses, 'cos she
-looks so grand,
-What I like really best of all to see,
-Is when she's in the garden, wearing _just_ an
-overall--
-And comes to romp and play about with me.
-
-
-
-THE JOLLY WIND
-
-
-"Hurrah!" says the wind, as he sweeps along,
-"Three cheers for the sun to-day,
-Just look at him shining away in the sky!
-Do come along, children, and play!
-
-I'll fly your kites on the top of the hill,
-And I'll spin the old weather-cock round!
-I'll send your boats sailing away down the
-stream,
-Till bump! they have all come aground!
-
-Come along while I turn the old windmill about,
-And hear how it groans and it creaks;
-Just see how I tweak off your bonnets and caps,
-And hear all the laughter and shrieks!
-
-I'll make you run faster than ever before,
-I'll spin you around and about!
-Oh, hurry up, children, and come out of school,
-"Hurrah!" says the wind, with a shout!
-
-
-
-
-THE WITCH'S BALLOONS
-
-
-Opposite the nursery sat a woman old and
-brown,
-I should think she was the very oldest person
-in the town,
-She sold balloons to children as they passed
-her corner there,
-She was very cross and horrid and she had a
-nasty stare.
-
-I looked at her one morning, on a very
-windy day,
-And she saw me and she stared at me in such
-a nasty way,
-I felt afraid, and certain sure that she must be
-a witch,
-And keep all sorts of stolen treasures hidden
-in a ditch.
-
-And as I looked at her, and she was staring up
-at me,
-I saw a fairy flying low from out the chestnut
-tree,
-She held a little knife, and oh, she cut the
-strings right through,
-That held the big balloons together, then away
-she flew!
-
-And off went all the purple ones and off went
-all the pink,
-A-flying in the air as high as ever you could
-think,
-Around the chimney pots, and right away up
-in the sky,
-Until they bumped into the clouds, a-sailing
-slowly by.
-
-And then I looked to see what that old woman
-had to say,
-But there wasn't any sign of her, she'd
-vanished right away,
-She _must_ have been a wicked witch, and by
-the fairies slain,
-For tho' I've looked each morning, she has
-_never_ come again.
-
-
-
-
-FAIRY MUSIC
-
-
-I found a little fairy flute
-Beneath a harebell blue;
-I sat me down upon the moss
-And blew a note or two.
-
-And as I blew the rabbits came
-Around me in the sun,
-And little mice and velvet moles
-Came creeping, one by one.
-
-A swallow perched upon my head,
-A robin on my thumb,
-The thrushes sang in tune with me,
-The bees began to hum.
-
-I loved to see them all around
-And wished they'd always stay,
-When down a little fairy flew
-And _snatched_ my flute away!
-
-And then the swallow fluttered off,
-And gone were all the bees,
-The rabbits ran, and I was left
-Alone among the trees!
-
-
-
-
-THE LITTLE FOLK ON THE HILL
-
-
-Right on the top of the Feraling Hill
-There's a queer little seat made of stone,
-And sometimes I climb up the heathery slope.
-And sit in the wind all alone.
-
-Nobody knows why the little seat's there,
-(It's almost too tiny for me)
-But I love to squeeze into it on a clear day,
-And look over the hills to the sea.
-
-Sometimes I've sat there and heard funny
-sounds
-And voices, and tho' I've kept still,
-I've only seen one of the queer Little Folk
-That I _know_ live inside of the hill.
-
-For once I came quietly up to the stone--
-And on it sat one of the Folk!
-He was looking across all the hills to the sea,
-But he vanished away when I spoke.
-
-And that's how _I_ know why the little seat's
-there,
-And why it's small even for me;
-The Folk put it there in the wind, for _they love_
-To look over the hills to the sea.
-
-
-
-
-THE MOON AT TEA-TIME
-
-
-I was playing in the meadow, where there's
-not a single tree,
-I was throwing bits of sorrel at a fat old
-bumble-bee,
-And then--I just looked up to see the clouds
-go sailing by--
-And oh, I saw the _moon_, in daytime! and I
-_can't_ think why!
-
-Such funny things keep happ'ning, and
-they've happened all to-day,
-First, I found a weeny mouse, all cuddled in
-the hay,
-Then at home we've got a baby, from _I_ don't
-know where!
-And now I find the moon at _tea-time_, sitting in
-the air!
-
-I'm sure it's wrong, because the Bible says it's
-meant for night,
-And look, it hides behind the clouds--it knows
-it isn't right.
-Now there it comes! Oh, silly moon, you make
-the sun look fine,
-'Cos bumping up against the clouds has
-rubbed off all _your_ shine!
-
-
-
-
-APRIL
-
-
-Oh, April brings the cuckoo-bird, and April
-brings the rain,
-April hangs a hundred sunny raindrops in the
-lane,
-She can wash the sky with woolly clouds of
-purest white,
-And gaily dress it up in rainbows, curving out
-of sight.
-
-Oh, April hangs the chestnut trees with spires
-of white and pink,
-And kisses all the primroses along the river's
-brink,
-She peeps into the tiny nests where eggs are
-hidden well,
-And searches out the purple violets growing in
-the dell.
-
-Oh, April swings the apple blossom, sweet
-against the sky
-And chases all the bob-tail rabbits scuttling
-gaily by,
-She dances with the meadow cowslips, drooping
-heads of gold,
-Oh, April is the sweetest month that any year
-can hold!
-
-
-
-
-THE SILENT POOL
-
-
-Away in the wood where it's dark,
-There's a pool that is purplish green,
-With whispering rushes around,
-That murmur of things they have seen.
-
-I once lay and listened all night,
-And heard why the pool lies alone;
-Not even a fairy goes near
-And only the sad rushes moan.
-
-I heard how there once lived a witch,
-Who weaved wicked spells night and day,
-And used the pool's purplish deeps
-For things which I wouldn't dare say.
-
-Then one day she vanished and went,
-And never was seen any more,
-But silent and still lay the pool,
-And darker than ever before.
-
-No fairy knows what the pool holds,
-And none guesses what secrets lie
-Hid safely away in its deeps,
-But shuddering, all pass it by.
-
-Take heed when you go through the wood,
-And pass where the pool lies alone--
-Not even a fairy goes near,
-And only the sad rushes moan!
-
-
-
-
-THIS AFTERNOON
-
-
-This afternoon is very hot,
-And all the sky is blue,
-The busy bees are humming loud,
-They have a lot to do.
-
-I want to go out in the fields
-Where all the daisies grow,
-And watch the little breezes bend
-The grasses to and fro.
-I want to watch the butterflies,
-And hear the cuckoo call,
-I'd cuckoo back to see if he
-Would answer me at all.
-
-The buttercups are shaking gold
-Upon the dry brown earth,
-And shiny beetles race along
-The ground, for all they're worth.
-I want to lie down on the grass
-And look up at the sky,
-It looks so queer and far away
-And wonderfully high.
-
-It's such a lovely afternoon,
-With lovely things to see;
-Oh, _why_ must I in my best frock
-Be taken out to tea?
-
-
-
-
-THE "FEELING"
-
-
-Inside of me there's a Feeling lives,
-That wakes when I see a rose,
-Or the snow, or sunshine, or daisy fields;
-It wakes for a time--and then goes.
-
-When I suddenly see the rainbow shine
-Right over the sky so wide,
-And the sunshine gleams thro' the pouring rain,
-I get that "Feeling" inside.
-
-When I get out of bed on a winter's mom,
-And look thro' my window pane,
-And find the snow on the trees and fields,
-I get the Feeling again.
-
-When a great big wave comes sweeping up
-On a stormy and windy tide,
-And crashes against the rocks in spray,
-I get the Feeling inside.
-
-I once told Nannie just how I felt,
-But I'm not going to tell her again.
-_She_ didn't know at all what I meant,
-She called my Feeling a _pain!_
-
-
-
-
-THE NAUGHTY GNOME
-
-
-A little gnome in Fairyland
-Once found a pot of glue,
-And he of course began to think
-What mischief he could do!
-
-He smeared the toadstools, one and all,
-Whereon the fairies sat,
-And oh, how cross they were to find
-A naughty trick like that!
-
-He dropped some glue upon the grass,
-To catch the fairies' feet,
-When there came by the Fairy King
-And Queen with all their suite.
-
-The King walked straight upon the glue
-And found he couldn't stir!
-Then came the frightened gnome, and cried,
-"Oh, please have mercy, Sir!
-
-I didn't mean to catch _your_ feet
-Within my sticky glue,
-But please forgive me and I'll find
-Some better thing to do!"
-
-"I'll pardon you," the King replied,
-"But harken what I say,
-Go, use your glue on _chestnut_ buds,
-To keep the frost away."
-
-So in the chestnuts every spring
-The gnome works all day long,
-And if you touch a bud, you'll find
-His glue is _very_ strong!
-
-
-
-
-SIX O'CLOCK
-
-
-We always wake at six o'clock,
-When Nurse is still asleep;
-She's hidden under all the clothes,
-Her breathes are loud and deep.
-
-We mustn't talk till seven strikes,
-And so we just turn round
-And hear the milk-carts going by,
-They have a tinny sound.
-
-I look up at the ceiling, and
-I count the cracks I see,
-And all the flies upon the wall;
-Once there were _twenty-three!_
-
-Teddie pulls out feathers from
-The eiderdown, and blows
-With all his might, to make them drop
-On top of Nurse's nose.
-
-I breathe on all the brassy nobs
-That feel so very cold;
-They go quite dull till Teddie rubs,
-And makes them shine like gold.
-
-And now I've told you all these things,
-If you wake early, too,
-And mustn't talk till seven strikes,
-_You'll_ know just what to do.
-
-
-
-
-THE IMP'S MISTAKE
-
-
-As Anna slept beside the fire
-An imp as black as soot
-Came down the chimney in a bound,
-And landed by her foot!
-
-He looked at her black shining shoe,
-A frown came on his face,
-He thought it was a piece of coal
-A-tumbled from its place!
-
-And so he started tugging hard
-To put it back again
-Upon the fire, when Anna woke
-And gave a cry of pain!
-
-"You naughty little imp," she cried,
-"Just leave my foot alone!"
-And in a trice the imp had jumped
-And up the chimney flown!
-
-So when you're sitting by the fire,
-It's better, on the whole,
-To keep awake, in case that imp
-Should think _your_ shoes are coal!
-
-
-
-
-PUT TO BED
-
-
-The sun is shining hot and bright,
-The gardener's mowing grass,
-He's doing it with all his might,
-I hear his footsteps pass.
-
-Nurse put me here in bed alone
-Because I've not been good;
-I think her heart is hard as stone--
-I didn't think she would.
-
-I haven't been so very bad,
-I'll tell you what I've done.
-I took a pencil that I had,
-A lovely orange one.
-
-I drew a splendid pattern round
-The dining room and hall,
-And trees that grew up from the ground,
-Right up the nursery wall.
-
-I'd started on a giant's head,
-I know just how they're made,
-When Nurse came in, so cross and red,
-It made me feel afraid.
-
-I never had behaved, she said,
-So wickedly before;
-She made me go upstairs to bed,
-And then she banged the door.
-
-She took my toys and books and ball,
-And all the bricks I'd built;
-There's nothing here that's nice at all,
-'Cept Grannie's patchwork quilt!
-
-
-
-
-THE MERRY BREEZE
-
-
-Round about the orchard went the merry
-little breeze,
-Playing with the butterflies and teasing all
-the bees,
-Sending showers of apple-blossom down upon
-the ground,
-And spilling half the dew-drops from the
-grasses all around.
-
-He ruffled up the feathers of the ducks a-sailing
-by,
-And hustled all the lazy clods that floated in
-the sky,
-He swung the beeches to and fro, then darted
-off again
-To dry the shiny puddles scattered down along
-the lane.
-
-The chimney smoke he twisted in the queerest
-kind of way,
-Until at last the little breeze was weary of his
-play;
-He crept back to the orchard, where the
-daffodillies peep,
-And there it was I found him lying, curled up
-fast asleep!
-
-
-
-
-AN ACCIDENT
-
-
-We've a little summer house
-With a pointed top,
-And on it, watching us at play,
-The fairies often stop.
-
-But now we've done a dreadful thing,
-And frightened them away,
-Because, by accident, our ball
-Struck two of them to-day.
-
-It bounced upon the summer house,
-And hurt the fairies there;
-They flew away with cries of pain,
-And said it wasn't fair.
-
-Each day we watch our summer house
-And watch the pointed top.
-But now, tho' fairies fly around,
-They _never_ come to stop.
-
-
-
-
-A HAPPY ENDING
-
-
-I found a ship upon the sea,
-All ready waiting there for me,
-So in I jumped and off we sped,
-To gleaming waters far ahead.
-
-But soon a wind came moaning by
-And clouds filled all the sunny sky,
-The sea was speckled with the rain,
-And my ship rolled and rolled again.
-
-The waves crashed grandly on the deck.
-The sails dripped rain-drops down my neck,
-Then straight ahead, I spied a rock,
-And braced myself to meet the shock--
-
-Crash! we struck, and there we stayed,
-While rain and storm around us played;
-The ship at once began to fill,
-And down and down we sank--until
-
-I yelled in fear and clutched the side,
-Half-drowning in the racing tide.
-And just as mast and rigging broke,
-I found myself in bed--and WOKE!
-
-
-
-PRINTED BY GARDEN CITY PRESS,
-LETCH WORTH, ENGLAND.
-
-
-
-
-
-End of the Project Gutenberg EBook of Child Whispers, by Enid Blyton
-
-*** END OF THIS PROJECT GUTENBERG EBOOK CHILD WHISPERS ***
-
-***** This file should be named 62928.txt or 62928.zip *****
-This and all associated files of various formats will be found in:
-        http://www.gutenberg.org/6/2/9/2/62928/
-
-Produced by Laura Natal Rodrigues at Free Literature (Images
-generously made available by The Internet Archive.)
-
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
-  This eBook is for the use of anyone anywhere in the United States and
-  most other parts of the world at no cost and with almost no
-  restrictions whatsoever. You may copy it, give it away or re-use it
-  under the terms of the Project Gutenberg License included with this
-  eBook or online at www.gutenberg.org. If you are not located in the
-  United States, you'll have to check the laws of the country where you
-  are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
-  the use of Project Gutenberg-tm works calculated using the method
-  you already use to calculate your applicable taxes. The fee is owed
-  to the owner of the Project Gutenberg-tm trademark, but he has
-  agreed to donate royalties under this paragraph to the Project
-  Gutenberg Literary Archive Foundation. Royalty payments must be paid
-  within 60 days following each date on which you prepare (or are
-  legally required to prepare) your periodic tax returns. Royalty
-  payments should be clearly marked as such and sent to the Project
-  Gutenberg Literary Archive Foundation at the address specified in
-  Section 4, "Information about donations to the Project Gutenberg
-  Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
-  you in writing (or by e-mail) within 30 days of receipt that s/he
-  does not agree to the terms of the full Project Gutenberg-tm
-  License. You must require such a user to return or destroy all
-  copies of the works possessed in a physical medium and discontinue
-  all use of and all access to other copies of Project Gutenberg-tm
-  works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
-  any money paid for a work or a replacement copy, if a defect in the
-  electronic work is discovered and reported to you within 90 days of
-  receipt of the work.
-
-* You comply with all other terms of this agreement for free
-  distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
-    Dr. Gregory B. Newby
-    Chief Executive and Director
-    gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-