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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..98ed1fb --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #62934 (https://www.gutenberg.org/ebooks/62934) diff --git a/old/62934-0.txt b/old/62934-0.txt deleted file mode 100644 index 9acebca..0000000 --- a/old/62934-0.txt +++ /dev/null @@ -1,763 +0,0 @@ -Project Gutenberg's Drawings by Charles Dana Gibson, by Charles Dana Gibson - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org/license - - -Title: Drawings by Charles Dana Gibson - -Author: Charles Dana Gibson - -Release Date: August 15, 2020 [EBook #62934] - -Language: English - -Character set encoding: UTF-8 - -*** START OF THIS PROJECT GUTENBERG EBOOK DRAWINGS BY CHARLES DANA GIBSON *** - - - - -Produced by Chuck Greif (This file was produced from images -available at The Internet Archive) - - - - - - - - - - - - DRAWINGS - - BY - - CHARLES DANA GIBSON - - NEW YORK - - R. H. RUSSELL & SON - - 1896 - - Copyright - - BY MITCHELL & MILLER - - Copyright, 1894, - - BY R. H. RUSSELL & SON - -[Illustration: TO A LITTLE AMERICAN GIRL] - -[Illustration: IS THIS A CASE FOR THE S. P. C. A.? - -IT IS NOW 6:45 P.M., AND THIS DOG HAS BEEN KEPT OUT HERE SINCE TEN IN -THE MORNING.] - -[Illustration: THE AMERICAN GIRL ABROAD. - -HERE SHE IS, CHAPERONED BY A REAL DUCHESS, WITH TWO NOBLEMEN OF ANCIENT -LINEAGE READY TO MARRY HER, AND YET HER HAPPINESS IS NOT COMPLETE.] - -[Illustration: NO RESPECTER OF A WIDOW’S GRIEF.] - -[Illustration: TRIALS OF A BUD. - -RUNNING THE GAUNTLET AMONG HER RIVALS.] - -[Illustration: THIS CAN HAPPEN. - -THE AMERICAN FATHER MAY BE AMAZED AT FINDING HIS ENGLISH SON-IN-LAW NOT -AN UNDESIRABLE ARTICLE.] - -[Illustration: THESE YOUNG GIRLS WHO MARRY OLDISH MILLIONAIRES - -SHOULD NOT BE WANDERING OVER THE PLAINS WITH IMPECUNIOUS COWBOYS WHEN -THEIR HUSBANDS ARE TRYING TO ENTERTAIN THEM.] - -[Illustration: THE HOPEWELL-BONDS ABROAD. - -CHUCKING THE RING.] - -[Illustration: FOURTH OF JULY.] - -[Illustration: THE AMERICAN GIRL ABROAD. - -SOME FEATURES OF THE MATRIMONIAL MARKET.] - -[Illustration: A BRIGHT OUTLOOK. - -_The Pater:_ I AM SORRY THAT YOU HAVE CHOSEN TO SAY YES TO JACK RODGERS. -HE HASN’T A CENT. - -_The Girl:_ HIS PROSPECTS ARE BRIGHT. - -_The Pater:_ HOW? I FAIL TO SEE IT. - -_The Girl:_ WHY, HE’S GOING TO MARRY ME!] - -[Illustration: HIS EVERLASTING EXPERIMENTS WITH ILL-MATED PAIRS.] - -[Illustration: DANGER. - -THE SHORE IS LINED WITH WRECKS.] - -[Illustration: WHEN HE ONCE GOES OUT IT IS HARD TO GET HIM BACK.] - -[Illustration: _She:_ THE MAJORITY OF MEN ARE HEROES? I DON’T BELIEVE -IT. - -_He:_ THE STATISTICS BEAR IT OUT. LESS THAN HALF ARE BACHELORS.] - -[Illustration: LENTEN CONFESSIONS.] - -[Illustration: _One Girl:_ WHEN IS A JOKE NOT A JOKE? - -_The Other Girl:_ WHEN YOU’RE TELLING IT TO AN ENGLISHMAN.] - -[Illustration: LOVE WILL DIE.] - -[Illustration: THAT DELICIOUS MOMENT - -WHEN THE NARRATOR HAS TOLD HIS MOST SUBTLE STORY TO AS INTELLIGENT BUT -UNIMAGINATIVE AUDIENCE AND THEY ARE STILL WAITING TO CATCH THE -POINT--IF THERE IS ANY.] - -[Illustration: THAT DELICIOUS MOMENT - -WHEN YOU FIND YOU ARE TO TAKE IN TO DINNER THE GIRL WHO YESTERDAY -REFUSED YOU.] - -[Illustration: THAT DELICIOUS MOMENT - -WHEN YOU MEET THE NOBELMAN YOUR DAUGHTER HAS CAPTURED IN EUROPE.] - -[Illustration: TOO LATE?] - -[Illustration: _The Actor:_ I SAY, JANE, WHAT’S THE DIFFERENCE BETWEEN A -BILL-BOARD AND A BOARD-BILL? - -_Actor’s Wife:_ WELL, YOU CAN’T JUMP THE BILL-BOARD.] - -[Illustration: THAT RESTLESS SEA.] - -[Illustration: NO FREE SCHOLARSHIPS. - -_The Girl:_ ARE YOU A YALE OR HARVARD MAN? - -_The Young Man:_ Neither. I got my education in Wall Street. But I often -think it would have been cheaper for me to have gone through college. - -_Old Bonder:_ Perhaps so, young man; but them useful educations costs -something.] - -[Illustration: ALL’S WELL THAT ENDS WELL. - -IT’S A LOVE SONG, AND SUNG WITH DEEP FEELING, AS HER THOUGHTS ARE WITH -TOM IN A FAR-AWAY LAND.] - -[Illustration: THE REAL EXHIBIT AT THE HORSE SHOW.] - -[Illustration: THE HORSE SHOW. - -HOW THE ANIMALS APPEAR FROM THE BOXES.] - -[Illustration: _He:_ ROBINSON IS VERY ANXIOUS TO MARRY AGAIN. - -_She:_ WHY, I DIDN’T KNOW HIS WIFE WAS DEAD. - -_He:_ SHE ISN’T. THAT’S THE REASON HE IS SO ANXIOUS ABOUT IT--SHE IS -WITH HIM NOW.] - -[Illustration: HINT FOR A HOSTESS. - -FILL A CLOSE ROOM ON A HOT NIGHT WITH PEOPLE WHO HAVE COME TO THE -COUNTRY TO BE COOL.] - -[Illustration: “GEORGE, FATHER HAS FAILED.” - -“THAT’S JUST LIKE HIM. I TOLD YOU ALL ALONG, DARLING, THAT HE WAS GOING -TO DO ALL HE COULD TO KEEP US FROM MARRYING.”] - -[Illustration: AN AFTERNOON RECEPTION IN HERCULANEUM.] - -[Illustration: REVISED. - -MARCH FOURTH COMES IN LIKE A TIGER AND GOES OUT LIKE AN ELEPHANT.] - -[Illustration: TIME!] - -[Illustration: AT THE GOLDEN SIGN.] - -[Illustration: THE SALONS OF NEW YORK. - -AT MRS. FLAT SHARP’S.] - -[Illustration: THE SALONS OF NEW YORK. - -AN EVENING WITH THE GENTLEMEN’S SONS CHOWDER CLUB.] - -[Illustration: THE SALONS OF NEW YORK. - -AT MRS. HOWARD VAN TOPPING’S.] - -[Illustration: THE SALONS OF NEW YORK. - -AT MRS. DAUBLEIGH CHROME’S.] - -[Illustration: A MODERN DANIEL.] - -[Illustration: THE JURY.] - -[Illustration: GULLEM AT THE ADVICE OF HIS PHYSICIAN TAKES OUT-OF-DOOR -EXERCISE.] - -[Illustration: _Elderly Suitor_ (_sarcastically_): HOW DOES YOUR -KINDERGARTEN GET ON, MISS BLACK? - -_Miss Black_ (_sweetly_): WELL, IT IS BETTER THAN RUNNING AN OLD MAN’S -HOME.] - -[Illustration: AT THE SUMMER HOTEL. - -THE PROMINENT CITIZEN WHO WROTE A MONTH AGO ENGAGING THE BEST ROOMS IN -THE HOUSE.] - -[Illustration: THE EYES OF LOVE. - -“BUT, ETHEL, HOW DO YOU KNOW THAT THIS YOUNG MAN LOVES YOU? HAS HE TOLD -YOU SO? - -“ON, NO, MAMMA!BUT IF YOU COULD ONLY SEE THE WAY HE LOOKS AT ME WHEN I -AM NOT LOOKING AT HIM!”] - -[Illustration: HER PUNISHMENT. - -HER BOY IS NOT INTERESTING, BUT HE HAS A FRUGAL MIND, AND IS MUCH LIKE -HIS FATHER.] - -[Illustration: SOCIAL PASTIMES. - -“SHE IS AT HOME! HOW PROVOKING!” “HORRORS! WELL, TELL THEM I WILL BE -RIGHT DOWN.”] - -[Illustration: NOT A GHOST. - -IT IS ONLY POOR JIM, WHO HAPPENED TO MARRY THE WRONG GIRL; AND SOMETIMES -WHEN SHE IS PARTICULARLY UNENDURABLE, HE REMEMBERS THE OTHER ONE.] - -[Illustration: “THERE IS NO HARM IN A SUMMER FLIRTATION,” SAYS MANY A -YOUNG MAN. BUT WHAT IS FAIR FOR ONE IS FAIR FOR THE OTHER, AND - -WHEN IT COMES TO THE MORE SERIOUS BUSINESS OF LIFE, THIS YOUNG MAN -SHOULD HE THE LAST TO BLAME HER FOR EXERCISING A LITTLE FORETHOUGHT.] - -[Illustration: THE RIVAL OPERAS.] - -[Illustration: NOT A FLATTERER. - -_She:_ ALL OF WHICH ONLY CONVINCES ME THAT YOU MARRIED ME FOR MY MONEY. - -_He:_ WELL, IT MAY NOT SEEM PROBABLE, BUT I HONESTLY LOVED YOU.] - -[Illustration: $ $ $ - -YES, SHE FINALLY MARRIED HIM, BUT WE UNDERSTAND FROM THE DOG THERE ARE -MOMENTS WHEN IT SEEMS AS IF THERE WAS SOMETHING WANTING.] - -[Illustration: _The Young One:_ I BEG YOUR PARDON, SIR, BUT I BELIEVE IT -IS MY TURN NEXT.] - -[Illustration: LIFE’S BIRTHDAY.] - -[Illustration: “By the way, Bishop, why is it that you always address -your congregation as ‘brethren,’ and never mention the women in your -sermons?” - -“But, my dear Madam, the one embraces the other.” - -“Oh, but, Bishop, not in church!”] - -[Illustration: VACATION IS OVER.] - -[Illustration: THE NEW LEAF. - -_Bishop Gullem:_ My dear young lady, have you started in this year to do -unto others as you would have them do unto you? - -_Dear Young Lady:_ Yes. I’ve quit speaking to those Grigsby girls.] - -[Illustration: HER FIRST APPEARANCE IN THIS COSTUME. - -SHE THINKS, ON THE WHOLE, SHE FEELS MORE AT HOME IN A BALL DRESS.] - -[Illustration: IN LEAP YEAR. - -AFTER THE WEDDING COMES THE PARTING OF THE WEEPING GROOM FROM HIS -BROKEN-HEARTED PARENTS.] - -[Illustration: IN LEAP YEAR. - -THE GENTLEMEN LEAVE THE LADIES TO THEIR TOBACCO AND WINE.] - -[Illustration: IN LEAP YEAR. - -LET HUBBY DO THE SITTING UP.] - -[Illustration: IN LEAP YEAR. - -THE LADIES, AFTER A LITTLE WINE AND TOBACCO, JOIN THE GENTLEMEN IN THE -DRAWING-ROOM.] - -[Illustration: IN LEAP YEAR. - -THE LADIES CALLING CARRIAGES FOR THE GENTLEMEN AFTER THE THEATRE.] - -[Illustration: IN LEAP YEAR. - -NOT SO GOOD FOR THE UNATTRACTIVE MEN.] - -[Illustration: IN LEAP YEAR. - -A WEDDING.] - -[Illustration: IN LEAP YEAR. - -THE DEAR GIRLS AND THE CHAPERONE ACCUSTOM THEMSELVES TO THE BACK -SEATS.] - -[Illustration: THAT EVENING HER ENGAGEMENT WAS ANNOUNCED.] - -[Illustration: AMERICA’S TRIBUTE.] - -[Illustration: PUZZLE. - -FIND THE MAN WHO IS PAYING FOR THE DINNER.] - -[Illustration: PUZZLE. - -FIND THE HEIRESS.] - -[Illustration: PUZZLE. - -FIND THE NOBLEMAN.] - -[Illustration: PUZZLE. - -FIND THE GIRL WHO HAS BEEN KISSED WITHIN TEN MINUTES.] - -[Illustration: PUZZLE. - -FIND THE TWO LOVERS.] - -[Illustration: PUZZLE. - -FIND THE WIFE OF THE MAN WHO IS TELLING THE STORY.] - -[Illustration: PUZZLE. - -A FUNNY STORY. FIND THE ENGLISHMAN.] - -[Illustration: ON THE ROAD TO VERSAILLES. - -A PRIMA DONNA’S DEBUT.] - -[Illustration: THE FORTUNE TELLER.] - -[Illustration: IN PARIS. - -AT THE CAFÉ AMERICAIN.] - -[Illustration: MADAME RÉJANE.] - -[Illustration: IN PARIS. - -A CAFÉ ARTIST.] - -[Illustration: IN PARIS. - -SOME SIDEWALK TYPES.] - -[Illustration: IN PARIS. - -AT THE JARDIN DE PARIS.] - -[Illustration: IF THE YOUNG MAN IS DEPENDING UPON THE SUCCESS OF HIS -PICTURE FOR THE OLD GENTLEMAN’S CONSENT, WHEN DOES THE WEDDING TAKE -PLACE?] - - - - - -End of the Project Gutenberg EBook of Drawings by Charles Dana Gibson, by -Charles Dana Gibson - -*** END OF THIS PROJECT GUTENBERG EBOOK DRAWINGS BY CHARLES DANA GIBSON *** - -***** This file should be named 62934-0.txt or 62934-0.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/6/2/9/3/62934/ - -Produced by Chuck Greif (This file was produced from images -available at The Internet Archive) - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. 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You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org/license - - -Title: Drawings by Charles Dana Gibson - -Author: Charles Dana Gibson - -Release Date: August 15, 2020 [EBook #62934] - -Language: English - -Character set encoding: UTF-8 - -*** START OF THIS PROJECT GUTENBERG EBOOK DRAWINGS BY CHARLES DANA GIBSON *** - - - - -Produced by Chuck Greif (This file was produced from images -available at The Internet Archive) - - - - - - -</pre> - -<hr class="full" /> - -<div class="figcenter"> -<a href="images/title.jpg"> -<img src="images/title.jpg" width="550" alt="" /></a> -</div> - -<h1>DRAWINGS<br /><br /> -BY<br /><br /> -CHARLES DANA GIBSON</h1> - -<p class="c"> -<img src="images/colophon.jpg" -height="150" -alt="" -/><br /><br /> -NEW YORK<br /><br /> -R. H. RUSSELL & SON<br /><br /> -1896<br /><br /><br /><small> -Copyright<br /> -BY MITCHELL & MILLER<br /> -Copyright, 1894,<br /> -BY R. H. RUSSELL & SON</small></p> - -<div class="figcenter"> -<a href="images/ill_002.jpg"> -<img src="images/ill_002.jpg" height="279" alt="[Image unavailable.]" /></a> -<div class="caption"><p>TO A LITTLE AMERICAN GIRL</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_003.jpg"> -<img src="images/ill_003.jpg" width="640" alt="[Image unavailable.]" /></a> -<div class="caption"><p>IS THIS A CASE FOR THE S. P. C. A.?</p> - -<p style="font-size:75%;margin-top:1em;">IT IS NOW 6:45 P.M., AND THIS DOG HAS BEEN KEPT OUT HERE SINCE TEN IN -THE MORNING.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_004.jpg"> -<img src="images/ill_004.jpg" width="613" height="376" alt="[Image unavailable.]" /></a> -<div class="caption"><p>THE AMERICAN GIRL ABROAD.</p> - -<p style="font-size:75%;margin-top:1em;">HERE SHE IS, CHAPERONED BY A REAL DUCHESS, WITH TWO NOBLEMEN OF ANCIENT -LINEAGE READY TO MARRY HER, AND YET HER HAPPINESS IS NOT COMPLETE.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_005.jpg"> -<img src="images/ill_005.jpg" width="518" alt="[Image unavailable.]" /></a> -<div class="caption"><p>NO RESPECTER OF A WIDOW’S GRIEF.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_006.jpg"> -<img src="images/ill_006.jpg" width="634" alt="[Image unavailable.]" /></a> -<div class="caption"><p>TRIALS OF A BUD.</p> - -<p style="font-size:75%;margin-top:1em;">RUNNING THE GAUNTLET AMONG HER RIVALS.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_007.jpg"> -<img src="images/ill_007.jpg" width="621" alt="[Image unavailable.]" /></a> -<div class="caption"><p>THIS CAN HAPPEN.</p> - -<p style="font-size:75%;margin-top:1em;">THE AMERICAN FATHER MAY BE AMAZED AT FINDING HIS ENGLISH SON-IN-LAW NOT -AN UNDESIRABLE ARTICLE.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_008.jpg"> -<img src="images/ill_008.jpg" width="597" height="381" alt="[Image unavailable.]" /></a> -<div class="caption"><p>THESE YOUNG GIRLS WHO MARRY OLDISH MILLIONAIRES</p> - -<p style="font-size:75%;margin-top:1em;">SHOULD NOT BE WANDERING OVER THE PLAINS WITH IMPECUNIOUS COWBOYS WHEN -THEIR HUSBANDS ARE TRYING TO ENTERTAIN THEM.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_009.jpg"> -<img src="images/ill_009.jpg" width="504" alt="[Image unavailable.]" /></a> -<div class="caption"><p>THE HOPEWELL-BONDS ABROAD.</p> - -<p style="font-size:75%;margin-top:1em;">CHUCKING THE RING.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_010.jpg"> -<img src="images/ill_010.jpg" height="516" alt="[Image unavailable.]" /></a> -<div class="caption"><p>FOURTH OF JULY.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_011.jpg"> -<img src="images/ill_011.jpg" width="482" alt="[Image unavailable.]" /></a> -<div class="caption"><p>THE AMERICAN GIRL ABROAD.</p> - -<p style="font-size:75%;margin-top:1em;">SOME FEATURES OF THE MATRIMONIAL MARKET.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_012.jpg"> -<img src="images/ill_012.jpg" width="301" alt="[Image unavailable.]" /></a> -<div class="caption"><p>A BRIGHT OUTLOOK.</p> -</div> -<div class="caption1"> -<p><i>The Pater:</i> <span class="smcap">I am sorry that you have chosen to say yes to Jack Rodgers. -He hasn’t a cent.</span></p> - -<p><i>The Girl:</i> <span class="smcap">His prospects are bright.</span></p> - -<p><i>The Pater:</i> <span class="smcap">How? I fail to see it.</span></p> - -<p><i>The Girl:</i> <span class="smcap">Why, he’s going to marry me!</span></p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_013.jpg"> -<img src="images/ill_013.jpg" width="645" alt="[Image unavailable.]" /></a> -<div class="caption"><p>HIS EVERLASTING EXPERIMENTS WITH ILL-MATED PAIRS.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_014.jpg"> -<img src="images/ill_014.jpg" width="572" alt="[Image unavailable.]" /></a> -<div class="caption"><p>DANGER.</p> - -<p style="font-size:75%;margin-top:1em;">THE SHORE IS LINED WITH WRECKS.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_015.jpg"> -<img src="images/ill_015.jpg" width="613" alt="[Image unavailable.]" /></a> -<div class="caption"><p>WHEN HE ONCE GOES OUT IT IS HARD TO GET HIM BACK.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_016.jpg"> -<img src="images/ill_016.jpg" width="294" height="226" alt="[Image unavailable.]" /></a> -<div class="caption1"><p><i>She:</i> <span class="smcap">The majority of men are heroes? I don’t believe -it.</span></p> - -<p><i>He:</i> <span class="smcap">The statistics bear it out. Less than half are bachelors.</span></p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_017.jpg"> -<img src="images/ill_017.jpg" width="574" alt="[Image unavailable.]" /></a> -<div class="caption"><p>LENTEN CONFESSIONS.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_018.jpg"> -<img src="images/ill_018.jpg" height="330" alt="[Image unavailable.]" /></a> -<div class="caption1"><p><i>One Girl:</i> <span class="smcap">When is a joke not a joke?</span></p> - -<p><i>The Other Girl:</i> <span class="smcap">When you’re telling it to an Englishman.</span></p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_019.jpg"> -<img src="images/ill_019.jpg" width="600" height="396" alt="[Image unavailable.]" /></a> -<div class="caption"><p>LOVE WILL DIE.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_020.jpg"> -<img src="images/ill_020.jpg" width="630" alt="[Image unavailable.]" /></a> -<div class="caption"><p>THAT DELICIOUS MOMENT</p> - -<p style="font-size:75%;margin-top:1em;">WHEN THE NARRATOR HAS TOLD HIS MOST SUBTLE STORY TO AS INTELLIGENT BUT -UNIMAGINATIVE AUDIENCE AND THEY ARE STILL WAITING TO CATCH THE -POINT—IF THERE IS ANY.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_021.jpg"> -<img src="images/ill_021.jpg" width="634" alt="[Image unavailable.]" /></a> -<div class="caption"><p>THAT DELICIOUS MOMENT</p> - -<p style="font-size:75%;margin-top:1em;">WHEN YOU FIND YOU ARE TO TAKE IN TO DINNER THE GIRL WHO YESTERDAY -REFUSED YOU.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_022.jpg"> -<img src="images/ill_022.jpg" width="621" height="357" alt="[Image unavailable.]" /></a> -<div class="caption"><p>THAT DELICIOUS MOMENT</p> - -<p style="font-size:75%;margin-top:1em;">WHEN YOU MEET THE NOBELMAN YOUR DAUGHTER HAS CAPTURED IN EUROPE.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_023.jpg"> -<img src="images/ill_023.jpg" width="609" height="385" alt="[Image unavailable.]" /></a> -<div class="caption"><p>TOO LATE?</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_024.jpg"> -<img src="images/ill_024.jpg" height="222" alt="[Image unavailable.]" /></a> -<div class="caption1"><p><i>The Actor:</i> <span class="smcap">I say, Jane, what’s the difference between a -bill-board and a board-bill?</span></p> - -<p><i>Actor’s Wife:</i> <span class="smcap">Well, you can’t jump the bill-board.</span></p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_025.jpg"> -<img src="images/ill_025.jpg" width="585" height="389" alt="[Image unavailable.]" /></a> -<div class="caption"><p>THAT RESTLESS SEA.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_026.jpg"> -<img src="images/ill_026.jpg" width="329" height="271" alt="[Image unavailable.]" /></a> -<div class="caption"><p>NO FREE SCHOLARSHIPS.</p></div> -<div class="caption1"> -<p><i>The Girl:</i> <span class="smcap">Are you a Yale or Harvard man?</span></p> - -<p><i>The Young Man:</i> Neither. I got my education in Wall Street. But I often -think it would have been cheaper for me to have gone through college.</p> - -<p><i>Old Bonder:</i> Perhaps so, young man; but them useful educations costs -something.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_027.jpg"> -<img src="images/ill_027.jpg" width="654" alt="[Image unavailable.]" /></a> -<div class="caption"><p>ALL’S WELL THAT ENDS WELL.</p> - -<p><span class="smcap">It’s a love song, and sung with deep feeling, as her thoughts are with -Tom in a far-away land.</span></p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_028.jpg"> -<img src="images/ill_028.jpg" width="626" alt="[Image unavailable.]" /></a> -<div class="caption"><p>THE REAL EXHIBIT AT THE HORSE SHOW.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_029.jpg"> -<img src="images/ill_029.jpg" width="533" height="376" alt="[Image unavailable.]" /></a> -<div class="caption"><p>THE HORSE SHOW.</p> - -<p style="font-size:75%;margin-top:1em;">HOW THE ANIMALS APPEAR FROM THE BOXES.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_030.jpg"> -<img src="images/ill_030.jpg" width="298" height="240" alt="[Image unavailable.]" /></a> -<div class="caption1"><p><i>He:</i> <span class="smcap">Robinson is very anxious to marry again.</span></p> - -<p><i>She:</i> <span class="smcap">Why, I didn’t know his wife was dead.</span></p> - -<p><i>He:</i> <span class="smcap">She isn’t. That’s the reason he is so anxious about it—she is -with him now.</span></p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_031.jpg"> -<img src="images/ill_031.jpg" width="602" height="413" alt="[Image unavailable.]" /></a> -<div class="caption"><p>HINT FOR A HOSTESS.</p> - -<p style="font-size:75%;margin-top:1em;">FILL A CLOSE ROOM ON A HOT NIGHT WITH PEOPLE WHO HAVE COME TO THE -COUNTRY TO BE COOL.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_032.jpg"> -<img src="images/ill_032.jpg" width="308" alt="[Image unavailable.]" /></a> -<div class="caption"><p><span class="smcap">“George, father has failed.”</span></p> - -<p><span class="smcap">“That’s just like him. I told you all along, darling, that he was going -to do all he could to keep us from marrying.”</span></p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_033.jpg"> -<img src="images/ill_033.jpg" width="647" height="408" alt="[Image unavailable.]" /></a> -<div class="caption"><p>AN AFTERNOON RECEPTION IN HERCULANEUM.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_034.jpg"> -<img src="images/ill_034.jpg" width="568" alt="[Image unavailable.]" /></a> -<div class="caption"><p>REVISED.</p> - -<p style="font-size:75%;margin-top:1em;">MARCH FOURTH COMES IN LIKE A TIGER AND GOES OUT LIKE AN ELEPHANT.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_035.jpg"> -<img src="images/ill_035.jpg" width="661" alt="[Image unavailable.]" /></a> -<div class="caption"><p>TIME!</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_036.jpg"> -<img src="images/ill_036.jpg" width="273" alt="[Image unavailable.]" /></a> -<div class="caption"><p>AT THE GOLDEN SIGN.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_037.jpg"> -<img src="images/ill_037.jpg" width="623" alt="[Image unavailable.]" /></a> -<div class="caption"><p>THE SALONS OF NEW YORK.</p> - -<p style="font-size:75%;margin-top:1em;">AT MRS. FLAT SHARP’S.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_038.jpg"> -<img src="images/ill_038.jpg" width="612" alt="[Image unavailable.]" /></a> -<div class="caption"><p>THE SALONS OF NEW YORK.</p> - -<p style="font-size:75%;margin-top:1em;">AN EVENING WITH THE GENTLEMEN’S SONS CHOWDER CLUB.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_039.jpg"> -<img src="images/ill_039.jpg" width="595" alt="[Image unavailable.]" /></a> -<div class="caption"><p>THE SALONS OF NEW YORK.</p> - -<p style="font-size:75%;margin-top:1em;">AT MRS. HOWARD VAN TOPPING’S.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_040.jpg"> -<img src="images/ill_040.jpg" width="608" alt="[Image unavailable.]" /></a> -<div class="caption"><p>THE SALONS OF NEW YORK.</p> - -<p style="font-size:75%;margin-top:1em;">AT MRS. DAUBLEIGH CHROME’S.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_041.jpg"> -<img src="images/ill_041.jpg" width="538" alt="[Image unavailable.]" /></a> -<div class="caption"><p>A MODERN DANIEL.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_042.jpg"> -<img src="images/ill_042.jpg" width="346" height="187" alt="[Image unavailable.]" /></a> -<div class="caption"><p>THE JURY.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_043.jpg"> -<img src="images/ill_043.jpg" width="534" height="381" alt="[Image unavailable.]" /></a> -<div class="caption"><p>GULLEM AT THE ADVICE OF HIS PHYSICIAN TAKES OUT-OF-DOOR -EXERCISE.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_044.jpg"> -<img src="images/ill_044.jpg" width="289" height="238" alt="[Image unavailable.]" /></a> -<div class="caption1"><p><i>Elderly Suitor</i> (<i>sarcastically</i>): <span class="smcap">How does your -kindergarten get on, Miss Black?</span></p> - -<p><i>Miss Black</i> (<i>sweetly</i>): <span class="smcap">Well, it is better than running an old man’s -home.</span></p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_045.jpg"> -<img src="images/ill_045.jpg" width="609" alt="[Image unavailable.]" /></a> -<div class="caption"><p>AT THE SUMMER HOTEL.</p> - -<p style="font-size:75%;margin-top:1em;">THE PROMINENT CITIZEN WHO WROTE A MONTH AGO ENGAGING THE BEST ROOMS IN -THE HOUSE.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_046.jpg"> -<img src="images/ill_046.jpg" width="271" alt="[Image unavailable.]" /></a> -<div class="caption"><p>THE EYES OF LOVE.</p> -</div> -<div class="caption1"><p><span class="smcap">“But, Ethel, how do you know that this young man loves you? Has he told -you so?</span></p> - -<p><span class="smcap">“On, no, Mamma!But if you could only see the way he looks at me when I -am not looking at him!”</span></p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_047.jpg"> -<img src="images/ill_047.jpg" width="638" alt="[Image unavailable.]" /></a> -<div class="caption"><p>HER PUNISHMENT.</p> - -<p style="font-size:75%;margin-top:1em;">HER BOY IS NOT INTERESTING, BUT HE HAS A FRUGAL MIND, AND IS MUCH LIKE -HIS FATHER.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_048.jpg"> -<img src="images/ill_048.jpg" width="655" alt="[Image unavailable.]" /></a> -<div class="caption"><p>SOCIAL PASTIMES.</p> - -<p style="font-size:75%;margin-top:1em;">“SHE IS AT HOME! HOW PROVOKING!” <span style="margin-left:5em;">“HORRORS! WELL, TELL THEM I WILL BE -RIGHT DOWN.”</span></p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_049.jpg"> -<img src="images/ill_049.jpg" width="532" alt="[Image unavailable.]" /></a> -<div class="caption"><p>NOT A GHOST.</p> - -<p style="font-size:75%;margin-top:1em;">IT IS ONLY POOR JIM, WHO HAPPENED TO MARRY THE WRONG GIRL; AND SOMETIMES -WHEN SHE IS PARTICULARLY UNENDURABLE, HE REMEMBERS THE OTHER ONE.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_050.jpg"> -<img src="images/ill_050.jpg" width="623" alt="[Image unavailable.]" /></a> -<div class="caption1"> -<table> -<tr><td> -<p>“<span class="smcap">There is no harm in a summer flirtation,” says many a -young man. But what is fair for one is fair for the other, and</span></p> -</td><td> -<p><span class="smcap">When it comes to the more serious business of life, this young man -should he the last to blame her for exercising a little forethought.</span></p> -</td></tr></table> -</div> - -</div> - -<div class="figcenter"> -<a href="images/ill_051.jpg"> -<img src="images/ill_051.jpg" width="628" alt="[Image unavailable.]" /></a> -<div class="caption"><p>THE RIVAL OPERAS.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_052.jpg"> -<img src="images/ill_052.jpg" width="251" alt="[Image unavailable.]" /></a> -<div class="caption"><p>NOT A FLATTERER.</p> -</div><div class="caption1"> - -<p><i>She:</i> <span class="smcap">All of which only convinces me that you married me for my money.</span></p> - -<p><i>He:</i> <span class="smcap">Well, it may not seem probable, but I honestly loved you.</span></p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_053.jpg"> -<img src="images/ill_053.jpg" width="579" alt="[Image unavailable.]" /></a> -<div class="caption"><p>$ $ $</p> - -<p style="font-size:75%;margin-top:1em;">YES, SHE FINALLY MARRIED HIM, BUT WE UNDERSTAND FROM THE DOG THERE ARE -MOMENTS WHEN IT SEEMS AS IF THERE WAS SOMETHING WANTING.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_054.jpg"> -<img src="images/ill_054.jpg" width="528" alt="[Image unavailable.]" /></a> -<div class="caption"><p><i>The Young One:</i> <span class="smcap">I beg your pardon, sir, but I believe it -is my turn next.</span></p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_055.jpg"> -<img src="images/ill_055.jpg" width="619" height="354" alt="[Image unavailable.]" /></a> -<div class="caption"><p>LIFE’S BIRTHDAY.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_056.jpg"> -<img src="images/ill_056.jpg" height="341" alt="[Image unavailable.]" /></a> -<div class="caption1"><p>“By the way, Bishop, why is it that you always address -your congregation as ‘brethren,’ and never mention the women in your -sermons?”</p> - -<p>“But, my dear Madam, the one embraces the other.”</p> - -<p>“Oh, but, Bishop, not in church!”</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_057.jpg"> -<img src="images/ill_057.jpg" width="606" alt="[Image unavailable.]" /></a> -<div class="caption"><p>VACATION IS OVER.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_058.jpg"> -<img src="images/ill_058.jpg" width="250" alt="[Image unavailable.]" /></a> -<div class="caption"><p>THE NEW LEAF.</p> -</div><div class="caption1"> -<p><i>Bishop Gullem:</i> My dear young lady, have you started in this year to do -unto others as you would have them do unto you?</p> - -<p><i>Dear Young Lady:</i> Yes. I’ve quit speaking to those Grigsby girls.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_059.jpg"> -<img src="images/ill_059.jpg" width="612" height="376" alt="[Image unavailable.]" /></a> -<div class="caption"><p>HER FIRST APPEARANCE IN THIS COSTUME.</p> - -<p style="font-size:75%;margin-top:1em;">SHE THINKS, ON THE WHOLE, SHE FEELS MORE AT HOME IN A BALL DRESS.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_060.jpg"> -<img src="images/ill_060.jpg" width="631" alt="[Image unavailable.]" /></a> -<div class="caption"><p>IN LEAP YEAR.</p> - -<p style="font-size:75%;margin-top:1em;">AFTER THE WEDDING COMES THE PARTING OF THE WEEPING GROOM FROM HIS -BROKEN-HEARTED PARENTS.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_061.jpg"> -<img src="images/ill_061.jpg" width="619" height="402" alt="[Image unavailable.]" /></a> -<div class="caption"><p>IN LEAP YEAR.</p> - -<p style="font-size:75%;margin-top:1em;">THE GENTLEMEN LEAVE THE LADIES TO THEIR TOBACCO AND WINE.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_062.jpg"> -<img src="images/ill_062.jpg" height="594" alt="[Image unavailable.]" /></a> -<div class="caption"><p>IN LEAP YEAR.</p> - -<p style="font-size:75%;margin-top:1em;">LET HUBBY DO THE SITTING UP.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_063.jpg"> -<img src="images/ill_063.jpg" width="614" alt="[Image unavailable.]" /></a> -<div class="caption"><p>IN LEAP YEAR.</p> - -<p style="font-size:75%;margin-top:1em;">THE LADIES, AFTER A LITTLE WINE AND TOBACCO, JOIN THE GENTLEMEN IN THE -DRAWING-ROOM.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_064.jpg"> -<img src="images/ill_064.jpg" width="562" alt="[Image unavailable.]" /></a> -<div class="caption"><p>IN LEAP YEAR.</p> - -<p style="font-size:75%;margin-top:1em;">THE LADIES CALLING CARRIAGES FOR THE GENTLEMEN AFTER THE THEATRE.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_065.jpg"> -<img src="images/ill_065.jpg" width="514" height="363" alt="[Image unavailable.]" /></a> -<div class="caption"><p>IN LEAP YEAR.</p> - -<p style="font-size:75%;margin-top:1em;">NOT SO GOOD FOR THE UNATTRACTIVE MEN.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_066.jpg"> -<img src="images/ill_066.jpg" width="618" height="380" alt="[Image unavailable.]" /></a> -<div class="caption"><p>IN LEAP YEAR.</p> - -<p style="font-size:75%;margin-top:1em;">A WEDDING.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_067.jpg"> -<img src="images/ill_067.jpg" width="615" alt="[Image unavailable.]" /></a> -<div class="caption"><p>IN LEAP YEAR.</p> - -<p style="font-size:75%;margin-top:1em;">THE DEAR GIRLS AND THE CHAPERONE ACCUSTOM THEMSELVES TO THE BACK -SEATS.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_068.jpg"> -<img src="images/ill_068.jpg" width="292" alt="[Image unavailable.]" /></a> -<div class="caption"><p>THAT EVENING HER ENGAGEMENT WAS ANNOUNCED.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_069.jpg"> -<img src="images/ill_069.jpg" width="647" alt="[Image unavailable.]" /></a> -<div class="caption"><p>AMERICA’S TRIBUTE.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_070.jpg"> -<img src="images/ill_070.jpg" width="607" alt="[Image unavailable.]" /></a> -<div class="caption"><p>PUZZLE.</p> - -<p style="font-size:75%;margin-top:1em;">FIND THE MAN WHO IS PAYING FOR THE DINNER.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_071.jpg"> -<img src="images/ill_071.jpg" width="612" height="371" alt="[Image unavailable.]" /></a> -<div class="caption"><p>PUZZLE.</p> - -<p style="font-size:75%;margin-top:1em;">FIND THE HEIRESS.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_072.jpg"> -<img src="images/ill_072.jpg" width="612" alt="[Image unavailable.]" /></a> -<div class="caption"><p>PUZZLE.</p> - -<p style="font-size:75%;margin-top:1em;">FIND THE NOBLEMAN.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_073.jpg"> -<img src="images/ill_073.jpg" width="521" alt="[Image unavailable.]" /></a> -<div class="caption"><p>PUZZLE.</p> - -<p style="font-size:75%;margin-top:1em;">FIND THE GIRL WHO HAS BEEN KISSED WITHIN TEN MINUTES.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_074.jpg"> -<img src="images/ill_074.jpg" width="532" height="367" alt="[Image unavailable.]" /></a> -<div class="caption"><p>PUZZLE.</p> - -<p style="font-size:75%;margin-top:1em;">FIND THE TWO LOVERS.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_075.jpg"> -<img src="images/ill_075.jpg" width="503" alt="[Image unavailable.]" /></a> -<div class="caption"><p>PUZZLE.</p> - -<p style="font-size:75%;margin-top:1em;">FIND THE WIFE OF THE MAN WHO IS TELLING THE STORY.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_076.jpg"> -<img src="images/ill_076.jpg" width="623" alt="[Image unavailable.]" /></a> -<div class="caption"><p>PUZZLE.</p> - -<p style="font-size:75%;margin-top:1em;">A FUNNY STORY. FIND THE ENGLISHMAN.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_077.jpg"> -<img src="images/ill_077.jpg" width="594" alt="[Image unavailable.]" /></a> -<div class="caption"><p>ON THE ROAD TO VERSAILLES.</p> - -<p style="font-size:75%;margin-top:1em;">A PRIMA DONNA’S DEBUT.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_078.jpg"> -<img src="images/ill_078.jpg" width="232" alt="[Image unavailable.]" /></a> -<div class="caption"><p>THE FORTUNE TELLER.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_079.jpg"> -<img src="images/ill_079.jpg" width="619" alt="[Image unavailable.]" /></a> -<div class="caption"><p>IN PARIS.</p> - -<p style="font-size:75%;margin-top:1em;">AT THE CAFÉ AMERICAIN.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_080.jpg"> -<img src="images/ill_080.jpg" height="360" alt="[Image unavailable.]" /></a> -<div class="caption"><p>MADAME RÉJANE.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_081.jpg"> -<img src="images/ill_081.jpg" width="619" alt="[Image unavailable.]" /></a> -<div class="caption"><p>IN PARIS.</p> - -<p style="font-size:75%;margin-top:1em;">A CAFÉ ARTIST.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_082.jpg"> -<img src="images/ill_082.jpg" width="617" alt="[Image unavailable.]" /></a> -<div class="caption"><p>IN PARIS.</p> - -<p style="font-size:75%;margin-top:1em;">SOME SIDEWALK TYPES.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_083.jpg"> -<img src="images/ill_083.jpg" width="595" height="403" alt="[Image unavailable.]" /></a> -<div class="caption"><p>IN PARIS.</p> - -<p style="font-size:75%;margin-top:1em;">AT THE JARDIN DE PARIS.</p></div> -</div> - -<div class="figcenter"> -<a href="images/ill_001.jpg"> -<img src="images/ill_001.jpg" width="303" height="189" alt="[Image unavailable.]" /></a> -<div class="caption"><p><span class="smcap">If the young man is depending upon the success of his -picture for the old gentleman’s consent, when does the wedding take -place?</span></p></div> -</div> - -<div class="figcenter"> -<a href="images/back.jpg"> -<img src="images/back.jpg" width="550" alt="[Image unavailable.]" /></a> -</div> - -<hr class="full" /> - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Drawings by Charles Dana Gibson, by -Charles Dana Gibson - -*** END OF THIS PROJECT GUTENBERG EBOOK DRAWINGS BY CHARLES DANA GIBSON *** - -***** This file should be named 62934-h.htm or 62934-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/6/2/9/3/62934/ - -Produced by Chuck Greif (This file was produced from images -available at The Internet Archive) - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. 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