summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-01-23 08:24:53 -0800
committernfenwick <nfenwick@pglaf.org>2025-01-23 08:24:53 -0800
commit3cf22bf530dabc7d5b89f147b3a5589af44fee71 (patch)
tree27fc85b4252ae61c2d978ecfb4c4fab198a75209
parent9e3c0e4aca469b783f6181aaf965520d080e681a (diff)
As captured January 23, 2025
-rw-r--r--64631-0.txt1501
-rw-r--r--64631-h/64631-h.htm1775
-rw-r--r--old/64631-0.txt936
-rw-r--r--old/64631-0.zip (renamed from 64631-0.zip)bin17616 -> 17616 bytes
-rw-r--r--old/64631-h.zip (renamed from 64631-h.zip)bin968490 -> 968490 bytes
-rw-r--r--old/64631-h/64631-h.htm1121
-rw-r--r--old/64631-h/images/cover.jpgbin0 -> 787867 bytes
-rw-r--r--old/64631-h/images/illus.jpgbin0 -> 162448 bytes
8 files changed, 3276 insertions, 2057 deletions
diff --git a/64631-0.txt b/64631-0.txt
index 4e9ce5c..c530a0c 100644
--- a/64631-0.txt
+++ b/64631-0.txt
@@ -1,936 +1,565 @@
-The Project Gutenberg eBook of Let the Ants Try, by James MacCreigh
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: Let the Ants Try
-
-Author: James MacCreigh
-
-Release Date: February 25, 2021 [eBook #64631]
-
-Language: English
-
-Character set encoding: UTF-8
-
-Produced by: Greg Weeks, Mary Meehan and the Online Distributed
- Proofreading Team at http://www.pgdp.net
-
-*** START OF THE PROJECT GUTENBERG EBOOK LET THE ANTS TRY ***
-
-
-
-
- Let The Ants Try
-
- By JAMES MacCREIGH
-
- Dr. Salva Gordy looked at the radioactive smear that
- had been Detroit. Then he looked down at the boiling
- anthill. Why not, he thought excitedly, why not?...
-
- [Transcriber's Note: This etext was produced from
- Planet Stories Winter 1949.
- Extensive research did not uncover any evidence that
- the U.S. copyright on this publication was renewed.]
-
-
-Gordy survived the Three-Hour War, even though Detroit didn't; he was
-on his way to Washington, with his blueprints and models in his bag,
-when the bombs struck.
-
-He had left his wife behind in the city, and not even a trace of her
-body was ever found. The children, of course, weren't as lucky as that.
-Their summer camp was less than twenty miles away, and unfortunately
-in the direction of the prevailing wind. But they were not in any pain
-until the last few days of the month they had left to live. Gordy
-managed to fight his way back through the snarled, frantic airline
-controls to them. Even though he knew they would certainly die of
-radiation sickness, and they suspected it, there was still a whole
-blessed week of companionship before the pain got too bad.
-
-That was about all the companionship Gordy had for the whole year of
-1960.
-
-He came back to Detroit, as soon as the radioactivity had died down;
-he had nowhere else to go. He found a house on the outskirts of the
-city, and tried to locate someone to buy it from. But the Emergency
-Administration laughed at him. "Move in, if you're crazy enough to
-stay."
-
-When Gordy thought about it all, it occurred to him that he was in
-a sort of state of shock. His fine, trained mind almost stopped
-functioning. He ate and slept, and when it grew cold he shivered and
-built fires, and that was all. The War Department wrote him two or
-three times, and finally a government man came around to ask what had
-happened to the things that Gordy had promised to bring to Washington.
-But he looked queerly at the pink, hairless mice that fed unmolested in
-the filthy kitchen, and he stood a careful distance away from Gordy's
-hairy face and torn clothes.
-
-He said, "The Secretary sent me here, Mr. Gordy. He takes a personal
-interest in your discovery."
-
-Gordy shook his head. "The Secretary is dead," he said. "They were all
-killed when Washington went."
-
-"There's a new Secretary," the man explained. He puffed on his
-cigarette and tossed it into the patch Gordy was scrabbling into a
-truck garden. "Arnold Cavanagh. He knows a great deal about you, and he
-told me, 'If Salva Gordy has a weapon, we must have it. Our strength
-has been shattered. Tell Gordy we need his help'."
-
-Gordy crossed his hands like a lean Buddha.
-
-"I haven't got a weapon," he said.
-
-"You have something that can be used as a weapon. You wrote to
-Washington, before the War came, and said--"
-
-"The War is over," said Salva Gordy. The government man sighed, and
-tried again, but in the end he went away. He never came back. The
-thing, Gordy thought, was undoubtedly written off as a crackpot idea
-after the man made his report; it was exactly that kind of a discovery,
-anyhow.
-
- * * * * *
-
-It was May when John de Terry appeared. Gordy was spading his garden.
-"Give me something to eat," said the voice behind Gordy's back.
-
-Salva Gordy turned around and saw the small, dirty man who spoke. He
-rubbed his mouth with the back of his hand. "You'll have to work for
-it," he said.
-
-"All right." The newcomer set down his pack. "My name is John de Terry.
-I used to live here in Detroit."
-
-Salva Gordy said, "So did I."
-
-Gordy fed the man, and accepted a cigarette from him after they had
-eaten. The first puffs made him light-headed--it had been that long
-since he'd smoked--and through the smoke he looked at John de Terry
-amiably enough. Company would be all right, he thought. The pink mice
-had been company, of a sort--but it turned out that the mutation that
-made them hairless had also given them an appetite for meat. And after
-the morning when he had awakened to find tiny tooth-marks in his leg,
-he'd had to destroy them. And there had been no other animal since,
-nothing but the ants.
-
-"Are you going to stay?" Gordy asked.
-
-De Terry said, "If I can. What's your name?" When Gordy told him, some
-of the animal look went out of his eyes, and wonder took its place.
-"_Doctor_ Salva Gordy?" he asked. "Mathematics and physics in Pasadena?"
-
-"Yes, I used to teach at Pasadena."
-
-"And I studied there." John de Terry rubbed absently at his ruined
-clothes. "That was a long time ago. You didn't know me; I majored in
-biology. But I knew you."
-
-Gordy stood up and carefully put out the stub of his cigarette. "It was
-too long ago," he said. "I hardly remember. Shall we work in the garden
-now?"
-
-Together they sweated in the spring sunlight that afternoon, and Gordy
-discovered that what had been hard work for one man went quickly enough
-for two. They worked clear to the edge of the plot before the sun
-reached the horizon. John de Terry stopped and leaned on his spade,
-panting.
-
-He gestured to the rank growth beyond Gordy's patch. "We can make a
-bigger garden," he said. "Clear out that truck, and plant more food. We
-might even--" He stopped. Gordy was shaking his head.
-
-"You can't clear it out," said Gordy. "It's rank stuff, a sort of
-crabgrass with a particularly tough root. I can't even cut it. It's all
-around here, and it's spreading."
-
-De Terry grimaced. "Mutation?"
-
-"I think so. And look." Gordy beckoned to the other man and led him to
-the very edge of the cleared area. He bent down, picked up something
-red and wriggling between his thumb and forefinger.
-
-De Terry took it from his hand. "Another mutation?" He brought
-the thing close to his eyes. "It's almost like an ant," he said.
-"Except--well, the thorax is all wrong. And it's soft-bodied." He fell
-silent, examining the thing.
-
-He said something under his breath, and threw the insect from him.
-"You wouldn't have a microscope, I suppose? No--and yet, that thing is
-hard to believe. It's an ant, but it doesn't seem to have a tracheal
-breathing system at all. It's something different."
-
-"Everything's different," Gordy said. He pointed to a couple of
-abandoned rows. "I had carrots there. At least, I thought they were
-carrots; when I tried to eat them they made me sick." He sighed
-heavily. "Humanity has had its chance, John," he said. "The atomic bomb
-wasn't enough; we had to turn everything into a weapon. Even I, I made
-a weapon out of something that had nothing to do with war. And our
-weapons have blown up in our faces."
-
-De Terry grinned. "Maybe the ants will do better. It's their turn now."
-
-"I wish it were." Gordy stirred earth over the boiling entrance to an
-anthole and watched the insects in their consternation. "They're too
-small, I'm afraid."
-
-"Why, no. These ants are different, Dr. Gordy. Insects have always been
-small because their breathing system is so poor. But these are mutated.
-I think--I think they actually have lungs. They could grow, Dr. Gordy.
-And if ants were the size of men ... they'd rule the world."
-
-"Lunged ants!" Gordy's eyes gleamed. "Perhaps they will rule the world,
-John. Perhaps when the human race finally blows itself up once and for
-all...."
-
-De Terry shook his head, and looked down again at his tattered, filthy
-clothes. "The next blow-up is the last blow-up," he said. "The ants
-come too late, by millions and millions of years."
-
-He picked up his spade. "I'm hungry again, Dr. Gordy," he said.
-
-They went back to the house and, without conversation, they ate. Gordy
-was preoccupied, and de Terry was too new in the household to force him
-to talk.
-
-It was sundown when they had finished, and Gordy moved slowly to light
-a lamp. Then he stopped.
-
-"It's your first night, John," he said. "Come down cellar. We'll start
-the generator and have real electric lights in your honor."
-
-De Terry followed the older man down a flight of stairs, groping in
-the dark. By candlelight they worked over a gasoline generator; it was
-stiff from disuse, but once it started it ran cleanly. "I salvaged it
-from my own," Gordy explained. "The generator--and that."
-
-He swept an arm toward a corner of the basement. "I told you I invented
-a weapon," he added. "That's it."
-
-De Terry looked. It was as much like a cage as anything, he
-thought--the height of a man and almost cubical. "What does it do?" he
-asked.
-
-For the first time in months, Salva Gordy smiled. "I can't tell you in
-English," he said. "And I doubt that you speak mathematics. The closest
-I can come is to say that it displaces temporal co-ordinates. Is that
-gibberish?"
-
-"It is," said de Terry. "What does it do?"
-
-"Well, the War Department had a name for it--a name they borrowed from
-H. G. Wells. They called it a Time Machine." He met de Terry's shocked,
-bewildered stare calmly. "A time machine," he repeated. "You see, John,
-we can give the ants a chance after all, if you like."
-
- * * * * *
-
-Fourteen hours later they stepped into the cage, its batteries charged
-again and its strange motor whining....
-
-And, forty million years earlier, they stepped out onto quaking humid
-soil.
-
-Gordy felt himself trembling, and with an effort managed to stop. "No
-dinosaurs or saber-toothed tigers in sight," he reported.
-
-"Not for a long time yet," de Terry agreed. Then, "My Lord!"
-
-He looked around him with his mouth open wide. There was no wind, and
-the air was warm and wet. Large trees were clustered quite thickly
-around them--or what looked like trees; de Terry decided they were
-rather some sort of soft-stemmed ferns or fungi. Overhead was deep
-cloud.
-
-Gordy shivered. "Give me the ants," he ordered.
-
-Silently de Terry handed them over. Gordy poked a hole in the soft
-earth with his finger and carefully tilted the flask, dropped one of
-the ant queens he had unearthed in the back yard. From her belly hung
-a slimy mass of eggs. A few yards away--it should have been farther,
-he thought, but he was afraid to get too far from de Terry and the
-machine--he made another hole and repeated the process.
-
-There were eight queens. When the eighth was buried he flung the bottle
-away and came back to de Terry.
-
-"That's it," he said.
-
-De Terry exhaled. His solemn face cracked in a sudden embarrassed
-smile. "I--I guess I feel like God," he said. "Good lord, Dr. Gordy!
-Talk about your great moments in history--this is all of them! I've
-been thinking about it, and the only event I can remember that measures
-up is the Flood. Not even that. We've created a race!"
-
-"If they survive, we have." Gordy wiped a drop of condensed moisture
-off the side of his time machine and puffed. "I wonder how they'll get
-along with mankind," he said.
-
-They were silent for a moment, considering. From somewhere in the
-fern jungle came a raucous animal cry. Both men looked up in quick
-apprehension, but moments passed and the animal did not appear.
-
-Finally de Terry said, "Maybe we'd better go back."
-
-"All right." Stiffly they climbed into the closet-sized interior of the
-time machine.
-
-Gordy stood with his hand on the control wheel, thinking about the
-ants. Assuming that they survived--assuming that in 40,000,000 years
-they grew larger and developed brains--what would happen? Would men
-be able to live in peace with them? Would it--might it not make men
-brothers, joined against an alien race?
-
-Might this thing prevent human war, and--his thoughts took an insane
-leap--could it have prevented the war that destroyed Gordy's family!
-
-Beside him, de Terry stirred restlessly. Gordy jumped, and turned the
-wheel, and was in the dark mathematical vortex which might have been a
-fourth dimension.
-
- * * * * *
-
-They stopped the machine in the middle of a city, but the city was not
-Detroit. It was not a human city at all.
-
-The machine was at rest in a narrow street, half blocking it. Around
-them towered conical metal structures, some of them a hundred feet
-high. There were vehicles moving in the street, one coming toward them
-and stopping.
-
-"Dr. Gordy!" de Terry whispered. "Do you see them?"
-
-Salva Gordy swallowed. "I see them," he said.
-
-He stepped out of the time machine and stood waiting to greet the race
-to which he had given life.
-
-For these were the children of ants in the three-wheeled vehicle.
-Behind a transparent windshield he could see them clearly.
-
-De Terry was standing close behind him now, and Gordy could feel the
-younger man's body shaking. "They're ugly things," Gordy said mildly.
-
-"Ugly! They're filthy!"
-
-The antlike creatures were as big as a man, but hard-looking and as
-obnoxious as blackbeetles. Their eyes, Gordy saw with surprise, had
-mutated more than their bodies. For, instead of faceted insect eyes,
-they possessed iris, cornea and pupil,--not round, or vertical like
-a cat's eyes, or horizontal like a horse's eyes, but irregular and
-blotchy. But they seemed like vertebrate's eyes, and they were strange
-and unnatural in the parchment blackness of an ant's bulged head.
-
-Gordy stepped forward, and simultaneously the ants came out of their
-vehicle. For a moment they faced each other, the humans and the ants,
-silently.
-
-"What do I do now?" Gordy asked de Terry over his shoulder.
-
-De Terry laughed--or gasped. Gordy wasn't sure. "Talk to them," he
-said. "What else is there to do?"
-
-Gordy swallowed. He resolutely did not attempt to speak in English
-to these creatures, knowing as surely as he knew his name that
-English--and probably any other language involving sound--would be
-incomprehensible to them. But he found himself smiling pacifically to
-them, and that was of course as bad ... the things had no expressions
-of their own, that he could see, and certainly they would have no
-precedent to help interpret a human smile.
-
-Gordy raised his hand in the semantically sound gesture of peace, and
-waited to see what the insects would do.
-
-They did nothing.
-
-Gordy bit his lip and, feeling idiotic, bowed stiffly to the ants.
-
- * * * * *
-
-The ants did nothing. De Terry said from behind, "Try talking to them,
-Dr. Gordy."
-
-"That's silly," Gordy said. "They can't hear." But it was no sillier
-than anything else. Irritably, but making the words very clear, he
-said, "We ... are ... friends."
-
-The ants did nothing. They just stood there, with the unwinking pupiled
-eyes fixed on Gordy. They didn't shift from foot to foot as a human
-might, or scratch themselves, or even show the small movement of human
-breathing. They just stood there.
-
-"Oh, for heaven's sake," said de Terry. "Here let me try."
-
-He stepped in front of Gordy and faced the ant-things. He pointed to
-himself. "I am human," he said. "Mammalian." He pointed to the ants.
-"You are insects. That--" he pointed to the time machine--"took us to
-the past, where we made it possible for you to exist." He waited for
-reaction, but there wasn't any. De Terry clicked his tongue and began
-again. He pointed to the tapering metal structures. "This is your
-city," he said.
-
-Gordy, listening to him, felt the hopelessness of the effort. Something
-disturbed the thin hairs at the back of his skull, and he reached
-absently to smooth them down. His hand encountered something hard and
-inanimate--not cold, but, like spongy wood, without temperature at all.
-He turned around. Behind them were half a dozen larger ants. Drones, he
-thought--or did ants have drones? "John," he said softly ... and the
-inefficient, fragile-looking pincer that had touched him clamped his
-shoulder. There was no strength to it, he thought at once. Until he
-moved, instinctively, to get away, and then a thousand sharp serrations
-slipped through the cloth of his coat and into the skin. It was like
-catching oneself on a cluster of tiny fishhooks. He shouted, "John!
-Watch out!"
-
-De Terry, bending low for the purpose of pointing at the caterpillar
-treads of the ant vehicle, straightened up, startled. He turned to run,
-and was caught in a step. Gordy heard him yell, but Gordy had troubles
-of his own and could spare no further attention for de Terry.
-
-When two of the ants had him, Gordy stopped struggling. He felt warm
-blood roll down his arm, and the pain was like being flayed. From where
-he hung between the ants, he could see the first two, still standing
-before their vehicle, still motionless.
-
-There was a sour reek in his nostrils, and he traced it to the ants
-that held him, and wondered if he smelled as bad to them. The two
-smaller ants abruptly stirred and moved forward rapidly on eight thin
-legs to the time machine. Gordy's captors turned and followed them, and
-for the first time since the scuffle he saw de Terry. The younger man
-was hanging limp from the lifted forelegs of a single ant, with two
-more standing guard beside. There was pulsing blood from a wound on de
-Terry's neck. Unconscious, Gordy thought mechanically, and turned his
-head to watch the ants at the machine.
-
-It was a disappointing sight. They merely stood there, and no one
-moved. Then Gordy heard de Terry grunt and swear weakly. "How are you,
-John?" he called.
-
-De Terry grimaced. "Not very good. What happened?"
-
-Gordy shook his head, and sought for words to answer. But the two ants
-turned in unison from the time machine and glided toward de Terry, and
-Gordy's words died in his throat. Delicately one of them extended a
-foreleg to touch de Terry's chest.
-
-Gordy saw it coming. "John!" he shrieked--and then it was all over, and
-de Terry's scream was harsh in his ear and he turned his head away.
-Dimly from the corner of his eye he could see the sawlike claws moving
-up and down, but there was no life left in Terry to protest.
-
- * * * * *
-
-Salva Gordy sat against a wall and looked at the ants who were looking
-at him. If it hadn't been for that which was done to de Terry, he
-thought, there would really be nothing to complain about.
-
-It was true that the ants had given him none of the comforts that
-humanity lavishes on even its criminals ... but they had fed him, and
-allowed him to sleep--when it suited their convenience, of course--and
-there were small signs that they were interested in his comfort, in
-their fashion. When the pulpy mush they first offered him came up
-thirty minutes later, his multi-legged hosts brought him a variety
-of foods, of which he was able to swallow some fairly palatable
-fruits. He was housed in a warm room. And, if it had neither chairs or
-windows, Gordy thought, that was only because ants had no use for these
-themselves. And he couldn't ask for them.
-
-That was the big drawback, he thought. That ... and the memory of John
-de Terry.
-
-He squirmed on the hard floor until his shoulder-blades found a new
-spot to prop themselves against, and stared again at the committee of
-ants who had come to see him.
-
-They were working an angular thing that looked like a camera--at least,
-it had a glittering something that might be a lens. Gordy stared into
-it sullenly. The sour reek was in his nostrils again....
-
-Gordy admitted to himself that things hadn't worked out just as he had
-planned. Deep under the surface of his mind--just now beginning to
-come out where he could see it--there had been a furtive hope. He had
-hoped that the rise of the ants, with the help he had given them, would
-aid and speed the rise of mankind. For hatred, Gordy knew, started in
-the recoil from things that were different. A man's first enemy is his
-family--for he sees them first--but he sides with them against the
-families across the way. And still his neighbors are allies against the
-Ghettos and Harlems of his town--and his town to him is the heart of
-the nation--and his nation commands life and death in war.
-
-For Gordy, there had been a buried hope that a separate race would
-make a whipping-boy for the passions of humanity. And that, if there
-were struggle, it would not be between man and man, but between the
-humans ... and the ants.
-
-There had been this buried hope, but the hope was denied. For the ants
-simply had not allowed man to rise.
-
-The ants put up their camera-like machine and Gordy looked up in
-expectation. Half a dozen of them left, and two stayed on. One was the
-smallish creature with a bangle on the foreleg which seemed to be his
-personal jailer; the other a stranger to Gordy, as far as he could tell.
-
-The two ants stood motionless for a period of time that Gordy found
-tedious. He changed his position, and lay on the floor, and thought of
-sleeping. But sleep would not come. There was no evading the knowledge
-that he had wiped out his own race--annihilated them by preventing them
-from birth, forty million years before his own time. He was like no
-other murderer since Cain, Gordy thought, and wondered that he felt no
-blood on his hands.
-
-There was a signal that he could not perceive, and his guardian ant
-came forward to him, nudged him outward from the wall. He moved as he
-was directed--out the low exit-hole (he had to navigate it on hands and
-knees) and down a corridor to the bright day outside.
-
-The light set Gordy blinking. Half blind, he followed the bangled
-ant across a square to a conical shed. More ants were waiting there,
-circled around a litter of metal parts.
-
-Gordy recognized them at once. It was his time machine, stripped piece
-by piece.
-
-After a moment the ant nudged him again, impatiently, and Gordy
-understood what they wanted. They had taken the machine apart for
-study, and they wanted it put together again.
-
-Pleased with the prospect of something to do with his fingers and his
-brain, Gordy grinned and reached for the curious ant-made tools....
-
-He ate four times, and slept once, never moving from the neighborhood
-of the cone-shaped shed. And then he was finished.
-
-Gordy stepped back. "It's all yours," he said proudly. "It'll take you
-anywhere. A present from humanity to you."
-
-The ants were very silent. Gordy looked at them and saw that there were
-drone-ants in the group, all still as statues.
-
-"Hey!" he said in startlement, unthinking. And then the needle-jawed
-ant claw took him from behind.
-
-Gordy had a moment of nausea--and then terror and hatred swept it away.
-
-Heedless of the needles that laced his skin, he struggled and kicked
-against the creatures that held him. One arm came free, leaving gobbets
-of flesh behind, and his heavy shod foot plunged into a pulpy eye. The
-ant made a whistling, gasping sound and stood erect on four hairy legs.
-
-Gordy felt himself jerked a dozen feet into the air, then flung free in
-the wild, silent agony of the ant. He crashed into the ground, cowering
-away from the staggering monster. Sobbing, he pushed himself to his
-feet; the machine was behind him; he turned and blundered into it a
-step ahead of the other ants, and spun the wheel.
-
- * * * * *
-
-A hollow insect leg, detached from the ant that had been closest to
-him, was flopping about on the floor of the machine; it had been that
-close.
-
-Gordy stopped the machine where it had started, on the same quivering,
-primordial bog, and lay crouched over the controls for a long time
-before he moved.
-
-He had made a mistake, he and de Terry; there weren't any doubts left
-at all. And there was ... there _might_ be a way to right it.
-
-He looked out at the Coal Measure forest. The fern trees were not the
-fern trees he had seen before; the machine had been moved in space.
-But the time, he knew was identically the same; trust the machine for
-that. He thought: I gave the world to the ants, right here. I can take
-it back. I can find the ants I buried and crush them underfoot ... or
-intercept myself before I bury them....
-
-He got out of the machine, suddenly panicky. Urgency squinted his eyes
-as he peered around him.
-
-Death had been very close in the ant city; the reaction still left
-Gordy limp. And was he safe here? He remembered the violent animal
-scream he had heard before, and shuddered at the thought of furnishing
-a casual meal to some dinosaur ... while the ant queens lived safely to
-produce their horrid young.
-
-A gleam of metal through the fern trees made his heart leap. Burnished
-metal here could mean but one thing--the machine!
-
-Around a clump of fern trees, their bases covered with thick club
-mosses, he ran, and saw the machine ahead. He raced toward it--then
-came to a sudden stop, slipping on the damp ground.
-
-For there were _two_ machines in sight.
-
-The farther machine was his own, and through the screening mosses he
-could see two figures standing in it, his own and de Terry's.
-
-But the nearer was a larger machine, and a strange design.
-
-And from it came a hastening mob--not a mob of men, but of black insect
-shapes racing toward him.
-
-Of course, thought Gordy, as he turned hopelessly to run--of course,
-the ants had infinite time to work in. Time enough to build a machine
-after the pattern of his own--and time to realize what they had to do
-to him, to insure their own race safety.
-
-Gordy stumbled, and the first of the black things was upon him.
-
-As his panicky lungs filled with air for the last time, Gordy knew what
-animal had screamed in the depths of the Coal Measure forest.
-
-[Illustration: _He filled his lungs for one last scream._]
-
-*** END OF THE PROJECT GUTENBERG EBOOK LET THE ANTS TRY ***
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the
-United States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you will have to check the laws of the country where
- you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that:
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg-tm trademark. Contact the Foundation as set
-forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation's website
-and official page at www.gutenberg.org/contact
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without
-widespread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our website which has the main PG search
-facility: www.gutenberg.org
-
-This website includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
+*** START OF THE PROJECT GUTENBERG EBOOK 64631 ***
+
+ Let The Ants Try
+
+ By JAMES MacCREIGH
+
+ Dr. Salva Gordy looked at the radioactive smear that
+ had been Detroit. Then he looked down at the boiling
+ anthill. Why not, he thought excitedly, why not?...
+
+ [Transcriber's Note: This etext was produced from
+ Planet Stories Winter 1949.
+ Extensive research did not uncover any evidence that
+ the U.S. copyright on this publication was renewed.]
+
+
+Gordy survived the Three-Hour War, even though Detroit didn't; he was
+on his way to Washington, with his blueprints and models in his bag,
+when the bombs struck.
+
+He had left his wife behind in the city, and not even a trace of her
+body was ever found. The children, of course, weren't as lucky as that.
+Their summer camp was less than twenty miles away, and unfortunately
+in the direction of the prevailing wind. But they were not in any pain
+until the last few days of the month they had left to live. Gordy
+managed to fight his way back through the snarled, frantic airline
+controls to them. Even though he knew they would certainly die of
+radiation sickness, and they suspected it, there was still a whole
+blessed week of companionship before the pain got too bad.
+
+That was about all the companionship Gordy had for the whole year of
+1960.
+
+He came back to Detroit, as soon as the radioactivity had died down;
+he had nowhere else to go. He found a house on the outskirts of the
+city, and tried to locate someone to buy it from. But the Emergency
+Administration laughed at him. "Move in, if you're crazy enough to
+stay."
+
+When Gordy thought about it all, it occurred to him that he was in
+a sort of state of shock. His fine, trained mind almost stopped
+functioning. He ate and slept, and when it grew cold he shivered and
+built fires, and that was all. The War Department wrote him two or
+three times, and finally a government man came around to ask what had
+happened to the things that Gordy had promised to bring to Washington.
+But he looked queerly at the pink, hairless mice that fed unmolested in
+the filthy kitchen, and he stood a careful distance away from Gordy's
+hairy face and torn clothes.
+
+He said, "The Secretary sent me here, Mr. Gordy. He takes a personal
+interest in your discovery."
+
+Gordy shook his head. "The Secretary is dead," he said. "They were all
+killed when Washington went."
+
+"There's a new Secretary," the man explained. He puffed on his
+cigarette and tossed it into the patch Gordy was scrabbling into a
+truck garden. "Arnold Cavanagh. He knows a great deal about you, and he
+told me, 'If Salva Gordy has a weapon, we must have it. Our strength
+has been shattered. Tell Gordy we need his help'."
+
+Gordy crossed his hands like a lean Buddha.
+
+"I haven't got a weapon," he said.
+
+"You have something that can be used as a weapon. You wrote to
+Washington, before the War came, and said--"
+
+"The War is over," said Salva Gordy. The government man sighed, and
+tried again, but in the end he went away. He never came back. The
+thing, Gordy thought, was undoubtedly written off as a crackpot idea
+after the man made his report; it was exactly that kind of a discovery,
+anyhow.
+
+ * * * * *
+
+It was May when John de Terry appeared. Gordy was spading his garden.
+"Give me something to eat," said the voice behind Gordy's back.
+
+Salva Gordy turned around and saw the small, dirty man who spoke. He
+rubbed his mouth with the back of his hand. "You'll have to work for
+it," he said.
+
+"All right." The newcomer set down his pack. "My name is John de Terry.
+I used to live here in Detroit."
+
+Salva Gordy said, "So did I."
+
+Gordy fed the man, and accepted a cigarette from him after they had
+eaten. The first puffs made him light-headed--it had been that long
+since he'd smoked--and through the smoke he looked at John de Terry
+amiably enough. Company would be all right, he thought. The pink mice
+had been company, of a sort--but it turned out that the mutation that
+made them hairless had also given them an appetite for meat. And after
+the morning when he had awakened to find tiny tooth-marks in his leg,
+he'd had to destroy them. And there had been no other animal since,
+nothing but the ants.
+
+"Are you going to stay?" Gordy asked.
+
+De Terry said, "If I can. What's your name?" When Gordy told him, some
+of the animal look went out of his eyes, and wonder took its place.
+"_Doctor_ Salva Gordy?" he asked. "Mathematics and physics in Pasadena?"
+
+"Yes, I used to teach at Pasadena."
+
+"And I studied there." John de Terry rubbed absently at his ruined
+clothes. "That was a long time ago. You didn't know me; I majored in
+biology. But I knew you."
+
+Gordy stood up and carefully put out the stub of his cigarette. "It was
+too long ago," he said. "I hardly remember. Shall we work in the garden
+now?"
+
+Together they sweated in the spring sunlight that afternoon, and Gordy
+discovered that what had been hard work for one man went quickly enough
+for two. They worked clear to the edge of the plot before the sun
+reached the horizon. John de Terry stopped and leaned on his spade,
+panting.
+
+He gestured to the rank growth beyond Gordy's patch. "We can make a
+bigger garden," he said. "Clear out that truck, and plant more food. We
+might even--" He stopped. Gordy was shaking his head.
+
+"You can't clear it out," said Gordy. "It's rank stuff, a sort of
+crabgrass with a particularly tough root. I can't even cut it. It's all
+around here, and it's spreading."
+
+De Terry grimaced. "Mutation?"
+
+"I think so. And look." Gordy beckoned to the other man and led him to
+the very edge of the cleared area. He bent down, picked up something
+red and wriggling between his thumb and forefinger.
+
+De Terry took it from his hand. "Another mutation?" He brought
+the thing close to his eyes. "It's almost like an ant," he said.
+"Except--well, the thorax is all wrong. And it's soft-bodied." He fell
+silent, examining the thing.
+
+He said something under his breath, and threw the insect from him.
+"You wouldn't have a microscope, I suppose? No--and yet, that thing is
+hard to believe. It's an ant, but it doesn't seem to have a tracheal
+breathing system at all. It's something different."
+
+"Everything's different," Gordy said. He pointed to a couple of
+abandoned rows. "I had carrots there. At least, I thought they were
+carrots; when I tried to eat them they made me sick." He sighed
+heavily. "Humanity has had its chance, John," he said. "The atomic bomb
+wasn't enough; we had to turn everything into a weapon. Even I, I made
+a weapon out of something that had nothing to do with war. And our
+weapons have blown up in our faces."
+
+De Terry grinned. "Maybe the ants will do better. It's their turn now."
+
+"I wish it were." Gordy stirred earth over the boiling entrance to an
+anthole and watched the insects in their consternation. "They're too
+small, I'm afraid."
+
+"Why, no. These ants are different, Dr. Gordy. Insects have always been
+small because their breathing system is so poor. But these are mutated.
+I think--I think they actually have lungs. They could grow, Dr. Gordy.
+And if ants were the size of men ... they'd rule the world."
+
+"Lunged ants!" Gordy's eyes gleamed. "Perhaps they will rule the world,
+John. Perhaps when the human race finally blows itself up once and for
+all...."
+
+De Terry shook his head, and looked down again at his tattered, filthy
+clothes. "The next blow-up is the last blow-up," he said. "The ants
+come too late, by millions and millions of years."
+
+He picked up his spade. "I'm hungry again, Dr. Gordy," he said.
+
+They went back to the house and, without conversation, they ate. Gordy
+was preoccupied, and de Terry was too new in the household to force him
+to talk.
+
+It was sundown when they had finished, and Gordy moved slowly to light
+a lamp. Then he stopped.
+
+"It's your first night, John," he said. "Come down cellar. We'll start
+the generator and have real electric lights in your honor."
+
+De Terry followed the older man down a flight of stairs, groping in
+the dark. By candlelight they worked over a gasoline generator; it was
+stiff from disuse, but once it started it ran cleanly. "I salvaged it
+from my own," Gordy explained. "The generator--and that."
+
+He swept an arm toward a corner of the basement. "I told you I invented
+a weapon," he added. "That's it."
+
+De Terry looked. It was as much like a cage as anything, he
+thought--the height of a man and almost cubical. "What does it do?" he
+asked.
+
+For the first time in months, Salva Gordy smiled. "I can't tell you in
+English," he said. "And I doubt that you speak mathematics. The closest
+I can come is to say that it displaces temporal co-ordinates. Is that
+gibberish?"
+
+"It is," said de Terry. "What does it do?"
+
+"Well, the War Department had a name for it--a name they borrowed from
+H. G. Wells. They called it a Time Machine." He met de Terry's shocked,
+bewildered stare calmly. "A time machine," he repeated. "You see, John,
+we can give the ants a chance after all, if you like."
+
+ * * * * *
+
+Fourteen hours later they stepped into the cage, its batteries charged
+again and its strange motor whining....
+
+And, forty million years earlier, they stepped out onto quaking humid
+soil.
+
+Gordy felt himself trembling, and with an effort managed to stop. "No
+dinosaurs or saber-toothed tigers in sight," he reported.
+
+"Not for a long time yet," de Terry agreed. Then, "My Lord!"
+
+He looked around him with his mouth open wide. There was no wind, and
+the air was warm and wet. Large trees were clustered quite thickly
+around them--or what looked like trees; de Terry decided they were
+rather some sort of soft-stemmed ferns or fungi. Overhead was deep
+cloud.
+
+Gordy shivered. "Give me the ants," he ordered.
+
+Silently de Terry handed them over. Gordy poked a hole in the soft
+earth with his finger and carefully tilted the flask, dropped one of
+the ant queens he had unearthed in the back yard. From her belly hung
+a slimy mass of eggs. A few yards away--it should have been farther,
+he thought, but he was afraid to get too far from de Terry and the
+machine--he made another hole and repeated the process.
+
+There were eight queens. When the eighth was buried he flung the bottle
+away and came back to de Terry.
+
+"That's it," he said.
+
+De Terry exhaled. His solemn face cracked in a sudden embarrassed
+smile. "I--I guess I feel like God," he said. "Good lord, Dr. Gordy!
+Talk about your great moments in history--this is all of them! I've
+been thinking about it, and the only event I can remember that measures
+up is the Flood. Not even that. We've created a race!"
+
+"If they survive, we have." Gordy wiped a drop of condensed moisture
+off the side of his time machine and puffed. "I wonder how they'll get
+along with mankind," he said.
+
+They were silent for a moment, considering. From somewhere in the
+fern jungle came a raucous animal cry. Both men looked up in quick
+apprehension, but moments passed and the animal did not appear.
+
+Finally de Terry said, "Maybe we'd better go back."
+
+"All right." Stiffly they climbed into the closet-sized interior of the
+time machine.
+
+Gordy stood with his hand on the control wheel, thinking about the
+ants. Assuming that they survived--assuming that in 40,000,000 years
+they grew larger and developed brains--what would happen? Would men
+be able to live in peace with them? Would it--might it not make men
+brothers, joined against an alien race?
+
+Might this thing prevent human war, and--his thoughts took an insane
+leap--could it have prevented the war that destroyed Gordy's family!
+
+Beside him, de Terry stirred restlessly. Gordy jumped, and turned the
+wheel, and was in the dark mathematical vortex which might have been a
+fourth dimension.
+
+ * * * * *
+
+They stopped the machine in the middle of a city, but the city was not
+Detroit. It was not a human city at all.
+
+The machine was at rest in a narrow street, half blocking it. Around
+them towered conical metal structures, some of them a hundred feet
+high. There were vehicles moving in the street, one coming toward them
+and stopping.
+
+"Dr. Gordy!" de Terry whispered. "Do you see them?"
+
+Salva Gordy swallowed. "I see them," he said.
+
+He stepped out of the time machine and stood waiting to greet the race
+to which he had given life.
+
+For these were the children of ants in the three-wheeled vehicle.
+Behind a transparent windshield he could see them clearly.
+
+De Terry was standing close behind him now, and Gordy could feel the
+younger man's body shaking. "They're ugly things," Gordy said mildly.
+
+"Ugly! They're filthy!"
+
+The antlike creatures were as big as a man, but hard-looking and as
+obnoxious as blackbeetles. Their eyes, Gordy saw with surprise, had
+mutated more than their bodies. For, instead of faceted insect eyes,
+they possessed iris, cornea and pupil,--not round, or vertical like
+a cat's eyes, or horizontal like a horse's eyes, but irregular and
+blotchy. But they seemed like vertebrate's eyes, and they were strange
+and unnatural in the parchment blackness of an ant's bulged head.
+
+Gordy stepped forward, and simultaneously the ants came out of their
+vehicle. For a moment they faced each other, the humans and the ants,
+silently.
+
+"What do I do now?" Gordy asked de Terry over his shoulder.
+
+De Terry laughed--or gasped. Gordy wasn't sure. "Talk to them," he
+said. "What else is there to do?"
+
+Gordy swallowed. He resolutely did not attempt to speak in English
+to these creatures, knowing as surely as he knew his name that
+English--and probably any other language involving sound--would be
+incomprehensible to them. But he found himself smiling pacifically to
+them, and that was of course as bad ... the things had no expressions
+of their own, that he could see, and certainly they would have no
+precedent to help interpret a human smile.
+
+Gordy raised his hand in the semantically sound gesture of peace, and
+waited to see what the insects would do.
+
+They did nothing.
+
+Gordy bit his lip and, feeling idiotic, bowed stiffly to the ants.
+
+ * * * * *
+
+The ants did nothing. De Terry said from behind, "Try talking to them,
+Dr. Gordy."
+
+"That's silly," Gordy said. "They can't hear." But it was no sillier
+than anything else. Irritably, but making the words very clear, he
+said, "We ... are ... friends."
+
+The ants did nothing. They just stood there, with the unwinking pupiled
+eyes fixed on Gordy. They didn't shift from foot to foot as a human
+might, or scratch themselves, or even show the small movement of human
+breathing. They just stood there.
+
+"Oh, for heaven's sake," said de Terry. "Here let me try."
+
+He stepped in front of Gordy and faced the ant-things. He pointed to
+himself. "I am human," he said. "Mammalian." He pointed to the ants.
+"You are insects. That--" he pointed to the time machine--"took us to
+the past, where we made it possible for you to exist." He waited for
+reaction, but there wasn't any. De Terry clicked his tongue and began
+again. He pointed to the tapering metal structures. "This is your
+city," he said.
+
+Gordy, listening to him, felt the hopelessness of the effort. Something
+disturbed the thin hairs at the back of his skull, and he reached
+absently to smooth them down. His hand encountered something hard and
+inanimate--not cold, but, like spongy wood, without temperature at all.
+He turned around. Behind them were half a dozen larger ants. Drones, he
+thought--or did ants have drones? "John," he said softly ... and the
+inefficient, fragile-looking pincer that had touched him clamped his
+shoulder. There was no strength to it, he thought at once. Until he
+moved, instinctively, to get away, and then a thousand sharp serrations
+slipped through the cloth of his coat and into the skin. It was like
+catching oneself on a cluster of tiny fishhooks. He shouted, "John!
+Watch out!"
+
+De Terry, bending low for the purpose of pointing at the caterpillar
+treads of the ant vehicle, straightened up, startled. He turned to run,
+and was caught in a step. Gordy heard him yell, but Gordy had troubles
+of his own and could spare no further attention for de Terry.
+
+When two of the ants had him, Gordy stopped struggling. He felt warm
+blood roll down his arm, and the pain was like being flayed. From where
+he hung between the ants, he could see the first two, still standing
+before their vehicle, still motionless.
+
+There was a sour reek in his nostrils, and he traced it to the ants
+that held him, and wondered if he smelled as bad to them. The two
+smaller ants abruptly stirred and moved forward rapidly on eight thin
+legs to the time machine. Gordy's captors turned and followed them, and
+for the first time since the scuffle he saw de Terry. The younger man
+was hanging limp from the lifted forelegs of a single ant, with two
+more standing guard beside. There was pulsing blood from a wound on de
+Terry's neck. Unconscious, Gordy thought mechanically, and turned his
+head to watch the ants at the machine.
+
+It was a disappointing sight. They merely stood there, and no one
+moved. Then Gordy heard de Terry grunt and swear weakly. "How are you,
+John?" he called.
+
+De Terry grimaced. "Not very good. What happened?"
+
+Gordy shook his head, and sought for words to answer. But the two ants
+turned in unison from the time machine and glided toward de Terry, and
+Gordy's words died in his throat. Delicately one of them extended a
+foreleg to touch de Terry's chest.
+
+Gordy saw it coming. "John!" he shrieked--and then it was all over, and
+de Terry's scream was harsh in his ear and he turned his head away.
+Dimly from the corner of his eye he could see the sawlike claws moving
+up and down, but there was no life left in Terry to protest.
+
+ * * * * *
+
+Salva Gordy sat against a wall and looked at the ants who were looking
+at him. If it hadn't been for that which was done to de Terry, he
+thought, there would really be nothing to complain about.
+
+It was true that the ants had given him none of the comforts that
+humanity lavishes on even its criminals ... but they had fed him, and
+allowed him to sleep--when it suited their convenience, of course--and
+there were small signs that they were interested in his comfort, in
+their fashion. When the pulpy mush they first offered him came up
+thirty minutes later, his multi-legged hosts brought him a variety
+of foods, of which he was able to swallow some fairly palatable
+fruits. He was housed in a warm room. And, if it had neither chairs or
+windows, Gordy thought, that was only because ants had no use for these
+themselves. And he couldn't ask for them.
+
+That was the big drawback, he thought. That ... and the memory of John
+de Terry.
+
+He squirmed on the hard floor until his shoulder-blades found a new
+spot to prop themselves against, and stared again at the committee of
+ants who had come to see him.
+
+They were working an angular thing that looked like a camera--at least,
+it had a glittering something that might be a lens. Gordy stared into
+it sullenly. The sour reek was in his nostrils again....
+
+Gordy admitted to himself that things hadn't worked out just as he had
+planned. Deep under the surface of his mind--just now beginning to
+come out where he could see it--there had been a furtive hope. He had
+hoped that the rise of the ants, with the help he had given them, would
+aid and speed the rise of mankind. For hatred, Gordy knew, started in
+the recoil from things that were different. A man's first enemy is his
+family--for he sees them first--but he sides with them against the
+families across the way. And still his neighbors are allies against the
+Ghettos and Harlems of his town--and his town to him is the heart of
+the nation--and his nation commands life and death in war.
+
+For Gordy, there had been a buried hope that a separate race would
+make a whipping-boy for the passions of humanity. And that, if there
+were struggle, it would not be between man and man, but between the
+humans ... and the ants.
+
+There had been this buried hope, but the hope was denied. For the ants
+simply had not allowed man to rise.
+
+The ants put up their camera-like machine and Gordy looked up in
+expectation. Half a dozen of them left, and two stayed on. One was the
+smallish creature with a bangle on the foreleg which seemed to be his
+personal jailer; the other a stranger to Gordy, as far as he could tell.
+
+The two ants stood motionless for a period of time that Gordy found
+tedious. He changed his position, and lay on the floor, and thought of
+sleeping. But sleep would not come. There was no evading the knowledge
+that he had wiped out his own race--annihilated them by preventing them
+from birth, forty million years before his own time. He was like no
+other murderer since Cain, Gordy thought, and wondered that he felt no
+blood on his hands.
+
+There was a signal that he could not perceive, and his guardian ant
+came forward to him, nudged him outward from the wall. He moved as he
+was directed--out the low exit-hole (he had to navigate it on hands and
+knees) and down a corridor to the bright day outside.
+
+The light set Gordy blinking. Half blind, he followed the bangled
+ant across a square to a conical shed. More ants were waiting there,
+circled around a litter of metal parts.
+
+Gordy recognized them at once. It was his time machine, stripped piece
+by piece.
+
+After a moment the ant nudged him again, impatiently, and Gordy
+understood what they wanted. They had taken the machine apart for
+study, and they wanted it put together again.
+
+Pleased with the prospect of something to do with his fingers and his
+brain, Gordy grinned and reached for the curious ant-made tools....
+
+He ate four times, and slept once, never moving from the neighborhood
+of the cone-shaped shed. And then he was finished.
+
+Gordy stepped back. "It's all yours," he said proudly. "It'll take you
+anywhere. A present from humanity to you."
+
+The ants were very silent. Gordy looked at them and saw that there were
+drone-ants in the group, all still as statues.
+
+"Hey!" he said in startlement, unthinking. And then the needle-jawed
+ant claw took him from behind.
+
+Gordy had a moment of nausea--and then terror and hatred swept it away.
+
+Heedless of the needles that laced his skin, he struggled and kicked
+against the creatures that held him. One arm came free, leaving gobbets
+of flesh behind, and his heavy shod foot plunged into a pulpy eye. The
+ant made a whistling, gasping sound and stood erect on four hairy legs.
+
+Gordy felt himself jerked a dozen feet into the air, then flung free in
+the wild, silent agony of the ant. He crashed into the ground, cowering
+away from the staggering monster. Sobbing, he pushed himself to his
+feet; the machine was behind him; he turned and blundered into it a
+step ahead of the other ants, and spun the wheel.
+
+ * * * * *
+
+A hollow insect leg, detached from the ant that had been closest to
+him, was flopping about on the floor of the machine; it had been that
+close.
+
+Gordy stopped the machine where it had started, on the same quivering,
+primordial bog, and lay crouched over the controls for a long time
+before he moved.
+
+He had made a mistake, he and de Terry; there weren't any doubts left
+at all. And there was ... there _might_ be a way to right it.
+
+He looked out at the Coal Measure forest. The fern trees were not the
+fern trees he had seen before; the machine had been moved in space.
+But the time, he knew was identically the same; trust the machine for
+that. He thought: I gave the world to the ants, right here. I can take
+it back. I can find the ants I buried and crush them underfoot ... or
+intercept myself before I bury them....
+
+He got out of the machine, suddenly panicky. Urgency squinted his eyes
+as he peered around him.
+
+Death had been very close in the ant city; the reaction still left
+Gordy limp. And was he safe here? He remembered the violent animal
+scream he had heard before, and shuddered at the thought of furnishing
+a casual meal to some dinosaur ... while the ant queens lived safely to
+produce their horrid young.
+
+A gleam of metal through the fern trees made his heart leap. Burnished
+metal here could mean but one thing--the machine!
+
+Around a clump of fern trees, their bases covered with thick club
+mosses, he ran, and saw the machine ahead. He raced toward it--then
+came to a sudden stop, slipping on the damp ground.
+
+For there were _two_ machines in sight.
+
+The farther machine was his own, and through the screening mosses he
+could see two figures standing in it, his own and de Terry's.
+
+But the nearer was a larger machine, and a strange design.
+
+And from it came a hastening mob--not a mob of men, but of black insect
+shapes racing toward him.
+
+Of course, thought Gordy, as he turned hopelessly to run--of course,
+the ants had infinite time to work in. Time enough to build a machine
+after the pattern of his own--and time to realize what they had to do
+to him, to insure their own race safety.
+
+Gordy stumbled, and the first of the black things was upon him.
+
+As his panicky lungs filled with air for the last time, Gordy knew what
+animal had screamed in the depths of the Coal Measure forest.
+
+[Illustration: _He filled his lungs for one last scream._]
+
+*** END OF THE PROJECT GUTENBERG EBOOK 64631 ***
diff --git a/64631-h/64631-h.htm b/64631-h/64631-h.htm
index 259b2c8..c58f2b5 100644
--- a/64631-h/64631-h.htm
+++ b/64631-h/64631-h.htm
@@ -1,1121 +1,654 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
- "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
- <head>
- <meta http-equiv="Content-Type" content="text/html;charset=us-ascii" />
- <meta http-equiv="Content-Style-Type" content="text/css" />
- <title>
- The Project Gutenberg eBook of Let the Ants Try, by James Maccreigh.
- </title>
- <link rel="coverpage" href="images/cover.jpg" />
-
- <style type="text/css">
-
-body {
- margin-left: 10%;
- margin-right: 10%;
-}
-
- h1,h2 {
- text-align: center; /* all headings centered */
- clear: both;
-}
-
-p {
- margin-top: .51em;
- text-align: justify;
- margin-bottom: .49em;
-}
-
-hr {
- width: 33%;
- margin-top: 2em;
- margin-bottom: 2em;
- margin-left: 33.5%;
- margin-right: 33.5%;
- clear: both;
-}
-
-hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;}
-hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;}
-
-.center {text-align: center;}
-
-.right {text-align: right;}
-
-/* Images */
-.figcenter {
- margin: auto;
- text-align: center;
-}
-
-.caption p
-{
- text-align: center;
- text-indent: 0;
- margin: 0.25em 0;
-}
-
-div.titlepage {
- text-align: center;
- page-break-before: always;
- page-break-after: always;
-}
-
-div.titlepage p {
- text-align: center;
- text-indent: 0em;
- font-weight: bold;
- line-height: 1.5;
- margin-top: 3em;
-}
-
- </style>
- </head>
-<body>
-
-<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Let the Ants Try, by James MacCreigh</div>
-
-<div style='display:block; margin:1em 0'>
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online
-at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
-are not located in the United States, you will have to check the laws of the
-country where you are located before using this eBook.
-</div>
-
-<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Let the Ants Try</div>
-
-<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: James MacCreigh</div>
-
-<div style='display:block; margin:1em 0'>Release Date: February 25, 2021 [eBook #64631]</div>
-
-<div style='display:block; margin:1em 0'>Language: English</div>
-
-<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div>
-
-<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net</div>
-
-<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK LET THE ANTS TRY ***</div>
-
-<div class="titlepage">
-
-<h1>Let The Ants Try</h1>
-
-<h2>By JAMES MacCREIGH</h2>
-
-<p>Dr. Salva Gordy looked at the radioactive smear that<br />
-had been Detroit. Then he looked down at the boiling<br />
-anthill. Why not, he thought excitedly, why not?...</p>
-
-<p>[Transcriber's Note: This etext was produced from<br />
-Planet Stories Winter 1949.<br />
-Extensive research did not uncover any evidence that<br />
-the U.S. copyright on this publication was renewed.]</p>
-
-</div>
-
-<hr class="chap" />
-
-<p>Gordy survived the Three-Hour War, even though Detroit didn't; he was
-on his way to Washington, with his blueprints and models in his bag,
-when the bombs struck.</p>
-
-<p>He had left his wife behind in the city, and not even a trace of her
-body was ever found. The children, of course, weren't as lucky as that.
-Their summer camp was less than twenty miles away, and unfortunately
-in the direction of the prevailing wind. But they were not in any pain
-until the last few days of the month they had left to live. Gordy
-managed to fight his way back through the snarled, frantic airline
-controls to them. Even though he knew they would certainly die of
-radiation sickness, and they suspected it, there was still a whole
-blessed week of companionship before the pain got too bad.</p>
-
-<p>That was about all the companionship Gordy had for the whole year of
-1960.</p>
-
-<p>He came back to Detroit, as soon as the radioactivity had died down;
-he had nowhere else to go. He found a house on the outskirts of the
-city, and tried to locate someone to buy it from. But the Emergency
-Administration laughed at him. "Move in, if you're crazy enough to
-stay."</p>
-
-<p>When Gordy thought about it all, it occurred to him that he was in
-a sort of state of shock. His fine, trained mind almost stopped
-functioning. He ate and slept, and when it grew cold he shivered and
-built fires, and that was all. The War Department wrote him two or
-three times, and finally a government man came around to ask what had
-happened to the things that Gordy had promised to bring to Washington.
-But he looked queerly at the pink, hairless mice that fed unmolested in
-the filthy kitchen, and he stood a careful distance away from Gordy's
-hairy face and torn clothes.</p>
-
-<p>He said, "The Secretary sent me here, Mr. Gordy. He takes a personal
-interest in your discovery."</p>
-
-<p>Gordy shook his head. "The Secretary is dead," he said. "They were all
-killed when Washington went."</p>
-
-<p>"There's a new Secretary," the man explained. He puffed on his
-cigarette and tossed it into the patch Gordy was scrabbling into a
-truck garden. "Arnold Cavanagh. He knows a great deal about you, and he
-told me, 'If Salva Gordy has a weapon, we must have it. Our strength
-has been shattered. Tell Gordy we need his help'."</p>
-
-<p>Gordy crossed his hands like a lean Buddha.</p>
-
-<p>"I haven't got a weapon," he said.</p>
-
-<p>"You have something that can be used as a weapon. You wrote to
-Washington, before the War came, and said&mdash;"</p>
-
-<p>"The War is over," said Salva Gordy. The government man sighed, and
-tried again, but in the end he went away. He never came back. The
-thing, Gordy thought, was undoubtedly written off as a crackpot idea
-after the man made his report; it was exactly that kind of a discovery,
-anyhow.</p>
-
-<hr class="tb" />
-
-<p>It was May when John de Terry appeared. Gordy was spading his garden.
-"Give me something to eat," said the voice behind Gordy's back.</p>
-
-<p>Salva Gordy turned around and saw the small, dirty man who spoke. He
-rubbed his mouth with the back of his hand. "You'll have to work for
-it," he said.</p>
-
-<p>"All right." The newcomer set down his pack. "My name is John de Terry.
-I used to live here in Detroit."</p>
-
-<p>Salva Gordy said, "So did I."</p>
-
-<p>Gordy fed the man, and accepted a cigarette from him after they had
-eaten. The first puffs made him light-headed&mdash;it had been that long
-since he'd smoked&mdash;and through the smoke he looked at John de Terry
-amiably enough. Company would be all right, he thought. The pink mice
-had been company, of a sort&mdash;but it turned out that the mutation that
-made them hairless had also given them an appetite for meat. And after
-the morning when he had awakened to find tiny tooth-marks in his leg,
-he'd had to destroy them. And there had been no other animal since,
-nothing but the ants.</p>
-
-<p>"Are you going to stay?" Gordy asked.</p>
-
-<p>De Terry said, "If I can. What's your name?" When Gordy told him, some
-of the animal look went out of his eyes, and wonder took its place.
-"<i>Doctor</i> Salva Gordy?" he asked. "Mathematics and physics in Pasadena?"</p>
-
-<p>"Yes, I used to teach at Pasadena."</p>
-
-<p>"And I studied there." John de Terry rubbed absently at his ruined
-clothes. "That was a long time ago. You didn't know me; I majored in
-biology. But I knew you."</p>
-
-<p>Gordy stood up and carefully put out the stub of his cigarette. "It was
-too long ago," he said. "I hardly remember. Shall we work in the garden
-now?"</p>
-
-<p>Together they sweated in the spring sunlight that afternoon, and Gordy
-discovered that what had been hard work for one man went quickly enough
-for two. They worked clear to the edge of the plot before the sun
-reached the horizon. John de Terry stopped and leaned on his spade,
-panting.</p>
-
-<p>He gestured to the rank growth beyond Gordy's patch. "We can make a
-bigger garden," he said. "Clear out that truck, and plant more food. We
-might even&mdash;" He stopped. Gordy was shaking his head.</p>
-
-<p>"You can't clear it out," said Gordy. "It's rank stuff, a sort of
-crabgrass with a particularly tough root. I can't even cut it. It's all
-around here, and it's spreading."</p>
-
-<p>De Terry grimaced. "Mutation?"</p>
-
-<p>"I think so. And look." Gordy beckoned to the other man and led him to
-the very edge of the cleared area. He bent down, picked up something
-red and wriggling between his thumb and forefinger.</p>
-
-<p>De Terry took it from his hand. "Another mutation?" He brought
-the thing close to his eyes. "It's almost like an ant," he said.
-"Except&mdash;well, the thorax is all wrong. And it's soft-bodied." He fell
-silent, examining the thing.</p>
-
-<p>He said something under his breath, and threw the insect from him.
-"You wouldn't have a microscope, I suppose? No&mdash;and yet, that thing is
-hard to believe. It's an ant, but it doesn't seem to have a tracheal
-breathing system at all. It's something different."</p>
-
-<p>"Everything's different," Gordy said. He pointed to a couple of
-abandoned rows. "I had carrots there. At least, I thought they were
-carrots; when I tried to eat them they made me sick." He sighed
-heavily. "Humanity has had its chance, John," he said. "The atomic bomb
-wasn't enough; we had to turn everything into a weapon. Even I, I made
-a weapon out of something that had nothing to do with war. And our
-weapons have blown up in our faces."</p>
-
-<p>De Terry grinned. "Maybe the ants will do better. It's their turn now."</p>
-
-<p>"I wish it were." Gordy stirred earth over the boiling entrance to an
-anthole and watched the insects in their consternation. "They're too
-small, I'm afraid."</p>
-
-<p>"Why, no. These ants are different, Dr. Gordy. Insects have always been
-small because their breathing system is so poor. But these are mutated.
-I think&mdash;I think they actually have lungs. They could grow, Dr. Gordy.
-And if ants were the size of men ... they'd rule the world."</p>
-
-<p>"Lunged ants!" Gordy's eyes gleamed. "Perhaps they will rule the world,
-John. Perhaps when the human race finally blows itself up once and for
-all...."</p>
-
-<p>De Terry shook his head, and looked down again at his tattered, filthy
-clothes. "The next blow-up is the last blow-up," he said. "The ants
-come too late, by millions and millions of years."</p>
-
-<p>He picked up his spade. "I'm hungry again, Dr. Gordy," he said.</p>
-
-<p>They went back to the house and, without conversation, they ate. Gordy
-was preoccupied, and de Terry was too new in the household to force him
-to talk.</p>
-
-<p>It was sundown when they had finished, and Gordy moved slowly to light
-a lamp. Then he stopped.</p>
-
-<p>"It's your first night, John," he said. "Come down cellar. We'll start
-the generator and have real electric lights in your honor."</p>
-
-<p>De Terry followed the older man down a flight of stairs, groping in
-the dark. By candlelight they worked over a gasoline generator; it was
-stiff from disuse, but once it started it ran cleanly. "I salvaged it
-from my own," Gordy explained. "The generator&mdash;and that."</p>
-
-<p>He swept an arm toward a corner of the basement. "I told you I invented
-a weapon," he added. "That's it."</p>
-
-<p>De Terry looked. It was as much like a cage as anything, he
-thought&mdash;the height of a man and almost cubical. "What does it do?" he
-asked.</p>
-
-<p>For the first time in months, Salva Gordy smiled. "I can't tell you in
-English," he said. "And I doubt that you speak mathematics. The closest
-I can come is to say that it displaces temporal co-ordinates. Is that
-gibberish?"</p>
-
-<p>"It is," said de Terry. "What does it do?"</p>
-
-<p>"Well, the War Department had a name for it&mdash;a name they borrowed from
-H. G. Wells. They called it a Time Machine." He met de Terry's shocked,
-bewildered stare calmly. "A time machine," he repeated. "You see, John,
-we can give the ants a chance after all, if you like."</p>
-
-<hr class="tb" />
-
-<p>Fourteen hours later they stepped into the cage, its batteries charged
-again and its strange motor whining....</p>
-
-<p>And, forty million years earlier, they stepped out onto quaking humid
-soil.</p>
-
-<p>Gordy felt himself trembling, and with an effort managed to stop. "No
-dinosaurs or saber-toothed tigers in sight," he reported.</p>
-
-<p>"Not for a long time yet," de Terry agreed. Then, "My Lord!"</p>
-
-<p>He looked around him with his mouth open wide. There was no wind, and
-the air was warm and wet. Large trees were clustered quite thickly
-around them&mdash;or what looked like trees; de Terry decided they were
-rather some sort of soft-stemmed ferns or fungi. Overhead was deep
-cloud.</p>
-
-<p>Gordy shivered. "Give me the ants," he ordered.</p>
-
-<p>Silently de Terry handed them over. Gordy poked a hole in the soft
-earth with his finger and carefully tilted the flask, dropped one of
-the ant queens he had unearthed in the back yard. From her belly hung
-a slimy mass of eggs. A few yards away&mdash;it should have been farther,
-he thought, but he was afraid to get too far from de Terry and the
-machine&mdash;he made another hole and repeated the process.</p>
-
-<p>There were eight queens. When the eighth was buried he flung the bottle
-away and came back to de Terry.</p>
-
-<p>"That's it," he said.</p>
-
-<p>De Terry exhaled. His solemn face cracked in a sudden embarrassed
-smile. "I&mdash;I guess I feel like God," he said. "Good lord, Dr. Gordy!
-Talk about your great moments in history&mdash;this is all of them! I've
-been thinking about it, and the only event I can remember that measures
-up is the Flood. Not even that. We've created a race!"</p>
-
-<p>"If they survive, we have." Gordy wiped a drop of condensed moisture
-off the side of his time machine and puffed. "I wonder how they'll get
-along with mankind," he said.</p>
-
-<p>They were silent for a moment, considering. From somewhere in the
-fern jungle came a raucous animal cry. Both men looked up in quick
-apprehension, but moments passed and the animal did not appear.</p>
-
-<p>Finally de Terry said, "Maybe we'd better go back."</p>
-
-<p>"All right." Stiffly they climbed into the closet-sized interior of the
-time machine.</p>
-
-<p>Gordy stood with his hand on the control wheel, thinking about the
-ants. Assuming that they survived&mdash;assuming that in 40,000,000 years
-they grew larger and developed brains&mdash;what would happen? Would men
-be able to live in peace with them? Would it&mdash;might it not make men
-brothers, joined against an alien race?</p>
-
-<p>Might this thing prevent human war, and&mdash;his thoughts took an insane
-leap&mdash;could it have prevented the war that destroyed Gordy's family!</p>
-
-<p>Beside him, de Terry stirred restlessly. Gordy jumped, and turned the
-wheel, and was in the dark mathematical vortex which might have been a
-fourth dimension.</p>
-
-<hr class="tb" />
-
-<p>They stopped the machine in the middle of a city, but the city was not
-Detroit. It was not a human city at all.</p>
-
-<p>The machine was at rest in a narrow street, half blocking it. Around
-them towered conical metal structures, some of them a hundred feet
-high. There were vehicles moving in the street, one coming toward them
-and stopping.</p>
-
-<p>"Dr. Gordy!" de Terry whispered. "Do you see them?"</p>
-
-<p>Salva Gordy swallowed. "I see them," he said.</p>
-
-<p>He stepped out of the time machine and stood waiting to greet the race
-to which he had given life.</p>
-
-<p>For these were the children of ants in the three-wheeled vehicle.
-Behind a transparent windshield he could see them clearly.</p>
-
-<p>De Terry was standing close behind him now, and Gordy could feel the
-younger man's body shaking. "They're ugly things," Gordy said mildly.</p>
-
-<p>"Ugly! They're filthy!"</p>
-
-<p>The antlike creatures were as big as a man, but hard-looking and as
-obnoxious as blackbeetles. Their eyes, Gordy saw with surprise, had
-mutated more than their bodies. For, instead of faceted insect eyes,
-they possessed iris, cornea and pupil,&mdash;not round, or vertical like
-a cat's eyes, or horizontal like a horse's eyes, but irregular and
-blotchy. But they seemed like vertebrate's eyes, and they were strange
-and unnatural in the parchment blackness of an ant's bulged head.</p>
-
-<p>Gordy stepped forward, and simultaneously the ants came out of their
-vehicle. For a moment they faced each other, the humans and the ants,
-silently.</p>
-
-<p>"What do I do now?" Gordy asked de Terry over his shoulder.</p>
-
-<p>De Terry laughed&mdash;or gasped. Gordy wasn't sure. "Talk to them," he
-said. "What else is there to do?"</p>
-
-<p>Gordy swallowed. He resolutely did not attempt to speak in English
-to these creatures, knowing as surely as he knew his name that
-English&mdash;and probably any other language involving sound&mdash;would be
-incomprehensible to them. But he found himself smiling pacifically to
-them, and that was of course as bad ... the things had no expressions
-of their own, that he could see, and certainly they would have no
-precedent to help interpret a human smile.</p>
-
-<p>Gordy raised his hand in the semantically sound gesture of peace, and
-waited to see what the insects would do.</p>
-
-<p>They did nothing.</p>
-
-<p>Gordy bit his lip and, feeling idiotic, bowed stiffly to the ants.</p>
-
-<hr class="tb" />
-
-<p>The ants did nothing. De Terry said from behind, "Try talking to them,
-Dr. Gordy."</p>
-
-<p>"That's silly," Gordy said. "They can't hear." But it was no sillier
-than anything else. Irritably, but making the words very clear, he
-said, "We ... are ... friends."</p>
-
-<p>The ants did nothing. They just stood there, with the unwinking pupiled
-eyes fixed on Gordy. They didn't shift from foot to foot as a human
-might, or scratch themselves, or even show the small movement of human
-breathing. They just stood there.</p>
-
-<p>"Oh, for heaven's sake," said de Terry. "Here let me try."</p>
-
-<p>He stepped in front of Gordy and faced the ant-things. He pointed to
-himself. "I am human," he said. "Mammalian." He pointed to the ants.
-"You are insects. That&mdash;" he pointed to the time machine&mdash;"took us to
-the past, where we made it possible for you to exist." He waited for
-reaction, but there wasn't any. De Terry clicked his tongue and began
-again. He pointed to the tapering metal structures. "This is your
-city," he said.</p>
-
-<p>Gordy, listening to him, felt the hopelessness of the effort. Something
-disturbed the thin hairs at the back of his skull, and he reached
-absently to smooth them down. His hand encountered something hard and
-inanimate&mdash;not cold, but, like spongy wood, without temperature at all.
-He turned around. Behind them were half a dozen larger ants. Drones, he
-thought&mdash;or did ants have drones? "John," he said softly ... and the
-inefficient, fragile-looking pincer that had touched him clamped his
-shoulder. There was no strength to it, he thought at once. Until he
-moved, instinctively, to get away, and then a thousand sharp serrations
-slipped through the cloth of his coat and into the skin. It was like
-catching oneself on a cluster of tiny fishhooks. He shouted, "John!
-Watch out!"</p>
-
-<p>De Terry, bending low for the purpose of pointing at the caterpillar
-treads of the ant vehicle, straightened up, startled. He turned to run,
-and was caught in a step. Gordy heard him yell, but Gordy had troubles
-of his own and could spare no further attention for de Terry.</p>
-
-<p>When two of the ants had him, Gordy stopped struggling. He felt warm
-blood roll down his arm, and the pain was like being flayed. From where
-he hung between the ants, he could see the first two, still standing
-before their vehicle, still motionless.</p>
-
-<p>There was a sour reek in his nostrils, and he traced it to the ants
-that held him, and wondered if he smelled as bad to them. The two
-smaller ants abruptly stirred and moved forward rapidly on eight thin
-legs to the time machine. Gordy's captors turned and followed them, and
-for the first time since the scuffle he saw de Terry. The younger man
-was hanging limp from the lifted forelegs of a single ant, with two
-more standing guard beside. There was pulsing blood from a wound on de
-Terry's neck. Unconscious, Gordy thought mechanically, and turned his
-head to watch the ants at the machine.</p>
-
-<p>It was a disappointing sight. They merely stood there, and no one
-moved. Then Gordy heard de Terry grunt and swear weakly. "How are you,
-John?" he called.</p>
-
-<p>De Terry grimaced. "Not very good. What happened?"</p>
-
-<p>Gordy shook his head, and sought for words to answer. But the two ants
-turned in unison from the time machine and glided toward de Terry, and
-Gordy's words died in his throat. Delicately one of them extended a
-foreleg to touch de Terry's chest.</p>
-
-<p>Gordy saw it coming. "John!" he shrieked&mdash;and then it was all over, and
-de Terry's scream was harsh in his ear and he turned his head away.
-Dimly from the corner of his eye he could see the sawlike claws moving
-up and down, but there was no life left in Terry to protest.</p>
-
-<hr class="tb" />
-
-<p>Salva Gordy sat against a wall and looked at the ants who were looking
-at him. If it hadn't been for that which was done to de Terry, he
-thought, there would really be nothing to complain about.</p>
-
-<p>It was true that the ants had given him none of the comforts that
-humanity lavishes on even its criminals ... but they had fed him, and
-allowed him to sleep&mdash;when it suited their convenience, of course&mdash;and
-there were small signs that they were interested in his comfort, in
-their fashion. When the pulpy mush they first offered him came up
-thirty minutes later, his multi-legged hosts brought him a variety
-of foods, of which he was able to swallow some fairly palatable
-fruits. He was housed in a warm room. And, if it had neither chairs or
-windows, Gordy thought, that was only because ants had no use for these
-themselves. And he couldn't ask for them.</p>
-
-<p>That was the big drawback, he thought. That ... and the memory of John
-de Terry.</p>
-
-<p>He squirmed on the hard floor until his shoulder-blades found a new
-spot to prop themselves against, and stared again at the committee of
-ants who had come to see him.</p>
-
-<p>They were working an angular thing that looked like a camera&mdash;at least,
-it had a glittering something that might be a lens. Gordy stared into
-it sullenly. The sour reek was in his nostrils again....</p>
-
-<p>Gordy admitted to himself that things hadn't worked out just as he had
-planned. Deep under the surface of his mind&mdash;just now beginning to
-come out where he could see it&mdash;there had been a furtive hope. He had
-hoped that the rise of the ants, with the help he had given them, would
-aid and speed the rise of mankind. For hatred, Gordy knew, started in
-the recoil from things that were different. A man's first enemy is his
-family&mdash;for he sees them first&mdash;but he sides with them against the
-families across the way. And still his neighbors are allies against the
-Ghettos and Harlems of his town&mdash;and his town to him is the heart of
-the nation&mdash;and his nation commands life and death in war.</p>
-
-<p>For Gordy, there had been a buried hope that a separate race would
-make a whipping-boy for the passions of humanity. And that, if there
-were struggle, it would not be between man and man, but between the
-humans ... and the ants.</p>
-
-<p>There had been this buried hope, but the hope was denied. For the ants
-simply had not allowed man to rise.</p>
-
-<p>The ants put up their camera-like machine and Gordy looked up in
-expectation. Half a dozen of them left, and two stayed on. One was the
-smallish creature with a bangle on the foreleg which seemed to be his
-personal jailer; the other a stranger to Gordy, as far as he could tell.</p>
-
-<p>The two ants stood motionless for a period of time that Gordy found
-tedious. He changed his position, and lay on the floor, and thought of
-sleeping. But sleep would not come. There was no evading the knowledge
-that he had wiped out his own race&mdash;annihilated them by preventing them
-from birth, forty million years before his own time. He was like no
-other murderer since Cain, Gordy thought, and wondered that he felt no
-blood on his hands.</p>
-
-<p>There was a signal that he could not perceive, and his guardian ant
-came forward to him, nudged him outward from the wall. He moved as he
-was directed&mdash;out the low exit-hole (he had to navigate it on hands and
-knees) and down a corridor to the bright day outside.</p>
-
-<p>The light set Gordy blinking. Half blind, he followed the bangled
-ant across a square to a conical shed. More ants were waiting there,
-circled around a litter of metal parts.</p>
-
-<p>Gordy recognized them at once. It was his time machine, stripped piece
-by piece.</p>
-
-<p>After a moment the ant nudged him again, impatiently, and Gordy
-understood what they wanted. They had taken the machine apart for
-study, and they wanted it put together again.</p>
-
-<p>Pleased with the prospect of something to do with his fingers and his
-brain, Gordy grinned and reached for the curious ant-made tools....</p>
-
-<p>He ate four times, and slept once, never moving from the neighborhood
-of the cone-shaped shed. And then he was finished.</p>
-
-<p>Gordy stepped back. "It's all yours," he said proudly. "It'll take you
-anywhere. A present from humanity to you."</p>
-
-<p>The ants were very silent. Gordy looked at them and saw that there were
-drone-ants in the group, all still as statues.</p>
-
-<p>"Hey!" he said in startlement, unthinking. And then the needle-jawed
-ant claw took him from behind.</p>
-
-<p>Gordy had a moment of nausea&mdash;and then terror and hatred swept it away.</p>
-
-<p>Heedless of the needles that laced his skin, he struggled and kicked
-against the creatures that held him. One arm came free, leaving gobbets
-of flesh behind, and his heavy shod foot plunged into a pulpy eye. The
-ant made a whistling, gasping sound and stood erect on four hairy legs.</p>
-
-<p>Gordy felt himself jerked a dozen feet into the air, then flung free in
-the wild, silent agony of the ant. He crashed into the ground, cowering
-away from the staggering monster. Sobbing, he pushed himself to his
-feet; the machine was behind him; he turned and blundered into it a
-step ahead of the other ants, and spun the wheel.</p>
-
-<hr class="tb" />
-
-<p>A hollow insect leg, detached from the ant that had been closest to
-him, was flopping about on the floor of the machine; it had been that
-close.</p>
-
-<p>Gordy stopped the machine where it had started, on the same quivering,
-primordial bog, and lay crouched over the controls for a long time
-before he moved.</p>
-
-<p>He had made a mistake, he and de Terry; there weren't any doubts left
-at all. And there was ... there <i>might</i> be a way to right it.</p>
-
-<p>He looked out at the Coal Measure forest. The fern trees were not the
-fern trees he had seen before; the machine had been moved in space.
-But the time, he knew was identically the same; trust the machine for
-that. He thought: I gave the world to the ants, right here. I can take
-it back. I can find the ants I buried and crush them underfoot ... or
-intercept myself before I bury them....</p>
-
-<p>He got out of the machine, suddenly panicky. Urgency squinted his eyes
-as he peered around him.</p>
-
-<p>Death had been very close in the ant city; the reaction still left
-Gordy limp. And was he safe here? He remembered the violent animal
-scream he had heard before, and shuddered at the thought of furnishing
-a casual meal to some dinosaur ... while the ant queens lived safely to
-produce their horrid young.</p>
-
-<p>A gleam of metal through the fern trees made his heart leap. Burnished
-metal here could mean but one thing&mdash;the machine!</p>
-
-<p>Around a clump of fern trees, their bases covered with thick club
-mosses, he ran, and saw the machine ahead. He raced toward it&mdash;then
-came to a sudden stop, slipping on the damp ground.</p>
-
-<p>For there were <i>two</i> machines in sight.</p>
-
-<p>The farther machine was his own, and through the screening mosses he
-could see two figures standing in it, his own and de Terry's.</p>
-
-<p>But the nearer was a larger machine, and a strange design.</p>
-
-<p>And from it came a hastening mob&mdash;not a mob of men, but of black insect
-shapes racing toward him.</p>
-
-<p>Of course, thought Gordy, as he turned hopelessly to run&mdash;of course,
-the ants had infinite time to work in. Time enough to build a machine
-after the pattern of his own&mdash;and time to realize what they had to do
-to him, to insure their own race safety.</p>
-
-<p>Gordy stumbled, and the first of the black things was upon him.</p>
-
-<p>As his panicky lungs filled with air for the last time, Gordy knew what
-animal had screamed in the depths of the Coal Measure forest.</p>
-
-<hr class="chap" />
-
-<div class="figcenter">
- <img src="images/illus.jpg" alt=""/>
- <div class="caption">
- <p><i>He filled his lungs for one last scream.</i></p>
- </div>
-</div>
-
-<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK LET THE ANTS TRY ***</div>
-<div style='text-align:left'>
-
-<div style='display:block; margin:1em 0'>
-Updated editions will replace the previous one&#8212;the old editions will
-be renamed.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-</div>
-
-<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br />
-<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br />
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span>
-</div>
-
-<div style='display:block; margin:1em 0'>
-To protect the Project Gutenberg&#8482; mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase &#8220;Project
-Gutenberg&#8221;), you agree to comply with all the terms of the Full
-Project Gutenberg&#8482; License available with this file or online at
-www.gutenberg.org/license.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.A. By reading or using any part of this Project Gutenberg&#8482;
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg&#8482; electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg&#8482; electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the person
-or entity to whom you paid the fee as set forth in paragraph 1.E.8.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg&#8482; electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg&#8482; electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg&#8482;
-electronic works. See paragraph 1.E below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
-Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg&#8482; electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg&#8482; mission of promoting
-free access to electronic works by freely sharing Project Gutenberg&#8482;
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg&#8482; name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg&#8482; License when
-you share it without charge with others.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg&#8482; work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E. Unless you have removed all references to Project Gutenberg:
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg&#8482; License must appear
-prominently whenever any copy of a Project Gutenberg&#8482; work (any work
-on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
-phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-</div>
-
-<blockquote>
- <div style='display:block; margin:1em 0'>
- This eBook is for the use of anyone anywhere in the United States and most
- other parts of the world at no cost and with almost no restrictions
- whatsoever. You may copy it, give it away or re-use it under the terms
- of the Project Gutenberg License included with this eBook or online
- at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
- are not located in the United States, you will have to check the laws
- of the country where you are located before using this eBook.
- </div>
-</blockquote>
-
-<div style='display:block; margin:1em 0'>
-1.E.2. If an individual Project Gutenberg&#8482; electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase &#8220;Project
-Gutenberg&#8221; associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg&#8482;
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg&#8482; License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg&#8482;.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg&#8482; License.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg&#8482; work in a format
-other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
-version posted on the official Project Gutenberg&#8482; website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original &#8220;Plain
-Vanilla ASCII&#8221; or other form. Any alternate format must include the
-full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg&#8482; works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg&#8482; electronic works
-provided that:
-</div>
-
-<div style='margin-left:0.7em;'>
- <div style='text-indent:-0.7em'>
- &bull; You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg&#8482; works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg&#8482; trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, &#8220;Information about donations to the Project Gutenberg
- Literary Archive Foundation.&#8221;
- </div>
-
- <div style='text-indent:-0.7em'>
- &bull; You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg&#8482;
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg&#8482;
- works.
- </div>
-
- <div style='text-indent:-0.7em'>
- &bull; You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
- </div>
-
- <div style='text-indent:-0.7em'>
- &bull; You comply with all other terms of this agreement for free
- distribution of Project Gutenberg&#8482; works.
- </div>
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg&#8482; electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg&#8482; trademark. Contact the Foundation as set
-forth in Section 3 below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
-electronic works, and the medium on which they may be stored, may
-contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
-of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg&#8482; trademark, and any other party distributing a Project
-Gutenberg&#8482; electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg&#8482; electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg&#8482;
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg&#8482; work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg&#8482; work, and (c) any
-Defect you cause.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 2. Information about the Mission of Project Gutenberg&#8482;
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg&#8482;&#8217;s
-goals and ensuring that the Project Gutenberg&#8482; collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg&#8482; and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation&#8217;s EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state&#8217;s laws.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation&#8217;s business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation&#8217;s website
-and official page at www.gutenberg.org/contact
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; depends upon and cannot survive without widespread
-public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular state
-visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-</div>
-
-<div style='display:block; margin:1em 0'>
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 5. General Information About Project Gutenberg&#8482; electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-Professor Michael S. Hart was the originator of the Project
-Gutenberg&#8482; concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg&#8482; eBooks with only a loose network of
-volunteer support.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Most people start at our website which has the main PG search
-facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-This website includes information about Project Gutenberg&#8482;,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-</div>
-
-</div>
-
-</body>
-</html>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" />
+ <meta http-equiv="Content-Style-Type" content="text/css" />
+ <title>
+ The Project Gutenberg eBook of Let the Ants Try, by James Maccreigh.
+ </title>
+ <link rel="coverpage" href="images/cover.jpg" />
+
+ <style type="text/css">
+
+body {
+ margin-left: 10%;
+ margin-right: 10%;
+}
+
+ h1,h2 {
+ text-align: center; /* all headings centered */
+ clear: both;
+}
+
+p {
+ margin-top: .51em;
+ text-align: justify;
+ margin-bottom: .49em;
+}
+
+hr {
+ width: 33%;
+ margin-top: 2em;
+ margin-bottom: 2em;
+ margin-left: 33.5%;
+ margin-right: 33.5%;
+ clear: both;
+}
+
+hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;}
+hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;}
+
+.center {text-align: center;}
+
+.right {text-align: right;}
+
+/* Images */
+.figcenter {
+ margin: auto;
+ text-align: center;
+}
+
+.caption p
+{
+ text-align: center;
+ text-indent: 0;
+ margin: 0.25em 0;
+}
+
+div.titlepage {
+ text-align: center;
+ page-break-before: always;
+ page-break-after: always;
+}
+
+div.titlepage p {
+ text-align: center;
+ text-indent: 0em;
+ font-weight: bold;
+ line-height: 1.5;
+ margin-top: 3em;
+}
+
+ </style>
+ </head>
+<body>
+<div>*** START OF THE PROJECT GUTENBERG EBOOK 64631 ***</div>
+
+<div class="titlepage">
+
+<h1>Let The Ants Try</h1>
+
+<h2>By JAMES MacCREIGH</h2>
+
+<p>Dr. Salva Gordy looked at the radioactive smear that<br />
+had been Detroit. Then he looked down at the boiling<br />
+anthill. Why not, he thought excitedly, why not?...</p>
+
+<p>[Transcriber's Note: This etext was produced from<br />
+Planet Stories Winter 1949.<br />
+Extensive research did not uncover any evidence that<br />
+the U.S. copyright on this publication was renewed.]</p>
+
+</div>
+
+<hr class="chap" />
+
+<p>Gordy survived the Three-Hour War, even though Detroit didn't; he was
+on his way to Washington, with his blueprints and models in his bag,
+when the bombs struck.</p>
+
+<p>He had left his wife behind in the city, and not even a trace of her
+body was ever found. The children, of course, weren't as lucky as that.
+Their summer camp was less than twenty miles away, and unfortunately
+in the direction of the prevailing wind. But they were not in any pain
+until the last few days of the month they had left to live. Gordy
+managed to fight his way back through the snarled, frantic airline
+controls to them. Even though he knew they would certainly die of
+radiation sickness, and they suspected it, there was still a whole
+blessed week of companionship before the pain got too bad.</p>
+
+<p>That was about all the companionship Gordy had for the whole year of
+1960.</p>
+
+<p>He came back to Detroit, as soon as the radioactivity had died down;
+he had nowhere else to go. He found a house on the outskirts of the
+city, and tried to locate someone to buy it from. But the Emergency
+Administration laughed at him. "Move in, if you're crazy enough to
+stay."</p>
+
+<p>When Gordy thought about it all, it occurred to him that he was in
+a sort of state of shock. His fine, trained mind almost stopped
+functioning. He ate and slept, and when it grew cold he shivered and
+built fires, and that was all. The War Department wrote him two or
+three times, and finally a government man came around to ask what had
+happened to the things that Gordy had promised to bring to Washington.
+But he looked queerly at the pink, hairless mice that fed unmolested in
+the filthy kitchen, and he stood a careful distance away from Gordy's
+hairy face and torn clothes.</p>
+
+<p>He said, "The Secretary sent me here, Mr. Gordy. He takes a personal
+interest in your discovery."</p>
+
+<p>Gordy shook his head. "The Secretary is dead," he said. "They were all
+killed when Washington went."</p>
+
+<p>"There's a new Secretary," the man explained. He puffed on his
+cigarette and tossed it into the patch Gordy was scrabbling into a
+truck garden. "Arnold Cavanagh. He knows a great deal about you, and he
+told me, 'If Salva Gordy has a weapon, we must have it. Our strength
+has been shattered. Tell Gordy we need his help'."</p>
+
+<p>Gordy crossed his hands like a lean Buddha.</p>
+
+<p>"I haven't got a weapon," he said.</p>
+
+<p>"You have something that can be used as a weapon. You wrote to
+Washington, before the War came, and said&mdash;"</p>
+
+<p>"The War is over," said Salva Gordy. The government man sighed, and
+tried again, but in the end he went away. He never came back. The
+thing, Gordy thought, was undoubtedly written off as a crackpot idea
+after the man made his report; it was exactly that kind of a discovery,
+anyhow.</p>
+
+<hr class="tb" />
+
+<p>It was May when John de Terry appeared. Gordy was spading his garden.
+"Give me something to eat," said the voice behind Gordy's back.</p>
+
+<p>Salva Gordy turned around and saw the small, dirty man who spoke. He
+rubbed his mouth with the back of his hand. "You'll have to work for
+it," he said.</p>
+
+<p>"All right." The newcomer set down his pack. "My name is John de Terry.
+I used to live here in Detroit."</p>
+
+<p>Salva Gordy said, "So did I."</p>
+
+<p>Gordy fed the man, and accepted a cigarette from him after they had
+eaten. The first puffs made him light-headed&mdash;it had been that long
+since he'd smoked&mdash;and through the smoke he looked at John de Terry
+amiably enough. Company would be all right, he thought. The pink mice
+had been company, of a sort&mdash;but it turned out that the mutation that
+made them hairless had also given them an appetite for meat. And after
+the morning when he had awakened to find tiny tooth-marks in his leg,
+he'd had to destroy them. And there had been no other animal since,
+nothing but the ants.</p>
+
+<p>"Are you going to stay?" Gordy asked.</p>
+
+<p>De Terry said, "If I can. What's your name?" When Gordy told him, some
+of the animal look went out of his eyes, and wonder took its place.
+"<i>Doctor</i> Salva Gordy?" he asked. "Mathematics and physics in Pasadena?"</p>
+
+<p>"Yes, I used to teach at Pasadena."</p>
+
+<p>"And I studied there." John de Terry rubbed absently at his ruined
+clothes. "That was a long time ago. You didn't know me; I majored in
+biology. But I knew you."</p>
+
+<p>Gordy stood up and carefully put out the stub of his cigarette. "It was
+too long ago," he said. "I hardly remember. Shall we work in the garden
+now?"</p>
+
+<p>Together they sweated in the spring sunlight that afternoon, and Gordy
+discovered that what had been hard work for one man went quickly enough
+for two. They worked clear to the edge of the plot before the sun
+reached the horizon. John de Terry stopped and leaned on his spade,
+panting.</p>
+
+<p>He gestured to the rank growth beyond Gordy's patch. "We can make a
+bigger garden," he said. "Clear out that truck, and plant more food. We
+might even&mdash;" He stopped. Gordy was shaking his head.</p>
+
+<p>"You can't clear it out," said Gordy. "It's rank stuff, a sort of
+crabgrass with a particularly tough root. I can't even cut it. It's all
+around here, and it's spreading."</p>
+
+<p>De Terry grimaced. "Mutation?"</p>
+
+<p>"I think so. And look." Gordy beckoned to the other man and led him to
+the very edge of the cleared area. He bent down, picked up something
+red and wriggling between his thumb and forefinger.</p>
+
+<p>De Terry took it from his hand. "Another mutation?" He brought
+the thing close to his eyes. "It's almost like an ant," he said.
+"Except&mdash;well, the thorax is all wrong. And it's soft-bodied." He fell
+silent, examining the thing.</p>
+
+<p>He said something under his breath, and threw the insect from him.
+"You wouldn't have a microscope, I suppose? No&mdash;and yet, that thing is
+hard to believe. It's an ant, but it doesn't seem to have a tracheal
+breathing system at all. It's something different."</p>
+
+<p>"Everything's different," Gordy said. He pointed to a couple of
+abandoned rows. "I had carrots there. At least, I thought they were
+carrots; when I tried to eat them they made me sick." He sighed
+heavily. "Humanity has had its chance, John," he said. "The atomic bomb
+wasn't enough; we had to turn everything into a weapon. Even I, I made
+a weapon out of something that had nothing to do with war. And our
+weapons have blown up in our faces."</p>
+
+<p>De Terry grinned. "Maybe the ants will do better. It's their turn now."</p>
+
+<p>"I wish it were." Gordy stirred earth over the boiling entrance to an
+anthole and watched the insects in their consternation. "They're too
+small, I'm afraid."</p>
+
+<p>"Why, no. These ants are different, Dr. Gordy. Insects have always been
+small because their breathing system is so poor. But these are mutated.
+I think&mdash;I think they actually have lungs. They could grow, Dr. Gordy.
+And if ants were the size of men ... they'd rule the world."</p>
+
+<p>"Lunged ants!" Gordy's eyes gleamed. "Perhaps they will rule the world,
+John. Perhaps when the human race finally blows itself up once and for
+all...."</p>
+
+<p>De Terry shook his head, and looked down again at his tattered, filthy
+clothes. "The next blow-up is the last blow-up," he said. "The ants
+come too late, by millions and millions of years."</p>
+
+<p>He picked up his spade. "I'm hungry again, Dr. Gordy," he said.</p>
+
+<p>They went back to the house and, without conversation, they ate. Gordy
+was preoccupied, and de Terry was too new in the household to force him
+to talk.</p>
+
+<p>It was sundown when they had finished, and Gordy moved slowly to light
+a lamp. Then he stopped.</p>
+
+<p>"It's your first night, John," he said. "Come down cellar. We'll start
+the generator and have real electric lights in your honor."</p>
+
+<p>De Terry followed the older man down a flight of stairs, groping in
+the dark. By candlelight they worked over a gasoline generator; it was
+stiff from disuse, but once it started it ran cleanly. "I salvaged it
+from my own," Gordy explained. "The generator&mdash;and that."</p>
+
+<p>He swept an arm toward a corner of the basement. "I told you I invented
+a weapon," he added. "That's it."</p>
+
+<p>De Terry looked. It was as much like a cage as anything, he
+thought&mdash;the height of a man and almost cubical. "What does it do?" he
+asked.</p>
+
+<p>For the first time in months, Salva Gordy smiled. "I can't tell you in
+English," he said. "And I doubt that you speak mathematics. The closest
+I can come is to say that it displaces temporal co-ordinates. Is that
+gibberish?"</p>
+
+<p>"It is," said de Terry. "What does it do?"</p>
+
+<p>"Well, the War Department had a name for it&mdash;a name they borrowed from
+H. G. Wells. They called it a Time Machine." He met de Terry's shocked,
+bewildered stare calmly. "A time machine," he repeated. "You see, John,
+we can give the ants a chance after all, if you like."</p>
+
+<hr class="tb" />
+
+<p>Fourteen hours later they stepped into the cage, its batteries charged
+again and its strange motor whining....</p>
+
+<p>And, forty million years earlier, they stepped out onto quaking humid
+soil.</p>
+
+<p>Gordy felt himself trembling, and with an effort managed to stop. "No
+dinosaurs or saber-toothed tigers in sight," he reported.</p>
+
+<p>"Not for a long time yet," de Terry agreed. Then, "My Lord!"</p>
+
+<p>He looked around him with his mouth open wide. There was no wind, and
+the air was warm and wet. Large trees were clustered quite thickly
+around them&mdash;or what looked like trees; de Terry decided they were
+rather some sort of soft-stemmed ferns or fungi. Overhead was deep
+cloud.</p>
+
+<p>Gordy shivered. "Give me the ants," he ordered.</p>
+
+<p>Silently de Terry handed them over. Gordy poked a hole in the soft
+earth with his finger and carefully tilted the flask, dropped one of
+the ant queens he had unearthed in the back yard. From her belly hung
+a slimy mass of eggs. A few yards away&mdash;it should have been farther,
+he thought, but he was afraid to get too far from de Terry and the
+machine&mdash;he made another hole and repeated the process.</p>
+
+<p>There were eight queens. When the eighth was buried he flung the bottle
+away and came back to de Terry.</p>
+
+<p>"That's it," he said.</p>
+
+<p>De Terry exhaled. His solemn face cracked in a sudden embarrassed
+smile. "I&mdash;I guess I feel like God," he said. "Good lord, Dr. Gordy!
+Talk about your great moments in history&mdash;this is all of them! I've
+been thinking about it, and the only event I can remember that measures
+up is the Flood. Not even that. We've created a race!"</p>
+
+<p>"If they survive, we have." Gordy wiped a drop of condensed moisture
+off the side of his time machine and puffed. "I wonder how they'll get
+along with mankind," he said.</p>
+
+<p>They were silent for a moment, considering. From somewhere in the
+fern jungle came a raucous animal cry. Both men looked up in quick
+apprehension, but moments passed and the animal did not appear.</p>
+
+<p>Finally de Terry said, "Maybe we'd better go back."</p>
+
+<p>"All right." Stiffly they climbed into the closet-sized interior of the
+time machine.</p>
+
+<p>Gordy stood with his hand on the control wheel, thinking about the
+ants. Assuming that they survived&mdash;assuming that in 40,000,000 years
+they grew larger and developed brains&mdash;what would happen? Would men
+be able to live in peace with them? Would it&mdash;might it not make men
+brothers, joined against an alien race?</p>
+
+<p>Might this thing prevent human war, and&mdash;his thoughts took an insane
+leap&mdash;could it have prevented the war that destroyed Gordy's family!</p>
+
+<p>Beside him, de Terry stirred restlessly. Gordy jumped, and turned the
+wheel, and was in the dark mathematical vortex which might have been a
+fourth dimension.</p>
+
+<hr class="tb" />
+
+<p>They stopped the machine in the middle of a city, but the city was not
+Detroit. It was not a human city at all.</p>
+
+<p>The machine was at rest in a narrow street, half blocking it. Around
+them towered conical metal structures, some of them a hundred feet
+high. There were vehicles moving in the street, one coming toward them
+and stopping.</p>
+
+<p>"Dr. Gordy!" de Terry whispered. "Do you see them?"</p>
+
+<p>Salva Gordy swallowed. "I see them," he said.</p>
+
+<p>He stepped out of the time machine and stood waiting to greet the race
+to which he had given life.</p>
+
+<p>For these were the children of ants in the three-wheeled vehicle.
+Behind a transparent windshield he could see them clearly.</p>
+
+<p>De Terry was standing close behind him now, and Gordy could feel the
+younger man's body shaking. "They're ugly things," Gordy said mildly.</p>
+
+<p>"Ugly! They're filthy!"</p>
+
+<p>The antlike creatures were as big as a man, but hard-looking and as
+obnoxious as blackbeetles. Their eyes, Gordy saw with surprise, had
+mutated more than their bodies. For, instead of faceted insect eyes,
+they possessed iris, cornea and pupil,&mdash;not round, or vertical like
+a cat's eyes, or horizontal like a horse's eyes, but irregular and
+blotchy. But they seemed like vertebrate's eyes, and they were strange
+and unnatural in the parchment blackness of an ant's bulged head.</p>
+
+<p>Gordy stepped forward, and simultaneously the ants came out of their
+vehicle. For a moment they faced each other, the humans and the ants,
+silently.</p>
+
+<p>"What do I do now?" Gordy asked de Terry over his shoulder.</p>
+
+<p>De Terry laughed&mdash;or gasped. Gordy wasn't sure. "Talk to them," he
+said. "What else is there to do?"</p>
+
+<p>Gordy swallowed. He resolutely did not attempt to speak in English
+to these creatures, knowing as surely as he knew his name that
+English&mdash;and probably any other language involving sound&mdash;would be
+incomprehensible to them. But he found himself smiling pacifically to
+them, and that was of course as bad ... the things had no expressions
+of their own, that he could see, and certainly they would have no
+precedent to help interpret a human smile.</p>
+
+<p>Gordy raised his hand in the semantically sound gesture of peace, and
+waited to see what the insects would do.</p>
+
+<p>They did nothing.</p>
+
+<p>Gordy bit his lip and, feeling idiotic, bowed stiffly to the ants.</p>
+
+<hr class="tb" />
+
+<p>The ants did nothing. De Terry said from behind, "Try talking to them,
+Dr. Gordy."</p>
+
+<p>"That's silly," Gordy said. "They can't hear." But it was no sillier
+than anything else. Irritably, but making the words very clear, he
+said, "We ... are ... friends."</p>
+
+<p>The ants did nothing. They just stood there, with the unwinking pupiled
+eyes fixed on Gordy. They didn't shift from foot to foot as a human
+might, or scratch themselves, or even show the small movement of human
+breathing. They just stood there.</p>
+
+<p>"Oh, for heaven's sake," said de Terry. "Here let me try."</p>
+
+<p>He stepped in front of Gordy and faced the ant-things. He pointed to
+himself. "I am human," he said. "Mammalian." He pointed to the ants.
+"You are insects. That&mdash;" he pointed to the time machine&mdash;"took us to
+the past, where we made it possible for you to exist." He waited for
+reaction, but there wasn't any. De Terry clicked his tongue and began
+again. He pointed to the tapering metal structures. "This is your
+city," he said.</p>
+
+<p>Gordy, listening to him, felt the hopelessness of the effort. Something
+disturbed the thin hairs at the back of his skull, and he reached
+absently to smooth them down. His hand encountered something hard and
+inanimate&mdash;not cold, but, like spongy wood, without temperature at all.
+He turned around. Behind them were half a dozen larger ants. Drones, he
+thought&mdash;or did ants have drones? "John," he said softly ... and the
+inefficient, fragile-looking pincer that had touched him clamped his
+shoulder. There was no strength to it, he thought at once. Until he
+moved, instinctively, to get away, and then a thousand sharp serrations
+slipped through the cloth of his coat and into the skin. It was like
+catching oneself on a cluster of tiny fishhooks. He shouted, "John!
+Watch out!"</p>
+
+<p>De Terry, bending low for the purpose of pointing at the caterpillar
+treads of the ant vehicle, straightened up, startled. He turned to run,
+and was caught in a step. Gordy heard him yell, but Gordy had troubles
+of his own and could spare no further attention for de Terry.</p>
+
+<p>When two of the ants had him, Gordy stopped struggling. He felt warm
+blood roll down his arm, and the pain was like being flayed. From where
+he hung between the ants, he could see the first two, still standing
+before their vehicle, still motionless.</p>
+
+<p>There was a sour reek in his nostrils, and he traced it to the ants
+that held him, and wondered if he smelled as bad to them. The two
+smaller ants abruptly stirred and moved forward rapidly on eight thin
+legs to the time machine. Gordy's captors turned and followed them, and
+for the first time since the scuffle he saw de Terry. The younger man
+was hanging limp from the lifted forelegs of a single ant, with two
+more standing guard beside. There was pulsing blood from a wound on de
+Terry's neck. Unconscious, Gordy thought mechanically, and turned his
+head to watch the ants at the machine.</p>
+
+<p>It was a disappointing sight. They merely stood there, and no one
+moved. Then Gordy heard de Terry grunt and swear weakly. "How are you,
+John?" he called.</p>
+
+<p>De Terry grimaced. "Not very good. What happened?"</p>
+
+<p>Gordy shook his head, and sought for words to answer. But the two ants
+turned in unison from the time machine and glided toward de Terry, and
+Gordy's words died in his throat. Delicately one of them extended a
+foreleg to touch de Terry's chest.</p>
+
+<p>Gordy saw it coming. "John!" he shrieked&mdash;and then it was all over, and
+de Terry's scream was harsh in his ear and he turned his head away.
+Dimly from the corner of his eye he could see the sawlike claws moving
+up and down, but there was no life left in Terry to protest.</p>
+
+<hr class="tb" />
+
+<p>Salva Gordy sat against a wall and looked at the ants who were looking
+at him. If it hadn't been for that which was done to de Terry, he
+thought, there would really be nothing to complain about.</p>
+
+<p>It was true that the ants had given him none of the comforts that
+humanity lavishes on even its criminals ... but they had fed him, and
+allowed him to sleep&mdash;when it suited their convenience, of course&mdash;and
+there were small signs that they were interested in his comfort, in
+their fashion. When the pulpy mush they first offered him came up
+thirty minutes later, his multi-legged hosts brought him a variety
+of foods, of which he was able to swallow some fairly palatable
+fruits. He was housed in a warm room. And, if it had neither chairs or
+windows, Gordy thought, that was only because ants had no use for these
+themselves. And he couldn't ask for them.</p>
+
+<p>That was the big drawback, he thought. That ... and the memory of John
+de Terry.</p>
+
+<p>He squirmed on the hard floor until his shoulder-blades found a new
+spot to prop themselves against, and stared again at the committee of
+ants who had come to see him.</p>
+
+<p>They were working an angular thing that looked like a camera&mdash;at least,
+it had a glittering something that might be a lens. Gordy stared into
+it sullenly. The sour reek was in his nostrils again....</p>
+
+<p>Gordy admitted to himself that things hadn't worked out just as he had
+planned. Deep under the surface of his mind&mdash;just now beginning to
+come out where he could see it&mdash;there had been a furtive hope. He had
+hoped that the rise of the ants, with the help he had given them, would
+aid and speed the rise of mankind. For hatred, Gordy knew, started in
+the recoil from things that were different. A man's first enemy is his
+family&mdash;for he sees them first&mdash;but he sides with them against the
+families across the way. And still his neighbors are allies against the
+Ghettos and Harlems of his town&mdash;and his town to him is the heart of
+the nation&mdash;and his nation commands life and death in war.</p>
+
+<p>For Gordy, there had been a buried hope that a separate race would
+make a whipping-boy for the passions of humanity. And that, if there
+were struggle, it would not be between man and man, but between the
+humans ... and the ants.</p>
+
+<p>There had been this buried hope, but the hope was denied. For the ants
+simply had not allowed man to rise.</p>
+
+<p>The ants put up their camera-like machine and Gordy looked up in
+expectation. Half a dozen of them left, and two stayed on. One was the
+smallish creature with a bangle on the foreleg which seemed to be his
+personal jailer; the other a stranger to Gordy, as far as he could tell.</p>
+
+<p>The two ants stood motionless for a period of time that Gordy found
+tedious. He changed his position, and lay on the floor, and thought of
+sleeping. But sleep would not come. There was no evading the knowledge
+that he had wiped out his own race&mdash;annihilated them by preventing them
+from birth, forty million years before his own time. He was like no
+other murderer since Cain, Gordy thought, and wondered that he felt no
+blood on his hands.</p>
+
+<p>There was a signal that he could not perceive, and his guardian ant
+came forward to him, nudged him outward from the wall. He moved as he
+was directed&mdash;out the low exit-hole (he had to navigate it on hands and
+knees) and down a corridor to the bright day outside.</p>
+
+<p>The light set Gordy blinking. Half blind, he followed the bangled
+ant across a square to a conical shed. More ants were waiting there,
+circled around a litter of metal parts.</p>
+
+<p>Gordy recognized them at once. It was his time machine, stripped piece
+by piece.</p>
+
+<p>After a moment the ant nudged him again, impatiently, and Gordy
+understood what they wanted. They had taken the machine apart for
+study, and they wanted it put together again.</p>
+
+<p>Pleased with the prospect of something to do with his fingers and his
+brain, Gordy grinned and reached for the curious ant-made tools....</p>
+
+<p>He ate four times, and slept once, never moving from the neighborhood
+of the cone-shaped shed. And then he was finished.</p>
+
+<p>Gordy stepped back. "It's all yours," he said proudly. "It'll take you
+anywhere. A present from humanity to you."</p>
+
+<p>The ants were very silent. Gordy looked at them and saw that there were
+drone-ants in the group, all still as statues.</p>
+
+<p>"Hey!" he said in startlement, unthinking. And then the needle-jawed
+ant claw took him from behind.</p>
+
+<p>Gordy had a moment of nausea&mdash;and then terror and hatred swept it away.</p>
+
+<p>Heedless of the needles that laced his skin, he struggled and kicked
+against the creatures that held him. One arm came free, leaving gobbets
+of flesh behind, and his heavy shod foot plunged into a pulpy eye. The
+ant made a whistling, gasping sound and stood erect on four hairy legs.</p>
+
+<p>Gordy felt himself jerked a dozen feet into the air, then flung free in
+the wild, silent agony of the ant. He crashed into the ground, cowering
+away from the staggering monster. Sobbing, he pushed himself to his
+feet; the machine was behind him; he turned and blundered into it a
+step ahead of the other ants, and spun the wheel.</p>
+
+<hr class="tb" />
+
+<p>A hollow insect leg, detached from the ant that had been closest to
+him, was flopping about on the floor of the machine; it had been that
+close.</p>
+
+<p>Gordy stopped the machine where it had started, on the same quivering,
+primordial bog, and lay crouched over the controls for a long time
+before he moved.</p>
+
+<p>He had made a mistake, he and de Terry; there weren't any doubts left
+at all. And there was ... there <i>might</i> be a way to right it.</p>
+
+<p>He looked out at the Coal Measure forest. The fern trees were not the
+fern trees he had seen before; the machine had been moved in space.
+But the time, he knew was identically the same; trust the machine for
+that. He thought: I gave the world to the ants, right here. I can take
+it back. I can find the ants I buried and crush them underfoot ... or
+intercept myself before I bury them....</p>
+
+<p>He got out of the machine, suddenly panicky. Urgency squinted his eyes
+as he peered around him.</p>
+
+<p>Death had been very close in the ant city; the reaction still left
+Gordy limp. And was he safe here? He remembered the violent animal
+scream he had heard before, and shuddered at the thought of furnishing
+a casual meal to some dinosaur ... while the ant queens lived safely to
+produce their horrid young.</p>
+
+<p>A gleam of metal through the fern trees made his heart leap. Burnished
+metal here could mean but one thing&mdash;the machine!</p>
+
+<p>Around a clump of fern trees, their bases covered with thick club
+mosses, he ran, and saw the machine ahead. He raced toward it&mdash;then
+came to a sudden stop, slipping on the damp ground.</p>
+
+<p>For there were <i>two</i> machines in sight.</p>
+
+<p>The farther machine was his own, and through the screening mosses he
+could see two figures standing in it, his own and de Terry's.</p>
+
+<p>But the nearer was a larger machine, and a strange design.</p>
+
+<p>And from it came a hastening mob&mdash;not a mob of men, but of black insect
+shapes racing toward him.</p>
+
+<p>Of course, thought Gordy, as he turned hopelessly to run&mdash;of course,
+the ants had infinite time to work in. Time enough to build a machine
+after the pattern of his own&mdash;and time to realize what they had to do
+to him, to insure their own race safety.</p>
+
+<p>Gordy stumbled, and the first of the black things was upon him.</p>
+
+<p>As his panicky lungs filled with air for the last time, Gordy knew what
+animal had screamed in the depths of the Coal Measure forest.</p>
+
+<hr class="chap" />
+
+<div class="figcenter">
+ <img src="images/illus.jpg" alt=""/>
+ <div class="caption">
+ <p><i>He filled his lungs for one last scream.</i></p>
+ </div>
+</div>
+
+<div>*** END OF THE PROJECT GUTENBERG EBOOK 64631 ***</div>
+</body>
+</html>
diff --git a/old/64631-0.txt b/old/64631-0.txt
new file mode 100644
index 0000000..d5cb3e1
--- /dev/null
+++ b/old/64631-0.txt
@@ -0,0 +1,936 @@
+The Project Gutenberg eBook of Let the Ants Try, by James MacCreigh
+
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online at
+www.gutenberg.org. If you are not located in the United States, you
+will have to check the laws of the country where you are located before
+using this eBook.
+
+Title: Let the Ants Try
+
+Author: James MacCreigh
+
+Release Date: February 25, 2021 [eBook #64631]
+
+Language: English
+
+Character set encoding: UTF-8
+
+Produced by: Greg Weeks, Mary Meehan and the Online Distributed
+ Proofreading Team at http://www.pgdp.net
+
+*** START OF THE PROJECT GUTENBERG EBOOK LET THE ANTS TRY ***
+
+
+
+
+ Let The Ants Try
+
+ By JAMES MacCREIGH
+
+ Dr. Salva Gordy looked at the radioactive smear that
+ had been Detroit. Then he looked down at the boiling
+ anthill. Why not, he thought excitedly, why not?...
+
+ [Transcriber's Note: This etext was produced from
+ Planet Stories Winter 1949.
+ Extensive research did not uncover any evidence that
+ the U.S. copyright on this publication was renewed.]
+
+
+Gordy survived the Three-Hour War, even though Detroit didn't; he was
+on his way to Washington, with his blueprints and models in his bag,
+when the bombs struck.
+
+He had left his wife behind in the city, and not even a trace of her
+body was ever found. The children, of course, weren't as lucky as that.
+Their summer camp was less than twenty miles away, and unfortunately
+in the direction of the prevailing wind. But they were not in any pain
+until the last few days of the month they had left to live. Gordy
+managed to fight his way back through the snarled, frantic airline
+controls to them. Even though he knew they would certainly die of
+radiation sickness, and they suspected it, there was still a whole
+blessed week of companionship before the pain got too bad.
+
+That was about all the companionship Gordy had for the whole year of
+1960.
+
+He came back to Detroit, as soon as the radioactivity had died down;
+he had nowhere else to go. He found a house on the outskirts of the
+city, and tried to locate someone to buy it from. But the Emergency
+Administration laughed at him. "Move in, if you're crazy enough to
+stay."
+
+When Gordy thought about it all, it occurred to him that he was in
+a sort of state of shock. His fine, trained mind almost stopped
+functioning. He ate and slept, and when it grew cold he shivered and
+built fires, and that was all. The War Department wrote him two or
+three times, and finally a government man came around to ask what had
+happened to the things that Gordy had promised to bring to Washington.
+But he looked queerly at the pink, hairless mice that fed unmolested in
+the filthy kitchen, and he stood a careful distance away from Gordy's
+hairy face and torn clothes.
+
+He said, "The Secretary sent me here, Mr. Gordy. He takes a personal
+interest in your discovery."
+
+Gordy shook his head. "The Secretary is dead," he said. "They were all
+killed when Washington went."
+
+"There's a new Secretary," the man explained. He puffed on his
+cigarette and tossed it into the patch Gordy was scrabbling into a
+truck garden. "Arnold Cavanagh. He knows a great deal about you, and he
+told me, 'If Salva Gordy has a weapon, we must have it. Our strength
+has been shattered. Tell Gordy we need his help'."
+
+Gordy crossed his hands like a lean Buddha.
+
+"I haven't got a weapon," he said.
+
+"You have something that can be used as a weapon. You wrote to
+Washington, before the War came, and said--"
+
+"The War is over," said Salva Gordy. The government man sighed, and
+tried again, but in the end he went away. He never came back. The
+thing, Gordy thought, was undoubtedly written off as a crackpot idea
+after the man made his report; it was exactly that kind of a discovery,
+anyhow.
+
+ * * * * *
+
+It was May when John de Terry appeared. Gordy was spading his garden.
+"Give me something to eat," said the voice behind Gordy's back.
+
+Salva Gordy turned around and saw the small, dirty man who spoke. He
+rubbed his mouth with the back of his hand. "You'll have to work for
+it," he said.
+
+"All right." The newcomer set down his pack. "My name is John de Terry.
+I used to live here in Detroit."
+
+Salva Gordy said, "So did I."
+
+Gordy fed the man, and accepted a cigarette from him after they had
+eaten. The first puffs made him light-headed--it had been that long
+since he'd smoked--and through the smoke he looked at John de Terry
+amiably enough. Company would be all right, he thought. The pink mice
+had been company, of a sort--but it turned out that the mutation that
+made them hairless had also given them an appetite for meat. And after
+the morning when he had awakened to find tiny tooth-marks in his leg,
+he'd had to destroy them. And there had been no other animal since,
+nothing but the ants.
+
+"Are you going to stay?" Gordy asked.
+
+De Terry said, "If I can. What's your name?" When Gordy told him, some
+of the animal look went out of his eyes, and wonder took its place.
+"_Doctor_ Salva Gordy?" he asked. "Mathematics and physics in Pasadena?"
+
+"Yes, I used to teach at Pasadena."
+
+"And I studied there." John de Terry rubbed absently at his ruined
+clothes. "That was a long time ago. You didn't know me; I majored in
+biology. But I knew you."
+
+Gordy stood up and carefully put out the stub of his cigarette. "It was
+too long ago," he said. "I hardly remember. Shall we work in the garden
+now?"
+
+Together they sweated in the spring sunlight that afternoon, and Gordy
+discovered that what had been hard work for one man went quickly enough
+for two. They worked clear to the edge of the plot before the sun
+reached the horizon. John de Terry stopped and leaned on his spade,
+panting.
+
+He gestured to the rank growth beyond Gordy's patch. "We can make a
+bigger garden," he said. "Clear out that truck, and plant more food. We
+might even--" He stopped. Gordy was shaking his head.
+
+"You can't clear it out," said Gordy. "It's rank stuff, a sort of
+crabgrass with a particularly tough root. I can't even cut it. It's all
+around here, and it's spreading."
+
+De Terry grimaced. "Mutation?"
+
+"I think so. And look." Gordy beckoned to the other man and led him to
+the very edge of the cleared area. He bent down, picked up something
+red and wriggling between his thumb and forefinger.
+
+De Terry took it from his hand. "Another mutation?" He brought
+the thing close to his eyes. "It's almost like an ant," he said.
+"Except--well, the thorax is all wrong. And it's soft-bodied." He fell
+silent, examining the thing.
+
+He said something under his breath, and threw the insect from him.
+"You wouldn't have a microscope, I suppose? No--and yet, that thing is
+hard to believe. It's an ant, but it doesn't seem to have a tracheal
+breathing system at all. It's something different."
+
+"Everything's different," Gordy said. He pointed to a couple of
+abandoned rows. "I had carrots there. At least, I thought they were
+carrots; when I tried to eat them they made me sick." He sighed
+heavily. "Humanity has had its chance, John," he said. "The atomic bomb
+wasn't enough; we had to turn everything into a weapon. Even I, I made
+a weapon out of something that had nothing to do with war. And our
+weapons have blown up in our faces."
+
+De Terry grinned. "Maybe the ants will do better. It's their turn now."
+
+"I wish it were." Gordy stirred earth over the boiling entrance to an
+anthole and watched the insects in their consternation. "They're too
+small, I'm afraid."
+
+"Why, no. These ants are different, Dr. Gordy. Insects have always been
+small because their breathing system is so poor. But these are mutated.
+I think--I think they actually have lungs. They could grow, Dr. Gordy.
+And if ants were the size of men ... they'd rule the world."
+
+"Lunged ants!" Gordy's eyes gleamed. "Perhaps they will rule the world,
+John. Perhaps when the human race finally blows itself up once and for
+all...."
+
+De Terry shook his head, and looked down again at his tattered, filthy
+clothes. "The next blow-up is the last blow-up," he said. "The ants
+come too late, by millions and millions of years."
+
+He picked up his spade. "I'm hungry again, Dr. Gordy," he said.
+
+They went back to the house and, without conversation, they ate. Gordy
+was preoccupied, and de Terry was too new in the household to force him
+to talk.
+
+It was sundown when they had finished, and Gordy moved slowly to light
+a lamp. Then he stopped.
+
+"It's your first night, John," he said. "Come down cellar. We'll start
+the generator and have real electric lights in your honor."
+
+De Terry followed the older man down a flight of stairs, groping in
+the dark. By candlelight they worked over a gasoline generator; it was
+stiff from disuse, but once it started it ran cleanly. "I salvaged it
+from my own," Gordy explained. "The generator--and that."
+
+He swept an arm toward a corner of the basement. "I told you I invented
+a weapon," he added. "That's it."
+
+De Terry looked. It was as much like a cage as anything, he
+thought--the height of a man and almost cubical. "What does it do?" he
+asked.
+
+For the first time in months, Salva Gordy smiled. "I can't tell you in
+English," he said. "And I doubt that you speak mathematics. The closest
+I can come is to say that it displaces temporal co-ordinates. Is that
+gibberish?"
+
+"It is," said de Terry. "What does it do?"
+
+"Well, the War Department had a name for it--a name they borrowed from
+H. G. Wells. They called it a Time Machine." He met de Terry's shocked,
+bewildered stare calmly. "A time machine," he repeated. "You see, John,
+we can give the ants a chance after all, if you like."
+
+ * * * * *
+
+Fourteen hours later they stepped into the cage, its batteries charged
+again and its strange motor whining....
+
+And, forty million years earlier, they stepped out onto quaking humid
+soil.
+
+Gordy felt himself trembling, and with an effort managed to stop. "No
+dinosaurs or saber-toothed tigers in sight," he reported.
+
+"Not for a long time yet," de Terry agreed. Then, "My Lord!"
+
+He looked around him with his mouth open wide. There was no wind, and
+the air was warm and wet. Large trees were clustered quite thickly
+around them--or what looked like trees; de Terry decided they were
+rather some sort of soft-stemmed ferns or fungi. Overhead was deep
+cloud.
+
+Gordy shivered. "Give me the ants," he ordered.
+
+Silently de Terry handed them over. Gordy poked a hole in the soft
+earth with his finger and carefully tilted the flask, dropped one of
+the ant queens he had unearthed in the back yard. From her belly hung
+a slimy mass of eggs. A few yards away--it should have been farther,
+he thought, but he was afraid to get too far from de Terry and the
+machine--he made another hole and repeated the process.
+
+There were eight queens. When the eighth was buried he flung the bottle
+away and came back to de Terry.
+
+"That's it," he said.
+
+De Terry exhaled. His solemn face cracked in a sudden embarrassed
+smile. "I--I guess I feel like God," he said. "Good lord, Dr. Gordy!
+Talk about your great moments in history--this is all of them! I've
+been thinking about it, and the only event I can remember that measures
+up is the Flood. Not even that. We've created a race!"
+
+"If they survive, we have." Gordy wiped a drop of condensed moisture
+off the side of his time machine and puffed. "I wonder how they'll get
+along with mankind," he said.
+
+They were silent for a moment, considering. From somewhere in the
+fern jungle came a raucous animal cry. Both men looked up in quick
+apprehension, but moments passed and the animal did not appear.
+
+Finally de Terry said, "Maybe we'd better go back."
+
+"All right." Stiffly they climbed into the closet-sized interior of the
+time machine.
+
+Gordy stood with his hand on the control wheel, thinking about the
+ants. Assuming that they survived--assuming that in 40,000,000 years
+they grew larger and developed brains--what would happen? Would men
+be able to live in peace with them? Would it--might it not make men
+brothers, joined against an alien race?
+
+Might this thing prevent human war, and--his thoughts took an insane
+leap--could it have prevented the war that destroyed Gordy's family!
+
+Beside him, de Terry stirred restlessly. Gordy jumped, and turned the
+wheel, and was in the dark mathematical vortex which might have been a
+fourth dimension.
+
+ * * * * *
+
+They stopped the machine in the middle of a city, but the city was not
+Detroit. It was not a human city at all.
+
+The machine was at rest in a narrow street, half blocking it. Around
+them towered conical metal structures, some of them a hundred feet
+high. There were vehicles moving in the street, one coming toward them
+and stopping.
+
+"Dr. Gordy!" de Terry whispered. "Do you see them?"
+
+Salva Gordy swallowed. "I see them," he said.
+
+He stepped out of the time machine and stood waiting to greet the race
+to which he had given life.
+
+For these were the children of ants in the three-wheeled vehicle.
+Behind a transparent windshield he could see them clearly.
+
+De Terry was standing close behind him now, and Gordy could feel the
+younger man's body shaking. "They're ugly things," Gordy said mildly.
+
+"Ugly! They're filthy!"
+
+The antlike creatures were as big as a man, but hard-looking and as
+obnoxious as blackbeetles. Their eyes, Gordy saw with surprise, had
+mutated more than their bodies. For, instead of faceted insect eyes,
+they possessed iris, cornea and pupil,--not round, or vertical like
+a cat's eyes, or horizontal like a horse's eyes, but irregular and
+blotchy. But they seemed like vertebrate's eyes, and they were strange
+and unnatural in the parchment blackness of an ant's bulged head.
+
+Gordy stepped forward, and simultaneously the ants came out of their
+vehicle. For a moment they faced each other, the humans and the ants,
+silently.
+
+"What do I do now?" Gordy asked de Terry over his shoulder.
+
+De Terry laughed--or gasped. Gordy wasn't sure. "Talk to them," he
+said. "What else is there to do?"
+
+Gordy swallowed. He resolutely did not attempt to speak in English
+to these creatures, knowing as surely as he knew his name that
+English--and probably any other language involving sound--would be
+incomprehensible to them. But he found himself smiling pacifically to
+them, and that was of course as bad ... the things had no expressions
+of their own, that he could see, and certainly they would have no
+precedent to help interpret a human smile.
+
+Gordy raised his hand in the semantically sound gesture of peace, and
+waited to see what the insects would do.
+
+They did nothing.
+
+Gordy bit his lip and, feeling idiotic, bowed stiffly to the ants.
+
+ * * * * *
+
+The ants did nothing. De Terry said from behind, "Try talking to them,
+Dr. Gordy."
+
+"That's silly," Gordy said. "They can't hear." But it was no sillier
+than anything else. Irritably, but making the words very clear, he
+said, "We ... are ... friends."
+
+The ants did nothing. They just stood there, with the unwinking pupiled
+eyes fixed on Gordy. They didn't shift from foot to foot as a human
+might, or scratch themselves, or even show the small movement of human
+breathing. They just stood there.
+
+"Oh, for heaven's sake," said de Terry. "Here let me try."
+
+He stepped in front of Gordy and faced the ant-things. He pointed to
+himself. "I am human," he said. "Mammalian." He pointed to the ants.
+"You are insects. That--" he pointed to the time machine--"took us to
+the past, where we made it possible for you to exist." He waited for
+reaction, but there wasn't any. De Terry clicked his tongue and began
+again. He pointed to the tapering metal structures. "This is your
+city," he said.
+
+Gordy, listening to him, felt the hopelessness of the effort. Something
+disturbed the thin hairs at the back of his skull, and he reached
+absently to smooth them down. His hand encountered something hard and
+inanimate--not cold, but, like spongy wood, without temperature at all.
+He turned around. Behind them were half a dozen larger ants. Drones, he
+thought--or did ants have drones? "John," he said softly ... and the
+inefficient, fragile-looking pincer that had touched him clamped his
+shoulder. There was no strength to it, he thought at once. Until he
+moved, instinctively, to get away, and then a thousand sharp serrations
+slipped through the cloth of his coat and into the skin. It was like
+catching oneself on a cluster of tiny fishhooks. He shouted, "John!
+Watch out!"
+
+De Terry, bending low for the purpose of pointing at the caterpillar
+treads of the ant vehicle, straightened up, startled. He turned to run,
+and was caught in a step. Gordy heard him yell, but Gordy had troubles
+of his own and could spare no further attention for de Terry.
+
+When two of the ants had him, Gordy stopped struggling. He felt warm
+blood roll down his arm, and the pain was like being flayed. From where
+he hung between the ants, he could see the first two, still standing
+before their vehicle, still motionless.
+
+There was a sour reek in his nostrils, and he traced it to the ants
+that held him, and wondered if he smelled as bad to them. The two
+smaller ants abruptly stirred and moved forward rapidly on eight thin
+legs to the time machine. Gordy's captors turned and followed them, and
+for the first time since the scuffle he saw de Terry. The younger man
+was hanging limp from the lifted forelegs of a single ant, with two
+more standing guard beside. There was pulsing blood from a wound on de
+Terry's neck. Unconscious, Gordy thought mechanically, and turned his
+head to watch the ants at the machine.
+
+It was a disappointing sight. They merely stood there, and no one
+moved. Then Gordy heard de Terry grunt and swear weakly. "How are you,
+John?" he called.
+
+De Terry grimaced. "Not very good. What happened?"
+
+Gordy shook his head, and sought for words to answer. But the two ants
+turned in unison from the time machine and glided toward de Terry, and
+Gordy's words died in his throat. Delicately one of them extended a
+foreleg to touch de Terry's chest.
+
+Gordy saw it coming. "John!" he shrieked--and then it was all over, and
+de Terry's scream was harsh in his ear and he turned his head away.
+Dimly from the corner of his eye he could see the sawlike claws moving
+up and down, but there was no life left in Terry to protest.
+
+ * * * * *
+
+Salva Gordy sat against a wall and looked at the ants who were looking
+at him. If it hadn't been for that which was done to de Terry, he
+thought, there would really be nothing to complain about.
+
+It was true that the ants had given him none of the comforts that
+humanity lavishes on even its criminals ... but they had fed him, and
+allowed him to sleep--when it suited their convenience, of course--and
+there were small signs that they were interested in his comfort, in
+their fashion. When the pulpy mush they first offered him came up
+thirty minutes later, his multi-legged hosts brought him a variety
+of foods, of which he was able to swallow some fairly palatable
+fruits. He was housed in a warm room. And, if it had neither chairs or
+windows, Gordy thought, that was only because ants had no use for these
+themselves. And he couldn't ask for them.
+
+That was the big drawback, he thought. That ... and the memory of John
+de Terry.
+
+He squirmed on the hard floor until his shoulder-blades found a new
+spot to prop themselves against, and stared again at the committee of
+ants who had come to see him.
+
+They were working an angular thing that looked like a camera--at least,
+it had a glittering something that might be a lens. Gordy stared into
+it sullenly. The sour reek was in his nostrils again....
+
+Gordy admitted to himself that things hadn't worked out just as he had
+planned. Deep under the surface of his mind--just now beginning to
+come out where he could see it--there had been a furtive hope. He had
+hoped that the rise of the ants, with the help he had given them, would
+aid and speed the rise of mankind. For hatred, Gordy knew, started in
+the recoil from things that were different. A man's first enemy is his
+family--for he sees them first--but he sides with them against the
+families across the way. And still his neighbors are allies against the
+Ghettos and Harlems of his town--and his town to him is the heart of
+the nation--and his nation commands life and death in war.
+
+For Gordy, there had been a buried hope that a separate race would
+make a whipping-boy for the passions of humanity. And that, if there
+were struggle, it would not be between man and man, but between the
+humans ... and the ants.
+
+There had been this buried hope, but the hope was denied. For the ants
+simply had not allowed man to rise.
+
+The ants put up their camera-like machine and Gordy looked up in
+expectation. Half a dozen of them left, and two stayed on. One was the
+smallish creature with a bangle on the foreleg which seemed to be his
+personal jailer; the other a stranger to Gordy, as far as he could tell.
+
+The two ants stood motionless for a period of time that Gordy found
+tedious. He changed his position, and lay on the floor, and thought of
+sleeping. But sleep would not come. There was no evading the knowledge
+that he had wiped out his own race--annihilated them by preventing them
+from birth, forty million years before his own time. He was like no
+other murderer since Cain, Gordy thought, and wondered that he felt no
+blood on his hands.
+
+There was a signal that he could not perceive, and his guardian ant
+came forward to him, nudged him outward from the wall. He moved as he
+was directed--out the low exit-hole (he had to navigate it on hands and
+knees) and down a corridor to the bright day outside.
+
+The light set Gordy blinking. Half blind, he followed the bangled
+ant across a square to a conical shed. More ants were waiting there,
+circled around a litter of metal parts.
+
+Gordy recognized them at once. It was his time machine, stripped piece
+by piece.
+
+After a moment the ant nudged him again, impatiently, and Gordy
+understood what they wanted. They had taken the machine apart for
+study, and they wanted it put together again.
+
+Pleased with the prospect of something to do with his fingers and his
+brain, Gordy grinned and reached for the curious ant-made tools....
+
+He ate four times, and slept once, never moving from the neighborhood
+of the cone-shaped shed. And then he was finished.
+
+Gordy stepped back. "It's all yours," he said proudly. "It'll take you
+anywhere. A present from humanity to you."
+
+The ants were very silent. Gordy looked at them and saw that there were
+drone-ants in the group, all still as statues.
+
+"Hey!" he said in startlement, unthinking. And then the needle-jawed
+ant claw took him from behind.
+
+Gordy had a moment of nausea--and then terror and hatred swept it away.
+
+Heedless of the needles that laced his skin, he struggled and kicked
+against the creatures that held him. One arm came free, leaving gobbets
+of flesh behind, and his heavy shod foot plunged into a pulpy eye. The
+ant made a whistling, gasping sound and stood erect on four hairy legs.
+
+Gordy felt himself jerked a dozen feet into the air, then flung free in
+the wild, silent agony of the ant. He crashed into the ground, cowering
+away from the staggering monster. Sobbing, he pushed himself to his
+feet; the machine was behind him; he turned and blundered into it a
+step ahead of the other ants, and spun the wheel.
+
+ * * * * *
+
+A hollow insect leg, detached from the ant that had been closest to
+him, was flopping about on the floor of the machine; it had been that
+close.
+
+Gordy stopped the machine where it had started, on the same quivering,
+primordial bog, and lay crouched over the controls for a long time
+before he moved.
+
+He had made a mistake, he and de Terry; there weren't any doubts left
+at all. And there was ... there _might_ be a way to right it.
+
+He looked out at the Coal Measure forest. The fern trees were not the
+fern trees he had seen before; the machine had been moved in space.
+But the time, he knew was identically the same; trust the machine for
+that. He thought: I gave the world to the ants, right here. I can take
+it back. I can find the ants I buried and crush them underfoot ... or
+intercept myself before I bury them....
+
+He got out of the machine, suddenly panicky. Urgency squinted his eyes
+as he peered around him.
+
+Death had been very close in the ant city; the reaction still left
+Gordy limp. And was he safe here? He remembered the violent animal
+scream he had heard before, and shuddered at the thought of furnishing
+a casual meal to some dinosaur ... while the ant queens lived safely to
+produce their horrid young.
+
+A gleam of metal through the fern trees made his heart leap. Burnished
+metal here could mean but one thing--the machine!
+
+Around a clump of fern trees, their bases covered with thick club
+mosses, he ran, and saw the machine ahead. He raced toward it--then
+came to a sudden stop, slipping on the damp ground.
+
+For there were _two_ machines in sight.
+
+The farther machine was his own, and through the screening mosses he
+could see two figures standing in it, his own and de Terry's.
+
+But the nearer was a larger machine, and a strange design.
+
+And from it came a hastening mob--not a mob of men, but of black insect
+shapes racing toward him.
+
+Of course, thought Gordy, as he turned hopelessly to run--of course,
+the ants had infinite time to work in. Time enough to build a machine
+after the pattern of his own--and time to realize what they had to do
+to him, to insure their own race safety.
+
+Gordy stumbled, and the first of the black things was upon him.
+
+As his panicky lungs filled with air for the last time, Gordy knew what
+animal had screamed in the depths of the Coal Measure forest.
+
+[Illustration: _He filled his lungs for one last scream._]
+
+*** END OF THE PROJECT GUTENBERG EBOOK LET THE ANTS TRY ***
+
+Updated editions will replace the previous one--the old editions will
+be renamed.
+
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the
+United States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for an eBook, except by following
+the terms of the trademark license, including paying royalties for use
+of the Project Gutenberg trademark. If you do not charge anything for
+copies of this eBook, complying with the trademark license is very
+easy. You may use this eBook for nearly any purpose such as creation
+of derivative works, reports, performances and research. Project
+Gutenberg eBooks may be modified and printed and given away--you may
+do practically ANYTHING in the United States with eBooks not protected
+by U.S. copyright law. Redistribution is subject to the trademark
+license, especially commercial redistribution.
+
+START: FULL LICENSE
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full
+Project Gutenberg-tm License available with this file or online at
+www.gutenberg.org/license.
+
+Section 1. General Terms of Use and Redistributing Project
+Gutenberg-tm electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg-tm electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg-tm electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the
+person or entity to whom you paid the fee as set forth in paragraph
+1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg-tm
+electronic works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the
+Foundation" or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg-tm electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg-tm mission of promoting
+free access to electronic works by freely sharing Project Gutenberg-tm
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg-tm name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg-tm License when
+you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg-tm work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country other than the United States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg-tm License must appear
+prominently whenever any copy of a Project Gutenberg-tm work (any work
+on which the phrase "Project Gutenberg" appears, or with which the
+phrase "Project Gutenberg" is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+
+ This eBook is for the use of anyone anywhere in the United States and
+ most other parts of the world at no cost and with almost no
+ restrictions whatsoever. You may copy it, give it away or re-use it
+ under the terms of the Project Gutenberg License included with this
+ eBook or online at www.gutenberg.org. If you are not located in the
+ United States, you will have to check the laws of the country where
+ you are located before using this eBook.
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase "Project
+Gutenberg" associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg-tm
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg-tm License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg-tm work in a format
+other than "Plain Vanilla ASCII" or other format used in the official
+version posted on the official Project Gutenberg-tm website
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original "Plain
+Vanilla ASCII" or other form. Any alternate format must include the
+full Project Gutenberg-tm License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works
+provided that:
+
+* You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg-tm trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, "Information about donations to the Project Gutenberg
+ Literary Archive Foundation."
+
+* You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg-tm
+ works.
+
+* You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+
+* You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg-tm electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from the Project Gutenberg Literary Archive Foundation, the manager of
+the Project Gutenberg-tm trademark. Contact the Foundation as set
+forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
+electronic works, and the medium on which they may be stored, may
+contain "Defects," such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg-tm
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg-tm work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg-tm work, and (c) any
+Defect you cause.
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at
+www.gutenberg.org
+
+Section 3. Information about the Project Gutenberg Literary
+Archive Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non-profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state's laws.
+
+The Foundation's business office is located at 809 North 1500 West,
+Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
+to date contact information can be found at the Foundation's website
+and official page at www.gutenberg.org/contact
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without
+widespread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine-readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular
+state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+
+Section 5. General Information About Project Gutenberg-tm electronic works
+
+Professor Michael S. Hart was the originator of the Project
+Gutenberg-tm concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg-tm eBooks with only a loose network of
+volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+
+Most people start at our website which has the main PG search
+facility: www.gutenberg.org
+
+This website includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/64631-0.zip b/old/64631-0.zip
index 3e24071..3e24071 100644
--- a/64631-0.zip
+++ b/old/64631-0.zip
Binary files differ
diff --git a/64631-h.zip b/old/64631-h.zip
index 4bb8a3a..4bb8a3a 100644
--- a/64631-h.zip
+++ b/old/64631-h.zip
Binary files differ
diff --git a/old/64631-h/64631-h.htm b/old/64631-h/64631-h.htm
new file mode 100644
index 0000000..c0ed4b2
--- /dev/null
+++ b/old/64631-h/64631-h.htm
@@ -0,0 +1,1121 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=us-ascii" />
+ <meta http-equiv="Content-Style-Type" content="text/css" />
+ <title>
+ The Project Gutenberg eBook of Let the Ants Try, by James Maccreigh.
+ </title>
+ <link rel="coverpage" href="images/cover.jpg" />
+
+ <style type="text/css">
+
+body {
+ margin-left: 10%;
+ margin-right: 10%;
+}
+
+ h1,h2 {
+ text-align: center; /* all headings centered */
+ clear: both;
+}
+
+p {
+ margin-top: .51em;
+ text-align: justify;
+ margin-bottom: .49em;
+}
+
+hr {
+ width: 33%;
+ margin-top: 2em;
+ margin-bottom: 2em;
+ margin-left: 33.5%;
+ margin-right: 33.5%;
+ clear: both;
+}
+
+hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;}
+hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;}
+
+.center {text-align: center;}
+
+.right {text-align: right;}
+
+/* Images */
+.figcenter {
+ margin: auto;
+ text-align: center;
+}
+
+.caption p
+{
+ text-align: center;
+ text-indent: 0;
+ margin: 0.25em 0;
+}
+
+div.titlepage {
+ text-align: center;
+ page-break-before: always;
+ page-break-after: always;
+}
+
+div.titlepage p {
+ text-align: center;
+ text-indent: 0em;
+ font-weight: bold;
+ line-height: 1.5;
+ margin-top: 3em;
+}
+
+ </style>
+ </head>
+<body>
+
+<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Let the Ants Try, by James MacCreigh</div>
+
+<div style='display:block; margin:1em 0'>
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online
+at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+are not located in the United States, you will have to check the laws of the
+country where you are located before using this eBook.
+</div>
+
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Let the Ants Try</div>
+
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: James MacCreigh</div>
+
+<div style='display:block; margin:1em 0'>Release Date: February 25, 2021 [eBook #64631]</div>
+
+<div style='display:block; margin:1em 0'>Language: English</div>
+
+<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div>
+
+<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net</div>
+
+<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK LET THE ANTS TRY ***</div>
+
+<div class="titlepage">
+
+<h1>Let The Ants Try</h1>
+
+<h2>By JAMES MacCREIGH</h2>
+
+<p>Dr. Salva Gordy looked at the radioactive smear that<br />
+had been Detroit. Then he looked down at the boiling<br />
+anthill. Why not, he thought excitedly, why not?...</p>
+
+<p>[Transcriber's Note: This etext was produced from<br />
+Planet Stories Winter 1949.<br />
+Extensive research did not uncover any evidence that<br />
+the U.S. copyright on this publication was renewed.]</p>
+
+</div>
+
+<hr class="chap" />
+
+<p>Gordy survived the Three-Hour War, even though Detroit didn't; he was
+on his way to Washington, with his blueprints and models in his bag,
+when the bombs struck.</p>
+
+<p>He had left his wife behind in the city, and not even a trace of her
+body was ever found. The children, of course, weren't as lucky as that.
+Their summer camp was less than twenty miles away, and unfortunately
+in the direction of the prevailing wind. But they were not in any pain
+until the last few days of the month they had left to live. Gordy
+managed to fight his way back through the snarled, frantic airline
+controls to them. Even though he knew they would certainly die of
+radiation sickness, and they suspected it, there was still a whole
+blessed week of companionship before the pain got too bad.</p>
+
+<p>That was about all the companionship Gordy had for the whole year of
+1960.</p>
+
+<p>He came back to Detroit, as soon as the radioactivity had died down;
+he had nowhere else to go. He found a house on the outskirts of the
+city, and tried to locate someone to buy it from. But the Emergency
+Administration laughed at him. "Move in, if you're crazy enough to
+stay."</p>
+
+<p>When Gordy thought about it all, it occurred to him that he was in
+a sort of state of shock. His fine, trained mind almost stopped
+functioning. He ate and slept, and when it grew cold he shivered and
+built fires, and that was all. The War Department wrote him two or
+three times, and finally a government man came around to ask what had
+happened to the things that Gordy had promised to bring to Washington.
+But he looked queerly at the pink, hairless mice that fed unmolested in
+the filthy kitchen, and he stood a careful distance away from Gordy's
+hairy face and torn clothes.</p>
+
+<p>He said, "The Secretary sent me here, Mr. Gordy. He takes a personal
+interest in your discovery."</p>
+
+<p>Gordy shook his head. "The Secretary is dead," he said. "They were all
+killed when Washington went."</p>
+
+<p>"There's a new Secretary," the man explained. He puffed on his
+cigarette and tossed it into the patch Gordy was scrabbling into a
+truck garden. "Arnold Cavanagh. He knows a great deal about you, and he
+told me, 'If Salva Gordy has a weapon, we must have it. Our strength
+has been shattered. Tell Gordy we need his help'."</p>
+
+<p>Gordy crossed his hands like a lean Buddha.</p>
+
+<p>"I haven't got a weapon," he said.</p>
+
+<p>"You have something that can be used as a weapon. You wrote to
+Washington, before the War came, and said&mdash;"</p>
+
+<p>"The War is over," said Salva Gordy. The government man sighed, and
+tried again, but in the end he went away. He never came back. The
+thing, Gordy thought, was undoubtedly written off as a crackpot idea
+after the man made his report; it was exactly that kind of a discovery,
+anyhow.</p>
+
+<hr class="tb" />
+
+<p>It was May when John de Terry appeared. Gordy was spading his garden.
+"Give me something to eat," said the voice behind Gordy's back.</p>
+
+<p>Salva Gordy turned around and saw the small, dirty man who spoke. He
+rubbed his mouth with the back of his hand. "You'll have to work for
+it," he said.</p>
+
+<p>"All right." The newcomer set down his pack. "My name is John de Terry.
+I used to live here in Detroit."</p>
+
+<p>Salva Gordy said, "So did I."</p>
+
+<p>Gordy fed the man, and accepted a cigarette from him after they had
+eaten. The first puffs made him light-headed&mdash;it had been that long
+since he'd smoked&mdash;and through the smoke he looked at John de Terry
+amiably enough. Company would be all right, he thought. The pink mice
+had been company, of a sort&mdash;but it turned out that the mutation that
+made them hairless had also given them an appetite for meat. And after
+the morning when he had awakened to find tiny tooth-marks in his leg,
+he'd had to destroy them. And there had been no other animal since,
+nothing but the ants.</p>
+
+<p>"Are you going to stay?" Gordy asked.</p>
+
+<p>De Terry said, "If I can. What's your name?" When Gordy told him, some
+of the animal look went out of his eyes, and wonder took its place.
+"<i>Doctor</i> Salva Gordy?" he asked. "Mathematics and physics in Pasadena?"</p>
+
+<p>"Yes, I used to teach at Pasadena."</p>
+
+<p>"And I studied there." John de Terry rubbed absently at his ruined
+clothes. "That was a long time ago. You didn't know me; I majored in
+biology. But I knew you."</p>
+
+<p>Gordy stood up and carefully put out the stub of his cigarette. "It was
+too long ago," he said. "I hardly remember. Shall we work in the garden
+now?"</p>
+
+<p>Together they sweated in the spring sunlight that afternoon, and Gordy
+discovered that what had been hard work for one man went quickly enough
+for two. They worked clear to the edge of the plot before the sun
+reached the horizon. John de Terry stopped and leaned on his spade,
+panting.</p>
+
+<p>He gestured to the rank growth beyond Gordy's patch. "We can make a
+bigger garden," he said. "Clear out that truck, and plant more food. We
+might even&mdash;" He stopped. Gordy was shaking his head.</p>
+
+<p>"You can't clear it out," said Gordy. "It's rank stuff, a sort of
+crabgrass with a particularly tough root. I can't even cut it. It's all
+around here, and it's spreading."</p>
+
+<p>De Terry grimaced. "Mutation?"</p>
+
+<p>"I think so. And look." Gordy beckoned to the other man and led him to
+the very edge of the cleared area. He bent down, picked up something
+red and wriggling between his thumb and forefinger.</p>
+
+<p>De Terry took it from his hand. "Another mutation?" He brought
+the thing close to his eyes. "It's almost like an ant," he said.
+"Except&mdash;well, the thorax is all wrong. And it's soft-bodied." He fell
+silent, examining the thing.</p>
+
+<p>He said something under his breath, and threw the insect from him.
+"You wouldn't have a microscope, I suppose? No&mdash;and yet, that thing is
+hard to believe. It's an ant, but it doesn't seem to have a tracheal
+breathing system at all. It's something different."</p>
+
+<p>"Everything's different," Gordy said. He pointed to a couple of
+abandoned rows. "I had carrots there. At least, I thought they were
+carrots; when I tried to eat them they made me sick." He sighed
+heavily. "Humanity has had its chance, John," he said. "The atomic bomb
+wasn't enough; we had to turn everything into a weapon. Even I, I made
+a weapon out of something that had nothing to do with war. And our
+weapons have blown up in our faces."</p>
+
+<p>De Terry grinned. "Maybe the ants will do better. It's their turn now."</p>
+
+<p>"I wish it were." Gordy stirred earth over the boiling entrance to an
+anthole and watched the insects in their consternation. "They're too
+small, I'm afraid."</p>
+
+<p>"Why, no. These ants are different, Dr. Gordy. Insects have always been
+small because their breathing system is so poor. But these are mutated.
+I think&mdash;I think they actually have lungs. They could grow, Dr. Gordy.
+And if ants were the size of men ... they'd rule the world."</p>
+
+<p>"Lunged ants!" Gordy's eyes gleamed. "Perhaps they will rule the world,
+John. Perhaps when the human race finally blows itself up once and for
+all...."</p>
+
+<p>De Terry shook his head, and looked down again at his tattered, filthy
+clothes. "The next blow-up is the last blow-up," he said. "The ants
+come too late, by millions and millions of years."</p>
+
+<p>He picked up his spade. "I'm hungry again, Dr. Gordy," he said.</p>
+
+<p>They went back to the house and, without conversation, they ate. Gordy
+was preoccupied, and de Terry was too new in the household to force him
+to talk.</p>
+
+<p>It was sundown when they had finished, and Gordy moved slowly to light
+a lamp. Then he stopped.</p>
+
+<p>"It's your first night, John," he said. "Come down cellar. We'll start
+the generator and have real electric lights in your honor."</p>
+
+<p>De Terry followed the older man down a flight of stairs, groping in
+the dark. By candlelight they worked over a gasoline generator; it was
+stiff from disuse, but once it started it ran cleanly. "I salvaged it
+from my own," Gordy explained. "The generator&mdash;and that."</p>
+
+<p>He swept an arm toward a corner of the basement. "I told you I invented
+a weapon," he added. "That's it."</p>
+
+<p>De Terry looked. It was as much like a cage as anything, he
+thought&mdash;the height of a man and almost cubical. "What does it do?" he
+asked.</p>
+
+<p>For the first time in months, Salva Gordy smiled. "I can't tell you in
+English," he said. "And I doubt that you speak mathematics. The closest
+I can come is to say that it displaces temporal co-ordinates. Is that
+gibberish?"</p>
+
+<p>"It is," said de Terry. "What does it do?"</p>
+
+<p>"Well, the War Department had a name for it&mdash;a name they borrowed from
+H. G. Wells. They called it a Time Machine." He met de Terry's shocked,
+bewildered stare calmly. "A time machine," he repeated. "You see, John,
+we can give the ants a chance after all, if you like."</p>
+
+<hr class="tb" />
+
+<p>Fourteen hours later they stepped into the cage, its batteries charged
+again and its strange motor whining....</p>
+
+<p>And, forty million years earlier, they stepped out onto quaking humid
+soil.</p>
+
+<p>Gordy felt himself trembling, and with an effort managed to stop. "No
+dinosaurs or saber-toothed tigers in sight," he reported.</p>
+
+<p>"Not for a long time yet," de Terry agreed. Then, "My Lord!"</p>
+
+<p>He looked around him with his mouth open wide. There was no wind, and
+the air was warm and wet. Large trees were clustered quite thickly
+around them&mdash;or what looked like trees; de Terry decided they were
+rather some sort of soft-stemmed ferns or fungi. Overhead was deep
+cloud.</p>
+
+<p>Gordy shivered. "Give me the ants," he ordered.</p>
+
+<p>Silently de Terry handed them over. Gordy poked a hole in the soft
+earth with his finger and carefully tilted the flask, dropped one of
+the ant queens he had unearthed in the back yard. From her belly hung
+a slimy mass of eggs. A few yards away&mdash;it should have been farther,
+he thought, but he was afraid to get too far from de Terry and the
+machine&mdash;he made another hole and repeated the process.</p>
+
+<p>There were eight queens. When the eighth was buried he flung the bottle
+away and came back to de Terry.</p>
+
+<p>"That's it," he said.</p>
+
+<p>De Terry exhaled. His solemn face cracked in a sudden embarrassed
+smile. "I&mdash;I guess I feel like God," he said. "Good lord, Dr. Gordy!
+Talk about your great moments in history&mdash;this is all of them! I've
+been thinking about it, and the only event I can remember that measures
+up is the Flood. Not even that. We've created a race!"</p>
+
+<p>"If they survive, we have." Gordy wiped a drop of condensed moisture
+off the side of his time machine and puffed. "I wonder how they'll get
+along with mankind," he said.</p>
+
+<p>They were silent for a moment, considering. From somewhere in the
+fern jungle came a raucous animal cry. Both men looked up in quick
+apprehension, but moments passed and the animal did not appear.</p>
+
+<p>Finally de Terry said, "Maybe we'd better go back."</p>
+
+<p>"All right." Stiffly they climbed into the closet-sized interior of the
+time machine.</p>
+
+<p>Gordy stood with his hand on the control wheel, thinking about the
+ants. Assuming that they survived&mdash;assuming that in 40,000,000 years
+they grew larger and developed brains&mdash;what would happen? Would men
+be able to live in peace with them? Would it&mdash;might it not make men
+brothers, joined against an alien race?</p>
+
+<p>Might this thing prevent human war, and&mdash;his thoughts took an insane
+leap&mdash;could it have prevented the war that destroyed Gordy's family!</p>
+
+<p>Beside him, de Terry stirred restlessly. Gordy jumped, and turned the
+wheel, and was in the dark mathematical vortex which might have been a
+fourth dimension.</p>
+
+<hr class="tb" />
+
+<p>They stopped the machine in the middle of a city, but the city was not
+Detroit. It was not a human city at all.</p>
+
+<p>The machine was at rest in a narrow street, half blocking it. Around
+them towered conical metal structures, some of them a hundred feet
+high. There were vehicles moving in the street, one coming toward them
+and stopping.</p>
+
+<p>"Dr. Gordy!" de Terry whispered. "Do you see them?"</p>
+
+<p>Salva Gordy swallowed. "I see them," he said.</p>
+
+<p>He stepped out of the time machine and stood waiting to greet the race
+to which he had given life.</p>
+
+<p>For these were the children of ants in the three-wheeled vehicle.
+Behind a transparent windshield he could see them clearly.</p>
+
+<p>De Terry was standing close behind him now, and Gordy could feel the
+younger man's body shaking. "They're ugly things," Gordy said mildly.</p>
+
+<p>"Ugly! They're filthy!"</p>
+
+<p>The antlike creatures were as big as a man, but hard-looking and as
+obnoxious as blackbeetles. Their eyes, Gordy saw with surprise, had
+mutated more than their bodies. For, instead of faceted insect eyes,
+they possessed iris, cornea and pupil,&mdash;not round, or vertical like
+a cat's eyes, or horizontal like a horse's eyes, but irregular and
+blotchy. But they seemed like vertebrate's eyes, and they were strange
+and unnatural in the parchment blackness of an ant's bulged head.</p>
+
+<p>Gordy stepped forward, and simultaneously the ants came out of their
+vehicle. For a moment they faced each other, the humans and the ants,
+silently.</p>
+
+<p>"What do I do now?" Gordy asked de Terry over his shoulder.</p>
+
+<p>De Terry laughed&mdash;or gasped. Gordy wasn't sure. "Talk to them," he
+said. "What else is there to do?"</p>
+
+<p>Gordy swallowed. He resolutely did not attempt to speak in English
+to these creatures, knowing as surely as he knew his name that
+English&mdash;and probably any other language involving sound&mdash;would be
+incomprehensible to them. But he found himself smiling pacifically to
+them, and that was of course as bad ... the things had no expressions
+of their own, that he could see, and certainly they would have no
+precedent to help interpret a human smile.</p>
+
+<p>Gordy raised his hand in the semantically sound gesture of peace, and
+waited to see what the insects would do.</p>
+
+<p>They did nothing.</p>
+
+<p>Gordy bit his lip and, feeling idiotic, bowed stiffly to the ants.</p>
+
+<hr class="tb" />
+
+<p>The ants did nothing. De Terry said from behind, "Try talking to them,
+Dr. Gordy."</p>
+
+<p>"That's silly," Gordy said. "They can't hear." But it was no sillier
+than anything else. Irritably, but making the words very clear, he
+said, "We ... are ... friends."</p>
+
+<p>The ants did nothing. They just stood there, with the unwinking pupiled
+eyes fixed on Gordy. They didn't shift from foot to foot as a human
+might, or scratch themselves, or even show the small movement of human
+breathing. They just stood there.</p>
+
+<p>"Oh, for heaven's sake," said de Terry. "Here let me try."</p>
+
+<p>He stepped in front of Gordy and faced the ant-things. He pointed to
+himself. "I am human," he said. "Mammalian." He pointed to the ants.
+"You are insects. That&mdash;" he pointed to the time machine&mdash;"took us to
+the past, where we made it possible for you to exist." He waited for
+reaction, but there wasn't any. De Terry clicked his tongue and began
+again. He pointed to the tapering metal structures. "This is your
+city," he said.</p>
+
+<p>Gordy, listening to him, felt the hopelessness of the effort. Something
+disturbed the thin hairs at the back of his skull, and he reached
+absently to smooth them down. His hand encountered something hard and
+inanimate&mdash;not cold, but, like spongy wood, without temperature at all.
+He turned around. Behind them were half a dozen larger ants. Drones, he
+thought&mdash;or did ants have drones? "John," he said softly ... and the
+inefficient, fragile-looking pincer that had touched him clamped his
+shoulder. There was no strength to it, he thought at once. Until he
+moved, instinctively, to get away, and then a thousand sharp serrations
+slipped through the cloth of his coat and into the skin. It was like
+catching oneself on a cluster of tiny fishhooks. He shouted, "John!
+Watch out!"</p>
+
+<p>De Terry, bending low for the purpose of pointing at the caterpillar
+treads of the ant vehicle, straightened up, startled. He turned to run,
+and was caught in a step. Gordy heard him yell, but Gordy had troubles
+of his own and could spare no further attention for de Terry.</p>
+
+<p>When two of the ants had him, Gordy stopped struggling. He felt warm
+blood roll down his arm, and the pain was like being flayed. From where
+he hung between the ants, he could see the first two, still standing
+before their vehicle, still motionless.</p>
+
+<p>There was a sour reek in his nostrils, and he traced it to the ants
+that held him, and wondered if he smelled as bad to them. The two
+smaller ants abruptly stirred and moved forward rapidly on eight thin
+legs to the time machine. Gordy's captors turned and followed them, and
+for the first time since the scuffle he saw de Terry. The younger man
+was hanging limp from the lifted forelegs of a single ant, with two
+more standing guard beside. There was pulsing blood from a wound on de
+Terry's neck. Unconscious, Gordy thought mechanically, and turned his
+head to watch the ants at the machine.</p>
+
+<p>It was a disappointing sight. They merely stood there, and no one
+moved. Then Gordy heard de Terry grunt and swear weakly. "How are you,
+John?" he called.</p>
+
+<p>De Terry grimaced. "Not very good. What happened?"</p>
+
+<p>Gordy shook his head, and sought for words to answer. But the two ants
+turned in unison from the time machine and glided toward de Terry, and
+Gordy's words died in his throat. Delicately one of them extended a
+foreleg to touch de Terry's chest.</p>
+
+<p>Gordy saw it coming. "John!" he shrieked&mdash;and then it was all over, and
+de Terry's scream was harsh in his ear and he turned his head away.
+Dimly from the corner of his eye he could see the sawlike claws moving
+up and down, but there was no life left in Terry to protest.</p>
+
+<hr class="tb" />
+
+<p>Salva Gordy sat against a wall and looked at the ants who were looking
+at him. If it hadn't been for that which was done to de Terry, he
+thought, there would really be nothing to complain about.</p>
+
+<p>It was true that the ants had given him none of the comforts that
+humanity lavishes on even its criminals ... but they had fed him, and
+allowed him to sleep&mdash;when it suited their convenience, of course&mdash;and
+there were small signs that they were interested in his comfort, in
+their fashion. When the pulpy mush they first offered him came up
+thirty minutes later, his multi-legged hosts brought him a variety
+of foods, of which he was able to swallow some fairly palatable
+fruits. He was housed in a warm room. And, if it had neither chairs or
+windows, Gordy thought, that was only because ants had no use for these
+themselves. And he couldn't ask for them.</p>
+
+<p>That was the big drawback, he thought. That ... and the memory of John
+de Terry.</p>
+
+<p>He squirmed on the hard floor until his shoulder-blades found a new
+spot to prop themselves against, and stared again at the committee of
+ants who had come to see him.</p>
+
+<p>They were working an angular thing that looked like a camera&mdash;at least,
+it had a glittering something that might be a lens. Gordy stared into
+it sullenly. The sour reek was in his nostrils again....</p>
+
+<p>Gordy admitted to himself that things hadn't worked out just as he had
+planned. Deep under the surface of his mind&mdash;just now beginning to
+come out where he could see it&mdash;there had been a furtive hope. He had
+hoped that the rise of the ants, with the help he had given them, would
+aid and speed the rise of mankind. For hatred, Gordy knew, started in
+the recoil from things that were different. A man's first enemy is his
+family&mdash;for he sees them first&mdash;but he sides with them against the
+families across the way. And still his neighbors are allies against the
+Ghettos and Harlems of his town&mdash;and his town to him is the heart of
+the nation&mdash;and his nation commands life and death in war.</p>
+
+<p>For Gordy, there had been a buried hope that a separate race would
+make a whipping-boy for the passions of humanity. And that, if there
+were struggle, it would not be between man and man, but between the
+humans ... and the ants.</p>
+
+<p>There had been this buried hope, but the hope was denied. For the ants
+simply had not allowed man to rise.</p>
+
+<p>The ants put up their camera-like machine and Gordy looked up in
+expectation. Half a dozen of them left, and two stayed on. One was the
+smallish creature with a bangle on the foreleg which seemed to be his
+personal jailer; the other a stranger to Gordy, as far as he could tell.</p>
+
+<p>The two ants stood motionless for a period of time that Gordy found
+tedious. He changed his position, and lay on the floor, and thought of
+sleeping. But sleep would not come. There was no evading the knowledge
+that he had wiped out his own race&mdash;annihilated them by preventing them
+from birth, forty million years before his own time. He was like no
+other murderer since Cain, Gordy thought, and wondered that he felt no
+blood on his hands.</p>
+
+<p>There was a signal that he could not perceive, and his guardian ant
+came forward to him, nudged him outward from the wall. He moved as he
+was directed&mdash;out the low exit-hole (he had to navigate it on hands and
+knees) and down a corridor to the bright day outside.</p>
+
+<p>The light set Gordy blinking. Half blind, he followed the bangled
+ant across a square to a conical shed. More ants were waiting there,
+circled around a litter of metal parts.</p>
+
+<p>Gordy recognized them at once. It was his time machine, stripped piece
+by piece.</p>
+
+<p>After a moment the ant nudged him again, impatiently, and Gordy
+understood what they wanted. They had taken the machine apart for
+study, and they wanted it put together again.</p>
+
+<p>Pleased with the prospect of something to do with his fingers and his
+brain, Gordy grinned and reached for the curious ant-made tools....</p>
+
+<p>He ate four times, and slept once, never moving from the neighborhood
+of the cone-shaped shed. And then he was finished.</p>
+
+<p>Gordy stepped back. "It's all yours," he said proudly. "It'll take you
+anywhere. A present from humanity to you."</p>
+
+<p>The ants were very silent. Gordy looked at them and saw that there were
+drone-ants in the group, all still as statues.</p>
+
+<p>"Hey!" he said in startlement, unthinking. And then the needle-jawed
+ant claw took him from behind.</p>
+
+<p>Gordy had a moment of nausea&mdash;and then terror and hatred swept it away.</p>
+
+<p>Heedless of the needles that laced his skin, he struggled and kicked
+against the creatures that held him. One arm came free, leaving gobbets
+of flesh behind, and his heavy shod foot plunged into a pulpy eye. The
+ant made a whistling, gasping sound and stood erect on four hairy legs.</p>
+
+<p>Gordy felt himself jerked a dozen feet into the air, then flung free in
+the wild, silent agony of the ant. He crashed into the ground, cowering
+away from the staggering monster. Sobbing, he pushed himself to his
+feet; the machine was behind him; he turned and blundered into it a
+step ahead of the other ants, and spun the wheel.</p>
+
+<hr class="tb" />
+
+<p>A hollow insect leg, detached from the ant that had been closest to
+him, was flopping about on the floor of the machine; it had been that
+close.</p>
+
+<p>Gordy stopped the machine where it had started, on the same quivering,
+primordial bog, and lay crouched over the controls for a long time
+before he moved.</p>
+
+<p>He had made a mistake, he and de Terry; there weren't any doubts left
+at all. And there was ... there <i>might</i> be a way to right it.</p>
+
+<p>He looked out at the Coal Measure forest. The fern trees were not the
+fern trees he had seen before; the machine had been moved in space.
+But the time, he knew was identically the same; trust the machine for
+that. He thought: I gave the world to the ants, right here. I can take
+it back. I can find the ants I buried and crush them underfoot ... or
+intercept myself before I bury them....</p>
+
+<p>He got out of the machine, suddenly panicky. Urgency squinted his eyes
+as he peered around him.</p>
+
+<p>Death had been very close in the ant city; the reaction still left
+Gordy limp. And was he safe here? He remembered the violent animal
+scream he had heard before, and shuddered at the thought of furnishing
+a casual meal to some dinosaur ... while the ant queens lived safely to
+produce their horrid young.</p>
+
+<p>A gleam of metal through the fern trees made his heart leap. Burnished
+metal here could mean but one thing&mdash;the machine!</p>
+
+<p>Around a clump of fern trees, their bases covered with thick club
+mosses, he ran, and saw the machine ahead. He raced toward it&mdash;then
+came to a sudden stop, slipping on the damp ground.</p>
+
+<p>For there were <i>two</i> machines in sight.</p>
+
+<p>The farther machine was his own, and through the screening mosses he
+could see two figures standing in it, his own and de Terry's.</p>
+
+<p>But the nearer was a larger machine, and a strange design.</p>
+
+<p>And from it came a hastening mob&mdash;not a mob of men, but of black insect
+shapes racing toward him.</p>
+
+<p>Of course, thought Gordy, as he turned hopelessly to run&mdash;of course,
+the ants had infinite time to work in. Time enough to build a machine
+after the pattern of his own&mdash;and time to realize what they had to do
+to him, to insure their own race safety.</p>
+
+<p>Gordy stumbled, and the first of the black things was upon him.</p>
+
+<p>As his panicky lungs filled with air for the last time, Gordy knew what
+animal had screamed in the depths of the Coal Measure forest.</p>
+
+<hr class="chap" />
+
+<div class="figcenter">
+ <img src="images/illus.jpg" alt=""/>
+ <div class="caption">
+ <p><i>He filled his lungs for one last scream.</i></p>
+ </div>
+</div>
+
+<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK LET THE ANTS TRY ***</div>
+<div style='text-align:left'>
+
+<div style='display:block; margin:1em 0'>
+Updated editions will replace the previous one&#8212;the old editions will
+be renamed.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the United
+States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for an eBook, except by following
+the terms of the trademark license, including paying royalties for use
+of the Project Gutenberg trademark. If you do not charge anything for
+copies of this eBook, complying with the trademark license is very
+easy. You may use this eBook for nearly any purpose such as creation
+of derivative works, reports, performances and research. Project
+Gutenberg eBooks may be modified and printed and given away--you may
+do practically ANYTHING in the United States with eBooks not protected
+by U.S. copyright law. Redistribution is subject to the trademark
+license, especially commercial redistribution.
+</div>
+
+<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br />
+<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br />
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span>
+</div>
+
+<div style='display:block; margin:1em 0'>
+To protect the Project Gutenberg&#8482; mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &#8220;Project
+Gutenberg&#8221;), you agree to comply with all the terms of the Full
+Project Gutenberg&#8482; License available with this file or online at
+www.gutenberg.org/license.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.A. By reading or using any part of this Project Gutenberg&#8482;
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg&#8482; electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg&#8482; electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the person
+or entity to whom you paid the fee as set forth in paragraph 1.E.8.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg&#8482; electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg&#8482; electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg&#8482;
+electronic works. See paragraph 1.E below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
+Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg&#8482; electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg&#8482; mission of promoting
+free access to electronic works by freely sharing Project Gutenberg&#8482;
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg&#8482; name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg&#8482; License when
+you share it without charge with others.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg&#8482; work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country other than the United States.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E. Unless you have removed all references to Project Gutenberg:
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg&#8482; License must appear
+prominently whenever any copy of a Project Gutenberg&#8482; work (any work
+on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
+phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+</div>
+
+<blockquote>
+ <div style='display:block; margin:1em 0'>
+ This eBook is for the use of anyone anywhere in the United States and most
+ other parts of the world at no cost and with almost no restrictions
+ whatsoever. You may copy it, give it away or re-use it under the terms
+ of the Project Gutenberg License included with this eBook or online
+ at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+ are not located in the United States, you will have to check the laws
+ of the country where you are located before using this eBook.
+ </div>
+</blockquote>
+
+<div style='display:block; margin:1em 0'>
+1.E.2. If an individual Project Gutenberg&#8482; electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase &#8220;Project
+Gutenberg&#8221; associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg&#8482;
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg&#8482; License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg&#8482;.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg&#8482; License.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg&#8482; work in a format
+other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
+version posted on the official Project Gutenberg&#8482; website
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original &#8220;Plain
+Vanilla ASCII&#8221; or other form. Any alternate format must include the
+full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg&#8482; works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg&#8482; electronic works
+provided that:
+</div>
+
+<div style='margin-left:0.7em;'>
+ <div style='text-indent:-0.7em'>
+ &bull; You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg&#8482; works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg&#8482; trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, &#8220;Information about donations to the Project Gutenberg
+ Literary Archive Foundation.&#8221;
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &bull; You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg&#8482;
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg&#8482;
+ works.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &bull; You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &bull; You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg&#8482; works.
+ </div>
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg&#8482; electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from the Project Gutenberg Literary Archive Foundation, the manager of
+the Project Gutenberg&#8482; trademark. Contact the Foundation as set
+forth in Section 3 below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
+electronic works, and the medium on which they may be stored, may
+contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
+of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg&#8482; trademark, and any other party distributing a Project
+Gutenberg&#8482; electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg&#8482; electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg&#8482;
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg&#8482; work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg&#8482; work, and (c) any
+Defect you cause.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 2. Information about the Mission of Project Gutenberg&#8482;
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg&#8482;&#8217;s
+goals and ensuring that the Project Gutenberg&#8482; collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg&#8482; and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 3. Information about the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Project Gutenberg Literary Archive Foundation is a non-profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&#8217;s EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state&#8217;s laws.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation&#8217;s business office is located at 809 North 1500 West,
+Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
+to date contact information can be found at the Foundation&#8217;s website
+and official page at www.gutenberg.org/contact
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; depends upon and cannot survive without widespread
+public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine-readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular state
+visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+</div>
+
+<div style='display:block; margin:1em 0'>
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Please check the Project Gutenberg web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 5. General Information About Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+Professor Michael S. Hart was the originator of the Project
+Gutenberg&#8482; concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg&#8482; eBooks with only a loose network of
+volunteer support.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Most people start at our website which has the main PG search
+facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+This website includes information about Project Gutenberg&#8482;,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+</div>
+
+</div>
+
+</body>
+</html>
diff --git a/old/64631-h/images/cover.jpg b/old/64631-h/images/cover.jpg
new file mode 100644
index 0000000..ff9017c
--- /dev/null
+++ b/old/64631-h/images/cover.jpg
Binary files differ
diff --git a/old/64631-h/images/illus.jpg b/old/64631-h/images/illus.jpg
new file mode 100644
index 0000000..ee54be5
--- /dev/null
+++ b/old/64631-h/images/illus.jpg
Binary files differ