diff options
Diffstat (limited to 'old/65355-0.txt')
| -rw-r--r-- | old/65355-0.txt | 1234 |
1 files changed, 0 insertions, 1234 deletions
diff --git a/old/65355-0.txt b/old/65355-0.txt deleted file mode 100644 index ce8b1a4..0000000 --- a/old/65355-0.txt +++ /dev/null @@ -1,1234 +0,0 @@ -The Project Gutenberg eBook of The Lost Giant and Other American Indian -Tales Retold, by Violet Moore Higgins - -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you -will have to check the laws of the country where you are located before -using this eBook. - -Title: The Lost Giant and Other American Indian Tales Retold - Story Time Tales - -Author: Violet Moore Higgins - -Release Date: May 16, 2021 [eBook #65355] - -Language: English - -Character set encoding: UTF-8 - -Produced by: Charlene Taylor, David E. Brown, and the Online Distributed - Proofreading Team at https://www.pgdp.net (This file was - produced from images generously made available by The Internet - Archive) - -*** START OF THE PROJECT GUTENBERG EBOOK THE LOST GIANT AND OTHER AMERICAN -INDIAN TALES RETOLD *** - -[Illustration: “WHAT ARE YOU DOING?” ASKED THE BRIDEGROOM] - - - - - THE - LOST GIANT - AND OTHER AMERICAN INDIAN TALES RETOLD - - STORIES AND PICTURES - by - Violet Moore Higgins - Author of “The Endless Story”, “The Little Juggler”, etc. - - [Illustration] - - WHITMAN PUBLISHING CO. - RACINE, WISCONSIN - - - - - COPYRIGHTED, 1918 BY - WHITMAN PUBLISHING CO. - - - - -CONTENTS - - - THE LOST GIANT 11 - - THE FEATHERED BRIDEGROOM 27 - - MANDOWMIN OF THE MAIZE 41 - - AWAHNEE AND THE GIANT 57 - - - - -ILLUSTRATIONS - - - “WHAT ARE YOU DOING?” ASKED THE BRIDEGROOM (_frontispiece in color_) - - DECORATIVE TITLE PAGE 1 - - HE SWUNG THE CHILD ALOFT ON HIS SHOULDER 13 - - THEY CAME FLYING OUT OF THE BAG (_color_) 16 - - THE FAMILY SAT BEFORE ITS TENT 28 - - SHE BADE HIM WELCOME TO HER LODGE (_color_) 32 - - AS TALL AS A MAN IT STOOD 42 - - THE NEXT DAY THE YOUNG BRAVE APPEARED (_color_) 49 - - HE CARRIED WATER IN A GOURD 55 - - - - - To My Beloved Father - - who was always ready with an answer to - those questions of childhood: “Did - you ever see a ‘really-truly’ - Indian?” and “Will you - tell me about when - you were a little - boy?” V.M.H. - - - - -INTRODUCTION - - -Among the Indians who used to roam over our Western prairies in such -vast numbers, story telling was of the greatest importance. From the -opening of spring, through the summer, and far into the fall, the men -and older boys of the tribe were out each day hunting the deer in the -hills and the buffalo on the plains or spearing fish in the streams. -The women and girls meantime were occupied with their household duties -about the tepees. - -But at last came the long winter months when game was scarce, and the -old trails were covered with a blanket of snow. Then the Indians would -retreat to the snug wigwams, and there await the coming of spring -again. They had no books to read or newspapers and magazines with which -to while away those long winter days, and life would have been dull -indeed had it not been for their ability to tell stories to each other. - -They never lacked material out of which to build those tales. Each bird -and beast, each herb and flower; in fact, every living thing that -ran, or crawled, or flew about their native forests was known to the -Indians. They studied the habits of the wild creatures to an extent -that we might well follow. - -Then there were other forces that entered into their lives and stories. -In the flash of lightning from a dark cloud, in the roll of thunder, in -the rush of wind, or in the roar of waters tumbling over a cliff into -the river below, they heard the voice of the Great Spirit, unseen but -powerful. - -And so all their legends were woven around these things and were full -of strange incidents that had happened to them on their hunting trips. -Many included adventures that had been related by their fathers and -grandfathers around the winter camp fires years and years before. - -Let us imagine that we, too, are curled up comfortably on a deer-skin -in a chief’s tepee, close beside the glowing campfire, whose flames -cast a ruddy light on the circle of dark faces all about it, especially -on that of the chief who, pipe in hand, is just about to relate some of -these old legends of the American Indians. - - V. M. H. - - - - -[Illustration] - -The Lost Giant - - -Once upon a time, far back in the days when the elk, the moose, and the -buffalo roamed over the hills and plains of North America, and little -Indian children could call all the animals by name, there lived among -one of the northern tribes a very unhappy little boy named Wasewahto. - -His mother had been a chieftain’s daughter, but she had died when the -boy was a mere baby. His father had taken another wife, Wapiti--“the -elk”--so called by reason of her large ugly head. Wasewahto’s father -was dead now, too, and the little boy lived alone with his stepmother, -who had no love for him and treated him very badly. He was too small to -hunt and fish for his own food, and often Wapiti refused to share hers -with him, giving him only a few bones to gnaw. - -One day she rolled up her belongings into a bundle and, without a word -to Wasewahto, went away. Two days passed without a sign of her return. -Then the little boy, hungry and frightened, sat down before his tent -and cried bitterly. - -[Illustration: HE SWUNG THE CHILD ALOFT ON HIS SHOULDER] - -As he sat there sobbing and crying he felt the earth quiver beneath -him, and looking up, he saw through his tears, a giant Indian who -towered up to the very tree tops. - -“Why are you crying?” asked the giant in a voice like distant thunder. - -“Because I am all alone,” answered Wasewahto. “My stepmother has been -gone two days and I have no food.” - -“You are the stepson of Wapiti?” asked the giant. The little boy -nodded, and the giant continued: “Then she will never come back--she -has gone to another tribe. Come home with me.” And he swung the child -aloft on his big broad shoulder. Away they went to the giant’s wigwam, -and there Wasewahto lived happily for many moons. - -But one night the giant had a dream, in which the spirit of Wasewahto’s -father appeared to him, and told him to return the boy to his -stepmother. The dream was so vivid that it troubled him, and he began -to break camp the next morning, and prepare for a march. - -But when Wasewahto heard what his friend proposed to do, he cried and -cried, and clung to the giant, and begged him not to go, but the big -man was still worried over his dream, and insisted upon going. - -“But I will not leave you unless I find a tribe which will be kind to -you,” he said at last, as they were starting, and with that promise -Wasewahto had to be satisfied. The giant swung the boy to his shoulder -and set out. - -After four days’ travel they reached a strange camp, and here they -found Wapiti. She was furiously angry when she saw the boy, but a fear -of the giant kept her silent. When he had told her his dream, she too -felt uneasy, and pretended to welcome Wasewahto. But when the giant -left him with his stepmother, and prepared to leave, the child sobbed -and cried so hard and pleaded so earnestly with his friend to stay and -live near him, that the big man paused. - -“I will stay if the tribe will have me,” he said at last, and no one -dared refuse. When they had given their consent the giant said: “I -will work for the tribe--I will hunt and fish and fight--but one thing -you must promise me. Never give me otter’s flesh to eat or I will go -away and never return.” - -[Illustration: IN ANOTHER INSTANT THEY CAME FLYING OUT OF THE BAG] - -So the tribe promised, and little Wasewahto was happy. The giant taught -him to hunt and fish, so that never again would he have to starve if -Wapiti should desert him. The little boy soon had many friends. He was -so merry and bright, his aim with an arrow was so true and he was such -a brave little warrior, that all the tribe loved him. - -All but Wapiti--she still hated the boy, and she hated the giant even -more, for she felt that had it not been for him, she would long ago -have been rid of the unwelcome child. In her heart she was always -trying to make some plan whereby she might be freed from both of them. -One day a hunter brought in a freshly killed deer for the giant, who -was very fond of roast venison, and Wapiti at last had her chance. - -She prepared a splendid roast, but here and there among the deer meat -she made a tiny slit with a sharp knife, and slid in pieces of otter -flesh. The giant returned from fishing, with a ravenous appetite, and -sat down to the meal with a relish. But the first bite revealed the -trickery of Wapiti, and with a furious glare at her, the giant leaped -to his feet, strode from the camp, and never was seen again by the -tribe. - -Soon the warriors returned, and when they learned what had happened, -Wapiti had no further chance to carry out her cruel plans against -Wasewahto, for they drove her from the camp with stones and arrows, -and said if ever she returned her life would be forfeited. Then they -adopted her stepson as the child of the tribe. - -Poor little Wasewahto! Though he was among friends, he grieved -continually for the loss of his dear giant, as did all the tribe, -though not as bitterly. He could not be tempted with even the daintiest -foods, and he did not care to play any more. The Indians made him -splendid bows and arrows, and the medicine-man carved a rattle for him -out of a buffalo bone, but nothing seemed to make him happy. As winter -came on he grew thinner and paler and sadder every day, and shivered at -the slightest breeze. - -At last his friends could bear it no longer, and begged him to tell -them what, next to having the giant back again, would make him happiest. - -He answered at once, “Take me where the summer is. If I could see -flowers in the woods, and could shoot at the birds with my bow and -arrows again, I believe I could be happy.” - -“Then we will hunt for the summer-land, oh little Wasewahto,” they -cried, and set out the next day at sunrise. - -For many days they traveled toward the south, and at last, on the -shores of a great lake, they came upon a strange tepee. It was that of -a hostile tribe, however, and so Wasewahto’s friends hid themselves in -the rushes by the water’s edge, and called on the beaver to help them. - -“What you seek is indeed here,” said the wise old animal, when they had -told him their story, “And I will help you.” - -Accordingly he asked the moose to swim to the middle of the lake, and -in the meantime he began gnawing busily at the canoe paddles of the -hostile tribe, not enough to saw them off entirely, but merely to -weaken them. - -Suddenly there was a shout from the tepee. Someone had seen the moose -and all were eager to chase him. The enemies of Wasewahto and his -friends ran to the shore, leaped into their canoes, and put out after -the moose. - -When they were well out into the middle of the lake the beaver led -Wasewahto and his friends into the tepee by a hidden tent flap, so that -they might not be seen from the water side. From the very top of the -highest tent pole there hung a great leather bag. As soon as he saw it, -Wasewahto began to smile, a little at first, then more and more, and at -last, laughing aloud, he caught up his little bow and arrows and aimed -straight at the hanging pouch. - -As the dart pierced the leather, the wigwam was suddenly filled with -the twittering of birds, and in another instant they came flying out of -the bag and out of the tepee--thousands of them, robins, woodpeckers, -swallows, orioles, jays, wrens, bluebirds, and many others. For summer -had been tied up in the leather pouch, there to hang quietly until -another year. - -The Indians on the lake had by this time discovered that there were -intruders in their camp, and that summer, placed in their keeping, had -been set free. Desperately they began to head for shore, but now under -the strain all the paddles broke, and the Indians were left floating on -the lake, screaming with helpless rage, while the moose swam away to -cover. - -Now it began to be summer everywhere. The snow and ice melted away; the -brook, which had been locked up under layers of ice, began to gurgle -and laugh again; the green leaves came out on the trees, and even the -flowers began to spring up in the woods. Wasewahto was perfectly -happy. He grew plump and rosy, and he laughed with joy as he shot his -arrows and threw the harpoon for fish. - -But the beaver and the moose came presently to think that perhaps they -had meddled with things that were not their affair, and that if the -Great Spirit had intended it to be summer all the time, he would not -have tied it up in a bag part of the year. So they decided to correct -their mistake; but when at last they had fixed upon a plan, they found -they could not agree upon the length of time summer should be allowed -out of its prison. So they called all the animals together and asked -for their advice. Everyone had a different idea. Some advised a month, -some ten, some eleven. - -At last up jumped an old frog, and holding out his webbed foot, with -its four toes, so that all might see it, he croaked in his deep voice, -“Have four--have four--have four--” over and over again, until he -drowned out the voices of the others. His persistence so wearied them -that at last they gave in to him and decided on four, as he wished. - -So now there are but four months of summer in the Northland, and little -Wasewahto is perfectly happy during those days. Then he smiles all the -time, as he works and plays. That is why the sunshine is so pleasant, -and why the brooks seem to gurgle with joy in the summer time. But when -the winter days come, and the cold rains of autumn fall, those are -the tears of Wasewahto, sitting by the fire and weeping for his lost -friend, the giant. - - - - -The Feathered Bridegroom - -[Illustration: THE FAMILY SAT BEFORE ITS TENT] - - - - -The Feathered Bridegroom - - -Long, long ago, before the coming of the white man to the shores of -America, there lived, far up in the north country, near the banks of a -broad river, a squaw named Speckled Eagle, with her little son Running -Buffalo and her beautiful daughter Deerfoot, a maiden of fifteen. - -Speckled Eagle was the widow of a great warrior and she determined that -her daughter should never marry until there came to woo her some mighty -chieftain of a powerful tribe. Many a young brave came to the tepee, -for Deerfoot was as good as she was lovely. Many a one would have wed -her, but none were ever rich or noble enough to please Speckled Eagle. - -But one day as the family sat before its tent, weaving mats of sweet -grass, a white canoe came gliding down the broad river, and in it there -sat a handsome stranger. He was clad all in white, in garments made of -deer-skin, sewed over with beads and shells and trimmed with ermine -tails. - -Speckled Eagle looked at him eagerly. Ah, if only he were coming to -woo Deerfoot! As she watched, the stranger gave a few skillful strokes -of his paddle that sent his canoe out of the current and brought it -gliding toward the shore before Speckled Eagle’s lodge. In another -moment he was stepping out upon the pebbly shore. - -All a-flutter with excitement Speckled Eagle went hurrying down to meet -him, not forgetting in her haste to snatch up a bundle of bark which -hung in the tepee. When she had greeted the strange brave and bade him -welcome to her lodge, she spread pieces of the bark before him on the -ground from the landing to the tepee, to do him honor. When he had -reached the campfire, she begged him to rest on a soft pile of skins -while she and her daughter prepared a feast for him. - -Everyone in her camp was delighted with the handsome stranger--all but -one old dog which growled and showed his teeth from the moment the -unknown brave stepped ashore. The man trembled at the dog’s angry -snarls, and said he could not eat a bit of the feast until that ugly -animal was taken away. - -Anxious to please her noble guest, Speckled Eagle led the old dog out -into the bushes and killed him, though she dared not tell Deerfoot what -she had done, for the girl was fond of the faithful dog. - -Soon the stranger made it known that he was a chieftain from the far -north, who had made a temporary camp down the river a few miles below -Speckled Eagle’s tepee. Furthermore he said that he wished to wed the -lovely Deerfoot. The girl was so charmed by his handsome face, his -well-built figure and splendid carriage that she consented at once. -Speckled Eagle was more than satisfied to have so fine a son-in-law. So -a great wedding feast was held and Deerfoot married the strange brave -that night. - -[Illustration: DEERFOOT GREETS THE STRANGER] - -On the following morning when Speckled Eagle was ready to make a -fire, she went out into the bushes to get some dry faggots. There lay -the body of the old dog she had killed, pecked full of holes as if a -great bird had feasted on it. The soft earth round about was marked by -strange three-toed prints. - -A sudden fear came to Speckled Eagle’s heart. She hurried back to the -camp, and asked all present to take off their moccasins or shoes. All -did as she bade--all but the stranger. - -“I never take off my shoes,” he said haughtily, “It is a custom of my -tribe.” - -“But see the beautiful moccasins I have made for you,” insisted -Speckled Eagle. For many moons she had worked on them, intending them -to be a wedding gift for her noble son-in-law, whenever he should -appear. They were of the softest leather, heavily beaded and worked in -quills of the porcupine, and the stranger’s eyes began to glisten as -he looked at them. Like a flash he whipped off his own moccasins, and -put on the new ones before Speckled Eagle could see his feet. But the -little brother’s eyes were sharp. - -“Mother,” he cried in terror, “he has feet like a bird--he has only -three toes.” - -At this the stranger grew angry and looked at the little boy so -fiercely that he said no more, but Speckled Eagle was strangely -troubled and felt that all was not right. - -When they had breakfasted the stranger ordered his bride to follow him -to his camp, far down the river, where he had many beautiful gifts for -her. Deerfoot did not want to go. The incident of the moccasins had -frightened her, but her husband promised her they should return by -sundown, so at last she climbed into the stern of his canoe, while the -stranger took his place at the bow, and they paddled away down stream. - -Deerfoot looked back at the camp as long as she could see it, and -watched Speckled Eagle and the little brother, Running Buffalo, waving -to her from the shore. But at last a turn of the river hid them from -view. - -For several hours Deerfoot and her husband went on down the river with -the current, he paddling, she giving an occasional stroke, where the -stream did not run as fast as usual. About noon-day it began to rain, a -shower at first, then a downpour. As the rain continued to fall harder -and harder, the bride suddenly noticed that the water was washing away -her husband’s splendid white coat, and beneath it she could see black -feathers and a long black tail. - -Then she knew what evil had befallen her. She had married a Crow, the -bird of wickedness, whose tricky ways oft deceived the Indians. - -Deerfoot was very much frightened, but she began to plan her escape at -once. With her small deft hands she tied the long black tail to the -crossbar of the canoe, using a leather thong from her moccasins. - -“What are you doing?” asked the Crow, as he felt her fingers among his -feathers. - -“Smoothing down your beautiful coat, and sewing on some of the beads -that have become loosened,” she replied. - -“Ah, I see you are industrious, as a good wife should be,” he answered -with a sly grin, but without turning. - -All the long afternoon they floated down the river, and as it drew on -toward sunset the canoe glided along into a rushy, reed-covered marsh -where the wild ducks made their nests. As the canoe slipped among the -grasses, dozens of frightened birds rose in great flocks and flew -across the marshes. - -“These shores are full of duck eggs, husband,” said Deerfoot, as she -watched the circling birds. Seized by a sudden idea she cried: “Let me -land here for a moment, and I will soon find a dozen for your supper.” - -Now the Crow was hungry, and the prospect of a dozen roasted duck eggs -pleased him immensely. - -“You are a good wife,” he said, “but make haste--we still have far to -go,” and he ran the canoe close to the shore. - -Before the keel had even grated on the pebbles, like the swift-footed -deer for whom she was named, the Indian maid had sprung ashore and -darted up the bank into the forest. She was soon out of sight speeding -like an arrow through the woods, back to her mother, her brother, and -her home. - -The Crow gave a harsh cry, which resembled a caw, as he saw her go, and -began screaming at the top of his voice: “Stop--stop--I’ll bring you -back, and punish you for this.” - -But he could not free himself to follow her. Deerfoot had fastened his -tail too securely to the crossbar for him to loosen it easily. It took -him nearly an hour to untie the last knot, for it was no easy task to -reach around behind his back, and, by the sense of touch alone, pick -out countless knots tied in wet leather. - -By the time the Crow had untied all the thongs that held him. Deerfoot -was far away in the forest, so he sunk his canoe, resumed his bird -shape once more and flew off screeching as he went: “Again I have -tricked my enemy--man.” - - - - -Mandowmin of the Maize - -[Illustration: AS TALL AS A MAN IT STOOD (_See Page 55_)] - - - - -Mandowmin of the Maize - - -In the history of the Pilgrims and their early struggles on the bleak -shores of New England, it is told how they were taught by the friendly -Indians, Samoset and Squanto, to plant Indian corn, which soon became -one of the principal articles of food on their tables. And even now, -after nearly three hundred years, there is scarcely any food we think -of as more truly American, than corn meal mush, or piping hot corn -cakes. - -But long long ago, before the feet of white men ever trod the forest of -the New World, as America was called in those days, and while Indians -in vast numbers roamed over the land, there was a time when Indian corn -or maize was unknown even to the red men. Their food consisted almost -entirely of meat--the fleet-footed deer and wild turkey--and fish from -the little trout streams. Sometimes a handful of sweet berries was -found, which added zest to the meal. - -Life ran on smoothly in the summer time, for then the Indians lived -well, but when the long, snowy New England winters set in, it was quite -a different matter. The streams froze over, the birds flew south, and -the deer retreated farther into the depths of the forest. Sometimes -when there had been an unusually large number of deer killed in the -fall, the Indian women cut up the flesh into strips and dried it in the -warm bright autumn sunshine. This dried meat was then stored away for -the long winter. But the supply seldom lasted until spring, and the -people had to face days of famine and suffering during which many of -them died. - -Now it chanced in those days that there lived a little Indian boy -named Waso. He was the son of a chieftain, and like his father he had -a kind and gentle heart. The chieftain never forgot to give thanks to -the Great Spirit for every catch of fish and for every nimble deer -his sharp arrows killed. When times of famine fell upon the tribe, -he shared with them until he had no more left to give, and he was -constantly trying to discover ways in which he might help his people. - -Little Waso, growing from babyhood into boyhood in this kindly -atmosphere, began to think very seriously of the welfare of his tribe, -over whom he would some day rule as a chieftain. - -Often he dreamed strange dreams. He would imagine that he was walking -through a dense forest where the briars and brambles stung him, and -brought out a rash on his tender skin. But then, at his very feet would -spring up a cluster of bright berries, or some green herb, and a voice -seemed to urge him to crush the plant and lay it on the red spot. He -obeyed and was instantly healed. So too, in a dream, was the bite of -a poisonous snake cured. The strangest part of all was that on the -following day these things all happened exactly as in his vision. Waso -always found the herb he needed growing near him, and thus was saved -from many a misfortune. - -He told his father of these things, and the chieftain called together -the older men of the tribe and related to them all that had happened. -They believed his dreams were messages from the Great Spirit, and from -that time each particular herb of which the child had dreamed, was -carefully gathered and stored away for use as medicine. All the old men -declared that Waso would some day become a great chieftain. - -At last, for little Waso, came the time when an Indian boy goes away -from his family and fasts and calls on the Great Spirit to show him a -vision of his future life and teach him how to live wisely and well. So -the chieftain built a little wigwam for Waso, at some distance from the -others, and the boy went to it, and began the solemn rites. - -That first night in his tent alone, he dreamed that the Great Spirit -sent a new gift to his people, a food by means of which it would be -easier for them to live and which would provide against days of famine. -This gift was called Mandowmin and was to grow out of the black soil. -But the manner in which he should find it was not revealed to Waso -and after he awoke he could think of nothing else but the mysterious -gift. - -[Illustration: THE NEXT DAY THE YOUNG BRAVE APPEARED] - -He fasted for three days in his lonely tent, sleeping at night on a bed -of skins. The third day, weak from lack of food, he looked out of his -doorway at sunset, and saw a splendid young brave flying down from the -sky. He was clad all in green and yellow, and a tuft of green plumes -nodded on his head. - -“I am come, oh Little-Chieftain-Who-Loves-His-People, from the Great -Spirit,” said the stranger. “He looks with favor upon you and your -father the Chieftain, because you contend not with arrows and spears, -but seek only the good of your people. I have great news for you, news -of a wonderful gift from the Great Spirit; but first you must wrestle -with me, as it is only by overcoming me that you may learn the secret.” - -Now Waso was so faint and weak that he swayed as he stood, but without -hesitation he began to wrestle with the mysterious stranger. It was an -unequal struggle, however, and soon the boy lay on his back, panting -for breath. - -“I will come again tomorrow,” said the stranger, and vanished. - -The next day at the same hour the young brave appeared at Waso’s -tent, and again they wrestled. Once more Waso was vanquished, but -the stranger only smiled his kind friendly smile and said: “Be -brave, little Waso! You have another chance--tomorrow--but your -last--remember.” - -On the third day Waso was so weak that he could scarcely stand, but he -said to himself that he must win in order to learn the great secret for -his people. And so much did his strong will help his weak body that at -last he overthrew the young brave in green. - -“Well done, Little Chieftain,” said the stranger, as he arose from the -ground, where Waso had thrown him in the struggle, and dusted off his -garments. “Tomorrow at set of sun I will come again for the last time. -If I am vanquished I shall die. You must then strip off my garments, -clear a spot of earth free from all stones, weeds and roots, soften the -earth, and bury me in that spot. Then come often to my grave, and see -if perchance I have returned to life once more; but let no weeds grow -over me. Promise that you will do all as I tell you, and then you shall -know the secret of the Great Spirit.” - -Waso promised though with tears in his eyes. He had grown to love the -handsome stranger with whom he had wrestled on three days at sunset, -and the thought of his death saddened the boy, but he gave him his word. - -The next morning the chieftain came to his son’s tent with food. - -“You have proved yourself a man, my son,” he said. “A longer fast may -do you harm.” - -But Waso answered: “Wait only, oh my father, until evening, and when -the sun goes down I shall return to your fireside.” - -So the chieftain went home alone. - -At sunset the strange brave returned and appeared once more at Waso’s -tent. For the last time they fought. Steadily Waso gained and finally -the stranger sank weakly to his knees. He arose again, and once more -Waso put forth all his strength and threw his foe to earth. The -stranger murmured faintly: “Your promise--remember,” and spoke no more. - -Gently, tenderly, with tears streaming down his cheeks, Waso obeyed the -instructions. Drawing off the beautiful green and yellow garments, he -buried his strange friend in the soft black soil. Then he returned to -his father’s home. But every day he visited the lonely grave far away -at the edge of the forest. Carefully he pulled away the weeds and in -the dry season he carried water in gourds to keep the earth soft and -moist. Then one day, to his joy, he saw that the green plumes of the -stranger’s head-dress were pushing through the soil. His friend was -coming back to him. - -All this time Waso had kept these things a secret, but as the summer -drew to a close, he led his father to the distant grave. He told the -chieftain the strange story, and, when he had finished, pointed to -where there rose from the center of the stranger’s grave a plant whose -like had never been seen before by the chieftain. As tall as a man -it stood, straight and green, with broad shining leaves waving in the -autumn breeze, topped by silky bright brown hair and nodding green -plumes. From either side grew long green husks full of pearly white -grains, sweet and juicy to the taste. - -[Illustration: HE CARRIED WATER IN GOURDS] - -“It is my friend come back to me,” cried Waso. “It is Mandowmin, the -Indian corn. It is the gift of the Great Spirit, and so long as we -renew it from year to year, and watch and tend it, we need never fear -the famine.” - -That night, round the grave of Mandowmin, the members of the tribe held -a feast and thanked the Great Spirit for his goodness. - - - - -Awahnee and the Giant - - - - -Awahnee and the Giant - - -Years and years ago, when there were no white men in all the great land -we now call North America and the Indians were free to roam the woods, -living by the fish they speared and the deer they shot, men knew very -little about the world in which they lived. They did not understand why -we have day and night, sun and moon, summer and winter, and so they -made up all sorts of pretty stories about these strange facts. - -When the last leaves of autumn had fallen, and the Indians were glad -to huddle around the fires in their wigwams, little Indian boys and -girls would ask their elders: - -“Why does it grow colder?” “Will it ever be warm again?” and dozens of -other questions. And here is the tale that the old men of one tribe -always told the little folks in answer. - -Long ago, there lived a great hunter, A-wah-nee, a tall young brave. -No one in all his tribe could shoot an arrow so far or so straight -as could A-wah-nee. When he was still a very young man, his fame had -spread even beyond his own land to other tribes. - -He kept two great pet wolves as hunting dogs, huge fierce animals that -were the terror of the tribe. And well they might be, too, for they -were under a spell. When A-wah-nee was deep in the forest and saw a -deer near him, he had only to say “Up wolves” and in an instant they -were as big as bears and had pounced upon the deer. Then he would say -“Down wolves” and once more they would be their own proper size. - -In a few years the deer in the forest, on the edge of which A-wah-nee -and his grandmother lived in a small wigwam, had grown so clever and -wary that they kept themselves hidden away all the day and roamed only -at night. Presently A-wah-nee began to long for other forests where the -deer were not so shy. At last one day he brought in from the hunt a -half dozen fine deer. - -“Dry that meat in the sun,” he said to his grandmother, “and you will -have food in plenty until I return. I am going on a journey to other -hunting grounds where game is bigger and more plentiful.” - -Then he slung his snow shoes over his shoulder, for it was nearing the -cold days, caught up his bow and arrows and his hunting knife, and -strode off toward the north. As he journeyed he saw many a fine deer -and moose. Some he shot, others he let go unharmed, for he was always -seeking bigger game. Ever the wind grew more cold and cutting, the -grass and leaves began to wither and disappear, and soon there was a -covering of ice on the water and a blanket of snow on the ground. - -But A-wah-nee put on his snow shoes and went skimming away, until at -last he came to a huge wigwam almost buried in the drifts of snow. -There was a thread of smoke curling up from the top, and A-wah-nee, who -had begun to feel cold and weary, lifted the tent flap and walked in. - -There was but one person in the wigwam, a very old giant, with deep -wrinkles in his face, and snow white hair and beard. When he spoke, -his great voice sounded like the howling of the north wind in the pine -trees. - -“Ho! young brave,” he cried. “Who are you? Whence come you? What do you -want in my wigwam?” - -“I am A-wah-nee,” answered the young man proudly; “mightiest hunter of -my tribe. I have killed all the game worthy of my bow, and now seek new -quarry, bigger and fleeter. But tell me your name, old man.” - -“Winter!” roared the white haired giant in such a fierce tone that -A-wah-nee began to feel afraid of him. “I rule the Kingdom of Cold. I -bring the snow and ice. My breath kills all it touches. But sit down if -you are not afraid of me. I bid you welcome.” - -A-wah-nee was ashamed to show his fear after the boasting remark he had -made at first, so he sat down by the giant’s fire, took a bit of moose -meat from a leather pouch at his side, and began to eat it. While the -old man related tales of great hunts and battles of his younger days -and told of the wonderful deeds the frost giants had wrought at his -bidding. - -A-wah-nee was amazed at these stories, which made him feel that -perhaps, after all, he was not as great a hunter as he had believed. -Presently, in spite of the glowing fire beside him, the young brave -began to feel very chilly. His teeth chattered and he tried to jump up -and run about to warm himself. - -But he could not move. Something seemed to hold him hand and foot; his -head fell forward and he rolled over on the ground, fast asleep. The -giant laughed until he fairly shook the forest, and the echoes went -rolling along like distant thunder. - -“You’ll have a good sleep, my boy, before you hunt again,” he laughed, -as he strode out of the wigwam, chuckling. - -He had spoken the truth indeed, for it was six months before the charm -was over and young A-wah-nee awoke. When at last he stretched his limbs -and opened his eyes, the old man, who was sitting beside him, burst -into roars of laughter, and told him of the joke he had played. - -A-wah-nee was furious, but he kept his anger to himself. Courteously he -thanked the giant for his welcome and for the interesting stories, and -bade him good-bye; but as he set out for the southland, he was saying -in his heart: “The day will come when I will mock you, old man.” - -He traveled on for many weeks. Gradually the snow melted away, grass -and flowers began to appear, and when he reached the southland, -thousands of birds were twittering and singing in the trees. - -People were singing too, there in the southland, singing and dancing -around their beloved Queen of Summer. At first A-wah-nee laughed when -he saw her, for she was only a mite of a creature scarcely as tall as -A-wah-nee’s foot, with long black hair waving about her shoulders and -dark eyes flashing fire. But as he looked at her, an idea leaped into -his mind, and grew and grew into a great plan to fool the giant Winter. - -Carefully the young brave carried out his scheme. First he went deep -into the heart of the forest and killed a deer. Then he skinned it -carefully, and made its hide into long thin strips which he rolled into -a tight ball. - -Returning to the place where the men of the southland were singing and -dancing about their little Queen of Summer, A-wah-nee waited his time. -In a moment when they were not on guard, he caught up the tiny figure, -tucked her out of sight in a fold of his blanket, and went striding -away into the forest. As he fled he took care to unwind some ten or -more turns of the deer-skin string ball, and let the loose ends dangle -several yards behind him. - -A-wah-nee was very fleet of foot and, too, he had taken the men of -the south so entirely unawares that before they had planned how to -rescue their stolen Queen, the thief was already deep in the forest and -quite out of sight. But presently they came upon the deer string and, -winding it up as they went, began to follow where it led. - -In the meantime A-wah-nee had traveled far and reached, at last, -the wigwam of the giant Winter. As before, the old man welcomed him -pleasantly and bade him enter, for he meant to exert his spell over the -young hunter once more. - -“Sit by my fire and rest,” he roared in his great voice. “You must be -weary after your long hunt. I will tell you tales of the giants while -you refresh your tired limbs.” - -“Ah no!” laughed A-wah-nee. “This time, oh giant, I will tell the tales -to you,” and he smiled knowingly and began to speak. - -As he talked, a strange thing happened to the giant. His head nodded, -his voice grew weak, he shook all over, and tears began to run from his -eyes, for little by little A-wah-nee had been drawing the folds of his -blanket away from the little Queen of Summer, and she had been watching -the old man with bright black eyes. At last she stepped out boldly on -A-wah-nee’s knee, and smiled at Winter. Under that smile he grew weaker -and weaker until at last he fell to the floor of the wigwam, and melted -away until nothing was left of him but a pool of water from which came -a hoarse, moaning cry. - -A-wah-nee and the little Queen turned away from him and stepped out -doors. A great change had come over the scene. The snow had gone, the -grass was fresh and green, the ice had melted away, and the brooks -were trying to sing even louder than the happy birds. Everything was -as beautiful as the southland itself, even more so, for there was a -cool, sweet fragrance in the air that had come from the pure snow as it -melted. - -Soon A-wah-nee and the little Queen found themselves surrounded by -the men of the southland, and they were rejoiced to see their beloved -ruler once more, safe and unharmed. When A-wah-nee told them why he had -borrowed their little Queen, they were quite ready to forgive him. - -Indeed, they found the northland so beautiful they longed to make it -their home, but A-wah-nee warned them that the Summer Queen’s power -could last but six months. At the end of that time the old giant -Winter would rise from the pool of water, resume his former shape, and -with his breath freeze all the country, over which he ruled. - -So from that time on, the men of the southland came each year to the -frozen realm of the old giant Winter, bringing their little Queen of -Summer, and with her approach the old man was forced to take a six -months’ nap. And so it has been even to this day. While the giant -sleeps, the world is bright and sunshiny; the flowers and the birds -sing; but when he awakens, he freezes the rivers and covers the earth -with a blanket of snow. - - - - -TRANSCRIBER’S NOTES: - - - Italicized text is surrounded by underscores: _italics_. - - Obvious typographical errors have been corrected. - - Inconsistencies in hyphenation have been standardized. - -*** END OF THE PROJECT GUTENBERG EBOOK THE LOST GIANT AND OTHER AMERICAN -INDIAN TALES RETOLD *** - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the -United States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for an eBook, except by following -the terms of the trademark license, including paying royalties for use -of the Project Gutenberg trademark. If you do not charge anything for -copies of this eBook, complying with the trademark license is very -easy. You may use this eBook for nearly any purpose such as creation -of derivative works, reports, performances and research. Project -Gutenberg eBooks may be modified and printed and given away--you may -do practically ANYTHING in the United States with eBooks not protected -by U.S. copyright law. Redistribution is subject to the trademark -license, especially commercial redistribution. - -START: FULL LICENSE - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full -Project Gutenberg-tm License available with this file or online at -www.gutenberg.org/license. - -Section 1. General Terms of Use and Redistributing Project -Gutenberg-tm electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg-tm electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg-tm electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the -person or entity to whom you paid the fee as set forth in paragraph -1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg-tm -electronic works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the -Foundation" or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg-tm electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg-tm mission of promoting -free access to electronic works by freely sharing Project Gutenberg-tm -works in compliance with the terms of this agreement for keeping the -Project Gutenberg-tm name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg-tm License when -you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg-tm work. The Foundation makes no -representations concerning the copyright status of any work in any -country other than the United States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg-tm License must appear -prominently whenever any copy of a Project Gutenberg-tm work (any work -on which the phrase "Project Gutenberg" appears, or with which the -phrase "Project Gutenberg" is associated) is accessed, displayed, -performed, viewed, copied or distributed: - - This eBook is for the use of anyone anywhere in the United States and - most other parts of the world at no cost and with almost no - restrictions whatsoever. You may copy it, give it away or re-use it - under the terms of the Project Gutenberg License included with this - eBook or online at www.gutenberg.org. If you are not located in the - United States, you will have to check the laws of the country where - you are located before using this eBook. - -1.E.2. If an individual Project Gutenberg-tm electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase "Project -Gutenberg" associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg-tm -trademark as set forth in paragraphs 1.E.8 or 1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg-tm License for all works -posted with the permission of the copyright holder found at the -beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg-tm work in a format -other than "Plain Vanilla ASCII" or other format used in the official -version posted on the official Project Gutenberg-tm website -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original "Plain -Vanilla ASCII" or other form. Any alternate format must include the -full Project Gutenberg-tm License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works -provided that: - -* You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg-tm trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, "Information about donations to the Project Gutenberg - Literary Archive Foundation." - -* You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg-tm - works. - -* You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - -* You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg-tm electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from the Project Gutenberg Literary Archive Foundation, the manager of -the Project Gutenberg-tm trademark. Contact the Foundation as set -forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm -electronic works, and the medium on which they may be stored, may -contain "Defects," such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg-tm -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg-tm work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg-tm work, and (c) any -Defect you cause. - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at -www.gutenberg.org - -Section 3. Information about the Project Gutenberg Literary -Archive Foundation - -The Project Gutenberg Literary Archive Foundation is a non-profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state's laws. - -The Foundation's business office is located at 809 North 1500 West, -Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up -to date contact information can be found at the Foundation's website -and official page at www.gutenberg.org/contact - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without -widespread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine-readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular -state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate - -Section 5. General Information About Project Gutenberg-tm electronic works - -Professor Michael S. Hart was the originator of the Project -Gutenberg-tm concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg-tm eBooks with only a loose network of -volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. - -Most people start at our website which has the main PG search -facility: www.gutenberg.org - -This website includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. |
