summaryrefslogtreecommitdiff
path: root/old/65547-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/65547-0.txt')
-rw-r--r--old/65547-0.txt907
1 files changed, 0 insertions, 907 deletions
diff --git a/old/65547-0.txt b/old/65547-0.txt
deleted file mode 100644
index 36011fd..0000000
--- a/old/65547-0.txt
+++ /dev/null
@@ -1,907 +0,0 @@
-The Project Gutenberg eBook of Pioneer Auto Museum and Antique Village, by
-Dick Geisler
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: Pioneer Auto Museum and Antique Village
- Murdo, South Dakota
-
-Author: Dick Geisler
-
-Release Date: June 7, 2021 [eBook #65547]
-
-Language: English
-
-Character set encoding: UTF-8
-
-Produced by: Stephen Hutcheson and the Online Distributed Proofreading
- Team at https://www.pgdp.net
-
-*** START OF THE PROJECT GUTENBERG EBOOK PIONEER AUTO MUSEUM AND ANTIQUE
-VILLAGE ***
-
-
-
-
- PIONEER AUTO MUSEUM
- and
- ANTIQUE TOWN
-
-
- Murdo, South Dakota
-
-
-PIONEER AUTO MUSEUM and A. J. “Dick” Geisler are a single thought in the
-minds of many who have visited and had the chance to know the man with
-the ever-present cigar. A Valentine present to German immigrant parents,
-Dick knew he and the family farm were not cut out for each other. He
-attended a rural school near New Ulm, Minnesota much like the one that
-is part of the museum. After high school his mother’s plans for business
-college for her son were interrupted by a job selling for the Jewel Tea
-Company, and other sales ventures. In 1923 he and a friend drove a Ford
-like the one to be seen in the Ford Garage from Minnesota to California
-taking odd jobs along the way to finance the trip.
-
-In California he met and married Vivian Petersen who had traveled to
-California with her three sisters. The three Geisler children were born
-in Pasadena where “Dick” was operating the feed, hardware and appliance
-business he started in the height of the depression. In 1942 Mr. Geisler
-traded his California home for a farm near Blunt, South Dakota, sold the
-businesses and returned to the Midwest.
-
-Crops had been nonexistent for some years prior to his move to South
-Dakota and the natives were amused at the West coast city dude who
-busily went about planting wheat. The Geisler touch and ideal conditions
-brought about the first of many banner years for crops in the area.
-
-In 1945 “Dick” bought a John Deere Chevrolet dealership in Murdo and
-moved his family once again. In 1950 he opened the Phillips 66 gas
-station at the junction of U.S. 16 and 83. The embryo of the PIONEER
-AUTO MUSEUM took shape in the form of an old buggy and a 1913 Ford
-Peddler’s Wagon (now located in the Ford Garage) which were parked in
-front of the station and elicited considerable comment from tourists. As
-the years rolled by a vintage car here and an antique there were added
-to “Dick’s” small but growing collection. Dick’s son, John, made the
-first trip to pick up a car back east. Upon returning, John told his
-father about other cars to be had. By ones and twos the collection grew
-to where something had to be done to properly store and show the cars.
-
- Pub. by The Goin Company, Box 746
- Mitchell, South Dakota 57301
-
- MADE BY
- DEXTER PRESS
- WEST NYACK, NEW YORK
-
- [Illustration: Pioneer Auto Museum
- Murdo, South Dakota]
-
- Buildings as Numbered
- 1. Main building and entrance. Autos and coin music machines.
- 2. Auto building.
- 3. Autos, motorcycles and bicycles building.
- 4. Auto storage shed.
- 5. 1910 Cretors popcorn wagon.
- 6. Souvenir and gift shop.
- 7. World’s largest concert band organ.
- 8. Church of the prairie.
- 9. 1911 Parker Brothers merry-go-round.
- 10. Henry’s Ford Garage.
- 11. Livery stable.
- 12. Classic car building.
- 13. Auto building. (mainly Overland, Willys, Kaiser-Frazer)
- 14. Machinery area.
- 15. Tractor area.
- 16. Fire station.
- 17. Kozy Tourist Cabin.
- 18. Depot. (display of stoves, dentist’s office, saloon)
- 19. One-room school house.
- 20. Milwaukee Road Caboose.
- 21. General store.
- 22. Circus display room.
- 23. Restrooms.
- 24. Jack’s Jewelry store.
- 25. Homesteader’s shack.
- 26. Murdo State Bank.
- 27. Blacksmith Shop.
- 28. Barber Shop.
- 29. Murdo Jail.
- 30. Gasoline engine and plow display.
- 31. Wells Fargo stagecoach.
- 32. Exit building. (Autos, style-show, glassware, antique toys,
- telephones, emblems, miscellaneous antiques and other items)
- 33. Storage and restoration building. (closed to public)
- 34. Auto and parts boneyard.
-
- [Illustration: uncaptioned]
-
- [Illustration: uncaptioned]
-
- [Illustration: 1903 Cadillac
-
- With $750.00 you were in the driver’s seat of this gem in 1903. This
- first model made by the Cadillac Motor Car Co. of Detroit sported a
- single cylinder, under-the-floor mounted engine with a two speed
- transmission.]
-
- [Illustration: 1908 Brush
-
- This two passenger runabout was one of the popular models of its
- day. Built between 1907-1913, it had a wooden frame and wooden
- axles, coil springs on all four wheels and was chain driven. Its
- single cylinder 12 H.P. engine cranked counterclockwise. Sold new
- for $485.00. NOTE: The same man, Alanson P. Brush, designed the
- engines for both the Cadillac and Brush described on this page.]
-
- [Illustration: Long Green Car
-
- Long enough to be a 32 cylinder monstrosity, this 1926 Nash was
- especially built as an eye-catcher. In identifying the Pioneer Auto
- Museum, reference is often made to this car.]
-
- [Illustration: A Lineup of Old-Timers
-
- A sample of man’s mechanical genius found in the Pioneer Auto
- Museum. In this lineup, left to right, can be seen a Model T,
- Flanders, Spacke, and Schacht.]
-
-
-
-
- Antiques of Yesteryear
-
-
-ANTIQUE CARS
-
-Wide variances of opinion exist as to what constitutes an antique car.
-To those unknowledgeable in history of the automobile it is often merely
-a relative description of an old car. The Veteran Motor Car Club of
-America classifies any car over 35 years old as antique. The Antique
-Automobile Club of America considers all pre-1930 models qualifying as
-antiques. The Horseless Carriage Club limit their choices for antique
-designation to pre-1916 cars. As we said, the term is somewhat relative.
-
- [Illustration: 1912 Chalmers
-
- This high-wheeled, 4 cylinder speedster is a fine example of an
- early sports car. In 1910 Chalmers won the Glidden Trophy.]
-
- [Illustration: 1909 Fuller
-
- In 1909 and 1910 two companies were producing autos with the Fuller
- name—The Angus Automobile Company of Angus, Nebraska and the Fuller
- Buggy Company of Jackson, Michigan. The inflatable tires identify
- this model as being made in Jackson, Michigan.]
-
- [Illustration: 1912 Cadillac
-
- This gleaming blue beauty must have brought joy to the heart of its
- first owner. The brass lamps and leather workings show great care.
- Note the early “bucket” seats.]
-
- [Illustration: 1906 “N” Ford
-
- This early model come off the line just three years after Henry Ford
- produced his first auto. It is the first car to be seen as you enter
- Henry’s Ford Garage.]
-
- [Illustration: 1902 Oldsmobile
-
- This curved dash Olds was powered by a single cylinder engine and
- steered with a tiller. It was the world’s first mass produced
- automobile.]
-
- [Illustration: 1902 Schacht
-
- A 1902 gem with double chain drive. This hard wheeler was one of the
- earlier models with a steering wheel. Note the hand crank in back
- for the rear-mounted motor.]
-
- [Illustration: 1917 Hupmobile Roadster
-
- Very few of this model are found today. This 4 cylinder roadster was
- capable of 45 miles an hour and sold for $1,265.00 new. What is now
- known as the antique era was rapidly coming to a close and many of
- the refinements of production efficiency can be noted on this car.]
-
- [Illustration: 1910 Flanders
-
- The Flanders was marketed by Studebaker and remained unchanged for
- the years of its manufacture, 1909-1912. It has a 4 cylinder engine
- and a 3 speed transmission. This model was noted for its
- mother-in-law seat, a single seat in the rear.]
-
- [Illustration: 1909 Auburn Touring
-
- If cars could speak, this particular Auburn could tell much of the
- early history and settling of Central South Dakota. It was used for
- many years to transport settlers to their claims, some a full day’s
- ride from Murdo. Fully restored in early 1971, it is now on
- display.]
-
- [Illustration: Autos On Review
-
- From left to right—1914 Ford Touring, 1917 Crow-Elkhart, 1913
- Hupmobile and a 1913 Ford Speedster.]
-
-
-
-
- The Vintage Years
-
-
-Following World War I cars that had remained drawing board dreams sprung
-into reality. Faster production methods had evolved from the war and
-were now applied to the auto industry. New techniques for making lighter
-alloys were brought into use and new advances in the theory of the
-internal combustion engine were tested and applied. The result was a
-selection of autos superior to those of the previous period.
-
-Production had passed from experiment to refinement. Efficiency was the
-byword with great care given in the construction of each unit during
-that post-war period. Mass production sounded the death knell for the
-short-lived Vintage Years which, it is generally agreed, lasted from
-1919 to 1930.
-
- [Illustration: 1922 Essex
-
- This Essex, manufactured by the Hudson Motor Car Company from
- 1918-1932, was a low-priced, four cylinder car. However, it was very
- popular and was noted for its remarkable acceleration and top
- speed.]
-
- [Illustration: 1922 Star Touring
-
- Even the best of the Vintage Years autos had their bad moments.
- Experienced mechanics were few and far between in some parts of the
- country. Usually the local blacksmith could be depended upon for a
- piece of bailing wire and a fair repair job, as on this 1922 Star.]
-
- [Illustration: 1927 Willys-Knight
-
- Willys-Knight was most notable for its double-sleeve-valve engine.
- Purchase price for this model was $1,400.00.]
-
- [Illustration: 1922 Stutz Touring
-
- You were really “IN” back in the “Roaring 20’s” with this sporty
- wire-wheeled model. This is a blood-brother to the famous Stutz
- Bearcat of early sports car fame.]
-
- [Illustration: 1922 Mercer Touring
-
- The tour cylinder Mercer was one of the fastest cars of its day.
- Note the wire wheels and the two spare tires at the rear. All four
- doors opened from the inside only.]
-
- [Illustration: 1928 Paige-Detroit
-
- This six cylinder four door sedan was one of the last cars made by
- the Paige Company which merged with the Graham Brothers Company the
- next year forming the Graham-Paige Company. Notice the three-tone
- paint job.]
-
- [Illustration: Henry’s Ford Garage
-
- Henry’s Garage displays 18 early Fords from the 1906 Model “N”
- through the Model A”. A parts room duplicating the organized mess of
- the early Ford parts department and a display of tools used to work
- on these wonders which would go miles with baling wire or a hair pin
- holding them together.]
-
- [Illustration: 1913 Overland
-
- Mr. Geisler is sentimental about every car in his collection but
- this one has a special place in his heart. Can you remember the
- first car you ever drove?—Here is the first car Dick Geisler drove,
- now restored to prize winning condition. It was judged the finest
- example of restoration in 1963 and received a first place trophy at
- the national meet held by the Antique Automobile Club of America
- that year.]
-
-
-
-
- Classic Cars
-
-
-What does set apart a true classic from a standard production car? Two
-things in principle: Brilliant and unusual design coupled with the most
-advanced engineering of the day. Almost inseparable from these
-attributes are two more basic factors: Superlative hand workmanship and
-limited production. Some classics may excel in body design coupled to a
-lesser standard of engineering or vice versa, but all the above
-qualities are invariably found in a true classic.
-
- [Illustration: 1928 Cunningham
-
- James Cunningham & Sons manufactured finely made, luxury cars in
- Rochester, N.Y. between 1907 and 1936. This early example of the V-8
- engine produced 100 bhp at 2400 rpm. The Cunningham sold for up to
- $9,000.00. In 1970 a close-coupled convertible like this one was
- offered for $38,750.00. Early Cunningham enthusiasts included Mary
- Pickford, Marshall Field, William Randolph Hearst and Harold Lloyd.
- This car was driven for half its trip from Wisconsin to the PIONEER
- AUTO MUSEUM.]
-
- [Illustration: 1937 Cord
-
- This 810 Westchester Sedan was manufactured by Auburn Automobile
- Company. Only 2,320 cars of the 810 and 812 model Cord were made. It
- featured front wheel drive, Lycoming V-8 engine, retractable
- headlights and wrap-around grill. A 1937 supercharged model 812
- originally sold for $3,575.00. A supercharged Beverly Sedan is on
- display in another building.]
-
- [Illustration: 1931 Pierce-Arrow Convertible Coupe
-
- Headlights sweeping from the fenders in clean, flowing lines mark it
- as a Pierce-Arrow. Bore and stroke were 3½ × 5 inches with a piston
- displacement of 385 cubic inches developing 132 horsepower. Another
- unique feature was pairs of coils, points and condensers allowing
- the 8 cylinder engine to run on four cylinders should the ignition
- fail. Many other unique features of engineering and design mark the
- Pierce-Arrow as a true Classic.]
-
- [Illustration: 1932 Auburn Boattail Speedster
-
- This classic beauty manufactured by the Auburn Automobile Company
- between 1903-1937 was guaranteed to have been test driven at more
- than 100 mph. Auburn first began using the two-tone color scheme in
- 1925. This yellow and red beauty came with a straight eight Lycoming
- engine rated at 150 H.P. This car was a first place winner at the
- national Auburn-Cord-Duesenberg meet a few years ago.]
-
- [Illustration: 1928 Packard Convertible Coupe
-
- This Packard has a straight eight engine, side-mounted spares, disc
- wheels, and a rumble seat. Two other Packards of this classic era,
- both four door phaetons, are also on display in the museum in the
- Classic Building.]
-
-
-
-
- Special Interest Cars
-
-
-To classify as a special interest car it should be distinguished either
-by unusual body style, an engineering innovation or some other marked
-difference from the routine production of its day. A few of the special
-interest cars to be found in the PIONEER AUTO MUSEUM are shown here.
-
- [Illustration: ROONEY RACER
-
- The Mickey Rooney Racer was built especially for use in the movie
- “The Big Wheel.” It is powered by a motorcycle engine mounted in the
- rear. The car, bought in California, traveled cross country in its
- own tailor-made car top carrier.]
-
- [Illustration: 1957 Thunderbird
-
- The two-seater Thunderbird was built between 1955-1957. The one on
- display at the MUSEUM has an engine with 312 cubic inch
- displacement. The porthole top is detachable, secured by five clamps
- and a convertible top was optional. This car is driven regularly by
- John Geisler, and may be parked in front of the MUSEUM.]
-
- [Illustration: Kaiser Darrin Roadster DKF-16
-
- This true roadster manufactured by Willys Motors, Inc., boasts side
- curtains, hidden top, plexiglass wind wings, and sold for $3,668.00.
- The fibreglass body features doors that slide into front fender
- wells and an F head Willys engine. Of the 435 assembly line cars
- built only 226 are known to still exist. If you miss the car in the
- exhibit it is probably parked in front as it is driven regularly by
- Betty Geisler.]
-
-
-
-
- Shucks Ma—“
- Now I can work 40 acres a day!”
-
-
- [Illustration: uncaptioned]
-
-The Indian stared in amazement, dogs and kids ran for cover and great
-grandfather swelled with pride as he drove his new J. I. Case steam
-engine across the prairie.
-
-The mechanical age had really arrived as these and many other
-smoke-belching behemoths rumbled across the plains of South Dakota years
-ago. The “dirt farmer” came into his own, turning over as many as 40
-acres of virgin sod a day. He was soon to be recognized as the most
-important single factor in feeding a rapidly growing nation. Today’s
-farmer, heir to yesterday’s pioneer efforts, finds his role even more
-important. A hungry world constantly demanding a greater food supply
-leans heavily on the American farmer’s ability to produce more and more.
-
-The giants pictured here have long since retired. But South Dakota is
-fortunate to have men of vision who have restored and maintained this
-part of our heritage to see and enjoy now and for years to come.
-
- [Illustration: A Rumley Oil-Pull provides the power to drive one of
- the older threshing machines commonly seen in The wheat country of
- Central South Dakota. This steam powered behemoth provided belt
- drive to run the thresher.]
-
- [Illustration: An Aultman-Taylor kerosene powered tractor of
- yesteryear. Note the heavy chain behind the front wheels that
- provided the linkage for steering this giant. Typical of early
- equipment, it was all but silent until the drive train was engaged.
- No one was ever known to go to sleep at the switch.]
-
- [Illustration: Two views of the farm machinery lot at the back of
- the PIONEER AUTO MUSEUM. Dozens of tractors of all vintages are
- represented along with countless other pieces of farm equipment from
- days gone by.]
-
- [Illustration: no separate caption]
-
-
-
-
- Antique Town
-
-
-“Remember way back when—?” and, “When I was a boy I used to walk five
-miles every day to a one room school back in—!” Here are reminders for
-those who have made these statements or heard them from the folks. A
-true turn-of-the-century main street. How different and complex are
-these same things today!
-
- [Illustration: Two young ladies stand in front of the completely
- equipped barber shop. The other businesses appear to be closed for
- the day so one might guess father is still in the chair doing his
- part in a bit of close harmony.]
-
- [Illustration: A bank is a bank—unless it’s the one you have done
- business with for years and it is to be dismantled. It could be Mr.
- Geisler “rescued his rescuer” when he bought the old Murdo State
- Bank, teller windows, equipment, safe and all. This was the local
- world of finance fifty years ago.]
-
- [Illustration: Funerals, weddings and fancy occasions saw this
- “hack” put to use. This is only one of the many interesting things
- to see in the Livery Barn at PIONEER AUTO MUSEUM.]
-
-
-Everything from barbed wire to groceries to clothing were on the shelves
-at the old General Store. The coffee grinder, the cracker barrel and the
-glowing pot-bellied stove are there to help your imagination run back
-over the years.
-
- [Illustration: General store]
-
- [Illustration: General store shelves]
-
- [Illustration: General store shelves]
-
- [Illustration: Many a pioneer worshipped his Maker in this small
- country church rescued from abandonment and ultimate destruction. It
- is complete with hymnals, prayer books, altar and other original
- furnishings.]
-
- [Illustration: This authentic one-room school house is complete with
- books, desks, and Regulator wall clock.]
-
- [Illustration: Note the double desk and the old stove. Children of
- pioneer days walked or rode horseback for many miles each day to
- attend classes.]
-
- [Illustration: Made by Wurlitzer about 40 years ago, this is the
- world’s largest Concert Band Organ.]
-
- [Illustration: All visitors seem to enjoy climbing up to the cab of
- the old C.M & St. P. R.R. caboose. This old veteran of steam-driven
- railroad days was used when South Dakota was first homesteaded. It
- is completely furnished with authentic pot-bellied stove and other
- equipment of its day.]
-
-
-The PIONEER AUTO MUSEUM opened in May of 1954 with 25 cars and a single
-building. As time went on a collection of old farm machinery and
-tractors blossomed in back. And as old original buildings such as jails,
-schools, churches, banks and many others were doomed to replacement in
-the community, Mr. Geisler added yet another facet of olden day
-preservation to the museum. China, toys, glassware, lamps, musical
-antiquities and other things too numerous to mention here were added. So
-many things, in fact, that many buildings such as the general store, the
-church, and the school house are fully stocked and equipped with
-authentic original trappings. Today the museum boasts 25 buildings with
-over 200 vehicles plus thousands of other memorabilia. Because of Mr.
-Geisler’s fondness for Ford automobiles, a special building in the
-museum, Henry’s Ford Garage, contains only Fords. In 1956 Mr. Geisler
-sold the Chevrolet-John Deere Agency and purchased the Ford Agency in
-Murdo, which is managed by another son, Dave.
-
-PIONEER AUTO MUSEUM is more than a mere tourist attraction. It is a
-tribute to a man and woman and their family who have had the foresight
-to preserve the past. The thousands of items to be seen in a fine state
-of preservation would have doubtless been lost to the dumps and junk
-piles. Instead posterity can visit and maybe “live a little” in the days
-of their forefathers in authentic surroundings.
-
-Visit with Dick and John. They will be happy to give you interesting and
-expert information on anything in the PIONEER AUTO MUSEUM. They might
-even relate a few of the interesting and amusing tales of how the cars
-were found and moved from over 40 states to the PIONEER AUTO MUSEUM in
-Murdo, South Dakota.
-
- [Illustration: 1931 Packard Touring Car
-
- This rare classic was the personal pride of its original owner, Tom
- Mix, hard-riding cowboy of movie fame. The classic features of this
- phaeton included wire wheels, side-mounted twin spares topped by
- rear-view mirrors, dual windshields and dual cowls.]
-
-
-
-
- Transcriber’s Notes
-
-
-—Silently corrected a few typos.
-
-—Retained publication information from the printed edition: this eBook
- is public-domain in the country of publication.
-
-—In the text versions only, text in italics is delimited by
- _underscores_.
-
-
-
-*** END OF THE PROJECT GUTENBERG EBOOK PIONEER AUTO MUSEUM AND ANTIQUE
-VILLAGE ***
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the
-United States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you will have to check the laws of the country where
- you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that:
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg-tm trademark. Contact the Foundation as set
-forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation's website
-and official page at www.gutenberg.org/contact
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without
-widespread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our website which has the main PG search
-facility: www.gutenberg.org
-
-This website includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.